summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--49046-0.txt2246
-rw-r--r--49046-h/49046-h.htm2649
-rw-r--r--49046-h/images/ill_001.jpgbin0 -> 95543 bytes
-rw-r--r--49046-h/images/ill_002.jpgbin0 -> 232761 bytes
-rw-r--r--49046-h/images/ill_003.jpgbin0 -> 54096 bytes
-rw-r--r--49046-h/images/ill_004.jpgbin0 -> 14894 bytes
-rw-r--r--49046-h/images/ill_005.jpgbin0 -> 93959 bytes
-rw-r--r--49046-h/images/ill_006.jpgbin0 -> 48420 bytes
-rw-r--r--49046-h/images/ill_007.jpgbin0 -> 112936 bytes
-rw-r--r--49046-h/images/ill_008.jpgbin0 -> 63515 bytes
-rw-r--r--49046-h/images/ill_009.jpgbin0 -> 99815 bytes
-rw-r--r--49046-h/images/ill_010.jpgbin0 -> 102119 bytes
-rw-r--r--49046-h/images/ill_011.jpgbin0 -> 61727 bytes
-rw-r--r--49046-h/images/ill_012.jpgbin0 -> 46335 bytes
-rw-r--r--49046-h/images/ill_013.jpgbin0 -> 73292 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/49046-8.txt2637
-rw-r--r--old/49046-8.zipbin0 -> 45712 bytes
-rw-r--r--old/49046-h.zipbin0 -> 1129363 bytes
-rw-r--r--old/49046-h/49046-h.htm3063
-rw-r--r--old/49046-h/images/ill_001.jpgbin0 -> 95543 bytes
-rw-r--r--old/49046-h/images/ill_002.jpgbin0 -> 232761 bytes
-rw-r--r--old/49046-h/images/ill_003.jpgbin0 -> 54096 bytes
-rw-r--r--old/49046-h/images/ill_004.jpgbin0 -> 14894 bytes
-rw-r--r--old/49046-h/images/ill_005.jpgbin0 -> 93959 bytes
-rw-r--r--old/49046-h/images/ill_006.jpgbin0 -> 48420 bytes
-rw-r--r--old/49046-h/images/ill_007.jpgbin0 -> 112936 bytes
-rw-r--r--old/49046-h/images/ill_008.jpgbin0 -> 63515 bytes
-rw-r--r--old/49046-h/images/ill_009.jpgbin0 -> 99815 bytes
-rw-r--r--old/49046-h/images/ill_010.jpgbin0 -> 102119 bytes
-rw-r--r--old/49046-h/images/ill_011.jpgbin0 -> 61727 bytes
-rw-r--r--old/49046-h/images/ill_012.jpgbin0 -> 46335 bytes
-rw-r--r--old/49046-h/images/ill_013.jpgbin0 -> 73292 bytes
35 files changed, 10611 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/49046-0.txt b/49046-0.txt
new file mode 100644
index 0000000..d09a86e
--- /dev/null
+++ b/49046-0.txt
@@ -0,0 +1,2246 @@
+*** START OF THE PROJECT GUTENBERG EBOOK 49046 ***
+
+[Illustration: HARPER'S YOUNG PEOPLE]
+
+ * * * * *
+
+VOL. II.--NO. 96. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR
+CENTS.
+
+Tuesday, August 30, 1881. Copyright, 1881, by HARPER & BROTHERS. $1.50
+per Year, in Advance.
+
+ * * * * *
+
+
+
+
+[Illustration]
+
+THE OLD GUN.
+
+
+ 'Mid the smoke and the heat of battle,
+ Where men fought for wrong or right,
+ 'Mid the clash and the roar and the rattle,
+ Where fiercest raged the fight,
+ Stood the old gun,
+ Hurling his bolts of thunder
+ Into the ranks of those
+ Who dared to brave his anger,
+ Who dared to be his foes,
+ Dared face the gun.
+
+ 'Mid the daisies and clover growing
+ On that long-ago battle plain,
+ Kissed by the soft winds, blowing
+ Over the graves of the slain,
+ Lies the old gun.
+ Around him frolic the children,
+ Noisy with innocent glee,
+ But silent and still he lies there,
+ Who helped make a nation free,
+ Asleep in the sun.
+
+
+
+
+COMPENSATION.
+
+BY GEORGE COOPER.
+
+
+ For every leaf of green,
+ A golden leaf;
+ For every fading flower,
+ A ripened sheaf.
+ For every parching beam,
+ A drop of rain;
+ For every sunny day,
+ The stars again.
+
+ For every warring wave,
+ A pretty shell;
+ For every sound of woe,
+ A joyous bell.
+ For every passing care,
+ A mother's kiss:
+ And what could better be,
+ Dear child, than this?
+
+
+
+
+AN ANCIENT TRAVELLER.
+
+BY ELLA RODMAN CHURCH.
+
+
+The oldest book of travels in Asia that has been preserved was written
+by Marco Polo, an Italian, who was born nearly two hundred and fifty
+years before his famous countryman Christopher Columbus discovered
+America.
+
+The father and uncle of Marco, who were merchants in Venice, had already
+been to China, then called Cathay, and spent some years at the court of
+the Emperor Khubla Khan, who became their warm friend. On their return
+to Venice they had many wonderful stories to tell of the mysterious
+country they had explored, and the strange sights and adventures they
+had met with; and two years afterward they started again on their
+travels, with letters and presents for the Chinese monarch from Pope
+Gregory X. Marco, then a young man of twenty, went with them on this
+journey.
+
+They travelled over land and water and desert, and had many hardships
+and dangers to encounter; but finally they reached the city of Cambalu
+(which was discovered in the seventeenth century to be Pekin), after a
+journey of _four years_! When the Khan heard that they were coming, he
+sent people to meet them a month and a half before they arrived, and
+directed that they should be received with every possible honor.
+
+At last they reached the royal city, and were conducted at once to the
+Khan, before whom they prostrated themselves, after the fashion of the
+country; then they were invited to a magnificent banquet. The throne,
+which stood on a platform at the head of the long table, sparkled and
+glittered with precious gems; and on this was seated the monarch of
+Cathay, sparkling and glittering likewise in his festal robes, with his
+four wives around him, and a long string of attendants for each of the
+ladies.
+
+Everybody who was considered to be in good society in Cambalu was
+present at this feast of welcome to the returned travellers; and jewels,
+and plumes, and gold, and precious stones, and brilliant colors, and
+beautiful faces were mingled together in bewildering confusion. After
+the company had left the table, jugglers and acrobats and musicians were
+brought in to entertain them; and very likely the tired strangers were
+glad enough when it was all over, and they could retire in peace to the
+splendid palace that had been arranged with every imaginable luxury, and
+hosts of servants to wait upon them and do their bidding.
+
+The next day they presented the generous monarch with the Pope's letter,
+and a small bottle filled with the oil used for the silver lamps in the
+chapel of the Holy Sepulchre at Jerusalem. The Khan saw, from the
+reverent manner of the travellers, that this oil must possess rare
+virtues, and he received it with much gratitude. He was an intelligent
+man, and he asked many questions about their journey, and about matters
+and things in Europe, the Polos having become well acquainted with the
+Mongol language during their former stay, so that they could talk
+without an interpreter. His Royal Highness was particularly pleased with
+Marco, and said that he would give him an important position at once in
+his household.
+
+The young man immediately began to study the language, laws, and customs
+of this strange country, that he might be able to perform the duties of
+his office, and the Khan soon had such confidence in him that he sent
+him on affairs of importance all over the empire.
+
+It was in this way that Marco Polo learned so much about Cathay, and the
+book of travels which he wrote was read for a long time with the
+greatest interest. Now it is looked upon as an ancient relic; and the
+pictures are particularly funny. In one of them is a representation of
+the Khan in a portable room carried on the backs of four elephants,
+which are shaped very much like pigs, and have gorgeous rosettes on
+their backs, supposed to be intended for saddles. A crowd of people gaze
+with awe upon their sovereign as he is borne triumphantly along in this
+very novel manner, the front side of the room being open, so that all
+can see him.
+
+Another picture, which is intended for an elephant hunt, represents the
+elephants shorter than the horses on which the hunters ride and shoot at
+them with bows and arrows--as though elephants would mind _that_!--while
+the trees seem to be growing on the elephants' backs.
+
+Khubla Khan was at war with the sovereigns of the provinces south of his
+kingdom, and his friends the Polos were of great use to him by showing
+him how to make and use the European machines, called catapults, for
+hurling immense stones against the walls and towers of besieged cities.
+These were highly thought of before the invention of artillery.
+
+The monarch was very much delighted, and as soon as the machines were
+ready he sent the learned Venetians to head a fresh attack upon the
+important city of Sa-yan-fu. The banner of Khubla Khan was soon waving
+above the crushed walls, and the Polos were liberally rewarded with
+wealth and honors. Marco, who was the Khan's especial favorite, was made
+a noble of the empire, with a more magnificent palace and a larger
+retinue than ever.
+
+After spending seventeen years of this exciting life, the Polos longed
+to see their native city again; but the monarch, who was now an old man,
+would not consent to part with them. Fortunately, however, for the
+homesick visitors, the Khan's granddaughter was to marry the King of
+Persia, and started on her journey to that country; but after travelling
+for eight months, the Princess and her attendants found that many of the
+provinces through which they had to pass were at war, and they turned
+back to Cambalu.
+
+The Polos, seizing this opportunity of escape, promised to convey the
+bridal party safely by sea; and the Khan agreed to let them go, on
+condition of their returning to him again after a short visit home.
+Among the monarch's parting gifts were caskets of magnificent rubies and
+other precious gems.
+
+It was eighteen months before they reached Ormuz, and during that time
+two or three of the envoys and six hundred of the Princess's attendants
+had died. The Persian bridegroom was dead also, and so was the monarch
+of Cathay, Khubla Khan.
+
+The Polos now were freed from their promise to return; and after staying
+nine months in Persia--for they liked to explore every place at which
+they stopped--they started on their long journey to Venice. They arrived
+there in safety, after an absence of twenty-four years; and at first no
+one would believe that these outlandish-looking travellers were the real
+Polos. But they soon proved their identity, and became known far and
+wide as the most wonderful travellers of the time.
+
+Marco was a prisoner in Genoa for four years, after a battle with the
+Genoese, and he amused himself during this dreary period by writing an
+account of his travels and his life at the court of the Khan.
+
+
+
+
+FROG-CATCHING.
+
+BY A. W. ROBERTS.
+
+
+When a man dwelling in the Drowned Lands of Canonoque, Canada, is
+capable of accumulating a small fortune by catching frogs for the New
+York market, surely some of our young people who are now spending their
+vacations near the shores of our lakes, rivers, and ponds ought also to
+make considerable pocket-money, if not as large a fortune as that of Pat
+Bowman, of the Drowned Lands, who follows up the frogs from early spring
+until late in the fall.
+
+It is not only the pocket-money that is to be picked up, but while on
+the frog-hunts many lessons are to be learned in aquatic natural
+history. Then there is the fun of the thing. It's fun to get sunburned,
+and have a brand-new skin at the end of a week to attend church in. It's
+fun to step into a bumble-bees' nest, and have the bees chase you until
+you are only too glad to take refuge in the water, where they can't find
+you out. And it's fun to break through a musk-rat or turtle run, and to
+have your companions pull you out covered with black peat; then come the
+washing out of your clothes, and hanging them in the sun to dry; and
+while they are drying, then the sand-flies and mosquitoes come swarming
+about you in clouds, until in sheer desperation you conclude to do as
+the cows do--stand in the water and splash. And after you have stood in
+the water a few minutes, you find the horse-leeches and boat-flies have
+discovered you have legs, and are having a feast on them. By this time
+your clothing is dry. All this sort of experience was fun to me when I
+was a boy, and I often sigh for those happy days to return.
+
+At the age of thirteen I became a frog-catcher. I discovered there was a
+demand in Fulton and Washington markets for frogs' legs, and that the
+price paid for them, as they ran, large and small (not very, very
+small), was one dollar and a half per hundred. But here was the trouble:
+how could I manage to keep the frogs alive and healthy until I had one
+hundred of them ready for market? At last I hit upon a plan, which was
+no less than to construct a pond in our then very large garden, and
+plant it with pond-lilies, sweet-flag, and cat-tails; in fact, to make
+it as picturesque as possible. To have the pond hold water, the bottom
+and sides were lined with clay to the depth of half a foot. To fill the
+pond we made a series of wooden gutters that connected with the garden
+pump. Every night we pumped and pumped, until we thought the old pump
+would surely go dry.
+
+In our house lived a blind sea-captain; he was a bright, kind-hearted,
+good-natured old gentleman. He could navigate all over our large garden
+without tramping down the smallest radish, and as for thinning out
+carrots and beets, he could do it beautifully; he knew every weed by
+touch and smell. He was just as good as good could be, and all we boys
+thought the world of him, and he thought we were the best boys ever
+born. Now the captain liked everything in nature that had a voice, such
+as birds, crickets, locusts, katydids, and tree-toads, with which we
+kept the garden well supplied, so that at night there was nearly a full
+orchestra of nature's musicians. On bass, basso, and basso-profundo we
+were short, but knew full well that as soon as the intended inhabitants
+for the pond were secured, those voices of the night would be
+forthcoming.
+
+The first frogs we captured were taken with a scap-net toward evening,
+when they drew near the shore to feed, and to secure them we tied them
+by their hind-legs to a string. One evening we discovered a frog by his
+voice, which was that of a pure basso-profundo, and in strength that of
+three bull-calves in one. His home was in a small ditch of water, which,
+the minute approached, he would plunge into, and was lost to sight. By
+the great splash he made we knew that he must be a monster of a
+bull-frog. Night after night we tried to capture him, but failed. At
+last we determined to devote one entire Saturday to his capture.
+
+There was one particular spot on the side of the ditch where he always
+sat when taking a sun-bath, but the minute he caught sight of us, in he
+would plunge, and disappear for an hour's time. At first we imagined he
+dived down into the deep mud bottom, and remained there until he thought
+all was quiet, or that we were gone away.
+
+[Illustration: DIGGING OUT THE BIG FROG.]
+
+At last, by mere accident, we discovered his secret hiding-place to be a
+musk-rat hole, the entrance of which connected directly with the water
+of the ditch, so that all he had to do was to make a strong and long
+dive for the musk-rat hole, and he was safe every time. The only way
+left was to secure the entrance to the hole with a net, and then to go
+after him with spades and shovels and dig him out; which we did, and
+wasn't he a beauty? He weighed over a pound, and must have been seven or
+eight years old. After being in the pond a week, one bright moonlight
+night he condescended to join in with the other musicians.
+
+We greatly increased the power of our orchestra by adding twenty-five
+common toads, which in the breeding season frequent the water, and are
+very noisy, and also one hundred of the shrill-piping Hylodes, or
+tree-toads, and two screech-owls, which were kept in separate cages at
+different parts of the garden, so that all night long they were calling
+to one another.
+
+At the end of every two weeks one of the four members of the "Great Long
+Island Frog Company" took to market from two hundred to two hundred and
+fifty live frogs, for which was received a dollar and a half per
+hundred. In course of time sufficient capital was accumulated to
+purchase four hundred breeding gold-fish with which to stock the pond,
+so that on the second year we were marketing live frogs and gold-fish.
+All this happened many years ago, but the traffic in bull-frogs and
+bull-frogs' legs has been growing steadily, until it has attained
+wonderful proportions, as the following statements will show:
+
+It is estimated by good judges that no less than fifteen hundred-weight
+of frogs' legs are sent to the New York market every year. New York
+State, New Hampshire, Maine, Pennsylvania, and the Canadas are the
+principal sources of supply. There is one dealer who has agents catching
+and purchasing frogs in all the above-named places.
+
+Frog-catching begins early in the spring, and lasts until late in the
+fall. The frogs are caught without bait, all the tackle used being a rod
+or pole cut in the woods, to which is fastened a short and stout line.
+On the end of the line is fastened a broad stout hook. When a frog is
+discovered, the "froggist" drops the hook under the jaw of the frog, and
+with a quick jerk Mr. Frog flies up into the air, and is taken from off
+the hook, and placed in a bag. The frogs think the hook is alive, and
+snatch at it eagerly. Sometimes a frog, when the hook tickles his nose
+or passes over one of his ears, will lose his temper, and make a
+terrible lunge at it. I have seen old frogs lose their tempers entirely,
+so that the minute they caught sight of the end of the pole they would
+jump clear out of the water, and bite at it fiercely. A frog will never
+bite at anything when under water, as he is afraid to open his large
+mouth from fear of drowning. A frog kept entirely in the water, with
+nothing to rest on, will in course of time drown. When the hook is
+ornamented with a piece of red flannel, the frogs will jump for it
+several feet. Frogs bite best on warm, sunny days. When fishing for
+frogs at night, a reflector or bull's-eye is fastened at the bow of the
+boat. The bright light seems to daze the frogs to an extent that admits
+of their easy capture.
+
+The frogs, when caught, are placed in cages made of laths or slats; the
+cages are about five feet long by four feet wide, and one foot in
+height. These cages are placed half in the water and half on land; the
+bottoms of the cages having a slight inclination, to allow the frogs to
+leave the water when so disposed. After being caged for a few days, they
+will begin to take food. Their favorite food is young frogs, small live
+fish, insects, mice, and angle-worms. All of these must have life and
+motion, or the frogs will not eat them. Many attempts have been made to
+breed frogs artificially, but so far all have failed. The principal
+trouble seems to be the difficulty of obtaining natural food in
+sufficient quantities to prevent the old frogs from devouring their
+young, which they will do on all occasions. Again, the young frog, from
+the tadpole stage up to the perfect frog, is surrounded by enemies night
+and day--aquatic birds, turtles, lizards, snakes, leeches, insects,
+fish, water-rats, and, worst of all, his own relations. A female frog at
+five years of age will produce over a thousand eggs every year. Out of
+the thousand eggs not more than twenty-five ever attain over two years'
+growth, so constant is the warfare of their enemies.
+
+[Illustration]
+
+There are two ways of preparing the frogs' legs for market. One is known
+as the Canadian style (see figure), which consists of leaving part of
+the back of the frog attached to the legs; this is done to make weight.
+The other is the Philadelphia style, wherein the legs are cut off close
+to the end of the back, or spine, after the legs have been skinned. In
+the figure the dotted line A A shows the Philadelphia style, which
+always brings the highest price. The legs are packed in half-barrels
+between layers of crushed ice, and will average from fifty to
+seventy-five pounds to the half-barrel. The prices paid for frogs' legs
+vary from twenty to sixty cents per pound, which is governed by the
+season of the year, the demand, and the supply. At the leading
+hotels--Delmonico's, for instance--seventy-five cents is the regular
+price per plate for cooked frogs' legs all the year round.
+
+The method of cooking the legs is as follows. After the legs have been
+thoroughly washed, they are dried in a towel; they are then dipped in
+beaten eggs, and rolled in powdered cracker, after which they are fried
+in very hot lard or butter until slightly brown, and are served up with
+fine herbs and mushrooms stewed in butter.
+
+Now it seems to me, as I said before, that the boys have a chance to
+make considerable pocket-money on frogs' legs. If I was still a boy, I
+would enter into an agreement with two or three of the largest and
+best-paying hotels to supply them with legs, fresh caught (remember,
+that's a big advantage you would have over the New York market), at just
+a few cents per pound below the prevailing market prices during the
+season. There is no reason, when you are out frogging, why you should
+not capture a few trout also.
+
+
+
+
+[Illustration: THE BOOT-BLACK'S SHOWER-BATH.]
+
+
+
+
+[Begun in No. 92 of HARPER'S YOUNG PEOPLE, August 2.]
+
+TIM AND TIP;
+
+OR, THE ADVENTURES OF A BOY AND A DOG.
+
+BY JAMES OTIS,
+
+AUTHOR OF "TOBY TYLER," ETC.
+
+CHAPTER V.
+
+LIFE ON BOARD THE "PRIDE OF THE WAVE."
+
+
+When Tim first went on board the steamer which was to be his home, he
+thought, from the beautiful things he saw around, that he should live in
+a luxurious manner; but when he was shown the place in which he was to
+sleep, he learned that the fine things were for the passengers only, and
+that even comfort had been sacrificed in the quarters belonging to the
+crew.
+
+He was given a berth in the forecastle, which was anything rather than a
+pleasant or even a sweet-smelling place, and had it not been that he had
+the satisfaction of having Tip with him when he went to bed, he would
+have cried even harder and longer than he did.
+
+Captain Pratt had not made his appearance on the steamer that day; but
+the steward had told him that his duties as Captain's boy would begin
+next morning at breakfast, when he would be expected to wait upon the
+Captain at the table. The last thing Tim thought of that night was how
+he should acquit himself in what he felt would be a trying position, and
+the first thing which came into his mind when he awoke on the following
+morning was whether he should succeed in pleasing his employer or not.
+
+After kissing Tip over and over again, and with many requests to him to
+be a good dog and not make a noise, Tim tied his pet in his narrow
+quarters, and then made his own toilet. He really made a good appearance
+when he presented himself to Mr. Rankin, the steward, that morning. His
+cheeks were rosy from a vigorous application of cold water and a brisk
+rubbing, and if he could rely upon his personal appearance for pleasing
+Captain Pratt, there seemed every chance that he would succeed.
+
+During the time he had been at work the day before, Mr. Rankin took
+every opportunity to instruct him in his new duties, and that morning
+the steward gave him another lesson.
+
+It was barely finished when Captain Pratt came into the cabin, and one
+look at him made Tim so nervous that he forgot nearly everything he had
+been told to remember.
+
+The Captain's eyes were red, his hands trembled, while he had every
+symptom of a man who had been drinking hard the day before, and was not
+perfectly sober then.
+
+Tim had never had any experience with drinking men; but he did not need
+any explanation as to the causes of the Captain's appearance, and he
+involuntarily ducked his head when his employer passed him.
+
+"Now, then, what are you skulking there for, you young rascal?" shouted
+Captain Pratt, as he fell rather than seated himself in his chair.
+
+"I ain't skulkin', sir," replied Tim, meekly.
+
+"Don't you answer me back," cried the Captain, in a rage, seizing the
+milk pitcher as if he intended to throw it at the boy. "If you talk back
+to me, I'll show you what a rope's end means."
+
+Tim actually trembled with fear, and kept a bright lookout, so that he
+might be ready to dodge in case the pitcher should be thrown, but did
+not venture to say a word.
+
+"Now bring me my breakfast, and let's see if you amount to anything, or
+if I only picked up a bit of waste timber when I got you."
+
+"What will you have, sir?" asked Tim, timidly, as he moved toward the
+Captain's chair.
+
+A blow on the side of his head that sent him reeling half way across the
+cabin served as a reply, and it was followed by a volley of oaths that
+frightened him.'
+
+"What do you mean by asking me what I'll have before you tell me what is
+ready? Next time you try to wait upon a gentleman, tell him what there
+is. Bring me some soda-water first."
+
+This was an order that had not been provided for in the lessons given by
+Mr. Rankin, and Tim stood perfectly still, in frightened ignorance.
+
+"Come, step lively, or I'll get up and show you how," roared the
+Captain, his face flushing to a deeper red, as his rage rose to the
+point of cruelty.
+
+"Please, sir, I don't know where it is;" and Tim's voice sounded very
+timid and piteous.
+
+"Don't know where it is, and been on board since yesterday! What do you
+suppose I hired you for? Take that, and that."
+
+[Illustration: CAPTAIN PRATT ORDERS HIS BREAKFAST.]
+
+Suiting the action to the words, the cheerful-tempered man threw first a
+knife and then a fork at the shrinking boy, and was about to follow them
+with a plate, when Mr. Rankin put into Tim's hand the desired liquid.
+
+Tim would rather have gone almost anywhere else than close to his
+employer just then; but the glass was in his hand, the Captain was
+waiting for it with a glare in his eye that boded no good if he delayed,
+and he placed it on the table.
+
+"Now what kind of a breakfast have you got?" shouted Captain Pratt, as
+he swallowed the liquid quickly.
+
+It was a surprise to himself that he could remember anything just then,
+but he did manage to repeat the names of the different dishes, and to
+take the Captain's order.
+
+Although he ran as swiftly as possible from the table to the kitchen,
+and was served there with all haste, he did not succeed in pleasing the
+angry man.
+
+"I want you to remember," said that worthy, with a scowl, "that I ain't
+in the habit of waiting for my meals. Another time, when you are so
+long, I shall give you a lesson you won't forget."
+
+Tim was placing the dishes of food on the table when the Captain spoke,
+and he was so startled by the angry words, when he thought he deserved
+pleasant ones, that he dropped a plate of potatoes.
+
+He sprang instantly to pick them up, but Captain Pratt was out of his
+chair before he could reach them, and with all his strength he kicked
+Tim again and again. Then, without taking any heed of the prostrate boy,
+who might have been seriously injured, he seated himself at the table in
+perfect unconcern.
+
+Mr. Rankin helped Tim on his feet, and finding that no bones were
+broken--which was remarkable, considering the force with which the blows
+had been given--advised him to go on deck, promising that he would serve
+the Captain.
+
+"But I propose that the boy shall stay here," roared the Captain. "Do
+you think I'm going to let him sneak off every time I try to teach him
+anything?"
+
+Tim struggled manfully to keep back the tears that would come in his
+eyes as he stood behind the Captain's chair, but they got the best of
+him, as did also the little quick sobs.
+
+The Captain appeared to grow more cheerful as he ate, and although he
+called upon Tim for several articles, he managed to get along without
+striking any more blows, contenting himself by abusing the poor boy with
+his tongue.
+
+It was a great relief to Tim when that meal was ended, and Mr. Rankin
+told him he could eat his own breakfast before clearing away the dishes.
+
+Tim had not the slightest desire for food then, but he did want some for
+Tip. Hastily gathering up the bones from Captain Pratt's plate, he ran
+with them to the bow, where Tip was straining and tugging at his rope as
+if he knew his master was having a hard time, and he wanted to be where
+he could help him.
+
+Tim placed the bones in front of Tip, and then kneeling down, he put his
+arms around the dog's neck as he poured out his woes in his ear, while
+Tip tried in every way to get at the tempting feast before him.
+
+"I'm the miserablest boy in the world, Tip, an' I don't know what's
+goin' to become of us. You don't know what a bad, ugly man Captain Pratt
+is, an' I don't believe I can stay here another day. But you think a
+good deal of me, don't you, Tip? an' you'd help me if you could,
+wouldn't you?"
+
+The dog had more sympathy with the bones just then than he had with his
+almost heart-broken master, and Tim, who dared not stay away too long
+from the cabin, was obliged to let him partake of the feast at last.
+
+When Tim returned from feeding the dog, Mr. Rankin said all he could to
+prevent him from becoming discouraged on the first day of service; but
+he concluded with these words: "I can't advise you to stay here any
+longer than you can help, for you ain't stout enough to bear what you'll
+have to take from the Captain. It'll be hard work to get off, for he
+always looks sharp after new boys, so they sha'n't run away; but when we
+get back here again, you'd better make up your mind to show your heels."
+
+These words frightened Tim almost as much as what the Captain had said
+to him, for he had never thought but that he could leave whenever he
+wanted to. Now he felt doubly wretched, for he realized that he was as
+much a captive as he had ever been when he lived with Captain Babbige,
+whose blows were not nearly as severe as this new master's.
+
+The _Pride of the Wave_ made but two trips a week, and each one occupied
+about two days and a half. This second day after Tim had come on board
+was the time of her sailing, and everything was in such a state of
+confusion that no one had any time to notice the sad little boy, who ran
+forward to pet his dog whenever his work would permit of such loving
+act.
+
+Among his duties was that of answering the Captain's bell, and once,
+when he returned from a visit to Tip, Mr. Rankin told him, with evident
+fear, that it had been nearly five minutes since he was summoned to the
+wheel-house.
+
+While the steward was speaking, the bell rang again with an angry peal
+that told that the party at the other end was in anything but a pleasant
+mood. It did not take Tim many seconds to run to the wheel-house, and
+when he arrived there, breathless and in fear, Captain Pratt met him at
+the door.
+
+"So the lesson I gave you this morning wasn't enough, eh?" cried the
+angry man, as he seized Tim by the collar and actually lifted him from
+his feet. "I'll teach you to attend to business, and not try to come any
+odds over me."
+
+Captain Pratt had a stout piece of rope in one hand, and as he held Tim
+by the other, nearly choking him, he showered heavy blows upon the poor
+boy's back and legs, until his arm ached.
+
+"Now see if you will remember that!" he cried, as he released his hold
+on Tim's collar, and the poor child rolled upon the deck almost
+helpless.
+
+Tim had fallen because the hold on his neck had been so suddenly
+released, rather than on account of the beating; and when he struggled
+to his feet, smarting from the blows, the Captain said to him, "Now
+bring me a pitcher of ice-water, and see that you're back in five
+minutes, or you'll get the same dose over again."
+
+Tim limped away, his back and legs feeling as though they were on fire,
+and each inch of skin ached and smarted as it never had done from the
+worst whipping Captain Babbige or Aunt Betsey had favored him with. He
+entered the cabin with eyes swollen from unshed tears, and sobs choking
+his breath, but with such a sense of injury in his heart that he made no
+other sign of suffering.
+
+Mr. Rankin was too familiar with Captain Pratt's method of dealing with
+boys to be obliged to ask Tim any questions; but he said, as the boy got
+the water, "Try to keep a stiff upper lip, lad, and you'll come out all
+right."
+
+Tim could not trust himself to speak, for he knew he should cry if he
+did; and he carried the water to the wheel-house, going directly from
+there to Tip.
+
+The dog leaped up on him when his master came where he was, as if he
+wanted a frolic; but Tim said, as he threw himself on the deck beside
+him: "Don't, Tip--don't play now; I feel more like dyin'. You think it's
+awful hard to stay here; but it's twice as hard on me, 'cause the
+Captain whips me every chance he gets."
+
+Tip knew from his master's actions that something was wrong, and he
+licked the face that was drawn with deep lines of pain so lovingly that
+Tim's tears came in spite of his will.
+
+He was lying by Tip's side, moaning and crying, when old black Mose, the
+cook, was attracted to the spot by his sounds of suffering.
+
+"Wha-wha-wha's de matter, honey? Wha' yer takin' on so powerful 'bout?"
+
+Tim paid no attention to the question, repeated several times, nor did
+he appear to feel the huge black hand laid so tenderly on his head.
+
+"Wha's de matter, honey? Has Cap'en Pratt been eddercatin' of yer?"
+Then, without waiting for a reply, he continued: "Now don' take on so,
+honey. Come inter de kitchen wid ole Mose, an' let him soothe ye up a
+little. Come, honey, come wid me, an' bring de dorg wid yer."
+
+While he spoke the old colored man was untying the rope which fastened
+Tip, for he knew the boy would follow wherever the dog was led. And in
+that he was right, for when Tip went toward the little box Mose called a
+kitchen, he followed almost unconsciously.
+
+Once inside the place where the old negro was chief, Mose took his
+jacket off, and bathed the ugly-looking black and blue marks which had
+been left by the rope, talking to the boy in his peculiar dialect as he
+did so, soothing the wounds on his heart as he treated those on his
+body.
+
+"Now don' feel bad, honey; it's only a way Cap'en Pratt has got, an' you
+must git used to it, shuah. Don' let him fret yer, but keep right on
+about yer work jest as ef yer didn't notice him like."
+
+Mose bathed the wounds, gave Tip such a feast as he had not had for many
+a day, and when it was done, Tim said to him: "You're awful good, you
+are; but I'm afraid the Captain will make you sorry for it. He don't
+seem to like me, an' he may get mad 'cause you've helped me."
+
+"Bress yer, chile, what you s'pose ole Mose keers fur him ef he does git
+mad? The Cap'en kin rave an' rave, but dis niggar don' mind him more'n
+ef he was de souf wind, what carn't do nobody any harm."
+
+"But--" Tim began to say, earnestly.
+
+"Never mind 'bout any buts, honey. Yer fixed all right now, an' you go
+down in de cabin an' go ter work like a man; ole Mose'll keep keer ob de
+dorg."
+
+Tim knew he had already been away from his post of duty too long, and
+leaving Tip in the negro's kindly care, he went into the cabin, feeling
+almost well in mind, although very sore in body.
+
+[TO BE CONTINUED.]
+
+
+
+
+[Illustration: NOT UP IN HIS PART.--DRAWN BY SOL EYTINGE, JUN.]
+
+
+
+
+PHIL'S BURGLAR.
+
+BY FRANK H. CONVERSE.
+
+
+I am Phil Morris, fourteen years old, and the youngest clerk in Covert
+Savings-Bank. The cashier is my uncle Jack, and he began at the bottom,
+where I am, when _he_ was a boy. He says that a boy had better grow up
+with a country bank than go West and grow up with the country. He thinks
+there's more money in it.
+
+"If there's anything in you," he said one day, "you'll work your way up
+to be bank president some time." And I guess it's better to be president
+of a country bank than to be President of the United States. Anyway, you
+wouldn't have to be shot before folks began to find out that you were
+doing your level best to keep things straight. Uncle Jack says and does
+such queer things sometimes that people say he's odd. They tell about
+his being so wrapped up in our bank that he never had time to hunt up a
+wife. I notice, though, that when father and mother died, and left me a
+wee little baby, Uncle Jack found time to bring me up, and give me a
+good education to boot. Oh, he's as good as gold or government bonds,
+Uncle Jack is.
+
+We live in rooms over the bank, where old Mrs. Halstead keeps house for
+us. Underneath, we do the business. There's heaps of money in our two
+big vaults.
+
+Last summer--and, mind you, this was while _I_ was away on vacation--two
+men broke into the building. They came up stairs, and into Uncle Jack's
+room. One had a bull's-eye lantern that he flashed in Uncle Jack's face
+as he sat up in bed, and the other pointed a big pistol right at his
+head.
+
+"Tell us where the vault keys are, or I'll shoot you," he said.
+
+"Oh, Uncle Jack," I broke in, when he was telling me about it, "what
+_did_ you do?"
+
+"What would you have done?" he asked, in his odd way.
+
+"I know what I _wouldn't_ have done," I answered him, straightening up a
+bit--"I wouldn't have given 'em the keys."
+
+"Ah!" Uncle Jack says, kind of half doubtful, and then went on: "Well, I
+told them to shoot away. And they knew as well as I did that shooting
+wouldn't bring them the keys. So when they found they couldn't frighten
+me, the scoundrels tied me, and went off in a rage, with my watch and
+pocket-book."
+
+That was last summer. One night along in the fall Uncle Jack started off
+down town. "It's Lodge night, and I may not be back until late," he
+said. "You won't mind staying alone--a great boy like you." And of
+course I said "No."
+
+But somehow, after Mrs. Halstead went to bed, I found I _did_ mind it. I
+don't know what made me feel so fidgety. Perhaps it was reading about a
+bank robbery in Bolton, which is the next town to Covert. It was thought
+to be the work of Slippery Jim, a notorious burglar. And while I was
+thinking about it, I dozed off in Uncle Jack's easy-chair.
+
+"Ow-w-w!" I sung out all at once. And if you'd woke up of a sudden to
+see a rough-looking man, with a slouch hat pulled over his eyes,
+standing right in front of you, you'd have done the same. "What--what do
+you want here?" I sort of gasped; and I tried to speak so he wouldn't
+hear my teeth knock together.
+
+"The vault keys--where are they?" he answers, short and gruff. And then
+he kind of motioned with his hand--I suppose to show the revolver he was
+holding.
+
+I was pretty badly scared; but all the same, I didn't mean he should
+have those vault keys, if he shot the top of my head off.
+
+"Come, hurry up," he said, with a sort of grin. And I noticed then that
+he had red whiskers, and some of his upper front teeth were gone, so
+that he didn't speak his words plain.
+
+"I should know you anywhere," I thought. "Strategy, Phil Morris," I said
+to myself, bracing up inside; for a story I'd read about how a lady
+caught a live burglar came across me like a flash. "Please don't shoot,
+sir," I began to say, with all sorts of demi-semi-quavers in my
+voice--"please don't; indeed I'll show you where they're kept." So
+making believe to shake all over, I took the lamp, and led the way into
+Uncle Jack's bedroom. "The k-k-k-eys are in th-there, sir," I told him.
+
+You should have seen how my fingers trembled when I pointed to the
+little store-room that opened out of the chamber. The keys were there,
+true enough, but I'd like to see any one except Uncle Jack or I find
+them. I suppose you have heard of such things as secret panels.
+
+The store-room floor is lower than the chamber floor. Many a time, when
+I haven't been thinking, I've stepped down with a jar that almost sent
+my backbone up through the top of my head.
+
+"In there, eh?" said my bold burglar, quite cheerful like, and pushed by
+me to the open door.
+
+I set the lamp down, and my heart began to beat so that I was almost
+afraid he could hear it. "Now or never," I whispered.
+
+It was all done quicker than you could say "knife." I put my head down
+like a billy-goat, and ran for the small of his back. "Butted" isn't a
+nice word, but that's just how I sent him flying headlong into the
+closet. I heard him go down with a crash that shook Mrs. Halstead's
+biggest jar of raspberry jam off the shelf.
+
+I didn't stop to take breath until I'd locked the door and barricaded it
+with Uncle Jack's big mahogany bureau--just as the lady did in the
+story. Then I breathed--and listened. What I heard made my eyes stick
+out a bit. First I almost felt like crying. Then I laughed until I did
+cry. I suppose the excitement made me hystericky. It wasn't ten minutes
+before I roused up Mr. Simms the constable, and Jared Peters, who lives
+next door. Mr. Simms brought along an old pepperbox revolver and a pair
+of handcuffs. Jared Peters had his double-barrel gun, but in his flurry
+he forgot to load it.
+
+Up stairs we hurried. The two men pulled away the bureau, and Mr. Simms,
+who was in the army, stationed us in our places.
+
+"Look a-here, you feller," Mr. Simms called out, "the strong arm of the
+law is a-coverin' of you with deadly weepons. Surrender without
+resistance.--Phil, yank open the door."
+
+I flung open the door. Jared Peters covered the prisoner with his gun.
+He was covered with something else too--Mrs. Halstead's raspberry jam,
+that he'd been wallowing round in. He didn't look proud, though, for all
+he was so stuck up.
+
+Before he could open his mouth Mr. Simms had him handcuffed and dragged
+out into the chamber.
+
+"There," he said, with a long breath, "I guess _you_ won't burgle no
+more right away."
+
+"For goodness' sake, Simms--Peters--don't you know me--Mr. John Morris,
+cashier of the savings bank." That was what the prisoner said just as
+soon as he could speak.
+
+Well, I didn't wait any longer. I just bolted for my own room, where I
+could lie down on the floor. And there I lay laughing until I was purple
+clear round to my shoulder-blades. Then I went to bed.
+
+"Philip," said Uncle Jack, solemnly, while we were at breakfast next
+morning, "I should beg your pardon for trying to test your courage in
+the--the consummately idiotic way I took to do it last night, but"--and
+he looked pretty sheepish--"I--I think I got the worst of it."
+
+"I think you did, sir," I answered him, choking a bit.
+
+"The disguise was a good one, though," he went on, with a sort of feeble
+chuckle, "and leaving my false teeth out, changed my voice
+completely--eh, Phil?"
+
+"Yes, sir--until you hollered out in the closet that it was all a joke,
+and wanted me to let you out," I answered him, as I got up and edged
+toward the door.
+
+"Why didn't you let me out then?" roared Uncle Jack, who is rather
+quick-tempered.
+
+I hope I wasn't impudent. Truly, I didn't intend to be. "Because, Uncle
+Jack," I said, as I turned the door knob, "I have heard you say more
+than once that he who can not take a joke should not make one." And as I
+dodged through the door I heard Uncle Jack groan.
+
+
+
+
+[Illustration: NOT TALL ENOUGH.]
+
+
+
+
+GOOD-NIGHT.
+
+BY W. T. PETERS.
+
+
+ Good-night, happy stars,
+ With your yellow eyes;
+ Good-night, lady moon,
+ In the evening skies;
+ Good-night, dusky world
+ And the boundless deep;
+ I am tired out;
+ It is time to sleep--
+ Time, time to sleep.
+ Good-night! Good-night!
+
+ Good-night, weary boy;
+ It has been decreed
+ That some mysteries
+ Only a child can read;
+ But the sweet child-heart
+ May you always keep,
+ And the stars will be yours,
+ And the boundless deep--
+ The boundless, boundless deep.
+ Good-night! Good-night!
+
+
+
+
+SEEING THE BIG WORLD.
+
+BY F. E. FRYATT.
+
+
+Andrew, the florist, set out one fine day for a trip to the wood that
+lay a mile beyond his greenhouses.
+
+He was a grand old man, who loved all the beautiful things God has
+scattered over this earth, from the tiny grass blade pushing up through
+the brown mould, to the mighty oak spreading its branches like a giant
+in the forest. As he entered the wood he marked how the sunshine,
+flickering down through the trees, made patches of gold on the green
+turf, and turned the pebbles in the brook into pearls. Time had not
+dimmed old Andrew's eye nor dulled his ear, nor had he lived his sixty
+years without learning to understand the soft voices of nature. As he
+strolled thoughtfully along he became aware of a gentle murmuring sound
+proceeding from groups of flowers that seemed to nod and smile when he
+drew near them. Throwing himself at full length on the turf, he
+listened; at first he could make nothing out of all the sweet babble
+poured into his ear, until Jack-in-the-pulpit became spokesman for the
+occasion.
+
+In a pretty speech Jack told how they had heard of a grand flower show
+that was soon to come off in the great city, and confessed to the
+annoyance he and his companions felt at always being neglected on such
+interesting occasions, closing his long address by praying that the wild
+flowers might be treated with as much respect as the Pelargoniums, the
+Gladioluses, and all their other fashionable cousins.
+
+Andrew heard Jack's remarks with a smile that was more sad than merry,
+marvelling how these innocent creatures, shut up in the heart of the
+wood, could have heard anything of the show.
+
+"I have it," said he: "some gadding bee, or perhaps a gossiping sparrow,
+fresh from town, has carried the matter. Well, well, they must learn how
+profitable is content, and how foolish silly ambitions."
+
+"My pretty dears," sighed the old man, leaning on his spade, and
+regarding the blossoms, "you will 'never be sorry but once, and that
+will be always.' As well might a fish try to live on land as you in the
+stifling city."
+
+So saying, Andrew thrust his spade deep into the rich soil, disengaging
+the delicate roots that bound the flowers to their sylvan home.
+
+When he had deposited as many Trilliums, Lilliums, Violets, and Anemones
+in his basket as he desired, the good old man proceeded to a boggy spot
+in the woods, and brought away with him Lady-slippers, Orchids,
+Pitcher-plants, Irises, Sundews, and Sweet-cicely, who wished to see the
+big world too.
+
+Andrew now turned to go home, but, dear me! his work was but half done,
+for a butterfly, fluttering seaward, carried the news to the
+pine-barrens, and straightway Pyxidanthera, the beauty, cried out--and
+the soft sound of her crying came pitifully: "Don't leave me all alone
+in the pine-barrens; it is too lonely; I too would see the great world
+at the flower show."
+
+"It is strange that you've never been lonesome before," thought Andrew,
+stooping down where the wee pink beauty sat on her mossy throne, and
+lifting her gently into his basket. Nor did his labors end here; for a
+troop of Daisies in a field near by heard the tidings, and almost burst
+their green jackets in impatience to be going; nor could he resist the
+pleadings of a band of young Buttercups, so he kindly added these to the
+delicate passengers in the wicker car, and hastened on. But once more
+his fine ear caught the sound of complaining.
+
+Looking toward his right hand, he discovered a group of ancient
+Dandelions bowing their gray heads to him, and listening, heard them
+sighing: "Once we had tresses like the sun. Why come so late, so late?"
+
+"Too late! too late!" chimed another voice.
+
+"Ay, ay, too late," replied the old man, trudging on toward his
+greenhouse, for he had much to do to prepare his rustic beauties for
+their trip to the city.
+
+"Oh dear," said a young Violet a week after, when they were all
+flourishing in the greenhouse, "why am I always to be in the shade, and
+that great Japonica towering above me?"
+
+"And I too," murmured a Wind-flower, flushing faintly.
+
+"Who cares for any of them?" chirruped a Daisy. "Here or there matters
+not to me."
+
+"_You_ are near the sun, madam," argued an Orchid.
+
+"Be quiet, all of you," roared Jack-in-the-pulpit. "Who'll care for
+Japonicas and such common folk when _we_ go to town?"
+
+There was common-sense in that, so the wild flowers settled down in
+silence.
+
+The day before the show there was a fine uproar in the greenhouses. The
+wild flowers babbled and laughed and danced on their stems for joy. No
+one knew it but Andrew, and he said nothing.
+
+Such a snipping and binding and showering was kept up all day that when
+evening came they were glad to fall asleep in their packing boxes, nor
+did they waken until daybreak, when the men moved them into a large
+covered van on wheels.
+
+By-and-by they heard a great trampling of hoofs, and a clatter. The
+horses were being harnessed to the van. Presently, with a jerk, they
+were off to the wonderful city--the big world they had never seen.
+
+Now began their troubles in true earnest. The ground quaked and trembled
+beneath them; it was pitchy dark. Would the sun never shine again? Could
+no one speak a word of encouragement or consolation?
+
+On, and on, and on they kept going, until at last, as nothing fearful
+happened, they ventured a little conversation.
+
+"What a dash I shall cut at the show!" exclaimed a Turk's Lily.
+
+"And I, in white and pink ribbons!" cried the pine-barren's beauty.
+
+"Be quiet, little vanity," muttered a muffled voice in the corner. "Who
+will look at you when I am by?"
+
+Andrew knew the great scarlet Amaryllis had spoken, and he said to
+himself, "We'll see, my fair lady."
+
+The beauty cowered in silence, but a Violet whispered, "Shame!"
+
+When the flowers reached the hall, with its long baize-covered tables,
+they forgot their troubles, and were greatly pleased. Men were running
+to and fro, boxes were being opened, and flowers all muffled from top to
+toe were coming in by the dozens. Here stood a regiment of Azaleas in
+white hoods and muffs, like a young ladies' boarding-school ready for a
+winter walk. There stood a company of Lilies with their night-caps on,
+and yonder a tall object swathed in tissue-paper. "Who can she be?--some
+grand personage truly," whispered a Daisy.
+
+At that moment came a young man with sharp scissors. He cut off her
+cloak, and there stood lovely Miss Clereodendron, in white and scarlet
+from head to foot. "How exquisite!" cried all the flowers together.
+
+But soon they found other wonders. On a table near at hand lay the
+daintiest sprays of flowering Peach, Almond, and Cherry, bunches of tiny
+Jonquils, creamy Magnolias, flaming Pirus, and May-apple.
+
+As soon as all the flowers were comfortably settled in their stands and
+vases, they began to look around, and recognized their neighbors.
+
+"Ha! ha!" laughed Jack-in-the-pulpit; "who expected to see _you_ here?"
+
+"Why not, as well as you, Sir Impudence?" retorted May-apple, sharply.
+
+But by-and-by the visitors came pouring in by the dozens. Beautiful
+ladies swept by in silks and diamonds and laces; gallant gentlemen came
+too, with eye-glasses perched on their noses. They did not even look at
+the wild flowers.
+
+The wild flowers grew troubled, and commenced to murmur; but Jack
+whispered, "Bide your time."
+
+"_I_ don't envy them," said an Orchid, looking complacently down at her
+own yellow slippers.
+
+"Nor I," laughed a Daisy, smoothing her satin petticoat.
+
+"If they didn't hold their heads so high, they would see us," murmured a
+Violet.
+
+But the crowd passed on, drawn by the brilliant beauties of the Cacti,
+the flames of the Amaryllis Lilies, the purple of the great Pansies.
+
+"They will never come near us," sighed the Violet.
+
+"I faint--I faint!" murmured the Pitcher-plant, dropping her urn.
+
+"Oho! oho! now we shall have a change," cried Jack, as the clock struck
+three. And sure enough the bright-eyed school-children came trooping in,
+and caught sight of them.
+
+"Oh, my darling little Violets, where did you come from? And oh, you
+sweet, sweet Daisies!" cried one yellow-haired lassie.
+
+"And these Buttercups!" screamed another.
+
+"And droll old Jack; who would have thought to see _him_ in town?"
+chimed a third.
+
+"Tit for tat, Master Jack," whispered May-apple, tartly.
+
+The moment the children recognized the beauties of the wild flowers,
+every one else did. Old gentlemen with high-bred noses came and peered
+at them through big spectacles. Young ladies talked of their families,
+and--oh, horrors!--said they would like to dissect them. Old ladies
+smiled on them pleasantly, and one, a grandmother, actually shed tears,
+and said, "I haven't seen their like in fifty years."
+
+But now it began to grow tiresome, this big world they had come to see;
+the sunlight streamed through the great windows, the tiny blossoms grew
+faint in the sultry air. When would the hum of speech grow silent, the
+clouds come brooding above them, and the soft rain-drops patter down?
+
+The flowers grew fainter and fainter. A grand old man is now speaking at
+the end of the hall; but they can not listen.
+
+"Oh, for a breeze from the pine-barrens!" sighed the beauty.
+
+"Give me to drink the dew of the meadow," moaned the Daisy.
+
+"I die for the woodland shadows," murmured the Violet.
+
+"And I for the sound of cool waters," wept the Lily.
+
+
+
+
+[Begun in HARPER'S YOUNG PEOPLE No. 94, August 16.]
+
+PENELOPE.
+
+BY MRS. JOHN LILLIE.
+
+CHAPTER III.
+
+
+"Why, aunt," exclaimed Penelope, "what do you mean? Surely you can't
+have seen this screen of Lion's?"
+
+"But I _have_, dearest," Miss Harleford said, dreamily. "I have seen
+this long ago--before you were born. Oh, Penny dear, it all comes back
+to me. This screen, I am _sure_, is one your own papa gave to Nora
+Phillips, an American girl who visited us at Baynham. Oh yes, love, I am
+sure of it, for we had such a discussion about it; and don't you suppose
+I would know my dear brother's painting? I was looking over his shoulder
+half the time he was putting in those letters--'Penelope.' Dear, you
+were named Penelope, I believe, for her sake. Your mother was very fond
+of the name, and when it was suggested, your father remembered pretty
+Nora. Well! well!"
+
+"But _she_ was not Penelope," said the girl, wonderingly. "Oh, aunt,
+what does it all mean?"
+
+"But we always _called_ her Penelope in fun, because she was such an
+indefatigable little worker. Oh, what a darling she was, and how we all
+loved her!"
+
+"But what became of her?"
+
+"Well, my dear, you see, after she and her father went back to America,
+we rather lost sight of her--she and my mother had a little
+misunderstanding. It is all a long time ago, and your grandmamma and my
+dear brother are both dead. Nora may be gone as well, but I seem to see
+her now just as she stood, laughing gayly, with this screen in her hand.
+Oh, where can she be? Where did Lion find it? I feel as if I _must_
+know."
+
+Penelope felt as if she would dearly like to solve the mystery of her
+cousin Lionel's present. She went back to the breakfast table very
+grave, and so preoccupied in manner that she had to explain herself at
+once; and then all the young people were fired by the story. What did it
+mean? Penny grew absolutely mournful trying to understand it, but it was
+finally resolved to write to Lionel, who, in a few weeks at least, would
+let them have the history of the screen, so far as he knew it. This was
+all that could be done at present.
+
+Penelope and her aunt were only visitors at the Deanery. Their own home
+was ten miles distant from Nunsford. There Penny was mistress of a
+beautiful old home known as The Manor. Miss Harleford had been for years
+as a mother to the girl, and although her uncle, the Dean of Nunsford,
+was her legal guardian, she knew no heavier rule than the gentle old
+lady's. If there could be needed a complete contrast to poor Nora Mayne,
+it might have been in the petted heiress of Harleford Manor. Every one
+tried his best to make her life happy, and I think only her natural
+loveliness of disposition saved Penelope from being completely spoiled.
+
+The letter to Lionel Harleford, Penelope's second cousin, who had just
+gone to India, was dispatched at once, and for days Aunt Letty talked
+over old times with her brother and nieces. The Dean only half
+remembered the beautiful, bright American girl who had visited his
+mother's house, now Penelope's, twenty years before; but Miss Harleford
+recalled so many scenes to his memory that he was soon as eager about
+Lion's letter as the most romantic member of the family could desire.
+Many conjectures were put forth, many ideas suggested; but who could
+guess that not half a mile away the once light-hearted Nora Phillips lay
+poor and dying!
+
+Meanwhile things continued to sink lower and lower with Nora and her
+mother, the worst feature of their case being the fact that kind-hearted
+Mrs. Bruce could no longer keep them; her son James had suddenly
+appeared, and declared himself horrified to find his mother keeping
+lodgers who could not pay their rent; and so, with many tears, poor Mrs.
+Bruce had broken this news to Mrs. Mayne.
+
+"Of course we must go," said poor Nora, looking at the tender-hearted
+landlady with a white face and set lips. "Oh, Mrs. Bruce, I know it
+isn't your fault, and if the day comes when I can earn anything, you
+shall be paid."
+
+Mrs. Bruce wept bitterly the day that saw Mrs. Mayne, still weak and
+ill, leave the house with Nora, whose brave heart was tried to its
+uttermost. Where were they to go? Nora could not be sure enough to tell
+even Mrs. Bruce. She had sold the last of their wardrobe that morning,
+and as Mrs. Bruce refused to take a penny from them, they started forth
+with money enough to pay somewhere for a week's lodging.
+
+"I will try to let you know where we are, Mrs. Bruce, as soon as
+possible," said Nora, turning back with a weary smile as they were
+leaving.
+
+Mrs. Bruce wiped her eyes, and vented her feelings upon James, her tall,
+vulgarly dressed son, who was gazing with great satisfaction upon the
+lodgers' departure.
+
+"You good-for-nothing creature!" exclaimed his mother, angrily
+indignant.
+
+Mr. James Bruce smiled sarcastically. He did not share any of his
+mother's compassion for forlorn lodgers.
+
+"Never you mind, mother," he said. "You'll thank me one of these days."
+
+Days passed with no tidings from the Maynes. Mrs. Bruce could not forget
+her lodgers, and Nora's face, as she had seen it last, haunted her
+painfully. Where were they? Had the mother died? Was Nora ill? Were they
+starving? These and many other conjectures tormented the poor woman as
+the days lengthened into weeks, and no sign was made by mother or
+daughter. Many times Mrs. Bruce's tears fell over her wools when she was
+alone in the shop, and recalled the December evening Nora had served
+there, uniting so much sweet good-humor with her refined, lady-like
+ways, which had from the first captivated the heart of the simple-minded
+country-woman. Mrs. Bruce had a small assistant now in the person of a
+niece, and this young woman was never tired of hearing about Miss Mayne.
+She was listening to one of her aunt's stories as they sat over the fire
+in the shop one February day, when she suddenly exclaimed:
+
+"Law, aunt, there's Miss Penelope Harleford in the Deanery
+carriage--coming in here, too!" and there, sure enough, was bright Miss
+Penny, in a long fur cloak, and a pretty felt hat shading her sweet
+young face. "A picter," as Mrs. Bruce said, "worth taking down." Young
+Miss Harleford came hurrying in, looking very eager and interested.
+
+"I've come to inquire for some one who sold a screen here, Mrs. Bruce,"
+said the young lady, cheerfully. "My cousin, Mr. Lionel Harleford,
+bought it here in December--a young lady sold it to him."
+
+"Land, miss!" cried Mrs. Bruce, "so she did, my poor pretty! I wish I
+knew where she was now--she and her mother."
+
+Penelope looked dismayed.
+
+"And you _don't_ know!" she exclaimed.
+
+"I wish I did," repeated Mrs. Bruce. "Mary Jane and I was just talking
+of her. Gone, poor lamb, she and her mother, and I know nothing of
+them."
+
+And Mrs. Bruce proceeded to detail the history of Nora and her mother,
+so far as she knew it. The sad, simple story left no doubt upon
+Penelope's mind as to who they were.
+
+"Nora Phillips," she said to herself. "Yes, she was Mrs. Mayne, I feel
+sure, and so near us!"
+
+She confided a few facts only to Mrs. Bruce, and then sorrowfully drove
+back to the Deanery, where she and Aunt Letty held a long confab in the
+twilight. What could be done? Aunt Letty cried, and Penelope shook her
+head sadly, but she declared that she would not give up the search
+suggested in so strange a manner that it seemed her duty to continue it.
+Could Penelope and her aunt have seen Nora at that moment, I fear they
+would have gone to rest with a bitterer heart-ache.
+
+Afternoon service was over the next day at the abbey church, yet
+Penelope lingered with little Joe, loitering down the path, where the
+snow still lay white on the ground, talking to the little boy about the
+service, which that day had peculiarly impressed her. She was thinking
+of Nora Mayne, recalling Mrs. Bruce's description of the sweet young
+girl whose life was so heavily burdened.
+
+"And I," thought Penny, with a shamefaced color--"I have _everything_,
+and yet how cross and selfish I am!"
+
+"Penelope! Penelope!" cried out little Joe, pulling at her hand; "see
+those sparrows--do they mind the snow?"
+
+And at this moment Penny heard what she thought the echo of her name.
+
+"Penelope," said a strange voice; there was a faint, despairing ring in
+it.
+
+Penelope stood still, turning her head quickly in the direction of the
+unfamiliar voice. Standing in the side path was a girl's figure; the
+hands were tremblingly clasped together, the face, thin and pale,
+eagerly watching her.
+
+[Illustration: "PENELOPE--IS IT PENELOPE?"--DRAWN BY E. A. ABBEY.]
+
+"Penelope--is it Penelope?" said the tired voice again. "Oh, was it for
+you he bought the screen?"
+
+And in a moment more Nora Mayne felt her hands fast imprisoned in young
+Miss Harleford's. There were tears running down the English girl's
+cheeks.
+
+"Oh, Nora," she said, joyfully, "I am so thankful to have found you!"
+
+[TO BE CONTINUED.]
+
+
+
+
+[Illustration: EVERY CLOUD HAS A SILVER LINING.
+
+MAMMA. "If you continue to be so naughty, I'll have to buy a whip to
+punish you with."
+
+MIMI. "But when I'm good, you'll let me play with it, won't you, mamma?"
+
+[_A fact._]]
+
+
+
+
+[Illustration: OUR POST-OFFICE BOX.]
+
+
+ SCHLOSS KIS-TABOR, POST: ROHITSCH, STYRIA, AUSTRIA.
+
+ My brother and I are so glad to get YOUNG PEOPLE again! We both
+ like it so very much! I will tell you something about this part of
+ Croatia. It is called "Zagoria," which means "beyond the
+ mountains." Our peasants live principally on maize, made into bread
+ and a sort of porridge. They are a good-natured and gay-tempered
+ people, and always singing. Our most important products are wine,
+ "slivovitz" (plum-brandy), and dried plums. Not far from us, on a
+ lofty hill, stood a Celtic Temple of the Sun. Later, the Romans
+ conquered the Celts, and we have some ancient Roman coins and
+ broken bronze objects dug up in the vineyards. Looking out from our
+ windows one sees innumerable churches, chapels, castles,
+ picturesque ruins, and far-away snow-covered Alps. It is very
+ beautiful. We have a pet donkey, and a pretty little carriage to
+ drive in. I am collecting coins, fossils, and minerals.
+
+ Last week a Bosniak came into our court-yard leading a bear caught
+ in Slavonia. He waltzed, saluted, kissed his master, and then held
+ up the tambourine for money. We sent him some wine and bread, which
+ he devoured greedily.
+
+ LUCY KAVANAGH.
+
+ * * * * *
+
+ CAMP CARLING, WYOMING TERRITORY.
+
+ My two little boys, aged four and six years, want me to tell you
+ that they were very much interested in Mr. Frey's article about
+ Indian relics. They tried this summer with their mamma to dig up a
+ grave on a hill near the South Platte River. But being in a ledge
+ of rock, the mamma and little boys were not strong enough to get
+ down more than two feet, and had to give it up. Mamma tried to hire
+ a man to dig for her, but the men were all afraid of small-pox. It
+ was said that thirty years ago more than a thousand Indians had
+ died of small-pox, and had been buried in that vicinity. A ranchman
+ on a neighboring hill, however, had opened one, and we obtained
+ some clam shells, a red clay pipe, a thin piece of bark with some
+ blue writing on it, and a round leather amulet worked with beads. A
+ few weeks later, Sidney and Willie drove with their papa and mamma
+ through North Park, Colorado, into Middle Park, and on a hill near
+ the range which separates the two parks they found about a hundred
+ graves which had never been molested. They wanted very much to open
+ them, but had no shovel, and could not spend the time to stop. I
+ wonder how many more of the Young People have tried to open graves.
+
+ MRS. MARY E. B.
+
+ * * * * *
+
+ BURLINGTON, IOWA.
+
+ I am nine years old. Papa has taken YOUNG PEOPLE for me ever since
+ it was published. I like the stories very much, and would like to
+ see the little girls who write such nice letters. I have one sister
+ and two brothers. I wish the little readers of YOUNG PEOPLE could
+ see my cat Polly. She can knock on the door, walk on her hind-feet,
+ and beg for food like a dog, and will come to us when we whistle,
+ and do lots of cunning tricks.
+
+ My brother Arthur has a dog whose name is Brownie, and he can
+ laugh. He looks so funny. We have two pigs, and a horse. Mamma one
+ day found a coal-black kitty in the street, and brought him home.
+ He is now a big cat, and very pretty. Mamma calls him Frank.
+
+ When I write again I will tell you about my doll family.
+
+ LOUISE L.
+
+ * * * * *
+
+ JERSEY CITY, NEW JERSEY.
+
+ I have a little Scotch terrier named Nellie, and she loves me
+ dearly. Every time I enter the house she kisses me, and will stand
+ on her hind-legs, sit up, beg, and do lots of tricks. I am seven
+ years old.
+
+ HARRY L.
+
+ * * * * *
+
+ BROOKLYN, NEW YORK.
+
+ I think the stories of "Toby Tyler," "The Moral Pirates," and "The
+ Cruise of the 'Ghost'" are very nice, and I hope the story of "Tim
+ and Tip" will be equal to any of the three. Another boy will write
+ on the rest of this sheet.
+
+ EDDIE G.
+
+ I have a velocipede, and so has Eddie G. He and I are great
+ friends, and we have nice times together. We have some pigeons at
+ our house, but we intend to give them away. We have given away all
+ our chickens. We had three canaries, but one flew away, and my
+ mother is afraid the cat got it.
+
+ A. T.
+
+ * * * * *
+
+ WORCESTER, MASSACHUSETTS.
+
+ Seeing the article in No. 93 on "How the Baby Elephant Eats
+ Pea-Nuts," I thought I would write and tell you of a nut-cracker
+ which I discovered in the same show that contained the "baby." My
+ father and I were watching a number of the larger elephants hunting
+ for pea-nuts thrown in the straw, when I saw one of them who, if he
+ found a nut, would take it up with his trunk, and rub it against
+ his leg until the shell was cracked, after which he proceeded to
+ eat the kernel. I am glad C. H. Williamson has accepted the
+ presidency of the Natural History Society. I for one am entirely in
+ favor of admitting girls.
+
+ C. M. H.
+
+Your interest in the article about the baby elephant, and your own
+observation of the way the baby's big brother managed his pea-nuts,
+prove that you will be a good member of the society. Some of our boys
+and girls are, we fear, waiting to be very dignified before they send
+any letters with regard to what they have seen. Some wish to send a long
+report. The better way is to write about interesting things, one at a
+time, just as they are noticed.
+
+ * * * * *
+
+ BENTLEY'S, MARYLAND.
+
+ I often think about Toby Tyler. If he had only staid with the
+ circus, he would not have lost dear Mr. Stubbs. I am anxious to
+ know how the boys who went on "The Cruise of the 'Ghost'" got along
+ with their canoe cruise, or if they ever had one.
+
+ MCB.
+
+ * * * * *
+
+ SANDWICH ISLANDS.
+
+ We have observed so many nice little girls writing to you that we
+ have been thinking for some time that we would send you a letter.
+ We are Hawaiians, as our mother is a native of the island, though
+ our father is a white man. We live close to the mountains, and have
+ quite a number of birds around our place. Land-shells are as
+ numerous on the mountains as sea-shells are down on the beach. Some
+ time hereafter we may probably visit New York, and then we shall
+ not forget to go and see the editor of YOUNG PEOPLE, and thank him
+ very much for making such a nice paper for children. It has been a
+ great comfort to us, and amused us many a lonely hour. We are a
+ large family, consisting of father, mother, four sisters, six
+ brothers, one nephew, and one niece. _Aloha_ (love to you).
+
+ LYDY, ELIZA, and HANNAH.
+
+Our love to you, little friends. We will be glad to see you in New York
+some day.
+
+ * * * * *
+
+ ST. LOUIS, MISSOURI.
+
+ I am thirteen years old. I came to New York from England, May 23,
+ 1880, on the steam-ship _City of Chester_ (Inman Line). We made a
+ short trip of nine days and eight hours. I like this country very
+ much, but sometimes wish myself back in the old home. I began to
+ take your paper about two months ago. I think "The Cruise of the
+ 'Ghost'" was a very instructive and interesting story, and I hope
+ "Tim and Tip" will be more so. I like the Post-office Box very
+ much, especially the puzzle column. I have made an effort to write
+ an enigma myself, and have sent it with this letter.
+
+ HUGH P. W.
+
+ * * * * *
+
+ FREEPORT, ILLINOIS.
+
+ We were very much gratified to see dear Mary's name among those who
+ had sent answers to the tangles. The letter she wrote you in July
+ was her last writing. She was taken sick the following Monday with
+ malignant diphtheria, and before another Sabbath closed, her
+ trusting heart was asleep in Jesus. His name was the last upon her
+ lips. I wish that all who die could exercise her calm,
+ unquestioning faith in Christ. The Thursday before she died, she
+ looked eagerly in the puzzle department for her name. I explained
+ again that it could not possibly be in for a week yet at least. "I
+ wonder if they will publish my enigma, mamma? If I get well, I'll
+ send that diamond I made up yesterday." On Wednesday she felt so
+ well, and all day amused herself drawing birds and trees, and made
+ a diamond and some-beheadings. She thought so much of YOUNG PEOPLE!
+ She was a poor scribe, but her thoughts were very quaint, and
+ expressed in the language of culture. She rarely made a grammatical
+ error, and all things fine seemed natural to her. As we all grow
+ interested in the little folks whose names fill your departments, I
+ thought I would send you this notice that the dear bird who
+ brightened our home for so brief a time, and who promised our
+ hearts such lofty pleasure through her active mind and bright
+ imaginings, will never on this earth sing for you again.
+
+ MRS. E. C. BURCHARD.
+
+From time to time in our great circle of readers, dear children, some
+drop from the ranks. Little Mary will never be forgotten in her earthly
+home, and those who loved her here will hope to meet her again where
+there is no death. We are glad she found so much pleasure in YOUNG
+PEOPLE.
+
+ * * * * *
+
+ NEW YORK.
+
+ I am only five years old, and my mamma is going to write this
+ letter for me. I think "Toby Tyler" was a "booful" story; but I did
+ cry when Mr. Stubbs got "shotted." And I want you, please, to ask
+ Mr. Otis not to kill Tim's poor little doggie. Tim's the boy in the
+ new story. I have got three little new kittens, and I am going to
+ name them Toby and Tim and Tip.
+
+ AMY E. V.
+
+ The kitties are Blossie's "chillun."
+
+ * * * * *
+
+ MONTE SANO, HUNTSVILLE, ALABAMA.
+
+ I would like to tell you what a nice time I am having on our lovely
+ mountain, four miles from Huntsville, where I am spending the
+ summer. I make beautiful sand houses, and my mamma ornaments them
+ with fairy feet, which she makes with her hands. They look like a
+ baby's tiny foot. I have a dear little baby brother, whose name is
+ Tyler. For fun we call him Toby Tyler. I am going to send an
+ offering to the "Young People's Cot," for I think it will be very
+ nice to have one which the readers of the paper may claim. I enjoy
+ my paper very much, as I am now beginning to be able to read it
+ myself.
+
+ EDWIN L. W.
+
+ * * * * *
+
+ NANTUCKET, MASSACHUSETTS.
+
+ I am ten years old, and have never been to school, but study at
+ home. We have a cat that was born with three legs. His name is
+ Trip. The first time Trip ever saw Rover, our dog, he ran right up
+ to him, and ever since he always runs up to Rover when frightened.
+ Once we had a Maltese cat who was very fond of Rover, and Rover was
+ fond of Tom. Once mamma and papa were looking out of the window,
+ and they saw Tom with his tail full of burrs, and Rover pulling
+ them out. He got them nearly all out, when he came to one that
+ stuck so hard that when he tried to pull it out it lifted Tom right
+ up in the air. Tom was rather surprised, but concluded that it was
+ all right, while Rover did not know what to do. At last he put his
+ paw on Tom's tail, so that he should not be lifted up, and pulled
+ out the burrs. Papa did have a live porcupine, but it died. I like
+ the YOUNG PEOPLE very much indeed. I think that "Toby Tyler" was
+ splendid.
+
+ M. N. W.
+
+ * * * * *
+
+ PORTLAND, MAINE.
+
+ I am sure I shall like "Tim and Tip" as much as I did "Toby Tyler"
+ for it begins so well. I wrote a composition on Toby, and I know a
+ boy who has a monkey that is the very picture of Mr. Stubbs. I am
+ almost ten years old.
+
+ EDDIE L. M.
+
+ * * * * *
+
+ PITTSBURGH, PENNSYLVANIA.
+
+ My father has coal-works, and the engineer is teaching me how to
+ run his locomotive. It is about the best one in the United States,
+ and it is named for me.
+
+ LOUIS B. H.
+
+ * * * * *
+
+ BLACKFOOT, ONEIDA COUNTY, IDAHO.
+
+ I thought I would write a letter, as I have seen no letters from
+ this part of the country. My brothers Willie and James and I sent
+ 50 cents each to get your nice paper. I am the oldest, so I wrote
+ for it, and had it come in Willie's name, because he thought it
+ would be so nice to have it addressed to him. We have no schools
+ here, and we study at home.
+
+ FRED J.
+
+ * * * * *
+
+ OWENSBOROUGH, KENTUCKY.
+
+ I am almost ten years old, and I live in Kentucky, on the Ohio
+ River, and first and last have lots of fun. I have the cutest dog.
+ His name is Dodger. He is only a puppy, but can shake hands and
+ carry sticks like anything. Our whole family mourned Mr. Stubbs's
+ sad death. I have some queer stones and pebbles that I found in our
+ Kentucky caves and creeks and on the hill-sides, that I will
+ exchange for things from other States.
+
+ MALCOLM H. MCINTYRE.
+
+ * * * * *
+
+ INDIANAPOLIS, INDIANA.
+
+ Some fifty days ago I sent to a boy in Mankato, Minnesota, 250
+ postmarks, he agreeing to send Indian relics in exchange. I have
+ asked him to send them three times, but he will not answer. If he
+ is out of relics, he ought to return the postmarks or send some
+ word.
+
+ FLETCHER M. NOE.
+
+Perfect honor and honesty should be observed by exchangers. We hear
+complaints like this with regret, and hope the delinquent boy will
+explain the matter. Several correspondents are in trouble because those
+who have written to them have carelessly omitted to give their proper
+names and addresses, or have written illegibly.
+
+We have spoken of this frequently, but we call attention to it now
+because it has been almost impossible for us to read some of the
+exchanges lately sent to the Post-office Box. Please write plainly, and
+with ink; pencil marks are rubbed off in the mail. Again we say, in
+answer to several inquiries, that there is no charge for exchanges. We
+do not accept those which offer or ask for money, however, because they
+come under the head of advertisements, and refer to buying and selling.
+
+ * * * * *
+
+ FALLS CITY, NEBRASKA.
+
+ My home is on a farm two miles from Falls City, four miles from the
+ line of Kansas, and eight from the Missouri River. I have three
+ brothers and two sisters at home. We read the first chapter of "Tim
+ and Tip" to-day, and we do not blame Tim for running away. We think
+ it will be a very good story.
+
+ Like many of the young people who write for the Post-office Box, we
+ had a pet. It was a young mare named Nelly, and she was so gentle
+ that any of us could ride her; but last week, when she was in the
+ pasture, she lay down to roll near a rattlesnake, and it bit her so
+ that she died in three days. She swelled very much, and suffered
+ terribly, and we all felt like crying when she died. Papa has
+ buried her in the orchard. She left a little colt only six weeks
+ old, and we have given it to another mare, who now has two colts to
+ care for. There used to be a great many rattlesnakes here, but they
+ are getting scarcer every year. I wish some good saint would drive
+ all the snakes out of Nebraska, as St. Patrick is said to have
+ banished them from Ireland.
+
+ MAMIE H. H.
+
+ * * * * *
+
+The following exchanges are offered by correspondents:
+
+ Foreign stamps, for same. Write to describe exchange.
+
+ E. E. BROWN, Comstock's Bridge, Conn.
+
+ * * * * *
+
+ Three varieties of Chinese coins, for not less than twenty rare
+ U. S. or foreign postage stamps; or a genuine Japanese silver coin,
+ very rare, for a _Collectors' Directory_; or a rare silver coin of
+ Bogota, issued in 1853, for an international stamp album.
+
+ J. W. MILNES, P. O. Lock Box 19,
+ Bloomfield, Sonoma Co., Cal.
+
+ * * * * *
+
+ Pieces of abylona from the Pacific Ocean or Chinese coins, for rare
+ U. S. or foreign postage stamps.
+
+ CHARLES S. MILNES, Lock Box 9,
+ Bloomfield, Sonoma Co., Cal.
+
+ * * * * *
+
+ Two hundred and twenty-five postmarks, of which all are different,
+ and 135 are Michigan, for 150 foreign stamps, all different. Rare,
+ revenue, and common stamps, for bills, minerals, coins, relics, and
+ ores, stamps from Guatemala, Transvaal, Uruguay, and Ionian Isles;
+ three Cuban, two Mexican, or two Danish West Indian stamps, for a 7
+ or 90 cent War Department stamp or a Chinese stamp; five rare
+ stamps, for a good arrow-head. Please write before sending stamps.
+ Also the numbers of YOUNG PEOPLE between 52 and 71, for five
+ foreign stamps; and numbers 74 and 76, for 33.
+
+ TEDDY SMITH,
+ 641 Cass Avenue, Detroit, Mich.
+
+ * * * * *
+
+ _Louis Sinclair_, by Laurence Lancewood, crystallized flint that
+ will cut glass or wood, bark from Missouri, a sprout of persimmon,
+ a sprout of peony-flag, and of flowering-almond, for a pair of
+ gold-fish; also some of the above, for a bouquet of
+ everlasting-flowers. Write before exchanging.
+
+ FRANK BRYAN, Papinsville, Bates Co., Mo.
+
+ * * * * *
+
+ A great basketful of pretty flints, fine white marble, granite,
+ potter's clay, and twenty carnelians, a few chalcedony, and in
+ another month a large supply of thirty kinds of flower seeds, for
+ ores, minerals, or anything suitable for a museum. Write address
+ plainly on each package, even if only a postal be sent.
+
+ ANNA and L. FAVRE,
+ Ontario, Story Co., Iowa.
+
+ * * * * *
+
+ A large number of duplicate album cards to exchange with
+ collectors.
+
+ E. S. R.,
+ 7 Joslyn Park, Rochester, N. Y.
+
+ * * * * *
+
+ Soil from Louisiana, for flower seeds.
+
+ FRANK W. SHOTWELL,
+ 192 Harmony St., New Orleans, La.
+
+ * * * * *
+
+ A genuine Indian bow and two arrows, which were made by the
+ Chippewa Indians, who live north of here, for the largest
+ assortment of minerals or curiosities offered me. Correspondents
+ will please write soon.
+
+ HORACE MITCHELL, Duluth, Minn.
+
+ * * * * *
+
+ Six foreign stamps, all different, for one of the following U. S.
+ stamps: 2, 3, 7, 10, 12 cent Department of State; 7, 10, 15 cent
+ Navy; 2 or 6 cent Executive; 2, 10, 12, 15 cent Justice; 7 or 90
+ cent War; or forty stamps for the $5, $10, $20 Department of State.
+
+ H. B. F., P. O. Drawer 184, Poughkeepsie, N. Y.
+
+ * * * * *
+
+ _Youth's Companion_ for 1880 and part of 1881 (unbound), for
+ Vol. I. of HARPER'S YOUNG PEOPLE. Send postal before sending YOUNG
+ PEOPLE. An old Mexican and a Venezuela stamp, for a U. S. half-cent
+ of any date. Some silk-worm eggs, on card-board, from Japan, for
+ half-cent or odd silver coins. A lot of Kansas and Western
+ postmarks, for department stamps.
+
+ "A READER OF YOUNG PEOPLE,"
+ P. O. Box 1341, Moline, Ill.
+
+ * * * * *
+
+ Fifteen postmarks, for ten foreign stamps (no duplicates) or two
+ foreign coins of any date; a piece of soapstone from Kate's
+ Mountain, Wisconsin, for minerals, curiosities, stamps, coins, or
+ stones.
+
+ RALPH J. WOOD, Coldwater, Mich.
+
+ * * * * *
+
+ One picture card, for one foreign stamp or three postmarks; a stone
+ from New York, for one from any other State or Territory.
+
+ FLORENCE POPE,
+ P. O. Box 60, Scottsville, Monroe Co., N. Y.
+
+ * * * * *
+
+ Germany, France, Japan, Hong-Kong, and other rare stamps, for rare
+ stamps and curiosities of all kinds.
+
+ ROBERT FERGUSON,
+ 890 Gates Avenue, Brooklyn, L. I.
+
+ * * * * *
+
+ A Dexter scroll-saw in good order, for a self-inking
+ printing-press, chase not less than 2 by 4 inches, and in good
+ working order. Please write before sending press, and describe it.
+
+ W. H. S., care James A. Guest,
+ Burlington, Iowa.
+
+ * * * * *
+
+ A piece of petrified sea-bird, for Indian relics, Indian
+ arrow-heads, moss, plants, sea-shells, minerals, ores, pressed
+ ferns and flowers, stone and soil from any other State, coins,
+ woods, star-fish, papers, fossils, or Florida sea-beans; ten
+ foreign stamps, for soil and stone from any other State.
+
+ WHITMORE STEELE, care of Captain H. S. Steele,
+ Babylon, L. I.
+
+ * * * * *
+
+ A 3-cent adhesive of 1851 and '61, a 3-cent envelope of 1853, or a
+ 6-cent envelope of 1870, for rare foreign stamps.
+
+ GEORGIE C. WEISSERT,
+ 193 Twelfth Street, Milwaukee, Wis.
+
+ * * * * *
+
+ My entire museum (which contains 250 specimens), for a good
+ repeating rifle or a good bicycle. Write a postal to Professor
+ W. S. Ryland for information.
+
+ LAMAS H. PORTER,
+ Russellville, Logan Co., Ky.
+
+ * * * * *
+
+ Stones from Ohio and Lake Erie, for the same from any other State,
+ lake, or river. Marble from Vermont, New York, Kentucky, or Italy,
+ for the same from any other State or country.
+
+ LYON CAUGHEY, Seville, Medina Co., Ohio.
+
+ * * * * *
+
+ Florida moss and minerals, for things suitable for a museum; South
+ American and Florida shells, for minerals and curiosities.
+
+ GEORGE SCHULZE,
+ Box 42, Okawville, Washington Co., Ill.
+
+ * * * * *
+
+ Three pieces of English money, dated 1722, 1747, and 1806, and a
+ silver coin of East India, dated 1841, for Indian relics. Write,
+ stating the relics you offer in exchange.
+
+ W. G. FLANAGAN,
+ Johnstown, Cambria Co., Penn.
+
+ * * * * *
+
+ German, French, English, and Italian stamps, for stamps from Asia
+ or South America.
+
+ W. J. MURRAY, P. O. Box 91, Annapolis, Md.
+
+ * * * * *
+
+ A pair of fine young bantams, for a collection of butterflies,
+ minerals, or Indian relics.
+
+ SYDNEY BROWN,
+ 23 West Jersey St., Elizabeth, N. J.
+
+ * * * * *
+
+ Foreign coins and stamps from India and Denmark, for 24 and 90 cent
+ of any issue, and 30-cent of any issue except present one.
+
+ N. C. TWINING, JUN., Batavia, Kane Co., Ill.
+
+ * * * * *
+
+ Stones from Pennsylvania, for stones from any other part of the
+ world.
+
+ NATTIE PRATT,
+ Glen Mills, Delaware Co., Penn.
+
+ * * * * *
+
+ A shell, a stone from Indiana, petrified wood, a petrified wasps'
+ nest, and other curiosities, for curiosities.
+
+ ALBERT BREWER,
+ Danville, Hendricks Co., Ind.
+
+ * * * * *
+
+ Chinese bark from California, and a hedge that George Washington
+ planted at Mount Vernon, for Indian relics.
+
+ CLARENCE BREWER,
+ P. O. Box 222, Danville, Ind.
+
+ * * * * *
+
+ I have a fine collection of silk cocoons, and would like to
+ exchange some for foreign stamps from any country except France,
+ Germany, or Italy.
+
+ ALBERTO DAL MOLIN, care Giuseppe dal Molin,
+ Verona, Italy.
+
+ * * * * *
+
+ Twenty stamps, for an Indian arrow-head or any foreign coin except
+ Canadian; forty stamps, for a U. S. half-cent. No duplicate stamps
+ given.
+
+ JOANNA MAY WYLIE,
+ Prairie Centre, Lasalle Co., Ill.
+
+ * * * * *
+
+ Ten War Department stamps, for ten from Jamaica.
+
+ CHARLES WILLIAMSON,
+ 88 East Third St., Cincinnati, Ohio.
+
+ * * * * *
+
+ Two books, both nearly new--_Lucy Woodville's Temptation_ and
+ _Reuben Inch_--to any one who will send me the back numbers of _St.
+ Nicholas_ for 1881 and the successive numbers as soon as they shall
+ have been read. Please write before exchanging.
+
+ JESSIE LEE RENO, Marengo, Iowa.
+
+ * * * * *
+
+ Fifteen foreign stamps and ten postmarks, for three alligator's
+ teeth.
+
+ H. S. WHITTEMORE,
+ Box 79, Needham, Mass.
+
+ * * * * *
+
+ A stone from Massachusetts and one from New Hampshire, for
+ curiosities.
+
+ FANNIE METCALF,
+ 61 Vernon St., Lowell, Mass.
+
+ * * * * *
+
+[_For other exchanges, see third page of cover._]
+
+ * * * * *
+
+At the request of a correspondent we publish this sensible extract from
+an exchange, in the hope that our young people will follow its excellent
+advice:
+
+THE FACE.
+
+It is a mistake to believe that a good complexion depends upon the use
+of such and such cosmetics. It really depends upon digestion, which
+itself depends upon our mode of life. Persons who rise early and go to
+bed regularly at ten, who take plenty of air and exercise, eat with
+moderation at regular hours, having their meals at intervals long enough
+for the digestion of one to be thoroughly accomplished before they begin
+the next--these persons are sure to digest well, and in consequence have
+clear, healthy complexions, which will require no other cosmetics but
+plenty of soft water and good toilet soap. The hygiene of the eyes is
+very simple. For them, as well as for the complexion, good digestion is
+equally necessary; more so, for no cosmetic could remove the yellow
+tinge which biliousness imparts to them, and if some mysterious pencils
+can supply the insufficient shadow of rare eyelashes, good health alone
+can give them that brightness which is their principal beauty. Never
+read in bed or in a reclining attitude; it provokes a tension of the
+optic nerve very fatiguing to the eyesight. Bathe your eyes daily in
+salt water; not salt enough, though, to cause a smarting sensation.
+Nothing is more strengthening; and we have known several persons who,
+after using this simple tonic for a few weeks, had put aside the
+spectacles they had used for years, and did not resume them, continuing,
+of course, the oft-repeated daily use of salt water. Never force your
+eyesight to read or work in insufficient or too glaring light. Reading
+with the sun upon one's book is mortally injurious to the eyes.
+
+ * * * * *
+
+E. L. Douglas, Whitby, Ontario, Canada, wishes the address of the person
+who sent him a box containing coral, and marked K. M. S.
+
+ * * * * *
+
+J. H. C.--By Chinese stamps are meant Hong-Kong stamps issued by the
+British government.
+
+ * * * * *
+
+C. E. C. Diffenderfer withdraws from the exchange list.
+
+ * * * * *
+
+WROTON M. KENNEY.--There is no better book for the reading of an
+intelligent lad who wants to know how his country is governed than
+_Politics for Young Americans_, by Charles Nordhoff, published by Harper
+& Brothers. The price is 75 cents.
+
+ * * * * *
+
+JENNIE AND JULIA.--It is difficult to assign you subjects for
+compositions when we do not know your grade of advancement. If you wish
+to excel, read good books, choose easy topics, about which you know
+something, and write as though you were telling a story to a child or
+talking to your friends.
+
+ * * * * *
+
+Correct answers to puzzles have been received from "Parton," Theresa
+Morro, C. Burr, Alfred R. Meeker, "North Star," "_Unknown_," Flora A.,
+"Dandy," "Lodestar," Annie Gail, Wroton M. Kenney, G. Volckhausen,
+"Venus," Abel Foster, "Jersey City," William Wolff, Jessie Newton, J. H.
+Jenny.
+
+ * * * * *
+
+PUZZLES FROM YOUNG CONTRIBUTORS.
+
+No. 1.
+
+PYRAMID.
+
+Across.--1. A letter. 2. Jurisprudence. 3. Surfeited. 4. That which
+fades from view.
+
+Down.--1. A letter. 2. A prefix. 3. A resinous substance. 4. Tardy. 5.
+To harry. 6. A prefix. 7. A letter.
+
+ AEROLITE.
+
+ * * * * *
+
+No. 2.
+
+NUMERICAL ENIGMA.--(_To North Star_).
+
+ My 2, 3, 5, 6 is a cobbler's tool.
+ My 1, 7, 8, 9 is a past participle.
+ My 6, 9, 4 is a boy's nickname.
+ My whole is an English statesman.
+
+ LODESTAR.
+
+ * * * * *
+
+No. 3.
+
+GEOGRAPHICAL WORD SQUARE.
+
+A noted city in Arabia. A gulf east of Africa. A river in Russia. A
+country in Asia.
+
+ WROTON M. KENNEY.
+
+ * * * * *
+
+No. 4.
+
+ENIGMA.
+
+ In apple, not in cherry.
+ In joyful, not in merry.
+ In riddle, not in guess.
+ In mixture, not in mess.
+ In pleasure, not in pain.
+ In miller, not in grain.
+ In Harper's, not in YOUNG PEOPLE.
+ In church, but not in steeple.
+ In garden, not in bower.
+ My whole's a sweet and modest flower.
+
+ M. L. EDGERLEY.
+
+ * * * * *
+
+ANSWERS TO PUZZLES IN No. 93.
+
+No. 1.
+
+Arm-chair.
+
+No, 2.
+
+ B
+ F I D
+ F A C E S
+ B I C Y C L E
+ D E C A Y
+ S L Y
+ E
+
+No. 3.
+
+Freight-car.
+
+No. 4.
+
+Vanderbilt.
+
+No. 5.
+
+ W Y O M I N G
+ S A O N E
+ I N N
+ T
+ T A R
+ S I N A I
+ Y U C A T A N
+
+ * * * * *
+
+A personation, on page 656.--Tooth.
+
+
+
+
+[Illustration: BLACKBERRIES.]
+
+
+
+
+A (RIVER IN IDAHO) STORY.
+
+BY C. E. M.
+
+
+One fine day a friend of mine named--(two towns in Maine) suggested to
+me that we should take advantage of the--(mountain in Alaska) by going
+to drive.
+
+We trotted slowly past the--(town in Kentucky), where an exciting game
+of--(town in Wisconsin) was going on, and after passing through
+the--(town in Vermont) of the town, were soon enjoying the refreshing
+coolness of the woods.
+
+Suddenly the horse gave a--(point on the coast of England), and (city in
+West Virginia) in the narrow road, bordered by high--(strait in British
+America), the carriage overturned, and we were both thrown out.
+
+Fortunately this did not prove a serious--(cape in Australia), for we
+were but slightly bruised, and the horse made no attempt to run.
+
+On looking about to discover a--(bay in Ireland) to our steed's fright,
+strange enough in such an unfrequented (lake in Canada) spot, I suddenly
+perceived in the middle of the road a large--(sea of Europe) (river in
+Idaho), with (sea of Asia) spots.
+
+While--(town in Maine) was trying to right the buggy, I cautiously
+advanced, and seizing a--(city in Arkansas), hurled it with all my force
+at the (river in Idaho).
+
+My aim did not prove--(bay in Africa), and the animal's head was smashed
+to--(river in Australia).
+
+"(City in Arizona), (city in North Carolina)!" cried my friend.
+"Hereafter, in any such--(bay in Australia), I shall rely on you
+to--(river in Austria) me."
+
+The coast being now once more--(cape in Ireland), we finished our drive
+in--(river in British America), without further excitement than that
+caused by a--(cape in Newfoundland) with a team which tried to pass us.
+
+I for one was heartily glad to come in sight of the--(city in Germany)
+of our little town; and after a joyful--(island in the Indian Ocean)
+with my family, was quite ready to say--(cape in Greenland) to--(town in
+Maine), notwithstanding his--(cape in Washington Territory) on the
+subject of my bravery.
+
+
+
+
+THE PEA-NUT.
+
+
+The pea-nut is the fruit of a plant common in warm countries. It is
+sometimes called the ground-pea and ground or earth nut, and in the
+Southern States the goober or goober-nut. Still another name for it is
+pindal or pindar, and in Western Africa it is called mandubi. The plant
+is a trailing vine, with small yellow flowers. After the flowers fall,
+the flower stem grows longer, bends downward, and the pod on the end
+forces itself into the ground, where it ripens.
+
+Pea-nuts are raised in immense quantities on the west coast of Africa,
+in South America, and in the Southern United States. The vines are dug
+with pronged hoes or forks, dried for a few days, and then stacked for
+two weeks to cure. The pods are picked by hand from the vines, cleaned
+in a fanning mill, and sometimes bleached with sulphur, and packed in
+bags for market. Pea-nuts are sometimes eaten raw, but usually roasted
+or baked. In Africa and South America they form one of the chief
+articles of food. Large quantities of them are made into an oil much
+like olive-oil, and which is used in the same way. It is also used in
+the manufacture of soap. A bushel of pea-nuts, when pressed cold, will
+make a gallon of oil. If heat is used, more oil is made, but it is not
+so good. In Spain, pea-nuts are ground and mixed with chocolate. Pea-nut
+vines make good food for cattle.
+
+The pea-nut gets its name from the shape of its pod, which is like that
+of the pea.--_Young Folks' CyclopƦdia_.
+
+
+
+
+[Illustration: MR. PIG. "Humph! now I can take a little rest."]
+
+
+
+
+
+End of Project Gutenberg's Harper's Young People, August 30, 1881, by Various
+
+*** END OF THE PROJECT GUTENBERG EBOOK 49046 ***
diff --git a/49046-h/49046-h.htm b/49046-h/49046-h.htm
new file mode 100644
index 0000000..31d8d1f
--- /dev/null
+++ b/49046-h/49046-h.htm
@@ -0,0 +1,2649 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Harper's Young People, August 30, 1881, by Various.
+ </title>
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .51em;
+ text-align: justify;
+ margin-bottom: .49em;
+}
+
+.p2 {margin-top: 2em;}
+.p4 {margin-top: 4em;}
+.p6 {margin-top: 6em;}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+}
+
+hr.tb {width: 45%;}
+hr.chap {width: 65%}
+hr.full {width: 95%;}
+
+table {
+ margin-left: auto;
+ margin-right: auto;
+}
+
+.pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+} /* page numbers */
+
+.blockquot {
+ margin-left: 5%;
+ margin-right: 10%;
+}
+
+.center {text-align: center;}
+
+.right {text-align: right;}
+
+.smcap {font-variant: small-caps;}
+
+.caption {font-weight: bold;}
+
+/* Images */
+.figcenter {
+ margin: auto;
+ text-align: center;
+}
+
+.figleft {
+ float: left;
+ clear: left;
+ margin-left: 0;
+ margin-bottom: 1em;
+ margin-top: 1em;
+ margin-right: 1em;
+ padding: 0;
+ text-align: center;
+}
+
+.figright {
+ float: right;
+ clear: right;
+ margin-left: 1em;
+ margin-bottom:
+ 1em;
+ margin-top: 1em;
+ margin-right: 0;
+ padding: 0;
+ text-align: center;
+}
+
+ </style>
+ </head>
+<body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 49046 ***</div>
+
+<div class="center">
+<table border="0" cellpadding="0" cellspacing="0" summary="">
+<tr><td align="left"><a href="#THE_OLD_GUN">THE OLD GUN.</a></td></tr>
+<tr><td align="left"><a href="#COMPENSATION">COMPENSATION.</a></td></tr>
+<tr><td align="left"><a href="#AN_ANCIENT_TRAVELLER">AN ANCIENT TRAVELLER.</a></td></tr>
+<tr><td align="left"><a href="#FROG-CATCHING">FROG-CATCHING.</a></td></tr>
+<tr><td align="left"><a href="#TIM_AND_TIP">TIM AND TIP.</a></td></tr>
+<tr><td align="left"><a href="#PHILS_BURGLAR">PHIL'S BURGLAR.</a></td></tr>
+<tr><td align="left"><a href="#GOOD-NIGHT">GOOD-NIGHT.</a></td></tr>
+<tr><td align="left"><a href="#SEEING_THE_BIG_WORLD">SEEING THE BIG WORLD.</a></td></tr>
+<tr><td align="left"><a href="#PENELOPE">PENELOPE.</a></td></tr>
+<tr><td align="left"><a href="#OUR_POST_OFFICE_BOX">OUR POST-OFFICE BOX.</a></td></tr>
+<tr><td align="left"><a href="#A_RIVER_IN_IDAHO_STORY">A (RIVER IN IDAHO) STORY.</a></td></tr>
+<tr><td align="left"><a href="#THE_PEA-NUT">THE PEA-NUT.</a></td></tr>
+</table></div>
+
+<p><span class="pagenum"><a name="Page_689" id="Page_689">[Pg 689]</a></span></p>
+
+<div class="figcenter" style="width: 800px;">
+<img src="images/ill_001.jpg" width="800" height="312" alt="HARPER'S YOUNG PEOPLE" />
+</div>
+
+<hr class="full" />
+
+<div class="center">
+<table border="0" cellpadding="4" cellspacing="0" width="100%" summary="">
+<tr><td align="left"><span class="smcap">Vol</span>. II.&mdash;<span class="smcap">No</span>. 96.</td><td align="center"><span class="smcap">Published by</span> HARPER &amp; BROTHERS, <span class="smcap">New York</span>.</td><td align="right"><span class="smcap">price four cents</span>.</td></tr>
+<tr><td align="left">Tuesday, August 30, 1881.</td><td align="center">Copyright, 1881, by <span class="smcap">Harper &amp; Brothers</span>.</td><td align="right">$1.50 per Year, in Advance.</td></tr>
+</table></div>
+
+<hr class="full" />
+
+<div class="figcenter" style="width: 700px;"><a name="THE_OLD_GUN" id="THE_OLD_GUN"></a>
+<img src="images/ill_002.jpg" width="700" height="691" alt="" />
+</div>
+
+<h2>THE OLD GUN.</h2>
+
+<p>
+<span style="margin-left: 16em;">'Mid the smoke and the heat of battle,</span><br />
+<span style="margin-left: 17em;">Where men fought for wrong or right,</span><br />
+<span style="margin-left: 16em;">'Mid the clash and the roar and the rattle,</span><br />
+<span style="margin-left: 17em;">Where fiercest raged the fight,</span><br />
+<span style="margin-left: 18em;">Stood the old gun,</span><br />
+<span style="margin-left: 16em;">Hurling his bolts of thunder</span><br />
+<span style="margin-left: 17em;">Into the ranks of those</span><br />
+<span style="margin-left: 16em;">Who dared to brave his anger,</span><br />
+<span style="margin-left: 17em;">Who dared to be his foes,</span><br />
+<span style="margin-left: 18em;">Dared face the gun.</span><br />
+<br />
+<span style="margin-left: 16em;">'Mid the daisies and clover growing</span><br />
+<span style="margin-left: 17em;">On that long-ago battle plain,</span><br />
+<span style="margin-left: 16em;">Kissed by the soft winds, blowing</span><br />
+<span style="margin-left: 17em;">Over the graves of the slain,</span><br />
+<span style="margin-left: 18em;">Lies the old gun.</span><br />
+<span style="margin-left: 16em;">Around him frolic the children,</span><br />
+<span style="margin-left: 17em;">Noisy with innocent glee,</span><br />
+<span style="margin-left: 16em;">But silent and still he lies there,</span><br />
+<span style="margin-left: 17em;">Who helped make a nation free,</span><br />
+<span style="margin-left: 18em;">Asleep in the sun.</span><br />
+</p>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_690" id="Page_690">[Pg 690]</a></span></p>
+
+<h2><a name="COMPENSATION" id="COMPENSATION">COMPENSATION.</a></h2>
+
+<h3>BY GEORGE COOPER.</h3>
+
+<p>
+<span style="margin-left: 19em;">For every leaf of green,</span><br />
+<span style="margin-left: 20em;">A golden leaf;</span><br />
+<span style="margin-left: 19em;">For every fading flower,</span><br />
+<span style="margin-left: 20em;">A ripened sheaf.</span><br />
+<span style="margin-left: 19em;">For every parching beam,</span><br />
+<span style="margin-left: 20em;">A drop of rain;</span><br />
+<span style="margin-left: 19em;">For every sunny day,</span><br />
+<span style="margin-left: 20em;">The stars again.</span><br />
+<br />
+<span style="margin-left: 19em;">For every warring wave,</span><br />
+<span style="margin-left: 20em;">A pretty shell;</span><br />
+<span style="margin-left: 19em;">For every sound of woe,</span><br />
+<span style="margin-left: 20em;">A joyous bell.</span><br />
+<span style="margin-left: 19em;">For every passing care,</span><br />
+<span style="margin-left: 20em;">A mother's kiss:</span><br />
+<span style="margin-left: 19em;">And what could better be,</span><br />
+<span style="margin-left: 20em;">Dear child, than this?</span><br />
+</p>
+
+<hr class="chap" />
+
+<h2><a name="AN_ANCIENT_TRAVELLER" id="AN_ANCIENT_TRAVELLER">AN ANCIENT TRAVELLER.</a></h2>
+
+<h3>BY ELLA RODMAN CHURCH.</h3>
+
+<p>The oldest book of travels in Asia that has been preserved was written
+by Marco Polo, an Italian, who was born nearly two hundred and fifty
+years before his famous countryman Christopher Columbus discovered
+America.</p>
+
+<p>The father and uncle of Marco, who were merchants in Venice, had already
+been to China, then called Cathay, and spent some years at the court of
+the Emperor Khubla Khan, who became their warm friend. On their return
+to Venice they had many wonderful stories to tell of the mysterious
+country they had explored, and the strange sights and adventures they
+had met with; and two years afterward they started again on their
+travels, with letters and presents for the Chinese monarch from Pope
+Gregory X. Marco, then a young man of twenty, went with them on this
+journey.</p>
+
+<p>They travelled over land and water and desert, and had many hardships
+and dangers to encounter; but finally they reached the city of Cambalu
+(which was discovered in the seventeenth century to be Pekin), after a
+journey of <i>four years</i>! When the Khan heard that they were coming, he
+sent people to meet them a month and a half before they arrived, and
+directed that they should be received with every possible honor.</p>
+
+<p>At last they reached the royal city, and were conducted at once to the
+Khan, before whom they prostrated themselves, after the fashion of the
+country; then they were invited to a magnificent banquet. The throne,
+which stood on a platform at the head of the long table, sparkled and
+glittered with precious gems; and on this was seated the monarch of
+Cathay, sparkling and glittering likewise in his festal robes, with his
+four wives around him, and a long string of attendants for each of the
+ladies.</p>
+
+<p>Everybody who was considered to be in good society in Cambalu was
+present at this feast of welcome to the returned travellers; and jewels,
+and plumes, and gold, and precious stones, and brilliant colors, and
+beautiful faces were mingled together in bewildering confusion. After
+the company had left the table, jugglers and acrobats and musicians were
+brought in to entertain them; and very likely the tired strangers were
+glad enough when it was all over, and they could retire in peace to the
+splendid palace that had been arranged with every imaginable luxury, and
+hosts of servants to wait upon them and do their bidding.</p>
+
+<p>The next day they presented the generous monarch with the Pope's letter,
+and a small bottle filled with the oil used for the silver lamps in the
+chapel of the Holy Sepulchre at Jerusalem. The Khan saw, from the
+reverent manner of the travellers, that this oil must possess rare
+virtues, and he received it with much gratitude. He was an intelligent
+man, and he asked many questions about their journey, and about matters
+and things in Europe, the Polos having become well acquainted with the
+Mongol language during their former stay, so that they could talk
+without an interpreter. His Royal Highness was particularly pleased with
+Marco, and said that he would give him an important position at once in
+his household.</p>
+
+<p>The young man immediately began to study the language, laws, and customs
+of this strange country, that he might be able to perform the duties of
+his office, and the Khan soon had such confidence in him that he sent
+him on affairs of importance all over the empire.</p>
+
+<p>It was in this way that Marco Polo learned so much about Cathay, and the
+book of travels which he wrote was read for a long time with the
+greatest interest. Now it is looked upon as an ancient relic; and the
+pictures are particularly funny. In one of them is a representation of
+the Khan in a portable room carried on the backs of four elephants,
+which are shaped very much like pigs, and have gorgeous rosettes on
+their backs, supposed to be intended for saddles. A crowd of people gaze
+with awe upon their sovereign as he is borne triumphantly along in this
+very novel manner, the front side of the room being open, so that all
+can see him.</p>
+
+<p>Another picture, which is intended for an elephant hunt, represents the
+elephants shorter than the horses on which the hunters ride and shoot at
+them with bows and arrows&mdash;as though elephants would mind <i>that</i>!&mdash;while
+the trees seem to be growing on the elephants' backs.</p>
+
+<p>Khubla Khan was at war with the sovereigns of the provinces south of his
+kingdom, and his friends the Polos were of great use to him by showing
+him how to make and use the European machines, called catapults, for
+hurling immense stones against the walls and towers of besieged cities.
+These were highly thought of before the invention of artillery.</p>
+
+<p>The monarch was very much delighted, and as soon as the machines were
+ready he sent the learned Venetians to head a fresh attack upon the
+important city of Sa-yan-fu. The banner of Khubla Khan was soon waving
+above the crushed walls, and the Polos were liberally rewarded with
+wealth and honors. Marco, who was the Khan's especial favorite, was made
+a noble of the empire, with a more magnificent palace and a larger
+retinue than ever.</p>
+
+<p>After spending seventeen years of this exciting life, the Polos longed
+to see their native city again; but the monarch, who was now an old man,
+would not consent to part with them. Fortunately, however, for the
+homesick visitors, the Khan's granddaughter was to marry the King of
+Persia, and started on her journey to that country; but after travelling
+for eight months, the Princess and her attendants found that many of the
+provinces through which they had to pass were at war, and they turned
+back to Cambalu.</p>
+
+<p>The Polos, seizing this opportunity of escape, promised to convey the
+bridal party safely by sea; and the Khan agreed to let them go, on
+condition of their returning to him again after a short visit home.
+Among the monarch's parting gifts were caskets of magnificent rubies and
+other precious gems.</p>
+
+<p>It was eighteen months before they reached Ormuz, and during that time
+two or three of the envoys and six hundred of the Princess's attendants
+had died. The Persian bridegroom was dead also, and so was the monarch
+of Cathay, Khubla Khan.</p>
+
+<p>The Polos now were freed from their promise to return; and after staying
+nine months in Persia&mdash;for they liked to explore every place at which
+they stopped&mdash;they started on their long journey to Venice. They arrived
+there in safety, after an absence of twenty-four years; and at first<span class="pagenum"><a name="Page_691" id="Page_691">[Pg 691]</a></span> no
+one would believe that these outlandish-looking travellers were the real
+Polos. But they soon proved their identity, and became known far and
+wide as the most wonderful travellers of the time.</p>
+
+<p>Marco was a prisoner in Genoa for four years, after a battle with the
+Genoese, and he amused himself during this dreary period by writing an
+account of his travels and his life at the court of the Khan.</p>
+
+<hr class="chap" />
+<h2><a name="FROG-CATCHING" id="FROG-CATCHING">FROG-CATCHING.</a></h2>
+
+<h3>BY A.&nbsp;W. ROBERTS.</h3>
+
+<p>When a man dwelling in the Drowned Lands of Canonoque, Canada, is
+capable of accumulating a small fortune by catching frogs for the New
+York market, surely some of our young people who are now spending their
+vacations near the shores of our lakes, rivers, and ponds ought also to
+make considerable pocket-money, if not as large a fortune as that of Pat
+Bowman, of the Drowned Lands, who follows up the frogs from early spring
+until late in the fall.</p>
+
+<p>It is not only the pocket-money that is to be picked up, but while on
+the frog-hunts many lessons are to be learned in aquatic natural
+history. Then there is the fun of the thing. It's fun to get sunburned,
+and have a brand-new skin at the end of a week to attend church in. It's
+fun to step into a bumble-bees' nest, and have the bees chase you until
+you are only too glad to take refuge in the water, where they can't find
+you out. And it's fun to break through a musk-rat or turtle run, and to
+have your companions pull you out covered with black peat; then come the
+washing out of your clothes, and hanging them in the sun to dry; and
+while they are drying, then the sand-flies and mosquitoes come swarming
+about you in clouds, until in sheer desperation you conclude to do as
+the cows do&mdash;stand in the water and splash. And after you have stood in
+the water a few minutes, you find the horse-leeches and boat-flies have
+discovered you have legs, and are having a feast on them. By this time
+your clothing is dry. All this sort of experience was fun to me when I
+was a boy, and I often sigh for those happy days to return.</p>
+
+<p>At the age of thirteen I became a frog-catcher. I discovered there was a
+demand in Fulton and Washington markets for frogs' legs, and that the
+price paid for them, as they ran, large and small (not very, very
+small), was one dollar and a half per hundred. But here was the trouble:
+how could I manage to keep the frogs alive and healthy until I had one
+hundred of them ready for market? At last I hit upon a plan, which was
+no less than to construct a pond in our then very large garden, and
+plant it with pond-lilies, sweet-flag, and cat-tails; in fact, to make
+it as picturesque as possible. To have the pond hold water, the bottom
+and sides were lined with clay to the depth of half a foot. To fill the
+pond we made a series of wooden gutters that connected with the garden
+pump. Every night we pumped and pumped, until we thought the old pump
+would surely go dry.</p>
+
+<p>In our house lived a blind sea-captain; he was a bright, kind-hearted,
+good-natured old gentleman. He could navigate all over our large garden
+without tramping down the smallest radish, and as for thinning out
+carrots and beets, he could do it beautifully; he knew every weed by
+touch and smell. He was just as good as good could be, and all we boys
+thought the world of him, and he thought we were the best boys ever
+born. Now the captain liked everything in nature that had a voice, such
+as birds, crickets, locusts, katydids, and tree-toads, with which we
+kept the garden well supplied, so that at night there was nearly a full
+orchestra of nature's musicians. On bass, basso, and basso-profundo we
+were short, but knew full well that as soon as the intended inhabitants
+for the pond were secured, those voices of the night would be
+forthcoming.</p>
+
+<p>The first frogs we captured were taken with a scap-net toward evening,
+when they drew near the shore to feed, and to secure them we tied them
+by their hind-legs to a string. One evening we discovered a frog by his
+voice, which was that of a pure basso-profundo, and in strength that of
+three bull-calves in one. His home was in a small ditch of water, which,
+the minute approached, he would plunge into, and was lost to sight. By
+the great splash he made we knew that he must be a monster of a
+bull-frog. Night after night we tried to capture him, but failed. At
+last we determined to devote one entire Saturday to his capture.</p>
+
+<p>There was one particular spot on the side of the ditch where he always
+sat when taking a sun-bath, but the minute he caught sight of us, in he
+would plunge, and disappear for an hour's time. At first we imagined he
+dived down into the deep mud bottom, and remained there until he thought
+all was quiet, or that we were gone away.</p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/ill_003.jpg" width="500" height="285" alt="" />
+<span class="caption">DIGGING OUT THE BIG FROG.</span>
+</div>
+
+<p>At last, by mere accident, we discovered his secret hiding-place to be a
+musk-rat hole, the entrance of which connected directly with the water
+of the ditch, so that all he had to do was to make a strong and long
+dive for the musk-rat hole, and he was safe every time. The only way
+left was to secure the entrance to the hole with a net, and then to go
+after him with spades and shovels and dig him out; which we did, and
+wasn't he a beauty? He weighed over a pound, and must have been seven or
+eight years old. After being in the pond a week, one bright moonlight
+night he condescended to join in with the other musicians.</p>
+
+<p>We greatly increased the power of our orchestra by adding twenty-five
+common toads, which in the breeding season frequent the water, and are
+very noisy, and also one hundred of the shrill-piping Hylodes, or
+tree-toads, and two screech-owls, which were kept in separate cages at
+different parts of the garden, so that all night long they were calling
+to one another.</p>
+
+<p>At the end of every two weeks one of the four members of the "Great Long
+Island Frog Company" took to market from two hundred to two hundred and
+fifty live frogs, for which was received a dollar and a half per
+hundred. In course of time sufficient capital was accumulated to
+purchase four hundred breeding gold-fish with which to stock the pond,
+so that on the second year we were marketing live frogs and gold-fish.
+All this happened many years ago, but the traffic in bull-frogs and
+bull-frogs' legs has been growing steadily, until it has attained
+wonderful proportions, as the following statements will show:</p>
+
+<p>It is estimated by good judges that no less than fifteen hundred-weight
+of frogs' legs are sent to the New York market every year. New York
+State, New Hampshire, Maine, Pennsylvania, and the Canadas are the
+principal sources of supply. There is one dealer who has agents catching
+and purchasing frogs in all the above-named places.</p>
+
+<p>Frog-catching begins early in the spring, and lasts until late in the
+fall. The frogs are caught without bait, all the tackle used being a rod
+or pole cut in the woods, to which is fastened a short and stout line.
+On the end of the line is fastened a broad stout hook. When a frog is
+discovered, the "froggist" drops the hook under the jaw of the frog, and
+with a quick jerk Mr. Frog flies up into the air, and is taken from off
+the hook, and placed in a bag. The frogs think the hook is alive, and
+snatch at it eagerly. Sometimes a frog, when the hook tickles his nose
+or passes over one of his ears, will lose his temper, and make a
+terrible lunge at it. I have seen old frogs lose their tempers entirely,
+so that the minute they caught<span class="pagenum"><a name="Page_692" id="Page_692">[Pg 692]</a></span> sight of the end of the pole they would
+jump clear out of the water, and bite at it fiercely. A frog will never
+bite at anything when under water, as he is afraid to open his large
+mouth from fear of drowning. A frog kept entirely in the water, with
+nothing to rest on, will in course of time drown. When the hook is
+ornamented with a piece of red flannel, the frogs will jump for it
+several feet. Frogs bite best on warm, sunny days. When fishing for
+frogs at night, a reflector or bull's-eye is fastened at the bow of the
+boat. The bright light seems to daze the frogs to an extent that admits
+of their easy capture.</p>
+
+<p>The frogs, when caught, are placed in cages made of laths or slats; the
+cages are about five feet long by four feet wide, and one foot in
+height. These cages are placed half in the water and half on land; the
+bottoms of the cages having a slight inclination, to allow the frogs to
+leave the water when so disposed. After being caged for a few days, they
+will begin to take food. Their favorite food is young frogs, small live
+fish, insects, mice, and angle-worms. All of these must have life and
+motion, or the frogs will not eat them. Many attempts have been made to
+breed frogs artificially, but so far all have failed. The principal
+trouble seems to be the difficulty of obtaining natural food in
+sufficient quantities to prevent the old frogs from devouring their
+young, which they will do on all occasions. Again, the young frog, from
+the tadpole stage up to the perfect frog, is surrounded by enemies night
+and day&mdash;aquatic birds, turtles, lizards, snakes, leeches, insects,
+fish, water-rats, and, worst of all, his own relations. A female frog at
+five years of age will produce over a thousand eggs every year. Out of
+the thousand eggs not more than twenty-five ever attain over two years'
+growth, so constant is the warfare of their enemies.</p>
+
+<div class="figleft" style="width: 300px;">
+<img src="images/ill_004.jpg" width="300" height="258" alt="" />
+</div>
+
+<p>There are two ways of preparing the frogs' legs for market. One is known
+as the Canadian style (see figure), which consists of leaving part of
+the back of the frog attached to the legs; this is done to make weight.
+The other is the Philadelphia style, wherein the legs are cut off close
+to the end of the back, or spine, after the legs have been skinned. In
+the figure the dotted line A A shows the Philadelphia style, which
+always brings the highest price. The legs are packed in half-barrels
+between layers of crushed ice, and will average from fifty to
+seventy-five pounds to the half-barrel. The prices paid for frogs' legs
+vary from twenty to sixty cents per pound, which is governed by the
+season of the year, the demand, and the supply. At the leading
+hotels&mdash;Delmonico's, for instance&mdash;seventy-five cents is the regular
+price per plate for cooked frogs' legs all the year round.</p>
+
+<p>The method of cooking the legs is as follows. After the legs have been
+thoroughly washed, they are dried in a towel; they are then dipped in
+beaten eggs, and rolled in powdered cracker, after which they are fried
+in very hot lard or butter until slightly brown, and are served up with
+fine herbs and mushrooms stewed in butter.</p>
+
+<p>Now it seems to me, as I said before, that the boys have a chance to
+make considerable pocket-money on frogs' legs. If I was still a boy, I
+would enter into an agreement with two or three of the largest and
+best-paying hotels to supply them with legs, fresh caught (remember,
+that's a big advantage you would have over the New York market), at just
+a few cents per pound below the prevailing market prices during the
+season. There is no reason, when you are out frogging, why you should
+not capture a few trout also.</p>
+
+<hr class="chap" />
+
+<div class="figcenter" style="width: 380px;">
+<img src="images/ill_005.jpg" width="380" height="500" alt="" />
+<span class="caption">THE BOOT-BLACK'S SHOWER-BATH.</span>
+</div>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_693" id="Page_693">[Pg 693]</a></span></p>
+
+<h4><a name="TIM_AND_TIP" id="TIM_AND_TIP">[Begun in No. 92 of <span class="smcap">Harper's Young People</span>, August 2.]</a></h4>
+
+<h2>TIM AND TIP;</h2>
+
+<h3>OR, THE ADVENTURES OF A BOY AND A DOG.</h3>
+
+<h3>BY JAMES OTIS,</h3>
+
+<p class="center">AUTHOR OF "TOBY TYLER," ETC.</p>
+
+<h3><span class="smcap">Chapter V</span>.</h3>
+
+<h3>LIFE ON BOARD THE "PRIDE OF THE WAVE."</h3>
+
+<p>When Tim first went on board the steamer which was to be his home, he
+thought, from the beautiful things he saw around, that he should live in
+a luxurious manner; but when he was shown the place in which he was to
+sleep, he learned that the fine things were for the passengers only, and
+that even comfort had been sacrificed in the quarters belonging to the
+crew.</p>
+
+<p>He was given a berth in the forecastle, which was anything rather than a
+pleasant or even a sweet-smelling place, and had it not been that he had
+the satisfaction of having Tip with him when he went to bed, he would
+have cried even harder and longer than he did.</p>
+
+<p>Captain Pratt had not made his appearance on the steamer that day; but
+the steward had told him that his duties as Captain's boy would begin
+next morning at breakfast, when he would be expected to wait upon the
+Captain at the table. The last thing Tim thought of that night was how
+he should acquit himself in what he felt would be a trying position, and
+the first thing which came into his mind when he awoke on the following
+morning was whether he should succeed in pleasing his employer or not.</p>
+
+<p>After kissing Tip over and over again, and with many requests to him to
+be a good dog and not make a noise, Tim tied his pet in his narrow
+quarters, and then made his own toilet. He really made a good appearance
+when he presented himself to Mr. Rankin, the steward, that morning. His
+cheeks were rosy from a vigorous application of cold water and a brisk
+rubbing, and if he could rely upon his personal appearance for pleasing
+Captain Pratt, there seemed every chance that he would succeed.</p>
+
+<p>During the time he had been at work the day before, Mr. Rankin took
+every opportunity to instruct him in his new duties, and that morning
+the steward gave him another lesson.</p>
+
+<p>It was barely finished when Captain Pratt came into the cabin, and one
+look at him made Tim so nervous that he forgot nearly everything he had
+been told to remember.</p>
+
+<p>The Captain's eyes were red, his hands trembled, while he had every
+symptom of a man who had been drinking hard the day before, and was not
+perfectly sober then.</p>
+
+<p>Tim had never had any experience with drinking men; but he did not need
+any explanation as to the causes of the Captain's appearance, and he
+involuntarily ducked his head when his employer passed him.</p>
+
+<p>"Now, then, what are you skulking there for, you young rascal?" shouted
+Captain Pratt, as he fell rather than seated himself in his chair.</p>
+
+<p>"I ain't skulkin', sir," replied Tim, meekly.</p>
+
+<p>"Don't you answer me back," cried the Captain, in a rage, seizing the
+milk pitcher as if he intended to throw it at the boy. "If you talk back
+to me, I'll show you what a rope's end means."</p>
+
+<p>Tim actually trembled with fear, and kept a bright lookout, so that he
+might be ready to dodge in case the pitcher should be thrown, but did
+not venture to say a word.</p>
+
+<p>"Now bring me my breakfast, and let's see if you amount to anything, or
+if I only picked up a bit of waste timber when I got you."</p>
+
+<p>"What will you have, sir?" asked Tim, timidly, as he moved toward the
+Captain's chair.</p>
+
+<p>A blow on the side of his head that sent him reeling half way across the
+cabin served as a reply, and it was followed by a volley of oaths that
+frightened him.'</p>
+
+<p>"What do you mean by asking me what I'll have before you tell me what is
+ready? Next time you try to wait upon a gentleman, tell him what there
+is. Bring me some soda-water first."</p>
+
+<p>This was an order that had not been provided for in the lessons given by
+Mr. Rankin, and Tim stood perfectly still, in frightened ignorance.</p>
+
+<p>"Come, step lively, or I'll get up and show you how," roared the
+Captain, his face flushing to a deeper red, as his rage rose to the
+point of cruelty.</p>
+
+<p>"Please, sir, I don't know where it is;" and Tim's voice sounded very
+timid and piteous.</p>
+
+<p>"Don't know where it is, and been on board since yesterday! What do you
+suppose I hired you for? Take that, and that."</p>
+
+<p><span class="pagenum"><a name="Page_694" id="Page_694">[Pg 694]</a></span></p><div class="figright" style="width: 400px;">
+<img src="images/ill_006.jpg" width="400" height="372" alt="" />
+<span class="caption">CAPTAIN PRATT ORDERS HIS BREAKFAST.</span>
+</div>
+
+<p>Suiting the action to the words, the cheerful-tempered man threw first a
+knife and then a fork at the shrinking boy, and was about to follow them
+with a plate, when Mr. Rankin put into Tim's hand the desired liquid.</p>
+
+<p>Tim would rather have gone almost anywhere else than close to his
+employer just then; but the glass was in his hand, the Captain was
+waiting for it with a glare in his eye that boded no good if he delayed,
+and he placed it on the table.</p>
+
+<p>"Now what kind of a breakfast have you got?" shouted Captain Pratt, as
+he swallowed the liquid quickly.</p>
+
+<p>It was a surprise to himself that he could remember anything just then,
+but he did manage to repeat the names of the different dishes, and to
+take the Captain's order.</p>
+
+<p>Although he ran as swiftly as possible from the table to the kitchen,
+and was served there with all haste, he did not succeed in pleasing the
+angry man.</p>
+
+<p>"I want you to remember," said that worthy, with a scowl, "that I ain't
+in the habit of waiting for my meals. Another time, when you are so
+long, I shall give you a lesson you won't forget."</p>
+
+<p>Tim was placing the dishes of food on the table when the Captain spoke,
+and he was so startled by the angry words, when he thought he deserved
+pleasant ones, that he dropped a plate of potatoes.</p>
+
+<p>He sprang instantly to pick them up, but Captain Pratt was out of his
+chair before he could reach them, and with all his strength he kicked
+Tim again and again. Then, without taking any heed of the prostrate boy,
+who might have been seriously injured, he seated himself at the table in
+perfect unconcern.</p>
+
+<p>Mr. Rankin helped Tim on his feet, and finding that no bones were
+broken&mdash;which was remarkable, considering the force with which the blows
+had been given&mdash;advised him to go on deck, promising that he would serve
+the Captain.</p>
+
+<p>"But I propose that the boy shall stay here," roared the Captain. "Do
+you think I'm going to let him sneak off every time I try to teach him
+anything?"</p>
+
+<p>Tim struggled manfully to keep back the tears that would come in his
+eyes as he stood behind the Captain's chair, but they got the best of
+him, as did also the little quick sobs.</p>
+
+<p>The Captain appeared to grow more cheerful as he ate, and although he
+called upon Tim for several articles, he managed to get along without
+striking any more blows, contenting himself by abusing the poor boy with
+his tongue.</p>
+
+<p>It was a great relief to Tim when that meal was ended, and Mr. Rankin
+told him he could eat his own breakfast before clearing away the dishes.</p>
+
+<p>Tim had not the slightest desire for food then, but he did want some for
+Tip. Hastily gathering up the bones from Captain Pratt's plate, he ran
+with them to the bow, where Tip was straining and tugging at his rope as
+if he knew his master was having a hard time, and he wanted to be where
+he could help him.</p>
+
+<p>Tim placed the bones in front of Tip, and then kneeling down, he put his
+arms around the dog's neck as he poured out his woes in his ear, while
+Tip tried in every way to get at the tempting feast before him.</p>
+
+<p>"I'm the miserablest boy in the world, Tip, an' I don't know what's
+goin' to become of us. You don't know what a bad, ugly man Captain Pratt
+is, an' I don't believe I can stay here another day. But you think a
+good deal of me, don't you, Tip? an' you'd help me if you could,
+wouldn't you?"</p>
+
+<p>The dog had more sympathy with the bones just then than he had with his
+almost heart-broken master, and Tim, who dared not stay away too long
+from the cabin, was obliged to let him partake of the feast at last.</p>
+
+<p>When Tim returned from feeding the dog, Mr. Rankin said all he could to
+prevent him from becoming discouraged on the first day of service; but
+he concluded with these words: "I can't advise you to stay here any
+longer than you can help, for you ain't stout enough to bear what you'll
+have to take from the Captain. It'll be hard work to get off, for he
+always looks sharp after new boys, so they sha'n't run away; but when we
+get back here again, you'd better make up your mind to show your heels."</p>
+
+<p>These words frightened Tim almost as much as what the Captain had said
+to him, for he had never thought but that he could leave whenever he
+wanted to. Now he felt doubly wretched, for he realized that he was as
+much a captive as he had ever been when he lived with Captain Babbige,
+whose blows were not nearly as severe as this new master's.</p>
+
+<p>The <i>Pride of the Wave</i> made but two trips a week, and each one occupied
+about two days and a half. This second day after Tim had come on board
+was the time of her sailing, and everything was in such a state of
+confusion that no one had any time to notice the sad little boy, who ran
+forward to pet his dog whenever his work would permit of such loving
+act.</p>
+
+<p>Among his duties was that of answering the Captain's bell, and once,
+when he returned from a visit to Tip, Mr. Rankin told him, with evident
+fear, that it had been nearly five minutes since he was summoned to the
+wheel-house.</p>
+
+<p>While the steward was speaking, the bell rang again with an angry peal
+that told that the party at the other end was in anything but a pleasant
+mood. It did not take Tim many seconds to run to the wheel-house, and
+when he arrived there, breathless and in fear, Captain Pratt met him at
+the door.</p>
+
+<p>"So the lesson I gave you this morning wasn't enough, eh?" cried the
+angry man, as he seized Tim by the collar and actually lifted him from
+his feet. "I'll teach you to attend to business, and not try to come any
+odds over me."</p>
+
+<p>Captain Pratt had a stout piece of rope in one hand, and as he held Tim
+by the other, nearly choking him, he showered heavy blows upon the poor
+boy's back and legs, until his arm ached.</p>
+
+<p>"Now see if you will remember that!" he cried, as he released his hold
+on Tim's collar, and the poor child rolled upon the deck almost
+helpless.</p>
+
+<p>Tim had fallen because the hold on his neck had been so suddenly
+released, rather than on account of the beating; and when he struggled
+to his feet, smarting from the blows, the Captain said to him, "Now
+bring me a pitcher of ice-water, and see that you're back in five
+minutes, or you'll get the same dose over again."</p>
+
+<p>Tim limped away, his back and legs feeling as though they were on fire,
+and each inch of skin ached and smarted as it never had done from the
+worst whipping Captain Babbige or Aunt Betsey had favored him with. He
+entered the cabin with eyes swollen from unshed tears, and sobs choking
+his breath, but with such a sense of injury in his heart that he made no
+other sign of suffering.</p>
+
+<p>Mr. Rankin was too familiar with Captain Pratt's method of dealing with
+boys to be obliged to ask Tim any questions; but he said, as the boy got
+the water, "Try to keep a stiff upper lip, lad, and you'll come out all
+right."</p>
+
+<p>Tim could not trust himself to speak, for he knew he should cry if he
+did; and he carried the water to the wheel-house, going directly from
+there to Tip.</p>
+
+<p>The dog leaped up on him when his master came where he was, as if he
+wanted a frolic; but Tim said, as he threw himself on the deck beside
+him: "Don't, Tip&mdash;don't play now; I feel more like dyin'. You think it's
+awful hard to stay here; but it's twice as hard on me, 'cause the
+Captain whips me every chance he gets."</p>
+
+<p>Tip knew from his master's actions that something was wrong, and he
+licked the face that was drawn with deep lines of pain so lovingly that
+Tim's tears came in spite of his will.</p>
+
+<p><span class="pagenum"><a name="Page_695" id="Page_695">[Pg 695]</a></span></p>
+
+<p>He was lying by Tip's side, moaning and crying, when old black Mose, the
+cook, was attracted to the spot by his sounds of suffering.</p>
+
+<p>"Wha-wha-wha's de matter, honey? Wha' yer takin' on so powerful 'bout?"</p>
+
+<p>Tim paid no attention to the question, repeated several times, nor did
+he appear to feel the huge black hand laid so tenderly on his head.</p>
+
+<p>"Wha's de matter, honey? Has Cap'en Pratt been eddercatin' of yer?"
+Then, without waiting for a reply, he continued: "Now don' take on so,
+honey. Come inter de kitchen wid ole Mose, an' let him soothe ye up a
+little. Come, honey, come wid me, an' bring de dorg wid yer."</p>
+
+<p>While he spoke the old colored man was untying the rope which fastened
+Tip, for he knew the boy would follow wherever the dog was led. And in
+that he was right, for when Tip went toward the little box Mose called a
+kitchen, he followed almost unconsciously.</p>
+
+<p>Once inside the place where the old negro was chief, Mose took his
+jacket off, and bathed the ugly-looking black and blue marks which had
+been left by the rope, talking to the boy in his peculiar dialect as he
+did so, soothing the wounds on his heart as he treated those on his
+body.</p>
+
+<p>"Now don' feel bad, honey; it's only a way Cap'en Pratt has got, an' you
+must git used to it, shuah. Don' let him fret yer, but keep right on
+about yer work jest as ef yer didn't notice him like."</p>
+
+<p>Mose bathed the wounds, gave Tip such a feast as he had not had for many
+a day, and when it was done, Tim said to him: "You're awful good, you
+are; but I'm afraid the Captain will make you sorry for it. He don't
+seem to like me, an' he may get mad 'cause you've helped me."</p>
+
+<p>"Bress yer, chile, what you s'pose ole Mose keers fur him ef he does git
+mad? The Cap'en kin rave an' rave, but dis niggar don' mind him more'n
+ef he was de souf wind, what carn't do nobody any harm."</p>
+
+<p>"But&mdash;" Tim began to say, earnestly.</p>
+
+<p>"Never mind 'bout any buts, honey. Yer fixed all right now, an' you go
+down in de cabin an' go ter work like a man; ole Mose'll keep keer ob de
+dorg."</p>
+
+<p>Tim knew he had already been away from his post of duty too long, and
+leaving Tip in the negro's kindly care, he went into the cabin, feeling
+almost well in mind, although very sore in body.</p>
+
+<h4>[<span class="smcap">to be continued</span>.]</h4>
+
+<hr class="chap" />
+<div class="figcenter" style="width: 600px;">
+<img src="images/ill_007.jpg" width="600" height="492" alt="" />
+<span class="caption">NOT UP IN HIS PART.&mdash;<span class="smcap">Drawn by Sol Eytinge, Jun</span>.</span>
+</div>
+
+<hr class="chap" />
+<h2><a name="PHILS_BURGLAR" id="PHILS_BURGLAR">PHIL'S BURGLAR.</a></h2>
+
+<h3>BY FRANK H. CONVERSE.</h3>
+
+<p>I am Phil Morris, fourteen years old, and the youngest clerk in Covert
+Savings-Bank. The cashier is my uncle Jack, and he began at the bottom,
+where I am, when <i>he</i> was a boy. He says that a boy had better grow up
+with a country bank than go West and grow up with the country. He thinks
+there's more money in it.</p>
+
+<p>"If there's anything in you," he said one day, "you'll work your way up
+to be bank president some time." And I guess it's better to be president
+of a country bank than to be President of the United States. Anyway, you
+wouldn't have to be shot before folks began to find out that you were
+doing your level best to keep things straight. Uncle Jack says and does
+such queer things sometimes that people say he's odd. They tell about
+his being so wrapped up in our bank that he never had time to hunt up a
+wife. I notice, though, that when father and mother died, and left me a
+wee little baby, Uncle Jack found time to bring me up, and give me a
+good education to boot. Oh, he's as good as gold or government bonds,
+Uncle Jack is.</p>
+
+<p>We live in rooms over the bank, where old Mrs. Halstead keeps house for
+us. Underneath, we do the business. There's heaps of money in our two
+big vaults.</p>
+
+<p>Last summer&mdash;and, mind you, this was while <i>I</i> was away on vacation&mdash;two
+men broke into the building. They came up stairs, and into Uncle Jack's
+room. One had a bull's-eye lantern that he flashed in Uncle Jack's face
+as he sat up in bed, and the other pointed a big pistol right at his
+head.</p>
+
+<p>"Tell us where the vault keys are, or I'll shoot you," he said.</p>
+
+<p>"Oh, Uncle Jack," I broke in, when he was telling me about it, "what
+<i>did</i> you do?"</p>
+
+<p>"What would you have done?" he asked, in his odd way.</p>
+
+<p>"I know what I <i>wouldn't</i> have done," I answered him, straightening up a
+bit&mdash;"I wouldn't have given 'em the keys."</p>
+
+<p>"Ah!" Uncle Jack says, kind of half doubtful, and then went on: "Well, I
+told them to shoot away. And they knew as well as I did that shooting
+wouldn't bring them the keys. So when they found they couldn't frighten
+me, the scoundrels tied me, and went off in a rage, with my watch and
+pocket-book."</p>
+
+<p>That was last summer. One night along in the fall Uncle Jack started off
+down town. "It's Lodge night, and I may not be back until late," he
+said. "You won't mind staying alone&mdash;a great boy like you." And of
+course I said "No."</p>
+
+<p>But somehow, after Mrs. Halstead went to bed, I found I <i>did</i> mind it. I
+don't know what made me feel so fidgety. Perhaps it was reading about a
+bank robbery in Bolton, which is the next town to Covert. It was thought
+to be the work of Slippery Jim, a notorious burglar. And while I was
+thinking about it, I dozed off in Uncle Jack's easy-chair.</p>
+
+<p>"Ow-w-w!" I sung out all at once. And if you'd woke up of a sudden to
+see a rough-looking man, with a slouch hat pulled over his eyes,
+standing right in front of you, you'd have done the same. "What&mdash;what do
+you want here?" I sort of gasped; and I tried to speak so he wouldn't
+hear my teeth knock together.</p>
+
+<p>"The vault keys&mdash;where are they?" he answers, short and gruff. And then
+he kind of motioned with his hand&mdash;I suppose to show the revolver he was
+holding.</p>
+
+<p>I was pretty badly scared; but all the same, I didn't mean he should
+have those vault keys, if he shot the top of my head off.</p>
+
+<p>"Come, hurry up," he said, with a sort of grin. And I noticed then that
+he had red whiskers, and some of his upper front teeth were gone, so
+that he didn't speak his words plain.</p>
+
+<p>"I should know you anywhere," I thought. "Strategy, Phil Morris," I said
+to myself, bracing up inside; for a story I'd read about how a lady
+caught a live burglar came across me like a flash. "Please don't shoot,
+sir," I began to say, with all sorts of demi-semi-quavers in my
+voice&mdash;"please don't; indeed I'll show you where they're kept." So
+making believe to shake all over, I took the lamp, and led the way into
+Uncle Jack's bedroom. "The k-k-k-eys are in th-there, sir," I told him.</p>
+
+<p>You should have seen how my fingers trembled when I pointed to the
+little store-room that opened out of the chamber. The keys were there,
+true enough, but I'd like to see any one except Uncle Jack or I find
+them. I suppose you have heard of such things as secret panels.</p>
+
+<p>The store-room floor is lower than the chamber floor. Many a time, when
+I haven't been thinking, I've stepped down with a jar that almost sent
+my backbone up through the top of my head.</p>
+
+<p>"In there, eh?" said my bold burglar, quite cheerful like, and pushed by
+me to the open door.</p>
+
+<p>I set the lamp down, and my heart began to beat so that I was almost
+afraid he could hear it. "Now or never," I whispered.</p>
+
+<p>It was all done quicker than you could say "knife." I put my head down
+like a billy-goat, and ran for the small<span class="pagenum"><a name="Page_696" id="Page_696">[Pg 696]</a></span> of his back. "Butted" isn't a
+nice word, but that's just how I sent him flying headlong into the
+closet. I heard him go down with a crash that shook Mrs. Halstead's
+biggest jar of raspberry jam off the shelf.</p>
+
+<p>I didn't stop to take breath until I'd locked the door and barricaded it
+with Uncle Jack's big mahogany bureau&mdash;just as the lady did in the
+story. Then I breathed&mdash;and listened. What I heard made my eyes stick
+out a bit. First I almost felt like crying. Then I laughed until I did
+cry. I suppose the excitement made me hystericky. It wasn't ten minutes
+before I roused up Mr. Simms the constable, and Jared Peters, who lives
+next door. Mr. Simms brought along an old pepperbox revolver and a pair
+of handcuffs. Jared Peters had his double-barrel gun, but in his flurry
+he forgot to load it.</p>
+
+<p>Up stairs we hurried. The two men pulled away the bureau, and Mr. Simms,
+who was in the army, stationed us in our places.</p>
+
+<p>"Look a-here, you feller," Mr. Simms called out, "the strong arm of the
+law is a-coverin' of you with deadly weepons. Surrender without
+resistance.&mdash;Phil, yank open the door."</p>
+
+<p>I flung open the door. Jared Peters covered the prisoner with his gun.
+He was covered with something else too&mdash;Mrs. Halstead's raspberry jam,
+that he'd been wallowing round in. He didn't look proud, though, for all
+he was so stuck up.</p>
+
+<p>Before he could open his mouth Mr. Simms had him handcuffed and dragged
+out into the chamber.</p>
+
+<p>"There," he said, with a long breath, "I guess <i>you</i> won't burgle no
+more right away."</p>
+
+<p>"For goodness' sake, Simms&mdash;Peters&mdash;don't you know me&mdash;Mr. John Morris,
+cashier of the savings bank." That was what the prisoner said just as
+soon as he could speak.</p>
+
+<p>Well, I didn't wait any longer. I just bolted for my own room, where I
+could lie down on the floor. And there I lay laughing until I was purple
+clear round to my shoulder-blades. Then I went to bed.</p>
+
+<p>"Philip," said Uncle Jack, solemnly, while we were at breakfast next
+morning, "I should beg your pardon for trying to test your courage in
+the&mdash;the consummately idiotic way I took to do it last night, but"&mdash;and
+he looked pretty sheepish&mdash;"I&mdash;I think I got the worst of it."</p>
+
+<p>"I think you did, sir," I answered him, choking a bit.</p>
+
+<p>"The disguise was a good one, though," he went on, with a sort of feeble
+chuckle, "and leaving my false teeth out, changed my voice
+completely&mdash;eh, Phil?"</p>
+
+<p>"Yes, sir&mdash;until you hollered out in the closet that it was all a joke,
+and wanted me to let you out," I answered him, as I got up and edged
+toward the door.</p>
+
+<p>"Why didn't you let me out then?" roared Uncle Jack, who is rather
+quick-tempered.</p>
+
+<p>I hope I wasn't impudent. Truly, I didn't intend to be. "Because, Uncle
+Jack," I said, as I turned the door knob, "I have heard you say more
+than once that he who can not take a joke should not make one." And as I
+dodged through the door I heard Uncle Jack groan.</p>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_697" id="Page_697">[Pg 697]</a></span></p>
+
+<div class="figcenter" style="width: 420px;">
+<img src="images/ill_008.jpg" width="420" height="600" alt="" />
+<span class="caption">NOT TALL ENOUGH.</span>
+</div>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_698" id="Page_698">[Pg 698]</a></span></p>
+
+<h2><a name="GOOD-NIGHT" id="GOOD-NIGHT">GOOD-NIGHT.</a></h2>
+
+<h3>BY W.&nbsp;T. PETERS.</h3>
+
+<p>
+<span style="margin-left: 19em;">Good-night, happy stars,</span><br />
+<span style="margin-left: 20em;">With your yellow eyes;</span><br />
+<span style="margin-left: 19em;">Good-night, lady moon,</span><br />
+<span style="margin-left: 20em;">In the evening skies;</span><br />
+<span style="margin-left: 19em;">Good-night, dusky world</span><br />
+<span style="margin-left: 20em;">And the boundless deep;</span><br />
+<span style="margin-left: 19em;">I am tired out;</span><br />
+<span style="margin-left: 20em;">It is time to sleep&mdash;</span><br />
+<span style="margin-left: 19em;">Time, time to sleep.</span><br />
+<span style="margin-left: 20em;">Good-night! Good-night!</span><br />
+<br />
+<span style="margin-left: 19em;">Good-night, weary boy;</span><br />
+<span style="margin-left: 20em;">It has been decreed</span><br />
+<span style="margin-left: 19em;">That some mysteries</span><br />
+<span style="margin-left: 20em;">Only a child can read;</span><br />
+<span style="margin-left: 19em;">But the sweet child-heart</span><br />
+<span style="margin-left: 20em;">May you always keep,</span><br />
+<span style="margin-left: 19em;">And the stars will be yours,</span><br />
+<span style="margin-left: 20em;">And the boundless deep&mdash;</span><br />
+<span style="margin-left: 19em;">The boundless, boundless deep.</span><br />
+<span style="margin-left: 20em;">Good-night! Good-night!</span><br />
+</p>
+
+<hr class="chap" />
+
+<h2><a name="SEEING_THE_BIG_WORLD" id="SEEING_THE_BIG_WORLD">SEEING THE BIG WORLD.</a></h2>
+
+<h3>BY F.&nbsp;E. FRYATT.</h3>
+
+<p>Andrew, the florist, set out one fine day for a trip to the wood that
+lay a mile beyond his greenhouses.</p>
+
+<p>He was a grand old man, who loved all the beautiful things God has
+scattered over this earth, from the tiny grass blade pushing up through
+the brown mould, to the mighty oak spreading its branches like a giant
+in the forest. As he entered the wood he marked how the sunshine,
+flickering down through the trees, made patches of gold on the green
+turf, and turned the pebbles in the brook into pearls. Time had not
+dimmed old Andrew's eye nor dulled his ear, nor had he lived his sixty
+years without learning to understand the soft voices of nature. As he
+strolled thoughtfully along he became aware of a gentle murmuring sound
+proceeding from groups of flowers that seemed to nod and smile when he
+drew near them. Throwing himself at full length on the turf, he
+listened; at first he could make nothing out of all the sweet babble
+poured into his ear, until Jack-in-the-pulpit became spokesman for the
+occasion.</p>
+
+<p>In a pretty speech Jack told how they had heard of a grand flower show
+that was soon to come off in the great city, and confessed to the
+annoyance he and his companions felt at always being neglected on such
+interesting occasions, closing his long address by praying that the wild
+flowers might be treated with as much respect as the Pelargoniums, the
+Gladioluses, and all their other fashionable cousins.</p>
+
+<p>Andrew heard Jack's remarks with a smile that was more sad than merry,
+marvelling how these innocent creatures, shut up in the heart of the
+wood, could have heard anything of the show.</p>
+
+<p>"I have it," said he: "some gadding bee, or perhaps a gossiping sparrow,
+fresh from town, has carried the matter. Well, well, they must learn how
+profitable is content, and how foolish silly ambitions."</p>
+
+<p>"My pretty dears," sighed the old man, leaning on his spade, and
+regarding the blossoms, "you will 'never be sorry but once, and that
+will be always.' As well might a fish try to live on land as you in the
+stifling city."</p>
+
+<p>So saying, Andrew thrust his spade deep into the rich soil, disengaging
+the delicate roots that bound the flowers to their sylvan home.</p>
+
+<p>When he had deposited as many Trilliums, Lilliums, Violets, and Anemones
+in his basket as he desired, the good old man proceeded to a boggy spot
+in the woods, and brought away with him Lady-slippers, Orchids,
+Pitcher-plants, Irises, Sundews, and Sweet-cicely, who wished to see the
+big world too.</p>
+
+<p>Andrew now turned to go home, but, dear me! his work was but half done,
+for a butterfly, fluttering seaward, carried the news to the
+pine-barrens, and straightway Pyxidanthera, the beauty, cried out&mdash;and
+the soft sound of her crying came pitifully: "Don't leave me all alone
+in the pine-barrens; it is too lonely; I too would see the great world
+at the flower show."</p>
+
+<p>"It is strange that you've never been lonesome before," thought Andrew,
+stooping down where the wee pink beauty sat on her mossy throne, and
+lifting her gently into his basket. Nor did his labors end here; for a
+troop of Daisies in a field near by heard the tidings, and almost burst
+their green jackets in impatience to be going; nor could he resist the
+pleadings of a band of young Buttercups, so he kindly added these to the
+delicate passengers in the wicker car, and hastened on. But once more
+his fine ear caught the sound of complaining.</p>
+
+<p>Looking toward his right hand, he discovered a group of ancient
+Dandelions bowing their gray heads to him, and listening, heard them
+sighing: "Once we had tresses like the sun. Why come so late, so late?"</p>
+
+<p>"Too late! too late!" chimed another voice.</p>
+
+<p>"Ay, ay, too late," replied the old man, trudging on toward his
+greenhouse, for he had much to do to prepare his rustic beauties for
+their trip to the city.</p>
+
+<p>"Oh dear," said a young Violet a week after, when they were all
+flourishing in the greenhouse, "why am I always to be in the shade, and
+that great Japonica towering above me?"</p>
+
+<p>"And I too," murmured a Wind-flower, flushing faintly.</p>
+
+<p>"Who cares for any of them?" chirruped a Daisy. "Here or there matters
+not to me."</p>
+
+<p>"<i>You</i> are near the sun, madam," argued an Orchid.</p>
+
+<p>"Be quiet, all of you," roared Jack-in-the-pulpit. "Who'll care for
+Japonicas and such common folk when <i>we</i> go to town?"</p>
+
+<p>There was common-sense in that, so the wild flowers settled down in
+silence.</p>
+
+<p>The day before the show there was a fine uproar in the greenhouses. The
+wild flowers babbled and laughed and danced on their stems for joy. No
+one knew it but Andrew, and he said nothing.</p>
+
+<p>Such a snipping and binding and showering was kept up all day that when
+evening came they were glad to fall asleep in their packing boxes, nor
+did they waken until daybreak, when the men moved them into a large
+covered van on wheels.</p>
+
+<p>By-and-by they heard a great trampling of hoofs, and a clatter. The
+horses were being harnessed to the van. Presently, with a jerk, they
+were off to the wonderful city&mdash;the big world they had never seen.</p>
+
+<p>Now began their troubles in true earnest. The ground quaked and trembled
+beneath them; it was pitchy dark. Would the sun never shine again? Could
+no one speak a word of encouragement or consolation?</p>
+
+<p>On, and on, and on they kept going, until at last, as nothing fearful
+happened, they ventured a little conversation.</p>
+
+<p>"What a dash I shall cut at the show!" exclaimed a Turk's Lily.</p>
+
+<p>"And I, in white and pink ribbons!" cried the pine-barren's beauty.</p>
+
+<p>"Be quiet, little vanity," muttered a muffled voice in the corner. "Who
+will look at you when I am by?"</p>
+
+<p>Andrew knew the great scarlet Amaryllis had spoken, and he said to
+himself, "We'll see, my fair lady."</p>
+
+<p>The beauty cowered in silence, but a Violet whispered, "Shame!"</p>
+
+<p>When the flowers reached the hall, with its long baize-covered tables,
+they forgot their troubles, and were greatly pleased. Men were running
+to and fro, boxes were being opened, and flowers all muffled from top to
+toe were coming in by the dozens. Here stood a regiment of Azaleas<span class="pagenum"><a name="Page_699" id="Page_699">[Pg 699]</a></span> in
+white hoods and muffs, like a young ladies' boarding-school ready for a
+winter walk. There stood a company of Lilies with their night-caps on,
+and yonder a tall object swathed in tissue-paper. "Who can she be?&mdash;some
+grand personage truly," whispered a Daisy.</p>
+
+<p>At that moment came a young man with sharp scissors. He cut off her
+cloak, and there stood lovely Miss Clereodendron, in white and scarlet
+from head to foot. "How exquisite!" cried all the flowers together.</p>
+
+<p>But soon they found other wonders. On a table near at hand lay the
+daintiest sprays of flowering Peach, Almond, and Cherry, bunches of tiny
+Jonquils, creamy Magnolias, flaming Pirus, and May-apple.</p>
+
+<p>As soon as all the flowers were comfortably settled in their stands and
+vases, they began to look around, and recognized their neighbors.</p>
+
+<p>"Ha! ha!" laughed Jack-in-the-pulpit; "who expected to see <i>you</i> here?"</p>
+
+<p>"Why not, as well as you, Sir Impudence?" retorted May-apple, sharply.</p>
+
+<p>But by-and-by the visitors came pouring in by the dozens. Beautiful
+ladies swept by in silks and diamonds and laces; gallant gentlemen came
+too, with eye-glasses perched on their noses. They did not even look at
+the wild flowers.</p>
+
+<p>The wild flowers grew troubled, and commenced to murmur; but Jack
+whispered, "Bide your time."</p>
+
+<p>"<i>I</i> don't envy them," said an Orchid, looking complacently down at her
+own yellow slippers.</p>
+
+<p>"Nor I," laughed a Daisy, smoothing her satin petticoat.</p>
+
+<p>"If they didn't hold their heads so high, they would see us," murmured a
+Violet.</p>
+
+<p>But the crowd passed on, drawn by the brilliant beauties of the Cacti,
+the flames of the Amaryllis Lilies, the purple of the great Pansies.</p>
+
+<p>"They will never come near us," sighed the Violet.</p>
+
+<p>"I faint&mdash;I faint!" murmured the Pitcher-plant, dropping her urn.</p>
+
+<p>"Oho! oho! now we shall have a change," cried Jack, as the clock struck
+three. And sure enough the bright-eyed school-children came trooping in,
+and caught sight of them.</p>
+
+<p>"Oh, my darling little Violets, where did you come from? And oh, you
+sweet, sweet Daisies!" cried one yellow-haired lassie.</p>
+
+<p>"And these Buttercups!" screamed another.</p>
+
+<p>"And droll old Jack; who would have thought to see <i>him</i> in town?"
+chimed a third.</p>
+
+<p>"Tit for tat, Master Jack," whispered May-apple, tartly.</p>
+
+<p>The moment the children recognized the beauties of the wild flowers,
+every one else did. Old gentlemen with high-bred noses came and peered
+at them through big spectacles. Young ladies talked of their families,
+and&mdash;oh, horrors!&mdash;said they would like to dissect them. Old ladies
+smiled on them pleasantly, and one, a grandmother, actually shed tears,
+and said, "I haven't seen their like in fifty years."</p>
+
+<p>But now it began to grow tiresome, this big world they had come to see;
+the sunlight streamed through the great windows, the tiny blossoms grew
+faint in the sultry air. When would the hum of speech grow silent, the
+clouds come brooding above them, and the soft rain-drops patter down?</p>
+
+<p>The flowers grew fainter and fainter. A grand old man is now speaking at
+the end of the hall; but they can not listen.</p>
+
+<p>"Oh, for a breeze from the pine-barrens!" sighed the beauty.</p>
+
+<p>"Give me to drink the dew of the meadow," moaned the Daisy.</p>
+
+<p>"I die for the woodland shadows," murmured the Violet.</p>
+
+<p>"And I for the sound of cool waters," wept the Lily.</p>
+
+<hr class="chap" />
+<h4><a name="PENELOPE" id="PENELOPE">[Begun in <span class="smcap">Harper's Young People</span> No. 94, August 16.]</a></h4>
+
+<h2>PENELOPE.</h2>
+
+<h3>BY MRS. JOHN LILLIE.</h3>
+
+<h3><span class="smcap">Chapter III</span>.</h3>
+
+<p>"Why, aunt," exclaimed Penelope, "what do you mean? Surely you can't
+have seen this screen of Lion's?"</p>
+
+<p>"But I <i>have</i>, dearest," Miss Harleford said, dreamily. "I have seen
+this long ago&mdash;before you were born. Oh, Penny dear, it all comes back
+to me. This screen, I am <i>sure</i>, is one your own papa gave to Nora
+Phillips, an American girl who visited us at Baynham. Oh yes, love, I am
+sure of it, for we had such a discussion about it; and don't you suppose
+I would know my dear brother's painting? I was looking over his shoulder
+half the time he was putting in those letters&mdash;'Penelope.' Dear, you
+were named Penelope, I believe, for her sake. Your mother was very fond
+of the name, and when it was suggested, your father remembered pretty
+Nora. Well! well!"</p>
+
+<p>"But <i>she</i> was not Penelope," said the girl, wonderingly. "Oh, aunt,
+what does it all mean?"</p>
+
+<p>"But we always <i>called</i> her Penelope in fun, because she was such an
+indefatigable little worker. Oh, what a darling she was, and how we all
+loved her!"</p>
+
+<p>"But what became of her?"</p>
+
+<p>"Well, my dear, you see, after she and her father went back to America,
+we rather lost sight of her&mdash;she and my mother had a little
+misunderstanding. It is all a long time ago, and your grandmamma and my
+dear brother are both dead. Nora may be gone as well, but I seem to see
+her now just as she stood, laughing gayly, with this screen in her hand.
+Oh, where can she be? Where did Lion find it? I feel as if I <i>must</i>
+know."</p>
+
+<p>Penelope felt as if she would dearly like to solve the mystery of her
+cousin Lionel's present. She went back to the breakfast table very
+grave, and so preoccupied in manner that she had to explain herself at
+once; and then all the young people were fired by the story. What did it
+mean? Penny grew absolutely mournful trying to understand it, but it was
+finally resolved to write to Lionel, who, in a few weeks at least, would
+let them have the history of the screen, so far as he knew it. This was
+all that could be done at present.</p>
+
+<p>Penelope and her aunt were only visitors at the Deanery. Their own home
+was ten miles distant from Nunsford. There Penny was mistress of a
+beautiful old home known as The Manor. Miss Harleford had been for years
+as a mother to the girl, and although her uncle, the Dean of Nunsford,
+was her legal guardian, she knew no heavier rule than the gentle old
+lady's. If there could be needed a complete contrast to poor Nora Mayne,
+it might have been in the petted heiress of Harleford Manor. Every one
+tried his best to make her life happy, and I think only her natural
+loveliness of disposition saved Penelope from being completely spoiled.</p>
+
+<p>The letter to Lionel Harleford, Penelope's second cousin, who had just
+gone to India, was dispatched at once, and for days Aunt Letty talked
+over old times with her brother and nieces. The Dean only half
+remembered the beautiful, bright American girl who had visited his
+mother's house, now Penelope's, twenty years before; but Miss Harleford
+recalled so many scenes to his memory that he was soon as eager about
+Lion's letter as the most romantic member of the family could desire.
+Many conjectures were put forth, many ideas suggested; but who could
+guess that not half a mile away the once light-hearted Nora Phillips lay
+poor and dying!</p>
+
+<p>Meanwhile things continued to sink lower and lower with Nora and her
+mother, the worst feature of their case being the fact that kind-hearted
+Mrs. Bruce could no<span class="pagenum"><a name="Page_700" id="Page_700">[Pg 700]</a></span> longer keep them; her son James had suddenly
+appeared, and declared himself horrified to find his mother keeping
+lodgers who could not pay their rent; and so, with many tears, poor Mrs.
+Bruce had broken this news to Mrs. Mayne.</p>
+
+<p>"Of course we must go," said poor Nora, looking at the tender-hearted
+landlady with a white face and set lips. "Oh, Mrs. Bruce, I know it
+isn't your fault, and if the day comes when I can earn anything, you
+shall be paid."</p>
+
+<p>Mrs. Bruce wept bitterly the day that saw Mrs. Mayne, still weak and
+ill, leave the house with Nora, whose brave heart was tried to its
+uttermost. Where were they to go? Nora could not be sure enough to tell
+even Mrs. Bruce. She had sold the last of their wardrobe that morning,
+and as Mrs. Bruce refused to take a penny from them, they started forth
+with money enough to pay somewhere for a week's lodging.</p>
+
+<p>"I will try to let you know where we are, Mrs. Bruce, as soon as
+possible," said Nora, turning back with a weary smile as they were
+leaving.</p>
+
+<p>Mrs. Bruce wiped her eyes, and vented her feelings upon James, her tall,
+vulgarly dressed son, who was gazing with great satisfaction upon the
+lodgers' departure.</p>
+
+<p>"You good-for-nothing creature!" exclaimed his mother, angrily
+indignant.</p>
+
+<p>Mr. James Bruce smiled sarcastically. He did not share any of his
+mother's compassion for forlorn lodgers.</p>
+
+<p>"Never you mind, mother," he said. "You'll thank me one of these days."</p>
+
+<p>Days passed with no tidings from the Maynes. Mrs. Bruce could not forget
+her lodgers, and Nora's face, as she had seen it last, haunted her
+painfully. Where were they? Had the mother died? Was Nora ill? Were they
+starving? These and many other conjectures tormented the poor woman as
+the days lengthened into weeks, and no sign was made by mother or
+daughter. Many times Mrs. Bruce's tears fell over her wools when she was
+alone in the shop, and recalled the December evening Nora had served
+there, uniting so much sweet good-humor with her refined, lady-like
+ways, which had from the first captivated the heart of the simple-minded
+country-woman. Mrs. Bruce had a small assistant now in the person of a
+niece, and this young woman was never tired of hearing about Miss Mayne.
+She was listening to one of her aunt's stories as they sat over the fire
+in the shop one February day, when she suddenly exclaimed:</p>
+
+<p>"Law, aunt, there's Miss Penelope Harleford in the Deanery
+carriage&mdash;coming in here, too!" and there, sure enough, was bright Miss
+Penny, in a long fur cloak, and a<span class="pagenum"><a name="Page_701" id="Page_701">[Pg 701]</a></span> pretty felt hat shading her sweet
+young face. "A picter," as Mrs. Bruce said, "worth taking down." Young
+Miss Harleford came hurrying in, looking very eager and interested.</p>
+
+<p>"I've come to inquire for some one who sold a screen here, Mrs. Bruce,"
+said the young lady, cheerfully. "My cousin, Mr. Lionel Harleford,
+bought it here in December&mdash;a young lady sold it to him."</p>
+
+<p>"Land, miss!" cried Mrs. Bruce, "so she did, my poor pretty! I wish I
+knew where she was now&mdash;she and her mother."</p>
+
+<p>Penelope looked dismayed.</p>
+
+<p>"And you <i>don't</i> know!" she exclaimed.</p>
+
+<p>"I wish I did," repeated Mrs. Bruce. "Mary Jane and I was just talking
+of her. Gone, poor lamb, she and her mother, and I know nothing of
+them."</p>
+
+<p>And Mrs. Bruce proceeded to detail the history of Nora and her mother,
+so far as she knew it. The sad, simple story left no doubt upon
+Penelope's mind as to who they were.</p>
+
+<p>"Nora Phillips," she said to herself. "Yes, she was Mrs. Mayne, I feel
+sure, and so near us!"</p>
+
+<div class="figright" style="width: 452px;">
+<img src="images/ill_009.jpg" width="452" height="500" alt="" />
+<span class="caption">"PENELOPE&mdash;IS IT PENELOPE?"&mdash;<span class="smcap">Drawn by E.&nbsp;A. Abbey</span>.</span>
+</div>
+
+<p>She confided a few facts only to Mrs. Bruce, and then sorrowfully drove
+back to the Deanery, where she and Aunt Letty held a long confab in the
+twilight. What could be done? Aunt Letty cried, and Penelope shook her
+head sadly, but she declared that she would not give up the search
+suggested in so strange a manner that it seemed her duty to continue it.
+Could Penelope and her aunt have seen Nora at that moment, I fear they
+would have gone to rest with a bitterer heart-ache.</p>
+
+<p>Afternoon service was over the next day at the abbey church, yet
+Penelope lingered with little Joe, loitering down the path, where the
+snow still lay white on the ground, talking to the little boy about the
+service, which that day had peculiarly impressed her. She was thinking
+of Nora Mayne, recalling Mrs. Bruce's description of the sweet young
+girl whose life was so heavily burdened.</p>
+
+<p>"And I," thought Penny, with a shamefaced color&mdash;"I have <i>everything</i>,
+and yet how cross and selfish I am!"</p>
+
+<p>"Penelope! Penelope!" cried out little Joe, pulling at her hand; "see
+those sparrows&mdash;do they mind the snow?"</p>
+
+<p>And at this moment Penny heard what she thought the echo of her name.</p>
+
+<p>"Penelope," said a strange voice; there was a faint, despairing ring in
+it.</p>
+
+<p>Penelope stood still, turning her head quickly in the direction of the
+unfamiliar voice. Standing in the side path was a girl's figure; the
+hands were tremblingly clasped together, the face, thin and pale,
+eagerly watching her.</p>
+
+<p>"Penelope&mdash;is it Penelope?" said the tired voice again. "Oh, was it for
+you he bought the screen?"</p>
+
+<p>And in a moment more Nora Mayne felt her hands fast imprisoned in young
+Miss Harleford's. There were tears running down the English girl's
+cheeks.</p>
+
+<p>"Oh, Nora," she said, joyfully, "I am so thankful to have found you!"</p>
+
+<h4>[<span class="smcap">to be continued</span>.]</h4>
+
+<hr class="chap" />
+<div class="figcenter" style="width: 600px;">
+<img src="images/ill_010.jpg" width="600" height="473" alt="" />
+<span class="caption">EVERY CLOUD HAS A SILVER LINING.<br /><br />
+<span class="smcap">Mamma</span>. "If you continue to be so naughty, I'll have to buy a whip to punish you with."<br /><br />
+<span class="smcap">Mimi</span>. "But when I'm good, you'll let me play with it, won't you, mamma?"<br /><br />
+[<i>A fact.</i></span>]
+</div>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_702" id="Page_702">[Pg 702]</a></span></p>
+
+<div class="figcenter" style="width: 600px;"><a name="OUR_POST_OFFICE_BOX" id="OUR_POST_OFFICE_BOX"></a>
+<img src="images/ill_011.jpg" width="600" height="259" alt="OUR POST-OFFICE BOX" />
+</div>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Schloss Kis-Tabor, Post: Rohitsch, Styria, Austria</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>My brother and I are so glad to get <span class="smcap">Young People</span> again! We both
+like it so very much! I will tell you something about this part of
+Croatia. It is called "Zagoria," which means "beyond the
+mountains." Our peasants live principally on maize, made into bread
+and a sort of porridge. They are a good-natured and gay-tempered
+people, and always singing. Our most important products are wine,
+"slivovitz" (plum-brandy), and dried plums. Not far from us, on a
+lofty hill, stood a Celtic Temple of the Sun. Later, the Romans
+conquered the Celts, and we have some ancient Roman coins and
+broken bronze objects dug up in the vineyards. Looking out from our
+windows one sees innumerable churches, chapels, castles,
+picturesque ruins, and far-away snow-covered Alps. It is very
+beautiful. We have a pet donkey, and a pretty little carriage to
+drive in. I am collecting coins, fossils, and minerals.</p>
+
+<p>Last week a Bosniak came into our court-yard leading a bear caught
+in Slavonia. He waltzed, saluted, kissed his master, and then held
+up the tambourine for money. We sent him some wine and bread, which
+he devoured greedily.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Lucy Kavanagh</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Camp Carling, Wyoming Territory</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>My two little boys, aged four and six years, want me to tell you
+that they were very much interested in Mr. Frey's article about
+Indian relics. They tried this summer with their mamma to dig up a
+grave on a hill near the South Platte River. But being in a ledge
+of rock, the mamma and little boys were not strong enough to get
+down more than two feet, and had to give it up. Mamma tried to hire
+a man to dig for her, but the men were all afraid of small-pox. It
+was said that thirty years ago more than a thousand Indians had
+died of small-pox, and had been buried in that vicinity. A ranchman
+on a neighboring hill, however, had opened one, and we obtained
+some clam shells, a red clay pipe, a thin piece of bark with some
+blue writing on it, and a round leather amulet worked with beads. A
+few weeks later, Sidney and Willie drove with their papa and mamma
+through North Park, Colorado, into Middle Park, and on a hill near
+the range which separates the two parks they found about a hundred
+graves which had never been molested. They wanted very much to open
+them, but had no shovel, and could not spend the time to stop. I
+wonder how many more of the Young People have tried to open graves.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Mrs. Mary E.&nbsp;B</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Burlington, Iowa</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am nine years old. Papa has taken <span class="smcap">Young People</span> for me ever since
+it was published. I like the stories very much, and would like to
+see the little girls who write such nice letters. I have one sister
+and two brothers. I wish the little readers of <span class="smcap">Young People</span> could
+see my cat Polly. She can knock on the door, walk on her hind-feet,
+and beg for food like a dog, and will come to us when we whistle,
+and do lots of cunning tricks.</p>
+
+<p>My brother Arthur has a dog whose name is Brownie, and he can
+laugh. He looks so funny. We have two pigs, and a horse. Mamma one
+day found a coal-black kitty in the street, and brought him home.
+He is now a big cat, and very pretty. Mamma calls him Frank.</p>
+
+<p>When I write again I will tell you about my doll family.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Louise L</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Jersey City, New Jersey</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I have a little Scotch terrier named Nellie, and she loves me
+dearly. Every time I enter the house she kisses me, and will stand
+on her hind-legs, sit up, beg, and do lots of tricks. I am seven
+years old.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Harry L</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Brooklyn, New York</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I think the stories of "Toby Tyler," "The Moral Pirates," and "The
+Cruise of the 'Ghost'" are very nice, and I hope the story of "Tim
+and Tip" will be equal to any of the three. Another boy will write
+on the rest of this sheet.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Eddie G</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I have a velocipede, and so has Eddie G. He and I are great
+friends, and we have nice times together. We have some pigeons at
+our house, but we intend to give them away. We have given away all
+our chickens. We had three canaries, but one flew away, and my
+mother is afraid the cat got it.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">A.&nbsp;T.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Worcester, Massachusetts</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>Seeing the article in No. 93 on "How the Baby Elephant Eats
+Pea-Nuts," I thought I would write and tell you of a nut-cracker
+which I discovered in the same show that contained the "baby." My
+father and I were watching a number of the larger elephants hunting
+for pea-nuts thrown in the straw, when I saw one of them who, if he
+found a nut, would take it up with his trunk, and rub it against
+his leg until the shell was cracked, after which he proceeded to
+eat the kernel. I am glad C.&nbsp;H. Williamson has accepted the
+presidency of the Natural History Society. I for one am entirely in
+favor of admitting girls.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">C.&nbsp;M.&nbsp;H.</span><br />
+</p>
+
+<p>Your interest in the article about the baby elephant, and your own
+observation of the way the baby's big brother managed his pea-nuts,
+prove that you will be a good member of the society. Some of our boys
+and girls are, we fear, waiting to be very dignified before they send
+any letters with regard to what they have seen. Some wish to send a long
+report. The better way is to write about interesting things, one at a
+time, just as they are noticed.</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Bentley's, Maryland</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I often think about Toby Tyler. If he had only staid with the
+circus, he would not have lost dear Mr. Stubbs. I am anxious to
+know how the boys who went on "The Cruise of the 'Ghost'" got along
+with their canoe cruise, or if they ever had one.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">McB</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Sandwich Islands</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>We have observed so many nice little girls writing to you that we
+have been thinking for some time that we would send you a letter.
+We are Hawaiians, as our mother is a native of the island, though
+our father is a white man. We live close to the mountains, and have
+quite a number of birds around our place. Land-shells are as
+numerous on the mountains as sea-shells are down on the beach. Some
+time hereafter we may probably visit New York, and then we shall
+not forget to go and see the editor of <span class="smcap">Young People</span>, and thank him
+very much for making such a nice paper for children. It has been a
+great comfort to us, and amused us many a lonely hour. We are a
+large family, consisting of father, mother, four sisters, six
+brothers, one nephew, and one niece. <i>Aloha</i> (love to you).</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Lydy</span>, <span class="smcap">Eliza</span>, and <span class="smcap">Hannah</span>.</span><br />
+</p>
+
+<p>Our love to you, little friends. We will be glad to see you in New York
+some day.</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">St. Louis, Missouri</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am thirteen years old. I came to New York from England, May 23,
+1880, on the steam-ship <i>City of Chester</i> (Inman Line). We made a
+short trip of nine days and eight hours. I like this country very
+much, but sometimes wish myself back in the old home. I began to
+take your paper about two months ago. I think "The Cruise of the
+'Ghost'" was a very instructive and interesting story, and I hope
+"Tim and Tip" will be more so. I like the Post-office Box very
+much, especially the puzzle column. I have made an effort to write
+an enigma myself, and have sent it with this letter.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Hugh P.&nbsp;W</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Freeport, Illinois</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>We were very much gratified to see dear Mary's name among those who
+had sent answers to the tangles. The letter she wrote you in July
+was her last writing. She was taken sick the following Monday with
+malignant diphtheria, and before another Sabbath closed, her
+trusting heart was asleep in Jesus. His name was the last upon her
+lips. I wish that all who die could exercise her calm,
+unquestioning faith in Christ. The Thursday before she died, she
+looked eagerly in the puzzle department for her name. I explained
+again that it could not possibly be in for a week yet at least. "I
+wonder if they will publish my enigma, mamma? If I get well, I'll
+send that diamond I made up yesterday." On Wednesday she felt so
+well, and all day amused herself drawing birds and trees, and made
+a diamond and some-beheadings. She thought so much of <span class="smcap">Young People</span>!
+She was a poor scribe, but her thoughts were very quaint, and
+expressed in the language of culture. She rarely made a grammatical
+error, and all things fine seemed natural to her. As we all grow
+interested in the little folks whose names fill your departments, I
+thought I would send you this notice that the dear bird who
+brightened our home for so brief a time, and who promised our
+hearts such lofty pleasure through her active mind and bright
+imaginings, will never on this earth sing for you again.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Mrs. E.&nbsp;C. Burchard</span>.</span><br />
+</p>
+
+<p>From time to time in our great circle of readers, dear children, some
+drop from the ranks. Little Mary will never be forgotten in her earthly
+home, and those who loved her here will hope to meet her again where
+there is no death. We are glad she found so much pleasure in <span class="smcap">Young
+People</span>.</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">New York</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am only five years old, and my mamma is going to write this
+letter for me. I think "Toby Tyler" was a "booful" story; but I did
+cry when Mr. Stubbs got "shotted." And I want you, please, to ask
+Mr. Otis not to kill Tim's poor little doggie. Tim's the boy in the
+new story. I have got three little new kittens, and I am going to
+name them Toby and Tim and Tip.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Amy E.&nbsp;V</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>The kitties are Blossie's "chillun."</p></blockquote>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Monte Sano, Huntsville, Alabama</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I would like to tell you what a nice time I am having on our lovely
+mountain, four miles from Huntsville, where I am spending the
+summer. I make beautiful sand houses, and my mamma ornaments them
+with fairy feet, which she makes with her hands. They look like a
+baby's tiny foot. I have a dear little baby brother, whose name is
+Tyler. For fun we call him Toby Tyler. I am going to send an
+offering to the "Young People's Cot," for I think it will be very
+nice to have one which the readers of the paper may claim. I enjoy
+my paper very much, as I am now beginning to be able to read it
+myself.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Edwin L.&nbsp;W</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Nantucket, Massachusetts</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am ten years old, and have never been to school, but study at
+home. We have a cat that was born with three legs. His name is
+Trip. The first time Trip ever saw Rover, our dog, he ran right up
+to him, and ever since he always runs up to Rover when frightened.
+Once we had a Maltese cat who was very fond of Rover, and Rover was
+fond of Tom. Once mamma and papa were looking out of the window,
+and they saw Tom with his tail full of burrs, and Rover pulling
+them out. He got them nearly all out, when he came to one that
+stuck so hard that when he tried to pull it out it lifted Tom right
+up in the air. Tom was rather surprised, but concluded that it was
+all right, while Rover did not know what to do. At last he put his
+paw on Tom's tail, so that he should not be lifted up, and pulled
+out the burrs. Papa did have a live porcupine, but it died. I like
+the <span class="smcap">Young People</span> very much indeed. I think that "Toby Tyler" was
+splendid.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">M.&nbsp;N.&nbsp;W.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Portland, Maine</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am sure I shall like "Tim and Tip" as much as I did "Toby Tyler"
+for it begins so well. I wrote a composition on Toby, and I know a
+boy who has a monkey that is the very picture of Mr. Stubbs. I am
+almost ten years old.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Eddie L.&nbsp;M</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Pittsburgh, Pennsylvania</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>My father has coal-works, and the engineer is teaching me how to
+run his locomotive. It is about the best one in the United States,
+and it is named for me.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Louis B.&nbsp;H</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Blackfoot, Oneida County, Idaho</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I thought I would write a letter, as I have seen no letters from
+this part of the country. My brothers Willie and James and I sent
+50 cents each to get your nice paper. I am the oldest, so I wrote
+for it, and had it come in Willie's name, because he thought it
+would be so nice to have it addressed to him. We have no schools
+here, and we study at home.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Fred J</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Owensborough, Kentucky</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am almost ten years old, and I live in Kentucky, on the Ohio
+River, and first and last have lots of fun. I have the cutest dog.
+His name is Dodger. He is only a puppy, but can shake hands and
+carry sticks like anything. Our whole family mourned Mr. Stubbs's
+sad death. I have some queer stones and pebbles that I found in our
+Kentucky caves and creeks and on the hill-sides, that I will
+exchange for things from other States.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Malcolm H. McIntyre</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Indianapolis, Indiana</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>Some fifty days ago I sent to a boy in Mankato, Minnesota, 250
+postmarks, he agreeing to send Indian relics in exchange. I have
+asked him to send them three times, but he will not answer. If he
+is out of relics, he ought to return the postmarks or send some
+word.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Fletcher M. Noe</span>.</span><br />
+</p>
+
+<p>Perfect honor and honesty should be observed by exchangers. We hear
+complaints like this with regret, and hope the delinquent boy will
+explain the matter. Several correspondents are in trouble because those
+who have written to them have carelessly omitted to give their proper
+names and addresses, or have written illegibly.</p>
+
+<p>We have spoken of this frequently, but we call attention to it now
+because it has been almost impossible for us to read some of the
+exchanges lately sent to the Post-office Box. Please write plainly, and
+with ink; pencil marks are rubbed off in the mail. Again we say, in
+answer to several inquiries, that there is no charge for exchanges. We
+do not accept those which offer or ask for money, however, because they
+come under the head of advertisements, and refer to buying and selling.</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Falls City, Nebraska</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>My home is on a farm two miles from Falls City, four miles from the
+line of Kansas, and eight from the Missouri River. I have three
+brothers and two sisters at home. We read the first chapter of "Tim
+and Tip" to-day, and we do not blame Tim for running away. We think
+it will be a very good story.</p>
+
+<p>Like many of the young people who write for the Post-office Box, we
+had a pet. It was a young mare named Nelly, and she was so gentle
+that any of us could ride her; but last week, when she was in the
+pasture, she lay down to roll near a rattlesnake, and it bit her so
+that she died in three days. She swelled very much, and suffered
+terribly, and we all felt like crying when she died. Papa has
+buried her in the orchard. She left a little colt only six weeks
+old, and we have given it to another mare, who now has two colts to
+care for. There used to be a great many rattlesnakes here, but they<span class="pagenum"><a name="Page_703" id="Page_703">[Pg 703]</a></span>
+are getting scarcer every year. I wish some good saint would drive
+all the snakes out of Nebraska, as St. Patrick is said to have
+banished them from Ireland.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Mamie H.&nbsp;H</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>The following exchanges are offered by correspondents:</p>
+
+<blockquote>
+
+<p>Foreign stamps, for same. Write to describe exchange.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">E.&nbsp;E. Brown</span>, Comstock's Bridge, Conn.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Three varieties of Chinese coins, for not less than twenty rare
+U.&nbsp;S. or foreign postage stamps; or a genuine Japanese silver
+coin, very rare, for a <i>Collectors' Directory</i>; or a rare silver
+coin of Bogota, issued in 1853, for an international stamp album.
+</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">J.&nbsp;W. Milnes</span>, P.&nbsp;O. Lock Box 19,</span><br />
+<span style="margin-left: 23em;">Bloomfield, Sonoma Co., Cal.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Pieces of abylona from the Pacific Ocean or Chinese coins, for rare
+U.&nbsp;S. or foreign postage stamps.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Charles S. Milnes</span>, Lock Box 9,</span><br />
+<span style="margin-left: 23em;">Bloomfield, Sonoma Co., Cal.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Two hundred and twenty-five postmarks, of which all are different,
+and 135 are Michigan, for 150 foreign stamps, all different. Rare,
+revenue, and common stamps, for bills, minerals, coins, relics, and
+ores, stamps from Guatemala, Transvaal, Uruguay, and Ionian Isles;
+three Cuban, two Mexican, or two Danish West Indian stamps, for a 7
+or 90 cent War Department stamp or a Chinese stamp; five rare
+stamps, for a good arrow-head. Please write before sending stamps.
+Also the numbers of <span class="smcap">Young People</span> between 52 and 71, for five
+foreign stamps; and numbers 74 and 76, for 33.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Teddy Smith</span>,</span><br />
+<span style="margin-left: 23em;">641 Cass Avenue, Detroit, Mich.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p><i>Louis Sinclair</i>, by Laurence Lancewood, crystallized flint that
+will cut glass or wood, bark from Missouri, a sprout of persimmon,
+a sprout of peony-flag, and of flowering-almond, for a pair of
+gold-fish; also some of the above, for a bouquet of
+everlasting-flowers. Write before exchanging.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Frank Bryan</span>, Papinsville, Bates Co., Mo.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A great basketful of pretty flints, fine white marble, granite,
+potter's clay, and twenty carnelians, a few chalcedony, and in
+another month a large supply of thirty kinds of flower seeds, for
+ores, minerals, or anything suitable for a museum. Write address
+plainly on each package, even if only a postal be sent.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Anna</span> and <span class="smcap">L. Favre</span>,</span><br />
+<span style="margin-left: 23em;">Ontario, Story Co., Iowa.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A large number of duplicate album cards to exchange with
+collectors.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">E.&nbsp;S.&nbsp;R.,</span><br />
+<span style="margin-left: 23em;">7 Joslyn Park, Rochester, N.&nbsp;Y.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Soil from Louisiana, for flower seeds.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Frank W. Shotwell</span>,</span><br />
+<span style="margin-left: 23em;">192 Harmony St., New Orleans, La.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A genuine Indian bow and two arrows, which were made by the
+Chippewa Indians, who live north of here, for the largest
+assortment of minerals or curiosities offered me. Correspondents
+will please write soon.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Horace Mitchell</span>, Duluth, Minn.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Six foreign stamps, all different, for one of the following U.&nbsp;S.
+stamps: 2, 3, 7, 10, 12 cent Department of State; 7, 10, 15 cent
+Navy; 2 or 6 cent Executive; 2, 10, 12, 15 cent Justice; 7 or 90
+cent War; or forty stamps for the $5, $10, $20 Department of State.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">H.&nbsp;B.&nbsp;F., P.&nbsp;O. Drawer 184, Poughkeepsie, N.&nbsp;Y.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p><i>Youth's Companion</i> for 1880 and part of 1881 (unbound), for
+Vol.&nbsp;I. of <span class="smcap">Harper's Young People</span>. Send postal before sending
+<span class="smcap">Young People</span>. An old Mexican and a Venezuela stamp, for a U.&nbsp;S.
+half-cent of any date. Some silk-worm eggs, on card-board, from
+Japan, for half-cent or odd silver coins. A lot of Kansas and
+Western postmarks, for department stamps.
+</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">"<span class="smcap">A Reader of Young People</span>,"</span><br />
+<span style="margin-left: 23em;">P.&nbsp;O. Box 1341, Moline, Ill.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Fifteen postmarks, for ten foreign stamps (no duplicates) or two
+foreign coins of any date; a piece of soapstone from Kate's
+Mountain, Wisconsin, for minerals, curiosities, stamps, coins, or
+stones.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Ralph J. Wood</span>, Coldwater, Mich.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>One picture card, for one foreign stamp or three postmarks; a stone
+from New York, for one from any other State or Territory.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Florence Pope</span>,</span><br />
+<span style="margin-left: 23em;">P.&nbsp;O. Box 60, Scottsville, Monroe Co., N.&nbsp;Y.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Germany, France, Japan, Hong-Kong, and other rare stamps, for rare
+stamps and curiosities of all kinds.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Robert Ferguson</span>,</span><br />
+<span style="margin-left: 23em;">890 Gates Avenue, Brooklyn, L.&nbsp;I.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A Dexter scroll-saw in good order, for a self-inking
+printing-press, chase not less than 2 by 4 inches, and in good
+working order. Please write before sending press, and describe it.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">W.&nbsp;H.&nbsp;S., care James A. Guest,</span><br />
+<span style="margin-left: 23em;">Burlington, Iowa.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A piece of petrified sea-bird, for Indian relics, Indian
+arrow-heads, moss, plants, sea-shells, minerals, ores, pressed
+ferns and flowers, stone and soil from any other State, coins,
+woods, star-fish, papers, fossils, or Florida sea-beans; ten
+foreign stamps, for soil and stone from any other State.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Whitmore Steele</span>, care of Captain H.&nbsp;S. Steele,</span><br />
+<span style="margin-left: 23em;">Babylon, L.&nbsp;I.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A 3-cent adhesive of 1851 and '61, a 3-cent envelope of 1853, or a
+6-cent envelope of 1870, for rare foreign stamps.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Georgie C. Weissert</span>,</span><br />
+<span style="margin-left: 23em;">193 Twelfth Street, Milwaukee, Wis.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>My entire museum (which contains 250 specimens), for a good
+repeating rifle or a good bicycle. Write a postal to Professor
+W.&nbsp;S. Ryland for information.
+</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Lamas H. Porter</span>,</span><br />
+<span style="margin-left: 23em;">Russellville, Logan Co., Ky.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Stones from Ohio and Lake Erie, for the same from any other State,
+lake, or river. Marble from Vermont, New York, Kentucky, or Italy,
+for the same from any other State or country.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Lyon Caughey</span>, Seville, Medina Co., Ohio.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Florida moss and minerals, for things suitable for a museum; South
+American and Florida shells, for minerals and curiosities.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">George Schulze</span>,</span><br />
+<span style="margin-left: 23em;">Box 42, Okawville, Washington Co., Ill.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Three pieces of English money, dated 1722, 1747, and 1806, and a
+silver coin of East India, dated 1841, for Indian relics. Write,
+stating the relics you offer in exchange.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">W.&nbsp;G. Flanagan</span>,</span><br />
+<span style="margin-left: 23em;">Johnstown, Cambria Co., Penn.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>German, French, English, and Italian stamps, for stamps from Asia
+or South America.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">W.&nbsp;J. Murray</span>, P.&nbsp;O. Box 91, Annapolis, Md.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A pair of fine young bantams, for a collection of butterflies,
+minerals, or Indian relics.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Sydney Brown</span>,</span><br />
+<span style="margin-left: 23em;">23 West Jersey St., Elizabeth, N.&nbsp;J.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Foreign coins and stamps from India and Denmark, for 24 and 90 cent
+of any issue, and 30-cent of any issue except present one.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">N.&nbsp;C. Twining, Jun</span>., Batavia, Kane Co., Ill.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Stones from Pennsylvania, for stones from any other part of the
+world.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Nattie Pratt</span>,</span><br />
+<span style="margin-left: 23em;">Glen Mills, Delaware Co., Penn.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A shell, a stone from Indiana, petrified wood, a petrified wasps'
+nest, and other curiosities, for curiosities.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Albert Brewer</span>,</span><br />
+<span style="margin-left: 23em;">Danville, Hendricks Co., Ind.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Chinese bark from California, and a hedge that George Washington
+planted at Mount Vernon, for Indian relics.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Clarence Brewer</span>,</span><br />
+<span style="margin-left: 23em;">P.&nbsp;O. Box 222, Danville, Ind.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>I have a fine collection of silk cocoons, and would like to
+exchange some for foreign stamps from any country except France,
+Germany, or Italy.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Alberto dal Molin</span>, care Giuseppe dal Molin,</span><br />
+<span style="margin-left: 23em;">Verona, Italy.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Twenty stamps, for an Indian arrow-head or any foreign coin except
+Canadian; forty stamps, for a U.&nbsp;S. half-cent. No duplicate stamps
+given.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Joanna May Wylie</span>,</span><br />
+<span style="margin-left: 23em;">Prairie Centre, Lasalle Co., Ill.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Ten War Department stamps, for ten from Jamaica.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Charles Williamson</span>,</span><br />
+<span style="margin-left: 23em;">88 East Third St., Cincinnati, Ohio.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Two books, both nearly new&mdash;<i>Lucy Woodville's Temptation</i> and
+<i>Reuben Inch</i>&mdash;to any one who will send me the back numbers of <i>St.
+Nicholas</i> for 1881 and the successive numbers as soon as they shall
+have been read. Please write before exchanging.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Jessie Lee Reno</span>, Marengo, Iowa.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Fifteen foreign stamps and ten postmarks, for three alligator's
+teeth.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">H.&nbsp;S. Whittemore</span>,</span><br />
+<span style="margin-left: 23em;">Box 79, Needham, Mass.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A stone from Massachusetts and one from New Hampshire, for
+curiosities.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Fannie Metcalf</span>,</span><br />
+<span style="margin-left: 23em;">61 Vernon St., Lowell, Mass.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p class="center">[<i>For other exchanges, see third page of cover.</i>]</p>
+
+<hr class="tb" />
+
+<p>At the request of a correspondent we publish this sensible extract from
+an exchange, in the hope that our young people will follow its excellent
+advice:</p>
+
+<h4>THE FACE.</h4>
+
+<p>It is a mistake to believe that a good complexion depends upon the use
+of such and such cosmetics. It really depends upon digestion, which
+itself depends upon our mode of life. Persons who rise early and go to
+bed regularly at ten, who take plenty of air and exercise, eat with
+moderation at regular hours, having their meals at intervals long enough
+for the digestion of one to be thoroughly accomplished before they begin
+the next&mdash;these persons are sure to digest well, and in consequence have
+clear, healthy complexions, which will require no other cosmetics but
+plenty of soft water and good toilet soap. The hygiene of the eyes is
+very simple. For them, as well as for the complexion, good digestion is
+equally necessary; more so, for no cosmetic could remove the yellow
+tinge which biliousness imparts to them, and if some mysterious pencils
+can supply the insufficient shadow of rare eyelashes, good health alone
+can give them that brightness which is their principal beauty. Never
+read in bed or in a reclining attitude; it provokes a tension of the
+optic nerve very fatiguing to the eyesight. Bathe your eyes daily in
+salt water; not salt enough, though, to cause a smarting sensation.
+Nothing is more strengthening; and we have known several persons who,
+after using this simple tonic for a few weeks, had put aside the
+spectacles they had used for years, and did not resume them, continuing,
+of course, the oft-repeated daily use of salt water. Never force your
+eyesight to read or work in insufficient or too glaring light. Reading
+with the sun upon one's book is mortally injurious to the eyes.</p>
+
+<hr class="tb" />
+
+<p>E.&nbsp;L. Douglas, Whitby, Ontario, Canada, wishes the address of the person
+who sent him a box containing coral, and marked K.&nbsp;M.&nbsp;S.</p>
+
+<hr class="tb" />
+
+<p>J.&nbsp;H.&nbsp;C.&mdash;By Chinese stamps are meant Hong-Kong stamps issued by the
+British government.</p>
+
+<hr class="tb" />
+
+<p>C.&nbsp;E.&nbsp;C. Diffenderfer withdraws from the exchange list.</p>
+
+<hr class="tb" />
+
+<p><span class="smcap">Wroton M. Kenney</span>.&mdash;There is no better book for the reading of an
+intelligent lad who wants to know how his country is governed than
+<i>Politics for Young Americans</i>, by Charles Nordhoff, published by Harper
+&amp; Brothers. The price is 75 cents.</p>
+
+<hr class="tb" />
+
+<p><span class="smcap">Jennie and Julia</span>.&mdash;It is difficult to assign you subjects for
+compositions when we do not know your grade of advancement. If you wish
+to excel, read good books, choose easy topics, about which you know
+something, and write as though you were telling a story to a child or
+talking to your friends.</p>
+
+<hr class="tb" />
+
+<p>Correct answers to puzzles have been received from "Parton," Theresa
+Morro, C. Burr, Alfred R. Meeker, "North Star," "<i>Unknown</i>," Flora A.,
+"Dandy," "Lodestar," Annie Gail, Wroton M. Kenney, G. Volckhausen,
+"Venus," Abel Foster, "Jersey City," William Wolff, Jessie Newton, J.&nbsp;H.
+Jenny.</p>
+
+<hr class="tb" />
+
+<h3>PUZZLES FROM YOUNG CONTRIBUTORS.</h3>
+
+<h3>No. 1.</h3>
+
+<h3>PYRAMID.</h3>
+
+<p>Across.&mdash;1. A letter. 2. Jurisprudence. 3. Surfeited. 4. That which
+fades from view.</p>
+
+<p>Down.&mdash;1. A letter. 2. A prefix. 3. A resinous substance. 4. Tardy. 5.
+To harry. 6. A prefix. 7. A letter.</p>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Aerolite</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<h3>No. 2.</h3>
+
+<h3>NUMERICAL ENIGMA.&mdash;(<i>To North Star</i>).</h3>
+
+<div class="center">
+<table border="0" cellpadding="2" cellspacing="0" summary="">
+<tr><td align="left">My 2, 3, 5, 6 is a cobbler's tool.</td></tr>
+<tr><td align="left">My 1, 7, 8, 9 is a past participle.</td></tr>
+<tr><td align="left">My 6, 9, 4 is a boy's nickname.</td></tr>
+<tr><td align="left">My whole is an English statesman.</td></tr>
+</table></div>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Lodestar</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<h3>No. 3.</h3>
+
+<h3>GEOGRAPHICAL WORD SQUARE.</h3>
+
+<p class="center">A noted city in Arabia. A gulf east of Africa. A river in Russia. A country in Asia.</p>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Wroton M. Kenney</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<h3>No. 4.</h3>
+
+<h3>ENIGMA.</h3>
+
+<div class="center">
+<table border="0" cellpadding="2" cellspacing="0" summary="">
+<tr><td align="left">In apple, not in cherry.</td></tr>
+<tr><td align="left">In joyful, not in merry.</td></tr>
+<tr><td align="left">In riddle, not in guess.</td></tr>
+<tr><td align="left">In mixture, not in mess.</td></tr>
+<tr><td align="left">In pleasure, not in pain.</td></tr>
+<tr><td align="left">In miller, not in grain.</td></tr>
+<tr><td align="left">In Harper's, not in <span class="smcap">Young People</span>.</td></tr>
+<tr><td align="left">In church, but not in steeple.</td></tr>
+<tr><td align="left">In garden, not in bower.</td></tr>
+<tr><td align="left">My whole's a sweet and modest flower.</td></tr>
+</table></div>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">M.&nbsp;L. Edgerley</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<h3>ANSWERS TO PUZZLES IN No. 93.</h3>
+
+<h3>No. 1.</h3>
+
+<p class="center">Arm-chair.</p>
+
+<h3>No, 2.</h3>
+
+<div class="center">
+<table border="0" cellpadding="4" cellspacing="0" summary="">
+<tr><td align="center"></td><td align="center"></td><td align="center"></td><td align="center">B</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center">F</td><td align="center">I</td><td align="center">D</td></tr>
+<tr><td align="center"></td><td align="center">F</td><td align="center">A</td><td align="center">C</td><td align="center">E</td><td align="center">S</td></tr>
+<tr><td align="center">B</td><td align="center">I</td><td align="center">C</td><td align="center">Y</td><td align="center">C</td><td align="center">L</td><td align="center">E</td></tr>
+<tr><td align="center"></td><td align="center">D</td><td align="center">E</td><td align="center">C</td><td align="center">A</td><td align="center">Y</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center">S</td><td align="center">L</td><td align="center">Y</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center"></td><td align="center">E</td></tr>
+</table></div>
+
+<h3>No. 3.</h3>
+
+<p class="center">Freight-car.</p>
+
+<h3>No. 4.</h3>
+
+<p class="center">Vanderbilt.</p>
+
+<h3>No. 5.</h3>
+
+<div class="center">
+<table border="0" cellpadding="4" cellspacing="0" summary="">
+<tr><td align="center">W</td><td align="center">Y</td><td align="center">O</td><td align="center">M</td><td align="center">I</td><td align="center">N</td><td align="center">G</td></tr>
+<tr><td align="center"></td><td align="center">S</td><td align="center">A</td><td align="center">O</td><td align="center">N</td><td align="center">E</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center">I</td><td align="center">N</td><td align="center">N</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center"></td><td align="center">T</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center">T</td><td align="center">A</td><td align="center">R</td></tr>
+<tr><td align="center"></td><td align="center">S</td><td align="center">I</td><td align="center">N</td><td align="center">A</td><td align="center">I</td></tr>
+<tr><td align="center">Y</td><td align="center">U</td><td align="center">C</td><td align="center">A</td><td align="center">T</td><td align="center">A</td><td align="center">N</td></tr>
+</table></div>
+
+<hr class="tb" />
+
+<p class="center">A personation, on page 656.&mdash;Tooth.</p>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_704" id="Page_704">[Pg 704]</a></span></p>
+
+<div class="figcenter" style="width: 340px;">
+<img src="images/ill_012.jpg" width="340" height="500" alt="" />
+<span class="caption">BLACKBERRIES.</span>
+</div>
+
+<hr class="chap" />
+<h2><a name="A_RIVER_IN_IDAHO_STORY" id="A_RIVER_IN_IDAHO_STORY">A (RIVER IN IDAHO) STORY.</a></h2>
+
+<h3>BY C.&nbsp;E.&nbsp;M.</h3>
+
+<p>One fine day a friend of mine named&mdash;(two towns in Maine) suggested to
+me that we should take advantage of the&mdash;(mountain in Alaska) by going
+to drive.</p>
+
+<p>We trotted slowly past the&mdash;(town in Kentucky), where an exciting game
+of&mdash;(town in Wisconsin) was going on, and after passing through
+the&mdash;(town in Vermont) of the town, were soon enjoying the refreshing
+coolness of the woods.</p>
+
+<p>Suddenly the horse gave a&mdash;(point on the coast of England), and (city in
+West Virginia) in the narrow road, bordered by high&mdash;(strait in British
+America), the carriage overturned, and we were both thrown out.</p>
+
+<p>Fortunately this did not prove a serious&mdash;(cape in Australia), for we
+were but slightly bruised, and the horse made no attempt to run.</p>
+
+<p>On looking about to discover a&mdash;(bay in Ireland) to our steed's fright,
+strange enough in such an unfrequented (lake in Canada) spot, I suddenly
+perceived in the middle of the road a large&mdash;(sea of Europe) (river in
+Idaho), with (sea of Asia) spots.</p>
+
+<p>While&mdash;(town in Maine) was trying to right the buggy, I cautiously
+advanced, and seizing a&mdash;(city in Arkansas), hurled it with all my force
+at the (river in Idaho).</p>
+
+<p>My aim did not prove&mdash;(bay in Africa), and the animal's head was smashed
+to&mdash;(river in Australia).</p>
+
+<p>"(City in Arizona), (city in North Carolina)!" cried my friend.
+"Hereafter, in any such&mdash;(bay in Australia), I shall rely on you
+to&mdash;(river in Austria) me."</p>
+
+<p>The coast being now once more&mdash;(cape in Ireland), we finished our drive
+in&mdash;(river in British America), without further excitement than that
+caused by a&mdash;(cape in Newfoundland) with a team which tried to pass us.</p>
+
+<p>I for one was heartily glad to come in sight of the&mdash;(city in Germany)
+of our little town; and after a joyful&mdash;(island in the Indian Ocean)
+with my family, was quite ready to say&mdash;(cape in Greenland) to&mdash;(town in
+Maine), notwithstanding his&mdash;(cape in Washington Territory) on the
+subject of my bravery.</p>
+
+<hr class="chap" />
+<h2><a name="THE_PEA-NUT" id="THE_PEA-NUT">THE PEA-NUT.</a></h2>
+
+<p>The pea-nut is the fruit of a plant common in warm countries. It is
+sometimes called the ground-pea and ground or earth nut, and in the
+Southern States the goober or goober-nut. Still another name for it is
+pindal or pindar, and in Western Africa it is called mandubi. The plant
+is a trailing vine, with small yellow flowers. After the flowers fall,
+the flower stem grows longer, bends downward, and the pod on the end
+forces itself into the ground, where it ripens.</p>
+
+<p>Pea-nuts are raised in immense quantities on the west coast of Africa,
+in South America, and in the Southern United States. The vines are dug
+with pronged hoes or forks, dried for a few days, and then stacked for
+two weeks to cure. The pods are picked by hand from the vines, cleaned
+in a fanning mill, and sometimes bleached with sulphur, and packed in
+bags for market. Pea-nuts are sometimes eaten raw, but usually roasted
+or baked. In Africa and South America they form one of the chief
+articles of food. Large quantities of them are made into an oil much
+like olive-oil, and which is used in the same way. It is also used in
+the manufacture of soap. A bushel of pea-nuts, when pressed cold, will
+make a gallon of oil. If heat is used, more oil is made, but it is not
+so good. In Spain, pea-nuts are ground and mixed with chocolate. Pea-nut
+vines make good food for cattle.</p>
+
+<p>The pea-nut gets its name from the shape of its pod, which is like that
+of the pea.&mdash;<i>Young Folks' CyclopƦdia</i>.</p>
+
+<hr class="chap" />
+<div class="figcenter" style="width: 489px;">
+<img src="images/ill_013.jpg" width="489" height="500" alt="" />
+<span class="caption"><span class="smcap">Mr. Pig</span>. "Humph! now I can take a little rest."</span>
+</div>
+
+<p style="clear:both;">&nbsp;</p>
+
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 49046 ***</div>
+</body>
+</html>
diff --git a/49046-h/images/ill_001.jpg b/49046-h/images/ill_001.jpg
new file mode 100644
index 0000000..0fd8fbc
--- /dev/null
+++ b/49046-h/images/ill_001.jpg
Binary files differ
diff --git a/49046-h/images/ill_002.jpg b/49046-h/images/ill_002.jpg
new file mode 100644
index 0000000..ba9432a
--- /dev/null
+++ b/49046-h/images/ill_002.jpg
Binary files differ
diff --git a/49046-h/images/ill_003.jpg b/49046-h/images/ill_003.jpg
new file mode 100644
index 0000000..29dd358
--- /dev/null
+++ b/49046-h/images/ill_003.jpg
Binary files differ
diff --git a/49046-h/images/ill_004.jpg b/49046-h/images/ill_004.jpg
new file mode 100644
index 0000000..df37417
--- /dev/null
+++ b/49046-h/images/ill_004.jpg
Binary files differ
diff --git a/49046-h/images/ill_005.jpg b/49046-h/images/ill_005.jpg
new file mode 100644
index 0000000..27935ec
--- /dev/null
+++ b/49046-h/images/ill_005.jpg
Binary files differ
diff --git a/49046-h/images/ill_006.jpg b/49046-h/images/ill_006.jpg
new file mode 100644
index 0000000..f1f0b32
--- /dev/null
+++ b/49046-h/images/ill_006.jpg
Binary files differ
diff --git a/49046-h/images/ill_007.jpg b/49046-h/images/ill_007.jpg
new file mode 100644
index 0000000..634a809
--- /dev/null
+++ b/49046-h/images/ill_007.jpg
Binary files differ
diff --git a/49046-h/images/ill_008.jpg b/49046-h/images/ill_008.jpg
new file mode 100644
index 0000000..96fe008
--- /dev/null
+++ b/49046-h/images/ill_008.jpg
Binary files differ
diff --git a/49046-h/images/ill_009.jpg b/49046-h/images/ill_009.jpg
new file mode 100644
index 0000000..ce70157
--- /dev/null
+++ b/49046-h/images/ill_009.jpg
Binary files differ
diff --git a/49046-h/images/ill_010.jpg b/49046-h/images/ill_010.jpg
new file mode 100644
index 0000000..e05f5fa
--- /dev/null
+++ b/49046-h/images/ill_010.jpg
Binary files differ
diff --git a/49046-h/images/ill_011.jpg b/49046-h/images/ill_011.jpg
new file mode 100644
index 0000000..b148c27
--- /dev/null
+++ b/49046-h/images/ill_011.jpg
Binary files differ
diff --git a/49046-h/images/ill_012.jpg b/49046-h/images/ill_012.jpg
new file mode 100644
index 0000000..745ee15
--- /dev/null
+++ b/49046-h/images/ill_012.jpg
Binary files differ
diff --git a/49046-h/images/ill_013.jpg b/49046-h/images/ill_013.jpg
new file mode 100644
index 0000000..90dd92d
--- /dev/null
+++ b/49046-h/images/ill_013.jpg
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..37821e3
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #49046 (https://www.gutenberg.org/ebooks/49046)
diff --git a/old/49046-8.txt b/old/49046-8.txt
new file mode 100644
index 0000000..a7dcbc6
--- /dev/null
+++ b/old/49046-8.txt
@@ -0,0 +1,2637 @@
+Project Gutenberg's Harper's Young People, August 30, 1881, by Various
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+Title: Harper's Young People, August 30, 1881
+ An Illustrated Weekly
+
+Author: Various
+
+Release Date: May 25, 2015 [EBook #49046]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, AUG 30, 1881 ***
+
+
+
+
+Produced by Annie R. McGuire
+
+
+
+
+
+
+
+
+[Illustration: HARPER'S YOUNG PEOPLE]
+
+ * * * * *
+
+VOL. II.--NO. 96. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR
+CENTS.
+
+Tuesday, August 30, 1881. Copyright, 1881, by HARPER & BROTHERS. $1.50
+per Year, in Advance.
+
+ * * * * *
+
+
+
+
+[Illustration]
+
+THE OLD GUN.
+
+
+ 'Mid the smoke and the heat of battle,
+ Where men fought for wrong or right,
+ 'Mid the clash and the roar and the rattle,
+ Where fiercest raged the fight,
+ Stood the old gun,
+ Hurling his bolts of thunder
+ Into the ranks of those
+ Who dared to brave his anger,
+ Who dared to be his foes,
+ Dared face the gun.
+
+ 'Mid the daisies and clover growing
+ On that long-ago battle plain,
+ Kissed by the soft winds, blowing
+ Over the graves of the slain,
+ Lies the old gun.
+ Around him frolic the children,
+ Noisy with innocent glee,
+ But silent and still he lies there,
+ Who helped make a nation free,
+ Asleep in the sun.
+
+
+
+
+COMPENSATION.
+
+BY GEORGE COOPER.
+
+
+ For every leaf of green,
+ A golden leaf;
+ For every fading flower,
+ A ripened sheaf.
+ For every parching beam,
+ A drop of rain;
+ For every sunny day,
+ The stars again.
+
+ For every warring wave,
+ A pretty shell;
+ For every sound of woe,
+ A joyous bell.
+ For every passing care,
+ A mother's kiss:
+ And what could better be,
+ Dear child, than this?
+
+
+
+
+AN ANCIENT TRAVELLER.
+
+BY ELLA RODMAN CHURCH.
+
+
+The oldest book of travels in Asia that has been preserved was written
+by Marco Polo, an Italian, who was born nearly two hundred and fifty
+years before his famous countryman Christopher Columbus discovered
+America.
+
+The father and uncle of Marco, who were merchants in Venice, had already
+been to China, then called Cathay, and spent some years at the court of
+the Emperor Khubla Khan, who became their warm friend. On their return
+to Venice they had many wonderful stories to tell of the mysterious
+country they had explored, and the strange sights and adventures they
+had met with; and two years afterward they started again on their
+travels, with letters and presents for the Chinese monarch from Pope
+Gregory X. Marco, then a young man of twenty, went with them on this
+journey.
+
+They travelled over land and water and desert, and had many hardships
+and dangers to encounter; but finally they reached the city of Cambalu
+(which was discovered in the seventeenth century to be Pekin), after a
+journey of _four years_! When the Khan heard that they were coming, he
+sent people to meet them a month and a half before they arrived, and
+directed that they should be received with every possible honor.
+
+At last they reached the royal city, and were conducted at once to the
+Khan, before whom they prostrated themselves, after the fashion of the
+country; then they were invited to a magnificent banquet. The throne,
+which stood on a platform at the head of the long table, sparkled and
+glittered with precious gems; and on this was seated the monarch of
+Cathay, sparkling and glittering likewise in his festal robes, with his
+four wives around him, and a long string of attendants for each of the
+ladies.
+
+Everybody who was considered to be in good society in Cambalu was
+present at this feast of welcome to the returned travellers; and jewels,
+and plumes, and gold, and precious stones, and brilliant colors, and
+beautiful faces were mingled together in bewildering confusion. After
+the company had left the table, jugglers and acrobats and musicians were
+brought in to entertain them; and very likely the tired strangers were
+glad enough when it was all over, and they could retire in peace to the
+splendid palace that had been arranged with every imaginable luxury, and
+hosts of servants to wait upon them and do their bidding.
+
+The next day they presented the generous monarch with the Pope's letter,
+and a small bottle filled with the oil used for the silver lamps in the
+chapel of the Holy Sepulchre at Jerusalem. The Khan saw, from the
+reverent manner of the travellers, that this oil must possess rare
+virtues, and he received it with much gratitude. He was an intelligent
+man, and he asked many questions about their journey, and about matters
+and things in Europe, the Polos having become well acquainted with the
+Mongol language during their former stay, so that they could talk
+without an interpreter. His Royal Highness was particularly pleased with
+Marco, and said that he would give him an important position at once in
+his household.
+
+The young man immediately began to study the language, laws, and customs
+of this strange country, that he might be able to perform the duties of
+his office, and the Khan soon had such confidence in him that he sent
+him on affairs of importance all over the empire.
+
+It was in this way that Marco Polo learned so much about Cathay, and the
+book of travels which he wrote was read for a long time with the
+greatest interest. Now it is looked upon as an ancient relic; and the
+pictures are particularly funny. In one of them is a representation of
+the Khan in a portable room carried on the backs of four elephants,
+which are shaped very much like pigs, and have gorgeous rosettes on
+their backs, supposed to be intended for saddles. A crowd of people gaze
+with awe upon their sovereign as he is borne triumphantly along in this
+very novel manner, the front side of the room being open, so that all
+can see him.
+
+Another picture, which is intended for an elephant hunt, represents the
+elephants shorter than the horses on which the hunters ride and shoot at
+them with bows and arrows--as though elephants would mind _that_!--while
+the trees seem to be growing on the elephants' backs.
+
+Khubla Khan was at war with the sovereigns of the provinces south of his
+kingdom, and his friends the Polos were of great use to him by showing
+him how to make and use the European machines, called catapults, for
+hurling immense stones against the walls and towers of besieged cities.
+These were highly thought of before the invention of artillery.
+
+The monarch was very much delighted, and as soon as the machines were
+ready he sent the learned Venetians to head a fresh attack upon the
+important city of Sa-yan-fu. The banner of Khubla Khan was soon waving
+above the crushed walls, and the Polos were liberally rewarded with
+wealth and honors. Marco, who was the Khan's especial favorite, was made
+a noble of the empire, with a more magnificent palace and a larger
+retinue than ever.
+
+After spending seventeen years of this exciting life, the Polos longed
+to see their native city again; but the monarch, who was now an old man,
+would not consent to part with them. Fortunately, however, for the
+homesick visitors, the Khan's granddaughter was to marry the King of
+Persia, and started on her journey to that country; but after travelling
+for eight months, the Princess and her attendants found that many of the
+provinces through which they had to pass were at war, and they turned
+back to Cambalu.
+
+The Polos, seizing this opportunity of escape, promised to convey the
+bridal party safely by sea; and the Khan agreed to let them go, on
+condition of their returning to him again after a short visit home.
+Among the monarch's parting gifts were caskets of magnificent rubies and
+other precious gems.
+
+It was eighteen months before they reached Ormuz, and during that time
+two or three of the envoys and six hundred of the Princess's attendants
+had died. The Persian bridegroom was dead also, and so was the monarch
+of Cathay, Khubla Khan.
+
+The Polos now were freed from their promise to return; and after staying
+nine months in Persia--for they liked to explore every place at which
+they stopped--they started on their long journey to Venice. They arrived
+there in safety, after an absence of twenty-four years; and at first no
+one would believe that these outlandish-looking travellers were the real
+Polos. But they soon proved their identity, and became known far and
+wide as the most wonderful travellers of the time.
+
+Marco was a prisoner in Genoa for four years, after a battle with the
+Genoese, and he amused himself during this dreary period by writing an
+account of his travels and his life at the court of the Khan.
+
+
+
+
+FROG-CATCHING.
+
+BY A. W. ROBERTS.
+
+
+When a man dwelling in the Drowned Lands of Canonoque, Canada, is
+capable of accumulating a small fortune by catching frogs for the New
+York market, surely some of our young people who are now spending their
+vacations near the shores of our lakes, rivers, and ponds ought also to
+make considerable pocket-money, if not as large a fortune as that of Pat
+Bowman, of the Drowned Lands, who follows up the frogs from early spring
+until late in the fall.
+
+It is not only the pocket-money that is to be picked up, but while on
+the frog-hunts many lessons are to be learned in aquatic natural
+history. Then there is the fun of the thing. It's fun to get sunburned,
+and have a brand-new skin at the end of a week to attend church in. It's
+fun to step into a bumble-bees' nest, and have the bees chase you until
+you are only too glad to take refuge in the water, where they can't find
+you out. And it's fun to break through a musk-rat or turtle run, and to
+have your companions pull you out covered with black peat; then come the
+washing out of your clothes, and hanging them in the sun to dry; and
+while they are drying, then the sand-flies and mosquitoes come swarming
+about you in clouds, until in sheer desperation you conclude to do as
+the cows do--stand in the water and splash. And after you have stood in
+the water a few minutes, you find the horse-leeches and boat-flies have
+discovered you have legs, and are having a feast on them. By this time
+your clothing is dry. All this sort of experience was fun to me when I
+was a boy, and I often sigh for those happy days to return.
+
+At the age of thirteen I became a frog-catcher. I discovered there was a
+demand in Fulton and Washington markets for frogs' legs, and that the
+price paid for them, as they ran, large and small (not very, very
+small), was one dollar and a half per hundred. But here was the trouble:
+how could I manage to keep the frogs alive and healthy until I had one
+hundred of them ready for market? At last I hit upon a plan, which was
+no less than to construct a pond in our then very large garden, and
+plant it with pond-lilies, sweet-flag, and cat-tails; in fact, to make
+it as picturesque as possible. To have the pond hold water, the bottom
+and sides were lined with clay to the depth of half a foot. To fill the
+pond we made a series of wooden gutters that connected with the garden
+pump. Every night we pumped and pumped, until we thought the old pump
+would surely go dry.
+
+In our house lived a blind sea-captain; he was a bright, kind-hearted,
+good-natured old gentleman. He could navigate all over our large garden
+without tramping down the smallest radish, and as for thinning out
+carrots and beets, he could do it beautifully; he knew every weed by
+touch and smell. He was just as good as good could be, and all we boys
+thought the world of him, and he thought we were the best boys ever
+born. Now the captain liked everything in nature that had a voice, such
+as birds, crickets, locusts, katydids, and tree-toads, with which we
+kept the garden well supplied, so that at night there was nearly a full
+orchestra of nature's musicians. On bass, basso, and basso-profundo we
+were short, but knew full well that as soon as the intended inhabitants
+for the pond were secured, those voices of the night would be
+forthcoming.
+
+The first frogs we captured were taken with a scap-net toward evening,
+when they drew near the shore to feed, and to secure them we tied them
+by their hind-legs to a string. One evening we discovered a frog by his
+voice, which was that of a pure basso-profundo, and in strength that of
+three bull-calves in one. His home was in a small ditch of water, which,
+the minute approached, he would plunge into, and was lost to sight. By
+the great splash he made we knew that he must be a monster of a
+bull-frog. Night after night we tried to capture him, but failed. At
+last we determined to devote one entire Saturday to his capture.
+
+There was one particular spot on the side of the ditch where he always
+sat when taking a sun-bath, but the minute he caught sight of us, in he
+would plunge, and disappear for an hour's time. At first we imagined he
+dived down into the deep mud bottom, and remained there until he thought
+all was quiet, or that we were gone away.
+
+[Illustration: DIGGING OUT THE BIG FROG.]
+
+At last, by mere accident, we discovered his secret hiding-place to be a
+musk-rat hole, the entrance of which connected directly with the water
+of the ditch, so that all he had to do was to make a strong and long
+dive for the musk-rat hole, and he was safe every time. The only way
+left was to secure the entrance to the hole with a net, and then to go
+after him with spades and shovels and dig him out; which we did, and
+wasn't he a beauty? He weighed over a pound, and must have been seven or
+eight years old. After being in the pond a week, one bright moonlight
+night he condescended to join in with the other musicians.
+
+We greatly increased the power of our orchestra by adding twenty-five
+common toads, which in the breeding season frequent the water, and are
+very noisy, and also one hundred of the shrill-piping Hylodes, or
+tree-toads, and two screech-owls, which were kept in separate cages at
+different parts of the garden, so that all night long they were calling
+to one another.
+
+At the end of every two weeks one of the four members of the "Great Long
+Island Frog Company" took to market from two hundred to two hundred and
+fifty live frogs, for which was received a dollar and a half per
+hundred. In course of time sufficient capital was accumulated to
+purchase four hundred breeding gold-fish with which to stock the pond,
+so that on the second year we were marketing live frogs and gold-fish.
+All this happened many years ago, but the traffic in bull-frogs and
+bull-frogs' legs has been growing steadily, until it has attained
+wonderful proportions, as the following statements will show:
+
+It is estimated by good judges that no less than fifteen hundred-weight
+of frogs' legs are sent to the New York market every year. New York
+State, New Hampshire, Maine, Pennsylvania, and the Canadas are the
+principal sources of supply. There is one dealer who has agents catching
+and purchasing frogs in all the above-named places.
+
+Frog-catching begins early in the spring, and lasts until late in the
+fall. The frogs are caught without bait, all the tackle used being a rod
+or pole cut in the woods, to which is fastened a short and stout line.
+On the end of the line is fastened a broad stout hook. When a frog is
+discovered, the "froggist" drops the hook under the jaw of the frog, and
+with a quick jerk Mr. Frog flies up into the air, and is taken from off
+the hook, and placed in a bag. The frogs think the hook is alive, and
+snatch at it eagerly. Sometimes a frog, when the hook tickles his nose
+or passes over one of his ears, will lose his temper, and make a
+terrible lunge at it. I have seen old frogs lose their tempers entirely,
+so that the minute they caught sight of the end of the pole they would
+jump clear out of the water, and bite at it fiercely. A frog will never
+bite at anything when under water, as he is afraid to open his large
+mouth from fear of drowning. A frog kept entirely in the water, with
+nothing to rest on, will in course of time drown. When the hook is
+ornamented with a piece of red flannel, the frogs will jump for it
+several feet. Frogs bite best on warm, sunny days. When fishing for
+frogs at night, a reflector or bull's-eye is fastened at the bow of the
+boat. The bright light seems to daze the frogs to an extent that admits
+of their easy capture.
+
+The frogs, when caught, are placed in cages made of laths or slats; the
+cages are about five feet long by four feet wide, and one foot in
+height. These cages are placed half in the water and half on land; the
+bottoms of the cages having a slight inclination, to allow the frogs to
+leave the water when so disposed. After being caged for a few days, they
+will begin to take food. Their favorite food is young frogs, small live
+fish, insects, mice, and angle-worms. All of these must have life and
+motion, or the frogs will not eat them. Many attempts have been made to
+breed frogs artificially, but so far all have failed. The principal
+trouble seems to be the difficulty of obtaining natural food in
+sufficient quantities to prevent the old frogs from devouring their
+young, which they will do on all occasions. Again, the young frog, from
+the tadpole stage up to the perfect frog, is surrounded by enemies night
+and day--aquatic birds, turtles, lizards, snakes, leeches, insects,
+fish, water-rats, and, worst of all, his own relations. A female frog at
+five years of age will produce over a thousand eggs every year. Out of
+the thousand eggs not more than twenty-five ever attain over two years'
+growth, so constant is the warfare of their enemies.
+
+[Illustration]
+
+There are two ways of preparing the frogs' legs for market. One is known
+as the Canadian style (see figure), which consists of leaving part of
+the back of the frog attached to the legs; this is done to make weight.
+The other is the Philadelphia style, wherein the legs are cut off close
+to the end of the back, or spine, after the legs have been skinned. In
+the figure the dotted line A A shows the Philadelphia style, which
+always brings the highest price. The legs are packed in half-barrels
+between layers of crushed ice, and will average from fifty to
+seventy-five pounds to the half-barrel. The prices paid for frogs' legs
+vary from twenty to sixty cents per pound, which is governed by the
+season of the year, the demand, and the supply. At the leading
+hotels--Delmonico's, for instance--seventy-five cents is the regular
+price per plate for cooked frogs' legs all the year round.
+
+The method of cooking the legs is as follows. After the legs have been
+thoroughly washed, they are dried in a towel; they are then dipped in
+beaten eggs, and rolled in powdered cracker, after which they are fried
+in very hot lard or butter until slightly brown, and are served up with
+fine herbs and mushrooms stewed in butter.
+
+Now it seems to me, as I said before, that the boys have a chance to
+make considerable pocket-money on frogs' legs. If I was still a boy, I
+would enter into an agreement with two or three of the largest and
+best-paying hotels to supply them with legs, fresh caught (remember,
+that's a big advantage you would have over the New York market), at just
+a few cents per pound below the prevailing market prices during the
+season. There is no reason, when you are out frogging, why you should
+not capture a few trout also.
+
+
+
+
+[Illustration: THE BOOT-BLACK'S SHOWER-BATH.]
+
+
+
+
+[Begun in No. 92 of HARPER'S YOUNG PEOPLE, August 2.]
+
+TIM AND TIP;
+
+OR, THE ADVENTURES OF A BOY AND A DOG.
+
+BY JAMES OTIS,
+
+AUTHOR OF "TOBY TYLER," ETC.
+
+CHAPTER V.
+
+LIFE ON BOARD THE "PRIDE OF THE WAVE."
+
+
+When Tim first went on board the steamer which was to be his home, he
+thought, from the beautiful things he saw around, that he should live in
+a luxurious manner; but when he was shown the place in which he was to
+sleep, he learned that the fine things were for the passengers only, and
+that even comfort had been sacrificed in the quarters belonging to the
+crew.
+
+He was given a berth in the forecastle, which was anything rather than a
+pleasant or even a sweet-smelling place, and had it not been that he had
+the satisfaction of having Tip with him when he went to bed, he would
+have cried even harder and longer than he did.
+
+Captain Pratt had not made his appearance on the steamer that day; but
+the steward had told him that his duties as Captain's boy would begin
+next morning at breakfast, when he would be expected to wait upon the
+Captain at the table. The last thing Tim thought of that night was how
+he should acquit himself in what he felt would be a trying position, and
+the first thing which came into his mind when he awoke on the following
+morning was whether he should succeed in pleasing his employer or not.
+
+After kissing Tip over and over again, and with many requests to him to
+be a good dog and not make a noise, Tim tied his pet in his narrow
+quarters, and then made his own toilet. He really made a good appearance
+when he presented himself to Mr. Rankin, the steward, that morning. His
+cheeks were rosy from a vigorous application of cold water and a brisk
+rubbing, and if he could rely upon his personal appearance for pleasing
+Captain Pratt, there seemed every chance that he would succeed.
+
+During the time he had been at work the day before, Mr. Rankin took
+every opportunity to instruct him in his new duties, and that morning
+the steward gave him another lesson.
+
+It was barely finished when Captain Pratt came into the cabin, and one
+look at him made Tim so nervous that he forgot nearly everything he had
+been told to remember.
+
+The Captain's eyes were red, his hands trembled, while he had every
+symptom of a man who had been drinking hard the day before, and was not
+perfectly sober then.
+
+Tim had never had any experience with drinking men; but he did not need
+any explanation as to the causes of the Captain's appearance, and he
+involuntarily ducked his head when his employer passed him.
+
+"Now, then, what are you skulking there for, you young rascal?" shouted
+Captain Pratt, as he fell rather than seated himself in his chair.
+
+"I ain't skulkin', sir," replied Tim, meekly.
+
+"Don't you answer me back," cried the Captain, in a rage, seizing the
+milk pitcher as if he intended to throw it at the boy. "If you talk back
+to me, I'll show you what a rope's end means."
+
+Tim actually trembled with fear, and kept a bright lookout, so that he
+might be ready to dodge in case the pitcher should be thrown, but did
+not venture to say a word.
+
+"Now bring me my breakfast, and let's see if you amount to anything, or
+if I only picked up a bit of waste timber when I got you."
+
+"What will you have, sir?" asked Tim, timidly, as he moved toward the
+Captain's chair.
+
+A blow on the side of his head that sent him reeling half way across the
+cabin served as a reply, and it was followed by a volley of oaths that
+frightened him.'
+
+"What do you mean by asking me what I'll have before you tell me what is
+ready? Next time you try to wait upon a gentleman, tell him what there
+is. Bring me some soda-water first."
+
+This was an order that had not been provided for in the lessons given by
+Mr. Rankin, and Tim stood perfectly still, in frightened ignorance.
+
+"Come, step lively, or I'll get up and show you how," roared the
+Captain, his face flushing to a deeper red, as his rage rose to the
+point of cruelty.
+
+"Please, sir, I don't know where it is;" and Tim's voice sounded very
+timid and piteous.
+
+"Don't know where it is, and been on board since yesterday! What do you
+suppose I hired you for? Take that, and that."
+
+[Illustration: CAPTAIN PRATT ORDERS HIS BREAKFAST.]
+
+Suiting the action to the words, the cheerful-tempered man threw first a
+knife and then a fork at the shrinking boy, and was about to follow them
+with a plate, when Mr. Rankin put into Tim's hand the desired liquid.
+
+Tim would rather have gone almost anywhere else than close to his
+employer just then; but the glass was in his hand, the Captain was
+waiting for it with a glare in his eye that boded no good if he delayed,
+and he placed it on the table.
+
+"Now what kind of a breakfast have you got?" shouted Captain Pratt, as
+he swallowed the liquid quickly.
+
+It was a surprise to himself that he could remember anything just then,
+but he did manage to repeat the names of the different dishes, and to
+take the Captain's order.
+
+Although he ran as swiftly as possible from the table to the kitchen,
+and was served there with all haste, he did not succeed in pleasing the
+angry man.
+
+"I want you to remember," said that worthy, with a scowl, "that I ain't
+in the habit of waiting for my meals. Another time, when you are so
+long, I shall give you a lesson you won't forget."
+
+Tim was placing the dishes of food on the table when the Captain spoke,
+and he was so startled by the angry words, when he thought he deserved
+pleasant ones, that he dropped a plate of potatoes.
+
+He sprang instantly to pick them up, but Captain Pratt was out of his
+chair before he could reach them, and with all his strength he kicked
+Tim again and again. Then, without taking any heed of the prostrate boy,
+who might have been seriously injured, he seated himself at the table in
+perfect unconcern.
+
+Mr. Rankin helped Tim on his feet, and finding that no bones were
+broken--which was remarkable, considering the force with which the blows
+had been given--advised him to go on deck, promising that he would serve
+the Captain.
+
+"But I propose that the boy shall stay here," roared the Captain. "Do
+you think I'm going to let him sneak off every time I try to teach him
+anything?"
+
+Tim struggled manfully to keep back the tears that would come in his
+eyes as he stood behind the Captain's chair, but they got the best of
+him, as did also the little quick sobs.
+
+The Captain appeared to grow more cheerful as he ate, and although he
+called upon Tim for several articles, he managed to get along without
+striking any more blows, contenting himself by abusing the poor boy with
+his tongue.
+
+It was a great relief to Tim when that meal was ended, and Mr. Rankin
+told him he could eat his own breakfast before clearing away the dishes.
+
+Tim had not the slightest desire for food then, but he did want some for
+Tip. Hastily gathering up the bones from Captain Pratt's plate, he ran
+with them to the bow, where Tip was straining and tugging at his rope as
+if he knew his master was having a hard time, and he wanted to be where
+he could help him.
+
+Tim placed the bones in front of Tip, and then kneeling down, he put his
+arms around the dog's neck as he poured out his woes in his ear, while
+Tip tried in every way to get at the tempting feast before him.
+
+"I'm the miserablest boy in the world, Tip, an' I don't know what's
+goin' to become of us. You don't know what a bad, ugly man Captain Pratt
+is, an' I don't believe I can stay here another day. But you think a
+good deal of me, don't you, Tip? an' you'd help me if you could,
+wouldn't you?"
+
+The dog had more sympathy with the bones just then than he had with his
+almost heart-broken master, and Tim, who dared not stay away too long
+from the cabin, was obliged to let him partake of the feast at last.
+
+When Tim returned from feeding the dog, Mr. Rankin said all he could to
+prevent him from becoming discouraged on the first day of service; but
+he concluded with these words: "I can't advise you to stay here any
+longer than you can help, for you ain't stout enough to bear what you'll
+have to take from the Captain. It'll be hard work to get off, for he
+always looks sharp after new boys, so they sha'n't run away; but when we
+get back here again, you'd better make up your mind to show your heels."
+
+These words frightened Tim almost as much as what the Captain had said
+to him, for he had never thought but that he could leave whenever he
+wanted to. Now he felt doubly wretched, for he realized that he was as
+much a captive as he had ever been when he lived with Captain Babbige,
+whose blows were not nearly as severe as this new master's.
+
+The _Pride of the Wave_ made but two trips a week, and each one occupied
+about two days and a half. This second day after Tim had come on board
+was the time of her sailing, and everything was in such a state of
+confusion that no one had any time to notice the sad little boy, who ran
+forward to pet his dog whenever his work would permit of such loving
+act.
+
+Among his duties was that of answering the Captain's bell, and once,
+when he returned from a visit to Tip, Mr. Rankin told him, with evident
+fear, that it had been nearly five minutes since he was summoned to the
+wheel-house.
+
+While the steward was speaking, the bell rang again with an angry peal
+that told that the party at the other end was in anything but a pleasant
+mood. It did not take Tim many seconds to run to the wheel-house, and
+when he arrived there, breathless and in fear, Captain Pratt met him at
+the door.
+
+"So the lesson I gave you this morning wasn't enough, eh?" cried the
+angry man, as he seized Tim by the collar and actually lifted him from
+his feet. "I'll teach you to attend to business, and not try to come any
+odds over me."
+
+Captain Pratt had a stout piece of rope in one hand, and as he held Tim
+by the other, nearly choking him, he showered heavy blows upon the poor
+boy's back and legs, until his arm ached.
+
+"Now see if you will remember that!" he cried, as he released his hold
+on Tim's collar, and the poor child rolled upon the deck almost
+helpless.
+
+Tim had fallen because the hold on his neck had been so suddenly
+released, rather than on account of the beating; and when he struggled
+to his feet, smarting from the blows, the Captain said to him, "Now
+bring me a pitcher of ice-water, and see that you're back in five
+minutes, or you'll get the same dose over again."
+
+Tim limped away, his back and legs feeling as though they were on fire,
+and each inch of skin ached and smarted as it never had done from the
+worst whipping Captain Babbige or Aunt Betsey had favored him with. He
+entered the cabin with eyes swollen from unshed tears, and sobs choking
+his breath, but with such a sense of injury in his heart that he made no
+other sign of suffering.
+
+Mr. Rankin was too familiar with Captain Pratt's method of dealing with
+boys to be obliged to ask Tim any questions; but he said, as the boy got
+the water, "Try to keep a stiff upper lip, lad, and you'll come out all
+right."
+
+Tim could not trust himself to speak, for he knew he should cry if he
+did; and he carried the water to the wheel-house, going directly from
+there to Tip.
+
+The dog leaped up on him when his master came where he was, as if he
+wanted a frolic; but Tim said, as he threw himself on the deck beside
+him: "Don't, Tip--don't play now; I feel more like dyin'. You think it's
+awful hard to stay here; but it's twice as hard on me, 'cause the
+Captain whips me every chance he gets."
+
+Tip knew from his master's actions that something was wrong, and he
+licked the face that was drawn with deep lines of pain so lovingly that
+Tim's tears came in spite of his will.
+
+He was lying by Tip's side, moaning and crying, when old black Mose, the
+cook, was attracted to the spot by his sounds of suffering.
+
+"Wha-wha-wha's de matter, honey? Wha' yer takin' on so powerful 'bout?"
+
+Tim paid no attention to the question, repeated several times, nor did
+he appear to feel the huge black hand laid so tenderly on his head.
+
+"Wha's de matter, honey? Has Cap'en Pratt been eddercatin' of yer?"
+Then, without waiting for a reply, he continued: "Now don' take on so,
+honey. Come inter de kitchen wid ole Mose, an' let him soothe ye up a
+little. Come, honey, come wid me, an' bring de dorg wid yer."
+
+While he spoke the old colored man was untying the rope which fastened
+Tip, for he knew the boy would follow wherever the dog was led. And in
+that he was right, for when Tip went toward the little box Mose called a
+kitchen, he followed almost unconsciously.
+
+Once inside the place where the old negro was chief, Mose took his
+jacket off, and bathed the ugly-looking black and blue marks which had
+been left by the rope, talking to the boy in his peculiar dialect as he
+did so, soothing the wounds on his heart as he treated those on his
+body.
+
+"Now don' feel bad, honey; it's only a way Cap'en Pratt has got, an' you
+must git used to it, shuah. Don' let him fret yer, but keep right on
+about yer work jest as ef yer didn't notice him like."
+
+Mose bathed the wounds, gave Tip such a feast as he had not had for many
+a day, and when it was done, Tim said to him: "You're awful good, you
+are; but I'm afraid the Captain will make you sorry for it. He don't
+seem to like me, an' he may get mad 'cause you've helped me."
+
+"Bress yer, chile, what you s'pose ole Mose keers fur him ef he does git
+mad? The Cap'en kin rave an' rave, but dis niggar don' mind him more'n
+ef he was de souf wind, what carn't do nobody any harm."
+
+"But--" Tim began to say, earnestly.
+
+"Never mind 'bout any buts, honey. Yer fixed all right now, an' you go
+down in de cabin an' go ter work like a man; ole Mose'll keep keer ob de
+dorg."
+
+Tim knew he had already been away from his post of duty too long, and
+leaving Tip in the negro's kindly care, he went into the cabin, feeling
+almost well in mind, although very sore in body.
+
+[TO BE CONTINUED.]
+
+
+
+
+[Illustration: NOT UP IN HIS PART.--DRAWN BY SOL EYTINGE, JUN.]
+
+
+
+
+PHIL'S BURGLAR.
+
+BY FRANK H. CONVERSE.
+
+
+I am Phil Morris, fourteen years old, and the youngest clerk in Covert
+Savings-Bank. The cashier is my uncle Jack, and he began at the bottom,
+where I am, when _he_ was a boy. He says that a boy had better grow up
+with a country bank than go West and grow up with the country. He thinks
+there's more money in it.
+
+"If there's anything in you," he said one day, "you'll work your way up
+to be bank president some time." And I guess it's better to be president
+of a country bank than to be President of the United States. Anyway, you
+wouldn't have to be shot before folks began to find out that you were
+doing your level best to keep things straight. Uncle Jack says and does
+such queer things sometimes that people say he's odd. They tell about
+his being so wrapped up in our bank that he never had time to hunt up a
+wife. I notice, though, that when father and mother died, and left me a
+wee little baby, Uncle Jack found time to bring me up, and give me a
+good education to boot. Oh, he's as good as gold or government bonds,
+Uncle Jack is.
+
+We live in rooms over the bank, where old Mrs. Halstead keeps house for
+us. Underneath, we do the business. There's heaps of money in our two
+big vaults.
+
+Last summer--and, mind you, this was while _I_ was away on vacation--two
+men broke into the building. They came up stairs, and into Uncle Jack's
+room. One had a bull's-eye lantern that he flashed in Uncle Jack's face
+as he sat up in bed, and the other pointed a big pistol right at his
+head.
+
+"Tell us where the vault keys are, or I'll shoot you," he said.
+
+"Oh, Uncle Jack," I broke in, when he was telling me about it, "what
+_did_ you do?"
+
+"What would you have done?" he asked, in his odd way.
+
+"I know what I _wouldn't_ have done," I answered him, straightening up a
+bit--"I wouldn't have given 'em the keys."
+
+"Ah!" Uncle Jack says, kind of half doubtful, and then went on: "Well, I
+told them to shoot away. And they knew as well as I did that shooting
+wouldn't bring them the keys. So when they found they couldn't frighten
+me, the scoundrels tied me, and went off in a rage, with my watch and
+pocket-book."
+
+That was last summer. One night along in the fall Uncle Jack started off
+down town. "It's Lodge night, and I may not be back until late," he
+said. "You won't mind staying alone--a great boy like you." And of
+course I said "No."
+
+But somehow, after Mrs. Halstead went to bed, I found I _did_ mind it. I
+don't know what made me feel so fidgety. Perhaps it was reading about a
+bank robbery in Bolton, which is the next town to Covert. It was thought
+to be the work of Slippery Jim, a notorious burglar. And while I was
+thinking about it, I dozed off in Uncle Jack's easy-chair.
+
+"Ow-w-w!" I sung out all at once. And if you'd woke up of a sudden to
+see a rough-looking man, with a slouch hat pulled over his eyes,
+standing right in front of you, you'd have done the same. "What--what do
+you want here?" I sort of gasped; and I tried to speak so he wouldn't
+hear my teeth knock together.
+
+"The vault keys--where are they?" he answers, short and gruff. And then
+he kind of motioned with his hand--I suppose to show the revolver he was
+holding.
+
+I was pretty badly scared; but all the same, I didn't mean he should
+have those vault keys, if he shot the top of my head off.
+
+"Come, hurry up," he said, with a sort of grin. And I noticed then that
+he had red whiskers, and some of his upper front teeth were gone, so
+that he didn't speak his words plain.
+
+"I should know you anywhere," I thought. "Strategy, Phil Morris," I said
+to myself, bracing up inside; for a story I'd read about how a lady
+caught a live burglar came across me like a flash. "Please don't shoot,
+sir," I began to say, with all sorts of demi-semi-quavers in my
+voice--"please don't; indeed I'll show you where they're kept." So
+making believe to shake all over, I took the lamp, and led the way into
+Uncle Jack's bedroom. "The k-k-k-eys are in th-there, sir," I told him.
+
+You should have seen how my fingers trembled when I pointed to the
+little store-room that opened out of the chamber. The keys were there,
+true enough, but I'd like to see any one except Uncle Jack or I find
+them. I suppose you have heard of such things as secret panels.
+
+The store-room floor is lower than the chamber floor. Many a time, when
+I haven't been thinking, I've stepped down with a jar that almost sent
+my backbone up through the top of my head.
+
+"In there, eh?" said my bold burglar, quite cheerful like, and pushed by
+me to the open door.
+
+I set the lamp down, and my heart began to beat so that I was almost
+afraid he could hear it. "Now or never," I whispered.
+
+It was all done quicker than you could say "knife." I put my head down
+like a billy-goat, and ran for the small of his back. "Butted" isn't a
+nice word, but that's just how I sent him flying headlong into the
+closet. I heard him go down with a crash that shook Mrs. Halstead's
+biggest jar of raspberry jam off the shelf.
+
+I didn't stop to take breath until I'd locked the door and barricaded it
+with Uncle Jack's big mahogany bureau--just as the lady did in the
+story. Then I breathed--and listened. What I heard made my eyes stick
+out a bit. First I almost felt like crying. Then I laughed until I did
+cry. I suppose the excitement made me hystericky. It wasn't ten minutes
+before I roused up Mr. Simms the constable, and Jared Peters, who lives
+next door. Mr. Simms brought along an old pepperbox revolver and a pair
+of handcuffs. Jared Peters had his double-barrel gun, but in his flurry
+he forgot to load it.
+
+Up stairs we hurried. The two men pulled away the bureau, and Mr. Simms,
+who was in the army, stationed us in our places.
+
+"Look a-here, you feller," Mr. Simms called out, "the strong arm of the
+law is a-coverin' of you with deadly weepons. Surrender without
+resistance.--Phil, yank open the door."
+
+I flung open the door. Jared Peters covered the prisoner with his gun.
+He was covered with something else too--Mrs. Halstead's raspberry jam,
+that he'd been wallowing round in. He didn't look proud, though, for all
+he was so stuck up.
+
+Before he could open his mouth Mr. Simms had him handcuffed and dragged
+out into the chamber.
+
+"There," he said, with a long breath, "I guess _you_ won't burgle no
+more right away."
+
+"For goodness' sake, Simms--Peters--don't you know me--Mr. John Morris,
+cashier of the savings bank." That was what the prisoner said just as
+soon as he could speak.
+
+Well, I didn't wait any longer. I just bolted for my own room, where I
+could lie down on the floor. And there I lay laughing until I was purple
+clear round to my shoulder-blades. Then I went to bed.
+
+"Philip," said Uncle Jack, solemnly, while we were at breakfast next
+morning, "I should beg your pardon for trying to test your courage in
+the--the consummately idiotic way I took to do it last night, but"--and
+he looked pretty sheepish--"I--I think I got the worst of it."
+
+"I think you did, sir," I answered him, choking a bit.
+
+"The disguise was a good one, though," he went on, with a sort of feeble
+chuckle, "and leaving my false teeth out, changed my voice
+completely--eh, Phil?"
+
+"Yes, sir--until you hollered out in the closet that it was all a joke,
+and wanted me to let you out," I answered him, as I got up and edged
+toward the door.
+
+"Why didn't you let me out then?" roared Uncle Jack, who is rather
+quick-tempered.
+
+I hope I wasn't impudent. Truly, I didn't intend to be. "Because, Uncle
+Jack," I said, as I turned the door knob, "I have heard you say more
+than once that he who can not take a joke should not make one." And as I
+dodged through the door I heard Uncle Jack groan.
+
+
+
+
+[Illustration: NOT TALL ENOUGH.]
+
+
+
+
+GOOD-NIGHT.
+
+BY W. T. PETERS.
+
+
+ Good-night, happy stars,
+ With your yellow eyes;
+ Good-night, lady moon,
+ In the evening skies;
+ Good-night, dusky world
+ And the boundless deep;
+ I am tired out;
+ It is time to sleep--
+ Time, time to sleep.
+ Good-night! Good-night!
+
+ Good-night, weary boy;
+ It has been decreed
+ That some mysteries
+ Only a child can read;
+ But the sweet child-heart
+ May you always keep,
+ And the stars will be yours,
+ And the boundless deep--
+ The boundless, boundless deep.
+ Good-night! Good-night!
+
+
+
+
+SEEING THE BIG WORLD.
+
+BY F. E. FRYATT.
+
+
+Andrew, the florist, set out one fine day for a trip to the wood that
+lay a mile beyond his greenhouses.
+
+He was a grand old man, who loved all the beautiful things God has
+scattered over this earth, from the tiny grass blade pushing up through
+the brown mould, to the mighty oak spreading its branches like a giant
+in the forest. As he entered the wood he marked how the sunshine,
+flickering down through the trees, made patches of gold on the green
+turf, and turned the pebbles in the brook into pearls. Time had not
+dimmed old Andrew's eye nor dulled his ear, nor had he lived his sixty
+years without learning to understand the soft voices of nature. As he
+strolled thoughtfully along he became aware of a gentle murmuring sound
+proceeding from groups of flowers that seemed to nod and smile when he
+drew near them. Throwing himself at full length on the turf, he
+listened; at first he could make nothing out of all the sweet babble
+poured into his ear, until Jack-in-the-pulpit became spokesman for the
+occasion.
+
+In a pretty speech Jack told how they had heard of a grand flower show
+that was soon to come off in the great city, and confessed to the
+annoyance he and his companions felt at always being neglected on such
+interesting occasions, closing his long address by praying that the wild
+flowers might be treated with as much respect as the Pelargoniums, the
+Gladioluses, and all their other fashionable cousins.
+
+Andrew heard Jack's remarks with a smile that was more sad than merry,
+marvelling how these innocent creatures, shut up in the heart of the
+wood, could have heard anything of the show.
+
+"I have it," said he: "some gadding bee, or perhaps a gossiping sparrow,
+fresh from town, has carried the matter. Well, well, they must learn how
+profitable is content, and how foolish silly ambitions."
+
+"My pretty dears," sighed the old man, leaning on his spade, and
+regarding the blossoms, "you will 'never be sorry but once, and that
+will be always.' As well might a fish try to live on land as you in the
+stifling city."
+
+So saying, Andrew thrust his spade deep into the rich soil, disengaging
+the delicate roots that bound the flowers to their sylvan home.
+
+When he had deposited as many Trilliums, Lilliums, Violets, and Anemones
+in his basket as he desired, the good old man proceeded to a boggy spot
+in the woods, and brought away with him Lady-slippers, Orchids,
+Pitcher-plants, Irises, Sundews, and Sweet-cicely, who wished to see the
+big world too.
+
+Andrew now turned to go home, but, dear me! his work was but half done,
+for a butterfly, fluttering seaward, carried the news to the
+pine-barrens, and straightway Pyxidanthera, the beauty, cried out--and
+the soft sound of her crying came pitifully: "Don't leave me all alone
+in the pine-barrens; it is too lonely; I too would see the great world
+at the flower show."
+
+"It is strange that you've never been lonesome before," thought Andrew,
+stooping down where the wee pink beauty sat on her mossy throne, and
+lifting her gently into his basket. Nor did his labors end here; for a
+troop of Daisies in a field near by heard the tidings, and almost burst
+their green jackets in impatience to be going; nor could he resist the
+pleadings of a band of young Buttercups, so he kindly added these to the
+delicate passengers in the wicker car, and hastened on. But once more
+his fine ear caught the sound of complaining.
+
+Looking toward his right hand, he discovered a group of ancient
+Dandelions bowing their gray heads to him, and listening, heard them
+sighing: "Once we had tresses like the sun. Why come so late, so late?"
+
+"Too late! too late!" chimed another voice.
+
+"Ay, ay, too late," replied the old man, trudging on toward his
+greenhouse, for he had much to do to prepare his rustic beauties for
+their trip to the city.
+
+"Oh dear," said a young Violet a week after, when they were all
+flourishing in the greenhouse, "why am I always to be in the shade, and
+that great Japonica towering above me?"
+
+"And I too," murmured a Wind-flower, flushing faintly.
+
+"Who cares for any of them?" chirruped a Daisy. "Here or there matters
+not to me."
+
+"_You_ are near the sun, madam," argued an Orchid.
+
+"Be quiet, all of you," roared Jack-in-the-pulpit. "Who'll care for
+Japonicas and such common folk when _we_ go to town?"
+
+There was common-sense in that, so the wild flowers settled down in
+silence.
+
+The day before the show there was a fine uproar in the greenhouses. The
+wild flowers babbled and laughed and danced on their stems for joy. No
+one knew it but Andrew, and he said nothing.
+
+Such a snipping and binding and showering was kept up all day that when
+evening came they were glad to fall asleep in their packing boxes, nor
+did they waken until daybreak, when the men moved them into a large
+covered van on wheels.
+
+By-and-by they heard a great trampling of hoofs, and a clatter. The
+horses were being harnessed to the van. Presently, with a jerk, they
+were off to the wonderful city--the big world they had never seen.
+
+Now began their troubles in true earnest. The ground quaked and trembled
+beneath them; it was pitchy dark. Would the sun never shine again? Could
+no one speak a word of encouragement or consolation?
+
+On, and on, and on they kept going, until at last, as nothing fearful
+happened, they ventured a little conversation.
+
+"What a dash I shall cut at the show!" exclaimed a Turk's Lily.
+
+"And I, in white and pink ribbons!" cried the pine-barren's beauty.
+
+"Be quiet, little vanity," muttered a muffled voice in the corner. "Who
+will look at you when I am by?"
+
+Andrew knew the great scarlet Amaryllis had spoken, and he said to
+himself, "We'll see, my fair lady."
+
+The beauty cowered in silence, but a Violet whispered, "Shame!"
+
+When the flowers reached the hall, with its long baize-covered tables,
+they forgot their troubles, and were greatly pleased. Men were running
+to and fro, boxes were being opened, and flowers all muffled from top to
+toe were coming in by the dozens. Here stood a regiment of Azaleas in
+white hoods and muffs, like a young ladies' boarding-school ready for a
+winter walk. There stood a company of Lilies with their night-caps on,
+and yonder a tall object swathed in tissue-paper. "Who can she be?--some
+grand personage truly," whispered a Daisy.
+
+At that moment came a young man with sharp scissors. He cut off her
+cloak, and there stood lovely Miss Clereodendron, in white and scarlet
+from head to foot. "How exquisite!" cried all the flowers together.
+
+But soon they found other wonders. On a table near at hand lay the
+daintiest sprays of flowering Peach, Almond, and Cherry, bunches of tiny
+Jonquils, creamy Magnolias, flaming Pirus, and May-apple.
+
+As soon as all the flowers were comfortably settled in their stands and
+vases, they began to look around, and recognized their neighbors.
+
+"Ha! ha!" laughed Jack-in-the-pulpit; "who expected to see _you_ here?"
+
+"Why not, as well as you, Sir Impudence?" retorted May-apple, sharply.
+
+But by-and-by the visitors came pouring in by the dozens. Beautiful
+ladies swept by in silks and diamonds and laces; gallant gentlemen came
+too, with eye-glasses perched on their noses. They did not even look at
+the wild flowers.
+
+The wild flowers grew troubled, and commenced to murmur; but Jack
+whispered, "Bide your time."
+
+"_I_ don't envy them," said an Orchid, looking complacently down at her
+own yellow slippers.
+
+"Nor I," laughed a Daisy, smoothing her satin petticoat.
+
+"If they didn't hold their heads so high, they would see us," murmured a
+Violet.
+
+But the crowd passed on, drawn by the brilliant beauties of the Cacti,
+the flames of the Amaryllis Lilies, the purple of the great Pansies.
+
+"They will never come near us," sighed the Violet.
+
+"I faint--I faint!" murmured the Pitcher-plant, dropping her urn.
+
+"Oho! oho! now we shall have a change," cried Jack, as the clock struck
+three. And sure enough the bright-eyed school-children came trooping in,
+and caught sight of them.
+
+"Oh, my darling little Violets, where did you come from? And oh, you
+sweet, sweet Daisies!" cried one yellow-haired lassie.
+
+"And these Buttercups!" screamed another.
+
+"And droll old Jack; who would have thought to see _him_ in town?"
+chimed a third.
+
+"Tit for tat, Master Jack," whispered May-apple, tartly.
+
+The moment the children recognized the beauties of the wild flowers,
+every one else did. Old gentlemen with high-bred noses came and peered
+at them through big spectacles. Young ladies talked of their families,
+and--oh, horrors!--said they would like to dissect them. Old ladies
+smiled on them pleasantly, and one, a grandmother, actually shed tears,
+and said, "I haven't seen their like in fifty years."
+
+But now it began to grow tiresome, this big world they had come to see;
+the sunlight streamed through the great windows, the tiny blossoms grew
+faint in the sultry air. When would the hum of speech grow silent, the
+clouds come brooding above them, and the soft rain-drops patter down?
+
+The flowers grew fainter and fainter. A grand old man is now speaking at
+the end of the hall; but they can not listen.
+
+"Oh, for a breeze from the pine-barrens!" sighed the beauty.
+
+"Give me to drink the dew of the meadow," moaned the Daisy.
+
+"I die for the woodland shadows," murmured the Violet.
+
+"And I for the sound of cool waters," wept the Lily.
+
+
+
+
+[Begun in HARPER'S YOUNG PEOPLE No. 94, August 16.]
+
+PENELOPE.
+
+BY MRS. JOHN LILLIE.
+
+CHAPTER III.
+
+
+"Why, aunt," exclaimed Penelope, "what do you mean? Surely you can't
+have seen this screen of Lion's?"
+
+"But I _have_, dearest," Miss Harleford said, dreamily. "I have seen
+this long ago--before you were born. Oh, Penny dear, it all comes back
+to me. This screen, I am _sure_, is one your own papa gave to Nora
+Phillips, an American girl who visited us at Baynham. Oh yes, love, I am
+sure of it, for we had such a discussion about it; and don't you suppose
+I would know my dear brother's painting? I was looking over his shoulder
+half the time he was putting in those letters--'Penelope.' Dear, you
+were named Penelope, I believe, for her sake. Your mother was very fond
+of the name, and when it was suggested, your father remembered pretty
+Nora. Well! well!"
+
+"But _she_ was not Penelope," said the girl, wonderingly. "Oh, aunt,
+what does it all mean?"
+
+"But we always _called_ her Penelope in fun, because she was such an
+indefatigable little worker. Oh, what a darling she was, and how we all
+loved her!"
+
+"But what became of her?"
+
+"Well, my dear, you see, after she and her father went back to America,
+we rather lost sight of her--she and my mother had a little
+misunderstanding. It is all a long time ago, and your grandmamma and my
+dear brother are both dead. Nora may be gone as well, but I seem to see
+her now just as she stood, laughing gayly, with this screen in her hand.
+Oh, where can she be? Where did Lion find it? I feel as if I _must_
+know."
+
+Penelope felt as if she would dearly like to solve the mystery of her
+cousin Lionel's present. She went back to the breakfast table very
+grave, and so preoccupied in manner that she had to explain herself at
+once; and then all the young people were fired by the story. What did it
+mean? Penny grew absolutely mournful trying to understand it, but it was
+finally resolved to write to Lionel, who, in a few weeks at least, would
+let them have the history of the screen, so far as he knew it. This was
+all that could be done at present.
+
+Penelope and her aunt were only visitors at the Deanery. Their own home
+was ten miles distant from Nunsford. There Penny was mistress of a
+beautiful old home known as The Manor. Miss Harleford had been for years
+as a mother to the girl, and although her uncle, the Dean of Nunsford,
+was her legal guardian, she knew no heavier rule than the gentle old
+lady's. If there could be needed a complete contrast to poor Nora Mayne,
+it might have been in the petted heiress of Harleford Manor. Every one
+tried his best to make her life happy, and I think only her natural
+loveliness of disposition saved Penelope from being completely spoiled.
+
+The letter to Lionel Harleford, Penelope's second cousin, who had just
+gone to India, was dispatched at once, and for days Aunt Letty talked
+over old times with her brother and nieces. The Dean only half
+remembered the beautiful, bright American girl who had visited his
+mother's house, now Penelope's, twenty years before; but Miss Harleford
+recalled so many scenes to his memory that he was soon as eager about
+Lion's letter as the most romantic member of the family could desire.
+Many conjectures were put forth, many ideas suggested; but who could
+guess that not half a mile away the once light-hearted Nora Phillips lay
+poor and dying!
+
+Meanwhile things continued to sink lower and lower with Nora and her
+mother, the worst feature of their case being the fact that kind-hearted
+Mrs. Bruce could no longer keep them; her son James had suddenly
+appeared, and declared himself horrified to find his mother keeping
+lodgers who could not pay their rent; and so, with many tears, poor Mrs.
+Bruce had broken this news to Mrs. Mayne.
+
+"Of course we must go," said poor Nora, looking at the tender-hearted
+landlady with a white face and set lips. "Oh, Mrs. Bruce, I know it
+isn't your fault, and if the day comes when I can earn anything, you
+shall be paid."
+
+Mrs. Bruce wept bitterly the day that saw Mrs. Mayne, still weak and
+ill, leave the house with Nora, whose brave heart was tried to its
+uttermost. Where were they to go? Nora could not be sure enough to tell
+even Mrs. Bruce. She had sold the last of their wardrobe that morning,
+and as Mrs. Bruce refused to take a penny from them, they started forth
+with money enough to pay somewhere for a week's lodging.
+
+"I will try to let you know where we are, Mrs. Bruce, as soon as
+possible," said Nora, turning back with a weary smile as they were
+leaving.
+
+Mrs. Bruce wiped her eyes, and vented her feelings upon James, her tall,
+vulgarly dressed son, who was gazing with great satisfaction upon the
+lodgers' departure.
+
+"You good-for-nothing creature!" exclaimed his mother, angrily
+indignant.
+
+Mr. James Bruce smiled sarcastically. He did not share any of his
+mother's compassion for forlorn lodgers.
+
+"Never you mind, mother," he said. "You'll thank me one of these days."
+
+Days passed with no tidings from the Maynes. Mrs. Bruce could not forget
+her lodgers, and Nora's face, as she had seen it last, haunted her
+painfully. Where were they? Had the mother died? Was Nora ill? Were they
+starving? These and many other conjectures tormented the poor woman as
+the days lengthened into weeks, and no sign was made by mother or
+daughter. Many times Mrs. Bruce's tears fell over her wools when she was
+alone in the shop, and recalled the December evening Nora had served
+there, uniting so much sweet good-humor with her refined, lady-like
+ways, which had from the first captivated the heart of the simple-minded
+country-woman. Mrs. Bruce had a small assistant now in the person of a
+niece, and this young woman was never tired of hearing about Miss Mayne.
+She was listening to one of her aunt's stories as they sat over the fire
+in the shop one February day, when she suddenly exclaimed:
+
+"Law, aunt, there's Miss Penelope Harleford in the Deanery
+carriage--coming in here, too!" and there, sure enough, was bright Miss
+Penny, in a long fur cloak, and a pretty felt hat shading her sweet
+young face. "A picter," as Mrs. Bruce said, "worth taking down." Young
+Miss Harleford came hurrying in, looking very eager and interested.
+
+"I've come to inquire for some one who sold a screen here, Mrs. Bruce,"
+said the young lady, cheerfully. "My cousin, Mr. Lionel Harleford,
+bought it here in December--a young lady sold it to him."
+
+"Land, miss!" cried Mrs. Bruce, "so she did, my poor pretty! I wish I
+knew where she was now--she and her mother."
+
+Penelope looked dismayed.
+
+"And you _don't_ know!" she exclaimed.
+
+"I wish I did," repeated Mrs. Bruce. "Mary Jane and I was just talking
+of her. Gone, poor lamb, she and her mother, and I know nothing of
+them."
+
+And Mrs. Bruce proceeded to detail the history of Nora and her mother,
+so far as she knew it. The sad, simple story left no doubt upon
+Penelope's mind as to who they were.
+
+"Nora Phillips," she said to herself. "Yes, she was Mrs. Mayne, I feel
+sure, and so near us!"
+
+She confided a few facts only to Mrs. Bruce, and then sorrowfully drove
+back to the Deanery, where she and Aunt Letty held a long confab in the
+twilight. What could be done? Aunt Letty cried, and Penelope shook her
+head sadly, but she declared that she would not give up the search
+suggested in so strange a manner that it seemed her duty to continue it.
+Could Penelope and her aunt have seen Nora at that moment, I fear they
+would have gone to rest with a bitterer heart-ache.
+
+Afternoon service was over the next day at the abbey church, yet
+Penelope lingered with little Joe, loitering down the path, where the
+snow still lay white on the ground, talking to the little boy about the
+service, which that day had peculiarly impressed her. She was thinking
+of Nora Mayne, recalling Mrs. Bruce's description of the sweet young
+girl whose life was so heavily burdened.
+
+"And I," thought Penny, with a shamefaced color--"I have _everything_,
+and yet how cross and selfish I am!"
+
+"Penelope! Penelope!" cried out little Joe, pulling at her hand; "see
+those sparrows--do they mind the snow?"
+
+And at this moment Penny heard what she thought the echo of her name.
+
+"Penelope," said a strange voice; there was a faint, despairing ring in
+it.
+
+Penelope stood still, turning her head quickly in the direction of the
+unfamiliar voice. Standing in the side path was a girl's figure; the
+hands were tremblingly clasped together, the face, thin and pale,
+eagerly watching her.
+
+[Illustration: "PENELOPE--IS IT PENELOPE?"--DRAWN BY E. A. ABBEY.]
+
+"Penelope--is it Penelope?" said the tired voice again. "Oh, was it for
+you he bought the screen?"
+
+And in a moment more Nora Mayne felt her hands fast imprisoned in young
+Miss Harleford's. There were tears running down the English girl's
+cheeks.
+
+"Oh, Nora," she said, joyfully, "I am so thankful to have found you!"
+
+[TO BE CONTINUED.]
+
+
+
+
+[Illustration: EVERY CLOUD HAS A SILVER LINING.
+
+MAMMA. "If you continue to be so naughty, I'll have to buy a whip to
+punish you with."
+
+MIMI. "But when I'm good, you'll let me play with it, won't you, mamma?"
+
+[_A fact._]]
+
+
+
+
+[Illustration: OUR POST-OFFICE BOX.]
+
+
+ SCHLOSS KIS-TABOR, POST: ROHITSCH, STYRIA, AUSTRIA.
+
+ My brother and I are so glad to get YOUNG PEOPLE again! We both
+ like it so very much! I will tell you something about this part of
+ Croatia. It is called "Zagoria," which means "beyond the
+ mountains." Our peasants live principally on maize, made into bread
+ and a sort of porridge. They are a good-natured and gay-tempered
+ people, and always singing. Our most important products are wine,
+ "slivovitz" (plum-brandy), and dried plums. Not far from us, on a
+ lofty hill, stood a Celtic Temple of the Sun. Later, the Romans
+ conquered the Celts, and we have some ancient Roman coins and
+ broken bronze objects dug up in the vineyards. Looking out from our
+ windows one sees innumerable churches, chapels, castles,
+ picturesque ruins, and far-away snow-covered Alps. It is very
+ beautiful. We have a pet donkey, and a pretty little carriage to
+ drive in. I am collecting coins, fossils, and minerals.
+
+ Last week a Bosniak came into our court-yard leading a bear caught
+ in Slavonia. He waltzed, saluted, kissed his master, and then held
+ up the tambourine for money. We sent him some wine and bread, which
+ he devoured greedily.
+
+ LUCY KAVANAGH.
+
+ * * * * *
+
+ CAMP CARLING, WYOMING TERRITORY.
+
+ My two little boys, aged four and six years, want me to tell you
+ that they were very much interested in Mr. Frey's article about
+ Indian relics. They tried this summer with their mamma to dig up a
+ grave on a hill near the South Platte River. But being in a ledge
+ of rock, the mamma and little boys were not strong enough to get
+ down more than two feet, and had to give it up. Mamma tried to hire
+ a man to dig for her, but the men were all afraid of small-pox. It
+ was said that thirty years ago more than a thousand Indians had
+ died of small-pox, and had been buried in that vicinity. A ranchman
+ on a neighboring hill, however, had opened one, and we obtained
+ some clam shells, a red clay pipe, a thin piece of bark with some
+ blue writing on it, and a round leather amulet worked with beads. A
+ few weeks later, Sidney and Willie drove with their papa and mamma
+ through North Park, Colorado, into Middle Park, and on a hill near
+ the range which separates the two parks they found about a hundred
+ graves which had never been molested. They wanted very much to open
+ them, but had no shovel, and could not spend the time to stop. I
+ wonder how many more of the Young People have tried to open graves.
+
+ MRS. MARY E. B.
+
+ * * * * *
+
+ BURLINGTON, IOWA.
+
+ I am nine years old. Papa has taken YOUNG PEOPLE for me ever since
+ it was published. I like the stories very much, and would like to
+ see the little girls who write such nice letters. I have one sister
+ and two brothers. I wish the little readers of YOUNG PEOPLE could
+ see my cat Polly. She can knock on the door, walk on her hind-feet,
+ and beg for food like a dog, and will come to us when we whistle,
+ and do lots of cunning tricks.
+
+ My brother Arthur has a dog whose name is Brownie, and he can
+ laugh. He looks so funny. We have two pigs, and a horse. Mamma one
+ day found a coal-black kitty in the street, and brought him home.
+ He is now a big cat, and very pretty. Mamma calls him Frank.
+
+ When I write again I will tell you about my doll family.
+
+ LOUISE L.
+
+ * * * * *
+
+ JERSEY CITY, NEW JERSEY.
+
+ I have a little Scotch terrier named Nellie, and she loves me
+ dearly. Every time I enter the house she kisses me, and will stand
+ on her hind-legs, sit up, beg, and do lots of tricks. I am seven
+ years old.
+
+ HARRY L.
+
+ * * * * *
+
+ BROOKLYN, NEW YORK.
+
+ I think the stories of "Toby Tyler," "The Moral Pirates," and "The
+ Cruise of the 'Ghost'" are very nice, and I hope the story of "Tim
+ and Tip" will be equal to any of the three. Another boy will write
+ on the rest of this sheet.
+
+ EDDIE G.
+
+ I have a velocipede, and so has Eddie G. He and I are great
+ friends, and we have nice times together. We have some pigeons at
+ our house, but we intend to give them away. We have given away all
+ our chickens. We had three canaries, but one flew away, and my
+ mother is afraid the cat got it.
+
+ A. T.
+
+ * * * * *
+
+ WORCESTER, MASSACHUSETTS.
+
+ Seeing the article in No. 93 on "How the Baby Elephant Eats
+ Pea-Nuts," I thought I would write and tell you of a nut-cracker
+ which I discovered in the same show that contained the "baby." My
+ father and I were watching a number of the larger elephants hunting
+ for pea-nuts thrown in the straw, when I saw one of them who, if he
+ found a nut, would take it up with his trunk, and rub it against
+ his leg until the shell was cracked, after which he proceeded to
+ eat the kernel. I am glad C. H. Williamson has accepted the
+ presidency of the Natural History Society. I for one am entirely in
+ favor of admitting girls.
+
+ C. M. H.
+
+Your interest in the article about the baby elephant, and your own
+observation of the way the baby's big brother managed his pea-nuts,
+prove that you will be a good member of the society. Some of our boys
+and girls are, we fear, waiting to be very dignified before they send
+any letters with regard to what they have seen. Some wish to send a long
+report. The better way is to write about interesting things, one at a
+time, just as they are noticed.
+
+ * * * * *
+
+ BENTLEY'S, MARYLAND.
+
+ I often think about Toby Tyler. If he had only staid with the
+ circus, he would not have lost dear Mr. Stubbs. I am anxious to
+ know how the boys who went on "The Cruise of the 'Ghost'" got along
+ with their canoe cruise, or if they ever had one.
+
+ MCB.
+
+ * * * * *
+
+ SANDWICH ISLANDS.
+
+ We have observed so many nice little girls writing to you that we
+ have been thinking for some time that we would send you a letter.
+ We are Hawaiians, as our mother is a native of the island, though
+ our father is a white man. We live close to the mountains, and have
+ quite a number of birds around our place. Land-shells are as
+ numerous on the mountains as sea-shells are down on the beach. Some
+ time hereafter we may probably visit New York, and then we shall
+ not forget to go and see the editor of YOUNG PEOPLE, and thank him
+ very much for making such a nice paper for children. It has been a
+ great comfort to us, and amused us many a lonely hour. We are a
+ large family, consisting of father, mother, four sisters, six
+ brothers, one nephew, and one niece. _Aloha_ (love to you).
+
+ LYDY, ELIZA, and HANNAH.
+
+Our love to you, little friends. We will be glad to see you in New York
+some day.
+
+ * * * * *
+
+ ST. LOUIS, MISSOURI.
+
+ I am thirteen years old. I came to New York from England, May 23,
+ 1880, on the steam-ship _City of Chester_ (Inman Line). We made a
+ short trip of nine days and eight hours. I like this country very
+ much, but sometimes wish myself back in the old home. I began to
+ take your paper about two months ago. I think "The Cruise of the
+ 'Ghost'" was a very instructive and interesting story, and I hope
+ "Tim and Tip" will be more so. I like the Post-office Box very
+ much, especially the puzzle column. I have made an effort to write
+ an enigma myself, and have sent it with this letter.
+
+ HUGH P. W.
+
+ * * * * *
+
+ FREEPORT, ILLINOIS.
+
+ We were very much gratified to see dear Mary's name among those who
+ had sent answers to the tangles. The letter she wrote you in July
+ was her last writing. She was taken sick the following Monday with
+ malignant diphtheria, and before another Sabbath closed, her
+ trusting heart was asleep in Jesus. His name was the last upon her
+ lips. I wish that all who die could exercise her calm,
+ unquestioning faith in Christ. The Thursday before she died, she
+ looked eagerly in the puzzle department for her name. I explained
+ again that it could not possibly be in for a week yet at least. "I
+ wonder if they will publish my enigma, mamma? If I get well, I'll
+ send that diamond I made up yesterday." On Wednesday she felt so
+ well, and all day amused herself drawing birds and trees, and made
+ a diamond and some-beheadings. She thought so much of YOUNG PEOPLE!
+ She was a poor scribe, but her thoughts were very quaint, and
+ expressed in the language of culture. She rarely made a grammatical
+ error, and all things fine seemed natural to her. As we all grow
+ interested in the little folks whose names fill your departments, I
+ thought I would send you this notice that the dear bird who
+ brightened our home for so brief a time, and who promised our
+ hearts such lofty pleasure through her active mind and bright
+ imaginings, will never on this earth sing for you again.
+
+ MRS. E. C. BURCHARD.
+
+From time to time in our great circle of readers, dear children, some
+drop from the ranks. Little Mary will never be forgotten in her earthly
+home, and those who loved her here will hope to meet her again where
+there is no death. We are glad she found so much pleasure in YOUNG
+PEOPLE.
+
+ * * * * *
+
+ NEW YORK.
+
+ I am only five years old, and my mamma is going to write this
+ letter for me. I think "Toby Tyler" was a "booful" story; but I did
+ cry when Mr. Stubbs got "shotted." And I want you, please, to ask
+ Mr. Otis not to kill Tim's poor little doggie. Tim's the boy in the
+ new story. I have got three little new kittens, and I am going to
+ name them Toby and Tim and Tip.
+
+ AMY E. V.
+
+ The kitties are Blossie's "chillun."
+
+ * * * * *
+
+ MONTE SANO, HUNTSVILLE, ALABAMA.
+
+ I would like to tell you what a nice time I am having on our lovely
+ mountain, four miles from Huntsville, where I am spending the
+ summer. I make beautiful sand houses, and my mamma ornaments them
+ with fairy feet, which she makes with her hands. They look like a
+ baby's tiny foot. I have a dear little baby brother, whose name is
+ Tyler. For fun we call him Toby Tyler. I am going to send an
+ offering to the "Young People's Cot," for I think it will be very
+ nice to have one which the readers of the paper may claim. I enjoy
+ my paper very much, as I am now beginning to be able to read it
+ myself.
+
+ EDWIN L. W.
+
+ * * * * *
+
+ NANTUCKET, MASSACHUSETTS.
+
+ I am ten years old, and have never been to school, but study at
+ home. We have a cat that was born with three legs. His name is
+ Trip. The first time Trip ever saw Rover, our dog, he ran right up
+ to him, and ever since he always runs up to Rover when frightened.
+ Once we had a Maltese cat who was very fond of Rover, and Rover was
+ fond of Tom. Once mamma and papa were looking out of the window,
+ and they saw Tom with his tail full of burrs, and Rover pulling
+ them out. He got them nearly all out, when he came to one that
+ stuck so hard that when he tried to pull it out it lifted Tom right
+ up in the air. Tom was rather surprised, but concluded that it was
+ all right, while Rover did not know what to do. At last he put his
+ paw on Tom's tail, so that he should not be lifted up, and pulled
+ out the burrs. Papa did have a live porcupine, but it died. I like
+ the YOUNG PEOPLE very much indeed. I think that "Toby Tyler" was
+ splendid.
+
+ M. N. W.
+
+ * * * * *
+
+ PORTLAND, MAINE.
+
+ I am sure I shall like "Tim and Tip" as much as I did "Toby Tyler"
+ for it begins so well. I wrote a composition on Toby, and I know a
+ boy who has a monkey that is the very picture of Mr. Stubbs. I am
+ almost ten years old.
+
+ EDDIE L. M.
+
+ * * * * *
+
+ PITTSBURGH, PENNSYLVANIA.
+
+ My father has coal-works, and the engineer is teaching me how to
+ run his locomotive. It is about the best one in the United States,
+ and it is named for me.
+
+ LOUIS B. H.
+
+ * * * * *
+
+ BLACKFOOT, ONEIDA COUNTY, IDAHO.
+
+ I thought I would write a letter, as I have seen no letters from
+ this part of the country. My brothers Willie and James and I sent
+ 50 cents each to get your nice paper. I am the oldest, so I wrote
+ for it, and had it come in Willie's name, because he thought it
+ would be so nice to have it addressed to him. We have no schools
+ here, and we study at home.
+
+ FRED J.
+
+ * * * * *
+
+ OWENSBOROUGH, KENTUCKY.
+
+ I am almost ten years old, and I live in Kentucky, on the Ohio
+ River, and first and last have lots of fun. I have the cutest dog.
+ His name is Dodger. He is only a puppy, but can shake hands and
+ carry sticks like anything. Our whole family mourned Mr. Stubbs's
+ sad death. I have some queer stones and pebbles that I found in our
+ Kentucky caves and creeks and on the hill-sides, that I will
+ exchange for things from other States.
+
+ MALCOLM H. MCINTYRE.
+
+ * * * * *
+
+ INDIANAPOLIS, INDIANA.
+
+ Some fifty days ago I sent to a boy in Mankato, Minnesota, 250
+ postmarks, he agreeing to send Indian relics in exchange. I have
+ asked him to send them three times, but he will not answer. If he
+ is out of relics, he ought to return the postmarks or send some
+ word.
+
+ FLETCHER M. NOE.
+
+Perfect honor and honesty should be observed by exchangers. We hear
+complaints like this with regret, and hope the delinquent boy will
+explain the matter. Several correspondents are in trouble because those
+who have written to them have carelessly omitted to give their proper
+names and addresses, or have written illegibly.
+
+We have spoken of this frequently, but we call attention to it now
+because it has been almost impossible for us to read some of the
+exchanges lately sent to the Post-office Box. Please write plainly, and
+with ink; pencil marks are rubbed off in the mail. Again we say, in
+answer to several inquiries, that there is no charge for exchanges. We
+do not accept those which offer or ask for money, however, because they
+come under the head of advertisements, and refer to buying and selling.
+
+ * * * * *
+
+ FALLS CITY, NEBRASKA.
+
+ My home is on a farm two miles from Falls City, four miles from the
+ line of Kansas, and eight from the Missouri River. I have three
+ brothers and two sisters at home. We read the first chapter of "Tim
+ and Tip" to-day, and we do not blame Tim for running away. We think
+ it will be a very good story.
+
+ Like many of the young people who write for the Post-office Box, we
+ had a pet. It was a young mare named Nelly, and she was so gentle
+ that any of us could ride her; but last week, when she was in the
+ pasture, she lay down to roll near a rattlesnake, and it bit her so
+ that she died in three days. She swelled very much, and suffered
+ terribly, and we all felt like crying when she died. Papa has
+ buried her in the orchard. She left a little colt only six weeks
+ old, and we have given it to another mare, who now has two colts to
+ care for. There used to be a great many rattlesnakes here, but they
+ are getting scarcer every year. I wish some good saint would drive
+ all the snakes out of Nebraska, as St. Patrick is said to have
+ banished them from Ireland.
+
+ MAMIE H. H.
+
+ * * * * *
+
+The following exchanges are offered by correspondents:
+
+ Foreign stamps, for same. Write to describe exchange.
+
+ E. E. BROWN, Comstock's Bridge, Conn.
+
+ * * * * *
+
+ Three varieties of Chinese coins, for not less than twenty rare
+ U. S. or foreign postage stamps; or a genuine Japanese silver coin,
+ very rare, for a _Collectors' Directory_; or a rare silver coin of
+ Bogota, issued in 1853, for an international stamp album.
+
+ J. W. MILNES, P. O. Lock Box 19,
+ Bloomfield, Sonoma Co., Cal.
+
+ * * * * *
+
+ Pieces of abylona from the Pacific Ocean or Chinese coins, for rare
+ U. S. or foreign postage stamps.
+
+ CHARLES S. MILNES, Lock Box 9,
+ Bloomfield, Sonoma Co., Cal.
+
+ * * * * *
+
+ Two hundred and twenty-five postmarks, of which all are different,
+ and 135 are Michigan, for 150 foreign stamps, all different. Rare,
+ revenue, and common stamps, for bills, minerals, coins, relics, and
+ ores, stamps from Guatemala, Transvaal, Uruguay, and Ionian Isles;
+ three Cuban, two Mexican, or two Danish West Indian stamps, for a 7
+ or 90 cent War Department stamp or a Chinese stamp; five rare
+ stamps, for a good arrow-head. Please write before sending stamps.
+ Also the numbers of YOUNG PEOPLE between 52 and 71, for five
+ foreign stamps; and numbers 74 and 76, for 33.
+
+ TEDDY SMITH,
+ 641 Cass Avenue, Detroit, Mich.
+
+ * * * * *
+
+ _Louis Sinclair_, by Laurence Lancewood, crystallized flint that
+ will cut glass or wood, bark from Missouri, a sprout of persimmon,
+ a sprout of peony-flag, and of flowering-almond, for a pair of
+ gold-fish; also some of the above, for a bouquet of
+ everlasting-flowers. Write before exchanging.
+
+ FRANK BRYAN, Papinsville, Bates Co., Mo.
+
+ * * * * *
+
+ A great basketful of pretty flints, fine white marble, granite,
+ potter's clay, and twenty carnelians, a few chalcedony, and in
+ another month a large supply of thirty kinds of flower seeds, for
+ ores, minerals, or anything suitable for a museum. Write address
+ plainly on each package, even if only a postal be sent.
+
+ ANNA and L. FAVRE,
+ Ontario, Story Co., Iowa.
+
+ * * * * *
+
+ A large number of duplicate album cards to exchange with
+ collectors.
+
+ E. S. R.,
+ 7 Joslyn Park, Rochester, N. Y.
+
+ * * * * *
+
+ Soil from Louisiana, for flower seeds.
+
+ FRANK W. SHOTWELL,
+ 192 Harmony St., New Orleans, La.
+
+ * * * * *
+
+ A genuine Indian bow and two arrows, which were made by the
+ Chippewa Indians, who live north of here, for the largest
+ assortment of minerals or curiosities offered me. Correspondents
+ will please write soon.
+
+ HORACE MITCHELL, Duluth, Minn.
+
+ * * * * *
+
+ Six foreign stamps, all different, for one of the following U. S.
+ stamps: 2, 3, 7, 10, 12 cent Department of State; 7, 10, 15 cent
+ Navy; 2 or 6 cent Executive; 2, 10, 12, 15 cent Justice; 7 or 90
+ cent War; or forty stamps for the $5, $10, $20 Department of State.
+
+ H. B. F., P. O. Drawer 184, Poughkeepsie, N. Y.
+
+ * * * * *
+
+ _Youth's Companion_ for 1880 and part of 1881 (unbound), for
+ Vol. I. of HARPER'S YOUNG PEOPLE. Send postal before sending YOUNG
+ PEOPLE. An old Mexican and a Venezuela stamp, for a U. S. half-cent
+ of any date. Some silk-worm eggs, on card-board, from Japan, for
+ half-cent or odd silver coins. A lot of Kansas and Western
+ postmarks, for department stamps.
+
+ "A READER OF YOUNG PEOPLE,"
+ P. O. Box 1341, Moline, Ill.
+
+ * * * * *
+
+ Fifteen postmarks, for ten foreign stamps (no duplicates) or two
+ foreign coins of any date; a piece of soapstone from Kate's
+ Mountain, Wisconsin, for minerals, curiosities, stamps, coins, or
+ stones.
+
+ RALPH J. WOOD, Coldwater, Mich.
+
+ * * * * *
+
+ One picture card, for one foreign stamp or three postmarks; a stone
+ from New York, for one from any other State or Territory.
+
+ FLORENCE POPE,
+ P. O. Box 60, Scottsville, Monroe Co., N. Y.
+
+ * * * * *
+
+ Germany, France, Japan, Hong-Kong, and other rare stamps, for rare
+ stamps and curiosities of all kinds.
+
+ ROBERT FERGUSON,
+ 890 Gates Avenue, Brooklyn, L. I.
+
+ * * * * *
+
+ A Dexter scroll-saw in good order, for a self-inking
+ printing-press, chase not less than 2 by 4 inches, and in good
+ working order. Please write before sending press, and describe it.
+
+ W. H. S., care James A. Guest,
+ Burlington, Iowa.
+
+ * * * * *
+
+ A piece of petrified sea-bird, for Indian relics, Indian
+ arrow-heads, moss, plants, sea-shells, minerals, ores, pressed
+ ferns and flowers, stone and soil from any other State, coins,
+ woods, star-fish, papers, fossils, or Florida sea-beans; ten
+ foreign stamps, for soil and stone from any other State.
+
+ WHITMORE STEELE, care of Captain H. S. Steele,
+ Babylon, L. I.
+
+ * * * * *
+
+ A 3-cent adhesive of 1851 and '61, a 3-cent envelope of 1853, or a
+ 6-cent envelope of 1870, for rare foreign stamps.
+
+ GEORGIE C. WEISSERT,
+ 193 Twelfth Street, Milwaukee, Wis.
+
+ * * * * *
+
+ My entire museum (which contains 250 specimens), for a good
+ repeating rifle or a good bicycle. Write a postal to Professor
+ W. S. Ryland for information.
+
+ LAMAS H. PORTER,
+ Russellville, Logan Co., Ky.
+
+ * * * * *
+
+ Stones from Ohio and Lake Erie, for the same from any other State,
+ lake, or river. Marble from Vermont, New York, Kentucky, or Italy,
+ for the same from any other State or country.
+
+ LYON CAUGHEY, Seville, Medina Co., Ohio.
+
+ * * * * *
+
+ Florida moss and minerals, for things suitable for a museum; South
+ American and Florida shells, for minerals and curiosities.
+
+ GEORGE SCHULZE,
+ Box 42, Okawville, Washington Co., Ill.
+
+ * * * * *
+
+ Three pieces of English money, dated 1722, 1747, and 1806, and a
+ silver coin of East India, dated 1841, for Indian relics. Write,
+ stating the relics you offer in exchange.
+
+ W. G. FLANAGAN,
+ Johnstown, Cambria Co., Penn.
+
+ * * * * *
+
+ German, French, English, and Italian stamps, for stamps from Asia
+ or South America.
+
+ W. J. MURRAY, P. O. Box 91, Annapolis, Md.
+
+ * * * * *
+
+ A pair of fine young bantams, for a collection of butterflies,
+ minerals, or Indian relics.
+
+ SYDNEY BROWN,
+ 23 West Jersey St., Elizabeth, N. J.
+
+ * * * * *
+
+ Foreign coins and stamps from India and Denmark, for 24 and 90 cent
+ of any issue, and 30-cent of any issue except present one.
+
+ N. C. TWINING, JUN., Batavia, Kane Co., Ill.
+
+ * * * * *
+
+ Stones from Pennsylvania, for stones from any other part of the
+ world.
+
+ NATTIE PRATT,
+ Glen Mills, Delaware Co., Penn.
+
+ * * * * *
+
+ A shell, a stone from Indiana, petrified wood, a petrified wasps'
+ nest, and other curiosities, for curiosities.
+
+ ALBERT BREWER,
+ Danville, Hendricks Co., Ind.
+
+ * * * * *
+
+ Chinese bark from California, and a hedge that George Washington
+ planted at Mount Vernon, for Indian relics.
+
+ CLARENCE BREWER,
+ P. O. Box 222, Danville, Ind.
+
+ * * * * *
+
+ I have a fine collection of silk cocoons, and would like to
+ exchange some for foreign stamps from any country except France,
+ Germany, or Italy.
+
+ ALBERTO DAL MOLIN, care Giuseppe dal Molin,
+ Verona, Italy.
+
+ * * * * *
+
+ Twenty stamps, for an Indian arrow-head or any foreign coin except
+ Canadian; forty stamps, for a U. S. half-cent. No duplicate stamps
+ given.
+
+ JOANNA MAY WYLIE,
+ Prairie Centre, Lasalle Co., Ill.
+
+ * * * * *
+
+ Ten War Department stamps, for ten from Jamaica.
+
+ CHARLES WILLIAMSON,
+ 88 East Third St., Cincinnati, Ohio.
+
+ * * * * *
+
+ Two books, both nearly new--_Lucy Woodville's Temptation_ and
+ _Reuben Inch_--to any one who will send me the back numbers of _St.
+ Nicholas_ for 1881 and the successive numbers as soon as they shall
+ have been read. Please write before exchanging.
+
+ JESSIE LEE RENO, Marengo, Iowa.
+
+ * * * * *
+
+ Fifteen foreign stamps and ten postmarks, for three alligator's
+ teeth.
+
+ H. S. WHITTEMORE,
+ Box 79, Needham, Mass.
+
+ * * * * *
+
+ A stone from Massachusetts and one from New Hampshire, for
+ curiosities.
+
+ FANNIE METCALF,
+ 61 Vernon St., Lowell, Mass.
+
+ * * * * *
+
+[_For other exchanges, see third page of cover._]
+
+ * * * * *
+
+At the request of a correspondent we publish this sensible extract from
+an exchange, in the hope that our young people will follow its excellent
+advice:
+
+THE FACE.
+
+It is a mistake to believe that a good complexion depends upon the use
+of such and such cosmetics. It really depends upon digestion, which
+itself depends upon our mode of life. Persons who rise early and go to
+bed regularly at ten, who take plenty of air and exercise, eat with
+moderation at regular hours, having their meals at intervals long enough
+for the digestion of one to be thoroughly accomplished before they begin
+the next--these persons are sure to digest well, and in consequence have
+clear, healthy complexions, which will require no other cosmetics but
+plenty of soft water and good toilet soap. The hygiene of the eyes is
+very simple. For them, as well as for the complexion, good digestion is
+equally necessary; more so, for no cosmetic could remove the yellow
+tinge which biliousness imparts to them, and if some mysterious pencils
+can supply the insufficient shadow of rare eyelashes, good health alone
+can give them that brightness which is their principal beauty. Never
+read in bed or in a reclining attitude; it provokes a tension of the
+optic nerve very fatiguing to the eyesight. Bathe your eyes daily in
+salt water; not salt enough, though, to cause a smarting sensation.
+Nothing is more strengthening; and we have known several persons who,
+after using this simple tonic for a few weeks, had put aside the
+spectacles they had used for years, and did not resume them, continuing,
+of course, the oft-repeated daily use of salt water. Never force your
+eyesight to read or work in insufficient or too glaring light. Reading
+with the sun upon one's book is mortally injurious to the eyes.
+
+ * * * * *
+
+E. L. Douglas, Whitby, Ontario, Canada, wishes the address of the person
+who sent him a box containing coral, and marked K. M. S.
+
+ * * * * *
+
+J. H. C.--By Chinese stamps are meant Hong-Kong stamps issued by the
+British government.
+
+ * * * * *
+
+C. E. C. Diffenderfer withdraws from the exchange list.
+
+ * * * * *
+
+WROTON M. KENNEY.--There is no better book for the reading of an
+intelligent lad who wants to know how his country is governed than
+_Politics for Young Americans_, by Charles Nordhoff, published by Harper
+& Brothers. The price is 75 cents.
+
+ * * * * *
+
+JENNIE AND JULIA.--It is difficult to assign you subjects for
+compositions when we do not know your grade of advancement. If you wish
+to excel, read good books, choose easy topics, about which you know
+something, and write as though you were telling a story to a child or
+talking to your friends.
+
+ * * * * *
+
+Correct answers to puzzles have been received from "Parton," Theresa
+Morro, C. Burr, Alfred R. Meeker, "North Star," "_Unknown_," Flora A.,
+"Dandy," "Lodestar," Annie Gail, Wroton M. Kenney, G. Volckhausen,
+"Venus," Abel Foster, "Jersey City," William Wolff, Jessie Newton, J. H.
+Jenny.
+
+ * * * * *
+
+PUZZLES FROM YOUNG CONTRIBUTORS.
+
+No. 1.
+
+PYRAMID.
+
+Across.--1. A letter. 2. Jurisprudence. 3. Surfeited. 4. That which
+fades from view.
+
+Down.--1. A letter. 2. A prefix. 3. A resinous substance. 4. Tardy. 5.
+To harry. 6. A prefix. 7. A letter.
+
+ AEROLITE.
+
+ * * * * *
+
+No. 2.
+
+NUMERICAL ENIGMA.--(_To North Star_).
+
+ My 2, 3, 5, 6 is a cobbler's tool.
+ My 1, 7, 8, 9 is a past participle.
+ My 6, 9, 4 is a boy's nickname.
+ My whole is an English statesman.
+
+ LODESTAR.
+
+ * * * * *
+
+No. 3.
+
+GEOGRAPHICAL WORD SQUARE.
+
+A noted city in Arabia. A gulf east of Africa. A river in Russia. A
+country in Asia.
+
+ WROTON M. KENNEY.
+
+ * * * * *
+
+No. 4.
+
+ENIGMA.
+
+ In apple, not in cherry.
+ In joyful, not in merry.
+ In riddle, not in guess.
+ In mixture, not in mess.
+ In pleasure, not in pain.
+ In miller, not in grain.
+ In Harper's, not in YOUNG PEOPLE.
+ In church, but not in steeple.
+ In garden, not in bower.
+ My whole's a sweet and modest flower.
+
+ M. L. EDGERLEY.
+
+ * * * * *
+
+ANSWERS TO PUZZLES IN No. 93.
+
+No. 1.
+
+Arm-chair.
+
+No, 2.
+
+ B
+ F I D
+ F A C E S
+ B I C Y C L E
+ D E C A Y
+ S L Y
+ E
+
+No. 3.
+
+Freight-car.
+
+No. 4.
+
+Vanderbilt.
+
+No. 5.
+
+ W Y O M I N G
+ S A O N E
+ I N N
+ T
+ T A R
+ S I N A I
+ Y U C A T A N
+
+ * * * * *
+
+A personation, on page 656.--Tooth.
+
+
+
+
+[Illustration: BLACKBERRIES.]
+
+
+
+
+A (RIVER IN IDAHO) STORY.
+
+BY C. E. M.
+
+
+One fine day a friend of mine named--(two towns in Maine) suggested to
+me that we should take advantage of the--(mountain in Alaska) by going
+to drive.
+
+We trotted slowly past the--(town in Kentucky), where an exciting game
+of--(town in Wisconsin) was going on, and after passing through
+the--(town in Vermont) of the town, were soon enjoying the refreshing
+coolness of the woods.
+
+Suddenly the horse gave a--(point on the coast of England), and (city in
+West Virginia) in the narrow road, bordered by high--(strait in British
+America), the carriage overturned, and we were both thrown out.
+
+Fortunately this did not prove a serious--(cape in Australia), for we
+were but slightly bruised, and the horse made no attempt to run.
+
+On looking about to discover a--(bay in Ireland) to our steed's fright,
+strange enough in such an unfrequented (lake in Canada) spot, I suddenly
+perceived in the middle of the road a large--(sea of Europe) (river in
+Idaho), with (sea of Asia) spots.
+
+While--(town in Maine) was trying to right the buggy, I cautiously
+advanced, and seizing a--(city in Arkansas), hurled it with all my force
+at the (river in Idaho).
+
+My aim did not prove--(bay in Africa), and the animal's head was smashed
+to--(river in Australia).
+
+"(City in Arizona), (city in North Carolina)!" cried my friend.
+"Hereafter, in any such--(bay in Australia), I shall rely on you
+to--(river in Austria) me."
+
+The coast being now once more--(cape in Ireland), we finished our drive
+in--(river in British America), without further excitement than that
+caused by a--(cape in Newfoundland) with a team which tried to pass us.
+
+I for one was heartily glad to come in sight of the--(city in Germany)
+of our little town; and after a joyful--(island in the Indian Ocean)
+with my family, was quite ready to say--(cape in Greenland) to--(town in
+Maine), notwithstanding his--(cape in Washington Territory) on the
+subject of my bravery.
+
+
+
+
+THE PEA-NUT.
+
+
+The pea-nut is the fruit of a plant common in warm countries. It is
+sometimes called the ground-pea and ground or earth nut, and in the
+Southern States the goober or goober-nut. Still another name for it is
+pindal or pindar, and in Western Africa it is called mandubi. The plant
+is a trailing vine, with small yellow flowers. After the flowers fall,
+the flower stem grows longer, bends downward, and the pod on the end
+forces itself into the ground, where it ripens.
+
+Pea-nuts are raised in immense quantities on the west coast of Africa,
+in South America, and in the Southern United States. The vines are dug
+with pronged hoes or forks, dried for a few days, and then stacked for
+two weeks to cure. The pods are picked by hand from the vines, cleaned
+in a fanning mill, and sometimes bleached with sulphur, and packed in
+bags for market. Pea-nuts are sometimes eaten raw, but usually roasted
+or baked. In Africa and South America they form one of the chief
+articles of food. Large quantities of them are made into an oil much
+like olive-oil, and which is used in the same way. It is also used in
+the manufacture of soap. A bushel of pea-nuts, when pressed cold, will
+make a gallon of oil. If heat is used, more oil is made, but it is not
+so good. In Spain, pea-nuts are ground and mixed with chocolate. Pea-nut
+vines make good food for cattle.
+
+The pea-nut gets its name from the shape of its pod, which is like that
+of the pea.--_Young Folks' Cyclopędia_.
+
+
+
+
+[Illustration: MR. PIG. "Humph! now I can take a little rest."]
+
+
+
+
+
+End of Project Gutenberg's Harper's Young People, August 30, 1881, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, AUG 30, 1881 ***
+
+***** This file should be named 49046-8.txt or 49046-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/4/9/0/4/49046/
+
+Produced by Annie R. McGuire
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+
+
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/old/49046-8.zip b/old/49046-8.zip
new file mode 100644
index 0000000..3c4ed89
--- /dev/null
+++ b/old/49046-8.zip
Binary files differ
diff --git a/old/49046-h.zip b/old/49046-h.zip
new file mode 100644
index 0000000..15845a0
--- /dev/null
+++ b/old/49046-h.zip
Binary files differ
diff --git a/old/49046-h/49046-h.htm b/old/49046-h/49046-h.htm
new file mode 100644
index 0000000..fc8ed6f
--- /dev/null
+++ b/old/49046-h/49046-h.htm
@@ -0,0 +1,3063 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Harper's Young People, August 30, 1881, by Various.
+ </title>
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .51em;
+ text-align: justify;
+ margin-bottom: .49em;
+}
+
+.p2 {margin-top: 2em;}
+.p4 {margin-top: 4em;}
+.p6 {margin-top: 6em;}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+}
+
+hr.tb {width: 45%;}
+hr.chap {width: 65%}
+hr.full {width: 95%;}
+
+table {
+ margin-left: auto;
+ margin-right: auto;
+}
+
+.pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+} /* page numbers */
+
+.blockquot {
+ margin-left: 5%;
+ margin-right: 10%;
+}
+
+.center {text-align: center;}
+
+.right {text-align: right;}
+
+.smcap {font-variant: small-caps;}
+
+.caption {font-weight: bold;}
+
+/* Images */
+.figcenter {
+ margin: auto;
+ text-align: center;
+}
+
+.figleft {
+ float: left;
+ clear: left;
+ margin-left: 0;
+ margin-bottom: 1em;
+ margin-top: 1em;
+ margin-right: 1em;
+ padding: 0;
+ text-align: center;
+}
+
+.figright {
+ float: right;
+ clear: right;
+ margin-left: 1em;
+ margin-bottom:
+ 1em;
+ margin-top: 1em;
+ margin-right: 0;
+ padding: 0;
+ text-align: center;
+}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's Harper's Young People, August 30, 1881, by Various
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+Title: Harper's Young People, August 30, 1881
+ An Illustrated Weekly
+
+Author: Various
+
+Release Date: May 25, 2015 [EBook #49046]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, AUG 30, 1881 ***
+
+
+
+
+Produced by Annie R. McGuire
+
+
+
+
+
+</pre>
+
+
+<div class="center">
+<table border="0" cellpadding="0" cellspacing="0" summary="">
+<tr><td align="left"><a href="#THE_OLD_GUN">THE OLD GUN.</a></td></tr>
+<tr><td align="left"><a href="#COMPENSATION">COMPENSATION.</a></td></tr>
+<tr><td align="left"><a href="#AN_ANCIENT_TRAVELLER">AN ANCIENT TRAVELLER.</a></td></tr>
+<tr><td align="left"><a href="#FROG-CATCHING">FROG-CATCHING.</a></td></tr>
+<tr><td align="left"><a href="#TIM_AND_TIP">TIM AND TIP.</a></td></tr>
+<tr><td align="left"><a href="#PHILS_BURGLAR">PHIL'S BURGLAR.</a></td></tr>
+<tr><td align="left"><a href="#GOOD-NIGHT">GOOD-NIGHT.</a></td></tr>
+<tr><td align="left"><a href="#SEEING_THE_BIG_WORLD">SEEING THE BIG WORLD.</a></td></tr>
+<tr><td align="left"><a href="#PENELOPE">PENELOPE.</a></td></tr>
+<tr><td align="left"><a href="#OUR_POST_OFFICE_BOX">OUR POST-OFFICE BOX.</a></td></tr>
+<tr><td align="left"><a href="#A_RIVER_IN_IDAHO_STORY">A (RIVER IN IDAHO) STORY.</a></td></tr>
+<tr><td align="left"><a href="#THE_PEA-NUT">THE PEA-NUT.</a></td></tr>
+</table></div>
+
+<p><span class="pagenum"><a name="Page_689" id="Page_689">[Pg 689]</a></span></p>
+
+<div class="figcenter" style="width: 800px;">
+<img src="images/ill_001.jpg" width="800" height="312" alt="HARPER'S YOUNG PEOPLE" />
+</div>
+
+<hr class="full" />
+
+<div class="center">
+<table border="0" cellpadding="4" cellspacing="0" width="100%" summary="">
+<tr><td align="left"><span class="smcap">Vol</span>. II.&mdash;<span class="smcap">No</span>. 96.</td><td align="center"><span class="smcap">Published by</span> HARPER &amp; BROTHERS, <span class="smcap">New York</span>.</td><td align="right"><span class="smcap">price four cents</span>.</td></tr>
+<tr><td align="left">Tuesday, August 30, 1881.</td><td align="center">Copyright, 1881, by <span class="smcap">Harper &amp; Brothers</span>.</td><td align="right">$1.50 per Year, in Advance.</td></tr>
+</table></div>
+
+<hr class="full" />
+
+<div class="figcenter" style="width: 700px;"><a name="THE_OLD_GUN" id="THE_OLD_GUN"></a>
+<img src="images/ill_002.jpg" width="700" height="691" alt="" />
+</div>
+
+<h2>THE OLD GUN.</h2>
+
+<p>
+<span style="margin-left: 16em;">'Mid the smoke and the heat of battle,</span><br />
+<span style="margin-left: 17em;">Where men fought for wrong or right,</span><br />
+<span style="margin-left: 16em;">'Mid the clash and the roar and the rattle,</span><br />
+<span style="margin-left: 17em;">Where fiercest raged the fight,</span><br />
+<span style="margin-left: 18em;">Stood the old gun,</span><br />
+<span style="margin-left: 16em;">Hurling his bolts of thunder</span><br />
+<span style="margin-left: 17em;">Into the ranks of those</span><br />
+<span style="margin-left: 16em;">Who dared to brave his anger,</span><br />
+<span style="margin-left: 17em;">Who dared to be his foes,</span><br />
+<span style="margin-left: 18em;">Dared face the gun.</span><br />
+<br />
+<span style="margin-left: 16em;">'Mid the daisies and clover growing</span><br />
+<span style="margin-left: 17em;">On that long-ago battle plain,</span><br />
+<span style="margin-left: 16em;">Kissed by the soft winds, blowing</span><br />
+<span style="margin-left: 17em;">Over the graves of the slain,</span><br />
+<span style="margin-left: 18em;">Lies the old gun.</span><br />
+<span style="margin-left: 16em;">Around him frolic the children,</span><br />
+<span style="margin-left: 17em;">Noisy with innocent glee,</span><br />
+<span style="margin-left: 16em;">But silent and still he lies there,</span><br />
+<span style="margin-left: 17em;">Who helped make a nation free,</span><br />
+<span style="margin-left: 18em;">Asleep in the sun.</span><br />
+</p>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_690" id="Page_690">[Pg 690]</a></span></p>
+
+<h2><a name="COMPENSATION" id="COMPENSATION">COMPENSATION.</a></h2>
+
+<h3>BY GEORGE COOPER.</h3>
+
+<p>
+<span style="margin-left: 19em;">For every leaf of green,</span><br />
+<span style="margin-left: 20em;">A golden leaf;</span><br />
+<span style="margin-left: 19em;">For every fading flower,</span><br />
+<span style="margin-left: 20em;">A ripened sheaf.</span><br />
+<span style="margin-left: 19em;">For every parching beam,</span><br />
+<span style="margin-left: 20em;">A drop of rain;</span><br />
+<span style="margin-left: 19em;">For every sunny day,</span><br />
+<span style="margin-left: 20em;">The stars again.</span><br />
+<br />
+<span style="margin-left: 19em;">For every warring wave,</span><br />
+<span style="margin-left: 20em;">A pretty shell;</span><br />
+<span style="margin-left: 19em;">For every sound of woe,</span><br />
+<span style="margin-left: 20em;">A joyous bell.</span><br />
+<span style="margin-left: 19em;">For every passing care,</span><br />
+<span style="margin-left: 20em;">A mother's kiss:</span><br />
+<span style="margin-left: 19em;">And what could better be,</span><br />
+<span style="margin-left: 20em;">Dear child, than this?</span><br />
+</p>
+
+<hr class="chap" />
+
+<h2><a name="AN_ANCIENT_TRAVELLER" id="AN_ANCIENT_TRAVELLER">AN ANCIENT TRAVELLER.</a></h2>
+
+<h3>BY ELLA RODMAN CHURCH.</h3>
+
+<p>The oldest book of travels in Asia that has been preserved was written
+by Marco Polo, an Italian, who was born nearly two hundred and fifty
+years before his famous countryman Christopher Columbus discovered
+America.</p>
+
+<p>The father and uncle of Marco, who were merchants in Venice, had already
+been to China, then called Cathay, and spent some years at the court of
+the Emperor Khubla Khan, who became their warm friend. On their return
+to Venice they had many wonderful stories to tell of the mysterious
+country they had explored, and the strange sights and adventures they
+had met with; and two years afterward they started again on their
+travels, with letters and presents for the Chinese monarch from Pope
+Gregory X. Marco, then a young man of twenty, went with them on this
+journey.</p>
+
+<p>They travelled over land and water and desert, and had many hardships
+and dangers to encounter; but finally they reached the city of Cambalu
+(which was discovered in the seventeenth century to be Pekin), after a
+journey of <i>four years</i>! When the Khan heard that they were coming, he
+sent people to meet them a month and a half before they arrived, and
+directed that they should be received with every possible honor.</p>
+
+<p>At last they reached the royal city, and were conducted at once to the
+Khan, before whom they prostrated themselves, after the fashion of the
+country; then they were invited to a magnificent banquet. The throne,
+which stood on a platform at the head of the long table, sparkled and
+glittered with precious gems; and on this was seated the monarch of
+Cathay, sparkling and glittering likewise in his festal robes, with his
+four wives around him, and a long string of attendants for each of the
+ladies.</p>
+
+<p>Everybody who was considered to be in good society in Cambalu was
+present at this feast of welcome to the returned travellers; and jewels,
+and plumes, and gold, and precious stones, and brilliant colors, and
+beautiful faces were mingled together in bewildering confusion. After
+the company had left the table, jugglers and acrobats and musicians were
+brought in to entertain them; and very likely the tired strangers were
+glad enough when it was all over, and they could retire in peace to the
+splendid palace that had been arranged with every imaginable luxury, and
+hosts of servants to wait upon them and do their bidding.</p>
+
+<p>The next day they presented the generous monarch with the Pope's letter,
+and a small bottle filled with the oil used for the silver lamps in the
+chapel of the Holy Sepulchre at Jerusalem. The Khan saw, from the
+reverent manner of the travellers, that this oil must possess rare
+virtues, and he received it with much gratitude. He was an intelligent
+man, and he asked many questions about their journey, and about matters
+and things in Europe, the Polos having become well acquainted with the
+Mongol language during their former stay, so that they could talk
+without an interpreter. His Royal Highness was particularly pleased with
+Marco, and said that he would give him an important position at once in
+his household.</p>
+
+<p>The young man immediately began to study the language, laws, and customs
+of this strange country, that he might be able to perform the duties of
+his office, and the Khan soon had such confidence in him that he sent
+him on affairs of importance all over the empire.</p>
+
+<p>It was in this way that Marco Polo learned so much about Cathay, and the
+book of travels which he wrote was read for a long time with the
+greatest interest. Now it is looked upon as an ancient relic; and the
+pictures are particularly funny. In one of them is a representation of
+the Khan in a portable room carried on the backs of four elephants,
+which are shaped very much like pigs, and have gorgeous rosettes on
+their backs, supposed to be intended for saddles. A crowd of people gaze
+with awe upon their sovereign as he is borne triumphantly along in this
+very novel manner, the front side of the room being open, so that all
+can see him.</p>
+
+<p>Another picture, which is intended for an elephant hunt, represents the
+elephants shorter than the horses on which the hunters ride and shoot at
+them with bows and arrows&mdash;as though elephants would mind <i>that</i>!&mdash;while
+the trees seem to be growing on the elephants' backs.</p>
+
+<p>Khubla Khan was at war with the sovereigns of the provinces south of his
+kingdom, and his friends the Polos were of great use to him by showing
+him how to make and use the European machines, called catapults, for
+hurling immense stones against the walls and towers of besieged cities.
+These were highly thought of before the invention of artillery.</p>
+
+<p>The monarch was very much delighted, and as soon as the machines were
+ready he sent the learned Venetians to head a fresh attack upon the
+important city of Sa-yan-fu. The banner of Khubla Khan was soon waving
+above the crushed walls, and the Polos were liberally rewarded with
+wealth and honors. Marco, who was the Khan's especial favorite, was made
+a noble of the empire, with a more magnificent palace and a larger
+retinue than ever.</p>
+
+<p>After spending seventeen years of this exciting life, the Polos longed
+to see their native city again; but the monarch, who was now an old man,
+would not consent to part with them. Fortunately, however, for the
+homesick visitors, the Khan's granddaughter was to marry the King of
+Persia, and started on her journey to that country; but after travelling
+for eight months, the Princess and her attendants found that many of the
+provinces through which they had to pass were at war, and they turned
+back to Cambalu.</p>
+
+<p>The Polos, seizing this opportunity of escape, promised to convey the
+bridal party safely by sea; and the Khan agreed to let them go, on
+condition of their returning to him again after a short visit home.
+Among the monarch's parting gifts were caskets of magnificent rubies and
+other precious gems.</p>
+
+<p>It was eighteen months before they reached Ormuz, and during that time
+two or three of the envoys and six hundred of the Princess's attendants
+had died. The Persian bridegroom was dead also, and so was the monarch
+of Cathay, Khubla Khan.</p>
+
+<p>The Polos now were freed from their promise to return; and after staying
+nine months in Persia&mdash;for they liked to explore every place at which
+they stopped&mdash;they started on their long journey to Venice. They arrived
+there in safety, after an absence of twenty-four years; and at first<span class="pagenum"><a name="Page_691" id="Page_691">[Pg 691]</a></span> no
+one would believe that these outlandish-looking travellers were the real
+Polos. But they soon proved their identity, and became known far and
+wide as the most wonderful travellers of the time.</p>
+
+<p>Marco was a prisoner in Genoa for four years, after a battle with the
+Genoese, and he amused himself during this dreary period by writing an
+account of his travels and his life at the court of the Khan.</p>
+
+<hr class="chap" />
+<h2><a name="FROG-CATCHING" id="FROG-CATCHING">FROG-CATCHING.</a></h2>
+
+<h3>BY A.&nbsp;W. ROBERTS.</h3>
+
+<p>When a man dwelling in the Drowned Lands of Canonoque, Canada, is
+capable of accumulating a small fortune by catching frogs for the New
+York market, surely some of our young people who are now spending their
+vacations near the shores of our lakes, rivers, and ponds ought also to
+make considerable pocket-money, if not as large a fortune as that of Pat
+Bowman, of the Drowned Lands, who follows up the frogs from early spring
+until late in the fall.</p>
+
+<p>It is not only the pocket-money that is to be picked up, but while on
+the frog-hunts many lessons are to be learned in aquatic natural
+history. Then there is the fun of the thing. It's fun to get sunburned,
+and have a brand-new skin at the end of a week to attend church in. It's
+fun to step into a bumble-bees' nest, and have the bees chase you until
+you are only too glad to take refuge in the water, where they can't find
+you out. And it's fun to break through a musk-rat or turtle run, and to
+have your companions pull you out covered with black peat; then come the
+washing out of your clothes, and hanging them in the sun to dry; and
+while they are drying, then the sand-flies and mosquitoes come swarming
+about you in clouds, until in sheer desperation you conclude to do as
+the cows do&mdash;stand in the water and splash. And after you have stood in
+the water a few minutes, you find the horse-leeches and boat-flies have
+discovered you have legs, and are having a feast on them. By this time
+your clothing is dry. All this sort of experience was fun to me when I
+was a boy, and I often sigh for those happy days to return.</p>
+
+<p>At the age of thirteen I became a frog-catcher. I discovered there was a
+demand in Fulton and Washington markets for frogs' legs, and that the
+price paid for them, as they ran, large and small (not very, very
+small), was one dollar and a half per hundred. But here was the trouble:
+how could I manage to keep the frogs alive and healthy until I had one
+hundred of them ready for market? At last I hit upon a plan, which was
+no less than to construct a pond in our then very large garden, and
+plant it with pond-lilies, sweet-flag, and cat-tails; in fact, to make
+it as picturesque as possible. To have the pond hold water, the bottom
+and sides were lined with clay to the depth of half a foot. To fill the
+pond we made a series of wooden gutters that connected with the garden
+pump. Every night we pumped and pumped, until we thought the old pump
+would surely go dry.</p>
+
+<p>In our house lived a blind sea-captain; he was a bright, kind-hearted,
+good-natured old gentleman. He could navigate all over our large garden
+without tramping down the smallest radish, and as for thinning out
+carrots and beets, he could do it beautifully; he knew every weed by
+touch and smell. He was just as good as good could be, and all we boys
+thought the world of him, and he thought we were the best boys ever
+born. Now the captain liked everything in nature that had a voice, such
+as birds, crickets, locusts, katydids, and tree-toads, with which we
+kept the garden well supplied, so that at night there was nearly a full
+orchestra of nature's musicians. On bass, basso, and basso-profundo we
+were short, but knew full well that as soon as the intended inhabitants
+for the pond were secured, those voices of the night would be
+forthcoming.</p>
+
+<p>The first frogs we captured were taken with a scap-net toward evening,
+when they drew near the shore to feed, and to secure them we tied them
+by their hind-legs to a string. One evening we discovered a frog by his
+voice, which was that of a pure basso-profundo, and in strength that of
+three bull-calves in one. His home was in a small ditch of water, which,
+the minute approached, he would plunge into, and was lost to sight. By
+the great splash he made we knew that he must be a monster of a
+bull-frog. Night after night we tried to capture him, but failed. At
+last we determined to devote one entire Saturday to his capture.</p>
+
+<p>There was one particular spot on the side of the ditch where he always
+sat when taking a sun-bath, but the minute he caught sight of us, in he
+would plunge, and disappear for an hour's time. At first we imagined he
+dived down into the deep mud bottom, and remained there until he thought
+all was quiet, or that we were gone away.</p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/ill_003.jpg" width="500" height="285" alt="" />
+<span class="caption">DIGGING OUT THE BIG FROG.</span>
+</div>
+
+<p>At last, by mere accident, we discovered his secret hiding-place to be a
+musk-rat hole, the entrance of which connected directly with the water
+of the ditch, so that all he had to do was to make a strong and long
+dive for the musk-rat hole, and he was safe every time. The only way
+left was to secure the entrance to the hole with a net, and then to go
+after him with spades and shovels and dig him out; which we did, and
+wasn't he a beauty? He weighed over a pound, and must have been seven or
+eight years old. After being in the pond a week, one bright moonlight
+night he condescended to join in with the other musicians.</p>
+
+<p>We greatly increased the power of our orchestra by adding twenty-five
+common toads, which in the breeding season frequent the water, and are
+very noisy, and also one hundred of the shrill-piping Hylodes, or
+tree-toads, and two screech-owls, which were kept in separate cages at
+different parts of the garden, so that all night long they were calling
+to one another.</p>
+
+<p>At the end of every two weeks one of the four members of the "Great Long
+Island Frog Company" took to market from two hundred to two hundred and
+fifty live frogs, for which was received a dollar and a half per
+hundred. In course of time sufficient capital was accumulated to
+purchase four hundred breeding gold-fish with which to stock the pond,
+so that on the second year we were marketing live frogs and gold-fish.
+All this happened many years ago, but the traffic in bull-frogs and
+bull-frogs' legs has been growing steadily, until it has attained
+wonderful proportions, as the following statements will show:</p>
+
+<p>It is estimated by good judges that no less than fifteen hundred-weight
+of frogs' legs are sent to the New York market every year. New York
+State, New Hampshire, Maine, Pennsylvania, and the Canadas are the
+principal sources of supply. There is one dealer who has agents catching
+and purchasing frogs in all the above-named places.</p>
+
+<p>Frog-catching begins early in the spring, and lasts until late in the
+fall. The frogs are caught without bait, all the tackle used being a rod
+or pole cut in the woods, to which is fastened a short and stout line.
+On the end of the line is fastened a broad stout hook. When a frog is
+discovered, the "froggist" drops the hook under the jaw of the frog, and
+with a quick jerk Mr. Frog flies up into the air, and is taken from off
+the hook, and placed in a bag. The frogs think the hook is alive, and
+snatch at it eagerly. Sometimes a frog, when the hook tickles his nose
+or passes over one of his ears, will lose his temper, and make a
+terrible lunge at it. I have seen old frogs lose their tempers entirely,
+so that the minute they caught<span class="pagenum"><a name="Page_692" id="Page_692">[Pg 692]</a></span> sight of the end of the pole they would
+jump clear out of the water, and bite at it fiercely. A frog will never
+bite at anything when under water, as he is afraid to open his large
+mouth from fear of drowning. A frog kept entirely in the water, with
+nothing to rest on, will in course of time drown. When the hook is
+ornamented with a piece of red flannel, the frogs will jump for it
+several feet. Frogs bite best on warm, sunny days. When fishing for
+frogs at night, a reflector or bull's-eye is fastened at the bow of the
+boat. The bright light seems to daze the frogs to an extent that admits
+of their easy capture.</p>
+
+<p>The frogs, when caught, are placed in cages made of laths or slats; the
+cages are about five feet long by four feet wide, and one foot in
+height. These cages are placed half in the water and half on land; the
+bottoms of the cages having a slight inclination, to allow the frogs to
+leave the water when so disposed. After being caged for a few days, they
+will begin to take food. Their favorite food is young frogs, small live
+fish, insects, mice, and angle-worms. All of these must have life and
+motion, or the frogs will not eat them. Many attempts have been made to
+breed frogs artificially, but so far all have failed. The principal
+trouble seems to be the difficulty of obtaining natural food in
+sufficient quantities to prevent the old frogs from devouring their
+young, which they will do on all occasions. Again, the young frog, from
+the tadpole stage up to the perfect frog, is surrounded by enemies night
+and day&mdash;aquatic birds, turtles, lizards, snakes, leeches, insects,
+fish, water-rats, and, worst of all, his own relations. A female frog at
+five years of age will produce over a thousand eggs every year. Out of
+the thousand eggs not more than twenty-five ever attain over two years'
+growth, so constant is the warfare of their enemies.</p>
+
+<div class="figleft" style="width: 300px;">
+<img src="images/ill_004.jpg" width="300" height="258" alt="" />
+</div>
+
+<p>There are two ways of preparing the frogs' legs for market. One is known
+as the Canadian style (see figure), which consists of leaving part of
+the back of the frog attached to the legs; this is done to make weight.
+The other is the Philadelphia style, wherein the legs are cut off close
+to the end of the back, or spine, after the legs have been skinned. In
+the figure the dotted line A A shows the Philadelphia style, which
+always brings the highest price. The legs are packed in half-barrels
+between layers of crushed ice, and will average from fifty to
+seventy-five pounds to the half-barrel. The prices paid for frogs' legs
+vary from twenty to sixty cents per pound, which is governed by the
+season of the year, the demand, and the supply. At the leading
+hotels&mdash;Delmonico's, for instance&mdash;seventy-five cents is the regular
+price per plate for cooked frogs' legs all the year round.</p>
+
+<p>The method of cooking the legs is as follows. After the legs have been
+thoroughly washed, they are dried in a towel; they are then dipped in
+beaten eggs, and rolled in powdered cracker, after which they are fried
+in very hot lard or butter until slightly brown, and are served up with
+fine herbs and mushrooms stewed in butter.</p>
+
+<p>Now it seems to me, as I said before, that the boys have a chance to
+make considerable pocket-money on frogs' legs. If I was still a boy, I
+would enter into an agreement with two or three of the largest and
+best-paying hotels to supply them with legs, fresh caught (remember,
+that's a big advantage you would have over the New York market), at just
+a few cents per pound below the prevailing market prices during the
+season. There is no reason, when you are out frogging, why you should
+not capture a few trout also.</p>
+
+<hr class="chap" />
+
+<div class="figcenter" style="width: 380px;">
+<img src="images/ill_005.jpg" width="380" height="500" alt="" />
+<span class="caption">THE BOOT-BLACK'S SHOWER-BATH.</span>
+</div>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_693" id="Page_693">[Pg 693]</a></span></p>
+
+<h4><a name="TIM_AND_TIP" id="TIM_AND_TIP">[Begun in No. 92 of <span class="smcap">Harper's Young People</span>, August 2.]</a></h4>
+
+<h2>TIM AND TIP;</h2>
+
+<h3>OR, THE ADVENTURES OF A BOY AND A DOG.</h3>
+
+<h3>BY JAMES OTIS,</h3>
+
+<p class="center">AUTHOR OF "TOBY TYLER," ETC.</p>
+
+<h3><span class="smcap">Chapter V</span>.</h3>
+
+<h3>LIFE ON BOARD THE "PRIDE OF THE WAVE."</h3>
+
+<p>When Tim first went on board the steamer which was to be his home, he
+thought, from the beautiful things he saw around, that he should live in
+a luxurious manner; but when he was shown the place in which he was to
+sleep, he learned that the fine things were for the passengers only, and
+that even comfort had been sacrificed in the quarters belonging to the
+crew.</p>
+
+<p>He was given a berth in the forecastle, which was anything rather than a
+pleasant or even a sweet-smelling place, and had it not been that he had
+the satisfaction of having Tip with him when he went to bed, he would
+have cried even harder and longer than he did.</p>
+
+<p>Captain Pratt had not made his appearance on the steamer that day; but
+the steward had told him that his duties as Captain's boy would begin
+next morning at breakfast, when he would be expected to wait upon the
+Captain at the table. The last thing Tim thought of that night was how
+he should acquit himself in what he felt would be a trying position, and
+the first thing which came into his mind when he awoke on the following
+morning was whether he should succeed in pleasing his employer or not.</p>
+
+<p>After kissing Tip over and over again, and with many requests to him to
+be a good dog and not make a noise, Tim tied his pet in his narrow
+quarters, and then made his own toilet. He really made a good appearance
+when he presented himself to Mr. Rankin, the steward, that morning. His
+cheeks were rosy from a vigorous application of cold water and a brisk
+rubbing, and if he could rely upon his personal appearance for pleasing
+Captain Pratt, there seemed every chance that he would succeed.</p>
+
+<p>During the time he had been at work the day before, Mr. Rankin took
+every opportunity to instruct him in his new duties, and that morning
+the steward gave him another lesson.</p>
+
+<p>It was barely finished when Captain Pratt came into the cabin, and one
+look at him made Tim so nervous that he forgot nearly everything he had
+been told to remember.</p>
+
+<p>The Captain's eyes were red, his hands trembled, while he had every
+symptom of a man who had been drinking hard the day before, and was not
+perfectly sober then.</p>
+
+<p>Tim had never had any experience with drinking men; but he did not need
+any explanation as to the causes of the Captain's appearance, and he
+involuntarily ducked his head when his employer passed him.</p>
+
+<p>"Now, then, what are you skulking there for, you young rascal?" shouted
+Captain Pratt, as he fell rather than seated himself in his chair.</p>
+
+<p>"I ain't skulkin', sir," replied Tim, meekly.</p>
+
+<p>"Don't you answer me back," cried the Captain, in a rage, seizing the
+milk pitcher as if he intended to throw it at the boy. "If you talk back
+to me, I'll show you what a rope's end means."</p>
+
+<p>Tim actually trembled with fear, and kept a bright lookout, so that he
+might be ready to dodge in case the pitcher should be thrown, but did
+not venture to say a word.</p>
+
+<p>"Now bring me my breakfast, and let's see if you amount to anything, or
+if I only picked up a bit of waste timber when I got you."</p>
+
+<p>"What will you have, sir?" asked Tim, timidly, as he moved toward the
+Captain's chair.</p>
+
+<p>A blow on the side of his head that sent him reeling half way across the
+cabin served as a reply, and it was followed by a volley of oaths that
+frightened him.'</p>
+
+<p>"What do you mean by asking me what I'll have before you tell me what is
+ready? Next time you try to wait upon a gentleman, tell him what there
+is. Bring me some soda-water first."</p>
+
+<p>This was an order that had not been provided for in the lessons given by
+Mr. Rankin, and Tim stood perfectly still, in frightened ignorance.</p>
+
+<p>"Come, step lively, or I'll get up and show you how," roared the
+Captain, his face flushing to a deeper red, as his rage rose to the
+point of cruelty.</p>
+
+<p>"Please, sir, I don't know where it is;" and Tim's voice sounded very
+timid and piteous.</p>
+
+<p>"Don't know where it is, and been on board since yesterday! What do you
+suppose I hired you for? Take that, and that."</p>
+
+<p><span class="pagenum"><a name="Page_694" id="Page_694">[Pg 694]</a></span></p><div class="figright" style="width: 400px;">
+<img src="images/ill_006.jpg" width="400" height="372" alt="" />
+<span class="caption">CAPTAIN PRATT ORDERS HIS BREAKFAST.</span>
+</div>
+
+<p>Suiting the action to the words, the cheerful-tempered man threw first a
+knife and then a fork at the shrinking boy, and was about to follow them
+with a plate, when Mr. Rankin put into Tim's hand the desired liquid.</p>
+
+<p>Tim would rather have gone almost anywhere else than close to his
+employer just then; but the glass was in his hand, the Captain was
+waiting for it with a glare in his eye that boded no good if he delayed,
+and he placed it on the table.</p>
+
+<p>"Now what kind of a breakfast have you got?" shouted Captain Pratt, as
+he swallowed the liquid quickly.</p>
+
+<p>It was a surprise to himself that he could remember anything just then,
+but he did manage to repeat the names of the different dishes, and to
+take the Captain's order.</p>
+
+<p>Although he ran as swiftly as possible from the table to the kitchen,
+and was served there with all haste, he did not succeed in pleasing the
+angry man.</p>
+
+<p>"I want you to remember," said that worthy, with a scowl, "that I ain't
+in the habit of waiting for my meals. Another time, when you are so
+long, I shall give you a lesson you won't forget."</p>
+
+<p>Tim was placing the dishes of food on the table when the Captain spoke,
+and he was so startled by the angry words, when he thought he deserved
+pleasant ones, that he dropped a plate of potatoes.</p>
+
+<p>He sprang instantly to pick them up, but Captain Pratt was out of his
+chair before he could reach them, and with all his strength he kicked
+Tim again and again. Then, without taking any heed of the prostrate boy,
+who might have been seriously injured, he seated himself at the table in
+perfect unconcern.</p>
+
+<p>Mr. Rankin helped Tim on his feet, and finding that no bones were
+broken&mdash;which was remarkable, considering the force with which the blows
+had been given&mdash;advised him to go on deck, promising that he would serve
+the Captain.</p>
+
+<p>"But I propose that the boy shall stay here," roared the Captain. "Do
+you think I'm going to let him sneak off every time I try to teach him
+anything?"</p>
+
+<p>Tim struggled manfully to keep back the tears that would come in his
+eyes as he stood behind the Captain's chair, but they got the best of
+him, as did also the little quick sobs.</p>
+
+<p>The Captain appeared to grow more cheerful as he ate, and although he
+called upon Tim for several articles, he managed to get along without
+striking any more blows, contenting himself by abusing the poor boy with
+his tongue.</p>
+
+<p>It was a great relief to Tim when that meal was ended, and Mr. Rankin
+told him he could eat his own breakfast before clearing away the dishes.</p>
+
+<p>Tim had not the slightest desire for food then, but he did want some for
+Tip. Hastily gathering up the bones from Captain Pratt's plate, he ran
+with them to the bow, where Tip was straining and tugging at his rope as
+if he knew his master was having a hard time, and he wanted to be where
+he could help him.</p>
+
+<p>Tim placed the bones in front of Tip, and then kneeling down, he put his
+arms around the dog's neck as he poured out his woes in his ear, while
+Tip tried in every way to get at the tempting feast before him.</p>
+
+<p>"I'm the miserablest boy in the world, Tip, an' I don't know what's
+goin' to become of us. You don't know what a bad, ugly man Captain Pratt
+is, an' I don't believe I can stay here another day. But you think a
+good deal of me, don't you, Tip? an' you'd help me if you could,
+wouldn't you?"</p>
+
+<p>The dog had more sympathy with the bones just then than he had with his
+almost heart-broken master, and Tim, who dared not stay away too long
+from the cabin, was obliged to let him partake of the feast at last.</p>
+
+<p>When Tim returned from feeding the dog, Mr. Rankin said all he could to
+prevent him from becoming discouraged on the first day of service; but
+he concluded with these words: "I can't advise you to stay here any
+longer than you can help, for you ain't stout enough to bear what you'll
+have to take from the Captain. It'll be hard work to get off, for he
+always looks sharp after new boys, so they sha'n't run away; but when we
+get back here again, you'd better make up your mind to show your heels."</p>
+
+<p>These words frightened Tim almost as much as what the Captain had said
+to him, for he had never thought but that he could leave whenever he
+wanted to. Now he felt doubly wretched, for he realized that he was as
+much a captive as he had ever been when he lived with Captain Babbige,
+whose blows were not nearly as severe as this new master's.</p>
+
+<p>The <i>Pride of the Wave</i> made but two trips a week, and each one occupied
+about two days and a half. This second day after Tim had come on board
+was the time of her sailing, and everything was in such a state of
+confusion that no one had any time to notice the sad little boy, who ran
+forward to pet his dog whenever his work would permit of such loving
+act.</p>
+
+<p>Among his duties was that of answering the Captain's bell, and once,
+when he returned from a visit to Tip, Mr. Rankin told him, with evident
+fear, that it had been nearly five minutes since he was summoned to the
+wheel-house.</p>
+
+<p>While the steward was speaking, the bell rang again with an angry peal
+that told that the party at the other end was in anything but a pleasant
+mood. It did not take Tim many seconds to run to the wheel-house, and
+when he arrived there, breathless and in fear, Captain Pratt met him at
+the door.</p>
+
+<p>"So the lesson I gave you this morning wasn't enough, eh?" cried the
+angry man, as he seized Tim by the collar and actually lifted him from
+his feet. "I'll teach you to attend to business, and not try to come any
+odds over me."</p>
+
+<p>Captain Pratt had a stout piece of rope in one hand, and as he held Tim
+by the other, nearly choking him, he showered heavy blows upon the poor
+boy's back and legs, until his arm ached.</p>
+
+<p>"Now see if you will remember that!" he cried, as he released his hold
+on Tim's collar, and the poor child rolled upon the deck almost
+helpless.</p>
+
+<p>Tim had fallen because the hold on his neck had been so suddenly
+released, rather than on account of the beating; and when he struggled
+to his feet, smarting from the blows, the Captain said to him, "Now
+bring me a pitcher of ice-water, and see that you're back in five
+minutes, or you'll get the same dose over again."</p>
+
+<p>Tim limped away, his back and legs feeling as though they were on fire,
+and each inch of skin ached and smarted as it never had done from the
+worst whipping Captain Babbige or Aunt Betsey had favored him with. He
+entered the cabin with eyes swollen from unshed tears, and sobs choking
+his breath, but with such a sense of injury in his heart that he made no
+other sign of suffering.</p>
+
+<p>Mr. Rankin was too familiar with Captain Pratt's method of dealing with
+boys to be obliged to ask Tim any questions; but he said, as the boy got
+the water, "Try to keep a stiff upper lip, lad, and you'll come out all
+right."</p>
+
+<p>Tim could not trust himself to speak, for he knew he should cry if he
+did; and he carried the water to the wheel-house, going directly from
+there to Tip.</p>
+
+<p>The dog leaped up on him when his master came where he was, as if he
+wanted a frolic; but Tim said, as he threw himself on the deck beside
+him: "Don't, Tip&mdash;don't play now; I feel more like dyin'. You think it's
+awful hard to stay here; but it's twice as hard on me, 'cause the
+Captain whips me every chance he gets."</p>
+
+<p>Tip knew from his master's actions that something was wrong, and he
+licked the face that was drawn with deep lines of pain so lovingly that
+Tim's tears came in spite of his will.</p>
+
+<p><span class="pagenum"><a name="Page_695" id="Page_695">[Pg 695]</a></span></p>
+
+<p>He was lying by Tip's side, moaning and crying, when old black Mose, the
+cook, was attracted to the spot by his sounds of suffering.</p>
+
+<p>"Wha-wha-wha's de matter, honey? Wha' yer takin' on so powerful 'bout?"</p>
+
+<p>Tim paid no attention to the question, repeated several times, nor did
+he appear to feel the huge black hand laid so tenderly on his head.</p>
+
+<p>"Wha's de matter, honey? Has Cap'en Pratt been eddercatin' of yer?"
+Then, without waiting for a reply, he continued: "Now don' take on so,
+honey. Come inter de kitchen wid ole Mose, an' let him soothe ye up a
+little. Come, honey, come wid me, an' bring de dorg wid yer."</p>
+
+<p>While he spoke the old colored man was untying the rope which fastened
+Tip, for he knew the boy would follow wherever the dog was led. And in
+that he was right, for when Tip went toward the little box Mose called a
+kitchen, he followed almost unconsciously.</p>
+
+<p>Once inside the place where the old negro was chief, Mose took his
+jacket off, and bathed the ugly-looking black and blue marks which had
+been left by the rope, talking to the boy in his peculiar dialect as he
+did so, soothing the wounds on his heart as he treated those on his
+body.</p>
+
+<p>"Now don' feel bad, honey; it's only a way Cap'en Pratt has got, an' you
+must git used to it, shuah. Don' let him fret yer, but keep right on
+about yer work jest as ef yer didn't notice him like."</p>
+
+<p>Mose bathed the wounds, gave Tip such a feast as he had not had for many
+a day, and when it was done, Tim said to him: "You're awful good, you
+are; but I'm afraid the Captain will make you sorry for it. He don't
+seem to like me, an' he may get mad 'cause you've helped me."</p>
+
+<p>"Bress yer, chile, what you s'pose ole Mose keers fur him ef he does git
+mad? The Cap'en kin rave an' rave, but dis niggar don' mind him more'n
+ef he was de souf wind, what carn't do nobody any harm."</p>
+
+<p>"But&mdash;" Tim began to say, earnestly.</p>
+
+<p>"Never mind 'bout any buts, honey. Yer fixed all right now, an' you go
+down in de cabin an' go ter work like a man; ole Mose'll keep keer ob de
+dorg."</p>
+
+<p>Tim knew he had already been away from his post of duty too long, and
+leaving Tip in the negro's kindly care, he went into the cabin, feeling
+almost well in mind, although very sore in body.</p>
+
+<h4>[<span class="smcap">to be continued</span>.]</h4>
+
+<hr class="chap" />
+<div class="figcenter" style="width: 600px;">
+<img src="images/ill_007.jpg" width="600" height="492" alt="" />
+<span class="caption">NOT UP IN HIS PART.&mdash;<span class="smcap">Drawn by Sol Eytinge, Jun</span>.</span>
+</div>
+
+<hr class="chap" />
+<h2><a name="PHILS_BURGLAR" id="PHILS_BURGLAR">PHIL'S BURGLAR.</a></h2>
+
+<h3>BY FRANK H. CONVERSE.</h3>
+
+<p>I am Phil Morris, fourteen years old, and the youngest clerk in Covert
+Savings-Bank. The cashier is my uncle Jack, and he began at the bottom,
+where I am, when <i>he</i> was a boy. He says that a boy had better grow up
+with a country bank than go West and grow up with the country. He thinks
+there's more money in it.</p>
+
+<p>"If there's anything in you," he said one day, "you'll work your way up
+to be bank president some time." And I guess it's better to be president
+of a country bank than to be President of the United States. Anyway, you
+wouldn't have to be shot before folks began to find out that you were
+doing your level best to keep things straight. Uncle Jack says and does
+such queer things sometimes that people say he's odd. They tell about
+his being so wrapped up in our bank that he never had time to hunt up a
+wife. I notice, though, that when father and mother died, and left me a
+wee little baby, Uncle Jack found time to bring me up, and give me a
+good education to boot. Oh, he's as good as gold or government bonds,
+Uncle Jack is.</p>
+
+<p>We live in rooms over the bank, where old Mrs. Halstead keeps house for
+us. Underneath, we do the business. There's heaps of money in our two
+big vaults.</p>
+
+<p>Last summer&mdash;and, mind you, this was while <i>I</i> was away on vacation&mdash;two
+men broke into the building. They came up stairs, and into Uncle Jack's
+room. One had a bull's-eye lantern that he flashed in Uncle Jack's face
+as he sat up in bed, and the other pointed a big pistol right at his
+head.</p>
+
+<p>"Tell us where the vault keys are, or I'll shoot you," he said.</p>
+
+<p>"Oh, Uncle Jack," I broke in, when he was telling me about it, "what
+<i>did</i> you do?"</p>
+
+<p>"What would you have done?" he asked, in his odd way.</p>
+
+<p>"I know what I <i>wouldn't</i> have done," I answered him, straightening up a
+bit&mdash;"I wouldn't have given 'em the keys."</p>
+
+<p>"Ah!" Uncle Jack says, kind of half doubtful, and then went on: "Well, I
+told them to shoot away. And they knew as well as I did that shooting
+wouldn't bring them the keys. So when they found they couldn't frighten
+me, the scoundrels tied me, and went off in a rage, with my watch and
+pocket-book."</p>
+
+<p>That was last summer. One night along in the fall Uncle Jack started off
+down town. "It's Lodge night, and I may not be back until late," he
+said. "You won't mind staying alone&mdash;a great boy like you." And of
+course I said "No."</p>
+
+<p>But somehow, after Mrs. Halstead went to bed, I found I <i>did</i> mind it. I
+don't know what made me feel so fidgety. Perhaps it was reading about a
+bank robbery in Bolton, which is the next town to Covert. It was thought
+to be the work of Slippery Jim, a notorious burglar. And while I was
+thinking about it, I dozed off in Uncle Jack's easy-chair.</p>
+
+<p>"Ow-w-w!" I sung out all at once. And if you'd woke up of a sudden to
+see a rough-looking man, with a slouch hat pulled over his eyes,
+standing right in front of you, you'd have done the same. "What&mdash;what do
+you want here?" I sort of gasped; and I tried to speak so he wouldn't
+hear my teeth knock together.</p>
+
+<p>"The vault keys&mdash;where are they?" he answers, short and gruff. And then
+he kind of motioned with his hand&mdash;I suppose to show the revolver he was
+holding.</p>
+
+<p>I was pretty badly scared; but all the same, I didn't mean he should
+have those vault keys, if he shot the top of my head off.</p>
+
+<p>"Come, hurry up," he said, with a sort of grin. And I noticed then that
+he had red whiskers, and some of his upper front teeth were gone, so
+that he didn't speak his words plain.</p>
+
+<p>"I should know you anywhere," I thought. "Strategy, Phil Morris," I said
+to myself, bracing up inside; for a story I'd read about how a lady
+caught a live burglar came across me like a flash. "Please don't shoot,
+sir," I began to say, with all sorts of demi-semi-quavers in my
+voice&mdash;"please don't; indeed I'll show you where they're kept." So
+making believe to shake all over, I took the lamp, and led the way into
+Uncle Jack's bedroom. "The k-k-k-eys are in th-there, sir," I told him.</p>
+
+<p>You should have seen how my fingers trembled when I pointed to the
+little store-room that opened out of the chamber. The keys were there,
+true enough, but I'd like to see any one except Uncle Jack or I find
+them. I suppose you have heard of such things as secret panels.</p>
+
+<p>The store-room floor is lower than the chamber floor. Many a time, when
+I haven't been thinking, I've stepped down with a jar that almost sent
+my backbone up through the top of my head.</p>
+
+<p>"In there, eh?" said my bold burglar, quite cheerful like, and pushed by
+me to the open door.</p>
+
+<p>I set the lamp down, and my heart began to beat so that I was almost
+afraid he could hear it. "Now or never," I whispered.</p>
+
+<p>It was all done quicker than you could say "knife." I put my head down
+like a billy-goat, and ran for the small<span class="pagenum"><a name="Page_696" id="Page_696">[Pg 696]</a></span> of his back. "Butted" isn't a
+nice word, but that's just how I sent him flying headlong into the
+closet. I heard him go down with a crash that shook Mrs. Halstead's
+biggest jar of raspberry jam off the shelf.</p>
+
+<p>I didn't stop to take breath until I'd locked the door and barricaded it
+with Uncle Jack's big mahogany bureau&mdash;just as the lady did in the
+story. Then I breathed&mdash;and listened. What I heard made my eyes stick
+out a bit. First I almost felt like crying. Then I laughed until I did
+cry. I suppose the excitement made me hystericky. It wasn't ten minutes
+before I roused up Mr. Simms the constable, and Jared Peters, who lives
+next door. Mr. Simms brought along an old pepperbox revolver and a pair
+of handcuffs. Jared Peters had his double-barrel gun, but in his flurry
+he forgot to load it.</p>
+
+<p>Up stairs we hurried. The two men pulled away the bureau, and Mr. Simms,
+who was in the army, stationed us in our places.</p>
+
+<p>"Look a-here, you feller," Mr. Simms called out, "the strong arm of the
+law is a-coverin' of you with deadly weepons. Surrender without
+resistance.&mdash;Phil, yank open the door."</p>
+
+<p>I flung open the door. Jared Peters covered the prisoner with his gun.
+He was covered with something else too&mdash;Mrs. Halstead's raspberry jam,
+that he'd been wallowing round in. He didn't look proud, though, for all
+he was so stuck up.</p>
+
+<p>Before he could open his mouth Mr. Simms had him handcuffed and dragged
+out into the chamber.</p>
+
+<p>"There," he said, with a long breath, "I guess <i>you</i> won't burgle no
+more right away."</p>
+
+<p>"For goodness' sake, Simms&mdash;Peters&mdash;don't you know me&mdash;Mr. John Morris,
+cashier of the savings bank." That was what the prisoner said just as
+soon as he could speak.</p>
+
+<p>Well, I didn't wait any longer. I just bolted for my own room, where I
+could lie down on the floor. And there I lay laughing until I was purple
+clear round to my shoulder-blades. Then I went to bed.</p>
+
+<p>"Philip," said Uncle Jack, solemnly, while we were at breakfast next
+morning, "I should beg your pardon for trying to test your courage in
+the&mdash;the consummately idiotic way I took to do it last night, but"&mdash;and
+he looked pretty sheepish&mdash;"I&mdash;I think I got the worst of it."</p>
+
+<p>"I think you did, sir," I answered him, choking a bit.</p>
+
+<p>"The disguise was a good one, though," he went on, with a sort of feeble
+chuckle, "and leaving my false teeth out, changed my voice
+completely&mdash;eh, Phil?"</p>
+
+<p>"Yes, sir&mdash;until you hollered out in the closet that it was all a joke,
+and wanted me to let you out," I answered him, as I got up and edged
+toward the door.</p>
+
+<p>"Why didn't you let me out then?" roared Uncle Jack, who is rather
+quick-tempered.</p>
+
+<p>I hope I wasn't impudent. Truly, I didn't intend to be. "Because, Uncle
+Jack," I said, as I turned the door knob, "I have heard you say more
+than once that he who can not take a joke should not make one." And as I
+dodged through the door I heard Uncle Jack groan.</p>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_697" id="Page_697">[Pg 697]</a></span></p>
+
+<div class="figcenter" style="width: 420px;">
+<img src="images/ill_008.jpg" width="420" height="600" alt="" />
+<span class="caption">NOT TALL ENOUGH.</span>
+</div>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_698" id="Page_698">[Pg 698]</a></span></p>
+
+<h2><a name="GOOD-NIGHT" id="GOOD-NIGHT">GOOD-NIGHT.</a></h2>
+
+<h3>BY W.&nbsp;T. PETERS.</h3>
+
+<p>
+<span style="margin-left: 19em;">Good-night, happy stars,</span><br />
+<span style="margin-left: 20em;">With your yellow eyes;</span><br />
+<span style="margin-left: 19em;">Good-night, lady moon,</span><br />
+<span style="margin-left: 20em;">In the evening skies;</span><br />
+<span style="margin-left: 19em;">Good-night, dusky world</span><br />
+<span style="margin-left: 20em;">And the boundless deep;</span><br />
+<span style="margin-left: 19em;">I am tired out;</span><br />
+<span style="margin-left: 20em;">It is time to sleep&mdash;</span><br />
+<span style="margin-left: 19em;">Time, time to sleep.</span><br />
+<span style="margin-left: 20em;">Good-night! Good-night!</span><br />
+<br />
+<span style="margin-left: 19em;">Good-night, weary boy;</span><br />
+<span style="margin-left: 20em;">It has been decreed</span><br />
+<span style="margin-left: 19em;">That some mysteries</span><br />
+<span style="margin-left: 20em;">Only a child can read;</span><br />
+<span style="margin-left: 19em;">But the sweet child-heart</span><br />
+<span style="margin-left: 20em;">May you always keep,</span><br />
+<span style="margin-left: 19em;">And the stars will be yours,</span><br />
+<span style="margin-left: 20em;">And the boundless deep&mdash;</span><br />
+<span style="margin-left: 19em;">The boundless, boundless deep.</span><br />
+<span style="margin-left: 20em;">Good-night! Good-night!</span><br />
+</p>
+
+<hr class="chap" />
+
+<h2><a name="SEEING_THE_BIG_WORLD" id="SEEING_THE_BIG_WORLD">SEEING THE BIG WORLD.</a></h2>
+
+<h3>BY F.&nbsp;E. FRYATT.</h3>
+
+<p>Andrew, the florist, set out one fine day for a trip to the wood that
+lay a mile beyond his greenhouses.</p>
+
+<p>He was a grand old man, who loved all the beautiful things God has
+scattered over this earth, from the tiny grass blade pushing up through
+the brown mould, to the mighty oak spreading its branches like a giant
+in the forest. As he entered the wood he marked how the sunshine,
+flickering down through the trees, made patches of gold on the green
+turf, and turned the pebbles in the brook into pearls. Time had not
+dimmed old Andrew's eye nor dulled his ear, nor had he lived his sixty
+years without learning to understand the soft voices of nature. As he
+strolled thoughtfully along he became aware of a gentle murmuring sound
+proceeding from groups of flowers that seemed to nod and smile when he
+drew near them. Throwing himself at full length on the turf, he
+listened; at first he could make nothing out of all the sweet babble
+poured into his ear, until Jack-in-the-pulpit became spokesman for the
+occasion.</p>
+
+<p>In a pretty speech Jack told how they had heard of a grand flower show
+that was soon to come off in the great city, and confessed to the
+annoyance he and his companions felt at always being neglected on such
+interesting occasions, closing his long address by praying that the wild
+flowers might be treated with as much respect as the Pelargoniums, the
+Gladioluses, and all their other fashionable cousins.</p>
+
+<p>Andrew heard Jack's remarks with a smile that was more sad than merry,
+marvelling how these innocent creatures, shut up in the heart of the
+wood, could have heard anything of the show.</p>
+
+<p>"I have it," said he: "some gadding bee, or perhaps a gossiping sparrow,
+fresh from town, has carried the matter. Well, well, they must learn how
+profitable is content, and how foolish silly ambitions."</p>
+
+<p>"My pretty dears," sighed the old man, leaning on his spade, and
+regarding the blossoms, "you will 'never be sorry but once, and that
+will be always.' As well might a fish try to live on land as you in the
+stifling city."</p>
+
+<p>So saying, Andrew thrust his spade deep into the rich soil, disengaging
+the delicate roots that bound the flowers to their sylvan home.</p>
+
+<p>When he had deposited as many Trilliums, Lilliums, Violets, and Anemones
+in his basket as he desired, the good old man proceeded to a boggy spot
+in the woods, and brought away with him Lady-slippers, Orchids,
+Pitcher-plants, Irises, Sundews, and Sweet-cicely, who wished to see the
+big world too.</p>
+
+<p>Andrew now turned to go home, but, dear me! his work was but half done,
+for a butterfly, fluttering seaward, carried the news to the
+pine-barrens, and straightway Pyxidanthera, the beauty, cried out&mdash;and
+the soft sound of her crying came pitifully: "Don't leave me all alone
+in the pine-barrens; it is too lonely; I too would see the great world
+at the flower show."</p>
+
+<p>"It is strange that you've never been lonesome before," thought Andrew,
+stooping down where the wee pink beauty sat on her mossy throne, and
+lifting her gently into his basket. Nor did his labors end here; for a
+troop of Daisies in a field near by heard the tidings, and almost burst
+their green jackets in impatience to be going; nor could he resist the
+pleadings of a band of young Buttercups, so he kindly added these to the
+delicate passengers in the wicker car, and hastened on. But once more
+his fine ear caught the sound of complaining.</p>
+
+<p>Looking toward his right hand, he discovered a group of ancient
+Dandelions bowing their gray heads to him, and listening, heard them
+sighing: "Once we had tresses like the sun. Why come so late, so late?"</p>
+
+<p>"Too late! too late!" chimed another voice.</p>
+
+<p>"Ay, ay, too late," replied the old man, trudging on toward his
+greenhouse, for he had much to do to prepare his rustic beauties for
+their trip to the city.</p>
+
+<p>"Oh dear," said a young Violet a week after, when they were all
+flourishing in the greenhouse, "why am I always to be in the shade, and
+that great Japonica towering above me?"</p>
+
+<p>"And I too," murmured a Wind-flower, flushing faintly.</p>
+
+<p>"Who cares for any of them?" chirruped a Daisy. "Here or there matters
+not to me."</p>
+
+<p>"<i>You</i> are near the sun, madam," argued an Orchid.</p>
+
+<p>"Be quiet, all of you," roared Jack-in-the-pulpit. "Who'll care for
+Japonicas and such common folk when <i>we</i> go to town?"</p>
+
+<p>There was common-sense in that, so the wild flowers settled down in
+silence.</p>
+
+<p>The day before the show there was a fine uproar in the greenhouses. The
+wild flowers babbled and laughed and danced on their stems for joy. No
+one knew it but Andrew, and he said nothing.</p>
+
+<p>Such a snipping and binding and showering was kept up all day that when
+evening came they were glad to fall asleep in their packing boxes, nor
+did they waken until daybreak, when the men moved them into a large
+covered van on wheels.</p>
+
+<p>By-and-by they heard a great trampling of hoofs, and a clatter. The
+horses were being harnessed to the van. Presently, with a jerk, they
+were off to the wonderful city&mdash;the big world they had never seen.</p>
+
+<p>Now began their troubles in true earnest. The ground quaked and trembled
+beneath them; it was pitchy dark. Would the sun never shine again? Could
+no one speak a word of encouragement or consolation?</p>
+
+<p>On, and on, and on they kept going, until at last, as nothing fearful
+happened, they ventured a little conversation.</p>
+
+<p>"What a dash I shall cut at the show!" exclaimed a Turk's Lily.</p>
+
+<p>"And I, in white and pink ribbons!" cried the pine-barren's beauty.</p>
+
+<p>"Be quiet, little vanity," muttered a muffled voice in the corner. "Who
+will look at you when I am by?"</p>
+
+<p>Andrew knew the great scarlet Amaryllis had spoken, and he said to
+himself, "We'll see, my fair lady."</p>
+
+<p>The beauty cowered in silence, but a Violet whispered, "Shame!"</p>
+
+<p>When the flowers reached the hall, with its long baize-covered tables,
+they forgot their troubles, and were greatly pleased. Men were running
+to and fro, boxes were being opened, and flowers all muffled from top to
+toe were coming in by the dozens. Here stood a regiment of Azaleas<span class="pagenum"><a name="Page_699" id="Page_699">[Pg 699]</a></span> in
+white hoods and muffs, like a young ladies' boarding-school ready for a
+winter walk. There stood a company of Lilies with their night-caps on,
+and yonder a tall object swathed in tissue-paper. "Who can she be?&mdash;some
+grand personage truly," whispered a Daisy.</p>
+
+<p>At that moment came a young man with sharp scissors. He cut off her
+cloak, and there stood lovely Miss Clereodendron, in white and scarlet
+from head to foot. "How exquisite!" cried all the flowers together.</p>
+
+<p>But soon they found other wonders. On a table near at hand lay the
+daintiest sprays of flowering Peach, Almond, and Cherry, bunches of tiny
+Jonquils, creamy Magnolias, flaming Pirus, and May-apple.</p>
+
+<p>As soon as all the flowers were comfortably settled in their stands and
+vases, they began to look around, and recognized their neighbors.</p>
+
+<p>"Ha! ha!" laughed Jack-in-the-pulpit; "who expected to see <i>you</i> here?"</p>
+
+<p>"Why not, as well as you, Sir Impudence?" retorted May-apple, sharply.</p>
+
+<p>But by-and-by the visitors came pouring in by the dozens. Beautiful
+ladies swept by in silks and diamonds and laces; gallant gentlemen came
+too, with eye-glasses perched on their noses. They did not even look at
+the wild flowers.</p>
+
+<p>The wild flowers grew troubled, and commenced to murmur; but Jack
+whispered, "Bide your time."</p>
+
+<p>"<i>I</i> don't envy them," said an Orchid, looking complacently down at her
+own yellow slippers.</p>
+
+<p>"Nor I," laughed a Daisy, smoothing her satin petticoat.</p>
+
+<p>"If they didn't hold their heads so high, they would see us," murmured a
+Violet.</p>
+
+<p>But the crowd passed on, drawn by the brilliant beauties of the Cacti,
+the flames of the Amaryllis Lilies, the purple of the great Pansies.</p>
+
+<p>"They will never come near us," sighed the Violet.</p>
+
+<p>"I faint&mdash;I faint!" murmured the Pitcher-plant, dropping her urn.</p>
+
+<p>"Oho! oho! now we shall have a change," cried Jack, as the clock struck
+three. And sure enough the bright-eyed school-children came trooping in,
+and caught sight of them.</p>
+
+<p>"Oh, my darling little Violets, where did you come from? And oh, you
+sweet, sweet Daisies!" cried one yellow-haired lassie.</p>
+
+<p>"And these Buttercups!" screamed another.</p>
+
+<p>"And droll old Jack; who would have thought to see <i>him</i> in town?"
+chimed a third.</p>
+
+<p>"Tit for tat, Master Jack," whispered May-apple, tartly.</p>
+
+<p>The moment the children recognized the beauties of the wild flowers,
+every one else did. Old gentlemen with high-bred noses came and peered
+at them through big spectacles. Young ladies talked of their families,
+and&mdash;oh, horrors!&mdash;said they would like to dissect them. Old ladies
+smiled on them pleasantly, and one, a grandmother, actually shed tears,
+and said, "I haven't seen their like in fifty years."</p>
+
+<p>But now it began to grow tiresome, this big world they had come to see;
+the sunlight streamed through the great windows, the tiny blossoms grew
+faint in the sultry air. When would the hum of speech grow silent, the
+clouds come brooding above them, and the soft rain-drops patter down?</p>
+
+<p>The flowers grew fainter and fainter. A grand old man is now speaking at
+the end of the hall; but they can not listen.</p>
+
+<p>"Oh, for a breeze from the pine-barrens!" sighed the beauty.</p>
+
+<p>"Give me to drink the dew of the meadow," moaned the Daisy.</p>
+
+<p>"I die for the woodland shadows," murmured the Violet.</p>
+
+<p>"And I for the sound of cool waters," wept the Lily.</p>
+
+<hr class="chap" />
+<h4><a name="PENELOPE" id="PENELOPE">[Begun in <span class="smcap">Harper's Young People</span> No. 94, August 16.]</a></h4>
+
+<h2>PENELOPE.</h2>
+
+<h3>BY MRS. JOHN LILLIE.</h3>
+
+<h3><span class="smcap">Chapter III</span>.</h3>
+
+<p>"Why, aunt," exclaimed Penelope, "what do you mean? Surely you can't
+have seen this screen of Lion's?"</p>
+
+<p>"But I <i>have</i>, dearest," Miss Harleford said, dreamily. "I have seen
+this long ago&mdash;before you were born. Oh, Penny dear, it all comes back
+to me. This screen, I am <i>sure</i>, is one your own papa gave to Nora
+Phillips, an American girl who visited us at Baynham. Oh yes, love, I am
+sure of it, for we had such a discussion about it; and don't you suppose
+I would know my dear brother's painting? I was looking over his shoulder
+half the time he was putting in those letters&mdash;'Penelope.' Dear, you
+were named Penelope, I believe, for her sake. Your mother was very fond
+of the name, and when it was suggested, your father remembered pretty
+Nora. Well! well!"</p>
+
+<p>"But <i>she</i> was not Penelope," said the girl, wonderingly. "Oh, aunt,
+what does it all mean?"</p>
+
+<p>"But we always <i>called</i> her Penelope in fun, because she was such an
+indefatigable little worker. Oh, what a darling she was, and how we all
+loved her!"</p>
+
+<p>"But what became of her?"</p>
+
+<p>"Well, my dear, you see, after she and her father went back to America,
+we rather lost sight of her&mdash;she and my mother had a little
+misunderstanding. It is all a long time ago, and your grandmamma and my
+dear brother are both dead. Nora may be gone as well, but I seem to see
+her now just as she stood, laughing gayly, with this screen in her hand.
+Oh, where can she be? Where did Lion find it? I feel as if I <i>must</i>
+know."</p>
+
+<p>Penelope felt as if she would dearly like to solve the mystery of her
+cousin Lionel's present. She went back to the breakfast table very
+grave, and so preoccupied in manner that she had to explain herself at
+once; and then all the young people were fired by the story. What did it
+mean? Penny grew absolutely mournful trying to understand it, but it was
+finally resolved to write to Lionel, who, in a few weeks at least, would
+let them have the history of the screen, so far as he knew it. This was
+all that could be done at present.</p>
+
+<p>Penelope and her aunt were only visitors at the Deanery. Their own home
+was ten miles distant from Nunsford. There Penny was mistress of a
+beautiful old home known as The Manor. Miss Harleford had been for years
+as a mother to the girl, and although her uncle, the Dean of Nunsford,
+was her legal guardian, she knew no heavier rule than the gentle old
+lady's. If there could be needed a complete contrast to poor Nora Mayne,
+it might have been in the petted heiress of Harleford Manor. Every one
+tried his best to make her life happy, and I think only her natural
+loveliness of disposition saved Penelope from being completely spoiled.</p>
+
+<p>The letter to Lionel Harleford, Penelope's second cousin, who had just
+gone to India, was dispatched at once, and for days Aunt Letty talked
+over old times with her brother and nieces. The Dean only half
+remembered the beautiful, bright American girl who had visited his
+mother's house, now Penelope's, twenty years before; but Miss Harleford
+recalled so many scenes to his memory that he was soon as eager about
+Lion's letter as the most romantic member of the family could desire.
+Many conjectures were put forth, many ideas suggested; but who could
+guess that not half a mile away the once light-hearted Nora Phillips lay
+poor and dying!</p>
+
+<p>Meanwhile things continued to sink lower and lower with Nora and her
+mother, the worst feature of their case being the fact that kind-hearted
+Mrs. Bruce could no<span class="pagenum"><a name="Page_700" id="Page_700">[Pg 700]</a></span> longer keep them; her son James had suddenly
+appeared, and declared himself horrified to find his mother keeping
+lodgers who could not pay their rent; and so, with many tears, poor Mrs.
+Bruce had broken this news to Mrs. Mayne.</p>
+
+<p>"Of course we must go," said poor Nora, looking at the tender-hearted
+landlady with a white face and set lips. "Oh, Mrs. Bruce, I know it
+isn't your fault, and if the day comes when I can earn anything, you
+shall be paid."</p>
+
+<p>Mrs. Bruce wept bitterly the day that saw Mrs. Mayne, still weak and
+ill, leave the house with Nora, whose brave heart was tried to its
+uttermost. Where were they to go? Nora could not be sure enough to tell
+even Mrs. Bruce. She had sold the last of their wardrobe that morning,
+and as Mrs. Bruce refused to take a penny from them, they started forth
+with money enough to pay somewhere for a week's lodging.</p>
+
+<p>"I will try to let you know where we are, Mrs. Bruce, as soon as
+possible," said Nora, turning back with a weary smile as they were
+leaving.</p>
+
+<p>Mrs. Bruce wiped her eyes, and vented her feelings upon James, her tall,
+vulgarly dressed son, who was gazing with great satisfaction upon the
+lodgers' departure.</p>
+
+<p>"You good-for-nothing creature!" exclaimed his mother, angrily
+indignant.</p>
+
+<p>Mr. James Bruce smiled sarcastically. He did not share any of his
+mother's compassion for forlorn lodgers.</p>
+
+<p>"Never you mind, mother," he said. "You'll thank me one of these days."</p>
+
+<p>Days passed with no tidings from the Maynes. Mrs. Bruce could not forget
+her lodgers, and Nora's face, as she had seen it last, haunted her
+painfully. Where were they? Had the mother died? Was Nora ill? Were they
+starving? These and many other conjectures tormented the poor woman as
+the days lengthened into weeks, and no sign was made by mother or
+daughter. Many times Mrs. Bruce's tears fell over her wools when she was
+alone in the shop, and recalled the December evening Nora had served
+there, uniting so much sweet good-humor with her refined, lady-like
+ways, which had from the first captivated the heart of the simple-minded
+country-woman. Mrs. Bruce had a small assistant now in the person of a
+niece, and this young woman was never tired of hearing about Miss Mayne.
+She was listening to one of her aunt's stories as they sat over the fire
+in the shop one February day, when she suddenly exclaimed:</p>
+
+<p>"Law, aunt, there's Miss Penelope Harleford in the Deanery
+carriage&mdash;coming in here, too!" and there, sure enough, was bright Miss
+Penny, in a long fur cloak, and a<span class="pagenum"><a name="Page_701" id="Page_701">[Pg 701]</a></span> pretty felt hat shading her sweet
+young face. "A picter," as Mrs. Bruce said, "worth taking down." Young
+Miss Harleford came hurrying in, looking very eager and interested.</p>
+
+<p>"I've come to inquire for some one who sold a screen here, Mrs. Bruce,"
+said the young lady, cheerfully. "My cousin, Mr. Lionel Harleford,
+bought it here in December&mdash;a young lady sold it to him."</p>
+
+<p>"Land, miss!" cried Mrs. Bruce, "so she did, my poor pretty! I wish I
+knew where she was now&mdash;she and her mother."</p>
+
+<p>Penelope looked dismayed.</p>
+
+<p>"And you <i>don't</i> know!" she exclaimed.</p>
+
+<p>"I wish I did," repeated Mrs. Bruce. "Mary Jane and I was just talking
+of her. Gone, poor lamb, she and her mother, and I know nothing of
+them."</p>
+
+<p>And Mrs. Bruce proceeded to detail the history of Nora and her mother,
+so far as she knew it. The sad, simple story left no doubt upon
+Penelope's mind as to who they were.</p>
+
+<p>"Nora Phillips," she said to herself. "Yes, she was Mrs. Mayne, I feel
+sure, and so near us!"</p>
+
+<div class="figright" style="width: 452px;">
+<img src="images/ill_009.jpg" width="452" height="500" alt="" />
+<span class="caption">"PENELOPE&mdash;IS IT PENELOPE?"&mdash;<span class="smcap">Drawn by E.&nbsp;A. Abbey</span>.</span>
+</div>
+
+<p>She confided a few facts only to Mrs. Bruce, and then sorrowfully drove
+back to the Deanery, where she and Aunt Letty held a long confab in the
+twilight. What could be done? Aunt Letty cried, and Penelope shook her
+head sadly, but she declared that she would not give up the search
+suggested in so strange a manner that it seemed her duty to continue it.
+Could Penelope and her aunt have seen Nora at that moment, I fear they
+would have gone to rest with a bitterer heart-ache.</p>
+
+<p>Afternoon service was over the next day at the abbey church, yet
+Penelope lingered with little Joe, loitering down the path, where the
+snow still lay white on the ground, talking to the little boy about the
+service, which that day had peculiarly impressed her. She was thinking
+of Nora Mayne, recalling Mrs. Bruce's description of the sweet young
+girl whose life was so heavily burdened.</p>
+
+<p>"And I," thought Penny, with a shamefaced color&mdash;"I have <i>everything</i>,
+and yet how cross and selfish I am!"</p>
+
+<p>"Penelope! Penelope!" cried out little Joe, pulling at her hand; "see
+those sparrows&mdash;do they mind the snow?"</p>
+
+<p>And at this moment Penny heard what she thought the echo of her name.</p>
+
+<p>"Penelope," said a strange voice; there was a faint, despairing ring in
+it.</p>
+
+<p>Penelope stood still, turning her head quickly in the direction of the
+unfamiliar voice. Standing in the side path was a girl's figure; the
+hands were tremblingly clasped together, the face, thin and pale,
+eagerly watching her.</p>
+
+<p>"Penelope&mdash;is it Penelope?" said the tired voice again. "Oh, was it for
+you he bought the screen?"</p>
+
+<p>And in a moment more Nora Mayne felt her hands fast imprisoned in young
+Miss Harleford's. There were tears running down the English girl's
+cheeks.</p>
+
+<p>"Oh, Nora," she said, joyfully, "I am so thankful to have found you!"</p>
+
+<h4>[<span class="smcap">to be continued</span>.]</h4>
+
+<hr class="chap" />
+<div class="figcenter" style="width: 600px;">
+<img src="images/ill_010.jpg" width="600" height="473" alt="" />
+<span class="caption">EVERY CLOUD HAS A SILVER LINING.<br /><br />
+<span class="smcap">Mamma</span>. "If you continue to be so naughty, I'll have to buy a whip to punish you with."<br /><br />
+<span class="smcap">Mimi</span>. "But when I'm good, you'll let me play with it, won't you, mamma?"<br /><br />
+[<i>A fact.</i></span>]
+</div>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_702" id="Page_702">[Pg 702]</a></span></p>
+
+<div class="figcenter" style="width: 600px;"><a name="OUR_POST_OFFICE_BOX" id="OUR_POST_OFFICE_BOX"></a>
+<img src="images/ill_011.jpg" width="600" height="259" alt="OUR POST-OFFICE BOX" />
+</div>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Schloss Kis-Tabor, Post: Rohitsch, Styria, Austria</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>My brother and I are so glad to get <span class="smcap">Young People</span> again! We both
+like it so very much! I will tell you something about this part of
+Croatia. It is called "Zagoria," which means "beyond the
+mountains." Our peasants live principally on maize, made into bread
+and a sort of porridge. They are a good-natured and gay-tempered
+people, and always singing. Our most important products are wine,
+"slivovitz" (plum-brandy), and dried plums. Not far from us, on a
+lofty hill, stood a Celtic Temple of the Sun. Later, the Romans
+conquered the Celts, and we have some ancient Roman coins and
+broken bronze objects dug up in the vineyards. Looking out from our
+windows one sees innumerable churches, chapels, castles,
+picturesque ruins, and far-away snow-covered Alps. It is very
+beautiful. We have a pet donkey, and a pretty little carriage to
+drive in. I am collecting coins, fossils, and minerals.</p>
+
+<p>Last week a Bosniak came into our court-yard leading a bear caught
+in Slavonia. He waltzed, saluted, kissed his master, and then held
+up the tambourine for money. We sent him some wine and bread, which
+he devoured greedily.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Lucy Kavanagh</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Camp Carling, Wyoming Territory</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>My two little boys, aged four and six years, want me to tell you
+that they were very much interested in Mr. Frey's article about
+Indian relics. They tried this summer with their mamma to dig up a
+grave on a hill near the South Platte River. But being in a ledge
+of rock, the mamma and little boys were not strong enough to get
+down more than two feet, and had to give it up. Mamma tried to hire
+a man to dig for her, but the men were all afraid of small-pox. It
+was said that thirty years ago more than a thousand Indians had
+died of small-pox, and had been buried in that vicinity. A ranchman
+on a neighboring hill, however, had opened one, and we obtained
+some clam shells, a red clay pipe, a thin piece of bark with some
+blue writing on it, and a round leather amulet worked with beads. A
+few weeks later, Sidney and Willie drove with their papa and mamma
+through North Park, Colorado, into Middle Park, and on a hill near
+the range which separates the two parks they found about a hundred
+graves which had never been molested. They wanted very much to open
+them, but had no shovel, and could not spend the time to stop. I
+wonder how many more of the Young People have tried to open graves.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Mrs. Mary E.&nbsp;B</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Burlington, Iowa</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am nine years old. Papa has taken <span class="smcap">Young People</span> for me ever since
+it was published. I like the stories very much, and would like to
+see the little girls who write such nice letters. I have one sister
+and two brothers. I wish the little readers of <span class="smcap">Young People</span> could
+see my cat Polly. She can knock on the door, walk on her hind-feet,
+and beg for food like a dog, and will come to us when we whistle,
+and do lots of cunning tricks.</p>
+
+<p>My brother Arthur has a dog whose name is Brownie, and he can
+laugh. He looks so funny. We have two pigs, and a horse. Mamma one
+day found a coal-black kitty in the street, and brought him home.
+He is now a big cat, and very pretty. Mamma calls him Frank.</p>
+
+<p>When I write again I will tell you about my doll family.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Louise L</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Jersey City, New Jersey</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I have a little Scotch terrier named Nellie, and she loves me
+dearly. Every time I enter the house she kisses me, and will stand
+on her hind-legs, sit up, beg, and do lots of tricks. I am seven
+years old.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Harry L</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Brooklyn, New York</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I think the stories of "Toby Tyler," "The Moral Pirates," and "The
+Cruise of the 'Ghost'" are very nice, and I hope the story of "Tim
+and Tip" will be equal to any of the three. Another boy will write
+on the rest of this sheet.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Eddie G</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I have a velocipede, and so has Eddie G. He and I are great
+friends, and we have nice times together. We have some pigeons at
+our house, but we intend to give them away. We have given away all
+our chickens. We had three canaries, but one flew away, and my
+mother is afraid the cat got it.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">A.&nbsp;T.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Worcester, Massachusetts</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>Seeing the article in No. 93 on "How the Baby Elephant Eats
+Pea-Nuts," I thought I would write and tell you of a nut-cracker
+which I discovered in the same show that contained the "baby." My
+father and I were watching a number of the larger elephants hunting
+for pea-nuts thrown in the straw, when I saw one of them who, if he
+found a nut, would take it up with his trunk, and rub it against
+his leg until the shell was cracked, after which he proceeded to
+eat the kernel. I am glad C.&nbsp;H. Williamson has accepted the
+presidency of the Natural History Society. I for one am entirely in
+favor of admitting girls.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">C.&nbsp;M.&nbsp;H.</span><br />
+</p>
+
+<p>Your interest in the article about the baby elephant, and your own
+observation of the way the baby's big brother managed his pea-nuts,
+prove that you will be a good member of the society. Some of our boys
+and girls are, we fear, waiting to be very dignified before they send
+any letters with regard to what they have seen. Some wish to send a long
+report. The better way is to write about interesting things, one at a
+time, just as they are noticed.</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Bentley's, Maryland</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I often think about Toby Tyler. If he had only staid with the
+circus, he would not have lost dear Mr. Stubbs. I am anxious to
+know how the boys who went on "The Cruise of the 'Ghost'" got along
+with their canoe cruise, or if they ever had one.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">McB</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Sandwich Islands</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>We have observed so many nice little girls writing to you that we
+have been thinking for some time that we would send you a letter.
+We are Hawaiians, as our mother is a native of the island, though
+our father is a white man. We live close to the mountains, and have
+quite a number of birds around our place. Land-shells are as
+numerous on the mountains as sea-shells are down on the beach. Some
+time hereafter we may probably visit New York, and then we shall
+not forget to go and see the editor of <span class="smcap">Young People</span>, and thank him
+very much for making such a nice paper for children. It has been a
+great comfort to us, and amused us many a lonely hour. We are a
+large family, consisting of father, mother, four sisters, six
+brothers, one nephew, and one niece. <i>Aloha</i> (love to you).</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Lydy</span>, <span class="smcap">Eliza</span>, and <span class="smcap">Hannah</span>.</span><br />
+</p>
+
+<p>Our love to you, little friends. We will be glad to see you in New York
+some day.</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">St. Louis, Missouri</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am thirteen years old. I came to New York from England, May 23,
+1880, on the steam-ship <i>City of Chester</i> (Inman Line). We made a
+short trip of nine days and eight hours. I like this country very
+much, but sometimes wish myself back in the old home. I began to
+take your paper about two months ago. I think "The Cruise of the
+'Ghost'" was a very instructive and interesting story, and I hope
+"Tim and Tip" will be more so. I like the Post-office Box very
+much, especially the puzzle column. I have made an effort to write
+an enigma myself, and have sent it with this letter.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Hugh P.&nbsp;W</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Freeport, Illinois</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>We were very much gratified to see dear Mary's name among those who
+had sent answers to the tangles. The letter she wrote you in July
+was her last writing. She was taken sick the following Monday with
+malignant diphtheria, and before another Sabbath closed, her
+trusting heart was asleep in Jesus. His name was the last upon her
+lips. I wish that all who die could exercise her calm,
+unquestioning faith in Christ. The Thursday before she died, she
+looked eagerly in the puzzle department for her name. I explained
+again that it could not possibly be in for a week yet at least. "I
+wonder if they will publish my enigma, mamma? If I get well, I'll
+send that diamond I made up yesterday." On Wednesday she felt so
+well, and all day amused herself drawing birds and trees, and made
+a diamond and some-beheadings. She thought so much of <span class="smcap">Young People</span>!
+She was a poor scribe, but her thoughts were very quaint, and
+expressed in the language of culture. She rarely made a grammatical
+error, and all things fine seemed natural to her. As we all grow
+interested in the little folks whose names fill your departments, I
+thought I would send you this notice that the dear bird who
+brightened our home for so brief a time, and who promised our
+hearts such lofty pleasure through her active mind and bright
+imaginings, will never on this earth sing for you again.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Mrs. E.&nbsp;C. Burchard</span>.</span><br />
+</p>
+
+<p>From time to time in our great circle of readers, dear children, some
+drop from the ranks. Little Mary will never be forgotten in her earthly
+home, and those who loved her here will hope to meet her again where
+there is no death. We are glad she found so much pleasure in <span class="smcap">Young
+People</span>.</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">New York</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am only five years old, and my mamma is going to write this
+letter for me. I think "Toby Tyler" was a "booful" story; but I did
+cry when Mr. Stubbs got "shotted." And I want you, please, to ask
+Mr. Otis not to kill Tim's poor little doggie. Tim's the boy in the
+new story. I have got three little new kittens, and I am going to
+name them Toby and Tim and Tip.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Amy E.&nbsp;V</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>The kitties are Blossie's "chillun."</p></blockquote>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Monte Sano, Huntsville, Alabama</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I would like to tell you what a nice time I am having on our lovely
+mountain, four miles from Huntsville, where I am spending the
+summer. I make beautiful sand houses, and my mamma ornaments them
+with fairy feet, which she makes with her hands. They look like a
+baby's tiny foot. I have a dear little baby brother, whose name is
+Tyler. For fun we call him Toby Tyler. I am going to send an
+offering to the "Young People's Cot," for I think it will be very
+nice to have one which the readers of the paper may claim. I enjoy
+my paper very much, as I am now beginning to be able to read it
+myself.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Edwin L.&nbsp;W</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Nantucket, Massachusetts</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am ten years old, and have never been to school, but study at
+home. We have a cat that was born with three legs. His name is
+Trip. The first time Trip ever saw Rover, our dog, he ran right up
+to him, and ever since he always runs up to Rover when frightened.
+Once we had a Maltese cat who was very fond of Rover, and Rover was
+fond of Tom. Once mamma and papa were looking out of the window,
+and they saw Tom with his tail full of burrs, and Rover pulling
+them out. He got them nearly all out, when he came to one that
+stuck so hard that when he tried to pull it out it lifted Tom right
+up in the air. Tom was rather surprised, but concluded that it was
+all right, while Rover did not know what to do. At last he put his
+paw on Tom's tail, so that he should not be lifted up, and pulled
+out the burrs. Papa did have a live porcupine, but it died. I like
+the <span class="smcap">Young People</span> very much indeed. I think that "Toby Tyler" was
+splendid.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">M.&nbsp;N.&nbsp;W.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Portland, Maine</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am sure I shall like "Tim and Tip" as much as I did "Toby Tyler"
+for it begins so well. I wrote a composition on Toby, and I know a
+boy who has a monkey that is the very picture of Mr. Stubbs. I am
+almost ten years old.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Eddie L.&nbsp;M</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Pittsburgh, Pennsylvania</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>My father has coal-works, and the engineer is teaching me how to
+run his locomotive. It is about the best one in the United States,
+and it is named for me.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Louis B.&nbsp;H</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Blackfoot, Oneida County, Idaho</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I thought I would write a letter, as I have seen no letters from
+this part of the country. My brothers Willie and James and I sent
+50 cents each to get your nice paper. I am the oldest, so I wrote
+for it, and had it come in Willie's name, because he thought it
+would be so nice to have it addressed to him. We have no schools
+here, and we study at home.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Fred J</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Owensborough, Kentucky</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>I am almost ten years old, and I live in Kentucky, on the Ohio
+River, and first and last have lots of fun. I have the cutest dog.
+His name is Dodger. He is only a puppy, but can shake hands and
+carry sticks like anything. Our whole family mourned Mr. Stubbs's
+sad death. I have some queer stones and pebbles that I found in our
+Kentucky caves and creeks and on the hill-sides, that I will
+exchange for things from other States.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Malcolm H. McIntyre</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Indianapolis, Indiana</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>Some fifty days ago I sent to a boy in Mankato, Minnesota, 250
+postmarks, he agreeing to send Indian relics in exchange. I have
+asked him to send them three times, but he will not answer. If he
+is out of relics, he ought to return the postmarks or send some
+word.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Fletcher M. Noe</span>.</span><br />
+</p>
+
+<p>Perfect honor and honesty should be observed by exchangers. We hear
+complaints like this with regret, and hope the delinquent boy will
+explain the matter. Several correspondents are in trouble because those
+who have written to them have carelessly omitted to give their proper
+names and addresses, or have written illegibly.</p>
+
+<p>We have spoken of this frequently, but we call attention to it now
+because it has been almost impossible for us to read some of the
+exchanges lately sent to the Post-office Box. Please write plainly, and
+with ink; pencil marks are rubbed off in the mail. Again we say, in
+answer to several inquiries, that there is no charge for exchanges. We
+do not accept those which offer or ask for money, however, because they
+come under the head of advertisements, and refer to buying and selling.</p>
+
+<hr class="tb" />
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Falls City, Nebraska</span>.</span><br />
+</p>
+
+<blockquote>
+
+<p>My home is on a farm two miles from Falls City, four miles from the
+line of Kansas, and eight from the Missouri River. I have three
+brothers and two sisters at home. We read the first chapter of "Tim
+and Tip" to-day, and we do not blame Tim for running away. We think
+it will be a very good story.</p>
+
+<p>Like many of the young people who write for the Post-office Box, we
+had a pet. It was a young mare named Nelly, and she was so gentle
+that any of us could ride her; but last week, when she was in the
+pasture, she lay down to roll near a rattlesnake, and it bit her so
+that she died in three days. She swelled very much, and suffered
+terribly, and we all felt like crying when she died. Papa has
+buried her in the orchard. She left a little colt only six weeks
+old, and we have given it to another mare, who now has two colts to
+care for. There used to be a great many rattlesnakes here, but they<span class="pagenum"><a name="Page_703" id="Page_703">[Pg 703]</a></span>
+are getting scarcer every year. I wish some good saint would drive
+all the snakes out of Nebraska, as St. Patrick is said to have
+banished them from Ireland.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Mamie H.&nbsp;H</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p>The following exchanges are offered by correspondents:</p>
+
+<blockquote>
+
+<p>Foreign stamps, for same. Write to describe exchange.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">E.&nbsp;E. Brown</span>, Comstock's Bridge, Conn.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Three varieties of Chinese coins, for not less than twenty rare
+U.&nbsp;S. or foreign postage stamps; or a genuine Japanese silver
+coin, very rare, for a <i>Collectors' Directory</i>; or a rare silver
+coin of Bogota, issued in 1853, for an international stamp album.
+</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">J.&nbsp;W. Milnes</span>, P.&nbsp;O. Lock Box 19,</span><br />
+<span style="margin-left: 23em;">Bloomfield, Sonoma Co., Cal.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Pieces of abylona from the Pacific Ocean or Chinese coins, for rare
+U.&nbsp;S. or foreign postage stamps.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Charles S. Milnes</span>, Lock Box 9,</span><br />
+<span style="margin-left: 23em;">Bloomfield, Sonoma Co., Cal.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Two hundred and twenty-five postmarks, of which all are different,
+and 135 are Michigan, for 150 foreign stamps, all different. Rare,
+revenue, and common stamps, for bills, minerals, coins, relics, and
+ores, stamps from Guatemala, Transvaal, Uruguay, and Ionian Isles;
+three Cuban, two Mexican, or two Danish West Indian stamps, for a 7
+or 90 cent War Department stamp or a Chinese stamp; five rare
+stamps, for a good arrow-head. Please write before sending stamps.
+Also the numbers of <span class="smcap">Young People</span> between 52 and 71, for five
+foreign stamps; and numbers 74 and 76, for 33.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Teddy Smith</span>,</span><br />
+<span style="margin-left: 23em;">641 Cass Avenue, Detroit, Mich.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p><i>Louis Sinclair</i>, by Laurence Lancewood, crystallized flint that
+will cut glass or wood, bark from Missouri, a sprout of persimmon,
+a sprout of peony-flag, and of flowering-almond, for a pair of
+gold-fish; also some of the above, for a bouquet of
+everlasting-flowers. Write before exchanging.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Frank Bryan</span>, Papinsville, Bates Co., Mo.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A great basketful of pretty flints, fine white marble, granite,
+potter's clay, and twenty carnelians, a few chalcedony, and in
+another month a large supply of thirty kinds of flower seeds, for
+ores, minerals, or anything suitable for a museum. Write address
+plainly on each package, even if only a postal be sent.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Anna</span> and <span class="smcap">L. Favre</span>,</span><br />
+<span style="margin-left: 23em;">Ontario, Story Co., Iowa.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A large number of duplicate album cards to exchange with
+collectors.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">E.&nbsp;S.&nbsp;R.,</span><br />
+<span style="margin-left: 23em;">7 Joslyn Park, Rochester, N.&nbsp;Y.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Soil from Louisiana, for flower seeds.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Frank W. Shotwell</span>,</span><br />
+<span style="margin-left: 23em;">192 Harmony St., New Orleans, La.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A genuine Indian bow and two arrows, which were made by the
+Chippewa Indians, who live north of here, for the largest
+assortment of minerals or curiosities offered me. Correspondents
+will please write soon.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Horace Mitchell</span>, Duluth, Minn.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Six foreign stamps, all different, for one of the following U.&nbsp;S.
+stamps: 2, 3, 7, 10, 12 cent Department of State; 7, 10, 15 cent
+Navy; 2 or 6 cent Executive; 2, 10, 12, 15 cent Justice; 7 or 90
+cent War; or forty stamps for the $5, $10, $20 Department of State.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">H.&nbsp;B.&nbsp;F., P.&nbsp;O. Drawer 184, Poughkeepsie, N.&nbsp;Y.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p><i>Youth's Companion</i> for 1880 and part of 1881 (unbound), for
+Vol.&nbsp;I. of <span class="smcap">Harper's Young People</span>. Send postal before sending
+<span class="smcap">Young People</span>. An old Mexican and a Venezuela stamp, for a U.&nbsp;S.
+half-cent of any date. Some silk-worm eggs, on card-board, from
+Japan, for half-cent or odd silver coins. A lot of Kansas and
+Western postmarks, for department stamps.
+</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">"<span class="smcap">A Reader of Young People</span>,"</span><br />
+<span style="margin-left: 23em;">P.&nbsp;O. Box 1341, Moline, Ill.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Fifteen postmarks, for ten foreign stamps (no duplicates) or two
+foreign coins of any date; a piece of soapstone from Kate's
+Mountain, Wisconsin, for minerals, curiosities, stamps, coins, or
+stones.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Ralph J. Wood</span>, Coldwater, Mich.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>One picture card, for one foreign stamp or three postmarks; a stone
+from New York, for one from any other State or Territory.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Florence Pope</span>,</span><br />
+<span style="margin-left: 23em;">P.&nbsp;O. Box 60, Scottsville, Monroe Co., N.&nbsp;Y.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Germany, France, Japan, Hong-Kong, and other rare stamps, for rare
+stamps and curiosities of all kinds.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Robert Ferguson</span>,</span><br />
+<span style="margin-left: 23em;">890 Gates Avenue, Brooklyn, L.&nbsp;I.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A Dexter scroll-saw in good order, for a self-inking
+printing-press, chase not less than 2 by 4 inches, and in good
+working order. Please write before sending press, and describe it.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;">W.&nbsp;H.&nbsp;S., care James A. Guest,</span><br />
+<span style="margin-left: 23em;">Burlington, Iowa.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A piece of petrified sea-bird, for Indian relics, Indian
+arrow-heads, moss, plants, sea-shells, minerals, ores, pressed
+ferns and flowers, stone and soil from any other State, coins,
+woods, star-fish, papers, fossils, or Florida sea-beans; ten
+foreign stamps, for soil and stone from any other State.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Whitmore Steele</span>, care of Captain H.&nbsp;S. Steele,</span><br />
+<span style="margin-left: 23em;">Babylon, L.&nbsp;I.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A 3-cent adhesive of 1851 and '61, a 3-cent envelope of 1853, or a
+6-cent envelope of 1870, for rare foreign stamps.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Georgie C. Weissert</span>,</span><br />
+<span style="margin-left: 23em;">193 Twelfth Street, Milwaukee, Wis.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>My entire museum (which contains 250 specimens), for a good
+repeating rifle or a good bicycle. Write a postal to Professor
+W.&nbsp;S. Ryland for information.
+</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Lamas H. Porter</span>,</span><br />
+<span style="margin-left: 23em;">Russellville, Logan Co., Ky.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Stones from Ohio and Lake Erie, for the same from any other State,
+lake, or river. Marble from Vermont, New York, Kentucky, or Italy,
+for the same from any other State or country.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Lyon Caughey</span>, Seville, Medina Co., Ohio.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Florida moss and minerals, for things suitable for a museum; South
+American and Florida shells, for minerals and curiosities.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">George Schulze</span>,</span><br />
+<span style="margin-left: 23em;">Box 42, Okawville, Washington Co., Ill.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Three pieces of English money, dated 1722, 1747, and 1806, and a
+silver coin of East India, dated 1841, for Indian relics. Write,
+stating the relics you offer in exchange.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">W.&nbsp;G. Flanagan</span>,</span><br />
+<span style="margin-left: 23em;">Johnstown, Cambria Co., Penn.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>German, French, English, and Italian stamps, for stamps from Asia
+or South America.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">W.&nbsp;J. Murray</span>, P.&nbsp;O. Box 91, Annapolis, Md.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A pair of fine young bantams, for a collection of butterflies,
+minerals, or Indian relics.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Sydney Brown</span>,</span><br />
+<span style="margin-left: 23em;">23 West Jersey St., Elizabeth, N.&nbsp;J.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Foreign coins and stamps from India and Denmark, for 24 and 90 cent
+of any issue, and 30-cent of any issue except present one.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">N.&nbsp;C. Twining, Jun</span>., Batavia, Kane Co., Ill.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Stones from Pennsylvania, for stones from any other part of the
+world.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Nattie Pratt</span>,</span><br />
+<span style="margin-left: 23em;">Glen Mills, Delaware Co., Penn.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A shell, a stone from Indiana, petrified wood, a petrified wasps'
+nest, and other curiosities, for curiosities.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Albert Brewer</span>,</span><br />
+<span style="margin-left: 23em;">Danville, Hendricks Co., Ind.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Chinese bark from California, and a hedge that George Washington
+planted at Mount Vernon, for Indian relics.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Clarence Brewer</span>,</span><br />
+<span style="margin-left: 23em;">P.&nbsp;O. Box 222, Danville, Ind.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>I have a fine collection of silk cocoons, and would like to
+exchange some for foreign stamps from any country except France,
+Germany, or Italy.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Alberto dal Molin</span>, care Giuseppe dal Molin,</span><br />
+<span style="margin-left: 23em;">Verona, Italy.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Twenty stamps, for an Indian arrow-head or any foreign coin except
+Canadian; forty stamps, for a U.&nbsp;S. half-cent. No duplicate stamps
+given.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Joanna May Wylie</span>,</span><br />
+<span style="margin-left: 23em;">Prairie Centre, Lasalle Co., Ill.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Ten War Department stamps, for ten from Jamaica.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Charles Williamson</span>,</span><br />
+<span style="margin-left: 23em;">88 East Third St., Cincinnati, Ohio.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Two books, both nearly new&mdash;<i>Lucy Woodville's Temptation</i> and
+<i>Reuben Inch</i>&mdash;to any one who will send me the back numbers of <i>St.
+Nicholas</i> for 1881 and the successive numbers as soon as they shall
+have been read. Please write before exchanging.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Jessie Lee Reno</span>, Marengo, Iowa.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>Fifteen foreign stamps and ten postmarks, for three alligator's
+teeth.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">H.&nbsp;S. Whittemore</span>,</span><br />
+<span style="margin-left: 23em;">Box 79, Needham, Mass.</span><br />
+</p>
+
+<hr class="tb" />
+
+<blockquote>
+
+<p>A stone from Massachusetts and one from New Hampshire, for
+curiosities.</p></blockquote>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Fannie Metcalf</span>,</span><br />
+<span style="margin-left: 23em;">61 Vernon St., Lowell, Mass.</span><br />
+</p>
+
+<hr class="tb" />
+
+<p class="center">[<i>For other exchanges, see third page of cover.</i>]</p>
+
+<hr class="tb" />
+
+<p>At the request of a correspondent we publish this sensible extract from
+an exchange, in the hope that our young people will follow its excellent
+advice:</p>
+
+<h4>THE FACE.</h4>
+
+<p>It is a mistake to believe that a good complexion depends upon the use
+of such and such cosmetics. It really depends upon digestion, which
+itself depends upon our mode of life. Persons who rise early and go to
+bed regularly at ten, who take plenty of air and exercise, eat with
+moderation at regular hours, having their meals at intervals long enough
+for the digestion of one to be thoroughly accomplished before they begin
+the next&mdash;these persons are sure to digest well, and in consequence have
+clear, healthy complexions, which will require no other cosmetics but
+plenty of soft water and good toilet soap. The hygiene of the eyes is
+very simple. For them, as well as for the complexion, good digestion is
+equally necessary; more so, for no cosmetic could remove the yellow
+tinge which biliousness imparts to them, and if some mysterious pencils
+can supply the insufficient shadow of rare eyelashes, good health alone
+can give them that brightness which is their principal beauty. Never
+read in bed or in a reclining attitude; it provokes a tension of the
+optic nerve very fatiguing to the eyesight. Bathe your eyes daily in
+salt water; not salt enough, though, to cause a smarting sensation.
+Nothing is more strengthening; and we have known several persons who,
+after using this simple tonic for a few weeks, had put aside the
+spectacles they had used for years, and did not resume them, continuing,
+of course, the oft-repeated daily use of salt water. Never force your
+eyesight to read or work in insufficient or too glaring light. Reading
+with the sun upon one's book is mortally injurious to the eyes.</p>
+
+<hr class="tb" />
+
+<p>E.&nbsp;L. Douglas, Whitby, Ontario, Canada, wishes the address of the person
+who sent him a box containing coral, and marked K.&nbsp;M.&nbsp;S.</p>
+
+<hr class="tb" />
+
+<p>J.&nbsp;H.&nbsp;C.&mdash;By Chinese stamps are meant Hong-Kong stamps issued by the
+British government.</p>
+
+<hr class="tb" />
+
+<p>C.&nbsp;E.&nbsp;C. Diffenderfer withdraws from the exchange list.</p>
+
+<hr class="tb" />
+
+<p><span class="smcap">Wroton M. Kenney</span>.&mdash;There is no better book for the reading of an
+intelligent lad who wants to know how his country is governed than
+<i>Politics for Young Americans</i>, by Charles Nordhoff, published by Harper
+&amp; Brothers. The price is 75 cents.</p>
+
+<hr class="tb" />
+
+<p><span class="smcap">Jennie and Julia</span>.&mdash;It is difficult to assign you subjects for
+compositions when we do not know your grade of advancement. If you wish
+to excel, read good books, choose easy topics, about which you know
+something, and write as though you were telling a story to a child or
+talking to your friends.</p>
+
+<hr class="tb" />
+
+<p>Correct answers to puzzles have been received from "Parton," Theresa
+Morro, C. Burr, Alfred R. Meeker, "North Star," "<i>Unknown</i>," Flora A.,
+"Dandy," "Lodestar," Annie Gail, Wroton M. Kenney, G. Volckhausen,
+"Venus," Abel Foster, "Jersey City," William Wolff, Jessie Newton, J.&nbsp;H.
+Jenny.</p>
+
+<hr class="tb" />
+
+<h3>PUZZLES FROM YOUNG CONTRIBUTORS.</h3>
+
+<h3>No. 1.</h3>
+
+<h3>PYRAMID.</h3>
+
+<p>Across.&mdash;1. A letter. 2. Jurisprudence. 3. Surfeited. 4. That which
+fades from view.</p>
+
+<p>Down.&mdash;1. A letter. 2. A prefix. 3. A resinous substance. 4. Tardy. 5.
+To harry. 6. A prefix. 7. A letter.</p>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Aerolite</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<h3>No. 2.</h3>
+
+<h3>NUMERICAL ENIGMA.&mdash;(<i>To North Star</i>).</h3>
+
+<div class="center">
+<table border="0" cellpadding="2" cellspacing="0" summary="">
+<tr><td align="left">My 2, 3, 5, 6 is a cobbler's tool.</td></tr>
+<tr><td align="left">My 1, 7, 8, 9 is a past participle.</td></tr>
+<tr><td align="left">My 6, 9, 4 is a boy's nickname.</td></tr>
+<tr><td align="left">My whole is an English statesman.</td></tr>
+</table></div>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Lodestar</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<h3>No. 3.</h3>
+
+<h3>GEOGRAPHICAL WORD SQUARE.</h3>
+
+<p class="center">A noted city in Arabia. A gulf east of Africa. A river in Russia. A country in Asia.</p>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">Wroton M. Kenney</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<h3>No. 4.</h3>
+
+<h3>ENIGMA.</h3>
+
+<div class="center">
+<table border="0" cellpadding="2" cellspacing="0" summary="">
+<tr><td align="left">In apple, not in cherry.</td></tr>
+<tr><td align="left">In joyful, not in merry.</td></tr>
+<tr><td align="left">In riddle, not in guess.</td></tr>
+<tr><td align="left">In mixture, not in mess.</td></tr>
+<tr><td align="left">In pleasure, not in pain.</td></tr>
+<tr><td align="left">In miller, not in grain.</td></tr>
+<tr><td align="left">In Harper's, not in <span class="smcap">Young People</span>.</td></tr>
+<tr><td align="left">In church, but not in steeple.</td></tr>
+<tr><td align="left">In garden, not in bower.</td></tr>
+<tr><td align="left">My whole's a sweet and modest flower.</td></tr>
+</table></div>
+
+<p>
+<span style="margin-left: 23em;"><span class="smcap">M.&nbsp;L. Edgerley</span>.</span><br />
+</p>
+
+<hr class="tb" />
+
+<h3>ANSWERS TO PUZZLES IN No. 93.</h3>
+
+<h3>No. 1.</h3>
+
+<p class="center">Arm-chair.</p>
+
+<h3>No, 2.</h3>
+
+<div class="center">
+<table border="0" cellpadding="4" cellspacing="0" summary="">
+<tr><td align="center"></td><td align="center"></td><td align="center"></td><td align="center">B</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center">F</td><td align="center">I</td><td align="center">D</td></tr>
+<tr><td align="center"></td><td align="center">F</td><td align="center">A</td><td align="center">C</td><td align="center">E</td><td align="center">S</td></tr>
+<tr><td align="center">B</td><td align="center">I</td><td align="center">C</td><td align="center">Y</td><td align="center">C</td><td align="center">L</td><td align="center">E</td></tr>
+<tr><td align="center"></td><td align="center">D</td><td align="center">E</td><td align="center">C</td><td align="center">A</td><td align="center">Y</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center">S</td><td align="center">L</td><td align="center">Y</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center"></td><td align="center">E</td></tr>
+</table></div>
+
+<h3>No. 3.</h3>
+
+<p class="center">Freight-car.</p>
+
+<h3>No. 4.</h3>
+
+<p class="center">Vanderbilt.</p>
+
+<h3>No. 5.</h3>
+
+<div class="center">
+<table border="0" cellpadding="4" cellspacing="0" summary="">
+<tr><td align="center">W</td><td align="center">Y</td><td align="center">O</td><td align="center">M</td><td align="center">I</td><td align="center">N</td><td align="center">G</td></tr>
+<tr><td align="center"></td><td align="center">S</td><td align="center">A</td><td align="center">O</td><td align="center">N</td><td align="center">E</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center">I</td><td align="center">N</td><td align="center">N</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center"></td><td align="center">T</td></tr>
+<tr><td align="center"></td><td align="center"></td><td align="center">T</td><td align="center">A</td><td align="center">R</td></tr>
+<tr><td align="center"></td><td align="center">S</td><td align="center">I</td><td align="center">N</td><td align="center">A</td><td align="center">I</td></tr>
+<tr><td align="center">Y</td><td align="center">U</td><td align="center">C</td><td align="center">A</td><td align="center">T</td><td align="center">A</td><td align="center">N</td></tr>
+</table></div>
+
+<hr class="tb" />
+
+<p class="center">A personation, on page 656.&mdash;Tooth.</p>
+
+<hr class="chap" />
+
+<p><span class="pagenum"><a name="Page_704" id="Page_704">[Pg 704]</a></span></p>
+
+<div class="figcenter" style="width: 340px;">
+<img src="images/ill_012.jpg" width="340" height="500" alt="" />
+<span class="caption">BLACKBERRIES.</span>
+</div>
+
+<hr class="chap" />
+<h2><a name="A_RIVER_IN_IDAHO_STORY" id="A_RIVER_IN_IDAHO_STORY">A (RIVER IN IDAHO) STORY.</a></h2>
+
+<h3>BY C.&nbsp;E.&nbsp;M.</h3>
+
+<p>One fine day a friend of mine named&mdash;(two towns in Maine) suggested to
+me that we should take advantage of the&mdash;(mountain in Alaska) by going
+to drive.</p>
+
+<p>We trotted slowly past the&mdash;(town in Kentucky), where an exciting game
+of&mdash;(town in Wisconsin) was going on, and after passing through
+the&mdash;(town in Vermont) of the town, were soon enjoying the refreshing
+coolness of the woods.</p>
+
+<p>Suddenly the horse gave a&mdash;(point on the coast of England), and (city in
+West Virginia) in the narrow road, bordered by high&mdash;(strait in British
+America), the carriage overturned, and we were both thrown out.</p>
+
+<p>Fortunately this did not prove a serious&mdash;(cape in Australia), for we
+were but slightly bruised, and the horse made no attempt to run.</p>
+
+<p>On looking about to discover a&mdash;(bay in Ireland) to our steed's fright,
+strange enough in such an unfrequented (lake in Canada) spot, I suddenly
+perceived in the middle of the road a large&mdash;(sea of Europe) (river in
+Idaho), with (sea of Asia) spots.</p>
+
+<p>While&mdash;(town in Maine) was trying to right the buggy, I cautiously
+advanced, and seizing a&mdash;(city in Arkansas), hurled it with all my force
+at the (river in Idaho).</p>
+
+<p>My aim did not prove&mdash;(bay in Africa), and the animal's head was smashed
+to&mdash;(river in Australia).</p>
+
+<p>"(City in Arizona), (city in North Carolina)!" cried my friend.
+"Hereafter, in any such&mdash;(bay in Australia), I shall rely on you
+to&mdash;(river in Austria) me."</p>
+
+<p>The coast being now once more&mdash;(cape in Ireland), we finished our drive
+in&mdash;(river in British America), without further excitement than that
+caused by a&mdash;(cape in Newfoundland) with a team which tried to pass us.</p>
+
+<p>I for one was heartily glad to come in sight of the&mdash;(city in Germany)
+of our little town; and after a joyful&mdash;(island in the Indian Ocean)
+with my family, was quite ready to say&mdash;(cape in Greenland) to&mdash;(town in
+Maine), notwithstanding his&mdash;(cape in Washington Territory) on the
+subject of my bravery.</p>
+
+<hr class="chap" />
+<h2><a name="THE_PEA-NUT" id="THE_PEA-NUT">THE PEA-NUT.</a></h2>
+
+<p>The pea-nut is the fruit of a plant common in warm countries. It is
+sometimes called the ground-pea and ground or earth nut, and in the
+Southern States the goober or goober-nut. Still another name for it is
+pindal or pindar, and in Western Africa it is called mandubi. The plant
+is a trailing vine, with small yellow flowers. After the flowers fall,
+the flower stem grows longer, bends downward, and the pod on the end
+forces itself into the ground, where it ripens.</p>
+
+<p>Pea-nuts are raised in immense quantities on the west coast of Africa,
+in South America, and in the Southern United States. The vines are dug
+with pronged hoes or forks, dried for a few days, and then stacked for
+two weeks to cure. The pods are picked by hand from the vines, cleaned
+in a fanning mill, and sometimes bleached with sulphur, and packed in
+bags for market. Pea-nuts are sometimes eaten raw, but usually roasted
+or baked. In Africa and South America they form one of the chief
+articles of food. Large quantities of them are made into an oil much
+like olive-oil, and which is used in the same way. It is also used in
+the manufacture of soap. A bushel of pea-nuts, when pressed cold, will
+make a gallon of oil. If heat is used, more oil is made, but it is not
+so good. In Spain, pea-nuts are ground and mixed with chocolate. Pea-nut
+vines make good food for cattle.</p>
+
+<p>The pea-nut gets its name from the shape of its pod, which is like that
+of the pea.&mdash;<i>Young Folks' Cyclopędia</i>.</p>
+
+<hr class="chap" />
+<div class="figcenter" style="width: 489px;">
+<img src="images/ill_013.jpg" width="489" height="500" alt="" />
+<span class="caption"><span class="smcap">Mr. Pig</span>. "Humph! now I can take a little rest."</span>
+</div>
+
+<p style="clear:both;">&nbsp;</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's Harper's Young People, August 30, 1881, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, AUG 30, 1881 ***
+
+***** This file should be named 49046-h.htm or 49046-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/4/9/0/4/49046/
+
+Produced by Annie R. McGuire
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+
+
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+
+</pre>
+
+</body>
+</html>
diff --git a/old/49046-h/images/ill_001.jpg b/old/49046-h/images/ill_001.jpg
new file mode 100644
index 0000000..0fd8fbc
--- /dev/null
+++ b/old/49046-h/images/ill_001.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_002.jpg b/old/49046-h/images/ill_002.jpg
new file mode 100644
index 0000000..ba9432a
--- /dev/null
+++ b/old/49046-h/images/ill_002.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_003.jpg b/old/49046-h/images/ill_003.jpg
new file mode 100644
index 0000000..29dd358
--- /dev/null
+++ b/old/49046-h/images/ill_003.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_004.jpg b/old/49046-h/images/ill_004.jpg
new file mode 100644
index 0000000..df37417
--- /dev/null
+++ b/old/49046-h/images/ill_004.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_005.jpg b/old/49046-h/images/ill_005.jpg
new file mode 100644
index 0000000..27935ec
--- /dev/null
+++ b/old/49046-h/images/ill_005.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_006.jpg b/old/49046-h/images/ill_006.jpg
new file mode 100644
index 0000000..f1f0b32
--- /dev/null
+++ b/old/49046-h/images/ill_006.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_007.jpg b/old/49046-h/images/ill_007.jpg
new file mode 100644
index 0000000..634a809
--- /dev/null
+++ b/old/49046-h/images/ill_007.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_008.jpg b/old/49046-h/images/ill_008.jpg
new file mode 100644
index 0000000..96fe008
--- /dev/null
+++ b/old/49046-h/images/ill_008.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_009.jpg b/old/49046-h/images/ill_009.jpg
new file mode 100644
index 0000000..ce70157
--- /dev/null
+++ b/old/49046-h/images/ill_009.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_010.jpg b/old/49046-h/images/ill_010.jpg
new file mode 100644
index 0000000..e05f5fa
--- /dev/null
+++ b/old/49046-h/images/ill_010.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_011.jpg b/old/49046-h/images/ill_011.jpg
new file mode 100644
index 0000000..b148c27
--- /dev/null
+++ b/old/49046-h/images/ill_011.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_012.jpg b/old/49046-h/images/ill_012.jpg
new file mode 100644
index 0000000..745ee15
--- /dev/null
+++ b/old/49046-h/images/ill_012.jpg
Binary files differ
diff --git a/old/49046-h/images/ill_013.jpg b/old/49046-h/images/ill_013.jpg
new file mode 100644
index 0000000..90dd92d
--- /dev/null
+++ b/old/49046-h/images/ill_013.jpg
Binary files differ