summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--456-0.txt5028
-rw-r--r--456-0.zipbin0 -> 101481 bytes
-rw-r--r--456-h.zipbin0 -> 104535 bytes
-rw-r--r--456-h/456-h.htm6578
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/456.txt5334
-rw-r--r--old/456.zipbin0 -> 101735 bytes
-rw-r--r--old/tditw10.txt5209
-rw-r--r--old/tditw10.zipbin0 -> 106324 bytes
11 files changed, 22165 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/456-0.txt b/456-0.txt
new file mode 100644
index 0000000..f4f071d
--- /dev/null
+++ b/456-0.txt
@@ -0,0 +1,5028 @@
+The Project Gutenberg eBook of The Door in the Wall And Other Stories, by H. G. Wells
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: The Door in the Wall And Other Stories
+
+Author: H. G. Wells
+
+Release Date: March, 1996 [eBook #456]
+[Most recently updated: April 12, 2021]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: Judith Boss
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE DOOR IN THE WALL AND OTHER STORIES ***
+
+
+
+
+The Door in the Wall
+
+And Other Stories
+
+by H. G. Wells
+
+
+Contents
+
+ THE DOOR IN THE WALL
+ THE STAR
+ A DREAM OF ARMAGEDDON
+ THE CONE
+ A MOONLIGHT FABLE
+ THE DIAMOND MAKER
+ THE LORD OF THE DYNAMOS
+ THE COUNTRY OF THE BLIND
+
+
+
+
+THE DOOR IN THE WALL
+
+I
+
+One confidential evening, not three months ago, Lionel Wallace told me
+this story of the Door in the Wall. And at the time I thought that so
+far as he was concerned it was a true story.
+
+He told it me with such a direct simplicity of conviction that I could
+not do otherwise than believe in him. But in the morning, in my own
+flat, I woke to a different atmosphere, and as I lay in bed and
+recalled the things he had told me, stripped of the glamour of his
+earnest slow voice, denuded of the focussed shaded table light, the
+shadowy atmosphere that wrapped about him and the pleasant bright
+things, the dessert and glasses and napery of the dinner we had shared,
+making them for the time a bright little world quite cut off from
+every-day realities, I saw it all as frankly incredible. “He was
+mystifying!” I said, and then: “How well he did it!. . . . . It isn’t
+quite the thing I should have expected him, of all people, to do well.”
+
+Afterwards, as I sat up in bed and sipped my morning tea, I found
+myself trying to account for the flavour of reality that perplexed me
+in his impossible reminiscences, by supposing they did in some way
+suggest, present, convey—I hardly know which word to use—experiences it
+was otherwise impossible to tell.
+
+Well, I don’t resort to that explanation now. I have got over my
+intervening doubts. I believe now, as I believed at the moment of
+telling, that Wallace did to the very best of his ability strip the
+truth of his secret for me. But whether he himself saw, or only thought
+he saw, whether he himself was the possessor of an inestimable
+privilege, or the victim of a fantastic dream, I cannot pretend to
+guess. Even the facts of his death, which ended my doubts forever,
+throw no light on that. That much the reader must judge for himself.
+
+I forget now what chance comment or criticism of mine moved so reticent
+a man to confide in me. He was, I think, defending himself against an
+imputation of slackness and unreliability I had made in relation to a
+great public movement in which he had disappointed me. But he plunged
+suddenly. “I have” he said, “a preoccupation—”
+
+“I know,” he went on, after a pause that he devoted to the study of his
+cigar ash, “I have been negligent. The fact is—it isn’t a case of
+ghosts or apparitions—but—it’s an odd thing to tell of, Redmond—I am
+haunted. I am haunted by something—that rather takes the light out of
+things, that fills me with longings . . . . .”
+
+He paused, checked by that English shyness that so often overcomes us
+when we would speak of moving or grave or beautiful things. “You were
+at Saint Athelstan’s all through,” he said, and for a moment that
+seemed to me quite irrelevant. “Well”—and he paused. Then very
+haltingly at first, but afterwards more easily, he began to tell of the
+thing that was hidden in his life, the haunting memory of a beauty and
+a happiness that filled his heart with insatiable longings that made
+all the interests and spectacle of worldly life seem dull and tedious
+and vain to him.
+
+Now that I have the clue to it, the thing seems written visibly in his
+face. I have a photograph in which that look of detachment has been
+caught and intensified. It reminds me of what a woman once said of
+him—a woman who had loved him greatly. “Suddenly,” she said, “the
+interest goes out of him. He forgets you. He doesn’t care a rap for
+you—under his very nose . . . . .”
+
+Yet the interest was not always out of him, and when he was holding his
+attention to a thing Wallace could contrive to be an extremely
+successful man. His career, indeed, is set with successes. He left me
+behind him long ago; he soared up over my head, and cut a figure in the
+world that I couldn’t cut—anyhow. He was still a year short of forty,
+and they say now that he would have been in office and very probably in
+the new Cabinet if he had lived. At school he always beat me without
+effort—as it were by nature. We were at school together at Saint
+Athelstan’s College in West Kensington for almost all our school time.
+He came into the school as my co-equal, but he left far above me, in a
+blaze of scholarships and brilliant performance. Yet I think I made a
+fair average running. And it was at school I heard first of the Door in
+the Wall—that I was to hear of a second time only a month before his
+death.
+
+To him at least the Door in the Wall was a real door leading through a
+real wall to immortal realities. Of that I am now quite assured.
+
+And it came into his life early, when he was a little fellow between
+five and six. I remember how, as he sat making his confession to me
+with a slow gravity, he reasoned and reckoned the date of it. “There
+was,” he said, “a crimson Virginia creeper in it—all one bright uniform
+crimson in a clear amber sunshine against a white wall. That came into
+the impression somehow, though I don’t clearly remember how, and there
+were horse-chestnut leaves upon the clean pavement outside the green
+door. They were blotched yellow and green, you know, not brown nor
+dirty, so that they must have been new fallen. I take it that means
+October. I look out for horse-chestnut leaves every year, and I ought
+to know.
+
+“If I’m right in that, I was about five years and four months old.”
+
+He was, he said, rather a precocious little boy—he learned to talk at
+an abnormally early age, and he was so sane and “old-fashioned,” as
+people say, that he was permitted an amount of initiative that most
+children scarcely attain by seven or eight. His mother died when he was
+born, and he was under the less vigilant and authoritative care of a
+nursery governess. His father was a stern, preoccupied lawyer, who gave
+him little attention, and expected great things of him. For all his
+brightness he found life a little grey and dull I think. And one day he
+wandered.
+
+He could not recall the particular neglect that enabled him to get
+away, nor the course he took among the West Kensington roads. All that
+had faded among the incurable blurs of memory. But the white wall and
+the green door stood out quite distinctly.
+
+As his memory of that remote childish experience ran, he did at the
+very first sight of that door experience a peculiar emotion, an
+attraction, a desire to get to the door and open it and walk in. And at
+the same time he had the clearest conviction that either it was unwise
+or it was wrong of him—he could not tell which—to yield to this
+attraction. He insisted upon it as a curious thing that he knew from
+the very beginning—unless memory has played him the queerest trick—that
+the door was unfastened, and that he could go in as he chose.
+
+I seem to see the figure of that little boy, drawn and repelled. And it
+was very clear in his mind, too, though why it should be so was never
+explained, that his father would be very angry if he went through that
+door.
+
+Wallace described all these moments of hesitation to me with the utmost
+particularity. He went right past the door, and then, with his hands in
+his pockets, and making an infantile attempt to whistle, strolled right
+along beyond the end of the wall. There he recalls a number of mean,
+dirty shops, and particularly that of a plumber and decorator, with a
+dusty disorder of earthenware pipes, sheet lead ball taps, pattern
+books of wall paper, and tins of enamel. He stood pretending to examine
+these things, and coveting, passionately desiring the green door.
+
+Then, he said, he had a gust of emotion. He made a run for it, lest
+hesitation should grip him again, he went plump with outstretched hand
+through the green door and let it slam behind him. And so, in a trice,
+he came into the garden that has haunted all his life.
+
+It was very difficult for Wallace to give me his full sense of that
+garden into which he came.
+
+There was something in the very air of it that exhilarated, that gave
+one a sense of lightness and good happening and well being; there was
+something in the sight of it that made all its colour clean and perfect
+and subtly luminous. In the instant of coming into it one was
+exquisitely glad—as only in rare moments and when one is young and
+joyful one can be glad in this world. And everything was beautiful
+there . . . . .
+
+Wallace mused before he went on telling me. “You see,” he said, with
+the doubtful inflection of a man who pauses at incredible things,
+“there were two great panthers there . . . Yes, spotted panthers. And I
+was not afraid. There was a long wide path with marble-edged flower
+borders on either side, and these two huge velvety beasts were playing
+there with a ball. One looked up and came towards me, a little curious
+as it seemed. It came right up to me, rubbed its soft round ear very
+gently against the small hand I held out and purred. It was, I tell
+you, an enchanted garden. I know. And the size? Oh! it stretched far
+and wide, this way and that. I believe there were hills far away.
+Heaven knows where West Kensington had suddenly got to. And somehow it
+was just like coming home.
+
+“You know, in the very moment the door swung to behind me, I forgot the
+road with its fallen chestnut leaves, its cabs and tradesmen’s carts, I
+forgot the sort of gravitational pull back to the discipline and
+obedience of home, I forgot all hesitations and fear, forgot
+discretion, forgot all the intimate realities of this life. I became in
+a moment a very glad and wonder-happy little boy—in another world. It
+was a world with a different quality, a warmer, more penetrating and
+mellower light, with a faint clear gladness in its air, and wisps of
+sun-touched cloud in the blueness of its sky. And before me ran this
+long wide path, invitingly, with weedless beds on either side, rich
+with untended flowers, and these two great panthers. I put my little
+hands fearlessly on their soft fur, and caressed their round ears and
+the sensitive corners under their ears, and played with them, and it
+was as though they welcomed me home. There was a keen sense of
+home-coming in my mind, and when presently a tall, fair girl appeared
+in the pathway and came to meet me, smiling, and said Well?’ to me, and
+lifted me, and kissed me, and put me down, and led me by the hand,
+there was no amazement, but only an impression of delightful rightness,
+of being reminded of happy things that had in some strange way been
+overlooked. There were broad steps, I remember, that came into view
+between spikes of delphinium, and up these we went to a great avenue
+between very old and shady dark trees. All down this avenue, you know,
+between the red chapped stems, were marble seats of honour and
+statuary, and very tame and friendly white doves . . . . .
+
+“And along this avenue my girl-friend led me, looking down—I recall the
+pleasant lines, the finely-modelled chin of her sweet kind face—asking
+me questions in a soft, agreeable voice, and telling me things,
+pleasant things I know, though what they were I was never able to
+recall . . . And presently a little Capuchin monkey, very clean, with a
+fur of ruddy brown and kindly hazel eyes, came down a tree to us and
+ran beside me, looking up at me and grinning, and presently leapt to my
+shoulder. So we went on our way in great happiness . . . .”
+
+He paused.
+
+“Go on,” I said.
+
+“I remember little things. We passed an old man musing among laurels, I
+remember, and a place gay with paroquets, and came through a broad
+shaded colonnade to a spacious cool palace, full of pleasant fountains,
+full of beautiful things, full of the quality and promise of heart’s
+desire. And there were many things and many people, some that still
+seem to stand out clearly and some that are a little vague, but all
+these people were beautiful and kind. In some way—I don’t know how—it
+was conveyed to me that they all were kind to me, glad to have me
+there, and filling me with gladness by their gestures, by the touch of
+their hands, by the welcome and love in their eyes. Yes—”
+
+He mused for awhile. “Playmates I found there. That was very much to
+me, because I was a lonely little boy. They played delightful games in
+a grass-covered court where there was a sun-dial set about with
+flowers. And as one played one loved . . . .
+
+“But—it’s odd—there’s a gap in my memory. I don’t remember the games we
+played. I never remembered. Afterwards, as a child, I spent long hours
+trying, even with tears, to recall the form of that happiness. I wanted
+to play it all over again—in my nursery—by myself. No! All I remember
+is the happiness and two dear playfellows who were most with me . . . .
+Then presently came a sombre dark woman, with a grave, pale face and
+dreamy eyes, a sombre woman wearing a soft long robe of pale purple,
+who carried a book and beckoned and took me aside with her into a
+gallery above a hall—though my playmates were loth to have me go, and
+ceased their game and stood watching as I was carried away. ‘Come back
+to us!’ they cried. ‘Come back to us soon!’ I looked up at her face,
+but she heeded them not at all. Her face was very gentle and grave. She
+took me to a seat in the gallery, and I stood beside her, ready to look
+at her book as she opened it upon her knee. The pages fell open. She
+pointed, and I looked, marvelling, for in the living pages of that book
+I saw myself; it was a story about myself, and in it were all the
+things that had happened to me since ever I was born . . . .
+
+“It was wonderful to me, because the pages of that book were not
+pictures, you understand, but realities.”
+
+Wallace paused gravely—looked at me doubtfully.
+
+“Go on,” I said. “I understand.”
+
+“They were realities—yes, they must have been; people moved and things
+came and went in them; my dear mother, whom I had near forgotten; then
+my father, stern and upright, the servants, the nursery, all the
+familiar things of home. Then the front door and the busy streets, with
+traffic to and fro: I looked and marvelled, and looked half doubtfully
+again into the woman’s face and turned the pages over, skipping this
+and that, to see more of this book, and more, and so at last I came to
+myself hovering and hesitating outside the green door in the long white
+wall, and felt again the conflict and the fear.
+
+“‘And next?’ I cried, and would have turned on, but the cool hand of
+the grave woman delayed me.
+
+“‘Next?’ I insisted, and struggled gently with her hand, pulling up her
+fingers with all my childish strength, and as she yielded and the page
+came over she bent down upon me like a shadow and kissed my brow.
+
+“But the page did not show the enchanted garden, nor the panthers, nor
+the girl who had led me by the hand, nor the playfellows who had been
+so loth to let me go. It showed a long grey street in West Kensington,
+on that chill hour of afternoon before the lamps are lit, and I was
+there, a wretched little figure, weeping aloud, for all that I could do
+to restrain myself, and I was weeping because I could not return to my
+dear play-fellows who had called after me, ‘Come back to us! Come back
+to us soon!’ I was there. This was no page in a book, but harsh
+reality; that enchanted place and the restraining hand of the grave
+mother at whose knee I stood had gone—whither have they gone?”
+
+He halted again, and remained for a time, staring into the fire.
+
+“Oh! the wretchedness of that return!” he murmured.
+
+“Well?” I said after a minute or so.
+
+“Poor little wretch I was—brought back to this grey world again! As I
+realised the fulness of what had happened to me, I gave way to quite
+ungovernable grief. And the shame and humiliation of that public
+weeping and my disgraceful homecoming remain with me still. I see again
+the benevolent-looking old gentleman in gold spectacles who stopped and
+spoke to me—prodding me first with his umbrella. ‘Poor little chap,’
+said he; ‘and are you lost then?’—and me a London boy of five and more!
+And he must needs bring in a kindly young policeman and make a crowd of
+me, and so march me home. Sobbing, conspicuous and frightened, I came
+from the enchanted garden to the steps of my father’s house.
+
+“That is as well as I can remember my vision of that garden—the garden
+that haunts me still. Of course, I can convey nothing of that
+indescribable quality of translucent unreality, that difference from
+the common things of experience that hung about it all; but that—that
+is what happened. If it was a dream, I am sure it was a day-time and
+altogether extraordinary dream . . . . . . H’m!—naturally there
+followed a terrible questioning, by my aunt, my father, the nurse, the
+governess—everyone . . . . . .
+
+“I tried to tell them, and my father gave me my first thrashing for
+telling lies. When afterwards I tried to tell my aunt, she punished me
+again for my wicked persistence. Then, as I said, everyone was
+forbidden to listen to me, to hear a word about it. Even my fairy tale
+books were taken away from me for a time—because I was ‘too
+imaginative.’ Eh? Yes, they did that! My father belonged to the old
+school . . . . . And my story was driven back upon myself. I whispered
+it to my pillow—my pillow that was often damp and salt to my whispering
+lips with childish tears. And I added always to my official and less
+fervent prayers this one heartfelt request: ‘Please God I may dream of
+the garden. Oh! take me back to my garden! Take me back to my garden!’
+
+“I dreamt often of the garden. I may have added to it, I may have
+changed it; I do not know . . . . . All this you understand is an
+attempt to reconstruct from fragmentary memories a very early
+experience. Between that and the other consecutive memories of my
+boyhood there is a gulf. A time came when it seemed impossible I should
+ever speak of that wonder glimpse again.”
+
+I asked an obvious question.
+
+“No,” he said. “I don’t remember that I ever attempted to find my way
+back to the garden in those early years. This seems odd to me now, but
+I think that very probably a closer watch was kept on my movements
+after this misadventure to prevent my going astray. No, it wasn’t until
+you knew me that I tried for the garden again. And I believe there was
+a period—incredible as it seems now—when I forgot the garden
+altogether—when I was about eight or nine it may have been. Do you
+remember me as a kid at Saint Athelstan’s?”
+
+“Rather!”
+
+“I didn’t show any signs did I in those days of having a secret dream?”
+
+II
+
+He looked up with a sudden smile.
+
+“Did you ever play North-West Passage with me? . . . . . No, of course
+you didn’t come my way!”
+
+“It was the sort of game,” he went on, “that every imaginative child
+plays all day. The idea was the discovery of a North-West Passage to
+school. The way to school was plain enough; the game consisted in
+finding some way that wasn’t plain, starting off ten minutes early in
+some almost hopeless direction, and working one’s way round through
+unaccustomed streets to my goal. And one day I got entangled among some
+rather low-class streets on the other side of Campden Hill, and I began
+to think that for once the game would be against me and that I should
+get to school late. I tried rather desperately a street that seemed a
+_cul de sac_, and found a passage at the end. I hurried through that
+with renewed hope. ‘I shall do it yet,’ I said, and passed a row of
+frowsy little shops that were inexplicably familiar to me, and behold!
+there was my long white wall and the green door that led to the
+enchanted garden!
+
+“The thing whacked upon me suddenly. Then, after all, that garden, that
+wonderful garden, wasn’t a dream!” . . . .
+
+He paused.
+
+“I suppose my second experience with the green door marks the world of
+difference there is between the busy life of a schoolboy and the
+infinite leisure of a child. Anyhow, this second time I didn’t for a
+moment think of going in straight away. You see . . . For one thing my
+mind was full of the idea of getting to school in time—set on not
+breaking my record for punctuality. I must surely have felt _some_
+little desire at least to try the door—yes, I must have felt that . . .
+. . But I seem to remember the attraction of the door mainly as another
+obstacle to my overmastering determination to get to school. I was
+immediately interested by this discovery I had made, of course—I went
+on with my mind full of it—but I went on. It didn’t check me. I ran
+past tugging out my watch, found I had ten minutes still to spare, and
+then I was going downhill into familiar surroundings. I got to school,
+breathless, it is true, and wet with perspiration, but in time. I can
+remember hanging up my coat and hat . . . Went right by it and left it
+behind me. Odd, eh?”
+
+He looked at me thoughtfully. “Of course, I didn’t know then that it
+wouldn’t always be there. School boys have limited imaginations. I
+suppose I thought it was an awfully jolly thing to have it there, to
+know my way back to it, but there was the school tugging at me. I
+expect I was a good deal distraught and inattentive that morning,
+recalling what I could of the beautiful strange people I should
+presently see again. Oddly enough I had no doubt in my mind that they
+would be glad to see me . . . Yes, I must have thought of the garden
+that morning just as a jolly sort of place to which one might resort in
+the interludes of a strenuous scholastic career.
+
+“I didn’t go that day at all. The next day was a half holiday, and that
+may have weighed with me. Perhaps, too, my state of inattention brought
+down impositions upon me and docked the margin of time necessary for
+the detour. I don’t know. What I do know is that in the meantime the
+enchanted garden was so much upon my mind that I could not keep it to
+myself.
+
+“I told—What was his name?—a ferrety-looking youngster we used to call
+Squiff.”
+
+“Young Hopkins,” said I.
+
+“Hopkins it was. I did not like telling him, I had a feeling that in
+some way it was against the rules to tell him, but I did. He was
+walking part of the way home with me; he was talkative, and if we had
+not talked about the enchanted garden we should have talked of
+something else, and it was intolerable to me to think about any other
+subject. So I blabbed.
+
+“Well, he told my secret. The next day in the play interval I found
+myself surrounded by half a dozen bigger boys, half teasing and wholly
+curious to hear more of the enchanted garden. There was that big
+Fawcett—you remember him?—and Carnaby and Morley Reynolds. You weren’t
+there by any chance? No, I think I should have remembered if you were .
+. . . .
+
+“A boy is a creature of odd feelings. I was, I really believe, in spite
+of my secret self-disgust, a little flattered to have the attention of
+these big fellows. I remember particularly a moment of pleasure caused
+by the praise of Crawshaw—you remember Crawshaw major, the son of
+Crawshaw the composer?—who said it was the best lie he had ever heard.
+But at the same time there was a really painful undertow of shame at
+telling what I felt was indeed a sacred secret. That beast Fawcett made
+a joke about the girl in green—.”
+
+Wallace’s voice sank with the keen memory of that shame. “I pretended
+not to hear,” he said. “Well, then Carnaby suddenly called me a young
+liar and disputed with me when I said the thing was true. I said I knew
+where to find the green door, could lead them all there in ten minutes.
+Carnaby became outrageously virtuous, and said I’d have to—and bear out
+my words or suffer. Did you ever have Carnaby twist your arm? Then
+perhaps you’ll understand how it went with me. I swore my story was
+true. There was nobody in the school then to save a chap from Carnaby
+though Crawshaw put in a word or so. Carnaby had got his game. I grew
+excited and red-eared, and a little frightened, I behaved altogether
+like a silly little chap, and the outcome of it all was that instead of
+starting alone for my enchanted garden, I led the way presently—cheeks
+flushed, ears hot, eyes smarting, and my soul one burning misery and
+shame—for a party of six mocking, curious and threatening
+school-fellows.
+
+“We never found the white wall and the green door . . .”
+
+“You mean?—”
+
+“I mean I couldn’t find it. I would have found it if I could.
+
+“And afterwards when I could go alone I couldn’t find it. I never found
+it. I seem now to have been always looking for it through my school-boy
+days, but I’ve never come upon it again.”
+
+“Did the fellows—make it disagreeable?”
+
+“Beastly . . . . . Carnaby held a council over me for wanton lying. I
+remember how I sneaked home and upstairs to hide the marks of my
+blubbering. But when I cried myself to sleep at last it wasn’t for
+Carnaby, but for the garden, for the beautiful afternoon I had hoped
+for, for the sweet friendly women and the waiting playfellows and the
+game I had hoped to learn again, that beautiful forgotten game . . . .
+.
+
+“I believed firmly that if I had not told— . . . . . I had bad times
+after that—crying at night and wool-gathering by day. For two terms I
+slackened and had bad reports. Do you remember? Of course you would! It
+was _you_—your beating me in mathematics that brought me back to the
+grind again.”
+
+III
+
+For a time my friend stared silently into the red heart of the fire.
+Then he said: “I never saw it again until I was seventeen.
+
+“It leapt upon me for the third time—as I was driving to Paddington on
+my way to Oxford and a scholarship. I had just one momentary glimpse. I
+was leaning over the apron of my hansom smoking a cigarette, and no
+doubt thinking myself no end of a man of the world, and suddenly there
+was the door, the wall, the dear sense of unforgettable and still
+attainable things.
+
+“We clattered by—I too taken by surprise to stop my cab until we were
+well past and round a corner. Then I had a queer moment, a double and
+divergent movement of my will: I tapped the little door in the roof of
+the cab, and brought my arm down to pull out my watch. ‘Yes, sir!’ said
+the cabman, smartly. ‘Er—well—it’s nothing,’ I cried. ‘_My_ mistake! We
+haven’t much time! Go on!’ and he went on . . .
+
+“I got my scholarship. And the night after I was told of that I sat
+over my fire in my little upper room, my study, in my father’s house,
+with his praise—his rare praise—and his sound counsels ringing in my
+ears, and I smoked my favourite pipe—the formidable bulldog of
+adolescence—and thought of that door in the long white wall. ‘If I had
+stopped,’ I thought, ‘I should have missed my scholarship, I should
+have missed Oxford—muddled all the fine career before me! I begin to
+see things better!’ I fell musing deeply, but I did not doubt then this
+career of mine was a thing that merited sacrifice.
+
+“Those dear friends and that clear atmosphere seemed very sweet to me,
+very fine, but remote. My grip was fixing now upon the world. I saw
+another door opening—the door of my career.”
+
+He stared again into the fire. Its red lights picked out a stubborn
+strength in his face for just one flickering moment, and then it
+vanished again.
+
+“Well”, he said and sighed, “I have served that career. I have
+done—much work, much hard work. But I have dreamt of the enchanted
+garden a thousand dreams, and seen its door, or at least glimpsed its
+door, four times since then. Yes—four times. For a while this world was
+so bright and interesting, seemed so full of meaning and opportunity
+that the half-effaced charm of the garden was by comparison gentle and
+remote. Who wants to pat panthers on the way to dinner with pretty
+women and distinguished men? I came down to London from Oxford, a man
+of bold promise that I have done something to redeem. Something—and yet
+there have been disappointments . . . . .
+
+“Twice I have been in love—I will not dwell on that—but once, as I went
+to someone who, I know, doubted whether I dared to come, I took a short
+cut at a venture through an unfrequented road near Earl’s Court, and so
+happened on a white wall and a familiar green door. ‘Odd!’ said I to
+myself, ‘but I thought this place was on Campden Hill. It’s the place I
+never could find somehow—like counting Stonehenge—the place of that
+queer day dream of mine.’ And I went by it intent upon my purpose. It
+had no appeal to me that afternoon.
+
+“I had just a moment’s impulse to try the door, three steps aside were
+needed at the most—though I was sure enough in my heart that it would
+open to me—and then I thought that doing so might delay me on the way
+to that appointment in which I thought my honour was involved.
+Afterwards I was sorry for my punctuality—I might at least have peeped
+in I thought, and waved a hand to those panthers, but I knew enough by
+this time not to seek again belatedly that which is not found by
+seeking. Yes, that time made me very sorry . . . . .
+
+“Years of hard work after that and never a sight of the door. It’s only
+recently it has come back to me. With it there has come a sense as
+though some thin tarnish had spread itself over my world. I began to
+think of it as a sorrowful and bitter thing that I should never see
+that door again. Perhaps I was suffering a little from overwork—perhaps
+it was what I’ve heard spoken of as the feeling of forty. I don’t know.
+But certainly the keen brightness that makes effort easy has gone out
+of things recently, and that just at a time with all these new
+political developments—when I ought to be working. Odd, isn’t it? But I
+do begin to find life toilsome, its rewards, as I come near them,
+cheap. I began a little while ago to want the garden quite badly.
+Yes—and I’ve seen it three times.”
+
+“The garden?”
+
+“No—the door! And I haven’t gone in!”
+
+He leaned over the table to me, with an enormous sorrow in his voice as
+he spoke. “Thrice I have had my chance—_thrice!_ If ever that door
+offers itself to me again, I swore, I will go in out of this dust and
+heat, out of this dry glitter of vanity, out of these toilsome
+futilities. I will go and never return. This time I will stay . . . . .
+I swore it and when the time came—_I didn’t go_.
+
+“Three times in one year have I passed that door and failed to enter.
+Three times in the last year.
+
+“The first time was on the night of the snatch division on the Tenants’
+Redemption Bill, on which the Government was saved by a majority of
+three. You remember? No one on our side—perhaps very few on the
+opposite side—expected the end that night. Then the debate collapsed
+like eggshells. I and Hotchkiss were dining with his cousin at
+Brentford, we were both unpaired, and we were called up by telephone,
+and set off at once in his cousin’s motor. We got in barely in time,
+and on the way we passed my wall and door—livid in the moonlight,
+blotched with hot yellow as the glare of our lamps lit it, but
+unmistakable. ‘My God!’ cried I. ‘What?’ said Hotchkiss. ‘Nothing!’ I
+answered, and the moment passed.
+
+“‘I’ve made a great sacrifice,’ I told the whip as I got in. They all
+have,’ he said, and hurried by.
+
+“I do not see how I could have done otherwise then. And the next
+occasion was as I rushed to my father’s bedside to bid that stern old
+man farewell. Then, too, the claims of life were imperative. But the
+third time was different; it happened a week ago. It fills me with hot
+remorse to recall it. I was with Gurker and Ralphs—it’s no secret now
+you know that I’ve had my talk with Gurker. We had been dining at
+Frobisher’s, and the talk had become intimate between us. The question
+of my place in the reconstructed ministry lay always just over the
+boundary of the discussion. Yes—yes. That’s all settled. It needn’t be
+talked about yet, but there’s no reason to keep a secret from you . . .
+. . Yes—thanks! thanks! But let me tell you my story.
+
+“Then, on that night things were very much in the air. My position was
+a very delicate one. I was keenly anxious to get some definite word
+from Gurker, but was hampered by Ralphs’ presence. I was using the best
+power of my brain to keep that light and careless talk not too
+obviously directed to the point that concerns me. I had to. Ralphs’
+behaviour since has more than justified my caution . . . . . Ralphs, I
+knew, would leave us beyond the Kensington High Street, and then I
+could surprise Gurker by a sudden frankness. One has sometimes to
+resort to these little devices. . . . . And then it was that in the
+margin of my field of vision I became aware once more of the white
+wall, the green door before us down the road.
+
+“We passed it talking. I passed it. I can still see the shadow of
+Gurker’s marked profile, his opera hat tilted forward over his
+prominent nose, the many folds of his neck wrap going before my shadow
+and Ralphs’ as we sauntered past.
+
+“I passed within twenty inches of the door. ‘If I say good-night to
+them, and go in,’ I asked myself, ‘what will happen?’ And I was all
+a-tingle for that word with Gurker.
+
+“I could not answer that question in the tangle of my other problems.
+‘They will think me mad,’ I thought. ‘And suppose I vanish now!—Amazing
+disappearance of a prominent politician!’ That weighed with me. A
+thousand inconceivably petty worldlinesses weighed with me in that
+crisis.”
+
+Then he turned on me with a sorrowful smile, and, speaking slowly;
+“Here I am!” he said.
+
+“Here I am!” he repeated, “and my chance has gone from me. Three times
+in one year the door has been offered me—the door that goes into peace,
+into delight, into a beauty beyond dreaming, a kindness no man on earth
+can know. And I have rejected it, Redmond, and it has gone—”
+
+“How do you know?”
+
+“I know. I know. I am left now to work it out, to stick to the tasks
+that held me so strongly when my moments came. You say, I have
+success—this vulgar, tawdry, irksome, envied thing. I have it.” He had
+a walnut in his big hand. “If that was my success,” he said, and
+crushed it, and held it out for me to see.
+
+“Let me tell you something, Redmond. This loss is destroying me. For
+two months, for ten weeks nearly now, I have done no work at all,
+except the most necessary and urgent duties. My soul is full of
+inappeasable regrets. At nights—when it is less likely I shall be
+recognised—I go out. I wander. Yes. I wonder what people would think of
+that if they knew. A Cabinet Minister, the responsible head of that
+most vital of all departments, wandering alone—grieving—sometimes near
+audibly lamenting—for a door, for a garden!”
+
+IV
+
+I can see now his rather pallid face, and the unfamiliar sombre fire
+that had come into his eyes. I see him very vividly to-night. I sit
+recalling his words, his tones, and last evening’s _Westminster
+Gazette_ still lies on my sofa, containing the notice of his death. At
+lunch to-day the club was busy with him and the strange riddle of his
+fate.
+
+They found his body very early yesterday morning in a deep excavation
+near East Kensington Station. It is one of two shafts that have been
+made in connection with an extension of the railway southward. It is
+protected from the intrusion of the public by a hoarding upon the high
+road, in which a small doorway has been cut for the convenience of some
+of the workmen who live in that direction. The doorway was left
+unfastened through a misunderstanding between two gangers, and through
+it he made his way . . . . .
+
+My mind is darkened with questions and riddles.
+
+It would seem he walked all the way from the House that night—he has
+frequently walked home during the past Session—and so it is I figure
+his dark form coming along the late and empty streets, wrapped up,
+intent. And then did the pale electric lights near the station cheat
+the rough planking into a semblance of white? Did that fatal unfastened
+door awaken some memory?
+
+Was there, after all, ever any green door in the wall at all?
+
+I do not know. I have told his story as he told it to me. There are
+times when I believe that Wallace was no more than the victim of the
+coincidence between a rare but not unprecedented type of hallucination
+and a careless trap, but that indeed is not my profoundest belief. You
+may think me superstitious if you will, and foolish; but, indeed, I am
+more than half convinced that he had in truth, an abnormal gift, and a
+sense, something—I know not what—that in the guise of wall and door
+offered him an outlet, a secret and peculiar passage of escape into
+another and altogether more beautiful world. At any rate, you will say,
+it betrayed him in the end. But did it betray him? There you touch the
+inmost mystery of these dreamers, these men of vision and the
+imagination. We see our world fair and common, the hoarding and the
+pit. By our daylight standard he walked out of security into darkness,
+danger and death. But did he see like that?
+
+
+
+
+THE STAR
+
+
+It was on the first day of the New Year that the announcement was made,
+almost simultaneously from three observatories, that the motion of the
+planet Neptune, the outermost of all the planets that wheel about the
+sun, had become very erratic. Ogilvy had already called attention to a
+suspected retardation in its velocity in December. Such a piece of news
+was scarcely calculated to interest a world the greater portion of
+whose inhabitants were unaware of the existence of the planet Neptune,
+nor outside the astronomical profession did the subsequent discovery of
+a faint remote speck of light in the region of the perturbed planet
+cause any very great excitement. Scientific people, however, found the
+intelligence remarkable enough, even before it became known that the
+new body was rapidly growing larger and brighter, that its motion was
+quite different from the orderly progress of the planets, and that the
+deflection of Neptune and its satellite was becoming now of an
+unprecedented kind.
+
+Few people without a training in science can realise the huge isolation
+of the solar system. The sun with its specks of planets, its dust of
+planetoids, and its impalpable comets, swims in a vacant immensity that
+almost defeats the imagination. Beyond the orbit of Neptune there is
+space, vacant so far as human observation has penetrated, without
+warmth or light or sound, blank emptiness, for twenty million times a
+million miles. That is the smallest estimate of the distance to be
+traversed before the very nearest of the stars is attained. And, saving
+a few comets more unsubstantial than the thinnest flame, no matter had
+ever to human knowledge crossed this gulf of space, until early in the
+twentieth century this strange wanderer appeared. A vast mass of matter
+it was, bulky, heavy, rushing without warning out of the black mystery
+of the sky into the radiance of the sun. By the second day it was
+clearly visible to any decent instrument, as a speck with a barely
+sensible diameter, in the constellation Leo near Regulus. In a little
+while an opera glass could attain it.
+
+On the third day of the new year the newspaper readers of two
+hemispheres were made aware for the first time of the real importance
+of this unusual apparition in the heavens. “A Planetary Collision,” one
+London paper headed the news, and proclaimed Duchaine’s opinion that
+this strange new planet would probably collide with Neptune. The leader
+writers enlarged upon the topic; so that in most of the capitals of the
+world, on January 3rd, there was an expectation, however vague of some
+imminent phenomenon in the sky; and as the night followed the sunset
+round the globe, thousands of men turned their eyes skyward to see—the
+old familiar stars just as they had always been.
+
+Until it was dawn in London and Pollux setting and the stars overhead
+grown pale. The Winter’s dawn it was, a sickly filtering accumulation
+of daylight, and the light of gas and candles shone yellow in the
+windows to show where people were astir. But the yawning policeman saw
+the thing, the busy crowds in the markets stopped agape, workmen going
+to their work betimes, milkmen, the drivers of news-carts, dissipation
+going home jaded and pale, homeless wanderers, sentinels on their
+beats, and in the country, labourers trudging afield, poachers slinking
+home, all over the dusky quickening country it could be seen—and out at
+sea by seamen watching for the day—a great white star, come suddenly
+into the westward sky!
+
+Brighter it was than any star in our skies; brighter than the evening
+star at its brightest. It still glowed out white and large, no mere
+twinkling spot of light, but a small round clear shining disc, an hour
+after the day had come. And where science has not reached, men stared
+and feared, telling one another of the wars and pestilences that are
+foreshadowed by these fiery signs in the Heavens. Sturdy Boers, dusky
+Hottentots, Gold Coast Negroes, Frenchmen, Spaniards, Portuguese, stood
+in the warmth of the sunrise watching the setting of this strange new
+star.
+
+And in a hundred observatories there had been suppressed excitement,
+rising almost to shouting pitch, as the two remote bodies had rushed
+together; and a hurrying to and fro, to gather photographic apparatus
+and spectroscope, and this appliance and that, to record this novel
+astonishing sight, the destruction of a world. For it was a world, a
+sister planet of our earth, far greater than our earth indeed, that had
+so suddenly flashed into flaming death. Neptune it was, had been
+struck, fairly and squarely, by the strange planet from outer space and
+the heat of the concussion had incontinently turned two solid globes
+into one vast mass of incandescence. Round the world that day, two
+hours before the dawn, went the pallid great white star, fading only as
+it sank westward and the sun mounted above it. Everywhere men marvelled
+at it, but of all those who saw it none could have marvelled more than
+those sailors, habitual watchers of the stars, who far away at sea had
+heard nothing of its advent and saw it now rise like a pigmy moon and
+climb zenithward and hang overhead and sink westward with the passing
+of the night.
+
+And when next it rose over Europe everywhere were crowds of watchers on
+hilly slopes, on house-roofs, in open spaces, staring eastward for the
+rising of the great new star. It rose with a white glow in front of it,
+like the glare of a white fire, and those who had seen it come into
+existence the night before cried out at the sight of it. “It is
+larger,” they cried. “It is brighter!” And, indeed the moon a quarter
+full and sinking in the west was in its apparent size beyond
+comparison, but scarcely in all its breadth had it as much brightness
+now as the little circle of the strange new star.
+
+“It is brighter!” cried the people clustering in the streets. But in
+the dim observatories the watchers held their breath and peered at one
+another. “_It is nearer_,” they said. “_Nearer!_”
+
+And voice after voice repeated, “It is nearer,” and the clicking
+telegraph took that up, and it trembled along telephone wires, and in a
+thousand cities grimy compositors fingered the type. “It is nearer.”
+Men writing in offices, struck with a strange realisation, flung down
+their pens, men talking in a thousand places suddenly came upon a
+grotesque possibility in those words, “It is nearer.” It hurried along
+wakening streets, it was shouted down the frost-stilled ways of quiet
+villages; men who had read these things from the throbbing tape stood
+in yellow-lit doorways shouting the news to the passersby. “It is
+nearer.” Pretty women, flushed and glittering, heard the news told
+jestingly between the dances, and feigned an intelligent interest they
+did not feel. “Nearer! Indeed. How curious! How very, very clever
+people must be to find out things like that!”
+
+Lonely tramps faring through the wintry night murmured those words to
+comfort themselves—looking skyward. “It has need to be nearer, for the
+night’s as cold as charity. Don’t seem much warmth from it if it _is_
+nearer, all the same.”
+
+“What is a new star to me?” cried the weeping woman kneeling beside her
+dead.
+
+The schoolboy, rising early for his examination work, puzzled it out
+for himself—with the great white star shining broad and bright through
+the frost-flowers of his window. “Centrifugal, centripetal,” he said,
+with his chin on his fist. “Stop a planet in its flight, rob it of its
+centrifugal force, what then? Centripetal has it, and down it falls
+into the sun! And this—!
+
+“Do _we_ come in the way? I wonder—”
+
+The light of that day went the way of its brethren, and with the later
+watches of the frosty darkness rose the strange star again. And it was
+now so bright that the waxing moon seemed but a pale yellow ghost of
+itself, hanging huge in the sunset. In a South African City a great man
+had married, and the streets were alight to welcome his return with his
+bride. “Even the skies have illuminated,” said the flatterer. Under
+Capricorn, two negro lovers, daring the wild beasts and evil spirits,
+for love of one another, crouched together in a cane brake where the
+fire-flies hovered. “That is our star,” they whispered, and felt
+strangely comforted by the sweet brilliance of its light.
+
+The master mathematician sat in his private room and pushed the papers
+from him. His calculations were already finished. In a small white
+phial there still remained a little of the drug that had kept him awake
+and active for four long nights. Each day, serene, explicit, patient as
+ever, he had given his lecture to his students, and then had come back
+at once to this momentous calculation. His face was grave, a little
+drawn and hectic from his drugged activity. For some time he seemed
+lost in thought. Then he went to the window, and the blind went up with
+a click. Half way up the sky, over the clustering roofs, chimneys and
+steeples of the city, hung the star.
+
+He looked at it as one might look into the eyes of a brave enemy. “You
+may kill me,” he said after a silence. “But I can hold you—and all the
+universe for that matter—in the grip of this little brain. I would not
+change. Even now.”
+
+He looked at the little phial. “There will be no need of sleep again,”
+he said. The next day at noon—punctual to the minute, he entered his
+lecture theatre, put his hat on the end of the table as his habit was,
+and carefully selected a large piece of chalk. It was a joke among his
+students that he could not lecture without that piece of chalk to
+fumble in his fingers, and once he had been stricken to impotence by
+their hiding his supply. He came and looked under his grey eyebrows at
+the rising tiers of young fresh faces, and spoke with his accustomed
+studied commonness of phrasing. “Circumstances have
+arisen—circumstances beyond my control,” he said and paused, “which
+will debar me from completing the course I had designed. It would seem,
+gentlemen, if I may put the thing clearly and briefly, that—Man has
+lived in vain.”
+
+The students glanced at one another. Had they heard aright? Mad? Raised
+eyebrows and grinning lips there were, but one or two faces remained
+intent upon his calm grey-fringed face. “It will be interesting,” he
+was saying, “to devote this morning to an exposition, so far as I can
+make it clear to you, of the calculations that have led me to this
+conclusion. Let us assume—”
+
+He turned towards the blackboard, meditating a diagram in the way that
+was usual to him. “What was that about ‘lived in vain?’” whispered one
+student to another. “Listen,” said the other, nodding towards the
+lecturer.
+
+And presently they began to understand.
+
+That night the star rose later, for its proper eastward motion had
+carried it some way across Leo towards Virgo, and its brightness was so
+great that the sky became a luminous blue as it rose, and every star
+was hidden in its turn, save only Jupiter near the zenith, Capella,
+Aldebaran, Sirius and the pointers of the Bear. It was very white and
+beautiful. In many parts of the world that night a pallid halo
+encircled it about. It was perceptibly larger; in the clear refractive
+sky of the tropics it seemed as if it were nearly a quarter the size of
+the moon. The frost was still on the ground in England, but the world
+was as brightly lit as if it were midsummer moonlight. One could see to
+read quite ordinary print by that cold clear light, and in the cities
+the lamps burnt yellow and wan.
+
+And everywhere the world was awake that night, and throughout
+Christendom a sombre murmur hung in the keen air over the country side
+like the belling of bees in the heather, and this murmurous tumult grew
+to a clangour in the cities. It was the tolling of the bells in a
+million belfry towers and steeples, summoning the people to sleep no
+more, to sin no more, but to gather in their churches and pray. And
+overhead, growing larger and brighter as the earth rolled on its way
+and the night passed, rose the dazzling star.
+
+And the streets and houses were alight in all the cities, the shipyards
+glared, and whatever roads led to high country were lit and crowded all
+night long. And in all the seas about the civilised lands, ships with
+throbbing engines, and ships with bellying sails, crowded with men and
+living creatures, were standing out to ocean and the north. For already
+the warning of the master mathematician had been telegraphed all over
+the world, and translated into a hundred tongues. The new planet and
+Neptune, locked in a fiery embrace, were whirling headlong, ever faster
+and faster towards the sun. Already every second this blazing mass flew
+a hundred miles, and every second its terrific velocity increased. As
+it flew now, indeed, it must pass a hundred million of miles wide of
+the earth and scarcely affect it. But near its destined path, as yet
+only slightly perturbed, spun the mighty planet Jupiter and his moons
+sweeping splendid round the sun. Every moment now the attraction
+between the fiery star and the greatest of the planets grew stronger.
+And the result of that attraction? Inevitably Jupiter would be
+deflected from its orbit into an elliptical path, and the burning star,
+swung by his attraction wide of its sunward rush, would “describe a
+curved path” and perhaps collide with, and certainly pass very close
+to, our earth. “Earthquakes, volcanic outbreaks, cyclones, sea waves,
+floods, and a steady rise in temperature to I know not what limit”—so
+prophesied the master mathematician.
+
+And overhead, to carry out his words, lonely and cold and livid, blazed
+the star of the coming doom.
+
+To many who stared at it that night until their eyes ached, it seemed
+that it was visibly approaching. And that night, too, the weather
+changed, and the frost that had gripped all Central Europe and France
+and England softened towards a thaw.
+
+But you must not imagine because I have spoken of people praying
+through the night and people going aboard ships and people fleeing
+toward mountainous country that the whole world was already in a terror
+because of the star. As a matter of fact, use and wont still ruled the
+world, and save for the talk of idle moments and the splendour of the
+night, nine human beings out of ten were still busy at their common
+occupations. In all the cities the shops, save one here and there,
+opened and closed at their proper hours, the doctor and the undertaker
+plied their trades, the workers gathered in the factories, soldiers
+drilled, scholars studied, lovers sought one another, thieves lurked
+and fled, politicians planned their schemes. The presses of the
+newspapers roared through the night, and many a priest of this church
+and that would not open his holy building to further what he considered
+a foolish panic. The newspapers insisted on the lesson of the year
+1000—for then, too, people had anticipated the end. The star was no
+star—mere gas—a comet; and were it a star it could not possibly strike
+the earth. There was no precedent for such a thing. Common sense was
+sturdy everywhere, scornful, jesting, a little inclined to persecute
+the obdurate fearful. That night, at seven-fifteen by Greenwich time,
+the star would be at its nearest to Jupiter. Then the world would see
+the turn things would take. The master mathematician’s grim warnings
+were treated by many as so much mere elaborate self-advertisement.
+Common sense at last, a little heated by argument, signified its
+unalterable convictions by going to bed. So, too, barbarism and
+savagery, already tired of the novelty, went about their nightly
+business, and save for a howling dog here and there, the beast world
+left the star unheeded.
+
+And yet, when at last the watchers in the European States saw the star
+rise, an hour later it is true, but no larger than it had been the
+night before, there were still plenty awake to laugh at the master
+mathematician—to take the danger as if it had passed.
+
+But hereafter the laughter ceased. The star grew—it grew with a
+terrible steadiness hour after hour, a little larger each hour, a
+little nearer the midnight zenith, and brighter and brighter, until it
+had turned night into a second day. Had it come straight to the earth
+instead of in a curved path, had it lost no velocity to Jupiter, it
+must have leapt the intervening gulf in a day, but as it was it took
+five days altogether to come by our planet. The next night it had
+become a third the size of the moon before it set to English eyes, and
+the thaw was assured. It rose over America near the size of the moon,
+but blinding white to look at, and _hot_; and a breath of hot wind blew
+now with its rising and gathering strength, and in Virginia, and
+Brazil, and down the St. Lawrence valley, it shone intermittently
+through a driving reek of thunder-clouds, flickering violet lightning,
+and hail unprecedented. In Manitoba was a thaw and devastating floods.
+And upon all the mountains of the earth the snow and ice began to melt
+that night, and all the rivers coming out of high country flowed thick
+and turbid, and soon—in their upper reaches—with swirling trees and the
+bodies of beasts and men. They rose steadily, steadily in the ghostly
+brilliance, and came trickling over their banks at last, behind the
+flying population of their valleys.
+
+And along the coast of Argentina and up the South Atlantic the tides
+were higher than had ever been in the memory of man, and the storms
+drove the waters in many cases scores of miles inland, drowning whole
+cities. And so great grew the heat during the night that the rising of
+the sun was like the coming of a shadow. The earthquakes began and grew
+until all down America from the Arctic Circle to Cape Horn, hillsides
+were sliding, fissures were opening, and houses and walls crumbling to
+destruction. The whole side of Cotopaxi slipped out in one vast
+convulsion, and a tumult of lava poured out so high and broad and swift
+and liquid that in one day it reached the sea.
+
+So the star, with the wan moon in its wake, marched across the Pacific,
+trailed the thunderstorms like the hem of a robe, and the growing tidal
+wave that toiled behind it, frothing and eager, poured over island and
+island and swept them clear of men. Until that wave came at last—in a
+blinding light and with the breath of a furnace, swift and terrible it
+came—a wall of water, fifty feet high, roaring hungrily, upon the long
+coasts of Asia, and swept inland across the plains of China. For a
+space the star, hotter now and larger and brighter than the sun in its
+strength, showed with pitiless brilliance the wide and populous
+country; towns and villages with their pagodas and trees, roads, wide
+cultivated fields, millions of sleepless people staring in helpless
+terror at the incandescent sky; and then, low and growing, came the
+murmur of the flood. And thus it was with millions of men that night—a
+flight nowhither, with limbs heavy with heat and breath fierce and
+scant, and the flood like a wall swift and white behind. And then
+death.
+
+China was lit glowing white, but over Japan and Java and all the
+islands of Eastern Asia the great star was a ball of dull red fire
+because of the steam and smoke and ashes the volcanoes were spouting
+forth to salute its coming. Above was the lava, hot gases and ash, and
+below the seething floods, and the whole earth swayed and rumbled with
+the earthquake shocks. Soon the immemorial snows of Thibet and the
+Himalaya were melting and pouring down by ten million deepening
+converging channels upon the plains of Burmah and Hindostan. The
+tangled summits of the Indian jungles were aflame in a thousand places,
+and below the hurrying waters around the stems were dark objects that
+still struggled feebly and reflected the blood-red tongues of fire. And
+in a rudderless confusion a multitude of men and women fled down the
+broad river-ways to that one last hope of men—the open sea.
+
+Larger grew the star, and larger, hotter, and brighter with a terrible
+swiftness now. The tropical ocean had lost its phosphorescence, and the
+whirling steam rose in ghostly wreaths from the black waves that
+plunged incessantly, speckled with storm-tossed ships.
+
+And then came a wonder. It seemed to those who in Europe watched for
+the rising of the star that the world must have ceased its rotation. In
+a thousand open spaces of down and upland the people who had fled
+thither from the floods and the falling houses and sliding slopes of
+hill watched for that rising in vain. Hour followed hour through a
+terrible suspense, and the star rose not. Once again men set their eyes
+upon the old constellations they had counted lost to them forever. In
+England it was hot and clear overhead, though the ground quivered
+perpetually, but in the tropics, Sirius and Capella and Aldebaran
+showed through a veil of steam. And when at last the great star rose
+near ten hours late, the sun rose close upon it, and in the centre of
+its white heart was a disc of black.
+
+Over Asia it was the star had begun to fall behind the movement of the
+sky, and then suddenly, as it hung over India, its light had been
+veiled. All the plain of India from the mouth of the Indus to the
+mouths of the Ganges was a shallow waste of shining water that night,
+out of which rose temples and palaces, mounds and hills, black with
+people. Every minaret was a clustering mass of people, who fell one by
+one into the turbid waters, as heat and terror overcame them. The whole
+land seemed a-wailing and suddenly there swept a shadow across that
+furnace of despair, and a breath of cold wind, and a gathering of
+clouds, out of the cooling air. Men looking up, near blinded, at the
+star, saw that a black disc was creeping across the light. It was the
+moon, coming between the star and the earth. And even as men cried to
+God at this respite, out of the East with a strange inexplicable
+swiftness sprang the sun. And then star, sun and moon rushed together
+across the heavens.
+
+So it was that presently, to the European watchers, star and sun rose
+close upon each other, drove headlong for a space and then slower, and
+at last came to rest, star and sun merged into one glare of flame at
+the zenith of the sky. The moon no longer eclipsed the star but was
+lost to sight in the brilliance of the sky. And though those who were
+still alive regarded it for the most part with that dull stupidity that
+hunger, fatigue, heat and despair engender, there were still men who
+could perceive the meaning of these signs. Star and earth had been at
+their nearest, had swung about one another, and the star had passed.
+Already it was receding, swifter and swifter, in the last stage of its
+headlong journey downward into the sun.
+
+And then the clouds gathered, blotting out the vision of the sky, the
+thunder and lightning wove a garment round the world; all over the
+earth was such a downpour of rain as men had never before seen, and
+where the volcanoes flared red against the cloud canopy there descended
+torrents of mud. Everywhere the waters were pouring off the land,
+leaving mud-silted ruins, and the earth littered like a storm-worn
+beach with all that had floated, and the dead bodies of the men and
+brutes, its children. For days the water streamed off the land,
+sweeping away soil and trees and houses in the way, and piling huge
+dykes and scooping out Titanic gullies over the country side. Those
+were the days of darkness that followed the star and the heat. All
+through them, and for many weeks and months, the earthquakes continued.
+
+But the star had passed, and men, hunger-driven and gathering courage
+only slowly, might creep back to their ruined cities, buried granaries,
+and sodden fields. Such few ships as had escaped the storms of that
+time came stunned and shattered and sounding their way cautiously
+through the new marks and shoals of once familiar ports. And as the
+storms subsided men perceived that everywhere the days were hotter than
+of yore, and the sun larger, and the moon, shrunk to a third of its
+former size, took now fourscore days between its new and new.
+
+But of the new brotherhood that grew presently among men, of the saving
+of laws and books and machines, of the strange change that had come
+over Iceland and Greenland and the shores of Baffin’s Bay, so that the
+sailors coming there presently found them green and gracious, and could
+scarce believe their eyes, this story does not tell. Nor of the
+movement of mankind now that the earth was hotter, northward and
+southward towards the poles of the earth. It concerns itself only with
+the coming and the passing of the Star.
+
+The Martian astronomers—for there are astronomers on Mars, although
+they are very different beings from men—were naturally profoundly
+interested by these things. They saw them from their own standpoint of
+course. “Considering the mass and temperature of the missile that was
+flung through our solar system into the sun,” one wrote, “it is
+astonishing what a little damage the earth, which it missed so
+narrowly, has sustained. All the familiar continental markings and the
+masses of the seas remain intact, and indeed the only difference seems
+to be a shrinkage of the white discoloration (supposed to be frozen
+water) round either pole.” Which only shows how small the vastest of
+human catastrophes may seem, at a distance of a few million miles.
+
+
+
+
+A DREAM OF ARMAGEDDON
+
+
+The man with the white face entered the carriage at Rugby. He moved
+slowly in spite of the urgency of his porter, and even while he was
+still on the platform I noted how ill he seemed. He dropped into the
+corner over against me with a sigh, made an incomplete attempt to
+arrange his travelling shawl, and became motionless, with his eyes
+staring vacantly. Presently he was moved by a sense of my observation,
+looked up at me, and put out a spiritless hand for his newspaper. Then
+he glanced again in my direction.
+
+I feigned to read. I feared I had unwittingly embarrassed him, and in a
+moment I was surprised to find him speaking.
+
+“I beg your pardon?” said I.
+
+“That book,” he repeated, pointing a lean finger, “is about dreams.”
+
+“Obviously,” I answered, for it was Fortnum Roscoe’s Dream States, and
+the title was on the cover.
+
+He hung silent for a space as if he sought words. “Yes,” he said at
+last, “but they tell you nothing.”
+
+I did not catch his meaning for a second.
+
+“They don’t know,” he added.
+
+I looked a little more attentively at his face.
+
+“There are dreams,” he said, “and dreams.”
+
+That sort of proposition I never dispute.
+
+“I suppose—” he hesitated. “Do you ever dream? I mean vividly.”
+
+“I dream very little,” I answered. “I doubt if I have three vivid
+dreams in a year.”
+
+“Ah!” he said, and seemed for a moment to collect his thoughts.
+
+“Your dreams don’t mix with your memories?” he asked abruptly. “You
+don’t find yourself in doubt; did this happen or did it not?”
+
+“Hardly ever. Except just for a momentary hesitation now and then. I
+suppose few people do.”
+
+“Does he say—?” He indicated the book.
+
+“Says it happens at times and gives the usual explanation about
+intensity of impression and the like to account for its not happening
+as a rule. I suppose you know something of these theories—”
+
+“Very little—except that they are wrong.”
+
+His emaciated hand played with the strap of the window for a time. I
+prepared to resume reading, and that seemed to precipitate his next
+remark. He leant forward almost as though he would touch me.
+
+“Isn’t there something called consecutive dreaming—that goes on night
+after night?”
+
+“I believe there is. There are cases given in most books on mental
+trouble.”
+
+“Mental trouble! Yes. I daresay there are. It’s the right place for
+them. But what I mean—” He looked at his bony knuckles. “Is that sort
+of thing always dreaming? Is it dreaming? Or is it something else?
+Mightn’t it be something else?”
+
+I should have snubbed his persistent conversation but for the drawn
+anxiety of his face. I remember now the look of his faded eyes and the
+lids red stained—perhaps you know that look.
+
+“I’m not just arguing about a matter of opinion,” he said. “The thing’s
+killing me.”
+
+“Dreams?”
+
+“If you call them dreams. Night after night. Vivid!—so vivid . . . .
+this—” (he indicated the landscape that went streaming by the window)
+“seems unreal in comparison! I can scarcely remember who I am, what
+business I am on . . . .”
+
+He paused. “Even now—”
+
+“The dream is always the same—do you mean?” I asked.
+
+“It’s over.”
+
+“You mean?”
+
+“I died.”
+
+“Died?”
+
+“Smashed and killed, and now, so much of me as that dream was, is dead.
+Dead forever. I dreamt I was another man, you know, living in a
+different part of the world and in a different time. I dreamt that
+night after night. Night after night I woke into that other life. Fresh
+scenes and fresh happenings—until I came upon the last—”
+
+“When you died?”
+
+“When I died.”
+
+“And since then—”
+
+“No,” he said. “Thank God! That was the end of the dream . . .”
+
+It was clear I was in for this dream. And after all, I had an hour
+before me, the light was fading fast, and Fortnum Roscoe has a dreary
+way with him. “Living in a different time,” I said: “do you mean in
+some different age?”
+
+“Yes.”
+
+“Past?”
+
+“No, to come—to come.”
+
+“The year three thousand, for example?”
+
+“I don’t know what year it was. I did when I was asleep, when I was
+dreaming, that is, but not now—not now that I am awake. There’s a lot
+of things I have forgotten since I woke out of these dreams, though I
+knew them at the time when I was—I suppose it was dreaming. They called
+the year differently from our way of calling the year . . . What did
+they call it?” He put his hand to his forehead. “No,” said he, “I
+forget.”
+
+He sat smiling weakly. For a moment I feared he did not mean to tell me
+his dream. As a rule I hate people who tell their dreams, but this
+struck me differently. I proffered assistance even. “It began—” I
+suggested.
+
+“It was vivid from the first. I seemed to wake up in it suddenly. And
+it’s curious that in these dreams I am speaking of I never remembered
+this life I am living now. It seemed as if the dream life was enough
+while it lasted. Perhaps—But I will tell you how I find myself when I
+do my best to recall it all. I don’t remember anything clearly until I
+found myself sitting in a sort of loggia looking out over the sea. I
+had been dozing, and suddenly I woke up—fresh and vivid—not a bit
+dreamlike—because the girl had stopped fanning me.”
+
+“The girl?”
+
+“Yes, the girl. You must not interrupt or you will put me out.”
+
+He stopped abruptly. “You won’t think I’m mad?” he said.
+
+“No,” I answered. “You’ve been dreaming. Tell me your dream.”
+
+“I woke up, I say, because the girl had stopped fanning me. I was not
+surprised to find myself there or anything of that sort, you
+understand. I did not feel I had fallen into it suddenly. I simply took
+it up at that point. Whatever memory I had of this life, this
+nineteenth-century life, faded as I woke, vanished like a dream. I knew
+all about myself, knew that my name was no longer Cooper but Hedon, and
+all about my position in the world. I’ve forgotten a lot since I
+woke—there’s a want of connection—but it was all quite clear and matter
+of fact then.”
+
+He hesitated again, gripping the window strap, putting his face forward
+and looking up to me appealingly.
+
+“This seems bosh to you?”
+
+“No, no!” I cried. “Go on. Tell me what this loggia was like!”
+
+“It was not really a loggia—I don’t know what to call it. It faced
+south. It was small. It was all in shadow except the semicircle above
+the balcony that showed the sky and sea and the corner where the girl
+stood. I was on a couch—it was a metal couch with light striped
+cushions—and the girl was leaning over the balcony with her back to me.
+The light of the sunrise fell on her ear and cheek. Her pretty white
+neck and the little curls that nestled there, and her white shoulder
+were in the sun, and all the grace of her body was in the cool blue
+shadow. She was dressed—how can I describe it? It was easy and flowing.
+And altogether there she stood, so that it came to me how beautiful and
+desirable she was, as though I had never seen her before. And when at
+last I sighed and raised myself upon my arm she turned her face to me—”
+
+He stopped.
+
+“I have lived three-and-fifty years in this world. I have had mother,
+sisters, friends, wife and daughters—all their faces, the play of their
+faces, I know. But the face of this girl—it is much more real to me. I
+can bring it back into memory so that I see it again—I could draw it or
+paint it. And after all—”
+
+He stopped—but I said nothing.
+
+“The face of a dream—the face of a dream. She was beautiful. Not that
+beauty which is terrible, cold, and worshipful, like the beauty of a
+saint; nor that beauty that stirs fierce passions; but a sort of
+radiation, sweet lips that softened into smiles, and grave gray eyes.
+And she moved gracefully, she seemed to have part with all pleasant and
+gracious things—”
+
+He stopped, and his face was downcast and hidden. Then he looked up at
+me and went on, making no further attempt to disguise his absolute
+belief in the reality of his story.
+
+“You see, I had thrown up my plans and ambitions, thrown up all I had
+ever worked for or desired for her sake. I had been a master man away
+there in the north, with influence and property and a great reputation,
+but none of it had seemed worth having beside her. I had come to the
+place, this city of sunny pleasures with her, and left all those things
+to wreck and ruin just to save a remnant at least of my life. While I
+had been in love with her before I knew that she had any care for me,
+before I had imagined that she would dare—that we should dare, all my
+life had seemed vain and hollow, dust and ashes. It was dust and ashes.
+Night after night and through the long days I had longed and desired—my
+soul had beaten against the thing forbidden!
+
+“But it is impossible for one man to tell another just these things.
+It’s emotion, it’s a tint, a light that comes and goes. Only while it’s
+there, everything changes, everything. The thing is I came away and
+left them in their Crisis to do what they could.”
+
+“Left whom?” I asked, puzzled.
+
+“The people up in the north there. You see—in this dream, anyhow—I had
+been a big man, the sort of man men come to trust in, to group
+themselves about. Millions of men who had never seen me were ready to
+do things and risk things because of their confidence in me. I had been
+playing that game for years, that big laborious game, that vague,
+monstrous political game amidst intrigues and betrayals, speech and
+agitation. It was a vast weltering world, and at last I had a sort of
+leadership against the Gang—you know it was called the Gang—a sort of
+compromise of scoundrelly projects and base ambitions and vast public
+emotional stupidities and catch-words—the Gang that kept the world
+noisy and blind year by year, and all the while that it was drifting,
+drifting towards infinite disaster. But I can’t expect you to
+understand the shades and complications of the year—the year something
+or other ahead. I had it all—down to the smallest details—in my dream.
+I suppose I had been dreaming of it before I awoke, and the fading
+outline of some queer new development I had imagined still hung about
+me as I rubbed my eyes. It was some grubby affair that made me thank
+God for the sunlight. I sat up on the couch and remained looking at the
+woman and rejoicing—rejoicing that I had come away out of all that
+tumult and folly and violence before it was too late. After all, I
+thought, this is life—love and beauty, desire and delight, are they not
+worth all those dismal struggles for vague, gigantic ends? And I blamed
+myself for having ever sought to be a leader when I might have given my
+days to love. But then, thought I, if I had not spent my early days
+sternly and austerely, I might have wasted myself upon vain and
+worthless women, and at the thought all my being went out in love and
+tenderness to my dear mistress, my dear lady, who had come at last and
+compelled me—compelled me by her invincible charm for me—to lay that
+life aside.
+
+“‘You are worth it,’ I said, speaking without intending her to hear;
+‘you are worth it, my dearest one; worth pride and praise and all
+things. Love! to have you is worth them all together.’ And at the
+murmur of my voice she turned about.
+
+“‘Come and see,’ she cried—I can hear her now—‘come and see the sunrise
+upon Monte Solaro.’
+
+“I remember how I sprang to my feet and joined her at the balcony. She
+put a white hand upon my shoulder and pointed towards great masses of
+limestone, flushing, as it were, into life. I looked. But first I noted
+the sunlight on her face caressing the lines of her cheeks and neck.
+How can I describe to you the scene we had before us? We were at
+Capri—”
+
+“I have been there,” I said. “I have clambered up Monte Solaro and
+drunk vero Capri—muddy stuff like cider—at the summit.”
+
+“Ah!” said the man with the white face; “then perhaps you can tell
+me—you will know if this is indeed Capri. For in this life I have never
+been there. Let me describe it. We were in a little room, one of a vast
+multitude of little rooms, very cool and sunny, hollowed out of the
+limestone of a sort of cape, very high above the sea. The whole island,
+you know, was one enormous hotel, complex beyond explaining, and on the
+other side there were miles of floating hotels, and huge floating
+stages to which the flying machines came. They called it a pleasure
+city. Of course, there was none of that in your time—rather, I should
+say, is none of that now. Of course. Now!—yes.
+
+“Well, this room of ours was at the extremity of the cape, so that one
+could see east and west. Eastward was a great cliff—a thousand feet
+high perhaps—coldly gray except for one bright edge of gold, and beyond
+it the Isle of the Sirens, and a falling coast that faded and passed
+into the hot sunrise. And when one turned to the west, distinct and
+near was a little bay, a little beach still in shadow. And out of that
+shadow rose Solaro straight and tall, flushed and golden crested, like
+a beauty throned, and the white moon was floating behind her in the
+sky. And before us from east to west stretched the many-tinted sea all
+dotted with little sailing boats.
+
+“To the eastward, of course, these little boats were gray and very
+minute and clear, but to the westward they were little boats of
+gold—shining gold—almost like little flames. And just below us was a
+rock with an arch worn through it. The blue sea-water broke to green
+and foam all round the rock, and a galley came gliding out of the
+arch.”
+
+“I know that rock.” I said. “I was nearly drowned there. It is called
+the Faraglioni.”
+
+“I Faraglioni? Yes, she called it that,” answered the man with the
+white face. “There was some story—but that—”
+
+He put his hand to his forehead again. “No,” he said, “I forget that
+story.”
+
+“Well, that is the first thing I remember, the first dream I had, that
+little shaded room and the beautiful air and sky and that dear lady of
+mine, with her shining arms and her graceful robe, and how we sat and
+talked in half whispers to one another. We talked in whispers not
+because there was any one to hear, but because there was still such a
+freshness of mind between us that our thoughts were a little
+frightened, I think, to find themselves at last in words. And so they
+went softly.
+
+“Presently we were hungry and we went from our apartment, going by a
+strange passage with a moving floor, until we came to the great
+breakfast room—there was a fountain and music. A pleasant and joyful
+place it was, with its sunlight and splashing, and the murmur of
+plucked strings. And we sat and ate and smiled at one another, and I
+would not heed a man who was watching me from a table near by.
+
+“And afterwards we went on to the dancing-hall. But I cannot describe
+that hall. The place was enormous—larger than any building you have
+ever seen—and in one place there was the old gate of Capri, caught into
+the wall of a gallery high overhead. Light girders, stems and threads
+of gold, burst from the pillars like fountains, streamed like an Aurora
+across the roof and interlaced, like—like conjuring tricks. All about
+the great circle for the dancers there were beautiful figures, strange
+dragons, and intricate and wonderful grotesques bearing lights. The
+place was inundated with artificial light that shamed the newborn day.
+And as we went through the throng the people turned about and looked at
+us, for all through the world my name and face were known, and how I
+had suddenly thrown up pride and struggle to come to this place. And
+they looked also at the lady beside me, though half the story of how at
+last she had come to me was unknown or mistold. And few of the men who
+were there, I know, but judged me a happy man, in spite of all the
+shame and dishonour that had come upon my name.
+
+“The air was full of music, full of harmonious scents, full of the
+rhythm of beautiful motions. Thousands of beautiful people swarmed
+about the hall, crowded the galleries, sat in a myriad recesses; they
+were dressed in splendid colours and crowned with flowers; thousands
+danced about the great circle beneath the white images of the ancient
+gods, and glorious processions of youths and maidens came and went. We
+two danced, not the dreary monotonies of your days—of this time, I
+mean—but dances that were beautiful, intoxicating. And even now I can
+see my lady dancing—dancing joyously. She danced, you know, with a
+serious face; she danced with a serious dignity, and yet she was
+smiling at me and caressing me—smiling and caressing with her eyes.
+
+“The music was different,” he murmured. “It went—I cannot describe it;
+but it was infinitely richer and more varied than any music that has
+ever come to me awake.
+
+“And then—it was when we had done dancing—a man came to speak to me. He
+was a lean, resolute man, very soberly clad for that place, and already
+I had marked his face watching me in the breakfasting hall, and
+afterwards as we went along the passage I had avoided his eye. But now,
+as we sat in a little alcove, smiling at the pleasure of all the people
+who went to and fro across the shining floor, he came and touched me,
+and spoke to me so that I was forced to listen. And he asked that he
+might speak to me for a little time apart.
+
+“‘No,’ I said. ‘I have no secrets from this lady. What do you want to
+tell me?’
+
+“He said it was a trivial matter, or at least a dry matter, for a lady
+to hear.
+
+“‘Perhaps for me to hear,’ said I.
+
+“He glanced at her, as though almost he would appeal to her. Then he
+asked me suddenly if I had heard of a great and avenging declaration
+that Evesham had made? Now, Evesham had always before been the man next
+to myself in the leadership of that great party in the north. He was a
+forcible, hard, and tactless man, and only I had been able to control
+and soften him. It was on his account even more than my own, I think,
+that the others had been so dismayed at my retreat. So this question
+about what he had done reawakened my old interest in the life I had put
+aside just for a moment.
+
+“‘I have taken no heed of any news for many days,’ I said. What has
+Evesham been saying?’
+
+“And with that the man began, nothing loth, and I must confess even I
+was struck by Evesham’s reckless folly in the wild and threatening
+words he had used. And this messenger they had sent to me not only told
+me of Evesham’s speech, but went on to ask counsel and to point out
+what need they had of me. While he talked, my lady sat a little forward
+and watched his face and mine.
+
+“My old habits of scheming and organising reasserted themselves. I
+could even see myself suddenly returning to the north, and all the
+dramatic effect of it. All that this man said witnessed to the disorder
+of the party indeed, but not to its damage. I should go back stronger
+than I had come. And then I thought of my lady. You see—how can I tell
+you? There were certain peculiarities of our relationship—as things are
+I need not tell you about that—which would render her presence with me
+impossible. I should have had to leave her; indeed, I should have had
+to renounce her clearly and openly, if I was to do all that I could do
+in the north. And the man knew that, even as he talked to her and me,
+knew it as well as she did, that my steps to duty were—first,
+separation, then abandonment. At the touch of that thought my dream of
+a return was shattered. I turned on the man suddenly, as he was
+imagining his eloquence was gaining ground with me.
+
+“‘What have I to do with these things now?’ I said. ‘I have done with
+them. Do you think I am coquetting with your people in coming here?’
+
+“‘No,’ he said. ‘But—’
+
+“‘Why cannot you leave me alone. I have done with these things. I have
+ceased to be anything but a private man.’
+
+“‘Yes,’ he answered. ‘But have you thought?—this talk of war, these
+reckless challenges, these wild aggressions—’
+
+“I stood up.
+
+“‘No,’ I cried. ‘I won’t hear you. I took count of all those things, I
+weighed them—and I have come away.’
+
+“He seemed to consider the possibility of persistence. He looked from
+me to where the lady sat regarding us.
+
+“‘War,’ he said, as if he were speaking to himself, and then turned
+slowly from me and walked away.
+
+“I stood, caught in the whirl of thoughts his appeal had set going.
+
+“I heard my lady’s voice.
+
+“‘Dear,’ she said; ‘but if they had need of you—’
+
+“She did not finish her sentence, she let it rest there. I turned to
+her sweet face, and the balance of my mood swayed and reeled.
+
+“‘They want me only to do the thing they dare not do themselves,’ I
+said. ‘If they distrust Evesham they must settle with him themselves.’
+
+“She looked at me doubtfully.
+
+“‘But war—’ she said.
+
+“I saw a doubt on her face that I had seen before, a doubt of herself
+and me, the first shadow of the discovery that, seen strongly and
+completely, must drive us apart for ever.
+
+“Now, I was an older mind than hers, and I could sway her to this
+belief or that.
+
+“‘My dear one,’ I said, ‘you must not trouble over these things. There
+will be no war. Certainly there will be no war. The age of wars is
+past. Trust me to know the justice of this case. They have no right
+upon me, dearest, and no one has a right upon me. I have been free to
+choose my life, and I have chosen this.’
+
+“‘But war—,’ she said.
+
+“I sat down beside her. I put an arm behind her and took her hand in
+mine. I set myself to drive that doubt away—I set myself to fill her
+mind with pleasant things again. I lied to her, and in lying to her I
+lied also to myself. And she was only too ready to believe me, only too
+ready to forget.
+
+“Very soon the shadow had gone again, and we were hastening to our
+bathing-place in the Grotta del Bovo Marino, where it was our custom to
+bathe every day. We swam and splashed one another, and in that buoyant
+water I seemed to become something lighter and stronger than a man. And
+at last we came out dripping and rejoicing and raced among the rocks.
+And then I put on a dry bathing-dress, and we sat to bask in the sun,
+and presently I nodded, resting my head against her knee, and she put
+her hand upon my hair and stroked it softly and I dozed. And behold! as
+it were with the snapping of the string of a violin, I was awakening,
+and I was in my own bed in Liverpool, in the life of to-day.
+
+“Only for a time I could not believe that all these vivid moments had
+been no more than the substance of a dream.
+
+“In truth, I could not believe it a dream for all the sobering reality
+of things about me. I bathed and dressed as it were by habit, and as I
+shaved I argued why I of all men should leave the woman I loved to go
+back to fantastic politics in the hard and strenuous north. Even if
+Evesham did force the world back to war, what was that to me? I was a
+man with the heart of a man, and why should I feel the responsibility
+of a deity for the way the world might go?
+
+“You know that is not quite the way I think about affairs, about my
+real affairs. I am a solicitor, you know, with a point of view.
+
+“The vision was so real, you must understand, so utterly unlike a dream
+that I kept perpetually recalling little irrelevant details; even the
+ornament of the book-cover that lay on my wife’s sewing-machine in the
+breakfast-room recalled with the utmost vividness the gilt line that
+ran about the seat in the alcove where I had talked with the messenger
+from my deserted party. Have you ever heard of a dream that had a
+quality like that?”
+
+“Like—?”
+
+“So that afterwards you remembered little details you had forgotten.”
+
+I thought. I had never noticed the point before, but he was right.
+
+“Never,” I said. “That is what you never seem to do with dreams.”
+
+“No,” he answered. “But that is just what I did. I am a solicitor, you
+must understand, in Liverpool, and I could not help wondering what the
+clients and business people I found myself talking to in my office
+would think if I told them suddenly I was in love with a girl who would
+be born a couple of hundred years or so hence, and worried about the
+politics of my great-great-great-grandchildren. I was chiefly busy that
+day negotiating a ninety-nine-year building lease. It was a private
+builder in a hurry, and we wanted to tie him in every possible way. I
+had an interview with him, and he showed a certain want of temper that
+sent me to bed still irritated. That night I had no dream. Nor did I
+dream the next night, at least, to remember.
+
+“Something of that intense reality of conviction vanished. I began to
+feel sure it was a dream. And then it came again.
+
+“When the dream came again, nearly four days later, it was very
+different. I think it certain that four days had also elapsed in the
+dream. Many things had happened in the north, and the shadow of them
+was back again between us, and this time it was not so easily
+dispelled. I began I know with moody musings. Why, in spite of all,
+should I go back, go back for all the rest of my days to toil and
+stress, insults and perpetual dissatisfaction, simply to save hundreds
+of millions of common people, whom I did not love, whom too often I
+could do no other than despise, from the stress and anguish of war and
+infinite misrule? And after all I might fail. They all sought their own
+narrow ends, and why should not I—why should not I also live as a man?
+And out of such thoughts her voice summoned me, and I lifted my eyes.
+
+“I found myself awake and walking. We had come out above the Pleasure
+City, we were near the summit of Monte Solaro and looking towards the
+bay. It was the late afternoon and very clear. Far away to the left
+Ischia hung in a golden haze between sea and sky, and Naples was coldly
+white against the hills, and before us was Vesuvius with a tall and
+slender streamer feathering at last towards the south, and the ruins of
+Torre dell’ Annunziata and Castellammare glittering and near.”
+
+I interrupted suddenly: “You have been to Capri, of course?”
+
+“Only in this dream,” he said, “only in this dream. All across the bay
+beyond Sorrento were the floating palaces of the Pleasure City moored
+and chained. And northward were the broad floating stages that received
+the aeroplanes. Aeroplanes fell out of the sky every afternoon, each
+bringing its thousands of pleasure-seekers from the uttermost parts of
+the earth to Capri and its delights. All these things, I say, stretched
+below.
+
+“But we noticed them only incidentally because of an unusual sight that
+evening had to show. Five war aeroplanes that had long slumbered
+useless in the distant arsenals of the Rhinemouth were manoeuvring now
+in the eastward sky. Evesham had astonished the world by producing them
+and others, and sending them to circle here and there. It was the
+threat material in the great game of bluff he was playing, and it had
+taken even me by surprise. He was one of those incredibly stupid
+energetic people who seem sent by heaven to create disasters. His
+energy to the first glance seemed so wonderfully like capacity! But he
+had no imagination, no invention, only a stupid, vast, driving force of
+will, and a mad faith in his stupid idiot ‘luck’ to pull him through. I
+remember how we stood upon the headland watching the squadron circling
+far away, and how I weighed the full meaning of the sight, seeing
+clearly the way things must go. And then even it was not too late. I
+might have gone back, I think, and saved the world. The people of the
+north would follow me, I knew, granted only that in one thing I
+respected their moral standards. The east and south would trust me as
+they would trust no other northern man. And I knew I had only to put it
+to her and she would have let me go . . . . Not because she did not
+love me!
+
+“Only I did not want to go; my will was all the other way about. I had
+so newly thrown off the incubus of responsibility: I was still so fresh
+a renegade from duty that the daylight clearness of what I ought to do
+had no power at all to touch my will. My will was to live, to gather
+pleasures and make my dear lady happy. But though this sense of vast
+neglected duties had no power to draw me, it could make me silent and
+preoccupied, it robbed the days I had spent of half their brightness
+and roused me into dark meditations in the silence of the night. And as
+I stood and watched Evesham’s aeroplanes sweep to and fro—those birds
+of infinite ill omen—she stood beside me watching me, perceiving the
+trouble indeed, but not perceiving it clearly—her eyes questioning my
+face, her expression shaded with perplexity. Her face was gray because
+the sunset was fading out of the sky. It was no fault of hers that she
+held me. She had asked me to go from her, and again in the night time
+and with tears she had asked me to go.
+
+“At last it was the sense of her that roused me from my mood. I turned
+upon her suddenly and challenged her to race down the mountain slopes.
+‘No,’ she said, as if I had jarred with her gravity, but I was resolved
+to end that gravity, and make her run—no one can be very gray and sad
+who is out of breath—and when she stumbled I ran with my hand beneath
+her arm. We ran down past a couple of men, who turned back staring in
+astonishment at my behaviour—they must have recognised my face. And
+half way down the slope came a tumult in the air, clang-clank,
+clang-clank, and we stopped, and presently over the hill-crest those
+war things came flying one behind the other.”
+
+The man seemed hesitating on the verge of a description.
+
+“What were they like?” I asked.
+
+“They had never fought,” he said. “They were just like our ironclads
+are nowadays; they had never fought. No one knew what they might do,
+with excited men inside them; few even cared to speculate. They were
+great driving things shaped like spear-heads without a shaft, with a
+propeller in the place of the shaft.”
+
+“Steel?”
+
+“Not steel.”
+
+“Aluminum?”
+
+“No, no, nothing of that sort. An alloy that was very common—as common
+as brass, for example. It was called—let me see—” He squeezed his
+forehead with the fingers of one hand. “I am forgetting everything,” he
+said.
+
+“And they carried guns?”
+
+“Little guns, firing high explosive shells. They fired the guns
+backwards, out of the base of the leaf, so to speak, and rammed with
+the beak. That was the theory, you know, but they had never been
+fought. No one could tell exactly what was going to happen. And
+meanwhile I suppose it was very fine to go whirling through the air
+like a flight of young swallows, swift and easy. I guess the captains
+tried not to think too clearly what the real thing would be like. And
+these flying war machines, you know, were only one sort of the endless
+war contrivances that had been invented and had fallen into abeyance
+during the long peace. There were all sorts of these things that people
+were routing out and furbishing up; infernal things, silly things;
+things that had never been tried; big engines, terrible explosives,
+great guns. You know the silly way of these ingenious sort of men who
+make these things; they turn ‘em out as beavers build dams, and with no
+more sense of the rivers they’re going to divert and the lands they’re
+going to flood!
+
+“As we went down the winding stepway to our hotel again, in the
+twilight, I foresaw it all: I saw how clearly and inevitably things
+were driving for war in Evesham’s silly, violent hands, and I had some
+inkling of what war was bound to be under these new conditions. And
+even then, though I knew it was drawing near the limit of my
+opportunity, I could find no will to go back.”
+
+He sighed.
+
+“That was my last chance.
+
+“We didn’t go into the city until the sky was full of stars, so we
+walked out upon the high terrace, to and fro, and—she counselled me to
+go back.
+
+“‘My dearest,’ she said, and her sweet face looked up to me, this is
+Death. This life you lead is Death. Go back to them, go back to your
+duty—’
+
+“She began to weep, saying, between her sobs, and clinging to my arm as
+she said it, ‘Go back—Go back.’
+
+“Then suddenly she fell mute, and, glancing down at her face, I read in
+an instant the thing she had thought to do. It was one of those moments
+when one sees.
+
+“‘No!’ I said.
+
+“‘No?’ she asked, in surprise and I think a little fearful at the
+answer to her thought.
+
+“‘Nothing,’ I said, ‘shall send me back. Nothing! I have chosen. Love,
+I have chosen, and the world must go. Whatever happens I will live this
+life—I will live for you! It—nothing shall turn me aside; nothing, my
+dear one. Even if you died—even if you died—’
+
+“‘Yes?’ she murmured, softly.
+
+“‘Then—I also would die.’
+
+“And before she could speak again I began to talk, talking
+eloquently—as I could do in that life—talking to exalt love, to make
+the life we were living seem heroic and glorious; and the thing I was
+deserting something hard and enormously ignoble that it was a fine
+thing to set aside. I bent all my mind to throw that glamour upon it,
+seeking not only to convert her but myself to that. We talked, and she
+clung to me, torn too between all that she deemed noble and all that
+she knew was sweet. And at last I did make it heroic, made all the
+thickening disaster of the world only a sort of glorious setting to our
+unparalleled love, and we two poor foolish souls strutted there at
+last, clad in that splendid delusion, drunken rather with that glorious
+delusion, under the still stars.
+
+“And so my moment passed.
+
+“It was my last chance. Even as we went to and fro there, the leaders
+of the south and east were gathering their resolve, and the hot answer
+that shattered Evesham’s bluffing for ever, took shape and waited. And,
+all over Asia, and the ocean, and the South, the air and the wires were
+throbbing with their warnings to prepare—prepare.
+
+“No one living, you know, knew what war was; no one could imagine, with
+all these new inventions, what horror war might bring. I believe most
+people still believed it would be a matter of bright uniforms and
+shouting charges and triumphs and flags and bands—in a time when half
+the world drew its food supply from regions ten thousand miles away—”
+
+The man with the white face paused. I glanced at him, and his face was
+intent on the floor of the carriage. A little railway station, a string
+of loaded trucks, a signal-box, and the back of a cottage, shot by the
+carriage window, and a bridge passed with a clap of noise, echoing the
+tumult of the train.
+
+“After that,” he said, “I dreamt often. For three weeks of nights that
+dream was my life. And the worst of it was there were nights when I
+could not dream, when I lay tossing on a bed in this accursed life; and
+there—somewhere lost to me—things were happening—momentous, terrible
+things . . . I lived at nights—my days, my waking days, this life I am
+living now, became a faded, far-away dream, a drab setting, the cover
+of the book.”
+
+He thought.
+
+“I could tell you all, tell you every little thing in the dream, but as
+to what I did in the daytime—no. I could not tell—I do not remember. My
+memory—my memory has gone. The business of life slips from me—”
+
+He leant forward, and pressed his hands upon his eyes. For a long time
+he said nothing.
+
+“And then?” said I.
+
+“The war burst like a hurricane.”
+
+He stared before him at unspeakable things.
+
+“And then?” I urged again.
+
+“One touch of unreality,” he said, in the low tone of a man who speaks
+to himself, “and they would have been nightmares. But they were not
+nightmares—they were not nightmares. No!”
+
+He was silent for so long that it dawned upon me that there was a
+danger of losing the rest of the story. But he went on talking again in
+the same tone of questioning self-communion.
+
+“What was there to do but flight? I had not thought the war would touch
+Capri—I had seemed to see Capri as being out of it all, as the contrast
+to it all; but two nights after the whole place was shouting and
+bawling, every woman almost and every other man wore a badge—Evesham’s
+badge—and there was no music but a jangling war-song over and over
+again, and everywhere men enlisting, and in the dancing halls they were
+drilling. The whole island was awhirl with rumours; it was said, again
+and again, that fighting had begun. I had not expected this. I had seen
+so little of the life of pleasure that I had failed to reckon with this
+violence of the amateurs. And as for me, I was out of it. I was like
+the man who might have prevented the firing of a magazine. The time had
+gone. I was no one; the vainest stripling with a badge counted for more
+than I. The crowd jostled us and bawled in our ears; that accursed song
+deafened us; a woman shrieked at my lady because no badge was on her,
+and we two went back to our own place again, ruffled and insulted—my
+lady white and silent, and I aquiver with rage. So furious was I, I
+could have quarrelled with her if I could have found one shade of
+accusation in her eyes.
+
+“All my magnificence had gone from me. I walked up and down our rock
+cell, and outside was the darkling sea and a light to the southward
+that flared and passed and came again.
+
+“‘We must get out of this place,’ I said over and over. ‘I have made my
+choice, and I will have no hand in these troubles. I will have nothing
+of this war. We have taken our lives out of all these things. This is
+no refuge for us. Let us go.’
+
+“And the next day we were already in flight from the war that covered
+the world.
+
+“And all the rest was Flight—all the rest was Flight.”
+
+He mused darkly.
+
+“How much was there of it?”
+
+He made no answer.
+
+“How many days?”
+
+His face was white and drawn and his hands were clenched. He took no
+heed of my curiosity.
+
+I tried to draw him back to his story with questions.
+
+“Where did you go?” I said.
+
+“When?”
+
+“When you left Capri.”
+
+“South-west,” he said, and glanced at me for a second. “We went in a
+boat.”
+
+“But I should have thought an aeroplane?”
+
+“They had been seized.”
+
+I questioned him no more. Presently I thought he was beginning again.
+He broke out in an argumentative monotone:
+
+“But why should it be? If, indeed, this battle, this slaughter and
+stress is life, why have we this craving for pleasure and beauty? If
+there is no refuge, if there is no place of peace, and if all our
+dreams of quiet places are a folly and a snare, why have we such
+dreams? Surely it was no ignoble cravings, no base intentions, had
+brought us to this; it was Love had isolated us. Love had come to me
+with her eyes and robed in her beauty, more glorious than all else in
+life, in the very shape and colour of life, and summoned me away. I had
+silenced all the voices, I had answered all the questions—I had come to
+her. And suddenly there was nothing but War and Death!”
+
+I had an inspiration. “After all,” I said, “it could have been only a
+dream.”
+
+“A dream!” he cried, flaming upon me, “a dream—when, even now—”
+
+For the first time he became animated. A faint flush crept into his
+cheek. He raised his open hand and clenched it, and dropped it to his
+knee. He spoke, looking away from me, and for all the rest of the time
+he looked away. “We are but phantoms!” he said, “and the phantoms of
+phantoms, desires like cloud-shadows and wills of straw that eddy in
+the wind; the days pass, use and wont carry us through as a train
+carries the shadow of its lights—so be it! But one thing is real and
+certain, one thing is no dream-stuff, but eternal and enduring. It is
+the centre of my life, and all other things about it are subordinate or
+altogether vain. I loved her, that woman of a dream. And she and I are
+dead together!
+
+“A dream! How can it be a dream, when it drenched a living life with
+unappeasable sorrow, when it makes all that I have lived for and cared
+for, worthless and unmeaning?
+
+“Until that very moment when she was killed I believed we had still a
+chance of getting away,” he said. “All through the night and morning
+that we sailed across the sea from Capri to Salerno, we talked of
+escape. We were full of hope, and it clung about us to the end, hope
+for the life together we should lead, out of it all, out of the battle
+and struggle, the wild and empty passions, the empty arbitrary ‘thou
+shalt’ and ‘thou shalt not’ of the world. We were uplifted, as though
+our quest was a holy thing, as though love for another was a mission .
+. . .
+
+“Even when from our boat we saw the fair face of that great rock
+Capri—already scarred and gashed by the gun emplacements and
+hiding-places that were to make it a fastness—we reckoned nothing of
+the imminent slaughter, though the fury of preparation hung about in
+the puffs and clouds of dust at a hundred points amidst the gray; but,
+indeed, I made a text of that and talked. There, you know, was the
+rock, still beautiful for all its scars, with its countless windows and
+arches and ways, tier upon tier, for a thousand feet, a vast carving of
+gray, broken by vine-clad terraces, and lemon and orange groves, and
+masses of agave and prickly pear, and puffs of almond blossom. And out
+under the archway that is built over the Piccola Marina other boats
+were coming; and as we came round the cape and within sight of the
+mainland, another little string of boats came into view, driving before
+the wind towards the south-west. In a little while a multitude had come
+out, the remoter just little specks of ultramarine in the shadow of the
+eastward cliff.
+
+“‘It is love and reason,’ I said, ‘fleeing from all this madness of
+war.’
+
+“And though we presently saw a squadron of aeroplanes flying across the
+southern sky we did not heed it. There it was—a line of little dots in
+the sky—and then more, dotting the south-eastern horizon, and then
+still more, until all that quarter of the sky was stippled with blue
+specks. Now they were all thin little strokes of blue, and now one and
+now a multitude would heel and catch the sun and become short flashes
+of light. They came, rising and falling and growing larger, like some
+huge flight of gulls or rooks or such-like birds, moving with a
+marvellous uniformity, and ever as they drew nearer they spread over a
+greater width of sky. The southward wind flung itself in an
+arrow-headed cloud athwart the sun. And then suddenly they swept round
+to the eastward and streamed eastward, growing smaller and smaller and
+clearer and clearer again until they vanished from the sky. And after
+that we noted to the northward and very high Evesham’s fighting
+machines hanging high over Naples like an evening swarm of gnats.
+
+“It seemed to have no more to do with us than a flight of birds.
+
+“Even the mutter of guns far away in the south-east seemed to us to
+signify nothing . . .
+
+“Each day, each dream after that, we were still exalted, still seeking
+that refuge where we might live and love. Fatigue had come upon us,
+pain and many distresses. For though we were dusty and stained by our
+toilsome tramping, and half starved and with the horror of the dead men
+we had seen and the flight of the peasants—for very soon a gust of
+fighting swept up the peninsula—with these things haunting our minds it
+still resulted only in a deepening resolution to escape. Oh, but she
+was brave and patient! She who had never faced hardship and exposure
+had courage for herself and me. We went to and fro seeking an outlet,
+over a country all commandeered and ransacked by the gathering hosts of
+war. Always we went on foot. At first there were other fugitives, but
+we did not mingle with them. Some escaped northward, some were caught
+in the torrent of peasantry that swept along the main roads; many gave
+themselves into the hands of the soldiery and were sent northward. Many
+of the men were impressed. But we kept away from these things; we had
+brought no money to bribe a passage north, and I feared for my lady at
+the hands of these conscript crowds. We had landed at Salerno, and we
+had been turned back from Cava, and we had tried to cross towards
+Taranto by a pass over Mount Alburno, but we had been driven back for
+want of food, and so we had come down among the marshes by Paestum,
+where those great temples stand alone. I had some vague idea that by
+Paestum it might be possible to find a boat or something, and take once
+more to sea. And there it was the battle overtook us.
+
+“A sort of soul-blindness had me. Plainly I could see that we were
+being hemmed in; that the great net of that giant Warfare had us in its
+toils. Many times we had seen the levies that had come down from the
+north going to and fro, and had come upon them in the distance amidst
+the mountains making ways for the ammunition and preparing the mounting
+of the guns. Once we fancied they had fired at us, taking us for
+spies—at any rate a shot had gone shuddering over us. Several times we
+had hidden in woods from hovering aeroplanes.
+
+“But all these things do not matter now, these nights of flight and
+pain . . . We were in an open place near those great temples at
+Paestum, at last, on a blank stony place dotted with spiky bushes,
+empty and desolate and so flat that a grove of eucalyptus far away
+showed to the feet of its stems. How I can see it! My lady was sitting
+down under a bush resting a little, for she was very weak and weary,
+and I was standing up watching to see if I could tell the distance of
+the firing that came and went. They were still, you know, fighting far
+from each other, with those terrible new weapons that had never before
+been used: guns that would carry beyond sight, and aeroplanes that
+would do—What they would do no man could foretell.
+
+“I knew that we were between the two armies, and that they drew
+together. I knew we were in danger, and that we could not stop there
+and rest!
+
+“Though all these things were in my mind, they were in the background.
+They seemed to be affairs beyond our concern. Chiefly, I was thinking
+of my lady. An aching distress filled me. For the first time she had
+owned herself beaten and had fallen a-weeping. Behind me I could hear
+her sobbing, but I would not turn round to her because I knew she had
+need of weeping, and had held herself so far and so long for me. It was
+well, I thought, that she would weep and rest and then we would toil on
+again, for I had no inkling of the thing that hung so near. Even now I
+can see her as she sat there, her lovely hair upon her shoulder, can
+mark again the deepening hollow of her cheek.
+
+“‘If we had parted,’ she said, ‘if I had let you go.’
+
+“‘No,’ said I. ‘Even now, I do not repent. I will not repent; I made my
+choice, and I will hold on to the end.’
+
+“And then—
+
+“Overhead in the sky flashed something and burst, and all about us I
+heard the bullets making a noise like a handful of peas suddenly
+thrown. They chipped the stones about us, and whirled fragments from
+the bricks and passed . . . .”
+
+He put his hand to his mouth, and then moistened his lips.
+
+“At the flash I had turned about . . .
+
+“You know—she stood up—
+
+“She stood up, you know, and moved a step towards me—as though she
+wanted to reach me—
+
+“And she had been shot through the heart.”
+
+He stopped and stared at me. I felt all that foolish incapacity an
+Englishman feels on such occasions. I met his eyes for a moment, and
+then stared out of the window. For a long space we kept silence. When
+at last I looked at him he was sitting back in his corner, his arms
+folded, and his teeth gnawing at his knuckles.
+
+He bit his nail suddenly, and stared at it.
+
+“I carried her,” he said, “towards the temples, in my arms—as though it
+mattered. I don’t know why. They seemed a sort of sanctuary, you know,
+they had lasted so long, I suppose.
+
+“She must have died almost instantly. Only—I talked to her all the
+way.”
+
+Silence again.
+
+“I have seen those temples,” I said abruptly, and indeed he had brought
+those still, sunlit arcades of worn sandstone very vividly before me.
+
+“It was the brown one, the big brown one. I sat down on a fallen pillar
+and held her in my arms . . . Silent after the first babble was over.
+And after a little while the lizards came out and ran about again, as
+though nothing unusual was going on, as though nothing had changed . .
+. It was tremendously still there, the sun high and the shadows still;
+even the shadows of the weeds upon the entablature were still—in spite
+of the thudding and banging that went all about the sky.
+
+“I seem to remember that the aeroplanes came up out of the south, and
+that the battle went away to the west. One aeroplane was struck, and
+overset and fell. I remember that—though it didn’t interest me in the
+least. It didn’t seem to signify. It was like a wounded gull, you
+know—flapping for a time in the water. I could see it down the aisle of
+the temple—a black thing in the bright blue water.
+
+“Three or four times shells burst about the beach, and then that
+ceased. Each time that happened all the lizards scuttled in and hid for
+a space. That was all the mischief done, except that once a stray
+bullet gashed the stone hard by—made just a fresh bright surface.
+
+“As the shadows grew longer, the stillness seemed greater.
+
+“The curious thing,” he remarked, with the manner of a man who makes a
+trivial conversation, “is that I didn’t _think_—at all. I sat with her
+in my arms amidst the stones—in a sort of lethargy—stagnant.
+
+“And I don’t remember waking up. I don’t remember dressing that day. I
+know I found myself in my office, with my letters all slit open in
+front of me, and how I was struck by the absurdity of being there,
+seeing that in reality I was sitting, stunned, in that Paestum Temple
+with a dead woman in my arms. I read my letters like a machine. I have
+forgotten what they were about.”
+
+He stopped, and there was a long silence.
+
+Suddenly I perceived that we were running down the incline from Chalk
+Farm to Euston. I started at this passing of time. I turned on him with
+a brutal question, with the tone of “Now or never.”
+
+“And did you dream again?”
+
+“Yes.”
+
+He seemed to force himself to finish. His voice was very low.
+
+“Once more, and as it were only for a few instants. I seemed to have
+suddenly awakened out of a great apathy, to have risen into a sitting
+position, and the body lay there on the stones beside me. A gaunt body.
+Not her, you know. So soon—it was not her . . . .
+
+“I may have heard voices. I do not know. Only I knew clearly that men
+were coming into the solitude and that that was a last outrage.
+
+“I stood up and walked through the temple, and then there came into
+sight—first one man with a yellow face, dressed in a uniform of dirty
+white, trimmed with blue, and then several, climbing to the crest of
+the old wall of the vanished city, and crouching there. They were
+little bright figures in the sunlight, and there they hung, weapon in
+hand, peering cautiously before them.
+
+“And further away I saw others and then more at another point in the
+wall. It was a long lax line of men in open order.
+
+“Presently the man I had first seen stood up and shouted a command, and
+his men came tumbling down the wall and into the high weeds towards the
+temple. He scrambled down with them and led them. He came facing
+towards me, and when he saw me he stopped.
+
+“At first I had watched these men with a mere curiosity, but when I had
+seen they meant to come to the temple I was moved to forbid them. I
+shouted to the officer.
+
+“‘You must not come here,’ I cried, ‘_I_ am here. I am here with my
+dead.’
+
+“He stared, and then shouted a question back to me in some unknown
+tongue.
+
+“I repeated what I had said.
+
+“He shouted again, and I folded my arms and stood still. Presently he
+spoke to his men and came forward. He carried a drawn sword.
+
+“I signed to him to keep away, but he continued to advance. I told him
+again very patiently and clearly: ‘You must not come here. These are
+old temples and I am here with my dead.’
+
+“Presently he was so close I could see his face clearly. It was a
+narrow face, with dull gray eyes, and a black moustache. He had a scar
+on his upper lip, and he was dirty and unshaven. He kept shouting
+unintelligible things, questions, perhaps, at me.
+
+“I know now that he was afraid of me, but at the time that did not
+occur to me. As I tried to explain to him, he interrupted me in
+imperious tones, bidding me, I suppose, stand aside.
+
+“He made to go past me, and I caught hold of him.
+
+“I saw his face change at my grip.
+
+“‘You fool,’ I cried. ‘Don’t you know? She is dead!’
+
+“He started back. He looked at me with cruel eyes. I saw a sort of
+exultant resolve leap into them—delight. Then, suddenly, with a scowl,
+he swept his sword back—_so_—and thrust.”
+
+He stopped abruptly.
+
+I became aware of a change in the rhythm of the train. The brakes
+lifted their voices and the carriage jarred and jerked. This present
+world insisted upon itself, became clamourous. I saw through the steamy
+window huge electric lights glaring down from tall masts upon a fog,
+saw rows of stationary empty carriages passing by, and then a
+signal-box hoisting its constellation of green and red into the murky
+London twilight, marched after them. I looked again at his drawn
+features.
+
+“He ran me through the heart. It was with a sort of astonishment—no
+fear, no pain—but just amazement, that I felt it pierce me, felt the
+sword drive home into my body. It didn’t hurt, you know. It didn’t hurt
+at all.”
+
+The yellow platform lights came into the field of view, passing first
+rapidly, then slowly, and at last stopping with a jerk. Dim shapes of
+men passed to and fro without.
+
+“Euston!” cried a voice.
+
+“Do you mean—?”
+
+“There was no pain, no sting or smart. Amazement and then darkness
+sweeping over everything. The hot, brutal face before me, the face of
+the man who had killed me, seemed to recede. It swept out of
+existence—”
+
+“Euston!” clamoured the voices outside; “Euston!”
+
+The carriage door opened admitting a flood of sound, and a porter stood
+regarding us. The sounds of doors slamming, and the hoof-clatter of
+cab-horses, and behind these things the featureless remote roar of the
+London cobble-stones, came to my ears. A truckload of lighted lamps
+blazed along the platform.
+
+“A darkness, a flood of darkness that opened and spread and blotted out
+all things.”
+
+“Any luggage, sir?” said the porter.
+
+“And that was the end?” I asked.
+
+He seemed to hesitate. Then, almost inaudibly, he answered, “_no_.”
+
+“You mean?”
+
+“I couldn’t get to her. She was there on the other side of the temple—
+And then—”
+
+“Yes,” I insisted. “Yes?”
+
+“Nightmares,” he cried; “nightmares indeed! My God! Great birds that
+fought and tore.”
+
+
+
+
+THE CONE
+
+
+The night was hot and overcast, the sky red, rimmed with the lingering
+sunset of mid-summer. They sat at the open window, trying to fancy the
+air was fresher there. The trees and shrubs of the garden stood stiff
+and dark; beyond in the roadway a gas-lamp burnt, bright orange against
+the hazy blue of the evening. Farther were the three lights of the
+railway signal against the lowering sky. The man and woman spoke to one
+another in low tones.
+
+“He does not suspect?” said the man, a little nervously.
+
+“Not he,” she said peevishly, as though that too irritated her. “He
+thinks of nothing but the works and the prices of fuel. He has no
+imagination, no poetry.”
+
+“None of these men of iron have,” he said sententiously. “They have no
+hearts.”
+
+“_He_ has not,” she said. She turned her discontented face towards the
+window. The distant sound of a roaring and rushing drew nearer and grew
+in volume; the house quivered; one heard the metallic rattle of the
+tender. As the train passed, there was a glare of light above the
+cutting and a driving tumult of smoke; one, two, three, four, five,
+six, seven, eight black oblongs—eight trucks—passed across the dim grey
+of the embankment, and were suddenly extinguished one by one in the
+throat of the tunnel, which, with the last, seemed to swallow down
+train, smoke, and sound in one abrupt gulp.
+
+“This country was all fresh and beautiful once,” he said; “and now—it
+is Gehenna. Down that way—nothing but pot-banks and chimneys belching
+fire and dust into the face of heaven . . . . . But what does it
+matter? An end comes, an end to all this cruelty . . . . .
+_To-morrow_.” He spoke the last word in a whisper.
+
+“_To-morrow_,” she said, speaking in a whisper too, and still staring
+out of the window.
+
+“Dear!” he said, putting his hand on hers.
+
+She turned with a start, and their eyes searched one another’s. Hers
+softened to his gaze. “My dear one!” she said, and then: “It seems so
+strange—that you should have come into my life like this—to open—” She
+paused.
+
+“To open?” he said.
+
+“All this wonderful world—” she hesitated, and spoke still more
+softly—“this world of _love_ to me.”
+
+Then suddenly the door clicked and closed. They turned their heads, and
+he started violently back. In the shadow of the room stood a great
+shadowy figure—silent. They saw the face dimly in the half-light, with
+unexpressive dark patches under the penthouse brows. Every muscle in
+Raut’s body suddenly became tense. When could the door have opened?
+What had he heard? Had he heard all? What had he seen? A tumult of
+questions.
+
+The new-comer’s voice came at last, after a pause that seemed
+interminable. “Well?” he said.
+
+“I was afraid I had missed you, Horrocks,” said the man at the window,
+gripping the window-ledge with his hand. His voice was unsteady.
+
+The clumsy figure of Horrocks came forward out of the shadow. He made
+no answer to Raut’s remark. For a moment he stood above them.
+
+The woman’s heart was cold within her. “I told Mr. Raut it was just
+possible you might come back,” she said, in a voice that never
+quivered.
+
+Horrocks, still silent, sat down abruptly in the chair by her little
+work-table. His big hands were clenched; one saw now the fire of his
+eyes under the shadow of his brows. He was trying to get his breath.
+His eyes went from the woman he had trusted to the friend he had
+trusted, and then back to the woman.
+
+By this time and for the moment all three half understood one another.
+Yet none dared say a word to ease the pent-up things that choked them.
+
+It was the husband’s voice that broke the silence at last.
+
+“You wanted to see me?” he said to Raut.
+
+Raut started as he spoke. “I came to see you,” he said, resolved to lie
+to the last.
+
+“Yes,” said Horrocks.
+
+“You promised,” said Raut, “to show me some fine effects of moonlight
+and smoke.”
+
+“I promised to show you some fine effects of moonlight and smoke,”
+repeated Horrocks in a colourless voice.
+
+“And I thought I might catch you to-night before you went down to the
+works,” proceeded Raut, “and come with you.”
+
+There was another pause. Did the man mean to take the thing coolly? Did
+he after all know? How long had he been in the room? Yet even at the
+moment when they heard the door, their attitudes. . . . Horrocks
+glanced at the profile of the woman, shadowy pallid in the half-light.
+Then he glanced at Raut, and seemed to recover himself suddenly. “Of
+course,” he said, “I promised to show you the works under their proper
+dramatic conditions. It’s odd how I could have forgotten.”
+
+“If I am troubling you—” began Raut.
+
+Horrocks started again. A new light had suddenly come into the sultry
+gloom of his eyes. “Not in the least,” he said.
+
+“Have you been telling Mr. Raut of all these contrasts of flame and
+shadow you think so splendid?” said the woman, turning now to her
+husband for the first time, her confidence creeping back again, her
+voice just one half-note too high. “That dreadful theory of yours that
+machinery is beautiful, and everything else in the world ugly. I
+thought he would not spare you, Mr. Raut. It’s his great theory, his
+one discovery in art.”
+
+“I am slow to make discoveries,” said Horrocks grimly, damping her
+suddenly. “But what I discover . . . . .” He stopped.
+
+“Well?” she said.
+
+“Nothing;” and suddenly he rose to his feet.
+
+“I promised to show you the works,” he said to Raut, and put his big,
+clumsy hand on his friend’s shoulder. “And you are ready to go?”
+
+“Quite,” said Raut, and stood up also.
+
+There was another pause. Each of them peered through the indistinctness
+of the dusk at the other two. Horrocks’ hand still rested on Raut’s
+shoulder. Raut half fancied still that the incident was trivial after
+all. But Mrs. Horrocks knew her husband better, knew that grim quiet in
+his voice, and the confusion in her mind took a vague shape of physical
+evil. “Very well”, said Horrocks, and, dropping his hand, turned
+towards the door.
+
+“My hat?” Raut looked round in the half-light.
+
+“That’s my work-basket,” said Mrs. Horrocks, with a gust of hysterical
+laughter. Their hands came together on the back of the chair. “Here it
+is!” he said. She had an impulse to warn him in an undertone, but she
+could not frame a word. “Don’t go!” and “Beware of him!” struggled in
+her mind, and the swift moment passed.
+
+“Got it?” said Horrocks, standing with the door half open.
+
+Raut stepped towards him. “Better say good-bye to Mrs. Horrocks,” said
+the ironmaster, even more grimly quiet in his tone than before.
+
+Raut started and turned. “Good-evening, Mrs. Horrocks,” he said, and
+their hands touched.
+
+Horrocks held the door open with a ceremonial politeness unusual in him
+towards men. Raut went out, and then, after a wordless look at her, her
+husband followed. She stood motionless while Raut’s light footfall and
+her husband’s heavy tread, like bass and treble, passed down the
+passage together. The front door slammed heavily. She went to the
+window, moving slowly, and stood watching—leaning forward. The two men
+appeared for a moment at the gateway in the road, passed under the
+street lamp, and were hidden by the black masses of the shrubbery. The
+lamp-light fell for a moment on their faces, showing only unmeaning
+pale patches, telling nothing of what she still feared, and doubted,
+and craved vainly to know. Then she sank down into a crouching attitude
+in the big arm-chair, her eyes wide open and staring out at the red
+lights from the furnaces that flickered in the sky. An hour after she
+was still there, her attitude scarcely changed.
+
+The oppressive stillness of the evening weighed heavily upon Raut. They
+went side by side down the road in silence, and in silence turned into
+the cinder-made by-way that presently opened out the prospect of the
+valley.
+
+A blue haze, half dust, half mist, touched the long valley with
+mystery. Beyond were Hanley and Etruria, grey and dark masses, outlined
+thinly by the rare golden dots of the street lamps, and here and there
+a gaslit window, or the yellow glare of some late-working factory or
+crowded public-house. Out of the masses, clear and slender against the
+evening sky, rose a multitude of tall chimneys, many of them reeking, a
+few smokeless during a season of “play.” Here and there a pallid patch
+and ghostly stunted beehive shapes showed the position of a pot-bank,
+or a wheel, black and sharp against the hot lower sky, marked some
+colliery where they raise the iridescent coal of the place. Nearer at
+hand was the broad stretch of railway, and half invisible trains
+shunted—a steady puffing and rumbling, with every run a ringing
+concussion and a rhythmic series of impacts, and a passage of
+intermittent puffs of white steam across the further view. And to the
+left, between the railway and the dark mass of the low hill beyond,
+dominating the whole view, colossal, inky-black, and crowned with smoke
+and fitful flames, stood the great cylinders of the Jeddah Company
+Blast Furnaces, the central edifices of the big ironworks of which
+Horrocks was the manager. They stood heavy and threatening, full of an
+incessant turmoil of flames and seething molten iron, and about the
+feet of them rattled the rolling-mills, and the steam hammer beat
+heavily and splashed the white iron sparks hither and thither. Even as
+they looked, a truckful of fuel was shot into one of the giants, and
+the red flames gleamed out, and a confusion of smoke and black dust
+came boiling upwards towards the sky.
+
+“Certainly you get some fine effects of colour with your furnaces,”
+said Raut, breaking a silence that had become apprehensive.
+
+Horrocks grunted. He stood with his hands in his pockets, frowning down
+at the dim steaming railway and the busy ironworks beyond, frowning as
+if he were thinking out some knotty problem.
+
+Raut glanced at him and away again. “At present your moonlight effect
+is hardly ripe,” he continued, looking upward. “The moon is still
+smothered by the vestiges of daylight.”
+
+Horrocks stared at him with the expression of a man who has suddenly
+awakened. “Vestiges of daylight? . . . . Of course, of course.” He too
+looked up at the moon, pale still in the midsummer sky. “Come along,”
+he said suddenly, and, gripping Raut’s arm in his hand, made a move
+towards the path that dropped from them to the railway.
+
+Raut hung back. Their eyes met and saw a thousand things in a moment
+that their eyes came near to say. Horrocks’ hand tightened and then
+relaxed. He let go, and before Raut was aware of it, they were arm in
+arm, and walking, one unwillingly enough, down the path.
+
+“You see the fine effect of the railway signals towards Burslem,” said
+Horrocks, suddenly breaking into loquacity, striding fast, and
+tightening the grip of his elbow the while. “Little green lights and
+red and white lights, all against the haze. You have an eye for effect,
+Raut. It’s a fine effect. And look at those furnaces of mine, how they
+rise upon us as we come down the hill. That to the right is my
+pet—seventy feet of him. I packed him myself, and he’s boiled away
+cheerfully with iron in his guts for five long years. I’ve a particular
+fancy for _him_. That line of red there—a lovely bit of warm orange
+you’d call it, Raut—that’s the puddlers’ furnaces, and there, in the
+hot light, three black figures—did you see the white splash of the
+steam-hammer then?—that’s the rolling mills. Come along! Clang,
+clatter, how it goes rattling across the floor! Sheet tin,
+Raut,—amazing stuff. Glass mirrors are not in it when that stuff comes
+from the mill. And, squelch!—there goes the hammer again. Come along!”
+
+He had to stop talking to catch at his breath. His arm twisted into
+Raut’s with benumbing tightness. He had come striding down the black
+path towards the railway as though he was possessed. Raut had not
+spoken a word, had simply hung back against Horrocks’ pull with all his
+strength.
+
+“I say,” he said now, laughing nervously, but with an undernote of
+snarl in his voice, “why on earth are you nipping my arm off, Horrocks,
+and dragging me along like this?”
+
+At length Horrocks released him. His manner changed again. “Nipping
+your arm off?” he said. “Sorry. But it’s you taught me the trick of
+walking in that friendly way.”
+
+“You haven’t learnt the refinements of it yet then,” said Raut,
+laughing artificially again. “By Jove! I’m black and blue.” Horrocks
+offered no apology. They stood now near the bottom of the hill, close
+to the fence that bordered the railway. The ironworks had grown larger
+and spread out with their approach. They looked up to the blast
+furnaces now instead of down; the further view of Etruria and Hanley
+had dropped out of sight with their descent. Before them, by the stile
+rose a notice-board, bearing still dimly visible, the words, “BEWARE OF
+THE TRAINS,” half hidden by splashes of coaly mud.
+
+“Fine effects,” said Horrocks, waving his arm. “Here comes a train. The
+puffs of smoke, the orange glare, the round eye of light in front of
+it, the melodious rattle. Fine effects! But these furnaces of mine used
+to be finer, before we shoved cones in their throats, and saved the
+gas.”
+
+“How?” said Raut. “Cones?”
+
+“Cones, my man, cones. I’ll show you one nearer. The flames used to
+flare out of the open throats, great—what is it?—pillars of cloud by
+day, red and black smoke, and pillars of fire by night. Now we run it
+off in pipes, and burn it to heat the blast, and the top is shut by a
+cone. You’ll be interested in that cone.”
+
+“But every now and then,” said Raut, “you get a burst of fire and smoke
+up there.”
+
+“The cone’s not fixed, it’s hung by a chain from a lever, and balanced
+by an equipoise. You shall see it nearer. Else, of course, there’d be
+no way of getting fuel into the thing. Every now and then the cone
+dips, and out comes the flare.”
+
+“I see,” said Raut. He looked over his shoulder. “The moon gets
+brighter,” he said.
+
+“Come along,” said Horrocks abruptly, gripping his shoulder again, and
+moving him suddenly towards the railway crossing. And then came one of
+those swift incidents, vivid, but so rapid that they leave one doubtful
+and reeling. Halfway across, Horrocks’ hand suddenly clenched upon him
+like a vice, and swung him backward and through a half-turn, so that he
+looked up the line. And there a chain of lamp-lit carriage-windows
+telescoped swiftly as it came towards them, and the red and yellow
+lights of an engine grew larger and larger, rushing down upon them. As
+he grasped what this meant, he turned his face to Horrocks, and pushed
+with all his strength against the arm that held him back between the
+rails. The struggle did not last a moment. Just as certain as it was
+that Horrocks held him there, so certain was it that he had been
+violently lugged out of danger.
+
+“Out of the way,” said Horrocks, with a gasp, as the train came
+rattling by, and they stood panting by the gate into the ironworks.
+
+“I did not see it coming,” said Raut, still, even in spite of his own
+apprehensions, trying to keep up an appearance of ordinary intercourse.
+
+Horrocks answered with a grunt. “The cone,” he said, and then, as one
+who recovers himself, “I thought you did not hear.”
+
+“I didn’t,” said Raut.
+
+“I wouldn’t have had you run over then for the world,” said Horrocks.
+
+“For a moment I lost my nerve,” said Raut.
+
+Horrocks stood for half a minute, then turned abruptly towards the
+ironworks again. “See how fine these great mounds of mine, these
+clinker-heaps, look in the night! That truck yonder, up above there! Up
+it goes, and out-tilts the slag. See the palpitating red stuff go
+sliding down the slope. As we get nearer, the heap rises up and cuts
+the blast furnaces. See the quiver up above the big one. Not that way!
+This way, between the heaps. That goes to the puddling furnaces, but I
+want to show you the canal first.” He came and took Raut by the elbow,
+and so they went along side by side. Raut answered Horrocks vaguely.
+What, he asked himself, had really happened on the line? Was he
+deluding himself with his own fancies, or had Horrocks actually held
+him back in the way of the train? Had he just been within an ace of
+being murdered?
+
+Suppose this slouching, scowling monster _did_ know anything? For a
+minute or two then Raut was really afraid for his life, but the mood
+passed as he reasoned with himself. After all, Horrocks might have
+heard nothing. At any rate, he had pulled him out of the way in time.
+His odd manner might be due to the mere vague jealousy he had shown
+once before. He was talking now of the ash-heaps and the canal. “Eigh?”
+said Horrocks.
+
+“What?” said Raut. “Rather! The haze in the moonlight. Fine!”
+
+“Our canal,” said Horrocks, stopping suddenly. “Our canal by moonlight
+and firelight is an immense effect. You’ve never seen it? Fancy that!
+You’ve spent too many of your evenings philandering up in Newcastle
+there. I tell you, for real florid effects—But you shall see. Boiling
+water . . .”
+
+As they came out of the labyrinth of clinker-heaps and mounds of coal
+and ore, the noises of the rolling-mill sprang upon them suddenly,
+loud, near, and distinct. Three shadowy workmen went by and touched
+their caps to Horrocks. Their faces were vague in the darkness. Raut
+felt a futile impulse to address them, and before he could frame his
+words, they passed into the shadows. Horrocks pointed to the canal
+close before them now: a weird-looking place it seemed, in the
+blood-red reflections of the furnaces. The hot water that cooled the
+tuyeres came into it, some fifty yards up—a tumultuous, almost boiling
+affluent, and the steam rose up from the water in silent white wisps
+and streaks, wrapping damply about them, an incessant succession of
+ghosts coming up from the black and red eddies, a white uprising that
+made the head swim. The shining black tower of the larger blast-furnace
+rose overhead out of the mist, and its tumultuous riot filled their
+ears. Raut kept away from the edge of the water, and watched Horrocks.
+
+“Here it is red,” said Horrocks, “blood-red vapour as red and hot as
+sin; but yonder there, where the moonlight falls on it, and it drives
+across the clinker-heaps, it is as white as death.”
+
+Raut turned his head for a moment, and then came back hastily to his
+watch on Horrocks. “Come along to the rolling-mills,” said Horrocks.
+The threatening hold was not so evident that time, and Raut felt a
+little reassured. But all the same, what on earth did Horrocks mean
+about “white as death” and “red as sin?” Coincidence, perhaps?
+
+They went and stood behind the puddlers for a little while, and then
+through the rolling-mills, where amidst an incessant din the deliberate
+steam-hammer beat the juice out of the succulent iron, and black,
+half-naked Titans rushed the plastic bars, like hot sealing-wax,
+between the wheels. “Come on,” said Horrocks in Raut’s ear, and they
+went and peeped through the little glass hole behind the tuyeres, and
+saw the tumbled fire writhing in the pit of the blast-furnace. It left
+one eye blinded for a while. Then, with green and blue patches dancing
+across the dark, they went to the lift by which the trucks of ore and
+fuel and lime were raised to the top of the big cylinder.
+
+And out upon the narrow rail that overhung the furnace, Raut’s doubts
+came upon him again. Was it wise to be here? If Horrocks did
+know—everything! Do what he would, he could not resist a violent
+trembling. Right under foot was a sheer depth of seventy feet. It was a
+dangerous place. They pushed by a truck of fuel to get to the railing
+that crowned the place. The reek of the furnace, a sulphurous vapor
+streaked with pungent bitterness, seemed to make the distant hillside
+of Hanley quiver. The moon was riding out now from among a drift of
+clouds, halfway up the sky above the undulating wooded outlines of
+Newcastle. The steaming canal ran away from below them under an
+indistinct bridge, and vanished into the dim haze of the flat fields
+towards Burslem.
+
+“That’s the cone I’ve been telling you of,” shouted Horrocks; “and,
+below that, sixty feet of fire and molten metal, with the air of the
+blast frothing through it like gas in soda-water.”
+
+Raut gripped the hand-rail tightly, and stared down at the cone. The
+heat was intense. The boiling of the iron and the tumult of the blast
+made a thunderous accompaniment to Horrocks’ voice. But the thing had
+to be gone through now. Perhaps, after all . . .
+
+“In the middle,” bawled Horrocks, “temperature near a thousand degrees.
+If _you_ were dropped into it . . . . flash into flame like a pinch of
+gunpowder in a candle. Put your hand out and feel the heat of his
+breath. Why, even up here I’ve seen the rain-water boiling off the
+trucks. And that cone there. It’s a damned sight too hot for roasting
+cakes. The top side of it’s three hundred degrees.”
+
+“Three hundred degrees!” said Raut.
+
+“Three hundred centigrade, mind!” said Horrocks. “It will boil the
+blood out of you in no time.”
+
+“Eigh?” said Raut, and turned.
+
+“Boil the blood out of you in . . . No, you don’t!”
+
+“Let me go!” screamed Raut. “Let go my arm!”
+
+With one hand he clutched at the hand-rail, then with both. For a
+moment the two men stood swaying. Then suddenly, with a violent jerk,
+Horrocks had twisted him from his hold. He clutched at Horrocks and
+missed, his foot went back into empty air; in mid-air he twisted
+himself, and then cheek and shoulder and knee struck the hot cone
+together.
+
+He clutched the chain by which the cone hung, and the thing sank an
+infinitesimal amount as he struck it. A circle of glowing red appeared
+about him, and a tongue of flame, released from the chaos within,
+flickered up towards him. An intense pain assailed him at the knees,
+and he could smell the singeing of his hands. He raised himself to his
+feet, and tried to climb up the chain, and then something struck his
+head. Black and shining with the moonlight, the throat of the furnace
+rose about him.
+
+Horrocks, he saw, stood above him by one of the trucks of fuel on the
+rail. The gesticulating figure was bright and white in the moonlight,
+and shouting, “Fizzle, you fool! Fizzle, you hunter of women! You
+hot-blooded hound! Boil! boil! boil!”
+
+Suddenly he caught up a handful of coal out of the truck, and flung it
+deliberately, lump after lump, at Raut.
+
+“Horrocks!” cried Raut. “Horrocks!”
+
+He clung crying to the chain, pulling himself up from the burning of
+the cone. Each missile Horrocks flung hit him. His clothes charred and
+glowed, and as he struggled the cone dropped, and a rush of hot
+suffocating gas whooped out and burned round him in a swift breath of
+flame.
+
+His human likeness departed from him. When the momentary red had
+passed, Horrocks saw a charred, blackened figure, its head streaked
+with blood, still clutching and fumbling with the chain, and writhing
+in agony—a cindery animal, an inhuman, monstrous creature that began a
+sobbing intermittent shriek.
+
+Abruptly, at the sight, the ironmaster’s anger passed. A deadly
+sickness came upon him. The heavy odour of burning flesh came drifting
+up to his nostrils. His sanity returned to him.
+
+“God have mercy upon me!” he cried. “O God! what have I done?”
+
+He knew the thing below him, save that it still moved and felt, was
+already a dead man—that the blood of the poor wretch must be boiling in
+his veins. An intense realisation of that agony came to his mind, and
+overcame every other feeling. For a moment he stood irresolute, and
+then, turning to the truck, he hastily tilted its contents upon the
+struggling thing that had once been a man. The mass fell with a thud,
+and went radiating over the cone. With the thud the shriek ended, and a
+boiling confusion of smoke, dust, and flame came rushing up towards
+him. As it passed, he saw the cone clear again.
+
+Then he staggered back, and stood trembling, clinging to the rail with
+both hands. His lips moved, but no words came to them.
+
+Down below was the sound of voices and running steps. The clangour of
+rolling in the shed ceased abruptly.
+
+
+
+
+A MOONLIGHT FABLE
+
+
+There was once a little man whose mother made him a beautiful suit of
+clothes. It was green and gold and woven so that I cannot describe how
+delicate and fine it was, and there was a tie of orange fluffiness that
+tied up under his chin. And the buttons in their newness shone like
+stars. He was proud and pleased by his suit beyond measure, and stood
+before the long looking-glass when first he put it on, so astonished
+and delighted with it that he could hardly turn himself away.
+
+He wanted to wear it everywhere and show it to all sorts of people. He
+thought over all the places he had ever visited and all the scenes he
+had ever heard described, and tried to imagine what the feel of it
+would be if he were to go now to those scenes and places wearing his
+shining suit, and he wanted to go out forthwith into the long grass and
+the hot sunshine of the meadow wearing it. Just to wear it! But his
+mother told him, “No.” She told him he must take great care of his
+suit, for never would he have another nearly so fine; he must save it
+and save it and only wear it on rare and great occasions. It was his
+wedding suit, she said. And she took his buttons and twisted them up
+with tissue paper for fear their bright newness should be tarnished,
+and she tacked little guards over the cuffs and elbows and wherever the
+suit was most likely to come to harm. He hated and resisted these
+things, but what could he do? And at last her warnings and persuasions
+had effect and he consented to take off his beautiful suit and fold it
+into its proper creases and put it away. It was almost as though he
+gave it up again. But he was always thinking of wearing it and of the
+supreme occasion when some day it might be worn without the guards,
+without the tissue paper on the buttons, utterly and delightfully,
+never caring, beautiful beyond measure.
+
+One night when he was dreaming of it, after his habit, he dreamed he
+took the tissue paper from one of the buttons and found its brightness
+a little faded, and that distressed him mightily in his dream. He
+polished the poor faded button and polished it, and if anything it grew
+duller. He woke up and lay awake thinking of the brightness a little
+dulled and wondering how he would feel if perhaps when the great
+occasion (whatever it might be) should arrive, one button should chance
+to be ever so little short of its first glittering freshness, and for
+days and days that thought remained with him, distressingly. And when
+next his mother let him wear his suit, he was tempted and nearly gave
+way to the temptation just to fumble off one little bit of tissue paper
+and see if indeed the buttons were keeping as bright as ever.
+
+He went trimly along on his way to church full of this wild desire. For
+you must know his mother did, with repeated and careful warnings, let
+him wear his suit at times, on Sundays, for example, to and fro from
+church, when there was no threatening of rain, no dust nor anything to
+injure it, with its buttons covered and its protections tacked upon it
+and a sunshade in his hand to shadow it if there seemed too strong a
+sunlight for its colours. And always, after such occasions, he brushed
+it over and folded it exquisitely as she had taught him, and put it
+away again.
+
+Now all these restrictions his mother set to the wearing of his suit he
+obeyed, always he obeyed them, until one strange night he woke up and
+saw the moonlight shining outside his window. It seemed to him the
+moonlight was not common moonlight, nor the night a common night, and
+for a while he lay quite drowsily with this odd persuasion in his mind.
+Thought joined on to thought like things that whisper warmly in the
+shadows. Then he sat up in his little bed suddenly, very alert, with
+his heart beating very fast and a quiver in his body from top to toe.
+He had made up his mind. He knew now that he was going to wear his suit
+as it should be worn. He had no doubt in the matter. He was afraid,
+terribly afraid, but glad, glad.
+
+He got out of his bed and stood a moment by the window looking at the
+moonshine-flooded garden and trembling at the thing he meant to do. The
+air was full of a minute clamor of crickets and murmurings, of the
+infinitesimal shouting of little living things. He went very gently
+across the creaking boards, for fear that he might wake the sleeping
+house, to the big dark clothes-press wherein his beautiful suit lay
+folded, and he took it out garment by garment and softly and very
+eagerly tore off its tissue-paper covering and its tacked protections,
+until there it was, perfect and delightful as he had seen it when first
+his mother had given it to him—a long time it seemed ago. Not a button
+had tarnished, not a thread had faded on this dear suit of his; he was
+glad enough for weeping as in a noiseless hurry he put it on. And then
+back he went, soft and quick, to the window and looked out upon the
+garden and stood there for a minute, shining in the moonlight, with his
+buttons twinkling like stars, before he got out on the sill and, making
+as little of a rustling as he could, clambered down to the garden path
+below. He stood before his mother’s house, and it was white and nearly
+as plain as by day, with every window-blind but his own shut like an
+eye that sleeps. The trees cast still shadows like intricate black lace
+upon the wall.
+
+The garden in the moonlight was very different from the garden by day;
+moonshine was tangled in the hedges and stretched in phantom cobwebs
+from spray to spray. Every flower was gleaming white or crimson black,
+and the air was aquiver with the thridding of small crickets and
+nightingales singing unseen in the depths of the trees.
+
+There was no darkness in the world, but only warm, mysterious shadows;
+and all the leaves and spikes were edged and lined with iridescent
+jewels of dew. The night was warmer than any night had ever been, the
+heavens by some miracle at once vaster and nearer, and spite of the
+great ivory-tinted moon that ruled the world, the sky was full of
+stars.
+
+The little man did not shout nor sing for all his infinite gladness. He
+stood for a time like one awe-stricken, and then, with a queer small
+cry and holding out his arms, he ran out as if he would embrace at once
+the whole warm round immensity of the world. He did not follow the neat
+set paths that cut the garden squarely, but thrust across the beds and
+through the wet, tall, scented herbs, through the night stock and the
+nicotine and the clusters of phantom white mallow flowers and through
+the thickets of southern-wood and lavender, and knee-deep across a wide
+space of mignonette. He came to the great hedge and he thrust his way
+through it, and though the thorns of the brambles scored him deeply and
+tore threads from his wonderful suit, and though burs and goosegrass
+and havers caught and clung to him, he did not care. He did not care,
+for he knew it was all part of the wearing for which he had longed. “I
+am glad I put on my suit,” he said; “I am glad I wore my suit.”
+
+Beyond the hedge he came to the duck-pond, or at least to what was the
+duck-pond by day. But by night it was a great bowl of silver moonshine
+all noisy with singing frogs, of wonderful silver moonshine twisted and
+clotted with strange patternings, and the little man ran down into its
+waters between the thin black rushes, knee-deep and waist-deep and to
+his shoulders, smiting the water to black and shining wavelets with
+either hand, swaying and shivering wavelets, amid which the stars were
+netted in the tangled reflections of the brooding trees upon the bank.
+He waded until he swam, and so he crossed the pond and came out upon
+the other side, trailing, as it seemed to him, not duckweed, but very
+silver in long, clinging, dripping masses. And up he went through the
+transfigured tangles of the willow-herb and the uncut seeding grass of
+the farther bank. And so he came glad and breathless into the highroad.
+“I am glad,” he said, “beyond measure, that I had clothes that fitted
+this occasion.”
+
+The highroad ran straight as an arrow flies, straight into the deep
+blue pit of sky beneath the moon, a white and shining road between the
+singing nightingales, and along it he went, running now and leaping,
+and now walking and rejoicing, in the clothes his mother had made for
+him with tireless, loving hands. The road was deep in dust, but that
+for him was only soft whiteness, and as he went a great dim moth came
+fluttering round his wet and shimmering and hastening figure. At first
+he did not heed the moth, and then he waved his hands at it and made a
+sort of dance with it as it circled round his head. “Soft moth!” he
+cried, “dear moth! And wonderful night, wonderful night of the world!
+Do you think my clothes are beautiful, dear moth? As beautiful as your
+scales and all this silver vesture of the earth and sky?”
+
+And the moth circled closer and closer until at last its velvet wings
+just brushed his lips . . . . .
+
+And next morning they found him dead with his neck broken in the bottom
+of the stone pit, with his beautiful clothes a little bloody and foul
+and stained with the duckweed from the pond. But his face was a face of
+such happiness that, had you seen it, you would have understood indeed
+how that he had died happy, never knowing the cool and streaming silver
+for the duckweed in the pond.
+
+
+
+
+THE DIAMOND MAKER
+
+
+Some business had detained me in Chancery Lane until nine in the
+evening, and thereafter, having some inkling of a headache, I was
+disinclined either for entertainment or further work. So much of the
+sky as the high cliffs of that narrow canon of traffic left visible
+spoke of a serene night, and I determined to make my way down to the
+Embankment, and rest my eyes and cool my head by watching the
+variegated lights upon the river. Beyond comparison the night is the
+best time for this place; a merciful darkness hides the dirt of the
+waters, and the lights of this transitional age, red glaring orange,
+gas-yellow, and electric white, are set in shadowy outlines of every
+possible shade between grey and deep purple. Through the arches of
+Waterloo Bridge a hundred points of light mark the sweep of the
+Embankment, and above its parapet rise the towers of Westminster, warm
+grey against the starlight. The black river goes by with only a rare
+ripple breaking its silence, and disturbing the reflections of the
+lights that swim upon its surface.
+
+“A warm night,” said a voice at my side.
+
+I turned my head, and saw the profile of a man who was leaning over the
+parapet beside me. It was a refined face, not unhandsome, though
+pinched and pale enough, and the coat collar turned up and pinned round
+the throat marked his status in life as sharply as a uniform. I felt I
+was committed to the price of a bed and breakfast if I answered him.
+
+I looked at him curiously. Would he have anything to tell me worth the
+money, or was he the common incapable—incapable even of telling his own
+story? There was a quality of intelligence in his forehead and eyes,
+and a certain tremulousness in his nether lip that decided me.
+
+“Very warm,” said I; “but not too warm for us here.”
+
+“No,” he said, still looking across the water, “it is pleasant enough
+here . . . . just now.”
+
+“It is good,” he continued after a pause, “to find anything so restful
+as this in London. After one has been fretting about business all day,
+about getting on, meeting obligations, and parrying dangers, I do not
+know what one would do if it were not for such pacific corners.” He
+spoke with long pauses between the sentences. “You must know a little
+of the irksome labour of the world, or you would not be here. But I
+doubt if you can be so brain-weary and footsore as I am . . . . Bah!
+Sometimes I doubt if the game is worth the candle. I feel inclined to
+throw the whole thing over—name, wealth and position—and take to some
+modest trade. But I know if I abandoned my ambition—hardly as she uses
+me—I should have nothing but remorse left for the rest of my days.”
+
+He became silent. I looked at him in astonishment. If ever I saw a man
+hopelessly hard-up it was the man in front of me. He was ragged and he
+was dirty, unshaven and unkempt; he looked as though he had been left
+in a dust-bin for a week. And he was talking to _me_ of the irksome
+worries of a large business. I almost laughed outright. Either he was
+mad or playing a sorry jest on his own poverty.
+
+“If high aims and high positions,” said I, “have their drawbacks of
+hard work and anxiety, they have their compensations. Influence, the
+power of doing good, of assisting those weaker and poorer than
+ourselves; and there is even a certain gratification in display . . . .
+. ”
+
+My banter under the circumstances was in very vile taste. I spoke on
+the spur of the contrast of his appearance and speech. I was sorry even
+while I was speaking.
+
+He turned a haggard but very composed face upon me. Said he: “I forgot
+myself. Of course you would not understand.”
+
+He measured me for a moment. “No doubt it is very absurd. You will not
+believe me even when I tell you, so that it is fairly safe to tell you.
+And it will be a comfort to tell someone. I really have a big business
+in hand, a very big business. But there are troubles just now. The fact
+is . . . . I make diamonds.”
+
+“I suppose,” said I, “you are out of work just at present?”
+
+“I am sick of being disbelieved,” he said impatiently, and suddenly
+unbuttoning his wretched coat he pulled out a little canvas bag that
+was hanging by a cord round his neck. From this he produced a brown
+pebble. “I wonder if you know enough to know what that is?” He handed
+it to me.
+
+Now, a year or so ago, I had occupied my leisure in taking a London
+science degree, so that I have a smattering of physics and mineralogy.
+The thing was not unlike an uncut diamond of the darker sort, though
+far too large, being almost as big as the top of my thumb. I took it,
+and saw it had the form of a regular octahedron, with the curved faces
+peculiar to the most precious of minerals. I took out my penknife and
+tried to scratch it—vainly. Leaning forward towards the gas-lamp, I
+tried the thing on my watch-glass, and scored a white line across that
+with the greatest ease.
+
+I looked at my interlocutor with rising curiosity. “It certainly is
+rather like a diamond. But, if so, it is a Behemoth of diamonds. Where
+did you get it?”
+
+“I tell you I made it,” he said. “Give it back to me.”
+
+He replaced it hastily and buttoned his jacket. “I will sell it you for
+one hundred pounds,” he suddenly whispered eagerly. With that my
+suspicions returned. The thing might, after all, be merely a lump of
+that almost equally hard substance, corundum, with an accidental
+resemblance in shape to the diamond. Or if it was a diamond, how came
+he by it, and why should he offer it at a hundred pounds?
+
+We looked into one another’s eyes. He seemed eager, but honestly eager.
+At that moment I believed it was a diamond he was trying to sell. Yet I
+am a poor man, a hundred pounds would leave a visible gap in my
+fortunes and no sane man would buy a diamond by gaslight from a ragged
+tramp on his personal warranty only. Still, a diamond that size
+conjured up a vision of many thousands of pounds. Then, thought I, such
+a stone could scarcely exist without being mentioned in every book on
+gems, and again I called to mind the stories of contraband and
+light-fingered Kaffirs at the Cape. I put the question of purchase on
+one side.
+
+“How did you get it?” said I.
+
+“I made it.”
+
+I had heard something of Moissan, but I knew his artificial diamonds
+were very small. I shook my head.
+
+“You seem to know something of this kind of thing. I will tell you a
+little about myself. Perhaps then you may think better of the
+purchase.” He turned round with his back to the river, and put his
+hands in his pockets. He sighed. “I know you will not believe me.”
+
+“Diamonds,” he began—and as he spoke his voice lost its faint flavour
+of the tramp and assumed something of the easy tone of an educated
+man—“are to be made by throwing carbon out of combination in a suitable
+flux and under a suitable pressure; the carbon crystallises out, not as
+black-lead or charcoal-powder, but as small diamonds. So much has been
+known to chemists for years, but no one yet had hit upon exactly the
+right flux in which to melt up the carbon, or exactly the right
+pressure for the best results. Consequently the diamonds made by
+chemists are small and dark, and worthless as jewels. Now I, you know,
+have given up my life to this problem—given my life to it.
+
+“I began to work at the conditions of diamond making when I was
+seventeen, and now I am thirty-two. It seemed to me that it might take
+all the thought and energies of a man for ten years, or twenty years,
+but, even if it did, the game was still worth the candle. Suppose one
+to have at last just hit the right trick before the secret got out and
+diamonds became as common as coal, one might realize millions.
+Millions!”
+
+He paused and looked for my sympathy. His eyes shone hungrily. “To
+think,” said he, “that I am on the verge of it all, and here!
+
+“I had,” he proceeded, “about a thousand pounds when I was twenty-one,
+and this, I thought, eked out by a little teaching, would keep my
+researches going. A year or two was spent in study, at Berlin chiefly,
+and then I continued on my own account. The trouble was the secrecy.
+You see, if once I had let out what I was doing, other men might have
+been spurred on by my belief in the practicability of the idea; and I
+do not pretend to be such a genius as to have been sure of coming in
+first, in the case of a race for the discovery. And you see it was
+important that if I really meant to make a pile, people should not know
+it was an artificial process and capable of turning out diamonds by the
+ton. So I had to work all alone. At first I had a little laboratory,
+but as my resources began to run out I had to conduct my experiments in
+a wretched unfurnished room in Kentish Town, where I slept at last on a
+straw mattress on the floor among all my apparatus. The money simply
+flowed away. I grudged myself everything except scientific appliances.
+I tried to keep things going by a little teaching, but I am not a very
+good teacher, and I have no university degree, nor very much education
+except in chemistry, and I found I had to give a lot of time and labour
+for precious little money. But I got nearer and nearer the thing. Three
+years ago I settled the problem of the composition of the flux, and got
+near the pressure by putting this flux of mine and a certain carbon
+composition into a closed-up gun-barrel, filling up with water, sealing
+tightly, and heating.”
+
+He paused.
+
+“Rather risky,” said I.
+
+“Yes. It burst, and smashed all my windows and a lot of my apparatus;
+but I got a kind of diamond powder nevertheless. Following out the
+problem of getting a big pressure upon the molten mixture from which
+the things were to crystallise, I hit upon some researches of Daubree’s
+at the Paris _Laboratorie des Poudres et Salpetres_. He exploded
+dynamite in a tightly screwed steel cylinder, too strong to burst, and
+I found he could crush rocks into a muck not unlike the South African
+bed in which diamonds are found. It was a tremendous strain on my
+resources, but I got a steel cylinder made for my purpose after his
+pattern. I put in all my stuff and my explosives, built up a fire in my
+furnace, put the whole concern in, and—went out for a walk.”
+
+I could not help laughing at his matter-of-fact manner. “Did you not
+think it would blow up the house? Were there other people in the
+place?”
+
+“It was in the interest of science,” he said, ultimately. “There was a
+costermonger family on the floor below, a begging-letter writer in the
+room behind mine, and two flower-women were upstairs. Perhaps it was a
+bit thoughtless. But possibly some of them were out.
+
+“When I came back the thing was just where I left it, among the
+white-hot coals. The explosive hadn’t burst the case. And then I had a
+problem to face. You know time is an important element in
+crystallisation. If you hurry the process the crystals are small—it is
+only by prolonged standing that they grow to any size. I resolved to
+let this apparatus cool for two years, letting the temperature go down
+slowly during the time. And I was now quite out of money; and with a
+big fire and the rent of my room, as well as my hunger to satisfy, I
+had scarcely a penny in the world.
+
+“I can hardly tell you all the shifts I was put to while I was making
+the diamonds. I have sold newspapers, held horses, opened cab-doors.
+For many weeks I addressed envelopes. I had a place as assistant to a
+man who owned a barrow, and used to call down one side of the road
+while he called down the other.
+
+“Once for a week I had absolutely nothing to do, and I begged. What a
+week that was! One day the fire was going out and I had eaten nothing
+all day, and a little chap taking his girl out, gave me sixpence—to
+show off. Thank heaven for vanity! How the fish-shops smelt! But I went
+and spent it all on coals, and had the furnace bright red again, and
+then—Well, hunger makes a fool of a man.
+
+“At last, three weeks ago, I let the fire out. I took my cylinder and
+unscrewed it while it was still so hot that it punished my hands, and I
+scraped out the crumbling lava-like mass with a chisel, and hammered it
+into a powder upon an iron plate. And I found three big diamonds and
+five small ones. As I sat on the floor hammering, my door opened, and
+my neighbour, the begging-letter writer came in. He was drunk—as he
+usually is. ‘Nerchist,’ said he. ‘You’re drunk,’ said I. ‘’Structive
+scoundrel,’ said he. ‘Go to your father,’ said I, meaning the Father of
+Lies. ‘Never you mind,’ said he, and gave me a cunning wink, and
+hiccuped, and leaning up against the door, with his other eye against
+the door-post, began to babble of how he had been prying in my room,
+and how he had gone to the police that morning, and how they had taken
+down everything he had to say—‘’siffiwas a ge’m,’ said he. Then I
+suddenly realised I was in a hole. Either I should have to tell these
+police my little secret, and get the whole thing blown upon, or be
+lagged as an Anarchist. So I went up to my neighbour and took him by
+the collar, and rolled him about a bit, and then I gathered up my
+diamonds and cleared out. The evening newspapers called my den the
+Kentish Town Bomb Factory. And now I cannot part with the things for
+love or money.
+
+“If I go in to respectable jewellers they ask me to wait, and go and
+whisper to a clerk to fetch a policeman, and then I say I cannot wait.
+And I found out a receiver of stolen goods, and he simply stuck to the
+one I gave him and told me to prosecute if I wanted it back. I am going
+about now with several hundred thousand pounds-worth of diamonds round
+my neck, and without either food or shelter. You are the first person I
+have taken into my confidence. But I like your face and I am
+hard-driven.”
+
+He looked into my eyes.
+
+“It would be madness,” said I, “for me to buy a diamond under the
+circumstances. Besides, I do not carry hundreds of pounds about in my
+pocket. Yet I more than half believe your story. I will, if you like,
+do this: come to my office to-morrow . . . .”
+
+“You think I am a thief!” said he keenly. “You will tell the police. I
+am not coming into a trap.”
+
+“Somehow I am assured you are no thief. Here is my card. Take that,
+anyhow. You need not come to any appointment. Come when you will.”
+
+He took the card, and an earnest of my good-will.
+
+“Think better of it and come,” said I.
+
+He shook his head doubtfully. “I will pay back your half-crown with
+interest some day—such interest as will amaze you,” said he. “Anyhow,
+you will keep the secret? . . . . Don’t follow me.”
+
+He crossed the road and went into the darkness towards the little steps
+under the archway leading into Essex Street, and I let him go. And that
+was the last I ever saw of him.
+
+Afterwards I had two letters from him asking me to send bank-notes—not
+cheques—to certain addresses. I weighed the matter over and took what I
+conceived to be the wisest course. Once he called upon me when I was
+out. My urchin described him as a very thin, dirty, and ragged man,
+with a dreadful cough. He left no message. That was the finish of him
+so far as my story goes. I wonder sometimes what has become of him. Was
+he an ingenious monomaniac, or a fraudulent dealer in pebbles, or has
+he really made diamonds as he asserted? The latter is just sufficiently
+credible to make me think at times that I have missed the most
+brilliant opportunity of my life. He may of course be dead, and his
+diamonds carelessly thrown aside—one, I repeat, was almost as big as my
+thumb. Or he may be still wandering about trying to sell the things. It
+is just possible he may yet emerge upon society, and, passing athwart
+my heavens in the serene altitude sacred to the wealthy and the
+well-advertised, reproach me silently for my want of enterprise. I
+sometimes think I might at least have risked five pounds.
+
+
+
+
+THE LORD OF THE DYNAMOS
+
+
+The chief attendant of the three dynamos that buzzed and rattled at
+Camberwell, and kept the electric railway going, came out of Yorkshire,
+and his name was James Holroyd. He was a practical electrician, but
+fond of whisky, a heavy red-haired brute with irregular teeth. He
+doubted the existence of the deity, but accepted Carnot’s cycle, and he
+had read Shakespeare and found him weak in chemistry. His helper came
+out of the mysterious East, and his name was Azuma-zi. But Holroyd
+called him Pooh-bah. Holroyd liked a nigger because he would stand
+kicking—a habit with Holroyd—and did not pry into the machinery and try
+to learn the ways of it. Certain odd possibilities of the negro mind
+brought into abrupt contact with the crown of our civilisation Holroyd
+never fully realised, though just at the end he got some inkling of
+them.
+
+To define Azuma-zi was beyond ethnology. He was, perhaps, more negroid
+than anything else, though his hair was curly rather than frizzy, and
+his nose had a bridge. Moreover, his skin was brown rather than black,
+and the whites of his eyes were yellow. His broad cheekbones and narrow
+chin gave his face something of the viperine V. His head, too, was
+broad behind, and low and narrow at the forehead, as if his brain had
+been twisted round in the reverse way to a European’s. He was short of
+stature and still shorter of English. In conversation he made numerous
+odd noises of no known marketable value, and his infrequent words were
+carved and wrought into heraldic grotesqueness. Holroyd tried to
+elucidate his religious beliefs, and—especially after whisky—lectured
+to him against superstition and missionaries. Azuma-zi, however,
+shirked the discussion of his gods, even though he was kicked for it.
+
+Azuma-zi had come, clad in white but insufficient raiment, out of the
+stokehole of the _Lord Clive_, from the Straits Settlements, and
+beyond, into London. He had heard even in his youth of the greatness
+and riches of London, where all the women are white and fair, and even
+the beggars in the streets are white, and he arrived, with newly earned
+gold coins in his pocket, to worship at the shrine of civilisation. The
+day of his landing was a dismal one; the sky was dun, and a
+wind-worried drizzle filtered down to the greasy streets, but he
+plunged boldly into the delights of Shadwell, and was presently cast
+up, shattered in health, civilised in costume, penniless and, except in
+matters of the direst necessity, practically a dumb animal, to toil for
+James Holroyd and to be bullied by him in the dynamo shed at
+Camberwell. And to James Holroyd bullying was a labour of love.
+
+There were three dynamos with their engines at Camberwell. The two that
+had been there since the beginning were small machines; the larger one
+was new. The smaller machines made a reasonable noise; their straps
+hummed over the drums, every now and then the brushes buzzed and
+fizzled, and the air churned steadily, whoo! whoo! whoo! between their
+poles. One was loose in its foundations and kept the shed vibrating.
+But the big dynamo drowned these little noises altogether with the
+sustained drone of its iron core, which somehow set part of the
+ironwork humming. The place made the visitor’s head reel with the
+throb, throb, throb of the engines, the rotation of the big wheels, the
+spinning ball-valves, the occasional spittings of the steam, and over
+all the deep, unceasing, surging note of the big dynamo. This last
+noise was from an engineering point of view a defect, but Azuma-zi
+accounted it unto the monster for mightiness and pride.
+
+If it were possible we would have the noises of that shed always about
+the reader as he reads, we would tell all our story to such an
+accompaniment. It was a steady stream of din, from which the ear picked
+out first one thread and then another; there was the intermittent
+snorting, panting, and seething of the steam engines, the suck and thud
+of their pistons, the dull beat on the air as the spokes of the great
+driving-wheels came round, a note the leather straps made as they ran
+tighter and looser, and a fretful tumult from the dynamos; and over
+all, sometimes inaudible, as the ear tired of it, and then creeping
+back upon the senses again, was this trombone note of the big machine.
+The floor never felt steady and quiet beneath one’s feet, but quivered
+and jarred. It was a confusing, unsteady place, and enough to send
+anyone’s thoughts jerking into odd zigzags. And for three months, while
+the big strike of the engineers was in progress, Holroyd, who was a
+blackleg, and Azuma-zi, who was a mere black, were never out of the
+stir and eddy of it, but slept and fed in the little wooden shanty
+between the shed and the gates.
+
+Holroyd delivered a theological lecture on the text of his big machine
+soon after Azuma-zi came. He had to shout to be heard in the din. “Look
+at that,” said Holroyd; “where’s your ‘eathen idol to match ‘im?” And
+Azuma-zi looked. For a moment Holroyd was inaudible, and then Azuma-zi
+heard: “Kill a hundred men. Twelve per cent. on the ordinary shares,”
+said Holroyd, “and that’s something like a Gord!”
+
+Holroyd was proud of his big dynamo, and expatiated upon its size and
+power to Azuma-zi until heaven knows what odd currents of thought that
+and the incessant whirling and shindy set up within the curly black
+cranium. He would explain in the most graphic manner the dozen or so
+ways in which a man might be killed by it, and once he gave Azuma-zi a
+shock as a sample of its quality. After that, in the breathing-times of
+his labour—it was heavy labour, being not only his own, but most of
+Holroyd’s—Azuma-zi would sit and watch the big machine. Now and then
+the brushes would sparkle and spit blue flashes, at which Holroyd would
+swear, but all the rest was as smooth and rhythmic as breathing. The
+band ran shouting over the shaft, and ever behind one as one watched
+was the complacent thud of the piston. So it lived all day in this big
+airy shed, with him and Holroyd to wait upon it; not prisoned up and
+slaving to drive a ship as the other engines he knew—mere captive
+devils of the British Solomon—had been, but a machine enthroned. Those
+two smaller dynamos, Azuma-zi by force of contrast despised; the large
+one he privately christened the Lord of the Dynamos. They were fretful
+and irregular, but the big dynamo was steady. How great it was! How
+serene and easy in its working! Greater and calmer even than the
+Buddhas he had seen at Rangoon, and yet not motionless, but living! The
+great black coils spun, spun, spun, the rings ran round under the
+brushes, and the deep note of its coil steadied the whole. It affected
+Azuma-zi queerly.
+
+Azuma-zi was not fond of labour. He would sit about and watch the Lord
+of the Dynamos while Holroyd went away to persuade the yard porter to
+get whisky, although his proper place was not in the dynamo shed but
+behind the engines, and, moreover, if Holroyd caught him skulking he
+got hit for it with a rod of stout copper wire. He would go and stand
+close to the colossus and look up at the great leather band running
+overhead. There was a black patch on the band that came round, and it
+pleased him somehow among all the clatter to watch this return again
+and again. Odd thoughts spun with the whirl of it. Scientific people
+tell us that savages give souls to rocks and trees—and a machine is a
+thousand times more alive than a rock or a tree. And Azuma-zi was
+practically a savage still; the veneer of civilisation lay no deeper
+than his slop suit, his bruises, and the coal grime on his face and
+hands. His father before him had worshipped a meteoric stone, kindred
+blood it may be had splashed the broad wheels of Juggernaut.
+
+He took every opportunity Holroyd gave him of touching and handling the
+great dynamo that was fascinating him. He polished and cleaned it until
+the metal parts were blinding in the sun. He felt a mysterious sense of
+service in doing this. He would go up to it and touch its spinning
+coils gently. The gods he had worshipped were all far away. The people
+in London hid their gods.
+
+At last his dim feelings grew more distinct, and took shape in thoughts
+and at last in acts. When he came into the roaring shed one morning he
+salaamed to the Lord of the Dynamos, and then when Holroyd was away, he
+went and whispered to the thundering machine that he was its servant,
+and prayed it to have pity on him and save him from Holroyd. As he did
+so a rare gleam of light came in through the open archway of the
+throbbing machine-shed, and the Lord of the Dynamos, as he whirled and
+roared, was radiant with pale gold. Then Azuma-zi knew that his service
+was acceptable to his Lord. After that he did not feel so lonely as he
+had done, and he had indeed been very much alone in London. And even
+when his work time was over, which was rare, he loitered about the
+shed.
+
+Then, the next time Holroyd maltreated him, Azuma-zi went presently to
+the Lord of the Dynamos and whispered, “Thou seest, O my Lord!” and the
+angry whir of the machinery seemed to answer him. Thereafter it
+appeared to him that whenever Holroyd came into the shed a different
+note came into the sounds of the dynamo. “My Lord bides his time,” said
+Azuma-zi to himself. “The iniquity of the fool is not yet ripe.” And he
+waited and watched for the day of reckoning. One day there was evidence
+of short circuiting, and Holroyd, making an unwary examination—it was
+in the afternoon—got a rather severe shock. Azuma-zi from behind the
+engine saw him jump off and curse at the peccant coil.
+
+“He is warned,” said Azuma-zi to himself. “Surely my Lord is very
+patient.”
+
+Holroyd had at first initiated his “nigger” into such elementary
+conceptions of the dynamo’s working as would enable him to take
+temporary charge of the shed in his absence. But when he noticed the
+manner in which Azuma-zi hung about the monster he became suspicious.
+He dimly perceived his assistant was “up to something,” and connecting
+him with the anointing of the coils with oil that had rotted the
+varnish in one place, he issued an edict, shouted above the confusion
+of the machinery, “Don’t ‘ee go nigh that big dynamo any more,
+Pooh-bah, or a’ll take thy skin off!” Besides, if it pleased Azuma-zi
+to be near the big machine, it was plain sense and decency to keep him
+away from it.
+
+Azuma-zi obeyed at the time, but later he was caught bowing before the
+Lord of the Dynamos. At which Holroyd twisted his arm and kicked him as
+he turned to go away. As Azuma-zi presently stood behind the engine and
+glared at the back of the hated Holroyd, the noises of the machinery
+took a new rhythm, and sounded like four words in his native tongue.
+
+It is hard to say exactly what madness is. I fancy Azuma-zi was mad.
+The incessant din and whirl of the dynamo shed may have churned up his
+little store of knowledge and his big store of superstitious fancy, at
+last, into something akin to frenzy. At any rate, when the idea of
+making Holroyd a sacrifice to the Dynamo Fetich was thus suggested to
+him, it filled him with a strange tumult of exultant emotion.
+
+That night the two men and their black shadows were alone in the shed
+together. The shed was lit with one big arc light that winked and
+flickered purple. The shadows lay black behind the dynamos, the ball
+governors of the engines whirled from light to darkness, and their
+pistons beat loud and steady. The world outside seen through the open
+end of the shed seemed incredibly dim and remote. It seemed absolutely
+silent, too, since the riot of the machinery drowned every external
+sound. Far away was the black fence of the yard with grey shadowy
+houses behind, and above was the deep blue sky and the pale little
+stars. Azuma-zi suddenly walked across the centre of the shed above
+which the leather bands were running, and went into the shadow by the
+big dynamo. Holroyd heard a click, and the spin of the armature
+changed.
+
+“What are you dewin’ with that switch?” he bawled in surprise. “Han’t I
+told you—”
+
+Then he saw the set expression of Azuma-zi’s eyes as the Asiatic came
+out of the shadow towards him.
+
+In another moment the two men were grappling fiercely in front of the
+great dynamo.
+
+“You coffee-headed fool!” gasped Holroyd, with a brown hand at his
+throat. “Keep off those contact rings.” In another moment he was
+tripped and reeling back upon the Lord of the Dynamos. He instinctively
+loosened his grip upon his antagonist to save himself from the machine.
+
+The messenger, sent in furious haste from the station to find out what
+had happened in the dynamo shed, met Azuma-zi at the porter’s lodge by
+the gate. Azuma-zi tried to explain something, but the messenger could
+make nothing of the black’s incoherent English, and hurried on to the
+shed. The machines were all noisily at work, and nothing seemed to be
+disarranged. There was, however, a queer smell of singed hair. Then he
+saw an odd-looking crumpled mass clinging to the front of the big
+dynamo, and, approaching, recognised the distorted remains of Holroyd.
+
+The man stared and hesitated a moment. Then he saw the face, and shut
+his eyes convulsively. He turned on his heel before he opened them, so
+that he should not see Holroyd again, and went out of the shed to get
+advice and help.
+
+When Azuma-zi saw Holroyd die in the grip of the Great Dynamo he had
+been a little scared about the consequences of his act. Yet he felt
+strangely elated, and knew that the favour of the Lord Dynamo was upon
+him. His plan was already settled when he met the man coming from the
+station, and the scientific manager who speedily arrived on the scene
+jumped at the obvious conclusion of suicide. This expert scarcely
+noticed Azuma-zi, except to ask a few questions. Did he see Holroyd
+kill himself? Azuma-zi explained that he had been out of sight at the
+engine furnace until he heard a difference in the noise from the
+dynamo. It was not a difficult examination, being untinctured by
+suspicion.
+
+The distorted remains of Holroyd, which the electrician removed from
+the machine, were hastily covered by the porter with a coffee-stained
+tablecloth. Somebody, by a happy inspiration, fetched a medical man.
+The expert was chiefly anxious to get the machine at work again, for
+seven or eight trains had stopped midway in the stuffy tunnels of the
+electric railway. Azuma-zi, answering or misunderstanding the questions
+of the people who had by authority or impudence come into the shed, was
+presently sent back to the stoke-hole by the scientific manager. Of
+course a crowd collected outside the gates of the yard—a crowd, for no
+known reason, always hovers for a day or two near the scene of a sudden
+death in London; two or three reporters percolated somehow into the
+engine-shed, and one even got to Azuma-zi; but the scientific expert
+cleared them out again, being himself an amateur journalist.
+
+Presently the body was carried away, and public interest departed with
+it. Azuma-zi remained very quietly at his furnace, seeing over and over
+again in the coals a figure that wriggled violently and became still.
+An hour after the murder, to anyone coming into the shed it would have
+looked exactly as if nothing had ever happened there. Peeping presently
+from his engine-room the black saw the Lord Dynamo spin and whirl
+beside his little brothers, and the driving wheels were beating round,
+and the steam in the pistons went thud, thud, exactly as it had been
+earlier in the evening. After all, from the mechanical point of view,
+it had been a most insignificant incident—the mere temporary deflection
+of a current. But now the slender form and slender shadow of the
+scientific manager replaced the sturdy outline of Holroyd travelling up
+and down the lane of light upon the vibrating floor under the straps
+between the engines and the dynamos.
+
+“Have I not served my Lord?” said Azuma-zi inaudibly, from his shadow,
+and the note of the great dynamo rang out full and clear. As he looked
+at the big whirling mechanism the strange fascination of it that had
+been a little in abeyance since Holroyd’s death, resumed its sway.
+
+Never had Azuma-zi seen a man killed so swiftly and pitilessly. The big
+humming machine had slain its victim without wavering for a second from
+its steady beating. It was indeed a mighty god.
+
+The unconscious scientific manager stood with his back to him,
+scribbling on a piece of paper. His shadow lay at the foot of the
+monster.
+
+“Was the Lord Dynamo still hungry? His servant was ready.”
+
+Azuma-zi made a stealthy step forward; then stopped. The scientific
+manager suddenly stopped writing, and walked down the shed to the
+endmost of the dynamos, and began to examine the brushes.
+
+Azuma-zi hesitated, and then slipped across noiselessly into shadow by
+the switch. There he waited. Presently the manager’s footsteps could be
+heard returning. He stopped in his old position, unconscious of the
+stoker crouching ten feet away from him. Then the big dynamo suddenly
+fizzled, and in another moment Azuma-zi had sprung out of the darkness
+upon him.
+
+First, the scientific manager was gripped round the body and swung
+towards the big dynamo, then, kicking with his knee and forcing his
+antagonist’s head down with his hands, he loosened the grip on his
+waist and swung round away from the machine. Then the black grasped him
+again, putting a curly head against his chest, and they swayed and
+panted as it seemed for an age or so. Then the scientific manager was
+impelled to catch a black ear in his teeth and bite furiously. The
+black yelled hideously.
+
+They rolled over on the floor, and the black, who had apparently
+slipped from the vice of the teeth or parted with some ear—the
+scientific manager wondered which at the time—tried to throttle him.
+The scientific manager was making some ineffectual attempts to claw
+something with his hands and to kick, when the welcome sound of quick
+footsteps sounded on the floor. The next moment Azuma-zi had left him
+and darted towards the big dynamo. There was a splutter amid the roar.
+
+The officer of the company who had entered, stood staring as Azuma-zi
+caught the naked terminals in his hands, gave one horrible convulsion,
+and then hung motionless from the machine, his face violently
+distorted.
+
+“I’m jolly glad you came in when you did,” said the scientific manager,
+still sitting on the floor.
+
+He looked at the still quivering figure.
+
+“It’s not a nice death to die, apparently—but it is quick.”
+
+The official was still staring at the body. He was a man of slow
+apprehension.
+
+There was a pause.
+
+The scientific manager got up on his feet rather awkwardly. He ran his
+fingers along his collar thoughtfully, and moved his head to and fro
+several times.
+
+“Poor Holroyd! I see now.” Then almost mechanically he went towards the
+switch in the shadow and turned the current into the railway circuit
+again. As he did so the singed body loosened its grip upon the machine
+and fell forward on its face. The core of the dynamo roared out loud
+and clear, and the armature beat the air.
+
+So ended prematurely the Worship of the Dynamo Deity, perhaps the most
+short-lived of all religions. Yet withal it could at least boast a
+Martyrdom and a Human Sacrifice.
+
+
+
+
+THE COUNTRY OF THE BLIND
+
+
+Three hundred miles and more from Chimborazo, one hundred from the
+snows of Cotopaxi, in the wildest wastes of Ecuador’s Andes, there lies
+that mysterious mountain valley, cut off from all the world of men, the
+Country of the Blind. Long years ago that valley lay so far open to the
+world that men might come at last through frightful gorges and over an
+icy pass into its equable meadows, and thither indeed men came, a
+family or so of Peruvian half-breeds fleeing from the lust and tyranny
+of an evil Spanish ruler. Then came the stupendous outbreak of
+Mindobamba, when it was night in Quito for seventeen days, and the
+water was boiling at Yaguachi and all the fish floating dying even as
+far as Guayaquil; everywhere along the Pacific slopes there were
+land-slips and swift thawings and sudden floods, and one whole side of
+the old Arauca crest slipped and came down in thunder, and cut off the
+Country of the Blind for ever from the exploring feet of men. But one
+of these early settlers had chanced to be on the hither side of the
+gorges when the world had so terribly shaken itself, and he perforce
+had to forget his wife and his child and all the friends and
+possessions he had left up there, and start life over again in the
+lower world. He started it again but ill, blindness overtook him, and
+he died of punishment in the mines; but the story he told begot a
+legend that lingers along the length of the Cordilleras of the Andes to
+this day.
+
+He told of his reason for venturing back from that fastness, into which
+he had first been carried lashed to a llama, beside a vast bale of
+gear, when he was a child. The valley, he said, had in it all that the
+heart of man could desire—sweet water, pasture, an even climate, slopes
+of rich brown soil with tangles of a shrub that bore an excellent
+fruit, and on one side great hanging forests of pine that held the
+avalanches high. Far overhead, on three sides, vast cliffs of
+grey-green rock were capped by cliffs of ice; but the glacier stream
+came not to them, but flowed away by the farther slopes, and only now
+and then huge ice masses fell on the valley side. In this valley it
+neither rained nor snowed, but the abundant springs gave a rich green
+pasture, that irrigation would spread over all the valley space. The
+settlers did well indeed there. Their beasts did well and multiplied,
+and but one thing marred their happiness. Yet it was enough to mar it
+greatly. A strange disease had come upon them and had made all the
+children born to them there—and, indeed, several older children
+also—blind. It was to seek some charm or antidote against this plague
+of blindness that he had with fatigue and danger and difficulty
+returned down the gorge. In those days, in such cases, men did not
+think of germs and infections, but of sins, and it seemed to him that
+the reason of this affliction must lie in the negligence of these
+priestless immigrants to set up a shrine so soon as they entered the
+valley. He wanted a shrine—a handsome, cheap, effectual shrine—to be
+erected in the valley; he wanted relics and such-like potent things of
+faith, blessed objects and mysterious medals and prayers. In his wallet
+he had a bar of native silver for which he would not account; he
+insisted there was none in the valley with something of the insistence
+of an inexpert liar. They had all clubbed their money and ornaments
+together, having little need for such treasure up there, he said, to
+buy them holy help against their ill. I figure this dim-eyed young
+mountaineer, sunburnt, gaunt, and anxious, hat brim clutched
+feverishly, a man all unused to the ways of the lower world, telling
+this story to some keen-eyed, attentive priest before the great
+convulsion; I can picture him presently seeking to return with pious
+and infallible remedies against that trouble, and the infinite dismay
+with which he must have faced the tumbled vastness where the gorge had
+once come out. But the rest of his story of mischances is lost to me,
+save that I know of his evil death after several years. Poor stray from
+that remoteness! The stream that had once made the gorge now bursts
+from the mouth of a rocky cave, and the legend his poor, ill-told story
+set going developed into the legend of a race of blind men somewhere
+“over there” one may still hear to-day.
+
+And amidst the little population of that now isolated and forgotten
+valley the disease ran its course. The old became groping, the young
+saw but dimly, and the children that were born to them never saw at
+all. But life was very easy in that snow-rimmed basin, lost to all the
+world, with neither thorns nor briers, with no evil insects nor any
+beasts save the gentle breed of llamas they had lugged and thrust and
+followed up the beds of the shrunken rivers in the gorges up which they
+had come. The seeing had become purblind so gradually that they
+scarcely noticed their loss. They guided the sightless youngsters
+hither and thither until they knew the whole valley marvellously, and
+when at last sight died out among them the race lived on. They had even
+time to adapt themselves to the blind control of fire, which they made
+carefully in stoves of stone. They were a simple strain of people at
+the first, unlettered, only slightly touched with the Spanish
+civilisation, but with something of a tradition of the arts of old Peru
+and of its lost philosophy. Generation followed generation. They forgot
+many things; they devised many things. Their tradition of the greater
+world they came from became mythical in colour and uncertain. In all
+things save sight they were strong and able, and presently chance sent
+one who had an original mind and who could talk and persuade among
+them, and then afterwards another. These two passed, leaving their
+effects, and the little community grew in numbers and in understanding,
+and met and settled social and economic problems that arose. Generation
+followed generation. Generation followed generation. There came a time
+when a child was born who was fifteen generations from that ancestor
+who went out of the valley with a bar of silver to seek God’s aid, and
+who never returned. Thereabout it chanced that a man came into this
+community from the outer world. And this is the story of that man.
+
+He was a mountaineer from the country near Quito, a man who had been
+down to the sea and had seen the world, a reader of books in an
+original way, an acute and enterprising man, and he was taken on by a
+party of Englishmen who had come out to Ecuador to climb mountains, to
+replace one of their three Swiss guides who had fallen ill. He climbed
+here and he climbed there, and then came the attempt on Parascotopetl,
+the Matterhorn of the Andes, in which he was lost to the outer world.
+The story of that accident has been written a dozen times. Pointer’s
+narrative is the best. He tells how the little party worked their
+difficult and almost vertical way up to the very foot of the last and
+greatest precipice, and how they built a night shelter amidst the snow
+upon a little shelf of rock, and, with a touch of real dramatic power,
+how presently they found Nunez had gone from them. They shouted, and
+there was no reply; shouted and whistled, and for the rest of that
+night they slept no more.
+
+As the morning broke they saw the traces of his fall. It seems
+impossible he could have uttered a sound. He had slipped eastward
+towards the unknown side of the mountain; far below he had struck a
+steep slope of snow, and ploughed his way down it in the midst of a
+snow avalanche. His track went straight to the edge of a frightful
+precipice, and beyond that everything was hidden. Far, far below, and
+hazy with distance, they could see trees rising out of a narrow,
+shut-in valley—the lost Country of the Blind. But they did not know it
+was the lost Country of the Blind, nor distinguish it in any way from
+any other narrow streak of upland valley. Unnerved by this disaster,
+they abandoned their attempt in the afternoon, and Pointer was called
+away to the war before he could make another attack. To this day
+Parascotopetl lifts an unconquered crest, and Pointer’s shelter
+crumbles unvisited amidst the snows.
+
+And the man who fell survived.
+
+At the end of the slope he fell a thousand feet, and came down in the
+midst of a cloud of snow upon a snow-slope even steeper than the one
+above. Down this he was whirled, stunned and insensible, but without a
+bone broken in his body; and then at last came to gentler slopes, and
+at last rolled out and lay still, buried amidst a softening heap of the
+white masses that had accompanied and saved him. He came to himself
+with a dim fancy that he was ill in bed; then realized his position
+with a mountaineer’s intelligence and worked himself loose and, after a
+rest or so, out until he saw the stars. He rested flat upon his chest
+for a space, wondering where he was and what had happened to him. He
+explored his limbs, and discovered that several of his buttons were
+gone and his coat turned over his head. His knife had gone from his
+pocket and his hat was lost, though he had tied it under his chin. He
+recalled that he had been looking for loose stones to raise his piece
+of the shelter wall. His ice-axe had disappeared.
+
+He decided he must have fallen, and looked up to see, exaggerated by
+the ghastly light of the rising moon, the tremendous flight he had
+taken. For a while he lay, gazing blankly at the vast, pale cliff
+towering above, rising moment by moment out of a subsiding tide of
+darkness. Its phantasmal, mysterious beauty held him for a space, and
+then he was seized with a paroxysm of sobbing laughter . . . .
+
+After a great interval of time he became aware that he was near the
+lower edge of the snow. Below, down what was now a moon-lit and
+practicable slope, he saw the dark and broken appearance of rock-strewn
+turf. He struggled to his feet, aching in every joint and limb, got
+down painfully from the heaped loose snow about him, went downward
+until he was on the turf, and there dropped rather than lay beside a
+boulder, drank deep from the flask in his inner pocket, and instantly
+fell asleep . . . .
+
+He was awakened by the singing of birds in the trees far below.
+
+He sat up and perceived he was on a little alp at the foot of a vast
+precipice that sloped only a little in the gully down which he and his
+snow had come. Over against him another wall of rock reared itself
+against the sky. The gorge between these precipices ran east and west
+and was full of the morning sunlight, which lit to the westward the
+mass of fallen mountain that closed the descending gorge. Below him it
+seemed there was a precipice equally steep, but behind the snow in the
+gully he found a sort of chimney-cleft dripping with snow-water, down
+which a desperate man might venture. He found it easier than it seemed,
+and came at last to another desolate alp, and then after a rock climb
+of no particular difficulty, to a steep slope of trees. He took his
+bearings and turned his face up the gorge, for he saw it opened out
+above upon green meadows, among which he now glimpsed quite distinctly
+a cluster of stone huts of unfamiliar fashion. At times his progress
+was like clambering along the face of a wall, and after a time the
+rising sun ceased to strike along the gorge, the voices of the singing
+birds died away, and the air grew cold and dark about him. But the
+distant valley with its houses was all the brighter for that. He came
+presently to talus, and among the rocks he noted—for he was an
+observant man—an unfamiliar fern that seemed to clutch out of the
+crevices with intense green hands. He picked a frond or so and gnawed
+its stalk, and found it helpful.
+
+About midday he came at last out of the throat of the gorge into the
+plain and the sunlight. He was stiff and weary; he sat down in the
+shadow of a rock, filled up his flask with water from a spring and
+drank it down, and remained for a time, resting before he went on to
+the houses.
+
+They were very strange to his eyes, and indeed the whole aspect of that
+valley became, as he regarded it, queerer and more unfamiliar. The
+greater part of its surface was lush green meadow, starred with many
+beautiful flowers, irrigated with extraordinary care, and bearing
+evidence of systematic cropping piece by piece. High up and ringing the
+valley about was a wall, and what appeared to be a circumferential
+water channel, from which the little trickles of water that fed the
+meadow plants came, and on the higher slopes above this flocks of
+llamas cropped the scanty herbage. Sheds, apparently shelters or
+feeding-places for the llamas, stood against the boundary wall here and
+there. The irrigation streams ran together into a main channel down the
+centre of the valley, and this was enclosed on either side by a wall
+breast high. This gave a singularly urban quality to this secluded
+place, a quality that was greatly enhanced by the fact that a number of
+paths paved with black and white stones, and each with a curious little
+kerb at the side, ran hither and thither in an orderly manner. The
+houses of the central village were quite unlike the casual and
+higgledy-piggledy agglomeration of the mountain villages he knew; they
+stood in a continuous row on either side of a central street of
+astonishing cleanness, here and there their parti-coloured facade was
+pierced by a door, and not a solitary window broke their even frontage.
+They were parti-coloured with extraordinary irregularity, smeared with
+a sort of plaster that was sometimes grey, sometimes drab, sometimes
+slate-coloured or dark brown; and it was the sight of this wild
+plastering first brought the word “blind” into the thoughts of the
+explorer. “The good man who did that,” he thought, “must have been as
+blind as a bat.”
+
+He descended a steep place, and so came to the wall and channel that
+ran about the valley, near where the latter spouted out its surplus
+contents into the deeps of the gorge in a thin and wavering thread of
+cascade. He could now see a number of men and women resting on piled
+heaps of grass, as if taking a siesta, in the remoter part of the
+meadow, and nearer the village a number of recumbent children, and then
+nearer at hand three men carrying pails on yokes along a little path
+that ran from the encircling wall towards the houses. These latter were
+clad in garments of llama cloth and boots and belts of leather, and
+they wore caps of cloth with back and ear flaps. They followed one
+another in single file, walking slowly and yawning as they walked, like
+men who have been up all night. There was something so reassuringly
+prosperous and respectable in their bearing that after a moment’s
+hesitation Nunez stood forward as conspicuously as possible upon his
+rock, and gave vent to a mighty shout that echoed round the valley.
+
+The three men stopped, and moved their heads as though they were
+looking about them. They turned their faces this way and that, and
+Nunez gesticulated with freedom. But they did not appear to see him for
+all his gestures, and after a time, directing themselves towards the
+mountains far away to the right, they shouted as if in answer. Nunez
+bawled again, and then once more, and as he gestured ineffectually the
+word “blind” came up to the top of his thoughts. “The fools must be
+blind,” he said.
+
+When at last, after much shouting and wrath, Nunez crossed the stream
+by a little bridge, came through a gate in the wall, and approached
+them, he was sure that they were blind. He was sure that this was the
+Country of the Blind of which the legends told. Conviction had sprung
+upon him, and a sense of great and rather enviable adventure. The three
+stood side by side, not looking at him, but with their ears directed
+towards him, judging him by his unfamiliar steps. They stood close
+together like men a little afraid, and he could see their eyelids
+closed and sunken, as though the very balls beneath had shrunk away.
+There was an expression near awe on their faces.
+
+“A man,” one said, in hardly recognisable Spanish. “A man it is—a man
+or a spirit—coming down from the rocks.”
+
+But Nunez advanced with the confident steps of a youth who enters upon
+life. All the old stories of the lost valley and the Country of the
+Blind had come back to his mind, and through his thoughts ran this old
+proverb, as if it were a refrain:—
+
+“In the Country of the Blind the One-Eyed Man is King.”
+
+“In the Country of the Blind the One-Eyed Man is King.”
+
+And very civilly he gave them greeting. He talked to them and used his
+eyes.
+
+“Where does he come from, brother Pedro?” asked one.
+
+“Down out of the rocks.”
+
+“Over the mountains I come,” said Nunez, “out of the country beyond
+there—where men can see. From near Bogota—where there are a hundred
+thousands of people, and where the city passes out of sight.”
+
+“Sight?” muttered Pedro. “Sight?”
+
+“He comes,” said the second blind man, “out of the rocks.”
+
+The cloth of their coats, Nunez saw was curious fashioned, each with a
+different sort of stitching.
+
+They startled him by a simultaneous movement towards him, each with a
+hand outstretched. He stepped back from the advance of these spread
+fingers.
+
+“Come hither,” said the third blind man, following his motion and
+clutching him neatly.
+
+And they held Nunez and felt him over, saying no word further until
+they had done so.
+
+“Carefully,” he cried, with a finger in his eye, and found they thought
+that organ, with its fluttering lids, a queer thing in him. They went
+over it again.
+
+“A strange creature, Correa,” said the one called Pedro. “Feel the
+coarseness of his hair. Like a llama’s hair.”
+
+“Rough he is as the rocks that begot him,” said Correa, investigating
+Nunez’s unshaven chin with a soft and slightly moist hand. “Perhaps he
+will grow finer.”
+
+Nunez struggled a little under their examination, but they gripped him
+firm.
+
+“Carefully,” he said again.
+
+“He speaks,” said the third man. “Certainly he is a man.”
+
+“Ugh!” said Pedro, at the roughness of his coat.
+
+“And you have come into the world?” asked Pedro.
+
+“_Out_ of the world. Over mountains and glaciers; right over above
+there, half-way to the sun. Out of the great, big world that goes down,
+twelve days’ journey to the sea.”
+
+They scarcely seemed to heed him. “Our fathers have told us men may be
+made by the forces of Nature,” said Correa. “It is the warmth of
+things, and moisture, and rottenness—rottenness.”
+
+“Let us lead him to the elders,” said Pedro.
+
+“Shout first,” said Correa, “lest the children be afraid. This is a
+marvellous occasion.”
+
+So they shouted, and Pedro went first and took Nunez by the hand to
+lead him to the houses.
+
+He drew his hand away. “I can see,” he said.
+
+“See?” said Correa.
+
+“Yes; see,” said Nunez, turning towards him, and stumbled against
+Pedro’s pail.
+
+“His senses are still imperfect,” said the third blind man. “He
+stumbles, and talks unmeaning words. Lead him by the hand.”
+
+“As you will,” said Nunez, and was led along laughing.
+
+It seemed they knew nothing of sight.
+
+Well, all in good time he would teach them.
+
+He heard people shouting, and saw a number of figures gathering
+together in the middle roadway of the village.
+
+He found it tax his nerve and patience more than he had anticipated,
+that first encounter with the population of the Country of the Blind.
+The place seemed larger as he drew near to it, and the smeared
+plasterings queerer, and a crowd of children and men and women (the
+women and girls he was pleased to note had, some of them, quite sweet
+faces, for all that their eyes were shut and sunken) came about him,
+holding on to him, touching him with soft, sensitive hands, smelling at
+him, and listening at every word he spoke. Some of the maidens and
+children, however, kept aloof as if afraid, and indeed his voice seemed
+coarse and rude beside their softer notes. They mobbed him. His three
+guides kept close to him with an effect of proprietorship, and said
+again and again, “A wild man out of the rocks.”
+
+“Bogota,” he said. “Bogota. Over the mountain crests.”
+
+“A wild man—using wild words,” said Pedro. “Did you hear that—
+
+“_Bogota?_ His mind has hardly formed yet. He has only the beginnings
+of speech.”
+
+A little boy nipped his hand. “Bogota!” he said mockingly.
+
+“Aye! A city to your village. I come from the great world—where men
+have eyes and see.”
+
+“His name’s Bogota,” they said.
+
+“He stumbled,” said Correa—“stumbled twice as we came hither.”
+
+“Bring him in to the elders.”
+
+And they thrust him suddenly through a doorway into a room as black as
+pitch, save at the end there faintly glowed a fire. The crowd closed in
+behind him and shut out all but the faintest glimmer of day, and before
+he could arrest himself he had fallen headlong over the feet of a
+seated man. His arm, outflung, struck the face of someone else as he
+went down; he felt the soft impact of features and heard a cry of
+anger, and for a moment he struggled against a number of hands that
+clutched him. It was a one-sided fight. An inkling of the situation
+came to him and he lay quiet.
+
+“I fell down,” he said; “I couldn’t see in this pitchy darkness.”
+
+There was a pause as if the unseen persons about him tried to
+understand his words. Then the voice of Correa said: “He is but newly
+formed. He stumbles as he walks and mingles words that mean nothing
+with his speech.”
+
+Others also said things about him that he heard or understood
+imperfectly.
+
+“May I sit up?” he asked, in a pause. “I will not struggle against you
+again.”
+
+They consulted and let him rise.
+
+The voice of an older man began to question him, and Nunez found
+himself trying to explain the great world out of which he had fallen,
+and the sky and mountains and such-like marvels, to these elders who
+sat in darkness in the Country of the Blind. And they would believe and
+understand nothing whatever that he told them, a thing quite outside
+his expectation. They would not even understand many of his words. For
+fourteen generations these people had been blind and cut off from all
+the seeing world; the names for all the things of sight had faded and
+changed; the story of the outer world was faded and changed to a
+child’s story; and they had ceased to concern themselves with anything
+beyond the rocky slopes above their circling wall. Blind men of genius
+had arisen among them and questioned the shreds of belief and tradition
+they had brought with them from their seeing days, and had dismissed
+all these things as idle fancies and replaced them with new and saner
+explanations. Much of their imagination had shrivelled with their eyes,
+and they had made for themselves new imaginations with their ever more
+sensitive ears and finger-tips. Slowly Nunez realised this: that his
+expectation of wonder and reverence at his origin and his gifts was not
+to be borne out; and after his poor attempt to explain sight to them
+had been set aside as the confused version of a new-made being
+describing the marvels of his incoherent sensations, he subsided, a
+little dashed, into listening to their instruction. And the eldest of
+the blind men explained to him life and philosophy and religion, how
+that the world (meaning their valley) had been first an empty hollow in
+the rocks, and then had come first inanimate things without the gift of
+touch, and llamas and a few other creatures that had little sense, and
+then men, and at last angels, whom one could hear singing and making
+fluttering sounds, but whom no one could touch at all, which puzzled
+Nunez greatly until he thought of the birds.
+
+He went on to tell Nunez how this time had been divided into the warm
+and the cold, which are the blind equivalents of day and night, and how
+it was good to sleep in the warm and work during the cold, so that now,
+but for his advent, the whole town of the blind would have been asleep.
+He said Nunez must have been specially created to learn and serve the
+wisdom they had acquired, and that for all his mental incoherency and
+stumbling behaviour he must have courage and do his best to learn, and
+at that all the people in the door-way murmured encouragingly. He said
+the night—for the blind call their day night—was now far gone, and it
+behooved everyone to go back to sleep. He asked Nunez if he knew how to
+sleep, and Nunez said he did, but that before sleep he wanted food.
+They brought him food, llama’s milk in a bowl and rough salted bread,
+and led him into a lonely place to eat out of their hearing, and
+afterwards to slumber until the chill of the mountain evening roused
+them to begin their day again. But Nunez slumbered not at all.
+
+Instead, he sat up in the place where they had left him, resting his
+limbs and turning the unanticipated circumstances of his arrival over
+and over in his mind.
+
+Every now and then he laughed, sometimes with amusement and sometimes
+with indignation.
+
+“Unformed mind!” he said. “Got no senses yet! They little know they’ve
+been insulting their Heaven-sent King and master . . . . .
+
+“I see I must bring them to reason.
+
+“Let me think.
+
+“Let me think.”
+
+He was still thinking when the sun set.
+
+Nunez had an eye for all beautiful things, and it seemed to him that
+the glow upon the snow-fields and glaciers that rose about the valley
+on every side was the most beautiful thing he had ever seen. His eyes
+went from that inaccessible glory to the village and irrigated fields,
+fast sinking into the twilight, and suddenly a wave of emotion took
+him, and he thanked God from the bottom of his heart that the power of
+sight had been given him.
+
+He heard a voice calling to him from out of the village.
+
+“Yaho there, Bogota! Come hither!”
+
+At that he stood up, smiling. He would show these people once and for
+all what sight would do for a man. They would seek him, but not find
+him.
+
+“You move not, Bogota,” said the voice.
+
+He laughed noiselessly and made two stealthy steps aside from the path.
+
+“Trample not on the grass, Bogota; that is not allowed.”
+
+Nunez had scarcely heard the sound he made himself. He stopped, amazed.
+
+The owner of the voice came running up the piebald path towards him.
+
+He stepped back into the pathway. “Here I am,” he said.
+
+“Why did you not come when I called you?” said the blind man. “Must you
+be led like a child? Cannot you hear the path as you walk?”
+
+Nunez laughed. “I can see it,” he said.
+
+“There is no such word as _see_,” said the blind man, after a pause.
+“Cease this folly and follow the sound of my feet.”
+
+Nunez followed, a little annoyed.
+
+“My time will come,” he said.
+
+“You’ll learn,” the blind man answered. “There is much to learn in the
+world.”
+
+“Has no one told you, ‘In the Country of the Blind the One-Eyed Man is
+King?’”
+
+“What is blind?” asked the blind man, carelessly, over his shoulder.
+
+Four days passed and the fifth found the King of the Blind still
+incognito, as a clumsy and useless stranger among his subjects.
+
+It was, he found, much more difficult to proclaim himself than he had
+supposed, and in the meantime, while he meditated his _coup d’etat_, he
+did what he was told and learnt the manners and customs of the Country
+of the Blind. He found working and going about at night a particularly
+irksome thing, and he decided that that should be the first thing he
+would change.
+
+They led a simple, laborious life, these people, with all the elements
+of virtue and happiness as these things can be understood by men. They
+toiled, but not oppressively; they had food and clothing sufficient for
+their needs; they had days and seasons of rest; they made much of music
+and singing, and there was love among them and little children. It was
+marvellous with what confidence and precision they went about their
+ordered world. Everything, you see, had been made to fit their needs;
+each of the radiating paths of the valley area had a constant angle to
+the others, and was distinguished by a special notch upon its kerbing;
+all obstacles and irregularities of path or meadow had long since been
+cleared away; all their methods and procedure arose naturally from
+their special needs. Their senses had become marvellously acute; they
+could hear and judge the slightest gesture of a man a dozen paces
+away—could hear the very beating of his heart. Intonation had long
+replaced expression with them, and touches gesture, and their work with
+hoe and spade and fork was as free and confident as garden work can be.
+Their sense of smell was extraordinarily fine; they could distinguish
+individual differences as readily as a dog can, and they went about the
+tending of llamas, who lived among the rocks above and came to the wall
+for food and shelter, with ease and confidence. It was only when at
+last Nunez sought to assert himself that he found how easy and
+confident their movements could be.
+
+He rebelled only after he had tried persuasion.
+
+He tried at first on several occasions to tell them of sight. “Look you
+here, you people,” he said. “There are things you do not understand in
+me.”
+
+Once or twice one or two of them attended to him; they sat with faces
+downcast and ears turned intelligently towards him, and he did his best
+to tell them what it was to see. Among his hearers was a girl, with
+eyelids less red and sunken than the others, so that one could almost
+fancy she was hiding eyes, whom especially he hoped to persuade. He
+spoke of the beauties of sight, of watching the mountains, of the sky
+and the sunrise, and they heard him with amused incredulity that
+presently became condemnatory. They told him there were indeed no
+mountains at all, but that the end of the rocks where the llamas grazed
+was indeed the end of the world; thence sprang a cavernous roof of the
+universe, from which the dew and the avalanches fell; and when he
+maintained stoutly the world had neither end nor roof such as they
+supposed, they said his thoughts were wicked. So far as he could
+describe sky and clouds and stars to them it seemed to them a hideous
+void, a terrible blankness in the place of the smooth roof to things in
+which they believed—it was an article of faith with them that the
+cavern roof was exquisitely smooth to the touch. He saw that in some
+manner he shocked them, and gave up that aspect of the matter
+altogether, and tried to show them the practical value of sight. One
+morning he saw Pedro in the path called Seventeen and coming towards
+the central houses, but still too far off for hearing or scent, and he
+told them as much. “In a little while,” he prophesied, “Pedro will be
+here.” An old man remarked that Pedro had no business on path
+Seventeen, and then, as if in confirmation, that individual as he drew
+near turned and went transversely into path Ten, and so back with
+nimble paces towards the outer wall. They mocked Nunez when Pedro did
+not arrive, and afterwards, when he asked Pedro questions to clear his
+character, Pedro denied and outfaced him, and was afterwards hostile to
+him.
+
+Then he induced them to let him go a long way up the sloping meadows
+towards the wall with one complaisant individual, and to him he
+promised to describe all that happened among the houses. He noted
+certain goings and comings, but the things that really seemed to
+signify to these people happened inside of or behind the windowless
+houses—the only things they took note of to test him by—and of those he
+could see or tell nothing; and it was after the failure of this
+attempt, and the ridicule they could not repress, that he resorted to
+force. He thought of seizing a spade and suddenly smiting one or two of
+them to earth, and so in fair combat showing the advantage of eyes. He
+went so far with that resolution as to seize his spade, and then he
+discovered a new thing about himself, and that was that it was
+impossible for him to hit a blind man in cold blood.
+
+He hesitated, and found them all aware that he had snatched up the
+spade. They stood all alert, with their heads on one side, and bent
+ears towards him for what he would do next.
+
+“Put that spade down,” said one, and he felt a sort of helpless horror.
+He came near obedience.
+
+Then he had thrust one backwards against a house wall, and fled past
+him and out of the village.
+
+He went athwart one of their meadows, leaving a track of trampled grass
+behind his feet, and presently sat down by the side of one of their
+ways. He felt something of the buoyancy that comes to all men in the
+beginning of a fight, but more perplexity. He began to realise that you
+cannot even fight happily with creatures who stand upon a different
+mental basis to yourself. Far away he saw a number of men carrying
+spades and sticks come out of the street of houses and advance in a
+spreading line along the several paths towards him. They advanced
+slowly, speaking frequently to one another, and ever and again the
+whole cordon would halt and sniff the air and listen.
+
+The first time they did this Nunez laughed. But afterwards he did not
+laugh.
+
+One struck his trail in the meadow grass and came stooping and feeling
+his way along it.
+
+For five minutes he watched the slow extension of the cordon, and then
+his vague disposition to do something forthwith became frantic. He
+stood up, went a pace or so towards the circumferential wall, turned,
+and went back a little way. There they all stood in a crescent, still
+and listening.
+
+He also stood still, gripping his spade very tightly in both hands.
+Should he charge them?
+
+The pulse in his ears ran into the rhythm of “In the Country of the
+Blind the One-Eyed Man is King.”
+
+Should he charge them?
+
+He looked back at the high and unclimbable wall behind—unclimbable
+because of its smooth plastering, but withal pierced with many little
+doors and at the approaching line of seekers. Behind these others were
+now coming out of the street of houses.
+
+Should he charge them?
+
+“Bogota!” called one. “Bogota! where are you?”
+
+He gripped his spade still tighter and advanced down the meadows
+towards the place of habitations, and directly he moved they converged
+upon him. “I’ll hit them if they touch me,” he swore; “by Heaven, I
+will. I’ll hit.” He called aloud, “Look here, I’m going to do what I
+like in this valley! Do you hear? I’m going to do what I like and go
+where I like.”
+
+They were moving in upon him quickly, groping, yet moving rapidly. It
+was like playing blind man’s buff with everyone blindfolded except one.
+“Get hold of him!” cried one. He found himself in the arc of a loose
+curve of pursuers. He felt suddenly he must be active and resolute.
+
+“You don’t understand,” he cried, in a voice that was meant to be great
+and resolute, and which broke. “You are blind and I can see. Leave me
+alone!”
+
+“Bogota! Put down that spade and come off the grass!”
+
+The last order, grotesque in its urban familiarity, produced a gust of
+anger. “I’ll hurt you,” he said, sobbing with emotion. “By Heaven, I’ll
+hurt you! Leave me alone!”
+
+He began to run—not knowing clearly where to run. He ran from the
+nearest blind man, because it was a horror to hit him. He stopped, and
+then made a dash to escape from their closing ranks. He made for where
+a gap was wide, and the men on either side, with a quick perception of
+the approach of his paces, rushed in on one another. He sprang forward,
+and then saw he must be caught, and _swish!_ the spade had struck. He
+felt the soft thud of hand and arm, and the man was down with a yell of
+pain, and he was through.
+
+Through! And then he was close to the street of houses again, and blind
+men, whirling spades and stakes, were running with a reasoned swiftness
+hither and thither.
+
+He heard steps behind him just in time, and found a tall man rushing
+forward and swiping at the sound of him. He lost his nerve, hurled his
+spade a yard wide of this antagonist, and whirled about and fled,
+fairly yelling as he dodged another.
+
+He was panic-stricken. He ran furiously to and fro, dodging when there
+was no need to dodge, and, in his anxiety to see on every side of him
+at once, stumbling. For a moment he was down and they heard his fall.
+Far away in the circumferential wall a little doorway looked like
+Heaven, and he set off in a wild rush for it. He did not even look
+round at his pursuers until it was gained, and he had stumbled across
+the bridge, clambered a little way among the rocks, to the surprise and
+dismay of a young llama, who went leaping out of sight, and lay down
+sobbing for breath.
+
+And so his _coup d’etat_ came to an end.
+
+He stayed outside the wall of the valley of the blind for two nights
+and days without food or shelter, and meditated upon the Unexpected.
+During these meditations he repeated very frequently and always with a
+profounder note of derision the exploded proverb: “In the Country of
+the Blind the One-Eyed Man is King.” He thought chiefly of ways of
+fighting and conquering these people, and it grew clear that for him no
+practicable way was possible. He had no weapons, and now it would be
+hard to get one.
+
+The canker of civilisation had got to him even in Bogota, and he could
+not find it in himself to go down and assassinate a blind man. Of
+course, if he did that, he might then dictate terms on the threat of
+assassinating them all. But—Sooner or later he must sleep! . . . .
+
+He tried also to find food among the pine trees, to be comfortable
+under pine boughs while the frost fell at night, and—with less
+confidence—to catch a llama by artifice in order to try to kill
+it—perhaps by hammering it with a stone—and so finally, perhaps, to eat
+some of it. But the llamas had a doubt of him and regarded him with
+distrustful brown eyes and spat when he drew near. Fear came on him the
+second day and fits of shivering. Finally he crawled down to the wall
+of the Country of the Blind and tried to make his terms. He crawled
+along by the stream, shouting, until two blind men came out to the gate
+and talked to him.
+
+“I was mad,” he said. “But I was only newly made.”
+
+They said that was better.
+
+He told them he was wiser now, and repented of all he had done.
+
+Then he wept without intention, for he was very weak and ill now, and
+they took that as a favourable sign.
+
+They asked him if he still thought he could “_see_.”
+
+“No,” he said. “That was folly. The word means nothing. Less than
+nothing!”
+
+They asked him what was overhead.
+
+“About ten times ten the height of a man there is a roof above the
+world—of rock—and very, very smooth. So smooth—so beautifully smooth .
+.” He burst again into hysterical tears. “Before you ask me any more,
+give me some food or I shall die!”
+
+He expected dire punishments, but these blind people were capable of
+toleration. They regarded his rebellion as but one more proof of his
+general idiocy and inferiority, and after they had whipped him they
+appointed him to do the simplest and heaviest work they had for anyone
+to do, and he, seeing no other way of living, did submissively what he
+was told.
+
+He was ill for some days and they nursed him kindly. That refined his
+submission. But they insisted on his lying in the dark, and that was a
+great misery. And blind philosophers came and talked to him of the
+wicked levity of his mind, and reproved him so impressively for his
+doubts about the lid of rock that covered their cosmic _casserole_ that
+he almost doubted whether indeed he was not the victim of hallucination
+in not seeing it overhead.
+
+So Nunez became a citizen of the Country of the Blind, and these people
+ceased to be a generalised people and became individualities to him,
+and familiar to him, while the world beyond the mountains became more
+and more remote and unreal. There was Yacob, his master, a kindly man
+when not annoyed; there was Pedro, Yacob’s nephew; and there was
+Medina-sarote, who was the youngest daughter of Yacob. She was little
+esteemed in the world of the blind, because she had a clear-cut face
+and lacked that satisfying, glossy smoothness that is the blind man’s
+ideal of feminine beauty, but Nunez thought her beautiful at first, and
+presently the most beautiful thing in the whole creation. Her closed
+eyelids were not sunken and red after the common way of the valley, but
+lay as though they might open again at any moment; and she had long
+eyelashes, which were considered a grave disfigurement. And her voice
+was weak and did not satisfy the acute hearing of the valley swains. So
+that she had no lover.
+
+There came a time when Nunez thought that, could he win her, he would
+be resigned to live in the valley for all the rest of his days.
+
+He watched her; he sought opportunities of doing her little services
+and presently he found that she observed him. Once at a rest-day
+gathering they sat side by side in the dim starlight, and the music was
+sweet. His hand came upon hers and he dared to clasp it. Then very
+tenderly she returned his pressure. And one day, as they were at their
+meal in the darkness, he felt her hand very softly seeking him, and as
+it chanced the fire leapt then, and he saw the tenderness of her face.
+
+He sought to speak to her.
+
+He went to her one day when she was sitting in the summer moonlight
+spinning. The light made her a thing of silver and mystery. He sat down
+at her feet and told her he loved her, and told her how beautiful she
+seemed to him. He had a lover’s voice, he spoke with a tender reverence
+that came near to awe, and she had never before been touched by
+adoration. She made him no definite answer, but it was clear his words
+pleased her.
+
+After that he talked to her whenever he could take an opportunity. The
+valley became the world for him, and the world beyond the mountains
+where men lived by day seemed no more than a fairy tale he would some
+day pour into her ears. Very tentatively and timidly he spoke to her of
+sight.
+
+Sight seemed to her the most poetical of fancies, and she listened to
+his description of the stars and the mountains and her own sweet
+white-lit beauty as though it was a guilty indulgence. She did not
+believe, she could only half understand, but she was mysteriously
+delighted, and it seemed to him that she completely understood.
+
+His love lost its awe and took courage. Presently he was for demanding
+her of Yacob and the elders in marriage, but she became fearful and
+delayed. And it was one of her elder sisters who first told Yacob that
+Medina-sarote and Nunez were in love.
+
+There was from the first very great opposition to the marriage of Nunez
+and Medina-sarote; not so much because they valued her as because they
+held him as a being apart, an idiot, incompetent thing below the
+permissible level of a man. Her sisters opposed it bitterly as bringing
+discredit on them all; and old Yacob, though he had formed a sort of
+liking for his clumsy, obedient serf, shook his head and said the thing
+could not be. The young men were all angry at the idea of corrupting
+the race, and one went so far as to revile and strike Nunez. He struck
+back. Then for the first time he found an advantage in seeing, even by
+twilight, and after that fight was over no one was disposed to raise a
+hand against him. But they still found his marriage impossible.
+
+Old Yacob had a tenderness for his last little daughter, and was
+grieved to have her weep upon his shoulder.
+
+“You see, my dear, he’s an idiot. He has delusions; he can’t do
+anything right.”
+
+“I know,” wept Medina-sarote. “But he’s better than he was. He’s
+getting better. And he’s strong, dear father, and kind—stronger and
+kinder than any other man in the world. And he loves me—and, father, I
+love him.”
+
+Old Yacob was greatly distressed to find her inconsolable, and,
+besides—what made it more distressing—he liked Nunez for many things.
+So he went and sat in the windowless council-chamber with the other
+elders and watched the trend of the talk, and said, at the proper time,
+“He’s better than he was. Very likely, some day, we shall find him as
+sane as ourselves.”
+
+Then afterwards one of the elders, who thought deeply, had an idea. He
+was a great doctor among these people, their medicine-man, and he had a
+very philosophical and inventive mind, and the idea of curing Nunez of
+his peculiarities appealed to him. One day when Yacob was present he
+returned to the topic of Nunez. “I have examined Nunez,” he said, “and
+the case is clearer to me. I think very probably he might be cured.”
+
+“This is what I have always hoped,” said old Yacob.
+
+“His brain is affected,” said the blind doctor.
+
+The elders murmured assent.
+
+“Now, _what_ affects it?”
+
+“Ah!” said old Yacob.
+
+“_This_,” said the doctor, answering his own question. “Those queer
+things that are called the eyes, and which exist to make an agreeable
+depression in the face, are diseased, in the case of Nunez, in such a
+way as to affect his brain. They are greatly distended, he has
+eyelashes, and his eyelids move, and consequently his brain is in a
+state of constant irritation and distraction.”
+
+“Yes?” said old Yacob. “Yes?”
+
+“And I think I may say with reasonable certainty that, in order to cure
+him complete, all that we need to do is a simple and easy surgical
+operation—namely, to remove these irritant bodies.”
+
+“And then he will be sane?”
+
+“Then he will be perfectly sane, and a quite admirable citizen.”
+
+“Thank Heaven for science!” said old Yacob, and went forth at once to
+tell Nunez of his happy hopes.
+
+But Nunez’s manner of receiving the good news struck him as being cold
+and disappointing.
+
+“One might think,” he said, “from the tone you take that you did not
+care for my daughter.”
+
+It was Medina-sarote who persuaded Nunez to face the blind surgeons.
+
+“_You_ do not want me,” he said, “to lose my gift of sight?”
+
+She shook her head.
+
+“My world is sight.”
+
+Her head drooped lower.
+
+“There are the beautiful things, the beautiful little things—the
+flowers, the lichens amidst the rocks, the light and softness on a
+piece of fur, the far sky with its drifting dawn of clouds, the sunsets
+and the stars. And there is _you_. For you alone it is good to have
+sight, to see your sweet, serene face, your kindly lips, your dear,
+beautiful hands folded together. . . . . It is these eyes of mine you
+won, these eyes that hold me to you, that these idiots seek. Instead, I
+must touch you, hear you, and never see you again. I must come under
+that roof of rock and stone and darkness, that horrible roof under
+which your imaginations stoop . . . _No_; _you_ would not have me do
+that?”
+
+A disagreeable doubt had arisen in him. He stopped and left the thing a
+question.
+
+“I wish,” she said, “sometimes—” She paused.
+
+“Yes?” he said, a little apprehensively.
+
+“I wish sometimes—you would not talk like that.”
+
+“Like what?”
+
+“I know it’s pretty—it’s your imagination. I love it, but _now_—”
+
+He felt cold. “_Now?_” he said, faintly.
+
+She sat quite still.
+
+“You mean—you think—I should be better, better perhaps—”
+
+He was realising things very swiftly. He felt anger perhaps, anger at
+the dull course of fate, but also sympathy for her lack of
+understanding—a sympathy near akin to pity.
+
+“_Dear_,” he said, and he could see by her whiteness how tensely her
+spirit pressed against the things she could not say. He put his arms
+about her, he kissed her ear, and they sat for a time in silence.
+
+“If I were to consent to this?” he said at last, in a voice that was
+very gentle.
+
+She flung her arms about him, weeping wildly. “Oh, if you would,” she
+sobbed, “if only you would!”
+
+For a week before the operation that was to raise him from his
+servitude and inferiority to the level of a blind citizen Nunez knew
+nothing of sleep, and all through the warm, sunlit hours, while the
+others slumbered happily, he sat brooding or wandered aimlessly, trying
+to bring his mind to bear on his dilemma. He had given his answer, he
+had given his consent, and still he was not sure. And at last work-time
+was over, the sun rose in splendour over the golden crests, and his
+last day of vision began for him. He had a few minutes with
+Medina-sarote before she went apart to sleep.
+
+“To-morrow,” he said, “I shall see no more.”
+
+“Dear heart!” she answered, and pressed his hands with all her
+strength.
+
+“They will hurt you but little,” she said; “and you are going through
+this pain, you are going through it, dear lover, for _me_ . . . . Dear,
+if a woman’s heart and life can do it, I will repay you. My dearest
+one, my dearest with the tender voice, I will repay.”
+
+He was drenched in pity for himself and her.
+
+He held her in his arms, and pressed his lips to hers and looked on her
+sweet face for the last time. “Good-bye!” he whispered to that dear
+sight, “good-bye!”
+
+And then in silence he turned away from her.
+
+She could hear his slow retreating footsteps, and something in the
+rhythm of them threw her into a passion of weeping.
+
+He walked away.
+
+He had fully meant to go to a lonely place where the meadows were
+beautiful with white narcissus, and there remain until the hour of his
+sacrifice should come, but as he walked he lifted up his eyes and saw
+the morning, the morning like an angel in golden armour, marching down
+the steeps . . . .
+
+It seemed to him that before this splendour he and this blind world in
+the valley, and his love and all, were no more than a pit of sin.
+
+He did not turn aside as he had meant to do, but went on and passed
+through the wall of the circumference and out upon the rocks, and his
+eyes were always upon the sunlit ice and snow.
+
+He saw their infinite beauty, and his imagination soared over them to
+the things beyond he was now to resign for ever!
+
+He thought of that great free world that he was parted from, the world
+that was his own, and he had a vision of those further slopes, distance
+beyond distance, with Bogota, a place of multitudinous stirring beauty,
+a glory by day, a luminous mystery by night, a place of palaces and
+fountains and statues and white houses, lying beautifully in the middle
+distance. He thought how for a day or so one might come down through
+passes drawing ever nearer and nearer to its busy streets and ways. He
+thought of the river journey, day by day, from great Bogota to the
+still vaster world beyond, through towns and villages, forest and
+desert places, the rushing river day by day, until its banks receded,
+and the big steamers came splashing by and one had reached the sea—the
+limitless sea, with its thousand islands, its thousands of islands, and
+its ships seen dimly far away in their incessant journeyings round and
+about that greater world. And there, unpent by mountains, one saw the
+sky—the sky, not such a disc as one saw it here, but an arch of
+immeasurable blue, a deep of deeps in which the circling stars were
+floating . . . .
+
+His eyes began to scrutinise the great curtain of the mountains with a
+keener inquiry.
+
+For example; if one went so, up that gully and to that chimney there,
+then one might come out high among those stunted pines that ran round
+in a sort of shelf and rose still higher and higher as it passed above
+the gorge. And then? That talus might be managed. Thence perhaps a
+climb might be found to take him up to the precipice that came below
+the snow; and if that chimney failed, then another farther to the east
+might serve his purpose better. And then? Then one would be out upon
+the amber-lit snow there, and half-way up to the crest of those
+beautiful desolations. And suppose one had good fortune!
+
+He glanced back at the village, then turned right round and regarded it
+with folded arms.
+
+He thought of Medina-sarote, and she had become small and remote.
+
+He turned again towards the mountain wall down which the day had come
+to him.
+
+Then very circumspectly he began his climb.
+
+When sunset came he was not longer climbing, but he was far and high.
+His clothes were torn, his limbs were bloodstained, he was bruised in
+many places, but he lay as if he were at his ease, and there was a
+smile on his face.
+
+From where he rested the valley seemed as if it were in a pit and
+nearly a mile below. Already it was dim with haze and shadow, though
+the mountain summits around him were things of light and fire. The
+mountain summits around him were things of light and fire, and the
+little things in the rocks near at hand were drenched with light and
+beauty, a vein of green mineral piercing the grey, a flash of small
+crystal here and there, a minute, minutely-beautiful orange lichen
+close beside his face. There were deep, mysterious shadows in the
+gorge, blue deepening into purple, and purple into a luminous darkness,
+and overhead was the illimitable vastness of the sky. But he heeded
+these things no longer, but lay quite still there, smiling as if he
+were content now merely to have escaped from the valley of the Blind,
+in which he had thought to be King. And the glow of the sunset passed,
+and the night came, and still he lay there, under the cold, clear
+stars.
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE DOOR IN THE WALL AND OTHER STORIES ***
+
+***** This file should be named 456-0.txt or 456-0.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/4/5/456/
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
diff --git a/456-0.zip b/456-0.zip
new file mode 100644
index 0000000..5f0d4da
--- /dev/null
+++ b/456-0.zip
Binary files differ
diff --git a/456-h.zip b/456-h.zip
new file mode 100644
index 0000000..bcd6fc2
--- /dev/null
+++ b/456-h.zip
Binary files differ
diff --git a/456-h/456-h.htm b/456-h/456-h.htm
new file mode 100644
index 0000000..0056d84
--- /dev/null
+++ b/456-h/456-h.htm
@@ -0,0 +1,6578 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of The Door in the Wall And Other Stories, by H. G. Wells</title>
+
+<style type="text/css">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+
+</head>
+
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold;'>The Project Gutenberg eBook of The Door in the Wall And Other Stories, by H. G. Wells</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Door in the Wall And Other Stories</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: H. G. Wells</div>
+<div style='display:block;margin:1em 0'>Release Date: March, 1996 [eBook #456]<br />
+[Most recently updated: April 12, 2021]</div>
+<div style='display:block;margin:1em 0'>Language: English</div>
+<div style='display:block;margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Judith Boss</div>
+<div style='margin-top:2em;margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE DOOR IN THE WALL AND OTHER STORIES ***</div>
+
+<h1>The Door in the Wall<br />
+And Other Stories</h1>
+
+<h2 class="no-break">by H. G. Wells</h2>
+
+<hr />
+
+<h2>Contents</h2>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#chap01">THE DOOR IN THE WALL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap02">THE STAR</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap03">A DREAM OF ARMAGEDDON</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap04">THE CONE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap05">A MOONLIGHT FABLE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap06">THE DIAMOND MAKER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap07">THE LORD OF THE DYNAMOS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap08">THE COUNTRY OF THE BLIND</a></td>
+</tr>
+
+</table>
+
+<div class="chapter">
+
+<h2><a name="chap01"></a>THE DOOR IN THE WALL</h2>
+
+<h3>I</h3>
+
+<p>
+One confidential evening, not three months ago, Lionel Wallace told me this
+story of the Door in the Wall. And at the time I thought that so far as he was
+concerned it was a true story.
+</p>
+
+<p>
+He told it me with such a direct simplicity of conviction that I could not do
+otherwise than believe in him. But in the morning, in my own flat, I woke to a
+different atmosphere, and as I lay in bed and recalled the things he had told
+me, stripped of the glamour of his earnest slow voice, denuded of the focussed
+shaded table light, the shadowy atmosphere that wrapped about him and the
+pleasant bright things, the dessert and glasses and napery of the dinner we had
+shared, making them for the time a bright little world quite cut off from
+every-day realities, I saw it all as frankly incredible. &ldquo;He was
+mystifying!&rdquo; I said, and then: &ldquo;How well he did it!. . . . . It
+isn&rsquo;t quite the thing I should have expected him, of all people, to do
+well.&rdquo;
+</p>
+
+<p>
+Afterwards, as I sat up in bed and sipped my morning tea, I found myself trying
+to account for the flavour of reality that perplexed me in his impossible
+reminiscences, by supposing they did in some way suggest, present,
+convey&mdash;I hardly know which word to use&mdash;experiences it was otherwise
+impossible to tell.
+</p>
+
+<p>
+Well, I don&rsquo;t resort to that explanation now. I have got over my
+intervening doubts. I believe now, as I believed at the moment of telling, that
+Wallace did to the very best of his ability strip the truth of his secret for
+me. But whether he himself saw, or only thought he saw, whether he himself was
+the possessor of an inestimable privilege, or the victim of a fantastic dream,
+I cannot pretend to guess. Even the facts of his death, which ended my doubts
+forever, throw no light on that. That much the reader must judge for himself.
+</p>
+
+<p>
+I forget now what chance comment or criticism of mine moved so reticent a man
+to confide in me. He was, I think, defending himself against an imputation of
+slackness and unreliability I had made in relation to a great public movement
+in which he had disappointed me. But he plunged suddenly. &ldquo;I have&rdquo;
+he said, &ldquo;a preoccupation&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;I know,&rdquo; he went on, after a pause that he devoted to the study of
+his cigar ash, &ldquo;I have been negligent. The fact is&mdash;it isn&rsquo;t a
+case of ghosts or apparitions&mdash;but&mdash;it&rsquo;s an odd thing to tell
+of, Redmond&mdash;I am haunted. I am haunted by something&mdash;that rather
+takes the light out of things, that fills me with longings . . . . .&rdquo;
+</p>
+
+<p>
+He paused, checked by that English shyness that so often overcomes us when we
+would speak of moving or grave or beautiful things. &ldquo;You were at Saint
+Athelstan&rsquo;s all through,&rdquo; he said, and for a moment that seemed to
+me quite irrelevant. &ldquo;Well&rdquo;&mdash;and he paused. Then very
+haltingly at first, but afterwards more easily, he began to tell of the thing
+that was hidden in his life, the haunting memory of a beauty and a happiness
+that filled his heart with insatiable longings that made all the interests and
+spectacle of worldly life seem dull and tedious and vain to him.
+</p>
+
+<p>
+Now that I have the clue to it, the thing seems written visibly in his face. I
+have a photograph in which that look of detachment has been caught and
+intensified. It reminds me of what a woman once said of him&mdash;a woman who
+had loved him greatly. &ldquo;Suddenly,&rdquo; she said, &ldquo;the interest
+goes out of him. He forgets you. He doesn&rsquo;t care a rap for
+you&mdash;under his very nose . . . . .&rdquo;
+</p>
+
+<p>
+Yet the interest was not always out of him, and when he was holding his
+attention to a thing Wallace could contrive to be an extremely successful man.
+His career, indeed, is set with successes. He left me behind him long ago; he
+soared up over my head, and cut a figure in the world that I couldn&rsquo;t
+cut&mdash;anyhow. He was still a year short of forty, and they say now that he
+would have been in office and very probably in the new Cabinet if he had lived.
+At school he always beat me without effort&mdash;as it were by nature. We were
+at school together at Saint Athelstan&rsquo;s College in West Kensington for
+almost all our school time. He came into the school as my co-equal, but he left
+far above me, in a blaze of scholarships and brilliant performance. Yet I think
+I made a fair average running. And it was at school I heard first of the Door
+in the Wall&mdash;that I was to hear of a second time only a month before his
+death.
+</p>
+
+<p>
+To him at least the Door in the Wall was a real door leading through a real
+wall to immortal realities. Of that I am now quite assured.
+</p>
+
+<p>
+And it came into his life early, when he was a little fellow between five and
+six. I remember how, as he sat making his confession to me with a slow gravity,
+he reasoned and reckoned the date of it. &ldquo;There was,&rdquo; he said,
+&ldquo;a crimson Virginia creeper in it&mdash;all one bright uniform crimson in
+a clear amber sunshine against a white wall. That came into the impression
+somehow, though I don&rsquo;t clearly remember how, and there were
+horse-chestnut leaves upon the clean pavement outside the green door. They were
+blotched yellow and green, you know, not brown nor dirty, so that they must
+have been new fallen. I take it that means October. I look out for
+horse-chestnut leaves every year, and I ought to know.
+</p>
+
+<p>
+&ldquo;If I&rsquo;m right in that, I was about five years and four months
+old.&rdquo;
+</p>
+
+<p>
+He was, he said, rather a precocious little boy&mdash;he learned to talk at an
+abnormally early age, and he was so sane and &ldquo;old-fashioned,&rdquo; as
+people say, that he was permitted an amount of initiative that most children
+scarcely attain by seven or eight. His mother died when he was born, and he was
+under the less vigilant and authoritative care of a nursery governess. His
+father was a stern, preoccupied lawyer, who gave him little attention, and
+expected great things of him. For all his brightness he found life a little
+grey and dull I think. And one day he wandered.
+</p>
+
+<p>
+He could not recall the particular neglect that enabled him to get away, nor
+the course he took among the West Kensington roads. All that had faded among
+the incurable blurs of memory. But the white wall and the green door stood out
+quite distinctly.
+</p>
+
+<p>
+As his memory of that remote childish experience ran, he did at the very first
+sight of that door experience a peculiar emotion, an attraction, a desire to
+get to the door and open it and walk in. And at the same time he had the
+clearest conviction that either it was unwise or it was wrong of him&mdash;he
+could not tell which&mdash;to yield to this attraction. He insisted upon it as
+a curious thing that he knew from the very beginning&mdash;unless memory has
+played him the queerest trick&mdash;that the door was unfastened, and that he
+could go in as he chose.
+</p>
+
+<p>
+I seem to see the figure of that little boy, drawn and repelled. And it was
+very clear in his mind, too, though why it should be so was never explained,
+that his father would be very angry if he went through that door.
+</p>
+
+<p>
+Wallace described all these moments of hesitation to me with the utmost
+particularity. He went right past the door, and then, with his hands in his
+pockets, and making an infantile attempt to whistle, strolled right along
+beyond the end of the wall. There he recalls a number of mean, dirty shops, and
+particularly that of a plumber and decorator, with a dusty disorder of
+earthenware pipes, sheet lead ball taps, pattern books of wall paper, and tins
+of enamel. He stood pretending to examine these things, and coveting,
+passionately desiring the green door.
+</p>
+
+<p>
+Then, he said, he had a gust of emotion. He made a run for it, lest hesitation
+should grip him again, he went plump with outstretched hand through the green
+door and let it slam behind him. And so, in a trice, he came into the garden
+that has haunted all his life.
+</p>
+
+<p>
+It was very difficult for Wallace to give me his full sense of that garden into
+which he came.
+</p>
+
+<p>
+There was something in the very air of it that exhilarated, that gave one a
+sense of lightness and good happening and well being; there was something in
+the sight of it that made all its colour clean and perfect and subtly luminous.
+In the instant of coming into it one was exquisitely glad&mdash;as only in rare
+moments and when one is young and joyful one can be glad in this world. And
+everything was beautiful there . . . . .
+</p>
+
+<p>
+Wallace mused before he went on telling me. &ldquo;You see,&rdquo; he said,
+with the doubtful inflection of a man who pauses at incredible things,
+&ldquo;there were two great panthers there . . . Yes, spotted panthers. And I
+was not afraid. There was a long wide path with marble-edged flower borders on
+either side, and these two huge velvety beasts were playing there with a ball.
+One looked up and came towards me, a little curious as it seemed. It came right
+up to me, rubbed its soft round ear very gently against the small hand I held
+out and purred. It was, I tell you, an enchanted garden. I know. And the size?
+Oh! it stretched far and wide, this way and that. I believe there were hills
+far away. Heaven knows where West Kensington had suddenly got to. And somehow
+it was just like coming home.
+</p>
+
+<p>
+&ldquo;You know, in the very moment the door swung to behind me, I forgot the
+road with its fallen chestnut leaves, its cabs and tradesmen&rsquo;s carts, I
+forgot the sort of gravitational pull back to the discipline and obedience of
+home, I forgot all hesitations and fear, forgot discretion, forgot all the
+intimate realities of this life. I became in a moment a very glad and
+wonder-happy little boy&mdash;in another world. It was a world with a different
+quality, a warmer, more penetrating and mellower light, with a faint clear
+gladness in its air, and wisps of sun-touched cloud in the blueness of its sky.
+And before me ran this long wide path, invitingly, with weedless beds on either
+side, rich with untended flowers, and these two great panthers. I put my little
+hands fearlessly on their soft fur, and caressed their round ears and the
+sensitive corners under their ears, and played with them, and it was as though
+they welcomed me home. There was a keen sense of home-coming in my mind, and
+when presently a tall, fair girl appeared in the pathway and came to meet me,
+smiling, and said Well?&rsquo; to me, and lifted me, and kissed me, and put me
+down, and led me by the hand, there was no amazement, but only an impression of
+delightful rightness, of being reminded of happy things that had in some
+strange way been overlooked. There were broad steps, I remember, that came into
+view between spikes of delphinium, and up these we went to a great avenue
+between very old and shady dark trees. All down this avenue, you know, between
+the red chapped stems, were marble seats of honour and statuary, and very tame
+and friendly white doves . . . . .
+</p>
+
+<p>
+&ldquo;And along this avenue my girl-friend led me, looking down&mdash;I recall
+the pleasant lines, the finely-modelled chin of her sweet kind
+face&mdash;asking me questions in a soft, agreeable voice, and telling me
+things, pleasant things I know, though what they were I was never able to
+recall . . . And presently a little Capuchin monkey, very clean, with a fur of
+ruddy brown and kindly hazel eyes, came down a tree to us and ran beside me,
+looking up at me and grinning, and presently leapt to my shoulder. So we went
+on our way in great happiness . . . .&rdquo;
+</p>
+
+<p>
+He paused.
+</p>
+
+<p>
+&ldquo;Go on,&rdquo; I said.
+</p>
+
+<p>
+&ldquo;I remember little things. We passed an old man musing among laurels, I
+remember, and a place gay with paroquets, and came through a broad shaded
+colonnade to a spacious cool palace, full of pleasant fountains, full of
+beautiful things, full of the quality and promise of heart&rsquo;s desire. And
+there were many things and many people, some that still seem to stand out
+clearly and some that are a little vague, but all these people were beautiful
+and kind. In some way&mdash;I don&rsquo;t know how&mdash;it was conveyed to me
+that they all were kind to me, glad to have me there, and filling me with
+gladness by their gestures, by the touch of their hands, by the welcome and
+love in their eyes. Yes&mdash;&rdquo;
+</p>
+
+<p>
+He mused for awhile. &ldquo;Playmates I found there. That was very much to me,
+because I was a lonely little boy. They played delightful games in a
+grass-covered court where there was a sun-dial set about with flowers. And as
+one played one loved . . . .
+</p>
+
+<p>
+&ldquo;But&mdash;it&rsquo;s odd&mdash;there&rsquo;s a gap in my memory. I
+don&rsquo;t remember the games we played. I never remembered. Afterwards, as a
+child, I spent long hours trying, even with tears, to recall the form of that
+happiness. I wanted to play it all over again&mdash;in my nursery&mdash;by
+myself. No! All I remember is the happiness and two dear playfellows who were
+most with me . . . . Then presently came a sombre dark woman, with a grave,
+pale face and dreamy eyes, a sombre woman wearing a soft long robe of pale
+purple, who carried a book and beckoned and took me aside with her into a
+gallery above a hall&mdash;though my playmates were loth to have me go, and
+ceased their game and stood watching as I was carried away. &lsquo;Come back to
+us!&rsquo; they cried. &lsquo;Come back to us soon!&rsquo; I looked up at her
+face, but she heeded them not at all. Her face was very gentle and grave. She
+took me to a seat in the gallery, and I stood beside her, ready to look at her
+book as she opened it upon her knee. The pages fell open. She pointed, and I
+looked, marvelling, for in the living pages of that book I saw myself; it was a
+story about myself, and in it were all the things that had happened to me since
+ever I was born . . . .
+</p>
+
+<p>
+&ldquo;It was wonderful to me, because the pages of that book were not
+pictures, you understand, but realities.&rdquo;
+</p>
+
+<p>
+Wallace paused gravely&mdash;looked at me doubtfully.
+</p>
+
+<p>
+&ldquo;Go on,&rdquo; I said. &ldquo;I understand.&rdquo;
+</p>
+
+<p>
+&ldquo;They were realities&mdash;yes, they must have been; people moved and
+things came and went in them; my dear mother, whom I had near forgotten; then
+my father, stern and upright, the servants, the nursery, all the familiar
+things of home. Then the front door and the busy streets, with traffic to and
+fro: I looked and marvelled, and looked half doubtfully again into the
+woman&rsquo;s face and turned the pages over, skipping this and that, to see
+more of this book, and more, and so at last I came to myself hovering and
+hesitating outside the green door in the long white wall, and felt again the
+conflict and the fear.
+</p>
+
+<p>
+&ldquo;&lsquo;And next?&rsquo; I cried, and would have turned on, but the cool
+hand of the grave woman delayed me.
+</p>
+
+<p>
+&ldquo;&lsquo;Next?&rsquo; I insisted, and struggled gently with her hand,
+pulling up her fingers with all my childish strength, and as she yielded and
+the page came over she bent down upon me like a shadow and kissed my brow.
+</p>
+
+<p>
+&ldquo;But the page did not show the enchanted garden, nor the panthers, nor
+the girl who had led me by the hand, nor the playfellows who had been so loth
+to let me go. It showed a long grey street in West Kensington, on that chill
+hour of afternoon before the lamps are lit, and I was there, a wretched little
+figure, weeping aloud, for all that I could do to restrain myself, and I was
+weeping because I could not return to my dear play-fellows who had called after
+me, &lsquo;Come back to us! Come back to us soon!&rsquo; I was there. This was
+no page in a book, but harsh reality; that enchanted place and the restraining
+hand of the grave mother at whose knee I stood had gone&mdash;whither have they
+gone?&rdquo;
+</p>
+
+<p>
+He halted again, and remained for a time, staring into the fire.
+</p>
+
+<p>
+&ldquo;Oh! the wretchedness of that return!&rdquo; he murmured.
+</p>
+
+<p>
+&ldquo;Well?&rdquo; I said after a minute or so.
+</p>
+
+<p>
+&ldquo;Poor little wretch I was&mdash;brought back to this grey world again! As
+I realised the fulness of what had happened to me, I gave way to quite
+ungovernable grief. And the shame and humiliation of that public weeping and my
+disgraceful homecoming remain with me still. I see again the benevolent-looking
+old gentleman in gold spectacles who stopped and spoke to me&mdash;prodding me
+first with his umbrella. &lsquo;Poor little chap,&rsquo; said he; &lsquo;and
+are you lost then?&rsquo;&mdash;and me a London boy of five and more! And he
+must needs bring in a kindly young policeman and make a crowd of me, and so
+march me home. Sobbing, conspicuous and frightened, I came from the enchanted
+garden to the steps of my father&rsquo;s house.
+</p>
+
+<p>
+&ldquo;That is as well as I can remember my vision of that garden&mdash;the
+garden that haunts me still. Of course, I can convey nothing of that
+indescribable quality of translucent unreality, that difference from the common
+things of experience that hung about it all; but that&mdash;that is what
+happened. If it was a dream, I am sure it was a day-time and altogether
+extraordinary dream . . . . . . H&rsquo;m!&mdash;naturally there followed a
+terrible questioning, by my aunt, my father, the nurse, the
+governess&mdash;everyone . . . . . .
+</p>
+
+<p>
+&ldquo;I tried to tell them, and my father gave me my first thrashing for
+telling lies. When afterwards I tried to tell my aunt, she punished me again
+for my wicked persistence. Then, as I said, everyone was forbidden to listen to
+me, to hear a word about it. Even my fairy tale books were taken away from me
+for a time&mdash;because I was &lsquo;too imaginative.&rsquo; Eh? Yes, they did
+that! My father belonged to the old school . . . . . And my story was driven
+back upon myself. I whispered it to my pillow&mdash;my pillow that was often
+damp and salt to my whispering lips with childish tears. And I added always to
+my official and less fervent prayers this one heartfelt request: &lsquo;Please
+God I may dream of the garden. Oh! take me back to my garden! Take me back to
+my garden!&rsquo;
+</p>
+
+<p>
+&ldquo;I dreamt often of the garden. I may have added to it, I may have changed
+it; I do not know . . . . . All this you understand is an attempt to
+reconstruct from fragmentary memories a very early experience. Between that and
+the other consecutive memories of my boyhood there is a gulf. A time came when
+it seemed impossible I should ever speak of that wonder glimpse again.&rdquo;
+</p>
+
+<p>
+I asked an obvious question.
+</p>
+
+<p>
+&ldquo;No,&rdquo; he said. &ldquo;I don&rsquo;t remember that I ever attempted
+to find my way back to the garden in those early years. This seems odd to me
+now, but I think that very probably a closer watch was kept on my movements
+after this misadventure to prevent my going astray. No, it wasn&rsquo;t until
+you knew me that I tried for the garden again. And I believe there was a
+period&mdash;incredible as it seems now&mdash;when I forgot the garden
+altogether&mdash;when I was about eight or nine it may have been. Do you
+remember me as a kid at Saint Athelstan&rsquo;s?&rdquo;
+</p>
+
+<p>
+&ldquo;Rather!&rdquo;
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t show any signs did I in those days of having a secret
+dream?&rdquo;
+</p>
+
+<h3>II</h3>
+
+<p>
+He looked up with a sudden smile.
+</p>
+
+<p>
+&ldquo;Did you ever play North-West Passage with me? . . . . . No, of course
+you didn&rsquo;t come my way!&rdquo;
+</p>
+
+<p>
+&ldquo;It was the sort of game,&rdquo; he went on, &ldquo;that every
+imaginative child plays all day. The idea was the discovery of a North-West
+Passage to school. The way to school was plain enough; the game consisted in
+finding some way that wasn&rsquo;t plain, starting off ten minutes early in
+some almost hopeless direction, and working one&rsquo;s way round through
+unaccustomed streets to my goal. And one day I got entangled among some rather
+low-class streets on the other side of Campden Hill, and I began to think that
+for once the game would be against me and that I should get to school late. I
+tried rather desperately a street that seemed a <i>cul de sac</i>, and found a
+passage at the end. I hurried through that with renewed hope. &lsquo;I shall do
+it yet,&rsquo; I said, and passed a row of frowsy little shops that were
+inexplicably familiar to me, and behold! there was my long white wall and the
+green door that led to the enchanted garden!
+</p>
+
+<p>
+&ldquo;The thing whacked upon me suddenly. Then, after all, that garden, that
+wonderful garden, wasn&rsquo;t a dream!&rdquo; . . . .
+</p>
+
+<p>
+He paused.
+</p>
+
+<p>
+&ldquo;I suppose my second experience with the green door marks the world of
+difference there is between the busy life of a schoolboy and the infinite
+leisure of a child. Anyhow, this second time I didn&rsquo;t for a moment think
+of going in straight away. You see . . . For one thing my mind was full of the
+idea of getting to school in time&mdash;set on not breaking my record for
+punctuality. I must surely have felt <i>some</i> little desire at least to try
+the door&mdash;yes, I must have felt that . . . . . But I seem to remember the
+attraction of the door mainly as another obstacle to my overmastering
+determination to get to school. I was immediately interested by this discovery
+I had made, of course&mdash;I went on with my mind full of it&mdash;but I went
+on. It didn&rsquo;t check me. I ran past tugging out my watch, found I had ten
+minutes still to spare, and then I was going downhill into familiar
+surroundings. I got to school, breathless, it is true, and wet with
+perspiration, but in time. I can remember hanging up my coat and hat . . . Went
+right by it and left it behind me. Odd, eh?&rdquo;
+</p>
+
+<p>
+He looked at me thoughtfully. &ldquo;Of course, I didn&rsquo;t know then that
+it wouldn&rsquo;t always be there. School boys have limited imaginations. I
+suppose I thought it was an awfully jolly thing to have it there, to know my
+way back to it, but there was the school tugging at me. I expect I was a good
+deal distraught and inattentive that morning, recalling what I could of the
+beautiful strange people I should presently see again. Oddly enough I had no
+doubt in my mind that they would be glad to see me . . . Yes, I must have
+thought of the garden that morning just as a jolly sort of place to which one
+might resort in the interludes of a strenuous scholastic career.
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t go that day at all. The next day was a half holiday, and
+that may have weighed with me. Perhaps, too, my state of inattention brought
+down impositions upon me and docked the margin of time necessary for the
+detour. I don&rsquo;t know. What I do know is that in the meantime the
+enchanted garden was so much upon my mind that I could not keep it to myself.
+</p>
+
+<p>
+&ldquo;I told&mdash;What was his name?&mdash;a ferrety-looking youngster we
+used to call Squiff.&rdquo;
+</p>
+
+<p>
+&ldquo;Young Hopkins,&rdquo; said I.
+</p>
+
+<p>
+&ldquo;Hopkins it was. I did not like telling him, I had a feeling that in some
+way it was against the rules to tell him, but I did. He was walking part of the
+way home with me; he was talkative, and if we had not talked about the
+enchanted garden we should have talked of something else, and it was
+intolerable to me to think about any other subject. So I blabbed.
+</p>
+
+<p>
+&ldquo;Well, he told my secret. The next day in the play interval I found
+myself surrounded by half a dozen bigger boys, half teasing and wholly curious
+to hear more of the enchanted garden. There was that big Fawcett&mdash;you
+remember him?&mdash;and Carnaby and Morley Reynolds. You weren&rsquo;t there by
+any chance? No, I think I should have remembered if you were . . . . .
+</p>
+
+<p>
+&ldquo;A boy is a creature of odd feelings. I was, I really believe, in spite
+of my secret self-disgust, a little flattered to have the attention of these
+big fellows. I remember particularly a moment of pleasure caused by the praise
+of Crawshaw&mdash;you remember Crawshaw major, the son of Crawshaw the
+composer?&mdash;who said it was the best lie he had ever heard. But at the same
+time there was a really painful undertow of shame at telling what I felt was
+indeed a sacred secret. That beast Fawcett made a joke about the girl in
+green&mdash;.&rdquo;
+</p>
+
+<p>
+Wallace&rsquo;s voice sank with the keen memory of that shame. &ldquo;I
+pretended not to hear,&rdquo; he said. &ldquo;Well, then Carnaby suddenly
+called me a young liar and disputed with me when I said the thing was true. I
+said I knew where to find the green door, could lead them all there in ten
+minutes. Carnaby became outrageously virtuous, and said I&rsquo;d have
+to&mdash;and bear out my words or suffer. Did you ever have Carnaby twist your
+arm? Then perhaps you&rsquo;ll understand how it went with me. I swore my story
+was true. There was nobody in the school then to save a chap from Carnaby
+though Crawshaw put in a word or so. Carnaby had got his game. I grew excited
+and red-eared, and a little frightened, I behaved altogether like a silly
+little chap, and the outcome of it all was that instead of starting alone for
+my enchanted garden, I led the way presently&mdash;cheeks flushed, ears hot,
+eyes smarting, and my soul one burning misery and shame&mdash;for a party of
+six mocking, curious and threatening school-fellows.
+</p>
+
+<p>
+&ldquo;We never found the white wall and the green door . . .&rdquo;
+</p>
+
+<p>
+&ldquo;You mean?&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;I mean I couldn&rsquo;t find it. I would have found it if I could.
+</p>
+
+<p>
+&ldquo;And afterwards when I could go alone I couldn&rsquo;t find it. I never
+found it. I seem now to have been always looking for it through my school-boy
+days, but I&rsquo;ve never come upon it again.&rdquo;
+</p>
+
+<p>
+&ldquo;Did the fellows&mdash;make it disagreeable?&rdquo;
+</p>
+
+<p>
+&ldquo;Beastly . . . . . Carnaby held a council over me for wanton lying. I
+remember how I sneaked home and upstairs to hide the marks of my blubbering.
+But when I cried myself to sleep at last it wasn&rsquo;t for Carnaby, but for
+the garden, for the beautiful afternoon I had hoped for, for the sweet friendly
+women and the waiting playfellows and the game I had hoped to learn again, that
+beautiful forgotten game . . . . .
+</p>
+
+<p>
+&ldquo;I believed firmly that if I had not told&mdash; . . . . . I had bad
+times after that&mdash;crying at night and wool-gathering by day. For two terms
+I slackened and had bad reports. Do you remember? Of course you would! It was
+<i>you</i>&mdash;your beating me in mathematics that brought me back to the
+grind again.&rdquo;
+</p>
+
+<h3>III</h3>
+
+<p>
+For a time my friend stared silently into the red heart of the fire. Then he
+said: &ldquo;I never saw it again until I was seventeen.
+</p>
+
+<p>
+&ldquo;It leapt upon me for the third time&mdash;as I was driving to Paddington
+on my way to Oxford and a scholarship. I had just one momentary glimpse. I was
+leaning over the apron of my hansom smoking a cigarette, and no doubt thinking
+myself no end of a man of the world, and suddenly there was the door, the wall,
+the dear sense of unforgettable and still attainable things.
+</p>
+
+<p>
+&ldquo;We clattered by&mdash;I too taken by surprise to stop my cab until we
+were well past and round a corner. Then I had a queer moment, a double and
+divergent movement of my will: I tapped the little door in the roof of the cab,
+and brought my arm down to pull out my watch. &lsquo;Yes, sir!&rsquo; said the
+cabman, smartly. &lsquo;Er&mdash;well&mdash;it&rsquo;s nothing,&rsquo; I cried.
+&lsquo;<i>My</i> mistake! We haven&rsquo;t much time! Go on!&rsquo; and he went
+on . . .
+</p>
+
+<p>
+&ldquo;I got my scholarship. And the night after I was told of that I sat over
+my fire in my little upper room, my study, in my father&rsquo;s house, with his
+praise&mdash;his rare praise&mdash;and his sound counsels ringing in my ears,
+and I smoked my favourite pipe&mdash;the formidable bulldog of
+adolescence&mdash;and thought of that door in the long white wall. &lsquo;If I
+had stopped,&rsquo; I thought, &lsquo;I should have missed my scholarship, I
+should have missed Oxford&mdash;muddled all the fine career before me! I begin
+to see things better!&rsquo; I fell musing deeply, but I did not doubt then
+this career of mine was a thing that merited sacrifice.
+</p>
+
+<p>
+&ldquo;Those dear friends and that clear atmosphere seemed very sweet to me,
+very fine, but remote. My grip was fixing now upon the world. I saw another
+door opening&mdash;the door of my career.&rdquo;
+</p>
+
+<p>
+He stared again into the fire. Its red lights picked out a stubborn strength in
+his face for just one flickering moment, and then it vanished again.
+</p>
+
+<p>
+&ldquo;Well&rdquo;, he said and sighed, &ldquo;I have served that career. I
+have done&mdash;much work, much hard work. But I have dreamt of the enchanted
+garden a thousand dreams, and seen its door, or at least glimpsed its door,
+four times since then. Yes&mdash;four times. For a while this world was so
+bright and interesting, seemed so full of meaning and opportunity that the
+half-effaced charm of the garden was by comparison gentle and remote. Who wants
+to pat panthers on the way to dinner with pretty women and distinguished men? I
+came down to London from Oxford, a man of bold promise that I have done
+something to redeem. Something&mdash;and yet there have been disappointments .
+. . . .
+</p>
+
+<p>
+&ldquo;Twice I have been in love&mdash;I will not dwell on that&mdash;but once,
+as I went to someone who, I know, doubted whether I dared to come, I took a
+short cut at a venture through an unfrequented road near Earl&rsquo;s Court,
+and so happened on a white wall and a familiar green door. &lsquo;Odd!&rsquo;
+said I to myself, &lsquo;but I thought this place was on Campden Hill.
+It&rsquo;s the place I never could find somehow&mdash;like counting
+Stonehenge&mdash;the place of that queer day dream of mine.&rsquo; And I went
+by it intent upon my purpose. It had no appeal to me that afternoon.
+</p>
+
+<p>
+&ldquo;I had just a moment&rsquo;s impulse to try the door, three steps aside
+were needed at the most&mdash;though I was sure enough in my heart that it
+would open to me&mdash;and then I thought that doing so might delay me on the
+way to that appointment in which I thought my honour was involved. Afterwards I
+was sorry for my punctuality&mdash;I might at least have peeped in I thought,
+and waved a hand to those panthers, but I knew enough by this time not to seek
+again belatedly that which is not found by seeking. Yes, that time made me very
+sorry . . . . .
+</p>
+
+<p>
+&ldquo;Years of hard work after that and never a sight of the door. It&rsquo;s
+only recently it has come back to me. With it there has come a sense as though
+some thin tarnish had spread itself over my world. I began to think of it as a
+sorrowful and bitter thing that I should never see that door again. Perhaps I
+was suffering a little from overwork&mdash;perhaps it was what I&rsquo;ve heard
+spoken of as the feeling of forty. I don&rsquo;t know. But certainly the keen
+brightness that makes effort easy has gone out of things recently, and that
+just at a time with all these new political developments&mdash;when I ought to
+be working. Odd, isn&rsquo;t it? But I do begin to find life toilsome, its
+rewards, as I come near them, cheap. I began a little while ago to want the
+garden quite badly. Yes&mdash;and I&rsquo;ve seen it three times.&rdquo;
+</p>
+
+<p>
+&ldquo;The garden?&rdquo;
+</p>
+
+<p>
+&ldquo;No&mdash;the door! And I haven&rsquo;t gone in!&rdquo;
+</p>
+
+<p>
+He leaned over the table to me, with an enormous sorrow in his voice as he
+spoke. &ldquo;Thrice I have had my chance&mdash;<i>thrice!</i> If ever that
+door offers itself to me again, I swore, I will go in out of this dust and
+heat, out of this dry glitter of vanity, out of these toilsome futilities. I
+will go and never return. This time I will stay . . . . . I swore it and when
+the time came&mdash;<i>I didn&rsquo;t go</i>.
+</p>
+
+<p>
+&ldquo;Three times in one year have I passed that door and failed to enter.
+Three times in the last year.
+</p>
+
+<p>
+&ldquo;The first time was on the night of the snatch division on the
+Tenants&rsquo; Redemption Bill, on which the Government was saved by a majority
+of three. You remember? No one on our side&mdash;perhaps very few on the
+opposite side&mdash;expected the end that night. Then the debate collapsed like
+eggshells. I and Hotchkiss were dining with his cousin at Brentford, we were
+both unpaired, and we were called up by telephone, and set off at once in his
+cousin&rsquo;s motor. We got in barely in time, and on the way we passed my
+wall and door&mdash;livid in the moonlight, blotched with hot yellow as the
+glare of our lamps lit it, but unmistakable. &lsquo;My God!&rsquo; cried I.
+&lsquo;What?&rsquo; said Hotchkiss. &lsquo;Nothing!&rsquo; I answered, and the
+moment passed.
+</p>
+
+<p>
+&ldquo;&lsquo;I&rsquo;ve made a great sacrifice,&rsquo; I told the whip as I
+got in. They all have,&rsquo; he said, and hurried by.
+</p>
+
+<p>
+&ldquo;I do not see how I could have done otherwise then. And the next occasion
+was as I rushed to my father&rsquo;s bedside to bid that stern old man
+farewell. Then, too, the claims of life were imperative. But the third time was
+different; it happened a week ago. It fills me with hot remorse to recall it. I
+was with Gurker and Ralphs&mdash;it&rsquo;s no secret now you know that
+I&rsquo;ve had my talk with Gurker. We had been dining at Frobisher&rsquo;s,
+and the talk had become intimate between us. The question of my place in the
+reconstructed ministry lay always just over the boundary of the discussion.
+Yes&mdash;yes. That&rsquo;s all settled. It needn&rsquo;t be talked about yet,
+but there&rsquo;s no reason to keep a secret from you . . . . .
+Yes&mdash;thanks! thanks! But let me tell you my story.
+</p>
+
+<p>
+&ldquo;Then, on that night things were very much in the air. My position was a
+very delicate one. I was keenly anxious to get some definite word from Gurker,
+but was hampered by Ralphs&rsquo; presence. I was using the best power of my
+brain to keep that light and careless talk not too obviously directed to the
+point that concerns me. I had to. Ralphs&rsquo; behaviour since has more than
+justified my caution . . . . . Ralphs, I knew, would leave us beyond the
+Kensington High Street, and then I could surprise Gurker by a sudden frankness.
+One has sometimes to resort to these little devices. . . . . And then it was
+that in the margin of my field of vision I became aware once more of the white
+wall, the green door before us down the road.
+</p>
+
+<p>
+&ldquo;We passed it talking. I passed it. I can still see the shadow of
+Gurker&rsquo;s marked profile, his opera hat tilted forward over his prominent
+nose, the many folds of his neck wrap going before my shadow and Ralphs&rsquo;
+as we sauntered past.
+</p>
+
+<p>
+&ldquo;I passed within twenty inches of the door. &lsquo;If I say good-night to
+them, and go in,&rsquo; I asked myself, &lsquo;what will happen?&rsquo; And I
+was all a-tingle for that word with Gurker.
+</p>
+
+<p>
+&ldquo;I could not answer that question in the tangle of my other problems.
+&lsquo;They will think me mad,&rsquo; I thought. &lsquo;And suppose I vanish
+now!&mdash;Amazing disappearance of a prominent politician!&rsquo; That weighed
+with me. A thousand inconceivably petty worldlinesses weighed with me in that
+crisis.&rdquo;
+</p>
+
+<p>
+Then he turned on me with a sorrowful smile, and, speaking slowly; &ldquo;Here
+I am!&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Here I am!&rdquo; he repeated, &ldquo;and my chance has gone from me.
+Three times in one year the door has been offered me&mdash;the door that goes
+into peace, into delight, into a beauty beyond dreaming, a kindness no man on
+earth can know. And I have rejected it, Redmond, and it has gone&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;How do you know?&rdquo;
+</p>
+
+<p>
+&ldquo;I know. I know. I am left now to work it out, to stick to the tasks that
+held me so strongly when my moments came. You say, I have success&mdash;this
+vulgar, tawdry, irksome, envied thing. I have it.&rdquo; He had a walnut in his
+big hand. &ldquo;If that was my success,&rdquo; he said, and crushed it, and
+held it out for me to see.
+</p>
+
+<p>
+&ldquo;Let me tell you something, Redmond. This loss is destroying me. For two
+months, for ten weeks nearly now, I have done no work at all, except the most
+necessary and urgent duties. My soul is full of inappeasable regrets. At
+nights&mdash;when it is less likely I shall be recognised&mdash;I go out. I
+wander. Yes. I wonder what people would think of that if they knew. A Cabinet
+Minister, the responsible head of that most vital of all departments, wandering
+alone&mdash;grieving&mdash;sometimes near audibly lamenting&mdash;for a door,
+for a garden!&rdquo;
+</p>
+
+<h3>IV</h3>
+
+<p>
+I can see now his rather pallid face, and the unfamiliar sombre fire that had
+come into his eyes. I see him very vividly to-night. I sit recalling his words,
+his tones, and last evening&rsquo;s <i>Westminster Gazette</i> still lies on my
+sofa, containing the notice of his death. At lunch to-day the club was busy
+with him and the strange riddle of his fate.
+</p>
+
+<p>
+They found his body very early yesterday morning in a deep excavation near East
+Kensington Station. It is one of two shafts that have been made in connection
+with an extension of the railway southward. It is protected from the intrusion
+of the public by a hoarding upon the high road, in which a small doorway has
+been cut for the convenience of some of the workmen who live in that direction.
+The doorway was left unfastened through a misunderstanding between two gangers,
+and through it he made his way . . . . .
+</p>
+
+<p>
+My mind is darkened with questions and riddles.
+</p>
+
+<p>
+It would seem he walked all the way from the House that night&mdash;he has
+frequently walked home during the past Session&mdash;and so it is I figure his
+dark form coming along the late and empty streets, wrapped up, intent. And then
+did the pale electric lights near the station cheat the rough planking into a
+semblance of white? Did that fatal unfastened door awaken some memory?
+</p>
+
+<p>
+Was there, after all, ever any green door in the wall at all?
+</p>
+
+<p>
+I do not know. I have told his story as he told it to me. There are times when
+I believe that Wallace was no more than the victim of the coincidence between a
+rare but not unprecedented type of hallucination and a careless trap, but that
+indeed is not my profoundest belief. You may think me superstitious if you
+will, and foolish; but, indeed, I am more than half convinced that he had in
+truth, an abnormal gift, and a sense, something&mdash;I know not
+what&mdash;that in the guise of wall and door offered him an outlet, a secret
+and peculiar passage of escape into another and altogether more beautiful
+world. At any rate, you will say, it betrayed him in the end. But did it betray
+him? There you touch the inmost mystery of these dreamers, these men of vision
+and the imagination. We see our world fair and common, the hoarding and the
+pit. By our daylight standard he walked out of security into darkness, danger
+and death. But did he see like that?
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap02"></a>THE STAR</h2>
+
+<p>
+It was on the first day of the New Year that the announcement was made, almost
+simultaneously from three observatories, that the motion of the planet Neptune,
+the outermost of all the planets that wheel about the sun, had become very
+erratic. Ogilvy had already called attention to a suspected retardation in its
+velocity in December. Such a piece of news was scarcely calculated to interest
+a world the greater portion of whose inhabitants were unaware of the existence
+of the planet Neptune, nor outside the astronomical profession did the
+subsequent discovery of a faint remote speck of light in the region of the
+perturbed planet cause any very great excitement. Scientific people, however,
+found the intelligence remarkable enough, even before it became known that the
+new body was rapidly growing larger and brighter, that its motion was quite
+different from the orderly progress of the planets, and that the deflection of
+Neptune and its satellite was becoming now of an unprecedented kind.
+</p>
+
+<p>
+Few people without a training in science can realise the huge isolation of the
+solar system. The sun with its specks of planets, its dust of planetoids, and
+its impalpable comets, swims in a vacant immensity that almost defeats the
+imagination. Beyond the orbit of Neptune there is space, vacant so far as human
+observation has penetrated, without warmth or light or sound, blank emptiness,
+for twenty million times a million miles. That is the smallest estimate of the
+distance to be traversed before the very nearest of the stars is attained. And,
+saving a few comets more unsubstantial than the thinnest flame, no matter had
+ever to human knowledge crossed this gulf of space, until early in the
+twentieth century this strange wanderer appeared. A vast mass of matter it was,
+bulky, heavy, rushing without warning out of the black mystery of the sky into
+the radiance of the sun. By the second day it was clearly visible to any decent
+instrument, as a speck with a barely sensible diameter, in the constellation
+Leo near Regulus. In a little while an opera glass could attain it.
+</p>
+
+<p>
+On the third day of the new year the newspaper readers of two hemispheres were
+made aware for the first time of the real importance of this unusual apparition
+in the heavens. &ldquo;A Planetary Collision,&rdquo; one London paper headed
+the news, and proclaimed Duchaine&rsquo;s opinion that this strange new planet
+would probably collide with Neptune. The leader writers enlarged upon the
+topic; so that in most of the capitals of the world, on January 3rd, there was
+an expectation, however vague of some imminent phenomenon in the sky; and as
+the night followed the sunset round the globe, thousands of men turned their
+eyes skyward to see&mdash;the old familiar stars just as they had always been.
+</p>
+
+<p>
+Until it was dawn in London and Pollux setting and the stars overhead grown
+pale. The Winter&rsquo;s dawn it was, a sickly filtering accumulation of
+daylight, and the light of gas and candles shone yellow in the windows to show
+where people were astir. But the yawning policeman saw the thing, the busy
+crowds in the markets stopped agape, workmen going to their work betimes,
+milkmen, the drivers of news-carts, dissipation going home jaded and pale,
+homeless wanderers, sentinels on their beats, and in the country, labourers
+trudging afield, poachers slinking home, all over the dusky quickening country
+it could be seen&mdash;and out at sea by seamen watching for the day&mdash;a
+great white star, come suddenly into the westward sky!
+</p>
+
+<p>
+Brighter it was than any star in our skies; brighter than the evening star at
+its brightest. It still glowed out white and large, no mere twinkling spot of
+light, but a small round clear shining disc, an hour after the day had come.
+And where science has not reached, men stared and feared, telling one another
+of the wars and pestilences that are foreshadowed by these fiery signs in the
+Heavens. Sturdy Boers, dusky Hottentots, Gold Coast Negroes, Frenchmen,
+Spaniards, Portuguese, stood in the warmth of the sunrise watching the setting
+of this strange new star.
+</p>
+
+<p>
+And in a hundred observatories there had been suppressed excitement, rising
+almost to shouting pitch, as the two remote bodies had rushed together; and a
+hurrying to and fro, to gather photographic apparatus and spectroscope, and
+this appliance and that, to record this novel astonishing sight, the
+destruction of a world. For it was a world, a sister planet of our earth, far
+greater than our earth indeed, that had so suddenly flashed into flaming death.
+Neptune it was, had been struck, fairly and squarely, by the strange planet
+from outer space and the heat of the concussion had incontinently turned two
+solid globes into one vast mass of incandescence. Round the world that day, two
+hours before the dawn, went the pallid great white star, fading only as it sank
+westward and the sun mounted above it. Everywhere men marvelled at it, but of
+all those who saw it none could have marvelled more than those sailors,
+habitual watchers of the stars, who far away at sea had heard nothing of its
+advent and saw it now rise like a pigmy moon and climb zenithward and hang
+overhead and sink westward with the passing of the night.
+</p>
+
+<p>
+And when next it rose over Europe everywhere were crowds of watchers on hilly
+slopes, on house-roofs, in open spaces, staring eastward for the rising of the
+great new star. It rose with a white glow in front of it, like the glare of a
+white fire, and those who had seen it come into existence the night before
+cried out at the sight of it. &ldquo;It is larger,&rdquo; they cried. &ldquo;It
+is brighter!&rdquo; And, indeed the moon a quarter full and sinking in the west
+was in its apparent size beyond comparison, but scarcely in all its breadth had
+it as much brightness now as the little circle of the strange new star.
+</p>
+
+<p>
+&ldquo;It is brighter!&rdquo; cried the people clustering in the streets. But
+in the dim observatories the watchers held their breath and peered at one
+another. &ldquo;<i>It is nearer</i>,&rdquo; they said.
+&ldquo;<i>Nearer!</i>&rdquo;
+</p>
+
+<p>
+And voice after voice repeated, &ldquo;It is nearer,&rdquo; and the clicking
+telegraph took that up, and it trembled along telephone wires, and in a
+thousand cities grimy compositors fingered the type. &ldquo;It is
+nearer.&rdquo; Men writing in offices, struck with a strange realisation, flung
+down their pens, men talking in a thousand places suddenly came upon a
+grotesque possibility in those words, &ldquo;It is nearer.&rdquo; It hurried
+along wakening streets, it was shouted down the frost-stilled ways of quiet
+villages; men who had read these things from the throbbing tape stood in
+yellow-lit doorways shouting the news to the passersby. &ldquo;It is
+nearer.&rdquo; Pretty women, flushed and glittering, heard the news told
+jestingly between the dances, and feigned an intelligent interest they did not
+feel. &ldquo;Nearer! Indeed. How curious! How very, very clever people must be
+to find out things like that!&rdquo;
+</p>
+
+<p>
+Lonely tramps faring through the wintry night murmured those words to comfort
+themselves&mdash;looking skyward. &ldquo;It has need to be nearer, for the
+night&rsquo;s as cold as charity. Don&rsquo;t seem much warmth from it if it
+<i>is</i> nearer, all the same.&rdquo;
+</p>
+
+<p>
+&ldquo;What is a new star to me?&rdquo; cried the weeping woman kneeling beside
+her dead.
+</p>
+
+<p>
+The schoolboy, rising early for his examination work, puzzled it out for
+himself&mdash;with the great white star shining broad and bright through the
+frost-flowers of his window. &ldquo;Centrifugal, centripetal,&rdquo; he said,
+with his chin on his fist. &ldquo;Stop a planet in its flight, rob it of its
+centrifugal force, what then? Centripetal has it, and down it falls into the
+sun! And this&mdash;!
+</p>
+
+<p>
+&ldquo;Do <i>we</i> come in the way? I wonder&mdash;&rdquo;
+</p>
+
+<p>
+The light of that day went the way of its brethren, and with the later watches
+of the frosty darkness rose the strange star again. And it was now so bright
+that the waxing moon seemed but a pale yellow ghost of itself, hanging huge in
+the sunset. In a South African City a great man had married, and the streets
+were alight to welcome his return with his bride. &ldquo;Even the skies have
+illuminated,&rdquo; said the flatterer. Under Capricorn, two negro lovers,
+daring the wild beasts and evil spirits, for love of one another, crouched
+together in a cane brake where the fire-flies hovered. &ldquo;That is our
+star,&rdquo; they whispered, and felt strangely comforted by the sweet
+brilliance of its light.
+</p>
+
+<p>
+The master mathematician sat in his private room and pushed the papers from
+him. His calculations were already finished. In a small white phial there still
+remained a little of the drug that had kept him awake and active for four long
+nights. Each day, serene, explicit, patient as ever, he had given his lecture
+to his students, and then had come back at once to this momentous calculation.
+His face was grave, a little drawn and hectic from his drugged activity. For
+some time he seemed lost in thought. Then he went to the window, and the blind
+went up with a click. Half way up the sky, over the clustering roofs, chimneys
+and steeples of the city, hung the star.
+</p>
+
+<p>
+He looked at it as one might look into the eyes of a brave enemy. &ldquo;You
+may kill me,&rdquo; he said after a silence. &ldquo;But I can hold
+you&mdash;and all the universe for that matter&mdash;in the grip of this little
+brain. I would not change. Even now.&rdquo;
+</p>
+
+<p>
+He looked at the little phial. &ldquo;There will be no need of sleep
+again,&rdquo; he said. The next day at noon&mdash;punctual to the minute, he
+entered his lecture theatre, put his hat on the end of the table as his habit
+was, and carefully selected a large piece of chalk. It was a joke among his
+students that he could not lecture without that piece of chalk to fumble in his
+fingers, and once he had been stricken to impotence by their hiding his supply.
+He came and looked under his grey eyebrows at the rising tiers of young fresh
+faces, and spoke with his accustomed studied commonness of phrasing.
+&ldquo;Circumstances have arisen&mdash;circumstances beyond my control,&rdquo;
+he said and paused, &ldquo;which will debar me from completing the course I had
+designed. It would seem, gentlemen, if I may put the thing clearly and briefly,
+that&mdash;Man has lived in vain.&rdquo;
+</p>
+
+<p>
+The students glanced at one another. Had they heard aright? Mad? Raised
+eyebrows and grinning lips there were, but one or two faces remained intent
+upon his calm grey-fringed face. &ldquo;It will be interesting,&rdquo; he was
+saying, &ldquo;to devote this morning to an exposition, so far as I can make it
+clear to you, of the calculations that have led me to this conclusion. Let us
+assume&mdash;&rdquo;
+</p>
+
+<p>
+He turned towards the blackboard, meditating a diagram in the way that was
+usual to him. &ldquo;What was that about &lsquo;lived in vain?&rsquo;&rdquo;
+whispered one student to another. &ldquo;Listen,&rdquo; said the other, nodding
+towards the lecturer.
+</p>
+
+<p>
+And presently they began to understand.
+</p>
+
+<p>
+That night the star rose later, for its proper eastward motion had carried it
+some way across Leo towards Virgo, and its brightness was so great that the sky
+became a luminous blue as it rose, and every star was hidden in its turn, save
+only Jupiter near the zenith, Capella, Aldebaran, Sirius and the pointers of
+the Bear. It was very white and beautiful. In many parts of the world that
+night a pallid halo encircled it about. It was perceptibly larger; in the clear
+refractive sky of the tropics it seemed as if it were nearly a quarter the size
+of the moon. The frost was still on the ground in England, but the world was as
+brightly lit as if it were midsummer moonlight. One could see to read quite
+ordinary print by that cold clear light, and in the cities the lamps burnt
+yellow and wan.
+</p>
+
+<p>
+And everywhere the world was awake that night, and throughout Christendom a
+sombre murmur hung in the keen air over the country side like the belling of
+bees in the heather, and this murmurous tumult grew to a clangour in the
+cities. It was the tolling of the bells in a million belfry towers and
+steeples, summoning the people to sleep no more, to sin no more, but to gather
+in their churches and pray. And overhead, growing larger and brighter as the
+earth rolled on its way and the night passed, rose the dazzling star.
+</p>
+
+<p>
+And the streets and houses were alight in all the cities, the shipyards glared,
+and whatever roads led to high country were lit and crowded all night long. And
+in all the seas about the civilised lands, ships with throbbing engines, and
+ships with bellying sails, crowded with men and living creatures, were standing
+out to ocean and the north. For already the warning of the master mathematician
+had been telegraphed all over the world, and translated into a hundred tongues.
+The new planet and Neptune, locked in a fiery embrace, were whirling headlong,
+ever faster and faster towards the sun. Already every second this blazing mass
+flew a hundred miles, and every second its terrific velocity increased. As it
+flew now, indeed, it must pass a hundred million of miles wide of the earth and
+scarcely affect it. But near its destined path, as yet only slightly perturbed,
+spun the mighty planet Jupiter and his moons sweeping splendid round the sun.
+Every moment now the attraction between the fiery star and the greatest of the
+planets grew stronger. And the result of that attraction? Inevitably Jupiter
+would be deflected from its orbit into an elliptical path, and the burning
+star, swung by his attraction wide of its sunward rush, would &ldquo;describe a
+curved path&rdquo; and perhaps collide with, and certainly pass very close to,
+our earth. &ldquo;Earthquakes, volcanic outbreaks, cyclones, sea waves, floods,
+and a steady rise in temperature to I know not what limit&rdquo;&mdash;so
+prophesied the master mathematician.
+</p>
+
+<p>
+And overhead, to carry out his words, lonely and cold and livid, blazed the
+star of the coming doom.
+</p>
+
+<p>
+To many who stared at it that night until their eyes ached, it seemed that it
+was visibly approaching. And that night, too, the weather changed, and the
+frost that had gripped all Central Europe and France and England softened
+towards a thaw.
+</p>
+
+<p>
+But you must not imagine because I have spoken of people praying through the
+night and people going aboard ships and people fleeing toward mountainous
+country that the whole world was already in a terror because of the star. As a
+matter of fact, use and wont still ruled the world, and save for the talk of
+idle moments and the splendour of the night, nine human beings out of ten were
+still busy at their common occupations. In all the cities the shops, save one
+here and there, opened and closed at their proper hours, the doctor and the
+undertaker plied their trades, the workers gathered in the factories, soldiers
+drilled, scholars studied, lovers sought one another, thieves lurked and fled,
+politicians planned their schemes. The presses of the newspapers roared through
+the night, and many a priest of this church and that would not open his holy
+building to further what he considered a foolish panic. The newspapers insisted
+on the lesson of the year 1000&mdash;for then, too, people had anticipated the
+end. The star was no star&mdash;mere gas&mdash;a comet; and were it a star it
+could not possibly strike the earth. There was no precedent for such a thing.
+Common sense was sturdy everywhere, scornful, jesting, a little inclined to
+persecute the obdurate fearful. That night, at seven-fifteen by Greenwich time,
+the star would be at its nearest to Jupiter. Then the world would see the turn
+things would take. The master mathematician&rsquo;s grim warnings were treated
+by many as so much mere elaborate self-advertisement. Common sense at last, a
+little heated by argument, signified its unalterable convictions by going to
+bed. So, too, barbarism and savagery, already tired of the novelty, went about
+their nightly business, and save for a howling dog here and there, the beast
+world left the star unheeded.
+</p>
+
+<p>
+And yet, when at last the watchers in the European States saw the star rise, an
+hour later it is true, but no larger than it had been the night before, there
+were still plenty awake to laugh at the master mathematician&mdash;to take the
+danger as if it had passed.
+</p>
+
+<p>
+But hereafter the laughter ceased. The star grew&mdash;it grew with a terrible
+steadiness hour after hour, a little larger each hour, a little nearer the
+midnight zenith, and brighter and brighter, until it had turned night into a
+second day. Had it come straight to the earth instead of in a curved path, had
+it lost no velocity to Jupiter, it must have leapt the intervening gulf in a
+day, but as it was it took five days altogether to come by our planet. The next
+night it had become a third the size of the moon before it set to English eyes,
+and the thaw was assured. It rose over America near the size of the moon, but
+blinding white to look at, and <i>hot</i>; and a breath of hot wind blew now
+with its rising and gathering strength, and in Virginia, and Brazil, and down
+the St. Lawrence valley, it shone intermittently through a driving reek of
+thunder-clouds, flickering violet lightning, and hail unprecedented. In
+Manitoba was a thaw and devastating floods. And upon all the mountains of the
+earth the snow and ice began to melt that night, and all the rivers coming out
+of high country flowed thick and turbid, and soon&mdash;in their upper
+reaches&mdash;with swirling trees and the bodies of beasts and men. They rose
+steadily, steadily in the ghostly brilliance, and came trickling over their
+banks at last, behind the flying population of their valleys.
+</p>
+
+<p>
+And along the coast of Argentina and up the South Atlantic the tides were
+higher than had ever been in the memory of man, and the storms drove the waters
+in many cases scores of miles inland, drowning whole cities. And so great grew
+the heat during the night that the rising of the sun was like the coming of a
+shadow. The earthquakes began and grew until all down America from the Arctic
+Circle to Cape Horn, hillsides were sliding, fissures were opening, and houses
+and walls crumbling to destruction. The whole side of Cotopaxi slipped out in
+one vast convulsion, and a tumult of lava poured out so high and broad and
+swift and liquid that in one day it reached the sea.
+</p>
+
+<p>
+So the star, with the wan moon in its wake, marched across the Pacific, trailed
+the thunderstorms like the hem of a robe, and the growing tidal wave that
+toiled behind it, frothing and eager, poured over island and island and swept
+them clear of men. Until that wave came at last&mdash;in a blinding light and
+with the breath of a furnace, swift and terrible it came&mdash;a wall of water,
+fifty feet high, roaring hungrily, upon the long coasts of Asia, and swept
+inland across the plains of China. For a space the star, hotter now and larger
+and brighter than the sun in its strength, showed with pitiless brilliance the
+wide and populous country; towns and villages with their pagodas and trees,
+roads, wide cultivated fields, millions of sleepless people staring in helpless
+terror at the incandescent sky; and then, low and growing, came the murmur of
+the flood. And thus it was with millions of men that night&mdash;a flight
+nowhither, with limbs heavy with heat and breath fierce and scant, and the
+flood like a wall swift and white behind. And then death.
+</p>
+
+<p>
+China was lit glowing white, but over Japan and Java and all the islands of
+Eastern Asia the great star was a ball of dull red fire because of the steam
+and smoke and ashes the volcanoes were spouting forth to salute its coming.
+Above was the lava, hot gases and ash, and below the seething floods, and the
+whole earth swayed and rumbled with the earthquake shocks. Soon the immemorial
+snows of Thibet and the Himalaya were melting and pouring down by ten million
+deepening converging channels upon the plains of Burmah and Hindostan. The
+tangled summits of the Indian jungles were aflame in a thousand places, and
+below the hurrying waters around the stems were dark objects that still
+struggled feebly and reflected the blood-red tongues of fire. And in a
+rudderless confusion a multitude of men and women fled down the broad
+river-ways to that one last hope of men&mdash;the open sea.
+</p>
+
+<p>
+Larger grew the star, and larger, hotter, and brighter with a terrible
+swiftness now. The tropical ocean had lost its phosphorescence, and the
+whirling steam rose in ghostly wreaths from the black waves that plunged
+incessantly, speckled with storm-tossed ships.
+</p>
+
+<p>
+And then came a wonder. It seemed to those who in Europe watched for the rising
+of the star that the world must have ceased its rotation. In a thousand open
+spaces of down and upland the people who had fled thither from the floods and
+the falling houses and sliding slopes of hill watched for that rising in vain.
+Hour followed hour through a terrible suspense, and the star rose not. Once
+again men set their eyes upon the old constellations they had counted lost to
+them forever. In England it was hot and clear overhead, though the ground
+quivered perpetually, but in the tropics, Sirius and Capella and Aldebaran
+showed through a veil of steam. And when at last the great star rose near ten
+hours late, the sun rose close upon it, and in the centre of its white heart
+was a disc of black.
+</p>
+
+<p>
+Over Asia it was the star had begun to fall behind the movement of the sky, and
+then suddenly, as it hung over India, its light had been veiled. All the plain
+of India from the mouth of the Indus to the mouths of the Ganges was a shallow
+waste of shining water that night, out of which rose temples and palaces,
+mounds and hills, black with people. Every minaret was a clustering mass of
+people, who fell one by one into the turbid waters, as heat and terror overcame
+them. The whole land seemed a-wailing and suddenly there swept a shadow across
+that furnace of despair, and a breath of cold wind, and a gathering of clouds,
+out of the cooling air. Men looking up, near blinded, at the star, saw that a
+black disc was creeping across the light. It was the moon, coming between the
+star and the earth. And even as men cried to God at this respite, out of the
+East with a strange inexplicable swiftness sprang the sun. And then star, sun
+and moon rushed together across the heavens.
+</p>
+
+<p>
+So it was that presently, to the European watchers, star and sun rose close
+upon each other, drove headlong for a space and then slower, and at last came
+to rest, star and sun merged into one glare of flame at the zenith of the sky.
+The moon no longer eclipsed the star but was lost to sight in the brilliance of
+the sky. And though those who were still alive regarded it for the most part
+with that dull stupidity that hunger, fatigue, heat and despair engender, there
+were still men who could perceive the meaning of these signs. Star and earth
+had been at their nearest, had swung about one another, and the star had
+passed. Already it was receding, swifter and swifter, in the last stage of its
+headlong journey downward into the sun.
+</p>
+
+<p>
+And then the clouds gathered, blotting out the vision of the sky, the thunder
+and lightning wove a garment round the world; all over the earth was such a
+downpour of rain as men had never before seen, and where the volcanoes flared
+red against the cloud canopy there descended torrents of mud. Everywhere the
+waters were pouring off the land, leaving mud-silted ruins, and the earth
+littered like a storm-worn beach with all that had floated, and the dead bodies
+of the men and brutes, its children. For days the water streamed off the land,
+sweeping away soil and trees and houses in the way, and piling huge dykes and
+scooping out Titanic gullies over the country side. Those were the days of
+darkness that followed the star and the heat. All through them, and for many
+weeks and months, the earthquakes continued.
+</p>
+
+<p>
+But the star had passed, and men, hunger-driven and gathering courage only
+slowly, might creep back to their ruined cities, buried granaries, and sodden
+fields. Such few ships as had escaped the storms of that time came stunned and
+shattered and sounding their way cautiously through the new marks and shoals of
+once familiar ports. And as the storms subsided men perceived that everywhere
+the days were hotter than of yore, and the sun larger, and the moon, shrunk to
+a third of its former size, took now fourscore days between its new and new.
+</p>
+
+<p>
+But of the new brotherhood that grew presently among men, of the saving of laws
+and books and machines, of the strange change that had come over Iceland and
+Greenland and the shores of Baffin&rsquo;s Bay, so that the sailors coming
+there presently found them green and gracious, and could scarce believe their
+eyes, this story does not tell. Nor of the movement of mankind now that the
+earth was hotter, northward and southward towards the poles of the earth. It
+concerns itself only with the coming and the passing of the Star.
+</p>
+
+<p>
+The Martian astronomers&mdash;for there are astronomers on Mars, although they
+are very different beings from men&mdash;were naturally profoundly interested
+by these things. They saw them from their own standpoint of course.
+&ldquo;Considering the mass and temperature of the missile that was flung
+through our solar system into the sun,&rdquo; one wrote, &ldquo;it is
+astonishing what a little damage the earth, which it missed so narrowly, has
+sustained. All the familiar continental markings and the masses of the seas
+remain intact, and indeed the only difference seems to be a shrinkage of the
+white discoloration (supposed to be frozen water) round either pole.&rdquo;
+Which only shows how small the vastest of human catastrophes may seem, at a
+distance of a few million miles.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap03"></a>A DREAM OF ARMAGEDDON</h2>
+
+<p>
+The man with the white face entered the carriage at Rugby. He moved slowly in
+spite of the urgency of his porter, and even while he was still on the platform
+I noted how ill he seemed. He dropped into the corner over against me with a
+sigh, made an incomplete attempt to arrange his travelling shawl, and became
+motionless, with his eyes staring vacantly. Presently he was moved by a sense
+of my observation, looked up at me, and put out a spiritless hand for his
+newspaper. Then he glanced again in my direction.
+</p>
+
+<p>
+I feigned to read. I feared I had unwittingly embarrassed him, and in a moment
+I was surprised to find him speaking.
+</p>
+
+<p>
+&ldquo;I beg your pardon?&rdquo; said I.
+</p>
+
+<p>
+&ldquo;That book,&rdquo; he repeated, pointing a lean finger, &ldquo;is about
+dreams.&rdquo;
+</p>
+
+<p>
+&ldquo;Obviously,&rdquo; I answered, for it was Fortnum Roscoe&rsquo;s Dream
+States, and the title was on the cover.
+</p>
+
+<p>
+He hung silent for a space as if he sought words. &ldquo;Yes,&rdquo; he said at
+last, &ldquo;but they tell you nothing.&rdquo;
+</p>
+
+<p>
+I did not catch his meaning for a second.
+</p>
+
+<p>
+&ldquo;They don&rsquo;t know,&rdquo; he added.
+</p>
+
+<p>
+I looked a little more attentively at his face.
+</p>
+
+<p>
+&ldquo;There are dreams,&rdquo; he said, &ldquo;and dreams.&rdquo;
+</p>
+
+<p>
+That sort of proposition I never dispute.
+</p>
+
+<p>
+&ldquo;I suppose&mdash;&rdquo; he hesitated. &ldquo;Do you ever dream? I mean
+vividly.&rdquo;
+</p>
+
+<p>
+&ldquo;I dream very little,&rdquo; I answered. &ldquo;I doubt if I have three
+vivid dreams in a year.&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; he said, and seemed for a moment to collect his thoughts.
+</p>
+
+<p>
+&ldquo;Your dreams don&rsquo;t mix with your memories?&rdquo; he asked
+abruptly. &ldquo;You don&rsquo;t find yourself in doubt; did this happen or did
+it not?&rdquo;
+</p>
+
+<p>
+&ldquo;Hardly ever. Except just for a momentary hesitation now and then. I
+suppose few people do.&rdquo;
+</p>
+
+<p>
+&ldquo;Does he say&mdash;?&rdquo; He indicated the book.
+</p>
+
+<p>
+&ldquo;Says it happens at times and gives the usual explanation about intensity
+of impression and the like to account for its not happening as a rule. I
+suppose you know something of these theories&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Very little&mdash;except that they are wrong.&rdquo;
+</p>
+
+<p>
+His emaciated hand played with the strap of the window for a time. I prepared
+to resume reading, and that seemed to precipitate his next remark. He leant
+forward almost as though he would touch me.
+</p>
+
+<p>
+&ldquo;Isn&rsquo;t there something called consecutive dreaming&mdash;that goes
+on night after night?&rdquo;
+</p>
+
+<p>
+&ldquo;I believe there is. There are cases given in most books on mental
+trouble.&rdquo;
+</p>
+
+<p>
+&ldquo;Mental trouble! Yes. I daresay there are. It&rsquo;s the right place for
+them. But what I mean&mdash;&rdquo; He looked at his bony knuckles. &ldquo;Is
+that sort of thing always dreaming? Is it dreaming? Or is it something else?
+Mightn&rsquo;t it be something else?&rdquo;
+</p>
+
+<p>
+I should have snubbed his persistent conversation but for the drawn anxiety of
+his face. I remember now the look of his faded eyes and the lids red
+stained&mdash;perhaps you know that look.
+</p>
+
+<p>
+&ldquo;I&rsquo;m not just arguing about a matter of opinion,&rdquo; he said.
+&ldquo;The thing&rsquo;s killing me.&rdquo;
+</p>
+
+<p>
+&ldquo;Dreams?&rdquo;
+</p>
+
+<p>
+&ldquo;If you call them dreams. Night after night. Vivid!&mdash;so vivid . . .
+. this&mdash;&rdquo; (he indicated the landscape that went streaming by the
+window) &ldquo;seems unreal in comparison! I can scarcely remember who I am,
+what business I am on . . . .&rdquo;
+</p>
+
+<p>
+He paused. &ldquo;Even now&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;The dream is always the same&mdash;do you mean?&rdquo; I asked.
+</p>
+
+<p>
+&ldquo;It&rsquo;s over.&rdquo;
+</p>
+
+<p>
+&ldquo;You mean?&rdquo;
+</p>
+
+<p>
+&ldquo;I died.&rdquo;
+</p>
+
+<p>
+&ldquo;Died?&rdquo;
+</p>
+
+<p>
+&ldquo;Smashed and killed, and now, so much of me as that dream was, is dead.
+Dead forever. I dreamt I was another man, you know, living in a different part
+of the world and in a different time. I dreamt that night after night. Night
+after night I woke into that other life. Fresh scenes and fresh
+happenings&mdash;until I came upon the last&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;When you died?&rdquo;
+</p>
+
+<p>
+&ldquo;When I died.&rdquo;
+</p>
+
+<p>
+&ldquo;And since then&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; he said. &ldquo;Thank God! That was the end of the dream . .
+.&rdquo;
+</p>
+
+<p>
+It was clear I was in for this dream. And after all, I had an hour before me,
+the light was fading fast, and Fortnum Roscoe has a dreary way with him.
+&ldquo;Living in a different time,&rdquo; I said: &ldquo;do you mean in some
+different age?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;Past?&rdquo;
+</p>
+
+<p>
+&ldquo;No, to come&mdash;to come.&rdquo;
+</p>
+
+<p>
+&ldquo;The year three thousand, for example?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know what year it was. I did when I was asleep, when I was
+dreaming, that is, but not now&mdash;not now that I am awake. There&rsquo;s a
+lot of things I have forgotten since I woke out of these dreams, though I knew
+them at the time when I was&mdash;I suppose it was dreaming. They called the
+year differently from our way of calling the year . . . What did they call
+it?&rdquo; He put his hand to his forehead. &ldquo;No,&rdquo; said he, &ldquo;I
+forget.&rdquo;
+</p>
+
+<p>
+He sat smiling weakly. For a moment I feared he did not mean to tell me his
+dream. As a rule I hate people who tell their dreams, but this struck me
+differently. I proffered assistance even. &ldquo;It began&mdash;&rdquo; I
+suggested.
+</p>
+
+<p>
+&ldquo;It was vivid from the first. I seemed to wake up in it suddenly. And
+it&rsquo;s curious that in these dreams I am speaking of I never remembered
+this life I am living now. It seemed as if the dream life was enough while it
+lasted. Perhaps&mdash;But I will tell you how I find myself when I do my best
+to recall it all. I don&rsquo;t remember anything clearly until I found myself
+sitting in a sort of loggia looking out over the sea. I had been dozing, and
+suddenly I woke up&mdash;fresh and vivid&mdash;not a bit
+dreamlike&mdash;because the girl had stopped fanning me.&rdquo;
+</p>
+
+<p>
+&ldquo;The girl?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, the girl. You must not interrupt or you will put me out.&rdquo;
+</p>
+
+<p>
+He stopped abruptly. &ldquo;You won&rsquo;t think I&rsquo;m mad?&rdquo; he
+said.
+</p>
+
+<p>
+&ldquo;No,&rdquo; I answered. &ldquo;You&rsquo;ve been dreaming. Tell me your
+dream.&rdquo;
+</p>
+
+<p>
+&ldquo;I woke up, I say, because the girl had stopped fanning me. I was not
+surprised to find myself there or anything of that sort, you understand. I did
+not feel I had fallen into it suddenly. I simply took it up at that point.
+Whatever memory I had of this life, this nineteenth-century life, faded as I
+woke, vanished like a dream. I knew all about myself, knew that my name was no
+longer Cooper but Hedon, and all about my position in the world. I&rsquo;ve
+forgotten a lot since I woke&mdash;there&rsquo;s a want of connection&mdash;but
+it was all quite clear and matter of fact then.&rdquo;
+</p>
+
+<p>
+He hesitated again, gripping the window strap, putting his face forward and
+looking up to me appealingly.
+</p>
+
+<p>
+&ldquo;This seems bosh to you?&rdquo;
+</p>
+
+<p>
+&ldquo;No, no!&rdquo; I cried. &ldquo;Go on. Tell me what this loggia was
+like!&rdquo;
+</p>
+
+<p>
+&ldquo;It was not really a loggia&mdash;I don&rsquo;t know what to call it. It
+faced south. It was small. It was all in shadow except the semicircle above the
+balcony that showed the sky and sea and the corner where the girl stood. I was
+on a couch&mdash;it was a metal couch with light striped cushions&mdash;and the
+girl was leaning over the balcony with her back to me. The light of the sunrise
+fell on her ear and cheek. Her pretty white neck and the little curls that
+nestled there, and her white shoulder were in the sun, and all the grace of her
+body was in the cool blue shadow. She was dressed&mdash;how can I describe it?
+It was easy and flowing. And altogether there she stood, so that it came to me
+how beautiful and desirable she was, as though I had never seen her before. And
+when at last I sighed and raised myself upon my arm she turned her face to
+me&mdash;&rdquo;
+</p>
+
+<p>
+He stopped.
+</p>
+
+<p>
+&ldquo;I have lived three-and-fifty years in this world. I have had mother,
+sisters, friends, wife and daughters&mdash;all their faces, the play of their
+faces, I know. But the face of this girl&mdash;it is much more real to me. I
+can bring it back into memory so that I see it again&mdash;I could draw it or
+paint it. And after all&mdash;&rdquo;
+</p>
+
+<p>
+He stopped&mdash;but I said nothing.
+</p>
+
+<p>
+&ldquo;The face of a dream&mdash;the face of a dream. She was beautiful. Not
+that beauty which is terrible, cold, and worshipful, like the beauty of a
+saint; nor that beauty that stirs fierce passions; but a sort of radiation,
+sweet lips that softened into smiles, and grave gray eyes. And she moved
+gracefully, she seemed to have part with all pleasant and gracious
+things&mdash;&rdquo;
+</p>
+
+<p>
+He stopped, and his face was downcast and hidden. Then he looked up at me and
+went on, making no further attempt to disguise his absolute belief in the
+reality of his story.
+</p>
+
+<p>
+&ldquo;You see, I had thrown up my plans and ambitions, thrown up all I had
+ever worked for or desired for her sake. I had been a master man away there in
+the north, with influence and property and a great reputation, but none of it
+had seemed worth having beside her. I had come to the place, this city of sunny
+pleasures with her, and left all those things to wreck and ruin just to save a
+remnant at least of my life. While I had been in love with her before I knew
+that she had any care for me, before I had imagined that she would
+dare&mdash;that we should dare, all my life had seemed vain and hollow, dust
+and ashes. It was dust and ashes. Night after night and through the long days I
+had longed and desired&mdash;my soul had beaten against the thing forbidden!
+</p>
+
+<p>
+&ldquo;But it is impossible for one man to tell another just these things.
+It&rsquo;s emotion, it&rsquo;s a tint, a light that comes and goes. Only while
+it&rsquo;s there, everything changes, everything. The thing is I came away and
+left them in their Crisis to do what they could.&rdquo;
+</p>
+
+<p>
+&ldquo;Left whom?&rdquo; I asked, puzzled.
+</p>
+
+<p>
+&ldquo;The people up in the north there. You see&mdash;in this dream,
+anyhow&mdash;I had been a big man, the sort of man men come to trust in, to
+group themselves about. Millions of men who had never seen me were ready to do
+things and risk things because of their confidence in me. I had been playing
+that game for years, that big laborious game, that vague, monstrous political
+game amidst intrigues and betrayals, speech and agitation. It was a vast
+weltering world, and at last I had a sort of leadership against the
+Gang&mdash;you know it was called the Gang&mdash;a sort of compromise of
+scoundrelly projects and base ambitions and vast public emotional stupidities
+and catch-words&mdash;the Gang that kept the world noisy and blind year by
+year, and all the while that it was drifting, drifting towards infinite
+disaster. But I can&rsquo;t expect you to understand the shades and
+complications of the year&mdash;the year something or other ahead. I had it
+all&mdash;down to the smallest details&mdash;in my dream. I suppose I had been
+dreaming of it before I awoke, and the fading outline of some queer new
+development I had imagined still hung about me as I rubbed my eyes. It was some
+grubby affair that made me thank God for the sunlight. I sat up on the couch
+and remained looking at the woman and rejoicing&mdash;rejoicing that I had come
+away out of all that tumult and folly and violence before it was too late.
+After all, I thought, this is life&mdash;love and beauty, desire and delight,
+are they not worth all those dismal struggles for vague, gigantic ends? And I
+blamed myself for having ever sought to be a leader when I might have given my
+days to love. But then, thought I, if I had not spent my early days sternly and
+austerely, I might have wasted myself upon vain and worthless women, and at the
+thought all my being went out in love and tenderness to my dear mistress, my
+dear lady, who had come at last and compelled me&mdash;compelled me by her
+invincible charm for me&mdash;to lay that life aside.
+</p>
+
+<p>
+&ldquo;&lsquo;You are worth it,&rsquo; I said, speaking without intending her
+to hear; &lsquo;you are worth it, my dearest one; worth pride and praise and
+all things. Love! to have you is worth them all together.&rsquo; And at the
+murmur of my voice she turned about.
+</p>
+
+<p>
+&ldquo;&lsquo;Come and see,&rsquo; she cried&mdash;I can hear her
+now&mdash;&lsquo;come and see the sunrise upon Monte Solaro.&rsquo;
+</p>
+
+<p>
+&ldquo;I remember how I sprang to my feet and joined her at the balcony. She
+put a white hand upon my shoulder and pointed towards great masses of
+limestone, flushing, as it were, into life. I looked. But first I noted the
+sunlight on her face caressing the lines of her cheeks and neck. How can I
+describe to you the scene we had before us? We were at Capri&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;I have been there,&rdquo; I said. &ldquo;I have clambered up Monte
+Solaro and drunk vero Capri&mdash;muddy stuff like cider&mdash;at the
+summit.&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; said the man with the white face; &ldquo;then perhaps you can
+tell me&mdash;you will know if this is indeed Capri. For in this life I have
+never been there. Let me describe it. We were in a little room, one of a vast
+multitude of little rooms, very cool and sunny, hollowed out of the limestone
+of a sort of cape, very high above the sea. The whole island, you know, was one
+enormous hotel, complex beyond explaining, and on the other side there were
+miles of floating hotels, and huge floating stages to which the flying machines
+came. They called it a pleasure city. Of course, there was none of that in your
+time&mdash;rather, I should say, is none of that now. Of course.
+Now!&mdash;yes.
+</p>
+
+<p>
+&ldquo;Well, this room of ours was at the extremity of the cape, so that one
+could see east and west. Eastward was a great cliff&mdash;a thousand feet high
+perhaps&mdash;coldly gray except for one bright edge of gold, and beyond it the
+Isle of the Sirens, and a falling coast that faded and passed into the hot
+sunrise. And when one turned to the west, distinct and near was a little bay, a
+little beach still in shadow. And out of that shadow rose Solaro straight and
+tall, flushed and golden crested, like a beauty throned, and the white moon was
+floating behind her in the sky. And before us from east to west stretched the
+many-tinted sea all dotted with little sailing boats.
+</p>
+
+<p>
+&ldquo;To the eastward, of course, these little boats were gray and very minute
+and clear, but to the westward they were little boats of gold&mdash;shining
+gold&mdash;almost like little flames. And just below us was a rock with an arch
+worn through it. The blue sea-water broke to green and foam all round the rock,
+and a galley came gliding out of the arch.&rdquo;
+</p>
+
+<p>
+&ldquo;I know that rock.&rdquo; I said. &ldquo;I was nearly drowned there. It
+is called the Faraglioni.&rdquo;
+</p>
+
+<p>
+&ldquo;I Faraglioni? Yes, she called it that,&rdquo; answered the man with the
+white face. &ldquo;There was some story&mdash;but that&mdash;&rdquo;
+</p>
+
+<p>
+He put his hand to his forehead again. &ldquo;No,&rdquo; he said, &ldquo;I
+forget that story.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, that is the first thing I remember, the first dream I had, that
+little shaded room and the beautiful air and sky and that dear lady of mine,
+with her shining arms and her graceful robe, and how we sat and talked in half
+whispers to one another. We talked in whispers not because there was any one to
+hear, but because there was still such a freshness of mind between us that our
+thoughts were a little frightened, I think, to find themselves at last in
+words. And so they went softly.
+</p>
+
+<p>
+&ldquo;Presently we were hungry and we went from our apartment, going by a
+strange passage with a moving floor, until we came to the great breakfast
+room&mdash;there was a fountain and music. A pleasant and joyful place it was,
+with its sunlight and splashing, and the murmur of plucked strings. And we sat
+and ate and smiled at one another, and I would not heed a man who was watching
+me from a table near by.
+</p>
+
+<p>
+&ldquo;And afterwards we went on to the dancing-hall. But I cannot describe
+that hall. The place was enormous&mdash;larger than any building you have ever
+seen&mdash;and in one place there was the old gate of Capri, caught into the
+wall of a gallery high overhead. Light girders, stems and threads of gold,
+burst from the pillars like fountains, streamed like an Aurora across the roof
+and interlaced, like&mdash;like conjuring tricks. All about the great circle
+for the dancers there were beautiful figures, strange dragons, and intricate
+and wonderful grotesques bearing lights. The place was inundated with
+artificial light that shamed the newborn day. And as we went through the throng
+the people turned about and looked at us, for all through the world my name and
+face were known, and how I had suddenly thrown up pride and struggle to come to
+this place. And they looked also at the lady beside me, though half the story
+of how at last she had come to me was unknown or mistold. And few of the men
+who were there, I know, but judged me a happy man, in spite of all the shame
+and dishonour that had come upon my name.
+</p>
+
+<p>
+&ldquo;The air was full of music, full of harmonious scents, full of the rhythm
+of beautiful motions. Thousands of beautiful people swarmed about the hall,
+crowded the galleries, sat in a myriad recesses; they were dressed in splendid
+colours and crowned with flowers; thousands danced about the great circle
+beneath the white images of the ancient gods, and glorious processions of
+youths and maidens came and went. We two danced, not the dreary monotonies of
+your days&mdash;of this time, I mean&mdash;but dances that were beautiful,
+intoxicating. And even now I can see my lady dancing&mdash;dancing joyously.
+She danced, you know, with a serious face; she danced with a serious dignity,
+and yet she was smiling at me and caressing me&mdash;smiling and caressing with
+her eyes.
+</p>
+
+<p>
+&ldquo;The music was different,&rdquo; he murmured. &ldquo;It went&mdash;I
+cannot describe it; but it was infinitely richer and more varied than any music
+that has ever come to me awake.
+</p>
+
+<p>
+&ldquo;And then&mdash;it was when we had done dancing&mdash;a man came to speak
+to me. He was a lean, resolute man, very soberly clad for that place, and
+already I had marked his face watching me in the breakfasting hall, and
+afterwards as we went along the passage I had avoided his eye. But now, as we
+sat in a little alcove, smiling at the pleasure of all the people who went to
+and fro across the shining floor, he came and touched me, and spoke to me so
+that I was forced to listen. And he asked that he might speak to me for a
+little time apart.
+</p>
+
+<p>
+&ldquo;&lsquo;No,&rsquo; I said. &lsquo;I have no secrets from this lady. What
+do you want to tell me?&rsquo;
+</p>
+
+<p>
+&ldquo;He said it was a trivial matter, or at least a dry matter, for a lady to
+hear.
+</p>
+
+<p>
+&ldquo;&lsquo;Perhaps for me to hear,&rsquo; said I.
+</p>
+
+<p>
+&ldquo;He glanced at her, as though almost he would appeal to her. Then he
+asked me suddenly if I had heard of a great and avenging declaration that
+Evesham had made? Now, Evesham had always before been the man next to myself in
+the leadership of that great party in the north. He was a forcible, hard, and
+tactless man, and only I had been able to control and soften him. It was on his
+account even more than my own, I think, that the others had been so dismayed at
+my retreat. So this question about what he had done reawakened my old interest
+in the life I had put aside just for a moment.
+</p>
+
+<p>
+&ldquo;&lsquo;I have taken no heed of any news for many days,&rsquo; I said.
+What has Evesham been saying?&rsquo;
+</p>
+
+<p>
+&ldquo;And with that the man began, nothing loth, and I must confess even I was
+struck by Evesham&rsquo;s reckless folly in the wild and threatening words he
+had used. And this messenger they had sent to me not only told me of
+Evesham&rsquo;s speech, but went on to ask counsel and to point out what need
+they had of me. While he talked, my lady sat a little forward and watched his
+face and mine.
+</p>
+
+<p>
+&ldquo;My old habits of scheming and organising reasserted themselves. I could
+even see myself suddenly returning to the north, and all the dramatic effect of
+it. All that this man said witnessed to the disorder of the party indeed, but
+not to its damage. I should go back stronger than I had come. And then I
+thought of my lady. You see&mdash;how can I tell you? There were certain
+peculiarities of our relationship&mdash;as things are I need not tell you about
+that&mdash;which would render her presence with me impossible. I should have
+had to leave her; indeed, I should have had to renounce her clearly and openly,
+if I was to do all that I could do in the north. And the man knew that, even as
+he talked to her and me, knew it as well as she did, that my steps to duty
+were&mdash;first, separation, then abandonment. At the touch of that thought my
+dream of a return was shattered. I turned on the man suddenly, as he was
+imagining his eloquence was gaining ground with me.
+</p>
+
+<p>
+&ldquo;&lsquo;What have I to do with these things now?&rsquo; I said. &lsquo;I
+have done with them. Do you think I am coquetting with your people in coming
+here?&rsquo;
+</p>
+
+<p>
+&ldquo;&lsquo;No,&rsquo; he said. &lsquo;But&mdash;&rsquo;
+</p>
+
+<p>
+&ldquo;&lsquo;Why cannot you leave me alone. I have done with these things. I
+have ceased to be anything but a private man.&rsquo;
+</p>
+
+<p>
+&ldquo;&lsquo;Yes,&rsquo; he answered. &lsquo;But have you thought?&mdash;this
+talk of war, these reckless challenges, these wild aggressions&mdash;&rsquo;
+</p>
+
+<p>
+&ldquo;I stood up.
+</p>
+
+<p>
+&ldquo;&lsquo;No,&rsquo; I cried. &lsquo;I won&rsquo;t hear you. I took count
+of all those things, I weighed them&mdash;and I have come away.&rsquo;
+</p>
+
+<p>
+&ldquo;He seemed to consider the possibility of persistence. He looked from me
+to where the lady sat regarding us.
+</p>
+
+<p>
+&ldquo;&lsquo;War,&rsquo; he said, as if he were speaking to himself, and then
+turned slowly from me and walked away.
+</p>
+
+<p>
+&ldquo;I stood, caught in the whirl of thoughts his appeal had set going.
+</p>
+
+<p>
+&ldquo;I heard my lady&rsquo;s voice.
+</p>
+
+<p>
+&ldquo;&lsquo;Dear,&rsquo; she said; &lsquo;but if they had need of
+you&mdash;&rsquo;
+</p>
+
+<p>
+&ldquo;She did not finish her sentence, she let it rest there. I turned to her
+sweet face, and the balance of my mood swayed and reeled.
+</p>
+
+<p>
+&ldquo;&lsquo;They want me only to do the thing they dare not do
+themselves,&rsquo; I said. &lsquo;If they distrust Evesham they must settle
+with him themselves.&rsquo;
+</p>
+
+<p>
+&ldquo;She looked at me doubtfully.
+</p>
+
+<p>
+&ldquo;&lsquo;But war&mdash;&rsquo; she said.
+</p>
+
+<p>
+&ldquo;I saw a doubt on her face that I had seen before, a doubt of herself and
+me, the first shadow of the discovery that, seen strongly and completely, must
+drive us apart for ever.
+</p>
+
+<p>
+&ldquo;Now, I was an older mind than hers, and I could sway her to this belief
+or that.
+</p>
+
+<p>
+&ldquo;&lsquo;My dear one,&rsquo; I said, &lsquo;you must not trouble over
+these things. There will be no war. Certainly there will be no war. The age of
+wars is past. Trust me to know the justice of this case. They have no right
+upon me, dearest, and no one has a right upon me. I have been free to choose my
+life, and I have chosen this.&rsquo;
+</p>
+
+<p>
+&ldquo;&lsquo;But war&mdash;,&rsquo; she said.
+</p>
+
+<p>
+&ldquo;I sat down beside her. I put an arm behind her and took her hand in
+mine. I set myself to drive that doubt away&mdash;I set myself to fill her mind
+with pleasant things again. I lied to her, and in lying to her I lied also to
+myself. And she was only too ready to believe me, only too ready to forget.
+</p>
+
+<p>
+&ldquo;Very soon the shadow had gone again, and we were hastening to our
+bathing-place in the Grotta del Bovo Marino, where it was our custom to bathe
+every day. We swam and splashed one another, and in that buoyant water I seemed
+to become something lighter and stronger than a man. And at last we came out
+dripping and rejoicing and raced among the rocks. And then I put on a dry
+bathing-dress, and we sat to bask in the sun, and presently I nodded, resting
+my head against her knee, and she put her hand upon my hair and stroked it
+softly and I dozed. And behold! as it were with the snapping of the string of a
+violin, I was awakening, and I was in my own bed in Liverpool, in the life of
+to-day.
+</p>
+
+<p>
+&ldquo;Only for a time I could not believe that all these vivid moments had
+been no more than the substance of a dream.
+</p>
+
+<p>
+&ldquo;In truth, I could not believe it a dream for all the sobering reality of
+things about me. I bathed and dressed as it were by habit, and as I shaved I
+argued why I of all men should leave the woman I loved to go back to fantastic
+politics in the hard and strenuous north. Even if Evesham did force the world
+back to war, what was that to me? I was a man with the heart of a man, and why
+should I feel the responsibility of a deity for the way the world might go?
+</p>
+
+<p>
+&ldquo;You know that is not quite the way I think about affairs, about my real
+affairs. I am a solicitor, you know, with a point of view.
+</p>
+
+<p>
+&ldquo;The vision was so real, you must understand, so utterly unlike a dream
+that I kept perpetually recalling little irrelevant details; even the ornament
+of the book-cover that lay on my wife&rsquo;s sewing-machine in the
+breakfast-room recalled with the utmost vividness the gilt line that ran about
+the seat in the alcove where I had talked with the messenger from my deserted
+party. Have you ever heard of a dream that had a quality like that?&rdquo;
+</p>
+
+<p>
+&ldquo;Like&mdash;?&rdquo;
+</p>
+
+<p>
+&ldquo;So that afterwards you remembered little details you had
+forgotten.&rdquo;
+</p>
+
+<p>
+I thought. I had never noticed the point before, but he was right.
+</p>
+
+<p>
+&ldquo;Never,&rdquo; I said. &ldquo;That is what you never seem to do with
+dreams.&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; he answered. &ldquo;But that is just what I did. I am a
+solicitor, you must understand, in Liverpool, and I could not help wondering
+what the clients and business people I found myself talking to in my office
+would think if I told them suddenly I was in love with a girl who would be born
+a couple of hundred years or so hence, and worried about the politics of my
+great-great-great-grandchildren. I was chiefly busy that day negotiating a
+ninety-nine-year building lease. It was a private builder in a hurry, and we
+wanted to tie him in every possible way. I had an interview with him, and he
+showed a certain want of temper that sent me to bed still irritated. That night
+I had no dream. Nor did I dream the next night, at least, to remember.
+</p>
+
+<p>
+&ldquo;Something of that intense reality of conviction vanished. I began to
+feel sure it was a dream. And then it came again.
+</p>
+
+<p>
+&ldquo;When the dream came again, nearly four days later, it was very
+different. I think it certain that four days had also elapsed in the dream.
+Many things had happened in the north, and the shadow of them was back again
+between us, and this time it was not so easily dispelled. I began I know with
+moody musings. Why, in spite of all, should I go back, go back for all the rest
+of my days to toil and stress, insults and perpetual dissatisfaction, simply to
+save hundreds of millions of common people, whom I did not love, whom too often
+I could do no other than despise, from the stress and anguish of war and
+infinite misrule? And after all I might fail. They all sought their own narrow
+ends, and why should not I&mdash;why should not I also live as a man? And out
+of such thoughts her voice summoned me, and I lifted my eyes.
+</p>
+
+<p>
+&ldquo;I found myself awake and walking. We had come out above the Pleasure
+City, we were near the summit of Monte Solaro and looking towards the bay. It
+was the late afternoon and very clear. Far away to the left Ischia hung in a
+golden haze between sea and sky, and Naples was coldly white against the hills,
+and before us was Vesuvius with a tall and slender streamer feathering at last
+towards the south, and the ruins of Torre dell&rsquo; Annunziata and
+Castellammare glittering and near.&rdquo;
+</p>
+
+<p>
+I interrupted suddenly: &ldquo;You have been to Capri, of course?&rdquo;
+</p>
+
+<p>
+&ldquo;Only in this dream,&rdquo; he said, &ldquo;only in this dream. All
+across the bay beyond Sorrento were the floating palaces of the Pleasure City
+moored and chained. And northward were the broad floating stages that received
+the aeroplanes. Aeroplanes fell out of the sky every afternoon, each bringing
+its thousands of pleasure-seekers from the uttermost parts of the earth to
+Capri and its delights. All these things, I say, stretched below.
+</p>
+
+<p>
+&ldquo;But we noticed them only incidentally because of an unusual sight that
+evening had to show. Five war aeroplanes that had long slumbered useless in the
+distant arsenals of the Rhinemouth were manoeuvring now in the eastward sky.
+Evesham had astonished the world by producing them and others, and sending them
+to circle here and there. It was the threat material in the great game of bluff
+he was playing, and it had taken even me by surprise. He was one of those
+incredibly stupid energetic people who seem sent by heaven to create disasters.
+His energy to the first glance seemed so wonderfully like capacity! But he had
+no imagination, no invention, only a stupid, vast, driving force of will, and a
+mad faith in his stupid idiot &lsquo;luck&rsquo; to pull him through. I
+remember how we stood upon the headland watching the squadron circling far
+away, and how I weighed the full meaning of the sight, seeing clearly the way
+things must go. And then even it was not too late. I might have gone back, I
+think, and saved the world. The people of the north would follow me, I knew,
+granted only that in one thing I respected their moral standards. The east and
+south would trust me as they would trust no other northern man. And I knew I
+had only to put it to her and she would have let me go . . . . Not because she
+did not love me!
+</p>
+
+<p>
+&ldquo;Only I did not want to go; my will was all the other way about. I had so
+newly thrown off the incubus of responsibility: I was still so fresh a renegade
+from duty that the daylight clearness of what I ought to do had no power at all
+to touch my will. My will was to live, to gather pleasures and make my dear
+lady happy. But though this sense of vast neglected duties had no power to draw
+me, it could make me silent and preoccupied, it robbed the days I had spent of
+half their brightness and roused me into dark meditations in the silence of the
+night. And as I stood and watched Evesham&rsquo;s aeroplanes sweep to and
+fro&mdash;those birds of infinite ill omen&mdash;she stood beside me watching
+me, perceiving the trouble indeed, but not perceiving it clearly&mdash;her eyes
+questioning my face, her expression shaded with perplexity. Her face was gray
+because the sunset was fading out of the sky. It was no fault of hers that she
+held me. She had asked me to go from her, and again in the night time and with
+tears she had asked me to go.
+</p>
+
+<p>
+&ldquo;At last it was the sense of her that roused me from my mood. I turned
+upon her suddenly and challenged her to race down the mountain slopes.
+&lsquo;No,&rsquo; she said, as if I had jarred with her gravity, but I was
+resolved to end that gravity, and make her run&mdash;no one can be very gray
+and sad who is out of breath&mdash;and when she stumbled I ran with my hand
+beneath her arm. We ran down past a couple of men, who turned back staring in
+astonishment at my behaviour&mdash;they must have recognised my face. And half
+way down the slope came a tumult in the air, clang-clank, clang-clank, and we
+stopped, and presently over the hill-crest those war things came flying one
+behind the other.&rdquo;
+</p>
+
+<p>
+The man seemed hesitating on the verge of a description.
+</p>
+
+<p>
+&ldquo;What were they like?&rdquo; I asked.
+</p>
+
+<p>
+&ldquo;They had never fought,&rdquo; he said. &ldquo;They were just like our
+ironclads are nowadays; they had never fought. No one knew what they might do,
+with excited men inside them; few even cared to speculate. They were great
+driving things shaped like spear-heads without a shaft, with a propeller in the
+place of the shaft.&rdquo;
+</p>
+
+<p>
+&ldquo;Steel?&rdquo;
+</p>
+
+<p>
+&ldquo;Not steel.&rdquo;
+</p>
+
+<p>
+&ldquo;Aluminum?&rdquo;
+</p>
+
+<p>
+&ldquo;No, no, nothing of that sort. An alloy that was very common&mdash;as
+common as brass, for example. It was called&mdash;let me see&mdash;&rdquo; He
+squeezed his forehead with the fingers of one hand. &ldquo;I am forgetting
+everything,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;And they carried guns?&rdquo;
+</p>
+
+<p>
+&ldquo;Little guns, firing high explosive shells. They fired the guns
+backwards, out of the base of the leaf, so to speak, and rammed with the beak.
+That was the theory, you know, but they had never been fought. No one could
+tell exactly what was going to happen. And meanwhile I suppose it was very fine
+to go whirling through the air like a flight of young swallows, swift and easy.
+I guess the captains tried not to think too clearly what the real thing would
+be like. And these flying war machines, you know, were only one sort of the
+endless war contrivances that had been invented and had fallen into abeyance
+during the long peace. There were all sorts of these things that people were
+routing out and furbishing up; infernal things, silly things; things that had
+never been tried; big engines, terrible explosives, great guns. You know the
+silly way of these ingenious sort of men who make these things; they turn
+&lsquo;em out as beavers build dams, and with no more sense of the rivers
+they&rsquo;re going to divert and the lands they&rsquo;re going to flood!
+</p>
+
+<p>
+&ldquo;As we went down the winding stepway to our hotel again, in the twilight,
+I foresaw it all: I saw how clearly and inevitably things were driving for war
+in Evesham&rsquo;s silly, violent hands, and I had some inkling of what war was
+bound to be under these new conditions. And even then, though I knew it was
+drawing near the limit of my opportunity, I could find no will to go
+back.&rdquo;
+</p>
+
+<p>
+He sighed.
+</p>
+
+<p>
+&ldquo;That was my last chance.
+</p>
+
+<p>
+&ldquo;We didn&rsquo;t go into the city until the sky was full of stars, so we
+walked out upon the high terrace, to and fro, and&mdash;she counselled me to go
+back.
+</p>
+
+<p>
+&ldquo;&lsquo;My dearest,&rsquo; she said, and her sweet face looked up to me,
+this is Death. This life you lead is Death. Go back to them, go back to your
+duty&mdash;&rsquo;
+</p>
+
+<p>
+&ldquo;She began to weep, saying, between her sobs, and clinging to my arm as
+she said it, &lsquo;Go back&mdash;Go back.&rsquo;
+</p>
+
+<p>
+&ldquo;Then suddenly she fell mute, and, glancing down at her face, I read in
+an instant the thing she had thought to do. It was one of those moments when
+one sees.
+</p>
+
+<p>
+&ldquo;&lsquo;No!&rsquo; I said.
+</p>
+
+<p>
+&ldquo;&lsquo;No?&rsquo; she asked, in surprise and I think a little fearful at
+the answer to her thought.
+</p>
+
+<p>
+&ldquo;&lsquo;Nothing,&rsquo; I said, &lsquo;shall send me back. Nothing! I
+have chosen. Love, I have chosen, and the world must go. Whatever happens I
+will live this life&mdash;I will live for you! It&mdash;nothing shall turn me
+aside; nothing, my dear one. Even if you died&mdash;even if you
+died&mdash;&rsquo;
+</p>
+
+<p>
+&ldquo;&lsquo;Yes?&rsquo; she murmured, softly.
+</p>
+
+<p>
+&ldquo;&lsquo;Then&mdash;I also would die.&rsquo;
+</p>
+
+<p>
+&ldquo;And before she could speak again I began to talk, talking
+eloquently&mdash;as I could do in that life&mdash;talking to exalt love, to
+make the life we were living seem heroic and glorious; and the thing I was
+deserting something hard and enormously ignoble that it was a fine thing to set
+aside. I bent all my mind to throw that glamour upon it, seeking not only to
+convert her but myself to that. We talked, and she clung to me, torn too
+between all that she deemed noble and all that she knew was sweet. And at last
+I did make it heroic, made all the thickening disaster of the world only a sort
+of glorious setting to our unparalleled love, and we two poor foolish souls
+strutted there at last, clad in that splendid delusion, drunken rather with
+that glorious delusion, under the still stars.
+</p>
+
+<p>
+&ldquo;And so my moment passed.
+</p>
+
+<p>
+&ldquo;It was my last chance. Even as we went to and fro there, the leaders of
+the south and east were gathering their resolve, and the hot answer that
+shattered Evesham&rsquo;s bluffing for ever, took shape and waited. And, all
+over Asia, and the ocean, and the South, the air and the wires were throbbing
+with their warnings to prepare&mdash;prepare.
+</p>
+
+<p>
+&ldquo;No one living, you know, knew what war was; no one could imagine, with
+all these new inventions, what horror war might bring. I believe most people
+still believed it would be a matter of bright uniforms and shouting charges and
+triumphs and flags and bands&mdash;in a time when half the world drew its food
+supply from regions ten thousand miles away&mdash;&rdquo;
+</p>
+
+<p>
+The man with the white face paused. I glanced at him, and his face was intent
+on the floor of the carriage. A little railway station, a string of loaded
+trucks, a signal-box, and the back of a cottage, shot by the carriage window,
+and a bridge passed with a clap of noise, echoing the tumult of the train.
+</p>
+
+<p>
+&ldquo;After that,&rdquo; he said, &ldquo;I dreamt often. For three weeks of
+nights that dream was my life. And the worst of it was there were nights when I
+could not dream, when I lay tossing on a bed in this accursed life; and
+there&mdash;somewhere lost to me&mdash;things were happening&mdash;momentous,
+terrible things . . . I lived at nights&mdash;my days, my waking days, this
+life I am living now, became a faded, far-away dream, a drab setting, the cover
+of the book.&rdquo;
+</p>
+
+<p>
+He thought.
+</p>
+
+<p>
+&ldquo;I could tell you all, tell you every little thing in the dream, but as
+to what I did in the daytime&mdash;no. I could not tell&mdash;I do not
+remember. My memory&mdash;my memory has gone. The business of life slips from
+me&mdash;&rdquo;
+</p>
+
+<p>
+He leant forward, and pressed his hands upon his eyes. For a long time he said
+nothing.
+</p>
+
+<p>
+&ldquo;And then?&rdquo; said I.
+</p>
+
+<p>
+&ldquo;The war burst like a hurricane.&rdquo;
+</p>
+
+<p>
+He stared before him at unspeakable things.
+</p>
+
+<p>
+&ldquo;And then?&rdquo; I urged again.
+</p>
+
+<p>
+&ldquo;One touch of unreality,&rdquo; he said, in the low tone of a man who
+speaks to himself, &ldquo;and they would have been nightmares. But they were
+not nightmares&mdash;they were not nightmares. No!&rdquo;
+</p>
+
+<p>
+He was silent for so long that it dawned upon me that there was a danger of
+losing the rest of the story. But he went on talking again in the same tone of
+questioning self-communion.
+</p>
+
+<p>
+&ldquo;What was there to do but flight? I had not thought the war would touch
+Capri&mdash;I had seemed to see Capri as being out of it all, as the contrast
+to it all; but two nights after the whole place was shouting and bawling, every
+woman almost and every other man wore a badge&mdash;Evesham&rsquo;s
+badge&mdash;and there was no music but a jangling war-song over and over again,
+and everywhere men enlisting, and in the dancing halls they were drilling. The
+whole island was awhirl with rumours; it was said, again and again, that
+fighting had begun. I had not expected this. I had seen so little of the life
+of pleasure that I had failed to reckon with this violence of the amateurs. And
+as for me, I was out of it. I was like the man who might have prevented the
+firing of a magazine. The time had gone. I was no one; the vainest stripling
+with a badge counted for more than I. The crowd jostled us and bawled in our
+ears; that accursed song deafened us; a woman shrieked at my lady because no
+badge was on her, and we two went back to our own place again, ruffled and
+insulted&mdash;my lady white and silent, and I aquiver with rage. So furious
+was I, I could have quarrelled with her if I could have found one shade of
+accusation in her eyes.
+</p>
+
+<p>
+&ldquo;All my magnificence had gone from me. I walked up and down our rock
+cell, and outside was the darkling sea and a light to the southward that flared
+and passed and came again.
+</p>
+
+<p>
+&ldquo;&lsquo;We must get out of this place,&rsquo; I said over and over.
+&lsquo;I have made my choice, and I will have no hand in these troubles. I will
+have nothing of this war. We have taken our lives out of all these things. This
+is no refuge for us. Let us go.&rsquo;
+</p>
+
+<p>
+&ldquo;And the next day we were already in flight from the war that covered the
+world.
+</p>
+
+<p>
+&ldquo;And all the rest was Flight&mdash;all the rest was Flight.&rdquo;
+</p>
+
+<p>
+He mused darkly.
+</p>
+
+<p>
+&ldquo;How much was there of it?&rdquo;
+</p>
+
+<p>
+He made no answer.
+</p>
+
+<p>
+&ldquo;How many days?&rdquo;
+</p>
+
+<p>
+His face was white and drawn and his hands were clenched. He took no heed of my
+curiosity.
+</p>
+
+<p>
+I tried to draw him back to his story with questions.
+</p>
+
+<p>
+&ldquo;Where did you go?&rdquo; I said.
+</p>
+
+<p>
+&ldquo;When?&rdquo;
+</p>
+
+<p>
+&ldquo;When you left Capri.&rdquo;
+</p>
+
+<p>
+&ldquo;South-west,&rdquo; he said, and glanced at me for a second. &ldquo;We
+went in a boat.&rdquo;
+</p>
+
+<p>
+&ldquo;But I should have thought an aeroplane?&rdquo;
+</p>
+
+<p>
+&ldquo;They had been seized.&rdquo;
+</p>
+
+<p>
+I questioned him no more. Presently I thought he was beginning again. He broke
+out in an argumentative monotone:
+</p>
+
+<p>
+&ldquo;But why should it be? If, indeed, this battle, this slaughter and stress
+is life, why have we this craving for pleasure and beauty? If there is no
+refuge, if there is no place of peace, and if all our dreams of quiet places
+are a folly and a snare, why have we such dreams? Surely it was no ignoble
+cravings, no base intentions, had brought us to this; it was Love had isolated
+us. Love had come to me with her eyes and robed in her beauty, more glorious
+than all else in life, in the very shape and colour of life, and summoned me
+away. I had silenced all the voices, I had answered all the questions&mdash;I
+had come to her. And suddenly there was nothing but War and Death!&rdquo;
+</p>
+
+<p>
+I had an inspiration. &ldquo;After all,&rdquo; I said, &ldquo;it could have
+been only a dream.&rdquo;
+</p>
+
+<p>
+&ldquo;A dream!&rdquo; he cried, flaming upon me, &ldquo;a dream&mdash;when,
+even now&mdash;&rdquo;
+</p>
+
+<p>
+For the first time he became animated. A faint flush crept into his cheek. He
+raised his open hand and clenched it, and dropped it to his knee. He spoke,
+looking away from me, and for all the rest of the time he looked away.
+&ldquo;We are but phantoms!&rdquo; he said, &ldquo;and the phantoms of
+phantoms, desires like cloud-shadows and wills of straw that eddy in the wind;
+the days pass, use and wont carry us through as a train carries the shadow of
+its lights&mdash;so be it! But one thing is real and certain, one thing is no
+dream-stuff, but eternal and enduring. It is the centre of my life, and all
+other things about it are subordinate or altogether vain. I loved her, that
+woman of a dream. And she and I are dead together!
+</p>
+
+<p>
+&ldquo;A dream! How can it be a dream, when it drenched a living life with
+unappeasable sorrow, when it makes all that I have lived for and cared for,
+worthless and unmeaning?
+</p>
+
+<p>
+&ldquo;Until that very moment when she was killed I believed we had still a
+chance of getting away,&rdquo; he said. &ldquo;All through the night and
+morning that we sailed across the sea from Capri to Salerno, we talked of
+escape. We were full of hope, and it clung about us to the end, hope for the
+life together we should lead, out of it all, out of the battle and struggle,
+the wild and empty passions, the empty arbitrary &lsquo;thou shalt&rsquo; and
+&lsquo;thou shalt not&rsquo; of the world. We were uplifted, as though our
+quest was a holy thing, as though love for another was a mission . . . .
+</p>
+
+<p>
+&ldquo;Even when from our boat we saw the fair face of that great rock
+Capri&mdash;already scarred and gashed by the gun emplacements and
+hiding-places that were to make it a fastness&mdash;we reckoned nothing of the
+imminent slaughter, though the fury of preparation hung about in the puffs and
+clouds of dust at a hundred points amidst the gray; but, indeed, I made a text
+of that and talked. There, you know, was the rock, still beautiful for all its
+scars, with its countless windows and arches and ways, tier upon tier, for a
+thousand feet, a vast carving of gray, broken by vine-clad terraces, and lemon
+and orange groves, and masses of agave and prickly pear, and puffs of almond
+blossom. And out under the archway that is built over the Piccola Marina other
+boats were coming; and as we came round the cape and within sight of the
+mainland, another little string of boats came into view, driving before the
+wind towards the south-west. In a little while a multitude had come out, the
+remoter just little specks of ultramarine in the shadow of the eastward cliff.
+</p>
+
+<p>
+&ldquo;&lsquo;It is love and reason,&rsquo; I said, &lsquo;fleeing from all
+this madness of war.&rsquo;
+</p>
+
+<p>
+&ldquo;And though we presently saw a squadron of aeroplanes flying across the
+southern sky we did not heed it. There it was&mdash;a line of little dots in
+the sky&mdash;and then more, dotting the south-eastern horizon, and then still
+more, until all that quarter of the sky was stippled with blue specks. Now they
+were all thin little strokes of blue, and now one and now a multitude would
+heel and catch the sun and become short flashes of light. They came, rising and
+falling and growing larger, like some huge flight of gulls or rooks or
+such-like birds, moving with a marvellous uniformity, and ever as they drew
+nearer they spread over a greater width of sky. The southward wind flung itself
+in an arrow-headed cloud athwart the sun. And then suddenly they swept round to
+the eastward and streamed eastward, growing smaller and smaller and clearer and
+clearer again until they vanished from the sky. And after that we noted to the
+northward and very high Evesham&rsquo;s fighting machines hanging high over
+Naples like an evening swarm of gnats.
+</p>
+
+<p>
+&ldquo;It seemed to have no more to do with us than a flight of birds.
+</p>
+
+<p>
+&ldquo;Even the mutter of guns far away in the south-east seemed to us to
+signify nothing . . .
+</p>
+
+<p>
+&ldquo;Each day, each dream after that, we were still exalted, still seeking
+that refuge where we might live and love. Fatigue had come upon us, pain and
+many distresses. For though we were dusty and stained by our toilsome tramping,
+and half starved and with the horror of the dead men we had seen and the flight
+of the peasants&mdash;for very soon a gust of fighting swept up the
+peninsula&mdash;with these things haunting our minds it still resulted only in
+a deepening resolution to escape. Oh, but she was brave and patient! She who
+had never faced hardship and exposure had courage for herself and me. We went
+to and fro seeking an outlet, over a country all commandeered and ransacked by
+the gathering hosts of war. Always we went on foot. At first there were other
+fugitives, but we did not mingle with them. Some escaped northward, some were
+caught in the torrent of peasantry that swept along the main roads; many gave
+themselves into the hands of the soldiery and were sent northward. Many of the
+men were impressed. But we kept away from these things; we had brought no money
+to bribe a passage north, and I feared for my lady at the hands of these
+conscript crowds. We had landed at Salerno, and we had been turned back from
+Cava, and we had tried to cross towards Taranto by a pass over Mount Alburno,
+but we had been driven back for want of food, and so we had come down among the
+marshes by Paestum, where those great temples stand alone. I had some vague
+idea that by Paestum it might be possible to find a boat or something, and take
+once more to sea. And there it was the battle overtook us.
+</p>
+
+<p>
+&ldquo;A sort of soul-blindness had me. Plainly I could see that we were being
+hemmed in; that the great net of that giant Warfare had us in its toils. Many
+times we had seen the levies that had come down from the north going to and
+fro, and had come upon them in the distance amidst the mountains making ways
+for the ammunition and preparing the mounting of the guns. Once we fancied they
+had fired at us, taking us for spies&mdash;at any rate a shot had gone
+shuddering over us. Several times we had hidden in woods from hovering
+aeroplanes.
+</p>
+
+<p>
+&ldquo;But all these things do not matter now, these nights of flight and pain
+. . . We were in an open place near those great temples at Paestum, at last, on
+a blank stony place dotted with spiky bushes, empty and desolate and so flat
+that a grove of eucalyptus far away showed to the feet of its stems. How I can
+see it! My lady was sitting down under a bush resting a little, for she was
+very weak and weary, and I was standing up watching to see if I could tell the
+distance of the firing that came and went. They were still, you know, fighting
+far from each other, with those terrible new weapons that had never before been
+used: guns that would carry beyond sight, and aeroplanes that would
+do&mdash;What they would do no man could foretell.
+</p>
+
+<p>
+&ldquo;I knew that we were between the two armies, and that they drew together.
+I knew we were in danger, and that we could not stop there and rest!
+</p>
+
+<p>
+&ldquo;Though all these things were in my mind, they were in the background.
+They seemed to be affairs beyond our concern. Chiefly, I was thinking of my
+lady. An aching distress filled me. For the first time she had owned herself
+beaten and had fallen a-weeping. Behind me I could hear her sobbing, but I
+would not turn round to her because I knew she had need of weeping, and had
+held herself so far and so long for me. It was well, I thought, that she would
+weep and rest and then we would toil on again, for I had no inkling of the
+thing that hung so near. Even now I can see her as she sat there, her lovely
+hair upon her shoulder, can mark again the deepening hollow of her cheek.
+</p>
+
+<p>
+&ldquo;&lsquo;If we had parted,&rsquo; she said, &lsquo;if I had let you
+go.&rsquo;
+</p>
+
+<p>
+&ldquo;&lsquo;No,&rsquo; said I. &lsquo;Even now, I do not repent. I will not
+repent; I made my choice, and I will hold on to the end.&rsquo;
+</p>
+
+<p>
+&ldquo;And then&mdash;
+</p>
+
+<p>
+&ldquo;Overhead in the sky flashed something and burst, and all about us I
+heard the bullets making a noise like a handful of peas suddenly thrown. They
+chipped the stones about us, and whirled fragments from the bricks and passed .
+. . .&rdquo;
+</p>
+
+<p>
+He put his hand to his mouth, and then moistened his lips.
+</p>
+
+<p>
+&ldquo;At the flash I had turned about . . .
+</p>
+
+<p>
+&ldquo;You know&mdash;she stood up&mdash;
+</p>
+
+<p>
+&ldquo;She stood up, you know, and moved a step towards me&mdash;as though she
+wanted to reach me&mdash;
+</p>
+
+<p>
+&ldquo;And she had been shot through the heart.&rdquo;
+</p>
+
+<p>
+He stopped and stared at me. I felt all that foolish incapacity an Englishman
+feels on such occasions. I met his eyes for a moment, and then stared out of
+the window. For a long space we kept silence. When at last I looked at him he
+was sitting back in his corner, his arms folded, and his teeth gnawing at his
+knuckles.
+</p>
+
+<p>
+He bit his nail suddenly, and stared at it.
+</p>
+
+<p>
+&ldquo;I carried her,&rdquo; he said, &ldquo;towards the temples, in my
+arms&mdash;as though it mattered. I don&rsquo;t know why. They seemed a sort of
+sanctuary, you know, they had lasted so long, I suppose.
+</p>
+
+<p>
+&ldquo;She must have died almost instantly. Only&mdash;I talked to her all the
+way.&rdquo;
+</p>
+
+<p>
+Silence again.
+</p>
+
+<p>
+&ldquo;I have seen those temples,&rdquo; I said abruptly, and indeed he had
+brought those still, sunlit arcades of worn sandstone very vividly before me.
+</p>
+
+<p>
+&ldquo;It was the brown one, the big brown one. I sat down on a fallen pillar
+and held her in my arms . . . Silent after the first babble was over. And after
+a little while the lizards came out and ran about again, as though nothing
+unusual was going on, as though nothing had changed . . . It was tremendously
+still there, the sun high and the shadows still; even the shadows of the weeds
+upon the entablature were still&mdash;in spite of the thudding and banging that
+went all about the sky.
+</p>
+
+<p>
+&ldquo;I seem to remember that the aeroplanes came up out of the south, and
+that the battle went away to the west. One aeroplane was struck, and overset
+and fell. I remember that&mdash;though it didn&rsquo;t interest me in the
+least. It didn&rsquo;t seem to signify. It was like a wounded gull, you
+know&mdash;flapping for a time in the water. I could see it down the aisle of
+the temple&mdash;a black thing in the bright blue water.
+</p>
+
+<p>
+&ldquo;Three or four times shells burst about the beach, and then that ceased.
+Each time that happened all the lizards scuttled in and hid for a space. That
+was all the mischief done, except that once a stray bullet gashed the stone
+hard by&mdash;made just a fresh bright surface.
+</p>
+
+<p>
+&ldquo;As the shadows grew longer, the stillness seemed greater.
+</p>
+
+<p>
+&ldquo;The curious thing,&rdquo; he remarked, with the manner of a man who
+makes a trivial conversation, &ldquo;is that I didn&rsquo;t
+<i>think</i>&mdash;at all. I sat with her in my arms amidst the stones&mdash;in
+a sort of lethargy&mdash;stagnant.
+</p>
+
+<p>
+&ldquo;And I don&rsquo;t remember waking up. I don&rsquo;t remember dressing
+that day. I know I found myself in my office, with my letters all slit open in
+front of me, and how I was struck by the absurdity of being there, seeing that
+in reality I was sitting, stunned, in that Paestum Temple with a dead woman in
+my arms. I read my letters like a machine. I have forgotten what they were
+about.&rdquo;
+</p>
+
+<p>
+He stopped, and there was a long silence.
+</p>
+
+<p>
+Suddenly I perceived that we were running down the incline from Chalk Farm to
+Euston. I started at this passing of time. I turned on him with a brutal
+question, with the tone of &ldquo;Now or never.&rdquo;
+</p>
+
+<p>
+&ldquo;And did you dream again?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+He seemed to force himself to finish. His voice was very low.
+</p>
+
+<p>
+&ldquo;Once more, and as it were only for a few instants. I seemed to have
+suddenly awakened out of a great apathy, to have risen into a sitting position,
+and the body lay there on the stones beside me. A gaunt body. Not her, you
+know. So soon&mdash;it was not her . . . .
+</p>
+
+<p>
+&ldquo;I may have heard voices. I do not know. Only I knew clearly that men
+were coming into the solitude and that that was a last outrage.
+</p>
+
+<p>
+&ldquo;I stood up and walked through the temple, and then there came into
+sight&mdash;first one man with a yellow face, dressed in a uniform of dirty
+white, trimmed with blue, and then several, climbing to the crest of the old
+wall of the vanished city, and crouching there. They were little bright figures
+in the sunlight, and there they hung, weapon in hand, peering cautiously before
+them.
+</p>
+
+<p>
+&ldquo;And further away I saw others and then more at another point in the
+wall. It was a long lax line of men in open order.
+</p>
+
+<p>
+&ldquo;Presently the man I had first seen stood up and shouted a command, and
+his men came tumbling down the wall and into the high weeds towards the temple.
+He scrambled down with them and led them. He came facing towards me, and when
+he saw me he stopped.
+</p>
+
+<p>
+&ldquo;At first I had watched these men with a mere curiosity, but when I had
+seen they meant to come to the temple I was moved to forbid them. I shouted to
+the officer.
+</p>
+
+<p>
+&ldquo;&lsquo;You must not come here,&rsquo; I cried, &lsquo;<i>I</i> am here.
+I am here with my dead.&rsquo;
+</p>
+
+<p>
+&ldquo;He stared, and then shouted a question back to me in some unknown
+tongue.
+</p>
+
+<p>
+&ldquo;I repeated what I had said.
+</p>
+
+<p>
+&ldquo;He shouted again, and I folded my arms and stood still. Presently he
+spoke to his men and came forward. He carried a drawn sword.
+</p>
+
+<p>
+&ldquo;I signed to him to keep away, but he continued to advance. I told him
+again very patiently and clearly: &lsquo;You must not come here. These are old
+temples and I am here with my dead.&rsquo;
+</p>
+
+<p>
+&ldquo;Presently he was so close I could see his face clearly. It was a narrow
+face, with dull gray eyes, and a black moustache. He had a scar on his upper
+lip, and he was dirty and unshaven. He kept shouting unintelligible things,
+questions, perhaps, at me.
+</p>
+
+<p>
+&ldquo;I know now that he was afraid of me, but at the time that did not occur
+to me. As I tried to explain to him, he interrupted me in imperious tones,
+bidding me, I suppose, stand aside.
+</p>
+
+<p>
+&ldquo;He made to go past me, and I caught hold of him.
+</p>
+
+<p>
+&ldquo;I saw his face change at my grip.
+</p>
+
+<p>
+&ldquo;&lsquo;You fool,&rsquo; I cried. &lsquo;Don&rsquo;t you know? She is
+dead!&rsquo;
+</p>
+
+<p>
+&ldquo;He started back. He looked at me with cruel eyes. I saw a sort of
+exultant resolve leap into them&mdash;delight. Then, suddenly, with a scowl, he
+swept his sword back&mdash;<i>so</i>&mdash;and thrust.&rdquo;
+</p>
+
+<p>
+He stopped abruptly.
+</p>
+
+<p>
+I became aware of a change in the rhythm of the train. The brakes lifted their
+voices and the carriage jarred and jerked. This present world insisted upon
+itself, became clamourous. I saw through the steamy window huge electric lights
+glaring down from tall masts upon a fog, saw rows of stationary empty carriages
+passing by, and then a signal-box hoisting its constellation of green and red
+into the murky London twilight, marched after them. I looked again at his drawn
+features.
+</p>
+
+<p>
+&ldquo;He ran me through the heart. It was with a sort of astonishment&mdash;no
+fear, no pain&mdash;but just amazement, that I felt it pierce me, felt the
+sword drive home into my body. It didn&rsquo;t hurt, you know. It didn&rsquo;t
+hurt at all.&rdquo;
+</p>
+
+<p>
+The yellow platform lights came into the field of view, passing first rapidly,
+then slowly, and at last stopping with a jerk. Dim shapes of men passed to and
+fro without.
+</p>
+
+<p>
+&ldquo;Euston!&rdquo; cried a voice.
+</p>
+
+<p>
+&ldquo;Do you mean&mdash;?&rdquo;
+</p>
+
+<p>
+&ldquo;There was no pain, no sting or smart. Amazement and then darkness
+sweeping over everything. The hot, brutal face before me, the face of the man
+who had killed me, seemed to recede. It swept out of existence&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Euston!&rdquo; clamoured the voices outside; &ldquo;Euston!&rdquo;
+</p>
+
+<p>
+The carriage door opened admitting a flood of sound, and a porter stood
+regarding us. The sounds of doors slamming, and the hoof-clatter of cab-horses,
+and behind these things the featureless remote roar of the London
+cobble-stones, came to my ears. A truckload of lighted lamps blazed along the
+platform.
+</p>
+
+<p>
+&ldquo;A darkness, a flood of darkness that opened and spread and blotted out
+all things.&rdquo;
+</p>
+
+<p>
+&ldquo;Any luggage, sir?&rdquo; said the porter.
+</p>
+
+<p>
+&ldquo;And that was the end?&rdquo; I asked.
+</p>
+
+<p>
+He seemed to hesitate. Then, almost inaudibly, he answered,
+&ldquo;<i>no</i>.&rdquo;
+</p>
+
+<p>
+&ldquo;You mean?&rdquo;
+</p>
+
+<p>
+&ldquo;I couldn&rsquo;t get to her. She was there on the other side of the
+temple&mdash; And then&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; I insisted. &ldquo;Yes?&rdquo;
+</p>
+
+<p>
+&ldquo;Nightmares,&rdquo; he cried; &ldquo;nightmares indeed! My God! Great
+birds that fought and tore.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap04"></a>THE CONE</h2>
+
+<p>
+The night was hot and overcast, the sky red, rimmed with the lingering sunset
+of mid-summer. They sat at the open window, trying to fancy the air was fresher
+there. The trees and shrubs of the garden stood stiff and dark; beyond in the
+roadway a gas-lamp burnt, bright orange against the hazy blue of the evening.
+Farther were the three lights of the railway signal against the lowering sky.
+The man and woman spoke to one another in low tones.
+</p>
+
+<p>
+&ldquo;He does not suspect?&rdquo; said the man, a little nervously.
+</p>
+
+<p>
+&ldquo;Not he,&rdquo; she said peevishly, as though that too irritated her.
+&ldquo;He thinks of nothing but the works and the prices of fuel. He has no
+imagination, no poetry.&rdquo;
+</p>
+
+<p>
+&ldquo;None of these men of iron have,&rdquo; he said sententiously.
+&ldquo;They have no hearts.&rdquo;
+</p>
+
+<p>
+&ldquo;<i>He</i> has not,&rdquo; she said. She turned her discontented face
+towards the window. The distant sound of a roaring and rushing drew nearer and
+grew in volume; the house quivered; one heard the metallic rattle of the
+tender. As the train passed, there was a glare of light above the cutting and a
+driving tumult of smoke; one, two, three, four, five, six, seven, eight black
+oblongs&mdash;eight trucks&mdash;passed across the dim grey of the embankment,
+and were suddenly extinguished one by one in the throat of the tunnel, which,
+with the last, seemed to swallow down train, smoke, and sound in one abrupt
+gulp.
+</p>
+
+<p>
+&ldquo;This country was all fresh and beautiful once,&rdquo; he said;
+&ldquo;and now&mdash;it is Gehenna. Down that way&mdash;nothing but pot-banks
+and chimneys belching fire and dust into the face of heaven . . . . . But what
+does it matter? An end comes, an end to all this cruelty . . . . .
+<i>To-morrow</i>.&rdquo; He spoke the last word in a whisper.
+</p>
+
+<p>
+&ldquo;<i>To-morrow</i>,&rdquo; she said, speaking in a whisper too, and still
+staring out of the window.
+</p>
+
+<p>
+&ldquo;Dear!&rdquo; he said, putting his hand on hers.
+</p>
+
+<p>
+She turned with a start, and their eyes searched one another&rsquo;s. Hers
+softened to his gaze. &ldquo;My dear one!&rdquo; she said, and then: &ldquo;It
+seems so strange&mdash;that you should have come into my life like
+this&mdash;to open&mdash;&rdquo; She paused.
+</p>
+
+<p>
+&ldquo;To open?&rdquo; he said.
+</p>
+
+<p>
+&ldquo;All this wonderful world&mdash;&rdquo; she hesitated, and spoke still
+more softly&mdash;&ldquo;this world of <i>love</i> to me.&rdquo;
+</p>
+
+<p>
+Then suddenly the door clicked and closed. They turned their heads, and he
+started violently back. In the shadow of the room stood a great shadowy
+figure&mdash;silent. They saw the face dimly in the half-light, with
+unexpressive dark patches under the penthouse brows. Every muscle in
+Raut&rsquo;s body suddenly became tense. When could the door have opened? What
+had he heard? Had he heard all? What had he seen? A tumult of questions.
+</p>
+
+<p>
+The new-comer&rsquo;s voice came at last, after a pause that seemed
+interminable. &ldquo;Well?&rdquo; he said.
+</p>
+
+<p>
+&ldquo;I was afraid I had missed you, Horrocks,&rdquo; said the man at the
+window, gripping the window-ledge with his hand. His voice was unsteady.
+</p>
+
+<p>
+The clumsy figure of Horrocks came forward out of the shadow. He made no answer
+to Raut&rsquo;s remark. For a moment he stood above them.
+</p>
+
+<p>
+The woman&rsquo;s heart was cold within her. &ldquo;I told Mr. Raut it was just
+possible you might come back,&rdquo; she said, in a voice that never quivered.
+</p>
+
+<p>
+Horrocks, still silent, sat down abruptly in the chair by her little
+work-table. His big hands were clenched; one saw now the fire of his eyes under
+the shadow of his brows. He was trying to get his breath. His eyes went from
+the woman he had trusted to the friend he had trusted, and then back to the
+woman.
+</p>
+
+<p>
+By this time and for the moment all three half understood one another. Yet none
+dared say a word to ease the pent-up things that choked them.
+</p>
+
+<p>
+It was the husband&rsquo;s voice that broke the silence at last.
+</p>
+
+<p>
+&ldquo;You wanted to see me?&rdquo; he said to Raut.
+</p>
+
+<p>
+Raut started as he spoke. &ldquo;I came to see you,&rdquo; he said, resolved to
+lie to the last.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said Horrocks.
+</p>
+
+<p>
+&ldquo;You promised,&rdquo; said Raut, &ldquo;to show me some fine effects of
+moonlight and smoke.&rdquo;
+</p>
+
+<p>
+&ldquo;I promised to show you some fine effects of moonlight and smoke,&rdquo;
+repeated Horrocks in a colourless voice.
+</p>
+
+<p>
+&ldquo;And I thought I might catch you to-night before you went down to the
+works,&rdquo; proceeded Raut, &ldquo;and come with you.&rdquo;
+</p>
+
+<p>
+There was another pause. Did the man mean to take the thing coolly? Did he
+after all know? How long had he been in the room? Yet even at the moment when
+they heard the door, their attitudes. . . . Horrocks glanced at the profile of
+the woman, shadowy pallid in the half-light. Then he glanced at Raut, and
+seemed to recover himself suddenly. &ldquo;Of course,&rdquo; he said, &ldquo;I
+promised to show you the works under their proper dramatic conditions.
+It&rsquo;s odd how I could have forgotten.&rdquo;
+</p>
+
+<p>
+&ldquo;If I am troubling you&mdash;&rdquo; began Raut.
+</p>
+
+<p>
+Horrocks started again. A new light had suddenly come into the sultry gloom of
+his eyes. &ldquo;Not in the least,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Have you been telling Mr. Raut of all these contrasts of flame and
+shadow you think so splendid?&rdquo; said the woman, turning now to her husband
+for the first time, her confidence creeping back again, her voice just one
+half-note too high. &ldquo;That dreadful theory of yours that machinery is
+beautiful, and everything else in the world ugly. I thought he would not spare
+you, Mr. Raut. It&rsquo;s his great theory, his one discovery in art.&rdquo;
+</p>
+
+<p>
+&ldquo;I am slow to make discoveries,&rdquo; said Horrocks grimly, damping her
+suddenly. &ldquo;But what I discover . . . . .&rdquo; He stopped.
+</p>
+
+<p>
+&ldquo;Well?&rdquo; she said.
+</p>
+
+<p>
+&ldquo;Nothing;&rdquo; and suddenly he rose to his feet.
+</p>
+
+<p>
+&ldquo;I promised to show you the works,&rdquo; he said to Raut, and put his
+big, clumsy hand on his friend&rsquo;s shoulder. &ldquo;And you are ready to
+go?&rdquo;
+</p>
+
+<p>
+&ldquo;Quite,&rdquo; said Raut, and stood up also.
+</p>
+
+<p>
+There was another pause. Each of them peered through the indistinctness of the
+dusk at the other two. Horrocks&rsquo; hand still rested on Raut&rsquo;s
+shoulder. Raut half fancied still that the incident was trivial after all. But
+Mrs. Horrocks knew her husband better, knew that grim quiet in his voice, and
+the confusion in her mind took a vague shape of physical evil. &ldquo;Very
+well&rdquo;, said Horrocks, and, dropping his hand, turned towards the door.
+</p>
+
+<p>
+&ldquo;My hat?&rdquo; Raut looked round in the half-light.
+</p>
+
+<p>
+&ldquo;That&rsquo;s my work-basket,&rdquo; said Mrs. Horrocks, with a gust of
+hysterical laughter. Their hands came together on the back of the chair.
+&ldquo;Here it is!&rdquo; he said. She had an impulse to warn him in an
+undertone, but she could not frame a word. &ldquo;Don&rsquo;t go!&rdquo; and
+&ldquo;Beware of him!&rdquo; struggled in her mind, and the swift moment
+passed.
+</p>
+
+<p>
+&ldquo;Got it?&rdquo; said Horrocks, standing with the door half open.
+</p>
+
+<p>
+Raut stepped towards him. &ldquo;Better say good-bye to Mrs. Horrocks,&rdquo;
+said the ironmaster, even more grimly quiet in his tone than before.
+</p>
+
+<p>
+Raut started and turned. &ldquo;Good-evening, Mrs. Horrocks,&rdquo; he said,
+and their hands touched.
+</p>
+
+<p>
+Horrocks held the door open with a ceremonial politeness unusual in him towards
+men. Raut went out, and then, after a wordless look at her, her husband
+followed. She stood motionless while Raut&rsquo;s light footfall and her
+husband&rsquo;s heavy tread, like bass and treble, passed down the passage
+together. The front door slammed heavily. She went to the window, moving
+slowly, and stood watching&mdash;leaning forward. The two men appeared for a
+moment at the gateway in the road, passed under the street lamp, and were
+hidden by the black masses of the shrubbery. The lamp-light fell for a moment
+on their faces, showing only unmeaning pale patches, telling nothing of what
+she still feared, and doubted, and craved vainly to know. Then she sank down
+into a crouching attitude in the big arm-chair, her eyes wide open and staring
+out at the red lights from the furnaces that flickered in the sky. An hour
+after she was still there, her attitude scarcely changed.
+</p>
+
+<p>
+The oppressive stillness of the evening weighed heavily upon Raut. They went
+side by side down the road in silence, and in silence turned into the
+cinder-made by-way that presently opened out the prospect of the valley.
+</p>
+
+<p>
+A blue haze, half dust, half mist, touched the long valley with mystery. Beyond
+were Hanley and Etruria, grey and dark masses, outlined thinly by the rare
+golden dots of the street lamps, and here and there a gaslit window, or the
+yellow glare of some late-working factory or crowded public-house. Out of the
+masses, clear and slender against the evening sky, rose a multitude of tall
+chimneys, many of them reeking, a few smokeless during a season of
+&ldquo;play.&rdquo; Here and there a pallid patch and ghostly stunted beehive
+shapes showed the position of a pot-bank, or a wheel, black and sharp against
+the hot lower sky, marked some colliery where they raise the iridescent coal of
+the place. Nearer at hand was the broad stretch of railway, and half invisible
+trains shunted&mdash;a steady puffing and rumbling, with every run a ringing
+concussion and a rhythmic series of impacts, and a passage of intermittent
+puffs of white steam across the further view. And to the left, between the
+railway and the dark mass of the low hill beyond, dominating the whole view,
+colossal, inky-black, and crowned with smoke and fitful flames, stood the great
+cylinders of the Jeddah Company Blast Furnaces, the central edifices of the big
+ironworks of which Horrocks was the manager. They stood heavy and threatening,
+full of an incessant turmoil of flames and seething molten iron, and about the
+feet of them rattled the rolling-mills, and the steam hammer beat heavily and
+splashed the white iron sparks hither and thither. Even as they looked, a
+truckful of fuel was shot into one of the giants, and the red flames gleamed
+out, and a confusion of smoke and black dust came boiling upwards towards the
+sky.
+</p>
+
+<p>
+&ldquo;Certainly you get some fine effects of colour with your furnaces,&rdquo;
+said Raut, breaking a silence that had become apprehensive.
+</p>
+
+<p>
+Horrocks grunted. He stood with his hands in his pockets, frowning down at the
+dim steaming railway and the busy ironworks beyond, frowning as if he were
+thinking out some knotty problem.
+</p>
+
+<p>
+Raut glanced at him and away again. &ldquo;At present your moonlight effect is
+hardly ripe,&rdquo; he continued, looking upward. &ldquo;The moon is still
+smothered by the vestiges of daylight.&rdquo;
+</p>
+
+<p>
+Horrocks stared at him with the expression of a man who has suddenly awakened.
+&ldquo;Vestiges of daylight? . . . . Of course, of course.&rdquo; He too looked
+up at the moon, pale still in the midsummer sky. &ldquo;Come along,&rdquo; he
+said suddenly, and, gripping Raut&rsquo;s arm in his hand, made a move towards
+the path that dropped from them to the railway.
+</p>
+
+<p>
+Raut hung back. Their eyes met and saw a thousand things in a moment that their
+eyes came near to say. Horrocks&rsquo; hand tightened and then relaxed. He let
+go, and before Raut was aware of it, they were arm in arm, and walking, one
+unwillingly enough, down the path.
+</p>
+
+<p>
+&ldquo;You see the fine effect of the railway signals towards Burslem,&rdquo;
+said Horrocks, suddenly breaking into loquacity, striding fast, and tightening
+the grip of his elbow the while. &ldquo;Little green lights and red and white
+lights, all against the haze. You have an eye for effect, Raut. It&rsquo;s a
+fine effect. And look at those furnaces of mine, how they rise upon us as we
+come down the hill. That to the right is my pet&mdash;seventy feet of him. I
+packed him myself, and he&rsquo;s boiled away cheerfully with iron in his guts
+for five long years. I&rsquo;ve a particular fancy for <i>him</i>. That line of
+red there&mdash;a lovely bit of warm orange you&rsquo;d call it,
+Raut&mdash;that&rsquo;s the puddlers&rsquo; furnaces, and there, in the hot
+light, three black figures&mdash;did you see the white splash of the
+steam-hammer then?&mdash;that&rsquo;s the rolling mills. Come along! Clang,
+clatter, how it goes rattling across the floor! Sheet tin, Raut,&mdash;amazing
+stuff. Glass mirrors are not in it when that stuff comes from the mill. And,
+squelch!&mdash;there goes the hammer again. Come along!&rdquo;
+</p>
+
+<p>
+He had to stop talking to catch at his breath. His arm twisted into
+Raut&rsquo;s with benumbing tightness. He had come striding down the black path
+towards the railway as though he was possessed. Raut had not spoken a word, had
+simply hung back against Horrocks&rsquo; pull with all his strength.
+</p>
+
+<p>
+&ldquo;I say,&rdquo; he said now, laughing nervously, but with an undernote of
+snarl in his voice, &ldquo;why on earth are you nipping my arm off, Horrocks,
+and dragging me along like this?&rdquo;
+</p>
+
+<p>
+At length Horrocks released him. His manner changed again. &ldquo;Nipping your
+arm off?&rdquo; he said. &ldquo;Sorry. But it&rsquo;s you taught me the trick
+of walking in that friendly way.&rdquo;
+</p>
+
+<p>
+&ldquo;You haven&rsquo;t learnt the refinements of it yet then,&rdquo; said
+Raut, laughing artificially again. &ldquo;By Jove! I&rsquo;m black and
+blue.&rdquo; Horrocks offered no apology. They stood now near the bottom of the
+hill, close to the fence that bordered the railway. The ironworks had grown
+larger and spread out with their approach. They looked up to the blast furnaces
+now instead of down; the further view of Etruria and Hanley had dropped out of
+sight with their descent. Before them, by the stile rose a notice-board,
+bearing still dimly visible, the words, &ldquo;BEWARE OF THE TRAINS,&rdquo;
+half hidden by splashes of coaly mud.
+</p>
+
+<p>
+&ldquo;Fine effects,&rdquo; said Horrocks, waving his arm. &ldquo;Here comes a
+train. The puffs of smoke, the orange glare, the round eye of light in front of
+it, the melodious rattle. Fine effects! But these furnaces of mine used to be
+finer, before we shoved cones in their throats, and saved the gas.&rdquo;
+</p>
+
+<p>
+&ldquo;How?&rdquo; said Raut. &ldquo;Cones?&rdquo;
+</p>
+
+<p>
+&ldquo;Cones, my man, cones. I&rsquo;ll show you one nearer. The flames used to
+flare out of the open throats, great&mdash;what is it?&mdash;pillars of cloud
+by day, red and black smoke, and pillars of fire by night. Now we run it off in
+pipes, and burn it to heat the blast, and the top is shut by a cone.
+You&rsquo;ll be interested in that cone.&rdquo;
+</p>
+
+<p>
+&ldquo;But every now and then,&rdquo; said Raut, &ldquo;you get a burst of fire
+and smoke up there.&rdquo;
+</p>
+
+<p>
+&ldquo;The cone&rsquo;s not fixed, it&rsquo;s hung by a chain from a lever, and
+balanced by an equipoise. You shall see it nearer. Else, of course,
+there&rsquo;d be no way of getting fuel into the thing. Every now and then the
+cone dips, and out comes the flare.&rdquo;
+</p>
+
+<p>
+&ldquo;I see,&rdquo; said Raut. He looked over his shoulder. &ldquo;The moon
+gets brighter,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Come along,&rdquo; said Horrocks abruptly, gripping his shoulder again,
+and moving him suddenly towards the railway crossing. And then came one of
+those swift incidents, vivid, but so rapid that they leave one doubtful and
+reeling. Halfway across, Horrocks&rsquo; hand suddenly clenched upon him like a
+vice, and swung him backward and through a half-turn, so that he looked up the
+line. And there a chain of lamp-lit carriage-windows telescoped swiftly as it
+came towards them, and the red and yellow lights of an engine grew larger and
+larger, rushing down upon them. As he grasped what this meant, he turned his
+face to Horrocks, and pushed with all his strength against the arm that held
+him back between the rails. The struggle did not last a moment. Just as certain
+as it was that Horrocks held him there, so certain was it that he had been
+violently lugged out of danger.
+</p>
+
+<p>
+&ldquo;Out of the way,&rdquo; said Horrocks, with a gasp, as the train came
+rattling by, and they stood panting by the gate into the ironworks.
+</p>
+
+<p>
+&ldquo;I did not see it coming,&rdquo; said Raut, still, even in spite of his
+own apprehensions, trying to keep up an appearance of ordinary intercourse.
+</p>
+
+<p>
+Horrocks answered with a grunt. &ldquo;The cone,&rdquo; he said, and then, as
+one who recovers himself, &ldquo;I thought you did not hear.&rdquo;
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t,&rdquo; said Raut.
+</p>
+
+<p>
+&ldquo;I wouldn&rsquo;t have had you run over then for the world,&rdquo; said
+Horrocks.
+</p>
+
+<p>
+&ldquo;For a moment I lost my nerve,&rdquo; said Raut.
+</p>
+
+<p>
+Horrocks stood for half a minute, then turned abruptly towards the ironworks
+again. &ldquo;See how fine these great mounds of mine, these clinker-heaps,
+look in the night! That truck yonder, up above there! Up it goes, and out-tilts
+the slag. See the palpitating red stuff go sliding down the slope. As we get
+nearer, the heap rises up and cuts the blast furnaces. See the quiver up above
+the big one. Not that way! This way, between the heaps. That goes to the
+puddling furnaces, but I want to show you the canal first.&rdquo; He came and
+took Raut by the elbow, and so they went along side by side. Raut answered
+Horrocks vaguely. What, he asked himself, had really happened on the line? Was
+he deluding himself with his own fancies, or had Horrocks actually held him
+back in the way of the train? Had he just been within an ace of being murdered?
+</p>
+
+<p>
+Suppose this slouching, scowling monster <i>did</i> know anything? For a minute
+or two then Raut was really afraid for his life, but the mood passed as he
+reasoned with himself. After all, Horrocks might have heard nothing. At any
+rate, he had pulled him out of the way in time. His odd manner might be due to
+the mere vague jealousy he had shown once before. He was talking now of the
+ash-heaps and the canal. &ldquo;Eigh?&rdquo; said Horrocks.
+</p>
+
+<p>
+&ldquo;What?&rdquo; said Raut. &ldquo;Rather! The haze in the moonlight.
+Fine!&rdquo;
+</p>
+
+<p>
+&ldquo;Our canal,&rdquo; said Horrocks, stopping suddenly. &ldquo;Our canal by
+moonlight and firelight is an immense effect. You&rsquo;ve never seen it? Fancy
+that! You&rsquo;ve spent too many of your evenings philandering up in Newcastle
+there. I tell you, for real florid effects&mdash;But you shall see. Boiling
+water . . .&rdquo;
+</p>
+
+<p>
+As they came out of the labyrinth of clinker-heaps and mounds of coal and ore,
+the noises of the rolling-mill sprang upon them suddenly, loud, near, and
+distinct. Three shadowy workmen went by and touched their caps to Horrocks.
+Their faces were vague in the darkness. Raut felt a futile impulse to address
+them, and before he could frame his words, they passed into the shadows.
+Horrocks pointed to the canal close before them now: a weird-looking place it
+seemed, in the blood-red reflections of the furnaces. The hot water that cooled
+the tuyeres came into it, some fifty yards up&mdash;a tumultuous, almost
+boiling affluent, and the steam rose up from the water in silent white wisps
+and streaks, wrapping damply about them, an incessant succession of ghosts
+coming up from the black and red eddies, a white uprising that made the head
+swim. The shining black tower of the larger blast-furnace rose overhead out of
+the mist, and its tumultuous riot filled their ears. Raut kept away from the
+edge of the water, and watched Horrocks.
+</p>
+
+<p>
+&ldquo;Here it is red,&rdquo; said Horrocks, &ldquo;blood-red vapour as red and
+hot as sin; but yonder there, where the moonlight falls on it, and it drives
+across the clinker-heaps, it is as white as death.&rdquo;
+</p>
+
+<p>
+Raut turned his head for a moment, and then came back hastily to his watch on
+Horrocks. &ldquo;Come along to the rolling-mills,&rdquo; said Horrocks. The
+threatening hold was not so evident that time, and Raut felt a little
+reassured. But all the same, what on earth did Horrocks mean about &ldquo;white
+as death&rdquo; and &ldquo;red as sin?&rdquo; Coincidence, perhaps?
+</p>
+
+<p>
+They went and stood behind the puddlers for a little while, and then through
+the rolling-mills, where amidst an incessant din the deliberate steam-hammer
+beat the juice out of the succulent iron, and black, half-naked Titans rushed
+the plastic bars, like hot sealing-wax, between the wheels. &ldquo;Come
+on,&rdquo; said Horrocks in Raut&rsquo;s ear, and they went and peeped through
+the little glass hole behind the tuyeres, and saw the tumbled fire writhing in
+the pit of the blast-furnace. It left one eye blinded for a while. Then, with
+green and blue patches dancing across the dark, they went to the lift by which
+the trucks of ore and fuel and lime were raised to the top of the big cylinder.
+</p>
+
+<p>
+And out upon the narrow rail that overhung the furnace, Raut&rsquo;s doubts
+came upon him again. Was it wise to be here? If Horrocks did
+know&mdash;everything! Do what he would, he could not resist a violent
+trembling. Right under foot was a sheer depth of seventy feet. It was a
+dangerous place. They pushed by a truck of fuel to get to the railing that
+crowned the place. The reek of the furnace, a sulphurous vapor streaked with
+pungent bitterness, seemed to make the distant hillside of Hanley quiver. The
+moon was riding out now from among a drift of clouds, halfway up the sky above
+the undulating wooded outlines of Newcastle. The steaming canal ran away from
+below them under an indistinct bridge, and vanished into the dim haze of the
+flat fields towards Burslem.
+</p>
+
+<p>
+&ldquo;That&rsquo;s the cone I&rsquo;ve been telling you of,&rdquo; shouted
+Horrocks; &ldquo;and, below that, sixty feet of fire and molten metal, with the
+air of the blast frothing through it like gas in soda-water.&rdquo;
+</p>
+
+<p>
+Raut gripped the hand-rail tightly, and stared down at the cone. The heat was
+intense. The boiling of the iron and the tumult of the blast made a thunderous
+accompaniment to Horrocks&rsquo; voice. But the thing had to be gone through
+now. Perhaps, after all . . .
+</p>
+
+<p>
+&ldquo;In the middle,&rdquo; bawled Horrocks, &ldquo;temperature near a
+thousand degrees. If <i>you</i> were dropped into it . . . . flash into flame
+like a pinch of gunpowder in a candle. Put your hand out and feel the heat of
+his breath. Why, even up here I&rsquo;ve seen the rain-water boiling off the
+trucks. And that cone there. It&rsquo;s a damned sight too hot for roasting
+cakes. The top side of it&rsquo;s three hundred degrees.&rdquo;
+</p>
+
+<p>
+&ldquo;Three hundred degrees!&rdquo; said Raut.
+</p>
+
+<p>
+&ldquo;Three hundred centigrade, mind!&rdquo; said Horrocks. &ldquo;It will
+boil the blood out of you in no time.&rdquo;
+</p>
+
+<p>
+&ldquo;Eigh?&rdquo; said Raut, and turned.
+</p>
+
+<p>
+&ldquo;Boil the blood out of you in . . . No, you don&rsquo;t!&rdquo;
+</p>
+
+<p>
+&ldquo;Let me go!&rdquo; screamed Raut. &ldquo;Let go my arm!&rdquo;
+</p>
+
+<p>
+With one hand he clutched at the hand-rail, then with both. For a moment the
+two men stood swaying. Then suddenly, with a violent jerk, Horrocks had twisted
+him from his hold. He clutched at Horrocks and missed, his foot went back into
+empty air; in mid-air he twisted himself, and then cheek and shoulder and knee
+struck the hot cone together.
+</p>
+
+<p>
+He clutched the chain by which the cone hung, and the thing sank an
+infinitesimal amount as he struck it. A circle of glowing red appeared about
+him, and a tongue of flame, released from the chaos within, flickered up
+towards him. An intense pain assailed him at the knees, and he could smell the
+singeing of his hands. He raised himself to his feet, and tried to climb up the
+chain, and then something struck his head. Black and shining with the
+moonlight, the throat of the furnace rose about him.
+</p>
+
+<p>
+Horrocks, he saw, stood above him by one of the trucks of fuel on the rail. The
+gesticulating figure was bright and white in the moonlight, and shouting,
+&ldquo;Fizzle, you fool! Fizzle, you hunter of women! You hot-blooded hound!
+Boil! boil! boil!&rdquo;
+</p>
+
+<p>
+Suddenly he caught up a handful of coal out of the truck, and flung it
+deliberately, lump after lump, at Raut.
+</p>
+
+<p>
+&ldquo;Horrocks!&rdquo; cried Raut. &ldquo;Horrocks!&rdquo;
+</p>
+
+<p>
+He clung crying to the chain, pulling himself up from the burning of the cone.
+Each missile Horrocks flung hit him. His clothes charred and glowed, and as he
+struggled the cone dropped, and a rush of hot suffocating gas whooped out and
+burned round him in a swift breath of flame.
+</p>
+
+<p>
+His human likeness departed from him. When the momentary red had passed,
+Horrocks saw a charred, blackened figure, its head streaked with blood, still
+clutching and fumbling with the chain, and writhing in agony&mdash;a cindery
+animal, an inhuman, monstrous creature that began a sobbing intermittent
+shriek.
+</p>
+
+<p>
+Abruptly, at the sight, the ironmaster&rsquo;s anger passed. A deadly sickness
+came upon him. The heavy odour of burning flesh came drifting up to his
+nostrils. His sanity returned to him.
+</p>
+
+<p>
+&ldquo;God have mercy upon me!&rdquo; he cried. &ldquo;O God! what have I
+done?&rdquo;
+</p>
+
+<p>
+He knew the thing below him, save that it still moved and felt, was already a
+dead man&mdash;that the blood of the poor wretch must be boiling in his veins.
+An intense realisation of that agony came to his mind, and overcame every other
+feeling. For a moment he stood irresolute, and then, turning to the truck, he
+hastily tilted its contents upon the struggling thing that had once been a man.
+The mass fell with a thud, and went radiating over the cone. With the thud the
+shriek ended, and a boiling confusion of smoke, dust, and flame came rushing up
+towards him. As it passed, he saw the cone clear again.
+</p>
+
+<p>
+Then he staggered back, and stood trembling, clinging to the rail with both
+hands. His lips moved, but no words came to them.
+</p>
+
+<p>
+Down below was the sound of voices and running steps. The clangour of rolling
+in the shed ceased abruptly.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap05"></a>A MOONLIGHT FABLE</h2>
+
+<p>
+There was once a little man whose mother made him a beautiful suit of clothes.
+It was green and gold and woven so that I cannot describe how delicate and fine
+it was, and there was a tie of orange fluffiness that tied up under his chin.
+And the buttons in their newness shone like stars. He was proud and pleased by
+his suit beyond measure, and stood before the long looking-glass when first he
+put it on, so astonished and delighted with it that he could hardly turn
+himself away.
+</p>
+
+<p>
+He wanted to wear it everywhere and show it to all sorts of people. He thought
+over all the places he had ever visited and all the scenes he had ever heard
+described, and tried to imagine what the feel of it would be if he were to go
+now to those scenes and places wearing his shining suit, and he wanted to go
+out forthwith into the long grass and the hot sunshine of the meadow wearing
+it. Just to wear it! But his mother told him, &ldquo;No.&rdquo; She told him he
+must take great care of his suit, for never would he have another nearly so
+fine; he must save it and save it and only wear it on rare and great occasions.
+It was his wedding suit, she said. And she took his buttons and twisted them up
+with tissue paper for fear their bright newness should be tarnished, and she
+tacked little guards over the cuffs and elbows and wherever the suit was most
+likely to come to harm. He hated and resisted these things, but what could he
+do? And at last her warnings and persuasions had effect and he consented to
+take off his beautiful suit and fold it into its proper creases and put it
+away. It was almost as though he gave it up again. But he was always thinking
+of wearing it and of the supreme occasion when some day it might be worn
+without the guards, without the tissue paper on the buttons, utterly and
+delightfully, never caring, beautiful beyond measure.
+</p>
+
+<p>
+One night when he was dreaming of it, after his habit, he dreamed he took the
+tissue paper from one of the buttons and found its brightness a little faded,
+and that distressed him mightily in his dream. He polished the poor faded
+button and polished it, and if anything it grew duller. He woke up and lay
+awake thinking of the brightness a little dulled and wondering how he would
+feel if perhaps when the great occasion (whatever it might be) should arrive,
+one button should chance to be ever so little short of its first glittering
+freshness, and for days and days that thought remained with him, distressingly.
+And when next his mother let him wear his suit, he was tempted and nearly gave
+way to the temptation just to fumble off one little bit of tissue paper and see
+if indeed the buttons were keeping as bright as ever.
+</p>
+
+<p>
+He went trimly along on his way to church full of this wild desire. For you
+must know his mother did, with repeated and careful warnings, let him wear his
+suit at times, on Sundays, for example, to and fro from church, when there was
+no threatening of rain, no dust nor anything to injure it, with its buttons
+covered and its protections tacked upon it and a sunshade in his hand to shadow
+it if there seemed too strong a sunlight for its colours. And always, after
+such occasions, he brushed it over and folded it exquisitely as she had taught
+him, and put it away again.
+</p>
+
+<p>
+Now all these restrictions his mother set to the wearing of his suit he obeyed,
+always he obeyed them, until one strange night he woke up and saw the moonlight
+shining outside his window. It seemed to him the moonlight was not common
+moonlight, nor the night a common night, and for a while he lay quite drowsily
+with this odd persuasion in his mind. Thought joined on to thought like things
+that whisper warmly in the shadows. Then he sat up in his little bed suddenly,
+very alert, with his heart beating very fast and a quiver in his body from top
+to toe. He had made up his mind. He knew now that he was going to wear his suit
+as it should be worn. He had no doubt in the matter. He was afraid, terribly
+afraid, but glad, glad.
+</p>
+
+<p>
+He got out of his bed and stood a moment by the window looking at the
+moonshine-flooded garden and trembling at the thing he meant to do. The air was
+full of a minute clamor of crickets and murmurings, of the infinitesimal
+shouting of little living things. He went very gently across the creaking
+boards, for fear that he might wake the sleeping house, to the big dark
+clothes-press wherein his beautiful suit lay folded, and he took it out garment
+by garment and softly and very eagerly tore off its tissue-paper covering and
+its tacked protections, until there it was, perfect and delightful as he had
+seen it when first his mother had given it to him&mdash;a long time it seemed
+ago. Not a button had tarnished, not a thread had faded on this dear suit of
+his; he was glad enough for weeping as in a noiseless hurry he put it on. And
+then back he went, soft and quick, to the window and looked out upon the garden
+and stood there for a minute, shining in the moonlight, with his buttons
+twinkling like stars, before he got out on the sill and, making as little of a
+rustling as he could, clambered down to the garden path below. He stood before
+his mother&rsquo;s house, and it was white and nearly as plain as by day, with
+every window-blind but his own shut like an eye that sleeps. The trees cast
+still shadows like intricate black lace upon the wall.
+</p>
+
+<p>
+The garden in the moonlight was very different from the garden by day;
+moonshine was tangled in the hedges and stretched in phantom cobwebs from spray
+to spray. Every flower was gleaming white or crimson black, and the air was
+aquiver with the thridding of small crickets and nightingales singing unseen in
+the depths of the trees.
+</p>
+
+<p>
+There was no darkness in the world, but only warm, mysterious shadows; and all
+the leaves and spikes were edged and lined with iridescent jewels of dew. The
+night was warmer than any night had ever been, the heavens by some miracle at
+once vaster and nearer, and spite of the great ivory-tinted moon that ruled the
+world, the sky was full of stars.
+</p>
+
+<p>
+The little man did not shout nor sing for all his infinite gladness. He stood
+for a time like one awe-stricken, and then, with a queer small cry and holding
+out his arms, he ran out as if he would embrace at once the whole warm round
+immensity of the world. He did not follow the neat set paths that cut the
+garden squarely, but thrust across the beds and through the wet, tall, scented
+herbs, through the night stock and the nicotine and the clusters of phantom
+white mallow flowers and through the thickets of southern-wood and lavender,
+and knee-deep across a wide space of mignonette. He came to the great hedge and
+he thrust his way through it, and though the thorns of the brambles scored him
+deeply and tore threads from his wonderful suit, and though burs and goosegrass
+and havers caught and clung to him, he did not care. He did not care, for he
+knew it was all part of the wearing for which he had longed. &ldquo;I am glad I
+put on my suit,&rdquo; he said; &ldquo;I am glad I wore my suit.&rdquo;
+</p>
+
+<p>
+Beyond the hedge he came to the duck-pond, or at least to what was the
+duck-pond by day. But by night it was a great bowl of silver moonshine all
+noisy with singing frogs, of wonderful silver moonshine twisted and clotted
+with strange patternings, and the little man ran down into its waters between
+the thin black rushes, knee-deep and waist-deep and to his shoulders, smiting
+the water to black and shining wavelets with either hand, swaying and shivering
+wavelets, amid which the stars were netted in the tangled reflections of the
+brooding trees upon the bank. He waded until he swam, and so he crossed the
+pond and came out upon the other side, trailing, as it seemed to him, not
+duckweed, but very silver in long, clinging, dripping masses. And up he went
+through the transfigured tangles of the willow-herb and the uncut seeding grass
+of the farther bank. And so he came glad and breathless into the highroad.
+&ldquo;I am glad,&rdquo; he said, &ldquo;beyond measure, that I had clothes
+that fitted this occasion.&rdquo;
+</p>
+
+<p>
+The highroad ran straight as an arrow flies, straight into the deep blue pit of
+sky beneath the moon, a white and shining road between the singing
+nightingales, and along it he went, running now and leaping, and now walking
+and rejoicing, in the clothes his mother had made for him with tireless, loving
+hands. The road was deep in dust, but that for him was only soft whiteness, and
+as he went a great dim moth came fluttering round his wet and shimmering and
+hastening figure. At first he did not heed the moth, and then he waved his
+hands at it and made a sort of dance with it as it circled round his head.
+&ldquo;Soft moth!&rdquo; he cried, &ldquo;dear moth! And wonderful night,
+wonderful night of the world! Do you think my clothes are beautiful, dear moth?
+As beautiful as your scales and all this silver vesture of the earth and
+sky?&rdquo;
+</p>
+
+<p>
+And the moth circled closer and closer until at last its velvet wings just
+brushed his lips . . . . .
+</p>
+
+<p>
+And next morning they found him dead with his neck broken in the bottom of the
+stone pit, with his beautiful clothes a little bloody and foul and stained with
+the duckweed from the pond. But his face was a face of such happiness that, had
+you seen it, you would have understood indeed how that he had died happy, never
+knowing the cool and streaming silver for the duckweed in the pond.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap06"></a>THE DIAMOND MAKER</h2>
+
+<p>
+Some business had detained me in Chancery Lane until nine in the evening, and
+thereafter, having some inkling of a headache, I was disinclined either for
+entertainment or further work. So much of the sky as the high cliffs of that
+narrow canon of traffic left visible spoke of a serene night, and I determined
+to make my way down to the Embankment, and rest my eyes and cool my head by
+watching the variegated lights upon the river. Beyond comparison the night is
+the best time for this place; a merciful darkness hides the dirt of the waters,
+and the lights of this transitional age, red glaring orange, gas-yellow, and
+electric white, are set in shadowy outlines of every possible shade between
+grey and deep purple. Through the arches of Waterloo Bridge a hundred points of
+light mark the sweep of the Embankment, and above its parapet rise the towers
+of Westminster, warm grey against the starlight. The black river goes by with
+only a rare ripple breaking its silence, and disturbing the reflections of the
+lights that swim upon its surface.
+</p>
+
+<p>
+&ldquo;A warm night,&rdquo; said a voice at my side.
+</p>
+
+<p>
+I turned my head, and saw the profile of a man who was leaning over the parapet
+beside me. It was a refined face, not unhandsome, though pinched and pale
+enough, and the coat collar turned up and pinned round the throat marked his
+status in life as sharply as a uniform. I felt I was committed to the price of
+a bed and breakfast if I answered him.
+</p>
+
+<p>
+I looked at him curiously. Would he have anything to tell me worth the money,
+or was he the common incapable&mdash;incapable even of telling his own story?
+There was a quality of intelligence in his forehead and eyes, and a certain
+tremulousness in his nether lip that decided me.
+</p>
+
+<p>
+&ldquo;Very warm,&rdquo; said I; &ldquo;but not too warm for us here.&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; he said, still looking across the water, &ldquo;it is
+pleasant enough here . . . . just now.&rdquo;
+</p>
+
+<p>
+&ldquo;It is good,&rdquo; he continued after a pause, &ldquo;to find anything
+so restful as this in London. After one has been fretting about business all
+day, about getting on, meeting obligations, and parrying dangers, I do not know
+what one would do if it were not for such pacific corners.&rdquo; He spoke with
+long pauses between the sentences. &ldquo;You must know a little of the irksome
+labour of the world, or you would not be here. But I doubt if you can be so
+brain-weary and footsore as I am . . . . Bah! Sometimes I doubt if the game is
+worth the candle. I feel inclined to throw the whole thing over&mdash;name,
+wealth and position&mdash;and take to some modest trade. But I know if I
+abandoned my ambition&mdash;hardly as she uses me&mdash;I should have nothing
+but remorse left for the rest of my days.&rdquo;
+</p>
+
+<p>
+He became silent. I looked at him in astonishment. If ever I saw a man
+hopelessly hard-up it was the man in front of me. He was ragged and he was
+dirty, unshaven and unkempt; he looked as though he had been left in a dust-bin
+for a week. And he was talking to <i>me</i> of the irksome worries of a large
+business. I almost laughed outright. Either he was mad or playing a sorry jest
+on his own poverty.
+</p>
+
+<p>
+&ldquo;If high aims and high positions,&rdquo; said I, &ldquo;have their
+drawbacks of hard work and anxiety, they have their compensations. Influence,
+the power of doing good, of assisting those weaker and poorer than ourselves;
+and there is even a certain gratification in display . . . . . &rdquo;
+</p>
+
+<p>
+My banter under the circumstances was in very vile taste. I spoke on the spur
+of the contrast of his appearance and speech. I was sorry even while I was
+speaking.
+</p>
+
+<p>
+He turned a haggard but very composed face upon me. Said he: &ldquo;I forgot
+myself. Of course you would not understand.&rdquo;
+</p>
+
+<p>
+He measured me for a moment. &ldquo;No doubt it is very absurd. You will not
+believe me even when I tell you, so that it is fairly safe to tell you. And it
+will be a comfort to tell someone. I really have a big business in hand, a very
+big business. But there are troubles just now. The fact is . . . . I make
+diamonds.&rdquo;
+</p>
+
+<p>
+&ldquo;I suppose,&rdquo; said I, &ldquo;you are out of work just at
+present?&rdquo;
+</p>
+
+<p>
+&ldquo;I am sick of being disbelieved,&rdquo; he said impatiently, and suddenly
+unbuttoning his wretched coat he pulled out a little canvas bag that was
+hanging by a cord round his neck. From this he produced a brown pebble.
+&ldquo;I wonder if you know enough to know what that is?&rdquo; He handed it to
+me.
+</p>
+
+<p>
+Now, a year or so ago, I had occupied my leisure in taking a London science
+degree, so that I have a smattering of physics and mineralogy. The thing was
+not unlike an uncut diamond of the darker sort, though far too large, being
+almost as big as the top of my thumb. I took it, and saw it had the form of a
+regular octahedron, with the curved faces peculiar to the most precious of
+minerals. I took out my penknife and tried to scratch it&mdash;vainly. Leaning
+forward towards the gas-lamp, I tried the thing on my watch-glass, and scored a
+white line across that with the greatest ease.
+</p>
+
+<p>
+I looked at my interlocutor with rising curiosity. &ldquo;It certainly is
+rather like a diamond. But, if so, it is a Behemoth of diamonds. Where did you
+get it?&rdquo;
+</p>
+
+<p>
+&ldquo;I tell you I made it,&rdquo; he said. &ldquo;Give it back to me.&rdquo;
+</p>
+
+<p>
+He replaced it hastily and buttoned his jacket. &ldquo;I will sell it you for
+one hundred pounds,&rdquo; he suddenly whispered eagerly. With that my
+suspicions returned. The thing might, after all, be merely a lump of that
+almost equally hard substance, corundum, with an accidental resemblance in
+shape to the diamond. Or if it was a diamond, how came he by it, and why should
+he offer it at a hundred pounds?
+</p>
+
+<p>
+We looked into one another&rsquo;s eyes. He seemed eager, but honestly eager.
+At that moment I believed it was a diamond he was trying to sell. Yet I am a
+poor man, a hundred pounds would leave a visible gap in my fortunes and no sane
+man would buy a diamond by gaslight from a ragged tramp on his personal
+warranty only. Still, a diamond that size conjured up a vision of many
+thousands of pounds. Then, thought I, such a stone could scarcely exist without
+being mentioned in every book on gems, and again I called to mind the stories
+of contraband and light-fingered Kaffirs at the Cape. I put the question of
+purchase on one side.
+</p>
+
+<p>
+&ldquo;How did you get it?&rdquo; said I.
+</p>
+
+<p>
+&ldquo;I made it.&rdquo;
+</p>
+
+<p>
+I had heard something of Moissan, but I knew his artificial diamonds were very
+small. I shook my head.
+</p>
+
+<p>
+&ldquo;You seem to know something of this kind of thing. I will tell you a
+little about myself. Perhaps then you may think better of the purchase.&rdquo;
+He turned round with his back to the river, and put his hands in his pockets.
+He sighed. &ldquo;I know you will not believe me.&rdquo;
+</p>
+
+<p>
+&ldquo;Diamonds,&rdquo; he began&mdash;and as he spoke his voice lost its faint
+flavour of the tramp and assumed something of the easy tone of an educated
+man&mdash;&ldquo;are to be made by throwing carbon out of combination in a
+suitable flux and under a suitable pressure; the carbon crystallises out, not
+as black-lead or charcoal-powder, but as small diamonds. So much has been known
+to chemists for years, but no one yet had hit upon exactly the right flux in
+which to melt up the carbon, or exactly the right pressure for the best
+results. Consequently the diamonds made by chemists are small and dark, and
+worthless as jewels. Now I, you know, have given up my life to this
+problem&mdash;given my life to it.
+</p>
+
+<p>
+&ldquo;I began to work at the conditions of diamond making when I was
+seventeen, and now I am thirty-two. It seemed to me that it might take all the
+thought and energies of a man for ten years, or twenty years, but, even if it
+did, the game was still worth the candle. Suppose one to have at last just hit
+the right trick before the secret got out and diamonds became as common as
+coal, one might realize millions. Millions!&rdquo;
+</p>
+
+<p>
+He paused and looked for my sympathy. His eyes shone hungrily. &ldquo;To
+think,&rdquo; said he, &ldquo;that I am on the verge of it all, and here!
+</p>
+
+<p>
+&ldquo;I had,&rdquo; he proceeded, &ldquo;about a thousand pounds when I was
+twenty-one, and this, I thought, eked out by a little teaching, would keep my
+researches going. A year or two was spent in study, at Berlin chiefly, and then
+I continued on my own account. The trouble was the secrecy. You see, if once I
+had let out what I was doing, other men might have been spurred on by my belief
+in the practicability of the idea; and I do not pretend to be such a genius as
+to have been sure of coming in first, in the case of a race for the discovery.
+And you see it was important that if I really meant to make a pile, people
+should not know it was an artificial process and capable of turning out
+diamonds by the ton. So I had to work all alone. At first I had a little
+laboratory, but as my resources began to run out I had to conduct my
+experiments in a wretched unfurnished room in Kentish Town, where I slept at
+last on a straw mattress on the floor among all my apparatus. The money simply
+flowed away. I grudged myself everything except scientific appliances. I tried
+to keep things going by a little teaching, but I am not a very good teacher,
+and I have no university degree, nor very much education except in chemistry,
+and I found I had to give a lot of time and labour for precious little money.
+But I got nearer and nearer the thing. Three years ago I settled the problem of
+the composition of the flux, and got near the pressure by putting this flux of
+mine and a certain carbon composition into a closed-up gun-barrel, filling up
+with water, sealing tightly, and heating.&rdquo;
+</p>
+
+<p>
+He paused.
+</p>
+
+<p>
+&ldquo;Rather risky,&rdquo; said I.
+</p>
+
+<p>
+&ldquo;Yes. It burst, and smashed all my windows and a lot of my apparatus; but
+I got a kind of diamond powder nevertheless. Following out the problem of
+getting a big pressure upon the molten mixture from which the things were to
+crystallise, I hit upon some researches of Daubree&rsquo;s at the Paris
+<i>Laboratorie des Poudres et Salpetres</i>. He exploded dynamite in a tightly
+screwed steel cylinder, too strong to burst, and I found he could crush rocks
+into a muck not unlike the South African bed in which diamonds are found. It
+was a tremendous strain on my resources, but I got a steel cylinder made for my
+purpose after his pattern. I put in all my stuff and my explosives, built up a
+fire in my furnace, put the whole concern in, and&mdash;went out for a
+walk.&rdquo;
+</p>
+
+<p>
+I could not help laughing at his matter-of-fact manner. &ldquo;Did you not
+think it would blow up the house? Were there other people in the place?&rdquo;
+</p>
+
+<p>
+&ldquo;It was in the interest of science,&rdquo; he said, ultimately.
+&ldquo;There was a costermonger family on the floor below, a begging-letter
+writer in the room behind mine, and two flower-women were upstairs. Perhaps it
+was a bit thoughtless. But possibly some of them were out.
+</p>
+
+<p>
+&ldquo;When I came back the thing was just where I left it, among the white-hot
+coals. The explosive hadn&rsquo;t burst the case. And then I had a problem to
+face. You know time is an important element in crystallisation. If you hurry
+the process the crystals are small&mdash;it is only by prolonged standing that
+they grow to any size. I resolved to let this apparatus cool for two years,
+letting the temperature go down slowly during the time. And I was now quite out
+of money; and with a big fire and the rent of my room, as well as my hunger to
+satisfy, I had scarcely a penny in the world.
+</p>
+
+<p>
+&ldquo;I can hardly tell you all the shifts I was put to while I was making the
+diamonds. I have sold newspapers, held horses, opened cab-doors. For many weeks
+I addressed envelopes. I had a place as assistant to a man who owned a barrow,
+and used to call down one side of the road while he called down the other.
+</p>
+
+<p>
+&ldquo;Once for a week I had absolutely nothing to do, and I begged. What a
+week that was! One day the fire was going out and I had eaten nothing all day,
+and a little chap taking his girl out, gave me sixpence&mdash;to show off.
+Thank heaven for vanity! How the fish-shops smelt! But I went and spent it all
+on coals, and had the furnace bright red again, and then&mdash;Well, hunger
+makes a fool of a man.
+</p>
+
+<p>
+&ldquo;At last, three weeks ago, I let the fire out. I took my cylinder and
+unscrewed it while it was still so hot that it punished my hands, and I scraped
+out the crumbling lava-like mass with a chisel, and hammered it into a powder
+upon an iron plate. And I found three big diamonds and five small ones. As I
+sat on the floor hammering, my door opened, and my neighbour, the
+begging-letter writer came in. He was drunk&mdash;as he usually is.
+&lsquo;Nerchist,&rsquo; said he. &lsquo;You&rsquo;re drunk,&rsquo; said I.
+&lsquo;&rsquo;Structive scoundrel,&rsquo; said he. &lsquo;Go to your
+father,&rsquo; said I, meaning the Father of Lies. &lsquo;Never you
+mind,&rsquo; said he, and gave me a cunning wink, and hiccuped, and leaning up
+against the door, with his other eye against the door-post, began to babble of
+how he had been prying in my room, and how he had gone to the police that
+morning, and how they had taken down everything he had to
+say&mdash;&lsquo;&rsquo;siffiwas a ge&rsquo;m,&rsquo; said he. Then I suddenly
+realised I was in a hole. Either I should have to tell these police my little
+secret, and get the whole thing blown upon, or be lagged as an Anarchist. So I
+went up to my neighbour and took him by the collar, and rolled him about a bit,
+and then I gathered up my diamonds and cleared out. The evening newspapers
+called my den the Kentish Town Bomb Factory. And now I cannot part with the
+things for love or money.
+</p>
+
+<p>
+&ldquo;If I go in to respectable jewellers they ask me to wait, and go and
+whisper to a clerk to fetch a policeman, and then I say I cannot wait. And I
+found out a receiver of stolen goods, and he simply stuck to the one I gave him
+and told me to prosecute if I wanted it back. I am going about now with several
+hundred thousand pounds-worth of diamonds round my neck, and without either
+food or shelter. You are the first person I have taken into my confidence. But
+I like your face and I am hard-driven.&rdquo;
+</p>
+
+<p>
+He looked into my eyes.
+</p>
+
+<p>
+&ldquo;It would be madness,&rdquo; said I, &ldquo;for me to buy a diamond under
+the circumstances. Besides, I do not carry hundreds of pounds about in my
+pocket. Yet I more than half believe your story. I will, if you like, do this:
+come to my office to-morrow . . . .&rdquo;
+</p>
+
+<p>
+&ldquo;You think I am a thief!&rdquo; said he keenly. &ldquo;You will tell the
+police. I am not coming into a trap.&rdquo;
+</p>
+
+<p>
+&ldquo;Somehow I am assured you are no thief. Here is my card. Take that,
+anyhow. You need not come to any appointment. Come when you will.&rdquo;
+</p>
+
+<p>
+He took the card, and an earnest of my good-will.
+</p>
+
+<p>
+&ldquo;Think better of it and come,&rdquo; said I.
+</p>
+
+<p>
+He shook his head doubtfully. &ldquo;I will pay back your half-crown with
+interest some day&mdash;such interest as will amaze you,&rdquo; said he.
+&ldquo;Anyhow, you will keep the secret? . . . . Don&rsquo;t follow me.&rdquo;
+</p>
+
+<p>
+He crossed the road and went into the darkness towards the little steps under
+the archway leading into Essex Street, and I let him go. And that was the last
+I ever saw of him.
+</p>
+
+<p>
+Afterwards I had two letters from him asking me to send bank-notes&mdash;not
+cheques&mdash;to certain addresses. I weighed the matter over and took what I
+conceived to be the wisest course. Once he called upon me when I was out. My
+urchin described him as a very thin, dirty, and ragged man, with a dreadful
+cough. He left no message. That was the finish of him so far as my story goes.
+I wonder sometimes what has become of him. Was he an ingenious monomaniac, or a
+fraudulent dealer in pebbles, or has he really made diamonds as he asserted?
+The latter is just sufficiently credible to make me think at times that I have
+missed the most brilliant opportunity of my life. He may of course be dead, and
+his diamonds carelessly thrown aside&mdash;one, I repeat, was almost as big as
+my thumb. Or he may be still wandering about trying to sell the things. It is
+just possible he may yet emerge upon society, and, passing athwart my heavens
+in the serene altitude sacred to the wealthy and the well-advertised, reproach
+me silently for my want of enterprise. I sometimes think I might at least have
+risked five pounds.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap07"></a>THE LORD OF THE DYNAMOS</h2>
+
+<p>
+The chief attendant of the three dynamos that buzzed and rattled at Camberwell,
+and kept the electric railway going, came out of Yorkshire, and his name was
+James Holroyd. He was a practical electrician, but fond of whisky, a heavy
+red-haired brute with irregular teeth. He doubted the existence of the deity,
+but accepted Carnot&rsquo;s cycle, and he had read Shakespeare and found him
+weak in chemistry. His helper came out of the mysterious East, and his name was
+Azuma-zi. But Holroyd called him Pooh-bah. Holroyd liked a nigger because he
+would stand kicking&mdash;a habit with Holroyd&mdash;and did not pry into the
+machinery and try to learn the ways of it. Certain odd possibilities of the
+negro mind brought into abrupt contact with the crown of our civilisation
+Holroyd never fully realised, though just at the end he got some inkling of
+them.
+</p>
+
+<p>
+To define Azuma-zi was beyond ethnology. He was, perhaps, more negroid than
+anything else, though his hair was curly rather than frizzy, and his nose had a
+bridge. Moreover, his skin was brown rather than black, and the whites of his
+eyes were yellow. His broad cheekbones and narrow chin gave his face something
+of the viperine V. His head, too, was broad behind, and low and narrow at the
+forehead, as if his brain had been twisted round in the reverse way to a
+European&rsquo;s. He was short of stature and still shorter of English. In
+conversation he made numerous odd noises of no known marketable value, and his
+infrequent words were carved and wrought into heraldic grotesqueness. Holroyd
+tried to elucidate his religious beliefs, and&mdash;especially after
+whisky&mdash;lectured to him against superstition and missionaries. Azuma-zi,
+however, shirked the discussion of his gods, even though he was kicked for it.
+</p>
+
+<p>
+Azuma-zi had come, clad in white but insufficient raiment, out of the stokehole
+of the <i>Lord Clive</i>, from the Straits Settlements, and beyond, into
+London. He had heard even in his youth of the greatness and riches of London,
+where all the women are white and fair, and even the beggars in the streets are
+white, and he arrived, with newly earned gold coins in his pocket, to worship
+at the shrine of civilisation. The day of his landing was a dismal one; the sky
+was dun, and a wind-worried drizzle filtered down to the greasy streets, but he
+plunged boldly into the delights of Shadwell, and was presently cast up,
+shattered in health, civilised in costume, penniless and, except in matters of
+the direst necessity, practically a dumb animal, to toil for James Holroyd and
+to be bullied by him in the dynamo shed at Camberwell. And to James Holroyd
+bullying was a labour of love.
+</p>
+
+<p>
+There were three dynamos with their engines at Camberwell. The two that had
+been there since the beginning were small machines; the larger one was new. The
+smaller machines made a reasonable noise; their straps hummed over the drums,
+every now and then the brushes buzzed and fizzled, and the air churned
+steadily, whoo! whoo! whoo! between their poles. One was loose in its
+foundations and kept the shed vibrating. But the big dynamo drowned these
+little noises altogether with the sustained drone of its iron core, which
+somehow set part of the ironwork humming. The place made the visitor&rsquo;s
+head reel with the throb, throb, throb of the engines, the rotation of the big
+wheels, the spinning ball-valves, the occasional spittings of the steam, and
+over all the deep, unceasing, surging note of the big dynamo. This last noise
+was from an engineering point of view a defect, but Azuma-zi accounted it unto
+the monster for mightiness and pride.
+</p>
+
+<p>
+If it were possible we would have the noises of that shed always about the
+reader as he reads, we would tell all our story to such an accompaniment. It
+was a steady stream of din, from which the ear picked out first one thread and
+then another; there was the intermittent snorting, panting, and seething of the
+steam engines, the suck and thud of their pistons, the dull beat on the air as
+the spokes of the great driving-wheels came round, a note the leather straps
+made as they ran tighter and looser, and a fretful tumult from the dynamos; and
+over all, sometimes inaudible, as the ear tired of it, and then creeping back
+upon the senses again, was this trombone note of the big machine. The floor
+never felt steady and quiet beneath one&rsquo;s feet, but quivered and jarred.
+It was a confusing, unsteady place, and enough to send anyone&rsquo;s thoughts
+jerking into odd zigzags. And for three months, while the big strike of the
+engineers was in progress, Holroyd, who was a blackleg, and Azuma-zi, who was a
+mere black, were never out of the stir and eddy of it, but slept and fed in the
+little wooden shanty between the shed and the gates.
+</p>
+
+<p>
+Holroyd delivered a theological lecture on the text of his big machine soon
+after Azuma-zi came. He had to shout to be heard in the din. &ldquo;Look at
+that,&rdquo; said Holroyd; &ldquo;where&rsquo;s your &lsquo;eathen idol to
+match &lsquo;im?&rdquo; And Azuma-zi looked. For a moment Holroyd was
+inaudible, and then Azuma-zi heard: &ldquo;Kill a hundred men. Twelve per cent.
+on the ordinary shares,&rdquo; said Holroyd, &ldquo;and that&rsquo;s something
+like a Gord!&rdquo;
+</p>
+
+<p>
+Holroyd was proud of his big dynamo, and expatiated upon its size and power to
+Azuma-zi until heaven knows what odd currents of thought that and the incessant
+whirling and shindy set up within the curly black cranium. He would explain in
+the most graphic manner the dozen or so ways in which a man might be killed by
+it, and once he gave Azuma-zi a shock as a sample of its quality. After that,
+in the breathing-times of his labour&mdash;it was heavy labour, being not only
+his own, but most of Holroyd&rsquo;s&mdash;Azuma-zi would sit and watch the big
+machine. Now and then the brushes would sparkle and spit blue flashes, at which
+Holroyd would swear, but all the rest was as smooth and rhythmic as breathing.
+The band ran shouting over the shaft, and ever behind one as one watched was
+the complacent thud of the piston. So it lived all day in this big airy shed,
+with him and Holroyd to wait upon it; not prisoned up and slaving to drive a
+ship as the other engines he knew&mdash;mere captive devils of the British
+Solomon&mdash;had been, but a machine enthroned. Those two smaller dynamos,
+Azuma-zi by force of contrast despised; the large one he privately christened
+the Lord of the Dynamos. They were fretful and irregular, but the big dynamo
+was steady. How great it was! How serene and easy in its working! Greater and
+calmer even than the Buddhas he had seen at Rangoon, and yet not motionless,
+but living! The great black coils spun, spun, spun, the rings ran round under
+the brushes, and the deep note of its coil steadied the whole. It affected
+Azuma-zi queerly.
+</p>
+
+<p>
+Azuma-zi was not fond of labour. He would sit about and watch the Lord of the
+Dynamos while Holroyd went away to persuade the yard porter to get whisky,
+although his proper place was not in the dynamo shed but behind the engines,
+and, moreover, if Holroyd caught him skulking he got hit for it with a rod of
+stout copper wire. He would go and stand close to the colossus and look up at
+the great leather band running overhead. There was a black patch on the band
+that came round, and it pleased him somehow among all the clatter to watch this
+return again and again. Odd thoughts spun with the whirl of it. Scientific
+people tell us that savages give souls to rocks and trees&mdash;and a machine
+is a thousand times more alive than a rock or a tree. And Azuma-zi was
+practically a savage still; the veneer of civilisation lay no deeper than his
+slop suit, his bruises, and the coal grime on his face and hands. His father
+before him had worshipped a meteoric stone, kindred blood it may be had
+splashed the broad wheels of Juggernaut.
+</p>
+
+<p>
+He took every opportunity Holroyd gave him of touching and handling the great
+dynamo that was fascinating him. He polished and cleaned it until the metal
+parts were blinding in the sun. He felt a mysterious sense of service in doing
+this. He would go up to it and touch its spinning coils gently. The gods he had
+worshipped were all far away. The people in London hid their gods.
+</p>
+
+<p>
+At last his dim feelings grew more distinct, and took shape in thoughts and at
+last in acts. When he came into the roaring shed one morning he salaamed to the
+Lord of the Dynamos, and then when Holroyd was away, he went and whispered to
+the thundering machine that he was its servant, and prayed it to have pity on
+him and save him from Holroyd. As he did so a rare gleam of light came in
+through the open archway of the throbbing machine-shed, and the Lord of the
+Dynamos, as he whirled and roared, was radiant with pale gold. Then Azuma-zi
+knew that his service was acceptable to his Lord. After that he did not feel so
+lonely as he had done, and he had indeed been very much alone in London. And
+even when his work time was over, which was rare, he loitered about the shed.
+</p>
+
+<p>
+Then, the next time Holroyd maltreated him, Azuma-zi went presently to the Lord
+of the Dynamos and whispered, &ldquo;Thou seest, O my Lord!&rdquo; and the
+angry whir of the machinery seemed to answer him. Thereafter it appeared to him
+that whenever Holroyd came into the shed a different note came into the sounds
+of the dynamo. &ldquo;My Lord bides his time,&rdquo; said Azuma-zi to himself.
+&ldquo;The iniquity of the fool is not yet ripe.&rdquo; And he waited and
+watched for the day of reckoning. One day there was evidence of short
+circuiting, and Holroyd, making an unwary examination&mdash;it was in the
+afternoon&mdash;got a rather severe shock. Azuma-zi from behind the engine saw
+him jump off and curse at the peccant coil.
+</p>
+
+<p>
+&ldquo;He is warned,&rdquo; said Azuma-zi to himself. &ldquo;Surely my Lord is
+very patient.&rdquo;
+</p>
+
+<p>
+Holroyd had at first initiated his &ldquo;nigger&rdquo; into such elementary
+conceptions of the dynamo&rsquo;s working as would enable him to take temporary
+charge of the shed in his absence. But when he noticed the manner in which
+Azuma-zi hung about the monster he became suspicious. He dimly perceived his
+assistant was &ldquo;up to something,&rdquo; and connecting him with the
+anointing of the coils with oil that had rotted the varnish in one place, he
+issued an edict, shouted above the confusion of the machinery,
+&ldquo;Don&rsquo;t &lsquo;ee go nigh that big dynamo any more, Pooh-bah, or
+a&rsquo;ll take thy skin off!&rdquo; Besides, if it pleased Azuma-zi to be near
+the big machine, it was plain sense and decency to keep him away from it.
+</p>
+
+<p>
+Azuma-zi obeyed at the time, but later he was caught bowing before the Lord of
+the Dynamos. At which Holroyd twisted his arm and kicked him as he turned to go
+away. As Azuma-zi presently stood behind the engine and glared at the back of
+the hated Holroyd, the noises of the machinery took a new rhythm, and sounded
+like four words in his native tongue.
+</p>
+
+<p>
+It is hard to say exactly what madness is. I fancy Azuma-zi was mad. The
+incessant din and whirl of the dynamo shed may have churned up his little store
+of knowledge and his big store of superstitious fancy, at last, into something
+akin to frenzy. At any rate, when the idea of making Holroyd a sacrifice to the
+Dynamo Fetich was thus suggested to him, it filled him with a strange tumult of
+exultant emotion.
+</p>
+
+<p>
+That night the two men and their black shadows were alone in the shed together.
+The shed was lit with one big arc light that winked and flickered purple. The
+shadows lay black behind the dynamos, the ball governors of the engines whirled
+from light to darkness, and their pistons beat loud and steady. The world
+outside seen through the open end of the shed seemed incredibly dim and remote.
+It seemed absolutely silent, too, since the riot of the machinery drowned every
+external sound. Far away was the black fence of the yard with grey shadowy
+houses behind, and above was the deep blue sky and the pale little stars.
+Azuma-zi suddenly walked across the centre of the shed above which the leather
+bands were running, and went into the shadow by the big dynamo. Holroyd heard a
+click, and the spin of the armature changed.
+</p>
+
+<p>
+&ldquo;What are you dewin&rsquo; with that switch?&rdquo; he bawled in
+surprise. &ldquo;Han&rsquo;t I told you&mdash;&rdquo;
+</p>
+
+<p>
+Then he saw the set expression of Azuma-zi&rsquo;s eyes as the Asiatic came out
+of the shadow towards him.
+</p>
+
+<p>
+In another moment the two men were grappling fiercely in front of the great
+dynamo.
+</p>
+
+<p>
+&ldquo;You coffee-headed fool!&rdquo; gasped Holroyd, with a brown hand at his
+throat. &ldquo;Keep off those contact rings.&rdquo; In another moment he was
+tripped and reeling back upon the Lord of the Dynamos. He instinctively
+loosened his grip upon his antagonist to save himself from the machine.
+</p>
+
+<p>
+The messenger, sent in furious haste from the station to find out what had
+happened in the dynamo shed, met Azuma-zi at the porter&rsquo;s lodge by the
+gate. Azuma-zi tried to explain something, but the messenger could make nothing
+of the black&rsquo;s incoherent English, and hurried on to the shed. The
+machines were all noisily at work, and nothing seemed to be disarranged. There
+was, however, a queer smell of singed hair. Then he saw an odd-looking crumpled
+mass clinging to the front of the big dynamo, and, approaching, recognised the
+distorted remains of Holroyd.
+</p>
+
+<p>
+The man stared and hesitated a moment. Then he saw the face, and shut his eyes
+convulsively. He turned on his heel before he opened them, so that he should
+not see Holroyd again, and went out of the shed to get advice and help.
+</p>
+
+<p>
+When Azuma-zi saw Holroyd die in the grip of the Great Dynamo he had been a
+little scared about the consequences of his act. Yet he felt strangely elated,
+and knew that the favour of the Lord Dynamo was upon him. His plan was already
+settled when he met the man coming from the station, and the scientific manager
+who speedily arrived on the scene jumped at the obvious conclusion of suicide.
+This expert scarcely noticed Azuma-zi, except to ask a few questions. Did he
+see Holroyd kill himself? Azuma-zi explained that he had been out of sight at
+the engine furnace until he heard a difference in the noise from the dynamo. It
+was not a difficult examination, being untinctured by suspicion.
+</p>
+
+<p>
+The distorted remains of Holroyd, which the electrician removed from the
+machine, were hastily covered by the porter with a coffee-stained tablecloth.
+Somebody, by a happy inspiration, fetched a medical man. The expert was chiefly
+anxious to get the machine at work again, for seven or eight trains had stopped
+midway in the stuffy tunnels of the electric railway. Azuma-zi, answering or
+misunderstanding the questions of the people who had by authority or impudence
+come into the shed, was presently sent back to the stoke-hole by the scientific
+manager. Of course a crowd collected outside the gates of the yard&mdash;a
+crowd, for no known reason, always hovers for a day or two near the scene of a
+sudden death in London; two or three reporters percolated somehow into the
+engine-shed, and one even got to Azuma-zi; but the scientific expert cleared
+them out again, being himself an amateur journalist.
+</p>
+
+<p>
+Presently the body was carried away, and public interest departed with it.
+Azuma-zi remained very quietly at his furnace, seeing over and over again in
+the coals a figure that wriggled violently and became still. An hour after the
+murder, to anyone coming into the shed it would have looked exactly as if
+nothing had ever happened there. Peeping presently from his engine-room the
+black saw the Lord Dynamo spin and whirl beside his little brothers, and the
+driving wheels were beating round, and the steam in the pistons went thud,
+thud, exactly as it had been earlier in the evening. After all, from the
+mechanical point of view, it had been a most insignificant incident&mdash;the
+mere temporary deflection of a current. But now the slender form and slender
+shadow of the scientific manager replaced the sturdy outline of Holroyd
+travelling up and down the lane of light upon the vibrating floor under the
+straps between the engines and the dynamos.
+</p>
+
+<p>
+&ldquo;Have I not served my Lord?&rdquo; said Azuma-zi inaudibly, from his
+shadow, and the note of the great dynamo rang out full and clear. As he looked
+at the big whirling mechanism the strange fascination of it that had been a
+little in abeyance since Holroyd&rsquo;s death, resumed its sway.
+</p>
+
+<p>
+Never had Azuma-zi seen a man killed so swiftly and pitilessly. The big humming
+machine had slain its victim without wavering for a second from its steady
+beating. It was indeed a mighty god.
+</p>
+
+<p>
+The unconscious scientific manager stood with his back to him, scribbling on a
+piece of paper. His shadow lay at the foot of the monster.
+</p>
+
+<p>
+&ldquo;Was the Lord Dynamo still hungry? His servant was ready.&rdquo;
+</p>
+
+<p>
+Azuma-zi made a stealthy step forward; then stopped. The scientific manager
+suddenly stopped writing, and walked down the shed to the endmost of the
+dynamos, and began to examine the brushes.
+</p>
+
+<p>
+Azuma-zi hesitated, and then slipped across noiselessly into shadow by the
+switch. There he waited. Presently the manager&rsquo;s footsteps could be heard
+returning. He stopped in his old position, unconscious of the stoker crouching
+ten feet away from him. Then the big dynamo suddenly fizzled, and in another
+moment Azuma-zi had sprung out of the darkness upon him.
+</p>
+
+<p>
+First, the scientific manager was gripped round the body and swung towards the
+big dynamo, then, kicking with his knee and forcing his antagonist&rsquo;s head
+down with his hands, he loosened the grip on his waist and swung round away
+from the machine. Then the black grasped him again, putting a curly head
+against his chest, and they swayed and panted as it seemed for an age or so.
+Then the scientific manager was impelled to catch a black ear in his teeth and
+bite furiously. The black yelled hideously.
+</p>
+
+<p>
+They rolled over on the floor, and the black, who had apparently slipped from
+the vice of the teeth or parted with some ear&mdash;the scientific manager
+wondered which at the time&mdash;tried to throttle him. The scientific manager
+was making some ineffectual attempts to claw something with his hands and to
+kick, when the welcome sound of quick footsteps sounded on the floor. The next
+moment Azuma-zi had left him and darted towards the big dynamo. There was a
+splutter amid the roar.
+</p>
+
+<p>
+The officer of the company who had entered, stood staring as Azuma-zi caught
+the naked terminals in his hands, gave one horrible convulsion, and then hung
+motionless from the machine, his face violently distorted.
+</p>
+
+<p>
+&ldquo;I&rsquo;m jolly glad you came in when you did,&rdquo; said the
+scientific manager, still sitting on the floor.
+</p>
+
+<p>
+He looked at the still quivering figure.
+</p>
+
+<p>
+&ldquo;It&rsquo;s not a nice death to die, apparently&mdash;but it is
+quick.&rdquo;
+</p>
+
+<p>
+The official was still staring at the body. He was a man of slow apprehension.
+</p>
+
+<p>
+There was a pause.
+</p>
+
+<p>
+The scientific manager got up on his feet rather awkwardly. He ran his fingers
+along his collar thoughtfully, and moved his head to and fro several times.
+</p>
+
+<p>
+&ldquo;Poor Holroyd! I see now.&rdquo; Then almost mechanically he went towards
+the switch in the shadow and turned the current into the railway circuit again.
+As he did so the singed body loosened its grip upon the machine and fell
+forward on its face. The core of the dynamo roared out loud and clear, and the
+armature beat the air.
+</p>
+
+<p>
+So ended prematurely the Worship of the Dynamo Deity, perhaps the most
+short-lived of all religions. Yet withal it could at least boast a Martyrdom
+and a Human Sacrifice.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap08"></a>THE COUNTRY OF THE BLIND</h2>
+
+<p>
+Three hundred miles and more from Chimborazo, one hundred from the snows of
+Cotopaxi, in the wildest wastes of Ecuador&rsquo;s Andes, there lies that
+mysterious mountain valley, cut off from all the world of men, the Country of
+the Blind. Long years ago that valley lay so far open to the world that men
+might come at last through frightful gorges and over an icy pass into its
+equable meadows, and thither indeed men came, a family or so of Peruvian
+half-breeds fleeing from the lust and tyranny of an evil Spanish ruler. Then
+came the stupendous outbreak of Mindobamba, when it was night in Quito for
+seventeen days, and the water was boiling at Yaguachi and all the fish floating
+dying even as far as Guayaquil; everywhere along the Pacific slopes there were
+land-slips and swift thawings and sudden floods, and one whole side of the old
+Arauca crest slipped and came down in thunder, and cut off the Country of the
+Blind for ever from the exploring feet of men. But one of these early settlers
+had chanced to be on the hither side of the gorges when the world had so
+terribly shaken itself, and he perforce had to forget his wife and his child
+and all the friends and possessions he had left up there, and start life over
+again in the lower world. He started it again but ill, blindness overtook him,
+and he died of punishment in the mines; but the story he told begot a legend
+that lingers along the length of the Cordilleras of the Andes to this day.
+</p>
+
+<p>
+He told of his reason for venturing back from that fastness, into which he had
+first been carried lashed to a llama, beside a vast bale of gear, when he was a
+child. The valley, he said, had in it all that the heart of man could
+desire&mdash;sweet water, pasture, an even climate, slopes of rich brown soil
+with tangles of a shrub that bore an excellent fruit, and on one side great
+hanging forests of pine that held the avalanches high. Far overhead, on three
+sides, vast cliffs of grey-green rock were capped by cliffs of ice; but the
+glacier stream came not to them, but flowed away by the farther slopes, and
+only now and then huge ice masses fell on the valley side. In this valley it
+neither rained nor snowed, but the abundant springs gave a rich green pasture,
+that irrigation would spread over all the valley space. The settlers did well
+indeed there. Their beasts did well and multiplied, and but one thing marred
+their happiness. Yet it was enough to mar it greatly. A strange disease had
+come upon them and had made all the children born to them there&mdash;and,
+indeed, several older children also&mdash;blind. It was to seek some charm or
+antidote against this plague of blindness that he had with fatigue and danger
+and difficulty returned down the gorge. In those days, in such cases, men did
+not think of germs and infections, but of sins, and it seemed to him that the
+reason of this affliction must lie in the negligence of these priestless
+immigrants to set up a shrine so soon as they entered the valley. He wanted a
+shrine&mdash;a handsome, cheap, effectual shrine&mdash;to be erected in the
+valley; he wanted relics and such-like potent things of faith, blessed objects
+and mysterious medals and prayers. In his wallet he had a bar of native silver
+for which he would not account; he insisted there was none in the valley with
+something of the insistence of an inexpert liar. They had all clubbed their
+money and ornaments together, having little need for such treasure up there, he
+said, to buy them holy help against their ill. I figure this dim-eyed young
+mountaineer, sunburnt, gaunt, and anxious, hat brim clutched feverishly, a man
+all unused to the ways of the lower world, telling this story to some
+keen-eyed, attentive priest before the great convulsion; I can picture him
+presently seeking to return with pious and infallible remedies against that
+trouble, and the infinite dismay with which he must have faced the tumbled
+vastness where the gorge had once come out. But the rest of his story of
+mischances is lost to me, save that I know of his evil death after several
+years. Poor stray from that remoteness! The stream that had once made the gorge
+now bursts from the mouth of a rocky cave, and the legend his poor, ill-told
+story set going developed into the legend of a race of blind men somewhere
+&ldquo;over there&rdquo; one may still hear to-day.
+</p>
+
+<p>
+And amidst the little population of that now isolated and forgotten valley the
+disease ran its course. The old became groping, the young saw but dimly, and
+the children that were born to them never saw at all. But life was very easy in
+that snow-rimmed basin, lost to all the world, with neither thorns nor briers,
+with no evil insects nor any beasts save the gentle breed of llamas they had
+lugged and thrust and followed up the beds of the shrunken rivers in the gorges
+up which they had come. The seeing had become purblind so gradually that they
+scarcely noticed their loss. They guided the sightless youngsters hither and
+thither until they knew the whole valley marvellously, and when at last sight
+died out among them the race lived on. They had even time to adapt themselves
+to the blind control of fire, which they made carefully in stoves of stone.
+They were a simple strain of people at the first, unlettered, only slightly
+touched with the Spanish civilisation, but with something of a tradition of the
+arts of old Peru and of its lost philosophy. Generation followed generation.
+They forgot many things; they devised many things. Their tradition of the
+greater world they came from became mythical in colour and uncertain. In all
+things save sight they were strong and able, and presently chance sent one who
+had an original mind and who could talk and persuade among them, and then
+afterwards another. These two passed, leaving their effects, and the little
+community grew in numbers and in understanding, and met and settled social and
+economic problems that arose. Generation followed generation. Generation
+followed generation. There came a time when a child was born who was fifteen
+generations from that ancestor who went out of the valley with a bar of silver
+to seek God&rsquo;s aid, and who never returned. Thereabout it chanced that a
+man came into this community from the outer world. And this is the story of
+that man.
+</p>
+
+<p>
+He was a mountaineer from the country near Quito, a man who had been down to
+the sea and had seen the world, a reader of books in an original way, an acute
+and enterprising man, and he was taken on by a party of Englishmen who had come
+out to Ecuador to climb mountains, to replace one of their three Swiss guides
+who had fallen ill. He climbed here and he climbed there, and then came the
+attempt on Parascotopetl, the Matterhorn of the Andes, in which he was lost to
+the outer world. The story of that accident has been written a dozen times.
+Pointer&rsquo;s narrative is the best. He tells how the little party worked
+their difficult and almost vertical way up to the very foot of the last and
+greatest precipice, and how they built a night shelter amidst the snow upon a
+little shelf of rock, and, with a touch of real dramatic power, how presently
+they found Nunez had gone from them. They shouted, and there was no reply;
+shouted and whistled, and for the rest of that night they slept no more.
+</p>
+
+<p>
+As the morning broke they saw the traces of his fall. It seems impossible he
+could have uttered a sound. He had slipped eastward towards the unknown side of
+the mountain; far below he had struck a steep slope of snow, and ploughed his
+way down it in the midst of a snow avalanche. His track went straight to the
+edge of a frightful precipice, and beyond that everything was hidden. Far, far
+below, and hazy with distance, they could see trees rising out of a narrow,
+shut-in valley&mdash;the lost Country of the Blind. But they did not know it
+was the lost Country of the Blind, nor distinguish it in any way from any other
+narrow streak of upland valley. Unnerved by this disaster, they abandoned their
+attempt in the afternoon, and Pointer was called away to the war before he
+could make another attack. To this day Parascotopetl lifts an unconquered
+crest, and Pointer&rsquo;s shelter crumbles unvisited amidst the snows.
+</p>
+
+<p>
+And the man who fell survived.
+</p>
+
+<p>
+At the end of the slope he fell a thousand feet, and came down in the midst of
+a cloud of snow upon a snow-slope even steeper than the one above. Down this he
+was whirled, stunned and insensible, but without a bone broken in his body; and
+then at last came to gentler slopes, and at last rolled out and lay still,
+buried amidst a softening heap of the white masses that had accompanied and
+saved him. He came to himself with a dim fancy that he was ill in bed; then
+realized his position with a mountaineer&rsquo;s intelligence and worked
+himself loose and, after a rest or so, out until he saw the stars. He rested
+flat upon his chest for a space, wondering where he was and what had happened
+to him. He explored his limbs, and discovered that several of his buttons were
+gone and his coat turned over his head. His knife had gone from his pocket and
+his hat was lost, though he had tied it under his chin. He recalled that he had
+been looking for loose stones to raise his piece of the shelter wall. His
+ice-axe had disappeared.
+</p>
+
+<p>
+He decided he must have fallen, and looked up to see, exaggerated by the
+ghastly light of the rising moon, the tremendous flight he had taken. For a
+while he lay, gazing blankly at the vast, pale cliff towering above, rising
+moment by moment out of a subsiding tide of darkness. Its phantasmal,
+mysterious beauty held him for a space, and then he was seized with a paroxysm
+of sobbing laughter . . . .
+</p>
+
+<p>
+After a great interval of time he became aware that he was near the lower edge
+of the snow. Below, down what was now a moon-lit and practicable slope, he saw
+the dark and broken appearance of rock-strewn turf. He struggled to his feet,
+aching in every joint and limb, got down painfully from the heaped loose snow
+about him, went downward until he was on the turf, and there dropped rather
+than lay beside a boulder, drank deep from the flask in his inner pocket, and
+instantly fell asleep . . . .
+</p>
+
+<p>
+He was awakened by the singing of birds in the trees far below.
+</p>
+
+<p>
+He sat up and perceived he was on a little alp at the foot of a vast precipice
+that sloped only a little in the gully down which he and his snow had come.
+Over against him another wall of rock reared itself against the sky. The gorge
+between these precipices ran east and west and was full of the morning
+sunlight, which lit to the westward the mass of fallen mountain that closed the
+descending gorge. Below him it seemed there was a precipice equally steep, but
+behind the snow in the gully he found a sort of chimney-cleft dripping with
+snow-water, down which a desperate man might venture. He found it easier than
+it seemed, and came at last to another desolate alp, and then after a rock
+climb of no particular difficulty, to a steep slope of trees. He took his
+bearings and turned his face up the gorge, for he saw it opened out above upon
+green meadows, among which he now glimpsed quite distinctly a cluster of stone
+huts of unfamiliar fashion. At times his progress was like clambering along the
+face of a wall, and after a time the rising sun ceased to strike along the
+gorge, the voices of the singing birds died away, and the air grew cold and
+dark about him. But the distant valley with its houses was all the brighter for
+that. He came presently to talus, and among the rocks he noted&mdash;for he was
+an observant man&mdash;an unfamiliar fern that seemed to clutch out of the
+crevices with intense green hands. He picked a frond or so and gnawed its
+stalk, and found it helpful.
+</p>
+
+<p>
+About midday he came at last out of the throat of the gorge into the plain and
+the sunlight. He was stiff and weary; he sat down in the shadow of a rock,
+filled up his flask with water from a spring and drank it down, and remained
+for a time, resting before he went on to the houses.
+</p>
+
+<p>
+They were very strange to his eyes, and indeed the whole aspect of that valley
+became, as he regarded it, queerer and more unfamiliar. The greater part of its
+surface was lush green meadow, starred with many beautiful flowers, irrigated
+with extraordinary care, and bearing evidence of systematic cropping piece by
+piece. High up and ringing the valley about was a wall, and what appeared to be
+a circumferential water channel, from which the little trickles of water that
+fed the meadow plants came, and on the higher slopes above this flocks of
+llamas cropped the scanty herbage. Sheds, apparently shelters or feeding-places
+for the llamas, stood against the boundary wall here and there. The irrigation
+streams ran together into a main channel down the centre of the valley, and
+this was enclosed on either side by a wall breast high. This gave a singularly
+urban quality to this secluded place, a quality that was greatly enhanced by
+the fact that a number of paths paved with black and white stones, and each
+with a curious little kerb at the side, ran hither and thither in an orderly
+manner. The houses of the central village were quite unlike the casual and
+higgledy-piggledy agglomeration of the mountain villages he knew; they stood in
+a continuous row on either side of a central street of astonishing cleanness,
+here and there their parti-coloured facade was pierced by a door, and not a
+solitary window broke their even frontage. They were parti-coloured with
+extraordinary irregularity, smeared with a sort of plaster that was sometimes
+grey, sometimes drab, sometimes slate-coloured or dark brown; and it was the
+sight of this wild plastering first brought the word &ldquo;blind&rdquo; into
+the thoughts of the explorer. &ldquo;The good man who did that,&rdquo; he
+thought, &ldquo;must have been as blind as a bat.&rdquo;
+</p>
+
+<p>
+He descended a steep place, and so came to the wall and channel that ran about
+the valley, near where the latter spouted out its surplus contents into the
+deeps of the gorge in a thin and wavering thread of cascade. He could now see a
+number of men and women resting on piled heaps of grass, as if taking a siesta,
+in the remoter part of the meadow, and nearer the village a number of recumbent
+children, and then nearer at hand three men carrying pails on yokes along a
+little path that ran from the encircling wall towards the houses. These latter
+were clad in garments of llama cloth and boots and belts of leather, and they
+wore caps of cloth with back and ear flaps. They followed one another in single
+file, walking slowly and yawning as they walked, like men who have been up all
+night. There was something so reassuringly prosperous and respectable in their
+bearing that after a moment&rsquo;s hesitation Nunez stood forward as
+conspicuously as possible upon his rock, and gave vent to a mighty shout that
+echoed round the valley.
+</p>
+
+<p>
+The three men stopped, and moved their heads as though they were looking about
+them. They turned their faces this way and that, and Nunez gesticulated with
+freedom. But they did not appear to see him for all his gestures, and after a
+time, directing themselves towards the mountains far away to the right, they
+shouted as if in answer. Nunez bawled again, and then once more, and as he
+gestured ineffectually the word &ldquo;blind&rdquo; came up to the top of his
+thoughts. &ldquo;The fools must be blind,&rdquo; he said.
+</p>
+
+<p>
+When at last, after much shouting and wrath, Nunez crossed the stream by a
+little bridge, came through a gate in the wall, and approached them, he was
+sure that they were blind. He was sure that this was the Country of the Blind
+of which the legends told. Conviction had sprung upon him, and a sense of great
+and rather enviable adventure. The three stood side by side, not looking at
+him, but with their ears directed towards him, judging him by his unfamiliar
+steps. They stood close together like men a little afraid, and he could see
+their eyelids closed and sunken, as though the very balls beneath had shrunk
+away. There was an expression near awe on their faces.
+</p>
+
+<p>
+&ldquo;A man,&rdquo; one said, in hardly recognisable Spanish. &ldquo;A man it
+is&mdash;a man or a spirit&mdash;coming down from the rocks.&rdquo;
+</p>
+
+<p>
+But Nunez advanced with the confident steps of a youth who enters upon life.
+All the old stories of the lost valley and the Country of the Blind had come
+back to his mind, and through his thoughts ran this old proverb, as if it were
+a refrain:&mdash;
+</p>
+
+<p>
+&ldquo;In the Country of the Blind the One-Eyed Man is King.&rdquo;
+</p>
+
+<p>
+&ldquo;In the Country of the Blind the One-Eyed Man is King.&rdquo;
+</p>
+
+<p>
+And very civilly he gave them greeting. He talked to them and used his eyes.
+</p>
+
+<p>
+&ldquo;Where does he come from, brother Pedro?&rdquo; asked one.
+</p>
+
+<p>
+&ldquo;Down out of the rocks.&rdquo;
+</p>
+
+<p>
+&ldquo;Over the mountains I come,&rdquo; said Nunez, &ldquo;out of the country
+beyond there&mdash;where men can see. From near Bogota&mdash;where there are a
+hundred thousands of people, and where the city passes out of sight.&rdquo;
+</p>
+
+<p>
+&ldquo;Sight?&rdquo; muttered Pedro. &ldquo;Sight?&rdquo;
+</p>
+
+<p>
+&ldquo;He comes,&rdquo; said the second blind man, &ldquo;out of the
+rocks.&rdquo;
+</p>
+
+<p>
+The cloth of their coats, Nunez saw was curious fashioned, each with a
+different sort of stitching.
+</p>
+
+<p>
+They startled him by a simultaneous movement towards him, each with a hand
+outstretched. He stepped back from the advance of these spread fingers.
+</p>
+
+<p>
+&ldquo;Come hither,&rdquo; said the third blind man, following his motion and
+clutching him neatly.
+</p>
+
+<p>
+And they held Nunez and felt him over, saying no word further until they had
+done so.
+</p>
+
+<p>
+&ldquo;Carefully,&rdquo; he cried, with a finger in his eye, and found they
+thought that organ, with its fluttering lids, a queer thing in him. They went
+over it again.
+</p>
+
+<p>
+&ldquo;A strange creature, Correa,&rdquo; said the one called Pedro.
+&ldquo;Feel the coarseness of his hair. Like a llama&rsquo;s hair.&rdquo;
+</p>
+
+<p>
+&ldquo;Rough he is as the rocks that begot him,&rdquo; said Correa,
+investigating Nunez&rsquo;s unshaven chin with a soft and slightly moist hand.
+&ldquo;Perhaps he will grow finer.&rdquo;
+</p>
+
+<p>
+Nunez struggled a little under their examination, but they gripped him firm.
+</p>
+
+<p>
+&ldquo;Carefully,&rdquo; he said again.
+</p>
+
+<p>
+&ldquo;He speaks,&rdquo; said the third man. &ldquo;Certainly he is a
+man.&rdquo;
+</p>
+
+<p>
+&ldquo;Ugh!&rdquo; said Pedro, at the roughness of his coat.
+</p>
+
+<p>
+&ldquo;And you have come into the world?&rdquo; asked Pedro.
+</p>
+
+<p>
+&ldquo;<i>Out</i> of the world. Over mountains and glaciers; right over above
+there, half-way to the sun. Out of the great, big world that goes down, twelve
+days&rsquo; journey to the sea.&rdquo;
+</p>
+
+<p>
+They scarcely seemed to heed him. &ldquo;Our fathers have told us men may be
+made by the forces of Nature,&rdquo; said Correa. &ldquo;It is the warmth of
+things, and moisture, and rottenness&mdash;rottenness.&rdquo;
+</p>
+
+<p>
+&ldquo;Let us lead him to the elders,&rdquo; said Pedro.
+</p>
+
+<p>
+&ldquo;Shout first,&rdquo; said Correa, &ldquo;lest the children be afraid.
+This is a marvellous occasion.&rdquo;
+</p>
+
+<p>
+So they shouted, and Pedro went first and took Nunez by the hand to lead him to
+the houses.
+</p>
+
+<p>
+He drew his hand away. &ldquo;I can see,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;See?&rdquo; said Correa.
+</p>
+
+<p>
+&ldquo;Yes; see,&rdquo; said Nunez, turning towards him, and stumbled against
+Pedro&rsquo;s pail.
+</p>
+
+<p>
+&ldquo;His senses are still imperfect,&rdquo; said the third blind man.
+&ldquo;He stumbles, and talks unmeaning words. Lead him by the hand.&rdquo;
+</p>
+
+<p>
+&ldquo;As you will,&rdquo; said Nunez, and was led along laughing.
+</p>
+
+<p>
+It seemed they knew nothing of sight.
+</p>
+
+<p>
+Well, all in good time he would teach them.
+</p>
+
+<p>
+He heard people shouting, and saw a number of figures gathering together in the
+middle roadway of the village.
+</p>
+
+<p>
+He found it tax his nerve and patience more than he had anticipated, that first
+encounter with the population of the Country of the Blind. The place seemed
+larger as he drew near to it, and the smeared plasterings queerer, and a crowd
+of children and men and women (the women and girls he was pleased to note had,
+some of them, quite sweet faces, for all that their eyes were shut and sunken)
+came about him, holding on to him, touching him with soft, sensitive hands,
+smelling at him, and listening at every word he spoke. Some of the maidens and
+children, however, kept aloof as if afraid, and indeed his voice seemed coarse
+and rude beside their softer notes. They mobbed him. His three guides kept
+close to him with an effect of proprietorship, and said again and again,
+&ldquo;A wild man out of the rocks.&rdquo;
+</p>
+
+<p>
+&ldquo;Bogota,&rdquo; he said. &ldquo;Bogota. Over the mountain crests.&rdquo;
+</p>
+
+<p>
+&ldquo;A wild man&mdash;using wild words,&rdquo; said Pedro. &ldquo;Did you
+hear that&mdash;
+</p>
+
+<p>
+&ldquo;<i>Bogota?</i> His mind has hardly formed yet. He has only the
+beginnings of speech.&rdquo;
+</p>
+
+<p>
+A little boy nipped his hand. &ldquo;Bogota!&rdquo; he said mockingly.
+</p>
+
+<p>
+&ldquo;Aye! A city to your village. I come from the great world&mdash;where men
+have eyes and see.&rdquo;
+</p>
+
+<p>
+&ldquo;His name&rsquo;s Bogota,&rdquo; they said.
+</p>
+
+<p>
+&ldquo;He stumbled,&rdquo; said Correa&mdash;&ldquo;stumbled twice as we came
+hither.&rdquo;
+</p>
+
+<p>
+&ldquo;Bring him in to the elders.&rdquo;
+</p>
+
+<p>
+And they thrust him suddenly through a doorway into a room as black as pitch,
+save at the end there faintly glowed a fire. The crowd closed in behind him and
+shut out all but the faintest glimmer of day, and before he could arrest
+himself he had fallen headlong over the feet of a seated man. His arm,
+outflung, struck the face of someone else as he went down; he felt the soft
+impact of features and heard a cry of anger, and for a moment he struggled
+against a number of hands that clutched him. It was a one-sided fight. An
+inkling of the situation came to him and he lay quiet.
+</p>
+
+<p>
+&ldquo;I fell down,&rdquo; he said; &ldquo;I couldn&rsquo;t see in this pitchy
+darkness.&rdquo;
+</p>
+
+<p>
+There was a pause as if the unseen persons about him tried to understand his
+words. Then the voice of Correa said: &ldquo;He is but newly formed. He
+stumbles as he walks and mingles words that mean nothing with his
+speech.&rdquo;
+</p>
+
+<p>
+Others also said things about him that he heard or understood imperfectly.
+</p>
+
+<p>
+&ldquo;May I sit up?&rdquo; he asked, in a pause. &ldquo;I will not struggle
+against you again.&rdquo;
+</p>
+
+<p>
+They consulted and let him rise.
+</p>
+
+<p>
+The voice of an older man began to question him, and Nunez found himself trying
+to explain the great world out of which he had fallen, and the sky and
+mountains and such-like marvels, to these elders who sat in darkness in the
+Country of the Blind. And they would believe and understand nothing whatever
+that he told them, a thing quite outside his expectation. They would not even
+understand many of his words. For fourteen generations these people had been
+blind and cut off from all the seeing world; the names for all the things of
+sight had faded and changed; the story of the outer world was faded and changed
+to a child&rsquo;s story; and they had ceased to concern themselves with
+anything beyond the rocky slopes above their circling wall. Blind men of genius
+had arisen among them and questioned the shreds of belief and tradition they
+had brought with them from their seeing days, and had dismissed all these
+things as idle fancies and replaced them with new and saner explanations. Much
+of their imagination had shrivelled with their eyes, and they had made for
+themselves new imaginations with their ever more sensitive ears and
+finger-tips. Slowly Nunez realised this: that his expectation of wonder and
+reverence at his origin and his gifts was not to be borne out; and after his
+poor attempt to explain sight to them had been set aside as the confused
+version of a new-made being describing the marvels of his incoherent
+sensations, he subsided, a little dashed, into listening to their instruction.
+And the eldest of the blind men explained to him life and philosophy and
+religion, how that the world (meaning their valley) had been first an empty
+hollow in the rocks, and then had come first inanimate things without the gift
+of touch, and llamas and a few other creatures that had little sense, and then
+men, and at last angels, whom one could hear singing and making fluttering
+sounds, but whom no one could touch at all, which puzzled Nunez greatly until
+he thought of the birds.
+</p>
+
+<p>
+He went on to tell Nunez how this time had been divided into the warm and the
+cold, which are the blind equivalents of day and night, and how it was good to
+sleep in the warm and work during the cold, so that now, but for his advent,
+the whole town of the blind would have been asleep. He said Nunez must have
+been specially created to learn and serve the wisdom they had acquired, and
+that for all his mental incoherency and stumbling behaviour he must have
+courage and do his best to learn, and at that all the people in the door-way
+murmured encouragingly. He said the night&mdash;for the blind call their day
+night&mdash;was now far gone, and it behooved everyone to go back to sleep. He
+asked Nunez if he knew how to sleep, and Nunez said he did, but that before
+sleep he wanted food. They brought him food, llama&rsquo;s milk in a bowl and
+rough salted bread, and led him into a lonely place to eat out of their
+hearing, and afterwards to slumber until the chill of the mountain evening
+roused them to begin their day again. But Nunez slumbered not at all.
+</p>
+
+<p>
+Instead, he sat up in the place where they had left him, resting his limbs and
+turning the unanticipated circumstances of his arrival over and over in his
+mind.
+</p>
+
+<p>
+Every now and then he laughed, sometimes with amusement and sometimes with
+indignation.
+</p>
+
+<p>
+&ldquo;Unformed mind!&rdquo; he said. &ldquo;Got no senses yet! They little
+know they&rsquo;ve been insulting their Heaven-sent King and master . . . . .
+</p>
+
+<p>
+&ldquo;I see I must bring them to reason.
+</p>
+
+<p>
+&ldquo;Let me think.
+</p>
+
+<p>
+&ldquo;Let me think.&rdquo;
+</p>
+
+<p>
+He was still thinking when the sun set.
+</p>
+
+<p>
+Nunez had an eye for all beautiful things, and it seemed to him that the glow
+upon the snow-fields and glaciers that rose about the valley on every side was
+the most beautiful thing he had ever seen. His eyes went from that inaccessible
+glory to the village and irrigated fields, fast sinking into the twilight, and
+suddenly a wave of emotion took him, and he thanked God from the bottom of his
+heart that the power of sight had been given him.
+</p>
+
+<p>
+He heard a voice calling to him from out of the village.
+</p>
+
+<p>
+&ldquo;Yaho there, Bogota! Come hither!&rdquo;
+</p>
+
+<p>
+At that he stood up, smiling. He would show these people once and for all what
+sight would do for a man. They would seek him, but not find him.
+</p>
+
+<p>
+&ldquo;You move not, Bogota,&rdquo; said the voice.
+</p>
+
+<p>
+He laughed noiselessly and made two stealthy steps aside from the path.
+</p>
+
+<p>
+&ldquo;Trample not on the grass, Bogota; that is not allowed.&rdquo;
+</p>
+
+<p>
+Nunez had scarcely heard the sound he made himself. He stopped, amazed.
+</p>
+
+<p>
+The owner of the voice came running up the piebald path towards him.
+</p>
+
+<p>
+He stepped back into the pathway. &ldquo;Here I am,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Why did you not come when I called you?&rdquo; said the blind man.
+&ldquo;Must you be led like a child? Cannot you hear the path as you
+walk?&rdquo;
+</p>
+
+<p>
+Nunez laughed. &ldquo;I can see it,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;There is no such word as <i>see</i>,&rdquo; said the blind man, after a
+pause. &ldquo;Cease this folly and follow the sound of my feet.&rdquo;
+</p>
+
+<p>
+Nunez followed, a little annoyed.
+</p>
+
+<p>
+&ldquo;My time will come,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;You&rsquo;ll learn,&rdquo; the blind man answered. &ldquo;There is much
+to learn in the world.&rdquo;
+</p>
+
+<p>
+&ldquo;Has no one told you, &lsquo;In the Country of the Blind the One-Eyed Man
+is King?&rsquo;&rdquo;
+</p>
+
+<p>
+&ldquo;What is blind?&rdquo; asked the blind man, carelessly, over his
+shoulder.
+</p>
+
+<p>
+Four days passed and the fifth found the King of the Blind still incognito, as
+a clumsy and useless stranger among his subjects.
+</p>
+
+<p>
+It was, he found, much more difficult to proclaim himself than he had supposed,
+and in the meantime, while he meditated his <i>coup d&rsquo;etat</i>, he did
+what he was told and learnt the manners and customs of the Country of the
+Blind. He found working and going about at night a particularly irksome thing,
+and he decided that that should be the first thing he would change.
+</p>
+
+<p>
+They led a simple, laborious life, these people, with all the elements of
+virtue and happiness as these things can be understood by men. They toiled, but
+not oppressively; they had food and clothing sufficient for their needs; they
+had days and seasons of rest; they made much of music and singing, and there
+was love among them and little children. It was marvellous with what confidence
+and precision they went about their ordered world. Everything, you see, had
+been made to fit their needs; each of the radiating paths of the valley area
+had a constant angle to the others, and was distinguished by a special notch
+upon its kerbing; all obstacles and irregularities of path or meadow had long
+since been cleared away; all their methods and procedure arose naturally from
+their special needs. Their senses had become marvellously acute; they could
+hear and judge the slightest gesture of a man a dozen paces away&mdash;could
+hear the very beating of his heart. Intonation had long replaced expression
+with them, and touches gesture, and their work with hoe and spade and fork was
+as free and confident as garden work can be. Their sense of smell was
+extraordinarily fine; they could distinguish individual differences as readily
+as a dog can, and they went about the tending of llamas, who lived among the
+rocks above and came to the wall for food and shelter, with ease and
+confidence. It was only when at last Nunez sought to assert himself that he
+found how easy and confident their movements could be.
+</p>
+
+<p>
+He rebelled only after he had tried persuasion.
+</p>
+
+<p>
+He tried at first on several occasions to tell them of sight. &ldquo;Look you
+here, you people,&rdquo; he said. &ldquo;There are things you do not understand
+in me.&rdquo;
+</p>
+
+<p>
+Once or twice one or two of them attended to him; they sat with faces downcast
+and ears turned intelligently towards him, and he did his best to tell them
+what it was to see. Among his hearers was a girl, with eyelids less red and
+sunken than the others, so that one could almost fancy she was hiding eyes,
+whom especially he hoped to persuade. He spoke of the beauties of sight, of
+watching the mountains, of the sky and the sunrise, and they heard him with
+amused incredulity that presently became condemnatory. They told him there were
+indeed no mountains at all, but that the end of the rocks where the llamas
+grazed was indeed the end of the world; thence sprang a cavernous roof of the
+universe, from which the dew and the avalanches fell; and when he maintained
+stoutly the world had neither end nor roof such as they supposed, they said his
+thoughts were wicked. So far as he could describe sky and clouds and stars to
+them it seemed to them a hideous void, a terrible blankness in the place of the
+smooth roof to things in which they believed&mdash;it was an article of faith
+with them that the cavern roof was exquisitely smooth to the touch. He saw that
+in some manner he shocked them, and gave up that aspect of the matter
+altogether, and tried to show them the practical value of sight. One morning he
+saw Pedro in the path called Seventeen and coming towards the central houses,
+but still too far off for hearing or scent, and he told them as much. &ldquo;In
+a little while,&rdquo; he prophesied, &ldquo;Pedro will be here.&rdquo; An old
+man remarked that Pedro had no business on path Seventeen, and then, as if in
+confirmation, that individual as he drew near turned and went transversely into
+path Ten, and so back with nimble paces towards the outer wall. They mocked
+Nunez when Pedro did not arrive, and afterwards, when he asked Pedro questions
+to clear his character, Pedro denied and outfaced him, and was afterwards
+hostile to him.
+</p>
+
+<p>
+Then he induced them to let him go a long way up the sloping meadows towards
+the wall with one complaisant individual, and to him he promised to describe
+all that happened among the houses. He noted certain goings and comings, but
+the things that really seemed to signify to these people happened inside of or
+behind the windowless houses&mdash;the only things they took note of to test
+him by&mdash;and of those he could see or tell nothing; and it was after the
+failure of this attempt, and the ridicule they could not repress, that he
+resorted to force. He thought of seizing a spade and suddenly smiting one or
+two of them to earth, and so in fair combat showing the advantage of eyes. He
+went so far with that resolution as to seize his spade, and then he discovered
+a new thing about himself, and that was that it was impossible for him to hit a
+blind man in cold blood.
+</p>
+
+<p>
+He hesitated, and found them all aware that he had snatched up the spade. They
+stood all alert, with their heads on one side, and bent ears towards him for
+what he would do next.
+</p>
+
+<p>
+&ldquo;Put that spade down,&rdquo; said one, and he felt a sort of helpless
+horror. He came near obedience.
+</p>
+
+<p>
+Then he had thrust one backwards against a house wall, and fled past him and
+out of the village.
+</p>
+
+<p>
+He went athwart one of their meadows, leaving a track of trampled grass behind
+his feet, and presently sat down by the side of one of their ways. He felt
+something of the buoyancy that comes to all men in the beginning of a fight,
+but more perplexity. He began to realise that you cannot even fight happily
+with creatures who stand upon a different mental basis to yourself. Far away he
+saw a number of men carrying spades and sticks come out of the street of houses
+and advance in a spreading line along the several paths towards him. They
+advanced slowly, speaking frequently to one another, and ever and again the
+whole cordon would halt and sniff the air and listen.
+</p>
+
+<p>
+The first time they did this Nunez laughed. But afterwards he did not laugh.
+</p>
+
+<p>
+One struck his trail in the meadow grass and came stooping and feeling his way
+along it.
+</p>
+
+<p>
+For five minutes he watched the slow extension of the cordon, and then his
+vague disposition to do something forthwith became frantic. He stood up, went a
+pace or so towards the circumferential wall, turned, and went back a little
+way. There they all stood in a crescent, still and listening.
+</p>
+
+<p>
+He also stood still, gripping his spade very tightly in both hands. Should he
+charge them?
+</p>
+
+<p>
+The pulse in his ears ran into the rhythm of &ldquo;In the Country of the Blind
+the One-Eyed Man is King.&rdquo;
+</p>
+
+<p>
+Should he charge them?
+</p>
+
+<p>
+He looked back at the high and unclimbable wall behind&mdash;unclimbable
+because of its smooth plastering, but withal pierced with many little doors and
+at the approaching line of seekers. Behind these others were now coming out of
+the street of houses.
+</p>
+
+<p>
+Should he charge them?
+</p>
+
+<p>
+&ldquo;Bogota!&rdquo; called one. &ldquo;Bogota! where are you?&rdquo;
+</p>
+
+<p>
+He gripped his spade still tighter and advanced down the meadows towards the
+place of habitations, and directly he moved they converged upon him.
+&ldquo;I&rsquo;ll hit them if they touch me,&rdquo; he swore; &ldquo;by Heaven,
+I will. I&rsquo;ll hit.&rdquo; He called aloud, &ldquo;Look here, I&rsquo;m
+going to do what I like in this valley! Do you hear? I&rsquo;m going to do what
+I like and go where I like.&rdquo;
+</p>
+
+<p>
+They were moving in upon him quickly, groping, yet moving rapidly. It was like
+playing blind man&rsquo;s buff with everyone blindfolded except one. &ldquo;Get
+hold of him!&rdquo; cried one. He found himself in the arc of a loose curve of
+pursuers. He felt suddenly he must be active and resolute.
+</p>
+
+<p>
+&ldquo;You don&rsquo;t understand,&rdquo; he cried, in a voice that was meant
+to be great and resolute, and which broke. &ldquo;You are blind and I can see.
+Leave me alone!&rdquo;
+</p>
+
+<p>
+&ldquo;Bogota! Put down that spade and come off the grass!&rdquo;
+</p>
+
+<p>
+The last order, grotesque in its urban familiarity, produced a gust of anger.
+&ldquo;I&rsquo;ll hurt you,&rdquo; he said, sobbing with emotion. &ldquo;By
+Heaven, I&rsquo;ll hurt you! Leave me alone!&rdquo;
+</p>
+
+<p>
+He began to run&mdash;not knowing clearly where to run. He ran from the nearest
+blind man, because it was a horror to hit him. He stopped, and then made a dash
+to escape from their closing ranks. He made for where a gap was wide, and the
+men on either side, with a quick perception of the approach of his paces,
+rushed in on one another. He sprang forward, and then saw he must be caught,
+and <i>swish!</i> the spade had struck. He felt the soft thud of hand and arm,
+and the man was down with a yell of pain, and he was through.
+</p>
+
+<p>
+Through! And then he was close to the street of houses again, and blind men,
+whirling spades and stakes, were running with a reasoned swiftness hither and
+thither.
+</p>
+
+<p>
+He heard steps behind him just in time, and found a tall man rushing forward
+and swiping at the sound of him. He lost his nerve, hurled his spade a yard
+wide of this antagonist, and whirled about and fled, fairly yelling as he
+dodged another.
+</p>
+
+<p>
+He was panic-stricken. He ran furiously to and fro, dodging when there was no
+need to dodge, and, in his anxiety to see on every side of him at once,
+stumbling. For a moment he was down and they heard his fall. Far away in the
+circumferential wall a little doorway looked like Heaven, and he set off in a
+wild rush for it. He did not even look round at his pursuers until it was
+gained, and he had stumbled across the bridge, clambered a little way among the
+rocks, to the surprise and dismay of a young llama, who went leaping out of
+sight, and lay down sobbing for breath.
+</p>
+
+<p>
+And so his <i>coup d&rsquo;etat</i> came to an end.
+</p>
+
+<p>
+He stayed outside the wall of the valley of the blind for two nights and days
+without food or shelter, and meditated upon the Unexpected. During these
+meditations he repeated very frequently and always with a profounder note of
+derision the exploded proverb: &ldquo;In the Country of the Blind the One-Eyed
+Man is King.&rdquo; He thought chiefly of ways of fighting and conquering these
+people, and it grew clear that for him no practicable way was possible. He had
+no weapons, and now it would be hard to get one.
+</p>
+
+<p>
+The canker of civilisation had got to him even in Bogota, and he could not find
+it in himself to go down and assassinate a blind man. Of course, if he did
+that, he might then dictate terms on the threat of assassinating them all.
+But&mdash;Sooner or later he must sleep! . . . .
+</p>
+
+<p>
+He tried also to find food among the pine trees, to be comfortable under pine
+boughs while the frost fell at night, and&mdash;with less confidence&mdash;to
+catch a llama by artifice in order to try to kill it&mdash;perhaps by hammering
+it with a stone&mdash;and so finally, perhaps, to eat some of it. But the
+llamas had a doubt of him and regarded him with distrustful brown eyes and spat
+when he drew near. Fear came on him the second day and fits of shivering.
+Finally he crawled down to the wall of the Country of the Blind and tried to
+make his terms. He crawled along by the stream, shouting, until two blind men
+came out to the gate and talked to him.
+</p>
+
+<p>
+&ldquo;I was mad,&rdquo; he said. &ldquo;But I was only newly made.&rdquo;
+</p>
+
+<p>
+They said that was better.
+</p>
+
+<p>
+He told them he was wiser now, and repented of all he had done.
+</p>
+
+<p>
+Then he wept without intention, for he was very weak and ill now, and they took
+that as a favourable sign.
+</p>
+
+<p>
+They asked him if he still thought he could &ldquo;<i>see</i>.&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; he said. &ldquo;That was folly. The word means nothing. Less
+than nothing!&rdquo;
+</p>
+
+<p>
+They asked him what was overhead.
+</p>
+
+<p>
+&ldquo;About ten times ten the height of a man there is a roof above the
+world&mdash;of rock&mdash;and very, very smooth. So smooth&mdash;so beautifully
+smooth . .&rdquo; He burst again into hysterical tears. &ldquo;Before you ask
+me any more, give me some food or I shall die!&rdquo;
+</p>
+
+<p>
+He expected dire punishments, but these blind people were capable of
+toleration. They regarded his rebellion as but one more proof of his general
+idiocy and inferiority, and after they had whipped him they appointed him to do
+the simplest and heaviest work they had for anyone to do, and he, seeing no
+other way of living, did submissively what he was told.
+</p>
+
+<p>
+He was ill for some days and they nursed him kindly. That refined his
+submission. But they insisted on his lying in the dark, and that was a great
+misery. And blind philosophers came and talked to him of the wicked levity of
+his mind, and reproved him so impressively for his doubts about the lid of rock
+that covered their cosmic <i>casserole</i> that he almost doubted whether
+indeed he was not the victim of hallucination in not seeing it overhead.
+</p>
+
+<p>
+So Nunez became a citizen of the Country of the Blind, and these people ceased
+to be a generalised people and became individualities to him, and familiar to
+him, while the world beyond the mountains became more and more remote and
+unreal. There was Yacob, his master, a kindly man when not annoyed; there was
+Pedro, Yacob&rsquo;s nephew; and there was Medina-sarote, who was the youngest
+daughter of Yacob. She was little esteemed in the world of the blind, because
+she had a clear-cut face and lacked that satisfying, glossy smoothness that is
+the blind man&rsquo;s ideal of feminine beauty, but Nunez thought her beautiful
+at first, and presently the most beautiful thing in the whole creation. Her
+closed eyelids were not sunken and red after the common way of the valley, but
+lay as though they might open again at any moment; and she had long eyelashes,
+which were considered a grave disfigurement. And her voice was weak and did not
+satisfy the acute hearing of the valley swains. So that she had no lover.
+</p>
+
+<p>
+There came a time when Nunez thought that, could he win her, he would be
+resigned to live in the valley for all the rest of his days.
+</p>
+
+<p>
+He watched her; he sought opportunities of doing her little services and
+presently he found that she observed him. Once at a rest-day gathering they sat
+side by side in the dim starlight, and the music was sweet. His hand came upon
+hers and he dared to clasp it. Then very tenderly she returned his pressure.
+And one day, as they were at their meal in the darkness, he felt her hand very
+softly seeking him, and as it chanced the fire leapt then, and he saw the
+tenderness of her face.
+</p>
+
+<p>
+He sought to speak to her.
+</p>
+
+<p>
+He went to her one day when she was sitting in the summer moonlight spinning.
+The light made her a thing of silver and mystery. He sat down at her feet and
+told her he loved her, and told her how beautiful she seemed to him. He had a
+lover&rsquo;s voice, he spoke with a tender reverence that came near to awe,
+and she had never before been touched by adoration. She made him no definite
+answer, but it was clear his words pleased her.
+</p>
+
+<p>
+After that he talked to her whenever he could take an opportunity. The valley
+became the world for him, and the world beyond the mountains where men lived by
+day seemed no more than a fairy tale he would some day pour into her ears. Very
+tentatively and timidly he spoke to her of sight.
+</p>
+
+<p>
+Sight seemed to her the most poetical of fancies, and she listened to his
+description of the stars and the mountains and her own sweet white-lit beauty
+as though it was a guilty indulgence. She did not believe, she could only half
+understand, but she was mysteriously delighted, and it seemed to him that she
+completely understood.
+</p>
+
+<p>
+His love lost its awe and took courage. Presently he was for demanding her of
+Yacob and the elders in marriage, but she became fearful and delayed. And it
+was one of her elder sisters who first told Yacob that Medina-sarote and Nunez
+were in love.
+</p>
+
+<p>
+There was from the first very great opposition to the marriage of Nunez and
+Medina-sarote; not so much because they valued her as because they held him as
+a being apart, an idiot, incompetent thing below the permissible level of a
+man. Her sisters opposed it bitterly as bringing discredit on them all; and old
+Yacob, though he had formed a sort of liking for his clumsy, obedient serf,
+shook his head and said the thing could not be. The young men were all angry at
+the idea of corrupting the race, and one went so far as to revile and strike
+Nunez. He struck back. Then for the first time he found an advantage in seeing,
+even by twilight, and after that fight was over no one was disposed to raise a
+hand against him. But they still found his marriage impossible.
+</p>
+
+<p>
+Old Yacob had a tenderness for his last little daughter, and was grieved to
+have her weep upon his shoulder.
+</p>
+
+<p>
+&ldquo;You see, my dear, he&rsquo;s an idiot. He has delusions; he can&rsquo;t
+do anything right.&rdquo;
+</p>
+
+<p>
+&ldquo;I know,&rdquo; wept Medina-sarote. &ldquo;But he&rsquo;s better than he
+was. He&rsquo;s getting better. And he&rsquo;s strong, dear father, and
+kind&mdash;stronger and kinder than any other man in the world. And he loves
+me&mdash;and, father, I love him.&rdquo;
+</p>
+
+<p>
+Old Yacob was greatly distressed to find her inconsolable, and,
+besides&mdash;what made it more distressing&mdash;he liked Nunez for many
+things. So he went and sat in the windowless council-chamber with the other
+elders and watched the trend of the talk, and said, at the proper time,
+&ldquo;He&rsquo;s better than he was. Very likely, some day, we shall find him
+as sane as ourselves.&rdquo;
+</p>
+
+<p>
+Then afterwards one of the elders, who thought deeply, had an idea. He was a
+great doctor among these people, their medicine-man, and he had a very
+philosophical and inventive mind, and the idea of curing Nunez of his
+peculiarities appealed to him. One day when Yacob was present he returned to
+the topic of Nunez. &ldquo;I have examined Nunez,&rdquo; he said, &ldquo;and
+the case is clearer to me. I think very probably he might be cured.&rdquo;
+</p>
+
+<p>
+&ldquo;This is what I have always hoped,&rdquo; said old Yacob.
+</p>
+
+<p>
+&ldquo;His brain is affected,&rdquo; said the blind doctor.
+</p>
+
+<p>
+The elders murmured assent.
+</p>
+
+<p>
+&ldquo;Now, <i>what</i> affects it?&rdquo;
+</p>
+
+<p>
+&ldquo;Ah!&rdquo; said old Yacob.
+</p>
+
+<p>
+&ldquo;<i>This</i>,&rdquo; said the doctor, answering his own question.
+&ldquo;Those queer things that are called the eyes, and which exist to make an
+agreeable depression in the face, are diseased, in the case of Nunez, in such a
+way as to affect his brain. They are greatly distended, he has eyelashes, and
+his eyelids move, and consequently his brain is in a state of constant
+irritation and distraction.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes?&rdquo; said old Yacob. &ldquo;Yes?&rdquo;
+</p>
+
+<p>
+&ldquo;And I think I may say with reasonable certainty that, in order to cure
+him complete, all that we need to do is a simple and easy surgical
+operation&mdash;namely, to remove these irritant bodies.&rdquo;
+</p>
+
+<p>
+&ldquo;And then he will be sane?&rdquo;
+</p>
+
+<p>
+&ldquo;Then he will be perfectly sane, and a quite admirable citizen.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank Heaven for science!&rdquo; said old Yacob, and went forth at once
+to tell Nunez of his happy hopes.
+</p>
+
+<p>
+But Nunez&rsquo;s manner of receiving the good news struck him as being cold
+and disappointing.
+</p>
+
+<p>
+&ldquo;One might think,&rdquo; he said, &ldquo;from the tone you take that you
+did not care for my daughter.&rdquo;
+</p>
+
+<p>
+It was Medina-sarote who persuaded Nunez to face the blind surgeons.
+</p>
+
+<p>
+&ldquo;<i>You</i> do not want me,&rdquo; he said, &ldquo;to lose my gift of
+sight?&rdquo;
+</p>
+
+<p>
+She shook her head.
+</p>
+
+<p>
+&ldquo;My world is sight.&rdquo;
+</p>
+
+<p>
+Her head drooped lower.
+</p>
+
+<p>
+&ldquo;There are the beautiful things, the beautiful little things&mdash;the
+flowers, the lichens amidst the rocks, the light and softness on a piece of
+fur, the far sky with its drifting dawn of clouds, the sunsets and the stars.
+And there is <i>you</i>. For you alone it is good to have sight, to see your
+sweet, serene face, your kindly lips, your dear, beautiful hands folded
+together. . . . . It is these eyes of mine you won, these eyes that hold me to
+you, that these idiots seek. Instead, I must touch you, hear you, and never see
+you again. I must come under that roof of rock and stone and darkness, that
+horrible roof under which your imaginations stoop . . . <i>No</i>; <i>you</i>
+would not have me do that?&rdquo;
+</p>
+
+<p>
+A disagreeable doubt had arisen in him. He stopped and left the thing a
+question.
+</p>
+
+<p>
+&ldquo;I wish,&rdquo; she said, &ldquo;sometimes&mdash;&rdquo; She paused.
+</p>
+
+<p>
+&ldquo;Yes?&rdquo; he said, a little apprehensively.
+</p>
+
+<p>
+&ldquo;I wish sometimes&mdash;you would not talk like that.&rdquo;
+</p>
+
+<p>
+&ldquo;Like what?&rdquo;
+</p>
+
+<p>
+&ldquo;I know it&rsquo;s pretty&mdash;it&rsquo;s your imagination. I love it,
+but <i>now</i>&mdash;&rdquo;
+</p>
+
+<p>
+He felt cold. &ldquo;<i>Now?</i>&rdquo; he said, faintly.
+</p>
+
+<p>
+She sat quite still.
+</p>
+
+<p>
+&ldquo;You mean&mdash;you think&mdash;I should be better, better
+perhaps&mdash;&rdquo;
+</p>
+
+<p>
+He was realising things very swiftly. He felt anger perhaps, anger at the dull
+course of fate, but also sympathy for her lack of understanding&mdash;a
+sympathy near akin to pity.
+</p>
+
+<p>
+&ldquo;<i>Dear</i>,&rdquo; he said, and he could see by her whiteness how
+tensely her spirit pressed against the things she could not say. He put his
+arms about her, he kissed her ear, and they sat for a time in silence.
+</p>
+
+<p>
+&ldquo;If I were to consent to this?&rdquo; he said at last, in a voice that
+was very gentle.
+</p>
+
+<p>
+She flung her arms about him, weeping wildly. &ldquo;Oh, if you would,&rdquo;
+she sobbed, &ldquo;if only you would!&rdquo;
+</p>
+
+<p>
+For a week before the operation that was to raise him from his servitude and
+inferiority to the level of a blind citizen Nunez knew nothing of sleep, and
+all through the warm, sunlit hours, while the others slumbered happily, he sat
+brooding or wandered aimlessly, trying to bring his mind to bear on his
+dilemma. He had given his answer, he had given his consent, and still he was
+not sure. And at last work-time was over, the sun rose in splendour over the
+golden crests, and his last day of vision began for him. He had a few minutes
+with Medina-sarote before she went apart to sleep.
+</p>
+
+<p>
+&ldquo;To-morrow,&rdquo; he said, &ldquo;I shall see no more.&rdquo;
+</p>
+
+<p>
+&ldquo;Dear heart!&rdquo; she answered, and pressed his hands with all her
+strength.
+</p>
+
+<p>
+&ldquo;They will hurt you but little,&rdquo; she said; &ldquo;and you are going
+through this pain, you are going through it, dear lover, for <i>me</i> . . . .
+Dear, if a woman&rsquo;s heart and life can do it, I will repay you. My dearest
+one, my dearest with the tender voice, I will repay.&rdquo;
+</p>
+
+<p>
+He was drenched in pity for himself and her.
+</p>
+
+<p>
+He held her in his arms, and pressed his lips to hers and looked on her sweet
+face for the last time. &ldquo;Good-bye!&rdquo; he whispered to that dear
+sight, &ldquo;good-bye!&rdquo;
+</p>
+
+<p>
+And then in silence he turned away from her.
+</p>
+
+<p>
+She could hear his slow retreating footsteps, and something in the rhythm of
+them threw her into a passion of weeping.
+</p>
+
+<p>
+He walked away.
+</p>
+
+<p>
+He had fully meant to go to a lonely place where the meadows were beautiful
+with white narcissus, and there remain until the hour of his sacrifice should
+come, but as he walked he lifted up his eyes and saw the morning, the morning
+like an angel in golden armour, marching down the steeps . . . .
+</p>
+
+<p>
+It seemed to him that before this splendour he and this blind world in the
+valley, and his love and all, were no more than a pit of sin.
+</p>
+
+<p>
+He did not turn aside as he had meant to do, but went on and passed through the
+wall of the circumference and out upon the rocks, and his eyes were always upon
+the sunlit ice and snow.
+</p>
+
+<p>
+He saw their infinite beauty, and his imagination soared over them to the
+things beyond he was now to resign for ever!
+</p>
+
+<p>
+He thought of that great free world that he was parted from, the world that was
+his own, and he had a vision of those further slopes, distance beyond distance,
+with Bogota, a place of multitudinous stirring beauty, a glory by day, a
+luminous mystery by night, a place of palaces and fountains and statues and
+white houses, lying beautifully in the middle distance. He thought how for a
+day or so one might come down through passes drawing ever nearer and nearer to
+its busy streets and ways. He thought of the river journey, day by day, from
+great Bogota to the still vaster world beyond, through towns and villages,
+forest and desert places, the rushing river day by day, until its banks
+receded, and the big steamers came splashing by and one had reached the
+sea&mdash;the limitless sea, with its thousand islands, its thousands of
+islands, and its ships seen dimly far away in their incessant journeyings round
+and about that greater world. And there, unpent by mountains, one saw the
+sky&mdash;the sky, not such a disc as one saw it here, but an arch of
+immeasurable blue, a deep of deeps in which the circling stars were floating .
+. . .
+</p>
+
+<p>
+His eyes began to scrutinise the great curtain of the mountains with a keener
+inquiry.
+</p>
+
+<p>
+For example; if one went so, up that gully and to that chimney there, then one
+might come out high among those stunted pines that ran round in a sort of shelf
+and rose still higher and higher as it passed above the gorge. And then? That
+talus might be managed. Thence perhaps a climb might be found to take him up to
+the precipice that came below the snow; and if that chimney failed, then
+another farther to the east might serve his purpose better. And then? Then one
+would be out upon the amber-lit snow there, and half-way up to the crest of
+those beautiful desolations. And suppose one had good fortune!
+</p>
+
+<p>
+He glanced back at the village, then turned right round and regarded it with
+folded arms.
+</p>
+
+<p>
+He thought of Medina-sarote, and she had become small and remote.
+</p>
+
+<p>
+He turned again towards the mountain wall down which the day had come to him.
+</p>
+
+<p>
+Then very circumspectly he began his climb.
+</p>
+
+<p>
+When sunset came he was not longer climbing, but he was far and high. His
+clothes were torn, his limbs were bloodstained, he was bruised in many places,
+but he lay as if he were at his ease, and there was a smile on his face.
+</p>
+
+<p>
+From where he rested the valley seemed as if it were in a pit and nearly a mile
+below. Already it was dim with haze and shadow, though the mountain summits
+around him were things of light and fire. The mountain summits around him were
+things of light and fire, and the little things in the rocks near at hand were
+drenched with light and beauty, a vein of green mineral piercing the grey, a
+flash of small crystal here and there, a minute, minutely-beautiful orange
+lichen close beside his face. There were deep, mysterious shadows in the gorge,
+blue deepening into purple, and purple into a luminous darkness, and overhead
+was the illimitable vastness of the sky. But he heeded these things no longer,
+but lay quite still there, smiling as if he were content now merely to have
+escaped from the valley of the Blind, in which he had thought to be King. And
+the glow of the sunset passed, and the night came, and still he lay there,
+under the cold, clear stars.
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block;margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE DOOR IN THE WALL AND OTHER STORIES ***</div>
+<div style='display:block;margin:1em 0;'>This file should be named 456-h.htm or 456-h.zip</div>
+<div style='display:block;margin:1em 0;'>This and all associated files of various formats will be found in https://www.gutenberg.org/4/5/456/</div>
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &bull; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</body>
+
+</html>
+
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..c6fb460
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #456 (https://www.gutenberg.org/ebooks/456)
diff --git a/old/456.txt b/old/456.txt
new file mode 100644
index 0000000..10941ca
--- /dev/null
+++ b/old/456.txt
@@ -0,0 +1,5334 @@
+Project Gutenberg's The Door in the Wall And Other Stories, by H. G. Wells
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Door in the Wall And Other Stories
+
+Author: H. G. Wells
+
+Release Date: July 22, 2005 [EBook #456]
+[This file was first posted in March, 1996]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK DOOR IN THE WALL AND OTHER STORIES ***
+
+
+
+
+This etext was created by Judith Boss, Omaha, Nebraska.
+The equipment: an IBM-compatible 486/50, a Hewlett-Packard
+ScanJet IIc flatbed scanner, and Calera Recognition Systems'
+M/600 Series Professional OCR software and RISC accelerator board
+donated by Calera Recognition Systems.
+
+
+
+
+
+
+
+
+THE DOOR
+IN THE WALL
+And Other Stories
+
+BY
+H. G. WELLS
+
+
+
+
+
+
+CONTENTS
+
+The Door in the Wall 5
+The Star 27
+A Dream of Armageddon 43
+The Cone 75
+A Moonlight Fable 91
+The Diamond Maker 99
+The Lord of the Dynamos 111
+The Country of the Blind 125
+
+
+
+
+
+THE DOOR IN THE WALL
+AND OTHER STORIES
+
+
+
+THE DOOR IN THE WALL
+
+I
+
+One confidential evening, not three months ago, Lionel Wallace told
+me this story of the Door in the Wall. And at the time I thought
+that so far as he was concerned it was a true story.
+
+He told it me with such a direct simplicity of conviction that
+I could not do otherwise than believe in him. But in the morning,
+in my own flat, I woke to a different atmosphere, and as I lay in
+bed and recalled the things he had told me, stripped of the glamour
+of his earnest slow voice, denuded of the focussed shaded table
+light, the shadowy atmosphere that wrapped about him and the
+pleasant bright things, the dessert and glasses and napery of the
+dinner we had shared, making them for the time a bright little
+world quite cut off from every-day realities, I saw it all as
+frankly incredible. "He was mystifying!" I said, and then: "How
+well he did it!. . . . . It isn't quite the thing I should have
+expected him, of all people, to do well."
+
+Afterwards, as I sat up in bed and sipped my morning tea, I
+found myself trying to account for the flavour of reality that
+perplexed me in his impossible reminiscences, by supposing they did
+in some way suggest, present, convey--I hardly know which word to
+use--experiences it was otherwise impossible to tell.
+
+Well, I don't resort to that explanation now. I have got over
+my intervening doubts. I believe now, as I believed at the moment
+of telling, that Wallace did to the very best of his ability strip
+the truth of his secret for me. But whether he himself saw, or
+only thought he saw, whether he himself was the possessor of an
+inestimable privilege, or the victim of a fantastic dream, I cannot
+pretend to guess. Even the facts of his death, which ended my
+doubts forever, throw no light on that. That much the reader must
+judge for himself.
+
+I forget now what chance comment or criticism of mine moved so
+reticent a man to confide in me. He was, I think, defending
+himself against an imputation of slackness and unreliability I had
+made in relation to a great public movement in which he had
+disappointed me. But he plunged suddenly. "I have" he said, "a
+preoccupation--"
+
+"I know," he went on, after a pause that he devoted to the
+study of his cigar ash, "I have been negligent. The fact is--it
+isn't a case of ghosts or apparitions--but--it's an odd thing to
+tell of, Redmond--I am haunted. I am haunted by something--that
+rather takes the light out of things, that fills me with longings
+. . . . ."
+
+He paused, checked by that English shyness that so often
+overcomes us when we would speak of moving or grave or beautiful
+things. "You were at Saint Athelstan's all through," he said, and
+for a moment that seemed to me quite irrelevant. "Well"--and he
+paused. Then very haltingly at first, but afterwards more easily,
+he began to tell of the thing that was hidden in his life, the
+haunting memory of a beauty and a happiness that filled his heart
+with insatiable longings that made all the interests and spectacle
+of worldly life seem dull and tedious and vain to him.
+
+Now that I have the clue to it, the thing seems written
+visibly in his face. I have a photograph in which that look of
+detachment has been caught and intensified. It reminds me of what
+a woman once said of him--a woman who had loved him greatly.
+"Suddenly," she said, "the interest goes out of him. He forgets
+you. He doesn't care a rap for you--under his very nose . . . . ."
+
+Yet the interest was not always out of him, and when he was
+holding his attention to a thing Wallace could contrive to be an
+extremely successful man. His career, indeed, is set with
+successes. He left me behind him long ago; he soared up over my
+head, and cut a figure in the world that I couldn't cut--anyhow.
+He was still a year short of forty, and they say now that he would
+have been in office and very probably in the new Cabinet if he had
+lived. At school he always beat me without effort--as it were by
+nature. We were at school together at Saint Athelstan's College in
+West Kensington for almost all our school time. He came into the
+school as my co-equal, but he left far above me, in a blaze of
+scholarships and brilliant performance. Yet I think I made a fair
+average running. And it was at school I heard first of the Door in
+the Wall--that I was to hear of a second time only a month before
+his death.
+
+To him at least the Door in the Wall was a real door leading
+through a real wall to immortal realities. Of that I am now quite
+assured.
+
+And it came into his life early, when he was a little fellow
+between five and six. I remember how, as he sat making his
+confession to me with a slow gravity, he reasoned and reckoned the
+date of it. "There was," he said, "a crimson Virginia creeper in
+it--all one bright uniform crimson in a clear amber sunshine
+against a white wall. That came into the impression somehow,
+though I don't clearly remember how, and there were horse-chestnut
+leaves upon the clean pavement outside the green door. They were
+blotched yellow and green, you know, not brown nor dirty, so that
+they must have been new fallen. I take it that means October. I
+look out for horse-chestnut leaves every year, and I ought to know.
+
+"If I'm right in that, I was about five years and four months old."
+
+He was, he said, rather a precocious little boy--he learned to
+talk at an abnormally early age, and he was so sane and
+"old-fashioned," as people say, that he was permitted an amount of
+initiative that most children scarcely attain by seven or eight.
+His mother died when he was born, and he was under the less
+vigilant and authoritative care of a nursery governess. His father
+was a stern, preoccupied lawyer, who gave him little attention, and
+expected great things of him. For all his brightness he found life
+a little grey and dull I think. And one day he wandered.
+
+He could not recall the particular neglect that enabled him to
+get away, nor the course he took among the West Kensington roads.
+All that had faded among the incurable blurs of memory. But the
+white wall and the green door stood out quite distinctly.
+
+As his memory of that remote childish experience ran, he did
+at the very first sight of that door experience a peculiar emotion,
+an attraction, a desire to get to the door and open it and walk in.
+And at the same time he had the clearest conviction that either it
+was unwise or it was wrong of him--he could not tell which--to
+yield to this attraction. He insisted upon it as a curious thing
+that he knew from the very beginning--unless memory has played him
+the queerest trick--that the door was unfastened, and that he could
+go in as he chose.
+
+I seem to see the figure of that little boy, drawn and
+repelled. And it was very clear in his mind, too, though why it
+should be so was never explained, that his father would be very
+angry if he went through that door.
+
+Wallace described all these moments of hesitation to me with
+the utmost particularity. He went right past the door, and then,
+with his hands in his pockets, and making an infantile attempt to
+whistle, strolled right along beyond the end of the wall. There he
+recalls a number of mean, dirty shops, and particularly that of a
+plumber and decorator, with a dusty disorder of earthenware pipes,
+sheet lead ball taps, pattern books of wall paper, and tins of
+enamel. He stood pretending to examine these things, and coveting,
+passionately desiring the green door.
+
+Then, he said, he had a gust of emotion. He made a run for
+it, lest hesitation should grip him again, he went plump with
+outstretched hand through the green door and let it slam behind
+him. And so, in a trice, he came into the garden that has haunted
+all his life.
+
+It was very difficult for Wallace to give me his full sense of
+that garden into which he came.
+
+There was something in the very air of it that exhilarated,
+that gave one a sense of lightness and good happening and well
+being; there was something in the sight of it that made all its
+colour clean and perfect and subtly luminous. In the instant of
+coming into it one was exquisitely glad--as only in rare moments
+and when one is young and joyful one can be glad in this world.
+And everything was beautiful there . . . . .
+
+Wallace mused before he went on telling me. "You see," he
+said, with the doubtful inflection of a man who pauses at
+incredible things, "there were two great panthers there . . . Yes,
+spotted panthers. And I was not afraid. There was a long wide
+path with marble-edged flower borders on either side, and these two
+huge velvety beasts were playing there with a ball. One looked up
+and came towards me, a little curious as it seemed. It came right
+up to me, rubbed its soft round ear very gently against the small
+hand I held out and purred. It was, I tell you, an enchanted
+garden. I know. And the size? Oh! it stretched far and wide,
+this way and that. I believe there were hills far away. Heaven
+knows where West Kensington had suddenly got to. And somehow it
+was just like coming home.
+
+"You know, in the very moment the door swung to behind me, I
+forgot the road with its fallen chestnut leaves, its cabs and
+tradesmen's carts, I forgot the sort of gravitational pull back to
+the discipline and obedience of home, I forgot all hesitations and
+fear, forgot discretion, forgot all the intimate realities of this
+life. I became in a moment a very glad and wonder-happy little
+boy--in another world. It was a world with a different quality, a
+warmer, more penetrating and mellower light, with a faint clear
+gladness in its air, and wisps of sun-touched cloud in the blueness
+of its sky. And before me ran this long wide path, invitingly,
+with weedless beds on either side, rich with untended flowers, and
+these two great panthers. I put my little hands fearlessly on
+their soft fur, and caressed their round ears and the sensitive
+corners under their ears, and played with them, and it was as
+though they welcomed me home. There was a keen sense of
+home-coming in my mind, and when presently a tall, fair girl
+appeared in the pathway and came to meet me, smiling, and said
+'Well?' to me, and lifted me, and kissed me, and put me down, and
+led me by the hand, there was no amazement, but only an impression
+of delightful rightness, of being reminded of happy things that had
+in some strange way been overlooked. There were broad steps, I
+remember, that came into view between spikes of delphinium, and up
+these we went to a great avenue between very old and shady dark
+trees. All down this avenue, you know, between the red chapped
+stems, were marble seats of honour and statuary, and very tame and
+friendly white doves . . . . .
+
+"And along this avenue my girl-friend led me, looking down--I
+recall the pleasant lines, the finely-modelled chin of her sweet
+kind face--asking me questions in a soft, agreeable voice, and
+telling me things, pleasant things I know, though what they were I
+was never able to recall . . . And presently a little Capuchin
+monkey, very clean, with a fur of ruddy brown and kindly hazel
+eyes, came down a tree to us and ran beside me, looking up at me
+and grinning, and presently leapt to my shoulder. So we went on
+our way in great happiness . . . ."
+
+He paused.
+
+"Go on," I said.
+
+"I remember little things. We passed an old man musing among
+laurels, I remember, and a place gay with paroquets, and came
+through a broad shaded colonnade to a spacious cool palace, full of
+pleasant fountains, full of beautiful things, full of the quality
+and promise of heart's desire. And there were many things and many
+people, some that still seem to stand out clearly and some that are
+a little vague, but all these people were beautiful and kind. In
+some way--I don't know how--it was conveyed to me that they all
+were kind to me, glad to have me there, and filling me with
+gladness by their gestures, by the touch of their hands, by the
+welcome and love in their eyes. Yes--"
+
+He mused for awhile. "Playmates I found there. That was very
+much to me, because I was a lonely little boy. They played
+delightful games in a grass-covered court where there was a
+sun-dial set about with flowers. And as one played one loved . . . .
+
+"But--it's odd--there's a gap in my memory. I don't remember the
+games we played. I never remembered. Afterwards, as a child, I
+spent long hours trying, even with tears, to recall the form of that
+happiness. I wanted to play it all over again--in my nursery--by
+myself. No! All I remember is the happiness and two dear
+playfellows who were most with me . . . . Then presently came a
+sombre dark woman, with a grave, pale face and dreamy eyes, a
+sombre woman wearing a soft long robe of pale purple, who carried
+a book and beckoned and took me aside with her into a gallery above
+a hall--though my playmates were loth to have me go, and ceased
+their game and stood watching as I was carried away. 'Come back to
+us!' they cried. 'Come back to us soon!' I looked up at her face,
+but she heeded them not at all. Her face was very gentle and
+grave. She took me to a seat in the gallery, and I stood beside
+her, ready to look at her book as she opened it upon her knee. The
+pages fell open. She pointed, and I looked, marvelling, for in the
+living pages of that book I saw myself; it was a story about
+myself, and in it were all the things that had happened to me since
+ever I was born . . . .
+
+"It was wonderful to me, because the pages of that book were
+not pictures, you understand, but realities."
+
+Wallace paused gravely--looked at me doubtfully.
+
+"Go on," I said. "I understand."
+
+"They were realities--yes, they must have been; people moved
+and things came and went in them; my dear mother, whom I had near
+forgotten; then my father, stern and upright, the servants, the
+nursery, all the familiar things of home. Then the front door and
+the busy streets, with traffic to and fro: I looked and marvelled,
+and looked half doubtfully again into the woman's face and turned
+the pages over, skipping this and that, to see more of this book,
+and more, and so at last I came to myself hovering and hesitating
+outside the green door in the long white wall, and felt again the
+conflict and the fear.
+
+"'And next?' I cried, and would have turned on, but the cool
+hand of the grave woman delayed me.
+
+"'Next?' I insisted, and struggled gently with her hand,
+pulling up her fingers with all my childish strength, and as she
+yielded and the page came over she bent down upon me like a shadow
+and kissed my brow.
+
+"But the page did not show the enchanted garden, nor the
+panthers, nor the girl who had led me by the hand, nor the
+playfellows who had been so loth to let me go. It showed a long
+grey street in West Kensington, on that chill hour of afternoon
+before the lamps are lit, and I was there, a wretched little
+figure, weeping aloud, for all that I could do to restrain myself,
+and I was weeping because I could not return to my dear
+play-fellows who had called after me, 'Come back to us! Come back
+to us soon!' I was there. This was no page in a book, but harsh
+reality; that enchanted place and the restraining hand of the grave
+mother at whose knee I stood had gone--whither have they gone?"
+
+He halted again, and remained for a time, staring into the fire.
+
+"Oh! the wretchedness of that return!" he murmured.
+
+"Well?" I said after a minute or so.
+
+"Poor little wretch I was--brought back to this grey world
+again! As I realised the fulness of what had happened to me, I
+gave way to quite ungovernable grief. And the shame and
+humiliation of that public weeping and my disgraceful homecoming
+remain with me still. I see again the benevolent-looking old
+gentleman in gold spectacles who stopped and spoke to me--prodding
+me first with his umbrella. 'Poor little chap,' said he; 'and are
+you lost then?'--and me a London boy of five and more! And he must
+needs bring in a kindly young policeman and make a crowd of me, and
+so march me home. Sobbing, conspicuous and frightened, I came from
+the enchanted garden to the steps of my father's house.
+
+"That is as well as I can remember my vision of that
+garden--the garden that haunts me still. Of course, I can convey
+nothing of that indescribable quality of translucent unreality,
+that difference from the common things of experience that hung
+about it all; but that--that is what happened. If it was a dream,
+I am sure it was a day-time and altogether extraordinary dream . .
+. . . . H'm!--naturally there followed a terrible questioning, by
+my aunt, my father, the nurse, the governess--everyone . . . . . .
+
+"I tried to tell them, and my father gave me my first
+thrashing for telling lies. When afterwards I tried to tell my
+aunt, she punished me again for my wicked persistence. Then, as I
+said, everyone was forbidden to listen to me, to hear a word about
+it. Even my fairy tale books were taken away from me for a
+time--because I was 'too imaginative.' Eh? Yes, they did that! My
+father belonged to the old school . . . . . And my story was driven
+back upon myself. I whispered it to my pillow--my pillow that was
+often damp and salt to my whispering lips with childish tears. And
+I added always to my official and less fervent prayers this one
+heartfelt request: 'Please God I may dream of the garden. Oh! take
+me back to my garden! Take me back to my garden!'
+
+"I dreamt often of the garden. I may have added to it, I may
+have changed it; I do not know . . . . . All this you understand
+is an attempt to reconstruct from fragmentary memories a very early
+experience. Between that and the other consecutive memories of my
+boyhood there is a gulf. A time came when it seemed impossible I
+should ever speak of that wonder glimpse again."
+
+I asked an obvious question.
+
+"No," he said. "I don't remember that I ever attempted to
+find my way back to the garden in those early years. This seems
+odd to me now, but I think that very probably a closer watch was
+kept on my movements after this misadventure to prevent my going
+astray. No, it wasn't until you knew me that I tried for the
+garden again. And I believe there was a period--incredible as it
+seems now--when I forgot the garden altogether--when I was about
+eight or nine it may have been. Do you remember me as a kid at
+Saint Athelstan's?"
+
+"Rather!"
+
+"I didn't show any signs did I in those days of having a secret dream?"
+
+
+II
+
+
+He looked up with a sudden smile.
+
+"Did you ever play North-West Passage with me? . . . . . No,
+of course you didn't come my way!"
+
+"It was the sort of game," he went on, "that every imaginative
+child plays all day. The idea was the discovery of a North-West
+Passage to school. The way to school was plain enough; the game
+consisted in finding some way that wasn't plain, starting off ten
+minutes early in some almost hopeless direction, and working one's
+way round through unaccustomed streets to my goal. And one day I
+got entangled among some rather low-class streets on the other side
+of Campden Hill, and I began to think that for once the game would
+be against me and that I should get to school late. I tried rather
+desperately a street that seemed a _cul de sac_, and found a
+passage at the end. I hurried through that with renewed hope. 'I
+shall do it yet,' I said, and passed a row of frowsy little shops
+that were inexplicably familiar to me, and behold! there was my
+long white wall and the green door that led to the enchanted
+garden!
+
+"The thing whacked upon me suddenly. Then, after all, that garden,
+that wonderful garden, wasn't a dream!" . . . .
+
+He paused.
+
+"I suppose my second experience with the green door marks the
+world of difference there is between the busy life of a schoolboy
+and the infinite leisure of a child. Anyhow, this second time I
+didn't for a moment think of going in straight away. You see . . .
+For one thing my mind was full of the idea of getting to school
+in time--set on not breaking my record for punctuality. I must
+surely have felt _some_ little desire at least to try the
+door--yes, I must have felt that . . . . . But I seem to remember
+the attraction of the door mainly as another obstacle to my
+overmastering determination to get to school. I was immediately
+interested by this discovery I had made, of course--I went on with
+my mind full of it--but I went on. It didn't check me. I ran past
+tugging out my watch, found I had ten minutes still to spare, and
+then I was going downhill into familiar surroundings. I got to
+school, breathless, it is true, and wet with perspiration, but in
+time. I can remember hanging up my coat and hat . . . Went right
+by it and left it behind me. Odd, eh?"
+
+He looked at me thoughtfully. "Of course, I didn't know then
+that it wouldn't always be there. School boys have limited
+imaginations. I suppose I thought it was an awfully jolly thing to
+have it there, to know my way back to it, but there was the school
+tugging at me. I expect I was a good deal distraught and
+inattentive that morning, recalling what I could of the beautiful
+strange people I should presently see again. Oddly enough I had no
+doubt in my mind that they would be glad to see me . . . Yes, I
+must have thought of the garden that morning just as a jolly sort
+of place to which one might resort in the interludes of a strenuous
+scholastic career.
+
+"I didn't go that day at all. The next day was a half
+holiday, and that may have weighed with me. Perhaps, too, my state
+of inattention brought down impositions upon me and docked the
+margin of time necessary for the detour. I don't know. What I do
+know is that in the meantime the enchanted garden was so much upon
+my mind that I could not keep it to myself.
+
+"I told--What was his name?--a ferrety-looking youngster we
+used to call Squiff."
+
+"Young Hopkins," said I.
+
+"Hopkins it was. I did not like telling him, I had a feeling
+that in some way it was against the rules to tell him, but I did.
+He was walking part of the way home with me; he was talkative, and
+if we had not talked about the enchanted garden we should have
+talked of something else, and it was intolerable to me to think
+about any other subject. So I blabbed.
+
+"Well, he told my secret. The next day in the play interval
+I found myself surrounded by half a dozen bigger boys, half teasing
+and wholly curious to hear more of the enchanted garden. There was
+that big Fawcett--you remember him?--and Carnaby and Morley
+Reynolds. You weren't there by any chance? No, I think I should
+have remembered if you were . . . . .
+
+"A boy is a creature of odd feelings. I was, I really
+believe, in spite of my secret self-disgust, a little flattered to
+have the attention of these big fellows. I remember particularly
+a moment of pleasure caused by the praise of Crawshaw--you remember
+Crawshaw major, the son of Crawshaw the composer?--who said it was
+the best lie he had ever heard. But at the same time there was a
+really painful undertow of shame at telling what I felt was indeed
+a sacred secret. That beast Fawcett made a joke about the girl in
+green--."
+
+Wallace's voice sank with the keen memory of that shame. "I
+pretended not to hear," he said. "Well, then Carnaby suddenly
+called me a young liar and disputed with me when I said the thing
+was true. I said I knew where to find the green door, could lead
+them all there in ten minutes. Carnaby became outrageously
+virtuous, and said I'd have to--and bear out my words or suffer.
+Did you ever have Carnaby twist your arm? Then perhaps you'll
+understand how it went with me. I swore my story was true. There
+was nobody in the school then to save a chap from Carnaby though
+Crawshaw put in a word or so. Carnaby had got his game. I grew
+excited and red-eared, and a little frightened, I behaved
+altogether like a silly little chap, and the outcome of it all was
+that instead of starting alone for my enchanted garden, I led the
+way presently--cheeks flushed, ears hot, eyes smarting, and my soul
+one burning misery and shame--for a party of six mocking, curious
+and threatening school-fellows.
+
+"We never found the white wall and the green door . . ."
+
+"You mean?--"
+
+"I mean I couldn't find it. I would have found it if I could.
+
+"And afterwards when I could go alone I couldn't find it. I
+never found it. I seem now to have been always looking for it
+through my school-boy days, but I've never come upon it again."
+
+"Did the fellows--make it disagreeable?"
+
+"Beastly . . . . . Carnaby held a council over me for wanton
+lying. I remember how I sneaked home and upstairs to hide the
+marks of my blubbering. But when I cried myself to sleep at last
+it wasn't for Carnaby, but for the garden, for the beautiful
+afternoon I had hoped for, for the sweet friendly women and the
+waiting playfellows and the game I had hoped to learn again, that
+beautiful forgotten game . . . . .
+
+"I believed firmly that if I had not told-- . . . . . I had
+bad times after that--crying at night and wool-gathering by day.
+For two terms I slackened and had bad reports. Do you remember?
+Of course you would! It was _you_--your beating me in mathematics
+that brought me back to the grind again."
+
+
+III
+
+
+For a time my friend stared silently into the red heart of the
+fire. Then he said: "I never saw it again until I was seventeen.
+
+"It leapt upon me for the third time--as I was driving to
+Paddington on my way to Oxford and a scholarship. I had just one
+momentary glimpse. I was leaning over the apron of my hansom
+smoking a cigarette, and no doubt thinking myself no end of a man
+of the world, and suddenly there was the door, the wall, the dear
+sense of unforgettable and still attainable things.
+
+"We clattered by--I too taken by surprise to stop my cab until
+we were well past and round a corner. Then I had a queer moment,
+a double and divergent movement of my will: I tapped the little
+door in the roof of the cab, and brought my arm down to pull out my
+watch. 'Yes, sir!' said the cabman, smartly. 'Er--well--it's
+nothing,' I cried. '_My_ mistake! We haven't much time! Go
+on!' and he went on . . .
+
+"I got my scholarship. And the night after I was told of that
+I sat over my fire in my little upper room, my study, in my
+father's house, with his praise--his rare praise--and his sound
+counsels ringing in my ears, and I smoked my favourite pipe--the
+formidable bulldog of adolescence--and thought of that door in the
+long white wall. 'If I had stopped,' I thought, 'I should have
+missed my scholarship, I should have missed Oxford--muddled all the
+fine career before me! I begin to see things better!' I fell
+musing deeply, but I did not doubt then this career of mine was a
+thing that merited sacrifice.
+
+"Those dear friends and that clear atmosphere seemed very
+sweet to me, very fine, but remote. My grip was fixing now upon
+the world. I saw another door opening--the door of my career."
+
+He stared again into the fire. Its red lights picked out a
+stubborn strength in his face for just one flickering moment, and
+then it vanished again.
+
+"Well", he said and sighed, "I have served that career. I
+have done--much work, much hard work. But I have dreamt of the
+enchanted garden a thousand dreams, and seen its door, or at least
+glimpsed its door, four times since then. Yes--four times. For a
+while this world was so bright and interesting, seemed so full of
+meaning and opportunity that the half-effaced charm of the garden
+was by comparison gentle and remote. Who wants to pat panthers on
+the way to dinner with pretty women and distinguished men? I came
+down to London from Oxford, a man of bold promise that I have done
+something to redeem. Something--and yet there have been
+disappointments . . . . .
+
+"Twice I have been in love--I will not dwell on that--but
+once, as I went to someone who, I know, doubted whether I dared to
+come, I took a short cut at a venture through an unfrequented road
+near Earl's Court, and so happened on a white wall and a familiar
+green door. 'Odd!' said I to myself, 'but I thought this place was
+on Campden Hill. It's the place I never could find somehow--like
+counting Stonehenge--the place of that queer day dream of mine.'
+And I went by it intent upon my purpose. It had no appeal to me
+that afternoon.
+
+"I had just a moment's impulse to try the door, three steps
+aside were needed at the most--though I was sure enough in my heart
+that it would open to me--and then I thought that doing so might
+delay me on the way to that appointment in which I thought my
+honour was involved. Afterwards I was sorry for my punctuality--I
+might at least have peeped in I thought, and waved a hand to those
+panthers, but I knew enough by this time not to seek again
+belatedly that which is not found by seeking. Yes, that time made
+me very sorry . . . . .
+
+"Years of hard work after that and never a sight of the door.
+It's only recently it has come back to me. With it there has come
+a sense as though some thin tarnish had spread itself over my world.
+I began to think of it as a sorrowful and bitter thing that I should
+never see that door again. Perhaps I was suffering a little from
+overwork--perhaps it was what I've heard spoken of as the feeling
+of forty. I don't know. But certainly the keen brightness that
+makes effort easy has gone out of things recently, and that just
+at a time with all these new political developments--when I ought to
+be working. Odd, isn't it? But I do begin to find life toilsome,
+its rewards, as I come near them, cheap. I began a little while ago
+to want the garden quite badly. Yes--and I've seen it three times."
+
+"The garden?"
+
+"No--the door! And I haven't gone in!"
+
+He leaned over the table to me, with an enormous sorrow in his
+voice as he spoke. "Thrice I have had my chance--_thrice!_ If ever
+that door offers itself to me again, I swore, I will go in out of
+this dust and heat, out of this dry glitter of vanity, out of these
+toilsome futilities. I will go and never return. This time I will
+stay . . . . . I swore it and when the time came--_I didn't go_.
+
+"Three times in one year have I passed that door and failed to
+enter. Three times in the last year.
+
+"The first time was on the night of the snatch division on the
+Tenants' Redemption Bill, on which the Government was saved by a
+majority of three. You remember? No one on our side--perhaps very
+few on the opposite side--expected the end that night. Then the
+debate collapsed like eggshells. I and Hotchkiss were dining with
+his cousin at Brentford, we were both unpaired, and we were called
+up by telephone, and set off at once in his cousin's motor. We got
+in barely in time, and on the way we passed my wall and door--livid
+in the moonlight, blotched with hot yellow as the glare of our
+lamps lit it, but unmistakable. 'My God!' cried I. 'What?' said
+Hotchkiss. 'Nothing!' I answered, and the moment passed.
+
+"'I've made a great sacrifice,' I told the whip as I got in.
+'They all have,' he said, and hurried by.
+
+"I do not see how I could have done otherwise then. And the
+next occasion was as I rushed to my father's bedside to bid that
+stern old man farewell. Then, too, the claims of life were
+imperative. But the third time was different; it happened a week
+ago. It fills me with hot remorse to recall it. I was with Gurker
+and Ralphs--it's no secret now you know that I've had my talk with
+Gurker. We had been dining at Frobisher's, and the talk had become
+intimate between us. The question of my place in the reconstructed
+ministry lay always just over the boundary of the discussion.
+Yes--yes. That's all settled. It needn't be talked about yet, but
+there's no reason to keep a secret from you . . . . . Yes--thanks!
+thanks! But let me tell you my story.
+
+"Then, on that night things were very much in the air. My
+position was a very delicate one. I was keenly anxious to get some
+definite word from Gurker, but was hampered by Ralphs' presence.
+I was using the best power of my brain to keep that light and
+careless talk not too obviously directed to the point that concerns
+me. I had to. Ralphs' behaviour since has more than justified my
+caution . . . . . Ralphs, I knew, would leave us beyond the
+Kensington High Street, and then I could surprise Gurker by a
+sudden frankness. One has sometimes to resort to these little
+devices. . . . . And then it was that in the margin of my field of
+vision I became aware once more of the white wall, the green door
+before us down the road.
+
+"We passed it talking. I passed it. I can still see the
+shadow of Gurker's marked profile, his opera hat tilted forward
+over his prominent nose, the many folds of his neck wrap going
+before my shadow and Ralphs' as we sauntered past.
+
+"I passed within twenty inches of the door. 'If I say
+good-night to them, and go in,' I asked myself, 'what will happen?'
+And I was all a-tingle for that word with Gurker.
+
+"I could not answer that question in the tangle of my other
+problems. 'They will think me mad,' I thought. 'And suppose I
+vanish now!--Amazing disappearance of a prominent politician!'
+That weighed with me. A thousand inconceivably petty worldlinesses
+weighed with me in that crisis."
+
+Then he turned on me with a sorrowful smile, and, speaking
+slowly; "Here I am!" he said.
+
+"Here I am!" he repeated, "and my chance has gone from me.
+Three times in one year the door has been offered me--the door that
+goes into peace, into delight, into a beauty beyond dreaming, a
+kindness no man on earth can know. And I have rejected it,
+Redmond, and it has gone--"
+
+"How do you know?"
+
+"I know. I know. I am left now to work it out, to stick to
+the tasks that held me so strongly when my moments came. You say,
+I have success--this vulgar, tawdry, irksome, envied thing. I have
+it." He had a walnut in his big hand. "If that was my success,"
+he said, and crushed it, and held it out for me to see.
+
+"Let me tell you something, Redmond. This loss is destroying
+me. For two months, for ten weeks nearly now, I have done no work
+at all, except the most necessary and urgent duties. My soul is
+full of inappeasable regrets. At nights--when it is less likely I
+shall be recognised--I go out. I wander. Yes. I wonder what
+people would think of that if they knew. A Cabinet Minister, the
+responsible head of that most vital of all departments, wandering
+alone--grieving--sometimes near audibly lamenting--for a door, for
+a garden!"
+
+
+IV
+
+
+I can see now his rather pallid face, and the unfamiliar
+sombre fire that had come into his eyes. I see him very vividly
+to-night. I sit recalling his words, his tones, and last evening's
+_Westminster Gazette_ still lies on my sofa, containing the
+notice of his death. At lunch to-day the club was busy with him
+and the strange riddle of his fate.
+
+They found his body very early yesterday morning in a deep
+excavation near East Kensington Station. It is one of two shafts
+that have been made in connection with an extension of the railway
+southward. It is protected from the intrusion of the public by a
+hoarding upon the high road, in which a small doorway has been
+cut for the convenience of some of the workmen who live in
+that direction. The doorway was left unfastened through a
+misunderstanding between two gangers, and through it he made his
+way . . . . .
+
+My mind is darkened with questions and riddles.
+
+It would seem he walked all the way from the House that
+night--he has frequently walked home during the past Session--and
+so it is I figure his dark form coming along the late and empty
+streets, wrapped up, intent. And then did the pale electric lights
+near the station cheat the rough planking into a semblance of
+white? Did that fatal unfastened door awaken some memory?
+
+Was there, after all, ever any green door in the wall at all?
+
+I do not know. I have told his story as he told it to me.
+There are times when I believe that Wallace was no more than the
+victim of the coincidence between a rare but not unprecedented type
+of hallucination and a careless trap, but that indeed is not my
+profoundest belief. You may think me superstitious if you will,
+and foolish; but, indeed, I am more than half convinced that he had
+in truth, an abnormal gift, and a sense, something--I know not
+what--that in the guise of wall and door offered him an outlet, a
+secret and peculiar passage of escape into another and altogether
+more beautiful world. At any rate, you will say, it betrayed him
+in the end. But did it betray him? There you touch the inmost
+mystery of these dreamers, these men of vision and the imagination.
+We see our world fair and common, the hoarding and the pit. By our
+daylight standard he walked out of security into darkness, danger
+and death. But did he see like that?
+
+
+
+
+THE STAR
+
+It was on the first day of the New Year that the announcement
+was made, almost simultaneously from three observatories, that the
+motion of the planet Neptune, the outermost of all the planets
+that wheel about the sun, had become very erratic. Ogilvy had
+already called attention to a suspected retardation in its velocity
+in December. Such a piece of news was scarcely calculated to
+interest a world the greater portion of whose inhabitants were
+unaware of the existence of the planet Neptune, nor outside the
+astronomical profession did the subsequent discovery of a faint
+remote speck of light in the region of the perturbed planet cause
+any very great excitement. Scientific people, however, found the
+intelligence remarkable enough, even before it became known that
+the new body was rapidly growing larger and brighter, that its
+motion was quite different from the orderly progress of the
+planets, and that the deflection of Neptune and its satellite was
+becoming now of an unprecedented kind.
+
+Few people without a training in science can realise the huge
+isolation of the solar system. The sun with its specks of planets,
+its dust of planetoids, and its impalpable comets, swims in a
+vacant immensity that almost defeats the imagination. Beyond the
+orbit of Neptune there is space, vacant so far as human observation
+has penetrated, without warmth or light or sound, blank emptiness,
+for twenty million times a million miles. That is the smallest
+estimate of the distance to be traversed before the very nearest of
+the stars is attained. And, saving a few comets more unsubstantial
+than the thinnest flame, no matter had ever to human knowledge
+crossed this gulf of space, until early in the twentieth century
+this strange wanderer appeared. A vast mass of matter it was,
+bulky, heavy, rushing without warning out of the black mystery of
+the sky into the radiance of the sun. By the second day it was
+clearly visible to any decent instrument, as a speck with a barely
+sensible diameter, in the constellation Leo near Regulus. In a
+little while an opera glass could attain it.
+
+On the third day of the new year the newspaper readers of two
+hemispheres were made aware for the first time of the real
+importance of this unusual apparition in the heavens. "A Planetary
+Collision," one London paper headed the news, and proclaimed
+Duchaine's opinion that this strange new planet would probably
+collide with Neptune. The leader writers enlarged upon the topic;
+so that in most of the capitals of the world, on January 3rd, there
+was an expectation, however vague of some imminent phenomenon in
+the sky; and as the night followed the sunset round the globe,
+thousands of men turned their eyes skyward to see--the old familiar
+stars just as they had always been.
+
+Until it was dawn in London and Pollux setting and the stars
+overhead grown pale. The Winter's dawn it was, a sickly filtering
+accumulation of daylight, and the light of gas and candles shone
+yellow in the windows to show where people were astir. But the
+yawning policeman saw the thing, the busy crowds in the markets
+stopped agape, workmen going to their work betimes, milkmen, the
+drivers of news-carts, dissipation going home jaded and pale,
+homeless wanderers, sentinels on their beats, and in the country,
+labourers trudging afield, poachers slinking home, all over the
+dusky quickening country it could be seen--and out at sea by seamen
+watching for the day--a great white star, come suddenly into the
+westward sky!
+
+Brighter it was than any star in our skies; brighter than the
+evening star at its brightest. It still glowed out white and
+large, no mere twinkling spot of light, but a small round clear
+shining disc, an hour after the day had come. And where science
+has not reached, men stared and feared, telling one another of the
+wars and pestilences that are foreshadowed by these fiery signs in
+the Heavens. Sturdy Boers, dusky Hottentots, Gold Coast Negroes,
+Frenchmen, Spaniards, Portuguese, stood in the warmth of the
+sunrise watching the setting of this strange new star.
+
+And in a hundred observatories there had been suppressed
+excitement, rising almost to shouting pitch, as the two remote
+bodies had rushed together; and a hurrying to and fro, to gather
+photographic apparatus and spectroscope, and this appliance and
+that, to record this novel astonishing sight, the destruction of a
+world. For it was a world, a sister planet of our earth, far
+greater than our earth indeed, that had so suddenly flashed into
+flaming death. Neptune it was, had been struck, fairly and
+squarely, by the strange planet from outer space and the heat of
+the concussion had incontinently turned two solid globes into one
+vast mass of incandescence. Round the world that day, two hours
+before the dawn, went the pallid great white star, fading only as
+it sank westward and the sun mounted above it. Everywhere men
+marvelled at it, but of all those who saw it none could have
+marvelled more than those sailors, habitual watchers of the stars,
+who far away at sea had heard nothing of its advent and saw it now
+rise like a pigmy moon and climb zenithward and hang overhead and
+sink westward with the passing of the night.
+
+And when next it rose over Europe everywhere were crowds of
+watchers on hilly slopes, on house-roofs, in open spaces, staring
+eastward for the rising of the great new star. It rose with a
+white glow in front of it, like the glare of a white fire, and
+those who had seen it come into existence the night before cried
+out at the sight of it. "It is larger," they cried. "It is
+brighter!" And, indeed the moon a quarter full and sinking in the
+west was in its apparent size beyond comparison, but scarcely in
+all its breadth had it as much brightness now as the little circle
+of the strange new star.
+
+"It is brighter!" cried the people clustering in the streets.
+But in the dim observatories the watchers held their breath and
+peered at one another. "_It is nearer_," they said. "_Nearer!_"
+
+And voice after voice repeated, "It is nearer," and the
+clicking telegraph took that up, and it trembled along telephone
+wires, and in a thousand cities grimy compositors fingered the
+type. "It is nearer." Men writing in offices, struck with a
+strange realisation, flung down their pens, men talking in a
+thousand places suddenly came upon a grotesque possibility in
+those words, "It is nearer." It hurried along wakening streets, it
+was shouted down the frost-stilled ways of quiet villages; men who
+had read these things from the throbbing tape stood in yellow-lit
+doorways shouting the news to the passersby. "It is nearer."
+Pretty women, flushed and glittering, heard the news told jestingly
+between the dances, and feigned an intelligent interest they did
+not feel. "Nearer! Indeed. How curious! How very, very clever
+people must be to find out things like that!"
+
+Lonely tramps faring through the wintry night murmured those
+words to comfort themselves--looking skyward. "It has need to be
+nearer, for the night's as cold as charity. Don't seem much warmth
+from it if it _is_ nearer, all the same."
+
+"What is a new star to me?" cried the weeping woman kneeling
+beside her dead.
+
+The schoolboy, rising early for his examination work, puzzled
+it out for himself--with the great white star shining broad and
+bright through the frost-flowers of his window. "Centrifugal,
+centripetal," he said, with his chin on his fist. "Stop a planet
+in its flight, rob it of its centrifugal force, what then?
+Centripetal has it, and down it falls into the sun! And this--!
+
+"Do _we_ come in the way? I wonder--"
+
+The light of that day went the way of its brethren, and with
+the later watches of the frosty darkness rose the strange star
+again. And it was now so bright that the waxing moon seemed but a
+pale yellow ghost of itself, hanging huge in the sunset. In a
+South African City a great man had married, and the streets were
+alight to welcome his return with his bride. "Even the skies have
+illuminated," said the flatterer. Under Capricorn, two negro
+lovers, daring the wild beasts and evil spirits, for love of one
+another, crouched together in a cane brake where the fire-flies
+hovered. "That is our star," they whispered, and felt strangely
+comforted by the sweet brilliance of its light.
+
+The master mathematician sat in his private room and pushed
+the papers from him. His calculations were already finished. In
+a small white phial there still remained a little of the drug that
+had kept him awake and active for four long nights. Each day,
+serene, explicit, patient as ever, he had given his lecture to his
+students, and then had come back at once to this momentous
+calculation. His face was grave, a little drawn and hectic from
+his drugged activity. For some time he seemed lost in thought.
+Then he went to the window, and the blind went up with a click.
+Half way up the sky, over the clustering roofs, chimneys and
+steeples of the city, hung the star.
+
+He looked at it as one might look into the eyes of a brave
+enemy. "You may kill me," he said after a silence. "But I can
+hold you--and all the universe for that matter--in the grip of this
+little brain. I would not change. Even now."
+
+He looked at the little phial. "There will be no need of
+sleep again," he said. The next day at noon--punctual to the
+minute, he entered his lecture theatre, put his hat on the end of
+the table as his habit was, and carefully selected a large piece of
+chalk. It was a joke among his students that he could not lecture
+without that piece of chalk to fumble in his fingers, and once he
+had been stricken to impotence by their hiding his supply. He came
+and looked under his grey eyebrows at the rising tiers of young
+fresh faces, and spoke with his accustomed studied commonness of
+phrasing. "Circumstances have arisen--circumstances beyond my
+control," he said and paused, "which will debar me from completing
+the course I had designed. It would seem, gentlemen, if I may put
+the thing clearly and briefly, that--Man has lived in vain."
+
+The students glanced at one another. Had they heard aright?
+Mad? Raised eyebrows and grinning lips there were, but one or two
+faces remained intent upon his calm grey-fringed face. "It will be
+interesting," he was saying, "to devote this morning to an
+exposition, so far as I can make it clear to you, of the
+calculations that have led me to this conclusion. Let us assume--"
+
+He turned towards the blackboard, meditating a diagram in the
+way that was usual to him. "What was that about 'lived in vain?'"
+whispered one student to another. "Listen," said the other,
+nodding towards the lecturer.
+
+And presently they began to understand.
+
+That night the star rose later, for its proper eastward motion
+had carried it some way across Leo towards Virgo, and its
+brightness was so great that the sky became a luminous blue as it
+rose, and every star was hidden in its turn, save only Jupiter near
+the zenith, Capella, Aldebaran, Sirius and the pointers of the
+Bear. It was very white and beautiful. In many parts of the world
+that night a pallid halo encircled it about. It was perceptibly
+larger; in the clear refractive sky of the tropics it seemed as if
+it were nearly a quarter the size of the moon. The frost was still
+on the ground in England, but the world was as brightly lit as if
+it were midsummer moonlight. One could see to read quite ordinary
+print by that cold clear light, and in the cities the lamps burnt
+yellow and wan.
+
+And everywhere the world was awake that night, and throughout
+Christendom a sombre murmur hung in the keen air over the country
+side like the belling of bees in the heather, and this murmurous
+tumult grew to a clangour in the cities. It was the tolling of the
+bells in a million belfry towers and steeples, summoning the people
+to sleep no more, to sin no more, but to gather in their churches
+and pray. And overhead, growing larger and brighter as the earth
+rolled on its way and the night passed, rose the dazzling star.
+
+And the streets and houses were alight in all the cities, the
+shipyards glared, and whatever roads led to high country were lit
+and crowded all night long. And in all the seas about the
+civilised lands, ships with throbbing engines, and ships with
+bellying sails, crowded with men and living creatures, were
+standing out to ocean and the north. For already the warning of
+the master mathematician had been telegraphed all over the world,
+and translated into a hundred tongues. The new planet and Neptune,
+locked in a fiery embrace, were whirling headlong, ever faster and
+faster towards the sun. Already every second this blazing mass
+flew a hundred miles, and every second its terrific velocity
+increased. As it flew now, indeed, it must pass a hundred million
+of miles wide of the earth and scarcely affect it. But near its
+destined path, as yet only slightly perturbed, spun the mighty
+planet Jupiter and his moons sweeping splendid round the sun.
+Every moment now the attraction between the fiery star and the
+greatest of the planets grew stronger. And the result of that
+attraction? Inevitably Jupiter would be deflected from its orbit
+into an elliptical path, and the burning star, swung by his
+attraction wide of its sunward rush, would "describe a curved path"
+and perhaps collide with, and certainly pass very close to, our
+earth. "Earthquakes, volcanic outbreaks, cyclones, sea waves,
+floods, and a steady rise in temperature to I know not what
+limit"--so prophesied the master mathematician.
+
+And overhead, to carry out his words, lonely and cold and
+livid, blazed the star of the coming doom.
+
+To many who stared at it that night until their eyes ached, it
+seemed that it was visibly approaching. And that night, too, the
+weather changed, and the frost that had gripped all Central Europe
+and France and England softened towards a thaw.
+
+But you must not imagine because I have spoken of people
+praying through the night and people going aboard ships and people
+fleeing toward mountainous country that the whole world was already
+in a terror because of the star. As a matter of fact, use and wont
+still ruled the world, and save for the talk of idle moments and
+the splendour of the night, nine human beings out of ten were still
+busy at their common occupations. In all the cities the shops,
+save one here and there, opened and closed at their proper hours,
+the doctor and the undertaker plied their trades, the workers
+gathered in the factories, soldiers drilled, scholars studied,
+lovers sought one another, thieves lurked and fled, politicians
+planned their schemes. The presses of the newspapers roared
+through the night, and many a priest of this church and that would
+not open his holy building to further what he considered a foolish
+panic. The newspapers insisted on the lesson of the year 1000--for
+then, too, people had anticipated the end. The star was no
+star--mere gas--a comet; and were it a star it could not possibly
+strike the earth. There was no precedent for such a thing. Common
+sense was sturdy everywhere, scornful, jesting, a little inclined
+to persecute the obdurate fearful. That night, at seven-fifteen by
+Greenwich time, the star would be at its nearest to Jupiter. Then
+the world would see the turn things would take. The master
+mathematician's grim warnings were treated by many as so much mere
+elaborate self-advertisement. Common sense at last, a little heated
+by argument, signified its unalterable convictions by going to bed.
+So, too, barbarism and savagery, already tired of the novelty, went
+about their nightly business, and save for a howling dog here and
+there, the beast world left the star unheeded.
+
+And yet, when at last the watchers in the European States saw
+the star rise, an hour later it is true, but no larger than it had
+been the night before, there were still plenty awake to laugh at
+the master mathematician--to take the danger as if it had passed.
+
+But hereafter the laughter ceased. The star grew--it grew
+with a terrible steadiness hour after hour, a little larger each
+hour, a little nearer the midnight zenith, and brighter and
+brighter, until it had turned night into a second day. Had it come
+straight to the earth instead of in a curved path, had it lost no
+velocity to Jupiter, it must have leapt the intervening gulf in a
+day, but as it was it took five days altogether to come by our
+planet. The next night it had become a third the size of the moon
+before it set to English eyes, and the thaw was assured. It rose
+over America near the size of the moon, but blinding white to look
+at, and _hot_; and a breath of hot wind blew now with its
+rising and gathering strength, and in Virginia, and Brazil, and
+down the St. Lawrence valley, it shone intermittently through a
+driving reek of thunder-clouds, flickering violet lightning,
+and hail unprecedented. In Manitoba was a thaw and devastating
+floods. And upon all the mountains of the earth the snow and
+ice began to melt that night, and all the rivers coming out of
+high country flowed thick and turbid, and soon--in their upper
+reaches--with swirling trees and the bodies of beasts and men.
+They rose steadily, steadily in the ghostly brilliance, and came
+trickling over their banks at last, behind the flying population
+of their valleys.
+
+And along the coast of Argentina and up the South Atlantic the
+tides were higher than had ever been in the memory of man, and the
+storms drove the waters in many cases scores of miles inland,
+drowning whole cities. And so great grew the heat during the night
+that the rising of the sun was like the coming of a shadow. The
+earthquakes began and grew until all down America from the Arctic
+Circle to Cape Horn, hillsides were sliding, fissures were opening,
+and houses and walls crumbling to destruction. The whole side of
+Cotopaxi slipped out in one vast convulsion, and a tumult of lava
+poured out so high and broad and swift and liquid that in one day
+it reached the sea.
+
+So the star, with the wan moon in its wake, marched across the
+Pacific, trailed the thunderstorms like the hem of a robe, and the
+growing tidal wave that toiled behind it, frothing and eager,
+poured over island and island and swept them clear of men. Until
+that wave came at last--in a blinding light and with the breath of
+a furnace, swift and terrible it came--a wall of water, fifty feet
+high, roaring hungrily, upon the long coasts of Asia, and swept
+inland across the plains of China. For a space the star, hotter
+now and larger and brighter than the sun in its strength, showed
+with pitiless brilliance the wide and populous country; towns and
+villages with their pagodas and trees, roads, wide cultivated
+fields, millions of sleepless people staring in helpless terror at
+the incandescent sky; and then, low and growing, came the murmur of
+the flood. And thus it was with millions of men that night--a
+flight nowhither, with limbs heavy with heat and breath fierce and
+scant, and the flood like a wall swift and white behind. And then
+death.
+
+China was lit glowing white, but over Japan and Java and all
+the islands of Eastern Asia the great star was a ball of dull red
+fire because of the steam and smoke and ashes the volcanoes were
+spouting forth to salute its coming. Above was the lava, hot gases
+and ash, and below the seething floods, and the whole earth swayed
+and rumbled with the earthquake shocks. Soon the immemorial snows
+of Thibet and the Himalaya were melting and pouring down by ten
+million deepening converging channels upon the plains of Burmah and
+Hindostan. The tangled summits of the Indian jungles were aflame
+in a thousand places, and below the hurrying waters around the
+stems were dark objects that still struggled feebly and reflected
+the blood-red tongues of fire. And in a rudderless confusion a
+multitude of men and women fled down the broad river-ways to that
+one last hope of men--the open sea.
+
+Larger grew the star, and larger, hotter, and brighter with a
+terrible swiftness now. The tropical ocean had lost its
+phosphorescence, and the whirling steam rose in ghostly wreaths
+from the black waves that plunged incessantly, speckled with
+storm-tossed ships.
+
+And then came a wonder. It seemed to those who in Europe
+watched for the rising of the star that the world must have ceased
+its rotation. In a thousand open spaces of down and upland the
+people who had fled thither from the floods and the falling houses
+and sliding slopes of hill watched for that rising in vain. Hour
+followed hour through a terrible suspense, and the star rose not.
+Once again men set their eyes upon the old constellations they had
+counted lost to them forever. In England it was hot and clear
+overhead, though the ground quivered perpetually, but in the
+tropics, Sirius and Capella and Aldebaran showed through a veil of
+steam. And when at last the great star rose near ten hours late,
+the sun rose close upon it, and in the centre of its white heart
+was a disc of black.
+
+Over Asia it was the star had begun to fall behind the
+movement of the sky, and then suddenly, as it hung over India, its
+light had been veiled. All the plain of India from the mouth of
+the Indus to the mouths of the Ganges was a shallow waste of
+shining water that night, out of which rose temples and palaces,
+mounds and hills, black with people. Every minaret was a
+clustering mass of people, who fell one by one into the turbid
+waters, as heat and terror overcame them. The whole land seemed
+a-wailing and suddenly there swept a shadow across that furnace of
+despair, and a breath of cold wind, and a gathering of clouds, out
+of the cooling air. Men looking up, near blinded, at the star, saw
+that a black disc was creeping across the light. It was the moon,
+coming between the star and the earth. And even as men cried to
+God at this respite, out of the East with a strange inexplicable
+swiftness sprang the sun. And then star, sun and moon rushed
+together across the heavens.
+
+So it was that presently, to the European watchers, star and
+sun rose close upon each other, drove headlong for a space and then
+slower, and at last came to rest, star and sun merged into one
+glare of flame at the zenith of the sky. The moon no longer
+eclipsed the star but was lost to sight in the brilliance of the
+sky. And though those who were still alive regarded it for the
+most part with that dull stupidity that hunger, fatigue, heat and
+despair engender, there were still men who could perceive the
+meaning of these signs. Star and earth had been at their nearest,
+had swung about one another, and the star had passed. Already it
+was receding, swifter and swifter, in the last stage of its
+headlong journey downward into the sun.
+
+And then the clouds gathered, blotting out the vision of the
+sky, the thunder and lightning wove a garment round the world; all
+over the earth was such a downpour of rain as men had never before
+seen, and where the volcanoes flared red against the cloud canopy
+there descended torrents of mud. Everywhere the waters were
+pouring off the land, leaving mud-silted ruins, and the earth
+littered like a storm-worn beach with all that had floated, and the
+dead bodies of the men and brutes, its children. For days the
+water streamed off the land, sweeping away soil and trees and
+houses in the way, and piling huge dykes and scooping out Titanic
+gullies over the country side. Those were the days of darkness
+that followed the star and the heat. All through them, and for
+many weeks and months, the earthquakes continued.
+
+But the star had passed, and men, hunger-driven and gathering
+courage only slowly, might creep back to their ruined cities,
+buried granaries, and sodden fields. Such few ships as had escaped
+the storms of that time came stunned and shattered and sounding
+their way cautiously through the new marks and shoals of once
+familiar ports. And as the storms subsided men perceived that
+everywhere the days were hotter than of yore, and the sun larger,
+and the moon, shrunk to a third of its former size, took now
+fourscore days between its new and new.
+
+But of the new brotherhood that grew presently among men, of
+the saving of laws and books and machines, of the strange change
+that had come over Iceland and Greenland and the shores of Baffin's
+Bay, so that the sailors coming there presently found them green
+and gracious, and could scarce believe their eyes, this story does
+not tell. Nor of the movement of mankind now that the earth was
+hotter, northward and southward towards the poles of the earth. It
+concerns itself only with the coming and the passing of the Star.
+
+The Martian astronomers--for there are astronomers on Mars,
+although they are very different beings from men--were naturally
+profoundly interested by these things. They saw them from their
+own standpoint of course. "Considering the mass and temperature of
+the missile that was flung through our solar system into the sun,"
+one wrote, "it is astonishing what a little damage the earth, which
+it missed so narrowly, has sustained. All the familiar continental
+markings and the masses of the seas remain intact, and indeed the
+only difference seems to be a shrinkage of the white discoloration
+(supposed to be frozen water) round either pole." Which only shows
+how small the vastest of human catastrophes may seem, at a distance
+of a few million miles.
+
+
+
+
+A DREAM OF ARMAGEDDON
+
+The man with the white face entered the carriage at Rugby. He
+moved slowly in spite of the urgency of his porter, and even while
+he was still on the platform I noted how ill he seemed. He dropped
+into the corner over against me with a sigh, made an incomplete
+attempt to arrange his travelling shawl, and became motionless,
+with his eyes staring vacantly. Presently he was moved by a sense
+of my observation, looked up at me, and put out a spiritless hand
+for his newspaper. Then he glanced again in my direction.
+
+I feigned to read. I feared I had unwittingly embarrassed
+him, and in a moment I was surprised to find him speaking.
+
+"I beg your pardon?" said I.
+
+"That book," he repeated, pointing a lean finger, "is about
+dreams."
+
+"Obviously," I answered, for it was Fortnum Roscoe's Dream
+States, and the title was on the cover.
+
+He hung silent for a space as if he sought words. "Yes," he
+said at last, "but they tell you nothing."
+
+I did not catch his meaning for a second.
+
+"They don't know," he added.
+
+I looked a little more attentively at his face.
+
+"There are dreams," he said, "and dreams."
+
+That sort of proposition I never dispute.
+
+"I suppose--" he hesitated. "Do you ever dream? I mean
+vividly."
+
+"I dream very little," I answered. "I doubt if I have three
+vivid dreams in a year."
+
+"Ah!" he said, and seemed for a moment to collect his
+thoughts.
+
+"Your dreams don't mix with your memories?" he asked abruptly.
+"You don't find yourself in doubt; did this happen or did it not?"
+
+"Hardly ever. Except just for a momentary hesitation now and
+then. I suppose few people do."
+
+"Does he say--?" He indicated the book.
+
+"Says it happens at times and gives the usual explanation
+about intensity of impression and the like to account for its not
+happening as a rule. I suppose you know something of these
+theories--"
+
+"Very little--except that they are wrong."
+
+His emaciated hand played with the strap of the window for a
+time. I prepared to resume reading, and that seemed to precipitate
+his next remark. He leant forward almost as though he would touch
+me.
+
+"Isn't there something called consecutive dreaming--that goes
+on night after night?"
+
+"I believe there is. There are cases given in most books on
+mental trouble."
+
+"Mental trouble! Yes. I daresay there are. It's the right
+place for them. But what I mean--" He looked at his bony
+knuckles. "Is that sort of thing always dreaming? Is it dreaming?
+Or is it something else? Mightn't it be something else?"
+
+I should have snubbed his persistent conversation but for the
+drawn anxiety of his face. I remember now the look of his faded
+eyes and the lids red stained--perhaps you know that look.
+
+"I'm not just arguing about a matter of opinion," he said.
+"The thing's killing me."
+
+"Dreams?"
+
+"If you call them dreams. Night after night. Vivid!--so
+vivid . . . . this--" (he indicated the landscape that went
+streaming by the window) "seems unreal in comparison! I can
+scarcely remember who I am, what business I am on . . . ."
+
+He paused. "Even now--"
+
+"The dream is always the same--do you mean?" I asked.
+
+"It's over."
+
+"You mean?"
+
+"I died."
+
+"Died?"
+
+"Smashed and killed, and now, so much of me as that dream was,
+is dead. Dead forever. I dreamt I was another man, you know,
+living in a different part of the world and in a different time.
+I dreamt that night after night. Night after night I woke into
+that other life. Fresh scenes and fresh happenings--until I came
+upon the last--"
+
+"When you died?"
+
+"When I died."
+
+"And since then--"
+
+"No," he said. "Thank God! That was the end of the dream . . ."
+
+It was clear I was in for this dream. And after all, I had an
+hour before me, the light was fading fast, and Fortnum Roscoe has
+a dreary way with him. "Living in a different time," I said: "do
+you mean in some different age?"
+
+"Yes."
+
+"Past?"
+
+"No, to come--to come."
+
+"The year three thousand, for example?"
+
+"I don't know what year it was. I did when I was asleep, when
+I was dreaming, that is, but not now--not now that I am awake.
+There's a lot of things I have forgotten since I woke out of these
+dreams, though I knew them at the time when I was--I suppose it was
+dreaming. They called the year differently from our way of calling
+the year . . . What did they call it?" He put his hand to his
+forehead. "No," said he, "I forget."
+
+He sat smiling weakly. For a moment I feared he did not mean
+to tell me his dream. As a rule I hate people who tell their
+dreams, but this struck me differently. I proffered assistance
+even. "It began--" I suggested.
+
+"It was vivid from the first. I seemed to wake up in it
+suddenly. And it's curious that in these dreams I am speaking of
+I never remembered this life I am living now. It seemed as if the
+dream life was enough while it lasted. Perhaps--But I will tell
+you how I find myself when I do my best to recall it all. I don't
+remember anything clearly until I found myself sitting in a sort of
+loggia looking out over the sea. I had been dozing, and suddenly
+I woke up--fresh and vivid--not a bit dreamlike--because the girl
+had stopped fanning me."
+
+"The girl?"
+
+"Yes, the girl. You must not interrupt or you will put me
+out."
+
+He stopped abruptly. "You won't think I'm mad?" he said.
+
+"No," I answered. "You've been dreaming. Tell me your
+dream."
+
+"I woke up, I say, because the girl had stopped fanning me.
+I was not surprised to find myself there or anything of that sort,
+you understand. I did not feel I had fallen into it suddenly. I
+simply took it up at that point. Whatever memory I had of this
+life, this nineteenth-century life, faded as I woke, vanished like
+a dream. I knew all about myself, knew that my name was no longer
+Cooper but Hedon, and all about my position in the world. I've
+forgotten a lot since I woke--there's a want of connection--but it
+was all quite clear and matter of fact then."
+
+He hesitated again, gripping the window strap, putting his
+face forward and looking up to me appealingly.
+
+"This seems bosh to you?"
+
+"No, no!" I cried. "Go on. Tell me what this loggia was
+like!"
+
+"It was not really a loggia--I don't know what to call it. It
+faced south. It was small. It was all in shadow except the
+semicircle above the balcony that showed the sky and sea and the
+corner where the girl stood. I was on a couch--it was a metal
+couch with light striped cushions--and the girl was leaning over
+the balcony with her back to me. The light of the sunrise fell on
+her ear and cheek. Her pretty white neck and the little curls
+that nestled there, and her white shoulder were in the sun, and
+all the grace of her body was in the cool blue shadow. She was
+dressed--how can I describe it? It was easy and flowing. And
+altogether there she stood, so that it came to me how beautiful
+and desirable she was, as though I had never seen her before.
+And when at last I sighed and raised myself upon my arm she
+turned her face to me--"
+
+He stopped.
+
+"I have lived three-and-fifty years in this world. I have had
+mother, sisters, friends, wife and daughters--all their faces, the
+play of their faces, I know. But the face of this girl--it is much
+more real to me. I can bring it back into memory so that I see it
+again--I could draw it or paint it. And after all--"
+
+He stopped--but I said nothing.
+
+"The face of a dream--the face of a dream. She was beautiful.
+Not that beauty which is terrible, cold, and worshipful, like the
+beauty of a saint; nor that beauty that stirs fierce passions; but
+a sort of radiation, sweet lips that softened into smiles, and
+grave gray eyes. And she moved gracefully, she seemed to have part
+with all pleasant and gracious things--"
+
+He stopped, and his face was downcast and hidden. Then he
+looked up at me and went on, making no further attempt to disguise
+his absolute belief in the reality of his story.
+
+"You see, I had thrown up my plans and ambitions, thrown up
+all I had ever worked for or desired for her sake. I had been a
+master man away there in the north, with influence and property and
+a great reputation, but none of it had seemed worth having beside
+her. I had come to the place, this city of sunny pleasures with
+her, and left all those things to wreck and ruin just to save a
+remnant at least of my life. While I had been in love with her
+before I knew that she had any care for me, before I had imagined
+that she would dare--that we should dare, all my life had seemed
+vain and hollow, dust and ashes. It was dust and ashes. Night
+after night and through the long days I had longed and desired--my
+soul had beaten against the thing forbidden!
+
+"But it is impossible for one man to tell another just these
+things. It's emotion, it's a tint, a light that comes and goes.
+Only while it's there, everything changes, everything. The thing
+is I came away and left them in their Crisis to do what they
+could."
+
+"Left whom?" I asked, puzzled.
+
+"The people up in the north there. You see--in this dream,
+anyhow--I had been a big man, the sort of man men come to trust in,
+to group themselves about. Millions of men who had never seen me
+were ready to do things and risk things because of their confidence
+in me. I had been playing that game for years, that big laborious
+game, that vague, monstrous political game amidst intrigues and
+betrayals, speech and agitation. It was a vast weltering world,
+and at last I had a sort of leadership against the Gang--you know
+it was called the Gang--a sort of compromise of scoundrelly
+projects and base ambitions and vast public emotional stupidities
+and catch-words--the Gang that kept the world noisy and blind year
+by year, and all the while that it was drifting, drifting towards
+infinite disaster. But I can't expect you to understand the shades
+and complications of the year--the year something or other ahead.
+I had it all--down to the smallest details--in my dream. I suppose
+I had been dreaming of it before I awoke, and the fading outline of
+some queer new development I had imagined still hung about me as I
+rubbed my eyes. It was some grubby affair that made me thank God
+for the sunlight. I sat up on the couch and remained looking at
+the woman and rejoicing--rejoicing that I had come away out of all
+that tumult and folly and violence before it was too late. After
+all, I thought, this is life--love and beauty, desire and delight,
+are they not worth all those dismal struggles for vague, gigantic
+ends? And I blamed myself for having ever sought to be a leader
+when I might have given my days to love. But then, thought I, if
+I had not spent my early days sternly and austerely, I might have
+wasted myself upon vain and worthless women, and at the thought all
+my being went out in love and tenderness to my dear mistress, my
+dear lady, who had come at last and compelled me--compelled me by
+her invincible charm for me--to lay that life aside.
+
+"'You are worth it,' I said, speaking without intending her to
+hear; 'you are worth it, my dearest one; worth pride and praise and
+all things. Love! to have you is worth them all together." And at
+the murmur of my voice she turned about.
+
+"'Come and see,' she cried--I can hear her now--'come and see
+the sunrise upon Monte Solaro.'
+
+"I remember how I sprang to my feet and joined her at the
+balcony. She put a white hand upon my shoulder and pointed towards
+great masses of limestone, flushing, as it were, into life. I
+looked. But first I noted the sunlight on her face caressing the
+lines of her cheeks and neck. How can I describe to you the scene
+we had before us? We were at Capri--"
+
+"I have been there," I said. "I have clambered up Monte
+Solaro and drunk vero Capri--muddy stuff like cider--at the
+summit."
+
+"Ah!" said the man with the white face; "then perhaps you can
+tell me--you will know if this is indeed Capri. For in this life
+I have never been there. Let me describe it. We were in a little
+room, one of a vast multitude of little rooms, very cool and sunny,
+hollowed out of the limestone of a sort of cape, very high above
+the sea. The whole island, you know, was one enormous hotel,
+complex beyond explaining, and on the other side there were miles
+of floating hotels, and huge floating stages to which the flying
+machines came. They called it a pleasure city. Of course, there
+was none of that in your time--rather, I should say, is none of
+that now. Of course. Now!--yes.
+
+"Well, this room of ours was at the extremity of the cape, so
+that one could see east and west. Eastward was a great cliff--a
+thousand feet high perhaps--coldly gray except for one bright edge
+of gold, and beyond it the Isle of the Sirens, and a falling coast
+that faded and passed into the hot sunrise. And when one turned to
+the west, distinct and near was a little bay, a little beach still
+in shadow. And out of that shadow rose Solaro straight and tall,
+flushed and golden crested, like a beauty throned, and the white
+moon was floating behind her in the sky. And before us from east
+to west stretched the many-tinted sea all dotted with little
+sailing boats.
+
+"To the eastward, of course, these little boats were gray and
+very minute and clear, but to the westward they were little boats
+of gold--shining gold--almost like little flames. And just below
+us was a rock with an arch worn through it. The blue sea-water
+broke to green and foam all round the rock, and a galley came
+gliding out of the arch."
+
+"I know that rock." I said. "I was nearly drowned there. It
+is called the Faraglioni."
+
+"I Faraglioni? Yes, she called it that," answered the man
+with the white face. "There was some story--but that--"
+
+He put his hand to his forehead again. "No," he said, "I
+forget that story."
+
+"Well, that is the first thing I remember, the first dream I
+had, that little shaded room and the beautiful air and sky and that
+dear lady of mine, with her shining arms and her graceful robe, and
+how we sat and talked in half whispers to one another. We talked
+in whispers not because there was any one to hear, but because
+there was still such a freshness of mind between us that our
+thoughts were a little frightened, I think, to find themselves at
+last in words. And so they went softly.
+
+"Presently we were hungry and we went from our apartment,
+going by a strange passage with a moving floor, until we came to
+the great breakfast room--there was a fountain and music. A
+pleasant and joyful place it was, with its sunlight and splashing,
+and the murmur of plucked strings. And we sat and ate and smiled
+at one another, and I would not heed a man who was watching me from
+a table near by.
+
+"And afterwards we went on to the dancing-hall. But I cannot
+describe that hall. The place was enormous--larger than any
+building you have ever seen--and in one place there was the old
+gate of Capri, caught into the wall of a gallery high overhead.
+Light girders, stems and threads of gold, burst from the pillars
+like fountains, streamed like an Aurora across the roof and
+interlaced, like--like conjuring tricks. All about the great
+circle for the dancers there were beautiful figures, strange
+dragons, and intricate and wonderful grotesques bearing lights.
+The place was inundated with artificial light that shamed the
+newborn day. And as we went through the throng the people turned
+about and looked at us, for all through the world my name and face
+were known, and how I had suddenly thrown up pride and struggle to
+come to this place. And they looked also at the lady beside me,
+though half the story of how at last she had come to me was unknown
+or mistold. And few of the men who were there, I know, but judged
+me a happy man, in spite of all the shame and dishonour that had
+come upon my name.
+
+"The air was full of music, full of harmonious scents, full of
+the rhythm of beautiful motions. Thousands of beautiful people
+swarmed about the hall, crowded the galleries, sat in a myriad
+recesses; they were dressed in splendid colours and crowned with
+flowers; thousands danced about the great circle beneath the white
+images of the ancient gods, and glorious processions of youths and
+maidens came and went. We two danced, not the dreary monotonies of
+your days--of this time, I mean--but dances that were beautiful,
+intoxicating. And even now I can see my lady dancing--dancing
+joyously. She danced, you know, with a serious face; she danced
+with a serious dignity, and yet she was smiling at me and caressing
+me--smiling and caressing with her eyes.
+
+"The music was different," he murmured. "It went--I cannot
+describe it; but it was infinitely richer and more varied than any
+music that has ever come to me awake.
+
+"And then--it was when we had done dancing--a man came to
+speak to me. He was a lean, resolute man, very soberly clad for
+that place, and already I had marked his face watching me in the
+breakfasting hall, and afterwards as we went along the passage I
+had avoided his eye. But now, as we sat in a little alcove,
+smiling at the pleasure of all the people who went to and fro
+across the shining floor, he came and touched me, and spoke to me
+so that I was forced to listen. And he asked that he might speak
+to me for a little time apart.
+
+"'No,' I said. 'I have no secrets from this lady. What do
+you want to tell me?'
+
+"He said it was a trivial matter, or at least a dry matter,
+for a lady to hear.
+
+"'Perhaps for me to hear,' said I.
+
+"He glanced at her, as though almost he would appeal to her.
+Then he asked me suddenly if I had heard of a great and avenging
+declaration that Evesham had made? Now, Evesham had always before
+been the man next to myself in the leadership of that great party
+in the north. He was a forcible, hard, and tactless man, and only
+I had been able to control and soften him. It was on his account
+even more than my own, I think, that the others had been so
+dismayed at my retreat. So this question about what he had done
+reawakened my old interest in the life I had put aside just for
+a moment.
+
+"'I have taken no heed of any news for many days,' I said.
+'What has Evesham been saying?'
+
+"And with that the man began, nothing loth, and I must confess
+even I was struck by Evesham's reckless folly in the wild and
+threatening words he had used. And this messenger they had sent to
+me not only told me of Evesham's speech, but went on to ask counsel
+and to point out what need they had of me. While he talked, my
+lady sat a little forward and watched his face and mine.
+
+"My old habits of scheming and organising reasserted
+themselves. I could even see myself suddenly returning to the
+north, and all the dramatic effect of it. All that this man said
+witnessed to the disorder of the party indeed, but not to its
+damage. I should go back stronger than I had come. And then I
+thought of my lady. You see--how can I tell you? There were
+certain peculiarities of our relationship--as things are I need not
+tell you about that--which would render her presence with me
+impossible. I should have had to leave her; indeed, I should have
+had to renounce her clearly and openly, if I was to do all that I
+could do in the north. And the man knew that, even as he talked to
+her and me, knew it as well as she did, that my steps to duty
+were--first, separation, then abandonment. At the touch of that
+thought my dream of a return was shattered. I turned on the man
+suddenly, as he was imagining his eloquence was gaining ground with
+me.
+
+"'What have I to do with these things now?' I said. 'I have
+done with them. Do you think I am coquetting with your people in
+coming here?'
+
+"'No,' he said. 'But--'
+
+"'Why cannot you leave me alone. I have done with these
+things. I have ceased to be anything but a private man.'
+
+"'Yes,' he answered. 'But have you thought?--this talk of
+war, these reckless challenges, these wild aggressions--'
+
+"I stood up.
+
+"'No,' I cried. 'I won't hear you. I took count of all those
+things, I weighed them--and I have come away.'
+
+"He seemed to consider the possibility of persistence. He
+looked from me to where the lady sat regarding us.
+
+"'War,' he said, as if he were speaking to himself, and then
+turned slowly from me and walked away.
+
+"I stood, caught in the whirl of thoughts his appeal had set
+going.
+
+"I heard my lady's voice.
+
+"'Dear,' she said; 'but if they had need of you--'
+
+"She did not finish her sentence, she let it rest there. I
+turned to her sweet face, and the balance of my mood swayed and
+reeled.
+
+"'They want me only to do the thing they dare not do
+themselves,' I said. 'If they distrust Evesham they must settle
+with him themselves.'
+
+"She looked at me doubtfully.
+
+"'But war--' she said.
+
+"I saw a doubt on her face that I had seen before, a doubt of
+herself and me, the first shadow of the discovery that, seen
+strongly and completely, must drive us apart for ever.
+
+"Now, I was an older mind than hers, and I could sway her to
+this belief or that.
+
+"'My dear one,' I said, 'you must not trouble over these
+things. There will be no war. Certainly there will be no war.
+The age of wars is past. Trust me to know the justice of this
+case. They have no right upon me, dearest, and no one has a right
+upon me. I have been free to choose my life, and I have chosen
+this.'
+
+"'But war--,' she said.
+
+"I sat down beside her. I put an arm behind her and took her
+hand in mine. I set myself to drive that doubt away--I set myself
+to fill her mind with pleasant things again. I lied to her, and in
+lying to her I lied also to myself. And she was only too ready to
+believe me, only too ready to forget.
+
+"Very soon the shadow had gone again, and we were hastening to
+our bathing-place in the Grotta del Bovo Marino, where it was our
+custom to bathe every day. We swam and splashed one another, and
+in that buoyant water I seemed to become something lighter and
+stronger than a man. And at last we came out dripping and
+rejoicing and raced among the rocks. And then I put on a dry
+bathing-dress, and we sat to bask in the sun, and presently I
+nodded, resting my head against her knee, and she put her hand upon
+my hair and stroked it softly and I dozed. And behold! as it
+were with the snapping of the string of a violin, I was awakening,
+and I was in my own bed in Liverpool, in the life of to-day.
+
+"Only for a time I could not believe that all these vivid
+moments had been no more than the substance of a dream.
+
+"In truth, I could not believe it a dream for all the sobering
+reality of things about me. I bathed and dressed as it were by
+habit, and as I shaved I argued why I of all men should leave the
+woman I loved to go back to fantastic politics in the hard and
+strenuous north. Even if Evesham did force the world back to war,
+what was that to me? I was a man with the heart of a man, and why
+should I feel the responsibility of a deity for the way the world
+might go?
+
+"You know that is not quite the way I think about affairs,
+about my real affairs. I am a solicitor, you know, with a point of
+view.
+
+"The vision was so real, you must understand, so utterly
+unlike a dream that I kept perpetually recalling little irrelevant
+details; even the ornament of the book-cover that lay on my wife's
+sewing-machine in the breakfast-room recalled with the utmost
+vividness the gilt line that ran about the seat in the alcove where
+I had talked with the messenger from my deserted party. Have you
+ever heard of a dream that had a quality like that?"
+
+"Like--?"
+
+"So that afterwards you remembered little details you had
+forgotten."
+
+I thought. I had never noticed the point before, but he was
+right.
+
+"Never," I said. "That is what you never seem to do with
+dreams."
+
+"No," he answered. "But that is just what I did. I am a solicitor,
+you must understand, in Liverpool, and I could not help wondering
+what the clients and business people I found myself talking to in my
+office would think if I told them suddenly I was in love with a girl
+who would be born a couple of hundred years or so hence, and worried
+about the politics of my great-great-great-grandchildren. I was
+chiefly busy that day negotiating a ninety-nine-year building lease.
+It was a private builder in a hurry, and we wanted to tie him in
+every possible way. I had an interview with him, and he showed a
+certain want of temper that sent me to bed still irritated. That
+night I had no dream. Nor did I dream the next night, at least,
+to remember.
+
+"Something of that intense reality of conviction vanished. I
+began to feel sure it was a dream. And then it came again.
+
+"When the dream came again, nearly four days later, it was
+very different. I think it certain that four days had also elapsed
+in the dream. Many things had happened in the north, and the
+shadow of them was back again between us, and this time it was not
+so easily dispelled. I began I know with moody musings. Why, in
+spite of all, should I go back, go back for all the rest of my days
+to toil and stress, insults and perpetual dissatisfaction, simply
+to save hundreds of millions of common people, whom I did not love,
+whom too often I could do no other than despise, from the stress
+and anguish of war and infinite misrule? And after all I might
+fail. They all sought their own narrow ends, and why should not
+I--why should not I also live as a man? And out of such thoughts
+her voice summoned me, and I lifted my eyes.
+
+"I found myself awake and walking. We had come out above the
+Pleasure City, we were near the summit of Monte Solaro and looking
+towards the bay. It was the late afternoon and very clear. Far
+away to the left Ischia hung in a golden haze between sea and sky,
+and Naples was coldly white against the hills, and before us was
+Vesuvius with a tall and slender streamer feathering at last
+towards the south, and the ruins of Torre dell' Annunziata and
+Castellammare glittering and near."
+
+I interrupted suddenly: "You have been to Capri, of course?"
+
+"Only in this dream," he said, "only in this dream. All
+across the bay beyond Sorrento were the floating palaces of the
+Pleasure City moored and chained. And northward were the broad
+floating stages that received the aeroplanes. Aeroplanes fell out
+of the sky every afternoon, each bringing its thousands of
+pleasure-seekers from the uttermost parts of the earth to Capri and
+its delights. All these things, I say, stretched below.
+
+"But we noticed them only incidentally because of an unusual
+sight that evening had to show. Five war aeroplanes that had long
+slumbered useless in the distant arsenals of the Rhinemouth were
+manoeuvring now in the eastward sky. Evesham had astonished the
+world by producing them and others, and sending them to circle here
+and there. It was the threat material in the great game of bluff
+he was playing, and it had taken even me by surprise. He was one
+of those incredibly stupid energetic people who seem sent by heaven
+to create disasters. His energy to the first glance seemed so
+wonderfully like capacity! But he had no imagination, no
+invention, only a stupid, vast, driving force of will, and a mad
+faith in his stupid idiot 'luck' to pull him through. I remember
+how we stood upon the headland watching the squadron circling far
+away, and how I weighed the full meaning of the sight, seeing
+clearly the way things must go. And then even it was not too late.
+I might have gone back, I think, and saved the world. The people
+of the north would follow me, I knew, granted only that in one
+thing I respected their moral standards. The east and south would
+trust me as they would trust no other northern man. And I knew
+I had only to put it to her and she would have let me go . . . .
+Not because she did not love me!
+
+"Only I did not want to go; my will was all the other way
+about. I had so newly thrown off the incubus of responsibility: I
+was still so fresh a renegade from duty that the daylight clearness
+of what I ought to do had no power at all to touch my will. My
+will was to live, to gather pleasures and make my dear lady happy.
+But though this sense of vast neglected duties had no power to draw
+me, it could make me silent and preoccupied, it robbed the days I
+had spent of half their brightness and roused me into dark
+meditations in the silence of the night. And as I stood and
+watched Evesham's aeroplanes sweep to and fro--those birds of
+infinite ill omen--she stood beside me watching me, perceiving the
+trouble indeed, but not perceiving it clearly--her eyes questioning
+my face, her expression shaded with perplexity. Her face was gray
+because the sunset was fading out of the sky. It was no fault of
+hers that she held me. She had asked me to go from her, and again
+in the night time and with tears she had asked me to go.
+
+"At last it was the sense of her that roused me from my mood.
+I turned upon her suddenly and challenged her to race down the
+mountain slopes. 'No,' she said, as if I had jarred with her
+gravity, but I was resolved to end that gravity, and make her
+run--no one can be very gray and sad who is out of breath--and when
+she stumbled I ran with my hand beneath her arm. We ran down past
+a couple of men, who turned back staring in astonishment at my
+behaviour--they must have recognised my face. And half way down
+the slope came a tumult in the air, clang-clank, clang-clank, and
+we stopped, and presently over the hill-crest those war things came
+flying one behind the other."
+
+The man seemed hesitating on the verge of a description.
+
+"What were they like?" I asked.
+
+"They had never fought," he said. "They were just like our
+ironclads are nowadays; they had never fought. No one knew what
+they might do, with excited men inside them; few even cared to
+speculate. They were great driving things shaped like spear-heads
+without a shaft, with a propeller in the place of the shaft."
+
+"Steel?"
+
+"Not steel."
+
+"Aluminum?"
+
+"No, no, nothing of that sort. An alloy that was very
+common--as common as brass, for example. It was called--let me
+see--" He squeezed his forehead with the fingers of one hand. "I
+am forgetting everything," he said.
+
+"And they carried guns?"
+
+"Little guns, firing high explosive shells. They fired the
+guns backwards, out of the base of the leaf, so to speak, and
+rammed with the beak. That was the theory, you know, but they had
+never been fought. No one could tell exactly what was going to
+happen. And meanwhile I suppose it was very fine to go whirling
+through the air like a flight of young swallows, swift and easy.
+I guess the captains tried not to think too clearly what the real
+thing would be like. And these flying war machines, you know, were
+only one sort of the endless war contrivances that had been
+invented and had fallen into abeyance during the long peace. There
+were all sorts of these things that people were routing out and
+furbishing up; infernal things, silly things; things that had never
+been tried; big engines, terrible explosives, great guns. You know
+the silly way of these ingenious sort of men who make these things;
+they turn 'em out as beavers build dams, and with no more sense of
+the rivers they're going to divert and the lands they're going to
+flood!
+
+"As we went down the winding stepway to our hotel again, in
+the twilight, I foresaw it all: I saw how clearly and inevitably
+things were driving for war in Evesham's silly, violent hands, and
+I had some inkling of what war was bound to be under these new
+conditions. And even then, though I knew it was drawing near the
+limit of my opportunity, I could find no will to go back."
+
+He sighed.
+
+"That was my last chance.
+
+"We didn't go into the city until the sky was full of stars,
+so we walked out upon the high terrace, to and fro, and--she
+counselled me to go back.
+
+"'My dearest,' she said, and her sweet face looked up to me,
+'this is Death. This life you lead is Death. Go back to them, go
+back to your duty--'
+
+"She began to weep, saying, between her sobs, and clinging to
+my arm as she said it, 'Go back--Go back.'
+
+"Then suddenly she fell mute, and, glancing down at her face,
+I read in an instant the thing she had thought to do. It was one
+of those moments when one sees.
+
+"'No!' I said.
+
+"'No?' she asked, in surprise and I think a little fearful at
+the answer to her thought.
+
+"'Nothing,' I said, 'shall send me back. Nothing! I have
+chosen. Love, I have chosen, and the world must go. Whatever
+happens I will live this life--I will live for you! It--nothing
+shall turn me aside; nothing, my dear one. Even if you died--even
+if you died--'
+
+"'Yes?' she murmured, softly.
+
+"'Then--I also would die.'
+
+"And before she could speak again I began to talk, talking
+eloquently--as I could do in that life--talking to exalt love, to
+make the life we were living seem heroic and glorious; and the
+thing I was deserting something hard and enormously ignoble that it
+was a fine thing to set aside. I bent all my mind to throw that
+glamour upon it, seeking not only to convert her but myself to
+that. We talked, and she clung to me, torn too between all that
+she deemed noble and all that she knew was sweet. And at last I
+did make it heroic, made all the thickening disaster of the world
+only a sort of glorious setting to our unparalleled love, and we
+two poor foolish souls strutted there at last, clad in that
+splendid delusion, drunken rather with that glorious delusion,
+under the still stars.
+
+"And so my moment passed.
+
+"It was my last chance. Even as we went to and fro there, the
+leaders of the south and east were gathering their resolve, and the
+hot answer that shattered Evesham's bluffing for ever, took shape and
+waited. And, all over Asia, and the ocean, and the South, the air
+and the wires were throbbing with their warnings to prepare--prepare.
+
+"No one living, you know, knew what war was; no one could
+imagine, with all these new inventions, what horror war might
+bring. I believe most people still believed it would be a matter
+of bright uniforms and shouting charges and triumphs and flags and
+bands--in a time when half the world drew its food supply from
+regions ten thousand miles away--"
+
+The man with the white face paused. I glanced at him, and his
+face was intent on the floor of the carriage. A little railway
+station, a string of loaded trucks, a signal-box, and the back of
+a cottage, shot by the carriage window, and a bridge passed with a
+clap of noise, echoing the tumult of the train.
+
+"After that," he said, "I dreamt often. For three weeks of
+nights that dream was my life. And the worst of it was there were
+nights when I could not dream, when I lay tossing on a bed in this
+accursed life; and there--somewhere lost to me--things were
+happening--momentous, terrible things . . . I lived at nights--my
+days, my waking days, this life I am living now, became a faded,
+far-away dream, a drab setting, the cover of the book."
+
+He thought.
+
+"I could tell you all, tell you every little thing in the
+dream, but as to what I did in the daytime--no. I could not
+tell--I do not remember. My memory--my memory has gone. The
+business of life slips from me--"
+
+He leant forward, and pressed his hands upon his eyes. For a
+long time he said nothing.
+
+"And then?" said I.
+
+"The war burst like a hurricane."
+
+He stared before him at unspeakable things.
+
+"And then?" I urged again.
+
+"One touch of unreality," he said, in the low tone of a man
+who speaks to himself, "and they would have been nightmares.
+But they were not nightmares--they were not nightmares. No!"
+
+He was silent for so long that it dawned upon me that there
+was a danger of losing the rest of the story. But he went on
+talking again in the same tone of questioning self-communion.
+
+"What was there to do but flight? I had not thought the war
+would touch Capri--I had seemed to see Capri as being out of it
+all, as the contrast to it all; but two nights after the whole
+place was shouting and bawling, every woman almost and every other
+man wore a badge--Evesham's badge--and there was no music but a
+jangling war-song over and over again, and everywhere men
+enlisting, and in the dancing halls they were drilling. The whole
+island was awhirl with rumours; it was said, again and again, that
+fighting had begun. I had not expected this. I had seen so little
+of the life of pleasure that I had failed to reckon with this
+violence of the amateurs. And as for me, I was out of it. I was
+like the man who might have prevented the firing of a magazine.
+The time had gone. I was no one; the vainest stripling with a
+badge counted for more than I. The crowd jostled us and bawled in
+our ears; that accursed song deafened us; a woman shrieked at my
+lady because no badge was on her, and we two went back to our own
+place again, ruffled and insulted--my lady white and silent, and I
+aquiver with rage. So furious was I, I could have quarrelled with
+her if I could have found one shade of accusation in her eyes.
+
+"All my magnificence had gone from me. I walked up and down
+our rock cell, and outside was the darkling sea and a light to the
+southward that flared and passed and came again.
+
+"'We must get out of this place,' I said over and over. 'I
+have made my choice, and I will have no hand in these troubles. I
+will have nothing of this war. We have taken our lives out of all
+these things. This is no refuge for us. Let us go.'
+
+"And the next day we were already in flight from the war that
+covered the world.
+
+"And all the rest was Flight--all the rest was Flight."
+
+He mused darkly.
+
+"How much was there of it?"
+
+He made no answer.
+
+"How many days?"
+
+His face was white and drawn and his hands were clenched. He
+took no heed of my curiosity.
+
+I tried to draw him back to his story with questions.
+
+"Where did you go?" I said.
+
+"When?"
+
+"When you left Capri."
+
+"South-west," he said, and glanced at me for a second. "We
+went in a boat."
+
+"But I should have thought an aeroplane?"
+
+"They had been seized."
+
+I questioned him no more. Presently I thought he was beginning
+again. He broke out in an argumentative monotone:
+
+"But why should it be? If, indeed, this battle, this
+slaughter and stress is life, why have we this craving for pleasure
+and beauty? If there is no refuge, if there is no place of peace,
+and if all our dreams of quiet places are a folly and a snare, why
+have we such dreams? Surely it was no ignoble cravings, no base
+intentions, had brought us to this; it was Love had isolated us.
+Love had come to me with her eyes and robed in her beauty, more
+glorious than all else in life, in the very shape and colour of
+life, and summoned me away. I had silenced all the voices, I had
+answered all the questions--I had come to her. And suddenly there
+was nothing but War and Death!"
+
+I had an inspiration. "After all," I said, "it could have
+been only a dream."
+
+"A dream!" he cried, flaming upon me, "a dream--when, even
+now--"
+
+For the first time he became animated. A faint flush crept
+into his cheek. He raised his open hand and clenched it, and
+dropped it to his knee. He spoke, looking away from me, and for
+all the rest of the time he looked away. "We are but phantoms!" he
+said, "and the phantoms of phantoms, desires like cloud-shadows and
+wills of straw that eddy in the wind; the days pass, use and wont
+carry us through as a train carries the shadow of its lights--so be
+it! But one thing is real and certain, one thing is no dream-stuff,
+but eternal and enduring. It is the centre of my life, and
+all other things about it are subordinate or altogether vain. I
+loved her, that woman of a dream. And she and I are dead together!
+
+"A dream! How can it be a dream, when it drenched a living
+life with unappeasable sorrow, when it makes all that I have lived
+for and cared for, worthless and unmeaning?
+
+"Until that very moment when she was killed I believed we had
+still a chance of getting away," he said. "All through the night
+and morning that we sailed across the sea from Capri to Salerno, we
+talked of escape. We were full of hope, and it clung about us to
+the end, hope for the life together we should lead, out of it all,
+out of the battle and struggle, the wild and empty passions, the
+empty arbitrary 'thou shalt' and 'thou shalt not' of the world. We
+were uplifted, as though our quest was a holy thing, as though love
+for another was a mission . . . .
+
+"Even when from our boat we saw the fair face of that great
+rock Capri--already scarred and gashed by the gun emplacements and
+hiding-places that were to make it a fastness--we reckoned nothing
+of the imminent slaughter, though the fury of preparation hung
+about in the puffs and clouds of dust at a hundred points amidst
+the gray; but, indeed, I made a text of that and talked. There,
+you know, was the rock, still beautiful for all its scars, with its
+countless windows and arches and ways, tier upon tier, for a
+thousand feet, a vast carving of gray, broken by vine-clad
+terraces, and lemon and orange groves, and masses of agave and
+prickly pear, and puffs of almond blossom. And out under the
+archway that is built over the Piccola Marina other boats were
+coming; and as we came round the cape and within sight of the
+mainland, another little string of boats came into view, driving
+before the wind towards the south-west. In a little while a
+multitude had come out, the remoter just little specks of
+ultramarine in the shadow of the eastward cliff.
+
+"'It is love and reason,' I said, 'fleeing from all this
+madness of war.'
+
+"And though we presently saw a squadron of aeroplanes flying
+across the southern sky we did not heed it. There it was--a line
+of little dots in the sky--and then more, dotting the south-eastern
+horizon, and then still more, until all that quarter of the sky was
+stippled with blue specks. Now they were all thin little strokes
+of blue, and now one and now a multitude would heel and catch the
+sun and become short flashes of light. They came, rising and
+falling and growing larger, like some huge flight of gulls or rooks
+or such-like birds, moving with a marvellous uniformity, and ever
+as they drew nearer they spread over a greater width of sky. The
+southward wind flung itself in an arrow-headed cloud athwart the
+sun. And then suddenly they swept round to the eastward and
+streamed eastward, growing smaller and smaller and clearer and
+clearer again until they vanished from the sky. And after that we
+noted to the northward and very high Evesham's fighting machines
+hanging high over Naples like an evening swarm of gnats.
+
+"It seemed to have no more to do with us than a flight of
+birds.
+
+"Even the mutter of guns far away in the south-east seemed to
+us to signify nothing . . .
+
+"Each day, each dream after that, we were still exalted, still
+seeking that refuge where we might live and love. Fatigue had come
+upon us, pain and many distresses. For though we were dusty and
+stained by our toilsome tramping, and half starved and with the
+horror of the dead men we had seen and the flight of the
+peasants--for very soon a gust of fighting swept up the
+peninsula--with these things haunting our minds it still resulted
+only in a deepening resolution to escape. Oh, but she was brave
+and patient! She who had never faced hardship and exposure had
+courage for herself and me. We went to and fro seeking an outlet,
+over a country all commandeered and ransacked by the gathering
+hosts of war. Always we went on foot. At first there were other
+fugitives, but we did not mingle with them. Some escaped
+northward, some were caught in the torrent of peasantry that swept
+along the main roads; many gave themselves into the hands of the
+soldiery and were sent northward. Many of the men were impressed.
+But we kept away from these things; we had brought no money to
+bribe a passage north, and I feared for my lady at the hands of
+these conscript crowds. We had landed at Salerno, and we had been
+turned back from Cava, and we had tried to cross towards Taranto by
+a pass over Mount Alburno, but we had been driven back for want of
+food, and so we had come down among the marshes by Paestum, where
+those great temples stand alone. I had some vague idea that by
+Paestum it might be possible to find a boat or something, and take
+once more to sea. And there it was the battle overtook us.
+
+"A sort of soul-blindness had me. Plainly I could see that we
+were being hemmed in; that the great net of that giant Warfare had
+us in its toils. Many times we had seen the levies that had come
+down from the north going to and fro, and had come upon them in the
+distance amidst the mountains making ways for the ammunition and
+preparing the mounting of the guns. Once we fancied they had fired
+at us, taking us for spies--at any rate a shot had gone shuddering
+over us. Several times we had hidden in woods from hovering
+aeroplanes.
+
+"But all these things do not matter now, these nights of
+flight and pain . . . We were in an open place near those great
+temples at Paestum, at last, on a blank stony place dotted with
+spiky bushes, empty and desolate and so flat that a grove of
+eucalyptus far away showed to the feet of its stems. How I can see
+it! My lady was sitting down under a bush resting a little, for
+she was very weak and weary, and I was standing up watching to see
+if I could tell the distance of the firing that came and went.
+They were still, you know, fighting far from each other, with those
+terrible new weapons that had never before been used: guns that
+would carry beyond sight, and aeroplanes that would do--What they
+would do no man could foretell.
+
+"I knew that we were between the two armies, and that they
+drew together. I knew we were in danger, and that we could not
+stop there and rest!
+
+"Though all these things were in my mind, they were in the
+background. They seemed to be affairs beyond our concern.
+Chiefly, I was thinking of my lady. An aching distress filled me.
+For the first time she had owned herself beaten and had fallen
+a-weeping. Behind me I could hear her sobbing, but I would not
+turn round to her because I knew she had need of weeping, and had
+held herself so far and so long for me. It was well, I thought,
+that she would weep and rest and then we would toil on again, for
+I had no inkling of the thing that hung so near. Even now I can
+see her as she sat there, her lovely hair upon her shoulder, can
+mark again the deepening hollow of her cheek.
+
+"'If we had parted,' she said, 'if I had let you go.'
+
+"'No,' said I.' Even now, I do not repent. I will not repent;
+I made my choice, and I will hold on to the end.'
+
+"And then--
+
+"Overhead in the sky flashed something and burst, and all
+about us I heard the bullets making a noise like a handful of peas
+suddenly thrown. They chipped the stones about us, and whirled
+fragments from the bricks and passed . . . ."
+
+He put his hand to his mouth, and then moistened his lips.
+
+"At the flash I had turned about . . .
+
+"You know--she stood up--
+
+"She stood up, you know, and moved a step towards me--as
+though she wanted to reach me--
+
+"And she had been shot through the heart."
+
+He stopped and stared at me. I felt all that foolish
+incapacity an Englishman feels on such occasions. I met his eyes
+for a moment, and then stared out of the window. For a long space
+we kept silence. When at last I looked at him he was sitting back
+in his corner, his arms folded, and his teeth gnawing at his
+knuckles.
+
+He bit his nail suddenly, and stared at it.
+
+"I carried her," he said, "towards the temples, in my arms--as
+though it mattered. I don't know why. They seemed a sort of
+sanctuary, you know, they had lasted so long, I suppose.
+
+"She must have died almost instantly. Only--I talked to her
+all the way."
+
+Silence again.
+
+"I have seen those temples," I said abruptly, and indeed he
+had brought those still, sunlit arcades of worn sandstone very
+vividly before me.
+
+"It was the brown one, the big brown one. I sat down on a
+fallen pillar and held her in my arms . . . Silent after the first
+babble was over. And after a little while the lizards came out and
+ran about again, as though nothing unusual was going on, as though
+nothing had changed . . . It was tremendously still there, the sun
+high and the shadows still; even the shadows of the weeds upon the
+entablature were still--in spite of the thudding and banging that
+went all about the sky.
+
+"I seem to remember that the aeroplanes came up out of the
+south, and that the battle went away to the west. One aeroplane
+was struck, and overset and fell. I remember that--though it
+didn't interest me in the least. It didn't seem to signify. It
+was like a wounded gull, you know--flapping for a time in the
+water. I could see it down the aisle of the temple--a black thing
+in the bright blue water.
+
+"Three or four times shells burst about the beach, and then
+that ceased. Each time that happened all the lizards scuttled in
+and hid for a space. That was all the mischief done, except that
+once a stray bullet gashed the stone hard by--made just a fresh
+bright surface.
+
+"As the shadows grew longer, the stillness seemed greater.
+
+"The curious thing," he remarked, with the manner of a man who
+makes a trivial conversation, "is that I didn't _think_--at
+all. I sat with her in my arms amidst the stones--in a sort of
+lethargy--stagnant.
+
+"And I don't remember waking up. I don't remember dressing
+that day. I know I found myself in my office, with my letters all
+slit open in front of me, and how I was struck by the absurdity of
+being there, seeing that in reality I was sitting, stunned, in that
+Paestum Temple with a dead woman in my arms. I read my letters
+like a machine. I have forgotten what they were about."
+
+He stopped, and there was a long silence.
+
+Suddenly I perceived that we were running down the incline
+from Chalk Farm to Euston. I started at this passing of time. I
+turned on him with a brutal question, with the tone of "Now or
+never."
+
+"And did you dream again?"
+
+"Yes."
+
+He seemed to force himself to finish. His voice was very low.
+
+"Once more, and as it were only for a few instants. I seemed
+to have suddenly awakened out of a great apathy, to have risen into
+a sitting position, and the body lay there on the stones beside me.
+A gaunt body. Not her, you know. So soon--it was not her . . . .
+
+"I may have heard voices. I do not know. Only I knew clearly
+that men were coming into the solitude and that that was a last
+outrage.
+
+"I stood up and walked through the temple, and then there came
+into sight--first one man with a yellow face, dressed in a uniform
+of dirty white, trimmed with blue, and then several, climbing to
+the crest of the old wall of the vanished city, and crouching
+there. They were little bright figures in the sunlight, and there
+they hung, weapon in hand, peering cautiously before them.
+
+"And further away I saw others and then more at another point
+in the wall. It was a long lax line of men in open order.
+
+"Presently the man I had first seen stood up and shouted a
+command, and his men came tumbling down the wall and into the high
+weeds towards the temple. He scrambled down with them and led
+them. He came facing towards me, and when he saw me he stopped.
+
+"At first I had watched these men with a mere curiosity, but
+when I had seen they meant to come to the temple I was moved to
+forbid them. I shouted to the officer.
+
+"'You must not come here,' I cried, '_I_ am here. I am
+here with my dead.'
+
+"He stared, and then shouted a question back to me in some
+unknown tongue.
+
+"I repeated what I had said.
+
+"He shouted again, and I folded my arms and stood still.
+Presently he spoke to his men and came forward. He carried a drawn
+sword.
+
+"I signed to him to keep away, but he continued to advance.
+I told him again very patiently and clearly: 'You must not come
+here. These are old temples and I am here with my dead.'
+
+"Presently he was so close I could see his face clearly. It
+was a narrow face, with dull gray eyes, and a black moustache. He
+had a scar on his upper lip, and he was dirty and unshaven. He
+kept shouting unintelligible things, questions, perhaps, at me.
+
+"I know now that he was afraid of me, but at the time that did
+not occur to me. As I tried to explain to him, he interrupted me
+in imperious tones, bidding me, I suppose, stand aside.
+
+"He made to go past me, and I caught hold of him.
+
+"I saw his face change at my grip.
+
+"'You fool,' I cried. 'Don't you know? She is dead!'
+
+"He started back. He looked at me with cruel eyes. I saw a
+sort of exultant resolve leap into them--delight. Then, suddenly,
+with a scowl, he swept his sword back--_so_--and thrust."
+
+He stopped abruptly.
+
+I became aware of a change in the rhythm of the train. The
+brakes lifted their voices and the carriage jarred and jerked.
+This present world insisted upon itself, became clamourous. I saw
+through the steamy window huge electric fights glaring down from
+tall masts upon a fog, saw rows of stationary empty carriages
+passing by, and then a signal-box hoisting its constellation of
+green and red into the murky London twilight, marched after them.
+I looked again at his drawn features.
+
+"He ran me through the heart. It was with a sort of
+astonishment--no fear, no pain--but just amazement, that I felt it
+pierce me, felt the sword drive home into my body. It didn't hurt,
+you know. It didn't hurt at all."
+
+The yellow platform lights came into the field of view,
+passing first rapidly, then slowly, and at last stopping with a
+jerk. Dim shapes of men passed to and fro without.
+
+"Euston!" cried a voice.
+
+"Do you mean--?"
+
+"There was no pain, no sting or smart. Amazement and then
+darkness sweeping over everything. The hot, brutal face before me,
+the face of the man who had killed me, seemed to recede. It swept
+out of existence--"
+
+"Euston!" clamoured the voices outside; "Euston!"
+
+The carriage door opened admitting a flood of sound, and a
+porter stood regarding us. The sounds of doors slamming, and the
+hoof-clatter of cab-horses, and behind these things the featureless
+remote roar of the London cobble-stones, came to my ears. A
+truckload of lighted lamps blazed along the platform.
+
+"A darkness, a flood of darkness that opened and spread and
+blotted out all things."
+
+"Any luggage, sir?" said the porter.
+
+"And that was the end?" I asked.
+
+He seemed to hesitate. Then, almost inaudibly, he answered, "_no_."
+
+"You mean?"
+
+"I couldn't get to her. She was there on the other side of the
+temple-- And then--"
+
+"Yes," I insisted. "Yes?"
+
+"Nightmares," he cried; "nightmares indeed! My God! Great
+birds that fought and tore."
+
+
+
+
+THE CONE
+
+The night was hot and overcast, the sky red, rimmed with the
+lingering sunset of mid-summer. They sat at the open window,
+trying to fancy the air was fresher there. The trees and shrubs of
+the garden stood stiff and dark; beyond in the roadway a gas-lamp
+burnt, bright orange against the hazy blue of the evening.
+Farther were the three lights of the railway signal against the
+lowering sky. The man and woman spoke to one another in low tones.
+
+"He does not suspect?" said the man, a little nervously.
+
+"Not he," she said peevishly, as though that too irritated
+her. "He thinks of nothing but the works and the prices of fuel.
+He has no imagination, no poetry."
+
+"None of these men of iron have," he said sententiously.
+"They have no hearts."
+
+"_He_ has not," she said. She turned her discontented
+face towards the window. The distant sound of a roaring and
+rushing drew nearer and grew in volume; the house quivered; one
+heard the metallic rattle of the tender. As the train passed,
+there was a glare of light above the cutting and a driving tumult
+of smoke; one, two, three, four, five, six, seven, eight black
+oblongs--eight trucks--passed across the dim grey of the
+embankment, and were suddenly extinguished one by one in the throat
+of the tunnel, which, with the last, seemed to swallow down train,
+smoke, and sound in one abrupt gulp.
+
+"This country was all fresh and beautiful once," he said; "and
+now--it is Gehenna. Down that way--nothing but pot-banks and
+chimneys belching fire and dust into the face of heaven . . . . .
+But what does it matter? An end comes, an end to all this cruelty
+. . . . . _To-morrow_." He spoke the last word in a whisper.
+
+"_To-morrow_," she said, speaking in a whisper too, and
+still staring out of the window.
+
+"Dear!" he said, putting his hand on hers.
+
+She turned with a start, and their eyes searched one
+another's. Hers softened to his gaze. "My dear one!" she said,
+and then: "It seems so strange--that you should have come into my
+life like this--to open--" She paused.
+
+"To open?" he said.
+
+"All this wonderful world--" she hesitated, and spoke still
+more softly--"this world of _love_ to me."
+
+Then suddenly the door clicked and closed. They turned their
+heads, and he started violently back. In the shadow of the room
+stood a great shadowy figure--silent. They saw the face dimly in
+the half-light, with unexpressive dark patches under the penthouse
+brows. Every muscle in Raut's body suddenly became tense. When
+could the door have opened? What had he heard? Had he heard all?
+What had he seen? A tumult of questions.
+
+The new-comer's voice came at last, after a pause that seemed
+interminable. "Well?" he said.
+
+"I was afraid I had missed you, Horrocks," said the man at the
+window, gripping the window-ledge with his hand. His voice was
+unsteady.
+
+The clumsy figure of Horrocks came forward out of the shadow.
+He made no answer to Raut's remark. For a moment he stood above
+them.
+
+The woman's heart was cold within her. "I told Mr. Raut it
+was just possible you might come back," she said, in a voice that
+never quivered.
+
+Horrocks, still silent, sat down abruptly in the chair by her
+little work-table. His big hands were clenched; one saw now the
+fire of his eyes under the shadow of his brows. He was trying to
+get his breath. His eyes went from the woman he had trusted to the
+friend he had trusted, and then back to the woman.
+
+By this time and for the moment all three half understood one
+another. Yet none dared say a word to ease the pent-up things that
+choked them.
+
+It was the husband's voice that broke the silence at last.
+
+"You wanted to see me?" he said to Raut.
+
+Raut started as he spoke. "I came to see you," he said,
+resolved to lie to the last.
+
+"Yes," said Horrocks.
+
+"You promised," said Raut, "to show me some fine effects of
+moonlight and smoke."
+
+"I promised to show you some fine effects of moonlight and
+smoke," repeated Horrocks in a colourless voice.
+
+"And I thought I might catch you to-night before you went down
+to the works," proceeded Raut, "and come with you."
+
+There was another pause. Did the man mean to take the thing
+coolly? Did he after all know? How long had he been in the room?
+Yet even at the moment when they heard the door, their attitudes.
+. . . Horrocks glanced at the profile of the woman, shadowy pallid
+in the half-light. Then he glanced at Raut, and seemed to recover
+himself suddenly. "Of course," he said, "I promised to show you
+the works under their proper dramatic conditions. It's odd how I
+could have forgotten."
+
+"If I am troubling you--" began Raut.
+
+Horrocks started again. A new light had suddenly come into
+the sultry gloom of his eyes. "Not in the least," he said.
+
+"Have you been telling Mr. Raut of all these contrasts of
+flame and shadow you think so splendid?" said the woman, turning
+now to her husband for the first time, her confidence creeping back
+again, her voice just one half-note too high. "That dreadful
+theory of yours that machinery is beautiful, and everything else in
+the world ugly. I thought he would not spare you, Mr. Raut. It's
+his great theory, his one discovery in art."
+
+"I am slow to make discoveries," said Horrocks grimly, damping
+her suddenly. "But what I discover . . . . ." He stopped.
+
+"Well?" she said.
+
+"Nothing;" and suddenly he rose to his feet.
+
+"I promised to show you the works," he said to Raut, and put
+his big, clumsy hand on his friend's shoulder. "And you are ready
+to go?"
+
+"Quite," said Raut, and stood up also.
+
+There was another pause. Each of them peered through the
+indistinctness of the dusk at the other two. Horrocks' hand still
+rested on Raut's shoulder. Raut half fancied still that the
+incident was trivial after all. But Mrs. Horrocks knew her husband
+better, knew that grim quiet in his voice, and the confusion in her
+mind took a vague shape of physical evil. "Very well", said
+Horrocks, and, dropping his hand, turned towards the door.
+
+"My hat?" Raut looked round in the half-light.
+
+"That's my work-basket," said Mrs. Horrocks, with a gust of
+hysterical laughter. Their hands came together on the back of the
+chair. "Here it is!" he said. She had an impulse to warn him in
+an undertone, but she could not frame a word. "Don't go!" and
+"Beware of him!" struggled in her mind, and the swift moment
+passed.
+
+"Got it?" said Horrocks, standing with the door half open.
+
+Raut stepped towards him. "Better say good-bye to Mrs.
+Horrocks," said the ironmaster, even more grimly quiet in his tone
+than before.
+
+Raut started and turned. "Good-evening, Mrs. Horrocks," he
+said, and their hands touched.
+
+Horrocks held the door open with a ceremonial politeness
+unusual in him towards men. Raut went out, and then, after a
+wordless look at her, her husband followed. She stood motionless
+while Raut's light footfall and her husband's heavy tread, like
+bass and treble, passed down the passage together. The front door
+slammed heavily. She went to the window, moving slowly, and stood
+watching--leaning forward. The two men appeared for a moment at
+the gateway in the road, passed under the street lamp, and were
+hidden by the black masses of the shrubbery. The lamp-light fell
+for a moment on their faces, showing only unmeaning pale patches,
+telling nothing of what she still feared, and doubted, and craved
+vainly to know. Then she sank down into a crouching attitude in
+the big arm-chair, her eyes wide open and staring out at the red
+lights from the furnaces that flickered in the sky. An hour after
+she was still there, her attitude scarcely changed.
+
+The oppressive stillness of the evening weighed heavily upon
+Raut. They went side by side down the road in silence, and in
+silence turned into the cinder-made by-way that presently opened
+out the prospect of the valley.
+
+A blue haze, half dust, half mist, touched the long valley
+with mystery. Beyond were Hanley and Etruria, grey and dark
+masses, outlined thinly by the rare golden dots of the street
+lamps, and here and there a gaslit window, or the yellow glare of
+some late-working factory or crowded public-house. Out of the
+masses, clear and slender against the evening sky, rose a multitude
+of tall chimneys, many of them reeking, a few smokeless during a
+season of "play." Here and there a pallid patch and ghostly
+stunted beehive shapes showed the position of a pot-bank, or a
+wheel, black and sharp against the hot lower sky, marked some
+colliery where they raise the iridescent coal of the place. Nearer
+at hand was the broad stretch of railway, and half invisible trains
+shunted--a steady puffing and rumbling, with every run a ringing
+concussion and a rhythmic series of impacts, and a passage of
+intermittent puffs of white steam across the further view. And
+to the left, between the railway and the dark mass of the low hill
+beyond, dominating the whole view, colossal, inky-black, and
+crowned with smoke and fitful flames, stood the great cylinders of
+the Jeddah Company Blast Furnaces, the central edifices of the big
+ironworks of which Horrocks was the manager. They stood heavy and
+threatening, full of an incessant turmoil of flames and seething
+molten iron, and about the feet of them rattled the rolling-mills,
+and the steam hammer beat heavily and splashed the white iron
+sparks hither and thither. Even as they looked, a truckful of fuel
+was shot into one of the giants, and the red flames gleamed out,
+and a confusion of smoke and black dust came boiling upwards
+towards the sky.
+
+"Certainly you get some fine effects of colour with your
+furnaces," said Raut, breaking a silence that had become
+apprehensive.
+
+Horrocks grunted. He stood with his hands in his pockets,
+frowning down at the dim steaming railway and the busy ironworks
+beyond, frowning as if he were thinking out some knotty problem.
+
+Raut glanced at him and away again. "At present your
+moonlight effect is hardly ripe," he continued, looking upward.
+"The moon is still smothered by the vestiges of daylight."
+
+Horrocks stared at him with the expression of a man who has
+suddenly awakened. "Vestiges of daylight? . . . . Of course, of
+course." He too looked up at the moon, pale still in the midsummer
+sky. "Come along," he said suddenly, and, gripping Raut's arm in
+his hand, made a move towards the path that dropped from them to
+the railway.
+
+Raut hung back. Their eyes met and saw a thousand things in
+a moment that their eyes came near to say. Horrocks' hand
+tightened and then relaxed. He let go, and before Raut was aware
+of it, they were arm in arm, and walking, one unwillingly enough,
+down the path.
+
+"You see the fine effect of the railway signals towards
+Burslem," said Horrocks, suddenly breaking into loquacity, striding
+fast, and tightening the grip of his elbow the while. "Little
+green lights and red and white lights, all against the haze. You
+have an eye for effect, Raut. It's a fine effect. And look at
+those furnaces of mine, how they rise upon us as we come down the
+hill. That to the right is my pet--seventy feet of him. I packed
+him myself, and he's boiled away cheerfully with iron in his guts
+for five long years. I've a particular fancy for _him_. That
+line of red there--a lovely bit of warm orange you'd call it,
+Raut--that's the puddlers' furnaces, and there, in the hot light,
+three black figures--did you see the white splash of the
+steam-hammer then?--that's the rolling mills. Come along!
+Clang, clatter, how it goes rattling across the floor! Sheet tin,
+Raut,--amazing stuff. Glass mirrors are not in it when that stuff
+comes from the mill. And, squelch!--there goes the hammer again.
+Come along!"
+
+He had to stop talking to catch at his breath. His arm
+twisted into Raut's with benumbing tightness. He had come striding
+down the black path towards the railway as though he was possessed.
+Raut had not spoken a word, had simply hung back against Horrocks'
+pull with all his strength.
+
+"I say," he said now, laughing nervously, but with an
+undernote of snarl in his voice, "why on earth are you nipping my
+arm off, Horrocks, and dragging me along like this?"
+
+At length Horrocks released him. His manner changed again.
+"Nipping your arm off?" he said. "Sorry. But it's you taught me
+the trick of walking in that friendly way."
+
+"You haven't learnt the refinements of it yet then," said
+Raut, laughing artificially again. "By Jove! I'm black and blue."
+Horrocks offered no apology. They stood now near the bottom of the
+hill, close to the fence that bordered the railway. The ironworks
+had grown larger and spread out with their approach. They looked
+up to the blast furnaces now instead of down; the further view of
+Etruria and Hanley had dropped out of sight with their descent.
+Before them, by the stile rose a notice-board, bearing still dimly
+visible, the words, "BEWARE OF THE TRAINS," half hidden by splashes
+of coaly mud.
+
+"Fine effects," said Horrocks, waving his arm. "Here comes a
+train. The puffs of smoke, the orange glare, the round eye of
+light in front of it, the melodious rattle. Fine effects! But
+these furnaces of mine used to be finer, before we shoved cones in
+their throats, and saved the gas."
+
+"How?" said Raut. "Cones?"
+
+"Cones, my man, cones. I'll show you one nearer. The flames
+used to flare out of the open throats, great--what is it?--pillars
+of cloud by day, red and black smoke, and pillars of fire by night.
+Now we run it off in pipes, and burn it to heat the blast, and the
+top is shut by a cone. You'll be interested in that cone."
+
+"But every now and then," said Raut, "you get a burst of fire
+and smoke up there."
+
+"The cone's not fixed, it's hung by a chain from a lever, and
+balanced by an equipoise. You shall see it nearer. Else, of
+course, there'd be no way of getting fuel into the thing. Every
+now and then the cone dips, and out comes the flare."
+
+"I see," said Raut. He looked over his shoulder. "The moon
+gets brighter," he said.
+
+"Come along," said Horrocks abruptly, gripping his shoulder
+again, and moving him suddenly towards the railway crossing. And
+then came one of those swift incidents, vivid, but so rapid that
+they leave one doubtful and reeling. Halfway across, Horrocks'
+hand suddenly clenched upon him like a vice, and swung him backward
+and through a half-turn, so that he looked up the line. And there
+a chain of lamp-lit carriage-windows telescoped swiftly as it came
+towards them, and the red and yellow lights of an engine grew
+larger and larger, rushing down upon them. As he grasped what this
+meant, he turned his face to Horrocks, and pushed with all
+his strength against the arm that held him back between the rails.
+The struggle did not last a moment. Just as certain as it was that
+Horrocks held him there, so certain was it that he had been
+violently lugged out of danger.
+
+"Out of the way," said Horrocks, with a gasp, as the train
+came rattling by, and they stood panting by the gate into the
+ironworks.
+
+"I did not see it coming," said Raut, still, even in spite of
+his own apprehensions, trying to keep up an appearance of ordinary
+intercourse.
+
+Horrocks answered with a grunt. "The cone," he said, and
+then, as one who recovers himself, "I thought you did not hear."
+
+"I didn't," said Raut.
+
+"I wouldn't have had you run over then for the world," said
+Horrocks.
+
+"For a moment I lost my nerve," said Raut.
+
+Horrocks stood for half a minute, then turned abruptly towards
+the ironworks again. "See how fine these great mounds of mine,
+these clinker-heaps, look in the night! That truck yonder, up
+above there! Up it goes, and out-tilts the slag. See the
+palpitating red stuff go sliding down the slope. As we get nearer,
+the heap rises up and cuts the blast furnaces. See the quiver up
+above the big one. Not that way! This way, between the heaps.
+That goes to the puddling furnaces, but I want to show you the
+canal first." He came and took Raut by the elbow, and so they went
+along side by side. Raut answered Horrocks vaguely. What, he
+asked himself, had really happened on the line? Was he deluding
+himself with his own fancies, or had Horrocks actually held him
+back in the way of the train? Had he just been within an ace of
+being murdered?
+
+Suppose this slouching, scowling monster _did_ know anything?
+For a minute or two then Raut was really afraid for his life,
+but the mood passed as he reasoned with himself. After all,
+Horrocks might have heard nothing. At any rate, he had pulled him
+out of the way in time. His odd manner might be due to the mere
+vague jealousy he had shown once before. He was talking now of the
+ash-heaps and the canal. "Eigh?" said Horrocks.
+
+"What?" said Raut. "Rather! The haze in the moonlight. Fine!"
+
+"Our canal," said Horrocks, stopping suddenly. "Our canal by
+moonlight and firelight is an immense effect. You've never seen
+it? Fancy that! You've spent too many of your evenings
+philandering up in Newcastle there. I tell you, for real florid
+effects--But you shall see. Boiling water . . ."
+
+As they came out of the labyrinth of clinker-heaps and mounds
+of coal and ore, the noises of the rolling-mill sprang upon them
+suddenly, loud, near, and distinct. Three shadowy workmen went by
+and touched their caps to Horrocks. Their faces were vague in the
+darkness. Raut felt a futile impulse to address them, and before
+he could frame his words, they passed into the shadows. Horrocks
+pointed to the canal close before them now: a weird-looking place
+it seemed, in the blood-red reflections of the furnaces. The hot
+water that cooled the tuyeres came into it, some fifty yards up--a
+tumultuous, almost boiling affluent, and the steam rose up from
+the water in silent white wisps and streaks, wrapping damply about
+them, an incessant succession of ghosts coming up from the black
+and red eddies, a white uprising that made the head swim. The
+shining black tower of the larger blast-furnace rose overhead out
+of the mist, and its tumultuous riot filled their ears. Raut kept
+away from the edge of the water, and watched Horrocks.
+
+"Here it is red," said Horrocks, "blood-red vapour as red and
+hot as sin; but yonder there, where the moonlight falls on it, and
+it drives across the clinker-heaps, it is as white as death."
+
+Raut turned his head for a moment, and then came back hastily
+to his watch on Horrocks. "Come along to the rolling-mills," said
+Horrocks. The threatening hold was not so evident that time, and
+Raut felt a little reassured. But all the same, what on earth did
+Horrocks mean about "white as death" and "red as sin?"
+Coincidence, perhaps?
+
+They went and stood behind the puddlers for a little while,
+and then through the rolling-mills, where amidst an incessant din
+the deliberate steam-hammer beat the juice out of the succulent
+iron, and black, half-naked Titans rushed the plastic bars, like
+hot sealing-wax, between the wheels. "Come on," said Horrocks in
+Raut's ear, and they went and peeped through the little glass hole
+behind the tuyeres, and saw the tumbled fire writhing in the pit of
+the blast-furnace. It left one eye blinded for a while. Then,
+with green and blue patches dancing across the dark, they went to
+the lift by which the trucks of ore and fuel and lime were raised
+to the top of the big cylinder.
+
+And out upon the narrow rail that overhung the furnace, Raut's
+doubts came upon him again. Was it wise to be here? If Horrocks
+did know--everything! Do what he would, he could not resist a
+violent trembling. Right under foot was a sheer depth of seventy
+feet. It was a dangerous place. They pushed by a truck of fuel to
+get to the railing that crowned the place. The reek of the
+furnace, a sulphurous vapor streaked with pungent bitterness,
+seemed to make the distant hillside of Hanley quiver. The moon was
+riding out now from among a drift of clouds, halfway up the sky
+above the undulating wooded outlines of Newcastle. The steaming
+canal ran away from below them under an indistinct bridge, and
+vanished into the dim haze of the flat fields towards Burslem.
+
+"That's the cone I've been telling you of," shouted Horrocks;
+"and, below that, sixty feet of fire and molten metal, with the air
+of the blast frothing through it like gas in soda-water."
+
+Raut gripped the hand-rail tightly, and stared down at the
+cone. The heat was intense. The boiling of the iron and the
+tumult of the blast made a thunderous accompaniment to Horrocks'
+voice. But the thing had to be gone through now. Perhaps, after
+all . . .
+
+"In the middle," bawled Horrocks, "temperature near a thousand
+degrees. If _you_ were dropped into it . . . . flash into
+flame like a pinch of gunpowder in a candle. Put your hand out and
+feel the heat of his breath. Why, even up here I've seen the
+rain-water boiling off the trucks. And that cone there. It's a
+damned sight too hot for roasting cakes. The top side of it's
+three hundred degrees."
+
+"Three hundred degrees!" said Raut.
+
+"Three hundred centigrade, mind!" said Horrocks. "It will
+boil the blood out of you in no time."
+
+"Eigh?" said Raut, and turned.
+
+"Boil the blood out of you in . . . No, you don't!"
+
+"Let me go!" screamed Raut. "Let go my arm!"
+
+With one hand he clutched at the hand-rail, then with both.
+For a moment the two men stood swaying. Then suddenly, with a
+violent jerk, Horrocks had twisted him from his hold. He clutched
+at Horrocks and missed, his foot went back into empty air; in
+mid-air he twisted himself, and then cheek and shoulder and knee
+struck the hot cone together.
+
+He clutched the chain by which the cone hung, and the thing
+sank an infinitesimal amount as he struck it. A circle of glowing
+red appeared about him, and a tongue of flame, released from the
+chaos within, flickered up towards him. An intense pain assailed
+him at the knees, and he could smell the singeing of his hands. He
+raised himself to his feet, and tried to climb up the chain, and
+then something struck his head. Black and shining with the
+moonlight, the throat of the furnace rose about him.
+
+Horrocks, he saw, stood above him by one of the trucks of fuel
+on the rail. The gesticulating figure was bright and white in the
+moonlight, and shouting, "Fizzle, you fool! Fizzle, you hunter of
+women! You hot-blooded hound! Boil! boil! boil!"
+
+Suddenly he caught up a handful of coal out of the truck, and
+flung it deliberately, lump after lump, at Raut.
+
+"Horrocks!" cried Raut. "Horrocks!"
+
+He clung crying to the chain, pulling himself up from the
+burning of the cone. Each missile Horrocks flung hit him. His
+clothes charred and glowed, and as he struggled the cone dropped,
+and a rush of hot suffocating gas whooped out and burned round him
+in a swift breath of flame.
+
+His human likeness departed from him. When the momentary red
+had passed, Horrocks saw a charred, blackened figure, its head
+streaked with blood, still clutching and fumbling with the chain,
+and writhing in agony--a cindery animal, an inhuman, monstrous
+creature that began a sobbing intermittent shriek.
+
+Abruptly, at the sight, the ironmaster's anger passed. A
+deadly sickness came upon him. The heavy odour of burning flesh
+came drifting up to his nostrils. His sanity returned to him.
+
+"God have mercy upon me!" he cried. "O God! what have I
+done?"
+
+He knew the thing below him, save that it still moved and
+felt, was already a dead man--that the blood of the poor wretch
+must be boiling in his veins. An intense realisation of that agony
+came to his mind, and overcame every other feeling. For a moment
+he stood irresolute, and then, turning to the truck, he hastily
+tilted its contents upon the struggling thing that had once been a
+man. The mass fell with a thud, and went radiating over the cone.
+With the thud the shriek ended, and a boiling confusion of smoke,
+dust, and flame came rushing up towards him. As it passed, he saw
+the cone clear again.
+
+Then he staggered back, and stood trembling, clinging to the
+rail with both hands. His lips moved, but no words came to them.
+
+Down below was the sound of voices and running steps. The
+clangour of rolling in the shed ceased abruptly.
+
+
+
+
+A MOONLIGHT FABLE
+
+There was once a little man whose mother made him a beautiful suit
+of clothes. It was green and gold and woven so that I cannot
+describe how delicate and fine it was, and there was a tie of
+orange fluffiness that tied up under his chin. And the buttons
+in their newness shone like stars. He was proud and pleased by his
+suit beyond measure, and stood before the long looking-glass when
+first he put it on, so astonished and delighted with it that he
+could hardly turn himself away.
+
+He wanted to wear it everywhere and show it to all sorts of
+people. He thought over all the places he had ever visited and all
+the scenes he had ever heard described, and tried to imagine what
+the feel of it would be if he were to go now to those scenes and
+places wearing his shining suit, and he wanted to go out forthwith
+into the long grass and the hot sunshine of the meadow wearing it.
+Just to wear it! But his mother told him, "No." She told him he
+must take great care of his suit, for never would he have another
+nearly so fine; he must save it and save it and only wear it on
+rare and great occasions. It was his wedding suit, she said. And
+she took his buttons and twisted them up with tissue paper for fear
+their bright newness should be tarnished, and she tacked little
+guards over the cuffs and elbows and wherever the suit was most
+likely to come to harm. He hated and resisted these things, but
+what could he do? And at last her warnings and persuasions had
+effect and he consented to take off his beautiful suit and fold it
+into its proper creases and put it away. It was almost as though
+he gave it up again. But he was always thinking of wearing it
+and of the supreme occasion when some day it might be worn without
+the guards, without the tissue paper on the buttons, utterly and
+delightfully, never caring, beautiful beyond measure.
+
+One night when he was dreaming of it, after his habit, he
+dreamed he took the tissue paper from one of the buttons and found
+its brightness a little faded, and that distressed him mightily in
+his dream. He polished the poor faded button and polished it, and
+if anything it grew duller. He woke up and lay awake thinking of
+the brightness a little dulled and wondering how he would feel if
+perhaps when the great occasion (whatever it might be) should
+arrive, one button should chance to be ever so little short of its
+first glittering freshness, and for days and days that thought
+remained with him, distressingly. And when next his mother let him
+wear his suit, he was tempted and nearly gave way to the temptation
+just to fumble off one little bit of tissue paper and see if indeed
+the buttons were keeping as bright as ever.
+
+He went trimly along on his way to church full of this wild
+desire. For you must know his mother did, with repeated and
+careful warnings, let him wear his suit at times, on Sundays, for
+example, to and fro from church, when there was no threatening of
+rain, no dust nor anything to injure it, with its buttons covered
+and its protections tacked upon it and a sunshade in his hand to
+shadow it if there seemed too strong a sunlight for its colours.
+And always, after such occasions, he brushed it over and folded it
+exquisitely as she had taught him, and put it away again.
+
+Now all these restrictions his mother set to the wearing of
+his suit he obeyed, always he obeyed them, until one strange night
+he woke up and saw the moonlight shining outside his window. It
+seemed to him the moonlight was not common moonlight, nor the night
+a common night, and for a while he lay quite drowsily with this odd
+persuasion in his mind. Thought joined on to thought like things
+that whisper warmly in the shadows. Then he sat up in his little
+bed suddenly, very alert, with his heart beating very fast and a
+quiver in his body from top to toe. He had made up his mind. He
+knew now that he was going to wear his suit as it should be worn.
+He had no doubt in the matter. He was afraid, terribly afraid, but
+glad, glad.
+
+He got out of his bed and stood a moment by the window looking
+at the moonshine-flooded garden and trembling at the thing he meant
+to do. The air was full of a minute clamor of crickets and
+murmurings, of the infinitesimal shouting of little living things.
+He went very gently across the creaking boards, for fear that he
+might wake the sleeping house, to the big dark clothes-press
+wherein his beautiful suit lay folded, and he took it out garment
+by garment and softly and very eagerly tore off its tissue-paper
+covering and its tacked protections, until there it was, perfect
+and delightful as he had seen it when first his mother had given it
+to him--a long time it seemed ago. Not a button had tarnished, not
+a thread had faded on this dear suit of his; he was glad enough for
+weeping as in a noiseless hurry he put it on. And then back he
+went, soft and quick, to the window and looked out upon the garden
+and stood there for a minute, shining in the moonlight, with his
+buttons twinkling like stars, before he got out on the sill and,
+making as little of a rustling as he could, clambered down to the
+garden path below. He stood before his mother's house, and it was
+white and nearly as plain as by day, with every window-blind but
+his own shut like an eye that sleeps. The trees cast still shadows
+like intricate black lace upon the wall.
+
+The garden in the moonlight was very different from the garden
+by day; moonshine was tangled in the hedges and stretched in
+phantom cobwebs from spray to spray. Every flower was gleaming
+white or crimson black, and the air was aquiver with the thridding
+of small crickets and nightingales singing unseen in the depths of
+the trees.
+
+There was no darkness in the world, but only warm, mysterious
+shadows; and all the leaves and spikes were edged and lined with
+iridescent jewels of dew. The night was warmer than any night had
+ever been, the heavens by some miracle at once vaster and nearer,
+and spite of the great ivory-tinted moon that ruled the world, the
+sky was full of stars.
+
+The little man did not shout nor sing for all his infinite
+gladness. He stood for a time like one awe-stricken, and then,
+with a queer small cry and holding out his arms, he ran out as if
+he would embrace at once the whole warm round immensity of the
+world. He did not follow the neat set paths that cut the garden
+squarely, but thrust across the beds and through the wet, tall,
+scented herbs, through the night stock and the nicotine and the
+clusters of phantom white mallow flowers and through the thickets
+of southern-wood and lavender, and knee-deep across a wide space of
+mignonette. He came to the great hedge and he thrust his way
+through it, and though the thorns of the brambles scored him deeply
+and tore threads from his wonderful suit, and though burs and
+goosegrass and havers caught and clung to him, he did not care. He
+did not care, for he knew it was all part of the wearing for which
+he had longed. "I am glad I put on my suit," he said; "I am glad
+I wore my suit."
+
+Beyond the hedge he came to the duck-pond, or at least to what
+was the duck-pond by day. But by night it was a great bowl of
+silver moonshine all noisy with singing frogs, of wonderful silver
+moonshine twisted and clotted with strange patternings, and the
+little man ran down into its waters between the thin black rushes,
+knee-deep and waist-deep and to his shoulders, smiting the water to
+black and shining wavelets with either hand, swaying and shivering
+wavelets, amid which the stars were netted in the tangled
+reflections of the brooding trees upon the bank. He waded until he
+swam, and so he crossed the pond and came out upon the other side,
+trailing, as it seemed to him, not duckweed, but very silver in
+long, clinging, dripping masses. And up he went through the
+transfigured tangles of the willow-herb and the uncut seeding grass
+of the farther bank. And so he came glad and breathless into the
+highroad. "I am glad," he said, "beyond measure, that I had
+clothes that fitted this occasion."
+
+The highroad ran straight as an arrow flies, straight into the
+deep blue pit of sky beneath the moon, a white and shining road
+between the singing nightingales, and along it he went, running now
+and leaping, and now walking and rejoicing, in the clothes his
+mother had made for him with tireless, loving hands. The road was
+deep in dust, but that for him was only soft whiteness, and as he
+went a great dim moth came fluttering round his wet and shimmering
+and hastening figure. At first he did not heed the moth, and then
+he waved his hands at it and made a sort of dance with it as it
+circled round his head. "Soft moth!" he cried, "dear moth! And
+wonderful night, wonderful night of the world! Do you think my
+clothes are beautiful, dear moth? As beautiful as your scales and
+all this silver vesture of the earth and sky?"
+
+And the moth circled closer and closer until at last its
+velvet wings just brushed his lips . . . . .
+
+And next morning they found him dead with his neck broken in
+the bottom of the stone pit, with his beautiful clothes a little
+bloody and foul and stained with the duckweed from the pond. But
+his face was a face of such happiness that, had you seen it, you
+would have understood indeed how that he had died happy, never
+knowing the cool and streaming silver for the duckweed in the pond.
+
+
+
+
+THE DIAMOND MAKER
+
+Some business had detained me in Chancery Lane nine in the
+evening, and thereafter, having some inkling of a headache, I was
+disinclined either for entertainment or further work. So much of
+the sky as the high cliffs of that narrow canon of traffic left
+visible spoke of a serene night, and I determined to make my way
+down to the Embankment, and rest my eyes and cool my head by
+watching the variegated lights upon the river. Beyond comparison
+the night is the best time for this place; a merciful darkness
+hides the dirt of the waters, and the lights of this transitional
+age, red glaring orange, gas-yellow, and electric white, are set in
+shadowy outlines of every possible shade between grey and deep
+purple. Through the arches of Waterloo Bridge a hundred points of
+light mark the sweep of the Embankment, and above its parapet rise
+the towers of Westminster, warm grey against the starlight. The
+black river goes by with only a rare ripple breaking its silence,
+and disturbing the reflections of the lights that swim upon its
+surface.
+
+"A warm night," said a voice at my side.
+
+I turned my head, and saw the profile of a man who was leaning
+over the parapet beside me. It was a refined face, not unhandsome,
+though pinched and pale enough, and the coat collar turned up and
+pinned round the throat marked his status in life as sharply as a
+uniform. I felt I was committed to the price of a bed and
+breakfast if I answered him.
+
+I looked at him curiously. Would he have anything to tell me
+worth the money, or was he the common incapable--incapable even of
+telling his own story? There was a quality of intelligence in his
+forehead and eyes, and a certain tremulousness in his nether lip
+that decided me.
+
+"Very warm," said I; "but not too warm for us here."
+
+"No," he said, still looking across the water, "it is pleasant
+enough here . . . . just now."
+
+"It is good," he continued after a pause, "to find anything so
+restful as this in London. After one has been fretting about
+business all day, about getting on, meeting obligations, and
+parrying dangers, I do not know what one would do if it were not
+for such pacific corners." He spoke with long pauses between the
+sentences. "You must know a little of the irksome labour of the
+world, or you would not be here. But I doubt if you can be so
+brain-weary and footsore as I am . . . . Bah! Sometimes I doubt if
+the game is worth the candle. I feel inclined to throw the whole
+thing over--name, wealth and position--and take to some modest
+trade. But I know if I abandoned my ambition--hardly as she uses
+me--I should have nothing but remorse left for the rest of my
+days."
+
+He became silent. I looked at him in astonishment. If ever
+I saw a man hopelessly hard-up it was the man in front of me. He
+was ragged and he was dirty, unshaven and unkempt; he looked as
+though he had been left in a dust-bin for a week. And he was
+talking to _me_ of the irksome worries of a large business.
+I almost laughed outright. Either he was mad or playing a sorry
+jest on his own poverty.
+
+"If high aims and high positions," said I, "have their
+drawbacks of hard work and anxiety, they have their compensations.
+Influence, the power of doing good, of assisting those weaker and
+poorer than ourselves; and there is even a certain gratification in
+display . . . . . "
+
+My banter under the circumstances was in very vile taste. I
+spoke on the spur of the contrast of his appearance and speech. I
+was sorry even while I was speaking.
+
+He turned a haggard but very composed face upon me. Said he:
+"I forgot myself. Of course you would not understand."
+
+He measured me for a moment. "No doubt it is very absurd.
+You will not believe me even when I tell you, so that it is fairly
+safe to tell you. And it will be a comfort to tell someone. I
+really have a big business in hand, a very big business. But there
+are troubles just now. The fact is . . . . I make diamonds."
+
+"I suppose," said I, "you are out of work just at present?"
+
+"I am sick of being disbelieved," he said impatiently, and
+suddenly unbuttoning his wretched coat he pulled out a little
+canvas bag that was hanging by a cord round his neck. From this he
+produced a brown pebble. "I wonder if you know enough to know what
+that is?" He handed it to me.
+
+Now, a year or so ago, I had occupied my leisure in taking a
+London science degree, so that I have a smattering of physics and
+mineralogy. The thing was not unlike an uncut diamond of the
+darker sort, though far too large, being almost as big as the top
+of my thumb. I took it, and saw it had the form of a regular
+octahedron, with the curved faces peculiar to the most precious of
+minerals. I took out my penknife and tried to scratch it--vainly.
+Leaning forward towards the gas-lamp, I tried the thing on my
+watch-glass, and scored a white line across that with the greatest
+ease.
+
+I looked at my interlocutor with rising curiosity. "It
+certainly is rather like a diamond. But, if so, it is a Behemoth
+of diamonds. Where did you get it?"
+
+"I tell you I made it," he said. "Give it back to me."
+
+He replaced it hastily and buttoned his jacket. "I will sell
+it you for one hundred pounds," he suddenly whispered eagerly.
+With that my suspicions returned. The thing might, after all, be
+merely a lump of that almost equally hard substance, corundum, with
+an accidental resemblance in shape to the diamond. Or if it was a
+diamond, how came he by it, and why should he offer it at a hundred
+pounds?
+
+We looked into one another's eyes. He seemed eager, but
+honestly eager. At that moment I believed it was a diamond he was
+trying to sell. Yet I am a poor man, a hundred pounds would leave
+a visible gap in my fortunes and no sane man would buy a diamond by
+gaslight from a ragged tramp on his personal warranty only. Still,
+a diamond that size conjured up a vision of many thousands of
+pounds. Then, thought I, such a stone could scarcely exist without
+being mentioned in every book on gems, and again I called to mind
+the stories of contraband and light-fingered Kaffirs at the Cape.
+I put the question of purchase on one side.
+
+"How did you get it?" said I.
+
+"I made it."
+
+I had heard something of Moissan, but I knew his artificial
+diamonds were very small. I shook my head.
+
+"You seem to know something of this kind of thing. I will
+tell you a little about myself. Perhaps then you may think better
+of the purchase." He turned round with his back to the river, and
+put his hands in his pockets. He sighed. "I know you will not
+believe me."
+
+"Diamonds," he began--and as he spoke his voice lost its faint
+flavour of the tramp and assumed something of the easy tone of an
+educated man--are to be made by throwing carbon out of combination
+in a suitable flux and under a suitable pressure; the carbon
+crystallises out, not as black-lead or charcoal-powder, but as
+small diamonds. So much has been known to chemists for years, but
+no one yet had hit upon exactly the right flux in which to melt up
+the carbon, or exactly the right pressure for the best results.
+Consequently the diamonds made by chemists are small and dark,
+and worthless as jewels. Now I, you know, have given up my life to
+this problem--given my life to it.
+
+"I began to work at the conditions of diamond making when I
+was seventeen, and now I am thirty-two. It seemed to me that it
+might take all the thought and energies of a man for ten years, or
+twenty years, but, even if it did, the game was still worth the
+candle. Suppose one to have at last just hit the right trick
+before the secret got out and diamonds became as common as coal,
+one might realize millions. Millions!"
+
+He paused and looked for my sympathy. His eyes shone
+hungrily. "To think," said he, "that I am on the verge of it all,
+and here!
+
+"I had," he proceeded, "about a thousand pounds when I was
+twenty-one, and this, I thought, eked out by a little teaching,
+would keep my researches going. A year or two was spent in study,
+at Berlin chiefly, and then I continued on my own account. The
+trouble was the secrecy. You see, if once I had let out what I was
+doing, other men might have been spurred on by my belief in the
+practicability of the idea; and I do not pretend to be such a
+genius as to have been sure of coming in first, in the case of a
+race for the discovery. And you see it was important that if I
+really meant to make a pile, people should not know it was an
+artificial process and capable of turning out diamonds by the ton.
+So I had to work all alone. At first I had a little laboratory,
+but as my resources began to run out I had to conduct my
+experiments in a wretched unfurnished room in Kentish Town, where
+I slept at last on a straw mattress on the floor among all my
+apparatus. The money simply flowed away. I grudged myself
+everything except scientific appliances. I tried to keep things
+going by a little teaching, but I am not a very good teacher, and
+I have no university degree, nor very much education except in
+chemistry, and I found I had to give a lot of time and labour for
+precious little money. But I got nearer and nearer the thing.
+Three years ago I settled the problem of the composition of the
+flux, and got near the pressure by putting this flux of mine and a
+certain carbon composition into a closed-up gun-barrel, filling up
+with water, sealing tightly, and heating."
+
+He paused.
+
+"Rather risky," said I.
+
+"Yes. It burst, and smashed all my windows and a lot of my
+apparatus; but I got a kind of diamond powder nevertheless.
+Following out the problem of getting a big pressure upon the molten
+mixture from which the things were to crystallise, I hit upon some
+researches of Daubree's at the Paris _Laboratorie des Poudres et
+Salpetres_. He exploded dynamite in a tightly screwed steel
+cylinder, too strong to burst, and I found he could crush rocks
+into a muck not unlike the South African bed in which diamonds are
+found. It was a tremendous strain on my resources, but I got a
+steel cylinder made for my purpose after his pattern. I put in all
+my stuff and my explosives, built up a fire in my furnace, put the
+whole concern in, and--went out for a walk."
+
+I could not help laughing at his matter-of-fact manner. "Did
+you not think it would blow up the house? Were there other people
+in the place?"
+
+"It was in the interest of science," he said, ultimately. "There
+was a costermonger family on the floor below, a begging-letter
+writer in the room behind mine, and two flower-women were
+upstairs. Perhaps it was a bit thoughtless. But possibly
+some of them were out.
+
+"When I came back the thing was just where I left it, among
+the white-hot coals. The explosive hadn't burst the case. And
+then I had a problem to face. You know time is an important
+element in crystallisation. If you hurry the process the crystals
+are small--it is only by prolonged standing that they grow to any
+size. I resolved to let this apparatus cool for two years, letting
+the temperature go down slowly during the time. And I was now
+quite out of money; and with a big fire and the rent of my room, as
+well as my hunger to satisfy, I had scarcely a penny in the world.
+
+"I can hardly tell you all the shifts I was put to while I was
+making the diamonds. I have sold newspapers, held horses, opened
+cab-doors. For many weeks I addressed envelopes. I had a place as
+assistant to a man who owned a barrow, and used to call down one
+side of the road while he called down the other.
+
+"Once for a week I had absolutely nothing to do, and I begged.
+What a week that was! One day the fire was going out and I had
+eaten nothing all day, and a little chap taking his girl out, gave
+me sixpence--to show off. Thank heaven for vanity! How the
+fish-shops smelt! But I went and spent it all on coals, and had
+the furnace bright red again, and then--Well, hunger makes a fool
+of a man.
+
+"At last, three weeks ago, I let the fire out. I took my
+cylinder and unscrewed it while it was still so hot that it
+punished my hands, and I scraped out the crumbling lava-like mass
+with a chisel, and hammered it into a powder upon an iron plate.
+And I found three big diamonds and five small ones. As I sat on
+the floor hammering, my door opened, and my neighbour, the
+begging-letter writer came in. He was drunk--as he usually is.
+"'Nerchist,' said he. 'You're drunk,' said I. ''Structive
+scoundrel,' said he. 'Go to your father,' said I, meaning the
+Father of Lies. 'Never you mind,' said he, and gave me a cunning
+wink, and hiccuped, and leaning up against the door, with his other
+eye against the door-post, began to babble of how he had been
+prying in my room, and how he had gone to the police that morning,
+and how they had taken down everything he had to say--''siffiwas
+a ge'm,' said he. Then I suddenly realised I was in a hole.
+Either I should have to tell these police my little secret, and get
+the whole thing blown upon, or be lagged as an Anarchist. So I
+went up to my neighbour and took him by the collar, and rolled him
+about a bit, and then I gathered up my diamonds and cleared out.
+The evening newspapers called my den the Kentish Town Bomb Factory.
+And now I cannot part with the things for love or money.
+
+"If I go in to respectable jewellers they ask me to wait, and
+go and whisper to a clerk to fetch a policeman, and then I say I
+cannot wait. And I found out a receiver of stolen goods, and he
+simply stuck to the one I gave him and told me to prosecute if I
+wanted it back. I am going about now with several hundred thousand
+pounds-worth of diamonds round my neck, and without either food or
+shelter. You are the first person I have taken into my confidence.
+But I like your face and I am hard-driven."
+
+He looked into my eyes.
+
+"It would be madness," said I, "for me to buy a diamond under
+the circumstances. Besides, I do not carry hundreds of pounds
+about in my pocket. Yet I more than half believe your story. I
+will, if you like, do this: come to my office to-morrow . . . ."
+
+"You think I am a thief!" said he keenly. "You will tell the
+police. I am not coming into a trap."
+
+"Somehow I am assured you are no thief. Here is my card.
+Take that, anyhow. You need not come to any appointment. Come
+when you will."
+
+He took the card, and an earnest of my good-will.
+
+"Think better of it and come," said I.
+
+He shook his head doubtfully. "I will pay back your
+half-crown with interest some day--such interest as will amaze
+you," said he. "Anyhow, you will keep the secret? . . . . Don't
+follow me."
+
+He crossed the road and went into the darkness towards the
+little steps under the archway leading into Essex Street, and I let
+him go. And that was the last I ever saw of him.
+
+Afterwards I had two letters from him asking me to send
+bank-notes--not cheques--to certain addresses. I weighed the
+matter over and took what I conceived to be the wisest course.
+Once he called upon me when I was out. My urchin described him as
+a very thin, dirty, and ragged man, with a dreadful cough. He left
+no message. That was the finish of him so far as my story goes.
+I wonder sometimes what has become of him. Was he an ingenious
+monomaniac, or a fraudulent dealer in pebbles, or has he really
+made diamonds as he asserted? The latter is just sufficiently
+credible to make me think at times that I have missed the most
+brilliant opportunity of my life. He may of course be dead, and
+his diamonds carelessly thrown aside--one, I repeat, was almost as
+big as my thumb. Or he may be still wandering about trying to sell
+the things. It is just possible he may yet emerge upon society,
+and, passing athwart my heavens in the serene altitude sacred to
+the wealthy and the well-advertised, reproach me silently for my
+want of enterprise. I sometimes think I might at least have risked
+five pounds.
+
+
+
+
+THE LORD OF THE DYNAMOS
+
+The chief attendant of the three dynamos that buzzed and rattled at
+Camberwell, and kept the electric railway going, came out of
+Yorkshire, and his name was James Holroyd. He was a practical
+electrician, but fond of whisky, a heavy red-haired brute with
+irregular teeth. He doubted the existence of the deity, but
+accepted Carnot's cycle, and he had read Shakespeare and found him
+weak in chemistry. His helper came out of the mysterious East, and
+his name was Azuma-zi. But Holroyd called him Pooh-bah. Holroyd
+liked a nigger because he would stand kicking--a habit with
+Holroyd--and did not pry into the machinery and try to learn the
+ways of it. Certain odd possibilities of the negro mind brought
+into abrupt contact with the crown of our civilisation Holroyd
+never fully realised, though just at the end he got some inkling of
+them.
+
+To define Azuma-zi was beyond ethnology. He was, perhaps,
+more negroid than anything else, though his hair was curly rather
+than frizzy, and his nose had a bridge. Moreover, his skin was
+brown rather than black, and the whites of his eyes were yellow.
+His broad cheekbones and narrow chin gave his face something of the
+viperine V. His head, too, was broad behind, and low and narrow at
+the forehead, as if his brain had been twisted round in the reverse
+way to a European's. He was short of stature and still shorter of
+English. In conversation he made numerous odd noises of no known
+marketable value, and his infrequent words were carved and wrought
+into heraldic grotesqueness. Holroyd tried to elucidate his
+religious beliefs, and--especially after whisky--lectured to him
+against superstition and missionaries. Azuma-zi, however, shirked
+the discussion of his gods, even though he was kicked for it.
+
+Azuma-zi had come, clad in white but insufficient raiment,
+out of the stokehole of the _Lord Clive_, from the Straits
+Settlements, and beyond, into London. He had heard even in his
+youth of the greatness and riches of London, where all the women
+are white and fair, and even the beggars in the streets are white,
+and he arrived, with newly earned gold coins in his pocket, to
+worship at the shrine of civilisation. The day of his landing was
+a dismal one; the sky was dun, and a wind-worried drizzle filtered
+down to the greasy streets, but he plunged boldly into the delights
+of Shadwell, and was presently cast up, shattered in health,
+civilised in costume, penniless and, except in matters of the
+direst necessity, practically a dumb animal, to toil for James
+Holroyd and to be bullied by him in the dynamo shed at Camberwell.
+And to James Holroyd bullying was a labour of love.
+
+There were three dynamos with their engines at Camberwell.
+The two that had been there since the beginning were small
+machines; the larger one was new. The smaller machines made a
+reasonable noise; their straps hummed over the drums, every now and
+then the brushes buzzed and fizzled, and the air churned steadily,
+whoo! whoo! whoo! between their poles. One was loose in its
+foundations and kept the shed vibrating. But the big dynamo
+drowned these little noises altogether with the sustained drone of
+its iron core, which somehow set part of the ironwork humming. The
+place made the visitor's head reel with the throb, throb, throb of
+the engines, the rotation of the big wheels, the spinning
+ball-valves, the occasional spittings of the steam, and over all
+the deep, unceasing, surging note of the big dynamo. This last
+noise was from an engineering point of view a defect, but Azuma-zi
+accounted it unto the monster for mightiness and pride.
+
+If it were possible we would have the noises of that shed
+always about the reader as he reads, we would tell all our story to
+such an accompaniment. It was a steady stream of din, from which
+the ear picked out first one thread and then another; there was the
+intermittent snorting, panting, and seething of the steam engines,
+the suck and thud of their pistons, the dull beat on the air as the
+spokes of the great driving-wheels came round, a note the leather
+straps made as they ran tighter and looser, and a fretful tumult
+from the dynamos; and over all, sometimes inaudible, as the ear
+tired of it, and then creeping back upon the senses again, was this
+trombone note of the big machine. The floor never felt steady and
+quiet beneath one's feet, but quivered and jarred. It was a
+confusing, unsteady place, and enough to send anyone's thoughts
+jerking into odd zigzags. And for three months, while the big
+strike of the engineers was in progress, Holroyd, who was a
+blackleg, and Azuma-zi, who was a mere black, were never out of the
+stir and eddy of it, but slept and fed in the little wooden shanty
+between the shed and the gates.
+
+Holroyd delivered a theological lecture on the text of his big
+machine soon after Azuma-zi came. He had to shout to be heard in
+the din. "Look at that," said Holroyd; "where's your 'eathen idol
+to match 'im?" And Azuma-zi looked. For a moment Holroyd was
+inaudible, and then Azuma-zi heard: "Kill a hundred men. Twelve
+per cent. on the ordinary shares," said Holroyd, "and that's
+something like a Gord!"
+
+Holroyd was proud of his big dynamo, and expatiated upon its
+size and power to Azuma-zi until heaven knows what odd currents of
+thought that and the incessant whirling and shindy set up within
+the curly black cranium. He would explain in the most graphic
+manner the dozen or so ways in which a man might be killed by it,
+and once he gave Azuma-zi a shock as a sample of its quality.
+After that, in the breathing-times of his labour--it was heavy
+labour, being not only his own, but most of Holroyd's--Azuma-zi
+would sit and watch the big machine. Now and then the brushes
+would sparkle and spit blue flashes, at which Holroyd would swear,
+but all the rest was as smooth and rhythmic as breathing. The band
+ran shouting over the shaft, and ever behind one as one watched was
+the complacent thud of the piston. So it lived all day in this big
+airy shed, with him and Holroyd to wait upon it; not prisoned up
+and slaving to drive a ship as the other engines he knew--mere
+captive devils of the British Solomon--had been, but a machine
+enthroned. Those two smaller dynamos, Azuma-zi by force of
+contrast despised; the large one he privately christened the Lord
+of the Dynamos. They were fretful and irregular, but the big
+dynamo was steady. How great it was! How serene and easy in its
+working! Greater and calmer even than the Buddhas he had seen at
+Rangoon, and yet not motionless, but living! The great black coils
+spun, spun, spun, the rings ran round under the brushes, and the
+deep note of its coil steadied the whole. It affected Azuma-zi
+queerly.
+
+Azuma-zi was not fond of labour. He would sit about and watch
+the Lord of the Dynamos while Holroyd went away to persuade the
+yard porter to get whisky, although his proper place was not in the
+dynamo shed but behind the engines, and, moreover, if Holroyd
+caught him skulking he got hit for it with a rod of stout copper
+wire. He would go and stand close to the colossus and look up at
+the great leather band running overhead. There was a black patch
+on the band that came round, and it pleased him somehow among all
+the clatter to watch this return again and again. Odd thoughts
+spun with the whirl of it. Scientific people tell us that savages
+give souls to rocks and trees--and a machine is a thousand times
+more alive than a rock or a tree. And Azuma-zi was practically a
+savage still; the veneer of civilisation lay no deeper than his
+slop suit, his bruises, and the coal grime on his face and hands.
+His father before him had worshipped a meteoric stone, kindred
+blood it may be had splashed the broad wheels of Juggernaut.
+
+He took every opportunity Holroyd gave him of touching and
+handling the great dynamo that was fascinating him. He polished
+and cleaned it until the metal parts were blinding in the sun. He
+felt a mysterious sense of service in doing this. He would go up
+to it and touch its spinning coils gently. The gods he had
+worshipped were all far away. The people in London hid their gods.
+
+At last his dim feelings grew more distinct, and took shape in
+thoughts and at last in acts. When he came into the roaring shed
+one morning he salaamed to the Lord of the Dynamos, and then when
+Holroyd was away, he went and whispered to the thundering machine
+that he was its servant, and prayed it to have pity on him and save
+him from Holroyd. As he did so a rare gleam of light came in
+through the open archway of the throbbing machine-shed, and the
+Lord of the Dynamos, as he whirled and roared, was radiant with
+pale gold. Then Azuma-zi knew that his service was acceptable to
+his Lord. After that he did not feel so lonely as he had done, and
+he had indeed been very much alone in London. And even when his
+work time was over, which was rare, he loitered about the shed.
+
+Then, the next time Holroyd maltreated him, Azuma-zi went
+presently to the Lord of the Dynamos and whispered, "Thou seest, O
+my Lord!" and the angry whir of the machinery seemed to answer him.
+Thereafter it appeared to him that whenever Holroyd came into the
+shed a different note came into the sounds of the dynamo. "My Lord
+bides his time," said Azuma-zi to himself. "The iniquity of the
+fool is not yet ripe." And he waited and watched for the day of
+reckoning. One day there was evidence of short circuiting, and
+Holroyd, making an unwary examination--it was in the afternoon--got
+a rather severe shock. Azuma-zi from behind the engine saw him
+jump off and curse at the peccant coil.
+
+"He is warned," said Azuma-zi to himself. "Surely my Lord is
+very patient."
+
+Holroyd had at first initiated his "nigger" into such
+elementary conceptions of the dynamo's working as would enable him
+to take temporary charge of the shed in his absence. But when he
+noticed the manner in which Azuma-zi hung about the monster he
+became suspicious. He dimly perceived his assistant was "up to
+something," and connecting him with the anointing of the coils with
+oil that had rotted the varnish in one place, he issued an edict,
+shouted above the confusion of the machinery, "Don't 'ee go nigh
+that big dynamo any more, Pooh-bah, or a'll take thy skin off!"
+Besides, if it pleased Azuma-zi to be near the big machine, it was
+plain sense and decency to keep him away from it.
+
+Azuma-zi obeyed at the time, but later he was caught bowing
+before the Lord of the Dynamos. At which Holroyd twisted his arm
+and kicked him as he turned to go away. As Azuma-zi presently
+stood behind the engine and glared at the back of the hated
+Holroyd, the noises of the machinery took a new rhythm, and sounded
+like four words in his native tongue.
+
+It is hard to say exactly what madness is. I fancy Azuma-zi
+was mad. The incessant din and whirl of the dynamo shed may have
+churned up his little store of knowledge and his big store of
+superstitious fancy, at last, into something akin to frenzy. At
+any rate, when the idea of making Holroyd a sacrifice to the Dynamo
+Fetich was thus suggested to him, it filled him with a strange
+tumult of exultant emotion.
+
+That night the two men and their black shadows were alone in
+the shed together. The shed was lit with one big arc light that
+winked and flickered purple. The shadows lay black behind the
+dynamos, the ball governors of the engines whirled from light to
+darkness, and their pistons beat loud and steady. The world
+outside seen through the open end of the shed seemed incredibly dim
+and remote. It seemed absolutely silent, too, since the riot of
+the machinery drowned every external sound. Far away was the black
+fence of the yard with grey shadowy houses behind, and above was
+the deep blue sky and the pale little stars. Azuma-zi suddenly
+walked across the centre of the shed above which the leather bands
+were running, and went into the shadow by the big dynamo. Holroyd
+heard a click, and the spin of the armature changed.
+
+"What are you dewin' with that switch?" he bawled in surprise.
+"Han't I told you--"
+
+Then he saw the set expression of Azuma-zi's eyes as the
+Asiatic came out of the shadow towards him.
+
+In another moment the two men were grappling fiercely in front
+of the great dynamo.
+
+"You coffee-headed fool!" gasped Holroyd, with a brown hand at
+his throat. "Keep off those contact rings." In another moment he
+was tripped and reeling back upon the Lord of the Dynamos. He
+instinctively loosened his grip upon his antagonist to save himself
+from the machine.
+
+The messenger, sent in furious haste from the station to find
+out what had happened in the dynamo shed, met Azuma-zi at the
+porter's lodge by the gate. Azuma-zi tried to explain something,
+but the messenger could make nothing of the black's incoherent
+English, and hurried on to the shed. The machines were all noisily
+at work, and nothing seemed to be disarranged. There was, however,
+a queer smell of singed hair. Then he saw an odd-looking crumpled
+mass clinging to the front of the big dynamo, and, approaching,
+recognised the distorted remains of Holroyd.
+
+The man stared and hesitated a moment. Then he saw the face,
+and shut his eyes convulsively. He turned on his heel before he
+opened them, so that he should not see Holroyd again, and went out
+of the shed to get advice and help.
+
+When Azuma-zi saw Holroyd die in the grip of the Great Dynamo
+he had been a little scared about the consequences of his act. Yet
+he felt strangely elated, and knew that the favour of the Lord
+Dynamo was upon him. His plan was already settled when he met the
+man coming from the station, and the scientific manager who
+speedily arrived on the scene jumped at the obvious conclusion of
+suicide. This expert scarcely noticed Azuma-zi, except to ask a
+few questions. Did he see Holroyd kill himself? Azuma-zi
+explained that he had been out of sight at the engine furnace until
+he heard a difference in the noise from the dynamo. It was not a
+difficult examination, being untinctured by suspicion.
+
+The distorted remains of Holroyd, which the electrician
+removed from the machine, were hastily covered by the porter with
+a coffee-stained tablecloth. Somebody, by a happy inspiration,
+fetched a medical man. The expert was chiefly anxious to get the
+machine at work again, for seven or eight trains had stopped midway
+in the stuffy tunnels of the electric railway. Azuma-zi, answering
+or misunderstanding the questions of the people who had by
+authority or impudence come into the shed, was presently sent back
+to the stoke-hole by the scientific manager. Of course a crowd
+collected outside the gates of the yard--a crowd, for no known
+reason, always hovers for a day or two near the scene of a sudden
+death in London; two or three reporters percolated somehow into the
+engine-shed, and one even got to Azuma-zi; but the scientific
+expert cleared them out again, being himself an amateur journalist.
+
+Presently the body was carried away, and public interest
+departed with it. Azuma-zi remained very quietly at his furnace,
+seeing over and over again in the coals a figure that wriggled
+violently and became still. An hour after the murder, to anyone
+coming into the shed it would have looked exactly as if nothing had
+ever happened there. Peeping presently from his engine-room the
+black saw the Lord Dynamo spin and whirl beside his little
+brothers, and the driving wheels were beating round, and the steam
+in the pistons went thud, thud, exactly as it had been earlier in
+the evening. After all, from the mechanical point of view, it had
+been a most insignificant incident--the mere temporary deflection
+of a current. But now the slender form and slender shadow of the
+scientific manager replaced the sturdy outline of Holroyd
+travelling up and down the lane of light upon the vibrating floor
+under the straps between the engines and the dynamos.
+
+"Have I not served my Lord?" said Azuma-zi inaudibly, from his
+shadow, and the note of the great dynamo rang out full and clear.
+As he looked at the big whirling mechanism the strange fascination
+of it that had been a little in abeyance since Holroyd's death,
+resumed its sway.
+
+Never had Azuma-zi seen a man killed so swiftly and
+pitilessly. The big humming machine had slain its victim without
+wavering for a second from its steady beating. It was indeed a
+mighty god.
+
+The unconscious scientific manager stood with his back to him,
+scribbling on a piece of paper. His shadow lay at the foot of the
+monster.
+
+"Was the Lord Dynamo still hungry? His servant was ready."
+
+Azuma-zi made a stealthy step forward; then stopped. The
+scientific manager suddenly stopped writing, and walked down the
+shed to the endmost of the dynamos, and began to examine the
+brushes.
+
+Azuma-zi hesitated, and then slipped across noiselessly into
+shadow by the switch. There he waited. Presently the manager's
+footsteps could be heard returning. He stopped in his old
+position, unconscious of the stoker crouching ten feet away from
+him. Then the big dynamo suddenly fizzled, and in another moment
+Azuma-zi had sprung out of the darkness upon him.
+
+First, the scientific manager was gripped round the body and
+swung towards the big dynamo, then, kicking with his knee and
+forcing his antagonist's head down with his hands, he loosened the
+grip on his waist and swung round away from the machine. Then the
+black grasped him again, putting a curly head against his chest,
+and they swayed and panted as it seemed for an age or so. Then the
+scientific manager was impelled to catch a black ear in his teeth
+and bite furiously. The black yelled hideously.
+
+They rolled over on the floor, and the black, who had
+apparently slipped from the vice of the teeth or parted with some
+ear--the scientific manager wondered which at the time--tried to
+throttle him. The scientific manager was making some ineffectual
+attempts to claw something with his hands and to kick, when the
+welcome sound of quick footsteps sounded on the floor. The next
+moment Azuma-zi had left him and darted towards the big dynamo.
+There was a splutter amid the roar.
+
+The officer of the company who had entered, stood staring as
+Azuma-zi caught the naked terminals in his hands, gave one horrible
+convulsion, and then hung motionless from the machine, his face
+violently distorted.
+
+"I'm jolly glad you came in when you did," said the scientific
+manager, still sitting on the floor.
+
+He looked at the still quivering figure.
+
+"It's not a nice death to die, apparently--but it is quick."
+
+The official was still staring at the body. He was a man of
+slow apprehension.
+
+There was a pause.
+
+The scientific manager got up on his feet rather awkwardly.
+He ran his fingers along his collar thoughtfully, and moved his
+head to and fro several times.
+
+"Poor Holroyd! I see now." Then almost mechanically he went
+towards the switch in the shadow and turned the current into the
+railway circuit again. As he did so the singed body loosened its
+grip upon the machine and fell forward on its face. The core of
+the dynamo roared out loud and clear, and the armature beat the
+air.
+
+So ended prematurely the Worship of the Dynamo Deity, perhaps
+the most short-lived of all religions. Yet withal it could at
+least boast a Martyrdom and a Human Sacrifice.
+
+
+
+
+THE COUNTRY OF THE BLIND
+
+Three hundred miles and more from Chimborazo, one hundred from the
+snows of Cotopaxi, in the wildest wastes of Ecuador's Andes, there
+lies that mysterious mountain valley, cut off from all the world of
+men, the Country of the Blind. Long years ago that valley lay so
+far open to the world that men might come at last through frightful
+gorges and over an icy pass into its equable meadows, and thither
+indeed men came, a family or so of Peruvian half-breeds fleeing
+from the lust and tyranny of an evil Spanish ruler. Then came the
+stupendous outbreak of Mindobamba, when it was night in Quito for
+seventeen days, and the water was boiling at Yaguachi and all the
+fish floating dying even as far as Guayaquil; everywhere along the
+Pacific slopes there were land-slips and swift thawings and sudden
+floods, and one whole side of the old Arauca crest slipped and came
+down in thunder, and cut off the Country of the Blind for ever from
+the exploring feet of men. But one of these early settlers had
+chanced to be on the hither side of the gorges when the world had
+so terribly shaken itself, and he perforce had to forget his wife
+and his child and all the friends and possessions he had left up
+there, and start life over again in the lower world. He started it
+again but ill, blindness overtook him, and he died of punishment in
+the mines; but the story he told begot a legend that lingers along
+the length of the Cordilleras of the Andes to this day.
+
+He told of his reason for venturing back from that fastness,
+into which he had first been carried lashed to a llama, beside a
+vast bale of gear, when he was a child. The valley, he said, had
+in it all that the heart of man could desire--sweet water, pasture,
+an even climate, slopes of rich brown soil with tangles of a shrub
+that bore an excellent fruit, and on one side great hanging forests
+of pine that held the avalanches high. Far overhead, on three
+sides, vast cliffs of grey-green rock were capped by cliffs of ice;
+but the glacier stream came not to them, but flowed away by the
+farther slopes, and only now and then huge ice masses fell on the
+valley side. In this valley it neither rained nor snowed, but the
+abundant springs gave a rich green pasture, that irrigation would
+spread over all the valley space. The settlers did well indeed
+there. Their beasts did well and multiplied, and but one thing
+marred their happiness. Yet it was enough to mar it greatly. A
+strange disease had come upon them and had made all the children
+born to them there--and, indeed, several older children
+also--blind. It was to seek some charm or antidote against this
+plague of blindness that he had with fatigue and danger and
+difficulty returned down the gorge. In those days, in such cases,
+men did not think of germs and infections, but of sins, and it
+seemed to him that the reason of this affliction must he in the
+negligence of these priestless immigrants to set up a shrine so
+soon as they entered the valley. He wanted a shrine--a handsome,
+cheap, effectual shrine--to be erected in the valley; he wanted
+relics and such-like potent things of faith, blessed objects and
+mysterious medals and prayers. In his wallet he had a bar of
+native silver for which he would not account; he insisted there was
+none in the valley with something of the insistence of an inexpert
+liar. They had all clubbed their money and ornaments together,
+having little need for such treasure up there, he said, to buy them
+holy help against their ill. I figure this dim-eyed young
+mountaineer, sunburnt, gaunt, and anxious, hat brim clutched
+feverishly, a man all unused to the ways of the lower world,
+telling this story to some keen-eyed, attentive priest before the
+great convulsion; I can picture him presently seeking to return
+with pious and infallible remedies against that trouble, and the
+infinite dismay with which he must have faced the tumbled vastness
+where the gorge had once come out. But the rest of his story of
+mischances is lost to me, save that I know of his evil death after
+several years. Poor stray from that remoteness! The stream that
+had once made the gorge now bursts from the mouth of a rocky cave,
+and the legend his poor, ill-told story set going developed into
+the legend of a race of blind men somewhere "over there" one may
+still hear to-day.
+
+And amidst the little population of that now isolated and
+forgotten valley the disease ran its course. The old became
+groping, the young saw but dimly, and the children that were born
+to them never saw at all. But life was very easy in that
+snow-rimmed basin, lost to all the world, with neither thorns nor
+briers, with no evil insects nor any beasts save the gentle breed
+of llamas they had lugged and thrust and followed up the beds of
+the shrunken rivers in the gorges up which they had come. The
+seeing had become purblind so gradually that they scarcely noticed
+their loss. They guided the sightless youngsters hither and
+thither until they knew the whole valley marvellously, and when at
+last sight died out among them the race lived on. They had even
+time to adapt themselves to the blind control of fire, which they
+made carefully in stoves of stone. They were a simple strain of
+people at the first, unlettered, only slightly touched with the
+Spanish civilisation, but with something of a tradition of the arts
+of old Peru and of its lost philosophy. Generation followed
+generation. They forgot many things; they devised many things.
+Their tradition of the greater world they came from became mythical
+in colour and uncertain. In all things save sight they were strong
+and able, and presently chance sent one who had an original mind
+and who could talk and persuade among them, and then afterwards
+another. These two passed, leaving their effects, and the little
+community grew in numbers and in understanding, and met and settled
+social and economic problems that arose. Generation followed
+generation. Generation followed generation. There came a time
+when a child was born who was fifteen generations from that
+ancestor who went out of the valley with a bar of silver to seek
+God's aid, and who never returned. Thereabout it chanced that a
+man came into this community from the outer world. And this is the
+story of that man.
+
+He was a mountaineer from the country near Quito, a man who
+had been down to the sea and had seen the world, a reader of books
+in an original way, an acute and enterprising man, and he was taken
+on by a party of Englishmen who had come out to Ecuador to climb
+mountains, to replace one of their three Swiss guides who had
+fallen ill. He climbed here and he climbed there, and then came
+the attempt on Parascotopetl, the Matterhorn of the Andes, in which
+he was lost to the outer world. The story of that accident has
+been written a dozen times. Pointer's narrative is the best. He
+tells how the little party worked their difficult and almost
+vertical way up to the very foot of the last and greatest
+precipice, and how they built a night shelter amidst the snow upon
+a little shelf of rock, and, with a touch of real dramatic power,
+how presently they found Nunez had gone from them. They shouted,
+and there was no reply; shouted and whistled, and for the rest of
+that night they slept no more.
+
+As the morning broke they saw the traces of his fall. It
+seems impossible he could have uttered a sound. He had slipped
+eastward towards the unknown side of the mountain; far below he had
+struck a steep slope of snow, and ploughed his way down it in the
+midst of a snow avalanche. His track went straight to the edge of
+a frightful precipice, and beyond that everything was hidden. Far,
+far below, and hazy with distance, they could see trees rising out
+of a narrow, shut-in valley--the lost Country of the Blind. But
+they did not know it was the lost Country of the Blind, nor
+distinguish it in any way from any other narrow streak of upland
+valley. Unnerved by this disaster, they abandoned their attempt in
+the afternoon, and Pointer was called away to the war before he
+could make another attack. To this day Parascotopetl lifts an
+unconquered crest, and Pointer's shelter crumbles unvisited amidst
+the snows.
+
+And the man who fell survived.
+
+At the end of the slope he fell a thousand feet, and came down
+in the midst of a cloud of snow upon a snow-slope even steeper than
+the one above. Down this he was whirled, stunned and insensible,
+but without a bone broken in his body; and then at last came to
+gentler slopes, and at last rolled out and lay still, buried amidst
+a softening heap of the white masses that had accompanied and saved
+him. He came to himself with a dim fancy that he was ill in bed;
+then realized his position with a mountaineer's intelligence and
+worked himself loose and, after a rest or so, out until he saw the
+stars. He rested flat upon his chest for a space, wondering where
+he was and what had happened to him. He explored his limbs, and
+discovered that several of his buttons were gone and his coat
+turned over his head. His knife had gone from his pocket and his
+hat was lost, though he had tied it under his chin. He recalled
+that he had been looking for loose stones to raise his piece of the
+shelter wall. His ice-axe had disappeared.
+
+He decided he must have fallen, and looked up to see,
+exaggerated by the ghastly light of the rising moon, the tremendous
+flight he had taken. For a while he lay, gazing blankly at the
+vast, pale cliff towering above, rising moment by moment out of a
+subsiding tide of darkness. Its phantasmal, mysterious beauty held
+him for a space, and then he was seized with a paroxysm of sobbing
+laughter . . . .
+
+After a great interval of time he became aware that he was
+near the lower edge of the snow. Below, down what was now a
+moon-lit and practicable slope, he saw the dark and broken
+appearance of rock-strewn turf He struggled to his feet, aching in
+every joint and limb, got down painfully from the heaped loose snow
+about him, went downward until he was on the turf, and there
+dropped rather than lay beside a boulder, drank deep from the flask
+in his inner pocket, and instantly fell asleep . . . .
+
+He was awakened by the singing of birds in the trees far
+below.
+
+He sat up and perceived he was on a little alp at the foot of
+a vast precipice that sloped only a little in the gully down which
+he and his snow had come. Over against him another wall of rock
+reared itself against the sky. The gorge between these precipices
+ran east and west and was full of the morning sunlight, which lit
+to the westward the mass of fallen mountain that closed the
+descending gorge. Below him it seemed there was a precipice
+equally steep, but behind the snow in the gully he found a sort of
+chimney-cleft dripping with snow-water, down which a desperate man
+might venture. He found it easier than it seemed, and came at last
+to another desolate alp, and then after a rock climb of no
+particular difficulty, to a steep slope of trees. He took his
+bearings and turned his face up the gorge, for he saw it opened out
+above upon green meadows, among which he now glimpsed quite
+distinctly a cluster of stone huts of unfamiliar fashion. At times
+his progress was like clambering along the face of a wall, and
+after a time the rising sun ceased to strike along the gorge, the
+voices of the singing birds died away, and the air grew cold and
+dark about him. But the distant valley with its houses was all the
+brighter for that. He came presently to talus, and among the rocks
+he noted--for he was an observant man--an unfamiliar fern that
+seemed to clutch out of the crevices with intense green hands. He
+picked a frond or so and gnawed its stalk, and found it helpful.
+
+About midday he came at last out of the throat of the gorge
+into the plain and the sunlight. He was stiff and weary; he sat
+down in the shadow of a rock, filled up his flask with water from
+a spring and drank it down, and remained for a time, resting before
+he went on to the houses.
+
+They were very strange to his eyes, and indeed the whole
+aspect of that valley became, as he regarded it, queerer and more
+unfamiliar. The greater part of its surface was lush green meadow,
+starred with many beautiful flowers, irrigated with extraordinary
+care, and bearing evidence of systematic cropping piece by piece.
+High up and ringing the valley about was a wall, and what appeared
+to be a circumferential water channel, from which the little
+trickles of water that fed the meadow plants came, and on the
+higher slopes above this flocks of llamas cropped the scanty
+herbage. Sheds, apparently shelters or feeding-places for the
+llamas, stood against the boundary wall here and there. The
+irrigation streams ran together into a main channel down the centre
+of the valley, and this was enclosed on either side by a wall
+breast high. This gave a singularly urban quality to this secluded
+place, a quality that was greatly enhanced by the fact that a
+number of paths paved with black and white stones, and each with a
+curious little kerb at the side, ran hither and thither in an
+orderly manner. The houses of the central village were quite
+unlike the casual and higgledy-piggledy agglomeration of the
+mountain villages he knew; they stood in a continuous row on
+either side of a central street of astonishing cleanness, here
+and there their parti-coloured facade was pierced by a door,
+and not a solitary window broke their even frontage. They were
+parti-coloured with extraordinary irregularity, smeared with a sort
+of plaster that was sometimes grey, sometimes drab, sometimes
+slate-coloured or dark brown; and it was the sight of this wild
+plastering first brought the word "blind" into the thoughts of the
+explorer. "The good man who did that," he thought, "must have been
+as blind as a bat."
+
+He descended a steep place, and so came to the wall and
+channel that ran about the valley, near where the latter spouted
+out its surplus contents into the deeps of the gorge in a thin and
+wavering thread of cascade. He could now see a number of men and
+women resting on piled heaps of grass, as if taking a siesta, in
+the remoter part of the meadow, and nearer the village a number of
+recumbent children, and then nearer at hand three men carrying
+pails on yokes along a little path that ran from the encircling
+wall towards the houses. These latter were clad in garments of
+llama cloth and boots and belts of leather, and they wore caps of
+cloth with back and ear flaps. They followed one another in single
+file, walking slowly and yawning as they walked, like men who have
+been up all night. There was something so reassuringly prosperous
+and respectable in their bearing that after a moment's hesitation
+Nunez stood forward as conspicuously as possible upon his rock, and
+gave vent to a mighty shout that echoed round the valley.
+
+The three men stopped, and moved their heads as though they
+were looking about them. They turned their faces this way and
+that, and Nunez gesticulated with freedom. But they did not appear
+to see him for all his gestures, and after a time, directing
+themselves towards the mountains far away to the right, they
+shouted as if in answer. Nunez bawled again, and then once more,
+and as he gestured ineffectually the word "blind" came up to the
+top of his thoughts. "The fools must be blind," he said.
+
+When at last, after much shouting and wrath, Nunez crossed the
+stream by a little bridge, came through a gate in the wall, and
+approached them, he was sure that they were blind. He was sure
+that this was the Country of the Blind of which the legends told.
+Conviction had sprung upon him, and a sense of great and rather
+enviable adventure. The three stood side by side, not looking at
+him, but with their ears directed towards him, judging him by his
+unfamiliar steps. They stood close together like men a little
+afraid, and he could see their eyelids closed and sunken, as though
+the very balls beneath had shrunk away. There was an expression
+near awe on their faces.
+
+"A man," one said, in hardly recognisable Spanish. "A man it
+is--a man or a spirit--coming down from the rocks."
+
+But Nunez advanced with the confident steps of a youth who
+enters upon life. All the old stories of the lost valley and the
+Country of the Blind had come back to his mind, and through his
+thoughts ran this old proverb, as if it were a refrain:--
+
+"In the Country of the Blind the One-Eyed Man is King."
+
+"In the Country of the Blind the One-Eyed Man is King."
+
+And very civilly he gave them greeting. He talked to them and
+used his eyes.
+
+"Where does he come from, brother Pedro?" asked one.
+
+"Down out of the rocks."
+
+"Over the mountains I come," said Nunez, "out of the country
+beyond there--where men can see. From near Bogota--where there are
+a hundred thousands of people, and where the city passes out of
+sight."
+
+"Sight?" muttered Pedro. "Sight?"
+
+"He comes," said the second blind man, "out of the rocks."
+
+The cloth of their coats, Nunez saw was curious fashioned,
+each with a different sort of stitching.
+
+They startled him by a simultaneous movement towards him, each
+with a hand outstretched. He stepped back from the advance of
+these spread fingers.
+
+"Come hither," said the third blind man, following his motion
+and clutching him neatly.
+
+And they held Nunez and felt him over, saying no word further
+until they had done so.
+
+"Carefully," he cried, with a finger in his eye, and found
+they thought that organ, with its fluttering lids, a queer thing in
+him. They went over it again.
+
+"A strange creature, Correa," said the one called Pedro.
+"Feel the coarseness of his hair. Like a llama's hair."
+
+"Rough he is as the rocks that begot him," said Correa,
+investigating Nunez's unshaven chin with a soft and slightly moist
+hand. "Perhaps he will grow finer."
+
+Nunez struggled a little under their examination, but they
+gripped him firm.
+
+"Carefully," he said again.
+
+"He speaks," said the third man. "Certainly he is a man."
+
+"Ugh!" said Pedro, at the roughness of his coat.
+
+"And you have come into the world?" asked Pedro.
+
+"_Out_ of the world. Over mountains and glaciers; right
+over above there, half-way to the sun. Out of the great, big world
+that goes down, twelve days' journey to the sea."
+
+They scarcely seemed to heed him. "Our fathers have told us
+men may be made by the forces of Nature," said Correa. "It is the
+warmth of things, and moisture, and rottenness--rottenness."
+
+"Let us lead him to the elders," said Pedro.
+
+"Shout first," said Correa, "lest the children be afraid.
+This is a marvellous occasion."
+
+So they shouted, and Pedro went first and took Nunez by the
+hand to lead him to the houses.
+
+He drew his hand away. "I can see," he said.
+
+"See?" said Correa.
+
+"Yes; see," said Nunez, turning towards him, and stumbled
+against Pedro's pail.
+
+"His senses are still imperfect," said the third blind man.
+"He stumbles, and talks unmeaning words. Lead him by the hand."
+
+"As you will," said Nunez, and was led along laughing.
+
+It seemed they knew nothing of sight.
+
+Well, all in good time he would teach them.
+
+He heard people shouting, and saw a number of figures
+gathering together in the middle roadway of the village.
+
+He found it tax his nerve and patience more than he had
+anticipated, that first encounter with the population of the
+Country of the Blind. The place seemed larger as he drew near to
+it, and the smeared plasterings queerer, and a crowd of children
+and men and women (the women and girls he was pleased to note had,
+some of them, quite sweet faces, for all that their eyes were shut
+and sunken) came about him, holding on to him, touching him with
+soft, sensitive hands, smelling at him, and listening at every
+word he spoke. Some of the maidens and children, however, kept
+aloof as if afraid, and indeed his voice seemed coarse and rude
+beside their softer notes. They mobbed him. His three guides kept
+close to him with an effect of proprietorship, and said again and
+again, "A wild man out of the rocks."
+
+"Bogota," he said. "Bogota. Over the mountain crests."
+
+"A wild man--using wild words," said Pedro. "Did you hear
+that--
+
+"_Bogota?_ His mind has hardly formed yet. He has only
+the beginnings of speech."
+
+A little boy nipped his hand. "Bogota!" he said mockingly.
+
+"Aye! A city to your village. I come from the great world--where
+men have eyes and see."
+
+"His name's Bogota," they said.
+
+"He stumbled," said Correa--"stumbled twice as we came
+hither."
+
+"Bring him in to the elders."
+
+And they thrust him suddenly through a doorway into a room as
+black as pitch, save at the end there faintly glowed a fire. The
+crowd closed in behind him and shut out all but the faintest
+glimmer of day, and before he could arrest himself he had fallen
+headlong over the feet of a seated man. His arm, outflung, struck
+the face of someone else as he went down; he felt the soft impact
+of features and heard a cry of anger, and for a moment he struggled
+against a number of hands that clutched him. It was a one-sided
+fight. An inkling of the situation came to him and he lay quiet.
+
+"I fell down," he said; "I couldn't see in this pitchy
+darkness."
+
+There was a pause as if the unseen persons about him tried to
+understand his words. Then the voice of Correa said: "He is but
+newly formed. He stumbles as he walks and mingles words that mean
+nothing with his speech."
+
+Others also said things about him that he heard or understood
+imperfectly.
+
+"May I sit up?" he asked, in a pause. "I will not struggle
+against you again."
+
+They consulted and let him rise.
+
+The voice of an older man began to question him, and Nunez
+found himself trying to explain the great world out of which he had
+fallen, and the sky and mountains and such-like marvels, to these
+elders who sat in darkness in the Country of the Blind. And they
+would believe and understand nothing whatever that he told them, a
+thing quite outside his expectation. They would not even
+understand many of his words. For fourteen generations these
+people had been blind and cut off from all the seeing world; the
+names for all the things of sight had faded and changed; the story
+of the outer world was faded and changed to a child's story; and
+they had ceased to concern themselves with anything beyond the
+rocky slopes above their circling wall. Blind men of genius had
+arisen among them and questioned the shreds of belief and tradition
+they had brought with them from their seeing days, and had
+dismissed all these things as idle fancies and replaced them with
+new and saner explanations. Much of their imagination had
+shrivelled with their eyes, and they had made for themselves new
+imaginations with their ever more sensitive ears and finger-tips.
+Slowly Nunez realised this: that his expectation of wonder and
+reverence at his origin and his gifts was not to be borne out; and
+after his poor attempt to explain sight to them had been set aside
+as the confused version of a new-made being describing the marvels
+of his incoherent sensations, he subsided, a little dashed, into
+listening to their instruction. And the eldest of the blind men
+explained to him life and philosophy and religion, how that the
+world (meaning their valley) had been first an empty hollow in the
+rocks, and then had come first inanimate things without the gift of
+touch, and llamas and a few other creatures that had little sense,
+and then men, and at last angels, whom one could hear singing and
+making fluttering sounds, but whom no one could touch at all, which
+puzzled Nunez greatly until he thought of the birds.
+
+He went on to tell Nunez how this time had been divided into
+the warm and the cold, which are the blind equivalents of day and
+night, and how it was good to sleep in the warm and work during the
+cold, so that now, but for his advent, the whole town of the blind
+would have been asleep. He said Nunez must have been specially
+created to learn and serve the wisdom they had acquired, and that
+for all his mental incoherency and stumbling behaviour he must have
+courage and do his best to learn, and at that all the people in the
+door-way murmured encouragingly. He said the night--for the blind
+call their day night--was now far gone, and it behooved everyone to
+go back to sleep. He asked Nunez if he knew how to sleep, and
+Nunez said he did, but that before sleep he wanted food. They
+brought him food, llama's milk in a bowl and rough salted bread,
+and led him into a lonely place to eat out of their hearing, and
+afterwards to slumber until the chill of the mountain evening
+roused them to begin their day again. But Nunez slumbered not at
+all.
+
+Instead, he sat up in the place where they had left him,
+resting his limbs and turning the unanticipated circumstances of
+his arrival over and over in his mind.
+
+Every now and then he laughed, sometimes with amusement and
+sometimes with indignation.
+
+"Unformed mind!" he said. "Got no senses yet! They little
+know they've been insulting their Heaven-sent King and master . .
+. . .
+
+"I see I must bring them to reason.
+
+"Let me think.
+
+"Let me think."
+
+He was still thinking when the sun set.
+
+Nunez had an eye for all beautiful things, and it seemed to
+him that the glow upon the snow-fields and glaciers that rose about
+the valley on every side was the most beautiful thing he had ever
+seen. His eyes went from that inaccessible glory to the village
+and irrigated fields, fast sinking into the twilight, and suddenly
+a wave of emotion took him, and he thanked God from the bottom of
+his heart that the power of sight had been given him.
+
+He heard a voice calling to him from out of the village.
+
+"Yaho there, Bogota! Come hither!"
+
+At that he stood up, smiling. He would show these people once
+and for all what sight would do for a man. They would seek him,
+but not find him.
+
+"You move not, Bogota," said the voice.
+
+He laughed noiselessly and made two stealthy steps aside from
+the path.
+
+"Trample not on the grass, Bogota; that is not allowed."
+
+Nunez had scarcely heard the sound he made himself. He
+stopped, amazed.
+
+The owner of the voice came running up the piebald path
+towards him.
+
+He stepped back into the pathway. "Here I am," he said.
+
+"Why did you not come when I called you?" said the blind man.
+"Must you be led like a child? Cannot you hear the path as you
+walk?"
+
+Nunez laughed. "I can see it," he said.
+
+"There is no such word as _see_," said the blind man,
+after a pause. "Cease this folly and follow the sound of my feet."
+
+Nunez followed, a little annoyed.
+
+"My time will come," he said.
+
+"You'll learn," the blind man answered. "There is much to
+learn in the world."
+
+"Has no one told you, 'In the Country of the Blind the
+One-Eyed Man is King?'"
+
+"What is blind?" asked the blind man, carelessly, over his
+shoulder.
+
+Four days passed and the fifth found the King of the Blind
+still incognito, as a clumsy and useless stranger among his
+subjects.
+
+It was, he found, much more difficult to proclaim himself than
+he had supposed, and in the meantime, while he meditated his
+_coup d'etat_, he did what he was told and learnt the manners
+and customs of the Country of the Blind. He found working and
+going about at night a particularly irksome thing, and he decided
+that that should be the first thing he would change.
+
+They led a simple, laborious life, these people, with all the
+elements of virtue and happiness as these things can be understood
+by men. They toiled, but not oppressively; they had food and
+clothing sufficient for their needs; they had days and seasons of
+rest; they made much of music and singing, and there was love among
+them and little children. It was marvellous with what confidence
+and precision they went about their ordered world. Everything, you
+see, had been made to fit their needs; each of the radiating paths
+of the valley area had a constant angle to the others, and was
+distinguished by a special notch upon its kerbing; all obstacles
+and irregularities of path or meadow had long since been cleared
+away; all their methods and procedure arose naturally from their
+special needs. Their senses had become marvellously acute; they
+could hear and judge the slightest gesture of a man a dozen paces
+away--could hear the very beating of his heart. Intonation had
+long replaced expression with them, and touches gesture, and their
+work with hoe and spade and fork was as free and confident as
+garden work can be. Their sense of smell was extraordinarily fine;
+they could distinguish individual differences as readily as a dog
+can, and they went about the tending of llamas, who lived among
+the rocks above and came to the wall for food and shelter, with
+ease and confidence. It was only when at last Nunez sought to
+assert himself that he found how easy and confident their movements
+could be.
+
+He rebelled only after he had tried persuasion.
+
+He tried at first on several occasions to tell them of sight.
+"Look you here, you people," he said. "There are things you do not
+understand in me."
+
+Once or twice one or two of them attended to him; they sat
+with faces downcast and ears turned intelligently towards him, and
+he did his best to tell them what it was to see. Among his hearers
+was a girl, with eyelids less red and sunken than the others, so
+that one could almost fancy she was hiding eyes, whom especially he
+hoped to persuade. He spoke of the beauties of sight, of watching
+the mountains, of the sky and the sunrise, and they heard him with
+amused incredulity that presently became condemnatory. They told
+him there were indeed no mountains at all, but that the end of the
+rocks where the llamas grazed was indeed the end of the world;
+thence sprang a cavernous roof of the universe, from which the dew
+and the avalanches fell; and when he maintained stoutly the world
+had neither end nor roof such as they supposed, they said his
+thoughts were wicked. So far as he could describe sky and clouds
+and stars to them it seemed to them a hideous void, a terrible
+blankness in the place of the smooth roof to things in which they
+believed--it was an article of faith with them that the cavern roof
+was exquisitely smooth to the touch. He saw that in some manner he
+shocked them, and gave up that aspect of the matter altogether, and
+tried to show them the practical value of sight. One morning he
+saw Pedro in the path called Seventeen and coming towards the
+central houses, but still too far off for hearing or scent, and he
+told them as much. "In a little while," he prophesied, "Pedro will
+be here." An old man remarked that Pedro had no business on path
+Seventeen, and then, as if in confirmation, that individual as he
+drew near turned and went transversely into path Ten, and so back
+with nimble paces towards the outer wall. They mocked Nunez when
+Pedro did not arrive, and afterwards, when he asked Pedro questions
+to clear his character, Pedro denied and outfaced him, and was
+afterwards hostile to him.
+
+Then he induced them to let him go a long way up the sloping
+meadows towards the wall with one complaisant individual, and to
+him he promised to describe all that happened among the houses. He
+noted certain goings and comings, but the things that really seemed
+to signify to these people happened inside of or behind the
+windowless houses--the only things they took note of to test him
+by--and of those he could see or tell nothing; and it was after the
+failure of this attempt, and the ridicule they could not repress,
+that he resorted to force. He thought of seizing a spade and
+suddenly smiting one or two of them to earth, and so in fair combat
+showing the advantage of eyes. He went so far with that resolution
+as to seize his spade, and then he discovered a new thing about
+himself, and that was that it was impossible for him to hit a blind
+man in cold blood.
+
+He hesitated, and found them all aware that he had snatched up
+the spade. They stood all alert, with their heads on one side, and
+bent ears towards him for what he would do next.
+
+"Put that spade down," said one, and he felt a sort of
+helpless horror. He came near obedience.
+
+Then he had thrust one backwards against a house wall, and
+fled past him and out of the village.
+
+He went athwart one of their meadows, leaving a track of
+trampled grass behind his feet, and presently sat down by the side
+of one of their ways. He felt something of the buoyancy that comes
+to all men in the beginning of a fight, but more perplexity. He
+began to realise that you cannot even fight happily with creatures
+who stand upon a different mental basis to yourself. Far away he
+saw a number of men carrying spades and sticks come out of the
+street of houses and advance in a spreading line along the several
+paths towards him. They advanced slowly, speaking frequently to
+one another, and ever and again the whole cordon would halt and
+sniff the air and listen.
+
+The first time they did this Nunez laughed. But afterwards he
+did not laugh.
+
+One struck his trail in the meadow grass and came stooping and
+feeling his way along it.
+
+For five minutes he watched the slow extension of the cordon,
+and then his vague disposition to do something forthwith
+became frantic. He stood up, went a pace or so towards the
+circumferential wall, turned, and went back a little way. There
+they all stood in a crescent, still and listening.
+
+He also stood still, gripping his spade very tightly in both
+hands. Should he charge them?
+
+The pulse in his ears ran into the rhythm of "In the Country
+of the Blind the One-Eyed Man is King."
+
+Should he charge them?
+
+He looked back at the high and unclimbable wall
+behind--unclimbable because of its smooth plastering, but withal
+pierced with many little doors and at the approaching line of
+seekers. Behind these others were now coming out of the street of
+houses.
+
+Should he charge them?
+
+"Bogota!" called one. "Bogota! where are you?"
+
+He gripped his spade still tighter and advanced down the
+meadows towards the place of habitations, and directly he moved
+they converged upon him. "I'll hit them if they touch me," he
+swore; "by Heaven, I will. I'll hit." He called aloud, "Look
+here, I'm going to do what I like in this valley! Do you hear?
+I'm going to do what I like and go where I like."
+
+They were moving in upon him quickly, groping, yet moving
+rapidly. It was like playing blind man's buff with everyone
+blindfolded except one. "Get hold of him!" cried one. He found
+himself in the arc of a loose curve of pursuers. He felt suddenly
+he must be active and resolute.
+
+"You don't understand," he cried, in a voice that was meant to
+be great and resolute, and which broke. "You are blind and I can
+see. Leave me alone!"
+
+"Bogota! Put down that spade and come off the grass!"
+
+The last order, grotesque in its urban familiarity, produced
+a gust of anger. "I'll hurt you," he said, sobbing with emotion.
+"By Heaven, I'll hurt you! Leave me alone!"
+
+He began to run--not knowing clearly where to run. He ran
+from the nearest blind man, because it was a horror to hit him. He
+stopped, and then made a dash to escape from their closing ranks.
+He made for where a gap was wide, and the men on either side, with
+a quick perception of the approach of his paces, rushed in on one
+another. He sprang forward, and then saw he must be caught, and
+_swish!_ the spade had struck. He felt the soft thud of hand
+and arm, and the man was down with a yell of pain, and he was
+through.
+
+Through! And then he was close to the street of houses again,
+and blind men, whirling spades and stakes, were running with a
+reasoned swiftness hither and thither.
+
+He heard steps behind him just in time, and found a tall man
+rushing forward and swiping at the sound of him. He lost his
+nerve, hurled his spade a yard wide of this antagonist, and whirled
+about and fled, fairly yelling as he dodged another.
+
+He was panic-stricken. He ran furiously to and fro, dodging
+when there was no need to dodge, and, in his anxiety to see on
+every side of him at once, stumbling. For a moment he was down and
+they heard his fall. Far away in the circumferential wall a little
+doorway looked like Heaven, and he set off in a wild rush for it.
+He did not even look round at his pursuers until it was gained, and
+he had stumbled across the bridge, clambered a little way among the
+rocks, to the surprise and dismay of a young llama, who went
+leaping out of sight, and lay down sobbing for breath.
+
+And so his _coup d'etat_ came to an end.
+
+He stayed outside the wall of the valley of the blind for two
+nights and days without food or shelter, and meditated upon the
+Unexpected. During these meditations he repeated very frequently
+and always with a profounder note of derision the exploded proverb:
+"In the Country of the Blind the One-Eyed Man is King." He thought
+chiefly of ways of fighting and conquering these people, and it
+grew clear that for him no practicable way was possible. He had no
+weapons, and now it would be hard to get one.
+
+The canker of civilisation had got to him even in Bogota, and
+he could not find it in himself to go down and assassinate a blind
+man. Of course, if he did that, he might then dictate terms on the
+threat of assassinating them all. But--Sooner or later he must
+sleep! . . . .
+
+He tried also to find food among the pine trees, to be comfortable
+under pine boughs while the frost fell at night, and--with
+less confidence--to catch a llama by artifice in order to try
+to kill it--perhaps by hammering it with a stone--and so finally,
+perhaps, to eat some of it. But the llamas had a doubt of him and
+regarded him with distrustful brown eyes and spat when he drew
+near. Fear came on him the second day and fits of shivering.
+Finally he crawled down to the wall of the Country of the Blind and
+tried to make his terms. He crawled along by the stream, shouting,
+until two blind men came out to the gate and talked to him.
+
+"I was mad," he said. "But I was only newly made."
+
+They said that was better.
+
+He told them he was wiser now, and repented of all he had
+done.
+
+
+Then he wept without intention, for he was very weak and ill
+now, and they took that as a favourable sign.
+
+They asked him if he still thought he could "_see_."
+
+"No," he said. "That was folly. The word means nothing.
+Less than nothing!"
+
+They asked him what was overhead.
+
+"About ten times ten the height of a man there is a roof above
+the world--of rock--and very, very smooth. So smooth--so
+beautifully smooth . ." He burst again into hysterical tears.
+"Before you ask me any more, give me some food or I shall die!"
+
+He expected dire punishments, but these blind people were
+capable of toleration. They regarded his rebellion as but one more
+proof of his general idiocy and inferiority, and after they had
+whipped him they appointed him to do the simplest and heaviest work
+they had for anyone to do, and he, seeing no other way of living,
+did submissively what he was told.
+
+He was ill for some days and they nursed him kindly. That
+refined his submission. But they insisted on his lying in the
+dark, and that was a great misery. And blind philosophers came and
+talked to him of the wicked levity of his mind, and reproved him so
+impressively for his doubts about the lid of rock that covered
+their cosmic _casserole_ that he almost doubted whether indeed
+he was not the victim of hallucination in not seeing it overhead.
+
+So Nunez became a citizen of the Country of the Blind, and
+these people ceased to be a generalised people and became
+individualities to him, and familiar to him, while the world beyond
+the mountains became more and more remote and unreal. There was
+Yacob, his master, a kindly man when not annoyed; there was Pedro,
+Yacob's nephew; and there was Medina-sarote, who was the youngest
+daughter of Yacob. She was little esteemed in the world of the
+blind, because she had a clear-cut face and lacked that satisfying,
+glossy smoothness that is the blind man's ideal of feminine beauty,
+but Nunez thought her beautiful at first, and presently the most
+beautiful thing in the whole creation. Her closed eyelids were
+not sunken and red after the common way of the valley, but lay as
+though they might open again at any moment; and she had long
+eyelashes, which were considered a grave disfigurement. And her
+voice was weak and did not satisfy the acute hearing of the valley
+swains. So that she had no lover.
+
+There came a time when Nunez thought that, could he win her,
+he would be resigned to live in the valley for all the rest of his
+days.
+
+He watched her; he sought opportunities of doing her little
+services and presently he found that she observed him. Once at a
+rest-day gathering they sat side by side in the dim starlight, and
+the music was sweet. His hand came upon hers and he dared to clasp
+it. Then very tenderly she returned his pressure. And one day, as
+they were at their meal in the darkness, he felt her hand very
+softly seeking him, and as it chanced the fire leapt then, and he
+saw the tenderness of her face.
+
+He sought to speak to her.
+
+He went to her one day when she was sitting in the summer
+moonlight spinning. The light made her a thing of silver and
+mystery. He sat down at her feet and told her he loved her, and
+told her how beautiful she seemed to him. He had a lover's voice,
+he spoke with a tender reverence that came near to awe, and she had
+never before been touched by adoration. She made him no definite
+answer, but it was clear his words pleased her.
+
+After that he talked to her whenever he could take an
+opportunity. The valley became the world for him, and the world
+beyond the mountains where men lived by day seemed no more than a
+fairy tale he would some day pour into her ears. Very tentatively
+and timidly he spoke to her of sight.
+
+Sight seemed to her the most poetical of fancies, and she
+listened to his description of the stars and the mountains and her
+own sweet white-lit beauty as though it was a guilty indulgence.
+She did not believe, she could only half understand, but she was
+mysteriously delighted, and it seemed to him that she completely
+understood.
+
+His love lost its awe and took courage. Presently he was for
+demanding her of Yacob and the elders in marriage, but she became
+fearful and delayed. And it was one of her elder sisters who first
+told Yacob that Medina-sarote and Nunez were in love.
+
+There was from the first very great opposition to the marriage
+of Nunez and Medina-sarote; not so much because they valued her as
+because they held him as a being apart, an idiot, incompetent thing
+below the permissible level of a man. Her sisters opposed it
+bitterly as bringing discredit on them all; and old Yacob, though
+he had formed a sort of liking for his clumsy, obedient serf, shook
+his head and said the thing could not be. The young men were all
+angry at the idea of corrupting the race, and one went so far as to
+revile and strike Nunez. He struck back. Then for the first time
+he found an advantage in seeing, even by twilight, and after that
+fight was over no one was disposed to raise a hand against him.
+But they still found his marriage impossible.
+
+Old Yacob had a tenderness for his last little daughter, and
+was grieved to have her weep upon his shoulder.
+
+"You see, my dear, he's an idiot. He has delusions; he can't
+do anything right."
+
+"I know," wept Medina-sarote. "But he's better than he was.
+He's getting better. And he's strong, dear father, and
+kind--stronger and kinder than any other man in the world. And he
+loves me--and, father, I love him."
+
+Old Yacob was greatly distressed to find her inconsolable,
+and, besides--what made it more distressing--he liked Nunez for
+many things. So he went and sat in the windowless council-chamber
+with the other elders and watched the trend of the talk, and said,
+at the proper time, "He's better than he was. Very likely, some
+day, we shall find him as sane as ourselves."
+
+Then afterwards one of the elders, who thought deeply, had
+an idea. He was a great doctor among these people, their
+medicine-man, and he had a very philosophical and inventive mind,
+and the idea of curing Nunez of his peculiarities appealed to him.
+One day when Yacob was present he returned to the topic of Nunez.
+"I have examined Nunez," he said, "and the case is clearer to me.
+I think very probably he might be cured."
+
+"This is what I have always hoped," said old Yacob.
+
+"His brain is affected," said the blind doctor.
+
+The elders murmured assent.
+
+"Now, _what_ affects it?"
+
+"Ah!" said old Yacob.
+
+"_This_," said the doctor, answering his own question. "Those
+queer things that are called the eyes, and which exist to make
+an agreeable depression in the face, are diseased, in the case
+of Nunez, in such a way as to affect his brain. They are greatly
+distended, he has eyelashes, and his eyelids move, and consequently
+his brain is in a state of constant irritation and distraction."
+
+"Yes?" said old Yacob. "Yes?"
+
+"And I think I may say with reasonable certainty that, in
+order to cure him complete, all that we need to do is a simple and
+easy surgical operation--namely, to remove these irritant bodies."
+
+"And then he will be sane?"
+
+"Then he will be perfectly sane, and a quite admirable
+citizen."
+
+"Thank Heaven for science!" said old Yacob, and went forth at
+once to tell Nunez of his happy hopes.
+
+But Nunez's manner of receiving the good news struck him as
+being cold and disappointing.
+
+"One might think," he said, "from the tone you take that you
+did not care for my daughter."
+
+It was Medina-sarote who persuaded Nunez to face the blind
+surgeons.
+
+"_You_ do not want me," he said, "to lose my gift of sight?"
+
+She shook her head.
+
+"My world is sight."
+
+Her head drooped lower.
+
+"There are the beautiful things, the beautiful little
+things--the flowers, the lichens amidst the rocks, the light and
+softness on a piece of fur, the far sky with its drifting dawn of
+clouds, the sunsets and the stars. And there is _you_. For
+you alone it is good to have sight, to see your sweet, serene face,
+your kindly lips, your dear, beautiful hands folded together. . . . .
+It is these eyes of mine you won, these eyes that hold me to
+you, that these idiots seek. Instead, I must touch you, hear you,
+and never see you again. I must come under that roof of rock and
+stone and darkness, that horrible roof under which your
+imaginations stoop . . . _No_; _you_ would not have me do that?"
+
+A disagreeable doubt had arisen in him. He stopped and left
+the thing a question.
+
+"I wish," she said, "sometimes--" She paused.
+
+"Yes?" he said, a little apprehensively.
+
+"I wish sometimes--you would not talk like that."
+
+"Like what?"
+
+"I know it's pretty--it's your imagination. I love it, but _now_--"
+
+He felt cold. "_Now?_" he said, faintly.
+
+She sat quite still.
+
+"You mean--you think--I should be better, better perhaps--"
+
+He was realising things very swiftly. He felt anger perhaps,
+anger at the dull course of fate, but also sympathy for her lack of
+understanding--a sympathy near akin to pity.
+
+"_Dear_," he said, and he could see by her whiteness how
+tensely her spirit pressed against the things she could not say.
+He put his arms about her, he kissed her ear, and they sat for a
+time in silence.
+
+"If I were to consent to this?" he said at last, in a voice
+that was very gentle.
+
+She flung her arms about him, weeping wildly. "Oh, if you
+would," she sobbed, "if only you would!"
+
+For a week before the operation that was to raise him from his
+servitude and inferiority to the level of a blind citizen Nunez
+knew nothing of sleep, and all through the warm, sunlit hours,
+while the others slumbered happily, he sat brooding or wandered
+aimlessly, trying to bring his mind to bear on his dilemma. He had
+given his answer, he had given his consent, and still he was not
+sure. And at last work-time was over, the sun rose in splendour
+over the golden crests, and his last day of vision began for him.
+He had a few minutes with Medina-sarote before she went apart to
+sleep.
+
+"To-morrow," he said, "I shall see no more."
+
+"Dear heart!" she answered, and pressed his hands with all her
+strength.
+
+"They will hurt you but little," she said; "and you are going
+through this pain, you are going through it, dear lover, for
+_me_ . . . . Dear, if a woman's heart and life can do it, I
+will repay you. My dearest one, my dearest with the tender voice,
+I will repay."
+
+He was drenched in pity for himself and her.
+
+He held her in his arms, and pressed his lips to hers and
+looked on her sweet face for the last time. "Good-bye!" he
+whispered to that dear sight, "good-bye!"
+
+And then in silence he turned away from her.
+
+She could hear his slow retreating footsteps, and something in
+the rhythm of them threw her into a passion of weeping.
+
+He walked away.
+
+He had fully meant to go to a lonely place where the meadows
+were beautiful with white narcissus, and there remain until the
+hour of his sacrifice should come, but as he walked he lifted up
+his eyes and saw the morning, the morning like an angel in golden
+armour, marching down the steeps . . . .
+
+It seemed to him that before this splendour he and this blind
+world in the valley, and his love and all, were no more than a pit
+of sin.
+
+He did not turn aside as he had meant to do, but went on and
+passed through the wall of the circumference and out upon the
+rocks, and his eyes were always upon the sunlit ice and snow.
+
+He saw their infinite beauty, and his imagination soared over
+them to the things beyond he was now to resign for ever!
+
+He thought of that great free world that he was parted from,
+the world that was his own, and he had a vision of those further
+slopes, distance beyond distance, with Bogota, a place of
+multitudinous stirring beauty, a glory by day, a luminous mystery
+by night, a place of palaces and fountains and statues and white
+houses, lying beautifully in the middle distance. He thought how
+for a day or so one might come down through passes drawing ever
+nearer and nearer to its busy streets and ways. He thought of the
+river journey, day by day, from great Bogota to the still vaster
+world beyond, through towns and villages, forest and desert places,
+the rushing river day by day, until its banks receded, and the big
+steamers came splashing by and one had reached the sea--the
+limitless sea, with its thousand islands, its thousands of islands,
+and its ships seen dimly far away in their incessant journeyings
+round and about that greater world. And there, unpent by
+mountains, one saw the sky--the sky, not such a disc as one saw it
+here, but an arch of immeasurable blue, a deep of deeps in which
+the circling stars were floating . . . .
+
+His eyes began to scrutinise the great curtain of the
+mountains with a keener inquiry.
+
+For example; if one went so, up that gully and to that chimney
+there, then one might come out high among those stunted pines that
+ran round in a sort of shelf and rose still higher and higher as it
+passed above the gorge. And then? That talus might be managed.
+Thence perhaps a climb might be found to take him up to the
+precipice that came below the snow; and if that chimney failed,
+then another farther to the east might serve his purpose better.
+And then? Then one would be out upon the amber-lit snow there, and
+half-way up to the crest of those beautiful desolations. And
+suppose one had good fortune!
+
+He glanced back at the village, then turned right round and
+regarded it with folded arms.
+
+He thought of Medina-sarote, and she had become small and
+remote.
+
+He turned again towards the mountain wall down which the day
+had come to him.
+
+Then very circumspectly he began his climb.
+
+When sunset came he was not longer climbing, but he was far and high.
+His clothes were torn, his limbs were bloodstained, he was bruised
+in many places, but he lay as if he were at his ease, and there
+was a smile on his face.
+
+From where he rested the valley seemed as if it were in a pit
+and nearly a mile below. Already it was dim with haze and shadow,
+though the mountain summits around him were things of light and
+fire. The mountain summits around him were things of light and
+fire, and the little things in the rocks near at hand were drenched
+with light and beauty, a vein of green mineral piercing the
+grey, a flash of small crystal here and there, a minute,
+minutely-beautiful orange lichen close beside his face. There
+were deep, mysterious shadows in the gorge, blue deepening into
+purple, and purple into a luminous darkness, and overhead was the
+illimitable vastness of the sky. But he heeded these things no
+longer, but lay quite still there, smiling as if he were content
+now merely to have escaped from the valley of the Blind, in which
+he had thought to be King. And the glow of the sunset passed, and
+the night came, and still he lay there, under the cold, clear stars.
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Door in the Wall And Other Stories
+by H. G. Wells
+
+*** END OF THIS PROJECT GUTENBERG EBOOK DOOR IN THE WALL AND OTHER STORIES ***
+
+***** This file should be named 456.txt or 456.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/4/5/456/
+
+This etext was created by Judith Boss, Omaha, Nebraska.
+The equipment: an IBM-compatible 486/50, a Hewlett-Packard
+ScanJet IIc flatbed scanner, and Calera Recognition Systems'
+M/600 Series Professional OCR software and RISC accelerator board
+donated by Calera Recognition Systems.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/old/456.zip b/old/456.zip
new file mode 100644
index 0000000..49e7c23
--- /dev/null
+++ b/old/456.zip
Binary files differ
diff --git a/old/tditw10.txt b/old/tditw10.txt
new file mode 100644
index 0000000..f157430
--- /dev/null
+++ b/old/tditw10.txt
@@ -0,0 +1,5209 @@
+*The Project Gutenberg Etext of The Door in the Wall, et. al.*
+#4 in our series by H. G. Wells
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+The Door in the Wall And Other Stories
+
+by H. G. Wells.
+
+March, 1996 [Etext #456]
+
+
+The Project Gutenberg Etext of The Door in the Wall And Other
+Stories by H. G. Wells.
+
+*****This file should be named tditw10.txt or tditw10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, tditw11.txt.
+VERSIONS based on separate sources get new LETTER, tditw10a.txt.
+
+
+This etext was created by Judith Boss, Omaha, Nebraska.
+The equipment: an IBM-compatible 486/50, a Hewlett-Packard
+ScanJet IIc flatbed scanner, and Calera Recognition Systems'
+M/600 Series Professional OCR software and RISC accelerator board
+donated by Calera Recognition Systems.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $4
+million dollars per hour this year as we release some eight text
+files per month: thus upping our productivity from $2 million.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is 10% of the expected number of computer users by the end
+of the year 2001.
+
+We need your donations more than ever!
+
+All donations should be made to "Project Gutenberg/IBC", and are
+tax deductible to the extent allowable by law ("IBC" is Illinois
+Benedictine College). (Subscriptions to our paper newsletter go
+to IBC, too)
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Michael S. Hart, Executive
+Director:
+hart@vmd.cso.uiuc.edu (internet) hart@uiucvmd (bitnet)
+
+We would prefer to send you this information by email
+(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
+
+******
+If you have an FTP program (or emulator), please
+FTP directly to the Project Gutenberg archives:
+[Mac users, do NOT point and click. . .type]
+
+ftp mrcnext.cso.uiuc.edu
+login: anonymous
+password: your@login
+cd etext/etext90 through /etext95
+or cd etext/articles [get suggest gut for more information]
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET INDEX?00.GUT
+for a list of books
+and
+GET NEW GUT for general information
+and
+MGET GUT* for newsletters.
+
+**Information prepared by the Project Gutenberg legal advisor**
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Illinois Benedictine College (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association / Illinois
+ Benedictine College" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Illinois Benedictine College".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+THE DOOR
+IN THE WALL
+And Other Stories
+
+BY
+H. G. WELLS
+
+
+
+
+
+
+CONTENTS
+
+The Door in the Wall 5
+The Star 27
+A Dream of Armageddon 43
+The Cone 75
+A Moonlight Fable 91
+The Diamond Maker 99
+The Lord of the Dynamos 111
+The Country of the Blind 125
+
+
+
+
+
+THE DOOR IN THE WALL
+AND OTHER STORIES
+
+
+
+THE DOOR IN THE WALL
+
+I
+
+One confidential evening, not three months ago, Lionel Wallace told
+me this story of the Door in the Wall. And at the time I thought
+that so far as he was concerned it was a true story.
+
+He told it me with such a direct simplicity of conviction that
+I could not do otherwise than believe in him. But in the morning,
+in my own flat, I woke to a different atmosphere, and as I lay in
+bed and recalled the things he had told me, stripped of the glamour
+of his earnest slow voice, denuded of the focussed shaded table
+light, the shadowy atmosphere that wrapped about him and the
+pleasant bright things, the dessert and glasses and napery of the
+dinner we had shared, making them for the time a bright little
+world quite cut off from every-day realities, I saw it all as
+frankly incredible. "He was mystifying!" I said, and then: "How
+well he did it!. . . . . It isn't quite the thing I should have
+expected him, of all people, to do well."
+
+Afterwards, as I sat up in bed and sipped my morning tea, I
+found myself trying to account for the flavour of reality that
+perplexed me in his impossible reminiscences, by supposing they did
+in some way suggest, present, convey--I hardly know which word to
+use--experiences it was otherwise impossible to tell.
+
+Well, I don't resort to that explanation now. I have got over
+my intervening doubts. I believe now, as I believed at the moment
+of telling, that Wallace did to the very best of his ability strip
+the truth of his secret for me. But whether he himself saw, or only
+thought he saw, whether he himself was the possessor of an
+inestimable privilege, or the victim of a fantastic dream, I cannot
+pretend to guess. Even the facts of his death, which ended my
+doubts forever, throw no light on that. That much the reader must
+judge for himself.
+
+I forget now what chance comment or criticism of mine moved so
+reticent a man to confide in me. He was, I think, defending
+himself against an imputation of slackness and unreliability I had
+made in relation to a great public movement in which he had
+disappointed me. But he plunged suddenly. "I have" he said, "a
+preoccupation--"
+
+"I know," he went on, after a pause that he devoted to the
+study of his cigar ash, "I have been negligent. The fact is--it
+isn't a case of ghosts or apparitions--but--it's an odd thing to
+tell of, Redmond--I am haunted. I am haunted by something--that
+rather takes the light out of things, that fills me with longings
+. . . . ."
+
+He paused, checked by that English shyness that so often
+overcomes us when we would speak of moving or grave or beautiful
+things. "You were at Saint Athelstan's all through," he said, and
+for a moment that seemed to me quite irrelevant. "Well"--and he
+paused. Then very haltingly at first, but afterwards more easily,
+he began to tell of the thing that was hidden in his life, the
+haunting memory of a beauty and a happiness that filled his heart
+with insatiable longings that made all the interests and spectacle
+of worldly life seem dull and tedious and vain to him.
+
+Now that I have the clue to it, the thing seems written
+visibly in his face. I have a photograph in which that look of
+detachment has been caught and intensified. It reminds me of what
+a woman once said of him--a woman who had loved him greatly.
+"Suddenly," she said, "the interest goes out of him. He forgets
+you. He doesn't care a rap for you--under his very nose . . . . ."
+
+Yet the interest was not always out of him, and when he was
+holding his attention to a thing Wallace could contrive to be an
+extremely successful man. His career, indeed, is set with
+successes. He left me behind him long ago; he soared up over my
+head, and cut a figure in the world that I couldn't cut--anyhow.
+He was still a year short of forty, and they say now that he would
+have been in office and very probably in the new Cabinet if he had
+lived. At school he always beat me without effort--as it were by
+nature. We were at school together at Saint Athelstan's College in
+West Kensington for almost all our school time. He came into the
+school as my co-equal, but he left far above me, in a blaze of
+scholarships and brilliant performance. Yet I think I made a fair
+average running. And it was at school I heard first of the Door in
+the Wall--that I was to hear of a second time only a month before
+his death.
+
+To him at least the Door in the Wall was a real door leading
+through a real wall to immortal realities. Of that I am now quite
+assured.
+
+And it came into his life early, when he was a little fellow
+between five and six. I remember how, as he sat making his
+confession to me with a slow gravity, he reasoned and reckoned the
+date of it. "There was," he said, "a crimson Virginia creeper in
+it--all one bright uniform crimson in a clear amber sunshine
+against a white wall. That came into the impression somehow,
+though I don't clearly remember how, and there were horse-chestnut
+leaves upon the clean pavement outside the green door. They were
+blotched yellow and green, you know, not brown nor dirty, so that
+they must have been new fallen. I take it that means October. I
+look out for horse-chestnut leaves every year, and I ought to know.
+
+"If I'm right in that, I was about five years and four months old."
+
+He was, he said, rather a precocious little boy--he learned to
+talk at an abnormally early age, and he was so sane and
+"old-fashioned," as people say, that he was permitted an amount of
+initiative that most children scarcely attain by seven or eight.
+His mother died when he was born, and he was under the less
+vigilant and authoritative care of a nursery governess. His father
+was a stern, preoccupied lawyer, who gave him little attention, and
+expected great things of him. For all his brightness he found life
+a little grey and dull I think. And one day he wandered.
+
+He could not recall the particular neglect that enabled him to
+get away, nor the course he took among the West Kensington roads.
+All that had faded among the incurable blurs of memory. But the
+white wall and the green door stood out quite distinctly.
+
+As his memory of that remote childish experience ran, he did
+at the very first sight of that door experience a peculiar emotion,
+an attraction, a desire to get to the door and open it and walk in.
+
+And at the same time he had the clearest conviction that either it
+was unwise or it was wrong of him--he could not tell which--to
+yield to this attraction. He insisted upon it as a curious thing
+that he knew from the very beginning--unless memory has played him
+the queerest trick--that the door was unfastened, and that he could
+go in as he chose.
+
+I seem to see the figure of that little boy, drawn and
+repelled. And it was very clear in his mind, too, though why it
+should be so was never explained, that his father would be very
+angry if he went through that door.
+
+Wallace described all these moments of hesitation to me with
+the utmost particularity. He went right past the door, and then,
+with his hands in his pockets, and making an infantile attempt to
+whistle, strolled right along beyond the end of the wall. There he
+recalls a number of mean, dirty shops, and particularly that of a
+plumber and decorator, with a dusty disorder of earthenware pipes,
+sheet lead ball taps, pattern books of wall paper, and tins of
+enamel. He stood pretending to examine these things, and coveting,
+passionately desiring the green door.
+
+Then, he said, he had a gust of emotion. He made a run for
+it, lest hesitation should grip him again, he went plump with
+outstretched hand through the green door and let it slam behind
+him. And so, in a trice, he came into the garden that has haunted
+all his life.
+
+It was very difficult for Wallace to give me his full sense of
+that garden into which he came.
+
+There was something in the very air of it that exhilarated,
+that gave one a sense of lightness and good happening and well
+being; there was something in the sight of it that made all its
+colour clean and perfect and subtly luminous. In the instant of
+coming into it one was exquisitely glad--as only in rare moments
+and when one is young and joyful one can be glad in this world.
+And everything was beautiful there . . . . .
+
+Wallace mused before he went on telling me. "You see," he
+said, with the doubtful inflection of a man who pauses at
+incredible things, "there were two great panthers there . . . Yes,
+spotted panthers. And I was not afraid. There was a long wide
+path with marble-edged flower borders on either side, and these two
+huge velvety beasts were playing there with a ball. One looked up
+and came towards me, a little curious as it seemed. It came right
+up to me, rubbed its soft round ear very gently against the small
+hand I held out and purred. It was, I tell you, an enchanted
+garden. I know. And the size? Oh! it stretched far and wide,
+this way and that. I believe there were hills far away. Heaven
+knows where West Kensington had suddenly got to. And somehow it
+was just like coming home.
+
+"You know, in the very moment the door swung to behind me, I
+forgot the road with its fallen chestnut leaves, its cabs and
+tradesmen's carts, I forgot the sort of gravitational pull back to
+the discipline and obedience of home, I forgot all hesitations and
+fear, forgot discretion, forgot all the intimate realities of this
+life. I became in a moment a very glad and wonder-happy little
+boy--in another world. It was a world with a different quality, a
+warmer, more penetrating and mellower light, with a faint clear
+gladness in its air, and wisps of sun-touched cloud in the blueness
+of its sky. And before me ran this long wide path, invitingly,
+with weedless beds on either side, rich with untended flowers, and
+these two great panthers. I put my little hands fearlessly on
+their soft fur, and caressed their round ears and the sensitive
+corners under their ears, and played with them, and it was as
+though they welcomed me home. There was a keen sense of
+home-coming in my mind, and when presently a tall, fair girl
+appeared in the pathway and came to meet me, smiling, and said
+'Well?' to me, and lifted me, and kissed me, and put me down, and
+led me by the hand, there was no amazement, but only an impression
+of delightful rightness, of being reminded of happy things that had
+in some strange way been overlooked. There were broad steps, I
+remember, that came into view between spikes of delphinium, and up
+these we went to a great avenue between very old and shady dark
+trees. All down this avenue, you know, between the red chapped
+stems, were marble seats of honour and statuary, and very tame and
+friendly white doves . . . . .
+
+"And along this avenue my girl-friend led me, looking down--I
+recall the pleasant lines, the finely-modelled chin of her sweet
+kind face--asking me questions in a soft, agreeable voice, and
+telling me things, pleasant things I know, though what they were I
+was never able to recall . . . And presently a little Capuchin
+monkey, very clean, with a fur of ruddy brown and kindly hazel
+eyes, came down a tree to us and ran beside me, looking up at me
+and grinning, and presently leapt to my shoulder. So we went on
+our way in great happiness . . . ."
+
+He paused.
+
+"Go on," I said.
+
+"I remember little things. We passed an old man musing among
+laurels, I remember, and a place gay with paroquets, and came
+through a broad shaded colonnade to a spacious cool palace, full of
+pleasant fountains, full of beautiful things, full of the quality
+and promise of heart's desire. And there were many things and many
+people, some that still seem to stand out clearly and some that are
+a little vague, but all these people were beautiful and kind. In
+some way--I don't know how--it was conveyed to me that they all
+were kind to me, glad to have me there, and filling me with
+gladness by their gestures, by the touch of their hands, by the
+welcome and love in their eyes. Yes--"
+
+He mused for awhile. "Playmates I found there. That was very
+much to me, because I was a lonely little boy. They played
+delightful games in a grass-covered court where there was a
+sun-dial set about with flowers. And as one played one loved . . . .
+
+"But--it's odd--there's a gap in my memory. I don't remember
+the games we played. I never remembered. Afterwards, as a child,
+I spent long hours trying, even with tears, to recall the form of
+that happiness. I wanted to play it all over again--in my nursery
+--by myself. No! All I remember is the happiness and two dear
+playfellows who were most with me . . . . Then presently came a
+sombre dark woman, with a grave, pale face and dreamy eyes, a
+sombre woman wearing a soft long robe of pale purple, who carried
+a book and beckoned and took me aside with her into a gallery above
+a hall--though my playmates were loth to have me go, and ceased
+their game and stood watching as I was carried away. 'Come back to
+us!' they cried. 'Come back to us soon!' I looked up at her face,
+but she heeded them not at all. Her face was very gentle and
+grave. She took me to a seat in the gallery, and I stood beside
+her, ready to look at her book as she opened it upon her knee. The
+pages fell open. She pointed, and I looked, marvelling, for in the
+living pages of that book I saw myself; it was a story about
+myself, and in it were all the things that had happened to me since
+ever I was born . . . .
+
+"It was wonderful to me, because the pages of that book were
+not pictures, you understand, but realities."
+
+Wallace paused gravely--looked at me doubtfully.
+
+"Go on," I said. "I understand."
+
+"They were realities--yes, they must have been; people moved
+and things came and went in them; my dear mother, whom I had near
+forgotten; then my father, stern and upright, the servants, the
+nursery, all the familiar things of home. Then the front door and
+the busy streets, with traffic to and fro: I looked and marvelled,
+and looked half doubtfully again into the woman's face and turned
+the pages over, skipping this and that, to see more of this book,
+and more, and so at last I came to myself hovering and hesitating
+outside the green door in the long white wall, and felt again the
+conflict and the fear.
+
+"'And next?' I cried, and would have turned on, but the cool
+hand of the grave woman delayed me.
+
+"'Next?' I insisted, and struggled gently with her hand,
+pulling up her fingers with all my childish strength, and as she
+yielded and the page came over she bent down upon me like a shadow
+and kissed my brow.
+
+"But the page did not show the enchanted garden, nor the
+panthers, nor the girl who had led me by the hand, nor the
+playfellows who had been so loth to let me go. It showed a long
+grey street in West Kensington, on that chill hour of afternoon
+before the lamps are lit, and I was there, a wretched little
+figure, weeping aloud, for all that I could do to restrain myself,
+and I was weeping because I could not return to my dear
+play-fellows who had called after me, 'Come back to us! Come back
+to us soon!' I was there. This was no page in a book, but harsh
+reality; that enchanted place and the restraining hand of the grave
+mother at whose knee I stood had gone--whither have they gone?"
+
+He halted again, and remained for a time, staring into the fire.
+
+"Oh! the wretchedness of that return!" he murmured.
+
+"Well?" I said after a minute or so.
+
+"Poor little wretch I was--brought back to this grey world
+again! As I realised the fulness of what had happened to me, I
+gave way to quite ungovernable grief. And the shame and
+humiliation of that public weeping and my disgraceful homecoming
+remain with me still. I see again the benevolent-looking old
+gentleman in gold spectacles who stopped and spoke to me--prodding
+me first with his umbrella. 'Poor little chap,' said he; 'and are
+you lost then?'--and me a London boy of five and more! And he must
+needs bring in a kindly young policeman and make a crowd of me, and
+so march me home. Sobbing, conspicuous and frightened, I came from
+the enchanted garden to the steps of my father's house.
+
+"That is as well as I can remember my vision of that
+garden--the garden that haunts me still. Of course, I can convey
+nothing of that indescribable quality of translucent unreality,
+that difference from the common things of experience that hung
+about it all; but that--that is what happened. If it was a dream,
+I am sure it was a day-time and altogether extraordinary dream . .
+. . . . H'm!--naturally there followed a terrible questioning, by
+my aunt, my father, the nurse, the governess--everyone . . . . . .
+
+"I tried to tell them, and my father gave me my first
+thrashing for telling lies. When afterwards I tried to tell my
+aunt, she punished me again for my wicked persistence. Then, as I
+said, everyone was forbidden to listen to me, to hear a word about
+it. Even my fairy tale books were taken away from me for a
+time--because I was 'too imaginative.' Eh? Yes, they did that! My
+father belonged to the old school . . . . . And my story was driven
+back upon myself. I whispered it to my pillow--my pillow that was
+often damp and salt to my whispering lips with childish tears. And
+I added always to my official and less fervent prayers this one
+heartfelt request: 'Please God I may dream of the garden. Oh! take
+me back to my garden! Take me back to my garden!'
+
+"I dreamt often of the garden. I may have added to it, I may
+have changed it; I do not know . . . . . All this you understand
+is an attempt to reconstruct from fragmentary memories a very early
+experience. Between that and the other consecutive memories of my
+boyhood there is a gulf. A time came when it seemed impossible I
+should ever speak of that wonder glimpse again."
+
+I asked an obvious question.
+
+"No," he said. "I don't remember that I ever attempted to
+find my way back to the garden in those early years. This seems
+odd to me now, but I think that very probably a closer watch was
+kept on my movements after this misadventure to prevent my going
+astray. No, it wasn't until you knew me that I tried for the
+garden again. And I believe there was a period --incredible as it
+seems now--when I forgot the garden altogether--when I was about
+eight or nine it may have been. Do you remember me as a kid at
+Saint Athelstan's?"
+
+"Rather!"
+
+"I didn't show any signs did I in those days of having a secret dream?"
+
+
+II
+
+
+He looked up with a sudden smile.
+
+"Did you ever play North-West Passage with me? . . . . . No,
+of course you didn't come my way!"
+
+"It was the sort of game," he went on, "that every imaginative
+child plays all day. The idea was the discovery of a North-West
+Passage to school. The way to school was plain enough; the game
+consisted in finding some way that wasn't plain, starting off ten
+minutes early in some almost hopeless direction, and working one's
+way round through unaccustomed streets to my goal. And one day I
+got entangled among some rather low-class streets on the other side
+of Campden Hill, and I began to think that for once the game would
+be against me and that I should get to school late. I tried rather
+desperately a street that seemed a cul de sac, and found a
+passage at the end. I hurried through that with renewed hope. 'I
+shall do it yet,' I said, and passed a row of frowsy little shops
+that were inexplicably familiar to me, and behold! there was my
+long white wall and the green door that led to the enchanted
+garden!
+
+"The thing whacked upon me suddenly. Then, after all, that garden,
+that wonderful garden, wasn't a dream!" . . . .
+
+He paused.
+
+"I suppose my second experience with the green door marks the
+world of difference there is between the busy life of a schoolboy
+and the infinite leisure of a child. Anyhow, this second time I
+didn't for a moment think of going in straight away. You see . .
+. For one thing my mind was full of the idea of getting to school
+in time--set on not breaking my record for punctuality. I must
+surely have felt SOME little desire at least to try the
+door--yes, I must have felt that . . . . . But I seem to remember
+the attraction of the door mainly as another obstacle to my
+overmastering determination to get to school. I was immediately
+interested by this discovery I had made, of course--I went on with
+my mind full of it--but I went on. It didn't check me. I ran past
+tugging out my watch, found I had ten minutes still to spare, and
+then I was going downhill into familiar surroundings. I got to
+school, breathless, it is true, and wet with perspiration, but in
+time. I can remember hanging up my coat and hat . . . Went right
+by it and left it behind me. Odd, eh?"
+
+He looked at me thoughtfully. "Of course, I didn't know then
+that it wouldn't always be there. School boys have limited
+imaginations. I suppose I thought it was an awfully jolly thing to
+have it there, to know my way back to it, but there was the school
+tugging at me. I expect I was a good deal distraught and
+inattentive that morning, recalling what I could of the beautiful
+strange people I should presently see again. Oddly enough I had no
+doubt in my mind that they would be glad to see me . . . Yes, I
+must have thought of the garden that morning just as a jolly sort
+of place to which one might resort in the interludes of a strenuous
+scholastic career.
+
+"I didn't go that day at all. The next day was a half
+holiday, and that may have weighed with me. Perhaps, too, my state
+of inattention brought down impositions upon me and docked the
+margin of time necessary for the detour. I don't know. What I do
+know is that in the meantime the enchanted garden was so much upon
+my mind that I could not keep it to myself.
+
+"I told--What was his name?--a ferrety-looking youngster we
+used to call Squiff."
+
+"Young Hopkins," said I.
+
+"Hopkins it was. I did not like telling him, I had a feeling
+that in some way it was against the rules to tell him, but I did.
+He was walking part of the way home with me; he was talkative, and
+if we had not talked about the enchanted garden we should have
+talked of something else, and it was intolerable to me to think
+about any other subject. So I blabbed.
+
+"Well, he told my secret. The next day in the play interval
+I found myself surrounded by half a dozen bigger boys, half teasing
+and wholly curious to hear more of the enchanted garden. There was
+that big Fawcett--you remember him?--and Carnaby and Morley
+Reynolds. You weren't there by any chance? No, I think I should
+have remembered if you were . . . . .
+
+"A boy is a creature of odd feelings. I was, I really
+believe, in spite of my secret self-disgust, a little flattered to
+have the attention of these big fellows. I remember particularly
+a moment of pleasure caused by the praise of Crawshaw--you remember
+Crawshaw major, the son of Crawshaw the composer?--who said it was
+the best lie he had ever heard. But at the same time there was a
+really painful undertow of shame at telling what I felt was indeed
+a sacred secret. That beast Fawcett made a joke about the girl in
+green--."
+
+Wallace's voice sank with the keen memory of that shame. "I
+pretended not to hear," he said. "Well, then Carnaby suddenly
+called me a young liar and disputed with me when I said the thing
+was true. I said I knew where to find the green door, could lead
+them all there in ten minutes. Carnaby became outrageously
+virtuous, and said I'd have to--and bear out my words or suffer.
+Did you ever have Carnaby twist your arm? Then perhaps you'll
+understand how it went with me. I swore my story was true. There
+was nobody in the school then to save a chap from Carnaby though
+Crawshaw put in a word or so. Carnaby had got his game. I grew
+excited and red-eared, and a little frightened, I behaved
+altogether like a silly little chap, and the outcome of it all was
+that instead of starting alone for my enchanted garden, I led the
+way presently--cheeks flushed, ears hot, eyes smarting, and my soul
+one burning misery and shame--for a party of six mocking, curious
+and threatening school-fellows.
+
+"We never found the white wall and the green door . . ."
+
+"You mean?--"
+
+"I mean I couldn't find it. I would have found it if I could.
+
+"And afterwards when I could go alone I couldn't find it. I
+never found it. I seem now to have been always looking for it
+through my school-boy days, but I've never come upon it again."
+
+"Did the fellows--make it disagreeable?"
+
+"Beastly . . . . . Carnaby held a council over me for wanton
+lying. I remember how I sneaked home and upstairs to hide the
+marks of my blubbering. But when I cried myself to sleep at last
+it wasn't for Carnaby, but for the garden, for the beautiful
+afternoon I had hoped for, for the sweet friendly women and the
+waiting playfellows and the game I had hoped to learn again, that
+beautiful forgotten game . . . . .
+
+"I believed firmly that if I had not told-- . . . . . I had
+bad times after that--crying at night and woolgathering by day.
+For two terms I slackened and had bad reports. Do you remember?
+Of course you would! It was YOU--your beating me in
+mathematics that brought me back to the grind again."
+
+
+III
+
+
+For a time my friend stared silently into the red heart of the
+fire. Then he said: "I never saw it again until I was seventeen.
+
+"It leapt upon me for the third time--as I was driving to
+Paddington on my way to Oxford and a scholarship. I had just one
+momentary glimpse. I was leaning over the apron of my hansom
+smoking a cigarette, and no doubt thinking myself no end of a man
+of the world, and suddenly there was the door, the wall, the dear
+sense of unforgettable and still attainable things.
+
+"We clattered by--I too taken by surprise to stop my cab until
+we were well past and round a corner. Then I had a queer moment,
+a double and divergent movement of my will: I tapped the little
+door in the roof of the cab, and brought my arm down to pull out my
+watch. 'Yes, sir!' said the cabman, smartly. 'Er-- well--it's
+nothing,' I cried. 'MY mistake! We haven't much time! Go
+on!' and he went on . . .
+
+"I got my scholarship. And the night after I was told of that
+I sat over my fire in my little upper room, my study, in my
+father's house, with his praise--his rare praise--and his sound
+counsels ringing in my ears, and I smoked my favourite pipe--the
+formidable bulldog of adolescence--and thought of that door in the
+long white wall. 'If I had stopped,' I thought, 'I should have
+missed my scholarship, I should have missed Oxford--muddled all the
+fine career before me! I begin to see things better!' I fell
+musing deeply, but I did not doubt then this career of mine was a
+thing that merited sacrifice.
+
+"Those dear friends and that clear atmosphere seemed very
+sweet to me, very fine, but remote. My grip was fixing now upon
+the world. I saw another door opening--the door of my career."
+
+He stared again into the fire. Its red lights picked out a
+stubborn strength in his face for just one flickering moment, and
+then it vanished again.
+
+"Well", he said and sighed, "I have served that career. I
+have done--much work, much hard work. But I have dreamt of the
+enchanted garden a thousand dreams, and seen its door, or at least
+glimpsed its door, four times since then. Yes--four times. For a
+while this world was so bright and interesting, seemed so full of
+meaning and opportunity that the half-effaced charm of the garden
+was by comparison gentle and remote. Who wants to pat panthers on
+the way to dinner with pretty women and distinguished men? I came
+down to London from Oxford, a man of bold promise that I have done
+something to redeem. Something--and yet there have been
+disappointments . . . . .
+
+"Twice I have been in love--I will not dwell on that--but
+once, as I went to someone who, I know, doubted whether I dared to
+come, I took a short cut at a venture through an unfrequented road
+near Earl's Court, and so happened on a white wall and a familiar
+green door. 'Odd!' said I to myself, 'but I thought this place was
+on Campden Hill. It's the place I never could find somehow--like
+counting Stonehenge--the place of that queer day dream of mine.'
+And I went by it intent upon my purpose. It had no appeal to me
+that afternoon.
+
+"I had just a moment's impulse to try the door, three steps
+aside were needed at the most--though I was sure enough in my heart
+that it would open to me--and then I thought that doing so might
+delay me on the way to that appointment in which I thought my
+honour was involved. Afterwards I was sorry for my punctuality--I
+might at least have peeped in I thought, and waved a hand to those
+panthers, but I knew enough by this time not to seek again
+belatedly that which is not found by seeking. Yes, that time made
+me very sorry . . . . .
+
+"Years of hard work after that and never a sight of the door.
+It's only recently it has come back to me. With it there has come
+a sense as though some thin tarnish had spread itself over my
+world. I began to think of it as a sorrowful and bitter thing that
+I should never see that door again. Perhaps I was suffering a
+little from overwork--perhaps it was what I've heard spoken of as
+the feeling of forty. I don't know. But certainly the keen
+brightness that makes effort easy has gone out of things recently,
+and that just at a time with all these new political developments
+--when I ought to be working. Odd, isn't it? But I do begin to
+find life toilsome, its rewards, as I come near them, cheap. I
+began a little while ago to want the garden quite badly. Yes--and
+I've seen it three times."
+
+"The garden?"
+
+"No--the door! And I haven't gone in!"
+
+He leaned over the table to me, with an enormous sorrow in his
+voice as he spoke. "Thrice I have had my chance--THRICE!
+If ever that door offers itself to me again, I swore, I will go in
+out of this dust and heat, out of this dry glitter of vanity, out
+of these toilsome futilities. I will go and never return. This
+time I will stay . . . . . I swore it and when the time came--
+I DIDN'T GO.
+
+"Three times in one year have I passed that door and failed to
+enter. Three times in the last year.
+
+"The first time was on the night of the snatch division on the
+Tenants' Redemption Bill, on which the Government was saved by a
+majority of three. You remember? No one on our side--perhaps very
+few on the opposite side--expected the end that night. Then the
+debate collapsed like eggshells. I and Hotchkiss were dining with
+his cousin at Brentford, we were both unpaired, and we were called
+up by telephone, and set off at once in his cousin's motor. We got
+in barely in time, and on the way we passed my wall and door--livid
+in the moonlight, blotched with hot yellow as the glare of our
+lamps lit it, but unmistakable. 'My God!' cried I. 'What?'said
+Hotchkiss. 'Nothing!' I answered, and the moment passed.
+
+"'I've made a great sacrifice,' I told the whip as I got in.
+'They all have,' he said, and hurried by.
+
+"I do not see how I could have done otherwise then. And the
+next occasion was as I rushed to my father's bedside to bid that
+stern old man farewell. Then, too, the claims of life were
+imperative. But the third time was different; it happened a week
+ago. It fills me with hot remorse to recall it. I was with Gurker
+and Ralphs--it's no secret now you know that I've had my talk with
+Gurker. We had been dining at Frobisher's, and the talk had become
+intimate between us. The question of my place in the reconstructed
+ministry lay always just over the boundary of the discussion. Yes
+--yes. That's all settled. It needn't be talked about yet, but
+there's no reason to keep a secret from you . . . . . Yes--thanks!
+thanks! But let me tell you my story.
+
+"Then, on that night things were very much in the air. My
+position was a very delicate one. I was keenly anxious to get some
+definite word from Gurker, but was hampered by Ralphs' presence.
+I was using the best power of my brain to keep that light and
+careless talk not too obviously directed to the point that concerns
+me. I had to. Ralphs' behaviour since has more than justified my
+caution . . . . . Ralphs, I knew, would leave us beyond the
+Kensington High Street, and then I could surprise Gurker by a
+sudden frankness. One has sometimes to resort to these little
+devices. . . . . And then it was that in the margin of my field of
+vision I became aware once more of the white wall, the green door
+before us down the road.
+
+"We passed it talking. I passed it. I can still see the
+shadow of Gurker's marked profile, his opera hat tilted forward
+over his prominent nose, the many folds of his neck wrap going
+before my shadow and Ralphs' as we sauntered past.
+
+"I passed within twenty inches of the door. 'If I say
+good-night to them, and go in,' I asked myself, 'what will happen?'
+And I was all a-tingle for that word with Gurker.
+
+"I could not answer that question in the tangle of my other
+problems. 'They will think me mad,' I thought. 'And suppose I
+vanish now!--Amazing disappearance of a prominent politician!' That
+weighed with me. A thousand inconceivably petty worldlinesses
+weighed with me in that crisis."
+
+Then he turned on me with a sorrowful smile, and, speaking
+slowly; "Here I am!" he said.
+
+"Here I am!" he repeated, "and my chance has gone from me.
+Three times in one year the door has been offered me--the door that
+goes into peace, into delight, into a beauty beyond dreaming, a
+kindness no man on earth can know. And I have rejected it,
+Redmond, and it has gone--"
+
+"How do you know?"
+
+"I know. I know. I am left now to work it out, to stick to
+the tasks that held me so strongly when my moments came. You say,
+I have success--this vulgar, tawdry, irksome, envied thing. I have
+it." He had a walnut in his big hand. "If that was my success,"
+he said, and crushed it, and held it out for me to see.
+
+"Let me tell you something, Redmond. This loss is destroying
+me. For two months, for ten weeks nearly now, I have done no work
+at all, except the most necessary and urgent duties. My soul is
+full of inappeasable regrets. At nights--when it is less likely I
+shall be recognised--I go out. I wander. Yes. I wonder what
+people would think of that if they knew. A Cabinet Minister, the
+responsible head of that most vital of all departments, wandering
+alone--grieving--sometimes near audibly lamenting--for a door, for
+a garden!"
+
+
+IV
+
+
+I can see now his rather pallid face, and the unfamiliar
+sombre fire that had come into his eyes. I see him very vividly
+to-night. I sit recalling his words, his tones, and last evening's
+Westminster Gazette still lies on my sofa, containing the
+notice of his death. At lunch to-day the club was busy with him
+and the strange riddle of his fate.
+
+They found his body very early yesterday morning in a deep
+excavation near East Kensington Station. It is one of two shafts
+that have been made in connection with an extension of the railway
+southward. It is protected from the intrusion of the public by a
+hoarding upon the high road, in which a small doorway has been cut
+for the convenience of some of the workmen who live in that
+direction. The doorway was left unfastened through a
+misunderstanding between two gangers, and through it he made his
+way . . . . .
+
+My mind is darkened with questions and riddles.
+
+It would seem he walked all the way from the House that
+night--he has frequently walked home during the past Session--and
+so it is I figure his dark form coming along the late and empty
+streets, wrapped up, intent. And then did the pale electric lights
+near the station cheat the rough planking into a semblance of
+white? Did that fatal unfastened door awaken some memory?
+
+Was there, after all, ever any green door in the wall at all?
+
+I do not know. I have told his story as he told it to me.
+There are times when I believe that Wallace was no more than the
+victim of the coincidence between a rare but not unprecedented type
+of hallucination and a careless trap, but that indeed is not my
+profoundest belief. You may think me superstitious if you will,
+and foolish; but, indeed, I am more than half convinced that he had
+in truth, an abnormal gift, and a sense, something--I know not
+what--that in the guise of wall and door offered him an outlet, a
+secret and peculiar passage of escape into another and altogether
+more beautiful world. At any rate, you will say, it betrayed him
+in the end. But did it betray him? There you touch the inmost
+mystery of these dreamers, these men of vision and the imagination.
+
+We see our world fair and common, the hoarding and the pit. By our
+daylight standard he walked out of security into darkness, danger
+and death. But did he see like that?
+
+
+
+
+THE STAR
+
+
+It was on the first day of the New Year that the announcement
+was made, almost simultaneously from three observatories, that the
+motion of the planet Neptune, the outermost of all the planets
+that wheel about the sun, had become very erratic. Ogilvy had
+already called attention to a suspected retardation in its velocity
+in December. Such a piece of news was scarcely calculated to
+interest a world the greater portion of whose inhabitants were
+unaware of the existence of the planet Neptune, nor outside the
+astronomical profession did the subsequent discovery of a faint
+remote speck of light in the region of the perturbed planet cause
+any very great excitement. Scientific people, however, found the
+intelligence remarkable enough, even before it became known that
+the new body was rapidly growing larger and brighter, that its
+motion was quite different from the orderly progress of the
+planets, and that the deflection of Neptune and its satellite was
+becoming now of an unprecedented kind.
+
+Few people without a training in science can realise the huge
+isolation of the solar system. The sun with its specks of planets,
+its dust of planetoids, and its impalpable comets, swims in a
+vacant immensity that almost defeats the imagination. Beyond the
+orbit of Neptune there is space, vacant so far as human observation
+has penetrated, without warmth or light or sound, blank emptiness,
+for twenty million times a million miles. That is the smallest
+estimate of the distance to be traversed before the very nearest of
+the stars is attained. And, saving a few comets more unsubstantial
+than the thinnest flame, no matter had ever to human knowledge
+crossed this gulf of space, until early in the twentieth century
+this strange wanderer appeared. A vast mass of matter it was,
+bulky, heavy, rushing without warning out of the black mystery of
+the sky into the radiance of the sun. By the second day it was
+clearly visible to any decent instrument, as a speck with a barely
+sensible diameter, in the constellation Leo near Regulus. In a
+little while an opera glass could attain it.
+
+On the third day of the new year the newspaper readers of two
+hemispheres were made aware for the first time of the real
+importance of this unusual apparition in the heavens. "A Planetary
+Collision," one London paper headed the news, and proclaimed
+Duchaine's opinion that this strange new planet would probably
+collide with Neptune. The leader writers enlarged upon the topic;
+so that in most of the capitals of the world, on January 3rd, there
+was an expectation, however vague of some imminent phenomenon in
+the sky; and as the night followed the sunset round the globe,
+thousands of men turned their eyes skyward to see--the old familiar
+stars just as they had always been.
+
+Until it was dawn in London and Pollux setting and the stars
+overhead grown pale. The Winter's dawn it was, a sickly filtering
+accumulation of daylight, and the light of gas and candles shone
+yellow in the windows to show where people were astir. But the
+yawning policeman saw the thing, the busy crowds in the markets
+stopped agape, workmen going to their work betimes, milkmen, the
+drivers of news-carts, dissipation going home jaded and pale,
+homeless wanderers, sentinels on their beats, and in the country,
+labourers trudging afield, poachers slinking home, all over the
+dusky quickening country it could be seen--and out at sea by seamen
+watching for the day--a great white star, come suddenly into the
+westward sky!
+
+Brighter it was than any star in our skies; brighter than the
+evening star at its brightest. It still glowed out white and
+large, no mere twinkling spot of light, but a small round clear
+shining disc, an hour after the day had come. And where science
+has not reached, men stared and feared, telling one another of the
+wars and pestilences that are foreshadowed by these fiery signs in
+the Heavens. Sturdy Boers, dusky Hottentots, Gold Coast Negroes,
+Frenchmen, Spaniards, Portuguese, stood in the warmth of the
+sunrise watching the setting of this strange new star.
+
+And in a hundred observatories there had been suppressed
+excitement, rising almost to shouting pitch, as the two remote
+bodies had rushed together; and a hurrying to and fro, to gather
+photographic apparatus and spectroscope, and this appliance and
+that, to record this novel astonishing sight, the destruction of a
+world. For it was a world, a sister planet of our earth, far
+greater than our earth indeed, that had so suddenly flashed into
+flaming death. Neptune it was, had been struck, fairly and
+squarely, by the strange planet from outer space and the heat of
+the concussion had incontinently turned two solid globes into one
+vast mass of incandescence. Round the world that day, two hours
+before the dawn, went the pallid great white star, fading only as
+it sank westward and the sun mounted above it. Everywhere men
+marvelled at it, but of all those who saw it none could have
+marvelled more than those sailors, habitual watchers of the stars,
+who far away at sea had heard nothing of its advent and saw it now
+rise like a pigmy moon and climb zenithward and hang overhead and
+sink westward with the passing of the night.
+
+And when next it rose over Europe everywhere were crowds of
+watchers on hilly slopes, on house-roofs, in open spaces, staring
+eastward for the rising of the great new star. It rose with a
+white glow in front of it, like the glare of a white fire, and
+those who had seen it come into existence the night before cried
+out at the sight of it. "It is larger," they cried. "It is
+brighter!" And, indeed the moon a quarter full and sinking in the
+west was in its apparent size beyond comparison, but scarcely in
+all its breadth had it as much brightness now as the little circle
+of the strange new star.
+
+"It is brighter!" cried the people clustering in the streets.
+But in the dim observatories the watchers held their breath and
+peered at one another IT IS NEARER," they said. "NEARER!"
+
+And voice after voice repeated, "It is nearer," and the
+clicking telegraph took that up, and it trembled along telephone
+wires, and in a thousand cities grimy compositors fingered the
+type. "It is nearer." Men writing in offices, struck with a
+strange realisation, flung down their pens, men talking in a
+thousand places suddenly came upon a grotesque possibility in
+those words, "It is nearer." It hurried along wakening streets, it
+was shouted down the frost-stilled ways of quiet villages; men who
+had read these things from the throbbing tape stood in yellow-lit
+doorways shouting the news to the passersby. "It is nearer."
+Pretty women, flushed and glittering, heard the news told jestingly
+between the dances, and feigned an intelligent interest they did
+not feel. "Nearer! Indeed. How curious! How very, very clever
+people must be to find out things like that!"
+
+Lonely tramps faring through the wintry night murmured those
+words to comfort themselves--looking skyward. "It has need to be
+nearer, for the night's as cold as charity. Don't seem much warmth
+from it if it IS nearer, all the same."
+
+"What is a new star to me?" cried the weeping woman kneeling
+beside her dead.
+
+The schoolboy, rising early for his examination work, puzzled
+it out for himself--with the great white star shining broad and
+bright through the frost-flowers of his window. "Centrifugal,
+centripetal," he said, with his chin on his fist. "Stop a planet
+in its flight, rob it of its centrifugal force, what then?
+Centripetal has it, and down it falls into the sun! And this--!
+
+"Do WE come in the way? I wonder--"
+
+The light of that day went the way of its brethren, and with
+the later watches of the frosty darkness rose the strange star
+again. And it was now so bright that the waxing moon seemed but a
+pale yellow ghost of itself, hanging huge in the sunset. In a
+South African City a great man had married, and the streets were
+alight to welcome his return with his bride. "Even the skies have
+illuminated," said the flatterer. Under Capricorn, two negro
+lovers, daring the wild beasts and evil spirits, for love of one
+another, crouched together in a cane brake where the fire-flies
+hovered. "That is our star," they whispered, and felt strangely
+comforted by the sweet brilliance of its light.
+
+The master mathematician sat in his private room and pushed
+the papers from him. His calculations were already finished. In
+a small white phial there still remained a little of the drug that
+had kept him awake and active for four long nights. Each day,
+serene, explicit, patient as ever, he had given his lecture to his
+students, and then had come back at once to this momentous
+calculation. His face was grave, a little drawn and hectic from
+his drugged activity. For some time he seemed lost in thought.
+Then he went to the window, and the blind went up with a click.
+Half way up the sky, over the clustering roofs, chimneys and
+steeples of the city, hung the star.
+
+He looked at it as one might look into the eyes of a brave
+enemy. "You may kill me," he said after a silence. "But I can
+hold you--and all the universe for that matter--in the grip of this
+little brain. I would not change. Even now."
+
+He looked at the little phial. "There will be no need of
+sleep again," he said. The next day at noon--punctual to the
+minute, he entered his lecture theatre, put his hat on the end of
+the table as his habit was, and carefully selected a large piece of
+chalk. It was a joke among his students that he could not lecture
+without that piece of chalk to fumble in his fingers, and once he
+had been stricken to impotence by their hiding his supply. He came
+and looked under his grey eyebrows at the rising tiers of young
+fresh faces, and spoke with his accustomed studied commonness of
+phrasing. "Circumstances have arisen--circumstances beyond my
+control," he said and paused, "which will debar me from completing
+the course I had designed. It would seem, gentlemen, if I may put
+the thing clearly and briefly, that--Man has lived in vain."
+
+The students glanced at one another. Had they heard aright?
+Mad? Raised eyebrows and grinning lips there were, but one or two
+faces remained intent upon his calm grey-fringed face. "It will be
+interesting," he was saying, "to devote this morning to an
+exposition, so far as I can make it clear to you, of the
+calculations that have led me to this conclusion. Let us assume--"
+
+He turned towards the blackboard, meditating a diagram in the
+way that was usual to him. "What was that about 'lived in vain?'"
+whispered one student to another. "Listen," said the other,
+nodding towards the lecturer.
+
+And presently they began to understand.
+
+That night the star rose later, for its proper eastward motion
+had carried it some way across Leo towards Virgo, and its
+brightness was so great that the sky became a luminous blue as it
+rose, and every star was hidden in its turn, save only Jupiter near
+the zenith, Capella, Aldebaran, Sirius and the pointers of the
+Bear. It was very white and beautiful. In many parts of the world
+that night a pallid halo encircled it about. It was perceptibly
+larger; in the clear refractive sky of the tropics it seemed as if
+it were nearly a quarter the size of the moon. The frost was still
+on the ground in England, but the world was as brightly lit as if
+it were midsummer moonlight. One could see to read quite ordinary
+print by that cold clear light, and in the cities the lamps burnt
+yellow and wan.
+
+And everywhere the world was awake that night, and throughout
+Christendom a sombre murmur hung in the keen air over the country
+side like the belling of bees in the heather, and this murmurous
+tumult grew to a clangour in the cities. It was the tolling of the
+bells in a million belfry towers and steeples, summoning the people
+to sleep no more, to sin no more, but to gather in their churches
+and pray. And overhead, growing larger and brighter as the earth
+rolled on its way and the night passed, rose the dazzling star.
+
+And the streets and houses were alight in all the cities, the
+shipyards glared, and whatever roads led to high country were lit
+and crowded all night long. And in all the seas about the
+civilised lands, ships with throbbing engines, and ships with
+bellying sails, crowded with men and living creatures, were
+standing out to ocean and the north. For already the warning of
+the master mathematician had been telegraphed all over the world,
+and translated into a hundred tongues. The new planet and Neptune,
+locked in a fiery embrace, were whirling headlong, ever faster and
+faster towards the sun. Already every second this blazing mass
+flew a hundred miles, and every second its terrific velocity
+increased. As it flew now, indeed, it must pass a hundred million
+of miles wide of the earth and scarcely affect it. But near its
+destined path, as yet only slightly perturbed, spun the mighty
+planet Jupiter and his moons sweeping splendid round the sun.
+Every moment now the attraction between the fiery star and the
+greatest of the planets grew stronger. And the result of that
+attraction? Inevitably Jupiter would be deflected from its orbit
+into an elliptical path, and the burning star, swung by his
+attraction wide of its sunward rush, would "describe a curved path"
+and perhaps collide with, and certainly pass very close to, our
+earth. "Earthquakes, volcanic outbreaks, cyclones, sea waves,
+floods, and a steady rise in temperature to I know not what
+limit"--so prophesied the master mathematician.
+
+And overhead, to carry out his words, lonely and cold and
+livid, blazed the star of the coming doom.
+
+To many who stared at it that night until their eyes ached, it
+seemed that it was visibly approaching. And that night, too, the
+weather changed, and the frost that had gripped all Central Europe
+and France and England softened towards a thaw.
+
+But you must not imagine because I have spoken of people
+praying through the night and people going aboard ships and people
+fleeing toward mountainous country that the whole world was already
+in a terror because of the star. As a matter of fact, use and wont
+still ruled the world, and save for the talk of idle moments and
+the splendour of the night, nine human beings out of ten were still
+busy at their common occupations. In all the cities the shops,
+save one here and there, opened and closed at their proper hours,
+the doctor and the undertaker plied their trades, the workers
+gathered in the factories, soldiers drilled, scholars studied,
+lovers sought one another, thieves lurked and fled, politicians
+planned their schemes. The presses of the newspapers roared
+through the night, and many a priest of this church and that would
+not open his holy building to further what he considered a foolish
+panic. The newspapers insisted on the lesson of the year 1000--for
+then, too, people had anticipated the end. The star was no
+star--mere gas--a comet; and were it a star it could not possibly
+strike the earth. There was no precedent for such a thing. Common
+sense was sturdy everywhere, scornful, jesting, a little inclined
+to persecute the
+obdurate fearful. That night, at seven-fifteen by Greenwich time,
+the star would be at its nearest to Jupiter. Then the world would
+see the turn things would take. The master mathematician's grim
+warnings were treated by many as so much mere elaborate
+self-advertisement. Common sense at last, a little heated by
+argument, signified its unalterable convictions by going to bed.
+So, too, barbarism and savagery, already tired of the novelty, went
+about their nightly business, and save for a howling dog here and
+there, the beast world left the star unheeded.
+
+And yet, when at last the watchers in the European States saw
+the star rise, an hour later it is true, but no larger than it had
+been the night before, there were still plenty awake to laugh at
+the master mathematician--to take the danger as if it had passed.
+
+But hereafter the laughter ceased. The star grew--it grew
+with a terrible steadiness hour after hour, a little larger each
+hour, a little nearer the midnight zenith, and brighter and
+brighter, until it had turned night into a second day. Had it come
+straight to the earth instead of in a curved path, had it lost no
+velocity to Jupiter, it must have leapt the intervening gulf in a
+day, but as it was it took five days altogether to come by our
+planet. The next night it had become a third the size of the moon
+before it set to English eyes, and the thaw was assured. It rose
+over America near the size of the moon, but blinding white to look
+at, and HOT; and a breath of hot wind blew now with its
+rising and gathering strength, and in Virginia, and Brazil, and
+down the St. Lawrence valley, it shone intermittently through a
+driving reek of thunder-clouds, flickering violet lightning,
+and hail unprecedented. In Manitoba was a thaw and devastating
+floods. And upon all the mountains of the earth the snow and ice
+began to melt that night, and all the rivers coming out of high
+country flowed thick and turbid, and soon--in their upper reaches
+--with swirling trees and the bodies of beasts and men. They rose
+steadily, steadily in the ghostly brilliance, and came trickling
+over their banks at last, behind the flying population of their
+valleys.
+
+And along the coast of Argentina and up the South Atlantic the
+tides were higher than had ever been in the memory of man, and the
+storms drove the waters in many cases scores of miles inland,
+drowning whole cities. And so great grew the heat during the night
+that the rising of the sun was like the coming of a shadow. The
+earthquakes began and grew until all down America from the Arctic
+Circle to Cape Horn, hillsides were sliding, fissures were opening,
+and houses and walls crumbling to destruction. The whole side of
+Cotopaxi slipped out in one vast convulsion, and a tumult of lava
+poured out so high and broad and swift and liquid that in one day
+it reached the sea.
+
+So the star, with the wan moon in its wake, marched across the
+Pacific, trailed the thunderstorms like the hem of a robe, and the
+growing tidal wave that toiled behind it, frothing and eager,
+poured over island and island and swept them clear of men. Until
+that wave came at last--in a blinding light and with the breath of
+a furnace, swift and terrible it came--a wall of water, fifty feet
+high, roaring hungrily, upon the long coasts of Asia, and swept
+inland across the plains of China. For a space the star, hotter
+now and larger and brighter than the sun in its strength, showed
+with pitiless brilliance the wide and populous country; towns and
+villages with their pagodas and trees, roads, wide cultivated
+fields, millions of sleepless people staring in helpless terror at
+the incandescent sky; and then, low and growing, came the murmur of
+the flood. And thus it was with millions of men that night--a
+flight nowhither, with limbs heavy with heat and breath fierce and
+scant, and the flood like a wall swift and white behind. And then
+death.
+
+China was lit glowing white, but over Japan and Java and all
+the islands of Eastern Asia the great star was a ball of dull red
+fire because of the steam and smoke and ashes the volcanoes were
+spouting forth to salute its coming. Above was the lava, hot gases
+and ash, and below the seething floods, and the whole earth swayed
+and rumbled with the earthquake shocks. Soon the immemorial snows
+of Thibet and the Himalaya were melting and pouring down by ten
+million deepening converging channels upon the plains of Burmah and
+Hindostan. The tangled summits of the Indian jungles were aflame
+in a thousand places, and below the hurrying waters around the
+stems were dark objects that still struggled feebly and reflected
+the blood-red tongues of fire. And in a rudderless confusion a
+multitude of men and women fled down the broad river-ways to that
+one last hope of men--the open sea.
+
+Larger grew the star, and larger, hotter, and brighter with a
+terrible swiftness now. The tropical ocean had lost its
+phosphorescence, and the whirling steam rose in ghostly wreaths
+from the black waves that plunged incessantly, speckled with
+storm-tossed ships.
+
+And then came a wonder. It seemed to those who in Europe
+watched for the rising of the star that the world must have ceased
+its rotation. In a thousand open spaces of down and upland the
+people who had fled thither from the floods and the falling houses
+and sliding slopes of hill watched for that rising in vain. Hour
+followed hour through a terrible suspense, and the star rose not.
+Once again men set their eyes upon the old constellations they had
+counted lost to them forever. In England it was hot and clear
+overhead, though the ground quivered perpetually, but in the
+tropics, Sirius and Capella and Aldebaran showed through a veil of
+steam. And when at last the great star rose near ten hours late,
+the sun rose close upon it, and in the centre of its white heart
+was a disc of black.
+
+Over Asia it was the star had begun to fall behind the
+movement of the sky, and then suddenly, as it hung over India, its
+light had been veiled. All the plain of India from the mouth of
+the Indus to the mouths of the Ganges was a shallow waste of
+shining water that night, out of which rose temples and palaces,
+mounds and hills, black with people. Every minaret was a
+clustering mass of people, who fell one by one into the turbid
+waters, as heat and terror overcame them. The whole land seemed
+a-wailing and suddenly there swept a shadow across that furnace of
+despair, and a breath of cold wind, and a gathering of clouds, out
+of the cooling air. Men looking up, near blinded, at the star, saw
+that a black disc was creeping across the light. It was the moon,
+coming between the star and the earth. And even as men cried to
+God at this respite, out of the East with a strange inexplicable
+swiftness sprang the sun. And then star, sun and moon rushed
+together across the heavens.
+
+So it was that presently, to the European watchers, star and
+sun rose close upon each other, drove headlong for a space and then
+slower, and at last came to rest, star and sun merged into one
+glare of flame at the zenith of the sky. The moon no longer
+eclipsed the star but was lost to sight in the brilliance of the
+sky. And though those who were still alive regarded it for the
+most part with that dull stupidity that hunger, fatigue, heat and
+despair engender, there were still men who could perceive the
+meaning of these signs. Star and earth had been at their nearest,
+had swung about one another, and the star had passed. Already it
+was receding, swifter and swifter, in the last stage of its
+headlong journey downward into the sun.
+
+And then the clouds gathered, blotting out the vision of the
+sky, the thunder and lightning wove a garment round the world; all
+over the earth was such a downpour of rain as men had never before
+seen, and where the volcanoes flared red against the cloud canopy
+there descended torrents of mud. Everywhere the waters were
+pouring off the land, leaving mud-silted ruins, and the earth
+littered like a storm-worn beach with all that had floated, and the
+dead bodies of the men and brutes, its children. For days the
+water streamed off the land, sweeping away soil and trees and
+houses in the way, and piling huge dykes and scooping out Titanic
+gullies
+over the country side. Those were the days of darkness that
+followed the
+star and the heat. All through them, and for many weeks and
+months, the
+earthquakes continued.
+
+But the star had passed, and men, hunger-driven and gathering
+courage only slowly, might creep back to their ruined cities,
+buried granaries, and sodden fields. Such few ships as had escaped
+the storms of that time came stunned and shattered and sounding
+their way cautiously through the new marks and shoals of once
+familiar ports. And as the storms subsided men perceived that
+everywhere the days were hotter than of yore, and the sun larger,
+and the moon, shrunk to a third of its former size, took now
+fourscore days between its new and new.
+
+But of the new brotherhood that grew presently among men, of
+the saving of laws and books and machines, of the strange change
+that had come over Iceland and Greenland and the shores of Baffin's
+Bay, so that the sailors coming there presently found them green
+and gracious, and could scarce believe their eyes, this story does
+not tell. Nor of the movement of mankind now that the earth was
+hotter, northward and southward towards the poles of the earth. It
+concerns itself only with the coming and the passing of the Star.
+
+The Martian astronomers--for there are astronomers on Mars,
+although they are very different beings from men--were naturally
+profoundly interested by these things. They saw them from their
+own standpoint of course. "Considering the mass and temperature of
+the missile that was flung through our solar system into the sun,"
+one wrote, "it is astonishing what a little damage the earth, which
+it missed so narrowly, has sustained. All the familiar continental
+markings and the masses of the seas remain intact, and indeed the
+only difference seems to be a shrinkage of the white discoloration
+(supposed to be frozen water) round either pole." Which only shows
+how small the vastest of human catastrophes may seem, at a distance
+of a few million miles.
+
+
+
+
+A DREAM OF ARMAGEDDON
+
+The man with the white face entered the carriage at Rugby. He
+moved slowly in spite of the urgency of his porter, and even while
+he was still on the platform I noted how ill he seemed. He dropped
+into the corner over against me with a sigh, made an incomplete
+attempt to arrange his travelling shawl, and became motionless,
+with his eyes staring vacantly. Presently he was moved by a sense
+of my observation, looked up at me, and put out a spiritless hand
+for his newspaper. Then he glanced again in my direction.
+
+I feigned to read. I feared I had unwittingly embarrassed
+him, and in a moment I was surprised to find him speaking.
+
+"I beg your pardon?" said I.
+
+"That book," he repeated, pointing a lean finger, "is about
+dreams."
+
+"Obviously," I answered, for it was Fortnum Roscoe's Dream
+States, and the title was on the cover.
+
+He hung silent for a space as if he sought words. "Yes," he
+said at last, "but they tell you nothing."
+
+I did not catch his meaning for a second.
+
+"They don't know," he added.
+
+I looked a little more attentively at his face.
+
+"There are dreams," he said, "and dreams."
+
+That sort of proposition I never dispute.
+
+"I suppose--" he hesitated. "Do you ever dream? I mean
+vividly."
+
+"I dream very little," I answered. "I doubt if I have three
+vivid dreams in a year."
+
+"Ah!" he said, and seemed for a moment to collect his
+thoughts.
+
+"Your dreams don't mix with your memories?" he asked abruptly.
+
+"You don't find yourself in doubt; did this happen or did it not?"
+
+"Hardly ever. Except just for a momentary hesitation now and
+then. I suppose few people do."
+
+"Does he say--?" He indicated the book.
+
+"Says it happens at times and gives the usual explanation
+about intensity of impression and the like to account for its not
+happening as a rule. I suppose you know something of these
+theories--"
+
+"Very little--except that they are wrong."
+
+His emaciated hand played with the strap of the window for a
+time. I prepared to resume reading, and that seemed to precipitate
+his next remark. He leant forward almost as though he would touch
+me.
+
+"Isn't there something called consecutive dreaming--that goes
+on night after night?"
+
+"I believe there is. There are cases given in most books on
+mental trouble."
+
+"Mental trouble! Yes. I daresay there are. It's the right
+place for them. But what I mean--" He looked at his bony
+knuckles. "Is that sort of thing always dreaming? Is it dreaming?
+
+Or is it something else? Mightn't it be something else?"
+
+I should have snubbed his persistent conversation but for the
+drawn anxiety of his face. I remember now the look of his faded
+eyes and the lids red stained--perhaps you know that look.
+
+"I'm not just arguing about a matter of opinion," he said.
+"The thing's killing me."
+
+"Dreams?"
+
+"If you call them dreams. Night after night. Vivid!--so
+vivid . . . . this--" (he indicated the landscape that went
+streaming by the window) "seems unreal in comparison! I can
+scarcely remember who I am, what business I am on . . . ."
+
+He paused. "Even now--"
+
+"The dream is always the same--do you mean?" I asked.
+
+"It's over."
+
+"You mean?"
+
+"I died."
+
+"Died?"
+
+"Smashed and killed, and now, so much of me as that dream was,
+is dead. Dead forever. I dreamt I was another man, you know,
+living in a different part of the world and in a different time.
+I dreamt that night after night. Night after night I woke into
+that other life. Fresh scenes and fresh happenings--until I came
+upon the last--"
+
+"When you died?"
+
+"When I died."
+
+"And since then--"
+
+"No," he said. "Thank God! That was the end of the dream .
+. . "
+
+It was clear I was in for this dream. And after all, I had an
+hour before me, the light was fading fast, and Fortnum Roscoe has
+a dreary way with him. "Living in a different time," I said: "do
+you mean in some different age?"
+
+"Yes."
+
+"Past?"
+
+"No, to come--to come."
+
+"The year three thousand, for example?"
+
+"I don't know what year it was. I did when I was asleep, when
+I was dreaming, that is, but not now--not now that I am awake.
+There's a lot of things I have forgotten since I woke out of these
+dreams, though I knew them at the time when I was--I suppose it was
+dreaming. They called the year differently from our way of calling
+the year . . . What did they call it?" He put his hand to his
+forehead. "No," said he, "I forget."
+
+He sat smiling weakly. For a moment I feared he did not mean
+to tell me his dream. As a rule I hate people who tell their
+dreams, but this struck me differently. I proffered assistance
+even. "It began--" I suggested.
+
+"It was vivid from the first. I seemed to wake up in it
+suddenly. And it's curious that in these dreams I am speaking of
+I never remembered this life I am living now. It seemed as if the
+dream life was enough while it lasted. Perhaps--But I will tell
+you how I find myself when I do my best to recall it all. I don't
+remember anything clearly until I found myself sitting in a sort of
+loggia looking out over the sea. I had been dozing, and suddenly
+I woke up--fresh and vivid--not a bit dreamlike--because the girl
+had stopped fanning me."
+
+"The girl?"
+
+"Yes, the girl. You must not interrupt or you will put me
+out."
+
+He stopped abruptly. "You won't think I'm mad?" he said.
+
+"No," I answered. "You've been dreaming. Tell me your
+dream."
+
+"I woke up, I say, because the girl had stopped fanning me.
+I was not surprised to find myself there or anything of that sort,
+you understand. I did not feel I had fallen into it suddenly. I
+simply took it up at that point. Whatever memory I had of this
+life, this nineteenth-century life, faded as I woke, vanished like
+a dream. I knew all about myself, knew that my name was no longer
+Cooper but Hedon, and all about my position in the world. I've
+forgotten a lot since I woke--there's a want of connection--but it
+was all quite clear and matter of fact then."
+
+He hesitated again, gripping the window strap, putting his
+face forward and looking up to me appealingly.
+
+"This seems bosh to you?"
+
+"No, no!" I cried. "Go on. Tell me what this loggia was
+like!"
+
+"It was not really a loggia--I don't know what to call it. It
+faced south. It was small. It was all in shadow except the
+semicircle above the balcony that showed the sky and sea and the
+corner where the girl stood. I was on a couch--it was a metal
+couch with light striped cushions--and the girl was leaning over
+the balcony with her back to me. The light of the sunrise fell on
+her ear and cheek. Her pretty white neck and the little curls
+that nestled there, and her white shoulder were in the sun, and all
+the grace of her body was in the cool blue shadow. She was dressed
+--how can I describe it? It was easy and flowing. And altogether
+there she stood, so that it came to me how beautiful and desirable
+she was, as though I had never seen her before. And when at last
+I sighed and raised myself upon my arm she turned her face to me--"
+
+He stopped.
+
+"I have lived three-and-fifty years in this world. I have had
+mother, sisters, friends, wife and daughters--all their faces, the
+play of their faces, I know. But the face of this girl--it is much
+more real to me. I can bring it back into memory so that I see it
+again--I could draw it or paint it. And after all--"
+
+He stopped--but I said nothing.
+
+"The face of a dream--the face of a dream. She was beautiful.
+
+Not that beauty which is terrible, cold, and worshipful, like the
+beauty of a saint; nor that beauty that stirs fierce passions; but
+a sort of radiation, sweet lips that softened into smiles, and
+grave gray eyes. And she moved gracefully, she seemed to have part
+with all pleasant and gracious things--"
+
+He stopped, and his face was downcast and hidden. Then he
+looked up at me and went on, making no further attempt to disguise
+his absolute belief in the reality of his story.
+
+"You see, I had thrown up my plans and ambitions, thrown up
+all I had ever worked for or desired for her sake. I had been a
+master man away there in the north, with influence and property and
+a great reputation, but none of it had seemed worth having beside
+her. I had come to the place, this city of sunny pleasures with
+her, and left all those things to wreck and ruin just to save a
+remnant at least of my life. While I had been in love with her
+before I knew that she had any care for me, before I had imagined
+that she would dare--that we should dare, all my life had seemed
+vain and hollow, dust and ashes. It was dust and ashes. Night
+after night and through the long days I had longed and desired--my
+soul had beaten against the thing forbidden!
+
+"But it is impossible for one man to tell another just these
+things. It's emotion, it's a tint, a light that comes and goes.
+Only while it's there, everything changes, everything. The thing
+is I came away and left them in their Crisis to do what they
+could."
+
+"Left whom?" I asked, puzzled.
+
+"The people up in the north there. You see--in this dream,
+anyhow--I had been a big man, the sort of man men come to trust in,
+to group themselves about. Millions of men who had never seen me
+were ready to do things and risk things because of their confidence
+in me. I had been playing that game for years, that big laborious
+game, that vague, monstrous political game amidst intrigues and
+betrayals, speech and agitation. It was a vast weltering world,
+and at last I had a sort of leadership against the Gang--you know
+it was called the Gang--a sort of compromise of scoundrelly
+projects and base ambitions and vast public emotional stupidities
+and catch-words--the Gang that kept the world noisy and blind year
+by year, and all the while that it was drifting, drifting towards
+infinite disaster. But I can't expect you to understand the shades
+and complications of the year--the year something or other ahead.
+I had it all--down to the smallest details--in my dream. I suppose
+I had been dreaming of it before I awoke, and the fading outline of
+some queer new development I had imagined still hung about me as I
+rubbed my eyes. It was some grubby affair that made me thank God
+for the sunlight. I sat up on the couch and remained looking at
+the woman and rejoicing--rejoicing that I had come away out of all
+that tumult and folly and violence before it was too late. After
+all, I thought, this is life--love and beauty, desire and delight,
+are they not worth all those dismal struggles for vague, gigantic
+ends? And I blamed myself for having ever sought to be a leader
+when I might have given my days to love. But then, thought I, if
+I had not spent my early days sternly and austerely, I might have
+wasted myself upon vain and worthless women, and at the thought all
+my being went out in love and tenderness to my dear mistress, my
+dear lady, who had come at last and compelled me--compelled me by
+her invincible charm for me--to lay that life aside.
+
+"'You are worth it,' I said, speaking without intending her to
+hear; 'you are worth it, my dearest one; worth pride and praise and
+all things. Love! to have you is worth them all together." And at
+the murmur of my voice she turned about.
+
+"'Come and see,' she cried--I can hear her now--'come and see
+the sunrise upon Monte Solaro.'
+
+"I remember how I sprang to my feet and joined her at the
+balcony. She put a white hand upon my shoulder and pointed towards
+great masses of limestone, flushing, as it were, into life. I
+looked. But first I noted the sunlight on her face caressing the
+lines of her cheeks and neck. How can I describe to you the scene
+we had before us? We were at Capri--"
+
+"I have been there," I said. "I have clambered up Monte
+Solaro and drunk vero Capri--muddy stuff like cider--at the
+summit."
+
+"Ah!" said the man with the white face; "then perhaps you can
+tell me--you will know if this is indeed Capri. For in this life
+I have never been there. Let me describe it. We were in a little
+room, one of a vast multitude of little rooms, very cool and sunny,
+hollowed out of the limestone of a sort of cape, very high above
+the sea. The whole island, you know, was one enormous hotel,
+complex beyond explaining, and on the other side there were miles
+of floating hotels, and huge floating stages to which the flying
+machines came. They called it a pleasure city. Of course, there
+was none of that in your time--rather, I should say, is none of
+that now. Of course. Now!--yes.
+
+"Well, this room of ours was at the extremity of the cape, so
+that one could see east and west. Eastward was a great cliff--a
+thousand feet high perhaps--coldly gray except for one bright edge
+of gold, and beyond it the Isle of the Sirens, and a falling coast
+that faded and passed into the hot sunrise. And when one turned to
+the west, distinct and near was a little bay, a little beach still
+in shadow. And out of that shadow rose Solaro straight and tall,
+flushed and golden crested, like a beauty throned, and the white
+moon was floating behind her in the sky. And before us from east
+to west stretched the many-tinted sea all dotted with little
+sailing boats.
+
+"To the eastward, of course, these little boats were gray and
+very minute and clear, but to the westward they were little boats
+of gold--shining gold--almost like little flames. And just below
+us was a rock with an arch worn through it. The blue sea-water
+broke to green and foam all round the rock, and a galley came
+gliding out of the arch."
+
+"I know that rock." I said. "I was nearly drowned there. It
+is called the Faraglioni."
+
+"I Faraglioni? Yes, she called it that," answered the man
+with the white face. "There was some story--but that--"
+
+He put his hand to his forehead again. " No," he said, "I
+forget that story."
+
+"Well, that is the first thing I remember, the first dream I
+had, that little shaded room and the beautiful air and sky and that
+dear lady of mine, with her shining arms and her graceful robe, and
+how we sat and talked in half whispers to one another. We talked
+in whispers not because there was any one to hear, but because
+there was still such a freshness of mind between us that our
+thoughts were a little frightened, I think, to find themselves at
+last in words. And so they went softly.
+
+"Presently we were hungry and we went from our apartment,
+going by a strange passage with a moving floor, until we came to
+the great breakfast room--there was a fountain and music. A
+pleasant and joyful place it was, with its sunlight and splashing,
+and the murmur of plucked strings. And we sat and ate and smiled
+at one another, and I would not heed a man who was watching me from
+a table near by.
+
+"And afterwards we went on to the dancing-hall. But I cannot
+describe that hall. The place was enormous--larger than any
+building you have ever seen--and in one place there was the old
+gate of Capri, caught into the wall of a gallery high overhead.
+Light girders, stems and threads of gold, burst from the pillars
+like fountains, streamed like an Aurora across the roof and
+interlaced, like--like conjuring tricks. All about the great
+circle for the dancers there were beautiful figures, strange
+dragons, and intricate and wonderful grotesques bearing lights.
+The place was inundated with artificial light that shamed the
+newborn day. And as we went through the throng the people turned
+about and looked at us, for all through the world my name and face
+were known, and how I had suddenly thrown up pride and struggle to
+come to this place. And they looked also at the lady beside me,
+though half the story of how at last she had come to me was unknown
+or mistold. And few of the men who were there, I know, but judged
+me a happy man, in spite of all the shame and dishonour that had
+come upon my name.
+
+"The air was full of music, full of harmonious scents, full of
+the rhythm of beautiful motions. Thousands of beautiful people
+swarmed about the hall, crowded the galleries, sat in a myriad
+recesses; they were dressed in splendid colours and crowned with
+flowers; thousands danced about the great circle beneath the white
+images of the ancient gods, and glorious processions of youths and
+maidens came and went. We two danced, not the dreary monotonies of
+your days--of this time, I mean--but dances that were beautiful,
+intoxicating. And even now I can see my lady dancing--dancing
+joyously. She danced, you know, with a serious face; she danced
+with a serious dignity, and yet she was smiling at me and caressing
+me--smiling and caressing with her eyes.
+
+"The music was different," he murmured. "It went--I cannot
+describe it; but it was infinitely richer and more varied than any
+music that has ever come to me awake.
+
+"And then--it was when we had done dancing--a man came to
+speak to me. He was a lean, resolute man, very soberly clad for
+that place, and already I had marked his face watching me in the
+breakfasting hall, and afterwards as we went along the passage I
+had avoided his eye. But now, as we sat in a little alcove,
+smiling at the pleasure of all the people who went to and fro
+across the shining floor, he came and touched me, and spoke to me
+so that I was forced to listen. And he asked that he might speak
+to me for a little time apart.
+
+"'No,' I said. 'I have no secrets from this lady. What do
+you want to tell me?'
+
+"He said it was a trivial matter, or at least a dry matter,
+for a lady to hear.
+
+"'Perhaps for me to hear,' said I.
+
+"He glanced at her, as though almost he would appeal to her.
+Then he asked me suddenly if I had heard of a great and avenging
+declaration that Evesham had made? Now, Evesham had always before
+been the man next to myself in the leadership of that great party
+in the north. He was a forcible, hard, and tactless man, and only
+I had been able to control and soften him. It was on his account
+even more than my own, I think, that the others had been so
+dismayed at my retreat. So this question about what he had done
+reawakened my old interest in the life I had put aside just for
+a moment.
+
+"'I have taken no heed of any news for many days,' I said.
+'What has Evesham been saying?'
+
+"And with that the man began, nothing loth, and I must confess
+even I was struck by Evesham's reckless folly in the wild and
+threatening words he had used. And this messenger they had sent to
+me not only told me of Evesham's speech, but went on to ask counsel
+and to point out what need they had of me. While he talked, my
+lady sat a little forward and watched his face and mine.
+
+"My old habits of scheming and organising reasserted
+themselves. I could even see myself suddenly returning to the
+north, and all the dramatic effect of it. All that this man said
+witnessed to the disorder of the party indeed, but not to its
+damage. I should go back stronger than I had come. And then I
+thought of my lady. You see--how can I tell you? There were
+certain peculiarities of our relationship--as things are I need not
+tell you about that--which would render her presence with me
+impossible. I should have had to leave her; indeed, I should have
+had to renounce her clearly and openly, if I was to do all that I
+could do in the north. And the man knew that, even as he talked to
+her and me, knew it as well as she did, that my steps to duty
+were--first, separation, then abandonment. At the touch of that
+thought my dream of a return was shattered. I turned on the man
+suddenly, as he was imagining his eloquence was gaining ground with
+me.
+
+"'What have I to do with these things now?' I said. 'I have
+done with them. Do you think I am coquetting with your people in
+coming here?'
+
+"'No,' he said. 'But--'
+
+"'Why cannot you leave me alone. I have done with these
+things. I have ceased to be anything but a private man.'
+
+"'Yes,' he answered. 'But have you thought?--this talk of
+war, these reckless challenges, these wild aggressions--'
+
+"I stood up.
+
+"'No,' I cried. 'I won't hear you. I took count of all those
+things, I weighed them--and I have come away.'
+
+"He seemed to consider the possibility of persistence. He
+looked from me to where the lady sat regarding us.
+
+"'War,' he said, as if he were speaking to himself, and then
+turned slowly from me and walked away.
+
+"I stood, caught in the whirl of thoughts his appeal had set
+going.
+
+"I heard my lady's voice.
+
+"'Dear,' she said; 'but if they had need of you--'
+
+"She did not finish her sentence, she let it rest there. I
+turned to her sweet face, and the balance of my mood swayed and
+reeled.
+
+"'They want me only to do the thing they dare not do
+themselves,' I said. 'If they distrust Evesham they must settle
+with him themselves.'
+
+"She looked at me doubtfully.
+
+"'But war--' she said.
+
+"I saw a doubt on her face that I had seen before, a doubt of
+herself and me, the first shadow of the discovery that, seen
+strongly and completely, must drive us apart for ever.
+
+"Now, I was an older mind than hers, and I could sway her to
+this belief or that.
+
+"'My dear one,' I said, 'you must not trouble over these
+things. There will be no war. Certainly there will be no war.
+The age of wars is past. Trust me to know the justice of this
+case. They have no right upon me, dearest, and no one has a right
+upon me. I have been free to choose my life, and I have chosen
+this.'
+
+"'But war--,' she said.
+
+"I sat down beside her. I put an arm behind her and took her
+hand in mine. I set myself to drive that doubt away--I set myself
+to fill her mind with pleasant things again. I lied to her, and in
+lying to her I lied also to myself. And she was only too ready to
+believe me, only too ready to forget.
+
+"Very soon the shadow had gone again, and we were hastening to
+our bathing-place in the Grotta del Bovo Marino, where it was our
+custom to bathe every day. We swam and splashed one another, and
+in that buoyant water I seemed to become something lighter and
+stronger than a man. And at last we came out dripping and
+rejoicing and raced among the rocks. And then I put on a dry
+bathing-dress, and we sat to bask in the sun, and presently I
+nodded, resting my head against her knee, and she put her hand upon
+my hair and stroked it softly and I dozed. And behold! as it
+were with the snapping of the string of a violin, I was awakening,
+and I was in my own bed in Liverpool, in the life of to-day.
+
+"Only for a time I could not believe that all these vivid
+moments had been no more than the substance of a dream.
+
+"In truth, I could not believe it a dream for all the sobering
+reality of things about me. I bathed and dressed as it were by
+habit, and as I shaved I argued why I of all men should leave the
+woman I loved to go back to fantastic politics in the hard and
+strenuous north. Even if Evesham did force the world back to war,
+what was that to me? I was a man with the heart of a man, and why
+should I feel the responsibility of a deity for the way the world
+might go?
+
+"You know that is not quite the way I think about affairs,
+about my real affairs. I am a solicitor, you know, with a point of
+view.
+
+"The vision was so real, you must understand, so utterly
+unlike a dream that I kept perpetually recalling little irrelevant
+details; even the ornament of the book-cover that lay on my wife's
+sewing-machine in the breakfast-room recalled with the utmost
+vividness the gilt line that ran about the seat in the alcove where
+I had talked with the messenger from my deserted party. Have you
+ever heard of a dream that had a quality like that?"
+
+"Like--?"
+
+"So that afterwards you remembered little details you had
+forgotten."
+
+I thought. I had never noticed the point before, but he was
+right.
+
+"Never," I said. "That is what you never seem to do with
+dreams."
+
+"No," he answered. "But that is just what I did. I am a
+solicitor, you must understand, in Liverpool, and I could not help
+wondering what the clients and business people I found myself
+talking to in my office would think if I told them suddenly I was
+in love with a girl who would be born a couple of hundred years or
+so hence, and worried about the politics of my great-great-great-
+grandchildren. I was chiefly busy that day negotiating a
+ninety-nine-year building lease. It was a private builder in a
+hurry, and we wanted to tie him in every possible way. I had an
+interview with him, and he showed a certain want of temper that
+sent me to bed still irritated. That night I had no dream. Nor
+did I dream the next night, at least, to remember.
+
+"Something of that intense reality of conviction vanished. I
+began to feel sure it was a dream. And then it came again.
+
+"When the dream came again, nearly four days later, it was
+very different. I think it certain that four days had also elapsed
+in the dream. Many things had happened in the north, and the
+shadow of them was back again between us, and this time it was not
+so easily dispelled. I began I know with moody musings. Why, in
+spite of all, should I go back, go back for all the rest of my days
+to toil and stress, insults and perpetual dissatisfaction, simply
+to save hundreds of millions of common people, whom I did not love,
+whom too often I could do no other than despise, from the stress
+and anguish of war and infinite misrule? And after all I might
+fail. They all sought their own narrow ends, and why should not
+I--why should not I also live as a man? And out of such thoughts
+her voice summoned me, and I lifted my eyes.
+
+I found myself awake and walking. We had come out above the
+Pleasure City, we were near the summit of Monte Solaro and looking
+towards the bay. It was the late afternoon and very clear. Far
+away to the left Ischia hung in a golden haze between sea and sky,
+and Naples was coldly white against the hills, and before us was
+Vesuvius with a tall and slender streamer feathering at last
+towards the south, and the ruins of Torre dell' Annunziata and
+Castellammare glittering and near."
+
+I interrupted suddenly: "You have been to Capri, of course?"
+
+"Only in this dream," he said, "only in this dream. All
+across the bay beyond Sorrento were the floating palaces of the
+Pleasure City moored and chained. And northward were the broad
+floating stages that received the aeroplanes. Aeroplanes fell out
+of the sky every afternoon, each bringing its thousands of
+pleasure-seekers from the uttermost parts of the earth to Capri and
+its delights. All these things, I say, stretched below.
+
+"But we noticed them only incidentally because of an unusual
+sight that evening had to show. Five war aeroplanes that had long
+slumbered useless in the distant arsenals of the Rhinemouth were
+manoeuvring now in the eastward sky. Evesham had astonished the
+world by producing them and others, and sending them to circle here
+and there. It was the threat material in the great game of bluff
+he was playing, and it had taken even me by surprise. He was one
+of those incredibly stupid energetic people who seem sent by heaven
+to create disasters. His energy to the first glance seemed so
+wonderfully like capacity! But he had no imagination, no
+invention, only a stupid, vast, driving force of will, and a mad
+faith in his stupid idiot 'luck' to pull him through. I remember
+how we stood upon the headland watching the squadron circling far
+away, and how I weighed the full meaning of the sight, seeing
+clearly the way things must go. And then even it was not too late.
+
+I might have gone back, I think, and saved the world. The people
+of the north would follow me, I knew, granted only that in one
+thing I respected their moral standards. The east and south would
+trust me as they would trust no other northern man. And I knew
+I had only to put it to her and she would have let me go . . . .
+Not because she did not love me!
+
+"Only I did not want to go; my will was all the other way
+about. I had so newly thrown off the incubus of responsibility: I
+was still so fresh a renegade from duty that the daylight clearness
+of what I ought to do had no power at all to touch my will. My
+will was to live, to gather pleasures and make my dear lady happy.
+But though this sense of vast neglected duties had no power to draw
+me, it could make me silent and preoccupied, it robbed the days I
+had spent of half their brightness and roused me into dark
+meditations in the silence of the night. And as I stood and
+watched Evesham's aeroplanes sweep to and fro--those birds of
+infinite ill omen--she stood beside me watching me, perceiving the
+trouble indeed, but not perceiving it clearly--her eyes questioning
+my face, her expression shaded with perplexity. Her face was gray
+because the sunset was fading out of the sky. It was no fault of
+hers that she held me. She had asked me to go from her, and again
+in the night time and with tears she had asked me to go.
+
+"At last it was the sense of her that roused me from my mood.
+I turned upon her suddenly and challenged her to race down the
+mountain slopes. 'No,' she said, as if I had jarred with her
+gravity, but I was resolved to end that gravity, and make her
+run--no one can be very gray and sad who is out of breath--and when
+she stumbled I ran with my hand beneath her arm. We ran down past
+a couple of men, who turned back staring in astonishment at my
+behaviour--they must have recognised my face. And half way down
+the slope came a tumult in the air, clang-clank, clang-clank, and
+we stopped, and presently over the hill-crest those war things came
+flying one behind the other."
+
+The man seemed hesitating on the verge of a description.
+
+"What were they like?" I asked.
+
+"They had never fought," he said. "They were just like our
+ironclads are nowadays; they had never fought. No one knew what
+they might do, with excited men inside them; few even cared to
+speculate. They were great driving things shaped like spear-heads
+without a shaft, with a propeller in the place of the shaft."
+
+"Steel?"
+
+"Not steel."
+
+"Aluminum?"
+
+"No, no, nothing of that sort. An alloy that was very
+common--as common as brass, for example. It was called--let me
+see--" He squeezed his forehead with the fingers of one hand. "I
+am forgetting everything," he said.
+
+"And they carried guns?"
+
+"Little guns, firing high explosive shells. They fired the
+guns backwards, out of the base of the leaf, so to speak, and
+rammed with the beak. That was the theory, you know, but they had
+never been fought. No one could tell exactly what was going to
+happen. And meanwhile I suppose it was very fine to go whirling
+through the air like a flight of young swallows, swift and easy.
+I guess the captains tried not to think too clearly what the real
+thing would be like. And these flying war machines, you know, were
+only one sort of the endless war contrivances that had been
+invented and had fallen into abeyance during the long peace. There
+were all sorts of these things that people were routing out and
+furbishing up; infernal things, silly things; things that had never
+been tried; big engines, terrible explosives, great guns. You know
+the silly way of these ingenious sort of men who make these things;
+they turn 'em out as beavers build dams, and with no more sense of
+the rivers they're going to divert and the lands they're going to
+flood!
+
+"As we went down the winding stepway to our hotel again, in
+the twilight, I foresaw it all: I saw how clearly and inevitably
+things were driving for war in Evesham's silly, violent hands, and
+I had some inkling of what war was bound to be under these new
+conditions. And even then, though I knew it was drawing near the
+limit of my opportunity, I could find no will to go back."
+
+He sighed.
+
+"That was my last chance.
+
+"We didn't go into the city until the sky was full of stars,
+so we walked out upon the high terrace, to and fro, and--she
+counselled me to go back.
+
+"'My dearest,' she said, and her sweet face looked up to me,
+'this is Death. This life you lead is Death. Go back to them, go
+back to your duty--'
+
+"She began to weep, saying, between her sobs, and clinging to
+my arm as she said it, 'Go back--Go back.'
+
+"Then suddenly she fell mute, and, glancing down at her face,
+I read in an instant the thing she had thought to do. It was one
+of those moments when one sees.
+
+"'No!' I said.
+
+"'No?' she asked, in surprise and I think a little fearful at
+the answer to her thought.
+
+"'Nothing,' I said, 'shall send me back. Nothing! I have
+chosen. Love, I have chosen, and the world must go. Whatever
+happens I will live this life--I will live for you! It--nothing
+shall turn me aside; nothing, my dear one. Even if you died--even
+if you died--'
+
+"'Yes?' she murmured, softly.
+
+"'Then--I also would die.'
+
+"And before she could speak again I began to talk, talking
+eloquently--as I could do in that life--talking to exalt love, to
+make the life we were living seem heroic and glorious; and the
+thing I was deserting something hard and enormously ignoble that it
+was a fine thing to set aside. I bent all my mind to throw that
+glamour upon it, seeking not only to convert her but myself to
+that. We talked, and she clung to me, torn too between all that
+she deemed noble and all that she knew was sweet. And at last I
+did make it heroic, made all the thickening disaster of the world
+only a sort of glorious setting to our unparalleled love, and we
+two poor foolish souls strutted there at last, clad in that
+splendid delusion, drunken rather with that glorious delusion,
+under the still stars.
+
+"And so my moment passed.
+
+"It was my last chance. Even as we went to and fro there, the
+leaders of the south and east were gathering their resolve, and the
+hot answer that shattered Evesham's bluffing for ever, took shape
+and waited. And, all over Asia, and the ocean, and the South, the
+air and the wires were throbbing with their warnings to prepare
+--prepare.
+
+"No one living, you know, knew what war was; no one could
+imagine, with all these new inventions, what horror war might
+bring. I believe most people still believed it would be a matter
+of bright uniforms and shouting charges and triumphs and flags and
+bands--in a time when half the world drew its food supply from
+regions ten thousand miles away--"
+
+The man with the white face paused. I glanced at him, and his
+face was intent on the floor of the carriage. A little railway
+station, a string of loaded trucks, a signal-box, and the back of
+a cottage, shot by the carriage window, and a bridge passed with a
+clap of noise, echoing the tumult of the train.
+
+"After that," he said, "I dreamt often. For three weeks of
+nights that dream was my life. And the worst of it was there were
+nights when I could not dream, when I lay tossing on a bed in this
+accursed life; and there--somewhere lost to me--things were
+happening--momentous, terrible things . . . I lived at nights--my
+days, my waking days, this life I am living now, became a faded,
+far-away dream, a drab setting, the cover of the book."
+
+He thought.
+
+"I could tell you all, tell you every little thing in the
+dream, but as to what I did in the daytime--no. I could not
+tell--I do not remember. My memory--my memory has gone. The
+business of life slips from me--"
+
+He leant forward, and pressed his hands upon his eyes. For a
+long time he said nothing.
+
+"And then?" said I.
+
+"The war burst like a hurricane."
+
+He stared before him at unspeakable things.
+
+"And then?" I urged again.
+
+"One touch of unreality," he said, in the low tone of a man
+who speaks to himself," and they would have been nightmares. But
+they were not nightmares--they were not nightmares. No!"
+
+He was silent for so long that it dawned upon me that there
+was a danger of losing the rest of the story. But he went on
+talking again in the same tone of questioning self-communion.
+
+"What was there to do but flight? I had not thought the war
+would touch Capri--I had seemed to see Capri as being out of it
+all, as the contrast to it all; but two nights after the whole
+place was shouting and bawling, every woman almost and every other
+man wore a badge--Evesham's badge--and there was no music but a
+jangling war-song over and over again, and everywhere men
+enlisting, and in the dancing halls they were drilling. The whole
+island was awhirl with rumours; it was said, again and again, that
+fighting had begun. I had not expected this. I had seen so little
+of the life of pleasure that I had failed to reckon with this
+violence of the amateurs. And as for me, I was out of it. I was
+like the man who might have prevented the firing of a magazine.
+The time had gone. I was no one; the vainest stripling with a
+badge counted for more than I. The crowd jostled us and bawled in
+our ears; that accursed song deafened us; a woman shrieked at my
+lady because no badge was on her, and we two went back to our own
+place again, ruffled and insulted--my lady white and silent, and I
+aquiver with rage. So furious was I, I could have quarrelled with
+her if I could have found one shade of accusation in her eyes.
+
+"All my magnificence had gone from me. I walked up and down
+our rock cell, and outside was the darkling sea and a light to the
+southward that flared and passed and came again.
+
+"'We must get out of this place,' I said over and over. 'I
+have made my choice, and I will have no hand in these troubles. I
+will have nothing of this war. We have taken our lives out of all
+these things. This is no refuge for us. Let us go.'
+
+"And the next day we were already in flight from the war that
+covered the world.
+
+"And all the rest was Flight--all the rest was Flight."
+
+He mused darkly.
+
+"How much was there of it?"
+
+He made no answer.
+
+"How many days?"
+
+His face was white and drawn and his hands were clenched. He
+took no heed of my curiosity.
+
+I tried to draw him back to his story with questions.
+
+"Where did you go?" I said.
+
+"When?"
+
+"When you left Capri."
+
+"South-west," he said, and glanced at me for a second. "We
+went in a boat."
+
+"But I should have thought an aeroplane?"
+
+"They had been seized."
+
+I questioned him no more. Presently I thought he was beginning
+again. He broke out in an argumentative monotone:
+
+"But why should it be? If, indeed, this battle, this
+slaughter and stress is life, why have we this craving for pleasure
+and beauty? If there is no refuge, if there is no place of peace,
+and if all our dreams of quiet places are a folly and a snare, why
+have we such dreams? Surely it was no ignoble cravings, no base
+intentions, had brought us to this; it was Love had isolated us.
+Love had come to me with her eyes and robed in her beauty, more
+glorious than all else in life, in the very shape and colour of
+life, and summoned me away. I had silenced all the voices, I had
+answered all the questions--I had come to her. And suddenly there
+was nothing but War and Death!"
+
+I had an inspiration. " After all," I said, "it could have
+been only a dream."
+
+"A dream!" he cried, flaming upon me, "a dream--when, even
+now--"
+
+For the first time he became animated. A faint flush crept
+into his cheek. He raised his open hand and clenched it, and
+dropped it to his knee. He spoke, looking away from me, and for
+all the rest of the time he looked away. "We are but phantoms!" he
+said, "and the phantoms of phantoms, desires like cloud-shadows and
+wills of straw that eddy in the wind; the days pass, use and wont
+carry us through as a train carries the shadow of its lights--so be
+it! But one thing is real and certain, one thing is no dream-
+stuff, but eternal and enduring. It is the centre of my life, and
+all other things about it are subordinate or altogether vain. I
+loved her, that woman of a dream. And she and I are dead together!
+
+"A dream! How can it be a dream, when it drenched a living
+life with unappeasable sorrow, when it makes all that I have lived
+for and cared for, worthless and unmeaning?
+
+"Until that very moment when she was killed I believed we had
+still a chance of getting away," he said. "All through the night
+and morning that we sailed across the sea from Capri to Salerno, we
+talked of escape. We were full of hope, and it clung about us to
+the end, hope for the life together we should lead, out of it all,
+out of the battle and struggle, the wild and empty passions, the
+empty arbitrary 'thou shalt' and 'thou shalt not' of the world. We
+were uplifted, as though our quest was a holy thing, as though love
+for another was a mission . . . .
+
+"Even when from our boat we saw the fair face of that great
+rock Capri--already scarred and gashed by the gun emplacements and
+hiding-places that were to make it a fastness--we reckoned nothing
+of the imminent slaughter, though the fury of preparation hung
+about in the puffs and clouds of dust at a hundred points amidst
+the gray; but, indeed, I made a text of that and talked. There,
+you know, was the rock, still beautiful for all its scars, with its
+countless windows and arches and ways, tier upon tier, for a
+thousand feet, a vast carving of gray, broken by vine-clad
+terraces, and lemon and orange groves, and masses of agave and
+prickly pear, and puffs of almond blossom. And out under the
+archway that is built over the Piccola Marina other boats were
+coming; and as we came round the cape and within sight of the
+mainland, another little string of boats came into view, driving
+before the wind towards the south-west. In a little while a
+multitude had come out, the remoter just little specks of
+ultramarine in the shadow of the eastward cliff.
+
+"'It is love and reason,' I said, 'fleeing from all this
+madness of war.'
+
+"And though we presently saw a squadron of aeroplanes flying
+across the southern sky we did not heed it. There it was--a line
+of little dots in the sky--and then more, dotting the south-eastern
+horizon, and then still more, until all that quarter of the sky was
+stippled with blue specks. Now they were all thin little strokes
+of blue, and now one and now a multitude would heel and catch the
+sun and become short flashes of light. They came, rising and
+falling and growing larger, like some huge flight of gulls or rooks
+or such-like birds, moving with a marvellous uniformity, and ever
+as they drew nearer they spread over a greater width of sky. The
+southward wind flung itself in an arrow-headed cloud athwart the
+sun. And then suddenly they swept round to the eastward and
+streamed eastward, growing smaller and smaller and clearer and
+clearer again until they vanished from the sky. And after that we
+noted to the northward and very high Evesham's fighting machines
+hanging high over Naples like an evening swarm of gnats.
+
+"It seemed to have no more to do with us than a flight of
+birds.
+
+"Even the mutter of guns far away in the south-east seemed to
+us to signify nothing . . .
+
+"Each day, each dream after that, we were still exalted, still
+seeking that refuge where we might live and love. Fatigue had come
+upon us, pain and many distresses. For though we were dusty and
+stained by our toilsome tramping, and half starved and with the
+horror of the dead men we had seen and the flight of the
+peasants--for very soon a gust of fighting swept up the
+peninsula--with these things haunting our minds it still resulted
+only in a deepening resolution to escape. Oh, but she was brave
+and patient! She who had never faced hardship and exposure had
+courage for herself and me. We went to and fro seeking an outlet,
+over a country all commandeered and ransacked by the gathering
+hosts of war. Always we went on foot. At first there were other
+fugitives, but we did not mingle with them. Some escaped
+northward, some were caught in the torrent of peasantry that swept
+along the main roads; many gave themselves into the hands of the
+soldiery and were sent northward. Many of the men were impressed.
+But we kept away from these things; we had brought no money to
+bribe a passage north, and I feared for my lady at the hands of
+these conscript crowds. We had landed at Salerno, and we had been
+turned back from Cava, and we had tried to cross towards Taranto by
+a pass over Mount Alburno, but we had been driven back for want of
+food, and so we had come down among the marshes by Paestum, where
+those great temples stand alone. I had some vague idea that by
+Paestum it might be possible to find a boat or something, and take
+once more to sea. And there it was the battle overtook us.
+
+"A sort of soul-blindness had me. Plainly I could see that we
+were being hemmed in; that the great net of that giant Warfare had
+us in its toils. Many times we had seen the levies that had come
+down from the north going to and fro, and had come upon them in the
+distance amidst the mountains making ways for the ammunition and
+preparing the mounting of the guns. Once we fancied they had fired
+at us, taking us for spies--at any rate a shot had gone shuddering
+over us. Several times we had hidden in woods from hovering
+aeroplanes.
+
+"But all these things do not matter now, these nights of
+flight and pain . . . We were in an open place near those great
+temples at Paestum, at last, on a blank stony place dotted with
+spiky bushes, empty and desolate and so flat that a grove of
+eucalyptus far away showed to the feet of its stems. How I can see
+it! My lady was sitting down under a bush resting a little, for
+she was very weak and weary, and I was standing up watching to see
+if I could tell the distance of the firing that came and went.
+They were still, you know, fighting far from each other, with those
+terrible new weapons that had never before been used: guns that
+would carry beyond sight, and aeroplanes that would do--What they
+would do no man could foretell.
+
+"I knew that we were between the two armies, and that they
+drew together. I knew we were in danger, and that we could not
+stop there and rest!
+
+"Though all these things were in my mind, they were in the
+background. They seemed to be affairs beyond our concern.
+Chiefly, I was thinking of my lady. An aching distress filled me.
+For the first time she had owned herself beaten and had fallen
+a-weeping. Behind me I could hear her sobbing, but I would not
+turn round to her because I knew she had need of weeping, and had
+held herself so far and so long for me. It was well, I thought,
+that she would weep and rest and then we would toil on again, for
+I had no inkling of the thing that hung so near. Even now I can
+see her as she sat there, her lovely hair upon her shoulder, can
+mark again the deepening hollow of her cheek.
+
+"'If we had parted,' she said, 'if I had let you go.'
+
+"'No,' said I.' Even now, I do not repent. I will not repent;
+I made my choice, and I will hold on to the end.'
+
+"And then--
+
+"Overhead in the sky flashed something and burst, and all
+about us I heard the bullets making a noise like a handful of peas
+suddenly thrown. They chipped the stones about us, and whirled
+fragments from the bricks and passed . . . ."
+
+He put his hand to his mouth, and then moistened his lips.
+
+"At the flash I had turned about . . .
+
+"You know--she stood up--
+
+"She stood up, you know, and moved a step towards me--as
+though she wanted to reach me--
+
+"And she had been shot through the heart."
+
+He stopped and stared at me. I felt all that foolish
+incapacity an Englishman feels on such occasions. I met his eyes
+for a moment, and then stared out of the window. For a long space
+we kept silence. When at last I looked at him he was sitting back
+in his corner, his arms folded, and his teeth gnawing at his
+knuckles.
+
+He bit his nail suddenly, and stared at it.
+
+"I carried her," he said, "towards the temples, in my arms--as
+though it mattered. I don't know why. They seemed a sort of
+sanctuary, you know, they had lasted so long, I suppose.
+
+"She must have died almost instantly. Only--I talked to her
+all the way."
+
+Silence again.
+
+"I have seen those temples," I said abruptly, and indeed he
+had brought those still, sunlit arcades of worn sandstone very
+vividly before me.
+
+"It was the brown one, the big brown one. I sat down on a
+fallen pillar and held her in my arms . . . Silent after the first
+babble was over. And after a little while the lizards came out and
+ran about again, as though nothing unusual was going on, as though
+nothing had changed . . . It was tremendously still there, the sun
+high and the shadows still; even the shadows of the weeds upon the
+entablature were still--in spite of the thudding and banging that
+went all about the sky.
+
+"I seem to remember that the aeroplanes came up out of the
+south, and that the battle went away to the west. One aeroplane
+was struck, and overset and fell. I remember that--though it
+didn't interest me in the least. It didn't seem to signify. It
+was like a wounded gull, you know--flapping for a time in the
+water. I could see it down the aisle of the temple--a black thing
+in the bright blue water.
+
+"Three or four times shells burst about the beach, and then
+that ceased. Each time that happened all the lizards scuttled in
+and hid for a space. That was all the mischief done, except that
+once a stray bullet gashed the stone hard by--made just a fresh
+bright surface.
+
+"As the shadows grew longer, the stillness seemed greater.
+
+"The curious thing," he remarked, with the manner of a man who
+makes a trivial conversation, "is that I didn't THINK--at
+all. I sat with her in my arms amidst the stones--in a sort of
+lethargy--stagnant.
+
+"And I don't remember waking up. I don't remember dressing
+that day. I know I found myself in my office, with my letters all
+slit open in front of me, and how I was struck by the absurdity of
+being there, seeing that in reality I was sitting, stunned, in that
+Paestum Temple with a dead woman in my arms. I read my letters
+like a machine. I have forgotten what they were about."
+
+He stopped, and there was a long silence.
+
+Suddenly I perceived that we were running down the incline
+from Chalk Farm to Euston. I started at this passing of time. I
+turned on him with a brutal question, with the tone of "Now or
+never."
+
+"And did you dream again?"
+
+"Yes."
+
+He seemed to force himself to finish. His voice was very low.
+
+"Once more, and as it were only for a few instants. I seemed
+to have suddenly awakened out of a great apathy, to have risen into
+a sitting position, and the body lay there on the stones beside me.
+
+A gaunt body. Not her, you know. So soon--it was not her . . . .
+
+"I may have heard voices. I do not know. Only I knew clearly
+that men were coming into the solitude and that that was a last
+outrage.
+
+"I stood up and walked through the temple, and then there came
+into sight--first one man with a yellow face, dressed in a uniform
+of dirty white, trimmed with blue, and then several, climbing to
+the crest of the old wall of the vanished city, and crouching
+there. They were little bright figures in the sunlight, and there
+they hung, weapon in hand, peering cautiously before them.
+
+"And further away I saw others and then more at another point
+in the wall. It was a long lax line of men in open order.
+
+"Presently the man I had first seen stood up and shouted a
+command, and his men came tumbling down the wall and into the high
+weeds towards the temple. He scrambled down with them and led
+them. He came facing towards me, and when he saw me he stopped.
+
+"At first I had watched these men with a mere curiosity, but
+when I had seen they meant to come to the temple I was moved to
+forbid them. I shouted to the officer.
+
+"'You must not come here,' I cried, '_I_ am here. I am
+here with my dead.'
+
+"He stared, and then shouted a question back to me in some
+unknown tongue.
+
+"I repeated what I had said.
+
+"He shouted again, and I folded my arms and stood still.
+Presently he spoke to his men and came forward. He carried a drawn
+sword.
+
+"I signed to him to keep away, but he continued to advance.
+I told him again very patiently and clearly: 'You must not come
+here. These are old temples and I am here with my dead.'
+
+"Presently he was so close I could see his face clearly. It
+was a narrow face, with dull gray eyes, and a black moustache. He
+had a scar on his upper lip, and he was dirty and unshaven. He
+kept shouting unintelligible things, questions, perhaps, at me.
+
+"I know now that he was afraid of me, but at the time that did
+not occur to me. As I tried to explain to him, he interrupted me
+in imperious tones, bidding me, I suppose, stand aside.
+
+"He made to go past me, and I caught hold of him.
+
+"I saw his face change at my grip.
+
+"'You fool,' I cried. 'Don't you know? She is dead!'
+
+"He started back. He looked at me with cruel eyes. I saw a
+sort of exultant resolve leap into them--delight. Then, suddenly,
+with a scowl, he swept his sword back--SO--and thrust."
+
+He stopped abruptly.
+
+I became aware of a change in the rhythm of the train. The
+brakes lifted their voices and the carriage jarred and jerked.
+This present world insisted upon itself, became clamourous. I saw
+through the steamy window huge electric fights glaring down from
+tall masts upon a fog, saw rows of stationary empty carriages
+passing by, and then a signal-box hoisting its constellation of
+green and red into the murky London twilight, marched after them.
+I looked again at his drawn features.
+
+"He ran me through the heart. It was with a sort of
+astonishment--no fear, no pain--but just amazement, that I felt it
+pierce me, felt the sword drive home into my body. It didn't hurt,
+you know. It didn't hurt at all."
+
+The yellow platform lights came into the field of view,
+passing first rapidly, then slowly, and at last stopping with a
+jerk. Dim shapes of men passed to and fro without.
+
+"Euston!" cried a voice.
+
+"Do you mean--?"
+
+"There was no pain, no sting or smart. Amazement and then
+darkness sweeping over everything. The hot, brutal face before me,
+the face of the man who had killed me, seemed to recede. It swept
+out of existence--"
+
+"Euston!" clamoured the voices outside; "Euston!"
+
+The carriage door opened admitting a flood of sound, and a
+porter stood regarding us. The sounds of doors slamming, and the
+hoof-clatter of cab-horses, and behind these things the featureless
+remote roar of the London cobble-stones, came to my ears. A
+truckload of lighted lamps blazed along the platform.
+
+"A darkness, a flood of darkness that opened and spread and
+blotted out all things."
+
+"Any luggage, sir?" said the porter.
+
+"And that was the end?" I asked.
+
+He seemed to hesitate. Then, almost inaudibly, he answered, "NO."
+
+"You mean?"
+
+"I couldn't get to her. She was there on the other side of the temple--
+And then--"
+
+"Yes," I insisted. "Yes?"
+
+"Nightmares," he cried; "nightmares indeed! My God! Great
+birds that fought and tore."
+
+
+
+
+THE CONE
+
+The night was hot and overcast, the sky red, rimmed with the
+lingering sunset of mid-summer. They sat at the open window,
+trying to fancy the air was fresher there. The trees and shrubs of
+the garden stood stiff and dark; beyond in the roadway a gas-
+lamp burnt, bright orange against the hazy blue of the evening.
+Farther were the three lights of the railway signal against the
+lowering sky. The man and woman spoke to one another in low tones.
+
+"He does not suspect?" said the man, a little nervously.
+
+"Not he," she said peevishly, as though that too irritated
+her. "He thinks of nothing but the works and the prices of fuel.
+He has no imagination, no poetry."
+
+"None of these men of iron have," he said sententiously.
+"They have no hearts."
+
+"HE has not," she said. She turned her discontented
+face towards the window. The distant sound of a roaring and
+rushing drew nearer and grew in volume; the house quivered; one
+heard the metallic rattle of the tender. As the train passed,
+there was a glare of light above the cutting and a driving tumult
+of smoke; one, two, three, four, five, six, seven, eight black
+oblongs--eight trucks--passed across the dim grey of the
+embankment, and were suddenly extinguished one by one in the throat
+of the tunnel, which, with the last, seemed to swallow down train,
+smoke, and sound in one abrupt gulp.
+
+"This country was all fresh and beautiful once," he said; "and
+now--it is Gehenna. Down that way--nothing but pot-banks and
+chimneys belching fire and dust into the face of heaven . . . . .
+But what does it matter? An end comes, an end to all this cruelty
+. . . . . TO-MORROW." He spoke the last word in a whisper.
+
+"TO-MORROW," she said, speaking in a whisper too, and
+still staring out of the window.
+
+"Dear!" he said, putting his hand on hers.
+
+She turned with a start, and their eyes searched one
+another's. Hers softened to his gaze. "My dear one!" she said,
+and then: "It seems so strange --that you should have come into my
+life like this--to open--" She paused.
+
+"To open?" he said.
+
+"All this wonderful world--" she hesitated, and spoke still
+more softly--"this world of LOVE to me."
+
+Then suddenly the door clicked and closed. They turned their
+heads, and he started violently back. In the shadow of the room
+stood a great shadowy figure--silent. They saw the face dimly in
+the half-light, with unexpressive dark patches under the penthouse
+brows. Every muscle in Raut's body suddenly became tense. When
+could the door have opened? What had he heard? Had he heard all?
+What had he seen? A tumult of questions.
+
+The new-comer's voice came at last, after a pause that seemed
+interminable. "Well?" he said.
+
+"I was afraid I had missed you, Horrocks," said the man at the
+window, gripping the window-ledge with his hand. His voice was
+unsteady.
+
+The clumsy figure of Horrocks came forward out of the shadow.
+He made no answer to Raut's remark. For a moment he stood above
+them.
+
+The woman's heart was cold within her. "I told Mr. Raut it
+was just possible you might come back," she said, in a voice that
+never quivered.
+
+Horrocks, still silent, sat down abruptly in the chair by her
+little work-table. His big hands were clenched; one saw now the
+fire of his eyes under the shadow of his brows. He was trying to
+get his breath. His eyes went from the woman he had trusted to the
+friend he had trusted, and then back to the woman.
+
+By this time and for the moment all three half understood one
+another. Yet none dared say a word to ease the pent-up things that
+choked them.
+
+It was the husband's voice that broke the silence at last.
+
+"You wanted to see me?" he said to Raut.
+
+Raut started as he spoke. "I came to see you," he said,
+resolved to lie to the last.
+
+"Yes," said Horrocks.
+
+"You promised," said Raut, "to show me some fine effects of
+moonlight and smoke."
+
+"I promised to show you some fine effects of moonlight and
+smoke," repeated Horrocks in a colourless voice.
+
+"And I thought I might catch you to-night before you went down
+to the works," proceeded Raut, "and come with you."
+
+There was another pause. Did the man mean to take the thing
+coolly? Did he after all know? How long had he been in the room?
+Yet even at the moment when they heard the door, their attitudes .
+. . . Horrocks glanced at the profile of the woman, shadowy pallid
+in the half-light. Then he glanced at Raut, and seemed to recover
+himself suddenly. "Of course," he said, "I promised to show you
+the works under their proper dramatic conditions. It's odd how I
+could have forgotten."
+
+"If I am troubling you--" began Raut.
+
+Horrocks started again. A new light had suddenly come into
+the sultry gloom of his eyes. "Not in the least," he said.
+
+"Have you been telling Mr. Raut of all these contrasts of
+flame and shadow you think so splendid?" said the woman, turning
+now to her husband for the first time, her confidence creeping back
+again, her voice just one half-note too high. "That dreadful
+theory of yours that machinery is beautiful, and everything else in
+the world ugly. I thought he would not spare you, Mr. Raut. It's
+his great theory, his one discovery in art."
+
+"I am slow to make discoveries," said Horrocks grimly, damping
+her suddenly. "But what I discover . . . . ." He stopped.
+
+"Well?" she said.
+
+"Nothing;" and suddenly he rose to his feet.
+
+"I promised to show you the works," he said to Raut, and put
+his big, clumsy hand on his friend's shoulder. "And you are ready
+to go?"
+
+"Quite," said Raut, and stood up also.
+
+There was another pause. Each of them peered through the
+indistinctness of the dusk at the other two. Horrocks' hand still
+rested on Raut's shoulder. Raut half fancied still that the
+incident was trivial after all. But Mrs. Horrocks knew her husband
+better, knew that grim quiet in his voice, and the confusion in her
+mind took a vague shape of physical evil. "Very well", said
+Horrocks, and, dropping his hand, turned towards the door.
+
+"My hat?" Raut looked round in the half-light.
+
+"That's my work-basket," said Mrs. Horrocks, with a gust of
+hysterical laughter. Their hands came together on the back of the
+chair. "Here it is!" he said. She had an impulse to warn him in
+an undertone, but she could not frame a word. "Don't go!" and
+"Beware of him!" struggled in her mind, and the swift moment
+passed.
+
+"Got it?" said Horrocks, standing with the door half open.
+
+Raut stepped towards him. "Better say good-bye to Mrs.
+Horrocks," said the ironmaster, even more grimly quiet in his tone
+than before.
+
+Raut started and turned. "Good-evening, Mrs. Horrocks," he
+said, and their hands touched.
+
+Horrocks held the door open with a ceremonial politeness
+unusual in him towards men. Raut went out, and then, after a
+wordless look at her, her husband followed. She stood motionless
+while Raut's light footfall and her husband's heavy tread, like
+bass and treble, passed down the passage together. The front door
+slammed heavily. She went to the window, moving slowly, and stood
+watching--leaning forward. The two men appeared for a moment at
+the gateway in the road, passed under the street lamp, and were
+hidden by the black masses of the shrubbery. The lamp-light fell
+for a moment on their faces, showing only unmeaning pale patches,
+telling nothing of what she still feared, and doubted, and craved
+vainly to know. Then she sank down into a crouching attitude in
+the big arm-chair, her eyes wide open and staring out at the red
+lights from the furnaces that flickered in the sky. An hour after
+she was still there, her attitude scarcely changed.
+
+The oppressive stillness of the evening weighed heavily upon
+Raut. They went side by side down the road in silence, and in
+silence turned into the cinder-made by-way that presently opened
+out the prospect of the valley.
+
+A blue haze, half dust, half mist, touched the long valley
+with mystery. Beyond were Hanley and Etruria, grey and dark
+masses, outlined thinly by the rare golden dots of the street
+lamps, and here and there a gaslit window, or the yellow glare of
+some late-working factory or crowded public-house. Out of the
+masses, clear and slender against the evening sky, rose a multitude
+of tall chimneys, many of them reeking, a few smokeless during a
+season of "play." Here and there a pallid patch and ghostly
+stunted beehive shapes showed the position of a pot-bank, or a
+wheel, black and sharp against the hot lower sky, marked some
+colliery where they raise the iridescent coal of the place. Nearer
+at hand was the broad stretch of railway, and half invisible trains
+shunted--a steady puffing and rumbling, with every run a ringing
+concussion and a rhythmic series of impacts, and a passage of
+intermittent puffs of white steam across the further view. And
+to the left, between the railway and the dark mass of the low hill
+beyond, dominating the whole view, colossal, inky-black, and
+crowned with smoke and fitful flames, stood the great cylinders of
+the Jeddah Company Blast Furnaces, the central edifices of the big
+ironworks of which Horrocks was the manager. They stood heavy and
+threatening, full of an incessant turmoil of flames and seething
+molten iron, and about the feet of them rattled the rolling-mills,
+and the steam hammer beat heavily and splashed the white iron
+sparks hither and thither. Even as they looked, a truckful of fuel
+was shot into one of the giants, and the red flames gleamed out,
+and a confusion of smoke and black dust came boiling upwards
+towards the sky.
+
+"Certainly you get some fine effects of colour with your
+furnaces," said Raut, breaking a silence that had become
+apprehensive.
+
+Horrocks grunted. He stood with his hands in his pockets,
+frowning down at the dim steaming railway and the busy ironworks
+beyond, frowning as if he were thinking out some knotty problem.
+
+Raut glanced at him and away again. "At present your
+moonlight effect is hardly ripe," he continued, looking upward.
+"The moon is still smothered by the vestiges of daylight."
+
+Horrocks stared at him with the expression of a man who has
+suddenly awakened. "Vestiges of daylight? . . . . Of course, of
+course." He too looked up at the moon, pale still in the midsummer
+sky. "Come along," he said suddenly, and, gripping Raut's arm in
+his hand, made a move towards the path that dropped from them to
+the railway.
+
+Raut hung back. Their eyes met and saw a thousand things in
+a moment that their eyes came near to say. Horrocks' hand
+tightened and then relaxed. He let go, and before Raut was aware
+of it, they were arm in arm, and walking, one unwillingly enough,
+down the path.
+
+"You see the fine effect of the railway signals towards
+Burslem," said Horrocks, suddenly breaking into loquacity, striding
+fast, and tightening the grip of his elbow the while. " Little
+green lights and red and white lights, all against the haze. You
+have an eye for effect, Raut. It's a fine effect. And look at
+those furnaces of mine, how they rise upon us as we come down the
+hill. That to the right is my pet--seventy feet of him. I packed
+him myself, and he's boiled away cheerfully with iron in his guts
+for five long years. I've a particular fancy for HIM. That
+line of red there--a lovely bit of warm orange you'd call it,
+Raut--that's the puddlers' furnaces, and there, in the hot light,
+three black figures--did you see the white splash of the
+steam-hammer then?--that's the rolling mills. Come along! Clang,
+clatter, how it goes rattling across the floor! Sheet tin, Raut,
+--amazing stuff. Glass mirrors are not in it when that stuff comes
+from the mill. And, squelch!--there goes the hammer again. Come
+along!"
+
+He had to stop talking to catch at his breath. His arm
+twisted into Raut's with benumbing tightness. He had come striding
+down the black path towards the railway as though he was possessed.
+
+Raut had not spoken a word, had simply hung back against Horrocks'
+pull with all his strength.
+
+"I say," he said now, laughing nervously, but with an
+undernote of snarl in his voice, "why on earth are you nipping my
+arm off, Horrocks, and dragging me along like this?"
+
+At length Horrocks released him. His manner changed again.
+"Nipping your arm off?" he said. "Sorry. But it's you taught me
+the trick of walking in that friendly way."
+
+"You haven't learnt the refinements of it yet then," said
+Raut, laughing artificially again. "By Jove! I'm black and blue."
+
+Horrocks offered no apology. They stood now near the bottom of the
+hill, close to the fence that bordered the railway. The ironworks
+had grown larger and spread out with their approach. They looked
+up to the blast furnaces now instead of down; the further view of
+Etruria and Hanley had dropped out of sight with their descent.
+Before them, by the stile rose a notice-board, bearing still dimly
+visible, the words, "BEWARE OF THE TRAINS," half hidden by splashes
+of coaly mud.
+
+"Fine effects," said Horrocks, waving his arm. "Here comes a
+train. The puffs of smoke, the orange glare, the round eye of
+light in front of it, the melodious rattle. Fine effects! But
+these furnaces of mine used to be finer, before we shoved cones in
+their throats, and saved the gas."
+
+"How?" said Raut. "Cones?"
+
+"Cones, my man, cones. I'll show you one nearer. The flames
+used to flare out of the open throats, great--what is it?--pillars
+of cloud by day, red and black smoke, and pillars of fire by night.
+
+Now we run it off in pipes, and burn it to heat the blast, and the
+top is shut by a cone. You'll be interested in that cone."
+
+"But every now and then," said Raut, "you get a burst of fire
+and smoke up there."
+
+"The cone's not fixed, it's hung by a chain from a lever, and
+balanced by an equipoise. You shall see it nearer. Else, of
+course, there'd be no way of getting fuel into the thing. Every
+now and then the cone dips, and out comes the flare."
+
+"I see," said Raut. He looked over his shoulder. "The moon
+gets brighter," he said.
+
+"Come along," said Horrocks abruptly, gripping his shoulder
+again, and moving him suddenly towards the railway crossing. And
+then came one of those swift incidents, vivid, but so rapid that
+they leave one doubtful and reeling. Halfway across, Horrocks'
+hand suddenly clenched upon him like a vice, and swung him backward
+and through a half-turn, so that he looked up the line. And there
+a chain of lamp-lit carriage-windows telescoped swiftly as it came
+towards them, and the red and yellow lights of an engine grew
+larger and larger, rushing down upon them. As he grasped what this
+meant, he turned his face to Horrocks, and pushed with all
+his strength against the arm that held him back between the rails.
+The struggle did not last a moment. Just as certain as it was that
+Horrocks held him there, so certain was it that he had been
+violently lugged out of danger.
+
+"Out of the way," said Horrocks, with a gasp, as the train
+came rattling by, and they stood panting by the gate into the
+ironworks.
+
+"I did not see it coming," said Raut, still, even in spite of
+his own apprehensions, trying to keep up an appearance of ordinary
+intercourse.
+
+Horrocks answered with a grunt. "The cone," he said, and
+then, as one who recovers himself, "I thought you did not hear."
+
+"I didn't," said Raut.
+
+"I wouldn't have had you run over then for the world," said
+Horrocks.
+
+"For a moment I lost my nerve," said Raut.
+
+Horrocks stood for half a minute, then turned abruptly towards
+the ironworks again. "See how fine these great mounds of mine,
+these clinker-heaps, look in the night! That truck yonder, up
+above there! Up it goes, and out-tilts the slag. See the
+palpitating red stuff go sliding down the slope. As we get nearer,
+the heap rises up and cuts the blast furnaces. See the quiver up
+above the big one. Not that way! This way, between the heaps.
+That goes to the puddling furnaces, but I want to show you the
+canal first." He came and took Raut by the elbow, and so they went
+along side by side. Raut answered Horrocks vaguely. What, he
+asked himself, had really happened on the line? Was he deluding
+himself with his own fancies, or had Horrocks actually held him
+back in the way of the train? Had he just been within an ace of
+being murdered?
+
+Suppose this slouching, scowling monster DID know
+anything? For a minute or two then Raut was really afraid for his
+life, but the mood passed as he reasoned with himself. After all,
+Horrocks might have heard nothing. At any rate, he had pulled him
+out of the way in time. His odd manner might be due to the mere
+vague jealousy he had shown once before. He was talking now of the
+ash-heaps and the canal. "Eigh?" said Horrocks.
+
+"What?" said Raut. "Rather! The haze in the moonlight.
+Fine!"
+
+"Our canal," said Horrocks, stopping suddenly. "Our canal by
+moonlight and firelight is an immense effect. You've never seen
+it? Fancy that! You've spent too many of your evenings
+philandering up in Newcastle there. I tell you, for real florid
+effects--But you shall see. Boiling water . . . "
+
+As they came out of the labyrinth of clinker-heaps and mounds
+of coal and ore, the noises of the rolling-mill sprang upon them
+suddenly, loud, near, and distinct. Three shadowy workmen went by
+and touched their caps to Horrocks. Their faces were vague in the
+darkness. Raut felt a futile impulse to address them, and before
+he could frame his words, they passed into the shadows. Horrocks
+pointed to the canal close before them now: a weird-looking place
+it seemed, in the blood-red reflections of the furnaces. The hot
+water that cooled the tuyeres came into it, some fifty yards up--
+a tumultuous, almost boiling affluent, and the steam rose up from
+the water in silent white wisps and streaks, wrapping damply about
+them, an incessant succession of ghosts coming up from the black
+and red eddies, a white uprising that made the head swim. The
+shining black tower of the larger blast-furnace rose overhead out
+of the mist, and its tumultuous riot filled their ears. Raut kept
+away from the edge of the water, and watched Horrocks.
+
+"Here it is red," said Horrocks, "blood-red vapour as red and
+hot as sin; but yonder there, where the moonlight falls on it, and
+it drives across the clinker-heaps, it is as white as death."
+
+Raut turned his head for a moment, and then came back hastily
+to his watch on Horrocks. "Come along to the rolling-mills," said
+Horrocks. The threatening hold was not so evident that time, and
+Raut felt a little reassured. But all the same, what on earth did
+Horrocks mean about "white as death" and "red as sin?"
+Coincidence, perhaps?
+
+They went and stood behind the puddlers for a little while,
+and then through the rolling-mills, where amidst an incessant din
+the deliberate steam-hammer beat the juice out of the succulent
+iron, and black, half-naked Titans rushed the plastic bars, like
+hot sealing-wax, between the wheels. "Come on," said Horrocks in
+Raut's ear, and they went and peeped through the little glass hole
+behind the tuyeres, and saw the tumbled fire writhing in the pit of
+the blast-furnace. It left one eye blinded for a while. Then,
+with green and blue patches dancing across the dark, they went to
+the lift by which the trucks of ore and fuel and lime were raised
+to the top of the big cylinder.
+
+And out upon the narrow rail that overhung the furnace, Raut's
+doubts came upon him again. Was it wise to be here? If Horrocks
+did know--everything! Do what he would, he could not resist a
+violent trembling. Right under foot was a sheer depth of seventy
+feet. It was a dangerous place. They pushed by a truck of fuel to
+get to the railing that crowned the place. The reek of the
+furnace, a sulphurous vapor streaked with pungent bitterness,
+seemed to make the distant hillside of Hanley quiver. The moon was
+riding out now from among a drift of clouds, halfway up the sky
+above the undulating wooded outlines of Newcastle. The steaming
+canal ran away from below them under an indistinct bridge, and
+vanished into the dim haze of the flat fields towards Burslem.
+
+"That's the cone I've been telling you of," shouted Horrocks;
+"and, below that, sixty feet of fire and molten metal, with the air
+of the blast frothing through it like gas in soda-water."
+
+Raut gripped the hand-rail tightly, and stared down at the
+cone. The heat was intense. The boiling of the iron and the
+tumult of the blast made a thunderous accompaniment to Horrocks'
+voice. But the thing had to be gone through now. Perhaps, after
+all . . .
+
+"In the middle," bawled Horrocks, "temperature near a thousand
+degrees. If YOU were dropped into it . . . . flash into
+flame like a pinch of gunpowder in a candle. Put your hand out and
+feel the heat of his breath. Why, even up here I've seen the
+rain-water boiling off the trucks. And that cone there. It's a
+damned sight too hot for roasting cakes. The top side of it's
+three hundred degrees."
+
+"Three hundred degrees!" said Raut.
+
+"Three hundred centigrade, mind!" said Horrocks. "It will
+boil the blood out of you in no time."
+
+"Eigh?" said Raut, and turned.
+
+"Boil the blood out of you in . . . No, you don't!"
+
+"Let me go!" screamed Raut. "Let go my arm!"
+
+With one hand he clutched at the hand-rail, then with both.
+For a moment the two men stood swaying. Then suddenly, with a
+violent jerk, Horrocks had twisted him from his hold. He clutched
+at Horrocks and missed, his foot went back into empty air; in
+mid-air he twisted himself, and then cheek and shoulder and knee
+struck the hot cone together.
+
+He clutched the chain by which the cone hung, and the thing
+sank an infinitesimal amount as he struck it. A circle of glowing
+red appeared about him, and a tongue of flame, released from the
+chaos within, flickered up towards him. An intense pain assailed
+him at the knees, and he could smell the singeing of his hands. He
+raised himself to his feet, and tried to climb up the chain, and
+then something struck his head. Black and shining with the
+moonlight, the throat of the furnace rose about him.
+
+Horrocks, he saw, stood above him by one of the trucks of fuel
+on the rail. The gesticulating figure was bright and white in the
+moonlight, and shouting, "Fizzle, you fool! Fizzle, you hunter of
+women! You hot-blooded hound! Boil! boil! boil!"
+
+Suddenly he caught up a handful of coal out of the truck, and
+flung it deliberately, lump after lump, at Raut.
+
+"Horrocks!" cried Raut. "Horrocks!"
+
+He clung crying to the chain, pulling himself up from the
+burning of the cone. Each missile Horrocks flung hit him. His
+clothes charred and glowed, and as he struggled the cone dropped,
+and a rush of hot suffocating gas whooped out and burned round him
+in a swift breath of flame.
+
+His human likeness departed from him. When the momentary red
+had passed, Horrocks saw a charred, blackened figure, its head
+streaked with blood, still clutching and fumbling with the chain,
+and writhing in agony--a cindery animal, an inhuman, monstrous
+creature that began a sobbing intermittent shriek.
+
+Abruptly, at the sight, the ironmaster's anger passed. A
+deadly sickness came upon him. The heavy odour of burning flesh
+came drifting up to his nostrils. His sanity returned to him.
+
+"God have mercy upon me!" he cried. "O God! what have I
+done?"
+
+He knew the thing below him, save that it still moved and
+felt, was already a dead man--that the blood of the poor wretch
+must be boiling in his veins. An intense realisation of that agony
+came to his mind, and overcame every other feeling. For a moment
+he stood irresolute, and then, turning to the truck, he hastily
+tilted its contents upon the struggling thing that had once been a
+man. The mass fell with a thud, and went radiating over the cone.
+With the thud the shriek ended, and a boiling confusion of smoke,
+dust, and flame came rushing up towards him. As it passed, he saw
+the cone clear again.
+
+Then he staggered back, and stood trembling, clinging to the
+rail with both hands. His lips moved, but no words came to them.
+
+Down below was the sound of voices and running steps. The
+clangour of rolling in the shed ceased abruptly.
+
+
+
+
+
+A MOONLIGHT FABLE
+
+There was once a little man whose mother made him a beautiful suit
+of clothes. It was green and gold and woven so that I cannot
+describe how delicate and fine it was, and there was a tie of
+orange fluffiness that tied up under his chin. And the buttons
+in their newness shone like stars. He was proud and pleased by his
+suit beyond measure, and stood before the long looking-glass when
+first he put it on, so astonished and delighted with it that he
+could hardly turn himself away.
+
+He wanted to wear it everywhere and show it to all sorts of
+people. He thought over all the places he had ever visited and all
+the scenes he had ever heard described, and tried to imagine what
+the feel of it would be if he were to go now to those scenes and
+places wearing his shining suit, and he wanted to go out forthwith
+into the long grass and the hot sunshine of the meadow wearing it.
+Just to wear it! But his mother told him, "No." She told him he
+must take great care of his suit, for never would he have another
+nearly so fine; he must save it and save it and only wear it on
+rare and great occasions. It was his wedding suit, she said. And
+she took his buttons and twisted them up with tissue paper for fear
+their bright newness should be tarnished, and she tacked little
+guards over the cuffs and elbows and wherever the suit was most
+likely to come to harm. He hated and resisted these things, but
+what could he do? And at last her warnings and persuasions had
+effect and he consented to take off his beautiful suit and fold it
+into its proper creases and put it away. It was almost as though
+he gave it up again. But he was always thinking of wearing it
+and of the supreme occasion when some day it might be worn without
+the guards, without the tissue paper on the buttons, utterly and
+delightfully, never caring, beautiful beyond measure.
+
+One night when he was dreaming of it, after his habit, he
+dreamed he took the tissue paper from one of the buttons and found
+its brightness a little faded, and that distressed him mightily in
+his dream. He polished the poor faded button and polished it, and
+if anything it grew duller. He woke up and lay awake thinking of
+the brightness a little dulled and wondering how he would feel if
+perhaps when the great occasion (whatever it might be) should
+arrive, one button should chance to be ever so little short of its
+first glittering freshness, and for days and days that thought
+remained with him, distressingly. And when next his mother let him
+wear his suit, he was tempted and nearly gave way to the temptation
+just to fumble off one little bit of tissue paper and see if indeed
+the buttons were keeping as bright as ever.
+
+He went trimly along on his way to church full of this wild
+desire. For you must know his mother did, with repeated and
+careful warnings, let him wear his suit at times, on Sundays, for
+example, to and fro from church, when there was no threatening of
+rain, no dust nor anything to injure it, with its buttons covered
+and its protections tacked upon it and a sunshade in his hand to
+shadow it if there seemed too strong a sunlight for its colours.
+And always, after such occasions, he brushed it over and folded it
+exquisitely as she had taught him, and put it away again.
+
+Now all these restrictions his mother set to the wearing of
+his suit he obeyed, always he obeyed them, until one strange night
+he woke up and saw the moonlight shining outside his window. It
+seemed to him the moonlight was not common moonlight, nor the night
+a common night, and for a while he lay quite drowsily with this odd
+persuasion in his mind. Thought joined on to thought like things
+that whisper warmly in the shadows. Then he sat up in his little
+bed suddenly, very alert, with his heart beating very fast and a
+quiver in his body from top to toe. He had made up his mind. He
+knew now that he was going to wear his suit as it should be worn.
+He had no doubt in the matter. He was afraid, terribly afraid, but
+glad, glad.
+
+He got out of his bed and stood a moment by the window looking
+at the moonshine-flooded garden and trembling at the thing he meant
+to do. The air was full of a minute clamor of crickets and
+murmurings, of the infinitesimal shouting of little living things.
+He went very gently across the creaking boards, for fear that he
+might wake the sleeping house, to the big dark clothes-press
+wherein his beautiful suit lay folded, and he took it out garment
+by garment and softly and very eagerly tore off its tissue-paper
+covering and its tacked protections, until there it was, perfect
+and delightful as he had seen it when first his mother had given it
+to him--a long time it seemed ago. Not a button had tarnished, not
+a thread had faded on this dear suit of his; he was glad enough for
+weeping as in a noiseless hurry he put it on. And then back he
+went, soft and quick, to the window and looked out upon the garden
+and stood there for a minute, shining in the moonlight, with his
+buttons twinkling like stars, before he got out on the sill and,
+making as little of a rustling as he could, clambered down to the
+garden path below. He stood before his mother's house, and it was
+white and nearly as plain as by day, with every window-blind but
+his own shut like an eye that sleeps. The trees cast still shadows
+like intricate black lace upon the wall.
+
+The garden in the moonlight was very different from the garden
+by day; moonshine was tangled in the hedges and stretched in
+phantom cobwebs from spray to spray. Every flower was gleaming
+white or crimson black, and the air was aquiver with the thridding
+of small crickets and nightingales singing unseen in the depths of
+the trees.
+
+There was no darkness in the world, but only warm, mysterious
+shadows; and all the leaves and spikes were edged and lined with
+iridescent jewels of dew. The night was warmer than any night had
+ever been, the heavens by some miracle at once vaster and nearer,
+and spite of the great ivory-tinted moon that ruled the world, the
+sky was full of stars.
+
+The little man did not shout nor sing for all his infinite
+gladness. He stood for a time like one awe-stricken, and then,
+with a queer small cry and holding out his arms, he ran out as if
+he would embrace at once the whole warm round immensity of the
+world. He did not follow the neat set paths that cut the garden
+squarely, but thrust across the beds and through the wet, tall,
+scented herbs, through the night stock and the nicotine and the
+clusters of phantom white mallow flowers and through the thickets
+of southern-wood and lavender, and knee-deep across a wide space of
+mignonette. He came to the great hedge and he thrust his way
+through it, and though the thorns of the brambles scored him deeply
+and tore threads from his wonderful suit, and though burs and
+goosegrass and havers caught and clung to him, he did not care. He
+did not care, for he knew it was all part of the wearing for which
+he had longed. "I am glad I put on my suit," he said; "I am glad
+I wore my suit."
+
+Beyond the hedge he came to the duck-pond, or at least to what
+was the duck-pond by day. But by night it was a great bowl of
+silver moonshine all noisy with singing frogs, of wonderful silver
+moonshine twisted and clotted with strange patternings, and the
+little man ran down into its waters between the thin black rushes,
+knee-deep and waist-deep and to his shoulders, smiting the water to
+black and shining wavelets with either hand, swaying and shivering
+wavelets, amid which the stars were netted in the tangled
+reflections of the brooding trees upon the bank. He waded until he
+swam, and so he crossed the pond and came out upon the other side,
+trailing, as it seemed to him, not duckweed, but very silver in
+long, clinging, dripping masses. And up he went through the
+transfigured tangles of the willow-herb and the uncut seeding grass
+of the farther bank. And so he came glad and breathless into the
+highroad. "I am glad," he said, "beyond measure, that I had
+clothes that fitted this occasion."
+
+The highroad ran straight as an arrow flies, straight into the
+deep blue pit of sky beneath the moon, a white and shining road
+between the singing nightingales, and along it he went, running now
+and leaping, and now walking and rejoicing, in the clothes his
+mother had made for him with tireless, loving hands. The road was
+deep in dust, but that for him was only soft whiteness, and as he
+went a great dim moth came fluttering round his wet and shimmering
+and hastening figure. At first he did not heed the moth, and then
+he waved his hands at it and made a sort of dance with it as it
+circled round his head. "Soft moth!" he cried, "dear moth! And
+wonderful night, wonderful night of the world! Do you think my
+clothes are beautiful, dear moth? As beautiful as your scales and
+all this silver vesture of the earth and sky?"
+
+And the moth circled closer and closer until at last its
+velvet wings just brushed his lips . . . . .
+
+And next morning they found him dead with his neck broken in
+the bottom of the stone pit, with his beautiful clothes a little
+bloody and foul and stained with the duckweed from the pond. But
+his face was a face of such happiness that, had you seen it, you
+would have understood indeed how that he had died happy, never
+knowing the cool and streaming silver for the duckweed in the pond.
+
+
+
+
+
+THE DIAMOND MAKER
+
+
+Some business had detained me in Chancery Lane nine in the
+evening, and thereafter, having some inkling of a headache, I was
+disinclined either for entertainment or further work. So much of
+the sky as the high cliffs of that narrow canon of traffic left
+visible spoke of a serene night, and I determined to make my way
+down to the Embankment, and rest my eyes and cool my head by
+watching the variegated lights upon the river. Beyond comparison
+the night is the best time for this place; a merciful darkness
+hides the dirt of the waters, and the lights of this transitional
+age, red glaring orange, gas-yellow, and electric white, are set in
+shadowy outlines of every possible shade between grey and deep
+purple. Through the arches of Waterloo Bridge a hundred points of
+light mark the sweep of the Embankment, and above its parapet rise
+the towers of Westminster,warm grey against the starlight. The
+black river goes by with only a rare ripple breaking its silence,
+and disturbing the reflections of the lights that swim upon its
+surface.
+
+"A warm night," said a voice at my side.
+
+I turned my head, and saw the profile of a man who was leaning
+over the parapet beside me. It was a refined face, not unhandsome,
+though pinched and pale enough, and the coat collar turned up and
+pinned round the throat marked his status in life as sharply as a
+uniform. I felt I was committed to the price of a bed and
+breakfast if I answered him.
+
+I looked at him curiously. Would he have anything to tell me
+worth the money, or was he the common incapable--incapable even of
+telling his own story? There was a quality of intelligence in his
+forehead and eyes, and a certain tremulousness in his nether lip
+that decided me.
+
+"Very warm," said I; "but not too warm for us here."
+
+"No," he said, still looking across the water, "it is pleasant
+enough here . . . . just now."
+
+"It is good," he continued after a pause, "to find anything so
+restful as this in London. After one has been fretting about
+business all day, about getting on, meeting obligations, and
+parrying dangers, I do not know what one would do if it were not
+for such pacific corners." He spoke with long pauses between the
+sentences. "You must know a little of the irksome labour of the
+world, or you would not be here. But I doubt if you can be so
+brain-weary and footsore as I am . . . . Bah! Sometimes I doubt if
+the game is worth the candle. I feel inclined to throw the whole
+thing over--name, wealth and position--and take to some modest
+trade. But I know if I abandoned my ambition--hardly as she uses
+me--I should have nothing but remorse left for the rest of my
+days."
+
+He became silent. I looked at him in astonishment. If ever
+I saw a man hopelessly hard-up it was the man in front of me. He
+was ragged and he was dirty, unshaven and unkempt; he looked as
+though he had been left in a dust-bin for a week. And he was
+talking to ME of the irksome worries of a large business.
+I almost laughed outright. Either he was mad or playing a sorry
+jest on his own poverty.
+
+"If high aims and high positions," said I, "have their
+drawbacks of hard work and anxiety, they have their compensations.
+Influence, the power of doing good, of assisting those weaker and
+poorer than ourselves; and there is even a certain gratification in
+display . . . . . "
+
+My banter under the circumstances was in very vile taste. I
+spoke on the spur of the contrast of his appearance and speech. I
+was sorry even while I was speaking.
+
+He turned a haggard but very composed face upon me. Said he:
+"I forgot myself. Of course you would not understand."
+
+He measured me for a moment. "No doubt it is very absurd.
+You will not believe me even when I tell you, so that it is fairly
+safe to tell you. And it will be a comfort to tell someone. I
+really have a big business in hand, a very big business. But there
+are troubles just now. The fact is . . . . I make diamonds."
+
+"I suppose," said I, "you are out of work just at present?"
+
+"I am sick of being disbelieved," he said impatiently, and
+suddenly unbuttoning his wretched coat he pulled out a little
+canvas bag that was hanging by a cord round his neck. From this he
+produced a brown pebble. "I wonder if you know enough to know what
+that is?" He handed it to me.
+
+Now, a year or so ago, I had occupied my leisure in taking a
+London science degree, so that I have a smattering of physics and
+mineralogy. The thing was not unlike an uncut diamond of the
+darker sort, though far too large, being almost as big as the top
+of my thumb. I took it, and saw it had the form of a regular
+octahedron, with the curved faces peculiar to the most precious of
+minerals. I took out my penknife and tried to scratch it--vainly.
+Leaning forward towards the gas-lamp, I tried the thing on my
+watch-glass, and scored a white line across that with the greatest
+ease.
+
+I looked at my interlocutor with rising curiosity. "It
+certainly is rather like a diamond. But, if so, it is a Behemoth
+of diamonds. Where did you get it?"
+
+"I tell you I made it," he said. "Give it back to me."
+
+He replaced it hastily and buttoned his jacket. "I will sell
+it you for one hundred pounds," he suddenly whispered eagerly.
+With that my suspicions returned. The thing might, after all, be
+merely a lump of that almost equally hard substance, corundum, with
+an accidental resemblance in shape to the diamond. Or if it was a
+diamond, how came he by it, and why should he offer it at a hundred
+pounds?
+
+We looked into one another's eyes. He seemed eager, but
+honestly eager. At that moment I believed it was a diamond he was
+trying to sell. Yet I am a poor man, a hundred pounds would leave
+a visible gap in my fortunes and no sane man would buy a diamond by
+gaslight from a ragged tramp on his personal warranty only. Still,
+a diamond that size conjured up a vision of many thousands of
+pounds. Then, thought I, such a stone could scarcely exist without
+being mentioned in every book on gems, and again I called to mind
+the stories of contraband and light-fingered Kaffirs at the Cape.
+I put the question of purchase on one side.
+
+"How did you get it?" said I.
+
+"I made it."
+
+I had heard something of Moissan, but I knew his artificial
+diamonds were very small. I shook my head.
+
+"You seem to know something of this kind of thing. I will
+tell you a little about myself. Perhaps then you may think better
+of the purchase." He turned round with his back to the river, and
+put his hands in his pockets. He sighed. "I know you will not
+believe me."
+
+"Diamonds," he began--and as he spoke his voice lost its faint
+flavour of the tramp and assumed something of the easy tone of an
+educated man--are to be made by throwing carbon out of combination
+in a suitable flux and under a suitable pressure; the carbon
+crystallises out, not as black-lead or charcoal-powder, but as
+small diamonds. So much has been known to chemists for years, but
+no one yet had hit upon exactly the right flux in which to melt up
+the carbon, or exactly the right pressure for the best results.
+Consequently the diamonds made by chemists are small and dark,
+and worthless as jewels. Now I, you know, have given up my life to
+this problem--given my life to it.
+
+"I began to work at the conditions of diamond making when I
+was seventeen, and now I am thirty-two. It seemed to me that it
+might take all the thought and energies of a man for ten years, or
+twenty years, but, even if it did, the game was still worth the
+candle. Suppose one to have at last just hit the right trick
+before the secret got out and diamonds became as common as coal,
+one might realize millions. Millions!"
+
+He paused and looked for my sympathy. His eyes shone
+hungrily. "To think," said he, "that I am on the verge of it all,
+and here!
+
+"I had," he proceeded, "about a thousand pounds when I was
+twenty-one, and this, I thought, eked out by a little teaching,
+would keep my researches going. A year or two was spent in study,
+at Berlin chiefly, and then I continued on my own account. The
+trouble was the secrecy. You see, if once I had let out what I was
+doing, other men might have been spurred on by my belief in the
+practicability of the idea; and I do not pretend to be such a
+genius as to have been sure of coming in first, in the case of a
+race for the discovery. And you see it was important that if I
+really meant to make a pile, people should not know it was an
+artificial process and capable of turning out diamonds by the ton.
+So I had to work all alone. At first I had a little laboratory,
+but as my resources began to run out I had to conduct my
+experiments in a wretched unfurnished room in Kentish Town, where
+I slept at last on a straw mattress on the floor among all my
+apparatus. The money simply flowed away. I grudged myself
+everything except scientific appliances. I tried to keep things
+going by a little teaching, but I am not a very good teacher, and
+I have no university degree, nor very much education except in
+chemistry, and I found I had to give a lot of time and labour for
+precious little money. But I got nearer and nearer the thing.
+Three years ago I settled the problem of the composition of the
+flux, and got near the pressure by putting this flux of mine and a
+certain carbon composition into a closed-up gun-barrel, filling up
+with water, sealing tightly, and heating."
+
+He paused.
+
+"Rather risky," said I.
+
+"Yes. It burst, and smashed all my windows and a lot of my
+apparatus; but I got a kind of diamond powder nevertheless.
+Following out the problem of getting a big pressure upon the molten
+mixture from which the things were to crystallise, I hit upon some
+researches of Daubree's at the Paris Laboratorie des Poudres et
+Salpetres. He exploded dynamite in a tightly screwed steel
+cylinder, too strong to burst, and I found he could crush rocks
+into a muck not unlike the South African bed in which diamonds are
+found. It was a tremendous strain on my resources, but I got a
+steel cylinder made for my purpose after his pattern. I put in all
+my stuff and my explosives, built up a fire in my furnace, put the
+whole concern in, and--went out for a walk."
+
+I could not help laughing at his matter-of-fact manner. "Did
+you not think it would blow up the house? Were there other people
+in the place?"
+
+"It was in the interest of science," he said, ultimately.
+"There was a costermonger family on the floor below, a
+begging-letter writer in the room behind mine, and two flower-women
+were upstairs. Perhaps it was a bit thoughtless. But possibly
+some of them were out.
+
+"When I came back the thing was just where I left it, among
+the white-hot coals. The explosive hadn't burst the case. And
+then I had a problem to face. You know time is an important
+element in crystallisation. If you hurry the process the crystals
+are small--it is only by prolonged standing that they grow to any
+size. I resolved to let this apparatus cool for two years, letting
+the temperature go down slowly during the time. And I was now
+quite out of money; and with a big fire and the rent of my room, as
+well as my hunger to satisfy, I had scarcely a penny in the world.
+
+"I can hardly tell you all the shifts I was put to while I was
+making the diamonds. I have sold newspapers, held horses, opened
+cab-doors. For many weeks I addressed envelopes. I had a place as
+assistant to a man who owned a barrow, and used to call down one
+side of the road while he called down the other.
+
+"Once for a week I had absolutely nothing to do, and I begged.
+What a week that was! One day the fire was going out and I had
+eaten nothing all day, and a little chap taking his girl out, gave
+me sixpence--to show off. Thank heaven for vanity! How the
+fish-shops smelt! But I went and spent it all on coals, and had
+the furnace bright red again, and then--Well, hunger makes a fool
+of a man.
+
+"At last, three weeks ago, I let the fire out. I took my
+cylinder and unscrewed it while it was still so hot that it
+punished my hands, and I scraped out the crumbling lava-like mass
+with a chisel, and hammered it into a powder upon an iron plate.
+And I found three big diamonds and five small ones. As I sat on
+the floor hammering, my door opened, and my neighbour, the
+begging-letter writer came in. He was drunk--as he usually is.
+"'Nerchist,' said he. 'You're drunk,' said I. ''Structive
+scoundrel,' said he. 'Go to your father,' said I, meaning the
+Father of Lies. 'Never you mind,' said he, and gave me a cunning
+wink, and hiccuped, and leaning up against the door, with his other
+eye against the door-post, began to babble of how he had been
+prying in my room, and how he had gone to the police that morning,
+and how they had taken down everything he had to say--''siffiwas
+a ge'm,' said he. Then I suddenly realised I was in a hole.
+Either I should have to tell these police my little secret, and get
+the whole thing blown upon, or be lagged as an Anarchist. So I
+went up to my neighbour and took him by the collar, and rolled him
+about a bit, and then I gathered up my diamonds and cleared out.
+The evening newspapers called my den the Kentish Town Bomb Factory.
+And now I cannot part with the things for love or money.
+
+"If I go in to respectable jewellers they ask me to wait, and
+go and whisper to a clerk to fetch a policeman, and then I say I
+cannot wait. And I found out a receiver of stolen goods, and he
+simply stuck to the one I gave him and told me to prosecute if I
+wanted it back. I am going about now with several hundred thousand
+pounds-worth of diamonds round my neck, and without either food or
+shelter. You are the first person I have taken into my confidence.
+But I like your face and I am hard-driven."
+
+He looked into my eyes.
+
+"It would be madness," said I, "for me to buy a diamond under
+the circumstances. Besides, I do not carry hundreds of pounds
+about in my pocket. Yet I more than half believe your story. I
+will, if you like, do this: come to my office to-morrow . . . . "
+
+"You think I am a thief!" said he keenly. "You will tell the
+police. I am not coming into a trap."
+
+"Somehow I am assured you are no thief. Here is my card.
+Take that, anyhow. You need not come to any appointment. Come
+when you will."
+
+He took the card, and an earnest of my good-will.
+
+"Think better of it and come," said I.
+
+He shook his head doubtfully. "I will pay back your
+half-crown with interest some day--such interest as will amaze
+you," said he. "Anyhow, you will keep the secret? . . . . Don't
+follow me."
+
+He crossed the road and went into the darkness towards the
+little steps under the archway leading into Essex Street, and I let
+him go. And that was the last I ever saw of him.
+
+Afterwards I had two letters from him asking me to send
+bank-notes--not cheques--to certain addresses. I weighed the
+matter over and took what I conceived to be the wisest course.
+Once he called upon me when I was out. My urchin described him as
+a very thin, dirty, and ragged man, with a dreadful cough. He left
+no message. That was the finish of him so far as my story goes.
+I wonder sometimes what has become of him. Was he an ingenious
+monomaniac, or a fraudulent dealer in pebbles, or has he really
+made diamonds as he asserted? The latter is just sufficiently
+credible to make me think at times that I have missed the most
+brilliant opportunity of my life. He may of course be dead, and
+his diamonds carelessly thrown aside--one, I repeat, was almost as
+big as my thumb. Or he may be still wandering about trying to sell
+the things. It is just possible he may yet emerge upon society,
+and, passing athwart my heavens in the serene altitude sacred to
+the wealthy and the well-advertised, reproach me silently for my
+want of enterprise. I sometimes think I might at least have risked
+five pounds.
+
+
+
+
+THE LORD OF THE DYNAMOS
+
+The chief attendant of the three dynamos that buzzed and rattled at
+Camberwell, and kept the electric railway going, came out of
+Yorkshire, and his name was James Holroyd. He was a practical
+electrician, but fond of whisky, a heavy red-haired brute with
+irregular teeth. He doubted the existence of the deity, but
+accepted Carnot's cycle, and he had read Shakespeare and found him
+weak in chemistry. His helper came out of the mysterious East, and
+his name was Azuma-zi. But Holroyd called him Pooh-bah. Holroyd
+liked a nigger because he would stand kicking--a habit with
+Holroyd--and did not pry into the machinery and try to learn the
+ways of it. Certain odd possibilities of the negro mind brought
+into abrupt contact with the crown of our civilisation Holroyd
+never fully realised, though just at the end he got some inkling of
+them.
+
+To define Azuma-zi was beyond ethnology. He was, perhaps,
+more negroid than anything else, though his hair was curly rather
+than frizzy, and his nose had a bridge. Moreover, his skin was
+brown rather than black, and the whites of his eyes were yellow.
+His broad cheekbones and narrow chin gave his face something of the
+viperine V. His head, too, was broad behind, and low and narrow at
+the forehead, as if his brain had been twisted round in the reverse
+way to a European's. He was short of stature and still shorter of
+English. In conversation he made numerous odd noises of no known
+marketable value, and his infrequent words were carved and wrought
+into heraldic grotesqueness. Holroyd tried to elucidate his
+religious beliefs, and--especially after whisky--lectured to him
+against superstition and missionaries. Azuma-zi, however, shirked
+the discussion of his gods, even though he was kicked for it.
+
+Azuma-zi had come, clad in white but insufficient raiment, out
+of the stokehole of the Lord Clive, from the Straits
+Settlements, and beyond, into London. He had heard even in his
+youth of the greatness and riches of London, where all the women
+are white and fair, and even the beggars in the streets are white,
+and he arrived, with newly earned gold coins in his pocket, to
+worship at the shrine of civilisation. The day of his landing was
+a dismal one; the sky was dun, and a wind-worried drizzle filtered
+down to the greasy streets, but he plunged boldly into the delights
+of Shadwell, and was presently cast up, shattered in health,
+civilised in costume, penniless and, except in matters of the
+direst necessity, practically a dumb animal, to toil for James
+Holroyd and to be bullied by him in the dynamo shed at Camberwell.
+And to James Holroyd bullying was a labour of love.
+
+There were three dynamos with their engines at Camberwell.
+The two that had been there since the beginning were small
+machines; the larger one was new. The smaller machines made a
+reasonable noise; their straps hummed over the drums, every now and
+then the brushes buzzed and fizzled, and the air churned steadily,
+whoo! whoo! whoo! between their poles. One was loose in its
+foundations and kept the shed vibrating. But the big dynamo
+drowned these little noises altogether with the sustained drone of
+its iron core, which somehow set part of the ironwork humming. The
+place made the visitor's head reel with the throb, throb, throb of
+the engines, the rotation of the big wheels, the spinning
+ball-valves, the occasional spittings of the steam, and over all
+the deep, unceasing, surging note of the big dynamo. This last
+noise was from an engineering point of view a defect, but Azuma-zi
+accounted it unto the monster for mightiness and pride.
+
+If it were possible we would have the noises of that shed
+always about the reader as he reads, we would tell all our story to
+such an accompaniment. It was a steady stream of din, from which
+the ear picked out first one thread and then another; there was the
+intermittent snorting, panting, and seething of the steam engines,
+the suck and thud of their pistons, the dull beat on the air as the
+spokes of the great driving-wheels came round, a note the leather
+straps made as they ran tighter and looser, and a fretful tumult
+from the dynamos; and over all, sometimes inaudible, as the ear
+tired of it, and then creeping back upon the senses again, was this
+trombone note of the big machine. The floor never felt steady and
+quiet beneath one's feet, but quivered and jarred. It was a
+confusing, unsteady place, and enough to send anyone's thoughts
+jerking into odd zigzags. And for three months, while the big
+strike of the engineers was in progress, Holroyd, who was a
+blackleg, and Azuma-zi, who was a mere black, were never out of the
+stir and eddy of it, but slept and fed in the little wooden shanty
+between the shed and the gates.
+
+Holroyd delivered a theological lecture on the text of his big
+machine soon after Azuma-zi came. He had to shout to be heard in
+the din. "Look at that," said Holroyd; "where's your 'eathen idol
+to match 'im?" And Azuma-zi looked. For a moment Holroyd was
+inaudible, and then Azuma-zi heard: "Kill a hundred men. Twelve
+per cent. on the ordinary shares," said Holroyd, "and that's
+something like a Gord!"
+
+Holroyd was proud of his big dynamo, and expatiated upon its
+size and power to Azuma-zi until heaven knows what odd currents of
+thought that and the incessant whirling and shindy set up within
+the curly black cranium. He would explain in the most graphic
+manner the dozen or so ways in which a man might be killed by it,
+and once he gave Azuma-zi a shock as a sample of its quality.
+After that, in the breathing-times of his labour--it was heavy
+labour, being not only his own, but most of Holroyd's--Azuma-zi
+would sit and watch the big machine. Now and then the brushes
+would sparkle and spit blue flashes, at which Holroyd would swear,
+but all the rest was as smooth and rhythmic as breathing. The band
+ran shouting over the shaft, and ever behind one as one watched was
+the complacent thud of the piston. So it lived all day in this big
+airy shed, with him and Holroyd to wait upon it; not prisoned up
+and slaving to drive a ship as the other engines he knew--mere
+captive devils of the British Solomon--had been, but a machine
+enthroned. Those two smaller dynamos, Azuma-zi by force of
+contrast despised; the large one he privately christened the Lord
+of the Dynamos. They were fretful and irregular, but the big
+dynamo was steady. How great it was! How serene and easy in its
+working! Greater and calmer even than the Buddhas he had seen at
+Rangoon, and yet not motionless, but living! The great black coils
+spun, spun, spun, the rings ran round under the brushes, and the
+deep note of its coil steadied the whole. It affected Azuma-zi
+queerly.
+
+Azuma-zi was not fond of labour. He would sit about and watch
+the Lord of the Dynamos while Holroyd went away to persuade the
+yard porter to get whisky, although his proper place was not in the
+dynamo shed but behind the engines, and, moreover, if Holroyd
+caught him skulking he got hit for it with a rod of stout copper
+wire. He would go and stand close to the colossus and look up at
+the great leather band running overhead. There was a black patch
+on the band that came round, and it pleased him somehow among all
+the clatter to watch this return again and again. Odd thoughts
+spun with the whirl of it. Scientific people tell us that savages
+give souls to rocks and trees--and a machine is a thousand times
+more alive than a rock or a tree. And Azuma-zi was practically a
+savage still; the veneer of civilisation lay no deeper than his
+slop suit, his bruises, and the coal grime on his face and hands.
+His father before him had worshipped a meteoric stone, kindred
+blood it may be had splashed the broad wheels of Juggernaut.
+
+He took every opportunity Holroyd gave him of touching and
+hand, ling the great dynamo that was fascinating him. He polished
+and cleaned it until the metal parts were blinding in the sun. He
+felt a mysterious sense of service in doing this. He would go up
+to it and touch its spinning coils gently. The gods he had
+worshipped were all far away. The people in London hid their gods.
+
+At last his dim feelings grew more distinct, and took shape in
+thoughts and at last in acts. When he came into the roaring shed
+one morning he salaamed to the Lord of the Dynamos, and then when
+Holroyd was away, he went and whispered to the thundering machine
+that he was its servant, and prayed it to have pity on him and save
+him from Holroyd. As he did so a rare gleam of light came in
+through the open archway of the throbbing machine-shed, and the
+Lord of the Dynamos, as he whirled and roared, was radiant with
+pale gold. Then Azuma-zi knew that his service was acceptable to
+his Lord. After that he did not feel so lonely as he had done, and
+he had indeed been very much alone in London. And even when his
+work time was over, which was rare, he loitered about the shed.
+
+Then, the next time Holroyd maltreated him, Azuma-zi went
+presently to the Lord of the Dynamos and whispered, "Thou seest, O
+my Lord!" and the angry whir of the machinery seemed to answer him.
+Thereafter it appeared to him that whenever Holroyd came into the
+shed a different note came into the sounds of the dynamo. "My Lord
+bides his time," said Azuma-zi to himself. "The iniquity of the
+fool is not yet ripe." And he waited and watched for the day of
+reckoning. One day there was evidence of short circuiting, and
+Holroyd, making an unwary examination--it was in the afternoon--got
+a rather severe shock. Azuma-zi from behind the engine saw him
+jump off and curse at the peccant coil.
+
+"He is warned," said Azuma-zi to himself. "Surely my Lord is
+very patient."
+
+Holroyd had at first initiated his "nigger" into such
+elementary conceptions of the dynamo's working as would enable him
+to take temporary charge of the shed in his absence. But when he
+noticed the manner in which Azuma-zi hung about the monster he
+became suspicious. He dimly perceived his assistant was "up to
+something," and connecting him with the anointing of the coils with
+oil that had rotted the varnish in one place, he issued an edict,
+shouted above the confusion of the machinery, "Don't 'ee go nigh
+that big dynamo any more, Pooh-bah, or a'll take thy skin off!"
+Besides, if it pleased Azuma-zi to be near the big machine, it was
+plain sense and decency to keep him away from it.
+
+Azuma-zi obeyed at the time, but later he was caught bowing
+before the Lord of the Dynamos. At which Holroyd twisted his arm
+and kicked him as he turned to go away. As Azuma-zi presently
+stood behind the engine and glared at the back of the hated
+Holroyd, the noises of the machinery took a new rhythm, and sounded
+like four words in his native tongue.
+
+It is hard to say exactly what madness is. I fancy Azuma-zi
+was mad. The incessant din and whirl of the dynamo shed may have
+churned up his little store of knowledge and his big store of
+superstitious fancy, at last, into something akin to frenzy. At
+any rate, when the idea of making Holroyd a sacrifice to the Dynamo
+Fetich was thus suggested to him, it filled him with a strange
+tumult of exultant emotion.
+
+That night the two men and their black shadows were alone in
+the shed together. The shed was lit with one big arc light that
+winked and flickered purple. The shadows lay black behind the
+dynamos, the ball governors of the engines whirled from light to
+darkness, and their pistons beat loud and steady. The world
+outside seen through the open end of the shed seemed incredibly dim
+and remote. It seemed absolutely silent, too, since the riot of
+the machinery drowned every external sound. Far away was the black
+fence of the yard with grey shadowy houses behind, and above was
+the deep blue sky and the pale little stars. Azuma-zi suddenly
+walked across the centre of the shed above which the leather bands
+were running, and went into the shadow by the big dynamo. Holroyd
+heard a click, and the spin of the armature changed.
+
+"What are you dewin' with that switch?" he bawled in surprise.
+"Han't I told you--"
+
+Then he saw the set expression of Azuma-zi's eyes as the
+Asiatic came out of the shadow towards him.
+
+In another moment the two men were grappling fiercely in front
+of the great dynamo.
+
+"You coffee-headed fool!" gasped Holroyd, with a brown hand at
+his throat. "Keep off those contact rings." In another moment he
+was tripped and reeling back upon the Lord of the Dynamos. He
+instinctively loosened his grip upon his antagonist to save himself
+from the machine.
+
+The messenger, sent in furious haste from the station to find
+out what had happened in the dynamo shed, met Azuma-zi at the
+porter's lodge by the gate. Azuma-zi tried to explain something,
+but the messenger could make nothing of the black's incoherent
+English, and hurried on to the shed. The machines were all noisily
+at work, and nothing seemed to be disarranged. There was, however,
+a queer smell of singed hair. Then he saw an odd-looking crumpled
+mass clinging to the front of the big dynamo, and, approaching,
+recognised the distorted remains of Holroyd.
+
+The man stared and hesitated a moment. Then he saw the face,
+and shut his eyes convulsively. He turned on his heel before he
+opened them, so that he should not see Holroyd again, and went out
+of the shed to get advice and help.
+
+When Azuma-zi saw Holroyd die in the grip of the Great Dynamo
+he had been a little scared about the consequences of his act. Yet
+he felt strangely elated, and knew that the favour of the Lord
+Dynamo was upon him. His plan was already settled when he met the
+man coming from the station, and the scientific manager who
+speedily arrived on the scene jumped at the obvious conclusion of
+suicide. This expert scarcely noticed Azuma-zi, except to ask a
+few questions. Did he see Holroyd kill himself? Azuma-zi
+explained that he had been out of sight at the engine furnace until
+he heard a difference in the noise from the dynamo. It was not a
+difficult examination, being untinctured by suspicion.
+
+The distorted remains of Holroyd, which the electrician
+removed from the machine, were hastily covered by the porter with
+a coffee-stained tablecloth. Somebody, by a happy inspiration,
+fetched a medical man. The expert was chiefly anxious to get the
+machine at work again, for seven or eight trains had stopped midway
+in the stuffy tunnels of the electric railway. Azuma-zi, answering
+or misunderstanding the questions of the people who had by
+authority or impudence come into the shed, was presently sent back
+to the stoke-hole by the scientific manager. Of course a crowd
+collected outside the gates of the yard--a crowd, for no known
+reason, always hovers for a day or two near the scene of a sudden
+death in London; two or three reporters percolated somehow into the
+engine-shed, and one even got to Azuma-zi; but the scientific
+expert cleared them out again, being himself an amateur journalist.
+
+Presently the body was carried away, and public interest
+departed with it. Azuma-zi remained very quietly at his furnace,
+seeing over and over again in the coals a figure that wriggled
+violently and became still. An hour after the murder, to anyone
+coming into the shed it would have looked exactly as if nothing had
+ever happened there. Peeping presently from his engine-room the
+black saw the Lord Dynamo spin and whirl beside his little
+brothers, and the driving wheels were beating round, and the steam
+in the pistons went thud, thud, exactly as it had been earlier in
+the evening. After all, from the mechanical point of view, it had
+been a most insignificant incident--the mere temporary deflection
+of a current. But now the slender form and slender shadow of the
+scientific manager replaced the sturdy outline of Holroyd
+travelling up and down the lane of light upon the vibrating floor
+under the straps between the engines and the dynamos.
+
+"Have I not served my Lord?" said Azuma-zi inaudibly, from his
+shadow, and the note of the great dynamo rang out full and clear.
+As he looked at the big whirling mechanism the strange fascination
+of it that had been a little in abeyance since Holroyd's death,
+resumed its sway.
+
+Never had Azuma-zi seen a man killed so swiftly and
+pitilessly. The big humming machine had slain its victim without
+wavering for a second from its steady beating. It was indeed a
+mighty god.
+
+The unconscious scientific manager stood with his back to him,
+scribbling on a piece of paper. His shadow lay at the foot of the
+monster.
+
+"Was the Lord Dynamo still hungry? His servant was ready."
+
+Azuma-zi made a stealthy step forward; then stopped. The
+scientific manager suddenly stopped writing, and walked down the
+shed to the endmost of the dynamos, and began to examine the
+brushes.
+
+Azuma-zi hesitated, and then slipped across noiselessly into
+shadow by the switch. There he waited. Presently the manager's
+footsteps could be heard returning. He stopped in his old
+position, unconscious of the stoker crouching ten feet away from
+him. Then the big dynamo suddenly fizzled, and in another moment
+Azuma-zi had sprung out of the darkness upon him.
+
+First, the scientific manager was gripped round the body and
+swung towards the big dynamo, then, kicking with his knee and
+forcing his antagonist's head down with his hands, he loosened the
+grip on his waist and swung round away from the machine. Then the
+black grasped him again, putting a curly head against his chest,
+and they swayed and panted as it seemed for an age or so. Then the
+scientific manager was impelled to catch a black ear in his teeth
+and bite furiously. The black yelled hideously.
+
+They rolled over on the floor, and the black, who had
+apparently slipped from the vice of the teeth or parted with some
+ear--the scientific manager wondered which at the time--tried to
+throttle him. The scientific manager was making some ineffectual
+attempts to claw something with his hands and to kick, when the
+welcome sound of quick footsteps sounded on the floor. The next
+moment Azuma-zi had left him and darted towards the big dynamo.
+There was a splutter amid the roar.
+
+The officer of the company who had entered, stood staring as
+Azuma-zi caught the naked terminals in his hands, gave one horrible
+convulsion, and then hung motionless from the machine, his face
+violently distorted.
+
+"I'm jolly glad you came in when you did," said the scientific
+manager, still sitting on the floor.
+
+He looked at the still quivering figure.
+
+"It's not a nice death to die, apparently--but it is quick."
+
+The official was still staring at the body. He was a man of
+slow apprehension.
+
+There was a pause.
+
+The scientific manager got up on his feet rather awkwardly.
+He ran his fingers along his collar thoughtfully, and moved his
+head to and fro several times.
+
+"Poor Holroyd! I see now." Then almost mechanically he went
+towards the switch in the shadow and turned the current into the
+railway circuit again. As he did so the singed body loosened its
+grip upon the machine and fell forward on its face. The core of
+the dynamo roared out loud and clear, and the armature beat the
+air.
+
+So ended prematurely the Worship of the Dynamo Deity, perhaps
+the most short-lived of all religions. Yet withal it could at
+least boast a Martyrdom and a Human Sacrifice.
+
+
+
+
+THE COUNTRY OF THE BLIND
+
+Three hundred miles and more from Chimborazo, one hundred from the
+snows of Cotopaxi, in the wildest wastes of Ecuador's Andes, there
+lies that mysterious mountain valley, cut off from all the world of
+men, the Country of the Blind. Long years ago that valley lay so
+far open to the world that men might come at last through frightful
+gorges and over an icy pass into its equable meadows, and thither
+indeed men came, a family or so of Peruvian half-breeds fleeing
+from the lust and tyranny of an evil Spanish ruler. Then came the
+stupendous outbreak of Mindobamba, when it was night in Quito for
+seventeen days, and the water was boiling at Yaguachi and all the
+fish floating dying even as far as Guayaquil; everywhere along the
+Pacific slopes there were land-slips and swift thawings and sudden
+floods, and one whole side of the old Arauca crest slipped and came
+down in thunder, and cut off the Country of the Blind for ever from
+the exploring feet of men. But one of these early settlers had
+chanced to be on the hither side of the gorges when the world had
+so terribly shaken itself, and he perforce had to forget his wife
+and his child and all the friends and possessions he had left up
+there, and start life over again in the lower world. He started it
+again but ill, blindness overtook him, and he died of punishment in
+the mines; but the story he told begot a legend that lingers along
+the length of the Cordilleras of the Andes to this day.
+
+He told of his reason for venturing back from that fastness,
+into which he had first been carried lashed to a llama, beside a
+vast bale of gear, when he was a child. The valley, he said, had
+in it all that the heart of man could desire--sweet water, pasture,
+an even climate, slopes of rich brown soil with tangles of a shrub
+that bore an excellent fruit, and on one side great hanging forests
+of pine that held the avalanches high. Far overhead, on three
+sides, vast cliffs of grey-green rock were capped by cliffs of ice;
+but the glacier stream came not to them, but flowed away by the
+farther slopes, and only now and then huge ice masses fell on the
+valley side. In this valley it neither rained nor snowed, but the
+abundant springs gave a rich green pasture, that irrigation would
+spread over all the valley space. The settlers did well indeed
+there. Their beasts did well and multiplied, and but one thing
+marred their happiness. Yet it was enough to mar it greatly. A
+strange disease had come upon them and had made all the children
+born to them there--and, indeed, several older children
+also--blind. It was to seek some charm or antidote against this
+plague of blindness that he had with fatigue and danger and
+difficulty returned down the gorge. In those days, in such cases,
+men did not think of germs and infections, but of sins, and it
+seemed to him that the reason of this affliction must he in the
+negligence of these priestless immigrants to set up a shrine so
+soon as they entered the valley. He wanted a shrine--a handsome,
+cheap, effectual shrine--to be erected in the valley; he wanted
+relics and such-like potent things of faith, blessed objects and
+mysterious medals and prayers. In his wallet he had a bar of
+native silver for which he would not account; he insisted there was
+none in the valley with something of the insistence of an inexpert
+liar. They had all clubbed their money and ornaments together,
+having little need for such treasure up there, he said, to buy them
+holy help against their ill. I figure this dim-eyed young
+mountaineer, sunburnt, gaunt, and anxious, hat brim clutched
+feverishly, a man all unused to the ways of the lower world,
+telling this story to some keen-eyed, attentive priest before the
+great convulsion; I can picture him presently seeking to return
+with pious and infallible remedies against that trouble, and the
+infinite dismay with which he must have faced the tumbled vastness
+where the gorge had once come out. But the rest of his story of
+mischances is lost to me, save that I know of his evil death after
+several years. Poor stray from that remoteness! The stream that
+had once made the gorge now bursts from the mouth of a rocky cave,
+and the legend his poor, ill-told story set going developed into
+the legend of a race of blind men somewhere "over there" one may
+still hear to-day.
+
+And amidst the little population of that now isolated and
+forgotten valley the disease ran its course. The old became
+groping, the young saw but dimly, and the children that were born
+to them never saw at all. But life was very easy in that
+snow-rimmed basin, lost to all the world, with neither thorns nor
+briers, with no evil insects nor any beasts save the gentle breed
+of llamas they had lugged and thrust and followed up the beds of
+the shrunken rivers in the gorges up which they had come. The
+seeing had become purblind so gradually that they scarcely noticed
+their loss. They guided the sightless youngsters hither and
+thither until they knew the whole valley marvellously, and when at
+last sight died out among them the race lived on. They had even
+time to adapt themselves to the blind control of fire, which they
+made carefully in stoves of stone. They were a simple strain of
+people at the first, unlettered, only slightly touched with the
+Spanish civilisation, but with something of a tradition of the arts
+of old Peru and of its lost philosophy. Generation followed
+generation. They forgot many things; they devised many things.
+Their tradition of the greater world they came from became mythical
+in colour and uncertain. In all things save sight they were strong
+and able, and presently chance sent one who had an original mind
+and who could talk and persuade among them, and then afterwards
+another. These two passed, leaving their effects, and the little
+community grew in numbers and in understanding, and met and settled
+social and economic problems that arose. Generation followed
+generation. Generation followed generation. There came a time
+when a child was born who was fifteen generations from that
+ancestor who went out of the valley with a bar of silver to seek
+God's aid, and who never returned. Thereabout it chanced that a
+man came into this community from the outer world. And this is the
+story of that man.
+
+He was a mountaineer from the country near Quito, a man who
+had been down to the sea and had seen the world, a reader of books
+in an original way, an acute and enterprising man, and he was taken
+on by a party of Englishmen who had come out to Ecuador to climb
+mountains, to replace one of their three Swiss guides who had
+fallen ill. He climbed here and he climbed there, and then came
+the attempt on Parascotopetl, the Matterhorn of the Andes, in which
+he was lost to the outer world. The story of that accident has
+been written a dozen times. Pointer's narrative is the best. He
+tells how the little party worked their difficult and almost
+vertical way up to the very foot of the last and greatest
+precipice, and how they built a night shelter amidst the snow upon
+a little shelf of rock, and, with a touch of real dramatic power,
+how presently they found Nunez had gone from them. They shouted,
+and there was no reply; shouted and whistled, and for the rest of
+that night they slept no more.
+
+As the morning broke they saw the traces of his fall. It
+seems impossible he could have uttered a sound. He had slipped
+eastward towards the unknown side of the mountain; far below he had
+struck a steep slope of snow, and ploughed his way down it in the
+midst of a snow avalanche. His track went straight to the edge of
+a frightful precipice, and beyond that everything was hidden. Far,
+far below, and hazy with distance, they could see trees rising out
+of a narrow, shut-in valley--the lost Country of the Blind. But
+they did not know it was the lost Country of the Blind, nor
+distinguish it in any way from any other narrow streak of upland
+valley. Unnerved by this disaster, they abandoned their attempt in
+the afternoon, and Pointer was called away to the war before he
+could make another attack. To this day Parascotopetl lifts an
+unconquered crest, and Pointer's shelter crumbles unvisited amidst
+the snows.
+
+And the man who fell survived.
+
+At the end of the slope he fell a thousand feet, and came down
+in the midst of a cloud of snow upon a snow-slope even steeper than
+the one above. Down this he was whirled, stunned and insensible,
+but without a bone broken in his body; and then at last came to
+gentler slopes, and at last rolled out and lay still, buried amidst
+a softening heap of the white masses that had accompanied and saved
+him. He came to himself with a dim fancy that he was ill in bed;
+then realized his position with a mountaineer's intelligence and
+worked himself loose and, after a rest or so, out until he saw the
+stars. He rested flat upon his chest for a space, wondering where
+he was and what had happened to him. He explored his limbs, and
+discovered that several of his buttons were gone and his coat
+turned over his head. His knife had gone from his pocket and his
+hat was lost, though he had tied it under his chin. He recalled
+that he had been looking for loose stones to raise his piece of the
+shelter wall. His ice-axe had disappeared.
+
+He decided he must have fallen, and looked up to see,
+exaggerated by the ghastly light of the rising moon, the tremendous
+flight he had taken. For a while he lay, gazing blankly at the
+vast, pale cliff towering above, rising moment by moment out of a
+subsiding tide of darkness. Its phantasmal, mysterious beauty held
+him for a space, and then he was seized with a paroxysm of sobbing
+laughter . . . .
+
+After a great interval of time he became aware that he was
+near the lower edge of the snow. Below, down what was now a
+moon-lit and practicable slope, he saw the dark and broken
+appearance of rock-strewn turf He struggled to his feet, aching in
+every joint and limb, got down painfully from the heaped loose snow
+about him, went downward until he was on the turf, and there
+dropped rather than lay beside a boulder, drank deep from the flask
+in his inner pocket, and instantly fell asleep . . . .
+
+He was awakened by the singing of birds in the trees far
+below.
+
+He sat up and perceived he was on a little alp at the foot of
+a vast precipice that sloped only a little in the gully down which
+he and his snow had come. Over against him another wall of rock
+reared itself against the sky. The gorge between these precipices
+ran east and west and was full of the morning sunlight, which lit
+to the westward the mass of fallen mountain that closed the
+descending gorge. Below him it seemed there was a precipice
+equally steep, but behind the snow in the gully he found a sort of
+chimney-cleft dripping with snow-water, down which a desperate man
+might venture. He found it easier than it seemed, and came at last
+to another desolate alp, and then after a rock climb of no
+particular difficulty, to a steep slope of trees. He took his
+bearings and turned his face up the gorge, for he saw it opened out
+above upon green meadows, among which he now glimpsed quite
+distinctly a cluster of stone huts of unfamiliar fashion. At times
+his progress was like clambering along the face of a wall, and
+after a time the rising sun ceased to strike along the gorge, the
+voices of the singing birds died away, and the air grew cold and
+dark about him. But the distant valley with its houses was all the
+brighter for that. He came presently to talus, and among the rocks
+he noted--for he was an observant man--an unfamiliar fern that
+seemed to clutch out of the crevices with intense green hands. He
+picked a frond or so and gnawed its stalk, and found it helpful.
+
+About midday he came at last out of the throat of the gorge
+into the plain and the sunlight. He was stiff and weary; he sat
+down in the shadow of a rock, filled up his flask with water from
+a spring and drank it down, and remained for a time, resting before
+he went on to the houses.
+
+They were very strange to his eyes, and indeed the whole
+aspect of that valley became, as he regarded it, queerer and more
+unfamiliar. The greater part of its surface was lush green meadow,
+starred with many beautiful flowers, irrigated with extraordinary
+care, and bearing evidence of systematic cropping piece by piece.
+High up and ringing the valley about was a wall, and what appeared
+to be a circumferential water channel, from which the little
+trickles of water that fed the meadow plants came, and on the
+higher slopes above this flocks of llamas cropped the scanty
+herbage. Sheds, apparently shelters or feeding-places for the
+llamas, stood against the boundary wall here and there. The
+irrigation streams ran together into a main channel down the centre
+of the valley, and this was enclosed on either side by a wall
+breast high. This gave a singularly urban quality to this secluded
+place, a quality that was greatly enhanced by the fact that a
+number of paths paved with black and white stones, and each with a
+curious little kerb at the side, ran hither and thither in an
+orderly manner. The houses of the central village were quite
+unlike the casual and higgledy-piggledy agglomeration of the
+mountain villages he knew; they stood in a continuous row on either
+side of a central street of astonishing cleanness, here and there
+their parti-coloured facade was pierced by a door, and not a
+solitary window broke their even frontage. They were
+parti-coloured with extraordinary irregularity, smeared with a sort
+of plaster that was sometimes grey, sometimes drab, sometimes
+slate-coloured or dark brown; and it was the sight of this wild
+plastering first brought the word "blind" into the thoughts of the
+explorer. "The good man who did that," he thought, "must have been
+as blind as a bat."
+
+He descended a steep place, and so came to the wall and
+channel that ran about the valley, near where the latter spouted
+out its surplus contents into the deeps of the gorge in a thin and
+wavering thread of cascade. He could now see a number of men and
+women resting on piled heaps of grass, as if taking a siesta, in
+the remoter part of the meadow, and nearer the village a number of
+recumbent children, and then nearer at hand three men carrying
+pails on yokes along a little path that ran from the encircling
+wall towards the houses. These latter were clad in garments of
+llama cloth and boots and belts of leather, and they wore caps of
+cloth with back and ear flaps. They followed one another in single
+file, walking slowly and yawning as they walked, like men who have
+been up all night. There was something so reassuringly prosperous
+and respectable in their bearing that after a moment's hesitation
+Nunez stood forward as conspicuously as possible upon his rock, and
+gave vent to a mighty shout that echoed round the valley.
+
+The three men stopped, and moved their heads as though they
+were looking about them. They turned their faces this way and
+that, and Nunez gesticulated with freedom. But they did not appear
+to see him for all his gestures, and after a time, directing
+themselves towards the mountains far away to the right, they
+shouted as if in answer. Nunez bawled again, and then once more,
+and as he gestured ineffectually the word "blind" came up to the
+top of his thoughts. "The fools must be blind," he said.
+
+When at last, after much shouting and wrath, Nunez crossed the
+stream by a little bridge, came through a gate in the wall, and
+approached them, he was sure that they were blind. He was sure
+that this was the Country of the Blind of which the legends told.
+Conviction had sprung upon him, and a sense of great and rather
+enviable adventure. The three stood side by side, not looking at
+him, but with their ears directed towards him, judging him by his
+unfamiliar steps. They stood close together like men a little
+afraid, and he could see their eyelids closed and sunken, as though
+the very balls beneath had shrunk away. There was an expression
+near awe on their faces.
+
+"A man," one said, in hardly recognisable Spanish. "A man it
+is--a man or a spirit--coming down from the rocks."
+
+But Nunez advanced with the confident steps of a youth who
+enters upon life. All the old stories of the lost valley and the
+Country of the Blind had come back to his mind, and through his
+thoughts ran this old proverb, as if it were a refrain:--
+
+"In the Country of the Blind the One-Eyed Man is King."
+
+"In the Country of the Blind the One-Eyed Man is King."
+
+And very civilly he gave them greeting. He talked to them and
+used his eyes.
+
+"Where does he come from, brother Pedro?" asked one.
+
+"Down out of the rocks."
+
+"Over the mountains I come," said Nunez, "out of the country
+beyond there--where men can see. From near Bogota--where there are
+a hundred thousands of people, and where the city passes out of
+sight."
+
+"Sight?" muttered Pedro. "Sight?"
+
+"He comes," said the second blind man, "out of the rocks."
+
+The cloth of their coats, Nunez saw was curious fashioned,
+each with a different sort of stitching.
+
+They startled him by a simultaneous movement towards him, each
+with a hand outstretched. He stepped back from the advance of
+these spread fingers.
+
+"Come hither," said the third blind man, following his motion
+and clutching him neatly.
+
+And they held Nunez and felt him over, saying no word further
+until they had done so.
+
+"Carefully," he cried, with a finger in his eye, and found
+they thought that organ, with its fluttering lids, a queer thing in
+him. They went over it again.
+
+"A strange creature, Correa," said the one called Pedro.
+"Feel the coarseness of his hair. Like a llama's hair."
+
+"Rough he is as the rocks that begot him," said Correa,
+investigating Nunez's unshaven chin with a soft and slightly moist
+hand. "Perhaps he will grow finer."
+
+Nunez struggled a little under their examination, but they
+gripped him firm.
+
+"Carefully," he said again.
+
+"He speaks," said the third man. "Certainly he is a man."
+
+"Ugh!" said Pedro, at the roughness of his coat.
+
+"And you have come into the world?" asked Pedro.
+
+"OUT of the world. Over mountains and glaciers; right
+over above there, half-way to the sun. Out of the great, big world
+that goes down, twelve days' journey to the sea."
+
+They scarcely seemed to heed him. "Our fathers have told us
+men may be made by the forces of Nature," said Correa. "It is the
+warmth of things, and moisture, and rottenness--rottenness."
+
+"Let us lead him to the elders," said Pedro.
+
+"Shout first," said Correa, "lest the children be afraid.
+This is a marvellous occasion."
+
+So they shouted, and Pedro went first and took Nunez by the
+hand to lead him to the houses.
+
+He drew his hand away. "I can see," he said.
+
+"See?" said Correa.
+
+"Yes; see," said Nunez, turning towards him, and stumbled
+against Pedro's pail.
+
+"His senses are still imperfect," said the third blind man.
+"He stumbles, and talks unmeaning words. Lead him by the hand."
+
+"As you will," said Nunez, and was led along laughing.
+
+It seemed they knew nothing of sight.
+
+Well, all in good time he would teach them.
+
+He heard people shouting, and saw a number of figures
+gathering together in the middle roadway of the village.
+
+He found it tax his nerve and patience more than he had
+anticipated, that first encounter with the population of the
+Country of the Blind. The place seemed larger as he drew near to
+it, and the smeared plasterings queerer, and a crowd of children
+and men and women (the women and girls he was pleased to note had,
+some of them, quite sweet faces, for all that their eyes were shut
+and sunken) came about him, holding on to him, touching him with
+soft, sensitive hands, smelling at him, and listening at every
+word he spoke. Some of the maidens and children, however, kept
+aloof as if afraid, and indeed his voice seemed coarse and rude
+beside their softer notes. They mobbed him. His three guides kept
+close to him with an effect of proprietorship, and said again and
+again, "A wild man out of the rocks."
+
+"Bogota," he said. "Bogota. Over the mountain crests."
+
+"A wild man--using wild words," said Pedro. "Did you hear
+that--"BOGOTA? His mind has hardly formed yet. He has only
+the beginnings of speech."
+
+A little boy nipped his hand. "Bogota!" he said mockingly.
+
+"Aye! A city to your village. I come from the great world
+--where men have eyes and see."
+
+"His name's Bogota," they said.
+
+"He stumbled," said Correa--" stumbled twice as we came
+hither."
+
+"Bring him in to the elders."
+
+And they thrust him suddenly through a doorway into a room as
+black as pitch, save at the end there faintly glowed a fire. The
+crowd closed in behind him and shut out all but the faintest
+glimmer of day, and before he could arrest himself he had fallen
+headlong over the feet of a seated man. His arm, outflung, struck
+the face of someone else as he went down; he felt the soft impact
+of features and heard a cry of anger, and for a moment he struggled
+against a number of hands that clutched him. It was a one-sided
+fight. An inkling of the situation came to him and he lay quiet.
+
+"I fell down," be said; I couldn't see in this pitchy
+darkness."
+
+There was a pause as if the unseen persons about him tried to
+understand his words. Then the voice of Correa said: "He is but
+newly formed. He stumbles as he walks and mingles words that mean
+nothing with his speech."
+
+Others also said things about him that he heard or understood
+imperfectly.
+
+"May I sit up?" he asked, in a pause. "I will not struggle
+against you again."
+
+They consulted and let him rise.
+
+The voice of an older man began to question him, and Nunez
+found himself trying to explain the great world out of which he had
+fallen, and the sky and mountains and such-like marvels, to these
+elders who sat in darkness in the Country of the Blind. And they
+would believe and understand nothing whatever that he told them, a
+thing quite outside his expectation. They would not even
+understand many of his words. For fourteen generations these
+people had been blind and cut off from all the seeing world; the
+names for all the things of sight had faded and changed; the story
+of the outer world was faded and changed to a child's story; and
+they had ceased to concern themselves with anything beyond the
+rocky slopes above their circling wall. Blind men of genius had
+arisen among them and questioned the shreds of belief and tradition
+they had brought with them from their seeing days, and had
+dismissed all these things as idle fancies and replaced them with
+new and saner explanations. Much of their imagination had
+shrivelled with their eyes, and they had made for themselves new
+imaginations with their ever more sensitive ears and finger-tips.
+Slowly Nunez realised this: that his expectation of wonder and
+reverence at his origin and his gifts was not to be borne out; and
+after his poor attempt to explain sight to them had been set aside
+as the confused version of a new-made being describing the marvels
+of his incoherent sensations, he subsided, a little dashed, into
+listening to their instruction. And the eldest of the blind men
+explained to him life and philosophy and religion, how that the
+world (meaning their valley) had been first an empty hollow in the
+rocks, and then had come first inanimate things without the gift of
+touch, and llamas and a few other creatures that had little sense,
+and then men, and at last angels, whom one could hear singing and
+making fluttering sounds, but whom no one could touch at all, which
+puzzled Nunez greatly until he thought of the birds.
+
+He went on to tell Nunez how this time had been divided into
+the warm and the cold, which are the blind equivalents of day and
+night, and how it was good to sleep in the warm and work during the
+cold, so that now, but for his advent, the whole town of the blind
+would have been asleep. He said Nunez must have been specially
+created to learn and serve the wisdom they had acquired, and that
+for all his mental incoherency and stumbling behaviour he must have
+courage and do his best to learn, and at that all the people in the
+door-way murmured encouragingly. He said the night--for the blind
+call their day night--was now far gone, and it behooved everyone to
+go back to sleep. He asked Nunez if he knew how to sleep, and
+Nunez said he did, but that before sleep he wanted food. They
+brought him food, llama's milk in a bowl and rough salted bread,
+and led him into a lonely place to eat out of their hearing, and
+afterwards to slumber until the chill of the mountain evening
+roused them to begin their day again. But Nunez slumbered not at
+all.
+
+Instead, he sat up in the place where they had left him,
+resting his limbs and turning the unanticipated circumstances of
+his arrival over and over in his mind.
+
+Every now and then he laughed, sometimes with amusement and
+sometimes with indignation.
+
+"Unformed mind!" he said. "Got no senses yet! They little
+know they've been insulting their Heaven-sent King and master . .
+. . .
+
+"I see I must bring them to reason.
+
+"Let me think.
+
+"Let me think."
+
+He was still thinking when the sun set.
+
+Nunez had an eye for all beautiful things, and it seemed to
+him that the glow upon the snow-fields and glaciers that rose about
+the valley on every side was the most beautiful thing he had ever
+seen. His eyes went from that inaccessible glory to the village
+and irrigated fields, fast sinking into the twilight, and suddenly
+a wave of emotion took him, and he thanked God from the bottom of
+his heart that the power of sight had been given him.
+
+He heard a voice calling to him from out of the village.
+
+"Yaho there, Bogota! Come hither!"
+
+At that he stood up, smiling. He would show these people once
+and for all what sight would do for a man. They would seek him,
+but not find him.
+
+"You move not, Bogota," said the voice.
+
+He laughed noiselessly and made two stealthy steps aside from
+the path.
+
+"Trample not on the grass, Bogota; that is not allowed."
+
+Nunez had scarcely heard the sound he made himself. He
+stopped, amazed.
+
+The owner of the voice came running up the piebald path
+towards him.
+
+He stepped back into the pathway. "Here I am," he said.
+
+"Why did you not come when I called you?" said the blind man.
+"Must you be led like a child? Cannot you hear the path as you
+walk?"
+
+Nunez laughed. "I can see it," he said.
+
+"There is no such word as SEE," said the blind man,
+after a pause. "Cease this folly and follow the sound of my feet."
+
+Nunez followed, a little annoyed.
+
+"My time will come," he said.
+
+"You'll learn," the blind man answered. "There is much to
+learn in the world."
+
+"Has no one told you, 'In the Country of the Blind the
+One-Eyed Man is King?'"
+
+"What is blind?" asked the blind man, carelessly, over his
+shoulder.
+
+Four days passed and the fifth found the King of the Blind
+still incognito, as a clumsy and useless stranger among his
+subjects.
+
+It was, he found, much more difficult to proclaim himself than
+he had supposed, and in the meantime, while he meditated his
+coup d'etat, he did what he was told and learnt the manners
+and customs of the Country of the Blind. He found working and
+going about at night a particularly irksome thing, and he decided
+that that should be the first thing he would change.
+
+They led a simple, laborious life, these people, with all the
+elements of virtue and happiness as these things can be understood
+by men. They toiled, but not oppressively; they had food and
+clothing sufficient for their needs; they had days and seasons of
+rest; they made much of music and singing, and there was love among
+them and little children. It was marvellous with what confidence
+and precision they went about their ordered world. Everything, you
+see, had been made to fit their needs; each of the radiating paths
+of the valley area had a constant angle to the others, and was
+distinguished by a special notch upon its kerbing; all obstacles
+and irregularities of path or meadow had long since been cleared
+away; all their methods and procedure arose naturally from their
+special needs. Their senses had become marvellously acute; they
+could hear and judge the slightest gesture of a man a dozen paces
+away--could hear the very beating of his heart. Intonation had
+long replaced expression with them, and touches gesture, and their
+work with hoe and spade and fork was as free and confident as
+garden work can be. Their sense of smell was extraordinarily fine;
+they could distinguish individual differences as readily as a dog
+can, and they went about the tending of llamas, who lived among
+the rocks above and came to the wall for food and shelter, with
+ease and confidence. It was only when at last Nunez sought to
+assert himself that he found how easy and confident their movements
+could be.
+
+He rebelled only after he had tried persuasion.
+
+He tried at first on several occasions to tell them of sight.
+"Look you here, you people," he said. "There are things you do not
+understand in me."
+
+Once or twice one or two of them attended to him; they sat
+with faces downcast and ears turned intelligently towards him, and
+he did his best to tell them what it was to see. Among his hearers
+was a girl, with eyelids less red and sunken than the others, so
+that one could almost fancy she was hiding eyes, whom especially he
+hoped to persuade. He spoke of the beauties of sight, of watching
+the mountains, of the sky and the sunrise, and they heard him with
+amused incredulity that presently became condemnatory. They told
+him there were indeed no mountains at all, but that the end of the
+rocks where the llamas grazed was indeed the end of the world;
+thence sprang a cavernous roof of the universe, from which the dew
+and the avalanches fell; and when he maintained stoutly the world
+had neither end nor roof such as they supposed, they said his
+thoughts were wicked. So far as he could describe sky and clouds
+and stars to them it seemed to them a hideous void, a terrible
+blankness in the place of the smooth roof to things in which they
+believed--it was an article of faith with them that the cavern roof
+was exquisitely smooth to the touch. He saw that in some manner he
+shocked them, and gave up that aspect of the matter altogether, and
+tried to show them the practical value of sight. One morning he
+saw Pedro in the path called Seventeen and coming towards the
+central houses, but still too far off for hearing or scent, and he
+told them as much. "In a little while," he prophesied, "Pedro will
+be here." An old man remarked that Pedro had no business on path
+Seventeen, and then, as if in confirmation, that individual as he
+drew near turned and went transversely into path Ten, and so back
+with nimble paces towards the outer wall. They mocked Nunez when
+Pedro did not arrive, and afterwards, when he asked Pedro questions
+to clear his character, Pedro denied and outfaced him, and was
+afterwards hostile to him.
+
+Then he induced them to let him go a long way up the sloping
+meadows towards the wall with one complaisant individual, and to
+him he promised to describe all that happened among the houses. He
+noted certain goings and comings, but the things that really seemed
+to signify to these people happened inside of or behind the
+windowless houses--the only things they took note of to test him
+by--and of those he could see or tell nothing; and it was after the
+failure of this attempt, and the ridicule they could not repress,
+that he resorted to force. He thought of seizing a spade and
+suddenly smiting one or two of them to earth, and so in fair combat
+showing the advantage of eyes. He went so far with that resolution
+as to seize his spade, and then he discovered a new thing about
+himself, and that was that it was impossible for him to hit a blind
+man in cold blood.
+
+He hesitated, and found them all aware that he had snatched up
+the spade. They stood all alert, with their heads on one side, and
+bent ears towards him for what he would do next.
+
+"Put that spade down," said one, and he felt a sort of
+helpless horror. He came near obedience.
+
+Then he had thrust one backwards against a house wall, and
+fled past him and out of the village.
+
+He went athwart one of their meadows, leaving a track of
+trampled grass behind his feet, and presently sat down by the side
+of one of their ways. He felt something of the buoyancy that comes
+to all men in the beginning of a fight, but more perplexity. He
+began to realise that you cannot even fight happily with creatures
+who stand upon a different mental basis to yourself. Far away he
+saw a number of men carrying spades and sticks come out of the
+street of houses and advance in a spreading line along the several
+paths towards him. They advanced slowly, speaking frequently to
+one another, and ever and again the whole cordon would halt and
+sniff the air and listen.
+
+The first time they did this Nunez laughed. But afterwards he
+did not laugh.
+
+One struck his trail in the meadow grass and came stooping and
+feeling his way along it.
+
+For five minutes he watched the slow extension of the cordon,
+and then his vague disposition to do something forthwith became
+frantic. He stood up, went a pace or so towards the
+circumferential wall, turned, and went back a little way. There
+they all stood in a crescent, still and listening.
+
+He also stood still, gripping his spade very tightly in both
+hands. Should he charge them?
+
+The pulse in his ears ran into the rhythm of "In the Country
+of the Blind the One-Eyed Man is King."
+
+Should he charge them?
+
+He looked back at the high and unclimbable wall
+behind--unclimbable because of its smooth plastering, but withal
+pierced with many little doors and at the approaching line of
+seekers. Behind these others were now coming out of the street of
+houses.
+
+Should he charge them?
+
+"Bogota!" called one. "Bogota! where are you?"
+
+He gripped his spade still tighter and advanced down the
+meadows towards the place of habitations, and directly he moved
+they converged upon him. "I'll hit them if they touch me," he
+swore; "by Heaven, I will. I'll hit." He called aloud, "Look
+here, I'm going to do what I like in this valley! Do you hear?
+I'm going to do what I like and go where I like."
+
+They were moving in upon him quickly, groping, yet moving
+rapidly. It was like playing blind man's buff with everyone
+blindfolded except one. "Get hold of him!" cried one. He found
+himself in the arc of a loose curve of pursuers. He felt suddenly
+he must be active and resolute.
+
+"You don't understand," he cried, in a voice that was meant to
+be great and resolute, and which broke. "You are blind and I can
+see. Leave me alone!"
+
+"Bogota! Put down that spade and come off the grass!"
+
+The last order, grotesque in its urban familiarity, produced
+a gust of anger. "I'll hurt you," he said, sobbing with emotion.
+"By Heaven, I'll hurt you! Leave me alone!"
+
+He began to run--not knowing clearly where to run. He ran
+from the nearest blind man, because it was a horror to hit him. He
+stopped, and then made a dash to escape from their closing ranks.
+He made for where a gap was wide, and the men on either side, with
+a quick perception of the approach of his paces, rushed in on one
+another. He sprang forward, and then saw he must be caught, and
+SWISH! the spade had struck. He felt the soft thud of hand
+and arm, and the man was down with a yell of pain, and he was
+through.
+
+Through! And then he was close to the street of houses again,
+and blind men, whirling spades and stakes, were running with a
+reasoned swiftness hither and thither.
+
+He heard steps behind him just in time, and found a tall man
+rushing forward and swiping at the sound of him. He lost his
+nerve, hurled his spade a yard wide of this antagonist, and whirled
+about and fled, fairly yelling as he dodged another.
+
+He was panic-stricken. He ran furiously to and fro, dodging
+when there was no need to dodge, and, in his anxiety to see on
+every side of him at once, stumbling. For a moment he was down and
+they heard his fall. Far away in the circumferential wall a little
+doorway looked like Heaven, and he set off in a wild rush for it.
+He did not even look round at his pursuers until it was gained, and
+he had stumbled across the bridge, clambered a little way among the
+rocks, to the surprise and dismay of a young llama, who went
+leaping out of sight, and lay down sobbing for breath.
+
+And so his coup d'etat came to an end.
+
+He stayed outside the wall of the valley of the blind for two
+nights and days without food or shelter, and meditated upon the
+Unexpected. During these meditations he repeated very frequently
+and always with a profounder note of derision the exploded proverb:
+"In the Country of the Blind the One-Eyed Man is King." He thought
+chiefly of ways of fighting and conquering these people, and it
+grew clear that for him no practicable way was possible. He had no
+weapons, and now it would be hard to get one.
+
+The canker of civilisation had got to him even in Bogota, and
+he could not find it in himself to go down and assassinate a blind
+man. Of course, if he did that, he might then dictate terms on the
+threat of assassinating them all. But--Sooner or later he must
+sleep! . . . .
+
+He tried also to find food among the pine trees, to be
+comfortable under pine boughs while the frost fell at night, and--
+with less confidence--to catch a llama by artifice in order to try
+to kill it--perhaps by hammering it with a stone--and so finally,
+perhaps, to eat some of it. But the llamas had a doubt of him and
+regarded him with distrustful brown eyes and spat when he drew
+near. Fear came on him the second day and fits of shivering.
+Finally he crawled down to the wall of the Country of the Blind and
+tried to make his terms. He crawled along by the stream, shouting,
+until two blind men came out to the gate and talked to him.
+
+"I was mad," he said. "But I was only newly made."
+
+They said that was better.
+
+He told them he was wiser now, and repented of all he had
+done.
+
+
+Then he wept without intention, for he was very weak and ill
+now, and they took that as a favourable sign.
+
+They asked him if he still thought he could SEE."
+
+"No," he said. "That was folly. The word means nothing.
+Less than nothing!"
+
+They asked him what was overhead.
+
+"About ten times ten the height of a man there is a roof above
+the world--of rock--and very, very smooth. So smooth--so
+beautifully smooth . . "He burst again into hysterical tears.
+"Before you ask me any more, give me some food or I shall die!"
+
+He expected dire punishments, but these blind people were
+capable of toleration. They regarded his rebellion as but one more
+proof of his general idiocy and inferiority, and after they had
+whipped him they appointed him to do the simplest and heaviest work
+they had for anyone to do, and he, seeing no other way of living,
+did submissively what he was told.
+
+He was ill for some days and they nursed him kindly. That
+refined his submission. But they insisted on his lying in the
+dark, and that was a great misery. And blind philosophers came and
+talked to him of the wicked levity of his mind, and reproved him so
+impressively for his doubts about the lid of rock that covered
+their cosmic casserole that he almost doubted whether indeed
+he was not the victim of hallucination in not seeing it overhead.
+
+So Nunez became a citizen of the Country of the Blind, and
+these people ceased to be a generalised people and became
+individualities to him, and familiar to him, while the world beyond
+the mountains became more and more remote and unreal. There was
+Yacob, his master, a kindly man when not annoyed; there was Pedro,
+Yacob's nephew; and there was Medina-sarote, who was the youngest
+daughter of Yacob. She was little esteemed in the world of the
+blind, because she had a clear-cut face and lacked that satisfying,
+glossy smoothness that is the blind man's ideal of feminine beauty,
+but Nunez thought her beautiful at first, and presently the most
+beautiful thing in the whole creation. Her closed eyelids were
+not sunken and red after the common way of the valley, but lay as
+though they might open again at any moment; and she had long
+eyelashes, which were considered a grave disfigurement. And her
+voice was weak and did not satisfy the acute hearing of the valley
+swains. So that she had no lover.
+
+There came a time when Nunez thought that, could he win her,
+he would be resigned to live in the valley for all the rest of his
+days.
+
+He watched her; he sought opportunities of doing her little
+services and presently he found that she observed him. Once at a
+rest-day gathering they sat side by side in the dim starlight, and
+the music was sweet. His hand came upon hers and he dared to clasp
+it. Then very tenderly she returned his pressure. And one day, as
+they were at their meal in the darkness, he felt her hand very
+softly seeking him, and as it chanced the fire leapt then, and he
+saw the tenderness of her face.
+
+He sought to speak to her.
+
+He went to her one day when she was sitting in the summer
+moonlight spinning. The light made her a thing of silver and
+mystery. He sat down at her feet and told her he loved her, and
+told her how beautiful she seemed to him. He had a lover's voice,
+he spoke with a tender reverence that came near to awe, and she had
+never before been touched by adoration. She made him no definite
+answer, but it was clear his words pleased her.
+
+After that he talked to her whenever he could take an
+opportunity. The valley became the world for him, and the world
+beyond the mountains where men lived by day seemed no more than a
+fairy tale he would some day pour into her ears. Very tentatively
+and timidly he spoke to her of sight.
+
+Sight seemed to her the most poetical of fancies, and she
+listened to his description of the stars and the mountains and her
+own sweet white-lit beauty as though it was a guilty indulgence.
+She did not believe, she could only half understand, but she was
+mysteriously delighted, and it seemed to him that she completely
+understood.
+
+His love lost its awe and took courage. Presently he was for
+demanding her of Yacob and the elders in marriage, but she became
+fearful and delayed. And it was one of her elder sisters who first
+told Yacob that Medina-sarote and Nunez were in love.
+
+There was from the first very great opposition to the marriage
+of Nunez and Medina-sarote; not so much because they valued her as
+because they held him as a being apart, an idiot, incompetent thing
+below the permissible level of a man. Her sisters opposed it
+bitterly as bringing discredit on them all; and old Yacob, though
+he had formed a sort of liking for his clumsy, obedient serf, shook
+his head and said the thing could not be. The young men were all
+angry at the idea of corrupting the race, and one went so far as to
+revile and strike Nunez. He struck back. Then for the first time
+he found an advantage in seeing, even by twilight, and after that
+fight was over no one was disposed to raise a hand against him.
+But they still found his marriage impossible.
+
+Old Yacob had a tenderness for his last little daughter, and
+was grieved to have her weep upon his shoulder.
+
+"You see, my dear, he's an idiot. He has delusions; he can't
+do anything right."
+
+"I know," wept Medina-sarote. "But he's better than he was.
+He's getting better. And he's strong, dear father, and
+kind--stronger and kinder than any other man in the world. And he
+loves me--and, father, I love him."
+
+Old Yacob was greatly distressed to find her inconsolable,
+and, besides--what made it more distressing--he liked Nunez for
+many things. So he went and sat in the windowless council-chamber
+with the other elders and watched the trend of the talk, and said,
+at the proper time, "He's better than he was. Very likely, some
+day, we shall find him as sane as ourselves."
+
+Then afterwards one of the elders, who thought deeply, had an
+idea. He was a great doctor among these people, their
+medicine-man, and he had a very philosophical and inventive mind,
+and the idea of curing Nunez of his peculiarities appealed to him.
+One day when Yacob was present he returned to the topic of Nunez.
+"I have examined Nunez," he said, "and the case is clearer to me.
+I think very probably he might be cured."
+
+"This is what I have always hoped," said old Yacob.
+
+"His brain is affected," said the blind doctor.
+
+The elders murmured assent.
+
+"Now, WHAT affects it?"
+
+"Ah!" said old Yacob.
+
+THIS," said the doctor, answering his own question.
+"Those queer things that are called the eyes, and which exist to
+make an agreeable depression in the face, are diseased, in the case
+of Nunez, in such a way as to affect his brain. They are greatly
+distended, he has eyelashes, and his eyelids move, and consequently
+his brain is in a state of constant irritation and distraction."
+
+"Yes?" said old Yacob. "Yes?"
+
+"And I think I may say with reasonable certainty that, in
+order to cure him complete, all that we need to do is a simple and
+easy surgical operation--namely, to remove these irritant bodies."
+
+"And then he will be sane?"
+
+"Then he will be perfectly sane, and a quite admirable
+citizen."
+
+"Thank Heaven for science!" said old Yacob, and went forth at
+once to tell Nunez of his happy hopes.
+
+But Nunez's manner of receiving the good news struck him as
+being cold and disappointing.
+
+"One might think," he said, "from the tone you take that you
+did not care for my daughter."
+
+It was Medina-sarote who persuaded Nunez to face the blind
+surgeons.
+
+"YOU do not want me," he said, "to lose my gift of
+sight?"
+
+She shook her head.
+
+"My world is sight."
+
+Her head drooped lower.
+
+"There are the beautiful things, the beautiful little
+things--the flowers, the lichens amidst the rocks, the light and
+softness on a piece of fur, the far sky with its drifting dawn of
+clouds, the sunsets and the stars. And there is YOU. For
+you alone it is good to have sight, to see your sweet, serene face,
+your kindly lips, your dear, beautiful hands folded together. . .
+. . It is these eyes of mine you won, these eyes that hold me to
+you, that these idiots seek. Instead, I must touch you, hear you,
+and never see you again. I must come under that roof of rock and
+stone and darkness, that horrible roof under which your
+imaginations stoop . . . NO; YOU would not have me do that?"
+
+A disagreeable doubt had arisen in him. He stopped and left
+the thing a question.
+
+"I wish," she said, "sometimes--" She paused.
+
+"Yes?" he said, a little apprehensively.
+
+"I wish sometimes--you would not talk like that."
+
+"Like what?"
+
+"I know it's pretty--it's your imagination. I love it, but NOW--"
+
+He felt cold. "NOW?" he said, faintly.
+
+She sat quite still.
+
+"You mean--you think--I should be better, better perhaps--"
+
+He was realising things very swiftly. He felt anger perhaps,
+anger at the dull course of fate, but also sympathy for her lack of
+understanding--a sympathy near akin to pity.
+
+"DEAR," he said, and he could see by her whiteness how
+tensely her spirit pressed against the things she could not say.
+He put his arms about her, he kissed her ear, and they sat for a
+time in silence.
+
+"If I were to consent to this?" he said at last, in a voice
+that was very gentle.
+
+She flung her arms about him, weeping wildly. "Oh, if you
+would," she sobbed, "if only you would!"
+
+For a week before the operation that was to raise him from his
+servitude and inferiority to the level of a blind citizen Nunez
+knew nothing of sleep, and all through the warm, sunlit hours,
+while the others slumbered happily, he sat brooding or wandered
+aimlessly, trying to bring his mind to bear on his dilemma. He had
+given his answer, he had given his consent, and still he was not
+sure. And at last work-time was over, the sun rose in splendour
+over the golden crests, and his last day of vision began for him.
+He had a few minutes with Medina-sarote before she went apart to
+sleep.
+
+"To-morrow," he said, "I shall see no more."
+
+"Dear heart!" she answered, and pressed his hands with all her
+strength.
+
+"They will hurt you but little," she said; "and you are going
+through this pain, you are going through it, dear lover, for
+ME . . . . Dear, if a woman's heart and life can do it, I
+will repay you. My dearest one, my dearest with the tender voice,
+I will repay."
+
+He was drenched in pity for himself and her.
+
+He held her in his arms, and pressed his lips to hers and
+looked on her sweet face for the last time. "Good-bye!" he
+whispered to that dear sight, "good-bye!"
+
+And then in silence he turned away from her.
+
+She could hear his slow retreating footsteps, and something in
+the rhythm of them threw her into a passion of weeping.
+
+He walked away.
+
+He had fully meant to go to a lonely place where the meadows
+were beautiful with white narcissus, and there remain until the
+hour of his sacrifice should come, but as he walked he lifted up
+his eyes and saw the morning, the morning like an angel in golden
+armour, marching down the steeps . . . .
+
+It seemed to him that before this splendour he and this blind
+world in the valley, and his love and all, were no more than a pit
+of sin.
+
+He did not turn aside as he had meant to do, but went on and
+passed through the wall of the circumference and out upon the
+rocks, and his eyes were always upon the sunlit ice and snow.
+
+He saw their infinite beauty, and his imagination soared over
+them to the things beyond he was now to resign for ever!
+
+He thought of that great free world that he was parted from,
+the world that was his own, and he had a vision of those further
+slopes, distance beyond distance, with Bogota, a place of
+multitudinous stirring beauty, a glory by day, a luminous mystery
+by night, a place of palaces and fountains and statues and white
+houses, lying beautifully in the middle distance. He thought how
+for a day or so one might come down through passes drawing ever
+nearer and nearer to its busy streets and ways. He thought of the
+river journey, day by day, from great Bogota to the still vaster
+world beyond, through towns and villages, forest and desert places,
+the rushing river day by day, until its banks receded, and the big
+steamers came splashing by and one had reached the sea--the
+limitless sea, with its thousand islands, its thousands of islands,
+and its ships seen dimly far away in their incessant journeyings
+round and about that greater world. And there, unpent by
+mountains, one saw the sky--the sky, not such a disc as one saw it
+here, but an arch of immeasurable blue, a deep of deeps in which
+the circling stars were floating . . . .
+
+His eyes began to scrutinise the great curtain of the
+mountains with a keener inquiry.
+
+For example; if one went so, up that gully and to that chimney
+there, then one might come out high among those stunted pines that
+ran round in a sort of shelf and rose still higher and higher as it
+passed above the gorge. And then? That talus might be managed.
+Thence perhaps a climb might be found to take him up to the
+precipice that came below the snow; and if that chimney failed,
+then another farther to the east might serve his purpose better.
+And then? Then one would be out upon the amber-lit snow there, and
+half-way up to the crest of those beautiful desolations. And
+suppose one had good fortune!
+
+He glanced back at the village, then turned right round and
+regarded it with folded arms.
+
+He thought of Medina-sarote, and she had become small and
+remote.
+
+He turned again towards the mountain wall down which the day
+had come to him.
+
+Then very circumspectly he began his climb.
+
+When sunset came he was not longer climbing, but he was far and high.
+His clothes were torn, his limbs were bloodstained, he was bruised
+in many places, but he lay as if he were at his ease, and there
+was a smile on his face.
+
+From where he rested the valley seemed as if it were in a pit
+and nearly a mile below. Already it was dim with haze and shadow,
+though the mountain summits around him were things of light and
+fire. The mountain summits around him were things of light and
+fire, and the little things in the rocks near at hand were drenched
+with light and beauty, a vein of green mineral piercing the grey,
+a flash of small crystal here and there, a minute,
+minutely-beautiful orange lichen close beside his face. There
+were deep, mysterious shadows in the gorge, blue deepening into
+purple, and purple into a luminous darkness, and overhead was the
+illimitable vastness of the sky. But he heeded these things no
+longer, but lay quite still there, smiling as if he were content
+now merely to have escaped from the valley of the Blind, in which
+he had thought to be King. And the glow of the sunset passed, and
+the night came, and still he lay there, under the cold, clear stars.
+
+
+
+
+
+End of The Project Gutenberg Etext of The Door in the Wall, et. al.
+
+
diff --git a/old/tditw10.zip b/old/tditw10.zip
new file mode 100644
index 0000000..373dca0
--- /dev/null
+++ b/old/tditw10.zip
Binary files differ