summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--43909-0.txt (renamed from 43909-8.txt)394
-rw-r--r--43909-8.zipbin41327 -> 0 bytes
-rw-r--r--43909-h.zipbin697051 -> 0 bytes
-rw-r--r--43909-h/43909-h.htm423
-rw-r--r--43909.txt1921
-rw-r--r--43909.zipbin41310 -> 0 bytes
6 files changed, 7 insertions, 2731 deletions
diff --git a/43909-8.txt b/43909-0.txt
index 1bdacbe..3518c8b 100644
--- a/43909-8.txt
+++ b/43909-0.txt
@@ -1,36 +1,4 @@
-The Project Gutenberg EBook of Sometub's Cruise on the C. & O. Canal, by
-John Pryor Cowan
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Sometub's Cruise on the C. & O. Canal
- The narrative of a motorboat vacation in the heart of Maryland
-
-Author: John Pryor Cowan
-
-Release Date: October 8, 2013 [EBook #43909]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SOMETUB'S CRUISE ON THE C&O CANAL ***
-
-
-
-
-Produced by Emmy and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by The Internet Archive)
-
-
-
-
-
+*** START OF THE PROJECT GUTENBERG EBOOK 43909 ***
[Transcriber's Note: As this is a narrative, all spelling errors were
retained as printed.]
@@ -140,7 +108,7 @@ claim for it, and more, too!
with the Brooks plan by constructing a bulkhead which enclosed five
feet of the bow. This left a 10-foot cockpit, over which was erected a
portable canopy top. Curtains that hung on the sides of the canopy made
-a snug cabin 10 × 3½ feet. For motive power we use an Evinrude motor.
+a snug cabin 10 × 3½ feet. For motive power we use an Evinrude motor.
By the way, it is one of those coffee mill affairs that you screw on
the stern of a skiff or rowboat. "Sometub" was designed for this very
sort of equipment and the theory worked out beautifully--until the
@@ -1562,360 +1530,4 @@ the footsteps of the greatest American.
End of the Project Gutenberg EBook of Sometub's Cruise on the C. & O. Canal, by
John Pryor Cowan
-*** END OF THIS PROJECT GUTENBERG EBOOK SOMETUB'S CRUISE ON THE C&O CANAL ***
-
-***** This file should be named 43909-8.txt or 43909-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/3/9/0/43909/
-
-Produced by Emmy and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+*** END OF THE PROJECT GUTENBERG EBOOK 43909 ***
diff --git a/43909-8.zip b/43909-8.zip
deleted file mode 100644
index acaca35..0000000
--- a/43909-8.zip
+++ /dev/null
Binary files differ
diff --git a/43909-h.zip b/43909-h.zip
deleted file mode 100644
index f0bac71..0000000
--- a/43909-h.zip
+++ /dev/null
Binary files differ
diff --git a/43909-h/43909-h.htm b/43909-h/43909-h.htm
index f3d1f39..f016079 100644
--- a/43909-h/43909-h.htm
+++ b/43909-h/43909-h.htm
@@ -2,7 +2,7 @@
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
- <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1" />
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
<meta http-equiv="Content-Style-Type" content="text/css" />
<title>
The Project Gutenberg eBook of Sometub's Cruise on the C. &amp; O. Canal, by John P. Cowan.
@@ -125,46 +125,7 @@ line-height:0.85em;
</style>
</head>
<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Sometub's Cruise on the C. & O. Canal, by
-John Pryor Cowan
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Sometub's Cruise on the C. & O. Canal
- The narrative of a motorboat vacation in the heart of Maryland
-
-Author: John Pryor Cowan
-
-Release Date: October 8, 2013 [EBook #43909]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SOMETUB'S CRUISE ON THE C&O CANAL ***
-
-
-
-
-Produced by Emmy and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by The Internet Archive)
-
-
-
-
-
-
-</pre>
-
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 43909 ***</div>
<p><span class="pagenum"><a name="Page_1" id="Page_1">[1]</a></span></p>
@@ -335,7 +296,7 @@ beam. We took liberties with the Brooks plan by constructing
a bulkhead which enclosed five feet of the
bow. This left a 10-foot cockpit, over which was erected
a portable canopy top. Curtains that hung on the sides
-of the canopy made a snug cabin 10 × 3½ feet. For motive
+of the canopy made a snug cabin 10 × 3½ feet. For motive
power we use an Evinrude motor. By the way, it is one
of those coffee mill affairs that you screw on the stern
of a skiff or rowboat. "Sometub" was designed for this
@@ -2153,382 +2114,6 @@ the footsteps of the greatest American.</p>
<img src="images/i044.png" width="158" height="136" alt="drawing of scroll and quill pen" />
</div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Sometub's Cruise on the C. & O. Canal, by
-John Pryor Cowan
-
-*** END OF THIS PROJECT GUTENBERG EBOOK SOMETUB'S CRUISE ON THE C&O CANAL ***
-
-***** This file should be named 43909-h.htm or 43909-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/3/9/0/43909/
-
-Produced by Emmy and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 43909 ***</div>
</body>
</html>
diff --git a/43909.txt b/43909.txt
deleted file mode 100644
index b2e0bf6..0000000
--- a/43909.txt
+++ /dev/null
@@ -1,1921 +0,0 @@
-The Project Gutenberg EBook of Sometub's Cruise on the C. & O. Canal, by
-John Pryor Cowan
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Sometub's Cruise on the C. & O. Canal
- The narrative of a motorboat vacation in the heart of Maryland
-
-Author: John Pryor Cowan
-
-Release Date: October 8, 2013 [EBook #43909]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SOMETUB'S CRUISE ON THE C&O CANAL ***
-
-
-
-
-Produced by Emmy and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by The Internet Archive)
-
-
-
-
-
-
-[Transcriber's Note: As this is a narrative, all spelling errors were
-retained as printed.]
-
-
-
-SOMETUB'S CRUISE ON THE C. & O. CANAL
-
-[Illustration]
-
- _The Narrative of a Motorboat
- Vacation in the Heart
- of Maryland_
-
-[Illustration]
-
- BY
- JOHN P. COWAN
- 1916
-
- _Copyright, 1916, by John P. Cowan_
-
-
-
-
-[Illustration]
-
- _This Edition is Limited to
- 200 Copies of Which This
- is No._
-
-[Illustration]
-
-
-[Illustration]
-
-
-THIS is a story of the initial cruise of "Sometub"--a narrative of the
-voyage of the newest type boat on America's oldest improved waterway.
-We exalted 30 cent gasoline and eased our conscience by following in
-the patriotic footsteps of George Washington.
-
-Amid nature's most magnificent scenery we linked the romance of
-yesterday with the humdrum of the workaday present. We established a
-new maxim, namely: To avoid the beaten path take the towpath!
-
-We enjoyed to the superlative degree the rare privilege of "Seeing
-America First," because we saw it as the first American saw it.
-
- J. P. C.
-
- Pittsburgh, Pa.,
- December 7th, 1916.
-
-[Illustration: Sunlight Vista on the Chesapeake and Ohio Canal]
-
-
-
-
-I.
-
-
-[Illustration]
-
-THE cruise of the "Sometub" began at Oakmont on the Allegheny river
-in Pennsylvania and ended in Rock Creek in the shadow of the national
-capitol in the District of Columbia. In a total distance of 347
-miles the little craft traversed six navigable waterways. Of course,
-there was a portage of 150 miles, but this was accomplished without
-inconvenience and provided a seasonable period to re-provision the
-boat. Moreover, the 150-mile trip overland demonstrated the advantage
-of a portable cruiser--of which "Sometub" has the distinction of being
-the first in its class.
-
-"Sometub" narrowly escaped being christened "Kitchen Maid." It is
-literally a kitchen-made craft, that is, it was put together in
-the kitchen after its knockdown frame was received from a Michigan
-boatbuilder. When culinary activities in the aforesaid kitchen were
-partially suspended it afforded an ideal boatyard, but the fact that
-a kitchen would be put to such extraordinary use there was attracted
-thither a constant line of spectators, the majority of whom had as
-little nautical knowledge as the builders. Propped up on a stepladder
-the bony frame of the future boat looked like one of those uncanny
-paleontological specimens in the Carnegie museum, and drew from the
-visitors a flow of remarks entirely irrelevant to boatbuilding. Nearly
-everyone doubted that the thing would be made to float, but a few who
-were too polite to express their views went to the opposite extreme
-and indulged in a line of flattery that was more irritating than the
-skeptcism of the doubting Thomases.
-
-"Well, that's some tub!" The oft repeated phrase trickled away
-somewhere into the damaged wall paper of the kitchen or into the big
-paint spot that ruined the linoleum, and when the time came to name
-the boat the words came back sufficiently anglicized and properly
-compounded--"Sometub." And it stuck!
-
-"Sometub" has been laughed at by hundreds of persons who will never
-know how it received its name. It looks less tub-like than the majority
-of motorboats. The Brooks Manufacturing Company up in Saginaw, from
-whom I bought the knockdown frame, doubtless would object to the
-innuendo suggesting tubbiness because they boast of it as one of their
-latest and most graceful models--a semi-V bottom shape which is
-especially noted both for speed and seaworthiness. And it is all they
-claim for it, and more, too!
-
-"Sometub" is 15 feet long by 43 inches on the beam. We took liberties
-with the Brooks plan by constructing a bulkhead which enclosed five
-feet of the bow. This left a 10-foot cockpit, over which was erected a
-portable canopy top. Curtains that hung on the sides of the canopy made
-a snug cabin 10 x 31/2 feet. For motive power we use an Evinrude motor.
-By the way, it is one of those coffee mill affairs that you screw on
-the stern of a skiff or rowboat. "Sometub" was designed for this very
-sort of equipment and the theory worked out beautifully--until the
-motor went wrong. And there lies the key to all the villainy that will
-be divulged in this plain tale of the cruise of "Sometub" from Oakmont
-to Washington.
-
-On account of the 150-mile portage from Pittsburgh to Cumberland, Md.,
-it is advisable to allow seven days from the time of your departure
-on the Allegheny until your expected sailing from the other terminal
-of the portage. In these seven days you will make the run down to the
-Pittsburgh Baltimore & Ohio freight station at Water street, pack your
-engine and duffle, bail out the boat, cart it to the Cumberland local
-freight car, see it stowed away and spend four days hoping that it
-will arrive in Cumberland before you and your cargo. Of course, your
-hopes will be blasted, but to hope is human. Anyhow, you might as well
-realize at the outset that cross-country cruising is to be an intensely
-human experience.
-
-There was no ceremony when we backed out of a stall at the Oakmont Boat
-Club in the late afternoon of the 9th of last July and picked our way
-between the bathers, canoes and rowboats that clustered there. Even
-if there had been occasion for ceremony, the thought that we had to
-reach the Aspinwall lock before 6 o'clock or wait another hour, "on the
-hour," caused us to lay a course straight for Nine-mile Island. With
-its balky Evinrude five miles an hour is "Sometub's" best speed. Past
-colonies of summer camps on the O'Hara township bank of the Allegheny
-we continued our way hearing a giggle now and then as a maid in a canoe
-or on shore caught sight of the aluminum letters on our bow and spelled
-out "S-o-m-e-t-u-b." The tables were turned when we passed the "Ye
-Gauds" camp. Phonetic spelling is epidemic among river campers. Their's
-is not simplified, but rather perplexified spelling.
-
-For a mile above Aspinwall dam the Allegheny in breezy weather has
-all the choppiness of a landlocked lake and affords the exhileration
-of boating that is enjoyed on a much larger body of water. Here we
-witnessed a scene that was in strange contrast with the gayety farther
-up the river. Below the mouth of Squaw Run a group of terrifed children
-stood on the bank intently watching a skiff which was being rowed
-slowly down stream. At the oars was a youth vainly trying to look brave
-while at the stern a grizzled riverman dragged a grappling iron. It was
-the sequel to an old story. They were searching for the body of a boy
-who had been drowned an hour before while trying to exchange seats in a
-canoe.
-
-To make the Aspinwall lock on schedule time is always cause for joy
-by the humble owner of a motorboat. If he is not there "on the hour"
-he must wait until another 60 minutes have elapsed before the opening
-of the gates, unless a towboat should happen along. The same rule is
-in force at Lock No. 1 at Herr's Island. Here we arrived "in between
-times," but the gates were open and we started in. A lock tender caught
-sight of "Sometub" and waved frantically for us to get out and tie up
-alongside a barge which lay near the shore. Astern was the towboat
-Crucible making her way into the lock with a steel boat in tow. We
-followed the locktender's directions, but when the big craft approached
-and the pilot had sized us up, he stepped out on the hurricane deck
-and pointed a place for us to tie in the lock. When our motor began to
-sputter and he saw the name of the boat he laughed heartily and seemed
-to share our delight in getting into the lock chamber ahead of the
-Crucible. We soon chugged out and 15 minutes later rounded the Point,
-anointing "Sometub" for the first time with the waters of the Ohio.
-Running up the Monongahela in the twilight we moored at the motorboat
-landing at the foot of Smithfield street. Here the boat was taken from
-the water and shipped to Cumberland.
-
-I have said that we eased our conscience by following the patriotic
-footsteps of George Washington. We struck the sacred trail in the first
-hour of our cruise when, running down the Allegheny we scudded under
-the decrepit Forty-third street bridge and past the historic point that
-once was separated from the mainland and was known as Wainwright's
-Island. From this point until the end of the journey we were constantly
-on ground intimately associated with the life of Washington.
-
-Indeed if it had not been for the enterprise of Washington the cruise
-never would have been possible; if it had not been for Washington the
-Chesapeake and Ohio canal would not have been projected, and without
-this pioneer waterway the valley of the upper Potomac would be a
-solitary wilderness. The Baltimore and Ohio railroad only followed its
-aquatic pacemaker and was pushed westward over the identical route
-Washington had laid out for his canal to connect the waters of the
-Potomac with those of the tributaries of the Ohio, the eastern link of
-the intercontinental route which he dreamed would some day connect the
-Atlantic seaboard with the great lakes, and the Mississippi valley. The
-Lake Erie and Ohio river ship canal is but a revival of Washington's
-gigantic project. "The Father of His Country" was a century and a half
-ahead of the times in his comprehension of the transportation problem.
-
-The history of the construction of this canal is a commercial romance
-replete with many a fascinating chapter involving personal peril,
-adventures, triumphs, failures and political intrigue; for four bloody
-years during the Civil war its right of way was held alternately by the
-Union and the Confederate armies, and many a grim tragedy was enacted
-there; today it is one of the few places in the country where the
-oldtime canal boat is to be seen in practical operation.
-
-But the story of the canal will come further along. It is essential
-in the narrative of the initial cruise of "Sometub" because its
-towpath, worn by 20 successive progenies of mules, is the path that
-paradoxically leads far, far away from the beaten path of modern travel.
-
-On Saturday evening, July 15th, we reached Cumberland. Rain was falling
-but this did not deter us from launching "Sometub" in the waters of
-the canal. We had made up our minds that rain must be disregarded--and
-subsequent experience proved that this step toward resignation to
-the elements was well taken. Before the voyage was three days old we
-realized that Jupiter Pluvius was a stowaway with us. For 100 miles
-we were the harbingers of showers, the advance agents of thunder,
-lightning, rain and cloudbursts.
-
-We had hoped to leave Cumberland before sunset and tie up for the
-night far from the noise of the city, but the best we could do between
-showers was to put everything in shipshape and wait for the dawn. Rain
-pattered down all night long and came in repeated gusts during the
-day. In the meantime we sat on the hospitable porch of a retired canal
-boat skipper and listened to his reminiscences of the "good old days."
-Our delay just now was due to our failure to procure our waybill,
-a document which gave us the right of way through the locks from
-Cumberland to Georgetown. In this document "Sometub" was put down as a
-motor-propelled craft of one ton net register and stipulated that it
-should proceed at a speed not exceeding four miles an hour. The waybill
-cost $5.10.
-
-Late in the afternoon we were informed that a deputy collector of the
-port, who lived "down the canal beyond the bridge," would hand us our
-waybill as we passed. Simultaneously with this good news the rain
-ceased and the sun came out in radiant glory. In two minutes we were
-away and broke the speed limit with the impunity of a motor driver
-who knows that if he does not exceed the legal speed his machine will
-stop altogether. We made a dash for the waybill. "Pshaw!" exclaimed the
-collector. "It's too bad I didn't know the name of your boat. I just
-wrote 'launch.' If I had known it had a name like that I would have put
-it down, sure."
-
-"What are the rules?" we asked him.
-
-"Keep to the left--always--that's all. Tie up on the berm side (to the
-left) and don't let yourself get dragged into the flume by the current
-at the locks." We thanked him and started again. We rounded the big
-bend of the Potomac, turning to the eastward where the blue horizon
-of the mountains melted into the blue-gray mists and clouds of the
-weeping sky. In what seemed an increditably short time we had left the
-city behind and glided along the vine-fringed, ribbon-like pool that
-wound its way into sequestered solitudes among the towering hills. Here
-and there a farmhouse was visible in the distance on the uplands and
-occasionally a lonely cabin squatted among the willows and dank weeds
-that grew in the marshy places, but for the greater part of our run on
-this level we hugged close to the hillside or proceeded through courses
-of broad meadows.
-
-It was the first time an outboard motor cruiser had been seen on
-the canal, and for that matter in the Potomac valley, and "Sometub"
-attracted much attention among the country folk and the crews of the
-boats. We passed our first canal boat beyond South Cumberland at a
-point where the channel was scarcely 30 feet wide and narrowly escaped
-rasping off our propeller on a ledge of rocks that formed the berm
-bank, our danger being due to the provokingly deliberate action of
-the steersman on the big mule-drawn hulk. After that we waited for
-sufficient leeway before attempting to pass canal boats in narrow
-channels.
-
-At sunset a whitewashed log house came into view and as we approached
-we recognized the huge arms of the lock gates. Beyond the locktender's
-cabin we saw the roofs of the houses in the little village of North
-Branch, Md. Here was our first lock, the first of the 75 in 184 miles
-on the canal between Cumberland and Georgetown. We were curious to
-know how "Sometub" would behave in an old-fashioned lock with leaky
-gates and were anxious to push on to the tunnel some 30 miles east
-of Cumberland where the canal for nearly a mile of its course passes
-underneath one of the lofty ridges of the Alleghanies. Ominous clouds
-in the west hastened the approaching night. The proximity of a shelter
-in case of a heavy rainstorm caused us to accept the locktender's
-hospitality to tie up for the night alongside the flume at the head of
-the lock.
-
-[Illustration: Left--"Sometub" Emerging from Mile-Long Tunnel Under
-Alleghany Mountains.
-
-Above--Head of Navigation of Chesapeake and Ohio Canal at Cumberland,
-Md.
-
-Below--"Sometub" Leaving Oakmont on Allegheny River.]
-
-Making the boat fast to the lockhouse we lighted our oil lantern,
-dropped the side curtains and disregarded the returning rain while we
-prepared dinner on two small stoves formed by a pair of tripod rings
-containing cans of solid alcohol. Motor boating creates a genuine
-appetite and we had all the facilities for preparing a good dinner
-in the smallest possible space. The deck of "Sometub" provided a dry
-place for the storing of bedding, dishes and supplies and there was
-no crowding at mealtime. After dinner we wrote up the log, spread a
-mattress in the bottom of the boat, fastened down the curtains and
-retired early.
-
-The night was inky dark. The lights in the locktender's dwelling were
-extinguished before 9 o'clock and the denizens of the village of North
-Branch, several hundred yards away, seemed to seek repose at the same
-hour. The solitude of the place grew oppressive. About midnight we were
-aroused by a shriek that pierced the night air and echoed back from the
-mountains across the river. Parting the curtains, we saw two sheeted
-forms on the towpath, their ghostly outlines standing out against
-the cloudy sky, while the waters of the canal reflected a pair of
-shimmering specters which at first glance were calculated to make the
-average stranger wish that he made this trip in a Pullman car.
-
-Again the shrieking broke forth and the sheeted forms began to move. We
-were undergoing our initiation in night traveling on the canal, but we
-didn't realize it at the time.
-
-
-
-
-II.
-
-
-OF THOSE ghosts that are simply ghosts I have no fear. Some persons
-whistle when they pass country graveyards after dark in order, they
-say, to keep up courage; for the same reason I sometimes whistle
-on Broadway. Specters are harmless if they do not assume material
-form. The apparitions on the Chesapeake and Ohio canal towpath soon
-lost their ethereal quality in our vision and the unearthly noise
-that accompanied their manifestation translated itself into "you
-black-hearted, ornery, low-lifed beggar--geddap!"
-
-There was a familiar rattle of harness. The specters moved again, but
-more quickly this time. Against the black infiniteness of the mountains
-across the river were the shadowy forms of a pair of gray mules hitched
-in tandem. Wearily they plodded off, and moving slowly, tediously,
-silently behind them a canal boat followed along at the end of an
-invisible towline.
-
-A canal boat at night is a great hulk of hush. Its silence is
-positively uncanny. A few ripples momentarily disturb the placid
-surface of the water but as they swirl around the craft they seem to
-beckon a state of funereal quietude. You can hardly blame the midnight
-driver of the canal boat for his profane vociferousness in addressing
-his mules. His voice alone breaks the death-like stillness. After the
-lock has been passed and the patient animals take up their gait, even
-he is overcome by the environment and relapses into drowsy silence.
-
-At intervals through the night other specters appeared over there
-on the towpath and their advent invariably was heralded by the same
-hair-raising shouts. The noise of cussing the poor mules followed
-as certainly as the agonizing "low music" during tense moments in a
-melodrama.
-
-Tardy dawn ushered in a gloomy day. We placed our "canned heat" range
-on a lumber pile beside the North Branch lockhouse and had our coffee
-and bacon progressing satisfactorily toward the proper elements of an
-al fresco breakfast when rain began to fall. We retreated to the boat.
-The rain continued unabated and we breakfasted on board. Inasmuch as
-we were obliged to keep the curtains down and tuck the baggage under a
-poncho, it was impracticable--we thought--to proceed on our journey.
-
-The locktender's office at North Branch has seen service for more than
-half a century. We can testify to this because after we had sought its
-shelter and read all the magazines bought on the beginning of the trip
-we turned to a perusal of the lockmaster's records. These books date
-back to the 60's and it was fascinating to read on the faded pages
-the entries for the boats and cargoes of a by-gone era. The boats now
-operating are distinguished by numbers from 1 to 100, but in the old
-days they bore names, suggestive, no doubt, of their architecture and
-other characteristics, or of the ambition of their owners.
-
-Noon brought no cessation of the rain. We ate luncheon in the office.
-"Star boarders" could not have reported more promptly at meal time.
-Good appetites were the most encouraging features of this portion of
-the trip. At 2 o'clock in the afternoon the skies cleared slightly
-and in a few minutes we resumed our voyage. The three locks at North
-Branch, Nos. 75, 74 and 73, respectively, were negotiated in less than
-15 minutes and we found ourselves on "Oldtown level."
-
-In the language of the boatmen and the denizens of the canal country
-all geographical distinctions are made strictly "on the level." A
-"level," we learned, is that stretch of the canal between two given
-locks. From Cumberland to Georgetown (Washington) there are 75 locks,
-and consequently the same number of levels, plus one.
-
-There is an ancient and honorable superstition to the effect that the
-person who sets out on a journey and turns back is certain to meet
-with disappointment. Ten minutes after we departed from North Branch
-we remembered that we had left our maps behind in the lockmaster's
-office. The maps, United States Geological Survey quadrangles,
-were indispensable and we turned back. Prompt and speedy came our
-disappointment.
-
- * * * * *
-
-OLDTOWN LEVEL is about 10 miles long. We estimated that we could reach
-Oldtown village in about two hours. While the idle hours had dragged
-along in the sleepy hamlet of North Branch we looked forward longingly
-to Oldtown. The name sounded enchanting and moreover we were told
-that we could procure gasoline, groceries and our favorite brands of
-confectionery there. After running merrily about seven miles our motor
-stopped cold. No amount of coaxing would make it run. Gathering clouds
-betokened a resumption of the rain. No human habitation was in sight.
-
-The motor's affliction was difficult of diagnosis, but its trouble
-appeared to be serious. I had just made up my mind that the boat would
-have to be paddled or towed to the end of the level when Canal Boat
-No. 14 eased along. The skipper inquired we were "in trouble." It was
-mere charity and politeness of him to ask, because the expression on
-our faces must have told him that we regarded our condition as one of
-dire distress.
-
-"His en-jine's done busted," shouted the little ragged muleteer as he
-passed us on his plodding animals.
-
-"Ketch the line," advised the skipper, while we grasped the piece of
-rope he tossed toward us. Making his rope fast to a cleat on the bow we
-saw "Sometub" humiliated by being towed at the stern of a slow-moving
-freight boat towed in turn by two decrepit mules. "Sometub" felt the
-disgrace keenly and jerked about like an unbroken colt that feels a
-rein for the first time. Only strenuous use of the paddle as a steering
-oar kept the proud little boat in the channel. In this way we moved
-stupidly into Oldtown. An hour and a half was required to go less than
-three miles.
-
-On reaching the lock at Oldtown it was apparent that there would not
-be room between the gates to accommodate both the canal boat and
-"Sometub," and the skipper cast us off in a fashion so uncermonious
-that we floated in his wake feeling like unbidden guests at a feast.
-The big freight boat glided away, leaving us on the wrong side of the
-gate. You know how sometimes you turn and drive away the homeless dog
-that sheepishly follows you down the street? Well, we felt placed in
-the situation of the homeless dog.
-
-It was the first time in my life that I experienced a sincere desire to
-embrace the teachings of anarchy. After the canal boat had started on
-its way Mr. Carter, the lockmaster, returned to inquire into our wants.
-
-"What are you going to do with us?" I asked him.
-
-"Lock you through," he answered. "Give me your line and I'll tow you
-in. Then you can tie up over there and stop at my house all night.
-My wife will have a nice hot supper for you. The gentleman who runs
-the store up on the hill has an automobile and knows a lot about gas
-engines. I know he'll be delighted to fix up your machine."
-
-It was hard to believe that he meant what he said. He had enunciated
-that kind of hospitality which I had thought no longer existed except
-in books that sell at $1.08. My wife, however, did not share my
-skepticism. Here was good old-fashioned southern hospitality and she
-emphasized the fact with some pride that we were now well over the
-Mason & Dixon line and might expect cordiality to be something more
-than a meaningless phrase. She rushed across the towpath to chat with
-the lockmaster's wife and daughters while Mr. Carter towed "Sometub"
-through the lock and found a suitable place to tie up on the berm bank
-of the short level.
-
- * * * * *
-
-OLDTOWN, I believe, was called Oldtown even in its younger days. I
-believe also that now in its boast of municipal veneration it looks
-younger than it did in its youth. The wrinkled visage of great age is
-in strange contrast with its modern affectations. Personify it and you
-would have the picture of a centenarian doing a fox trot. Oldtown is
-one of the oldest settlements in western Maryland and it dwelt on in
-a kind of proud senility until West Virginia went "dry." Being on the
-border Oldtown possessed a situation of peculiar strategic value. It
-afforded the opportunity for the establishment of an exceedingly "wet"
-outpost, and the opportunity did not go begging. In consequence the
-chief enterprise of Oldtown is slaking the thirsts of West Virginians
-from many miles up and down the Potomac. The structures that domicile
-these establishments form a cluster of new buildings that gives Oldtown
-something of the appearance of a boom town in the west. A sincere
-opponent of the liquor traffic would be justified in saying that
-Oldtown is in its second childhood.
-
-With many thanks we declined the hospitality of the whole-souled
-lockmaster and his family and cooked our dinner in a drizzling rain
-and "tinkered" on the motor until after midnight. The knowledge that
-we were among friends enabled us to make ourselves comfortable for the
-night regardless of the weather.
-
-In the morning we were awakened by a call from Mr. Carter. He came
-to give me "a lift" with the motor. As a last forlorn hope I gave
-the flywheel a twirl--and it went! We made all haste to depart and
-before the sun had reached the mountain tops we were under way. With
-good behavior on the part of the motor "Sometub" is the spryest young
-boat you ever saw, and on this Tuesday, July 18th, we made our record
-run. The sky was cloudless and out in the meadows we watched farmers
-and harvest hands sweltering in the broiling sun, but in the shade of
-the stately trees that form an arch over the canal in this region we
-enjoyed a delightful atmosphere. Steep cliffs enclose the north bank
-of the canal and over these in luxuriant profusion were seemingly
-endless brambles of blackberry vines burdened with luscious ripe fruit.
-For luncheon we skirted the cliffs and picked a dish of berries which
-with crackers and tea enabled us to have a unique and delicious repast
-without tying up the boat.
-
-Our logbook for this day contains nevertheless many entries of enforced
-stops. Wild grass growing up in the bottom of the canal checked us
-frequently and necessitated removing long coils that choked the
-propeller. Shortly after noon we reached the tunnel which carries the
-waters of the canal for seven-eighths of a mile under one of the lofty
-ridges of the Alleghanies. The channel is barely wide enough to allow
-the passage of a single craft and we knew that we must hold the right
-of way or back out in case we should meet a canal boat. The tunnel has
-no lights and when you get into its depths it is a veritable black hole
-in the ground.
-
-Fixing our red and green running lights we started bravely in, but
-after going a dozen yards we struck windrows of grass and weeds which
-made it impossible for our propeller to turn. There was but one thing
-to do, and I climbed out on the narrow shelf of a towpath and took the
-end of the line while my better, and on this occasion, less nervous
-half, caught up the paddle and steered. The towpath in the tunnel is
-intended only for mules. In many places are mountain springs whose
-icy waters trickle down through the old brick walls and transform the
-towpath into soft mire that is knee deep. It was the longest seven
-furlongs I ever trod and I came out of the tunnel with a feeling of
-profound respect for the canal boat mule.
-
-Our cruise during the remainder of the afternoon was delightful. Here
-is the wildest scenery in the upper Potomac valley and there are few
-settlements. The locktenders were the only persons we saw for hours
-at a time and the locks were few. Likewise on this part of our run
-we passed no boats. We felt real neighborly toward the train crews
-on the Baltimore and Ohio and Western Maryland railroads when they
-condescended to look at us as they sped past. For miles, however, no
-railroad was in sight.
-
- * * * * *
-
-A COUNTRY store keeper at Little Orleans, who dealt in everything from
-women's "fashionable gowns" to fresh fish and from "near beer" to
-gasoline, enabled us to continue our voyage without delay. From him we
-purchased a supply of gasoline, oil and tobacco--three important items
-for the "engine room." When the motor is out of order the consumption
-of tobacco is particularly heavy.
-
-In the twilight we passed the village of Pearre and at dark drew up
-alongside the dock of the Woodmont Hunting and Fishing Club. Dinner
-was late this night but the weather was perfect and no fashionable
-restaurant could have offered more inviting surroundings for the diner
-with an appetite whetted by a day of toil in the great outdoors. We
-sat in the boat and used the dock for a table. And we would not have
-exchanged the privilege for the finest mahogany ever turned out!
-
-We were in Dixie now, sure enough. On the clubhouse porch up on the
-hill a party of young people were holding a dance which was enlivened
-by singing oldtime songs that recalled our presence in the beloved
-Southland. As two tired voyagers dropped off to slumber they heard the
-sweet strains of an inspiring melody that floated on the still night
-air far across the Potomac hills--
-
- _For life and death, for woe and weal,
- Thy peerless chivalry reveal,
- And gird thy beauteous limbs with steel,
- Maryland, my Maryland!_
-
-
-
-
-III.
-
-
-"THE HEART OF MARYLAND" is quite as elusive, geographically, as the
-phrase is trite. After being lulled to sleep at Woodmont by the old
-wartime song and awakened on a sunny morning by the carols of thrush
-and mockingbird, we felt that the enchanted land of romance in the old
-Cavalier commonwealth must indeed be near at hand.
-
-We made no haste to leave the hospitable dock at Woodmont. The day was
-ideal and our camera was chaffing under long idleness. I had passed
-this point a score of times on daylight trains of the Baltimore and
-Ohio railroad and longed for an opportunity to tarry here. On our
-voyage in "Sometub" we realized the oft-repeated wish and made the most
-of it.
-
-A heartless motor, however, robbed the "heart of Maryland" of much of
-its heartsomeness--for us. Leaving Woodmont about the middle of the
-forenoon on Wednesday, July 19, we ran past the ancient settlement
-of Sir John's Run, proceeded on under the shadow of Round Mountain,
-in Maryland, and picturesque Lover's Leap, in West Virginia, and
-glided into the prosperous looking town of Hancock shortly after 2
-o'clock. Hancock gained fame in the winter of 1861-62 when Stonewall
-Jackson, from the hills south of the Potomac, deigned to throw a few
-shells into this Maryland village. It was not a sanguinary battle,
-but at that early period in the war it was considered a bold thing
-for the Confederate leader to do, and for the time being disturbed
-the "alls-quiet-along-the-Potomac" that had become stereotyped in the
-reports of the military situation farther down the stream. At Hancock
-a short spur of the Baltimore and Ohio runs up to Berkley Springs, a
-watering place that boasts of patronage by Virginia aristocrats back in
-George Washington's time.
-
-Resolved that we would forego the luxury of luncheon on board, we
-tied up under the highway bridge, left "Sometub" in charge of the
-toll-keeper and strolled into town. At the hotel we were too late
-for dinner and were told that the dining room would not be open for
-the service of supper until 6 o'clock. In desperation we sought a
-restaurant--and in two minutes regretted that we had not prepared our
-own luncheon on the boat.
-
-[Illustration: Picturesque Water Mill Beside the Potomac]
-
-Isn't it peculiar how the smallest trifles will alter the most
-elaborate plans? A trifling ham sandwich in a two by four restaurant
-caused us to evacuate Hancock forthwith. We had intended to remain here
-a day or longer, run over to Berkley Springs and perhaps go fishing.
-Instead we left town so precipitately that we forgot to stop at the
-postoffice and ask if our mail had been forwarded.
-
- * * * * *
-
-A FEW miles east of Hancock is a wide-water a mile long in the canal
-known as Little Pool, the channel being about the width of the
-Monongahela river at the Smithfield street bridge. From Hancock to
-this point we were obliged to stop frequently on account of grass that
-clogged the propeller, and on entering Little Pool the obstruction
-was so great that it was necessary to get out and tow several hundred
-yards. When clear water was regained the motor began to show signs of
-balking, and after a heart-rending effort to repair it on the towpath,
-we threw the thing into the boat and paddled our way through the rural
-hamlet of Millstone where housewives, milking their cows on the bank
-of the canal, stared at us pityingly as we labored by. Cow stables and
-pig stys on the berm bank offered no mooring place in the town, and we
-plied the paddle until we reached a secluded stretch of woodland where
-we could be alone in our chagrin over the obstinacy of the motor.
-
-When we lighted our lantern we were annoyed for the first time by a
-swarm of mosquitoes. We had been warned before the trip that these
-insects on the canal were related to the Jersey "man-eaters" and would
-make life miserable on our cruise. We were prepared for their ravages,
-but fortunately a little breeze sprang up after nightfall and they gave
-us no more trouble. They were the only militant mosquitoes that we saw
-between Cumberland and Georgetown.
-
-As if gloating over our discomfiture in having lost our motive power, a
-double-bass bullfrog started in to make the night hideous. His favorite
-singing dias was in the pool right under the bow of the boat. When a
-stone was thrown in his direction he retreated into deep water, but
-invariably returned. Late in the night I hit upon the expedient of
-pouring a pint of 30-cent gasoline on the water. The croaker croaked no
-more.
-
-In the morning a little tinkering was rewarded by the motor showing
-signs of renewing operations and we started in high hopes, but after
-a few hundred rods it was apparent that we were making little speed
-and we limped into the tiny hamlet of Ernestville where we stopped for
-supplies and fresh water. Ernestville is a poor shopping center and
-fresh water and kerosene were about all we could obtain.
-
-Along this stretch of the canal it is paralleled for a considerable
-distance by the old National Pike, which on this particular morning
-was thronged by automobile tourists. As they sped by we knew that they
-would be in Hagerstown in an hour. We wondered if we would reach there
-in a day. It was apparent now that we must take our crippled motor to a
-garage and Hagerstown was the nearest point where we could obtain the
-services of a mechanic skilled in repairing marine engines. To reach
-Hagerstown from the canal we decided to stop at Williamsport and this
-was now our goal.
-
- * * * * *
-
-BIG POOL is a widewater where the canal broadens into a beautiful lake
-nearly a mile wide and more than a mile long. Our balky motor pushed
-us into this big sheet of water and then stopped with a derisive
-screech. It was the ultimatum of a dry bearing and it was inexorable.
-While we were floundering in the breeze and trying to paddle ashore,
-a motorboat came alongside and its occupants inspected our equipment.
-"Sometub" they liked immensely, but the engine perplexed them. We were
-looking for neither advice nor sympathy and the stranger who acted very
-superior and said, "I have a Koban," didn't improve his favor in our
-eyes.
-
-Then into our lives came a heroic figure. Just at that moment he
-appeared the greatest man in the world--philanthropist, navigator,
-philosopher! He was the skipper of Canal Boat No. 18 which swept
-majestically down the pool. His boat appeared as big and formidable as
-the new superdreadnaught Pennsylvania. Dexterous work with the paddle
-enabled us to get in its lee. Up there on his quarterdeck stood the
-skipper. I since believe that he must have resembled Noah, but to we
-two--we felt like castaways--he was indeed a mighty admiral. But he was
-the admiral of a friendly power and amid all his dignity there was a
-benign expression also of stern consideration for a brother mariner in
-distress. We gazed at him and his noble craft in mute appeal.
-
-"Ketch the line!"
-
-Like spent swimmers grasping for a straw, we seized the line and made
-it fast. For the second time "Sometub" was humiliated by being towed by
-a prosaic freight boat.
-
-[Illustration: Above--Upper Level at Four Locks
-
-Below--Old-Time Mill]
-
-Two miles an hour is top speed for a laden canal boat and No. 18's
-tired mules kept well inside this limit. At the end of the towline
-we nosed along in perfect complacency. We chatted with the skipper,
-admired the scenery, examined our maps of the route, chaffed the
-villagers, ate our luncheon, jogged the motor, read a little, took
-short naps and made ourselves absolutely comfortable. Our only effort
-was to keep on the shady side of the boat, for the weather was the
-hottest we had endured. As a remedy for tired nerves I can testify to
-the curative qualities of canalboating.
-
-The skipper was a man of parts. He had run the canal for more than
-20 years. He had walked every inch of the towpath from Cumberland to
-Washington every hour of the day and night and he declared that he
-could pace those 184 miles with his eyes blindfolded. He recognized
-every hill and house and tree and could tell their history. He knew all
-the neighborhood gossip, and all the neighbors knew him.
-
-Toward the end of the drowsy afternoon we floated into the little
-village of Four Locks which takes its name from the fact that a chain
-of four locks are here. No. 18 cast us off and we prepared to paddle
-through. To our surprise the motor condescended to run. At the time I
-was ready to believe that it heard the mule driver's sublime cussing
-and was frightened into obedience.
-
-With the motor running again we soon passed No. 18 and snorted off
-around a sharp bend, through Two Locks where we were lowered into the
-waters of the Potomac. I say "snorted" advisedly. "Sometub" exhibited
-colt-like behavior when unleashed from the slow-moving canal craft.
-The towpath follows the northern bank of the river and the boats hug
-the shore closely, but we careened far out into the stream. "Sometub"
-had found a nautical playground more spacious than it had ever enjoyed
-before.
-
-After a two-mile run on the river we entered another lock and once more
-were confined to the comparatively narrow channel of the canal. We
-found all conditions favorable and at sunset we crossed the great stone
-aqueduct over the winding Conococheague and a few minutes later tied up
-at the Williamsport lock.
-
-I was now on familiar ground. Eleven years before I had visited
-historic Williamsport in quest of newspaper "feature stories," and a
-decade had witnessed but little change in the place. In the early days
-of the Federal government Williamsport was a pretentious bidder as
-the seat for the national capital. In the Civil War it was a sort of
-Pryzmyl, having been taken and retaken by the armies of both the north
-and the south, but the town itself was of no importance except as the
-key to strategic positions beyond. Here in June, 1863, the vanguard
-of Lee's conquering legions crossed the Potomac when they swept down
-the Shenandoah and crossed triumphantly into Pennsylvania, and here
-less than a month later their ragged columns made a bold stand against
-Meade's victorious forces while the retreating Confederates waited for
-the flood to subside so that they could withdraw into Virginia. Along
-the street that leads down to the river are many of the old houses
-whose walls resounded with the tread of those valiant armies--Union and
-Confederate. In those houses, too, many a soldier suffered the agony
-of wounds received in the desperate charges at Gettysburg. Of those
-southern heroes who raced with death from that immortal field, scores
-gave up their lives here in sight of their native Virginia hills.
-
-Williamsport today is another of those outposts for supplying alcoholic
-drinks to bleary-eyed pilgrims from West Virginia and in consequence
-does not afford hotel accommodations for the ordinary traveler. After
-trying in vain to get dinner, we boarded a trolley car and 40 minutes
-later reached Hagerstown where we stopped for the night, enjoying the
-solid luxury of a "room with bath connecting."
-
- * * * * *
-
-AMONG Hagerstown's well known business men is Mr. Walter E. Pattison, a
-former Pittsburgher. We sent him a grape-vine telegram of our advent in
-town and on coming down from breakfast in the morning he hailed us with
-a motorcar and an invitation for a drive through Greater Hagerstown. We
-accepted with alacrity, remembering the tedious hours of the previous
-day, and made no objection when the chauffeur cut up didoes with the
-Maryland speed limit.
-
-Mr. Pattison accompanied us to Williamsport in the afternoon to see
-"Sometub" and to join a little reunion with Col. George W. McCardell,
-the veteran editor of the Williamsport _Leader_. Editor McCardell had
-been looking for me for eleven years and we were somewhat in doubt as
-to the outcome of the interview. The reason for his desire to lay hands
-on me was, as nearly as I can remember, the following paragraph which
-was printed over my name in the Pittsburgh _Gazette_ in the summer of
-1905:
-
- The Williamsport Leader is more than a journalistic
- enterprise--it is a well founded institution. It is the
- oracle of rockribbed Democracy, the unflinching champion of
- pure Jeffersonism and unfaltering Andyjacksonism.... The
- editor will take two pairs of Maryland frying-size chickens
- on subscription, but of his Virginia subscribers he requires
- three pairs in advance because, he says, the Maryland
- pullets are better and more tender.
-
-I resolved to meet the editor and finish the argument. Mr. Pattison
-led the way to a new and prosperously attractive sanctum. It was
-publication day--Friday--and Col. McCardell, after a strenuous week,
-stood with folded arms beside an imposing stone with type still wet
-from the day's "run." My wife, who embodies the traditions of five
-generations of the editor's brand of politics but who stood ready to
-defend the quality of Virginia chicken against the world, was the first
-to enter the den of the journalistic lion. It was a clever ruse on
-Mr. Pattison's part, for first of all Col. McCardell is a chivalrous
-southern gentleman. Why, of course, Virginia fried chicken is the
-finest in the land. And Virginia women compose the very flower of
-American womanhood. Their presence here is welcomed like the May-time
-sunshine. The Potomac ripples softly when they cross the river and in
-the trees on the Maryland shore the summer zephyrs sing sweet benisons
-to the fair daughters of the Old Dominion.
-
-And when I entered the feud of eleven years had vanished. I could only
-blush and bow my acknowledgements.
-
-With fond good-byes to Col. McCardell and Mr. Pattison we departed in
-the mid-afternoon bound for Mercerville by twilight in the hope that
-we would have the following day to spend on Antietam battlefield. But
-we had not reckoned with the elements. Four miles below Williamsport
-a terrific storm burst upon us. So sudden was the tempest that we
-were obliged to tie to the towpath bank to prevent the furious gales
-of wind from capsizing the boat. For a few minutes it seemed that our
-canopy would be torn to tatters. Our lines gave way and I climbed out
-to steady the heaving craft. Then it rained in such torrents that
-it momentarily took away my breath. Vivid flashes of lightning and
-deafening thunder followed in instant succession. The wind wrenched big
-sycamores from their roots and they crashed across the miry towpath
-like jackstraws thrown by an angry giant. The storm lasted more than
-an hour but a steady patter of rain followed. Our supplies stored
-under the deck and protected by the poncho were dry, but our clothes
-were dripping and the temperature had turned chill and raw. Darkness
-was coming on and we prepared to tie up for the night. How bright and
-warm looked the blue flame from the canned alcohol while we boiled our
-coffee!
-
-It was a gloomy outlook, but southern hospitality which proved the
-silver lining to every dark cloud on our cruise, once more intervened.
-A farmer rode down the towpath and invited us to go to his house for
-the night. Our good Samaritan was Mr. J. H. Wine, whose home nestles
-snugly under the mountain beside the canal. We accepted with haste that
-we hoped would indicate our extreme gratitude and soon had our dripping
-duds spread out on the backs of chairs before the range in the spacious
-kitchen. Mr. and Mrs. Wine tendered us the guest room and we sought
-slumber early. Only the outdoor enthusiast would have been worthy of
-the frugal breakfast in the morning. We thanked our good hosts and
-prepared to depart. The question of remuneration for favors invariably
-was spurned by the hospitable people on the canal.
-
-The sun came out gloriously and we hoped to reach Mercerville by
-noon. We did, but there the motor balked again and we spent two hours
-trying to fix it. We gave up the thought of visiting Antietam and
-about the time the shadows began to lengthen, started solemnly toward
-Shepherdstown, five honest miles down the canal. We paddled and towed
-alternately, making even slower progress than in the wake of No. 18.
-Darkness came on and we were still on the lonely path. About 9 o'clock
-we reached a lock and were told that Shepherdstown was still a mile
-beyond. A storm was gathering and the lockmaster invited us to tie up
-and spend the night in his house notwithstanding that it would place
-several members of his large family at an inconvenience. We agreed to
-leave the boat, but insisted on going to Shepherdstown where we could
-find a hotel and a garage mechanic.
-
- * * * * *
-
-AGAINST the protests of the lockmaster and his wife we lighted our
-lantern and started down the lonely towpath. Black clouds obscured the
-sky and we stumbled along at times having difficulty in keeping on the
-path. Flashes of lightning and rumbling thunder betokened a storm that
-would rival the one on the previous night. Our lantern's flickering
-light only intensified the darkness but the lightning frequently
-assisted us when its glare illuminated the entire landscape.
-
-In our race with the storm we were the first under the wire. Fleeing
-across the bridge over the Potomac we breathlessly climbed the hill
-and along a dark street to the center of the town whither we had
-been directed to the hotel. Suddenly we rounded a corner into an
-electric-lighted thoroughfare and stood before the entrance of the
-Rumsey House. Our clothes were wrinkled and we were splashed with
-mud from head to foot. We still carried our lighted lantern and the
-crowd at the hotel gazed at us with expressions twixt curiosity and
-amazement. The proprietor was moved to commiseration.
-
-"Come in here, you-all, right away," he said.
-
-
-
-
-IV.
-
-
-THE hallowed notes of church chimes awakened us on our first morning
-in Shepherdstown and before the day was an hour older we felt grateful
-to the motor for compelling our stop-over in this quaint community.
-Geographically Shepherdstown is in West Virginia, but politically,
-socially and traditionally it leans toward the Old Dominion. It lies
-in Jefferson county at the foot of the beautiful Shenandoah valley
-and is essentially southern. Its whole atmosphere and the sympathy
-of its people belong distinctly to Piedmont Virginia. It is the
-Alsace-Lorraine of America.
-
-Next to Alexandria, Shepherdstown is perhaps the oldest important
-settlement in the Potomac valley. It is one of the few old towns in the
-country that has not been defaced by too much present day progress.
-Shepherdstown has always been a substantial prosperous place and does
-not affect the gewgaws of the new rich municipality. In some respects
-it resembles Concord, Massachusetts. Its streets have many features
-in common with the thoroughfares of the old-time New England towns.
-In many of the residences are preserved some of the most striking
-characteristics of chaste colonial architecture.
-
-It was a restful place to spend Sunday and in the evening we joined
-the villagers in a stroll through the shady streets and out on the
-bluff overlooking the Potomac. Here on the edge of the cliffs on a
-natural base of limestone rock is an imposing shaft lately erected
-to the memory of James Rumsey, Shepherdstown pioneer and inventor of
-the steamboat. Rumsey, you know, was the Langley of steam navigation.
-While Prof. Langley originated the idea of the heavier than air system
-of aeronautic transportation, his aeroplane, upon which experiments
-were made on this same Potomac river, was not perfected to the point
-of standing the practical test. Two bicycle mechanics in Dayton, Ohio,
-were destined to make a crowning achievement where the scientist had
-failed. Posterity will demand that the Wright brothers share their fame
-with Langley.
-
-[Illustration: Antietam Battlefield at Dunker Church (right) and
-Cornfield (left) Across Hagerstown Pike]
-
-Although Robert Fulton is popularly credited with the invention of
-the steamboat, he only perfected the work which was started by Rumsey
-in the waters of the Potomac at Shepherdstown in September, 1784. In
-the presence of George Washington a boat which ascended the stream by
-mechanical appliances was exhibited by Rumsey 23 years before Fulton's
-Clermont made its memorable voyage on the Hudson.
-
-The house in which Rumsey lived is one of the historic landmarks of
-Shepherdstown. The inventor went to Europe and built a new boat which
-made a successful trip on the Thames in December, 1792. A few weeks
-later sudden death in the very prime of life cut short Rumsey's career.
-
-In the Civil War Shepherdstown endured the agony but shared little of
-the glory of battle. It is about eight miles north of Harper's Ferry
-and less than four miles west of Antietam. Skirmishes took place here
-early in the war and in September, 1862, it saw Stonewall Jackson's
-famous foot cavalry sprint through this corner of Jefferson county in
-his encircling movement for the capture of Harper's Ferry. A week later
-echoes of the guns engaged in the bloody work at Antietam reverberated
-against the hills around Shepherdstown and on the afternoon of that
-17th day of September hundreds of mutilated men were carried into the
-village and committed to the care of the townspeople.
-
-The wounded were Confederate soldiers and from the majority of homes in
-Shepherdstown had gone fathers, sons, brothers to fight under Lee or
-Jackson. Marie Blunt, one of the heroic women who assisted caring for
-the wounded, in describing that melancholy day, said:
-
-"We went about our work with pale faces and trembling hands, yet trying
-to appear composed for the sake of our patients, who were much excited.
-We could hear the incessant explosions of artillery, the shrieking
-whistling of the shells, and the sharper, deadlier, more thrilling roll
-of musketry: while every now and then the echo of some charging cheer
-would come, borne by the wind, and as the human voice pierced that
-demoniacal clangor we would catch our breath and listen, and try not to
-sob, and turn back to forlorn hospitals, to the suffering at our feet
-and before our eyes, while imagination fainted at the thought of those
-other scenes hidden from us beyond the Potomac.
-
-"On our side of the river there were noise, confusion, dust; throngs
-of stragglers; horsemen galloping about; wagons blocking each other,
-and teamsters wrangling; and a continued din of shouting, swearing
-and rumbling, in the midst of which men were dying, fresh wounded
-arriving, surgeons amputating limbs and dressing wounds, women going in
-and out with bandages, lint, medicines, food. An everpresent sense of
-anguish, dread, pity, and, I fear, hatred--these are my recollections
-of Antietam."
-
- * * * * *
-
-LEAVING our invalid motor in care of a garage mechanic we boarded a
-Norfolk & Western train Monday morning to visit Antietam battlefield.
-It is a ride of less than 10 minutes from Shepherdstown to the station
-of Antietam which is adjacent to the village of Sharpsburg. The half a
-century that has passed since the war has witnessed but slight change
-here. Nearly all the houses are of the antebellum type. The woods
-have been cleared at various places over the field, but otherwise the
-landscape has changed but little when compared with wartime photographs
-and sketches of the battle.
-
-A walk through the town and the national cemetery brought us to the
-Hagerstown pike which parallels the battle lines on the northern half
-of the field. Threatening weather called for haste and I was obliged
-to forego the pleasure of a ramble to familiar scenes around the
-picturesque Burnside bridge which I had photographed 11 years before.
-We were interested in two parts of the field--the line of Anderson's
-Confederate division and the position occupied by Hooker on the Union
-right. In locating the former we soon found ourselves in Piper's lane
-and walked down to the gray stone barn which stands as solid today as
-on that Wednesday afternoon when Hill and Sumner struggled for the
-mastery of this blood-drenched farmstead.
-
-Less than a mile beyond is the little whitewashed Dunker church which
-marks the key to Stonewall Jackson's position. It stands in the woods
-at the west side of the Hagerstown pike at the intersection of the
-Smoketown road. On the east side of the pike was the famous cornfield
-where the Union soldiers under Hooker and Mansfield engaged in deadly
-combat with Jackson's men. In an area covering a few acres the losses
-on both sides in less than four hours' fighting on the morning of
-September 17th probably exceeded 5,000 killed and wounded.
-
-All the important positions occupied by the troops on both sides
-have been marked by tablets erected by the Federal government and
-many memorials have been placed by the various states. One of the
-most interesting monuments is that of the State of Maryland to her
-sons--Union and Confederate--who perished at Antietam. It stands on a
-knoll a short distance east of the pike opposite the Dunker church.
-
-At 11 o'clock on Tuesday morning, July 25, our motor having been
-pronounced "cured," we slipped "Sometub's" moorings and after adieus to
-hospitable friends in Shepherdstown, started on the second half of our
-journey. A mile and a half below the town we passed the ford over which
-Lee's army retreated from Antietam and saw the cliff where the Corn
-Exchange regiment came to grief in its pursuit of the Confederates.
-A little farther on we noted what we supposed was the site of Camp
-McAuley where the One Hundred and Fifty-fifth Pennsylvania regiment
-from Pittsburgh spent many a chilly bivouac in the autumn of 1862.
-
-The scenery on the canal between Shepherdstown and Harper's Ferry is
-not rivaled anywhere in the country for its variety, abounding in
-pastoral beauty, historic interest and sublime grandeur. Our motor,
-being on its good behavior, the trip was uneventful. Across the river
-among the trees we descried the little hamlet of Falling Waters where
-occurred one of the first conflicts of the Civil War. We glided over
-Antietam creek through a picturesque aqueduct and continued for miles
-on through the trees at the base of the lofty cliffs of Maryland
-Heights.
-
-After several stops to catch the pictures that presented themselves at
-every turn, we reached the lock opposite Harper's Ferry about 4 o'clock
-in the afternoon. We threw "Sometub's" line to a picket fence beside
-the canal and hastened across to the town to call at the postoffice to
-receive an accumulation of 10 days' mail that had been forwarded from
-point to point all the way from Hancock.
-
-This is a late day to describe Harper's Ferry. Thomas Jefferson more
-than 100 years ago wrote a description of the place and stole the
-thunder from his successors for all time to come. In October, 1859, old
-John Brown in a different manner gave fresh fame to the locality, and
-on a gallows over the hills at Charles Town paid the penalty with his
-life. Harper's Ferry got into the headlines soon after Fort Sumter was
-fired upon and kept in the limelight till the very close of the war.
-Since that time the Baltimore and Ohio railroad has appropriated the
-old town, mountains, rivers, scenery, historic associations and all and
-has overlooked no opportunity to exploit its beauty and its traditions.
-
-We had expected to have a veritable field day here with our camera,
-but when we came from the postoffice clouds rolled down from the
-mountains like great avalanches of snowy feathers, the village grew
-misty and rain began to fall. With no immediate prospect of clear
-weather we decided to continue our voyage. It would be heresy, however,
-not to present a picture of Harper's Ferry, and we are indebted to
-Mr. J. Hampton Baumgartner, of the Baltimore and Ohio railroad, for
-the one presented here. The railroad has acted the pious antiquarian
-in preserving this historic shrine and the fame of the sacred spot is
-perpetuated largely through the services of this corporation. Railroads
-more frequently are ruthless vandals in their treatment of historic
-landmarks, but not so with the Baltimore and Ohio. This portion of the
-railroad is itself a talisman of history worthy of every patriotic
-American's interest and study.
-
-[Illustration: Harper's Ferry, from Maryland Heights]
-
-Rain was falling in torrents when we unleashed "Sometub" from the
-picket fence and started through the lock. By the time the one-armed
-locktender had opened the gates and we chugged out under the Baltimore
-and Ohio bridge at the entrance of the Maryland Heights tunnel the
-storm had grown to the proportions of a cloudburst. We found ourselves
-in a canyon of concrete with a sharp curve ahead. It was a perilous
-place to meet a canal boat and we continued on through the blinding
-storm. At the end of the canyon we moored to the towpath bank for a
-time, but with darkness approaching and the rain continuing unabated,
-we resolved to resume the voyage.
-
-At dusk we reached Brunswick. Everything above board on the boat,
-including ourselves was drenched. Scrambling out on the towpath I waded
-through the mud to inquire of the locktender for a place to tie up.
-Despite the rain, we had decided to spend the night on "Sometub." We
-had become so attached to the little craft by this time that it seemed
-like ingratitude to go to a comfortable hotel and leave it out there in
-the storm and the night.
-
-But this was not to be.
-
-
-
-
-V.
-
-
-THERE must have been something about the appearance of our outfit or
-ourselves, or both, on the arrival of the bedraggled "Sometub" at
-Brunswick calculated to awaken the deepest sympathy of the kind-hearted
-folk who watched us approach through the chilly rain. When I asked the
-lockmaster for a suitable place to tie up for the night he pointed to
-a dilapidated dock on the berm bank adjacent to an ancient and densely
-populated pig pen.
-
-"It would be very fine, except for the neighbors," I told him. "Pigs
-have a habit of getting up too early in the morning to suit us." This
-was not quite the reason for our objection to mooring beside a pig
-pen, but I aimed to be diplomatic. Perhaps they might be his pigs.
-"Crackey!" exclaimed the lockmaster, "You-all don't intend to spend the
-night in that boat, do you?"
-
-"Yes," I answered. "We have the most comfortable cabin you ever saw."
-
-Before the lockmaster could answer another man, who hastened over from
-the railroad yards, at once assumed the role of superintendent of the
-harbor, collector of the port, quarantine officer or whatever you would
-choose to call him. He spoke with the air of a person clothed with
-absolute authority.
-
-"Yes, yes; tie up over there and I'll----" he began.
-
-"I have just told the lockmaster that I'll not tie up over there," I
-interposed. But our new friend disregarded me entirely and continued:
-
-"----I'll have an automobile here in five minutes to take you and the
-missus up to the hotel. Your boat will be safe till morning. Come from
-Pittsburgh, eh? How in Sam Hill did you get into the canal? I used to
-work in Pittsburgh, but that was a good while ago. Pretty big place
-now, I suppose--"
-
-He was true to his word. An automobile oozed through the mud and the
-chauffeur announced that he was ready to take "the lady and gentleman
-to the hotel." In the presence of such an example of prompt service
-we reconsidered our resolution to spend the night in the boat and
-taking our baggage, we went to the hotel in our khakis. The people in
-the lobby must have thought that unkempt members of a band of gypsies
-had invaded the place when we rushed through to our room. However,
-the opinions of bystanders as to the appearance of our traveling duds
-gave us little concern. We put on dry clothes and in a few minutes it
-was announced that the dining room had been opened for our especial
-benefit. The young wife of the proprietor cooked and served a bountiful
-repast. She must have felt repaid for the effort by the manner in which
-we dispatched all the good things she had prepared.
-
-The rain lasted through the night but Wednesday, July 26th, dawned with
-clear skies. We prepared to depart early, but first stocked "Sometub"
-with provisions and fuel, Brunswick being the last large town on the
-canal on the way to Washington. Before us for a distance of nearly 50
-miles lay a stretch of sparsely settled country. From Brunswick to
-Point of Rocks the Baltimore and Ohio railroad runs close beside the
-towpath and in the early morning, "Sometub" was greeted several times
-by passengers on the observation cars of the Royal Blue express trains
-which dashed by at a mile-a-minute speed. We wondered if the people who
-were fluttering handkerchiefs and waving hats envied us. It was while
-riding on the observation car several years ago on this same route
-that we had planned our voyage. In its realization we regretted that
-more vacation tourists could not share the pleasure of our trip over
-the mountains--by water. We did not stop to consider that the majority
-of summer travelers desire speed, luxury and the least discomfort and
-would balk at the petty annoyances we endured through an obstinate
-motor and the omniesence of Jupiter Pluvius.
-
-Under the shadow of old Catoctin mountain we passed the Point of Rocks,
-famous in the Civil War as the place where Lee's army crossed for the
-invasion of Maryland in the Antietam campaign. A few miles beyond the
-course of the river turns from southeast to southwest and we sheered
-off sharply from the railroad. We crossed on the famous stone aqueduct
-over the Monocacy river. The character of the scenery changed quite
-as preceptibly as the direction of the stream. Through the drooping
-branches of the trees we saw on the north the rugged outlines of old
-Sugar Loaf peak and across the Potomac the undulating ridge of the
-southern spur of Catoctin, and when heights faded in the blue haze of
-a midsummer day, we bade farewell to the mountains. Henceforth our way
-ran through the lowlands down to the sea, the hills and river bluffs
-reaching an altitude of only a few hundred feet.
-
-At Edwards Ferry we saw the wooded face of Ball's Bluff which gave name
-to a Civil War conflict which was second only to Bull Run in causing
-discomfiture to the people of the North. In this little fight the
-country lost a notable figure in the person of General Edward D. Baker,
-first United States senator from Oregon.
-
-For miles along this portion of our route we ran without seeing a human
-habitation. A dense strip of woodland concealed the river from view and
-bluffs or marshy thickets interposed between the canal and the country
-to the north. Occasionally through the trees we caught a fleeting
-glimpse of beautiful meadows and cornfields of the Maryland farmlands,
-but these vistas were rare.
-
-At White's Ferry, where on September 5th, 1862, Stonewall Jackson's
-army forded the Potomac, and while singing "My Maryland," marched
-gallantly on toward Frederick, we stopped under the highway bridge that
-spans the canal to replenish our supply of gasoline. Leaning over the
-rail of the bridge stood a native whose face was obscured by the shadow
-of a straw hat of immense brim. Over his shoulder was a fishing-pole
-of a length of thirty feet or more. He ignored our salutation when we
-approached, but after we had drifted under the bridge he crossed to the
-rail on the other side and inquired:
-
-"Stranger, whar did you put that tub in this ditch?"
-
-"Cumberland."
-
-"By crackey!" And he sauntered down the road.
-
-The history of this "ditch" is a commercial romance closely linked
-with the political developments of the last one hundred and fifty
-years. During the period immediately preceding the Revolutionary War
-Washington devoted his chief attention toward the opening of the west
-to colonization and for a cheap transportation route foresaw that
-navigation on the waters of the upper Potomac would offer a direct
-outlet for the products of the agricultural regions of the western
-country to the Atlantic seaboard. The alarm from Lexington in 1775, of
-course, put an end to all immediate plans for the internal improvement
-among the colonies, but after Burgoyne had been cut off at Saratoga and
-Cornwallis had been bagged at Yorktown, Gen Washington again turned his
-attention to the transportation problem. Before peace was restored he
-left the camp of the patriot army at Newburg and inspected the future
-route of the Erie canal through the Mohawk valley.
-
-Washington shrewdly divined that a canal between Lake Erie near
-Niagara, connecting it with the Mohawk and the Hudson would open up a
-route that would be a dangerous competitor to the southern colonies in
-their trade with the west. Soon after he was relieved from his military
-duties he made a tour of exploration with a view of locating a route
-connecting the Potomac with the Ohio and the Great Lakes. His journal
-sets forth clearly his wonderful farsightedness and broad comprehension
-of the situation. Here is Washington's report of his transportation
-line from Detroit to Alexandria, Va.: (The spelling is Washington's).
-
- To Cuyahoga River 125 Miles
- Up same to Portage 60 Miles
- Portage to Bever Ck 8 Miles
- Down Bever Ck to the Ohio 85 Miles
- Up the Ohio to Fort Pitt 25 Miles
- Mouth of Yohiogany 15 Miles
- Falls to Ditto 50 Miles
- Portage 1 Mile
- Three Forks or Turkey foot 8 Miles
- Ft. Cumberland or Wills Creek 30 Miles
- Alexandria 200 Miles
- ----
- Total 607 Miles
-
-Bear in mind that the "mouth of the Yohiogany" is now McKeesport, that
-the "falls to ditto" indicates Ohio Pyle and that "Three Forks" means
-the present locality of Confluence, and compare the distances with
-present day surveys. They will not vary a mile on the entire stretch.
-Ask the eminent engineers of the Lake Erie & Ohio River Canal if they
-can add much to Washington's ideas. Their answer will give you added
-reasons for celebrating on the 22nd of next February.
-
-In February, 1785, the laws were passed by the legislatures of Maryland
-and Virginia authorizing the formation of a company for the improvement
-of the Potomac river and books for the subscription of stock were
-opened at once. The total shares were 403 and the capital of the new
-Potomac Company was 40,300 pounds. Washington was elected its president
-and James Rumsey, the inventor, whose monument we saw at Shepherdstown,
-was general manager. In the summer of 1785 the work of blasting rock
-and other obstructions was begun between Great Falls and Harper's Ferry.
-
-The work was prosecuted with vigor, but during the winter of 1786-87
-there came a hint of labor troubles. Common laborers were paid 32
-shillings (about $8.00) a month "with the usual ration except spirits,
-and with such reasonable allowance of spirits as the manager may from
-time to time think proper." The question of spirits seems to have been
-the chief cause of the trouble, for it is recorded that the company
-contracted for the supply of rum at "two shillings per gallon." It must
-have been the same kind of stuff that is peddled across the river to
-"dry" Virginians today.
-
-In 1787 Washington withdrew from active work in the company to accept
-the presidency of the Republic. His retirement sealed the fate of the
-corporation. Its affairs languished for years and in 1823 was declared
-defunct.
-
-In the same year--1823 a date since famous for the promulgation of
-the Monroe doctrine--the navigation project was again revived in the
-Maryland legislature. It was estimated that the proposed work of
-cutting a canal from tide-water (Washington, D. C.) up the Potomac,
-across the mountains to a branch of the Ohio, and down the same, at
-$1,500,000, of which Virginia, Maryland and the District of Columbia
-were each to subscribe one-third. The Chesapeake and Ohio Canal Company
-was incorporated by the Maryland legislature in 1825 with a capital
-stock of $6,000,000, Congress having previously made an appropriation
-of $30,000 for preliminary surveys. The route selected for the canal
-alarmed the citizens of Baltimore. They saw that it would divert trade
-from their city. About this time Philip E. Thomas, a Baltimore banker,
-and George Brown, an enterprising resident of that city, took earnest
-counsel between themselves to save the traffic for their town. On the
-19th of February, 1827, they held a meeting with their townsmen which
-was destined to become memorable in the whole history of transportation.
-
-[Illustration: Tom Thumb--B. & O. 1830]
-
-Up in Quincy, Mass., and in Maunch Chaunk, Pa., for a year or two
-wagons had been operated on rails, and Mr. Thomas inquired of his
-confreres why a "rail road" would not be practicable from Baltimore
-to the Ohio. The whole world knows the answer: On February 28, 1828,
-a charter was granted to the Baltimore and Ohio Railroad Company, Mr.
-Thomas resigned the presidency of the Machanics' Bank in Baltimore to
-become the head of the first American railway system.
-
- * * * * *
-
-THEN began a memorable commercial race between canal and railroad.
-Their prospective routes were parallel and both sought the same
-destination--the Ohio river at Pittsburgh. Early in 1826 both
-companies were in the field surveying for their respective highways.
-On the fourth of July succeeding celebrations were planned by the
-rival corporations. In Washington on that day President John Quincy
-Adams, the members of his cabinet, foreign ambassadors, survivors of
-the Revolutionary War and a great throng of citizens proceeded up
-the Potomac to Great Falls where the first spadeful of earth in the
-construction of the canal was turned by the President of the United
-States.
-
-Over in Baltimore at the same hour the venerable Charles Carroll
-of Carrollton, the only surviving signer of the Declaration of
-Independence lifted a spadeful of earth in placing the foundation
-stone to commemorate the commencement of the building of the Baltimore
-and Ohio Railroad. The railroad was completed to the Maryland shore
-opposite Harper's Ferry in 1834 and was opened to operation December
-1, the work on the canal at that time having proceeded more rapidly,
-despite injunctions, financial embarrassments and a multitude of
-obstacles that interfered with the work. The canal finally was
-completed to Cumberland February 17, 1851.
-
-In the meantime the railroad had struggled to success in spite of
-similar obstacles. The Baltimore and Ohio was opened to the public May
-22, 1830, and was received with approbation of the public. At this time
-the line extended from Baltimore to Ellicott's Mills, a distance of 12
-miles. It was advertised that "brigades of cars left Baltimore at 6 and
-10 a. m. and 3 and 4 p. m." These "brigades" of cars first were hauled
-by horses and mules and later a brother of President Thomas invented
-a car which moved by sails. The superintendent of motive power,
-nevertheless, was enterprising and steam was soon applied. As early
-as 1831 the company offered a prize of $4,000 for the best locomotive
-offered for trial on the road. It is a curious fact that a watchmaker
-of York, Pa., built the first practicable models.
-
-One of these, the "Atlantic," on August 25, 1835, drew the first train
-into Washington amid the applause of President Andrew Jackson and a
-distinguished assemblage. This "grasshopper" locomotive was in use
-a generation later when it hauled the vanguard of Union soldiers to
-save the national capital in 1861. It developed a speed of 30 miles an
-hour which was regarded as suicidal in the early days of railroading.
-Although superannuated, the "Atlantic" is still in a good state of
-preservation and can be operated under its own power.
-
-The canal and railroad are no longer competitors. The bonds of the
-former company are held by the railroad. The canal is in operation
-during the season of navigation and more than 100 boats are engaged in
-providing low-priced transportation for coal from Cumberland to the
-seaboard. On the railroad "brigades of cars" are seen at intervals of
-a few minutes dashing along behind locomotives that weight more than
-twenty times that of the little old "Atlantic."
-
-[Illustration: "Atlantic" Engine--B. & O. 1832]
-
-
-
-
-VI.
-
-
-THROUGH the sultry afternoon of Wednesday, July 25th, "Sometub" ran for
-hours under the willows that fringe the Maryland meadows in Montgomery
-county. Across the river the Virginia shore presented an endless
-panorama of wooded hills that grew less rugged in their outlines as we
-proceeded down the stream. At sunset we were running through a marshy
-region and decided to keep on rather than invite malaria by spending
-the night on the border of a swamp. We were happy when, in the receding
-twilight, we espied the hills of Seneca creek and knew by consulting
-our topographical maps that we would have a more healthy mooring place.
-At Seneca a widewater covers about ten acres and under a big sycamore
-tree beside the little lake we tied "Sometub," preparing dinner on our
-"canned heat" range and serving it on our poncho which was spread on
-the soft, green turf.
-
-The dying embers of a campfire were visible across an arm of the lake
-and after dinner we went to pay a neighborly call. Beside the fire was
-a tiny "pup" tent supported by two canoe paddles. On our approach three
-young men greeted us. A week before, they told us, they had started out
-from their homes in Washington on a fishing trip up the river. In the
-Potomac the bass were not biting but the mosquitoes were and betwixt
-hope and desperation they had turned into the canal. Now they were
-having fairly good luck and were comfortable.
-
-Our new friends punctilously returned the call. One of the youths was
-the son of a naval officer and expressed much interest in "Sometub,"
-and its unique cabin arrangement. We sat in the lantern light till
-midnight swapping motorboat experiences for fish stories. In this we
-had the better of the deal.
-
-Thursday dawned clear and hot. Our neighbors, the fishermen, were out
-before sunrise and had breakfasted on their catch of perch, catfish
-and "sunnies" before we were stirring. Old Sol drank up the dew within
-a few minutes after his appearance over the Virginia hills and we
-made an excursion into a blackberry thicket where we picked a dish
-of luscious fruit for breakfast. It was our last berry feast of the
-season. After reciprocating photographs of our respective "camps," we
-headed for Seneca lock and were lowered through it by members of a
-troop of Washington Boy Scouts who volunteered their assistance to the
-lockmaster.
-
-At noon we reached Great Falls. Here are 13 locks in a series of two,
-seven chambers in the first and six in the second. The actual time in
-making the descent was considerably less than two hours. We stopped
-at the first lock, and upon payment of a small fee to the lockmaster,
-were admitted to the private park surrounding the Great Falls of the
-Potomac. Crossing a swinging bridge to an island in the river we
-obtained a magnificent view of the cataract. The stream was at flood
-stage and the scene rivaled the rapids of the lower Niagara.
-
-In the late summer and autumn of 1861 the Union and Confederate pickets
-frequently exchanged compliments at short range from behind the rocks
-and boulders along this stretch of the Potomac. If you have any friends
-among the survivors of the Pennsylvania Reserves, ask them to tell
-you of their experiences during the open season for snipers in those
-exciting days.
-
-In the middle of the afternoon we passed Cabin John bridge and moored
-"Sometub" at the lock at the foot of Glen Echo park. In the shade of
-the trees everything looked cool and refreshing and we decided to
-spend the evening with friends in Washington, but a few minutes after
-we stepped off the boat we realized that it was the hottest day of
-the summer. The lockmaster's wife invited us to go into her house and
-assigned us "spare rooms" to change our clothes. Going to Washington
-by trolley, we found the heat in the city almost intolerable after
-our fortnight in the open air of the mountains. After dinner in town
-against the protests of friends we returned to the boat and were lulled
-to slumber by the music in the dancing pavilion of the park.
-
- * * * * *
-
-JUPITER PLUVIUS had been on hand at the beginning of the voyage and now
-at its close he was in evidence again. Rain interrupted us at breakfast
-and continued through the forenoon. Disregarding the showers we started
-on the last lap of our cruise and at 11 o'clock reached Lock No. 1,
-or, according to our count, No. 75 from Cumberland. We surrendered
-our waybill with the request that the canal company would return it
-to us to keep as a souvenir. After a pleasant chat to the lockmaster
-during which time we took refuge from a particularly annoying shower,
-"Sometub" was lowered to the Georgetown level. A few minutes later
-the lofty towers supporting the arials of the naval radio station at
-Arlington were visible and rounding a majestic curve to the eastward,
-we beheld the fantastic skyline of the National Capital.
-
-[Illustration: "BACK HOME"]
-
-Threading our way between a fleet of canal boats, tugs, skiffs and
-nondescript craft we reached the coal wharf in Georgetown and ran
-"Sometub" into the mud at the ancient lock which connects the canal
-with Rock creek, its outlet into the waters of the Potomac. The
-waterfront at Georgetown is no prepossessing place and the attitude
-of the bystanders was not calculated to lead the boatman to leave his
-property unguarded. Asking the obliging lockmaster to "keep an eye"
-on "Sometub" I went up a side street to the office of the Chesapeake
-and Ohio Canal Company to report our arrival and to meet in person Mr.
-A. Sahli, the secretary, with whom I had had an interesting telephone
-conversation last winter when in Washington arranging for the voyage.
-
-Mr. Sahli had been most obliging and we felt grateful for his advice.
-He told me that a short distance below the lock at the railroad yards
-I could take the boat from the water and ship it back to Pittsburgh.
-It seemed that every possible convenience was provided for the skipper
-directing a "portable cruise."
-
-I cannot describe my feelings when I returned to the wharf. We refused
-to realize that our voyage was at an end. It seemed that to take down
-the canopy, pack our stores and utensils and lift "Sometub" from the
-water would leave us absolutely homeless. It was still raining. For
-a long time we sat in the boat debating what to do. It was Friday
-and we had three days remaining on our hands. The little boat never
-looked more friendly, cozy and hospitable than just now. We had been
-companions on a most interesting journey and to leave it to pursue our
-own pleasure was like parting with a faithful partner in adversity.
-
-We compromised by exploring new waters. Giving the signal to the
-lockmaster, we were lowered into Rock creek and started up that winding
-stream toward Rock Creek park where we hoped to find a quiet place
-to tie up. We ran under the arched bridge of Pennsylvania avenue and
-under the trees to a point at the foot of the hill below DuPont circle
-but here shoal water checked our progress. Reluctantly we turned back
-and ran out to the dam where the creek empties into the Potomac. Here
-our cruise came near terminating in a tragedy. We were within 30 yards
-of the dam before we saw that water to a depth of a foot or more was
-pouring over its crest into the swirling river 15 feet below. The motor
-refused to reverse. We were caught in the current and drifted broadside
-toward the dam.
-
-Then we learned that a spruce canoe paddle is the most reliable of all
-motors for a small boat in moments of emergency. It was impossible to
-stem the current, but we succeeded in edging off from the middle of the
-stream and when almost at the edge of the dam caught some wisps of
-willows and held "Sometub" until a line was thrown ashore.
-
-After extricating ourselves from this predicament we ran back to the
-entrance of the canal and met a great, whole-souled man in the person
-of Mr. Michael O'Leary, night watchman in a machine shop on the river
-front and the owner of a houseboat in Rock Creek. True to all the
-virtues of his nationality, Mr. O'Leary possesses a generous heart and
-bountiful hospitality. Shure, it would be all right to tie up to his
-boat and he would be plased to keep an eye on the wee tub.
-
-Honesty was written all over his face and we left "Sometub" in his
-care, going downtown to spend another evening with friends but returned
-at night to our cabin. Saturday morning we were confronted by the
-inevitable necessity of "taking down" the superstructure of the boat
-and packing our baggage. Mr. O'Leary was on hand with a group of
-longshoremen who lifted "Sometub" from the water and carried it to a
-freight car as if it were a toy. We felt homeless now indeed. Only the
-refreshing good humor of Michael O'Leary mellowed our regret that our
-voyage was at an end.
-
-"Sometub" in its freight car berth started that night on its return to
-Pittsburgh for many subsequent weekend excursions on the Allegheny, but
-we tarried a day longer. On Sunday morning we crossed over to Virginia
-and went to old Christ Church in Alexandria. There in that historic
-temple of worship, with its sacred memories of George Washington, we
-rounded our fortnight's journey. From first to last we had followed in
-the footsteps of the greatest American.
-
-[Illustration]
-
-
-
-
-
-End of the Project Gutenberg EBook of Sometub's Cruise on the C. & O. Canal, by
-John Pryor Cowan
-
-*** END OF THIS PROJECT GUTENBERG EBOOK SOMETUB'S CRUISE ON THE C&O CANAL ***
-
-***** This file should be named 43909.txt or 43909.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/3/9/0/43909/
-
-Produced by Emmy and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/43909.zip b/43909.zip
deleted file mode 100644
index b3564c3..0000000
--- a/43909.zip
+++ /dev/null
Binary files differ