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+The Project Gutenberg EBook of The Ghetto and Other Poems, by Lola Ridge
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Ghetto and Other Poems
+
+Author: Lola Ridge
+
+Posting Date: August 17, 2012 [EBook #4332]
+Release Date: August, 2003
+First Posted: January 8, 2002
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE GHETTO AND OTHER POEMS ***
+
+
+
+
+Produced by Catherine Daly
+
+
+
+
+
+
+
+
+
+ The Ghetto
+ Lola Ridge
+
+ TO THE AMERICAN PEOPLE
+
+ Will you feast with me, American People?
+ But what have I that shall seem good to you!
+
+ On my board are bitter apples
+ And honey served on thorns,
+ And in my flagons fluid iron,
+ Hot from the crucibles.
+
+ How should such fare entice you!
+
+ CONTENTS
+
+ The Ghetto
+ Manhattan
+ Broadway
+ Flotsam
+ Spring
+ Bowery Afternoon
+ Promenade
+ The Fog
+ Faces
+ Debris
+ Dedication
+ The Song of Iron
+ Frank Little at Calvary
+ Spires
+ The Legion of Iron
+ Fuel
+ A Toast
+ "The Everlasting Return,"
+ Palestine
+ The Song
+ To the Others
+ Babel
+ The Fiddler
+ Dawn Wind
+ North Wind
+ The Destroyer
+ Lullaby
+ The Foundling
+ The Woman with Jewels
+ Submerged
+ Art and Life
+ Brooklyn Bridge
+ Dreams
+ The Fire
+ A Memory
+ The Edge
+ The Garden
+ Under-Song
+ A Worn Rose
+ Iron Wine
+ Dispossessed
+ The Star
+ The Tidings
+
+The larger part of the poem entitled "The Ghetto" appeared originally in
+THE NEW REPUBLIC and some of poems were printed in THE INTERNATIONAL,
+OTHERS, POETRY, etc. To the editors who first published the poems the
+author makes due acknowledgment.
+
+
+
+ THE GHETTO
+
+ I
+
+ Cool, inaccessible air
+ Is floating in velvety blackness shot with steel-blue lights,
+ But no breath stirs the heat
+ Leaning its ponderous bulk upon the Ghetto
+ And most on Hester street...
+
+ The heat...
+ Nosing in the body's overflow,
+ Like a beast pressing its great steaming belly close,
+ Covering all avenues of air...
+
+ The heat in Hester street,
+ Heaped like a dray
+ With the garbage of the world.
+
+ Bodies dangle from the fire escapes
+ Or sprawl over the stoops...
+ Upturned faces glimmer pallidly--
+ Herring-yellow faces, spotted as with a mold,
+ And moist faces of girls
+ Like dank white lilies,
+ And infants' faces with open parched mouths that suck at the air
+ as at empty teats.
+
+ Young women pass in groups,
+ Converging to the forums and meeting halls,
+ Surging indomitable, slow
+ Through the gross underbrush of heat.
+ Their heads are uncovered to the stars,
+ And they call to the young men and to one another
+ With a free camaraderie.
+ Only their eyes are ancient and alone...
+
+ The street crawls undulant,
+ Like a river addled
+ With its hot tide of flesh
+ That ever thickens.
+ Heavy surges of flesh
+ Break over the pavements,
+ Clavering like a surf--
+ Flesh of this abiding
+ Brood of those ancient mothers who saw the dawn break over Egypt...
+ And turned their cakes upon the dry hot stones
+ And went on
+ Till the gold of the Egyptians fell down off their arms...
+ Fasting and athirst...
+ And yet on...
+
+ Did they vision--with those eyes darkly clear,
+ That looked the sun in the face and were not blinded--
+ Across the centuries
+ The march of their enduring flesh?
+ Did they hear--
+ Under the molten silence
+ Of the desert like a stopped wheel--
+ (And the scorpions tick-ticking on the sand...)
+ The infinite procession of those feet?
+
+ II
+
+ I room at Sodos'--in the little green room that was Bennie's--
+ With Sadie
+ And her old father and her mother,
+ Who is not so old and wears her own hair.
+
+ Old Sodos no longer makes saddles.
+ He has forgotten how.
+ He has forgotten most things--even Bennie who stays away
+ and sends wine on holidays--
+ And he does not like Sadie's mother
+ Who hides God's candles,
+ Nor Sadie
+ Whose young pagan breath puts out the light--
+ That should burn always,
+ Like Aaron's before the Lord.
+
+ Time spins like a crazy dial in his brain,
+ And night by night
+ I see the love-gesture of his arm
+ In its green-greasy coat-sleeve
+ Circling the Book,
+ And the candles gleaming starkly
+ On the blotched-paper whiteness of his face,
+ Like a miswritten psalm...
+ Night by night
+ I hear his lifted praise,
+ Like a broken whinnying
+ Before the Lord's shut gate.
+
+ Sadie dresses in black.
+ She has black-wet hair full of cold lights
+ And a fine-drawn face, too white.
+ All day the power machines
+ Drone in her ears...
+ All day the fine dust flies
+ Till throats are parched and itch
+ And the heat--like a kept corpse--
+ Fouls to the last corner.
+
+ Then--when needles move more slowly on the cloth
+ And sweaty fingers slacken
+ And hair falls in damp wisps over the eyes--
+ Sped by some power within,
+ Sadie quivers like a rod...
+ A thin black piston flying,
+ One with her machine.
+
+ She--who stabs the piece-work with her bitter eye
+ And bids the girls: "Slow down--
+ You'll have him cutting us again!"
+ She--fiery static atom,
+ Held in place by the fierce pressure all about--
+ Speeds up the driven wheels
+ And biting steel--that twice
+ Has nipped her to the bone.
+
+ Nights, she reads
+ Those books that have most unset thought,
+ New-poured and malleable,
+ To which her thought
+ Leaps fusing at white heat,
+ Or spits her fire out in some dim manger of a hall,
+ Or at a protest meeting on the Square,
+ Her lit eyes kindling the mob...
+ Or dances madly at a festival.
+ Each dawn finds her a little whiter,
+ Though up and keyed to the long day,
+ Alert, yet weary... like a bird
+ That all night long has beat about a light.
+
+ The Gentile lover, that she charms and shrews,
+ Is one more pebble in the pack
+ For Sadie's mother,
+ Who greets him with her narrowed eyes
+ That hold some welcome back.
+ "What's to be done?" she'll say,
+ "When Sadie wants she takes...
+ Better than Bennie with his Christian woman...
+ A man is not so like,
+ If they should fight,
+ To call her Jew..."
+
+ Yet when she lies in bed
+ And the soft babble of their talk comes to her
+ And the silences...
+ I know she never sleeps
+ Till the keen draught blowing up the empty hall
+ Edges through her transom
+ And she hears his foot on the first stairs.
+
+ Sarah and Anna live on the floor above.
+ Sarah is swarthy and ill-dressed.
+ Life for her has no ritual.
+ She would break an ideal like an egg for the winged thing at the core.
+ Her mind is hard and brilliant and cutting like an acetylene torch.
+ If any impurities drift there, they must be burnt up as in a clear flame.
+ It is droll that she should work in a pants factory.
+ --Yet where else... tousled and collar awry at her olive throat.
+ Besides her hands are unkempt.
+ With English... and everything... there is so little time.
+ She reads without bias--
+ Doubting clamorously--
+ Psychology, plays, science, philosophies--
+ Those giant flowers that have bloomed and withered, scattering their seed...
+ --And out of this young forcing soil what growth may come--
+ what amazing blossomings.
+
+ Anna is different.
+ One is always aware of Anna, and the young men turn their heads
+ to look at her.
+ She has the appeal of a folk-song
+ And her cheap clothes are always in rhythm.
+ When the strike was on she gave half her pay.
+ She would give anything--save the praise that is hers
+ And the love of her lyric body.
+
+ But Sarah's desire covets nothing apart.
+ She would share all things...
+ Even her lover.
+
+ III
+
+ The sturdy Ghetto children
+ March by the parade,
+ Waving their toy flags,
+ Prancing to the bugles--
+ Lusty, unafraid...
+ Shaking little fire sticks
+ At the night--
+ The old blinking night--
+ Swerving out of the way,
+ Wrapped in her darkness like a shawl.
+
+ But a small girl
+ Cowers apart.
+ Her braided head,
+ Shiny as a black-bird's
+ In the gleam of the torch-light,
+ Is poised as for flight.
+ Her eyes have the glow
+ Of darkened lights.
+
+ She stammers in Yiddish,
+ But I do not understand,
+ And there flits across her face
+ A shadow
+ As of a drawn blind.
+ I give her an orange,
+ Large and golden,
+ And she looks at it blankly.
+ I take her little cold hand and try to draw her to me,
+ But she is stiff...
+ Like a doll...
+
+ Suddenly she darts through the crowd
+ Like a little white panic
+ Blown along the night--
+ Away from the terror of oncoming feet...
+ And drums rattling like curses in red roaring mouths...
+ And torches spluttering silver fire
+ And lights that nose out hiding-places...
+ To the night--
+ Squatting like a hunchback
+ Under the curved stoop--
+ The old mammy-night
+ That has outlived beauty and knows the ways of fear--
+ The night--wide-opening crooked and comforting arms,
+ Hiding her as in a voluminous skirt.
+
+ The sturdy Ghetto children
+ March by the parade,
+ Waving their toy flags,
+ Prancing to the bugles,
+ Lusty, unafraid.
+ But I see a white frock
+ And eyes like hooded lights
+ Out of the shadow of pogroms
+ Watching... watching...
+
+ IV
+
+ Calicoes and furs,
+ Pocket-books and scarfs,
+ Razor strops and knives
+ (Patterns in check...)
+
+ Olive hands and russet head,
+ Pickles red and coppery,
+ Green pickles, brown pickles,
+ (Patterns in tapestry...)
+
+ Coral beads, blue beads,
+ Beads of pearl and amber,
+ Gewgaws, beauty pins--
+ Bijoutry for chits--
+ Darting rays of violet,
+ Amethyst and jade...
+ All the colors out to play,
+ Jumbled iridescently...
+ (Patterns in stained glass
+ Shivered into bits!)
+
+ Nooses of gay ribbon
+ Tugging at one's sleeve,
+ Dainty little garters
+ Hanging out their sign...
+ Here a pout of frilly things--
+ There a sonsy feather...
+ (White beards, black beards
+ Like knots in the weave...)
+
+ And ah, the little babies--
+ Shiny black-eyed babies--
+ (Half a million pink toes
+ Wriggling altogether.)
+ Baskets full of babies
+ Like grapes on a vine.
+
+ Mothers waddling in and out,
+ Making all things right--
+ Picking up the slipped threads
+ In Grand street at night--
+ Grand street like a great bazaar,
+ Crowded like a float,
+ Bulging like a crazy quilt
+ Stretched on a line.
+
+ But nearer seen
+ This litter of the East
+ Takes on a garbled majesty.
+
+ The herded stalls
+ In dissolute array...
+ The glitter and the jumbled finery
+ And strangely juxtaposed
+ Cans, paper, rags
+ And colors decomposing,
+ Faded like old hair,
+ With flashes of barbaric hues
+ And eyes of mystery...
+ Flung
+ Like an ancient tapestry of motley weave
+ Upon the open wall of this new land.
+
+ Here, a tawny-headed girl...
+ Lemons in a greenish broth
+ And a huge earthen bowl
+ By a bronzed merchant
+ With a tall black lamb's wool cap upon his head...
+ He has no glance for her.
+ His thrifty eyes
+ Bend--glittering, intent
+ Their hoarded looks
+ Upon his merchandise,
+ As though it were some splendid cloth
+ Or sumptuous raiment
+ Stitched in gold and red...
+
+ He seldom talks
+ Save of the goods he spreads--
+ The meager cotton with its dismal flower--
+ But with his skinny hands
+ That hover like two hawks
+ Above some luscious meat,
+ He fingers lovingly each calico,
+ As though it were a gorgeous shawl,
+ Or costly vesture
+ Wrought in silken thread,
+ Or strange bright carpet
+ Made for sandaled feet...
+
+ Here an old grey scholar stands.
+ His brooding eyes--
+ That hold long vistas without end
+ Of caravans and trees and roads,
+ And cities dwindling in remembrance--
+ Bend mostly on his tapes and thread.
+
+ What if they tweak his beard--
+ These raw young seed of Israel
+ Who have no backward vision in their eyes--
+ And mock him as he sways
+ Above the sunken arches of his feet--
+ They find no peg to hang their taunts upon.
+ His soul is like a rock
+ That bears a front worn smooth
+ By the coarse friction of the sea,
+ And, unperturbed, he keeps his bitter peace.
+
+ What if a rigid arm and stuffed blue shape,
+ Backed by a nickel star
+ Does prod him on,
+ Taking his proud patience for humility...
+ All gutters are as one
+ To that old race that has been thrust
+ From off the curbstones of the world...
+ And he smiles with the pale irony
+ Of one who holds
+ The wisdom of the Talmud stored away
+ In his mind's lavender.
+
+ But this young trader,
+ Born to trade as to a caul,
+ Peddles the notions of the hour.
+ The gestures of the craft are his
+ And all the lore
+ As when to hold, withdraw, persuade, advance...
+ And be it gum or flags,
+ Or clean-all or the newest thing in tags,
+ Demand goes to him as the bee to flower.
+ And he--appraising
+ All who come and go
+ With his amazing
+ Slight-of-mind and glance
+ And nimble thought
+ And nature balanced like the scales at nought--
+ Looks Westward where the trade-lights glow,
+ And sees his vision rise--
+ A tape-ruled vision,
+ Circumscribed in stone--
+ Some fifty stories to the skies.
+
+ V
+
+ As I sit in my little fifth-floor room--
+ Bare,
+ Save for bed and chair,
+ And coppery stains
+ Left by seeping rains
+ On the low ceiling
+ And green plaster walls,
+ Where when night falls
+ Golden lady-bugs
+ Come out of their holes,
+ And roaches, sepia-brown, consort...
+ I hear bells pealing
+ Out of the gray church at Rutgers street,
+ Holding its high-flung cross above the Ghetto,
+ And, one floor down across the court,
+ The parrot screaming:
+ Vorwärts... Vorwärts...
+
+ The parrot frowsy-white,
+ Everlastingly swinging
+ On its iron bar.
+
+ A little old woman,
+ With a wig of smooth black hair
+ Gummed about her shrunken brows,
+ Comes sometimes on the fire escape.
+ An old stooped mother,
+ The left shoulder low
+ With that uneven droopiness that women know
+ Who have suckled many young...
+ Yet I have seen no other than the parrot there.
+
+ I watch her mornings as she shakes her rugs
+ Feebly, with futile reach
+ And fingers without clutch.
+ Her thews are slack
+ And curved the ruined back
+ And flesh empurpled like old meat,
+ Yet each conspires
+ To feed those guttering fires
+ With which her eyes are quick.
+
+ On Friday nights
+ Her candles signal
+ Infinite fine rays
+ To other windows,
+ Coupling other lights,
+ Linking the tenements
+ Like an endless prayer.
+
+ She seems less lonely than the bird
+ That day by day about the dismal house
+ Screams out his frenzied word...
+ That night by night--
+ If a dog yelps
+ Or a cat yawls
+ Or a sick child whines,
+ Or a door screaks on its hinges,
+ Or a man and woman fight--
+ Sends his cry above the huddled roofs:
+ Vorwärts... Vorwärts...
+
+ VI
+
+ In this dingy cafe
+ The old men sit muffled in woollens.
+ Everything is faded, shabby, colorless, old...
+ The chairs, loose-jointed,
+ Creaking like old bones--
+ The tables, the waiters, the walls,
+ Whose mottled plaster
+ Blends in one tone with the old flesh.
+
+ Young life and young thought are alike barred,
+ And no unheralded noises jolt old nerves,
+ And old wheezy breaths
+ Pass around old thoughts, dry as snuff,
+ And there is no divergence and no friction
+ Because life is flattened and ground as by many mills.
+
+ And it is here the Committee--
+ Sweet-breathed and smooth of skin
+ And supple of spine and knee,
+ With shining unpouched eyes
+ And the blood, high-powered,
+ Leaping in flexible arteries--
+ The insolent, young, enthusiastic, undiscriminating Committee,
+ Who would placard tombstones
+ And scatter leaflets even in graves,
+ Comes trampling with sacrilegious feet!
+
+ The old men turn stiffly,
+ Mumbling to each other.
+ They are gentle and torpid and busy with eating.
+ But one lifts a face of clayish pallor,
+ There is a dull fury in his eyes, like little rusty grates.
+ He rises slowly,
+ Trembling in his many swathings like an awakened mummy,
+ Ridiculous yet terrible.
+ --And the Committee flings him a waste glance,
+ Dropping a leaflet by his plate.
+
+ A lone fire flickers in the dusty eyes.
+ The lips chant inaudibly.
+ The warped shrunken body straightens like a tree.
+ And he curses...
+ With uplifted arms and perished fingers,
+ Claw-like, clutching...
+ So centuries ago
+ The old men cursed Acosta,
+ When they, prophetic, heard upon their sepulchres
+ Those feet that may not halt nor turn aside for ancient things.
+
+ VII
+
+ Here in this room, bare like a barn,
+ Egos gesture one to the other--
+ Naked, unformed, unwinged
+ Egos out of the shell,
+ Examining, searching, devouring--
+ Avid alike for the flower or the dung...
+ (Having no dainty antennae for the touch and withdrawal--
+ Only the open maw...)
+
+ Egos cawing,
+ Expanding in the mean egg...
+ Little squat tailors with unkempt faces,
+ Pale as lard,
+ Fur-makers, factory-hands, shop-workers,
+ News-boys with battling eyes
+ And bodies yet vibrant with the momentum of long runs,
+ Here and there a woman...
+
+ Words, words, words,
+ Pattering like hail,
+ Like hail falling without aim...
+ Egos rampant,
+ Screaming each other down.
+ One motions perpetually,
+ Waving arms like overgrowths.
+ He has burning eyes and a cough
+ And a thin voice piping
+ Like a flute among trombones.
+
+ One, red-bearded, rearing
+ A welter of maimed face bashed in from some old wound,
+ Garbles Max Stirner.
+ His words knock each other like little wooden blocks.
+ No one heeds him,
+ And a lank boy with hair over his eyes
+ Pounds upon the table.
+ --He is chairman.
+
+ Egos yet in the primer,
+ Hearing world-voices
+ Chanting grand arias...
+ Majors resonant,
+ Stunning with sound...
+ Baffling minors
+ Half-heard like rain on pools...
+ Majestic discordances
+ Greater than harmonies...
+ --Gleaning out of it all
+ Passion, bewilderment, pain...
+
+ Egos yearning with the world-old want in their eyes--
+ Hurt hot eyes that do not sleep enough...
+ Striving with infinite effort,
+ Frustrate yet ever pursuing
+ The great white Liberty,
+ Trailing her dissolving glory over each hard-won barricade--
+ Only to fade anew...
+
+ Egos crying out of unkempt deeps
+ And waving their dreams like flags--
+ Multi-colored dreams,
+ Winged and glorious...
+
+ A gas jet throws a stunted flame,
+ Vaguely illumining the groping faces.
+ And through the uncurtained window
+ Falls the waste light of stars,
+ As cold as wise men's eyes...
+ Indifferent great stars,
+ Fortuitously glancing
+ At the secret meeting in this shut-in room,
+ Bare as a manger.
+
+ VIII
+
+ Lights go out
+ And the stark trunks of the factories
+ Melt into the drawn darkness,
+ Sheathing like a seamless garment.
+
+ And mothers take home their babies,
+ Waxen and delicately curled,
+ Like little potted flowers closed under the stars.
+
+ Lights go out
+ And the young men shut their eyes,
+ But life turns in them...
+
+ Life in the cramped ova
+ Tearing and rending asunder its living cells...
+ Wars, arts, discoveries, rebellions, travails, immolations,
+ cataclysms, hates...
+ Pent in the shut flesh.
+ And the young men twist on their beds in languor and dizziness
+ unsupportable...
+ Their eyes--heavy and dimmed
+ With dust of long oblivions in the gray pulp behind--
+ Staring as through a choked glass.
+ And they gaze at the moon--throwing off a faint heat--
+ The moon, blond and burning, creeping to their cots
+ Softly, as on naked feet...
+ Lolling on the coverlet... like a woman offering her white body.
+
+ Nude glory of the moon!
+ That leaps like an athlete on the bosoms of the young girls stripped
+ of their linens;
+ Stroking their breasts that are smooth and cool as mother-of-pearl
+ Till the nipples tingle and burn as though little lips plucked at them.
+ They shudder and grow faint.
+ And their ears are filled as with a delirious rhapsody,
+ That Life, like a drunken player,
+ Strikes out of their clear white bodies
+ As out of ivory keys.
+
+ Lights go out...
+ And the great lovers linger in little groups, still passionately debating,
+ Or one may walk in silence, listening only to the still summons of Life--
+ Life making the great Demand...
+ Calling its new Christs...
+ Till tears come, blurring the stars
+ That grow tender and comforting like the eyes of comrades;
+ And the moon rolls behind the Battery
+ Like a word molten out of the mouth of God.
+
+ Lights go out...
+ And colors rush together,
+ Fusing and floating away...
+ Pale worn gold like the settings of old jewels...
+ Mauves, exquisite, tremulous, and luminous purples
+ And burning spires in aureoles of light
+ Like shimmering auras.
+
+ They are covering up the pushcarts...
+ Now all have gone save an old man with mirrors--
+ Little oval mirrors like tiny pools.
+ He shuffles up a darkened street
+ And the moon burnishes his mirrors till they shine like phosphorus...
+ The moon like a skull,
+ Staring out of eyeless sockets at the old men trundling home the pushcarts.
+
+ IX
+
+ A sallow dawn is in the sky
+ As I enter my little green room.
+ Sadie's light is still burning...
+ Without, the frail moon
+ Worn to a silvery tissue,
+ Throws a faint glamour on the roofs,
+ And down the shadowy spires
+ Lights tip-toe out...
+ Softly as when lovers close street doors.
+
+ Out of the Battery
+ A little wind
+ Stirs idly--as an arm
+ Trails over a boat's side in dalliance--
+ Rippling the smooth dead surface of the heat,
+ And Hester street,
+ Like a forlorn woman over-born
+ By many babies at her teats,
+ Turns on her trampled bed to meet the day.
+
+ LIFE!
+ Startling, vigorous life,
+ That squirms under my touch,
+ And baffles me when I try to examine it,
+ Or hurls me back without apology.
+ Leaving my ego ruffled and preening itself.
+
+ Life,
+ Articulate, shrill,
+ Screaming in provocative assertion,
+ Or out of the black and clotted gutters,
+ Piping in silvery thin
+ Sweet staccato
+ Of children's laughter,
+
+ Or clinging over the pushcarts
+ Like a litter of tiny bells
+ Or the jingle of silver coins,
+ Perpetually changing hands,
+ Or like the Jordan somberly
+ Swirling in tumultuous uncharted tides,
+ Surface-calm.
+
+ Electric currents of life,
+ Throwing off thoughts like sparks,
+ Glittering, disappearing,
+ Making unknown circuits,
+ Or out of spent particles stirring
+ Feeble contortions in old faiths
+ Passing before the new.
+
+ Long nights argued away
+ In meeting halls
+ Back of interminable stairways--
+ In Roumanian wine-shops
+ And little Russian tea-rooms...
+
+ Feet echoing through deserted streets
+ In the soft darkness before dawn...
+ Brows aching, throbbing, burning--
+ Life leaping in the shaken flesh
+ Like flame at an asbestos curtain.
+
+ Life--
+ Pent, overflowing
+ Stoops and façades,
+ Jostling, pushing, contriving,
+ Seething as in a great vat...
+
+ Bartering, changing, extorting,
+ Dreaming, debating, aspiring,
+ Astounding, indestructible
+ Life of the Ghetto...
+
+ Strong flux of life,
+ Like a bitter wine
+ Out of the bloody stills of the world...
+ Out of the Passion eternal.
+
+
+ MANHATTAN LIGHTS
+
+ MANHATTAN
+
+ Out of the night you burn, Manhattan,
+ In a vesture of gold--
+ Span of innumerable arcs,
+ Flaring and multiplying--
+ Gold at the uttermost circles fading
+ Into the tenderest hint of jade,
+ Or fusing in tremulous twilight blues,
+ Robing the far-flung offices,
+ Scintillant-storied, forking flame,
+ Or soaring to luminous amethyst
+ Over the steeples aureoled--
+
+ Diaphanous gold,
+ Veiling the Woolworth, argently
+ Rising slender and stark
+ Mellifluous-shrill as a vender's cry,
+ And towers squatting graven and cold
+ On the velvet bales of the dark,
+ And the Singer's appraising
+ Indolent idol's eye,
+ And night like a purple cloth unrolled--
+
+ Nebulous gold
+ Throwing an ephemeral glory about life's vanishing points,
+ Wherein you burn...
+ You of unknown voltage
+ Whirling on your axis...
+ Scrawling vermillion signatures
+ Over the night's velvet hoarding...
+ Insolent, towering spherical
+ To apices ever shifting.
+
+ BROADWAY
+
+ Light!
+ Innumerable ions of light,
+ Kindling, irradiating,
+ All to their foci tending...
+
+ Light that jingles like anklet chains
+ On bevies of little lithe twinkling feet,
+ Or clingles in myriad vibrations
+ Like trillions of porcelain
+ Vases shattering...
+
+ Light over the laminae of roofs,
+ Diffusing in shimmering nebulae
+ About the night's boundaries,
+ Or billowing in pearly foam
+ Submerging the low-lying stars...
+
+ Light for the feast prolonged--
+ Captive light in the goblets quivering...
+ Sparks evanescent
+ Struck of meeting looks--
+ Fringed eyelids leashing
+ Sheathed and leaping lights...
+ Infinite bubbles of light
+ Bursting, reforming...
+ Silvery filings of light
+ Incessantly falling...
+ Scintillant, sided dust of light
+ Out of the white flares of Broadway--
+ Like a great spurious diamond
+ In the night's corsage faceted...
+
+ Broadway,
+ In ambuscades of light,
+ Drawing the charmed multitudes
+ With the slow suction of her breath--
+ Dangling her naked soul
+ Behind the blinding gold of eunuch lights
+ That wind about her like a bodyguard.
+
+ Or like a huge serpent, iridescent-scaled,
+ Trailing her coruscating length
+ Over the night prostrate--
+ Triumphant poised,
+ Her hydra heads above the avenues,
+ Values appraising
+ And her avid eyes
+ Glistening with eternal watchfulness...
+
+ Broadway--
+ Out of her towers rampant,
+ Like an unsubtle courtezan
+ Reserving nought for some adventurous night.
+
+ FLOTSAM
+
+ Crass rays streaming from the vestibules;
+ Cafes glittering like jeweled teeth;
+ High-flung signs
+ Blinking yellow phosphorescent eyes;
+ Girls in black
+ Circling monotonously
+ About the orange lights...
+
+ Nothing to guess at...
+ Save the darkness above
+ Crouching like a great cat.
+
+ In the dim-lit square,
+ Where dishevelled trees
+ Tustle with the wind--the wind like a scythe
+ Mowing their last leaves--
+ Arcs shimmering through a greenish haze--
+ Pale oval arcs
+ Like ailing virgins,
+ Each out of a halo circumscribed,
+ Pallidly staring...
+
+ Figures drift upon the benches
+ With no more rustle than a dropped leaf settling--
+ Slovenly figures like untied parcels,
+ And papers wrapped about their knees
+ Huddled one to the other,
+ Cringing to the wind--
+ The sided wind,
+ Leaving no breach untried...
+
+ So many and all so still...
+ The fountain slobbering its stone basin
+ Is louder than They--
+ Flotsam of the five oceans
+ Here on this raft of the world.
+
+ This old man's head
+ Has found a woman's shoulder.
+ The wind juggles with her shawl
+ That flaps about them like a sail,
+ And splashes her red faded hair
+ Over the salt stubble of his chin.
+ A light foam is on his lips,
+ As though dreams surged in him
+ Breaking and ebbing away...
+ And the bare boughs shuffle above him
+ And the twigs rattle like dice...
+
+ She--diffused like a broken beetle--
+ Sprawls without grace,
+ Her face gray as asphalt,
+ Her jaws sagging as on loosened hinges...
+ Shadows ply about her mouth--
+ Nimble shadows out of the jigging tree,
+ That dances above her its dance of dry bones.
+
+ II
+
+ A uniformed front,
+ Paunched;
+ A glance like a blow,
+ The swing of an arm,
+ Verved, vigorous;
+ Boot-heels clanking
+ In metallic rhythm;
+ The blows of a baton,
+ Quick, staccato...
+
+ --There is a rustling along the benches
+ As of dried leaves raked over...
+ And the old man lifts a shaking palsied hand,
+ Tucking the displaced paper about his knees.
+
+ Colder...
+ And a frost under foot,
+ Acid, corroding,
+ Eating through worn bootsoles.
+
+ Drab forms blur into greenish vapor.
+ Through boughs like cross-bones,
+ Pale arcs flare and shiver
+ Like lilies in a wind.
+
+ High over Broadway
+ A far-flung sign
+ Glitters in indigo darkness
+ And spurts again rhythmically,
+ Spraying great drops
+ Red as a hemorrhage.
+
+ SPRING
+
+ A spring wind on the Bowery,
+ Blowing the fluff of night shelters
+ Off bedraggled garments,
+ And agitating the gutters, that eject little spirals of vapor
+ Like lewd growths.
+
+ Bare-legged children stamp in the puddles, splashing each other,
+ One--with a choir-boy's face
+ Twits me as I pass...
+ The word, like a muddied drop,
+ Seems to roll over and not out of
+ The bowed lips,
+ Yet dewy red
+ And sweetly immature.
+
+ People sniff the air with an upward look--
+ Even the mite of a girl
+ Who never plays...
+ Her mother smiles at her
+ With eyes like vacant lots
+ Rimming vistas of mean streets
+ And endless washing days...
+ Yet with sun on the lines
+ And a drying breeze.
+
+ The old candy woman
+ Shivers in the young wind.
+ Her eyes--littered with memories
+ Like ancient garrets,
+ Or dusty unaired rooms where someone died--
+ Ask nothing of the spring.
+
+ But a pale pink dream
+ Trembles about this young girl's body,
+ Draping it like a glowing aura.
+
+ She gloats in a mirror
+ Over her gaudy hat,
+ With its flower God never thought of...
+
+ And the dream, unrestrained,
+ Floats about the loins of a soldier,
+ Where it quivers a moment,
+ Warming to a crimson
+ Like the scarf of a toreador...
+
+ But the delicate gossamer breaks at his contact
+ And recoils to her in strands of shattered rose.
+
+ BOWERY AFTERNOON
+
+ Drab discoloration
+ Of faces, façades, pawn-shops,
+ Second-hand clothing,
+ Smoky and fly-blown glass of lunch-rooms,
+ Odors of rancid life...
+
+ Deadly uniformity
+ Of eyes and windows
+ Alike devoid of light...
+ Holes wherein life scratches--
+ Mangy life
+ Nosing to the gutter's end...
+
+ Show-rooms and mimic pillars
+ Flaunting out of their gaudy vestibules
+ Bosoms and posturing thighs...
+
+ Over all the Elevated
+ Droning like a bloated fly.
+
+ PROMENADE
+
+ Undulant rustlings,
+ Of oncoming silk,
+ Rhythmic, incessant,
+ Like the motion of leaves...
+ Fragments of color
+ In glowing surprises...
+ Pink inuendoes
+ Hooded in gray
+ Like buds in a cobweb
+ Pearled at dawn...
+ Glimpses of green
+ And blurs of gold
+ And delicate mauves
+ That snatch at youth...
+ And bodies all rosily
+ Fleshed for the airing,
+ In warm velvety surges
+ Passing imperious, slow...
+
+ Women drift into the limousines
+ That shut like silken caskets
+ On gems half weary of their glittering...
+ Lamps open like pale moon flowers...
+ Arcs are radiant opals
+ Strewn along the dusk...
+ No common lights invade.
+ And spires rise like litanies--
+ Magnificats of stone
+ Over the white silence of the arcs,
+ Burning in perpetual adoration.
+
+ THE FOG
+
+ Out of the lamp-bestarred and clouded dusk--
+ Snaring, illuding, concealing,
+ Magically conjuring--
+ Turning to fairy-coaches
+ Beetle-backed limousines
+ Scampering under the great Arch--
+ Making a decoy of blue overalls
+ And mystery of a scarlet shawl--
+ Indolently--
+ Knowing no impediment of its sure advance--
+ Descends the fog.
+
+ FACES
+
+ A late snow beats
+ With cold white fists upon the tenements--
+ Hurriedly drawing blinds and shutters,
+ Like tall old slatterns
+ Pulling aprons about their heads.
+
+ Lights slanting out of Mott Street
+ Gibber out,
+ Or dribble through bar-room slits,
+ Anonymous shapes
+ Conniving behind shuttered panes
+ Caper and disappear...
+ Where the Bowery
+ Is throbbing like a fistula
+ Back of her ice-scabbed fronts.
+
+ Livid faces
+ Glimmer in furtive doorways,
+ Or spill out of the black pockets of alleys,
+ Smears of faces like muddied beads,
+ Making a ghastly rosary
+ The night mumbles over
+ And the snow with its devilish and silken whisper...
+ Patrolling arcs
+ Blowing shrill blasts over the Bread Line
+ Stalk them as they pass,
+ Silent as though accouched of the darkness,
+ And the wind noses among them,
+ Like a skunk
+ That roots about the heart...
+
+ Colder:
+ And the Elevated slams upon the silence
+ Like a ponderous door.
+ Then all is still again,
+ Save for the wind fumbling over
+ The emptily swaying faces--
+ The wind rummaging
+ Like an old Jew...
+
+ Faces in glimmering rows...
+ (No sign of the abject life--
+ Not even a blasphemy...)
+ But the spindle legs keep time
+ To a limping rhythm,
+ And the shadows twitch upon the snow
+ Convulsively--
+ As though death played
+ With some ungainly dolls.
+
+
+ LABOR
+
+ DEBRIS
+
+ I love those spirits
+ That men stand off and point at,
+ Or shudder and hood up their souls--
+ Those ruined ones,
+ Where Liberty has lodged an hour
+ And passed like flame,
+ Bursting asunder the too small house.
+
+ DEDICATION
+
+ I would be a torch unto your hand,
+ A lamp upon your forehead, Labor,
+ In the wild darkness before the Dawn
+ That I shall never see...
+
+ We shall advance together, my Beloved,
+ Awaiting the mighty ushering...
+ Together we shall make the last grand charge
+ And ride with gorgeous Death
+ With all her spangles on
+ And cymbals clashing...
+ And you shall rush on exultant as I fall--
+ Scattering a brief fire about your feet...
+
+ Let it be so...
+ Better--while life is quick
+ And every pain immense and joy supreme,
+ And all I have and am
+ Flames upward to the dream...
+ Than like a taper forgotten in the dawn,
+ Burning out the wick.
+
+ THE SONG OF IRON
+
+ I
+
+ Not yet hast Thou sounded
+ Thy clangorous music,
+ Whose strings are under the mountains...
+ Not yet hast Thou spoken
+ The blooded, implacable Word...
+
+ But I hear in the Iron singing--
+ In the triumphant roaring of the steam and pistons pounding--
+ Thy barbaric exhortation...
+ And the blood leaps in my arteries, unreproved,
+ Answering Thy call...
+ All my spirit is inundated with the tumultuous passion of Thy Voice,
+ And sings exultant with the Iron,
+ For now I know I too am of Thy Chosen...
+
+ Oh fashioned in fire--
+ Needing flame for Thy ultimate word--
+ Behold me, a cupola
+ Poured to Thy use!
+
+ Heed not my tremulous body
+ That faints in the grip of Thy gauntlet.
+ Break it... and cast it aside...
+ But make of my spirit
+ That dares and endures
+ Thy crucible...
+ Pour through my soul
+ Thy molten, world-whelming song.
+
+ ... Here at Thy uttermost gate
+ Like a new Mary, I wait...
+
+ II
+
+ Charge the blast furnace, workman...
+ Open the valves--
+ Drive the fires high...
+ (Night is above the gates).
+
+ How golden-hot the ore is
+ From the cupola spurting,
+ Tossing the flaming petals
+ Over the silt and furnace ash--
+ Blown leaves, devastating,
+ Falling about the world...
+
+ Out of the furnace mouth--
+ Out of the giant mouth--
+ The raging, turgid, mouth--
+ Fall fiery blossoms
+ Gold with the gold of buttercups
+ In a field at sunset,
+ Or huskier gold of dandelions,
+ Warmed in sun-leavings,
+ Or changing to the paler hue
+ At the creamy hearts of primroses.
+
+ Charge the converter, workman--
+ Tired from the long night?
+ But the earth shall suck up darkness--
+ The earth that holds so much...
+ And out of these molten flowers,
+ Shall shape the heavy fruit...
+
+ Then open the valves--
+ Drive the fires high,
+ Your blossoms nurturing.
+ (Day is at the gates
+ And a young wind...)
+
+ Put by your rod, comrade,
+ And look with me, shading your eyes...
+ Do you not see--
+ Through the lucent haze
+ Out of the converter rising--
+ In the spirals of fire
+ Smiting and blinding,
+ A shadowy shape
+ White as a flame of sacrifice,
+ Like a lily swaying?
+
+ III
+
+ The ore leaping in the crucibles,
+ The ore communicant,
+ Sending faint thrills along the leads...
+ Fire is running along the roots of the mountains...
+ I feel the long recoil of earth
+ As under a mighty quickening...
+ (Dawn is aglow in the light of the Iron...)
+ All palpitant, I wait...
+
+
+ IV
+
+ Here ye, Dictators--late Lords of the Iron,
+ Shut in your council rooms, palsied, depowered--
+ The blooded, implacable Word?
+ Not whispered in cloture, one to the other,
+ (Brother in fear of the fear of his brother...)
+ But chanted and thundered
+ On the brazen, articulate tongues of the Iron
+ Babbling in flame...
+
+ Sung to the rhythm of prisons dismantled,
+ Manacles riven and ramparts defaced...
+ (Hearts death-anointed yet hearing life calling...)
+ Ankle chains bursting and gallows unbraced...
+
+ Sung to the rhythm of arsenals burning...
+ Clangor of iron smashing on iron,
+ Turmoil of metal and dissonant baying
+ Of mail-sided monsters shattered asunder...
+
+ Hulks of black turbines all mangled and roaring,
+ Battering egress through ramparted walls...
+ Mouthing of engines, made rabid with power,
+ Into the holocaust snorting and plunging...
+
+ Mighty converters torn from their axis,
+ Flung to the furnaces, vomiting fire,
+ Jumbled in white-heaten masses disshapen...
+ Writhing in flame-tortured levers of iron...
+
+ Gnashing of steel serpents twisting and dying...
+ Screeching of steam-glutted cauldrons rending...
+ Shock of leviathans prone on each other...
+ Scaled flanks touching, ore entering ore...
+ Steel haunches closing and grappling and swaying
+ In the waltz of the mating locked mammoths of iron,
+ Tasting the turbulent fury of living,
+ Mad with a moment's exuberant living!
+ Crash of devastating hammers despoiling..
+ Hands inexorable, marring
+ What hands had so cunningly moulded...
+
+ Structures of steel welded, subtily tempered,
+ Marvelous wrought of the wizards of ore,
+ Torn into octaves discordantly clashing,
+ Chords never final but onward progressing
+ In monstrous fusion of sound ever smiting on sound
+ in mad vortices whirling...
+
+ Till the ear, tortured, shrieks for cessation
+ Of the raving inharmonies hatefully mingling...
+ The fierce obligato the steel pipes are screaming...
+ The blare of the rude molten music of Iron...
+
+ FRANK LITTLE AT CALVARY
+
+ I
+
+ He walked under the shadow of the Hill
+ Where men are fed into the fires
+ And walled apart...
+ Unarmed and alone,
+ He summoned his mates from the pit's mouth
+ Where tools rested on the floors
+ And great cranes swung
+ Unemptied, on the iron girders.
+ And they, who were the Lords of the Hill,
+ Were seized with a great fear,
+ When they heard out of the silence of wheels
+ The answer ringing
+ In endless reverberations
+ Under the mountain...
+
+ So they covered up their faces
+ And crept upon him as he slept...
+ Out of eye-holes in black cloth
+ They looked upon him who had flung
+ Between them and their ancient prey
+ The frail barricade of his life...
+ And when night--that has connived at so much--
+ Was heavy with the unborn day,
+ They haled him from his bed...
+
+ Who might know of that wild ride?
+ Only the bleak Hill--
+ The red Hill, vigilant,
+ Like a blood-shot eye
+ In the black mask of night--
+ Dared watch them as they raced
+ By each blind-folded street
+ Godiva might have ridden down...
+ But when they stopped beside the Place,
+ I know he turned his face
+ Wistfully to the accessory night...
+
+ And when he saw--against the sky,
+ Sagged like a silken net
+ Under its load of stars--
+ The black bridge poised
+ Like a gigantic spider motionless...
+ I know there was a silence in his heart,
+ As of a frozen sea,
+ Where some half lifted arm, mid-way
+ Wavers, and drops heavily...
+
+ I know he waved to life,
+ And that life signaled back, transcending space,
+ To each high-powered sense,
+ So that he missed no gesture of the wind
+ Drawing the shut leaves close...
+ So that he saw the light on comrades' faces
+ Of camp fires out of sight...
+ And the savor of meat and bread
+ Blew in his nostrils... and the breath
+ Of unrailed spaces
+ Where shut wild clover smelled as sweet
+ As a virgin in her bed.
+
+ I know he looked once at America,
+ Quiescent, with her great flanks on the globe,
+ And once at the skies whirling above him...
+ Then all that he had spoken against
+ And struck against and thrust against
+ Over the frail barricade of his life
+ Rushed between him and the stars...
+
+ II
+
+ Life thunders on...
+ Over the black bridge
+ The line of lighted cars
+ Creeps like a monstrous serpent
+ Spooring gold...
+
+ Watchman, what of the track?
+
+ Night... silence... stars...
+ All's Well!
+
+ III
+
+ Light...
+ (Breaking mists...
+ Hills gliding like hands out of a slipping hold...)
+ Light over the pit mouths,
+ Streaming in tenuous rays down the black gullets of the Hill...
+ (The copper, insensate, sleeping in the buried lode.)
+ Light...
+ Forcing the clogged windows of arsenals...
+ Probing with long sentient fingers in the copper chips...
+ Gleaming metallic and cold
+ In numberless slivers of steel...
+ Light over the trestles and the iron clips
+ Of the black bridge--poised like a gigantic spider motionless--
+ Sweet inquisition of light, like a child's wonder...
+ Intrusive, innocently staring light
+ That nothing appals...
+
+ Light in the slow fumbling summer leaves,
+ Cooing and calling
+ All winged and avid things
+ Waking the early flies, keen to the scent...
+ Green-jeweled iridescent flies
+ Unerringly steering--
+ Swarming over the blackened lips,
+ The young day sprays with indiscriminate gold...
+
+ Watchman, what of the Hill?
+
+ Wheels turn;
+ The laden cars
+ Go rumbling to the mill,
+ And Labor walks beside the mules...
+ All's Well with the Hill!
+
+ SPIRES
+
+ Spires of Grace Church,
+ For you the workers of the world
+ Travailed with the mountains...
+ Aborting their own dreams
+ Till the dream of you arose--
+ Beautiful, swaddled in stone--
+ Scorning their hands.
+
+ THE LEGION OF IRON
+
+ They pass through the great iron gates--
+ Men with eyes gravely discerning,
+ Skilled to appraise the tunnage of cranes
+ Or split an inch into thousandths--
+ Men tempered by fire as the ore is
+ And planned to resistance
+ Like steel that has cooled in the trough;
+ Silent of purpose, inflexible, set to fulfilment--
+ To conquer, withstand, overthrow...
+ Men mannered to large undertakings,
+ Knowing force as a brother
+ And power as something to play with,
+ Seeing blood as a slip of the iron,
+ To be wiped from the tools
+ Lest they rust.
+
+ But what if they stood aside,
+ Who hold the earth so careless in the crook of their arms?
+
+ What of the flamboyant cities
+ And the lights guttering out like candles in a wind...
+ And the armies halted...
+ And the train mid-way on the mountain
+ And idle men chaffing across the trenches...
+ And the cursing and lamentation
+ And the clamor for grain shut in the mills of the world?
+ What if they stayed apart,
+ Inscrutably smiling,
+ Leaving the ground encumbered with dead wire
+ And the sea to row-boats
+ And the lands marooned--
+ Till Time should like a paralytic sit,
+ A mildewed hulk above the nations squatting?
+
+ FUEL
+
+ What of the silence of the keys
+ And silvery hands? The iron sings...
+ Though bows lie broken on the strings,
+ The fly-wheels turn eternally...
+
+ Bring fuel--drive the fires high...
+ Throw all this artist-lumber in
+ And foolish dreams of making things...
+ (Ten million men are called to die.)
+
+ As for the common men apart,
+ Who sweat to keep their common breath,
+ And have no hour for books or art--
+ What dreams have these to hide from death!
+
+ A TOAST
+
+ Not your martyrs anointed of heaven--
+ The ages are red where they trod--
+ But the Hunted--the world's bitter leaven--
+ Who smote at your imbecile God--
+
+ A being to pander and fawn to,
+ To propitiate, flatter and dread
+ As a thing that your souls are in pawn to,
+ A Dealer who traffics the dead;
+
+ A Trader with greed never sated,
+ Who barters the souls in his snares,
+ That were trapped in the lusts he created,
+ For incense and masses and prayers--
+
+ They are crushed in the coils of your halters;
+ 'Twere well--by the creeds ye have nursed--
+ That ye send up a cry from your altars,
+ A mass for the Martyrs Accursed;
+
+ A passionate prayer from reprieval
+ For the Brotherhood not understood--
+ For the Heroes who died for the evil,
+ Believing the evil was good.
+
+ To the Breakers, the Bold, the Despoilers,
+ Who dreamed of a world over-thrown...
+ They who died for the millions of toilers--
+ Few--fronting the nations alone!
+
+ --To the Outlawed of men and the Branded,
+ Whether hated or hating they fell--
+ I pledge the devoted, red-handed,
+ Unfaltering Heroes of Hell!
+
+
+ ACCIDENTALS
+
+ "THE EVERLASTING RETURN"
+
+ It is dark... so dark, I remember the sun on Chios...
+ It is still... so still, I hear the beat of our paddles on the Aegean...
+
+ Ten times we had watched the moon
+ Rise like a thin white virgin out of the waters
+ And round into a full maternity...
+ For thrice ten moons we had touched no flesh
+ Save the man flesh on either hand
+ That was black and bitter and salt and scaled by the sea.
+
+ The Athenian boy sat on my left...
+ His hair was yellow as corn steeped in wine...
+ And on my right was Phildar the Carthaginian,
+ Grinning Phildar
+ With his mouth pulled taut as by reins from his black gapped teeth.
+ Many a whip had coiled about him
+ And his shoulders were rutted deep as wet ground under chariot wheels,
+ And his skin was red and tough as a bull's hide cured in the sun.
+ He did not sing like the other slaves,
+ But when a big wind came up he screamed with it.
+ And always he looked out to sea,
+ Save when he tore at his fish ends
+ Or spat across me at the Greek boy, whose mouth was red and apart
+ like an opened fruit.
+
+ We had rowed from dawn and the green galley hard at our stern.
+ She was green and squat and skulked close to the sea.
+ All day the tish of their paddles had tickled our ears,
+ And when night came on
+ And little naked stars dabbled in the water
+ And half the crouching moon
+ Slid over the silver belly of the sea thick-scaled with light,
+ We heard them singing at their oars...
+ We who had no breath for song.
+
+ There was no sound in our boat
+ Save the clingle of wrist chains
+ And the sobbing of the young Greek.
+ I cursed him that his hair blew in my mouth, tasting salt of the sea...
+ I cursed him that his oar kept ill time...
+ When he looked at me I cursed him again,
+ That his eyes were soft as a woman's.
+
+ How long... since their last shell gouged our batteries?
+ How long... since we rose at aim with a sleuth moon astern?
+ (It was the damned green moon that nosed us out...
+ The moon that flushed our periscope till it shone like a silver flame...)
+
+ They loosed each man's right hand
+ As the galley spent on our decks...
+ And amazed and bloodied we reared half up
+ And fought askew with the left hand shackled...
+ But a zigzag fire leapt in our sockets
+ And knotted our thews like string...
+ Our thews grown stiff as a crooked spine that would not straighten...
+
+ How long... since our gauges fell
+ And the sea shoved us under?
+ It is dark... so dark...
+ Darkness presses hairy-hot
+ Where three make crowded company...
+ And the rank steel smells....
+ It is still... so still...
+ I seem to hear the wind
+ On the dimpled face of the water fathoms above...
+
+
+ It was still... so still... we three that were left alive
+ Stared in each other's faces...
+ But three make bitter company at one man's bread...
+ And our hate grew sharp and bright as the moon's edge in the water.
+
+ One grinned with his mouth awry from the long gapped teeth...
+ And one shivered and whined like a gull as the waves pawed us over...
+ But one struck with his hate in his hand...
+
+ After that I remember
+ Only the dead men's oars that flapped in the sea...
+ The dead men's oars that rattled and clicked like idiots' tongues.
+
+ It is still... so still, with the jargon of engines quiet.
+ We three awaiting the crunch of the sea
+ Reach our hands in the dark and touch each other's faces...
+ We three sheathing hate in our hearts...
+ But when hate shall have made its circuit,
+ Our bones will be loving company
+ Here in the sea's den...
+ And one whimpers and cries on his God
+ And one sits sullenly
+ But both draw away from me...
+ For I am the pyre their memories burn on...
+ Like black flames leaping
+ Our fiery gestures light the walled-in darkness of the sea...
+ The sea that kneels above us...
+ And makes no sign.
+
+ PALESTINE
+
+ Old plant of Asia--
+ Mutilated vine
+ Holding earth's leaping sap
+ In every stem and shoot
+ That lopped off, sprouts again--
+ Why should you seek a plateau walled about,
+ Whose garden is the world?
+
+ THE SONG
+
+ That day, in the slipping of torsos and straining flanks
+ on the bloodied ooze of fields plowed by the iron,
+ And the smoke bluish near earth and bronze in the sunshine
+ floating like cotton-down,
+ And the harsh and terrible screaming,
+ And that strange vibration at the roots of us...
+ Desire, fierce, like a song...
+ And we heard
+ (Do you remember?)
+ All the Red Cross bands on Fifth avenue
+ And bugles in little home towns
+ And children's harmonicas bleating
+
+ America!
+
+ And after...
+ (Do you remember?)
+ The drollery of the wind on our faces,
+ And horizons reeling,
+ And the terror of the plain
+ Heaving like a gaunt pelvis to the sun...
+ Under us--threshing and twanging
+ Torn-up roots of the Song...
+
+ TO THE OTHERS
+
+ I see you, refulgent ones,
+ Burning so steadily
+ Like big white arc lights...
+ There are so many of you.
+ I like to watch you weaving--
+ Altogether and with precision
+ Each his ray--
+ Your tracery of light,
+ Making a shining way about America.
+
+ I note your infinite reactions--
+ In glassware
+ And sequin
+ And puddles
+ And bits of jet--
+ And here and there a diamond...
+
+ But you do not yet see me,
+ Who am a torch blown along the wind,
+ Flickering to a spark
+ But never out.
+
+ BABEL
+
+ Oh, God did cunningly, there at Babel--
+ Not mere tongues dividing, but soul from soul,
+ So that never again should men be able
+ To fashion one infinite, towering whole.
+
+ THE FIDDLER
+
+ In a little Hungarian cafe
+ Men and women are drinking
+ Yellow wine in tall goblets.
+
+ Through the milky haze of the smoke,
+ The fiddler, under-sized, blond,
+ Leans to his violin
+ As to the breast of a woman.
+ Red hair kindles to fire
+ On the black of his coat-sleeve,
+ Where his white thin hand
+ Trembles and dives,
+ Like a sliver of moonlight,
+ When wind has broken the water.
+
+ DAWN WIND
+
+ Wind, just arisen--
+ (Off what cool mattress of marsh-moss
+ In tented boughs leaf-drawn before the stars,
+ Or niche of cliff under the eagles?)
+ You of living things,
+ So gay and tender and full of play--
+ Why do you blow on my thoughts--like cut flowers
+ Gathered and laid to dry on this paper, rolled out of dead wood?
+
+ I see you
+ Shaking that flower at me with soft invitation
+ And frisking away,
+ Deliciously rumpling the grass...
+
+ So you fluttered the curtains about my cradle,
+ Prattling of fields
+ Before I had had my milk...
+ Did I stir on my pillow, making to follow you, Fleet One?
+ I--swaddled, unwinged, like a bird in the egg.
+
+ Let be
+ My dreams that crackle under your breath...
+ You have the dust of the world to blow on...
+ Do not tag me and dance away, looking back...
+ I am too old to play with you,
+ Eternal Child.
+
+ NORTH WIND
+
+ I love you, malcontent
+ Male wind--
+ Shaking the pollen from a flower
+ Or hurling the sea backward from the grinning sand.
+
+ Blow on and over my dreams...
+ Scatter my sick dreams...
+ Throw your lusty arms about me...
+ Envelop all my hot body...
+ Carry me to pine forests--
+ Great, rough-bearded forests...
+ Bring me to stark plains and steppes...
+ I would have the North to-night--
+ The cold, enduring North.
+
+ And if we should meet the Snow,
+ Whirling in spirals,
+ And he should blind my eyes...
+ Ally, you will defend me--
+ You will hold me close,
+ Blowing on my eyelids.
+
+ THE DESTROYER
+
+ I am of the wind...
+ A wisp of the battering wind...
+
+ I trail my fingers along the Alps
+ And an avalanche falls in my wake...
+ I feel in my quivering length
+ When it buries the hamlet beneath...
+
+ I hurriedly sweep aside
+ The cities that clutter our path...
+ As we whirl about the circle of the globe...
+ As we tear at the pillars of the world...
+ Open to the wind,
+ The Destroyer!
+ The wind that is battering at your gates.
+
+ LULLABY
+
+ Rock-a-by baby, woolly and brown...
+ (There's a shout at the door an' a big red light...)
+ Lil' coon baby, mammy is down...
+ Han's that hold yuh are steady an' white...
+
+ Look piccaninny--such a gran' blaze
+ Lickin' up the roof an' the sticks of home--
+ Ever see the like in all yo' days!
+ --Cain't yuh sleep, mah bit-of-honey-comb?
+
+ Rock-a-by baby, up to the sky!
+ Look at the cherries driftin' by--
+ Bright red cherries spilled on the groun'--
+ Piping-hot cherries at nuthin' a poun'!
+
+ Hush, mah lil' black-bug--doan yuh weep.
+ Daddy's run away an' mammy's in a heap
+ By her own fron' door in the blazin' heat
+ Outah the shacks like warts on the street...
+
+ An' the singin' flame an' the gleeful crowd
+ Circlin' aroun'... won't mammy be proud!
+ With a stone at her hade an' a stone on her heart,
+ An' her mouth like a red plum, broken apart...
+
+ See where the blue an' khaki prance,
+ Adding brave colors to the dance
+ About the big bonfire white folks make--
+ Such gran' doin's fo' a lil' coon's sake!
+
+ Hear all the eagah feet runnin' in town--
+ See all the willin' han's reach outah night--
+ Han's that are wonderful, steady an' white!
+ To toss up a lil' babe, blinkin' an' brown...
+
+ Rock-a-by baby--higher an' higher!
+ Mammy is sleepin' an' daddy's run lame...
+ (Soun' may yuh sleep in yo' cradle o' fire!)
+ Rock-a-by baby, hushed in the flame...
+
+(An incident of the East St. Louis Race Riots, when some white women
+flung a living colored baby into the heart of a blazing fire.)
+
+ THE FOUNDLING
+
+ Snow wraiths circle us
+ Like washers of the dead,
+ Flapping their white wet cloths
+ Impatiently
+ About the grizzled head,
+ Where the coarse hair mats like grass,
+ And the efficient wind
+ With cold professional baste
+ Probes like a lancet
+ Through the cotton shirt...
+
+ About us are white cliffs and space.
+ No façades show,
+ Nor roof nor any spire...
+ All sheathed in snow...
+ The parasitic snow
+ That clings about them like a blight.
+
+ Only detached lights
+ Float hazily like greenish moons,
+ And endlessly
+ Down the whore-street,
+ Accouched and comforted and sleeping warm,
+ The blizzard waltzes with the night.
+
+ THE WOMAN WITH JEWELS
+
+ The woman with jewels sits in the cafe,
+ Spraying light like a fountain.
+ Diamonds glitter on her bulbous fingers
+ And on her arms, great as thighs,
+ Diamonds gush from her ear-lobes over the goitrous throat.
+ She is obesely beautiful.
+ Her eyes are full of bleared lights,
+ Like little pools of tar, spilled by a sailor in mad haste for shore...
+ And her mouth is scarlet and full--only a little crumpled--
+ like a flower that has been pressed apart...
+
+ Why does she come alone to this obscure basement--
+ She who should have a litter and hand-maidens to support her
+ on either side?
+
+ She ascends the stairway, and the waiters turn to look at her,
+ spilling the soup.
+ The black satin dress is a little lifted, showing the dropsical legs
+ in their silken fleshings...
+ The mountainous breasts tremble...
+ There is an agitation in her gems,
+ That quiver incessantly, emitting trillions of fiery rays...
+ She erupts explosive breaths...
+ Every step is an adventure
+ From this...
+ The serpent's tooth
+ Saved Cleopatra.
+
+ SUBMERGED
+
+ I have known only my own shallows--
+ Safe, plumbed places,
+ Where I was wont to preen myself.
+
+ But for the abyss
+ I wanted a plank beneath
+ And horizons...
+
+ I was afraid of the silence
+ And the slipping toe-hold...
+
+ Oh, could I now dive
+ Into the unexplored deeps of me--
+ Delve and bring up and give
+ All that is submerged, encased, unfolded,
+ That is yet the best.
+
+ ART AND LIFE
+
+ When Art goes bounding, lean,
+ Up hill-tops fired green
+ To pluck a rose for life.
+
+ Life like a broody hen
+ Cluck-clucks him back again.
+
+ But when Art, imbecile,
+ Sits old and chill
+ On sidings shaven clean,
+ And counts his clustering
+ Dead daisies on a string
+ With witless laughter....
+
+ Then like a new Jill
+ Toiling up a hill
+ Life scrambles after.
+
+ BROOKLYN BRIDGE
+
+ Pythoness body--arching
+ Over the night like an ecstasy--
+ I feel your coils tightening...
+ And the world's lessening breath.
+
+ DREAMS
+
+ Men die...
+ Dreams only change their houses.
+ They cannot be lined up against a wall
+ And quietly buried under ground,
+ And no more heard of...
+ However deep the pit and heaped the clay--
+ Like seedlings of old time
+ Hooding a sacred rose under the ice cap of the world--
+ Dreams will to light.
+
+ THE FIRE
+
+ The old men of the world have made a fire
+ To warm their trembling hands.
+ They poke the young men in.
+ The young men burn like withes.
+
+ If one run a little way,
+ The old men are wrath.
+ They catch him and bind him and throw him again to the flames.
+ Green withes burn slow...
+ And the smoke of the young men's torment
+ Rises round and sheer as the trunk of a pillared oak,
+ And the darkness thereof spreads over the sky....
+
+ Green withes burn slow...
+ And the old men of the world sit round the fire
+ And rub their hands....
+ But the smoke of the young men's torment
+ Ascends up for ever and ever.
+
+ A MEMORY
+
+ I remember
+ The crackle of the palm trees
+ Over the mooned white roofs of the town...
+ The shining town...
+ And the tender fumbling of the surf
+ On the sulphur-yellow beaches
+ As we sat... a little apart... in the close-pressing night.
+
+ The moon hung above us like a golden mango,
+ And the moist air clung to our faces,
+ Warm and fragrant as the open mouth of a child
+ And we watched the out-flung sea
+ Rolling to the purple edge of the world,
+ Yet ever back upon itself...
+ As we...
+
+ Inadequate night...
+ And mooned white memory
+ Of a tropic sea...
+ How softly it comes up
+ Like an ungathered lily.
+
+ THE EDGE
+
+ I thought to die that night in the solitude where they would never find me...
+ But there was time...
+ And I lay quietly on the drawn knees of the mountain,
+ staring into the abyss...
+ I do not know how long...
+ I could not count the hours, they ran so fast
+ Like little bare-foot urchins--shaking my hands away...
+ But I remember
+ Somewhere water trickled like a thin severed vein...
+ And a wind came out of the grass,
+ Touching me gently, tentatively, like a paw.
+
+ As the night grew
+ The gray cloud that had covered the sky like sackcloth
+ Fell in ashen folds about the hills,
+ Like hooded virgins, pulling their cloaks about them...
+ There must have been a spent moon,
+ For the Tall One's veil held a shimmer of silver...
+
+ That too I remember...
+ And the tenderly rocking mountain
+ Silence
+ And beating stars...
+
+ Dawn
+ Lay like a waxen hand upon the world,
+ And folded hills
+ Broke into a sudden wonder of peaks, stemming clear and cold,
+ Till the Tall One bloomed like a lily,
+ Flecked with sun,
+ Fine as a golden pollen--
+ It seemed a wind might blow it from the snow.
+
+ I smelled the raw sweet essences of things,
+ And heard spiders in the leaves
+ And ticking of little feet,
+ As tiny creatures came out of their doors
+ To see God pouring light into his star...
+
+ ... It seemed life held
+ No future and no past but this...
+
+ And I too got up stiffly from the earth,
+ And held my heart up like a cup...
+
+ THE GARDEN
+
+ Bountiful Givers,
+ I look along the years
+ And see the flowers you threw...
+ Anemones
+ And sprigs of gray
+ Sparse heather of the rocks,
+ Or a wild violet
+ Or daisy of a daisied field...
+ But each your best.
+
+ I might have worn them on my breast
+ To wilt in the long day...
+ I might have stemmed them in a narrow vase
+ And watched each petal sallowing...
+ I might have held them so--mechanically--
+ Till the wind winnowed all the leaves
+ And left upon my hands
+ A little smear of dust.
+
+ Instead
+ I hid them in the soft warm loam
+ Of a dim shadowed place...
+ Deep
+ In a still cool grotto,
+ Lit only by the memories of stars
+ And the wide and luminous eyes
+ Of dead poets
+ That love me and that I love...
+ Deep... deep...
+ Where none may see--not even ye who gave--
+ About my soul your garden beautiful.
+
+ UNDER-SONG
+
+ There is music in the strong
+ Deep-throated bush,
+ Whisperings of song
+ Heard in the leaves' hush--
+ Ballads of the trees
+ In tongues unknown--
+ A reminiscent tone
+ On minor keys...
+
+ Boughs swaying to and fro
+ Though no winds pass...
+ Faint odors in the grass
+ Where no flowers grow,
+ And flutterings of wings
+ And faint first notes,
+ Once babbled on the boughs
+ Of faded springs.
+
+ Is it music from the graves
+ Of all things fair
+ Trembling on the staves
+ Of spacious air--
+ Fluted by the winds
+ Songs with no words--
+ Sonatas from the throats
+ Of master birds?
+
+ One peering through the husk
+ Of darkness thrown
+ May hear it in the dusk--
+ That ancient tone,
+ Silvery as the light
+ Of long dead stars
+ Yet falling through the night
+ In trembling bars.
+
+ A WORN ROSE
+
+ Where to-day would a dainty buyer
+ Imbibe your scented juice,
+ Pale ruin with a heart of fire;
+ Drain your succulence with her lips,
+ Grown sapless from much use...
+ Make minister of her desire
+ A chalice cup where no bee sips--
+ Where no wasp wanders in?
+
+ Close to her white flesh housed an hour,
+ One held you... her spent form
+ Drew on yours for its wasted dower--
+ What favour could she do you more?
+ Yet, of all who drink therein,
+ None know it is the warm
+ Odorous heart of a ravished flower
+ Tingles so in her mouth's red core...
+
+ IRON WINE
+
+ The ore in the crucible is pungent, smelling like acrid wine,
+ It is dusky red, like the ebb of poppies,
+ And purple, like the blood of elderberries.
+ Surely it is a strong wine--juice distilled of the fierce iron.
+ I am drunk of its fumes.
+ I feel its fiery flux
+ Diffusing, permeating,
+ Working some strange alchemy...
+ So that I turn aside from the goodly board,
+ So that I look askance upon the common cup,
+ And from the mouths of crucibles
+ Suck forth the acrid sap.
+
+ DISPOSSESSED
+
+ Tender and tremulous green of leaves
+ Turned up by the wind,
+ Twanging among the vines--
+ Wind in the grass
+ Blowing a clear path
+ For the new-stripped soul to pass...
+
+ The naked soul in the sunlight...
+ Like a wisp of smoke in the sunlight
+ On the hill-side shimmering.
+
+ Dance light on the wind, little soul,
+ Like a thistle-down floating
+ Over the butterflies
+ And the lumbering bees...
+
+ Come away from that tree
+ And its shadow grey as a stone...
+
+ Bathe in the pools of light
+ On the hillside shimmering--
+ Shining and wetted and warm in the sun-spray falling like golden rain--
+
+ But do not linger and look
+ At that bleak thing under the tree.
+
+ THE STAR
+
+ Last night
+ I watched a star fall like a great pearl into the sea,
+ Till my ego expanding encompassed sea and star,
+ Containing both as in a trembling cup.
+
+ THE TIDINGS
+ (Easter 1916)
+
+ Censored lies that mimic truth...
+ Censored truth as pale as fear...
+ My heart is like a rousing bell--
+ And but the dead to hear...
+
+ My heart is like a mother bird,
+ Circling ever higher,
+ And the nest-tree rimmed about
+ By a forest fire...
+
+ My heart is like a lover foiled
+ By a broken stair--
+ They are fighting to-night in Sackville Street,
+ And I am not there!
+
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's The Ghetto and Other Poems, by Lola Ridge
+
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+The Project Gutenberg EBook of The Ghetto and Other Poems, by Lola Ridge
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Ghetto and Other Poems
+
+Author: Lola Ridge
+
+Posting Date: August 17, 2012 [EBook #4332]
+Release Date: August, 2003
+First Posted: January 8, 2002
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE GHETTO AND OTHER POEMS ***
+
+
+
+
+Produced by Catherine Daly
+
+
+
+
+
+
+
+
+
+ The Ghetto
+ Lola Ridge
+
+ TO THE AMERICAN PEOPLE
+
+ Will you feast with me, American People?
+ But what have I that shall seem good to you!
+
+ On my board are bitter apples
+ And honey served on thorns,
+ And in my flagons fluid iron,
+ Hot from the crucibles.
+
+ How should such fare entice you!
+
+ CONTENTS
+
+ The Ghetto
+ Manhattan
+ Broadway
+ Flotsam
+ Spring
+ Bowery Afternoon
+ Promenade
+ The Fog
+ Faces
+ Debris
+ Dedication
+ The Song of Iron
+ Frank Little at Calvary
+ Spires
+ The Legion of Iron
+ Fuel
+ A Toast
+ "The Everlasting Return,"
+ Palestine
+ The Song
+ To the Others
+ Babel
+ The Fiddler
+ Dawn Wind
+ North Wind
+ The Destroyer
+ Lullaby
+ The Foundling
+ The Woman with Jewels
+ Submerged
+ Art and Life
+ Brooklyn Bridge
+ Dreams
+ The Fire
+ A Memory
+ The Edge
+ The Garden
+ Under-Song
+ A Worn Rose
+ Iron Wine
+ Dispossessed
+ The Star
+ The Tidings
+
+The larger part of the poem entitled "The Ghetto" appeared originally in
+THE NEW REPUBLIC and some of poems were printed in THE INTERNATIONAL,
+OTHERS, POETRY, etc. To the editors who first published the poems the
+author makes due acknowledgment.
+
+
+
+ THE GHETTO
+
+ I
+
+ Cool, inaccessible air
+ Is floating in velvety blackness shot with steel-blue lights,
+ But no breath stirs the heat
+ Leaning its ponderous bulk upon the Ghetto
+ And most on Hester street...
+
+ The heat...
+ Nosing in the body's overflow,
+ Like a beast pressing its great steaming belly close,
+ Covering all avenues of air...
+
+ The heat in Hester street,
+ Heaped like a dray
+ With the garbage of the world.
+
+ Bodies dangle from the fire escapes
+ Or sprawl over the stoops...
+ Upturned faces glimmer pallidly--
+ Herring-yellow faces, spotted as with a mold,
+ And moist faces of girls
+ Like dank white lilies,
+ And infants' faces with open parched mouths that suck at the air
+ as at empty teats.
+
+ Young women pass in groups,
+ Converging to the forums and meeting halls,
+ Surging indomitable, slow
+ Through the gross underbrush of heat.
+ Their heads are uncovered to the stars,
+ And they call to the young men and to one another
+ With a free camaraderie.
+ Only their eyes are ancient and alone...
+
+ The street crawls undulant,
+ Like a river addled
+ With its hot tide of flesh
+ That ever thickens.
+ Heavy surges of flesh
+ Break over the pavements,
+ Clavering like a surf--
+ Flesh of this abiding
+ Brood of those ancient mothers who saw the dawn break over Egypt...
+ And turned their cakes upon the dry hot stones
+ And went on
+ Till the gold of the Egyptians fell down off their arms...
+ Fasting and athirst...
+ And yet on...
+
+ Did they vision--with those eyes darkly clear,
+ That looked the sun in the face and were not blinded--
+ Across the centuries
+ The march of their enduring flesh?
+ Did they hear--
+ Under the molten silence
+ Of the desert like a stopped wheel--
+ (And the scorpions tick-ticking on the sand...)
+ The infinite procession of those feet?
+
+ II
+
+ I room at Sodos'--in the little green room that was Bennie's--
+ With Sadie
+ And her old father and her mother,
+ Who is not so old and wears her own hair.
+
+ Old Sodos no longer makes saddles.
+ He has forgotten how.
+ He has forgotten most things--even Bennie who stays away
+ and sends wine on holidays--
+ And he does not like Sadie's mother
+ Who hides God's candles,
+ Nor Sadie
+ Whose young pagan breath puts out the light--
+ That should burn always,
+ Like Aaron's before the Lord.
+
+ Time spins like a crazy dial in his brain,
+ And night by night
+ I see the love-gesture of his arm
+ In its green-greasy coat-sleeve
+ Circling the Book,
+ And the candles gleaming starkly
+ On the blotched-paper whiteness of his face,
+ Like a miswritten psalm...
+ Night by night
+ I hear his lifted praise,
+ Like a broken whinnying
+ Before the Lord's shut gate.
+
+ Sadie dresses in black.
+ She has black-wet hair full of cold lights
+ And a fine-drawn face, too white.
+ All day the power machines
+ Drone in her ears...
+ All day the fine dust flies
+ Till throats are parched and itch
+ And the heat--like a kept corpse--
+ Fouls to the last corner.
+
+ Then--when needles move more slowly on the cloth
+ And sweaty fingers slacken
+ And hair falls in damp wisps over the eyes--
+ Sped by some power within,
+ Sadie quivers like a rod...
+ A thin black piston flying,
+ One with her machine.
+
+ She--who stabs the piece-work with her bitter eye
+ And bids the girls: "Slow down--
+ You'll have him cutting us again!"
+ She--fiery static atom,
+ Held in place by the fierce pressure all about--
+ Speeds up the driven wheels
+ And biting steel--that twice
+ Has nipped her to the bone.
+
+ Nights, she reads
+ Those books that have most unset thought,
+ New-poured and malleable,
+ To which her thought
+ Leaps fusing at white heat,
+ Or spits her fire out in some dim manger of a hall,
+ Or at a protest meeting on the Square,
+ Her lit eyes kindling the mob...
+ Or dances madly at a festival.
+ Each dawn finds her a little whiter,
+ Though up and keyed to the long day,
+ Alert, yet weary... like a bird
+ That all night long has beat about a light.
+
+ The Gentile lover, that she charms and shrews,
+ Is one more pebble in the pack
+ For Sadie's mother,
+ Who greets him with her narrowed eyes
+ That hold some welcome back.
+ "What's to be done?" she'll say,
+ "When Sadie wants she takes...
+ Better than Bennie with his Christian woman...
+ A man is not so like,
+ If they should fight,
+ To call her Jew..."
+
+ Yet when she lies in bed
+ And the soft babble of their talk comes to her
+ And the silences...
+ I know she never sleeps
+ Till the keen draught blowing up the empty hall
+ Edges through her transom
+ And she hears his foot on the first stairs.
+
+ Sarah and Anna live on the floor above.
+ Sarah is swarthy and ill-dressed.
+ Life for her has no ritual.
+ She would break an ideal like an egg for the winged thing at the core.
+ Her mind is hard and brilliant and cutting like an acetylene torch.
+ If any impurities drift there, they must be burnt up as in a clear flame.
+ It is droll that she should work in a pants factory.
+ --Yet where else... tousled and collar awry at her olive throat.
+ Besides her hands are unkempt.
+ With English... and everything... there is so little time.
+ She reads without bias--
+ Doubting clamorously--
+ Psychology, plays, science, philosophies--
+ Those giant flowers that have bloomed and withered, scattering their seed...
+ --And out of this young forcing soil what growth may come--
+ what amazing blossomings.
+
+ Anna is different.
+ One is always aware of Anna, and the young men turn their heads
+ to look at her.
+ She has the appeal of a folk-song
+ And her cheap clothes are always in rhythm.
+ When the strike was on she gave half her pay.
+ She would give anything--save the praise that is hers
+ And the love of her lyric body.
+
+ But Sarah's desire covets nothing apart.
+ She would share all things...
+ Even her lover.
+
+ III
+
+ The sturdy Ghetto children
+ March by the parade,
+ Waving their toy flags,
+ Prancing to the bugles--
+ Lusty, unafraid...
+ Shaking little fire sticks
+ At the night--
+ The old blinking night--
+ Swerving out of the way,
+ Wrapped in her darkness like a shawl.
+
+ But a small girl
+ Cowers apart.
+ Her braided head,
+ Shiny as a black-bird's
+ In the gleam of the torch-light,
+ Is poised as for flight.
+ Her eyes have the glow
+ Of darkened lights.
+
+ She stammers in Yiddish,
+ But I do not understand,
+ And there flits across her face
+ A shadow
+ As of a drawn blind.
+ I give her an orange,
+ Large and golden,
+ And she looks at it blankly.
+ I take her little cold hand and try to draw her to me,
+ But she is stiff...
+ Like a doll...
+
+ Suddenly she darts through the crowd
+ Like a little white panic
+ Blown along the night--
+ Away from the terror of oncoming feet...
+ And drums rattling like curses in red roaring mouths...
+ And torches spluttering silver fire
+ And lights that nose out hiding-places...
+ To the night--
+ Squatting like a hunchback
+ Under the curved stoop--
+ The old mammy-night
+ That has outlived beauty and knows the ways of fear--
+ The night--wide-opening crooked and comforting arms,
+ Hiding her as in a voluminous skirt.
+
+ The sturdy Ghetto children
+ March by the parade,
+ Waving their toy flags,
+ Prancing to the bugles,
+ Lusty, unafraid.
+ But I see a white frock
+ And eyes like hooded lights
+ Out of the shadow of pogroms
+ Watching... watching...
+
+ IV
+
+ Calicoes and furs,
+ Pocket-books and scarfs,
+ Razor strops and knives
+ (Patterns in check...)
+
+ Olive hands and russet head,
+ Pickles red and coppery,
+ Green pickles, brown pickles,
+ (Patterns in tapestry...)
+
+ Coral beads, blue beads,
+ Beads of pearl and amber,
+ Gewgaws, beauty pins--
+ Bijoutry for chits--
+ Darting rays of violet,
+ Amethyst and jade...
+ All the colors out to play,
+ Jumbled iridescently...
+ (Patterns in stained glass
+ Shivered into bits!)
+
+ Nooses of gay ribbon
+ Tugging at one's sleeve,
+ Dainty little garters
+ Hanging out their sign...
+ Here a pout of frilly things--
+ There a sonsy feather...
+ (White beards, black beards
+ Like knots in the weave...)
+
+ And ah, the little babies--
+ Shiny black-eyed babies--
+ (Half a million pink toes
+ Wriggling altogether.)
+ Baskets full of babies
+ Like grapes on a vine.
+
+ Mothers waddling in and out,
+ Making all things right--
+ Picking up the slipped threads
+ In Grand street at night--
+ Grand street like a great bazaar,
+ Crowded like a float,
+ Bulging like a crazy quilt
+ Stretched on a line.
+
+ But nearer seen
+ This litter of the East
+ Takes on a garbled majesty.
+
+ The herded stalls
+ In dissolute array...
+ The glitter and the jumbled finery
+ And strangely juxtaposed
+ Cans, paper, rags
+ And colors decomposing,
+ Faded like old hair,
+ With flashes of barbaric hues
+ And eyes of mystery...
+ Flung
+ Like an ancient tapestry of motley weave
+ Upon the open wall of this new land.
+
+ Here, a tawny-headed girl...
+ Lemons in a greenish broth
+ And a huge earthen bowl
+ By a bronzed merchant
+ With a tall black lamb's wool cap upon his head...
+ He has no glance for her.
+ His thrifty eyes
+ Bend--glittering, intent
+ Their hoarded looks
+ Upon his merchandise,
+ As though it were some splendid cloth
+ Or sumptuous raiment
+ Stitched in gold and red...
+
+ He seldom talks
+ Save of the goods he spreads--
+ The meager cotton with its dismal flower--
+ But with his skinny hands
+ That hover like two hawks
+ Above some luscious meat,
+ He fingers lovingly each calico,
+ As though it were a gorgeous shawl,
+ Or costly vesture
+ Wrought in silken thread,
+ Or strange bright carpet
+ Made for sandaled feet...
+
+ Here an old grey scholar stands.
+ His brooding eyes--
+ That hold long vistas without end
+ Of caravans and trees and roads,
+ And cities dwindling in remembrance--
+ Bend mostly on his tapes and thread.
+
+ What if they tweak his beard--
+ These raw young seed of Israel
+ Who have no backward vision in their eyes--
+ And mock him as he sways
+ Above the sunken arches of his feet--
+ They find no peg to hang their taunts upon.
+ His soul is like a rock
+ That bears a front worn smooth
+ By the coarse friction of the sea,
+ And, unperturbed, he keeps his bitter peace.
+
+ What if a rigid arm and stuffed blue shape,
+ Backed by a nickel star
+ Does prod him on,
+ Taking his proud patience for humility...
+ All gutters are as one
+ To that old race that has been thrust
+ From off the curbstones of the world...
+ And he smiles with the pale irony
+ Of one who holds
+ The wisdom of the Talmud stored away
+ In his mind's lavender.
+
+ But this young trader,
+ Born to trade as to a caul,
+ Peddles the notions of the hour.
+ The gestures of the craft are his
+ And all the lore
+ As when to hold, withdraw, persuade, advance...
+ And be it gum or flags,
+ Or clean-all or the newest thing in tags,
+ Demand goes to him as the bee to flower.
+ And he--appraising
+ All who come and go
+ With his amazing
+ Slight-of-mind and glance
+ And nimble thought
+ And nature balanced like the scales at nought--
+ Looks Westward where the trade-lights glow,
+ And sees his vision rise--
+ A tape-ruled vision,
+ Circumscribed in stone--
+ Some fifty stories to the skies.
+
+ V
+
+ As I sit in my little fifth-floor room--
+ Bare,
+ Save for bed and chair,
+ And coppery stains
+ Left by seeping rains
+ On the low ceiling
+ And green plaster walls,
+ Where when night falls
+ Golden lady-bugs
+ Come out of their holes,
+ And roaches, sepia-brown, consort...
+ I hear bells pealing
+ Out of the gray church at Rutgers street,
+ Holding its high-flung cross above the Ghetto,
+ And, one floor down across the court,
+ The parrot screaming:
+ Vorwaerts... Vorwaerts...
+
+ The parrot frowsy-white,
+ Everlastingly swinging
+ On its iron bar.
+
+ A little old woman,
+ With a wig of smooth black hair
+ Gummed about her shrunken brows,
+ Comes sometimes on the fire escape.
+ An old stooped mother,
+ The left shoulder low
+ With that uneven droopiness that women know
+ Who have suckled many young...
+ Yet I have seen no other than the parrot there.
+
+ I watch her mornings as she shakes her rugs
+ Feebly, with futile reach
+ And fingers without clutch.
+ Her thews are slack
+ And curved the ruined back
+ And flesh empurpled like old meat,
+ Yet each conspires
+ To feed those guttering fires
+ With which her eyes are quick.
+
+ On Friday nights
+ Her candles signal
+ Infinite fine rays
+ To other windows,
+ Coupling other lights,
+ Linking the tenements
+ Like an endless prayer.
+
+ She seems less lonely than the bird
+ That day by day about the dismal house
+ Screams out his frenzied word...
+ That night by night--
+ If a dog yelps
+ Or a cat yawls
+ Or a sick child whines,
+ Or a door screaks on its hinges,
+ Or a man and woman fight--
+ Sends his cry above the huddled roofs:
+ Vorwaerts... Vorwaerts...
+
+ VI
+
+ In this dingy cafe
+ The old men sit muffled in woollens.
+ Everything is faded, shabby, colorless, old...
+ The chairs, loose-jointed,
+ Creaking like old bones--
+ The tables, the waiters, the walls,
+ Whose mottled plaster
+ Blends in one tone with the old flesh.
+
+ Young life and young thought are alike barred,
+ And no unheralded noises jolt old nerves,
+ And old wheezy breaths
+ Pass around old thoughts, dry as snuff,
+ And there is no divergence and no friction
+ Because life is flattened and ground as by many mills.
+
+ And it is here the Committee--
+ Sweet-breathed and smooth of skin
+ And supple of spine and knee,
+ With shining unpouched eyes
+ And the blood, high-powered,
+ Leaping in flexible arteries--
+ The insolent, young, enthusiastic, undiscriminating Committee,
+ Who would placard tombstones
+ And scatter leaflets even in graves,
+ Comes trampling with sacrilegious feet!
+
+ The old men turn stiffly,
+ Mumbling to each other.
+ They are gentle and torpid and busy with eating.
+ But one lifts a face of clayish pallor,
+ There is a dull fury in his eyes, like little rusty grates.
+ He rises slowly,
+ Trembling in his many swathings like an awakened mummy,
+ Ridiculous yet terrible.
+ --And the Committee flings him a waste glance,
+ Dropping a leaflet by his plate.
+
+ A lone fire flickers in the dusty eyes.
+ The lips chant inaudibly.
+ The warped shrunken body straightens like a tree.
+ And he curses...
+ With uplifted arms and perished fingers,
+ Claw-like, clutching...
+ So centuries ago
+ The old men cursed Acosta,
+ When they, prophetic, heard upon their sepulchres
+ Those feet that may not halt nor turn aside for ancient things.
+
+ VII
+
+ Here in this room, bare like a barn,
+ Egos gesture one to the other--
+ Naked, unformed, unwinged
+ Egos out of the shell,
+ Examining, searching, devouring--
+ Avid alike for the flower or the dung...
+ (Having no dainty antennae for the touch and withdrawal--
+ Only the open maw...)
+
+ Egos cawing,
+ Expanding in the mean egg...
+ Little squat tailors with unkempt faces,
+ Pale as lard,
+ Fur-makers, factory-hands, shop-workers,
+ News-boys with battling eyes
+ And bodies yet vibrant with the momentum of long runs,
+ Here and there a woman...
+
+ Words, words, words,
+ Pattering like hail,
+ Like hail falling without aim...
+ Egos rampant,
+ Screaming each other down.
+ One motions perpetually,
+ Waving arms like overgrowths.
+ He has burning eyes and a cough
+ And a thin voice piping
+ Like a flute among trombones.
+
+ One, red-bearded, rearing
+ A welter of maimed face bashed in from some old wound,
+ Garbles Max Stirner.
+ His words knock each other like little wooden blocks.
+ No one heeds him,
+ And a lank boy with hair over his eyes
+ Pounds upon the table.
+ --He is chairman.
+
+ Egos yet in the primer,
+ Hearing world-voices
+ Chanting grand arias...
+ Majors resonant,
+ Stunning with sound...
+ Baffling minors
+ Half-heard like rain on pools...
+ Majestic discordances
+ Greater than harmonies...
+ --Gleaning out of it all
+ Passion, bewilderment, pain...
+
+ Egos yearning with the world-old want in their eyes--
+ Hurt hot eyes that do not sleep enough...
+ Striving with infinite effort,
+ Frustrate yet ever pursuing
+ The great white Liberty,
+ Trailing her dissolving glory over each hard-won barricade--
+ Only to fade anew...
+
+ Egos crying out of unkempt deeps
+ And waving their dreams like flags--
+ Multi-colored dreams,
+ Winged and glorious...
+
+ A gas jet throws a stunted flame,
+ Vaguely illumining the groping faces.
+ And through the uncurtained window
+ Falls the waste light of stars,
+ As cold as wise men's eyes...
+ Indifferent great stars,
+ Fortuitously glancing
+ At the secret meeting in this shut-in room,
+ Bare as a manger.
+
+ VIII
+
+ Lights go out
+ And the stark trunks of the factories
+ Melt into the drawn darkness,
+ Sheathing like a seamless garment.
+
+ And mothers take home their babies,
+ Waxen and delicately curled,
+ Like little potted flowers closed under the stars.
+
+ Lights go out
+ And the young men shut their eyes,
+ But life turns in them...
+
+ Life in the cramped ova
+ Tearing and rending asunder its living cells...
+ Wars, arts, discoveries, rebellions, travails, immolations,
+ cataclysms, hates...
+ Pent in the shut flesh.
+ And the young men twist on their beds in languor and dizziness
+ unsupportable...
+ Their eyes--heavy and dimmed
+ With dust of long oblivions in the gray pulp behind--
+ Staring as through a choked glass.
+ And they gaze at the moon--throwing off a faint heat--
+ The moon, blond and burning, creeping to their cots
+ Softly, as on naked feet...
+ Lolling on the coverlet... like a woman offering her white body.
+
+ Nude glory of the moon!
+ That leaps like an athlete on the bosoms of the young girls stripped
+ of their linens;
+ Stroking their breasts that are smooth and cool as mother-of-pearl
+ Till the nipples tingle and burn as though little lips plucked at them.
+ They shudder and grow faint.
+ And their ears are filled as with a delirious rhapsody,
+ That Life, like a drunken player,
+ Strikes out of their clear white bodies
+ As out of ivory keys.
+
+ Lights go out...
+ And the great lovers linger in little groups, still passionately debating,
+ Or one may walk in silence, listening only to the still summons of Life--
+ Life making the great Demand...
+ Calling its new Christs...
+ Till tears come, blurring the stars
+ That grow tender and comforting like the eyes of comrades;
+ And the moon rolls behind the Battery
+ Like a word molten out of the mouth of God.
+
+ Lights go out...
+ And colors rush together,
+ Fusing and floating away...
+ Pale worn gold like the settings of old jewels...
+ Mauves, exquisite, tremulous, and luminous purples
+ And burning spires in aureoles of light
+ Like shimmering auras.
+
+ They are covering up the pushcarts...
+ Now all have gone save an old man with mirrors--
+ Little oval mirrors like tiny pools.
+ He shuffles up a darkened street
+ And the moon burnishes his mirrors till they shine like phosphorus...
+ The moon like a skull,
+ Staring out of eyeless sockets at the old men trundling home the pushcarts.
+
+ IX
+
+ A sallow dawn is in the sky
+ As I enter my little green room.
+ Sadie's light is still burning...
+ Without, the frail moon
+ Worn to a silvery tissue,
+ Throws a faint glamour on the roofs,
+ And down the shadowy spires
+ Lights tip-toe out...
+ Softly as when lovers close street doors.
+
+ Out of the Battery
+ A little wind
+ Stirs idly--as an arm
+ Trails over a boat's side in dalliance--
+ Rippling the smooth dead surface of the heat,
+ And Hester street,
+ Like a forlorn woman over-born
+ By many babies at her teats,
+ Turns on her trampled bed to meet the day.
+
+ LIFE!
+ Startling, vigorous life,
+ That squirms under my touch,
+ And baffles me when I try to examine it,
+ Or hurls me back without apology.
+ Leaving my ego ruffled and preening itself.
+
+ Life,
+ Articulate, shrill,
+ Screaming in provocative assertion,
+ Or out of the black and clotted gutters,
+ Piping in silvery thin
+ Sweet staccato
+ Of children's laughter,
+
+ Or clinging over the pushcarts
+ Like a litter of tiny bells
+ Or the jingle of silver coins,
+ Perpetually changing hands,
+ Or like the Jordan somberly
+ Swirling in tumultuous uncharted tides,
+ Surface-calm.
+
+ Electric currents of life,
+ Throwing off thoughts like sparks,
+ Glittering, disappearing,
+ Making unknown circuits,
+ Or out of spent particles stirring
+ Feeble contortions in old faiths
+ Passing before the new.
+
+ Long nights argued away
+ In meeting halls
+ Back of interminable stairways--
+ In Roumanian wine-shops
+ And little Russian tea-rooms...
+
+ Feet echoing through deserted streets
+ In the soft darkness before dawn...
+ Brows aching, throbbing, burning--
+ Life leaping in the shaken flesh
+ Like flame at an asbestos curtain.
+
+ Life--
+ Pent, overflowing
+ Stoops and facades,
+ Jostling, pushing, contriving,
+ Seething as in a great vat...
+
+ Bartering, changing, extorting,
+ Dreaming, debating, aspiring,
+ Astounding, indestructible
+ Life of the Ghetto...
+
+ Strong flux of life,
+ Like a bitter wine
+ Out of the bloody stills of the world...
+ Out of the Passion eternal.
+
+
+ MANHATTAN LIGHTS
+
+ MANHATTAN
+
+ Out of the night you burn, Manhattan,
+ In a vesture of gold--
+ Span of innumerable arcs,
+ Flaring and multiplying--
+ Gold at the uttermost circles fading
+ Into the tenderest hint of jade,
+ Or fusing in tremulous twilight blues,
+ Robing the far-flung offices,
+ Scintillant-storied, forking flame,
+ Or soaring to luminous amethyst
+ Over the steeples aureoled--
+
+ Diaphanous gold,
+ Veiling the Woolworth, argently
+ Rising slender and stark
+ Mellifluous-shrill as a vender's cry,
+ And towers squatting graven and cold
+ On the velvet bales of the dark,
+ And the Singer's appraising
+ Indolent idol's eye,
+ And night like a purple cloth unrolled--
+
+ Nebulous gold
+ Throwing an ephemeral glory about life's vanishing points,
+ Wherein you burn...
+ You of unknown voltage
+ Whirling on your axis...
+ Scrawling vermillion signatures
+ Over the night's velvet hoarding...
+ Insolent, towering spherical
+ To apices ever shifting.
+
+ BROADWAY
+
+ Light!
+ Innumerable ions of light,
+ Kindling, irradiating,
+ All to their foci tending...
+
+ Light that jingles like anklet chains
+ On bevies of little lithe twinkling feet,
+ Or clingles in myriad vibrations
+ Like trillions of porcelain
+ Vases shattering...
+
+ Light over the laminae of roofs,
+ Diffusing in shimmering nebulae
+ About the night's boundaries,
+ Or billowing in pearly foam
+ Submerging the low-lying stars...
+
+ Light for the feast prolonged--
+ Captive light in the goblets quivering...
+ Sparks evanescent
+ Struck of meeting looks--
+ Fringed eyelids leashing
+ Sheathed and leaping lights...
+ Infinite bubbles of light
+ Bursting, reforming...
+ Silvery filings of light
+ Incessantly falling...
+ Scintillant, sided dust of light
+ Out of the white flares of Broadway--
+ Like a great spurious diamond
+ In the night's corsage faceted...
+
+ Broadway,
+ In ambuscades of light,
+ Drawing the charmed multitudes
+ With the slow suction of her breath--
+ Dangling her naked soul
+ Behind the blinding gold of eunuch lights
+ That wind about her like a bodyguard.
+
+ Or like a huge serpent, iridescent-scaled,
+ Trailing her coruscating length
+ Over the night prostrate--
+ Triumphant poised,
+ Her hydra heads above the avenues,
+ Values appraising
+ And her avid eyes
+ Glistening with eternal watchfulness...
+
+ Broadway--
+ Out of her towers rampant,
+ Like an unsubtle courtezan
+ Reserving nought for some adventurous night.
+
+ FLOTSAM
+
+ Crass rays streaming from the vestibules;
+ Cafes glittering like jeweled teeth;
+ High-flung signs
+ Blinking yellow phosphorescent eyes;
+ Girls in black
+ Circling monotonously
+ About the orange lights...
+
+ Nothing to guess at...
+ Save the darkness above
+ Crouching like a great cat.
+
+ In the dim-lit square,
+ Where dishevelled trees
+ Tustle with the wind--the wind like a scythe
+ Mowing their last leaves--
+ Arcs shimmering through a greenish haze--
+ Pale oval arcs
+ Like ailing virgins,
+ Each out of a halo circumscribed,
+ Pallidly staring...
+
+ Figures drift upon the benches
+ With no more rustle than a dropped leaf settling--
+ Slovenly figures like untied parcels,
+ And papers wrapped about their knees
+ Huddled one to the other,
+ Cringing to the wind--
+ The sided wind,
+ Leaving no breach untried...
+
+ So many and all so still...
+ The fountain slobbering its stone basin
+ Is louder than They--
+ Flotsam of the five oceans
+ Here on this raft of the world.
+
+ This old man's head
+ Has found a woman's shoulder.
+ The wind juggles with her shawl
+ That flaps about them like a sail,
+ And splashes her red faded hair
+ Over the salt stubble of his chin.
+ A light foam is on his lips,
+ As though dreams surged in him
+ Breaking and ebbing away...
+ And the bare boughs shuffle above him
+ And the twigs rattle like dice...
+
+ She--diffused like a broken beetle--
+ Sprawls without grace,
+ Her face gray as asphalt,
+ Her jaws sagging as on loosened hinges...
+ Shadows ply about her mouth--
+ Nimble shadows out of the jigging tree,
+ That dances above her its dance of dry bones.
+
+ II
+
+ A uniformed front,
+ Paunched;
+ A glance like a blow,
+ The swing of an arm,
+ Verved, vigorous;
+ Boot-heels clanking
+ In metallic rhythm;
+ The blows of a baton,
+ Quick, staccato...
+
+ --There is a rustling along the benches
+ As of dried leaves raked over...
+ And the old man lifts a shaking palsied hand,
+ Tucking the displaced paper about his knees.
+
+ Colder...
+ And a frost under foot,
+ Acid, corroding,
+ Eating through worn bootsoles.
+
+ Drab forms blur into greenish vapor.
+ Through boughs like cross-bones,
+ Pale arcs flare and shiver
+ Like lilies in a wind.
+
+ High over Broadway
+ A far-flung sign
+ Glitters in indigo darkness
+ And spurts again rhythmically,
+ Spraying great drops
+ Red as a hemorrhage.
+
+ SPRING
+
+ A spring wind on the Bowery,
+ Blowing the fluff of night shelters
+ Off bedraggled garments,
+ And agitating the gutters, that eject little spirals of vapor
+ Like lewd growths.
+
+ Bare-legged children stamp in the puddles, splashing each other,
+ One--with a choir-boy's face
+ Twits me as I pass...
+ The word, like a muddied drop,
+ Seems to roll over and not out of
+ The bowed lips,
+ Yet dewy red
+ And sweetly immature.
+
+ People sniff the air with an upward look--
+ Even the mite of a girl
+ Who never plays...
+ Her mother smiles at her
+ With eyes like vacant lots
+ Rimming vistas of mean streets
+ And endless washing days...
+ Yet with sun on the lines
+ And a drying breeze.
+
+ The old candy woman
+ Shivers in the young wind.
+ Her eyes--littered with memories
+ Like ancient garrets,
+ Or dusty unaired rooms where someone died--
+ Ask nothing of the spring.
+
+ But a pale pink dream
+ Trembles about this young girl's body,
+ Draping it like a glowing aura.
+
+ She gloats in a mirror
+ Over her gaudy hat,
+ With its flower God never thought of...
+
+ And the dream, unrestrained,
+ Floats about the loins of a soldier,
+ Where it quivers a moment,
+ Warming to a crimson
+ Like the scarf of a toreador...
+
+ But the delicate gossamer breaks at his contact
+ And recoils to her in strands of shattered rose.
+
+ BOWERY AFTERNOON
+
+ Drab discoloration
+ Of faces, facades, pawn-shops,
+ Second-hand clothing,
+ Smoky and fly-blown glass of lunch-rooms,
+ Odors of rancid life...
+
+ Deadly uniformity
+ Of eyes and windows
+ Alike devoid of light...
+ Holes wherein life scratches--
+ Mangy life
+ Nosing to the gutter's end...
+
+ Show-rooms and mimic pillars
+ Flaunting out of their gaudy vestibules
+ Bosoms and posturing thighs...
+
+ Over all the Elevated
+ Droning like a bloated fly.
+
+ PROMENADE
+
+ Undulant rustlings,
+ Of oncoming silk,
+ Rhythmic, incessant,
+ Like the motion of leaves...
+ Fragments of color
+ In glowing surprises...
+ Pink inuendoes
+ Hooded in gray
+ Like buds in a cobweb
+ Pearled at dawn...
+ Glimpses of green
+ And blurs of gold
+ And delicate mauves
+ That snatch at youth...
+ And bodies all rosily
+ Fleshed for the airing,
+ In warm velvety surges
+ Passing imperious, slow...
+
+ Women drift into the limousines
+ That shut like silken caskets
+ On gems half weary of their glittering...
+ Lamps open like pale moon flowers...
+ Arcs are radiant opals
+ Strewn along the dusk...
+ No common lights invade.
+ And spires rise like litanies--
+ Magnificats of stone
+ Over the white silence of the arcs,
+ Burning in perpetual adoration.
+
+ THE FOG
+
+ Out of the lamp-bestarred and clouded dusk--
+ Snaring, illuding, concealing,
+ Magically conjuring--
+ Turning to fairy-coaches
+ Beetle-backed limousines
+ Scampering under the great Arch--
+ Making a decoy of blue overalls
+ And mystery of a scarlet shawl--
+ Indolently--
+ Knowing no impediment of its sure advance--
+ Descends the fog.
+
+ FACES
+
+ A late snow beats
+ With cold white fists upon the tenements--
+ Hurriedly drawing blinds and shutters,
+ Like tall old slatterns
+ Pulling aprons about their heads.
+
+ Lights slanting out of Mott Street
+ Gibber out,
+ Or dribble through bar-room slits,
+ Anonymous shapes
+ Conniving behind shuttered panes
+ Caper and disappear...
+ Where the Bowery
+ Is throbbing like a fistula
+ Back of her ice-scabbed fronts.
+
+ Livid faces
+ Glimmer in furtive doorways,
+ Or spill out of the black pockets of alleys,
+ Smears of faces like muddied beads,
+ Making a ghastly rosary
+ The night mumbles over
+ And the snow with its devilish and silken whisper...
+ Patrolling arcs
+ Blowing shrill blasts over the Bread Line
+ Stalk them as they pass,
+ Silent as though accouched of the darkness,
+ And the wind noses among them,
+ Like a skunk
+ That roots about the heart...
+
+ Colder:
+ And the Elevated slams upon the silence
+ Like a ponderous door.
+ Then all is still again,
+ Save for the wind fumbling over
+ The emptily swaying faces--
+ The wind rummaging
+ Like an old Jew...
+
+ Faces in glimmering rows...
+ (No sign of the abject life--
+ Not even a blasphemy...)
+ But the spindle legs keep time
+ To a limping rhythm,
+ And the shadows twitch upon the snow
+ Convulsively--
+ As though death played
+ With some ungainly dolls.
+
+
+ LABOR
+
+ DEBRIS
+
+ I love those spirits
+ That men stand off and point at,
+ Or shudder and hood up their souls--
+ Those ruined ones,
+ Where Liberty has lodged an hour
+ And passed like flame,
+ Bursting asunder the too small house.
+
+ DEDICATION
+
+ I would be a torch unto your hand,
+ A lamp upon your forehead, Labor,
+ In the wild darkness before the Dawn
+ That I shall never see...
+
+ We shall advance together, my Beloved,
+ Awaiting the mighty ushering...
+ Together we shall make the last grand charge
+ And ride with gorgeous Death
+ With all her spangles on
+ And cymbals clashing...
+ And you shall rush on exultant as I fall--
+ Scattering a brief fire about your feet...
+
+ Let it be so...
+ Better--while life is quick
+ And every pain immense and joy supreme,
+ And all I have and am
+ Flames upward to the dream...
+ Than like a taper forgotten in the dawn,
+ Burning out the wick.
+
+ THE SONG OF IRON
+
+ I
+
+ Not yet hast Thou sounded
+ Thy clangorous music,
+ Whose strings are under the mountains...
+ Not yet hast Thou spoken
+ The blooded, implacable Word...
+
+ But I hear in the Iron singing--
+ In the triumphant roaring of the steam and pistons pounding--
+ Thy barbaric exhortation...
+ And the blood leaps in my arteries, unreproved,
+ Answering Thy call...
+ All my spirit is inundated with the tumultuous passion of Thy Voice,
+ And sings exultant with the Iron,
+ For now I know I too am of Thy Chosen...
+
+ Oh fashioned in fire--
+ Needing flame for Thy ultimate word--
+ Behold me, a cupola
+ Poured to Thy use!
+
+ Heed not my tremulous body
+ That faints in the grip of Thy gauntlet.
+ Break it... and cast it aside...
+ But make of my spirit
+ That dares and endures
+ Thy crucible...
+ Pour through my soul
+ Thy molten, world-whelming song.
+
+ ... Here at Thy uttermost gate
+ Like a new Mary, I wait...
+
+ II
+
+ Charge the blast furnace, workman...
+ Open the valves--
+ Drive the fires high...
+ (Night is above the gates).
+
+ How golden-hot the ore is
+ From the cupola spurting,
+ Tossing the flaming petals
+ Over the silt and furnace ash--
+ Blown leaves, devastating,
+ Falling about the world...
+
+ Out of the furnace mouth--
+ Out of the giant mouth--
+ The raging, turgid, mouth--
+ Fall fiery blossoms
+ Gold with the gold of buttercups
+ In a field at sunset,
+ Or huskier gold of dandelions,
+ Warmed in sun-leavings,
+ Or changing to the paler hue
+ At the creamy hearts of primroses.
+
+ Charge the converter, workman--
+ Tired from the long night?
+ But the earth shall suck up darkness--
+ The earth that holds so much...
+ And out of these molten flowers,
+ Shall shape the heavy fruit...
+
+ Then open the valves--
+ Drive the fires high,
+ Your blossoms nurturing.
+ (Day is at the gates
+ And a young wind...)
+
+ Put by your rod, comrade,
+ And look with me, shading your eyes...
+ Do you not see--
+ Through the lucent haze
+ Out of the converter rising--
+ In the spirals of fire
+ Smiting and blinding,
+ A shadowy shape
+ White as a flame of sacrifice,
+ Like a lily swaying?
+
+ III
+
+ The ore leaping in the crucibles,
+ The ore communicant,
+ Sending faint thrills along the leads...
+ Fire is running along the roots of the mountains...
+ I feel the long recoil of earth
+ As under a mighty quickening...
+ (Dawn is aglow in the light of the Iron...)
+ All palpitant, I wait...
+
+
+ IV
+
+ Here ye, Dictators--late Lords of the Iron,
+ Shut in your council rooms, palsied, depowered--
+ The blooded, implacable Word?
+ Not whispered in cloture, one to the other,
+ (Brother in fear of the fear of his brother...)
+ But chanted and thundered
+ On the brazen, articulate tongues of the Iron
+ Babbling in flame...
+
+ Sung to the rhythm of prisons dismantled,
+ Manacles riven and ramparts defaced...
+ (Hearts death-anointed yet hearing life calling...)
+ Ankle chains bursting and gallows unbraced...
+
+ Sung to the rhythm of arsenals burning...
+ Clangor of iron smashing on iron,
+ Turmoil of metal and dissonant baying
+ Of mail-sided monsters shattered asunder...
+
+ Hulks of black turbines all mangled and roaring,
+ Battering egress through ramparted walls...
+ Mouthing of engines, made rabid with power,
+ Into the holocaust snorting and plunging...
+
+ Mighty converters torn from their axis,
+ Flung to the furnaces, vomiting fire,
+ Jumbled in white-heaten masses disshapen...
+ Writhing in flame-tortured levers of iron...
+
+ Gnashing of steel serpents twisting and dying...
+ Screeching of steam-glutted cauldrons rending...
+ Shock of leviathans prone on each other...
+ Scaled flanks touching, ore entering ore...
+ Steel haunches closing and grappling and swaying
+ In the waltz of the mating locked mammoths of iron,
+ Tasting the turbulent fury of living,
+ Mad with a moment's exuberant living!
+ Crash of devastating hammers despoiling..
+ Hands inexorable, marring
+ What hands had so cunningly moulded...
+
+ Structures of steel welded, subtily tempered,
+ Marvelous wrought of the wizards of ore,
+ Torn into octaves discordantly clashing,
+ Chords never final but onward progressing
+ In monstrous fusion of sound ever smiting on sound
+ in mad vortices whirling...
+
+ Till the ear, tortured, shrieks for cessation
+ Of the raving inharmonies hatefully mingling...
+ The fierce obligato the steel pipes are screaming...
+ The blare of the rude molten music of Iron...
+
+ FRANK LITTLE AT CALVARY
+
+ I
+
+ He walked under the shadow of the Hill
+ Where men are fed into the fires
+ And walled apart...
+ Unarmed and alone,
+ He summoned his mates from the pit's mouth
+ Where tools rested on the floors
+ And great cranes swung
+ Unemptied, on the iron girders.
+ And they, who were the Lords of the Hill,
+ Were seized with a great fear,
+ When they heard out of the silence of wheels
+ The answer ringing
+ In endless reverberations
+ Under the mountain...
+
+ So they covered up their faces
+ And crept upon him as he slept...
+ Out of eye-holes in black cloth
+ They looked upon him who had flung
+ Between them and their ancient prey
+ The frail barricade of his life...
+ And when night--that has connived at so much--
+ Was heavy with the unborn day,
+ They haled him from his bed...
+
+ Who might know of that wild ride?
+ Only the bleak Hill--
+ The red Hill, vigilant,
+ Like a blood-shot eye
+ In the black mask of night--
+ Dared watch them as they raced
+ By each blind-folded street
+ Godiva might have ridden down...
+ But when they stopped beside the Place,
+ I know he turned his face
+ Wistfully to the accessory night...
+
+ And when he saw--against the sky,
+ Sagged like a silken net
+ Under its load of stars--
+ The black bridge poised
+ Like a gigantic spider motionless...
+ I know there was a silence in his heart,
+ As of a frozen sea,
+ Where some half lifted arm, mid-way
+ Wavers, and drops heavily...
+
+ I know he waved to life,
+ And that life signaled back, transcending space,
+ To each high-powered sense,
+ So that he missed no gesture of the wind
+ Drawing the shut leaves close...
+ So that he saw the light on comrades' faces
+ Of camp fires out of sight...
+ And the savor of meat and bread
+ Blew in his nostrils... and the breath
+ Of unrailed spaces
+ Where shut wild clover smelled as sweet
+ As a virgin in her bed.
+
+ I know he looked once at America,
+ Quiescent, with her great flanks on the globe,
+ And once at the skies whirling above him...
+ Then all that he had spoken against
+ And struck against and thrust against
+ Over the frail barricade of his life
+ Rushed between him and the stars...
+
+ II
+
+ Life thunders on...
+ Over the black bridge
+ The line of lighted cars
+ Creeps like a monstrous serpent
+ Spooring gold...
+
+ Watchman, what of the track?
+
+ Night... silence... stars...
+ All's Well!
+
+ III
+
+ Light...
+ (Breaking mists...
+ Hills gliding like hands out of a slipping hold...)
+ Light over the pit mouths,
+ Streaming in tenuous rays down the black gullets of the Hill...
+ (The copper, insensate, sleeping in the buried lode.)
+ Light...
+ Forcing the clogged windows of arsenals...
+ Probing with long sentient fingers in the copper chips...
+ Gleaming metallic and cold
+ In numberless slivers of steel...
+ Light over the trestles and the iron clips
+ Of the black bridge--poised like a gigantic spider motionless--
+ Sweet inquisition of light, like a child's wonder...
+ Intrusive, innocently staring light
+ That nothing appals...
+
+ Light in the slow fumbling summer leaves,
+ Cooing and calling
+ All winged and avid things
+ Waking the early flies, keen to the scent...
+ Green-jeweled iridescent flies
+ Unerringly steering--
+ Swarming over the blackened lips,
+ The young day sprays with indiscriminate gold...
+
+ Watchman, what of the Hill?
+
+ Wheels turn;
+ The laden cars
+ Go rumbling to the mill,
+ And Labor walks beside the mules...
+ All's Well with the Hill!
+
+ SPIRES
+
+ Spires of Grace Church,
+ For you the workers of the world
+ Travailed with the mountains...
+ Aborting their own dreams
+ Till the dream of you arose--
+ Beautiful, swaddled in stone--
+ Scorning their hands.
+
+ THE LEGION OF IRON
+
+ They pass through the great iron gates--
+ Men with eyes gravely discerning,
+ Skilled to appraise the tunnage of cranes
+ Or split an inch into thousandths--
+ Men tempered by fire as the ore is
+ And planned to resistance
+ Like steel that has cooled in the trough;
+ Silent of purpose, inflexible, set to fulfilment--
+ To conquer, withstand, overthrow...
+ Men mannered to large undertakings,
+ Knowing force as a brother
+ And power as something to play with,
+ Seeing blood as a slip of the iron,
+ To be wiped from the tools
+ Lest they rust.
+
+ But what if they stood aside,
+ Who hold the earth so careless in the crook of their arms?
+
+ What of the flamboyant cities
+ And the lights guttering out like candles in a wind...
+ And the armies halted...
+ And the train mid-way on the mountain
+ And idle men chaffing across the trenches...
+ And the cursing and lamentation
+ And the clamor for grain shut in the mills of the world?
+ What if they stayed apart,
+ Inscrutably smiling,
+ Leaving the ground encumbered with dead wire
+ And the sea to row-boats
+ And the lands marooned--
+ Till Time should like a paralytic sit,
+ A mildewed hulk above the nations squatting?
+
+ FUEL
+
+ What of the silence of the keys
+ And silvery hands? The iron sings...
+ Though bows lie broken on the strings,
+ The fly-wheels turn eternally...
+
+ Bring fuel--drive the fires high...
+ Throw all this artist-lumber in
+ And foolish dreams of making things...
+ (Ten million men are called to die.)
+
+ As for the common men apart,
+ Who sweat to keep their common breath,
+ And have no hour for books or art--
+ What dreams have these to hide from death!
+
+ A TOAST
+
+ Not your martyrs anointed of heaven--
+ The ages are red where they trod--
+ But the Hunted--the world's bitter leaven--
+ Who smote at your imbecile God--
+
+ A being to pander and fawn to,
+ To propitiate, flatter and dread
+ As a thing that your souls are in pawn to,
+ A Dealer who traffics the dead;
+
+ A Trader with greed never sated,
+ Who barters the souls in his snares,
+ That were trapped in the lusts he created,
+ For incense and masses and prayers--
+
+ They are crushed in the coils of your halters;
+ 'Twere well--by the creeds ye have nursed--
+ That ye send up a cry from your altars,
+ A mass for the Martyrs Accursed;
+
+ A passionate prayer from reprieval
+ For the Brotherhood not understood--
+ For the Heroes who died for the evil,
+ Believing the evil was good.
+
+ To the Breakers, the Bold, the Despoilers,
+ Who dreamed of a world over-thrown...
+ They who died for the millions of toilers--
+ Few--fronting the nations alone!
+
+ --To the Outlawed of men and the Branded,
+ Whether hated or hating they fell--
+ I pledge the devoted, red-handed,
+ Unfaltering Heroes of Hell!
+
+
+ ACCIDENTALS
+
+ "THE EVERLASTING RETURN"
+
+ It is dark... so dark, I remember the sun on Chios...
+ It is still... so still, I hear the beat of our paddles on the Aegean...
+
+ Ten times we had watched the moon
+ Rise like a thin white virgin out of the waters
+ And round into a full maternity...
+ For thrice ten moons we had touched no flesh
+ Save the man flesh on either hand
+ That was black and bitter and salt and scaled by the sea.
+
+ The Athenian boy sat on my left...
+ His hair was yellow as corn steeped in wine...
+ And on my right was Phildar the Carthaginian,
+ Grinning Phildar
+ With his mouth pulled taut as by reins from his black gapped teeth.
+ Many a whip had coiled about him
+ And his shoulders were rutted deep as wet ground under chariot wheels,
+ And his skin was red and tough as a bull's hide cured in the sun.
+ He did not sing like the other slaves,
+ But when a big wind came up he screamed with it.
+ And always he looked out to sea,
+ Save when he tore at his fish ends
+ Or spat across me at the Greek boy, whose mouth was red and apart
+ like an opened fruit.
+
+ We had rowed from dawn and the green galley hard at our stern.
+ She was green and squat and skulked close to the sea.
+ All day the tish of their paddles had tickled our ears,
+ And when night came on
+ And little naked stars dabbled in the water
+ And half the crouching moon
+ Slid over the silver belly of the sea thick-scaled with light,
+ We heard them singing at their oars...
+ We who had no breath for song.
+
+ There was no sound in our boat
+ Save the clingle of wrist chains
+ And the sobbing of the young Greek.
+ I cursed him that his hair blew in my mouth, tasting salt of the sea...
+ I cursed him that his oar kept ill time...
+ When he looked at me I cursed him again,
+ That his eyes were soft as a woman's.
+
+ How long... since their last shell gouged our batteries?
+ How long... since we rose at aim with a sleuth moon astern?
+ (It was the damned green moon that nosed us out...
+ The moon that flushed our periscope till it shone like a silver flame...)
+
+ They loosed each man's right hand
+ As the galley spent on our decks...
+ And amazed and bloodied we reared half up
+ And fought askew with the left hand shackled...
+ But a zigzag fire leapt in our sockets
+ And knotted our thews like string...
+ Our thews grown stiff as a crooked spine that would not straighten...
+
+ How long... since our gauges fell
+ And the sea shoved us under?
+ It is dark... so dark...
+ Darkness presses hairy-hot
+ Where three make crowded company...
+ And the rank steel smells....
+ It is still... so still...
+ I seem to hear the wind
+ On the dimpled face of the water fathoms above...
+
+
+ It was still... so still... we three that were left alive
+ Stared in each other's faces...
+ But three make bitter company at one man's bread...
+ And our hate grew sharp and bright as the moon's edge in the water.
+
+ One grinned with his mouth awry from the long gapped teeth...
+ And one shivered and whined like a gull as the waves pawed us over...
+ But one struck with his hate in his hand...
+
+ After that I remember
+ Only the dead men's oars that flapped in the sea...
+ The dead men's oars that rattled and clicked like idiots' tongues.
+
+ It is still... so still, with the jargon of engines quiet.
+ We three awaiting the crunch of the sea
+ Reach our hands in the dark and touch each other's faces...
+ We three sheathing hate in our hearts...
+ But when hate shall have made its circuit,
+ Our bones will be loving company
+ Here in the sea's den...
+ And one whimpers and cries on his God
+ And one sits sullenly
+ But both draw away from me...
+ For I am the pyre their memories burn on...
+ Like black flames leaping
+ Our fiery gestures light the walled-in darkness of the sea...
+ The sea that kneels above us...
+ And makes no sign.
+
+ PALESTINE
+
+ Old plant of Asia--
+ Mutilated vine
+ Holding earth's leaping sap
+ In every stem and shoot
+ That lopped off, sprouts again--
+ Why should you seek a plateau walled about,
+ Whose garden is the world?
+
+ THE SONG
+
+ That day, in the slipping of torsos and straining flanks
+ on the bloodied ooze of fields plowed by the iron,
+ And the smoke bluish near earth and bronze in the sunshine
+ floating like cotton-down,
+ And the harsh and terrible screaming,
+ And that strange vibration at the roots of us...
+ Desire, fierce, like a song...
+ And we heard
+ (Do you remember?)
+ All the Red Cross bands on Fifth avenue
+ And bugles in little home towns
+ And children's harmonicas bleating
+
+ America!
+
+ And after...
+ (Do you remember?)
+ The drollery of the wind on our faces,
+ And horizons reeling,
+ And the terror of the plain
+ Heaving like a gaunt pelvis to the sun...
+ Under us--threshing and twanging
+ Torn-up roots of the Song...
+
+ TO THE OTHERS
+
+ I see you, refulgent ones,
+ Burning so steadily
+ Like big white arc lights...
+ There are so many of you.
+ I like to watch you weaving--
+ Altogether and with precision
+ Each his ray--
+ Your tracery of light,
+ Making a shining way about America.
+
+ I note your infinite reactions--
+ In glassware
+ And sequin
+ And puddles
+ And bits of jet--
+ And here and there a diamond...
+
+ But you do not yet see me,
+ Who am a torch blown along the wind,
+ Flickering to a spark
+ But never out.
+
+ BABEL
+
+ Oh, God did cunningly, there at Babel--
+ Not mere tongues dividing, but soul from soul,
+ So that never again should men be able
+ To fashion one infinite, towering whole.
+
+ THE FIDDLER
+
+ In a little Hungarian cafe
+ Men and women are drinking
+ Yellow wine in tall goblets.
+
+ Through the milky haze of the smoke,
+ The fiddler, under-sized, blond,
+ Leans to his violin
+ As to the breast of a woman.
+ Red hair kindles to fire
+ On the black of his coat-sleeve,
+ Where his white thin hand
+ Trembles and dives,
+ Like a sliver of moonlight,
+ When wind has broken the water.
+
+ DAWN WIND
+
+ Wind, just arisen--
+ (Off what cool mattress of marsh-moss
+ In tented boughs leaf-drawn before the stars,
+ Or niche of cliff under the eagles?)
+ You of living things,
+ So gay and tender and full of play--
+ Why do you blow on my thoughts--like cut flowers
+ Gathered and laid to dry on this paper, rolled out of dead wood?
+
+ I see you
+ Shaking that flower at me with soft invitation
+ And frisking away,
+ Deliciously rumpling the grass...
+
+ So you fluttered the curtains about my cradle,
+ Prattling of fields
+ Before I had had my milk...
+ Did I stir on my pillow, making to follow you, Fleet One?
+ I--swaddled, unwinged, like a bird in the egg.
+
+ Let be
+ My dreams that crackle under your breath...
+ You have the dust of the world to blow on...
+ Do not tag me and dance away, looking back...
+ I am too old to play with you,
+ Eternal Child.
+
+ NORTH WIND
+
+ I love you, malcontent
+ Male wind--
+ Shaking the pollen from a flower
+ Or hurling the sea backward from the grinning sand.
+
+ Blow on and over my dreams...
+ Scatter my sick dreams...
+ Throw your lusty arms about me...
+ Envelop all my hot body...
+ Carry me to pine forests--
+ Great, rough-bearded forests...
+ Bring me to stark plains and steppes...
+ I would have the North to-night--
+ The cold, enduring North.
+
+ And if we should meet the Snow,
+ Whirling in spirals,
+ And he should blind my eyes...
+ Ally, you will defend me--
+ You will hold me close,
+ Blowing on my eyelids.
+
+ THE DESTROYER
+
+ I am of the wind...
+ A wisp of the battering wind...
+
+ I trail my fingers along the Alps
+ And an avalanche falls in my wake...
+ I feel in my quivering length
+ When it buries the hamlet beneath...
+
+ I hurriedly sweep aside
+ The cities that clutter our path...
+ As we whirl about the circle of the globe...
+ As we tear at the pillars of the world...
+ Open to the wind,
+ The Destroyer!
+ The wind that is battering at your gates.
+
+ LULLABY
+
+ Rock-a-by baby, woolly and brown...
+ (There's a shout at the door an' a big red light...)
+ Lil' coon baby, mammy is down...
+ Han's that hold yuh are steady an' white...
+
+ Look piccaninny--such a gran' blaze
+ Lickin' up the roof an' the sticks of home--
+ Ever see the like in all yo' days!
+ --Cain't yuh sleep, mah bit-of-honey-comb?
+
+ Rock-a-by baby, up to the sky!
+ Look at the cherries driftin' by--
+ Bright red cherries spilled on the groun'--
+ Piping-hot cherries at nuthin' a poun'!
+
+ Hush, mah lil' black-bug--doan yuh weep.
+ Daddy's run away an' mammy's in a heap
+ By her own fron' door in the blazin' heat
+ Outah the shacks like warts on the street...
+
+ An' the singin' flame an' the gleeful crowd
+ Circlin' aroun'... won't mammy be proud!
+ With a stone at her hade an' a stone on her heart,
+ An' her mouth like a red plum, broken apart...
+
+ See where the blue an' khaki prance,
+ Adding brave colors to the dance
+ About the big bonfire white folks make--
+ Such gran' doin's fo' a lil' coon's sake!
+
+ Hear all the eagah feet runnin' in town--
+ See all the willin' han's reach outah night--
+ Han's that are wonderful, steady an' white!
+ To toss up a lil' babe, blinkin' an' brown...
+
+ Rock-a-by baby--higher an' higher!
+ Mammy is sleepin' an' daddy's run lame...
+ (Soun' may yuh sleep in yo' cradle o' fire!)
+ Rock-a-by baby, hushed in the flame...
+
+(An incident of the East St. Louis Race Riots, when some white women
+flung a living colored baby into the heart of a blazing fire.)
+
+ THE FOUNDLING
+
+ Snow wraiths circle us
+ Like washers of the dead,
+ Flapping their white wet cloths
+ Impatiently
+ About the grizzled head,
+ Where the coarse hair mats like grass,
+ And the efficient wind
+ With cold professional baste
+ Probes like a lancet
+ Through the cotton shirt...
+
+ About us are white cliffs and space.
+ No facades show,
+ Nor roof nor any spire...
+ All sheathed in snow...
+ The parasitic snow
+ That clings about them like a blight.
+
+ Only detached lights
+ Float hazily like greenish moons,
+ And endlessly
+ Down the whore-street,
+ Accouched and comforted and sleeping warm,
+ The blizzard waltzes with the night.
+
+ THE WOMAN WITH JEWELS
+
+ The woman with jewels sits in the cafe,
+ Spraying light like a fountain.
+ Diamonds glitter on her bulbous fingers
+ And on her arms, great as thighs,
+ Diamonds gush from her ear-lobes over the goitrous throat.
+ She is obesely beautiful.
+ Her eyes are full of bleared lights,
+ Like little pools of tar, spilled by a sailor in mad haste for shore...
+ And her mouth is scarlet and full--only a little crumpled--
+ like a flower that has been pressed apart...
+
+ Why does she come alone to this obscure basement--
+ She who should have a litter and hand-maidens to support her
+ on either side?
+
+ She ascends the stairway, and the waiters turn to look at her,
+ spilling the soup.
+ The black satin dress is a little lifted, showing the dropsical legs
+ in their silken fleshings...
+ The mountainous breasts tremble...
+ There is an agitation in her gems,
+ That quiver incessantly, emitting trillions of fiery rays...
+ She erupts explosive breaths...
+ Every step is an adventure
+ From this...
+ The serpent's tooth
+ Saved Cleopatra.
+
+ SUBMERGED
+
+ I have known only my own shallows--
+ Safe, plumbed places,
+ Where I was wont to preen myself.
+
+ But for the abyss
+ I wanted a plank beneath
+ And horizons...
+
+ I was afraid of the silence
+ And the slipping toe-hold...
+
+ Oh, could I now dive
+ Into the unexplored deeps of me--
+ Delve and bring up and give
+ All that is submerged, encased, unfolded,
+ That is yet the best.
+
+ ART AND LIFE
+
+ When Art goes bounding, lean,
+ Up hill-tops fired green
+ To pluck a rose for life.
+
+ Life like a broody hen
+ Cluck-clucks him back again.
+
+ But when Art, imbecile,
+ Sits old and chill
+ On sidings shaven clean,
+ And counts his clustering
+ Dead daisies on a string
+ With witless laughter....
+
+ Then like a new Jill
+ Toiling up a hill
+ Life scrambles after.
+
+ BROOKLYN BRIDGE
+
+ Pythoness body--arching
+ Over the night like an ecstasy--
+ I feel your coils tightening...
+ And the world's lessening breath.
+
+ DREAMS
+
+ Men die...
+ Dreams only change their houses.
+ They cannot be lined up against a wall
+ And quietly buried under ground,
+ And no more heard of...
+ However deep the pit and heaped the clay--
+ Like seedlings of old time
+ Hooding a sacred rose under the ice cap of the world--
+ Dreams will to light.
+
+ THE FIRE
+
+ The old men of the world have made a fire
+ To warm their trembling hands.
+ They poke the young men in.
+ The young men burn like withes.
+
+ If one run a little way,
+ The old men are wrath.
+ They catch him and bind him and throw him again to the flames.
+ Green withes burn slow...
+ And the smoke of the young men's torment
+ Rises round and sheer as the trunk of a pillared oak,
+ And the darkness thereof spreads over the sky....
+
+ Green withes burn slow...
+ And the old men of the world sit round the fire
+ And rub their hands....
+ But the smoke of the young men's torment
+ Ascends up for ever and ever.
+
+ A MEMORY
+
+ I remember
+ The crackle of the palm trees
+ Over the mooned white roofs of the town...
+ The shining town...
+ And the tender fumbling of the surf
+ On the sulphur-yellow beaches
+ As we sat... a little apart... in the close-pressing night.
+
+ The moon hung above us like a golden mango,
+ And the moist air clung to our faces,
+ Warm and fragrant as the open mouth of a child
+ And we watched the out-flung sea
+ Rolling to the purple edge of the world,
+ Yet ever back upon itself...
+ As we...
+
+ Inadequate night...
+ And mooned white memory
+ Of a tropic sea...
+ How softly it comes up
+ Like an ungathered lily.
+
+ THE EDGE
+
+ I thought to die that night in the solitude where they would never find me...
+ But there was time...
+ And I lay quietly on the drawn knees of the mountain,
+ staring into the abyss...
+ I do not know how long...
+ I could not count the hours, they ran so fast
+ Like little bare-foot urchins--shaking my hands away...
+ But I remember
+ Somewhere water trickled like a thin severed vein...
+ And a wind came out of the grass,
+ Touching me gently, tentatively, like a paw.
+
+ As the night grew
+ The gray cloud that had covered the sky like sackcloth
+ Fell in ashen folds about the hills,
+ Like hooded virgins, pulling their cloaks about them...
+ There must have been a spent moon,
+ For the Tall One's veil held a shimmer of silver...
+
+ That too I remember...
+ And the tenderly rocking mountain
+ Silence
+ And beating stars...
+
+ Dawn
+ Lay like a waxen hand upon the world,
+ And folded hills
+ Broke into a sudden wonder of peaks, stemming clear and cold,
+ Till the Tall One bloomed like a lily,
+ Flecked with sun,
+ Fine as a golden pollen--
+ It seemed a wind might blow it from the snow.
+
+ I smelled the raw sweet essences of things,
+ And heard spiders in the leaves
+ And ticking of little feet,
+ As tiny creatures came out of their doors
+ To see God pouring light into his star...
+
+ ... It seemed life held
+ No future and no past but this...
+
+ And I too got up stiffly from the earth,
+ And held my heart up like a cup...
+
+ THE GARDEN
+
+ Bountiful Givers,
+ I look along the years
+ And see the flowers you threw...
+ Anemones
+ And sprigs of gray
+ Sparse heather of the rocks,
+ Or a wild violet
+ Or daisy of a daisied field...
+ But each your best.
+
+ I might have worn them on my breast
+ To wilt in the long day...
+ I might have stemmed them in a narrow vase
+ And watched each petal sallowing...
+ I might have held them so--mechanically--
+ Till the wind winnowed all the leaves
+ And left upon my hands
+ A little smear of dust.
+
+ Instead
+ I hid them in the soft warm loam
+ Of a dim shadowed place...
+ Deep
+ In a still cool grotto,
+ Lit only by the memories of stars
+ And the wide and luminous eyes
+ Of dead poets
+ That love me and that I love...
+ Deep... deep...
+ Where none may see--not even ye who gave--
+ About my soul your garden beautiful.
+
+ UNDER-SONG
+
+ There is music in the strong
+ Deep-throated bush,
+ Whisperings of song
+ Heard in the leaves' hush--
+ Ballads of the trees
+ In tongues unknown--
+ A reminiscent tone
+ On minor keys...
+
+ Boughs swaying to and fro
+ Though no winds pass...
+ Faint odors in the grass
+ Where no flowers grow,
+ And flutterings of wings
+ And faint first notes,
+ Once babbled on the boughs
+ Of faded springs.
+
+ Is it music from the graves
+ Of all things fair
+ Trembling on the staves
+ Of spacious air--
+ Fluted by the winds
+ Songs with no words--
+ Sonatas from the throats
+ Of master birds?
+
+ One peering through the husk
+ Of darkness thrown
+ May hear it in the dusk--
+ That ancient tone,
+ Silvery as the light
+ Of long dead stars
+ Yet falling through the night
+ In trembling bars.
+
+ A WORN ROSE
+
+ Where to-day would a dainty buyer
+ Imbibe your scented juice,
+ Pale ruin with a heart of fire;
+ Drain your succulence with her lips,
+ Grown sapless from much use...
+ Make minister of her desire
+ A chalice cup where no bee sips--
+ Where no wasp wanders in?
+
+ Close to her white flesh housed an hour,
+ One held you... her spent form
+ Drew on yours for its wasted dower--
+ What favour could she do you more?
+ Yet, of all who drink therein,
+ None know it is the warm
+ Odorous heart of a ravished flower
+ Tingles so in her mouth's red core...
+
+ IRON WINE
+
+ The ore in the crucible is pungent, smelling like acrid wine,
+ It is dusky red, like the ebb of poppies,
+ And purple, like the blood of elderberries.
+ Surely it is a strong wine--juice distilled of the fierce iron.
+ I am drunk of its fumes.
+ I feel its fiery flux
+ Diffusing, permeating,
+ Working some strange alchemy...
+ So that I turn aside from the goodly board,
+ So that I look askance upon the common cup,
+ And from the mouths of crucibles
+ Suck forth the acrid sap.
+
+ DISPOSSESSED
+
+ Tender and tremulous green of leaves
+ Turned up by the wind,
+ Twanging among the vines--
+ Wind in the grass
+ Blowing a clear path
+ For the new-stripped soul to pass...
+
+ The naked soul in the sunlight...
+ Like a wisp of smoke in the sunlight
+ On the hill-side shimmering.
+
+ Dance light on the wind, little soul,
+ Like a thistle-down floating
+ Over the butterflies
+ And the lumbering bees...
+
+ Come away from that tree
+ And its shadow grey as a stone...
+
+ Bathe in the pools of light
+ On the hillside shimmering--
+ Shining and wetted and warm in the sun-spray falling like golden rain--
+
+ But do not linger and look
+ At that bleak thing under the tree.
+
+ THE STAR
+
+ Last night
+ I watched a star fall like a great pearl into the sea,
+ Till my ego expanding encompassed sea and star,
+ Containing both as in a trembling cup.
+
+ THE TIDINGS
+ (Easter 1916)
+
+ Censored lies that mimic truth...
+ Censored truth as pale as fear...
+ My heart is like a rousing bell--
+ And but the dead to hear...
+
+ My heart is like a mother bird,
+ Circling ever higher,
+ And the nest-tree rimmed about
+ By a forest fire...
+
+ My heart is like a lover foiled
+ By a broken stair--
+ They are fighting to-night in Sackville Street,
+ And I am not there!
+
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's The Ghetto and Other Poems, by Lola Ridge
+
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+This etext was produced by Catherine Daly.
+
+
+
+
+The Ghetto
+Lola Ridge
+
+TO THE AMERICAN PEOPLE
+
+Will you feast with me, American People?
+But what have I that shall seem good to you!
+
+On my board are bitter apples
+And honey served on thorns,
+And in my flagons fluid iron,
+Hot from the crucibles.
+
+How should such fare entice you!
+
+CONTENTS
+
+The Ghetto
+Manhattan
+Broadway
+Flotsam
+Spring
+Bowery Afternoon
+Promenade
+The Fog
+Faces
+Debris
+Dedication
+The Song of Iron
+Frank Little at Calvary
+Spires
+The Legion of Iron
+Fuel
+A Toast
+"The Everlasting Return,"
+Palestine
+The Song
+To the Others
+Babel
+The Fiddler
+Dawn Wind
+North Wind
+The Destroyer
+Lullaby
+The Foundling
+The Woman with Jewels
+Submerged
+Art and Life
+Brooklyn Bridge
+Dreams
+The Fire
+A Memory
+The Edge
+The Garden
+Under-Song
+A Worn Rose
+Iron Wine
+Dispossessed
+The Star
+The Tidings
+
+The larger part of the poem entitled "The Ghetto" appeared originally in
+THE NEW REPUBLIC and some of poems were printed in THE INTERNATIONAL,
+OTHERS, POETRY, etc. To the editors who first published the poems the author
+makes due acknowledgment.
+
+THE GHETTO
+
+I
+
+Cool, inaccessible air
+Is floating in velvety blackness shot with steel-blue lights,
+But no breath stirs the heat
+Leaning its ponderous bulk upon the Ghetto
+And most on Hester street...
+
+The heat...
+Nosing in the body's overflow,
+Like a beast pressing its great steaming belly close,
+Covering all avenues of air...
+
+The heat in Hester street,
+Heaped like a dray
+With the garbage of the world.
+
+Bodies dangle from the fire escapes
+Or sprawl over the stoops...
+Upturned faces glimmer pallidly--
+Herring-yellow faces, spotted as with a mold,
+And moist faces of girls
+Like dank white lilies,
+And infants' faces with open parched mouths that suck at the air
+ as at empty teats.
+
+Young women pass in groups,
+Converging to the forums and meeting halls,
+Surging indomitable, slow
+Through the gross underbrush of heat.
+Their heads are uncovered to the stars,
+And they call to the young men and to one another
+With a free camaraderie.
+Only their eyes are ancient and alone...
+
+The street crawls undulant,
+Like a river addled
+With its hot tide of flesh
+That ever thickens.
+Heavy surges of flesh
+Break over the pavements,
+Clavering like a surf--
+Flesh of this abiding
+Brood of those ancient mothers who saw the dawn break over Egypt...
+And turned their cakes upon the dry hot stones
+And went on
+Till the gold of the Egyptians fell down off their arms...
+Fasting and athirst...
+And yet on...
+
+Did they vision--with those eyes darkly clear,
+That looked the sun in the face and were not blinded--
+Across the centuries
+The march of their enduring flesh?
+Did they hear--
+Under the molten silence
+Of the desert like a stopped wheel--
+(And the scorpions tick-ticking on the sand...)
+The infinite procession of those feet?
+
+II
+
+I room at Sodos'--in the little green room that was Bennie's--
+With Sadie
+And her old father and her mother,
+Who is not so old and wears her own hair.
+
+Old Sodos no longer makes saddles.
+He has forgotten how.
+He has forgotten most things--even Bennie who stays away
+ and sends wine on holidays--
+And he does not like Sadie's mother
+Who hides God's candles,
+Nor Sadie
+Whose young pagan breath puts out the light--
+That should burn always,
+Like Aaron's before the Lord.
+
+Time spins like a crazy dial in his brain,
+And night by night
+I see the love-gesture of his arm
+In its green-greasy coat-sleeve
+Circling the Book,
+And the candles gleaming starkly
+On the blotched-paper whiteness of his face,
+Like a miswritten psalm...
+Night by night
+I hear his lifted praise,
+Like a broken whinnying
+Before the Lord's shut gate.
+
+Sadie dresses in black.
+She has black-wet hair full of cold lights
+And a fine-drawn face, too white.
+All day the power machines
+Drone in her ears...
+All day the fine dust flies
+Till throats are parched and itch
+And the heat--like a kept corpse--
+Fouls to the last corner.
+
+Then--when needles move more slowly on the cloth
+And sweaty fingers slacken
+And hair falls in damp wisps over the eyes--
+Sped by some power within,
+Sadie quivers like a rod...
+A thin black piston flying,
+One with her machine.
+
+She--who stabs the piece-work with her bitter eye
+And bids the girls: "Slow down--
+You'll have him cutting us again!"
+She--fiery static atom,
+Held in place by the fierce pressure all about--
+Speeds up the driven wheels
+And biting steel--that twice
+Has nipped her to the bone.
+
+Nights, she reads
+Those books that have most unset thought,
+New-poured and malleable,
+To which her thought
+Leaps fusing at white heat,
+Or spits her fire out in some dim manger of a hall,
+Or at a protest meeting on the Square,
+Her lit eyes kindling the mob...
+Or dances madly at a festival.
+Each dawn finds her a little whiter,
+Though up and keyed to the long day,
+Alert, yet weary... like a bird
+That all night long has beat about a light.
+
+The Gentile lover, that she charms and shrews,
+Is one more pebble in the pack
+For Sadie's mother,
+Who greets him with her narrowed eyes
+That hold some welcome back.
+"What's to be done?" she'll say,
+"When Sadie wants she takes...
+Better than Bennie with his Christian woman...
+A man is not so like,
+If they should fight,
+To call her Jew..."
+
+Yet when she lies in bed
+And the soft babble of their talk comes to her
+And the silences...
+I know she never sleeps
+Till the keen draught blowing up the empty hall
+Edges through her transom
+And she hears his foot on the first stairs.
+
+Sarah and Anna live on the floor above.
+Sarah is swarthy and ill-dressed.
+Life for her has no ritual.
+She would break an ideal like an egg for the winged thing at the core.
+Her mind is hard and brilliant and cutting like an acetylene torch.
+If any impurities drift there, they must be burnt up as in a clear flame.
+It is droll that she should work in a pants factory.
+--Yet where else... tousled and collar awry at her olive throat.
+Besides her hands are unkempt.
+With English... and everything... there is so little time.
+She reads without bias--
+Doubting clamorously--
+Psychology, plays, science, philosophies--
+Those giant flowers that have bloomed and withered, scattering their seed...
+--And out of this young forcing soil what growth may come--
+ what amazing blossomings.
+
+Anna is different.
+One is always aware of Anna, and the young men turn their heads
+ to look at her.
+She has the appeal of a folk-song
+And her cheap clothes are always in rhythm.
+When the strike was on she gave half her pay.
+She would give anything--save the praise that is hers
+And the love of her lyric body.
+
+But Sarah's desire covets nothing apart.
+She would share all things...
+Even her lover.
+
+III
+
+The sturdy Ghetto children
+March by the parade,
+Waving their toy flags,
+Prancing to the bugles--
+Lusty, unafraid...
+Shaking little fire sticks
+At the night--
+The old blinking night--
+Swerving out of the way,
+Wrapped in her darkness like a shawl.
+
+But a small girl
+Cowers apart.
+Her braided head,
+Shiny as a black-bird's
+In the gleam of the torch-light,
+Is poised as for flight.
+Her eyes have the glow
+Of darkened lights.
+
+She stammers in Yiddish,
+But I do not understand,
+And there flits across her face
+A shadow
+As of a drawn blind.
+I give her an orange,
+Large and golden,
+And she looks at it blankly.
+I take her little cold hand and try to draw her to me,
+But she is stiff...
+Like a doll...
+
+Suddenly she darts through the crowd
+Like a little white panic
+Blown along the night--
+Away from the terror of oncoming feet...
+And drums rattling like curses in red roaring mouths...
+And torches spluttering silver fire
+And lights that nose out hiding-places...
+To the night--
+Squatting like a hunchback
+Under the curved stoop--
+The old mammy-night
+That has outlived beauty and knows the ways of fear--
+The night--wide-opening crooked and comforting arms,
+Hiding her as in a voluminous skirt.
+
+The sturdy Ghetto children
+March by the parade,
+Waving their toy flags,
+Prancing to the bugles,
+Lusty, unafraid.
+But I see a white frock
+And eyes like hooded lights
+Out of the shadow of pogroms
+Watching... watching...
+
+IV
+
+Calicoes and furs,
+Pocket-books and scarfs,
+Razor strops and knives
+(Patterns in check...)
+
+Olive hands and russet head,
+Pickles red and coppery,
+Green pickles, brown pickles,
+(Patterns in tapestry...)
+
+Coral beads, blue beads,
+Beads of pearl and amber,
+Gewgaws, beauty pins--
+Bijoutry for chits--
+Darting rays of violet,
+Amethyst and jade...
+All the colors out to play,
+Jumbled iridescently...
+(Patterns in stained glass
+Shivered into bits!)
+
+Nooses of gay ribbon
+Tugging at one's sleeve,
+Dainty little garters
+Hanging out their sign...
+Here a pout of frilly things--
+There a sonsy feather...
+(White beards, black beards
+Like knots in the weave...)
+
+And ah, the little babies--
+Shiny black-eyed babies--
+(Half a million pink toes
+Wriggling altogether.)
+Baskets full of babies
+Like grapes on a vine.
+
+Mothers waddling in and out,
+Making all things right--
+Picking up the slipped threads
+In Grand street at night--
+Grand street like a great bazaar,
+Crowded like a float,
+Bulging like a crazy quilt
+Stretched on a line.
+
+But nearer seen
+This litter of the East
+Takes on a garbled majesty.
+
+The herded stalls
+In dissolute array...
+The glitter and the jumbled finery
+And strangely juxtaposed
+Cans, paper, rags
+And colors decomposing,
+Faded like old hair,
+With flashes of barbaric hues
+And eyes of mystery...
+Flung
+Like an ancient tapestry of motley weave
+Upon the open wall of this new land.
+
+Here, a tawny-headed girl...
+Lemons in a greenish broth
+And a huge earthen bowl
+By a bronzed merchant
+With a tall black lamb's wool cap upon his head...
+He has no glance for her.
+His thrifty eyes
+Bend--glittering, intent
+Their hoarded looks
+Upon his merchandise,
+As though it were some splendid cloth
+Or sumptuous raiment
+Stitched in gold and red...
+
+He seldom talks
+Save of the goods he spreads--
+The meager cotton with its dismal flower--
+But with his skinny hands
+That hover like two hawks
+Above some luscious meat,
+He fingers lovingly each calico,
+As though it were a gorgeous shawl,
+Or costly vesture
+Wrought in silken thread,
+Or strange bright carpet
+Made for sandaled feet...
+
+Here an old grey scholar stands.
+His brooding eyes--
+That hold long vistas without end
+Of caravans and trees and roads,
+And cities dwindling in remembrance--
+Bend mostly on his tapes and thread.
+
+What if they tweak his beard--
+These raw young seed of Israel
+Who have no backward vision in their eyes--
+And mock him as he sways
+Above the sunken arches of his feet--
+They find no peg to hang their taunts upon.
+His soul is like a rock
+That bears a front worn smooth
+By the coarse friction of the sea,
+And, unperturbed, he keeps his bitter peace.
+
+What if a rigid arm and stuffed blue shape,
+Backed by a nickel star
+Does prod him on,
+Taking his proud patience for humility...
+All gutters are as one
+To that old race that has been thrust
+From off the curbstones of the world...
+And he smiles with the pale irony
+Of one who holds
+The wisdom of the Talmud stored away
+In his mind's lavender.
+
+But this young trader,
+Born to trade as to a caul,
+Peddles the notions of the hour.
+The gestures of the craft are his
+And all the lore
+As when to hold, withdraw, persuade, advance...
+And be it gum or flags,
+Or clean-all or the newest thing in tags,
+Demand goes to him as the bee to flower.
+And he--appraising
+All who come and go
+With his amazing
+Slight-of-mind and glance
+And nimble thought
+And nature balanced like the scales at nought--
+Looks Westward where the trade-lights glow,
+And sees his vision rise--
+A tape-ruled vision,
+Circumscribed in stone--
+Some fifty stories to the skies.
+
+V
+
+As I sit in my little fifth-floor room--
+Bare,
+Save for bed and chair,
+And coppery stains
+Left by seeping rains
+On the low ceiling
+And green plaster walls,
+Where when night falls
+Golden lady-bugs
+Come out of their holes,
+And roaches, sepia-brown, consort...
+I hear bells pealing
+Out of the gray church at Rutgers street,
+Holding its high-flung cross above the Ghetto,
+And, one floor down across the court,
+The parrot screaming:
+Vorwärts... Vorwärts...
+
+The parrot frowsy-white,
+Everlastingly swinging
+On its iron bar.
+
+A little old woman,
+With a wig of smooth black hair
+Gummed about her shrunken brows,
+Comes sometimes on the fire escape.
+An old stooped mother,
+The left shoulder low
+With that uneven droopiness that women know
+Who have suckled many young...
+Yet I have seen no other than the parrot there.
+
+I watch her mornings as she shakes her rugs
+Feebly, with futile reach
+And fingers without clutch.
+Her thews are slack
+And curved the ruined back
+And flesh empurpled like old meat,
+Yet each conspires
+To feed those guttering fires
+With which her eyes are quick.
+
+On Friday nights
+Her candles signal
+Infinite fine rays
+To other windows,
+Coupling other lights,
+Linking the tenements
+Like an endless prayer.
+
+She seems less lonely than the bird
+That day by day about the dismal house
+Screams out his frenzied word...
+That night by night--
+If a dog yelps
+Or a cat yawls
+Or a sick child whines,
+Or a door screaks on its hinges,
+Or a man and woman fight--
+Sends his cry above the huddled roofs:
+Vorwärts... Vorwärts...
+
+VI
+
+In this dingy cafe
+The old men sit muffled in woollens.
+Everything is faded, shabby, colorless, old...
+The chairs, loose-jointed,
+Creaking like old bones--
+The tables, the waiters, the walls,
+Whose mottled plaster
+Blends in one tone with the old flesh.
+
+Young life and young thought are alike barred,
+And no unheralded noises jolt old nerves,
+And old wheezy breaths
+Pass around old thoughts, dry as snuff,
+And there is no divergence and no friction
+Because life is flattened and ground as by many mills.
+
+And it is here the Committee--
+Sweet-breathed and smooth of skin
+And supple of spine and knee,
+With shining unpouched eyes
+And the blood, high-powered,
+Leaping in flexible arteries--
+The insolent, young, enthusiastic, undiscriminating Committee,
+Who would placard tombstones
+And scatter leaflets even in graves,
+Comes trampling with sacrilegious feet!
+
+The old men turn stiffly,
+Mumbling to each other.
+They are gentle and torpid and busy with eating.
+But one lifts a face of clayish pallor,
+There is a dull fury in his eyes, like little rusty grates.
+He rises slowly,
+Trembling in his many swathings like an awakened mummy,
+Ridiculous yet terrible.
+--And the Committee flings him a waste glance,
+Dropping a leaflet by his plate.
+
+A lone fire flickers in the dusty eyes.
+The lips chant inaudibly.
+The warped shrunken body straightens like a tree.
+And he curses...
+With uplifted arms and perished fingers,
+Claw-like, clutching...
+So centuries ago
+The old men cursed Acosta,
+When they, prophetic, heard upon their sepulchres
+Those feet that may not halt nor turn aside for ancient things.
+
+VII
+
+Here in this room, bare like a barn,
+Egos gesture one to the other--
+Naked, unformed, unwinged
+Egos out of the shell,
+Examining, searching, devouring--
+Avid alike for the flower or the dung...
+(Having no dainty antennae for the touch and withdrawal--
+Only the open maw...)
+
+Egos cawing,
+Expanding in the mean egg...
+Little squat tailors with unkempt faces,
+Pale as lard,
+Fur-makers, factory-hands, shop-workers,
+News-boys with battling eyes
+And bodies yet vibrant with the momentum of long runs,
+Here and there a woman...
+
+Words, words, words,
+Pattering like hail,
+Like hail falling without aim...
+Egos rampant,
+Screaming each other down.
+One motions perpetually,
+Waving arms like overgrowths.
+He has burning eyes and a cough
+And a thin voice piping
+Like a flute among trombones.
+
+One, red-bearded, rearing
+A welter of maimed face bashed in from some old wound,
+Garbles Max Stirner.
+His words knock each other like little wooden blocks.
+No one heeds him,
+And a lank boy with hair over his eyes
+Pounds upon the table.
+--He is chairman.
+
+Egos yet in the primer,
+Hearing world-voices
+Chanting grand arias...
+Majors resonant,
+Stunning with sound...
+Baffling minors
+Half-heard like rain on pools...
+Majestic discordances
+Greater than harmonies...
+--Gleaning out of it all
+Passion, bewilderment, pain...
+
+Egos yearning with the world-old want in their eyes--
+Hurt hot eyes that do not sleep enough...
+Striving with infinite effort,
+Frustrate yet ever pursuing
+The great white Liberty,
+Trailing her dissolving glory over each hard-won barricade--
+Only to fade anew...
+
+Egos crying out of unkempt deeps
+And waving their dreams like flags--
+Multi-colored dreams,
+Winged and glorious...
+
+A gas jet throws a stunted flame,
+Vaguely illumining the groping faces.
+And through the uncurtained window
+Falls the waste light of stars,
+As cold as wise men's eyes...
+Indifferent great stars,
+Fortuitously glancing
+At the secret meeting in this shut-in room,
+Bare as a manger.
+
+VIII
+
+Lights go out
+And the stark trunks of the factories
+Melt into the drawn darkness,
+Sheathing like a seamless garment.
+
+And mothers take home their babies,
+Waxen and delicately curled,
+Like little potted flowers closed under the stars.
+
+Lights go out
+And the young men shut their eyes,
+But life turns in them...
+
+Life in the cramped ova
+Tearing and rending asunder its living cells...
+Wars, arts, discoveries, rebellions, travails, immolations,
+ cataclysms, hates...
+Pent in the shut flesh.
+And the young men twist on their beds in languor and dizziness
+ unsupportable...
+Their eyes--heavy and dimmed
+With dust of long oblivions in the gray pulp behind--
+Staring as through a choked glass.
+And they gaze at the moon--throwing off a faint heat--
+The moon, blond and burning, creeping to their cots
+Softly, as on naked feet...
+Lolling on the coverlet... like a woman offering her white body.
+
+Nude glory of the moon!
+That leaps like an athlete on the bosoms of the young girls stripped
+ of their linens;
+Stroking their breasts that are smooth and cool as mother-of-pearl
+Till the nipples tingle and burn as though little lips plucked at them.
+They shudder and grow faint.
+And their ears are filled as with a delirious rhapsody,
+That Life, like a drunken player,
+Strikes out of their clear white bodies
+As out of ivory keys.
+
+Lights go out...
+And the great lovers linger in little groups, still passionately debating,
+Or one may walk in silence, listening only to the still summons of Life--
+Life making the great Demand...
+Calling its new Christs...
+Till tears come, blurring the stars
+That grow tender and comforting like the eyes of comrades;
+And the moon rolls behind the Battery
+Like a word molten out of the mouth of God.
+
+Lights go out...
+And colors rush together,
+Fusing and floating away...
+Pale worn gold like the settings of old jewels...
+Mauves, exquisite, tremulous, and luminous purples
+And burning spires in aureoles of light
+Like shimmering auras.
+
+They are covering up the pushcarts...
+Now all have gone save an old man with mirrors--
+Little oval mirrors like tiny pools.
+He shuffles up a darkened street
+And the moon burnishes his mirrors till they shine like phosphorus...
+The moon like a skull,
+Staring out of eyeless sockets at the old men trundling home the pushcarts.
+
+IX
+
+A sallow dawn is in the sky
+As I enter my little green room.
+Sadie's light is still burning...
+Without, the frail moon
+Worn to a silvery tissue,
+Throws a faint glamour on the roofs,
+And down the shadowy spires
+Lights tip-toe out...
+Softly as when lovers close street doors.
+
+Out of the Battery
+A little wind
+Stirs idly--as an arm
+Trails over a boat's side in dalliance--
+Rippling the smooth dead surface of the heat,
+And Hester street,
+Like a forlorn woman over-born
+By many babies at her teats,
+Turns on her trampled bed to meet the day.
+
+LIFE!
+Startling, vigorous life,
+That squirms under my touch,
+And baffles me when I try to examine it,
+Or hurls me back without apology.
+Leaving my ego ruffled and preening itself.
+
+Life,
+Articulate, shrill,
+Screaming in provocative assertion,
+Or out of the black and clotted gutters,
+Piping in silvery thin
+Sweet staccato
+Of children's laughter,
+
+Or clinging over the pushcarts
+Like a litter of tiny bells
+Or the jingle of silver coins,
+Perpetually changing hands,
+Or like the Jordan somberly
+Swirling in tumultuous uncharted tides,
+Surface-calm.
+
+Electric currents of life,
+Throwing off thoughts like sparks,
+Glittering, disappearing,
+Making unknown circuits,
+Or out of spent particles stirring
+Feeble contortions in old faiths
+Passing before the new.
+
+Long nights argued away
+In meeting halls
+Back of interminable stairways--
+In Roumanian wine-shops
+And little Russian tea-rooms...
+
+Feet echoing through deserted streets
+In the soft darkness before dawn...
+Brows aching, throbbing, burning--
+Life leaping in the shaken flesh
+Like flame at an asbestos curtain.
+
+Life--
+Pent, overflowing
+Stoops and façades,
+Jostling, pushing, contriving,
+Seething as in a great vat...
+
+Bartering, changing, extorting,
+Dreaming, debating, aspiring,
+Astounding, indestructible
+Life of the Ghetto...
+
+Strong flux of life,
+Like a bitter wine
+Out of the bloody stills of the world...
+Out of the Passion eternal.
+
+
+MANHATTAN LIGHTS
+
+MANHATTAN
+
+Out of the night you burn, Manhattan,
+In a vesture of gold--
+Span of innumerable arcs,
+Flaring and multiplying--
+Gold at the uttermost circles fading
+Into the tenderest hint of jade,
+Or fusing in tremulous twilight blues,
+Robing the far-flung offices,
+Scintillant-storied, forking flame,
+Or soaring to luminous amethyst
+Over the steeples aureoled--
+
+Diaphanous gold,
+Veiling the Woolworth, argently
+Rising slender and stark
+Mellifluous-shrill as a vender's cry,
+And towers squatting graven and cold
+On the velvet bales of the dark,
+And the Singer's appraising
+Indolent idol's eye,
+And night like a purple cloth unrolled--
+
+Nebulous gold
+Throwing an ephemeral glory about life's vanishing points,
+Wherein you burn...
+You of unknown voltage
+Whirling on your axis...
+Scrawling vermillion signatures
+Over the night's velvet hoarding...
+Insolent, towering spherical
+To apices ever shifting.
+
+BROADWAY
+
+Light!
+Innumerable ions of light,
+Kindling, irradiating,
+All to their foci tending...
+
+Light that jingles like anklet chains
+On bevies of little lithe twinkling feet,
+Or clingles in myriad vibrations
+Like trillions of porcelain
+Vases shattering...
+
+Light over the laminae of roofs,
+Diffusing in shimmering nebulae
+About the night's boundaries,
+Or billowing in pearly foam
+Submerging the low-lying stars...
+
+Light for the feast prolonged--
+Captive light in the goblets quivering...
+Sparks evanescent
+Struck of meeting looks--
+Fringed eyelids leashing
+Sheathed and leaping lights...
+Infinite bubbles of light
+Bursting, reforming...
+Silvery filings of light
+Incessantly falling...
+Scintillant, sided dust of light
+Out of the white flares of Broadway--
+Like a great spurious diamond
+In the night's corsage faceted...
+
+Broadway,
+In ambuscades of light,
+Drawing the charmed multitudes
+With the slow suction of her breath--
+Dangling her naked soul
+Behind the blinding gold of eunuch lights
+That wind about her like a bodyguard.
+
+Or like a huge serpent, iridescent-scaled,
+Trailing her coruscating length
+Over the night prostrate--
+Triumphant poised,
+Her hydra heads above the avenues,
+Values appraising
+And her avid eyes
+Glistening with eternal watchfulness...
+
+Broadway--
+Out of her towers rampant,
+Like an unsubtle courtezan
+Reserving nought for some adventurous night.
+
+FLOTSAM
+
+Crass rays streaming from the vestibules;
+Cafes glittering like jeweled teeth;
+High-flung signs
+Blinking yellow phosphorescent eyes;
+Girls in black
+Circling monotonously
+About the orange lights...
+
+Nothing to guess at...
+Save the darkness above
+Crouching like a great cat.
+
+In the dim-lit square,
+Where dishevelled trees
+Tustle with the wind--the wind like a scythe
+Mowing their last leaves--
+Arcs shimmering through a greenish haze--
+Pale oval arcs
+Like ailing virgins,
+Each out of a halo circumscribed,
+Pallidly staring...
+
+Figures drift upon the benches
+With no more rustle than a dropped leaf settling--
+Slovenly figures like untied parcels,
+And papers wrapped about their knees
+Huddled one to the other,
+Cringing to the wind--
+The sided wind,
+Leaving no breach untried...
+
+So many and all so still...
+The fountain slobbering its stone basin
+Is louder than They--
+Flotsam of the five oceans
+Here on this raft of the world.
+
+This old man's head
+Has found a woman's shoulder.
+The wind juggles with her shawl
+That flaps about them like a sail,
+And splashes her red faded hair
+Over the salt stubble of his chin.
+A light foam is on his lips,
+As though dreams surged in him
+Breaking and ebbing away...
+And the bare boughs shuffle above him
+And the twigs rattle like dice...
+
+She--diffused like a broken beetle--
+Sprawls without grace,
+Her face gray as asphalt,
+Her jaws sagging as on loosened hinges...
+Shadows ply about her mouth--
+Nimble shadows out of the jigging tree,
+That dances above her its dance of dry bones.
+
+II
+
+A uniformed front,
+Paunched;
+A glance like a blow,
+The swing of an arm,
+Verved, vigorous;
+Boot-heels clanking
+In metallic rhythm;
+The blows of a baton,
+Quick, staccato...
+
+--There is a rustling along the benches
+As of dried leaves raked over...
+And the old man lifts a shaking palsied hand,
+Tucking the displaced paper about his knees.
+
+Colder...
+And a frost under foot,
+Acid, corroding,
+Eating through worn bootsoles.
+
+Drab forms blur into greenish vapor.
+Through boughs like cross-bones,
+Pale arcs flare and shiver
+Like lilies in a wind.
+
+High over Broadway
+A far-flung sign
+Glitters in indigo darkness
+And spurts again rhythmically,
+Spraying great drops
+Red as a hemorrhage.
+
+SPRING
+
+A spring wind on the Bowery,
+Blowing the fluff of night shelters
+Off bedraggled garments,
+And agitating the gutters, that eject little spirals of vapor
+Like lewd growths.
+
+Bare-legged children stamp in the puddles, splashing each other,
+One--with a choir-boy's face
+Twits me as I pass...
+The word, like a muddied drop,
+Seems to roll over and not out of
+The bowed lips,
+Yet dewy red
+And sweetly immature.
+
+People sniff the air with an upward look--
+Even the mite of a girl
+Who never plays...
+Her mother smiles at her
+With eyes like vacant lots
+Rimming vistas of mean streets
+And endless washing days...
+Yet with sun on the lines
+And a drying breeze.
+
+The old candy woman
+Shivers in the young wind.
+Her eyes--littered with memories
+Like ancient garrets,
+Or dusty unaired rooms where someone died--
+Ask nothing of the spring.
+
+But a pale pink dream
+Trembles about this young girl's body,
+Draping it like a glowing aura.
+
+She gloats in a mirror
+Over her gaudy hat,
+With its flower God never thought of...
+
+And the dream, unrestrained,
+Floats about the loins of a soldier,
+Where it quivers a moment,
+Warming to a crimson
+Like the scarf of a toreador...
+
+But the delicate gossamer breaks at his contact
+And recoils to her in strands of shattered rose.
+
+BOWERY AFTERNOON
+
+Drab discoloration
+Of faces, façades, pawn-shops,
+Second-hand clothing,
+Smoky and fly-blown glass of lunch-rooms,
+Odors of rancid life...
+
+Deadly uniformity
+Of eyes and windows
+Alike devoid of light...
+Holes wherein life scratches--
+Mangy life
+Nosing to the gutter's end...
+
+Show-rooms and mimic pillars
+Flaunting out of their gaudy vestibules
+Bosoms and posturing thighs...
+
+Over all the Elevated
+Droning like a bloated fly.
+
+PROMENADE
+
+ Undulant rustlings,
+ Of oncoming silk,
+ Rhythmic, incessant,
+ Like the motion of leaves...
+ Fragments of color
+ In glowing surprises...
+ Pink inuendoes
+ Hooded in gray
+ Like buds in a cobweb
+ Pearled at dawn...
+ Glimpses of green
+ And blurs of gold
+ And delicate mauves
+ That snatch at youth...
+ And bodies all rosily
+ Fleshed for the airing,
+ In warm velvety surges
+ Passing imperious, slow...
+
+Women drift into the limousines
+That shut like silken caskets
+On gems half weary of their glittering...
+Lamps open like pale moon flowers...
+Arcs are radiant opals
+Strewn along the dusk...
+No common lights invade.
+And spires rise like litanies--
+Magnificats of stone
+Over the white silence of the arcs,
+Burning in perpetual adoration.
+
+THE FOG
+
+Out of the lamp-bestarred and clouded dusk--
+Snaring, illuding, concealing,
+Magically conjuring--
+Turning to fairy-coaches
+Beetle-backed limousines
+Scampering under the great Arch--
+Making a decoy of blue overalls
+And mystery of a scarlet shawl--
+Indolently--
+Knowing no impediment of its sure advance--
+Descends the fog.
+
+FACES
+
+A late snow beats
+With cold white fists upon the tenements--
+Hurriedly drawing blinds and shutters,
+Like tall old slatterns
+Pulling aprons about their heads.
+
+Lights slanting out of Mott Street
+Gibber out,
+Or dribble through bar-room slits,
+Anonymous shapes
+Conniving behind shuttered panes
+Caper and disappear...
+Where the Bowery
+Is throbbing like a fistula
+Back of her ice-scabbed fronts.
+
+Livid faces
+Glimmer in furtive doorways,
+Or spill out of the black pockets of alleys,
+Smears of faces like muddied beads,
+Making a ghastly rosary
+The night mumbles over
+And the snow with its devilish and silken whisper...
+Patrolling arcs
+Blowing shrill blasts over the Bread Line
+Stalk them as they pass,
+Silent as though accouched of the darkness,
+And the wind noses among them,
+ Like a skunk
+That roots about the heart...
+
+Colder:
+And the Elevated slams upon the silence
+Like a ponderous door.
+Then all is still again,
+Save for the wind fumbling over
+The emptily swaying faces--
+The wind rummaging
+Like an old Jew...
+
+Faces in glimmering rows...
+(No sign of the abject life--
+Not even a blasphemy...)
+But the spindle legs keep time
+To a limping rhythm,
+And the shadows twitch upon the snow
+ Convulsively--
+As though death played
+With some ungainly dolls.
+
+
+LABOR
+
+DEBRIS
+
+I love those spirits
+That men stand off and point at,
+Or shudder and hood up their souls--
+Those ruined ones,
+Where Liberty has lodged an hour
+And passed like flame,
+Bursting asunder the too small house.
+
+DEDICATION
+
+I would be a torch unto your hand,
+A lamp upon your forehead, Labor,
+In the wild darkness before the Dawn
+That I shall never see...
+
+We shall advance together, my Beloved,
+Awaiting the mighty ushering...
+Together we shall make the last grand charge
+And ride with gorgeous Death
+With all her spangles on
+And cymbals clashing...
+And you shall rush on exultant as I fall--
+Scattering a brief fire about your feet...
+
+Let it be so...
+Better--while life is quick
+And every pain immense and joy supreme,
+And all I have and am
+Flames upward to the dream...
+Than like a taper forgotten in the dawn,
+Burning out the wick.
+
+THE SONG OF IRON
+
+I
+
+Not yet hast Thou sounded
+Thy clangorous music,
+Whose strings are under the mountains...
+Not yet hast Thou spoken
+The blooded, implacable Word...
+
+But I hear in the Iron singing--
+In the triumphant roaring of the steam and pistons pounding--
+Thy barbaric exhortation...
+And the blood leaps in my arteries, unreproved,
+Answering Thy call...
+All my spirit is inundated with the tumultuous passion of Thy Voice,
+And sings exultant with the Iron,
+For now I know I too am of Thy Chosen...
+
+Oh fashioned in fire--
+Needing flame for Thy ultimate word--
+Behold me, a cupola
+Poured to Thy use!
+
+Heed not my tremulous body
+That faints in the grip of Thy gauntlet.
+Break it... and cast it aside...
+But make of my spirit
+That dares and endures
+Thy crucible...
+Pour through my soul
+Thy molten, world-whelming song.
+
+... Here at Thy uttermost gate
+Like a new Mary, I wait...
+
+II
+
+Charge the blast furnace, workman...
+Open the valves--
+Drive the fires high...
+(Night is above the gates).
+
+How golden-hot the ore is
+From the cupola spurting,
+Tossing the flaming petals
+Over the silt and furnace ash--
+Blown leaves, devastating,
+Falling about the world...
+
+Out of the furnace mouth--
+Out of the giant mouth--
+The raging, turgid, mouth--
+Fall fiery blossoms
+Gold with the gold of buttercups
+In a field at sunset,
+Or huskier gold of dandelions,
+Warmed in sun-leavings,
+Or changing to the paler hue
+At the creamy hearts of primroses.
+
+Charge the converter, workman--
+Tired from the long night?
+But the earth shall suck up darkness--
+The earth that holds so much...
+And out of these molten flowers,
+Shall shape the heavy fruit...
+
+Then open the valves--
+Drive the fires high,
+Your blossoms nurturing.
+(Day is at the gates
+And a young wind...)
+
+Put by your rod, comrade,
+And look with me, shading your eyes...
+Do you not see--
+Through the lucent haze
+Out of the converter rising--
+In the spirals of fire
+Smiting and blinding,
+A shadowy shape
+White as a flame of sacrifice,
+Like a lily swaying?
+
+III
+
+The ore leaping in the crucibles,
+The ore communicant,
+Sending faint thrills along the leads...
+Fire is running along the roots of the mountains...
+I feel the long recoil of earth
+As under a mighty quickening...
+(Dawn is aglow in the light of the Iron...)
+All palpitant, I wait...
+
+
+IV
+
+Here ye, Dictators--late Lords of the Iron,
+Shut in your council rooms, palsied, depowered--
+The blooded, implacable Word?
+Not whispered in cloture, one to the other,
+(Brother in fear of the fear of his brother...)
+But chanted and thundered
+On the brazen, articulate tongues of the Iron
+Babbling in flame...
+
+Sung to the rhythm of prisons dismantled,
+Manacles riven and ramparts defaced...
+(Hearts death-anointed yet hearing life calling...)
+Ankle chains bursting and gallows unbraced...
+
+Sung to the rhythm of arsenals burning...
+Clangor of iron smashing on iron,
+Turmoil of metal and dissonant baying
+Of mail-sided monsters shattered asunder...
+
+Hulks of black turbines all mangled and roaring,
+Battering egress through ramparted walls...
+Mouthing of engines, made rabid with power,
+Into the holocaust snorting and plunging...
+
+Mighty converters torn from their axis,
+Flung to the furnaces, vomiting fire,
+Jumbled in white-heaten masses disshapen...
+Writhing in flame-tortured levers of iron...
+
+Gnashing of steel serpents twisting and dying...
+Screeching of steam-glutted cauldrons rending...
+Shock of leviathans prone on each other...
+Scaled flanks touching, ore entering ore...
+Steel haunches closing and grappling and swaying
+In the waltz of the mating locked mammoths of iron,
+Tasting the turbulent fury of living,
+Mad with a moment's exuberant living!
+Crash of devastating hammers despoiling..
+Hands inexorable, marring
+What hands had so cunningly moulded...
+
+Structures of steel welded, subtily tempered,
+Marvelous wrought of the wizards of ore,
+Torn into octaves discordantly clashing,
+Chords never final but onward progressing
+In monstrous fusion of sound ever smiting on sound
+ in mad vortices whirling...
+
+Till the ear, tortured, shrieks for cessation
+Of the raving inharmonies hatefully mingling...
+The fierce obligato the steel pipes are screaming...
+The blare of the rude molten music of Iron...
+
+FRANK LITTLE AT CALVARY
+
+I
+
+He walked under the shadow of the Hill
+Where men are fed into the fires
+And walled apart...
+Unarmed and alone,
+He summoned his mates from the pit's mouth
+Where tools rested on the floors
+And great cranes swung
+Unemptied, on the iron girders.
+And they, who were the Lords of the Hill,
+Were seized with a great fear,
+When they heard out of the silence of wheels
+The answer ringing
+In endless reverberations
+Under the mountain...
+
+So they covered up their faces
+And crept upon him as he slept...
+Out of eye-holes in black cloth
+They looked upon him who had flung
+Between them and their ancient prey
+The frail barricade of his life...
+And when night--that has connived at so much--
+Was heavy with the unborn day,
+They haled him from his bed...
+
+Who might know of that wild ride?
+Only the bleak Hill--
+The red Hill, vigilant,
+Like a blood-shot eye
+In the black mask of night--
+Dared watch them as they raced
+By each blind-folded street
+Godiva might have ridden down...
+But when they stopped beside the Place,
+I know he turned his face
+Wistfully to the accessory night...
+
+And when he saw--against the sky,
+Sagged like a silken net
+Under its load of stars--
+The black bridge poised
+Like a gigantic spider motionless...
+I know there was a silence in his heart,
+As of a frozen sea,
+Where some half lifted arm, mid-way
+Wavers, and drops heavily...
+
+I know he waved to life,
+And that life signaled back, transcending space,
+To each high-powered sense,
+So that he missed no gesture of the wind
+Drawing the shut leaves close...
+So that he saw the light on comrades' faces
+Of camp fires out of sight...
+And the savor of meat and bread
+Blew in his nostrils... and the breath
+Of unrailed spaces
+Where shut wild clover smelled as sweet
+As a virgin in her bed.
+
+I know he looked once at America,
+Quiescent, with her great flanks on the globe,
+And once at the skies whirling above him...
+Then all that he had spoken against
+And struck against and thrust against
+Over the frail barricade of his life
+Rushed between him and the stars...
+
+II
+
+Life thunders on...
+Over the black bridge
+The line of lighted cars
+Creeps like a monstrous serpent
+Spooring gold...
+
+Watchman, what of the track?
+
+Night... silence... stars...
+All's Well!
+
+III
+
+Light...
+(Breaking mists...
+Hills gliding like hands out of a slipping hold...)
+Light over the pit mouths,
+Streaming in tenuous rays down the black gullets of the Hill...
+(The copper, insensate, sleeping in the buried lode.)
+Light...
+Forcing the clogged windows of arsenals...
+Probing with long sentient fingers in the copper chips...
+Gleaming metallic and cold
+In numberless slivers of steel...
+Light over the trestles and the iron clips
+Of the black bridge--poised like a gigantic spider motionless--
+Sweet inquisition of light, like a child's wonder...
+Intrusive, innocently staring light
+That nothing appals...
+
+Light in the slow fumbling summer leaves,
+Cooing and calling
+All winged and avid things
+Waking the early flies, keen to the scent...
+Green-jeweled iridescent flies
+Unerringly steering--
+Swarming over the blackened lips,
+The young day sprays with indiscriminate gold...
+
+Watchman, what of the Hill?
+
+Wheels turn;
+The laden cars
+Go rumbling to the mill,
+And Labor walks beside the mules...
+All's Well with the Hill!
+
+SPIRES
+
+Spires of Grace Church,
+For you the workers of the world
+Travailed with the mountains...
+Aborting their own dreams
+Till the dream of you arose--
+Beautiful, swaddled in stone--
+Scorning their hands.
+
+THE LEGION OF IRON
+
+They pass through the great iron gates--
+Men with eyes gravely discerning,
+Skilled to appraise the tunnage of cranes
+Or split an inch into thousandths--
+Men tempered by fire as the ore is
+And planned to resistance
+Like steel that has cooled in the trough;
+Silent of purpose, inflexible, set to fulfilment--
+To conquer, withstand, overthrow...
+Men mannered to large undertakings,
+Knowing force as a brother
+And power as something to play with,
+Seeing blood as a slip of the iron,
+To be wiped from the tools
+Lest they rust.
+
+But what if they stood aside,
+Who hold the earth so careless in the crook of their arms?
+
+What of the flamboyant cities
+And the lights guttering out like candles in a wind...
+And the armies halted...
+And the train mid-way on the mountain
+And idle men chaffing across the trenches...
+And the cursing and lamentation
+And the clamor for grain shut in the mills of the world?
+What if they stayed apart,
+Inscrutably smiling,
+Leaving the ground encumbered with dead wire
+And the sea to row-boats
+And the lands marooned--
+Till Time should like a paralytic sit,
+A mildewed hulk above the nations squatting?
+
+FUEL
+
+What of the silence of the keys
+And silvery hands? The iron sings...
+Though bows lie broken on the strings,
+The fly-wheels turn eternally...
+
+Bring fuel--drive the fires high...
+Throw all this artist-lumber in
+And foolish dreams of making things...
+(Ten million men are called to die.)
+
+As for the common men apart,
+Who sweat to keep their common breath,
+And have no hour for books or art--
+What dreams have these to hide from death!
+
+A TOAST
+
+Not your martyrs anointed of heaven--
+ The ages are red where they trod--
+But the Hunted--the world's bitter leaven--
+ Who smote at your imbecile God--
+
+A being to pander and fawn to,
+ To propitiate, flatter and dread
+As a thing that your souls are in pawn to,
+ A Dealer who traffics the dead;
+
+A Trader with greed never sated,
+ Who barters the souls in his snares,
+That were trapped in the lusts he created,
+ For incense and masses and prayers--
+
+They are crushed in the coils of your halters;
+ 'Twere well--by the creeds ye have nursed--
+That ye send up a cry from your altars,
+ A mass for the Martyrs Accursed;
+
+A passionate prayer from reprieval
+ For the Brotherhood not understood--
+For the Heroes who died for the evil,
+ Believing the evil was good.
+
+To the Breakers, the Bold, the Despoilers,
+ Who dreamed of a world over-thrown...
+They who died for the millions of toilers--
+ Few--fronting the nations alone!
+
+--To the Outlawed of men and the Branded,
+ Whether hated or hating they fell--
+I pledge the devoted, red-handed,
+ Unfaltering Heroes of Hell!
+
+
+ACCIDENTALS
+
+"THE EVERLASTING RETURN"
+
+It is dark... so dark, I remember the sun on Chios...
+It is still... so still, I hear the beat of our paddles on the Aegean...
+
+Ten times we had watched the moon
+Rise like a thin white virgin out of the waters
+And round into a full maternity...
+For thrice ten moons we had touched no flesh
+Save the man flesh on either hand
+That was black and bitter and salt and scaled by the sea.
+
+The Athenian boy sat on my left...
+His hair was yellow as corn steeped in wine...
+And on my right was Phildar the Carthaginian,
+Grinning Phildar
+With his mouth pulled taut as by reins from his black gapped teeth.
+Many a whip had coiled about him
+And his shoulders were rutted deep as wet ground under chariot wheels,
+And his skin was red and tough as a bull's hide cured in the sun.
+He did not sing like the other slaves,
+But when a big wind came up he screamed with it.
+And always he looked out to sea,
+Save when he tore at his fish ends
+Or spat across me at the Greek boy, whose mouth was red and apart
+ like an opened fruit.
+
+We had rowed from dawn and the green galley hard at our stern.
+She was green and squat and skulked close to the sea.
+All day the tish of their paddles had tickled our ears,
+And when night came on
+And little naked stars dabbled in the water
+And half the crouching moon
+Slid over the silver belly of the sea thick-scaled with light,
+We heard them singing at their oars...
+We who had no breath for song.
+
+There was no sound in our boat
+Save the clingle of wrist chains
+And the sobbing of the young Greek.
+I cursed him that his hair blew in my mouth, tasting salt of the sea...
+I cursed him that his oar kept ill time...
+When he looked at me I cursed him again,
+That his eyes were soft as a woman's.
+
+How long... since their last shell gouged our batteries?
+How long... since we rose at aim with a sleuth moon astern?
+(It was the damned green moon that nosed us out...
+The moon that flushed our periscope till it shone like a silver flame...)
+
+They loosed each man's right hand
+As the galley spent on our decks...
+And amazed and bloodied we reared half up
+And fought askew with the left hand shackled...
+But a zigzag fire leapt in our sockets
+And knotted our thews like string...
+Our thews grown stiff as a crooked spine that would not straighten...
+
+How long... since our gauges fell
+And the sea shoved us under?
+It is dark... so dark...
+Darkness presses hairy-hot
+Where three make crowded company...
+And the rank steel smells....
+It is still... so still...
+I seem to hear the wind
+On the dimpled face of the water fathoms above...
+
+
+It was still... so still... we three that were left alive
+Stared in each other's faces...
+But three make bitter company at one man's bread...
+And our hate grew sharp and bright as the moon's edge in the water.
+
+One grinned with his mouth awry from the long gapped teeth...
+And one shivered and whined like a gull as the waves pawed us over...
+But one struck with his hate in his hand...
+
+After that I remember
+Only the dead men's oars that flapped in the sea...
+The dead men's oars that rattled and clicked like idiots' tongues.
+
+It is still... so still, with the jargon of engines quiet.
+We three awaiting the crunch of the sea
+Reach our hands in the dark and touch each other's faces...
+We three sheathing hate in our hearts...
+But when hate shall have made its circuit,
+Our bones will be loving company
+Here in the sea's den...
+And one whimpers and cries on his God
+And one sits sullenly
+But both draw away from me...
+For I am the pyre their memories burn on...
+Like black flames leaping
+Our fiery gestures light the walled-in darkness of the sea...
+The sea that kneels above us...
+And makes no sign.
+
+PALESTINE
+
+Old plant of Asia--
+Mutilated vine
+Holding earth's leaping sap
+In every stem and shoot
+That lopped off, sprouts again--
+Why should you seek a plateau walled about,
+Whose garden is the world?
+
+THE SONG
+
+That day, in the slipping of torsos and straining flanks
+ on the bloodied ooze of fields plowed by the iron,
+And the smoke bluish near earth and bronze in the sunshine
+ floating like cotton-down,
+And the harsh and terrible screaming,
+And that strange vibration at the roots of us...
+Desire, fierce, like a song...
+And we heard
+(Do you remember?)
+All the Red Cross bands on Fifth avenue
+And bugles in little home towns
+And children's harmonicas bleating
+
+ America!
+
+And after...
+(Do you remember?)
+The drollery of the wind on our faces,
+And horizons reeling,
+And the terror of the plain
+Heaving like a gaunt pelvis to the sun...
+Under us--threshing and twanging
+Torn-up roots of the Song...
+
+TO THE OTHERS
+
+I see you, refulgent ones,
+Burning so steadily
+Like big white arc lights...
+There are so many of you.
+I like to watch you weaving--
+Altogether and with precision
+Each his ray--
+Your tracery of light,
+Making a shining way about America.
+
+I note your infinite reactions--
+In glassware
+And sequin
+And puddles
+And bits of jet--
+And here and there a diamond...
+
+But you do not yet see me,
+Who am a torch blown along the wind,
+Flickering to a spark
+But never out.
+
+BABEL
+
+Oh, God did cunningly, there at Babel--
+Not mere tongues dividing, but soul from soul,
+So that never again should men be able
+To fashion one infinite, towering whole.
+
+THE FIDDLER
+
+In a little Hungarian cafe
+Men and women are drinking
+Yellow wine in tall goblets.
+
+Through the milky haze of the smoke,
+The fiddler, under-sized, blond,
+Leans to his violin
+As to the breast of a woman.
+Red hair kindles to fire
+On the black of his coat-sleeve,
+Where his white thin hand
+Trembles and dives,
+Like a sliver of moonlight,
+When wind has broken the water.
+
+DAWN WIND
+
+Wind, just arisen--
+(Off what cool mattress of marsh-moss
+In tented boughs leaf-drawn before the stars,
+Or niche of cliff under the eagles?)
+You of living things,
+So gay and tender and full of play--
+Why do you blow on my thoughts--like cut flowers
+Gathered and laid to dry on this paper, rolled out of dead wood?
+
+I see you
+Shaking that flower at me with soft invitation
+And frisking away,
+Deliciously rumpling the grass...
+
+So you fluttered the curtains about my cradle,
+Prattling of fields
+Before I had had my milk...
+Did I stir on my pillow, making to follow you, Fleet One?
+I--swaddled, unwinged, like a bird in the egg.
+
+Let be
+My dreams that crackle under your breath...
+You have the dust of the world to blow on...
+Do not tag me and dance away, looking back...
+I am too old to play with you,
+Eternal Child.
+
+NORTH WIND
+
+I love you, malcontent
+Male wind--
+Shaking the pollen from a flower
+Or hurling the sea backward from the grinning sand.
+
+Blow on and over my dreams...
+Scatter my sick dreams...
+Throw your lusty arms about me...
+Envelop all my hot body...
+Carry me to pine forests--
+Great, rough-bearded forests...
+Bring me to stark plains and steppes...
+I would have the North to-night--
+The cold, enduring North.
+
+And if we should meet the Snow,
+Whirling in spirals,
+And he should blind my eyes...
+Ally, you will defend me--
+You will hold me close,
+Blowing on my eyelids.
+
+THE DESTROYER
+
+I am of the wind...
+A wisp of the battering wind...
+
+I trail my fingers along the Alps
+And an avalanche falls in my wake...
+I feel in my quivering length
+When it buries the hamlet beneath...
+
+I hurriedly sweep aside
+The cities that clutter our path...
+As we whirl about the circle of the globe...
+As we tear at the pillars of the world...
+Open to the wind,
+The Destroyer!
+The wind that is battering at your gates.
+
+LULLABY
+
+Rock-a-by baby, woolly and brown...
+(There's a shout at the door an' a big red light...)
+Lil' coon baby, mammy is down...
+Han's that hold yuh are steady an' white...
+
+Look piccaninny--such a gran' blaze
+Lickin' up the roof an' the sticks of home--
+Ever see the like in all yo' days!
+--Cain't yuh sleep, mah bit-of-honey-comb?
+
+Rock-a-by baby, up to the sky!
+Look at the cherries driftin' by--
+Bright red cherries spilled on the groun'--
+Piping-hot cherries at nuthin' a poun'!
+
+Hush, mah lil' black-bug--doan yuh weep.
+Daddy's run away an' mammy's in a heap
+By her own fron' door in the blazin' heat
+Outah the shacks like warts on the street...
+
+An' the singin' flame an' the gleeful crowd
+Circlin' aroun'... won't mammy be proud!
+With a stone at her hade an' a stone on her heart,
+An' her mouth like a red plum, broken apart...
+
+See where the blue an' khaki prance,
+Adding brave colors to the dance
+About the big bonfire white folks make--
+Such gran' doin's fo' a lil' coon's sake!
+
+Hear all the eagah feet runnin' in town--
+See all the willin' han's reach outah night--
+Han's that are wonderful, steady an' white!
+To toss up a lil' babe, blinkin' an' brown...
+
+Rock-a-by baby--higher an' higher!
+Mammy is sleepin' an' daddy's run lame...
+(Soun' may yuh sleep in yo' cradle o' fire!)
+Rock-a-by baby, hushed in the flame...
+
+(An incident of the East St. Louis Race Riots, when some white women flung
+a living colored baby into the heart of a blazing fire.)
+
+THE FOUNDLING
+
+Snow wraiths circle us
+Like washers of the dead,
+Flapping their white wet cloths
+Impatiently
+About the grizzled head,
+Where the coarse hair mats like grass,
+And the efficient wind
+With cold professional baste
+Probes like a lancet
+Through the cotton shirt...
+
+About us are white cliffs and space.
+No façades show,
+Nor roof nor any spire...
+All sheathed in snow...
+The parasitic snow
+That clings about them like a blight.
+
+Only detached lights
+Float hazily like greenish moons,
+And endlessly
+Down the whore-street,
+Accouched and comforted and sleeping warm,
+The blizzard waltzes with the night.
+
+THE WOMAN WITH JEWELS
+
+The woman with jewels sits in the cafe,
+Spraying light like a fountain.
+Diamonds glitter on her bulbous fingers
+And on her arms, great as thighs,
+Diamonds gush from her ear-lobes over the goitrous throat.
+She is obesely beautiful.
+Her eyes are full of bleared lights,
+Like little pools of tar, spilled by a sailor in mad haste for shore...
+And her mouth is scarlet and full--only a little crumpled--
+ like a flower that has been pressed apart...
+
+Why does she come alone to this obscure basement--
+She who should have a litter and hand-maidens to support her
+ on either side?
+
+She ascends the stairway, and the waiters turn to look at her,
+ spilling the soup.
+The black satin dress is a little lifted, showing the dropsical legs
+ in their silken fleshings...
+The mountainous breasts tremble...
+There is an agitation in her gems,
+That quiver incessantly, emitting trillions of fiery rays...
+She erupts explosive breaths...
+Every step is an adventure
+From this...
+The serpent's tooth
+Saved Cleopatra.
+
+SUBMERGED
+
+I have known only my own shallows--
+Safe, plumbed places,
+Where I was wont to preen myself.
+
+But for the abyss
+I wanted a plank beneath
+And horizons...
+
+I was afraid of the silence
+And the slipping toe-hold...
+
+Oh, could I now dive
+Into the unexplored deeps of me--
+Delve and bring up and give
+All that is submerged, encased, unfolded,
+That is yet the best.
+
+ART AND LIFE
+
+When Art goes bounding, lean,
+Up hill-tops fired green
+To pluck a rose for life.
+
+Life like a broody hen
+Cluck-clucks him back again.
+
+But when Art, imbecile,
+Sits old and chill
+On sidings shaven clean,
+And counts his clustering
+Dead daisies on a string
+With witless laughter....
+
+Then like a new Jill
+Toiling up a hill
+Life scrambles after.
+
+BROOKLYN BRIDGE
+
+Pythoness body--arching
+Over the night like an ecstasy--
+I feel your coils tightening...
+And the world's lessening breath.
+
+DREAMS
+
+Men die...
+Dreams only change their houses.
+They cannot be lined up against a wall
+And quietly buried under ground,
+And no more heard of...
+However deep the pit and heaped the clay--
+Like seedlings of old time
+Hooding a sacred rose under the ice cap of the world--
+Dreams will to light.
+
+THE FIRE
+
+The old men of the world have made a fire
+To warm their trembling hands.
+They poke the young men in.
+The young men burn like withes.
+
+If one run a little way,
+The old men are wrath.
+They catch him and bind him and throw him again to the flames.
+Green withes burn slow...
+And the smoke of the young men's torment
+Rises round and sheer as the trunk of a pillared oak,
+And the darkness thereof spreads over the sky....
+
+Green withes burn slow...
+And the old men of the world sit round the fire
+And rub their hands....
+But the smoke of the young men's torment
+Ascends up for ever and ever.
+
+A MEMORY
+
+I remember
+The crackle of the palm trees
+Over the mooned white roofs of the town...
+The shining town...
+And the tender fumbling of the surf
+On the sulphur-yellow beaches
+As we sat... a little apart... in the close-pressing night.
+
+The moon hung above us like a golden mango,
+And the moist air clung to our faces,
+Warm and fragrant as the open mouth of a child
+And we watched the out-flung sea
+Rolling to the purple edge of the world,
+Yet ever back upon itself...
+As we...
+
+Inadequate night...
+And mooned white memory
+Of a tropic sea...
+How softly it comes up
+Like an ungathered lily.
+
+THE EDGE
+
+I thought to die that night in the solitude where they would never find me...
+But there was time...
+And I lay quietly on the drawn knees of the mountain,
+ staring into the abyss...
+I do not know how long...
+I could not count the hours, they ran so fast
+Like little bare-foot urchins--shaking my hands away...
+But I remember
+Somewhere water trickled like a thin severed vein...
+And a wind came out of the grass,
+Touching me gently, tentatively, like a paw.
+
+As the night grew
+The gray cloud that had covered the sky like sackcloth
+Fell in ashen folds about the hills,
+Like hooded virgins, pulling their cloaks about them...
+There must have been a spent moon,
+For the Tall One's veil held a shimmer of silver...
+
+That too I remember...
+And the tenderly rocking mountain
+Silence
+And beating stars...
+
+Dawn
+Lay like a waxen hand upon the world,
+And folded hills
+Broke into a sudden wonder of peaks, stemming clear and cold,
+Till the Tall One bloomed like a lily,
+Flecked with sun,
+Fine as a golden pollen--
+It seemed a wind might blow it from the snow.
+
+I smelled the raw sweet essences of things,
+And heard spiders in the leaves
+And ticking of little feet,
+As tiny creatures came out of their doors
+To see God pouring light into his star...
+
+... It seemed life held
+No future and no past but this...
+
+And I too got up stiffly from the earth,
+And held my heart up like a cup...
+
+THE GARDEN
+
+Bountiful Givers,
+I look along the years
+And see the flowers you threw...
+Anemones
+And sprigs of gray
+Sparse heather of the rocks,
+Or a wild violet
+Or daisy of a daisied field...
+But each your best.
+
+I might have worn them on my breast
+To wilt in the long day...
+I might have stemmed them in a narrow vase
+And watched each petal sallowing...
+I might have held them so--mechanically--
+Till the wind winnowed all the leaves
+And left upon my hands
+A little smear of dust.
+
+Instead
+I hid them in the soft warm loam
+Of a dim shadowed place...
+Deep
+In a still cool grotto,
+Lit only by the memories of stars
+And the wide and luminous eyes
+Of dead poets
+That love me and that I love...
+Deep... deep...
+Where none may see--not even ye who gave--
+About my soul your garden beautiful.
+
+UNDER-SONG
+
+There is music in the strong
+ Deep-throated bush,
+Whisperings of song
+ Heard in the leaves' hush--
+Ballads of the trees
+ In tongues unknown--
+A reminiscent tone
+ On minor keys...
+
+Boughs swaying to and fro
+ Though no winds pass...
+Faint odors in the grass
+ Where no flowers grow,
+And flutterings of wings
+ And faint first notes,
+Once babbled on the boughs
+ Of faded springs.
+
+Is it music from the graves
+ Of all things fair
+Trembling on the staves
+ Of spacious air--
+Fluted by the winds
+ Songs with no words--
+Sonatas from the throats
+ Of master birds?
+
+One peering through the husk
+ Of darkness thrown
+May hear it in the dusk--
+ That ancient tone,
+Silvery as the light
+ Of long dead stars
+Yet falling through the night
+ In trembling bars.
+
+A WORN ROSE
+
+Where to-day would a dainty buyer
+Imbibe your scented juice,
+Pale ruin with a heart of fire;
+Drain your succulence with her lips,
+Grown sapless from much use...
+Make minister of her desire
+A chalice cup where no bee sips--
+ Where no wasp wanders in?
+
+Close to her white flesh housed an hour,
+ One held you... her spent form
+Drew on yours for its wasted dower--
+What favour could she do you more?
+ Yet, of all who drink therein,
+ None know it is the warm
+Odorous heart of a ravished flower
+Tingles so in her mouth's red core...
+
+IRON WINE
+
+The ore in the crucible is pungent, smelling like acrid wine,
+It is dusky red, like the ebb of poppies,
+And purple, like the blood of elderberries.
+Surely it is a strong wine--juice distilled of the fierce iron.
+I am drunk of its fumes.
+I feel its fiery flux
+Diffusing, permeating,
+Working some strange alchemy...
+So that I turn aside from the goodly board,
+So that I look askance upon the common cup,
+And from the mouths of crucibles
+Suck forth the acrid sap.
+
+DISPOSSESSED
+
+Tender and tremulous green of leaves
+Turned up by the wind,
+Twanging among the vines--
+Wind in the grass
+Blowing a clear path
+For the new-stripped soul to pass...
+
+The naked soul in the sunlight...
+Like a wisp of smoke in the sunlight
+On the hill-side shimmering.
+
+Dance light on the wind, little soul,
+Like a thistle-down floating
+Over the butterflies
+And the lumbering bees...
+
+Come away from that tree
+And its shadow grey as a stone...
+
+Bathe in the pools of light
+On the hillside shimmering--
+Shining and wetted and warm in the sun-spray falling like golden rain--
+
+But do not linger and look
+At that bleak thing under the tree.
+
+THE STAR
+
+Last night
+I watched a star fall like a great pearl into the sea,
+Till my ego expanding encompassed sea and star,
+Containing both as in a trembling cup.
+
+THE TIDINGS
+(Easter 1916)
+
+Censored lies that mimic truth...
+ Censored truth as pale as fear...
+My heart is like a rousing bell--
+ And but the dead to hear...
+
+My heart is like a mother bird,
+ Circling ever higher,
+And the nest-tree rimmed about
+ By a forest fire...
+
+My heart is like a lover foiled
+ By a broken stair--
+They are fighting to-night in Sackville Street,
+ And I am not there!
+
+
+
+
+End of Project Gutenberg's The Ghetto and Other Poems, by Lola Ridge
+
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