summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-03-08 11:35:05 -0800
committernfenwick <nfenwick@pglaf.org>2025-03-08 11:35:05 -0800
commit62c870bd9999851e55c7e75bd58f1591f745639e (patch)
tree02f021d6096106da5cd983c68e354f7a52b0d501
parent7154410e4e07191916d9c78f995805e2d87ac1bd (diff)
Add files from ibiblio as of 2025-03-08 11:35:05HEADmain
-rw-r--r--41653-0.txt381
-rw-r--r--41653-0.zipbin84984 -> 0 bytes
-rw-r--r--41653-8.txt6276
-rw-r--r--41653-8.zipbin84682 -> 0 bytes
-rw-r--r--41653-h.zipbin520186 -> 0 bytes
-rw-r--r--41653-h/41653-h.htm405
-rw-r--r--41653.txt6276
-rw-r--r--41653.zipbin84658 -> 0 bytes
8 files changed, 4 insertions, 13334 deletions
diff --git a/41653-0.txt b/41653-0.txt
index 704984f..419f40b 100644
--- a/41653-0.txt
+++ b/41653-0.txt
@@ -1,25 +1,4 @@
-The Project Gutenberg EBook of Seven Short Plays, by Lady Gregory
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Seven Short Plays
-
-Author: Lady Gregory
-
-Release Date: December 18, 2012 [EBook #41653]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SEVEN SHORT PLAYS ***
-
-
-
+*** START OF THE PROJECT GUTENBERG EBOOK 41653 ***
Produced by Joseph R. Hauser, Turgut Dincer and the Online
Distributed Proofreading Team at http://www.pgdp.net. Music
@@ -5917,360 +5896,4 @@ to be of great stature.”—_Chicago Tribune._
End of the Project Gutenberg EBook of Seven Short Plays, by Lady Gregory
-*** END OF THIS PROJECT GUTENBERG EBOOK SEVEN SHORT PLAYS ***
-
-***** This file should be named 41653-0.txt or 41653-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/1/6/5/41653/
-
-Produced by Joseph R. Hauser, Turgut Dincer and the Online
-Distributed Proofreading Team at http://www.pgdp.net. Music
-transcribed by Brian Foley using LilyPond.
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+*** END OF THE PROJECT GUTENBERG EBOOK 41653 ***
diff --git a/41653-0.zip b/41653-0.zip
deleted file mode 100644
index cb4487d..0000000
--- a/41653-0.zip
+++ /dev/null
Binary files differ
diff --git a/41653-8.txt b/41653-8.txt
deleted file mode 100644
index 01abd99..0000000
--- a/41653-8.txt
+++ /dev/null
@@ -1,6276 +0,0 @@
-The Project Gutenberg EBook of Seven Short Plays, by Lady Gregory
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Seven Short Plays
-
-Author: Lady Gregory
-
-Release Date: December 18, 2012 [EBook #41653]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SEVEN SHORT PLAYS ***
-
-
-
-
-Produced by Joseph R. Hauser, Turgut Dincer and the Online
-Distributed Proofreading Team at http://www.pgdp.net. Music
-transcribed by Brian Foley using LilyPond.
-
-
-
-
-
-
-
-
-
- _By Lady Gregory_
-
-
- Irish Folk-History Plays
-
- First Series: The Tragedies
- Grania. Kincora. Dervorgilla
-
- Second Series: The Tragic Comedies
- The Canavans. The White Cockade. The Deliverer
-
- New Comedies
- The Bogie Men. The Full Moon. Coats. Damer's
- Gold. McDonough's Wife
-
- Our Irish Theatre
- A Chapter of Autobiography
-
- Seven Short Plays
- Spreading the News. Hyacinth Halvey. The Rising
- of the Moon. The Jackdaw. The Workhouse Ward.
- The Travelling Man. The Gaol Gate
-
- The Golden Apple
- A Kiltartan Play for Children
-
-
-
-
- Seven Short Plays
-
- By
-
- Lady Gregory
-
-
- G. P. Putnam's Sons
- New York and London
- The Knickerbocker Press
- 1916
-
-
- COPYRIGHT, 1903, by LADY AUGUSTA GREGORY
-
- COPYRIGHT, 1904, by LADY GREGORY
-
- COPYRIGHT, 1905, by LADY GREGORY
-
- COPYRIGHT, 1906, by LADY GREGORY
-
- COPYRIGHT, 1909, by LADY GREGORY
-
-
-These plays have been copyrighted and published simultaneously in the
-United States and Great Britain.
-
-All rights reserved, including that of translation into foreign
-languages.
-
-All acting rights, both professional and amateur, are reserved in the
-United States, Great Britain, and all countries of the Copyright
-Union, by the author. Performances forbidden and right of presentation
-reserved.
-
-Application for the right of performing these plays or reading them in
-public should be made to Samuel French, 28 West 38th St., New York
-City, or 26 South Hampton St., Strand, London.
-
-
-Second Impression
-
-The Knickerbocker Press, New York
-
-
-
-
-DEDICATION
-
-
-_To you, W. B. YEATS, good praiser, wholesome dispraiser, heavy-handed
-judge, open-handed helper of us all, I offer a play of my plays for
-every night of the week, because you like them, and because you have
-taught me my trade._
-
- AUGUSTA GREGORY
-
- _Abbey Theatre,
- May 1, 1909._
-
-
-
-
-CONTENTS
-
- PAGE
-
- SPREADING THE NEWS 1
-
- HYACINTH HALVEY 29
-
- THE RISING OF THE MOON 75
-
- THE JACKDAW 93
-
- THE WORKHOUSE WARD 137
-
- THE TRAVELLING MAN 155
-
- THE GAOL GATE 173
-
- MUSIC FOR THE SONGS IN THE PLAYS 189
-
- NOTES, &C. 196
-
-
-
-
-SPREADING THE NEWS
-
-PERSONS
-
- _Bartley Fallon._
- _Mrs. Fallon._
- _Jack Smith._
- _Shawn Early._
- _Tim Casey._
- _James Ryan._
- _Mrs. Tarpey._
- _Mrs. Tully._
- _A Policeman_ (JO MULDOON).
- _A Removable Magistrate._
-
-SPREADING THE NEWS
-
- _Scene: The outskirts of a Fair. An Apple Stall, Mrs. Tarpey
- sitting at it. Magistrate and Policeman enter._
-
-
-_Magistrate_: So that is the Fair Green. Cattle and sheep and mud. No
-system. What a repulsive sight!
-
-_Policeman_: That is so, indeed.
-
-_Magistrate_: I suppose there is a good deal of disorder in this
-place?
-
-_Policeman_: There is.
-
-_Magistrate_: Common assault?
-
-_Policeman_: It's common enough.
-
-_Magistrate_: Agrarian crime, no doubt?
-
-_Policeman_: That is so.
-
-_Magistrate_: Boycotting? Maiming of cattle? Firing into houses?
-
-_Policeman_: There was one time, and there might be again.
-
-_Magistrate_: That is bad. Does it go any farther than that?
-
-_Policeman_: Far enough, indeed.
-
-_Magistrate:_ Homicide, then! This district has been shamefully
-neglected! I will change all that. When I was in the Andaman Islands,
-my system never failed. Yes, yes, I will change all that. What has
-that woman on her stall?
-
-_Policeman:_ Apples mostly--and sweets.
-
-_Magistrate:_ Just see if there are any unlicensed goods
-underneath--spirits or the like. We had evasions of the salt tax in the
-Andaman Islands.
-
-_Policeman:_ (_Sniffing cautiously and upsetting a heap of apples._) I
-see no spirits here--or salt.
-
-_Magistrate:_ (_To Mrs. Tarpey._) Do you know this town well, my good
-woman?
-
-_Mrs. Tarpey:_ (_Holding out some apples._) A penny the half-dozen,
-your honour.
-
-_Policeman:_ (_Shouting._) The gentleman is asking do you know the
-town! He's the new magistrate!
-
-_Mrs. Tarpey:_ (_Rising and ducking._) Do I know the town? I do, to be
-sure.
-
-_Magistrate:_ (_Shouting._) What is its chief business?
-
-_Mrs. Tarpey:_ Business, is it? What business would the people here
-have but to be minding one another's business?
-
-_Magistrate:_ I mean what trade have they?
-
-_Mrs. Tarpey:_ Not a trade. No trade at all but to be talking.
-
-_Magistrate:_ I shall learn nothing here.
-
- (_James Ryan comes in, pipe in mouth. Seeing Magistrate he
- retreats quickly, taking pipe from mouth._)
-
-_Magistrate:_ The smoke from that man's pipe had a greenish look; he
-may be growing unlicensed tobacco at home. I wish I had brought my
-telescope to this district. Come to the post-office, I will telegraph
-for it. I found it very useful in the Andaman Islands.
-
- (_Magistrate and Policeman go out left._)
-
-_Mrs. Tarpey:_ Bad luck to Jo Muldoon, knocking my apples this way and
-that way. (_Begins arranging them._) Showing off he was to the new
-magistrate.
-
- (_Enter Bartley Fallon and Mrs. Fallon._)
-
-_Bartley:_ Indeed it's a poor country and a scarce country to be
-living in. But I'm thinking if I went to America it's long ago the day
-I'd be dead!
-
-_Mrs. Fallon:_ So you might, indeed.
-
- (_She puts her basket on a barrel and begins putting parcels in
- it, taking them from under her cloak._)
-
-_Bartley:_ And it's a great expense for a poor man to be buried in
-America.
-
-_Mrs. Fallon:_ Never fear, Bartley Fallon, but I'll give you a good
-burying the day you'll die.
-
-_Bartley:_ Maybe it's yourself will be buried in the graveyard of
-Cloonmara before me, Mary Fallon, and I myself that will be dying
-unbeknownst some night, and no one a-near me. And the cat itself may be
-gone straying through the country, and the mice squealing over the
-quilt.
-
-_Mrs. Fallon:_ Leave off talking of dying. It might be twenty years
-you'll be living yet.
-
-_Bartley:_ (_With a deep sigh._) I'm thinking if I'll be living at the
-end of twenty years, it's a very old man I'll be then!
-
-_Mrs. Tarpey:_ (_Turns and sees them._) Good morrow, Bartley Fallon;
-good morrow, Mrs. Fallon. Well, Bartley, you'll find no cause for
-complaining to-day; they are all saying it was a good fair.
-
-_Bartley:_ (_Raising his voice._) It was not a good fair, Mrs. Tarpey.
-It was a scattered sort of a fair. If we didn't expect more, we got
-less. That's the way with me always; whatever I have to sell goes down
-and whatever I have to buy goes up. If there's ever any misfortune
-coming to this world, it's on myself it pitches, like a flock of crows
-on seed potatoes.
-
-_Mrs. Fallon:_ Leave off talking of misfortunes, and listen to Jack
-Smith that is coming the way, and he singing.
-
- (_Voice of Jack Smith heard singing:_)
-
- I thought, my first love,
- There'd be but one house between you and me,
- And I thought I would find
- Yourself coaxing my child on your knee.
- Over the tide
- I would leap with the leap of a swan,
- Till I came to the side
- Of the wife of the Red-haired man!
-
- (_Jack Smith comes in; he is a red-haired man, and is carrying
- a hayfork._)
-
-_Mrs. Tarpey:_ That should be a good song if I had my hearing.
-
-_Mrs. Fallon:_ (_Shouting._) It's "The Red-haired Man's Wife."
-
-_Mrs. Tarpey:_ I know it well. That's the song that has a skin on it!
-
- (_She turns her back to them and goes on arranging her
- apples._)
-
-_Mrs. Fallon:_ Where's herself, Jack Smith?
-
-_Jack Smith:_ She was delayed with her washing; bleaching the clothes
-on the hedge she is, and she daren't leave them, with all the tinkers
-that do be passing to the fair. It isn't to the fair I came myself,
-but up to the Five Acre Meadow I'm going, where I have a contract for
-the hay. We'll get a share of it into tramps to-day. (_He lays down
-hayfork and lights his pipe._)
-
-_Bartley:_ You will not get it into tramps to-day. The rain will be
-down on it by evening, and on myself too. It's seldom I ever started
-on a journey but the rain would come down on me before I'd find any
-place of shelter.
-
-_Jack Smith:_ If it didn't itself, Bartley, it is my belief you would
-carry a leaky pail on your head in place of a hat, the way you'd not
-be without some cause of complaining.
-
- (_A voice heard, "Go on, now, go on out o' that. Go on I
- say."_)
-
-_Jack Smith:_ Look at that young mare of Pat Ryan's that is backing
-into Shaughnessy's bullocks with the dint of the crowd! Don't be
-daunted, Pat, I'll give you a hand with her.
-
- (_He goes out, leaving his hayfork._)
-
-_Mrs. Fallon:_ It's time for ourselves to be going home. I have all I
-bought put in the basket. Look at there, Jack Smith's hayfork he left
-after him! He'll be wanting it. (_Calls._) Jack Smith! Jack
-Smith!--He's gone through the crowd--hurry after him, Bartley, he'll be
-wanting it.
-
-_Bartley:_ I'll do that. This is no safe place to be leaving it. (_He
-takes up fork awkwardly and upsets the basket._) Look at that now! If
-there is any basket in the fair upset, it must be our own basket! (_He
-goes out to right._)
-
-_Mrs. Fallon:_ Get out of that! It is your own fault, it is. Talk of
-misfortunes and misfortunes will come. Glory be! Look at my new
-egg-cups rolling in every part--and my two pound of sugar with the
-paper broke----
-
-_Mrs. Tarpey:_ (_Turning from stall._) God help us, Mrs. Fallon, what
-happened to your basket?
-
-_Mrs. Fallon:_ It's himself that knocked it down, bad manners to him.
-(_Putting things up._) My grand sugar that's destroyed, and he'll not
-drink his tea without it. I had best go back to the shop for more,
-much good may it do him!
-
- (_Enter Tim Casey._)
-
-_Tim Casey:_ Where is Bartley Fallon, Mrs. Fallon? I want a word with
-him before he'll leave the fair. I was afraid he might have gone home
-by this, for he's a temperate man.
-
-_Mrs. Fallon:_ I wish he did go home! It'd be best for me if he went
-home straight from the fair green, or if he never came with me at all!
-Where is he, is it? He's gone up the road (_jerks elbow_) following
-Jack Smith with a hayfork.
-
- (_She goes out to left._)
-
-_Tim Casey:_ Following Jack Smith with a hayfork! Did ever any one
-hear the like of that. (_Shouts._) Did you hear that news, Mrs.
-Tarpey?
-
-_Mrs. Tarpey:_ I heard no news at all.
-
-_Tim Casey:_ Some dispute I suppose it was that rose between Jack
-Smith and Bartley Fallon, and it seems Jack made off, and Bartley is
-following him with a hayfork!
-
-_Mrs. Tarpey:_ Is he now? Well, that was quick work! It's not ten
-minutes since the two of them were here, Bartley going home and Jack
-going to the Five Acre Meadow; and I had my apples to settle up, that
-Jo Muldoon of the police had scattered, and when I looked round again
-Jack Smith was gone, and Bartley Fallon was gone, and Mrs. Fallon's
-basket upset, and all in it strewed upon the ground--the tea here--the
-two pound of sugar there--the egg-cups there--Look, now, what a great
-hardship the deafness puts upon me, that I didn't hear the
-commencement of the fight! Wait till I tell James Ryan that I see
-below; he is a neighbour of Bartley's, it would be a pity if he
-wouldn't hear the news!
-
- (_She goes out. Enter Shawn Early and Mrs. Tully._)
-
-_Tim Casey:_ Listen, Shawn Early! Listen, Mrs. Tully, to the news!
-Jack Smith and Bartley Fallon had a falling out, and Jack knocked Mrs.
-Fallon's basket into the road, and Bartley made an attack on him with
-a hayfork, and away with Jack, and Bartley after him. Look at the
-sugar here yet on the road!
-
-_Shawn Early:_ Do you tell me so? Well, that's a queer thing, and
-Bartley Fallon so quiet a man!
-
-_Mrs. Tully:_ I wouldn't wonder at all. I would never think well of a
-man that would have that sort of a mouldering look. It's likely he has
-overtaken Jack by this.
-
- (_Enter James Ryan and Mrs. Tarpey._)
-
-_James Ryan:_ That is great news Mrs. Tarpey was telling me! I suppose
-that's what brought the police and the magistrate up this way. I was
-wondering to see them in it a while ago.
-
-_Shawn Early:_ The police after them? Bartley Fallon must have injured
-Jack so. They wouldn't meddle in a fight that was only for show!
-
-_Mrs. Tully:_ Why wouldn't he injure him? There was many a man killed
-with no more of a weapon than a hayfork.
-
-_James Ryan:_ Wait till I run north as far as Kelly's bar to spread
-the news! (_He goes out._)
-
-_Tim Casey:_ I'll go tell Jack Smith's first cousin that is standing
-there south of the church after selling his lambs. (_Goes out._)
-
-_Mrs. Tully:_ I'll go telling a few of the neighbours I see beyond to
-the west. (_Goes out._)
-
-_Shawn Early:_ I'll give word of it beyond at the east of the green.
-
- (_Is going out when Mrs. Tarpey seizes hold of him._)
-
-_Mrs. Tarpey:_ Stop a minute, Shawn Early, and tell me did you see red
-Jack Smith's wife, Kitty Keary, in any place?
-
-_Shawn Early:_ I did. At her own house she was, drying clothes on the
-hedge as I passed.
-
-_Mrs. Tarpey:_ What did you say she was doing?
-
-_Shawn Early:_ (_Breaking away._) Laying out a sheet on the hedge.
-(_He goes._)
-
-_Mrs. Tarpey_: Laying out a sheet for the dead! The Lord have mercy
-on us! Jack Smith dead, and his wife laying out a sheet for his
-burying! (_Calls out._) Why didn't you tell me that before, Shawn
-Early? Isn't the deafness the great hardship? Half the world might be
-dead without me knowing of it or getting word of it at all! (_She sits
-down and rocks herself._) O my poor Jack Smith! To be going to his
-work so nice and so hearty, and to be left stretched on the ground in
-the full light of the day!
-
- (_Enter Tim Casey._)
-
-_Tim Casey:_ What is it, Mrs. Tarpey? What happened since?
-
-_Mrs. Tarpey:_ O my poor Jack Smith!
-
-_Tim Casey:_ Did Bartley overtake him?
-
-_Mrs. Tarpey:_ O the poor man!
-
-_Tim Casey:_ Is it killed he is?
-
-_Mrs. Tarpey:_ Stretched in the Five Acre Meadow!
-
-_Tim Casey:_ The Lord have mercy on us! Is that a fact?
-
-_Mrs. Tarpey:_ Without the rites of the Church or a ha'porth!
-
-_Tim Casey:_ Who was telling you?
-
-_Mrs. Tarpey:_ And the wife laying out a sheet for his corpse. (_Sits
-up and wipes her eyes._) I suppose they'll wake him the same as
-another?
-
- (_Enter Mrs. Tully, Shawn Early, and James Ryan._)
-
-_Mrs. Tully:_ There is great talk about this work in every quarter of
-the fair.
-
-_Mrs. Tarpey:_ Ochone! cold and dead. And myself maybe the last he was
-speaking to!
-
-_James Ryan:_ The Lord save us! Is it dead he is?
-
-_Tim Casey:_ Dead surely, and the wife getting provision for the wake.
-
-_Shawn Early:_ Well, now, hadn't Bartley Fallon great venom in him?
-
-_Mrs. Tully:_ You may be sure he had some cause. Why would he have
-made an end of him if he had not? (_To Mrs. Tarpey, raising her
-voice._) What was it rose the dispute at all, Mrs. Tarpey?
-
-_Mrs. Tarpey:_ Not a one of me knows. The last I saw of them, Jack
-Smith was standing there, and Bartley Fallon was standing there, quiet
-and easy, and he listening to "The Red-haired Man's Wife."
-
-_Mrs. Tully:_ Do you hear that, Tim Casey? Do you hear that, Shawn
-Early and James Ryan? Bartley Fallon was here this morning listening
-to red Jack Smith's wife, Kitty Keary that was! Listening to her and
-whispering with her! It was she started the fight so!
-
-_Shawn Early:_ She must have followed him from her own house. It is
-likely some person roused him.
-
-_Tim Casey:_ I never knew, before, Bartley Fallon was great with Jack
-Smith's wife.
-
-_Mrs. Tully:_ How would you know it? Sure it's not in the streets they
-would be calling it. If Mrs. Fallon didn't know of it, and if I that
-have the next house to them didn't know of it, and if Jack Smith
-himself didn't know of it, it is not likely you would know of it, Tim
-Casey.
-
-_Shawn Early:_ Let Bartley Fallon take charge of her from this out so,
-and let him provide for her. It is little pity she will get from any
-person in this parish.
-
-_Tim Casey:_ How can he take charge of her? Sure he has a wife of his
-own. Sure you don't think he'd turn souper and marry her in a
-Protestant church?
-
-_James Ryan:_ It would be easy for him to marry her if he brought her
-to America.
-
-_Shawn Early:_ With or without Kitty Keary, believe me it is for
-America he's making at this minute. I saw the new magistrate and Jo
-Muldoon of the police going into the post-office as I came up--there
-was hurry on them--you may be sure it was to telegraph they went, the
-way he'll be stopped in the docks at Queenstown!
-
-_Mrs. Tully:_ It's likely Kitty Keary is gone with him, and not
-minding a sheet or a wake at all. The poor man, to be deserted by his
-own wife, and the breath hardly gone out yet from his body that is
-lying bloody in the field!
-
- (_Enter Mrs. Fallon._)
-
-_Mrs. Fallon:_ What is it the whole of the town is talking about? And
-what is it you yourselves are talking about? Is it about my man
-Bartley Fallon you are talking? Is it lies about him you are telling,
-saying that he went killing Jack Smith? My grief that ever he came
-into this place at all!
-
-_James Ryan:_ Be easy now, Mrs. Fallon. Sure there is no one at all in
-the whole fair but is sorry for you!
-
-_Mrs. Fallon:_ Sorry for me, is it? Why would any one be sorry for me?
-Let you be sorry for yourselves, and that there may be shame on you
-for ever and at the day of judgment, for the words you are saying and
-the lies you are telling to take away the character of my poor man,
-and to take the good name off of him, and to drive him to destruction!
-That is what you are doing!
-
-_Shawn Early:_ Take comfort now, Mrs. Fallon. The police are not so
-smart as they think. Sure he might give them the slip yet, the same as
-Lynchehaun.
-
-_Mrs. Tully:_ If they do get him, and if they do put a rope around his
-neck, there is no one can say he does not deserve it!
-
-_Mrs. Fallon:_ Is that what you are saying, Bridget Tully, and is that
-what you think? I tell you it's too much talk you have, making
-yourself out to be such a great one, and to be running down every
-respectable person! A rope, is it? It isn't much of a rope was needed
-to tie up your own furniture the day you came into Martin Tully's
-house, and you never bringing as much as a blanket, or a penny, or a
-suit of clothes with you and I myself bringing seventy pounds and two
-feather beds. And now you are stiffer than a woman would have a
-hundred pounds! It is too much talk the whole of you have. A rope is
-it? I tell you the whole of this town is full of liars and schemers
-that would hang you up for half a glass of whiskey. (_Turning to go._)
-People they are you wouldn't believe as much as daylight from without
-you'd get up to have a look at it yourself. Killing Jack Smith indeed!
-Where are you at all, Bartley, till I bring you out of this? My nice
-quiet little man! My decent comrade! He that is as kind and as
-harmless as an innocent beast of the field! He'll be doing no harm at
-all if he'll shed the blood of some of you after this day's work! That
-much would be no harm at all. (_Calls out._) Bartley! Bartley Fallon!
-Where are you? (_Going out._) Did any one see Bartley Fallon?
-
- (_All turn to look after her._)
-
-_James Ryan:_ It is hard for her to believe any such a thing, God help
-her!
-
- (_Enter Bartley Fallon from right, carrying hayfork._)
-
-_Bartley:_ It is what I often said to myself, if there is ever any
-misfortune coming to this world it is on myself it is sure to come!
-
- (_All turn round and face him._)
-
-_Bartley:_ To be going about with this fork and to find no one to take
-it, and no place to leave it down, and I wanting to be gone out of
-this--Is that you, Shawn Early? (_Holds out fork._) It's well I met
-you. You have no call to be leaving the fair for a while the way I
-have, and how can I go till I'm rid of this fork? Will you take it and
-keep it until such time as Jack Smith----
-
-_Shawn Early:_ (_Backing._) I will not take it, Bartley Fallon, I'm
-very thankful to you!
-
-_Bartley:_ (_Turning to apple stall._) Look at it now, Mrs. Tarpey, it
-was here I got it; let me thrust it in under the stall. It will lie
-there safe enough, and no one will take notice of it until such time
-as Jack Smith----
-
-_Mrs. Tarpey:_ Take your fork out of that! Is it to put trouble on me
-and to destroy me you want? Putting it there for the police to be
-rooting it out maybe. (_Thrusts him back._)
-
-_Bartley:_ That is a very unneighbourly thing for you to do, Mrs.
-Tarpey. Hadn't I enough care on me with that fork before this, running
-up and down with it like the swinging of a clock, and afeard to lay it
-down in any place! I wish I never touched it or meddled with it at
-all!
-
-_James Ryan:_ It is a pity, indeed, you ever did.
-
-_Bartley:_ Will you yourself take it, James Ryan? You were always a
-neighbourly man.
-
-_James Ryan:_ (_Backing._) There is many a thing I would do for you,
-Bartley Fallon, but I won't do that!
-
-_Shawn Early:_ I tell you there is no man will give you any help or
-any encouragement for this day's work. If it was something agrarian
-now----
-
-_Bartley:_ If no one at all will take it, maybe it's best to give it
-up to the police.
-
-_Tim Casey:_ There'd be a welcome for it with them surely!
-(_Laughter._)
-
-_Mrs. Tully:_ And it is to the police Kitty Keary herself will be
-brought.
-
-_Mrs. Tarpey:_ (_Rocking to and fro._) I wonder now who will take the
-expense of the wake for poor Jack Smith?
-
-_Bartley:_ The wake for Jack Smith!
-
-_Tim Casey:_ Why wouldn't he get a wake as well as another? Would you
-begrudge him that much?
-
-_Bartley:_ Red Jack Smith dead! Who was telling you?
-
-_Shawn Early:_ The whole town knows of it by this.
-
-_Bartley:_ Do they say what way did he die?
-
-_James Ryan:_ You don't know that yourself, I suppose, Bartley Fallon?
-You don't know he was followed and that he was laid dead with the stab
-of a hayfork?
-
-_Bartley:_ The stab of a hayfork!
-
-_Shawn Early:_ You don't know, I suppose, that the body was found in
-the Five Acre Meadow?
-
-_Bartley:_ The Five Acre Meadow!
-
-_Tim Casey:_ It is likely you don't know that the police are after the
-man that did it?
-
-_Bartley:_ The man that did it!
-
-_Mrs. Tully:_ You don't know, maybe, that he was made away with for
-the sake of Kitty Keary, his wife?
-
-_Bartley:_ Kitty Keary, his wife!
-
- (_Sits down bewildered._)
-
-_Mrs. Tully:_ And what have you to say now, Bartley Fallon?
-
-_Bartley:_ (_Crossing himself._) I to bring that fork here, and to
-find that news before me! It is much if I can ever stir from this
-place at all, or reach as far as the road!
-
-_Tim Casey:_ Look, boys, at the new magistrate, and Jo Muldoon along
-with him! It's best for us to quit this.
-
-_Shawn Early:_ That is so. It is best not to be mixed in this business
-at all.
-
-_James Ryan:_ Bad as he is, I wouldn't like to be an informer against
-any man.
-
- (_All hurry away except Mrs. Tarpey, who remains behind her
- stall. Enter magistrate and policeman._)
-
-_Magistrate:_ I knew the district was in a bad state, but I did not
-expect to be confronted with a murder at the first fair I came to.
-
-_Policeman:_ I am sure you did not, indeed.
-
-_Magistrate:_ It was well I had not gone home. I caught a few words
-here and there that roused my suspicions.
-
-_Policeman:_ So they would, too.
-
-_Magistrate:_ You heard the same story from everyone you asked?
-
-_Policeman:_ The same story--or if it was not altogether the same,
-anyway it was no less than the first story.
-
-_Magistrate:_ What is that man doing? He is sitting alone with a
-hayfork. He has a guilty look. The murder was done with a hayfork!
-
-_Policeman:_ (_In a whisper._) That's the very man they say did the
-act; Bartley Fallon himself!
-
-_Magistrate:_ He must have found escape difficult--he is trying to
-brazen it out. A convict in the Andaman Islands tried the same game,
-but he could not escape my system! Stand aside--Don't go far--have the
-handcuffs ready. (_He walks up to Bartley, folds his arms, and stands
-before him._) Here, my man, do you know anything of John Smith?
-
-_Bartley:_ Of John Smith! Who is he, now?
-
-_Policeman:_ Jack Smith, sir--Red Jack Smith!
-
-_Magistrate:_ (_Coming a step nearer and tapping him on the
-shoulder._) Where is Jack Smith?
-
-_Bartley:_ (_With a deep sigh, and shaking his head slowly._) Where is
-he, indeed?
-
-_Magistrate:_ What have you to tell?
-
-_Bartley:_ It is where he was this morning, standing in this spot,
-singing his share of songs--no, but lighting his pipe--scraping a match
-on the sole of his shoe----
-
-_Magistrate:_ I ask you, for the third time, where is he?
-
-_Bartley:_ I wouldn't like to say that. It is a great mystery, and it
-is hard to say of any man, did he earn hatred or love.
-
-_Magistrate:_ Tell me all you know.
-
-_Bartley:_ All that I know--Well, there are the three estates; there is
-Limbo, and there is Purgatory, and there is----
-
-_Magistrate:_ Nonsense! This is trifling! Get to the point.
-
-_Bartley:_ Maybe you don't hold with the clergy so? That is the
-teaching of the clergy. Maybe you hold with the old people. It is what
-they do be saying, that the shadow goes wandering, and the soul is
-tired, and the body is taking a rest--The shadow! (_Starts up._) I was
-nearly sure I saw Jack Smith not ten minutes ago at the corner of the
-forge, and I lost him again--Was it his ghost I saw, do you think?
-
-_Magistrate:_ (_To policeman._) Conscience-struck! He will confess all
-now!
-
-_Bartley:_ His ghost to come before me! It is likely it was on account
-of the fork! I to have it and he to have no way to defend himself the
-time he met with his death!
-
-_Magistrate:_ (_To policeman._) I must note down his words. (_Takes
-out notebook._) (_To Bartley:_) I warn you that your words are being
-noted.
-
-_Bartley:_ If I had ha' run faster in the beginning, this terror would
-not be on me at the latter end! Maybe he will cast it up against me at
-the day of judgment--I wouldn't wonder at all at that.
-
-_Magistrate:_ (_Writing._) At the day of judgment----
-
-_Bartley:_ It was soon for his ghost to appear to me--is it coming
-after me always by day it will be, and stripping the clothes off in
-the night time?--I wouldn't wonder at all at that, being as I am an
-unfortunate man!
-
-_Magistrate:_ (_Sternly._) Tell me this truly. What was the motive of
-this crime?
-
-_Bartley:_ The motive, is it?
-
-_Magistrate:_ Yes; the motive; the cause.
-
-_Bartley:_ I'd sooner not say that.
-
-_Magistrate:_ You had better tell me truly. Was it money?
-
-_Bartley:_ Not at all! What did poor Jack Smith ever have in his
-pockets unless it might be his hands that would be in them?
-
-_Magistrate:_ Any dispute about land?
-
-_Bartley:_ (_Indignantly._) Not at all! He never was a grabber or
-grabbed from any one!
-
-_Magistrate:_ You will find it better for you if you tell me at once.
-
-_Bartley:_ I tell you I wouldn't for the whole world wish to say what
-it was--it is a thing I would not like to be talking about.
-
-_Magistrate:_ There is no use in hiding it. It will be discovered in
-the end.
-
-_Bartley:_ Well, I suppose it will, seeing that mostly everybody knows
-it before. Whisper here now. I will tell no lie; where would be the
-use? (_Puts his hand to his mouth, and Magistrate stoops._) Don't be
-putting the blame on the parish, for such a thing was never done in
-the parish before--it was done for the sake of Kitty Keary, Jack
-Smith's wife.
-
-_Magistrate:_ (_To policeman._) Put on the handcuffs. We have been
-saved some trouble. I knew he would confess if taken in the right way.
-
- (_Policeman puts on handcuffs_.)
-
-_Bartley:_ Handcuffs now! Glory be! I always said, if there was ever
-any misfortune coming to this place it was on myself it would fall. I
-to be in handcuffs! There's no wonder at all in that.
-
- (_Enter Mrs. Fallon, followed by the rest. She is looking back
- at them as she speaks._)
-
-_Mrs. Fallon:_ Telling lies the whole of the people of this town are;
-telling lies, telling lies as fast as a dog will trot! Speaking
-against my poor respectable man! Saying he made an end of Jack Smith!
-My decent comrade! There is no better man and no kinder man in the
-whole of the five parishes! It's little annoyance he ever gave to any
-one! (_Turns and sees him._) What in the earthly world do I see before
-me? Bartley Fallon in charge of the police! Handcuffs on him! O
-Bartley, what did you do at all at all?
-
-_Bartley:_ O Mary, there has a great misfortune come upon me! It is
-what I always said, that if there is ever any misfortune----
-
-_Mrs. Fallon:_ What did he do at all, or is it bewitched I am?
-
-_Magistrate:_ This man has been arrested on a charge of murder.
-
-_Mrs. Fallon:_ Whose charge is that? Don't believe them! They are all
-liars in this place! Give me back my man!
-
-_Magistrate_. It is natural you should take his part, but you have no
-cause of complaint against your neighbours. He has been arrested for
-the murder of John Smith, on his own confession.
-
-_Mrs. Fallon:_ The saints of heaven protect us! And what did he want
-killing Jack Smith?
-
-_Magistrate:_ It is best you should know all. He did it on account of
-a love affair with the murdered man's wife.
-
-_Mrs. Fallon:_ (_Sitting down._) With Jack Smith's wife! With Kitty
-Keary!--Ochone, the traitor!
-
-_The Crowd:_ A great shame, indeed. He is a traitor, indeed.
-
-_Mrs. Tully:_ To America he was bringing her, Mrs. Fallon.
-
-_Bartley:_ What are you saying, Mary? I tell you----
-
-_Mrs. Fallon:_ Don't say a word! I won't listen to any word you'll
-say! (_Stops her ears._) O, isn't he the treacherous villain? Ohone go
-deo!
-
-_Bartley:_ Be quiet till I speak! Listen to what I say!
-
-_Mrs. Fallon:_ Sitting beside me on the ass car coming to the town, so
-quiet and so respectable, and treachery like that in his heart!
-
-_Bartley:_ Is it your wits you have lost or is it I myself that have
-lost my wits?
-
-_Mrs. Fallon:_ And it's hard I earned you, slaving, slaving--and you
-grumbling, and sighing, and coughing, and discontented, and the priest
-wore out anointing you, with all the times you threatened to die!
-
-_Bartley:_ Let you be quiet till I tell you!
-
-_Mrs. Fallon:_ You to bring such a disgrace into the parish. A thing
-that was never heard of before!
-
-_Bartley:_ Will you shut your mouth and hear me speaking?
-
-_Mrs. Fallon:_ And if it was for any sort of a fine handsome woman,
-but for a little fistful of a woman like Kitty Keary, that's not four
-feet high hardly, and not three teeth in her head unless she got new
-ones! May God reward you, Bartley Fallon, for the black treachery in
-your heart and the wickedness in your mind, and the red blood of poor
-Jack Smith that is wet upon your hand! (_Voice of Jack Smith heard
-singing._)
-
- The sea shall be dry,
- The earth under mourning and ban!
- Then loud shall he cry
- For the wife of the red-haired man!
-
-_Bartley:_ It's Jack Smith's voice--I never knew a ghost to sing
-before----. It is after myself and the fork he is coming! (_Goes back.
-Enter Jack Smith._) Let one of you give him the fork and I will be
-clear of him now and for eternity!
-
-_Mrs. Tarpey:_ The Lord have mercy on us! Red Jack Smith! The man that
-was going to be waked!
-
-_James Ryan:_ Is it back from the grave you are come?
-
-_Shawn Early:_ Is it alive you are, or is it dead you are?
-
-_Tim Casey:_ Is it yourself at all that's in it?
-
-_Mrs. Tully:_ Is it letting on you were to be dead?
-
-_Mrs. Fallon:_ Dead or alive, let you stop Kitty Keary, your wife,
-from bringing my man away with her to America!
-
-_Jack Smith:_ It is what I think, the wits are gone astray on the
-whole of you. What would my wife want bringing Bartley Fallon to
-America?
-
-_Mrs. Fallon:_ To leave yourself, and to get quit of you she wants,
-Jack Smith, and to bring him away from myself. That's what the two of
-them had settled together.
-
-_Jack Smith:_ I'll break the head of any man that says that! Who is it
-says it? (_To Tim Casey:_) Was it you said it? (_To Shawn Early:_) Was
-it you?
-
-_All together:_ (_Backing and shaking their heads._) It wasn't I said
-it!
-
-_Jack Smith:_ Tell me the name of any man that said it!
-
-_All together:_ (_Pointing to Bartley._) It was _him_ that said it!
-
-_Jack Smith:_ Let me at him till I break his head!
-
- (_Bartley backs in terror. Neighbours hold Jack Smith back._)
-
-_Jack Smith:_ (_Trying to free himself._) Let me at him! Isn't he the
-pleasant sort of a scarecrow for any woman to be crossing the ocean
-with! It's back from the docks of New York he'd be turned (_trying to
-rush at him again_), with a lie in his mouth and treachery in his
-heart, and another man's wife by his side, and he passing her off as
-his own! Let me at him can't you.
-
- (_Makes another rush, but is held back._)
-
-_Magistrate:_ (_Pointing to Jack Smith._) Policeman, put the handcuffs
-on this man. I see it all now. A case of false impersonation, a
-conspiracy to defeat the ends of justice. There was a case in the
-Andaman Islands, a murderer of the Mopsa tribe, a religious
-enthusiast----
-
-_Policeman:_ So he might be, too.
-
-_Magistrate:_ We must take both these men to the scene of the murder.
-We must confront them with the body of the real Jack Smith.
-
-_Jack Smith:_ I'll break the head of any man that will find my dead
-body!
-
-_Magistrate:_ I'll call more help from the barracks. (_Blows
-Policeman's whistle._)
-
-_Bartley:_ It is what I am thinking, if myself and Jack Smith are put
-together in the one cell for the night, the handcuffs will be taken
-off him, and his hands will be free, and murder will be done that time
-surely!
-
-_Magistrate:_ Come on! (_They turn to the right._)
-
-
-
-
-HYACINTH HALVEY
-
-
-PERSONS
-
- _Hyacinth Halvey._
- _James Quirke, a butcher._
- _Fardy Farrell, a telegraph boy._
- _Sergeant Carden._
- _Mrs. Delane, Postmistress at Cloon._
- _Miss Joyce, the Priest's House-keeper._
-
-
-HYACINTH HALVEY
-
-
- _Scene: Outside the Post Office at the little town of Cloon.
- Mrs. Delane at Post Office door. Mr. Quirke sitting on a chair
- at butcher's door. A dead sheep hanging beside it, and a thrush
- in a cage above. Fardy Farrell playing on a mouth organ. Train
- whistle heard._
-
-_Mrs. Delane:_ There is the four o'clock train, Mr. Quirke.
-
-_Mr. Quirke:_ Is it now, Mrs. Delane, and I not long after rising? It
-makes a man drowsy to be doing the half of his work in the night time.
-Going about the country, looking for little stags of sheep, striving
-to knock a few shillings together. That contract for the soldiers
-gives me a great deal to attend to.
-
-_Mrs. Delane:_ I suppose so. It's hard enough on myself to be down
-ready for the mail car in the morning, sorting letters in the half
-dark. It's often I haven't time to look who are the letters from--or
-the cards.
-
-_Mr. Quirke:_ It would be a pity you not to know any little news might
-be knocking about. If you did not have information of what is going
-on who should have it? Was it you, ma'am, was telling me that the new
-Sub-Sanitary Inspector would be arriving to-day?
-
-_Mrs. Delane:_ To-day it is he is coming, and it's likely he was in
-that train. There was a card about him to Sergeant Carden this
-morning.
-
-_Mr. Quirke:_ A young chap from Carrow they were saying he was.
-
-_Mrs. Delane:_ So he is, one Hyacinth Halvey; and indeed if all that
-is said of him is true, or if a quarter of it is true, he will be a
-credit to this town.
-
-_Mr. Quirke:_ Is that so?
-
-_Mrs. Delane:_ Testimonials he has by the score. To Father Gregan they
-were sent. Registered they were coming and going. Would you believe me
-telling you that they weighed up to three pounds?
-
-_Mr. Quirke:_ There must be great bulk in them indeed.
-
-_Mrs. Delane:_ It is no wonder he to get the job. He must have a great
-character so many persons to write for him as what there did.
-
-_Fardy:_ It would be a great thing to have a character like that.
-
-_Mrs. Delane:_ Indeed I am thinking it will be long before you will
-get the like of it, Fardy Farrell.
-
-_Fardy:_ If I had the like of that of a character it is not here
-carrying messages I would be. It's in Noonan's Hotel I would be,
-driving cars.
-
-_Mr. Quirke:_ Here is the priest's housekeeper coming.
-
-_Mrs. Delane:_ So she is; and there is the Sergeant a little while
-after her.
-
- (_Enter Miss Joyce._)
-
-_Mrs. Delane:_ Good-evening to you, Miss Joyce. What way is his
-Reverence to-day? Did he get any ease from the cough?
-
-_Miss Joyce:_ He did not indeed, Mrs. Delane. He has it sticking to
-him yet. Smothering he is in the night time. The most thing he comes
-short in is the voice.
-
-_Mrs. Delane:_ I am sorry, now, to hear that. He should mind himself
-well.
-
-_Miss Joyce:_ It's easy to say let him mind himself. What do you say
-to him going to the meeting to-night? (_Sergeant comes in._) It's for
-his Reverence's _Freeman_ I am come, Mrs. Delane.
-
-_Mrs. Delane:_ Here it is ready. I was just throwing an eye on it to
-see was there any news. Good-evening, Sergeant.
-
-_Sergeant:_ (_Holding up a placard._) I brought this notice, Mrs.
-Delane, the announcement of the meeting to be held to-night in the
-Courthouse. You might put it up here convenient to the window. I hope
-you are coming to it yourself?
-
-_Mrs. Delane:_ I will come, and welcome. I would do more than that for
-you, Sergeant.
-
-_Sergeant:_ And you, Mr. Quirke.
-
-_Mr. Quirke:_ I'll come, to be sure. I forget what's this the meeting
-is about.
-
-_Sergeant:_ The Department of Agriculture is sending round a lecturer
-in furtherance of the moral development of the rural classes.
-(_Reads._) "A lecture will be given this evening in Cloon Courthouse,
-illustrated by magic lantern slides--" Those will not be in it; I am
-informed they were all broken in the first journey, the railway
-company taking them to be eggs. The subject of the lecture is "The
-Building of Character."
-
-_Mrs. Delane:_ Very nice, indeed. I knew a girl lost her character,
-and she washed her feet in a blessed well after, and it dried up on
-the minute.
-
-_Sergeant:_ The arrangements have all been left to me, the Archdeacon
-being away. He knows I have a good intellect for things of the sort.
-But the loss of those slides puts a man out. The thing people will not
-see it is not likely it is the thing they will believe. I saw what
-they call tableaux--standing pictures, you know--one time in Dundrum----
-
-_Mrs. Delane:_ Miss Joyce was saying Father Gregan is supporting you.
-
-_Sergeant:_ I am accepting his assistance. No bigotry about me when
-there is a question of the welfare of any fellow-creatures. Orange and
-green will stand together to-night. I myself and the station-master
-on the one side; your parish priest in the chair.
-
-_Miss Joyce:_ If his Reverence would mind me he would not quit the
-house to-night. He is no more fit to go speak at a meeting than
-(_pointing to the one hanging outside Quirke's door_) that sheep.
-
-_Sergeant:_ I am willing to take the responsibility. He will have no
-speaking to do at all, unless it might be to bid them give the
-lecturer a hearing. The loss of those slides now is a great annoyance
-to me--and no time for anything. The lecturer will be coming by the
-next train.
-
-_Miss Joyce:_ Who is this coming up the street, Mrs. Delane?
-
-_Mrs. Delane:_ I wouldn't doubt it to be the new Sub-Sanitary
-Inspector. Was I telling you of the weight of the testimonials he got,
-Miss Joyce?
-
-_Miss Joyce:_ Sure I heard the curate reading them to his Reverence.
-He must be a wonder for principles.
-
-_Mrs. Delane:_ Indeed it is what I was saying to myself, he must be a
-very saintly young man.
-
- (_Enter Hyacinth Halvey. He carries a small bag and a large
- brown paper parcel. He stops and nods bashfully._)
-
-_Hyacinth:_ Good-evening to you. I was bid to come to the post
-office----
-
-_Sergeant:_ I suppose you are Hyacinth Halvey? I had a letter about
-you from the Resident Magistrate.
-
-_Hyacinth:_ I heard he was writing. It was my mother got a friend he
-deals with to ask him.
-
-_Sergeant:_ He gives you a very high character.
-
-_Hyacinth:_ It is very kind of him indeed, and he not knowing me at
-all. But indeed all the neighbours were very friendly. Anything any
-one could do to help me they did it.
-
-_Mrs. Delane:_ I'll engage it is the testimonals you have in your
-parcel? I know the wrapping paper, but they grew in bulk since I
-handled them.
-
-_Hyacinth:_ Indeed I was getting them to the last. There was not one
-refused me. It is what my mother was saying, a good character is no
-burden.
-
-_Fardy:_ I would believe that indeed.
-
-_Sergeant:_ Let us have a look at the testimonials.
-
- (_Hyacinth Halvey opens parcel, and a large number of envelopes
- fall out._)
-
-_Sergeant:_ (_Opening and reading one by one_). "He possesses the fire
-of the Gael, the strength of the Norman, the vigour of the Dane, the
-stolidity of the Saxon"----
-
-_Hyacinth:_ It was the Chairman of the Poor Law Guardians wrote that.
-
-_Sergeant:_ "A magnificent example to old and young"----
-
-_Hyacinth:_ That was the Secretary of the DeWet Hurling Club----
-
-_Sergeant:_ "A shining example of the value conferred by an eminently
-careful and high class education"----
-
-_Hyacinth:_ That was the National Schoolmaster.
-
-_Sergeant:_ "Devoted to the highest ideals of his Mother-land to such
-an extent as is compatible with a hitherto non-parliamentary
-career"----
-
-_Hyacinth:_ That was the Member for Carrow.
-
-_Sergeant:_ "A splendid exponent of the purity of the race"----
-
-_Hyacinth:_ The Editor of the _Carrow Champion_.
-
-_Sergeant:_ "Admirably adapted for the efficient discharge of all
-possible duties that may in future be laid upon him"----
-
-_Hyacinth:_ The new Station-master.
-
-_Sergeant:_ "A champion of every cause that can legitimately benefit
-his fellow-creatures"---- Why, look here, my man, you are the very one
-to come to our assistance to-night.
-
-_Hyacinth:_ I would be glad to do that. What way can I do it?
-
-_Sergeant:_ You are a newcomer--your example would carry weight--you
-must stand up as a living proof of the beneficial effect of a high
-character, moral fibre, temperance--there is something about it here I
-am sure--(_Looks._) I am sure I saw "unparalleled temperance" in some
-place----
-
-_Hyacinth:_ It was my mother's cousin wrote that--I am no drinker, but
-I haven't the pledge taken----
-
-_Sergeant:_ You might take it for the purpose.
-
-_Mr. Quirke:_ (_Eagerly._) Here is an anti-treating button. I was made
-a present of it by one of my customers--I'll give it to you (_sticks it
-in Hyacinth's coat_) and welcome.
-
-_Sergeant:_ That is it. You can wear the button on the platform--or a
-bit of blue ribbon--hundreds will follow your example--I know the boys
-from the Workhouse will----
-
-_Hyacinth:_ I am in no way wishful to be an example----
-
-_Sergeant:_ I will read extracts from the testimonials. "There he is,"
-I will say, "an example of one in early life who by his own unaided
-efforts and his high character has obtained a profitable
-situation"--(_Slaps his side._) I know what I'll do. I'll engage a few
-corner-boys from Noonan's bar, just as they are, greasy and sodden, to
-stand in a group--there will be the contrast--The sight will deter
-others from a similar fate--That's the way to do a tableau--I knew I
-could turn out a success.
-
-_Hyacinth:_ I wouldn't like to be a contrast---
-
-_Sergeant:_ (_Puts testimonials in his pocket._) I will go now and
-engage those lads--sixpence each, and well worth it--Nothing like an
-example for the rural classes.
-
- (_Goes off, Hyacinth feebly trying to detain him._)
-
-_Mrs. Delane:_ A very nice man indeed. A little high up in himself,
-may be. I'm not one that blames the police. Sure they have their own
-bread to earn like every other one. And indeed it is often they will
-let a thing pass.
-
-_Mr. Quirke:_ (_Gloomily._) Sometimes they will, and more times they
-will not.
-
-_Miss Joyce:_ And where will you be finding a lodging, Mr. Halvey?
-
-_Hyacinth:_ I was going to ask that myself, ma'am. I don't know the
-town.
-
-_Miss Joyce:_ I know of a good lodging, but it is only a very good man
-would be taken into it.
-
-_Mrs. Delane:_ Sure there could be no objection there to Mr. Halvey.
-There is no appearance on him but what is good, and the Sergeant after
-taking him up the way he is doing.
-
-_Miss Joyce:_ You will be near to the Sergeant in the lodging I speak
-of. The house is convenient to the barracks.
-
-_Hyacinth:_ (_Doubtfully._) To the barracks?
-
-_Miss Joyce:_ Alongside of it and the barrack yard behind. And that's
-not all. It is opposite to the priest's house.
-
-_Hyacinth:_ Opposite, is it?
-
-_Miss Joyce:_ A very respectable place, indeed, and a very clean room
-you will get. I know it well. The curate can see into it from his
-window.
-
-_Hyacinth:_ Can he now?
-
-_Fardy:_ There was a good many, I am thinking, went into that lodging
-and left it after.
-
-_Miss Joyce:_ (_Sharply._) It is a lodging you will never be let into
-or let stop in, Fardy. If they did go they were a good riddance.
-
-_Fardy:_ John Hart, the plumber, left it----
-
-_Miss Joyce:_ If he did it was because he dared not pass the police
-coming in, as he used, with a rabbit he was after snaring in his hand.
-
-_Fardy:_ The schoolmaster himself left it.
-
-_Miss Joyce:_ He needn't have left it if he hadn't taken to
-card-playing. What way could you say your prayers, and shadows
-shuffling and dealing before you on the blind?
-
-_Hyacinth:_ I think maybe I'd best look around a bit before I'll
-settle in a lodging----
-
-_Miss Joyce:_ Not at all. _You_ won't be wanting to pull down the
-blind.
-
-_Mrs. Delane:_ It is not likely _you_ will be snaring rabbits.
-
-_Miss Joyce:_ Or bringing in a bottle and taking an odd glass the way
-James Kelly did.
-
-_Mrs. Delane:_ Or writing threatening notices, and the police taking a
-view of you from the rear.
-
-_Miss Joyce:_ Or going to roadside dances, or running after
-good-for-nothing young girls----
-
-_Hyacinth:_ I give you my word I'm not so harmless as you think.
-
-_Mrs. Delane:_ Would you be putting a lie on these, Mr. Halvey?
-(_Touching testimonials._) I know well the way you will be spending
-the evenings, writing letters to your relations----
-
-_Miss Joyce:_ Learning O'Growney's exercises----
-
-_Mrs. Delane:_ Sticking post cards in an album for the convent bazaar.
-
-_Miss Joyce:_ Reading the _Catholic Young Man_----
-
-_Mrs. Delane:_ Playing the melodies on a melodeon----
-
-_Miss Joyce:_ Looking at the pictures in the _Lives of the Saints_.
-I'll hurry on and engage the room for you.
-
-_Hyacinth:_ Wait. Wait a minute----
-
-_Miss Joyce:_ No trouble at all. I told you it was just opposite.
-(_Goes._)
-
-_Mr. Quirke:_ I suppose I must go upstairs and ready myself for the
-meeting. If it wasn't for the contract I have for the soldiers'
-barracks and the Sergeant's good word, I wouldn't go anear it. (_Goes
-into shop._)
-
-_Mrs. Delane:_ I should be making myself ready too. I must be in good
-time to see you being made an example of, Mr. Halvey. It is I myself
-was the first to say it; you will be a credit to the town. (_Goes._)
-
-_Hyacinth:_ (_In a tone of agony._) I wish I had never seen Cloon.
-
-_Fardy:_ What is on you?
-
-_Hyacinth:_ I wish I had never left Carrow. I wish I had been drowned
-the first day I thought of it, and I'd be better off.
-
-_Fardy:_ What is it ails you?
-
-_Hyacinth:_ I wouldn't for the best pound ever I had be in this place
-to-day.
-
-_Fardy:_ I don't know what you are talking about.
-
-_Hyacinth:_ To have left Carrow, if it was a poor place, where I had
-my comrades, and an odd spree, and a game of cards--and a coursing
-match coming on, and I promised a new greyhound from the city of
-Cork. I'll die in this place, the way I am. I'll be too much closed
-in.
-
-_Fardy:_ Sure it mightn't be as bad as what you think.
-
-_Hyacinth:_ Will you tell me, I ask you, what way can I undo it?
-
-_Fardy:_ What is it you are wanting to undo?
-
-_Hyacinth:_ Will you tell me what way can I get rid of my character?
-
-_Fardy:_ To get rid of it, is it?
-
-_Hyacinth:_ That is what I said. Aren't you after hearing the great
-character they are after putting on me?
-
-_Fardy:_ That is a good thing to have.
-
-_Hyacinth:_ It is not. It's the worst in the world. If I hadn't it, I
-wouldn't be like a prize mangold at a show with every person praising
-me.
-
-_Fardy:_ If I had it, I wouldn't be like a head in a barrel, with
-every person making hits at me.
-
-_Hyacinth:_ If I hadn't it, I wouldn't be shoved into a room with all
-the clergy watching me and the police in the back yard.
-
-_Fardy:_ If I had it, I wouldn't be but a message-carrier now, and a
-clapper scaring birds in the summer time.
-
-_Hyacinth:_ If I hadn't it, I wouldn't be wearing this button and
-brought up for an example at the meeting.
-
-_Fardy:_ (_Whistles._) Maybe you're not, so, what those papers make
-you out to be?
-
-_Hyacinth:_ How would I be what they make me out to be? Was there ever
-any person of that sort since the world was a world, unless it might
-be Saint Antony of Padua looking down from the chapel wall? If it is
-like that I was, isn't it in Mount Melleray I would be, or with the
-Friars at Esker? Why would I be living in the world at all, or doing
-the world's work?
-
-_Fardy:_ (_Taking up parcel._) Who would think, now, there would be so
-much lies in a small place like Carrow?
-
-_Hyacinth:_ It was my mother's cousin did it. He said I was not reared
-for labouring--he gave me a new suit and bid me never to come back
-again. I daren't go back to face him--the neighbours knew my mother had
-a long family--bad luck to them the day they gave me these. (_Tears
-letters and scatters them._) I'm done with testimonials. They won't be
-here to bear witness against me.
-
-_Fardy:_ The Sergeant thought them to be great. Sure he has the
-samples of them in his pocket. There's not one in the town but will
-know before morning that you are the next thing to an earthly saint.
-
-_Hyacinth:_ (_Stamping._) I'll stop their mouths. I'll show them I can
-be a terror for badness. I'll do some injury. I'll commit some crime.
-The first thing I'll do I'll go and get drunk. If I never did it
-before I'll do it now. I'll get drunk--then I'll make an assault--I tell
-you I'd think as little of taking a life as of blowing out a candle.
-
-_Fardy:_ If you get drunk you are done for. Sure that will be held up
-after as an excuse for any breaking of the law.
-
-_Hyacinth:_ I will break the law. Drunk or sober I'll break it. I'll
-do something that will have no excuse. What would you say is the worst
-crime that any man can do?
-
-_Fardy:_ I don't know. I heard the Sergeant saying one time it was to
-obstruct the police in the discharge of their duty----
-
-_Hyacinth:_ That won't do. It's a patriot I would be then, worse than
-before, with my picture in the weeklies. It's a red crime I must
-commit that will make all respectable people quit minding me. What can
-I do? Search your mind now.
-
-_Fardy:_ It's what I heard the old people saying there could be no
-worse crime than to steal a sheep----
-
-_Hyacinth:_ I'll steal a sheep--or a cow--or a horse--if that will leave
-me the way I was before.
-
-_Fardy:_ It's maybe in gaol it will leave you.
-
-_Hyacinth:_ I don't care--I'll confess--I'll tell why I did it--I give
-you my word I would as soon be picking oakum or breaking stones as to
-be perched in the daylight the same as that bird, and all the town
-chirruping to me or bidding me chirrup----
-
-_Fardy:_ There is reason in that, now.
-
-_Hyacinth:_ Help me, will you?
-
-_Fardy:_ Well, if it is to steal a sheep you want, you haven't far to
-go.
-
-_Hyacinth:_ (_Looking round wildly._) Where is it? I see no sheep.
-
-_Fardy:_ Look around you.
-
-_Hyacinth:_ I see no living thing but that thrush----
-
-_Fardy:_ Did I say it was living? What is that hanging on Quirke's
-rack?
-
-_Hyacinth:_ It's (_fingers it_) a sheep, sure enough----
-
-_Fardy:_ Well, what ails you that you can't bring it away?
-
-_Hyacinth:_ It's a dead one----
-
-_Fardy:_ What matter if it is?
-
-_Hyacinth:_ If it was living I could drive it before me----
-
-_Fardy:_ You could. Is it to your own lodging you would drive it? Sure
-everyone would take it to be a pet you brought from Carrow.
-
-_Hyacinth:_ I suppose they might.
-
-_Fardy:_ Miss Joyce sending in for news of it and it bleating behind
-the bed.
-
-_Hyacinth:_ (_Distracted_). Stop! stop!
-
-_Mrs. Delane:_ (_From upper window._) Fardy! Are you there, Fardy
-Farrell?
-
-_Fardy:_ I am, ma'am.
-
-_Mrs. Delane:_ (_From window._) Look and tell me is that the telegraph
-I hear ticking?
-
-_Fardy:_ (_Looking in at door._) It is, ma'am.
-
-_Mrs. Delane:_ Then botheration to it, and I not dressed or undressed.
-Wouldn't you say, now, it's to annoy me it is calling me down. I'm
-coming! I'm coming! (_Disappears._)
-
-_Fardy:_ Hurry on, now! hurry! She'll be coming out on you. If you are
-going to do it, do it, and if you are not, let it alone.
-
-_Hyacinth:_ I'll do it! I'll do it!
-
-_Fardy:_ (_Lifting the sheep on his back._) I'll give you a hand with
-it.
-
-_Hyacinth:_ (_Goes a step or two and turns round._) You told me no
-place where I could hide it.
-
-_Fardy:_ You needn't go far. There is the church beyond at the side of
-the Square. Go round to the ditch behind the wall--there's nettles in
-it.
-
-_Hyacinth:_ That'll do.
-
-_Fardy:_ She's coming out--run! run!
-
-Hyacinth: (_Runs a step or two._) It's slipping!
-
-_Fardy:_ Hoist it up! I'll give it a hoist! (_Halvey runs out._)
-
-_Mrs. Delane:_ (_Calling out._) What are you doing Fardy Farrell? Is
-it idling you are?
-
-_Fardy:_ Waiting I am, ma'am, for the message----
-
-_Mrs. Delane:_ Never mind the message yet. Who said it was ready?
-(_Going to door._) Go ask for the loan of--no, but ask news of--Here,
-now go bring that bag of Mr. Halvey's to the lodging Miss Joyce has
-taken----
-
-_Fardy:_ I will, ma'am. (_Takes bag and goes out._)
-
-_Mrs. Delane:_ (_Coming out with a telegram in her hand._) Nobody
-here? (_Looks round and calls cautiously._) Mr. Quirke! Mr. Quirke!
-James Quirke!
-
-_Mr. Quirke:_ (_Looking out of his upper window with soap-suddy
-face_). What is it, Mrs. Delane?
-
-_Mrs. Delane:_ (_Beckoning._) Come down here till I tell you.
-
-_Mr. Quirke:_ I cannot do that. I'm not fully shaved.
-
-_Mrs. Delane:_ You'd come if you knew the news I have.
-
-_Mr. Quirke:_ Tell it to me now. I'm not so supple as I was.
-
-_Mrs. Delane:_ Whisper now, have you an enemy in any place?
-
-_Mr. Quirke:_ It's likely I may have. A man in business----
-
-_Mrs. Delane:_ I was thinking you had one.
-
-_Mr. Quirke:_ Why would you think that at this time more than any
-other time?
-
-_Mrs. Delane:_ If you could know what is in this envelope you would
-know that, James Quirke.
-
-_Mr. Quirke:_ Is that so? And what, now, is there in it?
-
-_Mrs. Delane:_ Who do you think now is it addressed to?
-
-_Mr. Quirke:_ How would I know that, and I not seeing it?
-
-_Mrs. Delane:_ That is true. Well, it is a message from Dublin Castle
-to the Sergeant of Police!
-
-_Mr. Quirke:_ To Sergeant Carden, is it?
-
-_Mrs. Delane:_ It is. And it concerns yourself.
-
-_Mr. Quirke:_ Myself, is it? What accusation can they be bringing
-against me? I'm a peaceable man.
-
-_Mrs. Delane:_ Wait till you hear.
-
-_Mr. Quirke:_ Maybe they think I was in that moonlighting case----
-
-_Mrs. Delane:_ That is not it----
-
-_Mr. Quirke:_ I was not in it--I was but in the neighbouring
-field--cutting up a dead cow, that those never had a hand in----
-
-_Mrs. Delane:_ You're out of it----
-
-_Mr. Quirke:_ They had their faces blackened. There is no man can say
-I recognized them.
-
-_Mrs. Delane:_ That's not what they're saying----
-
-_Mr. Quirke:_ I'll swear I did not hear their voices or know them if I
-did hear them.
-
-_Mrs. Delane:_ I tell you it has nothing to do with that. It might be
-better for you if it had.
-
-_Mr. Quirke:_ What is it, so?
-
-_Mrs. Delane:_ It is an order to the Sergeant bidding him immediately
-to seize all suspicious meat in your house. There is an officer coming
-down. There are complaints from the Shannon Fort Barracks.
-
-_Mr. Quirke:_ I'll engage it was that pork.
-
-_Mrs. Delane:_ What ailed it for them to find fault?
-
-_Mr. Quirke:_ People are so hard to please nowadays, and I recommended
-them to salt it.
-
-_Mrs. Delane:_ They had a right to have minded your advice.
-
-_Mr. Quirke:_ There was nothing on that pig at all but that it went
-mad on poor O'Grady that owned it.
-
-_Mrs. Delane:_ So I heard, and went killing all before it.
-
-_Mr. Quirke:_ Sure it's only in the brain madness can be. I heard the
-doctor saying that.
-
-_Mrs. Delane:_ He should know.
-
-_Mr. Quirke:_ I give you my word I cut the head off it. I went to the
-loss of it, throwing it to the eels in the river. If they had salted
-the meat, as I advised them, what harm would it have done to any
-person on earth?
-
-_Mrs. Delane:_ I hope no harm will come on poor Mrs. Quirke and the
-family.
-
-_Mr. Quirke:_ Maybe it wasn't that but some other thing----
-
-_Mrs. Delane:_ Here is Fardy. I must send the message to the Sergeant.
-Well, Mr. Quirke, I'm glad I had the time to give you a warning.
-
-_Mr. Quirke:_ I'm obliged to you, indeed. You were always very
-neighbourly, Mrs. Delane. Don't be too quick now sending the message.
-There is just one article I would like to put away out of the house
-before the Sergeant will come. (_Enter Fardy._)
-
-_Mrs. Delane:_ Here now, Fardy--that's not the way you're going to the
-barracks. Anyone would think you were scaring birds yet. Put on your
-uniform. (_Fardy goes into office._) You have this message to bring
-to the Sergeant of Police. Get your cap now, it's under the counter.
-(_Fardy reappears, and she gives him telegram._)
-
-_Fardy:_ I'll bring it to the station. It's there he was going.
-
-_Mrs. Delane:_ You will not, but to the barracks. It can wait for him
-there.
-
- (_Fardy goes off. Mr. Quirke has appeared at door._)
-
-_Mr. Quirke:_ It was indeed a very neighbourly act, Mrs. Delane, and
-I'm obliged to you. There is just _one_ article to put out of the way.
-The Sergeant may look about him then and welcome. It's well I cleared
-the premises on yesterday. A consignment to Birmingham I sent. The
-Lord be praised isn't England a terrible country with all it consumes?
-
-_Mrs. Delane:_ Indeed you always treat the neighbours very decent, Mr.
-Quirke, not asking them to buy from you.
-
-_Mr. Quirke:_ Just one article. (_Turns to rack._) That sheep I
-brought in last night. It was for a charity indeed I bought it from
-the widow woman at Kiltartan Cross. Where would the poor make a profit
-out of their dead meat without me? Where now is it? Well, now, I could
-have swore that that sheep was hanging there on the rack when I went
-in----
-
-_Mrs. Delane:_ You must have put it in some other place.
-
-_Mr. Quirke:_ (_Going in and searching and coming out._) I did not;
-there is no other place for me to put it. Is it gone blind I am, or is
-it not in it, it is?
-
-_Mrs. Delane:_ It's not there now anyway.
-
-_Mr. Quirke:_ Didn't you take notice of it there yourself this
-morning?
-
-_Mrs. Delane:_ I have it in my mind that I did; but it's not there
-now.
-
-_Mr. Quirke:_ There was no one here could bring it away?
-
-_Mrs. Delane:_ Is it me myself you suspect of taking it, James Quirke?
-
-_Mr. Quirke:_ Where is it at all? It is certain it was not of itself
-it walked away. It was dead, and very dead, the time I bought it.
-
-_Mrs. Delane:_ I have a pleasant neighbour indeed that accuses me that
-I took his sheep. I wonder, indeed, you to say a thing like that! I to
-steal your sheep or your rack or anything that belongs to you or to
-your trade! Thank you, James Quirke. I am much obliged to you indeed.
-
-_Mr. Quirke:_ Ah, be quiet, woman; be quiet----
-
-_Mrs. Delane:_ And let me tell you, James Quirke, that I would sooner
-starve and see everyone belonging to me starve than to eat the size
-of a thimble of any joint that ever was on your rack or that ever will
-be on it, whatever the soldiers may eat that have no other thing to
-get, or the English that devour all sorts, or the poor ravenous people
-that's down by the sea! (_She turns to go into shop._)
-
-_Mr. Quirke:_ (_Stopping her._) Don't be talking foolishness, woman.
-Who said you took my meat? Give heed to me now. There must some other
-message have come. The Sergeant must have got some other message.
-
-_Mrs. Delane:_ (_Sulkily._) If there is any way for a message to come
-that is quicker than to come by the wires, tell me what it is and I'll
-be obliged to you.
-
-_Mr. Quirke:_ The Sergeant was up here making an excuse he was
-sticking up that notice. What was he doing here, I ask you?
-
-Mrs. Delane: How would I know what brought him?
-
-_Mr. Quirke:_ It is what he did; he made as if to go away--he turned
-back again and I shaving--he brought away the sheep--he will have it for
-evidence against me----
-
-_Mrs. Delane:_ (_Interested._) That might be so.
-
-_Mr. Quirke:_ I would sooner it to have been any other beast nearly
-ever I had upon the rack.
-
-_Mrs. Delane:_ Is that so?
-
-Mr. Quirke: I bade the Widow Early to kill it a fortnight ago--but she
-would not, she was that covetous!
-
-_Mrs. Delane:_ What was on it?
-
-_Mr. Quirke:_ How would I know what was on it? Whatever was on it, it
-was the will of God put it upon it--wasted it was, and shivering and
-refusing its share.
-
-_Mrs. Delane:_ The poor thing.
-
-_Mr. Quirke:_ Gone all to nothing--wore away like a flock of thread. It
-did not weigh as much as a lamb of two months.
-
-_Mrs. Delane:_ It is likely the Inspector will bring it to Dublin?
-
-_Mr. Quirke:_ The ribs of it streaky with the dint of patent
-medicines----
-
-_Mrs. Delane:_ I wonder is it to the Petty Sessions you'll be brought
-or is it to the Assizes?
-
-_Mr. Quirke:_ I'll speak up to them. I'll make my defence. What can
-the Army expect at fippence a pound?
-
-_Mrs. Delane:_ It is likely there will be no bail allowed?
-
-_Mr. Quirke:_ Would they be wanting me to give them good quality meat
-out of my own pocket? Is it to encourage them to fight the poor
-Indians and Africans they would have me? It's the Anti-Enlisting
-Societies should pay the fine for me.
-
-_Mrs. Delane:_ It's not a fine will be put on you, I'm afraid. It's
-five years in gaol you will be apt to be getting. Well, I'll try and
-be a good neighbour to poor Mrs. Quirke.
-
- (_Mr. Quirke, who has been stamping up and down, sits down and
- weeps. Halvey comes in and stands on one side._)
-
-_Mr. Quirke:_ Hadn't I heart-scalding enough before, striving to rear
-five weak children?
-
-_Mrs. Delane:_ I suppose they will be sent to the Industrial Schools?
-
-_Mr. Quirke:_ My poor wife----
-
-_Mrs. Delane:_ I'm afraid the workhouse----
-
-_Mr. Quirke:_ And she out in an ass-car at this minute helping me to
-follow my trade.
-
-_Mrs. Delane:_ I hope they will not arrest her along with you.
-
-_Mr. Quirke:_ I'll give myself up to justice. I'll plead guilty! I'll
-be recommended to mercy!
-
-_Mrs. Delane:_ It might be best for you.
-
-_Mr. Quirke:_ Who would think so great a misfortune could come upon a
-family through the bringing away of one sheep!
-
-_Hyacinth:_ (_Coming forward._) Let you make yourself easy.
-
-_Mr. Quirke:_ Easy! It's easy to say let you make yourself easy.
-
-_Hyacinth:_ I can tell you where it is.
-
-_Mr. Quirke:_ Where what is?
-
-_Hyacinth:_ The sheep you are fretting after.
-
-_Mr. Quirke:_ What do you know about it?
-
-_Hyacinth:_ I know everything about it.
-
-_Mr. Quirke:_ I suppose the Sergeant told you?
-
-_Hyacinth:_ He told me nothing.
-
-_Mr. Quirke:_ I suppose the whole town knows it, so?
-
-_Hyacinth:_ No one knows it, as yet.
-
-_Mr. Quirke:_ And the Sergeant didn't see it?
-
-_Hyacinth:_ No one saw it or brought it away but myself.
-
-_Mr. Quirke:_ Where did you put it at all?
-
-_Hyacinth:_ In the ditch behind the church wall. In among the nettles
-it is. Look at the way they have me stung. (_Holds out hands._)
-
-_Mr. Quirke:_ In the ditch! The best hiding place in the town.
-
-_Hyacinth:_ I never thought it would bring such great trouble upon
-you. You can't say anyway I did not tell you.
-
-_Mr. Quirke:_ You yourself that brought it away and that hid it! I
-suppose it was coming in the train you got information about the
-message to the police.
-
-_Hyacinth:_ What now do you say to me?
-
-_Mr. Quirke:_ Say! I say I am as glad to hear what you said as if it
-was the Lord telling me I'd be in heaven this minute.
-
-_Hyacinth:_ What are you going to do to me?
-
-_Mr. Quirke:_ Do, is it? (_Grasps his hand._) Any earthly thing you
-would wish me to do, I will do it.
-
-_Hyacinth:_ I suppose you will tell----
-
-_Mr. Quirke:_ Tell! It's I that will tell when all is quiet. It is I
-will give you the good name through the town!
-
-_Hyacinth:_ I don't well understand.
-
-_Mr. Quirke:_ (_Embracing him._) The man that preserved me!
-
-_Hyacinth:_ That preserved you?
-
-_Mr. Quirke:_ That kept me from ruin!
-
-_Hyacinth:_ From ruin?
-
-_Mr. Quirke:_ That saved me from disgrace!
-
-_Hyacinth:_ (_To Mrs. Delane._) What is he saying at all?
-
-_Mr. Quirke:_ From the Inspector!
-
-_Hyacinth:_ What is he talking about?
-
-_Mr. Quirke:_ From the magistrates!
-
-_Hyacinth:_ He is making some mistake.
-
-_Mr. Quirke:_ From the Winter Assizes!
-
-_Hyacinth:_ Is he out of his wits?
-
-_Mr. Quirke:_ Five years in gaol!
-
-_Hyacinth:_ Hasn't he the queer talk?
-
-_Mr. Quirke:_ The loss of the contract!
-
-_Hyacinth:_ Are my own wits gone astray?
-
-_Mr. Quirke:_ What way can I repay you?
-
-_Hyacinth:_ (_Shouting._) I tell you I took the sheep----
-
-_Mr. Quirke:_ You did, God reward you!
-
-_Hyacinth:_ I stole away with it----
-
-_Mr. Quirke:_ The blessing of the poor on you!
-
-_Hyacinth:_ I put it out of sight----
-
-_Mr. Quirke:_ The blessing of my five children----
-
-_Hyacinth:_ I may as well say nothing----
-
-_Mrs. Delane:_ Let you be quiet now, Quirke. Here's the Sergeant
-coming to search the shop----
-
- (_Sergeant comes in: Quirke leaves go of Halvey, who arranges
- his hat, etc._)
-
-_Sergeant:_ The Department to blazes!
-
-_Mrs. Delane:_ What is it putting you out?
-
-_Sergeant:_ To go to the train to meet the lecturer, and there to get
-a message through the guard that he was unavoidably detained in the
-South, holding an inquest on the remains of a drake.
-
-_Mrs. Delane:_ The lecturer, is it?
-
-_Sergeant:_ To be sure. What else would I be talking of? The lecturer
-has failed me, and where am I to go looking for a person that I would
-think fitting to take his place?
-
-_Mrs. Delane:_ And that's all? And you didn't get any message but the
-one?
-
-_Sergeant:_ Is that all? I am surprised at you, Mrs. Delane. Isn't it
-enough to upset a man, within three quarters of an hour of the time of
-the meeting? Where, I would ask you, am I to find a man that has
-education enough and wit enough and character enough to put up
-speaking on the platform on the minute?
-
-_Mr. Quirke:_ (_Jumps up._) It is I myself will tell you that.
-
-_Sergeant:_ You!
-
-_Mr. Quirke:_ (_Slapping Halvey on the back._) Look at here, Sergeant.
-There is not one word was said in all those papers about this young
-man before you but it is true. And there could be no good thing said
-of him that would be too good for him.
-
-_Sergeant:_ It might not be a bad idea.
-
-_Mr. Quirke:_ Whatever the paper said about him, Sergeant, I can say
-more again. It has come to my knowledge--by chance--that since he came
-to this town that young man has saved a whole family from destruction.
-
-_Sergeant:_ That is much to his credit--helping the rural classes----
-
-_Mr. Quirke:_ A family and a long family, big and little, like sods of
-turf--and they depending on a--on one that might be on his way to dark
-trouble at this minute if it was not for his assistance. Believe me,
-he is the most sensible man, and the wittiest, and the kindest, and
-the best helper of the poor that ever stood before you in this square.
-Is not that so, Mrs. Delane?
-
-_Mrs. Delane:_ It is true indeed. Where he gets his wisdom and his wit
-and his information from I don't know, unless it might be that he is
-gifted from above.
-
-_Sergeant:_ Well, Mrs. Delane, I think we have settled that question.
-Mr. Halvey, you will be the speaker at the meeting. The lecturer sent
-these notes--you can lengthen them into a speech. You can call to the
-people of Cloon to stand out, to begin the building of their
-character. I saw a lecturer do it one time at Dundrum. "Come up here,"
-he said, "Dare to be a Daniel," he said----
-
-_Hyacinth:_ I can't--I won't----
-
-_Sergeant:_ (_Looking at papers and thrusting them into his hand._)
-You will find it quite easy. I will conduct you to the platform--these
-papers before you and a glass of water--That's settled. (_Turns to
-go._) Follow me on to the Courthouse in half an hour--I must go to the
-barracks first--I heard there was a telegram--(_Calls back as he goes._)
-Don't be late, Mrs. Delane. Mind, Quirke, you promised to come.
-
-_Mrs. Delane:_ Well, it's time for me to make an end of settling
-myself--and indeed, Mr. Quirke, you'd best do the same.
-
-_Mr. Quirke:_ (_Rubbing his cheek._) I suppose so. I had best keep on
-good terms with him for the present. (_Turns._) Well, now, I had a
-great escape this day.
-
- (_Both go in as Fardy reappears whistling._)
-
-_Hyacinth:_ (_Sitting down._) I don't know in the world what has come
-upon the world that the half of the people of it should be cracked!
-
-_Fardy:_ Weren't you found out yet?
-
-_Hyacinth:_ Found out, is it? I don't know what you mean by being
-found out.
-
-_Fardy:_ Didn't he miss the sheep?
-
-_Hyacinth:_ He did, and I told him it was I took it--and what happened
-I declare to goodness I don't know--Will you look at these? (_Holds out
-notes._)
-
-_Fardy:_ Papers! Are they more testimonials?
-
-_Hyacinth:_ They are what is worse. (_Gives a hoarse laugh._) Will you
-come and see me on the platform--these in my hand--and I speaking--giving
-out advice. (_Fardy whistles._) Why didn't you tell me, the time you
-advised me to steal a sheep, that in this town it would qualify a man
-to go preaching, and the priest in the chair looking on.
-
-_Fardy:_ The time I took a few apples that had fallen off a stall,
-they did not ask me to hold a meeting. They welted me well.
-
-_Hyacinth:_ (_Looking round._) I would take apples if I could see
-them. I wish I had broke my neck before I left Carrow and I'd be
-better off! I wish I had got six months the time I was caught setting
-snares--I wish I had robbed a church.
-
-_Fardy:_ Would a Protestant church do?
-
-_Hyacinth:_ I suppose it wouldn't be so great a sin.
-
-_Fardy:_ It's likely the Sergeant would think worse of it--Anyway, if
-you want to rob one, it's the Protestant church is the handiest.
-
-_Hyacinth:_ (_Getting up._) Show me what way to do it?
-
-_Fardy:_ (_Pointing._) I was going around it a few minutes ago, to see
-might there be e'er a dog scenting the sheep, and I noticed the window
-being out.
-
-_Hyacinth:_ Out, out and out?
-
-_Fardy:_ It was, where they are putting coloured glass in it for the
-distiller----
-
-_Hyacinth:_ What good does that do me?
-
-_Fardy:_ Every good. You could go in by that window if you had some
-person to give you a hoist. Whatever riches there is to get in it
-then, you'll get them.
-
-_Hyacinth:_ I don't want riches. I'll give you all I will find if you
-will come and hoist me.
-
-_Fardy:_ Here is Miss Joyce coming to bring you to your lodging. Sure
-I brought your bag to it, the time you were away with the sheep----
-
-_Hyacinth:_ Run! Run!
-
- (_They go off. Enter Miss Joyce._)
-
-_Miss Joyce:_ Are you here, Mrs. Delane? Where, can you tell me, is
-Mr. Halvey?
-
-_Mrs. Delane:_ (_Coming out dressed._) It's likely he is gone on to
-the Courthouse. Did you hear he is to be in the chair and to make an
-address to the meeting?
-
-_Miss Joyce:_ He is getting on fast. His Reverence says he will be a
-good help in the parish. Who would think, now, there would be such a
-godly young man in a little place like Carrow!
-
- (_Enter Sergeant in a hurry, with telegram._)
-
-_Sergeant:_ What time did this telegram arrive, Mrs. Delane?
-
-_Mrs. Delane:_ I couldn't be rightly sure, Sergeant. But sure it's
-marked on it, unless the clock I have is gone wrong.
-
-_Sergeant:_ It is marked on it. And I have the time I got it marked on
-my own watch.
-
-_Mrs. Delane:_ Well, now, I wonder none of the police would have
-followed you with it from the barracks--and they with so little to
-do----
-
-_Sergeant:_ (_Looking in at Quirke's shop._) Well, I am sorry to do
-what I have to do, but duty is duty.
-
- (_He ransacks shop. Mrs. Delane looks on. Mr. Quirke puts his
- head out of window._)
-
-_Mr. Quirke:_ What is that going on inside? (_No answer._) Is there
-any one inside, I ask? (_No answer._) It must be that dog of
-Tannian's--wait till I get at him.
-
-_Mrs. Delane:_ It is Sergeant Carden, Mr. Quirke. He would seem to be
-looking for something----
-
- (_Mr. Quirke appears in shop. Sergeant comes out, makes another
- dive, taking up sacks, etc._)
-
-_Mr. Quirke:_ I'm greatly afraid I am just out of meat, Sergeant--and
-I'm sorry now to disoblige you, and you not being in the habit of
-dealing with me----
-
-_Sergeant:_ I should think not, indeed.
-
-_Mr. Quirke:_ Looking for a tender little bit of lamb, I suppose you
-are, for Mrs. Carden and the youngsters?
-
-_Sergeant:_ I am not.
-
-_Mr. Quirke:_ If I had it now, I'd be proud to offer it to you, and
-make no charge. I'll be killing a good kid to-morrow. Mrs. Carden
-might fancy a bit of it----
-
-_Sergeant:_ I have had orders to search your establishment for
-unwholesome meat, and I am come here to do it.
-
-_Mr. Quirke:_ (_Sitting down with a smile._) Is that so? Well, isn't
-it a wonder the schemers does be in the world.
-
-_Sergeant:_ It is not the first time there have been complaints.
-
-_Mr. Quirke:_ I suppose not. Well, it is on their own head it will
-fall at the last!
-
-_Sergeant:_ I have found nothing so far. _Mr. Quirke:_ I suppose not,
-indeed. What is there you could find, and it not in it?
-
-_Sergeant:_ Have you no meat at all upon the premises?
-
-_Mr. Quirke:_ I have, indeed, a nice barrel of bacon.
-
-_Sergeant:_ What way did it die?
-
-_Mr. Quirke:_ It would be hard for me to say that. American it is. How
-would I know what way they do be killing the pigs out there?
-Machinery, I suppose, they have--steam hammers----
-
-_Sergeant:_ Is there nothing else here at all?
-
-_Mr. Quirke:_ I give you my word, there is no meat living or dead in
-this place, but yourself and myself and that bird above in the cage.
-
-_Sergeant:_ Well, I must tell the Inspector I could find nothing. But
-mind yourself for the future.
-
-_Mr. Quirke:_ Thank you, Sergeant. I will do that. (_Enter Fardy. He
-stops short._)
-
-_Sergeant:_ It was you delayed that message to me, I suppose? You'd
-best mend your ways or I'll have something to say to you. (_Seizes and
-shakes him._)
-
-_Fardy:_ That's the way everyone does be faulting me. (_Whimpers._)
-
- (_The Sergeant gives him another shake. A half-crown falls out
- of his pocket._)
-
-_Miss Joyce:_ (_Picking it up._) A half-a-crown! Where, now, did you
-get that much, Fardy?
-
-_Fardy:_ Where did I get it, is it!
-
-_Miss Joyce:_ I'll engage it was in no honest way you got it.
-
-_Fardy:_ I picked it up in the street----
-
-_Miss Joyce:_ If you did, why didn't you bring it to the Sergeant or
-to his Reverence?
-
-_Mrs. Delane:_ And some poor person, may be, being at the loss of it.
-
-_Miss Joyce:_ I'd best bring it to his Reverence. Come with me, Fardy,
-till he will question you about it.
-
-_Fardy:_ It was not altogether in the street I found it----
-
-_Miss Joyce:_ There, now! I knew you got it in no good way! Tell me,
-now.
-
-_Fardy:_ It was playing pitch and toss I won it----
-
-_Miss Joyce:_ And who would play for half-crowns with the like of you,
-Fardy Farrell? Who was it, now?
-
-_Fardy:_ It was--a stranger----
-
-_Miss Joyce:_ Do you hear that? A stranger! Did you see e'er a
-stranger in this town, Mrs. Delane, or Sergeant Carden, or Mr. Quirke?
-
-_Mr. Quirke:_ Not a one.
-
-_Sergeant:_ There was no stranger here.
-
-_Mrs. Delane:_ There could not be one here without me knowing it.
-
-_Fardy:_ I tell you there was.
-
-_Miss Joyce:_ Come on, then, and tell who was he to his Reverence.
-
-_Sergeant:_ (_Taking other arm._) Or to the bench.
-
-_Fardy:_ I did get it, I tell you, from a stranger.
-
-_Sergeant:_ Where is he, so?
-
-_Fardy:_ He's in some place--not far away.
-
-_Sergeant:_ Bring me to him.
-
-_Fardy:_ He'll be coming here.
-
-_Sergeant:_ Tell me the truth and it will be better for you.
-
-_Fardy:_ (_Weeping._) Let me go and I will.
-
-_Sergeant:_ (_Letting go._) Now--who did you get it from?
-
-_Fardy:_ From that young chap came to-day, Mr. Halvey.
-
-_All:_ Mr. Halvey!
-
-_Mr. Quirke:_ (_Indignantly._) What are you saying, you young ruffian
-you? Hyacinth Halvey to be playing pitch and toss with the like of
-you!
-
-_Fardy:_ I didn't say that.
-
-_Miss Joyce:_ You did say it. You said it now.
-
-_Mr. Quirke:_ Hyacinth Halvey! The best man that ever came into this
-town!
-
-_Miss Joyce:_ Well, what lies he has!
-
-_Mr. Quirke:_ It's my belief the half-crown is a bad one. May be it's
-to pass it off it was given to him. There were tinkers in the town at
-the time of the fair. Give it here to me. (_Bites it._) No, indeed,
-it's sound enough. Here, Sergeant, it's best for you take it.
-
- (_Gives it to Sergeant, who examines it._)
-
-_Sergeant:_ Can it be? Can it be what I think it to be?
-
-_Mr. Quirke:_ What is it? What do you take it to be?
-
-_Sergeant:_ It is, it is. I know it. I know this half-crown----
-
-_Mr. Quirke:_ That is a queer thing, now.
-
-_Sergeant:_ I know it well. I have been handling it in the church for
-the last twelvemonth----
-
-_Mr. Quirke:_ Is that so?
-
-_Sergeant:_ It is the nest-egg half-crown we hand round in the
-collection plate every Sunday morning. I know it by the dint on the
-Queen's temples and the crooked scratch under her nose.
-
-_Mr. Quirke:_ (_Examining it._) So there is, too.
-
-_Sergeant:_ This is a bad business. It has been stolen from the
-church.
-
-_All:_ O! O! O!
-
-_Sergeant:_ (_Seizing Fardy._) You have robbed the church!
-
-_Fardy:_ (_Terrified._) I tell you I never did!
-
-_Sergeant:_ I have the proof of it.
-
-_Fardy:_ Say what you like! I never put a foot in it!
-
-_Sergeant:_ How did you get this, so?
-
-_Miss Joyce:_ I suppose from the stranger?
-
-_Mrs. Delane:_ I suppose it was Hyacinth Halvey gave it to you, now?
-
-_Fardy:_ It was so.
-
-_Sergeant:_ I suppose it was he robbed the church?
-
-_Fardy:_ (_Sobs._) You will not believe me if I say it.
-
-_Mr. Quirke:_ O! the young vagabond! Let me get at him!
-
-_Mrs. Delane:_ Here he is himself now!
-
- (_Hyacinth comes in. Fardy releases himself and creeps behind him._)
-
-_Mrs. Delane:_ It is time you to come, Mr. Halvey, and shut the mouth
-of this young schemer.
-
-_Miss Joyce:_ I would like you to hear what he says of you, Mr.
-Halvey. Pitch and toss, he says.
-
-_Mr. Quirke:_ Robbery, he says.
-
-_Mrs. Delane:_ Robbery of a church.
-
-_Sergeant:_ He has had a bad name long enough. Let him go to a
-reformatory now.
-
-_Fardy:_ (_Clinging to Hyacinth._) Save me, save me! I'm a poor boy
-trying to knock out a way of living; I'll be destroyed if I go to a
-reformatory. (_Kneels and clings to Hyacinth's knees._)
-
-_Hyacinth:_ I'll save you easy enough.
-
-_Fardy:_ Don't let me be gaoled!
-
-_Hyacinth:_ I am going to tell them.
-
-_Fardy:_ I'm a poor orphan----
-
-_Hyacinth:_ Will you let me speak?
-
-_Fardy:_ I'll get no more chance in the world----
-
-_Hyacinth:_ Sure I'm trying to free you----
-
-_Fardy:_ It will be tasked to me always.
-
-_Hyacinth:_ Be quiet, can't you.
-
-_Fardy:_ Don't you desert me!
-
-_Hyacinth:_ Will you be silent?
-
-_Fardy:_ Take it on yourself.
-
-_Hyacinth:_ I will if you'll let me.
-
-_Fardy:_ Tell them you did it.
-
-_Hyacinth:_ I am going to do that.
-
-_Fardy:_ Tell them it was you got in at the window.
-
-_Hyacinth:_ I will! I will!
-
-_Fardy:_ Say it was you robbed the box.
-
-_Hyacinth:_ I'll say it! I'll say it!
-
-_Fardy:_ It being open!
-
-_Hyacinth:_ Let me tell, let me tell.
-
-_Fardy:_ Of all that was in it.
-
-_Hyacinth:_ I'll tell them that.
-
-_Fardy:_ And gave it to me.
-
-_Hyacinth:_ (_Putting hand on his mouth and dragging him up._) Will
-you stop and let me speak?
-
-_Sergeant:_ We can't be wasting time. Give him here to me.
-
-_Hyacinth:_ I can't do that. He must be let alone.
-
-_Sergeant:_ (_Seizing him._) He'll be let alone in the lock-up.
-
-_Hyacinth:_ He must not be brought there.
-
-_Sergeant:_ I'll let no man get him off.
-
-_Hyacinth:_ I will get him off.
-
-_Sergeant:_ You will not!
-
-_Hyacinth:_ I will.
-
-_Sergeant:_ Do you think to buy him off?
-
-_Hyacinth:_ I will buy him off with my own confession.
-
-_Sergeant:_ And what will that be?
-
-_Hyacinth:_ It was I robbed the church.
-
-_Sergeant:_ That is likely indeed!
-
-_Hyacinth:_ Let him go, and take me. I tell you I did it.
-
-_Sergeant:_ It would take witnesses to prove that.
-
-_Hyacinth:_ (_Pointing to Fardy._) He will be witness.
-
-_Fardy:_ O! Mr. Halvey, I would not wish to do that. Get me off and I
-will say nothing.
-
-_Hyacinth:_ Sure you must. You will be put on oath in the court.
-
-_Fardy:_ I will not! I will not! All the world knows I don't
-understand the nature of an oath!
-
-_Mr. Quirke:_ (_Coming forward._) Is it blind ye all are?
-
-_Mrs. Delane:_ What are you talking about?
-
-_Mr. Quirke:_ Is it fools ye all are?
-
-_Miss Joyce:_ Speak for yourself.
-
-_Mr. Quirke:_ Is it idiots ye all are?
-
-_Sergeant:_ Mind who you're talking to.
-
-_Mr. Quirke:_ (_Seizing Hyacinth's hands._) Can't you see? Can't you
-hear? Where are your wits? Was ever such a thing seen in this town?
-
-_Mrs. Delane:_ Say out what you have to say.
-
-_Mr. Quirke:_ A walking saint he is!
-
-_Mrs. Delane:_ Maybe so.
-
-_Mr. Quirke:_ The preserver of the poor! Talk of the holy martyrs!
-They are nothing at all to what he is! Will you look at him! To save
-that poor boy he is going! To take the blame on himself he is going!
-To say he himself did the robbery he is going! Before the magistrate
-he is going! To gaol he is going! Taking the blame on his own head!
-Putting the sin on his own shoulders! Letting on to have done a
-robbery! Telling a lie--that it may be forgiven him--to his own injury!
-Doing all that I tell you to save the character of a miserable slack
-lad, that rose in poverty.
-
- (_Murmur of admiration from all._)
-
-_Mr. Quirke:_ Now, what do you say?
-
-_Sergeant:_ (_Pressing his hand._) Mr. Halvey, you have given us all a
-lesson. To please you, I will make no information against the boy.
-(_Shakes him and helps him up._) I will put back the half-crown in the
-poor-box next Sunday. (_To Fardy._) What have you to say to your
-benefactor?
-
-_Fardy:_ I'm obliged to you, Mr. Halvey. You behaved very decent to
-me, very decent indeed. I'll never let a word be said against you if I
-live to be a hundred years.
-
-_Sergeant:_ (_Wiping eyes with a blue handkerchief._) I will tell it
-at the meeting. It will be a great encouragement to them to build up
-their character. I'll tell it to the priest and he taking the chair----
-
-_Hyacinth:_ O stop, will you----
-
-_Mr. Quirke:_ The chair. It's in the chair he himself should be. It's
-in a chair we will put him now. It's to chair him through the streets
-we will. Sure he'll be an example and a blessing to the whole of the
-town. (_Seizes Halvey and seats him in chair._) Now, Sergeant, give a
-hand. Here, Fardy.
-
- (_They all lift the chair with Halvey in it, wildly protesting._)
-
-_Mr. Quirke:_ Come along now to the Courthouse. Three cheers for
-Hyacinth Halvey! Hip! hip! hoora!
-
- (_Cheers heard in the distance as the curtain drops._)
-
-
-
-
-THE RISING OF THE MOON
-
-
-PERSONS
-
- _Sergeant._
- _Policeman X._
- _Policeman B._
- _A Ragged Man._
-
-
-THE RISING OF THE MOON
-
-
- _Scene: Side of a quay in a seaport town. Some posts and
- chains. A large barrel. Enter three policemen. Moonlight._
-
-
- (_Sergeant, who is older than the others, crosses the stage to
- right and looks down steps. The others put down a pastepot and
- unroll a bundle of placards._)
-
-_Policeman B:_ I think this would be a good place to put up a notice.
-(_He points to barrel._)
-
-_Policeman X:_ Better ask him. (_Calls to Sergt._) Will this be a good
-place for a placard?
-
- (_No answer._)
-
-_Policeman B:_ Will we put up a notice here on the barrel? (_No
-answer._)
-
-_Sergeant:_ There's a flight of steps here that leads to the water.
-This is a place that should be minded well. If he got down here, his
-friends might have a boat to meet him; they might send it in here from
-outside.
-
-_Policeman B:_ Would the barrel be a good place to put a notice up?
-
-_Sergeant:_ It might; you can put it there.
-
- (_They paste the notice up._)
-
-_Sergeant:_ (_Reading it._) Dark hair--dark eyes, smooth face, height
-five feet five--there's not much to take hold of in that--It's a pity I
-had no chance of seeing him before he broke out of gaol. They say he's
-a wonder, that it's he makes all the plans for the whole organization.
-There isn't another man in Ireland would have broken gaol the way he
-did. He must have some friends among the gaolers.
-
-_Policeman B:_ A hundred pounds is little enough for the Government to
-offer for him. You may be sure any man in the force that takes him
-will get promotion.
-
-_Sergeant:_ I'll mind this place myself. I wouldn't wonder at all if
-he came this way. He might come slipping along there (_points to side
-of quay_), and his friends might be waiting for him there (_points
-down steps_), and once he got away it's little chance we'd have of
-finding him; it's maybe under a load of kelp he'd be in a fishing
-boat, and not one to help a married man that wants it to the reward.
-
-_Policeman X:_ And if we get him itself, nothing but abuse on our
-heads for it from the people, and maybe from our own relations.
-
-_Sergeant:_ Well, we have to do our duty in the force. Haven't we the
-whole country depending on us to keep law and order? It's those that
-are down would be up and those that are up would be down, if it
-wasn't for us. Well, hurry on, you have plenty of other places to
-placard yet, and come back here then to me. You can take the lantern.
-Don't be too long now. It's very lonesome here with nothing but the
-moon.
-
-_Policeman B:_ It's a pity we can't stop with you. The Government
-should have brought more police into the town, with _him_ in gaol, and
-at assize time too. Well, good luck to your watch.
-
- (_They go out._)
-
-_Sergeant:_ (_Walks up and down once or twice and looks at placard._)
-A hundred pounds and promotion sure. There must be a great deal of
-spending in a hundred pounds. It's a pity some honest man not to be
-the better of that.
-
- (_A ragged man appears at left and tries to slip past. Sergeant
- suddenly turns._)
-
-_Sergeant:_ Where are you going?
-
-_Man:_ I'm a poor ballad-singer, your honour. I thought to sell some
-of these (_holds out bundle of ballads_) to the sailors. (_He goes
-on._)
-
-_Sergeant:_ Stop! Didn't I tell you to stop? You can't go on there.
-
-_Man:_ Oh, very well. It's a hard thing to be poor. All the world's
-against the poor!
-
-_Sergeant:_ Who are you?
-
-_Man:_ You'd be as wise as myself if I told you, but I don't mind. I'm
-one Jimmy Walsh, a ballad-singer.
-
-_Sergeant:_ Jimmy Walsh? I don't know that name.
-
-_Man:_ Ah, sure, they know it well enough in Ennis. Were you ever in
-Ennis, sergeant?
-
-_Sergeant:_ What brought you here?
-
-_Man:_ Sure, it's to the assizes I came, thinking I might make a few
-shillings here or there. It's in the one train with the judges I came.
-
-_Sergeant:_ Well, if you came so far, you may as well go farther, for
-you'll walk out of this.
-
-_Man:_ I will, I will; I'll just go on where I was going. (_Goes
-towards steps._)
-
-_Sergeant:_ Come back from those steps; no one has leave to pass down
-them to-night.
-
-_Man:_ I'll just sit on the top of the steps till I see will some
-sailor buy a ballad off me that would give me my supper. They do be
-late going back to the ship. It's often I saw them in Cork carried
-down the quay in a hand-cart.
-
-_Sergeant:_ Move on, I tell you. I won't have any one lingering about
-the quay to-night.
-
-_Man:_ Well, I'll go. It's the poor have the hard life! Maybe yourself
-might like one, sergeant. Here's a good sheet now. (_Turns one over._)
-"Content and a pipe"--that's not much. "The Peeler and the goat"--you
-wouldn't like that. "Johnny Hart"--that's a lovely song.
-
-_Sergeant:_ Move on.
-
-_Man:_ Ah, wait till you hear it. (_Sings:_)
-
- There was a rich farmer's daughter lived near the town of Ross;
- She courted a Highland soldier, his name was Johnny Hart;
- Says the mother to her daughter, "I'll go distracted mad
- If you marry that Highland soldier dressed up in Highland plaid."
-
-_Sergeant:_ Stop that noise.
-
- (_Man wraps up his ballads and shuffles towards the steps_)
-
-_Sergeant:_ Where are you going?
-
-_Man:_ Sure you told me to be going, and I am going.
-
-_Sergeant:_ Don't be a fool. I didn't tell you to go that way; I told
-you to go back to the town.
-
-_Man:_ Back to the town, is it?
-
-_Sergeant:_ (_Taking him by the shoulder and shoving him before him._)
-Here, I'll show you the way. Be off with you. What are you stopping
-for?
-
-_Man:_ (_Who has been keeping his eye on the notice, points to it._) I
-think I know what you're waiting for, sergeant.
-
-_Sergeant:_ What's that to you?
-
-_Man:_ And I know well the man you're waiting for--I know him well--I'll
-be going.
-
- (_He shuffles on._)
-
-_Sergeant:_ You know him? Come back here. What sort is he?
-
-_Man:_ Come back is it, sergeant? Do you want to have me killed?
-
-_Sergeant:_ Why do you say that?
-
-_Man:_ Never mind. I'm going. I wouldn't be in your shoes if the
-reward was ten times as much. (_Goes on off stage to left_). Not if it
-was ten times as much.
-
-_Sergeant:_ (_Rushing after him._) Come back here, come back. (_Drags
-him back._) What sort is he? Where did you see him?
-
-_Man:_ I saw him in my own place, in the County Clare. I tell you you
-wouldn't like to be looking at him. You'd be afraid to be in the one
-place with him. There isn't a weapon he doesn't know the use of, and
-as to strength, his muscles are as hard as that board (_slaps
-barrel_).
-
-_Sergeant:_ Is he as bad as that?
-
-_Man:_ He is then.
-
-_Sergeant:_ Do you tell me so?
-
-_Man:_ There was a poor man in our place, a sergeant from
-Ballyvaughan.--It was with a lump of stone he did it.
-
-_Sergeant:_ I never heard of that.
-
-_Man:_ And you wouldn't, sergeant. It's not everything that happens
-gets into the papers. And there was a policeman in plain clothes,
-too.... It is in Limerick he was.... It was after the time of the
-attack on the police barrack at Kilmallock.... Moonlight ... just
-like this ... waterside.... Nothing was known for certain.
-
-_Sergeant:_ Do you say so? It's a terrible county to belong to.
-
-_Man:_ That's so, indeed! You might be standing there, looking out
-that way, thinking you saw him coming up this side of the quay
-(_points_), and he might be coming up this other side (_points_), and
-he'd be on you before you knew where you were.
-
-_Sergeant:_ It's a whole troop of police they ought to put here to
-stop a man like that.
-
-_Man:_ But if you'd like me to stop with you, I could be looking down
-this side. I could be sitting up here on this barrel.
-
-_Sergeant:_ And you know him well, too?
-
-_Man:_ I'd know him a mile off, sergeant.
-
-_Sergeant:_ But you wouldn't want to share the reward?
-
-_Man:_ Is it a poor man like me, that has to be going the roads and
-singing in fairs, to have the name on him that he took a reward? But
-you don't want me. I'll be safer in the town.
-
-_Sergeant:_ Well, you can stop.
-
-_Man:_ (_Getting up on barrel._) All right, sergeant. I wonder, now,
-you're not tired out, sergeant, walking up and down the way you are.
-
-_Sergeant:_ If I'm tired I'm used to it.
-
-_Man:_ You might have hard work before you to-night yet. Take it easy
-while you can. There's plenty of room up here on the barrel, and you
-see farther when you're higher up.
-
-_Sergeant:_ Maybe so. (_Gets up beside him on barrel, facing right.
-They sit back to back, looking different ways._) You made me feel a
-bit queer with the way you talked.
-
-_Man:_ Give me a match, sergeant (_he gives it and man lights pipe_);
-take a draw yourself? It'll quiet you. Wait now till I give you a
-light, but you needn't turn round. Don't take your eye off the quay
-for the life of you.
-
-_Sergeant:_ Never fear, I won't. (_Lights pipe. They both smoke._)
-Indeed it's a hard thing to be in the force, out at night and no
-thanks for it, for all the danger we're in. And it's little we get but
-abuse from the people, and no choice but to obey our orders, and never
-asked when a man is sent into danger, if you are a married man with a
-family.
-
-_Man:_ (_Sings_)--
-
- As through the hills I walked to view the hills and shamrock plain,
- I stood awhile where nature smiles to view the rocks and streams,
- On a matron fair I fixed my eyes beneath a fertile vale,
- As she sang her song it was on the wrong of poor old Granuaile.
-
-_Sergeant:_ Stop that; that's no song to be singing in these times.
-
-_Man:_ Ah, sergeant, I was only singing to keep my heart up. It sinks
-when I think of him. To think of us two sitting here, and he creeping
-up the quay, maybe, to get to us.
-
-_Sergeant:_ Are you keeping a good lookout?
-
-_Man:_ I am; and for no reward too. Amn't I the foolish man? But when
-I saw a man in trouble, I never could help trying to get him out of
-it. What's that? Did something hit me?
-
- (_Rubs his heart._)
-
-_Sergeant:_ (_Patting him on the shoulder._) You will get your reward
-in heaven.
-
-_Man:_ I know that, I know that, sergeant, but life is precious.
-
-_Sergeant:_ Well, you can sing if it gives you more courage.
-
-_Man:_ (_Sings_)--
-
- Her head was bare, her hands and feet with iron bands were bound,
- Her pensive strain and plaintive wail mingles with the evening gale,
- And the song she sang with mournful air, I am old Granuaile.
- Her lips so sweet that monarchs kissed....
-
-_Sergeant:_ That's not it.... "Her gown she wore was stained with
-gore." ... That's it--you missed that.
-
-_Man:_ You're right, sergeant, so it is; I missed it. (_Repeats
-line._) But to think of a man like you knowing a song like that.
-
-_Sergeant:_ There's many a thing a man might know and might not have
-any wish for.
-
-_Man:_ Now, I daresay, sergeant, in your youth, you used to be sitting
-up on a wall, the way you are sitting up on this barrel now, and the
-other lads beside you, and you singing "Granuaile"?...
-
-_Sergeant:_ I did then.
-
-_Man:_ And the "Shan Bhean Bhocht"?...
-
-_Sergeant:_ I did then.
-
-_Man:_ And the "Green on the Cape?"
-
-_Sergeant:_ That was one of them.
-
-_Man:_ And maybe the man you are watching for to-night used to be
-sitting on the wall, when he was young, and singing those same
-songs.... It's a queer world....
-
-_Sergeant:_ Whisht!... I think I see something coming.... It's only a
-dog.
-
-_Man:_ And isn't it a queer world?... Maybe it's one of the boys you
-used to be singing with that time you will be arresting to-day or
-to-morrow, and sending into the dock....
-
-_Sergeant:_ That's true indeed.
-
-_Man:_ And maybe one night, after you had been singing, if the other
-boys had told you some plan they had, some plan to free the country,
-you might have joined with them ... and maybe it is you might be in
-trouble now.
-
-_Sergeant:_ Well, who knows but I might? I had a great spirit in those
-days.
-
-_Man:_ It's a queer world, sergeant, and it's little any mother knows
-when she sees her child creeping on the floor what might happen to it
-before it has gone through its life, or who will be who in the end.
-
-_Sergeant:_ That's a queer thought now, and a true thought. Wait now
-till I think it out.... If it wasn't for the sense I have, and for my
-wife and family, and for me joining the force the time I did, it might
-be myself now would be after breaking gaol and hiding in the dark, and
-it might be him that's hiding in the dark and that got out of gaol
-would be sitting up where I am on this barrel.... And it might be
-myself would be creeping up trying to make my escape from himself, and
-it might be himself would be keeping the law, and myself would be
-breaking it, and myself would be trying maybe to put a bullet in his
-head, or to take up a lump of a stone the way you said he did ... no,
-that myself did.... Oh! (_Gasps. After a pause._) What's that?
-(_Grasps man's arm._)
-
-_Man:_ (_Jumps off barrel and listens, looking out over water._) It's
-nothing, sergeant.
-
-_Sergeant:_ I thought it might be a boat. I had a notion there might
-be friends of his coming about the quays with a boat.
-
-_Man:_ Sergeant, I am thinking it was with the people you were, and
-not with the law you were, when you were a young man.
-
-_Sergeant:_ Well, if I was foolish then, that time's gone.
-
-_Man:_ Maybe, sergeant, it comes into your head sometimes, in spite of
-your belt and your tunic, that it might have been as well for you to
-have followed Granuaile.
-
-_Sergeant:_ It's no business of yours what I think.
-
-_Man:_ Maybe, sergeant, you'll be on the side of the country yet.
-
-_Sergeant:_ (_Gets off barrel._) Don't talk to me like that. I have my
-duties and I know them. (_Looks round._) That was a boat; I hear the
-oars.
-
- (_Goes to the steps and looks down._)
-
-_Man:_ (_Sings_)--
-
- O, then, tell me, Shawn O'Farrell,
- Where the gathering is to be.
- In the old spot by the river
- Right well known to you and me!
-
-_Sergeant:_ Stop that! Stop that, I tell you!
-
-_Man:_ (_Sings louder_)--
-
- One word more, for signal token,
- Whistle up the marching tune,
- With your pike upon your shoulder,
- At the Rising of the Moon.
-
-_Sergeant:_ If you don't stop that, I'll arrest you.
-
- (_A whistle from below answers, repeating the air._)
-
-_Sergeant:_ That's a signal. (_Stands between him and steps._) You
-must not pass this way.... Step farther back.... Who are you? You are
-no ballad-singer.
-
-_Man:_ You needn't ask who I am; that placard will tell you. (_Points
-to placard._)
-
-_Sergeant:_ You are the man I am looking for.
-
-_Man:_ (_Takes off hat and wig. Sergeant seizes them._) I am. There's
-a hundred pounds on my head. There is a friend of mine below in a
-boat. He knows a safe place to bring me to.
-
-_Sergeant:_ (_Looking still at hat and wig._) It's a pity! It's a
-pity. You deceived me. You deceived me well.
-
-_Man:_ I am a friend of Granuaile. There is a hundred pounds on my
-head.
-
-_Sergeant:_ It's a pity, it's a pity!
-
-_Man:_ Will you let me pass, or must I make you let me?
-
-_Sergeant:_ I am in the force. I will not let you pass.
-
-_Man:_ I thought to do it with my tongue. (Puts hand in breast.) What
-is that?
-
- (_Voice of Policeman X outside:_) Here, this is where we left him.
-
-_Sergeant:_ It's my comrades coming.
-
-_Man:_ You won't betray me ... the friend of Granuaile. (_Slips behind
-barrel._)
-
- (_Voice of Policeman B:_) That was the last of the placards.
-
-_Policeman X:_ (_As they come in._) If he makes his escape it won't be
-unknown he'll make it.
-
- (_Sergeant puts hat and wig behind his back._)
-
-_Policeman B:_ Did any one come this way?
-
-_Sergeant:_ (_After a pause._) No one.
-
-_Policeman B:_ No one at all?
-
-_Sergeant:_ No one at all.
-
-_Policeman B:_ We had no orders to go back to the station; we can stop
-along with you.
-
-_Sergeant:_ I don't want you. There is nothing for you to do here.
-
-_Policeman B:_ You bade us to come back here and keep watch with you.
-
-_Sergeant:_ I'd sooner be alone. Would any man come this way and you
-making all that talk? It is better the place to be quiet.
-
-_Policeman B:_ Well, we'll leave you the lantern anyhow. (_Hands it to
-him._)
-
-_Sergeant:_ I don't want it. Bring it with you.
-
-_Policeman B:_ You might want it. There are clouds coming up and you
-have the darkness of the night before you yet. I'll leave it over here
-on the barrel. (_Goes to barrel._)
-
-_Sergeant:_ Bring it with you I tell you. No more talk.
-
-_Policeman B:_ Well, I thought it might be a comfort to you. I often
-think when I have it in my hand and can be flashing it about into
-every dark corner (_doing so_) that it's the same as being beside the
-fire at home, and the bits of bogwood blazing up now and again.
-
- (_Flashes it about, now on the barrel, now on Sergeant._)
-
-_Sergeant:_ (_Furious._) Be off the two of you, yourselves and your
-lantern!
-
- (_They go out. Man comes from behind barrel. He and Sergeant
- stand looking at one another._)
-
-_Sergeant:_ What are you waiting for?
-
-_Man:_ For my hat, of course, and my wig. You wouldn't wish me to get
-my death of cold?
-
- (_Sergeant gives them._)
-
-_Man:_ (_Going towards steps._) Well, good-night, comrade, and thank
-you. You did me a good turn to-night, and I'm obliged to you. Maybe
-I'll be able to do as much for you when the small rise up and the big
-fall down ... when we all change places at the Rising (_waves his hand
-and disappears_) of the Moon.
-
-_Sergeant:_ (_Turning his back to audience and reading placard._) A
-hundred pounds reward! A hundred pounds! (_Turns towards audience._) I
-wonder, now, am I as great a fool as I think I am?
-
-
-_Curtain._
-
-
-
-
-THE JACKDAW
-
-
-PERSONS
-
- JOSEPH NESTOR _An Army Pensioner._
- MICHAEL COONEY _A Farmer._
- MRS. BRODERICK _A Small Shopkeeper._
- TOMMY NALLY _A Pauper._
- SIBBY FAHY _An Orange Seller._
- TIMOTHY WARD _A Process Server._
-
-
-THE JACKDAW
-
-
- _Scene: Interior of a small general shop at Cloon. Mrs.
- Broderick sitting down. Tommy Nally sitting eating an orange
- Sibby has given him. Sibby, with basket on her arm, is looking
- out of door._
-
-
-_Sibby:_ The people are gathering to the door of the Court. The
-Magistrates will be coming there before long. Here is Timothy Ward
-coming up the street.
-
-_Timothy Ward:_ (_Coming to door._) Did you get that summons I left
-here for you ere yesterday, Mrs. Broderick?
-
-_Mrs. Broderick:_ I believe it's there in under the canister. (_Takes
-it out._) It had my mind tossed looking at it there before me. I know
-well what is in it if I made no fist of reading it itself. It's no
-wonder with all I had to go through if the reading and writing got
-scattered on me.
-
-_Ward:_ You know it is on this day you have to appear in the Court?
-
-_Mrs. Broderick:_ It isn't easy to forget that, though indeed it is
-hard for me to be keeping anything in my head these times, but maybe
-remembering to-morrow the thing I was saying to-day.
-
-_Ward:_ Up to one o'clock the magistrates will be able to attend to
-you, ma'am, before they will go out eating their meal.
-
-_Mrs. Broderick:_ Haven't I the mean, begrudging creditors now that
-would put me into the Court? Sure it's a terrible thing to go in it
-and to be bound to speak nothing but the truth. When people would meet
-with you after, they would remember your face in the Court. What way
-would they be certain was it in or outside of the dock?
-
-_Ward:_ It is not in the dock you will be put this time. And there
-will be no bodily harm done to you, but to seize your furniture and
-your goods. It's best for me to be going there myself and not to be
-wasting my time. (_Goes out._)
-
-_Mrs. Broderick:_ Many a one taking my goods on credit and I seeing
-their face no more. But nothing would satisfy the people of this
-district. Sure the great God Himself when He came down couldn't please
-everybody.
-
-_Sibby:_ I am thinking you were talking of some friend, ma'am, might
-be apt to be coming to your aid.
-
-_Mrs. Broderick:_ Well able he is to do it if the Lord would but put
-it in his mind. Isn't it a strange thing the goods of this world to
-shut up the heart of a brother from his own, the same as Esau and
-Jacob, and he having a good farm of land in the County Limerick. It is
-what I heard that in that place the grass does be as thick as grease.
-
-_Sibby:_ I suppose, ma'am, you wrote giving him an account of your
-case?
-
-_Mrs. Broderick:_ Sure, Mr. Nestor, the dear man, has his fingers wore
-away writing for me, and I telling him all he had or had not to say.
-At Christmas I wrote, and at Little Christmas, and at St. Brigit's
-Day, and on the Feast of St. Patrick, and after that again such time
-as I had news of the summons being about to be served. And you may ask
-Mrs. Delane at the Post Office am I telling any lie saying I got no
-word or answer at all.... It's long since I saw him, but it is the way
-he used to be, his eyes on kippeens and some way suspicious in his
-heart; a dark weighty tempered man.
-
-_Sibby:_ A person to be crabbed and he young, it is not likely he will
-grow kind at the latter end.
-
-_Tommy Nally:_ That is no less than true now. There are crabbed people
-and suspicious people to be met with in every place. It is much that I
-got a pass from the Workhouse this day, the Master making sure when I
-asked it that I had in my pocket the means of getting drink.
-
-_Mrs. Broderick:_ It would maybe be best to go join you in the
-Workhouse, Tommy Nally, when I am out of this, than to go walking the
-world from end to end.
-
-_Tommy Nally:_ Ah, don't be saying that, ma'am; sure you couldn't be
-happy within those walls if you had the whole world. Clean outside,
-but very hard within. No rank but all mixed together, the good, the
-middling and the bad, the well reared and the rough.
-
-_Mrs. Broderick:_ Sure I'm not asking to go in it. You could never be
-as stiff in any place as in any sort of little cabin of your own.
-
-_Tommy Nally:_ The tea boiled in a boiler, you should close your eyes
-drinking it, and ne'er a bit of sugar hardly in it at all. And our
-curses on them that boil the eggs too hard! What use is an egg that is
-hard to any person on earth? And as to the dinner, what way would a
-tasty person eat it not having a knife or a fork?
-
-_Mrs. Broderick:_ That I may live to be in no one's way, but to have
-some little corner of my own!
-
-_Tommy Nally:_ And to come to your end in it, ma'am! If you were the
-Lady Mayor herself you'd be brought out to the deadhouse if it was ten
-o'clock at night, and not a wash unless it was just a Scotch lick, and
-nobody to wake you at all!
-
-_Mrs. Broderick:_ I will not go in it! I would sooner make any shift
-and die by the side of the wall. Sure heaven is the best place, heaven
-and this world we're in now!
-
-_Sibby:_ Don't be giving up now, ma'am. Here is Mr. Nestor coming,
-and if any one will give you an advice he is the one will do it. Why
-wouldn't he, he being, as he is, an educated man, and such a great one
-to be reading books.
-
-_Mrs. Broderick:_ So he is too, and keeps it in his mind after. It's a
-wonder to me a man that does be reading to keep any memory at all.
-
-_Nally:_ It's easy for him to carry things light, and his pension paid
-regular at springtime and harvest.
-
- (_Nestor comes in reading "Tit-Bits."_)
-
-_Nestor:_ There was a servant girl in Austria cut off her finger
-slicing cabbage....
-
-_All:_ The poor thing!
-
-_Nestor:_ And her master stuck it on again with glue. That now was a
-very foolish thing to do. What use would a finger be stuck with glue
-that might melt off at any time, and she to be stirring the pot?
-
-_Sibby:_ That is true indeed.
-
-_Nestor:_ Now, if I myself had been there, it is what I would have
-advised....
-
-_Sibby:_ That's what I was saying, Mr. Nestor. It is you are the grand
-adviser. What now will you say to poor Mrs. Broderick that has a
-summons out against her this day for up to ten pounds?
-
-_Nestor:_ It is what I am often saying, it is a very foolish thing to
-be getting into debt.
-
-_Mrs. Broderick:_ Sure what way could I help it? It's a very done-up
-town to be striving to make a living in.
-
-_Nestor:_ It would be a right thing to be showing a good example.
-
-_Mrs. Broderick:_ They would want that indeed. There are more die with
-debts on them in this place than die free from debt.
-
-_Nestor:_ Many a poor soul has had to suffer from the weight of the
-debts on him, finding no rest or peace after death.
-
-_Sibby:_ The Magistrates are gone into the Courthouse, Mrs. Broderick.
-Why now wouldn't you go up to the bank and ask would the manager
-advance you a loan?
-
-_Mrs. Broderick:_ It is likely he would not do it. But maybe it's as
-good for me go as to be sitting here waiting for the end.
-
- (_Puts on hat and shawl._)
-
-_Nestor:_ I now will take charge of the shop for you, Mrs. Broderick.
-
-_Mrs. Broderick:_ It's little call there'll be to it. The time a
-person is sunk that's the time the custom will go from her. (_She goes
-out._)
-
-_Nally:_ I'll be taking a ramble into the Court to see what are the
-lads doing. (_Goes out._)
-
-_Sibby:_ (_Following them._) I might chance some customers there
-myself.
-
- (_Goes out calling--oranges, good oranges._)
-
-_Nestor:_ (_Taking a paper from his pocket, sitting down, and
-beginning to read._) "Romantic elopement in high life. A young lady at
-Aberdeen, Missouri, U.S.A., having been left by her father an immense
-fortune...."
-
- (_Stops to wipe his spectacles, puts them on again and looks
- for place, which he has lost. Cooney puts his head in at door
- and draws it out again._)
-
-_Nestor:_ Come in, come in!
-
-_Cooney:_ (_Coming in cautiously and looking round._) Whose house now
-might this be?
-
-_Nestor:_ To the Widow Broderick it belongs. She is out in the town
-presently.
-
-_Cooney:_ I saw her name up over the door.
-
-_Nestor:_ On business of her own she is gone. It is I am minding the
-place for her.
-
-_Cooney:_ So I see. I suppose now you have good cause to be minding
-it?
-
-_Nestor:_ It would be a pity any of her goods to go to loss.
-
-_Cooney:_ I suppose so. Is it to auction them you will or to sell them
-in bulk?
-
-_Nestor:_ Not at all. I can sell you any article you will require.
-
-_Cooney:_ It would be no profit to herself now, I suppose, if you did?
-
-_Nestor:_ What do you mean saying that? Do you think I would defraud
-her from her due in anything I would sell for her at all?
-
-_Cooney:_ You are not the bailiff so?
-
-_Nestor:_ Not at all. I wonder any person to take me for a bailiff!
-
-_Cooney:_ You are maybe one of the creditors?
-
-_Nestor:_ I am not. I am not a man to have a debt upon me to any
-person on earth.
-
-_Cooney:_ I wonder what it is you are at so, if you have no claim on
-the goods. Is it any harm now to ask what's this your name is?
-
-_Nestor:_ One Joseph Nestor I am, there are few in the district but
-know me. Indeed they all have a great opinion of me. Travelled I did
-in the army, and attended school and I young, and slept in the one bed
-with two boys that were learning Greek.
-
-_Cooney:_ What way now can I be rightly sure that you are Joseph
-Nestor?
-
-_Nestor:_ (_Pulling out envelope._) There is my pension docket. You
-will maybe believe that.
-
-_Cooney:_ (_Examining it._) I suppose you may be him so. I saw your
-name often before this.
-
-_Nestor:_ Did you now? I suppose it may have travelled a good
-distance.
-
-_Cooney:_ It travelled as far as myself anyway at the bottom of
-letters that were written asking relief for the owner of this house.
-
-_Nestor:_ I suppose you are her brother so, Michael Cooney?
-
-_Cooney:_ If I am, there are some questions that I want to put and to
-get answers to before my mind will be satisfied. Tell me this now. Is
-it a fact Mary Broderick to be living at all?
-
-_Nestor:_ What would make you think her not to be living and she
-sending letters to you through the post?
-
-_Cooney:_ I was saying to myself with myself, there was maybe some
-other one personating her and asking me to send relief for their own
-ends.
-
-_Nestor:_ I am in no want of any relief. That is a queer thing to say
-and a very queer thing. There are many worse off than myself, the Lord
-be praised!
-
-_Cooney:_ Don't be so quick now starting up to take offence. It is
-hard to believe the half the things you hear or that will be told to
-you.
-
-_Nestor:_ That may be so indeed; unless it is things that would be
-printed on the papers. But I would think you might trust one of your
-own blood.
-
-_Cooney:_ I might or I might not. I had it in my mind this long time
-to come hither and to look around for myself. There are seven
-generations of the Cooneys trusted nobody living or dead.
-
-_Nestor:_ Indeed I was reading in some history of one Ulysses that
-came back from a journey and sent no word before him but slipped in
-unknown to all but the house dog to see was his wife minding the
-place, or was she, as she was, scattering his means.
-
-_Cooney:_ So she would be too. If Mary Broderick is in need of relief
-I will relieve her, but if she is not, I will bring away what I
-brought with me to its own place again.
-
-_Nestor:_ Sure here is the summons. You can read that, and if you will
-look out the door you can see by the stir the Magistrates are sitting
-in the Court. It is a great welcome she will have before you, and the
-relief coming at the very nick of time.
-
-_Cooney:_ It is too good a welcome she will give me I am thinking. It
-is what I am in dread of now, if she thinks I brought her the money so
-soft and so easy, she will never be leaving me alone, but dragging all
-I have out of me by little and little.
-
-_Nestor:_ Maybe you might let her have but the lend of it.
-
-_Cooney:_ Where's the use of calling it a lend when I may be sure I
-never will see it again? It might be as well for me to earn the value
-of a charity.
-
-_Nestor:_ You might do that and not repent of it.
-
-_Cooney:_ It is likely I'll be annoyed with her to the end of my
-lifetime if she knows I have as much as that to part with. It might be
-she would be following me to Limerick.
-
-_Nestor:_ Wait now a minute till I will give you an advice.
-
-_Cooney:_ It is likely my own advice is the best. Look over your own
-shoulder and do the thing you think right. How can any other person
-know the reasons I have in my mind?
-
-_Nestor:_ I will know what is in your mind if you will tell it to me.
-
-_Cooney:_ It would suit me best, she to get the money and not to know
-at the present time where did it come from. The next time she will
-write wanting help from me, I will task her with it and ask her to
-give me an account.
-
-_Nestor:_ That now would take a great deal of strategy.... Wait now
-till I think.... I have it in my mind I was reading in a penny novel
-... no but on the "Gael" ... about a boy of Kilbecanty that saved his
-old sweetheart from being evicted.
-
-_Cooney:_ I never heard my sister had any old sweetheart.
-
-_Nestor:_ It was playing Twenty-five he did it. Played with the
-husband he did, letting him win up to fifty pounds.
-
-_Cooney:_ Mary Broderick was no cardplayer. And if she was itself she
-would know me. And it's not fifty pounds I am going to leave with her,
-or twenty pounds, or a penny more than is needful to free her from the
-summons to-day.
-
-_Nestor:_ (_Excited._) I will make up a plan! I am sure I will think
-of a good one. It is given in to me there is no person so good at
-making up a plan as myself on this side of the world, not on this side
-of the world! I will manage all. Leave here what you have for her
-before she will come in. I will give it to her in some secret way.
-
-_Cooney:_ I don't know. I will not give it to you before I will get a
-receipt for it ... and I'll not leave the town till I'll see did she
-get it straight and fair. Into the Court I'll go to see her paying it.
-
- (_Sits down and writes out receipt._)
-
-_Nestor:_ I was reading on "Home Chat" about a woman put a note for
-five pounds into her son's prayer book and he going a voyage. And when
-he came back and was in the church with her it fell out, he never
-having turned a leaf of the book at all.
-
-_Cooney:_ Let you sign this and you may put it in the prayer book so
-long as she will get it safe. (_Nestor signs. Cooney looks
-suspiciously at signature and compares it with a letter and then gives
-notes._)
-
-_Nestor:_ (_Signing._) Joseph Nestor.
-
-_Cooney:_ Let me see now is it the same handwriting I used to be
-getting on the letters. It is. I have the notes here.
-
-_Nestor:_ Wait now till I see is there a prayer book.... (_Looks on
-shelf_). Treacle, castor oil, marmalade.... I see no books at all.
-
-_Cooney:_ Hurry on now, she will be coming in and finding me.
-
-_Nestor:_ Here is what will do as well.... "Old Moore's Almanac." I
-will put it here between the leaves. I will ask her the prophecy for
-the month. You can come back here after she finding it.
-
-_Cooney:_ Amn't I after telling you I wouldn't wish her to have sight
-of me here at all? What are you at now, I wonder, saying that. I will
-take my own way to know does she pay the money. It is not my intention
-to be made a fool of.
-
- (_Goes out._)
-
-_Nestor:_ You will be satisfied and well satisfied. Let me see now
-where are the predictions for the month. (_Reads._) "The angry
-appearance of Scorpio and the position of the pale Venus and Jupiter
-presage much danger for England. The heretofore obsequious Orangemen
-will refuse to respond to the tocsin of landlordism. The scales are
-beginning to fall from their eyes."
-
- (_Mrs. Broderick comes in without his noticing her. She gives a
- groan. He drops book and stuffs notes into his pocket._)
-
-_Mrs. Broderick:_ Here I am back again and no addition to me since I
-went.
-
-_Nestor:_ You gave me a start coming in so noiseless.
-
-_Mrs. Broderick:_ It is time for me go to the Court, and I give you my
-word I'd be better pleased going to my burying at the Seven Churches.
-A nice slab I have there waiting for me, though the man that put it
-over me I never saw him at all, and he a far off cousin of my own.
-
-_Nestor:_ Who knows now, Mrs. Broderick, but things might turn out
-better than you think.
-
-_Mrs. Broderick:_ What way could they turn out better between this and
-one o'clock?
-
-_Nestor:_ (_Scratching his head._) I suppose now you wouldn't care to
-play a game of Twenty-five?
-
-_Mrs. Broderick:_ I am surprised at you, Mr. Nestor, asking me to go
-cardplaying on such a day and at such an hour as this.
-
-_Nestor:_ I wonder might some person come in and give an order for ten
-pounds' worth of the stock?
-
-_Mrs. Broderick:_ Much good it would do me. Sure I have the most of it
-on credit.
-
-_Nestor:_ Well, there is no knowing. Some well-to-do person now
-passing the street might have seen you and taken a liking to you and
-be willing to make an advance or a loan.
-
-_Mrs. Broderick:_ Ah, who would be taking a liking to me as they might
-to a young girl in her bloom.
-
-_Nestor:_ Oh, it's a sort of thing might happen. Sure age didn't catch
-on to you yet; you are clean and fresh and sound. What's this I was
-reading in "Answers." (_Looks at it._) "Romantic elopement...."
-
-_Mrs. Broderick:_ I know of no one would be thinking of me for a wife
-... unless it might be yourself, Mr. Nestor....
-
-_Nestor:_ (_Jumping up and speaking fast and running finger up and
-down paper._) "Performance of Dick Whittington." ... There now, there
-is a story that I read in my reading, it was called Whittington and
-the Cat. It was the cat led to his fortune. There might some person
-take a fancy to your cat....
-
-_Mrs. Broderick:_ Ah, let you have done now. I have no cat this good
-while. I banished it on the head of it threatening the jackdaw.
-
-_Nestor:_ The jackdaw?
-
-_Mrs. Broderick:_ (_Fetches cage from inner room._) Sure I reared it
-since the time it fell down the chimney and I going into my bed. It is
-often you should have seen it, in or out of its cage. Hero his name
-is. Come out now, Hero.
-
- (_Opens cage._)
-
-_Nestor:_ (_Slapping his side._) That is it ... that's the very thing.
-Listen to me now, Mrs. Broderick, there are some might give a good
-price for that bird. (_Sitting down to the work._) It chances now
-there is a friend of mine in South Africa. A mine owner he is ... very
-rich ... but it is down in the mine he has to live by reason of the
-Kaffirs ... it is hard to keep a watch upon them in the half dark,
-they being black.
-
-_Mrs. Broderick:_ I suppose....
-
-_Nestor:_ He does be lonesome now and again, and he is longing for a
-bird to put him in mind of old Ireland ... but he is in dread it would
-die in the darkness ... and it came to his mind that it is a custom
-with jackdaws to be living in chimneys, and that if any birds would
-bear the confinement it is they that should do it.
-
-_Mrs. Broderick:_ And is it to buy jackdaws he is going?
-
-_Nestor:_ Isn't that what I am coming to. (_He pulls out notes._) Here
-now is ten pounds I have to lay out for him. Take them now and good
-luck go with them, and give me the bird.
-
-_Mrs. Broderick:_ Notes is it? Is it waking or dreaming I am and I
-standing up on the floor?
-
-_Nestor:_ Good notes and ten of them. Look at them! National Bank they
-are.... Count them now, according to your fingers, and see did I tell
-any lie.
-
-_Mrs. Broderick:_ (_Counting._) They are in it sure enough ... so long
-as they are good ones and I not made a hare of before the magistrates.
-
-_Nestor:_ Go out now to the Court and show them to Timothy Ward, and
-see does he say are they good. Pay them over then, and its likely you
-will be let off the costs.
-
-_Mrs. Broderick:_ (_Taking shawl._) I will go, I will go. Well, you
-are a great man and a kind man, Joseph Nestor, and that you may live a
-thousand years for this good deed.
-
-_Nestor:_ Look here now, ma'am, I wouldn't wish you to be mentioning
-my name in this business or saying I had any hand in it at all.
-
-_Mrs. Broderick:_ I will not so long as it's not pleasing to you.
-Well, it is yourself took a great load off me this day! (_She goes
-out._)
-
-_Nestor:_ (_Calling after her._) I might as well be putting the
-jackdaw back into the cage to be ready for the journey. (_Comes into
-shop._) I hope now he will be well treated by the sailors and he
-travelling over the sea.... Where is he now.... (_Chirrups._) Here
-now, come here to me, what's this your name is.... Nero! Nero! (_Makes
-pounces behind counter._) Ah, bad manners to you, is it under the
-counter you are gone!
-
- (_Lies flat on the floor chirruping and calling, Nero! Nero!
- Nally comes in and watches him curiously._)
-
-_Nally:_ Is it catching blackbeetles you are, Mr. Nestor? Where are
-they and I will give you a hand....
-
-_Nestor:_ (_Getting up annoyed._) It's that bird I was striving to
-catch a hold of for to put him back in the cage.
-
-_Tommy Nally:_ (_Making a pounce._) There he is now. (_Puts bird in
-cage._) Wait now till I'll fasten the gate.
-
-_Nestor:_ Just putting everything straight and handy for the widow
-woman I am before she will come back from the settlement she is making
-in the Court.
-
-_Nally:_ What way will she be able to do that?
-
-_Nestor:_ I gave her advice. A thought I had, something that came from
-my reading. (_Taps paper._) Education and reading and going in the
-army through the kingdoms of the world; that is what fits a man now to
-be giving out advice.
-
-_Tommy:_ Indeed, it's good for them to have you, all the poor ignorant
-people of this town.
-
-_Cooney:_ (_Coming in hurriedly and knocking against Nally as he goes
-out._) What, now, would you say to be the best nesting place in this
-town. Nests of jackdaws I should say.
-
-_Nestor:_ There is the old mill should be a good place. To the west of
-the station it is. Chimneys there are in it. Middling high they are.
-Wait now till I'll tell you of the great plan I made up....
-
-_Cooney:_ What are you asking for those rakes in the corner? It's no
-matter, I'll take one on credit, or maybe it is only the lend of it
-I'll take. ... I'll be coming back immediately. (_He goes out with
-rake._)
-
-_Sibby:_ (_Coming in excitedly._) If you went bird-catching, Mr.
-Nestor, tell me what way would you go doing it?
-
-_Nestor:_ It is not long since I was reading some account of that ...
-lads that made a trade of it ... nets they had and they used to be
-spreading them in the swamps where the plover do be feeding....
-
-_Sibby:_ Ah, sure where's the use of a plover!
-
-_Nestor:_ And snares they had for putting along the drains where the
-snipe do be picking up worms.... But if I myself saw any person going
-after things of the sort, it is what I would advise them to stick to
-the net.
-
-_Sibby:_ What now is the price of that net in the corner?
-
-_Nestor:_ (_Taking it down._) It is but a little bag that is, suitable
-for carrying small articles; it would become your oranges well.
-Twopence I believe, Sibby, is what I should charge you for that.
-
-_Sibby:_ (_Taking money out of handkerchief._) Give it to me so! Here
-I'll get the start of you, Timothy Ward, anyway.
-
- (_She takes it and goes out, almost overturning Timothy Ward,
- who is rushing in._)
-
-_Nestor:_ Well, Timothy, did you see the Widow Broderick in the Court?
-
-_Ward:_ I did see her. It is in it she is, now, looking as content as
-in the coffin, and she paying her debt.
-
-_Nestor:_ Did she give you any account of herself?
-
-_Ward:_ She did to be sure, and to the whole Court; but look here now,
-I have no time to be talking. I have to be back there when the
-magistrates will have their lunch taken. Now you being so clever a
-man, Mr. Nestor, what would you say is the surest way to go catching
-birds?
-
-_Nestor:_ It is a strange thing now, I was asked the same question not
-three minutes ago. I was just searching my mind. It seems to me I have
-read in some place it is a very good way to go calling to them with
-calls; made for the purpose they are. You have but to sit under a tree
-or whatever place they may perch and to whistle ... suppose now it
-might be for a curlew.... (_Whistles._)
-
-_Timothy Ward:_ Are there any of those calls in the shop?
-
-_Nestor:_ I would not say there are any made for the purpose, but
-there might be something might answer you all the same. Let me see
-now.... (_Gets down a box of musical toys and turns them over._)
-
-_Ward:_ Is there anything now has a sound like the croaky screech of a
-jackdaw?
-
-_Nestor:_ Here now is what we used to be calling a corncrake....
-(_Turns it_.) Corncrake, corncrake ... but it seems to me now that to
-give it but the one creak, this way ... it is much like what you would
-hear in the chimney at the time of the making of the nests.
-
-_Ward:_ Give it here to me!
-
- (_Puts a penny on counter and runs out._)
-
-_Tommy Nally:_ (_Coming in shaking with excitement._) For the love of
-God, Mr. Nestor, will you give me that live-trap on credit!
-
-_Nestor:_ A trap? Sure there is no temptation for rats to be settling
-themselves in the Workhouse.
-
-_Nally:_ Or a snare itself ... or any sort of a thing that would make
-the makings of a crib.
-
-_Nestor:_ What would you want, I wonder, going out fowling with a
-crib?
-
-_Nally:_ Why wouldn't I want it? Why wouldn't I have leave to catch a
-bird the same as every other one?
-
-_Nestor:_ And what would the likes of you be wanting with a bird?
-
-_Nally:_ What would I want with it, is it? Why wouldn't I be getting
-my own ten pounds?
-
-_Nestor:_ Heaven help your poor head this day!
-
-_Nally:_ Why wouldn't I get it the same as Mrs. Broderick got it?
-
-_Nestor:_ Well, listen to me now. You will not get it.
-
-_Nally:_ Sure that man is buying them will have no objection they to
-come from one more than another.
-
-_Nestor:_ Don't be arguing now. It is a queer thing for you, Tommy
-Nally, to be arguing with a man like myself.
-
-_Nally:_ Think now all the good it would do me ten pound to be put in
-my hand! It is not you should be begrudging it to me, Mr. Nestor. Sure
-it would be a relief upon the rates.
-
-_Nestor:_ I tell you you will not get ten pound or any pound at all.
-Can't you give attention to what I say?
-
-_Nally:_ If I had but the price of the trap you wouldn't refuse it to
-me. Well, isn't there great hardship upon a man to be bet up and to
-have no credit in the town at all.
-
-_Nestor:_ (_Exasperated, and giving him the cage._) Look here now, I
-have a right to turn you out into the street. But, as you are silly
-like and with no great share of wits, I will make you a present of
-this bird till you try what will you get for it, and till you see will
-you get as much as will cover its diet for one day only. Go out now
-looking for customers and maybe you will believe what I say.
-
-_Nally:_ (_Seizing it._) That you may be doing the same thing this
-day fifty years! My fortune's made now! (_Goes out with cage._)
-
-_Nestor:_ (_Sitting down._) My joy go with you, but I'm bothered with
-the whole of you. Everyone expecting me to do their business and to
-manage their affairs. That is the drawback of being an educated man!
-
- (_Takes up paper to read._)
-
-_Mrs. Broderick:_ (_Coming in._) I declare I'm as comforted as Job
-coming free into the house from the Court!
-
-_Nestor:_ Well, indeed, ma'am, I am well satisfied to be able to do
-what I did for you, and for my friend from Africa as well, giving him
-so fine and so handsome a bird.
-
-_Mrs. Broderick:_ Sure Finn himself that chewed his thumb had not your
-wisdom, or King Solomon that kept order over his kingdom and his own
-seven hundred wives. There is neither of them could be put beside you
-for settling the business of any person at all.
-
- (_Sibby comes in holding up her netted bag._)
-
-_Nestor:_ What is it you have there, Sibby?
-
-_Sibby:_ Look at them here, look at them here.... I wasn't long
-getting them. Warm they are yet; they will take no injury.
-
-_Mrs. Broderick:_ What are they at all?
-
-_Sibby:_ It is eggs they are ... look at them. Jackdaws' eggs.
-
-_Nestor:_ (_Suspiciously._) And what call have you now to be bringing
-in jackdaws' eggs?
-
-_Sibby:_ Is it ten pound apiece I will get for them do you think, or
-is it but ten pound I will get for the whole of them?
-
-_Nestor:_ Is it drink, or is it tea, or is it some change that is come
-upon the world that is fitting the people of this place for the asylum
-in Ballinasloe?
-
-_Sibby:_ I know of a good clocking hen. I will put the eggs under
-her.... I will rear them when they'll be hatched out.
-
-_Nestor:_ I suppose now, Mrs. Broderick, you went belling the case
-through the town?
-
-_Mrs. Broderick:_ I did not, but to the Magistrates upon the bench
-that I told it out of respect to, and I never mentioned your name in
-it at all.
-
-_Sibby:_ Tell me now, Mrs. Broderick, who have I to apply to?
-
-_Mrs. Broderick:_ What is it you are wanting to apply about?
-
-_Sibby:_ Will you tell me where is the man that is after buying your
-jackdaw?
-
-_Mrs. Broderick:_ (_Looking at Nestor._) What's that? Where is he, is
-it?
-
-_Nestor:_ (_Making signs of silence._) How would you know where he is?
-It is not in a broken little town of this sort such a man would be
-stopping, and he having his business finished.
-
-_Sibby:_ Sure he will have to be coming back here for the bird. I will
-stop till I'll see him drawing near.
-
-_Nestor:_ It is more likely he will get it consigned to the shipping
-agent. Mind what I say now, it is best not be speaking of him at all.
-
- (_Timothy Ward comes in triumphantly, croaking his toy. He has
- a bird in his hand._)
-
-_Ward:_ I chanced on a starling. It was not with this I tempted him,
-but a little chap that had him in a crib. Would you say now, Mr.
-Nestor, would that do as well as a jackdaw? Look now, it's as handsome
-every bit as the other. And anyway it is likely they will both die
-before they will reach to their journey's end.
-
-_Nestor:_ (_Lifting up his hands._) Of all the foolishness that ever
-came upon the world!
-
-_Ward:_ Hurry on now, Mrs. Broderick, tell me where will I bring it to
-the buyer you were speaking of. He is fluttering that hard it is much
-if I can keep him in my hand. Is it at Noonan's Royal Hotel he is or
-is it at Mack's?
-
-_Nestor:_ (_Shaking his head threateningly._) How can you tell that
-and you not knowing it yourself?
-
-_Ward:_ Sure you have a right to know what way did he go, and he after
-going out of this.
-
-_Mrs. Broderick:_ (_Her eyes apprehensively on Nestor._) Ah, sure, my
-mind was tattered on me. I couldn't know did he go east or west.
-Standing here in this place I was, like a ghost that got a knock upon
-its head.
-
-_Ward:_ If he is coming back for the bird it is here he will be
-coming, and if it is to be sent after him it is likely you will have
-his address.
-
-_Mrs. Broderick:_ So I should, too, I suppose. Where now did I put it?
-(_She looks to Nestor for orders, but cannot understand his signs, and
-turns out pocket._) That's my specs ... that's the key of the box ...
-that's a bit of root liquorice.... Where now at all could I have left
-down that address?
-
-_Ward:_ There has no train left since he was here. Sure what does it
-matter so long as he did not go out of this. I'll bring this bird to
-the railway. Tell me what sort was he till I'll know him.
-
-_Mrs. Broderick:_ (_Still looking at Nestor._) Well, he was middling
-tall ... not very gross ... about the figure now of Mr. Nestor.
-
-_Ward:_ What aged man was he?
-
-_Mrs. Broderick:_ I suppose up to sixty years. About the one age,
-you'd say, with Mr. Nestor.
-
-_Ward:_ Give me some better account now; it is hardly I would make him
-out by that.
-
-_Mrs. Broderick:_ A grey beard he has hanging down ... and a bald
-poll, and grey hair like a fringe around it ... just for all the world
-like Mr. Nestor!
-
-_Nestor:_ (_Jumping up._) There is nothing so disagreeable in the
-whole world as a woman that has too much talk.
-
-_Mrs. Broderick:_ Well, let me alone. Where's the use of them all
-picking at me to say where did I get the money when I am under orders
-not to tell it?
-
-_Ward:_ Under orders?
-
-_Mrs. Broderick:_ I am, and strong orders.
-
-_Ward:_ Whose orders are those?
-
-_Mrs. Broderick:_ What's that to you, I ask you?
-
-_Ward:_ Isn't it a pity now a woman to be so unneighbourly and she
-after getting profit for herself?
-
-_Mrs. Broderick:_ Look now, Mr. Nestor, the way they are going on at
-me, and you saying no word for me at all.
-
-_Ward:_ How would he say any word when he hasn't it to say? The only
-word could be said by any one is that you are a mean grasping person,
-gathering what you can for your own profit and keeping yourself so
-close and so compact. It is back to the Court I am going, and it's no
-good friend I'll be to you from this out, Mrs. Broderick!
-
-_Mrs. Broderick:_ Amn't I telling you I was bidden not to tell?
-
-_Sibby:_ You were. And is it likely it was you yourself bid yourself
-and gave you that advice, Mrs. Broderick? It is what I think the bird
-was never bought at all. It is in some other way she got the money.
-Maybe in a way she does not like to be talking of. Light weights,
-light fingers! Let us go away so and leave her, herself and her money
-and her orders! (_Timothy Ward goes out, but Sibby stops at door._)
-And much good may they do her.
-
-_Mrs. Broderick:_ Listen to that, Mr. Nestor! Will you be listening to
-that, when one word from yourself would clear my character! I leave it
-now between you and the hearers. Why would I be questioned this way
-and that way, the same as if I was on the green table before the
-judges? You have my heart broke between you. It's best for me to heat
-the kettle and wet a drop of tea.
-
- (_Goes to inner room._)
-
-_Sibby:_ Tell us the truth now, Mr. Nestor, if you know anything at
-all about it.
-
-_Nestor:_ I know everything about it. It was to myself the notes were
-handed in the first place. I am willing to take my oath to you on
-that. It was a stranger, I said, came in.
-
-_Sibby:_ I wish I could see him and know him if I did see him.
-
-_Nestor:_ It is likely you would know a man of that sort if you did
-see him, Sibby Fahy. It is likely you never saw a man yet that owns
-riches would buy up the half of this town.
-
-_Sibby:_ It is not always them that has the most that makes the most
-show. But it is likely he will have a good dark suit anyway, and
-shining boots, and a gold chain hanging over his chest.
-
-_Nestor:_ (_Sarcastically._) He will, and gold rings and pins the same
-as the King of France or of Spain.
-
- (_Enter Cooney, hatless, streaked with soot and lime,
- speechless but triumphant. He holds up a nest with nestlings._)
-
-_Nestor:_ What has happened you, Mr. Cooney, at all?
-
-_Cooney:_ Look now, what I have got!
-
-_Nestor:_ A nest, is it?
-
-_Cooney:_ Three young ones in it!
-
-_Nestor:_ (_Faintly._) Is it what you are going to say they are
-jackdaws!
-
-_Cooney:_ I followed your directions....
-
-_Nestor:_ How do you make that out?
-
-_Caoney:_ You said the mill chimneys were full of them....
-
-_Nestor:_ What has that to do with it?
-
-_Cooney:_ I left my rake after me broken in the loft ... my hat went
-away in the millrace ... I tore my coat on the stones ... there has
-mortar got into my eye....
-
-_Nestor:_ The Lord bless and save us!
-
-_Cooney:_ But there is no man can say I did not bring back the birds,
-sound and living and in good health. Look now, the open mouths of
-them! (_All gather round_.) Three of them safe and living.... I lost
-one climbing the wall. ... Where now is the man is going to buy them?
-
-_Sibby:_ (_Pointing at Nestor._) It is he that can tell you that.
-
-_Cooney:_ Make no delay bringing me to him. I'm in dread they might
-die on me first.
-
-_Nestor:_ You should know well that no one is buying them.
-
-_Sibby:_ No one! Sure it was you yourself told us that there was!
-
-_Nestor:_ If I did itself there is no such a man.
-
-_Sibby:_ It's not above two minutes he was telling of the rings and
-the pins he wore.
-
-_Nestor:_ He never was in it at all.
-
-_Cooney:_ What plan is he making up now to defraud me and to rob me?
-
-_Sibby:_ Question him yourself, and you will see what will he say.
-
-_Cooney:_ How can I ask questions of a man that is telling lies?
-
-_Nestor:_ I am telling no lies. I am well able to answer you and to
-tell you the truth.
-
-_Cooney:_ Tell me where is the man that will give me cash for these
-birds, the same as he gave it to the woman of this house?
-
-_Sibby:_ That's it, that is it. Let him tell it out now.
-
-_Cooney:_ Will you have me ask it as often as the hairs of my head? If
-I get vexed I will make you answer me.
-
-_Nestor:_ It seems to me to have set fire to a rick, but I am well
-able to quench it after. There is no man in South Africa, or that came
-from South Africa, or that ever owned a mine there at all. Where is
-the man bought the bird, are you asking? There he is standing among us
-on this floor. (_Points to Cooney._) That is himself, the very man!
-
-_Cooney:_ (_Advancing a step._) What is that you are saying?
-
-_Nestor:_ I say that no one came in here but yourself.
-
-_Cooney:_ Did he say or not say there was a rich man came in?
-
-_Sibby:_ He did, surely.
-
-_Nestor:_ To make up a plan....
-
-_Cooney:_ I know well you have made up a plan.
-
-_Nestor:_ To give it unknownst....
-
-_Cooney:_ It is to keep it unknownst you are wanting!
-
-_Nestor:_ The way she would not suspect....
-
-_Cooney:_ It is I myself suspect and have cause to suspect! Give me
-back my own ten pounds and I'll be satisfied.
-
-_Nestor:_ What way can I give it back?
-
-_Cooney:_ The same way as you took it, in the palm of your hand.
-
-_Nestor:_ Sure it is paid away and spent....
-
-_Cooney:_ If it is you'll repay it! I know as well as if I was inside
-you you are striving to make me your prey! But I'll sober you! It is
-into the Court I will drag you, and as far as the gaol!
-
-_Nestor:_ I tell you I gave it to the widow woman....
-
- (_Mrs. Broderick comes in._)
-
-_Cooney:_ Let her say now did you.
-
-_Mrs. Broderick:_ What is it at all? What is happening? Joseph Nestor
-threatened by a tinker or a tramp!
-
-_Nestor:_ I would think better of his behaviour if he was a tinker or
-a tramp.
-
-_Mrs. Broderick:_ He has drink taken so. Isn't drink the terrible
-tempter, a man to see flames and punishment upon the one side and
-drink upon the other, and to turn his face towards the drink!
-
-_Cooney:_ Will you stop your chat, Mary Broderick, till I will drag
-the truth out of this traitor?
-
-_Mrs. Broderick:_ Who is that calling me by my name? Och! Is it
-Michael Cooney is in it? Michael Cooney, my brother! O Michael, what
-will they think of you coming into the town and much like a rag on a
-stick would be scaring in the wheatfield through the day?
-
-_Cooney:_ (_Pointing at Nestor._) It was going up in the mill I
-destroyed myself, following the directions of that ruffian!
-
-_Mrs. Broderick:_ And what call has a man that has drink taken to go
-climbing up a loft in a mill? A crooked mind you had always, and
-that's a sort of person drink doesn't suit.
-
-_Cooney:_ I tell you I didn't take a glass over a counter this ten
-year.
-
-_Mrs. Broderick:_ You would do well to go learn behaviour from Mr.
-Nestor.
-
-_Cooney:_ The man that has me plundered and robbed! Tell me this now,
-if you can tell it. Did you find any pound notes in "Old Moore's
-Almanac"?
-
-_Mrs. Broderick:_ I did not to be sure, or in any other place.
-
-_Nestor:_ She came in at the door and I striving to put them into the
-book.
-
-_Cooney:_ Look are they in it now, and I will say he is not tricky,
-but honest.
-
-_Nestor:_ You needn't be looking....
-
-_Mrs. Broderick:_ (_Turning over the leaves._) Ne'er a thing at all in
-it but the things that will or will not happen, and the days of the
-changes of the moon.
-
-_Cooney:_ (_Seizing and shaking it._) Look at that now! (_To
-Nestor._) Will you believe me now telling you that you are a rogue?
-
-_Nestor:_ Will you listen to me, ma'am....
-
-_Cooney:_ No, but listen to myself. I brought the money to you.
-
-_Nestor:_ If he did he wouldn't trust you with it, ma'am.
-
-_Cooney:_ I intended it for your relief.
-
-_Nestor:_ In dread he was you would go follow him to Limerick.
-
-_Mrs. Broderick:_ It is not likely I would be following the like of
-him to Limerick, a man that left me to the charity of strangers from
-Africa!
-
-_Cooney:_ I gave the money to him....
-
-_Nestor:_ And I gave it to yourself paying for the jackdaw. Are you
-satisfied now, Mary Broderick?
-
-_Mrs. Broderick:_ Satisfied, is it? It would be a queer thing indeed I
-to be satisfied. My brother to be spending money on birds, and his
-sister with a summons on her head. Michael Cooney to be passing
-himself off as a mine-owner, and I myself being the way I am!
-
-_Cooney:_ What would I want doing that? I tell you I ask no birds,
-black, blue or white!
-
-_Mrs. Broderick:_ I wonder at you now saying that, and you with that
-clutch on your arm! (_Cooney indignantly flings away nest._)
-Searching out jackdaws and his sister without the price of a needle
-in the house! I tell you, Michael Cooney, it is yourself will be
-wandering after your burying, naked and perishing, through winds and
-through frosts, in satisfaction for the way you went wasting your
-money and your means on such vanities, and she that was reared on the
-one floor with you going knocking at the Workhouse door! What good
-will jackdaws be to you that time?
-
-_Cooney:_ It is what I would wish to know, what scheme are the whole
-of you at? It is long till I will trust any one but my own eyes again
-in the whole of the living world.
-
- (_She wipes her eyes indignantly. Tommy Nally rushes in the
- bird and cage still in his hands._)
-
-_Nally:_ Where is the bird buyer? It is here he is said to be. It is
-well for me get here the first. It is the whole of the town will be
-here within half an hour; they have put a great scatter on themselves
-hunting and searching in every place, but I am the first!
-
-_Nestor:_ What is it you are talking about?
-
-_Nally:_ Not a house in the whole street but is deserted. It is much
-if the Magistrates themselves didn't quit the bench for the pursuit,
-the way Tim Ward quitted the place he had a right to be!
-
-_Nestor:_ It is some curse in the air, or some scourge?
-
-_Nally:_ Birds they are getting by the score! Old and young! Where is
-the bird-buyer? Who is it now will give me my price?
-
- (_He holds up the cage._)
-
-_Cooney:_ There is surely some root for all this. There must be some
-buyer after all. It's to keep him to themselves they are wanting.
-(_Goes to door._) But I'll get my own profit in spite of them.
-
- (_He goes outside door, looking up and down the street._)
-
-_Mrs. Broderick:_ Look at what Tommy Nally has. That's my bird.
-
-_Nally:_ It is not, it's my own!
-
-_Mrs. Broderick:_ That is my cage!
-
-_Nally:_ It is not, it is mine!
-
-_Mrs. Broderick:_ Wouldn't I know my own cage and my own bird? Don't
-be telling lies that way!
-
-_Nally:_ It is no lie I am telling. The bird and the cage were made a
-present to me.
-
-_Mrs. Broderick:_ Who would make a present to you of the things that
-belong to myself?
-
-_Nally:_ It was Mr. Nestor gave them to me.
-
-_Mrs. Broderick:_ Do you hear what he says, Joseph Nestor? What call
-have you to be giving a present of my bird?
-
-_Nestor:_ And wasn't I after buying it from you?
-
-_Mrs. Broderick:_ If you were it was not for yourself you bought it,
-but for the poor man in South Africa you bought it, and you defrauding
-him now, giving it away to a man has no claim to it at all. Well, now,
-isn't it hard for any man to find a person he can trust?
-
-_Nestor:_ Didn't you hear me saying I bought it for no person at all?
-
-_Mrs. Broderick:_ Give it up now, Tommy Nally, or I'll have you in
-gaol on the head of it.
-
-_Nally:_ Oh, you wouldn't do such a thing, ma'am, I am sure!
-
-_Mrs. Broderick:_ Indeed and I will, and have you on the treadmill for
-a thief.
-
-_Nally:_ Oh, oh, oh, look now, Mr. Nestor, the way you have made me a
-thief and to be lodged in the gaol!
-
-_Nestor:_ I wish to God you were lodged in it, and we would have less
-annoyance in this place!
-
-_Nally:_ Oh, that is a terrible thing for you to be saying! Sure the
-poorhouse itself is better than the gaol! The nuns preparing you for
-heaven and the Mass every morning of your life....
-
-_Nestor:_ If you go on with your talk and your arguments it's to gaol
-you will surely go.
-
-_Nally:_ Milk of a Wednesday and a Friday, the potatoes steamed very
-good.... It's the skins of the potatoes they were telling me you do
-have to be eating in the gaol. It is what I am thinking, Mr. Nestor,
-that bird will lie heavy on you at the last!
-
-_Nestor:_ (_Seizing cage and letting the bird out of the door._) Bad
-cess and a bad end to it, and that I may never see it or hear of it
-again!
-
-_Mrs. Broderick:_ Look what he is after doing! Get it back for me!
-Give it here into my hands I say! Why wouldn't I sell it secondly to
-the buyer and he to be coming to the door? It is in my own pocket I
-will keep the price of it that time!
-
-_Nally:_ It would have been as good you to have left it with me as to
-be sending itself and the worth of it up into the skies!
-
-_Mrs. Broderick:_ (_Taking Nestor's arm._) Get it back for me I tell
-you! There it is above in the ash tree, and it flapping its wings on a
-bough!
-
-_Nestor:_ Give me the cage, if that will content you, and I will
-strive to entice it to come in.
-
-_Cooney:_ (_Coming in._) Everyone running this way and that way. It is
-for birds they are looking sure enough. Why now would they go through
-such hardship if there was not a demand in some place?
-
-_Nestor:_ (_Pushing him away._) Let me go now before that bird will
-quit the branch where it is.
-
-_Cooney:_ (_Seizing hold of him._) Is it striving to catch a bird for
-yourself you are now?
-
-_Nestor:_ Let me pass if you please. I have nothing to say to you at
-all.
-
-_Cooney:_ Laying down to me they were worth nothing! I knew well you
-had made up some plan! The grand adviser is it! It is to yourself you
-gave good advice that time!
-
-_Nestor:_ Let me out I tell you before that uproar you are making will
-drive it from its perch on the tree.
-
-_Cooney:_ Is it to rob me of my own money you did and to be keeping me
-out of the money I earned along with it!
-
- (_Threatens Nestor with "Moore's Almanac," which he has picked up._)
-
-_Sibby:_ Take care would there be murder done in this place!
-
- (_She seizes Nestor, Mrs. Broderick seizes Cooney. Tommy Nally
- wrings his hands._)
-
-_Nestor:_ Tommy Nally, will you kindly go and call for the police.
-
-_Cooney:_ Is it into a den of wild beasts I am come that must go
-calling out for the police?
-
-_Nestor:_ A very unmannerly person indeed!
-
-_Cooney:_ Everyone thinking to take advantage of me and to make their
-own trap for my ruin.
-
-_Nestor:_ I don't know what cause has he at all to have taken any
-umbrage against me.
-
-_Cooney:_ You that had your eye on my notes from the first like a goat
-in a cabbage garden!
-
-_Nestor:_ Coming with a gift in the one hand and holding a dagger in
-the other!
-
-_Cooney:_ If you say that again I will break your collar bone!
-
-_Nestor:_ O, but you are the terrible wicked man!
-
-_Cooney:_ I'll squeeze satisfaction out of you if I had to hang for
-it! I will be well satisfied if I'll kill you!
-
- (_Flings "Moore's Almanac" at him._)
-
-_Nestor:_ (_Throwing his bundle of newspapers._) Oh, good jewel!
-
-_Ward:_ (_Coming in hastily._) Whist the whole of you, I tell you! The
-Magistrates are coming to the door! (_Comes in and shuts it after
-him._)
-
-_Mrs. Broderick:_ The Lord be between us and harm! What made them go
-quit the Court?
-
-_Ward:_ The whole of the witnesses and of the prosecution made off
-bird-catching. The Magistrates sent to invite the great mine-owner to
-go lunch at Noonan's with themselves.
-
-_Cooney:_ Horses of their own to stick him with they have. I wouldn't
-doubt them at all.
-
-_Ward:_ He could not be found in any place. They are informed he was
-never seen leaving this house. They are coming to make an
-investigation.
-
-_Nestor:_ Don't be anyway uneasy. I will explain the whole case.
-
-_Ward:_ The police along with them....
-
-_Cooney:_ Is the whole of this district turned into a trap?
-
-_Ward:_ It is what they are thinking, that the stranger was made away
-with for his gold!
-
-_Cooney:_ And if he was, as sure as you are living, it was done by
-that blackguard there!
-
- (_Points at Nestor._)
-
-_Ward:_ If he is not found they will arrest all they see upon the
-premises....
-
-_Cooney:_ It is best for me to quit this.
-
- (_Goes to door._)
-
-_Ward:_ Here they are at the door. Sergeant Carden along with them.
-Hide yourself, Mr. Nestor, if you've anyway to do it at all.
-
- (_Sounds of feet and talking and knock at the door. Cooney
- hides under counter. Nestor lies down on top of bench, spreads
- his newspaper over him. Mrs. Broderick goes behind counter._)
-
-_Nestor:_ (_Raising paper from his face and looking out._) Tommy
-Nally, I will give you five shillings if you will draw "Tit-Bits" over
-my feet.
-
-
-_Curtain_
-
-
-
-
-THE WORKHOUSE WARD
-
-
-PERSONS
-
- _Mike McInerney_ } PAUPERS
- _Michael Miskell_ }
- _Mrs. Donohoe_, A COUNTRYWOMAN
-
-
-THE WORKHOUSE WARD
-
-
- _Scene: A ward in Cloon Workhouse. The two old men in their
- beds._
-
-
-_Michael Miskell:_ Isn't it a hard case, Mike McInerney, myself and
-yourself to be left here in the bed, and it the feast day of Saint
-Colman, and the rest of the ward attending on the Mass.
-
-_Mike McInerney:_ Is it sitting up by the hearth you are wishful to
-be, Michael Miskell, with cold in the shoulders and with speckled
-shins? Let you rise up so, and you well able to do it, not like myself
-that has pains the same as tin-tacks within in my inside.
-
-_Michael Miskell:_ If you have pains within in your inside there is no
-one can see it or know of it the way they can see my own knees that
-are swelled up with the rheumatism, and my hands that are twisted in
-ridges the same as an old cabbage stalk. It is easy to be talking
-about soreness and about pains, and they maybe not to be in it at all.
-
-_Mike McInerney:_ To open me and to analyse me you would know what
-sort of a pain and a soreness I have in my heart and in my chest. But
-I'm not one like yourself to be cursing and praying and tormenting the
-time the nuns are at hand, thinking to get a bigger share than myself
-of the nourishment and of the milk.
-
-_Michael Miskell:_ That's the way you do be picking at me and faulting
-me. I had a share and a good share in my early time, and it's well you
-know that, and the both of us reared in Skehanagh.
-
-_Mike McInerney:_ You may say that, indeed, we are both of us reared
-in Skehanagh. Little wonder you to have good nourishment the time we
-were both rising, and you bringing away my rabbits out of the snare.
-
-_Michael Miskell:_ And you didn't bring away my own eels, I suppose, I
-was after spearing in the Turlough? Selling them to the nuns in the
-convent you did, and letting on they to be your own. For you were
-always a cheater and a schemer, grabbing every earthly thing for your
-own profit.
-
-_Mike McInerney:_ And you were no grabber yourself, I suppose, till
-your land and all you had grabbed wore away from you!
-
-_Michael Miskell:_ If I lost it itself, it was through the crosses I
-met with and I going through the world. I never was a rambler and a
-card-player like yourself, Mike McInerney, that ran through all and
-lavished it unknown to your mother!
-
-_Mike McInerney:_ Lavished it, is it? And if I did was it you yourself
-led me to lavish it or some other one? It is on my own floor I would
-be to-day and in the face of my family, but for the misfortune I had
-to be put with a bad next door neighbour that was yourself. What way
-did my means go from me is it? Spending on fencing, spending on walls,
-making up gates, putting up doors, that would keep your hens and your
-ducks from coming in through starvation on my floor, and every four
-footed beast you had from preying and trespassing on my oats and my
-mangolds and my little lock of hay!
-
-_Michael Miskell:_ O to listen to you! And I striving to please you
-and to be kind to you and to close my ears to the abuse you would be
-calling and letting out of your mouth. To trespass on your crops is
-it? It's little temptation there was for my poor beasts to ask to
-cross the mering. My God Almighty! What had you but a little corner of
-a field!
-
-_Mike McInerney:_ And what do you say to my garden that your two pigs
-had destroyed on me the year of the big tree being knocked, and they
-making gaps in the wall.
-
-_Michael Miskell:_ Ah, there does be a great deal of gaps knocked in a
-twelvemonth. Why wouldn't they be knocked by the thunder, the same as
-the tree, or some storm that came up from the west?
-
-_Mike McInerney:_ It was the west wind, I suppose, that devoured my
-green cabbage? And that rooted up my Champion potatoes? And that ate
-the gooseberries themselves from off the bush?
-
-_Michael Miskell:_ What are you saying? The two quietest pigs ever I
-had, no way wicked and well ringed. They were not ten minutes in it.
-It would be hard for them eat strawberries in that time, let alone
-gooseberries that's full of thorns.
-
-_Mike McInerney:_ They were not quiet, but very ravenous pigs you had
-that time, as active as a fox they were, killing my young ducks. Once
-they had blood tasted you couldn't stop them.
-
-_Michael Miskell:_ And what happened myself the fair day of
-Esserkelly, the time I was passing your door? Two brazened dogs that
-rushed out and took a piece of me. I never was the better of it or of
-the start I got, but wasting from then till now!
-
-_Mike McInerney:_ Thinking you were a wild beast they did, that had
-made his escape out of the travelling show, with the red eyes of you
-and the ugly face of you, and the two crooked legs of you that
-wouldn't hardly stop a pig in a gap. Sure any dog that had any life
-in it at all would be roused and stirred seeing the like of you going
-the road!
-
-_Michael Miskell:_ I did well taking out a summons against you that
-time. It is a great wonder you not to have been bound over through
-your lifetime, but the laws of England is queer.
-
-_Mike McInerney:_ What ailed me that I did not summons yourself after
-you stealing away the clutch of eggs I had in the barrel, and I away
-in Ardrahan searching out a clocking hen.
-
-_Michael Miskell:_ To steal your eggs is it? Is that what you are
-saying now? (_Holds up his hands._) The Lord is in heaven, and Peter
-and the saints, and yourself that was in Ardrahan that day put a hand
-on them as soon as myself! Isn't it a bad story for me to be wearing
-out my days beside you the same as a spancelled goat. Chained I am and
-tethered I am to a man that is ramsacking his mind for lies!
-
-_Mike McInerney:_ If it is a bad story for you, Michael Miskell, it is
-a worse story again for myself. A Miskell to be next and near me
-through the whole of the four quarters of the year. I never heard
-there to be any great name on the Miskells as there was on my own race
-and name.
-
-_Michael Miskell:_ You didn't, is it? Well, you could hear it if you
-had but ears to hear it. Go across to Lisheen Crannagh and down to
-the sea and to Newtown Lynch and the mills of Duras and you'll find a
-Miskell, and as far as Dublin!
-
-_Mike McInerney:_ What signifies Crannagh and the mills of Duras? Look
-at all my own generations that are buried at the Seven Churches. And
-how many generations of the Miskells are buried in it? Answer me that!
-
-_Michael Miskell:_ I tell you but for the wheat that was to be sowed
-there would be more side cars and more common cars at my father's
-funeral (_God rest his soul!_) than at any funeral ever left your own
-door. And as to my mother, she was a Cuffe from Claregalway, and it's
-she had the purer blood!
-
-_Mike McInerney:_ And what do you say to the banshee? Isn't she apt to
-have knowledge of the ancient race? Was ever she heard to screech or
-to cry for the Miskells? Or for the Cuffes from Claregalway? She was
-not, but for the six families, the Hyneses, the Foxes, the Faheys, the
-Dooleys, the McInerneys. It is of the nature of the McInerneys she is
-I am thinking, crying them the same as a king's children.
-
-_Michael Miskell:_ It is a pity the banshee not to be crying for
-yourself at this minute, and giving you a warning to quit your lies
-and your chat and your arguing and your contrary ways; for there is no
-one under the rising sun could stand you. I tell you you are not
-behaving as in the presence of the Lord!
-
-_Mike McInerney:_ Is it wishful for my death you are? Let it come and
-meet me now and welcome so long as it will part me from yourself! And
-I say, and I would kiss the book on it, I to have one request only to
-be granted, and I leaving it in my will, it is what I would request,
-nine furrows of the field, nine ridges of the hills, nine waves of the
-ocean to be put between your grave and my own grave the time we will
-be laid in the ground!
-
-_Michael Miskell:_ Amen to that! Nine ridges, is it? No, but let the
-whole ridge of the world separate us till the Day of Judgment! I would
-not be laid anear you at the Seven Churches, I to get Ireland without
-a divide!
-
-_Mike McInerney:_ And after that again! I'd sooner than ten pound in
-my hand, I to know that my shadow and my ghost will not be knocking
-about with your shadow and your ghost, and the both of us waiting our
-time. I'd sooner be delayed in Purgatory! Now, have you anything to
-say?
-
-_Michael Miskell:_ I have everything to say, if I had but the time to
-say it!
-
-_Mike McInerney:_ (_Sitting up._) Let me up out of this till I'll
-choke you!
-
-_Michael Miskell:_ You scolding pauper you!
-
-_Mike McInerney:_ (_Shaking his fist at him._) Wait a while!
-
-_Michael Miskell:_ (_Shaking his fist._) Wait a while yourself!
-
- (_Mrs. Donohoe comes in with a parcel. She is a countrywoman
- with a frilled cap and a shawl. She stands still a minute. The
- two old men lie down and compose themselves._)
-
-_Mrs. Donohoe:_ They bade me come up here by the stair. I never was in
-this place at all. I don't know am I right. Which now of the two of ye
-is Mike McInerney?
-
-_Mike McInerney:_ Who is it is calling me by my name?
-
-_Mrs. Donohoe:_ Sure amn't I your sister, Honor McInerney that was,
-that is now Honor Donohoe.
-
-_Mike McInerney:_ So you are, I believe. I didn't know you till you
-pushed anear me. It is time indeed for you to come see me, and I in
-this place five year or more. Thinking me to be no credit to you, I
-suppose, among that tribe of the Donohoes. I wonder they to give you
-leave to come ask am I living yet or dead?
-
-_Mrs. Donohoe:_ Ah, sure, I buried the whole string of them. Himself
-was the last to go. (_Wipes her eyes._) The Lord be praised he got a
-fine natural death. Sure we must go through our crosses. And he got a
-lovely funeral; it would delight you to hear the priest reading the
-Mass. My poor John Donohoe! A nice clean man, you couldn't but be fond
-of him. Very severe on the tobacco he was, but he wouldn't touch the
-drink.
-
-_Mike McInerney:_ And is it in Curranroe you are living yet?
-
-_Mrs. Donohoe:_ It is so. He left all to myself. But it is a lonesome
-thing the head of a house to have died!
-
-_Mike McInerney:_ I hope that he has left you a nice way of living?
-
-_Mrs. Donohoe:_ Fair enough, fair enough. A wide lovely house I have;
-a few acres of grass land ... the grass does be very sweet that grows
-among the stones. And as to the sea, there is something from it every
-day of the year, a handful of periwinkles to make kitchen, or cockles
-maybe. There is many a thing in the sea is not decent, but cockles is
-fit to put before the Lord!
-
-_Mike McInerney:_ You have all that! And you without ere a man in the
-house?
-
-_Mrs. Donohoe:_ It is what I am thinking, yourself might come and keep
-me company. It is no credit to me a brother of my own to be in this
-place at all.
-
-_Mike McInerney:_ I'll go with you! Let me out of this! It is the name
-of the McInerneys will be rising on every side!
-
-_Mrs. Donohoe:_ I don't know. I was ignorant of you being kept to the
-bed.
-
-_Mike McInerney:_ I am not kept to it, but maybe an odd time when
-there is a colic rises up within me. My stomach always gets better the
-time there is a change in the moon. I'd like well to draw anear you.
-My heavy blessing on you, Honor Donohoe, for the hand you have held
-out to me this day.
-
-_Mrs. Donohoe:_ Sure you could be keeping the fire in, and stirring
-the pot with the bit of Indian meal for the hens, and milking the goat
-and taking the tacklings off the donkey at the door; and maybe putting
-out the cabbage plants in their time. For when the old man died the
-garden died.
-
-_Mike McInerney:_ I could to be sure, and be cutting the potatoes for
-seed. What luck could there be in a place and a man not to be in it?
-Is that now a suit of clothes you have brought with you?
-
-_Mrs. Donohoe:_ It is so, the way you will be tasty coming in among
-the neighbours at Curranroe.
-
-_Mike McInerney:_ My joy you are! It is well you earned me! Let me up
-out of this! (He sits up and spreads out the clothes and tries on
-coat.) That now is a good frieze coat ... and a hat in the fashion ...
-(_He puts on hat._)
-
-_Michael Miskell:_ (_Alarmed._) And is it going out of this you are,
-Mike McInerney?
-
-_Mike McInerney:_ Don't you hear I am going? To Curranroe I am going.
-Going I am to a place where I will get every good thing!
-
-_Michael Miskell:_ And is it to leave me here after you you will?
-
-_Mike McInerney:_ (_In a rising chant._) Every good thing! The goat
-and the kid are there, the sheep and the lamb are there, the cow does
-be running and she coming to be milked! Ploughing and seed sowing,
-blossom at Christmas time, the cuckoo speaking through the dark days
-of the year! Ah, what are you talking about? Wheat high in hedges, no
-talk about the rent! Salmon in the rivers as plenty as turf! Spending
-and getting and nothing scarce! Sport and pleasure, and music on the
-strings! Age will go from me and I will be young again. Geese and
-turkeys for the hundreds and drink for the whole world!
-
-_Michael Miskell:_ Ah, Mike, is it truth you are saying, you to go
-from me and to leave me with rude people and with townspeople, and
-with people of every parish in the union, and they having no respect
-for me or no wish for me at all!
-
-_Mike McInerney:_ Whist now and I'll leave you ... my pipe (_hands it
-over_); and I'll engage it is Honor Donohoe won't refuse to be sending
-you a few ounces of tobacco an odd time, and neighbours coming to the
-fair in November or in the month of May.
-
-_Michael Miskell:_ Ah, what signifies tobacco? All that I am craving
-is the talk. There to be no one at all to say out to whatever thought
-might be rising in my innate mind! To be lying here and no conversible
-person in it would be the abomination of misery!
-
-_Mike McInerney:_ Look now, Honor.... It is what I often heard said,
-two to be better than one.... Sure if you had an old trouser was full
-of holes ... or a skirt ... wouldn't you put another in under it that
-might be as tattered as itself, and the two of them together would
-make some sort of a decent show?
-
-_Mrs. Donohoe:_ Ah, what are you saying? There is no holes in that
-suit I brought you now, but as sound it is as the day I spun it for
-himself.
-
-_Mike McInerney:_ It is what I am thinking, Honor ... I do be weak an
-odd time ... any load I would carry, it preys upon my side ... and
-this man does be weak an odd time with the swelling in his knees ...
-but the two of us together it's not likely it is at the one time we
-would fail. Bring the both of us with you, Honor, and the height of
-the castle of luck on you, and the both of us together will make one
-good hardy man!
-
-_Mrs. Donohoe:_ I'd like my job! Is it queer in the head you are grown
-asking me to bring in a stranger off the road?
-
-_Michael Miskell:_ I am not, ma'am, but an old neighbour I am. If I
-had forecasted this asking I would have asked it myself. Michael
-Miskell I am, that was in the next house to you in Skehanagh!
-
-_Mrs. Donohoe:_ For pity's sake! Michael Miskell is it? That's worse
-again. Yourself and Mike that never left fighting and scolding and
-attacking one another! Sparring at one another like two young pups you
-were, and threatening one another after like two grown dogs!
-
-_Mike McInerney:_ All the quarrelling was ever in the place it was
-myself did it. Sure his anger rises fast and goes away like the wind.
-Bring him out with myself now, Honor Donohoe, and God bless you.
-
-_Mrs. Donohoe:_ Well, then, I will not bring him out, and I will not
-bring yourself out, and you not to learn better sense. Are you making
-yourself ready to come?
-
-_Mike McInerney:_ I am thinking, maybe ... it is a mean thing for a
-man that is shivering into seventy years to go changing from place to
-place.
-
-_Mrs. Donohoe:_ Well, take your luck or leave it. All I asked was to
-save you from the hurt and the harm of the year.
-
-_Mike McInerney:_ Bring the both of us with you or I will not stir out
-of this.
-
-_Mrs. Donohoe:_ Give me back my fine suit so (_begins gathering up the
-clothes_), till I'll go look for a man of my own!
-
-_Mike McInerney:_ Let you go so, as you are so unnatural and so
-disobliging, and look for some man of your own, God help him! For I
-will not go with you at all!
-
-_Mrs. Donohoe:_ It is too much time I lost with you, and dark night
-waiting to overtake me on the road. Let the two of you stop together,
-and the back of my hand to you. It is I will leave you there the same
-as God left the Jews!
-
- (_She goes out. The old men lie down and are silent for a moment._)
-
-_Michael Miskell:_ Maybe the house is not so wide as what she says.
-
-_Mike McInerney:_ Why wouldn't it be wide?
-
-_Michael Miskell:_ Ah, there does be a good deal of middling poor
-houses down by the sea.
-
-_Mike McInerney:_ What would you know about wide houses? Whatever sort
-of a house you had yourself it was too wide for the provision you had
-into it.
-
-_Michael Miskell:_ Whatever provision I had in my house it was
-wholesome provision and natural provision. Herself and her
-periwinkles! Periwinkles is a hungry sort of food.
-
-_Mike McInerney:_ Stop your impudence and your chat or it will be the
-worse for you. I'd bear with my own father and mother as long as any
-man would, but if they'd vex me I would give them the length of a rope
-as soon as another!
-
-_Michael Miskell:_ I would never ask at all to go eating periwinkles.
-
-_Mike McInerney:_ (_Sitting up._) Have you anyone to fight me?
-
-_Michael Miskell:_ (_Whimpering._) I have not, only the Lord!
-
-_Mike McInerney:_ Let you leave putting insults on me so, and death
-picking at you!
-
-_Michael Miskell:_ Sure I am saying nothing at all to displease you.
-It is why I wouldn't go eating periwinkles, I'm in dread I might
-swallow the pin.
-
-_Mike McInerney:_ Who in the world wide is asking you to eat them?
-You're as tricky as a fish in the full tide!
-
-_Michael Miskell:_ Tricky is it! Oh, my curse and the curse of the
-four and twenty men upon you!
-
-_Mike McInerney:_ That the worm may chew you from skin to marrow bone!
-(_Seizes his pillow._)
-
-_Michael Miskell:_ (_Seizing his own pillow._) I'll leave my death on
-you, you scheming vagabone!
-
-_Mike McInerney:_ By cripes! I'll pull out your pin feathers!
-(_Throwing pillow._)
-
-_Michael Miskell:_ (_Throwing pillow._) You tyrant! You big bully you!
-
-_Mike McInerney:_ (_Throwing pillow and seizing mug._) Take this so,
-you stobbing ruffian you!
-
- (_They throw all within their reach at one another, mugs,
- prayer books, pipes, etc._)
-
-
-_Curtain_
-
-
-
-
-THE TRAVELLING MAN
-
-
-PERSONS
-
- _A Mother._
- _A Child._
- _A Travelling Man._
-
-
-THE TRAVELLING MAN
-
-A MIRACLE PLAY
-
-
- _Scene: A cottage kitchen. A woman setting out a bowl and jug
- and board on the table for bread-making._
-
-_Child:_ What is it you are going to make, mother?
-
-_Mother:_ I am going to make a grand cake with white flour. Seeds I
-will put in it. Maybe I'll make a little cake for yourself too. You
-can be baking it in the little pot while the big one will be baking in
-the big pot.
-
-_Child:_ It is a pity daddy to be away at the fair on a Samhain night.
-
-_Mother:_ I must make my feast all the same, for Samhain night is more
-to me than to any other one. It was on this night seven years I first
-came into this house.
-
-_Child:_ You will be taking down those plates from the dresser so,
-those plates with flowers on them, and be putting them on the table.
-
-_Mother:_ I will. I will set out the house to-day, and bring down the
-best delf, and put whatever thing is best on the table, because of the
-great thing that happened me seven years ago.
-
-_Child:_ What great thing was that?
-
-_Mother:_ I was after being driven out of the house where I was a
-serving girl....
-
-_Child:_ Where was that house? Tell me about it.
-
-_Mother:_ (_Sitting down and pointing southward._) It is over there I
-was living, in a farmer's house up on Slieve Echtge, near to Slieve na
-n-Or, the Golden Mountain.
-
-_Child:_ The Golden Mountain! That must be a grand place.
-
-_Mother:_ Not very grand indeed, but bare and cold enough at that time
-of the year. Anyway, I was driven out a Samhain day like this, because
-of some things that were said against me.
-
-_Child:_ What did you do then?
-
-_Mother:_ What had I to do but to go walking the bare bog road through
-the rough hills where there was no shelter to find, and the sharp wind
-going through me, and the red mud heavy on my shoes. I came to
-Kilbecanty....
-
-_Child:_ I know Kilbecanty. That is where the woman in the shop gave
-me sweets out of a bottle.
-
-_Mother:_ So she might now, but that night her door was shut and all
-the doors were shut; and I saw through the windows the boys and the
-girls sitting round the hearth and playing their games, and I had no
-courage to ask for shelter. In dread I was they might think some
-shameful thing of me, and I going the road alone in the night-time.
-
-_Child:_ Did you come here after that?
-
-_Mother:_ I went on down the hill in the darkness, and with the dint
-of my trouble and the length of the road my strength failed me, and I
-had like to fall. So I did fall at the last, meeting with a heap of
-broken stones by the roadside.
-
-_Child:_ I hurt my knee one time I fell on the stones.
-
-_Mother:_ It was then the great thing happened. I saw a stranger
-coming towards me, a very tall man, the best I ever saw, bright and
-shining that you could see him through the darkness; and I knew him to
-be no common man.
-
-_Child:_ Who was he?
-
-_Mother:_ It is what I thought, that he was the King of the World.
-
-_Child:_ Had he a crown like a King?
-
-_Mother:_ If he had, it was made of the twigs of a bare blackthorn;
-but in his hand he had a green branch, that never grew on a tree of
-this world. He took me by the hand, and he led me over the
-stepping-stones outside to this door, and he bade me to go in and I
-would find good shelter. I was kneeling down to thank him, but he
-raised me up and he said, "I will come to see you some other time.
-And do not shut up your heart in the things I give you," he said, "but
-have a welcome before me."
-
-_Child:_ Did he go away then?
-
-_Mother:_ I saw him no more after that, but I did as he bade me. (_She
-stands up and goes to the door._) I came in like this, and your father
-was sitting there by the hearth, a lonely man that was after losing
-his wife. He was alone and I was alone, and we married one another;
-and I never wanted since for shelter or safety. And a good wife I made
-him, and a good housekeeper.
-
-_Child:_ Will the King come again to the house?
-
-_Mother:_ I have his word for it he will come, but he did not come
-yet; it is often your father and myself looked out the door of a
-Samhain night, thinking to see him.
-
-_Child:_ I hope he won't come in the night time, and I asleep.
-
-_Mother:_ It is of him I do be thinking every year, and I setting out
-the house, and making a cake for the supper.
-
-_Child:_ What will he do when he comes in?
-
-_Mother:_ He will sit over there in the chair, and maybe he will taste
-a bit of the cake. I will call in all the neighbours; I will tell them
-he is here. They will not be keeping it in their mind against me then
-that I brought nothing, coming to the house. They will know I am
-before any of them, the time they know who it is has come to visit me.
-They will all kneel down and ask for his blessing. But the best
-blessing will be on the house he came to of himself.
-
-_Child:_ And are you going to make the cake now?
-
-_Mother:_ I must make it now indeed, or I will be late with it. I am
-late as it is; I was expecting one of the neighbours to bring me white
-flour from the town. I'll wait no longer, I'll go borrow it in some
-place. There will be a wedding in the stonecutter's house Thursday,
-it's likely there will be flour in the house.
-
-_Child:_ Let me go along with you.
-
-_Mother:_ It is best for you to stop here. Be a good child now, and
-don't be meddling with the things on the table. Sit down there by the
-hearth and break up those little sticks I am after bringing in. Make a
-little heap of them now before me, and we will make a good fire to
-bake the cake. See now how many will you break. Don't go out the door
-while I'm away, I would be in dread of you going near the river and it
-in flood. Behave yourself well now. Be counting the sticks as you
-break them.
-
- (_She goes out._)
-
-_Child:_ (_Sitting down and breaking sticks across his knee._) One--and
-two--O I can break this one into a great many, one, two, three,
-four.--This one is wet--I don't like a wet one--five, six--that is a great
-heap.--Let me try that great big one.--That is too hard.--I don't think
-mother could break that one.--Daddy could break it.
-
- (_Half-door is opened and a travelling man comes in. He wears a
- ragged white flannel shirt, and mud-stained trousers. He is
- bareheaded and barefooted, and carries a little branch in his
- hand._)
-
-_Travelling Man:_ (_Stooping over the child and taking the stick._)
-Give it here to me and hold this.
-
- (_He puts the branch in the child's hand while he takes the
- stick and breaks it._)
-
-_Child:_ That is a good branch, apples on it and flowers. The tree at
-the mill has apples yet, but all the flowers are gone. Where did you
-get this branch?
-
-_Travelling Man:_ I got it in a garden a long way off.
-
-_Child:_ Where is the garden? Where do you come from?
-
-_Travelling Man:_ (_Pointing southward._) I have come from beyond
-those hills.
-
-_Child:_ Is it from the Golden Mountain you are come? From Slieve na
-n-Or?
-
-_Travelling Man:_ That is where I come from surely, from the Golden
-Mountain. I would like to sit down and rest for a while.
-
-_Child:_ Sit down here beside me. We must not go near the table or
-touch anything, or mother will be angry. Mother is going to make a
-beautiful cake, a cake that will be fit for a King that might be
-coming in to our supper.
-
-_Travelling Man:_ I will sit here with you on the floor.
-
- (_Sits down._)
-
-_Child:_ Tell me now about the Golden Mountain.
-
-_Travelling Man:_ There is a garden in it, and there is a tree in the
-garden that has fruit and flowers at the one time.
-
-_Child:_ Like this branch?
-
-_Travelling Man:_ Just like that little branch.
-
-_Child:_ What other things are in the garden?
-
-_Travelling Man:_ There are birds of all colours that sing at every
-hour, the way the people will come to their prayers. And there is a
-high wall about the garden.
-
-_Child:_ What way can the people get through the wall?
-
-_Travelling Man:_ There are four gates in the wall: a gate of gold,
-and a gate of silver, and a gate of crystal, and a gate of white
-brass.
-
-_Child:_ (_Taking up the sticks._) I will make a garden. I will make a
-wall with these sticks.
-
-_Travelling Man:_ This big stick will make the first wall.
-
- (_They build a square wall with sticks._)
-
-_Child:_ (_Taking up branch._) I will put this in the middle. This is
-the tree. I will get something to make it stand up. (_Gets up and
-looks at dresser._) I can't reach it, get up and give me that shining
-jug.
-
- (_Travelling Man gets up and gives him the jug._)
-
-_Travelling Man:_ Here it is for you.
-
-_Child:_ (_Puts it within the walls and sets the branch in it._) Tell
-me something else that is in the garden?
-
-_Travelling Man:_ There are four wells of water in it, that are as
-clear as glass.
-
-_Child:_ Get me down those cups, those flowery cups, we will put them
-for wells. (_He hands them down._) Now I will make the gates, give me
-those plates for gates, not those ugly ones, those nice ones at the
-top.
-
- (_He takes them down and they put them on the four sides for
- gates. The Child gets up and looks at it._)
-
-_Travelling Man:_ There now, it is finished.
-
-_Child:_ Is it as good as the other garden? How can we go to the
-Golden Mountain to see the other garden?
-
-_Travelling Man:_ We can ride to it.
-
-_Child:_ But we have no horse.
-
-_Travelling Man:_ This form will be our horse. (_He draws a form out
-of the corner, and sits down astride on it, putting the child before
-him._) Now, off we go! (_Sings, the child repeating the refrain_)--
-
- Come ride and ride to the garden,
- Come ride and ride with a will:
- For the flower comes with the fruit there
- Beyond a hill and a hill.
-
- _Refrain_
-
- Come ride and ride to the garden,
- Come ride like the March wind;
- There's barley there, and water there,
- And stabling to your mind.
-
-_Travelling Man:_ How did you like that ride, little horseman?
-
-_Child:_ Go on again! I want another ride!
-
-_Travelling Man_ (_sings_)--
-
- The Archangels stand in a row there
- And all the garden bless,
- The Archangel Axel, Victor the angel
- Work at the cider press.
-
- _Refrain_
-
- Come ride and ride to the garden, &c.
-
-_Child:_ We will soon be at the Golden Mountain now. Ride again. Sing
-another song.
-
-_Travelling Man_ (_sings_)--
-
-
- O scent of the broken apples!
- O shuffling of holy shoes!
- Beyond a hill and a hill there
- In the land that no one knows.
-
- _Refrain_
-
- Come ride and ride to the garden, &c.
-
-
-_Child:_ Now another ride.
-
-_Travelling Man:_ This will be the last. It will be a good ride.
-
- (_The mother comes in. She stares for a second, then throws
- down her basket and snatches up the child._)
-
-_Mother:_ Did ever anyone see the like of that! A common beggar, a
-travelling man off the roads, to be holding the child! To be leaving
-his ragged arms about him as if he was of his own sort! Get out of
-that, whoever you are, and quit this house or I'll call to some that
-will make you quit it.
-
-_Child:_ Do not send him out! He is not a bad man; he is a good man;
-he was playing horses with me. He has grand songs.
-
-_Mother:_ Let him get away out of this now, himself and his share of
-songs. Look at the way he has your bib destroyed that I was after
-washing in the morning!
-
-_Child:_ He was holding me on the horse. We were riding, I might have
-fallen. He held me.
-
-_Mother:_ I give you my word you are done now with riding horses. Let
-him go on his road. I have no time to be cleaning the place after the
-like of him.
-
-_Child:_ He is tired. Let him stop here till evening.
-
-_Travelling Man:_ Let me rest here for a while, I have been travelling
-a long way.
-
-_Mother:_ Where did you come from to-day?
-
-_Travelling Man:_ I came over Slieve Echtge from Slieve na n-Or. I had
-no house to stop in. I walked the long bog road, the wind was going
-through me, there was no shelter to be got, the red mud of the road
-was heavy on my feet. I got no welcome in the villages, and so I came
-on to this place, to the rising of the river at Ballylee.
-
-_Mother:_ It is best for you to go on to the town. It is not far for
-you to go. We will maybe have company coming in here.
-
- (_She pours out flour into a bowl and begins mixing._)
-
-_Travelling Man:_ Will you give me a bit of that dough to bring with
-me? I have gone a long time fasting.
-
-_Mother:_ It is not often in the year I make bread like this. There
-are a few cold potatoes on the dresser, are they not good enough for
-you? There is many a one would be glad to get them.
-
-_Travelling Man:_ Whatever you will give me, I will take it.
-
-_Mother:_ (_Going to the dresser for the potatoes and looking at the
-shelves._) What in the earthly world has happened all the delf? Where
-are the jugs gone and the plates? They were all in it when I went out
-a while ago.
-
-_Child:_ (_Hanging his head._) We were making a garden with them. We
-were making that garden there in the corner.
-
-_Mother:_ Is that what you were doing after I bidding you to sit still
-and to keep yourself quiet? It is to tie you in the chair I will
-another time! My grand jugs! (_She picks them up and wipes them._) My
-plates that I bought the first time I ever went marketing into Gort.
-The best in the shop they were. (_One slips from her hand and
-breaks._) Look at that now, look what you are after doing.
-
- (_She gives a slap at the child._)
-
-_Travelling Man:_ Do not blame the child. It was I myself took them
-down from the dresser.
-
-_Mother:_ (_Turning on him._) It was you took them! What business had
-you doing that? It's the last time a tramp or a tinker or a rogue of
-the roads will have a chance of laying his hand on anything in this
-house. It is jailed you should be! What did you want touching the
-dresser at all? Is it looking you were for what you could bring away?
-
-_Travelling Man:_ (_Taking the child's hands._) I would not refuse
-these hands that were held out for them. If it was for the four winds
-of the world he had asked, I would have put their bridles into these
-innocent hands.
-
-_Mother:_ (_Taking up the jug and throwing the branch on the floor._)
-Get out of this! Get out of this I tell you! There is no shelter here
-for the like of you! Look at that mud on the floor! You are not fit to
-come into the house of any decent respectable person!
-
- (_The room begins to darken._)
-
-_Travelling Man:_ Indeed, I am more used to the roads than to the
-shelter of houses. It is often I have spent the night on the bare
-hills.
-
-_Mother:_ No wonder in that! (_She begins to sweep floor._) Go out of
-this now to whatever company you are best used to, whatever they are.
-The worst of people it is likely they are, thieves and drunkards and
-shameless women.
-
-_Travelling Man:_ Maybe so. Drunkards and thieves and shameless women,
-stones that have fallen, that are trodden under foot, bodies that are
-spoiled with sores, bodies that are worn with fasting, minds that are
-broken with much sinning, the poor, the mad, the bad....
-
-_Mother:_ Get out with you! Go back to your friends, I say!
-
-_Travelling Man:_ I will go. I will go back to the high road that is
-walked by the bare feet of the poor, by the innocent bare feet of
-children. I will go back to the rocks and the wind, to the cries of
-the trees in the storm! (_He goes out._)
-
-_Child:_ He has forgotten his branch!
-
- (_Takes it and follows him._)
-
-_Mother:_ (_Still sweeping._) My good plates from the dresser, and
-dirty red mud on the floor, and the sticks all scattered in every
-place. (_Stoops to pick them up._) Where is the child gone? (_Goes to
-door._) I don't see him--he couldn't have gone to the river--it is
-getting dark--the bank is slippy. Come back! Come back! Where are you?
-(_Child runs in._)
-
-_Mother:_ O where were you? I was in dread it was to the river you
-were gone, or into the river.
-
-_Child:_ I went after him. He is gone over the river.
-
-_Mother:_ He couldn't do that. He couldn't go through the flood.
-
-_Child:_ He did go over it. He was as if walking on the water. There
-was a light before his feet.
-
-_Mother:_ That could not be so. What put that thought in your mind?
-
-_Child:_ I called to him to come back for the branch, and he turned
-where he was in the river, and he bade me to bring it back, and to
-show it to yourself.
-
-_Mother:_ (_Taking the branch._) There are fruit and flowers on it. It
-is a branch that is not of any earthly tree. (_Falls on her knees._)
-He is gone, he is gone, and I never knew him! He was that stranger
-that gave me all! He is the King of the World!
-
-
-
-
-THE GAOL GATE
-
-
-PERSONS
-
- _Mary Cahel_ AN OLD WOMAN
- _Mary Cushin_ HER DAUGHTER-IN-LAW
- _The Gatekeeper_
-
-
-THE GAOL GATE
-
-
- _Scene: Outside the gate of Galway Gaol. Two countrywomen, one
- in a long dark cloak, the other with a shawl over her head,
- have just come in. It is just before dawn._
-
-
-_Mary Cahel:_ I am thinking we are come to our journey's end, and that
-this should be the gate of the gaol.
-
-_Mary Cushin:_ It is certain it could be no other place. There was
-surely never in the world such a terrible great height of a wall.
-
-_Mary Cahel:_ He that was used to the mountain to be closed up inside
-of that! What call had he to go moonlighting or to bring himself into
-danger at all?
-
-_Mary Cushin:_ It is no wonder a man to grow faint-hearted and he shut
-away from the light. I never would wonder at all at anything he might
-be driven to say.
-
-_Mary Cahel:_ There were good men were gaoled before him never gave in
-to anyone at all. It is what I am thinking, Mary, he might not have
-done what they say.
-
-_Mary Cushin:_ Sure you heard what the neighbours were calling the
-time their own boys were brought away. "It is Denis Cahel," they were
-saying, "that informed against them in the gaol."
-
-_Mary Cahel:_ There is nothing that is bad or is wicked but a woman
-will put it out of her mouth, and she seeing them that belong to her
-brought away from her sight and her home.
-
-_Mary Cushin:_ Terry Fury's mother was saying it, and Pat Ruane's
-mother and his wife. They came out calling it after me, "It was Denis
-swore against them in the gaol!" The sergeant was boasting, they were
-telling me, the day he came searching Daire-caol, it was he himself
-got his confession with drink he had brought him in the gaol.
-
-_Mary Cahel:_ They might have done that, the ruffians, and the boy
-have no blame on him at all. Why should it be cast up against him, and
-his wits being out of him with drink?
-
-_Mary Cushin:_ If he did give their names up itself, there was maybe
-no wrong in it at all. Sure it's known to all the village it was Terry
-that fired the shot.
-
-_Mary Cahel:_ Stop your mouth now and don't be talking. You haven't
-any sense worth while. Let the sergeant do his own business with no
-help from the neighbours at all.
-
-_Mary Cushin:_ It was Pat Ruane that tempted them on account of some
-vengeance of his own. Every creature knows my poor Denis never handled
-a gun in his life.
-
-_Mary Cahel:_ (_Taking from under her cloak a long blue envelope._) I
-wish we could know what is in the letter they are after sending us
-through the post. Isn't it a great pity for the two of us to be
-without learning at all?
-
-_Mary Cushin:_ There are some of the neighbours have learning, and you
-bade me not bring it anear them. It would maybe have told us what way
-he is or what time he will be quitting the gaol.
-
-_Mary Cahel:_ There is wonder on me, Mary Cushin, that you would not
-be content with what I say. It might be they put down in the letter
-that Denis informed on the rest.
-
-_Mary Cushin:_ I suppose it is all we have to do so, to stop here for
-the opening of the door. It's a terrible long road from Slieve Echtge
-we were travelling the whole of the night.
-
-_Mary Cahel:_ There was no other thing for us to do but to come and to
-give him a warning. What way would he be facing the neighbours, and he
-to come back to Daire-caol?
-
-_Mary Cushin:_ It is likely they will let him go free, Mary, before
-many days will be out. What call have they to be keeping him? It is
-certain they promised him his life.
-
-_Mary Cahel:_ If they promised him his life, Mary Cushin, he must live
-it in some other place. Let him never see Daire-caol again, or Daroda
-or Druimdarod.
-
-_Mary Cushin:_ O, Mary, what place will we bring him to, and we driven
-from the place that we know? What person that is sent among strangers
-can have one day's comfort on earth?
-
-_Mary Cahel:_ It is only among strangers, I am thinking, he could be
-hiding his story at all. It is best for him to go to America, where
-the people are as thick as grass.
-
-_Mary Cushin:_ What way could he go to America and he having no means
-in his hand? There's himself and myself to make the voyage and the
-little one-een at home.
-
-_Mary Cahel:_ I would sooner to sell the holding than to ask for the
-price paid for blood. There'll be money enough for the two of you to
-settle your debts and to go.
-
-_Mary Cushin:_ And what would yourself be doing and we to go over the
-sea? It is not among the neighbours you would wish to be ending your
-days.
-
-_Mary Cahel:_ I am thinking there is no one would know me in the
-workhouse at Oughterard. I wonder could I go in there, and I not to
-give them my name?
-
-_Mary Cushin:_ Ah, don't be talking foolishness. What way could I
-bring the child? Sure he's hardly out of the cradle; he'd be lost out
-there in the States.
-
-_Mary Cahel:_ I could bring him into the workhouse, I to give him some
-other name. You could send for him when you'd be settled or have some
-place of your own.
-
-_Mary Cushin:_ It is very cold at the dawn. It is time for them open
-the door. I wish I had brought a potato or a bit of a cake or of
-bread.
-
-_Mary Cahel:_ I'm in dread of it being opened and not knowing what
-will we hear. The night that Denis was taken he had a great cold and a
-cough.
-
-_Mary Cushin:_ I think I hear some person coming. There's a sound like
-the rattling of keys. God and His Mother protect us! I'm in dread of
-being found here at all!
-
- (_The gate is opened, and the Gatekeeper is seen with a lantern
- in his hand._)
-
-_Gatekeeper:_ What are you doing here, women? It's no place to be
-spending the night time.
-
-_Mary Cahel:_ It is to speak with my son I am asking, that is gaoled
-these eight weeks and a day.
-
-_Gatekeeper:_ If you have no order to visit him it's as good for you
-go away home.
-
-_Mary Cahel:_ I got this letter ere yesterday. It might be it is
-giving me leave.
-
-_Gatekeeper:_ If that's so he should be under the doctor, or in the
-hospital ward.
-
-_Mary Cahel:_ It's no wonder if he's down with the hardship, for he
-had a great cough and a cold.
-
-_Gatekeeper:_ Give me here the letter to read it. Sure it never was
-opened at all.
-
-_Mary Cahel:_ Myself and this woman have no learning. We were loth to
-trust any other one.
-
-_Gatekeeper:_ It was posted in Galway the twentieth, and this is the
-last of the month.
-
-_Mary Cahel:_ We never thought to call at the post office. It was
-chance brought it to us in the end.
-
-_Gatekeeper:_ (_Having read letter._) You poor unfortunate women,
-don't you know Denis Cahel is dead? You'd a right to come this time
-yesterday if you wished any last word at all.
-
-_Mary Cahel:_ (_Kneeling down._) God and His Mother protect us and
-have mercy on Denis's soul!
-
-_Mary Cushin:_ What is the man after saying? Sure it cannot be Denis
-is dead?
-
-_Gatekeeper:_ Dead since the dawn of yesterday, and another man now in
-his cell. I'll go see who has charge of his clothing if you're wanting
-to bring it away.
-
- (_He goes in. The dawn has begun to break._)
-
-_Mary Cahel:_ There is lasting kindness in Heaven when no kindness is
-found upon earth. There will surely be mercy found for him, and not
-the hard judgment of men! But my boy that was best in the world, that
-never rose a hair of my head, to have died with his name under
-blemish, and left a great shame on his child! Better for him have
-killed the whole world than to give any witness at all! Have you no
-word to say, Mary Cushin? Am I left here to keen him alone?
-
-_Mary Cushin:_ (_Who has sunk on to the step before the door, rocking
-herself and keening._) Oh, Denis, my heart is broken you to have died
-with the hard word upon you! My grief you to be alone now that spent
-so many nights in company!
-
-What way will I be going back through Gort and through Kilbecanty? The
-people will not be coming out keening you, they will say no prayer for
-the rest of your soul!
-
-What way will I be the Sunday and I going up the hill to the Mass?
-Every woman with her own comrade, and Mary Cushin to be walking her
-lone!
-
-What way will I be the Monday and the neighbours turning their heads
-from the house? The turf Denis cut lying on the bog, and no
-well-wisher to bring it to the hearth!
-
-What way will I be in the night time, and none but the dog calling
-after you? Two women to be mixing a cake, and not a man in the house
-to break it!
-
-What way will I sow the field, and no man to drive the furrow? The
-sheaf to be scattered before springtime that was brought together at
-the harvest!
-
-I would not begrudge you, Denis, and you leaving praises after you.
-The neighbours keening along with me would be better to me than an
-estate.
-
-But my grief your name to be blackened in the time of the blackening
-of the rushes! Your name never to rise up again in the growing time of
-the year! (_She ceases keening and turns towards the old woman._) But
-tell me, Mary, do you think would they give us the body of Denis? I
-would lay him out with myself only; I would hire some man to dig the
-grave.
-
- (_The Gatekeeper opens the gate and hands out some clothes._)
-
-_Gatekeeper:_ There now is all he brought in with him; the flannels
-and the shirt and the shoes. It is little they are worth altogether;
-those mountainy boys do be poor.
-
-_Mary Cushin:_ They had a right to give him time to ready himself the
-day they brought him to the magistrates. He to be wearing his Sunday
-coat, they would see he was a decent boy. Tell me where will they bury
-him, the way I can follow after him through the street? There is no
-other one to show respect to him but Mary Cahel, his mother, and
-myself.
-
-_Gatekeeper:_ That is not to be done. He is buried since yesterday in
-the field that is belonging to the gaol.
-
-_Mary Cushin:_ It is a great hardship that to have been done, and not
-one of his own there to follow after him at all.
-
-_Gatekeeper:_ Those that break the law must be made an example of. Why
-would they be laid out like a well behaved man? A long rope and a
-short burying, that is the order for a man that is hanged.
-
-_Mary Cushin:_ A man that was hanged! O Denis, was it they that made
-an end of you and not the great God at all? His curse and my own curse
-upon them that did not let you die on the pillow! The curse of God be
-fulfilled that was on them before they were born! My curse upon them
-that brought harm on you, and on Terry Fury that fired the shot!
-
-_Mary Cahel:_ (_Standing up._) And the other boys, did they hang them
-along with him, Terry Fury and Pat Ruane that were brought from
-Daire-caol?
-
-_Gatekeeper:_ They did not, but set them free twelve hours ago. It is
-likely you may have passed them in the night time.
-
-_Mary Cushin:_ Set free is it, and Denis made an end of? What justice
-is there in the world at all?
-
-_Gatekeeper:_ He was taken near the house. They knew his footmark.
-There was no witness given against the rest worth while.
-
-_Mary Cahel:_ Then the sergeant was lying and the people were lying
-when they said Denis Cahel had informed in the gaol?
-
-_Gatekeeper:_ I have no time to be stopping here talking. The judge
-got no evidence and the law set them free.
-
- (_He goes in and shuts gate after him._)
-
-_Mary Cahel:_ (_Holding out her hands._) Are there any people in the
-streets at all till I call on them to come hither? Did they ever hear
-in Galway such a thing to be done, a man to die for his neighbour?
-
-Tell it out in the streets for the people to hear, Denis Cahel from
-Slieve Echtge is dead. It was Denis Cahel from Daire-caol that died in
-the place of his neighbour!
-
-It is he was young and comely and strong, the best reaper and the best
-hurler. It was not a little thing for him to die, and he protecting
-his neighbour!
-
-Gather up, Mary Cushin, the clothes for your child; they'll be wanted
-by this one and that one. The boys crossing the sea in the springtime
-will be craving a thread for a memory.
-
-One word to the judge and Denis was free, they offered him all sorts
-of riches. They brought him drink in the gaol, and gold, to swear
-away the life of his neighbour!
-
-Pat Ruane was no good friend to him at all, but a foolish, wild
-companion; it was Terry Fury knocked a gap in the wall and sent in the
-calves to our meadow.
-
-Denis would not speak, he shut his mouth, he would never be an
-informer. It is no lie he would have said at all giving witness
-against Terry Fury.
-
-I will go through Gort and Kilbecanty and Druimdarod and Daroda; I
-will call to the people and the singers at the fairs to make a great
-praise for Denis!
-
-The child he left in the house that is shook, it is great will be his
-boast in his father! All Ireland will have a welcome before him, and
-all the people in Boston.
-
-I to stoop on a stick through half a hundred years, I will never be
-tired with praising! Come hither, Mary Cushin, till we'll shout it
-through the roads, Denis Cahel died for his neighbour!
-
- (_She goes off to the left, Mary Cushin following her._)
-
-
-_Curtain_
-
-
-
-
-MUSIC FOR THE SONGS IN THE PLAYS
-
-
-[Illustration: Music sheet for THE RED-HAIRED MAN'S WIFE
-
- THE RED-HAIRED MAN'S WIFE
-
- _Spreading the News._
-
- I thought, my first love, there'd be but one house between you and me,
- And I thought I would find yourself coaxing my child on your knee.
- Over the tide I would leap with the leap of a swan,
- Till I came to the side of the wife of the red-haired man.]
-
-
-[Illustration: Music sheet for GRANUAILE
-
- GRANUAILE
-
- _The Rising of the Moon._
-
- As through the hills I walked to view the bills and sham-rock plain,
- I stood a while where nature smiles to view the rocks and streams.
- On a ma-tron fair I fixed my eyes beneath a fer-tile vale,
- As she sang her song--it was on the wrong of poor old Gran-u-aile.
-
- Her head was bare, her hands and feet with iron bands were bound,
- Her pensive strain and plaintive wail mingles with the evening gale,
- And the song she sang with mournful air, I am old Granuaile,
- Her lips so sweet that monarchs kissed--]
-
-
-[Illustration: Music sheet for JOHNNY HART
-
-JOHNNY HART
-
- _The Rising of the Moon._
-
- There was a rich far-mer's daugh-ter lived near the town of Ross;
- She courted a High-land soldier, His name was John-ny Hart;
- Says the mother to her daughter, "I'll go distracted mad
- If you mar-ry that Highland soldier dressed up to his High-land plaid."]
-
-
-[Illustration: Music sheet for THE RISING OF THE MOON
-
- THE RISING OF THE MOON
-
- O, then, tell me, Shawn O' Far-rell, where the gath'ring is to be.
- In the old spot by the river, Right well known to you and me.
- One word more, for signal token whistle up the march-ing tune,
- With your pike up - on your shoulder at the rising of the moon.]
-
-
-[Illustration: Music sheet for GAOL GATE
-
- GAOL GATE
-
- Caions.
-
- _Tempo, ad lib._
-
- What way will I be the Sun-day
- And I going up the hill to the Mass;
- Ev'ry woman with her own comrade
- And Mary Cush-in to be walk-ing her lone.
-
- {_Spoken_.}
- What way drive the furrow?
- {_Sings_.}
- The sheaf to be scat-tered before spring-time that was
- brought together at the harvest!
-
- {_Spoken_.}
- I would not--an estate.
- {_Sings_.}
- But my grief your name to be blackened in
- the time of the black'ning of the rushes
- Your ... name never to rise up again
- In the growing time ... of ... the year.]
-
-
-
-
-NOTES AND CASTS
-
-SPREADING THE NEWS
-
-The idea of this play first came to me as a tragedy. I kept seeing as
-in a picture people sitting by the roadside, and a girl passing to the
-market, gay and fearless. And then I saw her passing by the same place
-at evening, her head hanging, the heads of others turned from her,
-because of some sudden story that had risen out of a chance word, and
-had snatched away her good name.
-
-But comedy and not tragedy was wanted at our theatre to put beside the
-high poetic work, _The King's Threshold_, _The Shadowy Waters_, _On
-Baile's Strand_, _The Well of the Saints_; and I let laughter have its
-way with the little play. I was delayed in beginning it for a while,
-because I could only think of Bartley Fallon as dull-witted or silly
-or ignorant, and the handcuffs seemed too harsh a punishment. But one
-day by the sea at Duras a melancholy man who was telling me of the
-crosses he had gone through at home said--"But I'm thinking if I went
-to America, its long ago to-day I'd be dead. And its a great expense
-for a poor man to be buried in America." Bartley was born at that
-moment, and, far from harshness, I felt I was providing him with a
-happy old age in giving him the lasting glory of that great and
-crowning day of misfortune.
-
-It has been acted very often by other companies as well as our own,
-and the Boers have done me the honour of translating and pirating it.
-
-
-HYACINTH HALVEY
-
-I was pointed out one evening a well-brushed, well-dressed man in the
-stalls, and was told gossip about him, perhaps not all true, which
-made me wonder if that appearance and behaviour as of extreme
-respectability might not now and again be felt a burden.
-
-After a while he translated himself in my mind into Hyacinth; and as
-one must set one's original a little way off to get a translation
-rather than a tracing, he found himself in Cloon, where, as in other
-parts of our country, "character" is built up or destroyed by a
-password or an emotion, rather than by experience and deliberation.
-
-The idea was more of a universal one than I knew at the first, and I
-have had but uneasy appreciation from some apparently blameless
-friends.
-
-
-THE RISING OF THE MOON
-
-When I was a child and came with my elders to Galway for their salmon
-fishing in the river that rushes past the gaol, I used to look with
-awe at the window where men were hung, and the dark, closed gate. I
-used to wonder if ever a prisoner might by some means climb the high,
-buttressed wall and slip away in the darkness by the canal to the
-quays and find friends to hide him under a load of kelp in a fishing
-boat, as happens to my ballad-singing man. The play was considered
-offensive to some extreme Nationalists before it was acted, because it
-showed the police in too favourable a light, and a Unionist paper
-attacked it after it was acted because the policeman was represented
-"as a coward and a traitor"; but after the Belfast police strike that
-same paper praised its "insight into Irish character." After all these
-ups and downs it passes unchallenged on both sides of the Irish Sea.
-
-
-THE JACKDAW
-
-The first play I wrote was called "Twenty-five." It was played by our
-company in Dublin and London, and was adapted and translated into
-Irish and played in America. It was about "A boy of Kilbecanty that
-saved his old sweetheart from being evicted. It was playing
-Twenty-five he did it; played with the husband he did, letting him win
-up to 50."
-
-It was rather sentimental and weak in construction, and for a long
-time it was an overflowing storehouse of examples of "the faults of my
-dramatic method." I have at last laid its ghost in "The Jackdaw," and
-I have not been accused of sentimentality since the appearance of
-this.
-
-THE WORKHOUSE WARD
-
-I heard of an old man in the workhouse who had been disabled many
-years before by, I think, a knife thrown at him by his wife in some
-passionate quarrel.
-
-One day I heard the wife had been brought in there, poor and sick. I
-wondered how they would meet, and if the old quarrel was still alive,
-or if they who knew the worst of each other would be better pleased
-with one another's company than with that of strangers.
-
-I wrote a scenario of the play, Dr. Douglas Hyde, getting in plot what
-he gave back in dialogue, for at that time we thought a dramatic
-movement in Irish would be helpful to our own as well as to the Gaelic
-League. Later I tried to rearrange it for our own theatre, and for
-three players only, but in doing this I found it necessary to write
-entirely new dialogue, the two old men in the original play obviously
-talking at an audience in the wards, which is no longer there.
-
-I sometimes think the two scolding paupers are a symbol of ourselves
-in Ireland--[Gaelic script and words]--"it is better to be quarrelling
-than to be lonesome." The Rajputs, that great fighting race, when they
-were told they had been brought under the Pax Britannica and must give
-up war, gave themselves to opium in its place, but Connacht has not
-yet planted its poppy gardens.
-
-
-THE TRAVELLING MAN
-
-An old woman living in a cabin by a bog road on Slieve Echtge told me
-the legend on which this play is founded, and which I have already
-published in "Poets and Dreamers."
-
-"There was a poor girl walking the road one night with no place to
-stop, and the Saviour met her on the road, and He said--'Go up to the
-house you see a light in; there's a woman dead there, and they'll let
-you in.' So she went, and she found the woman laid out, and the
-husband and other people; but she worked harder than they all, and she
-stopped in the house after; and after two quarters the man married
-her. And one day she was sitting outside the door, picking over a bag
-of wheat, and the Saviour came again, with the appearance of a poor
-man, and He asked her for a few grains of the wheat. And she
-said--'Wouldn't potatoes be good enough for you?' And she called to the
-girl within to bring out a few potatoes. But He took nine grains of
-the wheat in His hand and went away; and there wasn't a grain of wheat
-left in the bag, but all gone. So she ran after Him then to ask Him to
-forgive her; and she overtook Him on the road, and she asked
-forgiveness. And He said--'Don't you remember the time you had no house
-to go to, and I met you on the road, and sent you to a house where
-you'd live in plenty? And now you wouldn't give Me a few grains of
-wheat.' And she said--'But why didn't you give me a heart that would
-like to divide it?' That is how she came round on Him. And He
-said--'From this out, whenever you have plenty in your hands, divide it
-freely for My sake.'"
-
-And an old woman who sold sweets in a little shop in Galway, and whose
-son became a great Dominican preacher, used to say--"Refuse not any,
-for one may be the Christ."
-
-I owe the Rider's Song, and some of the rest, to W. B. Yeats.
-
-
-THE GAOL GATE
-
-I was told a story some one had heard, of a man who had gone to
-welcome his brother coming out of gaol, and heard he had died there
-before the gates had been opened for him.
-
-I was going to Galway, and at the Gort station I met two cloaked and
-shawled countrywomen from the slopes of Slieve Echtge, who were
-obliged to go and see some law official in Galway because of some
-money left them by a kinsman in Australia. They had never been in a
-train or to any place farther than a few miles from their own village,
-and they felt astray and terrified "like blind beasts in a bog" they
-said, and I took care of them through the day.
-
-An agent was fired at on the road from Athenry, and some men were
-taken up on suspicion. One of them was a young carpenter from my old
-home, and in a little time a rumour was put about that he had informed
-against the others in Galway gaol. When the prisoners were taken
-across the bridge to the courthouse he was hooted by the crowd. But at
-the trial it was found that he had not informed, that no evidence had
-been given at all; and bonfires were lighted for him as he went home.
-
-These three incidents coming within a few months wove themselves into
-this little play, and within three days it had written itself, or been
-written. I like it better than any in the volume, and I have never
-changed a word of it.
-
-
-FIRST PRODUCTIONS OF THE PLAYS
-
-SPREADING THE NEWS was produced for the first time at the opening of
-the Abbey Theatre, on Tuesday, 27th December, 1904, with the following
-cast:
-
- _Bartley Fallon_ W. G. FAY
- _Mrs. Fallon_ SARA ALGOOD
- _Mrs. Tully_ EMMA VERNON
- _Mrs. Tarpey_ MAIRE NI GHARBHAIGH
- _Shawn Early_ J. H. DUNNE
- _Tim Casey_ GEORGE ROBERTS
- _James Ryan_ ARTHUR SINCLAIR
- _Jack Smith_ P. MACSUIBHLAIGH
- _A Policeman_ R. S. NASH
- _A Removable Magistrate_ F. J. FAY
-
-
-HYACINTH HALVEY was first produced at the Abbey Theatre on 19th
-February, 1906, with the following cast:
-
- _Hyacinth Halvey_ F. J. FAY
- _James Quirke, a butcher_ W. G. FAY
- _Fardy Farrell, a telegraph boy_ ARTHUR SINCLAIR
- _Sergeant Carden_ WALTER MAGEE
- _Mrs. Delane, Postmistress at Cloon_ SARA ALLGOOD
- _Miss Joyce, the Priest's House-keeper_ BRIGIT O'DEMPSEY
-
-
-THE GAOL GATE was first produced at the Abbey Theatre, Dublin, on 20th
-October, 1906, with the following cast:
-
- _Mary Cahel_ SARA ALLGOOD
- _Mary Cushin_ MAIRE O'NEILL
- _The Gate Keeper_ F. J. FAY
-
-
-THE JACKDAW was first produced at the Abbey Theatre, Dublin, on 23rd
-February, 1907, with the following cast:
-
- _Joseph Nestor_ F. J. FAY
- _Michael Cooney_ W. G. FAY
- _Mrs. Broderick_ SARA ALLGOOD
- _Tommy Nally_ ARTHUR SINCLAIR
- _Sibby Fahy_ BRIGIT O'DEMPSEY
- _Timothy Ward_ J. M. KERRIGAN
-
-
-THE RISING OF THE MOON was first produced at the Abbey Theatre,
-Dublin, on 9th March, 1907, with the following cast:
-
- _Sergeant_ ARTHUR SINCLAIR
- _Policeman X._ J. A. O'ROURKE
- _Policeman B._ J. M. KERRIGAN
- _Ballad Singer_ W. G. FAY
-
-
-WORKHOUSE WARD was first produced at the Abbey Theatre, Dublin, on
-20th April, 1908, with the following cast:
-
- _Mike M'Inerney_ ARTHUR SINCLAIR
- _Michael Miskell_ FRED O'DONOVAN
- _Mrs. Donohue_ MARIE O'NEILL
-
-
-
-
-_A Selection from the Catalogue of_
-
-G. P. PUTNAM'S SONS
-
-Complete Catalogues sent on application
-
- The Golden Apple
-
- A Kiltartan Play for Children
-
- By
- Lady Gregory
-
- Author of "Seven Short Plays"
- "Our Irish Theatre"
- "Irish Folk-History Plays," etc.
-
- _8 Eight full-page Illustrations in color_
- _$1.25 net._
-
-
-This play deals with the adventures of the King of Ireland's son, who
-goes in search of the Golden Apple of Healing. The scenes are laid in
-the Witch's Garden, the Giant's House, the Wood of Wonders, and the
-King of Ireland's Room. It is both humorous and lyrical, and should
-please children and their elders, alike. The colored illustrations
-have the same old faery-tale air as the play itself.
-
-
- Irish Folk-History Plays
-
- By
-
- LADY GREGORY
-
- _First Series. The Tragedies_
-
- GRANIA KINCORA DERVORGILLA
-
- _Second Series. The Tragic Comedies_
-
- THE CANAVANS THE WHITE COCKADE THE DELIVERER
-
- _2 vols. Each, $1.5O net. By mail, $1.65_
-
-Lady Gregory has preferred going for her material to the traditional
-folk-history rather than to the authorized printed versions, and she
-has been able, in so doing, to make her plays more living. One of
-these, Kincora, telling of Brian Boru, who reigned in the year 1000,
-evoked such keen local interest that an old farmer travelled from the
-neighborhood of Kincora to see it acted in Dublin.
-
-The story of Grania, on which Lady Gregory has founded one of these
-plays, was taken entirely from tradition. Grania was a beautiful young
-woman and was to have been married to Finn, the great leader of the
-Fenians; but before the marriage, she went away from the bridegroom
-with his handsome young kinsman, Diarmuid. After many years, when
-Diarmuid had died (and Finn had a hand in his death), she went back to
-Finn and became his queen.
-
-Another of Lady Gregory's plays, The Canavans dealt with the stormy
-times of Queen Elizabeth, whose memory is a horror in Ireland second
-only to that of Cromwell.
-
-The White Cockade is founded on a tradition of King James having
-escaped from Ireland after the battle of the Boyne in a wine barrel.
-
-The choice of folk history rather than written history gives a
-freshness of treatment and elasticity of material which made the late
-J. M. Synge say that "Lady Gregory's method had brought back the
-possibility of writing historic plays."
-
-All these plays, except Grania, which has not yet been staged, have
-been very successfully performed in Ireland. They are written in the
-dialect of Kiltartan, which had already become familiar to readers of
-Lady Gregory's books.
-
-
- New Comedies
-
- By
-
- LADY GREGORY
-
- The Bogie Men--The Full Moon--Coats
- Damer's Gold--McDonough's Wife
-
- _8, With Portrait in Photogravure. $1.50 net. By mail, $1.65_
-
-The plays have been acted with great success by the Abbey Company, and
-have been highly extolled by appreciative audiences and an
-enthusiastic press. They are distinguished by a humor of unchallenged
-originality.
-
-One of the plays in the collection, "Coats," depends for its plot upon
-the rivalry of two editors, each of whom has written an obituary
-notice of the other. The dialogue is full of crisp humor. "McDonough's
-Wife," another drama that appears in the volume, is based on a legend,
-and explains how a whole town rendered honor against its will. "The
-Bogie Men" has as its underlying situation an amusing misunderstanding
-of two chimney-sweeps. The wit and absurdity of the dialogue are in
-Lady Gregory's best vein. "Damer's Gold" contains the story of a miser
-beset by his gold-hungry relations. Their hopes and plans are upset by
-one they had believed to be of the simple of the world, but who
-confounds the Wisdom of the Wise. "The Full Moon" presents a little
-comedy enacted on an Irish railway station. It is characterized by
-humor of an original and delightful character and repartee that is
-distinctly clever.
-
-
- Irish Plays
-
- By
- LADY GREGORY
-
-Lady Gregory's name has become a household word in America and her
-works should occupy an exclusive niche in every library. Mr. George
-Bernard Shaw, in a recently published interview, said Lady Gregory "is
-the greatest living Irishwoman.... Even in the plays of Lady Gregory,
-penetrated as they are by that intense love of Ireland which is
-unintelligible to the many drunken blackguards with Irish names who
-make their nationality an excuse for their vices and their
-worthlessness, there is no flattery of the Irish; she writes about the
-Irish as Molire wrote about the French, having a talent curiously
-like Molire."
-
-"The witchery of Yeats, the vivid imagination of Synge, the amusing
-literalism mixed with the pronounced romance of their imitators, have
-their place and have been given their praise without stint. But none
-of these can compete with Lady Gregory for the quality of
-universality. The best beauty in Lady Gregory's art is its
-spontaneity. It is never forced.... She has read and dreamed and
-studied, and slept and wakened and worked, and the great ideas that
-have come to her have been nourished and trained till they have grown
-to be of great stature."--_Chicago Tribune._
-
- G. P. PUTNAM'S SONS
- NEW YORK LONDON
-
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Seven Short Plays, by Lady Gregory
-
-*** END OF THIS PROJECT GUTENBERG EBOOK SEVEN SHORT PLAYS ***
-
-***** This file should be named 41653-8.txt or 41653-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/1/6/5/41653/
-
-Produced by Joseph R. Hauser, Turgut Dincer and the Online
-Distributed Proofreading Team at http://www.pgdp.net. Music
-transcribed by Brian Foley using LilyPond.
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/41653-8.zip b/41653-8.zip
deleted file mode 100644
index 3d39331..0000000
--- a/41653-8.zip
+++ /dev/null
Binary files differ
diff --git a/41653-h.zip b/41653-h.zip
deleted file mode 100644
index 5a759ef..0000000
--- a/41653-h.zip
+++ /dev/null
Binary files differ
diff --git a/41653-h/41653-h.htm b/41653-h/41653-h.htm
index b49252f..f9004d5 100644
--- a/41653-h/41653-h.htm
+++ b/41653-h/41653-h.htm
@@ -116,43 +116,9 @@
</head>
<body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 41653 ***</div>
-<pre>
-
-The Project Gutenberg EBook of Seven Short Plays, by Lady Gregory
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Seven Short Plays
-
-Author: Lady Gregory
-
-Release Date: December 18, 2012 [EBook #41653]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SEVEN SHORT PLAYS ***
-
-
-
-
-Produced by Joseph R. Hauser, Turgut Dincer and the Online
-Distributed Proofreading Team at http://www.pgdp.net. Music
-transcribed by Brian Foley using LilyPond.
-
-
-
-
-
-
-</pre>
<p class="head2"><i>By Lady Gregory</i></p>
@@ -7230,374 +7196,7 @@ stature.&#8221;&mdash;<i>Chicago Tribune.</i></p>
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Seven Short Plays, by Lady Gregory
-
-*** END OF THIS PROJECT GUTENBERG EBOOK SEVEN SHORT PLAYS ***
-
-***** This file should be named 41653-h.htm or 41653-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/1/6/5/41653/
-
-Produced by Joseph R. Hauser, Turgut Dincer and the Online
-Distributed Proofreading Team at http://www.pgdp.net. Music
-transcribed by Brian Foley using LilyPond.
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 41653 ***</div>
</body>
</html>
diff --git a/41653.txt b/41653.txt
deleted file mode 100644
index cce9f92..0000000
--- a/41653.txt
+++ /dev/null
@@ -1,6276 +0,0 @@
-The Project Gutenberg EBook of Seven Short Plays, by Lady Gregory
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Seven Short Plays
-
-Author: Lady Gregory
-
-Release Date: December 18, 2012 [EBook #41653]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SEVEN SHORT PLAYS ***
-
-
-
-
-Produced by Joseph R. Hauser, Turgut Dincer and the Online
-Distributed Proofreading Team at http://www.pgdp.net. Music
-transcribed by Brian Foley using LilyPond.
-
-
-
-
-
-
-
-
-
- _By Lady Gregory_
-
-
- Irish Folk-History Plays
-
- First Series: The Tragedies
- Grania. Kincora. Dervorgilla
-
- Second Series: The Tragic Comedies
- The Canavans. The White Cockade. The Deliverer
-
- New Comedies
- The Bogie Men. The Full Moon. Coats. Damer's
- Gold. McDonough's Wife
-
- Our Irish Theatre
- A Chapter of Autobiography
-
- Seven Short Plays
- Spreading the News. Hyacinth Halvey. The Rising
- of the Moon. The Jackdaw. The Workhouse Ward.
- The Travelling Man. The Gaol Gate
-
- The Golden Apple
- A Kiltartan Play for Children
-
-
-
-
- Seven Short Plays
-
- By
-
- Lady Gregory
-
-
- G. P. Putnam's Sons
- New York and London
- The Knickerbocker Press
- 1916
-
-
- COPYRIGHT, 1903, by LADY AUGUSTA GREGORY
-
- COPYRIGHT, 1904, by LADY GREGORY
-
- COPYRIGHT, 1905, by LADY GREGORY
-
- COPYRIGHT, 1906, by LADY GREGORY
-
- COPYRIGHT, 1909, by LADY GREGORY
-
-
-These plays have been copyrighted and published simultaneously in the
-United States and Great Britain.
-
-All rights reserved, including that of translation into foreign
-languages.
-
-All acting rights, both professional and amateur, are reserved in the
-United States, Great Britain, and all countries of the Copyright
-Union, by the author. Performances forbidden and right of presentation
-reserved.
-
-Application for the right of performing these plays or reading them in
-public should be made to Samuel French, 28 West 38th St., New York
-City, or 26 South Hampton St., Strand, London.
-
-
-Second Impression
-
-The Knickerbocker Press, New York
-
-
-
-
-DEDICATION
-
-
-_To you, W. B. YEATS, good praiser, wholesome dispraiser, heavy-handed
-judge, open-handed helper of us all, I offer a play of my plays for
-every night of the week, because you like them, and because you have
-taught me my trade._
-
- AUGUSTA GREGORY
-
- _Abbey Theatre,
- May 1, 1909._
-
-
-
-
-CONTENTS
-
- PAGE
-
- SPREADING THE NEWS 1
-
- HYACINTH HALVEY 29
-
- THE RISING OF THE MOON 75
-
- THE JACKDAW 93
-
- THE WORKHOUSE WARD 137
-
- THE TRAVELLING MAN 155
-
- THE GAOL GATE 173
-
- MUSIC FOR THE SONGS IN THE PLAYS 189
-
- NOTES, &C. 196
-
-
-
-
-SPREADING THE NEWS
-
-PERSONS
-
- _Bartley Fallon._
- _Mrs. Fallon._
- _Jack Smith._
- _Shawn Early._
- _Tim Casey._
- _James Ryan._
- _Mrs. Tarpey._
- _Mrs. Tully._
- _A Policeman_ (JO MULDOON).
- _A Removable Magistrate._
-
-SPREADING THE NEWS
-
- _Scene: The outskirts of a Fair. An Apple Stall, Mrs. Tarpey
- sitting at it. Magistrate and Policeman enter._
-
-
-_Magistrate_: So that is the Fair Green. Cattle and sheep and mud. No
-system. What a repulsive sight!
-
-_Policeman_: That is so, indeed.
-
-_Magistrate_: I suppose there is a good deal of disorder in this
-place?
-
-_Policeman_: There is.
-
-_Magistrate_: Common assault?
-
-_Policeman_: It's common enough.
-
-_Magistrate_: Agrarian crime, no doubt?
-
-_Policeman_: That is so.
-
-_Magistrate_: Boycotting? Maiming of cattle? Firing into houses?
-
-_Policeman_: There was one time, and there might be again.
-
-_Magistrate_: That is bad. Does it go any farther than that?
-
-_Policeman_: Far enough, indeed.
-
-_Magistrate:_ Homicide, then! This district has been shamefully
-neglected! I will change all that. When I was in the Andaman Islands,
-my system never failed. Yes, yes, I will change all that. What has
-that woman on her stall?
-
-_Policeman:_ Apples mostly--and sweets.
-
-_Magistrate:_ Just see if there are any unlicensed goods
-underneath--spirits or the like. We had evasions of the salt tax in the
-Andaman Islands.
-
-_Policeman:_ (_Sniffing cautiously and upsetting a heap of apples._) I
-see no spirits here--or salt.
-
-_Magistrate:_ (_To Mrs. Tarpey._) Do you know this town well, my good
-woman?
-
-_Mrs. Tarpey:_ (_Holding out some apples._) A penny the half-dozen,
-your honour.
-
-_Policeman:_ (_Shouting._) The gentleman is asking do you know the
-town! He's the new magistrate!
-
-_Mrs. Tarpey:_ (_Rising and ducking._) Do I know the town? I do, to be
-sure.
-
-_Magistrate:_ (_Shouting._) What is its chief business?
-
-_Mrs. Tarpey:_ Business, is it? What business would the people here
-have but to be minding one another's business?
-
-_Magistrate:_ I mean what trade have they?
-
-_Mrs. Tarpey:_ Not a trade. No trade at all but to be talking.
-
-_Magistrate:_ I shall learn nothing here.
-
- (_James Ryan comes in, pipe in mouth. Seeing Magistrate he
- retreats quickly, taking pipe from mouth._)
-
-_Magistrate:_ The smoke from that man's pipe had a greenish look; he
-may be growing unlicensed tobacco at home. I wish I had brought my
-telescope to this district. Come to the post-office, I will telegraph
-for it. I found it very useful in the Andaman Islands.
-
- (_Magistrate and Policeman go out left._)
-
-_Mrs. Tarpey:_ Bad luck to Jo Muldoon, knocking my apples this way and
-that way. (_Begins arranging them._) Showing off he was to the new
-magistrate.
-
- (_Enter Bartley Fallon and Mrs. Fallon._)
-
-_Bartley:_ Indeed it's a poor country and a scarce country to be
-living in. But I'm thinking if I went to America it's long ago the day
-I'd be dead!
-
-_Mrs. Fallon:_ So you might, indeed.
-
- (_She puts her basket on a barrel and begins putting parcels in
- it, taking them from under her cloak._)
-
-_Bartley:_ And it's a great expense for a poor man to be buried in
-America.
-
-_Mrs. Fallon:_ Never fear, Bartley Fallon, but I'll give you a good
-burying the day you'll die.
-
-_Bartley:_ Maybe it's yourself will be buried in the graveyard of
-Cloonmara before me, Mary Fallon, and I myself that will be dying
-unbeknownst some night, and no one a-near me. And the cat itself may be
-gone straying through the country, and the mice squealing over the
-quilt.
-
-_Mrs. Fallon:_ Leave off talking of dying. It might be twenty years
-you'll be living yet.
-
-_Bartley:_ (_With a deep sigh._) I'm thinking if I'll be living at the
-end of twenty years, it's a very old man I'll be then!
-
-_Mrs. Tarpey:_ (_Turns and sees them._) Good morrow, Bartley Fallon;
-good morrow, Mrs. Fallon. Well, Bartley, you'll find no cause for
-complaining to-day; they are all saying it was a good fair.
-
-_Bartley:_ (_Raising his voice._) It was not a good fair, Mrs. Tarpey.
-It was a scattered sort of a fair. If we didn't expect more, we got
-less. That's the way with me always; whatever I have to sell goes down
-and whatever I have to buy goes up. If there's ever any misfortune
-coming to this world, it's on myself it pitches, like a flock of crows
-on seed potatoes.
-
-_Mrs. Fallon:_ Leave off talking of misfortunes, and listen to Jack
-Smith that is coming the way, and he singing.
-
- (_Voice of Jack Smith heard singing:_)
-
- I thought, my first love,
- There'd be but one house between you and me,
- And I thought I would find
- Yourself coaxing my child on your knee.
- Over the tide
- I would leap with the leap of a swan,
- Till I came to the side
- Of the wife of the Red-haired man!
-
- (_Jack Smith comes in; he is a red-haired man, and is carrying
- a hayfork._)
-
-_Mrs. Tarpey:_ That should be a good song if I had my hearing.
-
-_Mrs. Fallon:_ (_Shouting._) It's "The Red-haired Man's Wife."
-
-_Mrs. Tarpey:_ I know it well. That's the song that has a skin on it!
-
- (_She turns her back to them and goes on arranging her
- apples._)
-
-_Mrs. Fallon:_ Where's herself, Jack Smith?
-
-_Jack Smith:_ She was delayed with her washing; bleaching the clothes
-on the hedge she is, and she daren't leave them, with all the tinkers
-that do be passing to the fair. It isn't to the fair I came myself,
-but up to the Five Acre Meadow I'm going, where I have a contract for
-the hay. We'll get a share of it into tramps to-day. (_He lays down
-hayfork and lights his pipe._)
-
-_Bartley:_ You will not get it into tramps to-day. The rain will be
-down on it by evening, and on myself too. It's seldom I ever started
-on a journey but the rain would come down on me before I'd find any
-place of shelter.
-
-_Jack Smith:_ If it didn't itself, Bartley, it is my belief you would
-carry a leaky pail on your head in place of a hat, the way you'd not
-be without some cause of complaining.
-
- (_A voice heard, "Go on, now, go on out o' that. Go on I
- say."_)
-
-_Jack Smith:_ Look at that young mare of Pat Ryan's that is backing
-into Shaughnessy's bullocks with the dint of the crowd! Don't be
-daunted, Pat, I'll give you a hand with her.
-
- (_He goes out, leaving his hayfork._)
-
-_Mrs. Fallon:_ It's time for ourselves to be going home. I have all I
-bought put in the basket. Look at there, Jack Smith's hayfork he left
-after him! He'll be wanting it. (_Calls._) Jack Smith! Jack
-Smith!--He's gone through the crowd--hurry after him, Bartley, he'll be
-wanting it.
-
-_Bartley:_ I'll do that. This is no safe place to be leaving it. (_He
-takes up fork awkwardly and upsets the basket._) Look at that now! If
-there is any basket in the fair upset, it must be our own basket! (_He
-goes out to right._)
-
-_Mrs. Fallon:_ Get out of that! It is your own fault, it is. Talk of
-misfortunes and misfortunes will come. Glory be! Look at my new
-egg-cups rolling in every part--and my two pound of sugar with the
-paper broke----
-
-_Mrs. Tarpey:_ (_Turning from stall._) God help us, Mrs. Fallon, what
-happened to your basket?
-
-_Mrs. Fallon:_ It's himself that knocked it down, bad manners to him.
-(_Putting things up._) My grand sugar that's destroyed, and he'll not
-drink his tea without it. I had best go back to the shop for more,
-much good may it do him!
-
- (_Enter Tim Casey._)
-
-_Tim Casey:_ Where is Bartley Fallon, Mrs. Fallon? I want a word with
-him before he'll leave the fair. I was afraid he might have gone home
-by this, for he's a temperate man.
-
-_Mrs. Fallon:_ I wish he did go home! It'd be best for me if he went
-home straight from the fair green, or if he never came with me at all!
-Where is he, is it? He's gone up the road (_jerks elbow_) following
-Jack Smith with a hayfork.
-
- (_She goes out to left._)
-
-_Tim Casey:_ Following Jack Smith with a hayfork! Did ever any one
-hear the like of that. (_Shouts._) Did you hear that news, Mrs.
-Tarpey?
-
-_Mrs. Tarpey:_ I heard no news at all.
-
-_Tim Casey:_ Some dispute I suppose it was that rose between Jack
-Smith and Bartley Fallon, and it seems Jack made off, and Bartley is
-following him with a hayfork!
-
-_Mrs. Tarpey:_ Is he now? Well, that was quick work! It's not ten
-minutes since the two of them were here, Bartley going home and Jack
-going to the Five Acre Meadow; and I had my apples to settle up, that
-Jo Muldoon of the police had scattered, and when I looked round again
-Jack Smith was gone, and Bartley Fallon was gone, and Mrs. Fallon's
-basket upset, and all in it strewed upon the ground--the tea here--the
-two pound of sugar there--the egg-cups there--Look, now, what a great
-hardship the deafness puts upon me, that I didn't hear the
-commencement of the fight! Wait till I tell James Ryan that I see
-below; he is a neighbour of Bartley's, it would be a pity if he
-wouldn't hear the news!
-
- (_She goes out. Enter Shawn Early and Mrs. Tully._)
-
-_Tim Casey:_ Listen, Shawn Early! Listen, Mrs. Tully, to the news!
-Jack Smith and Bartley Fallon had a falling out, and Jack knocked Mrs.
-Fallon's basket into the road, and Bartley made an attack on him with
-a hayfork, and away with Jack, and Bartley after him. Look at the
-sugar here yet on the road!
-
-_Shawn Early:_ Do you tell me so? Well, that's a queer thing, and
-Bartley Fallon so quiet a man!
-
-_Mrs. Tully:_ I wouldn't wonder at all. I would never think well of a
-man that would have that sort of a mouldering look. It's likely he has
-overtaken Jack by this.
-
- (_Enter James Ryan and Mrs. Tarpey._)
-
-_James Ryan:_ That is great news Mrs. Tarpey was telling me! I suppose
-that's what brought the police and the magistrate up this way. I was
-wondering to see them in it a while ago.
-
-_Shawn Early:_ The police after them? Bartley Fallon must have injured
-Jack so. They wouldn't meddle in a fight that was only for show!
-
-_Mrs. Tully:_ Why wouldn't he injure him? There was many a man killed
-with no more of a weapon than a hayfork.
-
-_James Ryan:_ Wait till I run north as far as Kelly's bar to spread
-the news! (_He goes out._)
-
-_Tim Casey:_ I'll go tell Jack Smith's first cousin that is standing
-there south of the church after selling his lambs. (_Goes out._)
-
-_Mrs. Tully:_ I'll go telling a few of the neighbours I see beyond to
-the west. (_Goes out._)
-
-_Shawn Early:_ I'll give word of it beyond at the east of the green.
-
- (_Is going out when Mrs. Tarpey seizes hold of him._)
-
-_Mrs. Tarpey:_ Stop a minute, Shawn Early, and tell me did you see red
-Jack Smith's wife, Kitty Keary, in any place?
-
-_Shawn Early:_ I did. At her own house she was, drying clothes on the
-hedge as I passed.
-
-_Mrs. Tarpey:_ What did you say she was doing?
-
-_Shawn Early:_ (_Breaking away._) Laying out a sheet on the hedge.
-(_He goes._)
-
-_Mrs. Tarpey_: Laying out a sheet for the dead! The Lord have mercy
-on us! Jack Smith dead, and his wife laying out a sheet for his
-burying! (_Calls out._) Why didn't you tell me that before, Shawn
-Early? Isn't the deafness the great hardship? Half the world might be
-dead without me knowing of it or getting word of it at all! (_She sits
-down and rocks herself._) O my poor Jack Smith! To be going to his
-work so nice and so hearty, and to be left stretched on the ground in
-the full light of the day!
-
- (_Enter Tim Casey._)
-
-_Tim Casey:_ What is it, Mrs. Tarpey? What happened since?
-
-_Mrs. Tarpey:_ O my poor Jack Smith!
-
-_Tim Casey:_ Did Bartley overtake him?
-
-_Mrs. Tarpey:_ O the poor man!
-
-_Tim Casey:_ Is it killed he is?
-
-_Mrs. Tarpey:_ Stretched in the Five Acre Meadow!
-
-_Tim Casey:_ The Lord have mercy on us! Is that a fact?
-
-_Mrs. Tarpey:_ Without the rites of the Church or a ha'porth!
-
-_Tim Casey:_ Who was telling you?
-
-_Mrs. Tarpey:_ And the wife laying out a sheet for his corpse. (_Sits
-up and wipes her eyes._) I suppose they'll wake him the same as
-another?
-
- (_Enter Mrs. Tully, Shawn Early, and James Ryan._)
-
-_Mrs. Tully:_ There is great talk about this work in every quarter of
-the fair.
-
-_Mrs. Tarpey:_ Ochone! cold and dead. And myself maybe the last he was
-speaking to!
-
-_James Ryan:_ The Lord save us! Is it dead he is?
-
-_Tim Casey:_ Dead surely, and the wife getting provision for the wake.
-
-_Shawn Early:_ Well, now, hadn't Bartley Fallon great venom in him?
-
-_Mrs. Tully:_ You may be sure he had some cause. Why would he have
-made an end of him if he had not? (_To Mrs. Tarpey, raising her
-voice._) What was it rose the dispute at all, Mrs. Tarpey?
-
-_Mrs. Tarpey:_ Not a one of me knows. The last I saw of them, Jack
-Smith was standing there, and Bartley Fallon was standing there, quiet
-and easy, and he listening to "The Red-haired Man's Wife."
-
-_Mrs. Tully:_ Do you hear that, Tim Casey? Do you hear that, Shawn
-Early and James Ryan? Bartley Fallon was here this morning listening
-to red Jack Smith's wife, Kitty Keary that was! Listening to her and
-whispering with her! It was she started the fight so!
-
-_Shawn Early:_ She must have followed him from her own house. It is
-likely some person roused him.
-
-_Tim Casey:_ I never knew, before, Bartley Fallon was great with Jack
-Smith's wife.
-
-_Mrs. Tully:_ How would you know it? Sure it's not in the streets they
-would be calling it. If Mrs. Fallon didn't know of it, and if I that
-have the next house to them didn't know of it, and if Jack Smith
-himself didn't know of it, it is not likely you would know of it, Tim
-Casey.
-
-_Shawn Early:_ Let Bartley Fallon take charge of her from this out so,
-and let him provide for her. It is little pity she will get from any
-person in this parish.
-
-_Tim Casey:_ How can he take charge of her? Sure he has a wife of his
-own. Sure you don't think he'd turn souper and marry her in a
-Protestant church?
-
-_James Ryan:_ It would be easy for him to marry her if he brought her
-to America.
-
-_Shawn Early:_ With or without Kitty Keary, believe me it is for
-America he's making at this minute. I saw the new magistrate and Jo
-Muldoon of the police going into the post-office as I came up--there
-was hurry on them--you may be sure it was to telegraph they went, the
-way he'll be stopped in the docks at Queenstown!
-
-_Mrs. Tully:_ It's likely Kitty Keary is gone with him, and not
-minding a sheet or a wake at all. The poor man, to be deserted by his
-own wife, and the breath hardly gone out yet from his body that is
-lying bloody in the field!
-
- (_Enter Mrs. Fallon._)
-
-_Mrs. Fallon:_ What is it the whole of the town is talking about? And
-what is it you yourselves are talking about? Is it about my man
-Bartley Fallon you are talking? Is it lies about him you are telling,
-saying that he went killing Jack Smith? My grief that ever he came
-into this place at all!
-
-_James Ryan:_ Be easy now, Mrs. Fallon. Sure there is no one at all in
-the whole fair but is sorry for you!
-
-_Mrs. Fallon:_ Sorry for me, is it? Why would any one be sorry for me?
-Let you be sorry for yourselves, and that there may be shame on you
-for ever and at the day of judgment, for the words you are saying and
-the lies you are telling to take away the character of my poor man,
-and to take the good name off of him, and to drive him to destruction!
-That is what you are doing!
-
-_Shawn Early:_ Take comfort now, Mrs. Fallon. The police are not so
-smart as they think. Sure he might give them the slip yet, the same as
-Lynchehaun.
-
-_Mrs. Tully:_ If they do get him, and if they do put a rope around his
-neck, there is no one can say he does not deserve it!
-
-_Mrs. Fallon:_ Is that what you are saying, Bridget Tully, and is that
-what you think? I tell you it's too much talk you have, making
-yourself out to be such a great one, and to be running down every
-respectable person! A rope, is it? It isn't much of a rope was needed
-to tie up your own furniture the day you came into Martin Tully's
-house, and you never bringing as much as a blanket, or a penny, or a
-suit of clothes with you and I myself bringing seventy pounds and two
-feather beds. And now you are stiffer than a woman would have a
-hundred pounds! It is too much talk the whole of you have. A rope is
-it? I tell you the whole of this town is full of liars and schemers
-that would hang you up for half a glass of whiskey. (_Turning to go._)
-People they are you wouldn't believe as much as daylight from without
-you'd get up to have a look at it yourself. Killing Jack Smith indeed!
-Where are you at all, Bartley, till I bring you out of this? My nice
-quiet little man! My decent comrade! He that is as kind and as
-harmless as an innocent beast of the field! He'll be doing no harm at
-all if he'll shed the blood of some of you after this day's work! That
-much would be no harm at all. (_Calls out._) Bartley! Bartley Fallon!
-Where are you? (_Going out._) Did any one see Bartley Fallon?
-
- (_All turn to look after her._)
-
-_James Ryan:_ It is hard for her to believe any such a thing, God help
-her!
-
- (_Enter Bartley Fallon from right, carrying hayfork._)
-
-_Bartley:_ It is what I often said to myself, if there is ever any
-misfortune coming to this world it is on myself it is sure to come!
-
- (_All turn round and face him._)
-
-_Bartley:_ To be going about with this fork and to find no one to take
-it, and no place to leave it down, and I wanting to be gone out of
-this--Is that you, Shawn Early? (_Holds out fork._) It's well I met
-you. You have no call to be leaving the fair for a while the way I
-have, and how can I go till I'm rid of this fork? Will you take it and
-keep it until such time as Jack Smith----
-
-_Shawn Early:_ (_Backing._) I will not take it, Bartley Fallon, I'm
-very thankful to you!
-
-_Bartley:_ (_Turning to apple stall._) Look at it now, Mrs. Tarpey, it
-was here I got it; let me thrust it in under the stall. It will lie
-there safe enough, and no one will take notice of it until such time
-as Jack Smith----
-
-_Mrs. Tarpey:_ Take your fork out of that! Is it to put trouble on me
-and to destroy me you want? Putting it there for the police to be
-rooting it out maybe. (_Thrusts him back._)
-
-_Bartley:_ That is a very unneighbourly thing for you to do, Mrs.
-Tarpey. Hadn't I enough care on me with that fork before this, running
-up and down with it like the swinging of a clock, and afeard to lay it
-down in any place! I wish I never touched it or meddled with it at
-all!
-
-_James Ryan:_ It is a pity, indeed, you ever did.
-
-_Bartley:_ Will you yourself take it, James Ryan? You were always a
-neighbourly man.
-
-_James Ryan:_ (_Backing._) There is many a thing I would do for you,
-Bartley Fallon, but I won't do that!
-
-_Shawn Early:_ I tell you there is no man will give you any help or
-any encouragement for this day's work. If it was something agrarian
-now----
-
-_Bartley:_ If no one at all will take it, maybe it's best to give it
-up to the police.
-
-_Tim Casey:_ There'd be a welcome for it with them surely!
-(_Laughter._)
-
-_Mrs. Tully:_ And it is to the police Kitty Keary herself will be
-brought.
-
-_Mrs. Tarpey:_ (_Rocking to and fro._) I wonder now who will take the
-expense of the wake for poor Jack Smith?
-
-_Bartley:_ The wake for Jack Smith!
-
-_Tim Casey:_ Why wouldn't he get a wake as well as another? Would you
-begrudge him that much?
-
-_Bartley:_ Red Jack Smith dead! Who was telling you?
-
-_Shawn Early:_ The whole town knows of it by this.
-
-_Bartley:_ Do they say what way did he die?
-
-_James Ryan:_ You don't know that yourself, I suppose, Bartley Fallon?
-You don't know he was followed and that he was laid dead with the stab
-of a hayfork?
-
-_Bartley:_ The stab of a hayfork!
-
-_Shawn Early:_ You don't know, I suppose, that the body was found in
-the Five Acre Meadow?
-
-_Bartley:_ The Five Acre Meadow!
-
-_Tim Casey:_ It is likely you don't know that the police are after the
-man that did it?
-
-_Bartley:_ The man that did it!
-
-_Mrs. Tully:_ You don't know, maybe, that he was made away with for
-the sake of Kitty Keary, his wife?
-
-_Bartley:_ Kitty Keary, his wife!
-
- (_Sits down bewildered._)
-
-_Mrs. Tully:_ And what have you to say now, Bartley Fallon?
-
-_Bartley:_ (_Crossing himself._) I to bring that fork here, and to
-find that news before me! It is much if I can ever stir from this
-place at all, or reach as far as the road!
-
-_Tim Casey:_ Look, boys, at the new magistrate, and Jo Muldoon along
-with him! It's best for us to quit this.
-
-_Shawn Early:_ That is so. It is best not to be mixed in this business
-at all.
-
-_James Ryan:_ Bad as he is, I wouldn't like to be an informer against
-any man.
-
- (_All hurry away except Mrs. Tarpey, who remains behind her
- stall. Enter magistrate and policeman._)
-
-_Magistrate:_ I knew the district was in a bad state, but I did not
-expect to be confronted with a murder at the first fair I came to.
-
-_Policeman:_ I am sure you did not, indeed.
-
-_Magistrate:_ It was well I had not gone home. I caught a few words
-here and there that roused my suspicions.
-
-_Policeman:_ So they would, too.
-
-_Magistrate:_ You heard the same story from everyone you asked?
-
-_Policeman:_ The same story--or if it was not altogether the same,
-anyway it was no less than the first story.
-
-_Magistrate:_ What is that man doing? He is sitting alone with a
-hayfork. He has a guilty look. The murder was done with a hayfork!
-
-_Policeman:_ (_In a whisper._) That's the very man they say did the
-act; Bartley Fallon himself!
-
-_Magistrate:_ He must have found escape difficult--he is trying to
-brazen it out. A convict in the Andaman Islands tried the same game,
-but he could not escape my system! Stand aside--Don't go far--have the
-handcuffs ready. (_He walks up to Bartley, folds his arms, and stands
-before him._) Here, my man, do you know anything of John Smith?
-
-_Bartley:_ Of John Smith! Who is he, now?
-
-_Policeman:_ Jack Smith, sir--Red Jack Smith!
-
-_Magistrate:_ (_Coming a step nearer and tapping him on the
-shoulder._) Where is Jack Smith?
-
-_Bartley:_ (_With a deep sigh, and shaking his head slowly._) Where is
-he, indeed?
-
-_Magistrate:_ What have you to tell?
-
-_Bartley:_ It is where he was this morning, standing in this spot,
-singing his share of songs--no, but lighting his pipe--scraping a match
-on the sole of his shoe----
-
-_Magistrate:_ I ask you, for the third time, where is he?
-
-_Bartley:_ I wouldn't like to say that. It is a great mystery, and it
-is hard to say of any man, did he earn hatred or love.
-
-_Magistrate:_ Tell me all you know.
-
-_Bartley:_ All that I know--Well, there are the three estates; there is
-Limbo, and there is Purgatory, and there is----
-
-_Magistrate:_ Nonsense! This is trifling! Get to the point.
-
-_Bartley:_ Maybe you don't hold with the clergy so? That is the
-teaching of the clergy. Maybe you hold with the old people. It is what
-they do be saying, that the shadow goes wandering, and the soul is
-tired, and the body is taking a rest--The shadow! (_Starts up._) I was
-nearly sure I saw Jack Smith not ten minutes ago at the corner of the
-forge, and I lost him again--Was it his ghost I saw, do you think?
-
-_Magistrate:_ (_To policeman._) Conscience-struck! He will confess all
-now!
-
-_Bartley:_ His ghost to come before me! It is likely it was on account
-of the fork! I to have it and he to have no way to defend himself the
-time he met with his death!
-
-_Magistrate:_ (_To policeman._) I must note down his words. (_Takes
-out notebook._) (_To Bartley:_) I warn you that your words are being
-noted.
-
-_Bartley:_ If I had ha' run faster in the beginning, this terror would
-not be on me at the latter end! Maybe he will cast it up against me at
-the day of judgment--I wouldn't wonder at all at that.
-
-_Magistrate:_ (_Writing._) At the day of judgment----
-
-_Bartley:_ It was soon for his ghost to appear to me--is it coming
-after me always by day it will be, and stripping the clothes off in
-the night time?--I wouldn't wonder at all at that, being as I am an
-unfortunate man!
-
-_Magistrate:_ (_Sternly._) Tell me this truly. What was the motive of
-this crime?
-
-_Bartley:_ The motive, is it?
-
-_Magistrate:_ Yes; the motive; the cause.
-
-_Bartley:_ I'd sooner not say that.
-
-_Magistrate:_ You had better tell me truly. Was it money?
-
-_Bartley:_ Not at all! What did poor Jack Smith ever have in his
-pockets unless it might be his hands that would be in them?
-
-_Magistrate:_ Any dispute about land?
-
-_Bartley:_ (_Indignantly._) Not at all! He never was a grabber or
-grabbed from any one!
-
-_Magistrate:_ You will find it better for you if you tell me at once.
-
-_Bartley:_ I tell you I wouldn't for the whole world wish to say what
-it was--it is a thing I would not like to be talking about.
-
-_Magistrate:_ There is no use in hiding it. It will be discovered in
-the end.
-
-_Bartley:_ Well, I suppose it will, seeing that mostly everybody knows
-it before. Whisper here now. I will tell no lie; where would be the
-use? (_Puts his hand to his mouth, and Magistrate stoops._) Don't be
-putting the blame on the parish, for such a thing was never done in
-the parish before--it was done for the sake of Kitty Keary, Jack
-Smith's wife.
-
-_Magistrate:_ (_To policeman._) Put on the handcuffs. We have been
-saved some trouble. I knew he would confess if taken in the right way.
-
- (_Policeman puts on handcuffs_.)
-
-_Bartley:_ Handcuffs now! Glory be! I always said, if there was ever
-any misfortune coming to this place it was on myself it would fall. I
-to be in handcuffs! There's no wonder at all in that.
-
- (_Enter Mrs. Fallon, followed by the rest. She is looking back
- at them as she speaks._)
-
-_Mrs. Fallon:_ Telling lies the whole of the people of this town are;
-telling lies, telling lies as fast as a dog will trot! Speaking
-against my poor respectable man! Saying he made an end of Jack Smith!
-My decent comrade! There is no better man and no kinder man in the
-whole of the five parishes! It's little annoyance he ever gave to any
-one! (_Turns and sees him._) What in the earthly world do I see before
-me? Bartley Fallon in charge of the police! Handcuffs on him! O
-Bartley, what did you do at all at all?
-
-_Bartley:_ O Mary, there has a great misfortune come upon me! It is
-what I always said, that if there is ever any misfortune----
-
-_Mrs. Fallon:_ What did he do at all, or is it bewitched I am?
-
-_Magistrate:_ This man has been arrested on a charge of murder.
-
-_Mrs. Fallon:_ Whose charge is that? Don't believe them! They are all
-liars in this place! Give me back my man!
-
-_Magistrate_. It is natural you should take his part, but you have no
-cause of complaint against your neighbours. He has been arrested for
-the murder of John Smith, on his own confession.
-
-_Mrs. Fallon:_ The saints of heaven protect us! And what did he want
-killing Jack Smith?
-
-_Magistrate:_ It is best you should know all. He did it on account of
-a love affair with the murdered man's wife.
-
-_Mrs. Fallon:_ (_Sitting down._) With Jack Smith's wife! With Kitty
-Keary!--Ochone, the traitor!
-
-_The Crowd:_ A great shame, indeed. He is a traitor, indeed.
-
-_Mrs. Tully:_ To America he was bringing her, Mrs. Fallon.
-
-_Bartley:_ What are you saying, Mary? I tell you----
-
-_Mrs. Fallon:_ Don't say a word! I won't listen to any word you'll
-say! (_Stops her ears._) O, isn't he the treacherous villain? Ohone go
-deo!
-
-_Bartley:_ Be quiet till I speak! Listen to what I say!
-
-_Mrs. Fallon:_ Sitting beside me on the ass car coming to the town, so
-quiet and so respectable, and treachery like that in his heart!
-
-_Bartley:_ Is it your wits you have lost or is it I myself that have
-lost my wits?
-
-_Mrs. Fallon:_ And it's hard I earned you, slaving, slaving--and you
-grumbling, and sighing, and coughing, and discontented, and the priest
-wore out anointing you, with all the times you threatened to die!
-
-_Bartley:_ Let you be quiet till I tell you!
-
-_Mrs. Fallon:_ You to bring such a disgrace into the parish. A thing
-that was never heard of before!
-
-_Bartley:_ Will you shut your mouth and hear me speaking?
-
-_Mrs. Fallon:_ And if it was for any sort of a fine handsome woman,
-but for a little fistful of a woman like Kitty Keary, that's not four
-feet high hardly, and not three teeth in her head unless she got new
-ones! May God reward you, Bartley Fallon, for the black treachery in
-your heart and the wickedness in your mind, and the red blood of poor
-Jack Smith that is wet upon your hand! (_Voice of Jack Smith heard
-singing._)
-
- The sea shall be dry,
- The earth under mourning and ban!
- Then loud shall he cry
- For the wife of the red-haired man!
-
-_Bartley:_ It's Jack Smith's voice--I never knew a ghost to sing
-before----. It is after myself and the fork he is coming! (_Goes back.
-Enter Jack Smith._) Let one of you give him the fork and I will be
-clear of him now and for eternity!
-
-_Mrs. Tarpey:_ The Lord have mercy on us! Red Jack Smith! The man that
-was going to be waked!
-
-_James Ryan:_ Is it back from the grave you are come?
-
-_Shawn Early:_ Is it alive you are, or is it dead you are?
-
-_Tim Casey:_ Is it yourself at all that's in it?
-
-_Mrs. Tully:_ Is it letting on you were to be dead?
-
-_Mrs. Fallon:_ Dead or alive, let you stop Kitty Keary, your wife,
-from bringing my man away with her to America!
-
-_Jack Smith:_ It is what I think, the wits are gone astray on the
-whole of you. What would my wife want bringing Bartley Fallon to
-America?
-
-_Mrs. Fallon:_ To leave yourself, and to get quit of you she wants,
-Jack Smith, and to bring him away from myself. That's what the two of
-them had settled together.
-
-_Jack Smith:_ I'll break the head of any man that says that! Who is it
-says it? (_To Tim Casey:_) Was it you said it? (_To Shawn Early:_) Was
-it you?
-
-_All together:_ (_Backing and shaking their heads._) It wasn't I said
-it!
-
-_Jack Smith:_ Tell me the name of any man that said it!
-
-_All together:_ (_Pointing to Bartley._) It was _him_ that said it!
-
-_Jack Smith:_ Let me at him till I break his head!
-
- (_Bartley backs in terror. Neighbours hold Jack Smith back._)
-
-_Jack Smith:_ (_Trying to free himself._) Let me at him! Isn't he the
-pleasant sort of a scarecrow for any woman to be crossing the ocean
-with! It's back from the docks of New York he'd be turned (_trying to
-rush at him again_), with a lie in his mouth and treachery in his
-heart, and another man's wife by his side, and he passing her off as
-his own! Let me at him can't you.
-
- (_Makes another rush, but is held back._)
-
-_Magistrate:_ (_Pointing to Jack Smith._) Policeman, put the handcuffs
-on this man. I see it all now. A case of false impersonation, a
-conspiracy to defeat the ends of justice. There was a case in the
-Andaman Islands, a murderer of the Mopsa tribe, a religious
-enthusiast----
-
-_Policeman:_ So he might be, too.
-
-_Magistrate:_ We must take both these men to the scene of the murder.
-We must confront them with the body of the real Jack Smith.
-
-_Jack Smith:_ I'll break the head of any man that will find my dead
-body!
-
-_Magistrate:_ I'll call more help from the barracks. (_Blows
-Policeman's whistle._)
-
-_Bartley:_ It is what I am thinking, if myself and Jack Smith are put
-together in the one cell for the night, the handcuffs will be taken
-off him, and his hands will be free, and murder will be done that time
-surely!
-
-_Magistrate:_ Come on! (_They turn to the right._)
-
-
-
-
-HYACINTH HALVEY
-
-
-PERSONS
-
- _Hyacinth Halvey._
- _James Quirke, a butcher._
- _Fardy Farrell, a telegraph boy._
- _Sergeant Carden._
- _Mrs. Delane, Postmistress at Cloon._
- _Miss Joyce, the Priest's House-keeper._
-
-
-HYACINTH HALVEY
-
-
- _Scene: Outside the Post Office at the little town of Cloon.
- Mrs. Delane at Post Office door. Mr. Quirke sitting on a chair
- at butcher's door. A dead sheep hanging beside it, and a thrush
- in a cage above. Fardy Farrell playing on a mouth organ. Train
- whistle heard._
-
-_Mrs. Delane:_ There is the four o'clock train, Mr. Quirke.
-
-_Mr. Quirke:_ Is it now, Mrs. Delane, and I not long after rising? It
-makes a man drowsy to be doing the half of his work in the night time.
-Going about the country, looking for little stags of sheep, striving
-to knock a few shillings together. That contract for the soldiers
-gives me a great deal to attend to.
-
-_Mrs. Delane:_ I suppose so. It's hard enough on myself to be down
-ready for the mail car in the morning, sorting letters in the half
-dark. It's often I haven't time to look who are the letters from--or
-the cards.
-
-_Mr. Quirke:_ It would be a pity you not to know any little news might
-be knocking about. If you did not have information of what is going
-on who should have it? Was it you, ma'am, was telling me that the new
-Sub-Sanitary Inspector would be arriving to-day?
-
-_Mrs. Delane:_ To-day it is he is coming, and it's likely he was in
-that train. There was a card about him to Sergeant Carden this
-morning.
-
-_Mr. Quirke:_ A young chap from Carrow they were saying he was.
-
-_Mrs. Delane:_ So he is, one Hyacinth Halvey; and indeed if all that
-is said of him is true, or if a quarter of it is true, he will be a
-credit to this town.
-
-_Mr. Quirke:_ Is that so?
-
-_Mrs. Delane:_ Testimonials he has by the score. To Father Gregan they
-were sent. Registered they were coming and going. Would you believe me
-telling you that they weighed up to three pounds?
-
-_Mr. Quirke:_ There must be great bulk in them indeed.
-
-_Mrs. Delane:_ It is no wonder he to get the job. He must have a great
-character so many persons to write for him as what there did.
-
-_Fardy:_ It would be a great thing to have a character like that.
-
-_Mrs. Delane:_ Indeed I am thinking it will be long before you will
-get the like of it, Fardy Farrell.
-
-_Fardy:_ If I had the like of that of a character it is not here
-carrying messages I would be. It's in Noonan's Hotel I would be,
-driving cars.
-
-_Mr. Quirke:_ Here is the priest's housekeeper coming.
-
-_Mrs. Delane:_ So she is; and there is the Sergeant a little while
-after her.
-
- (_Enter Miss Joyce._)
-
-_Mrs. Delane:_ Good-evening to you, Miss Joyce. What way is his
-Reverence to-day? Did he get any ease from the cough?
-
-_Miss Joyce:_ He did not indeed, Mrs. Delane. He has it sticking to
-him yet. Smothering he is in the night time. The most thing he comes
-short in is the voice.
-
-_Mrs. Delane:_ I am sorry, now, to hear that. He should mind himself
-well.
-
-_Miss Joyce:_ It's easy to say let him mind himself. What do you say
-to him going to the meeting to-night? (_Sergeant comes in._) It's for
-his Reverence's _Freeman_ I am come, Mrs. Delane.
-
-_Mrs. Delane:_ Here it is ready. I was just throwing an eye on it to
-see was there any news. Good-evening, Sergeant.
-
-_Sergeant:_ (_Holding up a placard._) I brought this notice, Mrs.
-Delane, the announcement of the meeting to be held to-night in the
-Courthouse. You might put it up here convenient to the window. I hope
-you are coming to it yourself?
-
-_Mrs. Delane:_ I will come, and welcome. I would do more than that for
-you, Sergeant.
-
-_Sergeant:_ And you, Mr. Quirke.
-
-_Mr. Quirke:_ I'll come, to be sure. I forget what's this the meeting
-is about.
-
-_Sergeant:_ The Department of Agriculture is sending round a lecturer
-in furtherance of the moral development of the rural classes.
-(_Reads._) "A lecture will be given this evening in Cloon Courthouse,
-illustrated by magic lantern slides--" Those will not be in it; I am
-informed they were all broken in the first journey, the railway
-company taking them to be eggs. The subject of the lecture is "The
-Building of Character."
-
-_Mrs. Delane:_ Very nice, indeed. I knew a girl lost her character,
-and she washed her feet in a blessed well after, and it dried up on
-the minute.
-
-_Sergeant:_ The arrangements have all been left to me, the Archdeacon
-being away. He knows I have a good intellect for things of the sort.
-But the loss of those slides puts a man out. The thing people will not
-see it is not likely it is the thing they will believe. I saw what
-they call tableaux--standing pictures, you know--one time in Dundrum----
-
-_Mrs. Delane:_ Miss Joyce was saying Father Gregan is supporting you.
-
-_Sergeant:_ I am accepting his assistance. No bigotry about me when
-there is a question of the welfare of any fellow-creatures. Orange and
-green will stand together to-night. I myself and the station-master
-on the one side; your parish priest in the chair.
-
-_Miss Joyce:_ If his Reverence would mind me he would not quit the
-house to-night. He is no more fit to go speak at a meeting than
-(_pointing to the one hanging outside Quirke's door_) that sheep.
-
-_Sergeant:_ I am willing to take the responsibility. He will have no
-speaking to do at all, unless it might be to bid them give the
-lecturer a hearing. The loss of those slides now is a great annoyance
-to me--and no time for anything. The lecturer will be coming by the
-next train.
-
-_Miss Joyce:_ Who is this coming up the street, Mrs. Delane?
-
-_Mrs. Delane:_ I wouldn't doubt it to be the new Sub-Sanitary
-Inspector. Was I telling you of the weight of the testimonials he got,
-Miss Joyce?
-
-_Miss Joyce:_ Sure I heard the curate reading them to his Reverence.
-He must be a wonder for principles.
-
-_Mrs. Delane:_ Indeed it is what I was saying to myself, he must be a
-very saintly young man.
-
- (_Enter Hyacinth Halvey. He carries a small bag and a large
- brown paper parcel. He stops and nods bashfully._)
-
-_Hyacinth:_ Good-evening to you. I was bid to come to the post
-office----
-
-_Sergeant:_ I suppose you are Hyacinth Halvey? I had a letter about
-you from the Resident Magistrate.
-
-_Hyacinth:_ I heard he was writing. It was my mother got a friend he
-deals with to ask him.
-
-_Sergeant:_ He gives you a very high character.
-
-_Hyacinth:_ It is very kind of him indeed, and he not knowing me at
-all. But indeed all the neighbours were very friendly. Anything any
-one could do to help me they did it.
-
-_Mrs. Delane:_ I'll engage it is the testimonals you have in your
-parcel? I know the wrapping paper, but they grew in bulk since I
-handled them.
-
-_Hyacinth:_ Indeed I was getting them to the last. There was not one
-refused me. It is what my mother was saying, a good character is no
-burden.
-
-_Fardy:_ I would believe that indeed.
-
-_Sergeant:_ Let us have a look at the testimonials.
-
- (_Hyacinth Halvey opens parcel, and a large number of envelopes
- fall out._)
-
-_Sergeant:_ (_Opening and reading one by one_). "He possesses the fire
-of the Gael, the strength of the Norman, the vigour of the Dane, the
-stolidity of the Saxon"----
-
-_Hyacinth:_ It was the Chairman of the Poor Law Guardians wrote that.
-
-_Sergeant:_ "A magnificent example to old and young"----
-
-_Hyacinth:_ That was the Secretary of the DeWet Hurling Club----
-
-_Sergeant:_ "A shining example of the value conferred by an eminently
-careful and high class education"----
-
-_Hyacinth:_ That was the National Schoolmaster.
-
-_Sergeant:_ "Devoted to the highest ideals of his Mother-land to such
-an extent as is compatible with a hitherto non-parliamentary
-career"----
-
-_Hyacinth:_ That was the Member for Carrow.
-
-_Sergeant:_ "A splendid exponent of the purity of the race"----
-
-_Hyacinth:_ The Editor of the _Carrow Champion_.
-
-_Sergeant:_ "Admirably adapted for the efficient discharge of all
-possible duties that may in future be laid upon him"----
-
-_Hyacinth:_ The new Station-master.
-
-_Sergeant:_ "A champion of every cause that can legitimately benefit
-his fellow-creatures"---- Why, look here, my man, you are the very one
-to come to our assistance to-night.
-
-_Hyacinth:_ I would be glad to do that. What way can I do it?
-
-_Sergeant:_ You are a newcomer--your example would carry weight--you
-must stand up as a living proof of the beneficial effect of a high
-character, moral fibre, temperance--there is something about it here I
-am sure--(_Looks._) I am sure I saw "unparalleled temperance" in some
-place----
-
-_Hyacinth:_ It was my mother's cousin wrote that--I am no drinker, but
-I haven't the pledge taken----
-
-_Sergeant:_ You might take it for the purpose.
-
-_Mr. Quirke:_ (_Eagerly._) Here is an anti-treating button. I was made
-a present of it by one of my customers--I'll give it to you (_sticks it
-in Hyacinth's coat_) and welcome.
-
-_Sergeant:_ That is it. You can wear the button on the platform--or a
-bit of blue ribbon--hundreds will follow your example--I know the boys
-from the Workhouse will----
-
-_Hyacinth:_ I am in no way wishful to be an example----
-
-_Sergeant:_ I will read extracts from the testimonials. "There he is,"
-I will say, "an example of one in early life who by his own unaided
-efforts and his high character has obtained a profitable
-situation"--(_Slaps his side._) I know what I'll do. I'll engage a few
-corner-boys from Noonan's bar, just as they are, greasy and sodden, to
-stand in a group--there will be the contrast--The sight will deter
-others from a similar fate--That's the way to do a tableau--I knew I
-could turn out a success.
-
-_Hyacinth:_ I wouldn't like to be a contrast---
-
-_Sergeant:_ (_Puts testimonials in his pocket._) I will go now and
-engage those lads--sixpence each, and well worth it--Nothing like an
-example for the rural classes.
-
- (_Goes off, Hyacinth feebly trying to detain him._)
-
-_Mrs. Delane:_ A very nice man indeed. A little high up in himself,
-may be. I'm not one that blames the police. Sure they have their own
-bread to earn like every other one. And indeed it is often they will
-let a thing pass.
-
-_Mr. Quirke:_ (_Gloomily._) Sometimes they will, and more times they
-will not.
-
-_Miss Joyce:_ And where will you be finding a lodging, Mr. Halvey?
-
-_Hyacinth:_ I was going to ask that myself, ma'am. I don't know the
-town.
-
-_Miss Joyce:_ I know of a good lodging, but it is only a very good man
-would be taken into it.
-
-_Mrs. Delane:_ Sure there could be no objection there to Mr. Halvey.
-There is no appearance on him but what is good, and the Sergeant after
-taking him up the way he is doing.
-
-_Miss Joyce:_ You will be near to the Sergeant in the lodging I speak
-of. The house is convenient to the barracks.
-
-_Hyacinth:_ (_Doubtfully._) To the barracks?
-
-_Miss Joyce:_ Alongside of it and the barrack yard behind. And that's
-not all. It is opposite to the priest's house.
-
-_Hyacinth:_ Opposite, is it?
-
-_Miss Joyce:_ A very respectable place, indeed, and a very clean room
-you will get. I know it well. The curate can see into it from his
-window.
-
-_Hyacinth:_ Can he now?
-
-_Fardy:_ There was a good many, I am thinking, went into that lodging
-and left it after.
-
-_Miss Joyce:_ (_Sharply._) It is a lodging you will never be let into
-or let stop in, Fardy. If they did go they were a good riddance.
-
-_Fardy:_ John Hart, the plumber, left it----
-
-_Miss Joyce:_ If he did it was because he dared not pass the police
-coming in, as he used, with a rabbit he was after snaring in his hand.
-
-_Fardy:_ The schoolmaster himself left it.
-
-_Miss Joyce:_ He needn't have left it if he hadn't taken to
-card-playing. What way could you say your prayers, and shadows
-shuffling and dealing before you on the blind?
-
-_Hyacinth:_ I think maybe I'd best look around a bit before I'll
-settle in a lodging----
-
-_Miss Joyce:_ Not at all. _You_ won't be wanting to pull down the
-blind.
-
-_Mrs. Delane:_ It is not likely _you_ will be snaring rabbits.
-
-_Miss Joyce:_ Or bringing in a bottle and taking an odd glass the way
-James Kelly did.
-
-_Mrs. Delane:_ Or writing threatening notices, and the police taking a
-view of you from the rear.
-
-_Miss Joyce:_ Or going to roadside dances, or running after
-good-for-nothing young girls----
-
-_Hyacinth:_ I give you my word I'm not so harmless as you think.
-
-_Mrs. Delane:_ Would you be putting a lie on these, Mr. Halvey?
-(_Touching testimonials._) I know well the way you will be spending
-the evenings, writing letters to your relations----
-
-_Miss Joyce:_ Learning O'Growney's exercises----
-
-_Mrs. Delane:_ Sticking post cards in an album for the convent bazaar.
-
-_Miss Joyce:_ Reading the _Catholic Young Man_----
-
-_Mrs. Delane:_ Playing the melodies on a melodeon----
-
-_Miss Joyce:_ Looking at the pictures in the _Lives of the Saints_.
-I'll hurry on and engage the room for you.
-
-_Hyacinth:_ Wait. Wait a minute----
-
-_Miss Joyce:_ No trouble at all. I told you it was just opposite.
-(_Goes._)
-
-_Mr. Quirke:_ I suppose I must go upstairs and ready myself for the
-meeting. If it wasn't for the contract I have for the soldiers'
-barracks and the Sergeant's good word, I wouldn't go anear it. (_Goes
-into shop._)
-
-_Mrs. Delane:_ I should be making myself ready too. I must be in good
-time to see you being made an example of, Mr. Halvey. It is I myself
-was the first to say it; you will be a credit to the town. (_Goes._)
-
-_Hyacinth:_ (_In a tone of agony._) I wish I had never seen Cloon.
-
-_Fardy:_ What is on you?
-
-_Hyacinth:_ I wish I had never left Carrow. I wish I had been drowned
-the first day I thought of it, and I'd be better off.
-
-_Fardy:_ What is it ails you?
-
-_Hyacinth:_ I wouldn't for the best pound ever I had be in this place
-to-day.
-
-_Fardy:_ I don't know what you are talking about.
-
-_Hyacinth:_ To have left Carrow, if it was a poor place, where I had
-my comrades, and an odd spree, and a game of cards--and a coursing
-match coming on, and I promised a new greyhound from the city of
-Cork. I'll die in this place, the way I am. I'll be too much closed
-in.
-
-_Fardy:_ Sure it mightn't be as bad as what you think.
-
-_Hyacinth:_ Will you tell me, I ask you, what way can I undo it?
-
-_Fardy:_ What is it you are wanting to undo?
-
-_Hyacinth:_ Will you tell me what way can I get rid of my character?
-
-_Fardy:_ To get rid of it, is it?
-
-_Hyacinth:_ That is what I said. Aren't you after hearing the great
-character they are after putting on me?
-
-_Fardy:_ That is a good thing to have.
-
-_Hyacinth:_ It is not. It's the worst in the world. If I hadn't it, I
-wouldn't be like a prize mangold at a show with every person praising
-me.
-
-_Fardy:_ If I had it, I wouldn't be like a head in a barrel, with
-every person making hits at me.
-
-_Hyacinth:_ If I hadn't it, I wouldn't be shoved into a room with all
-the clergy watching me and the police in the back yard.
-
-_Fardy:_ If I had it, I wouldn't be but a message-carrier now, and a
-clapper scaring birds in the summer time.
-
-_Hyacinth:_ If I hadn't it, I wouldn't be wearing this button and
-brought up for an example at the meeting.
-
-_Fardy:_ (_Whistles._) Maybe you're not, so, what those papers make
-you out to be?
-
-_Hyacinth:_ How would I be what they make me out to be? Was there ever
-any person of that sort since the world was a world, unless it might
-be Saint Antony of Padua looking down from the chapel wall? If it is
-like that I was, isn't it in Mount Melleray I would be, or with the
-Friars at Esker? Why would I be living in the world at all, or doing
-the world's work?
-
-_Fardy:_ (_Taking up parcel._) Who would think, now, there would be so
-much lies in a small place like Carrow?
-
-_Hyacinth:_ It was my mother's cousin did it. He said I was not reared
-for labouring--he gave me a new suit and bid me never to come back
-again. I daren't go back to face him--the neighbours knew my mother had
-a long family--bad luck to them the day they gave me these. (_Tears
-letters and scatters them._) I'm done with testimonials. They won't be
-here to bear witness against me.
-
-_Fardy:_ The Sergeant thought them to be great. Sure he has the
-samples of them in his pocket. There's not one in the town but will
-know before morning that you are the next thing to an earthly saint.
-
-_Hyacinth:_ (_Stamping._) I'll stop their mouths. I'll show them I can
-be a terror for badness. I'll do some injury. I'll commit some crime.
-The first thing I'll do I'll go and get drunk. If I never did it
-before I'll do it now. I'll get drunk--then I'll make an assault--I tell
-you I'd think as little of taking a life as of blowing out a candle.
-
-_Fardy:_ If you get drunk you are done for. Sure that will be held up
-after as an excuse for any breaking of the law.
-
-_Hyacinth:_ I will break the law. Drunk or sober I'll break it. I'll
-do something that will have no excuse. What would you say is the worst
-crime that any man can do?
-
-_Fardy:_ I don't know. I heard the Sergeant saying one time it was to
-obstruct the police in the discharge of their duty----
-
-_Hyacinth:_ That won't do. It's a patriot I would be then, worse than
-before, with my picture in the weeklies. It's a red crime I must
-commit that will make all respectable people quit minding me. What can
-I do? Search your mind now.
-
-_Fardy:_ It's what I heard the old people saying there could be no
-worse crime than to steal a sheep----
-
-_Hyacinth:_ I'll steal a sheep--or a cow--or a horse--if that will leave
-me the way I was before.
-
-_Fardy:_ It's maybe in gaol it will leave you.
-
-_Hyacinth:_ I don't care--I'll confess--I'll tell why I did it--I give
-you my word I would as soon be picking oakum or breaking stones as to
-be perched in the daylight the same as that bird, and all the town
-chirruping to me or bidding me chirrup----
-
-_Fardy:_ There is reason in that, now.
-
-_Hyacinth:_ Help me, will you?
-
-_Fardy:_ Well, if it is to steal a sheep you want, you haven't far to
-go.
-
-_Hyacinth:_ (_Looking round wildly._) Where is it? I see no sheep.
-
-_Fardy:_ Look around you.
-
-_Hyacinth:_ I see no living thing but that thrush----
-
-_Fardy:_ Did I say it was living? What is that hanging on Quirke's
-rack?
-
-_Hyacinth:_ It's (_fingers it_) a sheep, sure enough----
-
-_Fardy:_ Well, what ails you that you can't bring it away?
-
-_Hyacinth:_ It's a dead one----
-
-_Fardy:_ What matter if it is?
-
-_Hyacinth:_ If it was living I could drive it before me----
-
-_Fardy:_ You could. Is it to your own lodging you would drive it? Sure
-everyone would take it to be a pet you brought from Carrow.
-
-_Hyacinth:_ I suppose they might.
-
-_Fardy:_ Miss Joyce sending in for news of it and it bleating behind
-the bed.
-
-_Hyacinth:_ (_Distracted_). Stop! stop!
-
-_Mrs. Delane:_ (_From upper window._) Fardy! Are you there, Fardy
-Farrell?
-
-_Fardy:_ I am, ma'am.
-
-_Mrs. Delane:_ (_From window._) Look and tell me is that the telegraph
-I hear ticking?
-
-_Fardy:_ (_Looking in at door._) It is, ma'am.
-
-_Mrs. Delane:_ Then botheration to it, and I not dressed or undressed.
-Wouldn't you say, now, it's to annoy me it is calling me down. I'm
-coming! I'm coming! (_Disappears._)
-
-_Fardy:_ Hurry on, now! hurry! She'll be coming out on you. If you are
-going to do it, do it, and if you are not, let it alone.
-
-_Hyacinth:_ I'll do it! I'll do it!
-
-_Fardy:_ (_Lifting the sheep on his back._) I'll give you a hand with
-it.
-
-_Hyacinth:_ (_Goes a step or two and turns round._) You told me no
-place where I could hide it.
-
-_Fardy:_ You needn't go far. There is the church beyond at the side of
-the Square. Go round to the ditch behind the wall--there's nettles in
-it.
-
-_Hyacinth:_ That'll do.
-
-_Fardy:_ She's coming out--run! run!
-
-Hyacinth: (_Runs a step or two._) It's slipping!
-
-_Fardy:_ Hoist it up! I'll give it a hoist! (_Halvey runs out._)
-
-_Mrs. Delane:_ (_Calling out._) What are you doing Fardy Farrell? Is
-it idling you are?
-
-_Fardy:_ Waiting I am, ma'am, for the message----
-
-_Mrs. Delane:_ Never mind the message yet. Who said it was ready?
-(_Going to door._) Go ask for the loan of--no, but ask news of--Here,
-now go bring that bag of Mr. Halvey's to the lodging Miss Joyce has
-taken----
-
-_Fardy:_ I will, ma'am. (_Takes bag and goes out._)
-
-_Mrs. Delane:_ (_Coming out with a telegram in her hand._) Nobody
-here? (_Looks round and calls cautiously._) Mr. Quirke! Mr. Quirke!
-James Quirke!
-
-_Mr. Quirke:_ (_Looking out of his upper window with soap-suddy
-face_). What is it, Mrs. Delane?
-
-_Mrs. Delane:_ (_Beckoning._) Come down here till I tell you.
-
-_Mr. Quirke:_ I cannot do that. I'm not fully shaved.
-
-_Mrs. Delane:_ You'd come if you knew the news I have.
-
-_Mr. Quirke:_ Tell it to me now. I'm not so supple as I was.
-
-_Mrs. Delane:_ Whisper now, have you an enemy in any place?
-
-_Mr. Quirke:_ It's likely I may have. A man in business----
-
-_Mrs. Delane:_ I was thinking you had one.
-
-_Mr. Quirke:_ Why would you think that at this time more than any
-other time?
-
-_Mrs. Delane:_ If you could know what is in this envelope you would
-know that, James Quirke.
-
-_Mr. Quirke:_ Is that so? And what, now, is there in it?
-
-_Mrs. Delane:_ Who do you think now is it addressed to?
-
-_Mr. Quirke:_ How would I know that, and I not seeing it?
-
-_Mrs. Delane:_ That is true. Well, it is a message from Dublin Castle
-to the Sergeant of Police!
-
-_Mr. Quirke:_ To Sergeant Carden, is it?
-
-_Mrs. Delane:_ It is. And it concerns yourself.
-
-_Mr. Quirke:_ Myself, is it? What accusation can they be bringing
-against me? I'm a peaceable man.
-
-_Mrs. Delane:_ Wait till you hear.
-
-_Mr. Quirke:_ Maybe they think I was in that moonlighting case----
-
-_Mrs. Delane:_ That is not it----
-
-_Mr. Quirke:_ I was not in it--I was but in the neighbouring
-field--cutting up a dead cow, that those never had a hand in----
-
-_Mrs. Delane:_ You're out of it----
-
-_Mr. Quirke:_ They had their faces blackened. There is no man can say
-I recognized them.
-
-_Mrs. Delane:_ That's not what they're saying----
-
-_Mr. Quirke:_ I'll swear I did not hear their voices or know them if I
-did hear them.
-
-_Mrs. Delane:_ I tell you it has nothing to do with that. It might be
-better for you if it had.
-
-_Mr. Quirke:_ What is it, so?
-
-_Mrs. Delane:_ It is an order to the Sergeant bidding him immediately
-to seize all suspicious meat in your house. There is an officer coming
-down. There are complaints from the Shannon Fort Barracks.
-
-_Mr. Quirke:_ I'll engage it was that pork.
-
-_Mrs. Delane:_ What ailed it for them to find fault?
-
-_Mr. Quirke:_ People are so hard to please nowadays, and I recommended
-them to salt it.
-
-_Mrs. Delane:_ They had a right to have minded your advice.
-
-_Mr. Quirke:_ There was nothing on that pig at all but that it went
-mad on poor O'Grady that owned it.
-
-_Mrs. Delane:_ So I heard, and went killing all before it.
-
-_Mr. Quirke:_ Sure it's only in the brain madness can be. I heard the
-doctor saying that.
-
-_Mrs. Delane:_ He should know.
-
-_Mr. Quirke:_ I give you my word I cut the head off it. I went to the
-loss of it, throwing it to the eels in the river. If they had salted
-the meat, as I advised them, what harm would it have done to any
-person on earth?
-
-_Mrs. Delane:_ I hope no harm will come on poor Mrs. Quirke and the
-family.
-
-_Mr. Quirke:_ Maybe it wasn't that but some other thing----
-
-_Mrs. Delane:_ Here is Fardy. I must send the message to the Sergeant.
-Well, Mr. Quirke, I'm glad I had the time to give you a warning.
-
-_Mr. Quirke:_ I'm obliged to you, indeed. You were always very
-neighbourly, Mrs. Delane. Don't be too quick now sending the message.
-There is just one article I would like to put away out of the house
-before the Sergeant will come. (_Enter Fardy._)
-
-_Mrs. Delane:_ Here now, Fardy--that's not the way you're going to the
-barracks. Anyone would think you were scaring birds yet. Put on your
-uniform. (_Fardy goes into office._) You have this message to bring
-to the Sergeant of Police. Get your cap now, it's under the counter.
-(_Fardy reappears, and she gives him telegram._)
-
-_Fardy:_ I'll bring it to the station. It's there he was going.
-
-_Mrs. Delane:_ You will not, but to the barracks. It can wait for him
-there.
-
- (_Fardy goes off. Mr. Quirke has appeared at door._)
-
-_Mr. Quirke:_ It was indeed a very neighbourly act, Mrs. Delane, and
-I'm obliged to you. There is just _one_ article to put out of the way.
-The Sergeant may look about him then and welcome. It's well I cleared
-the premises on yesterday. A consignment to Birmingham I sent. The
-Lord be praised isn't England a terrible country with all it consumes?
-
-_Mrs. Delane:_ Indeed you always treat the neighbours very decent, Mr.
-Quirke, not asking them to buy from you.
-
-_Mr. Quirke:_ Just one article. (_Turns to rack._) That sheep I
-brought in last night. It was for a charity indeed I bought it from
-the widow woman at Kiltartan Cross. Where would the poor make a profit
-out of their dead meat without me? Where now is it? Well, now, I could
-have swore that that sheep was hanging there on the rack when I went
-in----
-
-_Mrs. Delane:_ You must have put it in some other place.
-
-_Mr. Quirke:_ (_Going in and searching and coming out._) I did not;
-there is no other place for me to put it. Is it gone blind I am, or is
-it not in it, it is?
-
-_Mrs. Delane:_ It's not there now anyway.
-
-_Mr. Quirke:_ Didn't you take notice of it there yourself this
-morning?
-
-_Mrs. Delane:_ I have it in my mind that I did; but it's not there
-now.
-
-_Mr. Quirke:_ There was no one here could bring it away?
-
-_Mrs. Delane:_ Is it me myself you suspect of taking it, James Quirke?
-
-_Mr. Quirke:_ Where is it at all? It is certain it was not of itself
-it walked away. It was dead, and very dead, the time I bought it.
-
-_Mrs. Delane:_ I have a pleasant neighbour indeed that accuses me that
-I took his sheep. I wonder, indeed, you to say a thing like that! I to
-steal your sheep or your rack or anything that belongs to you or to
-your trade! Thank you, James Quirke. I am much obliged to you indeed.
-
-_Mr. Quirke:_ Ah, be quiet, woman; be quiet----
-
-_Mrs. Delane:_ And let me tell you, James Quirke, that I would sooner
-starve and see everyone belonging to me starve than to eat the size
-of a thimble of any joint that ever was on your rack or that ever will
-be on it, whatever the soldiers may eat that have no other thing to
-get, or the English that devour all sorts, or the poor ravenous people
-that's down by the sea! (_She turns to go into shop._)
-
-_Mr. Quirke:_ (_Stopping her._) Don't be talking foolishness, woman.
-Who said you took my meat? Give heed to me now. There must some other
-message have come. The Sergeant must have got some other message.
-
-_Mrs. Delane:_ (_Sulkily._) If there is any way for a message to come
-that is quicker than to come by the wires, tell me what it is and I'll
-be obliged to you.
-
-_Mr. Quirke:_ The Sergeant was up here making an excuse he was
-sticking up that notice. What was he doing here, I ask you?
-
-Mrs. Delane: How would I know what brought him?
-
-_Mr. Quirke:_ It is what he did; he made as if to go away--he turned
-back again and I shaving--he brought away the sheep--he will have it for
-evidence against me----
-
-_Mrs. Delane:_ (_Interested._) That might be so.
-
-_Mr. Quirke:_ I would sooner it to have been any other beast nearly
-ever I had upon the rack.
-
-_Mrs. Delane:_ Is that so?
-
-Mr. Quirke: I bade the Widow Early to kill it a fortnight ago--but she
-would not, she was that covetous!
-
-_Mrs. Delane:_ What was on it?
-
-_Mr. Quirke:_ How would I know what was on it? Whatever was on it, it
-was the will of God put it upon it--wasted it was, and shivering and
-refusing its share.
-
-_Mrs. Delane:_ The poor thing.
-
-_Mr. Quirke:_ Gone all to nothing--wore away like a flock of thread. It
-did not weigh as much as a lamb of two months.
-
-_Mrs. Delane:_ It is likely the Inspector will bring it to Dublin?
-
-_Mr. Quirke:_ The ribs of it streaky with the dint of patent
-medicines----
-
-_Mrs. Delane:_ I wonder is it to the Petty Sessions you'll be brought
-or is it to the Assizes?
-
-_Mr. Quirke:_ I'll speak up to them. I'll make my defence. What can
-the Army expect at fippence a pound?
-
-_Mrs. Delane:_ It is likely there will be no bail allowed?
-
-_Mr. Quirke:_ Would they be wanting me to give them good quality meat
-out of my own pocket? Is it to encourage them to fight the poor
-Indians and Africans they would have me? It's the Anti-Enlisting
-Societies should pay the fine for me.
-
-_Mrs. Delane:_ It's not a fine will be put on you, I'm afraid. It's
-five years in gaol you will be apt to be getting. Well, I'll try and
-be a good neighbour to poor Mrs. Quirke.
-
- (_Mr. Quirke, who has been stamping up and down, sits down and
- weeps. Halvey comes in and stands on one side._)
-
-_Mr. Quirke:_ Hadn't I heart-scalding enough before, striving to rear
-five weak children?
-
-_Mrs. Delane:_ I suppose they will be sent to the Industrial Schools?
-
-_Mr. Quirke:_ My poor wife----
-
-_Mrs. Delane:_ I'm afraid the workhouse----
-
-_Mr. Quirke:_ And she out in an ass-car at this minute helping me to
-follow my trade.
-
-_Mrs. Delane:_ I hope they will not arrest her along with you.
-
-_Mr. Quirke:_ I'll give myself up to justice. I'll plead guilty! I'll
-be recommended to mercy!
-
-_Mrs. Delane:_ It might be best for you.
-
-_Mr. Quirke:_ Who would think so great a misfortune could come upon a
-family through the bringing away of one sheep!
-
-_Hyacinth:_ (_Coming forward._) Let you make yourself easy.
-
-_Mr. Quirke:_ Easy! It's easy to say let you make yourself easy.
-
-_Hyacinth:_ I can tell you where it is.
-
-_Mr. Quirke:_ Where what is?
-
-_Hyacinth:_ The sheep you are fretting after.
-
-_Mr. Quirke:_ What do you know about it?
-
-_Hyacinth:_ I know everything about it.
-
-_Mr. Quirke:_ I suppose the Sergeant told you?
-
-_Hyacinth:_ He told me nothing.
-
-_Mr. Quirke:_ I suppose the whole town knows it, so?
-
-_Hyacinth:_ No one knows it, as yet.
-
-_Mr. Quirke:_ And the Sergeant didn't see it?
-
-_Hyacinth:_ No one saw it or brought it away but myself.
-
-_Mr. Quirke:_ Where did you put it at all?
-
-_Hyacinth:_ In the ditch behind the church wall. In among the nettles
-it is. Look at the way they have me stung. (_Holds out hands._)
-
-_Mr. Quirke:_ In the ditch! The best hiding place in the town.
-
-_Hyacinth:_ I never thought it would bring such great trouble upon
-you. You can't say anyway I did not tell you.
-
-_Mr. Quirke:_ You yourself that brought it away and that hid it! I
-suppose it was coming in the train you got information about the
-message to the police.
-
-_Hyacinth:_ What now do you say to me?
-
-_Mr. Quirke:_ Say! I say I am as glad to hear what you said as if it
-was the Lord telling me I'd be in heaven this minute.
-
-_Hyacinth:_ What are you going to do to me?
-
-_Mr. Quirke:_ Do, is it? (_Grasps his hand._) Any earthly thing you
-would wish me to do, I will do it.
-
-_Hyacinth:_ I suppose you will tell----
-
-_Mr. Quirke:_ Tell! It's I that will tell when all is quiet. It is I
-will give you the good name through the town!
-
-_Hyacinth:_ I don't well understand.
-
-_Mr. Quirke:_ (_Embracing him._) The man that preserved me!
-
-_Hyacinth:_ That preserved you?
-
-_Mr. Quirke:_ That kept me from ruin!
-
-_Hyacinth:_ From ruin?
-
-_Mr. Quirke:_ That saved me from disgrace!
-
-_Hyacinth:_ (_To Mrs. Delane._) What is he saying at all?
-
-_Mr. Quirke:_ From the Inspector!
-
-_Hyacinth:_ What is he talking about?
-
-_Mr. Quirke:_ From the magistrates!
-
-_Hyacinth:_ He is making some mistake.
-
-_Mr. Quirke:_ From the Winter Assizes!
-
-_Hyacinth:_ Is he out of his wits?
-
-_Mr. Quirke:_ Five years in gaol!
-
-_Hyacinth:_ Hasn't he the queer talk?
-
-_Mr. Quirke:_ The loss of the contract!
-
-_Hyacinth:_ Are my own wits gone astray?
-
-_Mr. Quirke:_ What way can I repay you?
-
-_Hyacinth:_ (_Shouting._) I tell you I took the sheep----
-
-_Mr. Quirke:_ You did, God reward you!
-
-_Hyacinth:_ I stole away with it----
-
-_Mr. Quirke:_ The blessing of the poor on you!
-
-_Hyacinth:_ I put it out of sight----
-
-_Mr. Quirke:_ The blessing of my five children----
-
-_Hyacinth:_ I may as well say nothing----
-
-_Mrs. Delane:_ Let you be quiet now, Quirke. Here's the Sergeant
-coming to search the shop----
-
- (_Sergeant comes in: Quirke leaves go of Halvey, who arranges
- his hat, etc._)
-
-_Sergeant:_ The Department to blazes!
-
-_Mrs. Delane:_ What is it putting you out?
-
-_Sergeant:_ To go to the train to meet the lecturer, and there to get
-a message through the guard that he was unavoidably detained in the
-South, holding an inquest on the remains of a drake.
-
-_Mrs. Delane:_ The lecturer, is it?
-
-_Sergeant:_ To be sure. What else would I be talking of? The lecturer
-has failed me, and where am I to go looking for a person that I would
-think fitting to take his place?
-
-_Mrs. Delane:_ And that's all? And you didn't get any message but the
-one?
-
-_Sergeant:_ Is that all? I am surprised at you, Mrs. Delane. Isn't it
-enough to upset a man, within three quarters of an hour of the time of
-the meeting? Where, I would ask you, am I to find a man that has
-education enough and wit enough and character enough to put up
-speaking on the platform on the minute?
-
-_Mr. Quirke:_ (_Jumps up._) It is I myself will tell you that.
-
-_Sergeant:_ You!
-
-_Mr. Quirke:_ (_Slapping Halvey on the back._) Look at here, Sergeant.
-There is not one word was said in all those papers about this young
-man before you but it is true. And there could be no good thing said
-of him that would be too good for him.
-
-_Sergeant:_ It might not be a bad idea.
-
-_Mr. Quirke:_ Whatever the paper said about him, Sergeant, I can say
-more again. It has come to my knowledge--by chance--that since he came
-to this town that young man has saved a whole family from destruction.
-
-_Sergeant:_ That is much to his credit--helping the rural classes----
-
-_Mr. Quirke:_ A family and a long family, big and little, like sods of
-turf--and they depending on a--on one that might be on his way to dark
-trouble at this minute if it was not for his assistance. Believe me,
-he is the most sensible man, and the wittiest, and the kindest, and
-the best helper of the poor that ever stood before you in this square.
-Is not that so, Mrs. Delane?
-
-_Mrs. Delane:_ It is true indeed. Where he gets his wisdom and his wit
-and his information from I don't know, unless it might be that he is
-gifted from above.
-
-_Sergeant:_ Well, Mrs. Delane, I think we have settled that question.
-Mr. Halvey, you will be the speaker at the meeting. The lecturer sent
-these notes--you can lengthen them into a speech. You can call to the
-people of Cloon to stand out, to begin the building of their
-character. I saw a lecturer do it one time at Dundrum. "Come up here,"
-he said, "Dare to be a Daniel," he said----
-
-_Hyacinth:_ I can't--I won't----
-
-_Sergeant:_ (_Looking at papers and thrusting them into his hand._)
-You will find it quite easy. I will conduct you to the platform--these
-papers before you and a glass of water--That's settled. (_Turns to
-go._) Follow me on to the Courthouse in half an hour--I must go to the
-barracks first--I heard there was a telegram--(_Calls back as he goes._)
-Don't be late, Mrs. Delane. Mind, Quirke, you promised to come.
-
-_Mrs. Delane:_ Well, it's time for me to make an end of settling
-myself--and indeed, Mr. Quirke, you'd best do the same.
-
-_Mr. Quirke:_ (_Rubbing his cheek._) I suppose so. I had best keep on
-good terms with him for the present. (_Turns._) Well, now, I had a
-great escape this day.
-
- (_Both go in as Fardy reappears whistling._)
-
-_Hyacinth:_ (_Sitting down._) I don't know in the world what has come
-upon the world that the half of the people of it should be cracked!
-
-_Fardy:_ Weren't you found out yet?
-
-_Hyacinth:_ Found out, is it? I don't know what you mean by being
-found out.
-
-_Fardy:_ Didn't he miss the sheep?
-
-_Hyacinth:_ He did, and I told him it was I took it--and what happened
-I declare to goodness I don't know--Will you look at these? (_Holds out
-notes._)
-
-_Fardy:_ Papers! Are they more testimonials?
-
-_Hyacinth:_ They are what is worse. (_Gives a hoarse laugh._) Will you
-come and see me on the platform--these in my hand--and I speaking--giving
-out advice. (_Fardy whistles._) Why didn't you tell me, the time you
-advised me to steal a sheep, that in this town it would qualify a man
-to go preaching, and the priest in the chair looking on.
-
-_Fardy:_ The time I took a few apples that had fallen off a stall,
-they did not ask me to hold a meeting. They welted me well.
-
-_Hyacinth:_ (_Looking round._) I would take apples if I could see
-them. I wish I had broke my neck before I left Carrow and I'd be
-better off! I wish I had got six months the time I was caught setting
-snares--I wish I had robbed a church.
-
-_Fardy:_ Would a Protestant church do?
-
-_Hyacinth:_ I suppose it wouldn't be so great a sin.
-
-_Fardy:_ It's likely the Sergeant would think worse of it--Anyway, if
-you want to rob one, it's the Protestant church is the handiest.
-
-_Hyacinth:_ (_Getting up._) Show me what way to do it?
-
-_Fardy:_ (_Pointing._) I was going around it a few minutes ago, to see
-might there be e'er a dog scenting the sheep, and I noticed the window
-being out.
-
-_Hyacinth:_ Out, out and out?
-
-_Fardy:_ It was, where they are putting coloured glass in it for the
-distiller----
-
-_Hyacinth:_ What good does that do me?
-
-_Fardy:_ Every good. You could go in by that window if you had some
-person to give you a hoist. Whatever riches there is to get in it
-then, you'll get them.
-
-_Hyacinth:_ I don't want riches. I'll give you all I will find if you
-will come and hoist me.
-
-_Fardy:_ Here is Miss Joyce coming to bring you to your lodging. Sure
-I brought your bag to it, the time you were away with the sheep----
-
-_Hyacinth:_ Run! Run!
-
- (_They go off. Enter Miss Joyce._)
-
-_Miss Joyce:_ Are you here, Mrs. Delane? Where, can you tell me, is
-Mr. Halvey?
-
-_Mrs. Delane:_ (_Coming out dressed._) It's likely he is gone on to
-the Courthouse. Did you hear he is to be in the chair and to make an
-address to the meeting?
-
-_Miss Joyce:_ He is getting on fast. His Reverence says he will be a
-good help in the parish. Who would think, now, there would be such a
-godly young man in a little place like Carrow!
-
- (_Enter Sergeant in a hurry, with telegram._)
-
-_Sergeant:_ What time did this telegram arrive, Mrs. Delane?
-
-_Mrs. Delane:_ I couldn't be rightly sure, Sergeant. But sure it's
-marked on it, unless the clock I have is gone wrong.
-
-_Sergeant:_ It is marked on it. And I have the time I got it marked on
-my own watch.
-
-_Mrs. Delane:_ Well, now, I wonder none of the police would have
-followed you with it from the barracks--and they with so little to
-do----
-
-_Sergeant:_ (_Looking in at Quirke's shop._) Well, I am sorry to do
-what I have to do, but duty is duty.
-
- (_He ransacks shop. Mrs. Delane looks on. Mr. Quirke puts his
- head out of window._)
-
-_Mr. Quirke:_ What is that going on inside? (_No answer._) Is there
-any one inside, I ask? (_No answer._) It must be that dog of
-Tannian's--wait till I get at him.
-
-_Mrs. Delane:_ It is Sergeant Carden, Mr. Quirke. He would seem to be
-looking for something----
-
- (_Mr. Quirke appears in shop. Sergeant comes out, makes another
- dive, taking up sacks, etc._)
-
-_Mr. Quirke:_ I'm greatly afraid I am just out of meat, Sergeant--and
-I'm sorry now to disoblige you, and you not being in the habit of
-dealing with me----
-
-_Sergeant:_ I should think not, indeed.
-
-_Mr. Quirke:_ Looking for a tender little bit of lamb, I suppose you
-are, for Mrs. Carden and the youngsters?
-
-_Sergeant:_ I am not.
-
-_Mr. Quirke:_ If I had it now, I'd be proud to offer it to you, and
-make no charge. I'll be killing a good kid to-morrow. Mrs. Carden
-might fancy a bit of it----
-
-_Sergeant:_ I have had orders to search your establishment for
-unwholesome meat, and I am come here to do it.
-
-_Mr. Quirke:_ (_Sitting down with a smile._) Is that so? Well, isn't
-it a wonder the schemers does be in the world.
-
-_Sergeant:_ It is not the first time there have been complaints.
-
-_Mr. Quirke:_ I suppose not. Well, it is on their own head it will
-fall at the last!
-
-_Sergeant:_ I have found nothing so far. _Mr. Quirke:_ I suppose not,
-indeed. What is there you could find, and it not in it?
-
-_Sergeant:_ Have you no meat at all upon the premises?
-
-_Mr. Quirke:_ I have, indeed, a nice barrel of bacon.
-
-_Sergeant:_ What way did it die?
-
-_Mr. Quirke:_ It would be hard for me to say that. American it is. How
-would I know what way they do be killing the pigs out there?
-Machinery, I suppose, they have--steam hammers----
-
-_Sergeant:_ Is there nothing else here at all?
-
-_Mr. Quirke:_ I give you my word, there is no meat living or dead in
-this place, but yourself and myself and that bird above in the cage.
-
-_Sergeant:_ Well, I must tell the Inspector I could find nothing. But
-mind yourself for the future.
-
-_Mr. Quirke:_ Thank you, Sergeant. I will do that. (_Enter Fardy. He
-stops short._)
-
-_Sergeant:_ It was you delayed that message to me, I suppose? You'd
-best mend your ways or I'll have something to say to you. (_Seizes and
-shakes him._)
-
-_Fardy:_ That's the way everyone does be faulting me. (_Whimpers._)
-
- (_The Sergeant gives him another shake. A half-crown falls out
- of his pocket._)
-
-_Miss Joyce:_ (_Picking it up._) A half-a-crown! Where, now, did you
-get that much, Fardy?
-
-_Fardy:_ Where did I get it, is it!
-
-_Miss Joyce:_ I'll engage it was in no honest way you got it.
-
-_Fardy:_ I picked it up in the street----
-
-_Miss Joyce:_ If you did, why didn't you bring it to the Sergeant or
-to his Reverence?
-
-_Mrs. Delane:_ And some poor person, may be, being at the loss of it.
-
-_Miss Joyce:_ I'd best bring it to his Reverence. Come with me, Fardy,
-till he will question you about it.
-
-_Fardy:_ It was not altogether in the street I found it----
-
-_Miss Joyce:_ There, now! I knew you got it in no good way! Tell me,
-now.
-
-_Fardy:_ It was playing pitch and toss I won it----
-
-_Miss Joyce:_ And who would play for half-crowns with the like of you,
-Fardy Farrell? Who was it, now?
-
-_Fardy:_ It was--a stranger----
-
-_Miss Joyce:_ Do you hear that? A stranger! Did you see e'er a
-stranger in this town, Mrs. Delane, or Sergeant Carden, or Mr. Quirke?
-
-_Mr. Quirke:_ Not a one.
-
-_Sergeant:_ There was no stranger here.
-
-_Mrs. Delane:_ There could not be one here without me knowing it.
-
-_Fardy:_ I tell you there was.
-
-_Miss Joyce:_ Come on, then, and tell who was he to his Reverence.
-
-_Sergeant:_ (_Taking other arm._) Or to the bench.
-
-_Fardy:_ I did get it, I tell you, from a stranger.
-
-_Sergeant:_ Where is he, so?
-
-_Fardy:_ He's in some place--not far away.
-
-_Sergeant:_ Bring me to him.
-
-_Fardy:_ He'll be coming here.
-
-_Sergeant:_ Tell me the truth and it will be better for you.
-
-_Fardy:_ (_Weeping._) Let me go and I will.
-
-_Sergeant:_ (_Letting go._) Now--who did you get it from?
-
-_Fardy:_ From that young chap came to-day, Mr. Halvey.
-
-_All:_ Mr. Halvey!
-
-_Mr. Quirke:_ (_Indignantly._) What are you saying, you young ruffian
-you? Hyacinth Halvey to be playing pitch and toss with the like of
-you!
-
-_Fardy:_ I didn't say that.
-
-_Miss Joyce:_ You did say it. You said it now.
-
-_Mr. Quirke:_ Hyacinth Halvey! The best man that ever came into this
-town!
-
-_Miss Joyce:_ Well, what lies he has!
-
-_Mr. Quirke:_ It's my belief the half-crown is a bad one. May be it's
-to pass it off it was given to him. There were tinkers in the town at
-the time of the fair. Give it here to me. (_Bites it._) No, indeed,
-it's sound enough. Here, Sergeant, it's best for you take it.
-
- (_Gives it to Sergeant, who examines it._)
-
-_Sergeant:_ Can it be? Can it be what I think it to be?
-
-_Mr. Quirke:_ What is it? What do you take it to be?
-
-_Sergeant:_ It is, it is. I know it. I know this half-crown----
-
-_Mr. Quirke:_ That is a queer thing, now.
-
-_Sergeant:_ I know it well. I have been handling it in the church for
-the last twelvemonth----
-
-_Mr. Quirke:_ Is that so?
-
-_Sergeant:_ It is the nest-egg half-crown we hand round in the
-collection plate every Sunday morning. I know it by the dint on the
-Queen's temples and the crooked scratch under her nose.
-
-_Mr. Quirke:_ (_Examining it._) So there is, too.
-
-_Sergeant:_ This is a bad business. It has been stolen from the
-church.
-
-_All:_ O! O! O!
-
-_Sergeant:_ (_Seizing Fardy._) You have robbed the church!
-
-_Fardy:_ (_Terrified._) I tell you I never did!
-
-_Sergeant:_ I have the proof of it.
-
-_Fardy:_ Say what you like! I never put a foot in it!
-
-_Sergeant:_ How did you get this, so?
-
-_Miss Joyce:_ I suppose from the stranger?
-
-_Mrs. Delane:_ I suppose it was Hyacinth Halvey gave it to you, now?
-
-_Fardy:_ It was so.
-
-_Sergeant:_ I suppose it was he robbed the church?
-
-_Fardy:_ (_Sobs._) You will not believe me if I say it.
-
-_Mr. Quirke:_ O! the young vagabond! Let me get at him!
-
-_Mrs. Delane:_ Here he is himself now!
-
- (_Hyacinth comes in. Fardy releases himself and creeps behind him._)
-
-_Mrs. Delane:_ It is time you to come, Mr. Halvey, and shut the mouth
-of this young schemer.
-
-_Miss Joyce:_ I would like you to hear what he says of you, Mr.
-Halvey. Pitch and toss, he says.
-
-_Mr. Quirke:_ Robbery, he says.
-
-_Mrs. Delane:_ Robbery of a church.
-
-_Sergeant:_ He has had a bad name long enough. Let him go to a
-reformatory now.
-
-_Fardy:_ (_Clinging to Hyacinth._) Save me, save me! I'm a poor boy
-trying to knock out a way of living; I'll be destroyed if I go to a
-reformatory. (_Kneels and clings to Hyacinth's knees._)
-
-_Hyacinth:_ I'll save you easy enough.
-
-_Fardy:_ Don't let me be gaoled!
-
-_Hyacinth:_ I am going to tell them.
-
-_Fardy:_ I'm a poor orphan----
-
-_Hyacinth:_ Will you let me speak?
-
-_Fardy:_ I'll get no more chance in the world----
-
-_Hyacinth:_ Sure I'm trying to free you----
-
-_Fardy:_ It will be tasked to me always.
-
-_Hyacinth:_ Be quiet, can't you.
-
-_Fardy:_ Don't you desert me!
-
-_Hyacinth:_ Will you be silent?
-
-_Fardy:_ Take it on yourself.
-
-_Hyacinth:_ I will if you'll let me.
-
-_Fardy:_ Tell them you did it.
-
-_Hyacinth:_ I am going to do that.
-
-_Fardy:_ Tell them it was you got in at the window.
-
-_Hyacinth:_ I will! I will!
-
-_Fardy:_ Say it was you robbed the box.
-
-_Hyacinth:_ I'll say it! I'll say it!
-
-_Fardy:_ It being open!
-
-_Hyacinth:_ Let me tell, let me tell.
-
-_Fardy:_ Of all that was in it.
-
-_Hyacinth:_ I'll tell them that.
-
-_Fardy:_ And gave it to me.
-
-_Hyacinth:_ (_Putting hand on his mouth and dragging him up._) Will
-you stop and let me speak?
-
-_Sergeant:_ We can't be wasting time. Give him here to me.
-
-_Hyacinth:_ I can't do that. He must be let alone.
-
-_Sergeant:_ (_Seizing him._) He'll be let alone in the lock-up.
-
-_Hyacinth:_ He must not be brought there.
-
-_Sergeant:_ I'll let no man get him off.
-
-_Hyacinth:_ I will get him off.
-
-_Sergeant:_ You will not!
-
-_Hyacinth:_ I will.
-
-_Sergeant:_ Do you think to buy him off?
-
-_Hyacinth:_ I will buy him off with my own confession.
-
-_Sergeant:_ And what will that be?
-
-_Hyacinth:_ It was I robbed the church.
-
-_Sergeant:_ That is likely indeed!
-
-_Hyacinth:_ Let him go, and take me. I tell you I did it.
-
-_Sergeant:_ It would take witnesses to prove that.
-
-_Hyacinth:_ (_Pointing to Fardy._) He will be witness.
-
-_Fardy:_ O! Mr. Halvey, I would not wish to do that. Get me off and I
-will say nothing.
-
-_Hyacinth:_ Sure you must. You will be put on oath in the court.
-
-_Fardy:_ I will not! I will not! All the world knows I don't
-understand the nature of an oath!
-
-_Mr. Quirke:_ (_Coming forward._) Is it blind ye all are?
-
-_Mrs. Delane:_ What are you talking about?
-
-_Mr. Quirke:_ Is it fools ye all are?
-
-_Miss Joyce:_ Speak for yourself.
-
-_Mr. Quirke:_ Is it idiots ye all are?
-
-_Sergeant:_ Mind who you're talking to.
-
-_Mr. Quirke:_ (_Seizing Hyacinth's hands._) Can't you see? Can't you
-hear? Where are your wits? Was ever such a thing seen in this town?
-
-_Mrs. Delane:_ Say out what you have to say.
-
-_Mr. Quirke:_ A walking saint he is!
-
-_Mrs. Delane:_ Maybe so.
-
-_Mr. Quirke:_ The preserver of the poor! Talk of the holy martyrs!
-They are nothing at all to what he is! Will you look at him! To save
-that poor boy he is going! To take the blame on himself he is going!
-To say he himself did the robbery he is going! Before the magistrate
-he is going! To gaol he is going! Taking the blame on his own head!
-Putting the sin on his own shoulders! Letting on to have done a
-robbery! Telling a lie--that it may be forgiven him--to his own injury!
-Doing all that I tell you to save the character of a miserable slack
-lad, that rose in poverty.
-
- (_Murmur of admiration from all._)
-
-_Mr. Quirke:_ Now, what do you say?
-
-_Sergeant:_ (_Pressing his hand._) Mr. Halvey, you have given us all a
-lesson. To please you, I will make no information against the boy.
-(_Shakes him and helps him up._) I will put back the half-crown in the
-poor-box next Sunday. (_To Fardy._) What have you to say to your
-benefactor?
-
-_Fardy:_ I'm obliged to you, Mr. Halvey. You behaved very decent to
-me, very decent indeed. I'll never let a word be said against you if I
-live to be a hundred years.
-
-_Sergeant:_ (_Wiping eyes with a blue handkerchief._) I will tell it
-at the meeting. It will be a great encouragement to them to build up
-their character. I'll tell it to the priest and he taking the chair----
-
-_Hyacinth:_ O stop, will you----
-
-_Mr. Quirke:_ The chair. It's in the chair he himself should be. It's
-in a chair we will put him now. It's to chair him through the streets
-we will. Sure he'll be an example and a blessing to the whole of the
-town. (_Seizes Halvey and seats him in chair._) Now, Sergeant, give a
-hand. Here, Fardy.
-
- (_They all lift the chair with Halvey in it, wildly protesting._)
-
-_Mr. Quirke:_ Come along now to the Courthouse. Three cheers for
-Hyacinth Halvey! Hip! hip! hoora!
-
- (_Cheers heard in the distance as the curtain drops._)
-
-
-
-
-THE RISING OF THE MOON
-
-
-PERSONS
-
- _Sergeant._
- _Policeman X._
- _Policeman B._
- _A Ragged Man._
-
-
-THE RISING OF THE MOON
-
-
- _Scene: Side of a quay in a seaport town. Some posts and
- chains. A large barrel. Enter three policemen. Moonlight._
-
-
- (_Sergeant, who is older than the others, crosses the stage to
- right and looks down steps. The others put down a pastepot and
- unroll a bundle of placards._)
-
-_Policeman B:_ I think this would be a good place to put up a notice.
-(_He points to barrel._)
-
-_Policeman X:_ Better ask him. (_Calls to Sergt._) Will this be a good
-place for a placard?
-
- (_No answer._)
-
-_Policeman B:_ Will we put up a notice here on the barrel? (_No
-answer._)
-
-_Sergeant:_ There's a flight of steps here that leads to the water.
-This is a place that should be minded well. If he got down here, his
-friends might have a boat to meet him; they might send it in here from
-outside.
-
-_Policeman B:_ Would the barrel be a good place to put a notice up?
-
-_Sergeant:_ It might; you can put it there.
-
- (_They paste the notice up._)
-
-_Sergeant:_ (_Reading it._) Dark hair--dark eyes, smooth face, height
-five feet five--there's not much to take hold of in that--It's a pity I
-had no chance of seeing him before he broke out of gaol. They say he's
-a wonder, that it's he makes all the plans for the whole organization.
-There isn't another man in Ireland would have broken gaol the way he
-did. He must have some friends among the gaolers.
-
-_Policeman B:_ A hundred pounds is little enough for the Government to
-offer for him. You may be sure any man in the force that takes him
-will get promotion.
-
-_Sergeant:_ I'll mind this place myself. I wouldn't wonder at all if
-he came this way. He might come slipping along there (_points to side
-of quay_), and his friends might be waiting for him there (_points
-down steps_), and once he got away it's little chance we'd have of
-finding him; it's maybe under a load of kelp he'd be in a fishing
-boat, and not one to help a married man that wants it to the reward.
-
-_Policeman X:_ And if we get him itself, nothing but abuse on our
-heads for it from the people, and maybe from our own relations.
-
-_Sergeant:_ Well, we have to do our duty in the force. Haven't we the
-whole country depending on us to keep law and order? It's those that
-are down would be up and those that are up would be down, if it
-wasn't for us. Well, hurry on, you have plenty of other places to
-placard yet, and come back here then to me. You can take the lantern.
-Don't be too long now. It's very lonesome here with nothing but the
-moon.
-
-_Policeman B:_ It's a pity we can't stop with you. The Government
-should have brought more police into the town, with _him_ in gaol, and
-at assize time too. Well, good luck to your watch.
-
- (_They go out._)
-
-_Sergeant:_ (_Walks up and down once or twice and looks at placard._)
-A hundred pounds and promotion sure. There must be a great deal of
-spending in a hundred pounds. It's a pity some honest man not to be
-the better of that.
-
- (_A ragged man appears at left and tries to slip past. Sergeant
- suddenly turns._)
-
-_Sergeant:_ Where are you going?
-
-_Man:_ I'm a poor ballad-singer, your honour. I thought to sell some
-of these (_holds out bundle of ballads_) to the sailors. (_He goes
-on._)
-
-_Sergeant:_ Stop! Didn't I tell you to stop? You can't go on there.
-
-_Man:_ Oh, very well. It's a hard thing to be poor. All the world's
-against the poor!
-
-_Sergeant:_ Who are you?
-
-_Man:_ You'd be as wise as myself if I told you, but I don't mind. I'm
-one Jimmy Walsh, a ballad-singer.
-
-_Sergeant:_ Jimmy Walsh? I don't know that name.
-
-_Man:_ Ah, sure, they know it well enough in Ennis. Were you ever in
-Ennis, sergeant?
-
-_Sergeant:_ What brought you here?
-
-_Man:_ Sure, it's to the assizes I came, thinking I might make a few
-shillings here or there. It's in the one train with the judges I came.
-
-_Sergeant:_ Well, if you came so far, you may as well go farther, for
-you'll walk out of this.
-
-_Man:_ I will, I will; I'll just go on where I was going. (_Goes
-towards steps._)
-
-_Sergeant:_ Come back from those steps; no one has leave to pass down
-them to-night.
-
-_Man:_ I'll just sit on the top of the steps till I see will some
-sailor buy a ballad off me that would give me my supper. They do be
-late going back to the ship. It's often I saw them in Cork carried
-down the quay in a hand-cart.
-
-_Sergeant:_ Move on, I tell you. I won't have any one lingering about
-the quay to-night.
-
-_Man:_ Well, I'll go. It's the poor have the hard life! Maybe yourself
-might like one, sergeant. Here's a good sheet now. (_Turns one over._)
-"Content and a pipe"--that's not much. "The Peeler and the goat"--you
-wouldn't like that. "Johnny Hart"--that's a lovely song.
-
-_Sergeant:_ Move on.
-
-_Man:_ Ah, wait till you hear it. (_Sings:_)
-
- There was a rich farmer's daughter lived near the town of Ross;
- She courted a Highland soldier, his name was Johnny Hart;
- Says the mother to her daughter, "I'll go distracted mad
- If you marry that Highland soldier dressed up in Highland plaid."
-
-_Sergeant:_ Stop that noise.
-
- (_Man wraps up his ballads and shuffles towards the steps_)
-
-_Sergeant:_ Where are you going?
-
-_Man:_ Sure you told me to be going, and I am going.
-
-_Sergeant:_ Don't be a fool. I didn't tell you to go that way; I told
-you to go back to the town.
-
-_Man:_ Back to the town, is it?
-
-_Sergeant:_ (_Taking him by the shoulder and shoving him before him._)
-Here, I'll show you the way. Be off with you. What are you stopping
-for?
-
-_Man:_ (_Who has been keeping his eye on the notice, points to it._) I
-think I know what you're waiting for, sergeant.
-
-_Sergeant:_ What's that to you?
-
-_Man:_ And I know well the man you're waiting for--I know him well--I'll
-be going.
-
- (_He shuffles on._)
-
-_Sergeant:_ You know him? Come back here. What sort is he?
-
-_Man:_ Come back is it, sergeant? Do you want to have me killed?
-
-_Sergeant:_ Why do you say that?
-
-_Man:_ Never mind. I'm going. I wouldn't be in your shoes if the
-reward was ten times as much. (_Goes on off stage to left_). Not if it
-was ten times as much.
-
-_Sergeant:_ (_Rushing after him._) Come back here, come back. (_Drags
-him back._) What sort is he? Where did you see him?
-
-_Man:_ I saw him in my own place, in the County Clare. I tell you you
-wouldn't like to be looking at him. You'd be afraid to be in the one
-place with him. There isn't a weapon he doesn't know the use of, and
-as to strength, his muscles are as hard as that board (_slaps
-barrel_).
-
-_Sergeant:_ Is he as bad as that?
-
-_Man:_ He is then.
-
-_Sergeant:_ Do you tell me so?
-
-_Man:_ There was a poor man in our place, a sergeant from
-Ballyvaughan.--It was with a lump of stone he did it.
-
-_Sergeant:_ I never heard of that.
-
-_Man:_ And you wouldn't, sergeant. It's not everything that happens
-gets into the papers. And there was a policeman in plain clothes,
-too.... It is in Limerick he was.... It was after the time of the
-attack on the police barrack at Kilmallock.... Moonlight ... just
-like this ... waterside.... Nothing was known for certain.
-
-_Sergeant:_ Do you say so? It's a terrible county to belong to.
-
-_Man:_ That's so, indeed! You might be standing there, looking out
-that way, thinking you saw him coming up this side of the quay
-(_points_), and he might be coming up this other side (_points_), and
-he'd be on you before you knew where you were.
-
-_Sergeant:_ It's a whole troop of police they ought to put here to
-stop a man like that.
-
-_Man:_ But if you'd like me to stop with you, I could be looking down
-this side. I could be sitting up here on this barrel.
-
-_Sergeant:_ And you know him well, too?
-
-_Man:_ I'd know him a mile off, sergeant.
-
-_Sergeant:_ But you wouldn't want to share the reward?
-
-_Man:_ Is it a poor man like me, that has to be going the roads and
-singing in fairs, to have the name on him that he took a reward? But
-you don't want me. I'll be safer in the town.
-
-_Sergeant:_ Well, you can stop.
-
-_Man:_ (_Getting up on barrel._) All right, sergeant. I wonder, now,
-you're not tired out, sergeant, walking up and down the way you are.
-
-_Sergeant:_ If I'm tired I'm used to it.
-
-_Man:_ You might have hard work before you to-night yet. Take it easy
-while you can. There's plenty of room up here on the barrel, and you
-see farther when you're higher up.
-
-_Sergeant:_ Maybe so. (_Gets up beside him on barrel, facing right.
-They sit back to back, looking different ways._) You made me feel a
-bit queer with the way you talked.
-
-_Man:_ Give me a match, sergeant (_he gives it and man lights pipe_);
-take a draw yourself? It'll quiet you. Wait now till I give you a
-light, but you needn't turn round. Don't take your eye off the quay
-for the life of you.
-
-_Sergeant:_ Never fear, I won't. (_Lights pipe. They both smoke._)
-Indeed it's a hard thing to be in the force, out at night and no
-thanks for it, for all the danger we're in. And it's little we get but
-abuse from the people, and no choice but to obey our orders, and never
-asked when a man is sent into danger, if you are a married man with a
-family.
-
-_Man:_ (_Sings_)--
-
- As through the hills I walked to view the hills and shamrock plain,
- I stood awhile where nature smiles to view the rocks and streams,
- On a matron fair I fixed my eyes beneath a fertile vale,
- As she sang her song it was on the wrong of poor old Granuaile.
-
-_Sergeant:_ Stop that; that's no song to be singing in these times.
-
-_Man:_ Ah, sergeant, I was only singing to keep my heart up. It sinks
-when I think of him. To think of us two sitting here, and he creeping
-up the quay, maybe, to get to us.
-
-_Sergeant:_ Are you keeping a good lookout?
-
-_Man:_ I am; and for no reward too. Amn't I the foolish man? But when
-I saw a man in trouble, I never could help trying to get him out of
-it. What's that? Did something hit me?
-
- (_Rubs his heart._)
-
-_Sergeant:_ (_Patting him on the shoulder._) You will get your reward
-in heaven.
-
-_Man:_ I know that, I know that, sergeant, but life is precious.
-
-_Sergeant:_ Well, you can sing if it gives you more courage.
-
-_Man:_ (_Sings_)--
-
- Her head was bare, her hands and feet with iron bands were bound,
- Her pensive strain and plaintive wail mingles with the evening gale,
- And the song she sang with mournful air, I am old Granuaile.
- Her lips so sweet that monarchs kissed....
-
-_Sergeant:_ That's not it.... "Her gown she wore was stained with
-gore." ... That's it--you missed that.
-
-_Man:_ You're right, sergeant, so it is; I missed it. (_Repeats
-line._) But to think of a man like you knowing a song like that.
-
-_Sergeant:_ There's many a thing a man might know and might not have
-any wish for.
-
-_Man:_ Now, I daresay, sergeant, in your youth, you used to be sitting
-up on a wall, the way you are sitting up on this barrel now, and the
-other lads beside you, and you singing "Granuaile"?...
-
-_Sergeant:_ I did then.
-
-_Man:_ And the "Shan Bhean Bhocht"?...
-
-_Sergeant:_ I did then.
-
-_Man:_ And the "Green on the Cape?"
-
-_Sergeant:_ That was one of them.
-
-_Man:_ And maybe the man you are watching for to-night used to be
-sitting on the wall, when he was young, and singing those same
-songs.... It's a queer world....
-
-_Sergeant:_ Whisht!... I think I see something coming.... It's only a
-dog.
-
-_Man:_ And isn't it a queer world?... Maybe it's one of the boys you
-used to be singing with that time you will be arresting to-day or
-to-morrow, and sending into the dock....
-
-_Sergeant:_ That's true indeed.
-
-_Man:_ And maybe one night, after you had been singing, if the other
-boys had told you some plan they had, some plan to free the country,
-you might have joined with them ... and maybe it is you might be in
-trouble now.
-
-_Sergeant:_ Well, who knows but I might? I had a great spirit in those
-days.
-
-_Man:_ It's a queer world, sergeant, and it's little any mother knows
-when she sees her child creeping on the floor what might happen to it
-before it has gone through its life, or who will be who in the end.
-
-_Sergeant:_ That's a queer thought now, and a true thought. Wait now
-till I think it out.... If it wasn't for the sense I have, and for my
-wife and family, and for me joining the force the time I did, it might
-be myself now would be after breaking gaol and hiding in the dark, and
-it might be him that's hiding in the dark and that got out of gaol
-would be sitting up where I am on this barrel.... And it might be
-myself would be creeping up trying to make my escape from himself, and
-it might be himself would be keeping the law, and myself would be
-breaking it, and myself would be trying maybe to put a bullet in his
-head, or to take up a lump of a stone the way you said he did ... no,
-that myself did.... Oh! (_Gasps. After a pause._) What's that?
-(_Grasps man's arm._)
-
-_Man:_ (_Jumps off barrel and listens, looking out over water._) It's
-nothing, sergeant.
-
-_Sergeant:_ I thought it might be a boat. I had a notion there might
-be friends of his coming about the quays with a boat.
-
-_Man:_ Sergeant, I am thinking it was with the people you were, and
-not with the law you were, when you were a young man.
-
-_Sergeant:_ Well, if I was foolish then, that time's gone.
-
-_Man:_ Maybe, sergeant, it comes into your head sometimes, in spite of
-your belt and your tunic, that it might have been as well for you to
-have followed Granuaile.
-
-_Sergeant:_ It's no business of yours what I think.
-
-_Man:_ Maybe, sergeant, you'll be on the side of the country yet.
-
-_Sergeant:_ (_Gets off barrel._) Don't talk to me like that. I have my
-duties and I know them. (_Looks round._) That was a boat; I hear the
-oars.
-
- (_Goes to the steps and looks down._)
-
-_Man:_ (_Sings_)--
-
- O, then, tell me, Shawn O'Farrell,
- Where the gathering is to be.
- In the old spot by the river
- Right well known to you and me!
-
-_Sergeant:_ Stop that! Stop that, I tell you!
-
-_Man:_ (_Sings louder_)--
-
- One word more, for signal token,
- Whistle up the marching tune,
- With your pike upon your shoulder,
- At the Rising of the Moon.
-
-_Sergeant:_ If you don't stop that, I'll arrest you.
-
- (_A whistle from below answers, repeating the air._)
-
-_Sergeant:_ That's a signal. (_Stands between him and steps._) You
-must not pass this way.... Step farther back.... Who are you? You are
-no ballad-singer.
-
-_Man:_ You needn't ask who I am; that placard will tell you. (_Points
-to placard._)
-
-_Sergeant:_ You are the man I am looking for.
-
-_Man:_ (_Takes off hat and wig. Sergeant seizes them._) I am. There's
-a hundred pounds on my head. There is a friend of mine below in a
-boat. He knows a safe place to bring me to.
-
-_Sergeant:_ (_Looking still at hat and wig._) It's a pity! It's a
-pity. You deceived me. You deceived me well.
-
-_Man:_ I am a friend of Granuaile. There is a hundred pounds on my
-head.
-
-_Sergeant:_ It's a pity, it's a pity!
-
-_Man:_ Will you let me pass, or must I make you let me?
-
-_Sergeant:_ I am in the force. I will not let you pass.
-
-_Man:_ I thought to do it with my tongue. (Puts hand in breast.) What
-is that?
-
- (_Voice of Policeman X outside:_) Here, this is where we left him.
-
-_Sergeant:_ It's my comrades coming.
-
-_Man:_ You won't betray me ... the friend of Granuaile. (_Slips behind
-barrel._)
-
- (_Voice of Policeman B:_) That was the last of the placards.
-
-_Policeman X:_ (_As they come in._) If he makes his escape it won't be
-unknown he'll make it.
-
- (_Sergeant puts hat and wig behind his back._)
-
-_Policeman B:_ Did any one come this way?
-
-_Sergeant:_ (_After a pause._) No one.
-
-_Policeman B:_ No one at all?
-
-_Sergeant:_ No one at all.
-
-_Policeman B:_ We had no orders to go back to the station; we can stop
-along with you.
-
-_Sergeant:_ I don't want you. There is nothing for you to do here.
-
-_Policeman B:_ You bade us to come back here and keep watch with you.
-
-_Sergeant:_ I'd sooner be alone. Would any man come this way and you
-making all that talk? It is better the place to be quiet.
-
-_Policeman B:_ Well, we'll leave you the lantern anyhow. (_Hands it to
-him._)
-
-_Sergeant:_ I don't want it. Bring it with you.
-
-_Policeman B:_ You might want it. There are clouds coming up and you
-have the darkness of the night before you yet. I'll leave it over here
-on the barrel. (_Goes to barrel._)
-
-_Sergeant:_ Bring it with you I tell you. No more talk.
-
-_Policeman B:_ Well, I thought it might be a comfort to you. I often
-think when I have it in my hand and can be flashing it about into
-every dark corner (_doing so_) that it's the same as being beside the
-fire at home, and the bits of bogwood blazing up now and again.
-
- (_Flashes it about, now on the barrel, now on Sergeant._)
-
-_Sergeant:_ (_Furious._) Be off the two of you, yourselves and your
-lantern!
-
- (_They go out. Man comes from behind barrel. He and Sergeant
- stand looking at one another._)
-
-_Sergeant:_ What are you waiting for?
-
-_Man:_ For my hat, of course, and my wig. You wouldn't wish me to get
-my death of cold?
-
- (_Sergeant gives them._)
-
-_Man:_ (_Going towards steps._) Well, good-night, comrade, and thank
-you. You did me a good turn to-night, and I'm obliged to you. Maybe
-I'll be able to do as much for you when the small rise up and the big
-fall down ... when we all change places at the Rising (_waves his hand
-and disappears_) of the Moon.
-
-_Sergeant:_ (_Turning his back to audience and reading placard._) A
-hundred pounds reward! A hundred pounds! (_Turns towards audience._) I
-wonder, now, am I as great a fool as I think I am?
-
-
-_Curtain._
-
-
-
-
-THE JACKDAW
-
-
-PERSONS
-
- JOSEPH NESTOR _An Army Pensioner._
- MICHAEL COONEY _A Farmer._
- MRS. BRODERICK _A Small Shopkeeper._
- TOMMY NALLY _A Pauper._
- SIBBY FAHY _An Orange Seller._
- TIMOTHY WARD _A Process Server._
-
-
-THE JACKDAW
-
-
- _Scene: Interior of a small general shop at Cloon. Mrs.
- Broderick sitting down. Tommy Nally sitting eating an orange
- Sibby has given him. Sibby, with basket on her arm, is looking
- out of door._
-
-
-_Sibby:_ The people are gathering to the door of the Court. The
-Magistrates will be coming there before long. Here is Timothy Ward
-coming up the street.
-
-_Timothy Ward:_ (_Coming to door._) Did you get that summons I left
-here for you ere yesterday, Mrs. Broderick?
-
-_Mrs. Broderick:_ I believe it's there in under the canister. (_Takes
-it out._) It had my mind tossed looking at it there before me. I know
-well what is in it if I made no fist of reading it itself. It's no
-wonder with all I had to go through if the reading and writing got
-scattered on me.
-
-_Ward:_ You know it is on this day you have to appear in the Court?
-
-_Mrs. Broderick:_ It isn't easy to forget that, though indeed it is
-hard for me to be keeping anything in my head these times, but maybe
-remembering to-morrow the thing I was saying to-day.
-
-_Ward:_ Up to one o'clock the magistrates will be able to attend to
-you, ma'am, before they will go out eating their meal.
-
-_Mrs. Broderick:_ Haven't I the mean, begrudging creditors now that
-would put me into the Court? Sure it's a terrible thing to go in it
-and to be bound to speak nothing but the truth. When people would meet
-with you after, they would remember your face in the Court. What way
-would they be certain was it in or outside of the dock?
-
-_Ward:_ It is not in the dock you will be put this time. And there
-will be no bodily harm done to you, but to seize your furniture and
-your goods. It's best for me to be going there myself and not to be
-wasting my time. (_Goes out._)
-
-_Mrs. Broderick:_ Many a one taking my goods on credit and I seeing
-their face no more. But nothing would satisfy the people of this
-district. Sure the great God Himself when He came down couldn't please
-everybody.
-
-_Sibby:_ I am thinking you were talking of some friend, ma'am, might
-be apt to be coming to your aid.
-
-_Mrs. Broderick:_ Well able he is to do it if the Lord would but put
-it in his mind. Isn't it a strange thing the goods of this world to
-shut up the heart of a brother from his own, the same as Esau and
-Jacob, and he having a good farm of land in the County Limerick. It is
-what I heard that in that place the grass does be as thick as grease.
-
-_Sibby:_ I suppose, ma'am, you wrote giving him an account of your
-case?
-
-_Mrs. Broderick:_ Sure, Mr. Nestor, the dear man, has his fingers wore
-away writing for me, and I telling him all he had or had not to say.
-At Christmas I wrote, and at Little Christmas, and at St. Brigit's
-Day, and on the Feast of St. Patrick, and after that again such time
-as I had news of the summons being about to be served. And you may ask
-Mrs. Delane at the Post Office am I telling any lie saying I got no
-word or answer at all.... It's long since I saw him, but it is the way
-he used to be, his eyes on kippeens and some way suspicious in his
-heart; a dark weighty tempered man.
-
-_Sibby:_ A person to be crabbed and he young, it is not likely he will
-grow kind at the latter end.
-
-_Tommy Nally:_ That is no less than true now. There are crabbed people
-and suspicious people to be met with in every place. It is much that I
-got a pass from the Workhouse this day, the Master making sure when I
-asked it that I had in my pocket the means of getting drink.
-
-_Mrs. Broderick:_ It would maybe be best to go join you in the
-Workhouse, Tommy Nally, when I am out of this, than to go walking the
-world from end to end.
-
-_Tommy Nally:_ Ah, don't be saying that, ma'am; sure you couldn't be
-happy within those walls if you had the whole world. Clean outside,
-but very hard within. No rank but all mixed together, the good, the
-middling and the bad, the well reared and the rough.
-
-_Mrs. Broderick:_ Sure I'm not asking to go in it. You could never be
-as stiff in any place as in any sort of little cabin of your own.
-
-_Tommy Nally:_ The tea boiled in a boiler, you should close your eyes
-drinking it, and ne'er a bit of sugar hardly in it at all. And our
-curses on them that boil the eggs too hard! What use is an egg that is
-hard to any person on earth? And as to the dinner, what way would a
-tasty person eat it not having a knife or a fork?
-
-_Mrs. Broderick:_ That I may live to be in no one's way, but to have
-some little corner of my own!
-
-_Tommy Nally:_ And to come to your end in it, ma'am! If you were the
-Lady Mayor herself you'd be brought out to the deadhouse if it was ten
-o'clock at night, and not a wash unless it was just a Scotch lick, and
-nobody to wake you at all!
-
-_Mrs. Broderick:_ I will not go in it! I would sooner make any shift
-and die by the side of the wall. Sure heaven is the best place, heaven
-and this world we're in now!
-
-_Sibby:_ Don't be giving up now, ma'am. Here is Mr. Nestor coming,
-and if any one will give you an advice he is the one will do it. Why
-wouldn't he, he being, as he is, an educated man, and such a great one
-to be reading books.
-
-_Mrs. Broderick:_ So he is too, and keeps it in his mind after. It's a
-wonder to me a man that does be reading to keep any memory at all.
-
-_Nally:_ It's easy for him to carry things light, and his pension paid
-regular at springtime and harvest.
-
- (_Nestor comes in reading "Tit-Bits."_)
-
-_Nestor:_ There was a servant girl in Austria cut off her finger
-slicing cabbage....
-
-_All:_ The poor thing!
-
-_Nestor:_ And her master stuck it on again with glue. That now was a
-very foolish thing to do. What use would a finger be stuck with glue
-that might melt off at any time, and she to be stirring the pot?
-
-_Sibby:_ That is true indeed.
-
-_Nestor:_ Now, if I myself had been there, it is what I would have
-advised....
-
-_Sibby:_ That's what I was saying, Mr. Nestor. It is you are the grand
-adviser. What now will you say to poor Mrs. Broderick that has a
-summons out against her this day for up to ten pounds?
-
-_Nestor:_ It is what I am often saying, it is a very foolish thing to
-be getting into debt.
-
-_Mrs. Broderick:_ Sure what way could I help it? It's a very done-up
-town to be striving to make a living in.
-
-_Nestor:_ It would be a right thing to be showing a good example.
-
-_Mrs. Broderick:_ They would want that indeed. There are more die with
-debts on them in this place than die free from debt.
-
-_Nestor:_ Many a poor soul has had to suffer from the weight of the
-debts on him, finding no rest or peace after death.
-
-_Sibby:_ The Magistrates are gone into the Courthouse, Mrs. Broderick.
-Why now wouldn't you go up to the bank and ask would the manager
-advance you a loan?
-
-_Mrs. Broderick:_ It is likely he would not do it. But maybe it's as
-good for me go as to be sitting here waiting for the end.
-
- (_Puts on hat and shawl._)
-
-_Nestor:_ I now will take charge of the shop for you, Mrs. Broderick.
-
-_Mrs. Broderick:_ It's little call there'll be to it. The time a
-person is sunk that's the time the custom will go from her. (_She goes
-out._)
-
-_Nally:_ I'll be taking a ramble into the Court to see what are the
-lads doing. (_Goes out._)
-
-_Sibby:_ (_Following them._) I might chance some customers there
-myself.
-
- (_Goes out calling--oranges, good oranges._)
-
-_Nestor:_ (_Taking a paper from his pocket, sitting down, and
-beginning to read._) "Romantic elopement in high life. A young lady at
-Aberdeen, Missouri, U.S.A., having been left by her father an immense
-fortune...."
-
- (_Stops to wipe his spectacles, puts them on again and looks
- for place, which he has lost. Cooney puts his head in at door
- and draws it out again._)
-
-_Nestor:_ Come in, come in!
-
-_Cooney:_ (_Coming in cautiously and looking round._) Whose house now
-might this be?
-
-_Nestor:_ To the Widow Broderick it belongs. She is out in the town
-presently.
-
-_Cooney:_ I saw her name up over the door.
-
-_Nestor:_ On business of her own she is gone. It is I am minding the
-place for her.
-
-_Cooney:_ So I see. I suppose now you have good cause to be minding
-it?
-
-_Nestor:_ It would be a pity any of her goods to go to loss.
-
-_Cooney:_ I suppose so. Is it to auction them you will or to sell them
-in bulk?
-
-_Nestor:_ Not at all. I can sell you any article you will require.
-
-_Cooney:_ It would be no profit to herself now, I suppose, if you did?
-
-_Nestor:_ What do you mean saying that? Do you think I would defraud
-her from her due in anything I would sell for her at all?
-
-_Cooney:_ You are not the bailiff so?
-
-_Nestor:_ Not at all. I wonder any person to take me for a bailiff!
-
-_Cooney:_ You are maybe one of the creditors?
-
-_Nestor:_ I am not. I am not a man to have a debt upon me to any
-person on earth.
-
-_Cooney:_ I wonder what it is you are at so, if you have no claim on
-the goods. Is it any harm now to ask what's this your name is?
-
-_Nestor:_ One Joseph Nestor I am, there are few in the district but
-know me. Indeed they all have a great opinion of me. Travelled I did
-in the army, and attended school and I young, and slept in the one bed
-with two boys that were learning Greek.
-
-_Cooney:_ What way now can I be rightly sure that you are Joseph
-Nestor?
-
-_Nestor:_ (_Pulling out envelope._) There is my pension docket. You
-will maybe believe that.
-
-_Cooney:_ (_Examining it._) I suppose you may be him so. I saw your
-name often before this.
-
-_Nestor:_ Did you now? I suppose it may have travelled a good
-distance.
-
-_Cooney:_ It travelled as far as myself anyway at the bottom of
-letters that were written asking relief for the owner of this house.
-
-_Nestor:_ I suppose you are her brother so, Michael Cooney?
-
-_Cooney:_ If I am, there are some questions that I want to put and to
-get answers to before my mind will be satisfied. Tell me this now. Is
-it a fact Mary Broderick to be living at all?
-
-_Nestor:_ What would make you think her not to be living and she
-sending letters to you through the post?
-
-_Cooney:_ I was saying to myself with myself, there was maybe some
-other one personating her and asking me to send relief for their own
-ends.
-
-_Nestor:_ I am in no want of any relief. That is a queer thing to say
-and a very queer thing. There are many worse off than myself, the Lord
-be praised!
-
-_Cooney:_ Don't be so quick now starting up to take offence. It is
-hard to believe the half the things you hear or that will be told to
-you.
-
-_Nestor:_ That may be so indeed; unless it is things that would be
-printed on the papers. But I would think you might trust one of your
-own blood.
-
-_Cooney:_ I might or I might not. I had it in my mind this long time
-to come hither and to look around for myself. There are seven
-generations of the Cooneys trusted nobody living or dead.
-
-_Nestor:_ Indeed I was reading in some history of one Ulysses that
-came back from a journey and sent no word before him but slipped in
-unknown to all but the house dog to see was his wife minding the
-place, or was she, as she was, scattering his means.
-
-_Cooney:_ So she would be too. If Mary Broderick is in need of relief
-I will relieve her, but if she is not, I will bring away what I
-brought with me to its own place again.
-
-_Nestor:_ Sure here is the summons. You can read that, and if you will
-look out the door you can see by the stir the Magistrates are sitting
-in the Court. It is a great welcome she will have before you, and the
-relief coming at the very nick of time.
-
-_Cooney:_ It is too good a welcome she will give me I am thinking. It
-is what I am in dread of now, if she thinks I brought her the money so
-soft and so easy, she will never be leaving me alone, but dragging all
-I have out of me by little and little.
-
-_Nestor:_ Maybe you might let her have but the lend of it.
-
-_Cooney:_ Where's the use of calling it a lend when I may be sure I
-never will see it again? It might be as well for me to earn the value
-of a charity.
-
-_Nestor:_ You might do that and not repent of it.
-
-_Cooney:_ It is likely I'll be annoyed with her to the end of my
-lifetime if she knows I have as much as that to part with. It might be
-she would be following me to Limerick.
-
-_Nestor:_ Wait now a minute till I will give you an advice.
-
-_Cooney:_ It is likely my own advice is the best. Look over your own
-shoulder and do the thing you think right. How can any other person
-know the reasons I have in my mind?
-
-_Nestor:_ I will know what is in your mind if you will tell it to me.
-
-_Cooney:_ It would suit me best, she to get the money and not to know
-at the present time where did it come from. The next time she will
-write wanting help from me, I will task her with it and ask her to
-give me an account.
-
-_Nestor:_ That now would take a great deal of strategy.... Wait now
-till I think.... I have it in my mind I was reading in a penny novel
-... no but on the "Gael" ... about a boy of Kilbecanty that saved his
-old sweetheart from being evicted.
-
-_Cooney:_ I never heard my sister had any old sweetheart.
-
-_Nestor:_ It was playing Twenty-five he did it. Played with the
-husband he did, letting him win up to fifty pounds.
-
-_Cooney:_ Mary Broderick was no cardplayer. And if she was itself she
-would know me. And it's not fifty pounds I am going to leave with her,
-or twenty pounds, or a penny more than is needful to free her from the
-summons to-day.
-
-_Nestor:_ (_Excited._) I will make up a plan! I am sure I will think
-of a good one. It is given in to me there is no person so good at
-making up a plan as myself on this side of the world, not on this side
-of the world! I will manage all. Leave here what you have for her
-before she will come in. I will give it to her in some secret way.
-
-_Cooney:_ I don't know. I will not give it to you before I will get a
-receipt for it ... and I'll not leave the town till I'll see did she
-get it straight and fair. Into the Court I'll go to see her paying it.
-
- (_Sits down and writes out receipt._)
-
-_Nestor:_ I was reading on "Home Chat" about a woman put a note for
-five pounds into her son's prayer book and he going a voyage. And when
-he came back and was in the church with her it fell out, he never
-having turned a leaf of the book at all.
-
-_Cooney:_ Let you sign this and you may put it in the prayer book so
-long as she will get it safe. (_Nestor signs. Cooney looks
-suspiciously at signature and compares it with a letter and then gives
-notes._)
-
-_Nestor:_ (_Signing._) Joseph Nestor.
-
-_Cooney:_ Let me see now is it the same handwriting I used to be
-getting on the letters. It is. I have the notes here.
-
-_Nestor:_ Wait now till I see is there a prayer book.... (_Looks on
-shelf_). Treacle, castor oil, marmalade.... I see no books at all.
-
-_Cooney:_ Hurry on now, she will be coming in and finding me.
-
-_Nestor:_ Here is what will do as well.... "Old Moore's Almanac." I
-will put it here between the leaves. I will ask her the prophecy for
-the month. You can come back here after she finding it.
-
-_Cooney:_ Amn't I after telling you I wouldn't wish her to have sight
-of me here at all? What are you at now, I wonder, saying that. I will
-take my own way to know does she pay the money. It is not my intention
-to be made a fool of.
-
- (_Goes out._)
-
-_Nestor:_ You will be satisfied and well satisfied. Let me see now
-where are the predictions for the month. (_Reads._) "The angry
-appearance of Scorpio and the position of the pale Venus and Jupiter
-presage much danger for England. The heretofore obsequious Orangemen
-will refuse to respond to the tocsin of landlordism. The scales are
-beginning to fall from their eyes."
-
- (_Mrs. Broderick comes in without his noticing her. She gives a
- groan. He drops book and stuffs notes into his pocket._)
-
-_Mrs. Broderick:_ Here I am back again and no addition to me since I
-went.
-
-_Nestor:_ You gave me a start coming in so noiseless.
-
-_Mrs. Broderick:_ It is time for me go to the Court, and I give you my
-word I'd be better pleased going to my burying at the Seven Churches.
-A nice slab I have there waiting for me, though the man that put it
-over me I never saw him at all, and he a far off cousin of my own.
-
-_Nestor:_ Who knows now, Mrs. Broderick, but things might turn out
-better than you think.
-
-_Mrs. Broderick:_ What way could they turn out better between this and
-one o'clock?
-
-_Nestor:_ (_Scratching his head._) I suppose now you wouldn't care to
-play a game of Twenty-five?
-
-_Mrs. Broderick:_ I am surprised at you, Mr. Nestor, asking me to go
-cardplaying on such a day and at such an hour as this.
-
-_Nestor:_ I wonder might some person come in and give an order for ten
-pounds' worth of the stock?
-
-_Mrs. Broderick:_ Much good it would do me. Sure I have the most of it
-on credit.
-
-_Nestor:_ Well, there is no knowing. Some well-to-do person now
-passing the street might have seen you and taken a liking to you and
-be willing to make an advance or a loan.
-
-_Mrs. Broderick:_ Ah, who would be taking a liking to me as they might
-to a young girl in her bloom.
-
-_Nestor:_ Oh, it's a sort of thing might happen. Sure age didn't catch
-on to you yet; you are clean and fresh and sound. What's this I was
-reading in "Answers." (_Looks at it._) "Romantic elopement...."
-
-_Mrs. Broderick:_ I know of no one would be thinking of me for a wife
-... unless it might be yourself, Mr. Nestor....
-
-_Nestor:_ (_Jumping up and speaking fast and running finger up and
-down paper._) "Performance of Dick Whittington." ... There now, there
-is a story that I read in my reading, it was called Whittington and
-the Cat. It was the cat led to his fortune. There might some person
-take a fancy to your cat....
-
-_Mrs. Broderick:_ Ah, let you have done now. I have no cat this good
-while. I banished it on the head of it threatening the jackdaw.
-
-_Nestor:_ The jackdaw?
-
-_Mrs. Broderick:_ (_Fetches cage from inner room._) Sure I reared it
-since the time it fell down the chimney and I going into my bed. It is
-often you should have seen it, in or out of its cage. Hero his name
-is. Come out now, Hero.
-
- (_Opens cage._)
-
-_Nestor:_ (_Slapping his side._) That is it ... that's the very thing.
-Listen to me now, Mrs. Broderick, there are some might give a good
-price for that bird. (_Sitting down to the work._) It chances now
-there is a friend of mine in South Africa. A mine owner he is ... very
-rich ... but it is down in the mine he has to live by reason of the
-Kaffirs ... it is hard to keep a watch upon them in the half dark,
-they being black.
-
-_Mrs. Broderick:_ I suppose....
-
-_Nestor:_ He does be lonesome now and again, and he is longing for a
-bird to put him in mind of old Ireland ... but he is in dread it would
-die in the darkness ... and it came to his mind that it is a custom
-with jackdaws to be living in chimneys, and that if any birds would
-bear the confinement it is they that should do it.
-
-_Mrs. Broderick:_ And is it to buy jackdaws he is going?
-
-_Nestor:_ Isn't that what I am coming to. (_He pulls out notes._) Here
-now is ten pounds I have to lay out for him. Take them now and good
-luck go with them, and give me the bird.
-
-_Mrs. Broderick:_ Notes is it? Is it waking or dreaming I am and I
-standing up on the floor?
-
-_Nestor:_ Good notes and ten of them. Look at them! National Bank they
-are.... Count them now, according to your fingers, and see did I tell
-any lie.
-
-_Mrs. Broderick:_ (_Counting._) They are in it sure enough ... so long
-as they are good ones and I not made a hare of before the magistrates.
-
-_Nestor:_ Go out now to the Court and show them to Timothy Ward, and
-see does he say are they good. Pay them over then, and its likely you
-will be let off the costs.
-
-_Mrs. Broderick:_ (_Taking shawl._) I will go, I will go. Well, you
-are a great man and a kind man, Joseph Nestor, and that you may live a
-thousand years for this good deed.
-
-_Nestor:_ Look here now, ma'am, I wouldn't wish you to be mentioning
-my name in this business or saying I had any hand in it at all.
-
-_Mrs. Broderick:_ I will not so long as it's not pleasing to you.
-Well, it is yourself took a great load off me this day! (_She goes
-out._)
-
-_Nestor:_ (_Calling after her._) I might as well be putting the
-jackdaw back into the cage to be ready for the journey. (_Comes into
-shop._) I hope now he will be well treated by the sailors and he
-travelling over the sea.... Where is he now.... (_Chirrups._) Here
-now, come here to me, what's this your name is.... Nero! Nero! (_Makes
-pounces behind counter._) Ah, bad manners to you, is it under the
-counter you are gone!
-
- (_Lies flat on the floor chirruping and calling, Nero! Nero!
- Nally comes in and watches him curiously._)
-
-_Nally:_ Is it catching blackbeetles you are, Mr. Nestor? Where are
-they and I will give you a hand....
-
-_Nestor:_ (_Getting up annoyed._) It's that bird I was striving to
-catch a hold of for to put him back in the cage.
-
-_Tommy Nally:_ (_Making a pounce._) There he is now. (_Puts bird in
-cage._) Wait now till I'll fasten the gate.
-
-_Nestor:_ Just putting everything straight and handy for the widow
-woman I am before she will come back from the settlement she is making
-in the Court.
-
-_Nally:_ What way will she be able to do that?
-
-_Nestor:_ I gave her advice. A thought I had, something that came from
-my reading. (_Taps paper._) Education and reading and going in the
-army through the kingdoms of the world; that is what fits a man now to
-be giving out advice.
-
-_Tommy:_ Indeed, it's good for them to have you, all the poor ignorant
-people of this town.
-
-_Cooney:_ (_Coming in hurriedly and knocking against Nally as he goes
-out._) What, now, would you say to be the best nesting place in this
-town. Nests of jackdaws I should say.
-
-_Nestor:_ There is the old mill should be a good place. To the west of
-the station it is. Chimneys there are in it. Middling high they are.
-Wait now till I'll tell you of the great plan I made up....
-
-_Cooney:_ What are you asking for those rakes in the corner? It's no
-matter, I'll take one on credit, or maybe it is only the lend of it
-I'll take. ... I'll be coming back immediately. (_He goes out with
-rake._)
-
-_Sibby:_ (_Coming in excitedly._) If you went bird-catching, Mr.
-Nestor, tell me what way would you go doing it?
-
-_Nestor:_ It is not long since I was reading some account of that ...
-lads that made a trade of it ... nets they had and they used to be
-spreading them in the swamps where the plover do be feeding....
-
-_Sibby:_ Ah, sure where's the use of a plover!
-
-_Nestor:_ And snares they had for putting along the drains where the
-snipe do be picking up worms.... But if I myself saw any person going
-after things of the sort, it is what I would advise them to stick to
-the net.
-
-_Sibby:_ What now is the price of that net in the corner?
-
-_Nestor:_ (_Taking it down._) It is but a little bag that is, suitable
-for carrying small articles; it would become your oranges well.
-Twopence I believe, Sibby, is what I should charge you for that.
-
-_Sibby:_ (_Taking money out of handkerchief._) Give it to me so! Here
-I'll get the start of you, Timothy Ward, anyway.
-
- (_She takes it and goes out, almost overturning Timothy Ward,
- who is rushing in._)
-
-_Nestor:_ Well, Timothy, did you see the Widow Broderick in the Court?
-
-_Ward:_ I did see her. It is in it she is, now, looking as content as
-in the coffin, and she paying her debt.
-
-_Nestor:_ Did she give you any account of herself?
-
-_Ward:_ She did to be sure, and to the whole Court; but look here now,
-I have no time to be talking. I have to be back there when the
-magistrates will have their lunch taken. Now you being so clever a
-man, Mr. Nestor, what would you say is the surest way to go catching
-birds?
-
-_Nestor:_ It is a strange thing now, I was asked the same question not
-three minutes ago. I was just searching my mind. It seems to me I have
-read in some place it is a very good way to go calling to them with
-calls; made for the purpose they are. You have but to sit under a tree
-or whatever place they may perch and to whistle ... suppose now it
-might be for a curlew.... (_Whistles._)
-
-_Timothy Ward:_ Are there any of those calls in the shop?
-
-_Nestor:_ I would not say there are any made for the purpose, but
-there might be something might answer you all the same. Let me see
-now.... (_Gets down a box of musical toys and turns them over._)
-
-_Ward:_ Is there anything now has a sound like the croaky screech of a
-jackdaw?
-
-_Nestor:_ Here now is what we used to be calling a corncrake....
-(_Turns it_.) Corncrake, corncrake ... but it seems to me now that to
-give it but the one creak, this way ... it is much like what you would
-hear in the chimney at the time of the making of the nests.
-
-_Ward:_ Give it here to me!
-
- (_Puts a penny on counter and runs out._)
-
-_Tommy Nally:_ (_Coming in shaking with excitement._) For the love of
-God, Mr. Nestor, will you give me that live-trap on credit!
-
-_Nestor:_ A trap? Sure there is no temptation for rats to be settling
-themselves in the Workhouse.
-
-_Nally:_ Or a snare itself ... or any sort of a thing that would make
-the makings of a crib.
-
-_Nestor:_ What would you want, I wonder, going out fowling with a
-crib?
-
-_Nally:_ Why wouldn't I want it? Why wouldn't I have leave to catch a
-bird the same as every other one?
-
-_Nestor:_ And what would the likes of you be wanting with a bird?
-
-_Nally:_ What would I want with it, is it? Why wouldn't I be getting
-my own ten pounds?
-
-_Nestor:_ Heaven help your poor head this day!
-
-_Nally:_ Why wouldn't I get it the same as Mrs. Broderick got it?
-
-_Nestor:_ Well, listen to me now. You will not get it.
-
-_Nally:_ Sure that man is buying them will have no objection they to
-come from one more than another.
-
-_Nestor:_ Don't be arguing now. It is a queer thing for you, Tommy
-Nally, to be arguing with a man like myself.
-
-_Nally:_ Think now all the good it would do me ten pound to be put in
-my hand! It is not you should be begrudging it to me, Mr. Nestor. Sure
-it would be a relief upon the rates.
-
-_Nestor:_ I tell you you will not get ten pound or any pound at all.
-Can't you give attention to what I say?
-
-_Nally:_ If I had but the price of the trap you wouldn't refuse it to
-me. Well, isn't there great hardship upon a man to be bet up and to
-have no credit in the town at all.
-
-_Nestor:_ (_Exasperated, and giving him the cage._) Look here now, I
-have a right to turn you out into the street. But, as you are silly
-like and with no great share of wits, I will make you a present of
-this bird till you try what will you get for it, and till you see will
-you get as much as will cover its diet for one day only. Go out now
-looking for customers and maybe you will believe what I say.
-
-_Nally:_ (_Seizing it._) That you may be doing the same thing this
-day fifty years! My fortune's made now! (_Goes out with cage._)
-
-_Nestor:_ (_Sitting down._) My joy go with you, but I'm bothered with
-the whole of you. Everyone expecting me to do their business and to
-manage their affairs. That is the drawback of being an educated man!
-
- (_Takes up paper to read._)
-
-_Mrs. Broderick:_ (_Coming in._) I declare I'm as comforted as Job
-coming free into the house from the Court!
-
-_Nestor:_ Well, indeed, ma'am, I am well satisfied to be able to do
-what I did for you, and for my friend from Africa as well, giving him
-so fine and so handsome a bird.
-
-_Mrs. Broderick:_ Sure Finn himself that chewed his thumb had not your
-wisdom, or King Solomon that kept order over his kingdom and his own
-seven hundred wives. There is neither of them could be put beside you
-for settling the business of any person at all.
-
- (_Sibby comes in holding up her netted bag._)
-
-_Nestor:_ What is it you have there, Sibby?
-
-_Sibby:_ Look at them here, look at them here.... I wasn't long
-getting them. Warm they are yet; they will take no injury.
-
-_Mrs. Broderick:_ What are they at all?
-
-_Sibby:_ It is eggs they are ... look at them. Jackdaws' eggs.
-
-_Nestor:_ (_Suspiciously._) And what call have you now to be bringing
-in jackdaws' eggs?
-
-_Sibby:_ Is it ten pound apiece I will get for them do you think, or
-is it but ten pound I will get for the whole of them?
-
-_Nestor:_ Is it drink, or is it tea, or is it some change that is come
-upon the world that is fitting the people of this place for the asylum
-in Ballinasloe?
-
-_Sibby:_ I know of a good clocking hen. I will put the eggs under
-her.... I will rear them when they'll be hatched out.
-
-_Nestor:_ I suppose now, Mrs. Broderick, you went belling the case
-through the town?
-
-_Mrs. Broderick:_ I did not, but to the Magistrates upon the bench
-that I told it out of respect to, and I never mentioned your name in
-it at all.
-
-_Sibby:_ Tell me now, Mrs. Broderick, who have I to apply to?
-
-_Mrs. Broderick:_ What is it you are wanting to apply about?
-
-_Sibby:_ Will you tell me where is the man that is after buying your
-jackdaw?
-
-_Mrs. Broderick:_ (_Looking at Nestor._) What's that? Where is he, is
-it?
-
-_Nestor:_ (_Making signs of silence._) How would you know where he is?
-It is not in a broken little town of this sort such a man would be
-stopping, and he having his business finished.
-
-_Sibby:_ Sure he will have to be coming back here for the bird. I will
-stop till I'll see him drawing near.
-
-_Nestor:_ It is more likely he will get it consigned to the shipping
-agent. Mind what I say now, it is best not be speaking of him at all.
-
- (_Timothy Ward comes in triumphantly, croaking his toy. He has
- a bird in his hand._)
-
-_Ward:_ I chanced on a starling. It was not with this I tempted him,
-but a little chap that had him in a crib. Would you say now, Mr.
-Nestor, would that do as well as a jackdaw? Look now, it's as handsome
-every bit as the other. And anyway it is likely they will both die
-before they will reach to their journey's end.
-
-_Nestor:_ (_Lifting up his hands._) Of all the foolishness that ever
-came upon the world!
-
-_Ward:_ Hurry on now, Mrs. Broderick, tell me where will I bring it to
-the buyer you were speaking of. He is fluttering that hard it is much
-if I can keep him in my hand. Is it at Noonan's Royal Hotel he is or
-is it at Mack's?
-
-_Nestor:_ (_Shaking his head threateningly._) How can you tell that
-and you not knowing it yourself?
-
-_Ward:_ Sure you have a right to know what way did he go, and he after
-going out of this.
-
-_Mrs. Broderick:_ (_Her eyes apprehensively on Nestor._) Ah, sure, my
-mind was tattered on me. I couldn't know did he go east or west.
-Standing here in this place I was, like a ghost that got a knock upon
-its head.
-
-_Ward:_ If he is coming back for the bird it is here he will be
-coming, and if it is to be sent after him it is likely you will have
-his address.
-
-_Mrs. Broderick:_ So I should, too, I suppose. Where now did I put it?
-(_She looks to Nestor for orders, but cannot understand his signs, and
-turns out pocket._) That's my specs ... that's the key of the box ...
-that's a bit of root liquorice.... Where now at all could I have left
-down that address?
-
-_Ward:_ There has no train left since he was here. Sure what does it
-matter so long as he did not go out of this. I'll bring this bird to
-the railway. Tell me what sort was he till I'll know him.
-
-_Mrs. Broderick:_ (_Still looking at Nestor._) Well, he was middling
-tall ... not very gross ... about the figure now of Mr. Nestor.
-
-_Ward:_ What aged man was he?
-
-_Mrs. Broderick:_ I suppose up to sixty years. About the one age,
-you'd say, with Mr. Nestor.
-
-_Ward:_ Give me some better account now; it is hardly I would make him
-out by that.
-
-_Mrs. Broderick:_ A grey beard he has hanging down ... and a bald
-poll, and grey hair like a fringe around it ... just for all the world
-like Mr. Nestor!
-
-_Nestor:_ (_Jumping up._) There is nothing so disagreeable in the
-whole world as a woman that has too much talk.
-
-_Mrs. Broderick:_ Well, let me alone. Where's the use of them all
-picking at me to say where did I get the money when I am under orders
-not to tell it?
-
-_Ward:_ Under orders?
-
-_Mrs. Broderick:_ I am, and strong orders.
-
-_Ward:_ Whose orders are those?
-
-_Mrs. Broderick:_ What's that to you, I ask you?
-
-_Ward:_ Isn't it a pity now a woman to be so unneighbourly and she
-after getting profit for herself?
-
-_Mrs. Broderick:_ Look now, Mr. Nestor, the way they are going on at
-me, and you saying no word for me at all.
-
-_Ward:_ How would he say any word when he hasn't it to say? The only
-word could be said by any one is that you are a mean grasping person,
-gathering what you can for your own profit and keeping yourself so
-close and so compact. It is back to the Court I am going, and it's no
-good friend I'll be to you from this out, Mrs. Broderick!
-
-_Mrs. Broderick:_ Amn't I telling you I was bidden not to tell?
-
-_Sibby:_ You were. And is it likely it was you yourself bid yourself
-and gave you that advice, Mrs. Broderick? It is what I think the bird
-was never bought at all. It is in some other way she got the money.
-Maybe in a way she does not like to be talking of. Light weights,
-light fingers! Let us go away so and leave her, herself and her money
-and her orders! (_Timothy Ward goes out, but Sibby stops at door._)
-And much good may they do her.
-
-_Mrs. Broderick:_ Listen to that, Mr. Nestor! Will you be listening to
-that, when one word from yourself would clear my character! I leave it
-now between you and the hearers. Why would I be questioned this way
-and that way, the same as if I was on the green table before the
-judges? You have my heart broke between you. It's best for me to heat
-the kettle and wet a drop of tea.
-
- (_Goes to inner room._)
-
-_Sibby:_ Tell us the truth now, Mr. Nestor, if you know anything at
-all about it.
-
-_Nestor:_ I know everything about it. It was to myself the notes were
-handed in the first place. I am willing to take my oath to you on
-that. It was a stranger, I said, came in.
-
-_Sibby:_ I wish I could see him and know him if I did see him.
-
-_Nestor:_ It is likely you would know a man of that sort if you did
-see him, Sibby Fahy. It is likely you never saw a man yet that owns
-riches would buy up the half of this town.
-
-_Sibby:_ It is not always them that has the most that makes the most
-show. But it is likely he will have a good dark suit anyway, and
-shining boots, and a gold chain hanging over his chest.
-
-_Nestor:_ (_Sarcastically._) He will, and gold rings and pins the same
-as the King of France or of Spain.
-
- (_Enter Cooney, hatless, streaked with soot and lime,
- speechless but triumphant. He holds up a nest with nestlings._)
-
-_Nestor:_ What has happened you, Mr. Cooney, at all?
-
-_Cooney:_ Look now, what I have got!
-
-_Nestor:_ A nest, is it?
-
-_Cooney:_ Three young ones in it!
-
-_Nestor:_ (_Faintly._) Is it what you are going to say they are
-jackdaws!
-
-_Cooney:_ I followed your directions....
-
-_Nestor:_ How do you make that out?
-
-_Caoney:_ You said the mill chimneys were full of them....
-
-_Nestor:_ What has that to do with it?
-
-_Cooney:_ I left my rake after me broken in the loft ... my hat went
-away in the millrace ... I tore my coat on the stones ... there has
-mortar got into my eye....
-
-_Nestor:_ The Lord bless and save us!
-
-_Cooney:_ But there is no man can say I did not bring back the birds,
-sound and living and in good health. Look now, the open mouths of
-them! (_All gather round_.) Three of them safe and living.... I lost
-one climbing the wall. ... Where now is the man is going to buy them?
-
-_Sibby:_ (_Pointing at Nestor._) It is he that can tell you that.
-
-_Cooney:_ Make no delay bringing me to him. I'm in dread they might
-die on me first.
-
-_Nestor:_ You should know well that no one is buying them.
-
-_Sibby:_ No one! Sure it was you yourself told us that there was!
-
-_Nestor:_ If I did itself there is no such a man.
-
-_Sibby:_ It's not above two minutes he was telling of the rings and
-the pins he wore.
-
-_Nestor:_ He never was in it at all.
-
-_Cooney:_ What plan is he making up now to defraud me and to rob me?
-
-_Sibby:_ Question him yourself, and you will see what will he say.
-
-_Cooney:_ How can I ask questions of a man that is telling lies?
-
-_Nestor:_ I am telling no lies. I am well able to answer you and to
-tell you the truth.
-
-_Cooney:_ Tell me where is the man that will give me cash for these
-birds, the same as he gave it to the woman of this house?
-
-_Sibby:_ That's it, that is it. Let him tell it out now.
-
-_Cooney:_ Will you have me ask it as often as the hairs of my head? If
-I get vexed I will make you answer me.
-
-_Nestor:_ It seems to me to have set fire to a rick, but I am well
-able to quench it after. There is no man in South Africa, or that came
-from South Africa, or that ever owned a mine there at all. Where is
-the man bought the bird, are you asking? There he is standing among us
-on this floor. (_Points to Cooney._) That is himself, the very man!
-
-_Cooney:_ (_Advancing a step._) What is that you are saying?
-
-_Nestor:_ I say that no one came in here but yourself.
-
-_Cooney:_ Did he say or not say there was a rich man came in?
-
-_Sibby:_ He did, surely.
-
-_Nestor:_ To make up a plan....
-
-_Cooney:_ I know well you have made up a plan.
-
-_Nestor:_ To give it unknownst....
-
-_Cooney:_ It is to keep it unknownst you are wanting!
-
-_Nestor:_ The way she would not suspect....
-
-_Cooney:_ It is I myself suspect and have cause to suspect! Give me
-back my own ten pounds and I'll be satisfied.
-
-_Nestor:_ What way can I give it back?
-
-_Cooney:_ The same way as you took it, in the palm of your hand.
-
-_Nestor:_ Sure it is paid away and spent....
-
-_Cooney:_ If it is you'll repay it! I know as well as if I was inside
-you you are striving to make me your prey! But I'll sober you! It is
-into the Court I will drag you, and as far as the gaol!
-
-_Nestor:_ I tell you I gave it to the widow woman....
-
- (_Mrs. Broderick comes in._)
-
-_Cooney:_ Let her say now did you.
-
-_Mrs. Broderick:_ What is it at all? What is happening? Joseph Nestor
-threatened by a tinker or a tramp!
-
-_Nestor:_ I would think better of his behaviour if he was a tinker or
-a tramp.
-
-_Mrs. Broderick:_ He has drink taken so. Isn't drink the terrible
-tempter, a man to see flames and punishment upon the one side and
-drink upon the other, and to turn his face towards the drink!
-
-_Cooney:_ Will you stop your chat, Mary Broderick, till I will drag
-the truth out of this traitor?
-
-_Mrs. Broderick:_ Who is that calling me by my name? Och! Is it
-Michael Cooney is in it? Michael Cooney, my brother! O Michael, what
-will they think of you coming into the town and much like a rag on a
-stick would be scaring in the wheatfield through the day?
-
-_Cooney:_ (_Pointing at Nestor._) It was going up in the mill I
-destroyed myself, following the directions of that ruffian!
-
-_Mrs. Broderick:_ And what call has a man that has drink taken to go
-climbing up a loft in a mill? A crooked mind you had always, and
-that's a sort of person drink doesn't suit.
-
-_Cooney:_ I tell you I didn't take a glass over a counter this ten
-year.
-
-_Mrs. Broderick:_ You would do well to go learn behaviour from Mr.
-Nestor.
-
-_Cooney:_ The man that has me plundered and robbed! Tell me this now,
-if you can tell it. Did you find any pound notes in "Old Moore's
-Almanac"?
-
-_Mrs. Broderick:_ I did not to be sure, or in any other place.
-
-_Nestor:_ She came in at the door and I striving to put them into the
-book.
-
-_Cooney:_ Look are they in it now, and I will say he is not tricky,
-but honest.
-
-_Nestor:_ You needn't be looking....
-
-_Mrs. Broderick:_ (_Turning over the leaves._) Ne'er a thing at all in
-it but the things that will or will not happen, and the days of the
-changes of the moon.
-
-_Cooney:_ (_Seizing and shaking it._) Look at that now! (_To
-Nestor._) Will you believe me now telling you that you are a rogue?
-
-_Nestor:_ Will you listen to me, ma'am....
-
-_Cooney:_ No, but listen to myself. I brought the money to you.
-
-_Nestor:_ If he did he wouldn't trust you with it, ma'am.
-
-_Cooney:_ I intended it for your relief.
-
-_Nestor:_ In dread he was you would go follow him to Limerick.
-
-_Mrs. Broderick:_ It is not likely I would be following the like of
-him to Limerick, a man that left me to the charity of strangers from
-Africa!
-
-_Cooney:_ I gave the money to him....
-
-_Nestor:_ And I gave it to yourself paying for the jackdaw. Are you
-satisfied now, Mary Broderick?
-
-_Mrs. Broderick:_ Satisfied, is it? It would be a queer thing indeed I
-to be satisfied. My brother to be spending money on birds, and his
-sister with a summons on her head. Michael Cooney to be passing
-himself off as a mine-owner, and I myself being the way I am!
-
-_Cooney:_ What would I want doing that? I tell you I ask no birds,
-black, blue or white!
-
-_Mrs. Broderick:_ I wonder at you now saying that, and you with that
-clutch on your arm! (_Cooney indignantly flings away nest._)
-Searching out jackdaws and his sister without the price of a needle
-in the house! I tell you, Michael Cooney, it is yourself will be
-wandering after your burying, naked and perishing, through winds and
-through frosts, in satisfaction for the way you went wasting your
-money and your means on such vanities, and she that was reared on the
-one floor with you going knocking at the Workhouse door! What good
-will jackdaws be to you that time?
-
-_Cooney:_ It is what I would wish to know, what scheme are the whole
-of you at? It is long till I will trust any one but my own eyes again
-in the whole of the living world.
-
- (_She wipes her eyes indignantly. Tommy Nally rushes in the
- bird and cage still in his hands._)
-
-_Nally:_ Where is the bird buyer? It is here he is said to be. It is
-well for me get here the first. It is the whole of the town will be
-here within half an hour; they have put a great scatter on themselves
-hunting and searching in every place, but I am the first!
-
-_Nestor:_ What is it you are talking about?
-
-_Nally:_ Not a house in the whole street but is deserted. It is much
-if the Magistrates themselves didn't quit the bench for the pursuit,
-the way Tim Ward quitted the place he had a right to be!
-
-_Nestor:_ It is some curse in the air, or some scourge?
-
-_Nally:_ Birds they are getting by the score! Old and young! Where is
-the bird-buyer? Who is it now will give me my price?
-
- (_He holds up the cage._)
-
-_Cooney:_ There is surely some root for all this. There must be some
-buyer after all. It's to keep him to themselves they are wanting.
-(_Goes to door._) But I'll get my own profit in spite of them.
-
- (_He goes outside door, looking up and down the street._)
-
-_Mrs. Broderick:_ Look at what Tommy Nally has. That's my bird.
-
-_Nally:_ It is not, it's my own!
-
-_Mrs. Broderick:_ That is my cage!
-
-_Nally:_ It is not, it is mine!
-
-_Mrs. Broderick:_ Wouldn't I know my own cage and my own bird? Don't
-be telling lies that way!
-
-_Nally:_ It is no lie I am telling. The bird and the cage were made a
-present to me.
-
-_Mrs. Broderick:_ Who would make a present to you of the things that
-belong to myself?
-
-_Nally:_ It was Mr. Nestor gave them to me.
-
-_Mrs. Broderick:_ Do you hear what he says, Joseph Nestor? What call
-have you to be giving a present of my bird?
-
-_Nestor:_ And wasn't I after buying it from you?
-
-_Mrs. Broderick:_ If you were it was not for yourself you bought it,
-but for the poor man in South Africa you bought it, and you defrauding
-him now, giving it away to a man has no claim to it at all. Well, now,
-isn't it hard for any man to find a person he can trust?
-
-_Nestor:_ Didn't you hear me saying I bought it for no person at all?
-
-_Mrs. Broderick:_ Give it up now, Tommy Nally, or I'll have you in
-gaol on the head of it.
-
-_Nally:_ Oh, you wouldn't do such a thing, ma'am, I am sure!
-
-_Mrs. Broderick:_ Indeed and I will, and have you on the treadmill for
-a thief.
-
-_Nally:_ Oh, oh, oh, look now, Mr. Nestor, the way you have made me a
-thief and to be lodged in the gaol!
-
-_Nestor:_ I wish to God you were lodged in it, and we would have less
-annoyance in this place!
-
-_Nally:_ Oh, that is a terrible thing for you to be saying! Sure the
-poorhouse itself is better than the gaol! The nuns preparing you for
-heaven and the Mass every morning of your life....
-
-_Nestor:_ If you go on with your talk and your arguments it's to gaol
-you will surely go.
-
-_Nally:_ Milk of a Wednesday and a Friday, the potatoes steamed very
-good.... It's the skins of the potatoes they were telling me you do
-have to be eating in the gaol. It is what I am thinking, Mr. Nestor,
-that bird will lie heavy on you at the last!
-
-_Nestor:_ (_Seizing cage and letting the bird out of the door._) Bad
-cess and a bad end to it, and that I may never see it or hear of it
-again!
-
-_Mrs. Broderick:_ Look what he is after doing! Get it back for me!
-Give it here into my hands I say! Why wouldn't I sell it secondly to
-the buyer and he to be coming to the door? It is in my own pocket I
-will keep the price of it that time!
-
-_Nally:_ It would have been as good you to have left it with me as to
-be sending itself and the worth of it up into the skies!
-
-_Mrs. Broderick:_ (_Taking Nestor's arm._) Get it back for me I tell
-you! There it is above in the ash tree, and it flapping its wings on a
-bough!
-
-_Nestor:_ Give me the cage, if that will content you, and I will
-strive to entice it to come in.
-
-_Cooney:_ (_Coming in._) Everyone running this way and that way. It is
-for birds they are looking sure enough. Why now would they go through
-such hardship if there was not a demand in some place?
-
-_Nestor:_ (_Pushing him away._) Let me go now before that bird will
-quit the branch where it is.
-
-_Cooney:_ (_Seizing hold of him._) Is it striving to catch a bird for
-yourself you are now?
-
-_Nestor:_ Let me pass if you please. I have nothing to say to you at
-all.
-
-_Cooney:_ Laying down to me they were worth nothing! I knew well you
-had made up some plan! The grand adviser is it! It is to yourself you
-gave good advice that time!
-
-_Nestor:_ Let me out I tell you before that uproar you are making will
-drive it from its perch on the tree.
-
-_Cooney:_ Is it to rob me of my own money you did and to be keeping me
-out of the money I earned along with it!
-
- (_Threatens Nestor with "Moore's Almanac," which he has picked up._)
-
-_Sibby:_ Take care would there be murder done in this place!
-
- (_She seizes Nestor, Mrs. Broderick seizes Cooney. Tommy Nally
- wrings his hands._)
-
-_Nestor:_ Tommy Nally, will you kindly go and call for the police.
-
-_Cooney:_ Is it into a den of wild beasts I am come that must go
-calling out for the police?
-
-_Nestor:_ A very unmannerly person indeed!
-
-_Cooney:_ Everyone thinking to take advantage of me and to make their
-own trap for my ruin.
-
-_Nestor:_ I don't know what cause has he at all to have taken any
-umbrage against me.
-
-_Cooney:_ You that had your eye on my notes from the first like a goat
-in a cabbage garden!
-
-_Nestor:_ Coming with a gift in the one hand and holding a dagger in
-the other!
-
-_Cooney:_ If you say that again I will break your collar bone!
-
-_Nestor:_ O, but you are the terrible wicked man!
-
-_Cooney:_ I'll squeeze satisfaction out of you if I had to hang for
-it! I will be well satisfied if I'll kill you!
-
- (_Flings "Moore's Almanac" at him._)
-
-_Nestor:_ (_Throwing his bundle of newspapers._) Oh, good jewel!
-
-_Ward:_ (_Coming in hastily._) Whist the whole of you, I tell you! The
-Magistrates are coming to the door! (_Comes in and shuts it after
-him._)
-
-_Mrs. Broderick:_ The Lord be between us and harm! What made them go
-quit the Court?
-
-_Ward:_ The whole of the witnesses and of the prosecution made off
-bird-catching. The Magistrates sent to invite the great mine-owner to
-go lunch at Noonan's with themselves.
-
-_Cooney:_ Horses of their own to stick him with they have. I wouldn't
-doubt them at all.
-
-_Ward:_ He could not be found in any place. They are informed he was
-never seen leaving this house. They are coming to make an
-investigation.
-
-_Nestor:_ Don't be anyway uneasy. I will explain the whole case.
-
-_Ward:_ The police along with them....
-
-_Cooney:_ Is the whole of this district turned into a trap?
-
-_Ward:_ It is what they are thinking, that the stranger was made away
-with for his gold!
-
-_Cooney:_ And if he was, as sure as you are living, it was done by
-that blackguard there!
-
- (_Points at Nestor._)
-
-_Ward:_ If he is not found they will arrest all they see upon the
-premises....
-
-_Cooney:_ It is best for me to quit this.
-
- (_Goes to door._)
-
-_Ward:_ Here they are at the door. Sergeant Carden along with them.
-Hide yourself, Mr. Nestor, if you've anyway to do it at all.
-
- (_Sounds of feet and talking and knock at the door. Cooney
- hides under counter. Nestor lies down on top of bench, spreads
- his newspaper over him. Mrs. Broderick goes behind counter._)
-
-_Nestor:_ (_Raising paper from his face and looking out._) Tommy
-Nally, I will give you five shillings if you will draw "Tit-Bits" over
-my feet.
-
-
-_Curtain_
-
-
-
-
-THE WORKHOUSE WARD
-
-
-PERSONS
-
- _Mike McInerney_ } PAUPERS
- _Michael Miskell_ }
- _Mrs. Donohoe_, A COUNTRYWOMAN
-
-
-THE WORKHOUSE WARD
-
-
- _Scene: A ward in Cloon Workhouse. The two old men in their
- beds._
-
-
-_Michael Miskell:_ Isn't it a hard case, Mike McInerney, myself and
-yourself to be left here in the bed, and it the feast day of Saint
-Colman, and the rest of the ward attending on the Mass.
-
-_Mike McInerney:_ Is it sitting up by the hearth you are wishful to
-be, Michael Miskell, with cold in the shoulders and with speckled
-shins? Let you rise up so, and you well able to do it, not like myself
-that has pains the same as tin-tacks within in my inside.
-
-_Michael Miskell:_ If you have pains within in your inside there is no
-one can see it or know of it the way they can see my own knees that
-are swelled up with the rheumatism, and my hands that are twisted in
-ridges the same as an old cabbage stalk. It is easy to be talking
-about soreness and about pains, and they maybe not to be in it at all.
-
-_Mike McInerney:_ To open me and to analyse me you would know what
-sort of a pain and a soreness I have in my heart and in my chest. But
-I'm not one like yourself to be cursing and praying and tormenting the
-time the nuns are at hand, thinking to get a bigger share than myself
-of the nourishment and of the milk.
-
-_Michael Miskell:_ That's the way you do be picking at me and faulting
-me. I had a share and a good share in my early time, and it's well you
-know that, and the both of us reared in Skehanagh.
-
-_Mike McInerney:_ You may say that, indeed, we are both of us reared
-in Skehanagh. Little wonder you to have good nourishment the time we
-were both rising, and you bringing away my rabbits out of the snare.
-
-_Michael Miskell:_ And you didn't bring away my own eels, I suppose, I
-was after spearing in the Turlough? Selling them to the nuns in the
-convent you did, and letting on they to be your own. For you were
-always a cheater and a schemer, grabbing every earthly thing for your
-own profit.
-
-_Mike McInerney:_ And you were no grabber yourself, I suppose, till
-your land and all you had grabbed wore away from you!
-
-_Michael Miskell:_ If I lost it itself, it was through the crosses I
-met with and I going through the world. I never was a rambler and a
-card-player like yourself, Mike McInerney, that ran through all and
-lavished it unknown to your mother!
-
-_Mike McInerney:_ Lavished it, is it? And if I did was it you yourself
-led me to lavish it or some other one? It is on my own floor I would
-be to-day and in the face of my family, but for the misfortune I had
-to be put with a bad next door neighbour that was yourself. What way
-did my means go from me is it? Spending on fencing, spending on walls,
-making up gates, putting up doors, that would keep your hens and your
-ducks from coming in through starvation on my floor, and every four
-footed beast you had from preying and trespassing on my oats and my
-mangolds and my little lock of hay!
-
-_Michael Miskell:_ O to listen to you! And I striving to please you
-and to be kind to you and to close my ears to the abuse you would be
-calling and letting out of your mouth. To trespass on your crops is
-it? It's little temptation there was for my poor beasts to ask to
-cross the mering. My God Almighty! What had you but a little corner of
-a field!
-
-_Mike McInerney:_ And what do you say to my garden that your two pigs
-had destroyed on me the year of the big tree being knocked, and they
-making gaps in the wall.
-
-_Michael Miskell:_ Ah, there does be a great deal of gaps knocked in a
-twelvemonth. Why wouldn't they be knocked by the thunder, the same as
-the tree, or some storm that came up from the west?
-
-_Mike McInerney:_ It was the west wind, I suppose, that devoured my
-green cabbage? And that rooted up my Champion potatoes? And that ate
-the gooseberries themselves from off the bush?
-
-_Michael Miskell:_ What are you saying? The two quietest pigs ever I
-had, no way wicked and well ringed. They were not ten minutes in it.
-It would be hard for them eat strawberries in that time, let alone
-gooseberries that's full of thorns.
-
-_Mike McInerney:_ They were not quiet, but very ravenous pigs you had
-that time, as active as a fox they were, killing my young ducks. Once
-they had blood tasted you couldn't stop them.
-
-_Michael Miskell:_ And what happened myself the fair day of
-Esserkelly, the time I was passing your door? Two brazened dogs that
-rushed out and took a piece of me. I never was the better of it or of
-the start I got, but wasting from then till now!
-
-_Mike McInerney:_ Thinking you were a wild beast they did, that had
-made his escape out of the travelling show, with the red eyes of you
-and the ugly face of you, and the two crooked legs of you that
-wouldn't hardly stop a pig in a gap. Sure any dog that had any life
-in it at all would be roused and stirred seeing the like of you going
-the road!
-
-_Michael Miskell:_ I did well taking out a summons against you that
-time. It is a great wonder you not to have been bound over through
-your lifetime, but the laws of England is queer.
-
-_Mike McInerney:_ What ailed me that I did not summons yourself after
-you stealing away the clutch of eggs I had in the barrel, and I away
-in Ardrahan searching out a clocking hen.
-
-_Michael Miskell:_ To steal your eggs is it? Is that what you are
-saying now? (_Holds up his hands._) The Lord is in heaven, and Peter
-and the saints, and yourself that was in Ardrahan that day put a hand
-on them as soon as myself! Isn't it a bad story for me to be wearing
-out my days beside you the same as a spancelled goat. Chained I am and
-tethered I am to a man that is ramsacking his mind for lies!
-
-_Mike McInerney:_ If it is a bad story for you, Michael Miskell, it is
-a worse story again for myself. A Miskell to be next and near me
-through the whole of the four quarters of the year. I never heard
-there to be any great name on the Miskells as there was on my own race
-and name.
-
-_Michael Miskell:_ You didn't, is it? Well, you could hear it if you
-had but ears to hear it. Go across to Lisheen Crannagh and down to
-the sea and to Newtown Lynch and the mills of Duras and you'll find a
-Miskell, and as far as Dublin!
-
-_Mike McInerney:_ What signifies Crannagh and the mills of Duras? Look
-at all my own generations that are buried at the Seven Churches. And
-how many generations of the Miskells are buried in it? Answer me that!
-
-_Michael Miskell:_ I tell you but for the wheat that was to be sowed
-there would be more side cars and more common cars at my father's
-funeral (_God rest his soul!_) than at any funeral ever left your own
-door. And as to my mother, she was a Cuffe from Claregalway, and it's
-she had the purer blood!
-
-_Mike McInerney:_ And what do you say to the banshee? Isn't she apt to
-have knowledge of the ancient race? Was ever she heard to screech or
-to cry for the Miskells? Or for the Cuffes from Claregalway? She was
-not, but for the six families, the Hyneses, the Foxes, the Faheys, the
-Dooleys, the McInerneys. It is of the nature of the McInerneys she is
-I am thinking, crying them the same as a king's children.
-
-_Michael Miskell:_ It is a pity the banshee not to be crying for
-yourself at this minute, and giving you a warning to quit your lies
-and your chat and your arguing and your contrary ways; for there is no
-one under the rising sun could stand you. I tell you you are not
-behaving as in the presence of the Lord!
-
-_Mike McInerney:_ Is it wishful for my death you are? Let it come and
-meet me now and welcome so long as it will part me from yourself! And
-I say, and I would kiss the book on it, I to have one request only to
-be granted, and I leaving it in my will, it is what I would request,
-nine furrows of the field, nine ridges of the hills, nine waves of the
-ocean to be put between your grave and my own grave the time we will
-be laid in the ground!
-
-_Michael Miskell:_ Amen to that! Nine ridges, is it? No, but let the
-whole ridge of the world separate us till the Day of Judgment! I would
-not be laid anear you at the Seven Churches, I to get Ireland without
-a divide!
-
-_Mike McInerney:_ And after that again! I'd sooner than ten pound in
-my hand, I to know that my shadow and my ghost will not be knocking
-about with your shadow and your ghost, and the both of us waiting our
-time. I'd sooner be delayed in Purgatory! Now, have you anything to
-say?
-
-_Michael Miskell:_ I have everything to say, if I had but the time to
-say it!
-
-_Mike McInerney:_ (_Sitting up._) Let me up out of this till I'll
-choke you!
-
-_Michael Miskell:_ You scolding pauper you!
-
-_Mike McInerney:_ (_Shaking his fist at him._) Wait a while!
-
-_Michael Miskell:_ (_Shaking his fist._) Wait a while yourself!
-
- (_Mrs. Donohoe comes in with a parcel. She is a countrywoman
- with a frilled cap and a shawl. She stands still a minute. The
- two old men lie down and compose themselves._)
-
-_Mrs. Donohoe:_ They bade me come up here by the stair. I never was in
-this place at all. I don't know am I right. Which now of the two of ye
-is Mike McInerney?
-
-_Mike McInerney:_ Who is it is calling me by my name?
-
-_Mrs. Donohoe:_ Sure amn't I your sister, Honor McInerney that was,
-that is now Honor Donohoe.
-
-_Mike McInerney:_ So you are, I believe. I didn't know you till you
-pushed anear me. It is time indeed for you to come see me, and I in
-this place five year or more. Thinking me to be no credit to you, I
-suppose, among that tribe of the Donohoes. I wonder they to give you
-leave to come ask am I living yet or dead?
-
-_Mrs. Donohoe:_ Ah, sure, I buried the whole string of them. Himself
-was the last to go. (_Wipes her eyes._) The Lord be praised he got a
-fine natural death. Sure we must go through our crosses. And he got a
-lovely funeral; it would delight you to hear the priest reading the
-Mass. My poor John Donohoe! A nice clean man, you couldn't but be fond
-of him. Very severe on the tobacco he was, but he wouldn't touch the
-drink.
-
-_Mike McInerney:_ And is it in Curranroe you are living yet?
-
-_Mrs. Donohoe:_ It is so. He left all to myself. But it is a lonesome
-thing the head of a house to have died!
-
-_Mike McInerney:_ I hope that he has left you a nice way of living?
-
-_Mrs. Donohoe:_ Fair enough, fair enough. A wide lovely house I have;
-a few acres of grass land ... the grass does be very sweet that grows
-among the stones. And as to the sea, there is something from it every
-day of the year, a handful of periwinkles to make kitchen, or cockles
-maybe. There is many a thing in the sea is not decent, but cockles is
-fit to put before the Lord!
-
-_Mike McInerney:_ You have all that! And you without ere a man in the
-house?
-
-_Mrs. Donohoe:_ It is what I am thinking, yourself might come and keep
-me company. It is no credit to me a brother of my own to be in this
-place at all.
-
-_Mike McInerney:_ I'll go with you! Let me out of this! It is the name
-of the McInerneys will be rising on every side!
-
-_Mrs. Donohoe:_ I don't know. I was ignorant of you being kept to the
-bed.
-
-_Mike McInerney:_ I am not kept to it, but maybe an odd time when
-there is a colic rises up within me. My stomach always gets better the
-time there is a change in the moon. I'd like well to draw anear you.
-My heavy blessing on you, Honor Donohoe, for the hand you have held
-out to me this day.
-
-_Mrs. Donohoe:_ Sure you could be keeping the fire in, and stirring
-the pot with the bit of Indian meal for the hens, and milking the goat
-and taking the tacklings off the donkey at the door; and maybe putting
-out the cabbage plants in their time. For when the old man died the
-garden died.
-
-_Mike McInerney:_ I could to be sure, and be cutting the potatoes for
-seed. What luck could there be in a place and a man not to be in it?
-Is that now a suit of clothes you have brought with you?
-
-_Mrs. Donohoe:_ It is so, the way you will be tasty coming in among
-the neighbours at Curranroe.
-
-_Mike McInerney:_ My joy you are! It is well you earned me! Let me up
-out of this! (He sits up and spreads out the clothes and tries on
-coat.) That now is a good frieze coat ... and a hat in the fashion ...
-(_He puts on hat._)
-
-_Michael Miskell:_ (_Alarmed._) And is it going out of this you are,
-Mike McInerney?
-
-_Mike McInerney:_ Don't you hear I am going? To Curranroe I am going.
-Going I am to a place where I will get every good thing!
-
-_Michael Miskell:_ And is it to leave me here after you you will?
-
-_Mike McInerney:_ (_In a rising chant._) Every good thing! The goat
-and the kid are there, the sheep and the lamb are there, the cow does
-be running and she coming to be milked! Ploughing and seed sowing,
-blossom at Christmas time, the cuckoo speaking through the dark days
-of the year! Ah, what are you talking about? Wheat high in hedges, no
-talk about the rent! Salmon in the rivers as plenty as turf! Spending
-and getting and nothing scarce! Sport and pleasure, and music on the
-strings! Age will go from me and I will be young again. Geese and
-turkeys for the hundreds and drink for the whole world!
-
-_Michael Miskell:_ Ah, Mike, is it truth you are saying, you to go
-from me and to leave me with rude people and with townspeople, and
-with people of every parish in the union, and they having no respect
-for me or no wish for me at all!
-
-_Mike McInerney:_ Whist now and I'll leave you ... my pipe (_hands it
-over_); and I'll engage it is Honor Donohoe won't refuse to be sending
-you a few ounces of tobacco an odd time, and neighbours coming to the
-fair in November or in the month of May.
-
-_Michael Miskell:_ Ah, what signifies tobacco? All that I am craving
-is the talk. There to be no one at all to say out to whatever thought
-might be rising in my innate mind! To be lying here and no conversible
-person in it would be the abomination of misery!
-
-_Mike McInerney:_ Look now, Honor.... It is what I often heard said,
-two to be better than one.... Sure if you had an old trouser was full
-of holes ... or a skirt ... wouldn't you put another in under it that
-might be as tattered as itself, and the two of them together would
-make some sort of a decent show?
-
-_Mrs. Donohoe:_ Ah, what are you saying? There is no holes in that
-suit I brought you now, but as sound it is as the day I spun it for
-himself.
-
-_Mike McInerney:_ It is what I am thinking, Honor ... I do be weak an
-odd time ... any load I would carry, it preys upon my side ... and
-this man does be weak an odd time with the swelling in his knees ...
-but the two of us together it's not likely it is at the one time we
-would fail. Bring the both of us with you, Honor, and the height of
-the castle of luck on you, and the both of us together will make one
-good hardy man!
-
-_Mrs. Donohoe:_ I'd like my job! Is it queer in the head you are grown
-asking me to bring in a stranger off the road?
-
-_Michael Miskell:_ I am not, ma'am, but an old neighbour I am. If I
-had forecasted this asking I would have asked it myself. Michael
-Miskell I am, that was in the next house to you in Skehanagh!
-
-_Mrs. Donohoe:_ For pity's sake! Michael Miskell is it? That's worse
-again. Yourself and Mike that never left fighting and scolding and
-attacking one another! Sparring at one another like two young pups you
-were, and threatening one another after like two grown dogs!
-
-_Mike McInerney:_ All the quarrelling was ever in the place it was
-myself did it. Sure his anger rises fast and goes away like the wind.
-Bring him out with myself now, Honor Donohoe, and God bless you.
-
-_Mrs. Donohoe:_ Well, then, I will not bring him out, and I will not
-bring yourself out, and you not to learn better sense. Are you making
-yourself ready to come?
-
-_Mike McInerney:_ I am thinking, maybe ... it is a mean thing for a
-man that is shivering into seventy years to go changing from place to
-place.
-
-_Mrs. Donohoe:_ Well, take your luck or leave it. All I asked was to
-save you from the hurt and the harm of the year.
-
-_Mike McInerney:_ Bring the both of us with you or I will not stir out
-of this.
-
-_Mrs. Donohoe:_ Give me back my fine suit so (_begins gathering up the
-clothes_), till I'll go look for a man of my own!
-
-_Mike McInerney:_ Let you go so, as you are so unnatural and so
-disobliging, and look for some man of your own, God help him! For I
-will not go with you at all!
-
-_Mrs. Donohoe:_ It is too much time I lost with you, and dark night
-waiting to overtake me on the road. Let the two of you stop together,
-and the back of my hand to you. It is I will leave you there the same
-as God left the Jews!
-
- (_She goes out. The old men lie down and are silent for a moment._)
-
-_Michael Miskell:_ Maybe the house is not so wide as what she says.
-
-_Mike McInerney:_ Why wouldn't it be wide?
-
-_Michael Miskell:_ Ah, there does be a good deal of middling poor
-houses down by the sea.
-
-_Mike McInerney:_ What would you know about wide houses? Whatever sort
-of a house you had yourself it was too wide for the provision you had
-into it.
-
-_Michael Miskell:_ Whatever provision I had in my house it was
-wholesome provision and natural provision. Herself and her
-periwinkles! Periwinkles is a hungry sort of food.
-
-_Mike McInerney:_ Stop your impudence and your chat or it will be the
-worse for you. I'd bear with my own father and mother as long as any
-man would, but if they'd vex me I would give them the length of a rope
-as soon as another!
-
-_Michael Miskell:_ I would never ask at all to go eating periwinkles.
-
-_Mike McInerney:_ (_Sitting up._) Have you anyone to fight me?
-
-_Michael Miskell:_ (_Whimpering._) I have not, only the Lord!
-
-_Mike McInerney:_ Let you leave putting insults on me so, and death
-picking at you!
-
-_Michael Miskell:_ Sure I am saying nothing at all to displease you.
-It is why I wouldn't go eating periwinkles, I'm in dread I might
-swallow the pin.
-
-_Mike McInerney:_ Who in the world wide is asking you to eat them?
-You're as tricky as a fish in the full tide!
-
-_Michael Miskell:_ Tricky is it! Oh, my curse and the curse of the
-four and twenty men upon you!
-
-_Mike McInerney:_ That the worm may chew you from skin to marrow bone!
-(_Seizes his pillow._)
-
-_Michael Miskell:_ (_Seizing his own pillow._) I'll leave my death on
-you, you scheming vagabone!
-
-_Mike McInerney:_ By cripes! I'll pull out your pin feathers!
-(_Throwing pillow._)
-
-_Michael Miskell:_ (_Throwing pillow._) You tyrant! You big bully you!
-
-_Mike McInerney:_ (_Throwing pillow and seizing mug._) Take this so,
-you stobbing ruffian you!
-
- (_They throw all within their reach at one another, mugs,
- prayer books, pipes, etc._)
-
-
-_Curtain_
-
-
-
-
-THE TRAVELLING MAN
-
-
-PERSONS
-
- _A Mother._
- _A Child._
- _A Travelling Man._
-
-
-THE TRAVELLING MAN
-
-A MIRACLE PLAY
-
-
- _Scene: A cottage kitchen. A woman setting out a bowl and jug
- and board on the table for bread-making._
-
-_Child:_ What is it you are going to make, mother?
-
-_Mother:_ I am going to make a grand cake with white flour. Seeds I
-will put in it. Maybe I'll make a little cake for yourself too. You
-can be baking it in the little pot while the big one will be baking in
-the big pot.
-
-_Child:_ It is a pity daddy to be away at the fair on a Samhain night.
-
-_Mother:_ I must make my feast all the same, for Samhain night is more
-to me than to any other one. It was on this night seven years I first
-came into this house.
-
-_Child:_ You will be taking down those plates from the dresser so,
-those plates with flowers on them, and be putting them on the table.
-
-_Mother:_ I will. I will set out the house to-day, and bring down the
-best delf, and put whatever thing is best on the table, because of the
-great thing that happened me seven years ago.
-
-_Child:_ What great thing was that?
-
-_Mother:_ I was after being driven out of the house where I was a
-serving girl....
-
-_Child:_ Where was that house? Tell me about it.
-
-_Mother:_ (_Sitting down and pointing southward._) It is over there I
-was living, in a farmer's house up on Slieve Echtge, near to Slieve na
-n-Or, the Golden Mountain.
-
-_Child:_ The Golden Mountain! That must be a grand place.
-
-_Mother:_ Not very grand indeed, but bare and cold enough at that time
-of the year. Anyway, I was driven out a Samhain day like this, because
-of some things that were said against me.
-
-_Child:_ What did you do then?
-
-_Mother:_ What had I to do but to go walking the bare bog road through
-the rough hills where there was no shelter to find, and the sharp wind
-going through me, and the red mud heavy on my shoes. I came to
-Kilbecanty....
-
-_Child:_ I know Kilbecanty. That is where the woman in the shop gave
-me sweets out of a bottle.
-
-_Mother:_ So she might now, but that night her door was shut and all
-the doors were shut; and I saw through the windows the boys and the
-girls sitting round the hearth and playing their games, and I had no
-courage to ask for shelter. In dread I was they might think some
-shameful thing of me, and I going the road alone in the night-time.
-
-_Child:_ Did you come here after that?
-
-_Mother:_ I went on down the hill in the darkness, and with the dint
-of my trouble and the length of the road my strength failed me, and I
-had like to fall. So I did fall at the last, meeting with a heap of
-broken stones by the roadside.
-
-_Child:_ I hurt my knee one time I fell on the stones.
-
-_Mother:_ It was then the great thing happened. I saw a stranger
-coming towards me, a very tall man, the best I ever saw, bright and
-shining that you could see him through the darkness; and I knew him to
-be no common man.
-
-_Child:_ Who was he?
-
-_Mother:_ It is what I thought, that he was the King of the World.
-
-_Child:_ Had he a crown like a King?
-
-_Mother:_ If he had, it was made of the twigs of a bare blackthorn;
-but in his hand he had a green branch, that never grew on a tree of
-this world. He took me by the hand, and he led me over the
-stepping-stones outside to this door, and he bade me to go in and I
-would find good shelter. I was kneeling down to thank him, but he
-raised me up and he said, "I will come to see you some other time.
-And do not shut up your heart in the things I give you," he said, "but
-have a welcome before me."
-
-_Child:_ Did he go away then?
-
-_Mother:_ I saw him no more after that, but I did as he bade me. (_She
-stands up and goes to the door._) I came in like this, and your father
-was sitting there by the hearth, a lonely man that was after losing
-his wife. He was alone and I was alone, and we married one another;
-and I never wanted since for shelter or safety. And a good wife I made
-him, and a good housekeeper.
-
-_Child:_ Will the King come again to the house?
-
-_Mother:_ I have his word for it he will come, but he did not come
-yet; it is often your father and myself looked out the door of a
-Samhain night, thinking to see him.
-
-_Child:_ I hope he won't come in the night time, and I asleep.
-
-_Mother:_ It is of him I do be thinking every year, and I setting out
-the house, and making a cake for the supper.
-
-_Child:_ What will he do when he comes in?
-
-_Mother:_ He will sit over there in the chair, and maybe he will taste
-a bit of the cake. I will call in all the neighbours; I will tell them
-he is here. They will not be keeping it in their mind against me then
-that I brought nothing, coming to the house. They will know I am
-before any of them, the time they know who it is has come to visit me.
-They will all kneel down and ask for his blessing. But the best
-blessing will be on the house he came to of himself.
-
-_Child:_ And are you going to make the cake now?
-
-_Mother:_ I must make it now indeed, or I will be late with it. I am
-late as it is; I was expecting one of the neighbours to bring me white
-flour from the town. I'll wait no longer, I'll go borrow it in some
-place. There will be a wedding in the stonecutter's house Thursday,
-it's likely there will be flour in the house.
-
-_Child:_ Let me go along with you.
-
-_Mother:_ It is best for you to stop here. Be a good child now, and
-don't be meddling with the things on the table. Sit down there by the
-hearth and break up those little sticks I am after bringing in. Make a
-little heap of them now before me, and we will make a good fire to
-bake the cake. See now how many will you break. Don't go out the door
-while I'm away, I would be in dread of you going near the river and it
-in flood. Behave yourself well now. Be counting the sticks as you
-break them.
-
- (_She goes out._)
-
-_Child:_ (_Sitting down and breaking sticks across his knee._) One--and
-two--O I can break this one into a great many, one, two, three,
-four.--This one is wet--I don't like a wet one--five, six--that is a great
-heap.--Let me try that great big one.--That is too hard.--I don't think
-mother could break that one.--Daddy could break it.
-
- (_Half-door is opened and a travelling man comes in. He wears a
- ragged white flannel shirt, and mud-stained trousers. He is
- bareheaded and barefooted, and carries a little branch in his
- hand._)
-
-_Travelling Man:_ (_Stooping over the child and taking the stick._)
-Give it here to me and hold this.
-
- (_He puts the branch in the child's hand while he takes the
- stick and breaks it._)
-
-_Child:_ That is a good branch, apples on it and flowers. The tree at
-the mill has apples yet, but all the flowers are gone. Where did you
-get this branch?
-
-_Travelling Man:_ I got it in a garden a long way off.
-
-_Child:_ Where is the garden? Where do you come from?
-
-_Travelling Man:_ (_Pointing southward._) I have come from beyond
-those hills.
-
-_Child:_ Is it from the Golden Mountain you are come? From Slieve na
-n-Or?
-
-_Travelling Man:_ That is where I come from surely, from the Golden
-Mountain. I would like to sit down and rest for a while.
-
-_Child:_ Sit down here beside me. We must not go near the table or
-touch anything, or mother will be angry. Mother is going to make a
-beautiful cake, a cake that will be fit for a King that might be
-coming in to our supper.
-
-_Travelling Man:_ I will sit here with you on the floor.
-
- (_Sits down._)
-
-_Child:_ Tell me now about the Golden Mountain.
-
-_Travelling Man:_ There is a garden in it, and there is a tree in the
-garden that has fruit and flowers at the one time.
-
-_Child:_ Like this branch?
-
-_Travelling Man:_ Just like that little branch.
-
-_Child:_ What other things are in the garden?
-
-_Travelling Man:_ There are birds of all colours that sing at every
-hour, the way the people will come to their prayers. And there is a
-high wall about the garden.
-
-_Child:_ What way can the people get through the wall?
-
-_Travelling Man:_ There are four gates in the wall: a gate of gold,
-and a gate of silver, and a gate of crystal, and a gate of white
-brass.
-
-_Child:_ (_Taking up the sticks._) I will make a garden. I will make a
-wall with these sticks.
-
-_Travelling Man:_ This big stick will make the first wall.
-
- (_They build a square wall with sticks._)
-
-_Child:_ (_Taking up branch._) I will put this in the middle. This is
-the tree. I will get something to make it stand up. (_Gets up and
-looks at dresser._) I can't reach it, get up and give me that shining
-jug.
-
- (_Travelling Man gets up and gives him the jug._)
-
-_Travelling Man:_ Here it is for you.
-
-_Child:_ (_Puts it within the walls and sets the branch in it._) Tell
-me something else that is in the garden?
-
-_Travelling Man:_ There are four wells of water in it, that are as
-clear as glass.
-
-_Child:_ Get me down those cups, those flowery cups, we will put them
-for wells. (_He hands them down._) Now I will make the gates, give me
-those plates for gates, not those ugly ones, those nice ones at the
-top.
-
- (_He takes them down and they put them on the four sides for
- gates. The Child gets up and looks at it._)
-
-_Travelling Man:_ There now, it is finished.
-
-_Child:_ Is it as good as the other garden? How can we go to the
-Golden Mountain to see the other garden?
-
-_Travelling Man:_ We can ride to it.
-
-_Child:_ But we have no horse.
-
-_Travelling Man:_ This form will be our horse. (_He draws a form out
-of the corner, and sits down astride on it, putting the child before
-him._) Now, off we go! (_Sings, the child repeating the refrain_)--
-
- Come ride and ride to the garden,
- Come ride and ride with a will:
- For the flower comes with the fruit there
- Beyond a hill and a hill.
-
- _Refrain_
-
- Come ride and ride to the garden,
- Come ride like the March wind;
- There's barley there, and water there,
- And stabling to your mind.
-
-_Travelling Man:_ How did you like that ride, little horseman?
-
-_Child:_ Go on again! I want another ride!
-
-_Travelling Man_ (_sings_)--
-
- The Archangels stand in a row there
- And all the garden bless,
- The Archangel Axel, Victor the angel
- Work at the cider press.
-
- _Refrain_
-
- Come ride and ride to the garden, &c.
-
-_Child:_ We will soon be at the Golden Mountain now. Ride again. Sing
-another song.
-
-_Travelling Man_ (_sings_)--
-
-
- O scent of the broken apples!
- O shuffling of holy shoes!
- Beyond a hill and a hill there
- In the land that no one knows.
-
- _Refrain_
-
- Come ride and ride to the garden, &c.
-
-
-_Child:_ Now another ride.
-
-_Travelling Man:_ This will be the last. It will be a good ride.
-
- (_The mother comes in. She stares for a second, then throws
- down her basket and snatches up the child._)
-
-_Mother:_ Did ever anyone see the like of that! A common beggar, a
-travelling man off the roads, to be holding the child! To be leaving
-his ragged arms about him as if he was of his own sort! Get out of
-that, whoever you are, and quit this house or I'll call to some that
-will make you quit it.
-
-_Child:_ Do not send him out! He is not a bad man; he is a good man;
-he was playing horses with me. He has grand songs.
-
-_Mother:_ Let him get away out of this now, himself and his share of
-songs. Look at the way he has your bib destroyed that I was after
-washing in the morning!
-
-_Child:_ He was holding me on the horse. We were riding, I might have
-fallen. He held me.
-
-_Mother:_ I give you my word you are done now with riding horses. Let
-him go on his road. I have no time to be cleaning the place after the
-like of him.
-
-_Child:_ He is tired. Let him stop here till evening.
-
-_Travelling Man:_ Let me rest here for a while, I have been travelling
-a long way.
-
-_Mother:_ Where did you come from to-day?
-
-_Travelling Man:_ I came over Slieve Echtge from Slieve na n-Or. I had
-no house to stop in. I walked the long bog road, the wind was going
-through me, there was no shelter to be got, the red mud of the road
-was heavy on my feet. I got no welcome in the villages, and so I came
-on to this place, to the rising of the river at Ballylee.
-
-_Mother:_ It is best for you to go on to the town. It is not far for
-you to go. We will maybe have company coming in here.
-
- (_She pours out flour into a bowl and begins mixing._)
-
-_Travelling Man:_ Will you give me a bit of that dough to bring with
-me? I have gone a long time fasting.
-
-_Mother:_ It is not often in the year I make bread like this. There
-are a few cold potatoes on the dresser, are they not good enough for
-you? There is many a one would be glad to get them.
-
-_Travelling Man:_ Whatever you will give me, I will take it.
-
-_Mother:_ (_Going to the dresser for the potatoes and looking at the
-shelves._) What in the earthly world has happened all the delf? Where
-are the jugs gone and the plates? They were all in it when I went out
-a while ago.
-
-_Child:_ (_Hanging his head._) We were making a garden with them. We
-were making that garden there in the corner.
-
-_Mother:_ Is that what you were doing after I bidding you to sit still
-and to keep yourself quiet? It is to tie you in the chair I will
-another time! My grand jugs! (_She picks them up and wipes them._) My
-plates that I bought the first time I ever went marketing into Gort.
-The best in the shop they were. (_One slips from her hand and
-breaks._) Look at that now, look what you are after doing.
-
- (_She gives a slap at the child._)
-
-_Travelling Man:_ Do not blame the child. It was I myself took them
-down from the dresser.
-
-_Mother:_ (_Turning on him._) It was you took them! What business had
-you doing that? It's the last time a tramp or a tinker or a rogue of
-the roads will have a chance of laying his hand on anything in this
-house. It is jailed you should be! What did you want touching the
-dresser at all? Is it looking you were for what you could bring away?
-
-_Travelling Man:_ (_Taking the child's hands._) I would not refuse
-these hands that were held out for them. If it was for the four winds
-of the world he had asked, I would have put their bridles into these
-innocent hands.
-
-_Mother:_ (_Taking up the jug and throwing the branch on the floor._)
-Get out of this! Get out of this I tell you! There is no shelter here
-for the like of you! Look at that mud on the floor! You are not fit to
-come into the house of any decent respectable person!
-
- (_The room begins to darken._)
-
-_Travelling Man:_ Indeed, I am more used to the roads than to the
-shelter of houses. It is often I have spent the night on the bare
-hills.
-
-_Mother:_ No wonder in that! (_She begins to sweep floor._) Go out of
-this now to whatever company you are best used to, whatever they are.
-The worst of people it is likely they are, thieves and drunkards and
-shameless women.
-
-_Travelling Man:_ Maybe so. Drunkards and thieves and shameless women,
-stones that have fallen, that are trodden under foot, bodies that are
-spoiled with sores, bodies that are worn with fasting, minds that are
-broken with much sinning, the poor, the mad, the bad....
-
-_Mother:_ Get out with you! Go back to your friends, I say!
-
-_Travelling Man:_ I will go. I will go back to the high road that is
-walked by the bare feet of the poor, by the innocent bare feet of
-children. I will go back to the rocks and the wind, to the cries of
-the trees in the storm! (_He goes out._)
-
-_Child:_ He has forgotten his branch!
-
- (_Takes it and follows him._)
-
-_Mother:_ (_Still sweeping._) My good plates from the dresser, and
-dirty red mud on the floor, and the sticks all scattered in every
-place. (_Stoops to pick them up._) Where is the child gone? (_Goes to
-door._) I don't see him--he couldn't have gone to the river--it is
-getting dark--the bank is slippy. Come back! Come back! Where are you?
-(_Child runs in._)
-
-_Mother:_ O where were you? I was in dread it was to the river you
-were gone, or into the river.
-
-_Child:_ I went after him. He is gone over the river.
-
-_Mother:_ He couldn't do that. He couldn't go through the flood.
-
-_Child:_ He did go over it. He was as if walking on the water. There
-was a light before his feet.
-
-_Mother:_ That could not be so. What put that thought in your mind?
-
-_Child:_ I called to him to come back for the branch, and he turned
-where he was in the river, and he bade me to bring it back, and to
-show it to yourself.
-
-_Mother:_ (_Taking the branch._) There are fruit and flowers on it. It
-is a branch that is not of any earthly tree. (_Falls on her knees._)
-He is gone, he is gone, and I never knew him! He was that stranger
-that gave me all! He is the King of the World!
-
-
-
-
-THE GAOL GATE
-
-
-PERSONS
-
- _Mary Cahel_ AN OLD WOMAN
- _Mary Cushin_ HER DAUGHTER-IN-LAW
- _The Gatekeeper_
-
-
-THE GAOL GATE
-
-
- _Scene: Outside the gate of Galway Gaol. Two countrywomen, one
- in a long dark cloak, the other with a shawl over her head,
- have just come in. It is just before dawn._
-
-
-_Mary Cahel:_ I am thinking we are come to our journey's end, and that
-this should be the gate of the gaol.
-
-_Mary Cushin:_ It is certain it could be no other place. There was
-surely never in the world such a terrible great height of a wall.
-
-_Mary Cahel:_ He that was used to the mountain to be closed up inside
-of that! What call had he to go moonlighting or to bring himself into
-danger at all?
-
-_Mary Cushin:_ It is no wonder a man to grow faint-hearted and he shut
-away from the light. I never would wonder at all at anything he might
-be driven to say.
-
-_Mary Cahel:_ There were good men were gaoled before him never gave in
-to anyone at all. It is what I am thinking, Mary, he might not have
-done what they say.
-
-_Mary Cushin:_ Sure you heard what the neighbours were calling the
-time their own boys were brought away. "It is Denis Cahel," they were
-saying, "that informed against them in the gaol."
-
-_Mary Cahel:_ There is nothing that is bad or is wicked but a woman
-will put it out of her mouth, and she seeing them that belong to her
-brought away from her sight and her home.
-
-_Mary Cushin:_ Terry Fury's mother was saying it, and Pat Ruane's
-mother and his wife. They came out calling it after me, "It was Denis
-swore against them in the gaol!" The sergeant was boasting, they were
-telling me, the day he came searching Daire-caol, it was he himself
-got his confession with drink he had brought him in the gaol.
-
-_Mary Cahel:_ They might have done that, the ruffians, and the boy
-have no blame on him at all. Why should it be cast up against him, and
-his wits being out of him with drink?
-
-_Mary Cushin:_ If he did give their names up itself, there was maybe
-no wrong in it at all. Sure it's known to all the village it was Terry
-that fired the shot.
-
-_Mary Cahel:_ Stop your mouth now and don't be talking. You haven't
-any sense worth while. Let the sergeant do his own business with no
-help from the neighbours at all.
-
-_Mary Cushin:_ It was Pat Ruane that tempted them on account of some
-vengeance of his own. Every creature knows my poor Denis never handled
-a gun in his life.
-
-_Mary Cahel:_ (_Taking from under her cloak a long blue envelope._) I
-wish we could know what is in the letter they are after sending us
-through the post. Isn't it a great pity for the two of us to be
-without learning at all?
-
-_Mary Cushin:_ There are some of the neighbours have learning, and you
-bade me not bring it anear them. It would maybe have told us what way
-he is or what time he will be quitting the gaol.
-
-_Mary Cahel:_ There is wonder on me, Mary Cushin, that you would not
-be content with what I say. It might be they put down in the letter
-that Denis informed on the rest.
-
-_Mary Cushin:_ I suppose it is all we have to do so, to stop here for
-the opening of the door. It's a terrible long road from Slieve Echtge
-we were travelling the whole of the night.
-
-_Mary Cahel:_ There was no other thing for us to do but to come and to
-give him a warning. What way would he be facing the neighbours, and he
-to come back to Daire-caol?
-
-_Mary Cushin:_ It is likely they will let him go free, Mary, before
-many days will be out. What call have they to be keeping him? It is
-certain they promised him his life.
-
-_Mary Cahel:_ If they promised him his life, Mary Cushin, he must live
-it in some other place. Let him never see Daire-caol again, or Daroda
-or Druimdarod.
-
-_Mary Cushin:_ O, Mary, what place will we bring him to, and we driven
-from the place that we know? What person that is sent among strangers
-can have one day's comfort on earth?
-
-_Mary Cahel:_ It is only among strangers, I am thinking, he could be
-hiding his story at all. It is best for him to go to America, where
-the people are as thick as grass.
-
-_Mary Cushin:_ What way could he go to America and he having no means
-in his hand? There's himself and myself to make the voyage and the
-little one-een at home.
-
-_Mary Cahel:_ I would sooner to sell the holding than to ask for the
-price paid for blood. There'll be money enough for the two of you to
-settle your debts and to go.
-
-_Mary Cushin:_ And what would yourself be doing and we to go over the
-sea? It is not among the neighbours you would wish to be ending your
-days.
-
-_Mary Cahel:_ I am thinking there is no one would know me in the
-workhouse at Oughterard. I wonder could I go in there, and I not to
-give them my name?
-
-_Mary Cushin:_ Ah, don't be talking foolishness. What way could I
-bring the child? Sure he's hardly out of the cradle; he'd be lost out
-there in the States.
-
-_Mary Cahel:_ I could bring him into the workhouse, I to give him some
-other name. You could send for him when you'd be settled or have some
-place of your own.
-
-_Mary Cushin:_ It is very cold at the dawn. It is time for them open
-the door. I wish I had brought a potato or a bit of a cake or of
-bread.
-
-_Mary Cahel:_ I'm in dread of it being opened and not knowing what
-will we hear. The night that Denis was taken he had a great cold and a
-cough.
-
-_Mary Cushin:_ I think I hear some person coming. There's a sound like
-the rattling of keys. God and His Mother protect us! I'm in dread of
-being found here at all!
-
- (_The gate is opened, and the Gatekeeper is seen with a lantern
- in his hand._)
-
-_Gatekeeper:_ What are you doing here, women? It's no place to be
-spending the night time.
-
-_Mary Cahel:_ It is to speak with my son I am asking, that is gaoled
-these eight weeks and a day.
-
-_Gatekeeper:_ If you have no order to visit him it's as good for you
-go away home.
-
-_Mary Cahel:_ I got this letter ere yesterday. It might be it is
-giving me leave.
-
-_Gatekeeper:_ If that's so he should be under the doctor, or in the
-hospital ward.
-
-_Mary Cahel:_ It's no wonder if he's down with the hardship, for he
-had a great cough and a cold.
-
-_Gatekeeper:_ Give me here the letter to read it. Sure it never was
-opened at all.
-
-_Mary Cahel:_ Myself and this woman have no learning. We were loth to
-trust any other one.
-
-_Gatekeeper:_ It was posted in Galway the twentieth, and this is the
-last of the month.
-
-_Mary Cahel:_ We never thought to call at the post office. It was
-chance brought it to us in the end.
-
-_Gatekeeper:_ (_Having read letter._) You poor unfortunate women,
-don't you know Denis Cahel is dead? You'd a right to come this time
-yesterday if you wished any last word at all.
-
-_Mary Cahel:_ (_Kneeling down._) God and His Mother protect us and
-have mercy on Denis's soul!
-
-_Mary Cushin:_ What is the man after saying? Sure it cannot be Denis
-is dead?
-
-_Gatekeeper:_ Dead since the dawn of yesterday, and another man now in
-his cell. I'll go see who has charge of his clothing if you're wanting
-to bring it away.
-
- (_He goes in. The dawn has begun to break._)
-
-_Mary Cahel:_ There is lasting kindness in Heaven when no kindness is
-found upon earth. There will surely be mercy found for him, and not
-the hard judgment of men! But my boy that was best in the world, that
-never rose a hair of my head, to have died with his name under
-blemish, and left a great shame on his child! Better for him have
-killed the whole world than to give any witness at all! Have you no
-word to say, Mary Cushin? Am I left here to keen him alone?
-
-_Mary Cushin:_ (_Who has sunk on to the step before the door, rocking
-herself and keening._) Oh, Denis, my heart is broken you to have died
-with the hard word upon you! My grief you to be alone now that spent
-so many nights in company!
-
-What way will I be going back through Gort and through Kilbecanty? The
-people will not be coming out keening you, they will say no prayer for
-the rest of your soul!
-
-What way will I be the Sunday and I going up the hill to the Mass?
-Every woman with her own comrade, and Mary Cushin to be walking her
-lone!
-
-What way will I be the Monday and the neighbours turning their heads
-from the house? The turf Denis cut lying on the bog, and no
-well-wisher to bring it to the hearth!
-
-What way will I be in the night time, and none but the dog calling
-after you? Two women to be mixing a cake, and not a man in the house
-to break it!
-
-What way will I sow the field, and no man to drive the furrow? The
-sheaf to be scattered before springtime that was brought together at
-the harvest!
-
-I would not begrudge you, Denis, and you leaving praises after you.
-The neighbours keening along with me would be better to me than an
-estate.
-
-But my grief your name to be blackened in the time of the blackening
-of the rushes! Your name never to rise up again in the growing time of
-the year! (_She ceases keening and turns towards the old woman._) But
-tell me, Mary, do you think would they give us the body of Denis? I
-would lay him out with myself only; I would hire some man to dig the
-grave.
-
- (_The Gatekeeper opens the gate and hands out some clothes._)
-
-_Gatekeeper:_ There now is all he brought in with him; the flannels
-and the shirt and the shoes. It is little they are worth altogether;
-those mountainy boys do be poor.
-
-_Mary Cushin:_ They had a right to give him time to ready himself the
-day they brought him to the magistrates. He to be wearing his Sunday
-coat, they would see he was a decent boy. Tell me where will they bury
-him, the way I can follow after him through the street? There is no
-other one to show respect to him but Mary Cahel, his mother, and
-myself.
-
-_Gatekeeper:_ That is not to be done. He is buried since yesterday in
-the field that is belonging to the gaol.
-
-_Mary Cushin:_ It is a great hardship that to have been done, and not
-one of his own there to follow after him at all.
-
-_Gatekeeper:_ Those that break the law must be made an example of. Why
-would they be laid out like a well behaved man? A long rope and a
-short burying, that is the order for a man that is hanged.
-
-_Mary Cushin:_ A man that was hanged! O Denis, was it they that made
-an end of you and not the great God at all? His curse and my own curse
-upon them that did not let you die on the pillow! The curse of God be
-fulfilled that was on them before they were born! My curse upon them
-that brought harm on you, and on Terry Fury that fired the shot!
-
-_Mary Cahel:_ (_Standing up._) And the other boys, did they hang them
-along with him, Terry Fury and Pat Ruane that were brought from
-Daire-caol?
-
-_Gatekeeper:_ They did not, but set them free twelve hours ago. It is
-likely you may have passed them in the night time.
-
-_Mary Cushin:_ Set free is it, and Denis made an end of? What justice
-is there in the world at all?
-
-_Gatekeeper:_ He was taken near the house. They knew his footmark.
-There was no witness given against the rest worth while.
-
-_Mary Cahel:_ Then the sergeant was lying and the people were lying
-when they said Denis Cahel had informed in the gaol?
-
-_Gatekeeper:_ I have no time to be stopping here talking. The judge
-got no evidence and the law set them free.
-
- (_He goes in and shuts gate after him._)
-
-_Mary Cahel:_ (_Holding out her hands._) Are there any people in the
-streets at all till I call on them to come hither? Did they ever hear
-in Galway such a thing to be done, a man to die for his neighbour?
-
-Tell it out in the streets for the people to hear, Denis Cahel from
-Slieve Echtge is dead. It was Denis Cahel from Daire-caol that died in
-the place of his neighbour!
-
-It is he was young and comely and strong, the best reaper and the best
-hurler. It was not a little thing for him to die, and he protecting
-his neighbour!
-
-Gather up, Mary Cushin, the clothes for your child; they'll be wanted
-by this one and that one. The boys crossing the sea in the springtime
-will be craving a thread for a memory.
-
-One word to the judge and Denis was free, they offered him all sorts
-of riches. They brought him drink in the gaol, and gold, to swear
-away the life of his neighbour!
-
-Pat Ruane was no good friend to him at all, but a foolish, wild
-companion; it was Terry Fury knocked a gap in the wall and sent in the
-calves to our meadow.
-
-Denis would not speak, he shut his mouth, he would never be an
-informer. It is no lie he would have said at all giving witness
-against Terry Fury.
-
-I will go through Gort and Kilbecanty and Druimdarod and Daroda; I
-will call to the people and the singers at the fairs to make a great
-praise for Denis!
-
-The child he left in the house that is shook, it is great will be his
-boast in his father! All Ireland will have a welcome before him, and
-all the people in Boston.
-
-I to stoop on a stick through half a hundred years, I will never be
-tired with praising! Come hither, Mary Cushin, till we'll shout it
-through the roads, Denis Cahel died for his neighbour!
-
- (_She goes off to the left, Mary Cushin following her._)
-
-
-_Curtain_
-
-
-
-
-MUSIC FOR THE SONGS IN THE PLAYS
-
-
-[Illustration: Music sheet for THE RED-HAIRED MAN'S WIFE
-
- THE RED-HAIRED MAN'S WIFE
-
- _Spreading the News._
-
- I thought, my first love, there'd be but one house between you and me,
- And I thought I would find yourself coaxing my child on your knee.
- Over the tide I would leap with the leap of a swan,
- Till I came to the side of the wife of the red-haired man.]
-
-
-[Illustration: Music sheet for GRANUAILE
-
- GRANUAILE
-
- _The Rising of the Moon._
-
- As through the hills I walked to view the bills and sham-rock plain,
- I stood a while where nature smiles to view the rocks and streams.
- On a ma-tron fair I fixed my eyes beneath a fer-tile vale,
- As she sang her song--it was on the wrong of poor old Gran-u-aile.
-
- Her head was bare, her hands and feet with iron bands were bound,
- Her pensive strain and plaintive wail mingles with the evening gale,
- And the song she sang with mournful air, I am old Granuaile,
- Her lips so sweet that monarchs kissed--]
-
-
-[Illustration: Music sheet for JOHNNY HART
-
-JOHNNY HART
-
- _The Rising of the Moon._
-
- There was a rich far-mer's daugh-ter lived near the town of Ross;
- She courted a High-land soldier, His name was John-ny Hart;
- Says the mother to her daughter, "I'll go distracted mad
- If you mar-ry that Highland soldier dressed up to his High-land plaid."]
-
-
-[Illustration: Music sheet for THE RISING OF THE MOON
-
- THE RISING OF THE MOON
-
- O, then, tell me, Shawn O' Far-rell, where the gath'ring is to be.
- In the old spot by the river, Right well known to you and me.
- One word more, for signal token whistle up the march-ing tune,
- With your pike up - on your shoulder at the rising of the moon.]
-
-
-[Illustration: Music sheet for GAOL GATE
-
- GAOL GATE
-
- Caions.
-
- _Tempo, ad lib._
-
- What way will I be the Sun-day
- And I going up the hill to the Mass;
- Ev'ry woman with her own comrade
- And Mary Cush-in to be walk-ing her lone.
-
- {_Spoken_.}
- What way drive the furrow?
- {_Sings_.}
- The sheaf to be scat-tered before spring-time that was
- brought together at the harvest!
-
- {_Spoken_.}
- I would not--an estate.
- {_Sings_.}
- But my grief your name to be blackened in
- the time of the black'ning of the rushes
- Your ... name never to rise up again
- In the growing time ... of ... the year.]
-
-
-
-
-NOTES AND CASTS
-
-SPREADING THE NEWS
-
-The idea of this play first came to me as a tragedy. I kept seeing as
-in a picture people sitting by the roadside, and a girl passing to the
-market, gay and fearless. And then I saw her passing by the same place
-at evening, her head hanging, the heads of others turned from her,
-because of some sudden story that had risen out of a chance word, and
-had snatched away her good name.
-
-But comedy and not tragedy was wanted at our theatre to put beside the
-high poetic work, _The King's Threshold_, _The Shadowy Waters_, _On
-Baile's Strand_, _The Well of the Saints_; and I let laughter have its
-way with the little play. I was delayed in beginning it for a while,
-because I could only think of Bartley Fallon as dull-witted or silly
-or ignorant, and the handcuffs seemed too harsh a punishment. But one
-day by the sea at Duras a melancholy man who was telling me of the
-crosses he had gone through at home said--"But I'm thinking if I went
-to America, its long ago to-day I'd be dead. And its a great expense
-for a poor man to be buried in America." Bartley was born at that
-moment, and, far from harshness, I felt I was providing him with a
-happy old age in giving him the lasting glory of that great and
-crowning day of misfortune.
-
-It has been acted very often by other companies as well as our own,
-and the Boers have done me the honour of translating and pirating it.
-
-
-HYACINTH HALVEY
-
-I was pointed out one evening a well-brushed, well-dressed man in the
-stalls, and was told gossip about him, perhaps not all true, which
-made me wonder if that appearance and behaviour as of extreme
-respectability might not now and again be felt a burden.
-
-After a while he translated himself in my mind into Hyacinth; and as
-one must set one's original a little way off to get a translation
-rather than a tracing, he found himself in Cloon, where, as in other
-parts of our country, "character" is built up or destroyed by a
-password or an emotion, rather than by experience and deliberation.
-
-The idea was more of a universal one than I knew at the first, and I
-have had but uneasy appreciation from some apparently blameless
-friends.
-
-
-THE RISING OF THE MOON
-
-When I was a child and came with my elders to Galway for their salmon
-fishing in the river that rushes past the gaol, I used to look with
-awe at the window where men were hung, and the dark, closed gate. I
-used to wonder if ever a prisoner might by some means climb the high,
-buttressed wall and slip away in the darkness by the canal to the
-quays and find friends to hide him under a load of kelp in a fishing
-boat, as happens to my ballad-singing man. The play was considered
-offensive to some extreme Nationalists before it was acted, because it
-showed the police in too favourable a light, and a Unionist paper
-attacked it after it was acted because the policeman was represented
-"as a coward and a traitor"; but after the Belfast police strike that
-same paper praised its "insight into Irish character." After all these
-ups and downs it passes unchallenged on both sides of the Irish Sea.
-
-
-THE JACKDAW
-
-The first play I wrote was called "Twenty-five." It was played by our
-company in Dublin and London, and was adapted and translated into
-Irish and played in America. It was about "A boy of Kilbecanty that
-saved his old sweetheart from being evicted. It was playing
-Twenty-five he did it; played with the husband he did, letting him win
-up to L50."
-
-It was rather sentimental and weak in construction, and for a long
-time it was an overflowing storehouse of examples of "the faults of my
-dramatic method." I have at last laid its ghost in "The Jackdaw," and
-I have not been accused of sentimentality since the appearance of
-this.
-
-THE WORKHOUSE WARD
-
-I heard of an old man in the workhouse who had been disabled many
-years before by, I think, a knife thrown at him by his wife in some
-passionate quarrel.
-
-One day I heard the wife had been brought in there, poor and sick. I
-wondered how they would meet, and if the old quarrel was still alive,
-or if they who knew the worst of each other would be better pleased
-with one another's company than with that of strangers.
-
-I wrote a scenario of the play, Dr. Douglas Hyde, getting in plot what
-he gave back in dialogue, for at that time we thought a dramatic
-movement in Irish would be helpful to our own as well as to the Gaelic
-League. Later I tried to rearrange it for our own theatre, and for
-three players only, but in doing this I found it necessary to write
-entirely new dialogue, the two old men in the original play obviously
-talking at an audience in the wards, which is no longer there.
-
-I sometimes think the two scolding paupers are a symbol of ourselves
-in Ireland--[Gaelic script and words]--"it is better to be quarrelling
-than to be lonesome." The Rajputs, that great fighting race, when they
-were told they had been brought under the Pax Britannica and must give
-up war, gave themselves to opium in its place, but Connacht has not
-yet planted its poppy gardens.
-
-
-THE TRAVELLING MAN
-
-An old woman living in a cabin by a bog road on Slieve Echtge told me
-the legend on which this play is founded, and which I have already
-published in "Poets and Dreamers."
-
-"There was a poor girl walking the road one night with no place to
-stop, and the Saviour met her on the road, and He said--'Go up to the
-house you see a light in; there's a woman dead there, and they'll let
-you in.' So she went, and she found the woman laid out, and the
-husband and other people; but she worked harder than they all, and she
-stopped in the house after; and after two quarters the man married
-her. And one day she was sitting outside the door, picking over a bag
-of wheat, and the Saviour came again, with the appearance of a poor
-man, and He asked her for a few grains of the wheat. And she
-said--'Wouldn't potatoes be good enough for you?' And she called to the
-girl within to bring out a few potatoes. But He took nine grains of
-the wheat in His hand and went away; and there wasn't a grain of wheat
-left in the bag, but all gone. So she ran after Him then to ask Him to
-forgive her; and she overtook Him on the road, and she asked
-forgiveness. And He said--'Don't you remember the time you had no house
-to go to, and I met you on the road, and sent you to a house where
-you'd live in plenty? And now you wouldn't give Me a few grains of
-wheat.' And she said--'But why didn't you give me a heart that would
-like to divide it?' That is how she came round on Him. And He
-said--'From this out, whenever you have plenty in your hands, divide it
-freely for My sake.'"
-
-And an old woman who sold sweets in a little shop in Galway, and whose
-son became a great Dominican preacher, used to say--"Refuse not any,
-for one may be the Christ."
-
-I owe the Rider's Song, and some of the rest, to W. B. Yeats.
-
-
-THE GAOL GATE
-
-I was told a story some one had heard, of a man who had gone to
-welcome his brother coming out of gaol, and heard he had died there
-before the gates had been opened for him.
-
-I was going to Galway, and at the Gort station I met two cloaked and
-shawled countrywomen from the slopes of Slieve Echtge, who were
-obliged to go and see some law official in Galway because of some
-money left them by a kinsman in Australia. They had never been in a
-train or to any place farther than a few miles from their own village,
-and they felt astray and terrified "like blind beasts in a bog" they
-said, and I took care of them through the day.
-
-An agent was fired at on the road from Athenry, and some men were
-taken up on suspicion. One of them was a young carpenter from my old
-home, and in a little time a rumour was put about that he had informed
-against the others in Galway gaol. When the prisoners were taken
-across the bridge to the courthouse he was hooted by the crowd. But at
-the trial it was found that he had not informed, that no evidence had
-been given at all; and bonfires were lighted for him as he went home.
-
-These three incidents coming within a few months wove themselves into
-this little play, and within three days it had written itself, or been
-written. I like it better than any in the volume, and I have never
-changed a word of it.
-
-
-FIRST PRODUCTIONS OF THE PLAYS
-
-SPREADING THE NEWS was produced for the first time at the opening of
-the Abbey Theatre, on Tuesday, 27th December, 1904, with the following
-cast:
-
- _Bartley Fallon_ W. G. FAY
- _Mrs. Fallon_ SARA ALGOOD
- _Mrs. Tully_ EMMA VERNON
- _Mrs. Tarpey_ MAIRE NI GHARBHAIGH
- _Shawn Early_ J. H. DUNNE
- _Tim Casey_ GEORGE ROBERTS
- _James Ryan_ ARTHUR SINCLAIR
- _Jack Smith_ P. MACSUIBHLAIGH
- _A Policeman_ R. S. NASH
- _A Removable Magistrate_ F. J. FAY
-
-
-HYACINTH HALVEY was first produced at the Abbey Theatre on 19th
-February, 1906, with the following cast:
-
- _Hyacinth Halvey_ F. J. FAY
- _James Quirke, a butcher_ W. G. FAY
- _Fardy Farrell, a telegraph boy_ ARTHUR SINCLAIR
- _Sergeant Carden_ WALTER MAGEE
- _Mrs. Delane, Postmistress at Cloon_ SARA ALLGOOD
- _Miss Joyce, the Priest's House-keeper_ BRIGIT O'DEMPSEY
-
-
-THE GAOL GATE was first produced at the Abbey Theatre, Dublin, on 20th
-October, 1906, with the following cast:
-
- _Mary Cahel_ SARA ALLGOOD
- _Mary Cushin_ MAIRE O'NEILL
- _The Gate Keeper_ F. J. FAY
-
-
-THE JACKDAW was first produced at the Abbey Theatre, Dublin, on 23rd
-February, 1907, with the following cast:
-
- _Joseph Nestor_ F. J. FAY
- _Michael Cooney_ W. G. FAY
- _Mrs. Broderick_ SARA ALLGOOD
- _Tommy Nally_ ARTHUR SINCLAIR
- _Sibby Fahy_ BRIGIT O'DEMPSEY
- _Timothy Ward_ J. M. KERRIGAN
-
-
-THE RISING OF THE MOON was first produced at the Abbey Theatre,
-Dublin, on 9th March, 1907, with the following cast:
-
- _Sergeant_ ARTHUR SINCLAIR
- _Policeman X._ J. A. O'ROURKE
- _Policeman B._ J. M. KERRIGAN
- _Ballad Singer_ W. G. FAY
-
-
-WORKHOUSE WARD was first produced at the Abbey Theatre, Dublin, on
-20th April, 1908, with the following cast:
-
- _Mike M'Inerney_ ARTHUR SINCLAIR
- _Michael Miskell_ FRED O'DONOVAN
- _Mrs. Donohue_ MARIE O'NEILL
-
-
-
-
-_A Selection from the Catalogue of_
-
-G. P. PUTNAM'S SONS
-
-Complete Catalogues sent on application
-
- The Golden Apple
-
- A Kiltartan Play for Children
-
- By
- Lady Gregory
-
- Author of "Seven Short Plays"
- "Our Irish Theatre"
- "Irish Folk-History Plays," etc.
-
- _8vo Eight full-page Illustrations in color_
- _$1.25 net._
-
-
-This play deals with the adventures of the King of Ireland's son, who
-goes in search of the Golden Apple of Healing. The scenes are laid in
-the Witch's Garden, the Giant's House, the Wood of Wonders, and the
-King of Ireland's Room. It is both humorous and lyrical, and should
-please children and their elders, alike. The colored illustrations
-have the same old faery-tale air as the play itself.
-
-
- Irish Folk-History Plays
-
- By
-
- LADY GREGORY
-
- _First Series. The Tragedies_
-
- GRANIA KINCORA DERVORGILLA
-
- _Second Series. The Tragic Comedies_
-
- THE CANAVANS THE WHITE COCKADE THE DELIVERER
-
- _2 vols. Each, $1.5O net. By mail, $1.65_
-
-Lady Gregory has preferred going for her material to the traditional
-folk-history rather than to the authorized printed versions, and she
-has been able, in so doing, to make her plays more living. One of
-these, Kincora, telling of Brian Boru, who reigned in the year 1000,
-evoked such keen local interest that an old farmer travelled from the
-neighborhood of Kincora to see it acted in Dublin.
-
-The story of Grania, on which Lady Gregory has founded one of these
-plays, was taken entirely from tradition. Grania was a beautiful young
-woman and was to have been married to Finn, the great leader of the
-Fenians; but before the marriage, she went away from the bridegroom
-with his handsome young kinsman, Diarmuid. After many years, when
-Diarmuid had died (and Finn had a hand in his death), she went back to
-Finn and became his queen.
-
-Another of Lady Gregory's plays, The Canavans dealt with the stormy
-times of Queen Elizabeth, whose memory is a horror in Ireland second
-only to that of Cromwell.
-
-The White Cockade is founded on a tradition of King James having
-escaped from Ireland after the battle of the Boyne in a wine barrel.
-
-The choice of folk history rather than written history gives a
-freshness of treatment and elasticity of material which made the late
-J. M. Synge say that "Lady Gregory's method had brought back the
-possibility of writing historic plays."
-
-All these plays, except Grania, which has not yet been staged, have
-been very successfully performed in Ireland. They are written in the
-dialect of Kiltartan, which had already become familiar to readers of
-Lady Gregory's books.
-
-
- New Comedies
-
- By
-
- LADY GREGORY
-
- The Bogie Men--The Full Moon--Coats
- Damer's Gold--McDonough's Wife
-
- _8vo, With Portrait in Photogravure. $1.50 net. By mail, $1.65_
-
-The plays have been acted with great success by the Abbey Company, and
-have been highly extolled by appreciative audiences and an
-enthusiastic press. They are distinguished by a humor of unchallenged
-originality.
-
-One of the plays in the collection, "Coats," depends for its plot upon
-the rivalry of two editors, each of whom has written an obituary
-notice of the other. The dialogue is full of crisp humor. "McDonough's
-Wife," another drama that appears in the volume, is based on a legend,
-and explains how a whole town rendered honor against its will. "The
-Bogie Men" has as its underlying situation an amusing misunderstanding
-of two chimney-sweeps. The wit and absurdity of the dialogue are in
-Lady Gregory's best vein. "Damer's Gold" contains the story of a miser
-beset by his gold-hungry relations. Their hopes and plans are upset by
-one they had believed to be of the simple of the world, but who
-confounds the Wisdom of the Wise. "The Full Moon" presents a little
-comedy enacted on an Irish railway station. It is characterized by
-humor of an original and delightful character and repartee that is
-distinctly clever.
-
-
- Irish Plays
-
- By
- LADY GREGORY
-
-Lady Gregory's name has become a household word in America and her
-works should occupy an exclusive niche in every library. Mr. George
-Bernard Shaw, in a recently published interview, said Lady Gregory "is
-the greatest living Irishwoman.... Even in the plays of Lady Gregory,
-penetrated as they are by that intense love of Ireland which is
-unintelligible to the many drunken blackguards with Irish names who
-make their nationality an excuse for their vices and their
-worthlessness, there is no flattery of the Irish; she writes about the
-Irish as Moliere wrote about the French, having a talent curiously
-like Moliere."
-
-"The witchery of Yeats, the vivid imagination of Synge, the amusing
-literalism mixed with the pronounced romance of their imitators, have
-their place and have been given their praise without stint. But none
-of these can compete with Lady Gregory for the quality of
-universality. The best beauty in Lady Gregory's art is its
-spontaneity. It is never forced.... She has read and dreamed and
-studied, and slept and wakened and worked, and the great ideas that
-have come to her have been nourished and trained till they have grown
-to be of great stature."--_Chicago Tribune._
-
- G. P. PUTNAM'S SONS
- NEW YORK LONDON
-
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Seven Short Plays, by Lady Gregory
-
-*** END OF THIS PROJECT GUTENBERG EBOOK SEVEN SHORT PLAYS ***
-
-***** This file should be named 41653.txt or 41653.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/1/6/5/41653/
-
-Produced by Joseph R. Hauser, Turgut Dincer and the Online
-Distributed Proofreading Team at http://www.pgdp.net. Music
-transcribed by Brian Foley using LilyPond.
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/41653.zip b/41653.zip
deleted file mode 100644
index fe902dc..0000000
--- a/41653.zip
+++ /dev/null
Binary files differ