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-The Project Gutenberg EBook of The Decadent, by Ralph Adams Cram
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: The Decadent
- Being the Gospel of Inaction
-
-Author: Ralph Adams Cram
-
-Release Date: November 26, 2012 [EBook #41490]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE DECADENT ***
-
-
-
-
-Produced by Demian Katz and the Online Distributed
-Proofreading Team at http://www.pgdp.net (Images courtesy
-of the Digital Library@Villanova University
-(http://digital.library.villanova.edu/))
-
-
-
-
-
-
-
-
-[Illustration]
-
-
-
-
- THE DECADENT: BEING THE GOSPEL
- OF INACTION: WHEREIN ARE
- SET FORTH IN ROMANCE FORM
- CERTAIN REFLECTIONS TOUCHING
- THE CURIOUS CHARACTERISTICS
- OF THESE ULTIMATE YEARS, AND
- THE DIVERS CAUSES THEREOF.
-
-[Illustration]
-
- PRIVATELY PRINTED FOR
- THE AUTHOR MDCCCXCIII
-
-
-
-
- TIBI · MEO · CARO · B · G · G ·
- CVIVS · LABORIBVS · PRETIVM · NON · PROPRIVM · EI · FIEBAT·
- OPERA · TVA · EXARCHO · FRATRIBVSQVE ·
- EIVS · ORDINIS · QVAE · SVMNIA · SIBI · FINGIT ·
- DENIQVE · OMNIBVS · DELECTIS · PER · ORBEM · TERRARVM ·
- HVNC · LIBRVM · GRATE · DICO ·
-
-
-
-
-THE DECADENT.
-
-
-
-
-I.
-
-
-The 3.20 train from Boston slowed up as it drew into a way station, and
-Malcolm McCann, grim and sullen from his weary ride in the dirt and
-cinders, the coal-smoke and the foetid air, the fretting babies and hot,
-worrying men, that characterise a railway journey in August, hurried out
-with a grunt of relief.
-
-It was not a pretty station where he found himself, and he glared
-ill-naturedly around with restless, aggressive eyes. The brick walls,
-the cheaply grained doors bearing their tarnished legends, "Gents,"
-"Ladies," "Refreshment Saloon," the rough raftered roof over the
-tracks,--everything was black and grimy with years of smoke, belching
-even now from the big locomotive, and gathering like an ill-conditioned
-thunder-cloud over the mob of scurrying, pushing men and women, a mob
-that swelled and scattered constantly in fretful confusion. A hustling
-business-man with a fat, pink face and long sandy whiskers, his silk hat
-cocked on one side in grotesque assumption of jauntiness, tripped over
-the clay-covered pick of a surly labourer, red of face and sweaty, blue
-of overalls and mud-coloured of shirt, and as he stumbled over the
-annoying implement scowled coarsely, and swore, with his cigar between
-his teeth.
-
-Ragged and grimy children, hardly old enough to walk, sprawled and
-scrambled on the dirty platform, and as McCann hurried by, a five-year
-old cursed shrilly a still more youthful little tough, who answered in
-kind. Vulgar theatre-bills in rank reds and yellows flaunted on the
-cindery walls; discarded newspapers, banana-skins, cigar-butts, and
-saliva were ground together vilely under foot by the scuffling mob.
-Dirt, meanness, ugliness everywhere,--in the unhappy people no less than
-in their surroundings.
-
-McCann strode scornfully to the rear of the station and looked vaguely
-around to see if Aurelian had sent any kind of a conveyance to take him
-to his home,--of the location of which, save that it was to be reached
-from this particular station, McCann knew nothing. The prospect was not
-much better outside than in. The air was thick with fine white dust, and
-dazzling with fierce sunlight. On one side was a wall of brick
-tenements, with liquor saloons, cheap groceries, and a fish-market
-below, all adding their mite to the virulence of the dead, stifling air.
-Above, men in dirty shirt-sleeves lolled out of the grimy windows, where
-long festoons of half-washed clothes drooped sordidly. On the other
-side, gangs of workmen were hurriedly repairing the ravages of a fire
-that evidently had swept clear a large space in its well-meant but
-ineffectual attempts at purgation. Gaunt black chimneys wound with
-writhing gas-pipes, tottering fragments of wall blistered white on one
-side, piles of crumbling bricks where men worked sullenly loading blue
-carts, mingled with new work, where the walls, girdled with yellow
-scaffolding, were rising higher, uglier, than before; the plain factory
-walls with their rows of square windows less hideous by far than those
-buildings where some ignorant contractor was trying by the aid of
-galvanised iron to produce an effect of tawdry, lying magnificence.
-Dump-carts, market-waggons, shabby hacks, crawled or scurried along in
-the hot dust. A huge dray loaded with iron bars jolted over the granite
-pavement with a clanging, clattering din that was maddening. In fact,
-none of the adjuncts of a thriving, progressive town were absent, so far
-as one could see.
-
-McCann turned away from this spectacle of humiliating prosperity, and
-ran his eyes over the vehicles about the station, searching for some
-indication of his friend. He had thought that perhaps Aurelian might
-come himself; but he saw no sign of a familiar figure, no indication
-even of any conveyance that might belong to Aurelian Blake. The greater
-part of the carriages had gone, and now only remained an express-waggon
-or two, a decrepit old hack, an old-fashioned chaise, one or two
-nondescript country conveyances, and a particularly gorgeous victoria,
-drawn by a pair of splendid grey horses, a liveried driver sitting on
-the box in Ethiopian state. None of these vehicles could possibly belong
-to the fastidious but democratic Aurelian, and McCann almost thought
-his telegram must have miscarried.
-
-A black footman in fawn-coloured livery, wearing a small cockade of
-scarlet and silver, touched his hat to the sulky traveller.
-
-"Beg yo pahdon, suh, but ah yo Mistuh McCann, Mistuh Malcolm McCann, of
-Boston, suh?"
-
-"That is my name," said McCann, shortly.
-
-"I have the honnoh to be Mistuh Blake's footman, suh," and he touched
-the cockade in his hat again. "Will yo have the kindness to follow me,
-suh?"
-
-There was a touch of servile imperiousness in the voice, and McCann
-followed in bewildered surprise. "Aurelian Blake's footman"--that did
-not sound well. Could his pupil have become a backslider in the last two
-years? "Aurelian Blake's footman"--the idea was surprising in itself;
-but the fact of the big victoria with its luxurious trappings where he
-soon found himself being whirled swiftly on through the screaming,
-clattering city was more surprising still, and not a little disquieting.
-
-The carriage threaded its way through the roaring crowd of vehicles,
-passing the business part of the city, and entering a tract given over
-to factories, hideous blocks of barren brick and shabby clapboards,
-through the open windows of which came the brain-killing whir of heavy
-machinery, and hot puffs of oily air. Here and there would be small
-areas between the buildings where foul streams of waste from some
-factory of cheap calico would mingle dirtily with pools of green,
-stagnant water, the edges barred with stripes of horrible pinks and
-purples where the water had dried under the fierce sun. All around lay
-piles of refuse,--iron hoops, broken bottles, barrels, cans, old leather
-stewing and fuming in the dead heat, and everywhere escape-pipes
-vomiting steam in spurts. Over it all was the roar of industrial
-civilisation. McCann cast a pitying look at the pale, dispirited figures
-passing languidly to and fro in the midst of the din and the foul air,
-and set his teeth closely.
-
-Presently they entered that part of the city where live the poor, they
-who work in the mills, when they are not on strike, or the mills are not
-shut down,--as barren of trees or grass as the centre of the city, the
-baked grey earth trodden hard between the crowded tenements painted
-lifeless greys, as dead in colour as the clay about them. Children and
-goats crawled starvedly around or huddled in the hot shadow of the sides
-of the houses. This passed, and then came the circle of "suburban
-residences," as crowded almost as the tottering tenements, but with
-green grass around them. Frightful spectacles these,--"Queen Anne" and
-colonial vagaries painted lurid colours, and frantic in their cheap
-elaboration. Between two affected little cottages painted orange and
-green and with round towers on their corners, stood a new six-story
-apartment-house with vulgar front of brown stone, "Romanesque" in style,
-but with long flat sides of cheap brick. McCann caught the name on the
-big white board that announced "Suites to let," "Hotel Plantagenet," and
-grinned savagely.
-
-Then, at last, even this region of speculative horrors came to an end,
-giving place to a wide country road that grew more and more beautiful as
-they left the town far behind. McCann's eyebrows were knotted in a
-scowl. The ghastly nonsense, like a horrible practical joke, that the
-city had been to him, excited, as it always did, all the antagonism
-within his rebellious nature. Slowly and grimly he said to himself, yet
-half aloud, in a tone of deliberation, as though he were cursing
-solemnly the town he had left: "I hope from my soul that I may live to
-see the day when that damned city will be a desolate wilderness; when
-those chimneys shall rise smokeless; when those streets shall be stony
-valleys between grisly ridges of fallen brick; when Nature itself shall
-shrink from repairing the evil that man has wrought; when the wild birds
-shall sweep widely around that desolation that they may not pass above;
-when only rats and small snakes shall crawl through the ruin of that
-'thriving commercial and manufacturing metropolis;' when the very name
-it bore in the days of its dirty glory shall have become a synonym for
-horror and despair!" Having thus relieved himself he laughed softly, and
-felt better.
-
-Presently a flash of recollection passed over his face, and he eagerly
-dropped his hand into a side pocket, pulling therefrom a brierwood pipe,
-discovered with a sigh of satisfaction that a sweet heel of "Dills
-Best" still lurked in the bottom of the bowl, and, regardless of the
-amazement of the immaculate footman, lighted it, and sank back in the
-cushions, well content. As he smoked, his thoughts went back to Aurelian
-with some uneasiness. "I am afraid he is a backslider," he mused
-seriously. "Now, when I went over to England a couple of years ago, he
-was a good socialist, the best pupil I ever had. He would rail at the
-world in good set terms, better than I myself. And now he runs a trap
-like this, with a coon slave for a driver and a footman beside him. Now,
-I _can't_ lose a man like that; he was a born leader of men, when
-leaders are what we lack. Besides, he had a lot of money, and we need
-money as badly as we need leaders. I must get him back some way, if gone
-he is; and I very much expect bad news from the boy when I get to--Now,
-what did he call his place?" he pulled a letter from his pocket, shaking
-tobacco ashes out of its folds. "Oh, yes, 'Vita Nuova.' Now, why the
-devil did he name his place that?"
-
-The stubby pipe sucked and sputtered, and McCann knocked the ashes into
-the road. They had driven already nearly an hour, and he was growing
-impatient; "how much farther had they to go?" He asked the coachman, who
-only replied, "Just a fractional bit further, suh," which was
-indefinite. They left the highway and struck into a hilly road where the
-hedgerows grew thick on either side, with rough pastures beyond, on the
-one hand, and on the other thick and ancient pine forests, where the
-low sunlight struck under the sighing branches and rested on mossy
-boulders and level patches of golden ferns. Now and then a grey
-farmhouse appeared in its orchard, and once they passed a dingy white
-meeting-house, with pointed wooden spikes on the four corners of its
-belfry, its green blinds faded a sickly yellow. Just beyond they met the
-country milk-team with its cantering horses and clattering cans, the
-driver nodding on his seat, with a watchful collie beside him. Then the
-pastures on the right ended, and they plunged into deep forests, black,
-almost lightless, where the road wound like the bed of a dry torrent in
-a vast green cañon. The carriage climbed steeply up the rocky road, with
-no sound around but the rattle of pebbles under the feet of the horses,
-and the melancholy calling of the wood thrushes. On the crown of the
-hill heavy wrought-iron gates closed their passage, gates that swung
-back slowly as the footman whistled twice. They passed through, turned
-sharply to the left, and in a flash were out of the forest.
-
-Malcolm McCann had not a very keen sense of beauty, but even to him the
-vision that lay before him startled him into sudden enthusiasm. They
-were riding along the comb of a ridge of high hills thick with ink-black
-pine forests to the left, while to the right they swept down in gracious
-undulations into a basin-shaped valley, the level floor of which was, it
-may be, something over a thousand acres in extent, shaped like an
-elongated ellipse, with lofty hills rising on all sides.
-
-The sun dropped down and lay on the edge of the world; from the farther
-side of the valley it poured a suave, golden glory of molten light down
-over the purple, serrated hills, that lay in the valley like amber wine.
-Smooth fields of ripening grain and velvet meadow-land chequered the
-valley irregularly, slim elms and dark, heavy oaks rising among them. In
-the midst, curling like level smoke, wound a narrow river with black
-poplars and golden chestnut-trees leaning above. In all the valley was
-no sign of a dwelling save far away at the distant end, where from the
-midst of thick foliage rose dark roofs and towers and chimneys, as of
-some château on the Loire.
-
-McCann caught his breath. "Is that the place?" he said quickly.
-
-"Suh, that is Vita Nuova," answered the footman.
-
-
-
-
-II.
-
-
-"This," said Eveleth, languidly, turning his head in the valley of
-silken pillows until he could see the long figure of Aurelian drooping
-in the Mexican hammock across the big room through the dim strata of
-blue smoke that, in the silence, lay almost motionless, swirled now and
-then into subtle curlings and windings as some drowsy smoker breathed
-more white vapour into the slowly moving and rising tide,--"This is the
-peace of the land of Proserpina, the faultless content of perfect
-possession. Philistinism is not without honour, for behold! it has
-conceived and brought forth--the Decadence."
-
- "_Non sentir m'e gran ventura
- Porò non mi distar: deh! parla basso!_"
-
-said Aurelian, softly. "It is only a dream after all, even a dream of
-the land of endless afternoon. There is lotos mingled with the tobacco,
-but we wake easily."
-
-A deeper voice came from a motionless figure prone on a tiger skin
-before the crumbling fire. "Opium and Burgundy are not faultless
-substitutes for the true lotos after all, but--they do very well--for
-the time."
-
-Murmurs of inarticulate assent rose and faded in the opium-heavy air,
-and then the smoke grew still again. Now and then a bit of wood fell in
-the fireplace. Aurelian's narghileh gurgled and sighed in slow cadence.
-These things were only a modulation of the silence.
-
-The room was vast and dim, seemingly without bounds, save on that side
-where the violet flames of a drift-wood fire flickered quiveringly,
-making a centre, a concentration of dull light; for the rest, a
-mysterious wilderness of rugs and divans, Indian chairs and hammocks,
-where silent figures lay darkly, each a primal cause of one of the many
-thin streams of smoke that curled heavily upward;--smoke from strange
-and curious pipes from Lahore and Gualior; small sensitive pipes from
-Japan; here and there the short thick stems of opium-pipes, and by the
-motionless Mexican hammock a splendid and wonderful hookah with writhing
-stem. As the thin flames of the dying fire flashed into some sudden
-brightness, they revealed details unseen in the general gloom,--a vast
-and precious missal gorgeous with scarlet and gold and purple
-illumination, open, on a carved oak lectern, spoil of some Spanish
-monastery; the golden gloom of a Giovanni Bellini reft from its home in
-Venice, and as yet unransomed; the glint of twisted and gilded glass in
-an ebony cabinet; great folios and quartos in ancient bindings of vellum
-and ivory and old calf-skin, heavily tooled with gold, and with silver
-and jewelled medallions and clasps, stacked in heaps in careless
-indifference; the flash and sparkle of a cabinet of gems, the red
-splendour of old lacquer; the green mystery of wrought jade. And
-everywhere a heavy atmosphere that lay on the chest like a strange yet
-desirable dream; the warm, sick odour of tobacco and opium, striving
-with the perfume of sandal-wood, and of roses that drooped and fluttered
-in pieces in the hot air.
-
-Around a brazier of green bronze, on the floor, before the fire, lay the
-three men who were gently breathing in the bland opium, their dark
-figures radiating from the queer brazier wrought of two ugly dragons
-chasing each other around a great globe of Japanese chrystal, the
-firelight gleaming on the tall glasses of champagne where the little
-column of gold bubbles rose steadily. The fire fell together, and a
-leaping flame cast a fitful light on heavy tapestry curtains wrought
-with the story of the loves of Cupid and Psyche. Its two halves parted
-slowly, and a flush of red light fell through as, in the midst, appeared
-a dark figure with closed eyes, swaying softly as it leaned forward,
-and, while the curtains closed, fell with a long sweep gently toward the
-brazier,--not as men fall, but as a snake with its head lifted high
-might advance slidingly, and as it came, droop lower and lower until it
-rested prone on the uncrushed flowers. So Enderby, heavy with the suave
-sleep of haschish, came among the smokers and dropped motionless in the
-midst of the cushions. The movement set a tall glass quivering until it
-fell to one side, and the yellow wine sank slowly into the silky fur of
-a leopard skin.
-
-Aurelian lifted his hand to a gold cord that hung over the hammock.
-Presently a slim girl with flesh like firelight on ivory, clad in
-translucent silk of a dusky purple that made no sound as she came,
-appeared in the darkness of the farther doorway. She came to the hammock
-where Aurelian was lying.
-
-"Will the honourable master be served with the august saké?" she asked
-with a voice that was like the fluttering of cherry blossoms in
-Yoshiwara.
-
-"No, O Shiratsuyu," said Aurelian, drawing the slim figure toward him,
-kissing the scarlet mouth that drooped above as he lay full length,
-looking sleepily upward. "No, O Shiratsuyu, but fill the glasses of the
-honourable guests with the wine, there on the table."
-
-The girl glided among the drowsy figures, filling the glasses. As she
-knelt by the brazier to lift the overturned glass, her slim fingers
-lingered; a head turned sleepily, and, as the lips fell on the little
-hand, kissed it softly.
-
-At a movement of Aurelian's eyes the girl vanished.
-
-Eveleth half rose to look after her with delight. "Where did you find
-that bauble, Aurelian?" he said.
-
-Aurelian neither moved nor opened his eyes as he replied, "In Kioto."
-
-"She is more precious than your Delhi topaz."
-
-"She cost me more."
-
-"What is she called?"
-
-"The Honourable White Dew."
-
-"I have never seen her before."
-
-"Nor any other than myself."
-
-"I think she is a dream."
-
-"No, only part of a dream."
-
-"How long will the dream last?"
-
-"Until dawn."
-
-"What is the dawn?"
-
-"Death."
-
-The word roused ungracious thoughts in Eveleth, and he turned his face
-to the wall, falling into a half dream. When next he looked toward his
-host it was at the instigation of low voices. A servant was standing by
-the hammock,--not the mysterious Japanese girl, but a black boy in a red
-fez. Aurelian looked toward Eveleth sleepily.
-
-"One is without and craves entrance," said he. "What shall I say to him?
-He has come as my guest; shall I receive him here?"
-
-"Is he an 'Elect'?"
-
-"No, he is not an 'Elect.'"
-
-"A Philistine then."
-
-"Neither a Philistine, wholly."
-
-"What then?"
-
-"A product of Philistinism, an Agitator."
-
-Eveleth looked vaguely around over the silent room,--at Wentworth,
-throned in a stately chair of mahogany and brass that had belonged to
-the great Napoleon, still crowned with the garland of gold bay leaves he
-had placed on his head after dinner, half in defiance, half in jest, now
-sleeping, his chibouk lying between his knees; at the abandoned figures
-motionless about the bronze brazier; at Aurelian, clothed gloriously in
-a sleeveless gaberdine of blood-red silk over a white crêpe kimono heavy
-with embroidery; at his own figure half wrapped in a big mantle of
-rose-coloured damask. And everywhere the stillness of Oriental sleep. As
-he looked he said dubiously, "An agitator? Do you think an agitator
-would do--here? Isn't there rather too much to agitate?"
-
-"Yes, and for that reason I will let him come; as it is, this is almost
-stagnation. He will amuse me, I feel,--I feel, that in a little while,
-I--might be bored."
-
-Eveleth sank back resignedly and not without curiosity. Aurelian nodded,
-and the servant glided away.
-
- * * * * *
-
-"Hello, Aurelian!"
-
-The words were like a stone dashed in the midst of a pool of brown
-water, still, under willows. Wentworth, looking like a Napoleonic
-_revenant_, shivered into wakefulness; Eveleth sat bolt upright with a
-start; even the opium-smokers, all but Enderby, turned their heavy
-heads, wakened from mysterious dreams.
-
-The new-comer stopped in the door and stared,--stared mightily. He
-coughed and blinked in the smoky air. It was the clash of East and West,
-of a fictitious, exotic East, of a commonplace, hard-headed, practical
-West.
-
-"Where are you?" McCann cried loudly, making his way through the
-twilight toward the sound of Aurelian's voice.
-
-"I'm glad to see you at last," he said doubtfully, "but I'm not quite
-used to this sort of thing, you know; I feel as though I had drank too
-much." His eyes fell on the confused heap of drowsy humanity around the
-brazier. "Aurelian," he said sternly, "is this a 'joint' I have happened
-on?"
-
-"It is my house," said Aurelian, in his gentle voice, "wherein I have
-the honour to count you for the moment a guest."
-
-"I beg pardon," grimly; "but as I said, you must remember I am not
-familiar with this sort of thing. I think I had better wait until you
-are less busily engaged."
-
-"My dear fellow, I am never busily engaged, and I am never more idle
-than now. You will stay, of course. Will you smoke?--I mean tobacco. I
-think you smoke narghilehs; shall Murad come and light you one?"
-
-"Thanks, by your leave I will smoke my own," and McCann pulled out his
-brier bull-dog, filled it from his own pouch, and sat down
-constrainedly, his eyes fixed on the four men in their motley costumes,
-strewn on the floor.
-
-At once Aurelian began to talk to him frankly and freely, as though
-nothing had changed since last master and pupil had spoken together,
-questioning him of his adventures in England and Germany while on his
-mission among the socialist leaders. McCann noted with surprise and with
-a feeling almost of reassurance that no detail of recent sociological
-events had escaped Aurelian; that he listened with equal interest to all
-that he told him; that he showed keen satisfaction at the outcome of two
-or three recent strikes in which the strikers had been victorious. But
-all the time the agitator's eyes were wandering over the dimly visible
-details of the strange treasure-house where he found himself. He looked
-on it all with growing resentment; it was hardly to be called
-socialistic, and there seemed to be a lack of harmony between these
-luxurious surroundings and the words that Aurelian was saying. There was
-something awfully wrong; but he shrunk from knowing what he feared to be
-the worst.
-
-After the first convulsion which his entrance had caused, the different
-men had all fallen back languidly in their places; but now Wentworth
-lifted himself lazily and came down toward Aurelian and the agitator.
-"Well, _citoyen_," he said, nothing abashed by his fantastic garb, which
-was far enough from being the same in which he generally met McCann,
-"Well, _citoyen_, you come as a visitant from another world, like the
-black steamers that crawl into the balmy vision known to the children of
-men as Venice,--in it, not of it. Can you bring a tale of the things
-without? Is there anything worthy of note in Philistia? How fare our
-friends the republics of the world, there in the outer darkness?"
-
-"Oh," said McCann, with indifference, "there is another revolution on
-down in Guatemala, and one expected daily in Brazil, and one in the
-French Republic--"
-
-"And the smoke not yet cleared away from the last revolution in Brazil,
-nor yet from the last in Chile, nor yet from the last in Honduras; wars
-in half the republics in South and Central America, rumours of wars in
-Mexico and all the rest; the French Republic counting the days that
-already are numbered by its dupes at length undeceived,--I know the
-whole grotesque story, and yet people talk about popular sovereignty and
-republics. And you yourselves, McCann, _bon citoyen_, you agitators and
-socialists, hug to yourselves the vain phantom of popular government.
-You ought to know better, for you know something of sociology if you
-_are_ sweetly ignorant on politics. What was that Balzac said, Aurelian?
-Tell me."
-
-"About popular government, you mean?"
-
-"Yes."
-
-"Why, he called it the only government that is irresponsible and whose
-tyranny will be unchecked because exercised under the name of law."
-
-"Ah, this is it! Isn't that exact? '_A bas la République_,' the King
-shall come to his own again!" and he sung the words gaily to a fragment
-of an old Jacobite air. "Don't interrupt me, Aurelian, the spirit is on
-me and I must confound this blind leader." His tone changed and he put
-his hand on McCann's shoulder. "Malcolm, you know as we all know here
-that the present condition of this happy world is very like the Puritan
-idea of hell. You know, also, that the preserving factor, if not the
-original cause of this pleasant state of affairs, is the modern theory
-of economics and its resulting industrial and commercial systems. Now,
-what do you propose to substitute in place of this gigantic abortion,
-this debauching incubus?"
-
-"State Socialism."
-
-"Exactly! Out of your own mouth have you condemned yourself. Man, man!
-what would your State Socialism be in the hands of such a State as we
-have now? In Chile? In Mexico? In any ring-ruled mob-ruled State in this
-unhealthy republic? Why, simply the biggest and most wholesale 'job,'
-the most arrant corruption, the most awful and omnipotent succubus that
-ever waxed fat on the blood of a dying nation. Malcolm, you and your ilk
-have made a dreary mistake; you think only of industrial reforms, while
-to make these of effect you must first have a political reform which
-will be in itself a revolution. Destroy the present system, build up an
-honourable State, and then it will be time to talk of State Socialism."
-
-McCann had chafed furiously under this tirade, and as Wentworth threw
-himself down in a low chair, lighting his Dimitrino cigarette at the
-flames of the brazier, he burst out violently: "You are all wrong, you
-don't know what you are talking about when you say we don't want a
-political reform! We do, a radical reform."
-
-Wentworth's eyes gleamed amusedly through the rings of white smoke as he
-said quietly, "How?"
-
-"I would destroy the whole system of party and ring rule."
-
-Wentworth smiled disdainfully. "My dear Malcolm," he said, blowing an
-ash from his cigarette, "I spare you the humiliation of trying to tell
-me how. Do you not realise that party and ring rule are the necessary
-results of three of your dearest idols?--idols that you would defend, I
-believe, with your life. They are these: Manhood suffrage, rotation in
-office, and representative government. Until you are content to destroy
-these in your political revolution your attempts to abolish ring and
-partisan rule will fail."
-
-"They will not fail, for we shall abolish those abuses through making
-the control of the people over their representatives more absolute and
-direct."
-
-"The exact contrary of the result you hope for would follow from the
-course you suggest. I can't convince you of that now; grant the truth of
-your position for a moment, what would follow? You would simply
-substitute for the repulsive rule of the 'bosses' a dreary and fleeting
-government of emancipated slaves. We have seen the result of that in the
-South, where we made fatal error in giving the black slaves a measure of
-political power. You would do the same by giving the white slaves _all_
-political power. I say, emancipate them,--and govern them."
-
-"By whom?"
-
-"Their King and their peers."
-
-"Where will you find them in this country?"
-
-"Choose them."
-
-"By whom?"
-
-"The people."
-
-"Aha! Then you lose your point."
-
-"By no means, for the franchise should be a privilege, not a right, and
-while the people should choose, only their leaders should govern."
-
-"You are a monarchist!"
-
-"Yes."
-
-"Then you are a reactionist, an aristocrat; no socialist!"
-
-"I am a monarchist and a vehement socialist."
-
-"That is a paradox."
-
-"So are most final truths, since a paradox is only a concise statement
-of the colour on each side of the shield; you remember the fable?"
-
-"Then you mean to say that socialism and monarchism do not negative each
-other?"
-
-"No more than the silver of one side of the shield negatives the gold of
-the other."
-
-"You are a vain theorist!"
-
-"It is you who are a vain theorist; my position is based on history. I
-know the record of the attempts to put the visionary theory of popular
-government into practice."
-
-"We have never had a true popular government yet."
-
-"I agree with you; but we have had true princes."
-
-"Where?"
-
-For answer Wentworth turned his head a little and raised his eyes toward
-a great picture hanging in the shadow. McCann followed his glance, and
-found himself looking at the sad face with the mournful eyes of
-Vandyke's portrait of King Charles I. of England. Curtains of old
-purple velvet wrought with Bourbon lilies of tarnished gold hung on
-either side, and from their midst the King seemed looking on them as in
-a vision. The picture annoyed McCann; it was the presentment of a King,
-a tyrant; he scowled at it ill-naturedly.
-
-"You keep that there because it is a good picture, I suppose," he said,
-turning to Aurelian, who had been listening silently.
-
-"Because it is a copy of a good picture of a glorious King," replied
-Aurelian.
-
-"A good _King_!"
-
-"A glorious King and most noble man."
-
-"You talk like a Jacobite."
-
-"I _am_ a Jacobite."
-
-McCann took his pipe out of his mouth. "What do you talk like that for?
-You used to be a socialist."
-
-"I am still a socialist."
-
-"Are you bedevilled with Wentworth's theory that a man can be both a
-socialist and a royalist?"
-
-"Certainly."
-
-"How do you justify such nonsense?"
-
-"By regarding both sides of the shield."
-
-"I deny that socialism is one side of a shield, the other side of which
-is monarchism."
-
-"Then you should study history more carefully," interrupted Wentworth.
-
-"Will history prove to me that monarchism is not and has not been from
-the first the bitter enemy of the people?" cried the agitator,
-derisively, flashing his eyes savagely on the languid Wentworth.
-
-"That is exactly what it will prove," returned his tormentor, sweetly.
-
-"Well, I have studied history for twenty years, and it has taught me
-exactly the reverse."
-
-"_Histories_, you mean; but you must remember that there is very little
-history in histories."
-
-McCann gasped in impotent rage, but Aurelian interposed with his low
-voice. "You will reach nothing by such argument, my children. You are
-both visionaries,--you, Malcolm, who dream of ideal, impossible
-republics surrounded by the tottering ruins of your fantastic fabrics,
-builded on the shifting sand of popular fancies; you, Strafford
-Wentworth, dear dupe of futile hopes, vainly watching for the King to
-come to his own again. Dreamers both of you! I alone am the practical
-man; I wait for that which the gods may give. In the mean time I stand
-with the 'divine Plato,' aside, under the wall, while the storm of dust
-goes by. Forsake your forlorn hope, Malcolm; stand to one side with me,
-and wait. And in the mean time"--he lifted a strange Japanese viol--"in
-the mean time, sing, and forget the imminent night. Malcolm, there is
-beauty still left, and a little art; it will last us through the
-twilight."
-
-"Art will not quiet my conscience, nor blind my eyes to the sight of
-rotting slaves and foul fat drivers."
-
-"You take things too seriously!" cried Wentworth, biting the heavy
-leaves one by one from a drooping rose. "It is like putting new wine
-into old bottles to try to pour seriousness into this decrepit and
-degenerate age."
-
-McCann laughed aloud. "I accept the omen; for the bottles, if I remember
-aright, were burst!"
-
-"And you will spill your wine."
-
-"The type of blood; and the blood of martyrs is the seed of the new
-Commonwealth!"
-
-"But why not take new bottles and save your precious wine?"
-
-"We have none, and the old are at hand."
-
-"They are rotting fast."
-
-"The world cannot wait,--mothers and children starve every day."
-
-"If you die for them it is only a life for a life, and the guilty
-thrive."
-
-"Some will go down with us to hades!"
-
-Aurelian laughed softly, and rambled vaguely on over the strings of his
-samosen, making strange music. "Now we will quarrel no more, for we are
-where we began. Malcolm, if you must go to your death, _Vale_, I will
-offer a kid and honey on the altar of Mnemosyne. Go your ways, and leave
-me to mine; I am aweary of this servile and perishing world, rheumy and
-gibbering. Here I have my books of the Elect, my fading pictures, my
-treasures of dead civilisation. This is my monastery, like those of the
-old Faith that, during the night that came down on the world after the
-ruin of Rome, treasured as in an ark the seeds of the new life. Here I
-can gather my Children of Light and bar my doors against the Philistines
-without, among whom, dear Malcolm, force me not yet to number you. Be
-lenient with me, accept my hospitality; it will strengthen you for your
-fight with the windmill that forces the wind of God to grind men and
-women like grain. In the mean time, it is still the youth of the night,
-so I will give you more wine--or your favourite beer if you like; I have
-some good Bavarian. Those four decadents and the poor agnostic there on
-the floor are happy. I never take the black smoke myself, nor any of
-you: wise, all of you, but God forbid that I should refuse any guest of
-mine aught! They, sleeping in opium-dreams, have chosen their way. We
-will choose another for ourselves."
-
-
-
-
-III.
-
-
-The night had grown old unnoticed, and now in the first dim twilight of
-coming dawn Aurelian and McCann were sitting on the wide terrace that
-stretched along the south side of the great house, smoking lazily and
-drinking the fine rare wines that Aurelian treasured as he treasured his
-precious books. Not far away the nightingales were singing in the thick
-wood; other sound there was none save the sweet rustle and stir of the
-awakening trees under the first thin wind of morning.
-
-At first McCann had raged inwardly at everything,--at the crowded
-treasures of art that filled the castle-like house, at the dominant
-luxury, at the opium, the wine, at all the unfamiliar splendour that
-surrounded Aurelian. He sat now listening unappreciatively to Aurelian's
-quiet voice discoursing lovingly of the Romanée Conti, which he himself
-could not have told from Mâcon. "There are not two dozen of this vintage
-in America outside of my own cellars," Aurelian had said, and the poor
-agitator heard him miserably. He did remember, indeed, when a slim glass
-of amber Madeira was placed on the Indian table by his side and its name
-given him, that some one had once told him that Constitution Madeira was
-last quoted in New York at seventy dollars a bottle, and so he drank his
-glass with a kind of distant wonder, but without pleasure; he thought it
-musty, he would have chosen Bass. Yet, even as he lay in the long Indian
-chair, the subtle influence of Aurelian's Lattakhia and of his ancient
-wine worked slowly in his system, and already he began to think with
-something approaching tolerance of his pupil's apostasy. He lay full
-length looking out over the carved balustrade through the silvery
-jasmine flowers amid their black leaves, to where the sky of blazing
-stars, already paling before the advancing day, ceased at the edge of
-the dark hills; and as he lay thus dreamily, he even wondered if he had
-realised all that there was in life, in his career of feverish action.
-
-Aurelian tossed the glowing end of his cigarette out through the jasmine
-leaves, watching it fall like a scarlet star. "Do you not see how it
-is?" he said; "I know to the full the grotesque hideousness of life as
-it is, and I long for revolution. But I have seen every man who is fired
-with desire to bring the change yield to the baleful influence of that
-which he would destroy until he has come to see no ideals save those of
-materialism. His ideal of life is a socialistic ideal of a dead, gross,
-physical ease and level uniformity; his ideal of government a democracy;
-his ideal of industry State factories with gigantic steam-engines,--his
-whole system but the present system with all its false ideals, deprived
-of its individualism. I have lived beyond this, I can see the futility
-of all these things. I believe only in art as the object of
-production,--art which shall glorify that which we eat, that wherewith
-we clothe ourselves, those things whereby we are sheltered; art which
-shall be this and more,--the ultimate expression of all that is
-spiritual, religious, and divine in the soul of man. I hate material
-prosperity, I refuse to justify machinery, I cannot pardon public
-opinion. I desire only absolute individuality and the triumph of
-idealism. I detest the republic, and long for the monarchy again."
-
-"Aurelian," said McCann, "will you tell me straight what you mean when
-you say that, yet claim to be a socialist? I asked you once before that
-empty-headed Rip Van Winkle called Strafford Wentworth in the other
-room, and you made an evasive answer. Now, tell me, how do you reconcile
-the two?"
-
-"Because I believe that political socialism will destroy society and
-clear the ground for a new life; because it will annihilate the
-Republic, and make monarchial government possible."
-
-"It will destroy neither, but reform them both."
-
-"It cannot reform either, for the principles of each are false."
-
-"What do you fancy those principles to be?"
-
-"Liberty, Equality, Fraternity."
-
-"Do you dare to call those principles false?"
-
-"Liberty and equality false, fraternity impossible so long as the first
-two pretend to exist."
-
-McCann sat bolt upright. "Look here, Aurelian," he said seriously, "I
-can't talk in this way, I am not that kind of man. What has come over
-you? I left you a socialist, and I come back and find you an unreasoning
-royalist, incapable of talking sense, putting your defenceless fancies
-into the armour of paradox. What in the name of common-sense do you mean
-by it?"
-
-Aurelian turned his handsome head and looked at the red-bearded
-agitator. "Malcolm," he said gently, "as you would say, we had best have
-it out. I have changed, but not exactly in the way you think. As I say,
-I am a socialist but also a royalist, as well as many other things you
-would think equally bad. I have done a good deal of reading of late, a
-good deal of thinking; so I have grown,--more than you, for you have
-only acted. And just that, if you don't mind my saying so, is precisely
-the trouble with most socialists. Look, this is the situation,"--he sat
-up with almost animation in his face. "The world is in a bad way, never
-worse; you taught me that, and the more I study life the more convinced
-I am of its eternal truth. Reform must come if we are to save this
-decrepit world from a vain repetition of history; that of course follows
-from the other assumption. Thus far we walk together; but then arises
-the question of means, and here we part, for you say reform may be won
-by agitation, I say man is helpless at the present juncture and can only
-wait."
-
-"Men have not waited before; they have acted and have won."
-
-"Yes, for it was dawn and not the eleventh hour."
-
-"What do you make of the French Revolution?"
-
-"A reform undertaken at the eleventh hour, and therefore merging within
-three years into hideous deformity,--a reform that failed."
-
-"You dare to say that it failed when it destroyed feudalism and the
-rotten monarchial system?"
-
-"Yes, for in their places it made possible capitalism and the French
-Republic. Should your agitation succeed it would result in the French
-Revolution over again, together with all its corollaries,--anarchy,
-kakistocracy, a glorious tyranny on a false foundation, kakistocracy
-again, and chaos: a counter revolution, again a kakistocracy, and
-finally impotence, false and evil as the destroyed feudalism."
-
-"You are the worst pessimist I ever saw!"
-
-"Of course, for I am an optimist; and one can't be an optimist touching
-the future without being a pessimist touching the present."
-
-"But how can you be an optimist with regard to the future when you
-condemn not only the present but every effort toward rebellion and
-reform?"
-
-"Because you are trying to turn back a tide that is almost at its full.
-Have patience, and the ebb will come."
-
-A great Persian greyhound, with white silky hair, paced solemnly down
-the terrace and dropped its head on its master's knees, gazing at him
-with soft eyes. Aurelian stroked its nose gently.
-
-"Malcolm," he said, "if you persist you will fail, either broken by the
-power you attack or through creating a condition more evil, more
-intolerable still. There is a depth of fall below the point the
-nineteenth century has now reached, and until that destiny is
-accomplished, you are helpless."
-
-"You break my heart, Aurelian," said McCann, sadly. "When I went away
-you promised to fight with me in the battle for reform. I thought you
-understood me, followed me. And now--you lapse into awful luxury and
-vice,--opium and things. This is pretty bad, you force me to call you a
-recreant; here on the very eve of battle you forsake the cause, you go
-over to the enemy; and worse, you are a traitor, for you debauch my
-men,--you have North now in there drugged with opium. Last of all, you
-try to tempt me, you urge me to give up the fight; but I am not a
-deserter."
-
-"Malcolm, dear boy, I don't deserve quite all of that," said Aurelian,
-gently. "Yes, I have deserted as you say, for I see more clearly than
-you; the battle is already lost even before it is fought. I thought once
-when you filled me with ardour of war that we could win. I see further
-now. Dear Malcolm, you are waging war against the gods; you have
-mistaken the light that is on the horizon; you have waked from sleep,
-but the flush of light that is in your eyes is not the dawn,--it is
-sunset. You taught me that we lived in another Renaissance; I know it
-now to be another decadence, inevitable, implacable."
-
-"You are wrong; the decadents have bedevilled you; they are but the
-froth of the wave that has broken on the shore: the wave of the New Life
-follows behind to sweep them into nothingness. Leave the simile: grant
-for the moment that you are right: are you a coward to forsake a good
-cause that may fail? Have you forgotten John Ball?"
-
-"No, I have not forgotten John Ball, but I am not made of the stuff of
-martyrs. Malcolm, I love life and love, and the beautiful things still
-saved from the wreck of worlds. You would make me--an artist--forsake
-it all, and go shoulder a rifle, or carry a red flag. I have a life
-given me, let me live. I am not a fighter, let me be; let me live here
-in this happy oasis in the desert of men. I can't help you, I can only
-lay down my life on a barricade."
-
-"That is brute selfishness!"
-
-"No, it is reason. I know myself: I am of no use to you; I thought I
-might be once, and I tried. Everything sickens me,--every detail of the
-life that is now, the stock exchange and newspapers, alleged art and
-trade, and the whole false principle that is under it all. I can't fight
-them, the contest sickens me. It is all wrong, the principle of your
-reform; you are wrong yourself. I can't have hope, and if I can't have
-hope I can't fight. How can I fight for a reform that, if it were
-carried, would only take the power out of the hands of a sordid gang of
-capitalists and throw it into the hands of a sordid gang of emancipated
-slaves? Life would be as hideous under their _régime_ as now. You would
-change the ownership of cities, but you would not destroy them. You
-would change the control of machinery, but you would not destroy it. You
-would, in a word, glorify the machine, magnify the details, ignore the
-soul of it all,--and the result? Stagnation. I have read your
-Utopias,--they are hopelessly Philistine; their remedies are stimulants
-that leave the disease untouched. Malcolm, you will fail, for you do not
-see far enough. 'Ill would change be at whiles, were it not for the
-change beyond the change.' They are the words of your own prophet; you
-will, if you succeed, bring in the change, and it will be ill indeed. I
-wait for 'the change beyond the change.'"
-
-"I deny that the change that we shall bring will be ill; it will be the
-next step beyond where we are now. There is no turning back: the law of
-evolution drives us onward always; each new position won is nobler than
-the last."
-
-"Ah, that 'law of evolution'--I knew you would quote it to me sooner or
-later. You hug the pleasant and cheerful theory to your hearts, and
-twist history to fit its fancied laws. You cannot see that the law of
-evolution works by a system of waves advancing and retreating; yet as
-you say the tide goes forward always. Civilisations have risen and
-fallen in the past as ours has risen and is falling now. Does not
-history repeat itself? Can you not see that this is one of the periods
-of decadence that alternate inevitably with the periods of advance? The
-tide--
-
- 'W_as once too at the full, and round earth's shore_
- L_ay like the folds of a bright girdle furled;_
- B_ut now I only hear_
- I_ts melancholy, long-withdrawing roar_
- R_etreating to the breath_
- O_f the night-wind, down the vast edges drear_
- A_nd naked shingles of the world._'
-
-"Yes, it is the decadence, the Roman decadence over again. Were Lucian
-to come among us now he would be quite at ease--no, not that, for in one
-thing we are utterly changed; so sordid is our decadence, so gross, so
-contemptibly material, that we are denied the consolations of art
-vouchsafed to his own land. Even in the days of her death Rome could
-boast the splendour of a luxuriant literature, the glory of beauty of
-environment, the supremacy of an art-appreciation that blinded men's
-eyes to the shadow of the end. But for us, in the meanness of our fall,
-we have no rags of art wherewith to cover our nakedness. Wagner is dead,
-and Turner and Rossetti; Burne-Jones and Watts will go soon, and Pater
-will follow Newman and Arnold. The night is at hand."
-
-He lifted a small hammer and struck a velvet-voiced bell that stood on
-the Arabian table of cedar inlaid with nacre and ivory. Murad came out
-of the darkness, and at a gesture from Aurelian filled the great hookah
-of jade and amber with the tobacco mingled with honey and opium and
-cinnamon, placed a bright coal in the cup, and gave the curling stem
-wound with gold thread to his master.
-
-Malcolm watched it all as in a midsummer dream; for once he was
-succumbing to the subtle influences that were seducing his yielding
-senses. He could not reply to Aurelian, he lacked now even the desire.
-The slow and musical voice, so delicately cadenced, had grown infinitely
-pleasing to his unfamiliar ears, strangely fascinating in its mellow
-charm. Wondering, he found himself yielding to it,--at first defiantly,
-then sulkily, then with careless enjoyment, forgetful of everything
-save his new delight in his strange surroundings.
-
-The rose-water gurgled and sobbed in the jade hookah; thin lines of
-odorous smoke rose sinuously to the silken awning that hung above the
-terrace, dead in the hot August night. For a time neither spoke; then at
-length Aurelian said, with a more sorrowful gravity than before,--
-
-"Yes, the night is at hand, and the darkness at last will cover our
-shame. It is better so. I thought once that through art we might work
-revolution, and so win the world to clearness of sight again; that was
-because I did not know the nature of art. Art is a result, not an
-accident,--a result of conditions that no longer exist. We might as well
-work for the restoration of chivalry, of the House of Stuart, of the
-spirit of the Cinque-Cento, or any other equally desirable yet hopeless
-thing. What we are, that our art is also. Every school of art, every
-lecture on æsthetics, every art museum, is a waste and a vanity, their
-influence is nothing. Art can never happen again; we who love it and
-know it for what it is, the flowering of life, may only dream in the
-past, building for ourselves a stately pleasure-house in Xanadu on the
-banks of that river measureless to man that runs to a sunless sea.
-
-"Individualism begot materialism, and materialism begot realism; and
-realism is the antithesis of art.
-
-"What else could have been? Art is a result,--and a cause; at once the
-flower of life and the seed of the age to come. That age which through
-its meanness and poverty is barren of blooms leaves no seed for its own
-propagation. Good-night then to art; for the time its day is done.
-Intelligence and erudition may create a creditable archæology, and a
-blind generation may--nay, has--mistaken this for art. Well, its folly
-is fond and pitiful.
-
-"Do you not see, then, how the discovery of this thing must fill me with
-that despair which kills all effort? You will say, 'Rise then, gird
-thyself with the sword of scorn and invective, and strike with
-exaltation at the false civilisation which is the death of art and of
-all that is worthy in life.' Dear boy, our fathers in their fond,
-visionary idealism made for all time such warfare of no avail. By
-cunning schemes and crafty mechanism they, impelled by most honourable
-motives, have woven a System which is now not alone the System of these
-United States but of that Europe which we have dragged to our level; a
-System which is now being accepted by that pure and happy civilisation,
-the last to yield to our importunity, Japan, and being accepted to its
-own damnation. And that System has made impossible forever any
-successful result; for so dominant is it, so subtle in its influence, so
-almighty in its power, that human strength is helpless before it.
-Moreover, it will, through its infinite craft, seem to yield now and
-then, yet only in form; for it will so debauch the reformers that they
-will think now and again their cause is won, yet will it have lost
-every element of desirability. Nevertheless 'the People' will shout with
-acclamation, 'Victory! glorious victory! won through the strength of our
-immortal and matchless institutions.' And all the while they are
-shouting for the shadow of revolution, for the dead body from which the
-soul has fled.
-
-"'What is this System,' do you say? I will tell you; it is the system of
-the nineteenth century, by which it will be known in the histories of
-times to come, should time continue,--the great three-fold system of
-Equality, The Freedom of the Press, and Public Opinion. You yourself do
-them honour, for that you yourself have yielded to their evil influence;
-until you have risen once for all superior to their plausible sophistry,
-every thought you have, every act you are guilty of, will be tainted by
-them and made of no avail. The whole world kneels before them now,
-confessing their dominion. So long as this is so, so long will reform be
-impossible.
-
-"Democracy, Public Opinion, Freedom of the Press,--the idolatrous
-tritheism of a corrupt generation. Through the Institution of Democracy
-you have bound yourself with invincible chains to a political system
-which is the government of the best, by the worst, for the few,--in
-other words, the suppression of the intelligent few by the mob for the
-bosses. By the Institution of Public Opinion you have made Democracy
-permanent, preventing forever the rule of the 'saving remnant.' You
-have founded your unholy inquisition for the suppression of the martyrs
-to wisdom, and by your Institution of the Freedom of the Press you have
-raised a tyranny, an irresponsible hierarchy of godless demagogues, an
-impeccable final authority which will suppress, as it suppresses now,
-all honourable freedom of thought. You have broken and destroyed the
-power of the Church, and you are proud thereof; but beware! for in its
-place you have builded a Power, more widespread, more overwhelming, more
-irresistible. Though you crushed Democracy and discredited Public
-Opinion, yet so long as the Freedom of the Press remained in existence,
-Journalism would by its bull of deposition, its anathema of
-excommunication, extinguish your labour in a breath.
-
-"Here is your triple-headed Cerberus that bars your exit from this hades
-you have made. Until he is slain you may never escape. Slain? You cannot
-slay him; he is sheathed in an impenetrable hide, proof against all
-assaults. Listen, only in one way may you pass by him. Wait! In a little
-time his three horrid heads will growl with rising fury each to each,
-over the enormous spoils of decaying life. Wait! and the growls will
-grow fierce and more furious; and at last in mortal and horrible combat
-the beast will strive with _itself_, spreading chaos and death around.
-So will it disable itself; and when at last its triple head has
-collapsed in ghastly exhaustion, then will the time have come: pile
-upon it the hoary boulders of experience left by immemorial glaciers of
-time; raise them into a mountain, and though, like imprisoned Titan, the
-horrid beast bellows and thunders below, you may go forth fearlessly,
-and on the dread ruin he has wrought build a new civilisation, a new
-life."
-
-Aurelian's ardent eyes gazed on the man before him through the writhing
-smoke in the pallid dawn; his voice was like the voice of a velvet bell.
-
-"Yes, it is the end of years; the era of action is over, night follows,
-blotting from sight the shame of a wasted world; but through the mute,
-unutterable night rises and brightens the splendour of the new day, the
-new life. Action has striven and failed, and wreck and ruin are the
-ending thereof; but across the desert of failure and despair bursts the
-flame of the Dawn; the far-forgotten spirit of the world rises toward
-dominion again,--the spirit of visions and dreams, the mighty Mother of
-worlds and men, the Soul of the Eternal East."
-
-Aurelian had risen and stood facing McCann, his white face lighted by a
-flame of sudden vigour and inspiration; but even as he finished speaking
-it changed. His eyes grew soft, and he smiled gently. "Malcolm," he
-said, coming to the speechless agitator, and laying an arm lightly over
-his broad shoulders, "Malcolm, I shall hardly forgive you this. You have
-made me almost enthusiastic again; for a moment I could have believed
-once more there was virtue in action; that has passed, and I am myself
-again. And now, look!"
-
-The sun rose, and its level river of light swept through the valley. A
-mist like vaporous opals rose slowly from the winding river below them,
-curling in the amber air and brushing itself in thin plumes over the
-pale sky. Down from the terrace stretched the great garden, where
-multitudinous lilies flashed in the first light with iridescent dew. A
-splendid peacock swept flauntingly through the mazy walks and among the
-white statues until it reached the central fountain, where it spread
-itself in the sun. At the foot of the last terrace, where the marble
-steps turned to serpentine in the still water, a small white boat with
-prow of gilded fretwork lay motionless among the opening water-lilies
-and the great blooms of the lotos. The breath of honeysuckle and jasmine
-and day-lilies and tuberoses drifted slowly up in the first stirring
-wind. The river-mist lifted, showing the golden meadows with the slim
-elms here and there and the lofty hills fringed with dark forests
-beyond.
-
-"Malcolm," said Aurelian, "beyond those fortress hills lies
-the world,--the nineteenth century, seething with impotent
-tumult,--festering towns of shoe factories and cotton-mills, lying
-tradesmen and legalised piracy; pork-packing, stock-brokers, quarrelling
-and snarling sectaries, and railroads; politicians, mammonism, realism,
-and newspapers. Within my walls, which are the century-living pines, is
-the world of the past and of the future, of the fifteenth century and
-of the twentieth century. Here have I gathered all my treasures of art
-and letters; here may those I love find rest and refreshment when worn
-out with hopeless lighting. Suffer me to live here and forget, or live
-in a living dream of dreamless life. Against my hilly ramparts life may
-beat in vain,--it cannot enter. Here I am a King; humour my fancy, and
-give over your striving to make a poet into a warrior. There is other
-work before me. Even as in the monasteries of the sixth century the wise
-monks treasured the priceless records of a dead life until the night had
-passed and the white day of mediævalism dawned on the world, so suffer
-me to dream in my cloister through evil days; for the night has come
-when man may no longer work."
-
- * * * * *
-
-Here ends the Gospel of Inaction called the Decadent, which is privately
-issued for the Author by Copeland and Day, of Cornhill, Boston, in an
-edition limited to one hundred and ten copies on this yellow French
-handmade paper, and fifteen copies on thick Lalanne paper, which have
-been printed during October and November, MDCCCXCIII by John Wilson and
-Son, Cambridge, at the University Press. The Frontispiece and Initial
-letters are designed by Bertram Grosvenor Goodhue and cut upon wood by
-John Sample, Jr.
-
-[Illustration]
-
-
-
-
-Transcriber's Notes:
-
-
-Page 1, changed "agressive" to "aggressive" and changed oe ligature to
-"oe" in "foetid." (Ligature is retained in HTML edition).
-
-Page 17, changed "Guatamala" to "Guatemala".
-
-
-
-
-
-End of the Project Gutenberg EBook of The Decadent, by Ralph Adams Cram
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