summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-03-08 16:07:54 -0800
committernfenwick <nfenwick@pglaf.org>2025-03-08 16:07:54 -0800
commit8ca91b369b8b256d59426fb10d395286d561d185 (patch)
tree50119b0eb2fc4aef03b2c5c52ace30a56d3e35e6
parenta551d85ae612e91e590a319e973e1d1645316492 (diff)
Add files from ibiblio as of 2025-03-08 16:07:54HEADmain
-rw-r--r--41149-0.txt (renamed from 41149.txt)407
-rw-r--r--41149-8.txt12343
-rw-r--r--41149-8.zipbin227234 -> 0 bytes
-rw-r--r--41149-h.zipbin1017786 -> 0 bytes
-rw-r--r--41149-h/41149-h.htm432
-rw-r--r--41149.zipbin227206 -> 0 bytes
6 files changed, 17 insertions, 13165 deletions
diff --git a/41149.txt b/41149-0.txt
index 93bd137..1f6efb5 100644
--- a/41149.txt
+++ b/41149-0.txt
@@ -1,51 +1,17 @@
-The Project Gutenberg EBook of The Soul of Golf, by Percy Adolphus Vaile
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: The Soul of Golf
-
-Author: Percy Adolphus Vaile
-
-Release Date: October 23, 2012 [EBook #41149]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE SOUL OF GOLF ***
-
-
-
-
-Produced by Greg Bergquist, JoAnn Greenwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-
-
+*** START OF THE PROJECT GUTENBERG EBOOK 41149 ***
THE SOUL OF GOLF
MACMILLAN AND CO., LIMITED
- LONDON . BOMBAY . CALCUTTA
+ LONDON · BOMBAY · CALCUTTA
MELBOURNE
THE MACMILLAN COMPANY
- NEW YORK . BOSTON . CHICAGO
- DALLAS . SAN FRANCISCO
+ NEW YORK · BOSTON · CHICAGO
+ DALLAS · SAN FRANCISCO
THE MACMILLAN CO. OF CANADA, LTD.
@@ -1336,7 +1302,7 @@ be news to most of us that it is the supreme duty of the eyes to do
nothing but _look_.
We are now face to face with this fact according to this analysis. The
-author quotes the great psychologist, Hoeffding, as saying, "We must
+author quotes the great psychologist, Höffding, as saying, "We must
will to see, in order to see aright." We now, by a natural and
logical process of reasoning, have the golfer settled at his ball, his
address duly taken, his eye fixed on the ball, and he is in the act of
@@ -2069,7 +2035,7 @@ that it can be very easily learned, provided always that the
instructor has a proper idea of the mechanics of the put. Generally
speaking, when one uses the word "mechanics" a golfer is afraid that
he is about to receive some abstruse lecture illustrated by diagrams
-and mathematical formulae, but it is not so. It is essential to a
+and mathematical formulæ, but it is not so. It is essential to a
thorough knowledge and enjoyment of the game of golf that the golfer
should understand the mechanics of putting.
@@ -10447,7 +10413,7 @@ considers that the ordinary putter possesses advantages over the large
headed clubs, and I think myself that there is very little doubt that
this is so for the vast majority of golfers. Arnaud Massy, in his
recent book _Le Golf_, says of my clubs: "Certes, au point de vue
-scientifique, cette theorie est inattaquable." Notwithstanding the
+scientifique, cette théorie est inattaquable." Notwithstanding the
opinion of three such men as Vardon, Braid, and Massy on a matter of
practical golf like this, the Royal and Ancient Golf Club of St.
Andrews has declared that my clubs are illegal on their links, but in
@@ -11983,361 +11949,4 @@ present in the original.
End of Project Gutenberg's The Soul of Golf, by Percy Adolphus Vaile
-*** END OF THIS PROJECT GUTENBERG EBOOK THE SOUL OF GOLF ***
-
-***** This file should be named 41149.txt or 41149.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/1/1/4/41149/
-
-Produced by Greg Bergquist, JoAnn Greenwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+*** END OF THE PROJECT GUTENBERG EBOOK 41149 ***
diff --git a/41149-8.txt b/41149-8.txt
deleted file mode 100644
index a9dda02..0000000
--- a/41149-8.txt
+++ /dev/null
@@ -1,12343 +0,0 @@
-The Project Gutenberg EBook of The Soul of Golf, by Percy Adolphus Vaile
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: The Soul of Golf
-
-Author: Percy Adolphus Vaile
-
-Release Date: October 23, 2012 [EBook #41149]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE SOUL OF GOLF ***
-
-
-
-
-Produced by Greg Bergquist, JoAnn Greenwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-
-
-
- THE SOUL OF GOLF
-
-
- MACMILLAN AND CO., LIMITED
-
- LONDON · BOMBAY · CALCUTTA
- MELBOURNE
-
- THE MACMILLAN COMPANY
-
- NEW YORK · BOSTON · CHICAGO
- DALLAS · SAN FRANCISCO
-
- THE MACMILLAN CO. OF CANADA, LTD.
-
- TORONTO
-
-
-
-
- [Illustration: GEORGE DUNCAN
-
- The famous young Hanger Hill professional, one of the finest
- golfers, and probably the best golf coach, in the world.]
-
-
-
-
- THE SOUL OF GOLF
-
- BY
-
- P. A. VAILE
-
- AUTHOR OF 'MODERN GOLF,' 'MODERN LAWN TENNIS,'
- 'SWERVE, OR THE FLIGHT OF THE BALL,' ETC.
-
- _WITH ILLUSTRATIONS_
-
- MACMILLAN AND CO., LIMITED
-
- ST. MARTIN'S STREET, LONDON
-
- 1912
-
-
- COPYRIGHT
-
-
- TO
-
- PHILIP REGINALD THORNTON
-
- MY CO-WORKER IN IMPERIAL POLITICS
-
-
-
-
-PREFACE
-
-
-It is frequently and emphatically asserted by reviewers of golf books
-that golf cannot be learned from a book. If they would add "in a room"
-they would be very near the truth--but not quite. It would be quite
-possible for an intelligent man with a special faculty for games, a
-good book on golf, and a properly equipped practising-room to start
-his golfing career with a game equal to a single figure handicap.
-
-As a matter of fact the most important things concerning golf may be
-more easily and better learned in an arm-chair than on the links. As a
-matter of good and scientific tuition the arm-chair is the place for
-them. In both golf and lawn tennis countless players ruin their game
-by thinking too much about how they are playing the stroke _while they
-are doing it_. That is not the time to study first principles. Those
-should have been digested in the arm-chair, where indeed, as I have
-already said and now repeat with emphasis, the highest, the most
-scientific, and the most important knowledge of golf _must_ be
-obtained. There is no time for it on the links, and the true golfer
-has _no time_ for the man who tries to get it there, for he is
-generally a dreary bore.
-
-Moreover, the man who tries to get it on the links is in trouble from
-the outset, for in golf he is faced with a mass of false doctrine
-associated with the greatest names in the history of golf, which is
-calculated, an he follow it, to put him back for years, until indeed
-he shall find the truth, the soul of golf.
-
-This book is in many ways different from any book concerning golf
-which has ever been published. It assumes on the part of the reader a
-certain amount of knowledge, and it essays to bring back to the truth
-those who have been led astray by the false teaching of the most
-eminent men associated with the game, teaching which they do not
-themselves practise. At the same time it seeks to impart the great
-fundamental principles, without which even the beginner must be
-seriously handicapped.
-
-It does not concern itself with showing how the golfer must play
-certain strokes. That certainly may be done better on the links than
-in the smoking-room; but it concerns itself deeply with those things
-which every golfer who wishes really to know golf, should have stowed
-away in his mind with such certainty and familiarity that he ceases
-almost to regard them as knowledge, and comes to use them _by habit_.
-
-When the golfer gets into this frame of mind, and not until then, will
-he be able to understand and truly appreciate the meaning and value of
-"the soul of golf."
-
-This he will never do by following the predominant mass of false
-teaching. This book is a challenge, but it is not a question of Vaile
-against Vardon, Braid, Taylor, Professor Thomson, and others. The
-issue is above that. It is a question of truth or untruth. Nothing
-matters but the truth. It rests with the golfing world to find out for
-itself which is the truth. This it can do with comfort in its
-arm-chair, and afterwards it can with much enhanced comfort, almost
-insensibly, weave that truth into the fabric of its game, and so
-through sheer practice, born of the purest and highest theory--for
-there is no other way--come to the soul of golf.
-
-
-
-
-CONTENTS
-
-
- CHAP. PAGE
-
- PREFACE vii
-
- I. THE SOUL OF GOLF 1
-
- II. THE MYSTERY OF GOLF 15
-
- III. PUTTING 47
-
- IV. THE FALLACIES OF GOLF 95
-
- V. THE DISTRIBUTION OF WEIGHT 117
-
- VI. THE POWER OF THE LEFT 140
-
- VII. THE FUNCTION OF THE EYES 162
-
- VIII. THE MASTER STROKE 178
-
- IX. THE ACTION OF THE WRISTS 202
-
- X. THE FLIGHT OF THE GOLF BALL 222
-
- XI. THE GOLF BALL 283
-
- XII. THE CONSTRUCTION OF CLUBS 316
-
- XIII. THE LITERATURE OF GOLF 334
-
- AFTERWORD 350
-
- INDEX 353
-
-
-
-
-ILLUSTRATIONS
-
-
- PLATE FACE PAGE
-
- GEORGE DUNCAN _Frontispiece_
-
- I. HARRY VARDON'S GRIP 16
-
- II. HARRY VARDON. STANCE AND FRONTAL ADDRESS IN SHORT PUT 38
-
- III. HARRY VARDON AT THE TOP OF HIS SWING 60
-
- IV. HARRY VARDON AT THE TOP OF HIS SWING IN THE DRIVE 82
-
- V. J. H. TAYLOR AT THE TOP OF HIS SWING IN THE DRIVE 104
-
- VI. HARRY VARDON. THE FINISH OF HIS DRIVE 124
-
- VII. HARRY VARDON. THE FINISH OF THE DRIVE 146
-
- VIII. EDWARD RAY. FINISH OF DRIVE 168
-
- IX. JAMES BRAID. FINISH OF STROKE 190
-
- X. HARRY VARDON. FINISH OF A DRIVE 212
-
- XI. JAMES BRAID. FINISH OF DRIVE 234
-
- XII. GEORGE DUNCAN. A CHARACTERISTIC FINISH 256
-
- XIII. J. SHERLOCK. STANCE AND ADDRESS FOR IRON-SHOT 278
-
- XIV. J. SHERLOCK. TOP OF SWING IN IRON-SHOT 304
-
- XV. J. SHERLOCK. FINISH OF IRON-SHOT 330
-
-
-
-
-CHAPTER I
-
-THE SOUL OF GOLF
-
-
-Nearly every one who writes about a game essays to prove that it is
-similar to "the great game, the game of life." Golf has not escaped;
-and numberless scribes in endeavouring to account for the fascination
-of golf have used the old threadbare tale. As a matter of fact, golf
-is about as unlike the game of life as any game could well be. As
-played now it has come to be almost an exact science, and everybody
-knows exactly what one is trying to do. This would not be mistaken for
-a description of the game of life. In that game a man may be
-hopelessly "off the line," buried "in the rough," or badly "bunkered,"
-and nobody be the wiser. It is not so in golf. There is no double life
-here. All is open, and every one knows what the player is striving
-for. The least deflection from his line, and the onlooker knows he did
-not mean it. It is seen instantly. In that other game it may remain
-unseen for years, for ever.
-
-Explaining the fascination of anything seems to be a thankless kind of
-task, and in any case to be a work of supererogation. The fascination
-should be sufficient. Explaining it seems almost like tearing a violet
-to pieces to admire its structure; but many have tried, and many have
-failed, and there are many who do not feel the fascination as they
-should, because they do not know the soul of golf. One cannot
-appreciate the beauty of golf unless one knows it thoroughly.
-
-Curiously enough, many of our best players are extremely mechanical in
-their play. They play beautiful and accurate shots, but they have no
-idea how or why they produce them; and the strange thing about it is
-that although golf is perhaps as mechanical a game as there is, those
-who play it mechanically only get the husk of it. They miss the soul
-of the game.
-
-Golf is really one of the simplest of outdoor games, if not indeed the
-simplest, and it does not require much intelligence; yet it is quite
-one of the most difficult to play well, for it demands the greatest
-amount of mechanical accuracy. This, on consideration, is apparent.
-The ball is the smallest ball we use, the striking face of the club is
-the smallest thing used in field sports for hitting a ball, and, most
-important, perhaps, of all, it is farther away from the eye than any
-other ball-striking implement, except, perhaps, the polo stick, in
-which game we, of course, have a much larger ball and striking
-surface.
-
-In all games of skill, and in all sports where the object is
-propelling anything to a given point, one always tries, almost
-instinctively, to get the eye as much in a line with the ball or
-missile and the objective point as possible. This is seen in throwing
-a stone, aiming a catapult, a gun, or an arrow, in cueing at a
-billiard ball, and in many other ways, but in golf it is
-impracticable. The player must make his stroke with his eye anywhere
-from four to six feet away from his little club face. One may say that
-this is so in hockey, cricket, and lawn-tennis. So, in a modified
-degree, it is, but the great difference is that in all these games
-there is an infinitely larger margin of error than there is in golf.
-At these games a player may be yards off his intended line and yet
-play a fine stroke, to the applause of the onlookers; while he alone
-knew that it was accident and not design.
-
-The charm of golf is in part that its demand is inexorable. It lays
-down the one path--the straight one. It must be followed every step,
-or there is trouble.
-
-Then there is in golf the sheer beauty of the flight of the ball, and
-the almost sensuous delight which comes to the man who created that
-beauty, and knows how and why he did it. There is at any time beauty
-in the flight of a golf ball well and plainly driven; but for grace
-and the poetry of flight stands alone the wind-cheater that skims away
-from one's club across the smooth green sward, almost clipping the
-daisies in its flight ere it soars aloft with a swallow-like buoyancy,
-and, curving gracefully, pitches dead on the green.
-
-Many a man can play that stroke. Many a man does. Not one in fifty
-knows how he puts the beauty into his stroke. Not one in fifty would
-be interested if you were to start telling him the scientific reason
-for that ball's beautiful flight. "The mechanics of golf" sounds hard
-and unromantic, yet the man who does not understand them suffers in
-his game and in his enjoyment of it. That wind-cheater was to him,
-during its flight through the air, merely a golf ball; a golf ball
-'twas and nothing more. To the other man it is a faithful little
-friend sent out to do a certain thing in a certain way, and all the
-time it is flying and running it is sending its message back to the
-man who can take it--but how few can? They do not know what the soul
-of golf means. So, when our golfer pulls or slices his ball badly, and
-then--does the usual thing, he cannot take the message that comes back
-to him. He only knows the half of golf, and he does not care about
-the other, because he does not know what he is missing. He is like a
-man who is fond of music but is tune-deaf. There are many such. He may
-sit and drink in sweet sounds and enjoy them, but he misses the linked
-sweetness and the message which comes to his more fortunate brother
-who has the ear--and the knowledge.
-
-There is in England a curious idea that directly one acquires a
-scientific knowledge of a game one must cease to have an interest in
-it so full as he who merely plays it by guesswork. There can be no
-greater mistake than this. If a game is worth playing well, it is
-worth knowing well, and knowing it well cannot mean loving it less. It
-is this peculiar idea which has put England so much in the background
-of the world's athletic field of late years. We have here much of the
-best brawn and bone in the world, but we must give the brain its
-place. Then will England come to her own again.
-
-England is in many ways paying now for her lack of thoroughness in
-athletic sports. Time was when it was a stock gibe at John Bull's
-expense that he spent most of his time making muscle and washing it.
-Then it was, I am afraid, sour grapes. England had all the
-championships. The joke is "off" now. The grapes are no longer sour.
-The championships are well distributed throughout the world--anywhere
-but in England; and we say it does not matter; that the chief end of
-games is not winning them. Nor is it; but we did not talk like that
-when we _were_ winning them, and the trouble is not so much that we
-are losing, as the manner in which we are losing. The fact is that we
-are losing because our players do not, in many sports, know the soul
-of the game. The ideal is lost in the prosaic grappling for cups or
-medals, in the merely vulgar idea of success. Thus it comes to pass
-that many will not be content to get to the soul of a game in the
-natural way, by long and loving familiarity with it.
-
-Hordes of people are joining the ranks of the golfers, and their
-constant cry is, "Teach me the swing," and after a lesson or two at
-the wrong end of golf, for a beginner, they go forth and cut the
-county into strips and think they are playing golf. Is it any wonder,
-when our links are cumbered with such as these, that those who have
-the soul of golf are in imminent daily peril of losing their own?
-
-One who would know the soul of golf must begin even as would one who
-will know the soul of music. There is no more chance for one to gather
-up the soul of golf in a hurry than there is for that same one to
-understand Wagner in a week.
-
-It is this vulgar rushing impatience to be out and doing while one is
-still merely a nuisance to one's fellows, which causes so much
-irritation and unpleasantness on many links; that prevents many from
-starting properly, and becoming in due course quite good players; for
-it is manifest that the "rusher" is starting to learn his game upside
-down, as, indeed, most professionals and books teach it. There can be
-no doubt that the right way to teach anything is to give the beginner
-the easiest task at first. About the easiest stroke in golf is a
-six-inch put. That is where one should start a learner. The drive is
-the stroke in golf that offers the greatest possibility of error, so
-he is always started with it. It is his own fault. "Teach me the
-swing" is the insistent cry of the beginner, who does not know that he
-is losing the best part of golf by turning it upside down. He will
-never enjoy it so much, or play so good and confident a game as he
-would were he to work his way gradually and naturally from his putter
-to his mashie, to his niblick, his iron, his cleek, his brassy, and
-his driver. Such a one may come to an intimate knowledge and love of
-the game. The rusher may play golf, but it will be a long time before
-he gets to the soul of the game.
-
-A very good golfer in reviewing a golf book some time ago stated that
-he did not care in the least what happened while the ball was in the
-air, that all he cared about was getting it there. He has played golf
-since he was five years old, but he has clearly missed the soul of the
-game.
-
-It is not necessary to dilate upon the wonderful spread of golf
-throughout the world. An industrious journalist some time ago marked a
-map of England wherever there was a golf club. It looked as though it
-had been sprinkled with black pepper. It is not hard to understand
-this marvellous increase in the popularity of the great game, for golf
-is undoubtedly a great game. The motor has, unquestionably, played a
-great part in its development. Many of the courses, particularly in
-the United Kingdom, are most beautifully situated. Many of the
-club-houses are models of comfort, and some of them are castles. The
-game itself is suitable for the octogenarian dodderer who merely wants
-to infuse a little interest into his morning walk, or it may be turned
-into a severe test of endurance for the young athlete; so no wonder it
-prospers.
-
-There is a wonderful freemasonry among golfers. This is not the least
-of the many charms of the game, and to him who really knows it and
-loves it as it deserves to be loved, the sign of the club is a
-passport round the world.
-
-Many a time and oft I see golfing journalists, when writing about the
-game, stating that something "is obvious." It has always seemed to me
-that it is impossible to say what is obvious to anyone in a game of
-golf. Writing of George Duncan, the famous young professional golfer,
-during the first half of the big foursome at Burhill, a great sporting
-paper said that a certain mashie shot was a "crude stroke." The man
-who wrote that article did not know the soul of golf. He saw the
-mashie flash in the air, some turf cut away, and a ball dropping on to
-the green. Just that and nothing more, and it was "obvious" to him
-that it was a crude stroke.
-
-One who knew the soul of golf saw it and described it. It was a tricky
-green, with a drop of twenty feet behind it. To have overrun it would
-have been fatal. There was a stiff head-wind. The player would not
-risk running up. He cut well in under the ball to get all the
-back-spin he could. He pitched the ball well up against the wind,
-which caught it and, on account of the spin, threw it up and up until
-it soared almost over the hole, then it dropped like a shot bird about
-a yard from the hole, and the back-spin gripped the turf and held the
-ball within a foot of where it fell. It was obvious to one man that it
-was a crude shot. It was equally obvious to another, who knew the
-inner secrets of the game, that it was a brilliantly conceived and
-beautifully executed stroke. One man saw nothing of the soul of the
-stroke. He got the husk, and the other took the kernel.
-
-Much has been made of the assumption that golf is the greatest
-possible test of a man's temperament. This has to a great extent, I am
-afraid, been exaggerated. It is one of those things in connection with
-the game that has been handed down to us, and which we have been
-afraid to interfere with. I cannot see why this claim should be
-quietly granted. In golf a man is treated with tragic solemnity while
-he is making his stroke. A caddie may not sigh, and if a cricket
-chirped he would be considered a bounder. How would our golfer feel if
-he had to play his drive with another fellow waving his club at him
-twenty or thirty feet away, and standing ready to spoil his shot?--yet
-that is what the lawn-tennis player has to put up with. There is a
-good deal of exaggeration about this aspect of golf, even as there is
-a good deal of nonsense about the interference of onlookers. What can
-be done by one when one is accustomed to a crowd may be seen when one
-of the great golfers is playing out of a great V formed by the
-gallery, and, needless to say, playing from the narrow end of it. Golf
-is a good test of a man's disposition without doubt, but as a game it
-lacks one important feature which is characteristic of every other
-field sport, I think, except golf. In these the medium of conflict is
-the same ball, and the skill of the opposing side has much to do with
-the chances of the other player or players. In golf each man plays his
-own game with his own ball, and the only effect of his opponent's play
-on his is moral, or the luck of a stymie. Many people consider this a
-defect; but golf is a game unto itself, and we must take it as it is.
-Certainly it is hard enough to achieve distinction in it to satisfy
-the most exacting.
-
-When one writes of the soul of golf it sounds almost as though one
-were guilty of a little sentimentality. As a matter of fact, it is the
-most thorough practice which leads one to the soul of golf. Many a
-good professional can produce beautiful shots, such as the
-wind-cheater and the pull at will, but he cannot explain them to you;
-and no professional ever has explained clearly in book or elsewhere
-what produces these beautiful shots.
-
-A famous professional once asked me quite simply, "How do I play my
-push-shot, Mr. Vaile?" I explained the stroke to him. He is as good a
-sportsman as he is a golfer, and would be ashamed to pretend to a
-knowledge which he has not. When I had told him, he said, "Thank you.
-Of course, I can play it all right, but I never could understand why
-it went like that. Now I shall be able to explain it better to my
-pupils."
-
-Now it may in some measure sound incongruous, but I repeat that unless
-one knows the mechanics of golf one has missed the soul of the game.
-It is simply an impossibility for the blind ball-smiter to get such
-joy and gratification from his game as does the man who from his
-superior knowledge has produced results which are in themselves worth
-losing the game for. Many a golfer, or one who would like to be a
-golfer, will wonder at this. Many a game at billiards has been lost
-for the poetry of a fascinating cannon when the win was not the main
-object of the game; but in this respect billiards and golf are not
-alike. One is not, in golf, penalised for putting the soul and the
-poetry of the game into his shots, for they come of practice, and
-simply render one's strokes more perfect than they would otherwise be.
-So in the end it will be found that he who knows the game most
-thoroughly will have an undoubted advantage.
-
-Therefore it behoves every golfer to strive for the soul of golf.
-
-And now, as we must for a little while leave the soul of golf, let us
-consider its body, that great solid, visible portion which is the part
-that appeals most forcibly to the ordinary golfer. It is this to which
-the attention of players and writers has been most assiduously
-directed for centuries, yet it is safe to say that no game in the
-whole realm of sport has been so miswritten and unwritten as golf.
-
-This is very strange, for probably there is no other game that is so
-canvassed and discussed by its followers. The reason may possibly be
-found in the fact that golfers are a most conservative class of
-people, and that they follow wonderfully the line of thought laid down
-for them by others. This at its best is uninteresting; at its worst
-most pernicious.
-
-Another contributing cause is the manner in which books on sport are
-now produced. A great name, an enterprising publisher, and a
-hack-writer are all that are now required. The consequence is that the
-market is flooded with books ostensibly by leading exponents of the
-different sports, but which are, in many cases, written by men who
-know little or nothing of the subject they are dealing with. The
-natural result is that the great players suffer severely in
-"translation," and their names are frequently associated with quite
-stupid statements,--statements so foolish that one, knowing how these
-things are done, refrains from criticising them as they deserve, from
-sympathy with the unfortunate alleged author, who is probably a very
-good fellow, and quite innocent of the fact that the nonsense alleged
-to be his knowledge is ruining or retarding the game of many people.
-This is a most unscrupulous practice, which should be exposed and
-severely condemned, for it must not be thought that it is confined to
-any one branch of sport.
-
-While we are dealing with the slavish following of the alleged thought
-of the leading golfers of the world, we may with advantage consider a
-few of the most pronounced fetiches which have been worshipped almost
-from time immemorial, fetiches which are the more remarkable in that
-they receive mental and theoretical worship only, and are, in actual
-practice, most severely despised and disregarded by the best players;
-but unfortunately the neophyte worships these fetiches for many years
-until he discovers that they are false gods.
-
-Perhaps one of the silliest, and for beginners most disastrous, is the
-ridiculous assertion that putters are born, not made. In the book of a
-very famous player I find the following words:--
-
- It happens, unfortunately, that concerning one department of
- the game that will cause the golfer some anxiety from time to
- time, and often more when he is experienced than when he is
- not, neither I nor any other player can offer any words of
- instruction such as, if closely acted upon, would give the
- same successful results as the advice tendered under other
- heads ought to do. This is in regard to putting.
-
-Now this idea is promulgated in many books. It is, in my opinion, the
-most absolute and pernicious nonsense. The best answer to it is the
-fact that the writer of the words was himself one of the worst
-putters, but that by careful study and alteration of his defective
-methods, he became a first-class performer on the green. Also it will
-be obvious to a very mean intelligence that there is no branch of golf
-which is so capable of being reduced to a mechanical certainty as is
-putting.
-
-The importance of removing this stupid idea will be more fully
-appreciated when one remembers that quite half the game of golf is
-played on the green, leaving the other half to be distributed among
-all the other clubs. It is well to emphasise this. A good score for
-almost any eighteen-hole course is 72. The man who can count on
-getting down in an average of 2 is a very good putter. Many
-professionals would throw away their putters if they were allowed to
-consider it down in 2 every time. This gives us 36 for puts. With this
-before us we cannot exaggerate the pernicious effect of the false
-doctrine which says that putting cannot be taught, that a man must
-just let his own individuality have full play, and similar nonsense;
-whereas the truth is that one might safely guarantee to convert into
-admirable putters many men who, from their conformation and other
-characteristics, would be almost hopeless as golfers. I must emphasise
-the fact that there is no department of the game which is so important
-as putting; there is no department of the game more capable of being
-clearly and easily demonstrated by an intelligent teacher; and there
-is no department of the game wherein the player may be so nearly
-reduced to that machine-like accuracy which is the constant demand,
-and no small portion of the charm, of golf.
-
-Another very widely worshipped fetich, which has been much damaged
-recently, is the sweep in driving a ball. Trying "to sweep" his ball
-away for two hundred yards has reduced many a promising player to
-almost a suicidal frame of mind. Fortunately the fallacy soon
-exasperates a beginner, and he "says things" and "lets it have it."
-Then the much-worshipped "sweep" becomes a hit, sometimes a very
-vicious one, and the ball goes away from the club as it was meant to.
-It is becoming more widely recognised every day that the golf-drive is
-a hit, and a very fine one--when well played.
-
-Perhaps the most pernicious fetich which has for many years held sway
-in golf, until recently somewhat damaged, is that the left arm is the
-more important of the two--that it, in fact, finds the power for the
-drive. Anything more comical is hard to imagine. There is practically
-nothing in the whole realm of muscular exertion, from wood-chopping to
-golf, wherein both arms are used, that is not dominated by the right,
-yet golfers have for generations quietly accepted this fetich, and it
-has ruined many a promising player. The votaries of this fetich must
-surely find one thing very hard to explain. If we admit, for the sake
-of argument, that the left arm is the more important, and that it
-really has more power and more influence on the stroke than the right,
-can they explain why the left-handed players, who have been provided
-by a benevolent providence with so manifest an advantage, tamely
-surrender it and convert their left hand into the right-handed
-players' right by giving it the lower position on the shaft? If this
-idea of the left hand and arm being the more important is correct,
-left-handed players would use right-hand clubs and play like a
-right-handed player, with the manifest advantage of being provided by
-nature with an arm and hand that fall naturally into the most
-important position. I think that this consideration of the subject
-will give those who put their faith in the fetich of the left,
-something to explain.
-
-Almost from time immemorial it has been laid down by golfing writers
-that at the top of the swing the golfer must have his weight on his
-right leg. A study of the instantaneous photographs of most of the
-famous players will show conclusively that this is not correct. It is
-expressly laid down that it is fatal to sway, to draw away from one's
-ball during the upward swing; the player is specially enjoined on no
-account to move his head. A very simple trial will convince any
-golfer, even a beginner, that without swaying, without drawing his
-head away from the hole, he cannot possibly, if swinging correctly,
-put his weight on his right leg, and that at the top of his swing it
-must be mainly on his left--and so another well-worn belief goes by
-the board.
-
-So it is with the exaggerated swing which for so many years dominated
-the minds of aspiring golfers to such an extent that many of them
-thought more of getting the swing than of hitting the ball. It is
-slowly but surely going.
-
-The era of new thought in golf has dawned. It will not make the game
-less attractive. It will not make it any more exacting, for the higher
-knowledge cannot become an obsession. It sinks into a man, and he
-scarcely thinks of it as something beyond the ordinary game. It brings
-him into closer touch with the best that is in golf. He is able to
-obtain more from it than he could before. He is able to do more than
-he could formerly, for a man cannot get to the soul of golf except
-through the body, and love he not the body with the love of the truest
-of true golfers he will never know the soul.
-
- This chapter originally appeared in _The Fortnightly Review_
- in the United Kingdom, and in _The North American Review_ in
- the United States of America.
-
-
-
-
-CHAPTER II
-
-THE MYSTERY OF GOLF
-
-
-There is no such thing as "the mystery of golf." One might reasonably
-ask, "If there is no such thing as 'the mystery of golf,' why devote a
-chapter to it?" But "the mystery of golf" should really be written
-"the mystery of the golfer," for the simple reason that the golfer
-himself is responsible for all the mystery in golf--in short, "the
-mystery of golf" may briefly be defined as the credulity of the
-golfer. Notwithstanding this, at least one enterprising man has
-produced a book entirely devoted to elucidating the alleged mystery of
-golf, wherein, quite unknown to himself, he proves most clearly and
-conclusively the truth of my opening statement in this chapter, that
-the mystery of golf is merely the credulity of the golfer; but of that
-anon.
-
-There really is no mystery whatever about the game of golf. It is one
-of the simplest of games, but unquestionably it is a game which is
-very difficult to play well, a game which demands a high degree of
-mechanical accuracy in the production of the various strokes. It is
-apparent from the nature of the implements used in the game that this
-must be so. All the foolishness of nebulous advice, and all the quaint
-excuses which have been gathered together under the head of "the
-mystery of golf," are simply weak man's weaker excuses for his want
-of intelligence and mechanical accuracy. Until the golfer fully
-understands and freely acknowledges this, he is suffering from a very
-severe handicap. If, when he addresses his ball, he has firmly
-implanted in his mind the idea that he is in the presence of some
-awesome mystery, there is very little doubt that he will do his level
-best to perform his part in the mystery play.
-
-We do not read anywhere of the mystery of lawn-tennis, the mystery of
-cricket, the mystery of marbles, squash racquets, or ping-pong. There
-are no mysteries in these games any more than there are in golf, and
-the plain fact is that the demand of golf is inexorable. It insists
-upon the straight line being followed, and the man who forsakes the
-straight line is immediately detected. In no game, perhaps, is the
-insistent demand for direction so inexorable as in golf. Perhaps also
-in no game is that demand so frequently refused, and, naturally, the
-erring golfer wishes to excuse himself. It is useful then for him to
-be told of the mysteries of golf--the wonderful mysteries, the
-psychological difficulties, the marvellous cerebration, the incredibly
-rapid nerve "telegraphing," and the wonderful muscular complications
-which take place between the time that he addresses the ball and hits
-it, or otherwise.
-
-Now, as a matter of fact, this is all so much balderdash, so much
-falseness, so much artificial and indeed almost criminal nonsense. It
-would indeed almost seem as if the people who write this kind of stuff
-are in league with the greatest players of the world, who write as
-instructions for the unfortunate would-be golfer things which they
-themselves never dreamed of doing--things which would quite spoil the
-wonderful game they play if they did them.
-
- [Illustration: PLATE I. HARRY VARDON'S GRIP
-
- Showing the overlapping of the first finger of the left hand
- by the little finger of the right. This is now the orthodox
- grip.]
-
-If there may be said to be any mystery whatever about golf, it is
-that in such an ancient and simple game there has grown up around it
-such a marvellous mass of false teaching, of confused thought, and of
-fantastic notions. No game suffers from this false doctrine and
-imaginative nonsense to the same extent as does golf. It is
-magnificently played. We have here in England the finest exponents of
-the game, both amateur and professional, in the world. If those men
-played golf as they tell others by their printed works to play it, I
-should have another story to tell about their prowess on the links.
-
-Golf, in itself, is quite sufficiently difficult. It is quite
-unnecessary to give the golfer, or the would-be golfer, an additional
-handicap by instilling it into his mind that golf is any more
-mysterious than any other game which is played. The most mysterious
-thing about golf is that those who really ought to know most about it
-publish broadcast wrong information about the fundamental principles
-of the game. Innocent players follow this advice, and not unnaturally
-they find it tremendously difficult to make anything like adequate
-progress. Naturally, when some one comes along and explains to them in
-lengthy articles, or may be in a book, about the psychological
-difficulties and terrific complications of golf, they are pleased to
-fasten on this stuff as an excuse for their want of success, whereas
-in very truth the real explanation lies simply in the fact that they
-are violating some of the commonest and simplest laws of mechanics.
-
-Here, indeed, I might almost be forgiven if I went back on what I have
-said about the mystery of golf, and produced, on my own account, that
-which is to me an outstanding mystery, and labelled it "the mystery of
-golf." This really is to me always a mystery, but I should not be
-correct in calling it "the mystery of golf," for it is more correctly
-described as the simplicity of the golfer. This mystery is that
-practically every writer about golf, and nearly every player, seems to
-labour under the delusion that there is a special set of mechanical
-laws for golf, that the golf ball flying through the air is actuated
-by totally different influences and in a totally different manner from
-the cricket ball, the ping-pong ball, or the lawn-tennis ball when
-engaged in a similar manner. That is bad enough, but the same
-delusions exist with regard to the conduct of the ball on the green.
-
-Now it is impossible to speak too plainly about this matter, because I
-want at the outset to dispel the illusion of the mystery of golf.
-There is no special set of mechanical laws governing golf. Golf has to
-take its place with all other games, and the mechanical laws which
-govern the driving of a nail, a golf ball, or a cricket ball are fixed
-and immutable and well known, so that it is quite useless for any one
-to try to explain to intelligent persons that there is any mystery in
-golf or the production of the golfing strokes beyond that which may be
-found in other games. Some people might think that I labour this
-point. It is impossible to be too emphatic at the outset about it, for
-the simple reason that it is bad enough for the golfer to have to
-think at the moment of making his stroke about the things which
-actually do matter. If we are going to provide him with phantoms as
-well as solid realities to contend with, he will indeed have a sorry
-time. As a matter of fact, about seven-tenths of the bad golf which is
-played is due to too much thinking about the stroke _while the stroke
-is being played_. The golf stroke in itself may be quite easily
-learned; I mean the true golf stroke, and not the imaginary golf
-stroke, which has been built up for the unfortunate golfer by those
-who never played such a stroke themselves, and by those who write of
-the mystery of golf; but it is an absolute certainty that the time for
-thinking about the golf stroke, and how it shall be played, _is not
-when one is playing the stroke_.
-
-As a matter of fact the golf stroke is in some respects a complicated
-stroke. Certain changes of position in the body and arms take place
-with extreme rapidity during the execution of the stroke. It is an
-utter impossibility for any man to think out and execute in proper
-order the component parts of a well-executed drive during his stroke.
-When a man addresses his ball he should have in his mind but the one
-idea--he has to hit that ball in such a manner as to get it to the
-place at which he wants it to arrive; but between the time of his
-address and the time that the ball departs on its journey his action
-should be, to use a much-hackneyed but still expressive word,
-practically sub-conscious; in fact, the way he hit that ball should be
-regulated by habit. If the result was satisfactory--well and good. If
-otherwise, he may analyse that shot in his armchair later on; but when
-once one has addressed the ball it is absolutely fatal to good golf to
-indulge in speculation as to how one is going to hit that ball, and if
-to that speculation one adds a belief in what is called "the mystery
-of golf," one had better get right away back to marbles at once,
-because it is a certainty that any one who believes in nonsense of
-this sort and practises it can never be a golfer.
-
-The bane of about eighty-five per cent of golfers is a pitiful attempt
-to cultivate style. The most contemptible man at any game is the
-stylist. The man who cultivates style before the game is not fit to
-cumber any links. Every man should strive to produce his stroke in a
-mechanically perfect manner. A good style is almost certain to follow
-when this is done. Style as the result of a game produced in a
-mechanically perfect manner is most desirable, but style without the
-game is simply despicable. One sometimes sees misguided golfers, or
-would-be golfers, practising their follow-through in a very theatrical
-manner. It should be obvious to a very mean intelligence that a
-follow-through is of no value whatever, except as the natural result
-of a correctly executed stroke. If the stroke has been correct up to
-the moment of impact, the follow-through will come almost as naturally
-as a good style will be born of correctly executed strokes.
-Self-consciousness is the besetting sin of the golfer. It is hardly
-too much to say that the ordinary golfer devotes, unfortunately, too
-much thought to himself and "the swing," and far too little to the
-thing that he is there for--namely, to hit the ball.
-
-In golf the player has plenty of time to spare in making his stroke,
-and he occupies too much of it in thinking about other things than the
-stroke. The essence of success at golf is concentration upon the
-stroke. The analysis has no right whatever to intrude itself on a
-man's mind until the stroke has been played. The inquest should not be
-held until the corpse is there. If this rule is followed, it will be
-found that the corpse is frequently wanting.
-
-Golf is a very ancient game. Lawn-tennis is an absolute parvenu by its
-side, and there are many other games which, compared with golf, are
-practically infants. Golf stands alone as regards false instruction,
-nebulous criticism, and utter disregard of the first principles of
-mechanics. I have always been at a loss to understand this. It is not
-as though golf had not been played and studied by some of the keenest
-intellects in the land. We have had, as we shall see later on, men of
-the highest scientific attainments devoting their attention to the
-game, writing about it, lecturing about it, publishing things about it
-which exist solely in their imagination. This truly may be called a
-mystery.
-
-I cannot leave the mystery of golf without giving some illustrations
-of the things which are published as instruction. For instance, I read
-lately that a good style results in good golf. This is the kind of
-thing which mystifies a beginner. The good style should be the result
-of the good golf, and not the golf of the style. I read elsewhere:
-
- As a matter of fact most of the difficulties in golf are
- mental, not physical, are subjective, not objective, are the
- created phantasms of the mind, not the veritable realities of
- the course.
-
-I find these things in Mr. Haultain's book entitled _The Mystery of
-Golf_.
-
-There is no game where there are fewer mental difficulties than in
-golf. The game is so extremely simple that it can practically be
-reduced to a matter of physical and mechanical accuracy. The mental
-demand in golf--provided always, of course, that the man who is
-addressing the ball knows what he wants to do--is extremely small and
-extremely simple. "The created phantasms of the mind" are supplied by
-fantastic writers who have proved for themselves that these phantasms
-are the deadliest enemies of good golf. In another place I read the
-following passage:
-
- You may place your ball how or where you like, you may hit it
- with any sort of implement you like; all you have to do is to
- hit it. Could simpler conditions be devised? Could an easier
- task be set? And yet such is the constitution of the human
- golfing soul that it not only fails to achieve it, but
- invents for itself multiform and manifold ifs and ans for not
- achieving it--ifs and ans, the nature and number of which
- must assuredly move the laughter of the gods.
-
-Probably this is meant to be satirical, but it is merely a libel on
-the great body of golfers. It is not the "human golfing soul" which
-"invents for itself multiform and manifold ifs and ans for not
-achieving it." He who invents these ifs and ans is the author of the
-ordinary golf book on golf, written ostensibly by some great player,
-and the "ifs and ans" most assuredly, if they do not "move the
-laughter of the gods," are sufficient to provoke the derision and
-contempt of the golfer who feels that nobody has a right to publish
-statements about a game which must act in a detrimental manner upon
-those who attempt to follow them.
-
-It is not the "human golfing soul" or the human golfing body which is
-so prone to error. Those who make the errors are those who essay to
-teach, and the time has now come for them to vindicate themselves or
-to stand back, to stand out of the way of the spread of truth; for one
-may be able to fool all the golfers some of the time and some of the
-golfers all the time, but it is a sheer impossibility to fool all the
-golfers all the time; and if the teaching which has obtained credence
-in the past were to be left unassailed, the result would be untold
-misery and discomfort to millions of golfers.
-
-It is for this reason that I am dealing in an early chapter with the
-alleged mystery of golf, for I want to make it particularly clear that
-in the vast majority of cases those who attempt to explain the mystery
-of golf proceed very much on the lines of the octopus and obscure
-themselves behind clouds of inky fluid which are generally as
-shapeless in their form and meaning as the matter given off by the
-uncanny sea-dweller. In fact, the ordinary attempt to explain the
-mystery of golf generally resolves itself into the writer setting up
-his own Aunt Sally, and even then exposing how painfully bad his aim
-is.
-
-Nearly every one who writes about golf claims for it that above all
-games it is the truest test of character, and in a degree unknown in
-any other game reveals the nature of the man who is playing it, and
-they proceed on this assumption to weave some of the most remarkable
-romances in connection with the simple and fundamental principles of
-the game. In the book under notice we are asked
-
- ... and yet why, _why_ does a badly-played game so upset a
- sane and rational man? You may lose at bridge, you may be
- defeated in chess, you may recall lost chances in football or
- polo; you may remember stupid things you did in tennis or
- squash racquets; you may regret undue haste in trying to
- secure an extra run or runs in cricket, but the mental
- depression caused by these is temporary and evanescent. Why
- do foozles in golf affect the whole man? Humph! It is no use
- blinking matters--say what the scoffers may--to foozle at
- golf, to take your eye off your ball, cuts down to the very
- deeps of the human soul. It does; there is no controverting
- that.... Perhaps this is why golf is worth writing about.
-
-It certainly is mysterious that any "sane and rational man" can write
-such stuff about golf. This is a fair sample of the kind of thing one
-gets from those who attempt to treat of golf from the physiological or
-psychological standpoint. I can hardly say too often that there is no
-such thing as the mystery of golf, any more than there is, in reality,
-such a thing as the soul of golf, but the mystery of golf is a
-meaningless and misleading term. The soul of golf means, in effect,
-the heart of golf--a true and loving understanding of the very core of
-the game.
-
-It would be bad enough if the persons essaying to explain the alleged
-mystery of golf knew the game thoroughly themselves, but, generally
-speaking, they do not--in the case under consideration, the writer
-himself admits that he is "a duffer." Now taking him at his own
-valuation, it does indeed seem strange that one whose knowledge of the
-game is admittedly insufficient, should attempt to explain to players
-the super-refinements of a game at which he himself is admittedly
-incompetent. It may seem somewhat cruel to press this point, but in a
-matter such as this we have to consider the greatest good of the
-greatest number, and we must not allow false sentiment to weigh with
-us in dealing with the work of anyone who publishes matter which may
-prejudicially affect the game of an immense body of people.
-
-The attempts to deal with the psychology and the physiology of golf
-are a mass of confused thought and illogical reasoning, but it is when
-the author proceeds to deal in any way with the practical side of golf
-that he shows clearly that his estimate of himself, at least in so far
-as regards his knowledge of the game, is not inaccurate. Let us take,
-for instance, the following passage. He says that William Park,
-Junior, has informed us that
-
- ... pressing, really, is putting in the power at the right
- time. You can hit as hard as you like if you hit accurately
- and at the right time, but the man who presses is the man who
- puts in the power too soon. He is in too great a hurry. He
- begins to hit before the club head has come anywhere near the
- ball.
-
-This quotation, I may say, is not from William Park's book, but is
-taken from the volume I am quoting, and the last sentence--"He begins
-to hit before the club head has come anywhere near the ball"--shows
-clearly that the author has no idea whatever of even a mechanical
-analysis of the golf stroke, for it is impossible to begin the hit too
-soon. The main portion of the power of the drive in golf is developed
-(as indeed anyone with very little consideration might know) _near the
-beginning of the downward swing_. This is so simple, so natural, so
-apparent to any one who knows the game of golf that I feel it is
-almost unnecessary to support the statement; but there are so many
-people who follow the game of golf, and are willing to accept as
-gospel any remarkable statement with regard to the game, that I may as
-well refer doubters to James Braid's book on _Advanced Golf_ wherein
-he shows clearly that anyone desiring to produce a proper drive at
-golf must be hard at it from the very beginning of the stroke. The
-author continues:
-
- If in the drive the whole weight and strength of the body,
- from the nape of the neck to the soles of the feet, are not
- transferred from body to ball, through the minute and
- momentary contact of club with ball, absolutely surely, yet
- swiftly--you top or you pull or you sclaff, or you slice, or
- you swear.
-
-It is almost unnecessary to tell any golfer that the whole weight of
-his body is not thrown at his golf ball, for this, in effect, would
-produce a terrific lunge and utterly destroy the rhythm of his stroke.
-
-Here is another remarkable passage--"and as to that mashie shot where
-you loft high over an abominable bunker and fall dead with a back-spin
-and a cut to the right on a keen and declivitous green--is there any
-stroke in any game quite so delightfully difficult as that?" and my
-answer is "Certainly not, for there is no such stroke in golf." When
-one puts a cut to the right or to the left, one has no back-spin on
-the ball. The back-spin is only got by following through after the
-ball in a downward direction, and as to a mashie approach with a cut
-to the right--well, the cut on a golf ball in a mashie stroke is in
-practical golf _always_ a cut to the left, which produces a run to the
-right. The shot as described by Mr. Haultain simply does not exist in
-golf. It probably is a portion of the mystery of golf which he has not
-yet solved.
-
-Then we are told
-
- ... not only is the stroke in golf an extremely difficult
- one--it is also an extremely complicated one, more especially
- the drive, in which its principles are concentrated. It is,
- in fact, a subtile combination of a swing and a hit, the
- "hit" portion being deftly incorporated into the "swing" just
- as the head of the club reaches the ball, yet without
- disturbing the regular rhythm of the motion.
-
-This again is another of the mysteries of golf, and a mystery purely
-of the inventive brain of the author. The drive in golf is played with
-such extreme rapidity that the duration of impact does not last more
-than one ten-thousandth of a second, yet we are asked to believe that
-the first portion of the stroke is a swing, but in, say, the
-five-thousandth of a second it is to be changed to a hit. Could the
-force of folly in alleged tuition go further than this?
-
-We now come to an absolutely fundamental error in the golf stroke, an
-error of a nature so important and far-reaching that if I can
-demonstrate it, any attempt on the part of its author to explain
-anything in connection with the golf stroke mechanically,
-physiologically, psychologically, logically, or otherwise, must
-absolutely fall to the ground. We are told "the whole body must turn
-on the pivot of the head of the right thigh bone working in the
-cotyloidal cavity of the _os innominatum_ or pelvic bone, the head,
-right knee and right foot remaining fixed, with the eyes riveted on
-the ball."
-
-Now, put into plain English this ridiculous sentence means that the
-weight of the body rests upon the right leg. It is such a fundamental
-and silly error, but nevertheless an error which is made by the
-greatest players in the world in their published works, that I shall
-not at the present moment deal with the matter, but shall refer to it
-again in my chapter on the distribution of weight, for this matter of
-the distribution of weight, which is of absolute "root" importance in
-the game of golf, has been most persistently mistaught by those whose
-duty it is to teach the game as they play it, so that others may not
-be hampered in their efforts to become expert by following false
-advice.
-
-Further on we are told, "in the upward swing the vertebral column
-rotates upon the head of the right femur, the right knee being fixed,
-and as the club head nears the ball the fulcrum is rapidly changed
-from the right to the left hip, the spine now rotating on the left
-thigh-bone, the left knee being fixed." Of course, I do not know on
-what principle the man who writes this is built, but it seems to me
-that he must have a spine with an adjustable end. None of the famous
-golfers, so far as I am aware, are able to shift their spines from one
-thigh bone to another. Moreover, to say that "the vertebral column
-rotates upon the head of the right femur" is merely childish
-unscientific nonsense, for it is obvious to any one, even to one who
-does not profess to explain the mystery of golf, that one's spine
-cannot possibly rotate within one, for to secure rotation of the spine
-it would be necessary for the body to rotate. This, it need hardly be
-pointed out, would be extremely inconvenient between the waggle and
-the moment when one strikes the ball.
-
-We are told that in the downward swing "velocity of the club in the
-descent must be accelerated by minute but rapid gradations." For one
-who is attempting to explain the mystery of golf there could not
-possibly be a worse word than "gradations." The author, in this
-statement, is simply following an old and utterly obsolete notion.
-There is no such thing as accelerating the speed by minute gradations.
-Quoting James Braid in _Advanced Golf_, from memory, he says that you
-must be "hard at it" from the very moment you start the stroke, and
-even if he did not say so, any golfer possessed of common sense would
-know that the mere idea of adding to the speed of his golf drive by
-"steps," which is what the word "gradations" implies, would be utterly
-futile. The futility of the advice is, however, emphasised when we are
-told that these gradations come from "orders not issued all at once,
-but one after another--also absolutely evenly and smoothly--at
-intervals probably of ten-thousandths of a second. If the curves are
-not precise, if a single muscle fails to respond, if the timing is in
-the minutest degree irregular--the stroke is a failure. No wonder it
-is difficult."
-
-It would indeed be no wonder that the golf drive is difficult if it
-really were composed as indicated, but, as a matter of fact, nothing
-of the sort takes place in the ordinary drive of a sane golfer. There
-is one command issued, which is "Hit the ball." All these other things
-which are supposed to be done by an incredible number of efforts of
-the mind are practically performed sub-consciously, and more by habit
-than by any complex mental directions. The drive in golf is not in any
-respect different from numerous other strokes in numerous other games
-in so far as regards the mental portion of it.
-
-Now so far as regards the complicated system of mental telegraphy
-which is claimed for golf in the production of the stroke, absolutely
-the same thing happens in practically every game, with the exception
-that in most other games the player is, so far as regards the
-production of his stroke, at a greater disadvantage than he is in
-golf, for he has nearly always a moving ball to play at and much less
-time wherein to decide how to play his stroke. In golf he has plenty
-of time to make up his mind as to how he will play his stroke, and the
-operation, to the normal golfer, in so far as regards the mental
-portion of it, is extremely simple. His trouble is that he has so much
-nonsense of this nature to contend with, so much false instruction to
-fight. If he were given a correct idea of the stroke he would have no
-difficulty whatever with regard to his "gradations."
-
-Braid has explicitly stated that this idea of gradually and
-consciously increasing the speed is a mistake, and I have always been
-especially severe on it as one of the pronounced fallacies of golf. I
-shall deal with it more fully in my chapter on "The Fallacies of
-Golf," but I may here quote Braid, who says:
-
- Nevertheless, when commencing the downward swing, do so in no
- gentle, half-hearted manner such as is often associated with
- the idea of gaining speed gradually, which is what we are
- told the club must do when coming down from the top on to the
- ball. It is obvious that speed will be gained gradually,
- since the club could not possibly be started off at its
- quickest rate. The longer the force applied to the down
- swing, the greater do the speed and momentum become. But this
- gradual increase is independent of the golfer, and he should,
- as far as possible, be unconscious of it. What he has to
- concern himself with is not increasing his speed gradually,
- but getting as much of it as he possibly can right from the
- top. No gentle starts, but hard at it from the top, and the
- harder you start the greater will be the momentum of the club
- when the ball is reached.
-
-Now this is emphatic enough, but it should not be necessary to quote
-James Braid to impress upon any golfer of average intelligence that
-this idea of consciously increasing his speed gradually as he comes
-down to the ball is the most infantile and injurious tuition which it
-is possible to impart. To encumber any player's mind with such utterly
-stupid doctrine is most reprehensible.
-
-As an illustration of how little the author of this book understands
-the true character of the golf stroke, I may quote him again. In a
-letter recently published over his signature he says: "Mind and
-muscle--both should act freely and easily _till the moment of impact_;
-then, perhaps, the mind should be concentrated, as the muscles must be
-contracted, to the utmost." Now this is such utterly fallacious
-doctrine that I certainly should not notice it were it not that this
-book, on account of its somewhat original treatment of the subject,
-has obtained a degree of notice to which I do not consider it
-entitled.
-
-This is so far from what really takes place in the drive at golf that
-I must quote James Braid from _Advanced Golf_, page 56. It will be
-seen from Braid's remarks that the whole idea of the golf drive from
-the moment the club starts on its downward course until the ball has
-been hit is that of supreme tension and concentration. It seems almost
-a work of supererogation to deal with a matter of such apparent
-simplicity, but when one sees matter such as that quoted published in
-responsible papers, one realises that in the interests of the game it
-is necessary to deal with statements which really, in themselves,
-ought to carry their own refutation.
-
-Braid says: "Look to it also that the right elbow is kept well in
-control and fairly close to the side in order to promote tension at
-the top." Again at page 57 he says: "Now for the return journey. Here
-at the top the arms, wrists, body--all are in their highest state of
-tension. Every muscle and joint in the human golfing machinery is
-wound up to the highest point, and there is a feeling that something
-must be let go at once." On page 58 we read again: "No gentle starts,
-but hard at it from the very top, and the harder you start the greater
-will be the momentum of the club when the ball is reached." At page 60
-again: "Keep the body and wrist under tension a little longer." At
-page 61 we read:
-
- Then comes the moment of impact. Crack! Everything is let
- loose, and round comes the body immediately the ball is
- struck, and goes slightly forward until the player is facing
- the line of flight.
-
- If the tension has been properly held, all this will come
- quite easily and naturally. The time for the tension is over
- and it is allowed its sudden and complete expansion and quick
- collapse. That is the whole secret of the thing--the bursting
- of the tension at the proper moment--and really there is very
- little to be said in enlargement of the idea.
-
-Now here it will be seen that Braid's idea, which is undoubtedly the
-correct one, is that the golfer's muscles, and it follows naturally
-also his mind, are in a state of supreme tension until the moment of
-impact, _when that tension is released_. On the other hand, we are
-told by our psychologist that the moment which Braid says is the
-moment of the collapse of the tension is the moment for introducing
-tension and concentration. The statement is, of course, an extremely
-ridiculous one, especially coming, as it does, from one who presumes
-to deal with the psychology and physiology of golf, because nothing
-could be further from the truth than the statement made by him. It
-proves at the very outset that he has not a correct idea of the golf
-stroke, and therefore any attempt by him to explain the psychology of
-golf, if golf may be said to have such a thing as a psychology, is
-worthless.
-
-Our author has also explained how, in the downward swing, the speed of
-the club is increased by extremely minute gradations. I have elsewhere
-referred to this fallacy, but the matter is so important that I shall
-quote James Braid again here. At page 57 Braid says:
-
- Nevertheless, when commencing the downward swing, do so in no
- gentle, half-hearted manner, such as is often associated with
- the idea of gaining speed gradually, which is what we are
- told the club must do when coming down from the top on to the
- ball. It is obvious that speed will be gained gradually,
- since the club could not possibly be started off at the
- quickest rate. The longer the force applied to the down swing
- the greater does the speed of the momentum become, but this
- gradual increase is independent of the golfer, and he should,
- as far as possible, be unconscious of it. What he has to
- concern himself with is not increasing his speed gradually,
- but getting as much of it as he possibly can right from the
- top.
-
-I am very glad indeed to be able to quote Braid to this effect, for if
-we may accept his statement on this matter as authoritative, it
-completely refutes one of the greatest and stupidest fallacies in
-golf, which is this particular notion of gradually increasing one's
-speed by any conscious effort of muscular regulation. Now if Braid's
-statement with regard to the muscular work in the downward portion of
-the drive is correct, it follows naturally that the explanation of the
-"mystery of golf" offered by the author is merely an explanation of a
-mystery which he has evolved from the innermost recesses of his
-fertile imagination; but it is needless for me to say that unless such
-an idea as this is absolutely killed, it would have a most pernicious
-effect upon the game of anyone who came within its influence.
-
-It may seem, perhaps, that I attach too much importance to the writing
-of a gentleman who describes himself as "a duffer." It is not so. No
-one knows better than I do the influence of printed matter. I have
-lived amongst print and printers and newspapers for very many years,
-and needless to say I know as well as any man that not everything
-which one sees in print is true, but the remarkable thing about the
-printed word is that even with one who is absolutely hardened and
-inured to the vagaries and extravagances and inaccuracies of those who
-handle type, the printed word carries a certain amount of weight.
-
-We can easily understand, then, that to those who are not so educated
-the printed word is much more authoritative. Therefore, even if the
-circulation of a book or a paper may be very little, it is always
-worth the while of one who has the interests of the game at heart to
-do his best not only to scotch, but absolutely to kill false and
-pernicious teaching of this nature, for the simple reason that even if
-a book circulates but a hundred copies, or a newspaper two hundred and
-fifty, which is giving them both a remarkably small circulation, it is
-impossible, or at least extremely improbable, that any man will be
-able, by his influence, _to follow each copy of that book or that
-newspaper_. There is a great fundamental truth underlying this
-statement. If one gives a lie a day's start, it takes a terrible lot
-of catching. This is particularly so in connection with printed
-matter, and I have had some very remarkable illustrations of the fact.
-So strongly, indeed, do I realise this fact, that although I believe
-that I am as impervious to adverse criticism as any one, I will never,
-if I can prevent it, allow criticism of that nature which I consider
-inimical to the interests of any subject with which I am dealing, to
-get the slightest possible start. Indeed, I have, on occasions,
-carried this principle still further, and when I have known that
-matter was to appear which I considered of a nature calculated to
-produce wrong thought in connection with a certain subject I have
-taken means to see that it did not appear.
-
-It will be readily understood that I am not now referring to matters
-of personal criticism. I refer particularly to matters of doctrine
-published and circulated, even in the smallest way. If, for the sake
-of argument, the paper which spreads that false doctrine circulates
-only twenty copies, _one cannot follow every copy_, and to do one's
-work thoroughly and effectively it would be necessary to follow every
-copy of that paper in order to counteract the pernicious influence
-which it might otherwise exercise. Taking this view of the effect of
-printed matter, it should be apparent that I consider the time devoted
-to refuting injurious and false teaching well spent.
-
-In the attempted explanation of the mystery of golf there are some
-amazing statements which tend to show clearly that the author of that
-work has not that intimate knowledge of sport generally which is
-absolutely essential to any man who would even essay satisfactorily to
-do what the author is trying to do. Let us examine, for instance, such
-a statement as this: "Indeed, the difficulties of golf are innumerable
-and incalculable. Take, for example, that simple rule 'Keep your eye
-on the ball.' It is unheard of in tennis; it is needless in cricket;
-in golf it is iterated and reiterated times without number, and
-infringed as often as repeated." Can anyone imagine a more wonderful
-statement than this? In tennis, by which from subsequent remarks it is
-clear that the author means lawn-tennis, and also indeed in tennis, it
-is, of course, a fundamental rule that one must keep one's eye on the
-ball. It is repeatedly drilled into every player, and even the most
-experienced players by neglecting it sacrifice points.
-
-Lifting one's eye is one of the most prolific causes of missed smashes
-and ordinary volleys, while the half volleys which are missed through
-not attempting to follow out this universal rule are innumerable. We
-are told that it is "unheard of in cricket." This indeed is a
-marvellous statement. No coach who knows his duty in tennis,
-lawn-tennis, cricket, racquets, or in fact any game where one plays at
-a moving ball, could possibly have gone more than about half a dozen
-lessons, if so many, without impressing upon his pupil the extreme
-importance of endeavouring to watch the ball until the moment of
-impact. This, of course, is a counsel of perfection, and is not often
-perfectly carried out, for various reasons which I shall deal with in
-my chapter on "The Function of the Eyes."
-
-For one who has attempted a critical analysis of the psychology of
-golf the author makes some wonderful statements. Speaking about
-"looking" _versus_ "thinking," and keeping one's eye on the ball, the
-author says: "As a matter of fact, instead of _looking_, you are
-_thinking_, and to _think_, when you ought to _play_, is the madness
-of mania." It should be fairly obvious to anyone who does not even
-profess to be capable of analysing the emotions of a golfer that to
-look it is necessary to be thinking--to be thinking about looking, in
-fact; that it would be impossible to look without thinking; that
-indeed the looking is dependent upon the thinking, or, as our author
-would probably put it, he must will to look--not only must he will to
-look, but he must will to hit. Those are the two important things for
-him to will--to look and to hit. Now those things cannot be done
-without thinking, and yet we are told that to _think_ when you ought
-to _play_ is "the madness of mania."
-
-The author goes on to give what he calls a very "simple and anatomical
-reason" for this inability to see one's ball when one is thinking
-instead of looking. He says:
-
- Everybody has heard the phrase "a vacant stare." Well, there
- actually is such a thing as a vacant stare. When one's
- thoughts are absorbed in something other than the object
- looked at, the eyes lose their convergence--that is to say,
- instead of the two eyeballs being turned inwards and focussed
- on the thing, they look straight outwards into space, with
- the result, of course, that the thing looked at is seen
- indistinctly. I am convinced that this happens to many a
- grown-up golfer. He thinks he is looking at his ball, but as
- a matter of fact he is thinking about looking at his ball (a
- very different affair), or about how he is going to hit it,
- or any one of a hundred other things; and, his mind being
- taken off that supreme duty of doing nothing but _look_, the
- muscles of the eye are relaxed, the eyeballs resume their
- natural position and stare vacantly into space.
-
-It will probably not be news to most of us that there is such a thing
-as "a vacant stare." We probably remember many occasions when, "lost
-in thought," our eyes have lost their convergence, but it will indeed
-be news to most of us that it is the supreme duty of the eyes to do
-nothing but _look_.
-
-We are now face to face with this fact according to this analysis. The
-author quotes the great psychologist, Höffding, as saying, "We must
-will to see, in order to see aright." We now, by a natural and
-logical process of reasoning, have the golfer settled at his ball, his
-address duly taken, his eye fixed on the ball, and he is in the act of
-"willing" to see as hard as he can. So far so good. Let us presume
-that he _is_ seeing. Now we are told that to think when he ought to
-play is the madness of mania. We must presume that it will now be
-impossible to proceed with his stroke unless he "wills" to move. How
-will he "will to move" without thinking? If anybody can explain to me
-how a golfer can play a stroke without willing to hit as well as to
-look, I shall indeed consider that he has explained at least one
-mystery in golf.
-
-We are told that
-
- ... if during that minute interval of time which elapses
- between the commencement of the upward swing of the club and
- its impact with the ball, the golfer allows any one single
- sensation, or idea to divert his attention--consciously or
- unconsciously--from the little round image on his retina, he
- does not properly "perceive" that ball; and of course, by
- consequence, does not properly hit it.
-
-Notwithstanding this statement, we see that the author tries to
-implant in the mind of the golfer the idea that during his downward
-stroke arms and hands are receiving innumerable orders "at intervals
-probably of tens of thousandths of a second," and that at the moment
-of impact with the ball the mind has to become suddenly concentrated
-and the muscles suddenly contracted. He surely will allow that in this
-advice he is trying to impart at least one single sensation or idea
-which is sufficient to ensure that he will "not properly perceive that
-ball, and of course, by consequence, that he will not properly hit
-it."
-
-Here is another paragraph worthy of consideration: "But if one tautens
-any of the muscles necessary for the stroke, the stroke is spoiled."
-I think I have already quoted James Braid on the subject of tension in
-the drive, to show that this statement is utterly fallacious, and that
-without very considerable tautening of the muscles it would be
-impossible to produce a golf drive worthy of the name.
-
-The strangest portions of this alleged explanation of the mystery of
-golf are always when it comes to the question of practical golf. Let
-us consider briefly such a statement as the following:--
-
- Both sets of stimuli must be intimately and intricately
- combined throughout the whole course of the swing; the wrists
- must ease off at the top and tauten at the end. The left knee
- must be loose at the beginning, and firm at the finish, and
- the change from one to the other must be as deftly and
- gently, yet swiftly wrought, as a crescendo passage from
- pianissimo to fortissimo on a fiddle.
-
-We have already seen what James Braid says about the golf stroke--that
-from the top of it right to the impact the muscles must be in a state
-of the fullest tension; while it is of course well known now that the
-left knee is never at any time in the stroke what is described as
-loose, for from the moment that a properly executed golf drive begins,
-the weight proceeds towards the left foot and leg, and therefore it
-would be impossible to play a proper drive with the left knee "loose."
-I deal fully with this subject in my chapter on "The Distribution of
-Weight."
-
- [Illustration: PLATE II. HARRY VARDON
-
- Stance and frontal address in short put.]
-
-As we proceed with the consideration of this work we find that golf is
-indeed a mystery to the author. We are informed that "the golf stroke
-is a highly complex one, and one necessitating the innervation of
-innumerable cerebrospinal centres; not only hand and eye, but arms,
-wrist, shoulders, back, loins, and legs must be stimulated to action.
-No wonder that the associative memory has to be most carefully
-cultivated in golf. To be able, without thinking about it, to take
-your stance, do your waggle, swing back, pause, come forward, hit
-hard, and follow-through well over the left shoulder, always
-self-confidently--ah! this requires a first-class brain, a first-class
-spinal cord, and first-class muscles"; and--if I might be pardoned for
-adding it--a first-class idiot. Nobody but a first-class idiot could
-possibly do all these things without thinking of them, except probably
-that brilliant follow-through "well over the left shoulder!"
-
-I have heard many things enunciated by people who considered
-themselves possessed of first-class brains, but this is absolutely the
-first time that I have ever heard of a good follow-through "well over
-the left shoulder." A good follow-through "well over the left
-shoulder" generally means a most pernicious slice. Any follow-through
-at any game goes after the ball. What happens when that is finished is
-merely a matter of individual style and the particular nature of the
-stroke which has been played. The club, in some cases, may come back
-over the left shoulder; in other cases it may point right down the
-course after the ball; in another it may swing practically round the
-body. It is little touches such as these which show the lack of
-practical acquaintance with the higher science of the game. No one
-acquainted with the inner secrets of golf could possibly refer to that
-portion of a stroke which is coming back from the hole as "the
-follow-through."
-
-As an instance of absolutely ridiculous nonsense I may quote the
-following:
-
- What the anatomists say is this, that, if the proper orders
- are issued from the cortex, and gathered up and distributed
- by the corpora striata and the cerebellum, are then
- transferred through the crus cerebri, the pons varolii, the
- anterior pyramid and the medulla oblongata, down the lateral
- columns of the spinal cord into the anterior cornua of grey
- matter in the cervical, the dorsal and the lumbar region,
- they will then "traverse the motor nerves at the rate of
- about 111 feet a second, and speedily excite definite groups
- of muscles in definite ways, with the effect of producing the
- desired movements."
-
-Of course this to the ordinary golfer is absolute nonsense, but to the
-skilled anatomist and student of psychology, who may also be a golfer,
-it is worse than nonsense, for the simple reason that assuming that
-the measurement of the speed at which these orders travel has been
-even approximately measured as proceeding at the rate of "about 111
-feet a second," it is obvious that such a rate of progression would
-be, by comparison with the speed at which the golf stroke is
-delivered, merely a gentle crawl.
-
-One might be excused if one thought that this book was merely a
-practical joke perpetrated by a very ingenious person at the expense
-of golfers, but I do not think we should be justified in assuming
-that, for then we should have to speak in a very much severer manner
-than we are doing; for when one reads about such things as "the twirl
-of the wrists, the accelerated velocity, and the hit at the impact,"
-one is justified in assuming that even if the psychology of the author
-were sound, his knowledge of the mechanical production of the golf
-drive is extremely limited. He says:
-
- Psychologists are, I believe, agreed that there is in the
- mind a faculty called the Imagination. Indeed, there has been
- a whole essay written and printed on "The Creative
- Imagination."
-
-Even if psychologists are not agreed on this subject we could, I
-think, take as irrefutable evidence of the existence of the "creative
-imagination" the work under notice.
-
-It is curious to find one who is endeavouring to analyse matters which
-are psychologically abstruse exhibiting the greatest confusion of
-thought. Let us take an illustration. He says: "We misuse words; we
-construct an artificial and needless barrier between mind and matter.
-By 'matter' we simply mean something perceptible by our five senses."
-Let us consider this statement. It would be impossible to imagine a
-more sloppy definition of matter. According to this definition of
-matter, glass is not matter, for it is not perceptible by our sense of
-hearing, smelling, or tasting. It is evident that the author
-means--which in itself is erroneous--to define matter as something
-which is perceptible by one of the five senses, but in an analytical
-psychologist so overwhelming an error is inexcusable. It is manifest
-that he is not equal to the task which he has set himself in any way
-whatever. He says that "The golfer, strive as he may, is the slave of
-himself." Here again we have a gross libel on the poor golfer. The
-ordinary golfer is not the slave of himself. He is the slave of
-thoughtless persons who write about things which they do not
-understand, and, in some cases, the bond-servant of those who write
-without understanding of the things which they do very well.
-
-Elaborating this idea, the author proceeds: "It is not a matter of
-want of strength or want of skill, for every now and again one proves
-to oneself by a superlative stroke that the strength and the skill are
-there if only the mind could be prevailed upon to use them." This
-truly is a marvellous statement from one who essays a critical
-analysis of anything. It is undoubtedly possible that a player might
-be set at a tee blindfolded, and provided his caddie put down
-sufficient balls for him to drive at and he continued driving long
-enough, he would unquestionably hit "a superlative stroke." Would this
-prove that the strength and the skill are there? I wonder if our
-author has ever heard of such a thing as "a ghastly fluke"?
-
-A little later on we read: "Time and time again you have been taught
-exactly how to stand, exactly how to swing," and he then proceeds to
-wonder how it is that the unfortunate golfer is so prone to error. The
-reason is not far to seek. It is found in the work of such men as our
-author, and others who should know much better than he; it is found in
-the work of men who teach the unfortunate golfer to stand wrongly, to
-swing wrongly. These, in company with our author, will be duly
-arraigned in our chapter on "The Distribution of Weight." That is the
-plain answer why golfers do not get the results which they should get
-from the amount of work and thought which they put into their game,
-for golfers are, unquestionably, as a class, the most thoughtful of
-sportsmen. If they were not, a book such as I am dealing with could
-not possibly have secured a publisher. Continuing his argument on this
-subject he says:
-
- ... and yet how often it has taken three, four, and even five
- strokes to cover those hundred yards! It would be laughable
- were it not so humiliating--in fact, the impudent spectator
- does laugh until he tries it himself; then, ah! then he, too,
- gets a glimpse into that mystery of mysteries--the human
- mind--which at one and the same time wills to do a thing and
- fails to do it, which knows precisely and could repeat by
- rote the exact means by which it is to be accomplished, yet
- is impotent to put them in force. And the means are so
- simple. So insanely simple.
-
-To which I say, "And the means are indeed so simple, so sanely
-simple." It is writers who do not understand the game at all who make
-them insanely complex. As a definite illustration of what I mean let
-me ask the man who writes that the golfer who desires to drive
-perfectly "could repeat by rote the exact means by which it is to be
-accomplished" where, in any book by one of the greatest golfers, or in
-his own book, the golfer is definitely instructed that his weight must
-not at any time be on his right leg. In fact the author himself, in
-common with everybody who has ever written a golf book, _deliberately
-misinforms the golfer in this fundamental principle_.
-
-How, then, can a man who claims to be possessed of an analytical mind
-say that the ordinary golfer could repeat by rote the exact means by
-which anything is to be accomplished when it is now a matter of
-notoriety that practically the whole of the published teaching of golf
-is fundamentally unsound?
-
-Speaking of the golfer's difficulties in the drive the author says,
-"The secret of this extraordinary and baffling conflict of mind and
-matter is a problem beyond the reach of physiology and psychology
-combined." Yes, there is no doubt that it is; but it is a matter which
-is well within the reach of the most elementary mechanics and common
-sense.
-
-It will probably seem that I am dealing with this attempt to explain
-the mystery of golf very severely, but I do not feel that I am
-treating the matter too strictly. Golf is enveloped and encompassed
-round about with a wordy mass of verbiage. All kinds of men and some
-women, who have no clearly defined or scientific ideas, have presumed
-to put before the unfortunate golfer directions for playing the game
-which have landed him in a greater maze of bewilderment than exists in
-any other game which I know. It is obvious that if a man is both "a
-duffer" and a slow thinker it will be unsafe for him, until he has
-improved both his game and his mental processes, to attempt to explain
-the higher science of golf for anyone. It should be sufficient for him
-to study the mechanical processes whereby he may improve his own game
-until at least he has been able to take himself out of the class which
-he characterises himself as the duffers. To explain golf
-scientifically in the face of the mass of false doctrine which
-encumbers it, it is necessary that one should be, if not at least a
-quick thinker, an exact thinker, and that one should know the game to
-the core.
-
-It seems to me that there is possibly a clue to the remarkable
-statements which we get in this book in the following quotation, which
-I take from the chapter on "Attention":
-
- When I first rode a bicycle, if four or five obstacles
- suddenly presented themselves, these to the right, those to
- the left, I found I could not transfer my attention from one
- to the other sufficiently quickly to give the muscles the
- requisite orders--and I came a cropper ... and so with the
- golf stroke.
-
-It seems to me that here we have the key of the author's difficulty.
-His mind was fixed on the obstacles--some to the right and some to the
-left. In similar circumstances most budding cyclists, and I have
-taught many, confine their attention to the clear path right ahead,
-and consequently the obstacles "these to the right, those to the left"
-do not trouble them. This, psychologically speaking, is a curious
-confession of the power of outside influences to affect the main
-issue. It seems to me that right through the consideration of this
-subject the author, like many other golfers, has been devoting his
-mind far too much to the things which he imagines about golf, instead
-of to the things which are, and they are the things which matter. No
-wonder, then, that he has "come a cropper."
-
-There is a chapter called "The One Thing Necessary," which starts as
-follows: "But, since I stated that my own belief is that only one
-thing can be 'attended' to at a time, you will probably be inclined to
-ask me what is the most important thing? what precisely ought we to
-attend to at the moment of impact of club with ball? Well, if you ask
-me, I say _the image of the ball_." This is really an astonishing
-statement. "At the moment of impact of club with ball" the image of
-the ball does not really matter in the slightest degree. As I shall
-show later on, the eye has fulfilled its functions long before the
-impact takes place. Also, of course, to the non-analytical mind it
-will be perfectly obvious that _the image of the ball_ could be just
-as well preserved if the golfer had lifted his head three to six
-inches, but his stroke would have been irretrievably ruined.
-
-Now, as a matter of fact, by the time the club has arrived at the ball
-it is altogether too late to attend to anything. All the attention has
-already been devoted to the stroke, and it has been made or marred. As
-we have clearly seen from what James Braid says about the stroke the
-moment of impact is the time when the attention and the tension is
-released, so it will obviously be of no service to us to endeavour
-forcibly to impress upon our minds in any way the image of the ball.
-If there is any one thing to think of at the moment of impact, the
-outstanding point of importance must be that the eyes should be in
-exactly the same place and position as they were at the moment of
-address.
-
-Here is a most remarkable sentence:--
-
- It is a pity that so many literary elucidators and
- explicators of the game devote so many pages to the
- subsidiary circumstances.... I wonder if they would pardon
- me if I said that, as a matter of simple fact, if one
- _attended to the game_ (with all that that means), almost one
- could stand and strike as one chose, and almost with any kind
- of club.
-
-There is a large amount of truth in this; but it comes most peculiarly
-from the author of this book, for of all the literary obfuscators whom
-I have ever come across I have never met his equal in attention to the
-"subsidiary circumstances" and neglect of the real game. Much time is
-wasted in an analysis of the nature of attention. Now, attention,
-psychologically, is somewhat difficult to define from the golfing
-point of view, but as a matter of simple and practical golf there is
-no difficulty whatever in explaining it. Attention in golf is merely
-habit acquired by practice and by starting golf in a proper and
-scientific manner. I shall have to deal with that more fully in my
-next chapter, so I shall not go into the matter here. Suffice it to
-say that lifting the eye at golf is no more a lack of attention than
-is lifting the little finger in the club-house. It is merely a vice in
-each case--a bad habit, born probably of the fact that in neither case
-did the man learn the rudiments of the game thoroughly.
-
-We are told that "the arms do not judge distance (save when we are
-actually touching something), nor does the body, nor does the head.
-The judging is done by the eyes"; but we must not forget that the arms
-accurately measure the distance.
-
-
-
-
-CHAPTER III
-
-PUTTING
-
-
-The great mystery to me, not about golf, but about the work of the
-greatest golfers, is the attitude which they all adopt with regard to
-putting. Now, putting may quite properly be said to be the foundation
-of golf. It really is the first thing which should be taught, but, as
-a matter of fact, it is generally left until the last. Practically all
-instructors start the player with the drive. It is beyond question
-that the drive is the most complex stroke in golf, and it is equally
-beyond question that the put is the simplest. There can be no shadow
-of doubt whatever that the only scientific method of instructing a
-person in the art of playing golf is one which is diametrically
-opposed to that adopted by practically all the leading players of the
-world. Instead of starting the beginner at the tee and taking him
-through his clubs in rotation to the putting-green, the proper order
-for sound tuition would be to start him six inches from the hole and
-to back him through his clubs to the tee.
-
-This is so absolutely beyond argument that I need not labour the point
-here, except in so far as with it is bound up the important question
-of attention--that is, of riveting one's eye and one's mind on the
-ball for the whole period employed in making the stroke. As I said in
-the preceding chapter, attention is habit. Attention includes the
-habit of keeping the eye on the ball and the head still until the
-stroke has been played. The best way of inculcating the vices of
-lifting the head and the eye during the stroke is to teach the player
-the drive first. It stands to reason that if a player is started, say,
-with a six-inch put, that he has at the moment of making his stroke
-both the ball and the hole well within the focus of his eyes, so that
-it is absolutely unnecessary for him to lift his eye in order to
-follow the ball. It therefore follows that he is not tempted to lift
-his eye.
-
-Now, no player should be allowed to go more than two or three feet
-from the hole until he has learned to hole out puts at that distance
-with accuracy and confidence. By the time he is allowed to leave the
-putting-green, he will have acquired the habit of attention.
-
-It will be clearly seen that, starting now from the edge of the green
-with his chip shot, he is much more certain of striking the ball and
-getting it away than he would be were he put on to the more uncertain
-stroke in the drive; so by a gradual process of education the player
-would come in time to the drive, and by the time he arrives at the
-most complicated stroke in the game--the stroke wherein is the
-smallest margin of error--he has cultivated the habit of attention,
-which includes keeping one's head still.
-
-Of course, this is a counsel of perfection which one does not expect
-to find carried out, although a similar course is followed by all good
-teachers in every trade, profession, science, or game, but as I have
-said before, in golf there is a tremendous amount of false teaching
-which is generally followed. It is, however, a certainty that any
-beginner who has the patience, perseverance, and moral courage to
-educate himself on these lines, will find golf much easier to play
-than it would be if he had started, as nearly everybody wants to
-start, with "the swing." It is bad enough that putting should be
-relegated to the position it is, but the attitude of the great
-writers, or perhaps I should say the great golfers who have written
-books about golf, aggravates the offence, and forms what is to me the
-greatest mystery in connection with golf literature.
-
-I shall give here what Braid, Vardon, and Taylor have to say about
-putting. Let me take Vardon first. At page 143 of _The Complete
-Golfer_ he says:
-
- For the proper playing of the other strokes in golf, I have
- told my readers to the best of my ability how they should
- stand and where they should put their feet. But except for
- the playing of particular strokes, which come within the
- category of those called "fancy," I have no similar
- instruction to offer in the matter of putting. There is no
- rule and there is no best way.
-
- The fact is that there is more individuality in putting than
- in any other department of golf, and it is absolutely
- imperative that this individuality should be allowed to have
- its way.
-
-And now comes a very wonderful statement:
-
- I believe seriously that every man has had a particular kind
- of putting method awarded to him by Nature, and when he putts
- exactly in this way he will do well, and when he departs from
- his natural system he will miss the long ones and the short
- ones too. First of all, he has to find out this particular
- method which Nature has assigned for his use.
-
-Again on page 144 we read that when a player is off his putting
-
- ... it is all because he is just that inch or two removed
- from the stance which Nature allotted to him for putting
- purposes, but he does not know that, and consequently
- everything in the world except the true cause is blamed for
- the extraordinary things he does.
-
-Let us now repeat what James Braid has to say on the important matter
-of putting. On page 119 of _How to Play Golf_ he says:
-
- It happens, unfortunately, that concerning one department of
- the game that will cause the golfer some anxiety from time to
- time, and often more when he is experienced than when he is
- not, neither I nor any other player can offer any words of
- instruction such as, if closely acted upon, would give the
- same successful results as the advice tendered under other
- heads ought to do. This is in regard to putting.
-
-Further on we are informed that "really great putters are probably
-born and not made."
-
-So far we must admit that this is extremely discouraging, but there is
-worse to follow.
-
-Let us now see what Taylor has to say about putting. At page 83 in his
-book, _Taylor on Golf_, and in the chapter, "Hints on Learning the
-Game," he says:
-
- Coming back to the subject of actual instruction. After a
- fair amount of proficiency has been acquired in the use of
- the cleek, iron, and mashie, we have the difficulty of the
- putting to surmount. And here I may say at once it is an
- absolute impossibility to teach a man how to putt.
-
- Even many of the leading professionals are weak in this
- department of the game. Do you think they would not improve
- themselves in this particular stroke were such a thing within
- the range of possibility? Certainly they would. The fact is
- that in putting, more than in aught else, a very special
- aptitude is necessary. A good eye and a faculty for gauging
- distances correctly is a great help, indeed, quite a
- necessity, as also is judgment with regard to the requisite
- power to put behind the ball. Unfortunately, these are things
- that cannot be taught, they must come naturally, or not at
- all.
-
- All that is possible for the instructor to do is to discover
- what kind of a putting style his pupil is possessed of,
- offer him useful hints, and his ultimate measure of success
- is then solely in his own hands.
-
- It is easy to tell a pupil how he must needs hold his clubs
- in driving or playing an iron shot, but in putting there is
- hardly such a necessity. The diversity of styles accounts for
- this, and in this particular kind of stroke a man must be
- content to rely upon his own adaptability alone.
-
-Now in the same book on page 240, in the chapter on "The Art of
-Putting," we read:
-
- The drive may be taught, the pupil may be instructed in the
- use of the cleek, the iron, or the brassie, but in putting he
- must rely upon his own powers of reducing the game to an
- actual science. The other strokes are of a more or less
- mechanical character; they may be explained and demonstrated,
- but with the ball but a few feet distant from the hole there
- are many other things to be considered, and hints are the
- only things that can be offered. The pupil may be advised
- over the holding and grip of the putter, but as far as the
- success of the shot is concerned it remains in his own hands.
-
-In passing, I may remark that it seems to me that in this latter
-respect the put is not vastly different from any other stroke in golf,
-or indeed, for the matter of that, in any other game.
-
-Continuing, Taylor says:
-
- Putting, in short, is so different to any other branch of the
- game that the good putter may be said to be born, not made.
-
- That this is really the case is proved by the fact that many
- of the leading players of the day, professionals and amateurs
- alike, are very frequently weaker when playing with the
- putter than when performing with any other of their clubs.
- Speaking solely of professionals, is it at all probable that
- this would be so were they capable of improving themselves in
- this particular department? Certainly not.
-
-Now it will be admitted that this is a very gloomy outlook for him who
-desires to learn how to put. He is thrown entirely on his own
-resources. I must quote Taylor once again with regard to putting. He
-says:
-
- And yet it is none the less true that to putt perfectly
- should be the acme of one's ambition. Putting is the most
- important factor of success, for it happens very frequently
- that a man may meet a stronger driver, or a better performer
- with the iron clubs, and yet wrest the leadership from him
- when near the hole.
-
-There can be no doubt whatever of the truth of what Taylor says in
-this last paragraph--"Putting is the most important factor of
-success"; yet we are confronted with the amazing statement made by the
-three greatest masters of the game, men who between them have
-accounted for fourteen open championships, men whose living depends
-upon playing golf and teaching it, that "the most important factor of
-success" cannot be taught. There is no possible doubt about their
-ideas on this subject. They deliberately tell the unfortunate golfer,
-or would-be golfer, that good putters are born and not made, that
-putting cannot be taught, and that each person must be left to work
-out his own salvation.
-
-It is admitted that putting is practically half the game. It has been
-well illustrated in the following way:--Seventy-two strokes is a good
-score for almost any course. The man who gets down in two every time
-is not a bad putter. This allows him thirty-six strokes on the green,
-which is exactly one-half of his score. Now what does this statement
-which is made by Braid, Vardon, and Taylor amount to? It is an
-assertion by them that they are unable to teach half of the game of
-golf, and _that_ the most important half, for, as we have seen, Taylor
-says that it is "the most important factor of success." Now surely
-there is something wrong here. As a matter of fact it is the most
-absolute nonsense which it is possible to imagine. Putters are not
-born. They are made and shaped and polished to just as great an extent
-as any metal putter that ever was forged. Putting is the simplest and
-easiest thing in golf to learn and to teach, and it is positively
-wrong for men of the eminence in their profession which these players
-enjoy to append their names to statements which cannot but have a
-deleterious effect on the game generally, and particularly on the play
-of those who are affected by reading such absolutely false doctrine.
-
-There are certain fundamental principles in connection with putting
-which cannot be disregarded. It is quite wrong to say that the first
-thing to consider is some particular idiosyncrasy which a man may have
-picked up by chance. The idea of Nature having troubled herself to
-allot any particular man or men, or, for the matter of that, women or
-children, any particular styles for putting is too ridiculous to
-require any comment. Needless to say, very many people have
-peculiarities which they exhibit in putting, as well as in other
-matters, but in many cases it is the duty of the capable instructor
-not to attempt to add the scientific principles of putting to a
-totally wrong and ugly foundation. The first duty of one who knows the
-game and how to teach it is to implant in the mind of his pupil the
-correct mechanical methods of obtaining the result desired. If, after
-he has done this, it be found that his natural bent or idiosyncrasy
-fits in with the proper mechanical production of the stroke, there is
-no harm in allowing him to retain his natural style; but if, for the
-sake of argument, it should be found that his natural method is
-unsuitable for the true production of the stroke, there is only one
-thing to do, which is to cut out his natural method, and make him put
-on the lines most generally adopted.
-
-Nor is this difficult to do, for it stands to reason that anyone who
-is a beginner at golf has not already cultivated a style of his own.
-
-The statements of these three great golfers are absolutely without
-foundation--in fact, they are indeed so far from the truth that I have
-no hesitation whatever in saying that in at least ninety per cent of
-the cases which come before a professional for tuition, if the subject
-is properly dealt with by an intelligent teacher, putting is, without
-any shadow of doubt, the easiest portion of golf to teach and to
-learn. In the face of the mischievous statements which have been so
-widely circulated in connection with the difficulty of learning the
-art of putting, one cannot possibly be too emphatic in stating the
-truth. In doing this, let it be understood that I am not stating any
-theory or publishing any idea which I am not prepared fully to
-demonstrate by practical teaching. It is a curious thing, but one to
-which I do not wholly object, that those who read my books seem to
-consider that they have a personal claim on my services as well, and
-it is no uncommon thing for me to receive visits from men who are in
-trouble about their putting, their drive, or their approach, and I
-have not, as a rule, any very great trouble in locating the seat of
-the difficulty.
-
-The pernicious influence of such teaching as that which I have just
-quoted repeatedly comes before me. I know men who seem to consider
-that the chief art of putting in golf is bound up in another art,
-namely, the art of the contortionist, whereas, of course, nothing
-could be further from the truth. Putting, as I shall show later on, is
-an extremely simple operation. In fact its simplicity is so pronounced
-that little children, almost without instruction, do it remarkably
-well, because they do it naturally. It is only when people come to the
-game possibly rather late in life, and perhaps with habits acquired
-from other games, and in addition to this are told that they must
-evolve their own particular style, that we find the difficulty, for
-the style which is evolved is, in the vast majority of cases, no style
-at all, and the stroke is played unnaturally.
-
-That is what I have to say with regard to the "difficulty" of putting.
-I shall, later on, deal with the principles involved in putting. It
-will, in the meantime, be sufficient for me to consider and criticise
-these statements generally. If this were my own uncorroborated
-opinion, it is possible that the definite statements of three men like
-Braid, Taylor, and Vardon might outweigh what I have said, although I
-do not believe that even in that case they would; for what I have
-quoted is such obvious nonsense that it would indeed be to me a
-mystery if any golfer possessed of ordinary common sense could accept
-any view of the matter other than that which I put forward.
-
-However, when dealing with names like these, it is worth while to
-reinforce oneself. Let us see what James Braid has to say about the
-matter in _Advanced Golf_. At page 144, chapter x., dealing with
-"Putting Strokes," Braid says: "Thus practically any man has it in his
-power to become a reasonably good putter, and to effect a considerable
-improvement in his game as the result." Here is the message of hope to
-the putter. It will be remembered that Taylor states that the good
-putter may be said to be born, not made, and that Braid practically
-said the same thing. This, of course, is nonsense, and if any
-refutation were necessary, James Braid himself is the refutation. The
-first time I saw Braid putting, he was trying a Vaile putter for me
-at Walton-on-Heath. He came down on the ball before he had come to the
-bottom of his swing, and finished on the green quite two inches in
-front of the spot where the ball had been. Before I had reflected in
-the slightest degree, I came out quite naturally with the question,
-"Do you always put like that?" "Yes," said Braid in his slow, quiet
-way, "and it is the best way." By this time I had remembered who Braid
-was, and I did not pursue the subject any further, but I thought a
-good deal. I thought that Braid would, in due course, find out that it
-was not the best way, and I fully understood why he was such a bad
-putter.
-
-Since then Braid has found out that his method was wrong. He has
-altered it, and now plays his puts in the only proper way, which I
-shall refer to later on. As everybody knows, Braid is now a very fine
-putter--_but he was not born so_. If ever there was an illustration of
-a fine putter made out of a bad putter, James Braid is the outstanding
-example, and James Braid is the answer to Taylor's question as to
-whether a professional can improve his putting or not. Any
-professional whose putting is bad can improve it by using his brains,
-because when a professional puts badly it is rarely a question of his
-hands, his eye, or his wrist being wrong. The seat of the deficiency
-is much deeper than that.
-
-Let us now see what James Braid has to say about putting. At page 146
-of _Advanced Golf_ he practically eats his own words. This is what he
-says:
-
- Of course, they say that good putters are born and not made,
- and it is certainly true that some of the finest putters we
- know seem to come by their wonderful skill as a gift, and
- nowadays constantly putt with an ease and a confidence that
- suggest some kind of inspiration. But it is also the fact
- that a man who was not a born putter, and whose putting all
- through his golfing youth was of the most moderate quality,
- may by study and practice make himself a putter who need fear
- nobody on any putting green. I may suggest that I have proved
- this in my own case. Until comparatively recently there is no
- doubt that I was really a poor putter. Long after I was a
- scratch player I lost more matches through bad putting than
- anything else. I realised that putting was the thing that
- stood in the way of further improvement, and I did my best to
- improve it, so that to-day my critics are kind enough to say
- that there is not very much wanting in my play on the putting
- green, while I know that it was an important factor in
- gaining for me my recent championship.
-
- So I may be allowed the privilege of indicating the path
- along which improvement in this department of the game may
- best be effected; and what I have to say at the beginning is,
- that putting is essentially a thing for the closest
- mathematical and other reckoning. It is a game of
- calculations pure and simple, a matter for the most careful
- analysis and thought.
-
-Now here at least we have common sense with regard to putting. Braid
-holds himself out as an example of the bad putter turned into the good
-putter. He does not, it is true, tell us why he was a bad putter and
-how he changed his bad methods to his present excellent method, but I
-have already given the key to that. I shall, however, deal with it
-more fully when I come to the question of the practice of putting.
-Braid says on page 147 of _Advanced Golf_, still speaking of putting,
-that "the mechanical part is comparatively simple." He continues:
-"Putts most generally go wrong because the strength or the line, or
-both, were misjudged, and they were so misjudged because the different
-factors were not valued properly, and because one or two of them were
-very likely overlooked altogether."
-
-I think very few golfers will be inclined to dispute the opening
-statement that "Putts most generally go wrong because the strength or
-the line, or both, were misjudged." I may say that I never heard of a
-put which went wrong for any other reason. If the strength and the
-line are both right, one always has an excellent chance of ending in
-the tin! Braid tells us again on page 148
-
- ... that what I call the mechanical part of putting--the
- hitting of the ball--is simple and sure in comparison with
- the other difficulties that are presented when a long putt
- has to be made; yet it is hardly necessary to say to any
- experienced golfer that there are absolutely thousands of
- players who fail in their putting, not because of any lack of
- powers of calculation or a good eye, steady hand, and
- delicacy of touch, but simply because they have fallen into a
- careless way of performing this mechanical part, and of
- almost feeling that any way of hitting the ball will do so
- long as it is hit in the right direction and the proper
- degree of strength is applied.
-
-Again Braid says on page 149:
-
- Absolutely everything depends on hitting the ball truly, and
- the man who always does so has mastered one of the greatest
- difficulties of the art of putting. A long putt can never be
- run down except by a fluke when the ball has not been hit
- truly, however exactly all the calculations of line and
- strength have been made.
-
-Now the point which I am making, and I hope making in such a manner
-that no one will ever dare even to attempt to refute it, is the fact
-that the mechanical operation of putting is one of extreme simplicity,
-entirely devoid of mystery, and capable of acquirement by persons even
-of a very low order of intelligence. I want to make it plain beyond
-the possibility of doubt that putting is the foundation of golf and
-that it can be very easily learned, provided always that the
-instructor has a proper idea of the mechanics of the put. Generally
-speaking, when one uses the word "mechanics" a golfer is afraid that
-he is about to receive some abstruse lecture illustrated by diagrams
-and mathematical formulæ, but it is not so. It is essential to a
-thorough knowledge and enjoyment of the game of golf that the golfer
-should understand the mechanics of putting.
-
-James Braid says that it is a matter of mathematics and calculation,
-and he is not far wrong; but the mechanics of the put are of such
-extreme simplicity that no golfer or would-be golfer need be
-discouraged because one refers to the elementary science which is
-involved in the making of the perfect put. Rather let him be thankful
-that he has James Braid's corroboration of the fact, which I have for
-many years past tried to impress upon golfers, that the main thing to
-strive at in connection with improving their game is a proper
-understanding of the mechanical principles involved in producing the
-strokes. Until the ordinary golfer has this he will not progress so
-rapidly as he may desire.
-
-I think that we may now consider that it _is_ possible to teach people
-how to put; so, having disposed of this fable, let us consider the
-most important features of putting. I do not propose here to
-illustrate the manner in which the stroke is to be played. I have done
-that fully in _Modern Golf_ and in other places. I am here concerning
-myself mainly with the fundamental principles. When these are properly
-grasped, and these I may say are practically all arm-chair golf, any
-person of ordinary intelligence should be able to go on to a putting
-green, and by carrying them out become quite a good putter.
-
-Let us first consider the manner of propulsion of the ball. Provided,
-for the sake of argument, that the putting-green were an enlarged
-billiard table with a hole in the middle of it, and one were given a
-penny to put into that hole from the edge of the table, how would one
-endeavour to do it? There can be but little doubt one would try to
-_roll_ the coin into the hole. Now that is the way one must try to
-put. The ball must be rolled up to the hole. At first sight this seems
-an entirely superfluous direction. The reader may say: "In what other
-way may puts be sent into the hole than by rolling?" Practically,
-there is no other way. It was the idea that there was another and a
-better way of holing puts than by rolling them into the hole which
-made James Braid in the old days such a bad putter, for in those days
-James Braid putted with what is commonly called "drag." It is no
-uncommon thing to hear men who play a very fine game of golf advise
-players to "slide" their long puts up. Put in another way this simply
-means--advice to play a long put with what is known as "drag."
-
- [Illustration: PLATE III. HARRY VARDON
-
- At the top of his swing, showing his weight mainly on the left
- leg. This characteristic is very marked in Vardon's play.]
-
-It is well known that at billiards one can hit very hard and direct
-one's ball very well by playing with a large amount of drag, and
-golfers have carried this notion on to the putting-green, but, it must
-be admitted, in a very thoughtless manner. In billiards the ball is
-very heavy in proportion to its size. It moves on a perfectly level
-and practically smooth surface, the tip of the cue is soft and covered
-with chalk, which gives a splendid grip on the ball, and the blow is
-delivered very far below the centre of the ball's mass, and is
-concentrated on a particular point. In golf it is impracticable in
-putting to get very much below the centre of the ball. It can be done,
-of course, with a club which is sufficiently lofted, but the moment
-this is done there is a tendency to make the ball leave the green,
-which is not calculated to make for accuracy. Moreover, be it
-remembered that the contact here is between two substances which
-are not well calculated to enter into communion, namely, the
-comparatively hard and shiny surface of a golf ball, and the hard and
-frequently unmarked face of a putter. Moreover, the golf ball is
-frequently marked with excrescences called brambles or pimples.
-
-It is obvious that in many cases the first impact will be on one of
-these pimples, and also in many cases certainly not in a line dead
-down the centre of that bramble and in a line coinciding with the
-intended line of run of the ball. When the impact takes place in this
-manner it is obvious that, according to the simplest laws of
-mechanics, the put must be started wrongly. It is also obvious that if
-there is this tendency to go crookedly off the face of the club the
-ball will have more opportunity of getting out of the track, which it
-makes for itself in the turf, if it is lifted in any degree from the
-turf by a lofted club.
-
-It is apparent that a golf ball on a putting green sinks into the
-turf. It is equally apparent that it will, on its way to the hole,
-make for itself a track or furrow of approximately the same depth as
-the depression in which it was resting when stationary. That furrow,
-to a very great extent, holds the ball to its course and minimises
-very much the faulty marking of a great many of the golf balls of
-to-day, so that it will be seen that the object of the player should
-be not in any way whatever to lift his ball from the green in the put,
-which is the invariable and inevitable tendency of attempting to put
-with drag by means of a lofted club. It is an extremely common error
-to suppose that a put played with drag hugs the green more than one
-played in the ordinary way, or with top. As a matter of
-incontrovertible fact, no put hugs the green more than a topped put.
-It would be easy enough to demonstrate this were it necessary to do
-so, but it is a matter which comes in more in the dynamics of golf,
-and possibly I shall have the space to treat of it further there. We
-may, for our immediate purpose, content ourselves with the fact that
-James Braid has abandoned putting with drag, and now rolls his ball up
-to the hole with, if anything, a little top, although, be it clearly
-understood, there is no apparent intention on his part to obtain this
-top, nor does he in _Advanced Golf_ advocate that any attempt should
-be made to obtain top; but there can be no doubt whatever that the
-manner in which he plays his put tends to impart a certain amount of
-top to the ball, and this, of course, causes it to run very freely.
-
-Now with regard to putting drag on a long put, it should be obvious to
-any one that, considering the roughness of the green, the extreme
-roughness of the ball and its comparatively light weight in proportion
-to its size, it would be impossible to make that ball retain any
-considerable measure of back-spin over any appreciable distance of the
-green. The idea is so repugnant to common sense and practical golf
-that it has always been a matter of astonishment to me to think that
-it could have prevailed so much as it has. However, there can be no
-doubt that putting under this utterly wrong impression has done a very
-great amount of harm to the game of players who might otherwise have
-been many strokes better. Let our golfer understand that there is one
-way, and one way only, in practical golf to put the ball, and that is
-to roll it up to the hole.
-
-There is generally an exception to prove the rule, and if I can find
-an exception to this rule, it must be when one is trying to bolt short
-puts. Practically every one has experienced the difficulty of holing
-short puts, especially when the green is extremely keen. It is here
-that the delicacy of the stroke allows the ball and the inequalities
-thereof and any obstructions on the turf to exercise their fullest
-power to deflect the ball from the line to the hole. James Braid, in
-these circumstances, advises bolting one's puts. Needless to say, he
-explains that one should put dead for the middle of the hole, and by
-bolting, of course, is meant that one should put firmly so as to give
-the ball sufficient strength of run to overcome its inequalities or
-those of the turf.
-
-This, unquestionably, is good advice; but if one puts at the hole in
-this manner and does not get it cleanly enough to sink into the tin at
-once, the ball with top will run round the edge of the tin and remain
-on the green. This is the only case in golf that I can call to mind
-where there is any use in putting drag on a put, and the reason for
-this is that the distance from the ball to the hole and the nature of
-the green is such that the ball is able to retain a very considerable
-portion of its backward spin, and upon contact with the rim of the
-hole, instead of having a forward run on it which enables it to hold
-up and so get away from the hole, the back-spin gets a grip on the
-edge of the hole and the ball falls in.
-
-So far as I can remember, this is absolutely the only case in which
-drag of any sort may be considered useful in a put. When I say drag of
-any sort I am not, of course, referring to cutting round a put, or
-negotiating a stymie with back-spin, for neither of these strokes
-comes within the scope of my remark.
-
-Having arrived at a decision as to the best method of sending the ball
-on its journey to the hole, we have now to consider a point of supreme
-importance in golf, and one which is not sufficiently insisted upon
-by instructors. This is, that at the moment of impact the face of the
-putter shall form a true right angle with the line of run to the hole.
-That is the fundamental point in connection with putting; but it is of
-almost equal importance that the right angle shall be preserved for as
-long a time as possible in the swing back, and also in the
-follow-through--in other words, the head of the putter should be in
-the line of run to the hole as long as possible both before and after
-the stroke. With this extremely simple rule, and it will be apparent
-that this can be just as well learned in an arm-chair as anywhere
-else, almost anyone could put well.
-
-There is another point of outstanding importance. I have said that the
-head of the putter should form a right angle to the line of run to the
-hole. I shall be more emphatic still. Let us consider the line of run
-to the hole as the upright portion of a very long letter T laid on the
-ground. The top of the letter T will then be formed by the front edge
-of the sole of the putter, so that it will be seen that not only does
-the putter face form a dead right angle to the line of run to the
-hole, but that the line of run to the hole hits the putter face dead
-in the centre. For all ordinary putting, that is the one and only way
-to proceed. One reads in various books about putting off the heel,
-putting off the toe, and putting with drag. This is, comparatively
-speaking, all imbecility and theory. There is no way to put in golf
-comparable with the put that goes off the centre of the club's face.
-If we may treat the face of the putter as a rectangle, bisect it by a
-vertical line and also by a horizontal line, the point where these two
-lines cross each other will be the portion of the putter which should
-come into contact with the ball.
-
-These are extremely elementary matters; but it is impossible,
-although they are so elementary, to exaggerate their importance, and
-it is amazing, considering their simplicity, how much neglected they
-are in all books of instruction, and, generally speaking, by all
-instructors. For instance, James Braid, at page 149, tells us:
-
- Hitting the ball truly is simply a question of bringing the
- putter on to it when making the stroke to exactly the same
- point as when the final address was made, and of swinging the
- putter through from the back swing to the finish in a
- straight line.
-
-This statement would be correct if the address had been made correctly
-in the first instance, but unless one has it in one's mind to make
-one's putter the top of the T--that is, the completion of the right
-angle to the line of run to the hole--the chances are that one's
-original address was wrong. Then it will be clearly seen that it is
-not "simply a question of bringing the putter on to it when making the
-stroke to exactly the same point as when the final address was made."
-The important point is to see that the final address is correctly
-made; but in no book which I have read--and I have read practically
-every book on golf which deserves to be read--do I find any simple and
-explicit directions for the mechanical portion of the put, which, as
-James Braid truly observes, is extremely simple.
-
-Now for the idea of the stroke: The player will, of course, have
-learned his grip from some of the books on golf, or from a
-professional. He will in all probability have adopted the overlapping
-grip, for that grip tends, more than any other, to bring both wrists
-into action together; and there can, I think, be little doubt that for
-most people it is the better grip. Having obtained a good general idea
-of the simple mechanical operations involved in the contact of the
-club with the ball, the player now has to consider how that club
-moves where it is, if we may so express it, bound to him. Well, if he
-has even a rudimentary idea of mechanics, he will know that if he
-wishes to swing that club so that it may hit the ball in an exactly
-similar manner every time, he should suspend it on a single bearing,
-so that it would swing in a similar manner to the pendulum of a clock.
-
-The perfect put, from a mechanical point of view, is made by a motion
-which is equivalent to the swinging of a pendulum. If, instead of
-allowing the weight of the pendulum to be, as it generally is, in the
-plane of the swing, it were turned round so that the flat side faced
-towards the sides of the clock, we should have a rough mechanical
-presentment of the golf club in the act of making a put. This is, of
-course, a counsel of absolute perfection. It is an impossibility to
-the golfer, both on account of his physical and physiological
-imperfections, and on account of the fact that the golfer practically
-never puts with an upright putter.
-
-We are frequently told that a put is the only true wrist stroke in
-golf. As a matter of fact there is no true wrist stroke in golf, for
-it is evident that if one played the put as a true wrist stroke with a
-club whose lie is at a considerable angle to the horizontal, the
-centre of the circle formed by the club head will be away from the
-ball to such an extent that the instant the club head leaves the ball
-it must leave the line of run to the hole, and equally as certainly
-will it leave the line of run to the hole immediately after it has
-struck the ball.
-
-Now this is not what we require, so it has come to pass that the put
-at golf is to a very great extent a compromise. It must, above
-everything, be a deliberate stroke with a clean follow-through. There
-must be no suggestion of reducing the put to a muscular effort. The
-idea of the pendulum must be preserved as much as possible, and the
-strength of the put regulated to a very great extent by the length of
-one's backward swing.
-
-It is of the first importance that the body should be kept still
-during the process of putting, and it stands to reason that the wrists
-must also be kept as much as possible in the same place. If one finds
-that one has a marked tendency to sway or to move the body about,
-standing with one's feet close together will frequently correct this.
-
-I have referred to the fact that the put is not a wrist stroke. As a
-matter of fact, the wrists must in all good putting "go out after the
-ball." By this is meant that at the moment of impact the wrists must
-in the follow-through travel in a line parallel with the line of run
-to the hole, and they must finish so that the club head is able, at
-the finish, to stay over the line of run to the hole. To do this, it
-is obvious that the wrists, after impact, must move forward. No true
-follow-through in the put can be obtained from stationary wrists. This
-may sound a little complicated. As a matter of fact it is nothing of
-the sort, and the action is very simple, very natural, and when
-properly played the ball goes very sweetly off the club and with
-splendid direction.
-
-There is one good general rule for regulating the distance which one
-should stand from the ball in putting. When one addresses one's ball,
-one should be in such a position that the ball is right underneath
-one's eyes. To put it so that there can be no possible mistake as to
-what I mean, I may say that in most cases the eyes, the ball, and the
-hole should form a triangle in a plane at a right angle to the
-horizon. Now I know how hard it is for some people to follow a remark
-which refers to planes and right angles and horizons, so as this is a
-matter of extreme importance, and a matter where many beginners go
-absolutely wrong, I shall make it so plain that there is no
-possibility of misunderstanding what I mean.
-
-Let us imagine a large, irregularly shaped triangle with the apex at
-the hole. We shall suppose, for the sake of argument, that this
-triangle is composed of cardboard, that it is a right-angled triangle,
-and that its base is 4' 6" wide. This triangle, then, is laid on the
-green so that its base is vertical, and the corner which is remote
-from the hole represents the ball, the upper corner of the base being,
-of course, the player's eyes.
-
-I believe this to be a matter of very great importance, for here it
-will be seen that we have the eyes, the ball, and the hole all in the
-same plane. Some people like putting with very upright putters. For
-the purpose of experiment I had a perfectly upright putter made, but
-upright putters are, I think, open to this objection--one's body hangs
-too far over them, so that at the moment of striking the ball one is
-looking inwards towards the ball, for one's head projects beyond the
-line of run to the hole for a considerable distance. It will thus be
-seen that one is looking down one line to the hole, and putting over
-another. Needless to say, this cannot be good for direction. The eye,
-the ball, and the hole should undoubtedly be in the same plane, and
-that plane at right angles to the horizon.
-
-As regards the position of the ball in relation to the feet there is
-some slight difference of opinion, but generally it may be said that
-about midway between the feet is the best position. If anything, the
-ball should perhaps be a little nearer to the left foot than to the
-right, but this is a matter upon which we cannot lay down any hard and
-fast rule. The main point for the player to consider will be how he
-can best secure the mechanical results which I have stated as being
-the fundamental requisites of good putting. The matter of an inch or
-two in his stance, nearer the hole or farther from it, is not of very
-great importance compared with this. Some players have an idea that
-they can secure a better run on their ball when putting by turning
-over their wrists at the moment of impact. This is one of the most
-dangerous fallacies which it is possible to conceive. The idea is
-absolutely and fundamentally erroneous.
-
-If one desires to put any run on one's ball more than is obtained by
-the method of striking it which I have stated, it is always open to
-one to play the put a little after the club has reached the lowest
-point in its swing,--that is to say, as the putter is ascending, but
-this is practically unnecessary. If one requires a little more run on
-the ball it is best obtained by making the stroke a little stronger.
-Any attempt whatever to do anything by altering the angle of the face
-of the club during impact is utterly beyond the realm of practical
-golf.
-
-There are many refinements in the art of putting which go somewhat
-beyond the fundamental principles laid down in this chapter, in that
-they call for cut of a particular kind; but for about ninety-five per
-cent of the puts which one has to play, practically nothing more need
-be known by the golfer than is here set out.
-
-I am not here going to describe the method in which one cuts round a
-stymie, for I have done that very fully elsewhere; and, moreover, this
-does not so completely come within the scope of this work, for it
-enters much more into the region of practical stroke play than do the
-matters which I have treated of and which I intend to treat of in this
-book.
-
-There is, however, one stroke which is played on the putting-green,
-yet is not truly, of course, a put. It is a stroke which I myself
-introduced into the game several years ago. This is the stroke which
-is now known as the Vaile Stymie Stroke. It is unique among golf
-strokes in that it is not an arc. Every known golf stroke before I
-introduced this stroke into the game was an arc of a more or less
-irregular shape, but it was an arc. The essence of my stroke is that
-it is produced in practically a straight line. For all ordinary
-stymies it is without doubt the most delicate and accurate stroke
-which can possibly be played, and the manner of playing it, after a
-golfer has once conquered the force of habit which tends to make him
-raise his club from the earth immediately he leaves his ball, is very
-simple. The mashie is drawn back from the ball in a perfectly straight
-line, and with the sole of it practically brushing, or no more than
-just clearing the green. It is then moved sharply forward, but instead
-of coming up with the ball after it has hit it, it passes clean
-forward down the intended line of flight in a perfectly horizontal
-line, provided always, of course, that the green is level, so that it
-finishes some inches down the line to the hole and practically
-touching the green. No attempt must be made to strike the ball or to
-take turf. The idea in one's mind should be to divide the ball from
-the green with the front edge of the sole.
-
-Many mashies are not suitable for this shot, because the sole is not
-cut away enough on the back edge, as indeed the sole of every mashie
-should be; so it will frequently be found that the best club for
-negotiating stymies is the niblick, for its sole being cut away so
-much enables the front edge of the club to get well in underneath the
-ball. This is a matter of the very greatest importance in playing
-stymies, for the simple reason that it enables the player to put so
-much more of his force into elevation than is possible when the front
-edge of his mashie is cocked up, as it frequently is, by the breadth
-of the sole of the mashie; for in many cases when one is trying to
-play a stymie the rear edge of the sole of the club makes contact with
-the green first and tilts up the front edge, so that it is at least a
-quarter of an inch higher than it should be, and instead of striking
-the ball almost at the point where it is resting on the turf, it gets
-it fully a quarter of an inch to half an inch higher up. The
-consequence of this is that too much of the force of the blow goes
-into propulsion instead of elevation.
-
-This means that if the stymie is close to the hole and there is only a
-very short run after the ball has got over the obstacle, the player
-invariably finds that with his imperfectly constructed mashie he
-cannot put enough stop on the ball, nor play the shot delicately
-enough to give it a chance to get into the hole, because the run is in
-many cases far too strong. Every golfer who desires to play a stymie
-well should see to it that he has a mashie with a very fine front
-edge, and that the sole is not flat in any part, but begins to curve
-away immediately it leaves the front edge. With the mashie constructed
-on these lines all ordinary stymies absolutely lose their terror if
-the shot is played as described.
-
-The delicacy and accuracy of this stroke are remarkable. The direction
-is an astonishing illustration of the importance of the rule for
-putting which I have laid down, of keeping the front edge of the
-putter at a right angle to the line of run to the hole, both before
-and after impact. As the whole essence of playing this stymie stroke
-correctly consists of the straight movement of the face of the club
-sharply down the intended line of flight and run to the hole, the
-wrists have naturally to follow the head of the club in a line
-parallel with that made by the head of the club, and so accurate is
-the result that in any ordinary stymie if a wire were stuck on the top
-of the intervening ball, I would guarantee to hit the wire every time.
-
-This stroke was a revelation to me of the importance of the principles
-which I am now enunciating, although, of course, I was well aware of
-their soundness before I discovered this stroke.
-
-The usefulness of this stroke is not confined merely to playing
-stymies, but it makes a magnificent and accurate chip shot; or if one
-has a bad portion of green to put over one can, with this stroke, rely
-upon going as straight through the air as one can in the ordinary
-course over the green.
-
-Lest anyone should think that this is merely a theoretical stroke, let
-me tell how I came to introduce it into the game of golf. I had used
-the stroke myself for some time. One afternoon I was in the shop of
-George Duncan, the famous young Hanger Hill professional. It was
-raining heavily, and to pass the time I was knocking a ball about on
-the mat. Presently I set up a stymie and said to Duncan:
-
-"Show me how you play your stymie, George."
-
-"Oh, just in the usual way," said Duncan.
-
-"Well, show me," I said.
-
-Duncan took his mashie and played the stymie shot perfectly, "just in
-the usual way."
-
-"There is a much better way of playing a stymie than that," I said,
-and I set up the shot and showed Duncan how I played it by my method.
-Very few people can give George Duncan any points with the mashie. He
-got hold of the stroke at once, and he would hardly wait for the rain
-to stop before he went out on to the green to try it there. He plays
-the shot perfectly now, and maintains, as indeed I show in _Modern
-Golf_, that there is no stymie stroke to compare with it, and of that
-I have myself absolutely no doubt. In fact, so accurate is the stroke
-that if I found myself badly off my game with my putter, I should take
-my mashie and play this stroke, for as regards the fundamental
-principle of putting it is a wealth of instruction in itself.
-
-Cutting round a stymie is nearly always included in the chapter on
-putting, but it is practically always a mashie stroke, and in the
-majority of cases is a very short pitch with a large amount of cut. On
-account of the loft of the mashie the club gets well in underneath the
-ball, and as the head of the club at the moment of impact is
-travelling in a line which runs at a fairly sharp angle across the
-intended line of flight and run of the ball it imparts a strong _side
-roll_ to the ball. The cut on a golf ball in such a stroke as I am now
-describing resembles almost exactly the off-break spin in cricket.
-This means that the ball has a strong side-spin, so that the moment it
-hits the earth it endeavours to roll sideways, but the force of
-propulsion fights this tendency, and the resulting compromise is a
-curve which enables the ball to get round the intervening obstacle,
-and, if the stroke is well executed, to find the hole.
-
-Almost all golf books instruct the player wrongly about this stroke.
-He is told to draw his hands in towards him at the moment of impact,
-and in some cases, even where the author calls his book _Practical
-Golf_, he is told to draw his hands in after impact. Both of these
-instructions are utterly wrong. There must be no conscious drawing in
-of the hands at the moment when one is trying to cut a put. All the
-cut must be done by the natural swing of the club across the intended
-line of run of the ball: in other words, the cut is a continuous
-process from the time that the club begins its swing until the time
-that it ends it. The fact that the ball is in the way of the face of
-the club as it crosses the intended line of run to the hole may be
-said to be merely an incident in the passage of the club head. Any
-attempt whatever to interfere with the natural swing of the club or to
-juggle with the ball during impact, or, more futile still, after
-impact, must result in irretrievably ruining the stroke.
-
-The stymie shot which I have described will also be found of use a
-little farther from the green, and by means of it an excellent run-up
-shot, with most accurate direction, can be played. There is another
-way of negotiating a stymie which I have never seen described. It is
-pulling round a stymie. It will be obvious to any one acquainted with
-the game that cutting round a stymie is merely another form of slice;
-although of course the run of the ball is obtained in a different
-manner from the curve of the slice in the air, yet the method of
-production of the stroke is practically similar. So is it with pulling
-a put. There is no doubt that this can be done; but I think there is
-also no doubt that it is the most difficult method of negotiating a
-stymie which there is. The stroke is played, to all intents and
-purposes, as is the pulled drive. Some people imagine that it may be
-obtained by turning over the wrist at the moment of impact. This is
-quite an error, and is absolutely destructive of accuracy. As, in the
-cut put, the head of the club is travelling from outside the line
-across it, towards the player's side of the line at the moment of
-impact, so, in the pull, the head of the club must be travelling from
-the player's side of the line across and away to the far side of the
-line at the moment of impact. That is the secret of the pull either in
-the drive or the put.
-
-I cannot refrain from quoting Vardon again. He says on page 148:
-
- There should be no sharp hit and no jerk in the swing, which
- should have the even gentle motion of a pendulum. In the
- backward swing, the length of which, as in all other strokes
- in golf, is regulated by the distance it is desired to make
- the ball travel, the head of the putter should be kept
- exactly in the line of the putt. Accuracy will be impossible
- if it is brought round at all. There should be a short
- follow-through after impact, varying, of course, according to
- the length of the putt. In the case of a long one, the club
- will go through much further, and then the arms would
- naturally be more extended.
-
-This is wisdom as regards the put. There can be no doubt whatever
-about this being practical golf of the highest order, but Vardon
-rather spoils it by the following sentence in which he says, "In the
-follow-through the putter should be kept well down, the bottom edge
-scraping the edge of the grass for some inches."
-
-Now, if that means anything at all, it means that although Vardon's
-conception of the put and its execution in many ways is excellent, yet
-he has been making for years the error which made James Braid a bad
-putter--in other words, he has been putting with drag. It is well
-known that for a very long time Vardon's weakness was his putting; and
-I firmly believe that the secret of his bad putting was this low
-follow-through with his put. I think that Vardon's follow-through in
-his put is now not so low as it was, and the consequence is that his
-putting has improved.
-
-Vardon continues:
-
- It is easy to understand how much more this course of
- procedure will tend towards the accuracy and delicacy of the
- stroke than the reverse method, in which the blade of the
- putter would be cocked up as soon as the ball had left it.
-
-What is more natural, then, than that the blade of the putter should
-be cocked up immediately after the ball has left it? That is exactly
-what should happen in the perfectly played put. Vardon has already
-told us that the put is to be played with the "even gentle motion of a
-pendulum." Let us suppose for a moment that it was the weight of the
-pendulum turned side-wise which had struck the golf ball. It stands to
-reason that immediately the weight, which in this case answers to the
-face of the golf club, has struck the ball and sent it on its way to
-the hole, the face begins to "be cocked up."
-
-Vardon here makes a totally erroneous claim. He claims greater
-delicacy and accuracy for the put played with drag as against that
-played as Braid now plays his puts. There can be no shadow of doubt
-that the put played with drag, or with a low follow-through "scraping
-the top of the grass for some inches," partakes much more of the
-nature of a tap than does the put which is played with top or a
-perfectly horizontal blow. If Vardon has not completely realised this,
-as I think he has, he will, ere long, do so, as James Braid already
-has done.
-
-I need not here deal with complicated puts; that is to say, puts of
-such a nature that one has to traverse one, two, or more slopes on
-the way to the hole. These puts do not, in themselves, contain any of
-the fundamental principles of golf. Each one stands entirely by
-itself, and these are absolutely matters in which nothing but practice
-on the green can be of any use. It will be obvious to any schoolboy
-that if he has to run across five little hills on his way to the hole,
-and that three of these slant one way and two the other; and if we say
-for the sake of example that they are all practically equal in their
-width and slope, that it will be a case of four of them cancelling out
-on the good old plus and minus system of our schoolboy days, and we
-shall then be left practically to calculate how much we will have to
-allow for putting across the incline of one slope. This is not a case
-which I should think of giving myself. I merely give it because I came
-across such an illustration given in a book which is supposed to cater
-for those who desire the higher knowledge of golf, but as a matter of
-practical golf these situations but seldom occur.
-
-Allowing for the drop in a green when one is putting across the slope,
-requires a lot of practice, and is most absolutely and emphatically
-not a thing that can be learned in an arm-chair, or in any golf
-school. It must be learned on the green itself.
-
-Although James Braid has remodelled his putting with such success, he
-still, to a certain extent, clings to his own idea of putting with
-drag. On page 154 of _Advanced Golf_ he says:
-
- For general use I am a strong believer in a putter having
- just a little loft. I know that some players like one with a
- perfectly straight face which does not impart the slightest
- drag to the ball, their theory being that such putters are
- capable of more delicate work than others, and that the ball
- answers more readily to the most delicate tap from them.
- There may be considerable truth in this, though, obviously,
- great skill and confidence on the part of the player are
- taken for granted.
-
-And again he says:
-
- The strength of long putts can generally be more accurately
- regulated with a lofted putter than with a straight-faced
- one.
-
-He continues:
-
- This is the kind of putter that I might recommend for what
- might be called a medium or average green, if there can be
- said to be such a thing; but I wish to point out that the
- putter that is the best suited to such a green is not so well
- suited to either a very fast green or a very slow one, and
- that in each of the latter cases the club best adapted to the
- circumstances is one with considerably more loft on it.
-
-On page 56 he says:
-
- Now in both these cases, when the greens are very slow and
- when they are extremely fast, the best putter for them is one
- with very considerable loft on the face, and it will often be
- found that there is nothing better than a fairly
- straight-faced iron, or an ordinary cleek, if it is big
- enough in the face to suit the player. With this club and its
- great dragging power, the effect seems to be practically to
- reduce the distance between the ball and the hole. Such is
- the drag that the ball is simply pushed over a considerable
- part of the way, and it is only when it is quite near to the
- hole that it begins, as it were, to run in the usual way. The
- fact is that for the first part of the journey the ball does
- not revolve regularly upon its axis, as it does when
- approaching the hole, but simply skates over the turf, and it
- will be found that with a little practice the point at which
- it will stop skating can be determined with very considerable
- exactness. When it does so stop there is still so much drag
- on it that it is very quickly brought to a standstill. Thus
- in both cases, of the very fast and the very slow green, the
- ball can be played without fear right up to the hole when the
- putter is so well lofted as I have recommended.
-
-Here we are told that the ball "simply skates over the turf." As I
-have shown before, this is one of the greatest fallacies in golf. It
-is impossible to obtain any results by drag in a long put, which are
-not better obtained by simply rolling the ball up. Braid says that
-"with a little practice the point at which it will stop skating can be
-determined with very considerable exactness," and he goes on to say
-that "when it does so stop there is still so much drag on it that it
-is very quickly brought to a standstill."
-
-This is obviously nonsense. It is the drag on the ball which makes it
-do any skating which may take place. It is obvious that when the
-skating has ceased the drag has stopped exerting its influence. How,
-then, is it going to stop the ball from rolling in a natural manner?
-
-We see here the mistake of importing into golf the well-known
-phenomena of billiards, but one would have thought that the experience
-of the billiard-table would have been sufficient to show the fallacy
-of this statement. The billiard player uses drag to enable him to play
-his ball fast and accurately, and there is no doubt that by means of
-this drag he does obtain very considerable accuracy, but directly the
-ball has ceased to "skate" he knows that that is the time when the
-drag has entirely departed from it, and that the momentum has
-conquered the friction caused by the back-spin; in other words, the
-drag having accomplished its work has gone out of business, and all
-the run that is on the ball is derived from the remains of the
-momentum imparted to it.
-
-I cannot say too emphatically that in my opinion this idea of putting
-with drag, or with any club having a loft more than that which barely
-enables one to see the face of it when it is properly soled, is
-dangerous and calculated to produce bad putting on the part of anyone
-who attempts it, even as it did in the case of James Braid himself.
-
-There is one remark which James Braid makes about stymies which I
-should like to refer to here. Braid says: "Given complete confidence,
-the successful negotiation of a stymie is a much less difficult matter
-than it is imagined to be, though in the nature of things it can never
-be very easy." I must say that I differ entirely from Braid in this
-respect. I maintain that in the nature of things most ordinary
-stymies, when played in the manner which I advocate, are very easy.
-The difficulty of the stymie, provided one's club is properly
-built--and later on I shall refer to the construction of the
-mashie--is much exaggerated. Eight of ten stymies should present no
-more difficulty than an ordinary put. The only time a stymie should
-present a difficulty to the golfer is when the intervening ball is
-much nearer to the hole than to the ball which is stymied, so that the
-force required to get over the obstacle is so much that the player,
-after landing on the far side of the stymie, has too much power in his
-ball to give it a chance to settle in the hole, but even such a stymie
-as this may, if the ground be suitable, be overcome by lofting one's
-ball so as to drop on the hither side of the stymie, bound over it on
-its first bound, and continue on its way to the hole. This, probably,
-is one of the most difficult ways of negotiating a stymie; but as
-showing that it is eminently a matter of practical golf, I may say
-that I was illustrating the shot one day to a man who had practically
-just started golf. I showed him how to obtain the shot, and he did it
-at his first attempt. I advised him not to try again that day.
-
-Braid continues:
-
- I need not say that the pitching method is only
- practicable--and then it is generally the only shot that is
- practicable--when both balls are near the hole, and are so
- situated in relation to each other and to the hole that the
- ball can reach the latter as the result of such a stroke as
- enabled it to clear the opponent's ball.
-
-Braid is, I think, referring to a clean pitch into the hole, although
-the photograph leaves this open to doubt. The pitching method is
-practicable when one is stymied in almost any position on the green,
-provided always, as I have said, that one has any chance whatever of
-pulling up in time to get into the hole after having got over the
-stymie. Let me give an example:--Supposing my ball were fifteen yards
-from the hole, that the green was absolutely level, and that I had a
-stymie ten inches or ten feet in front of me. I should not hesitate
-for a moment to use the shot which I have described as the best stymie
-stroke in the game. The ball in front of me, so far from being an
-obstruction, or in any way whatever putting me off, would, if
-anything, serve as a good line to the hole. I am aware that to many
-golfers who do not know this stroke, and comparatively few do, this
-will sound like exaggeration. I am prepared at any time to demonstrate
-the practical nature of what I am writing to any one of my readers who
-cannot obtain the results which I get with this stroke.
-
-At the time that I introduced this stroke there was much controversy
-about it, and it was claimed that it was not a new stroke, but that it
-was exactly the same as the stroke played by all golfers when stymied.
-This, however, is quite an error. Speaking of the stymie shot, James
-Braid says
-
- ... it is just an ordinary chip up, with a clean and quick
- rise, the fact being remembered that the green must not be
- damaged. To spare the latter the swing back should be low
- down and near to the surface, which will check the tendency
- to dig. The thing that will ensure the success of the shot,
- so far as the quick and clean rise is concerned--and often
- enough success depends entirely upon that--is the
- follow-through. Generally, if the club is taken through
- easily and cleanly, all will be well.
-
-It is obvious from this description that the stroke in Braid's mind is
-totally different from my stymie stroke. With the stroke as I play it,
-it is an absolute impossibility to "dig" into the green. One has no
-need to have any anxiety whatever about the green, for as the club
-travels parallel with the surface of the green all the time, it is
-obvious that no damage can ensue. If there is any deflection whatever
-from the straight line, it would be at the moment of impact, but even
-here it stands to reason that there is practically no deflection
-whatever; for even in a stroke played, relatively speaking, so slowly
-as is this shot, any alteration of the line of the stroke after it has
-once been decided upon, is quite improbable, but the dominant idea in
-the player's mind must be to insert the front edge of his mashie
-between the ball and the grass, and above everything to keep his
-follow-through as straight and as low along the surface of the green
-as was his swing back. It is this straight and low follow-through
-which gives the ball its "quick and clean rise," as Braid calls it.
-Curiously enough, the follow-through which Braid shows for his stymie
-shot, wherein the head of the club is raised from the green, will not
-give anything like so quick a rise or such delicacy of touch as will
-the stroke played in the manner which I have described, and, above
-everything, with the very low follow-through insisted upon by me.
-
- [Illustration: PLATE IV. HARRY VARDON
-
- At the top of his swing in the drive. This is a fine
- illustration of Vardon's perfect management of his weight,
- which is mainly on his left foot. Observe carefully the
- wrists, which are in the best possible position to develop
- power.]
-
-I may mention that George Duncan never uses any other stroke than this
-when playing a short stymie. Indeed, he went so far as to say, when I
-was having him photographed for my illustrations in _Modern Golf_,
-that it was useless to take any exposures of the ordinary stymie shot,
-for the stroke introduced and described by me had practically put it
-out of the game.
-
-Speaking of cutting round a stymie, James Braid says: "Whichever way I
-wish to make the ball curl, either round the other ball from the
-left-hand side, or from the right, I hit my own with the toe of the
-club, drawing the club towards me in the former case so as to make a
-slice, and holding the face of it at an angle--toe nearer the hole
-than the heel--in the latter, in order to produce a hook." And he
-adds: "You cannot do anything by hitting the ball with the heel of
-your putter," to which I would rejoin, nor can you do anything by
-hitting the ball with the toe of your putter, that you cannot do
-better by hitting it absolutely in the middle, which is the only
-proper part wherewith to hit a golf ball.
-
-In the illustrations Braid is shown cutting the put with an aluminium
-club. One has no more chance of cutting round a stymie with a club of
-this nature than one would have with a bar of soap, for the simple
-reason that on account of the breadth of its sole--for if it be not an
-aluminium club, it is at least shaped on the same lines--it is
-impossible to get the face of the club sufficiently underneath the
-ball for the loft to get to work so as to impart that side roll which
-is of the essence of cutting round. Braid says at page 171: "But
-remember that you can never get any work on the ball if the green is
-stiff." Now if this is so, I should like to know what use there is in
-attempting to put with drag?
-
-I quite agree with Braid that it is practically impossible to get any
-work whatever on the ball with the club he is shown using. With such a
-club it would be still more difficult, if not absolutely impossible,
-to obtain any appreciable drag, but if, as Braid says, "you can never
-get any work on the ball when the green is stiff," how can he advise
-one to attempt to put with drag on a stiff green? To my mind this is
-absolutely bad and misleading advice.
-
-In my chapter on the "Construction of Clubs" it will be seen that I
-advocate a short putter for short puts. In _Advanced Golf_ James Braid
-has some interesting things to say about gripping low down. He says:
-
- Many golfers grip very low down, even half-way between the
- leather and the head. If their putting when done this way is
- first class, nobody can say anything to them, but if it is
- not first class it may be pointed out to them that the system
- is absolutely bad. It may be allowed to pass for holing-out
- purposes; but for a putt of any length it cannot be good, for
- the club is not swung in the ordinary easy manner by which
- distance can be so accurately gauged. The ball is more or
- less poked along. When a man putts in this way he is putting
- largely by instinct, and even though he may generally putt
- well, his work on the greens cannot be thoroughly reliable.
- No putting is so good and consistently effective as is that
- which is done with a gentle even swing, which can be
- regulated to a nicety, and such putting is only possible when
- there is enough shaft left below the grip to swing with.
-
-I am quite in accord with what James Braid says about this method of
-putting, and I do not for one moment think that the short grip should
-be used for approach puts, but I am sure the nearer one gets to the
-hole the closer one should get down to the ball. Braid deals further
-on with the question of shortening one's putter. He says:
-
- As to the length of the shaft, many players, because they
- find that they always grip their putters a foot or so from
- the end of it, proceed in due course to have the best part of
- that foot cut off, or in purchasing a new putter they have
- the shaft cut very short. Are they quite satisfied that it is
- not better to have a fair amount of shaft projecting up above
- the place where they grip when that place is very low down?
-
-The answer to this is that in many cases the wood which projects above
-the grip is very much in the way of true putting. Any golfer who is
-foolish enough to cut anything like a foot off any club without any
-compensation to the head in the way of balance must be expected to pay
-the penalty for his ignorance, and anyone having a club constructed
-for him on such a principle, or, rather, want of principle, will
-inevitably pay for it. Braid goes on to say:
-
- Often enough no consideration is given to this point; it is
- not imagined that the shaft above the grip can serve any
- useful purpose. Yet it is constantly found that a putter cut
- down is not the same putter as it was before, not so good,
- and has not the same balance; and, again, many players must
- have been surprised sometimes, when doing some half-serious
- putting practice with a cleek, iron, or driving mashie, each
- club with its long shaft, to find out what wonderfully
- accurate work could be done in this way. The inference from
- all experience, having theoretical principle to back it, is
- that the top or spare part of the shaft acts as a kind of
- balance when the putter is gripped low down, and tends
- materially to a more delicate touch and to true hitting of
- the ball. A very little reflection will lead the reader to
- believe that this is so, and in some cases it may lead him
- towards a revision of his present methods.
-
-Personally, I should not think that even "a very little reflection"
-would be necessary to induce anyone to believe that the top part of
-the shaft acts "as a kind of balance" when the putter is gripped low
-down, but it is quite obvious that it is possible to build a putter,
-let us say, for the sake of example, two-thirds of the length of an
-ordinary putter, which is just as perfectly balanced as the long
-club. This is not any question of theory--it is a matter of absolutely
-proved and tried practice in golf. One may have a perfect putter which
-will be ruined by taking a few inches off the shaft. The balance of
-that putter is probably irrevocably destroyed, unless, perchance, the
-owner is lucky in adding weight to the head in some way, but dealing
-with a putter like this is tricky work for one who does not understand
-it. The main point in connection with this matter of Braid's, which I
-have quoted, is that he gives a kind of qualified approval to the idea
-of the short putter for short puts. Personally, I think it is the
-soundest of sound golf, and I am inclined to think that before many
-years we shall see the shorter clubs used in their proper place when
-their value is more clearly understood.
-
-Vardon has some very interesting things to say in his book, _The
-Complete Golfer_, on "Complicated Putts," while dealing with what he
-calls "one of the most difficult of all putts--that in which there is
-a more or less pronounced slope from one side or the other, or a
-mixture of the two." As he truly says, "In this case it would
-obviously be fatal to putt straight at the hole." He continues: "I
-have found that most beginners err in being afraid of allowing
-sufficiently for the slope"; and I have found that nine champions of
-ten make exactly the same error. It is as bad a fault at golf as it is
-at bowls to be "narrow," by which, in golf, is meant not to allow
-enough for the slope of the green, for it is obvious that if one is
-narrow one does not give the hole a chance any more than one does when
-one is short; so we may add to the stock maxim in putting "Never up,
-never in," another one, which is just as sound, "Never be narrow."
-
-Vardon goes fully into the general principles underlying these
-complicated puts, but as I have already indicated, this is
-unquestionably a matter which can only be settled by practice on the
-green; but he also goes into the question of the manner in which the
-stroke should be played, and here we have a subject which legitimately
-comes within the scope of this work. He continues:
-
- But there are times when a little artifice may be resorted
- to, particularly in the matter of applying a little cut to
- the ball. There is a good deal of billiards in putting, and
- the cut stroke on the green is essentially one which the
- billiard player will delight to practise, but I warn all
- those who are not already expert at cutting with the putter
- to make themselves masters of the stroke in private practice
- before they attempt it in a match, because it is by no means
- easy to acquire. The chief difficulty which the golf student
- will encounter in attempting it will be to put the cut on as
- he desires, and at the same time to play the ball with the
- proper strength and keep on the proper line. It is easy
- enough to cut the ball, but it is most difficult, at first at
- all events, to cut it and putt it properly at the same time.
- For the application of cut, turn the toe of the putter
- slightly outwards and away from the hole, and see that the
- face of the club is kept to this angle all the way through
- the stroke. Swing just a trifle away from the straight line
- outwards, and the moment you come back on to the ball draw
- the club sharply across it. It is evident that this movement,
- when properly executed, will give to the ball a rotary
- motion, which on a perfectly level green would tend to make
- it run slightly off to the right of the straight line along
- which it was aimed.
-
-There are one or two points in this statement which are of very great
-importance. Vardon says: "For the application of cut turn the toe
-slightly outwards and away from the hole, and see that the face of the
-club is kept to this angle all the way through the stroke." This is
-absolutely unsound golf, for Vardon is advising his reader to play the
-put with the toe of the putter slightly outwards and away from the
-hole. It stands to reason that following this advice will put the face
-of the club in such a position that at the moment of impact it will be
-impossible for it to be at a right angle to the intended line of run
-to the hole, and this rule is, for all purposes of practical golf,
-invariable. It is obvious that coming on to the ball in the manner
-suggested must tend to push it away to the right--that is to say, it
-would have a strong tendency to go away to the right from the very
-moment of impact, which is not what is generally wanted in a good put;
-also playing the put in this manner tends quite naturally to decrease
-the amount of cut put on it. The idea that cut mashie shots and cut
-puts are played in this manner has arisen from the fact that very
-frequently the golfer addresses the ball with the toe of his club laid
-back a little, but by the time he has come on to the ball again he has
-corrected this. In many cases, if it were not for laying the toe of
-the club back a little in this manner, golfers would be inclined,
-although as a matter of strict and accurate golf they should not be,
-to drag the ball across towards the left of the hole.
-
-Vardon says: "Swing just a trifle away from the straight line
-outwards, and the moment you come back on to the ball draw the club
-sharply across it." Now here again we see this outstanding error of
-practically every man who ever put pen to paper to write about golf,
-which is that in producing the cut, whether it be in a put or a sliced
-drive, something is done intentionally to the ball during the period
-in which the ball and the club are in contact. This is absolutely
-wrong. I have explained before that the cut put, and indeed all cut
-strokes at golf, are produced by the club swinging across the intended
-line of flight or run at the moment of impact, and the amount of cut
-depends entirely upon the angle and the speed at which the club head
-is travelling across the intended line of flight or run. It is obvious
-that the amount of cut must also, to a certain extent, depend on the
-amount of loft of the club, for the greater the loft of the club the
-greater assistance will the golfer who is applying the cut obtain from
-the weight of the ball.
-
-Vardon goes on to say: "It is evident that this movement, when
-properly executed, will give to the ball a rotary motion, which on a
-perfectly level green would tend to make it run slightly off to the
-right of the straight line along which it was aimed"; but as I have
-already shown, the unfortunate part of it is that a put so played
-would not go down the straight line which every golfer desires that
-his put shall go on; nor indeed on anything like it.
-
-Also it is a delusion that it is possible with any of the ordinary
-putters to obtain a cut of a sufficiently pronounced degree to remain
-on the ball, especially on the bramble balls, for any appreciable
-distance. Vardon supposes a case of a steep but even slope all the way
-from the ball to the hole, and he gives instructions as to how to put
-across this slope with cut so as to hold the ball up against the
-slope. He says:
-
- But we may borrow from the slope in another way than by
- running straight up it and straight down again. If we put cut
- on the ball, it will of itself be fighting against the hill
- the whole way, and though if the angle is at all pronounced
- it may not be able to contend against it without any extra
- borrow, much less will be required than in the case of the
- simple putt up the hill and down again.
-
-In the first place, I may remark that we do not generally borrow from
-a slope "by running straight up it and straight down again." The path
-of the ball is generally, almost from the time it is hit, a curve, and
-a gradual curve, in which one sees to it that the ball is at its
-farthest from the straight line to the hole somewhere about midway to
-the hole. But this idea of putting cut on the ball with a putter,
-which is sufficient to hold the ball up against the hill for any
-appreciable distance, is practically a delusion. I can easily
-understand that if Vardon plays the cut put as he himself directs it
-to be played, that he thinks that cut administered to a ball by an
-ordinary putter may have a very great effect in holding the ball up
-against the side of a hill for a considerable distance, but this
-really is not so. Putting, however, as Vardon instructs one to put for
-obtaining cut, would in itself punch the ball up against the slope of
-the hill, and I can easily believe that anybody who plays the put like
-this, thinking that he is obtaining cut by so doing, will be under the
-impression that cut is a very useful thing for holding the ball up
-against the slope in this manner, whereas he is in effect simply
-punching the ball up against the slope--in other words, he is playing
-a put, which if the green were perfectly level, would be yards off his
-line to the hole and to the right of it.
-
-Vardon goes on to say:
-
- Now it must be borne in mind that it is a purely artificial
- force, as it were, that keeps the ball from running down the
- slope, and as soon as the run on the ball is being exhausted
- and the spin at the same time, the tendency will be, not for
- the ball to run gradually down the slope--as it did in the
- case of the simple putt without cut--but to surrender to it
- completely and run almost straight down.
-
-There is a fundamental error here, for Vardon states that practically
-the spin on the put and the run on the ball will be exhausted at the
-same time, but it is an utter impossibility to calculate with any
-exactness whatever as to what happens in such a case. Vardon knows no
-more about it than any other golfer, and all that any golfer knows
-about this is extremely little, so that to advise anyone to attempt to
-hold his ball up against a slope by the application of cut with any
-ordinary putter, particularly a broad-soled putter, is to invite him
-to play his shot blindfolded.
-
-Vardon does not mention the length of the put which he considers it
-possible to play with this cut, but in his diagram he shows a put
-which would conceivably be quite a long put, let us say for the sake
-of argument fifteen or sixteen feet, but the theory would be just as
-bad if it were much less. He says:
-
- Our plan of campaign is now indicated. Instead of going a
- long way up the hill out of our straight line and having a
- very vague idea of what is going to be the end of it all, we
- will neutralise the end of the slope as far as possible by
- using the cut and aim to a point much lower down the
- hill--how much lower can only be determined with knowledge of
- the particular circumstances, and after the golfer has
- thoroughly practised the stroke and knows what he can do with
- it. And instead of settling on a point half-way along the
- line of the putt as the highest that the ball shall reach,
- this summit of the ascent will now be very much nearer the
- hole, quite close to it in fact. We putt up to this point
- with all the spin we can get on the ball, and when it reaches
- it, the forward motion and the rotation die away at the same
- time, and the ball drops away down the hill, and, as we hope,
- into the hole that is waiting for it close by.
-
-Vardon may well say "as we hope," for the put described by him has no
-more chance of being brought off on a putting-green than Vardon has of
-winning another open championship from an aeroplane. To speak of
-putting a ball in this manner, and treating it with such magic that
-when it gets up by the hole the forward motion and the rotation die
-away at the same time, is not practical golf, but absolute moonshine,
-for it would be an utter impossibility to persuade any golf ball which
-has ever been made to receive from any known form of golf club
-sufficient cut to make it behave in the manner described. The theory
-of the thing on paper is to a very great extent right, with the
-exception that the cut described would require to be obtained by a
-club with a much greater loft than any ordinary putter; but it is
-evident that putting with putters such as those which Braid or Vardon
-use, it would be an utter impossibility to get cut on the ball which
-would stay with the ball during a long put and exert much influence in
-holding the ball up against any appreciable slope, for with these
-putters, which have not much loft, it is evident that any spin
-whatever which is imparted to them by drawing the putter across the
-line of run at the moment of impact will be mainly about a vertical
-axis which is, in effect, the spin of a top. It is evident that as the
-ball progresses across the green there will be a very strong effort
-indeed on the part of the ball, following its friction on the green,
-to wear down this vertical motion and convert it into the ordinary
-roll of a naturally hit put.
-
-Even when one is putting with a highly lofted club and with a
-tremendous amount of drag on a perfectly flat green, the drag goes off
-the ball in a wonderfully short space of time, and here, of course,
-one is using a spin which is analogous to the drag of the billiard
-player, for it is pure back-spin which is fighting in the same plane
-the forward roll of the golf ball. Therefore it is reasonable to
-suppose, and indeed it is undoubted that the ball would be more likely
-to retain this pure back-spin for a much longer time than would the
-ball with the side-spin imparted by the putter, for the spin which is
-imparted by the putter does not directly fight the forward progress of
-the ball as it is spinning across the plane of the roll which the ball
-desires to take, whereas, as I have before pointed out, the ball
-played with drag is absolutely fighting the forward roll of the golf
-ball. It therefore would for a very short distance skid over the
-putting-green, but those who only theorise about these matters have a
-ridiculously exaggerated idea of the influence of drag on the golf
-ball.
-
-I have made it very plain, and I cannot emphasise the matter too
-strongly, that any attempt whatever in long puts to use drag or cut of
-any kind is to be deprecated.
-
-There is another matter which Vardon refers to that I should like to
-notice here. He says:
-
- One of the problems which strike most fear into the heart of
- the golfer is when his line from the ball to the hole runs
- straight down a steep slope and there is some considerable
- distance for the ball to travel along a fast green. The
- difficulty in such a case is to preserve any control over the
- ball after it has left the club, and to make it stop anywhere
- near the hole if the green is really so fast and steep as
- almost to impart motion of itself. In a case of this sort I
- think it generally pays best to hit the ball very nearly upon
- the toe of the putter, at the same time making a short, quick
- twitch or draw of the club across the ball towards the feet.
- Little forward motion will be imparted in this manner, but
- there will be a tendency to half lift the ball from the green
- at the beginning of its journey, and it will continue its way
- to the hole with a lot of drag upon it. It is obvious that
- this stroke, to be played properly, will need much practice
- in the first place, and judgment afterwards, and I can do
- little more than state the principle upon which it should be
- made.
-
-I need hardly do more here than repeat what I have said in the case of
-the other puts. Any attempt to jump a ball at the beginning of the
-put on a steep, fast green is about as bad a method of starting it as
-one could possibly imagine. There is nothing for it but the smooth,
-steady roll. Few greens, of course, are so steep that the ball will
-run off them unless it has been very violently played, so the ordinary
-principles of putting still hold good here--there is one way to play
-that put, and that is not from the toe, but from the centre, of the
-club, and as straight as may be for the hole, having due regard to the
-slope or slopes of the green. Of course, as I have before indicated,
-if one is very near to the hole, certainly not more than two to three
-feet at the utmost, one may be excused for putting straight at the
-hole with drag, because a ball can be made to carry its drag for about
-this distance.
-
-
-
-
-CHAPTER IV
-
-THE FALLACIES OF GOLF
-
-
-The fallacies of golf, as it has been written, are so numerous and so
-grave that it would be impossible to deal with them fully in a
-chapter, so I must here content myself with dealing generally with
-them, and specifically with a few of the minor mistakes which are so
-assiduously circulated by authors of works on golf. I shall take them
-as they come, in their natural order. We shall thus have to deal with
-them as follows: slow back, the distribution of weight, the sweep, the
-power of the left hand and arm, the gradually increasing pace of the
-sweep, the action of the wrists, and the follow-through.
-
-We have then to consider, in the first place, the oft-repeated and
-much-abused instruction to go "slow back." The rhythm of many a swing
-is utterly spoilt by this advice, for the simple reason that,
-generally speaking, it is tremendously overdone. Anyone who has ever
-seen George Duncan's swing could surely be excused for thinking that
-slow back must be a delusion. It is not, however, given to everybody
-to be able to swing with the rapidity and accuracy which characterise
-Duncan's wonderful drive. In fact, the most that can be said in favour
-of going slowly back is that all that is necessary in the way of
-slowness is that the player shall not take his club up to the top of
-his swing at such a rate that in his recovery at the top of the swing
-he will have any unnecessary force to overcome before he begins his
-downward stroke.
-
-It stands to reason that there must be at the top of the swing a
-moment wherein the club is absolutely stationary. The whole object of
-slow back is to ensure that at this moment, which is undoubtedly a
-critical portion of the swing, there shall be no undue conflict of the
-force which brought the club head up to the top of the swing and that
-force which the golfer then exerts to start the club on its downward
-journey. When this has been said, practically all that need be said
-about slow back has been said.
-
-It is almost a certainty that slow back, as one of what Vardon calls
-the parrot cries of the links, has done more to unsettle the drives of
-those who follow it, and the tempers of those who follow them, than
-any other of the blindly followed fetiches of golf. Let it be
-understood then, once and for all, that undue slowness is almost as
-great a vice as undue quickness. What the player must, in every case,
-strive after is the happy medium. It is an absolute impossibility to
-preserve the rhythm of a swing that goes up with the painful slowness
-and studied deliberation which we so frequently see as the precursor
-of a tremendous foozle.
-
-Incorporated in this overdone injunction, "slow back," we have the
-idea of swinging the club away from the ball. In various places we are
-told plainly that the club is not to be lifted away from the ball, but
-that it must be swung back, whereas, of course, there can be no doubt
-whatever that the club is lifted back, and is started on its journey
-by the wrists.
-
-It is obvious that no swing can be started from the lowest point in an
-arc. If, for example, we take the pendulum of a clock which is
-hanging motionless, it will be impossible to swing it one way or the
-other without lifting it. Equally obvious is it that the golf club
-must be lifted away from the ball.
-
-"As you go up, so you come down" is another revered fallacy. We are
-clearly, and probably rightly, instructed, when driving, to take the
-club away from the ball in the line to the hole produced through the
-ball.
-
-We do this going back comparatively slowly until we are compelled to
-leave the line, or rather the plane, of the ball's flight. So at the
-moment of making our first divergence from the straight swing back, we
-import into our arc a sudden and pronounced curve. On the return
-journey, the downward swing, we travel all the way at express speed.
-He would indeed be credulous and unanalytical who could believe that
-the arc of the downward swing coincides with that of the upward, when
-the upward swing is carried out according to the generally published
-theory, which, of course, it generally is not. The theory is only good
-in so far as it goes to inculcate the idea of remaining in the line to
-the hole both before and after impact as long as possible.
-
-The next fallacy which we have to deal with is the matter of the
-distribution of weight in the drive. Practically every book that has
-been published misinforms the golfer on this point, which is a matter
-of fundamental importance in the game; in fact, it is of such great
-importance that I shall not deal with it fully here, but shall reserve
-it for my next chapter wherein I shall give the views of the leading
-exponents of the game on this all-important subject, and shall then
-show wherein I differ from them.
-
-Let us consider that we have now arrived at the top of the swing.
-Every author of a golf book insists upon the fact that the drive at
-golf is a sweep and not a hit. James Braid, in chapter viii. of _How
-to Play Golf_, writing of "The Downward Swing," says:
-
- The chief thing to bear in mind is that there must be, in the
- case of play with the driver and the brassie, no attempt to
- _hit_ the ball, which must be simply swept from the tee and
- carried forward in the even and rapid swing of the club. The
- drive in golf differs from almost every other stroke in every
- game in which the propulsion of a ball is the object. In the
- ordinary sense of the word, implying a sudden and sharp
- impact, it is not a "hit" when it is properly done.
-
-The impact in the golf drive has been measured by one of our most
-eminent physicists to occupy one ten-thousandth of a second. I think
-we may take this as "implying a sudden and sharp impact." Braid goes
-on to say, "when the ball is so 'hit' and the club stops very soon
-afterwards, the result is that very little length, comparatively, will
-be obtained, and that, moreover, there will be a very small amount of
-control over the direction of the ball."
-
-This might be right, but it seems almost unnecessary to point out that
-when a ball has been struck at the amazing speed which such a brief
-contact indicates, there is extremely little probability that the club
-will stop "very soon afterwards"--in fact, it would be almost a matter
-of impossibility to induce a club which had been used for delivering a
-blow at the rate which this brief time indicates, to stop very shortly
-afterwards. The head of a golf club at the moment of impact with the
-golf ball is travelling so rapidly that a camera timed to take
-photographs at the rate of one twelve-hundred-and-fiftieth of a
-second's exposure, gets for the club head and shaft merely a vague
-swish of light, while the ball itself, if it is caught at all, appears
-merely to be a section of a sperm candle, so rapid is its motion. I
-am speaking now of a photograph taken at this extremely rapid rate
-when the photographer is facing the golfer who is making the stroke,
-but so rapid is the departure of the ball from the club that even when
-the photographer is standing in a straight line directly behind the
-player, the ball still presents the appearance of a white bar.
-
-It should then be sufficiently obvious to anyone that so far as
-regards the stroke "implying a sudden and sharp impact," the golf
-stroke, probably of all strokes played in athletics, is, at the moment
-of impact, incomparably the most rapid. It has, therefore, always
-seemed to me a matter for wonder to read that this stroke is a sweep
-and not a hit.
-
-Braid here says one thing which is of outstanding importance as
-exploding another well-known fallacy. It is as follows:
-
- While it is, of course, in the highest degree necessary that
- the ball should be taken in exactly the right place on the
- club and in the right manner, this will have to be done by
- the proper regulation of all the other parts of the swing,
- and any effort to direct the club on to it in a particular
- manner just as the ball is being reached, cannot be attended
- by success.
-
-This is so important that I must pause here to emphasise it, because
-we are frequently told, and even Braid himself, as I shall show later
-on, has made the same mistake, that certain things are done during
-impact, by the intention of the player during that brief period, in
-order to influence the flight of the ball. There can be no greater
-fallacy in golf than this. No human being is capable of thinking of
-anything which he can do in this minute fraction of time, nor even if
-he could think of what he wished to do, would it be possible for his
-muscles to respond to the command issued by his mind.
-
-To emphasise this, I must quote from the same book and the same page
-again. Braid says:
-
- If the ball is taken by the toe or heel of the club, or is
- topped, or if the club gets too much under it, the remedy for
- these faults is not to be found in a more deliberate
- directing of the club on to the ball just as the two are
- about to come into contact, but in the better and more exact
- regulation of the swing the whole way through up to this
- point.
-
-That is the important part in connection with this statement of
-Braid's. Many a person ruins a stroke, as, for instance, in
-endeavouring to turn over the face of the putter during the moment of
-impact, through following, in complete ignorance, the teaching of
-those who should know better, and they then blame themselves for their
-want of timing in trying to execute an impossibility, whereas the
-remedy is, as Braid says, not in trying to do anything during the
-moment of impact "but in the better and more exact regulation of the
-swing the whole way through up to this point."
-
-Braid is here speaking of the drive, but what applies to the drive
-applies to every stroke in the game, with practically equal force. He
-continues:
-
- The object of these remarks is merely to emphasise again, in
- the best place, that the despatching of the ball from the tee
- by the driver, in the downward swing, is merely an incident
- of the whole business.
-
-"Merely an incident of the whole business." It is impossible to
-emphasise this point too much. The speed of the drive at golf is so
-great that the path of the club's head has been predetermined long
-before it reaches the ball, so that, as I have frequently pointed out
-in the same words which Braid uses in this book, the contact between
-the head of the club and the ball may be looked upon as merely an
-incident in the travel of the club in that arc which it describes.
-
-The outstanding truth of this statement will be more apparent when we
-come to deal with the master strokes of the game. Braid's remarks here
-are so interesting that I must quote him again:
-
- The player, in making the down movement, must not be so
- particular to see while doing it that he hits the ball
- properly, as that he makes the swing properly and finishes it
- well, for--and this signifies the truth of what I have been
- saying--the success of the drive is not only made by what has
- gone before, but it is also due largely to the course taken
- by the club after the ball has been hit.
-
-In this paragraph Braid is making a fallacious statement. It will be
-quite obvious to a very mean understanding that nothing which the club
-does after it has hit the ball and sent it on its way, can have any
-possible effect upon the ball, and, therefore, that the success of the
-drive cannot possibly in any way be "due largely to the course taken
-by the club after the ball has been hit." The success of the stroke
-must, of course, be due entirely to the course taken by the club head
-prior to and at the moment of impact. What Braid would mean to
-express, no doubt, is that if the stroke has been perfectly played, it
-is practically a certainty that what takes place after the ball has
-gone, will be executed in good form.
-
-I have frequently seen misguided players practising their
-follow-through without swinging properly, whereas it is, of course,
-obvious that a follow-through is of no earthly importance whatever
-except as the natural result of a well-played stroke; and provided
-that the first half of the stroke was properly produced, it is as
-certain as anything can be that the second half will be almost
-equally good, but it is certain that nothing which the club does after
-contact with the ball has ceased can possibly influence the flight or
-run of the ball. It is, for instance, obvious that if a man has played
-a good straight drive clean down the middle of the fair-way, his
-follow-through cannot be the follow-through of a slice, because the
-pace at which he struck that ball must make his club head go out down
-the line after the ball. Similarly, if a man has played a sliced
-stroke, it stands to reason that after the ball had left his club, his
-club head could not, by any possible stretch of imagination, follow
-down a straight line to the hole.
-
-These things are so obvious to anyone who is acquainted with the
-simplest principles of mechanics that it is strange to see them stated
-in the fallacious manner in which Braid puts them forth. Braid here
-says:
-
- The initiative in bringing down the club is taken by the left
- wrist, and the club is then brought forward rapidly and with
- an even acceleration of pace until the club head is about a
- couple of feet from the ball.
-
-Now here we see that Braid subscribes to the idea of "the even
-acceleration of pace," but it will be remembered that in a previous
-chapter I quoted him as saying that there must be no idea of gaining
-speed gradually; that one must be "hard at it from the very top, and
-the harder you start the greater will be the momentum of the club when
-the ball is reached." Here there is no notion whatever of even
-acceleration of pace. It is to get the most one can from the absolute
-instant of starting, but notwithstanding this, Braid tells us on page
-57 of _How to Play Golf_: "When the ball has been swept from the tee,
-the arms should, to a certain extent, be flung out after it."
-
-We observe here that Braid speaks of the ball as having been "swept
-from the tee," notwithstanding that in _Advanced Golf_ at page 58 we
-read: "But when he has got all his movements right, when his timing is
-correct, and when he has absolute confidence that all is well, the
-harder he _hits_, the better." I have italicised the word "hits."
-
-Now here we have the practical golf of the drive, and I cannot do
-better, in disposing of the fetich of the sweep, than re-echo Braid's
-words that for a golfer who wants to get a good drive, when he has
-everything else right, "the harder he hits the better."
-
-As a matter of simple practical golf, provided always that a golfer
-executes his stroke in good form, it is impossible for him to hit too
-hard. This amazing fallacy of the sweep ruins innumerable drives, and
-renders many a golfer, who would possibly otherwise play a decent
-game, merely an object of ridicule to his more fortunate
-fellow-players who know that the golf drive is a hit--a very palpable
-hit--and not in any sense of the word a sweep.
-
-Taylor also subscribes to the fetich of the sweep. At page 186 of
-_Taylor on Golf_ he says:
-
- In making a stroke in golf the beginner must feel sure that
- the correct method of playing is not the making of a hit--as
- such a performance is understood--but the effort of making a
- sweep. This is an all-important thing, and unless a player
- thoroughly understands that he must play in this style I
- cannot say I think the chance of his ultimate success is a
- very great one; it is an absolute necessity this sweep, and I
- cannot lay too much stress upon it.
-
-He continues:
-
- As a more practical illustration of my meaning, I will
- suppose that the player is preparing to drive. His position
- is correct, he is at the exact distance from the ball. All
- that is then necessary is that with a swinging stroke he
- should sweep the ball off the tee. But, if in place of
- accomplishing this sweep, the ball is _hit_ off the
- tee--well, that may be a game, but it certainly does not come
- under the heading of golf.
-
-Now we have already seen that James Braid in _Advanced Golf_, which
-was published after _How to Play Golf_, has abandoned the idea that
-the golf drive is a sweep. Taylor is wonderfully emphatic about the
-sweep, but I think it will not require much to convert any golfer, who
-is in doubt about the matter, to my views, for the comparative results
-obtained will speak for themselves. Moreover, if there is any one man
-more than another who is a living refutation of the sweep notion that
-man is J. H. Taylor. It is impossible to watch him driving, and to
-know the power which he gets from his magnificent forearm _hit_,
-without being absolutely convinced that the true nature of the golf
-drive is a hit and not a sweep.
-
-I do not find that Vardon subscribes to this idea of the sweep so
-definitely as does Taylor, and as did Braid in _How to Play Golf_, but
-he does unquestionably subscribe to the notion of the club gradually
-gathering speed in its downward course, for he says at page 69 of _The
-Complete Golfer_:
-
- The club should gradually gain in speed from the moment of
- the turn until it is in contact with the ball, so that at the
- moment of impact its head is travelling at its fastest pace.
-
-This, of course, in itself is correct, but there should be no
-conscious effort of gradually increasing the pace. As Braid says, "one
-must be 'hard at it' right from the beginning." The gradual and even
-acceleration of pace must unquestionably be left to take care of
-itself, and it has no more right to cumber the golfer's mind than has
-the idea when he is throwing a stone that his hand should be moving at
-its fastest when the stone leaves it.
-
- [Illustration: PLATE V. J. H. TAYLOR
-
- At the top of his swing in the drive. Note here the position
- of Taylor's wrists. This is a matter of the utmost importance.
- Taylor is at times inclined to get a little on to his right
- leg, but probably here the weight is at least equally
- distributed, if not mainly on the left.]
-
-One of the most pronounced and harmful golfing fallacies is what I
-call "the fetich of the left." All of the leading writers and players
-do their best to instil into the minds of their pupils the idea that
-the left hand is the more important. This is a fallacy of the most
-pronounced and harmful nature, but it is of such great importance to
-the game that I shall not deal with it particularly here, but shall
-reserve it for a future chapter.
-
-We now have to deal with the question of gradually increasing the pace
-in the drive. I have already, to a certain extent, dealt with this
-matter. Nearly all writers make a strong point of this fallacy. James
-Braid at page 54 of _How to Play Golf_ says:
-
- The initiative in bringing down the club is taken by the left
- wrist, and the club is then brought forward rapidly, and with
- an even acceleration of pace until the club head is about a
- couple of feet from the ball.
-
-Here it will be seen clearly that Braid gives the idea that the player
-is, during the course of the downward swing, to exercise some
-conscious regulation of the increase of the speed of the head of the
-club.
-
-Braid then goes on to say:
-
- So far, the movement will largely have been an arm movement,
- but at this point there should be some tightening-up of the
- wrists, and the club will be gripped a little more tightly.
-
-Anyone attempting to follow this advice is merely courting disaster.
-To dream of altering the grip, or of consciously attempting in any way
-to alter the character of the swing, or to introduce into the swing
-any new element of grip, touch, control, or anything else whatever,
-must be fatal to accuracy. Braid is much sounder on this matter in
-_Advanced Golf_ where he makes no assertion of this nature, but tells
-the golfer that he must not bother himself with any idea of gradually
-increasing his pace.
-
-This is what Braid says. It is worth repeating:
-
- Nevertheless, when commencing the downward swing, do so in no
- gentle, half-hearted manner, such as is often associated with
- the idea of gaining speed gradually, which is what we are
- told the club must do when coming down from the top on to the
- ball. It is obvious that speed will be gained gradually since
- the club could not possibly be started off on its quickest
- rate. The longer the force applied to the down swing, the
- greater do the speed and the momentum become, but this
- gradual increase is independent of the golfer, and he should,
- as far as possible, be unconscious of it. What he has to
- concern himself with is not getting his speed gradually, but
- getting as much of it as he possibly can right from the top.
- No gentle starts, but hard at it from the very top, and the
- harder you start the greater will be the momentum of the club
- when the ball is reached.
-
-That, I take it, is absolutely sound advice, for herein there is no
-stupid restriction whatever, nor should there be, for the golfer, from
-the time his club leaves the ball till it gets back to it, should have
-nothing whatever wherewith to cumber his mind but the one idea, and
-that is to _hit_ the ball. Braid is surely wide of the mark when he
-says "but this gradual increase is independent of the golfer, and he
-should, as far as possible, be unconscious of it."
-
-Firstly, it seems to me that this gradual increase is entirely
-dependent on the golfer, and secondly, that he should be extremely
-conscious of it, and the necessity for the production of it; but this
-is one of the many things in golf which, when once it is thoroughly
-learned, becomes so much a matter of second nature that the golfer
-does it instinctively. He knows perfectly well that he _will_
-gradually increase his pace until he hits the ball, but he will not
-have it in his mind that he _has_ to do so. All this is bound to be
-in the hit. The man who drives the nail does not worry himself about
-gradually increasing the pace of the hammer head until it encounters
-the head of the nail. He knows he is doing it, but he does not worry
-himself about it as the golfer does about his similar operation. If
-the golfer would remember that nothing matters much except to hit the
-ball hard and truly, and would disregard a lot of the absolute
-nonsense about the domination of either one hand or the other, the
-gradual acceleration of speed, and many other items of a similar
-nature, he would find that his game would be infinitely improved.
-
-I could quote pages from leading authors dwelling upon this matter of
-the gradual increase of speed, but I shall content myself with the
-passage which I have here quoted from James Braid, together with the
-remarks that I have made in former portions of this book, and may make
-in later chapters. Braid, in _Advanced Golf_, is sufficiently emphatic
-about this matter, and I think we may take it that in _Advanced Golf_
-he has given up the idea expressed in his smaller and less important
-work _How to Play Golf_, that one should trouble oneself with the even
-acceleration of speed. Whether he has or not, it is an absolute
-certainty that any idea of consciously regulating the speed of the
-club's head in the drive, will result in a very serious loss of
-distance, for it will be found an utter impossibility for anyone so to
-regulate the speed of the club without seriously detracting from the
-rate at which the head is moving through the air, and as every golfer
-knows, or should know, the essence of the golf stroke is, that the
-club shall be travelling at the highest possible speed when it strikes
-the ball. I am, of course, now speaking with regard to the drive, and
-obtaining the greatest distance possible, for that is generally the
-object of the drive.
-
-The point which must be impressed upon the golfer is, that from the
-moment he starts his downward swing until he hits the ball, he has
-nothing whatever to think of except hitting that ball. Everything which
-takes place from the top of the swing to the moment of impact should
-practically be done naturally, instinctively, sub-consciously--any way
-you like, except by the exercise of thought during that process as
-especially applied to any particular portion of the action, for it is
-proved beyond doubt that the human mind is not capable of thinking out
-in rotation each portion of the golf drive as it should be played,
-during the time in which it is being played.
-
-Probably there is more ignorance about the action of the wrists in
-golf than about any other portion of the golf stroke, yet this is a
-matter of the utmost importance, a matter of such grave importance
-that I must in due course deal with it more fully and examine the
-statements of the leading writers on the subject.
-
-It is laid down clearly and distinctly by nearly all golf writers and
-teachers that the golfing swing must be rhythmical, that there must be
-no jerking, no interruption of the even nature of the swing--in fact,
-we have seen that according to many of them the stroke is a sweep and
-not a hit, yet we are told distinctly that at the moment of impact a
-snap of the wrists is introduced. This must tend, of course, to
-introduce a tremendous amount of inaccuracy in the stroke at a most
-critical time, and it is therefore a matter worthy of the closest
-investigation.
-
-We have already dealt with the fallacy of the sweep. It is a curious
-thing that although the leading golfers and authors pin their faith to
-the sweep as being the correct explanation of the drive in golf, yet
-nearly all of them, when it comes to a question of the stroke with the
-iron clubs, say that it is a hit. Now the stroke with the iron clubs
-is identical with the stroke with the wooden clubs, with the
-exception, of course, in many cases, that it has not gone back so far;
-but the action of the wrists is, or should be, the same. The club head
-travels, stroke for stroke, relatively in exactly the same arc; the
-beginning of the stroke and finish of the stroke is the same, and all
-the other laws, _mutatis mutandis_, apply. It would, indeed, be hardly
-too much to say that there is at golf only one stroke, and that every
-other stroke is a portion of that stroke, that stroke being, of
-course, the drive. If we take the drive as the supreme stroke in golf,
-and examine the nature of the stroke, we shall find that in that
-stroke is included practically every stroke in the game. That being
-so, it seems to me extremely hard to differentiate between a cleek
-shot and a drive--in fact, in so far as regards the production of the
-shot it is impossible to differentiate between them. If the one is a
-hit, the other is, and as a matter of fact, every stroke in golf, with
-the possible exception of the put, is a hit.
-
-While we are speaking of hits and fallacies, it will not be out of
-place to devote a little attention to a point of extreme importance,
-and at the same time one which is very much neglected in most books
-dealing with the game. It is the ambition of many a golfer to get what
-he imagines to be "the true St. Andrews swing." They try this in
-numberless cases, where, from the stiffness of their joints and their
-build generally, it is impossible in the nature of things that they
-can obtain a very full swing. It is bad enough in these cases, for I
-speak now of people who have taken to the game when their frames have
-become so set that it is practically an impossibility for them to
-obtain anything in the nature of a full swing, but the attempt to
-obtain a long swing is not, however, confined to those who have taken
-to the game late in life, although it is with them naturally a greater
-error than it is with those who started the game when their limbs were
-more supple and their frames more easily adapted to the stroke.
-
-If I allow myself to take my natural swing, I can nearly always see
-the head of the club at the top of my swing, and at the finish it is
-hanging nearly as far over the right shoulder as it was at the top of
-the swing over the left shoulder. There can be no doubt that with a
-swing like this, when one can control it sufficiently, one gets a very
-long ball, and there is a very delightful feeling in getting a perfect
-drive with such a swing, but from the very nature of the stroke it
-stands to reason that it must be less accurate than a much shorter and
-less showy effort.
-
-Harry Vardon, in _The Complete Golfer_, asks: "Why is it that they
-like to swing so much and waste so much power, unmindful of the fact
-that the shorter the swing the greater the accuracy?" There can be no
-doubt whatever that in the very full swing, such as I have described,
-there is a waste of power and a sacrifice of accuracy. The rule which
-is true of the put, "Keep the head of the club in the line to the hole
-as long as you can, both before and after impact," is, _mutatis
-mutandis_, just as applicable to the drive.
-
-Vardon continues:
-
- Many people are inclined to ask why, instead of playing a
- half shot with the cleek, the iron is not taken and a full
- stroke made with it, which is the way that a large proportion
- of good golfers would employ for reaching the green from the
- same distance. For some reason, which I cannot explain,
- there seems to be an enormous number of players who prefer a
- full shot with any club to a half shot with another, the
- result being the same or practically so.
-
-This is a curious remark to come from a golfer of the ability of Harry
-Vardon. I should have thought that the reason is sufficiently obvious.
-In playing a full shot the ordinary golfer feels that he has simply to
-get the most that his club is capable of. He therefore has no
-necessity to exercise any conscious muscular restraint. He plays the
-shot and trusts the club for his regulation of distance, but on the
-other hand, in playing a half shot he knows that he must exercise a
-good deal of judgment in applying his strength. It seems to me that
-there can be very little doubt that this is the reason why most
-golfers prefer the full shot. However that may be, it is beyond doubt
-that the desire, as Vardon puts it, "to swing so much" is the root
-cause of a vast amount of very bad golf.
-
-"The shorter the swing, the greater the accuracy." This statement is
-as true of one's wooden clubs as it is of the iron. It should be
-printed as a text and hung in every golf club-house in the world, for
-there can be very little doubt that if the value of this advice were
-thoroughly realised, it would make golf pleasanter and better for
-every one. The blind worship of the full swing has been carried to a
-lamentable extent, and golfers who devote any thought to their game
-are beginning to understand that beyond a reasonable swing back, the
-surplus is so much waste energy, and, which is more important still,
-simply imports into the stroke a very much greater risk of error.
-
-Many years ago I had a very remarkable illustration of the value of
-the short swing. A club mate of mine who was an adept at most games,
-and a champion at lawn-tennis and billiards, took it into his head to
-play golf. He was in the habit of thinking for himself. Of course,
-directly he started to learn golf, every one wished to make him tie
-himself into the usual knots, but he refused to be influenced by other
-people's ideas. He was content to work out his own salvation. He had
-watched many of the unfortunate would-be golfers contorting themselves
-in their efforts to reproduce what they took to be "a true St. Andrews
-swing," but determined that he would not follow their example.
-
-He had conceived the idea that a drive was only an exaggerated put,
-and he made up his mind that he would proceed to exaggerate his put by
-degrees until he had reached the limit of his drive, and had found
-that no further swinging back would give him extra distance. He found
-that he got no farther with his drive when he carried his club right
-round to what is known as the full swing, than he did when his club
-head came from about the same height as his lawn-tennis racket did in
-playing the game which he knew so well.
-
-When he had ascertained this he resolutely refused to increase the
-length of his swing. His club mates laughed at him and told him that
-it was not golf, that he was playing cricket, and many other pleasant
-little things like this. It had no effect whatever on him, for he knew
-that he was producing the stroke, in so far as he played it, exactly
-according to the best-known methods of the leading golfers of the
-world. He was content, in this respect, to follow known and accepted
-methods, but he would not in any way adopt the prevalent idea of a
-long swing.
-
-Of course, he was laughed at and told that it was extremely bad form,
-but before long he "had the scalps" of his detractors. Then they were
-unable to say much about his golf, and he had very much the best of
-the argument when within a remarkably short space of time he won the
-championship of his Province. He proved quite conclusively to his own
-satisfaction, and to the great chagrin of many of the other players,
-the truth of Vardon's statement, "The shorter the swing the greater
-the accuracy."
-
-There can be very little doubt that for those who take to golf late in
-life, especially if they have not played other games, the orthodox
-swing is a trap. A very great number of them get the swing, but not
-the ball. Many of them are, I am afraid, under the impression that the
-swing is of more importance than getting the ball away. Needless to
-say, they do not improve very much.
-
-For those who take to golf late in life, I am sure that the great
-principle which makes for length and direction in any ball game that
-is, or ever was played, namely, keep in the line of your shot as long
-as you can both before and after impact, will be found as sound to-day
-as it always has been. Probably it will be found, and before very long
-too, that what is true for the late beginner is equally true for the
-greatest experts. As a matter of fact, some of our leading
-professionals are beginning to realise this already, particularly with
-regard to their iron play.
-
-There are several very important points in connection with the short
-swing--points which, I believe, are of very great advantage to the
-golfer when once he has thoroughly grasped them. It is obvious that
-the shorter the swing is, the less necessity will there be for
-disturbing the position of one's feet. This naturally means that there
-is less likelihood of any undue swaying. Secondly, the shorter swing
-is naturally much more upright than the orthodox swing, and it comes
-more natural to a player to hit downwards at his ball when using it.
-
-The first point which we have made is that the shorter swing produces
-less disturbance of the feet, because it is generally more upright
-than a corresponding length of the orthodox swing. In the flat swing
-there is less need to move the feet than there is in the upright
-swing. It is in the latter that one feels _soonest_ the necessity for
-lifting the heel of the left foot, but in the short swing there is not
-the same necessity for balancing and pivoting on the toes as there is
-in the orthodox drive, for the swing back is not extended enough to
-require it. It should be apparent then that with the short swing much
-of the complexity of the golf drive is taken away.
-
-I must make this a little clearer: practically all the golf books tell
-us that the left heel must come away from the earth when the arms seem
-to draw it. Anyone who follows this out in practice will find that it
-is impossible to preserve the rhythm of his swing. As a matter of
-practical golf the left heel must come away from the earth as soon as
-the head of the club leaves the ball. The motions are practically
-simultaneous. This matter of the management of the feet is probably
-the greatest contributing cause to the complexity of the golf drive,
-and the many erroneous descriptions of it which are given by our
-leading players. The principal reason for this is that it is the
-latitude given to the body by this shifting of the heels which
-accounts for the wrong transference of the weight to the right foot,
-and the equally wrong _lurching_ on the left foot.
-
-One would not, of course, for a moment advocate that the golfer's
-heels should be immovable, although James Braid does maintain, quite
-wrongly, I think, that the position of the feet at the moment of
-impact should be exactly the same as at the moment of address--that
-is, that the heels should be firmly planted on the ground. Although he
-says this, the instantaneous photographs of him in the act of driving
-show conclusively that he does not carry his theory into practice.
-Many of our greatest golfers are beginning now to see that the firmer
-the foundation, the more fixed and immovable the base, the steadier
-must be the superstructure--to wit, the chest and shoulders--and
-therefore the more constant will be the centre, if I may use the word
-in a general sense, of the swing.
-
-The importance of preserving this "centre" cannot be overestimated,
-for golf is a game which demands a wonderful degree of mechanical
-accuracy, and it is only by observing the best mechanical principles
-that the best results can be obtained.
-
-In the ordinary drive of the ordinary golfer there is usually an
-excessive amount of foot and ankle work, and, generally speaking, this
-foot and ankle work is not carried out in the best possible manner.
-There is, as a matter of fact, imported into the drive far too great
-an opportunity for the player to move his weight about. He takes full
-advantage of this, and the usual result is that he transfers his
-weight, when driving, to his right leg, which, as we shall see later
-on, is a very bad fault for the golfer to acquire. In the shorter
-swing there is much less temptation for the golfer to make the errors
-which are usually attendant on faulty footwork.
-
-The other point of importance which I have mentioned in connection
-with the short swing, is that it comes much more naturally to the
-player to hit downwards. Probably not one golfer in a hundred
-realises that the vast majority of his strokes are made in a manner
-wholly opposed to the best science of golf. They are, generally
-speaking, _hit upwards_, whereas the most perfect golf drive should be
-hit downwards, and this statement is, in perhaps a less degree, true
-of nearly all golf strokes which are not played on the green.
-
-The best way to get any ordinary ball into the air is to hit it
-upwards, but this general rule does not apply to the golf ball, for it
-is always stationary and is generally lying on turf. However, few
-players will trust the loft of the club to perform its natural
-function. They seem to forget that each club has been made with a loft
-of such a nature that, given the ball is struck fairly and properly,
-the loft may be relied on to do its share of the work. Consequently,
-as they will not trust the club to get the ball up, they hit upwards,
-and so, to a very great extent, minimise the amount of back-spin which
-might come from the loft, were the club travelling in a horizontal
-line at the moment of impact.
-
-It is very much harder, however, to hit upwards with a short swing, or
-perhaps it would be more correct to say that there is a much greater
-tendency to hit the ball before the club head has got to the lowest
-point in its swing. We must emphasise this point, for it is of great
-importance, as back-spin is of the essence of the modern game, and
-particularly of the modern drive. If, therefore, we can show that the
-short swing tends more naturally to produce back-spin than does the
-full St. Andrews swing, and at the same time to give greater accuracy
-as regards direction, it need hardly be stated that it will not be
-long before we have the scientific players giving the stroke the place
-to which it is undoubtedly entitled in the game of golf.
-
-
-
-
-CHAPTER V
-
-THE DISTRIBUTION OF WEIGHT
-
-
-The distribution of weight is of fundamental importance in the game of
-golf. If one has not a perfectly clear and correct conception of the
-manner in which one should manage one's weight, it is an absolute
-certainty that there can be no rhythm in the swing. One often sees
-references to the centre of the circle described by the head of the
-club in the golf swing. It will be perfectly apparent on giving the
-matter but little thought that the head of the golf club does not
-describe a circle, but it is convenient to use the term "centre of the
-circle" when referring to the arc which is described by the head of
-the club.
-
-The all-important matter of the distribution of weight has been dealt
-with by the greatest players in the world. Let us see what Taylor,
-Braid, and Vardon have to say about this subject, for it is no
-exaggeration to say that this is a matter which goes to the very root
-of golf. If one teaches the distribution of weight incorrectly, it
-does not matter what else one teaches correctly, for the person who is
-reared on a wrong conception of the manner in which his weight should
-be distributed, can never play golf as it should be played. It is as
-impossible for such a person to play real golf as it would be for a
-durable building to be erected on rotten foundations.
-
-Now let us see what the greatest players have to say about this.
-Vardon, at page 68 of _The Complete Golfer_, says:
-
- The movements of the feet and legs are important. In
- addressing the ball you stand with both feet flat and
- squarely placed on the ground, the weight equally divided
- between them, and the legs so slightly bent at the
- knee-joints as to make the bending scarcely noticeable. This
- position is maintained during the upward movement of the club
- until the arms begin to pull at the body. The easiest and
- most natural thing to do then, and the one which suggests
- itself, is to raise the heel of the left foot and begin to
- pivot on the left toe, which allows the arms to proceed with
- their uplifting process without let or hindrance. Do not
- begin to pivot on this left toe ostentatiously, or because
- you feel you ought to do so, but only when you know that the
- time has come, and you want to, and do it only to such an
- extent that the club can reach the full extent of the swing
- without any difficulty.
-
- While this is happening it follows that the weight of the
- body is being gradually thrown on to the right leg, which
- gradually stiffens, until at the top of the swing it is quite
- rigid, the left being at the same time in a state of
- comparative freedom, slightly bent in towards the right, with
- only just enough pressure on the toe to keep it in position.
-
-That is what Vardon has to say about this important matter.
-
-At page 53 of _Great Golfers_, speaking of the "Downward Swing,"
-Vardon further says:
-
- In commencing the downward swing, I try to feel that both
- hands and wrists are still working together. The wrists start
- bringing the club down, and at the same moment, the left knee
- commences to resume its original position. The head during
- this time has been kept quite still, the body alone pivoting
- from the hips.
-
-It is obvious that if the pivoting is done _at the hips_ it will be
-impossible to get the weight on the right leg at the top of the swing
-without some contortion of the body, yet we read at page 70 of _The
-Complete Golfer_ that "the weight is being gradually moved back again
-from the right leg to the left." Thus is the old fatal idea persisted
-in to the undoing of thousands of golfers.
-
-I have already referred to the wonderful spine-jumping and rotating
-which is described in _The Mystery of Golf_. Many might not understand
-the jargon of anatomical terms used in this fearful and wonderful
-idea, so I shall add here the author's corroboration of my
-interpretation of his notion.
-
-At page 167 he says: "The pivot upon which the spinal column rotates
-is shifted from the head of the right thigh-bone to that of the left."
-
-I have always been under the impression that the spinal column is very
-firmly embedded on the os sacrum--that, in fact, the latter is
-practically a portion of the spinal column, and that it is fixed into
-the pelvic region in a manner which renders it highly inconvenient for
-it to attempt any saltatory or rotatory pranks.
-
-We are, however, told that the pivot on which the spinal column
-rotates "shifts from the right leg to the left leg." If the spine were
-"rotating," which of course it cannot do in the golf stroke, on any
-"pivot," which, equally of course, it does not, that "pivot" must be
-the immovable os sacrum. What then does all this nonsense mean?
-
-James Braid, at page 56 of _Advanced Golf_, says:
-
- At the top of the swing, although nearly all the weight will
- be on the right foot, the player must feel a distinct
- pressure on the left one, that is to say, it must still be
- doing a small share in the work of supporting the body.
-
-Taylor, in _Taylor on Golf_, at page 207, says:
-
- Then, as the club comes back in the swing, the weight should
- be shifted by degrees, quietly and gradually, until when the
- club has reached its topmost point the whole weight of the
- body is supported by the right leg, the left foot at this
- time being turned, and the left knee bent in towards the
- right leg. Next, as the club is taken back to the horizontal
- position behind the head, the shoulders should be swung
- round, although the head must be allowed to remain in the
- same position with the eyes looking over the left shoulder.
-
-At page 30 of _Practical Golf_ Mr. Walter J. Travis says:
-
- In the upward swing it will be noticed that the body has been
- turned very freely with the natural transference of weight
- almost entirely to the right foot, and that the left foot has
- been pulled up and around on the toe. Without such aid the
- downward stroke would be lacking in pith. To get the
- shoulders into the stroke they must first come round in
- conjunction with the lower part of one's anatomy, smoothly
- and freely revolving on an axis which may be represented by
- an imaginary line drawn from the head straight down the back.
- Otherwise, the arms alone, unassisted to any appreciable
- extent, are called upon to do the work with material loss of
- distance.
-
-At page 88 of _Golf_ in the Badminton Series, Mr. Horace G. Hutchinson
-says:
-
- Now as the club came to the horizontal behind the head, the
- body will have been allowed to turn, gently, with its weight
- upon the right foot.
-
-We here have the opinions of five golfers, whose words should
-undoubtedly carry very great weight. The sum total of their considered
-opinion is that in the drive at golf the weight at the top of the
-swing must be on the right leg. I have, however, no hesitation in
-saying that this idea is fundamentally unsound and calculated to
-prove a very serious hindrance to anyone attempting to follow it. So
-far from its being true that the weight of the body is supported by
-the right foot at the top of the swing, I must say that entirely the
-opposite is true, and that at the top of the swing the weight of the
-body is borne by the left foot and leg in any drive of perfect rhythm.
-
-This may possibly be going a little too far, so we shall, in the
-meantime, content ourselves with _absolutely denying_ that the weight
-at the top of the swing goes on to the _right_ leg, and with
-_insisting_ that at the top of a perfectly executed swing _the main
-portion of the weight must be borne by the left foot and leg_. In so
-positively making this statement I am confronted by a mass of
-authority which would deter many people from essaying to disprove such
-a well-rooted delusion in connection with the game, but I think that
-before we have finished with this subject we shall be able to show
-very good reason for doubting the statements of these eminent players.
-
-There is no possible doubt as to the rooted nature of this belief in
-the minds of these players. James Braid, in fact, emphasises it in
-some places. He says in _How to Play Golf_:
-
- When the swing is well started, that is to say, when the club
- has been taken a matter of about a couple of feet from the
- ball, it will become impossible, or at least inconvenient and
- uncomfortable to keep the feet so firmly planted on the
- ground as they were when the address was made. It is the left
- one that wants to move, and consequently at this stage you
- must allow it to pivot. By this is meant that the heel is
- raised slightly, and the foot turns over until only the ball
- of it rests on the ground. Many players pivot on the toe, but
- I think this is not so safe, and does not preserve the
- balance so well. When this pivoting begins, the weight is
- being taken off the left leg and transferred almost entirely
- to the right, and at the same moment the left knee turns in
- towards the right toe. The right leg then stiffens a little
- and the right heel is more firmly than ever planted on the
- ground.
-
-It seems to me that these famous golfers are confronted by a
-mechanical problem in this matter. The veriest tyro at golf is
-familiar with the axiom that it is absolutely necessary for him to
-keep his head still. Many authors tell one that the swing is conducted
-as though the upper portion of the body moved on an axis consisting of
-the spine. All golfers, authors, and professionals, who know anything
-about the game, will tell one that the habit of swaying, which means
-moving the head and body away from the hole, is fatal to accuracy.
-
-Harry Vardon, at page 67, says: "In the upward movement of the club
-the body must pivot from the waist alone and there must be no swaying,
-not even to the extent of an inch." A little further down on the same
-page, we read: "In addressing the ball you stand with both feet flat
-and securely placed on the ground, the weight equally divided between
-them."
-
-Now it seems fairly obvious that if one starts the golf drive with the
-weight practically evenly distributed between the right foot and the
-left foot, and seeing that it is an axiom of golf that one must not
-move one's head, it is impossible for one to get the weight of the
-body on to the right foot and leg without absolutely contorting one's
-frame. Let us make this clearer still. We have our golfer set at his
-ball, his address perfect, and his weight evenly distributed between
-his two feet. As he knows that it is wrong for him to move his head,
-we can, without interfering with his drive in the slightest degree,
-stretch tightly a wire at a right angle to the line of flight to the
-hole and pass it across within a quarter of an inch of his neck,
-below his right ear.
-
-The position of this wire will not in any way hamper the golfer in his
-drive, but in order to fulfil the instructions which are laid down
-with the utmost persistence by every golf book, that it is of
-fundamental importance to keep the head absolutely still, it will be
-necessary for our golfer to play his drive without allowing his head
-or neck to touch this wire; but if he can do this, and at the same
-time get the weight of his body, at the top of his swing, on to his
-right leg, as advised by Taylor, Braid, and Vardon, and by Messrs.
-Hutchinson and Travis, without making himself both grotesque and
-uncomfortable, he will indeed have performed an unparalleled feat in
-the history of golf, for, to put the matter quite shortly, it is
-nonsense to suppose that it can be done. The thing is mechanically
-impossible.
-
-If a man starts with his weight equally distributed between his legs,
-and then uses his spine or any other imaginary pivot to turn his body
-upon in the upward swing, it will be impossible for him to shift his
-weight so that it goes back on to his right leg. I am not, of course,
-allowing for a person who has an adjustable spine, such as that
-described by Mr. Arnold Haultain in _The Mystery of Golf_, which
-rotates, according to the author, first on one thigh bone and then on
-another. This spine is of such a remarkable nature that I must devote,
-later on, a little time to considering its vagaries. At present I am,
-however, dealing with a matter of practical golf and simple mechanics,
-about which there is absolutely no mystery but a vast amount of
-misconception.
-
-When I first stated in _Modern Golf_, which, so far as I am aware, was
-the first book wherein this fundamental truth was laid down, that the
-left was the foot which bore the greater burden, it was regarded as
-revolutionary teaching, but there is not a professional golfer of any
-reputation whatever who now dares to teach that at the top of the
-swing the weight is to be put on the right. There is, however, no harm
-in fortifying oneself with the opinion of at least one of the
-triumvirate expressed elsewhere. Personally, I think that the
-mechanical proposition is so extremely simple and incontrovertible, as
-I have stated it, that it is unnecessary to go further, but such is
-the veneration of the golfer for tradition that as a matter of duty to
-the game I shall leave no stone unturned, not only to scotch, but
-absolutely to kill, this mischievous idea which is so injurious to the
-game.
-
-In _Great Golfers_, Harry Vardon says, speaking of his address and
-stance: "I stand firmly, with the weight rather on the right leg." At
-page 50 of the same book he says, speaking of the top of the swing:
-"There is distinct pressure of the left toe and very little more
-weight should be felt on the right leg than there was when the ball
-was addressed." We see clearly here that Vardon's statement in _Great
-Golfers_ that at the top of the swing "very little more weight should
-be felt on the right leg than there was when the ball was addressed"
-does not agree with his statement in _The Complete Golfer_ wherein he
-states that "the weight of the body is being gradually thrown on to
-the right leg." The unfortunate part about this contradiction is that
-_Great Golfers_ was published before _The Complete Golfer_, so that we
-are bound to take it as Vardon's more mature and considered opinion
-that the weight at the top of the stroke is thrown mainly on the right
-leg.
-
- [Illustration: PLATE VI. HARRY VARDON
-
- The finish of his drive, showing how the weight goes forward
- on to the left foot.]
-
-This leaves us apparently as we were, but seeing the contradiction in
-Vardon's statement, we may with advantage turn to action
-photographs of him taken whilst actually playing the stroke. Here we
-see most clearly in such photographs as those shown on pages 86 and 87
-of _Great Golfers_, that the body, instead of going away from the
-hole, has, if anything, gone forward. This is sufficiently marked in
-the photographs which I am now referring to, but in _Fry's Magazine_
-for the month of March 1909 there appeared a remarkable series of
-photographs showing ten drives by Harry Vardon. These photographs are,
-unquestionably, of very great value to the game, for they show beyond
-any shadow of doubt whatever, that Vardon's weight is never, at any
-portion of his drive, mainly on his right leg. The first photograph
-showing him at the top of his swing is a wonderful illustration of the
-fact that at the top of the swing in golf the main portion of the
-weight goes forward on to the left foot.
-
-Before leaving this portion of our consideration of the distribution
-of weight, I must refer again to the description given of this matter
-in _The Mystery of Golf_. The author says:
-
- The whole body must turn on the pivot of the head of the
- right thigh bone working in the cotyloidal cavity of the "os
- innominatum" or pelvic bone, the head, right knee, and right
- foot, remaining fixed, with the eyes riveted on the ball. In
- the upward swing the vertebral column rotates upon the head
- of the right femur, the right knee being fixed; and as the
- club head nears the ball, the fulcrum is rapidly changed from
- the right to the left hip, the spine now rotating on the left
- thigh bone, the left knee being fixed; and the velocity is
- accelerated by the arms and wrists in order to add the force
- of the muscles to the weight of the body, thus gaining the
- greatest impetus possible. Not every professional instructor
- has succeeded in putting before his pupil the correct stroke
- in golf in this anatomical exposition.
-
-For which we may be devoutly thankful, for if ever there was written
-an absolutely ridiculous thing about golf which could transcend in
-stupidity this description, I should like to see it.
-
-As a matter of fact, the statement does not merit serious notice, but
-the book is published by a reputable firm of publishers, and no doubt
-has been read by some people who do not know sufficient for themselves
-to be able to analyse the alleged analysis of the author.
-
-Let us now subject his analysis to a little of the analysing process.
-We are told that "the whole body must turn on the pivot of the head of
-the right thigh bone working in the cotyloidal cavity of the 'os
-innominatum' or pelvic bone." This is merely another way of saying
-that the right leg and foot is supporting the whole weight of the
-body, although the head must remain fixed. We have already considered
-the similar statements expressed in _The Mystery of Golf_, and by much
-more important people in the golfing world than the author of this
-book, so we need not labour this point, but he goes on to reduce his
-directions to the most ludicrous absurdity. We are told that in the
-upward swing the vertebral column rotates upon the head of the right
-femur.
-
-Of course, I am not personally acquainted with Mr. Haultain, and he
-may be speaking from his own practice, but assuming for the sake of
-argument that he is a normally constructed man, the base of his
-vertebral column never gets anywhere near his right femur, nor is it
-possible for anybody's vertebral column to rotate unless the person is
-rotating with it, which one is inclined to think would prove rather
-detrimental to the drive at golf if indulged in between the stance and
-address and impact.
-
-As though we had not already had sufficient fun for our money, we are
-told that "as the club head nears the ball the fulcrum is rapidly
-changed from the right to the left hip, the spine now rotating on the
-left thigh bone."
-
-So far as one can judge from our author's description he must have
-been in the habit of playing golf amongst a race of men who have
-adjustable spines, the tail end of which they are able to wag from one
-side of the pelvic bone to the other. Personally, I have yet to meet
-golfers of this description. One feels inclined to ask the author of
-this remarkable statement what is happening to the os coccyx whilst
-one is wagging one's spine about in this remarkable manner.
-
-This statement is about the funniest thing which has ever been written
-in golf, and it has absolutely no relation whatever to practical golf.
-It is merely an imaginative and absolutely incorrect exposition of the
-golf drive, not only from a golfing, but from an anatomical, point of
-view; and it is to me an absolute wonder how anyone, even one who
-labels himself "a duffer," can attach his name to such obviously
-inaccurate and foolish statements. One really would be inclined to be
-much more severe than one is in dealing with such a book were it not
-for the amusement which one has derived from a perusal of such fairy
-tales as a rotating spine which, during the course of the golf drive,
-jumps from one thigh bone to the other, steeplechasing the pelvic bone
-as it performs this remarkable feat.
-
-I have referred in other places to the looseness of Mr. Haultain's
-descriptions in all matters of practical golf. At page 89 he confirms
-one's impression, if confirmation were required, that his idea of the
-fundamental principle of the golf swing is as ill-formed as are his
-notions of anatomy, for he says: "The left knee must be loose at the
-beginning and firm at the finish." At no time during a stroke in golf,
-of any description whatever, should there be any looseness of the
-body. During the production of the golf stroke the body is practically
-full of tension and attention. It is the greatest mistake possible to
-imagine that because one portion of the body is doing the work, any
-other portion may "slack." One who makes this statement has not a
-glimmering of the beginning of the real game of golf. I can readily
-believe that to such an one golf is a "mystery."
-
-The left knee is in harness from the moment the ball is addressed
-until long after it has been driven, and it is a certainty that the
-left knee has far more work to do than has the right, so for anyone to
-cultivate an idea that the left knee may, at any time during the
-production of the golfing stroke, "be loose," is a very grave error.
-
-While we are considering the matter of the distribution of weight, it
-will be advisable for us to devote our attention to the disposition of
-the weight at the moment of impact. Speaking of the management of the
-weight at this critical time, Vardon says:
-
- When the ball has been struck, and the follow-through is
- being accomplished, there are two rules, hitherto held
- sacred, which may at last be broken. With the direction and
- force of the swing your chest is naturally turned round until
- it is facing the flag, and your body now abandons all
- restraint, and to a certain extent throws itself, as it were,
- after the ball. There is a great art in timing this body
- movement exactly. If it takes place the fiftieth part of a
- second too soon the stroke will be entirely ruined; if it
- comes too late it will be quite ineffectual and will only
- result in making the golfer feel uneasy, and as if something
- had gone wrong. When made at the proper instant it adds a
- good piece of distance to the drive, and that instant, as
- explained, is just when the club is following through.
-
-It is evident from this statement, that Vardon is under the
-impression that the timing of this body movement should be so
-performed as to come in when the club is following through. I have
-shown before that the follow-through of a stroke is of no importance
-whatever except as the result of a perfectly executed first half of
-the stroke, if one may so describe it. It must be obvious to anyone
-who knows but little either of golf or mechanics that nothing which
-the body or the club does after contact between the ball and the club
-has ceased can have any influence whatever upon the flight of the
-ball, either as to distance or direction. Practically everything which
-takes place after the ball has left the club is the natural result of
-what has been done before impact. This cannot be too forcibly
-impressed upon golfers, for it is not at all uncommon to find men
-deliberately stating that the follow-through exerts a tremendous
-influence on the stroke. It should be perfectly manifest that this
-cannot be so. It is no doubt of very great importance to have a good
-follow-through, but the good follow-through must be the result of a
-good stroke previously played, otherwise it will be worthless.
-
-Harry Vardon states that this timing of the body movement takes place
-immediately after impact, for that is "just when the club is following
-through." He has himself provided the best possible refutation of this
-obviously erroneous statement. The timing of the body on to the ball
-in the manner mentioned by him practically commences, in every drive
-of perfect rhythm as are so many of Vardon's, from the moment the
-stroke starts, for the body weight which is put into the golf drive
-comes largely from the half turn of the shoulders and upper portions
-of the body from the hips in the downward swing. This half turn and
-the slight forward movement of the hips are practically one and the
-same. If they are not, something has gone wrong with the drive.
-
-Absolute evidence of the correctness of this statement is provided by
-Vardon himself in _Fry's Magazine_ for March 1909. Here we see the
-remarkable series of ten drives by Vardon which I have already
-referred to. The first photograph shows most clearly that at the top
-of the swing the main portion of his weight is on his left foot. As a
-matter of carrying golf to the extreme of scientific calculation it is
-quite probable that there is much more than Vardon's physical weight
-on his left leg, for the rapid upward swing of his club is suddenly
-arrested when considerably nearer the hole than his left shoulder, so
-that the leverage of the head of the club will have thrown more weight
-than that which the left actually bears on it as its share of Vardon's
-avoirdupois. This, of course, is undoubted as a matter of practical
-mechanics, but it is not of sufficient importance to enter into fully
-in any way here.
-
-It is, however, of importance for us to consider the photographs which
-follow, for here we see quite clearly that very early in the downward
-swing Vardon raises his right heel and bends his left knee slightly
-forward, and in the third, fourth, and fifth photographs we see very
-clearly that he is executing that turn of his body which carries his
-weight forward on to the ball in a very marked degree. This point is
-very clearly brought out in the instantaneous photographs of both
-Vardon's driving, and in that of George Duncan's. It is positively
-futile to say that the timing of the body weight in the follow-through
-is done when the club is following through, because it is obvious that
-this would not be "at the proper instant," and that it could not, by
-any stretch of imagination, add "a good piece of distance to the
-drive."
-
-It is curious to note in this connection that on page 53 of _Great
-Golfers_ Harry Vardon says:
-
- Almost simultaneously with the impact, the right knee
- slightly bends in the direction of the hole, and allows the
- wrists and forearms to take the club right out in the
- direction of the line of flight, dragging the arms after them
- as far as they will comfortably go, when the club head
- immediately leaves the line of flight and the right foot
- turns on the toe. This allows the body to turn from the hips
- and face the hole, the club finishing over the left shoulder.
-
-Here it will be seen that Vardon brings the timing of this very
-important forward movement back a little to "almost simultaneously
-with the impact." Now this phrase may mean immediately prior to, or
-immediately after, impact, and there can be no possible doubt which it
-is. It must be _prior_ to impact if it is to exert any beneficial
-effect whatever upon the stroke. To add any distance to the drive, it
-is obvious that what was done in the way of timing the body on to the
-ball must have been done _prior to impact_, and merely continued after
-the ball had gone away, so that the finish was perfectly natural.
-
-Now Vardon shows quite clearly in his drive that in his follow-through
-his weight goes forward until it is practically all on his left leg.
-So, for the matter of that, do the instantaneous photographs of nearly
-every famous golfer, but some of them have a very peculiar
-misconception of the disposition of weight at the moment of impact.
-
-Let us, for instance, see what James Braid has to say about the matter
-at page 53 of _Advanced Golf_. Dealing with this all-important moment,
-he says:
-
- I would draw the reader's very careful attention to the
- sectional photographs that are given on a separate page, and
- which in this form show the various workings of the
- different parts of the body while the swing is in progress
- as they could not be shown in any other way. They have all
- been prepared from photographs of myself, taken for the
- special purpose of this book. In some cases, in order to show
- more completely the progress of the different movements from
- the top of the swing to the finish, the position at the
- moment of striking is included. Theoretically, that ought to
- be exactly the same as the position at the address: and even
- in practice it will be found to be as nearly identical as
- possible, in the case of good driving, that is. Therefore,
- for the sake of precision, the third photograph in each
- series of four is a simple repetition of the first, and is
- not a special photograph.
-
-I may mention that this is a common idea of illustrating a golf
-stroke. The author of the book shows the stance and address. He then
-shows the top of the swing, and after that the finish, and he thinks
-that he has then done his duty by his reader. As a matter of fact,
-these are all positions in the swing where there is practically
-"nothing doing" as the American puts it.
-
-To illustrate the various movements in the drive, I took for _Modern
-Golf_, and used, eighteen different positions, and there was not one
-too many. It is quite impossible to illustrate the drive in golf by
-three positions; and it is absolutely erroneous to attempt to
-illustrate the moment of impact by a repetition of the photograph
-taken for stance and address. From the golfing point of view it is
-almost impossible to imagine two positions which are so entirely
-dissimilar. From the point of view of a mere photographer there may be
-some slight similarity, as indeed there is in all photographs of
-golfers, but to compare stance and address with the position at the
-moment of impact with the ball, is mere futility.
-
-Let us quote Braid's remarks with regard to stance and address:
-
- When in position and ready for play, both the legs and the
- arms of the player should be just a trifle relaxed--just so
- much as to get rid of any feeling of stiffness, and to allow
- of the most complete freedom of movement. The slackening may
- be a little more pronounced in the case of the arms than with
- the legs, as much more freedom is required of them
- subsequently. They should fall easily and comfortably to the
- sides, and the general feeling of the player at this stage
- should be one of flexibility and power.
-
- Everything is now in readiness for making the stroke, and the
- player prepares to hit the ball.... While he is doing this he
- will feel the desire to indulge in a preliminary waggle of
- the club just to see that his arms are in working order,
- waving the club backwards and forwards once or twice over the
- ball.... Obviously there is no rule in such matters, and the
- player can only be enjoined to make himself comfortable in
- the best way he can.
-
-Now we see here that the main idea of the player at the moment of
-address is to make himself comfortable--in other words, to get into as
-natural a position as he possibly can in order to execute his stroke.
-The whole idea of the stance and address is to get into a perfectly
-natural position, and one that is quite comfortable and best
-calculated to enable one to produce a correct stroke. We see clearly
-that this is what Braid considers to be necessary at the moment of
-address.
-
-Let us turn now to _Advanced Golf_ at page 61, which we have already
-quoted. Braid, at that page and on the preceding pages, explains
-clearly that the whole idea of the golf stroke is supreme tension, and
-that at the moment of impact the tension is greatest. He says: "Then
-comes the moment of impact. Crack! Everything is let loose, and round
-comes the body immediately the ball is struck and goes slightly
-forward until the player is facing the line of flight." Is it possible
-to imagine two more diametrically opposed conditions of the human
-frame than those which I have described in Braid's own words? Yet we
-find this fine player producing, for the guidance of golfers as to
-what takes place at the moment of impact, the same photograph which he
-shows them for stance and address!
-
-Moreover, Braid himself clearly shows in his action photographs that
-such a statement as this is quite wrong. If we had any doubt at all
-about the matter, we might examine the photographs of Braid himself,
-which show clearly that the positions taken up by him when addressing
-the ball and when hitting it, are, as might easily be believed, widely
-different, for at the moment of impact there is the supreme tension
-and power which he advises as being a necessity for the production of
-a long drive. It is true that James Braid's feet, particularly his
-right foot, do not move from the ground so much as do those of Harry
-Vardon or George Duncan; but it is nevertheless true that the movement
-of his legs, arms, and shoulders show, at the moment of impact, a
-position totally different from that taken up by him during his stance
-and address.
-
-It might seem that these things are not of sufficient importance to
-warrant the critical analysis to which I am subjecting them, but there
-can be no doubt that there are a vast number of people to whom golf is
-of infinitely more importance than political economy, and to these it
-is a matter of most vital importance that they should know what they
-are doing and what they ought to do at this critical period; and in
-dealing with the books which have been produced in connection with the
-game of golf they have such a mass of contradictory and fallacious
-teaching to wade through, that it is small wonder that they are, as a
-rule, utterly befogged as to the proper principles upon which to
-proceed.
-
-Let us, for instance, examine these two statements with regard to the
-follow-through. At page 55 of _How to Play Golf_, in his chapter on
-"Finishing the Stroke," James Braid says:
-
- The second that the ball is hit, and not before, the player
- should begin to turn on his right toe, and to allow a little
- bend of the right knee, so as to allow the right shoulder to
- come round until the body faces the line of flight of the
- ball. When this is done properly the weight will be thrown on
- to the left foot, and the whole body will be thrown slightly
- forward. The whole of this movement needs very careful
- timing, because it is a very common fault with some players
- to let the body get in too soon, and in such cases the stroke
- is always ruined. Examine the photographs.
-
-Let us now turn to page 62 of _Advanced Golf_. Here we read:
-
- As for the follow-through, there is very little that can be
- said here, which is not already perfectly understood, if it
- is not always produced. After impact, and the release of all
- tension, body and arms are allowed to swing forward in the
- direction of the flight of the ball, and I would allow the
- right knee to give a little in order to remove all restraint.
- But the weight must not be entirely taken off the right foot.
- That foot must still be felt to be pressing firmly on the
- turf, showing that although the weight has been changed from
- one place to another, the proper balance has not been lost.
-
-Braid here says that the weight must not be entirely taken off the
-right foot. Well, to all intents and purposes, it is entirely taken
-off the right foot, as will be shown by photographs of any of the
-leading players in the world at the finish of the stroke, and, indeed,
-of James Braid himself. Braid says: "Examine the photographs," and I
-have examined them. At pages 57 and 59 of _How to Play Golf_ Braid is
-shown finishing a full drive or brassy shot. Here, without any
-possible doubt, his weight is all on his left foot. At page 61 of
-_Advanced Golf_ there are some photographs of Braid's boots and
-trousers from the knee downwards, entitled "Leg action in driving."
-One of these is entitled "Finish." Here it will be seen that the whole
-of the weight is unmistakably on the left leg.
-
-If one looks at the instantaneous photographs of James Braid in this
-book and in _Great Golfers_ one will see quite clearly that in all
-finishes his weight goes unmistakably on to his left leg.
-
-Braid makes a very wonderful statement in _Great Golfers_ at page 175.
-Writing there of the downward swing, he says: "My body does not
-commence to turn till the club head is about two feet from the
-ball--namely, at the point when the wrists come into the stroke." As a
-matter of fact James Braid's body begins to turn almost simultaneously
-with the beginning of the downward stroke, and as another matter of
-practical golf the wrists also come in at the very beginning of the
-stroke. With this latter point I shall, however, deal later on.
-
-Let me here emphasise the fact that the body turn must commence very
-early in the stroke, as indeed is quite natural. It is obvious that if
-anyone were to postpone the turning of the body until the club head
-"is about two feet from the ball" the rhythm of the stroke would be
-utterly destroyed. In this matter I am contradicting Braid flatly
-about his own practice. Therefore, I must refer any reader who doubts
-the accuracy of my statement, and Braid himself, if he cares to
-challenge it, to _Fry's Magazine_ for May 1909, wherein are shown
-eight drives by James Braid. No. 1 shows Braid at the top of his
-swing; No. 2 shows him before his club head has travelled a foot, and
-even in this short distance we see that his body has already turned
-very considerably. Any attempt whatever to follow out what Braid says
-here and to postpone the turn of the body until the club head is two
-feet from the ball, must prove disastrous.
-
-Braid continues on the same page:
-
- At this moment the left knee turns rather quickly, as at the
- moment of striking, I am firm on both feet; the quickness of
- the action makes it difficult to follow with the eye, but I
- am convinced this is what happens. Immediately after impact I
- commence turning on the right toe, bending the right knee
- slightly. This allows the right shoulder to come round till
- the body is facing the hole. It is most essential that this
- should be done, and then no thought will be given as to how
- the club will finish, as the speed at which the club head is
- travelling will naturally take it well through.
-
-Here we have, at least, very important corroboration of the fact that
-one need not worry about the follow-through if the first portion of
-the stroke has been correctly played. Braid says that at the moment of
-striking "the player is quite firm on both his feet and faces directly
-to the ball, just as he did when he was addressing it before he began
-the upward swing. Anyone who thinks out the theory of the swing for
-himself will see that it is obviously intended that at the moment of
-impact the player shall be just as he was when he addressed the ball,
-which is the position which will afford him most driving power and
-accuracy."
-
-This statement is so amazing that I must give definite instructions as
-to where to find it. It is on page 54 of _How to Play Golf_, and I
-think it proves conclusively that the idea which Braid is endeavouring
-to impart to his pupils and readers is entirely wrong, and is not the
-method which he himself follows in practice. Confirmation of my
-opinion can be obtained from a study of the third picture in the
-series of drives by James Braid in the May number of _Fry's Magazine_
-for 1909, which I have just referred to. Here we see clearly that the
-positions, from a golfing point of view, are utterly dissimilar, as
-indeed is most natural.
-
-Braid states that immediately after impact he commences "turning on
-the right toe, bending the right knee slightly." I think it will be
-found that even with James Braid, who certainly uses his legs in a
-somewhat different manner from many of the leading professionals, the
-right foot begins to lift before impact with the ball. I am inclined
-to think that both Braid and Taylor are more flat-footed at the moment
-of impact than most of the other professional golfers; but there can
-be little doubt that the body is swung into the blow before impact,
-otherwise it would be a matter of practical impossibility for them to
-obtain the length which they do; while it is a certainty that for the
-ordinary golfer it would be fatal to attempt to keep his weight in any
-way whatever on his right leg at the finish of his drive.
-
-This rooted fallacy with regard to the distribution of weight so that
-at the top of the swing it shall be on the right foot, has obtained
-its hold in a very peculiar manner. At the top of the swing the right
-leg is practically perfectly straight, and, naturally, as the foot is
-firmly planted on the ground and therefore held at both the heel and
-the toe while the leg has turned with the body, there is a very
-considerable amount of torsional or twisting strain on the leg. This
-torsional strain, added to the fact that the leg is perfectly
-straight, has led to the idea that a great deal of the weight is on
-the right leg.
-
-This idea has been confirmed to a very great degree by the manner of
-contact of the left foot with the earth. At the top of the swing the
-golfer pivots on the left foot, practically from the ball of the big
-toe to the end thereof, or on that portion of his boot representing
-this space. This naturally makes his contact with the earth _appear
-light_. These two causes, taken together, have produced the fallacy
-with regard to having the weight on the right foot and leg at the top
-of the swing. In the one case it is a physical cause, namely, the
-stiffness and torsional strain on the right leg, and in the other case
-it is a visual deception. It stands to reason that, provided the two
-surfaces will bear the strain, as much weight could be borne on a
-point as on a surface immeasurably greater, but in the second case
-there would be a greater _appearance_ of weight. This is exactly what
-has happened with regard to the golf drive. It is executed extremely
-quickly, and those who have attempted to explain it have not been able
-to follow the motions with sufficient rapidity and intelligence, nor
-have they been able to explain them accurately either from a
-mechanical or anatomical point of view.
-
-Until we can get some golfer who can pass the test suggested by me,
-and play his stroke without touching the wire strained within a
-quarter of an inch of his neck, after having taken his stance with his
-weight evenly distributed between his legs, and at the same time play
-it without contortion with his weight on his right leg, we may take it
-that this tremendous fallacy with regard to the distribution of weight
-at the top of the swing has been exploded.
-
-
-
-
-CHAPTER VI
-
-THE POWER OF THE LEFT
-
-
-The fetich of the left is, amongst golfers, only second, if indeed it
-is second in its injurious nature, to the idea that the weight should
-be put on the right foot at the top of the swing. It is very hard
-indeed to trace the origin of the idea that the left hand and arm is
-of more importance in the golf stroke than the right, but that it is a
-very rooted idea there can be no doubt whatever.
-
-To those who are not acquainted with the literature of golf and the
-remarkable ideas which many golfers have of the nature of their game,
-it would seem almost superfluous to go very fully into this matter,
-for one would think that it is sufficiently obvious that the right
-hand and arm are the dominant factors in producing the golf stroke. It
-is, however, useless to deny that there is a large body of opinion,
-backed by most influential authority, in favour of the left hand and
-arm being more important than the right.
-
-Let us see, before we go any further in the matter, what the leading
-professionals have to say about it.
-
-Harry Vardon, it is true, does not explicitly state that the right
-hand is the more important, but by implication he does assert so right
-throughout _The Complete Golfer_. Let me quote a few of his remarks
-with regard to the left hand. On page 61 Vardon says:
-
- The grip with the first finger and thumb of my right hand is
- exceedingly firm, and the pressure of the little finger on
- the knuckle of the left hand is very decided. In the same way
- it is the thumb and first finger of the left hand that have
- most of the gripping work to do. Again, the palm of the right
- hand presses hard against the thumb of the left. In the
- upward swing this pressure is gradually decreased, until when
- the club reaches the turning point there is no longer any
- such pressure; indeed, at this point the palm and the thumb
- are barely in contact.
-
-We see here clearly that, as indeed Vardon has stated elsewhere, at
-the top of the swing the grip of the right has opened up until it may
-almost in a measure be said to have ceased to direct operations.
-
-Vardon continues:
-
- This release is a natural one, and will or should come
- naturally to the player for the purpose of allowing the head
- of the club to swing well and freely back. But the grip of
- the thumb and first finger of the right hand, as well as that
- of the little finger upon the knuckle of the first finger of
- the left hand, is still as firm as at the beginning.
-
-From this it will be seen that the grip at each side of the hand is
-apparently as firm as it was at the beginning of the stroke, but in
-some mysterious manner it has eased up in between the forefinger and
-the little finger. We need not, however, go any further into that
-matter at the present time, but we may continue the consideration of
-Vardon's statement here. He goes on to say: "As the club head is swung
-back again towards the ball, the palm of the right hand and the thumb
-of the left gradually come together again. Both the relaxing and the
-retightening are done with the most perfect graduation, so that there
-shall be no jerk to take the club off the straight line. The easing
-begins when the hands are about shoulder high and the club shaft is
-perpendicular, because it is at this time that the club begins to
-pull, and if it were not let out in the manner explained, the result
-would certainly be a half shot or very little more than that, for a
-full and perfect swing would be an impossibility. This relaxation of
-the palm also serves to give more freedom to the wrist at the top of
-the swing just when that freedom is desirable."
-
-We might, for a moment, leave this statement, and turn to page 126.
-Speaking here of the approach shot with the mashie Vardon says: "This
-is one of the few shots in golf in which the right hand is called upon
-to do most of the work, and that it may be encouraged to do so the
-hold with the left hand should be slightly relaxed"; and again at page
-147 in dealing with putting Vardon says: "But in this part of the game
-it is quite clear that the right hand has more work to do than the
-left."
-
-In these statements it is quite evident that Vardon wishes to express
-the idea that, generally speaking, the left hand is in command of the
-stroke.
-
-Reverting for a moment, and before I proceed to consider what the
-other authorities have to say on this subject, to Vardon's remark that
-"This is one of the few shots in golf in which the right hand is
-called upon to do most of the work," I may say that Vardon does not,
-in the whole of _The Complete Golfer_, explicitly describe any one
-stroke wherein he shows that the left hand "is called upon to do most
-of the work," nor, for the matter of that, does any other professional
-golfer or author, although the statement is common to nearly all books
-on the game.
-
-James Braid, on page 55 of _How to Play Golf_, says:
-
- A word about the varying pressure of the grip with each hand.
- In the address the left hand should just be squeezing the
- handle of the club, but not so tightly as if one were afraid
- of losing it. The right hand should hold the club a little
- more loosely. The left hand should hold firmly all the way
- through. The right will open a little at the top of the swing
- to allow the club to move easily, but it should automatically
- tighten itself in the downward swing.
-
-Here again we see the idea that the left is in charge, because
-although we are told that in the address the left hand should "just be
-squeezing" the club, yet we are told clearly and definitely that "the
-left hand should hold firmly all the way through." It is somewhat
-difficult to reconcile these directions, and it is obvious that if the
-right is going to "open a little at the top of the swing" the club
-will certainly move easily--in fact it will move so easily that the
-accuracy of the stroke will be very considerably interfered with.
-
-Let us for a moment turn to _Advanced Golf_. There, James Braid,
-speaking of the top of the swing, says: "Now for the return journey.
-Here at the top, arms, wrists, body--all are in their highest state of
-tension." Let me pause here for a moment to ask how it is possible for
-"arms, wrists, body" all to be "in their highest state of tension," if
-the right hand is to "open a little at the top of the swing to allow
-the club to move easily"; and how is it possible for the right hand to
-"automatically tighten itself in the downward swing" if it was already
-in its "highest state of tension" when it was at the top of the swing?
-
-It will be apparent that it is utterly impossible for the arms and
-wrists to be tighter than they are when they are "in their highest
-state of tension." Therefore, we must take it that James Braid's
-advice at page 55 of _How to Play Golf_ is over-ridden by his advice
-at page 57 of _Advanced Golf_, for I think that we are entitled to
-consider that _Advanced Golf_ represents Braid's last word with regard
-to the science of golf.
-
-Quoting still from the same passage, page 57 of _Advanced Golf_, Braid
-says: "Every muscle and joint in the human golfing machinery is wound
-up to the highest point." It is impossible to get away from that. We
-are told that at the beginning of the downward swing "every muscle and
-joint in the human golfing machinery is wound up to the highest
-point."
-
-Now the student of golf who desires to start his swing on a firm and
-sure foundation must mark this statement well. I repeat it for the
-third time: "Every muscle and joint in the human golfing machinery is
-wound up to the highest point," and let it be remembered that Braid is
-now speaking _of the start of the downward swing_.
-
-We will now turn to _Taylor on Golf_. At page 193 Taylor says:
-
- My contention is simply this: that the grasp of the right
- hand upon the club must be sufficiently firm in itself to
- hold it steady and true, but it must not be allowed on any
- account to over-power the left. The idea is that the latter
- arm must exercise a predominant influence in every stroke
- that may be played. As regards my own position in the matter,
- my grip with either hand is very firm, yet I should hesitate
- before I told every golfer to go and do likewise.
-
-Here we see that Taylor distinctly says that "the idea is that the
-latter arm (_i.e._ the left) must exercise the predominant influence
-in every stroke that may be played," and although he says explicitly
-that his own grip with both hands is very firm, he puts the utterly
-false idea of the predominance of the left into the minds of those who
-are influenced by his teaching.
-
-Taylor, at page 107 of _Great Golfers_, says in dealing with the
-"Downward Swing":
-
- The club is brought down principally by the left wrist, the
- right doing very little until the hands are opposite the
- right leg, when it begins to assert itself, bringing the full
- face of the club to the ball.
-
-It is almost unnecessary to say, especially in view of Taylor's
-statement that he holds very firmly with both hands, that he does not
-carry out this dangerous teaching. Harry Vardon says to attempt it is
-fatal, and I am pleased to add my corroboration.
-
-This amazing fallacy is wonderfully deeply rooted. A friend of mine
-some time ago was in trouble about his iron shots. He consulted a
-professional, who endeavoured to cure him by telling him when playing
-his stroke to hold so lightly with his right hand that at any time
-during the stroke he could slide it up and down the shaft.
-
-Oh no! He is not a duffer, nor is he mentally unbalanced. He is merely
-a professional golfer who plays for England and suffers from the
-hallucination handed on to him by more famous players than he.
-
-What could be stronger than this? Let me quote Taylor again. At page
-90 of _Taylor on Golf_ he says:
-
- The right hand is naturally the stronger of the two--much
- more powerful in the average man than the left--and the
- learner is just as naturally prone to use it. But in the game
- of golf he must keep in front of him at all times the fact
- that the left hand should fill the position of guide, and it
- must have the predominating influence over the stroke.
-
- That this is rather unnatural I am perfectly willing to
- admit. Its being unnatural is the basis of its great
- difficulty, but it is a difficulty that must needs be
- grappled with and overcome by any man who desires to play the
- game as it should be played.
-
-But Taylor will not give in to this idea himself! Is not this
-wonderful?
-
-Harry Vardon says of the grip that one should "remember that the grip
-with _both_ hands should be firm. That with the right hand should not
-be slack as one is so often told." This is valuable corroboration, for
-it must be remembered that Vardon only subscribes to the fetich of the
-left _by implication_. Nowhere, I think, can we convict him of
-actually preaching it.
-
-Now let us turn to the volume on _Golf_ in the Badminton Library
-contributed by Mr. Horace G. Hutchinson. At page 85 Mr. Hutchinson
-says:
-
- Since, as will be shown later on, the club has to turn in the
- right hand at a certain point in the swing, it should be held
- lightly in the fingers, rather than in the palm, with that
- hand. In the left hand it should be held well home in the
- palm, and it is not to stir from this position throughout the
- swing. It is the left hand, mainly, that communicates the
- power of the swing; the chief function of the right hand is
- as a guide in direction.
-
-At page 87 Mr. Hutchinson continues:
-
- So much, then, for the grip. Now, when the club, in the
- course of its swing away from the ball, is beginning to rise
- from the ground, and is reaching the horizontal with its head
- pointing to the player's left, it should be allowed to turn
- naturally in the right hand until it is resting upon the web
- between the forefinger and the thumb.
-
-We see here that this distinguished amateur is an out and out adherent
-of the fallacy of the left. He tells us distinctly that it is the
-"left hand, mainly, that communicates the power of the swing, and that
-the chief function of the right hand is as a guide in direction," but
-notwithstanding the fact that "the chief function of the right hand is
-as a guide in direction," we see that at the top of the stroke it
-turns loosely in the hand until it is "resting upon the web between
-the forefinger and the thumb."
-
- [Illustration: PLATE VII. HARRY VARDON
-
- The finish of the drive--a little later than in Plate VI.,
- showing the weight completely on the left foot.]
-
-Of course, in the circumstances, it will be very hard indeed for us to
-follow out James Braid's idea of everything at this point being in
-supreme tension, but it is interesting to see what Mr. Hutchinson
-thinks about the matter.
-
-We have here the opinions of the three most distinguished
-professionals in the world, backed by that of one of the distinguished
-amateurs in the game, a man who has distinguished himself both by his
-play and his writing. In the face of this weight of authority it may
-seem rash to venture to state plainly and explicitly that as a matter
-of practical golf the right hand and arm is the dominant partner, and
-that it is the duty of every normal golfer to have this idea firmly
-implanted in his mind when he settles down to his address.
-
-As the right is the dominant partner in the golf drive, so must the
-predominance of the right be the dominant idea in one's mind, but the
-domination of the right must not be abused, as we shall show later on.
-
-It is, of course, proper for a golfer to have clearly fixed in his
-mind the fact that the right is the more important member of the two,
-but when he has once got that fact carefully and well stowed away in
-his mind, it will be no more trouble to him than it is at present to
-every normal person to use his knife in his right hand with which to
-cut his meat, for it is an absolutely natural proceeding. The trouble
-with the fetich of the left is that not only is it a perfectly
-unnatural proceeding, but it is also, on that account, something extra
-for the golfer to cumber his mind with during his swing. If he plays
-his stroke naturally and without any thought of the mismade maxims of
-unpractical persons, he will inevitably let the right hand and arm
-take charge of the stroke, but the right will not at any time
-endeavour to do more than its proper share, and therefore the left
-will be given every chance to do a fair amount of the work. It is the
-interference with Nature by putting the left forward into a place
-which it has no right to occupy, which ruins so many golf strokes.
-
-Let us now turn to _The Complete Golfer_. Here, at page 60, Harry
-Vardon says:
-
- We must now consider the degree of tightness of the grip by
- either hand, for this is an important matter. Some teachers
- of golf, and various books of instruction, inform us that we
- should grasp the club firmly with the left hand and only
- lightly with the right, leaving the former to do the bulk of
- the work and the other merely to guide the operations.
-
- It is astonishing with what persistency this error has been
- repeated, for error I truly believe it is. Ask any really
- first-class player with what comparative tightness he holds
- the club in his right and left hands, and I am confident that
- in nearly every case he will declare that he holds it,
- nearly, if not quite, as tightly with the right hand as with
- the left. Personally, I grip quite as firmly with the right
- hand as with the other one. When the other way is
- adopted--the left hand being tight and the right hand simply
- watching it, as it were--there is an irresistible tendency
- for the latter to tighten up suddenly at some part of the
- upward or downward swing, and, as surely as there is a ball
- on the tee, when it does so there will be mischief.
-
-If we sum up the advice of Vardon and Taylor, and of Braid as shown in
-his latest work _Advanced Golf_, we see clearly that although they
-subscribe to the idea of the predominance of the power of the left
-hand and arm, they do not themselves carry it out in practice. Taylor
-says that his grip with both hands is very firm, yet he should
-hesitate before recommending other people to follow his methods. I
-think we may take it for granted that a method which has resulted in
-four open championships may be considered good enough to follow.
-
-Vardon, as we have seen, only subscribes to this notion inferentially,
-and nobody could be more emphatic than he is with regard to the
-distribution of force in the grip. His words "Ask any really
-first-class player with what comparative tightness he holds the club
-in his right and left hands, and I am confident that in nearly every
-case he will declare that he holds it, nearly, if not quite, as
-tightly with the right hand as with the left," present the case
-exactly. Any man who plays golf properly will find it impossible to
-tell you how he distributes the force of his grip on his club, and
-what proportion of power the grip of the left bears to the right. As a
-matter of fact, the man who plays golf properly has no time to think
-of such nonsense as this. This is a matter which is regulated for him
-by common sense and nature.
-
-The trouble steps in when he is advised to interfere with the ordinary
-course of Nature, and to put the left hand in a position of authority
-which it has no right whatever to try to exercise. I say advisedly
-"try" to exercise, because it never can exercise the power which it is
-supposed to have. It stands to reason, therefore, that any attempt
-whatever to make it exercise a power superior to the more powerful arm
-must result in interfering with the proper functions of the hand and
-arm which should be naturally in command of the stroke.
-
-We have seen that James Braid in _Advanced Golf_ has quite altered the
-opinions which he expresses in _How to Play Golf_, and he also agrees
-that at the top of the swing, and until the stroke is played, it is
-right to grip the club as hard as one can with both hands--in fact,
-he says as plainly as it is possible for anyone to say anything, that
-during the whole of the downward swing the muscles are in a state of
-supreme tension, and fortunately he does not repeat the common error,
-the error which he himself makes in _How to Play Golf_, of advising
-the player to encumber his mind with any idea of regulating the
-increase of speed of the club head.
-
-Vardon puts the matter splendidly when he says:
-
- Personally, I grip quite as firmly with the right hand as
- with the other one. When the other way is adopted--the left
- hand being tight and the right hand simply watching it, as it
- were--there is an irresistible tendency for the latter to
- tighten up suddenly at some part of the upward or downward
- swing, and, as surely as there is a ball on the tee, when it
- does so there will be mischief.
-
-This is such an important statement that I must, in passing, emphasise
-it, although I hope to deal with it again later on, for Vardon here
-strikes a deadly blow to the absurd nonsense which most books lay down
-about regulating the grip during the upward and downward swing. As
-Vardon truly says, any attempt to apportion the respective power of
-the grip of the left and right during the golf swing must inevitably
-result in disaster, for there will unquestionably be, as he well
-remarks, a pronounced tendency to tighten up at some part of the swing
-in a jerky manner. The only way to guard against this is to be, as
-James Braid says in _Advanced Golf_, in a state of supreme tension
-from the moment the downward swing starts.
-
-It must be remembered that Vardon himself advocates easing up with the
-grip of the right at the top of the swing, although he says that he
-grips as firmly with the right as the left. It stands to reason that
-if Vardon does ease up with his right at the top of the swing, he
-must during his downward stroke restore the balance of power. It seems
-perfectly clear that in doing this there is a very great danger of
-what he describes as an "irresistible tendency for the latter," that
-is the right hand, "to tighten up suddenly."
-
-I cannot see that, because Vardon starts with his grip equally firm
-with each hand, and then relaxes the firmness of his grip with his
-right hand at the top of the stroke, trusting to regain his firmness
-by the time he has reached the ball again, he removes from his swing
-the danger of the sudden tightening-up which he shows will threaten
-the swing of anyone who attempts to let the left hand have the
-predominant grip. It seems to me perfectly clear that this danger must
-be even in Vardon's downward swing, but we know quite well that
-Vardon, as a stroke player, is a genius, and that even if it is not a
-danger for him, it would be for ninety-five of every hundred golfers.
-
-The truth is, with regard to the golf grip, although none of the
-leading professionals or authors are courageous enough to state it,
-that for the ordinary golfer--aye, and even for the extraordinary
-golfer--there is only one way to apportion the force of the left and
-right in the grip, and that is _not to think about it at all when one
-is doing it_, but to grip very firmly with both hands, and leave any
-apportionment of force which may be necessary to Nature, and the
-golfer who follows this advice and instruction will find that Nature
-can attend to it infinitely better than he can.
-
-In golf we frequently find that one fallacy is built up on another,
-and it is quite an open question if the fallacy of the power of the
-left hand and arm is not founded on another fallacy, namely, the
-fallacy of the present overlapping grip. Now this sounds like rank
-heresy, and I may as well say at once that I am not prepared to
-assert that the present overlapping grip is a fallacy, but it is at
-least open to argument if it is the best grip which can be taken of a
-golf club.
-
-There is no such thing as standing still in golf or any other
-game--either we are progressing or we are going backwards. In golf,
-notwithstanding the vast amount of false teaching which is published,
-we are unquestionably advancing. It must not be thought from this that
-it is of no importance that most of the matter which is published
-about golf is entirely misleading, for that is not so. This misleading
-matter is followed by an enormous army of golfers who are not able to
-think out the matter for themselves, but there are a very great number
-of golfers who absolutely disregard the published tuition of the
-greatest experts in the world and play golf as it should be played,
-and in no case is this more pronounced than in the persons of leading
-professional golfers, for they write one thing, but do absolutely the
-other themselves.
-
-In the old days, when Vardon and all the other champions used the
-two-handed grip, it would have been rank folly for any person other
-than Vardon to have asserted that it was better to get the grip of the
-right hand off the club, as the overlapping grip does to a very great
-extent, but this grip was tried by Vardon, and it very soon became
-almost universal. However, I think we are justified in asking if this
-grip is undoubtedly the best that it is possible for us to get. Before
-the overlapping grip became fashionable both hands had their full grip
-on the shaft of the club, and in those days men played great golf, and
-there are many of them who still play great golf with the same hold,
-which they have refused to alter.
-
-At page 194 of _Taylor on Golf_, speaking of the grip, Taylor says:
-
- To sum up the matter, I should describe the orthodox manner
- of gripping with the right in the following words: The
- fingers must close around the club in such a way that
- provision is made for the thumb to cover and cross the shaft,
- the first joints of the fingers, providing this is done,
- being just in sight. Nothing more or nothing less. This is
- the grip generally accepted as being orthodox, and the one
- generally favoured by the majority of those who decide to
- follow up the game properly. But, as is the case with
- everything which is favoured by any considerable number of
- enthusiasts, there are those who, untrammelled by tradition,
- break away and hold the club differently, with one hand at
- least.
-
- Take, as for instance, the case of Mr. John Ball, jun. This
- gentleman--one of the leading golfers of the day--holds the
- club firmly, not to say tightly, in the palm of his right
- hand. Well, he has discovered that this does not
- detrimentally affect his play, so I presume that may be taken
- as a satisfactory proof that the orthodox way may sometimes
- be departed from. Then, after Mr. Ball, I might mention the
- name of Mr. Edward Blackwell. He is almost certainly the most
- consistently good long driver we possess now, and his
- unorthodox method of grip with the right hand has not
- affected his play.
-
-Taylor, of course, uses the overlapping grip, which is to-day the
-orthodox grip.
-
-Taylor speaks here of "those who, untrammelled by tradition, break
-away and hold the club differently, with one hand at least," but it
-seems to me that the two golfers quoted are not those who are breaking
-away from the traditional hold. Rather does it seem to me that it is
-we of the orthodox grip of to-day who have broken away from the best
-traditions of golf, and taking best and best of those who have adopted
-the modern grip and those who have maintained the old grip, there is
-practically "nothing in it." Looking at the grip of men like Mr. H. H.
-Hilton, Mr. John Ball, and Mr. Edward Blackwell, it would, I think,
-to-day, require a person almost bereft of intelligence to imagine for
-one moment that the power of the stroke in the play of these golfers
-is obtained from their left arms and hands, and I do not suppose for a
-single moment that any one of these players would dream of asserting
-that he gets his length or direction from the left arm.
-
-We are now confronted with the fact that one at least of these players
-with the two-handed grip is at practically no disadvantage against the
-best golfers in the world, and we must take it for granted in the face
-of what we have said, that his power of stroke and his command thereof
-is obtained from his right hand and arm. Now that being so, let us say
-for the sake of argument that he desires to improve his play by
-bringing the action of his wrists into greater harmony by adopting the
-overlapping grip. Surely one is confronted with this question--should
-one overlap the left hand with the right, or should one overlap the
-right with the left. In the present overlap the left hand takes the
-first grip of the club, and the right hand overlaps it, and in so
-doing is taken, to a very great extent, off the shaft of the club.
-
-The question now arises, Should not one first take one's grip with the
-right hand, the dominant hand, the guiding hand, and the hand which is
-operated by the stronger arm, and having got this grip, proceed to
-overlap with the left, always allowing, of course, for the necessary
-insertion of the thumb of the left between the shaft and the palm of
-the right hand?
-
-This may sound revolutionary, but I assure my readers that it is not
-one half so revolutionary as the change from the old two-handed grip
-to the present overlapping grip, for in that change the right hand
-was, to a very great extent, deprived of its pride of place. I think
-there is very little doubt that a player who became accustomed to the
-right-handed grip with the left overlap, would find that he produced a
-better game than he was able to do with the present overlapping grip.
-The fact is that we are inclined to take a much too complimentary and
-optimistic view of our exploits. Golf has now come to such a pass that
-it is played almost perfectly by a few of the best players, so that we
-have come to consider a five by a leading player as a serious lapse;
-but we must not judge the great body of golfers by the perfect
-players. These men would probably play very well under any conditions
-which could exist in the game. We have to consider the greatest good
-of the greatest number--in other words, the object of our search is to
-ascertain and understand perfectly what is the best way, and although
-I am stating this proposition with regard to the golf grip quite
-tentatively, and am laying it down as a subject for argument, I have
-very little doubt indeed that it will be found in the future that the
-right-handed grip is the best grip for playing golf.
-
-I think there is very little doubt that the most important change in
-the next decade will be in the right hand and arm coming into their
-kingdom. It need not be thought that this will happen in a day, or a
-month, or a year. For very many years the great game of golf was
-played, and was well and truly played by men who never dreamed of
-putting part of one hand beneath the other--who would have scouted the
-overlapping grip and the levering of the right hand off the shaft as
-sacrilege--but some one introduced the idea, because it brought the
-wrists closer together so that they worked more in harmony than with
-the old grip. Harry Vardon tried it and found it good, and it went
-into the game of golf and the history thereof.
-
-And to see Vardon use it, one might well say, "What more can you
-want?"; but that is not argument. Probably the one who asked that
-question would have asked the same question had he seen Vardon playing
-when he was using the old grip, when one wrist was fighting the other;
-so we must not be deterred from our speculation, from peering into the
-future. Of course, the essence of the overlapping grip is that it
-reduces the conflict of the wrists, and so conduces to greater
-accuracy and to less interference with the rhythm of the swing. It
-stands to reason that in the old days of the two-handed grip this
-conflict was worse than it would be now, for then the fetich of the
-left had not been weakened, and it was a distressful thing to have a
-hefty left in possession of the end of one's shaft and interfering
-with the proper functions of the right in an unwarrantable manner.
-
-Scientific golfers have, however, now come to the conclusion that the
-right hand and arm are the dominant partners in the production of the
-golf stroke, although there are many of the old school who still
-pathetically retain and exhibit their allegiance to the old tradition
-of the left being the master.
-
-If we have established the fact that the right is the dominant factor
-in the production of the drive, it seems to me that it follows quite
-naturally that the place of honour on the shaft should be allotted to
-it, and that it should be allowed the full grip, and not as it is at
-present, pushed off the shaft so that the grip of the dominant hand is
-practically reduced to that of the thumb and the first and second
-fingers. If this point is conceded the right hand obtains the full
-benefit of its undoubtedly superior power, for it obtains a firm and
-natural grip, whereas the present overlapping grip is a most unnatural
-hold and a difficult one for beginners to acquire, although very few
-players who have once used it return to the old grip.
-
-Not only is the proposed grip more solid and natural, and productive
-of greater power and accuracy than the present overlapping grip, but
-it unquestionably carries the main idea of the overlapping grip to its
-logical conclusion, as it reduces the stroke much more to a one-wrist
-shot than does the present grip.
-
-There will always be found many people who are prepared to condemn
-utterly anything which they do not understand. Some of these are sure
-to exercise themselves on this subject, so I shall give them some
-additional food for thought. Some time ago, a golfer who was capable
-of removing Mr. John Ball from the Amateur Championship Competition,
-lost his left thumb at the second joint. After his misfortune he took
-to driving a much longer ball than he had been in the habit of doing
-before his accident.
-
-Now there must have been some reason for this. The only one which I
-can suggest is that his accident put the right hand more into its
-proper and natural place on the shaft than it had been before.
-Curiosity led me to try to reproduce this grip as much as possible. I
-used the ordinary overlapping grip, with the exception that I allowed
-my thumb to remain out and to rest on the back of my right hand in a
-line with the knuckle of the little finger. I was astonished to find
-how closely it seemed to bring the wrists together. The injured golfer
-would probably have the ideal golf grip if he overlapped his right
-with his left forefinger instead of using the ordinary overlap, for he
-would have a perfectly free and full right-hand grip, no interference
-by the thumb of the left hand, and a natural overlap with the left
-forefinger on the little finger of the right hand.
-
-There is surely food for thought in these considerations, and I am
-sure that many who take to golf late in life could do much better with
-this grip and the short swing than they do with the grip which is most
-in vogue, and with much striving after an exaggerated swing. It is not
-wise for us to think that there is nothing to discover or to improve
-on in the grip. There is in this suggestion much room for experiment
-and argument, and unless I am very much mistaken we shall, in the
-future, see the relative position of the hands on the shaft altered.
-
-I may here refer again to the remarks made on the power of the left by
-Mr. Horace Hutchinson. It will be remembered that he said:
-
- Since, as will be shown later on, the club has to turn in the
- right hand at a certain point in the swing, it should be held
- lightly in the fingers, rather than in the palm, with that
- hand. In the left hand it should be held well home in the
- palm, and it is not to stir from this position throughout the
- swing. It is the left hand, mainly, that communicates the
- power of the swing; the chief function of the right hand is
- as a guide in direction.
-
-Notwithstanding Mr. Horace Hutchinson's statement with regard to the
-function of the right hand, there is given on page 86 of the Badminton
-_Golf_ an illustration entitled "At the top of the swing (as it should
-be)." Here we see a player in about as ineffective a position for
-producing a drive as one could possibly imagine, for the right elbow
-is considerably above the player's head and is pointing skyward. It
-would be an impossibility from such a position to obtain either
-adequate guidance or power from the right hand, and it is a matter of
-astonishment to find the name of such a fine player and good judge of
-the game as Mr. Horace Hutchinson attached to an illustration which
-must always be a classical illustration of "The top of the swing (as
-it should _not_ be)."
-
-We may here for the time being disregard the fundamentally unsound
-position of the right arm, for Mr. Horace Hutchinson has apparently
-altered his mind since, as we find him in _Great Golfers_ photographed
-at the top of his swing with the right elbow in an entirely different
-position. We see there clearly that he had come to realise the
-importance of keeping his elbow well down and as much as possible in
-the plane of force indicated by the swing and the shaft of the golf
-club. These photographs are very interesting. Mr. Horace Hutchinson
-says that the golf club "should be held well home in the [left] palm,
-and it is not to stir from this position throughout the swing," yet at
-the top of Mr. Horace Hutchinson's swing illustrated on page 296 of
-_Great Golfers_ we see clearly that at the top of his swing the club
-is barely held in the fingers of the left hand--as a matter of fact
-the forefinger of the left hand is raised and the club is merely
-resting in the three other fingers, which appear to be curved on to
-the club and hardly exerting any pressure whatever.
-
-It is abundantly clear from this photograph that Mr. Hutchinson, who
-is the most pronounced adherent to the fetich of the left, is driving
-his ball with a grip which is, to all intents and purposes, a
-right-handed stroke. This photograph was taken in action and at the
-rate of about one twelve-hundred-and-fiftieth of a second, so that
-there cannot be much doubt as to the fact that Mr. Horace Hutchinson
-is merely another exemplification of the fact that the golfers who
-write for the public tell them one thing, while they themselves
-practise another.
-
-Before concluding this chapter on the power of the left, I may mention
-that Mr. H. H. Hilton in Mr. John L. Low's book _Concerning Golf_,
-subscribes to the idea of attempting to regulate the force of the
-grips taken by the hands. He says on page 78 of that book:
-
- When the main object of a shot is to obtain length, hold
- tight with the left hand. The left hand will then do most of
- the work in taking up the club. The right hand comes in on
- the down swing to add force to the shot, and all parts of the
- player's anatomy cohering together, the impetus will carry
- his shoulders round, and unless he arbitrarily checks the
- motion, he will finish his shot with his arms and club thrown
- forcibly away from him; in short, he will have followed
- through.
-
-It will be seen that this fine player distinctly advises a stronger
-grip with the left than with the right hand when one's object is
-distance. In the drive the object, of course, generally is distance,
-and we are distinctly advised by Mr. Hilton to play our stroke in a
-manner which Harry Vardon has clearly laid down as almost certain to
-lead to irretrievable disaster, for starting with a firm grip with our
-left, which we are to put practically in command of the club on the
-upward swing, we are then to bring the right into play "on the down
-swing to add force to the shot."
-
-It will be clearly seen here that Mr. Hilton is under the impression
-that the left is performing the more important portion of the work,
-for he speaks of the right hand as coming in to add force to the shot,
-whereas, in fact, the main portion of the force is provided by the
-right, and if there is any question of either hand and arm _adding_
-force to the shot, that will be done by the left hand and arm, and not
-by the right.
-
-I do not think it is necessary for me to go any further in order to
-show how deeply rooted and how widespread is this delusion about the
-power of the left. It is another one of those pernicious fallacies
-which absolutely strike at the root of the game of the great body of
-golfers, and it is impossible for one to take too much trouble in
-discrediting it to such an extent that it will soon be recognised as
-not being practical golf.
-
-I can hardly close this chapter better than by a quotation from a
-letter received by me from the professional of an American club as far
-afield as San Antonio, Texas. He writes:
-
- It has taken me years of persistent effort to bury the many
- prejudices against the proper use of the right arm, but they
- must go, and I am glad to see you voiced sentiments strong
- enough to make men stop and think over the situation. Let us
- hope they will act.
-
-
-
-
-CHAPTER VII
-
-THE FUNCTION OF THE EYES
-
-
-One of the commonest of the many excuses advanced for missing one's
-drive is, "I lifted my eye." If the player only knew it he could lift
-his eye with impunity. That is not what matters. It was lifting his
-head which caused the trouble.
-
-"Keep your eye on the ball" is, without question, the soundest of
-sound golf maxims, but it is both abused and misused. We need not
-waste time arguing the question as to whether or not keeping one's eye
-on the ball at the moment of impact is absolutely essential to success
-in driving. Every golfer knows that for all purposes of practical golf
-one absolutely must keep one's eye on the ball, and that to do any
-other thing with the eyes at the moment of striking the ball is, to
-put it mildly, quite inconvenient.
-
-The trouble in connection with lifting one's eye is that one's eyes
-are in one's head. The seat of the machinery which works the golf
-drive is in the same place. If one relaxes for a moment the mental
-effort which has to be made whilst the golf stroke is being executed,
-the eyes quite naturally wander in the direction in which the ball is
-about to go. That in itself would not be so bad. The eyes
-unfortunately do not wander without carrying the head with them. The
-head is attached to the portion of the body where, roughly speaking,
-the centre of the swing is situated. Immediately the head moves, the
-centre of the circle, if it may for purposes of illustration be so
-called, is affected. Hopeless inaccuracy is the result. It is a matter
-of the most vital importance in golf that the eyes must not move.
-Keeping the eyes in the one position from the moment when one has
-finally addressed the ball until the moment of impact practically
-ensures the proper management of one's weight; for it stands to reason
-that if the eyes do not move it is impossible for the head to move,
-and if the head does not move it will be impossible to sway, and
-therefore to get the weight on to the right leg at the top of the
-swing, as do so many golfers who follow the misleading directions
-given with regard to the distribution of weight in the golf drive.
-
-Keeping one's head perfectly still is a matter of far greater
-importance than keeping one's eye on the ball; for it will be obvious
-that it is quite possible for a golfer, after having taken his
-address, to keep his eye on the ball until he has driven it, but he
-may in the meantime have lifted his head three or four inches. Lifting
-his head three or four inches will not have caused him to take his eye
-off the ball for an instant, but it will have been sufficient to have
-ruined his drive. Therefore, we see that the really important thing is
-to keep one's head and eyes in the same position for the impact as
-they were at the moment of address. When I say the same position it is
-manifest that there will be a fractional alteration, but it must be
-the aim of the scientific golfer to have his eyes, at the moment of
-impact, almost exactly in the same position as they were at the moment
-of address.
-
-Keeping one's eyes steady in this manner means, as has already been
-pointed out, that one preserves the centre, if it may be so called, of
-the swing much better than if one allows one's weight to move from one
-leg to the other. Preserving the centre of the swing in this manner
-means that the rhythm of the swing must be very much better than if it
-has a moving "centre." A moving centre must import into the stroke of
-any golfer far greater inaccuracy than there would be if his centre
-had remained constant, as it will do if he keeps his head in the same
-place.
-
-Some time ago a good professional golfer asserted that the well-known
-maxim "Keep your eye on the ball" was a delusion, and that it was
-possible to play perfectly good golf blindfolded, provided one had
-first taken one's stance and judged one's swing at the ball. In due
-course a match was arranged between this professional, blindfolded,
-and an amateur, and the professional was very badly beaten, as he did
-not, I believe, win a single hole. This result naturally tended to
-discredit his ideas very considerably.
-
-As a matter of practical golf, what he wished to establish is
-perfectly correct. Although "Keep your eye on the ball" is the
-soundest of sound practical golf, it is to a very large extent
-preached in a manner which is in itself entirely fallacious--for two
-reasons: Firstly, the player is told that it is absolutely essential
-to his stroke that he must keep his eye on the ball up to the moment
-of impact, and not only must he keep it there until the moment of
-impact, but that he should keep on gazing at the turf where the ball
-had lain after the ball has gone on its way.
-
-Now our professional golfer, who essayed the task of playing
-blindfolded golf, was perfectly correct in stating that it is not
-necessary to keep one's eye on the ball in playing golf, for the
-simple reason that the eye has fulfilled its function and has gone
-out of business, so far as regards that stroke, long before the head
-of the club has come into contact with the ball. It is this fact which
-makes us so prone to lift our eyes, and with them our heads, which of
-course is fatal to good golf. I go so far as to say that if Vardon in
-his drive could be automatically blindfolded when his club was two
-feet from his ball, and that he could accustom himself to keeping his
-head still after he was blindfolded, it would not affect his drive in
-the slightest degree, for the very simple and all-sufficient reason
-that the eye has finished its function in connection with the golf
-stroke for a very considerable period before impact takes place. It
-has assisted the golfer to take his proper stance and address, and has
-aided him in judging his distance, but the arc of the golf stroke is
-practically settled almost from the instant that it starts on its
-downward path.
-
-The duration of impact in a drive at golf has been measured by the
-most competent authority to be one ten-thousandth of a second.
-Photographs of the impact of the golf club with the golf ball taken at
-the one twelve-hundred-and-fiftieth of a second, are merely blurs.
-There is no clear definition of the club whatever. We can see from
-this that the rate of speed at which the golf club is travelling is
-extreme, even had we not the scientific measurement of the exact
-amount of time consumed during the contact. It will be obvious to a
-very ordinary understanding that when a club is travelling at this
-terrific pace it would be impossible for anyone to impart into the
-line of travel of the club head a new direction at, say, two feet from
-the ball, without ruining both the force and the direction of the
-ball. Therefore, it is evident that if one could close one's eyes when
-the club head was two feet from the ball and still keep one's head in
-exactly the same position, the impact would be practically not
-affected at all.
-
-This is the undoubted fact in so far as regards the work of the eye.
-It fulfils its duty very early in the stroke; but although the
-explanation of the function of the eye is so incorrectly given, still
-"Keep your eye on the ball" is, and ever will be, a sound golfing
-maxim, for it is not given to golfing man to be able to lift his eye
-and at the same time to keep his mind concentrated on his stroke, and
-to keep his head in the same place as it was in when he addressed his
-ball. Therefore, although it is not so absolutely necessary to keep
-one's eye on the ball as is generally laid down, it is expedient to
-preach to the fullest extent and to insist on what Harry Vardon calls
-"the parrot cry of the links."
-
-Most writers who deal with the matter of keeping one's eye on the ball
-are not satisfied with exhorting the player to keep his eye on the
-ball until after the moment of impact; they go further still and
-insist upon the fact that he must continue to gaze at the piece of
-turf whereon the ball lay, long after the ball has departed to the
-hole. This, again, is an absolute fallacy. It is only excusable on the
-principle that the greater includes the less, and that by insisting on
-one gazing at the turf long after the ball has sped on its way, one
-may be able to make the player do what he should do, and that is just
-to keep his eye on the ball until the moment of impact, for if we
-follow the advice given by many notable men of continuing to gaze at
-the turf after the ball has been driven, there can be no doubt
-whatever that we do much to spoil the rhythm and effectiveness of the
-drive.
-
-To preserve these we have been told that the head must be kept
-immovable throughout the golf drive, and that one must keep one's eye
-on the ball until it has been driven, and on the place where it was
-after it has been driven. However, following Vardon's explanation of
-the drive and taking what we know of this stroke ourselves, it will be
-remembered that at the moment of impact, "simultaneously," Vardon
-says, the body moves down the line of flight to the hole. It follows,
-therefore, that if one continues turf-gazing after one has hit the
-ball, that one's body is going on its way towards the hole whilst
-one's head is being held backward in the opposite direction to the
-travel of the body. This is absolutely bad golf, and Vardon does not
-do this himself.
-
-The truth with regard to the proper management of the eye in the golf
-stroke is that it should move simultaneously with the ball, for if
-there be any attempt whatever to drive the ball and to keep the head
-in the same position as it was at the moment of address, this will
-inevitably result in preventing the right shoulder getting through and
-the body following it as it ought to do, for a rigid head and neck
-will prevent any follow-through.
-
-Vardon is very explicit about the value of timing the body so that it
-goes forward down the line of flight towards the hole at the moment
-the stroke is made. He shows us, as a matter of fact, that this
-forward movement is practically simultaneous with the impact of the
-club on the ball. It will be obvious, then, to anyone, that this
-turf-gazing after one has hit the ball, which is recommended by the
-leading authorities of the game, is absolutely bad golf, for it must
-inevitably interfere with the follow-through.
-
-At page 174 of _The Complete Golfer_ Vardon says:
-
- Keep your eye on the ball until you have hit it, but no
- longer. You cannot follow through properly with a long shot
- if your eye remains fastened on the ground. Hit the ball and
- then let your eye pick it up in its flight as quickly as
- possible. Of course this needs skilful timing and management,
- but precision will soon become habitual.
-
-It was by the merest chance that I saw this passage after I had
-written my chapter on "The Function of the Eyes," although I am now
-incorporating it herein.
-
-I am very glad to have Vardon's authority to back me up in
-discrediting the silly idea about turf-studying; but although I have
-him with me I cannot hold him guiltless of spreading the error, for he
-has been photographed _repeatedly_ illustrating it in a style which he
-never uses in actual play. This may be seen in the series of
-photographs in _Fry's Magazine_ already referred to, and also at pages
-89 and 97 of _Great Golfers_, wherein this great player is shown in
-positions which in actual play he would not understand how to get
-into; but people who know no better, and have not the real power of
-comparative analysis and close thinking, are led away and suffer for
-this kind of foolishness merely because it is associated with a great
-name.
-
- [Illustration: PLATE VIII. EDWARD RAY
-
- This plate shows the champion's tremendous finish in the
- drive. Ray, at the top of his stroke, gets much of his weight
- on his right foot, but does not advise others to do so.]
-
-In connection with this matter of the function of the eye there is an
-interesting point which I have not seen mentioned in any golf book--a
-point which makes it, if anything, more necessary for one to insist
-upon the vast importance of the maxim "Keep your eye on the ball,"
-although it is fallaciously preached both before and after impact.
-This point is that there is just before impact a very considerable
-portion of the travel of the head of the golf club during which the
-ball is practically never seen by the golfer. This is what I may
-call the golfer's "blind spot." It exists in practically all ball
-games where the ball is struck by a bat or other implement of that
-kind. Its existence, of course, is well known in cricket. I have
-played lawn-tennis for twenty years, and I do not believe that I have
-at any time during that period seen my racket hit the ball when
-actually playing. I have seen it do it when I have made up my mind to
-watch the ball and forget other matters, but in actual play one does
-not do this. One plays the stroke with the utmost naturalness. The
-ball is coming towards one and one gauges the distance and strikes.
-One knows that whatever happens one's stroke is made for good or ill,
-and there is in many strokes a blind spot of fully six to nine inches
-in length.
-
-I have had some wonderful photographs of this blind spot wherein it is
-shown most clearly that the lawn-tennis player is looking right away
-from his ball long before he has struck it. I think it is beyond
-question that this same blind spot exists in golf. I have no doubt
-whatever that, perfect player as he is, there is in Harry Vardon's
-stroke a blind spot of at least five inches. Few people who have not
-studied this question can realise the incredible rapidity with which
-the head of a golf club travels. I am well aware that there are many
-photographs of Harry Vardon in existence, which show him carefully
-studying the turf after the ball has gone on its way. I am also well
-aware that these photographs were taken to illustrate the fact that he
-does engage in turf-studying after the ball has gone on its way. I am
-also well aware that in actual play he does nothing of the kind, and
-that his beautiful, free, and natural finish is as different from the
-stiff and constrained photographs shown when he does not lift his
-head, as chalk is from cheese.
-
-I have watched Harry Vardon many and many a time, and I am absolutely
-certain that in his natural play he has no thought whatever in his
-mind of gazing at the turf after his ball has gone away. There is
-nothing whatever to be gained by doing so, and there is much to be
-lost. Any attempt whatever to anchor the head by gazing at the turf
-after the ball has gone away, and then afterwards to allow it to
-resume its place, together with the shoulders, in the swing of the
-follow-through, is mere futility, and must result in absolutely
-spoiling the rhythm of the swing and a proper follow-through.
-
-There is no player in the world who could be taken as a finer example
-than Harry Vardon, of the fact that in the golf swing and at the
-moment of impact there must be no restraint whatever on the movement
-of the shoulders and the head. They must work together with the club
-head and the ball. If they do not all move at the same time something
-is out of gear.
-
-In the game of blindfolded golf which I have referred to, the
-professional player took his stance, addressed his ball, and was then
-blindfolded with a handkerchief, an operation which naturally took
-some considerable time, but even as it was, he played some
-astonishingly good shots even when his whole swing was blindfolded. He
-should have had a pair of spectacles lined with cotton wadding or some
-similar material and fastened with an elastic band, which could have
-been lifted up whilst he was taking his address and closed down the
-moment he was ready to make his stroke. This would have given him a
-better chance to demonstrate what he desired to, which, as I have
-already said, was in itself practically sound.
-
-I have spoken of Harry Vardon's blind spot, and I have said that it is
-a matter of five inches. As a matter of fact it may quite well often
-be double that; but it seems to me perfectly plain that nothing
-whatever that Vardon can do when his club is within a foot of the
-ball, so long as he keeps his head steady or still, is likely to alter
-the path of the club head--I am speaking now, of course, of any normal
-golf stroke. This consideration of the matter brings us back to the
-statement which I have made time and time again, and in which I am
-supported by James Braid, that once the golf stroke is commenced, the
-fact of it connecting with the ball is merely an incident in the path
-of the club head; and that after the club head has proceeded a certain
-distance on the way to the ball it is beyond the power of the player
-to alter the character of that stroke, for his force has been
-irretrievably directed, in so far as regards that particular stroke,
-in a particular manner.
-
-Speaking of the position of the head in driving, Taylor says:
-
- The head is maintained in exactly the same position as the
- arms are brought down again, and so it remains until the ball
- has been swept from the tee. The arms and body for all
- practical purposes go through the same action, but in the
- reverse way as in the upward swing, the body being held in a
- similar position, but with the head turned and eyes looking
- over the right shoulder at the finish of the stroke.
-
- During the progress of this downward movement the weight of
- the body is again transferred, passing from the right leg to
- the left, until when the finish arrives the whole of the
- weight has been placed upon the left foot, while the right
- has assumed the position previously held by its neighbour.
-
-We see here in a very marked degree the fallacy of the distribution of
-the weight so that at the top of the swing the greater portion of it
-is on the right leg; for Taylor, although he tells us that "the head
-is maintained in exactly the same position," says that "during the
-progress of this downward movement the weight of the body is again
-transferred, passing from the right leg to the left."
-
-It is a very natural question for us to ask, "How can all this
-shifting of the body be going on if the head is to be kept perfectly
-still?" As a matter of fact it is a physical impossibility; and it is
-also obvious that it would be impossible to keep the head still,
-rigidly fixed, as we are told it should be, at the moment of impact,
-and yet to get a true follow-through.
-
-Let us read a little farther on, and we see that Taylor says: "If the
-ball has been struck there must be no semblance of checking or
-snatching at the club. The player must not check himself or allow
-premonitory symptoms of a check to make themselves felt even in the
-slightest degree. He must allow the club head to follow the line of
-flight of the ball as straight and as far as is possible." It stands
-to reason that if one's head remains fixed for an instant after the
-impact of the club with the ball, that instant the club head must feel
-the tendency to be drawn out of the straight line to the hole, and the
-follow-through down the line to the hole, which is so properly
-insisted on by all great golfers, is ruined.
-
-Taylor continues: "The arms must be thrown forward freely and
-naturally, and as a consequence the right shoulder must be allowed to
-swing forward too." This should effectually dispose of the idea of
-holding the head still after the ball has left the ground, for the
-simple reason that if the head and neck be held still, it will be a
-matter of utter impossibility for the right shoulder to go through and
-down the line to the hole as it should.
-
-I must emphasise this matter a little more strongly by Taylor's own
-words, for it is of very great importance in the golf drive.
-Continuing, he says, in reference to the fact that the arms must be
-allowed to go forward freely and naturally and that therefore the
-right shoulder must be allowed to swing forward:
-
- By doing this the involuntary checking of the swing is
- rendered impossible; but if arms and shoulders were to be
- held tightly under control and as rigid as steel, the stroke
- would be finished as soon as the head of the club had been
- brought into contact with the ball. Every stroke in golf must
- be played freely, every muscle of the body must be allowed to
- do its full share of the necessary work.
-
-That is undoubtedly so; but if one arbitrarily fixes the position of
-one's head as a stationary point in the golf swing after the ball has
-gone on its journey, one prevents the right leg doing its share of the
-work in shifting the weight forward down the line towards the hole,
-and therefore one, to a very great extent, ruins one's follow-through.
-This is a point which, in my mind, is of very great importance to the
-drive, and it is, in so far as regards the function of the eyes, one
-of the most pronounced fallacies of the many fallacious statements
-with which unfortunate golfers are loaded.
-
-This blind spot which I have referred to, exists, as I have already
-said, in practically every game wherein the ball is struck with an
-implement. It is found in lacrosse, racquets, tennis, cricket,
-lawn-tennis, polo, base-ball, hockey, ping-pong, and even in
-billiards; but the probability is that the farther the striking
-surface of the club or other implement is from the eye, the less is
-the blind spot; and this is very fortunate for the golfer, for his
-margin of error is so small that it is of great importance to him to
-reduce this blind spot to a negligible quantity. But on the other
-hand, as a matter of scientific and accurate golf, he will make nearly
-as great a mistake in his golf if, in his endeavour to follow out the
-well-known and useful maxim, "Keep your eye on the ball," he acquires
-the habit of turf-gazing after the ball has gone on its way to the
-hole.
-
-I have before had occasion to refer to the book entitled _The Mystery
-of Golf_, and I have already, in part, touched upon some of the
-author's curious ideas with regard to the analysis of the golfing
-stroke. At page 159 he tells us that "the arms do not judge distance
-(save when we are actually touching something) nor does the body, nor
-does the head. The judging is done by the eyes." I am afraid that we
-cannot deny that the judging is, in all cases, done by the eye,
-because it is obvious that if we had not the use of our eyes, we
-should not be able to see the ball; but the author seems to overlook
-the somewhat important fact that although the arms do not judge
-distance, yet they _measure_ it, and this matter of measurement is a
-matter of extreme importance, as is exemplified in the case of play
-out of a bunker where one has to measure the distance without
-grounding the club.
-
-On the same page the author says: "If the eyes look up before the ball
-is hit, the muscles do not receive the proper orders to hit, and the
-most important part of the stroke is done blindly. That is my theory";
-and a most remarkable theory it is too. The muscles received their
-proper orders to hit at the moment the stroke was begun, and lifting
-the eyes a moment before impact would not affect the stroke if the
-head remained in the same position. Lifting the eyes is in nearly
-every case, as I have already pointed out, an action following on
-lifting the mind. The mind has been allowed to come off the stroke
-because the player's mental picture of the stroke has been completed
-long before the physical act. In other words, he has got ahead of his
-stroke. Then his head comes up, which of course is fatal to good
-golf.
-
-It is a very remarkable circumstance that the attempted analysis by
-the author of _The Mystery of Golf_ shows clearly that he has entered
-upon his task with but a very faint idea of sport generally, and he is
-in this respect much handicapped in his efforts. Let us consider what
-he has to say with regard to lifting the eye in golf. We read on page
-164:
-
- I have sometimes thought that there are two simple and
- especial reasons for this difficulty of keeping one's eye on
- the ball: first, because there is nothing to stimulate the
- attention; second, because one has to attend so long. In
- cricket, tennis, racquets, as I have shown, the stimulus is
- extreme; by consequence, your eye follows the ball like a
- hawk. In billiards there is no stimulus, but you rarely, if
- ever, take your eye off your ball in billiards. Why? I think
- because (1) the ball is so near to the eye--and, therefore,
- the stimulus strong; (2) because the period of time requisite
- for the stroke is so short. In golf there is no stimulus and
- the period is always long: you have to look at your ball for
- more than the whole period of the upward and downward swings.
-
-This remarkable statement shows very clearly, as I have before said,
-that the author is not practically acquainted with games generally,
-for lifting the eye is common in practically every game where a ball
-is used. And it is amazing to find anyone attempting to analyse such a
-stroke as the golf stroke and at the same time making the statement
-that "you rarely, if ever, take your eye off your ball in billiards";
-and he proceeds to give reasons why one rarely takes one's eye off
-one's ball in billiards, whereas the game of billiards is an
-outstanding illustration of the fact that one does take one's eye off
-the ball. To a very great extent one plays one's stroke at billiards
-with a most pronounced blind spot every time, in that, just prior to
-the moment of striking the cue ball, one always looks at the object
-ball and practically one never sees one's cue on to one's own ball.
-
-Also, it is open to doubt if the golf stroke takes, on the average,
-from the time the club leaves the ball in its upward swing until the
-moment of impact, any longer than the billiard player takes in playing
-his stroke. If it does, the difference is not a matter which need
-enter into any practical comparison of the strokes.
-
-The curious thing is that in the game instanced by the author as
-possessing the greater stimulus, that is those games wherein the ball
-is moving, as in cricket, tennis, racquets, the tendency to lift the
-eye from the ball is much more pronounced than in those games where
-the ball is stationary, and this, I think, is by no means unnatural.
-The operation of the eye is incredibly swift. It catches the flight of
-the oncoming ball and one plays the stroke to meet it. In playing a
-stroke at a moving ball, it stands to reason that one has, all other
-things being equal, less time between the beginning of the stroke and
-impact than one would have in executing a similar blow where the ball
-is stationary, for here we have merely the pace of one moving object
-to deal with, whereas we have in the other case the pace of the two
-moving objects added together.
-
-It seems to me clear, therefore, that the eye has been able to
-ascertain much more rapidly what will happen in the case of the two
-moving objects, and having decided definitely that the stroke must be
-played in a certain way, the mind has given to the muscles the
-necessary orders, and the eye has then gone out of business so far as
-regards that particular stroke, and we get the astonishing result that
-we find famous players at lawn-tennis playing their strokes with a
-blind spot of, in many cases, as much as nine inches. This is beyond
-the region of doubt, and can be proved to demonstration by numerous
-photographs, so it will be seen that even if there were anything
-whatever in the suggested comparisons, they are fundamentally unsound
-in their premises, and therefore absolutely useless for any purposes
-of practical golf.
-
-We are told at page 166: "If you _don't_ keep your eye on the ball,
-your stroke is cut short the moment you take your eye off." This is
-obviously an error. Let us imagine that the golfer has played his
-stroke perfectly accurately up to within three inches of his ball and
-then takes his eye away from it, will any practical golfer believe
-that if he keeps his head still the fact of moving his eye is going to
-alter that stroke in any way whatever? I think not.
-
-Again we are informed at page 167 that: "It is at all events
-indisputable that any photograph showing a good follow-through shows
-the player looking at the spot where the ball was, after the ball had
-left it; proving that he was really looking at the ball when he hit."
-Personally, I may say that I have never yet seen a photograph of a
-good follow-through which did show the player looking at the spot
-where the ball was after the ball had left it, for photographs of that
-nature which I have seen showed most clearly that if one desires to
-absolutely prevent oneself from following through, one of the best
-methods of doing it is to cultivate the habit of studying the turf
-after the ball has gone on its way to the hole.
-
-In this we know that we have Vardon entirely with us. His
-corroboration is valuable for the point is of great and practical
-importance to the game.
-
-
-
-
-CHAPTER VIII
-
-THE MASTER STROKE
-
-
-In his chapter on "Special Strokes with Wooden Clubs" Vardon discusses
-the question of the master stroke in golf. At page 86 of _The Complete
-Golfer_ he says:
-
- Which, then, is the master stroke? I say that it is the ball
- struck by any club to which a big pull or slice is
- intentionally applied for the accomplishment of a specific
- purpose which could not be achieved in any other way, and
- nothing more exemplifies the curious waywardness of this game
- of ours than the fact that the stroke which is the
- confounding and torture of the beginner who does it
- constantly, he knows not why, but always to his detriment,
- should later on at times be the most coveted shot of all and
- should then be the most difficult of accomplishment. I call
- it the master shot, because to accomplish it with any
- certainty and perfection, it is so difficult, even to the
- experienced golfer, because it calls for the most absolute
- command over the club and every nerve and sinew of the body,
- and the courageous heart of the true sportsman whom no
- difficulty may daunt, and because, when properly done, it is
- a splendid thing to see, and for a certainty results in
- material gain to the man who played it.
-
-Here we have a very definite statement by one of the greatest stroke
-players in the world, that the master stroke at golf is "the ball
-struck by any club to which a big pull or slice is intentionally
-applied for the accomplishment of a specific purpose which could not
-be achieved in any other way."
-
-It is to me a most extraordinary thing to find a golfer of the ability
-of Harry Vardon classing the pull and the slice as practically equal
-in order of merit. Anyone who is acquainted with golf must know that
-the pull is an infinitely more difficult stroke to play correctly than
-the slice. The slice is a stroke which is comparatively easy, but no
-one can truthfully say the same thing of the pull.
-
-Before we proceed to a consideration of the question of the master
-stroke, it will be interesting to quote what Taylor has to say on the
-subject. At page 88 of _Taylor on Golf_ he says:
-
- Still it is not advisable, neither do I look upon it as being
- golf in the truest sense of the word, for the knack of
- pulling or slicing to be cultivated, as I am afraid it is by
- a great many players. No compromise should be made with a
- fault.
-
-Here we see that what Harry Vardon regards as the master strokes of
-the game, are looked upon by Taylor as faults.
-
-I may say at the outset that I am not inclined to agree with Vardon at
-all in this matter of the master stroke in golf. If there is one
-stroke which stands out above and beyond all others in its demand for
-accuracy, and a perfect knowledge of the method of applying spin, also
-a supreme ability perfectly to apply that knowledge, it is the stroke
-which is commonly called a "wind-cheater"; that is to say a long low
-ball which flies very close to the earth for the greater portion of
-its journey, and rises towards the end of its flight to its greatest
-height.
-
-Although this ball is called the wind-cheater, it is just as effective
-and just as useful on a perfectly still day as it is against a
-howling gale, for this stroke is, in my opinion, without any doubt
-whatever, the master stroke in golf, and if a man has this stroke he
-should be very willing to allow anybody else to have all the pulls and
-slices in golf. The supreme importance of this stroke is so pronounced
-that I have always wondered at the comparatively unimportant position
-which has been given to it in every book on golf, with the exception
-of my own works. Pulling and slicing, as golfing shots, may be said to
-be practically unnecessary if a man has full command of the plain
-drive without back-spin and the wind-cheater.
-
-Very frequently when a man is called upon to pull or to slice, it is
-to remedy a previous error, and there can be no doubt that with the
-pull and the slice it is an utter impossibility to keep on the line in
-the same manner as can one who uses back-spin in the drive. The secret
-of the greatest golf of the future lies, in my opinion, in the proper
-application of back-spin in the drive.
-
-I do not intend here to go fully into the effect of spin on the flight
-of the ball, as I shall do that at length in my chapter on "The Flight
-of the Golf Ball." Suffice it to say that the tremendous advantage of
-the ball with back-spin is, that being hit as the club is descending,
-and the hands at the time of impact with the ball being a little in
-front of the ball, the loft of the club is, to a certain extent,
-minimised, so that the ball is, in effect, struck with a club which
-has much less loft than would be the case if it were driven in the
-ordinary manner. This means that for the first part of the carry, the
-flight of the ball is very low, and as the club was not at the lowest
-portion of the swing when it struck the ball, the wind-cheater
-acquires a large amount of back-spin which asserts itself later on,
-and causes the ball to reach the highest point in its trajectory
-towards the end of its flight.
-
-One of the greatest of the many merits of this ball is that the method
-of producing it almost commands a follow-through down the intended
-line of flight. This in itself tends to give better direction than any
-of the ordinary golf strokes. The pull and the slice, as is well
-known, curve very much in their flight, and especially in a wind. It
-is utterly impossible for the best golfer in the world to say within
-twenty yards as regards direction, and that, of course, means much
-more than twenty yards--in fact, practically double that--where the
-ball will come to rest; but this is not so with the wind-cheater, for
-although the ball has been sent on its way with a very heavy
-back-spin, so much of it has been exhausted in lifting the ball at the
-end of its flight, that by the time the ball strikes the earth there
-is little, if any, retarding power in the back-spin, so that the ball
-is frequently a very good runner. I must, however, devote a little
-attention here to the method of production of the pull and the slice.
-
-There is a wonderful amount of misconception about these strokes, even
-in the minds of the greatest golfers. Let me, before I proceed to
-examine what Harry Vardon has to say about the production of the pull,
-state the general principles upon which the production of all spin is
-produced. Spin is imparted to a golf ball, as we shall see more
-clearly later on, merely by the fact that the face of the club,
-instead of following through after the ball in the intended line of
-flight, crosses the line of flight at a more or less acute angle; for
-the slice the club head comes from the far side of the line of flight
-across towards the player's side of the line of flight; for the pull
-the process is reversed, and the club head, coming from the player's
-side, swings right out across the line of flight; in the wind-cheater
-the club passes downwards along the intended line of flight. There is,
-of course, no such thing in practical golf as top-spin, so we need not
-consider that.
-
-There is one other important point which I must mention here. At the
-moment of impact the face of the club must be, to all intents and
-purposes, at a right angle to the intended line of flight. For
-instance, in a slice, any attempt to produce the slice by laying back
-the toe of the club, or any tricks of this nature, must result in
-disaster. It is impossible for the person playing the stroke _to time_
-anything to be done by him _during impact_, and it stands to reason
-that nothing will affect the ball except what takes place during
-impact. This, then, resolves the stroke into the fact that the contact
-between the ball and the club is, as I have frequently insisted, and,
-as we have seen, James Braid declares, merely an incident in the
-travel of the club's head in the arc which it is describing.
-
-Although I have said that the face of the club must be at a right
-angle to the line of flight of the ball, this is not exactly correct,
-although it is so for all purposes of practical golf. The reason I say
-that it is not correct, is that practically every well played slice
-starts off on the line to the hole a little to the left of the true
-line of flight, so that it is probable that at the moment of impact
-the face of the club is not at a dead right angle to the initial
-portion of the flight of the ball. However, it is unquestionably
-necessary that the face of the club should be as nearly as possible at
-a right angle to the intended line of flight at the moment that the
-impact takes place. If this point is not attended to as carefully in
-the pull and the slice as it is in other strokes, the result must be
-inaccuracy of direction, and very pronounced inaccuracy too.
-
-Let us now turn to Harry Vardon's directions as to how to play the
-pull. He says:
-
- Now there is the pulled ball to consider, for surely there
- are times when the making of such a shot is eminently
- desirable. Resort to a slice may be unsatisfactory, or it may
- be entirely impossible, and one important factor in this
- question is that the pulled ball is always much longer than
- the other--in fact, it has always so much length in it that
- many players in driving in the ordinary way from the tee, and
- desiring only to go straight down the course, systematically
- play for a pull and make allowances for it in their
- direction.
-
-He then gives instructions for the stance, and proceeds:
-
- The obvious result of this stance is that the handle of the
- club is in front of the ball, and this circumstance must be
- accentuated by the hands being held even slightly more
- forward than for an ordinary drive. Now they are held forward
- in front of the head of the club. In the grip there is
- another point of difference. It is necessary that in the
- making of this stroke the right hand should do more work than
- the left, and therefore the club should be held rather more
- loosely by the left hand than by its partner.
-
-We may pause for a moment here to remark that this is another one of
-those very noticeable instances wherein Vardon infers that it is usual
-for the left to do more work than the right, and we may also note that
-he here gives advice which he has in other portions of his book
-condemned--that is, attempting to hold more loosely with one hand than
-with the other, for it is obvious that if, as he has told us will be
-the case, we attempt to give the right hand a watching brief over the
-left, the right will come in too suddenly at some portion of the
-swing, and it is also equally obvious that if we follow out Vardon's
-advice here and allow the left to hold the watching brief, it will
-similarly misconduct itself.
-
-I must emphasise again, before I pass on, the very pronounced
-inference which Vardon here makes that, generally speaking, the left
-is the dominant partner. Vardon then continues: "The latter," that is
-the right hand, "will duly take advantage of this slackness," that is
-the slackness of the left hand, "and will get in just the little extra
-work that is wanted of it. In the upward swing carry the club head
-just along the line which it would take for an ordinary drive."
-
-This, I may say, is remarkable advice, for it is well known that in
-playing the pull the club head begins to move away from the ball,
-inwards, the moment it is lifted from the ground. This, of course, is
-natural, for generally speaking, the club goes back to the ball in the
-way in which it comes up, and as the ball is played by an outward
-glancing blow, it stands to reason that it will not be taken back
-straight from the ball as Vardon states here. That, however, is by the
-way.
-
-Let us now continue with what Vardon has to say:
-
- The result of all this arrangement, and particularly of the
- slackness of the left hand and comparative tightness of the
- right, is that there is a tendency in the downward swing for
- the face of the club to turn over to some extent, that is,
- for the top edge of it to be overlapping the bottom edge.
- This is exactly what is wanted, for, in fact, it is quite
- necessary that at the moment of impact the right hand should
- be beginning to turn over in this manner, and if the stroke
- is to be a success the golfer must see that it does so, but
- the movement must be made quite smoothly and naturally, for
- anything in the nature of a jab, such as is common when too
- desperate efforts are made to turn over an unwilling club,
- would certainly prove fatal.
-
-We have here Vardon's description of how to obtain a pulled ball which
-he regards as one of the master strokes of the game, but his
-conception of this stroke is absolutely erroneous. We are told by
-Vardon that in making this stroke "in the upward swing" we are to
-carry the club head just along the line which it would take for an
-ordinary drive. Now, at page 88, Vardon refers to "the inflexible rule
-that as the club head goes up so will it come down."
-
-It is now established beyond any doubt whatever that the pull is
-played by an outwardly glancing blow, the converse of the inwardly
-glancing blow of the slice, but if to obtain a pull we are to follow
-Vardon's advice and take the club straight back away from the ball,
-how are we going to come back by the same track as we went up, which
-is straight down the line of flight, and at the same time to obtain an
-outwardly glancing blow? The thing is a manifest impossibility, and,
-as a matter of fact, is not practical golf. This idea of turning over
-the wrists at the moment of impact is an utterly erroneous notion
-which I must deal with somewhat more fully. I shall show that James
-Braid originally had this idea himself, but that he has now, in all
-probability, abandoned it.
-
-It is evident that Vardon has but a hazy idea of the correct method of
-production of the pull, although, as we well know, he is a master of
-the art of producing this stroke. At page 92 of _The Complete Golfer_
-he gives his description of the manner in which he thinks one of the
-master strokes of the game is produced. I must quote him again fully,
-for it is necessary to do this in order that my readers may follow the
-trend of his mind:
-
- It is necessary that in the making of this stroke the right
- hand should do more work than the left, and therefore the
- club should be held rather more loosely by the left hand than
- by its partner. The latter will duly take advantage of this
- slackness, and will get in just the little extra work that is
- wanted of it. In the upward swing carry the club head just
- along the line which it would take for an ordinary drive. The
- result of all this arrangement, and particularly the
- slackness of the left hand and comparative tightness of the
- right is, that there is a tendency in the downward swing for
- the face of the club to turn over to some extent, that is for
- the top edge of it to be overlapping the bottom edge. This is
- exactly what is wanted, for, in fact, it is quite necessary
- that at the moment of impact the right hand should be
- beginning to turn over in this manner, and if the stroke is
- to be a success the golfer must see that it does so.
-
-It will be seen from this quotation that Vardon is under the
-impression that in playing the pull the club goes straight back from
-the ball in the same manner as it would be taken were one playing an
-ordinary drive. We notice, too, that he commits himself to the
-statement, that it is necessary that the top edge of the face of the
-club should be practically overlapping the bottom at the moment of
-impact. This, in effect, means that the club is actually deprived of
-its loft at the moment of impact.
-
-It will be apparent to anyone who understands very little about the
-ordinary principles of mechanics that it would be an impossibility to
-play an effective shot in this manner. Indeed it would be impossible
-to raise the ball from the ground, and any attempt whatever to give
-this turn over of the wrists at the moment of impact would inevitably
-result in a very large proportion of foundered balls.
-
-It must be remembered that Vardon is advising the player to
-consciously attempt to regulate the loft of his club during an impact
-which lasts for no more than the ten-thousandth of a second. Golf is
-at all times a game calling for a remarkable degree of mechanical
-accuracy, but it is obviously asking, even of the most perfect player,
-far too much when we request that he shall, by the action of his hands
-and wrists, regulate the loft of his club in an impact which lasts for
-such an extremely short time. We must remember that if the shot were
-played as Vardon describes it, the loft of the club face is
-continually changing during, let us say, the foot before it gets to
-the ball and the foot after it has passed it.
-
-The whole idea of the stroke in golf, in so far as regards loft, ought
-to be that at the moment of impact the player has nothing whatever to
-do with the loft, his duty being confined to hitting the ball in a
-certain way and allowing the loft to do its own work, and to take the
-angle at which it will naturally come down, but any attempt
-consciously to regulate the loft of the club during impact, especially
-on the lines laid down by Vardon, must inevitably result in disaster.
-Vardon tells us that at the moment of impact it is necessary that the
-club face should be turning so that it will be practically overlapping
-at least the moment after the ball is struck.
-
-His error is by no means an uncommon one. The same thing exists in
-lawn-tennis in the lifting drive, where about ninety per cent of the
-players who try the lifting drive under the impression that it is got
-by a turn over of the wrist, do the turn too soon and founder the
-ball--in other words, put it into the net. If the pull were to be
-played in the way Vardon describes it, the result would be exactly the
-same. The ball would simply be topped or absolutely foundered.
-
-I cannot emphasise too strongly the fact that this turn over of the
-wrists in the pull has nothing whatever to do with the production of
-the stroke, although Vardon says that it has. This turn over of the
-wrists will, if it precedes the moment of impact, ruin the stroke. It
-must come naturally long after the ball has gone on its way, and it
-must come not by any voluntary or conscious effort on the part of the
-player, but as the natural result of the correctly played first
-portion of the stroke.
-
-In my chapter on "The Flight of the Ball," I shall go more fully into
-the mechanical principles of the production of the pull. It will be
-sufficient for me to say here that the pull is produced by an upward,
-outward, glancing blow, but there must be no attempt whatever to alter
-the loft of the club at the moment of impact.
-
-In so flatly contradicting such a master of stroke play as Harry
-Vardon, it may be as well for me to fortify myself by evidence taken
-from the work and photographs of another famous golfer who was himself
-originally under the impression that the pull was obtained in this
-manner, but who has apparently since abandoned this idea. I feel sure
-that for the great majority of players who know anything whatever of
-elementary mechanics, it will be unnecessary for me to do this, but
-there is a vast number of players who are not well acquainted with
-even simple mechanical problems, and it is for these that I take the
-trouble to bring forward James Braid to give evidence against this
-idea of turning over the wrist at the moment of impact.
-
-We must remember that Braid himself has stated in _How to Play Golf_
-that the striking of the ball is merely an incident in the travel of
-the club's head, and we must remember that this book _How to Play
-Golf_ was written long after the quotation which I am now about to
-give from _Great Golfers_ at page 175. There James Braid tells us
-that "in playing for a _pulled ball_ the right wrist turns over at the
-moment of impact." This is emphatic enough, and Braid here commits
-himself to the same statement as Vardon does, that is to say, that the
-right wrist turns over _at the moment of impact_. This is what I
-absolutely deny.
-
-It is natural to suppose that Braid's book, _Advanced Golf_, contains
-the author's last word with regard to the science of playing the
-pulled ball, one of the balls, let us remember, which Harry Vardon
-considers the master stroke in the game. Let us therefore turn to
-Braid's illustration of playing for a pull in the four photographs
-following page 78. Braid here fortunately illustrates the actual
-moment of impact in the pull, and it will be seen on examining his
-club that it is apparently perfectly soled, that is to say that the
-club is lying as truly and flatly as it is at the moment of address.
-This is very important and quite incontrovertible as being Braid's
-considered opinion, because this stroke is a posed photograph for the
-purpose of illustrating the impact in the pull. We see quite clearly
-from this photograph that there is absolutely no turning over of the
-wrists, but that on the contrary, the right hand is, if anything, well
-back on the shaft, and showing no sign whatever, as I have already
-said--not even a symptom--of beginning to turn over. Nor, as a matter
-of fact, should it do so. The club does not begin to turn over in the
-manner described until it has reached practically the full extent of
-its outward swing on the far side of the line of flight.
-
-This photograph is, in itself, quite sufficient evidence to show us
-that Braid has abandoned his idea with regard to the necessity for
-turning over the right wrist at the moment of impact in the pull, but
-it is instructive to note that there is in the whole of _Advanced
-Golf_ not one word about turning over the wrists at the moment, of
-impact in the pull, so that we may take it as definitely settled that
-James Braid has, since the publication of _Great Golfers_, found out
-his error in this matter, for, against his one sentence in _Great
-Golfers_ that "in playing for a _pulled ball_ the right wrist turns
-over at the moment of impact," we have not only his statement in _How
-to Play Golf_ that the impact is a mere incident in the travel of the
-club head, but the still more eloquent fact that in _Advanced Golf_ he
-says no word whatever in support of this theory, and that he most
-expressly and emphatically by his own photographs contradicts the
-idea.
-
-We need not consider what Taylor has to say in connection with the
-production of the pull, for we see clearly that his idea of both the
-slice and the pull is that they are merely errors in golf and not to
-be encouraged.
-
-Let us turn now to a consideration of the slice. The same
-misconception which is so prominently shown by nearly every writer
-about golf with regard to the pull obtains also in connection with the
-slice. This is clearly shown by James Braid in _Great Golfers_, for
-following the quotation which I have already given with regard to the
-pulled ball, he says: "But for a sliced ball I cut a little across the
-ball, the wrist action being the reverse of that for a pull, viz., the
-right hand is rather under than over."
-
- [Illustration: PLATE IX. JAMES BRAID
-
- Here, in spite of what Braid says, it will be seen that his
- weight at the finish goes almost entirely on to the left
- foot.]
-
-Braid tells us that for a pulled ball he turns his right wrist over
-_at the moment of impact_. Well, as the wrist action for the slice is
-the reverse of this, it follows that _at the moment of impact_ he
-turns his right wrist under. This is a very common misconception. It
-is one which is held by an astonishing number of practical players.
-Mr. Walter J. Travis in his book on _Practical Golf_ repeatedly makes
-the error of thinking that this turn under of the wrist has any
-effect whatever on the stroke, but it is just as great an error to
-think that this turn under of the wrist has anything to do with the
-production of the slice, as it is to think that the turning over of
-the wrist has anything whatever to do with the pull. Both of these
-actions quite naturally _follow_ the correct production of the strokes
-referred to.
-
-The slice is an inwardly glancing blow, if anything, with a suspicion
-of downward action, whereas, as I have already explained, the pull is
-an outward, upward, glancing blow. There must be no attempt whatever
-to turn the right wrist under or downward at the moment of playing the
-slice, as Braid says he does in _Great Golfers_, although I have not
-been able to find the same statement in _Advanced Golf_, where we
-should naturally expect to see it if Braid still has this idea. The
-curious thing is that in James Braid's illustrations in _Advanced
-Golf_ for playing a slice the right hand is much further forward on
-the club than it is in those showing the grip for the pull; in fact
-were it not that the stance shows clearly that the photographs are
-correctly marked, one would be much inclined to think that they had
-been wrongly entitled. In playing for the slice, Braid's hand is well
-over the club, whereas in the pull it is almost underneath it. In
-_Advanced Golf_ this grip for a slice is extremely pronounced, in fact
-very much more so than in his illustrations of the stance and address
-for this stroke which he gives in his book _How to Play Golf_.
-
-The popular misconception about the slice is well instanced by what
-Harry Vardon has to say in connection with the cut mashie approach. He
-says at page 129 of _The Complete Golfer_:
-
- It is also most important that at the instant when ball and
- club come into contact the blade should be drawn quickly
- towards the left foot. To do this properly requires not only
- much dexterity, but most accurate timing, and first attempts
- are likely to be very clumsy and disappointing, but many of
- the difficulties will disappear with practice, and when at
- last some kind of proficiency has been obtained, it will be
- found that the ball answers in the most obedient manner to
- the call that is made upon it. It will come down so dead upon
- the green that it may be chipped up in the air until it is
- almost directly over the spot at which it is desired to place
- it.
-
-I have no hesitation whatever in saying that this is absolutely bad
-golf. In all cases where cut is applied to the golf ball there must be
-no attempt whatever to introduce anything into the stroke during the
-period of contact between the ball and the club. I am here dealing
-with Vardon's statement with regard to the mashie approach, but it is
-apparent that all cut shots are, in effect, slices, and if one gets
-the idea into one's mind that the slice is obtained by anything which
-is done consciously during impact and timed by the player to be done
-in that space of time, it must militate severely against one's chance
-of producing a successful shot.
-
-A little farther down on the same page Vardon says:
-
- At the moment of impact the arms should be nearly full length
- and stiff, and the wrists as stiff as it is possible to make
- them. I said that the drawing of the blade towards the left
- foot would have to be done quickly because obviously there is
- very little time to lose; but it must be done smoothly and
- evenly, without a jerk, which would upset the whole swing,
- and if it is begun the smallest fraction of a second too soon
- the ball will be taken by the toe of the club, and the
- consequences will not be satisfactory. I have returned to
- make this the last word about the cut, because it is the
- essence of the stroke and it calls for what a young player
- might well regard as an almost hopeless nicety of perfection.
-
-Here it is quite evident that Vardon thinks that the cut on a mashie
-approach is played by something imported into the stroke _during
-impact_, whereas the truth is that the club in a good shot properly
-played never alters from the line of the arc mapped out by the mind
-from the very beginning of the stroke. Vardon says that the cut "must
-be applied smoothly and evenly without a jerk, which would upset the
-whole swing." It is obvious that if the head of the club has travelled
-in a certain line down to within a fraction of an inch of the ball,
-and is then suddenly pulled across the ball, _there must be a jerk_.
-
-This, however, is not what happens when the stroke is well played. The
-club face simply passes across the intended line of flight of the ball
-with the front edge of the sole approximately at a right angle to such
-intended line of flight, but the club head proceeds across the line in
-an uninterrupted arc. If what Vardon, Mr. Travis, and many other
-people lay down, were correct, a drawing of the stroke would show the
-club head proceeding to the ball in a curve, then a sudden jump
-inwards towards the player with a continuation approximating to the
-follow-through of the first half of the stroke, but it is almost
-needless to say that nothing of this kind takes place either in this
-modified slice or the true slice at golf, which we shall have to deal
-with more particularly later on.
-
-Speaking of this shot--the cut mashie stroke--Vardon says: "It will
-come so dead upon the green that it may be chipped up into the air
-until it is almost perfectly over the spot at which it is desired to
-place it."
-
-This may be so. I have played the shot myself repeatedly, and I have
-repeatedly seen perhaps the greatest master in the world of the cut
-mashie approach, to wit J. H. Taylor, playing this shot, and there
-cannot be any doubt whatever that this particular class of mashie
-approach nearly always gives the ball a considerable run from left to
-right. This, indeed, is perfectly natural, for one goes right in
-underneath the ball and gives it a tremendous side roll tending to
-make it swerve in the air from left to right, and when it strikes the
-green, to run in the same direction. So pronounced indeed is the
-swerve and run of this ball that I have seen J. H. Taylor playing at
-Mid-Surrey when the green was practically completely obstructed by a
-large tree, play this shot so that it curved round the tree on to the
-edge of the green and then ran in almost to the pin.
-
-The shot which stops so dead at the hole, as Harry Vardon mentions,
-must of necessity have much more in the nature of back cut which
-produces back-spin than has the ball played by the stroke which he
-describes.
-
-Vardon refers to the pull and the slice as being the master strokes in
-golf. I have already said that if I had to pick any one stroke which
-could be called the master stroke in golf, it would be the
-wind-cheater, and it is open to question if the long plain drive is
-not entitled to greater respect than either the pull or the slice. Be
-that as it may, there is in my mind very little doubt about the
-respective merits of the wind-cheater and the other strokes referred
-to. The wind-cheater is the ball which is produced with a large amount
-of back-spin. Harry Vardon describes it at page 105, and he explains
-that in order to make the push shot perfectly "the sight should be
-directed to the centre of the ball, and the club should be brought
-directly on to it (exactly on the spot marked on the diagram, page
-170)." I may remark here that the spot shown on the ball at page 170
-of _The Complete Golfer_ for a push shot is absolutely above the
-centre of mass of the ball, and that at page 106 Harry Vardon gives a
-diagram of "The push shot with the cleek." In this diagram he shows
-that the face of the cleek at the moment of impact is perpendicular.
-
-It is quite certain that even if one could hit the ball above the
-centre of its mass with a perpendicular face, it would be impossible
-to get the ball off the ground in this manner. The push shot with the
-cleek must be played with loft on the club, and indeed it does not
-matter what club is used for this shot, there must be _loft_ on the
-face of the club _at the moment of impact_ if one is to obtain a
-satisfactory result, and not only must there be loft on the face of
-the club, but it is a certainty that the impact of the club with the
-ball must be _below_ the centre of the ball's mass, and not as Vardon
-shows it at page 170 of _The Complete Golfer_, above it.
-
-Vardon, for playing this push shot, uses a cleek with a shorter handle
-and with more loft than his ordinary cleek. This, indeed, is quite
-natural, for the shot is, in the nature of it, a very straight up and
-down shot in the line to the hole, and also as it is desirable that
-the ball shall be hit by the club before the club head has reached the
-lowest point in its swing, Vardon naturally has his hands forward of
-the ball at the moment of impact. This, of course, to a certain
-extent, counteracts the loft of the cleek, but in no case does it
-counteract it to the extent shown by Vardon in the diagram at page 106
-of _The Complete Golfer_, for were the blow made as shown by these
-diagrams, it would be a mechanical impossibility to obtain the result
-described by Vardon.
-
-The reason for keeping the hands forward of the ball is, as I have
-indicated, that the club head may make impact with the ball before it
-has reached the bottom of its swing, and Vardon's reason for playing
-with a club of greater loft than is usually employed is that this
-greater loft helps to make up for the fact that his hands are forward
-of the ball at the moment of impact. Playing this stroke with an
-ordinary cleek would rob the cleek of so much of its loft that the
-probability is that the flight of the ball would in its initial stages
-be too low to give a satisfactory result.
-
-Vardon says at page 106: "The diagram on this page shows the passage
-of the club through the ball as it were, exactly," but the trouble is
-that it does not show the passage of the club through the ball "as it
-were, exactly," because at the moment of impact with the ball the club
-must have sufficient loft on its face to lift the ball, and, moreover,
-the face of the club must make its first contact at a point at most as
-high as the centre of the ball, but preferably much lower, so that the
-force of the blow has an opportunity of exerting itself upwardly
-through the centre of the ball's mass. Vardon plays this shot
-perfectly, but he does not describe it as well as he plays it. He says
-at page 106 of _The Complete Golfer_:
-
- I may remark that personally I play not only my half cleek
- stroke, but all my cleek strokes in this way, so much am I
- devoted to the qualities of flight which are thereby imparted
- to the ball, and though I do not insist that others should do
- likewise in all cases, I am certainly of opinion that they
- are missing something when they do not learn to play the half
- shot in this manner. The greatest danger they have to fear is
- that in their too conscious efforts to keep the club clear of
- the ground until after impact, they will overdo it and simply
- top the ball, when, of course, there will be no flight at
- all.
-
-There can be no doubt that this stroke is an extremely valuable one,
-particularly with the cleek, and it is a stroke which will well repay
-anyone for the time spent in practising it. There is, indeed, as
-Vardon says, a great danger of the player topping the ball if he tries
-to keep too far away from the ground until after the impact, but he
-must at all costs get out of his mind the idea of hitting the ball
-where Vardon says it should be hit, viz. above the centre of the
-ball's mass. This never was golf. It is not golf now, and it never
-will be golf.
-
-It is almost incredible, but is a fact, that a golf journalist who
-presumed to say that he knew what was "at the back of his (Harry
-Vardon's) head" stated in an article in a sporting magazine in London,
-that this push shot, one of Vardon's most beautiful and accurate
-strokes, is obtained by thumping the ball on to the earth--in fact
-that the stroke is almost what one might term a "bump ball," to use
-the cricket term. Any idea more abhorrent to the true golfer than the
-notion of producing his finest cleek shots and approach shots by
-banging the ball on to the earth can hardly be imagined, nor anything
-more incorrect.
-
-The wind-cheater is an invaluable stroke, but there can be no doubt
-that it is a stroke calling for a very considerable degree of skill in
-order to play it perfectly, or indeed very well, and in connection
-with this matter there was a very peculiar but entirely mistaken idea
-that for the production of this stroke it was necessary at the moment
-of impact to turn over both wrists. This idea obtained for years, and
-notwithstanding my repeated explanations, the deeply rooted notion was
-persevered in and used in such a manner by many players that it
-seriously interfered with their game.
-
-Some of the criticism which I had to put up with at the time that I
-was instructing golfers in these matters was very remarkable. I must
-give one instance which seems almost incredible. I had explained in
-the pages of _Golf Illustrated_, the leading golfing journal of
-London, how the pull is produced, and I had therein indicated as
-clearly and decidedly as I now do that it was impossible to produce
-the pull by the method indicated by Harry Vardon. Mr. A. C. M. Croome,
-the well-known international player, solemnly asserted in the _Morning
-Post_ that he had himself seen Harry Vardon produce the shot in the
-manner which I said was an impossibility, and that in effect an ounce
-of practice was worth a pound of theory.
-
-I took the trouble to explain that a cinematograph with about 400
-pictures, or perhaps a good many less per second, was sufficient to
-deceive an ordinary man into thinking that he saw a continuous picture.
-I explained that the camera which took the photographs for my purpose
-was timed to give an exposure of one twelve-hundred-and-fiftieth of a
-second, and that this was, therefore, at least three times as rapid as
-the machine which deceives an ordinary man into thinking that he sees a
-single picture, but notwithstanding that the camera was so tremendously
-rapid in its exposure, the golf club beats it to such an extent that at
-the moment of impact the club is represented by a swish of light or
-movement on the plate, and the ball immediately after impact is
-represented by something resembling a section of a sperm candle. So
-extremely rapid is its flight that it is impossible to obtain even by so
-short an exposure anything resembling clear definition.
-
-I showed clearly that an implement which was moving so fast as to
-absolutely beat the machine which was three times as fast as the
-machine which deceived the human being, was not likely to be able to
-be followed accurately by the human eye unaided in any way whatever.
-Still, that was the kind of criticism which I had to undergo.
-
-I was told exactly the same thing when I explained that in the push
-shot there must be no attempt whatever to turn over the wrists at the
-moment of impact, that in this shot as in all other strokes at golf,
-there must be no attempt whatever made to interfere with, or alter,
-during impact, the angle of the loft taken at the time of address, for
-any such attempt as this must end in trouble.
-
-It was some years after this controversy that Mr. A. C. M. Croome
-produced a column in the _Morning Post_ entitled "Justice," in which
-he referred to the matter as follows:
-
-
- MR. VAILE RIGHT
-
- It is common talk that Sherlock has improved a great deal
- since he migrated from Oxford to Stoke Poges, and for once
- common talk is right. His driving, at least when the ground
- is hard, is distinctly longer than it used to be, but the
- increased length has not been purchased at the expense of
- steadiness. The ball still flies from his wooden clubs along
- a line ruled straight to the hole. Even more valuable to him
- than the gain in length is the acquisition of all that range
- of shots which, if correctly played, leave the striker posed
- with his arms straight out and the back of his right hand
- uppermost.
-
- A few years ago I, in common with many other misguided
- golfers, believed that the movement of the right hand was the
- cause, not the consequence, of correct execution.
- Consequently a large percentage of the shots attempted to be
- played in this way went anywhere but to the desired place. We
- turned the key in the lock too soon. So far as I know Mr. P.
- A. Vaile was the first publicist to set forth the truth. I
- have differed from him on many points and found myself unable
- to follow the more abstruse of his treatises. It is a
- pleasure to acknowledge a debt to him, and it is a heavy
- debt, for a misconception of the work done by the right hand
- in holding the ball up against a left hand wind is fraught
- with disastrous consequences. Sherlock was performing this
- feat most exactly on Tuesday and hitting the ball monstrous
- far with his irons forbye.
-
-I was very pleased to see this statement by Mr. Croome, for several
-reasons. It was a sportsmanlike acknowledgment of error, and a fine
-instance of what I call "the detached mind," which is extremely rare
-in England. The majority of controversialists are too much taken up
-with the personal aspect of the controversy, to remember that the
-controversy if it is worth entering upon, must always be of more
-importance than the controversialists, but beyond this, it is always
-of importance, especially for one who is in the habit of writing golf,
-to know the game to the core, for such an one can do much to spread a
-correct knowledge of the game, and this misconception of the action of
-the wrists has been responsible for millions of foundered shots.
-
-I cannot help thinking, however, that in Mr. Croome's generous
-acknowledgment of error, he was, to a certain extent, committing
-another error, for when he spoke of "all that range of shots, which if
-correctly played, leave the striker posed with his arms right out and
-the back of his right hand uppermost" he referred naturally to balls
-which have been played in the main with back-spin, but a little later
-on he proceeded to say:
-
- It is a pleasure to acknowledge a debt to him, and it is a
- heavy debt, for a misconception of the work done by the right
- hand in holding the ball up against a left hand wind is
- fraught with disastrous consequences.
-
-Here it will be evident that Mr. Croome is referring to a pulled ball,
-but at no time when one has obtained a pulled ball by a stroke
-properly played, will the finish be such as that described by Mr.
-Croome. The finish described by him is the characteristic finish of
-the wind-cheater type of ball, but, notwithstanding this, the point is
-that Mr. Croome has acknowledged the error with regard to the turn
-over of the wrists; as he very well puts it, "we turned the key in the
-lock too soon." That very succinctly summarises the matter, and it
-will be sufficient for our purpose in this chapter.
-
-I must quote again a passage in Mr. Croome's article. He says: "Even
-more valuable to him than the gain in length is the acquisition of all
-that range of shots which, if correctly played, leave the striker
-posed with his arms straight out and the back of the right hand
-uppermost." This is a somewhat curious sentence. As a matter of fact,
-anyone who acquires this range of shots will acquire with it extra
-distance, for the finish, as I have already stated, but cannot state
-too often or too emphatically, is the characteristic finish of the
-wind-cheater--a ball which carries the beneficial back-spin of golf,
-the secret at once of length and direction.
-
-
-
-
-CHAPTER IX
-
-THE ACTION OF THE WRISTS
-
-
-There is no doubt that a proper wrist action in the drive is of very
-great importance, and it is just as undoubted that the real secret of
-wrist action has been enshrouded in mystery by anyone who has in any
-way attempted to deal with it. Indeed, so great a master of the game
-as James Braid, absolutely confesses that he does not know where the
-wrists come in during the drive. As Braid has already stated that it
-is almost impossible to teach putting, it really looks as though there
-is quite a considerable gap in golf which must be left to his pupils'
-imagination, but this is not really so. These great golfers really
-know golf and teach it much better than their published works would
-lead one to believe, and as a matter of fact in very many instances
-the matter which I am criticising so plainly is, I believe, not their
-own. I cannot believe that much of the ridiculous nonsense which is
-published in association with the greatest names of the world would be
-upheld by them in an ordinary lesson--in other words, I am firmly
-convinced that they suffer in the interpretation by persons whose
-knowledge of golf is extremely limited.
-
-It will, however, be interesting to see what the great golfers have to
-say with regard to wrist work. Let us turn first to Harry Vardon at
-page 70 of _The Complete Golfer_. There he says:
-
- Now pay attention to the wrists. They should be held fairly
- tightly. If the club is held tightly the wrists will be
- tight, and _vice versa_. When the wrists are tight there is
- little play in them and more is demanded of the arms. I do
- not believe in the long ball coming from the wrists. In
- defiance of principles which are accepted in many quarters, I
- will go so far as to say that, except in putting, there is no
- pure wrist shot in golf. Some players attempt to play their
- short approach with their wrists as they have been told to
- do. These men are likely to remain at long handicaps for a
- long time. Similarly there is a kind of superstition that the
- elect among drivers get in some peculiar kind of "snap"--a
- momentary forward pushing movement--with their wrists at the
- time of impact, and that it is this wrist work at the
- critical period which gives the grand length to their drives,
- those extra twenty or thirty yards which make the stroke look
- so splendid, so uncommon, and which make the next shot so
- much easier. Generally speaking, the wrists, when held
- firmly, will take very good care of themselves; but there is
- a tendency, particularly when the two V-grip is used to allow
- the right hand to take charge of affairs at the time the ball
- is struck, and the result is that the right wrist, as the
- swing is completed, gradually gets on to the top of the shaft
- instead of remaining in its proper place.
-
-There are several important statements in this paragraph. Vardon says,
-"I do not believe in the long ball coming from the wrists," and I say
-that there is no doubt whatever that in the ordinary acceptation of
-the term the long ball no more comes from the wrists than it does from
-the feet, for as Vardon indicates here, in a drive of perfect rhythm
-there is no such thing as getting the wrists into the work at, or
-about, the moment of impact, as is so frequently advocated by authors
-who preach what they do not themselves practise.
-
-Vardon says that "except in putting there is no pure wrist shot in
-golf." I have already shown that not even in putting is there such a
-thing as a pure wrist shot in golf, unless, indeed, the player should
-be playing with a putter which has an absolutely perpendicular shaft.
-In this case, and in this only, is it possible to play a pure wrist
-shot in golf if one follows out correctly the instructions which are
-recognised as being the soundest guide in good putting.
-
-Before quoting from James Braid in _Advanced Golf_ I must draw
-particular attention to what Vardon has said about the "snap" of the
-wrists at the moment of impact. He says that "there is a kind of
-superstition that the elect among drivers get in some peculiar kind of
-'snap'--a momentary forward pushing movement--with their wrists at the
-time of impact, and that it is this wrist work at the critical period
-which gives the grand length to their drives." It is surely not to be
-wondered at that this, as Vardon terms it, "superstition" exists, when
-we read in a book such as _Advanced Golf_, which was published several
-years after Vardon's _Complete Golfer_, statements to this effect:
-
- Then comes the moment of impact. Crack! Everything is let
- loose, and round comes the body immediately the ball is
- struck, and goes slightly forward until the player is facing
- the line of flight. The right shoulder must not come round
- too soon in the downward swing but must go fairly well
- forward after the ball is hit. If the tension has been
- properly held all this will come quite easily and naturally;
- the time for the tension is over and now it is allowed its
- sudden and complete expansion and quick collapse. That is the
- whole secret of the thing--the bursting of the tension at the
- proper moment--and really there is very little to be said in
- enlargement of the idea. At this moment the action of the
- wrists is all-important, but it cannot be described. Where
- exactly the wrists begin to do their proper work I have never
- been able to determine exactly, for the work is almost
- instantaneously brief. Neither can one say precisely how they
- work except for the suggestion that has already been made. It
- seems, however, that they start when the club head is a
- matter of some eighteen inches from the ball, and that for a
- distance of a yard in the arc that it is describing they have
- it almost to themselves, and impart a whip-like snap to the
- movement, not only giving a great extra force to the stroke,
- but, by keeping the club head for a moment in the straight
- line of the intended flight of the ball, doing much towards
- the ensuring of the proper direction. It seems to be a sort
- of flick--in some respects very much the same kind of action
- as when a man is boring a corkscrew into the cork of a
- bottle. He turns his right wrist back; for a moment it is
- under high tension, and then he lets it loose with a short,
- sudden snap. Unless the wrists are in their proper place as
- described, at the top of the swing, it is impossible to get
- them to do this work when the time comes. There is nowhere
- for them to spring back from.
-
-Here it will be seen that in a work of James Braid which is entitled
-_Advanced Golf_ and which was published several years after Harry
-Vardon's _Complete Golfer_ and by the same firm, we have advice and
-information given to us which is diametrically opposed to the ideas of
-Harry Vardon. There can be no doubt whatever that Vardon's opinion
-with regard to this matter is much sounder than Braid's, and in order
-that I may assist anybody who is in doubt as to which opinion to be
-influenced by, I shall analyse Braid's statement.
-
-We must, before we begin to consider Braid's advice, remember that he
-himself admits that he does not know where the wrists come in.
-
-This reminds me of an incident which occurred a short time ago. An
-unfortunate golfer who had an idea that a golf ball should be hit in
-much the same manner as a cricket ball, or any other common sort of
-ball, came to me in my office one day and asked me to show him what
-was wrong with his swing. I put down a ball for him on a captive
-machine, handed him a golf club and said: "Let me see you hit it?" He
-proceeded to hit it, but the instant his club head moved away from the
-ball it was apparent to me that he had not a rudimentary idea of the
-golf stroke. His left wrist began to turn outwards instead of inwards
-and downwards. I showed him at once how wrong he was in the
-fundamental principles of the golfing stroke, for, as is quite usual,
-he had no idea whatever of the proper distribution of his weight,
-having been taught by his professional that it must, at the top of the
-swing, be on his right leg. But the main point to which I want to draw
-attention is contained in his plaintive remark to me:
-
-"Yes, that is all right now you show it to me, and I can feel that it
-is better, but it is when I come to play the ball and have to remember
-all these things that I make a mess of it."
-
-My reply to him was: "My dear fellow, the man who understands how to
-teach golf does not teach you how to remember all these things. He
-teaches you how to forget them--in other words, he so instructs you
-that everything you do between the moment that you address the ball
-and the time that you hit it, is done practically without any strain
-on your mind whatever. It is done by habit or second nature. Anyone
-who teaches you in such a manner that you have to remember each of the
-things which you think go to make up a perfect drive _while you are
-making that drive_ is no use whatever to you as a teacher," and he was
-immensely relieved even at the bare idea of this revolutionary
-teaching.
-
-Nevertheless, in effect, this is the only true and scientific tuition
-for the golfing drive. We want to make the golfer handle his club in
-such a manner that all these things which the ordinary book tells him
-about as being necessary to be done and to be considered seriatim,
-fall into their places as naturally as one foot comes after another in
-a walk. To do this we have, unquestionably, to go through an enormous
-amount of elimination of utterly false doctrine, and the quotation I
-have just given from _Advanced Golf_ is an excellent illustration of
-what a true teacher has to do in the way of beating down and clearing
-away harmful doctrine.
-
-Here we have published with the authority of a great player like James
-Braid, and in absolute opposition to the advice of an equally great
-player, Harry Vardon, a statement to the effect that the wrists come
-into the drive and influence the stroke for eighteen inches before and
-after impact. We are told that "at this moment the motion of the
-wrists is all-important, but it cannot be described." We need not
-wonder that the action of the wrists cannot be described, for at the
-moment referred to by James Braid, there is, as a matter of practical
-golf and undoubted fact, no wrist action whatever. If one had any
-doubt whatever about this, one would only have to look at Braid's
-photographs in _Advanced Golf_ showing how he plays for a pull and a
-slice respectively.
-
-In both of these strokes Braid uses identically similar photographs to
-show his stance and address. Personally, as I have already stated, I
-consider that he is, from a golfing point of view, utterly wrong in
-doing such a thing, for there can be no doubt that the positions are
-extremely different. Indeed, it would be quite ridiculous to suppose
-that they were not so, but taking these photographs as Braid's mental
-picture of what he does at the moment of impact, we see there clearly
-that the wrists are, at the moment of impact, in exactly the same
-position as they were at the moment of address.
-
-Taking this in conjunction with the fact that Braid says in the
-extract which I have just quoted "Where exactly the wrists begin to do
-their proper work I have never been able to determine exactly, for the
-work is almost instantaneously brief," we are quite justified in
-coming to the conclusion that Braid himself does not, in this critical
-portion of the swing, use any wrist work whatever.
-
-Now Braid says that he has never been able to determine exactly where
-the wrists begin to do their proper work, so I must explain for his
-benefit, and for the benefit of the great body of golfers, where the
-wrists really begin to do their work, and where they do the most
-important part of their work, and that is absolutely at the beginning
-of the downward stroke. It is here that the wrists have the greatest
-life and "snap" in them, for the weight of the club and the strain of
-the development of the initial velocity fall across the wrist-joints
-in that position which gives them their greatest resistance--that is,
-in the way in which the wrists bend least; but it must not be
-forgotten that although the wrist bends least sideways, still, the
-bend that the wrist is capable of in that direction provides a
-tremendous amount of strength. This is particularly evident in all
-games which are played with rackets.
-
-I must here give an illustration of the power that is obtained in this
-position. I have before referred to Mr. Horace Hutchinson's
-illustration of the proper position at the top of the drive which he
-gives in the Badminton volume on _Golf_. Here the player is shown with
-the right elbow pointing skywards, and the left, if anything, too much
-out the other way.
-
-An unfortunate golfer who had tried to put these principles into
-execution came into my office one day, and told me that he could get
-no length whatever in his drive. I handed him a club and said: "Let me
-see you swing?" At the top of his swing he got into this position
-which is now considered the classical illustration of how it should
-not be done, and after I had allowed him to swing several times from
-this position I said to him: "Now swing again, but stop at the top of
-your swing." He stopped at the top of his swing, and I then went and
-stood behind him almost in a line with his right shoulder and the hole
-and about a club's length from him, and I addressed him as follows:
-"Will you kindly forget for the moment that that thing which you have
-in your hands is a golf club, and will you also consider, ridiculous
-as it may seem, that for the nonce my head is a block of wood, and
-that you have in your hands now an axe instead of a golf club, with
-which you desire to split my head in two. Would you now, if you had to
-strike this block of wood, use your arms as you are doing?"
-
-"Why, no," came the answer instantly. "I should do this," and down
-dropped both elbows underneath the club. Then I said to this searcher
-after the truth:
-
-"I do not think I shall ever again have to tell you where to put your
-elbows," and he answered, apparently overwhelmed by my supernatural
-cleverness:
-
-"That is a wonderful illustration. I never thought of it like that
-before."
-
-I am giving this as an illustration of the vagueness with which people
-treat an utterly simple proposition such as this. This man was a
-chartered accountant, and really, in his way, a particularly clever
-fellow, but he was overwhelmed with admiration because I was able to
-show him that with his golfing club he was doing, or trying to do, a
-thing which no one but an idiot would have dreamed of trying to do
-with a hammer or an axe. This is the kind of thing for which we have
-to thank the people who write vague generalities about things which
-they do not understand.
-
-Let us analyse this most important pronouncement of Braid's a little
-further. He continues:
-
- Neither can one say precisely how they work, except for the
- suggestion that has already been made. It seems, however,
- that they start when the club head is a matter of some
- eighteen inches from the ball, and that for a distance of a
- yard in the arc that it is describing they have it almost to
- themselves and impart a whip-like snap to the movement, not
- only giving a great extra force to the stroke, but, by
- keeping the club head for a moment in the straight line of
- the intended flight of the ball, doing much towards the
- ensuring of the proper direction.
-
-The real truth of this matter is that there is no portion of the arc
-of the drive wherein the wrists exert less influence, or are _so
-completely out of business_ as they are in that portion of the drive
-wherein James Braid _says they are predominant_.
-
-The wrists have a tremendous amount to do with the development of the
-speed of the stroke, but particularly in the initial stage of the
-downward stroke. This will be most clearly seen by a study of George
-Duncan's wrist action at plate 64 of _Modern Golf_, wherein the wrists
-are shown turning over when the club has gone about half-way on its
-downward swing. Of course, they begin to turn over much sooner than
-this, but the truth is that the turn-over of the wrist or, more
-correctly speaking, the roll of the forearms in the downward swing is
-such a wonderfully gradual and natural process that it would be
-utterly impossible for anyone to say at what particular period in the
-downward swing it happens, and if anyone can say, or, rather, does
-say, at what particular period the wrists come in to the downward
-stroke, he is not only an ignorant golfer, but an enemy to golf, for
-it is a matter which cannot be described except to say that the wrist
-action begins absolutely with the beginning of the stroke, and is then
-a continuous and natural turn until the club gets very close to the
-ball, by which time there is practically nothing left for the wrists
-to do, as the club has reverted to the position in which it was at the
-moment of address, or perhaps I should say that it ought to have
-reverted to that position, as indeed, in so far as regards the club
-itself, is properly shown by James Braid in his photographs of stance
-and address and impact.
-
-We have now to deal with the space of eighteen inches in the
-follow-through, wherein James Braid asserts the wrists still have it
-all to themselves. This eighteen inches is in all properly executed
-straight drives, and by straight drives, I mean drives which are not
-intentionally pulled or sliced, taken up by a clean follow-through
-down the line of flight after the ball, and this follow-through is, of
-course, associated with the forward movement of the body on to the
-left leg which is so well and clearly shown in the instantaneous
-photographs of James Braid and Harry Vardon, but is, by Braid in
-_Advanced Golf_, stated to be inadvisable in his text, but clearly
-shown as advisable in his photographs.
-
-There can be no doubt whatever that any attempt to introduce into the
-drive for eighteen inches before and after impact, anything whatever
-in the nature of a "whip-like snap" would absolutely ruin the rhythm
-of the swing, for it is evident that the introduction of a "whip-like
-snap" into something which we have been told is "a sweep," would
-absolutely upset the general character of that "sweep." It is
-impossible to have a sweep, and in that sweep to sweep the ball away
-and at the same time to get the ball away by a "whip-like snap."
-Either we have the sweep or we have the whip-like snap, admitting for
-the sake of argument that either of these statements is correct, which
-is not the fact, as the ball is hit away and neither "swept" nor got
-away with a "whip-like snap," but the would-be learner is presented
-with this mass of confused thought, instead of having nothing whatever
-to think of with regard to hitting the ball more than he would have in
-his mind if he stood still in the road and tried to smite an acorn
-with his walking-stick.
-
-Let me make this matter perfectly plain. We will consider that the
-beginner has taken his stance and addressed his ball perfectly. Let
-him now take his club back from the ball in the manner which the
-text-books describe for an ordinary drive. Let him swing it thus back
-from the ball for a foot and let him swing it back against that ball
-and for a foot on the way to the hole. Let him do this once, twice,
-ten times, a hundred times, aye a thousand times, if so many be
-necessary for him to get absolutely and firmly settled in his mind the
-fact that this swing of one foot back and one foot forward is almost
-an exact replica of what happens every time he hits a good straight
-drive in actual play; that it is approximately a correct sample of the
-club action in that section of the swing back, downward swing, impact,
-and follow-through. This idea, and this idea only, is what the golfer
-must have in his mind, and when he has got this into his mind he will
-see clearly that the whole importance of using the wrists properly in
-golf is to get them to do their chief work in the early development of
-the power of the golf drive, but that by the time the ball is reached
-by the club head they have absolutely gone out of business and do not
-again come into operation until in the natural order of things they
-turn the club over, and pull it off the line of flight to the hole in
-the follow-through.
-
- [Illustration: PLATE X. HARRY VARDON
-
- Finish of a drive, showing Vardon's perfect management of his
- weight.]
-
-Braid is wonderfully hazy in this matter. He continues: "It seems to
-be a sort of flick, in some respects very much the same kind of action
-as when a man is boring a corkscrew into the cork of a bottle. He
-turns his right wrist back; for a moment it is under high tension and
-then he lets it loose with a short sudden snap." This really is very
-sad. We are repeatedly told that the golf stroke is a swing or a
-sweep, and that it must be of an even character from beginning to end,
-and yet we have James Braid in _Advanced Golf_ telling us that the
-impact in the drive "seems to be a sort of flick." Well, all I can say
-is that I wish any golfer who goes into the flicking business much joy
-and great improvement, but I have not much hope that he will get it
-until he finds out that flicking is no portion of the game of golf.
-
-Braid's idea of this most important portion of the drive is most
-remarkable. His haziness in connection with the matter extends even to
-his illustration. He says that this wrist action is "in some respects
-very much the same kind of action as when a man is boring a corkscrew
-into the cork of a bottle. He turns his wrist right back; for a moment
-it is under high tension and then he lets it loose with a short sudden
-snap."
-
-This is, mechanically, a marvellous statement. I do not profess to be
-a great authority on the subject of corkscrews, bottles--or their
-contents, but even in this respect I may confess to being a trifle
-more than theoretical, and I may say that I have inserted many a
-corkscrew into many a cork, but I have never yet used a corkscrew
-wherein I turned my wrist over as the right wrist turns over in the
-downward swing of the golf club. As a matter of fact, I never inserted
-a corkscrew into a cork where I did not turn my wrist from left to
-right. All the tension in putting a corkscrew into a cork is on the
-backward journey, or that which corresponds to the upward swing in
-golf. There is no tension whatever on the return, or that portion of
-the screwing process which corresponds to the downward swing in golf,
-whereas in golf the main portion of tension is in the downward swing;
-but I believe Braid is a teetotaller, so we may forgive him if in this
-respect his theory is unsound, and I think we can say that although he
-may be entirely theoretical in this, his theory is, in this instance,
-not more unsound than it is in regard to what he professes to describe
-as the wrist action in the golf drive.
-
-Braid says that "unless the wrists are in their proper place, as
-described, at the top of the swing, it is impossible to get them to do
-this work when the time comes. There is nowhere for them to spring
-back from." This is correct and absolutely sound; the wrists must,
-unquestionably, be in their right place at the top of the swing, the
-right place being, as I have already indicated, and as indeed
-practically every respectable book on golf, with the exception of the
-Badminton volume, shows, underneath the shaft of the club at the top
-of the swing, but it is quite wrong to speak of any such thing as
-there being no place "for them to spring back from."
-
-There must be no "spring." It is more a question of swinging than
-springing, although, as my readers know, I am opposed even to the idea
-of a swing in the golfing stroke. The stroke in golf is one of the
-finest hits in the whole realm of athletics, and I object entirely to
-it being called a swing or a sweep, or anything but that which it is
-legitimately entitled to be called.
-
-Braid says at page 62: "After impact and the release of all tension,
-body and arms are allowed to swing forward in the direction of the
-flight of the ball." This sentence gives us pause. We have seen,
-according to Braid, that for the space of a yard, that is for eighteen
-inches before and after impact in the drive, the wrists come into the
-swing and do something with a "whip-like snap"--something that is a
-sort of a "flick." We see that this "whip-like snap," and this "sort
-of a flick," are kept up for eighteen inches after impact, but we are
-told a little farther on that at the moment of impact "everything is
-let loose, and round comes the body immediately the ball is struck."
-
-How is it possible to imagine this kind of thing taking place within a
-swing of perfect rhythm? It is evident that Braid has a very rooted
-notion about this wrist movement. I must quote again from him, this
-time from _How to Play Golf_. On page 54 he says:
-
- The initiative in bringing down the club is taken by the left
- wrist, and the club is then brought forward rapidly and with
- an even acceleration of pace until the club head is about a
- couple of feet from the ball. So far the movement will
- largely have been an arm movement, but at this point there
- should be some tightening-up of the wrists, and the club will
- be gripped a little more tightly. This will probably come
- about naturally, and though some authorities have expressed
- different opinions, I am certainly one of those who believe
- that the work done by the wrists at this point has a lot to
- do with the making of the drive.
-
-Personally, I believe that Braid is wrong in speaking about the
-initiative in bringing down the club being taken by the left wrist. I
-believe that the left wrist has no more to do with it than the right
-wrist, and I do not believe that one practical golfer in a hundred
-could tell which wrist he uses, and the chances are that if he could
-tell he would not be a very good golfer, for these are things with
-which a golfer has no right to cumber his mind. They are things which
-can quite well be left to Nature. It is an act of supreme folly for
-the ordinary man to think in the slightest degree of apportioning to
-either hand the share of its work in the drive. That absolutely must
-never be on his mind when beginning his stroke.
-
-Braid here emphasises his idea that the wrists come into the golf
-drive at about two feet from the ball. In _Advanced Golf_ he says
-eighteen inches. In this matter I must unhesitatingly be with Harry
-Vardon, and if I had not Harry Vardon's support,--if I stood against
-the authority of the world of golfers--I should still be just as
-positive as I am with the important corroboration which Vardon gives
-me, for there can be no doubt that as a matter of practical golf,
-there is no portion of the stroke in golf wherein the wrists are more
-quiescent than in the impact. I must not be misunderstood when I say
-this. It is obvious that the wrists at the moment of impact will be
-braced to receive the shock of the blow, but the speed of the blow has
-been developed long before impact, and the wrists have approximately
-resumed their normal position as at the moment of address.
-
-Although Harry Vardon is so positive in combating the notion of the
-wrists coming into the drive at the moment of impact, I find him at
-page 53 of _Great Golfers_ saying, when writing of the downward swing
-with the driver and brassy:
-
- In commencing the downward swing I try to feel that both
- hands and wrists are still working together. The wrists start
- bringing the club down, and, at the same moment, the left
- knee commences to resume its original position. The head
- during this time has been kept quite still, the body alone
- pivoting from the hips. When the left knee has turned, I find
- I am standing firmly on both feet and the arms are in
- position as in the upward swing, before the left knee started
- to bend. From this point the speed of the wrists seems to
- increase, and the impact is thus made with the club head
- travelling at its highest velocity.
-
-I would here draw attention to the fact that Harry Vardon says: "The
-wrists start bringing the club down." This, I consider, is very
-important. I have already referred to Braid's statement about the left
-wrist taking the initiative. It is of very great importance for the
-golfer or would-be golfer to know that the left wrist has not any
-right whatever to claim precedence of the right wrist at this critical
-moment in the development of the power in the drive.
-
-The other point in this extract to which I desire to draw attention is
-that Vardon says, speaking of a point in the swing which he describes,
-and which is practically the same spot wherein Braid says the wrists
-exert their influence, that is to say, two feet from the ball: "From
-this point the speed of the wrists seems to increase, and the impact
-is thus made with the club travelling at its highest velocity." It is
-quite possible--in fact, it is nearly certain that the speed of the
-wrists will increase from that point, and that the impact will be made
-with the club travelling at its highest velocity, but in describing it
-in this manner Vardon is very nearly guilty of falling into the same
-error as James Braid has; for this reason, that he is directing the
-mind to the speed of the wrists at a critical portion of the stroke,
-whereas there is only one point whose speed has to be considered, and
-that is the point that does the business, which is the centre, if one
-may call it so, of the face of the golf club, and it stands to reason
-that if this is coming down at an ever-increasing speed, what Vardon
-says of this point would be as true of any other point in the downward
-swing, but it is bad golf to direct the attention of the student or
-the golfer to the speed of his connecting link instead of to the
-business end of the club, at any period during his swing. The golfer's
-mind must be centred on his ball and his club head.
-
-Taylor, so far as I remember, does not fall into this very grave
-error, but he, in common with most of the great professionals, is
-under the impression that the wrists are largely used at the moment of
-impact to influence the stroke. This is one of the gravest errors in
-golf. Speaking of lofting a stymie Taylor says: "Then, exactly as the
-club strikes the ball, the wrists must be turned in an upward
-direction smartly. The result of this is that the ball is lofted over
-the other, and if hit properly it will run on and go out of sight as
-intended." It is a very curious thing that nearly every author or
-great golfer thinks that in lofting a stymie the best way is to turn
-the wrists upwards, whereas in fact, and in practical golf, absolutely
-the best and most certain way of lofting a stymie is to turn neither
-the wrists, nor, as naturally follows, the face of the club, upwards,
-at the moment of impact. That must always tend, in a stroke of very
-great delicacy, which is a natural characteristic of many stymies, to
-put too much power into propulsion instead of elevation. The best
-stymie stroke which can be played, is played without lifting the
-mashie or the niblick by so much as a fraction of an inch after the
-ball has been hit. I have illustrated this stroke very fully, both by
-diagram and photograph in _Modern Golf_, and it is unquestionably
-superior in every way to the ordinary method of playing a stymie.
-
-Let us now glance at the Badminton _Golf_ and see what Mr. Horace
-Hutchinson has to say with regard to this wrist action. At page 90 we
-read:
-
- Now as the club comes near the ball, the wrists, which were
- turned upward when the club was raised, will need to be
- brought back, down again. It is a perfectly natural movement,
- but where many beginners go wrong with it is that they are
- too apt to make this wrist-turn too soon in the swing, and
- thereby lose its force altogether. The wrists should be
- turned again, just as the club is meeting the ball--otherwise
- the stroke, to all seeming perhaps a fairly hit one, will
- have very little power.
-
-It is quite evident that Mr. Hutchinson is an adherent of the
-"whip-like snap" and the "flick" theory at the moment of impact, for
-he tells us that the wrists must be turned again just as the club is
-meeting the ball.
-
-I need not deal fully with this statement, for I have already
-sufficiently analysed the same idea which is held by James Braid. The
-only difference is that Mr. Horace Hutchinson's is very much worse
-than Braid's, in that he thinks the turn-over of the wrists should be
-executed at the moment of impact, which of course would import into
-the golf stroke a very much greater risk of error than already does
-exist in it, and it is unnecessary for me to assure golfers that there
-is already quite sufficient chance of error without our endeavouring
-to add to it in any way whatever. But I should like to pause to raise
-one question.
-
-Mr. Hutchinson, like nearly every other writer on golf, is a disciple
-of one of the most pronounced fallacies in the game, viz.: "As you go
-up, so you come down," naturally, of course, all things being
-reversed. Let us then consider this point. We are informed by Mr.
-Horace Hutchinson that the wrists should be turned again just as the
-club is meeting the ball. Following our hoary fallacy of "As you go
-up, so you come down" I presume from this that immediately the club
-leaves the ball, the wrists begin to turn backwards. This would indeed
-give us a peculiar start for our drive.
-
-From an anatomical point of view I think there is very little doubt
-whatever that the wrists have finished their distinctive function much
-earlier in the production of the golf stroke than is generally thought
-to be the case, and what is commonly miscalled wrist action is, in
-effect, merely the natural roll of the forearm, as it is, I believe,
-called, at any rate in the case of the left arm, its supination. There
-can be no doubt that in the majority of cases where writers refer to
-wrist action, they are confusing the natural turn of the forearms with
-wrist action.
-
-Before closing this chapter I may perhaps be excused if I refer again
-to that remarkable volume _The Mystery of Golf_. At page 167 we are
-told:
-
- At the bottom of the swing, therefore, the club head is, or
- should be, moving in a straight line. Probably it is when the
- greatest acceleration in the velocity of the club, and the
- strongest wrist action in the swing of the arms occur in this
- straight portion of the stroke, that the follow-through is
- most efficacious.
-
-For one who essays to explain the mystery of golf, this is a very
-marvellous statement. Probably at no portion whatever of the golf
-stroke is the club head proceeding in a straight line. It may be taken
-for an absolutely settled fact that it is always proceeding in an arc.
-Also it is quite clear that the author is making the sad mistake,
-which has been made by so many other people, of thinking that the
-wrist action is most in evidence immediately before and after the
-period of impact. Most of the leading golfers fall into the error of
-stating that cut is obtained by something which is done by the wrists
-at the moment of impact, but this is unquestionably an error. I have
-dealt with that already in other places so fully that I think that it
-will not be necessary for me to do more here than to state that in all
-good shots the cut is decided upon practically the moment the club
-begins its downward journey, for the amount of cut which is
-administered to any ball depends entirely upon the speed, and the
-angle at which the club head passes across the intended line of flight
-of the ball, provided always, of course, that the club is properly
-applied.
-
-
-
-
-CHAPTER X
-
-THE FLIGHT OF THE GOLF BALL
-
-
-The flight of the ball, and particularly of the golf ball, exercises a
-strange fascination for many people to whom the phenomena of flight
-exhibited by a spinning ball travelling through the air, are not of
-the slightest practical importance. That is to say, there is an
-immense number of people who take merely a scientific, and one might
-almost say an artistic interest in the effects produced by the
-combined influence of spin and propulsion. Scientific men have been
-for many years well aware of the causes which produce the swerve of a
-ball in the air. By swerve I mean, of course, a curve in the flight of
-the ball which is due to other causes than gravitation, and in the
-word swerve I do not include the drift of a ball which has been
-perfectly cleanly hit, but which, in the course of its carry, has been
-influenced by a cross wind. This does not legitimately come under the
-heading of swerve. It is more correctly described as drift, and will
-be dealt with in due course.
-
-In the _Badminton Magazine_ of March 1896, the late Professor Tait
-published an article on "Long Driving." Professor Tait was a practical
-golfer and a very learned and scientific man. He proved most clearly
-that a golf ball could not be driven beyond a certain distance. He
-proved this absolutely and conclusively by mathematics, but, so the
-story runs, his son, the famous Freddie Tait, proved next day with his
-driver, that his father's calculations were entirely wrong, for he is
-alleged to have driven a golf ball over thirty yards farther than the
-limit which his learned parent had shown to be obtainable. Naturally,
-Professor Tait had to reconsider his statements, and he then arrived
-at the conclusion that there must have been in the drive of his son,
-which had upset his calculations, some force which he had not taken
-into consideration. He soon came to the conclusion that this was
-back-spin, and he dealt with this matter of back-spin, which is a
-matter of extreme importance to golf, in a most erudite article, which
-is much too advanced for the ordinary golfer, so I shall content
-myself here with referring to just a few of the most important points
-in connection with it. It is necessary that I should, in dealing with
-the flight of the ball, give those of my readers who are not already
-acquainted with the simple principles of swerve, some idea of what it
-is which causes the spinning ball to leave the line of flight that it
-would have taken if it had been driven practically without spin.
-
-The explanation is very simple. If a ball is proceeding through the
-air, and spinning, the side which is spinning _towards the hole_ gets
-more friction than the other side which is spinning _away from the
-hole_. It is well known that a projectile seeks the line of least
-resistance in its passage through the air. It follows that the greater
-friction on the _forward spinning_ half causes the ball to edge over
-towards the side which is spinning away from the hole. This, in a very
-few words, is the whole secret of swerve.
-
-Professor Tait stated in his article that Newton was well aware of
-this fact some 230 years before the publication of the professor's
-article, and that he remarked when speaking of a spinning tennis ball
-with a circular as well as a progressive motion communicated to it by
-the stroke, "that the parts on that side where the motions conspire
-must press and beat the contiguous air more violently, and there
-excite a reluctancy and reaction of the air proportionately greater."
-
-This really is an extremely simple matter and a very simple
-explanation. I have taken care to explain it so simply, for swerve is,
-by a very great number of people, looked upon as an abstruse
-problem--in fact, my book on _Swerve, or the Flight of the Ball_, is
-catalogued as a treatise on applied mathematics, instead of, as I
-intended it to be, simply a practical application of the ascertained
-facts to the behaviour of the ball in the air.
-
-Professor Tait's article has enjoyed a wonderful vogue. Although it
-was published nearly twenty years ago it is quite frequently quoted at
-the present time. There are, however, in it some errors which one
-would not have expected to have found in such a scientific article.
-Speaking of the golf ball shortly after it has left the club,
-Professor Tait said:
-
- It has a definite speed, in a definite direction, and it
- _may_ have also a definite amount of rotation about some
- definite axis. The existence of rotation is manifested at
- once by the strange effects it produces on the curvature of
- the path so that the ball may skew to right or left; soar
- upwards as if in defiance of gravity, or plunge headlong
- downwards instead of slowly and reluctantly yielding to that
- steady and persistent pull.
-
-There is, in this statement of Professor Tait's, a fundamental error
-in so far as regards the flight of the ball. He said: "The existence
-of rotation is manifested at once by the strange effects it produces
-on the curvature of the path." This is incorrect from a scientific
-point of view, and it is also badly stated. The existence of rotation
-is not manifested "at once"; in very many cases, practically in all,
-the ball proceeds for quite a long distance before the effect of
-rotation is seen. This is more particularly so when it is a matter of
-back-spin, but it is equally true of the pulled ball or the sliced
-ball. Both of these proceed for a considerable distance before the
-effect of spin is noticeable. In fact it is well known to all golfers
-that the spin begins to get to work as the velocity of the ball
-decreases. Also it seems as though it is incorrect to refer to the
-strange effects it (rotation) produces on the curvature of the path,
-for it is the rotation itself which produces the curvature.
-
-Professor Tait then said:
-
- The most cursory observation shows that a ball is hardly ever
- sent on its course without some spin, so that we may take the
- fact for granted, even if we cannot fully explain the mode of
- its production. And the main object of this article is to
- show that long carry essentially involves under-spin.
-
-I shall deal with these two statements later on.
-
-Professor Tait said:
-
- To find that his magnificent carry was due merely to what is
- virtually a toeing operation--performed no doubt in a
- vertical and not in a horizontal plane, is too much for the
- self-exalting golfer!
-
- The fact, however, is indisputable. When we fasten one end of
- a long untwisted tape to the ball and the other to the ground
- and then induce a good player to drive the ball
- (perpendicularly to the tape) into a stiff clay face a yard
- or two off, we find that the tape is _always_ twisted in such
- a way as to show under-spin; no doubt to different amounts by
- different players, but proving that the ball makes usually
- from about one to three turns in six feet, say from forty to
- a hundred and twenty turns per second, this is clearly a
- circumstance not to be overlooked.
-
-It is wonderful how easily a scientific man, as Professor Tait was,
-can be led astray when he sets out to find the thing he has imagined.
-Professor Tait, by a footnote to his article in the _Badminton
-Magazine_, to my mind entirely discounts the value of his experiments.
-His footnote is so important that I must quote it fully. He says:
-
- In my laboratory experiments, players could not be expected
- to do _full_ justice to their powers. They had to strike as
- nearly as possible in the centre, a ten-inch disc of clay,
- the ball being teed about six feet in front of it. Besides
- this pre-occupation, there was always more or less concern
- about the possible consequence of rebound, should the small
- target be altogether missed.
-
-It will be apparent even to anyone who is not possessed of a
-scientific or analytical mind that Professor Tait _compelled_ his
-players to endeavour to play their strokes in such a manner that the
-ball had to travel down a line decided on by Professor Tait. I do not
-know at what height Professor Tait placed his clay disc from the
-earth, but it is evident that if he put it very low down it would
-involve the playing by the golfer of a stroke which would naturally
-produce back-spin, and in any case the trajectory was arbitrarily
-fixed. In experimenting with such a stroke as this, and in such a
-manner as this, it should be evident that there should have been no
-restriction whatever as to the player's trajectory. If it was decided
-that it was necessary to catch the ball in a clay disc, that disc
-should have been so large that it was impossible for the golfer's ball
-to escape it. It should not have been necessary for the golfer _to
-aim_ at the disc. The mere fact of his aiming at the disc and the
-ball being teed so near as six feet to the disc, all tended to produce
-the shot which would give the results which Professor Tait was looking
-for, but that does not prove that the ordinary stroke at golf is
-produced in a similar manner, and I do not for one moment believe that
-it is.
-
-In speaking of _the stroke proper_ Professor Tait said:
-
- The club and the ball practically share this scene between
- them; but the player's right hand, and the resistance of the
- air, take _some_ little part in it. It is a very brief one,
- lasting for an instant only, in the sense of something like
- one ten-thousandth of a second.
-
-We may note here that Professor Tait said: "_The right hand and the
-resistance of the air_ take _some_ little part in it." One would be
-inclined to think from this that Professor Tait was, as indeed was
-probably the case, an adherent of the fetich of the left, for there
-can be no doubt that in "the stroke proper" the right hand does much
-more than take "_some_" little part in it.
-
-I think that Professor Tait is wrong in his idea that under-spin, or,
-as I prefer to call it, back-spin, is essential to a long carry. I
-firmly believe that a ball which is hit with practically no spin
-whatever, can have a very long carry. However, as the paper which I am
-now about to consider follows in many ways very closely on the lines
-of Professor Tait's article, I shall leave this matter for
-consideration when I am dealing with that paper.
-
-The paper which I am now referring to is one which was read at the
-weekly evening meeting of the Royal Institution of Great Britain on
-Friday, 18th March 1910, by Professor Sir J. J. Thomson, M.A., LL.D.,
-D.S.C., F.R.S., M.R.I., O.M.; Cavendish Professor of Experimental
-Physics, Cambridge; Professor of Physics, Royal Institution, London;
-Professor of Natural Philosophy, Royal Institution, and winner of the
-Nobel Prize for Physics, 1906. The title of this paper was "The
-Dynamics of a Golf Ball." It will be observed that neither the
-Institution under the auspices of which this lecture was delivered,
-nor the lecturer, is inconsiderable. Professor Thomson is, without
-doubt, a very distinguished physicist, and we must therefore receive
-anything he writes with a certain amount of respect. There are,
-however, in this paper, so many remarkable statements that it is
-necessary for me to deal with it quite fully.
-
-Professor Thomson tells us very early in the lecture that Newton was
-well aware of the cause of swerve which I have already set out, some
-250 years ago, and that he remarked that in a spinning tennis ball the
-"parts on that side where the motions conspire, must press and beat
-the contiguous air more violently, and there excite a reluctancy and
-reaction of the air proportionately greater."
-
-Professor Thomson says at the beginning of his lecture:
-
- There are so many dynamical problems connected with golf that
- a discussion of the whole of them would occupy far more time
- than is at my disposal this evening. I shall not attempt to
- deal with the many important questions which arise when we
- consider the impact of the club with the ball, but shall
- confine myself to the consideration of the flight of the ball
- after it has left the club.
-
-I may say here that Professor Thomson, although he announces his
-intention of doing this, is later on in his paper, as we shall see,
-tempted into considering the questions of impact, and, in my opinion,
-making several grave errors therein. We may, however, in the meantime,
-pass this by.
-
-Professor Thomson continues:
-
- This problem is in any case a very interesting one, which
- would be even more interesting if we could accept the
- explanations of the behaviour of the ball given by some
- contributors to the very voluminous literature which has
- collected around the game. If this were correct, I should
- have to bring before you this evening a new dynamics and
- announce that matter when made up into golf balls obeys laws
- of an entirely different character from those governing its
- action when in any other condition.
-
-This, at the outset, is an extremely remarkable statement to come from
-so eminent a physicist, for I may say that Professor Thomson, after
-making a remark of this nature, proceeds to explain the phenomena of
-swerve on exactly the same links which I have set out fully and
-explicitly in my book _Swerve, or the Flight of the Ball_. That,
-however, is a matter of small importance. It may be that Professor
-Thomson has not had the opportunity of perusing this book. It may
-indeed be that Professor Thomson has been unfortunate enough only to
-have read articles wherein an erroneous explanation of the well-known
-phenomena of the flight of the ball is given. Be that as it may, there
-can be no doubt that the explanation which has been given of the
-causes of swerve has been adequate and accurate, and there would not
-have been any necessity whatever for Professor Thomson to bring before
-the learned Institution whose fellows listened to his address "a new
-dynamics." It would have been sufficient if he had correctly explained
-the phenomena of the flight and run of a golf ball according to the
-well-recognised laws which govern the flight and run of all balls.
-This, however, he quite failed to do.
-
-Professor Thomson says: "If we could send off the ball from the club
-as we might from a catapult, without spin, its behaviour would be
-regular, but uninteresting." It is quite possible to send a golf ball
-off a club without spin. It is just as possible, from a practical
-point of view, to send a golf ball away without spin from the face of
-a driver as it is from the pouch of a catapult. The catapult is a
-machine, and it is a certainty that it can be made to propel a golf
-ball without any initial spin whatever. A machine can be made to drive
-a golf ball with just as little spin, and as a matter of practical
-golf, by far the greater number of golf balls are driven without
-appreciable spin--that is to say, without spin which has any definite
-action on the flight of the ball.
-
-The learned lecturer says: "A golf ball when it leaves a club is only
-in rare cases devoid of spin." It is impossible to prove or disprove
-this statement, for practically no ball goes through the air with the
-same point always in front. We may see this quite clearly if we care
-to mark a lawn-tennis ball, and to hit it perfectly truly, and slowly,
-so that it goes almost as a lob across the net. We shall see even then
-that the marked part of the ball moves from one place to another. In
-fact, even if a golf ball were driven by a machine which did not
-impart to it any initial spin, it is almost a certainty that that ball
-would not have proceeded far before it had acquired sufficient motion
-to justify one in technically calling it spin. Spin, however, is a
-delightfully indefinite word, but this much one may at least say, and
-it is, in effect, a contradiction of Sir J. J. Thomson's assertion,
-namely that in the vast majority of balls hit with golf clubs,
-especially by skilled players, the effect of spin on the stroke
-_unless designedly applied_, which is comparatively rare, is
-practically negligible.
-
-Professor Thomson says that
-
- ... a golf ball, when it leaves the club, is only in rare
- cases devoid of spin, and it is spin which gives the
- interest, variety, and vivacity to the flight of the ball;
- it is spin which accounts for the behaviour of a sliced or
- pulled ball; it is spin which makes the ball soar or "douk,"
- or execute those wild flourishes which give the impression
- that the ball is endowed with an artistic temperament and
- performs these eccentricities, as an acrobat might throw in
- an extra somersault or two for the fun of the thing. This
- view, however, gives an entirely wrong impression of the
- temperament of a golf ball, which is, in reality, the most
- prosaic of things, knowing while in the air only one rule of
- conduct which it obeys with an intelligent conscientiousness,
- that of always following its nose. This rule is the key to
- the behaviour of all balls when in the air, whether they are
- golf balls, base-balls, cricket balls, or tennis balls.
-
-The idea of a spherical object having a nose is so unscientific and so
-inexact that it is not necessary for me to dwell very strongly on it
-here, and I should not do so were it not that this looseness of
-description is of considerable importance in dealing with Professor
-Thomson's ideas. He continues:
-
- Let us, before entering into the reasons for this rule, trace
- out some of its consequences. By the nose on the ball we mean
- the point on the ball furthest in front.
-
-It will be obvious to my readers that this description is
-scientifically extremely inaccurate, for if we take a line through the
-ball from the point of contact with the club to the point on the ball
-farthest in front, which Professor Thomson calls its nose, we shall
-find that the flight of that ball will always be in that same line
-produced, whereas in the spinning ball it is nothing of the sort. The
-whole trouble here is that Professor Thomson wants to have the "nose,"
-as he calls it, of the ball, both a fixed and a moving point. This,
-obviously, is most unscientific. If the nose of the ball is the point
-that is farthest in front, I cannot say too emphatically that it
-stands to reason that the ball in flight will go straight out after
-that point, but the fact is that the point in front is continually
-changing; moreover, the fact that the ball goes the way it is spinning
-is not explained by any tendency of the ball to wander that way on
-account of the spin irrespective of the friction of the air.
-
-It will thus be seen that Professor Thomson's explanation in this
-matter is incorrect and misleading. This is about the most
-unscientific explanation which could be given of this matter, and it
-is one which is calculated to mislead people who would otherwise
-understand the matter quite clearly, so we shall drop Professor
-Thomson's idea of giving the ball a "nose" which is always in the
-front of it, but which is also supposed to be continually travelling
-sideways. It is obvious that Professor Thomson cannot have it both
-ways.
-
-It is very clear indeed that Professor Thomson is not well acquainted
-with the method of applying spin to balls which are used in playing
-games. He says:
-
- A lawn-tennis player avails himself of the effect of spin
- when he puts "top-spin" on his drives, _i.e._ hits the ball
- on the top so as to make it spin about a horizontal axis, the
- nose of the ball travelling downwards as in figure 4; this
- makes the ball fall more quickly than it otherwise would, and
- thus tends to prevent it going out of the court.
-
-I have played lawn-tennis for more than twenty years, and I am the
-author of three books on the game, one of which is supposed to be the
-standard work on the subject, and I can assure Professor Thomson that
-no lawn-tennis player would dream of doing anything so silly as to hit
-a lawn-tennis ball "on the top" in an attempt to obtain "top-spin."
-
-The scientific method of obtaining top-spin is to hit the lawn-tennis
-ball on what Professor Thomson, if he were driving the ball over the
-net to me, would call its nose--that is to say, I should hit the ball
-on the spot which was farthest from Professor Thomson. I should hit it
-there with a racket whose face was practically vertical, but I should
-hit it an upward, forwardly glancing blow which would impart, as
-Professor Thomson expresses it, "spin about a horizontal axis to the
-ball."
-
-Professor Thomson goes so far as to show by diagram the travel of a
-ball which has been hit so as to impart top-spin to it, but even in
-this diagram he is absolutely wrong, for he shows that immediately the
-ball has been hit with top-spin it begins to fall, but this is not so.
-In lawn-tennis the ball travels for a long distance before the spin
-begins to assert itself, and to overcome the force of the blow which
-set up the spin.
-
-Professor Tait makes this same error in his article on "Long Driving,"
-and it is quite evident to me that Professor Thomson is following, in
-many respects, the errors of his eminent predecessor.
-
-Professor Thomson also says:
-
- Excellent examples of the effect of spin on the flight of a
- ball in the air are afforded in the game of base-ball. An
- expert pitcher, by putting on the proper spin, can make the
- ball curve either to the right or the left, upwards or
- downwards; for the side-way curves the spin must be about a
- vertical axis; for the upward or downward ones, about a
- horizontal axis.
-
-There are no particular laws with regard to the curves of a base-ball.
-The same laws regulate the curves in the air of every ball from a
-ping-pong ball to a cricket ball, and Professor Thomson, in saying
-that "for the side-way curves the spin must be about a vertical axis,"
-is absolutely wrong. Every lawn-tennis player who knows anything
-whatever about the American service, will know that Professor Thomson
-is utterly wrong in this respect, for the whole essence of the swerve
-and break of the American service, which has a large amount of
-side-swerve, is that the axis of rotation shall be approximately at an
-angle of fifty degrees, and any expert base-ball pitcher will know
-quite well that he can get his side-curve much better if he will,
-instead of keeping his axis of rotation perfectly vertical, tilt it a
-little so that it will have the assistance of gravitation at the end
-of its flight instead of fighting gravitation, as it must do if he
-trusts entirely to horizontal spin about a vertical axis for his
-swerve.
-
-Professor Thomson says:
-
- If the ball were spinning about an axis along the line of
- flight, the axis of spin would pass through the nose of the
- ball, and the spin would not affect the motion of the nose;
- the ball, following its nose, would thus move on without
- deviation.
-
-The spin which Professor Thomson is describing here is that which a
-rifle bullet has during its flight, for it is obvious that the rifle
-bullet is spinning "about an axis along the line of flight," and that
-the axis of spin does pass through the nose of the bullet, but we know
-quite well that in the flight of a rifle bullet there is a very
-considerable amount of what is called drift. It is, of course, an
-impossibility to impart to a golf ball during the drive any such spin
-as that of the rifle bullet, although in cut mashie strokes, and in
-cutting round a stymie, we do produce a spin which is, in effect, the
-same spin, but this is the question which Professor Thomson should set
-himself to answer. He states distinctly that a ball with this spin
-would not swerve. If this is so, can Professor Thomson explain to
-us why the rifle bullet drifts? As a matter of fact, a ball with this
-spin _would_ swerve, but not to anything like the same extent as would
-a ball with one of the well-recognised spins which are used for the
-purpose of obtaining swerve.
-
- [Illustration: PLATE XI. JAMES BRAID
-
- Finish of drive, showing clearly how Braid's weight goes on to
- the left leg.]
-
-Professor Thomson proceeded to prove by the most elaborate experiments
-the truth of those matters stated by Newton centuries ago, but it will
-not be necessary for me to follow him in these, because these
-principles have been recognised for ages past.
-
-It is curious to note that in the reference to Newton, who was aware
-of this principle of swerve so long ago, we are shown that Newton
-himself did not quite grasp the method of production of the stroke,
-although he analysed the result in a perfectly sound manner. Writing
-to Oldenburg in 1671 about the Dispersion of Light, he said in the
-course of his letter: "I remembered that I had often seen a tennis
-ball struck with an oblique racket describe such a curved line." The
-effect of striking a tennis ball with an oblique racket is, generally
-speaking, to push it away to one side. The curve, to be of a
-sufficiently pronounced nature to be visible, must be produced by the
-passage of the racket across the intended line of flight of the ball.
-
-This matter of the different pressure on one side of the ball from
-that on the other is very simple when one thoroughly grasps it.
-Professor Thomson gives in his paper an illustration which may perhaps
-make the matter clearer to some people than the explanation which is
-generally given. He says:
-
- It may perhaps make the explanation of this difference of
- pressure easier if we take a somewhat commonplace example of
- a similar fact. Instead of a golf ball let us consider the
- case of an Atlantic liner, and, to imitate the rotation of
- the ball, let us suppose that the passengers are taking their
- morning walk on the promenade deck, all circulating round the
- same way. When they are on one side of the boat they have to
- face the wind, on the other side they have the wind at their
- backs. Now, when they face the wind, the pressure of the wind
- against them is greater than if they were at rest, and this
- increased pressure is exerted in all directions and so acts
- against the part of the ship adjacent to the deck; when they
- are moving with their backs to the wind, the pressure against
- their backs is not so great as when they were still, so the
- pressure acting against this side of the ship will not be so
- great. Thus the rotation of the passengers will increase the
- pressure on the side of the ship when they are facing the
- wind, and diminish it on the other side. This case is quite
- analogous to that of the golf ball.
-
-Even in this simple illustration it seems to me that Professor Thomson
-is wrong, for he is pre-supposing that which he does not state--a head
-wind. It is quite obvious that these passengers might have to face a
-wind coming from the stern of the ship, and in this case the analogy
-between the passengers circulating round the deck of a ship, and his
-golf ball would receive a serious blow. In stating a matter which is
-of sufficient importance to be dealt with before such a learned body
-as the Royal Institution of Great Britain, it is well to be accurate.
-If Professor Thomson had stated that his Atlantic liner was going into
-a head wind, or, for the matter of that, even proceeding in a dead
-calm, his analogy might have been correct, but it is obvious that he
-has left out of consideration a following wind of greater speed than
-that at which the liner is travelling.
-
-Professor Thomson has not added anything to the information which we
-already possessed with regard to the effect of back-spin on a ball;
-rather has he, as I shall show when dealing with the question of
-impact with the ball, clouded the issue. At page 12 of his remarkable
-lecture he says: "So far I have been considering under-spin. Let us
-now illustrate slicing and pulling; in these cases the ball is
-spinning about a vertical axis." We here have a very definite
-statement that in slicing and pulling the ball is spinning about a
-vertical axis, but it is not doing so.
-
-Professor Thomson has "an electromagnet and a red hot piece of
-platinum with a spot of barium oxide upon it. The platinum is
-connected with an electric battery which causes negatively electrified
-particles to fly off the barium and travel down the glass tube in
-which the platinum strip is contained; nearly all the air has been
-exhausted from this tube. These particles are luminous, so that the
-path they take is very easily observed."
-
-These particles, I may explain, take, in Professor Thomson's mind, the
-place of golf balls, and by an electromagnet he shows us exactly what
-golf balls do, but it seems to me that if Professor Thomson is not
-absolutely clear what is happening to the sliced ball and the pulled
-ball, there is a very great chance that, like Professor Tait, he may
-induce his particles to do the thing that he wishes them to do, and
-not the thing that a real golf ball with a real pull or a real slice
-would do. This, as a matter of fact, is exactly what Professor Thomson
-does, for, as I shall show quite simply and in such a manner as
-absolutely to convince the merest tyro at golf, Professor Thomson is
-utterly wrong when he states that in the slice and the pull the ball
-is spinning about a vertical axis.
-
-I shall not need any diagrams or figures to bring this home to anyone
-who is possessed of the most rudimentary knowledge of mechanics. It
-should be quite evident to anyone that to produce spin about a
-vertical axis it would be necessary to have a club with a vertical
-face, or to strike a blow with the face of the club so held that at
-the moment of impact the face of the club was vertical. Now this does
-not happen with the slice at golf, for the very good reason that if
-one so applied one's club, the ball would not rise from the earth. The
-club which produces the slice is always lofted in a greater or less
-degree, and quite often the natural loft is increased by the player
-designedly laying the face back during the stroke. It is evident that
-in the impact with the driver or brassy, the ball, especially the
-modern rubber-cored ball, flattens on to the face of the club and
-remains there whilst the club is travelling across the line of flight.
-This naturally imparts to the ball a roll--in other words, as the club
-cuts across the ball it rolls it for a short distance on its face.
-
-It is obvious that this rolling process will, to a greater or less
-extent, give to the ball a spin about an axis which is approximately
-the same as that of the loft on the face of the club. Therefore, it is
-clear that in all sliced balls the axis of spin will be inclined
-backward. It seems likely, also, that as the axis of spin is inclined
-backward and the ball is rising, there will be some additional
-friction at the bottom of it which would not be there in the case of a
-ball without spin. This probably helps to produce the sudden rise of
-the slice. In all good cut shots with lofted clubs, the angle of the
-axis of spin is to a very great extent regulated by the amount of loft
-on the face of the club.
-
-Professor Thomson's error with regard to the slice being about a
-vertical axis is beyond question, but his error in saying that the
-axis of rotation of the pull and the slice is identical, is, from a
-golfing point of view, simply irretrievable. Print is a very awkward
-thing--_it stays_. The merest tyro at golf knows quite well that the
-pulled ball and the sliced ball behave during flight and after landing
-on the ground in a totally different manner from each other. If
-Professor Thomson knows so much, it should unquestionably be evident
-to so distinguished a scientist that there must be a very considerable
-difference in the rotation of these balls. The slice, as is well
-known, rises quickly from the ground, flies high, and is not,
-generally speaking, a good runner. The pull, on the other hand, flies
-low and runs well on landing.
-
-It is not merely sufficient to contradict Professor Sir J. J. Thomson
-in these matters, so I shall explain fully the reason for the
-difference in the flight and run of the slice and the pull. The slice
-is played as the club head is returning across the line of flight, and
-therefore is more in the nature of a chop than is the pull. Frequently
-the spin that is imparted to the ball is the resultant of the downward
-and inwardly glancing blow. This not only leaves the axis of rotation
-inclined backward, but sometimes inclined also slightly away from the
-player, but it is obvious that even if the ball had, as Professor
-Thomson thinks it has, rotation about a vertical axis, which is the
-rotation of a top, such rotation would, on landing, tend to prevent
-the ball running, for, as is well known, every spinning thing strives
-hard to remain in the plane of its rotation, but the slice is more
-obstinate still than this, for the axis of rotation being inclined
-backward, frequently at the end of the flight, coincides with the line
-of flight of the ball, so that the ball is spinning about an axis
-which, to adopt Professor Thomson's term, runs through its "nose."
-This means that the slice frequently pitches in the same manner as
-might a rifle bullet if falling on its "nose," and the effect is, to
-a very great extent, the same. The ball tries to stay where it lands.
-
-Let us now consider the flight and run of the pull. The pull is played
-by an upward, outward, glancing blow. The ball is hit by the club as
-it is going across the line of flight away from the player and this
-imparts to the ball a spin around an axis which lies inward towards
-the player. This means that the pull goes away to the right, and then
-swerves back again towards the middle of the course if properly
-played, and upon landing runs very freely. The reason for this run has
-not been clearly understood by many, and it is quite evident that
-Professor Thomson does not know of it, so I shall give an extremely
-plain illustration.
-
-Nearly every boy has at some time played with a chameleon top, or some
-other top of the same species, that is to say, a disc top. Every boy
-who has played with such a top will be familiar with the fact that
-when the spin is dying away from the top, it rolls about until one
-edge of it touches the earth or whatever it is spinning on.
-Immediately this happens the top runs away as carried by the spin.
-
-That is about the simplest illustration which it is possible to give
-of the plane of spin of the pulled ball during its flight and of its
-run after it has touched the earth, but from this very simple
-explanation it will be perfectly obvious to anyone who gives the
-matter the least consideration that not only is the axis of rotation
-of the pull and the slice dissimilar, but as a matter of fact the
-rotation of the pull and the slice is almost diametrically opposed the
-one to the other.
-
-Professor Thomson says:
-
- Let us now consider the effect of a cross wind. Suppose the
- wind is blowing from left to right, then, if the ball is
- pulled, it will be rotating in the direction shown in figure
- 26 (from right to left); the rules we found for the effect of
- rotation on the difference of pressure on the two sides of a
- ball in a blast of air show that in this case the pressure on
- the front half of the ball will be greater than that on the
- rear half, and thus tend to stop the flight of the ball. If,
- however, the spin was that for a slice, the pressure on the
- rear half would be greater than the pressure in front, so
- that the difference in pressure would tend to push on the
- ball and make it travel further than it otherwise would.
-
-I have not given this aspect of the question a great amount of
-thought, but it seems obvious that in playing for a slice in the
-circumstances mentioned by Professor Thomson, it is extremely unlikely
-that the greater pressure would be, as he says, on the rear half. If,
-indeed, this were so the slice would, in my opinion, not take effect;
-also on account of the tremendous speed of the golf ball it seems to
-me utterly improbable that in any ordinary wind which one encounters
-on a golf links it would be possible to obtain on the rear half of a
-golf ball a greater pressure than that on the forward spinning half,
-or, to be more accurate, quarter of the ball. I cannot help thinking
-that Professor Thomson in saying that in such a case as this the
-greater pressure would be on the rear half of the ball is falling into
-an error, for it seems to me that he is overlooking the tendency of
-the ball to set up for itself something in the nature of a vacuum
-which will undoubtedly tend to protect the rear portion of the ball
-from the force which must assail it in front during its passage
-through the air.
-
-Professor Thomson says that "the moral of this is that if the wind is
-coming from the left we should play up into the wind and slice the
-ball, while if it is coming from the right we should play up into it
-and pull the ball."
-
-That is Professor Thomson's theory. I shall give my readers the
-benefit of my practice, which is that whenever there is a cross wind
-of any description whatever, hit the ball as straight as it is
-possible for you to do it, right down the middle of the course from
-the tee to the hole, and forget all about pulls or slices. On a windy
-day avoid anything whatever in the nature of side-spin because once
-you have applied it to a ball you never know where that ball is going
-to end, and if you want any confirmation for this practice you may get
-it from Harry Vardon in _The Complete Golfer_, for there can be very
-little doubt that a side wind has nothing like the effect on the ball
-that golfers seem to imagine, provided always, of course, that the
-ball be hit cleanly and without appreciable spin. It is not given to
-one golfer in a thousand to know how to use the pull and slice to
-obtain assistance from the wind and also to be capable of executing
-the strokes. As a matter of practical golf these strokes should, for
-at least ninety-five per cent of golfers, be rigidly eschewed.
-
-At the beginning of Professor Thomson's article he said:
-
- I shall not attempt to deal with the many important questions
- which arise when we consider the impact of the club with the
- ball, but confine myself to the consideration of the flight
- of the ball after it has left the club.
-
-It would, indeed, have been well if Professor Thomson had carried out
-his expressed intention of leaving this matter alone, for in dealing
-with it he has shown most conclusively that he has no practical grip
-of the question which he has attempted to deal with. At page 15 of his
-article he says:
-
- I have not time for more than a few words as to how the ball
- acquires the spin from the club, but if you grasp the
- principle that the action between the club and the ball
- depends only on their _relative_ motion, and that it is the
- same whether we have the ball fixed and move the club, or
- have the club fixed and project the ball against it, the main
- features are very easily understood.
-
-I can readily believe that this statement of Professor Thomson's is
-absolutely accurate. The only thing which troubles me about it is that
-I think the person of ordinary intellect will find it absolutely
-impossible to "grasp the principle" which Professor Thomson lays down.
-If we have the club fixed and project the ball against it, we know
-quite well that the ball will rebound from the club, but if we are to
-have the ball fixed and move the club against it, nothing will happen
-unless we move the club fast enough, in which case we should simply
-smash the club.
-
-This is a most amazing illustration of looseness of thought--such an
-astonishing illustration that I should not have believed Professor
-Thomson capable of it if it had not been published broadcast to the
-world with his authority. Of course, I know perfectly well what
-Professor Thomson means to say, but I have not to deal with that, and
-as a matter of fact what he means to say is quite wrong, but it will
-be sufficient for me to show that what he _does_ say is wrong.
-
-Professor Thomson then goes on to say:
-
- Suppose Fig. 27 represents the section of the head of a
- lofted club moving horizontally forward from right to left,
- the effect of the impact will be the same as if the club were
- at rest and the ball were shot against it horizontally from
- left to right.
-
-Here Professor Thomson shows that he is quite under a misapprehension
-as to the production of the golf stroke. He pre-supposes that the
-club is moving in a horizontal direction at the moment it hits the
-ball. In a vast majority of instances, probably in about ninety per
-cent of cases, the club is not moving in a horizontal direction--in
-fact, it would be hardly too much to say that it never moves in a
-horizontal direction. It is nearly always moving either upwards or
-downwards in a curve at the moment it strikes the ball, so that it
-stands to reason, especially when the club face is travelling upwards,
-which is what it does in the great majority of cases, that the blow is
-never delivered horizontally, but is always struck more or less upward
-through the ball's centre of mass.
-
-Practical teachers of golf know how extremely hard it is to induce the
-beginner, and for the matter of that many people who are far beyond
-beginners, to trust the loft of the club to raise the ball from the
-earth; so many players never get out of the habit of attempting to hit
-upwards.
-
-It stands to reason that if the blow in golf were delivered as with a
-billiard cue, any blow struck in that manner, provided the face of the
-club had sufficient loft, would tend to produce back-spin, but
-practically no blow in golf is struck in the manner described by
-Professor Thomson; nor is the beneficial back-spin of golf obtained in
-this manner, in fact the loft of the club has comparatively little to
-do with producing the back-spin which so materially assists the length
-of the carry. There can, of course, be no doubt that loft does assist
-a person in producing this back-spin, or, as Professor Thomson calls
-it, under-spin, but to nothing like the extent which is imagined by
-the worthy Professor. The beneficial back-spin of golf is obtained by
-striking the golf ball before the head of the club has reached the
-lowest point in its swing; in other words, the back-spin is put on a
-golf ball by downward cut--by the very reverse to that cut which is
-put on a ball when a man tops it badly. In the one case it is up cut,
-or, as it is called in lawn-tennis, top, which is a misleading term
-which has led many people, besides Sir J. J. Thomson, astray, and in
-the other case it is downward cut, which is exactly similar in its
-effect to the chop at lawn-tennis.
-
-Professor Thomson, for the purpose of illustrating the fact that the
-golf ball obtains the beneficial spin, which influences its carry so
-materially, from the loft of the club, shows us a club face with a
-loft much greater than that of a niblick, and proceeds to demonstrate
-from this loft, which it is unnecessary to tell a golfer does not
-exist on any club which is used for driving, that the ball acquires
-its back-spin from the loft of the face of the club.
-
-I have already referred to the Professor's fundamental fallacy that
-the golf stroke is delivered in a horizontal line--in effect that the
-force of the blow proceeds horizontally, but he is guilty of another
-very great error from the point of view of practical golf when he
-shows a club such as he has done, in order to explain how the
-beneficial back-spin of golf is obtained. Such a club as he shows
-might be useful for getting out of a bunker, but it certainly would be
-of no use whatever in practical golf for driving. As every golfer
-knows, the face of the driver is, comparatively speaking, very
-upright, and firing a ball at a wall built at the same angle as the
-loft of a driver would certainly not produce on that ball much in the
-way of back-spin. The idea of a modern golf ball which flattens very
-considerably on the face of the club, rolling up the face of a driver
-on account of its loft, is too ridiculous to be considered seriously
-by a practical golfer.
-
-The trouble is that Professor Thomson always takes for his hypothesis
-something which does not exist in golf, so that in the great majority
-of cases it does not really matter to us what he proves. As a matter
-of fact, there is in golf only one horizontal stroke, and that is the
-stymie stroke introduced into the game by me, and which I have
-hereinbefore fully described. This stroke shows us conclusively how
-the power goes mostly into elevation instead of into propulsion. It is
-an absolute answer, if one were required, to Professor Thomson's
-theories. Professor Thomson's error is of such a fundamental nature
-that I must quote his sentence again in giving my readers the full
-paragraph wherein he exposes the delusion under which he is suffering.
-He says:
-
- Suppose Fig. 27 represents the section of the head of a
- lofted club moving horizontally forward from right to left,
- the effect of the impact will be the same as if the club were
- at rest and the ball were shot against it horizontally from
- left to right. Evidently, however, in this case the ball
- would tend to roll up the face, and would thus get spin about
- a horizontal axis in the direction shown in the figure; this
- is under-spin and produces the upward force which tends to
- increase the carry of the ball.
-
-This is the rock upon which Professor Thomson has split. He is under
-the impression that the beneficial back-spin of golf is obtained by
-loft, whereas it is perfectly possible to obtain the beneficial
-back-spin of golf with a club having a vertical face, and being at the
-moment of impact in a vertical plane, but in order to do this it would
-be necessary that the ball should be teed very high, as indeed one of
-the most famous professionals in the world is in the habit of doing
-when he is playing for a low ball against the wind.
-
-When in _Modern Golf_ I stated that a high tee for a low ball was
-practical golf, it was considered revolutionary, if not incorrect,
-doctrine, but players now understand that by using the high tee for a
-low ball they are enabled to cut down beyond the ball more than they
-could do if the ball were lying on the earth, and that they are, in
-this manner, enabled to obtain much more of the back-spin which gives
-the ball its extra carry, and also to play it with less loft.
-
-This is a very serious error for a man of Professor Thomson's
-attainments to make, and indeed it is to me a wonder how he could
-possibly make the mistake of thinking that the force in the blow at
-golf is administered horizontally. This is one of the worst errors
-which he has made, but the idea that the back-spin of golf is obtained
-mainly by the loft of the club is utterly unsound and pernicious. It
-is so unsound, and the correct understanding of the method of
-producing this stroke is so important to golf, especially to the golf
-of the future, that I must explain fully how this stroke is obtained.
-
-I have already shown that it is played by a downward glancing blow
-which hits the ball before the club reaches the lowest point in its
-swing, and I have already shown the delusion under which many players
-labour, even including so eminent a player as Harry Vardon, that the
-ball is struck down on to the earth. Although the ball is struck a
-descending blow, there is in the blow much more of the forward motion
-than the downward, so that all the ordinary principles with regard to
-getting the ball up into the air, apply with equal force to this
-stroke as to any other, and it is a matter of prime importance that
-the ball must be struck below the centre of its mass--that the loft of
-the club must get in underneath what is popularly called the middle of
-the ball. If this does not take place the ball will not rise from the
-earth, and to show as Harry Vardon does, at page 170 of _The Complete
-Golfer_, that the ball must be struck at or above the centre of its
-mass, and with, as he indicates at page 106, a vertical face, is
-utterly unsound golf.
-
-I cannot emphasise too strongly that in this miscalled push shot,
-which is answerable for all back-spin, the loft must be allowed to do
-its work in the ordinary manner, otherwise the stroke will be a
-failure.
-
-Having now made it perfectly clear how this stroke is obtained, I must
-explain a little more clearly the wonderful character of this ball
-which is without any doubt whatever, in my mind, the king of golf
-strokes in so far as regards obtaining distance and accuracy and
-direction. On account of the downward glancing blow the ball has been
-struck, it leaves the club with a very great amount of back-spin. The
-hands are always forward of the ball at the moment of impact in this
-stroke when it is properly played. It stands to reason that this, to a
-certain extent, decreases the loft of the club with which the stroke
-is played. The result is that the ball goes away on the first portion
-of its journey with a very low flight, keeping very close indeed to
-the earth. All the time it is doing this, however, the ball, as we
-know, is spinning backwards, which means that the lower portion of the
-ball is spinning towards the hole, and that it is on the lower portion
-of the ball that the motions of progression and revolution conspire.
-
-It is equally obvious that on the upper portion of the ball the
-progression through the air is at the same rate, but in so far as
-regards its frictional-producing result on the air, it is lessened by
-the fact that the upper portion of the ball is revolving or spinning
-backwardly towards the player. The result of this is that the ball is
-getting much more friction on the lower portion than it is on the
-top, but as speed can always dominate spin, this is not very apparent
-until about two-thirds of the carry.
-
-As the speed of the ball begins to decrease, the friction of the spin
-gets a better grip on the air, and the result is that with the
-continual rubbing of the air on the lower portion of the ball, it is
-forced upward and so it continues until the lifting power of the
-combined propulsion and revolution is exhausted. By this time the ball
-has arrived at the highest point of its trajectory and it then begins
-in the natural order of things to fall towards the earth.
-
-It is obvious that by this time much of the back-spin will have been
-exhausted, but there still remains a considerable amount of rotation,
-and as the ball begins to fall towards the earth this back-spin which
-has hitherto been used for forcing the ball upwards into the air,
-still exerts its influence, and as it is travelling towards the earth
-the remnant of the back-spin exerts its influence to extend the carry
-of the ball, because the main frictional portion of the ball has, to a
-certain extent, on account of the dropping of the ball, been altered
-and shifted probably a little more towards the lower side of the ball.
-
-The result of all this is that by the time this ball, in a well played
-drive, comes to earth, most of the beneficial back-spin which obtained
-for it its long flight, will have been exhausted, and that portion
-which remains and has not been exhausted will, in all probability, be
-killed on impact, for the ball pitches on one point, and naturally the
-top portion tends to throw forward so that the ball will run along the
-course. It stands to reason that it would require an enormous amount
-of back-spin to stay with the ball during the period of its low
-flight, to lift the ball then to the highest point in its trajectory
-near the end of its carry, to stay with it still in its descent, and
-then to be strong enough to resist the shock of landing so as to check
-the run of the ball. The result is that on account of the low
-trajectory of this ball and of the phenomena explained by me, it is
-frequently, when well played, and particularly in dry weather, a good
-runner, so that we see that in this ball we have practically the ideal
-golf drive; a drive with which no other can compare; a drive which is
-as good, although it is called the wind-cheater, for a still day as in
-a gale.
-
-From this explanation it will be seen what a poor chance anyone would
-have who follows Professor Thomson's ideas of obtaining the beneficial
-back-spin of golf from the loft of the club and a horizontal blow.
-
-Professor Thomson gives some illustrations of the pull and the slice.
-In two of his figures he shows horizontal blows being produced in a
-straight line with the line of flight. Both of these, I may say, are
-absolutely impossible in golf. He shows a slice in Fig. 29 which would
-be much more likely to result in a pull, and he shows a pull in Fig.
-31 which would almost certainly result in a slice even if the shots
-were possible, which, as he shows them, they are not.
-
-Professor Thomson shows by diagram an ordinary slice which he says is
-produced by "such a motion as would be produced if the arms were
-pulled in at the end of the stroke." This in itself is an utterly
-loose definition. What Professor Thomson evidently means is if the
-arms were pulled in during the stroke or at the moment of impact, but
-as I have shown the slice is not produced by the arms being pulled in
-at the moment of impact. It is produced by the club head travelling
-across the ball at an angle to the intended line of flight of the
-ball. Professor Thomson shows the slice in this case by diagram, and
-correctly, but he says that if the club were fixed rigidly and the
-ball were fired at the club down the same line as the club made in its
-previous stroke, the ball would come off the club in exactly the same
-manner as when it was hit by the club, but in this he is making a very
-grave error, as I think I shall be able to show.
-
-I shall quote Professor Thomson with regard to this matter. His
-proposition is so simple that although I give his indicating letters
-it will not be necessary for me to reproduce his diagram. He says:
-
- Suppose, now, the face of the club is not square to its
- direction of motion, but that looking down on the club its
- line of motion when it strikes the ball is along P Q (Fig.
- 28), such a motion as would be produced if the arms were
- pulled in at the end of the stroke, the effect of the impact
- now will be the same as if the club were at rest and the ball
- projected along R S, the ball will endeavour to roll along
- the face away from the striker; it will spin in the direction
- shown in the figure about a vertical axis. This, as we have
- seen, is the spin which produces a slice.
-
-This, as we have already seen, is not the spin which produces a slice,
-but we need not waste any further time going into that matter. We can,
-however, deal with what Professor Thomson meant to say when he wrote
-
- ... but if you grasp the principle that the action between
- the club and the ball depends only on their _relative_
- motion, and that it is the same whether we have the ball
- fixed and move the club or have the club fixed and project
- the ball against it, the main features are very easily
- understood.
-
-For the purpose of analysing what Professor Thomson evidently meant
-when he wrote this, let us take the ordinary case of a slice. We all
-know now quite well that a slice is produced by a glancing blow
-coming inwardly across the intended line of flight, and Professor
-Thomson tells us it is exactly the same thing whether we hit the ball
-with the club or fire the ball against the club. Let us see how this
-works out in the slice.
-
-We will consider, for the sake of argument, that the slice has been
-produced by a stroke which has come across the intended line of flight
-at an angle of 30 degrees. We shall now fasten our club rigidly and
-fire the golf ball out of a catapult against its face so that it hits
-it dead in the centre, and so that it travels down a line at an angle
-of 30 degrees to the face. Now most of us know enough elementary
-mechanics to know that in hitting a still object such as the face of
-the golf club, the ball will come off it at the same angle at which it
-hit it--in other words that the angle of reflection is the same as the
-angle of incidence, allowing always, of course, for the slight
-alteration which will be made by the loft of the club. In this case,
-of course, we have one object which is absolutely still, and all the
-motion during impact is confined to the ball.
-
-Now let us consider the impact in the slice. In this case the club
-strikes the ball a violent blow. The ball, to a very great extent,
-flattens on the face of the club, and both the ball and the club
-travel together for a certain distance across the direct line of
-flight to the hole, and during the time that they are thus travelling
-together the club is imparting spin to the ball and influencing its
-direction, so that instead of the ball doing anything whatever in the
-nature of spinning off the face of the club at a natural angle, it is
-driving, during its initial stages, very straightly for a long
-distance before the spin begins to take effect.
-
-It seems to me that the slice may be taken as a very good illustration
-showing that what Professor Thomson meant to explain is quite
-incorrect from a golfing point of view. It is quite evident that
-before we could accept as authoritative the explanations which have
-been given by Professor Thomson of these somewhat abstruse problems,
-it would be necessary for us to have, as he puts it, "a new dynamics."
-
-I have already dealt very fully both in England and America with this
-remarkable lecture by Professor Thomson. I have criticised it in the
-leading reviews and magazines of the world, and the authoritative
-golfing paper of England--_Golf Illustrated_--in a leader, invited
-Professor Thomson to make good his assertions, but he has not been
-able to do so. One can understand fallacious matter being published
-under the names of professional golfers when one knows quite well that
-the majority of the work is done by journalists hired for the purpose,
-but it is almost impossible to understand how such utterly false
-doctrine could be put out by so eminent a man, and under the auspices
-of the Royal Institution of Great Britain.
-
-The flight of the ball has always been a fascinating and for most
-people a very mysterious subject, but except in one or two matters
-there is no mystery whatever about the flight of the golf ball, but
-even amongst practical golfers there is an amazing lack of accurate
-information. For instance, we find Mr. Walter J. Travis, in _Practical
-Golf_ at page 139, saying:
-
- With a very rapid swing, the force or energy stored up in the
- gutta ball is greater than in the Haskell. The latter, by
- reason of its greater comparative resiliency does not remain
- in contact with the club head quite so long, and therefore
- does not receive the full benefit of the greater velocity of
- the stroke in the same proportion as the less resilient
- gutta. It flies off the face too quickly to get the full
- measure of energy imparted by a very swift stroke. This
- responsiveness or resiliency, however, asserts itself in a
- greater and more compensating degree in the case of the
- shorter driver. It makes up, in his case, for the lack of
- speed, and he finds his distance very sensibly increased.
-
-This is a remarkable error for a golfer like Mr. Travis to make. It is
-abundantly plain that the rubber-cored ball stays on the face of the
-club much longer than the old gutta-percha ball did. Provided that
-there were such things in the world as incompressible balls, the
-impact in the drive would be of the least possible duration with them,
-but the more compressible the ball becomes the longer it will dwell on
-the face of the golf club.
-
-That the rubber-cored ball does dwell for a greater period on the face
-of the club is responsible, to a great extent, for the fact that the
-modern ball swerves much more when sliced or pulled than did the old
-guttie in similar circumstances, and the reason seems to be that on
-account of the fact that the ball stays longer on the face of the club
-during the time that the club is going across the intended line of
-flight, it is able to impart to the ball a much greater spin. This
-spin, as we know, exerts its influence principally towards the end of
-the ball's flight, and in all probability it gets to work now
-approximately at the same place where the spin in the old gutta-percha
-ball began to assert itself, but probably a little further in the
-carry.
-
-We all know that once the spin has begun to assert itself so as to
-make the ball swerve, its deflection from the line, particularly with
-a suitable wind, is extremely rapid, and we all know equally well that
-the carry of the rubber-cored ball is much longer than that of the old
-gutta-percha. It stands to reason that the ball having a much greater
-distance wherein to swerve will execute a correspondingly larger
-swerve than it would if its carry were shorter.
-
-We find some amazing statements made by authors who profess to deal
-with golf. For instance at page 167 of _The Mystery of Golf_, we are
-informed that
-
- ... another important thing about the follow-through, surely,
- is this. As Mr. Travis has pointed out, such is the
- resiliency of the rubber ball that club and ball are in
- contact for an appreciable period of time--the impact, that
- is, is not instantaneous. It is highly probable that the
- trajectory of the ball is largely influenced by this period
- of contact. If you follow through your club head travels in
- precisely the same line as the ball, and the flight of the
- ball is by this rendered straighter, steadier, and longer.
-
-This, truly, is a wonderful instance of analytical thought by one who
-is attempting to explain the mystery of golf. He has come to the
-conclusion that "it is highly probable that the trajectory of the ball
-is largely influenced by this period of contact."
-
-I have seen many goals kicked at Rugby football, and have kicked a few
-myself, and I am almost sure that in every case when a goal was scored
-the boot had a good deal to do with the direction. Marvellous
-_analysis_ this!
-
-We may, however, discard these wonderful efforts of analysis and deal
-with the remark made by the author that "if you follow through, your
-club head travels in precisely the same line as the ball," for this is
-absolutely incorrect in the case of many strokes wherein one desires
-to influence the flight of the ball by applying spin. For instance, at
-practically no time of its travel, no matter how good the stroke is
-and how perfect one's follow-through, is the club head in the slice or
-the pull "in precisely the same line as the ball." This is merely one
-of hundreds of instances of confused thought for which the poor golfer
-has to suffer.
-
-I have before referred to the idea of pulling and slicing to
-counteract wind. It is astonishing how deeply rooted this idea is. At
-page 53 of _Concerning Golf_ Mr. John L. Low says: "There is no shot
-which produces such straight results as the sliced shot against a
-right hand breeze," to which I reply that there is no shot which gives
-such straight results as the straight shot in itself without slice or
-pull of any description whatever, and that as a matter of fact it is
-practically impossible to calculate within twenty yards, and that
-means double the distance, where one will land if one starts pulling
-and slicing in a cross wind.
-
- [Illustration: PLATE XII. GEORGE DUNCAN
-
- A characteristic stroke, showing Duncan's perfect finish in
- the drive.]
-
-This is a matter of such importance that I must quote Harry Vardon in
-support of my statement. He says at page 92 of _The Complete Golfer_:
-
- Now, however, that this question is raised, I feel it
- desirable to say, without any hesitation, that the majority
- of golfers possess vastly exaggerated notions of the effect
- of strong cross winds on the flight of their ball. They
- greatly over-estimate the capabilities of a breeze. To judge
- by their observations on the tee, one concludes that a wind
- from the left is often sufficient to carry the ball away at
- an angle of 45 degrees, and indeed sometimes when it does
- take such an exasperating course and finishes on the journey
- some fifty yards away from the point from which it was
- desired to despatch it, there is an impatient exclamation
- from the disappointed golfer, "Confound this wind! Who on
- earth can play in a hurricane!" or words to that effect. Now
- I have quite satisfied myself that only a very strong wind
- indeed will carry a properly driven ball more than a very few
- yards out of its course, and in proof of this I may say that
- it is very seldom when I have to deal with a cross wind that
- I do anything but play straight at the hole without any
- pulling or slicing or making allowances in any way.
-
- If golfers will only bring themselves to ignore the wind,
- then it, in turn, will almost entirely ignore their straight
- ball. When you find your ball at rest the afore-mentioned
- forty or fifty yards from the point which you desired to send
- it, make up your mind, however unpleasant it may be to do so,
- that the trouble is due to an unintentional pull or slice,
- and you may get what consolation you can from the fact that
- the slightest of these variations from the ordinary drive is
- seized upon with delight by any wind, and its features
- exaggerated to an enormous extent. It is quite possible
- therefore that a slice which would have taken the ball only
- twenty yards from the line when there was no wind, will take
- it forty yards away with the kind assistance of its friend
- and ally.
-
-These are, unquestionably, words of wisdom. There can be no doubt
-whatever that the straight ball is the ball all the time in golf, and
-it is absolutely certain that what Vardon says about the effect of the
-wind on the golf ball is true. Wind has remarkably little effect on
-the golf ball which is driven without spin. I have had no doubt on
-this subject for at least seventeen years. I had my lesson in one ball
-during the course of a match played over my home links in New Zealand.
-One of the holes was on top of a volcanic mountain at a place where
-New Zealand is only a few miles wide, and there was a howling gale
-raging from ocean to ocean right across the island. I can remember as
-if it were yesterday, the champion of New Zealand, as he was then,
-playing this hole. He drove a very high and perfectly straight ball
-from tee to green, and the ball travelled to all appearances as
-directly as if there had been no wind whatever, whereas had there been
-the least slice on the ball it would have been picked up by the wind
-and carried away into the crater which lay sixty or a hundred yards
-off the course.
-
-Speaking of Mr. Low reminds me that he makes some extraordinary
-statements with regard to spin. At page 35 of _Concerning Golf_ he
-says: "I have said that a ball with left to right spin swings in the
-air towards the left in exactly the opposite direction from a sliced
-ball and from contrary causes." It is obvious that this is wrong, for
-the spin of the slice is from left to right, and of course, as every
-one knows, that spin makes the ball swerve towards the right, which is
-the swerve of the slice.
-
-At page 32 Mr. Low makes the same error. He says there: "Now a pulled
-ball comes round to the left because the sphere is rotating from left
-to right, or in the direction contrary to the hands of a watch." This,
-of course, is a contradiction, for the hands of a watch as we look at
-them do rotate from left to right, but in any case Mr. Low's
-explanation is quite incorrect, because the spin of the ball is not in
-a direction contrary to the hands of a watch laid face upwards on the
-ground, as Mr. Low affirms.
-
-Mr. Low says at page 31:
-
- Every child nowadays seems to know how to slice a ball; you
- have only to ask the question and the answer will come
- quickly enough, "Oh, draw the hands in when you are hitting,"
- or, in other words, spin the ball in the direction of the
- hands of a watch laid face upwards on the ground. The ball
- advancing with this spin finds it is resisted most strongly
- by the atmosphere on its left side, and therefore goes
- towards the right in the direction of least resistance. The
- converse is the case with a pulled ball in the sense of a
- ball which curves in the air from right to left.
-
-We have already shown in dealing with Professor Thomson's article that
-this statement is quite incorrect. In passing I may also refer to the
-fact that Mr. Low's idea of the production of the slice, viz. by
-drawing the hands in when one is hitting, is also wrong. There is no
-drawing in of the hands at the moment of impact in the properly
-played slice. It is the drawing in, if we may use the term, of the
-head of the club in its travel across the intended line of flight, but
-not anything which is done intentionally during impact. However, that
-is by the way.
-
-Mr. Low is evidently under the impression, as was Professor Thomson,
-that the spin of the ball in the slice is about a vertical axis. This
-is an error in itself, as we have shown, but it is not nearly so bad
-an error as it is to say that the pull is the converse of the slice in
-this respect, for, as we have seen, if the ball were merely spinning
-about a vertical axis it could not possibly have the running powers
-which it possesses, to say nothing of its low flight. Although Mr. Low
-has got somewhat mixed in describing his rotation, it is evident from
-his reference to the hands of the clock that his ideas are correct in
-so far as regards the general direction of spin, but where he is at
-fault is in stating the axis of rotation of his ball.
-
-If we accept Mr. Low's statement about the axis of rotation we shall
-have the pulled ball, when it lands, striking the earth with a spin
-equivalent to a sleeping top, but that is not what we want in the
-pulled ball, for neither would it give us the low trajectory which we
-desire so much, nor would it give us, on landing, the running which we
-desire, if anything, still more. The spin which we desire to produce
-and which we must have in our minds to produce when we are playing the
-stroke, is such a spin as will give us, when the ball lands,
-approximately the spin of a disc top as it falls to earth when its
-spin is nearly exhausted. I am speaking now, of course, not of the
-question of degree, but of the plane of spin. We must have our ball
-spinning in such a plane that when it touches the earth it will behave
-in the same manner as the disc top does when its side comes into
-contact with the floor.
-
-In dealing with "The Science of the Stroke," James Braid in _Advanced
-Golf_ goes into an analysis of the effect of spin on flight. He says
-early in the chapter:
-
- At the present time most players know how they ought to be
- standing, and what the exact movements of their arms, wrists,
- and body should be in order to swing the club in the right
- way and make the ball travel as far as possible, but they do
- not all know, and in few cases one suspects have ever
- troubled to think, what is the process by which these
- movements, when properly executed, bring about the desired
- effect.
-
-I do not know how Braid can truthfully say that at the present time
-most players know how they ought to be standing, when we are
-confronted with the fact that his own book, _Advanced Golf_, and
-practically every book which has been published on the game, tells the
-unfortunate golfer to stand as he ought not to be standing instead of
-giving him the simple truth and sound golf, and it is incomprehensible
-to me how Braid can say that they know "what the exact movements of
-their arms, wrists, and body should be in order to swing the club in
-the right way," when he himself has confessed in _Advanced Golf_ that,
-particularly with regard to the wrists, which unquestionably have a
-most important function to fulfil in the golf drive, he absolutely
-does not know where they come in. It is useless in a work on _Advanced
-Golf_ to assume on the part of one's readers a knowledge superior to
-that which the author of the book himself has given as his own
-limitations. Braid says:
-
- They have the cause and also the effect, but they do not
- often see the connection between the two. Of course, the ball
- in a ball game moves always according to scientific laws, but
- it has seemed to those who have studied these matters that
- the scientific problems involved in the flight of the golf
- ball are more intricate, but at the same time more
- interesting, than in many other cases.
-
-Of course this is quite stupid, because, as I have frequently
-explained, there is no special set of mechanical laws for golf--or the
-golf ball.
-
-The golf ball follows in all respects exactly the same laws as those
-which govern the flight and run of any other ball. The only difference
-in connection with the golf ball is that it is probably the most
-unscientifically constructed ball in the world of sport. Braid
-continues:
-
- The chief matter of this kind that it is desirable the golfer
- should understand is that concerning the character and effect
- of the spin that is given to the golf ball when it leaves the
- club. This spin is at the root of all the difficulties and
- all the delights of the game, and yet there are some
- players--one might even say many--who do not even know that
- their ball spins at all as they hit it from the tee.
-
-I may pause here to note that James Braid says that spin is at the
-root of all the difficulties and all the delights of golf. This is in
-many respects quite an exaggeration, but I am giving it exactly as he
-says it, for the simple reason that it emphasises the fact which I
-have always insisted on, that a proper knowledge of the application of
-spin to the golf ball is essential for one who would attain to the
-greatest success or who would obtain the greatest enjoyment from the
-game.
-
-Braid quotes the work of the late Professor Tait very extensively.
-Referring to the most important subject of back-spin, he says:
-
- It appears to be the proper regulation of the under-spin
- given to the ball when applying it from the tee and through
- the green, at all events when length is what is most
- required, that makes success, and it is in this way that
- players of inferior physical power must make up for their
- deficiency and drive long balls.
-
-I may say at once that any idea whatever of the proper regulation of
-back-spin in the drive is, from the point of view of practical golf,
-merely nonsense. In so far as regards obtaining extra distance by
-driving a low ball with back-spin, whose properties I have already
-fully described, there is nothing whatever to be done but to get
-back-spin and as much of it as one possibly can. The golfer has yet to
-be born who in driving can obtain too much back-spin. Braid says:
-
- It is in the long drive that the principles of spin are most
- interesting and important, but it must be remembered also
- that they are very prominent in their action upon the flight
- of the ball in the case of many other shots, and the
- peculiarities of different trajectories can generally be
- traced to this cause after a very little thought by one who
- has a knowledge of the scientific side of the matter, as
- explained by Professor Tait. This is particularly the case
- with high lofted approach shots.
-
-One may remark here, perhaps, that there is no more unsuitable stroke
-in which to study the peculiarity of the application of back-spin to
-the trajectory of the ball than in the high lofted approach shots, for
-it is in such shots as these practically an impossibility, if one may
-so express it, to locate the influence of the spin on the flight of
-the ball. It is quite a different thing in the wind-cheater class of
-stroke where one sees the ball travelling low across the turf and can
-absolutely mark the place where the back-spin begins to get to work
-and give the ball its upward tendency towards the end of the drive,
-and, when the velocity of the ball has become sufficiently reduced, to
-allow the back-spin to exert its lifting power.
-
-I now come to a matter which is of very great importance in the
-application of back-spin to the ball. It is quite evident to me that
-Braid is falling into the same error as that which was originally made
-by Professor Tait, and followed fifteen years later by Professor Sir
-J. J. Thomson. On page 226 he says:
-
- Therefore the great authority concluded that good driving
- lies not merely in powerful hitting, but "in the proper
- apportionment of quite good hitting with such a knack as
- gives the right amount of under-spin to the ball"; and one of
- his calculations was to the effect that, in certain
- circumstances, a man who imparted under-spin to his ball when
- driving it might get a carry of about thirty yards more than
- that obtained by another man who hit as hard but made no
- under-spin. There would, of course, be a great difference in
- the comparative trajectories of the two balls. In the case of
- the short one there is no resistance to gravity, and
- consequently, in order to get any sort of flight at all, the
- ball must be directed upwards when it is hit from the tee,
- or, to use a scientific term, there must be "initial
- elevation." This may be only very slight, but it is quite
- distinguishable, and in fact a player, who is only at the
- beginning of his practice, and has little knowledge of the
- principles of the game, will generally be found trying to hit
- his ball in an upward direction, and by that means will make
- it travel farther than it would have done otherwise. On the
- other hand, the ball that is properly driven by a good player
- is not only not consciously aimed upwards, but, according to
- Professor Tait, is not hit upwards. For some distance after
- it has left the tee it follows a line nearly parallel with
- the ground, and eventually rises as the result of the
- under-spin which is forcing it upwards all the time.
-
-We may pause here to consider a few of the statements in this
-remarkable passage. I may say again that the idea of driving a ball
-with the "proper apportionment of quite good hitting with such a knack
-as gives the right amount of under-spin to the ball" is simply a wild
-guess at what takes place during the execution of a correct drive with
-back-spin. The proper playing of this stroke is a matter of very
-considerable difficulty, and it is practically a certainty that no
-golfer has ever lived or ever will live who could regulate his
-back-spin in the drive to any appreciable extent; all that he ever
-thinks of doing--all that he is ever likely to do--is to obtain his
-back-spin, _and as much of it as he can_.
-
-It is, of course, quite wrong to say that in the ball hit without
-back-spin there is "no resistance to gravity," for if there were no
-resistance to gravity the ball would be on the earth. However, we know
-quite well what is meant, although, when we are dealing with a matter
-which is absolutely a matter of science, we do not expect such loose
-statements as these. I should probably have passed this remark, but
-for the fact that it is emphasised by the statement that in order to
-get any sort of flight at all the ball must be directed upwards when
-it is hit from the tee, which again, as a matter of practical golf, is
-what nine of ten golfers do, although we are told that "a player who
-is only at the beginning of his practice, and has little knowledge of
-the principles of the game, will generally be found trying to hit his
-ball in an upward direction."
-
-It is astonishing how few players, even of quite a good class, are
-content to leave the question of elevation entirely to the club. It
-probably would be no exaggeration to say that quite ninety per cent of
-the players make an attempt, however extremely slight it may be, to
-assist the club in lifting the ball from the earth. According to the
-best theory in golf, this is quite wrong, for the blow should be at
-least in a horizontal direction, which practically it never is, and
-preferably in the line of the arc formed by the club head in its
-travel through the air on its downward path. The latter case, of
-course, would produce back-spin, and a considerable amount of it. The
-former would probably produce slight back-spin, but a very slight
-amount. However, the very great majority of golfing hits are at the
-moment of impact proceeding upwardly, and it is this fact which puts
-any idea whatever of the unconscious application of back-spin by the
-ordinary golfer quite beyond serious consideration. The amount of
-back-spin which is unconsciously applied to the golf ball is
-practically negligible.
-
-We see that, according to Professor Tait, the ball which is properly
-driven by a good player is not only not consciously aimed upwards, but
-that it is actually not hit upwards. Indeed we are told that for some
-distance after it has left the tee it follows a line nearly parallel
-with the ground and eventually rises as the result of the under-spin
-that is forcing it upwards all the time. This statement is not in
-accordance with the experience of practical golfers. It is evident
-that Professor Tait was under the impression, in which, as I have
-stated before and now emphasise, he has been followed by Professor Sir
-J. J. Thomson, that the beneficial back-spin in golf is obtained by
-the loft of the club. There can be no doubt whatever that if a golf
-ball were struck a blow by a golf club having any considerable degree
-of loft and proceeding at the moment of impact in a straight line, the
-result would be to impart some degree of back-spin, but this is not
-what happens in practical golf. At no portion of the travel of the
-head of the club in the golf drive is it proceeding in a horizontal
-direction, and in the vast majority of cases, at the moment of impact,
-even with the very best of stroke players, the club is going upward.
-If this were not so it would be impossible for many of our greatest
-drivers to get the trajectories they do with the comparatively
-straight-faced clubs which they use.
-
-Braid quotes an experiment which was made by Professor Tait in the
-course of his investigations with regard to the qualities of
-under-spin. It appears that the Professor laid a ball to the string of
-a crossbow, the string being just below the middle of the ball, so
-that when it was let go it would impart a certain amount of under-spin
-to it. When he shot the ball in this way he made it fly straight to a
-mark that was thirty yards distant; but when he shot it a second time,
-pulling the string to the same extent and laying it to the middle of
-the ball so that no under-spin would be given to it, the ball fell
-eight feet short of the same mark.
-
-It is impossible to accept such a rough and crude experiment as this
-as evidence in any way whatever of the influence of back-spin in the
-drive; rather it would seem to show beyond a shadow of doubt that the
-extra carry was obtained because the power of propulsion was applied
-to the ball at a lower portion, and therefore tended to give it a
-greater trajectory. It should be obvious that this result would be
-obtained even disregarding the question of back-spin, which in such an
-extremely short flight as thirty yards would certainly not have any
-opportunity whatever to make such a difference in the length of carry
-as that suggested.
-
-It is, however, when we come to deal with questions of practical golf
-that we find that the ideas of the late Professor Tait will not bear
-looking into.
-
-Braid says:
-
- However, it is well to bear in mind one thing that the
- Professor said, "The pace which the player can give the club
- head at the moment of impact depends to a very considerable
- extent on the relative motion of his two hands (to which is
- due the 'nip') during the immediately preceding two-hundredth
- of a second, while the amount of beneficial spin is seriously
- diminished by even a trifling upward concavity of the path of
- the head during the ten-thousandth of a second occupied by
- the blow."
-
-Here we have plain evidence of the fact that Professor Tait is under
-the impression that there is some particular snap which he calls "nip"
-imported into the stroke immediately before impact. We have already
-dealt fully with this matter. We remember what Vardon has said in
-condemning the idea, and we know that Braid himself has confessed that
-he knows nothing about the matter, so it will not seem disrespectful
-if we come to the conclusion that we can disregard this vague
-statement about the "nip" in the blow. We can then proceed to notice
-the really important remark made that "the amount of beneficial spin
-is seriously diminished by even a trifling upward concavity of the
-path of the head during the ten-thousandth of a second occupied by the
-blow." It seems to me that this last statement is absolutely accurate,
-and it is the thing which I have always contended for in dealing with
-the practical side of golf driving, as contradistinguished from the
-purely theoretical, which has been put before us by Professor Tait,
-and following him, by Professor Sir J. J. Thomson. It will be observed
-that Professor Tait said that the amount of beneficial spin is
-"seriously diminished by even a trifling upward concavity of the path
-of the head during the ten-thousandth of a second occupied by the
-blow."
-
-Some of my readers may remember that when I was dealing with Professor
-Sir J. J. Thomson's lecture before the Royal Society in an article
-which appeared in _The English Review_ in February 1911, I stated that
-what actually did happen was that there took place in practically
-every drive at golf exactly this "trifling upward concavity of the
-path of the head during the ten-thousandth of a second occupied by the
-blow," and that therefore the amount of beneficial back-spin obtained
-from the loft of the club was practically negligible.
-
-It is quite clear that Professor Tait was under the impression that
-back-spin was got from the loft of the club proceeding in a horizontal
-direction, but it is well known now to golfers who give the science of
-the game any attention whatever, that back-spin is not obtained in
-this manner, and that back-spin so obtained would be practically
-ineffectual as an aid to distance, for the loft of the driver and the
-brassy is not sufficient, even if the golf drive were played in the
-manner suggested, to produce any considerable amount of back-spin. As
-we have already seen, the beneficial back-spin in the golf drive is
-obtained by the club striking the ball _long before the beginning_ of
-the "upward concavity of the path of the head," that is to say, in its
-arc _as it is proceeding downwards_ to the lowest point in the swing
-from which it then starts that "upward concavity."
-
-I have emphasised and re-emphasised this matter, for it is evident
-that when famous men like Professors Tait and Thomson start out with
-an absolutely erroneous idea, an idea which is _fundamentally_ wrong,
-it is quite natural for less gifted men to be led astray. Braid says,
-and it must be remembered that this is in _Advanced Golf_ (page 229):
-"So far as I know, it cannot be stated in accurate scientific terms
-and figures, and by lines drawn on paper, what is the proper
-scientific swing in order to get the best drive." This seems to me,
-especially in a book like this, to be a wonderful statement,
-particularly when we are dealing with the scientific results arrived
-at by men of the greatest eminence, results which I may say have been
-known for more than two hundred and fifty years.
-
-There is no doubt whatever which is the best way to swing in order to
-get the best drive, and it can be explained in scientific language
-and shown by diagram and by figures, and in fact it has been so shown
-again and again.
-
-Braid says:
-
- What golfers have done, therefore, in the past has been to
- find out gradually which is the best way in which to hit the
- ball in order to make it travel far, and thus they have
- groped their way to the stances and swings which, if the
- truth were known, would probably be set out by science as the
- best possible ones for the purpose.
-
-This very well expresses what has taken place. The golfers have
-"groped their way" to what they have found out, without a glimmering
-of the scientific reasons for doing it, and the consequence is that,
-as they got their practice first, and were not informed of what they
-were doing by that theory which is the best of all theory, the
-concentrated essence of the practice of experts, they have signally
-failed to impart their science to those who have come after them.
-
-At page 229 Braid says:
-
- However, there are certain things that the player should know
- about his drive when it is right, and which he should aim at
- producing, and they have been very well set forth by
- Professor Tait as the result of his investigations into the
- trajectories of golf balls hit under varying conditions of
- club-force, wind, and so forth. One of the first things to
- say, and this is really important in estimating their chances
- of making certain carries that are constantly set to them in
- the course of their play, is that some golfers have a
- delusion to the effect that the ball is at its highest point
- in the middle of its flight--that is to say, they think that
- just about half-way between the point from which it was hit
- and the point at which it will touch the ground again, the
- ball is at its highest, and after that commences to fall
- again. In this belief when they have, say, a 140 yards' carry
- to make, they will reckon that their ball must then be coming
- down very fast towards the turf, having been at its highest,
- some 50 or 60 yards before. They may think in such
- circumstances that they ought to hit up a little more and try
- to hit harder to make up for doing so. They would be wrong
- entirely, and that because they did not know what the
- under-spin was that they gave to the ball, or what effect it
- had on its flight. Thus in the case just quoted, assuming
- that the ball had a total carry of from 150 to 160 yards, it
- would be at its highest point when it had travelled about 130
- yards, and there would be no occasion to hit up, unless the
- object to be carried were very high.
-
-It is obvious that in such a case as that given no practical golfer
-would in any way whatever consider the question of the _amount_ of
-back-spin on his ball, for he would know that he has no possibility
-whatever of gauging its effect in the air in such a shot, and he will
-leave that to regulate itself and to act when the ball strikes the
-earth.
-
-It is unquestionable that theoretically this may be done, and it is
-well known that I am a strong advocate of the use of back-spin, but in
-the case quoted by Braid there is nothing whatever to show that the
-ball has been played in such a manner as to produce an appreciable
-quantity of serviceable back-spin, or that such a method of play is
-necessary or advisable.
-
-Braid continues:
-
- The fact is that a well-driven ball that has a total
- carry--that is, from the tee to the point where it touches
- the turf again, and not the distance of the obstacle that it
- clears--of about 165 yards, under normal conditions of wind
- and weather, is at its highest about 135 yards from the point
- where it was struck, and after that it begins to fall
- rapidly. This is chiefly the result of the under-spin which
- is given to it when it is struck by the driver in the proper
- way, and it shows the importance of under-spin to the golfer,
- for if there were none, then all our courses would have to be
- shortened, hazards brought closer to the tee, and the
- principles upon which the game is played would have to be
- altered in many respects. If there were no under-spin, then
- the ball would have no help against the force of gravity, and
- the result would be that the highest point of its flight
- would be half-way between the point from which it was driven
- and that at which it alighted.
-
-We see here again strong evidence of the fact that Braid is under the
-same impression as Professor Tait, and that is that the back-spin of
-golf is obtained from the loft of the club, whereas the loft of the
-club has one function, and that is to raise the ball from the earth,
-and there will be no particular necessity to alter our courses, for in
-ordinary every-day golf, back-spin is practically not used, except
-when it is intentionally applied by the golfer by means of the stroke
-suitable for its production.
-
-Braid gives a series of diagrams taken from Professor Tait's lecture
-which illustrate various trajectories of golf balls driven in varying
-circumstances. Many of these are so entirely theoretical that I need
-not consider them, but in referring to one of them Braid says:
-
- The ball which has travelled farthest, or rather the one that
- has been given most carry, is that which has been hit in the
- right way, and to which has therefore been imparted the right
- amount of under-spin. This is, in fact, the ideal trajectory
- of a well-driven ball. It starts low, rises very slowly and
- gradually, the line of flight bending upwards slightly, and
- does not come down too quickly after the vertex has been
- reached.
-
-This is, on the whole, a sound but very general description of an
-accurately played wind-cheater, but the remarkable thing is that
-although Braid expresses himself in such terms of admiration for this
-particular ball he does not anywhere in _Advanced Golf_ show us how to
-produce the stroke which gives this beneficial back-spin. This surely
-is a very great oversight. Nor so far as I have been able to see does
-he explain clearly how the beneficial back-spin of golf is obtained.
-
-Braid shows clearly by his quotation from Professor Tait's article
-that in the Professor's mind was the deep-rooted idea that it was
-possible to drive golf balls by a stroke delivered at the moment of
-impact in the same manner as is a blow from a billiard cue, but,
-needless to say, this is in the golf drive utterly impracticable.
-Professor Tait, in his paper, used a considerable number of diagrams
-to show that too much back-spin is bad in the drive, but as I have
-already pointed out, although this is very well in mere theory, it
-does not work out in the slightest degree in golf. It is easy to take
-light balloons and give them back-spin and show that it influences
-their trajectories to such an extent that they will go behind the
-point where they were struck, but a golf ball is a very small, hard,
-and heavy thing, and by the time that its back-spin begins to exert
-its influence in a marked manner on its flight it has travelled a
-considerable distance and the rate of spin will have materially
-diminished, so that no golfer need ever be afraid of applying too much
-back-spin to his drive.
-
-Braid proceeds:
-
- Of course, as already indicated, the golfer does not know,
- and in one sense does not care exactly how much under-spin he
- gives to his ball when he drives it, only being aware that he
- has given too much or too little according to results, and
- knowing also that in either case excess or otherwise was due
- to faulty stance or swing--most frequently this--or both. In
- the present case of this high trajectory, the exact amount of
- under-spin given to the ball is half as much again as that
- given to the properly driven ball, and under the same normal
- conditions these would be the relative flights of the two
- balls.
-
-Now it is obvious that if Professor Tait was under the impression
-that the beneficial back-spin of golf was obtained merely from the
-horizontal blow delivered through the centre of the ball's mass, so
-that the ball took some slight spin by its roll up the face of the
-club, he had no very accurate idea of the rate of spin of that ball at
-the moment it left the face of the club, so that any attempt whatever
-on his part to measure the respective rates of spin of the different
-flight of these balls must be received with very great caution. As a
-matter of fact the rate of spin of the golf ball at the moment it
-leaves the club in a well-played drive with back-spin would be
-immeasurably faster than anything supposed by Professor Tait, who
-based his calculations on the ball obtaining this back-spin _from the
-loft of the club_, which is undoubtedly a grave error, and Braid
-wholly subscribes to this error, which is not to be wondered at, for
-Professor Sir J. J. Thomson, one of the most eminent scientists, has
-fallen into the same trap.
-
-Professors Tait and Thomson and James Braid talk much about the
-possibility of obtaining too much back-spin in the drive. This is
-scarcely theoretically possible in golf, and it is practically
-impossible. I will give an example taken from practical golf which
-will, I believe, quite convince any golfer that the possibility of
-obtaining too much back-spin in the drive need never be considered.
-
-Let us imagine a very badly sliced ball. By a badly sliced ball I do
-not necessarily mean an extremely quick slice where the ball leaves
-the line of flight to the hole quite suddenly, nor do I mean a ball
-pushed away to the right of the line to the hole; what I do mean is a
-ball which has been so sliced that it takes a tremendous curve from
-left to right, beginning to develop that slice in a pronounced manner
-at, say, half to two-thirds of its carry, which is quite bad enough
-for a slice. We frequently see in such a case, particularly on a windy
-day, and even on a still one, the great power which the spin has to
-deflect the ball from the line to the hole. It must be remembered that
-in this curve the spin is assisted by gravity--the ball is falling
-much of the time as it is being edged away--and even then it will be
-apparent that it is easy to get much greater spin in the slice than it
-is in the wind-cheater, for the simple reason that in the slice one
-has an unrestricted cut across the ball, whereas one has not this
-opportunity with the wind-cheater, for one hits the ground immediately
-one passes the ball.
-
-Now although it is possible to apply an infinitely greater cut to the
-slice than one can possibly do to the wind-cheater, the deflection
-from the line, except on a very windy day, is, comparatively speaking,
-gradual. That is to say that if, for the sake of argument, the
-trajectory of the slice could be turned upwards there would be no
-possibility whatever of the ball showing such a thing as a curl
-backwards towards the hole, which is shown by Professor Tait and,
-following him, by Professor Thomson. This is clearly so in any slice
-which is not an extremely exaggerated specimen, so it stands to reason
-that in the wind-cheater, where one's opportunity for applying cut is
-so restricted, and where the ball in its effort to climb upwards has
-to fight the direct pull of gravity, there is no possible chance of
-applying too much back-spin to the ball.
-
-At page 239 Braid says: "It may be of interest to mention that
-Professor Tait found that a well-driven ball turns once in every 2-1/2
-feet at the beginning of its journey." If Professor Tait found that a
-golf ball, obtaining this back-spin in the way in which he thought it
-did, turns "once in every 2-1/2 feet at the beginning of its
-journey," he would probably have found, if he had realised how
-back-spin really is obtained, that the number of revolutions at the
-moment that the ball is leaving the club are at least three or four
-times as many as he asserted. It is unnecessary to enlarge upon the
-fact that this would mean a lifting capacity infinitely beyond
-anything that Professors Tait and Thomson ever ascribed to back-spin
-in the drive.
-
-Braid continues:
-
- We have so far only been considering the effect of the
- spinning of the ball in the case of long shots with wooden
- clubs. As a matter of fact, and as suggested at the outset,
- it has also very great influence on the play in the case of
- the shorter shots with iron clubs, as may be understood after
- a very little consideration of the circumstances. It is the
- excessive under-spin that is given to the ball by the angle
- at which the face of the club is laid back, and the peculiar
- way in which the stroke is played, that make the ball rise so
- quickly and so high in the case of a short pitched approach,
- and then make it stop comparatively dead when it comes to the
- ground again.
-
-It is obvious here that Braid is under the impression that the loft of
-the club is largely responsible for the back-spin in the approach
-shots, but this is quite an error, for not one player in a hundred
-does apply back-spin to his lofted approaches unless he has been
-specially taught how to do it, for, curiously enough, the more lofted
-the club is, the greater chance is there that the player will at the
-moment of impact impart into his stroke that little bit of "upward
-concavity" which Professor Tait says, and truly says, is the enemy of
-back-spin. The fact is that very little under-spin, or, as I always
-prefer to call it, back-spin, is obtained from the loft of the club
-unless the blow is delivered as the club is travelling downward. That
-is the whole essence of the secret of back-spin, but it is not
-mentioned by Professors Tait or Thomson, or by James Braid. Any
-attempt whatever to obtain back-spin from the loft of the club will be
-practically useless. It must be obtained by the method of playing the
-shot, and the only way to obtain it effectually is to hit the ball
-before the club has arrived at the lowest point in its swing. By this
-means, and this means alone, is it possible to obtain the beneficial
-back-spin of golf, and I cannot say too often or too emphatically that
-anyone who trusts to the loft of the club to produce back-spin will be
-disappointed.
-
-Braid seems to have a glimmering of this, for he says:
-
- However much a club were laid back it would be impossible to
- play these shots properly if no under-spin were given to the
- ball, and it seems to be a great advantage of having the
- faces of iron clubs grooved or dotted that it helps the club
- to grasp the ball thoroughly while this under-spin is being
- imparted to it, so that the full amount is given to it, and
- none is wasted through the ball slipping on the face.
-
-This is unquestionably sound mechanics. But even here, although Braid
-is so close to the heart of the matter--although he says, as I have
-shown repeatedly in many places, that "however much a club were laid
-back it would be impossible to play these shots properly if no
-under-spin were given to the ball," thus stating explicitly that
-something more remains to be done to produce back-spin than merely to
-hit the ball with a lofted club,--he does not get really to the
-essence of the stroke and show that it must be played by the club _as
-it is descending_.
-
-There is a very important matter which Braid refers to in this chapter
-on the science of the stroke. Speaking of the follow-through and the
-impact, he says:
-
- One or two other calculations that were made by Professor
- Tait may be briefly mentioned at the close of this chapter,
- each of them seeming to convey an idea to the golfer. The
- first is, that owing to the speed at which the ball leaves
- the club, the total length of time during which ball and club
- are in contact with each other is between one five thousandth
- and one ten thousandth of a second, and the total length of
- that part of the swing when the two are together--the length
- of impact--is half an inch. It has been pointed out that it
- by no means follows from this that because the time and space
- of impact are so short that follow-through is of no real
- account, after all, in the making of the drive. When the
- follow-through is properly performed it shows that the work
- was properly done during that half an inch of the swing that
- was all-important. If the follow-through were short and wrong
- it would indicate that the work during the impact was wrong
- too. What it comes to is this, that it is impossible for any
- man to swing his club round with so much force and regulate
- exactly what he will do, and be conscious of the fact that he
- is doing it as he regulated, during such a short space of
- time as from one five thousandth to one ten thousandth of a
- second. That is quite clear. What the golfer has to do, then,
- is to make sure that his swing is right at the beginning,
- that is, in the back-swing and the down-swing, and also in
- the follow-through. He knows from instruction and experience
- that if all these things are properly done the ball will go
- off well; and what it amounts to is that the beginning being
- right and the end being right, control being exercised over
- each, the middle is right also, though in this case there is
- no control over it.
-
-This quotation emphasises strongly the fact which I have always
-insisted on, that the matter of impact with the golf ball is an
-incident in the travel of the head of the club, and that it is
-practically impossible for the player to consciously perform anything
-which will affect the flight of the golf ball during impact. Braid has
-insisted upon this in other places, and it should quite settle any
-idea which many people have, of juggling with the golf ball during
-impact, but it is a remarkable thing to see James Braid claiming that
-at the moment of impact there is "no control over" the swing although
-there is both in the downward swing and the follow-through! I need not
-criticise this.
-
-The point, however, which I wish to refer to here specifically is in
-connection with the follow-through. Braid says, finally:
-
- What the golfer has to do, then, is to make sure that his
- swing is right at the beginning, that is, in the back-swing
- and the down-swing, and also in the follow-through. He knows
- from instruction and experience that if all these things are
- properly done the ball will go off well; and what it amounts
- to is that the beginning being right and the end being right,
- control being exercised over each, the middle is right also,
- though in this case there is no control over it.
-
-This, it seems to me, is a very bad presentment of the case. Although
-we admit that the impact is merely an incident in the travel of the
-club head, it is the most important incident, and it is on that
-incident that the mind should be concentrated, so that the idea of
-cumbering one's mind with any thought of the follow-through is very
-bad golf. The only portion of the stroke which should be on the
-player's mind at all is that which leads up to impact, for it is
-obvious that if that has been correctly performed, one need not
-trouble much about the follow-through, as that will come quite
-naturally. Also we will observe that Braid says here "control being
-exercised over each." This, of course, includes the follow-through
-over which Braid now speaks of exercising control, but it will be
-fresh in our minds that in describing the moment of impact, he says
-"Crack! everything is let go," and that really is what should happen
-after impact has taken place. There should be no thought whatever of
-the follow-through. That should produce itself, if one may so
-express it, and the player who encumbers his mind by any thought
-whatever as to how his club is going to end is simply adding another
-anxiety to his game.
-
- [Illustration: PLATE XIII. J. SHERLOCK
-
- This plate shows Sherlock's stance and address in his
- favourite iron-shot. He addresses the ball so that it is
- nearly opposite his right heel.]
-
-Braid explained most graphically how the follow-through should be
-allowed to take care of itself, so that I cannot understand why he
-should now endeavour to split his pupils' mental idea of the golf
-stroke into halves with the golf ball in between. This is surely a bad
-conception of the stroke, and one which is likely to lead the pupil
-into grave error, for it shifts his mind forward on to the finish of
-the stroke, whereas it has no business to be anywhere else but on the
-ball.
-
-Before concluding this chapter I must refer to what Braid has to say
-with regard to a topped stroke. At page 238 he says:
-
- A final thing to remember in connection with this question of
- the rotation of the ball is, that when the ball is what we
- call topped, the stroke is applied in such a way that a
- motion exactly the reverse of under-spin is applied to it,
- that is to say, the front part of the ball is made to move in
- a downward direction. On the principle already explained,
- there is then an extra air-pressure upon that ball from the
- top, pressing it down, so that even if the ball that is
- topped is somehow got up into the air from the tee, as
- happens, it cannot stay there long, but comes down very
- suddenly--"ducks," as it is called. However, a ball that
- ducks for this reason nevertheless gets some benefit from
- this over-spin when it does come down, for the spin acts in
- just the same way as "top" does in the case of a billiard
- stroke, that is to say, it makes the ball run more. If there
- were no rough grass and no bunkers between the tee and the
- hole this over-spin might be an exceedingly useful thing, and
- the principles upon which the game of golf is played might be
- entirely different from what they are; but as there is rough
- in front of the tee, and generally a bunker at no great
- distance from it, topping and over-spin are more frequently
- fatal than not, the ball coming to grief either in the rough
- or the bunker.
-
-This quotation makes it quite evident, I think, that James Braid is
-not very well acquainted with the principles which govern the flight
-and run of the golf ball. If this were his "knowledge" which we are
-considering, I should be more loath to deal with it so plainly as I am
-doing, but as he expressly states that he is indebted to another for
-much of his "knowledge" on this subject I have no hesitation whatever
-in criticising it and showing that it is absolutely impracticable from
-a golfing point of view.
-
-It is not too much to say that top-spin has absolutely no place in
-golf, for it is there utterly useless, and would be so were golf links
-like billiard tables, for no ball with top on it can travel any
-appreciable distance through the air, and to speak of a ball being
-driven with top is simply to show one's utter ignorance of the game,
-for even if there were no rough grass and no bunkers between the tee
-and the hole, this over-spin could never be "an exceedingly useful
-thing," nor could it ever, by the greatest stretch of one's
-imagination, alter the principles upon which the game of golf is
-played, for no stroke in golf could ever supplant the drive with
-back-spin.
-
-It is nonsense such as this which does much harm to the game. To speak
-of the possibility of over-spin being such that the "principles upon
-which the game of golf is played might be entirely different from what
-they are if the course had no rough grass and no bunkers" is one of
-the greatest absurdities which I have ever seen put in any book, and
-when one finds matter of this sort in a book called _Advanced Golf_,
-it calls for the severest possible criticism.
-
-The nearest approach to top-spin which exists in golf is the spin of
-the pull, and there because the axis of spin is turned over to a
-certain extent, we get the beneficial run at the end of the drive,
-but anyone who knows the first principles of the flight and run of the
-ball would know that if the golfer in his drive obtained pure top
-instead of this much modified over-spin, his drive would be entirely
-ruined, for the thing which produces the low flight of the ball is
-that the ball does its ducking sideways, if we may so express it, and
-the chances are that quite frequently the shock of landing alters the
-plane of its spin, so that it is converted into pure running, but this
-latter point, of course, is a matter which we can only theorise about
-and regard as almost proved from the nature of the run of the ball on
-many occasions.
-
-We need not here bother about top-spin. The only place where top (not
-top-spin) is of any use in golf, so far as I can remember, is on the
-putting-green, and there it is unquestionably useful, and it is not
-used so much as it should be. The point of outstanding importance,
-which I venture to think is made fairly clear by this chapter on the
-flight of the ball, is that the beneficial back-spin of golf is by far
-the most important spin which it is possible for a golfer to apply to
-his ball, and that that spin is not obtained in the manner stated by
-Professor Tait and, after him, by Professor Thomson, but is obtained
-by the method which I have indicated, viz. by a downward glancing
-blow, and, so far as regards this statement, we have the corroboration
-of James Braid to the extent that he says that "no matter what the
-loft is upon the club, it is impossible to obtain by loft alone the
-back-spin which one requires in golf."
-
-It may seem that I have been unnecessarily emphatic in dealing with
-this question, but as a matter of practical golf it is absolutely
-impossible to lay too much stress upon the value of a complete
-understanding of the method of obtaining this most valuable and
-serviceable spin, and unless a player most perfectly understands the
-theory of the stroke, it is the greatest certainty possible that he
-will waste many years of his life endeavouring to acquire the
-practice, whereas if he knows perfectly well what he is trying to do,
-he may acquire it in as many months as he would otherwise waste years
-in not getting it.
-
-
-
-
-CHAPTER XI
-
-THE GOLF BALL
-
-
-It is remarkable, when one considers the vast number of scientific men
-who play golf, how little attention has been directed by them to the
-form and make of the golf ball. Many golfers are under the impression
-that the golf ball which is now used represents the limit of man's
-inventive genius. Probably the leading maker of the best feather ball
-in the days before the gutta-percha ball was known would have thought
-the same. As a matter of ascertained fact the vast majority of golf
-balls which are made to-day are imperfect in a variety of ways. There
-can be no doubt whatever that the ball which is marked by what are
-commonly called pimples, or bramble marking, is a most imperfect
-production.
-
-If one were to suggest to a billiard player that it would improve the
-run of the balls if they were covered with little excrescences similar
-to those which are on many golf balls, he would be pitied or
-maltreated, yet Mid-Surrey greens are not many removes from a billiard
-table, and putting is quite half the game of golf, as I think has been
-remarked by a great number of people, but is nevertheless not
-sufficiently considered by golfers, especially in the matter of
-choosing golf balls.
-
-It is not necessary, in considering the question of the golf ball, to
-bore people, as is usually done, with the history of the evolution of
-the golf ball, from the time when prehistoric men used a knuckle bone
-or something like that, right down through the feather ball period up
-to the present time. It will not be necessary for me to go back any
-further than the period of the gutta-percha ball. Most golfers will
-remember that the guttie was not a perfectly smooth ball; it was
-marked with grooved lines running round it. These crossed each other
-at various angles, producing, generally speaking, squares, although,
-naturally, some of the markings, where the lines did not cross at
-right angles, were irregular, but the principle of the marking was by
-indentation.
-
-The bramble marking, or marking by excrescence, is an idea which has
-obtained a hold more recently, and it is certain, from a practical and
-scientific point of view, that it is a very imperfect marking.
-
-It is a curious thing that in golf, where a very great amount of
-accuracy is demanded, particularly when one is playing a short put on
-a fiery green, the ball should be, so far as I am aware, the only ball
-which is deliberately constructed on principles which if applied to a
-billiard ball would make the ball what billiard players call "foul,"
-that is, a ball which runs untruly.
-
-It is unquestionable that sufficient thought has not been given to
-this matter. Very few people understand that it is practically
-impossible to place a ball with bramble markings on a perfectly true
-surface so that it will remain in the exact place where it was put,
-even if it were deposited on this spot by mechanical means. It is not
-hard to understand that this is natural when we remember that a golf
-ball which is marked by the excrescences called pimples or brambles
-comes to rest on a tripod of excrescences, and indeed it sometimes
-requires to find a base of four of these excrescences before it
-settles down.
-
-Any thinking golfer will be able to understand very easily that this
-must make for instability, and he will see clearly what it means when
-a ball is rolling very slowly. Let us imagine, for instance, that a
-golfer is playing an approach put of twenty yards. It is evident that
-while the main force of the blow is behind the ball it will enable it
-to overcome much of the untrueness of the ball, but it is equally
-apparent that as the force is dying away at the critical time when one
-wishes the ball to run truly on its course to the hole, it is most
-prone to waver. It is at times like this that the golfer blames the
-"beastly green," whereas if he knew as much as he should about the
-make of a golf ball he would know that he had only himself to thank
-for playing with such an extremely imperfect thing as the golf ball
-which is marked by excrescences.
-
-It is of course clear that on a putting-green the ball with
-excrescences sinks into the turf, and whilst it is running with any
-considerable force behind it, it makes for itself what may be termed a
-trough to run in, which is equivalent in depth practically to the hole
-which the ball would make when lying at rest on the green. This is the
-only thing which saves the ball marked with excrescences from being a
-much worse failure than it is. It is, however, when one comes to put
-with it over a hard, keen, or bare green that its wonderful
-imperfection is shown.
-
-Many golfers, on account of the fact that an ordinary putting-green
-does assist this imperfect ball to this extent, are inclined to
-maintain that the ball is sufficient for the needs of golf. They
-forget, of course, that a ball with these excrescences must
-necessarily be more inaccurate off the face of the putter than would
-be a ball marked by indentation, for when a ball is marked by
-indentation, either of the dimple pattern, which has come into vogue
-more recently, or of the lines which were used in the old days, it
-undoubtedly will run more truly than if marked by excrescences, for
-the reason that the indentation is bridged in such a manner that it is
-not felt to the same extent as is an excrescence.
-
-I may illustrate this by applying the marking of an old guttie to a
-billiard ball. Let us consider for a moment that the billiard ball has
-been marked by having lines sawn in it similar to those on a
-gutta-percha ball; these lines would not affect the trueness of the
-running of a billiard ball to a very great extent. But let us, on the
-other hand, imagine that instead of lines being sunk in the ball,
-these lines had been put in a network on the ball, so that they were
-raised from the surface of the billiard ball. It is obvious that such
-a ball would be absolutely impossible, and it would be an extremely
-foul-running ball.
-
-There is another point to be considered in connection with this matter
-of marking by indentation or by excrescences. It would be almost a
-matter of impossibility to stand a ball marked by excrescences so that
-it balanced on the point of one of the pimples. On the other hand it
-would be perfectly natural for a ball marked by a dimple of
-corresponding diameter to the base of the pimple, to come to rest on
-the "ring" formed by that dimple. We have already seen that the ball
-marked by excrescences requires three or four of those excrescences to
-rest on before it becomes stationary. Roughly, therefore, the
-instability of the ball marked by excrescences is at least three times
-as great as that of the ball marked by indentation, and if we
-contrast the ball marked by excrescences with the ball marked by the
-old gutta-percha marking, the difference would probably be very much
-greater against the bramble marking.
-
-We have already seen that the putting-green assists, to a certain
-extent, to make up for the defects of the ball with bramble marking,
-but it must not be forgotten that although the putting-green does
-this, the greater tendency to instability is there the whole time, and
-must put the golfer who uses the bramble-marked ball at a
-disadvantage.
-
-Putting, especially near the hole, is a very delicate operation, and
-it is apparent that in many cases the blow will be delivered on the
-point of one of these excrescences. It is equally apparent that in
-many cases that excrescence will not be in such a line with regard to
-the putter that the force of the blow will pass clean through the
-centre thereof, and also through the centre of the ball's mass in a
-line to the hole. When it does not do this it is certain that there is
-an element of inaccuracy introduced into the put (particularly the
-short put) which the wise golfer will not have in his stroke, for not
-only is the ball with excrescences more inaccurate off the face of the
-putter, but it is, particularly for short puts and on keen greens,
-much more inaccurate in its run than is the ball which is marked by
-indentations.
-
-This question of hitting one of the pimples of the golf ball might be
-considered to be theoretical, but it is a matter of the most
-absolutely practical golf, and I have seen the force of it exemplified
-not only in golf, but in lawn-tennis. I must give here a very
-interesting illustration of the point which I am making.
-
-Some time ago a lawn-tennis racket was produced which had a knot at
-the intersection of the strings. The idea of this knot was that it
-would enable the racket to get a better grip on the ball, and so to
-produce a much greater spin. This, to a certain extent, was correct.
-There was no doubt that the racket did get a very good grip on the
-ball, although personally, as a matter of practical lawn-tennis, I
-never regarded the invention very seriously; but it was useful in
-emphasising the point which I am now making with regard to the marking
-by excrescences of the golf ball. It was found that when one attempted
-to play delicate volleys with this racket that it was impossible to
-regulate the direction, for the simple reason that the ball, on many
-occasions, was struck by one of the knots on the racket, and this
-frequently spoilt the direction of the stroke.
-
-What happened with that racket and the lawn-tennis ball is what is
-happening every day on hundreds of greens with the golf balls which
-are marked by excrescences, and the golfer who is wise will have
-nothing whatever to do with any ball which is marked otherwise than by
-indentations.
-
-It was in the year 1908 that I first put forward these ideas in an
-article in _The Evening Standard and St. James's Gazette_. I had
-written many articles which were of much greater importance to the
-game from the scientific point of view, but this particular article
-eclipsed them all in interest. I had started the idea that the golf
-ball should be made much smoother than it was at that time, and for
-four months the controversy as to the merits of the rough ball or the
-smoother raged. I caused the leading manufacturers of golf balls to be
-interviewed. The manager of Messrs. A. G. Spalding & Bros., the
-well-known manufacturers, gave it as his opinion that the idea was
-perfectly ridiculous. He was quite convinced that the rough ball was
-the better ball. The manager of another company was of opinion that
-the smoother ball would not drive straight. Many of them traced this
-to the fact that a smooth ball would not fly straight, but we were not
-concerned with the question as to whether the smooth ball would fly
-straight or not; golfers, generally, are well aware of the fact, and
-even in 1908 were well aware of the fact, that a perfectly smooth ball
-will not fly straight. The whole point of the discussion was to
-ascertain if it would not be better to have a much smoother ball than
-that with the bramble marking.
-
-I was interested in having the opinion of the golf ball manufacturers,
-for I have never thought that they have dealt with the matter in a
-scientific manner. It seemed to me that the evolution of the marking
-of the golf ball had been entirely haphazard, and it is, I believe,
-still in the same condition, but it certainly shows some signs of
-improving.
-
-In order to put the matter beyond doubt I asked Mr. Rupert Ayres, of
-the famous firm of F. H. Ayres, Ltd., to have made for me a golf ball
-with an extremely fine marking; in fact I gave instructions for the
-ball to be marked with what I considered the least possible
-indentations which were likely to be serviceable. Mr. Ayres took a
-very great amount of trouble in connection with this matter, and he
-produced for me a ball similar, in all respects, to that which I
-wanted, with the slight exception that the marking was finer than I
-had desired. The result was that when the ball was painted the
-interstices were filled up to a very considerable extent, so much so
-indeed that I doubted if the ball was sufficiently marked to ensure
-its flying correctly. I tried this ball at Hanger Hill, both
-personally and by submitting it to a considerable number of drives by
-George Duncan, and it always gave unsatisfactory results--indeed its
-flight was so remarkable that it might well have been christened "the
-butterfly." It zigzagged and soared and ducked in a most remarkable,
-and to a very great extent, inexplicable manner.
-
-I knew, of course, that what I had to do was to increase the
-indentations a little in depth, for my object was to obtain the mean
-between no marking whatever and the ridiculously exaggerated marking
-by excrescences which is now so common, and my experiments were not in
-the direction of obtaining any marking whatever by excrescences, for I
-was following on the lines which were accidentally discovered by those
-who found that the old feather balls, and particularly the
-gutta-percha balls, flew better after they had been indented by the
-golf clubs. My idea, therefore, was, starting from the least possible
-indentation, to proceed by marking the ball more deeply and yet more
-deeply until I found that it would fly as accurately as a ball marked
-by excrescences.
-
-Mr. Ayres helped me in my experiments with remarkable patience and
-ability. I found that there are a hundred and one different markings,
-all of which are practically of equal service in so far as regards
-affecting the flight of the ball, but in every case I came to the
-conclusion that the marking by indentation is the best. This led me to
-get Mr. Ayres to produce for me a ball which he ultimately put on the
-market under my name, which was marked in identically the same manner
-as the old guttie. I believe "The Vaile" was the first rubber-cored
-ball with the old guttie marking to be placed on the market, and this
-marking was found to be satisfactory in every respect. The ball, as
-indeed one might imagine, both flew and ran perfectly, but it was met
-by golfers with a strange objection. They said it was too much like
-the old guttie. Personally, I did not care what they said about it. I
-had not caused the ball to be made from any commercial interest I had
-in the matter.
-
-It had been stated that a ball marked like this would not be so good
-for golf as a ball marked with excrescences. I had proved beyond a
-shadow of doubt that the ball was better for golf than the ball which
-was marked by excrescences, and I was content to leave it at that,
-although as a matter of fact later on Messrs. Ayres did produce for me
-a ball with a more distinctive marking which gave us equally good
-results in so far as regards flight and run, but which I did not like
-nearly so well as the old guttie marking.
-
-At the time this ball was produced I stated emphatically that I
-believed that the result of the agitation and discussion would be to
-knock the pimples off the golf ball. This statement was, of course,
-ridiculed by the makers of golf balls, and quite wisely too, for they
-had tens of thousands of pimply golf balls which they had to dispose
-of, and it was not their business to agree with my ideas of altering
-the make of the golf ball until they had disposed of their stock. They
-have, however, now no prejudice whatever in the matter, and the
-leading manufacturers both here and in America are pushing balls which
-are marked by indentation. They certainly were a long time after my
-manufacturers in realising the importance of the principle, but they
-are now endeavouring to make up for lost time. One firm, Messrs. A. G.
-Spalding & Bros., is pushing three balls as their leading lines. These
-are the Glory Dimple, the Midget Dimple, and the Domino Dimple. All
-these balls are what are now called dimple balls, and they meet with
-great favour in many quarters, although there are still a number of
-golfers who swear by the bramble-marking.
-
-During the course of this long controversy I suggested that it would
-be a good idea if the balls which were marked by excrescences and
-those which were marked by indentations were subjected to a test by
-being mechanically propelled. Sir Ralph Payne-Gallwey, the famous
-wild-fowler and author of _The Projectile Throwing Engines of the
-Ancients_, wrote to me and very kindly volunteered to carry out the
-experiment if I would send him the balls I wished him to test. I
-naturally accepted his very kind offer, and sent him a variety of golf
-balls to be tested. Sir Ralph is the possessor of some very remarkable
-catapults built on the principles of the old Roman engines of war, and
-with these he conducted a series of experiments, which were so
-interesting that they deserve to be permanently recorded for the
-benefit of future generations. His conclusions were published in two
-articles which occupied about three columns of _The Times_, and they
-are of such an instructive nature that I propose to quote somewhat
-fully from them.
-
-Sir Ralph showed quite clearly that in a very great number of cases
-the centre of gravity of the ball is untrue. Quite a number of golfers
-would think that it is not a matter of very great importance if the
-centre of gravity of a golf ball is untrue. Anyone who thinks this may
-speedily undeceive himself by a small experiment suggested by Sir
-Ralph. Let him cut a hole in the side of a golf ball, insert a piece
-of lead or half a dozen shot and fill the hole up with wax or soap and
-then put with that ball. He will be astonished to find what a peculiar
-course it takes.
-
-Of course, not many golf balls are loaded like this, but it is beyond
-any doubt whatever that in many cases the gutta-percha covering of
-the rubber-core is of very uneven thickness. This in itself and quite
-apart from the defect of marking by excrescences which I have already
-referred to, is sufficient to account for the very bad running of many
-golf balls.
-
-I may say, too, that I believe this untrueness of the centre of
-gravity is responsible for the double swerve which one frequently sees
-in a truly hit golf ball. A swerve which is obtained from the
-application of spin to the golf ball, almost invariably is continuous
-and in the one direction, but I have frequently seen well-hit drives
-by the most famous players swerve to the right, back again to the left
-and resume their original course. This has happened with such perfect
-regularity in many cases that there must unquestionably be a definite
-reason for it, apart from rotation applied by contact with the club,
-and the only explanation which I can give of it in any way at all is
-that it is caused by an untrue centre.
-
-The shape, resiliency, and centre of gravity of the golf ball are of
-vital importance to the player, but the golfer accepts all these
-matters with a blind faith which is touching in the extreme. A golfer
-should not accept from a golf ball manufacturer a ball which is not
-truly spherical, or one which does not fly truly when truly hit, but
-as a matter of fact almost fifty per cent of the golf balls supplied
-by the leading makers come within this category. One may take fifty
-golf balls of any specific sort, and test these for shape, centre of
-gravity, and weight, and it is an even chance that twenty-five of them
-will be quite different from the other twenty-five.
-
-It is very easy indeed to test the rubber-cored balls as regards the
-correctness of their centre of gravity. Sir Ralph Payne-Gallwey found
-that none of the rubber-cored balls was correct as to its centre of
-gravity, though some were much more incorrect than others, and he
-found that not one of them was truly spherical in shape. I may say
-that in a large number of cases I have verified his experiments. Sir
-Ralph Payne-Gallwey's method of testing them for correctness of centre
-of gravity is so simple that I may give it here for the benefit of any
-player who desires to see that he is getting a ball which will serve
-him truly in so far as regards this important particular.
-
-Sir Ralph placed the ball which he desired to test in a basin of water
-and waited until it came to rest. When the ball had come to rest,
-there was naturally a small portion of it protruding from the water.
-Sir Ralph marked the centre of this spot with a pencil dot and he
-found that however carelessly he put the same ball into the water,
-however much it was rolled about, that the portion of the ball marked
-with the pencil dot always came upwards out of the water again, and
-that the actual spot with the pencil mark on it always came to exactly
-the same place. It was evident from this that the centre of gravity of
-the balls tested in this manner was considerably untrue.
-
-Sir Ralph found, as might be expected, that the old guttie ball was
-much truer as regards its centre of gravity than the rubber-cored
-balls. He tested the gutta-percha ball and the miniature ball which
-would not float in plain water, in a solution of salt and water.
-
-The experiments which he conducted in connection with these balls were
-really quite exhaustive. He found that with some of the balls,
-especially the smaller ones, the dot appeared in two seconds, while
-some of the others took from four to six seconds to come upward. He
-arrived at a comparative idea of the error in centre of gravity by
-placing the dot downwards in the water, and then noting with a
-stop-watch the time occupied by it in appearing out of the water on
-top of the ball. He thus took the time in each case from the moment of
-release to the moment that the pencil dot again came uppermost, and by
-these means he obtained as accurately as he could with a stop-watch
-the comparative error of one ball with another in regard to its centre
-of gravity.
-
-The testing of the balls for true spherical shape was, of course,
-easy, and was done by means of callipers. It can be done either by
-callipers or by a parallel vice which may be opened just wide enough
-to allow a ball to be passed between its jaws. If one has not a vice
-or callipers available, it is, of course, easy to cut a circle in a
-piece of cardboard and gradually increase the size of the circle until
-a ball will just get through. The circle, of course, must be made
-truly, but this can easily be done by a pin and a string if compasses
-are not available.
-
-Of course, it would be advisable in testing a golf ball through a ring
-such as this to obtain in the first case a ball which is as near a
-true sphere as any rubber-cored ball can be. This may be done by
-fixing any two objects in a similar position to that suggested for the
-jaws of a vice, as for instance the opening of a drawer. One may open
-a drawer and fix the drawer firmly so that the ball can just pass in
-at the opening. Once this is done, it is almost as effectual as either
-callipers or the jaws of a vice.
-
-Sir Ralph found that the gutties were as near true spheres as
-possible, and also that these balls showed very slight error in centre
-of gravity. This, of course, from the solidity of the matter and their
-original formation in the mould might naturally have been expected,
-for in the nature of the modern ball it stands to reason that its
-centre of gravity could never be so consistent as that of a ball which
-is made entirely in the one piece as was the old gutta-percha ball.
-
-Sir Ralph has some remarkable projectile engines which gave him
-exceptional facilities for testing the flight of the golf balls which
-I sent him. He has one engine which weighs about two tons and is
-capable of casting a stone ball of twelve pounds a distance of a
-quarter of a mile. The catapult which he used for the purpose is a
-small reproduction of this big engine. His small model of this engine
-weighs about forty pounds and will pitch a golf ball from 180 to 200
-yards, the distance of course depending upon the amount of tension
-used and the angle of elevation.
-
-The power of the engine is obtained from twisted cord, and the arm of
-the machine used by Sir Ralph is two feet eight inches long, and is
-provided with a cup at its upper end to hold the ball. It is so
-arranged that the balls can be thrown any intermediate distance
-required up to 200 yards, and at any elevation. Sir Ralph conducted
-experiments with balls thrown by the catapult, and also with balls hit
-away by it in a manner similar to a golf club, and, as might be
-expected, no spin whatever was imparted to the ball. It was thrown in
-a straight line every time with unvarying accuracy, and there was not
-the slightest sign whatever of slice, pull, or cut. This, of course,
-is exactly what one who knows the principle of the catapult would
-expect.
-
-Sir Ralph found, however, that the accuracy of flight of the ball was
-very remarkable, and he gives as an instance the fact that a ball
-which had been marked as having a particularly accurate flight was
-pitched twenty times in succession within a few feet of a stick stuck
-in the ground 180 yards from the machine.
-
-It is interesting to note the weights of the balls used in these
-experiments. They varied from 22 drachms to 23 drachms avoirdupois,
-and their diameters from 53 to 54 thirty-seconds of an inch. The
-guttie ball used by Sir Ralph weighed 24-1/2 drachms, and one of the
-miniature balls 24 drachms 6 grains. Sir Ralph threw a dozen balls of
-various makes from his small engine at a mark 160 yards distant, and
-he threw each ball twenty times before another was tried. He employed
-a fore-caddie to mark the indentations each ball made where it fell. A
-peg was put in at the spot where each ball landed, and these distances
-were all subsequently measured, and the records kept for purposes of
-comparison.
-
-After this had been done with one ball the same was done with another,
-and it is almost unnecessary to say that the angle of elevation and
-the force used in each case was the same. Sir Ralph found that in
-propelling the balls with the wind there was very little difference in
-the length of carry or the steadiness of the flight, though, as might
-have been expected, the guttie beat all of them in distance, being six
-times in its first series of twenty throws a few yards farther than
-the longest carry made by any of the other balls. This, of course, was
-quite natural, for the old guttie was heavier, harder, a more correct
-sphere and more correctly marked than the ball which is now in common
-use. Therefore it was quite reasonable to expect that it would go
-farther when propelled from the catapult. It is, of course, just as
-easy to understand that this superiority would not exist when the
-ball was struck with a golf club, for then the question of resiliency
-comes into the matter.
-
-It is interesting to note that Sir Ralph found that the miniature golf
-ball more nearly approximated to the guttie than to the rubber-cored
-balls. The miniature being harder and heavier than the other
-rubber-cores, when thrown by the engine gave the longest flight of all
-the rubber-cores, although it did not get so far as the guttie. Its
-superiority, however, when struck from the engine in a manner as
-nearly as possible resembling the blow with a golf club, was
-non-existent, and its carry was then found to be the shortest of all
-the rubber-cores, and the guttie ball was, when hit away by the
-machine, shorter yet than the miniature golf ball.
-
-Sir Ralph found, as I had confidently asserted would be the case, that
-against the wind the balls with the roughest markings always carried
-the shortest distance, and that they tended to rise too much in their
-flight. This was most apparent at about two-thirds of the carry. Sir
-Ralph found that there was a distinct difference in this matter of
-soaring between the very roughly marked balls and those which were a
-little less so. He proved to demonstration the fact which I had
-confidently maintained, that the less roughly marked balls, owing to
-the small amount of air friction which they set up, and naturally in
-consequence thereof, their lower parabola, always carried farther
-against the wind.
-
-I have referred elsewhere to Harry Vardon's remark about not
-attempting to regulate the flight of the ball in a cross wind, or
-indeed, for the matter of that, in any other wind by applying spin to
-it. Sir Ralph Payne-Gallwey's experiment put this matter beyond a
-shadow of doubt, so that we may be absolutely certain that the idea of
-trying to slice against a wind to get a straight ball, or to pull into
-a wind to get an extra run, is for ninety-five per cent of players not
-practical golf. Sir Ralph found that with a fresh side wind from the
-left, all the balls, except the guttie, landed from eight to twelve
-yards to the right of the mark at a range of 130 yards. He states
-emphatically that in this case it was clearly shown that the more
-roughly marked balls consistently showed the greatest deviation from
-the correct line of flight. We have, however, gained a very strong
-argument in favour of the ball with the less pronounced marking.
-
-Sir Ralph also discovered another thing which is of very great
-importance indeed to the practical golfer, but a thing which is not
-considered in the slightest degree by one golfer in ten thousand, and
-that is that the balls which were most untrue in regard to their
-centre of gravity, not only always dropped the farthest to the right,
-that is, were most affected by the cross wind, but that they also ran
-at a more acute angle in the same direction after contact with the
-ground. Thus we see that in 130 yards the most roughly-marked ball in
-a cross wind is deflected twelve yards. We see also that this ball was
-the one which was most incorrect as regards its centre of gravity. We
-therefore have a specimen of the worst ball which could be used for
-this purpose being carried twelve yards off its line, and we may
-reasonably take this to be the extreme of error for that distance.
-
-It is easy to understand when we consider such an illustration as this
-what a tremendous handicap the golfer is suffering from when he uses
-the ball which allows the wind to get such a grip of it as the
-bramble-marked ball does, and moreover one with a centre of gravity
-which is so bad that it assists the work of the wind in carrying the
-ball away as it does, and not only assists the wind to this extent,
-but even carries its vices to the extent of still further fighting
-against the player by exaggerating its error when it lands by running
-away from the line.
-
-These are all bad enough, but we must remember that there is also to
-be considered the error which is unquestionably a matter to be
-reckoned with, which inevitably takes place when the ball marked by
-excrescences is struck by a club.
-
-I had sent Sir Ralph Payne-Gallwey the ball which I had had made for
-experimental purposes with very slight marking, and he was good enough
-to experiment with this for me. He says of it: "This ball was quite
-smooth, as smooth indeed as a billiard ball, the idea being that
-having no markings on its outside it would not present so frictional a
-surface to the air in its flight, as a ball with markings, and that
-being without this it would also be very accurate from the putter. I
-tried this smooth ball from the engine, and it 'ducked' every time in
-an extraordinary manner, its length of carry being seldom more than
-eighty yards."
-
-Sir Ralph is most accurate, generally speaking, but he is in error by
-stating that this ball is as smooth as a billiard ball. The ball which
-I sent Sir Ralph was called by me "The Ruff," merely as a distinctive
-name, for it was the nearest approach to a perfectly smooth ball that
-I could make. It is evident from Sir Ralph Payne-Gallwey's description
-of it that it is, as compared with the golf balls now in use, very
-smooth, but it is pitted all over with remarkably small indentations
-so that it appears to be chased, but, as I explained, the paint to a
-certain extent covered up the interstices so as to prevent the ball
-giving me the test which I expected to get from it. It is, however,
-not accurate to say that this ball is perfectly smooth.
-
-It is obvious that from this I was trying to work to the mean which I
-felt perfectly certain existed between the old golf ball, whose
-erratic flight was well known, and the modern golf ball with its
-exaggerated marking.
-
-Sir Ralph thought that the form of this ball might not, for some
-unknown reason, suit a projectile engine. He continues:
-
- ... and as I could not drive it further than about eighty
- yards with a golf club, I engaged the well-known
- professional, Edward Ray, to play a round of the green with
- this ball at Ganton. As Ray is an exceptionally long and
- accurate player with driver and cleek I felt the ball would
- have a fair chance of going, if it could go. From the first
- tee the ball did not carry a hundred yards, though, to all
- appearances, struck clean and hard. I thought that for once
- in a way Ray had missed his drive, but as the same thing
- occurred from every tee and through the green for the next
- six holes, there was no disputing that a smooth ball was
- quite useless for golf.
-
- I then proceeded to nick the ball slightly with the point of
- a knife, spacing the small raised nicks about one-third of an
- inch apart, the ball being still a very smooth one in
- comparison to any of the usual kinds. After this slight
- alteration the ball flew splendidly, whether off wood or iron
- clubs, neither too high nor too low, but quite straight, and
- with the very slight rise towards the end of its carry that
- is the essence of perfect flight in a golf ball, some of the
- carries when measured from the tee being well over two
- hundred yards.
-
-Sir Ralph Payne-Gallwey continues that when he returned home he shot
-this ball from the small engine, and it then several times
-out-distanced the best records made by any of the balls previously
-tested. After this he chipped up many more little raised nicks on the
-same smooth ball as a further experiment, but he then found that this
-not only reduced its length of flight by several yards, but also
-caused it to soar too much upwards when projected against a head wind
-as is the case with the ordinary rough-marked golf ball.
-
-It will be seen here that Sir Ralph continued with the ball sent by me
-to him, the experiment, which I had started, as it was my intention to
-proceed from a ball as nearly as could be, smooth, towards the present
-exaggerated ball, by the least possible steps, so that the moment that
-I had arrived at a ball so marked that it would not give me any extra
-carry, I should desist at once.
-
-Sir Ralph's summing up is as follows. He says: "From such practical
-tests it is evident that the surface of a golf ball is far too rough,
-and that it would fly with more accuracy and farther, especially with
-a head or a side wind, had it much less numerous and prominent
-markings on its cover." This is exactly what I contended for in my
-original article on the subject, and it is exactly what has to be
-realised by the makers of the golf ball of the future. Many of the
-balls which are now being produced with the dimple marking are moving
-in the right direction, but they still have the grave errors of bad
-centre of gravity and excessive marking. When these two matters have
-been adjusted we shall have a very much better ball.
-
-It will be interesting now to refer to the results which Sir Ralph
-Payne-Gallwey obtained when he fitted his catapult with an arm
-provided with an enlarged head similar in shape to the head of a golf
-driver. Sir Ralph says:
-
- This striking arm hit the ball away just as it is hit by a
- golf club. The ball I suspended by gossamer silk from the
- projecting beam of a little gallows fixed over the engine,
- and so positioned that the enlarged upper end of the arm
- struck the ball fair and true and with its full force and at
- the same angle every time.
-
-I was not present when Sir Ralph made these experiments. He, however,
-was kind enough to send me a copy of his most interesting work
-entitled _The Projectile Throwing Engines of the Ancients_. This book
-gives many illustrations of the catapults used by the Romans and
-others.
-
-I find it somewhat difficult to follow Sir Ralph Payne-Gallwey when he
-says: "This striking arm hit the ball away just as it is hit by a golf
-club," for it seems to me that as the ball was suspended above the
-striking face of the club which was fixed to the upper end of the arm,
-that the arc described by the arm of the catapult would be exactly
-opposite to that described by the head of the golf club, and it is of
-course conceivable that this would in some way affect the carry of
-golf balls struck by the machine in this manner.
-
-I need not, however, go into that here, for whatever the results
-obtained by Sir Ralph Payne-Gallwey were each ball was hit in exactly
-the same manner, and therefore we have, in so far as regards distance
-and the effect of the side wind, fairly accurate comparative tests.
-Sir Ralph says: "Though I could not obtain the same length of carry by
-making the engine strike the ball as I could when the ball was thrown
-by it--not by about fifteen yards--yet the individual results in
-distance and in deviation with a side wind exactly corresponded with
-the behaviour of the various balls when they were thrown and when
-carries of from 180 to 200 yards were obtained from them."
-
-Sir Ralph found that in this experiment the carry of the guttie was
-invariably about eighteen yards shorter than that of the ordinary
-rubber-cored balls. He therefore carried out an interesting experiment
-by fixing a pad of rubber on the face of the head of the arm, and the
-guttie, when struck by this, travelled as far as any of the balls. He
-found, as I have previously indicated, that of the rubber-cored balls
-the small one carried the shortest distance when struck by the engine,
-and he found also that its length of flight was not increased by using
-the rubber pad. This, of course, is what we might have expected.
-
-There is one very interesting matter which Sir Ralph Payne-Gallwey
-notes. He says: "Another curious thing, the ball with the most untrue
-centre of gravity usually made one, and occasionally even two, swerves
-in the air when hit against the wind, though this eccentricity in its
-line of flight was less noticeable when it was thrown from the
-engine." This is a very interesting statement to anyone who devotes
-attention to the flight of the ball, and it goes very far indeed to
-confirm my own impression that the double swerve of the golf ball
-which I have noticed so frequently, is produced by defective centre of
-gravity.
-
- [Illustration: PLATE XIV. J. SHERLOCK
-
- Top of swing in iron-shot. Note the position of the ball, and
- the upright swing of the club.]
-
-These experiments are of very great value, and should be carefully
-noted by golf ball makers, but Sir Ralph Payne-Gallwey was not content
-with testing the golf balls for their flight. After having put in
-several days doing this, and having fired fully 500 shots, he
-continued his experiments with these balls with the object of
-ascertaining their relative merits on the putting-green. He says:
-
- I obtained a piece of lead three-quarters of an inch thick,
- two inches wide, and three feet long, in which I cut a
- straight and smooth groove one inch wide. One end of this
- piece of lead I rested on the cushion at the baulk end of a
- billiard table, and directed its other end towards the spot
- on which the red ball is placed in the game of billiards.
- The forward end of the grooved lead I tapered off so that a
- ball ran evenly and smoothly from the groove on to the table
- without any drop or deviation as it left the piece of lead,
- which from its weight, when once set, could not change its
- position. I now placed a thimble on the spot at the far end
- of the table and rolled an accurately-turned wooden ball the
- same size as a golf ball down the sloping groove. After a
- little adjustment of the lead piece its line of fire was
- correct, and I was able to knock the thimble off the spot
- fifty times in succession. The ball travelled with sufficient
- speed just to reach the cushion beyond the thimble when the
- latter was moved aside, and the shot at the thimble nicely
- represented a slow put of eight feet in length.
-
-This is a most interesting way of testing the golf ball. I may say
-that I have myself carried out experiments on similar lines, and that
-the results which I obtained practically confirm the accuracy of those
-which Sir Ralph Payne-Gallwey got. He found that on testing various
-golf balls the results were widely different. He tried each ball
-several times in a series of twenty tries at the thimble. He found
-that individually they seldom hit it more than three or four times in
-a series, and that some of the balls, particularly those which he had
-found to be incorrect so far as regards their centre of gravity,
-rolled away from the thimble as much as two feet to the right or left,
-and that they sometimes actually went into the corner pockets of the
-table. This would seem to be incredible, but I can vouch for the
-accuracy of Sir Ralph Payne-Gallwey's statements.
-
-It is an amazing thing to think of, but it is perfectly true, that the
-modern golf ball is so badly constructed that in a straight roll down
-the middle of the table such as that described by Sir Ralph
-Payne-Gallwey, the ball will absolutely roll as far off the line as
-the corner pockets, and indeed sometimes farther even than this. That
-is what the golfer has to contend with when he tries to put with a
-bramble ball on a golf green, but, of course, as he does not know it,
-he blames himself for an off day, or the green for being "beastly,"
-but he never by any chance whatever gives a thought to his horribly
-defective golf ball.
-
-Sir Ralph says that the guttie was a notable exception to the
-inaccuracy of the rubber cores. He found that in its different series
-of twenty tries it often struck the thimble from fourteen to fifteen
-times, and when it missed was usually within an inch of the mark. This
-shows clearly the wonderful difference which I have already emphasised
-between marking by indentation and marking by excrescence. Sir Ralph
-also emphasises a point to which I had already directed attention as
-to the ball marked by excrescences running truly when hit hard. It is
-when the ball has no great propulsive force behind it that its
-inherent vice is most surely shown. Sir Ralph says:
-
- Any of the balls if played fairly hard from a cue could be
- made to strike the thimble every time; but then such a hard
- hit ball would go far beyond the hole in golf, and probably
- overrun the putting green! The smooth billiard-table cloth
- may be taken to represent the hard, bare and fast putting
- green of a dry summer.
-
-That is a very fair comparison, with the exception that the hard, bare
-and fast putting-green of a dry summer would present infinitely
-greater inaccuracies to the already sufficiently inaccurate golf ball
-than would the billiard table. Let the unthinking golfer ruminate a
-little on this subject, and the day is not far distant when we shall
-never see such a thing as an excrescence on a golf ball.
-
-Sir Ralph was very ingenious and thorough in his experiments. He
-desired to obtain the nearest possible approximation which he could to
-a natural putting-green, so he stretched a strip of rough green baize
-on the billiard table and tested the balls on this. He made a chalk
-mark on which to place the thimble, and its distance from the lead
-gutter was the same as in his other experiments. He then found that
-the balls, with the exception of those which had been marked as having
-their centre of gravity much out of place, ran with far greater
-accuracy. Most of them hit the thimble from eight to ten times in
-their individual series of twenty shots, but the guttie was, as usual,
-an easy winner. Sir Ralph found that on the billiard table if the
-balls were played fairly hard from a cue, although too hard for golf,
-the thimble could be knocked over every time.
-
-I consider that these experiments prove beyond a shadow of doubt, as I
-personally never doubted, that the ordinary bramble-marked golf ball
-will not run truly unless it has a considerable amount of force behind
-it, and that for short puts, and particularly on anything like a fast
-green, it is a most treacherous ball. Sir Ralph Payne-Gallwey says:
-
- All this goes to prove that, although a ball may be of
- inaccurate make, it keeps its line to near the end of its
- course when hit hard along the ground, as for instance, in a
- long running up approach to the hole from the edge of a
- putting green. It is also clear that a ball with an incorrect
- centre of gravity will very seldom run true off the putter if
- the ground is hard, fast and smooth and the distance it is
- required to travel is only a few feet. For this reason
- manufacturers should consider the accuracy of a ball for
- short puts--accuracy that can only be gained by making it a
- perfect sphere with its centre of gravity in the exact centre
- of the ball; for short puts must lose many more matches than
- short drives.
-
-As Sir Ralph Payne-Gallwey truly says, with a badly balanced ball the
-easiest of short puts may fail, especially on a downward slope, though
-the player rarely suspects that his ball and not his skill is to
-blame.
-
-It is not, as I have already pointed out, only the question of the
-badly balanced ball which is of such vital importance in short puts,
-but it is the question of the untrue running of the ball marked by
-excrescences; also there is the equally important matter, which I have
-referred to, of the untrueness of the ball marked by excrescences in
-coming off the face of the putter. I am firmly convinced that there is
-no more perfect marking for a golf ball than that used for the old
-guttie ball, that is a marking by indented lines, but even here I
-believe that equally good results, both in flight and run, would be
-obtained if the gutta-percha ball were marked in a similar manner but
-with fewer lines.
-
-Some of Sir Ralph Payne-Gallwey's conclusions are important. He
-suggests that a golfer should carefully test a ball before using it in
-an important match, and this is, unquestionably, from a scientific
-point of view, a very sound and good suggestion. I have already
-indicated his method of testing a ball for its centre of gravity, and
-I have shown how the ball may be tested for its spherical shape. There
-is no necessity to apply any test whatever to the ball in so far as
-regards its marking. There is one maxim with regard to that--avoid
-anything in the shape of a golf ball marked by excrescences.
-
-Sir Ralph Payne-Gallwey's advice to golfers with regard to the balls
-need not be given here in full, valuable as I believe it to be in the
-main. But there is one matter which is worth repeating. He says:
-
- Select a ball with as smooth a cover as you can find, for
- though all golf balls require to be roughened in order to
- steady their flight, those most deeply scored travel the
- shortest distance, and are most affected by a head or side
- wind.
-
-This is very sound and important advice, and it should receive the
-attention not only of golfers, but of the golf ball manufacturers, for
-even those balls which are now marked by indentation are, in my
-opinion, too freely marked, and I am inclined to think that the
-dimples on the golf balls which are so marked, are, if anything, too
-large and too frequent. I think it is extremely probable that the
-balls which are so marked would fly and run better than they do now if
-they were marked by lines as the old guttie was marked, but with fewer
-of these lines. Probably if they were marked with one-third of the
-number of lines which were used on the old guttie, we should have a
-perfect flying and running ball.
-
-Before closing this chapter on the make of the golf ball, it will be
-interesting to refer once again to the results obtained by Sir Ralph
-Payne-Gallwey when throwing the smooth ball from his machine and also
-when having it driven by Edward Ray. He obtained results similar in
-all respects to those which George Duncan and I obtained when trying
-"The Ruff." It is very curious indeed that so far there have not been
-any definite scientific experiments made to show exactly where the
-serviceable degree of roughness ends and the prejudicial begins,
-though much has certainly been done since I started the controversy
-about the relative merits of a smoother ball.
-
-Some golf ball makers have gone so far as to produce a dimple ball
-with a small pimple in the dimple. This, in effect, reduced the dimple
-to a ring, and these balls have been found to fly and run very well,
-but all that has been so far done has been a matter of experiment, of
-rule of thumb work. I do not think that there is a firm of golf ball
-makers in England which is in possession of a proper mechanical
-driver. We are assured that at least one firm in America is in
-possession of such a machine, but so far as I am aware there is no
-efficient machine of such a nature in England. This is very
-remarkable, as with such a machine a firm of golf ball manufacturers
-could obtain results which would probably give them a big advantage
-over their competitors.
-
-I was quite astonished to see it stated by a firm of golf ball makers
-the other day that, although they were making a ball marked by
-indentations, they had come to the conclusion after much experimenting
-that the bramble pattern was the best for all-round excellence. In the
-face of the remarkably conclusive experiments conducted by Sir Ralph
-Payne-Gallwey, whose results I may say bore out up to the hilt
-everything which I had said about the defective construction of the
-golf ball, I should like to know how this manufacturer comes to the
-conclusion that the bramble marking is the best.
-
-One point which has not been made very strongly is that it was not
-necessary for the old balls to be badly knocked about before they
-would fly well. Comparatively little damage improved the flight of the
-ball. This, in itself, should be sufficient to convince manufacturers
-that they are still in many ways marking their balls excessively. It
-is quite evident that no particular kind of marking is required on the
-golf ball, although it is conceivable that a certain kind of marking
-might possess some slight advantage over another. It would be
-interesting if an exhaustive set of experiments on the lines of those
-already conducted by Sir Ralph Payne-Gallwey could be carried out
-under proper supervision by some eminent scientist or by a leading
-firm of golf ball makers, or by some prominent paper interested in
-golf. The matter would undoubtedly be of very great interest to
-golfers generally, and would probably result in a great improvement of
-the balls at present on the market.
-
-The phenomenon of the uneven flight of the smooth golf ball has never,
-so far as I am aware, been satisfactorily explained. We all know, of
-course, that practically nothing which has not a tail flies well. A
-tail is necessary for an arrow, for an aeroplane, for a bird to steer
-itself with, and even the rifle bullet would not fly well until it
-was, in effect, provided with a tail. It has always seemed to me that
-there was a possibility of an explanation of the defective flight of
-the smooth golf ball in this fact. It stands to reason that in the
-passage of the ball through the atmosphere there is a considerable
-compression of the air in front of the ball, and it is equally obvious
-that this compressed air is, if we may so express it, flowing
-backwards over the ball, and therefore running between the bramble
-markings. Of course, we are aware that it is not really a question of
-the air flowing backwards, but of the ball driving through the
-atmosphere, but we have merely to consider what may possibly be the
-effect of this action.
-
-It seems to me that the air, in passing back and round the ball in the
-manner described, is also in a state of compression until it has
-passed backwards and, to a slight extent, behind the golf ball, so
-that we have, if we may so express it, attached to the ball a tail of
-compressed air which is constantly striving to resume its normal
-density at a slightly varying distance behind the ball in its passage
-through the air.
-
-If my idea, which is expressed now in an extremely unscientific and
-popular form, is correct, it would seem that the roughened ball holds
-more straightly into this tail of compressed air than it would be
-possible for a smooth ball to do; in other words, it seems to me that
-there would be a greater possibility of the smooth ball slipping the
-pressure which would be accentuated on that portion of the ball which
-Professor Thomson describes as its nose, and it seems feasible,
-although I do not care to be dogmatic on this point, that if the
-centre of gravity of the smooth ball were untrue, as indeed the centre
-of gravity of nearly every smooth ball is, the effect of the pressure
-of the condensed air on the front of the ball would be much more
-pronounced with the smooth ball than it would in the case of the ball
-marked by excrescences or indentations.
-
-I am aware that this idea of mine is open to argument, and I do not
-say for one moment that it is absolutely correct. It is undoubted that
-there is much uncertainty in the minds of extremely scientific men as
-to the cause for the uncertain flight of the smooth golf ball. Even so
-distinguished a scientific inquirer as Professor Sir J. J. Thomson
-assured me that he did not understand the reason for the erratic
-behaviour of the smooth ball. There is possibly another explanation,
-but again I put this forward tentatively. Even when a ball is driven
-by a golf club without appreciable spin, as indeed most golf balls
-are, it seems to me quite possible, especially in the case of the
-balls with defective centres, that before they have gone far on their
-journey they will proceed to acquire spin on account of the tendency
-of one side to lag more than the other.
-
-It seems, then, that if this spin is set up in the manner which I
-described, it may, and indeed quite likely will, influence the path of
-the ball sufficiently to deflect it from the original line of flight,
-but as this spin has no very great power behind it, it seems quite
-likely that when it has deflected the ball from the line of flight it
-may be checked to such an extent that the atmosphere has a chance to
-get to work on the ball again and produce that which is practically a
-reverse spin. In this way, and in this way alone, can I see any reason
-for the double swerve which I have already referred to, in the carry
-of the golf ball. It must be understood that in the case of double
-swerve which I am referring to, the deflection from the straight line
-has always occurred at a point in the carry where one would not expect
-to see it if it had been occasioned by spin administered by the club,
-and it is always very much less indeed than the swerve would be if it
-had been obtained by spin produced by the club.
-
-Also there is this other fact against the hypothesis that the swerve
-is produced by spin imparted at the moment of impact. In the swerve
-which I am referring to, both the first swerve and the return swerve
-which takes the ball back again into the line of flight are very
-slight, and in most cases practically of the same length and degree.
-If the original deflection from the straight line were due to rotation
-of the ball acquired at the moment of impact, the swerve and return to
-the straight line, if there were any such return, would never be so
-symmetrical as they are.
-
-I can quite easily understand the double swerve of a golf ball from
-spin produced by the contact between the club and the ball, although I
-must admit that I have never seen a swerve of this nature in golf
-which I could put down unhesitatingly to spin acquired at the moment
-of impact. I must, however, when I say this, except one instance. This
-was in the case of a ball hit with back-spin, and although it is in a
-sense improper to refer to it as double swerve because it only
-affected the trajectory and did not alter the plane of the ball's
-flight in any way, it was, in a sense, a case of double swerve. It was
-a wind-cheater struck by a very good player at Hanger Hill. The ball
-flew very low and looked as though it was about to hit a bunker, when
-suddenly, on account of the tremendous amount of back-spin which the
-player had put on his ball, it rose with the ordinary rise of the
-wind-cheater and soared straight away for thirty or forty yards, when
-it began to tower in the ordinary manner of the wind-cheater. This was
-such an extraordinary shot that I illustrated it in _Modern Golf_, but
-I have never, in the course of fifteen years' acquaintance with the
-game, seen another shot of the same description.
-
-There is no doubt whatever that double swerves may be obtained by the
-axis of rotation of the ball altering during the flight of the ball. I
-can remember quite clearly at a meeting of the All-England Lawn-tennis
-Club at Wimbledon, a player informing me quite seriously that a
-lawn-tennis ball would swerve two ways in the air. At that time I was
-under the impression that I knew all there was to be known about the
-flight of the ball. I did not contradict him, but inwardly I pitied
-him; but at the same time I made up my mind to watch for this
-phenomenon, little as I expected to see it, for in the course of at
-least seventeen years' practical acquaintance with the game of
-lawn-tennis wherein one has a splendid opportunity of observing the
-action of spin on the ball, I had never seen, or perhaps it would be
-more correct to say I had never observed, any ball swerve two ways.
-
-It was not many days after this that I distinctly saw an American
-service, delivered by one of the players in the All-England
-Lawn-tennis Championship, swerve two ways. Since then I have looked
-for this phenomenon, and I have seen it happen both in lawn-tennis and
-golf, but I am satisfied that in golf it is not due to spin acquired
-at the moment of impact, as undoubtedly it is in lawn-tennis. It seems
-to me that with the lawn-tennis ball, which offers a very large
-frictional area in proportion to its weight, that it is quite feasible
-that during its travel, particularly in the American service, it may
-alter its axis of rotation on account of encountering a heavier bank
-of air, or for some other reason. It naturally follows that
-immediately this takes place the arc of the original swerve is
-interfered with, but in no case have I seen in lawn-tennis, as I have
-in golf, the original swerve of the ball exactly compensated for by
-the swerve back into the straight line, which is the peculiarity of
-the double swerve at golf.
-
-There is no doubt that there is a considerable amount of mystery in
-this matter. It may appear that it is not of much importance to
-golfers, from a practical point of view, whether it is solved or not,
-but it is hard indeed to say how useful a proper understanding of the
-higher science of the game may be in the practice of it; and in the
-experiments carried out by Sir Ralph Payne-Gallwey with so much
-patience and ability we have a very good example of the value to
-golfers of the scientific investigation and consideration of matters
-appertaining to the various implements of the game.
-
-
-
-
-CHAPTER XII
-
-THE CONSTRUCTION OF CLUBS
-
-
-In my last chapter I dealt with the construction of the golf ball. In
-many respects the golf club is more perfectly made than the golf ball,
-although it is, of course, hard to compare two objects so entirely
-dissimilar. In making the comparison I am, however, thinking mainly of
-the amount of exactness which has been brought to bear on the
-manufacture of the respective articles in so far as they have
-developed in accordance with the best of modern thought. It cannot be
-denied, however, that from a mechanical point of view, the golf club
-is still a very imperfect implement, for the simple reason that the
-striking point of the club is not in a line with the handle. This, of
-course, is, from the point of view of one who desires to obtain the
-maximum of strength and accuracy, a glaring fault. It has been
-remedied to a very considerable extent in the Schenectady putter, to
-which I shall have occasion again to refer.
-
-Golf is a very old game, and, as I have shown, it has been simply
-festooned with the cobwebs of tradition, and in no respect, probably,
-is this truer than it is in regard to the golf club. Originally,
-almost every implement made for playing a game by striking a ball was
-curved or so crooked that the ball was struck off the line of the
-shaft. The cricket bat was originally a crooked implement, so was the
-lawn-tennis racket, lacrosse, and even the billiard cue, but these
-have all been straightened, so that at the moment of impact the ball
-is in a straight line with the handle or shaft of the striking
-implement. It would indeed seem exceedingly strange to see a batsman
-furnished now with a curved bat, but that, in effect, is what we have
-in golf. It is certain that to obtain the best result from one's
-strength, it is necessary that the forearm, the ball, and the shaft of
-the striking implement shall be, at the moment of impact, in one and
-the same straight line or plane. This is a fundamental rule in
-athletics which is too much ignored by many players, both at
-lawn-tennis and in golf.
-
-Ignoring this principle in lawn-tennis has cost England her
-supremacy--not only, indeed, has it cost her her supremacy, but it has
-relegated her to the back ranks of the world's lawn-tennis players;
-for instead of having the handle of the racket and the forearm in one
-and the same straight line at the moment of impact, the English
-player, both with the forehand and the backhand, introduces between
-his racket and his forearm a considerable angle. He thus, instead of
-confining his force to one line, diffuses it over a triangle, and
-causes the weight of the blow to fall on his wrist in such a way that
-it offers least resistance.
-
-The golf club, although naturally to a less extent, embodies this
-fundamental error in mechanics, for instead of hitting the ball dead
-in a line with the shaft, it gets it in the middle of the face which
-projects from one side of the shaft. A moment's reflection will show
-that this is a very imperfect method of striking the ball.
-
-It will, of course, be said by the slaves of tradition that it is a
-horribly revolutionary thing to suggest any alteration in the shaft of
-the golf club, but it must be borne in mind that the golf club has to
-go through a process of evolution before it will become perfect, also
-that it has for generations past been going through a process of
-evolution which has materially altered its structure. Originally the
-head of the golf club was much longer than it is now. Gradually the
-head has been shortened so that the point of impact has come nearer to
-the shaft, and no less an authority than Harry Vardon has said that
-this tendency is well justified, for one can undoubtedly obtain
-greater power and accuracy the nearer the blow is brought to the
-shaft.
-
-Following Vardon's reasoning to its logical conclusion, we have very
-little difficulty in arriving at a decision that we could undoubtedly
-obtain better results if we struck the ball in a line with the shaft.
-This seems at first glance a revolutionary idea, but, as a matter of
-fact, it is nothing new in the game of golf. The old St. Andrews
-putter, which had a pronounced curve in its shaft, was so built that
-if the line of the upper half of the shaft were continued it would run
-practically on to the centre of the face of the club. The lower
-portion of the shaft curved very considerably. Sometimes, indeed, this
-curve was spread over almost the full length of the shaft. The object
-of this curve, which I may say is even now in the handle of all
-scientifically constructed wooden putters, is to bring the hands in a
-line with the point of impact at the moment of striking, but in this
-year of grace, 1912, we find the Royal and Ancient Golf Club barring
-on its own links, but, as it states now, _nowhere else_, such a well
-known and proved club as the Schenectady putter.
-
-The Schenectady putter is not a centre shafted putter, and in my
-opinion is open to several grave objections, for it is made with a
-head shaped on the general principle of the wooden putter, which it
-resembles more than it does the ordinary metal putter. I have a rooted
-objection to any putter which has a broad sole, for it is simply
-importing into the stroke an unnecessary element of error. If the
-swing is untrue, there is much greater risk of soling with a
-broad-soled putter than there is when one is using one of the metal
-putters.
-
-I have besides this two other objections to the Schenectady putter. It
-does not go far enough, in that it is not a centre shafted putter, and
-therefore the point of impact and the shaft are not in the same
-straight line; and thirdly, the shaft enters the head of the club some
-distance back from the face of the club.
-
-Some years ago, when in America, I invented and patented the "Vaile"
-clubs. These are centre shafted clubs and they are built exactly on
-the principle of the time-hallowed St. Andrews putter. For example,
-the only difference between the "Vaile" putter and the revered St.
-Andrews putter in principle is that in my club, instead of spreading
-the curve over the full length of the handle, I have gathered it all
-at the neck, and instead of allowing the shaft to run into the head of
-the club, as in the Schenectady, some distance from the face of the
-club, I have turned the neck away in a curve to the heel of the club,
-so that the club is much more like the ordinary golf club than is a
-putter built on the lines of the Schenectady. The same principle is
-used in the wooden clubs.
-
-Now it is absolutely incontestable that this principle is
-scientifically more accurate and will deliver a stronger blow than the
-golf clubs which are at present used. James Braid in 1901 said of this
-putter:
-
- I consider this putter very good for direction, as, the shaft
- being practically centred, you get the effect of the driver
- headed putters with inserted shafts, without losing the
- advantages which the ordinary putter head possesses over the
- large headed clubs. The principle, from a scientific point of
- view, is certainly right, and I have no doubt that any player
- who suffers from bad direction will find this a valuable
- club.
-
-In passing, I may draw attention to the fact that James Braid himself
-considers that the ordinary putter possesses advantages over the large
-headed clubs, and I think myself that there is very little doubt that
-this is so for the vast majority of golfers. Arnaud Massy, in his
-recent book _Le Golf_, says of my clubs: "Certes, au point de vue
-scientifique, cette théorie est inattaquable." Notwithstanding the
-opinion of three such men as Vardon, Braid, and Massy on a matter of
-practical golf like this, the Royal and Ancient Golf Club of St.
-Andrews has declared that my clubs are illegal on their links, but in
-response to questions which they have been asked with regard to this
-matter they assert that the club is barred only on the links of the
-Royal and Ancient Club!
-
-It seems a very great pity that this famous Club should have taken
-this action with the Schenectady and the Vaile, for it has undoubtedly
-led, as I pointed out in _The Contemporary Review_ for August 1910,
-would be the case, to the passing of the great Club as a world power
-in golf. It is impossible for any club or body of persons to stand in
-the way of the progress of a great game such as golf, and anybody or
-any club endeavouring to do so must inevitably, as I clearly indicated
-at the time, pay the penalty for doing so.
-
-I have very little doubt that in the future, and at a by no means
-distant date, golf will be played with clubs constructed on an
-infinitely more scientific principle than those which are now used.
-It is quite plain to anyone who gives the matter a little thought that
-the longer the head of the club the greater must be the inaccuracy in
-the stroke. It stands to reason that the inertia at the toe of the
-club is greater than at the heel, and every fraction of an inch which
-one goes farther from the shaft must increase the inertia in the head
-of the club. It follows quite naturally that if one is using a whippy
-shaft, the tendency must be for the head of the club, especially if it
-is at all long, to exert a very considerable amount of torsional or
-twisting strain on the shaft of the club in the downward swing. It has
-been asserted that this torsional strain, by reason of the recovery of
-the shaft at the moment of impact, adds something to the force of the
-drive in golf, but this is quite an error, as at the moment of impact
-the club is travelling at its fastest. It follows, therefore, that if
-there is any inertia in the toe of the club, it will be very apparent
-at the time when the club is travelling at its fastest, and the result
-is that the torsional strain, instead of providing any beneficial
-spring at the moment of impact, only tends to lay back the face of the
-club and contribute materially towards slicing. It will, therefore, be
-seen that it is very inadvisable to have a long head when one is using
-a whippy shaft.
-
-I may, perhaps, illustrate this question of keeping the impact in a
-line with the striking implement by instancing the sword cut. Most
-people have seen at military tournaments the competition known as
-lemon-cutting. In this event a mounted man gallops past a certain
-number of lemons suspended on strings, and as he passes he endeavours
-to sever them with his sword. It will be seen that at the moment when
-his sword enters the lemons his forearm and the sword are, in both
-cuts, in the same plane, and it seems so obvious as to need no
-emphasising that if the line of his blade were even an inch or two off
-the line of his forearm there would be introduced into his stroke a
-very great degree of inaccuracy, but although this may be so obvious,
-it is practically what we are doing every day in golf.
-
-If the golf club were made in such a manner that the point of impact
-was absolutely in a line with the forearms at the moment of impact,
-tradition, instead of being outraged, would really be honoured. Not
-long ago a friend of mine came to me and showed me an old driver,
-saying, "I cannot understand how it is, but I can always get twenty or
-thirty yards farther with this driver than I can with any other." I
-took the club and ran my eye down the shaft. I noticed at once that it
-was warped considerably so that it threw the shaft inwards in such a
-manner that it resembled very much the shaft of an old St. Andrews
-putter--in other words, it put the golfer's hands and forearms in a
-line with the shaft of his club and the shaft of his club in a line
-with the point of impact at the moment the stroke was played. I
-pointed out to him that his club was, in effect, a centre-shafted
-club, and that this was the reason why he was getting a longer and, as
-he stated, a straighter ball with this club than with any other club
-he used.
-
-While I am on this question of the construction of clubs, I may as
-well state that under the recent ruling of the Royal and Ancient Golf
-Club there is not a legal golf club in use in England to-day, for one
-of the essentials of a legal club now is that the head must be all on
-one side of the shaft of the club. Passing by, as too technical an
-objection, the question as to whether a circular object may be said to
-have a side, we are confronted with the fact that many of the
-best-known clubs have the shaft inserted in the head. All the socketed
-clubs technically are illegal, because the head is certainly not all
-on one side of the shaft. Many cleeks are illegal because the shaft
-goes through the socket and right through the heel of the club to the
-sole thereof, so that a considerable portion of the head of the club
-is on the hither side of the shaft, and every ordinary golf club is so
-constructed that it is more correct to say that the head of the club,
-instead of being all on one side of the shaft, is either at the foot
-of the shaft, or at least that there is, without any doubt, a
-considerable portion of the head which goes beyond the one side of the
-club whereon the head is supposed to be.
-
-It is a very great mistake indeed to attempt to introduce any standard
-golf club or to lay down any regulation whatever as to how the golf
-club shall be made. The good sense and sportsmanlike instincts of the
-golfer should be sufficient to govern the question of what may and
-what may not be used. It is an absolute certainty that if any man were
-to endeavour to use an implement which was not in accordance with the
-best spirit of the game, he would speedily provide his own punishment,
-but it is a wonderful thing to find the greatest Club in the world
-barring on its own links clubs which embody in their formation the
-well-recognised principles of the most revered implements of the game.
-
-The principle which I have referred to of endeavouring to get the
-point of impact as near to the shaft as possible is being shown also
-in the hockey stick, which has not now anything like so great a curve
-in it as it originally had, and the striking-point has been brought
-much nearer to the shaft. The tennis racket, as distinct from the
-lawn-tennis racket, has stood for many years as a lob-sided
-instrument, but about eighteen months ago I was with a tennis player
-who ordered from Messrs. F. H. Ayres, Ltd., six straight tennis
-rackets, saying that he believed the soundness of the principle which
-I am now advocating to be absolutely incontestable and of universal
-application in ball games.
-
-I mention this matter because I believe it is of historical interest,
-for I do not think that prior to the time mentioned by me, tennis
-rackets were ever made straight. We all know how, when aiming a stone,
-playing a billiard ball, firing a gun, shooting an arrow, or pulling a
-catapult, one instinctively tries to get one's eye into the line of
-flight of the object to be propelled. It is evident that one can aim
-better thus. This is denied one in golf, where the ball is practically
-the smallest played with, to a greater extent than in any other game.
-It follows that a greater degree of mechanical accuracy is called for
-in golf than is required in other games. Very few golfers realise that
-they are deliberately handicapping themselves by playing with the
-clubs at present used. The weight and leverage of the head of the club
-is on one side of the shaft, and the angle of error is there. True, it
-is small, but a very slight initial error in the flight of a golf ball
-becomes in 200 yards serious, perhaps fatal. The golf club of the
-future will inevitably follow the march of scientific construction,
-and fall into line with the straight-handled implements wherewith the
-ball is struck in a line with the shaft.
-
-It is clear that at the moment of impact with a golf club, as they are
-now constructed, there is a very great tendency for the club to turn
-in the hands. This is shown very clearly when one happens to hit with
-the toe of the club a little lower than it ought to be, so that the
-toe strikes the earth. This is absolutely fatal for the club will be
-turned in the hand, but it is otherwise if by chance one happens to
-strike the ground with the heel, for as the force of the club is
-transmitted in a straight line down the shaft, the blow is very
-frequently, particularly with iron clubs, not interfered with to any
-very great extent. It is clear that if the club is centre shafted,
-greater strength and accuracy are obtained, for the club has an equal
-weight on each side of the shaft. There is thus no torsional or
-twisting strain on the shaft as there is at present with every golf
-club, and, as I have already shown, this torsional strain cannot be
-considered as a negligible factor in a club. I must repeat, however,
-that it is an error to think that this torsional strain can, by its
-recovery, contribute anything to the length of the drive, for the
-recovery from the torsional strain does not take place until long
-after the impact has ceased and the ball has gone on its way. This, it
-seems to me, even from a theoretical point of view, is undoubted, but
-I have proved by practical experiment that one can obtain a longer
-ball with a centre-shafted club than one can with an ordinary golf
-club.
-
-There is another matter in connection with the construction of clubs
-which should receive the attention of manufacturers. We know that the
-clubs are of varying lengths, descending from the driver to the putter
-according to the length of the shot which is required of them. The
-difference between a driver and a mashie is frequently as much as six
-inches. The difference between a mashie and a putter is roughly, say,
-three inches. It has always seemed to me that in proportion to the
-work demanded of it the putter does not continue in the decreasing
-scale of length as it should, particularly for short puts. Many very
-fine putters get quite low down to their put and grip the putter a
-long way down the shaft. It is undeniable that for short puts there
-is some advantage in this method, but it is open to the objection that
-it leaves too much of the shaft free above the hands, thus not only
-destroying the balance of the putter, but risking striking some
-portion of the player's body with the free end of the shaft.
-
-I believe that the putter should, generally speaking, be made much
-shorter, but, if this is not done for approach puts, I am sure that it
-would be worth one's while to experiment with a short putter for short
-puts. I have had such a putter made for me, and I have no hesitation
-whatever in saying that it is a very valuable club and one that should
-be better known than it is. It is necessary, of course, to readjust
-the balance in such a club, but when that has been done, I firmly
-believe that one is very much more accurate with this club than with
-an ordinary putter when playing short puts. The putter which I am
-referring to is, if I remember, little, if any, more than twenty-six
-inches.
-
-While I am on the question of the construction of putters, I may say
-that I am inclined to think that all these putters which are made with
-heads such as the Schenectady, the ordinary wooden putter, or those
-putters with aluminium heads, are a mistake. The sole of the club is
-too broad, and to use such clubs as these is simply providing a
-greater chance of error. There is nothing which can be done with one
-of these large-headed putters which cannot be done as well, or better,
-by an ordinary metal putter.
-
-There are many fearful and wonderful putters on the market at the
-present time. Lately there has been produced a putter with a very
-shallow face, which is now being largely used because a man who has
-won the open championship frequently is using it. For ninety per cent
-of golfers a putter with a narrow face is a very great mistake, and I
-believe that in saying ninety per cent I am fixing the percentage low.
-I do not think that any putter should be built whose face is so narrow
-that at the moment of striking the ball properly with the putter the
-top edge of the putter is below the top of the ball. I am firmly of
-opinion that a putter which is so built that it delivers the main
-portion of its force below the centre of the ball's mass is absolutely
-defective. I go even so far as to say that I believe that in a
-scientifically constructed putter the face should be made much broader
-than the face of the average putter, and that the weight, instead of
-being massed at or near the bottom of the putter, should be reversed,
-and put, if anything, nearer the top. The whole essence of true
-putting is that the ball shall be rolled up to the hole, and not at
-any portion of its journey played with drag, or as one is sometimes
-told to do, slid along the green. Any attempt whatever to put with
-drag, or by tapping the ball, must cause inaccuracy.
-
-I saw, a short time ago, one of the finest golfers in England, Mr. A.
-Mitchell, lose an important match on the putting-green, or, to be a
-little more accurate, on quite a number of putting-greens. He was
-then, and I believe still is, making the same mistake as James Braid
-made when he was such a bad putter, viz. tapping his puts, and
-finishing low down on the line after the ball. It is almost impossible
-for anyone to be a good putter with this stroke, and his chance of
-being a good putter is rendered remoter still if he attempts to do
-putting of this nature with a shallow-faced putter.
-
-A putter should have very little loft indeed, if any. It is
-questionable, from a scientific point of view, if the putter should be
-lofted at all, but in practice a very slight degree of loft is
-generally used, and there may be something to be said in favour of
-this slight loft if one is playing the put as it should be played, as
-nearly as possible by the wrists, for if that is done it stands to
-reason that the putter with a very slight loft will tend, in, of
-course, an extremely small degree, but still to such a degree as to be
-perceptible, to deliver its blow upwardly through the ball's mass, and
-this naturally tends to give the ball a truer roll off the club than
-would be the case if the putter were perfectly vertical.
-
-If one were using a putter with a vertical face, it seems fairly clear
-that at the moment of impact, when one is endeavouring to roll the
-ball forward, it is held simultaneously at two points. There must
-then, it seems, be some slight dragging on the face of the club and
-also on the green, but when the putter has some small loft on it and
-the blow is delivered, to a certain extent, upwardly, the ball will
-naturally get a truer roll from it, and for this reason perhaps the
-smallest degree of loft on a putter is advisable.
-
-Shallow faces and broad soles in putters have nothing whatever to
-recommend them, and there is very little doubt that golfers will, in
-due course, find this out, and will use a putter so made that it will
-carry the weight where it is most wanted, and that certainly is not at
-the base of the ball, for, unnecessary as it may seem to mention the
-fact, the put is the one stroke in golf which we always desire to keep
-as close to the green as possible. We know quite well that in all
-other clubs, when we want to get the ball off the ground quickly, we
-take a club which has its weight thrown into the sole, but as we want
-exactly the opposite thing on the putting-green, it seems reasonable
-to think that we should alter the adjustment of our weight when
-constructing a putter which has any claim whatever to being
-considered a scientifically made club.
-
-I have referred to the defect of the broad sole, and I have in a
-previous chapter of this book indicated that the perfect put should
-bear as close a resemblance to the swing of a pendulum as the player
-can give it. Let us now for a moment imagine that we have as the
-weight on the pendulum the head of an ordinary metal putter, and let
-us so adjust this metal head that in the swing of the pendulum it will
-barely clear a marble slab placed underneath it. Let us now remove the
-metal putter and substitute in its place such a club as one of the
-ordinary aluminium-headed clubs, or a Schenectady, and hang this club
-on the end of the pendulum so that when the pendulum is absolutely
-vertical the front edge of the sole of the club clears the slab by
-exactly the same space as the metal putter did when at rest. We shall
-now find that this club will swing freely back in the same manner as
-the metal putter did, but we shall get a very striking exemplification
-of the fact that the breadth of the sole of this club will prevent it
-swinging forward at all, for the rear portion of the sole will foul
-the marble slab. This, of course, is sufficient to absolutely prevent
-a proper follow-through, for even when this happens on a good green
-the delicacy of the put is such that it is more than likely the stroke
-will be ruined.
-
-This is an illustration of what I mean when I say that the golfer is
-importing into his game an unnecessary risk when he uses a broad-soled
-club. It will be seen from the example which I have given that there
-is an infinitely greater danger of soling with such a club than there
-is when one is playing with an ordinary metal putter.
-
-The same error with regard to breadth of sole is very frequently seen
-in the mashie. Indeed, the sole of the mashie is so broad and taken
-back at such an unscientific angle that very frequently the player
-strikes with the back edge of the sole before the front. It stands to
-reason that when he does this he is cocking up the front edge of his
-club, and so robbing himself of a great portion of the loft of the
-club. Many players lay the face of the mashie back in order to
-increase the natural loft of the club. In nine cases of ten when they
-do this, instead of increasing the usefulness of their clubs they
-diminish it, for they insist then upon the front edge of the face of
-the mashie striking the ball higher up than would be the case if they
-played with the club in the ordinary way.
-
- [Illustration: PLATE XV. J. SHERLOCK
-
- Finish of iron-shot. Note carefully the upright finish
- following the swing back, and the position of the hands, a
- characteristic of the finish of this shot. Sherlock gets a
- lower ball than the ordinary iron-shot.]
-
-Most mashies are constructed in a very unscientific manner. It is the
-function of the mashie to get as far underneath the ball as possible.
-To do this a mashie should always have its front edge very clearly
-defined, and almost immediately the sole leaves the front edge it
-should begin to curve upwardly--in other words, a mashie should
-practically never have a sole. When the mashie is made like this it is
-astonishing how much easier and more accurate it makes one's work with
-the club. Not only does the curving sole to the mashie allow one to
-get more in underneath the ball and prevent any jar of a square edge
-behind the front edge of the sole, but if it is a question of taking
-turf, which involves cutting down behind the ball, one is able to do
-this with a mashie having the sharp edge and the curved sole such as I
-describe, much more easily than one could with the flat sole, for the
-simple reason that one is enabled to pass the ball on the downward
-stroke much more rapidly than one could possibly do with the
-broad-soled mashie. It is obvious that in playing a ball with heavy
-back cut, the essence of obtaining that cut must be the speed at
-which the mashie passes down behind the ball, and it must be also
-equally apparent that if one is playing that shot with a club whose
-sole is as broad as is that of the ordinary mashie, that the pace of
-the blow must be arrested to a very great extent long before the club
-has had an opportunity of absolutely clearing the ball. This means
-that the club is hampered in the execution of its natural duty.
-
-While I am on the subject of the construction of the mashie, and
-particularly with regard to the curving sole, I may mention that I
-have such a club. It was made for me in accordance with a
-specification which I furnished, but it did not in any way carry out
-what I wanted; in fact, my instructions were very much exaggerated,
-but the moment I saw that club I knew that it would be, for short
-approaches and for playing stymies, a wonderful club; and so it has
-proved. It would take a good deal more than its weight in silver to
-induce me to part with it, for that club led to the making of history
-in golf--in other words, its construction caused me to see the great
-advantage which could be got by using it in playing the stymie shot
-which I have described in a previous chapter, and it was while playing
-this particular stymie shot that I came to the conclusion that for the
-usual stymie shot at or about the hole the ordinary mashie is far too
-long, as in the case of the short putter, because when one tries to
-get down on the club as low as one really ought to do for playing a
-shot of the delicacy required in these strokes, one finds that one has
-too much free shaft above one's hands. If I had any doubt whatever as
-to the advisability of having a short putter for short puts, I have
-absolutely none with regard to the benefits which are to be obtained
-from having a short mashie for playing close stymies, and I may say
-that at the time of writing I have never handled such a club--I have
-never seen such a club, nor have I ever heard of such a club, but
-before this book is published I shall have one.
-
-Stymies were once upon a time a perfect terror to me, but with the
-club which I have referred to, and whose construction was practically
-an accident, they are no trouble, and I firmly believe that nine
-stymies of ten would be no trouble to a golfer of ordinary skill if he
-had the proper club with which to play them, but it seems not
-unreasonable, when we consider the descending scale of the clubs which
-I have before referred to, to think that a club which we use
-frequently to get eighty yards with should not be the most suitable
-implement for playing a stroke of nine inches to a foot.
-
-While I am on the subject of iron clubs, there is another matter which
-I should like to refer to, and that is that, in my opinion, the
-communion, if I may use the word, between the club and the ball is not
-as intimate as it should be. In the lawn-tennis ball and racket one
-gets a wonderfully firm grip, and it is astonishing with what accuracy
-one can place a lawn-tennis ball by means of cut, but the vast
-majority of iron clubs which are used are insufficiently and
-unscientifically marked. I can remember the time when iron clubs,
-generally speaking, were innocent of any indentation whatever on their
-faces. Marking is fairly general now on iron clubs, but it is done in
-an utterly unscientific manner. It is frequently done by great deep
-straight lines, and, particularly in the mashie, nearly always by
-lines which run from heel to toe. Now in the great majority of mashie
-shots when one is putting on cut one requires lines running in an
-exactly opposite direction. We do sometimes see, of course, lines on
-these iron clubs running at right angles to each other, but in nearly
-every case the marking is too large and too coarse to be of the
-practical benefit which it ought to be.
-
-Quite recently I saw a very skilful golfer playing with rusty clubs,
-and somebody who did not understand what it meant commented rather
-strongly on his untidiness. He did not understand until he was told
-that the idea of the man who was using these clubs in keeping them
-rusty was that he got a better grip on his ball, and there can be no
-doubt whatever that this is the case, but a scientific maker of iron
-clubs would not be satisfied to leave it to his customer to make up
-for his deficiency by allowing his clubs to become unsightly. He would
-produce a club marked as nearly as might be in a similar manner to a
-club which was heavily rusted.
-
-I have experimented with various means for establishing a better grip
-between the club and the ball, and I have, I believe, found an almost
-perfect medium for establishing effective contact. Let us consider for
-a moment how little use the cue would be to us at billiards were it
-not for the medium of contact which is commonly used; to wit, the
-chalk. Now it is inconvenient, and, moreover, would be ineffective to
-a great extent, to chalk one's iron clubs in golf, but it is an
-absolute certainty that something which answers to the chalk should be
-on the face of every iron used in golf. What that is to be we must
-leave to the ingenuity of our scientific club makers, but it is an
-absolute certainty that we shall see a very great improvement in this
-particular matter within quite a short time.
-
-
-
-
-CHAPTER XIII
-
-THE LITERATURE OF GOLF
-
-
-It will be readily understood by those who have followed me that I
-consider that golf has been badly served by those who have essayed to
-teach it by books. The main, if not indeed the whole, cause of the
-trouble is the manner in which writer after writer has allowed himself
-to be influenced by the work of those who have preceded him. This is
-neither amusing nor instructive. The essence of progress is research.
-We cannot progress in anything by repeating parrot-like the fallacies
-of those who have preceded us.
-
-I want to make it particularly plain that this book aims at absolutely
-dispelling the fog and mist, the obscurity and the falseness which now
-clusters about the game of golf. One dear old chap was explaining to
-me how he tries to drive. He said, "When I get to the top of the swing
-I have so many things to remember that I get all of a dither and mess
-it up hopelessly." Could anyone express it better?
-
-About seventy-five per cent of the golfers who follow the usual
-tuition are "all of a dither." The whole trouble is that they are
-given too much to think of _during the stroke_. I am certain that the
-secret of success in golf is to eliminate the necessity for thinking
-_and theorising_ on the links. This, I contend, can be done by
-_knowing_, not merely by _reading_, the contents of this book.
-
-So strongly do I feel in this matter that I consider that every
-beginner who desires to succeed at golf should know what is here set
-out, while every misguided golfer who has been jumping from his right
-leg to his left, and putting his left hand in command instead of his
-right, should lose no time in getting the truth and so revolutionising
-his game.
-
-I have stated in my Preface that this book is a challenge. So, in
-effect, it is. It stands for truth and practical golf, instead of the
-nonsense which is generally published about one of the greatest and
-simplest of games.
-
-I must here refer to a book entitled _Practical Golf_, published by
-Mr. Walter J. Travis, the Australian who perfected his golf in America
-and won the Amateur Championship of England.
-
-Mr. Travis' book is very interesting in many ways. He calls it
-_Practical Golf_, and it ought to be, coming from him, but Mr. Travis
-falls into nearly all the mistakes of those who have followed the
-time-worn fetiches of the people who handed down to us "the traditions
-of golf." I was much astonished at this, for Mr. Travis tells us
-himself that he worked out his own salvation, at the same time as he
-remarks that "as a general rule the average professional, while he may
-be a good player, lacks the faculty of imparting proper information to
-beginners."
-
-This, unquestionably, is true, but one cannot expect too much theory
-from the professional, who is not, generally speaking, a very well
-educated man, but from a man in Mr. Travis' position one has a right
-to expect a fairly good grip of fundamental principles. He says that
-"All good players work practically on the same basic principles." This
-is, of course, right. The trouble is that most good golfers, like Mr.
-Travis, work on the same correct basic principles, but advertise to
-their unfortunate readers and pupils those which are utterly opposed
-to their practice.
-
-Mr. Travis absolutely subscribes to the fundamental but common error
-with regard to the distribution of weight. He says at page 30: "In the
-upward swing it will be noticed that the body has been turned very
-freely, with the natural transference of weight almost entirely to the
-right foot." At page 7 he says: "The ease and rapidity with which the
-weight of the body and arms is transferred from the left leg to the
-right and back again, joined to wrist action--concerning which
-reference will later be made--are largely, if not wholly, responsible
-for long driving."
-
-It is obvious from this that Mr. Travis thinks that one's weight ought
-to be on one's right leg at the top of the swing. It is also obvious
-that he thinks he throws his weight about from one leg to another when
-he is playing. It is, notwithstanding this, certain that he tells us,
-as does every man who writes a book about golf, that the head must be
-immovable during the operation of driving. We must wait for Mr. Travis
-to tell us how this conundrum can be solved, as none of the famous
-golfers of the world have yet been able to do it. If the stance has
-once been taken with the weight equally distributed between the legs,
-it is impossible, if the head be kept still, as Mr. Travis and
-everybody else says it should be, to get the weight on to the right
-leg at the top of the swing, but it is not impossible to get it on to
-the left leg, where it should be, and where, indeed, it goes quite
-naturally.
-
-In speaking about the palm grip Mr. Travis says: "This style is more
-affected by cricketers and base ballers, but it is open to the
-objection that it introduces a tendency to hit the ball with tautened
-muscles, and discourages the proper follow-through."
-
-Personally, I cannot see that there is any objection whatever to
-hitting the ball with tautened muscles--in fact, it absolutely must be
-done in that way, and in no other, or the result will be dire failure.
-James Braid himself says that at the moment of impact the muscles are
-in a state of supreme tension, and as a matter of practical golf there
-can be no doubt whatever that this is so. Mr. Travis also comes into
-line with the general body of golfing opinion with regard to the
-fetich of the left. He says on page 14: "As a general rule the left
-hand should grip somewhat more firmly than the right." I may say that
-Vardon and Taylor do not agree with Mr. Travis, and the mere idea of
-putting the left to exert a firmer hold on the shaft is a reversion to
-primeval fables.
-
-Mr. Travis tells us, speaking about the waggle: "Do not on any account
-in this preliminary address _lift_ the club up. Lifting the club
-pre-supposes stiffness and rigidity of muscles and the resultant
-stroke cannot be thoroughly satisfactory."
-
-It will be obvious that as the club is at the lowest portion of its
-arc it is necessary to lift the club. This is done by an easy action
-of the wrists, and the waggle, of course, then becomes a swing worked
-almost entirely from the wrists, but it is absolutely essential to
-lift the club for the ordinary waggle.
-
-At page 19 Mr. Travis says: "When the top of the swing is reached,
-without pausing, bring the arms and body around as swiftly as possible
-and _swish_ the ball away." We see here that Mr. Travis is also an
-adherent of the fetich of the sweep, but we must in his case call it
-the fetich of the "swish." In golf it is now realised that the golf
-drive is a hit of the very finest order.
-
-Mr. Travis says at the same page "Do not seek to artificially raise
-the left foot on the toe. Strive rather to keep it rooted--the natural
-turn of the shoulders and body rotating to the right will bring it up
-and around. Keep the right leg as stiff and as straight as possible.
-And whatever you do, do not move the head." If one is going to pivot
-on the left toe in any way whatever, it is fatal to the rhythm of the
-swing to wait until the arms pull the left heel off the earth. The
-left heel should leave the earth almost simultaneously with the club
-leaving the ball. If this is not done it will be impossible to
-maintain the rhythm of the swing. Mr. Travis shows himself in nearly
-every case pivoted on the _point_ of his left toe at the top of the
-swing. This is now universally admitted to be bad form, as one should
-put the weight on the ball of the toe, and forward from that at the
-side of the shoe.
-
-It is, of course, possible to play the drive practically flat-footed,
-in which case one's swing will naturally be much flatter than the
-ordinary swing, but this is not generally done. For those who pivot on
-the left toe, Mr. Travis' advice to wait for the arms to pull the heel
-up is, I think, absolutely bad. His advice to keep the right leg stiff
-and straight is quite good, and, of course, there can be no doubt of
-the correctness of his advice when he says "do not move the head," but
-will he tell us how, with a perfectly stiff and straight right leg,
-and no movement whatever of the head, he is going to transfer his
-weight to his right leg? for, as he truly says on page 20, "If the
-head is kept still, no swaying of the body can be indulged in."
-
-There is a very remarkable statement on page 20. Mr. Travis says: "Any
-doubt as to whether the head is moved may easily be satisfied by the
-player assuming a position with the sun immediately at the back of
-him, and watching the shadow of the head during the swing. If the
-head is shown to move, the swing should be persistently practised
-until this fault is remedied." If I were not now writing practical
-golf myself, I might suggest putting in a peg on the ground to watch
-whether one's shadow impinged on this peg or not, but as a matter of
-practical golf if I considered anything of this nature necessary, I
-should prefer a string stretched across by my right ear so that
-swaying would be bound to make me touch it, but as a matter of
-_intensely practical golf_ neither of these expedients is in the least
-degree necessary if the player will only get it firmly rooted in his
-mind that his weight must be on his left leg at the top of his swing,
-and he will then find that he has no temptation whatever to sway.
-
-On page 23 Mr. Travis says: "It is not really the length alone of the
-downward swing that contributes distance so much as the rapidity with
-which the club head is moving at, and just after the moment of
-impact." It is almost unnecessary to draw attention to the fact that
-what happens "just after the moment of impact" does not much matter to
-the ball. It is what happens during the impact which is of importance,
-although it stands to reason that if the speed during impact has been
-sufficient, just after impact it will still be the same, minus the
-force expended on the golf ball.
-
-Mr. Travis makes a terrible error in _Practical Golf_ when he says,
-speaking of the downward swing: "Let him resolve to centralise the
-power of the stroke immediately the ball is reached."
-
-This is an idea fatal to good golf. As I have frequently pointed out,
-and as James Braid in _How to Play Golf_ also emphasises, the meeting
-between the ball and the club should be _merely an incident_. Any
-attempt to try to do anything during impact in the drive is futile.
-
-Mr. Travis at page 24 makes the same error with regard to the speed of
-the club after the ball has been hit. He says: "A great deal more
-depends upon the maintenance of speed after the ball is struck than is
-commonly supposed. This part of the stroke is known as the
-follow-through, and plays a very important part in the length of the
-drive as in straightness." Mr. Travis evidently does not perfectly
-realise that the follow-through is of no importance whatever except as
-the natural result of the correctly played first part of the stroke,
-and the maintenance of speed after the ball has been struck is of no
-importance provided that the first portion of the stroke has been
-properly executed and at a sufficient pace. The only importance of the
-maintenance of speed in any way whatever is that this indicates that
-the first half has been correctly performed.
-
-Mr. Travis seems to be very hazy as to the causes of slicing and
-pulling. A ball being hit slightly to the right of its centre would
-not necessarily produce a slice, although it would probably deflect it
-from its intended line of flight. A slice is produced by the amount of
-rotation which is imparted to the ball by the glancing blow. He says:
-"With a pulled ball it is just the opposite--the ball is hit to the
-left of its centre, that is, nearer the player, producing a spin from
-right to left." This is not in any way necessary. The ball may be hit
-absolutely at the point farthest from the hole, and with the club at a
-perfect right angle to the intended line of flight, but the point
-which Mr. Travis does not mention is that the club is travelling
-upward across the intended line of flight and outward from the player.
-This it is which produces the beneficial spin of the ball in the
-pull.
-
-At page 31, Mr. Travis says: "Every golfing stroke describes a circle,
-or a segment of a circle." This is an egregious error, for the golf
-stroke, quite naturally from the method of its production, bears a far
-greater likeness to an oval than to a circle. Anyone endeavouring to
-produce the golf stroke as a circle would certainly not get either a
-very graceful or a very accurate result. Mr. Travis falls into the
-astonishing error for a man who plays golf so well as he does, of
-thinking that it is possible to juggle with the golf ball by means of
-a golf club during impact. Speaking of brassy play, he says: "The
-lofted face, joined to the slight whipping up of the hands at the
-proper time--that is after the club meets the ball--will produce the
-desired result. Don't on any account seek to bring the hands up too
-quickly, otherwise a top will assuredly result."
-
-Mr. Travis here falls into the common error with regard to using the
-wrists during impact. It will be observed that he avoided it in
-dealing with the follow-through, but in this matter he makes the usual
-error. This turning up of the wrists which he refers to comes long
-after the ball has been hit, and is the natural turn up which follows
-any slice or any cut played to raise a ball suddenly.
-
-At page 41 he makes the same error, for he says: "By striking the ball
-slightly towards the heel of the club, and immediately after bringing
-the arms somewhat in and finishing well out, a slight spin is imparted
-to the ball which causes it to rise more quickly." Here it is clear
-that he thinks that one may, after impact, do something with the hands
-to affect the manner in which the ball leaves the club. There could
-not possibly be any greater fallacy in golf than this. That this is a
-rooted fallacy of Mr. Travis I shall show later on when I deal with
-his remarks about bunker play.
-
-Mr. Travis says at page 49: "Hitting with the heel of the club meeting
-the ground after the ball is struck will cause the ball to rise more,
-and, joined to the spin imparted by drawing in the arms and turning
-the wrists upward, will produce a very dead ball with hardly any run.
-The science of the stroke consists in hitting very sharply, and
-turning the wrists upward immediately after the ball is struck."
-
-Here we see the same delusion. The essence of this stroke is purely a
-matter of practical golf which I have not seen mentioned in any book
-or essay on golf. When one plays a ball off the heel of one's mashie,
-it stands to reason that one gets the ball on the very narrowest
-portion of the blade, and that therefore one hits the ball as far
-beneath the centre of the ball's mass as it is possible to do--so much
-so, in fact, that a very considerable portion of the ball overlaps the
-top of the face of the club. This puts a tremendous amount of undercut
-or stop on the ball. This is the practical golf of the shot which Mr.
-Travis is attempting to describe, but his idea of putting cut on it by
-juggling with it during impact is fatal.
-
-In speaking of approach puts, Mr. Travis gives some wonderful advice.
-He says: "You should aim to hit the ball as if it were your intention
-to drive it into the ground.... This will cause the ball to jump, due
-to its contact with the ground immediately after being struck." This
-is practical golf of a nature which we may very well pass without
-discussion. I think that there are very few golfers who will desire to
-bounce the ball off the earth when they can play it off the face of
-the club.
-
-This is Mr. Travis' advice as to how to cut the put. At page 65 he
-says: "Put cut on the ball by drawing the arms in a trifle just at the
-moment of striking." The drawing of the arms across the ball is not to
-be done at the moment of striking. It starts at the beginning of the
-swing and finishes at the end thereof. This is how cut is put on a put
-by practical golf. Mr. Travis advises for putting that people should
-select "a particular blade of grass" on the line to the hole. He then
-says: "Take your stance and square the face of the putter at perfect
-right angles to the blade of grass you have picked out." As a matter
-of practical golf I may remark that blades of grass have a remarkable
-family likeness.
-
-Mr. Travis says: "Close observation of all missed puts discloses the
-interesting fact that by far the large majority go to the left of the
-hole, thereby indicating the presence of the pull, due to the arms
-being slightly drawn in just after striking." This is what is called a
-sliced put in England, but again as a matter of practical golf I may
-say that many of these puts are simply misdirected, such misdirection
-being due to the turning over of the wrists _too soon_ in the action
-of striking the ball. Unless one determinedly follows through well
-down the line the natural tendency is to hook one's put across the
-line, but this does not indicate any pull. It merely indicates, if of
-frequent occurrence, ignorance or carelessness.
-
-Speaking of stymies, Mr. Travis says: "Occasionally you will be
-confronted with an absolutely dead stymie by having your opponent's
-ball just on the edge of the cup, your own being so close, say seven
-inches to a foot away, that it is impossible to negotiate the stroke
-by either curling around or lofting. In such extremity there is only
-one way of getting your ball in the hole unaccompanied by your
-opponent's, and that is by what is technically known in billiards as
-the follow shot." As a matter of practical golf the stymie stroke
-introduced by me is far more likely to prove successful in this case
-than the follow shot, for we are dealing with very tricky things when
-we try to play billiards with golf balls covered with numerous
-excrescences or dimples. If the stymie described by Mr. Travis is
-played by my stroke, it should be got five times out of six, and I
-very much doubt if Mr. Travis or anybody else could get anything like
-this with the run through stroke.
-
-Writing of "Playing out of hazards," Mr. Travis says: "Then bring it
-down again on the same line with all the force you can controllably
-command, consistent with accuracy. As it sinks into the sand its
-course may then, but not until then, be slightly directed towards the
-ball."
-
-Coming from a practical golfer this is an absolutely amazing
-statement. The idea of attempting to deflect one's niblick from the
-line originally mapped out for it as it enters the sand is too amazing
-and too utterly unsound to merit any further comment or notice, except
-to say that it would be impossible to deflect the club head from the
-line of travel mapped out for it at this moment without materially
-reducing the force of the blow, and when one is hitting into heavy
-sand, to get underneath the ball and in many cases to get it out of
-the bunker without even touching it with the club, every pound of
-force that can be put into the club is necessary.
-
-There is another thing which Mr. Travis tells us that certainly is not
-practical golf, and it does not seem to me to be practical carpentry,
-but he says at page 126, speaking of the brassy: "The screws which
-hold the blade sometimes work loose. This trouble may easily be
-remedied by putting glue in the holes before inserting the screws."
-One is never too old to learn, and I think that in any future efforts
-I may make at amateur carpentry, I shall glue my nails!
-
-Mr. Travis makes a very remarkable statement at page 139, speaking of
-the guttie ball as opposed to the Haskell: "The latter, by reason of
-its greater comparative resiliency does not remain in contact with the
-club head quite so long, and therefore does not receive the full
-benefit of the greater velocity of the stroke in the same proportion
-as the less resilient guttie"; but surely the greater the resiliency
-of the ball the longer it will remain in contact with the club. It
-should be obvious that one of the reasons for the greater swerve in
-the sliced or pulled rubber-cored ball as compared with the guttie, is
-that on account of the longer period of impact the ball acquires a
-greater amount of spin.
-
-Speaking of the waggle, Mr. Travis is delightfully indefinite. He says
-"With the club gripped pretty firmly with both hands in the manner
-already described, it is well to see that the whole machinery is in
-good working order by waggling the club a few times over the ball,
-allowing the wrists to turn freely, without, however, relaxing the
-grip. The waggle should be entirely free from any stiffness, which
-simply means that the wrists should be brought into active play."
-
-This is certainly delightfully vague, and is not, I am afraid, of much
-use to anyone as a matter of practical golf. The waggle is
-unquestionably of importance in the game of golf, otherwise it is
-quite improbable that we should see it employed by so many of the
-famous players. The curious thing about this waggle is that it seems
-to be confined to games wherein one plays a stationary ball. The same
-operation is gone through at billiards with the cue, but is there
-known as cueing at the ball. With a very great number of players the
-waggle may be described as moral cowardice--an excuse for putting off
-the evil moment. Many players convert the waggle into a performance
-which is both tedious and stupid, and which instead of giving them a
-better chance of hitting the ball, has a very great chance of
-absolutely putting them off their stroke.
-
-I do not know that I have ever seen the necessity for the waggle
-explained, nor have I seen the waggle of any of the famous players
-illustrated. There can, however, be very little question that in the
-majority of cases the address and waggle is unnecessarily exaggerated
-and prolonged.
-
-In _Modern Golf_ I have illustrated George Duncan's waggle. So far as
-I am aware, this is the only time that such a thing has been done.
-Duncan is probably the quickest player living, so that it will not be
-necessary for us to assume that every one will be satisfied with so
-little preliminary work as Duncan puts in before hitting the ball. His
-method of playing is to take his line to the hole as much as he can as
-he approaches the ball. He then marches straight up to it and takes
-his stance, at the same time swinging his club head out so that it is
-roughly on a level with his waist and pointing towards the hole, but
-being at the same time almost above the line of flight to the hole. He
-then brings his club back to the ball, and addresses it in the usual
-way, soling his club close behind the ball. Now he lifts the club
-practically straight up for six or nine inches and carries it forward
-of the ball in a gentle curve for about six inches. From here he
-carries the club head back along the plane of flight produced through
-the ball as far as it will go without turning his wrists over. The
-club then is swung easily and naturally back to the ball almost in the
-same manner as it would come to it in the drive, until it arrives
-close behind the ball, but about two inches from the turf, when it
-sinks to rest by dropping straight down behind the ball. It is now
-soled again as in the original address.
-
-This sounds like a somewhat lengthy process, but as a matter of fact
-it is probably the shortest waggle used by any golf player who is in
-the front rank. In fact, so rapid is Duncan in his play, that very
-frequently spectators who are not accustomed to his methods, do not
-see him play the ball, as they allow for the more deliberate style
-generally followed by the other leading professionals. In Duncan we
-have a player who in my opinion is as good a golfer as anyone in the
-world. We see clearly that he wastes very little time in addressing
-his ball, either through the green or on the putting-green. On the
-other hand, we see some men of greater fame than Duncan whose
-deliberation is tedious in the extreme, although it must be admitted
-that in so far as regards the waggle in the drive, the great players
-do not overdo this nearly so much as do amateurs of an inferior class.
-
-I am not aware that anybody has yet explained the reason for the
-waggle. It seems that it is a natural movement, or in some cases a
-very unnatural movement, which players fall into in endeavouring to
-readjust their distance from the ball and their position with regard
-to the line of flight. Very many players who waggle, produce most
-remarkable flourishes with their club. The club is made to describe
-curves in the air which it could not possibly do in any other
-operation at golf than the waggle. The whole object of the waggle
-seems to be to allow the player to get his eye in, as it is commonly
-called, at the ball, to loosen his joints, and, which is a point that
-I have not seen previously made, in a measure to produce in
-anticipation the motions of his wrists and club immediately before,
-at, and after impact with the ball.
-
-If this view of the object of the waggle be accepted as correct, it is
-obvious that in nine cases of ten the attempted waggle is force
-hopelessly wasted--in fact, worse than wasted, for it has been
-occupied in describing weird geometrical figures in the air, figures
-which can have no possible reference whatever to the work which the
-club is expected to do. In Duncan's waggle it will be observed that
-firstly he swings his club head out down the line towards the hole,
-and secondly that he carries it back for a considerable distance from
-the ball in the plane of flight produced through the ball. It will be
-seen from this that to a great extent he produces in the waggle the
-same motions as his forearms and wrists go through immediately before,
-at, and after impact with the ball. On examining the photographs of
-Duncan's hands in the drive, we find that for the space of nearly two
-feet before he reaches the ball, and probably for quite that distance
-after the ball has been struck and he has continued the
-follow-through, there is no turning over of the wrists--that during
-this space of roughly three feet, the space wherein James Braid says
-that the wrists _have it all their own way_, Duncan's wrists are
-practically quiescent, and that during the whole of this time the club
-is travelling at almost its maximum speed, but the arms and wrists are
-doing very little more to it than to withstand the centrifugal force
-developed in the earlier part of the swing and to keep themselves
-braced to withstand the shock of impact.
-
-These are merely a few instances taken haphazard from a book called
-_Practical Golf_ by one who is, undoubtedly, in so far as regards his
-own play, a practical golfer. This does not, however, prevent him from
-furnishing another and a very striking example of the curious fact
-that nearly all good golfers teach the game in a manner entirely
-different from that in which they play it, and that their tuition, if
-followed out, must result in their followers learning to play in very
-bad form, and probably also learning much which has to be painfully
-unlearnt later on when they have discovered the truth.
-
-
-
-
-AFTERWORD
-
-
-It would be very easy for me now to begin to explain in the ordinary
-manner of golf books how the game is played, but to do so would be
-going outside the scope of this work, and interfering either with the
-proper functions of the professional, or the proper practice of the
-intelligent golfer.
-
-I have, in this book, taken my readers through all those matters which
-are of the most vital importance to the game, and practically
-everything which is contained between the covers of this book may be
-better studied and digested by the golfer, be he a champion or a
-beginner, in his arm-chair than on the links. He who wishes to know
-golf to the core, must know what is in this book, all of which he can
-thoroughly understand without taking a club in his hands.
-
-The whole fault of the false doctrine which has been so plentifully
-published about golf in the past, is that it has given the unfortunate
-people who have taken notice of it an incalculable number of things to
-think about. The truest and best tuition in golf is that which
-advances by a process of elimination and so proceeds that it gives the
-learner a minimum number of separate circumstances to think about
-during his game; in fact, if the tuition has been properly carried out
-the golfer will have astonishingly little to think of at the moment
-when he is making his stroke. This is the ideal condition of mind.
-The remark which the puzzled golfer made to me that when he started on
-his downward swing he had so many things to think of that he was "all
-of a dither" expresses marvellously accurately the condition of mind
-of about ninety per cent of golfers who think they have studied golf.
-
-The golfer who studies this book soundly and intelligently will learn
-what he will learn from no other book on golf, and that is what a vast
-number of things there are in connection with the golf stroke which it
-is expedient to forget at the moment one is making it.
-
-Let me give an illustration of what I mean. The golfer is told now
-that at the top of his swing he must get his weight on to his right
-foot, and that he must keep his head still. The merest attempt to do
-this produces a conflict at once. Then he is told that his left hand
-must dominate the right: here is conflict again. But when he learns
-that in order to keep his head still he must put his weight at the top
-of his swing on his left foot, the conflict vanishes, he finds that it
-is natural and easy to do; and he forgets to encumber his mind with
-the fact that it has to be done, so that it becomes just as habitual
-with him to put his weight in the right place as it is when he is
-walking. The same thing applies with regard to the instructions which
-he has always had drilled into him to allow the left hand and arm to
-usurp the position of the right. Here again he is distinctly exhorted
-to encourage these two members to enter into conflict during the
-stroke. Although I explained to him most clearly that this idea about
-the left being the more important member of the two is utterly wrong,
-and that the right is, and always must be, the dominant member in the
-golf swing, I did not tell him to remember this during the golf swing,
-and he is indeed a very foolish person if he attempts to remember it.
-All he has to do is to cut the false doctrine out of his mind, and
-nature will attend to the rest. So it will be seen that when one has
-grasped the truth in connection with golf one has advanced by such a
-process of elimination that there is left for the happy golfer when he
-addresses his ball very little to think of but hitting that ball.
-
-Golf in the past has suffered from the multiplicity of false
-directions. It is by recognising these for what they are, and by
-forgetting them that the golfer will ultimately arrive at _The Soul of
-Golf_.
-
-
-
-
-INDEX
-
-
- Accelerating speed, Vardon on, 104
-
- Address and impact similar, Braid on, 137
-
- Address, Braid on, 133
-
- Apportionment of back-spin, 263, 270, 271
-
- Arm roll in stroke, 210
-
- Arms measure distance, 46, 174
-
- As you go up so you come down, 97, 219
-
- Ayres, F. H., Ltd., 289, 324
-
- Ayres, Mr. Rupert, 289-291
-
-
- Back-spin at impact, rate of, 272
- how obtained, 247
- Professor Tait's experiment, 225
- Professor Thomson's error, 246
-
- Badminton _Golf_, 120, 158, 214, 218
-
- _Badminton Magazine_, 222, 226
-
- Ball, Mr. John, 153, 157
-
- Ball, action of, during impact, 237
- brambly, inaccuracy off putter, 287
- centre of gravity, 292
- centre of gravity, test for, 294
- effect of marking, 302
- effect of untrue centre, 299
- flight parallel with earth, 265
- guttie, truth of, 294
- Haskell, 253
- indented or dimpled, 286
- instability of the golf, 284
- smooth, flight of, 289, 311
- tests, 296
- the golf, 283
- track of, on green, 286
- unscientifically made, 261
-
- Balls, dimpled, 291
-
- Base ball, spin in, 233
-
- Beauty of flight, 3
-
- Billiard balls, excrescences on, 283
-
- Billiards, blind spot in, 175
-
- Blackwell, Mr. Edward, 153
-
- Blindfold golf, 164
-
- Blind spot, 168, 169, 173
-
- Blow in golf horizontal, Professor Tait, 265
- upward, 265
-
- Body movement after impact, 167
-
- Braid on distribution of weight, 119, 135
- on influence of club after impact, 101
- on putting, 50, 55, 58, 77
-
- Braid's putting, 75, 76
- uncertainty about wrist work, 208
-
- Bullet, drift of, 235
-
-
- Catapults, Sir Ralph Payne-Gallwey's, 296
-
- Cleek, push stroke with, 194
- Vardon's push shot with, 194
-
- Clubs, all illegal, 322
- construction of, 316
- rusty, 333
-
- _Contemporary Review_, 320
-
- Corkscrew action in stroke, Braid on, 213
-
- Croome, Mr. A. C. M., 198, 199
-
- Cross-bow, Professor Tait's experiment, 266
-
- Cross wind, Professor Thomson on, 240
- Sir Ralph Payne-Gallwey on, 298
- Vardon on, 256
-
- Cut, principles of, 89
-
- Cutting round a stymie, 73
-
-
- Direction, demand for, 3
-
- Downward swing, control of, 133, 278
-
- Downward swing, Duncan and Vardon, 130
-
- Drag for bolting puts, 62, 63
- in putting, 60
-
- Drive, tension of muscles during, 38
-
- Duncan, George, 7, 82
- and mashie stroke, 72, 82
- and smooth ball, 289, 309
-
- Dynamical problems, Professor Thomson on, 228
-
-
- Elimination the secret of coaching, 352
-
- English mental attitude towards games, 4
-
- _English Review, The_, 267
-
- _Evening Standard and St. James's Gazette_, 288
-
- Eye, lifting the, 34, 35
-
- Eyes, effect of, on weight, 167
- function of, 162, 163
- movement of, 166
- Vardon on movement of, 168
-
-
- Fallacies of golf, 95
-
- Feet, movement of, Duncan, Vardon, and Braid, 134
-
- "Flick" in golf stroke, 213
-
- Flight of ball, 222
-
- Follow-through, 128, 129
- control of, 278
-
- Forearms, action of Duncan's, 210
- in stroke, roll of, 210
-
- Freemasonry of golf, 6
-
- _Fry's Magazine_, photographs in, 125, 138
-
-
- Golf books, unscrupulous practices, 10
-
- _Golf Illustrated_, 197
- and Professor Thomson, 253
-
- Golfers groping their way, Braid, 269
-
- Grip, apportionment of power in, 150
- old, 152, 153
- overlapping, 152
- suggested new, 151
-
- Gutta ball, Walter J. Travis on, 253
-
-
- Haskell ball, 253
-
- Head, keeping still, 162, 163
- Taylor on position of, 171
-
- High tee for low ball, 246
-
- Hilton, Mr. H. H., 153
-
- Hilton, Mr. H. H., in _Concerning Golf_, 160
-
- Horizontal stroke, Professor Thomson's idea, 244
-
- Hutchinson, Mr. Horace G., on distribution of weight, 120
- on top of swing, 158
-
-
- Impact, action during, 182
- and address similar, Braid on, 137, 277
- an incident of stroke, 45, 99, 100
- arc during, 244
- duration of, 165
- length of, 277
- muscles at time of, 30, 31
- "no control over," Braid, 278
- Professor Thomson on, 242
- Walter J. Travis on, 253
-
- Impatience to play, 5
-
- Instruction by elimination, 352
-
-
- Knee, left, Braid's action, 137
- left, not loose, 127
- right, and Vardon, 131
-
-
- Laws of swerve of universal application, 234
-
- Left and right wrists together, Vardon, 216
-
- Left arm, power of, 12, 140
- Braid on, 142, 143, 148
- Mr. Hutchinson on, 146
- Taylor on, 144, 145, 148
- Vardon on, 140, 141, 148, 149
-
- Left hand, regulating grip, Vardon on, 150
-
- Left wrist starts club down, Braid, 215
-
- _Le Golf_, Arnaud Massy, 320
-
- Literature of golf, 10, 334
-
- Low, Mr. John L., _Concerning Golf_, 159, 256, 257
-
- Low ball, high tee for, 246
-
-
- Mashie, cut shot, 26
- cut stroke, Vardon on, 191
- for stymies, 70
- stroke, Taylor's cut, 193
-
- Mashies, short, for stymies, 330
-
- Massy, Arnaud, 320
-
- Master stroke, the, 178
-
- Matter, definition of, 41
-
- Mechanical accuracy demanded, 2
-
- Mechanics of golf, 3
-
- Mitchell, A., 327
-
- _Modern Golf_, 59, 73, 83, 133, 210, 246
-
- _Morning Post_, 198
-
- Mystery, none in other games, 16
-
- _Mystery of Golf_, 15, 125, 220
-
-
- Newton, on principles of swerve, 223, 235, 228
-
- "Nip" at impact, Professor Tait, 266
-
- "Nose" of golf ball, 231
-
-
- Palm grip, Mr. Horace G. Hutchinson on, 159
-
- Payne-Gallwey, Sir Ralph, 292
- tests, 296
-
- _Practical Golf_, 120, 335 _et seq._
-
- Press, influence of, 33
-
- Professionals and journalists, 10
- lacking in theory, 9
-
- _Projectile Throwing Engines of the Ancients_, 292
-
- Pull, the, 179
- axis of vertical, Professor Thomson on, 237
- Braid on, 188
- explanation of spin, 240
- Mr. John L. Low on, 258
- true axis of, 240
- Vardon on, 183
-
- Push stroke, Vardon's, 194
-
- Put, Braid on cutting the, 83
- not a wrist stroke, 67
- position of ball, 67
- run on, 69
- short grip for, 84
- Vardon on cutting the, 87
-
- Put, short, the easiest stroke, 48
- Braid on the, 50
- should be taught first, 48
- Taylor on the, 50
- Vardon on the, 49
-
- Putter, short, 326
-
- Putting, 11, 47
- chief point in, 64
- fundamental principles of, 53
- importance of address in, 65
- mechanically simple, 57
- most important factor, 52
- off heel or toe, 64
- pendulum action in, 66
- tests, 304
- with drag, 60
-
-
- Ray, Edward, 301, 309
-
- Roll of ball on club, 238, 245
-
- "Ruff," the, golf ball, 300, 309
-
-
- St. Andrews, Royal and Ancient Golf Club of, 322
-
- Schenectady putter, 320, 326
-
- Self-consciousness, 20
-
- Shaft, torsional strain of, 321
-
- Simplicity of golf, 2
-
- Slice, the, 179
- axis of, vertical, Professor Thomson, 237
- impact in, 252
- Mr. John L. Low on, 258
- pressure on rear of ball, Professor Thomson, 241
- Professor Thomson on, 250
- true axis of, 238
- Walter J. Travis on, 190
-
- Slow back, 96
-
- Smooth ball, uneven flight of, 311
-
- Snap of wrists in drive, 205
-
- Soles, broad, of clubs, 328
-
- Spalding, A. G., & Bros., 291
-
- Speed, gradually increasing, 29
-
- Spin, 181
- effect on flight, Braid on, 260
-
- Spread of golf, 6
-
- Style, 19
-
- Stymie, cutting round, 73
- run-through, 343
-
- "Sweep," a hit with iron clubs, 109
-
- Sweep, the, 12, 98
-
- _Swerve, or the Flight of the Ball_, 224
-
- Swerve, principles of, 223, 233
-
- Swerve, double, 293
- Sir Ralph Payne-Gallwey on, 305
-
- Swing, premature teaching of, 5
- the short, 110
- top of, Mr. Horace G. Hutchinson on, 158
-
-
- Tait, late Professor, 223
-
- Taylor on distribution of weight, 120, 171
- on putting, 50
- on the sweep, 103
-
- Teaching by elimination, 352
- of golf unsound, 43
-
- Temperament, golf the test of, 7
-
- Tension during stroke, Braid on, 133
- of muscles during stroke, 38
-
- Thomson, Professor, and smooth ball, 312
-
- Thomson, Professor Sir J. J., 227
-
- _Times, The_, 292
-
- Topped ball, 279
-
- Top-spin, alleged possibilities of, 280
- how obtained, 233
- in lawn-tennis, Professor Thomson on, 232
- nearest approach to, 280
- not used in golf, 280
-
- Travis, Walter J., fallacies of, 335 _et seq._
- on distribution of weight, 120
-
-
- Under-spin not essential to long carry, 227
- Professor Thomson's error, 246
- properties of, 248
-
- Upward concavity against back-spin, 267, 275
-
-
- Vaile golf ball, 290
- putter, 55
- stymie stroke, 70
-
- Vardon and blind spot, 169
- on cross wind, 256
- on cutting a put, 87
-
- Vardon on distribution of weight, 118, 124
- on follow-through, 131
- on putting, 50, 75
-
- Vardon's weight in follow-through, 131
-
- Vertical axis of slice and pull, Professor Thomson on, 237
-
-
- Waggle, the, 346
- Duncan's, 346
-
- Waist, pivoting from, 122
-
- Weight, distribution of, 13, 25, 27, 97, 117, 171
-
- Weight distribution, Vardon on, 118, 124
- Braid on, 119, 121
- fallacy, origin explained, 138
- Horace Hutchinson on, 120
- Mr. Haultain's explanation, 125
- Taylor on, 120
- W. J. Travis on, 120
-
- Weight on right leg, test for, 122
-
- Wind-cheater, 3, 179
-
- Wind, cross, 242, 256, 257
-
- Wrists, action of, 202
- Mr. Horace Hutchinson on, 219
- speed of, 217
- turn over of, 107
- Vardon on action of, 203
-
-
- _Printed by_ R. & R. CLARK, LIMITED, _Edinburgh_.
-
-
- * * * * *
-
-
- THE MYSTERY OF GOLF
-
- BY ARNOLD HAULTAIN
-
- Second and Cheaper Edition. Crown 8vo. 2s. 6d. net.
-
-
- Mr. HENRY LEACH in the _EVENING NEWS_.--"Mr. Haultain's book
- answers to all the tests to which it may be submitted, and I
- am strongly disposed to regard it as the best book of its kind
- that has ever been written."
-
- Mr. J. SUTHERLAND in the _DAILY NEWS_.--"A short time ago I
- was asked by a young aspirant ... to point out the book I
- liked best. 'That wee one?' he inquired, and on my nodding
- assent he ... took the book down and read ... _The Mystery of
- Golf_ (Haultain)."
-
- _THE PROFESSIONAL AND GREENKEEPER._--"The book is undoubtedly
- one of the best ever written dealing with the Royal and
- Ancient Game."
-
- "LOOKER-ON" in _GOLF ILLUSTRATED_.--"In my opinion, the best
- book that has ever been written on golf.... On every page
- there scintillates a jewel of golfing wisdom."
-
- _GOLFING._--"A book in which every golfer must delight....
- There is not a stale word in the book from beginning to end."
-
-
- * * * * *
-
-
- THE ART OF PUTTING. By W. J. TRAVIS and JACK WHITE. Crown 8vo.
- 1s.
-
- GREAT LAWN TENNIS PLAYERS. Their Methods Illustrated. By G. W.
- BELDAM and P. A. VAILE. With 229 Action-Photographs. Medium
- 8vo. 10s. 6d. net.
-
- GREAT BATSMEN: THEIR METHODS AT A GLANCE. By G. W. BELDAM and
- CHARLES B. FRY. With 600 Action-Photographs. Medium 8vo. 10s.
- 6d. net.
-
- GREAT BOWLERS AND FIELDERS: THEIR METHODS AT A GLANCE. By G.
- W. BELDAM and CHARLES B. FRY. With Contributions by F. R.
- SPOFFORTH, B. J. T. BOSANQUET, R. O. SCHWARZ, and G. L.
- JESSOP; and 464 Action-Photographs. Medium 8vo. 10s. 6d. net.
-
- LAWN TENNIS, ITS PAST, PRESENT, AND FUTURE. By J. PARMLY
- PARET. With a Chapter on Lacrosse by W. H. MADDREN.
- Illustrated. Extra crown 8vo. 8s. 6d. net.
-
-
- BOOKS ON SPORT
-
- THE ADVENTURES OF AN ELEPHANT HUNTER. By JAMES SUTHERLAND.
- Illustrated 8vo. 7s. 6d. net.
-
- A COLONY IN THE MAKING: OR SPORT AND PROFIT IN BRITISH EAST
- AFRICA. By Lord CRANWORTH. With Map and Illustrations. 8vo.
- 12s. net.
-
- SPORT ON THE NILGIRIS AND IN WYNAAD. By F. W. F. FLETCHER.
- Illustrated. 8vo. 12s. net.
-
- THE MAN-EATERS OF TSAVO, AND OTHER EAST AFRICAN ADVENTURES. By
- Lieut.-Colonel J. H. PATTERSON, D. S. O. Illustrated. With a
- Foreword by FREDERICK COURTENEY SELOUS. 8vo. 7s. 6d. net.
- Cheap Edition. Globe 8vo. 1s. net.
-
- IN THE GRIP OF THE NYIKA. Further Adventures in British East
- Africa. By Lieut.-Colonel J. H. PATTERSON, D. S. O.
- Illustrated. 8vo. 7s. 6d. net.
-
- A HUNTER'S WANDERINGS IN AFRICA. Nine Years amongst the Game
- of the Far Interior of South Africa. By FREDERICK COURTENEY
- SELOUS. Illustrated. Fifth Edition. Extra crown 8vo. 7s. 6d.
- net.
-
- AFRICAN NATURE NOTES AND REMINISCENCES. By FREDERICK COURTENEY
- SELOUS. With a Foreword by THEODORE ROOSEVELT, and
- Illustrations by E. CALDWELL. 8vo. 10s. net.
-
- NOTES ON SPORT AND TRAVEL. By GEORGE KINGSLEY. With
- Introductory Memoir by his Daughter, MARY H. KINGSLEY. Extra
- crown 8vo. 8s. 6d. net.
-
- AN ANGLER'S HOURS. By H. T. SHERINGHAM. Extra crown 8vo. 6s.
- net.
-
-
- MACMILLAN AND CO., LTD., LONDON.
-
- * * * * *
-
-Transcriber's Notes:
-
-Obvious printer errors were repaired.
-
-Hyphenation variants retained as in original.
-
-Copyright page showed no date.
-
-Both "putts" (in quoted material) and "puts" (in author's voice) were
-present in the original.
-
-
-
-
-
-End of Project Gutenberg's The Soul of Golf, by Percy Adolphus Vaile
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE SOUL OF GOLF ***
-
-***** This file should be named 41149-8.txt or 41149-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/1/1/4/41149/
-
-Produced by Greg Bergquist, JoAnn Greenwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/41149-8.zip b/41149-8.zip
deleted file mode 100644
index d3e3255..0000000
--- a/41149-8.zip
+++ /dev/null
Binary files differ
diff --git a/41149-h.zip b/41149-h.zip
deleted file mode 100644
index 873eec9..0000000
--- a/41149-h.zip
+++ /dev/null
Binary files differ
diff --git a/41149-h/41149-h.htm b/41149-h/41149-h.htm
index 7a99dee..de3cbdb 100644
--- a/41149-h/41149-h.htm
+++ b/41149-h/41149-h.htm
@@ -3,7 +3,7 @@
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
- <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
<meta http-equiv="Content-Style-Type" content="text/css" />
<title>
The Project Gutenberg eBook of The Soul Of Golf, by P. A. Vaile.
@@ -99,45 +99,7 @@ ul li {list-style-type: none;}
</style>
</head>
<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of The Soul of Golf, by Percy Adolphus Vaile
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: The Soul of Golf
-
-Author: Percy Adolphus Vaile
-
-Release Date: October 23, 2012 [EBook #41149]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE SOUL OF GOLF ***
-
-
-
-
-Produced by Greg Bergquist, JoAnn Greenwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-</pre>
-
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 41149 ***</div>
<div class="figcenter" style="width: 389px;">
<img src="images/frontcover.jpg" width="389" height="600" alt="" title="" />
@@ -154,13 +116,13 @@ by The Internet Archive/American Libraries.)
<p class="center">
MACMILLAN AND CO., <span class="smcap">Limited</span><br />
<br />
-<small>LONDON · BOMBAY · CALCUTTA<br />
+<small>LONDON · BOMBAY · CALCUTTA<br />
MELBOURNE</small><br /><br />
<br />
THE MACMILLAN COMPANY<br />
<br />
-<small>NEW YORK · BOSTON · CHICAGO<br />
-DALLAS · SAN FRANCISCO</small><br /><br />
+<small>NEW YORK · BOSTON · CHICAGO<br />
+DALLAS · SAN FRANCISCO</small><br /><br />
<br />
THE MACMILLAN CO. OF CANADA, <span class="smcap">Ltd.</span><br />
<br />
@@ -1457,7 +1419,7 @@ be news to most of us that it is the supreme duty of the eyes to do
nothing but <i>look</i>.</p>
<p>We are now face to face with this fact according to this analysis. The
-author quotes the great psychologist, Höffding, as saying, "We must
+author quotes the great psychologist, Höffding, as saying, "We must
will to see, in order to<span class="pagenum"><a name="Page_37" id="Page_37">[37]</a></span> see aright." We now, by a natural and
logical process of reasoning, have the golfer settled at his ball, his
address duly taken, his eye fixed on the ball, and he is in the act of
@@ -2203,7 +2165,7 @@ that it can be very easily learned, provided always that the
instructor has a proper idea of the<span class="pagenum"><a name="Page_59" id="Page_59">[59]</a></span> mechanics of the put. Generally
speaking, when one uses the word "mechanics" a golfer is afraid that
he is about to receive some abstruse lecture illustrated by diagrams
-and mathematical formulæ, but it is not so. It is essential to a
+and mathematical formulæ, but it is not so. It is essential to a
thorough knowledge and enjoyment of the game of golf that the golfer
should understand the mechanics of putting.</p>
@@ -10736,7 +10698,7 @@ considers that the ordinary putter possesses advantages over the large
headed clubs, and I think myself that there is very little doubt that
this is so for the vast majority of golfers. Arnaud Massy, in his
recent book <i>Le Golf</i>, says of my clubs: "Certes, au point de vue
-scientifique, cette théorie est inattaquable." Notwithstanding the
+scientifique, cette théorie est inattaquable." Notwithstanding the
opinion of three such men as Vardon, Braid, and Massy on a matter of
practical golf like this, the Royal and Ancient Golf Club of St.
Andrews has declared that my clubs are illegal on their links, but in
@@ -12249,382 +12211,6 @@ net.</p>
original.</p>
</div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's The Soul of Golf, by Percy Adolphus Vaile
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE SOUL OF GOLF ***
-
-***** This file should be named 41149-h.htm or 41149-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/1/1/4/41149/
-
-Produced by Greg Bergquist, JoAnn Greenwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 41149 ***</div>
</body>
</html>
diff --git a/41149.zip b/41149.zip
deleted file mode 100644
index 4c03c27..0000000
--- a/41149.zip
+++ /dev/null
Binary files differ