summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--38574-0.txt2583
-rw-r--r--38574-0.zipbin0 -> 49482 bytes
-rw-r--r--38574-8.txt2585
-rw-r--r--38574-8.zipbin0 -> 49337 bytes
-rw-r--r--38574-h.zipbin0 -> 119448 bytes
-rw-r--r--38574-h/38574-h.htm3192
-rw-r--r--38574-h/images/cover.jpgbin0 -> 59219 bytes
-rw-r--r--38574-h/images/image01.jpgbin0 -> 6568 bytes
-rw-r--r--38574.txt2587
-rw-r--r--38574.zipbin0 -> 49303 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
13 files changed, 10963 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/38574-0.txt b/38574-0.txt
new file mode 100644
index 0000000..c09e724
--- /dev/null
+++ b/38574-0.txt
@@ -0,0 +1,2583 @@
+The Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 99,
+September 20, 1851, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Vol. IV, Number 99, September 20, 1851
+ A Medium of Inter-communication for Literary Men, Artists,
+ Antiquaries, Genealogists, etc.
+
+Author: Various
+
+Editor: George Bell
+
+Release Date: January 15, 2012 [EBook #38574]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 20, 1851 ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+[Transcriber's note: Original spelling varieties have not been
+standardized. Saxon characters have been marked in braces as in
+{Eafel}. Underscores have been used to indicate _italic_ fonts (or
+emphasis in Greek). A list of volumes and pages in "Notes and Queries"
+has been added at the end.]
+
+
+
+
+NOTES and QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION
+
+FOR
+
+LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+VOL. IV.--No. 99 SATURDAY, SEPTEMBER 20. 1851.
+
+Price Threepence. Stamped Edition, 4_d._
+
+
+
+
+CONTENTS.
+
+ Page
+
+
+ NOTES:--
+
+ Venerable Bede's Mental Arithmetic 201
+
+ Hyphenism, Hyphenic, Hyphenization 203
+
+ Gray and Cowley 204
+
+ Minor Notes:--Ὑπωπιάζω--Meaning of
+ Whitsunday--Anagrammatic Pun by William Oldys--Ballad of
+ Chevy Chase: Ovid--Horace Walpole at Eton 205
+
+ QUERIES:--
+
+ Continental Watchmen and their Songs 206
+
+ Minor Queries:--Quotation from Bacon--Carmagnoles--The
+ Use of Tobacco by the Elizabethan Ladies--Covines--Story
+ referred to by Jeremy Taylor--Plant in Texas--Discount
+ --Sacre Cheveux--"Mad as a March Hare"--Payments for
+ Destruction of Vermin--Fire unknown--Matthew Paris's
+ Historia Minor--Mother Bunche's Fairy Tales--Monumental
+ Symbolism--Meaning of "Stickle" and "Dray"--Son of the
+ Morning--Gild Book 208
+
+ REPLIES:--
+
+ Pope and Flatman 209
+
+ Test of the Strength of a Bow 210
+
+ Baskerville the Printer 211
+
+ Replies to Minor Queries:--Mazer Wood and Sin-eaters--"A
+ Posie of other Men's Flowers"--Table Book--Briwingable
+ --Simnels--A Ship's Berth--Suicides buried in Cross-roads
+ --A Sword-blade Note--Domesday Book of Scotland--Dole-bank
+ --The Letter "V"--Cardinal Wolsey--Nervous--Coleridge's
+ Essays on Beauty--"Nao" or "Naw," a Ship--Unde derivatur
+ Stonehenge--Nick Nack--Meaning of Carfax--Hand giving the
+ Benediction--Unlucky for Pregnant Women to take an
+ Oath--Borough-English--Date of a Charter 211
+
+ MISCELLANEOUS:--
+
+ Notes on Books, Sales, Catalogues, &c. 215
+
+ Books and Odd Volumes wanted 215
+
+ Notices to Correspondents 215
+
+ Advertisements 216
+
+
+
+
+Notes.
+
+
+VENERABLE BEDE'S MENTAL ALMANAC.
+
+If our own ancient British sage, the Venerable Bede, could rise up from
+the dust of eleven centuries, he might find us, notwithstanding all our
+astounding improvements, in a worse position, in one respect at least,
+than when he left us; and as the subject would be one in which he was
+well versed, it would indubitably attract his attention.
+
+He might then set about teaching us from his own writings a mental
+resource, far superior to any similar device practised by ourselves, by
+which the day of the week belonging to any day of the month, in any year
+of the Christian era, might easily and speedily be found.
+
+And when the few, who would give themselves the trouble of thoroughly
+understanding it, came to perceive its easiness of acquirement, its
+simplicity in practice, and its firm hold upon the memory, they might
+well marvel how so admirable a facility should have been so entirely
+forgotten, or by what perversion of judgment it could have been
+superseded by the comparatively clumsy and impracticable method of the
+Dominical letters.
+
+Let us hear his description of it in his own words:
+
+ "QUÆ SIT FERIA IN CALENDIS.
+
+ "Simile autem huic tradunt argumentum ad inveniendam diem
+ Calendarum promptissimum.
+
+ "Habet ergo regulares Januarius II, Februarius V, Martius V,
+ Apriles I, Maius III, Junius VI, Julius I, Augustus IIII,
+ September VII, October II, November V, December VII. Qui videlicet
+ regulares hoc specialiter indicant, quota sit feria per Calendas,
+ eo anno quo septem concurrentes adscripti sunt dies: cæteris vero
+ annis addes concurrentes quotquot in præsenti fuerunt adnotati ad
+ regulares mensium singulorum, et ita diem calendarum sine errore
+ semper invenies. Hoc tantum memor esto, ut cum imminente anno
+ bisextili unus concurrentium intermittendus est dies, eo tamen
+ numero quem intermissurus es in Januario Februarioque utaris: ac
+ in calendis primum Martiis per illum qui circulo centinetur solis
+ computare incipias. Cum ergo diem calendarum, verbi gratia,
+ Januarium, quærere vis; dicis Januarius II, adde concurrentes
+ septimanæ dies qui fuerunt anno quo computas, utpote III, fiunt
+ quinque; quinta feria intrant calendæ Januariæ. Item anno qui sex
+ habet concurrentes, sume v regulares mensis Martii, adde
+ concurrentes sex, fiunt undecim, tolle septem, remanent quatuor,
+ quarta feria sunt Calendæ Martiæ."--Bedæ Venerabilis, _De Temporum
+ Ratione_, caput xxi.
+
+The meaning of this may be expressed as follows:--Attached to the twelve
+months of the year are certain fixed numbers called regulars, ranging
+from I to VII, denoting the days of the week in their usual order. These
+regulars, in any year whereof the concurrent, or solar epact, is 0 or 7,
+express, of themselves, the commencing day of each month: but in other
+years, whatever the solar epact of the year may be, that epact must be
+added to the regular of any month to indicate, in a similar manner, the
+commencing day of that month.
+
+It follows, therefore, that the only burthen the memory need be charged
+with is the distribution of the regulars among the several months;
+because the other element, the solar epact (which also ranges from 1 to
+7), may either be obtained from a short mental calculation, or, should
+the system come into general use, it would soon become a matter of
+public notoriety during the continuance of each current year.
+
+Now, these solar epacts have several practical advantages over the
+Dominical letters. 1. They are numerical in themselves, and therefore
+they are found at once, and used directly, without the complication of
+converting figures into letters and letters into figures. 2. They
+increase progressively in every year; whereas the Dominical letters have
+a crab-like retrogressive progress, which impedes facility of practice.
+3. The _rationale_ of the solar epacts is more easily explained and more
+readily understood: they are the accumulated odd days short of a
+complete week; consequently the accumulation must increase by 1 in every
+year, except in leap years, when it increases by 2; because in leap
+years there are 2 odd days over 52 complete weeks. But this irregularity
+in the epact of leap year does not come into operation until the
+additional day has actually been added to the year; that is, not until
+after the 29th of February. Or, as Bede describes it, "_in leap years
+one of the concurrent days is intermitted, but the number so intermitted
+must be used for January and February; after which, the epact obtained
+from cyclical tables_ (or from calculation) _must be used for the
+remaining months_." By which he means, that the epacts increase in
+arithmetical succession, except in leap years, when the series is
+interrupted by one number being passed over; the number so passed over
+being used for January and February only. Thus, 2 being the epact of
+1851, 3 would be its natural successor for 1852; but, in consequence of
+this latter being leap year, 3 is intermitted (except for January and
+February), and 4 becomes the real epact, as obtained from calculation.
+
+To calculate the solar epact for any year, Bede in another place gives
+the following rule:
+
+ "Si vis scire concurrentes septimanæ dies, sume annos Domini et
+ eorum quartum partem adjice: his quoque quatuor adde, (quia)
+ quinque concurrentes fuerunt anno Nativitatis Domini: hos partire
+ per septem et remanent Epactæ Solis."
+
+That is: take the given year, add to it its fourth part, and also the
+constant number 4 (which was the epact preceding the first year of the
+Christian era), divide the sum by 7, and what remains is the solar
+epact. (If there be no remainder, the epact may be called either 0 or
+7.)
+
+This is an excellent rule; the same, I believe, that is to this day
+prescribed for arriving at the Dominical letter of the Old Style. Let it
+be applied, for example, to find upon what day of the week the battle of
+Agincourt was fought (Oct. 25, 1415). Here we have 1415, and its fourth
+353, and the constant 4, which together make 1772, divided by 7 leaves 1
+as the solar epact; and this, added to 2, the _regular_ for the month of
+October, informs us that 3, or Tuesday, was the first day of that month;
+consequently it was the 22nd, and Friday, the 25th, was Saint Crispin's
+day.
+
+But this rule of Bede's, in consequence of the addition, since his time,
+of a thousand years to the number to be operated upon, is no longer so
+convenient as a _mental_ resource.
+
+It may be greatly simplified by separating the centuries from the odd
+years, by which the operation is reduced to two places of figures
+instead of four. Such a method, moreover, has the very great advantage
+of assimilating the operation of finding the solar epact, in both
+styles, the Old and the New; the only remaining difference between them
+being in the rules for finding the _constant number_ to be added in each
+century. These rules are as follow:--
+
+_For the Old Style._--In any date, divide the number of centuries by 7,
+and deduct the remainder from 4 (or 11); the result is the constant for
+that century.
+
+_For the New Style._--In any date, divide the number of centuries by 4,
+double the remainder, and deduct it from 6: the result is the constant
+for that century.
+
+_For the Solar Epact, in either Style._--To the odd years of any date
+(rejecting the centuries) add their fourth part, and also the constant
+number found by the preceding rules; divide the sum by 7, and what
+remains is the solar epact.
+
+As an example of these rules in _Old Style_, let the former example be
+repeated, viz. A.D. 1415:
+
+First, since the centuries (14), divided by 7, leave no remainder, 4 is
+the constant number. Therefore 15, and 3 (the fourth), and 4 (the
+constant), amount to 22, from which eliminating the sevens, remains 1 as
+the solar epact.
+
+For an example in _New Style_, let the present year be taken. In the
+first place, 18 divided by 4 leaves 2, which doubled is 4, deducted from
+6 results 2, the constant number for the present century. Therefore 51,
+and 12 (the fourth), and 2 (the constant), together make 65, from which
+the sevens being eliminated, remains 2, the solar epact for this year.
+
+But in appreciating the practical facility of this method, we must bear
+in mind that _the constant_, when once ascertained for any century,
+remains unchanged throughout the whole of that century; and that _the
+solar epact_, when once ascertained for any year, can scarcely require
+recalculation during the remainder of that year: furthermore, that
+although the rule for calculating the epact, as just recited, is so
+extremely simple, yet even that slight mental exertion may be spared to
+the mass of those who might benefit by its application to current
+purposes; because it might become an object of general notoriety in each
+current year. And I am not without hope that "NOTES AND QUERIES" will
+next year set the example to other publications, by making the current
+solar epact for 1852 a portion of its "heading," and by suffering it to
+remain, incorporated with the date of each impression, throughout the
+year.
+
+Let us now recur to the allotment of _the regulars_ at the beginning of
+Bede's description. Placed in succession their order is as follows:--
+
+ April and July I, or Sunday
+ January and October II, or Monday
+ May III, or Tuesday
+ August IIII, or Wednesday
+ March, Feb., and November V, or Thursday
+ June VI, or Friday
+ September and December VII, or Saturday
+
+There is no great difficulty in retaining this in the memory; but should
+uncertainty arise at any time, it may be immediately corrected by a
+mental reference to the following lines, the alliterative jingle of
+which is designed to house them as securely in the brain as the immortal
+and never-failing, "Thirty days hath September." The order of the
+allotment is preserved by appropriating as nearly as possible a line to
+each day of the week; while the absolute connexion here and there of
+certain days, by name, with certain months, forms a sort of interweaving
+that renders mistake or misplacement almost impossible.
+
+ "April loveth to link with July,
+ And the merry new year with October comes by,
+ August for Wednesday, Tuesday for May,
+ March and November and Valentine's Day,
+ Friday is June day, and lastly we seek
+ September and Christmas to finish the week."
+
+Now, since we have ascertained, from the short calculation before
+recited, that the solar epact of this present year of 1851 is 2, and
+since the regular of October is also 2, we have but to add them together
+to obtain 4 (or Wednesday) as the commencing day of this next coming
+month of October. And, if we wish to know the day of the month belonging
+to any other day of the week in October, we have but to subtract the
+commencing day, which is 4, from 8, and to the result add the required
+day. Let the latter, for example, be Sunday; then 4 from 8 leaves 4,
+which added to 1 (or Sunday), shows that Sunday, in the month of October
+1851, is either 5th, 12th, 19th, or 26th.
+
+This additional application is here introduced merely to illustrate the
+great facilities afforded by the purely numerical form of Bede's
+"_argumentum_,"--such as must gradually present themselves to any person
+who will take the trouble to become thoroughly and practically familiar
+with it.
+
+ A. E. B.
+
+ Leeds, September, 1851.
+
+
+HYPHENISM, HYPHENIC, HYPHENIZATION.
+
+Where our ancestors wanted words, they made them, or imported them ready
+made. But we are become so particular about the etymological force of
+newly coined words, that we can never please ourselves, but rather
+choose to do without than to tolerate anything exceptionable. We have to
+learn again that a word cannot be like Burleigh's nod, but must be
+content to indicate the whole by the expression of some prominent part,
+or of some convenient part, prominent or not.
+
+Among the uses to which the "NOTES AND QUERIES" might be put, is the
+suggestion of words. It very often happens that one who is apt at
+finding the want is not equally good for the remedy, and _vice versâ_.
+By the aid of this journal the blade might find a handle, or the handle
+a blade, as wanted, with the advantage of criticism at the formation;
+while an author who coins a word, must commit himself before he can have
+much advice.
+
+The above remarks were immediately suggested by my happening to think of
+a word for a thing which gives much trouble, and requires more attention
+than it has received, but not more than it may receive if it can be
+fitly designated by a single word. A _clause_ of a sentence, both by
+etymology and usage, means any part of it of which the component words
+cannot be separated, but must all go together, or all remain together:
+it is then a component of the sentence which has a finished meaning in
+itself. The proper mode of indicating the clauses takes its name from
+the means, and not from the end: we say _punctuation_, not
+_clausification_. This may have been a misfortune, for it is possible
+that punctuation might have been better studied, if its name had
+imported its object. But there is another and a greater misfortune,
+arising from the total want of a name. In a sentence, not only do
+collections of words form minor sentences, but they also form compound
+words: sometimes eight or ten words are really only one. When two words
+are thus compounded, we use a hyphen: but those who have attempted to
+use more than one hyphen have been laughed out of the field; though
+perspicuity, logic, and algebra were all on their side. The _Morning
+Post_ adopted this practice in former days; and Horace Smith (or James,
+as the case may be,) ridiculed them in a parody which speaks of "the
+not-a-bit-the-less-on-that-account-to-be-universally-detested monster
+Buonaparte." It is, I think, much to be regretted that the use of the
+hyphen is so restricted: for though, like the comma, it might be
+abused, yet the abuse would rather tend to clearness.
+
+But, without introducing a further use of the hyphen, it
+would be desirable to have a distinct name for a combination
+of words; which, without being such a recognised and permanent
+compound as _apple-tree_ or _man in the moon_, is nevertheless
+one word in the particular sentence in hand. And the name is
+easily found. The word hyphen being Greek (ὑφ' ἕν),
+and being made a substantive, we might join Greek suffixes to it,
+and speak of _hyphenisms_ and _hyphenic_ phrases. For example,
+the following I should call a hyphenic error. When the British
+Museum recently published _A Short Guide to that Portion of
+the Library of printed Books now open to the Public_, a review
+pronounced the title a misnomer; because the _books_ are not
+open to the public, but are in locked glass cases. The reviewer
+read it "library of printed-books-now-open-to-the-public," instead
+of "library-of-printed-books now open to the public." And though in
+this case the reviewer was very palpably wrong, yet there are many
+cases in which a real ambiguity exists.
+
+A neglect of mental hyphenization often leads to mistake as to an
+author's meaning, particularly in this age of morbid implication. For
+instance, a person writes something about "a Sunday or other
+day-for-which-there-is-a-special-service;" and is taken as meaning "a
+Sunday-or-other-day for which," &c. The odds are that some readers will
+suppose him, by speak of Sundays _with_ special service, to imply that
+some are _without_.
+
+ M.
+
+
+GRAY AND COWLEY.
+
+Some spirited publisher would confer a serious obligation on the
+classical world by bringing out an edition of Gray's _Poems_, with the
+parallel passages annexed. "Taking him for all in all," he is one of our
+most perfect poets: and though Collins might have rivalled him (under
+circumstances equally auspicious), he could have been surpassed by
+Milton alone. In 1786, Gilbert Wakefield attempted to do for Gray what
+Newton and Warton had done for Milton (and, for one, I thank him for
+it); but his illustrations, though almost all good and to the point, are
+generally from books which every ordinary reader knows off by heart.
+Besides, Wakefield is so very egotistical, and at times so very puerile,
+that he is too much for most people. However, his volume, _The Poems of
+Mr. Gray, with Notes_, by Gilbert Wakefield, B.A., late Fellow of Jesus
+College, Cambridge: London, 1786, would furnish a good substratum for
+the volume I am now recommending.
+
+Not to speak of Milton's English poems and the great masterpieces of
+ancient times, with which so learned a scholar as Gray was, of course,
+familiar, he draws largely from the Greek anthology, from Nonnus, from
+Milton's Latin poems, from Cowley, and I had almost said from the prose
+works of Bishop Jeremy Taylor. His admiration of the great "Shakspeare
+of Divinity" is proved from a portion of one of his letters to Mason;
+and some other day I may furnish an illustration or two. Indeed, were
+any publisher to undertake the generous office I mention, I dare say
+that many a secret treasure would be unlocked, and many an "orient pearl
+at random strung" be forthcoming for his use. Let me first mention
+Gray's opinion of Cowley, and then add in confirmation one or two
+passages out of many. He says in a note to his "Ode on the Progress of
+Poesy:"
+
+ "We have had in our language not other odes of the sublime kind
+ than that of Dryden 'On St. Cecilia's Day:' for _Cowley (who had
+ his merit) yet wanted judgment, style, and harmony for such a
+ task_. That of Pope is not worthy of so great a man."
+
+We must submit to Gray's oracular sentence, for he himself was
+pre-eminently gifted in the three great qualities in which he declares
+the deficiency of Cowley (at least if we are to judge from his English
+poems; for the prosody of his Latin efforts seems sadly deficient). At
+times Cowley's "harmony" is not first-rate, and his "style" is deeply
+impregnated with the fantastic conceits of the day; but he is still a
+poet, and a great one too. And I think that in some of his writings Gray
+had Cowley evidently in mind; _e.g._ in the _epitaph_ to his "Elegy in a
+Country Churchyard:"
+
+ "Large was his bounty, and his soul sincere,
+ Heaven did a recompence as largely send:
+ He gave to mis'ry (all he had) a tear;
+ He gained from Heav'n ('twas all he wish'd) a friend."
+
+Cowley had previously written:
+
+ "Large was his soul; as large a soul as e'er
+ Submitted to _inform_ a _body_ here.
+ High as the place 'twas shortly in _Heav'n_ to have,
+ But low, and humble as his _grave_.
+ So _high_ that all the _virtues_ there did come,
+ As to their chiefest seat,
+ Conspicuous, and great;
+ So _low_ that for _me_ too it made a room."
+
+ _On the Death of Mr. William Hervey._
+ _Miscellanies_, page 18. London, 1669.
+
+Again--
+
+ "The attick warbler pours her _throat_
+ Responsive to the cuckoo's note,
+ The _untaught_ harmony of spring."
+
+ Gray, Ode I. _On the Spring._
+
+ "Hadst thou all the charming notes
+ Of the wood's poetic _throats_."
+
+ Cowley, _Ode to the Swallow_.
+
+ "Teaching their Maker in their _untaught_ lays."
+
+ Cowley, _Davideis_ lib. i. sect 63. p. 20.
+
+Again:
+
+ "Where'er the oak's thick branches stretch
+ A broader browner shade,
+ Where'er the rude and moss-grown beech
+ O'ercanopies the glade,
+ Beside some water's rushy brink,
+ With me the Muse shall sit, and think," &c.
+
+ Gray, Ode I. _On the Spring._
+
+ "O magnum Isacidum decus! O pulcherrima castra!
+ O arma ingentes olim paritura triumphos!
+ Non sic herbarum vario subridet Amictu,
+ Planities pictæ vallis, montisque supini
+ Clivus, perpetuis Cedrorum versibus altus.
+ Non sic æstivo quondam nitet hortus in anno,
+ Frondusque, fructusque ferens, formosa secundum
+ Flumina, mollis ubi viridisque supernatat umbra."
+
+ Cowley, _Davideidos_ lib. i. ad finem.
+
+I do not mean that Gray may not have had other poets in his mind when
+writing these lines (for there is nothing new or uncommon about them);
+but rather a careful going over of Cowley's poems convinces me that Gray
+was sensible of his "merits," and often corrects his want of "judgment"
+by his own refined and most exquisite taste. I must give one more
+instance; and I think that Bishop Hall's allusion to his life at
+Emmanuel College, and Bishop Ridley's "Farewell to Pembroke Hall," must
+every one fall into the background before Cowley. Gray's poem ought to
+be too well known to require quoting:
+
+ "Ye distant spires, ye antique towers,
+ That crown the wat'ry glade,
+ Where grateful Science still adores
+ Her Henry's holy shade;
+ And ye that from the stately brow
+ Of Windsor's heights th' expanse below
+ Of grove, of lawn, of mead survey,
+ Whose turf, whose shade, whose flowers among
+ Wanders the hoary Thames along
+ His silver winding way.
+
+ "Ah, happy hills! ah, pleasing shade!
+ Ah, fields beloved in vain!
+ Where once my careless childhood stray'd,
+ A stranger yet to pain.
+ I feel the gales that from ye blow,
+ A momentary bliss bestow,
+ As waving fresh their gladsome wing,
+ My weary soul they seem to soothe,
+ And, redolent of joy and youth,
+ To breathe a second spring."
+
+ Ode III. _On a distant Prospect of Eton College._
+
+Cowley was educated at Trinity College, Cambridge; and if I rightly
+remember Bonney's _Life of Bishop Middleton_, his affecting allusions to
+Cambridge had the highest praise of that accomplished scholar and
+divine:
+
+ "O mihi jucundum Grantæ super omnia nomen!
+ O penitus toto corde receptus amor!
+ O pulchræ sine luxu ædes, vitæque beatæ,
+ Splendida paupertas, ingenuusque decor!
+ O chara ante alias, magnorum nomine Regum
+ Digna domus! Trini nomine digna Dei
+ O nimium Cereris cumulati munere campi,
+ Posthabitis Ennæ quos colit illa jugis!
+ O sacri fontes! et sacræ vatibus umbræ
+ Quas recreant avium Pieridumque chori!
+ O Camus! Phoebo multus quo gratior amnis
+ Amnibus auriferis invidiosus inops!
+ Ah mihi si vestræ reddat bona gaudia sedis,
+ Detque Deus doctâ posse quiete frui!
+ Qualis eram cum me tranquilla mente sedentem
+ Vidisti in ripâ, Came serene, tuâ;
+ Mulcentem audisti puerili flumina cantu;
+ Ille quidem immerito, sed tibi gratus erat.
+ Nam, memini ripa cum tu dignatus utrâque
+ Dignatum est totum verba referre nemus.
+ Tunc liquidis tacitisque simul mea vita diebus,
+ Et similis vestræ candida fluxit aquæ.
+ At nunc coenosæ luces, atque obice multo
+ Rumpitur ætatis turbidus ordo meæ.
+ Quid mihi Sequanâ opus, Tamesisve aut Thybridis undâ?
+ Tu potis es nostram tollere, Came, sitim."
+
+ _Elegia dedicatoria, ad illustrissimam Academiam
+ Cantabrigiensem_, prefixed to Cowley's Works,
+ Lond. 1669, folio.
+
+ RT.
+
+ Warmington, Sept. 8. 1851.
+
+
+Minor Notes.
+
+_Ὑπωπιάζω._--I "keep under my body," &c. 1 Cor. ix. 27.
+One can scarcely allude to this passage without remembering the
+sarcastic observations of Dr. South upon a too literal interpretation of
+it. (_Sermons_, vol. i. p. 12. Dublin, 1720.) And yet deeper and more
+spiritual writers by no means pass the literal interpretation by with
+indifference. Bishop Andrewes distinctly mentions ὑπωπιασμός,
+or _suggillatio_, amongst the "circumstantiæ orationis;" as also
+ἐκδίκησις, _vindicta_, or _revenge_, 2 Cor. vii. II. (_Preces Privatæ_,
+pag. 14. Londini, 1828.) Bishop J. Taylor is equally explicit in a
+well-known and remarkable passage:
+
+ "If the lust be upon us, and sharply tempting, by inflicting any
+ smart to overthrow the strongest passion by the most violent pain,
+ we shall find great ease for the present, and the resolution and
+ apt sufferance against the future danger; and this was St. Paul's
+ remedy: 'I bring my body under;' he used some rudeness towards
+ it."--_Holy Living_, sect. iii. _Of Chastity. Remedies against
+ Uncleanness_, 4.
+
+The word ὑπώπια occurs only once in the LXX, but that seems in
+a peculiarly apposite way: "_ὑπώπια καὶ συντρίμματα συναντᾷ κακοῖς_,
+πληγαὶ δὲ εἰς ταμιεῖα κοιλίας." As our English version
+translates it: "The blueness of a wound cleanseth away evil (or, is a
+purging medicine against evil, margin), so do stripes the inward parts
+of the belly." (Proverbs xx. 30.) If it were not absolute presumption to
+differ from the great Dr. Jackson, one would feel inclined to question,
+or at least to require further proof of some observations of his. He
+says, in treating of our present passage:
+
+ "The very literal importance of those three words in the
+ original--ὑποπιάζω, κηρῦξας, and ἀδόκιμος--cannot be so well
+ learned from any Dictionary or Lexicon, as from such as write of
+ the Olympic Games, or of that kind of tryal of masteries, which in
+ his time or before was in use. The word ὑποπιάζω is proper
+ (I take it) unto wrestlers, whose practice it was to keep under
+ other men's bodies, not their own, or to keep their antagonists
+ from all advantage of hold, either gotten or aimed at. But our
+ apostle did imitate their practice upon his own body, not on any
+ others; for his own body was his chief antagonist."--_Works_,
+ vol. ii. p. 644. Lond. 1673.
+
+Suidas makes some remarks upon the word, but they are not very much to
+our purpose.
+
+ RT.
+
+ Warmington.
+
+_Meaning of Whitsunday._--I long ago suggested in your pages that
+Whitsun Day, or, as it was anciently written, Witson Day, meant Wisdom
+Day, or the day of the outpouring of Divine wisdom; and I requested the
+attention of your learned correspondents to this subject. I cannot
+refrain from thanking C. H. for his fourth quotation from Richard Rolle
+(Vol. iv., p. 50.) in confirmation of this view.
+
+ "This day _witsonday_ is cald,
+ For _wisdom & wit_ seuene fald
+ Was youen to þ'e apostles as þis day
+ For _wise_ in alle þingis wer thay,
+ To spek w't outen mannes lore
+ Al maner langage eueri whore."
+
+ H. T. G.
+
+_Anagrammatic Pun by William Oldys._--Your correspondent's Query
+concerning Oldys's _Account of London Libraries_ (Vol. iv., p. 176.),
+reminded me of the following punning anagram on the name of that
+celebrated bibliographer, which may claim a place among the first
+productions of its class. It was Oldys himself, and is attached to one
+of his own transcripts in the British Museum:
+
+ "In word and _Will I am_ a friend to you,
+ And one friend _Old is_ worth a hundred new."
+
+ BLOWEN.
+
+_Ballad of Chevy Chase: Ovid._--Addison, in his critique on the ballad
+of "Chevy Chase," after quoting the stanza--
+
+ "Against Sir Hugh Montgomery,
+ So right his shaft he set,
+ The grey goose wing that was thereon
+ In his heart's blood was wet,"
+
+says that "the thought" in that stanza "was never touched by any other
+poet, and is such a one as would have shined in Homer or Virgil." It is
+perhaps true that there is no passage in any other writer exactly
+resembling this, but it is not quite true that the thought has not been
+_touched_; for there is something approaching to it in Ovid's
+_Metamorphoses_, where the slaughter of Niobe's children by the arrows
+of Apollo is described:
+
+ "Altera per jugulum _pennis tenus_ acta sagitta est:
+ _Expulit hanc sanguis_; seque ejaculatus in altum
+ Emicat."--VI. 260.
+
+The author of this ballad would appear, from the passages cited by
+Addison, to have been well read in the Latin poets. Had Addison
+recollected the above passage of Ovid, he would doubtless have adduced
+it.
+
+ J. S. W.
+
+ Stockwell.
+
+_Horace Walpole at Eton._--The following anecdote of Horace Walpole
+while at Eton was related by the learned Jacob Bryant, one of his
+school-fellows, and has not, I believe, been printed; it is at all
+events very much at your service.
+
+In those days the Etonians were in the habit of acting plays, and
+amongst others _Tamerlane_ was selected for representation. The cast of
+parts has unluckily not been preserved, but it is sufficient for us to
+know that the lower boys were put into requisition to personate the
+mutes. After the performance the wine, which had been provided for the
+actors, had disappeared, and a strong suspicion arose that the lower
+boys behind the scenes had made free with it, and Horace Walpole
+exclaimed, "The mutes have swallowed the liquids!"
+
+ BRAYBROOKE.
+
+
+
+
+Queries.
+
+
+CONTINENTAL WATCHMEN AND THEIR SONGS.
+
+The inquiries I made in Vol. iii., p. 324., respecting the Bellman and
+his Songs, have been answered by most interesting information (pp. 377.
+451. 485.); and the references made by the Editor to V. Bourne's
+translation was most acceptable. The interest of this subject is
+increased by finding that the Custos Nocturnus exists at the present day
+in other countries, resembling very much in duties, costume, and chants
+the Westminster Bellman. I venture to send you extracts from W. Hurton's
+_Voyage from Leith to Lapland_, and Dr. Forbes's _Physician's Holiday_.
+
+ "During the past year of 1849 it has been my lot to reside at four
+ of the most remarkable capitals of Europe, and successively to
+ experience what spring is in London, what summer is in Paris, what
+ autumn is in Edinburgh, and what winter is in Copenhagen. Vividly,
+ indeed, can I dwell on the marvellous contrast of the night aspect
+ of each: but one of the most interesting peculiarities I have
+ noticed in any of them, is that presented by the watchmen of the
+ last-named. When I first looked on these guardians of the night, I
+ involuntarily thought of Shakspeare's Dogberry and Verges. The
+ sturdy watchers are muffled in uniform great coats, and also wear
+ fur caps. In their hand they carry a staff of office, on which
+ they screw, when occasion requires, that fearful weapon the
+ 'morning star.' They also sometimes may be seen with a lanthorn at
+ their belt: the candle contained in the lanthorn they place at the
+ top of their staff, to relight any street-lamps which require
+ trimming. In case of fire, the watchmen give signals from the
+ church towers, by striking a number of strokes, varying with the
+ quarter of the city in which the fire occurs; and they also put
+ from the tower flags and lights pointed in the direction where the
+ destructive element is raging. From eight o'clock in the evening,
+ until four (Query, until five) o'clock in the morning, all the
+ year round, they chant a fresh verse at the expiration of each
+ hour, as they go their rounds. The cadence is generally deep and
+ guttural, but with a peculiar emphasis and tone; and from a
+ distance it floats on the still night air with a pleasing and
+ impressive effect, especially to the ear of a stranger. The verses
+ in question are of great antiquity, and were written, I am told,
+ by one of the Danish bishops. They are printed on a large sheet of
+ paper, with an emblematical border, rudely engraved in the old
+ style; and in the centre is a large engraving exactly representing
+ one of the ancient watchmen, in the now obsolete costume, with his
+ staff and 'morning star' in hand, a lanthorn at his belt, and his
+ dog at his feet.
+
+ "A copy of the broadside has been procured me, and my friend Mr.
+ Charles Beckwith has expressly made for me a verbatim translation
+ of the verses; and his version I will now give at length. I am
+ induced to do this, because, not only are the chants most
+ interesting in themselves, as a fine old relic of Scandinavian
+ customs, but there seems to me a powerful poetical spirit
+ pervading them. At the top of the sheet are the lines which in the
+ translation are--
+
+ 'Watch and pray,
+ For time goes;
+ Think and directly,
+ You know not when.'
+
+ "In large letters over the engraving of the watchman are the words
+ (translated):
+
+ 'Praised be God! our Lord, to whom
+ Be love, praise, and honour.'
+
+ "I will now give the literal version, printed exactly in the same
+ arrangement of lines, letters, and punctuation, as the original:
+
+ '_Copenhagen Watchman's Song._
+
+ Eight o'clock,
+ When darkness blinds the earth
+ And the day declines,
+ That time then us reminds
+ Of death's dark grave;
+ Shine on us, Jesus sweet,
+ At every step
+ To the grave-place,
+ And grant a blissful death.'
+
+ "Every hour between eight and five o'clock inclusive has its own
+ chant. The last is--
+
+ 'Five o'clock.
+ O Jesu! morning star!
+ Our King unto thy care
+ We so willingly commend,
+ Be Thou his sun and shield!
+ Our clock it has struck five
+ Come mild Sun,
+ From mercy's pale,
+ Light up our house and home.'"
+
+ _Voyage from Leith to Lapland in 1850_,
+ by W. Hurton, vol. i. p. 104.
+
+Dr. Forbes writes:
+
+ "We had very indifferent rest in our inn, owing to the over-zeal
+ of the Chur watchmen, whose practice it is to perambulate the town
+ through the whole night, twelve in number, and who on the present
+ occasion displayed a most energetic state of vigilance. They not
+ only called, but sung out, every hour, in the most sonorous
+ strains, and even chanted a long string of verses on the striking
+ of some.... I suppose the good people of Chur think nothing of
+ these chantings, or from habit hear them not; but a tired
+ traveller would rather run the risk of being robbed in
+ tranquillity, than be thus sung from his propriety during all the
+ watches of the night."--_A Physician's Holiday_, pp. 80, 81.
+
+Dr. Forbes gives a copy of a "Watch Chant at Chur," with a translation,
+pp. 81, 82. At p. 116. he says:
+
+ "In our hotel at Altorf we were again saluted, during the vigils
+ of the night, but in a very mitigated degree, with some of the
+ same patriotic and pious strains which had so disturbed us at
+ Chur. As chanted here, however, they were far from unwelcome. The
+ only other place, I think, where we heard these Wächterrufe was
+ Neufchatel. These calls are very interesting relics of the old
+ times, and must be considered indicative as well of the simple
+ habits of the old time, as of the pious feelings of the people of
+ old."
+
+He then gives the Evening and Morning Chants in the town of Glarus, and
+the chant in use in some places in the canton of Zurich; but in Zurich
+itself the chant is no longer heard.
+
+Dr. Forbes concludes the twelfth chapter with the following observation:
+
+ "The same antiquity, and also the inveteracy of old customs to
+ persist, is strikingly shown by the fact that in some parts of the
+ canton of Tessino, where the common language of the people is
+ Italian, the night watch-call is still in old German."
+
+The apparent universality of the Bellman throughout Europe gives rise to
+questions that would, I apprehend, extend beyond the object of "NOTES
+AND QUERIES;" such as, Is pure religion benefited by the engrafting of
+it upon stocks so familiar as the bellman or watchman? What are the
+causes that the old ecclesiastic bellman is no longer heard in some
+countries, whilst in others he continues with little or no variation?
+Has religion lost or gained by the change?
+
+Dr. Forbes's notice of the Tessino watchman calls up the public crier in
+England, another class of bellmen, asking for a hearing, with his "O
+yes! O yes!" Little does he think that he is speaking French.
+
+ F. W. J.
+
+
+Minor Queries.
+
+151. _Quotation from Bacon._--In Lord Campbell's Life of Lord Bacon
+(_Lives of the Lord Chancellors_, vol. ii. p. 314.) he gives an extract
+from Lord Bacon's speech in the House of Commons, on his proposed bill
+for "Suppressing Abuses in Weights and Measures." In the following
+sentence there is a word which seems to require explanation:
+
+ "The fault of using false weights and measures is grown so
+ intolerable and common, that if you would build churches you shall
+ not need for battlements and _halls_, other than false weights of
+ lead and brass."
+
+The use of lead for the battlements of churches seems obvious enough:
+but what can _halls_ mean, unless it be a misprint for _bells_, for
+which brass would be required?
+
+ PEREGRINUS.
+
+152. _Carmagnoles._--Can any of your readers tell me the exact meaning
+of the _Carmagnoles_ of the French Revolution? Is the "Marseillaise" a
+Carmagnole song? If the word be derived from Carmagnuola in Piedmont,
+what is the story of its origin?
+
+ W. B. H.
+
+153. _The Use of Tobacco by the Elizabethan Ladies._--In _An
+Introduction to English Antiquities, by James Eccleston, B.A._, 8vo.
+1847, p. 306., the author, speaking of the ladies of the reign of
+Elizabeth, has the following passage:
+
+ "It is with regret we add, that their teeth were at this time
+ generally black and rotten, a defect which foreigners attributed
+ to their inordinate love for sugar, but which may, perhaps, be
+ quite as reasonably ascribed to their frequent habit of taking the
+ Nicotian weed to excess."
+
+Does the author mean to insinuate by the above, that the Elizabethan
+ladies indulged in the "filthy weed" by "smoaking" or "chewing?" I have
+always understood that the "Nicotian weed" _whitened_ the teeth rather
+than _blackened_ them, but should be glad to be enlightened upon the
+subject by some of your scientific readers.
+
+ EDWARD F. RIMBAULT.
+
+154. _Covines_ (Vol. iii., p. 477.).--Remembering to have seen it stated
+by one of your correspondents, that witches or sorcerers were formerly
+divided into classes or companies of twelve, called _covines_, I should
+feel obliged by a reference to the authorities from which this statement
+is derived. They were not alleged at the time.
+
+ A. N.
+
+155. _Story referred to by Jeremy Taylor._--Jeremy Taylor (_Duct.
+Dubit._, book iii. chap. ii. rule 5. quæst. 2.) states:
+
+ "The Greek that denied the depositum of his friend, and offered to
+ swear at the altar that he had restored it already, did not
+ preserve his conscience and his oath by desiring his friend to
+ hold the staff in which he had secretly conveyed the money. It is
+ true, he delivered it into his hand, desiring that he would hold
+ it till he had sworn; but that artifice was a plain cozenage, and
+ it was prettily discovered. For the injured person, in indignation
+ at the perjury, smote the staff upon the ground, and broke it, and
+ espied the money."
+
+Whence is the above incident derived?
+
+ A TR.
+
+156. _Plant in Texas._--I shall be glad to learn the scientific name of
+the plant to which the following extract from the _Athenæum_ (1847, p.
+210.) refers:--
+
+ "It is a well-known fact that in the vast prairies of Texas a
+ little plant is always to be found which, under all circumstances
+ of climate, changes of weather, rain, frost, or sunshine,
+ invariably turns its leaves and flowers to the north," &c.
+
+ .א .ת
+
+157. _Discount._--Can any of your readers inform me how discount
+originated, and where first made use of?
+
+ JAMES C.
+
+158. _Sacre Cheveux._--The motto of the arms of the family of _Halifax_
+of Chadacre in Suffolk, and of Lombard Street, is--
+
+ "SACRE CHEVEUX."
+
+It does not seem to bear allusion to the crest, a griffin, nor to any of
+the charges in the coat, which I do not at the moment accurately
+remember. If you will enlighten me as to the meaning and origin of the
+motto, I shall be obliged.
+
+ S. A.
+
+159. "_Mad as a March Hare._"--In Mr. Mayhew's very interesting work,
+_London Labour and the London Poor_, Part xxxiii. p. 112., a collector
+of hareskins, in giving an account of his calling, says:
+
+ "Hareskins is in--leastways I c'lects them--from September to the
+ end of March, when hares, they says, goes mad."
+
+Perhaps the allusion to the well-known saying, "as mad as a March hare,"
+on this occasion was made without the collector of hareskins being aware
+of the existence of such a saying. Is anything known of its origin? I
+imagine that Mr. Mayhew's work will bring many such sayings to light.
+
+ L. L. L.
+
+160. _Vermin, Payments for Destruction of, and Ancient Names._--Can you
+afford me any information as to the authority (act of parliament, or
+otherwise,) by which churchwardens in old times paid sums of money for
+the destruction of vermin in the several parishes in England; and by
+what process of reasoning, animals now deemed innocuous were then
+thought to merit so rigorous an extirpation?
+
+In some old volumes of churchwardens' accounts to which I have access, I
+find names which it is impossible to associate with any description of
+vermin now known. Perhaps some of your correspondents may be able to
+identify them: such as _glead_, _ringteal_, _greas'head_, _baggar_. My
+own impression as to the latter name was, that it was only another way
+of spelling badger; but as, in the volume to which I refer, the word
+_bowson_ occurs, which the historian Dr. Whitaker pronounces to be
+identical with that species of vermin, my surmise can scarcely be
+correct.
+
+ J. B. (Manchester).
+
+161. _Fire unknown._--Leibnitz (_Sur l'Entendement humain_, liv. i. §
+4.) speaks of certain islanders to whom fire was unknown. Is there any
+authentic account of savages destitute of this essential knowledge?
+
+ C. W. G.
+
+162. _Matthew Paris's Historia Minor._--During the last few years I have
+made occasional, but unsuccessful, inquiries after the _Historia Minor_
+of Matthew Paris. It is quoted at some length by Archbishop Parker
+(_Antiquit. Eccles. Brit._, ed. Hanov. 1605, p. 158.). It is also
+referred to, apparently upon Parker's authority, by several divines of
+the succeeding age; by one or more of whom (as well as by Watt) the MS.
+is spoken of as deposited in the Royal Library at St. James's. The words
+produced by Parker do not occur in Matthew Paris's _Major History_;
+though the editor of the second edition of the larger work would appear
+to have consulted the _Hist. Minor_, either in the _Biblioth. Reg._, or
+the Cottonian Library, or else in the Library of Corpus Coll.,
+Cambridge. Can any one gratify my curiosity by saying whether this MS.
+is known to exist, and (if so) where?
+
+ J. SANSOM.
+
+163. _Mother Bunche's Fairy Tales._--Who wrote _Mother Bunche's Fairy
+Tales_?
+
+ DALSTONIA.
+
+164. _Monumental Symbolism._--In the south aisle of Tylehurst church,
+Berks, is a beautiful monument to the memory of Sir Peter Vanlore,
+Knight, and his lady, in recumbent positions, at whose feet is the
+statue of their eldest son in armour kneeling. In the front of the tomb
+are the figures of ten of their children in processional form--first,
+two daughters singly; the rest two and two, four of which have skulls in
+their right hands, and a book in their left, probably to denote their
+being deceased at the time the monument was erected. At the feet of one
+of the youngest children is represented a very small figure of a child
+lying in a shroud, the date 1627.
+
+Query, What do the books symbolise?
+
+ JULIA R. BOCKETT.
+
+ Southcote Lodge.
+
+165. _Meaning of "Stickle" and "Dray."_--In Wm. Browne's _Pastoral_,
+"The Squirrel Hunt," we read of--
+
+ "Patient anglers, standing all the day
+ Near to some shallow _stickle_, or deep bay."
+
+The word _stickle_ appears to me to be used here for a pool. Is it ever
+so used now, or has that meaning become obsolete? I do not find it in
+Richardson's _Dictionary_.
+
+In the Lake District, in the Langdales, is Harrison's Stickle or Stickle
+Tarn, which I think confirms my view of the meaning.
+
+ * * * * *
+
+ "Whilst he from tree to tree, from spray to spray,
+ Gets to the wood, and hides him in his _dray_."
+
+Cowper uses the word _dray_ with reference to the same animal:
+
+ "Chined like a squirrel to his _dray_."
+
+ "A Fable," Southey's _Edit._ viii. 312.
+
+What is the correct meaning of this word? Richardson, from Barrett,
+says, "a _dray_ or _sledde_, which goeth without wheels." And adds,
+"also applied to a carriage with low, heavy wheels, dragged heavily
+along, as a brewer's _dray_."
+
+He then quotes the passage from Cowper, containing the above line.
+
+ F. B. RELTON.
+
+166. _Son of the Morning._--
+
+ "Son of the morning, rise! approach you here!
+ Come--but molest not yon defenceless urn:
+ Look on this spot--a nation's sepulchre!
+ Abode of gods, whose shrines no longer burn.
+ Even gods must yield--religions take their turn:
+ 'Twas Jove's--'tis Mahomet's--and other creeds
+ Will rise with other years, till man shall learn
+ Vainly his incense soars, his victim bleeds;
+ Poor child of Doubt and Death, whose hope is built on reeds."
+
+How many read the above beautiful stanza from _Childe Harold_, Canto II.
+Stanza 3., without asking themselves who the "Son of the morning" is.
+Perhaps some of your literary correspondents and admirers of Byron may
+be able to tell us. I enclose my own solution for your information.
+
+ AN OLD BENGAL CIVILIAN.
+
+167. _Gild Book._--The Gild-Book of the "Holy Trinity Brotherhood" of
+St. Botolph's without Aldersgate, London, once belonged to Mr. W. Hone,
+by whom it is quoted in his _Ancient Mysteries_, p. 79. If any of the
+readers of "NOTES AND QUERIES" would be so kind as to let me know where
+this MS. is to be found, I should be very thankful.
+
+ D. ROCK.
+
+ Buckland, Faringdon.
+
+
+
+
+Replies.
+
+
+POPE AND FLATMAN.
+
+(Vol. iv., p. 132.)
+
+In the edition of Pope's _Works_ published by Knapton, Lintot, and
+others, 1753, 9 vols., I find the following note to the Ode entitled
+"The Dying Christian to his Soul:"--
+
+ "This Ode was written in imitation of the famous Sonnet of Hadrian
+ to his departing Soul, but as much superior to his original in
+ sense and sublimity as the Christian religion is to the pagan."
+
+This is confirmed by the correspondence of Pope with Steele, vol. vii.
+pp. 185, 188, 189, 190. Letters 4, 7, 8, and 9.
+
+That Pope also derived some hints at least from Flatman's Ode is, I
+think, certain, from the following extract from a bookseller's catalogue
+of a few years' date:
+
+ "Flatman, Thos., Poems and Songs. Portrait slightly damaged. 8vo.,
+ new, cf. gt. back, 8s. With autograph of Alex. Pope.
+
+ "MS. Note at p. 55.--'This next piece, _A Thought on Death_, is
+ remarkable as being the verses from which Pope borrowed some of
+ the thoughts in his Ode of The Dying Christian to his Soul.'"
+
+ F. B. RELTON.
+
+The question whether Flatman borrowed from Pope or Pope from Flatman
+(the former seems far more probable) may perhaps be decided by the date
+of Flatman's composition, if that can be ascertained. Pope's ode was
+composed in November, 1712, as recorded in the interesting series of
+letters in the correspondence between Pope and Steele (_Letters_ iv. to
+ix.) and in the 532nd number of the _Spectator_. From Steele's letter it
+appears that the stanzas were composed for music: is any setting of them
+known, anterior to that by Harwood, which has obtained such universal
+popularity, in spite of its many undeniable errors in harmony? Is
+anything known of this composer? he certainly was not deficient either
+in invention or taste, and must have written other pieces worthy to be
+remembered.
+
+ E. V.
+
+It seems probable that the coincidence between the passages of Thomas
+Flatman and Pope, indicated at p. 132., arises from both imitating the
+_alliteration_ of the original:
+
+ "_Animula, vagula, blandula,_
+ Hospes, comesque corporis,
+ Quæ nunc abibis in loca,
+ _Pullidula, rigida, undula_?
+ Nec, ut soles, dabis jocos."
+
+Casaubon (_Hist. Ang. Script._, t. i. p. 210. ed. Lug. Bat.) has totally
+lost sight of this in his Greek translation.
+
+ THEODORE BUCKLEY.
+
+
+TEST OF STRENGTH OF A BOW.
+
+(Vol. iv., p. 56.)
+
+Although unable to answer all the Queries of TOXOPHILUS, the subjoined
+information may possibly advantage him. His Queries of course have
+reference to the long bow, and not to the arbalest, or cross-bow. The
+length of this bow appears to have varied according to the height and
+strength of the bowman; for in the 12th year of the reign of Edward IV.
+an act was passed ordaining that every Englishman should be possessed of
+a bow of his own height. Bishop Latimer also, in one of his sermons,
+preached before Edward VI., and published in 1549, wherein he enforces
+the practice of archery, has the following passage:
+
+ "In my time my father taught me how to draw, how to lay my body in
+ my bow, and not to draw with strength of arms, as other nations
+ do, but with strength of body. I had my bows brought me according
+ to my age and strength: as I increased in them, so my bows were
+ made bigger and bigger."
+
+The length of the full-sized bow appears to have been about six feet:
+the arrow, three.
+
+The distance to which an arrow could be shot from the long bow of course
+depended, in a great measure, upon the quality and toughness of the
+wood, as well as upon the skill and strength of the archer; but I
+believe it will be found that the tougher and more unyielding the bow,
+the greater the strength required in bending it, and consequently the
+greater the force imparted to the arrow. The general distance to which
+an arrow could be shot from the long bow seems to have been from eleven
+to twelve score yards; although there are instances on record of
+individuals shooting from 400 to 500 yards.
+
+The best bows used by our ancestors were made of yew, as it appears from
+a statute made in the thirty-third year of the reign of Henry VIII., by
+which it was enacted--
+
+ "That none under the age of seventeen should shoot with a bow of
+ yew, except his parents were worth 10_l._ per annum in lands, or
+ 40 marks in goods: and for every bow made of yew, the bowyer not
+ inhabiting London or the suburbs should make four, and the
+ inhabitant there two, bows of other wood."
+
+These restrictions were doubtless owing to the great scarcity of yew.
+The other woods most in request were elm, witch-hazel, and ash. By the
+statute 8th of Elizabeth, cap. 3., it was ordained that every bowyer
+residing in London should have always ready fifty bows of either of the
+before-mentioned woods. By this statute also the prices at which the
+bows were to be sold were regulated.
+
+I believe the ancient bows were made of one piece; whether there is any
+advantage to be derived in having a bow of more than two pieces, I leave
+for some one better qualified than myself to determine.
+
+As regards arrows, Ascham, in his _Toxophilus_, has enumerated fifteen
+sorts of wood of which arrows were made in his time, viz. brasell,
+turkie-wood, fusticke, sugercheste, hard-beam, byrche, ash, oak,
+service-tree, alder, blackthorn, elder, beach, aspe, and sallow; of
+these aspe and ash were accounted the best; the one for target-shooting,
+the other for war. The author of _The Field Book_ says:
+
+ "That an arrow weighing from twenty to four-and-twenty
+ pennyweights, made of yew, was considered by archers the best that
+ could be used."
+
+ DAVID STEVENS.
+
+ Godalming.
+
+The method of trying and proving a bow is stated by Ascham to be thus:
+
+ "By shooting it in the fields, and _sinking_ it with _dead heavy_
+ shafts; looking where it _comes_ most, and providing for that
+ place betimes, lest it pinch and so fret. When the bow has thus
+ been shot in, and appears to contain good shooting wood, it must
+ be taken to a skilful workman, to be cut shorter, scraped, and
+ dressed fitter, and made to come circularly round; and it should
+ be whipped at the ends, lest it snap in sunder or fret sooner than
+ the archer is aware of."
+
+It is calculated that an arrow may be shot 110 yards for every 20 lbs.
+weight of the bow.
+
+As regards the length of the old English bow, the statute 5th of Edward
+IV. cap. 4., runs thus:
+
+ "That every Englishman, and Irishmen that dwell with Englishmen
+ and speak English, that be between sixteen and sixty in age, shall
+ have an English bow of his own length."
+
+Ascham recommended for men of average strength arrows made of birch,
+hornbeam, oak, and ash.
+
+The foregoing is extracted from a work entitled _The English Bowman_, by
+T. Roberts, 1801.
+
+ PHILOSOPHUS.
+
+
+BASKERVILLE THE PRINTER.
+
+(Vol. iv., pp. 40. 123.)
+
+Hansard's _Typographia_, i. 8vo. 1825, Preface, p. xii--xiii.:
+
+ "Of the more modern portraits something remains to be said, and
+ particularly of that of Baskerville. It has been hitherto supposed
+ that no likeness is extant of this first promoter of fine
+ printing, and author of various improvements in the Typographic
+ Art, as well as in the arts connected with it. At the time when I
+ was collecting information for that part of my work in which Mr.
+ Baskerville is particularly mentioned (p. 310. _et seq._), I
+ thought it a good opportunity to make inquiry at Birmingham
+ whether any portrait or likeness of him remained; for a long time
+ the inquiry was constantly answered in the negative, but at last
+ it occurred to a friend to make a search among the family of the
+ late Mrs. Baskerville, and he was successful. Mr. Baskerville
+ married the widow of a Mr. Eaves; her maiden name was Ruston; she
+ had two children by her former husband, a son and a daughter: the
+ latter married her first cousin, Mr. Josiah Ruston, formerly a
+ respectable druggist at Birmingham, and she survived her husband.
+ At the sale of some effects after her decease, portraits of her
+ mother and her father-in-law, Mr. Baskerville, were purchased by
+ Mr. Knott of Birmingham. Some of Mr. Ruston's family and friends
+ who are still living, consider this likeness of Mr. Baskerville as
+ a most excellent and faithful resemblance. It was taken by one
+ Miller, an artist of considerable eminence in the latter part of
+ Baskerville's time. The inquiries of my friend Mr. Grafton, of
+ Park Grove, near Birmingham, at once brought this painting into
+ notice: and at his solicitation Mr. Knott kindly permitted Mr.
+ Raven of Birmingham, an artist of much celebrity, to copy it for
+ my use and the embellishment of this work; to which, I think, the
+ united talents of Mr. Craig and Mr. Lee have done ample justice."
+
+The portrait faces p. 310. of Mr. Hansard's book, and there may be found
+an account, though somewhat different, of the exhumation alluded to by
+MR. ST. JOHNS (Vol. iv., p. 123.), which took place in May, 1821.
+
+ CRANMORE.
+
+In answer to an inquirer I beg respectfully to state that the body of
+the eminent printer now reposes, as it has for some years, in the vaults
+of Christ Church in our town.
+
+ WILLIAM CORNISH.
+
+ New Street, Birmingham.
+
+
+Replies to Minor Queries.
+
+_Mazer Wood and Sin-eaters_ (Vol. iii., pp. 239. 288.).--The following
+extract from Hone's _Year Book_, p. 858., will add to the explanation
+furnished by S. S. S., and will also give an instance of the singular
+practices which prevailed among our ancestors:--
+
+ "Among the Lansdowne MSS. in the British Museum are statements in
+ Aubrey's own handwriting to this purport. In the county of
+ Hereford, was an old custom at funerals, to hire poor people, who
+ were to take upon them the sins of the party deceased. One of them
+ (he was a long, lean, ugly, lamentable, poor rascal), I remember,
+ lived in a cottage on Rosse highway. The manner was, that when the
+ corpse was brought out of the house, and laid on the bier, a loaf
+ of bread was brought out, and delivered to the sin eater, over the
+ corpse, as also a _mazard bowl_ of maple, full of beer (which he
+ was to drink up), and sixpence in money, in consideration whereof
+ he took upon him, _ipso facto_, all the sins of the defunct, and
+ freed him or her from walking after they were dead."
+
+Perhaps some of your readers may be able to throw some light on this
+curious practice of _sin-eating_, or on the existence of regular
+_sin-eaters_.
+
+ E. H. B.
+
+ Demerary.
+
+ [Mr. Ellis, in his edition of Brande's _Popular Antiquities_, vol.
+ ii. p. 155. 4to. has given a curious passage from the Lansdowne
+ MSS. concerning a sin-eater who lived in Herefordshire, which has
+ been quoted in the _Gentleman's Magazine_, vol. xcii. pt. i. p.
+ 222.]
+
+"_A Posie of other Men's Flowers_" (Vol. iv., pp. 58. 125.).--If D. Q.
+should succeed in finding this saying in Montaigne's Works, I hope he
+will be kind enough to send an "Eureka!" to "NOTES AND QUERIES," as by
+referring to pp. 278. 451. of your second volume he will see that I am
+interested in the question.
+
+I am still inclined to think that the metaphor, _in its present concise
+form_ at all events, does _not_ belong to Montaigne, though it may owe
+its origin to some passage in the _Essays_. See, for example, one in
+book i. chap. 24.; another in book ii. chap. 10., in Hazlitt's second
+edition, 1845, pp. 54. 186.
+
+But I have not forgotten Montaigne's motto, "Que sçais-je?" The chances
+are that I am wrong. I should certainly like to see his right to the
+saying satisfactorily proved by reference to book, chapter, and page.
+
+ C. FORBES.
+
+ Temple.
+
+At the conclusion of the preface to the thick 8vo. edition of the
+_Elegant Extracts, Verse_, published by C. Dilly, 1796, you will find
+these words:--
+
+ "I will conclude my preface with the _ideas of Montaigne_. 'I have
+ here only made a nosegay of culled flowers, and have brought
+ nothing of my own but the thread that ties them.'"
+
+ R. S. S.
+
+ 56. Fenchurch Street.
+
+_Table Book_ (Vol. i., p. 215.).--See _Transactions of the Royal Irish
+Academy_, vol. xxi., Antiq. pp. 3-15, and some specimens in the museum
+of the Academy. (_Proceedings_, vol. iii. p. 74.)
+
+ R. H.
+
+_Briwingable_ (Vol. iv., p. 22.).--I cannot find this word in any
+authority to which I have access. I derive it from Sax. {briþan}, to
+brew, and {Eafel}, a tax; and think it the same as _tolsester_, a duty
+payable to the lord of the manor by ale-brewers, mentioned in Charta 55
+Hen. III.: "Tolsester cerevisie, hec est pro quolibet braccino per annum
+unam lagenam cerevisie."
+
+ F. J.
+
+_Simnels_ (Vol. iii., pp. 390. 506.).--T. very sensibly suggests that
+Lambert _Simnel_ is a nickname derived from a kind of cake still common
+in the north of England, and eaten in Lent. I have never met with
+_Simnel_ as a surname, and have actually been told, as a child, that the
+Simnels were called after Lambert; which is so far worthy of note as
+that it connects the two together in tradition, though, no doubt, as T.
+suggests, it is Lambert who was called after the Simnels. As a child I
+took the liberty to infer, in consequence, that Parkins (gingerbread of
+oatmeal instead of flour, and also common in the north of England) were
+called after Perkin Warbeck. I am aware of the superior claim of
+Peterkin now; but the coincidence may perhaps amuse your correspondents.
+
+ †
+
+_A Ship's Berth_ (Vol. iv., p. 83.).--I would suggest to your
+correspondents S. S. S. (2) another derivation for our word _berth_.
+
+The present French _berceau_, a cradle, was in the Norman age written
+_berȝ_, as appears in a MSS. _Life of St. Nicholas_ in the Bodleian
+Library. This Life has been printed at Bonn by Dr. Nicolaus Delius,
+1850; but in the print the character ȝ has been represented by the
+ordinary z. This is a pity, because, as all know who are familiar with
+our MSS. of the twelfth and thirteenth centuries, this figure ȝ took
+not unfrequently the place of ð (th); and on this account it is a
+character which ought to be scrupulously preserved in editing. _Berȝ_
+then was probably pronounced _berth_, or possibly with a little more of
+the sibilant than is now found in the latter. How easily the _sibilant_
+and the _th_ run into one another may be seen by the third person
+singular of our present Indicative:
+
+ saith says.
+ doth does.
+ hopeth hopes.
+
+ J. E.
+
+ Oxford, August 2. 1851.
+
+_Suicides buried in Cross-roads_ (Vol. iv., p. 116.).--P. M. M. makes
+inquiry respecting a practice formerly observed of _burying murderers in
+cross-roads_. I have often heard that _suicides_ were formerly interred
+in such places, and that a stake used to be driven through the body. I
+know of two places in the neighbourhood of _Boston_ in Lincolnshire,
+where such burials are stated to have taken place. One of these is about
+a mile and a half south of Boston, on what is called the _low_ road to
+Freiston; a very ancient _hawthorn tree_ marks the spot, and the tree
+itself is said to have sprung from the stake which was driven through
+the body of the self-murderer. The tradition was told me sixty years
+since, and the interment was _then_ said to have occurred _a hundred
+years ago_; the suicide's name was at that time traditionally
+remembered, and was told to me, but I cannot recall it. The tree
+exhibits marks of great age, and is preserved with care; it still bears
+"may," as the flower of the whitethorn is called, and _haws_ in their
+season.
+
+The second grave (as it is reported) of this kind is on the high road
+from Boston to Wainfleet, at the intersection of a road leading to
+Butterwick, at a place called _Spittal Hill_; near the site of the
+ancient hospital or infirmary, which was attached to the Priory of St.
+James at Freiston. This spot is famous in the traditions of the
+neighbourhood as the scene of the appearance of a sprite or hobgoblin,
+called the "_Spittal Hill_ TUT;" which takes, in the language of the
+district, the shape of a SHAG _foal_, and is said to be connected with
+the history of the suicide buried there.
+
+TUT is a very general term applied in Lincolnshire to any fancied
+supernatural appearance. Children are frightened by being told of _Tom
+Tut_; and persons in a state of panic, or unreasonable trepidation, are
+said to be _Tut-gotten_.
+
+ P. T.
+
+ Stoke Newington, Aug. 30.
+
+_A Sword-blade Note_ (Vol. iv., p. 176.).--The sword-blade note, to
+which R. J. refers, was doubtless a note of the Sword-blade Company,
+which was intimately connected with the South Sea Company. In the
+narrative respecting the latter company, given in _The Historical
+Register_ for 1720, is an account of a conference between the South Sea
+Directors and those of the Bank of England: therein is the following
+passage:
+
+ "And when it was urg'd that the _Sword Blade_ Company should come
+ into the Treaty; _By no means_, reply'd _Sir Gilbert_ [Heathcote];
+ _for if the_ South Sea _Company be wedded to the Bank, he ought
+ not to be allow'd to keep a Mistress_. The Event show'd that the
+ Bank acted with their usual Prudence, in not admitting the _Sword
+ Blade_ Company into a Partnership."--_Historical Register_ for
+ 1720, p. 368.
+
+At p. 377. of the same work it is stated, that on the 24th of September
+the Sword-blade Company, "who hitherto had been the chief cash keepers
+to the South Sea Company," stopped payment, "being almost drain'd of
+their ready money."
+
+Perhaps some of your correspondents may be able to elucidate the rise,
+transactions, and "winding up" of the Sword-blade Company.
+
+ C. H. COOPER.
+
+ Cambridge, Sept. 6. 1851.
+
+_Domesday Book of Scotland_ (Vol. iv., p. 7.).--Your correspondent
+ABERDONIENSIS is informed that what he is in quest of was published by
+the "Bannatyne Club," under the name of the "Ragman Rolls," in 1834,
+4to. It is entitled, _Instrumenta Publica sive Processus super
+Fidelitatibus et Homagiis Scotorum Domino Regi Angliæ factis_, A.D.
+M.CC.XCI.--M.CC.XCVI.
+
+ "The documents contained in this volume have not been selected in
+ the view of reviving or illustrating the ancient National
+ Controversy as to the feudal dependence of Scotland on the English
+ Crown. It has been long known that in these Records may be found
+ the largest and most authentic enumerations now extant of the
+ Nobility, Barons, Landholders and Burgesses, as well as of the
+ Clergy of Scotland, prior to the fourteenth century. No part of
+ the public Records of Scotland prior to that era has been
+ preserved, and whatever may have been their fate, certain it is,
+ that to these English Records of our temporary national
+ degradation, are we now indebted for the only genuine Statistical
+ Notices of the Kingdom towards the close of the thirteenth
+ century."
+
+ [Star symbol] "This singular document, so often quoted and
+ referred to, was never printed _in extenso_."
+
+ T. G. S.
+
+ Edinburgh.
+
+_Dole-bank_ (Vol. iv., p. 162.).--In processions on Holy Thursday, it
+was usual to _deal_ cakes and bread to the children and the poor of the
+parish at boundary-banks, that they might be duly remembered. Hence the
+name.
+
+ R. S. H.
+
+ Morwenstow.
+
+_The Letter "V"_ (Vol. iv., p. 164.).--If S. S. will turn again to my
+remarks on this letter, he will see that I did not state that _Tiverton_
+was ever pronounced _Terton_. I accede to what he has said of
+_Twiverton_; Devonshire was inadvertently written for Somersetshire.
+With regard to the observations of A. N. (p. 162.), he will find those
+remarks were confined to the _v_ between two vowels, _i.e._ without any
+other consonant intervening; and, therefore, other forms of contraction
+did not fall within the scope of them. I refrained from adverting to any
+such words as Elvedon and Kelvedon (pronounced respectively Eldon and
+Keldon), because the abbreviation of these may be referable to another
+cause. In passing I would mention that I think there can be no
+reasonable doubt that the word _dool_, about which he inquires, is no
+other than the Ang.-Sax. _dāl_, a division, from _daelan_, to divide;
+and whence our words _deal_ and _dole_. But to return to the letter _v_,
+if MR. SINGER be correct as to _devenisch_ in the MS. of the _Hermit of
+Hampole_ being written for Danish (p. 159.), it seems an example of the
+peculiar use of this letter to which I have invited attention, for the
+writer hardly intended it to be pronounced as three syllables if he
+meant Danish. However, if that MS. be a transcript, may not the supposed
+_v_ have been originally an _n_, which was first mis-read _u_, and then
+copied as a _v_?
+
+ W. S. W.
+
+_Cardinal Wolsey_ (Vol. iv., p. 176.).--The following anecdote, taken
+from a common-place book of Sir Roger Wilbraham, who was Master of the
+Requests in the time of Queen Elizabeth, appears to have some bearing on
+the subject referred to in the page of your publication which I have
+quoted above:--
+
+ "Cooke, attorney, at diner Whitsunday[1] ista protulit.
+
+ "Wolsey, a prelate, was flagrante crimine taken in fornication by
+ S'r Anthony Pagett of y'e West, and put in y'e stokes. After being
+ made Cardinall, S'r Anthony sett up his armes on y'e middle Temple
+ gate: y'e Cardinall passing in pontificalibus, and spying his owne
+ armes, asked who sett them up. Answare was made y't y'e said Mr.
+ Pagett. He smiled saying, he is now well reclaymed; for wher
+ before he saw him in disgrace, now he honoured him."
+
+ [Footnote 1: This was probably in 1598.]
+
+ W. L.
+
+_Nervous_ (Vol. iv., p. 7.).--_Nervous_ has unquestionably the double
+meaning assigned to it in MR. BANNEL'S Query. The propriety of the
+English practice, in this respect, may be doubted. _Nervous_ is
+correctly equivalent to Lat. _nervosus_; Fr. _nerveux_, strong,
+vigorous. In the sense of _nervous weakness_, or, perhaps more
+correctly, _nervine weakness_, the word should probably be _nervish_,
+analogous to _qualmish_, _squeamish_, _aguish_, _feverish_, &c. In
+Scotland, though the English may regard it as a vulgarism, I have heard
+the word used in this form.
+
+ F. S. Q.
+
+_Coleridge's Essays on Beauty_ (Vol. iv., p. 175.).--I have copies of
+the _Essays_ referred to. They were republished about 1836 in Fraser's
+_Literary Chronicle_.
+
+ MORTIMER COLLINS.
+
+ Guernsey.
+
+_"Nao" or "Naw," a Ship_ (Vol. iv., p. 28.).--I have already answered
+GOMER upon the imaginary word _naw_, a ship: I beg now to remark on MR.
+FENTON'S _nav_. If _nav_ was a ship at all, I am at a loss to know why
+it should be "a much older term." It would probably be subsequent to the
+introduction of the Latin noun, which it docks of its final _is_. The
+word or name is quoted from a Triad, the ninety-seventh of that series
+which contains the mention of Llewelyn ap Griffith, the last prince of
+Wales; and what makes it "one of the oldest" Triads, I have no idea. Nor
+do I know what ascertains the date of any of them; or removes the date
+of the composition of any one of them beyond the middle ages.
+
+But _Nevydd_ is no very uncommon proper name of men and women, derived
+from _nev_, heaven; and _nav neivion_ is simply "lord of lords." It
+forms the plural like _mab_, _meibion_, and _march_, _meirchion_. Mr.
+Walters gives _nav_ under no words but _lord_. David ap Gwelyn either
+mentions the navigation of the lords, the Trojan chieftains, to Britain;
+or else that of Nevydd Nav Neivion, cutting short his title. But the
+former is the plain sense of the thing. If MR. FENTON will only turn to
+Owen's _Dictionary_ (from which _naw_, a ship, is very properly
+excluded) he will there find the quotation from Gwalchmai; in which the
+three Persons of the Trinity are styled the _Undonion Neivion_,
+"harmonizing or consentaneous Lords." He will scarcely make bold to turn
+them into ships.
+
+ A. N.
+
+_Unde derivatur Stonehenge_ (Vol. iv., p. 57.).--Your correspondent P.
+P. proposes to interpret this word, _horse-stones_, from _hengst_, the
+Saxon for a horse; and to understand thereby large stones, as the words
+_horse-chesnut_, _horse-daisy_, _horse-mushroom_, &c., mean large ones.
+But, if he had duly considered the arguments contained in Mr. Herbert's
+_Cyclops Christianus_, pp. 162-4., he would have seen the necessity of
+showing, that in Anglo-Saxon and English the description can follow, in
+composition, the thing described; which it seems it can do in neither.
+In support of his stone-horse, he should have produced a chesnut-horse
+in the vegetable sense; a daisy-horse, or a mushroom-horse. Till he does
+that, the grammatical canon appealed to by that author, will remain in
+as full force against the stone-horse as against the stone-hanging.
+
+ E. A. M.
+
+_Nick Nack_ (Vol. iii., p. 179.).--A rude species of music very common
+amongst the boys in Sheffield, called by them _nick-a-nacks_. It is made
+by two pieces of bone, sometimes two pieces of wood, placed between the
+fingers, and beaten in time by a rapid motion of the hand and fingers.
+It is one of the periodical amusements of the boys going along the
+streets.
+
+ "And with his right drew forth a truncheon of a white ox rib, and
+ two pieces of wood of a like form; one of black Eben, and the
+ other of incarnation Brazile; and put them betwixt the fingers of
+ that hand, in good symmetry. Then knocking them together, made
+ such a noise, as the lepers of Britany use to do with their
+ clappering clickets; yet better resounding, and far more
+ harmonious."--_Rabelais_, book ii. c. 19.
+
+ H. J.
+
+_Meaning of Carfax_ (Vol. iii., p. 508.).--E. J. S. says "Carfoix
+reminds me of Carfax in Oxford. Are the names akin to each other?" When
+at Oxford I used to hear that Carfax was properly Quarfax, a contraction
+for _quatuor facies_, four faces. The church, it will be remembered,
+looks one way to High Street, another to Queen Street, a third to the
+Cornmarket, and the fourth to St. Aldates's.
+
+ H. T. G.
+
+_Hand giving the Benediction_ (Vol. iii., p. 477.).--Rabbi Bechai tells
+us of the solemn blessing in Numbers vi. 25, 26, 27., in which the name
+Jehovah is thrice repeated, that, when the high priest pronounced it on
+the people, "elevatione manuum _sic digitos composuit ut_ TRIADA
+_exprimerent_."
+
+ W. FRASER.
+
+_Unlucky for Pregnant Women to take an Oath_ (Vol. iv., p. 151.).--I beg
+to inform COWGILL that Irishwomen of the lower order almost invariably
+refuse to be sworn while pregnant. Having frequently had to administer
+oaths to heads of families applying for relief during the famine in
+Ireland in 1847-8-9, I can speak with certainty as to the fact, though I
+am unable to account for the origin of the superstition.
+
+ BARTANUS.
+
+ Dublin.
+
+_Borough-English_ (Vol. iv., p. 133.).--_Burgh_ or _Borough-English_ is
+a custom appendant to _ancient_ boroughs, such as existed in the days of
+Edward the Confessor and William the Conqueror, and are contained in the
+Book of Domesday. Taylor, in his _History of Gavelkind_, p. 102.,
+states, that in the villages round the city of Hereford, the lands are
+all held in the tenure of Borough-English. There appears also to be a
+customary descent of lands and tenements in some places called
+_Borow-English_, as in Edmunton: vid. _Kitchin of Courts_, fol. 102. The
+custom of _Borough-English_, like that of gavelkind, and those of London
+and York, is still extant; and although it may have been in a great
+measure superseded by _deed_ or _will_, yet, doubtless, instances occur
+in the present day of its vitality and consequent operation.
+
+ FRANCISCUS.
+
+_Date of a Charter_ (Vol. iv., p. 152.).--I suspect that the charter to
+which MR. HAND refers, is one of the time of Henry II., and not of Henry
+III. The latter sent no daughter to Sicily; but Joan, the daughter of
+the former, was married to William, king of Sicily, in the year 1176, 22
+Henry II. In the Great Roll of that year (Rot. 13 b.) are entries of
+payments for hangings in the king's chamber on that occasion, and of
+fifty marks given to Walter de Constantiis, Archdeacon of Oxford, for
+entertaining the Sicilian ambassadors. See Madox's _Exchequer_, i. 367.,
+who also in p. 18. refers to Hoveden, P. 2. p. 548. This may perhaps
+assist in the discovery of the precise date, which I cannot at present
+fix.
+
+ Φ.
+
+
+
+
+Miscellaneous.
+
+
+NOTES ON BOOKS, SALES, CATALOGUES, ETC.
+
+_The Jansenists: their Rise, Persecutions by the Jesuits, and existing
+Remnant; a Chapter in Church History_: by S. P. Tregelles, LL.D., is an
+interesting little monograph, reprinted with additions from Dr. Kitto's
+_Journal of Biblical Literature_, and enriched with portraits of
+Jansenius, St. Cyran, and the Mère Angelique. The history of the
+Jansenist Church lingering in separate existence at Utrecht affords a
+new instance of Catholicity of doctrine apart from the Papal communion;
+and as such cannot fail to have a peculiar interest for many of our
+readers.
+
+The long, brilliant, and important reign of Louis XIV. has had many
+chroniclers. The _Mémoires_ written by those who figured in its busy
+scenes are almost innumerable; many, as may be supposed from the
+character of the monarch and the laxity of the court, being little
+calculated for general perusal. Mr. James therefore did good service
+when he presented the reading world with his historical view of _The
+Life and Times of Louis XIV._, a work in which, while he has done full
+justice to the talents and genius of the monarch, and the brilliancy of
+the circle by which he was surrounded, he has not allowed that splendour
+so to dazzle the eyes of the spectator as to blind him to the real
+infamy and heartlessness with which it was surrounded. We are therefore
+well pleased to see Mr. James's history reprinted as the two new volumes
+of Bohn's _Standard Library_.
+
+Mr. L. A. Lewis of 125. Fleet Street will sell on Friday next two
+extraordinary Collections of Tracts on Trade, Coinage, Commerce, Banks,
+Public Institutions, and Trade generally. The First, in 167 Vols., in
+fol., 4to., and 8vo., commences with Milles' _Customer's Replie_, 1604.
+The Second, in 20 Vols., collected upwards of a century since, commences
+with H. Gilbert's _Discourse of a Discoverie for a New Passage to
+Cataia_, 1576. Both series should be secured for a Public Library.
+
+CATALOGUE RECEIVED.--J. Millers' (43. Chandos Street) Catalogue No. 28
+of Cheap Books for Ready Money.
+
+
+BOOKS AND ODD VOLUMES
+
+WANTED TO PURCHASE.
+
+OTHONIS LEXICON RABBINICUM.
+
+PLATO. Vols. VIII. X. XI. of the Bipont Edition.
+
+PARKINSON'S SERMONS. Vol. I.
+
+ATHENÆUM. Oct. and Nov. 1848. Parts CCL., CCLI.
+
+WILLIS' PRICE CURRENT. Nos. I. III. V. XXIV. XXVI. XXVII.--XLV.
+
+RABBI SALEMO JACOBES COMMENTAR ÜBER DEN PENTATEUCH VON L. HAYMANN. Bonn,
+1833.
+
+RABBI SALEMO JACOBES ÜBER DAS ERSTE BUCH MOSIS VON L. HAYMANN. Bonn,
+1833.
+
+No. 3. of SUMMER PRODUCTIONS, or PROGRESSIVE MISCELLANIES, by Thomas
+Johnson. London, 1790.
+
+HISTORY OF VIRGINIA. Folio. London, 1624.
+
+THE APOLOGETICS OF ATHENAGORAS, Englished by D. Humphreys. London, 1714.
+8vo.
+
+BOVILLUS DE ANIMÆ IMMORTALITATE, ETC. Lugduni, 1522. 4to.
+
+KUINOEL'S NOV. TEST. Tom. I.
+
+THE FRIEND, by Coleridge. Vol. III. Pickering.
+
+ [Star symbol] Letters, stating particulars and lowest price,
+ _carriage free_, to be sent to MR. BELL, Publisher of "NOTES AND
+ QUERIES," 186. Fleet Street.
+
+
+Notices to Correspondents.
+
+F. R. A. _The lines referred to by_ DR. RIMBAULT (Vol. iv., p. 181.)
+_are not those quoted in that page by_ A TEMPLAR _from the_ Cobleriana,
+_but those beginning_--
+
+ "As by the Templars' holds you go,"
+
+_respecting which a Query appeared in our_ 3rd Vol. p. 450.
+
+J. VARLEY, Jun. _The lines are quoted by Washington Irving, from
+Shakspeare's_ Winter's Tale, Act IV. Sc. 3.
+
+RT. _will perceive that his communications reach us in a very available
+form._
+
+O. T. D. _is thanked for his suggestions, which shall be adopted as far
+as practical. He will find that his communication respecting_
+Pallavicino _has been anticipated in our_ 3rd Vol., pp. 478. 523.
+
+PHILO, _whose Query appeared in our Number of July 19th, will find a
+letter at our Publisher's._
+
+ALTRON. _There is no Agent for the sale of_ "NOTES AND QUERIES" _in
+Dublin. It will however no doubt be supplied by any bookseller there
+from whom it may be ordered._
+
+REPLIES RECEIVED.--_Dr. M. Sutcliffe--Description of a
+Dimple--Carli the Economist--Decretorum Doctor--Versicle--Querelle
+d'Allemand--Ellrake--Sir W. Raleigh in Virginia--M. Lominus
+Theologus--Pope's Translations--Wyle Cop--Collar of SS.--What
+constitutes a Proverb--Visiting Cards--Going the whole Hog--Lord
+Mayor a Privy Councillor--Inscription on a Claymore--Queen
+Brunéhaut--Cagots--Written Sermons--Tale of a Tub--Cowper Law--Murderers
+buried in Cross-roads--Thread the Needle--Borough English--Gooseberry
+Fool--Darby and Joan--Print Cleaning--Serpent with a Human Head._
+
+_Copies of our Prospectus, according to the suggestion of_ T. E. H._,
+will be forwarded to any correspondent willing to assist us by
+circulating them._
+
+VOLS. I., II., _and_ III., _with very copious Indices, may still be had,
+price 9s. 6d. each, neatly bound in cloth._
+
+NOTES AND QUERIES _is published at noon on Friday, so that our country
+Subscribers may receive it on Saturday. The subscription for the Stamped
+Edition is 10s. 2d. for Six Months, which may be paid by Post-office
+Order drawn in favour of our Publisher,_ MR. GEORGE BELL, 186. Fleet
+Street; _to whose care all communications for the Editor should be
+addressed._
+
+
+
+
+London Library, 12. St. James's Square.--Patron--His Royal Highness
+Prince ALBERT.
+
+ This Institution now offers to its members a collection of 60,000
+ volumes, to which additions are constantly making, both in English
+ and foreign literature. A reading room is also open for the use of
+ the members, supplied with the best English and foreign
+ periodicals.
+
+ Terms of admission--entrance fee, 6_l._; annual subscription,
+ 2_l._; or entrance fee and life subscription, 26_l._
+
+ By order of the Committee.
+
+ September, 1851. J. G. COCHRANE, Secretary and Librarian.
+
+
+Now ready, Price 25_s._, Second Edition, revised and corrected.
+Dedicated by Special Permission to
+
+ THE (LATE) ARCHBISHOP OF CANTERBURY.
+
+ PSALMS AND HYMNS FOR THE SERVICE OF THE CHURCH. The words selected
+ by the Very Rev. H. H. MILMAN, D.D., Dean of St. Paul's. The Music
+ arranged for Four Voices, but applicable also to Two or One,
+ including Chants for the Services, Responses to the Commandments,
+ and a Concise SYSTEM of CHANTING, by J. B. SALE, Musical
+ Instructor and Organist to Her Majesty. 4to., neat, in morocco
+ cloth, price 25_s._ To be had of Mr. J. B. SALE, 21. Holywell
+ Street, Millbank, Westminster, on the receipt of a Post Office
+ Order for that amount; and by order, of the principal Booksellers
+ and Music Warehouses.
+
+ "A great advance on the works we have hitherto had, connected with
+ our Church and Cathedral Service."--_Times._
+
+ "A collection of Psalm Tunes certainly unequalled in this
+ country."--_Literary Gazette._
+
+ "One of the best collections of tunes which we have yet seen. Well
+ merits the distinguished patronage under which it
+ appears."--_Musical World._
+
+ "A collection of Psalms and Hymns, together with a system of
+ Chanting of a very superior character to any which has hitherto
+ appeared."--_John Bull._
+
+ London: GEORGE BELL, 186. Fleet Street.
+
+ Also, lately published,
+
+ J. B. SALE'S SANCTUS, COMMANDMENTS and CHANTS as performed at the
+ Chapel Royal St. James, price 2_s._
+
+ C. LONSDALE, 26. Old Bond Street.
+
+
+Price 2_s._ 6_d._; by Post 3_s._
+
+ ILLUSTRATIONS AND ENQUIRIES RELATING TO MESMERISM. Part I. By the
+ Rev. S. R. MAITLAND, DD. F.R.S. F.S.A. Sometime Librarian to the
+ late Archbishop of Canterbury, and Keeper of the MSS. at Lambeth.
+
+ "One of the most valuable and interesting pamphlets we ever
+ read."--_Morning Herald._
+
+ "This publication, which promises to be the commencement of a
+ larger work, will well repay serious perusal."--_Ir. Eccl. Journ._
+
+ "A small pamphlet in which he throws a startling light on the
+ practice of modern Mesmerism."--_Nottingham Journal._
+
+ "Dr. Maitland, we consider, has here brought Mesmerism to the
+ 'touchstone of truth,' to the test of the standard of right or
+ wrong. We thank him for this first instalment of his inquiry, and
+ hope that he will not long delay the remaining portions."--_London
+ Medical Gazette._
+
+ "The Enquiries are extremely curious, we should indeed say
+ important. That relating to the Witch of Endor is one of the most
+ successful we ever read. We cannot enter into particulars in this
+ brief notice; but we would strongly recommend the pamphlet even to
+ those who care nothing about Mesmerism, or _angry_ (for it has
+ come to this at the last) with the subject."--_Dublin Evening
+ Post._
+
+ "We recommend its general perusal as being really an endeavour, by
+ one whose position gives him the best facilities, to ascertain the
+ genuine character of Mesmerism, which is so much
+ disputed."--_Woolmer's Exeter Gazette._
+
+ "Dr. Maitland has bestowed a vast deal of attention on the subject
+ for many years past, and the present pamphlet is in part the
+ result of his thoughts and inquiries. There is a good deal in it
+ which we should have been glad to quote ... but we content
+ ourselves with referring our readers to the pamphlet
+ itself."--_Brit. Mag._
+
+ PIPER, BROTHERS, & CO., 23. Paternoster Row.
+
+
+PROFIT AND DISCOUNT TABLES,
+
+ In One Volume, just published, bound in roan, price 3_s._ 6_d._,
+ or 4_s._ free by post,
+
+ SHOWING the Prices at which Articles must be Sold, to obtain a
+ Profit at a certain Per Centage upon their invoiced Cost. And
+ also, the Net Cost of Articles, when Discounts are allowed on the
+ invoiced Prices. Adapted for the assistance of Traders in their
+ Purchases, Sales, and taking Stock. The Calculations are upon
+ Prices from 1_d._ to 20_s._, and at the Rates from 1-1/2 per Cent.
+ to 75 per Cent.
+
+ _The following Example will show the Application of the
+ Tables._--The invoiced Price of Silk is 2_s._ 4_d._ per yard,
+ which it is proposed to sell at 15 per Cent. profit.
+
+ Refer to the page showing that rate of per centage, find the cost
+ price in the first column, and, by looking to the same line of the
+ second, the price to be asked is shown to be 2_s._ 8-1/4_d._
+
+ By CHARLES ODY ROOKS, ACCOUNTANT.
+
+ London: WILLIAM TEGG & CO., 85. Queen Street, Cheapside.
+
+
+Just published, fcap. 8vo., price 6_s._ 6_d._ in cloth,
+
+ THE COMPLETE ANGLER; or the Contemplative Man's Recreation, by
+ IZAAC WALTON and CHARLES COTTON: with a new Biographical
+ Introduction and Notes, and embellished with eighty-five
+ Engravings on Copper and Wood.
+
+ London: HENRY KENT CAUSTON, Gracechurch Street.
+
+
+Extremely Rare Tracts.
+
+ MR. L. A. LEWIS will SELL, at his HOUSE, 125. Fleet Street, on
+ Friday, 26th, some BOOKS, from an old family library, including an
+ extraordinary assemblage of Tracts on trade, coinage, commerce,
+ banks, public institutions, &c., in 187 vols., collected more than
+ one hundred years ago, containing numerous articles of excessive
+ rarity: Acta Eruditorum ab anno 1682 ad 1727, 57 vols.; Valpy's
+ edition of the Delphin and Variorum Classics, 141 vols.; some
+ curious Manuscripts; early printed Books: to which is added, the
+ Library of the late George Watkinson, Esq., many years of the Bank
+ of England; in which will be found a series of Books relating to
+ Catholics, Black Letter, Theology, &c.
+
+
+Mr. Noble's Stereotype Plates.
+
+ MR. L. A. LEWIS is preparing to SELL, shortly, at his House, 125.
+ Fleet Street, the important assemblage of STEREOTYPE PLATES, the
+ property of the late Theophilus Noble, of Fleet Street and
+ Chancery Lane: comprising upwards of Twenty Tons weight, and
+ including that popular series of Novels, Tales, and Romances
+ published under the title of _Novel Newspaper_, in 680 sheets.
+ Catalogues are preparing, and will be forwarded on application on
+ receipt of four postage stamps.
+
+
+Literary Sale Rooms, 125. Fleet Street.
+
+ MR. L. A. LEWIS will have SALES by AUCTION of Libraries, small
+ parcels of Books, Prints, Pictures, and Miscellaneous Effects
+ every Friday. Property sent in on the previous Saturday will be
+ certain to be sold (if required) in the following week.
+
+
+2 vols., sold separately, 8_s._ each.
+
+ SERMONS. By the Rev. ALFRED GATTY, M.A., Vicar of Ecclesfield.
+
+ "In the effective simplicity with which Mr. Gatty applies the
+ incidents and precepts of the Gospel to the every-day concerns of
+ life, he has no superior. His faith is that of a sincere and
+ genuine scriptural Churchman."--_Britannia._
+
+ "Of all sermons I have ever seen, they are by far the best adapted
+ to such congregations as I have had to preach to; at any rate, in
+ my opinion. And as a further proof of their adaptation to the
+ people's wants (and indeed the best proof that could be given), I
+ have been requested by some of my parishioners to lend them
+ sermons, which were almost _verbatim et literatim_ transcripts of
+ yours. That you may judge of the extent to which I have been
+ indebted to you, I may mention that out of about seventy sermons
+ which I preached at W----, five or six were Paley's and fifteen or
+ sixteen yours. For my own credit's sake, I must add, that all the
+ rest were entirely my own."--_Extracted from the letter of a
+ stranger to the Author._
+
+ London: GEORGE BELL, 186. Fleet Street.
+
+
+
+
+Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New
+Street Square, in the Parish of St. Bride in the City of London; and
+published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St.
+Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet
+Street aforesaid.--Saturday, September 20. 1851.
+
+
+
+
+ [List of volumes and pages in "Notes and Queries", Vol. I-IV]
+
+ +---------------+-------------------+-----------+-------------+
+ | Notes and Queries Vol. I. |
+ +---------------+-------------------+-----------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 1 | November 3, 1849 | 1 - 17 | PG # 8603 |
+ | Vol. I No. 2 | November 10, 1849 | 18 - 32 | PG # 11265 |
+ | Vol. I No. 3 | November 17, 1849 | 33 - 46 | PG # 11577 |
+ | Vol. I No. 4 | November 24, 1849 | 49 - 63 | PG # 13513 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 5 | December 1, 1849 | 65 - 80 | PG # 11636 |
+ | Vol. I No. 6 | December 8, 1849 | 81 - 95 | PG # 13550 |
+ | Vol. I No. 7 | December 15, 1849 | 97 - 112 | PG # 11651 |
+ | Vol. I No. 8 | December 22, 1849 | 113 - 128 | PG # 11652 |
+ | Vol. I No. 9 | December 29, 1849 | 130 - 144 | PG # 13521 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 10 | January 5, 1850 | 145 - 160 | PG # |
+ | Vol. I No. 11 | January 12, 1850 | 161 - 176 | PG # 11653 |
+ | Vol. I No. 12 | January 19, 1850 | 177 - 192 | PG # 11575 |
+ | Vol. I No. 13 | January 26, 1850 | 193 - 208 | PG # 11707 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 14 | February 2, 1850 | 209 - 224 | PG # 13558 |
+ | Vol. I No. 15 | February 9, 1850 | 225 - 238 | PG # 11929 |
+ | Vol. I No. 16 | February 16, 1850 | 241 - 256 | PG # 16193 |
+ | Vol. I No. 17 | February 23, 1850 | 257 - 271 | PG # 12018 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 18 | March 2, 1850 | 273 - 288 | PG # 13544 |
+ | Vol. I No. 19 | March 9, 1850 | 289 - 309 | PG # 13638 |
+ | Vol. I No. 20 | March 16, 1850 | 313 - 328 | PG # 16409 |
+ | Vol. I No. 21 | March 23, 1850 | 329 - 343 | PG # 11958 |
+ | Vol. I No. 22 | March 30, 1850 | 345 - 359 | PG # 12198 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 23 | April 6, 1850 | 361 - 376 | PG # 12505 |
+ | Vol. I No. 24 | April 13, 1850 | 377 - 392 | PG # 13925 |
+ | Vol. I No. 25 | April 20, 1850 | 393 - 408 | PG # 13747 |
+ | Vol. I No. 26 | April 27, 1850 | 409 - 423 | PG # 13822 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 27 | May 4, 1850 | 425 - 447 | PG # 13712 |
+ | Vol. I No. 28 | May 11, 1850 | 449 - 463 | PG # 13684 |
+ | Vol. I No. 29 | May 18, 1850 | 465 - 479 | PG # 15197 |
+ | Vol. I No. 30 | May 25, 1850 | 481 - 495 | PG # 13713 |
+ +---------------+-------------------+-----------+-------------+
+ | Notes and Queries Vol. II. |
+ +----------------+--------------------+---------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 31 | June 1, 1850 | 1- 15 | PG # 12589 |
+ | Vol. II No. 32 | June 8, 1850 | 17- 32 | PG # 15996 |
+ | Vol. II No. 33 | June 15, 1850 | 33- 48 | PG # 26121 |
+ | Vol. II No. 34 | June 22, 1850 | 49- 64 | PG # 22127 |
+ | Vol. II No. 35 | June 29, 1850 | 65- 79 | PG # 22126 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 36 | July 6, 1850 | 81- 96 | PG # 13361 |
+ | Vol. II No. 37 | July 13, 1850 | 97-112 | PG # 13729 |
+ | Vol. II No. 38 | July 20, 1850 | 113-128 | PG # 13362 |
+ | Vol. II No. 39 | July 27, 1850 | 129-143 | PG # 13736 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 40 | August 3, 1850 | 145-159 | PG # 13389 |
+ | Vol. II No. 41 | August 10, 1850 | 161-176 | PG # 13393 |
+ | Vol. II No. 42 | August 17, 1850 | 177-191 | PG # 13411 |
+ | Vol. II No. 43 | August 24, 1850 | 193-207 | PG # 13406 |
+ | Vol. II No. 44 | August 31, 1850 | 209-223 | PG # 13426 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 45 | September 7, 1850 | 225-240 | PG # 13427 |
+ | Vol. II No. 46 | September 14, 1850 | 241-256 | PG # 13462 |
+ | Vol. II No. 47 | September 21, 1850 | 257-272 | PG # 13936 |
+ | Vol. II No. 48 | September 28, 1850 | 273-288 | PG # 13463 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 49 | October 5, 1850 | 289-304 | PG # 13480 |
+ | Vol. II No. 50 | October 12, 1850 | 305-320 | PG # 13551 |
+ | Vol. II No. 51 | October 19, 1850 | 321-351 | PG # 15232 |
+ | Vol. II No. 52 | October 26, 1850 | 353-367 | PG # 22624 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 53 | November 2, 1850 | 369-383 | PG # 13540 |
+ | Vol. II No. 54 | November 9, 1850 | 385-399 | PG # 22138 |
+ | Vol. II No. 55 | November 16, 1850 | 401-415 | PG # 15216 |
+ | Vol. II No. 56 | November 23, 1850 | 417-431 | PG # 15354 |
+ | Vol. II No. 57 | November 30, 1850 | 433-454 | PG # 15405 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 58 | December 7, 1850 | 457-470 | PG # 21503 |
+ | Vol. II No. 59 | December 14, 1850 | 473-486 | PG # 15427 |
+ | Vol. II No. 60 | December 21, 1850 | 489-502 | PG # 24803 |
+ | Vol. II No. 61 | December 28, 1850 | 505-524 | PG # 16404 |
+ +----------------+--------------------+---------+-------------+
+ | Notes and Queries Vol. III. |
+ +-----------------+-------------------+---------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 62 | January 4, 1851 | 1- 15 | PG # 15638 |
+ | Vol. III No. 63 | January 11, 1851 | 17- 31 | PG # 15639 |
+ | Vol. III No. 64 | January 18, 1851 | 33- 47 | PG # 15640 |
+ | Vol. III No. 65 | January 25, 1851 | 49- 78 | PG # 15641 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 66 | February 1, 1851 | 81- 95 | PG # 22339 |
+ | Vol. III No. 67 | February 8, 1851 | 97-111 | PG # 22625 |
+ | Vol. III No. 68 | February 15, 1851 | 113-127 | PG # 22639 |
+ | Vol. III No. 69 | February 22, 1851 | 129-159 | PG # 23027 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 70 | March 1, 1851 | 161-174 | PG # 23204 |
+ | Vol. III No. 71 | March 8, 1851 | 177-200 | PG # 23205 |
+ | Vol. III No. 72 | March 15, 1851 | 201-215 | PG # 23212 |
+ | Vol. III No. 73 | March 22, 1851 | 217-231 | PG # 23225 |
+ | Vol. III No. 74 | March 29, 1851 | 233-255 | PG # 23282 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 75 | April 5, 1851 | 257-271 | PG # 23402 |
+ | Vol. III No. 76 | April 12, 1851 | 273-294 | PG # 26896 |
+ | Vol. III No. 77 | April 19, 1851 | 297-311 | PG # 26897 |
+ | Vol. III No. 78 | April 26, 1851 | 313-342 | PG # 26898 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 79 | May 3, 1851 | 345-359 | PG # 26899 |
+ | Vol. III No. 80 | May 10, 1851 | 361-382 | PG # 32495 |
+ | Vol. III No. 81 | May 17, 1851 | 385-399 | PG # 29318 |
+ | Vol. III No. 82 | May 24, 1851 | 401-415 | PG # 28311 |
+ | Vol. III No. 83 | May 31, 1851 | 417-440 | PG # 36835 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 84 | June 7, 1851 | 441-472 | PG # 37379 |
+ | Vol. III No. 85 | June 14, 1851 | 473-488 | PG # 37403 |
+ | Vol. III No. 86 | June 21, 1851 | 489-511 | PG # 37496 |
+ | Vol. III No. 87 | June 28, 1851 | 513-528 | PG # 37516 |
+ +-----------------+-------------------+---------+-------------+
+ | Notes and Queries Vol. IV. |
+ +-----------------+--------------------+---------+------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 88 | July 5, 1851 | 1- 15 | PG # 37548 |
+ | Vol. IV No. 89 | July 12, 1851 | 17- 31 | PG # 37568 |
+ | Vol. IV No. 90 | July 19, 1851 | 33- 47 | PG # 37593 |
+ | Vol. IV No. 91 | July 26, 1851 | 49- 79 | PG # 37778 |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 92 | August 2, 1851 | 81- 94 | PG # 38324 |
+ | Vol. IV No. 93 | August 9, 1851 | 97-112 | PG # 38337 |
+ | Vol. IV No. 94 | August 16, 1851 | 113-127 | PG # 38350 |
+ | Vol. IV No. 95 | August 23, 1851 | 129-144 | PG # 38386 |
+ | Vol. IV No. 96 | August 30, 1851 | 145-167 | PG # 38405 |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 97 | Sept. 6, 1851 | 169-183 | PG # 38433 |
+ | Vol. IV No. 98 | Sept. 13, 1851 | 185-200 | PG # 38491 |
+ +-----------------+--------------------+---------+------------+
+ | Vol I. Index. [Nov. 1849-May 1850] | PG # 13536 |
+ | INDEX TO THE SECOND VOLUME. MAY-DEC., 1850 | PG # 13571 |
+ | INDEX TO THE THIRD VOLUME. JAN.-JUNE, 1851 | PG # 26770 |
+ +------------------------------------------------+------------+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 99,
+September 20, 1851, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 20, 1851 ***
+
+***** This file should be named 38574-0.txt or 38574-0.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/8/5/7/38574/
+
+Produced by Charlene Taylor, Jonathan Ingram and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/38574-0.zip b/38574-0.zip
new file mode 100644
index 0000000..a3ce4d7
--- /dev/null
+++ b/38574-0.zip
Binary files differ
diff --git a/38574-8.txt b/38574-8.txt
new file mode 100644
index 0000000..d688816
--- /dev/null
+++ b/38574-8.txt
@@ -0,0 +1,2585 @@
+The Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 99,
+September 20, 1851, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Vol. IV, Number 99, September 20, 1851
+ A Medium of Inter-communication for Literary Men, Artists,
+ Antiquaries, Genealogists, etc.
+
+Author: Various
+
+Editor: George Bell
+
+Release Date: January 15, 2012 [EBook #38574]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 20, 1851 ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+[Transcriber's note: Original spelling varieties have not been
+standardized. Characters with macrons have been marked in brackets with
+an equal sign, as [=e] for a letter e with a macron on top; [gh] stands
+for the letter yogh. Saxon characters have been marked in braces as in
+{Eafel}. Underscores have been used to indicate _italic_ fonts (or
+emphasis in Greek). A list of volumes and pages in "Notes and Queries"
+has been added at the end.]
+
+
+
+
+NOTES and QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION
+
+FOR
+
+LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+VOL. IV.--No. 99 SATURDAY, SEPTEMBER 20. 1851.
+
+Price Threepence. Stamped Edition, 4_d._
+
+
+
+
+CONTENTS.
+
+ Page
+
+
+ NOTES:--
+
+ Venerable Bede's Mental Arithmetic 201
+
+ Hyphenism, Hyphenic, Hyphenization 203
+
+ Gray and Cowley 204
+
+ Minor Notes:--[Greek: Hyppiaz]--Meaning of
+ Whitsunday--Anagrammatic Pun by William Oldys--Ballad of
+ Chevy Chase: Ovid--Horace Walpole at Eton 205
+
+ QUERIES:--
+
+ Continental Watchmen and their Songs 206
+
+ Minor Queries:--Quotation from Bacon--Carmagnoles--The
+ Use of Tobacco by the Elizabethan Ladies--Covines--Story
+ referred to by Jeremy Taylor--Plant in Texas--Discount
+ --Sacre Cheveux--"Mad as a March Hare"--Payments for
+ Destruction of Vermin--Fire unknown--Matthew Paris's
+ Historia Minor--Mother Bunche's Fairy Tales--Monumental
+ Symbolism--Meaning of "Stickle" and "Dray"--Son of the
+ Morning--Gild Book 208
+
+ REPLIES:--
+
+ Pope and Flatman 209
+
+ Test of the Strength of a Bow 210
+
+ Baskerville the Printer 211
+
+ Replies to Minor Queries:--Mazer Wood and Sin-eaters--"A
+ Posie of other Men's Flowers"--Table Book--Briwingable
+ --Simnels--A Ship's Berth--Suicides buried in Cross-roads
+ --A Sword-blade Note--Domesday Book of Scotland--Dole-bank
+ --The Letter "V"--Cardinal Wolsey--Nervous--Coleridge's
+ Essays on Beauty--"Nao" or "Naw," a Ship--Unde derivatur
+ Stonehenge--Nick Nack--Meaning of Carfax--Hand giving the
+ Benediction--Unlucky for Pregnant Women to take an
+ Oath--Borough-English--Date of a Charter 211
+
+ MISCELLANEOUS:--
+
+ Notes on Books, Sales, Catalogues, &c. 215
+
+ Books and Odd Volumes wanted 215
+
+ Notices to Correspondents 215
+
+ Advertisements 216
+
+
+
+
+Notes.
+
+
+VENERABLE BEDE'S MENTAL ALMANAC.
+
+If our own ancient British sage, the Venerable Bede, could rise up from
+the dust of eleven centuries, he might find us, notwithstanding all our
+astounding improvements, in a worse position, in one respect at least,
+than when he left us; and as the subject would be one in which he was
+well versed, it would indubitably attract his attention.
+
+He might then set about teaching us from his own writings a mental
+resource, far superior to any similar device practised by ourselves, by
+which the day of the week belonging to any day of the month, in any year
+of the Christian era, might easily and speedily be found.
+
+And when the few, who would give themselves the trouble of thoroughly
+understanding it, came to perceive its easiness of acquirement, its
+simplicity in practice, and its firm hold upon the memory, they might
+well marvel how so admirable a facility should have been so entirely
+forgotten, or by what perversion of judgment it could have been
+superseded by the comparatively clumsy and impracticable method of the
+Dominical letters.
+
+Let us hear his description of it in his own words:
+
+ "QU SIT FERIA IN CALENDIS.
+
+ "Simile autem huic tradunt argumentum ad inveniendam diem
+ Calendarum promptissimum.
+
+ "Habet ergo regulares Januarius II, Februarius V, Martius V,
+ Apriles I, Maius III, Junius VI, Julius I, Augustus IIII,
+ September VII, October II, November V, December VII. Qui videlicet
+ regulares hoc specialiter indicant, quota sit feria per Calendas,
+ eo anno quo septem concurrentes adscripti sunt dies: cteris vero
+ annis addes concurrentes quotquot in prsenti fuerunt adnotati ad
+ regulares mensium singulorum, et ita diem calendarum sine errore
+ semper invenies. Hoc tantum memor esto, ut cum imminente anno
+ bisextili unus concurrentium intermittendus est dies, eo tamen
+ numero quem intermissurus es in Januario Februarioque utaris: ac
+ in calendis primum Martiis per illum qui circulo centinetur solis
+ computare incipias. Cum ergo diem calendarum, verbi gratia,
+ Januarium, qurere vis; dicis Januarius II, adde concurrentes
+ septiman dies qui fuerunt anno quo computas, utpote III, fiunt
+ quinque; quinta feria intrant calend Januari. Item anno qui sex
+ habet concurrentes, sume v regulares mensis Martii, adde
+ concurrentes sex, fiunt undecim, tolle septem, remanent quatuor,
+ quarta feria sunt Calend Marti."--Bed Venerabilis, _De Temporum
+ Ratione_, caput xxi.
+
+The meaning of this may be expressed as follows:--Attached to the twelve
+months of the year are certain fixed numbers called regulars, ranging
+from I to VII, denoting the days of the week in their usual order. These
+regulars, in any year whereof the concurrent, or solar epact, is 0 or 7,
+express, of themselves, the commencing day of each month: but in other
+years, whatever the solar epact of the year may be, that epact must be
+added to the regular of any month to indicate, in a similar manner, the
+commencing day of that month.
+
+It follows, therefore, that the only burthen the memory need be charged
+with is the distribution of the regulars among the several months;
+because the other element, the solar epact (which also ranges from 1 to
+7), may either be obtained from a short mental calculation, or, should
+the system come into general use, it would soon become a matter of
+public notoriety during the continuance of each current year.
+
+Now, these solar epacts have several practical advantages over the
+Dominical letters. 1. They are numerical in themselves, and therefore
+they are found at once, and used directly, without the complication of
+converting figures into letters and letters into figures. 2. They
+increase progressively in every year; whereas the Dominical letters have
+a crab-like retrogressive progress, which impedes facility of practice.
+3. The _rationale_ of the solar epacts is more easily explained and more
+readily understood: they are the accumulated odd days short of a
+complete week; consequently the accumulation must increase by 1 in every
+year, except in leap years, when it increases by 2; because in leap
+years there are 2 odd days over 52 complete weeks. But this irregularity
+in the epact of leap year does not come into operation until the
+additional day has actually been added to the year; that is, not until
+after the 29th of February. Or, as Bede describes it, "_in leap years
+one of the concurrent days is intermitted, but the number so intermitted
+must be used for January and February; after which, the epact obtained
+from cyclical tables_ (or from calculation) _must be used for the
+remaining months_." By which he means, that the epacts increase in
+arithmetical succession, except in leap years, when the series is
+interrupted by one number being passed over; the number so passed over
+being used for January and February only. Thus, 2 being the epact of
+1851, 3 would be its natural successor for 1852; but, in consequence of
+this latter being leap year, 3 is intermitted (except for January and
+February), and 4 becomes the real epact, as obtained from calculation.
+
+To calculate the solar epact for any year, Bede in another place gives
+the following rule:
+
+ "Si vis scire concurrentes septiman dies, sume annos Domini et
+ eorum quartum partem adjice: his quoque quatuor adde, (quia)
+ quinque concurrentes fuerunt anno Nativitatis Domini: hos partire
+ per septem et remanent Epact Solis."
+
+That is: take the given year, add to it its fourth part, and also the
+constant number 4 (which was the epact preceding the first year of the
+Christian era), divide the sum by 7, and what remains is the solar
+epact. (If there be no remainder, the epact may be called either 0 or
+7.)
+
+This is an excellent rule; the same, I believe, that is to this day
+prescribed for arriving at the Dominical letter of the Old Style. Let it
+be applied, for example, to find upon what day of the week the battle of
+Agincourt was fought (Oct. 25, 1415). Here we have 1415, and its fourth
+353, and the constant 4, which together make 1772, divided by 7 leaves 1
+as the solar epact; and this, added to 2, the _regular_ for the month of
+October, informs us that 3, or Tuesday, was the first day of that month;
+consequently it was the 22nd, and Friday, the 25th, was Saint Crispin's
+day.
+
+But this rule of Bede's, in consequence of the addition, since his time,
+of a thousand years to the number to be operated upon, is no longer so
+convenient as a _mental_ resource.
+
+It may be greatly simplified by separating the centuries from the odd
+years, by which the operation is reduced to two places of figures
+instead of four. Such a method, moreover, has the very great advantage
+of assimilating the operation of finding the solar epact, in both
+styles, the Old and the New; the only remaining difference between them
+being in the rules for finding the _constant number_ to be added in each
+century. These rules are as follow:--
+
+_For the Old Style._--In any date, divide the number of centuries by 7,
+and deduct the remainder from 4 (or 11); the result is the constant for
+that century.
+
+_For the New Style._--In any date, divide the number of centuries by 4,
+double the remainder, and deduct it from 6: the result is the constant
+for that century.
+
+_For the Solar Epact, in either Style._--To the odd years of any date
+(rejecting the centuries) add their fourth part, and also the constant
+number found by the preceding rules; divide the sum by 7, and what
+remains is the solar epact.
+
+As an example of these rules in _Old Style_, let the former example be
+repeated, viz. A.D. 1415:
+
+First, since the centuries (14), divided by 7, leave no remainder, 4 is
+the constant number. Therefore 15, and 3 (the fourth), and 4 (the
+constant), amount to 22, from which eliminating the sevens, remains 1 as
+the solar epact.
+
+For an example in _New Style_, let the present year be taken. In the
+first place, 18 divided by 4 leaves 2, which doubled is 4, deducted from
+6 results 2, the constant number for the present century. Therefore 51,
+and 12 (the fourth), and 2 (the constant), together make 65, from which
+the sevens being eliminated, remains 2, the solar epact for this year.
+
+But in appreciating the practical facility of this method, we must bear
+in mind that _the constant_, when once ascertained for any century,
+remains unchanged throughout the whole of that century; and that _the
+solar epact_, when once ascertained for any year, can scarcely require
+recalculation during the remainder of that year: furthermore, that
+although the rule for calculating the epact, as just recited, is so
+extremely simple, yet even that slight mental exertion may be spared to
+the mass of those who might benefit by its application to current
+purposes; because it might become an object of general notoriety in each
+current year. And I am not without hope that "NOTES AND QUERIES" will
+next year set the example to other publications, by making the current
+solar epact for 1852 a portion of its "heading," and by suffering it to
+remain, incorporated with the date of each impression, throughout the
+year.
+
+Let us now recur to the allotment of _the regulars_ at the beginning of
+Bede's description. Placed in succession their order is as follows:--
+
+ April and July I, or Sunday
+ January and October II, or Monday
+ May III, or Tuesday
+ August IIII, or Wednesday
+ March, Feb., and November V, or Thursday
+ June VI, or Friday
+ September and December VII, or Saturday
+
+There is no great difficulty in retaining this in the memory; but should
+uncertainty arise at any time, it may be immediately corrected by a
+mental reference to the following lines, the alliterative jingle of
+which is designed to house them as securely in the brain as the immortal
+and never-failing, "Thirty days hath September." The order of the
+allotment is preserved by appropriating as nearly as possible a line to
+each day of the week; while the absolute connexion here and there of
+certain days, by name, with certain months, forms a sort of interweaving
+that renders mistake or misplacement almost impossible.
+
+ "April loveth to link with July,
+ And the merry new year with October comes by,
+ August for Wednesday, Tuesday for May,
+ March and November and Valentine's Day,
+ Friday is June day, and lastly we seek
+ September and Christmas to finish the week."
+
+Now, since we have ascertained, from the short calculation before
+recited, that the solar epact of this present year of 1851 is 2, and
+since the regular of October is also 2, we have but to add them together
+to obtain 4 (or Wednesday) as the commencing day of this next coming
+month of October. And, if we wish to know the day of the month belonging
+to any other day of the week in October, we have but to subtract the
+commencing day, which is 4, from 8, and to the result add the required
+day. Let the latter, for example, be Sunday; then 4 from 8 leaves 4,
+which added to 1 (or Sunday), shows that Sunday, in the month of October
+1851, is either 5th, 12th, 19th, or 26th.
+
+This additional application is here introduced merely to illustrate the
+great facilities afforded by the purely numerical form of Bede's
+"_argumentum_,"--such as must gradually present themselves to any person
+who will take the trouble to become thoroughly and practically familiar
+with it.
+
+ A. E. B.
+
+ Leeds, September, 1851.
+
+
+HYPHENISM, HYPHENIC, HYPHENIZATION.
+
+Where our ancestors wanted words, they made them, or imported them ready
+made. But we are become so particular about the etymological force of
+newly coined words, that we can never please ourselves, but rather
+choose to do without than to tolerate anything exceptionable. We have to
+learn again that a word cannot be like Burleigh's nod, but must be
+content to indicate the whole by the expression of some prominent part,
+or of some convenient part, prominent or not.
+
+Among the uses to which the "NOTES AND QUERIES" might be put, is the
+suggestion of words. It very often happens that one who is apt at
+finding the want is not equally good for the remedy, and _vice vers_.
+By the aid of this journal the blade might find a handle, or the handle
+a blade, as wanted, with the advantage of criticism at the formation;
+while an author who coins a word, must commit himself before he can have
+much advice.
+
+The above remarks were immediately suggested by my happening to think of
+a word for a thing which gives much trouble, and requires more attention
+than it has received, but not more than it may receive if it can be
+fitly designated by a single word. A _clause_ of a sentence, both by
+etymology and usage, means any part of it of which the component words
+cannot be separated, but must all go together, or all remain together:
+it is then a component of the sentence which has a finished meaning in
+itself. The proper mode of indicating the clauses takes its name from
+the means, and not from the end: we say _punctuation_, not
+_clausification_. This may have been a misfortune, for it is possible
+that punctuation might have been better studied, if its name had
+imported its object. But there is another and a greater misfortune,
+arising from the total want of a name. In a sentence, not only do
+collections of words form minor sentences, but they also form compound
+words: sometimes eight or ten words are really only one. When two words
+are thus compounded, we use a hyphen: but those who have attempted to
+use more than one hyphen have been laughed out of the field; though
+perspicuity, logic, and algebra were all on their side. The _Morning
+Post_ adopted this practice in former days; and Horace Smith (or James,
+as the case may be,) ridiculed them in a parody which speaks of "the
+not-a-bit-the-less-on-that-account-to-be-universally-detested monster
+Buonaparte." It is, I think, much to be regretted that the use of the
+hyphen is so restricted: for though, like the comma, it might be
+abused, yet the abuse would rather tend to clearness.
+
+But, without introducing a further use of the hyphen, it
+would be desirable to have a distinct name for a combination
+of words; which, without being such a recognised and permanent
+compound as _apple-tree_ or _man in the moon_, is nevertheless
+one word in the particular sentence in hand. And the name is
+easily found. The word hyphen being Greek ([Greek: hyph' hen]),
+and being made a substantive, we might join Greek suffixes to it,
+and speak of _hyphenisms_ and _hyphenic_ phrases. For example,
+the following I should call a hyphenic error. When the British
+Museum recently published _A Short Guide to that Portion of
+the Library of printed Books now open to the Public_, a review
+pronounced the title a misnomer; because the _books_ are not
+open to the public, but are in locked glass cases. The reviewer
+read it "library of printed-books-now-open-to-the-public," instead
+of "library-of-printed-books now open to the public." And though in
+this case the reviewer was very palpably wrong, yet there are many
+cases in which a real ambiguity exists.
+
+A neglect of mental hyphenization often leads to mistake as to an
+author's meaning, particularly in this age of morbid implication. For
+instance, a person writes something about "a Sunday or other
+day-for-which-there-is-a-special-service;" and is taken as meaning "a
+Sunday-or-other-day for which," &c. The odds are that some readers will
+suppose him, by speak of Sundays _with_ special service, to imply that
+some are _without_.
+
+ M.
+
+
+GRAY AND COWLEY.
+
+Some spirited publisher would confer a serious obligation on the
+classical world by bringing out an edition of Gray's _Poems_, with the
+parallel passages annexed. "Taking him for all in all," he is one of our
+most perfect poets: and though Collins might have rivalled him (under
+circumstances equally auspicious), he could have been surpassed by
+Milton alone. In 1786, Gilbert Wakefield attempted to do for Gray what
+Newton and Warton had done for Milton (and, for one, I thank him for
+it); but his illustrations, though almost all good and to the point, are
+generally from books which every ordinary reader knows off by heart.
+Besides, Wakefield is so very egotistical, and at times so very puerile,
+that he is too much for most people. However, his volume, _The Poems of
+Mr. Gray, with Notes_, by Gilbert Wakefield, B.A., late Fellow of Jesus
+College, Cambridge: London, 1786, would furnish a good substratum for
+the volume I am now recommending.
+
+Not to speak of Milton's English poems and the great masterpieces of
+ancient times, with which so learned a scholar as Gray was, of course,
+familiar, he draws largely from the Greek anthology, from Nonnus, from
+Milton's Latin poems, from Cowley, and I had almost said from the prose
+works of Bishop Jeremy Taylor. His admiration of the great "Shakspeare
+of Divinity" is proved from a portion of one of his letters to Mason;
+and some other day I may furnish an illustration or two. Indeed, were
+any publisher to undertake the generous office I mention, I dare say
+that many a secret treasure would be unlocked, and many an "orient pearl
+at random strung" be forthcoming for his use. Let me first mention
+Gray's opinion of Cowley, and then add in confirmation one or two
+passages out of many. He says in a note to his "Ode on the Progress of
+Poesy:"
+
+ "We have had in our language not other odes of the sublime kind
+ than that of Dryden 'On St. Cecilia's Day:' for _Cowley (who had
+ his merit) yet wanted judgment, style, and harmony for such a
+ task_. That of Pope is not worthy of so great a man."
+
+We must submit to Gray's oracular sentence, for he himself was
+pre-eminently gifted in the three great qualities in which he declares
+the deficiency of Cowley (at least if we are to judge from his English
+poems; for the prosody of his Latin efforts seems sadly deficient). At
+times Cowley's "harmony" is not first-rate, and his "style" is deeply
+impregnated with the fantastic conceits of the day; but he is still a
+poet, and a great one too. And I think that in some of his writings Gray
+had Cowley evidently in mind; _e.g._ in the _epitaph_ to his "Elegy in a
+Country Churchyard:"
+
+ "Large was his bounty, and his soul sincere,
+ Heaven did a recompence as largely send:
+ He gave to mis'ry (all he had) a tear;
+ He gained from Heav'n ('twas all he wish'd) a friend."
+
+Cowley had previously written:
+
+ "Large was his soul; as large a soul as e'er
+ Submitted to _inform_ a _body_ here.
+ High as the place 'twas shortly in _Heav'n_ to have,
+ But low, and humble as his _grave_.
+ So _high_ that all the _virtues_ there did come,
+ As to their chiefest seat,
+ Conspicuous, and great;
+ So _low_ that for _me_ too it made a room."
+
+ _On the Death of Mr. William Hervey._
+ _Miscellanies_, page 18. London, 1669.
+
+Again--
+
+ "The attick warbler pours her _throat_
+ Responsive to the cuckoo's note,
+ The _untaught_ harmony of spring."
+
+ Gray, Ode I. _On the Spring._
+
+ "Hadst thou all the charming notes
+ Of the wood's poetic _throats_."
+
+ Cowley, _Ode to the Swallow_.
+
+ "Teaching their Maker in their _untaught_ lays."
+
+ Cowley, _Davideis_ lib. i. sect 63. p. 20.
+
+Again:
+
+ "Where'er the oak's thick branches stretch
+ A broader browner shade,
+ Where'er the rude and moss-grown beech
+ O'ercanopies the glade,
+ Beside some water's rushy brink,
+ With me the Muse shall sit, and think," &c.
+
+ Gray, Ode I. _On the Spring._
+
+ "O magnum Isacidum decus! O pulcherrima castra!
+ O arma ingentes olim paritura triumphos!
+ Non sic herbarum vario subridet Amictu,
+ Planities pict vallis, montisque supini
+ Clivus, perpetuis Cedrorum versibus altus.
+ Non sic stivo quondam nitet hortus in anno,
+ Frondusque, fructusque ferens, formosa secundum
+ Flumina, mollis ubi viridisque supernatat umbra."
+
+ Cowley, _Davideidos_ lib. i. ad finem.
+
+I do not mean that Gray may not have had other poets in his mind when
+writing these lines (for there is nothing new or uncommon about them);
+but rather a careful going over of Cowley's poems convinces me that Gray
+was sensible of his "merits," and often corrects his want of "judgment"
+by his own refined and most exquisite taste. I must give one more
+instance; and I think that Bishop Hall's allusion to his life at
+Emmanuel College, and Bishop Ridley's "Farewell to Pembroke Hall," must
+every one fall into the background before Cowley. Gray's poem ought to
+be too well known to require quoting:
+
+ "Ye distant spires, ye antique towers,
+ That crown the wat'ry glade,
+ Where grateful Science still adores
+ Her Henry's holy shade;
+ And ye that from the stately brow
+ Of Windsor's heights th' expanse below
+ Of grove, of lawn, of mead survey,
+ Whose turf, whose shade, whose flowers among
+ Wanders the hoary Thames along
+ His silver winding way.
+
+ "Ah, happy hills! ah, pleasing shade!
+ Ah, fields beloved in vain!
+ Where once my careless childhood stray'd,
+ A stranger yet to pain.
+ I feel the gales that from ye blow,
+ A momentary bliss bestow,
+ As waving fresh their gladsome wing,
+ My weary soul they seem to soothe,
+ And, redolent of joy and youth,
+ To breathe a second spring."
+
+ Ode III. _On a distant Prospect of Eton College._
+
+Cowley was educated at Trinity College, Cambridge; and if I rightly
+remember Bonney's _Life of Bishop Middleton_, his affecting allusions to
+Cambridge had the highest praise of that accomplished scholar and
+divine:
+
+ "O mihi jucundum Grant super omnia nomen!
+ O penitus toto corde receptus amor!
+ O pulchr sine luxu des, vitque beat,
+ Splendida paupertas, ingenuusque decor!
+ O chara ante alias, magnorum nomine Regum
+ Digna domus! Trini nomine digna Dei
+ O nimium Cereris cumulati munere campi,
+ Posthabitis Enn quos colit illa jugis!
+ O sacri fontes! et sacr vatibus umbr
+ Quas recreant avium Pieridumque chori!
+ O Camus! Phoebo multus quo gratior amnis
+ Amnibus auriferis invidiosus inops!
+ Ah mihi si vestr reddat bona gaudia sedis,
+ Detque Deus doct posse quiete frui!
+ Qualis eram cum me tranquilla mente sedentem
+ Vidisti in rip, Came serene, tu;
+ Mulcentem audisti puerili flumina cantu;
+ Ille quidem immerito, sed tibi gratus erat.
+ Nam, memini ripa cum tu dignatus utrque
+ Dignatum est totum verba referre nemus.
+ Tunc liquidis tacitisque simul mea vita diebus,
+ Et similis vestr candida fluxit aqu.
+ At nunc coenos luces, atque obice multo
+ Rumpitur tatis turbidus ordo me.
+ Quid mihi Sequan opus, Tamesisve aut Thybridis und?
+ Tu potis es nostram tollere, Came, sitim."
+
+ _Elegia dedicatoria, ad illustrissimam Academiam
+ Cantabrigiensem_, prefixed to Cowley's Works,
+ Lond. 1669, folio.
+
+ RT.
+
+ Warmington, Sept. 8. 1851.
+
+
+Minor Notes.
+
+[Greek: _Hyppiaz_]--I "keep under my body," &c. 1 Cor. ix. 27. One can
+scarcely allude to this passage without remembering the sarcastic
+observations of Dr. South upon a too literal interpretation of it.
+(_Sermons_, vol. i. p. 12. Dublin, 1720.) And yet deeper and more
+spiritual writers by no means pass the literal interpretation by with
+indifference. Bishop Andrewes distinctly mentions [Greek: hyppiasmos],
+or _suggillatio_, amongst the "circumstanti orationis;" as also [Greek:
+ekdiksis], _vindicta_, or _revenge_, 2 Cor. vii. II. (_Preces Privat_,
+pag. 14. Londini, 1828.) Bishop J. Taylor is equally explicit in a
+well-known and remarkable passage:
+
+ "If the lust be upon us, and sharply tempting, by inflicting any
+ smart to overthrow the strongest passion by the most violent pain,
+ we shall find great ease for the present, and the resolution and
+ apt sufferance against the future danger; and this was St. Paul's
+ remedy: 'I bring my body under;' he used some rudeness towards
+ it."--_Holy Living_, sect. iii. _Of Chastity. Remedies against
+ Uncleanness_, 4.
+
+The word [Greek: hyppia] occurs only once in the LXX, but that seems in
+a peculiarly apposite way: "[Greek: _hyppia kai syntrimmata synanta
+kakois_, plgai de eis tamieia koilias.]" As our English version
+translates it: "The blueness of a wound cleanseth away evil (or, is a
+purging medicine against evil, margin), so do stripes the inward parts
+of the belly." (Proverbs xx. 30.) If it were not absolute presumption to
+differ from the great Dr. Jackson, one would feel inclined to question,
+or at least to require further proof of some observations of his. He
+says, in treating of our present passage:
+
+ "The very literal importance of those three words in the
+ original--[Greek: hypopiaz], [Greek: kryxas], and
+ [Greek: adokimos]--cannot be so well learned from any Dictionary
+ or Lexicon, as from such as write of the Olympic Games, or of that
+ kind of tryal of masteries, which in his time or before was in
+ use. The word [Greek: hypopiaz] is proper (I take it) unto
+ wrestlers, whose practice it was to keep under other men's bodies,
+ not their own, or to keep their antagonists from all advantage of
+ hold, either gotten or aimed at. But our apostle did imitate their
+ practice upon his own body, not on any others; for his own body
+ was his chief antagonist."--_Works_, vol. ii. p. 644. Lond. 1673.
+
+Suidas makes some remarks upon the word, but they are not very much to
+our purpose.
+
+ RT.
+
+ Warmington.
+
+_Meaning of Whitsunday._--I long ago suggested in your pages that
+Whitsun Day, or, as it was anciently written, Witson Day, meant Wisdom
+Day, or the day of the outpouring of Divine wisdom; and I requested the
+attention of your learned correspondents to this subject. I cannot
+refrain from thanking C. H. for his fourth quotation from Richard Rolle
+(Vol. iv., p. 50.) in confirmation of this view.
+
+ "This day _witsonday_ is cald,
+ For _wisdom & wit_ seuene fald
+ Was youen to 'e apostles as is day
+ For _wise_ in alle ingis wer thay,
+ To spek w't outen mannes lore
+ Al maner langage eueri whore."
+
+ H. T. G.
+
+_Anagrammatic Pun by William Oldys._--Your correspondent's Query
+concerning Oldys's _Account of London Libraries_ (Vol. iv., p. 176.),
+reminded me of the following punning anagram on the name of that
+celebrated bibliographer, which may claim a place among the first
+productions of its class. It was Oldys himself, and is attached to one
+of his own transcripts in the British Museum:
+
+ "In word and _Will I am_ a friend to you,
+ And one friend _Old is_ worth a hundred new."
+
+ BLOWEN.
+
+_Ballad of Chevy Chase: Ovid._--Addison, in his critique on the ballad
+of "Chevy Chase," after quoting the stanza--
+
+ "Against Sir Hugh Montgomery,
+ So right his shaft he set,
+ The grey goose wing that was thereon
+ In his heart's blood was wet,"
+
+says that "the thought" in that stanza "was never touched by any other
+poet, and is such a one as would have shined in Homer or Virgil." It is
+perhaps true that there is no passage in any other writer exactly
+resembling this, but it is not quite true that the thought has not been
+_touched_; for there is something approaching to it in Ovid's
+_Metamorphoses_, where the slaughter of Niobe's children by the arrows
+of Apollo is described:
+
+ "Altera per jugulum _pennis tenus_ acta sagitta est:
+ _Expulit hanc sanguis_; seque ejaculatus in altum
+ Emicat."--VI. 260.
+
+The author of this ballad would appear, from the passages cited by
+Addison, to have been well read in the Latin poets. Had Addison
+recollected the above passage of Ovid, he would doubtless have adduced
+it.
+
+ J. S. W.
+
+ Stockwell.
+
+_Horace Walpole at Eton._--The following anecdote of Horace Walpole
+while at Eton was related by the learned Jacob Bryant, one of his
+school-fellows, and has not, I believe, been printed; it is at all
+events very much at your service.
+
+In those days the Etonians were in the habit of acting plays, and
+amongst others _Tamerlane_ was selected for representation. The cast of
+parts has unluckily not been preserved, but it is sufficient for us to
+know that the lower boys were put into requisition to personate the
+mutes. After the performance the wine, which had been provided for the
+actors, had disappeared, and a strong suspicion arose that the lower
+boys behind the scenes had made free with it, and Horace Walpole
+exclaimed, "The mutes have swallowed the liquids!"
+
+ BRAYBROOKE.
+
+
+
+
+Queries.
+
+
+CONTINENTAL WATCHMEN AND THEIR SONGS.
+
+The inquiries I made in Vol. iii., p. 324., respecting the Bellman and
+his Songs, have been answered by most interesting information (pp. 377.
+451. 485.); and the references made by the Editor to V. Bourne's
+translation was most acceptable. The interest of this subject is
+increased by finding that the Custos Nocturnus exists at the present day
+in other countries, resembling very much in duties, costume, and chants
+the Westminster Bellman. I venture to send you extracts from W. Hurton's
+_Voyage from Leith to Lapland_, and Dr. Forbes's _Physician's Holiday_.
+
+ "During the past year of 1849 it has been my lot to reside at four
+ of the most remarkable capitals of Europe, and successively to
+ experience what spring is in London, what summer is in Paris, what
+ autumn is in Edinburgh, and what winter is in Copenhagen. Vividly,
+ indeed, can I dwell on the marvellous contrast of the night aspect
+ of each: but one of the most interesting peculiarities I have
+ noticed in any of them, is that presented by the watchmen of the
+ last-named. When I first looked on these guardians of the night, I
+ involuntarily thought of Shakspeare's Dogberry and Verges. The
+ sturdy watchers are muffled in uniform great coats, and also wear
+ fur caps. In their hand they carry a staff of office, on which
+ they screw, when occasion requires, that fearful weapon the
+ 'morning star.' They also sometimes may be seen with a lanthorn at
+ their belt: the candle contained in the lanthorn they place at the
+ top of their staff, to relight any street-lamps which require
+ trimming. In case of fire, the watchmen give signals from the
+ church towers, by striking a number of strokes, varying with the
+ quarter of the city in which the fire occurs; and they also put
+ from the tower flags and lights pointed in the direction where the
+ destructive element is raging. From eight o'clock in the evening,
+ until four (Query, until five) o'clock in the morning, all the
+ year round, they chant a fresh verse at the expiration of each
+ hour, as they go their rounds. The cadence is generally deep and
+ guttural, but with a peculiar emphasis and tone; and from a
+ distance it floats on the still night air with a pleasing and
+ impressive effect, especially to the ear of a stranger. The verses
+ in question are of great antiquity, and were written, I am told,
+ by one of the Danish bishops. They are printed on a large sheet of
+ paper, with an emblematical border, rudely engraved in the old
+ style; and in the centre is a large engraving exactly representing
+ one of the ancient watchmen, in the now obsolete costume, with his
+ staff and 'morning star' in hand, a lanthorn at his belt, and his
+ dog at his feet.
+
+ "A copy of the broadside has been procured me, and my friend Mr.
+ Charles Beckwith has expressly made for me a verbatim translation
+ of the verses; and his version I will now give at length. I am
+ induced to do this, because, not only are the chants most
+ interesting in themselves, as a fine old relic of Scandinavian
+ customs, but there seems to me a powerful poetical spirit
+ pervading them. At the top of the sheet are the lines which in the
+ translation are--
+
+ 'Watch and pray,
+ For time goes;
+ Think and directly,
+ You know not when.'
+
+ "In large letters over the engraving of the watchman are the words
+ (translated):
+
+ 'Praised be God! our Lord, to whom
+ Be love, praise, and honour.'
+
+ "I will now give the literal version, printed exactly in the same
+ arrangement of lines, letters, and punctuation, as the original:
+
+ '_Copenhagen Watchman's Song._
+
+ Eight o'clock,
+ When darkness blinds the earth
+ And the day declines,
+ That time then us reminds
+ Of death's dark grave;
+ Shine on us, Jesus sweet,
+ At every step
+ To the grave-place,
+ And grant a blissful death.'
+
+ "Every hour between eight and five o'clock inclusive has its own
+ chant. The last is--
+
+ 'Five o'clock.
+ O Jesu! morning star!
+ Our King unto thy care
+ We so willingly commend,
+ Be Thou his sun and shield!
+ Our clock it has struck five
+ Come mild Sun,
+ From mercy's pale,
+ Light up our house and home.'"
+
+ _Voyage from Leith to Lapland in 1850_,
+ by W. Hurton, vol. i. p. 104.
+
+Dr. Forbes writes:
+
+ "We had very indifferent rest in our inn, owing to the over-zeal
+ of the Chur watchmen, whose practice it is to perambulate the town
+ through the whole night, twelve in number, and who on the present
+ occasion displayed a most energetic state of vigilance. They not
+ only called, but sung out, every hour, in the most sonorous
+ strains, and even chanted a long string of verses on the striking
+ of some.... I suppose the good people of Chur think nothing of
+ these chantings, or from habit hear them not; but a tired
+ traveller would rather run the risk of being robbed in
+ tranquillity, than be thus sung from his propriety during all the
+ watches of the night."--_A Physician's Holiday_, pp. 80, 81.
+
+Dr. Forbes gives a copy of a "Watch Chant at Chur," with a translation,
+pp. 81, 82. At p. 116. he says:
+
+ "In our hotel at Altorf we were again saluted, during the vigils
+ of the night, but in a very mitigated degree, with some of the
+ same patriotic and pious strains which had so disturbed us at
+ Chur. As chanted here, however, they were far from unwelcome. The
+ only other place, I think, where we heard these Wchterrufe was
+ Neufchatel. These calls are very interesting relics of the old
+ times, and must be considered indicative as well of the simple
+ habits of the old time, as of the pious feelings of the people of
+ old."
+
+He then gives the Evening and Morning Chants in the town of Glarus, and
+the chant in use in some places in the canton of Zurich; but in Zurich
+itself the chant is no longer heard.
+
+Dr. Forbes concludes the twelfth chapter with the following observation:
+
+ "The same antiquity, and also the inveteracy of old customs to
+ persist, is strikingly shown by the fact that in some parts of the
+ canton of Tessino, where the common language of the people is
+ Italian, the night watch-call is still in old German."
+
+The apparent universality of the Bellman throughout Europe gives rise to
+questions that would, I apprehend, extend beyond the object of "NOTES
+AND QUERIES;" such as, Is pure religion benefited by the engrafting of
+it upon stocks so familiar as the bellman or watchman? What are the
+causes that the old ecclesiastic bellman is no longer heard in some
+countries, whilst in others he continues with little or no variation?
+Has religion lost or gained by the change?
+
+Dr. Forbes's notice of the Tessino watchman calls up the public crier in
+England, another class of bellmen, asking for a hearing, with his "O
+yes! O yes!" Little does he think that he is speaking French.
+
+ F. W. J.
+
+
+Minor Queries.
+
+151. _Quotation from Bacon._--In Lord Campbell's Life of Lord Bacon
+(_Lives of the Lord Chancellors_, vol. ii. p. 314.) he gives an extract
+from Lord Bacon's speech in the House of Commons, on his proposed bill
+for "Suppressing Abuses in Weights and Measures." In the following
+sentence there is a word which seems to require explanation:
+
+ "The fault of using false weights and measures is grown so
+ intolerable and common, that if you would build churches you shall
+ not need for battlements and _halls_, other than false weights of
+ lead and brass."
+
+The use of lead for the battlements of churches seems obvious enough:
+but what can _halls_ mean, unless it be a misprint for _bells_, for
+which brass would be required?
+
+ PEREGRINUS.
+
+152. _Carmagnoles._--Can any of your readers tell me the exact meaning
+of the _Carmagnoles_ of the French Revolution? Is the "Marseillaise" a
+Carmagnole song? If the word be derived from Carmagnuola in Piedmont,
+what is the story of its origin?
+
+ W. B. H.
+
+153. _The Use of Tobacco by the Elizabethan Ladies._--In _An
+Introduction to English Antiquities, by James Eccleston, B.A._, 8vo.
+1847, p. 306., the author, speaking of the ladies of the reign of
+Elizabeth, has the following passage:
+
+ "It is with regret we add, that their teeth were at this time
+ generally black and rotten, a defect which foreigners attributed
+ to their inordinate love for sugar, but which may, perhaps, be
+ quite as reasonably ascribed to their frequent habit of taking the
+ Nicotian weed to excess."
+
+Does the author mean to insinuate by the above, that the Elizabethan
+ladies indulged in the "filthy weed" by "smoaking" or "chewing?" I have
+always understood that the "Nicotian weed" _whitened_ the teeth rather
+than _blackened_ them, but should be glad to be enlightened upon the
+subject by some of your scientific readers.
+
+ EDWARD F. RIMBAULT.
+
+154. _Covines_ (Vol. iii., p. 477.).--Remembering to have seen it stated
+by one of your correspondents, that witches or sorcerers were formerly
+divided into classes or companies of twelve, called _covines_, I should
+feel obliged by a reference to the authorities from which this statement
+is derived. They were not alleged at the time.
+
+ A. N.
+
+155. _Story referred to by Jeremy Taylor._--Jeremy Taylor (_Duct.
+Dubit._, book iii. chap. ii. rule 5. qust. 2.) states:
+
+ "The Greek that denied the depositum of his friend, and offered to
+ swear at the altar that he had restored it already, did not
+ preserve his conscience and his oath by desiring his friend to
+ hold the staff in which he had secretly conveyed the money. It is
+ true, he delivered it into his hand, desiring that he would hold
+ it till he had sworn; but that artifice was a plain cozenage, and
+ it was prettily discovered. For the injured person, in indignation
+ at the perjury, smote the staff upon the ground, and broke it, and
+ espied the money."
+
+Whence is the above incident derived?
+
+ A TR.
+
+156. _Plant in Texas._--I shall be glad to learn the scientific name of
+the plant to which the following extract from the _Athenum_ (1847, p.
+210.) refers:--
+
+ "It is a well-known fact that in the vast prairies of Texas a
+ little plant is always to be found which, under all circumstances
+ of climate, changes of weather, rain, frost, or sunshine,
+ invariably turns its leaves and flowers to the north," &c.
+
+ [Hebrew: A. T.]
+
+157. _Discount._--Can any of your readers inform me how discount
+originated, and where first made use of?
+
+ JAMES C.
+
+158. _Sacre Cheveux._--The motto of the arms of the family of _Halifax_
+of Chadacre in Suffolk, and of Lombard Street, is--
+
+ "SACRE CHEVEUX."
+
+It does not seem to bear allusion to the crest, a griffin, nor to any of
+the charges in the coat, which I do not at the moment accurately
+remember. If you will enlighten me as to the meaning and origin of the
+motto, I shall be obliged.
+
+ S. A.
+
+159. "_Mad as a March Hare._"--In Mr. Mayhew's very interesting work,
+_London Labour and the London Poor_, Part xxxiii. p. 112., a collector
+of hareskins, in giving an account of his calling, says:
+
+ "Hareskins is in--leastways I c'lects them--from September to the
+ end of March, when hares, they says, goes mad."
+
+Perhaps the allusion to the well-known saying, "as mad as a March hare,"
+on this occasion was made without the collector of hareskins being aware
+of the existence of such a saying. Is anything known of its origin? I
+imagine that Mr. Mayhew's work will bring many such sayings to light.
+
+ L. L. L.
+
+160. _Vermin, Payments for Destruction of, and Ancient Names._--Can you
+afford me any information as to the authority (act of parliament, or
+otherwise,) by which churchwardens in old times paid sums of money for
+the destruction of vermin in the several parishes in England; and by
+what process of reasoning, animals now deemed innocuous were then
+thought to merit so rigorous an extirpation?
+
+In some old volumes of churchwardens' accounts to which I have access, I
+find names which it is impossible to associate with any description of
+vermin now known. Perhaps some of your correspondents may be able to
+identify them: such as _glead_, _ringteal_, _greas'head_, _baggar_. My
+own impression as to the latter name was, that it was only another way
+of spelling badger; but as, in the volume to which I refer, the word
+_bowson_ occurs, which the historian Dr. Whitaker pronounces to be
+identical with that species of vermin, my surmise can scarcely be
+correct.
+
+ J. B. (Manchester).
+
+161. _Fire unknown._--Leibnitz (_Sur l'Entendement humain_, liv. i.
+4.) speaks of certain islanders to whom fire was unknown. Is there any
+authentic account of savages destitute of this essential knowledge?
+
+ C. W. G.
+
+162. _Matthew Paris's Historia Minor._--During the last few years I have
+made occasional, but unsuccessful, inquiries after the _Historia Minor_
+of Matthew Paris. It is quoted at some length by Archbishop Parker
+(_Antiquit. Eccles. Brit._, ed. Hanov. 1605, p. 158.). It is also
+referred to, apparently upon Parker's authority, by several divines of
+the succeeding age; by one or more of whom (as well as by Watt) the MS.
+is spoken of as deposited in the Royal Library at St. James's. The words
+produced by Parker do not occur in Matthew Paris's _Major History_;
+though the editor of the second edition of the larger work would appear
+to have consulted the _Hist. Minor_, either in the _Biblioth. Reg._, or
+the Cottonian Library, or else in the Library of Corpus Coll.,
+Cambridge. Can any one gratify my curiosity by saying whether this MS.
+is known to exist, and (if so) where?
+
+ J. SANSOM.
+
+163. _Mother Bunche's Fairy Tales._--Who wrote _Mother Bunche's Fairy
+Tales_?
+
+ DALSTONIA.
+
+164. _Monumental Symbolism._--In the south aisle of Tylehurst church,
+Berks, is a beautiful monument to the memory of Sir Peter Vanlore,
+Knight, and his lady, in recumbent positions, at whose feet is the
+statue of their eldest son in armour kneeling. In the front of the tomb
+are the figures of ten of their children in processional form--first,
+two daughters singly; the rest two and two, four of which have skulls in
+their right hands, and a book in their left, probably to denote their
+being deceased at the time the monument was erected. At the feet of one
+of the youngest children is represented a very small figure of a child
+lying in a shroud, the date 1627.
+
+Query, What do the books symbolise?
+
+ JULIA R. BOCKETT.
+
+ Southcote Lodge.
+
+165. _Meaning of "Stickle" and "Dray."_--In Wm. Browne's _Pastoral_,
+"The Squirrel Hunt," we read of--
+
+ "Patient anglers, standing all the day
+ Near to some shallow _stickle_, or deep bay."
+
+The word _stickle_ appears to me to be used here for a pool. Is it ever
+so used now, or has that meaning become obsolete? I do not find it in
+Richardson's _Dictionary_.
+
+In the Lake District, in the Langdales, is Harrison's Stickle or Stickle
+Tarn, which I think confirms my view of the meaning.
+
+ * * * * *
+
+ "Whilst he from tree to tree, from spray to spray,
+ Gets to the wood, and hides him in his _dray_."
+
+Cowper uses the word _dray_ with reference to the same animal:
+
+ "Chined like a squirrel to his _dray_."
+
+ "A Fable," Southey's _Edit._ viii. 312.
+
+What is the correct meaning of this word? Richardson, from Barrett,
+says, "a _dray_ or _sledde_, which goeth without wheels." And adds,
+"also applied to a carriage with low, heavy wheels, dragged heavily
+along, as a brewer's _dray_."
+
+He then quotes the passage from Cowper, containing the above line.
+
+ F. B. RELTON.
+
+166. _Son of the Morning._--
+
+ "Son of the morning, rise! approach you here!
+ Come--but molest not yon defenceless urn:
+ Look on this spot--a nation's sepulchre!
+ Abode of gods, whose shrines no longer burn.
+ Even gods must yield--religions take their turn:
+ 'Twas Jove's--'tis Mahomet's--and other creeds
+ Will rise with other years, till man shall learn
+ Vainly his incense soars, his victim bleeds;
+ Poor child of Doubt and Death, whose hope is built on reeds."
+
+How many read the above beautiful stanza from _Childe Harold_, Canto II.
+Stanza 3., without asking themselves who the "Son of the morning" is.
+Perhaps some of your literary correspondents and admirers of Byron may
+be able to tell us. I enclose my own solution for your information.
+
+ AN OLD BENGAL CIVILIAN.
+
+167. _Gild Book._--The Gild-Book of the "Holy Trinity Brotherhood" of
+St. Botolph's without Aldersgate, London, once belonged to Mr. W. Hone,
+by whom it is quoted in his _Ancient Mysteries_, p. 79. If any of the
+readers of "NOTES AND QUERIES" would be so kind as to let me know where
+this MS. is to be found, I should be very thankful.
+
+ D. ROCK.
+
+ Buckland, Faringdon.
+
+
+
+
+Replies.
+
+
+POPE AND FLATMAN.
+
+(Vol. iv., p. 132.)
+
+In the edition of Pope's _Works_ published by Knapton, Lintot, and
+others, 1753, 9 vols., I find the following note to the Ode entitled
+"The Dying Christian to his Soul:"--
+
+ "This Ode was written in imitation of the famous Sonnet of Hadrian
+ to his departing Soul, but as much superior to his original in
+ sense and sublimity as the Christian religion is to the pagan."
+
+This is confirmed by the correspondence of Pope with Steele, vol. vii.
+pp. 185, 188, 189, 190. Letters 4, 7, 8, and 9.
+
+That Pope also derived some hints at least from Flatman's Ode is, I
+think, certain, from the following extract from a bookseller's catalogue
+of a few years' date:
+
+ "Flatman, Thos., Poems and Songs. Portrait slightly damaged. 8vo.,
+ new, cf. gt. back, 8s. With autograph of Alex. Pope.
+
+ "MS. Note at p. 55.--'This next piece, _A Thought on Death_, is
+ remarkable as being the verses from which Pope borrowed some of
+ the thoughts in his Ode of The Dying Christian to his Soul.'"
+
+ F. B. RELTON.
+
+The question whether Flatman borrowed from Pope or Pope from Flatman
+(the former seems far more probable) may perhaps be decided by the date
+of Flatman's composition, if that can be ascertained. Pope's ode was
+composed in November, 1712, as recorded in the interesting series of
+letters in the correspondence between Pope and Steele (_Letters_ iv. to
+ix.) and in the 532nd number of the _Spectator_. From Steele's letter it
+appears that the stanzas were composed for music: is any setting of them
+known, anterior to that by Harwood, which has obtained such universal
+popularity, in spite of its many undeniable errors in harmony? Is
+anything known of this composer? he certainly was not deficient either
+in invention or taste, and must have written other pieces worthy to be
+remembered.
+
+ E. V.
+
+It seems probable that the coincidence between the passages of Thomas
+Flatman and Pope, indicated at p. 132., arises from both imitating the
+_alliteration_ of the original:
+
+ "_Animula, vagula, blandula,_
+ Hospes, comesque corporis,
+ Qu nunc abibis in loca,
+ _Pullidula, rigida, undula_?
+ Nec, ut soles, dabis jocos."
+
+Casaubon (_Hist. Ang. Script._, t. i. p. 210. ed. Lug. Bat.) has totally
+lost sight of this in his Greek translation.
+
+ THEODORE BUCKLEY.
+
+
+TEST OF STRENGTH OF A BOW.
+
+(Vol. iv., p. 56.)
+
+Although unable to answer all the Queries of TOXOPHILUS, the subjoined
+information may possibly advantage him. His Queries of course have
+reference to the long bow, and not to the arbalest, or cross-bow. The
+length of this bow appears to have varied according to the height and
+strength of the bowman; for in the 12th year of the reign of Edward IV.
+an act was passed ordaining that every Englishman should be possessed of
+a bow of his own height. Bishop Latimer also, in one of his sermons,
+preached before Edward VI., and published in 1549, wherein he enforces
+the practice of archery, has the following passage:
+
+ "In my time my father taught me how to draw, how to lay my body in
+ my bow, and not to draw with strength of arms, as other nations
+ do, but with strength of body. I had my bows brought me according
+ to my age and strength: as I increased in them, so my bows were
+ made bigger and bigger."
+
+The length of the full-sized bow appears to have been about six feet:
+the arrow, three.
+
+The distance to which an arrow could be shot from the long bow of course
+depended, in a great measure, upon the quality and toughness of the
+wood, as well as upon the skill and strength of the archer; but I
+believe it will be found that the tougher and more unyielding the bow,
+the greater the strength required in bending it, and consequently the
+greater the force imparted to the arrow. The general distance to which
+an arrow could be shot from the long bow seems to have been from eleven
+to twelve score yards; although there are instances on record of
+individuals shooting from 400 to 500 yards.
+
+The best bows used by our ancestors were made of yew, as it appears from
+a statute made in the thirty-third year of the reign of Henry VIII., by
+which it was enacted--
+
+ "That none under the age of seventeen should shoot with a bow of
+ yew, except his parents were worth 10_l._ per annum in lands, or
+ 40 marks in goods: and for every bow made of yew, the bowyer not
+ inhabiting London or the suburbs should make four, and the
+ inhabitant there two, bows of other wood."
+
+These restrictions were doubtless owing to the great scarcity of yew.
+The other woods most in request were elm, witch-hazel, and ash. By the
+statute 8th of Elizabeth, cap. 3., it was ordained that every bowyer
+residing in London should have always ready fifty bows of either of the
+before-mentioned woods. By this statute also the prices at which the
+bows were to be sold were regulated.
+
+I believe the ancient bows were made of one piece; whether there is any
+advantage to be derived in having a bow of more than two pieces, I leave
+for some one better qualified than myself to determine.
+
+As regards arrows, Ascham, in his _Toxophilus_, has enumerated fifteen
+sorts of wood of which arrows were made in his time, viz. brasell,
+turkie-wood, fusticke, sugercheste, hard-beam, byrche, ash, oak,
+service-tree, alder, blackthorn, elder, beach, aspe, and sallow; of
+these aspe and ash were accounted the best; the one for target-shooting,
+the other for war. The author of _The Field Book_ says:
+
+ "That an arrow weighing from twenty to four-and-twenty
+ pennyweights, made of yew, was considered by archers the best that
+ could be used."
+
+ DAVID STEVENS.
+
+ Godalming.
+
+The method of trying and proving a bow is stated by Ascham to be thus:
+
+ "By shooting it in the fields, and _sinking_ it with _dead heavy_
+ shafts; looking where it _comes_ most, and providing for that
+ place betimes, lest it pinch and so fret. When the bow has thus
+ been shot in, and appears to contain good shooting wood, it must
+ be taken to a skilful workman, to be cut shorter, scraped, and
+ dressed fitter, and made to come circularly round; and it should
+ be whipped at the ends, lest it snap in sunder or fret sooner than
+ the archer is aware of."
+
+It is calculated that an arrow may be shot 110 yards for every 20 lbs.
+weight of the bow.
+
+As regards the length of the old English bow, the statute 5th of Edward
+IV. cap. 4., runs thus:
+
+ "That every Englishman, and Irishmen that dwell with Englishmen
+ and speak English, that be between sixteen and sixty in age, shall
+ have an English bow of his own length."
+
+Ascham recommended for men of average strength arrows made of birch,
+hornbeam, oak, and ash.
+
+The foregoing is extracted from a work entitled _The English Bowman_, by
+T. Roberts, 1801.
+
+ PHILOSOPHUS.
+
+
+BASKERVILLE THE PRINTER.
+
+(Vol. iv., pp. 40. 123.)
+
+Hansard's _Typographia_, i. 8vo. 1825, Preface, p. xii--xiii.:
+
+ "Of the more modern portraits something remains to be said, and
+ particularly of that of Baskerville. It has been hitherto supposed
+ that no likeness is extant of this first promoter of fine
+ printing, and author of various improvements in the Typographic
+ Art, as well as in the arts connected with it. At the time when I
+ was collecting information for that part of my work in which Mr.
+ Baskerville is particularly mentioned (p. 310. _et seq._), I
+ thought it a good opportunity to make inquiry at Birmingham
+ whether any portrait or likeness of him remained; for a long time
+ the inquiry was constantly answered in the negative, but at last
+ it occurred to a friend to make a search among the family of the
+ late Mrs. Baskerville, and he was successful. Mr. Baskerville
+ married the widow of a Mr. Eaves; her maiden name was Ruston; she
+ had two children by her former husband, a son and a daughter: the
+ latter married her first cousin, Mr. Josiah Ruston, formerly a
+ respectable druggist at Birmingham, and she survived her husband.
+ At the sale of some effects after her decease, portraits of her
+ mother and her father-in-law, Mr. Baskerville, were purchased by
+ Mr. Knott of Birmingham. Some of Mr. Ruston's family and friends
+ who are still living, consider this likeness of Mr. Baskerville as
+ a most excellent and faithful resemblance. It was taken by one
+ Miller, an artist of considerable eminence in the latter part of
+ Baskerville's time. The inquiries of my friend Mr. Grafton, of
+ Park Grove, near Birmingham, at once brought this painting into
+ notice: and at his solicitation Mr. Knott kindly permitted Mr.
+ Raven of Birmingham, an artist of much celebrity, to copy it for
+ my use and the embellishment of this work; to which, I think, the
+ united talents of Mr. Craig and Mr. Lee have done ample justice."
+
+The portrait faces p. 310. of Mr. Hansard's book, and there may be found
+an account, though somewhat different, of the exhumation alluded to by
+MR. ST. JOHNS (Vol. iv., p. 123.), which took place in May, 1821.
+
+ CRANMORE.
+
+In answer to an inquirer I beg respectfully to state that the body of
+the eminent printer now reposes, as it has for some years, in the vaults
+of Christ Church in our town.
+
+ WILLIAM CORNISH.
+
+ New Street, Birmingham.
+
+
+Replies to Minor Queries.
+
+_Mazer Wood and Sin-eaters_ (Vol. iii., pp. 239. 288.).--The following
+extract from Hone's _Year Book_, p. 858., will add to the explanation
+furnished by S. S. S., and will also give an instance of the singular
+practices which prevailed among our ancestors:--
+
+ "Among the Lansdowne MSS. in the British Museum are statements in
+ Aubrey's own handwriting to this purport. In the county of
+ Hereford, was an old custom at funerals, to hire poor people, who
+ were to take upon them the sins of the party deceased. One of them
+ (he was a long, lean, ugly, lamentable, poor rascal), I remember,
+ lived in a cottage on Rosse highway. The manner was, that when the
+ corpse was brought out of the house, and laid on the bier, a loaf
+ of bread was brought out, and delivered to the sin eater, over the
+ corpse, as also a _mazard bowl_ of maple, full of beer (which he
+ was to drink up), and sixpence in money, in consideration whereof
+ he took upon him, _ipso facto_, all the sins of the defunct, and
+ freed him or her from walking after they were dead."
+
+Perhaps some of your readers may be able to throw some light on this
+curious practice of _sin-eating_, or on the existence of regular
+_sin-eaters_.
+
+ E. H. B.
+
+ Demerary.
+
+ [Mr. Ellis, in his edition of Brande's _Popular Antiquities_, vol.
+ ii. p. 155. 4to. has given a curious passage from the Lansdowne
+ MSS. concerning a sin-eater who lived in Herefordshire, which has
+ been quoted in the _Gentleman's Magazine_, vol. xcii. pt. i. p.
+ 222.]
+
+"_A Posie of other Men's Flowers_" (Vol. iv., pp. 58. 125.).--If D. Q.
+should succeed in finding this saying in Montaigne's Works, I hope he
+will be kind enough to send an "Eureka!" to "NOTES AND QUERIES," as by
+referring to pp. 278. 451. of your second volume he will see that I am
+interested in the question.
+
+I am still inclined to think that the metaphor, _in its present concise
+form_ at all events, does _not_ belong to Montaigne, though it may owe
+its origin to some passage in the _Essays_. See, for example, one in
+book i. chap. 24.; another in book ii. chap. 10., in Hazlitt's second
+edition, 1845, pp. 54. 186.
+
+But I have not forgotten Montaigne's motto, "Que sais-je?" The chances
+are that I am wrong. I should certainly like to see his right to the
+saying satisfactorily proved by reference to book, chapter, and page.
+
+ C. FORBES.
+
+ Temple.
+
+At the conclusion of the preface to the thick 8vo. edition of the
+_Elegant Extracts, Verse_, published by C. Dilly, 1796, you will find
+these words:--
+
+ "I will conclude my preface with the _ideas of Montaigne_. 'I have
+ here only made a nosegay of culled flowers, and have brought
+ nothing of my own but the thread that ties them.'"
+
+ R. S. S.
+
+ 56. Fenchurch Street.
+
+_Table Book_ (Vol. i., p. 215.).--See _Transactions of the Royal Irish
+Academy_, vol. xxi., Antiq. pp. 3-15, and some specimens in the museum
+of the Academy. (_Proceedings_, vol. iii. p. 74.)
+
+ R. H.
+
+_Briwingable_ (Vol. iv., p. 22.).--I cannot find this word in any
+authority to which I have access. I derive it from Sax. {brian}, to
+brew, and {Eafel}, a tax; and think it the same as _tolsester_, a duty
+payable to the lord of the manor by ale-brewers, mentioned in Charta 55
+Hen. III.: "Tolsester cerevisie, hec est pro quolibet braccino per annum
+unam lagenam cerevisie."
+
+ F. J.
+
+_Simnels_ (Vol. iii., pp. 390. 506.).--T. very sensibly suggests that
+Lambert _Simnel_ is a nickname derived from a kind of cake still common
+in the north of England, and eaten in Lent. I have never met with
+_Simnel_ as a surname, and have actually been told, as a child, that the
+Simnels were called after Lambert; which is so far worthy of note as
+that it connects the two together in tradition, though, no doubt, as T.
+suggests, it is Lambert who was called after the Simnels. As a child I
+took the liberty to infer, in consequence, that Parkins (gingerbread of
+oatmeal instead of flour, and also common in the north of England) were
+called after Perkin Warbeck. I am aware of the superior claim of
+Peterkin now; but the coincidence may perhaps amuse your correspondents.
+
+ [Dagger symbol]
+
+_A Ship's Berth_ (Vol. iv., p. 83.).--I would suggest to your
+correspondents S. S. S. (2) another derivation for our word _berth_.
+
+The present French _berceau_, a cradle, was in the Norman age written
+_ber[gh]_, as appears in a MSS. _Life of St. Nicholas_ in the Bodleian
+Library. This Life has been printed at Bonn by Dr. Nicolaus Delius,
+1850; but in the print the character [gh] has been represented by the
+ordinary z. This is a pity, because, as all know who are familiar with
+our MSS. of the twelfth and thirteenth centuries, this figure [gh] took
+not unfrequently the place of (th); and on this account it is a
+character which ought to be scrupulously preserved in editing. _Ber[gh]_
+then was probably pronounced _berth_, or possibly with a little more of
+the sibilant than is now found in the latter. How easily the _sibilant_
+and the _th_ run into one another may be seen by the third person
+singular of our present Indicative:
+
+ saith says.
+ doth does.
+ hopeth hopes.
+
+ J. E.
+
+ Oxford, August 2. 1851.
+
+_Suicides buried in Cross-roads_ (Vol. iv., p. 116.).--P. M. M. makes
+inquiry respecting a practice formerly observed of _burying murderers in
+cross-roads_. I have often heard that _suicides_ were formerly interred
+in such places, and that a stake used to be driven through the body. I
+know of two places in the neighbourhood of _Boston_ in Lincolnshire,
+where such burials are stated to have taken place. One of these is about
+a mile and a half south of Boston, on what is called the _low_ road to
+Freiston; a very ancient _hawthorn tree_ marks the spot, and the tree
+itself is said to have sprung from the stake which was driven through
+the body of the self-murderer. The tradition was told me sixty years
+since, and the interment was _then_ said to have occurred _a hundred
+years ago_; the suicide's name was at that time traditionally
+remembered, and was told to me, but I cannot recall it. The tree
+exhibits marks of great age, and is preserved with care; it still bears
+"may," as the flower of the whitethorn is called, and _haws_ in their
+season.
+
+The second grave (as it is reported) of this kind is on the high road
+from Boston to Wainfleet, at the intersection of a road leading to
+Butterwick, at a place called _Spittal Hill_; near the site of the
+ancient hospital or infirmary, which was attached to the Priory of St.
+James at Freiston. This spot is famous in the traditions of the
+neighbourhood as the scene of the appearance of a sprite or hobgoblin,
+called the "_Spittal Hill_ TUT;" which takes, in the language of the
+district, the shape of a SHAG _foal_, and is said to be connected with
+the history of the suicide buried there.
+
+TUT is a very general term applied in Lincolnshire to any fancied
+supernatural appearance. Children are frightened by being told of _Tom
+Tut_; and persons in a state of panic, or unreasonable trepidation, are
+said to be _Tut-gotten_.
+
+ P. T.
+
+ Stoke Newington, Aug. 30.
+
+_A Sword-blade Note_ (Vol. iv., p. 176.).--The sword-blade note, to
+which R. J. refers, was doubtless a note of the Sword-blade Company,
+which was intimately connected with the South Sea Company. In the
+narrative respecting the latter company, given in _The Historical
+Register_ for 1720, is an account of a conference between the South Sea
+Directors and those of the Bank of England: therein is the following
+passage:
+
+ "And when it was urg'd that the _Sword Blade_ Company should come
+ into the Treaty; _By no means_, reply'd _Sir Gilbert_ [Heathcote];
+ _for if the_ South Sea _Company be wedded to the Bank, he ought
+ not to be allow'd to keep a Mistress_. The Event show'd that the
+ Bank acted with their usual Prudence, in not admitting the _Sword
+ Blade_ Company into a Partnership."--_Historical Register_ for
+ 1720, p. 368.
+
+At p. 377. of the same work it is stated, that on the 24th of September
+the Sword-blade Company, "who hitherto had been the chief cash keepers
+to the South Sea Company," stopped payment, "being almost drain'd of
+their ready money."
+
+Perhaps some of your correspondents may be able to elucidate the rise,
+transactions, and "winding up" of the Sword-blade Company.
+
+ C. H. COOPER.
+
+ Cambridge, Sept. 6. 1851.
+
+_Domesday Book of Scotland_ (Vol. iv., p. 7.).--Your correspondent
+ABERDONIENSIS is informed that what he is in quest of was published by
+the "Bannatyne Club," under the name of the "Ragman Rolls," in 1834,
+4to. It is entitled, _Instrumenta Publica sive Processus super
+Fidelitatibus et Homagiis Scotorum Domino Regi Angli factis_, A.D.
+M.CC.XCI.--M.CC.XCVI.
+
+ "The documents contained in this volume have not been selected in
+ the view of reviving or illustrating the ancient National
+ Controversy as to the feudal dependence of Scotland on the English
+ Crown. It has been long known that in these Records may be found
+ the largest and most authentic enumerations now extant of the
+ Nobility, Barons, Landholders and Burgesses, as well as of the
+ Clergy of Scotland, prior to the fourteenth century. No part of
+ the public Records of Scotland prior to that era has been
+ preserved, and whatever may have been their fate, certain it is,
+ that to these English Records of our temporary national
+ degradation, are we now indebted for the only genuine Statistical
+ Notices of the Kingdom towards the close of the thirteenth
+ century."
+
+ [Star symbol] "This singular document, so often quoted and
+ referred to, was never printed _in extenso_."
+
+ T. G. S.
+
+ Edinburgh.
+
+_Dole-bank_ (Vol. iv., p. 162.).--In processions on Holy Thursday, it
+was usual to _deal_ cakes and bread to the children and the poor of the
+parish at boundary-banks, that they might be duly remembered. Hence the
+name.
+
+ R. S. H.
+
+ Morwenstow.
+
+_The Letter "V"_ (Vol. iv., p. 164.).--If S. S. will turn again to my
+remarks on this letter, he will see that I did not state that _Tiverton_
+was ever pronounced _Terton_. I accede to what he has said of
+_Twiverton_; Devonshire was inadvertently written for Somersetshire.
+With regard to the observations of A. N. (p. 162.), he will find those
+remarks were confined to the _v_ between two vowels, _i.e._ without any
+other consonant intervening; and, therefore, other forms of contraction
+did not fall within the scope of them. I refrained from adverting to any
+such words as Elvedon and Kelvedon (pronounced respectively Eldon and
+Keldon), because the abbreviation of these may be referable to another
+cause. In passing I would mention that I think there can be no
+reasonable doubt that the word _dool_, about which he inquires, is no
+other than the Ang.-Sax. _d[=a]l_, a division, from _daelan_, to divide;
+and whence our words _deal_ and _dole_. But to return to the letter _v_,
+if MR. SINGER be correct as to _devenisch_ in the MS. of the _Hermit of
+Hampole_ being written for Danish (p. 159.), it seems an example of the
+peculiar use of this letter to which I have invited attention, for the
+writer hardly intended it to be pronounced as three syllables if he
+meant Danish. However, if that MS. be a transcript, may not the supposed
+_v_ have been originally an _n_, which was first mis-read _u_, and then
+copied as a _v_?
+
+ W. S. W.
+
+_Cardinal Wolsey_ (Vol. iv., p. 176.).--The following anecdote, taken
+from a common-place book of Sir Roger Wilbraham, who was Master of the
+Requests in the time of Queen Elizabeth, appears to have some bearing on
+the subject referred to in the page of your publication which I have
+quoted above:--
+
+ "Cooke, attorney, at diner Whitsunday[1] ista protulit.
+
+ "Wolsey, a prelate, was flagrante crimine taken in fornication by
+ S'r Anthony Pagett of y'e West, and put in y'e stokes. After being
+ made Cardinall, S'r Anthony sett up his armes on y'e middle Temple
+ gate: y'e Cardinall passing in pontificalibus, and spying his owne
+ armes, asked who sett them up. Answare was made y't y'e said Mr.
+ Pagett. He smiled saying, he is now well reclaymed; for wher
+ before he saw him in disgrace, now he honoured him."
+
+ [Footnote 1: This was probably in 1598.]
+
+ W. L.
+
+_Nervous_ (Vol. iv., p. 7.).--_Nervous_ has unquestionably the double
+meaning assigned to it in MR. BANNEL'S Query. The propriety of the
+English practice, in this respect, may be doubted. _Nervous_ is
+correctly equivalent to Lat. _nervosus_; Fr. _nerveux_, strong,
+vigorous. In the sense of _nervous weakness_, or, perhaps more
+correctly, _nervine weakness_, the word should probably be _nervish_,
+analogous to _qualmish_, _squeamish_, _aguish_, _feverish_, &c. In
+Scotland, though the English may regard it as a vulgarism, I have heard
+the word used in this form.
+
+ F. S. Q.
+
+_Coleridge's Essays on Beauty_ (Vol. iv., p. 175.).--I have copies of
+the _Essays_ referred to. They were republished about 1836 in Fraser's
+_Literary Chronicle_.
+
+ MORTIMER COLLINS.
+
+ Guernsey.
+
+_"Nao" or "Naw," a Ship_ (Vol. iv., p. 28.).--I have already answered
+GOMER upon the imaginary word _naw_, a ship: I beg now to remark on MR.
+FENTON'S _nav_. If _nav_ was a ship at all, I am at a loss to know why
+it should be "a much older term." It would probably be subsequent to the
+introduction of the Latin noun, which it docks of its final _is_. The
+word or name is quoted from a Triad, the ninety-seventh of that series
+which contains the mention of Llewelyn ap Griffith, the last prince of
+Wales; and what makes it "one of the oldest" Triads, I have no idea. Nor
+do I know what ascertains the date of any of them; or removes the date
+of the composition of any one of them beyond the middle ages.
+
+But _Nevydd_ is no very uncommon proper name of men and women, derived
+from _nev_, heaven; and _nav neivion_ is simply "lord of lords." It
+forms the plural like _mab_, _meibion_, and _march_, _meirchion_. Mr.
+Walters gives _nav_ under no words but _lord_. David ap Gwelyn either
+mentions the navigation of the lords, the Trojan chieftains, to Britain;
+or else that of Nevydd Nav Neivion, cutting short his title. But the
+former is the plain sense of the thing. If MR. FENTON will only turn to
+Owen's _Dictionary_ (from which _naw_, a ship, is very properly
+excluded) he will there find the quotation from Gwalchmai; in which the
+three Persons of the Trinity are styled the _Undonion Neivion_,
+"harmonizing or consentaneous Lords." He will scarcely make bold to turn
+them into ships.
+
+ A. N.
+
+_Unde derivatur Stonehenge_ (Vol. iv., p. 57.).--Your correspondent P.
+P. proposes to interpret this word, _horse-stones_, from _hengst_, the
+Saxon for a horse; and to understand thereby large stones, as the words
+_horse-chesnut_, _horse-daisy_, _horse-mushroom_, &c., mean large ones.
+But, if he had duly considered the arguments contained in Mr. Herbert's
+_Cyclops Christianus_, pp. 162-4., he would have seen the necessity of
+showing, that in Anglo-Saxon and English the description can follow, in
+composition, the thing described; which it seems it can do in neither.
+In support of his stone-horse, he should have produced a chesnut-horse
+in the vegetable sense; a daisy-horse, or a mushroom-horse. Till he does
+that, the grammatical canon appealed to by that author, will remain in
+as full force against the stone-horse as against the stone-hanging.
+
+ E. A. M.
+
+_Nick Nack_ (Vol. iii., p. 179.).--A rude species of music very common
+amongst the boys in Sheffield, called by them _nick-a-nacks_. It is made
+by two pieces of bone, sometimes two pieces of wood, placed between the
+fingers, and beaten in time by a rapid motion of the hand and fingers.
+It is one of the periodical amusements of the boys going along the
+streets.
+
+ "And with his right drew forth a truncheon of a white ox rib, and
+ two pieces of wood of a like form; one of black Eben, and the
+ other of incarnation Brazile; and put them betwixt the fingers of
+ that hand, in good symmetry. Then knocking them together, made
+ such a noise, as the lepers of Britany use to do with their
+ clappering clickets; yet better resounding, and far more
+ harmonious."--_Rabelais_, book ii. c. 19.
+
+ H. J.
+
+_Meaning of Carfax_ (Vol. iii., p. 508.).--E. J. S. says "Carfoix
+reminds me of Carfax in Oxford. Are the names akin to each other?" When
+at Oxford I used to hear that Carfax was properly Quarfax, a contraction
+for _quatuor facies_, four faces. The church, it will be remembered,
+looks one way to High Street, another to Queen Street, a third to the
+Cornmarket, and the fourth to St. Aldates's.
+
+ H. T. G.
+
+_Hand giving the Benediction_ (Vol. iii., p. 477.).--Rabbi Bechai tells
+us of the solemn blessing in Numbers vi. 25, 26, 27., in which the name
+Jehovah is thrice repeated, that, when the high priest pronounced it on
+the people, "elevatione manuum _sic digitos composuit ut_ TRIADA
+_exprimerent_."
+
+ W. FRASER.
+
+_Unlucky for Pregnant Women to take an Oath_ (Vol. iv., p. 151.).--I beg
+to inform COWGILL that Irishwomen of the lower order almost invariably
+refuse to be sworn while pregnant. Having frequently had to administer
+oaths to heads of families applying for relief during the famine in
+Ireland in 1847-8-9, I can speak with certainty as to the fact, though I
+am unable to account for the origin of the superstition.
+
+ BARTANUS.
+
+ Dublin.
+
+_Borough-English_ (Vol. iv., p. 133.).--_Burgh_ or _Borough-English_ is
+a custom appendant to _ancient_ boroughs, such as existed in the days of
+Edward the Confessor and William the Conqueror, and are contained in the
+Book of Domesday. Taylor, in his _History of Gavelkind_, p. 102.,
+states, that in the villages round the city of Hereford, the lands are
+all held in the tenure of Borough-English. There appears also to be a
+customary descent of lands and tenements in some places called
+_Borow-English_, as in Edmunton: vid. _Kitchin of Courts_, fol. 102. The
+custom of _Borough-English_, like that of gavelkind, and those of London
+and York, is still extant; and although it may have been in a great
+measure superseded by _deed_ or _will_, yet, doubtless, instances occur
+in the present day of its vitality and consequent operation.
+
+ FRANCISCUS.
+
+_Date of a Charter_ (Vol. iv., p. 152.).--I suspect that the charter to
+which MR. HAND refers, is one of the time of Henry II., and not of Henry
+III. The latter sent no daughter to Sicily; but Joan, the daughter of
+the former, was married to William, king of Sicily, in the year 1176, 22
+Henry II. In the Great Roll of that year (Rot. 13 b.) are entries of
+payments for hangings in the king's chamber on that occasion, and of
+fifty marks given to Walter de Constantiis, Archdeacon of Oxford, for
+entertaining the Sicilian ambassadors. See Madox's _Exchequer_, i. 367.,
+who also in p. 18. refers to Hoveden, P. 2. p. 548. This may perhaps
+assist in the discovery of the precise date, which I cannot at present
+fix.
+
+ [Greek: Ph.]
+
+
+
+
+Miscellaneous.
+
+
+NOTES ON BOOKS, SALES, CATALOGUES, ETC.
+
+_The Jansenists: their Rise, Persecutions by the Jesuits, and existing
+Remnant; a Chapter in Church History_: by S. P. Tregelles, LL.D., is an
+interesting little monograph, reprinted with additions from Dr. Kitto's
+_Journal of Biblical Literature_, and enriched with portraits of
+Jansenius, St. Cyran, and the Mre Angelique. The history of the
+Jansenist Church lingering in separate existence at Utrecht affords a
+new instance of Catholicity of doctrine apart from the Papal communion;
+and as such cannot fail to have a peculiar interest for many of our
+readers.
+
+The long, brilliant, and important reign of Louis XIV. has had many
+chroniclers. The _Mmoires_ written by those who figured in its busy
+scenes are almost innumerable; many, as may be supposed from the
+character of the monarch and the laxity of the court, being little
+calculated for general perusal. Mr. James therefore did good service
+when he presented the reading world with his historical view of _The
+Life and Times of Louis XIV._, a work in which, while he has done full
+justice to the talents and genius of the monarch, and the brilliancy of
+the circle by which he was surrounded, he has not allowed that splendour
+so to dazzle the eyes of the spectator as to blind him to the real
+infamy and heartlessness with which it was surrounded. We are therefore
+well pleased to see Mr. James's history reprinted as the two new volumes
+of Bohn's _Standard Library_.
+
+Mr. L. A. Lewis of 125. Fleet Street will sell on Friday next two
+extraordinary Collections of Tracts on Trade, Coinage, Commerce, Banks,
+Public Institutions, and Trade generally. The First, in 167 Vols., in
+fol., 4to., and 8vo., commences with Milles' _Customer's Replie_, 1604.
+The Second, in 20 Vols., collected upwards of a century since, commences
+with H. Gilbert's _Discourse of a Discoverie for a New Passage to
+Cataia_, 1576. Both series should be secured for a Public Library.
+
+CATALOGUE RECEIVED.--J. Millers' (43. Chandos Street) Catalogue No. 28
+of Cheap Books for Ready Money.
+
+
+BOOKS AND ODD VOLUMES
+
+WANTED TO PURCHASE.
+
+OTHONIS LEXICON RABBINICUM.
+
+PLATO. Vols. VIII. X. XI. of the Bipont Edition.
+
+PARKINSON'S SERMONS. Vol. I.
+
+ATHENUM. Oct. and Nov. 1848. Parts CCL., CCLI.
+
+WILLIS' PRICE CURRENT. Nos. I. III. V. XXIV. XXVI. XXVII.--XLV.
+
+RABBI SALEMO JACOBES COMMENTAR BER DEN PENTATEUCH VON L. HAYMANN. Bonn,
+1833.
+
+RABBI SALEMO JACOBES BER DAS ERSTE BUCH MOSIS VON L. HAYMANN. Bonn,
+1833.
+
+No. 3. of SUMMER PRODUCTIONS, or PROGRESSIVE MISCELLANIES, by Thomas
+Johnson. London, 1790.
+
+HISTORY OF VIRGINIA. Folio. London, 1624.
+
+THE APOLOGETICS OF ATHENAGORAS, Englished by D. Humphreys. London, 1714.
+8vo.
+
+BOVILLUS DE ANIM IMMORTALITATE, ETC. Lugduni, 1522. 4to.
+
+KUINOEL'S NOV. TEST. Tom. I.
+
+THE FRIEND, by Coleridge. Vol. III. Pickering.
+
+ [Star symbol] Letters, stating particulars and lowest price,
+ _carriage free_, to be sent to MR. BELL, Publisher of "NOTES AND
+ QUERIES," 186. Fleet Street.
+
+
+Notices to Correspondents.
+
+F. R. A. _The lines referred to by_ DR. RIMBAULT (Vol. iv., p. 181.)
+_are not those quoted in that page by_ A TEMPLAR _from the_ Cobleriana,
+_but those beginning_--
+
+ "As by the Templars' holds you go,"
+
+_respecting which a Query appeared in our_ 3rd Vol. p. 450.
+
+J. VARLEY, Jun. _The lines are quoted by Washington Irving, from
+Shakspeare's_ Winter's Tale, Act IV. Sc. 3.
+
+RT. _will perceive that his communications reach us in a very available
+form._
+
+O. T. D. _is thanked for his suggestions, which shall be adopted as far
+as practical. He will find that his communication respecting_
+Pallavicino _has been anticipated in our_ 3rd Vol., pp. 478. 523.
+
+PHILO, _whose Query appeared in our Number of July 19th, will find a
+letter at our Publisher's._
+
+ALTRON. _There is no Agent for the sale of_ "NOTES AND QUERIES" _in
+Dublin. It will however no doubt be supplied by any bookseller there
+from whom it may be ordered._
+
+REPLIES RECEIVED.--_Dr. M. Sutcliffe--Description of a
+Dimple--Carli the Economist--Decretorum Doctor--Versicle--Querelle
+d'Allemand--Ellrake--Sir W. Raleigh in Virginia--M. Lominus
+Theologus--Pope's Translations--Wyle Cop--Collar of SS.--What
+constitutes a Proverb--Visiting Cards--Going the whole Hog--Lord
+Mayor a Privy Councillor--Inscription on a Claymore--Queen
+Brunhaut--Cagots--Written Sermons--Tale of a Tub--Cowper Law--Murderers
+buried in Cross-roads--Thread the Needle--Borough English--Gooseberry
+Fool--Darby and Joan--Print Cleaning--Serpent with a Human Head._
+
+_Copies of our Prospectus, according to the suggestion of_ T. E. H._,
+will be forwarded to any correspondent willing to assist us by
+circulating them._
+
+VOLS. I., II., _and_ III., _with very copious Indices, may still be had,
+price 9s. 6d. each, neatly bound in cloth._
+
+NOTES AND QUERIES _is published at noon on Friday, so that our country
+Subscribers may receive it on Saturday. The subscription for the Stamped
+Edition is 10s. 2d. for Six Months, which may be paid by Post-office
+Order drawn in favour of our Publisher,_ MR. GEORGE BELL, 186. Fleet
+Street; _to whose care all communications for the Editor should be
+addressed._
+
+
+
+
+London Library, 12. St. James's Square.--Patron--His Royal Highness
+Prince ALBERT.
+
+ This Institution now offers to its members a collection of 60,000
+ volumes, to which additions are constantly making, both in English
+ and foreign literature. A reading room is also open for the use of
+ the members, supplied with the best English and foreign
+ periodicals.
+
+ Terms of admission--entrance fee, 6_l._; annual subscription,
+ 2_l._; or entrance fee and life subscription, 26_l._
+
+ By order of the Committee.
+
+ September, 1851. J. G. COCHRANE, Secretary and Librarian.
+
+
+Now ready, Price 25_s._, Second Edition, revised and corrected.
+Dedicated by Special Permission to
+
+ THE (LATE) ARCHBISHOP OF CANTERBURY.
+
+ PSALMS AND HYMNS FOR THE SERVICE OF THE CHURCH. The words selected
+ by the Very Rev. H. H. MILMAN, D.D., Dean of St. Paul's. The Music
+ arranged for Four Voices, but applicable also to Two or One,
+ including Chants for the Services, Responses to the Commandments,
+ and a Concise SYSTEM of CHANTING, by J. B. SALE, Musical
+ Instructor and Organist to Her Majesty. 4to., neat, in morocco
+ cloth, price 25_s._ To be had of Mr. J. B. SALE, 21. Holywell
+ Street, Millbank, Westminster, on the receipt of a Post Office
+ Order for that amount; and by order, of the principal Booksellers
+ and Music Warehouses.
+
+ "A great advance on the works we have hitherto had, connected with
+ our Church and Cathedral Service."--_Times._
+
+ "A collection of Psalm Tunes certainly unequalled in this
+ country."--_Literary Gazette._
+
+ "One of the best collections of tunes which we have yet seen. Well
+ merits the distinguished patronage under which it
+ appears."--_Musical World._
+
+ "A collection of Psalms and Hymns, together with a system of
+ Chanting of a very superior character to any which has hitherto
+ appeared."--_John Bull._
+
+ London: GEORGE BELL, 186. Fleet Street.
+
+ Also, lately published,
+
+ J. B. SALE'S SANCTUS, COMMANDMENTS and CHANTS as performed at the
+ Chapel Royal St. James, price 2_s._
+
+ C. LONSDALE, 26. Old Bond Street.
+
+
+Price 2_s._ 6_d._; by Post 3_s._
+
+ ILLUSTRATIONS AND ENQUIRIES RELATING TO MESMERISM. Part I. By the
+ Rev. S. R. MAITLAND, DD. F.R.S. F.S.A. Sometime Librarian to the
+ late Archbishop of Canterbury, and Keeper of the MSS. at Lambeth.
+
+ "One of the most valuable and interesting pamphlets we ever
+ read."--_Morning Herald._
+
+ "This publication, which promises to be the commencement of a
+ larger work, will well repay serious perusal."--_Ir. Eccl. Journ._
+
+ "A small pamphlet in which he throws a startling light on the
+ practice of modern Mesmerism."--_Nottingham Journal._
+
+ "Dr. Maitland, we consider, has here brought Mesmerism to the
+ 'touchstone of truth,' to the test of the standard of right or
+ wrong. We thank him for this first instalment of his inquiry, and
+ hope that he will not long delay the remaining portions."--_London
+ Medical Gazette._
+
+ "The Enquiries are extremely curious, we should indeed say
+ important. That relating to the Witch of Endor is one of the most
+ successful we ever read. We cannot enter into particulars in this
+ brief notice; but we would strongly recommend the pamphlet even to
+ those who care nothing about Mesmerism, or _angry_ (for it has
+ come to this at the last) with the subject."--_Dublin Evening
+ Post._
+
+ "We recommend its general perusal as being really an endeavour, by
+ one whose position gives him the best facilities, to ascertain the
+ genuine character of Mesmerism, which is so much
+ disputed."--_Woolmer's Exeter Gazette._
+
+ "Dr. Maitland has bestowed a vast deal of attention on the subject
+ for many years past, and the present pamphlet is in part the
+ result of his thoughts and inquiries. There is a good deal in it
+ which we should have been glad to quote ... but we content
+ ourselves with referring our readers to the pamphlet
+ itself."--_Brit. Mag._
+
+ PIPER, BROTHERS, & CO., 23. Paternoster Row.
+
+
+PROFIT AND DISCOUNT TABLES,
+
+ In One Volume, just published, bound in roan, price 3_s._ 6_d._,
+ or 4_s._ free by post,
+
+ SHOWING the Prices at which Articles must be Sold, to obtain a
+ Profit at a certain Per Centage upon their invoiced Cost. And
+ also, the Net Cost of Articles, when Discounts are allowed on the
+ invoiced Prices. Adapted for the assistance of Traders in their
+ Purchases, Sales, and taking Stock. The Calculations are upon
+ Prices from 1_d._ to 20_s._, and at the Rates from 1-1/2 per Cent.
+ to 75 per Cent.
+
+ _The following Example will show the Application of the
+ Tables._--The invoiced Price of Silk is 2_s._ 4_d._ per yard,
+ which it is proposed to sell at 15 per Cent. profit.
+
+ Refer to the page showing that rate of per centage, find the cost
+ price in the first column, and, by looking to the same line of the
+ second, the price to be asked is shown to be 2_s._ 8-1/4_d._
+
+ By CHARLES ODY ROOKS, ACCOUNTANT.
+
+ London: WILLIAM TEGG & CO., 85. Queen Street, Cheapside.
+
+
+Just published, fcap. 8vo., price 6_s._ 6_d._ in cloth,
+
+ THE COMPLETE ANGLER; or the Contemplative Man's Recreation, by
+ IZAAC WALTON and CHARLES COTTON: with a new Biographical
+ Introduction and Notes, and embellished with eighty-five
+ Engravings on Copper and Wood.
+
+ London: HENRY KENT CAUSTON, Gracechurch Street.
+
+
+Extremely Rare Tracts.
+
+ MR. L. A. LEWIS will SELL, at his HOUSE, 125. Fleet Street, on
+ Friday, 26th, some BOOKS, from an old family library, including an
+ extraordinary assemblage of Tracts on trade, coinage, commerce,
+ banks, public institutions, &c., in 187 vols., collected more than
+ one hundred years ago, containing numerous articles of excessive
+ rarity: Acta Eruditorum ab anno 1682 ad 1727, 57 vols.; Valpy's
+ edition of the Delphin and Variorum Classics, 141 vols.; some
+ curious Manuscripts; early printed Books: to which is added, the
+ Library of the late George Watkinson, Esq., many years of the Bank
+ of England; in which will be found a series of Books relating to
+ Catholics, Black Letter, Theology, &c.
+
+
+Mr. Noble's Stereotype Plates.
+
+ MR. L. A. LEWIS is preparing to SELL, shortly, at his House, 125.
+ Fleet Street, the important assemblage of STEREOTYPE PLATES, the
+ property of the late Theophilus Noble, of Fleet Street and
+ Chancery Lane: comprising upwards of Twenty Tons weight, and
+ including that popular series of Novels, Tales, and Romances
+ published under the title of _Novel Newspaper_, in 680 sheets.
+ Catalogues are preparing, and will be forwarded on application on
+ receipt of four postage stamps.
+
+
+Literary Sale Rooms, 125. Fleet Street.
+
+ MR. L. A. LEWIS will have SALES by AUCTION of Libraries, small
+ parcels of Books, Prints, Pictures, and Miscellaneous Effects
+ every Friday. Property sent in on the previous Saturday will be
+ certain to be sold (if required) in the following week.
+
+
+2 vols., sold separately, 8_s._ each.
+
+ SERMONS. By the Rev. ALFRED GATTY, M.A., Vicar of Ecclesfield.
+
+ "In the effective simplicity with which Mr. Gatty applies the
+ incidents and precepts of the Gospel to the every-day concerns of
+ life, he has no superior. His faith is that of a sincere and
+ genuine scriptural Churchman."--_Britannia._
+
+ "Of all sermons I have ever seen, they are by far the best adapted
+ to such congregations as I have had to preach to; at any rate, in
+ my opinion. And as a further proof of their adaptation to the
+ people's wants (and indeed the best proof that could be given), I
+ have been requested by some of my parishioners to lend them
+ sermons, which were almost _verbatim et literatim_ transcripts of
+ yours. That you may judge of the extent to which I have been
+ indebted to you, I may mention that out of about seventy sermons
+ which I preached at W----, five or six were Paley's and fifteen or
+ sixteen yours. For my own credit's sake, I must add, that all the
+ rest were entirely my own."--_Extracted from the letter of a
+ stranger to the Author._
+
+ London: GEORGE BELL, 186. Fleet Street.
+
+
+
+
+Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New
+Street Square, in the Parish of St. Bride in the City of London; and
+published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St.
+Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet
+Street aforesaid.--Saturday, September 20. 1851.
+
+
+
+
+ [List of volumes and pages in "Notes and Queries", Vol. I-IV]
+
+ +---------------+-------------------+-----------+-------------+
+ | Notes and Queries Vol. I. |
+ +---------------+-------------------+-----------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 1 | November 3, 1849 | 1 - 17 | PG # 8603 |
+ | Vol. I No. 2 | November 10, 1849 | 18 - 32 | PG # 11265 |
+ | Vol. I No. 3 | November 17, 1849 | 33 - 46 | PG # 11577 |
+ | Vol. I No. 4 | November 24, 1849 | 49 - 63 | PG # 13513 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 5 | December 1, 1849 | 65 - 80 | PG # 11636 |
+ | Vol. I No. 6 | December 8, 1849 | 81 - 95 | PG # 13550 |
+ | Vol. I No. 7 | December 15, 1849 | 97 - 112 | PG # 11651 |
+ | Vol. I No. 8 | December 22, 1849 | 113 - 128 | PG # 11652 |
+ | Vol. I No. 9 | December 29, 1849 | 130 - 144 | PG # 13521 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 10 | January 5, 1850 | 145 - 160 | PG # |
+ | Vol. I No. 11 | January 12, 1850 | 161 - 176 | PG # 11653 |
+ | Vol. I No. 12 | January 19, 1850 | 177 - 192 | PG # 11575 |
+ | Vol. I No. 13 | January 26, 1850 | 193 - 208 | PG # 11707 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 14 | February 2, 1850 | 209 - 224 | PG # 13558 |
+ | Vol. I No. 15 | February 9, 1850 | 225 - 238 | PG # 11929 |
+ | Vol. I No. 16 | February 16, 1850 | 241 - 256 | PG # 16193 |
+ | Vol. I No. 17 | February 23, 1850 | 257 - 271 | PG # 12018 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 18 | March 2, 1850 | 273 - 288 | PG # 13544 |
+ | Vol. I No. 19 | March 9, 1850 | 289 - 309 | PG # 13638 |
+ | Vol. I No. 20 | March 16, 1850 | 313 - 328 | PG # 16409 |
+ | Vol. I No. 21 | March 23, 1850 | 329 - 343 | PG # 11958 |
+ | Vol. I No. 22 | March 30, 1850 | 345 - 359 | PG # 12198 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 23 | April 6, 1850 | 361 - 376 | PG # 12505 |
+ | Vol. I No. 24 | April 13, 1850 | 377 - 392 | PG # 13925 |
+ | Vol. I No. 25 | April 20, 1850 | 393 - 408 | PG # 13747 |
+ | Vol. I No. 26 | April 27, 1850 | 409 - 423 | PG # 13822 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 27 | May 4, 1850 | 425 - 447 | PG # 13712 |
+ | Vol. I No. 28 | May 11, 1850 | 449 - 463 | PG # 13684 |
+ | Vol. I No. 29 | May 18, 1850 | 465 - 479 | PG # 15197 |
+ | Vol. I No. 30 | May 25, 1850 | 481 - 495 | PG # 13713 |
+ +---------------+-------------------+-----------+-------------+
+ | Notes and Queries Vol. II. |
+ +----------------+--------------------+---------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 31 | June 1, 1850 | 1- 15 | PG # 12589 |
+ | Vol. II No. 32 | June 8, 1850 | 17- 32 | PG # 15996 |
+ | Vol. II No. 33 | June 15, 1850 | 33- 48 | PG # 26121 |
+ | Vol. II No. 34 | June 22, 1850 | 49- 64 | PG # 22127 |
+ | Vol. II No. 35 | June 29, 1850 | 65- 79 | PG # 22126 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 36 | July 6, 1850 | 81- 96 | PG # 13361 |
+ | Vol. II No. 37 | July 13, 1850 | 97-112 | PG # 13729 |
+ | Vol. II No. 38 | July 20, 1850 | 113-128 | PG # 13362 |
+ | Vol. II No. 39 | July 27, 1850 | 129-143 | PG # 13736 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 40 | August 3, 1850 | 145-159 | PG # 13389 |
+ | Vol. II No. 41 | August 10, 1850 | 161-176 | PG # 13393 |
+ | Vol. II No. 42 | August 17, 1850 | 177-191 | PG # 13411 |
+ | Vol. II No. 43 | August 24, 1850 | 193-207 | PG # 13406 |
+ | Vol. II No. 44 | August 31, 1850 | 209-223 | PG # 13426 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 45 | September 7, 1850 | 225-240 | PG # 13427 |
+ | Vol. II No. 46 | September 14, 1850 | 241-256 | PG # 13462 |
+ | Vol. II No. 47 | September 21, 1850 | 257-272 | PG # 13936 |
+ | Vol. II No. 48 | September 28, 1850 | 273-288 | PG # 13463 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 49 | October 5, 1850 | 289-304 | PG # 13480 |
+ | Vol. II No. 50 | October 12, 1850 | 305-320 | PG # 13551 |
+ | Vol. II No. 51 | October 19, 1850 | 321-351 | PG # 15232 |
+ | Vol. II No. 52 | October 26, 1850 | 353-367 | PG # 22624 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 53 | November 2, 1850 | 369-383 | PG # 13540 |
+ | Vol. II No. 54 | November 9, 1850 | 385-399 | PG # 22138 |
+ | Vol. II No. 55 | November 16, 1850 | 401-415 | PG # 15216 |
+ | Vol. II No. 56 | November 23, 1850 | 417-431 | PG # 15354 |
+ | Vol. II No. 57 | November 30, 1850 | 433-454 | PG # 15405 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 58 | December 7, 1850 | 457-470 | PG # 21503 |
+ | Vol. II No. 59 | December 14, 1850 | 473-486 | PG # 15427 |
+ | Vol. II No. 60 | December 21, 1850 | 489-502 | PG # 24803 |
+ | Vol. II No. 61 | December 28, 1850 | 505-524 | PG # 16404 |
+ +----------------+--------------------+---------+-------------+
+ | Notes and Queries Vol. III. |
+ +-----------------+-------------------+---------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 62 | January 4, 1851 | 1- 15 | PG # 15638 |
+ | Vol. III No. 63 | January 11, 1851 | 17- 31 | PG # 15639 |
+ | Vol. III No. 64 | January 18, 1851 | 33- 47 | PG # 15640 |
+ | Vol. III No. 65 | January 25, 1851 | 49- 78 | PG # 15641 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 66 | February 1, 1851 | 81- 95 | PG # 22339 |
+ | Vol. III No. 67 | February 8, 1851 | 97-111 | PG # 22625 |
+ | Vol. III No. 68 | February 15, 1851 | 113-127 | PG # 22639 |
+ | Vol. III No. 69 | February 22, 1851 | 129-159 | PG # 23027 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 70 | March 1, 1851 | 161-174 | PG # 23204 |
+ | Vol. III No. 71 | March 8, 1851 | 177-200 | PG # 23205 |
+ | Vol. III No. 72 | March 15, 1851 | 201-215 | PG # 23212 |
+ | Vol. III No. 73 | March 22, 1851 | 217-231 | PG # 23225 |
+ | Vol. III No. 74 | March 29, 1851 | 233-255 | PG # 23282 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 75 | April 5, 1851 | 257-271 | PG # 23402 |
+ | Vol. III No. 76 | April 12, 1851 | 273-294 | PG # 26896 |
+ | Vol. III No. 77 | April 19, 1851 | 297-311 | PG # 26897 |
+ | Vol. III No. 78 | April 26, 1851 | 313-342 | PG # 26898 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 79 | May 3, 1851 | 345-359 | PG # 26899 |
+ | Vol. III No. 80 | May 10, 1851 | 361-382 | PG # 32495 |
+ | Vol. III No. 81 | May 17, 1851 | 385-399 | PG # 29318 |
+ | Vol. III No. 82 | May 24, 1851 | 401-415 | PG # 28311 |
+ | Vol. III No. 83 | May 31, 1851 | 417-440 | PG # 36835 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 84 | June 7, 1851 | 441-472 | PG # 37379 |
+ | Vol. III No. 85 | June 14, 1851 | 473-488 | PG # 37403 |
+ | Vol. III No. 86 | June 21, 1851 | 489-511 | PG # 37496 |
+ | Vol. III No. 87 | June 28, 1851 | 513-528 | PG # 37516 |
+ +-----------------+-------------------+---------+-------------+
+ | Notes and Queries Vol. IV. |
+ +-----------------+--------------------+---------+------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 88 | July 5, 1851 | 1- 15 | PG # 37548 |
+ | Vol. IV No. 89 | July 12, 1851 | 17- 31 | PG # 37568 |
+ | Vol. IV No. 90 | July 19, 1851 | 33- 47 | PG # 37593 |
+ | Vol. IV No. 91 | July 26, 1851 | 49- 79 | PG # 37778 |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 92 | August 2, 1851 | 81- 94 | PG # 38324 |
+ | Vol. IV No. 93 | August 9, 1851 | 97-112 | PG # 38337 |
+ | Vol. IV No. 94 | August 16, 1851 | 113-127 | PG # 38350 |
+ | Vol. IV No. 95 | August 23, 1851 | 129-144 | PG # 38386 |
+ | Vol. IV No. 96 | August 30, 1851 | 145-167 | PG # 38405 |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 97 | Sept. 6, 1851 | 169-183 | PG # 38433 |
+ | Vol. IV No. 98 | Sept. 13, 1851 | 185-200 | PG # 38491 |
+ +-----------------+--------------------+---------+------------+
+ | Vol I. Index. [Nov. 1849-May 1850] | PG # 13536 |
+ | INDEX TO THE SECOND VOLUME. MAY-DEC., 1850 | PG # 13571 |
+ | INDEX TO THE THIRD VOLUME. JAN.-JUNE, 1851 | PG # 26770 |
+ +------------------------------------------------+------------+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 99,
+September 20, 1851, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 20, 1851 ***
+
+***** This file should be named 38574-8.txt or 38574-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/8/5/7/38574/
+
+Produced by Charlene Taylor, Jonathan Ingram and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/38574-8.zip b/38574-8.zip
new file mode 100644
index 0000000..5dcc900
--- /dev/null
+++ b/38574-8.zip
Binary files differ
diff --git a/38574-h.zip b/38574-h.zip
new file mode 100644
index 0000000..beadc5f
--- /dev/null
+++ b/38574-h.zip
Binary files differ
diff --git a/38574-h/38574-h.htm b/38574-h/38574-h.htm
new file mode 100644
index 0000000..5145547
--- /dev/null
+++ b/38574-h/38574-h.htm
@@ -0,0 +1,3192 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
+ "http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+<title>The Project Gutenberg eBook of Notes and Queries Vol. IV., No. 99, Saturday, September 20. 1851.</title>
+<link rel="coverpage" href="images/cover.jpg" />
+
+<style type="text/css">
+body { font-size:1em;text-align:justify;margin-left:10%;margin-right:10%; }
+h1 span { display:block;text-align:center;margin-top:2%;margin-bottom:5%; }
+h2 span { display:block;text-align:center;margin-top:7.5%;margin-bottom:1%; }
+h3 span { display:block;text-align:center;margin-top:7.5%;margin-bottom:2%;font-size:107%;font-weight:normal; }
+h4 span { font-weight:normal;font-size:1em;margin-left:1em; }
+#idno { font-size:30%;margin-top:12%;margin-bottom:.5%; }
+#id1 { font-size:45%;margin-top:2%;margin-bottom:.5%; }
+#id2 { font-size:15%;margin-top:2%;margin-bottom:.5%; }
+#id3 { font-size:55%;margin-top:2%;margin-bottom:15%; }
+p { text-indent:1em;margin-top:.75%;margin-bottom:.75%; }
+a:focus, a:active { outline:yellow solid thin;background-color:yellow; }
+a:focus img, a:active img { outline:yellow solid thin; }
+.author { padding-left:14em;text-indent:-1em;font-size:smaller;margin-top:-.5em;margin-bottom:2%; }
+.bla { font-style:italic; }
+.blockquot { text-indent:0em;margin-left:5%;margin-right:5%;margin-top:1.5%;margin-bottom:2%; }
+.botnum { font-size:x-small;vertical-align:text-bottom; }
+.box { font-size:smaller;margin-left:2%;margin-right:2%;margin-top:1.5%;margin-bottom:1.5%;padding:2%; }
+.boxad { margin-top:2%;margin-bottom:2%;margin-left:25%;margin-right:25%;border-top:thin dotted;border-bottom:thin solid;font-size:smaller; }
+.center { text-align:center; }
+.center1 { text-align:center;font-size:112%;margin-top:5%;margin-bottom:2.5%; }
+.center2 { text-align:center;font-size:150%; }
+.fnanchor { font-size: x-small;vertical-align:text-top; }
+.footnote .label { font-size: x-small;vertical-align:text-top; }
+.footnote { text-indent:0em;margin-left: 5%;margin-right: 25%; }
+hr.small { width: 15%; }
+.i1 { padding-left:1em; }
+.i3 { padding-left:3em; }
+.i5 { padding-left:5em; }
+.i7 { padding-left:7em; }
+.i9 { padding-left:9em; }
+.i11 { padding-left:11em; }
+.indh { text-indent: -2em;padding-left: 2em;text-align: left; }
+.indh6 {margin-left:3em;text-indent:-6em;padding-left:6em;text-align:left; }
+ ins { text-decoration:none;border-bottom:thin dotted }
+.larger { font-size:larger;font-weight:bold; }
+.left { text-align:left;font-size:smaller;margin-top:0em;margin-bottom:2%;margin-left:14%;margin-right:5%;text-indent:-3em; }
+.lowercase { text-transform: lowercase; }
+.noindent { text-indent: 0em; }
+.pagenum { font-size:x-small;color:silver;background-color:inherit;position:absolute;left:2%;text-align:left;text-indent:0em;
+ font-variant:normal;text-decoration:none; }
+p.cap:first-letter { float:left; clear: left; margin:0 0.1em 0 0;padding:0;font-weight:bold;font-size: x-large; }
+.poem { margin-left:8%;margin-right:8%;margin-top:1%;margin-bottom:1%;padding-left:5%; }
+.poem .stanza { margin:1.5em 0em 1.5em 0em; }
+.right { text-align:right;font-size:smaller;margin-top:0em;margin-bottom:2%;margin-left:5%;margin-right:15%; }
+.smaller { font-size:smaller; }
+.smcap { font-variant:small-caps; }
+strong {font-weight: normal; letter-spacing: 0.2em; margin-right: -0.2em;}
+table { margin-left:auto;margin-right:auto;width:45em;border-collapse:collapse; }
+td { vertical-align:bottom;padding-left:1em;padding-right:1em; }
+td.tdleft { text-align:left;margin-left:0;text-indent:0; }
+td.tdright { text-align:right; }
+td.tdcenter { text-align:center; }
+td.tdhang { text-align:left;margin-left:2em;padding-left:4em;text-indent:-2em;padding-right:1em;vertical-align:top; }
+.tnbox { font-size:smaller;margin-left:10%;margin-right:12%;margin-top:5%;margin-bottom:2.5%;text-indent:0em;padding:.5em;border-top:thin dashed; }
+.tnbox1 { font-size:smaller;margin-left:25%;margin-right:27%;margin-top:5%;margin-bottom:2.5%;text-indent:0em;padding:.5em;border:thin dashed; }
+.toc { margin-left: 5%;margin-right: 15%;margin-top: 1.5%;margin-bottom: 3%;text-align: left; }
+.topnum { font-size:x-small;vertical-align:text-top; }
+ ul { list-style-type:none;padding-left:2em;padding-right:5%; }
+ li { text-indent:-1em }
+
+</style>
+</head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 99,
+September 20, 1851, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Vol. IV, Number 99, September 20, 1851
+ A Medium of Inter-communication for Literary Men, Artists,
+ Antiquaries, Genealogists, etc.
+
+Author: Various
+
+Editor: George Bell
+
+Release Date: January 15, 2012 [EBook #38574]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 20, 1851 ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+
+</pre>
+
+
+<h1>
+<span id="idno">Vol. IV.&mdash;No. 99.</span>
+
+<span>NOTES <small>AND</small> QUERIES:</span>
+
+<span id="id1"> A MEDIUM OF INTER-COMMUNICATION</span>
+
+<span id="id2"> FOR</span>
+<span id="id3"> LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.</span>
+
+</h1>
+
+<div class="center1">
+<p class="noindent"><b>"When found, make a note of."</b>&mdash;C<span class="smcap lowercase">APTAIN</span> C<span class="smcap lowercase">UTTLE.</span></p>
+</div>
+
+<p class="noindent center smaller">V<span class="smcap lowercase">OL</span>. IV.&mdash;No. 99.</p>
+
+<p class="noindent center smaller">S<span class="smcap lowercase">ATURDAY</span>, S<span class="smcap lowercase">EPTEMBER</span> 20. 1851.</p>
+
+<p class="noindent center smaller"> Price Threepence. Stamped Edition, 4<i>d.</i></p>
+
+
+
+<div class="tnbox1">
+
+<p>Saxon characters have been marked in braces as in {Eafel}. </p>
+
+</div>
+
+<h2><span>CONTENTS.</span></h2>
+
+
+<p class="larger"> N<span class="smcap lowercase">OTES</span>:&mdash; </p>
+
+<div class="toc">
+
+<p class="indh i5">Venerable Bede's Mental Arithmetic <a title="Go to page 201" href="#notes201">201</a></p>
+
+<p class="indh i5">Hyphenism, Hyphenic, Hyphenization <a title="Go to page 203" href="#that203">203</a></p>
+
+<p class="indh i5">Gray and Cowley <a title="Go to page 204" href="#for204">204</a></p>
+
+<p class="indh i5"> Minor Notes:&mdash;<span title="[Greek: Hyppiaz]">&#8025;&#960;&#969;&#960;&#953;&#8049;&#950;&#969;</span>&mdash;Meaning of
+ Whitsunday&mdash;Anagrammatic Pun by William Oldys&mdash;Ballad of
+ Chevy Chase: Ovid&mdash;Horace Walpole at Eton <a title="Go to page 205" href="#again205">205</a></p>
+
+</div>
+
+<p class="larger">Q<span class="smcap lowercase">UERIES</span>:&mdash;</p>
+
+<div class="toc">
+
+<p class="indh i5">Continental Watchmen and their Songs <a title="Go to page 206" href="#great206"> 206</a></p>
+
+<p class="indh i5">Minor Queries:&mdash;Quotation from Bacon&mdash;Carmagnoles&mdash;The
+ Use of Tobacco by the Elizabethan Ladies&mdash;Covines&mdash;Story
+ referred to by Jeremy Taylor&mdash;Plant
+ in Texas&mdash;Discount&mdash;Sacre Cheveux&mdash;"Mad as a
+ March Hare"&mdash;Payments for Destruction of Vermin&mdash;Fire
+ unknown&mdash;Matthew Paris's Historia Minor&mdash;Mother
+ Bunche's Fairy Tales&mdash;Monumental Symbolism&mdash;Meaning
+ of "Stickle" and "Dray"&mdash;Son
+ of the Morning&mdash;Gild Book <a title="Go to page 208" href="#yes208">208</a></p>
+
+</div>
+
+<p class="larger"> R<span class="smcap lowercase">EPLIES</span>:&mdash;</p>
+
+<div class="toc">
+
+<p class="indh i5">Pope and Flatman <a title="Go to page 209" href="#of209">209</a></p>
+
+<p class="indh i5">Test of the Strength of a Bow <a title="Go to page 210" href="#find210">210</a></p>
+
+<p class="indh i5">Baskerville the Printer <a title="Go to page 211" href="#elder211">211</a></p>
+
+<p class="indh i5">Replies to Minor Queries:&mdash;Mazer Wood and Sin-eaters&mdash;"A
+ Posie of other Men's Flowers"&mdash;Table
+ Book&mdash;Briwingable&mdash;Simnels&mdash;A Ship's Berth&mdash;Suicides
+ buried in Cross-roads&mdash;A Sword-blade Note&mdash;Domesday
+ Book of Scotland&mdash;Dole-bank&mdash;The
+ Letter "V"&mdash;Cardinal Wolsey&mdash;Nervous&mdash;Coleridge's
+ Essays on Beauty&mdash;"Nao" or "Naw," a Ship&mdash;Unde
+ derivatur Stonehenge&mdash;Nick Nack&mdash;Meaning
+ of Carfax&mdash;Hand giving the Benediction&mdash;Unlucky
+ for Pregnant Women to take an Oath&mdash;Borough-English&mdash;Date
+ of a Charter <a title="Go to page 211" href="#elder211">211</a></p>
+
+</div>
+
+<p class="larger">M<span class="smcap lowercase">ISCELLANEOUS</span>:&mdash;</p>
+
+<div class="toc">
+
+ <p>Notes on Books, Sales, Catalogues, &amp;c. <a title="Go to page 215" href="#customary215">215</a></p>
+
+ <p> Books and Odd Volumes wanted <a title="Go to page 215" href="#customary215">215</a></p>
+
+ <p>Notices to Correspondents <a title="Go to page 215" href="#customary215">215</a></p>
+
+ <p>Advertisements <a title="Go to page 216" href="#addressed216"> 216</a>
+<span class="pagenum">[201]</span><a id="notes201"></a></p>
+
+<p class="indh i5"> <a id="was_added1"></a><a title="Go to list of vol. numbers and pages" href="#pageslist1" class="fnanchor">List
+ of Notes and Queries volumes and pages</a></p>
+
+</div>
+
+
+<h2><span class="bla">Notes.</span></h2>
+
+
+<h3><span>VENERABLE BEDE'S MENTAL ALMANAC.</span></h3>
+
+<p>If our own ancient British sage, the Venerable Bede, could rise up from
+the dust of eleven centuries, he might find us, notwithstanding all our
+astounding improvements, in a worse position, in one respect at least,
+than when he left us; and as the subject would be one in which he was
+well versed, it would indubitably attract his attention.</p>
+
+<p>He might then set about teaching us from his own writings a mental
+resource, far superior to any similar device practised by ourselves, by
+which the day of the week belonging to any day of the month, in any year
+of the Christian era, might easily and speedily be found.</p>
+
+<p>And when the few, who would give themselves the trouble of thoroughly
+understanding it, came to perceive its easiness of acquirement, its
+simplicity in practice, and its firm hold upon the memory, they might
+well marvel how so admirable a facility should have been so entirely
+forgotten, or by what perversion of judgment it could have been
+superseded by the comparatively clumsy and impracticable method of the
+Dominical letters.</p>
+
+<p>Let us hear his description of it in his own words:</p>
+
+
+<p>"Q<span class="smcap lowercase">U SIT FERIA IN</span> C<span class="smcap lowercase">ALENDIS</span>.</p>
+
+
+ <p class="blockquot">"Simile autem huic tradunt argumentum ad inveniendam diem
+ Calendarum promptissimum.</p>
+
+<p class="blockquot">"Habet ergo regulares Januarius <span class="smcap lowercase">II</span>, Februarius <span class="smcap lowercase">V</span>, Martius <span class="smcap lowercase">V</span>,
+ Apriles <span class="smcap lowercase">I</span>, Maius <span class="smcap lowercase">III</span>, Junius <span class="smcap lowercase">VI</span>, Julius <span class="smcap lowercase">I</span>, Augustus <span class="smcap lowercase">IIII</span>,
+ September <span class="smcap lowercase">VII</span>, October <span class="smcap lowercase">II</span>, November <span class="smcap lowercase">V</span>, December <span class="smcap lowercase">VII</span>. Qui
+ videlicet regulares hoc specialiter indicant, quota sit feria per
+ Calendas, eo anno quo septem concurrentes adscripti sunt dies:
+ cteris vero annis addes concurrentes quotquot in prsenti
+ fuerunt adnotati ad regulares mensium singulorum, et ita diem
+ calendarum sine errore semper invenies. Hoc tantum memor esto, ut
+ cum imminente anno bisextili unus concurrentium intermittendus
+ est dies, eo tamen numero quem intermissurus es in Januario
+ Februarioque utaris: ac in calendis primum Martiis per illum qui
+ circulo centinetur solis computare incipias. Cum ergo diem
+ calendarum, verbi gratia, Januarium, qurere vis; dicis Januarius
+ II, adde concurrentes septiman dies qui fuerunt anno quo
+ computas, utpote III, fiunt quinque; quinta feria intrant calend
+ Januari. Item anno qui sex habet concurrentes, sume v regulares
+ mensis Martii, adde concurrentes sex, fiunt undecim, tolle
+ septem, remanent quatuor, quarta feria sunt Calend
+ Marti."&mdash;Bed Venerabilis, <i>De Temporum Ratione</i>, caput xxi.</p>
+
+<p>The meaning of this may be expressed as follows:&mdash;Attached to the twelve
+months of the year are certain fixed numbers called regulars, ranging
+from <span class="smcap lowercase">I</span> to <span class="smcap lowercase">VII</span>, denoting the days of the week in their usual order. These
+regulars, in any year whereof the concurrent, or solar epact, is 0 or 7,
+express, of themselves, the commencing day of each month: but in other
+years, whatever the solar epact of the year may be, that epact must
+be<a id="be202"></a>
+ <span class="pagenum">[202]</span> added
+ to the regular of any month to indicate, in a similar
+manner, the commencing day of that month.</p>
+
+<p>It follows, therefore, that the only burthen the memory need be charged
+with is the distribution of the regulars among the several months;
+because the other element, the solar epact (which also ranges from 1 to
+7), may either be obtained from a short mental calculation, or, should
+the system come into general use, it would soon become a matter of
+public notoriety during the continuance of each current year.</p>
+
+<p>Now, these solar epacts have several practical advantages over the
+Dominical letters. 1. They are numerical in themselves, and therefore
+they are found at once, and used directly, without the complication of
+converting figures into letters and letters into figures. 2. They
+increase progressively in every year; whereas the Dominical letters have
+a crab-like retrogressive progress, which impedes facility of practice.
+3. The <i>rationale</i> of the solar epacts is more easily explained and more
+readily understood: they are the accumulated odd days short of a
+complete week; consequently the accumulation must increase by 1 in every
+year, except in leap years, when it increases by 2; because in leap
+years there are 2 odd days over 52 complete weeks. But this irregularity
+in the epact of leap year does not come into operation until the
+additional day has actually been added to the year; that is, not until
+after the 29th of February. Or, as Bede describes it, "<i>in leap years
+one of the concurrent days is intermitted, but the number so intermitted
+must be used for January and February; after which, the epact obtained
+from cyclical tables</i> (or from calculation) <i>must be used for the
+remaining months</i>." By which he means, that the epacts increase in
+arithmetical succession, except in leap years, when the series is
+interrupted by one number being passed over; the number so passed over
+being used for January and February only. Thus, 2 being the epact of
+1851, 3 would be its natural successor for 1852; but, in consequence of
+this latter being leap year, 3 is intermitted (except for January and
+February), and 4 becomes the real epact, as obtained from calculation.</p>
+
+<p>To calculate the solar epact for any year, Bede in another place gives
+the following rule:</p>
+
+<p class="blockquot"> "Si vis scire concurrentes septiman dies, sume annos Domini et
+ eorum quartum partem adjice: his quoque quatuor adde, (quia)
+ quinque concurrentes fuerunt anno Nativitatis Domini: hos partire
+ per septem et remanent Epact Solis."</p>
+
+<p>That is: take the given year, add to it its fourth part, and also the
+constant number 4 (which was the epact preceding the first year of the
+Christian era), divide the sum by 7, and what remains is the solar
+epact. (If there be no remainder, the epact may be called either 0 or
+7.)</p>
+
+<p>This is an excellent rule; the same, I believe, that is to this day
+prescribed for arriving at the Dominical letter of the Old Style. Let it
+be applied, for example, to find upon what day of the week the battle of
+Agincourt was fought (Oct. 25, 1415). Here we have 1415, and its fourth
+353, and the constant 4, which together make 1772, divided by 7 leaves 1
+as the solar epact; and this, added to 2, the <i>regular</i> for the month of
+October, informs us that 3, or Tuesday, was the first day of that month;
+consequently it was the 22nd, and Friday, the 25th, was Saint Crispin's
+day.</p>
+
+<p>But this rule of Bede's, in consequence of the addition, since his time,
+of a thousand years to the number to be operated upon, is no longer so
+convenient as a <i>mental</i> resource.</p>
+
+<p>It may be greatly simplified by separating the centuries from the odd
+years, by which the operation is reduced to two places of figures
+instead of four. Such a method, moreover, has the very great advantage
+of assimilating the operation of finding the solar epact, in both
+styles, the Old and the New; the only remaining difference between them
+being in the rules for finding the <i>constant number</i> to be added in each
+century. These rules are as follow:&mdash;</p>
+
+<p><i>For the Old Style.</i>&mdash;In any date, divide the number of centuries by 7,
+and deduct the remainder from 4 (or 11); the result is the constant for
+that century.</p>
+
+<p><i>For the New Style.</i>&mdash;In any date, divide the number of centuries by 4,
+double the remainder, and deduct it from 6: the result is the constant
+for that century.</p>
+
+<p><i>For the Solar Epact, in either Style.</i>&mdash;To the odd years of any date
+(rejecting the centuries) add their fourth part, and also the constant
+number found by the preceding rules; divide the sum by 7, and what
+remains is the solar epact.</p>
+
+<p>As an example of these rules in <i>Old Style</i>, let the former example be
+repeated, viz. <span class="smcap lowercase">A.D.</span> 1415:</p>
+
+<p>First, since the centuries (14), divided by 7, leave no remainder, 4 is
+the constant number. Therefore 15, and 3 (the fourth), and 4 (the
+constant), amount to 22, from which eliminating the sevens, remains 1 as
+the solar epact.</p>
+
+<p>For an example in <i>New Style</i>, let the present year be taken. In the
+first place, 18 divided by 4 leaves 2, which doubled is 4, deducted from
+6 results 2, the constant number for the present century. Therefore 51,
+and 12 (the fourth), and 2 (the constant), together make 65, from which
+the sevens being eliminated, remains 2, the solar epact for this year.</p>
+
+<p>But in appreciating the practical facility of this method, we must bear
+in mind that <i>the constant</i>, when once ascertained for any century,
+remains unchanged throughout the whole of that century; and that <i>the
+solar epact</i>, when once ascertained for any year, can scarcely require
+recalculation during the remainder of that year: furthermore, that<a id="that203"></a>
+ <span class="pagenum">[203]</span>
+although the rule for calculating the epact, as just recited, is so
+extremely simple, yet even that slight mental exertion may be spared to
+the mass of those who might benefit by its application to current
+purposes; because it might become an object of general notoriety in each
+current year. And I am not without hope that "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>" will
+next year set the example to other publications, by making the current
+solar epact for 1852 a portion of its "heading," and by suffering it to
+remain, incorporated with the date of each impression, throughout the
+year.</p>
+
+<p>Let us now recur to the allotment of <i>the regulars</i> at the beginning of
+Bede's description. Placed in succession their order is as follows:&mdash;</p>
+
+<table summary="Bede regulars">
+
+<tr>
+<td></td>
+<td class="tdleft"> April and July</td>
+<td class="tdright"><span class="smcap lowercase">I</span>,</td>
+<td class="tdleft"> or Sunday</td>
+</tr>
+
+<tr>
+<td></td>
+<td class="tdleft"> January and October </td>
+<td class="tdright"> <span class="smcap lowercase">II</span>,</td>
+<td class="tdleft"> or Monday</td>
+</tr>
+
+<tr>
+<td></td>
+<td class="tdleft"> May </td>
+<td class="tdright"><span class="smcap lowercase">III</span>,</td>
+<td class="tdleft"> or Tuesday</td>
+</tr>
+
+<tr>
+<td></td>
+<td class="tdleft"> August </td>
+<td class="tdright"><span class="smcap lowercase">IIII</span>,</td>
+<td class="tdleft"> or Wednesday</td>
+</tr>
+
+<tr>
+<td></td>
+<td class="tdleft"> March, Feb., and November</td>
+<td class="tdright"><span class="smcap lowercase">V</span>,</td>
+<td class="tdleft"> or Thursday</td>
+</tr>
+
+<tr>
+<td></td>
+<td class="tdleft">June</td>
+<td class="tdright"><span class="smcap lowercase">VI</span>,</td>
+<td class="tdleft"> or Friday</td>
+</tr>
+
+<tr>
+<td></td>
+<td class="tdleft">September and December</td>
+<td class="tdright"><span class="smcap lowercase">VII</span>,</td>
+<td class="tdleft"> or Saturday</td>
+</tr>
+
+</table>
+
+<p>There is no great difficulty in retaining this in the memory; but should
+uncertainty arise at any time, it may be immediately corrected by a
+mental reference to the following lines, the alliterative jingle of
+which is designed to house them as securely in the brain as the immortal
+and never-failing, "Thirty days hath September." The order of the
+allotment is preserved by appropriating as nearly as possible a line to
+each day of the week; while the absolute connexion here and there of
+certain days, by name, with certain months, forms a sort of interweaving
+that renders mistake or misplacement almost impossible.</p>
+
+<div class="poem">
+
+ <p> "April loveth to link with July,</p>
+ <p> And the merry new year with October comes by,</p>
+ <p> August for Wednesday, Tuesday for May,</p>
+ <p>March and November and Valentine's Day,</p>
+ <p> Friday is June day, and lastly we seek</p>
+ <p>September and Christmas to finish the week."</p>
+
+</div>
+
+<p>Now, since we have ascertained, from the short calculation before
+recited, that the solar epact of this present year of 1851 is 2, and
+since the regular of October is also 2, we have but to add them together
+to obtain 4 (or Wednesday) as the commencing day of this next coming
+month of October. And, if we wish to know the day of the month belonging
+to any other day of the week in October, we have but to subtract the
+commencing day, which is 4, from 8, and to the result add the required
+day. Let the latter, for example, be Sunday; then 4 from 8 leaves 4,
+which added to 1 (or Sunday), shows that Sunday, in the month of October
+1851, is either 5th, 12th, 19th, or 26th.</p>
+
+<p>This additional application is here introduced merely to illustrate the
+great facilities afforded by the purely numerical form of Bede's
+"<i>argumentum</i>,"&mdash;such as must gradually present themselves to any person
+who will take the trouble to become thoroughly and practically familiar
+with it.</p>
+
+ <p class="right"> A. E. B.</p>
+
+ <p class="left"> Leeds, September, 1851.</p>
+
+
+
+<h3><span>HYPHENISM, HYPHENIC, HYPHENIZATION.</span></h3>
+
+<p>Where our ancestors wanted words, they made them, or imported them
+ready made. But we are become so particular about the etymological
+force of newly coined words, that we can never please ourselves, but
+rather choose to do without than to tolerate anything exceptionable. We
+have to learn again that a word cannot be like Burleigh's nod, but must
+be content to indicate the whole by the expression of some prominent
+part, or of some convenient part, prominent or not.</p>
+
+<p>Among the uses to which the "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>" might be put, is the
+suggestion of words. It very often happens that one who is apt at
+finding the want is not equally good for the remedy, and <i>vice vers</i>.
+By the aid of this journal the blade might find a handle, or the handle
+a blade, as wanted, with the advantage of criticism at the formation;
+while an author who coins a word, must commit himself before he can have
+much advice.</p>
+
+<p>The above remarks were immediately suggested by my happening to think of
+a word for a thing which gives much trouble, and requires more attention
+than it has received, but not more than it may receive if it can be
+fitly designated by a single word. A <i>clause</i> of a sentence, both by
+etymology and usage, means any part of it of which the component words
+cannot be separated, but must all go together, or all remain together:
+it is then a component of the sentence which has a finished meaning in
+itself. The proper mode of indicating the clauses takes its name from
+the means, and not from the end: we say <i>punctuation</i>, not
+<i>clausification</i>. This may have been a misfortune, for it is possible
+that punctuation might have been better studied, if its name had
+imported its object. But there is another and a greater misfortune,
+arising from the total want of a name. In a sentence, not only do
+collections of words form minor sentences, but they also form compound
+words: sometimes eight or ten words are really only one. When two words
+are thus compounded, we use a hyphen: but those who have attempted to
+use more than one hyphen have been laughed out of the field; though
+perspicuity, logic, and algebra were all on their side. The <i>Morning
+Post</i> adopted this practice in former days; and Horace Smith (or James,
+as the case may be,) ridiculed them in a parody which speaks of "the
+not-a-bit-the-less-on-that-account-to-be-universally-detested monster
+Buonaparte." It is, I think, much to be regretted that the use of the
+hyphen is so restricted: for<a id="for204"></a>
+ <span class="pagenum">[204]</span>
+ though, like the comma, it might be
+abused, yet the abuse would rather tend to clearness.</p>
+
+<p>But, without introducing a further use of the hyphen, it would be
+desirable to have a distinct name for a combination of words; which,
+without being such a recognised and permanent compound as <i>apple-tree</i>
+or <i>man in the moon</i>, is nevertheless one word in the particular
+sentence in hand. And the name is easily found. The word hyphen being
+Greek (<span title="[Greek: hyph' hen]">&#8017;&#966;' &#7957;&#957;</span>), and
+ being made a substantive, we might join
+Greek suffixes to it, and speak of <i>hyphenisms</i> and <i>hyphenic</i> phrases.
+For example, the following I should call a hyphenic error. When the
+British Museum recently published <i>A Short Guide to that Portion of the
+Library of printed Books now open to the Public</i>, a review pronounced
+the title a misnomer; because the <i>books</i> are not open to the public,
+but are in locked glass cases. The reviewer read it "library of
+printed-books-now-open-to-the-public," instead of
+"library-of-printed-books now open to the public." And though in this
+case the reviewer was very palpably wrong, yet there are many cases in
+which a real ambiguity exists.</p>
+
+<p>A neglect of mental hyphenization often leads to mistake as to an
+author's meaning, particularly in this age of morbid implication. For
+instance, a person writes something about "a Sunday or other
+day-for-which-there-is-a-special-service;" and is taken as meaning "a
+Sunday-or-other-day for which," &amp;c. The odds are that some readers will
+suppose him, by speaking of Sundays <i>with</i> special service, to imply that
+some are <i>without</i>.</p>
+
+
+ <p class="right"> M.</p>
+
+
+
+<h3><span>GRAY AND COWLEY.</span></h3>
+
+<p>Some spirited publisher would confer a serious obligation on the
+classical world by bringing out an edition of Gray's <i>Poems</i>, with the
+parallel passages annexed. "Taking him for all in all," he is one of our
+most perfect poets: and though Collins might have rivalled him (under
+circumstances equally auspicious), he could have been surpassed by
+Milton alone. In 1786, Gilbert Wakefield attempted to do for Gray what
+Newton and Warton had done for Milton (and, for one, I thank him for
+it); but his illustrations, though almost all good and to the point, are
+generally from books which every ordinary reader knows off by heart.
+Besides, Wakefield is so very egotistical, and at times so very puerile,
+that he is too much for most people. However, his volume, <i>The Poems of
+Mr. Gray, with Notes</i>, by Gilbert Wakefield, B.A., late Fellow of Jesus
+College, Cambridge: London, 1786, would furnish a good substratum for
+the volume I am now recommending.</p>
+
+<p>Not to speak of Milton's English poems and the great masterpieces of
+ancient times, with which so learned a scholar as Gray was, of course,
+familiar, he draws largely from the Greek anthology, from Nonnus, from
+Milton's Latin poems, from Cowley, and I had almost said from the prose
+works of Bishop Jeremy Taylor. His admiration of the great "Shakspeare
+of Divinity" is proved from a portion of one of his letters to Mason;
+and some other day I may furnish an illustration or two. Indeed, were
+any publisher to undertake the generous office I mention, I dare say
+that many a secret treasure would be unlocked, and many an "orient pearl
+at random strung" be forthcoming for his use. Let me first mention
+Gray's opinion of Cowley, and then add in confirmation one or two
+passages out of many. He says in a note to his "Ode on the Progress of
+Poesy:"</p>
+
+<p class="blockquot"> "We have had in our language not other odes of the sublime kind
+ than that of Dryden 'On St. Cecilia's Day:' for <i>Cowley (who had
+ his merit) yet wanted judgment, style, and harmony for such a
+ task</i>. That of Pope is not worthy of so great a man."</p>
+
+<p>We must submit to Gray's oracular sentence, for he himself was
+pre-eminently gifted in the three great qualities in which he declares
+the deficiency of Cowley (at least if we are to judge from his English
+poems; for the prosody of his Latin efforts seems sadly deficient). At
+times Cowley's "harmony" is not first-rate, and his "style" is deeply
+impregnated with the fantastic conceits of the day; but he is still a
+poet, and a great one too. And I think that in some of his writings Gray
+had Cowley evidently in mind; <i>e.g.</i> in the <i>epitaph</i> to his "Elegy in a
+Country Churchyard:"</p>
+
+<div class="poem">
+
+ <p>"Large was his bounty, and his soul sincere,</p>
+ <p class="i3"> Heaven did a recompence as largely send:</p>
+ <p>He gave to mis'ry (all he had) a tear;</p>
+ <p class="i3"> He gained from Heav'n ('twas all he wish'd) a friend."</p>
+
+</div>
+
+<p>Cowley had previously written:</p>
+
+
+<div class="poem">
+
+ <p> "Large was his soul; as large a soul as e'er</p>
+ <p>Submitted to <i>inform</i> a <i>body</i> here.</p>
+ <p> High as the place 'twas shortly in <i>Heav'n</i> to have,</p>
+ <p class="i3">But low, and humble as his <i>grave</i>.</p>
+ <p> So <i>high</i> that all the <i>virtues</i> there did come,</p>
+ <p class="i3"> As to their chiefest seat,</p>
+ <p class="i3"> Conspicuous, and great;</p>
+ <p>So <i>low</i> that for <i>me</i> too it made a room."</p>
+
+ <p class="author"><i>On the Death of Mr. William Hervey.</i> </p>
+<p class="author"> <i>Miscellanies</i>, page 18. London, 1669.</p>
+
+</div>
+
+<p>Again&mdash;</p>
+
+<div class="poem">
+
+ <p> "The attick warbler pours her <i>throat</i></p>
+ <p> Responsive to the cuckoo's note,</p>
+ <p class="i3"> The <i>untaught</i> harmony of spring."</p>
+
+ <p class="author"> Gray, Ode I. <i>On the Spring.</i></p>
+
+</div>
+
+
+ <div class="poem">
+
+ <p>"Hadst thou all the charming notes</p>
+ <p> Of the wood's poetic <i>throats</i>."</p>
+
+ <p class="author"> Cowley, <i>Ode to the Swallow</i>.</p>
+
+</div>
+
+<div class="poem">
+
+ <p> "Teaching their Maker in their <i>untaught</i> lays."</p>
+
+ <p class="author">Cowley, <i>Davideis</i> lib. i. sect 63. p. 20.</p>
+
+</div>
+
+<p> <span class="pagenum">[205]</span> <a id="again205"></a>Again:</p>
+
+<div class="poem">
+ <p> "Where'er the oak's thick branches stretch</p>
+ <p class="i3"> A broader browner shade,</p>
+ <p> Where'er the rude and moss-grown beech</p>
+ <p class="i3"> O'ercanopies the glade,</p>
+ <p> Beside some water's rushy brink,</p>
+ <p>With me the Muse shall sit, and think," &amp;c.</p>
+
+ <p class="author"> Gray, Ode I. <i>On the Spring.</i></p>
+
+</div>
+
+<div class="poem">
+
+ <p> "O magnum Isacidum decus! O pulcherrima castra!</p>
+ <p>O arma ingentes olim paritura triumphos!</p>
+ <p> Non sic herbarum vario subridet Amictu,</p>
+ <p>Planities pict vallis, montisque supini</p>
+ <p>Clivus, perpetuis Cedrorum versibus altus.</p>
+ <p> Non sic stivo quondam nitet hortus in anno,</p>
+ <p> Frondusque, fructusque ferens, formosa secundum</p>
+ <p> Flumina, mollis ubi viridisque supernatat umbra."</p>
+
+ <p class="author">Cowley, <i>Davideidos</i> lib. i. ad finem.</p>
+
+</div>
+
+<p>I do not mean that Gray may not have had other poets in his mind when
+writing these lines (for there is nothing new or uncommon about them);
+but rather a careful going over of Cowley's poems convinces me that Gray
+was sensible of his "merits," and often corrects his want of "judgment"
+by his own refined and most exquisite taste. I must give one more
+instance; and I think that Bishop Hall's allusion to his life at
+Emmanuel College, and Bishop Ridley's "Farewell to Pembroke Hall," must
+every one fall into the background before Cowley. Gray's poem ought to
+be too well known to require quoting:</p>
+
+
+<div class="poem">
+ <div class="stanza">
+
+<p> "Ye distant spires, ye antique towers,</p>
+ <p class="i3"> That crown the wat'ry glade,</p>
+ <p> Where grateful Science still adores</p>
+ <p class="i3"> Her Henry's holy shade;</p>
+ <p> And ye that from the stately brow</p>
+ <p> Of Windsor's heights th' expanse below</p>
+ <p class="i3"> Of grove, of lawn, of mead survey,</p>
+ <p> Whose turf, whose shade, whose flowers among</p>
+ <p> Wanders the hoary Thames along</p>
+ <p class="i3"> His silver winding way.</p>
+</div>
+
+ <div class="stanza">
+
+ <p> "Ah, happy hills! ah, pleasing shade!</p>
+ <p class="i3">Ah, fields beloved in vain!</p>
+ <p> Where once my careless childhood stray'd,</p>
+ <p class="i3"> A stranger yet to pain.</p>
+ <p> I feel the gales that from ye blow,</p>
+ <p>A momentary bliss bestow,</p>
+ <p class="i3">As waving fresh their gladsome wing,</p>
+ <p> My weary soul they seem to soothe,</p>
+ <p>And, redolent of joy and youth,</p>
+ <p class="i3"> To breathe a second spring."</p>
+
+ <p class="author"> Ode III. <i>On a distant Prospect of Eton College.</i></p>
+
+</div>
+</div>
+
+<p>Cowley was educated at Trinity College, Cambridge; and if I rightly
+remember Bonney's <i>Life of Bishop Middleton</i>, his affecting allusions to
+Cambridge had the highest praise of that accomplished scholar and
+divine:</p>
+
+<div class="poem">
+
+ <p> "O mihi jucundum Grant super omnia nomen!</p>
+ <p class="i3"> O penitus toto corde receptus amor!</p>
+ <p> O pulchr sine luxu des, vitque beat,</p>
+ <p class="i3"> Splendida paupertas, ingenuusque decor!</p>
+ <p>O chara ante alias, magnorum nomine Regum</p>
+ <p class="i3">Digna domus! Trini nomine digna Dei</p>
+ <p> O nimium Cereris cumulati munere campi,</p>
+ <p class="i3">Posthabitis Enn quos colit illa jugis!</p>
+ <p> O sacri fontes! et sacr vatibus umbr</p>
+ <p class="i3">Quas recreant avium Pieridumque chori!</p>
+ <p>O Camus! Ph&oelig;bo multus quo gratior amnis</p>
+ <p class="i3">Amnibus auriferis invidiosus inops!</p>
+ <p> Ah mihi si vestr reddat bona gaudia sedis,</p>
+ <p class="i3">Detque Deus doct posse quiete frui!</p>
+ <p>Qualis eram cum me tranquilla mente sedentem</p>
+ <p class="i3">Vidisti in rip, Came serene, tu;</p>
+ <p>Mulcentem audisti puerili flumina cantu;</p>
+ <p class="i3">Ille quidem immerito, sed tibi gratus erat.</p>
+ <p> Nam, memini ripa cum tu dignatus utrque</p>
+ <p class="i3"> Dignatum est totum verba referre nemus.</p>
+ <p> Tunc liquidis tacitisque simul mea vita diebus,</p>
+ <p class="i3"> Et similis vestr candida fluxit aqu.</p>
+ <p> At nunc c&oelig;nos luces, atque obice multo</p>
+ <p class="i3"> Rumpitur tatis turbidus ordo me.</p>
+ <p> Quid mihi Sequan opus, Tamesisve aut Thybridis und?</p>
+ <p class="i3"> Tu potis es nostram tollere, Came, sitim."</p>
+
+ <p class="author"> <i>Elegia dedicatoria, ad illustrissimam Academiam<br />
+ Cantabrigiensem</i>, prefixed to Cowley's Works,<br />
+ Lond. 1669, folio.</p>
+
+</div>
+
+ <p class="right"> R<span class="smcap lowercase">T</span>.</p>
+
+<p class="left"> Warmington, Sept. 8. 1851.</p>
+
+
+
+<h3><span class="bla">Minor Notes.</span></h3>
+
+
+<h4><span title="[Greek: H&nbsp;y&nbsp;p&nbsp;&nbsp;p&nbsp;i&nbsp;a&nbsp;z&nbsp;.]"><strong>&#8025;&#960;&#969;&#960;&#953;&#8049;&#950;&#969;.</strong></span></h4>
+
+<p>&mdash;I "keep under my body," &amp;c. 1 Cor. ix. 27. One can
+scarcely allude to this passage without remembering the sarcastic
+observations of Dr. South upon a too literal interpretation of it.
+(<i>Sermons</i>, vol. i. p. 12. Dublin, 1720.) And yet deeper and more
+spiritual writers by no means pass the literal interpretation by with
+indifference. Bishop Andrewes distinctly mentions
+ <span title="[Greek: hyppiasmos]">&#8017;&#960;&#969;&#960;&#953;&#945;&#963;&#956;&#8057;&#962;</span>,
+or <i>suggillatio</i>, amongst the "circumstanti orationis;" as also
+<span title="[Greek: ekdiksis]">&#7952;&#954;&#948;&#8055;&#954;&#951;&#963;&#953;&#962;</span>, <i>vindicta</i>,
+or <i>revenge</i>, 2 Cor. vii. II. (<i>Preces Privat</i>,
+pag. 14. Londini, 1828.) Bishop J. Taylor is equally explicit in a
+well-known and remarkable passage:</p>
+
+<p class="blockquot"> "If the lust be upon us, and sharply tempting, by inflicting any
+ smart to overthrow the strongest passion by the most violent
+ pain, we shall find great ease for the present, and the
+ resolution and apt sufferance against the future danger; and this
+ was St. Paul's remedy: 'I bring my body under;' he used some
+ rudeness towards it."&mdash;<i>Holy Living</i>, sect. iii. <i>Of Chastity.
+ Remedies against Uncleanness</i>, 4.</p>
+
+<p>The word <span title="[Greek: hyppia]">&#8017;&#960;&#8061;&#960;&#953;&#945;</span>
+occurs only once in the LXX, but that seems in
+a peculiarly apposite way: "<span title="[Greek: h&nbsp;y&nbsp;p&nbsp;&nbsp;p&nbsp;i&nbsp;a&nbsp;&nbsp;
+ k&nbsp;a&nbsp;i&nbsp;&nbsp; s&nbsp;y&nbsp;n&nbsp;t&nbsp;r&nbsp;i&nbsp;m&nbsp;m&nbsp;a&nbsp;t&nbsp;a&nbsp;&nbsp; s&nbsp;y&nbsp;n&nbsp;a&nbsp;n&nbsp;t&nbsp;a&nbsp;&nbsp; k&nbsp;a&nbsp;k&nbsp;o&nbsp;i&nbsp;s,&nbsp;&nbsp;
+plgai de eis tamieia koilias.]"><strong>&#8017;&#960;&#8061;&#960;&#953;&#945; &#954;&#945;&#8054;
+&#963;&#965;&#957;&#964;&#961;&#8055;&#956;&#956;&#945;&#964;&#945;
+ &#963;&#965;&#957;&#945;&#957;&#964;&#8119; &#954;&#945;&#954;&#959;&#8150;&#962;</strong>,
+&#960;&#955;&#951;&#947;&#945;&#8054;
+ &#948;&#8050; &#949;&#7984;&#962;
+ &#964;&#945;&#956;&#953;&#949;&#8150;&#945;
+ &#954;&#959;&#953;&#955;&#8055;&#945;&#962;.</span>"
+ As our English version
+translates it: "The blueness of a wound cleanseth away evil (or, is a
+purging medicine against evil, margin), so do stripes the inward parts
+of the belly." (Proverbs xx. 30.) If it were not absolute presumption to
+differ from the great<a id="great206"></a>
+<span class="pagenum">[206]</span>
+Dr. Jackson, one would feel inclined to
+question, or at least to require further proof of some observations of
+his. He says, in treating of our present passage:</p>
+
+<p class="blockquot"> "The very literal importance of those three words in the
+ original&mdash;<span title="[Greek: hypopiaz]">&#8017;&#960;&#959;&#960;&#953;&#8049;&#950;&#969;</span>,
+<span title="[Greek: kryxas]">&#954;&#951;&#961;&#8166;&#958;&#945;&#962;</span>, and
+<span title="[Greek: adokimos]">&#7936;&#948;&#8057;&#954;&#953;&#956;&#959;&#962;</span>&mdash;cannot
+ be so well learned from any Dictionary or
+ Lexicon, as from such as write of the Olympic Games, or of that
+ kind of tryal of masteries, which in his time or before was in
+ use. The word <span title="[Greek: hypopiaz]">&#8017;&#960;&#959;&#960;&#953;&#8049;&#950;&#969;</span>
+ is proper (I take it) unto
+ wrestlers, whose practice it was to keep under other men's
+ bodies, not their own, or to keep their antagonists from all
+ advantage of hold, either gotten or aimed at. But our apostle did
+ imitate their practice upon his own body, not on any others; for
+ his own body was his chief antagonist."&mdash;<i>Works</i>, vol. ii. p.
+ 644. Lond. 1673.
+</p>
+
+<p>Suidas makes some remarks upon the word, but they are not very much to
+our purpose.</p>
+
+
+<p class="right"> R<span class="smcap lowercase">T</span>.</p>
+
+<p class="left"> Warmington.</p>
+
+
+
+
+<h4><span><i>Meaning of Whitsunday.</i></span></h4>
+
+<p>&mdash;I long ago suggested in your pages that
+Whitsun Day, or, as it was anciently written, Witson Day, meant Wisdom
+Day, or the day of the outpouring of Divine wisdom; and I requested the
+attention of your learned correspondents to this subject. I cannot
+refrain from thanking C. H. for his fourth quotation from Richard Rolle
+(Vol. iv., p. 50.) in confirmation of this view.</p>
+
+<div class="poem">
+
+ <p>"This day <i>witsonday</i> is cald,</p>
+ <p> For <i>wisdom &amp; wit</i> seuene fald</p>
+ <p> Was youen to &thorn;<span class="topnum">e</span> apostles as &thorn;is day</p>
+ <p> For <i>wise</i> in alle &thorn;ingis wer thay,</p>
+ <p>To spek w<span class="topnum">t</span> outen mannes lore</p>
+ <p> Al maner langage eueri whore."</p>
+
+</div>
+
+<p class="right"> H. T. G.</p>
+
+
+
+<h4><span><i>Anagrammatic Pun by William Oldys.</i></span></h4>
+
+<p>&mdash;Your correspondent's Query
+concerning Oldys's <i>Account of London Libraries</i> (Vol. iv., p. 176.),
+reminded me of the following punning anagram on the name of that
+celebrated bibliographer, which may claim a place among the first
+productions of its class. It was Oldys himself, and is attached to one
+of his own transcripts in the British Museum:</p>
+
+<div class="poem">
+
+ <p> "In word and <i>Will I am</i> a friend to you,</p>
+ <p> And one friend <i>Old is</i> worth a hundred new."</p>
+
+</div>
+
+
+<p class="right"> B<span class="smcap lowercase">LOWEN</span>.</p>
+
+
+
+<h4><span><i>Ballad of Chevy Chase: Ovid.</i></span></h4>
+
+<p>&mdash;Addison, in his critique on the ballad
+of "Chevy Chase," after quoting the stanza&mdash;</p>
+
+<div class="poem">
+
+ <p> "Against Sir Hugh Montgomery,</p>
+ <p class="i3"> So right his shaft he set,</p>
+ <p> The grey goose wing that was thereon</p>
+ <p class="i3"> In his heart's blood was wet,"</p>
+
+</div>
+
+<p class="noindent">says that "the thought" in that stanza "was never touched by any other
+poet, and is such a one as would have shined in Homer or Virgil." It is
+perhaps true that there is no passage in any other writer exactly
+resembling this, but it is not quite true that the thought has not been
+<i>touched</i>; for there is something approaching to it in Ovid's
+<i>Metamorphoses</i>, where the slaughter of Niobe's children by the arrows
+of Apollo is described:</p>
+
+<div class="poem">
+
+ <p> "Altera per jugulum <i>pennis tenus</i> acta sagitta est:</p>
+ <p> <i>Expulit hanc sanguis</i>; seque ejaculatus in altum</p>
+ <p> Emicat."&mdash;<span class="smcap lowercase">VI.</span> 260.</p>
+
+</div>
+
+<p>The author of this ballad would appear, from the passages cited by
+Addison, to have been well read in the Latin poets. Had Addison
+recollected the above passage of Ovid, he would doubtless have adduced
+it.</p>
+
+<p class="right"> J. S. W.</p>
+
+<p class="left"> Stockwell.</p>
+
+
+
+
+<h4><span><i>Horace Walpole at Eton.</i></span></h4>
+
+<p>&mdash;The following anecdote of Horace Walpole
+while at Eton was related by the learned Jacob Bryant, one of his
+school-fellows, and has not, I believe, been printed; it is at all
+events very much at your service.</p>
+
+<p>In those days the Etonians were in the habit of acting plays, and
+amongst others <i>Tamerlane</i> was selected for representation. The cast of
+parts has unluckily not been preserved, but it is sufficient for us to
+know that the lower boys were put into requisition to personate the
+mutes. After the performance the wine, which had been provided for the
+actors, had disappeared, and a strong suspicion arose that the lower
+boys behind the scenes had made free with it, and Horace Walpole
+exclaimed, "The mutes have swallowed the liquids!"</p>
+
+<p class="right"> B<span class="smcap lowercase">RAYBROOKE</span>.</p>
+
+
+
+
+
+<h2><span class="bla">Queries.</span></h2>
+
+
+<h3><span>CONTINENTAL WATCHMEN AND THEIR SONGS.</span></h3>
+
+<p>The inquiries I made in Vol. iii., p. 324., respecting the Bellman and
+his Songs, have been answered by most interesting information (pp. 377.
+451. 485.); and the references made by the Editor to V. Bourne's
+translation was most acceptable. The interest of this subject is
+increased by finding that the Custos Nocturnus exists at the present day
+in other countries, resembling very much in duties, costume, and chants
+the Westminster Bellman. I venture to send you extracts from W. Hurton's
+<i>Voyage from Leith to Lapland</i>, and Dr. Forbes's <i>Physician's Holiday</i>.</p>
+
+ <p class="blockquot">"During the past year of 1849 it has been my lot to reside at
+ four of the most remarkable capitals of Europe, and successively
+ to experience what spring is in London, what summer is in Paris,
+ what autumn is in Edinburgh, and what winter is in Copenhagen.
+ Vividly, indeed, can I dwell on the marvellous contrast of the
+ night aspect of each: but one of the most interesting
+ peculiarities I have noticed in any of them, is that presented by
+ the watchmen of the last-named. When I first looked on these
+ guardians of the night, I involuntarily thought of Shakspeare's
+ Dogberry and Verges. The sturdy watchers are muffled in
+ uniform<a id="great207"></a>
+<span class="pagenum">[207]</span>
+ great coats, and also wear fur caps. In their hand
+ they carry a staff of office, on which they screw, when occasion
+ requires, that fearful weapon the 'morning star.' They also
+ sometimes may be seen with a lanthorn at their belt: the candle
+ contained in the lanthorn they place at the top of their staff,
+ to relight any street-lamps which require trimming. In case of
+ fire, the watchmen give signals from the church towers, by
+ striking a number of strokes, varying with the quarter of the
+ city in which the fire occurs; and they also put from the tower
+ flags and lights pointed in the direction where the destructive
+ element is raging. From eight o'clock in the evening, until four
+ (Query, until five) o'clock in the morning, all the year round,
+ they chant a fresh verse at the expiration of each hour, as they
+ go their rounds. The cadence is generally deep and guttural, but
+ with a peculiar emphasis and tone; and from a distance it floats
+ on the still night air with a pleasing and impressive effect,
+ especially to the ear of a stranger. The verses in question are
+ of great antiquity, and were written, I am told, by one of the
+ Danish bishops. They are printed on a large sheet of paper, with
+ an emblematical border, rudely engraved in the old style; and in
+ the centre is a large engraving exactly representing one of the
+ ancient watchmen, in the now obsolete costume, with his staff and
+ 'morning star' in hand, a lanthorn at his belt, and his dog at
+ his feet.</p>
+
+<p class="blockquot">"A copy of the broadside has been procured me, and my friend Mr.
+ Charles Beckwith has expressly made for me a verbatim translation
+ of the verses; and his version I will now give at length. I am
+ induced to do this, because, not only are the chants most
+ interesting in themselves, as a fine old relic of Scandinavian
+ customs, but there seems to me a powerful poetical spirit
+ pervading them. At the top of the sheet are the lines which in
+ the translation are&mdash;</p>
+
+<div class="poem">
+
+ <p> 'Watch and pray,</p>
+ <p> For time goes;</p>
+ <p> Think and directly,</p>
+ <p> You know not when.'</p>
+
+</div>
+
+<p class="blockquot"> "In large letters over the engraving of the watchman are the
+ words (translated):</p>
+
+<div class="poem">
+
+ <p> 'Praised be God! our Lord, to whom</p>
+ <p> Be love, praise, and honour.'</p>
+
+</div>
+
+
+ <p class="blockquot"> "I will now give the literal version, printed exactly in the same
+ arrangement of lines, letters, and punctuation, as the original:</p>
+
+<div class="poem">
+
+ <div class="stanza">
+
+ <p> '<i>Copenhagen Watchman's Song.</i></p>
+
+</div>
+
+ <div class="stanza">
+
+ <p class="i7">Eight o'clock,</p>
+ <p> When darkness blinds the earth</p>
+ <p class="i5"> And the day declines,</p>
+<p class="i3"> That time then us reminds</p>
+ <p class="i5">Of death's dark grave;</p>
+ <p class="i3"> Shine on us, Jesus sweet,</p>
+ <p class="i5"> At every step</p>
+ <p class="i3"> To the grave-place,</p>
+<p class="i3"> And grant a blissful death.'</p>
+
+</div>
+</div>
+
+ <p class="blockquot"> "Every hour between eight and five o'clock inclusive has its own
+ chant. The last is&mdash;</p>
+
+
+<div class="poem">
+
+ <p class="i7"> 'Five o'clock.</p>
+ <p> O Jesu! morning star!</p>
+ <p class="i5">Our King unto thy care</p>
+ <p class="i3"> We so willingly commend,</p>
+ <p class="i5"> Be Thou his sun and shield!</p>
+ <p class="i3">Our clock it has struck five</p>
+<p class="i5"> Come mild Sun,</p>
+ <p class="i5"> From mercy's pale,</p>
+ <p> Light up our house and home.'"</p>
+
+ <p class="author"><i>Voyage from Leith to Lapland in 1850</i>,<br />
+ by W. Hurton, vol. i. p. 104.</p>
+
+</div>
+
+<p>Dr. Forbes writes:</p>
+
+ <p class="blockquot">"We had very indifferent rest in our inn, owing to the over-zeal
+ of the Chur watchmen, whose practice it is to perambulate the
+ town through the whole night, twelve in number, and who on the
+ present occasion displayed a most energetic state of vigilance.
+ They not only called, but sung out, every hour, in the most
+ sonorous strains, and even chanted a long string of verses on the
+ striking of some.... I suppose the good people of Chur think
+ nothing of these chantings, or from habit hear them not; but a
+ tired traveller would rather run the risk of being robbed in
+ tranquillity, than be thus sung from his propriety during all the
+ watches of the night."&mdash;<i>A Physician's Holiday</i>, pp. 80, 81.</p>
+
+<p>Dr. Forbes gives a copy of a "Watch Chant at Chur," with a translation,
+pp. 81, 82. At p. 116. he says:</p>
+
+<p class="blockquot"> "In our hotel at Altorf we were again saluted, during the vigils
+ of the night, but in a very mitigated degree, with some of the
+ same patriotic and pious strains which had so disturbed us at
+ Chur. As chanted here, however, they were far from unwelcome. The
+ only other place, I think, where we heard these Wchterrufe was
+ Neufchatel. These calls are very interesting relics of the old
+ times, and must be considered indicative as well of the simple
+ habits of the old time, as of the pious feelings of the people of
+ old."</p>
+
+<p>He then gives the Evening and Morning Chants in the town of Glarus, and
+the chant in use in some places in the canton of Zurich; but in Zurich
+itself the chant is no longer heard.</p>
+
+<p>Dr. Forbes concludes the twelfth chapter with the following observation:</p>
+
+<p class="blockquot"> "The same antiquity, and also the inveteracy of old customs to
+ persist, is strikingly shown by the fact that in some parts of
+ the canton of Tessino, where the common language of the people is
+ Italian, the night watch-call is still in old German."</p>
+
+<p>The apparent universality of the Bellman throughout Europe gives rise to
+questions that would, I apprehend, extend beyond the object of
+ "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>;" such as, Is pure religion benefited by the engrafting of
+it upon stocks so familiar as the bellman or watchman? What are the
+causes that the old ecclesiastic bellman is no longer heard in some
+countries, whilst in others he continues with little or no variation?
+Has religion lost or gained by the change?</p>
+
+<p>Dr. Forbes's notice of the Tessino watchman calls up the public crier in
+England, another class of bellmen, asking for a hearing, with his "O
+yes!<a id="yes208"></a>
+<span class="pagenum">[208]</span>
+ O yes!" Little does he think that he is speaking French.</p>
+
+<p class="right"> F. W. J.</p>
+
+
+
+
+<h3><span class="bla">Minor Queries.</span></h3>
+
+<h4><span>151. <i>Quotation from Bacon.</i></span></h4>
+
+<p>&mdash;In Lord Campbell's Life of Lord Bacon
+(<i>Lives of the Lord Chancellors</i>, vol. ii. p. 314.) he gives an extract
+from Lord Bacon's speech in the House of Commons, on his proposed bill
+for "Suppressing Abuses in Weights and Measures." In the following
+sentence there is a word which seems to require explanation:</p>
+
+<p class="blockquot"> "The fault of using false weights and measures is grown so
+ intolerable and common, that if you would build churches you
+ shall not need for battlements and <i>halls</i>, other than false
+ weights of lead and brass."</p>
+
+<p>The use of lead for the battlements of churches seems obvious enough:
+but what can <i>halls</i> mean, unless it be a misprint for <i>bells</i>, for
+which brass would be required?</p>
+
+ <p class="right">P<span class="smcap lowercase">EREGRINUS</span>.</p>
+
+
+
+<h4><span>152. <i>Carmagnoles.</i></span></h4>
+
+<p>&mdash;Can any of your readers tell me the exact meaning
+of the <i>Carmagnoles</i> of the French Revolution? Is the "Marseillaise" a
+Carmagnole song? If the word be derived from Carmagnuola in Piedmont,
+what is the story of its origin?</p>
+
+ <p class="right"> W. B. H.</p>
+
+
+
+
+<h4><span>153. <i>The Use of Tobacco by the Elizabethan Ladies.</i></span></h4>
+
+<p>&mdash;In <i>An
+Introduction to English Antiquities, by James Eccleston, B.A.</i>, 8vo.
+1847, p. 306., the author, speaking of the ladies of the reign of
+Elizabeth, has the following passage:</p>
+
+<p class="blockquot">"It is with regret we add, that their teeth were at this time
+ generally black and rotten, a defect which foreigners attributed
+ to their inordinate love for sugar, but which may, perhaps, be
+ quite as reasonably ascribed to their frequent habit of taking
+ the Nicotian weed to excess."</p>
+
+<p>Does the author mean to insinuate by the above, that the Elizabethan
+ladies indulged in the "filthy weed" by "smoaking" or "chewing?" I have
+always understood that the "Nicotian weed" <i>whitened</i> the teeth rather
+than <i>blackened</i> them, but should be glad to be enlightened upon the
+subject by some of your scientific readers.</p>
+
+
+ <p class="right"> E<span class="smcap lowercase">DWARD</span> F. R<span class="smcap lowercase">IMBAULT</span>.</p>
+
+
+
+
+<h4><span>154. <i>Covines</i></span> <span>(Vol. iii., p. 477.).</span></h4>
+
+<p>&mdash;Remembering to have seen it stated
+by one of your correspondents, that witches or sorcerers were formerly
+divided into classes or companies of twelve, called <i>covines</i>, I should
+feel obliged by a reference to the authorities from which this statement
+is derived. They were not alleged at the time.</p>
+
+ <p class="right"> A. N.</p>
+
+
+
+
+<h4><span>155. <i>Story referred to by Jeremy Taylor.</i></span></h4>
+
+<p>&mdash;Jeremy Taylor (<i>Duct.
+Dubit.</i>, book iii. chap. ii. rule 5. qust. 2.) states:</p>
+
+<p class="blockquot"> "The Greek that denied the depositum of his friend, and offered
+ to swear at the altar that he had restored it already, did not
+ preserve his conscience and his oath by desiring his friend to
+ hold the staff in which he had secretly conveyed the money. It is
+ true, he delivered it into his hand, desiring that he would hold
+ it till he had sworn; but that artifice was a plain cozenage, and
+ it was prettily discovered. For the injured person, in
+ indignation at the perjury, smote the staff upon the ground, and
+ broke it, and espied the money."</p>
+
+<p>Whence is the above incident derived?</p>
+
+ <p class="right"> A T<span class="smcap lowercase">R</span>.</p>
+
+
+
+
+<h4><span>156. <i>Plant in Texas.</i></span></h4>
+
+<p>&mdash;I shall be glad to learn the scientific name of
+the plant to which the following extract from the <i>Athenum</i> (1847, p.
+210.) refers:&mdash;</p>
+
+<p class="blockquot"> "It is a well-known fact that in the vast prairies of Texas a
+ little plant is always to be found which, under all circumstances
+ of climate, changes of weather, rain, frost, or sunshine,
+ invariably turns its leaves and flowers to the north," &amp;c.</p>
+
+ <p class="right"> <span title="[Hebrew: .Alef .Tav]">.&#1514;.&#1488;</span></p>
+
+
+
+<h4><span>157. <i>Discount.</i></span></h4>
+
+<p>&mdash;Can any of your readers inform me how discount
+originated, and where first made use of?</p>
+
+
+ <p class="right"> J<span class="smcap lowercase">AMES</span> C.</p>
+
+
+
+
+<h4><span>158. <i>Sacre Cheveux.</i></span></h4>
+
+<p>&mdash;The motto of the arms of the family of <i>Halifax</i>
+of Chadacre in Suffolk, and of Lombard Street, is&mdash;</p>
+
+
+ <p class="right"> "S<span class="smcap lowercase">ACRE</span> C<span class="smcap lowercase">HEVEUX</span>."</p>
+
+<p>It does not seem to bear allusion to the crest, a griffin, nor to any of
+the charges in the coat, which I do not at the moment accurately
+remember. If you will enlighten me as to the meaning and origin of the
+motto, I shall be obliged.</p>
+
+<p class="right"> S. A.</p>
+
+
+
+<h4><span>159. "<i>Mad as a March Hare.</i>"</span></h4>
+
+<p>&mdash;In Mr. Mayhew's very interesting work,
+<i>London Labour and the London Poor</i>, Part xxxiii. p. 112., a collector
+of hareskins, in giving an account of his calling, says:</p>
+
+ <p class="blockquot">"Hareskins is in&mdash;leastways I c'lects them&mdash;from September to the
+ end of March, when hares, they says, goes mad."</p>
+
+<p>Perhaps the allusion to the well-known saying, "as mad as a March hare,"
+on this occasion was made without the collector of hareskins being aware
+of the existence of such a saying. Is anything known of its origin? I
+imagine that Mr. Mayhew's work will bring many such sayings to light.</p>
+
+<p class="right"> L. L. L.</p>
+
+
+
+<h4><span>160. <i>Vermin, Payments for Destruction of, and Ancient Names.</i></span></h4>
+
+<p>&mdash;Can you
+afford me any information as to the authority (act of parliament, or
+otherwise,) by which churchwardens in old times paid sums of money for
+the destruction of vermin in the several parishes in England; and by
+what process of reasoning, animals now deemed innocuous were then
+thought to merit so rigorous an extirpation?</p>
+
+<p>In some old volumes of churchwardens' accounts to which I have access, I
+find names which it is impossible to associate with any
+description<a id="of209"></a>
+<span class="pagenum">[209]</span>
+of vermin now known. Perhaps some of your
+correspondents may be able to identify them: such as <i>glead</i>,
+<i>ringteal</i>, <i>greas'head</i>, <i>baggar</i>. My own impression as to the latter
+name was, that it was only another way of spelling badger; but as, in
+the volume to which I refer, the word <i>bowson</i> occurs, which the
+historian Dr. Whitaker pronounces to be identical with that species of
+vermin, my surmise can scarcely be correct.</p>
+
+<p class="right">J. B. (Manchester).</p>
+
+
+
+<h4><span>161. <i>Fire unknown.</i></span></h4>
+
+<p>&mdash;Leibnitz (<i>Sur l'Entendement humain</i>, liv. i.
+4.) speaks of certain islanders to whom fire was unknown. Is there any
+authentic account of savages destitute of this essential knowledge?</p>
+
+<p class="right">C. W. G.</p>
+
+
+
+<h4><span>162. <i>Matthew Paris's Historia Minor.</i></span></h4>
+
+<p>&mdash;During the last few years I have
+made occasional, but unsuccessful, inquiries after the <i>Historia Minor</i>
+of Matthew Paris. It is quoted at some length by Archbishop Parker
+(<i>Antiquit. Eccles. Brit.</i>, ed. Hanov. 1605, p. 158.). It is also
+referred to, apparently upon Parker's authority, by several divines of
+the succeeding age; by one or more of whom (as well as by Watt) the MS.
+is spoken of as deposited in the Royal Library at St. James's. The words
+produced by Parker do not occur in Matthew Paris's <i>Major History</i>;
+though the editor of the second edition of the larger work would appear
+to have consulted the <i>Hist. Minor</i>, either in the <i>Biblioth. Reg.</i>, or
+the Cottonian Library, or else in the Library of Corpus Coll.,
+Cambridge. Can any one gratify my curiosity by saying whether this MS.
+is known to exist, and (if so) where?</p>
+
+<p class="right"> J. S<span class="smcap lowercase">ANSOM</span>.</p>
+
+
+
+<h4><span>163. <i>Mother Bunche's Fairy Tales.</i></span></h4>
+
+<p>&mdash;Who wrote <i>Mother Bunche's Fairy
+Tales</i>?</p>
+
+<p class="right"> D<span class="smcap lowercase">ALSTONIA</span>.</p>
+
+
+
+<h4><span>164. <i>Monumental Symbolism.</i></span></h4>
+
+<p>&mdash;In the south aisle of Tylehurst church,
+Berks, is a beautiful monument to the memory of Sir Peter Vanlore,
+Knight, and his lady, in recumbent positions, at whose feet is the
+statue of their eldest son in armour kneeling. In the front of the tomb
+are the figures of ten of their children in processional form&mdash;first,
+two daughters singly; the rest two and two, four of which have skulls in
+their right hands, and a book in their left, probably to denote their
+being deceased at the time the monument was erected. At the feet of one
+of the youngest children is represented a very small figure of a child
+lying in a shroud, the date 1627.</p>
+
+<p>Query, What do the books symbolise?</p>
+
+
+<p class="right"> J<span class="smcap lowercase">ULIA</span> R. B<span class="smcap lowercase">OCKETT</span>.</p>
+
+ <p class="left"> Southcote Lodge.</p>
+
+
+
+
+<h4><span>165. <i>Meaning of "Stickle" and "Dray."</i></span></h4>
+
+<p>&mdash;In Wm. Browne's <i>Pastoral</i>,
+"The Squirrel Hunt," we read of&mdash;</p>
+
+<div class="poem">
+
+ <p> "Patient anglers, standing all the day</p>
+ <p> Near to some shallow <i>stickle</i>, or deep bay."</p>
+
+</div>
+
+<p>The word <i>stickle</i> appears to me to be used here for a pool. Is it ever
+so used now, or has that meaning become obsolete? I do not find it in
+Richardson's <i>Dictionary</i>.</p>
+
+<p>In the Lake District, in the Langdales, is Harrison's Stickle or Stickle
+Tarn, which I think confirms my view of the meaning.</p>
+
+<hr class="small" />
+
+
+<div class="poem">
+
+ <p> "Whilst he from tree to tree, from spray to spray,</p>
+ <p>Gets to the wood, and hides him in his <i>dray</i>."</p>
+
+</div>
+
+<p>Cowper uses the word <i>dray</i> with reference to the same animal:</p>
+
+<div class="poem">
+
+ <p>"Chined like a squirrel to his <i>dray</i>."</p>
+
+ <p class="author">"A Fable," Southey's <i>Edit.</i> viii. 312.</p>
+
+</div>
+
+<p>What is the correct meaning of this word? Richardson, from Barrett,
+says, "a <i>dray</i> or <i>sledde</i>, which goeth without wheels." And adds,
+"also applied to a carriage with low, heavy wheels, dragged heavily
+along, as a brewer's <i>dray</i>."</p>
+
+<p>He then quotes the passage from Cowper, containing the above line.</p>
+
+ <p class="right"> F. B. R<span class="smcap lowercase">ELTON</span>.</p>
+
+
+
+
+<h4><span>166. <i>Son of the Morning.</i>&mdash;</span></h4>
+
+ <div class="poem">
+
+ <p> "Son of the morning, rise! approach you here!</p>
+ <p> Come&mdash;but molest not yon defenceless urn:</p>
+ <p> Look on this spot&mdash;a nation's sepulchre!</p>
+ <p>Abode of gods, whose shrines no longer burn.</p>
+ <p>Even gods must yield&mdash;religions take their turn:</p>
+ <p>'Twas Jove's&mdash;'tis Mahomet's&mdash;and other creeds</p>
+ <p> Will rise with other years, till man shall learn</p>
+ <p> Vainly his incense soars, his victim bleeds;</p>
+ <p> Poor child of Doubt and Death, whose hope is built on reeds."</p>
+
+</div>
+
+<p>How many read the above beautiful stanza from <i>Childe Harold</i>, Canto II.
+Stanza 3., without asking themselves who the "Son of the morning" is.
+Perhaps some of your literary correspondents and admirers of Byron may
+be able to tell us. I enclose my own solution for your information.</p>
+
+
+<p class="right"> A<span class="smcap lowercase">N</span> <span class="smcap lowercase">OLD</span> B<span class="smcap lowercase">ENGAL</span> C<span class="smcap lowercase">IVILIAN</span>.</p>
+
+
+
+<h4><span>167. <i>Gild Book.</i></span></h4>
+
+<p>&mdash;The Gild-Book of the "Holy Trinity Brotherhood" of
+St. Botolph's without Aldersgate, London, once belonged to Mr. W. Hone,
+by whom it is quoted in his <i>Ancient Mysteries</i>, p. 79. If any of the
+readers of "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>" would be so kind as to let me know where
+this MS. is to be found, I should be very thankful.</p>
+
+
+ <p class="right"> D. R<span class="smcap lowercase">OCK</span>.</p>
+
+ <p class="left"> Buckland, Faringdon.</p>
+
+
+
+
+
+<h2><span class="bla">Replies.</span></h2>
+
+
+<h3><span>POPE AND FLATMAN.<br />
+(Vol. iv., p. 132.)</span></h3>
+
+<p>In the edition of Pope's <i>Works</i> published by Knapton, Lintot, and
+others, 1753, 9 vols., I find<a id="find210"></a>
+ <span class="pagenum">[210]</span>
+ the following note to the Ode
+entitled "The Dying Christian to his Soul:"&mdash;</p>
+
+<p class="blockquot">"This Ode was written in imitation of the famous Sonnet of
+ Hadrian to his departing Soul, but as much superior to his
+ original in sense and sublimity as the Christian religion is to
+ the pagan."</p>
+
+<p>This is confirmed by the correspondence of Pope with Steele, vol. vii.
+pp. 185, 188, 189, 190. Letters 4, 7, 8, and 9.</p>
+
+<p>That Pope also derived some hints at least from Flatman's Ode is, I
+think, certain, from the following extract from a bookseller's catalogue
+of a few years' date:</p>
+
+<p class="blockquot"> "Flatman, Thos., Poems and Songs. Portrait slightly damaged.
+ 8vo., new, cf. gt. back, 8s. With autograph of Alex. Pope.</p>
+
+<p class="blockquot">"MS. Note at p. 55.&mdash;'This next piece, <i>A Thought on Death</i>, is
+ remarkable as being the verses from which Pope borrowed some of
+ the thoughts in his Ode of The Dying Christian to his Soul.'"</p>
+
+ <p class="right"> F. B. R<span class="smcap lowercase">ELTON</span>.</p>
+
+
+<p>The question whether Flatman borrowed from Pope or Pope from Flatman
+(the former seems far more probable) may perhaps be decided by the date
+of Flatman's composition, if that can be ascertained. Pope's ode was
+composed in November, 1712, as recorded in the interesting series of
+letters in the correspondence between Pope and Steele (<i>Letters</i> iv. to
+ix.) and in the 532nd number of the <i>Spectator</i>. From Steele's letter it
+appears that the stanzas were composed for music: is any setting of them
+known, anterior to that by Harwood, which has obtained such universal
+popularity, in spite of its many undeniable errors in harmony? Is
+anything known of this composer? he certainly was not deficient either
+in invention or taste, and must have written other pieces worthy to be
+remembered.</p>
+
+ <p class="right"> E. V.</p>
+
+<p>It seems probable that the coincidence between the passages of Thomas
+Flatman and Pope, indicated at p. 132., arises from both imitating the
+<i>alliteration</i> of the original:</p>
+
+ <div class="poem">
+
+<p> "<i>Animula, vagula, blandula,</i></p>
+ <p>Hospes, comesque corporis,</p>
+ <p>Qu nunc abibis in loca,</p>
+ <p> <i>Pullidula, rigida, undula</i>?</p>
+ <p> Nec, ut soles, dabis jocos."</p>
+
+</div>
+
+<p>Casaubon (<i>Hist. Ang. Script.</i>, t. i. p. 210. ed. Lug. Bat.) has totally
+lost sight of this in his Greek translation.</p>
+
+ <p class="right"> T<span class="smcap lowercase">HEODORE</span> B<span class="smcap lowercase">UCKLEY</span>.</p>
+
+
+
+
+<h3><span>TEST OF STRENGTH OF A BOW.<br />
+(Vol. iv., p. 56.)</span></h3>
+
+<p>Although unable to answer all the Queries of T<span class="smcap lowercase">OXOPHILUS</span>, the subjoined
+information may possibly advantage him. His Queries of course have
+reference to the long bow, and not to the arbalest, or cross-bow. The
+length of this bow appears to have varied according to the height and
+strength of the bowman; for in the 12th year of the reign of Edward IV.
+an act was passed ordaining that every Englishman should be possessed of
+a bow of his own height. Bishop Latimer also, in one of his sermons,
+preached before Edward VI., and published in 1549, wherein he enforces
+the practice of archery, has the following passage:</p>
+
+<p class="blockquot"> "In my time my father taught me how to draw, how to lay my body
+ in my bow, and not to draw with strength of arms, as other
+ nations do, but with strength of body. I had my bows brought me
+ according to my age and strength: as I increased in them, so my
+ bows were made bigger and bigger."</p>
+
+<p>The length of the full-sized bow appears to have been about six feet:
+the arrow, three.</p>
+
+<p>The distance to which an arrow could be shot from the long bow of course
+depended, in a great measure, upon the quality and toughness of the
+wood, as well as upon the skill and strength of the archer; but I
+believe it will be found that the tougher and more unyielding the bow,
+the greater the strength required in bending it, and consequently the
+greater the force imparted to the arrow. The general distance to which
+an arrow could be shot from the long bow seems to have been from eleven
+to twelve score yards; although there are instances on record of
+individuals shooting from 400 to 500 yards.</p>
+
+<p>The best bows used by our ancestors were made of yew, as it appears from
+a statute made in the thirty-third year of the reign of Henry VIII., by
+which it was enacted&mdash;</p>
+
+<p class="blockquot"> "That none under the age of seventeen should shoot with a bow of
+ yew, except his parents were worth 10<i>l.</i> per annum in lands, or
+ 40 marks in goods: and for every bow made of yew, the bowyer not
+ inhabiting London or the suburbs should make four, and the
+ inhabitant there two, bows of other wood."</p>
+
+<p>These restrictions were doubtless owing to the great scarcity of yew.
+The other woods most in request were elm, witch-hazel, and ash. By the
+statute 8th of Elizabeth, cap 3., it was ordained that every bowyer
+residing in London should have always ready fifty bows of either of the
+before-mentioned woods. By this statute also the prices at which the
+bows were to be sold were regulated.</p>
+
+<p>I believe the ancient bows were made of one piece; whether there is any
+advantage to be derived in having a bow of more than two pieces, I leave
+for some one better qualified than myself to determine.</p>
+
+<p>As regards arrows, Ascham, in his <i>Toxophilus</i>, has enumerated fifteen
+sorts of wood of which arrows were made in his time, viz. brasell,
+turkie-wood, fusticke, sugercheste, hard-beam, byrche, ash, oak,
+service-tree, alder, blackthorn, elder,<a id="elder211"></a>
+ <span class="pagenum">[211]</span>
+ beach, aspe, and sallow;
+of these aspe and ash were accounted the best; the one for
+target-shooting, the other for war. The author of <i>The Field Book</i> says:</p>
+
+<p class="blockquot">"That an arrow weighing from twenty to four-and-twenty
+ pennyweights, made of yew, was considered by archers the best
+ that could be used."</p>
+
+ <p class="right"> D<span class="smcap lowercase">AVID</span> S<span class="smcap lowercase">TEVENS</span>.</p>
+
+ <p class="left"> Godalming.</p>
+
+<p>The method of trying and proving a bow is stated by Ascham to be thus:</p>
+
+<p class="blockquot">"By shooting it in the fields, and <i>sinking</i> it with <i>dead heavy</i>
+ shafts; looking where it <i>comes</i> most, and providing for that
+ place betimes, lest it pinch and so fret. When the bow has thus
+ been shot in, and appears to contain good shooting wood, it must
+ be taken to a skilful workman, to be cut shorter, scraped, and
+ dressed fitter, and made to come circularly round; and it should
+ be whipped at the ends, lest it snap in sunder or fret sooner
+ than the archer is aware of."</p>
+
+<p>It is calculated that an arrow may be shot 110 yards for every 20 lbs.
+weight of the bow.</p>
+
+<p>As regards the length of the old English bow, the statute 5th of Edward
+IV. cap. 4., runs thus:</p>
+
+<p class="blockquot"> "That every Englishman, and Irishmen that dwell with Englishmen
+ and speak English, that be between sixteen and sixty in age,
+ shall have an English bow of his own length."</p>
+
+<p>Ascham recommended for men of average strength arrows made of birch,
+hornbeam, oak, and ash.</p>
+
+<p>The foregoing is extracted from a work entitled <i>The English Bowman</i>, by
+T. Roberts, 1801.</p>
+
+
+ <p class="right"> P<span class="smcap lowercase">HILOSOPHUS</span>.</p>
+
+
+
+<h3><span>BASKERVILLE THE PRINTER.<br />
+(Vol. iv., pp. 40. 123.)</span></h3>
+
+<p>Hansard's <i>Typographia</i>, i. 8vo. 1825, Preface, p. xii&mdash;xiii.:</p>
+
+ <p class="blockquot">"Of the more modern portraits something remains to be said, and
+ particularly of that of Baskerville. It has been hitherto
+ supposed that no likeness is extant of this first promoter of
+ fine printing, and author of various improvements in the
+ Typographic Art, as well as in the arts connected with it. At the
+ time when I was collecting information for that part of my work
+ in which Mr. Baskerville is particularly mentioned (p. 310. <i>et
+ seq.</i>), I thought it a good opportunity to make inquiry at
+ Birmingham whether any portrait or likeness of him remained; for
+ a long time the inquiry was constantly answered in the negative,
+ but at last it occurred to a friend to make a search among the
+ family of the late Mrs. Baskerville, and he was successful. Mr.
+ Baskerville married the widow of a Mr. Eaves; her maiden name was
+ Ruston; she had two children by her former husband, a son and a
+ daughter: the latter married her first cousin, Mr. Josiah Ruston,
+ formerly a respectable druggist at Birmingham, and she survived
+ her husband. At the sale of some effects after her decease,
+ portraits of her mother and her father-in-law, Mr. Baskerville,
+ were purchased by Mr. Knott of Birmingham. Some of Mr. Ruston's
+ family and friends who are still living, consider this likeness
+ of Mr. Baskerville as a most excellent and faithful resemblance.
+ It was taken by one Miller, an artist of considerable eminence in
+ the latter part of Baskerville's time. The inquiries of my friend
+ Mr. Grafton, of Park Grove, near Birmingham, at once brought this
+ painting into notice: and at his solicitation Mr. Knott kindly
+ permitted Mr. Raven of Birmingham, an artist of much celebrity,
+ to copy it for my use and the embellishment of this work; to
+ which, I think, the united talents of Mr. Craig and Mr. Lee have
+ done ample justice."</p>
+
+<p>The portrait faces p. 310. of Mr. Hansard's book, and there may be found
+an account, though somewhat different, of the exhumation alluded to by
+M<span class="smcap lowercase">R</span>. S<span class="smcap lowercase">T</span>. J<span class="smcap lowercase">OHNS</span> (Vol. iv., p. 123.), which took place in May, 1821.</p>
+
+<p class="right"> C<span class="smcap lowercase">RANMORE</span>.</p>
+
+<p>In answer to an inquirer I beg respectfully to state that the body of
+the eminent printer now reposes, as it has for some years, in the vaults
+of Christ Church in our town.</p>
+
+ <p class="right"> W<span class="smcap lowercase">ILLIAM</span> C<span class="smcap lowercase">ORNISH</span>.</p>
+
+ <p class="left"> New Street, Birmingham.</p>
+
+
+
+
+<h3><span class="bla">Replies to Minor Queries.</span></h3>
+
+<h4><span><i>Mazer Wood and Sin-eaters</i></span> <span>(Vol. iii., pp. 239. 288.).</span></h4>
+
+<p>&mdash;The following
+extract from Hone's <i>Year Book</i>, p. 858., will add to the explanation
+furnished by S. S. S., and will also give an instance of the singular
+practices which prevailed among our ancestors:&mdash;</p>
+
+<p class="blockquot">"Among the Lansdowne MSS. in the British Museum are statements in
+ Aubrey's own handwriting to this purport. In the county of
+ Hereford, was an old custom at funerals, to hire poor people, who
+ were to take upon them the sins of the party deceased. One of
+ them (he was a long, lean, ugly, lamentable, poor rascal), I
+ remember, lived in a cottage on Rosse highway. The manner was,
+ that when the corpse was brought out of the house, and laid on
+ the bier, a loaf of bread was brought out, and delivered to the
+ sin eater, over the corpse, as also a <i>mazard bowl</i> of maple,
+ full of beer (which he was to drink up), and sixpence in money,
+ in consideration whereof he took upon him, <i>ipso facto</i>, all the
+ sins of the defunct, and freed him or her from walking after they
+ were dead."</p>
+
+<p>Perhaps some of your readers may be able to throw some light on this
+curious practice of <i>sin-eating</i>, or on the existence of regular
+<i>sin-eaters</i>.</p>
+
+ <p class="right"> E. H. B.</p>
+
+ <p class="left"> Demerary.</p>
+
+<p class="blockquot"> [Mr. Ellis, in his edition of Brande's <i>Popular Antiquities</i>,
+ vol. ii. p. 155. 4to. has given a curious passage from the
+ Lansdowne MSS. concerning a sin-eater who lived in Herefordshire,
+ which has been quoted in the <i>Gentleman's Magazine</i>, vol. xcii.
+ pt. i. p. 222.]</p>
+
+
+
+
+<h4><span>"<i>A Posie of other Men's Flowers</i>"</span> <span>(Vol. iv., pp. 58. 125.).</span></h4>
+
+<p>&mdash;If D. Q.
+should succeed in finding<a id="finding212"></a>
+ <span class="pagenum">[212]</span>
+ this saying in Montaigne's Works, I
+hope he will be kind enough to send an "Eureka!" to "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>,"
+as by referring to pp. 278. 451. of your second volume he will see that
+I am interested in the question.</p>
+
+<p>I am still inclined to think that the metaphor, <i>in its present concise
+form</i> at all events, does <i>not</i> belong to Montaigne, though it may owe
+its origin to some passage in the <i>Essays</i>. See, for example, one in
+book i. chap. 24.; another in book ii. chap. 10., in Hazlitt's second
+edition, 1845, pp. 54. 186.</p>
+
+<p>But I have not forgotten Montaigne's motto, "Que sais-je?" The chances
+are that I am wrong. I should certainly like to see his right to the
+saying satisfactorily proved by reference to book, chapter, and page.</p>
+
+ <p class="right"> C. F<span class="smcap lowercase">ORBES</span>.</p>
+
+ <p class="left"> Temple.</p>
+
+<p>At the conclusion of the preface to the thick 8vo. edition of the
+<i>Elegant Extracts, Verse</i>, published by C. Dilly, 1796, you will find
+these words:&mdash;</p>
+
+<p class="blockquot"> "I will conclude my preface with the <i>ideas of Montaigne</i>. 'I
+ have here only made a nosegay of culled flowers, and have brought
+ nothing of my own but the thread that ties them.'"</p>
+
+ <p class="right"> R. S. S.</p>
+
+ <p class="left"> 56. Fenchurch Street.</p>
+
+
+
+
+<h4><span><i>Table Book</i></span> <span>(Vol. i., p. 215.).</span></h4>
+
+<p>&mdash;See <i>Transactions of the Royal Irish
+Academy</i>, vol. xxi., Antiq. pp. 3-15, and some specimens in the museum
+of the Academy. (<i>Proceedings</i>, vol. iii. p. 74.)</p>
+
+ <p class="right"> R. H.</p>
+
+
+
+
+<h4><span><i>Briwingable</i></span> <span>(Vol. iv., p. 22.).</span></h4>
+
+<p>&mdash;I cannot find this word in any
+authority to which I have access. I derive it from</p>
+
+<p class="center">
+<img src="images/image01.jpg" width="120" height="99" alt="Saxon" />
+</p>
+
+<p> Sax. {bri&thorn;an}, to brew,
+ and {Eafel}, a tax; and think it the same as
+<i>tolsester</i>, a duty payable to the lord of the manor by ale-brewers,
+mentioned in Charta 55 Hen. III.: "Tolsester cerevisie, hec est pro
+quolibet braccino per annum unam lagenam cerevisie."</p>
+
+
+
+ <p class="right"> F. J.</p>
+
+
+
+<h4><span><i>Simnels</i></span> <span>(Vol. iii., pp. 390. 506.).</span></h4>
+
+<p>&mdash;T. very sensibly suggests that
+Lambert <i>Simnel</i> is a nickname derived from a kind of cake still common
+in the north of England, and eaten in Lent. I have never met with
+<i>Simnel</i> as a surname, and have actually been told, as a child, that the
+Simnels were called after Lambert; which is so far worthy of note as
+that it connects the two together in tradition, though, no doubt, as T.
+suggests, it is Lambert who was called after the Simnels. As a child I
+took the liberty to infer, in consequence, that Parkins (gingerbread of
+oatmeal instead of flour, and also common in the north of England) were
+called after Perkin Warbeck. I am aware of the superior claim of
+Peterkin now; but the coincidence may perhaps amuse your correspondents.</p>
+
+<p class="right"> &#8224;</p>
+
+
+
+<h4><span><i>A Ship's Berth</i></span> <span>(Vol. iv., p. 83.).</span></h4>
+
+<p>&mdash;I would suggest to your
+correspondents S. S. S. (2) another derivation for our word <i>berth</i>.</p>
+
+<p>The present French <i>berceau</i>, a cradle, was in the Norman age written
+<i>ber&#541;</i>, as appears in a MSS. <i>Life of St. Nicholas</i> in
+the Bodleian Library. This Life has been printed at Bonn by Dr. Nicolaus
+Delius, 1850; but in the print the character &#541; has been
+represented by the ordinary z. This is a pity, because, as all know who
+are familiar with our MSS. of the twelfth and thirteenth centuries, this
+figure &#541; took not unfrequently the place of &eth; (th); and
+ on this account it is a character which ought to be
+scrupulously preserved in editing. <i>Ber&#541;</i> then was
+probably pronounced <i>berth</i>, or possibly with a little more of the
+sibilant than is now found in the latter. How easily the <i>sibilant</i> and
+the <i>th</i> run into one another may be seen by the third person singular
+of our present Indicative:</p>
+
+<table summary="sibilant and th">
+
+<tr>
+<td></td>
+<td>saith</td> <td> says.</td>
+</tr>
+
+<tr>
+<td></td>
+<td>doth </td> <td> does.</td>
+</tr>
+
+<tr>
+<td></td>
+<td>hopeth </td> <td> hopes.</td>
+</tr>
+
+</table>
+
+
+<p class="right"> J. E.</p>
+
+<p class="left"> Oxford, August 2. 1851.</p>
+
+
+
+<h4><span><i>Suicides buried in Cross-roads</i></span> <span>(Vol. iv., p. 116.).</span></h4>
+
+<p>&mdash;P. M. M. makes
+inquiry respecting a practice formerly observed of <i>burying murderers in
+cross-roads</i>. I have often heard that <i>suicides</i> were formerly interred
+in such places, and that a stake used to be driven through the body. I
+know of two places in the neighbourhood of <i>Boston</i> in Lincolnshire,
+where such burials are stated to have taken place. One of these is about
+a mile and a half south of Boston, on what is called the <i>low</i> road to
+Freiston; a very ancient <i>hawthorn tree</i> marks the spot, and the tree
+itself is said to have sprung from the stake which was driven through
+the body of the self-murderer. The tradition was told me sixty years
+since, and the interment was <i>then</i> said to have occurred <i>a hundred
+years ago</i>; the suicide's name was at that time traditionally
+remembered, and was told to me, but I cannot recall it. The tree
+exhibits marks of great age, and is preserved with care; it still bears
+"may," as the flower of the whitethorn is called, and <i>haws</i> in their
+season.</p>
+
+<p>The second grave (as it is reported) of this kind is on the high road
+from Boston to Wainfleet, at the intersection of a road leading to
+Butterwick, at a place called <i>Spittal Hill</i>; near the site of the
+ancient hospital or infirmary, which was attached to the Priory of St.
+James at Freiston. This spot is famous in the traditions of the
+neighbourhood as the scene of the appearance of a sprite or hobgoblin,
+called the "<i>Spittal Hill</i> T<span class="smcap lowercase">UT</span>;" which takes, in the language of the
+district, the shape of a <span class="smcap lowercase">SHAG</span> <i>foal</i>, and is said to be connected with
+the history of the suicide buried there.<a id="there213"></a>
+ <span class="pagenum">[213]</span></p>
+
+<p>T<span class="smcap lowercase">UT</span> is a very general term applied in Lincolnshire to any fancied
+supernatural appearance. Children are frightened by being told of <i>Tom
+Tut</i>; and persons in a state of panic, or unreasonable trepidation, are
+said to be <i>Tut-gotten</i>.</p>
+
+
+ <p class="right"> P. T.</p>
+
+<p class="left"> Stoke Newington, Aug. 30.</p>
+
+
+
+
+<h4><span><i>A Sword-blade Note</i></span> <span>(Vol. iv., p. 176.).</span></h4>
+
+<p>&mdash;The sword-blade note, to
+which R. J. refers, was doubtless a note of the Sword-blade Company,
+which was intimately connected with the South Sea Company. In the
+narrative respecting the latter company, given in <i>The Historical
+Register</i> for 1720, is an account of a conference between the South Sea
+Directors and those of the Bank of England: therein is the following
+passage:</p>
+
+<p class="blockquot"> "And when it was urg'd that the <i>Sword Blade</i> Company should come
+ into the Treaty; <i>By no means</i>, reply'd <i>Sir Gilbert</i>
+ [Heathcote]; <i>for if the</i> South Sea <i>Company be wedded to the
+ Bank, he ought not to be allow'd to keep a Mistress</i>. The Event
+ show'd that the Bank acted with their usual Prudence, in not
+ admitting the <i>Sword Blade</i> Company into a
+ Partnership."&mdash;<i>Historical Register</i> for 1720, p. 368.</p>
+
+<p>At p. 377. of the same work it is stated, that on the 24th of September
+the Sword-blade Company, "who hitherto had been the chief cash keepers
+to the South Sea Company," stopped payment, "being almost drain'd of
+their ready money."</p>
+
+<p>Perhaps some of your correspondents may be able to elucidate the rise,
+transactions, and "winding up" of the Sword-blade Company.</p>
+
+
+<p class="right"> C. H. C<span class="smcap lowercase">OOPER</span>.</p>
+
+<p class="left"> Cambridge, Sept. 6. 1851.</p>
+
+
+
+<h4><span><i>Domesday Book of Scotland</i></span> <span>(Vol. iv., p. 7.).</span></h4>
+
+<p>&mdash;Your correspondent
+A<span class="smcap lowercase">BERDONIENSIS</span> is informed that what he is in quest of was published by
+the "Bannatyne Club," under the name of the "Ragman Rolls," in 1834,
+4to. It is entitled, <i>Instrumenta Publica sive Processus super
+Fidelitatibus et Homagiis Scotorum Domino Regi Angli factis</i>,
+<span class="smcap lowercase">A.D. M.CC.XCI.&mdash;M.CC.XCVI.</span></p>
+
+<p class="blockquot"> "The documents contained in this volume have not been selected in
+ the view of reviving or illustrating the ancient National
+ Controversy as to the feudal dependence of Scotland on the
+ English Crown. It has been long known that in these Records may
+ be found the largest and most authentic enumerations now extant
+ of the Nobility, Barons, Landholders and Burgesses, as well as of
+ the Clergy of Scotland, prior to the fourteenth century. No part
+ of the public Records of Scotland prior to that era has been
+ preserved, and whatever may have been their fate, certain it is,
+ that to these English Records of our temporary national
+ degradation, are we now indebted for the only genuine Statistical
+ Notices of the Kingdom towards the close of the thirteenth
+ century."</p>
+
+<p class="indh6"><span class="topnum">*</span><span class="botnum">*</span><span class="topnum">*</span> "This singular document, so often quoted and
+ referred to, was never printed <i>in extenso</i>."</p>
+
+<p class="right"> T. G. S.</p>
+
+<p class="left"> Edinburgh.</p>
+
+
+
+<h4><span><i>Dole-bank</i></span> <span>(Vol. iv., p. 162.).</span></h4>
+
+<p>&mdash;In processions on Holy Thursday, it
+was usual to <i>deal</i> cakes and bread to the children and the poor of the
+parish at boundary-banks, that they might be duly remembered. Hence the
+name.</p>
+
+<p class="right"> R. S. H.</p>
+
+<p class="left"> Morwenstow.</p>
+
+
+
+<h4><span><i>The Letter "V"</i></span> <span>(Vol. iv., p. 164.).</span></h4>
+
+<p>&mdash;If S. S. will turn again to my
+remarks on this letter, he will see that I did not state that <i>Tiverton</i>
+was ever pronounced <i>Terton</i>. I accede to what he has said of
+<i>Twiverton</i>; Devonshire was inadvertently written for Somersetshire.
+With regard to the observations of A. N. (p. 162.), he will find those
+remarks were confined to the <i>v</i> between two vowels, <i>i.e.</i> without any
+other consonant intervening; and, therefore, other forms of contraction
+did not fall within the scope of them. I refrained from adverting to any
+such words as Elvedon and Kelvedon (pronounced respectively Eldon and
+Keldon), because the abbreviation of these may be referable to another
+cause. In passing I would mention that I think there can be no
+reasonable doubt that the word <i>dool</i>, about which he inquires, is no
+other than the Ang.-Sax. <i>d&#257;l</i>, a division, from <i>daelan</i>, to divide;
+and whence our words <i>deal</i> and <i>dole</i>. But to return to the letter <i>v</i>,
+if M<span class="smcap lowercase">R</span>. S<span class="smcap lowercase">INGER</span> be correct as to <i>devenisch</i> in the MS. of the <i>Hermit of
+Hampole</i> being written for Danish (p. 159.), it seems an example of the
+peculiar use of this letter to which I have invited attention, for the
+writer hardly intended it to be pronounced as three syllables if he
+meant Danish. However, if that MS. be a transcript, may not the supposed
+<i>v</i> have been originally an <i>n</i>, which was first mis-read <i>u</i>, and then
+copied as a <i>v</i>?</p>
+
+<p class="right"> W. S. W.</p>
+
+
+
+<h4><span><i>Cardinal Wolsey</i></span> <span>(Vol. iv., p. 176.).</span></h4>
+
+<p>&mdash;The following anecdote, taken
+from a common-place book of Sir Roger Wilbraham, who was Master of the
+Requests in the time of Queen Elizabeth, appears to have some bearing on
+the subject referred to in the page of your publication which I have
+quoted above:&mdash;</p>
+
+<p class="blockquot"> "Cooke, attorney, at diner Whitsunday
+<a id="diner1"></a><a title="Go to footnote 1." href="#fn1" class="fnanchor">[1]</a> ista protulit.</p>
+
+<p class="blockquot">"Wolsey, a prelate, was flagrante crimine taken in fornication by
+ S<span class="smcap lowercase">r</span> Anthony Pagett
+ of y<span class="smcap lowercase">e</span> West,
+ and put in y<span class="smcap lowercase">e</span> stokes. After
+ being made Cardinall, S<span class="smcap lowercase">r</span> Anthony
+ sett up his armes on y<span class="smcap lowercase">e</span> middle
+ Temple gate: y<span class="smcap lowercase">e</span> Cardinall passing
+ in pontificalibus, and spying
+ his owne armes, asked who sett them up. Answare was made
+ y<span class="smcap lowercase">t</span> y<span class="smcap lowercase">e</span>
+ said Mr. Pagett. He smiled saying, he is now well reclaymed; for
+ wher before he saw him in disgrace, now he honoured him."</p>
+
+<p class="footnote"><a id="fn1"></a><a title="Return to text." href="#diner1" class="label">[1]</a> This was probably in 1598.</p>
+
+<p class="right"> W. L.</p>
+
+
+
+<h4><span><i>Nervous</i></span> <span>(Vol. iv., p. 7.).</span></h4>
+
+<p>&mdash;<i>Nervous</i> has unquestionably the double
+meaning assigned to it in<a id="in214"></a>
+<span class="pagenum">[214]</span>
+ M<span class="smcap lowercase">R</span>. B<span class="smcap lowercase">ANNEL'S</span> Query. The propriety of
+the English practice, in this respect, may be doubted. <i>Nervous</i> is
+correctly equivalent to Lat. <i>nervosus</i>; Fr. <i>nerveux</i>, strong,
+vigorous. In the sense of <i>nervous weakness</i>, or, perhaps more
+correctly, <i>nervine weakness</i>, the word should probably be <i>nervish</i>,
+analogous to <i>qualmish</i>, <i>squeamish</i>, <i>aguish</i>, <i>feverish</i>, &amp;c. In
+Scotland, though the English may regard it as a vulgarism, I have heard
+the word used in this form.</p>
+
+<p class="right"> F. S. Q.</p>
+
+
+
+<h4><span><i>Coleridge's Essays on Beauty</i></span> <span>(Vol. iv., p. 175.).</span></h4>
+
+<p>&mdash;I have copies of
+the <i>Essays</i> referred to. They were republished about 1836 in Fraser's
+<i>Literary Chronicle</i>.</p>
+
+<p class="right"> M<span class="smcap lowercase">ORTIMER</span> C<span class="smcap lowercase">OLLINS</span>.</p>
+
+<p class="left"> Guernsey.</p>
+
+
+
+<h4><span><i>"Nao" or "Naw," a Ship</i></span> <span>(Vol. iv., p. 28.).</span></h4>
+
+<p>&mdash;I have already answered
+G<span class="smcap lowercase">OMER</span> upon the imaginary word <i>naw</i>, a ship: I beg now to remark on
+ M<span class="smcap lowercase">R</span>. F<span class="smcap lowercase">ENTON'S</span> <i>nav</i>.
+ If <i>nav</i> was a ship at all, I am at a loss to know why
+it should be "a much older term." It would probably be subsequent to the
+introduction of the Latin noun, which it docks of its final <i>is</i>. The
+word or name is quoted from a Triad, the ninety-seventh of that series
+which contains the mention of Llewelyn ap Griffith, the last prince of
+Wales; and what makes it "one of the oldest" Triads, I have no idea. Nor
+do I know what ascertains the date of any of them; or removes the date
+of the composition of any one of them beyond the middle ages.</p>
+
+<p>But <i>Nevydd</i> is no very uncommon proper name of men and women, derived
+from <i>nev</i>, heaven; and <i>nav neivion</i> is simply "lord of lords." It
+forms the plural like <i>mab</i>, <i>meibion</i>, and <i>march</i>, <i>meirchion</i>. Mr.
+Walters gives <i>nav</i> under no words but <i>lord</i>. David ap Gwelyn either
+mentions the navigation of the lords, the Trojan chieftains, to Britain;
+or else that of Nevydd Nav Neivion, cutting short his title. But the
+former is the plain sense of the thing. If M<span class="smcap lowercase">R</span>. F<span class="smcap lowercase">ENTON</span> will only turn to
+Owen's <i>Dictionary</i> (from which <i>naw</i>, a ship, is very properly
+excluded) he will there find the quotation from Gwalchmai; in which the
+three Persons of the Trinity are styled the <i>Undonion Neivion</i>,
+"harmonizing or consentaneous Lords." He will scarcely make bold to turn
+them into ships.</p>
+
+<p class="right"> A. N.</p>
+
+
+
+<h4><span><i>Unde derivatur Stonehenge</i></span> <span>(Vol. iv., p. 57.).</span></h4>
+
+<p>&mdash;Your correspondent P.
+P. proposes to interpret this word, <i>horse-stones</i>, from <i>hengst</i>, the
+Saxon for a horse; and to understand thereby large stones, as the words
+<i>horse-chesnut</i>, <i>horse-daisy</i>, <i>horse-mushroom</i>, &amp;c., mean large ones.
+But, if he had duly considered the arguments contained in Mr. Herbert's
+<i>Cyclops Christianus</i>, pp. 162-4., he would have seen the necessity of
+showing, that in Anglo-Saxon and English the description can follow, in
+composition, the thing described; which it seems it can do in neither.
+In support of his stone-horse, he should have produced a chesnut-horse
+in the vegetable sense; a daisy-horse, or a mushroom-horse. Till he does
+that, the grammatical canon appealed to by that author, will remain in
+as full force against the stone-horse as against the stone-hanging.</p>
+
+ <p class="right"> E. A. M.</p>
+
+
+
+<h4><span><i>Nick Nack</i></span> <span>(Vol. iii., p. 179.).</span></h4>
+
+<p>&mdash;A rude species of music very common
+amongst the boys in Sheffield, called by them <i>nick-a-nacks</i>. It is made
+by two pieces of bone, sometimes two pieces of wood, placed between the
+fingers, and beaten in time by a rapid motion of the hand and fingers.
+It is one of the periodical amusements of the boys going along the
+streets.</p>
+
+<p class="blockquot">"And with his right drew forth a truncheon of a white ox rib, and
+ two pieces of wood of a like form; one of black Eben, and the
+ other of incarnation Brazile; and put them betwixt the fingers of
+ that hand, in good symmetry. Then knocking them together, made
+ such a noise, as the lepers of Britany use to do with their
+ clappering clickets; yet better resounding, and far more
+ harmonious."&mdash;<i>Rabelais</i>, book ii. c. 19.</p>
+
+<p class="right"> H. J.</p>
+
+
+
+<h4><span><i>Meaning of Carfax</i></span> <span>(Vol. iii., p. 508.).</span></h4>
+
+<p>&mdash;E. J. S. says "Carfoix
+reminds me of Carfax in Oxford. Are the names akin to each other?" When
+at Oxford I used to hear that Carfax was properly Quarfax, a contraction
+for <i>quatuor facies</i>, four faces. The church, it will be remembered,
+looks one way to High Street, another to Queen Street, a third to the
+Cornmarket, and the fourth to St. Aldates's.</p>
+
+ <p class="right"> H. T. G.</p>
+
+
+
+<h4><span><i>Hand giving the Benediction</i></span> <span>(Vol. iii., p. 477.).</span></h4>
+
+<p>&mdash;Rabbi Bechai tells
+us of the solemn blessing in Numbers vi. 25, 26, 27., in which the name
+Jehovah is thrice repeated, that, when the high priest pronounced it on
+the people, "elevatione manuum <i>sic digitos composuit ut</i> TRIADA
+<i>exprimerent</i>."</p>
+
+
+<p class="right"> W. F<span class="smcap lowercase">RASER</span>.</p>
+
+
+
+<h4><span><i>Unlucky for Pregnant Women to take an Oath</i></span> <span>(Vol. iv., p. 151.).</span></h4>
+
+<p>&mdash;I beg
+to inform C<span class="smcap lowercase">OWGILL</span> that Irishwomen of the lower order almost invariably
+refuse to be sworn while pregnant. Having frequently had to administer
+oaths to heads of families applying for relief during the famine in
+Ireland in 1847-8-9, I can speak with certainty as to the fact, though I
+am unable to account for the origin of the superstition.</p>
+
+ <p class="right"> B<span class="smcap lowercase">ARTANUS</span>.</p>
+
+<p class="left"> Dublin.</p>
+
+
+
+<h4><span><i>Borough-English</i></span> <span>(Vol. iv., p. 133.).</span></h4>
+
+<p>&mdash;<i>Burgh</i> or <i>Borough-English</i> is
+a custom appendant to <i>ancient</i> boroughs, such as existed in the days of
+Edward the Confessor and William the Conqueror, and are contained in the
+Book of Domesday. Taylor, in his <i>History of Gavelkind</i>, p. 102.,
+states, that in the villages round the city of Hereford, the lands are
+all held in the tenure of Borough-English. There appears also to be a
+customary<a id="customary215"></a>
+ <span class="pagenum">[215]</span>
+descent of lands and tenements in some places called
+<i>Borow-English</i>, as in Edmunton: vid. <i>Kitchin of Courts</i>, fol. 102. The
+custom of <i>Borough-English</i>, like that of gavelkind, and those of London
+and York, is still extant; and although it may have been in a great
+measure superseded by <i>deed</i> or <i>will</i>, yet, doubtless, instances occur
+in the present day of its vitality and consequent operation.</p>
+
+<p class="right"> F<span class="smcap lowercase">RANCISCUS</span>.</p>
+
+
+
+<h4><span><i>Date of a Charter</i></span> <span>(Vol. iv., p. 152.).</span></h4>
+
+<p>&mdash;I suspect that the charter to
+which M<span class="smcap lowercase">R</span>. H<span class="smcap lowercase">AND</span> refers, is one of the time of Henry II., and not of Henry
+III. The latter sent no daughter to Sicily; but Joan, the daughter of
+the former, was married to William, king of Sicily, in the year 1176, 22
+Henry II. In the Great Roll of that year (Rot. 13 b.) are entries of
+payments for hangings in the king's chamber on that occasion, and of
+fifty marks given to Walter de Constantiis, Archdeacon of Oxford, for
+entertaining the Sicilian ambassadors. See Madox's <i>Exchequer</i>, i. 367.,
+who also in p. 18. refers to Hoveden, P. 2. p. 548. This may perhaps
+assist in the discovery of the precise date, which I cannot at present
+fix.</p>
+
+<p class="right"> <span title="[Greek: Ph.]">&#934;</span>.</p>
+
+
+
+
+
+<h2><span class="bla">Miscellaneous.</span></h2>
+
+
+<h3><span>NOTES ON BOOKS, SALES, CATALOGUES, ETC.</span></h3>
+
+<p><i>The Jansenists: their Rise, Persecutions by the Jesuits, and existing
+Remnant; a Chapter in Church History</i>: by S. P. Tregelles, LL.D., is an
+interesting little monograph, reprinted with additions from Dr. Kitto's
+<i>Journal of Biblical Literature</i>, and enriched with portraits of
+Jansenius, St. Cyran, and the Mre Angelique. The history of the
+Jansenist Church lingering in separate existence at Utrecht affords a
+new instance of Catholicity of doctrine apart from the Papal communion;
+and as such cannot fail to have a peculiar interest for many of our
+readers.</p>
+
+<p>The long, brilliant, and important reign of Louis XIV. has had many
+chroniclers. The <i>Mmoires</i> written by those who figured in its busy
+scenes are almost innumerable; many, as may be supposed from the
+character of the monarch and the laxity of the court, being little
+calculated for general perusal. Mr. James therefore did good service
+when he presented the reading world with his historical view of <i>The
+Life and Times of Louis XIV.</i>, a work in which, while he has done full
+justice to the talents and genius of the monarch, and the brilliancy of
+the circle by which he was surrounded, he has not allowed that splendour
+so to dazzle the eyes of the spectator as to blind him to the real
+infamy and heartlessness with which it was surrounded. We are therefore
+well pleased to see Mr. James's history reprinted as the two new volumes
+of Bohn's <i>Standard Library</i>.</p>
+
+<p>Mr. L. A. Lewis of 125. Fleet Street will sell on Friday next two
+extraordinary Collections of Tracts on Trade, Coinage, Commerce, Banks,
+Public Institutions, and Trade generally. The First, in 167 Vols., in
+fol., 4to., and 8vo., commences with Milles' <i>Customer's Replie</i>, 1604.
+The Second, in 20 Vols., collected upwards of a century since, commences
+with H. Gilbert's <i>Discourse of a Discoverie for a New Passage to
+Cataia</i>, 1576. Both series should be secured for a Public Library.</p>
+
+<p>C<span class="smcap lowercase">ATALOGUE</span> R<span class="smcap lowercase">ECEIVED</span>.&mdash;J. Millers' (43. Chandos Street) Catalogue No. 28
+of Cheap Books for Ready Money.</p>
+
+
+<h3><span>BOOKS AND ODD VOLUMES<br />
+WANTED TO PURCHASE.</span></h3>
+
+<ul>
+
+<li>O<span class="smcap lowercase">THONIS</span> L<span class="smcap lowercase">EXICON</span> R<span class="smcap lowercase">ABBINICUM</span>.</li>
+
+<li>P<span class="smcap lowercase">LATO</span>. Vols. VIII. X. XI. of the Bipont Edition.</li>
+
+<li>P<span class="smcap lowercase">ARKINSON'S</span> S<span class="smcap lowercase">ERMONS</span>. Vol. I.</li>
+
+<li>A<span class="smcap lowercase">THENUM</span>. Oct. and Nov. 1848. Parts CCL., CCLI.</li>
+
+<li>W<span class="smcap lowercase">ILLIS'</span> P<span class="smcap lowercase">RICE</span> C<span class="smcap lowercase">URRENT</span>. Nos. I. III. V. XXIV. XXVI. XXVII.&mdash;XLV.</li>
+
+<li>R<span class="smcap lowercase">ABBI</span> S<span class="smcap lowercase">ALEMO</span> J<span class="smcap lowercase">ACOBES</span> C<span class="smcap lowercase">OMMENTAR BER DEN</span> P<span class="smcap lowercase">ENTATEUCH</span> VON L. H<span class="smcap lowercase">AYMANN</span>. Bonn, 1833.</li>
+
+<li>R<span class="smcap lowercase">ABBI</span> S<span class="smcap lowercase">ALEMO</span> J<span class="smcap lowercase">ACOBES BER DAS ERSTE</span> B<span class="smcap lowercase">UCH</span> M<span class="smcap lowercase">OSIS VON</span> L. H<span class="smcap lowercase">AYMANN</span>. Bonn, 1833.</li>
+
+<li>No. 3. of S<span class="smcap lowercase">UMMER</span> P<span class="smcap lowercase">RODUCTIONS</span>, or P<span class="smcap lowercase">ROGRESSIVE</span> M<span class="smcap lowercase">ISCELLANIES</span>, by Thomas Johnson. London, 1790.</li>
+
+<li>H<span class="smcap lowercase">ISTORY OF</span> V<span class="smcap lowercase">IRGINIA</span>. Folio. London, 1624.</li>
+
+<li>T<span class="smcap lowercase">HE</span> A<span class="smcap lowercase">POLOGETICS OF</span> A<span class="smcap lowercase">THENAGORAS</span>, Englished by D. Humphreys. London, 1714. 8vo.</li>
+
+<li>B<span class="smcap lowercase">OVILLUS DE</span> A<span class="smcap lowercase">NIM</span> I<span class="smcap lowercase">MMORTALITATE, ETC.</span> Lugduni, 1522. 4to.</li>
+
+<li>K<span class="smcap lowercase">UINOEL'S</span> N<span class="smcap lowercase">OV</span>. T<span class="smcap lowercase">EST</span>. Tom. I.</li>
+
+<li>T<span class="smcap lowercase">HE</span> F<span class="smcap lowercase">RIEND</span>, by Coleridge. Vol. III. Pickering.</li>
+
+</ul>
+
+
+<p class="indh6"> <span class="topnum">*</span><span class="botnum">*</span><span class="topnum">*</span> Letters, stating particulars and lowest price, <i>carriage
+free</i>, to be sent to M<span class="smcap lowercase">R</span>. B<span class="smcap lowercase">ELL</span>, Publisher of "NOTES AND QUERIES," 186.
+Fleet Street.</p>
+
+
+
+
+<h3><span class="bla">Notices to Correspondents.</span></h3>
+
+<p>F. R. A. <i>The lines referred to by</i> D<span class="smcap lowercase">R</span>. R<span class="smcap lowercase">IMBAULT</span> (Vol. iv., p. 181.)
+<i>are not those quoted in that page by</i> A T<span class="smcap lowercase">EMPLAR</span> <i>from the</i> Cobleriana,
+<i>but those beginning</i>&mdash;</p>
+
+ <div class="poem">
+
+<p>"As by the Templars' holds you go,"</p>
+
+</div>
+
+
+<p><i>respecting which a Query appeared in our</i> 3rd Vol. p. 450.</p>
+
+<p>J. V<span class="smcap lowercase">ARLEY</span>, Jun. <i>The lines are quoted by Washington Irving, from
+Shakspeare's</i> Winter's Tale, Act IV. Sc. 3.</p>
+
+<p>R<span class="smcap lowercase">T</span>. <i>will perceive that his communications reach us in a very available
+form.</i></p>
+
+<p>O. T. D. <i>is thanked for his suggestions, which shall be adopted as far
+as practical. He will find that his communication respecting</i>
+Pallavicino <i>has been anticipated in our</i> 3rd Vol., pp. 478. 523.</p>
+
+<p>P<span class="smcap lowercase">HILO</span>, <i>whose Query appeared in our Number of July 19th, will find a
+letter at our Publisher's.</i></p>
+
+<p>A<span class="smcap lowercase">LTRON</span>. <i>There is no Agent for the sale of</i> "N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>" <i>in
+Dublin. It will however no doubt be supplied by any bookseller there
+from whom it may be ordered.</i></p>
+
+<p>R<span class="smcap lowercase">EPLIES</span> R<span class="smcap lowercase">ECEIVED</span>.&mdash;<i>Dr. M. Sutcliffe</i>&mdash;<i>Description of a Dimple</i>&mdash;<i>Carli
+the Economist</i>&mdash;<i>Decretorum Doctor</i>&mdash;<i>Versicle</i>&mdash;<i>Querelle
+d'Allemand</i>&mdash;<i>Ellrake</i>&mdash;<i>Sir W. Raleigh in Virginia</i>&mdash;<i>M. Lominus
+Theologus</i>&mdash;<i>Pope's Translations</i>&mdash;<i>Wyle Cop</i>&mdash;<i>Collar of SS.</i>&mdash;<i>What
+constitutes a Proverb</i>&mdash;<i>Visiting Cards</i>&mdash;<i>Going the whole Hog</i>&mdash;<i>Lord
+Mayor a Privy Councillor</i>&mdash;<i>Inscription on a Claymore</i>&mdash;<i>Queen
+Brunhaut</i>&mdash;<i>Cagots</i>&mdash;<i>Written Sermons</i>&mdash;<i>Tale of a Tub</i>&mdash;<i>Cowper
+Law</i>&mdash;<i>Murderers buried in Cross-roads</i>&mdash;<i>Thread the Needle</i>&mdash;<i>Borough
+English</i>&mdash;<i>Gooseberry Fool</i>&mdash;<i>Darby and Joan</i>&mdash;<i>Print
+Cleaning</i>&mdash;<i>Serpent with a Human Head.</i></p>
+
+<p><i>Copies of our Prospectus, according to the suggestion of</i> T. E. H.<i>,
+will be forwarded to any correspondent willing to assist us by
+circulating them.</i></p>
+
+<p>V<span class="smcap lowercase">OLS</span>. I., II., <i>and</i> III., <i>with very copious Indices, may still be had,
+price 9s. 6d. each, neatly bound in cloth.</i></p>
+
+<p>N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span> <i>is published at noon on Friday, so that our country
+Subscribers may receive it on Saturday. The subscription for the Stamped
+Edition is 10s. 2d. for Six Months, which may be paid by Post-office
+Order drawn in favour of our Publisher,</i> MR. GEORGE BELL, 186. Fleet
+Street; <i>to whose care all communications for the Editor should be
+addressed.</i><a id="addressed216"></a>
+ <span class="pagenum">[216]</span></p>
+
+
+
+
+
+
+<div class="boxad">
+
+<p class="noindent cap">London Library, 12. St. James's Square.&mdash;</p>
+
+<p class="center">Patron&mdash;His Royal Highness Prince ALBERT.</p>
+
+<p>This Institution now offers to its members a collection of 60,000
+volumes, to which additions are constantly making, both in English and
+foreign literature. A reading room is also open for the use of the
+members, supplied with the best English and foreign periodicals.</p>
+
+<p>Terms of admission&mdash;entrance fee, 6<i>l.</i>; annual subscription, 2<i>l.</i>; or
+entrance fee and life subscription, 26<i>l.</i></p>
+
+<p class="i5">By order of the Committee.</p>
+
+<p>September, 1851. <span class="i7">J. G. COCHRANE, Secretary and Librarian.</span></p>
+
+</div>
+
+
+
+<div class="boxad">
+<p class="center">Now ready, Price 25<i>s.</i>, Second Edition, revised and corrected.
+Dedicated by Special Permission to</p>
+
+<p class="center1">THE (LATE) ARCHBISHOP OF CANTERBURY.</p>
+
+<p class="noindent cap">PSALMS AND HYMNS FOR THE SERVICE OF THE CHURCH. The words selected by
+the Very Rev. H. H. MILMAN, D.D., Dean of St. Paul's. The Music arranged
+for Four Voices, but applicable also to Two or One, including Chants for
+the Services, Responses to the Commandments, and a Concise S<span class="smcap lowercase">YSTEM</span> of
+C<span class="smcap lowercase">HANTING</span>, by J. B. SALE, Musical Instructor and Organist to Her Majesty.
+4to., neat, in morocco cloth, price 25<i>s.</i> To be had of Mr. J. B. SALE,
+21. Holywell Street, Millbank, Westminster, on the receipt of a Post
+Office Order for that amount; and by order, of the principal Booksellers
+and Music Warehouses.</p>
+
+
+<p class="blockquot">"A great advance on the works we have hitherto had, connected with our
+Church and Cathedral Service."&mdash;<i>Times.</i></p>
+
+<p class="blockquot">"A collection of Psalm Tunes certainly unequalled in this
+country."&mdash;<i>Literary Gazette.</i></p>
+
+<p class="blockquot">"One of the best collections of tunes which we have yet seen. Well
+merits the distinguished patronage under which it appears."&mdash;<i>Musical
+World.</i></p>
+
+<p class="blockquot">"A collection of Psalms and Hymns, together with a system of Chanting of
+a very superior character to any which has hitherto appeared."&mdash;<i>John
+Bull.</i></p>
+
+<p class="center">London: GEORGE BELL, 186. Fleet Street.</p>
+
+<p class="center1">Also, lately published,</p>
+
+<p>J. B. SALE'S SANCTUS, COMMANDMENTS and CHANTS as performed at the Chapel
+Royal St. James, price 2<i>s.</i></p>
+
+<p class="center">C. LONSDALE, 26. Old Bond Street.</p>
+
+</div>
+
+
+
+
+
+<div class="boxad">
+
+<p class="center">Price 2<i>s.</i> 6<i>d.</i>; by Post 3<i>s.</i></p>
+
+<p class="noindent cap">ILLUSTRATIONS AND ENQUIRIES RELATING TO MESMERISM. Part I. By the Rev.
+S. R. MAITLAND, DD. F.R.S. F.S.A. Sometime Librarian to the late
+Archbishop of Canterbury, and Keeper of the MSS. at Lambeth.</p>
+
+<p class="blockquot">"One of the most valuable and interesting pamphlets we ever
+read."&mdash;<i>Morning Herald.</i></p>
+
+<p class="blockquot">"This publication, which promises to be the commencement of a larger
+work, will well repay serious perusal."&mdash;<i>Ir. Eccl. Journ.</i></p>
+
+<p class="blockquot">"A small pamphlet in which he throws a startling light on the practice
+of modern Mesmerism."&mdash;<i>Nottingham Journal.</i></p>
+
+<p class="blockquot">"Dr. Maitland, we consider, has here brought Mesmerism to the
+'touchstone of truth,' to the test of the standard of right or wrong. We
+thank him for this first instalment of his inquiry, and hope that he
+will not long delay the remaining portions."&mdash;<i>London Medical Gazette.</i></p>
+
+<p class="blockquot">"The Enquiries are extremely curious, we should indeed say important.
+That relating to the Witch of Endor is one of the most successful we
+ever read. We cannot enter into particulars in this brief notice; but we
+would strongly recommend the pamphlet even to those who care nothing
+about Mesmerism, or <i>angry</i> (for it has come to this at the last) with
+the subject."&mdash;<i>Dublin Evening Post.</i></p>
+
+<p class="blockquot">"We recommend its general perusal as being really an endeavour, by one
+whose position gives him the best facilities, to ascertain the genuine
+character of Mesmerism, which is so much disputed."&mdash;<i>Woolmer's Exeter
+Gazette.</i></p>
+
+<p class="blockquot">"Dr. Maitland has bestowed a vast deal of attention on the subject for
+many years past, and the present pamphlet is in part the result of his
+thoughts and inquiries. There is a good deal in it which we should have
+been glad to quote ... but we content ourselves with referring our
+readers to the pamphlet itself."&mdash;<i>Brit. Mag.</i></p>
+
+<p class="center">PIPER, BROTHERS, &amp; CO., 23. Paternoster Row.</p>
+
+</div>
+
+
+<div class="boxad">
+
+<p class="center">PROFIT AND DISCOUNT TABLES,</p>
+
+<p class="center">In One Volume, just published, bound in roan, price 3<i>s.</i> 6<i>d.</i>, or
+4<i>s.</i> free by post,</p>
+
+<p class="noindent cap">SHOWING the Prices at which Articles must be Sold, to obtain a Profit at
+a certain Per Centage upon their invoiced Cost. And also, the Net Cost
+of Articles, when Discounts are allowed on the invoiced Prices. Adapted
+for the assistance of Traders in their Purchases, Sales, and taking
+Stock. The Calculations are upon Prices from 1<i>d.</i> to 20<i>s.</i>, and at the
+Rates from 1-&frac12; per Cent. to 75 per Cent.</p>
+
+<p><i>The following Example will show the Application of the Tables.</i>&mdash;The
+invoiced Price of Silk is 2<i>s.</i> 4<i>d.</i> per yard, which it is proposed to
+sell at 15 per Cent. profit.</p>
+
+<p>Refer to the page showing that rate of per centage, find the cost price
+in the first column, and, by looking to the same line of the second, the
+price to be asked is shown to be 2<i>s.</i> 8-&frac14;<i>d.</i></p>
+
+<p class="center">By CHARLES ODY ROOKS, A<span class="smcap lowercase">CCOUNTANT</span>.</p>
+
+<p class="center">London: WILLIAM TEGG &amp; CO., 85. Queen Street, Cheapside.</p>
+
+</div>
+
+
+
+
+
+<div class="boxad">
+
+<p class="center">Just published, fcap. 8vo., price 6<i>s.</i> 6<i>d.</i> in cloth,</p>
+
+<p class="noindent cap">THE COMPLETE ANGLER; or the Contemplative Man's Recreation, by IZAAC
+WALTON and CHARLES COTTON: with a new Biographical Introduction and
+Notes, and embellished with eighty-five Engravings on Copper and Wood.</p>
+
+<p class="center">London: HENRY KENT CAUSTON, Gracechurch Street.</p>
+
+</div>
+
+
+
+<div class="boxad">
+
+<p class="center">Extremely Rare Tracts.</p>
+
+<p class="noindent cap">MR. L. A. LEWIS will SELL, at his HOUSE, 125. Fleet Street, on Friday,
+26th, some BOOKS, from an old family library, including an extraordinary
+assemblage of Tracts on trade, coinage, commerce, banks, public
+institutions, &amp;c., in 187 vols., collected more than one hundred years
+ago, containing numerous articles of excessive rarity: Acta Eruditorum
+ab anno 1682 ad 1727, 57 vols.; Valpy's edition of the Delphin and
+Variorum Classics, 141 vols.; some curious Manuscripts; early printed
+Books: to which is added, the Library of the late George Watkinson,
+Esq., many years of the Bank of England; in which will be found a series
+of Books relating to Catholics, Black Letter, Theology, &amp;c.</p>
+</div>
+
+
+<div class="boxad">
+
+<p class="center">Mr. Noble's Stereotype Plates.</p>
+
+<p class="noindent cap">MR. L. A. LEWIS is preparing to SELL, shortly,
+at his House, 125. Fleet Street, the important assemblage of STEREOTYPE
+PLATES, the property of the late Theophilus Noble, of Fleet Street and
+Chancery Lane: comprising upwards of Twenty Tons weight, and including
+that popular series of Novels, Tales, and Romances published under the
+title of <i>Novel Newspaper</i>, in 680 sheets. Catalogues are preparing, and
+will be forwarded on application on receipt of four postage stamps.</p>
+</div>
+
+
+<div class="boxad">
+
+<p class="center">Literary Sale Rooms, 125. Fleet Street.</p>
+
+<p class="noindent cap">MR. L. A. LEWIS will have SALES by AUCTION of Libraries, small parcels
+of Books, Prints, Pictures, and Miscellaneous Effects every Friday.
+Property sent in on the previous Saturday will be certain to be sold (if
+required) in the following week.</p>
+
+</div>
+
+
+
+
+<div class="boxad">
+
+<p class="center">2 vols., sold separately, 8<i>s.</i> each.</p>
+
+<p class="blockquot cap">SERMONS. By the Rev. ALFRED GATTY, </p>
+
+<p class="center">M.A., Vicar of Ecclesfield.</p>
+
+<p class="blockquot">"In the effective simplicity with which Mr. Gatty applies the incidents
+and precepts of the Gospel to the every-day concerns of life, he has no
+superior. His faith is that of a sincere and genuine scriptural
+Churchman."&mdash;<i>Britannia.</i></p>
+
+<p class="blockquot">"Of all sermons I have ever seen, they are by far the best adapted to
+such congregations as I have had to preach to; at any rate, in my
+opinion. And as a further proof of their adaptation to the people's
+wants (and indeed the best proof that could be given), I have been
+requested by some of my parishioners to lend them sermons, which were
+almost <i>verbatim et literatim</i> transcripts of yours. That you may judge
+of the extent to which I have been indebted to you, I may mention that
+out of about seventy sermons which I preached at W&mdash;&mdash;, five or six were
+Paley's and fifteen or sixteen yours. For my own credit's sake, I must
+add, that all the rest were entirely my own."&mdash;<i>Extracted from the
+letter of a stranger to the Author.</i></p>
+
+<p class="center">London: GEORGE BELL, 186. Fleet Street.</p>
+
+</div>
+
+
+<p class="indh"> Printed by T<span class="smcap lowercase">HOMAS</span> C<span class="smcap lowercase">LARK</span> S<span class="smcap lowercase">HAW</span>, of No. 8. New Street Square, at No.
+ 5. New Street Square, in the Parish of St. Bride in the City of
+ London; and published by G<span class="smcap lowercase">EORGE</span> B<span class="smcap lowercase">ELL</span>, of No. 186. Fleet Street,
+ in the Parish of St. Dunstan in the West, in the City of London,
+ Publisher, at No. 186. Fleet Street aforesaid.&mdash;Saturday,
+ September 20. 1851.</p>
+
+<div class="tnbox">
+
+<p>Transcriber's Note: Original spelling varieties have not been standardized.</p>
+<p><a id="pageslist1"></a><a title="Return to top" href="#was_added1"> Pages
+ in "Notes and Queries", Vol. I-IV</a> </p>
+
+<pre>
+
+ +---------------+-------------------+-----------+-------------+
+ | Notes and Queries Vol. I. |
+ +---------------+-------------------+-----------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 1 | November 3, 1849 | 1 - 17 | PG # 8603 |
+ | Vol. I No. 2 | November 10, 1849 | 18 - 32 | PG # 11265 |
+ | Vol. I No. 3 | November 17, 1849 | 33 - 46 | PG # 11577 |
+ | Vol. I No. 4 | November 24, 1849 | 49 - 63 | PG # 13513 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 5 | December 1, 1849 | 65 - 80 | PG # 11636 |
+ | Vol. I No. 6 | December 8, 1849 | 81 - 95 | PG # 13550 |
+ | Vol. I No. 7 | December 15, 1849 | 97 - 112 | PG # 11651 |
+ | Vol. I No. 8 | December 22, 1849 | 113 - 128 | PG # 11652 |
+ | Vol. I No. 9 | December 29, 1849 | 130 - 144 | PG # 13521 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 10 | January 5, 1850 | 145 - 160 | PG # |
+ | Vol. I No. 11 | January 12, 1850 | 161 - 176 | PG # 11653 |
+ | Vol. I No. 12 | January 19, 1850 | 177 - 192 | PG # 11575 |
+ | Vol. I No. 13 | January 26, 1850 | 193 - 208 | PG # 11707 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 14 | February 2, 1850 | 209 - 224 | PG # 13558 |
+ | Vol. I No. 15 | February 9, 1850 | 225 - 238 | PG # 11929 |
+ | Vol. I No. 16 | February 16, 1850 | 241 - 256 | PG # 16193 |
+ | Vol. I No. 17 | February 23, 1850 | 257 - 271 | PG # 12018 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 18 | March 2, 1850 | 273 - 288 | PG # 13544 |
+ | Vol. I No. 19 | March 9, 1850 | 289 - 309 | PG # 13638 |
+ | Vol. I No. 20 | March 16, 1850 | 313 - 328 | PG # 16409 |
+ | Vol. I No. 21 | March 23, 1850 | 329 - 343 | PG # 11958 |
+ | Vol. I No. 22 | March 30, 1850 | 345 - 359 | PG # 12198 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 23 | April 6, 1850 | 361 - 376 | PG # 12505 |
+ | Vol. I No. 24 | April 13, 1850 | 377 - 392 | PG # 13925 |
+ | Vol. I No. 25 | April 20, 1850 | 393 - 408 | PG # 13747 |
+ | Vol. I No. 26 | April 27, 1850 | 409 - 423 | PG # 13822 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 27 | May 4, 1850 | 425 - 447 | PG # 13712 |
+ | Vol. I No. 28 | May 11, 1850 | 449 - 463 | PG # 13684 |
+ | Vol. I No. 29 | May 18, 1850 | 465 - 479 | PG # 15197 |
+ | Vol. I No. 30 | May 25, 1850 | 481 - 495 | PG # 13713 |
+ +---------------+-------------------+-----------+-------------+
+ | Notes and Queries Vol. II. |
+ +----------------+--------------------+---------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 31 | June 1, 1850 | 1- 15 | PG # 12589 |
+ | Vol. II No. 32 | June 8, 1850 | 17- 32 | PG # 15996 |
+ | Vol. II No. 33 | June 15, 1850 | 33- 48 | PG # 26121 |
+ | Vol. II No. 34 | June 22, 1850 | 49- 64 | PG # 22127 |
+ | Vol. II No. 35 | June 29, 1850 | 65- 79 | PG # 22126 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 36 | July 6, 1850 | 81- 96 | PG # 13361 |
+ | Vol. II No. 37 | July 13, 1850 | 97-112 | PG # 13729 |
+ | Vol. II No. 38 | July 20, 1850 | 113-128 | PG # 13362 |
+ | Vol. II No. 39 | July 27, 1850 | 129-143 | PG # 13736 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 40 | August 3, 1850 | 145-159 | PG # 13389 |
+ | Vol. II No. 41 | August 10, 1850 | 161-176 | PG # 13393 |
+ | Vol. II No. 42 | August 17, 1850 | 177-191 | PG # 13411 |
+ | Vol. II No. 43 | August 24, 1850 | 193-207 | PG # 13406 |
+ | Vol. II No. 44 | August 31, 1850 | 209-223 | PG # 13426 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 45 | September 7, 1850 | 225-240 | PG # 13427 |
+ | Vol. II No. 46 | September 14, 1850 | 241-256 | PG # 13462 |
+ | Vol. II No. 47 | September 21, 1850 | 257-272 | PG # 13936 |
+ | Vol. II No. 48 | September 28, 1850 | 273-288 | PG # 13463 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 49 | October 5, 1850 | 289-304 | PG # 13480 |
+ | Vol. II No. 50 | October 12, 1850 | 305-320 | PG # 13551 |
+ | Vol. II No. 51 | October 19, 1850 | 321-351 | PG # 15232 |
+ | Vol. II No. 52 | October 26, 1850 | 353-367 | PG # 22624 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 53 | November 2, 1850 | 369-383 | PG # 13540 |
+ | Vol. II No. 54 | November 9, 1850 | 385-399 | PG # 22138 |
+ | Vol. II No. 55 | November 16, 1850 | 401-415 | PG # 15216 |
+ | Vol. II No. 56 | November 23, 1850 | 417-431 | PG # 15354 |
+ | Vol. II No. 57 | November 30, 1850 | 433-454 | PG # 15405 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 58 | December 7, 1850 | 457-470 | PG # 21503 |
+ | Vol. II No. 59 | December 14, 1850 | 473-486 | PG # 15427 |
+ | Vol. II No. 60 | December 21, 1850 | 489-502 | PG # 24803 |
+ | Vol. II No. 61 | December 28, 1850 | 505-524 | PG # 16404 |
+ +----------------+--------------------+---------+-------------+
+ | Notes and Queries Vol. III. |
+ +-----------------+-------------------+---------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 62 | January 4, 1851 | 1- 15 | PG # 15638 |
+ | Vol. III No. 63 | January 11, 1851 | 17- 31 | PG # 15639 |
+ | Vol. III No. 64 | January 18, 1851 | 33- 47 | PG # 15640 |
+ | Vol. III No. 65 | January 25, 1851 | 49- 78 | PG # 15641 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 66 | February 1, 1851 | 81- 95 | PG # 22339 |
+ | Vol. III No. 67 | February 8, 1851 | 97-111 | PG # 22625 |
+ | Vol. III No. 68 | February 15, 1851 | 113-127 | PG # 22639 |
+ | Vol. III No. 69 | February 22, 1851 | 129-159 | PG # 23027 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 70 | March 1, 1851 | 161-174 | PG # 23204 |
+ | Vol. III No. 71 | March 8, 1851 | 177-200 | PG # 23205 |
+ | Vol. III No. 72 | March 15, 1851 | 201-215 | PG # 23212 |
+ | Vol. III No. 73 | March 22, 1851 | 217-231 | PG # 23225 |
+ | Vol. III No. 74 | March 29, 1851 | 233-255 | PG # 23282 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 75 | April 5, 1851 | 257-271 | PG # 23402 |
+ | Vol. III No. 76 | April 12, 1851 | 273-294 | PG # 26896 |
+ | Vol. III No. 77 | April 19, 1851 | 297-311 | PG # 26897 |
+ | Vol. III No. 78 | April 26, 1851 | 313-342 | PG # 26898 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 79 | May 3, 1851 | 345-359 | PG # 26899 |
+ | Vol. III No. 80 | May 10, 1851 | 361-382 | PG # 32495 |
+ | Vol. III No. 81 | May 17, 1851 | 385-399 | PG # 29318 |
+ | Vol. III No. 82 | May 24, 1851 | 401-415 | PG # 28311 |
+ | Vol. III No. 83 | May 31, 1851 | 417-440 | PG # 36835 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 84 | June 7, 1851 | 441-472 | PG # 37379 |
+ | Vol. III No. 85 | June 14, 1851 | 473-488 | PG # 37403 |
+ | Vol. III No. 86 | June 21, 1851 | 489-511 | PG # 37496 |
+ | Vol. III No. 87 | June 28, 1851 | 513-528 | PG # 37516 |
+ +-----------------+-------------------+---------+-------------+
+ | Notes and Queries Vol. IV. |
+ +-----------------+--------------------+---------+------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 88 | July 5, 1851 | 1- 15 | PG # 37548 |
+ | Vol. IV No. 89 | July 12, 1851 | 17- 31 | PG # 37568 |
+ | Vol. IV No. 90 | July 19, 1851 | 33- 47 | PG # 37593 |
+ | Vol. IV No. 91 | July 26, 1851 | 49- 79 | PG # 37778 |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 92 | August 2, 1851 | 81- 94 | PG # 38324 |
+ | Vol. IV No. 93 | August 9, 1851 | 97-112 | PG # 38337 |
+ | Vol. IV No. 94 | August 16, 1851 | 113-127 | PG # 38350 |
+ | Vol. IV No. 95 | August 23, 1851 | 129-144 | PG # 38386 |
+ | Vol. IV No. 96 | August 30, 1851 | 145-167 | PG # 38405 |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 97 | Sept. 6, 1851 | 169-183 | PG # 38433 |
+ | Vol. IV No. 98 | Sept. 13, 1851 | 185-200 | PG # 38491 |
+ +-----------------+--------------------+---------+------------+
+ | Vol I. Index. [Nov. 1849-May 1850] | PG # 13536 |
+ | INDEX TO THE SECOND VOLUME. MAY-DEC., 1850 | PG # 13571 |
+ | INDEX TO THE THIRD VOLUME. JAN.-JUNE, 1851 | PG # 26770 |
+ +------------------------------------------------+------------+
+
+
+</pre>
+ </div>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 99,
+September 20, 1851, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 20, 1851 ***
+
+***** This file should be named 38574-h.htm or 38574-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/8/5/7/38574/
+
+Produced by Charlene Taylor, Jonathan Ingram and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+ </body>
+ </html>
diff --git a/38574-h/images/cover.jpg b/38574-h/images/cover.jpg
new file mode 100644
index 0000000..08f26fc
--- /dev/null
+++ b/38574-h/images/cover.jpg
Binary files differ
diff --git a/38574-h/images/image01.jpg b/38574-h/images/image01.jpg
new file mode 100644
index 0000000..16b9e91
--- /dev/null
+++ b/38574-h/images/image01.jpg
Binary files differ
diff --git a/38574.txt b/38574.txt
new file mode 100644
index 0000000..f7694c3
--- /dev/null
+++ b/38574.txt
@@ -0,0 +1,2587 @@
+The Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 99,
+September 20, 1851, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Vol. IV, Number 99, September 20, 1851
+ A Medium of Inter-communication for Literary Men, Artists,
+ Antiquaries, Genealogists, etc.
+
+Author: Various
+
+Editor: George Bell
+
+Release Date: January 15, 2012 [EBook #38574]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 20, 1851 ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+[Transcriber's note: Original spelling varieties have not been
+standardized. Characters with macrons have been marked in brackets with
+an equal sign, as [=e] for a letter e with a macron on top; [th] was
+used for the letter thorn, [dh] for eth, and [gh] for yogh. Saxon
+characters have been marked in braces, as in {Eafel}. Underscores have
+been used to indicate _italic_ fonts (or emphasis in Greek). A list of
+volumes and pages in "Notes and Queries" has been added at the end.]
+
+
+
+
+NOTES and QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION
+
+FOR
+
+LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+VOL. IV.--No. 99 SATURDAY, SEPTEMBER 20. 1851.
+
+Price Threepence. Stamped Edition, 4_d._
+
+
+
+
+CONTENTS.
+
+ Page
+
+
+ NOTES:--
+
+ Venerable Bede's Mental Arithmetic 201
+
+ Hyphenism, Hyphenic, Hyphenization 203
+
+ Gray and Cowley 204
+
+ Minor Notes:--[Greek: Hypopiazo]--Meaning of
+ Whitsunday--Anagrammatic Pun by William Oldys--Ballad of
+ Chevy Chase: Ovid--Horace Walpole at Eton 205
+
+ QUERIES:--
+
+ Continental Watchmen and their Songs 206
+
+ Minor Queries:--Quotation from Bacon--Carmagnoles--The
+ Use of Tobacco by the Elizabethan Ladies--Covines--Story
+ referred to by Jeremy Taylor--Plant in Texas--Discount
+ --Sacre Cheveux--"Mad as a March Hare"--Payments for
+ Destruction of Vermin--Fire unknown--Matthew Paris's
+ Historia Minor--Mother Bunche's Fairy Tales--Monumental
+ Symbolism--Meaning of "Stickle" and "Dray"--Son of the
+ Morning--Gild Book 208
+
+ REPLIES:--
+
+ Pope and Flatman 209
+
+ Test of the Strength of a Bow 210
+
+ Baskerville the Printer 211
+
+ Replies to Minor Queries:--Mazer Wood and Sin-eaters--"A
+ Posie of other Men's Flowers"--Table Book--Briwingable
+ --Simnels--A Ship's Berth--Suicides buried in Cross-roads
+ --A Sword-blade Note--Domesday Book of Scotland--Dole-bank
+ --The Letter "V"--Cardinal Wolsey--Nervous--Coleridge's
+ Essays on Beauty--"Nao" or "Naw," a Ship--Unde derivatur
+ Stonehenge--Nick Nack--Meaning of Carfax--Hand giving the
+ Benediction--Unlucky for Pregnant Women to take an
+ Oath--Borough-English--Date of a Charter 211
+
+ MISCELLANEOUS:--
+
+ Notes on Books, Sales, Catalogues, &c. 215
+
+ Books and Odd Volumes wanted 215
+
+ Notices to Correspondents 215
+
+ Advertisements 216
+
+
+
+
+Notes.
+
+
+VENERABLE BEDE'S MENTAL ALMANAC.
+
+If our own ancient British sage, the Venerable Bede, could rise up from
+the dust of eleven centuries, he might find us, notwithstanding all our
+astounding improvements, in a worse position, in one respect at least,
+than when he left us; and as the subject would be one in which he was
+well versed, it would indubitably attract his attention.
+
+He might then set about teaching us from his own writings a mental
+resource, far superior to any similar device practised by ourselves, by
+which the day of the week belonging to any day of the month, in any year
+of the Christian era, might easily and speedily be found.
+
+And when the few, who would give themselves the trouble of thoroughly
+understanding it, came to perceive its easiness of acquirement, its
+simplicity in practice, and its firm hold upon the memory, they might
+well marvel how so admirable a facility should have been so entirely
+forgotten, or by what perversion of judgment it could have been
+superseded by the comparatively clumsy and impracticable method of the
+Dominical letters.
+
+Let us hear his description of it in his own words:
+
+ "QUAE SIT FERIA IN CALENDIS.
+
+ "Simile autem huic tradunt argumentum ad inveniendam diem
+ Calendarum promptissimum.
+
+ "Habet ergo regulares Januarius II, Februarius V, Martius V,
+ Apriles I, Maius III, Junius VI, Julius I, Augustus IIII,
+ September VII, October II, November V, December VII. Qui videlicet
+ regulares hoc specialiter indicant, quota sit feria per Calendas,
+ eo anno quo septem concurrentes adscripti sunt dies: caeteris vero
+ annis addes concurrentes quotquot in praesenti fuerunt adnotati ad
+ regulares mensium singulorum, et ita diem calendarum sine errore
+ semper invenies. Hoc tantum memor esto, ut cum imminente anno
+ bisextili unus concurrentium intermittendus est dies, eo tamen
+ numero quem intermissurus es in Januario Februarioque utaris: ac
+ in calendis primum Martiis per illum qui circulo centinetur solis
+ computare incipias. Cum ergo diem calendarum, verbi gratia,
+ Januarium, quaerere vis; dicis Januarius II, adde concurrentes
+ septimanae dies qui fuerunt anno quo computas, utpote III, fiunt
+ quinque; quinta feria intrant calendae Januariae. Item anno qui sex
+ habet concurrentes, sume v regulares mensis Martii, adde
+ concurrentes sex, fiunt undecim, tolle septem, remanent quatuor,
+ quarta feria sunt Calendae Martiae."--Bedae Venerabilis, _De Temporum
+ Ratione_, caput xxi.
+
+The meaning of this may be expressed as follows:--Attached to the twelve
+months of the year are certain fixed numbers called regulars, ranging
+from I to VII, denoting the days of the week in their usual order. These
+regulars, in any year whereof the concurrent, or solar epact, is 0 or 7,
+express, of themselves, the commencing day of each month: but in other
+years, whatever the solar epact of the year may be, that epact must be
+added to the regular of any month to indicate, in a similar manner, the
+commencing day of that month.
+
+It follows, therefore, that the only burthen the memory need be charged
+with is the distribution of the regulars among the several months;
+because the other element, the solar epact (which also ranges from 1 to
+7), may either be obtained from a short mental calculation, or, should
+the system come into general use, it would soon become a matter of
+public notoriety during the continuance of each current year.
+
+Now, these solar epacts have several practical advantages over the
+Dominical letters. 1. They are numerical in themselves, and therefore
+they are found at once, and used directly, without the complication of
+converting figures into letters and letters into figures. 2. They
+increase progressively in every year; whereas the Dominical letters have
+a crab-like retrogressive progress, which impedes facility of practice.
+3. The _rationale_ of the solar epacts is more easily explained and more
+readily understood: they are the accumulated odd days short of a
+complete week; consequently the accumulation must increase by 1 in every
+year, except in leap years, when it increases by 2; because in leap
+years there are 2 odd days over 52 complete weeks. But this irregularity
+in the epact of leap year does not come into operation until the
+additional day has actually been added to the year; that is, not until
+after the 29th of February. Or, as Bede describes it, "_in leap years
+one of the concurrent days is intermitted, but the number so intermitted
+must be used for January and February; after which, the epact obtained
+from cyclical tables_ (or from calculation) _must be used for the
+remaining months_." By which he means, that the epacts increase in
+arithmetical succession, except in leap years, when the series is
+interrupted by one number being passed over; the number so passed over
+being used for January and February only. Thus, 2 being the epact of
+1851, 3 would be its natural successor for 1852; but, in consequence of
+this latter being leap year, 3 is intermitted (except for January and
+February), and 4 becomes the real epact, as obtained from calculation.
+
+To calculate the solar epact for any year, Bede in another place gives
+the following rule:
+
+ "Si vis scire concurrentes septimanae dies, sume annos Domini et
+ eorum quartum partem adjice: his quoque quatuor adde, (quia)
+ quinque concurrentes fuerunt anno Nativitatis Domini: hos partire
+ per septem et remanent Epactae Solis."
+
+That is: take the given year, add to it its fourth part, and also the
+constant number 4 (which was the epact preceding the first year of the
+Christian era), divide the sum by 7, and what remains is the solar
+epact. (If there be no remainder, the epact may be called either 0 or
+7.)
+
+This is an excellent rule; the same, I believe, that is to this day
+prescribed for arriving at the Dominical letter of the Old Style. Let it
+be applied, for example, to find upon what day of the week the battle of
+Agincourt was fought (Oct. 25, 1415). Here we have 1415, and its fourth
+353, and the constant 4, which together make 1772, divided by 7 leaves 1
+as the solar epact; and this, added to 2, the _regular_ for the month of
+October, informs us that 3, or Tuesday, was the first day of that month;
+consequently it was the 22nd, and Friday, the 25th, was Saint Crispin's
+day.
+
+But this rule of Bede's, in consequence of the addition, since his time,
+of a thousand years to the number to be operated upon, is no longer so
+convenient as a _mental_ resource.
+
+It may be greatly simplified by separating the centuries from the odd
+years, by which the operation is reduced to two places of figures
+instead of four. Such a method, moreover, has the very great advantage
+of assimilating the operation of finding the solar epact, in both
+styles, the Old and the New; the only remaining difference between them
+being in the rules for finding the _constant number_ to be added in each
+century. These rules are as follow:--
+
+_For the Old Style._--In any date, divide the number of centuries by 7,
+and deduct the remainder from 4 (or 11); the result is the constant for
+that century.
+
+_For the New Style._--In any date, divide the number of centuries by 4,
+double the remainder, and deduct it from 6: the result is the constant
+for that century.
+
+_For the Solar Epact, in either Style._--To the odd years of any date
+(rejecting the centuries) add their fourth part, and also the constant
+number found by the preceding rules; divide the sum by 7, and what
+remains is the solar epact.
+
+As an example of these rules in _Old Style_, let the former example be
+repeated, viz. A.D. 1415:
+
+First, since the centuries (14), divided by 7, leave no remainder, 4 is
+the constant number. Therefore 15, and 3 (the fourth), and 4 (the
+constant), amount to 22, from which eliminating the sevens, remains 1 as
+the solar epact.
+
+For an example in _New Style_, let the present year be taken. In the
+first place, 18 divided by 4 leaves 2, which doubled is 4, deducted from
+6 results 2, the constant number for the present century. Therefore 51,
+and 12 (the fourth), and 2 (the constant), together make 65, from which
+the sevens being eliminated, remains 2, the solar epact for this year.
+
+But in appreciating the practical facility of this method, we must bear
+in mind that _the constant_, when once ascertained for any century,
+remains unchanged throughout the whole of that century; and that _the
+solar epact_, when once ascertained for any year, can scarcely require
+recalculation during the remainder of that year: furthermore, that
+although the rule for calculating the epact, as just recited, is so
+extremely simple, yet even that slight mental exertion may be spared to
+the mass of those who might benefit by its application to current
+purposes; because it might become an object of general notoriety in each
+current year. And I am not without hope that "NOTES AND QUERIES" will
+next year set the example to other publications, by making the current
+solar epact for 1852 a portion of its "heading," and by suffering it to
+remain, incorporated with the date of each impression, throughout the
+year.
+
+Let us now recur to the allotment of _the regulars_ at the beginning of
+Bede's description. Placed in succession their order is as follows:--
+
+ April and July I, or Sunday
+ January and October II, or Monday
+ May III, or Tuesday
+ August IIII, or Wednesday
+ March, Feb., and November V, or Thursday
+ June VI, or Friday
+ September and December VII, or Saturday
+
+There is no great difficulty in retaining this in the memory; but should
+uncertainty arise at any time, it may be immediately corrected by a
+mental reference to the following lines, the alliterative jingle of
+which is designed to house them as securely in the brain as the immortal
+and never-failing, "Thirty days hath September." The order of the
+allotment is preserved by appropriating as nearly as possible a line to
+each day of the week; while the absolute connexion here and there of
+certain days, by name, with certain months, forms a sort of interweaving
+that renders mistake or misplacement almost impossible.
+
+ "April loveth to link with July,
+ And the merry new year with October comes by,
+ August for Wednesday, Tuesday for May,
+ March and November and Valentine's Day,
+ Friday is June day, and lastly we seek
+ September and Christmas to finish the week."
+
+Now, since we have ascertained, from the short calculation before
+recited, that the solar epact of this present year of 1851 is 2, and
+since the regular of October is also 2, we have but to add them together
+to obtain 4 (or Wednesday) as the commencing day of this next coming
+month of October. And, if we wish to know the day of the month belonging
+to any other day of the week in October, we have but to subtract the
+commencing day, which is 4, from 8, and to the result add the required
+day. Let the latter, for example, be Sunday; then 4 from 8 leaves 4,
+which added to 1 (or Sunday), shows that Sunday, in the month of October
+1851, is either 5th, 12th, 19th, or 26th.
+
+This additional application is here introduced merely to illustrate the
+great facilities afforded by the purely numerical form of Bede's
+"_argumentum_,"--such as must gradually present themselves to any person
+who will take the trouble to become thoroughly and practically familiar
+with it.
+
+ A. E. B.
+
+ Leeds, September, 1851.
+
+
+HYPHENISM, HYPHENIC, HYPHENIZATION.
+
+Where our ancestors wanted words, they made them, or imported them ready
+made. But we are become so particular about the etymological force of
+newly coined words, that we can never please ourselves, but rather
+choose to do without than to tolerate anything exceptionable. We have to
+learn again that a word cannot be like Burleigh's nod, but must be
+content to indicate the whole by the expression of some prominent part,
+or of some convenient part, prominent or not.
+
+Among the uses to which the "NOTES AND QUERIES" might be put, is the
+suggestion of words. It very often happens that one who is apt at
+finding the want is not equally good for the remedy, and _vice versa_.
+By the aid of this journal the blade might find a handle, or the handle
+a blade, as wanted, with the advantage of criticism at the formation;
+while an author who coins a word, must commit himself before he can have
+much advice.
+
+The above remarks were immediately suggested by my happening to think of
+a word for a thing which gives much trouble, and requires more attention
+than it has received, but not more than it may receive if it can be
+fitly designated by a single word. A _clause_ of a sentence, both by
+etymology and usage, means any part of it of which the component words
+cannot be separated, but must all go together, or all remain together:
+it is then a component of the sentence which has a finished meaning in
+itself. The proper mode of indicating the clauses takes its name from
+the means, and not from the end: we say _punctuation_, not
+_clausification_. This may have been a misfortune, for it is possible
+that punctuation might have been better studied, if its name had
+imported its object. But there is another and a greater misfortune,
+arising from the total want of a name. In a sentence, not only do
+collections of words form minor sentences, but they also form compound
+words: sometimes eight or ten words are really only one. When two words
+are thus compounded, we use a hyphen: but those who have attempted to
+use more than one hyphen have been laughed out of the field; though
+perspicuity, logic, and algebra were all on their side. The _Morning
+Post_ adopted this practice in former days; and Horace Smith (or James,
+as the case may be,) ridiculed them in a parody which speaks of "the
+not-a-bit-the-less-on-that-account-to-be-universally-detested monster
+Buonaparte." It is, I think, much to be regretted that the use of the
+hyphen is so restricted: for though, like the comma, it might be
+abused, yet the abuse would rather tend to clearness.
+
+But, without introducing a further use of the hyphen, it
+would be desirable to have a distinct name for a combination
+of words; which, without being such a recognised and permanent
+compound as _apple-tree_ or _man in the moon_, is nevertheless
+one word in the particular sentence in hand. And the name is
+easily found. The word hyphen being Greek ([Greek: hyph' hen]),
+and being made a substantive, we might join Greek suffixes to it,
+and speak of _hyphenisms_ and _hyphenic_ phrases. For example,
+the following I should call a hyphenic error. When the British
+Museum recently published _A Short Guide to that Portion of
+the Library of printed Books now open to the Public_, a review
+pronounced the title a misnomer; because the _books_ are not
+open to the public, but are in locked glass cases. The reviewer
+read it "library of printed-books-now-open-to-the-public," instead
+of "library-of-printed-books now open to the public." And though in
+this case the reviewer was very palpably wrong, yet there are many
+cases in which a real ambiguity exists.
+
+A neglect of mental hyphenization often leads to mistake as to an
+author's meaning, particularly in this age of morbid implication. For
+instance, a person writes something about "a Sunday or other
+day-for-which-there-is-a-special-service;" and is taken as meaning "a
+Sunday-or-other-day for which," &c. The odds are that some readers will
+suppose him, by speak of Sundays _with_ special service, to imply that
+some are _without_.
+
+ M.
+
+
+GRAY AND COWLEY.
+
+Some spirited publisher would confer a serious obligation on the
+classical world by bringing out an edition of Gray's _Poems_, with the
+parallel passages annexed. "Taking him for all in all," he is one of our
+most perfect poets: and though Collins might have rivalled him (under
+circumstances equally auspicious), he could have been surpassed by
+Milton alone. In 1786, Gilbert Wakefield attempted to do for Gray what
+Newton and Warton had done for Milton (and, for one, I thank him for
+it); but his illustrations, though almost all good and to the point, are
+generally from books which every ordinary reader knows off by heart.
+Besides, Wakefield is so very egotistical, and at times so very puerile,
+that he is too much for most people. However, his volume, _The Poems of
+Mr. Gray, with Notes_, by Gilbert Wakefield, B.A., late Fellow of Jesus
+College, Cambridge: London, 1786, would furnish a good substratum for
+the volume I am now recommending.
+
+Not to speak of Milton's English poems and the great masterpieces of
+ancient times, with which so learned a scholar as Gray was, of course,
+familiar, he draws largely from the Greek anthology, from Nonnus, from
+Milton's Latin poems, from Cowley, and I had almost said from the prose
+works of Bishop Jeremy Taylor. His admiration of the great "Shakspeare
+of Divinity" is proved from a portion of one of his letters to Mason;
+and some other day I may furnish an illustration or two. Indeed, were
+any publisher to undertake the generous office I mention, I dare say
+that many a secret treasure would be unlocked, and many an "orient pearl
+at random strung" be forthcoming for his use. Let me first mention
+Gray's opinion of Cowley, and then add in confirmation one or two
+passages out of many. He says in a note to his "Ode on the Progress of
+Poesy:"
+
+ "We have had in our language not other odes of the sublime kind
+ than that of Dryden 'On St. Cecilia's Day:' for _Cowley (who had
+ his merit) yet wanted judgment, style, and harmony for such a
+ task_. That of Pope is not worthy of so great a man."
+
+We must submit to Gray's oracular sentence, for he himself was
+pre-eminently gifted in the three great qualities in which he declares
+the deficiency of Cowley (at least if we are to judge from his English
+poems; for the prosody of his Latin efforts seems sadly deficient). At
+times Cowley's "harmony" is not first-rate, and his "style" is deeply
+impregnated with the fantastic conceits of the day; but he is still a
+poet, and a great one too. And I think that in some of his writings Gray
+had Cowley evidently in mind; _e.g._ in the _epitaph_ to his "Elegy in a
+Country Churchyard:"
+
+ "Large was his bounty, and his soul sincere,
+ Heaven did a recompence as largely send:
+ He gave to mis'ry (all he had) a tear;
+ He gained from Heav'n ('twas all he wish'd) a friend."
+
+Cowley had previously written:
+
+ "Large was his soul; as large a soul as e'er
+ Submitted to _inform_ a _body_ here.
+ High as the place 'twas shortly in _Heav'n_ to have,
+ But low, and humble as his _grave_.
+ So _high_ that all the _virtues_ there did come,
+ As to their chiefest seat,
+ Conspicuous, and great;
+ So _low_ that for _me_ too it made a room."
+
+ _On the Death of Mr. William Hervey._
+ _Miscellanies_, page 18. London, 1669.
+
+Again--
+
+ "The attick warbler pours her _throat_
+ Responsive to the cuckoo's note,
+ The _untaught_ harmony of spring."
+
+ Gray, Ode I. _On the Spring._
+
+ "Hadst thou all the charming notes
+ Of the wood's poetic _throats_."
+
+ Cowley, _Ode to the Swallow_.
+
+ "Teaching their Maker in their _untaught_ lays."
+
+ Cowley, _Davideis_ lib. i. sect 63. p. 20.
+
+Again:
+
+ "Where'er the oak's thick branches stretch
+ A broader browner shade,
+ Where'er the rude and moss-grown beech
+ O'ercanopies the glade,
+ Beside some water's rushy brink,
+ With me the Muse shall sit, and think," &c.
+
+ Gray, Ode I. _On the Spring._
+
+ "O magnum Isacidum decus! O pulcherrima castra!
+ O arma ingentes olim paritura triumphos!
+ Non sic herbarum vario subridet Amictu,
+ Planities pictae vallis, montisque supini
+ Clivus, perpetuis Cedrorum versibus altus.
+ Non sic aestivo quondam nitet hortus in anno,
+ Frondusque, fructusque ferens, formosa secundum
+ Flumina, mollis ubi viridisque supernatat umbra."
+
+ Cowley, _Davideidos_ lib. i. ad finem.
+
+I do not mean that Gray may not have had other poets in his mind when
+writing these lines (for there is nothing new or uncommon about them);
+but rather a careful going over of Cowley's poems convinces me that Gray
+was sensible of his "merits," and often corrects his want of "judgment"
+by his own refined and most exquisite taste. I must give one more
+instance; and I think that Bishop Hall's allusion to his life at
+Emmanuel College, and Bishop Ridley's "Farewell to Pembroke Hall," must
+every one fall into the background before Cowley. Gray's poem ought to
+be too well known to require quoting:
+
+ "Ye distant spires, ye antique towers,
+ That crown the wat'ry glade,
+ Where grateful Science still adores
+ Her Henry's holy shade;
+ And ye that from the stately brow
+ Of Windsor's heights th' expanse below
+ Of grove, of lawn, of mead survey,
+ Whose turf, whose shade, whose flowers among
+ Wanders the hoary Thames along
+ His silver winding way.
+
+ "Ah, happy hills! ah, pleasing shade!
+ Ah, fields beloved in vain!
+ Where once my careless childhood stray'd,
+ A stranger yet to pain.
+ I feel the gales that from ye blow,
+ A momentary bliss bestow,
+ As waving fresh their gladsome wing,
+ My weary soul they seem to soothe,
+ And, redolent of joy and youth,
+ To breathe a second spring."
+
+ Ode III. _On a distant Prospect of Eton College._
+
+Cowley was educated at Trinity College, Cambridge; and if I rightly
+remember Bonney's _Life of Bishop Middleton_, his affecting allusions to
+Cambridge had the highest praise of that accomplished scholar and
+divine:
+
+ "O mihi jucundum Grantae super omnia nomen!
+ O penitus toto corde receptus amor!
+ O pulchrae sine luxu aedes, vitaeque beatae,
+ Splendida paupertas, ingenuusque decor!
+ O chara ante alias, magnorum nomine Regum
+ Digna domus! Trini nomine digna Dei
+ O nimium Cereris cumulati munere campi,
+ Posthabitis Ennae quos colit illa jugis!
+ O sacri fontes! et sacrae vatibus umbrae
+ Quas recreant avium Pieridumque chori!
+ O Camus! Phoebo multus quo gratior amnis
+ Amnibus auriferis invidiosus inops!
+ Ah mihi si vestrae reddat bona gaudia sedis,
+ Detque Deus docta posse quiete frui!
+ Qualis eram cum me tranquilla mente sedentem
+ Vidisti in ripa, Came serene, tua;
+ Mulcentem audisti puerili flumina cantu;
+ Ille quidem immerito, sed tibi gratus erat.
+ Nam, memini ripa cum tu dignatus utraque
+ Dignatum est totum verba referre nemus.
+ Tunc liquidis tacitisque simul mea vita diebus,
+ Et similis vestra candida fluxit aqua.
+ At nunc coenosa luces, atque obice multo
+ Rumpitur atatis turbidus ordo mea.
+ Quid mihi Sequana opus, Tamesisve aut Thybridis unda?
+ Tu potis es nostram tollere, Came, sitim."
+
+ _Elegia dedicatoria, ad illustrissimam Academiam
+ Cantabrigiensem_, prefixed to Cowley's Works,
+ Lond. 1669, folio.
+
+ RT.
+
+ Warmington, Sept. 8. 1851.
+
+
+Minor Notes.
+
+[Greek: _Hypopiazo_]--I "keep under my body," &c. 1 Cor. ix. 27. One can
+scarcely allude to this passage without remembering the sarcastic
+observations of Dr. South upon a too literal interpretation of it.
+(_Sermons_, vol. i. p. 12. Dublin, 1720.) And yet deeper and more
+spiritual writers by no means pass the literal interpretation by with
+indifference. Bishop Andrewes distinctly mentions [Greek: hypopiasmos],
+or _suggillatio_, amongst the "circumstantiae orationis;" as also
+[Greek: ekdikesis], _vindicta_, or _revenge_, 2 Cor. vii. II. (_Preces
+Privatae_, pag. 14. Londini, 1828.) Bishop J. Taylor is equally explicit
+in a well-known and remarkable passage:
+
+ "If the lust be upon us, and sharply tempting, by inflicting any
+ smart to overthrow the strongest passion by the most violent pain,
+ we shall find great ease for the present, and the resolution and
+ apt sufferance against the future danger; and this was St. Paul's
+ remedy: 'I bring my body under;' he used some rudeness towards
+ it."--_Holy Living_, sect. iii. _Of Chastity. Remedies against
+ Uncleanness_, 4.
+
+The word [Greek: hypopia] occurs only once in the LXX, but that seems in
+a peculiarly apposite way: "[Greek: _hypopia kai syntrimmata synanta
+kakois_, plegai de eis tamieia koilias.]" As our English version
+translates it: "The blueness of a wound cleanseth away evil (or, is a
+purging medicine against evil, margin), so do stripes the inward parts
+of the belly." (Proverbs xx. 30.) If it were not absolute presumption to
+differ from the great Dr. Jackson, one would feel inclined to question,
+or at least to require further proof of some observations of his. He
+says, in treating of our present passage:
+
+ "The very literal importance of those three words in the
+ original--[Greek: hypopiazo], [Greek: keryxas], and
+ [Greek: adokimos]--cannot be so well learned from any Dictionary
+ or Lexicon, as from such as write of the Olympic Games, or of that
+ kind of tryal of masteries, which in his time or before was in
+ use. The word [Greek: hypopiazo] is proper (I take it) unto
+ wrestlers, whose practice it was to keep under other men's bodies,
+ not their own, or to keep their antagonists from all advantage of
+ hold, either gotten or aimed at. But our apostle did imitate their
+ practice upon his own body, not on any others; for his own body
+ was his chief antagonist."--_Works_, vol. ii. p. 644. Lond. 1673.
+
+Suidas makes some remarks upon the word, but they are not very much to
+our purpose.
+
+ RT.
+
+ Warmington.
+
+_Meaning of Whitsunday._--I long ago suggested in your pages that
+Whitsun Day, or, as it was anciently written, Witson Day, meant Wisdom
+Day, or the day of the outpouring of Divine wisdom; and I requested the
+attention of your learned correspondents to this subject. I cannot
+refrain from thanking C. H. for his fourth quotation from Richard Rolle
+(Vol. iv., p. 50.) in confirmation of this view.
+
+ "This day _witsonday_ is cald,
+ For _wisdom & wit_ seuene fald
+ Was youen to [th]'e apostles as [th]is day
+ For _wise_ in alle [th]ingis wer thay,
+ To spek w't outen mannes lore
+ Al maner langage eueri whore."
+
+ H. T. G.
+
+_Anagrammatic Pun by William Oldys._--Your correspondent's Query
+concerning Oldys's _Account of London Libraries_ (Vol. iv., p. 176.),
+reminded me of the following punning anagram on the name of that
+celebrated bibliographer, which may claim a place among the first
+productions of its class. It was Oldys himself, and is attached to one
+of his own transcripts in the British Museum:
+
+ "In word and _Will I am_ a friend to you,
+ And one friend _Old is_ worth a hundred new."
+
+ BLOWEN.
+
+_Ballad of Chevy Chase: Ovid._--Addison, in his critique on the ballad
+of "Chevy Chase," after quoting the stanza--
+
+ "Against Sir Hugh Montgomery,
+ So right his shaft he set,
+ The grey goose wing that was thereon
+ In his heart's blood was wet,"
+
+says that "the thought" in that stanza "was never touched by any other
+poet, and is such a one as would have shined in Homer or Virgil." It is
+perhaps true that there is no passage in any other writer exactly
+resembling this, but it is not quite true that the thought has not been
+_touched_; for there is something approaching to it in Ovid's
+_Metamorphoses_, where the slaughter of Niobe's children by the arrows
+of Apollo is described:
+
+ "Altera per jugulum _pennis tenus_ acta sagitta est:
+ _Expulit hanc sanguis_; seque ejaculatus in altum
+ Emicat."--VI. 260.
+
+The author of this ballad would appear, from the passages cited by
+Addison, to have been well read in the Latin poets. Had Addison
+recollected the above passage of Ovid, he would doubtless have adduced
+it.
+
+ J. S. W.
+
+ Stockwell.
+
+_Horace Walpole at Eton._--The following anecdote of Horace Walpole
+while at Eton was related by the learned Jacob Bryant, one of his
+school-fellows, and has not, I believe, been printed; it is at all
+events very much at your service.
+
+In those days the Etonians were in the habit of acting plays, and
+amongst others _Tamerlane_ was selected for representation. The cast of
+parts has unluckily not been preserved, but it is sufficient for us to
+know that the lower boys were put into requisition to personate the
+mutes. After the performance the wine, which had been provided for the
+actors, had disappeared, and a strong suspicion arose that the lower
+boys behind the scenes had made free with it, and Horace Walpole
+exclaimed, "The mutes have swallowed the liquids!"
+
+ BRAYBROOKE.
+
+
+
+
+Queries.
+
+
+CONTINENTAL WATCHMEN AND THEIR SONGS.
+
+The inquiries I made in Vol. iii., p. 324., respecting the Bellman and
+his Songs, have been answered by most interesting information (pp. 377.
+451. 485.); and the references made by the Editor to V. Bourne's
+translation was most acceptable. The interest of this subject is
+increased by finding that the Custos Nocturnus exists at the present day
+in other countries, resembling very much in duties, costume, and chants
+the Westminster Bellman. I venture to send you extracts from W. Hurton's
+_Voyage from Leith to Lapland_, and Dr. Forbes's _Physician's Holiday_.
+
+ "During the past year of 1849 it has been my lot to reside at four
+ of the most remarkable capitals of Europe, and successively to
+ experience what spring is in London, what summer is in Paris, what
+ autumn is in Edinburgh, and what winter is in Copenhagen. Vividly,
+ indeed, can I dwell on the marvellous contrast of the night aspect
+ of each: but one of the most interesting peculiarities I have
+ noticed in any of them, is that presented by the watchmen of the
+ last-named. When I first looked on these guardians of the night, I
+ involuntarily thought of Shakspeare's Dogberry and Verges. The
+ sturdy watchers are muffled in uniform great coats, and also wear
+ fur caps. In their hand they carry a staff of office, on which
+ they screw, when occasion requires, that fearful weapon the
+ 'morning star.' They also sometimes may be seen with a lanthorn at
+ their belt: the candle contained in the lanthorn they place at the
+ top of their staff, to relight any street-lamps which require
+ trimming. In case of fire, the watchmen give signals from the
+ church towers, by striking a number of strokes, varying with the
+ quarter of the city in which the fire occurs; and they also put
+ from the tower flags and lights pointed in the direction where the
+ destructive element is raging. From eight o'clock in the evening,
+ until four (Query, until five) o'clock in the morning, all the
+ year round, they chant a fresh verse at the expiration of each
+ hour, as they go their rounds. The cadence is generally deep and
+ guttural, but with a peculiar emphasis and tone; and from a
+ distance it floats on the still night air with a pleasing and
+ impressive effect, especially to the ear of a stranger. The verses
+ in question are of great antiquity, and were written, I am told,
+ by one of the Danish bishops. They are printed on a large sheet of
+ paper, with an emblematical border, rudely engraved in the old
+ style; and in the centre is a large engraving exactly representing
+ one of the ancient watchmen, in the now obsolete costume, with his
+ staff and 'morning star' in hand, a lanthorn at his belt, and his
+ dog at his feet.
+
+ "A copy of the broadside has been procured me, and my friend Mr.
+ Charles Beckwith has expressly made for me a verbatim translation
+ of the verses; and his version I will now give at length. I am
+ induced to do this, because, not only are the chants most
+ interesting in themselves, as a fine old relic of Scandinavian
+ customs, but there seems to me a powerful poetical spirit
+ pervading them. At the top of the sheet are the lines which in the
+ translation are--
+
+ 'Watch and pray,
+ For time goes;
+ Think and directly,
+ You know not when.'
+
+ "In large letters over the engraving of the watchman are the words
+ (translated):
+
+ 'Praised be God! our Lord, to whom
+ Be love, praise, and honour.'
+
+ "I will now give the literal version, printed exactly in the same
+ arrangement of lines, letters, and punctuation, as the original:
+
+ '_Copenhagen Watchman's Song._
+
+ Eight o'clock,
+ When darkness blinds the earth
+ And the day declines,
+ That time then us reminds
+ Of death's dark grave;
+ Shine on us, Jesus sweet,
+ At every step
+ To the grave-place,
+ And grant a blissful death.'
+
+ "Every hour between eight and five o'clock inclusive has its own
+ chant. The last is--
+
+ 'Five o'clock.
+ O Jesu! morning star!
+ Our King unto thy care
+ We so willingly commend,
+ Be Thou his sun and shield!
+ Our clock it has struck five
+ Come mild Sun,
+ From mercy's pale,
+ Light up our house and home.'"
+
+ _Voyage from Leith to Lapland in 1850_,
+ by W. Hurton, vol. i. p. 104.
+
+Dr. Forbes writes:
+
+ "We had very indifferent rest in our inn, owing to the over-zeal
+ of the Chur watchmen, whose practice it is to perambulate the town
+ through the whole night, twelve in number, and who on the present
+ occasion displayed a most energetic state of vigilance. They not
+ only called, but sung out, every hour, in the most sonorous
+ strains, and even chanted a long string of verses on the striking
+ of some.... I suppose the good people of Chur think nothing of
+ these chantings, or from habit hear them not; but a tired
+ traveller would rather run the risk of being robbed in
+ tranquillity, than be thus sung from his propriety during all the
+ watches of the night."--_A Physician's Holiday_, pp. 80, 81.
+
+Dr. Forbes gives a copy of a "Watch Chant at Chur," with a translation,
+pp. 81, 82. At p. 116. he says:
+
+ "In our hotel at Altorf we were again saluted, during the vigils
+ of the night, but in a very mitigated degree, with some of the
+ same patriotic and pious strains which had so disturbed us at
+ Chur. As chanted here, however, they were far from unwelcome. The
+ only other place, I think, where we heard these Waechterrufe was
+ Neufchatel. These calls are very interesting relics of the old
+ times, and must be considered indicative as well of the simple
+ habits of the old time, as of the pious feelings of the people of
+ old."
+
+He then gives the Evening and Morning Chants in the town of Glarus, and
+the chant in use in some places in the canton of Zurich; but in Zurich
+itself the chant is no longer heard.
+
+Dr. Forbes concludes the twelfth chapter with the following observation:
+
+ "The same antiquity, and also the inveteracy of old customs to
+ persist, is strikingly shown by the fact that in some parts of the
+ canton of Tessino, where the common language of the people is
+ Italian, the night watch-call is still in old German."
+
+The apparent universality of the Bellman throughout Europe gives rise to
+questions that would, I apprehend, extend beyond the object of "NOTES
+AND QUERIES;" such as, Is pure religion benefited by the engrafting of
+it upon stocks so familiar as the bellman or watchman? What are the
+causes that the old ecclesiastic bellman is no longer heard in some
+countries, whilst in others he continues with little or no variation?
+Has religion lost or gained by the change?
+
+Dr. Forbes's notice of the Tessino watchman calls up the public crier in
+England, another class of bellmen, asking for a hearing, with his "O
+yes! O yes!" Little does he think that he is speaking French.
+
+ F. W. J.
+
+
+Minor Queries.
+
+151. _Quotation from Bacon._--In Lord Campbell's Life of Lord Bacon
+(_Lives of the Lord Chancellors_, vol. ii. p. 314.) he gives an extract
+from Lord Bacon's speech in the House of Commons, on his proposed bill
+for "Suppressing Abuses in Weights and Measures." In the following
+sentence there is a word which seems to require explanation:
+
+ "The fault of using false weights and measures is grown so
+ intolerable and common, that if you would build churches you shall
+ not need for battlements and _halls_, other than false weights of
+ lead and brass."
+
+The use of lead for the battlements of churches seems obvious enough:
+but what can _halls_ mean, unless it be a misprint for _bells_, for
+which brass would be required?
+
+ PEREGRINUS.
+
+152. _Carmagnoles._--Can any of your readers tell me the exact meaning
+of the _Carmagnoles_ of the French Revolution? Is the "Marseillaise" a
+Carmagnole song? If the word be derived from Carmagnuola in Piedmont,
+what is the story of its origin?
+
+ W. B. H.
+
+153. _The Use of Tobacco by the Elizabethan Ladies._--In _An
+Introduction to English Antiquities, by James Eccleston, B.A._, 8vo.
+1847, p. 306., the author, speaking of the ladies of the reign of
+Elizabeth, has the following passage:
+
+ "It is with regret we add, that their teeth were at this time
+ generally black and rotten, a defect which foreigners attributed
+ to their inordinate love for sugar, but which may, perhaps, be
+ quite as reasonably ascribed to their frequent habit of taking the
+ Nicotian weed to excess."
+
+Does the author mean to insinuate by the above, that the Elizabethan
+ladies indulged in the "filthy weed" by "smoaking" or "chewing?" I have
+always understood that the "Nicotian weed" _whitened_ the teeth rather
+than _blackened_ them, but should be glad to be enlightened upon the
+subject by some of your scientific readers.
+
+ EDWARD F. RIMBAULT.
+
+154. _Covines_ (Vol. iii., p. 477.).--Remembering to have seen it stated
+by one of your correspondents, that witches or sorcerers were formerly
+divided into classes or companies of twelve, called _covines_, I should
+feel obliged by a reference to the authorities from which this statement
+is derived. They were not alleged at the time.
+
+ A. N.
+
+155. _Story referred to by Jeremy Taylor._--Jeremy Taylor (_Duct.
+Dubit._, book iii. chap. ii. rule 5. quaest. 2.) states:
+
+ "The Greek that denied the depositum of his friend, and offered to
+ swear at the altar that he had restored it already, did not
+ preserve his conscience and his oath by desiring his friend to
+ hold the staff in which he had secretly conveyed the money. It is
+ true, he delivered it into his hand, desiring that he would hold
+ it till he had sworn; but that artifice was a plain cozenage, and
+ it was prettily discovered. For the injured person, in indignation
+ at the perjury, smote the staff upon the ground, and broke it, and
+ espied the money."
+
+Whence is the above incident derived?
+
+ A TR.
+
+156. _Plant in Texas._--I shall be glad to learn the scientific name of
+the plant to which the following extract from the _Athenaeum_ (1847, p.
+210.) refers:--
+
+ "It is a well-known fact that in the vast prairies of Texas a
+ little plant is always to be found which, under all circumstances
+ of climate, changes of weather, rain, frost, or sunshine,
+ invariably turns its leaves and flowers to the north," &c.
+
+ [Hebrew: A. T.]
+
+157. _Discount._--Can any of your readers inform me how discount
+originated, and where first made use of?
+
+ JAMES C.
+
+158. _Sacre Cheveux._--The motto of the arms of the family of _Halifax_
+of Chadacre in Suffolk, and of Lombard Street, is--
+
+ "SACRE CHEVEUX."
+
+It does not seem to bear allusion to the crest, a griffin, nor to any of
+the charges in the coat, which I do not at the moment accurately
+remember. If you will enlighten me as to the meaning and origin of the
+motto, I shall be obliged.
+
+ S. A.
+
+159. "_Mad as a March Hare._"--In Mr. Mayhew's very interesting work,
+_London Labour and the London Poor_, Part xxxiii. p. 112., a collector
+of hareskins, in giving an account of his calling, says:
+
+ "Hareskins is in--leastways I c'lects them--from September to the
+ end of March, when hares, they says, goes mad."
+
+Perhaps the allusion to the well-known saying, "as mad as a March hare,"
+on this occasion was made without the collector of hareskins being aware
+of the existence of such a saying. Is anything known of its origin? I
+imagine that Mr. Mayhew's work will bring many such sayings to light.
+
+ L. L. L.
+
+160. _Vermin, Payments for Destruction of, and Ancient Names._--Can you
+afford me any information as to the authority (act of parliament, or
+otherwise,) by which churchwardens in old times paid sums of money for
+the destruction of vermin in the several parishes in England; and by
+what process of reasoning, animals now deemed innocuous were then
+thought to merit so rigorous an extirpation?
+
+In some old volumes of churchwardens' accounts to which I have access, I
+find names which it is impossible to associate with any description of
+vermin now known. Perhaps some of your correspondents may be able to
+identify them: such as _glead_, _ringteal_, _greas'head_, _baggar_. My
+own impression as to the latter name was, that it was only another way
+of spelling badger; but as, in the volume to which I refer, the word
+_bowson_ occurs, which the historian Dr. Whitaker pronounces to be
+identical with that species of vermin, my surmise can scarcely be
+correct.
+
+ J. B. (Manchester).
+
+161. _Fire unknown._--Leibnitz (_Sur l'Entendement humain_, liv. i.
+[section] 4.) speaks of certain islanders to whom fire was unknown. Is
+there any authentic account of savages destitute of this essential
+knowledge?
+
+ C. W. G.
+
+162. _Matthew Paris's Historia Minor._--During the last few years I have
+made occasional, but unsuccessful, inquiries after the _Historia Minor_
+of Matthew Paris. It is quoted at some length by Archbishop Parker
+(_Antiquit. Eccles. Brit._, ed. Hanov. 1605, p. 158.). It is also
+referred to, apparently upon Parker's authority, by several divines of
+the succeeding age; by one or more of whom (as well as by Watt) the MS.
+is spoken of as deposited in the Royal Library at St. James's. The words
+produced by Parker do not occur in Matthew Paris's _Major History_;
+though the editor of the second edition of the larger work would appear
+to have consulted the _Hist. Minor_, either in the _Biblioth. Reg._, or
+the Cottonian Library, or else in the Library of Corpus Coll.,
+Cambridge. Can any one gratify my curiosity by saying whether this MS.
+is known to exist, and (if so) where?
+
+ J. SANSOM.
+
+163. _Mother Bunche's Fairy Tales._--Who wrote _Mother Bunche's Fairy
+Tales_?
+
+ DALSTONIA.
+
+164. _Monumental Symbolism._--In the south aisle of Tylehurst church,
+Berks, is a beautiful monument to the memory of Sir Peter Vanlore,
+Knight, and his lady, in recumbent positions, at whose feet is the
+statue of their eldest son in armour kneeling. In the front of the tomb
+are the figures of ten of their children in processional form--first,
+two daughters singly; the rest two and two, four of which have skulls in
+their right hands, and a book in their left, probably to denote their
+being deceased at the time the monument was erected. At the feet of one
+of the youngest children is represented a very small figure of a child
+lying in a shroud, the date 1627.
+
+Query, What do the books symbolise?
+
+ JULIA R. BOCKETT.
+
+ Southcote Lodge.
+
+165. _Meaning of "Stickle" and "Dray."_--In Wm. Browne's _Pastoral_,
+"The Squirrel Hunt," we read of--
+
+ "Patient anglers, standing all the day
+ Near to some shallow _stickle_, or deep bay."
+
+The word _stickle_ appears to me to be used here for a pool. Is it ever
+so used now, or has that meaning become obsolete? I do not find it in
+Richardson's _Dictionary_.
+
+In the Lake District, in the Langdales, is Harrison's Stickle or Stickle
+Tarn, which I think confirms my view of the meaning.
+
+ * * * * *
+
+ "Whilst he from tree to tree, from spray to spray,
+ Gets to the wood, and hides him in his _dray_."
+
+Cowper uses the word _dray_ with reference to the same animal:
+
+ "Chined like a squirrel to his _dray_."
+
+ "A Fable," Southey's _Edit._ viii. 312.
+
+What is the correct meaning of this word? Richardson, from Barrett,
+says, "a _dray_ or _sledde_, which goeth without wheels." And adds,
+"also applied to a carriage with low, heavy wheels, dragged heavily
+along, as a brewer's _dray_."
+
+He then quotes the passage from Cowper, containing the above line.
+
+ F. B. RELTON.
+
+166. _Son of the Morning._--
+
+ "Son of the morning, rise! approach you here!
+ Come--but molest not yon defenceless urn:
+ Look on this spot--a nation's sepulchre!
+ Abode of gods, whose shrines no longer burn.
+ Even gods must yield--religions take their turn:
+ 'Twas Jove's--'tis Mahomet's--and other creeds
+ Will rise with other years, till man shall learn
+ Vainly his incense soars, his victim bleeds;
+ Poor child of Doubt and Death, whose hope is built on reeds."
+
+How many read the above beautiful stanza from _Childe Harold_, Canto II.
+Stanza 3., without asking themselves who the "Son of the morning" is.
+Perhaps some of your literary correspondents and admirers of Byron may
+be able to tell us. I enclose my own solution for your information.
+
+ AN OLD BENGAL CIVILIAN.
+
+167. _Gild Book._--The Gild-Book of the "Holy Trinity Brotherhood" of
+St. Botolph's without Aldersgate, London, once belonged to Mr. W. Hone,
+by whom it is quoted in his _Ancient Mysteries_, p. 79. If any of the
+readers of "NOTES AND QUERIES" would be so kind as to let me know where
+this MS. is to be found, I should be very thankful.
+
+ D. ROCK.
+
+ Buckland, Faringdon.
+
+
+
+
+Replies.
+
+
+POPE AND FLATMAN.
+
+(Vol. iv., p. 132.)
+
+In the edition of Pope's _Works_ published by Knapton, Lintot, and
+others, 1753, 9 vols., I find the following note to the Ode entitled
+"The Dying Christian to his Soul:"--
+
+ "This Ode was written in imitation of the famous Sonnet of Hadrian
+ to his departing Soul, but as much superior to his original in
+ sense and sublimity as the Christian religion is to the pagan."
+
+This is confirmed by the correspondence of Pope with Steele, vol. vii.
+pp. 185, 188, 189, 190. Letters 4, 7, 8, and 9.
+
+That Pope also derived some hints at least from Flatman's Ode is, I
+think, certain, from the following extract from a bookseller's catalogue
+of a few years' date:
+
+ "Flatman, Thos., Poems and Songs. Portrait slightly damaged. 8vo.,
+ new, cf. gt. back, 8s. With autograph of Alex. Pope.
+
+ "MS. Note at p. 55.--'This next piece, _A Thought on Death_, is
+ remarkable as being the verses from which Pope borrowed some of
+ the thoughts in his Ode of The Dying Christian to his Soul.'"
+
+ F. B. RELTON.
+
+The question whether Flatman borrowed from Pope or Pope from Flatman
+(the former seems far more probable) may perhaps be decided by the date
+of Flatman's composition, if that can be ascertained. Pope's ode was
+composed in November, 1712, as recorded in the interesting series of
+letters in the correspondence between Pope and Steele (_Letters_ iv. to
+ix.) and in the 532nd number of the _Spectator_. From Steele's letter it
+appears that the stanzas were composed for music: is any setting of them
+known, anterior to that by Harwood, which has obtained such universal
+popularity, in spite of its many undeniable errors in harmony? Is
+anything known of this composer? he certainly was not deficient either
+in invention or taste, and must have written other pieces worthy to be
+remembered.
+
+ E. V.
+
+It seems probable that the coincidence between the passages of Thomas
+Flatman and Pope, indicated at p. 132., arises from both imitating the
+_alliteration_ of the original:
+
+ "_Animula, vagula, blandula,_
+ Hospes, comesque corporis,
+ Quae nunc abibis in loca,
+ _Pullidula, rigida, undula_?
+ Nec, ut soles, dabis jocos."
+
+Casaubon (_Hist. Ang. Script._, t. i. p. 210. ed. Lug. Bat.) has totally
+lost sight of this in his Greek translation.
+
+ THEODORE BUCKLEY.
+
+
+TEST OF STRENGTH OF A BOW.
+
+(Vol. iv., p. 56.)
+
+Although unable to answer all the Queries of TOXOPHILUS, the subjoined
+information may possibly advantage him. His Queries of course have
+reference to the long bow, and not to the arbalest, or cross-bow. The
+length of this bow appears to have varied according to the height and
+strength of the bowman; for in the 12th year of the reign of Edward IV.
+an act was passed ordaining that every Englishman should be possessed of
+a bow of his own height. Bishop Latimer also, in one of his sermons,
+preached before Edward VI., and published in 1549, wherein he enforces
+the practice of archery, has the following passage:
+
+ "In my time my father taught me how to draw, how to lay my body in
+ my bow, and not to draw with strength of arms, as other nations
+ do, but with strength of body. I had my bows brought me according
+ to my age and strength: as I increased in them, so my bows were
+ made bigger and bigger."
+
+The length of the full-sized bow appears to have been about six feet:
+the arrow, three.
+
+The distance to which an arrow could be shot from the long bow of course
+depended, in a great measure, upon the quality and toughness of the
+wood, as well as upon the skill and strength of the archer; but I
+believe it will be found that the tougher and more unyielding the bow,
+the greater the strength required in bending it, and consequently the
+greater the force imparted to the arrow. The general distance to which
+an arrow could be shot from the long bow seems to have been from eleven
+to twelve score yards; although there are instances on record of
+individuals shooting from 400 to 500 yards.
+
+The best bows used by our ancestors were made of yew, as it appears from
+a statute made in the thirty-third year of the reign of Henry VIII., by
+which it was enacted--
+
+ "That none under the age of seventeen should shoot with a bow of
+ yew, except his parents were worth 10_l._ per annum in lands, or
+ 40 marks in goods: and for every bow made of yew, the bowyer not
+ inhabiting London or the suburbs should make four, and the
+ inhabitant there two, bows of other wood."
+
+These restrictions were doubtless owing to the great scarcity of yew.
+The other woods most in request were elm, witch-hazel, and ash. By the
+statute 8th of Elizabeth, cap. 3., it was ordained that every bowyer
+residing in London should have always ready fifty bows of either of the
+before-mentioned woods. By this statute also the prices at which the
+bows were to be sold were regulated.
+
+I believe the ancient bows were made of one piece; whether there is any
+advantage to be derived in having a bow of more than two pieces, I leave
+for some one better qualified than myself to determine.
+
+As regards arrows, Ascham, in his _Toxophilus_, has enumerated fifteen
+sorts of wood of which arrows were made in his time, viz. brasell,
+turkie-wood, fusticke, sugercheste, hard-beam, byrche, ash, oak,
+service-tree, alder, blackthorn, elder, beach, aspe, and sallow; of
+these aspe and ash were accounted the best; the one for target-shooting,
+the other for war. The author of _The Field Book_ says:
+
+ "That an arrow weighing from twenty to four-and-twenty
+ pennyweights, made of yew, was considered by archers the best that
+ could be used."
+
+ DAVID STEVENS.
+
+ Godalming.
+
+The method of trying and proving a bow is stated by Ascham to be thus:
+
+ "By shooting it in the fields, and _sinking_ it with _dead heavy_
+ shafts; looking where it _comes_ most, and providing for that
+ place betimes, lest it pinch and so fret. When the bow has thus
+ been shot in, and appears to contain good shooting wood, it must
+ be taken to a skilful workman, to be cut shorter, scraped, and
+ dressed fitter, and made to come circularly round; and it should
+ be whipped at the ends, lest it snap in sunder or fret sooner than
+ the archer is aware of."
+
+It is calculated that an arrow may be shot 110 yards for every 20 lbs.
+weight of the bow.
+
+As regards the length of the old English bow, the statute 5th of Edward
+IV. cap. 4., runs thus:
+
+ "That every Englishman, and Irishmen that dwell with Englishmen
+ and speak English, that be between sixteen and sixty in age, shall
+ have an English bow of his own length."
+
+Ascham recommended for men of average strength arrows made of birch,
+hornbeam, oak, and ash.
+
+The foregoing is extracted from a work entitled _The English Bowman_, by
+T. Roberts, 1801.
+
+ PHILOSOPHUS.
+
+
+BASKERVILLE THE PRINTER.
+
+(Vol. iv., pp. 40. 123.)
+
+Hansard's _Typographia_, i. 8vo. 1825, Preface, p. xii--xiii.:
+
+ "Of the more modern portraits something remains to be said, and
+ particularly of that of Baskerville. It has been hitherto supposed
+ that no likeness is extant of this first promoter of fine
+ printing, and author of various improvements in the Typographic
+ Art, as well as in the arts connected with it. At the time when I
+ was collecting information for that part of my work in which Mr.
+ Baskerville is particularly mentioned (p. 310. _et seq._), I
+ thought it a good opportunity to make inquiry at Birmingham
+ whether any portrait or likeness of him remained; for a long time
+ the inquiry was constantly answered in the negative, but at last
+ it occurred to a friend to make a search among the family of the
+ late Mrs. Baskerville, and he was successful. Mr. Baskerville
+ married the widow of a Mr. Eaves; her maiden name was Ruston; she
+ had two children by her former husband, a son and a daughter: the
+ latter married her first cousin, Mr. Josiah Ruston, formerly a
+ respectable druggist at Birmingham, and she survived her husband.
+ At the sale of some effects after her decease, portraits of her
+ mother and her father-in-law, Mr. Baskerville, were purchased by
+ Mr. Knott of Birmingham. Some of Mr. Ruston's family and friends
+ who are still living, consider this likeness of Mr. Baskerville as
+ a most excellent and faithful resemblance. It was taken by one
+ Miller, an artist of considerable eminence in the latter part of
+ Baskerville's time. The inquiries of my friend Mr. Grafton, of
+ Park Grove, near Birmingham, at once brought this painting into
+ notice: and at his solicitation Mr. Knott kindly permitted Mr.
+ Raven of Birmingham, an artist of much celebrity, to copy it for
+ my use and the embellishment of this work; to which, I think, the
+ united talents of Mr. Craig and Mr. Lee have done ample justice."
+
+The portrait faces p. 310. of Mr. Hansard's book, and there may be found
+an account, though somewhat different, of the exhumation alluded to by
+MR. ST. JOHNS (Vol. iv., p. 123.), which took place in May, 1821.
+
+ CRANMORE.
+
+In answer to an inquirer I beg respectfully to state that the body of
+the eminent printer now reposes, as it has for some years, in the vaults
+of Christ Church in our town.
+
+ WILLIAM CORNISH.
+
+ New Street, Birmingham.
+
+
+Replies to Minor Queries.
+
+_Mazer Wood and Sin-eaters_ (Vol. iii., pp. 239. 288.).--The following
+extract from Hone's _Year Book_, p. 858., will add to the explanation
+furnished by S. S. S., and will also give an instance of the singular
+practices which prevailed among our ancestors:--
+
+ "Among the Lansdowne MSS. in the British Museum are statements in
+ Aubrey's own handwriting to this purport. In the county of
+ Hereford, was an old custom at funerals, to hire poor people, who
+ were to take upon them the sins of the party deceased. One of them
+ (he was a long, lean, ugly, lamentable, poor rascal), I remember,
+ lived in a cottage on Rosse highway. The manner was, that when the
+ corpse was brought out of the house, and laid on the bier, a loaf
+ of bread was brought out, and delivered to the sin eater, over the
+ corpse, as also a _mazard bowl_ of maple, full of beer (which he
+ was to drink up), and sixpence in money, in consideration whereof
+ he took upon him, _ipso facto_, all the sins of the defunct, and
+ freed him or her from walking after they were dead."
+
+Perhaps some of your readers may be able to throw some light on this
+curious practice of _sin-eating_, or on the existence of regular
+_sin-eaters_.
+
+ E. H. B.
+
+ Demerary.
+
+ [Mr. Ellis, in his edition of Brande's _Popular Antiquities_, vol.
+ ii. p. 155. 4to. has given a curious passage from the Lansdowne
+ MSS. concerning a sin-eater who lived in Herefordshire, which has
+ been quoted in the _Gentleman's Magazine_, vol. xcii. pt. i. p.
+ 222.]
+
+"_A Posie of other Men's Flowers_" (Vol. iv., pp. 58. 125.).--If D. Q.
+should succeed in finding this saying in Montaigne's Works, I hope he
+will be kind enough to send an "Eureka!" to "NOTES AND QUERIES," as by
+referring to pp. 278. 451. of your second volume he will see that I am
+interested in the question.
+
+I am still inclined to think that the metaphor, _in its present concise
+form_ at all events, does _not_ belong to Montaigne, though it may owe
+its origin to some passage in the _Essays_. See, for example, one in
+book i. chap. 24.; another in book ii. chap. 10., in Hazlitt's second
+edition, 1845, pp. 54. 186.
+
+But I have not forgotten Montaigne's motto, "Que scais-je?" The chances
+are that I am wrong. I should certainly like to see his right to the
+saying satisfactorily proved by reference to book, chapter, and page.
+
+ C. FORBES.
+
+ Temple.
+
+At the conclusion of the preface to the thick 8vo. edition of the
+_Elegant Extracts, Verse_, published by C. Dilly, 1796, you will find
+these words:--
+
+ "I will conclude my preface with the _ideas of Montaigne_. 'I have
+ here only made a nosegay of culled flowers, and have brought
+ nothing of my own but the thread that ties them.'"
+
+ R. S. S.
+
+ 56. Fenchurch Street.
+
+_Table Book_ (Vol. i., p. 215.).--See _Transactions of the Royal Irish
+Academy_, vol. xxi., Antiq. pp. 3-15, and some specimens in the museum
+of the Academy. (_Proceedings_, vol. iii. p. 74.)
+
+ R. H.
+
+_Briwingable_ (Vol. iv., p. 22.).--I cannot find this word in any
+authority to which I have access. I derive it from Sax. {bri[th]an}, to
+brew, and {Eafel}, a tax; and think it the same as _tolsester_, a duty
+payable to the lord of the manor by ale-brewers, mentioned in Charta 55
+Hen. III.: "Tolsester cerevisie, hec est pro quolibet braccino per annum
+unam lagenam cerevisie."
+
+ F. J.
+
+_Simnels_ (Vol. iii., pp. 390. 506.).--T. very sensibly suggests that
+Lambert _Simnel_ is a nickname derived from a kind of cake still common
+in the north of England, and eaten in Lent. I have never met with
+_Simnel_ as a surname, and have actually been told, as a child, that the
+Simnels were called after Lambert; which is so far worthy of note as
+that it connects the two together in tradition, though, no doubt, as T.
+suggests, it is Lambert who was called after the Simnels. As a child I
+took the liberty to infer, in consequence, that Parkins (gingerbread of
+oatmeal instead of flour, and also common in the north of England) were
+called after Perkin Warbeck. I am aware of the superior claim of
+Peterkin now; but the coincidence may perhaps amuse your correspondents.
+
+ [Dagger symbol]
+
+_A Ship's Berth_ (Vol. iv., p. 83.).--I would suggest to your
+correspondents S. S. S. (2) another derivation for our word _berth_.
+
+The present French _berceau_, a cradle, was in the Norman age written
+_ber[gh]_, as appears in a MSS. _Life of St. Nicholas_ in
+the Bodleian Library. This Life has been printed at Bonn by Dr. Nicolaus
+Delius, 1850; but in the print the character [gh] has been
+represented by the ordinary z. This is a pity, because, as all know who
+are familiar with our MSS. of the twelfth and thirteenth centuries, this
+figure [gh] took not unfrequently the place of [dh]
+(th); and on this account it is a character which ought to be
+scrupulously preserved in editing. _Ber[gh]_ then was
+probably pronounced _berth_, or possibly with a little more of the
+sibilant than is now found in the latter. How easily the _sibilant_ and
+the _th_ run into one another may be seen by the third person singular
+of our present Indicative:
+
+ saith says.
+ doth does.
+ hopeth hopes.
+
+ J. E.
+
+ Oxford, August 2. 1851.
+
+_Suicides buried in Cross-roads_ (Vol. iv., p. 116.).--P. M. M. makes
+inquiry respecting a practice formerly observed of _burying murderers in
+cross-roads_. I have often heard that _suicides_ were formerly interred
+in such places, and that a stake used to be driven through the body. I
+know of two places in the neighbourhood of _Boston_ in Lincolnshire,
+where such burials are stated to have taken place. One of these is about
+a mile and a half south of Boston, on what is called the _low_ road to
+Freiston; a very ancient _hawthorn tree_ marks the spot, and the tree
+itself is said to have sprung from the stake which was driven through
+the body of the self-murderer. The tradition was told me sixty years
+since, and the interment was _then_ said to have occurred _a hundred
+years ago_; the suicide's name was at that time traditionally
+remembered, and was told to me, but I cannot recall it. The tree
+exhibits marks of great age, and is preserved with care; it still bears
+"may," as the flower of the whitethorn is called, and _haws_ in their
+season.
+
+The second grave (as it is reported) of this kind is on the high road
+from Boston to Wainfleet, at the intersection of a road leading to
+Butterwick, at a place called _Spittal Hill_; near the site of the
+ancient hospital or infirmary, which was attached to the Priory of St.
+James at Freiston. This spot is famous in the traditions of the
+neighbourhood as the scene of the appearance of a sprite or hobgoblin,
+called the "_Spittal Hill_ TUT;" which takes, in the language of the
+district, the shape of a SHAG _foal_, and is said to be connected with
+the history of the suicide buried there.
+
+TUT is a very general term applied in Lincolnshire to any fancied
+supernatural appearance. Children are frightened by being told of _Tom
+Tut_; and persons in a state of panic, or unreasonable trepidation, are
+said to be _Tut-gotten_.
+
+ P. T.
+
+ Stoke Newington, Aug. 30.
+
+_A Sword-blade Note_ (Vol. iv., p. 176.).--The sword-blade note, to
+which R. J. refers, was doubtless a note of the Sword-blade Company,
+which was intimately connected with the South Sea Company. In the
+narrative respecting the latter company, given in _The Historical
+Register_ for 1720, is an account of a conference between the South Sea
+Directors and those of the Bank of England: therein is the following
+passage:
+
+ "And when it was urg'd that the _Sword Blade_ Company should come
+ into the Treaty; _By no means_, reply'd _Sir Gilbert_ [Heathcote];
+ _for if the_ South Sea _Company be wedded to the Bank, he ought
+ not to be allow'd to keep a Mistress_. The Event show'd that the
+ Bank acted with their usual Prudence, in not admitting the _Sword
+ Blade_ Company into a Partnership."--_Historical Register_ for
+ 1720, p. 368.
+
+At p. 377. of the same work it is stated, that on the 24th of September
+the Sword-blade Company, "who hitherto had been the chief cash keepers
+to the South Sea Company," stopped payment, "being almost drain'd of
+their ready money."
+
+Perhaps some of your correspondents may be able to elucidate the rise,
+transactions, and "winding up" of the Sword-blade Company.
+
+ C. H. COOPER.
+
+ Cambridge, Sept. 6. 1851.
+
+_Domesday Book of Scotland_ (Vol. iv., p. 7.).--Your correspondent
+ABERDONIENSIS is informed that what he is in quest of was published by
+the "Bannatyne Club," under the name of the "Ragman Rolls," in 1834,
+4to. It is entitled, _Instrumenta Publica sive Processus super
+Fidelitatibus et Homagiis Scotorum Domino Regi Angliae factis_, A.D.
+M.CC.XCI.--M.CC.XCVI.
+
+ "The documents contained in this volume have not been selected in
+ the view of reviving or illustrating the ancient National
+ Controversy as to the feudal dependence of Scotland on the English
+ Crown. It has been long known that in these Records may be found
+ the largest and most authentic enumerations now extant of the
+ Nobility, Barons, Landholders and Burgesses, as well as of the
+ Clergy of Scotland, prior to the fourteenth century. No part of
+ the public Records of Scotland prior to that era has been
+ preserved, and whatever may have been their fate, certain it is,
+ that to these English Records of our temporary national
+ degradation, are we now indebted for the only genuine Statistical
+ Notices of the Kingdom towards the close of the thirteenth
+ century."
+
+ [Star symbol] "This singular document, so often quoted and
+ referred to, was never printed _in extenso_."
+
+ T. G. S.
+
+ Edinburgh.
+
+_Dole-bank_ (Vol. iv., p. 162.).--In processions on Holy Thursday, it
+was usual to _deal_ cakes and bread to the children and the poor of the
+parish at boundary-banks, that they might be duly remembered. Hence the
+name.
+
+ R. S. H.
+
+ Morwenstow.
+
+_The Letter "V"_ (Vol. iv., p. 164.).--If S. S. will turn again to my
+remarks on this letter, he will see that I did not state that _Tiverton_
+was ever pronounced _Terton_. I accede to what he has said of
+_Twiverton_; Devonshire was inadvertently written for Somersetshire.
+With regard to the observations of A. N. (p. 162.), he will find those
+remarks were confined to the _v_ between two vowels, _i.e._ without any
+other consonant intervening; and, therefore, other forms of contraction
+did not fall within the scope of them. I refrained from adverting to any
+such words as Elvedon and Kelvedon (pronounced respectively Eldon and
+Keldon), because the abbreviation of these may be referable to another
+cause. In passing I would mention that I think there can be no
+reasonable doubt that the word _dool_, about which he inquires, is no
+other than the Ang.-Sax. _d[=a]l_, a division, from _daelan_, to divide;
+and whence our words _deal_ and _dole_. But to return to the letter _v_,
+if MR. SINGER be correct as to _devenisch_ in the MS. of the _Hermit of
+Hampole_ being written for Danish (p. 159.), it seems an example of the
+peculiar use of this letter to which I have invited attention, for the
+writer hardly intended it to be pronounced as three syllables if he
+meant Danish. However, if that MS. be a transcript, may not the supposed
+_v_ have been originally an _n_, which was first mis-read _u_, and then
+copied as a _v_?
+
+ W. S. W.
+
+_Cardinal Wolsey_ (Vol. iv., p. 176.).--The following anecdote, taken
+from a common-place book of Sir Roger Wilbraham, who was Master of the
+Requests in the time of Queen Elizabeth, appears to have some bearing on
+the subject referred to in the page of your publication which I have
+quoted above:--
+
+ "Cooke, attorney, at diner Whitsunday[1] ista protulit.
+
+ "Wolsey, a prelate, was flagrante crimine taken in fornication by
+ S'r Anthony Pagett of y'e West, and put in y'e stokes. After being
+ made Cardinall, S'r Anthony sett up his armes on y'e middle Temple
+ gate: y'e Cardinall passing in pontificalibus, and spying his owne
+ armes, asked who sett them up. Answare was made y't y'e said Mr.
+ Pagett. He smiled saying, he is now well reclaymed; for wher
+ before he saw him in disgrace, now he honoured him."
+
+ [Footnote 1: This was probably in 1598.]
+
+ W. L.
+
+_Nervous_ (Vol. iv., p. 7.).--_Nervous_ has unquestionably the double
+meaning assigned to it in MR. BANNEL'S Query. The propriety of the
+English practice, in this respect, may be doubted. _Nervous_ is
+correctly equivalent to Lat. _nervosus_; Fr. _nerveux_, strong,
+vigorous. In the sense of _nervous weakness_, or, perhaps more
+correctly, _nervine weakness_, the word should probably be _nervish_,
+analogous to _qualmish_, _squeamish_, _aguish_, _feverish_, &c. In
+Scotland, though the English may regard it as a vulgarism, I have heard
+the word used in this form.
+
+ F. S. Q.
+
+_Coleridge's Essays on Beauty_ (Vol. iv., p. 175.).--I have copies of
+the _Essays_ referred to. They were republished about 1836 in Fraser's
+_Literary Chronicle_.
+
+ MORTIMER COLLINS.
+
+ Guernsey.
+
+_"Nao" or "Naw," a Ship_ (Vol. iv., p. 28.).--I have already answered
+GOMER upon the imaginary word _naw_, a ship: I beg now to remark on MR.
+FENTON'S _nav_. If _nav_ was a ship at all, I am at a loss to know why
+it should be "a much older term." It would probably be subsequent to the
+introduction of the Latin noun, which it docks of its final _is_. The
+word or name is quoted from a Triad, the ninety-seventh of that series
+which contains the mention of Llewelyn ap Griffith, the last prince of
+Wales; and what makes it "one of the oldest" Triads, I have no idea. Nor
+do I know what ascertains the date of any of them; or removes the date
+of the composition of any one of them beyond the middle ages.
+
+But _Nevydd_ is no very uncommon proper name of men and women, derived
+from _nev_, heaven; and _nav neivion_ is simply "lord of lords." It
+forms the plural like _mab_, _meibion_, and _march_, _meirchion_. Mr.
+Walters gives _nav_ under no words but _lord_. David ap Gwelyn either
+mentions the navigation of the lords, the Trojan chieftains, to Britain;
+or else that of Nevydd Nav Neivion, cutting short his title. But the
+former is the plain sense of the thing. If MR. FENTON will only turn to
+Owen's _Dictionary_ (from which _naw_, a ship, is very properly
+excluded) he will there find the quotation from Gwalchmai; in which the
+three Persons of the Trinity are styled the _Undonion Neivion_,
+"harmonizing or consentaneous Lords." He will scarcely make bold to turn
+them into ships.
+
+ A. N.
+
+_Unde derivatur Stonehenge_ (Vol. iv., p. 57.).--Your correspondent P.
+P. proposes to interpret this word, _horse-stones_, from _hengst_, the
+Saxon for a horse; and to understand thereby large stones, as the words
+_horse-chesnut_, _horse-daisy_, _horse-mushroom_, &c., mean large ones.
+But, if he had duly considered the arguments contained in Mr. Herbert's
+_Cyclops Christianus_, pp. 162-4., he would have seen the necessity of
+showing, that in Anglo-Saxon and English the description can follow, in
+composition, the thing described; which it seems it can do in neither.
+In support of his stone-horse, he should have produced a chesnut-horse
+in the vegetable sense; a daisy-horse, or a mushroom-horse. Till he does
+that, the grammatical canon appealed to by that author, will remain in
+as full force against the stone-horse as against the stone-hanging.
+
+ E. A. M.
+
+_Nick Nack_ (Vol. iii., p. 179.).--A rude species of music very common
+amongst the boys in Sheffield, called by them _nick-a-nacks_. It is made
+by two pieces of bone, sometimes two pieces of wood, placed between the
+fingers, and beaten in time by a rapid motion of the hand and fingers.
+It is one of the periodical amusements of the boys going along the
+streets.
+
+ "And with his right drew forth a truncheon of a white ox rib, and
+ two pieces of wood of a like form; one of black Eben, and the
+ other of incarnation Brazile; and put them betwixt the fingers of
+ that hand, in good symmetry. Then knocking them together, made
+ such a noise, as the lepers of Britany use to do with their
+ clappering clickets; yet better resounding, and far more
+ harmonious."--_Rabelais_, book ii. c. 19.
+
+ H. J.
+
+_Meaning of Carfax_ (Vol. iii., p. 508.).--E. J. S. says "Carfoix
+reminds me of Carfax in Oxford. Are the names akin to each other?" When
+at Oxford I used to hear that Carfax was properly Quarfax, a contraction
+for _quatuor facies_, four faces. The church, it will be remembered,
+looks one way to High Street, another to Queen Street, a third to the
+Cornmarket, and the fourth to St. Aldates's.
+
+ H. T. G.
+
+_Hand giving the Benediction_ (Vol. iii., p. 477.).--Rabbi Bechai tells
+us of the solemn blessing in Numbers vi. 25, 26, 27., in which the name
+Jehovah is thrice repeated, that, when the high priest pronounced it on
+the people, "elevatione manuum _sic digitos composuit ut_ TRIADA
+_exprimerent_."
+
+ W. FRASER.
+
+_Unlucky for Pregnant Women to take an Oath_ (Vol. iv., p. 151.).--I beg
+to inform COWGILL that Irishwomen of the lower order almost invariably
+refuse to be sworn while pregnant. Having frequently had to administer
+oaths to heads of families applying for relief during the famine in
+Ireland in 1847-8-9, I can speak with certainty as to the fact, though I
+am unable to account for the origin of the superstition.
+
+ BARTANUS.
+
+ Dublin.
+
+_Borough-English_ (Vol. iv., p. 133.).--_Burgh_ or _Borough-English_ is
+a custom appendant to _ancient_ boroughs, such as existed in the days of
+Edward the Confessor and William the Conqueror, and are contained in the
+Book of Domesday. Taylor, in his _History of Gavelkind_, p. 102.,
+states, that in the villages round the city of Hereford, the lands are
+all held in the tenure of Borough-English. There appears also to be a
+customary descent of lands and tenements in some places called
+_Borow-English_, as in Edmunton: vid. _Kitchin of Courts_, fol. 102. The
+custom of _Borough-English_, like that of gavelkind, and those of London
+and York, is still extant; and although it may have been in a great
+measure superseded by _deed_ or _will_, yet, doubtless, instances occur
+in the present day of its vitality and consequent operation.
+
+ FRANCISCUS.
+
+_Date of a Charter_ (Vol. iv., p. 152.).--I suspect that the charter to
+which MR. HAND refers, is one of the time of Henry II., and not of Henry
+III. The latter sent no daughter to Sicily; but Joan, the daughter of
+the former, was married to William, king of Sicily, in the year 1176, 22
+Henry II. In the Great Roll of that year (Rot. 13 b.) are entries of
+payments for hangings in the king's chamber on that occasion, and of
+fifty marks given to Walter de Constantiis, Archdeacon of Oxford, for
+entertaining the Sicilian ambassadors. See Madox's _Exchequer_, i. 367.,
+who also in p. 18. refers to Hoveden, P. 2. p. 548. This may perhaps
+assist in the discovery of the precise date, which I cannot at present
+fix.
+
+ [Greek: Ph.]
+
+
+
+
+Miscellaneous.
+
+
+NOTES ON BOOKS, SALES, CATALOGUES, ETC.
+
+_The Jansenists: their Rise, Persecutions by the Jesuits, and existing
+Remnant; a Chapter in Church History_: by S. P. Tregelles, LL.D., is an
+interesting little monograph, reprinted with additions from Dr. Kitto's
+_Journal of Biblical Literature_, and enriched with portraits of
+Jansenius, St. Cyran, and the Mere Angelique. The history of the
+Jansenist Church lingering in separate existence at Utrecht affords a
+new instance of Catholicity of doctrine apart from the Papal communion;
+and as such cannot fail to have a peculiar interest for many of our
+readers.
+
+The long, brilliant, and important reign of Louis XIV. has had many
+chroniclers. The _Memoires_ written by those who figured in its busy
+scenes are almost innumerable; many, as may be supposed from the
+character of the monarch and the laxity of the court, being little
+calculated for general perusal. Mr. James therefore did good service
+when he presented the reading world with his historical view of _The
+Life and Times of Louis XIV._, a work in which, while he has done full
+justice to the talents and genius of the monarch, and the brilliancy of
+the circle by which he was surrounded, he has not allowed that splendour
+so to dazzle the eyes of the spectator as to blind him to the real
+infamy and heartlessness with which it was surrounded. We are therefore
+well pleased to see Mr. James's history reprinted as the two new volumes
+of Bohn's _Standard Library_.
+
+Mr. L. A. Lewis of 125. Fleet Street will sell on Friday next two
+extraordinary Collections of Tracts on Trade, Coinage, Commerce, Banks,
+Public Institutions, and Trade generally. The First, in 167 Vols., in
+fol., 4to., and 8vo., commences with Milles' _Customer's Replie_, 1604.
+The Second, in 20 Vols., collected upwards of a century since, commences
+with H. Gilbert's _Discourse of a Discoverie for a New Passage to
+Cataia_, 1576. Both series should be secured for a Public Library.
+
+CATALOGUE RECEIVED.--J. Millers' (43. Chandos Street) Catalogue No. 28
+of Cheap Books for Ready Money.
+
+
+BOOKS AND ODD VOLUMES
+
+WANTED TO PURCHASE.
+
+OTHONIS LEXICON RABBINICUM.
+
+PLATO. Vols. VIII. X. XI. of the Bipont Edition.
+
+PARKINSON'S SERMONS. Vol. I.
+
+ATHENAEUM. Oct. and Nov. 1848. Parts CCL., CCLI.
+
+WILLIS' PRICE CURRENT. Nos. I. III. V. XXIV. XXVI. XXVII.--XLV.
+
+RABBI SALEMO JACOBES COMMENTAR UEBER DEN PENTATEUCH VON L. HAYMANN. Bonn,
+1833.
+
+RABBI SALEMO JACOBES UEBER DAS ERSTE BUCH MOSIS VON L. HAYMANN. Bonn,
+1833.
+
+No. 3. of SUMMER PRODUCTIONS, or PROGRESSIVE MISCELLANIES, by Thomas
+Johnson. London, 1790.
+
+HISTORY OF VIRGINIA. Folio. London, 1624.
+
+THE APOLOGETICS OF ATHENAGORAS, Englished by D. Humphreys. London, 1714.
+8vo.
+
+BOVILLUS DE ANIMAE IMMORTALITATE, ETC. Lugduni, 1522. 4to.
+
+KUINOEL'S NOV. TEST. Tom. I.
+
+THE FRIEND, by Coleridge. Vol. III. Pickering.
+
+ [Star symbol] Letters, stating particulars and lowest price,
+ _carriage free_, to be sent to MR. BELL, Publisher of "NOTES AND
+ QUERIES," 186. Fleet Street.
+
+
+Notices to Correspondents.
+
+F. R. A. _The lines referred to by_ DR. RIMBAULT (Vol. iv., p. 181.)
+_are not those quoted in that page by_ A TEMPLAR _from the_ Cobleriana,
+_but those beginning_--
+
+ "As by the Templars' holds you go,"
+
+_respecting which a Query appeared in our_ 3rd Vol. p. 450.
+
+J. VARLEY, Jun. _The lines are quoted by Washington Irving, from
+Shakspeare's_ Winter's Tale, Act IV. Sc. 3.
+
+RT. _will perceive that his communications reach us in a very available
+form._
+
+O. T. D. _is thanked for his suggestions, which shall be adopted as far
+as practical. He will find that his communication respecting_
+Pallavicino _has been anticipated in our_ 3rd Vol., pp. 478. 523.
+
+PHILO, _whose Query appeared in our Number of July 19th, will find a
+letter at our Publisher's._
+
+ALTRON. _There is no Agent for the sale of_ "NOTES AND QUERIES" _in
+Dublin. It will however no doubt be supplied by any bookseller there
+from whom it may be ordered._
+
+REPLIES RECEIVED.--_Dr. M. Sutcliffe--Description of a
+Dimple--Carli the Economist--Decretorum Doctor--Versicle--Querelle
+d'Allemand--Ellrake--Sir W. Raleigh in Virginia--M. Lominus
+Theologus--Pope's Translations--Wyle Cop--Collar of SS.--What
+constitutes a Proverb--Visiting Cards--Going the whole Hog--Lord
+Mayor a Privy Councillor--Inscription on a Claymore--Queen
+Brunehaut--Cagots--Written Sermons--Tale of a Tub--Cowper Law--Murderers
+buried in Cross-roads--Thread the Needle--Borough English--Gooseberry
+Fool--Darby and Joan--Print Cleaning--Serpent with a Human Head._
+
+_Copies of our Prospectus, according to the suggestion of_ T. E. H._,
+will be forwarded to any correspondent willing to assist us by
+circulating them._
+
+VOLS. I., II., _and_ III., _with very copious Indices, may still be had,
+price 9s. 6d. each, neatly bound in cloth._
+
+NOTES AND QUERIES _is published at noon on Friday, so that our country
+Subscribers may receive it on Saturday. The subscription for the Stamped
+Edition is 10s. 2d. for Six Months, which may be paid by Post-office
+Order drawn in favour of our Publisher,_ MR. GEORGE BELL, 186. Fleet
+Street; _to whose care all communications for the Editor should be
+addressed._
+
+
+
+
+London Library, 12. St. James's Square.--Patron--His Royal Highness
+Prince ALBERT.
+
+ This Institution now offers to its members a collection of 60,000
+ volumes, to which additions are constantly making, both in English
+ and foreign literature. A reading room is also open for the use of
+ the members, supplied with the best English and foreign
+ periodicals.
+
+ Terms of admission--entrance fee, 6_l._; annual subscription,
+ 2_l._; or entrance fee and life subscription, 26_l._
+
+ By order of the Committee.
+
+ September, 1851. J. G. COCHRANE, Secretary and Librarian.
+
+
+Now ready, Price 25_s._, Second Edition, revised and corrected.
+Dedicated by Special Permission to
+
+ THE (LATE) ARCHBISHOP OF CANTERBURY.
+
+ PSALMS AND HYMNS FOR THE SERVICE OF THE CHURCH. The words selected
+ by the Very Rev. H. H. MILMAN, D.D., Dean of St. Paul's. The Music
+ arranged for Four Voices, but applicable also to Two or One,
+ including Chants for the Services, Responses to the Commandments,
+ and a Concise SYSTEM of CHANTING, by J. B. SALE, Musical
+ Instructor and Organist to Her Majesty. 4to., neat, in morocco
+ cloth, price 25_s._ To be had of Mr. J. B. SALE, 21. Holywell
+ Street, Millbank, Westminster, on the receipt of a Post Office
+ Order for that amount; and by order, of the principal Booksellers
+ and Music Warehouses.
+
+ "A great advance on the works we have hitherto had, connected with
+ our Church and Cathedral Service."--_Times._
+
+ "A collection of Psalm Tunes certainly unequalled in this
+ country."--_Literary Gazette._
+
+ "One of the best collections of tunes which we have yet seen. Well
+ merits the distinguished patronage under which it
+ appears."--_Musical World._
+
+ "A collection of Psalms and Hymns, together with a system of
+ Chanting of a very superior character to any which has hitherto
+ appeared."--_John Bull._
+
+ London: GEORGE BELL, 186. Fleet Street.
+
+ Also, lately published,
+
+ J. B. SALE'S SANCTUS, COMMANDMENTS and CHANTS as performed at the
+ Chapel Royal St. James, price 2_s._
+
+ C. LONSDALE, 26. Old Bond Street.
+
+
+Price 2_s._ 6_d._; by Post 3_s._
+
+ ILLUSTRATIONS AND ENQUIRIES RELATING TO MESMERISM. Part I. By the
+ Rev. S. R. MAITLAND, DD. F.R.S. F.S.A. Sometime Librarian to the
+ late Archbishop of Canterbury, and Keeper of the MSS. at Lambeth.
+
+ "One of the most valuable and interesting pamphlets we ever
+ read."--_Morning Herald._
+
+ "This publication, which promises to be the commencement of a
+ larger work, will well repay serious perusal."--_Ir. Eccl. Journ._
+
+ "A small pamphlet in which he throws a startling light on the
+ practice of modern Mesmerism."--_Nottingham Journal._
+
+ "Dr. Maitland, we consider, has here brought Mesmerism to the
+ 'touchstone of truth,' to the test of the standard of right or
+ wrong. We thank him for this first instalment of his inquiry, and
+ hope that he will not long delay the remaining portions."--_London
+ Medical Gazette._
+
+ "The Enquiries are extremely curious, we should indeed say
+ important. That relating to the Witch of Endor is one of the most
+ successful we ever read. We cannot enter into particulars in this
+ brief notice; but we would strongly recommend the pamphlet even to
+ those who care nothing about Mesmerism, or _angry_ (for it has
+ come to this at the last) with the subject."--_Dublin Evening
+ Post._
+
+ "We recommend its general perusal as being really an endeavour, by
+ one whose position gives him the best facilities, to ascertain the
+ genuine character of Mesmerism, which is so much
+ disputed."--_Woolmer's Exeter Gazette._
+
+ "Dr. Maitland has bestowed a vast deal of attention on the subject
+ for many years past, and the present pamphlet is in part the
+ result of his thoughts and inquiries. There is a good deal in it
+ which we should have been glad to quote ... but we content
+ ourselves with referring our readers to the pamphlet
+ itself."--_Brit. Mag._
+
+ PIPER, BROTHERS, & CO., 23. Paternoster Row.
+
+
+PROFIT AND DISCOUNT TABLES,
+
+ In One Volume, just published, bound in roan, price 3_s._ 6_d._,
+ or 4_s._ free by post,
+
+ SHOWING the Prices at which Articles must be Sold, to obtain a
+ Profit at a certain Per Centage upon their invoiced Cost. And
+ also, the Net Cost of Articles, when Discounts are allowed on the
+ invoiced Prices. Adapted for the assistance of Traders in their
+ Purchases, Sales, and taking Stock. The Calculations are upon
+ Prices from 1_d._ to 20_s._, and at the Rates from 1-1/2 per Cent.
+ to 75 per Cent.
+
+ _The following Example will show the Application of the
+ Tables._--The invoiced Price of Silk is 2_s._ 4_d._ per yard,
+ which it is proposed to sell at 15 per Cent. profit.
+
+ Refer to the page showing that rate of per centage, find the cost
+ price in the first column, and, by looking to the same line of the
+ second, the price to be asked is shown to be 2_s._ 8-1/4_d._
+
+ By CHARLES ODY ROOKS, ACCOUNTANT.
+
+ London: WILLIAM TEGG & CO., 85. Queen Street, Cheapside.
+
+
+Just published, fcap. 8vo., price 6_s._ 6_d._ in cloth,
+
+ THE COMPLETE ANGLER; or the Contemplative Man's Recreation, by
+ IZAAC WALTON and CHARLES COTTON: with a new Biographical
+ Introduction and Notes, and embellished with eighty-five
+ Engravings on Copper and Wood.
+
+ London: HENRY KENT CAUSTON, Gracechurch Street.
+
+
+Extremely Rare Tracts.
+
+ MR. L. A. LEWIS will SELL, at his HOUSE, 125. Fleet Street, on
+ Friday, 26th, some BOOKS, from an old family library, including an
+ extraordinary assemblage of Tracts on trade, coinage, commerce,
+ banks, public institutions, &c., in 187 vols., collected more than
+ one hundred years ago, containing numerous articles of excessive
+ rarity: Acta Eruditorum ab anno 1682 ad 1727, 57 vols.; Valpy's
+ edition of the Delphin and Variorum Classics, 141 vols.; some
+ curious Manuscripts; early printed Books: to which is added, the
+ Library of the late George Watkinson, Esq., many years of the Bank
+ of England; in which will be found a series of Books relating to
+ Catholics, Black Letter, Theology, &c.
+
+
+Mr. Noble's Stereotype Plates.
+
+ MR. L. A. LEWIS is preparing to SELL, shortly, at his House, 125.
+ Fleet Street, the important assemblage of STEREOTYPE PLATES, the
+ property of the late Theophilus Noble, of Fleet Street and
+ Chancery Lane: comprising upwards of Twenty Tons weight, and
+ including that popular series of Novels, Tales, and Romances
+ published under the title of _Novel Newspaper_, in 680 sheets.
+ Catalogues are preparing, and will be forwarded on application on
+ receipt of four postage stamps.
+
+
+Literary Sale Rooms, 125. Fleet Street.
+
+ MR. L. A. LEWIS will have SALES by AUCTION of Libraries, small
+ parcels of Books, Prints, Pictures, and Miscellaneous Effects
+ every Friday. Property sent in on the previous Saturday will be
+ certain to be sold (if required) in the following week.
+
+
+2 vols., sold separately, 8_s._ each.
+
+ SERMONS. By the Rev. ALFRED GATTY, M.A., Vicar of Ecclesfield.
+
+ "In the effective simplicity with which Mr. Gatty applies the
+ incidents and precepts of the Gospel to the every-day concerns of
+ life, he has no superior. His faith is that of a sincere and
+ genuine scriptural Churchman."--_Britannia._
+
+ "Of all sermons I have ever seen, they are by far the best adapted
+ to such congregations as I have had to preach to; at any rate, in
+ my opinion. And as a further proof of their adaptation to the
+ people's wants (and indeed the best proof that could be given), I
+ have been requested by some of my parishioners to lend them
+ sermons, which were almost _verbatim et literatim_ transcripts of
+ yours. That you may judge of the extent to which I have been
+ indebted to you, I may mention that out of about seventy sermons
+ which I preached at W----, five or six were Paley's and fifteen or
+ sixteen yours. For my own credit's sake, I must add, that all the
+ rest were entirely my own."--_Extracted from the letter of a
+ stranger to the Author._
+
+ London: GEORGE BELL, 186. Fleet Street.
+
+
+
+
+Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New
+Street Square, in the Parish of St. Bride in the City of London; and
+published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St.
+Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet
+Street aforesaid.--Saturday, September 20. 1851.
+
+
+
+
+ [List of volumes and pages in "Notes and Queries", Vol. I-IV]
+
+ +---------------+-------------------+-----------+-------------+
+ | Notes and Queries Vol. I. |
+ +---------------+-------------------+-----------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 1 | November 3, 1849 | 1 - 17 | PG # 8603 |
+ | Vol. I No. 2 | November 10, 1849 | 18 - 32 | PG # 11265 |
+ | Vol. I No. 3 | November 17, 1849 | 33 - 46 | PG # 11577 |
+ | Vol. I No. 4 | November 24, 1849 | 49 - 63 | PG # 13513 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 5 | December 1, 1849 | 65 - 80 | PG # 11636 |
+ | Vol. I No. 6 | December 8, 1849 | 81 - 95 | PG # 13550 |
+ | Vol. I No. 7 | December 15, 1849 | 97 - 112 | PG # 11651 |
+ | Vol. I No. 8 | December 22, 1849 | 113 - 128 | PG # 11652 |
+ | Vol. I No. 9 | December 29, 1849 | 130 - 144 | PG # 13521 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 10 | January 5, 1850 | 145 - 160 | PG # |
+ | Vol. I No. 11 | January 12, 1850 | 161 - 176 | PG # 11653 |
+ | Vol. I No. 12 | January 19, 1850 | 177 - 192 | PG # 11575 |
+ | Vol. I No. 13 | January 26, 1850 | 193 - 208 | PG # 11707 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 14 | February 2, 1850 | 209 - 224 | PG # 13558 |
+ | Vol. I No. 15 | February 9, 1850 | 225 - 238 | PG # 11929 |
+ | Vol. I No. 16 | February 16, 1850 | 241 - 256 | PG # 16193 |
+ | Vol. I No. 17 | February 23, 1850 | 257 - 271 | PG # 12018 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 18 | March 2, 1850 | 273 - 288 | PG # 13544 |
+ | Vol. I No. 19 | March 9, 1850 | 289 - 309 | PG # 13638 |
+ | Vol. I No. 20 | March 16, 1850 | 313 - 328 | PG # 16409 |
+ | Vol. I No. 21 | March 23, 1850 | 329 - 343 | PG # 11958 |
+ | Vol. I No. 22 | March 30, 1850 | 345 - 359 | PG # 12198 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 23 | April 6, 1850 | 361 - 376 | PG # 12505 |
+ | Vol. I No. 24 | April 13, 1850 | 377 - 392 | PG # 13925 |
+ | Vol. I No. 25 | April 20, 1850 | 393 - 408 | PG # 13747 |
+ | Vol. I No. 26 | April 27, 1850 | 409 - 423 | PG # 13822 |
+ +---------------+-------------------+-----------+-------------+
+ | Vol. I No. 27 | May 4, 1850 | 425 - 447 | PG # 13712 |
+ | Vol. I No. 28 | May 11, 1850 | 449 - 463 | PG # 13684 |
+ | Vol. I No. 29 | May 18, 1850 | 465 - 479 | PG # 15197 |
+ | Vol. I No. 30 | May 25, 1850 | 481 - 495 | PG # 13713 |
+ +---------------+-------------------+-----------+-------------+
+ | Notes and Queries Vol. II. |
+ +----------------+--------------------+---------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 31 | June 1, 1850 | 1- 15 | PG # 12589 |
+ | Vol. II No. 32 | June 8, 1850 | 17- 32 | PG # 15996 |
+ | Vol. II No. 33 | June 15, 1850 | 33- 48 | PG # 26121 |
+ | Vol. II No. 34 | June 22, 1850 | 49- 64 | PG # 22127 |
+ | Vol. II No. 35 | June 29, 1850 | 65- 79 | PG # 22126 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 36 | July 6, 1850 | 81- 96 | PG # 13361 |
+ | Vol. II No. 37 | July 13, 1850 | 97-112 | PG # 13729 |
+ | Vol. II No. 38 | July 20, 1850 | 113-128 | PG # 13362 |
+ | Vol. II No. 39 | July 27, 1850 | 129-143 | PG # 13736 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 40 | August 3, 1850 | 145-159 | PG # 13389 |
+ | Vol. II No. 41 | August 10, 1850 | 161-176 | PG # 13393 |
+ | Vol. II No. 42 | August 17, 1850 | 177-191 | PG # 13411 |
+ | Vol. II No. 43 | August 24, 1850 | 193-207 | PG # 13406 |
+ | Vol. II No. 44 | August 31, 1850 | 209-223 | PG # 13426 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 45 | September 7, 1850 | 225-240 | PG # 13427 |
+ | Vol. II No. 46 | September 14, 1850 | 241-256 | PG # 13462 |
+ | Vol. II No. 47 | September 21, 1850 | 257-272 | PG # 13936 |
+ | Vol. II No. 48 | September 28, 1850 | 273-288 | PG # 13463 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 49 | October 5, 1850 | 289-304 | PG # 13480 |
+ | Vol. II No. 50 | October 12, 1850 | 305-320 | PG # 13551 |
+ | Vol. II No. 51 | October 19, 1850 | 321-351 | PG # 15232 |
+ | Vol. II No. 52 | October 26, 1850 | 353-367 | PG # 22624 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 53 | November 2, 1850 | 369-383 | PG # 13540 |
+ | Vol. II No. 54 | November 9, 1850 | 385-399 | PG # 22138 |
+ | Vol. II No. 55 | November 16, 1850 | 401-415 | PG # 15216 |
+ | Vol. II No. 56 | November 23, 1850 | 417-431 | PG # 15354 |
+ | Vol. II No. 57 | November 30, 1850 | 433-454 | PG # 15405 |
+ +----------------+--------------------+---------+-------------+
+ | Vol. II No. 58 | December 7, 1850 | 457-470 | PG # 21503 |
+ | Vol. II No. 59 | December 14, 1850 | 473-486 | PG # 15427 |
+ | Vol. II No. 60 | December 21, 1850 | 489-502 | PG # 24803 |
+ | Vol. II No. 61 | December 28, 1850 | 505-524 | PG # 16404 |
+ +----------------+--------------------+---------+-------------+
+ | Notes and Queries Vol. III. |
+ +-----------------+-------------------+---------+-------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 62 | January 4, 1851 | 1- 15 | PG # 15638 |
+ | Vol. III No. 63 | January 11, 1851 | 17- 31 | PG # 15639 |
+ | Vol. III No. 64 | January 18, 1851 | 33- 47 | PG # 15640 |
+ | Vol. III No. 65 | January 25, 1851 | 49- 78 | PG # 15641 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 66 | February 1, 1851 | 81- 95 | PG # 22339 |
+ | Vol. III No. 67 | February 8, 1851 | 97-111 | PG # 22625 |
+ | Vol. III No. 68 | February 15, 1851 | 113-127 | PG # 22639 |
+ | Vol. III No. 69 | February 22, 1851 | 129-159 | PG # 23027 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 70 | March 1, 1851 | 161-174 | PG # 23204 |
+ | Vol. III No. 71 | March 8, 1851 | 177-200 | PG # 23205 |
+ | Vol. III No. 72 | March 15, 1851 | 201-215 | PG # 23212 |
+ | Vol. III No. 73 | March 22, 1851 | 217-231 | PG # 23225 |
+ | Vol. III No. 74 | March 29, 1851 | 233-255 | PG # 23282 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 75 | April 5, 1851 | 257-271 | PG # 23402 |
+ | Vol. III No. 76 | April 12, 1851 | 273-294 | PG # 26896 |
+ | Vol. III No. 77 | April 19, 1851 | 297-311 | PG # 26897 |
+ | Vol. III No. 78 | April 26, 1851 | 313-342 | PG # 26898 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 79 | May 3, 1851 | 345-359 | PG # 26899 |
+ | Vol. III No. 80 | May 10, 1851 | 361-382 | PG # 32495 |
+ | Vol. III No. 81 | May 17, 1851 | 385-399 | PG # 29318 |
+ | Vol. III No. 82 | May 24, 1851 | 401-415 | PG # 28311 |
+ | Vol. III No. 83 | May 31, 1851 | 417-440 | PG # 36835 |
+ +-----------------+-------------------+---------+-------------+
+ | Vol. III No. 84 | June 7, 1851 | 441-472 | PG # 37379 |
+ | Vol. III No. 85 | June 14, 1851 | 473-488 | PG # 37403 |
+ | Vol. III No. 86 | June 21, 1851 | 489-511 | PG # 37496 |
+ | Vol. III No. 87 | June 28, 1851 | 513-528 | PG # 37516 |
+ +-----------------+-------------------+---------+-------------+
+ | Notes and Queries Vol. IV. |
+ +-----------------+--------------------+---------+------------+
+ | Vol., No. | Date, Year | Pages | PG # xxxxx |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 88 | July 5, 1851 | 1- 15 | PG # 37548 |
+ | Vol. IV No. 89 | July 12, 1851 | 17- 31 | PG # 37568 |
+ | Vol. IV No. 90 | July 19, 1851 | 33- 47 | PG # 37593 |
+ | Vol. IV No. 91 | July 26, 1851 | 49- 79 | PG # 37778 |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 92 | August 2, 1851 | 81- 94 | PG # 38324 |
+ | Vol. IV No. 93 | August 9, 1851 | 97-112 | PG # 38337 |
+ | Vol. IV No. 94 | August 16, 1851 | 113-127 | PG # 38350 |
+ | Vol. IV No. 95 | August 23, 1851 | 129-144 | PG # 38386 |
+ | Vol. IV No. 96 | August 30, 1851 | 145-167 | PG # 38405 |
+ +-----------------+--------------------+---------+------------+
+ | Vol. IV No. 97 | Sept. 6, 1851 | 169-183 | PG # 38433 |
+ | Vol. IV No. 98 | Sept. 13, 1851 | 185-200 | PG # 38491 |
+ +-----------------+--------------------+---------+------------+
+ | Vol I. Index. [Nov. 1849-May 1850] | PG # 13536 |
+ | INDEX TO THE SECOND VOLUME. MAY-DEC., 1850 | PG # 13571 |
+ | INDEX TO THE THIRD VOLUME. JAN.-JUNE, 1851 | PG # 26770 |
+ +------------------------------------------------+------------+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 99,
+September 20, 1851, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 20, 1851 ***
+
+***** This file should be named 38574.txt or 38574.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/8/5/7/38574/
+
+Produced by Charlene Taylor, Jonathan Ingram and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/38574.zip b/38574.zip
new file mode 100644
index 0000000..b564a6a
--- /dev/null
+++ b/38574.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..5f3192d
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #38574 (https://www.gutenberg.org/ebooks/38574)