diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:22:15 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:22:15 -0700 |
| commit | db903da89a8cd718a9b22297cc95e5c08bdb2cac (patch) | |
| tree | d982b5d72b46e824ebe0b38ed0ae6ee86d616016 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 3757.txt | 2548 | ||||
| -rw-r--r-- | 3757.zip | bin | 0 -> 36082 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/twbee10.txt | 2522 | ||||
| -rw-r--r-- | old/twbee10.zip | bin | 0 -> 34917 bytes |
7 files changed, 5086 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/3757.txt b/3757.txt new file mode 100644 index 0000000..7c7aeb7 --- /dev/null +++ b/3757.txt @@ -0,0 +1,2548 @@ +The Project Gutenberg EBook of The White Bees, by Henry Van Dyke + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The White Bees + +Author: Henry Van Dyke + +Posting Date: May 13, 2009 [EBook #3757] +Release Date: February, 2003 +First Posted: August 21, 2001 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE WHITE BEES *** + + + + +Produced by Charles Franks, Robert Rowe, and the Online +Distributed Proofreading Team. + + + + + + + + + + +The White Bees + + +by + +Henry van Dyke + + + + + +CONTENTS + +THE WHITE BEES + + + NEW YEAR'S EVE + + SONGS FOR AMERICA + Sea-Gulls of Manhattan + Urbs Coronata + America + Doors of Daring + A Home Song + A Noon Song + An American in Europe + The Ancestral Dwellings + Francis Makemie + National Monuments + + IN PRAISE OF POETS + Mother Earth + Milton: Three Sonnets + Wordsworth + Keats + Shelley + Robert Browning + Longfellow + Thomas Bailey Aldrich + Edmund Clarence Stedman + + LYRICS, DRAMATIC AND PERSONAL + Late Spring + Nepenthe + Hesper + Arrival + Departure + The Black Birds + Without Disguise + Gratitude + Master of Music + Stars and the Soul + To Julia Marlowe + Pan Learns Music + "Undine" + Love in a Look + My April Lady + A Lover's Envy + The Hermit Thrush + Fire-Fly City + The Gentle Traveller + Sicily, December, 1908 + The Window + Twilight in the Alps + Jeanne D'Arc + Hudson's Last Voyage + + + + + THE WHITE BEES AND OTHER POEMS + + THE WHITE BEES + + I + + LEGEND + + + Long ago Apollo called to Aristaeus, youngest + of the shepherds, + Saying, "I will make you keeper of my bees." + Golden were the hives, and golden was the honey; + golden, too, the music, + Where the honey-makers hummed among the trees. + + Happy Aristaeus loitered in the garden, wandered + in the orchard, + Careless and contented, indolent and free; + Lightly took his labour, lightly took his pleasure, + till the fated moment + When across his pathway came Eurydice. + + Then her eyes enkindled burning love within him; + drove him wild with longing, + For the perfect sweetness of her flower-like face; + Eagerly he followed, while she fled before him, + over mead and mountain, + On through field and forest, in a breathless + race. + + But the nymph, in flying, trod upon a serpent; + like a dream she vanished; + Pluto's chariot bore her down among the dead; + Lonely Aristaeus, sadly home returning, found his + garden empty, + All the hives deserted, all the music fled. + + Mournfully bewailing,--"ah, my honey-makers, + where have you departed?"-- + Far and wide he sought them, over sea and shore; + Foolish is the tale that says he ever found them, + brought them home in triumph,-- + Joys that once escape us fly for evermore. + + Yet I dream that somewhere, clad in downy + whiteness, dwell the honey-makers, + In aerial gardens that no mortal sees: + And at times returning, lo, they flutter round us, + gathering mystic harvest,-- + So I weave the legend of the long-lost bees. + + II + + THE SWARMING OF THE BEES + + I + + Who can tell the hiding of the white bees' + nest? + Who can trace the guiding of their swift home + flight? + Far would be his riding on a life-long quest: + Surely ere it ended would his beard grow + white. + + Never in the coming of the rose-red Spring, + Never in the passing of the wine-red Fall, + May you hear the humming of the white bee's + wing + Murmur o'er the meadow, ere the night bells + call. + + Wait till winter hardens in the cold grey sky, + Wait till leaves are fallen and the brooks all + freeze, + Then above the gardens where the dead flowers + lie, + Swarm the merry millions of the wild white + bees. + + II + + Out of the high-built airy hive, + Deep in the clouds that veil the sun, + Look how the first of the swarm arrive; + Timidly venturing, one by one, + Down through the tranquil air, + Wavering here and there, + Large, and lazy in flight,-- + Caught by a lift of the breeze, + Tangled among the naked trees,-- + Dropping then, without a sound, + Feather-white, feather-light, + To their rest on the ground. + + III + + Thus the swarming is begun. + Count the leaders, every one + Perfect as a perfect star + Till the slow descent is done. + Look beyond them, see how far + Down the vistas dim and grey, + Multitudes are on the way. + Now a sudden brightness + Dawns within the sombre day, + Over fields of whiteness; + And the sky is swiftly alive + With the flutter and the flight + Of the shimmering bees, that pour + From the hidden door of the hive + Till you can count no more. + + IV + + Now on the branches of hemlock and pine + Thickly they settle and cluster and swing, + Bending them low; and the trellised vine + And the dark elm-boughs are traced with a line + Of beauty wherever the white bees cling. + Now they are hiding the wrecks of the flowers, + Softly, softly, covering all, + Over the grave of the summer hours + Spreading a silver pall. + Now they are building the broad roof ledge, + Into a cornice smooth and fair, + Moulding the terrace, from edge to edge, + Into the sweep of a marble stair. + Wonderful workers, swift and dumb, + Numberless myriads, still they come, + Thronging ever faster, faster, faster! + Where is their queen? Who is their master? + The gardens are faded, the fields are frore,-- + How will they fare in a world so bleak? + Where is the hidden honey they seek? + What is the sweetness they toil to store + In the desolate day, where no blossoms gleam? + Forgetfulness and a dream! + + V + + But now the fretful wind awakes; + I hear him girding at the trees; + He strikes the bending boughs, and shakes + The quiet clusters of the bees + To powdery drift; + He tosses them away, + He drives them like spray; + He makes them veer and shift + Around his blustering path. + In clouds blindly whirling, + In rings madly swirling, + Full of crazy wrath, + So furious and fast they fly + They blur the earth and blot the sky + In wild, white mirk. + They fill the air with frozen wings + And tiny, angry, icy stings; + They blind the eyes, and choke the breath, + They dance a maddening dance of death + Around their work, + Sweeping the cover from the hill, + Heaping the hollows deeper still, + Effacing every line and mark, + And swarming, storming in the dark + Through the long night; + Until, at dawn, the wind lies down, + Weary of fight. + The last torn cloud, with trailing gown, + Passes the open gates of light; + And the white bees are lost in flight. + + VI + + Look how the landscape glitters wide and still, + Bright with a pure surprise! + The day begins with joy, and all past ill, + Buried in white oblivion, lies + Beneath the snowdrifts under crystal skies. + New hope, new love, new life, new cheer, + Flow in the sunrise beam,-- + The gladness of Apollo when he sees, + Upon the bosom of the wintry year, + The honey-harvest of his wild white bees, + Forgetfulness and a dream! + + III + + LEGEND + + Listen, my beloved, while the silver morning, + like a tranquil vision, + Fills the world around us and our hearts with + peace; + Quiet is the close of Aristaeus' legend, happy is + the ending-- + Listen while I tell you how he found release. + + Many months he wandered far away in sadness, + desolately thinking + Only of the vanished joys he could not find; + Till the great Apollo, pitying his shepherd, loosed + him from the burden + Of a dark, reluctant, backward-looking mind. + + Then he saw around him all the changeful beauty + of the changing seasons, + In the world-wide regions where his journey + lay; + Birds that sang to cheer him, flowers that bloomed + beside him, stars that shone to guide him,-- + Traveller's joy was plenty all along the way! + + Everywhere he journeyed strangers made him + welcome, listened while he taught them + Secret lore of field and forest he had learned: + How to train the vines and make the olives fruit- + ful; how to guard the sheepfolds; + How to stay the fever when the dog-star burned. + + Friendliness and blessing followed in his foot- + steps; richer were the harvests, + Happier the dwellings, wheresoe'er he came; + Little children loved him, and he left behind him, + in the hour of parting, + Memories of kindness and a god-like name. + + So he travelled onward, desolate no longer, + patient in his seeking, + Reaping all the wayside comfort of his quest; + Till at last in Thracia, high upon Mount Haemus, + far from human dwelling, + Weary Aristaeus laid him down to rest. + + Then the honey-makers, clad in downy whiteness, + fluttered soft around him, + Wrapt him in a dreamful slumber pure and + deep. + This is life, beloved: first a sheltered garden, + then a troubled journey, + Joy and pain of seeking,--and at last we sleep! + + + + + NEW YEAR'S EVE + + I + + The other night I had a dream, most clear + And comforting, complete + In every line, a crystal sphere, + And full of intimate and secret cheer. + Therefore I will repeat + That vision, dearest heart, to you, + As of a thing not feigned, but very true, + Yes, true as ever in my life befell; + And you, perhaps, can tell + Whether my dream was really sad or sweet. + + II + + The shadows flecked the elm-embowered street + I knew so well, long, long ago; + And on the pillared porch where Marguerite + Had sat with me, the moonlight lay like snow. + But she, my comrade and my friend of youth, + Most gaily wise, + Most innocently loved,-- + She of the blue-grey eyes + That ever smiled and ever spoke the truth,-- + From that familiar dwelling, where she moved + Like mirth incarnate in the years before, + Had gone into the hidden house of Death. + I thought the garden wore + White mourning for her blessed innocence, + And the syringa's breath + Came from the corner by the fence, + Where she had made her rustic seat, + With fragrance passionate, intense, + As if it breathed a sigh for Marguerite. + My heart was heavy with a sense + Of something good forever gone. I sought + Vainly for some consoling thought, + Some comfortable word that I could say + To the sad father, whom I visited again + For the first time since she had gone away. + The bell rang shrill and lonely,--then + The door was opened, and I sent my name + To him,--but ah! 't was Marguerite who came! + There in the dear old dusky room she stood + Beneath the lamp, just as she used to stand, + In tender mocking mood. + "You did not ask for me," she said, + "And so I will not let you take my hand; + "But I must hear what secret talk you planned + "With father. Come, my friend, be good, + "And tell me your affairs of state: + "Why you have stayed away and made me wait + "So long. Sit down beside me here,-- + "And, do you know, it seemed a year + "Since we have talked together,--why so late?" + + Amazed, incredulous, confused with joy + I hardly dared to show, + And stammering like a boy, + I took the place she showed me at her side; + And then the talk flowed on with brimming tide + Through the still night, + While she with influence light + Controlled it, as the moon the flood. + She knew where I had been, what I had done, + What work was planned, and what begun; + My troubles, failures, fears she understood, + And touched them with a heart so kind, + That every care was melted from my mind, + And every hope grew bright, + And life seemed moving on to happy ends. + (Ah, what self-beggared fool was he + That said a woman cannot be + The very best of friends?) + Then there were memories of old times, + Recalled with many a gentle jest; + And at the last she brought the book of rhymes + We made together, trying to translate + The Songs of Heine (hers were always best). + "Now come," she said, + "To-night we will collaborate + "Again; I'll put you to the test. + "Here's one I never found the way to do,-- + "The simplest are the hardest ones, you know,-- + "I give this song to you." + And then she read: + Mein kind, wir waren Kinder, + Zwei Kinder, jung und froh. + + But all the while a silent question stirred + Within me, though I dared not speak the word: + "Is it herself, and is she truly here, + "And was I dreaming when I heard + "That she was dead last year? + "Or was it true, and is she but a shade + "Who brings a fleeting joy to eye and ear, + "Cold though so kind, and will she gently fade + "When her sweet ghostly part is played + "And the light-curtain falls at dawn of day?" + But while my heart was troubled by this fear + So deeply that I could not speak it out, + Lest all my happiness should disappear, + I thought me of a cunning way + To hide the question and dissolve the doubt. + "Will you not give me now your hand, + "Dear Marguerite," I asked, "to touch and hold, + "That by this token I may understand + "You are the same true friend you were of old?" + She answered with a smile so bright and calm + It seemed as if I saw new stars arise + In the deep heaven of her eyes; + And smiling so, she laid her palm + In mine. Dear God, it was not cold + But warm with vital heat! + "You live!" I cried, "you live, dear Marguerite!" + Then I awoke; but strangely comforted, + Although I knew again that she was dead. + + III + + Yes, there's the dream! And was it sweet or + sad? + Dear mistress of my waking and my sleep, + Present reward of all my heart's desire, + Watching with me beside the winter fire, + Interpret now this vision that I had. + But while you read the meaning, let me keep + The touch of you: for the Old Year with storm + Is passing through the midnight, and doth shake + The corners of the house,--and oh! my heart + would break + Unless both dreaming and awake + My hand could feel your hand was warm, warm, + warm! + + + + + SONGS FOR AMERICA + + SEA-GULLS OF Manhattan + + Children of the elemental mother, + Born upon some lonely island shore + Where the wrinkled ripples run and whisper, + Where the crested billows plunge and roar; + Long-winged, tireless roamers and adventurers, + Fearless breasters of the wind and sea, + In the far-off solitary places + I have seen you floating wild and free! + + Here the high-built cities rise around you; + Here the cliffs that tower east and west, + Honeycombed with human habitations, + Have no hiding for the sea-bird's nest: + Here the river flows begrimed and troubled; + Here the hurrying, panting vessels fume, + Restless, up and down the watery highway, + While a thousand chimneys vomit gloom. + + Toil and tumult, conflict and confusion, + Clank and clamor of the vast machine + Human hands have built for human bondage-- + Yet amid it all you float serene; + Circling, soaring, sailing, swooping lightly + Down to glean your harvest from the wave; + In your heritage of air and water, + You have kept the freedom Nature gave. + + Even so the wild-woods of Manhattan + Saw your wheeling flocks of white and grey; + Even so you fluttered, followed, floated, + Round the Half-Moon creeping up the bay; + Even so your voices creaked and chattered, + Laughing shrilly o'er the tidal rips, + While your black and beady eyes were glistening + Round the sullen British prison-ships. + + Children of the elemental mother, + Fearless floaters 'mid the double blue, + From the crowded boats that cross the ferries + Many a longing heart goes out to you. + Though the cities climb and close around us, + Something tells us that our souls are free, + While the sea-gulls fly above the harbor, + While the river flows to meet the sea! + + URBS CORONATA + + (Song for the City College of New York) + + O youngest of the giant brood + Of cities far-renowned; + In wealth and power thou hast passed + Thy rivals at a bound; + And now thou art a queen, New York; + And how wilt thou be crowned? + + "Weave me no palace-wreath of pride," + The royal city said; + "Nor forge an iron fortress-wall + To frown upon my head; + But let me wear a diadem + Of Wisdom's towers instead." + + And so upon her island height + She worked her will forsooth, + She set upon her rocky brow + A citadel of Truth, + A house of Light, a home of Thought, + A shrine of noble Youth. + + Stand here, ye City College towers, + And look both up and down; + Remember all who wrought for you + Within the toiling town; + Remember all they thought for you, + And all the hopes they brought for you, + And be the City's Crown. + + AMERICA + + I Love thine inland seas, + Thy groves of giant trees, + Thy rolling plains; + Thy rivers' mighty sweep, + Thy mystic canyons deep, + Thy mountains wild and steep, + All thy domains; + + Thy silver Eastern strands, + Thy Golden Gate that stands + Wide to the West; + Thy flowery Southland fair, + Thy sweet and crystal air,-- + O land beyond compare, + Thee I love best! + + Additional verses for the National Hymn, March, 1906. + + DOORS OF DARING + + The mountains that enfold the vale + With walls of granite, steep and high, + Invite the fearless foot to scale + Their stairway toward the sky. + + The restless, deep, dividing sea + That flows and foams from shore to shore, + Calls to its sunburned chivalry, + "Push out, set sail, explore!" + And all the bars at which we fret, + That seem to prison and control, + Are but the doors of daring, set + Ajar before the soul. + + Say not, "Too poor," but freely give; + Sigh not, "Too weak," but boldly try. + You never can begin to live + Until you dare to die. + + A HOME SONG + + I Read within a poet's book + A word that starred the page: + "Stone walls do not a prison make, + Nor iron bars a cage!" + + Yes, that is true; and something more + You'll find, where'er you roam, + That marble floors and gilded walls + Can never make a home. + + But every house where Love abides, + And Friendship is a guest, + Is surely home, and home-sweet-home: + For there the heart can rest. + + A NOON SONG + + There are songs for the morning and songs + for the night, + For sunrise and sunset, the stars and the moon; + But who will give praise to the fulness of light, + And sing us a song of the glory of noon? + Oh, the high noon, and the clear noon, + The noon with golden crest; + When the sky burns, and the sun turns + With his face to the way of the west! + + How swiftly he rose in the dawn of his strength; + How slowly he crept as the morning wore by; + Ah, steep was the climbing that led him at length + To the height of his throne in the blue summer + sky. + Oh, the long toil, and the slow toil, + The toil that may not rest, + Till the sun looks down from his journey's + crown, + To the wonderful way of the west! + + AN AMERICAN IN EUROPE + + 'Tis fine to see the Old World, and travel up + and down + Among the famous palaces and cities of renown, + To admire the crumbly castles and the statues of + the kings,-- + But now I think I've had enough of antiquated + things. + + So it's home again, and home again, America for + me I + My heart is turning home again, and there I long to + be, + In the land of youth and freedom beyond the ocean + bars, + Where the air is full of sunlight and the flag is full + of stars. + + Oh, London is a man's town, there's power in + the air; + And Paris is a woman's town, with flowers in + her hair; + And it's sweet to dream in Venice, and it's great + to study Rome; + But when it comes to living there is no place like + home. + + I like the German fir-woods, in green battalions + drilled; + I like the gardens of Versailles with flashing + fountains filled; + But, oh, to take your hand, my dear, and ramble + for a day + In the friendly western woodland where Nature + has her way! + + I know that Europe's wonderful, yet something + seems to lack: + The Past is too much with her, and the people + looking back. + But the glory of the Present is to make the + Future free,-- + We love our land for what she is and what she + is to be. + + Oh, it's home again, and home again, America for + me I + I want a ship that's westward bound to plough the + rotting sea. + To the blessed Land of Room Enough beyond the + ocean bars, + Where the air is full of sunlight and the flag is full + of stars. + + THE ANCESTRAL DWELLINGS + + Dear to my heart are the ancestral dwellings + of America, + Dearer than if they were haunted by ghosts of + royal splendour; + These are the homes that were built by the brave + beginners of a nation, + They are simple enough to be great, and full of + a friendly dignity. + + I love the old white farmhouses nestled in New + England valleys, + Ample and long and low, with elm-trees feather- + ing over them: + Borders of box in the yard, and lilacs, and old- + fashioned flowers, + A fan-light above the door, and little square panes + in the windows, + The wood-shed piled with maple and birch and + hickory ready for winter, + The gambrel-roof with its garret crowded with + household relics,-- + All the tokens of prudent thrift and the spirit of + self-reliance. + + I love the look of the shingled houses that front + the ocean; + Their backs are bowed, and their lichened sides + are weather-beaten; + Soft in their colour as grey pearls, they are full + of patience and courage. + They seem to grow out of the rocks, there is + something indomitable about them: + Pacing the briny wind in a lonely land they stand + undaunted, + While the thin blue line of smoke from the + square-built chimney rises, + Telling of shelter for man, with room for a hearth + and a cradle. + + I love the stately southern mansions with their + tall white columns, + They look through avenues of trees, over fields + where the cotton is growing; + I can see the flutter of white frocks along their + shady porches, + Music and laughter float from the windows, the + yards are full of hounds and horses. + They have all ridden away, yet the houses have + not forgotten, + They are proud of their name and place, and + their doors are always open, + For the thing they remember best is the pride + of their ancient hospitality. + + In the towns I love the discreet and tranquil + Quaker dwellings, + With their demure brick faces and immaculate + white-stone doorsteps; + And the gabled houses of the Dutch, with their + high stoops and iron railings, + (I can see their little brass knobs shining in the + morning sunlight); + And the solid houses of the descendants of the + Puritans, + Fronting the street with their narrow doors and + dormer-windows; + And the triple-galleried, many-pillared mansions + of Charleston, + Standing sideways in their gardens full of roses + and magnolias. + + Yes, they are all dear to my heart, and in my + eyes they are beautiful; + For under their roofs were nourished the thoughts + that have made the nation; + The glory and strength of America came from + her ancestral dwellings. + + FRANCIS MAKEMIE + + (Presbyter of Christ in America, 1683-1708) + + To thee, plain hero of a rugged race, + We bring the meed of praise too long delayed! + Thy fearless word and faithful work have made + For God's Republic firmer path and place + In this New World: thou hast proclaimed the + grace + And power of Christ in many a forest glade, + Teaching the truth that leaves men unafraid + Of frowning tyranny or death's dark face. + + Oh, who can tell how much we owe to thee, + Makemie, and to labour such as thine, + For all that makes America the shrine + Of faith untrammeled and of conscience free? + Stand here, grey stone, and consecrate the sod + Where rests this brave Scotch-Irish man of God! + + NATIONAL MONUMENTS + + Count not the cost of honour to the dead! + The tribute that a mighty nation pays + To those who loved her well in former days + Means more than gratitude for glories fled; + For every noble man that she hath bred, + Lives in the bronze and marble that we raise, + Immortalized by art's immortal praise, + To lead our sons as he our fathers led. + + These monuments of manhood strong and high + Do more than forts or battle-ships to keep + Our dear-bought liberty. They fortify + The heart of youth with valour wise and deep; + They build eternal bulwarks, and command + Eternal strength to guard our native land. + + + + + IN PRAISE OF POETS + + MOTHER EARTH + + Mother of all the high-strung poets and + singers departed, + Mother of all the grass that weaves over their + graves the glory of the field, + Mother of all the manifold forms of life, deep- + bosomed, patient, impassive, + Silent brooder and nurse of lyrical joys and sor- + rows! + Out of thee, yea, surely out of the fertile depth + below thy breast, + Issued in some Strange way, thou lying motion- + less, voiceless, + All these songs of nature, rhythmical, passionate, + yearning, + Coming in music from earth, but not unto earth + returning. + + Dust are the blood-red hearts that beat in time + to these measures, + Thou hast taken them back to thyself, secretly, + irresistibly + Drawing the crimson currents of life down, down, + down + Deep into thy bosom again, as a river is lost in + the sand. + + But the souls of the singers have entered into + the songs that revealed them,-- + Passionate songs, immortal songs of joy and + grief and love and longing: + Floating from heart to heart of thy children, they + echo above thee: + Do they not utter thy heart, the voices of those + that love thee? + + Long hadst thou lain like a queen transformed by + some old enchantment + Into an alien shape, mysterious, beautiful, speech- + less, + Knowing not who thou wert, till the touch of thy + Lord and Lover + Working within thee awakened the man-child to + breathe thy secret. + All of thy flowers and birds and forests and flow- + ing waters + Are but enchanted forms to embody the life of + the spirit; + Thou thyself, earth-mother, in mountain and + meadow and ocean, + Holdest the poem of God, eternal thought and + emotion. + + MILTON + + I + + Lover of beauty, walking on the height + Of pure philosophy and tranquil song; + Born to behold the visions that belong + To those who dwell in melody and light; + Milton, thou spirit delicate and bright! + What drew thee down to join the Roundhead + throng + Of iron-sided warriors, rude and strong, + Fighting for freedom in a world half night? + + Lover of Liberty at heart wast thou, + Above all beauty bright, all music clear: + To thee she bared her bosom and her brow, + Breathing her virgin promise in thine ear, + And bound thee to her with a double vow,-- + Exquisite Puritan, grave Cavalier! + + II + + The cause, the cause for which thy soul resigned + Her singing robes to battle on the plain, + Was won, O poet, and was lost again; + And lost the labour of thy lonely mind + On weary tasks of prose. What wilt thou find + To comfort thee for all the toil and pain? + What solace, now thy sacrifice is vain + And thou art left forsaken, poor, and blind? + + Like organ-music comes the deep reply: + "The cause of truth looks lost, but shall be + won. + For God hath given to mine inward eye + Vision of England soaring to the sun. + And granted me great peace before I die, + In thoughts of lowly duty bravely done." + + III + + O bend again above thine organ-board, + Thou blind old poet longing for repose! + Thy Master claims thy service not with those + Who only stand and wait for his reward. + He pours the heavenly gift of song restored + Into thy breast, and bids thee nobly close + A noble life, with poetry that flows + In mighty music of the major chord. + + Where hast thou learned this deep, majestic + strain, + Surpassing all thy youthful lyric grace, + To sing of Paradise? Ah, not in vain + The griefs that won at Dante's side thy place, + And made thee, Milton, by thy years of pain, + The loftiest poet of the Saxon race! + + WORDSWORTH + + Wordsworth, thy music like a river rolls + Among the mountains, and thy song is fed + By living springs far up the watershed; + No whirling flood nor parching drought controls + The crystal current; even on the shoals + It murmurs clear and sweet; and when its bed + Darkens below mysterious cliffs of dread, + Thy voice of peace grows deeper in our souls. + + But thou in youth hast known the breaking stress + Of passion, and hast trod despair's dry ground + Beneath black thoughts that wither and de- + stroy. + Ah, wanderer, led by human tenderness + Home to the heart of Nature, thou hast found + The hidden Fountain of Recovered Joy. + + KEATS + + The melancholy gift Aurora gained + From Jove, that her sad lover should not + see + The face of death, no goddess asked for thee, + My Keats! But when the crimson blood-drop + stained + Thy pillow, thou didst read the fate ordained,-- + Brief life, wild love, a flight of poesy! + And then,--a shadow fell on Italy: + Thy star went down before its brightness waned. + + Yet thou hast won the gift Tithonus missed: + Never to feel the pain of growing old, + Nor lose the blissful sight of beauty's truth, + But with the ardent lips that music kissed + To breathe thy song, and, ere thy heart grew + cold, + Become the Poet of Immortal Youth. + + SHELLEY + + Knight-errant of the Never-ending + Quest, + And Minstrel of the Unfulfilled Desire; + For ever tuning thy frail earthly lyre + To some unearthly music, and possessed + With painful passionate longing to invest + The golden dream of Love's immortal fire + In mortal robes of beautiful attire, + And fold perfection to thy throbbing breast! + + What wonder, Shelley, if the restless wave + Should claim thee and the leaping flame con- + sume + Thy drifted form on Viareggio's beach? + Fate to thy body gave a fitting grave, + And bade thy soul ride on with fiery plume, + Thy wild song ring in ocean's yearning + speech! + + ROBERT BROWNING + + How blind the toil that burrows like the mole, + In winding graveyard pathways under- + ground, + For Browning's lineage! What if men have + found + Poor footmen or rich merchants on the roll + Of his forbears? Did they beget his soul? + Nay, for he came of ancestry renowned + Through all the world,--the poets laurel- + crowned + With wreaths from which the autumn takes no + toll. + + The blazons on his coat-of-arms are these: + The flaming sign of Shelley's heart on fire, + The golden globe of Shakespeare's human + stage, + The staff and scrip of Chaucer's pilgrimage, + The rose of Dante's deep, divine desire, + The tragic mask of wise Euripides. + + LONGFELLOW + + In a great land, a new land, a land full of labour + and riches and confusion, + Where there were many running to and fro, and + shouting, and striving together, + In the midst of the hurry and the troubled noise, + I heard the voice of one singing. + + "What are you doing there, O man, singing + quietly amid all this tumult? + This is the time for new inventions, mighty + shoutings, and blowings of the trumpet." + But he answered, "I am only shepherding my + sheep with music." + + So he went along his chosen way, keeping his + little flock around him; + And he paused to listen, now and then, beside + the antique fountains, + Where the faces of forgotten gods were refreshed + with musically falling waters; + + Or he sat for a while at the blacksmith's door, + and heard the cling-clang of the anvils; + Or he rested beneath old steeples full of bells, + that showered their chimes upon him; + Or he walked along the border of the sea, drink- + ing in the long roar of the billows; + + Or he sunned himself in the pine-scented ship- + yard, amid the tattoo of the mallets; + Or he leaned on the rail of the bridge, letting + his thoughts flow with the whispering river; + He hearkened also to ancient tales, and made + them young again with his singing. + + Then a flaming arrow of death fell on his flock, + and pierced the heart of his dearest! + Silent the music now, as the shepherd entered + the mystical temple of sorrow: + Long he tarried in darkness there: but when he + came out he was singing. + + And I saw the faces of men and women and + children silently turning toward him; + The youth setting out on the journey of life, and + the old man waiting beside the last mile-stone; + The toiler sweating beneath his load; and the + happy mother rocking her cradle; + + The lonely sailor on far-off seas; and the grey- + minded scholar in his book-room; + The mill-hand bound to a clacking machine; and + the hunter in the forest; + And the solitary soul hiding friendless in the + wilderness of the city; + + Many human faces, full of care and longing, were + drawn irresistibly toward him, + By the charm of something known to every heart, + yet very strange and lovely, + And at the sound of that singing wonderfully + all their faces were lightened. + + "Why do you listen, O you people, to this old + and world-worn music? + This is not for you, in the splendour of a new + age, in the democratic triumph! + Listen to the clashing cymbals, the big drums, the + brazen trumpets of your poets." + + But the people made no answer, following in + their hearts the simpler music: + For it seemed to them, noise-weary, nothing + could be better worth the hearing + Than the melodies which brought sweet order + into life's confusion. + + So the shepherd sang his way along, until he + came unto a mountain: + And I know not surely whether it was called + Parnassus, + But he climbed it out of sight, and still I heard + the voice of one singing. + + THOMAS BAILEY ALDRICH + + I + + BIRTHDAY VERSES + + Dear Aldrich, now November's mellow days + Have brought another Festa round to you, + You can't refuse a loving-cup of praise + From friends the fleeting years have bound to + you. + + Here come your Marjorie Daw, your dear Bad + Boy, + Prudence, and Judith the Bethulian, + And many more, to wish you birthday joy, + And sunny hours, and sky caerulean! + + Your children all, they hurry to your den, + With wreaths of honour they have won for + you, + To merry-make your threescore years and ten + You, old? Why, life has just begun for you! + + There's many a reader whom your silver songs + And crystal stories cheer in loneliness. + What though the newer writers come in throngs? + You're sure to keep your charm of only-ness. + + You do your work with careful, loving touch,-- + An artist to the very core of you,-- + you know the magic spell of "not-too-much": + We read,--and wish that there was more of + you. + + And more there is: for while we love your books + Because their subtle skill is part of you; + We love you better, for our friendship looks + Behind them to the human heart of you. + + November 24,1906. + + II + + MEMORIAL SONNET + + This is the house where little Aldrich read + The early pages of Life's wonder-book: + With boyish pleasure, in this ingle-nook + He watched the drift-wood fire of Fancy spread + Bright colours on the pictures, blue and red: + Boy-like he skipped the longer words, and took + His happy way, with searching, dreamful look + Among the deeper things more simply said. + + Then, came his turn to write: and still the flame + Of Fancy played through all the tales he told, + And still he won the laurelled poet's fame + With simple words wrought into rhymes of + gold. + Look, here's the face to which this house is + frame,-- + A man too wise to let his heart grow old! + + (Dedication of the Aldrich Memorial at Portsmouth, June 11, 1908.) + + EDMUND CLARENCE STEDMAN + + Oh, quick to feel the lightest touch + Of beauty or of truth, + Rich in the thoughtfulness of age, + The hopefulness of youth, + The courage of the gentle heart, + The wisdom of the pure, + The strength of finely tempered souls + To labour and endure! + + The blue of springtime in your eyes + Was never quenched by pain; + And winter brought your head the crown + Of snow without a stain. + The poet's mind, the prince's heart, + You kept until the end, + Nor ever faltered in your work, + Nor ever failed a friend. + + You followed, through the quest of life, + The light that shines above + The tumult and the toil of men, + And shows us what to love. + Right loyal to the best you knew, + Reality or dream, + You ran the race, you fought the fight, + A follower of the Gleam. + + We lay upon your well-earned grave + The wreath of asphodel, + We speak above your peaceful face + The tender word Farewell! + For well you fare, in God's good care, + Somewhere within the blue, + And know, to-day, your dearest dreams + Are true,--and true,--and true! + + (Read at the funeral of Mr. Stedman, January 21, 1908.) + + + + + LYRICS + + DRAMATIC AND PERSONAL + + LATE SPRING + + I + + Ah, who will tell me, in these leaden days, + Why the sweet Spring delays, + And where she hides,--the dear desire + Of every heart that longs + For bloom, and fragrance, and the ruby fire + Of maple-buds along the misty hills, + And that immortal call which fills + The waiting wood with songs? + The snow-drops came so long ago, + It seemed that Spring was near! + But then returned the snow + With biting winds, and all the earth grew sere, + And sullen clouds drooped low + To veil the sadness of a hope deferred: + Then rain, rain, rain, incessant rain + Beat on the window-pane, + Through which I watched the solitary bird + That braved the tempest, buffeted and tossed, + With rumpled feathers, down the wind again. + Oh, were the seeds all lost + When winter laid the wild flowers in their tomb? + I searched their haunts in vain + For blue hepaticas, and trilliums white, + And trailing arbutus, the Spring's delight, + Starring the withered leaves with rosy bloom. + The woods were bare: and every night the frost + To all my longings spoke a silent nay, + And told me Spring was far and far away. + Even the robins were too cold to sing, + Except a broken and discouraged note,-- + Only the tuneful sparrow, on whose throat + Music has put her triple finger-print, + Lifted his head and sang my heart a hint,-- + "Wait, wait, wait! oh, wait a while for Spring!" + + II + + But now, Carina, what divine amends + For all delay! What sweetness treasured up, + What wine of joy that blends + A hundred flavours in a single cup, + Is poured into this perfect day! + For look, sweet heart, here are the early flowers, + That lingered on their way, + Thronging in haste to kiss the feet of May, + And mingled with the bloom of later hours,-- + Anemonies and cinque-foils, violets blue + And white, and iris richly gleaming through + The grasses of the meadow, and a blaze + Of butter-cups and daisies in the field, + Filling the air with praise, + As if a silver chime of bells had pealed! + The frozen songs within the breast + Of silent birds that hid in leafless woods, + Melt into rippling floods + Of gladness unrepressed. + Now oriole and blue-bird, thrush and lark, + Warbler and wren and vireo, + Confuse their music; for the living spark + Of Love has touched the fuel of desire, + And every heart leaps up in singing fire. + It seems as if the land + Were breathing deep beneath the sun's caress, + Trembling with tenderness, + While all the woods expand, + In shimmering clouds of rose and gold and green, + To veil the joys too sacred to be seen. + + III + + Come, put your hand in mine, + True love, long sought and found at last, + And lead me deep into the Spring divine + That makes amends for all the wintry past. + For all the flowers and songs I feared to miss + Arrive with you; + And in the lingering pressure of your kiss + My dreams come true; + And in the promise of your generous eyes + I read the mystic sign + Of joy more perfect made + Because so long delayed, + And bliss enhanced by rapture of surprise. + Ah, think not early love alone is strong; + He loveth best whose heart has learned to wait + Dear messenger of Spring that tarried long, + You're doubly dear because you come so late. + + NEPENTHE + + Yes it was like you to forget, + And cancel in the welcome of your smile + My deep arrears of debt, + And with the putting forth of both your hands + To sweep away the bars my folly set + Between us--bitter thoughts, and harsh de- + mands, + And reckless deeds that seemed untrue + To love, when all the while + My heart was aching through and through + For you, sweet heart, and only you. + + Yet, as I turned to come to you again, + I thought there must be many a mile + Of sorrowful reproach to cross, + And many an hour of mutual pain + To bear, until I could make plain + That all my pride was but the fear of loss, + And all my doubt the shadow of despair + To win a heart so innocent and fair; + And even that which looked most ill + Was but the fever-fret and effort vain + To dull the thirst which you alone could still. + + But as I turned the desert miles were crossed, + And when I came the weary hours were sped! + For there you stood beside the open door, + Glad, gracious, smiling as before, + And with bright eyes and tender hands outspread + Restored me to the Eden I had lost. + Never a word of cold reproof, + No sharp reproach, no glances that accuse + The culprit whom they hold aloof,-- + Ah, 't is not thus that other women use + The power they have won! + For there is none like you, beloved,--none + Secure enough to do what you have done. + Where did you learn this heavenly art,-- + You sweetest and most wise of all that live,-- + With silent welcome to impart + Assurance of the royal heart + That never questions where it would forgive? + + None but a queen could pardon me like this! + My sovereign lady, let me lay + Within each rosy palm a loyal kiss + Of penitence, then close the fingers up, + Thus--thus! Now give the cup + Of full nepenthe in your crimson mouth, + And come--the garden blooms with bliss, + The wind is in the south, + The rose of love with dew is wet-- + Dear, it was like you to forget! + + HESPER + + Her eyes are like the evening air, + Her voice is like a rose, + Her lips are like a lovely song, + That ripples as it flows, + And she herself is sweeter than + The sweetest thing she knows. + + A slender, haunting, twilight form + Of wonder and surprise, + She seemed a fairy or a child, + Till, deep within her eyes, + I saw the homeward-leading star + Of womanhood arise. + + ARRIVAL + + Across a thousand miles of sea, a hundred + leagues of land, + Along a path I had not traced and could not + understand, + I travelled fast and far for this,--to take thee + by the hand. + + A pilgrim knowing not the shrine where he would + bend his knee, + A mariner without a dream of what his port + would be, + So fared I with a seeking heart until I came to + thee. + + O cooler than a grove of palm in some heat-weary + place, + O fairer than an isle of calm after the wild sea + race, + The quiet room adorned with flowers where first + I saw thy face! + + Then furl the sail, let fall the oar, forget the paths + of foam! + The Power that made me wander far at last has + brought me home + To thee, dear haven of my heart, and I no more + will roam. + + DEPARTURE + + Oh, why are you shining so bright, big Sun, + And why is the garden so gay? + Do you know that my days of delight are done, + Do you know I am going away? + If you covered your face with a cloud, I'd dream + You were sorry for me in my pain, + And the heads of the flowers all bowed would + seem + To be weeping with me in the rain. + + But why is your head so low, sweet heart, + And why are your eyes overcast? + Are they clouded because you know we must part, + Do you think this embrace is our last? + Then kiss me again, and again, and again, + Look up as you bid me good-bye! + For your face is too dear for the stain of a tear, + And your smile is the sun in my sky. + + THE BLACK BIRDS + + I + + Once, only once, I saw it clear,-- + That Eden every human heart has dreamed + A hundred times, but always far away! + Ah, well do I remember how it seemed, + Through the still atmosphere + Of that enchanted day, + To lie wide open to my weary feet: + A little land of love and joy and rest, + With meadows of soft green, + Rosy with cyclamen, and sweet + With delicate breath of violets unseen,-- + And, tranquil 'mid the bloom + As if it waited for a coming guest, + A little house of peace and joy and love + Was nested like a snow-white dove + + From the rough mountain where I stood, + Homesick for happiness, + Only a narrow valley and a darkling wood + To cross, and then the long distress + Of solitude would be forever past,-- + I should be home at last. + But not too soon! oh, let me linger here + And feed my eyes, hungry with sorrow, + On all this loveliness, so near, + And mine to-morrow! + + Then, from the wood, across the silvery blue, + A dark bird flew, + Silent, with sable wings. + Close in his wake another came,-- + Fragments of midnight floating through + The sunset flame,-- + Another and another, weaving rings + Of blackness on the primrose sky,-- + Another, and another, look, a score, + A hundred, yes, a thousand rising heavily + From that accursed, dumb, and ancient wood,-- + They boiled into the lucid air + Like smoke from some deep caldron of despair! + And more, and more, and ever more, + The numberless, ill-omened brood, + Flapping their ragged plumes, + Possessed the landscape and the evening light + With menaces and glooms. + Oh, dark, dark, dark they hovered o'er the place + Where once I saw the little house so white + Amid the flowers, covering every trace + Of beauty from my troubled sight,-- + And suddenly it was night! + + II + + At break of day I crossed the wooded vale; + And while the morning made + A trembling light among the tree-tops pale, + I saw the sable birds on every limb, + Clinging together closely in the shade, + And croaking placidly their surly hymn. + But, oh, the little land of peace and love + That those night-loving wings had poised + above,-- + Where was it gone? + Lost, lost forevermore! + Only a cottage, dull and gray, + In the cold light of dawn, + With iron bars across the door: + Only a garden where the withering heads + Of flowers, presaging decay, + Hung over barren beds: + Only a desolate field that lay + Untilled beneath the desolate day,-- + Where Eden seemed to bloom I found but these! + So, wondering, I passed along my way, + With anger in my heart, too deep for words, + Against that grove of evil-sheltering trees, + And the black magic of the croaking birds. + + WITHOUT DISGUISE + + If I have erred in showing all my heart, + And lost your favour by a lack of pride; + If standing like a beggar at your side + With naked feet, I have forgot the art + Of those who bargain well in passion's mart, + And win the thing they want by what they + hide; + Be mine the fault as mine the hope denied, + Be mine the lover's and the loser's part. + + The sin, if sin it was, I do repent, + And take the penance on myself alone; + Yet after I have borne the punishment, + I shall not fear to stand before the throne + Of Love with open heart, and make this plea: + "At least I have not lied to her nor Thee!" + + GRATITUDE + + Do you give thanks for this?--or that?" + No, God be thanked + I am not grateful + In that cold, calculating way, with blessing + ranked + As one, two, three, and four,--that would be + hateful. + + I only know that every day brings good above + My poor deserving; + I only feel that, in the road of Life, true Love + Is leading me along and never swerving. + + Whatever gifts and mercies in my lot may fall, + I would not measure + As worth a certain price in praise, or great or + small; + But take and use them all with simple pleasure. + + For when we gladly eat our daily bread, we bless + The Hand that feeds us; + And when we tread the road of Life in cheer- + fulness, + Our very heart-beats praise the Love that leads + us. + + MASTER OF MUSIC + + (In memory of Theodore Thomas, 1905) + + Glory of architect, glory of painter, and sculp- + tor, and bard, + Living forever in temple and picture and statue + and song,-- + Look how the world with the lights that they lit + is illumined and starred, + Brief was the flame of their life, but the lamps + of their art burn long! + + Where is the Master of Music, and how has he + vanished away? + Where is the work that he wrought with his + wonderful art in the air? + Gone,--it is gone like the glow on the cloud + at the close of the day! + The Master has finished his work, and the glory + of music is--where? + + Once, at the wave of his wand, all the billows of + musical sound + Followed his will, as the sea was ruled by the + prophet of old: + Now that his hand is relaxed, and his rod has + dropped to the ground, + Silent and dark are the shores where the mar- + vellous harmonies rolled! + + Nay, but not silent the hearts that were filled by + that life-giving sea; + Deeper and purer forever the tides of their + being will roll, + Grateful and joyful, O Master, because they have + listened to thee,-- + The glory of music endures in the depths of + the human soul. + + STARS AND THE SOUL + + (To Charles A. Young, Astronomer) + + "Two things," the wise man said, "fill me + with awe: + The starry heavens and the moral law." + Nay, add another wonder to thy roll,-- + The living marvel of the human soul! + + Born in the dust and cradled in the dark, + It feels the fire of an immortal spark, + And learns to read, with patient, searching eyes, + The splendid secret of the unconscious skies. + + For God thought Light before He spoke the word; + The darkness understood not, though it heard: + But man looks up to where the planets swim, + And thinks God's thoughts of glory after Him. + + What knows the star that guides the sailor's way, + Or lights the lover's bower with liquid ray, + Of toil and passion, danger and distress, + Brave hope, true love, and utter faithfulness? + + But human hearts that suffer good and ill, + And hold to virtue with a loyal will, + Adorn the law that rules our mortal strife + With star-surpassing victories of life. + + So take our thanks, dear reader of the skies, + Devout astronomer, most humbly wise, + For lessons brighter than the stars can give, + And inward light that helps us all to live. + + The world has brought the laurel-leaves to crown + The star-discoverer's name with high, renown; + Accept the flower of love we lay with these + For influence sweeter than the Pleiades! + + TO JULIA MARLOWE + + (Reading Keats' Ode on a Grecian Urn) + + Long had I loved this "Attic shape," the brede + Of marble maidens round this urn divine: + But when your golden voice began to read, + The empty urn was filled with Chian wine. + + PAN LEARNS MUSIC + + Limber-limbed, lazy god, stretched on the + rock, + Where is sweet Echo, and where is your flock? + What are you making here? "Listen," said + Pan,-- + "Out of a river-reed music for man!" + + "UNDINE" + + 'Twas far away and long ago, + When I was but a dreaming boy, + This fairy tale of love and woe + Entranced my heart with tearful joy; + And while with white Undine I wept, + Your spirit,--ah, how strange it seems, + Was cradled in some star, and slept, + Unconscious of her coming dreams. + + LOVE IN A LOOK + + Let me but feel thy look's embrace, + Transparent, pure, and warm, + And I'll not ask to touch thy face, + Or fold thee with mine arm. + For in thine eyes a girl doth rise, + Arrayed in candid bliss, + And draws me to her with a charm + More close than any kiss. + + A loving-cup of golden wine, + Songs of a silver brook, + And fragrant breaths of eglantine, + Are mingled in thy look. + More fair they are than any star, + Thy topaz eyes divine-- + And deep within their trysting-nook + Thy spirit blends with mine. + + MY APRIL LADY + + When down the stair at morning + The sunbeams round her float, + Sweet rivulets of laughter + Are bubbling in her throat; + The gladness of her greeting + Is gold without alloy; + And in the morning sunlight + I think her name is Joy. + + When in the evening twilight + The quiet book-room lies, + We read the sad old ballads, + While from her hidden eyes + The tears are falling, falling, + That give her heart relief; + And in the evening twilight, + I think her name is Grief. + + My little April lady, + Of sunshine and of showers, + She weaves the old spring magic, + And breaks my heart in flowers! + But when her moods are ended, + She nestles like a dove; + Then, by the pain and rapture, + I know her name is Love. + + A LOVER'S ENVY + + I envy every flower that blows + Along the meadow where she goes, + And every bird that sings to her, + And every breeze that brings to her + The fragrance of the rose. + + I envy every poet's rhyme + That moves her heart at eventime, + And every tree that wears for her + Its brightest bloom, and bears for her + The fruitage of its prime. + + I envy every Southern night + That paves her path with moonbeams white, + And silvers all the leaves for her, + And in their shadow weaves for her + A dream of dear delight. + + I envy none whose love requires + Of her a gift, a task that tires: + I only long to live to her, + I only ask to give to her + All that her heart desires. + + THE HERMIT THRUSH + + O wonderful! How liquid clear + The molten gold of that ethereal tone, + Floating and falling through the wood alone, + A hermit-hymn poured out for God to hear! + O holy, holy, holy! Hyaline, + Long light, low light, glory of eventide! + Love far away, far up,--up,--love divine! + Little love, too, for ever, ever near, + Warm love, earth love, tender love of mine, + In the leafy dark where you hide, + You are mine,--mine,--mine! + + Ah, my beloved, do you feel with me + The hidden virtue of that melody, + The rapture and the purity of love, + The heavenly joy that can not find the word? + Then, while we wait again to hear the bird, + Come very near to me, and do not move,-- + Now, hermit of the woodland, fill anew + The cool, green cup of air with harmony, + And we will drink the wine of love with you. + + FIRE-FLY CITY + + Like a long arrow through the dark the train + is darting, + Bearing me far away, after a perfect day of + love's delight: + Wakeful with all the sad-sweet memories of + parting, + I lift the narrow window-shade and look out + on the night. + + Lonely the land unknown, and like a river flow- + ing, + Forest and field and hill are gliding backward + still athwart my dream; + Till in that country strange, and ever stranger + growing, + A magic city full of lights begins to glow and + gleam. + + Wide through the landscape dim the lamps are lit + in millions; + Long avenues unfold clear-shining lines of gold + across the green; + Clusters and rings of light, and luminous pa- + vilions,-- + Oh, who will tell the city's name, and what + these wonders mean? + + Why do they beckon me, and what have they to + show me? + Crowds in the blazing street, mirth where the + feasters meet, kisses and wine: + Many to laugh with me, but never one to know + me: + A cityful of stranger-hearts and none to beat + with mine! + + Look how the glittering lines are wavering and + lifting,-- + Softly the breeze of night, scatters the vision + bright: and, passing fair, + Over the meadow-grass and through the forest + drifting, + The Fire-Fly City of the Dark is lost in empty + air! + + Girl of the golden eyes, to you my heart is + turning: + Sleep in your quiet room, while through the + midnight gloom my train is whirled. + Clear in your dreams of me the light of love is + burning,-- + The only never failing light in all the phantom + world. + + THE GENTLE TRAVELLER + + "Through many a land your journey ran, + And showed the best the world can boast + Now tell me, traveller, if you can, + The place that pleased you most." + + She laid her hands upon my breast, + And murmured gently in my ear, + "The place I loved and liked the best + Was in your arms, my dear!" + + SICILY, DECEMBER, 1908 + + O garden isle, beloved by Sun and Sea,-- + Whose bluest billows kiss thy curving bays, + Whose amorous light enfolds thee in warm + rays + That fill with fruit each dark-leaved orange- + tree,-- + What hidden hatred hath the Earth for thee? + Behold, again, in these dark, dreadful days, + She trembles with her wrath, and swiftly lays + Thy beauty waste in wreck and agony! + + Is Nature, then, a strife of jealous powers, + And man the plaything of unconscious fate? + Not so, my troubled heart! God reigns above + And man is greatest in his darkest hours: + Walking amid the cities desolate, + The Son of God appears in human love. + + Tertius and Henry van Dyke, January, 1909. + + THE WINDOW + + All night long, by a distant bell, + The passing hours were notched + On the dark, while her breathing rose and fell, + And the spark of life I watched + In her face was glowing or fading,--who could + tell?-- + And the open window of the room, + With a flare of yellow light, + Was peering out into the gloom, + Like an eye that searched the night. + + Oh, what do you see in the dark, little window, and + why do you fear? + "I see that the garden is crowded wtth creeping forms + of fear: + Little white ghosts in the locust-tree, that wave in the + night-wind's breath, + And low in the leafy laurels the lurking shadow of + death." + + Sweet, clear notes of a waking bird + Told of the passing away + Of the dark,--and my darling may have heard; + For she smiled in her sleep, while the ray + Of the rising dawn spoke joy without a word, + Till the splendor born in the east outburned + The yellow lamplight, pale and thin, + And the open window slowly turned + To the eye of the morning, looking in. + + Oh, what do you see in the room, little window, that + makes you so bright? + "I see that a child is asleep on her pillow, soft and + white. + With the rose of life on her lips, and the breath of life + in her breast, + And the arms of God around her as she quietly takes + her rest." + + Neuilly, June, 1909. + + TWILIGHT IN THE ALPS + + I love the hour that comes, with dusky hair + And dewy feet, along the Alpine dells + To lead the cattle forth. A thousand bells + Go chiming after her across the fair + And flowery uplands, while the rosy flare + Of sunset on the snowy mountain dwells, + And valleys darken, and the drowsy spells + Of peace are woven through the purple air. + + Dear is the magic of this hour: she seems + To walk before the dark by falling rills, + And lend a sweeter song to hidden streams; + She opens all the doors of night, and fills + With moving bells the music of my dreams, + That wander far among the sleeping hills. + + Gstaad, August, 1909. + + JEANNE D'ARC + + The land was broken in despair, + The princes quarrelled in the dark, + When clear and tranquil, through the troubled air + Of selfish minds and wills that did not dare, + Your star arose, Jeanne d'Arc. + + O virgin breast with lilies white, + O sun-burned hand that bore the lance, + You taught the prayer that helps men to unite, + You brought the courage equal to the fight, + You gave a heart to France! + + Your king was crowned, your country free, + At Rheims you had your soul's desire: + And then, at Rouen, maid of Domremy, + The black-robed judges gave your victory + The martyr's crown of fire. + + And now again the times are ill, + And doubtful leaders miss the mark; + The people lack the single faith and will + To make them one,--your country needs you + still,-- + Come back again, Jeanne d'Arc! + + O woman-star, arise once more + And shine to bid your land advance: + The old heroic trust in God restore, + Renew the brave, unselfish hopes of yore, + And give a heart to France! + + Paris, July, 1909. + + HUDSON'S LAST VOYAGE + + June 22,1611 + + THE SHALLOP ON HUDSON BAY + + One sail in sight upon the lonely sea + And only one, God knows! For never ship + But mine broke through the icy gates that guard + These waters, greater grown than any since + We left the shores of England. We were first, + My men, to battle in between the bergs + And floes to these wide waves. This gulf is mine; + I name it! and that flying sail is mine! + And there, hull-down below that flying sail, + The ship that staggers home is mine, mine, mine! + My ship Discoverie! + The sullen dogs + Of mutineers, the bitches' whelps that snatched + Their food and bit the hand that nourished them, + Have stolen her. You ingrate Henry Greene, + I picked you from the gutter of Houndsditch, + And paid your debts, and kept you in my house, + And brought you here to make a man of you! + You Robert Juet, ancient, crafty man, + Toothless and tremulous, how many times + Have I employed you as a master's mate + To give you bread? And you Abacuck Prickett, + You sailor-clerk, you salted puritan, + You knew the plot and silently agreed, + Salving your conscience with a pious lie! + Yes, all of you--hounds, rebels, thieves! Bring + back + My ship! + Too late,--I rave,--they cannot hear + My voice: and if they heard, a drunken laugh + Would be their answer; for their minds have + caught + The fatal firmness of the fool's resolve, + That looks like courage but is only fear. + They'll blunder on, and lose my ship, and + drown,-- + Or blunder home to England and be hanged. + Their skeletons will rattle in the chains + Of some tall gibbet on the Channel cliffs, + While passing mariners look up and say: + "Those are the rotten bones of Hudson's men + "Who left their captain in the frozen North!" + + O God of justice, why hast Thou ordained + Plans of the wise and actions of the brave + Dependent on the aid of fools and cowards? + Look,--there she goes,--her topsails in the sun + Gleam from the ragged ocean edge, and drop + Clean out of sight! So let the traitors go + Clean out of mind! We'll think of braver things! + Come closer in the boat, my friends. John King, + You take the tiller, keep her head nor'west. + You Philip Staffe, the only one who chose + Freely to share our little shallop's fate, + Rather than travel in the hell-bound ship,-- + Too good an English seaman to desert + These crippled comrades,--try to make them rest + More easy on the thwarts. And John, my son, + My little shipmate, come and lean your head + Against your father's knee. Do you recall + That April morn in Ethelburga's church, + Five years ago, when side by side we kneeled + To take the sacrament with all our men, + Before the Hopewell left St. Catherine's docks + On our first voyage? It was then I vowed + My sailor-soul and years to search the sea + Until we found the water-path that leads + From Europe into Asia. + I believe + That God has poured the ocean round His world, + Not to divide, but to unite the lands. + And all the English captains that have dared + In little ships to plough uncharted waves,-- + Davis and Drake, Hawkins and Frobisher, + Raleigh and Gilbert,--all the other names,-- + Are written in the chivalry of God + As men who served His purpose. I would claim + A place among that knighthood of the sea; + And I have earned it, though my quest should + fail! + For, mark me well, the honour of our life + Derives from this: to have a certain aim + Before us always, which our will must seek + Amid the peril of uncertain ways. + Then, though we miss the goal, our search is + crowned + With courage, and we find along our path + A rich reward of unexpected things. + Press towards the aim: take fortune as it fares! + + I know not why, but something in my heart + Has always whispered, "Westward seek your + goal!" + Three times they sent me east, but still I turned + The bowsprit west, and felt among the floes + Of ruttling ice along the Groneland coast, + And down the rugged shore of Newfoundland, + And past the rocky capes and wooded bays + Where Gosnold sailed,--like one who feels his + way + With outstretched hand across a darkened + room,-- + I groped among the inlets and the isles, + To find the passage to the Land of Spice. + I have not found it yet,--but I have found + Things worth the finding! + + Son, have you forgot + Those mellow autumn days, two years ago, + When first we sent our little ship Half-Moon,-- + The flag of Holland floating at her peak,-- + Across a sandy bar, and sounded in + Among the channels, to a goodly bay + Where all the navies of the world could ride? + A fertile island that the redmen called + Manhattan, lay above the bay: the land + Around was bountiful and friendly fair. + But never land was fair enough to hold + The seaman from the calling of the sea. + And so we bore to westward of the isle, + Along a mighty inlet, where the tide + Was troubled by a downward-flowing flood + That seemed to come from far away,--perhaps + From some mysterious gulf of Tartary? + Inland we held our course; by palisades + Of naked rock where giants might have built + Their fortress; and by rolling hills adorned + With forests rich in timber for great ships; + Through narrows where the mountains shut us in + With frowning cliffs that seemed to bar the + stream; + And then through open reaches where the banks + Sloped to the water gently, with their fields + Of corn and lentils smiling in the sun. + Ten days we voyaged through that placid land, + Until we came to shoals, and sent a boat + Upstream to find,--what I already knew,-- + We travelled on a river, not a strait. + + But what a river! God has never poured + A stream more royal through a land more rich. + Even now I see it flowing in my dream, + While coming ages people it with men + Of manhood equal to the river's pride. + I see the wigwams of the redmen changed + To ample houses, and the tiny plots + Of maize and green tobacco broadened out + To prosperous farms, that spread o'er hill and + dale + The many-coloured mantle of their crops; + I see the terraced vineyard on the slope + Where now the fox-grape loops its tangled vine; + And cattle feeding where the red deer roam; + And wild-bees gathered into busy hives, + To store the silver comb with golden sweet; + And all the promised land begins to flow + With milk and honey. Stately manors rise + Along the banks, and castles top the hills, + And little villages grow populous with trade, + Until the river runs as proudly as the Rhine,-- + The thread that links a hundred towns and + towers! + And looking deeper in my dream, I see + A mighty city covering the isle + They call Manhattan, equal in her state + To all the older capitals of earth,-- + The gateway city of a golden world,-- + A city girt with masts, and crowned with spires, + And swarming with a host of busy men, + While to her open door across the bay + The ships of all the nations flock like doves. + My name will be remembered there, for men + Will say, "This river and this isle were found + By Henry Hudson, on his way to seek + The Northwest Passage into Farthest Inde." + Yes! yes! I sought it then, I seek it still,-- + My great adventure and my guiding star! + For look ye, friends, our voyage is not done; + We hold by hope as long as life endures! + Somewhere among these floating fields of ice, + Somewhere along this westward widening bay, + Somewhere beneath this luminous northern night, + The channel opens to the Orient,-- + I know it,--and some day a little ship + Will push her bowsprit in, and battle through! + And why not ours,--to-morrow,--who can tell? + The lucky chance awaits the fearless heart! + These are the longest days of all the year; + The world is round and God is everywhere, + And while our shallop floats we still can steer. + So point her up, John King, nor'west by north. + We'll keep the honour of a certain aim + Amid the peril of uncertain ways, + And sail ahead, and leave the rest to God. + + Oberhofen, July, 1909. + + + +THE END + + + + + + + + +End of the Project Gutenberg EBook of The White Bees, by Henry Van Dyke + +*** END OF THIS PROJECT GUTENBERG EBOOK THE WHITE BEES *** + +***** This file should be named 3757.txt or 3757.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/7/5/3757/ + +Produced by Charles Franks, Robert Rowe, and the Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/3757.zip b/3757.zip Binary files differnew file mode 100644 index 0000000..598b697 --- /dev/null +++ b/3757.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..1d9f8ac --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #3757 (https://www.gutenberg.org/ebooks/3757) diff --git a/old/twbee10.txt b/old/twbee10.txt new file mode 100644 index 0000000..49c33df --- /dev/null +++ b/old/twbee10.txt @@ -0,0 +1,2522 @@ +The Project Gutenberg Etext of The White Bees +by Henry Van Dyke +(#7 in our series by Henry Van Dyke) + +Copyright laws are changing all over the world, be sure to check +the laws for your country before redistributing these files!!! + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. + +Please do not remove this. + +This should be the first thing seen when anyone opens the book. +Do not change or edit it without written permission. The words +are carefully chosen to provide users with the information they +need about what they can legally do with the texts. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*****These Etexts Are Prepared By Thousands of Volunteers!***** + +Information on contacting Project Gutenberg to get Etexts, and +further information is included below, including for donations. + +The Project Gutenberg Literary Archive Foundation is a 501(c)(3) +organization with EIN [Employee Identification Number] 64-6221541 + +Title: The White Bees + +Author: Henry Van Dyke + +Release Date: February, 2003 [Etext #3757] +[Yes, we are about one year ahead of schedule] +[The actual date this file first posted = 8/21/01] + +Edition: 10 + +Language: English + +The Project Gutenberg Etext of The White Bees +by Henry Van Dyke +******This file should be named twbee10.txt or twbee10.zip****** + +Corrected EDITIONS of our etexts get a new NUMBER, twbee11.txt +VERSIONS based on separate sources get new LETTER, twbee10a.txt + +Produced by Charles Franks, Robert Rowe, and the Online Distributed Proofreading Team + +Project Gutenberg Etexts are usually created from multiple editions, +all of which are in the Public Domain in the United States, unless a +copyright notice is included. Therefore, we usually do NOT keep any +of these books in compliance with any particular paper edition. + +We are now trying to release all our books one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to send us error messages even years after +the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our sites at: +http://gutenberg.net +http://promo.net/pg + + +Those of you who want to download any Etext before announcement +can surf to them as follows, and just download by date; this is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 +or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any etext selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. This +projected audience is one hundred million readers. If our value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour this year as we release fifty new Etext +files per month, or 500 more Etexts in 2000 for a total of 3000+ +If they reach just 1-2% of the world's population then the total +should reach over 300 billion Etexts given away by year's end. + +The Goal of Project Gutenberg is to Give Away One Trillion Etext +Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +At our revised rates of production, we will reach only one-third +of that goal by the end of 2001, or about 4,000 Etexts unless we +manage to get some real funding. + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of July 12, 2001 contributions are only being solicited from people in: +Arkansas, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, +Illinois, Indiana, Iowa, Kansas, Louisiana, Maine, Massachusetts, Minnesota, +Missouri, Montana, Nebraska, New Mexico, Nevada, New Jersey, New York, North +Carolina, Ohio, Oklahoma, Oregon, Rhode Island, South Carolina, South Dakota, +Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, +Wisconsin, and Wyoming. + +We have filed in about 45 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, +additions to this list will be made and fund raising +will begin in the additional states. Please feel +free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork +to legally request donations in all 50 states. If +your state is not listed and you would like to know +if we have added it since the list you have, just ask. + +While we cannot solicit donations from people in +states where we are not yet registered, we know +of no prohibition against accepting donations +from donors in these states who approach us with +an offer to donate. + + +International donations are accepted, +but we don't know ANYTHING about how +to make them tax-deductible, or +even if they CAN be made deductible, +and don't have the staff to handle it +even if there are ways. + +All donations should be made to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + + +The Project Gutenberg Literary Archive Foundation is a 501(c)(3) +organization with EIN [Employee Identification Number] 64-6221541, +and has been approved as a 501(c)(3) organization by the US Internal +Revenue Service (IRS). Donations are tax-deductible to the maximum +extent permitted by law. As the requirements for other states are met, +additions to this list will be made and fund raising will begin in the +additional states. + +We need your donations more than ever! + +You can get up to date donation information at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +hart@pobox.com forwards to hart@prairienet.org and archive.org +if your mail bounces from archive.org, I will still see it, if +it bounces from prairienet.org, better resend later on. . . . + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +*** + + +Example command-line FTP session: + +ftp ftp.ibiblio.org +login: anonymous +password: your@login +cd pub/docs/books/gutenberg +cd etext90 through etext99 or etext00 through etext02, etc. +dir [to see files] +get or mget [to get files. . .set bin for zip files] +GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99] +GET GUTINDEX.ALL [to get a listing of ALL books] + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this etext, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this etext if you want to. + +*BEFORE!* YOU USE OR READ THIS ETEXT +By using or reading any part of this PROJECT GUTENBERG-tm +etext, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this etext by +sending a request within 30 days of receiving it to the person +you got it from. If you received this etext on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM ETEXTS +This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this etext +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these etexts, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's etexts and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other etext medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this etext within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this etext, +[2] alteration, modification, or addition to the etext, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this etext electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + etext or this "small print!" statement. You may however, + if you wish, distribute this etext in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The etext, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The etext may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the etext (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + etext in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the etext refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this header are copyright (C) 2001 by Michael S. Hart +and may be reprinted only when these Etexts are free of all fees.] +[Project Gutenberg is a TradeMark and may not be used in any sales +of Project Gutenberg Etexts or other materials be they hardware or +software or any other related product without express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.07/27/01*END* + + + + + + + + + + + +Produced by Charles Franks, Robert Rowe, and the Online Distributed Proofreading Team + + + + + +The White Bees + +by Henry van Dyke + + + + + +CONTENTS + +THE WHITE BEES + +NEW YEAR'S EVE + +SONGS FOR AMERICA + Sea-Gulls of Manhattan + Urbs Coronata + America + Doors of Daring + A Home Song + A Noon Song + An American in Europe + The Ancestral Dwellings + Francis Makemie + National Monuments + +IN PRAISE OF POETS + Mother Earth + Milton: Three Sonnets + Wordsworth + Keats + Shelley + Robert Browning + Longfellow + Thomas Bailey Aldrich + Edmund Clarence Stedman + +LYRICS, DRAMATIC AND PERSONAL + Late Spring + Nepenthe + Hesper + Arrival + Departure + The Black Birds + Without Disguise + Gratitude + Master of Music + Stars and the Soul + To Julia Marlowe + Pan Learns Music + "Undine" + Love in a Look + My April Lady + A Lover's Envy + The Hermit Thrush + Fire-Fly City + The Gentle Traveller + Sicily, December, 1908 + The Window + Twilight in the Alps + Jeanne D'Arc + Hudson's Last Voyage + + + + +THE WHITE BEES AND OTHER POEMS + +THE WHITE BEES + +I + +LEGEND + + +Long ago Apollo called to Aristaeus, youngest + of the shepherds, + Saying, "I will make you keeper of my bees." +Golden were the hives, and golden was the honey; + golden, too, the music, + Where the honey-makers hummed among the trees. + +Happy Aristaeus loitered in the garden, wandered + in the orchard, + Careless and contented, indolent and free; +Lightly took his labour, lightly took his pleasure, + till the fated moment + When across his pathway came Eurydice. + +Then her eyes enkindled burning love within him; + drove him wild with longing, + For the perfect sweetness of her flower-like face; +Eagerly he followed, while she fled before him, + over mead and mountain, + On through field and forest, in a breathless + race. + +But the nymph, in flying, trod upon a serpent; + like a dream she vanished; + Pluto's chariot bore her down among the dead; +Lonely Aristaeus, sadly home returning, found his + garden empty, + All the hives deserted, all the music fled. + +Mournfully bewailing,--"ah, my honey-makers, + where have you departed?"-- + Far and wide he sought them, over sea and shore; +Foolish is the tale that says he ever found them, + brought them home in triumph,-- + Joys that once escape us fly for evermore. + +Yet I dream that somewhere, clad in downy + whiteness, dwell the honey-makers, + In aerial gardens that no mortal sees: +And at times returning, lo, they flutter round us, + gathering mystic harvest,-- + So I weave the legend of the long-lost bees. + +II + +THE SWARMING OF THE BEES + +I + +Who can tell the hiding of the white bees' + nest? +Who can trace the guiding of their swift home + flight? +Far would be his riding on a life-long quest: + Surely ere it ended would his beard grow + white. + +Never in the coming of the rose-red Spring, + Never in the passing of the wine-red Fall, +May you hear the humming of the white bee's + wing + Murmur o'er the meadow, ere the night bells + call. + +Wait till winter hardens in the cold grey sky, + Wait till leaves are fallen and the brooks all + freeze, +Then above the gardens where the dead flowers + lie, + Swarm the merry millions of the wild white + bees. + +II + +Out of the high-built airy hive, +Deep in the clouds that veil the sun, +Look how the first of the swarm arrive; +Timidly venturing, one by one, +Down through the tranquil air, +Wavering here and there, +Large, and lazy in flight,-- +Caught by a lift of the breeze, +Tangled among the naked trees,-- +Dropping then, without a sound, +Feather-white, feather-light, +To their rest on the ground. + +III + +Thus the swarming is begun. +Count the leaders, every one +Perfect as a perfect star +Till the slow descent is done. +Look beyond them, see how far +Down the vistas dim and grey, +Multitudes are on the way. +Now a sudden brightness +Dawns within the sombre day, +Over fields of whiteness; +And the sky is swiftly alive +With the flutter and the flight +Of the shimmering bees, that pour +From the hidden door of the hive +Till you can count no more. + +IV + +Now on the branches of hemlock and pine +Thickly they settle and cluster and swing, +Bending them low; and the trellised vine +And the dark elm-boughs are traced with a line +Of beauty wherever the white bees cling. +Now they are hiding the wrecks of the flowers, +Softly, softly, covering all, +Over the grave of the summer hours +Spreading a silver pall. +Now they are building the broad roof ledge, +Into a cornice smooth and fair, +Moulding the terrace, from edge to edge, +Into the sweep of a marble stair. +Wonderful workers, swift and dumb, +Numberless myriads, still they come, +Thronging ever faster, faster, faster! +Where is their queen? Who is their master? +The gardens are faded, the fields are frore,-- +How will they fare in a world so bleak? +Where is the hidden honey they seek? +What is the sweetness they toil to store +In the desolate day, where no blossoms gleam? +Forgetfulness and a dream! + +V + +But now the fretful wind awakes; +I hear him girding at the trees; +He strikes the bending boughs, and shakes +The quiet clusters of the bees +To powdery drift; +He tosses them away, +He drives them like spray; +He makes them veer and shift +Around his blustering path. +In clouds blindly whirling, +In rings madly swirling, +Full of crazy wrath, +So furious and fast they fly +They blur the earth and blot the sky +In wild, white mirk. +They fill the air with frozen wings +And tiny, angry, icy stings; +They blind the eyes, and choke the breath, +They dance a maddening dance of death +Around their work, +Sweeping the cover from the hill, +Heaping the hollows deeper still, +Effacing every line and mark, +And swarming, storming in the dark +Through the long night; +Until, at dawn, the wind lies down, +Weary of fight. +The last torn cloud, with trailing gown, +Passes the open gates of light; +And the white bees are lost in flight. + +VI + +Look how the landscape glitters wide and still, + Bright with a pure surprise! +The day begins with joy, and all past ill, + Buried in white oblivion, lies +Beneath the snowdrifts under crystal skies. +New hope, new love, new life, new cheer, + Flow in the sunrise beam,-- + The gladness of Apollo when he sees, +Upon the bosom of the wintry year, +The honey-harvest of his wild white bees, + Forgetfulness and a dream! + +III + +LEGEND + +Listen, my beloved, while the silver morning, + like a tranquil vision, + Fills the world around us and our hearts with + peace; +Quiet is the close of Aristaeus' legend, happy is + the ending-- + Listen while I tell you how he found release. + +Many months he wandered far away in sadness, + desolately thinking + Only of the vanished joys he could not find; +Till the great Apollo, pitying his shepherd, loosed + him from the burden + Of a dark, reluctant, backward-looking mind. + +Then he saw around him all the changeful beauty + of the changing seasons, + In the world-wide regions where his journey + lay; +Birds that sang to cheer him, flowers that bloomed + beside him, stars that shone to guide him,-- + Traveller's joy was plenty all along the way! + +Everywhere he journeyed strangers made him + welcome, listened while he taught them + Secret lore of field and forest he had learned: +How to train the vines and make the olives fruit- + ful; how to guard the sheepfolds; + How to stay the fever when the dog-star burned. + +Friendliness and blessing followed in his foot- + steps; richer were the harvests, + Happier the dwellings, wheresoe'er he came; +Little children loved him, and he left behind him, + in the hour of parting, + Memories of kindness and a god-like name. + +So he travelled onward, desolate no longer, + patient in his seeking, + Reaping all the wayside comfort of his quest; +Till at last in Thracia, high upon Mount Haemus, + far from human dwelling, + Weary Aristaeus laid him down to rest. + +Then the honey-makers, clad in downy whiteness, + fluttered soft around him, + Wrapt him in a dreamful slumber pure and + deep. +This is life, beloved: first a sheltered garden, + then a troubled journey, + Joy and pain of seeking,--and at last we sleep! + + + + +NEW YEAR'S EVE + +I + +The other night I had a dream, most clear +And comforting, complete +In every line, a crystal sphere, +And full of intimate and secret cheer. +Therefore I will repeat +That vision, dearest heart, to you, +As of a thing not feigned, but very true, +Yes, true as ever in my life befell; +And you, perhaps, can tell +Whether my dream was really sad or sweet. + +II + +The shadows flecked the elm-embowered street +I knew so well, long, long ago; +And on the pillared porch where Marguerite +Had sat with me, the moonlight lay like snow. +But she, my comrade and my friend of youth, +Most gaily wise, +Most innocently loved,-- +She of the blue-grey eyes +That ever smiled and ever spoke the truth,-- +From that familiar dwelling, where she moved +Like mirth incarnate in the years before, +Had gone into the hidden house of Death. +I thought the garden wore +White mourning for her blessed innocence, +And the syringa's breath +Came from the corner by the fence, +Where she had made her rustic seat, +With fragrance passionate, intense, +As if it breathed a sigh for Marguerite. +My heart was heavy with a sense +Of something good forever gone. I sought +Vainly for some consoling thought, +Some comfortable word that I could say +To the sad father, whom I visited again +For the first time since she had gone away. +The bell rang shrill and lonely,--then +The door was opened, and I sent my name +To him,--but ah! 't was Marguerite who came! +There in the dear old dusky room she stood +Beneath the lamp, just as she used to stand, +In tender mocking mood. +"You did not ask for me," she said, +"And so I will not let you take my hand; +"But I must hear what secret talk you planned +"With father. Come, my friend, be good, +"And tell me your affairs of state: +"Why you have stayed away and made me wait +"So long. Sit down beside me here,-- +"And, do you know, it seemed a year +"Since we have talked together,--why so late?" + +Amazed, incredulous, confused with joy +I hardly dared to show, +And stammering like a boy, +I took the place she showed me at her side; +And then the talk flowed on with brimming tide +Through the still night, +While she with influence light +Controlled it, as the moon the flood. +She knew where I had been, what I had done, +What work was planned, and what begun; +My troubles, failures, fears she understood, +And touched them with a heart so kind, +That every care was melted from my mind, +And every hope grew bright, +And life seemed moving on to happy ends. +(Ah, what self-beggared fool was he +That said a woman cannot be +The very best of friends?) +Then there were memories of old times, +Recalled with many a gentle jest; +And at the last she brought the book of rhymes +We made together, trying to translate +The Songs of Heine (hers were always best). +"Now come," she said, +"To-night we will collaborate +"Again; I'll put you to the test. +"Here's one I never found the way to do,-- +"The simplest are the hardest ones, you know,-- +"I give this song to you." +And then she read: + Mein kind, wir waren Kinder, + Zwei Kinder, jung und froh. + +But all the while a silent question stirred +Within me, though I dared not speak the word: +"Is it herself, and is she truly here, +"And was I dreaming when I heard +"That she was dead last year? +"Or was it true, and is she but a shade +"Who brings a fleeting joy to eye and ear, +"Cold though so kind, and will she gently fade +"When her sweet ghostly part is played +"And the light-curtain falls at dawn of day?" +But while my heart was troubled by this fear +So deeply that I could not speak it out, +Lest all my happiness should disappear, +I thought me of a cunning way +To hide the question and dissolve the doubt. +"Will you not give me now your hand, +"Dear Marguerite," I asked, "to touch and hold, +"That by this token I may understand +"You are the same true friend you were of old?" +She answered with a smile so bright and calm +It seemed as if I saw new stars arise +In the deep heaven of her eyes; +And smiling so, she laid her palm +In mine. Dear God, it was not cold +But warm with vital heat! +"You live!" I cried, "you live, dear Marguerite!" +Then I awoke; but strangely comforted, +Although I knew again that she was dead. + +III + +Yes, there's the dream! And was it sweet or + sad? +Dear mistress of my waking and my sleep, +Present reward of all my heart's desire, +Watching with me beside the winter fire, +Interpret now this vision that I had. +But while you read the meaning, let me keep +The touch of you: for the Old Year with storm +Is passing through the midnight, and doth shake +The corners of the house,--and oh! my heart + would break +Unless both dreaming and awake +My hand could feel your hand was warm, warm, + warm! + + + + +SONGS FOR AMERICA + +SEA-GULLS OF Manhattan + +Children of the elemental mother, + Born upon some lonely island shore +Where the wrinkled ripples run and whisper, + Where the crested billows plunge and roar; +Long-winged, tireless roamers and adventurers, + Fearless breasters of the wind and sea, +In the far-off solitary places + I have seen you floating wild and free! + +Here the high-built cities rise around you; + Here the cliffs that tower east and west, +Honeycombed with human habitations, + Have no hiding for the sea-bird's nest: +Here the river flows begrimed and troubled; + Here the hurrying, panting vessels fume, +Restless, up and down the watery highway, + While a thousand chimneys vomit gloom. + +Toil and tumult, conflict and confusion, + Clank and clamor of the vast machine +Human hands have built for human bondage-- + Yet amid it all you float serene; +Circling, soaring, sailing, swooping lightly + Down to glean your harvest from the wave; +In your heritage of air and water, + You have kept the freedom Nature gave. + +Even so the wild-woods of Manhattan + Saw your wheeling flocks of white and grey; +Even so you fluttered, followed, floated, + Round the Half-Moon creeping up the bay; +Even so your voices creaked and chattered, + Laughing shrilly o'er the tidal rips, +While your black and beady eyes were glistening + Round the sullen British prison-ships. + +Children of the elemental mother, + Fearless floaters 'mid the double blue, +From the crowded boats that cross the ferries + Many a longing heart goes out to you. +Though the cities climb and close around us, + Something tells us that our souls are free, +While the sea-gulls fly above the harbor, + While the river flows to meet the sea! + +URBS CORONATA + +(Song for the City College of New York) + +O youngest of the giant brood + Of cities far-renowned; +In wealth and power thou hast passed + Thy rivals at a bound; +And now thou art a queen, New York; + And how wilt thou be crowned? + +"Weave me no palace-wreath of pride," + The royal city said; +"Nor forge an iron fortress-wall + To frown upon my head; +But let me wear a diadem + Of Wisdom's towers instead." + +And so upon her island height + She worked her will forsooth, +She set upon her rocky brow + A citadel of Truth, +A house of Light, a home of Thought, + A shrine of noble Youth. + +Stand here, ye City College towers, + And look both up and down; +Remember all who wrought for you + Within the toiling town; +Remember all they thought for you, +And all the hopes they brought for you, + And be the City's Crown. + +AMERICA + +I Love thine inland seas, + Thy groves of giant trees, + Thy rolling plains; +Thy rivers' mighty sweep, +Thy mystic canyons deep, +Thy mountains wild and steep, + All thy domains; + +Thy silver Eastern strands, +Thy Golden Gate that stands + Wide to the West; +Thy flowery Southland fair, +Thy sweet and crystal air,-- +O land beyond compare, + Thee I love best! + +Additional verses for the National Hymn, March, 1906. + +DOORS OF DARING + +The mountains that enfold the vale + With walls of granite, steep and high, +Invite the fearless foot to scale + Their stairway toward the sky. + +The restless, deep, dividing sea + That flows and foams from shore to shore, +Calls to its sunburned chivalry, + "Push out, set sail, explore!" +And all the bars at which we fret, + That seem to prison and control, +Are but the doors of daring, set + Ajar before the soul. + +Say not, "Too poor," but freely give; + Sigh not, "Too weak," but boldly try. +You never can begin to live + Until you dare to die. + +A HOME SONG + +I Read within a poet's book + A word that starred the page: +"Stone walls do not a prison make, + Nor iron bars a cage!" + +Yes, that is true; and something more + You'll find, where'er you roam, +That marble floors and gilded walls + Can never make a home. + +But every house where Love abides, + And Friendship is a guest, +Is surely home, and home-sweet-home: + For there the heart can rest. + +A NOON SONG + +There are songs for the morning and songs + for the night, + For sunrise and sunset, the stars and the moon; +But who will give praise to the fulness of light, + And sing us a song of the glory of noon? + Oh, the high noon, and the clear noon, + The noon with golden crest; + When the sky burns, and the sun turns + With his face to the way of the west! + +How swiftly he rose in the dawn of his strength; + How slowly he crept as the morning wore by; +Ah, steep was the climbing that led him at length + To the height of his throne in the blue summer + sky. + Oh, the long toil, and the slow toil, + The toil that may not rest, + Till the sun looks down from his journey's + crown, + To the wonderful way of the west! + +AN AMERICAN IN EUROPE + +'Tis fine to see the Old World, and travel up + and down +Among the famous palaces and cities of renown, +To admire the crumbly castles and the statues of + the kings,-- +But now I think I've had enough of antiquated + things. + + So it's home again, and home again, America for + me I + My heart is turning home again, and there I long to + be, + In the land of youth and freedom beyond the ocean + bars, + Where the air is full of sunlight and the flag is full + of stars. + +Oh, London is a man's town, there's power in + the air; +And Paris is a woman's town, with flowers in + her hair; +And it's sweet to dream in Venice, and it's great + to study Rome; +But when it comes to living there is no place like + home. + +I like the German fir-woods, in green battalions + drilled; +I like the gardens of Versailles with flashing + fountains filled; +But, oh, to take your hand, my dear, and ramble + for a day +In the friendly western woodland where Nature + has her way! + +I know that Europe's wonderful, yet something + seems to lack: +The Past is too much with her, and the people + looking back. +But the glory of the Present is to make the + Future free,-- +We love our land for what she is and what she + is to be. + + Oh, it's home again, and home again, America for + me I + I want a ship that's westward bound to plough the + rotting sea. + To the blessed Land of Room Enough beyond the + ocean bars, + Where the air is full of sunlight and the flag is full + of stars. + +THE ANCESTRAL DWELLINGS + +Dear to my heart are the ancestral dwellings + of America, +Dearer than if they were haunted by ghosts of + royal splendour; +These are the homes that were built by the brave + beginners of a nation, +They are simple enough to be great, and full of + a friendly dignity. + +I love the old white farmhouses nestled in New + England valleys, +Ample and long and low, with elm-trees feather- + ing over them: +Borders of box in the yard, and lilacs, and old- + fashioned flowers, +A fan-light above the door, and little square panes + in the windows, +The wood-shed piled with maple and birch and + hickory ready for winter, +The gambrel-roof with its garret crowded with + household relics,-- +All the tokens of prudent thrift and the spirit of + self-reliance. + +I love the look of the shingled houses that front + the ocean; +Their backs are bowed, and their lichened sides + are weather-beaten; +Soft in their colour as grey pearls, they are full + of patience and courage. +They seem to grow out of the rocks, there is + something indomitable about them: +Pacing the briny wind in a lonely land they stand + undaunted, +While the thin blue line of smoke from the + square-built chimney rises, +Telling of shelter for man, with room for a hearth + and a cradle. + +I love the stately southern mansions with their + tall white columns, +They look through avenues of trees, over fields + where the cotton is growing; +I can see the flutter of white frocks along their + shady porches, +Music and laughter float from the windows, the + yards are full of hounds and horses. +They have all ridden away, yet the houses have + not forgotten, +They are proud of their name and place, and + their doors are always open, +For the thing they remember best is the pride + of their ancient hospitality. + +In the towns I love the discreet and tranquil + Quaker dwellings, +With their demure brick faces and immaculate + white-stone doorsteps; +And the gabled houses of the Dutch, with their + high stoops and iron railings, +(I can see their little brass knobs shining in the + morning sunlight); +And the solid houses of the descendants of the + Puritans, +Fronting the street with their narrow doors and + dormer-windows; +And the triple-galleried, many-pillared mansions + of Charleston, +Standing sideways in their gardens full of roses + and magnolias. + +Yes, they are all dear to my heart, and in my + eyes they are beautiful; +For under their roofs were nourished the thoughts + that have made the nation; +The glory and strength of America came from + her ancestral dwellings. + +FRANCIS MAKEMIE + +(Presbyter of Christ in America, 1683-1708) + +To thee, plain hero of a rugged race, + We bring the meed of praise too long delayed! + Thy fearless word and faithful work have made +For God's Republic firmer path and place +In this New World: thou hast proclaimed the + grace + And power of Christ in many a forest glade, + Teaching the truth that leaves men unafraid +Of frowning tyranny or death's dark face. + +Oh, who can tell how much we owe to thee, + Makemie, and to labour such as thine, + For all that makes America the shrine +Of faith untrammeled and of conscience free? +Stand here, grey stone, and consecrate the sod +Where rests this brave Scotch-Irish man of God! + +NATIONAL MONUMENTS + +Count not the cost of honour to the dead! + The tribute that a mighty nation pays + To those who loved her well in former days +Means more than gratitude for glories fled; +For every noble man that she hath bred, + Lives in the bronze and marble that we raise, + Immortalized by art's immortal praise, +To lead our sons as he our fathers led. + +These monuments of manhood strong and high + Do more than forts or battle-ships to keep +Our dear-bought liberty. They fortify + The heart of youth with valour wise and deep; +They build eternal bulwarks, and command +Eternal strength to guard our native land. + + + + +IN PRAISE OF POETS + +MOTHER EARTH + +Mother of all the high-strung poets and + singers departed, +Mother of all the grass that weaves over their + graves the glory of the field, +Mother of all the manifold forms of life, deep- + bosomed, patient, impassive, +Silent brooder and nurse of lyrical joys and sor- + rows! +Out of thee, yea, surely out of the fertile depth + below thy breast, +Issued in some Strange way, thou lying motion- + less, voiceless, +All these songs of nature, rhythmical, passionate, + yearning, +Coming in music from earth, but not unto earth + returning. + +Dust are the blood-red hearts that beat in time + to these measures, +Thou hast taken them back to thyself, secretly, + irresistibly +Drawing the crimson currents of life down, down, + down +Deep into thy bosom again, as a river is lost in + the sand. + +But the souls of the singers have entered into + the songs that revealed them,-- +Passionate songs, immortal songs of joy and + grief and love and longing: +Floating from heart to heart of thy children, they + echo above thee: +Do they not utter thy heart, the voices of those + that love thee? + +Long hadst thou lain like a queen transformed by + some old enchantment +Into an alien shape, mysterious, beautiful, speech- + less, +Knowing not who thou wert, till the touch of thy + Lord and Lover +Working within thee awakened the man-child to + breathe thy secret. +All of thy flowers and birds and forests and flow- + ing waters +Are but enchanted forms to embody the life of + the spirit; +Thou thyself, earth-mother, in mountain and + meadow and ocean, +Holdest the poem of God, eternal thought and + emotion. + +MILTON + +I + +Lover of beauty, walking on the height + Of pure philosophy and tranquil song; + Born to behold the visions that belong +To those who dwell in melody and light; +Milton, thou spirit delicate and bright! + What drew thee down to join the Roundhead + throng + Of iron-sided warriors, rude and strong, +Fighting for freedom in a world half night? + +Lover of Liberty at heart wast thou, + Above all beauty bright, all music clear: +To thee she bared her bosom and her brow, + Breathing her virgin promise in thine ear, +And bound thee to her with a double vow,-- + Exquisite Puritan, grave Cavalier! + +II + +The cause, the cause for which thy soul resigned + Her singing robes to battle on the plain, + Was won, O poet, and was lost again; +And lost the labour of thy lonely mind +On weary tasks of prose. What wilt thou find + To comfort thee for all the toil and pain? + What solace, now thy sacrifice is vain +And thou art left forsaken, poor, and blind? + +Like organ-music comes the deep reply: + "The cause of truth looks lost, but shall be + won. +For God hath given to mine inward eye + Vision of England soaring to the sun. +And granted me great peace before I die, + In thoughts of lowly duty bravely done." + +III + +O bend again above thine organ-board, + Thou blind old poet longing for repose! + Thy Master claims thy service not with those +Who only stand and wait for his reward. +He pours the heavenly gift of song restored + Into thy breast, and bids thee nobly close + A noble life, with poetry that flows +In mighty music of the major chord. + +Where hast thou learned this deep, majestic + strain, + Surpassing all thy youthful lyric grace, +To sing of Paradise? Ah, not in vain + The griefs that won at Dante's side thy place, +And made thee, Milton, by thy years of pain, + The loftiest poet of the Saxon race! + +WORDSWORTH + +Wordsworth, thy music like a river rolls + Among the mountains, and thy song is fed + By living springs far up the watershed; +No whirling flood nor parching drought controls +The crystal current; even on the shoals + It murmurs clear and sweet; and when its bed + Darkens below mysterious cliffs of dread, +Thy voice of peace grows deeper in our souls. + +But thou in youth hast known the breaking stress + Of passion, and hast trod despair's dry ground + Beneath black thoughts that wither and de- + stroy. +Ah, wanderer, led by human tenderness + Home to the heart of Nature, thou hast found + The hidden Fountain of Recovered Joy. + +KEATS + +The melancholy gift Aurora gained + From Jove, that her sad lover should not + see + The face of death, no goddess asked for thee, +My Keats! But when the crimson blood-drop + stained +Thy pillow, thou didst read the fate ordained,-- + Brief life, wild love, a flight of poesy! + And then,--a shadow fell on Italy: +Thy star went down before its brightness waned. + +Yet thou hast won the gift Tithonus missed: + Never to feel the pain of growing old, + Nor lose the blissful sight of beauty's truth, +But with the ardent lips that music kissed + To breathe thy song, and, ere thy heart grew + cold, + Become the Poet of Immortal Youth. + +SHELLEY + +Knight-errant of the Never-ending + Quest, + And Minstrel of the Unfulfilled Desire; + For ever tuning thy frail earthly lyre +To some unearthly music, and possessed +With painful passionate longing to invest + The golden dream of Love's immortal fire + In mortal robes of beautiful attire, +And fold perfection to thy throbbing breast! + +What wonder, Shelley, if the restless wave + Should claim thee and the leaping flame con- + sume + Thy drifted form on Viareggio's beach? +Fate to thy body gave a fitting grave, + And bade thy soul ride on with fiery plume, + Thy wild song ring in ocean's yearning + speech! + +ROBERT BROWNING + +How blind the toil that burrows like the mole, + In winding graveyard pathways under- + ground, + For Browning's lineage! What if men have + found +Poor footmen or rich merchants on the roll +Of his forbears? Did they beget his soul? + Nay, for he came of ancestry renowned + Through all the world,--the poets laurel- + crowned +With wreaths from which the autumn takes no + toll. + +The blazons on his coat-of-arms are these: + The flaming sign of Shelley's heart on fire, + The golden globe of Shakespeare's human + stage, + The staff and scrip of Chaucer's pilgrimage, + The rose of Dante's deep, divine desire, +The tragic mask of wise Euripides. + +LONGFELLOW + +In a great land, a new land, a land full of labour + and riches and confusion, +Where there were many running to and fro, and + shouting, and striving together, +In the midst of the hurry and the troubled noise, + I heard the voice of one singing. + +"What are you doing there, O man, singing + quietly amid all this tumult? +This is the time for new inventions, mighty + shoutings, and blowings of the trumpet." +But he answered, "I am only shepherding my + sheep with music." + +So he went along his chosen way, keeping his + little flock around him; +And he paused to listen, now and then, beside + the antique fountains, +Where the faces of forgotten gods were refreshed + with musically falling waters; + +Or he sat for a while at the blacksmith's door, + and heard the cling-clang of the anvils; +Or he rested beneath old steeples full of bells, + that showered their chimes upon him; +Or he walked along the border of the sea, drink- + ing in the long roar of the billows; + +Or he sunned himself in the pine-scented ship- + yard, amid the tattoo of the mallets; +Or he leaned on the rail of the bridge, letting + his thoughts flow with the whispering river; +He hearkened also to ancient tales, and made + them young again with his singing. + +Then a flaming arrow of death fell on his flock, + and pierced the heart of his dearest! +Silent the music now, as the shepherd entered + the mystical temple of sorrow: +Long he tarried in darkness there: but when he + came out he was singing. + +And I saw the faces of men and women and + children silently turning toward him; +The youth setting out on the journey of life, and + the old man waiting beside the last mile-stone; +The toiler sweating beneath his load; and the + happy mother rocking her cradle; + +The lonely sailor on far-off seas; and the grey- + minded scholar in his book-room; +The mill-hand bound to a clacking machine; and + the hunter in the forest; +And the solitary soul hiding friendless in the + wilderness of the city; + +Many human faces, full of care and longing, were + drawn irresistibly toward him, +By the charm of something known to every heart, + yet very strange and lovely, +And at the sound of that singing wonderfully + all their faces were lightened. + +"Why do you listen, O you people, to this old + and world-worn music? +This is not for you, in the splendour of a new + age, in the democratic triumph! +Listen to the clashing cymbals, the big drums, the + brazen trumpets of your poets." + +But the people made no answer, following in + their hearts the simpler music: +For it seemed to them, noise-weary, nothing + could be better worth the hearing +Than the melodies which brought sweet order + into life's confusion. + +So the shepherd sang his way along, until he + came unto a mountain: +And I know not surely whether it was called + Parnassus, +But he climbed it out of sight, and still I heard + the voice of one singing. + +THOMAS BAILEY ALDRICH + +I + +BIRTHDAY VERSES + +Dear Aldrich, now November's mellow days + Have brought another Festa round to you, +You can't refuse a loving-cup of praise + From friends the fleeting years have bound to + you. + +Here come your Marjorie Daw, your dear Bad + Boy, + Prudence, and Judith the Bethulian, +And many more, to wish you birthday joy, + And sunny hours, and sky caerulean! + +Your children all, they hurry to your den, + With wreaths of honour they have won for + you, +To merry-make your threescore years and ten + You, old? Why, life has just begun for you! + +There's many a reader whom your silver songs + And crystal stories cheer in loneliness. +What though the newer writers come in throngs? + You're sure to keep your charm of only-ness. + +You do your work with careful, loving touch,-- + An artist to the very core of you,-- +you know the magic spell of "not-too-much": + We read,--and wish that there was more of + you. + +And more there is: for while we love your books + Because their subtle skill is part of you; +We love you better, for our friendship looks + Behind them to the human heart of you. + + November 24,1906. + +II + +MEMORIAL SONNET + +This is the house where little Aldrich read + The early pages of Life's wonder-book: + With boyish pleasure, in this ingle-nook +He watched the drift-wood fire of Fancy spread +Bright colours on the pictures, blue and red: + Boy-like he skipped the longer words, and took + His happy way, with searching, dreamful look +Among the deeper things more simply said. + +Then, came his turn to write: and still the flame + Of Fancy played through all the tales he told, +And still he won the laurelled poet's fame + With simple words wrought into rhymes of + gold. +Look, here's the face to which this house is + frame,-- + A man too wise to let his heart grow old! + + (Dedication of the Aldrich Memorial at Portsmouth, June 11, 1908.) + +EDMUND CLARENCE STEDMAN + +Oh, quick to feel the lightest touch + Of beauty or of truth, +Rich in the thoughtfulness of age, + The hopefulness of youth, +The courage of the gentle heart, + The wisdom of the pure, +The strength of finely tempered souls + To labour and endure! + +The blue of springtime in your eyes + Was never quenched by pain; +And winter brought your head the crown + Of snow without a stain. +The poet's mind, the prince's heart, + You kept until the end, +Nor ever faltered in your work, + Nor ever failed a friend. + +You followed, through the quest of life, + The light that shines above +The tumult and the toil of men, + And shows us what to love. +Right loyal to the best you knew, + Reality or dream, +You ran the race, you fought the fight, + A follower of the Gleam. + +We lay upon your well-earned grave + The wreath of asphodel, +We speak above your peaceful face + The tender word Farewell! +For well you fare, in God's good care, + Somewhere within the blue, +And know, to-day, your dearest dreams + Are true,--and true,--and true! + +(Read at the funeral of Mr. Stedman, January 21, 1908.) + + + + +LYRICS + +DRAMATIC AND PERSONAL + +LATE SPRING + +I + +Ah, who will tell me, in these leaden days, + Why the sweet Spring delays, +And where she hides,--the dear desire + Of every heart that longs +For bloom, and fragrance, and the ruby fire +Of maple-buds along the misty hills, +And that immortal call which fills + The waiting wood with songs? +The snow-drops came so long ago, + It seemed that Spring was near! + But then returned the snow +With biting winds, and all the earth grew sere, + And sullen clouds drooped low +To veil the sadness of a hope deferred: +Then rain, rain, rain, incessant rain + Beat on the window-pane, +Through which I watched the solitary bird +That braved the tempest, buffeted and tossed, +With rumpled feathers, down the wind again. + Oh, were the seeds all lost +When winter laid the wild flowers in their tomb? + I searched their haunts in vain +For blue hepaticas, and trilliums white, +And trailing arbutus, the Spring's delight, +Starring the withered leaves with rosy bloom. +The woods were bare: and every night the frost +To all my longings spoke a silent nay, +And told me Spring was far and far away. +Even the robins were too cold to sing, +Except a broken and discouraged note,-- +Only the tuneful sparrow, on whose throat +Music has put her triple finger-print, +Lifted his head and sang my heart a hint,-- +"Wait, wait, wait! oh, wait a while for Spring!" + +II + +But now, Carina, what divine amends +For all delay! What sweetness treasured up, + What wine of joy that blends +A hundred flavours in a single cup, + Is poured into this perfect day! +For look, sweet heart, here are the early flowers, + That lingered on their way, +Thronging in haste to kiss the feet of May, +And mingled with the bloom of later hours,-- +Anemonies and cinque-foils, violets blue +And white, and iris richly gleaming through +The grasses of the meadow, and a blaze +Of butter-cups and daisies in the field, +Filling the air with praise, +As if a silver chime of bells had pealed! + The frozen songs within the breast +Of silent birds that hid in leafless woods, + Melt into rippling floods + Of gladness unrepressed. +Now oriole and blue-bird, thrush and lark, +Warbler and wren and vireo, +Confuse their music; for the living spark +Of Love has touched the fuel of desire, +And every heart leaps up in singing fire. + It seems as if the land +Were breathing deep beneath the sun's caress, + Trembling with tenderness, + While all the woods expand, +In shimmering clouds of rose and gold and green, +To veil the joys too sacred to be seen. + +III + + Come, put your hand in mine, +True love, long sought and found at last, +And lead me deep into the Spring divine + That makes amends for all the wintry past. +For all the flowers and songs I feared to miss + Arrive with you; +And in the lingering pressure of your kiss + My dreams come true; +And in the promise of your generous eyes + I read the mystic sign + Of joy more perfect made + Because so long delayed, +And bliss enhanced by rapture of surprise. +Ah, think not early love alone is strong; +He loveth best whose heart has learned to wait +Dear messenger of Spring that tarried long, +You're doubly dear because you come so late. + +NEPENTHE + +Yes it was like you to forget, + And cancel in the welcome of your smile +My deep arrears of debt, +And with the putting forth of both your hands +To sweep away the bars my folly set +Between us--bitter thoughts, and harsh de- + mands, +And reckless deeds that seemed untrue +To love, when all the while +My heart was aching through and through +For you, sweet heart, and only you. + +Yet, as I turned to come to you again, +I thought there must be many a mile +Of sorrowful reproach to cross, +And many an hour of mutual pain +To bear, until I could make plain +That all my pride was but the fear of loss, +And all my doubt the shadow of despair +To win a heart so innocent and fair; +And even that which looked most ill +Was but the fever-fret and effort vain +To dull the thirst which you alone could still. + +But as I turned the desert miles were crossed, +And when I came the weary hours were sped! +For there you stood beside the open door, +Glad, gracious, smiling as before, +And with bright eyes and tender hands outspread +Restored me to the Eden I had lost. +Never a word of cold reproof, +No sharp reproach, no glances that accuse +The culprit whom they hold aloof,-- +Ah, 't is not thus that other women use +The power they have won! +For there is none like you, beloved,--none +Secure enough to do what you have done. +Where did you learn this heavenly art,-- +You sweetest and most wise of all that live,-- +With silent welcome to impart +Assurance of the royal heart +That never questions where it would forgive? + +None but a queen could pardon me like this! +My sovereign lady, let me lay +Within each rosy palm a loyal kiss +Of penitence, then close the fingers up, +Thus--thus! Now give the cup +Of full nepenthe in your crimson mouth, +And come--the garden blooms with bliss, +The wind is in the south, +The rose of love with dew is wet-- +Dear, it was like you to forget! + +HESPER + +Her eyes are like the evening air, + Her voice is like a rose, +Her lips are like a lovely song, + That ripples as it flows, +And she herself is sweeter than + The sweetest thing she knows. + +A slender, haunting, twilight form + Of wonder and surprise, +She seemed a fairy or a child, + Till, deep within her eyes, +I saw the homeward-leading star + Of womanhood arise. + +ARRIVAL + +Across a thousand miles of sea, a hundred + leagues of land, +Along a path I had not traced and could not + understand, +I travelled fast and far for this,--to take thee + by the hand. + +A pilgrim knowing not the shrine where he would + bend his knee, +A mariner without a dream of what his port + would be, +So fared I with a seeking heart until I came to + thee. + +O cooler than a grove of palm in some heat-weary + place, +O fairer than an isle of calm after the wild sea + race, +The quiet room adorned with flowers where first + I saw thy face! + +Then furl the sail, let fall the oar, forget the paths + of foam! +The Power that made me wander far at last has + brought me home +To thee, dear haven of my heart, and I no more + will roam. + +DEPARTURE + +Oh, why are you shining so bright, big Sun, + And why is the garden so gay? +Do you know that my days of delight are done, + Do you know I am going away? +If you covered your face with a cloud, I'd dream + You were sorry for me in my pain, +And the heads of the flowers all bowed would + seem + To be weeping with me in the rain. + +But why is your head so low, sweet heart, + And why are your eyes overcast? +Are they clouded because you know we must part, + Do you think this embrace is our last? +Then kiss me again, and again, and again, + Look up as you bid me good-bye! +For your face is too dear for the stain of a tear, + And your smile is the sun in my sky. + +THE BLACK BIRDS + +I + +Once, only once, I saw it clear,-- + That Eden every human heart has dreamed +A hundred times, but always far away! +Ah, well do I remember how it seemed, +Through the still atmosphere +Of that enchanted day, +To lie wide open to my weary feet: +A little land of love and joy and rest, +With meadows of soft green, +Rosy with cyclamen, and sweet +With delicate breath of violets unseen,-- +And, tranquil 'mid the bloom +As if it waited for a coming guest, +A little house of peace and joy and love +Was nested like a snow-white dove + +From the rough mountain where I stood, +Homesick for happiness, +Only a narrow valley and a darkling wood +To cross, and then the long distress +Of solitude would be forever past,-- +I should be home at last. +But not too soon! oh, let me linger here +And feed my eyes, hungry with sorrow, +On all this loveliness, so near, +And mine to-morrow! + +Then, from the wood, across the silvery blue, +A dark bird flew, +Silent, with sable wings. +Close in his wake another came,-- +Fragments of midnight floating through +The sunset flame,-- +Another and another, weaving rings +Of blackness on the primrose sky,-- +Another, and another, look, a score, +A hundred, yes, a thousand rising heavily +From that accursed, dumb, and ancient wood,-- +They boiled into the lucid air +Like smoke from some deep caldron of despair! +And more, and more, and ever more, +The numberless, ill-omened brood, +Flapping their ragged plumes, +Possessed the landscape and the evening light +With menaces and glooms. +Oh, dark, dark, dark they hovered o'er the place +Where once I saw the little house so white +Amid the flowers, covering every trace +Of beauty from my troubled sight,-- +And suddenly it was night! + +II + +At break of day I crossed the wooded vale; +And while the morning made +A trembling light among the tree-tops pale, +I saw the sable birds on every limb, +Clinging together closely in the shade, +And croaking placidly their surly hymn. +But, oh, the little land of peace and love +That those night-loving wings had poised + above,-- +Where was it gone? +Lost, lost forevermore! +Only a cottage, dull and gray, +In the cold light of dawn, +With iron bars across the door: +Only a garden where the withering heads +Of flowers, presaging decay, +Hung over barren beds: +Only a desolate field that lay +Untilled beneath the desolate day,-- +Where Eden seemed to bloom I found but these! +So, wondering, I passed along my way, +With anger in my heart, too deep for words, +Against that grove of evil-sheltering trees, +And the black magic of the croaking birds. + +WITHOUT DISGUISE + +If I have erred in showing all my heart, + And lost your favour by a lack of pride; + If standing like a beggar at your side +With naked feet, I have forgot the art +Of those who bargain well in passion's mart, + And win the thing they want by what they + hide; + Be mine the fault as mine the hope denied, +Be mine the lover's and the loser's part. + +The sin, if sin it was, I do repent, + And take the penance on myself alone; +Yet after I have borne the punishment, + I shall not fear to stand before the throne +Of Love with open heart, and make this plea: +"At least I have not lied to her nor Thee!" + +GRATITUDE + +Do you give thanks for this?--or that?" + No, God be thanked + I am not grateful +In that cold, calculating way, with blessing + ranked + As one, two, three, and four,--that would be + hateful. + +I only know that every day brings good above + My poor deserving; +I only feel that, in the road of Life, true Love + Is leading me along and never swerving. + +Whatever gifts and mercies in my lot may fall, + I would not measure +As worth a certain price in praise, or great or + small; + But take and use them all with simple pleasure. + +For when we gladly eat our daily bread, we bless + The Hand that feeds us; +And when we tread the road of Life in cheer- + fulness, + Our very heart-beats praise the Love that leads + us. + +MASTER OF MUSIC + +(In memory of Theodore Thomas, 1905) + +Glory of architect, glory of painter, and sculp- + tor, and bard, + Living forever in temple and picture and statue + and song,-- +Look how the world with the lights that they lit + is illumined and starred, + Brief was the flame of their life, but the lamps + of their art burn long! + +Where is the Master of Music, and how has he + vanished away? + Where is the work that he wrought with his + wonderful art in the air? +Gone,--it is gone like the glow on the cloud + at the close of the day! +The Master has finished his work, and the glory + of music is--where? + +Once, at the wave of his wand, all the billows of + musical sound + Followed his will, as the sea was ruled by the + prophet of old: +Now that his hand is relaxed, and his rod has + dropped to the ground, + Silent and dark are the shores where the mar- + vellous harmonies rolled! + +Nay, but not silent the hearts that were filled by + that life-giving sea; + Deeper and purer forever the tides of their + being will roll, +Grateful and joyful, O Master, because they have + listened to thee,-- + The glory of music endures in the depths of + the human soul. + +STARS AND THE SOUL + +(To Charles A. Young, Astronomer) + +"Two things," the wise man said, "fill me + with awe: +The starry heavens and the moral law." +Nay, add another wonder to thy roll,-- +The living marvel of the human soul! + +Born in the dust and cradled in the dark, +It feels the fire of an immortal spark, +And learns to read, with patient, searching eyes, +The splendid secret of the unconscious skies. + +For God thought Light before He spoke the word; +The darkness understood not, though it heard: +But man looks up to where the planets swim, +And thinks God's thoughts of glory after Him. + +What knows the star that guides the sailor's way, +Or lights the lover's bower with liquid ray, +Of toil and passion, danger and distress, +Brave hope, true love, and utter faithfulness? + +But human hearts that suffer good and ill, +And hold to virtue with a loyal will, +Adorn the law that rules our mortal strife +With star-surpassing victories of life. + +So take our thanks, dear reader of the skies, +Devout astronomer, most humbly wise, +For lessons brighter than the stars can give, +And inward light that helps us all to live. + +The world has brought the laurel-leaves to crown +The star-discoverer's name with high, renown; +Accept the flower of love we lay with these +For influence sweeter than the Pleiades! + +TO JULIA MARLOWE + +(Reading Keats' Ode on a Grecian Urn) + +Long had I loved this "Attic shape," the brede + Of marble maidens round this urn divine: +But when your golden voice began to read, + The empty urn was filled with Chian wine. + +PAN LEARNS MUSIC + +Limber-limbed, lazy god, stretched on the + rock, +Where is sweet Echo, and where is your flock? +What are you making here? "Listen," said + Pan,-- +"Out of a river-reed music for man!" + +"UNDINE" + +'Twas far away and long ago, + When I was but a dreaming boy, +This fairy tale of love and woe + Entranced my heart with tearful joy; +And while with white Undine I wept, + Your spirit,--ah, how strange it seems, +Was cradled in some star, and slept, + Unconscious of her coming dreams. + +LOVE IN A LOOK + +Let me but feel thy look's embrace, + Transparent, pure, and warm, +And I'll not ask to touch thy face, + Or fold thee with mine arm. +For in thine eyes a girl doth rise, + Arrayed in candid bliss, +And draws me to her with a charm + More close than any kiss. + +A loving-cup of golden wine, + Songs of a silver brook, +And fragrant breaths of eglantine, + Are mingled in thy look. +More fair they are than any star, + Thy topaz eyes divine-- +And deep within their trysting-nook + Thy spirit blends with mine. + +MY APRIL LADY + +When down the stair at morning + The sunbeams round her float, +Sweet rivulets of laughter + Are bubbling in her throat; +The gladness of her greeting + Is gold without alloy; +And in the morning sunlight + I think her name is Joy. + +When in the evening twilight + The quiet book-room lies, +We read the sad old ballads, + While from her hidden eyes +The tears are falling, falling, + That give her heart relief; +And in the evening twilight, + I think her name is Grief. + +My little April lady, + Of sunshine and of showers, +She weaves the old spring magic, + And breaks my heart in flowers! +But when her moods are ended, + She nestles like a dove; +Then, by the pain and rapture, + I know her name is Love. + +A LOVER'S ENVY + +I envy every flower that blows + Along the meadow where she goes, + And every bird that sings to her, + And every breeze that brings to her + The fragrance of the rose. + +I envy every poet's rhyme +That moves her heart at eventime, + And every tree that wears for her + Its brightest bloom, and bears for her + The fruitage of its prime. + +I envy every Southern night +That paves her path with moonbeams white, + And silvers all the leaves for her, + And in their shadow weaves for her + A dream of dear delight. + +I envy none whose love requires +Of her a gift, a task that tires: + I only long to live to her, + I only ask to give to her + All that her heart desires. + +THE HERMIT THRUSH + +O wonderful! How liquid clear +The molten gold of that ethereal tone, +Floating and falling through the wood alone, +A hermit-hymn poured out for God to hear! +O holy, holy, holy! Hyaline, +Long light, low light, glory of eventide! +Love far away, far up,--up,--love divine! +Little love, too, for ever, ever near, +Warm love, earth love, tender love of mine, +In the leafy dark where you hide, +You are mine,--mine,--mine! + +Ah, my beloved, do you feel with me +The hidden virtue of that melody, +The rapture and the purity of love, +The heavenly joy that can not find the word? +Then, while we wait again to hear the bird, +Come very near to me, and do not move,-- +Now, hermit of the woodland, fill anew +The cool, green cup of air with harmony, +And we will drink the wine of love with you. + +FIRE-FLY CITY + +Like a long arrow through the dark the train + is darting, + Bearing me far away, after a perfect day of + love's delight: +Wakeful with all the sad-sweet memories of + parting, + I lift the narrow window-shade and look out + on the night. + +Lonely the land unknown, and like a river flow- + ing, + Forest and field and hill are gliding backward + still athwart my dream; +Till in that country strange, and ever stranger + growing, + A magic city full of lights begins to glow and + gleam. + +Wide through the landscape dim the lamps are lit + in millions; + Long avenues unfold clear-shining lines of gold + across the green; +Clusters and rings of light, and luminous pa- + vilions,-- + Oh, who will tell the city's name, and what + these wonders mean? + +Why do they beckon me, and what have they to + show me? + Crowds in the blazing street, mirth where the + feasters meet, kisses and wine: +Many to laugh with me, but never one to know + me: + A cityful of stranger-hearts and none to beat + with mine! + +Look how the glittering lines are wavering and + lifting,-- + Softly the breeze of night, scatters the vision + bright: and, passing fair, +Over the meadow-grass and through the forest + drifting, + The Fire-Fly City of the Dark is lost in empty + air! + +Girl of the golden eyes, to you my heart is + turning: + Sleep in your quiet room, while through the + midnight gloom my train is whirled. +Clear in your dreams of me the light of love is + burning,-- + The only never failing light in all the phantom + world. + +THE GENTLE TRAVELLER + +"Through many a land your journey ran, + And showed the best the world can boast + Now tell me, traveller, if you can, + The place that pleased you most." + +She laid her hands upon my breast, + And murmured gently in my ear, +"The place I loved and liked the best + Was in your arms, my dear!" + +SICILY, DECEMBER, 1908 + +O garden isle, beloved by Sun and Sea,-- + Whose bluest billows kiss thy curving bays, + Whose amorous light enfolds thee in warm + rays +That fill with fruit each dark-leaved orange- + tree,-- +What hidden hatred hath the Earth for thee? + Behold, again, in these dark, dreadful days, + She trembles with her wrath, and swiftly lays + Thy beauty waste in wreck and agony! + +Is Nature, then, a strife of jealous powers, + And man the plaything of unconscious fate? + Not so, my troubled heart! God reigns above + And man is greatest in his darkest hours: + Walking amid the cities desolate, + The Son of God appears in human love. + +Tertius and Henry van Dyke, January, 1909. + +THE WINDOW + +All night long, by a distant bell, + The passing hours were notched +On the dark, while her breathing rose and fell, + And the spark of life I watched +In her face was glowing or fading,--who could + tell?-- + And the open window of the room, + With a flare of yellow light, + Was peering out into the gloom, + Like an eye that searched the night. + +Oh, what do you see in the dark, little window, and + why do you fear? +"I see that the garden is crowded wtth creeping forms + of fear: +Little white ghosts in the locust-tree, that wave in the + night-wind's breath, +And low in the leafy laurels the lurking shadow of + death." + +Sweet, clear notes of a waking bird + Told of the passing away +Of the dark,--and my darling may have heard; + For she smiled in her sleep, while the ray +Of the rising dawn spoke joy without a word, + Till the splendor born in the east outburned + The yellow lamplight, pale and thin, + And the open window slowly turned + To the eye of the morning, looking in. + +Oh, what do you see in the room, little window, that + makes you so bright? +"I see that a child is asleep on her pillow, soft and + white. +With the rose of life on her lips, and the breath of life + in her breast, +And the arms of God around her as she quietly takes + her rest." + +Neuilly, June, 1909. + +TWILIGHT IN THE ALPS + +I love the hour that comes, with dusky hair + And dewy feet, along the Alpine dells + To lead the cattle forth. A thousand bells +Go chiming after her across the fair +And flowery uplands, while the rosy flare + Of sunset on the snowy mountain dwells, + And valleys darken, and the drowsy spells +Of peace are woven through the purple air. + +Dear is the magic of this hour: she seems + To walk before the dark by falling rills, +And lend a sweeter song to hidden streams; + She opens all the doors of night, and fills +With moving bells the music of my dreams, + That wander far among the sleeping hills. + +Gstaad, August, 1909. + +JEANNE D'ARC + +The land was broken in despair, + The princes quarrelled in the dark, +When clear and tranquil, through the troubled air +Of selfish minds and wills that did not dare, + Your star arose, Jeanne d'Arc. + +O virgin breast with lilies white, + O sun-burned hand that bore the lance, +You taught the prayer that helps men to unite, +You brought the courage equal to the fight, + You gave a heart to France! + +Your king was crowned, your country free, + At Rheims you had your soul's desire: +And then, at Rouen, maid of Domremy, +The black-robed judges gave your victory + The martyr's crown of fire. + +And now again the times are ill, + And doubtful leaders miss the mark; +The people lack the single faith and will +To make them one,--your country needs you + still,-- + Come back again, Jeanne d'Arc! + +O woman-star, arise once more + And shine to bid your land advance: +The old heroic trust in God restore, +Renew the brave, unselfish hopes of yore, + And give a heart to France! + +Paris, July, 1909. + +HUDSON'S LAST VOYAGE + +June 22,1611 + +THE SHALLOP ON HUDSON BAY + +One sail in sight upon the lonely sea +And only one, God knows! For never ship +But mine broke through the icy gates that guard +These waters, greater grown than any since +We left the shores of England. We were first, +My men, to battle in between the bergs +And floes to these wide waves. This gulf is mine; +I name it! and that flying sail is mine! +And there, hull-down below that flying sail, +The ship that staggers home is mine, mine, mine! +My ship Discoverie! + The sullen dogs +Of mutineers, the bitches' whelps that snatched +Their food and bit the hand that nourished them, +Have stolen her. You ingrate Henry Greene, +I picked you from the gutter of Houndsditch, +And paid your debts, and kept you in my house, +And brought you here to make a man of you! +You Robert Juet, ancient, crafty man, +Toothless and tremulous, how many times +Have I employed you as a master's mate +To give you bread? And you Abacuck Prickett, +You sailor-clerk, you salted puritan, +You knew the plot and silently agreed, +Salving your conscience with a pious lie! +Yes, all of you--hounds, rebels, thieves! Bring + back +My ship! + Too late,--I rave,--they cannot hear +My voice: and if they heard, a drunken laugh +Would be their answer; for their minds have + caught +The fatal firmness of the fool's resolve, +That looks like courage but is only fear. +They'll blunder on, and lose my ship, and + drown,-- +Or blunder home to England and be hanged. +Their skeletons will rattle in the chains +Of some tall gibbet on the Channel cliffs, +While passing mariners look up and say: +"Those are the rotten bones of Hudson's men +"Who left their captain in the frozen North!" + +O God of justice, why hast Thou ordained +Plans of the wise and actions of the brave +Dependent on the aid of fools and cowards? +Look,--there she goes,--her topsails in the sun +Gleam from the ragged ocean edge, and drop +Clean out of sight! So let the traitors go +Clean out of mind! We'll think of braver things! +Come closer in the boat, my friends. John King, +You take the tiller, keep her head nor'west. +You Philip Staffe, the only one who chose +Freely to share our little shallop's fate, +Rather than travel in the hell-bound ship,-- +Too good an English seaman to desert +These crippled comrades,--try to make them rest +More easy on the thwarts. And John, my son, +My little shipmate, come and lean your head +Against your father's knee. Do you recall +That April morn in Ethelburga's church, +Five years ago, when side by side we kneeled +To take the sacrament with all our men, +Before the Hopewell left St. Catherine's docks +On our first voyage? It was then I vowed +My sailor-soul and years to search the sea +Until we found the water-path that leads +From Europe into Asia. + I believe +That God has poured the ocean round His world, +Not to divide, but to unite the lands. +And all the English captains that have dared +In little ships to plough uncharted waves,-- +Davis and Drake, Hawkins and Frobisher, +Raleigh and Gilbert,--all the other names,-- +Are written in the chivalry of God +As men who served His purpose. I would claim +A place among that knighthood of the sea; +And I have earned it, though my quest should + fail! +For, mark me well, the honour of our life +Derives from this: to have a certain aim +Before us always, which our will must seek +Amid the peril of uncertain ways. +Then, though we miss the goal, our search is + crowned +With courage, and we find along our path +A rich reward of unexpected things. +Press towards the aim: take fortune as it fares! + +I know not why, but something in my heart +Has always whispered, "Westward seek your + goal!" +Three times they sent me east, but still I turned +The bowsprit west, and felt among the floes +Of ruttling ice along the Groneland coast, +And down the rugged shore of Newfoundland, +And past the rocky capes and wooded bays +Where Gosnold sailed,--like one who feels his + way +With outstretched hand across a darkened + room,-- +I groped among the inlets and the isles, +To find the passage to the Land of Spice. +I have not found it yet,--but I have found +Things worth the finding! + + Son, have you forgot +Those mellow autumn days, two years ago, +When first we sent our little ship Half-Moon,-- +The flag of Holland floating at her peak,-- +Across a sandy bar, and sounded in +Among the channels, to a goodly bay +Where all the navies of the world could ride? +A fertile island that the redmen called +Manhattan, lay above the bay: the land +Around was bountiful and friendly fair. +But never land was fair enough to hold +The seaman from the calling of the sea. +And so we bore to westward of the isle, +Along a mighty inlet, where the tide +Was troubled by a downward-flowing flood +That seemed to come from far away,--perhaps +From some mysterious gulf of Tartary? +Inland we held our course; by palisades +Of naked rock where giants might have built +Their fortress; and by rolling hills adorned +With forests rich in timber for great ships; +Through narrows where the mountains shut us in +With frowning cliffs that seemed to bar the + stream; +And then through open reaches where the banks +Sloped to the water gently, with their fields +Of corn and lentils smiling in the sun. +Ten days we voyaged through that placid land, +Until we came to shoals, and sent a boat +Upstream to find,--what I already knew,-- +We travelled on a river, not a strait. + +But what a river! God has never poured +A stream more royal through a land more rich. +Even now I see it flowing in my dream, +While coming ages people it with men +Of manhood equal to the river's pride. +I see the wigwams of the redmen changed +To ample houses, and the tiny plots +Of maize and green tobacco broadened out +To prosperous farms, that spread o'er hill and + dale +The many-coloured mantle of their crops; +I see the terraced vineyard on the slope +Where now the fox-grape loops its tangled vine; +And cattle feeding where the red deer roam; +And wild-bees gathered into busy hives, +To store the silver comb with golden sweet; +And all the promised land begins to flow +With milk and honey. Stately manors rise +Along the banks, and castles top the hills, +And little villages grow populous with trade, +Until the river runs as proudly as the Rhine,-- +The thread that links a hundred towns and + towers! +And looking deeper in my dream, I see +A mighty city covering the isle +They call Manhattan, equal in her state +To all the older capitals of earth,-- +The gateway city of a golden world,-- +A city girt with masts, and crowned with spires, +And swarming with a host of busy men, +While to her open door across the bay +The ships of all the nations flock like doves. +My name will be remembered there, for men +Will say, "This river and this isle were found +By Henry Hudson, on his way to seek +The Northwest Passage into Farthest Inde." +Yes! yes! I sought it then, I seek it still,-- +My great adventure and my guiding star! +For look ye, friends, our voyage is not done; +We hold by hope as long as life endures! +Somewhere among these floating fields of ice, +Somewhere along this westward widening bay, +Somewhere beneath this luminous northern night, +The channel opens to the Orient,-- +I know it,--and some day a little ship +Will push her bowsprit in, and battle through! +And why not ours,--to-morrow,--who can tell? +The lucky chance awaits the fearless heart! +These are the longest days of all the year; +The world is round and God is everywhere, +And while our shallop floats we still can steer. +So point her up, John King, nor'west by north. +We'll keep the honour of a certain aim +Amid the peril of uncertain ways, +And sail ahead, and leave the rest to God. + +Oberhofen, July, 1909. + +THE END + + +End of The Project Gutenberg Etext of The White Bees +by Henry Van Dyke + diff --git a/old/twbee10.zip b/old/twbee10.zip Binary files differnew file mode 100644 index 0000000..d0461f3 --- /dev/null +++ b/old/twbee10.zip |
