summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--37146-h.zipbin0 -> 19673 bytes
-rw-r--r--37146-h/37146-h.htm1233
-rw-r--r--37146.txt1041
-rw-r--r--37146.zipbin0 -> 18364 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
7 files changed, 2290 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/37146-h.zip b/37146-h.zip
new file mode 100644
index 0000000..a6fc755
--- /dev/null
+++ b/37146-h.zip
Binary files differ
diff --git a/37146-h/37146-h.htm b/37146-h/37146-h.htm
new file mode 100644
index 0000000..c9eb4d0
--- /dev/null
+++ b/37146-h/37146-h.htm
@@ -0,0 +1,1233 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ -->
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of The Leak, by Jacques Futrelle.
+ </title>
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+}
+
+table {
+ margin-left: auto;
+ margin-right: auto;
+}
+
+.pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+} /* page numbers */
+
+.linenum {
+ position: absolute;
+ top: auto;
+ left: 4%;
+} /* poetry number */
+
+.blockquot {
+ margin-left: 5%;
+ margin-right: 10%;
+}
+
+.sidenote {
+ width: 20%;
+ padding-bottom: .5em;
+ padding-top: .5em;
+ padding-left: .5em;
+ padding-right: .5em;
+ margin-left: 1em;
+ float: right;
+ clear: right;
+ margin-top: 1em;
+ font-size: smaller;
+ color: black;
+ background: #eeeeee;
+ border: dashed 1px;
+}
+
+.bb {border-bottom: solid 2px;}
+
+.bl {border-left: solid 2px;}
+
+.bt {border-top: solid 2px;}
+
+.br {border-right: solid 2px;}
+
+.bbox {border: solid 2px;}
+
+.center {text-align: center;}
+
+.smcap {font-variant: small-caps;}
+
+.u {text-decoration: underline;}
+
+.caption {font-weight: bold;}
+
+/* Images */
+.figcenter {
+ margin: auto;
+ text-align: center;
+}
+
+.figleft {
+ float: left;
+ clear: left;
+ margin-left: 0;
+ margin-bottom: 1em;
+ margin-top: 1em;
+ margin-right: 1em;
+ padding: 0;
+ text-align: center;
+}
+
+.figright {
+ float: right;
+ clear: right;
+ margin-left: 1em;
+ margin-bottom:
+ 1em;
+ margin-top: 1em;
+ margin-right: 0;
+ padding: 0;
+ text-align: center;
+}
+
+/* Footnotes */
+.footnotes {border: dashed 1px;}
+
+.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
+
+.footnote .label {position: absolute; right: 84%; text-align: right;}
+
+.fnanchor {
+ vertical-align: super;
+ font-size: .8em;
+ text-decoration:
+ none;
+}
+
+/* Poetry */
+.poem {
+ margin-left:10%;
+ margin-right:10%;
+ text-align: left;
+}
+
+.poem br {display: none;}
+
+.poem .stanza {margin: 1em 0em 1em 0em;}
+
+.poem span.i0 {
+ display: block;
+ margin-left: 0em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i2 {
+ display: block;
+ margin-left: 2em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i4 {
+ display: block;
+ margin-left: 4em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Leak, by Jacques Futrelle
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Leak
+
+Author: Jacques Futrelle
+
+Release Date: August 21, 2011 [EBook #37146]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE LEAK ***
+
+
+
+
+Produced by David Starner, Mary Meehan and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+
+<h1>The Leak</h1>
+
+<h2>By Jacques Futrelle</h2>
+
+
+<p>"Really great criminals are never found out, for the simple reason that
+the greatest crimes&mdash;their crimes&mdash;are never discovered," remarked
+Professor Augustus S. F. X. Van Dusen positively. "There is genius in
+the perpetration of crime, Mr. Grayson, just as there must be in its
+detection, unless it is the shallow work of a bungler. In this latter
+case there have been instances where even the police have uncovered the
+truth. But the expert criminal, the man of genius&mdash;the professional, I
+may say&mdash;regards as perfect only that crime which does not and cannot be
+made to appear a crime at all; therefore one that can never under any
+circumstances involve him, or anyone else."</p>
+
+<p>The financier, J. Morgan Grayson, regarded this wizened little man of
+science&mdash;The Thinking Machine&mdash;thoughtfully, through the smoke of his
+cigar.</p>
+
+<p>"It is a strange psychological fact that the casual criminal glories in
+his crime beforehand, and from one to ten minutes afterward," The
+Thinking Machine continued. "For instance, the man who kills for revenge
+wants the world to know it is his work; but at the end of ten minutes
+comes fear, and then paradoxically enough, he will seek to hide his
+crime and protect himself. With fear comes panic, with panic
+irresponsibility, and then he makes the mistake&mdash;hews a pathway which
+the trained mind follows from motive to a prison cell."</p>
+
+<p>"These are the men who are found out. But there are men of genius, Mr.
+Grayson, professionally engaged in crime. We never hear of them because
+they are never caught, and we never even suspect them because they make
+no mistake. Imagine the great brains of history turned to crime. Well,
+there are today brains as great as any of those of history; there is
+murder and theft and robbery under our noses that we never dream of. If
+I, for instance, should become an active criminal&mdash;&mdash;" He paused.</p>
+
+<p>Grayson, with a queer expression on his face, puffed steadily at his
+cigar.</p>
+
+<p>"I could kill you now, here in this room," The Thinking Machine went on
+calmly, "and no one would ever know, never even suspect. Why? Because I
+would make no mistake."</p>
+
+<p>It was not a boast as he said it; it was merely a statement of fact.
+Grayson appeared to be a little startled. Where there had been only
+impatient interest in his manner, there was now fascination.</p>
+
+<p>"How would you kill me, for instance?" he inquired curiously.</p>
+
+<p>"With any one of a dozen poisons, with virulent germs, or even with a
+knife or revolver," replied the scientist placidly. "You see, I know how
+to use poisons; I know how to inoculate with germs; I know how to
+produce a suicidal appearance perfectly with either a revolver or knife.
+And I never make mistakes, Mr. Grayson. In the sciences we must be
+exact&mdash;not approximately so, but absolutely so. We must know. It isn't
+like carpentry. A carpenter may make a trivial mistake in a joint, and
+it will not weaken his house; but if the scientist makes one mistake,
+the whole structure tumbles down. We must know. Knowledge is progress.
+We gain knowledge through observation and logic&mdash;inevitable logic. And
+logic tells us that two and two make four&mdash;not sometimes but all the
+time."</p>
+
+<p>Grayson flicked the ashes off his cigar thoughtfully, and little
+wrinkles appeared about his eyes as he stared into the drawn,
+inscrutable face of the scientist. The enormous, straw-yellow head was
+cushioned against the chair, the squinting, watery blue eyes turned
+upward, and the slender white fingers at rest, tip to tip. The financier
+drew a long breath. "I have been informed that you were a remarkable
+man," he said at last slowly. "I believe it. Quinton Frazer, the banker
+who gave me the letter of introduction to you, told me how you once
+solved a remarkable mystery in which&mdash;&mdash;"</p>
+
+<p>"Yes, yes," interrupted the scientist shortly, "the Ralston Bank
+burglary&mdash;I remember."</p>
+
+<p>"So I came to you to enlist your aid in something which is more
+inexplicable than that," Grayson went on hesitatingly. "I know that no
+fee I might offer would influence you; yet it is a case which&mdash;&mdash;"</p>
+
+<p>"State it," interrupted The Thinking Machine again.</p>
+
+<p>"It isn't a crime&mdash;that is, a crime that can be reached by law," Grayson
+hurried on, "but it has cost me millions, and&mdash;&mdash;"</p>
+
+<p>For one instant The Thinking Machine lowered his squint eyes to those of
+his visitor, then raised them again. "Millions!" he repeated. "How
+many?"</p>
+
+<p>"Six, eight, perhaps ten," was the reply. "Briefly, there is a leak in
+my office. My plans become known to others almost by the time I have
+perfected them. My plans are large; I have millions at stake; and the
+greatest secrecy is absolutely essential. For years I have been able to
+preserve this secrecy; but half a dozen times in the last eight weeks my
+plans have become known, and I have been caught. Unless you know the
+Street, you can't imagine what a tremendous disadvantage it is to have
+someone know your next move to the minutest detail and, knowing it,
+defeat you at every turn."</p>
+
+<p>"No, I don't know your world of finance, Mr. Grayson," remarked The
+Thinking Machine. "Give me an instance."</p>
+
+<p>"Well, take this last case," said the financier earnestly. "Briefly,
+without technicalities, I had planned to unload the securities of the
+P., Q. &amp; X. Railway, protecting myself through brokers, and force the
+outstanding stock down to a price where other brokers, acting for me,
+could buy far below the actual value. In this way I intended to get
+complete control of the stock. But my plans became known, and when I
+began to unload everything was snapped up by the opposition, with the
+result that instead of gaining control of the road I lost heavily. This
+same thing has happened, with variations, half a dozen times."</p>
+
+<p>"I presume that is strictly honest?" inquired the scientist mildly.</p>
+
+<p>"Honest?" repeated Grayson. "Certainly&mdash;of course."</p>
+
+<p>"I shall not pretend to understand all that," said The Thinking Machine
+curtly. "It doesn't seem to matter, anyway. You want to know where the
+leak is. Is that right?"</p>
+
+<p>"Precisely."</p>
+
+<p>"Well, who is in your confidence?"</p>
+
+<p>"No one, except my stenographer."</p>
+
+<p>"Who is he, please?"</p>
+
+<p>"It's a woman&mdash;Miss Evelyn Winthrop. She has been in my employ for six
+years in the same capacity&mdash;more than five years before this leak
+appeared. I trust her absolutely."</p>
+
+<p>"No man knows your business?"</p>
+
+<p>"No," replied the financier grimly. "I learned years ago that no one
+could keep my secrets as well as I do&mdash;there are too many temptations.
+Therefore, I never mention my plans to anyone&mdash;never&mdash;to anyone!"</p>
+
+<p>"Except your stenographer," corrected the scientist.</p>
+
+<p>"I work for days, weeks, sometimes months, perfecting plans, and it's
+all in my head, not on paper&mdash;not a scratch of it," explained Grayson.
+"When I say that she is in my confidence, I mean that she knows my plans
+only half an hour or less before the machinery is put into motion. For
+instance, I planned this P., Q. &amp; X. deal. My brokers didn't know of it;
+Miss Winthrop never heard of it until twenty minutes before the Stock
+Exchange opened for business. Then I dictated to her, as I always do,
+some short letters of instructions to my agents. That is all she knew of
+it."</p>
+
+<p>"You outlined the plan in those letters?"</p>
+
+<p>"No; they merely told my brokers what to do."</p>
+
+<p>"But a shrewd person, knowing the contents of all those letters, could
+have learned what you intended to do?"</p>
+
+<p>"Yes; but no one person knew the contents of all the letters. No one
+broker knew what was in the other letters. Miss Winthrop and I were the
+only two human beings who knew all that was in them."</p>
+
+<p>The Thinking Machine sat silent for so long that Grayson began to fidget
+in his chair. "Who was in the room besides you and Miss Winthrop before
+the letters were sent?" he asked at last.</p>
+
+<p>"No one," responded Grayson emphatically. "For an hour before I dictated
+those letters, until at least an hour afterward, after my plans had gone
+to smash, no one entered that room. Only she and I work there."</p>
+
+<p>"But when she finished the letters, she went out?" insisted The Thinking
+Machine.</p>
+
+<p>"No," declared the financier, "she didn't even leave her desk."</p>
+
+<p>"Or perhaps sent something out&mdash;carbon copies of the letters?"</p>
+
+<p>"No."</p>
+
+<p>"Or called up a friend on the telephone?" continued The Thinking Machine
+quietly.</p>
+
+<p>"Nor that," retorted Grayson.</p>
+
+<p>"Or signaled to someone through the window?"</p>
+
+<p>"No," said the financier again. "She finished the letters, then remained
+quietly at her desk, reading a book. She hardly moved for two hours."</p>
+
+<p>The Thinking Machine lowered his eyes and glared straight into those of
+the financier. "Someone listened at the window?" he went on after a
+moment.</p>
+
+<p>"No. It is sixteen stories up, fronting the street, and there is no fire
+escape."</p>
+
+<p>"Or the door?"</p>
+
+<p>"If you knew the arrangement of my offices, you would see how utterly
+impossible that would be, because&mdash;"</p>
+
+<p>"Nothing is impossible, Mr. Grayson," snapped the scientist abruptly.
+"It might be improbable, but not impossible. Don't say that&mdash;it annoys
+me exceedingly." He was silent for a moment. Grayson stared at him
+blankly. "Did either you or she answer a call on the 'phone?"</p>
+
+<p>"No one called; we called no one."</p>
+
+<p>"Any apertures&mdash;holes or cracks&mdash;in your flooring or walls or ceilings?"
+demanded the scientist.</p>
+
+<p>"Private detectives whom I had employed looked for such an opening, and
+there was none," replied Grayson.</p>
+
+<p>Again The Thinking Machine was silent for a long time. Grayson lighted a
+fresh cigar and settled back in his chair patiently. Faint cobwebby
+lines began to appear on the dome-like brow of the scientist, and slowly
+the squint eyes were narrowing.</p>
+
+<p>"The letters you wrote were intercepted?" he suggested at last.</p>
+
+<p>"No," exclaimed Grayson flatly. "Those letters were sent direct to the
+brokers by a dozen different methods, and every one of them had been
+delivered by five minutes of ten o'clock, when 'Change begins business.
+The last one left me at ten minutes of ten."</p>
+
+<p>"Dear me! Dear me!" The Thinking Machine rose and paced the length of
+the room.</p>
+
+<p>"You don't give me credit for the extraordinary precautions I have
+taken, particularly in this last P., Q. &amp; X. deal," Grayson continued.
+"I left positively nothing undone to insure absolute secrecy. And Miss
+Winthrop, I know, is innocent of any connection with the affair. The
+private detectives suspected her at first, as you do, and she was
+watched in and out of my office for weeks. When she was not under my
+eyes, she was under the eyes of men to whom I had promised an
+extravagant sum of money if they found the leak. She didn't know it
+then, and doesn't know it now. I am heartily ashamed of it all, because
+the investigation proved her absolute loyalty to me. On this last day
+she was directly under my eyes for two hours; and she didn't make one
+movement that I didn't note, because the thing meant millions to me.
+That proved beyond all question that it was no fault of hers. What could
+I do?"</p>
+
+<p>The Thinking Machine didn't say. He paused at a window, and for minute
+after minute stood motionless there, with eyes narrowed to mere slits.</p>
+
+<p>"I was on the point of discharging Miss Winthrop," the financier went
+on, "but her innocence was so thoroughly proved to me by this last
+affair that it would have been unjust, and so&mdash;&mdash;"</p>
+
+<p>Suddenly the scientist turned upon his visitor. "Do you talk in your
+sleep?" he demanded.</p>
+
+<p>"No," was the prompt reply. "I had thought of that too. It is beyond all
+ordinary things, Professor. Yet there is a leak that is costing me
+millions."</p>
+
+<p>"It comes down to this, Mr. Grayson," The Thinking Machine informed him
+crabbedly. "If only you and Miss Winthrop knew those plans, and no one
+else, and they did leak, and were not deduced from other things, then
+either you or she permitted them to leak, intentionally or
+unintentionally. That is as pure logic as two and two make four; there
+is no need to argue it."</p>
+
+<p>"Well, of course, I didn't," said Grayson.</p>
+
+<p>"Then Miss Winthrop did," declared The Thinking Machine finally,
+positively; "unless we credit the opposition, as you call it, with
+telepathic gifts hitherto unheard of. By the way, you have referred to
+the other side only as the opposition. Do the same men, the same clique,
+appear against you all the time, or is it only one man?"</p>
+
+<p>"It's a clique," explained the financier, "with millions back of it,
+headed by Ralph Matthews, a young man to whom I give credit for being
+the prime factor against me." His lips were set sternly.</p>
+
+<p>"Why?" demanded the scientist.</p>
+
+<p>"Because every time he sees me he grins," was the reply. Grayson seemed
+suddenly discomfited.</p>
+
+<p>The Thinking Machine went to a desk, addressed an envelope, folded a
+sheet of paper, placed it inside, then sealed it. At length he turned
+back to his visitor. "Is Miss Winthrop at your office now?"</p>
+
+<p>"Yes."</p>
+
+<p>"Let us go there, then."</p>
+
+<p>A few minutes later the eminent financier ushered the eminent scientist
+into his private office on the Street. The only person there was a young
+woman&mdash;a woman of twenty-six or-seven, perhaps&mdash;who turned, saw Grayson,
+and resumed reading. The financier motioned to a seat. Instead of
+sitting, however, The Thinking Machine went straight to Miss Winthrop
+and extended a sealed envelop to her.</p>
+
+<p>"Mr. Ralph Matthews asked me to hand you this," he said.</p>
+
+<p>The young woman glanced up into his face frankly, yet with a certain
+timidity, took the envelope, and turned it curiously in her hand.</p>
+
+<p>"Mr. Ralph Matthews," she repeated, as if the name was a strange one. "I
+don't think I know him."</p>
+
+<p>The Thinking Machine stood staring at her aggressively, as she opened
+the envelope and drew out the sheet of paper. There was no expression
+save surprise&mdash;bewilderment, rather&mdash;to be read on her face.</p>
+
+<p>"Why, it's a blank sheet!" she remarked, puzzled.</p>
+
+<p>The scientist turned suddenly toward Grayson, who had witnessed the
+incident with frank astonishment in his eyes. "Your telephone a moment,
+please," he requested.</p>
+
+<p>"Certainly; here," replied Grayson.</p>
+
+<p>"This will do," remarked the scientist.</p>
+
+<p>He leaned forward over the desk where Miss Winthrop sat, still gazing at
+him in a sort of bewilderment, picked up the receiver, and held it to
+his ear. A few moments later he was talking to Hutchinson Hatch,
+reporter.</p>
+
+<p>"I merely wanted to ask you to meet me at my apartment in an hour," said
+the scientist. "It is very important."</p>
+
+<p>That was all. He hung up the receiver, paused for a moment to admire an
+exquisitely wrought silver box&mdash;a "vanity" box&mdash;on Miss Winthrop's desk,
+beside the telephone, then took a seat beside Grayson and began to
+discourse almost pleasantly upon the prevailing meteorological
+conditions. Grayson merely stared; Miss Winthrop continued her reading.</p>
+
+<hr style="width: 45%;" />
+
+<p>Professor Augustus S. F. X. Van Dusen, distinguished scientist, and
+Hutchinson Hatch, newspaper reporter, were poking round among the
+chimney pots and other obstructions on the roof of a skyscraper. Far
+below them the slumber-enshrouded city was spread out like a panorama,
+streets dotted brilliantly with lights, and roofs hazily visible through
+mists of night. Above, the infinite blackness hung like a veil, with
+starpoints breaking through here and there.</p>
+
+<p>"Here are the wires," Hatch said at last, and he stooped.</p>
+
+<p>The Thinking Machine knelt on the roof beside him, and for several
+minutes they remained thus in the darkness, with only the glow of a
+flashlight to indicate their presence. Finally, The Thinking Machine
+rose.</p>
+
+<p>"That's the wire you want, Mr. Hatch," he said. "I'll leave the rest of
+it to you."</p>
+
+<p>"Are you sure?" asked the reporter.</p>
+
+<p>"I am always sure," was the tart response.</p>
+
+<p>Hatch opened a small handsatchel and removed several queerly wrought
+tools. These he spread on the roof beside him; then, kneeling again,
+began his work. For half an hour he labored in the gloom, with only the
+flashlight to aid him, and then he rose.</p>
+
+<p>"It's all right," he said.</p>
+
+<p>The Thinking Machine examined the work that had been done, grunted his
+satisfaction, and together they went to the skylight, leaving a thin,
+insulated wire behind them, stringing along to mark their path. They
+passed down through the roof and into the darkness of the hall of the
+upper story. Here the light was extinguished. From far below came the
+faint echo of a man's footsteps as the watchman passed through the
+silent, deserted building.</p>
+
+<p>"Be careful!" warned The Thinking Machine.</p>
+
+<p>They went along the hall to a room in the rear, and still the wire
+trailed behind. At the last door they stopped. The Thinking Machine
+fumbled with some keys, then opened the way. Here an electric light was
+on. The room was bare of furniture, the only sign of recent occupancy
+being a telephone instrument on the wall.</p>
+
+<p>Here The Thinking Machine stopped and stared at the spool of wire which
+he had permitted to wind off as he walked, and his thin face expressed
+doubt.</p>
+
+<p>"It wouldn't be safe," he said at last, "to leave the wire exposed as we
+have left it. True, this floor is not occupied; but someone might pass
+this way and disturb it. You take the spool, go back to the roof,
+winding the wire as you go, then swing the spool down to me over the
+side of the building, so that I can bring it in through the window. That
+will be best. I will catch it here, and thus there will be nothing to
+indicate any connection." Hatch went out quietly and closed the door.</p>
+
+<hr style="width: 45%;" />
+
+<p>Twice the following day The Thinking Machine spoke to the financier over
+the telephone. Grayson was in his private office, Miss Winthrop at her
+desk, when the first call came.</p>
+
+<p>"Be careful in answering my questions," warned The Thinking Machine when
+Grayson answered. "Do you know how long Miss Winthrop has owned the
+little silver box which is now on her desk, near the telephone?"</p>
+
+<p>Grayson glanced round involuntarily to where the girl sat idly turning
+over the leaves of her book. "Yes," he answered, "for seven months. I
+gave it to her last Christmas."</p>
+
+<p>"Ah!" exclaimed the scientist. "That simplifies matters. Where did you
+buy it?"</p>
+
+<p>Grayson mentioned the name of a well-known jeweler.</p>
+
+<p>Considerably later in the day The Thinking Machine called Grayson to the
+telephone again.</p>
+
+<p>"What make of typewriter does she use?" came the querulous voice over
+the wire.</p>
+
+<p>Grayson named it.</p>
+
+<p>While Grayson sat with deeply perplexed lines in his face, the
+diminutive scientist called upon Hutchinson Hatch at his office.</p>
+
+<p>"Do you use a typewriter?" demanded The Thinking Machine.</p>
+
+<p>"Yes."</p>
+
+<p>"What kind?"</p>
+
+<p>"Oh, four or five kinds&mdash;we have half a dozen different makes in the
+office."</p>
+
+<p>They passed along through the city room, at that moment practically
+deserted, until finally the watery blue eyes settled upon a typewriter
+with the name emblazoned on the front.</p>
+
+<p>"That's it!" exclaimed The Thinking Machine. "Write something on it," he
+directed Hatch.</p>
+
+<p>Hatch drew up a chair and rolled off several lines of the immortal
+practice sentence, beginning, "Now is the time for all good men&mdash;"</p>
+
+<p>The Thinking Machine sat beside him, squinting across the room in deep
+abstraction, and listening intently. His head was turned away from the
+reporter, but his ear was within a few inches of the machine. For half a
+minute he sat there listening, then shook his head.</p>
+
+<p>"Strike your vowels," he commanded; "first slowly, then rapidly."</p>
+
+<p>Again Hatch obeyed, while the scientist listened. And again he shook his
+head. Then in turn every make of machine in the office was tested the
+same way. At the end The Thinking Machine rose and went his way. There
+was an expression nearly approaching complete bewilderment on his face.</p>
+
+<hr style="width: 45%;" />
+
+<p>For hour after hour that night The Thinking Machine half lay in a huge
+chair in his laboratory, with eyes turned uncompromisingly upward, and
+an expression of complete concentration on his face. There was no change
+either in his position or his gaze as minute succeeded minute; the brow
+was deeply wrinkled now, and the thin line of the lips was drawn taut.
+The tiny clock in the reception room struck ten, eleven, twelve, and
+finally one. At just half-past one The Thinking Machine rose suddenly.</p>
+
+<p>"Positively I am getting stupid!" he grumbled half aloud. "Of course! Of
+course! Why couldn't I have thought of that in the first place?..."</p>
+
+<p>So it came about that Grayson did not go to his office on the following
+morning at the usual time. Instead, he called again upon The Thinking
+Machine in eager, expectant response to a note which had reached him at
+his home just before he started to his office.</p>
+
+<p>"Nothing yet," said The Thinking Machine as the financier entered. "But
+here is something you must do today. At one o'clock," the scientist went
+on, "you must issue orders for a gigantic deal of some sort; and you
+must issue them precisely as you have issued them in the past; there
+must be no variation. Dictate the letters as you have always done to
+Miss Winthrop&mdash;<i>but don't send them</i>! When they come to you, keep them
+until you see me."</p>
+
+<p>"You mean that the deal must be purely imaginative?" inquired the
+financier.</p>
+
+<p>"Precisely," was the reply. "But make your instructions circumstantial;
+give them enough detail to make them absolutely logical and convincing."</p>
+
+<p>Grayson asked a dozen questions, answers to which were curtly denied,
+then went to his office. The Thinking Machine again called Hatch on the
+telephone.</p>
+
+<p>"I've got it," he announced briefly. "I want the best telegraph operator
+you know. Bring him along and meet me in the room on the top floor where
+the telephone is at precisely fifteen minutes before one o'clock
+today."</p>
+
+<p>"Telegraph operator?" Hatch repeated.</p>
+
+<p>"That's what I said&mdash;telegraph operator!" replied the scientist
+irritably. "Goodbye."</p>
+
+<p>Hatch smiled whimsically at the other end as he heard the receiver
+banged on the hook&mdash;smiled because he knew the eccentric ways of this
+singular man, whose mind so accurately illuminated every problem to
+which it was directed. Then he went out to the telegraph room and
+borrowed the principal operator. They were in the little room on the top
+floor at precisely fifteen minutes of one.</p>
+
+<p>The operator glanced about in astonishment. The room was still
+unfurnished, save for the telephone box on the wall.</p>
+
+<p>"What do I do?" he asked The Thinking Machine.</p>
+
+<p>"I'll tell you when the time comes," responded the scientist, as he
+glanced at his watch.</p>
+
+<p>At three minutes of one o'clock he handed a sheet of blank paper to the
+operator, and gave him final instructions.</p>
+
+<p>There was ludicrous mystification on the operator's face; but he obeyed
+orders, grinning cheerfully at Hatch as he tilted his cigar up to keep
+the smoke out of his eyes. The Thinking Machine stood impatiently
+looking on, watch in hand. Hatch didn't know what was happening, but he
+was interested.</p>
+
+<p>At last the operator heard something. His face became suddenly alert. He
+continued to listen for a moment, and then came a smile of recognition.</p>
+
+<hr style="width: 45%;" />
+
+<p>Less than ten minutes after Miss Winthrop had handed over the
+typewritten letters of instruction to Grayson for signature, and while
+he still sat turning them over in his hands, the door opened and The
+Thinking Machine entered. He tossed a folded sheet of paper on the desk
+before Grayson, and went straight to Miss Winthrop.</p>
+
+<p>"So you did know Mr. Ralph Matthews after all?" he inquired.</p>
+
+<p>The girl rose from her desk, and a flash of some subtle emotion passed
+over her face. "What do you mean, sir?" she demanded.</p>
+
+<p>"You might as well remove the silver box," The Thinking Machine went on
+mercilessly. "There is no further need of the connection."</p>
+
+<p>Miss Winthrop glanced down at the telephone extension on her desk, and
+her hand darted toward it. The silver "vanity" box was directly under
+the receiver, supporting it, so that all weight was removed from the
+hook, and the line was open. She snatched the box and the receiver
+dropped back on the hook. The Thinking Machine turned to Grayson.</p>
+
+<p>"It was Miss Winthrop," he said.</p>
+
+<p>"Miss Winthrop!" exclaimed Grayson, "I can't believe it!"</p>
+
+<p>"Read the paper I gave you, Mr. Grayson," directed The Thinking Machine
+coldly. "Perhaps that will enlighten her."</p>
+
+<p>The financier opened the sheet, which had remained folded in his hand,
+and glanced at what was written there. Slowly he read it aloud:
+"<span class="smcap">Peabody</span>&mdash;Sell ten thousand shares L. &amp; W. at 97. <span class="smcap">McCracken</span> Co.&mdash;Sell
+ten thousand shares L. &amp; W. at 97." He read on down the list,
+bewildered. Then gradually, as he realized the import of what he read,
+there came a hardening of the lines about his mouth.</p>
+
+<p>"I understand, Miss Winthrop," he said at last. "This is the substance
+of the orders I dictated, and in some way you made them known to persons
+for whom they were not intended. I don't know how you did it, of course;
+but I understand that you did do it, so&mdash;&mdash;" He stepped to the door and
+opened it with grave courtesy. "You may go now."</p>
+
+<p>Miss Winthrop made no plea&mdash;merely bowed and went out. Grayson stood
+staring after her for a moment, then turned to The Thinking Machine and
+motioned him to a chair. "What happened?" he asked briskly.</p>
+
+<p>"Miss Winthrop is a tremendously clever woman," replied The Thinking
+Machine. "She neglected to tell you, however, that besides being a
+stenographer and typist she is also a telegraph operator. She is so
+expert in each of her lines that she combined the two, if I may say it
+that way. In other words, in writing on the typewriter, she was clever
+enough to be able to <i>give the click of the machine the patterns in the
+Morse telegraphic code</i>&mdash;so that another telegraph operator at the other
+end of the 'phone could hear her machine and translate the clicks into
+words."</p>
+
+<p>Grayson sat staring at him incredulously. "I still don't understand," he
+said finally.</p>
+
+<p>The Thinking Machine rose and went to Miss Winthrop's desk. "Here is an
+extension telephone with the receiver on the hook. It happens that the
+little silver box which you gave Miss Winthrop is just tall enough to
+lift this receiver clear of the hook, and the minute the receiver is off
+the hook the line is open. When you were at your desk and she was here,
+you couldn't see this telephone; therefore it was a simple matter for
+her to lift the receiver, and place the silver box underneath, thus
+holding the line open permanently. That being true, the sound of the
+typewriter&mdash;<i>the striking of the keys</i>&mdash;would go over the open wire to
+whoever was listening at the other end. Then, if the striking of the
+keys typed out your letters and, by their frequency and pauses,
+simultaneously tapped out telegraphic code, an outside operator could
+read your letters at the same moment they were being written. That is
+all. It required extreme concentration on Miss Winthrop's part to type
+accurately in Morse rhythms."</p>
+
+<p>"Oh, I see!" exclaimed Grayson.</p>
+
+<p>"When I knew that the leak in your office was not in the usual way,"
+continued The Thinking Machine, "I looked for the unusual. There is
+nothing very mysterious about it now&mdash;it was merely clever."</p>
+
+<p>"Clever!" repeated Grayson, and his jaws snapped. "It is more than that.
+Why, it's criminal! She should be prosecuted."</p>
+
+<p>"I shouldn't advise that, Mr. Grayson," returned the scientist coldly.
+"If it is honest&mdash;merely business&mdash;to juggle stocks as you told me you
+did, this is no more dishonest. And besides, remember that Miss Winthrop
+is backed by the people who have made millions out of you, and&mdash;well, I
+wouldn't prosecute. It is betrayal of trust, certainly; but&mdash;" He rose
+as if that were all, and started toward the door. "I would advise you,
+however, to discharge the person who operates your switchboard."</p>
+
+<p>"Was she in the scheme, too?" demanded Grayson. He rushed out of the
+private office into the main office. At the door he met a clerk coming
+in.</p>
+
+<p>"Where is Miss Mitchell?" demanded the financier hotly.</p>
+
+<p>"I was just coming to tell you that she went out with Miss Winthrop just
+now without giving any explanation," replied the clerk.</p>
+
+<p>"Good day, Mr. Grayson," said The Thinking Machine.</p>
+
+<p>The financier nodded his thanks, then stalked back into his room.</p>
+
+<hr style="width: 45%;" />
+
+<p>In the course of time The Thinking Machine received a check for ten
+thousand dollars, signed, "J. Morgan Grayson." He glared at it for a
+little while, then indorsed it in a crabbed hand, <i>Pay to the Trustees'
+Home for Crippled Children</i>, and sent Martha, his housekeeper, out to
+mail it.</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Leak, by Jacques Futrelle
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE LEAK ***
+
+***** This file should be named 37146-h.htm or 37146-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/7/1/4/37146/
+
+Produced by David Starner, Mary Meehan and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/37146.txt b/37146.txt
new file mode 100644
index 0000000..1d395f9
--- /dev/null
+++ b/37146.txt
@@ -0,0 +1,1041 @@
+The Project Gutenberg EBook of The Leak, by Jacques Futrelle
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Leak
+
+Author: Jacques Futrelle
+
+Release Date: August 21, 2011 [EBook #37146]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE LEAK ***
+
+
+
+
+Produced by David Starner, Mary Meehan and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+
+
+ The Leak
+
+ By Jacques Futrelle
+
+
+"Really great criminals are never found out, for the simple reason that
+the greatest crimes--their crimes--are never discovered," remarked
+Professor Augustus S. F. X. Van Dusen positively. "There is genius in
+the perpetration of crime, Mr. Grayson, just as there must be in its
+detection, unless it is the shallow work of a bungler. In this latter
+case there have been instances where even the police have uncovered the
+truth. But the expert criminal, the man of genius--the professional, I
+may say--regards as perfect only that crime which does not and cannot be
+made to appear a crime at all; therefore one that can never under any
+circumstances involve him, or anyone else."
+
+The financier, J. Morgan Grayson, regarded this wizened little man of
+science--The Thinking Machine--thoughtfully, through the smoke of his
+cigar.
+
+"It is a strange psychological fact that the casual criminal glories in
+his crime beforehand, and from one to ten minutes afterward," The
+Thinking Machine continued. "For instance, the man who kills for revenge
+wants the world to know it is his work; but at the end of ten minutes
+comes fear, and then paradoxically enough, he will seek to hide his
+crime and protect himself. With fear comes panic, with panic
+irresponsibility, and then he makes the mistake--hews a pathway which
+the trained mind follows from motive to a prison cell."
+
+"These are the men who are found out. But there are men of genius, Mr.
+Grayson, professionally engaged in crime. We never hear of them because
+they are never caught, and we never even suspect them because they make
+no mistake. Imagine the great brains of history turned to crime. Well,
+there are today brains as great as any of those of history; there is
+murder and theft and robbery under our noses that we never dream of. If
+I, for instance, should become an active criminal----" He paused.
+
+Grayson, with a queer expression on his face, puffed steadily at his
+cigar.
+
+"I could kill you now, here in this room," The Thinking Machine went on
+calmly, "and no one would ever know, never even suspect. Why? Because I
+would make no mistake."
+
+It was not a boast as he said it; it was merely a statement of fact.
+Grayson appeared to be a little startled. Where there had been only
+impatient interest in his manner, there was now fascination.
+
+"How would you kill me, for instance?" he inquired curiously.
+
+"With any one of a dozen poisons, with virulent germs, or even with a
+knife or revolver," replied the scientist placidly. "You see, I know how
+to use poisons; I know how to inoculate with germs; I know how to
+produce a suicidal appearance perfectly with either a revolver or knife.
+And I never make mistakes, Mr. Grayson. In the sciences we must be
+exact--not approximately so, but absolutely so. We must know. It isn't
+like carpentry. A carpenter may make a trivial mistake in a joint, and
+it will not weaken his house; but if the scientist makes one mistake,
+the whole structure tumbles down. We must know. Knowledge is progress.
+We gain knowledge through observation and logic--inevitable logic. And
+logic tells us that two and two make four--not sometimes but all the
+time."
+
+Grayson flicked the ashes off his cigar thoughtfully, and little
+wrinkles appeared about his eyes as he stared into the drawn,
+inscrutable face of the scientist. The enormous, straw-yellow head was
+cushioned against the chair, the squinting, watery blue eyes turned
+upward, and the slender white fingers at rest, tip to tip. The financier
+drew a long breath. "I have been informed that you were a remarkable
+man," he said at last slowly. "I believe it. Quinton Frazer, the banker
+who gave me the letter of introduction to you, told me how you once
+solved a remarkable mystery in which----"
+
+"Yes, yes," interrupted the scientist shortly, "the Ralston Bank
+burglary--I remember."
+
+"So I came to you to enlist your aid in something which is more
+inexplicable than that," Grayson went on hesitatingly. "I know that no
+fee I might offer would influence you; yet it is a case which----"
+
+"State it," interrupted The Thinking Machine again.
+
+"It isn't a crime--that is, a crime that can be reached by law," Grayson
+hurried on, "but it has cost me millions, and----"
+
+For one instant The Thinking Machine lowered his squint eyes to those of
+his visitor, then raised them again. "Millions!" he repeated. "How
+many?"
+
+"Six, eight, perhaps ten," was the reply. "Briefly, there is a leak in
+my office. My plans become known to others almost by the time I have
+perfected them. My plans are large; I have millions at stake; and the
+greatest secrecy is absolutely essential. For years I have been able to
+preserve this secrecy; but half a dozen times in the last eight weeks my
+plans have become known, and I have been caught. Unless you know the
+Street, you can't imagine what a tremendous disadvantage it is to have
+someone know your next move to the minutest detail and, knowing it,
+defeat you at every turn."
+
+"No, I don't know your world of finance, Mr. Grayson," remarked The
+Thinking Machine. "Give me an instance."
+
+"Well, take this last case," said the financier earnestly. "Briefly,
+without technicalities, I had planned to unload the securities of the
+P., Q. & X. Railway, protecting myself through brokers, and force the
+outstanding stock down to a price where other brokers, acting for me,
+could buy far below the actual value. In this way I intended to get
+complete control of the stock. But my plans became known, and when I
+began to unload everything was snapped up by the opposition, with the
+result that instead of gaining control of the road I lost heavily. This
+same thing has happened, with variations, half a dozen times."
+
+"I presume that is strictly honest?" inquired the scientist mildly.
+
+"Honest?" repeated Grayson. "Certainly--of course."
+
+"I shall not pretend to understand all that," said The Thinking Machine
+curtly. "It doesn't seem to matter, anyway. You want to know where the
+leak is. Is that right?"
+
+"Precisely."
+
+"Well, who is in your confidence?"
+
+"No one, except my stenographer."
+
+"Who is he, please?"
+
+"It's a woman--Miss Evelyn Winthrop. She has been in my employ for six
+years in the same capacity--more than five years before this leak
+appeared. I trust her absolutely."
+
+"No man knows your business?"
+
+"No," replied the financier grimly. "I learned years ago that no one
+could keep my secrets as well as I do--there are too many temptations.
+Therefore, I never mention my plans to anyone--never--to anyone!"
+
+"Except your stenographer," corrected the scientist.
+
+"I work for days, weeks, sometimes months, perfecting plans, and it's
+all in my head, not on paper--not a scratch of it," explained Grayson.
+"When I say that she is in my confidence, I mean that she knows my plans
+only half an hour or less before the machinery is put into motion. For
+instance, I planned this P., Q. & X. deal. My brokers didn't know of it;
+Miss Winthrop never heard of it until twenty minutes before the Stock
+Exchange opened for business. Then I dictated to her, as I always do,
+some short letters of instructions to my agents. That is all she knew of
+it."
+
+"You outlined the plan in those letters?"
+
+"No; they merely told my brokers what to do."
+
+"But a shrewd person, knowing the contents of all those letters, could
+have learned what you intended to do?"
+
+"Yes; but no one person knew the contents of all the letters. No one
+broker knew what was in the other letters. Miss Winthrop and I were the
+only two human beings who knew all that was in them."
+
+The Thinking Machine sat silent for so long that Grayson began to fidget
+in his chair. "Who was in the room besides you and Miss Winthrop before
+the letters were sent?" he asked at last.
+
+"No one," responded Grayson emphatically. "For an hour before I dictated
+those letters, until at least an hour afterward, after my plans had gone
+to smash, no one entered that room. Only she and I work there."
+
+"But when she finished the letters, she went out?" insisted The Thinking
+Machine.
+
+"No," declared the financier, "she didn't even leave her desk."
+
+"Or perhaps sent something out--carbon copies of the letters?"
+
+"No."
+
+"Or called up a friend on the telephone?" continued The Thinking Machine
+quietly.
+
+"Nor that," retorted Grayson.
+
+"Or signaled to someone through the window?"
+
+"No," said the financier again. "She finished the letters, then remained
+quietly at her desk, reading a book. She hardly moved for two hours."
+
+The Thinking Machine lowered his eyes and glared straight into those of
+the financier. "Someone listened at the window?" he went on after a
+moment.
+
+"No. It is sixteen stories up, fronting the street, and there is no fire
+escape."
+
+"Or the door?"
+
+"If you knew the arrangement of my offices, you would see how utterly
+impossible that would be, because--"
+
+"Nothing is impossible, Mr. Grayson," snapped the scientist abruptly.
+"It might be improbable, but not impossible. Don't say that--it annoys
+me exceedingly." He was silent for a moment. Grayson stared at him
+blankly. "Did either you or she answer a call on the 'phone?"
+
+"No one called; we called no one."
+
+"Any apertures--holes or cracks--in your flooring or walls or ceilings?"
+demanded the scientist.
+
+"Private detectives whom I had employed looked for such an opening, and
+there was none," replied Grayson.
+
+Again The Thinking Machine was silent for a long time. Grayson lighted a
+fresh cigar and settled back in his chair patiently. Faint cobwebby
+lines began to appear on the dome-like brow of the scientist, and slowly
+the squint eyes were narrowing.
+
+"The letters you wrote were intercepted?" he suggested at last.
+
+"No," exclaimed Grayson flatly. "Those letters were sent direct to the
+brokers by a dozen different methods, and every one of them had been
+delivered by five minutes of ten o'clock, when 'Change begins business.
+The last one left me at ten minutes of ten."
+
+"Dear me! Dear me!" The Thinking Machine rose and paced the length of
+the room.
+
+"You don't give me credit for the extraordinary precautions I have
+taken, particularly in this last P., Q. & X. deal," Grayson continued.
+"I left positively nothing undone to insure absolute secrecy. And Miss
+Winthrop, I know, is innocent of any connection with the affair. The
+private detectives suspected her at first, as you do, and she was
+watched in and out of my office for weeks. When she was not under my
+eyes, she was under the eyes of men to whom I had promised an
+extravagant sum of money if they found the leak. She didn't know it
+then, and doesn't know it now. I am heartily ashamed of it all, because
+the investigation proved her absolute loyalty to me. On this last day
+she was directly under my eyes for two hours; and she didn't make one
+movement that I didn't note, because the thing meant millions to me.
+That proved beyond all question that it was no fault of hers. What could
+I do?"
+
+The Thinking Machine didn't say. He paused at a window, and for minute
+after minute stood motionless there, with eyes narrowed to mere slits.
+
+"I was on the point of discharging Miss Winthrop," the financier went
+on, "but her innocence was so thoroughly proved to me by this last
+affair that it would have been unjust, and so----"
+
+Suddenly the scientist turned upon his visitor. "Do you talk in your
+sleep?" he demanded.
+
+"No," was the prompt reply. "I had thought of that too. It is beyond all
+ordinary things, Professor. Yet there is a leak that is costing me
+millions."
+
+"It comes down to this, Mr. Grayson," The Thinking Machine informed him
+crabbedly. "If only you and Miss Winthrop knew those plans, and no one
+else, and they did leak, and were not deduced from other things, then
+either you or she permitted them to leak, intentionally or
+unintentionally. That is as pure logic as two and two make four; there
+is no need to argue it."
+
+"Well, of course, I didn't," said Grayson.
+
+"Then Miss Winthrop did," declared The Thinking Machine finally,
+positively; "unless we credit the opposition, as you call it, with
+telepathic gifts hitherto unheard of. By the way, you have referred to
+the other side only as the opposition. Do the same men, the same clique,
+appear against you all the time, or is it only one man?"
+
+"It's a clique," explained the financier, "with millions back of it,
+headed by Ralph Matthews, a young man to whom I give credit for being
+the prime factor against me." His lips were set sternly.
+
+"Why?" demanded the scientist.
+
+"Because every time he sees me he grins," was the reply. Grayson seemed
+suddenly discomfited.
+
+The Thinking Machine went to a desk, addressed an envelope, folded a
+sheet of paper, placed it inside, then sealed it. At length he turned
+back to his visitor. "Is Miss Winthrop at your office now?"
+
+"Yes."
+
+"Let us go there, then."
+
+A few minutes later the eminent financier ushered the eminent scientist
+into his private office on the Street. The only person there was a young
+woman--a woman of twenty-six or-seven, perhaps--who turned, saw Grayson,
+and resumed reading. The financier motioned to a seat. Instead of
+sitting, however, The Thinking Machine went straight to Miss Winthrop
+and extended a sealed envelop to her.
+
+"Mr. Ralph Matthews asked me to hand you this," he said.
+
+The young woman glanced up into his face frankly, yet with a certain
+timidity, took the envelope, and turned it curiously in her hand.
+
+"Mr. Ralph Matthews," she repeated, as if the name was a strange one. "I
+don't think I know him."
+
+The Thinking Machine stood staring at her aggressively, as she opened
+the envelope and drew out the sheet of paper. There was no expression
+save surprise--bewilderment, rather--to be read on her face.
+
+"Why, it's a blank sheet!" she remarked, puzzled.
+
+The scientist turned suddenly toward Grayson, who had witnessed the
+incident with frank astonishment in his eyes. "Your telephone a moment,
+please," he requested.
+
+"Certainly; here," replied Grayson.
+
+"This will do," remarked the scientist.
+
+He leaned forward over the desk where Miss Winthrop sat, still gazing at
+him in a sort of bewilderment, picked up the receiver, and held it to
+his ear. A few moments later he was talking to Hutchinson Hatch,
+reporter.
+
+"I merely wanted to ask you to meet me at my apartment in an hour," said
+the scientist. "It is very important."
+
+That was all. He hung up the receiver, paused for a moment to admire an
+exquisitely wrought silver box--a "vanity" box--on Miss Winthrop's desk,
+beside the telephone, then took a seat beside Grayson and began to
+discourse almost pleasantly upon the prevailing meteorological
+conditions. Grayson merely stared; Miss Winthrop continued her reading.
+
+ * * * * *
+
+Professor Augustus S. F. X. Van Dusen, distinguished scientist, and
+Hutchinson Hatch, newspaper reporter, were poking round among the
+chimney pots and other obstructions on the roof of a skyscraper. Far
+below them the slumber-enshrouded city was spread out like a panorama,
+streets dotted brilliantly with lights, and roofs hazily visible through
+mists of night. Above, the infinite blackness hung like a veil, with
+starpoints breaking through here and there.
+
+"Here are the wires," Hatch said at last, and he stooped.
+
+The Thinking Machine knelt on the roof beside him, and for several
+minutes they remained thus in the darkness, with only the glow of a
+flashlight to indicate their presence. Finally, The Thinking Machine
+rose.
+
+"That's the wire you want, Mr. Hatch," he said. "I'll leave the rest of
+it to you."
+
+"Are you sure?" asked the reporter.
+
+"I am always sure," was the tart response.
+
+Hatch opened a small handsatchel and removed several queerly wrought
+tools. These he spread on the roof beside him; then, kneeling again,
+began his work. For half an hour he labored in the gloom, with only the
+flashlight to aid him, and then he rose.
+
+"It's all right," he said.
+
+The Thinking Machine examined the work that had been done, grunted his
+satisfaction, and together they went to the skylight, leaving a thin,
+insulated wire behind them, stringing along to mark their path. They
+passed down through the roof and into the darkness of the hall of the
+upper story. Here the light was extinguished. From far below came the
+faint echo of a man's footsteps as the watchman passed through the
+silent, deserted building.
+
+"Be careful!" warned The Thinking Machine.
+
+They went along the hall to a room in the rear, and still the wire
+trailed behind. At the last door they stopped. The Thinking Machine
+fumbled with some keys, then opened the way. Here an electric light was
+on. The room was bare of furniture, the only sign of recent occupancy
+being a telephone instrument on the wall.
+
+Here The Thinking Machine stopped and stared at the spool of wire which
+he had permitted to wind off as he walked, and his thin face expressed
+doubt.
+
+"It wouldn't be safe," he said at last, "to leave the wire exposed as we
+have left it. True, this floor is not occupied; but someone might pass
+this way and disturb it. You take the spool, go back to the roof,
+winding the wire as you go, then swing the spool down to me over the
+side of the building, so that I can bring it in through the window. That
+will be best. I will catch it here, and thus there will be nothing to
+indicate any connection." Hatch went out quietly and closed the door.
+
+ * * * * *
+
+Twice the following day The Thinking Machine spoke to the financier over
+the telephone. Grayson was in his private office, Miss Winthrop at her
+desk, when the first call came.
+
+"Be careful in answering my questions," warned The Thinking Machine when
+Grayson answered. "Do you know how long Miss Winthrop has owned the
+little silver box which is now on her desk, near the telephone?"
+
+Grayson glanced round involuntarily to where the girl sat idly turning
+over the leaves of her book. "Yes," he answered, "for seven months. I
+gave it to her last Christmas."
+
+"Ah!" exclaimed the scientist. "That simplifies matters. Where did you
+buy it?"
+
+Grayson mentioned the name of a well-known jeweler.
+
+Considerably later in the day The Thinking Machine called Grayson to the
+telephone again.
+
+"What make of typewriter does she use?" came the querulous voice over
+the wire.
+
+Grayson named it.
+
+While Grayson sat with deeply perplexed lines in his face, the
+diminutive scientist called upon Hutchinson Hatch at his office.
+
+"Do you use a typewriter?" demanded The Thinking Machine.
+
+"Yes."
+
+"What kind?"
+
+"Oh, four or five kinds--we have half a dozen different makes in the
+office."
+
+They passed along through the city room, at that moment practically
+deserted, until finally the watery blue eyes settled upon a typewriter
+with the name emblazoned on the front.
+
+"That's it!" exclaimed The Thinking Machine. "Write something on it," he
+directed Hatch.
+
+Hatch drew up a chair and rolled off several lines of the immortal
+practice sentence, beginning, "Now is the time for all good men--"
+
+The Thinking Machine sat beside him, squinting across the room in deep
+abstraction, and listening intently. His head was turned away from the
+reporter, but his ear was within a few inches of the machine. For half a
+minute he sat there listening, then shook his head.
+
+"Strike your vowels," he commanded; "first slowly, then rapidly."
+
+Again Hatch obeyed, while the scientist listened. And again he shook his
+head. Then in turn every make of machine in the office was tested the
+same way. At the end The Thinking Machine rose and went his way. There
+was an expression nearly approaching complete bewilderment on his face.
+
+ * * * * *
+
+For hour after hour that night The Thinking Machine half lay in a huge
+chair in his laboratory, with eyes turned uncompromisingly upward, and
+an expression of complete concentration on his face. There was no change
+either in his position or his gaze as minute succeeded minute; the brow
+was deeply wrinkled now, and the thin line of the lips was drawn taut.
+The tiny clock in the reception room struck ten, eleven, twelve, and
+finally one. At just half-past one The Thinking Machine rose suddenly.
+
+"Positively I am getting stupid!" he grumbled half aloud. "Of course! Of
+course! Why couldn't I have thought of that in the first place?..."
+
+So it came about that Grayson did not go to his office on the following
+morning at the usual time. Instead, he called again upon The Thinking
+Machine in eager, expectant response to a note which had reached him at
+his home just before he started to his office.
+
+"Nothing yet," said The Thinking Machine as the financier entered. "But
+here is something you must do today. At one o'clock," the scientist went
+on, "you must issue orders for a gigantic deal of some sort; and you
+must issue them precisely as you have issued them in the past; there
+must be no variation. Dictate the letters as you have always done to
+Miss Winthrop--_but don't send them_! When they come to you, keep them
+until you see me."
+
+"You mean that the deal must be purely imaginative?" inquired the
+financier.
+
+"Precisely," was the reply. "But make your instructions circumstantial;
+give them enough detail to make them absolutely logical and convincing."
+
+Grayson asked a dozen questions, answers to which were curtly denied,
+then went to his office. The Thinking Machine again called Hatch on the
+telephone.
+
+"I've got it," he announced briefly. "I want the best telegraph operator
+you know. Bring him along and meet me in the room on the top floor where
+the telephone is at precisely fifteen minutes before one o'clock
+today."
+
+"Telegraph operator?" Hatch repeated.
+
+"That's what I said--telegraph operator!" replied the scientist
+irritably. "Goodbye."
+
+Hatch smiled whimsically at the other end as he heard the receiver
+banged on the hook--smiled because he knew the eccentric ways of this
+singular man, whose mind so accurately illuminated every problem to
+which it was directed. Then he went out to the telegraph room and
+borrowed the principal operator. They were in the little room on the top
+floor at precisely fifteen minutes of one.
+
+The operator glanced about in astonishment. The room was still
+unfurnished, save for the telephone box on the wall.
+
+"What do I do?" he asked The Thinking Machine.
+
+"I'll tell you when the time comes," responded the scientist, as he
+glanced at his watch.
+
+At three minutes of one o'clock he handed a sheet of blank paper to the
+operator, and gave him final instructions.
+
+There was ludicrous mystification on the operator's face; but he obeyed
+orders, grinning cheerfully at Hatch as he tilted his cigar up to keep
+the smoke out of his eyes. The Thinking Machine stood impatiently
+looking on, watch in hand. Hatch didn't know what was happening, but he
+was interested.
+
+At last the operator heard something. His face became suddenly alert. He
+continued to listen for a moment, and then came a smile of recognition.
+
+ * * * * *
+
+Less than ten minutes after Miss Winthrop had handed over the
+typewritten letters of instruction to Grayson for signature, and while
+he still sat turning them over in his hands, the door opened and The
+Thinking Machine entered. He tossed a folded sheet of paper on the desk
+before Grayson, and went straight to Miss Winthrop.
+
+"So you did know Mr. Ralph Matthews after all?" he inquired.
+
+The girl rose from her desk, and a flash of some subtle emotion passed
+over her face. "What do you mean, sir?" she demanded.
+
+"You might as well remove the silver box," The Thinking Machine went on
+mercilessly. "There is no further need of the connection."
+
+Miss Winthrop glanced down at the telephone extension on her desk, and
+her hand darted toward it. The silver "vanity" box was directly under
+the receiver, supporting it, so that all weight was removed from the
+hook, and the line was open. She snatched the box and the receiver
+dropped back on the hook. The Thinking Machine turned to Grayson.
+
+"It was Miss Winthrop," he said.
+
+"Miss Winthrop!" exclaimed Grayson, "I can't believe it!"
+
+"Read the paper I gave you, Mr. Grayson," directed The Thinking Machine
+coldly. "Perhaps that will enlighten her."
+
+The financier opened the sheet, which had remained folded in his hand,
+and glanced at what was written there. Slowly he read it aloud:
+"PEABODY--Sell ten thousand shares L. & W. at 97. MCCRACKEN Co.--Sell
+ten thousand shares L. & W. at 97." He read on down the list,
+bewildered. Then gradually, as he realized the import of what he read,
+there came a hardening of the lines about his mouth.
+
+"I understand, Miss Winthrop," he said at last. "This is the substance
+of the orders I dictated, and in some way you made them known to persons
+for whom they were not intended. I don't know how you did it, of course;
+but I understand that you did do it, so----" He stepped to the door and
+opened it with grave courtesy. "You may go now."
+
+Miss Winthrop made no plea--merely bowed and went out. Grayson stood
+staring after her for a moment, then turned to The Thinking Machine and
+motioned him to a chair. "What happened?" he asked briskly.
+
+"Miss Winthrop is a tremendously clever woman," replied The Thinking
+Machine. "She neglected to tell you, however, that besides being a
+stenographer and typist she is also a telegraph operator. She is so
+expert in each of her lines that she combined the two, if I may say it
+that way. In other words, in writing on the typewriter, she was clever
+enough to be able to _give the click of the machine the patterns in the
+Morse telegraphic code_--so that another telegraph operator at the other
+end of the 'phone could hear her machine and translate the clicks into
+words."
+
+Grayson sat staring at him incredulously. "I still don't understand," he
+said finally.
+
+The Thinking Machine rose and went to Miss Winthrop's desk. "Here is an
+extension telephone with the receiver on the hook. It happens that the
+little silver box which you gave Miss Winthrop is just tall enough to
+lift this receiver clear of the hook, and the minute the receiver is off
+the hook the line is open. When you were at your desk and she was here,
+you couldn't see this telephone; therefore it was a simple matter for
+her to lift the receiver, and place the silver box underneath, thus
+holding the line open permanently. That being true, the sound of the
+typewriter--_the striking of the keys_--would go over the open wire to
+whoever was listening at the other end. Then, if the striking of the
+keys typed out your letters and, by their frequency and pauses,
+simultaneously tapped out telegraphic code, an outside operator could
+read your letters at the same moment they were being written. That is
+all. It required extreme concentration on Miss Winthrop's part to type
+accurately in Morse rhythms."
+
+"Oh, I see!" exclaimed Grayson.
+
+"When I knew that the leak in your office was not in the usual way,"
+continued The Thinking Machine, "I looked for the unusual. There is
+nothing very mysterious about it now--it was merely clever."
+
+"Clever!" repeated Grayson, and his jaws snapped. "It is more than that.
+Why, it's criminal! She should be prosecuted."
+
+"I shouldn't advise that, Mr. Grayson," returned the scientist coldly.
+"If it is honest--merely business--to juggle stocks as you told me you
+did, this is no more dishonest. And besides, remember that Miss Winthrop
+is backed by the people who have made millions out of you, and--well, I
+wouldn't prosecute. It is betrayal of trust, certainly; but--" He rose
+as if that were all, and started toward the door. "I would advise you,
+however, to discharge the person who operates your switchboard."
+
+"Was she in the scheme, too?" demanded Grayson. He rushed out of the
+private office into the main office. At the door he met a clerk coming
+in.
+
+"Where is Miss Mitchell?" demanded the financier hotly.
+
+"I was just coming to tell you that she went out with Miss Winthrop just
+now without giving any explanation," replied the clerk.
+
+"Good day, Mr. Grayson," said The Thinking Machine.
+
+The financier nodded his thanks, then stalked back into his room.
+
+ * * * * *
+
+In the course of time The Thinking Machine received a check for ten
+thousand dollars, signed, "J. Morgan Grayson." He glared at it for a
+little while, then indorsed it in a crabbed hand, _Pay to the Trustees'
+Home for Crippled Children_, and sent Martha, his housekeeper, out to
+mail it.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Leak, by Jacques Futrelle
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE LEAK ***
+
+***** This file should be named 37146.txt or 37146.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/7/1/4/37146/
+
+Produced by David Starner, Mary Meehan and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/37146.zip b/37146.zip
new file mode 100644
index 0000000..f22d253
--- /dev/null
+++ b/37146.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..db6bbae
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #37146 (https://www.gutenberg.org/ebooks/37146)