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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/35128-8.txt b/35128-8.txt new file mode 100644 index 0000000..2425e48 --- /dev/null +++ b/35128-8.txt @@ -0,0 +1,884 @@ +The Project Gutenberg EBook of Wagner, by Thomas Tapper + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Wagner + The Story of the Boy Who Wrote Little Plays + +Author: Thomas Tapper + +Release Date: January 31, 2011 [EBook #35128] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK WAGNER *** + + + + +Produced by Juliet Sutherland, Ernest Schaal, and the +Online Distributed Proofreading Team (including the Music +Team) at http://www.pgdp.net + + + + + + + + + + CHILD'S OWN BOOK + _of Great Musicians_ + WAGNER + + + [Illustration] + + + By + THOMAS TAPPER + + + THEODORE PRESSER CO. + 1712 CHESTNUT STREET + PHILADELPHIA + + + + + [Illustration] + + Directions for Binding + + +Enclosed in this envelope is the cord and the needle with which to bind +this book. Start in from the outside as shown on the diagram here. Pass +the needle and thread through the center of the book, leaving an end +extend outside, then through to the outside, about 2 inches from the +center; then from the outside to inside 2 inches from the center at the +other end of the book, bringing the thread finally again through the +center, and tie the two ends in a knot, one each side of the cord on the +outside. + + THEO. PRESSER CO., Pub's., Phila., Pa. + + + + + HOW TO USE THIS BOOK + + +This book is one of a series known as the CHILD'S OWN BOOK OF GREAT +MUSICIANS, written by Thomas Tapper, author of "Pictures from the Lives +of the Great Composers for Children," "Music Talks with Children," +"First Studies in Music Biography," and others. + +The sheet of illustrations included herewith is to be cut apart by the +child, and each illustration is to be inserted in its proper place +throughout the book, pasted in the space containing the same number as +will be found under each picture on the sheet. It is not necessary to +cover the entire back of a picture with paste. Put it only on the +corners and place neatly within the lines you will find printed around +each space. Use photographic paste, if possible. + +After this play-work is completed there will be found at the back of the +book blank pages upon which the child is to write his own story of the +great musician, based upon the facts and questions found on the previous +pages. + +The book is then to be sewed by the child through the center with the +cord found in the enclosed envelope. The book thus becomes the child's +own book. + +This series will be found not only to furnish a pleasing and interesting +task for the children, but will teach them the main facts with regard to +the life of each of the great musicians--an educational feature worth +while. + + * * * * * + +This series of the Child's Own Book of Great Musicians includes at +present a book on each of the following: + + Bach MacDowell + Beethoven Mendelssohn + Brahms Mozart + Chopin Schubert + Grieg Schumann + Handel Tschaikowsky + Haydn Verdi + Liszt Wagner + + Printed in U. S. A. + + + + + [Illustration: No. 1] + + [Illustration: No. 12] + + [Illustration: No. 3] + + [Illustration: No. 9] + + [Illustration: No. 16] + + [Illustration: No. 14] + + [Illustration: No. 4] + + [Illustration: No. 6] + + [Illustration: No. 13] + + [Illustration: No. 11] + + [Illustration: No. 17] + + [Illustration: No. 2] + + [Illustration: No. 15] + + [Illustration: No. 18] + + [Illustration: No. 5] + + [Illustration: No. 10] + + [Illustration: No. 8] + + [Illustration: No. 7] + + + + + RICHARD WAGNER + + + The Story of the Boy + Who Wrote Little Plays + + + This Book was made by + + .......................... + + Philadelphia + Theodore Presser Co. + 1712 Chestnut Str. + + + Copyright, 1918, by Theodore Presser Co. + British Copyright Secured + Printed in U. S. A. + + + + + [Illustration: No. 1 + + Cut the picture of Wagner from the picture sheet. + + Paste in here. + + Write the composer's name below and the dates also.] + + + BORN + + .................................. + + + DIED + + .................................. + + + + + The Story of the Boy Who Wrote Little Plays + + +A very odd house used to stand in the quaint old Saxon City of Leipzig. +This house was called the Red and White Lion. I suppose no one ever +really saw a lion that was red and white, but nevertheless that was the +name of the house. There, was born Richard Wagner, who was one day to +write the wonderful opera scenes of which we will soon read. + + [Illustration: No. 2 + WAGNER'S BIRTHPLACE] + +Richard Wagner's day of birth was May 22, 1813. That was more than a +century ago! More than twelve hundred months! + +Since that time, music has changed very greatly. When Wagner was born, +much of the music that was being written had to follow certain patterns +or models just as architects follow certain patterns in building a +house. Now the composer when he writes music feels a great deal freer as +he knows that he can make his own patterns,--that he is not held in by +any such hard laws as those which held back such composers as Mozart, +Bach, Haydn and Handel. It was Wagner who did much to set music free +from the old barriers. This does not mean that music to-day is better +than music that was written by Haydn and Beethoven. Indeed it often is +not nearly so good, but it is freer, less held down by rule. + + [Illustration: No. 3 + TANNHÄUSER] + +When Wagner wrote his first opera that had any success (Rienzi) he +followed the models of composers of the day, but when he came to write +operas that followed, such as Flying Dutchman, Lohengrin and Tannhäuser, +he struck out in new and fresh paths which made him many enemies at +first and many friends later. + +As we read of a great man we must learn to see the world as it was in +his day. + +Today we think of the world as the home of our parents, of ourselves and +of our friends; as the world of Mr. Edison, Mr. Wilson and Mr. +Roosevelt. In the world of Wagner there was not one of these. + +Who were the great musicians when he was a boy? Well, here are some of +them. Can you tell one fact about each of the men whose pictures come +next? + + [Illustration: No. 4] + LISZT + + [Illustration: No. 5] + SCHUMANN + + [Illustration: No. 6] + VERDI + + [Illustration: No. 7] + CHOPIN + +Wagner's father died when he was only six months old, and the boy was +brought up by his mother and his step-father, who was very kind to him. +In one way Wagner was unlike most of the other great composers. He did +not show any talent for music until he was almost a man. All that he +thought of was writing plays. When he did study, he was so bright and +worked so hard that he learned in less than a year more than many learn +in a lifetime. Here is a picture of Wagner's mother, who cared for him +so tenderly. + + [Illustration: No. 8] + WAGNER'S MOTHER + +When we read the stories of Charles Dickens we make many friends. And +they are among the very best we ever have. There are Little Nell, Paul +Dombey, Sam Weller, Oliver Twist, and a host of others. + +Writers like Dickens bring all sorts of people before us. _But few +composers can do such a thing._ + +Yet there are some who do this, and one of the greatest is Richard +Wagner. In his operas a host of people live,--people as real and as +interesting as those in the stories of Charles Dickens. + +There is Walter, who sings the Prize Song in Die Meistersinger, and Eva, +whom he loves. And in the same opera there is Beckmesser, the fussy old +schoolmaster kind of a man. And Hans Sachs, the cobbler. + + [Illustration: No. 9] + SCENE FROM DIE MEISTERSINGER + +There is a lovely scene in the third act of this opera. We see a meadow +light and bright in the sunshine. A glistening river flows quietly +through it. Everywhere on the water there are boats. Scattered over the +meadow there are tents. Everybody is out for a holiday time. All is +lively and full of color and bright and cheery. Now there pass before us +the tradesmen singing in chorus. There are cobblers and carpenters led +by the town pipers. And every trade sings its own songs. + +Then comes the scene in which Walter and Beckmesser sing in contest. +Beckmesser begins. He stutters and stammers and struggles through his +song. And finally, like a school-boy who does not know his lesson, he +breaks down. + +Then Walter comes to sing the lovely _Prize Song_; a melody that just +sings itself into the heart of everyone. + + [Illustration: No. 10] + WALTER'S PRIZE SONG + +Do you wonder that with such lovely music Walter wins the contest and +the hand of Eva whom he loves? Jolly old Hans Sachs is so happy over it +all that he sings a rollicking song and everybody joins in with him as +the curtain goes down. + + [Illustration: No. 11] + HANS SACHS + +Nor was Wagner satisfied with making characters who were merely people +just like ourselves. (For Walter and Eva are people of our kind). But +there are in the operas by Richard Wagner, gods and goddesses, giants +and Rhine maidens, and Nibelungs. + +Many of them have strange names. These names are easy to remember +because they are strange: Wotan and Donner are gods. Freia and Erda are +goddesses. Fafner is a giant. Flosshilde is a Rhine daughter. Mime and +Alberich are Nibelungs. + + [Illustration: No. 12] + LOHENGRIN + +Oh, they are wonderful company these gods and goddesses, and others of +the company who tell their story and adventure in the operas of the +Nibelungen Ring. Here is Siegfried forging his Magic Sword Nothung. + + [Illustration: No. 13] + SIEGFRIED + +Now, as we have said, when we learn of so great a man we always wonder +what sort of a boy he was. Well, when this boy was nine years old he +went to a classical school. One of his teachers at least must have been +very fond of him, and he must have been fond of his teacher, for when +Richard Wagner was only thirteen years old he translated from Greek into +German twelve books of the Odyssey for this teacher. + + [Illustration: No. 14] + WAGNER AS A BOY + +"I intend to become a poet," he used to say. He read _Romeo and Juliet_ +in English. Then he wrote a play in which were _Hamlet_ and _King Lear_. +And there were forty-two other characters. All of these died or were +killed in the fourth act and were brought back as ghosts in the fifth! +He played the piano, too, and seems to have been quite as busy a boy as +he was a man. + +Of one composer's music he was very fond. This composer lived nearby and +passed the Wagner house almost every day. Richard always ran to the +window to watch him coming. This musician was the composer of _Der +Freischütz_ and of _Oberon_. Can you guess his name? + +This composer's father was also a musician as well as a military man. + + [Illustration: No. 15] + WEBER + +Children will be glad to know that Wagner was very fond of animals. Here +he is with a picture of one of his dogs. His favorite dogs are buried in +the garden of his home at Bayreuth, where Wagner is also buried. + +Wagner called his home at Bayreuth "Wahnfried," which really means +"Fancy Free." + +It is beautifully located in the heart of the old town. + + [Illustration: No. 16] + WAGNER AND HIS DOG + +Later on the boy read about the contest of _Die Meistersinger_. He was +then sixteen. And he read, too, a poem called _Tannhäuser_. He kept +these stories in mind until he became a man and then he wrote an opera +about each. + +Thus we see that we carry childhood thoughts into manhood. + + [Illustration: No. 17] + +Here is a list of the operas by Richard Wagner, with their names +pronounced:-- + + _The Fairies_ (1833). + _Das Liebesverbot_ (1836) leebes-fehr-bote. + _Rienzi_ (1842) ree-ent'-see. + _The Flying Dutchman_ (1842). + _Tannhäuser_ (1845) tan'-hoy-ser. + _Lohengrin_ (1847) lo'-en-green. + _Das Rheingold_ (1869) rhine-gold. + _Die Walküre_ (1870) dee val-kee-reh. + _Siegfried_ (1869) seeg'-freed. + _Tristan and Isolde_ (1865) e-sol'-deh. + _Die Meistersinger_ (1867). + _Die Götterdämmerung_ (1876) dee getter-day-meh-roongk. + _Parsifal_ (1882) par'-se-fal. + +Wagner also wrote symphonies and a few works for chorus and orchestra, +but he is so much greater as a composer of music dramas that he is known +mostly for his works for the stage. + + + SOME FACTS ABOUT RICHARD WAGNER + +Read these facts about Richard Wagner and try to write his story out of +them, using your own words. When your story is finished, ask your mother +or your teacher to read it. When you have made it, copy it on pages 14, +15 and 16. + +1. Richard Wagner wrote operas. + +2. He was born May 22nd, 1813. + +3. How long did Wagner study music? + +4. His operas, like the novels of Charles Dickens, are full of wonderful +characters. + +5. Besides people of every day kind there are gods and goddesses, and +giants, and other strange beings in his operas. + +6. As a boy Richard Wagner went to a classical school. + +7. He was always fond of music. + +8. He could translate Greek when he was only thirteen years old. + +9. Even as a little boy he said: I intend to become a poet. + +10. He wrote plays and he read the plays of Shakespeare in English. + +11. As a boy he studied the piano and was fond of the music of Von +Weber. + +12. Among the books that Richard Wagner read as a boy were the story of +_Die Meistersinger_ and the story of _Tannhäuser_. + +13. He always kept these stories in mind. + +14. When he became a composer he wrote an opera upon each of these +stories. + +15. Tell something about Wagner and animals. + +16. Richard Wagner died at Venice on Feb. 13, 1883. + + + SOME QUESTIONS + +1. What kind of music did Richard Wagner compose? + +2. When was he born? + +3. Can you name some of the musicians who lived when Richard Wagner was +a boy? + +4. How many characters from the Dickens' novel can you name from memory? + +5. In what opera by Richard Wagner is _The Prize Song_? + +6. Who sings it? + +7. Tell what kind of a man Beckmesser is. + +8. Who was the jolly cobbler singer? + +9. What happened to Beckmesser in the contest with Walter? + +10. What sort of characters occur in the operas? + +11. See if you can describe each of these: Donner, Fafner, Mime, Freia, +Wotan. + +12. What is the name of the house in which Richard Wagner was born? + +13. Tell some of the things he did when he was a boy. + +14. Who composed _Oberon_? + +15. What other opera did this composer write? + +16. What should we remember about childhood thoughts? + + + + + THE STORY OF WAGNER + +Written by .................................. + +On date .................................. + +Write a short story about Wagner and copy it on these pages. + + [Illustration: No. 18] + + + + +Transcriber's Notes: + +On page 9, "Odessy" was replaced with "Odyssey". + +On page 11, "Die" and "Parsifal" were italicized. + +The music depicted in the illustration is not from Walter's Prize Song in Die Meistersinger, but is instead the opening of the overture to that opera. + + + + + +End of the Project Gutenberg EBook of Wagner, by Thomas Tapper + +*** END OF THIS PROJECT GUTENBERG EBOOK WAGNER *** + +***** This file should be named 35128-8.txt or 35128-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/5/1/2/35128/ + +Produced by Juliet Sutherland, Ernest Schaal, and the +Online Distributed Proofreading Team (including the Music +Team) at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Wagner + The Story of the Boy Who Wrote Little Plays + +Author: Thomas Tapper + +Release Date: January 31, 2011 [EBook #35128] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK WAGNER *** + + + + +Produced by Juliet Sutherland, Ernest Schaal, and the +Online Distributed Proofreading Team (including the Music +Team) at http://www.pgdp.net + + + + + + +</pre> + + +<div class="figcenter"> +<img src="images/cover.png" +alt="CHILD'S OWN BOOK +of Great Musicians +WAGNER + +By +THOMAS TAPPER + +THEODORE PRESSER CO. +1712 CHESTNUT STREET +PHILADELPHIA" +title="CHILD'S OWN BOOK +of Great Musicians +WAGNER + +By +THOMAS TAPPER + +THEODORE PRESSER CO. +1712 CHESTNUT STREET +PHILADELPHIA"/> +</div> + +<hr class="hr2"/> + +<div class="figcenter"> +<img src="images/002.jpg" alt="binding diagram" title="binding diagram" /> +</div> + +<p class="h2">Directions for Binding</p> + +<p>Enclosed in this envelope is the cord and the +needle with which to bind this book. Start in from +the outside as shown on the diagram here. Pass the +needle and thread through the center of the book, +leaving an end extend outside, then through to the +outside, about 2 inches from the center; then from +the outside to inside 2 inches from the center at the +other end of the book, bringing the thread finally +again through the center, and tie the two ends in a +knot, one each side of the cord on the outside.</p> + +<p class="h3">THEO. PRESSER CO., Pub's., Phila., Pa.</p> + +<hr class="hr2"/> + +<p class="h2">HOW TO USE THIS BOOK</p> + +<p class="noindent">This book is one of a series known as the CHILD'S OWN +BOOK OF GREAT MUSICIANS, written by Thomas +Tapper, author of "Pictures from the Lives of the Great Composers +for Children," "Music Talks with Children," "First +Studies in Music Biography," and others.</p> + +<p>The sheet of illustrations included herewith is to be cut +apart by the child, and each illustration is to be inserted in its +proper place throughout the book, pasted in the space containing +the same number as will be found under each picture on the +sheet. It is not necessary to cover the entire back of a picture +with paste. Put it only on the corners and place neatly within +the lines you will find printed around each space. Use photographic +paste, if possible.</p> + +<p>After this play-work is completed there will be found at +the back of the book blank pages upon which the child is to +write his own story of the great musician, based upon the facts +and questions found on the previous pages.</p> + +<p>The book is then to be sewed by the child through the +center with the cord found in the enclosed envelope. The book +thus becomes the child's own book.</p> + +<p>This series will be found not only to furnish a pleasing and +interesting task for the children, but will teach them the main +facts with regard to the life of each of the great musicians—an +educational feature worth while.</p> + +<hr /> + +<p>This series of the Child's Own Book of Great Musicians +includes at present a book on each of the following:</p> + +<table style="width:90%;" border="0" summary="timelines"> +<tr> + <td>Bach</td> + <td>MacDowell</td> +</tr> +<tr> + <td>Beethoven</td> + <td>Mendelssohn</td> +</tr> +<tr> + <td>Brahms</td> + <td>Mozart</td> +</tr> +<tr> + <td>Chopin</td> + <td>Schubert</td> +</tr> +<tr> + <td>Grieg</td> + <td>Schumann</td> +</tr> +<tr> + <td>Handel</td> + <td>Tschaikowsky</td> +</tr> +<tr> + <td>Haydn</td> + <td>Verdi</td> +</tr> +<tr> + <td>Liszt</td> + <td>Wagner</td> +</tr> +</table> + +<p class="smfontcenter">Printed in U. S. A.</p> + +<hr class="hr2"/> + +<div class="figcenter"> +<img src="images/page1.png" alt="Page one of illustrations" title="Page one of illustrations" /> +</div> + +<hr class="hr2"/> + +<div class="figcenter"> +<img src="images/page2.png" alt="Page two of illustrations" title="Page two of illustrations" /> +</div> + +<hr class="hr2"/> + +<div class="bbox"> +<p class="h2">RICHARD WAGNER</p> + +<p class="center">The Story of the Boy<br /> +Who Wrote Little Plays</p> + +<hr /> + +<p class="center">This Book was made by</p> + +<p> </p> + +<hr class="hrbd" /> + +<p> </p> + +<hr /> + +<p class="cursivecenter">Philadelphia<br /> +Theodore Presser Co.<br /> +1712 Chestnut Str.</p> +</div> + +<p class="smfontcenter"><span class="smcap">Copyright, 1918, by Theodore Presser Co.</span><br /> +British Copyright Secured<br /> +Printed in U. S. A.</p> + +<hr class="hr2"/> + +<div class="figcenter"> +<img src="images/illus01.png" alt="No. 1 +Cut the picture of Wagner from +the picture sheet. +Paste in here. +Write the composer's name below +and the dates also." title="No. 1 +Cut the picture of Wagner from +the picture sheet. +Paste in here. +Write the composer's name below +and the dates also." /></div> + +<p class="center">BORN</p> + +<p> </p> + +<hr class="hrbd" /> + +<p class="center">DIED</p> + +<p> </p> + +<hr class="hrbd" /> + +<hr class="hr2"/> + +<p class="h2">The Story of the Boy Who Wrote Little<br /> +Plays</p> + +<p>A very odd house used to stand in the quaint old +Saxon City of Leipzig. This house was called the Red +and White Lion. I suppose no one ever really saw a +lion that was red and white, but nevertheless that was +the name of the house. There, was born Richard +Wagner, who was one day to write the wonderful +opera scenes of which we will soon read.</p> + +<div class="figcenter"> +<img src="images/illus02.png" alt="No. 2" title="No. 2" /><br /> +<span class="caption">WAGNER'S BIRTHPLACE</span> +</div> + +<p>Richard Wagner's day of birth was May 22, 1813. +That was more than a century ago! More than twelve +hundred months!</p> + +<p><span class="pagenum">[Pg 4]</span> +Since that time, music has changed very greatly. +When Wagner was born, much of the music that was +being written had to follow certain patterns or models +just as architects follow certain patterns in building a +house. Now the composer when he writes music feels +a great deal freer as he knows that he can make his +own patterns,—that he is not held in by any such hard +laws as those which held back such composers as +Mozart, Bach, Haydn and Handel. It was Wagner +who did much to set music free from the old barriers. +This does not mean that +music to-day is better than +music that was written by +Haydn and Beethoven. Indeed +it often is not nearly so +good, but it is freer, less held +down by rule.</p> + +<div class="figcenter"> +<img src="images/illus03.png" alt="No. 3" title="No. 3" /><br /> +<span class="caption">TANNHÄUSER</span> +</div> + +<p>When Wagner wrote his +first opera that had any success +(Rienzi) he followed the +models of composers of the +day, but when he came to +write operas that followed, +such as Flying Dutchman, +Lohengrin and Tannhäuser, +he struck out in new and fresh paths which made him +many enemies at first and many friends later.</p> + +<p>As we read of a great man we must learn to see the +world as it was in his day.</p> + +<p>Today we think of the world as the home of our +parents, of ourselves and of our friends; as the world +of Mr. Edison, Mr. Wilson and Mr. Roosevelt. In the +world of Wagner there was not one of these.</p> + +<p><span class="pagenum">[Pg 5]</span> +Who were the great musicians when he was a boy? +Well, here are some of them. Can you tell one fact +about each of the men whose pictures come next?</p> + +<div class="figcenter"> +<img src="images/illus04.png" alt="No. 4" title="No. 4" /><br /> +<span class="caption">LISZT</span> +</div> + +<div class="figcenter"> +<img src="images/illus05.png" alt="No. 5" title="No. 5" /><br /> +<span class="caption">SCHUMANN</span> +</div> + +<div class="figcenter"> +<img src="images/illus06.png" alt="No. 6" title="No. 6" /><br /> +<span class="caption">VERDI</span> +</div> + +<div class="figcenter"> +<img src="images/illus07.png" alt="No. 7" title="No. 7" /><br /> +<span class="caption">CHOPIN</span> +</div> + +<p>Wagner's father died when he was only six +months old, and the boy was brought up by his +mother and his step-father, who was very kind to him. +In one way Wagner was unlike most of the other great +composers. He did not show any talent for music +until he was almost a man. All that he thought of +was writing plays. When he did study, he was so +bright and worked so hard that he learned in less than +a year more than many learn in a lifetime. Here is +a picture of Wagner's mother, who cared for him so +tenderly.</p> + +<div class="figcenter"> +<img src="images/illus08.png" alt="No. 8" title="No. 8" /><br /> +<span class="caption">WAGNER'S MOTHER</span> +</div> + +<p><span class="pagenum">[Pg 6]</span> +When we read the stories of Charles Dickens we +make many friends. And they are among the very +best we ever have. There are Little Nell, Paul Dombey, +Sam Weller, Oliver Twist, and a host of others.</p> + +<p>Writers like Dickens bring all sorts of people before +us. <i>But few composers can do such a thing.</i></p> + +<p>Yet there are some who do this, and one of the +greatest is Richard Wagner. In his operas a host of +people live,—people as real and as interesting as those +in the stories of Charles Dickens.</p> + +<p>There is Walter, who sings the Prize Song in Die +Meistersinger, and Eva, whom he loves. And in the +same opera there is Beckmesser, the fussy old schoolmaster +kind of a man. And Hans Sachs, the cobbler.</p> + +<div class="figcenter"> +<img src="images/illus09.png" alt="No. 9" title="No. 9" /><br /> +<span class="caption">SCENE FROM DIE MEISTERSINGER</span> +</div> + +<p>There is a lovely scene in the third act of this opera. +We see a meadow light and bright in the sunshine. +A glistening river flows quietly through it. Everywhere +on the water there are boats. Scattered over +the meadow there are tents. Everybody is out for a +holiday time. All is lively and full of color and bright +and cheery. Now there pass before us the tradesmen +singing in chorus. There are cobblers and carpenters +<span class="pagenum">[Pg 7]</span> +led by the town pipers. And every trade sings +its own songs.</p> + +<p>Then comes the scene in which Walter and Beckmesser +sing in contest. Beckmesser begins. He stutters +and stammers and struggles through his song. +And finally, like a school-boy who does not know his +lesson, he breaks down.</p> + +<p>Then Walter comes to sing the lovely <i>Prize Song</i>; +a melody that just sings itself into the heart of everyone.</p> + +<div class="figcenter"> +<img src="images/illus10.png" alt="No. 10" title="No. 10" /><br /> +<span class="caption">WALTER'S PRIZE SONG <a href="music/wagner.mid">Listen</a></span> +</div> + +<p>Do you wonder that with such lovely music Walter +wins the contest and the hand of Eva whom he loves? +Jolly old Hans Sachs is so happy over it all that he +sings a rollicking song and everybody joins in with +him as the curtain goes down.</p> + +<div class="figcenter"> +<img src="images/illus11.png" alt="No. 11" title="No. 11" /><br /> +<span class="caption">HANS SACHS</span> +</div> + +<p><span class="pagenum">[Pg 8]</span> +Nor was Wagner satisfied with making characters +who were merely people just like ourselves. (For Walter +and Eva are people of our kind). But there are in +the operas by Richard Wagner, gods and goddesses, +giants and Rhine maidens, and Nibelungs.</p> + +<p>Many of them have strange names. These names +are easy to remember because they are strange: +Wotan and Donner are gods. Freia and Erda are +goddesses. Fafner is a giant. Flosshilde is a Rhine +daughter. Mime and Alberich are Nibelungs.</p> + +<div class="figcenter"> +<img src="images/illus12.png" alt="No. 12" title="No. 12" /><br /> +<span class="caption">LOHENGRIN</span> +</div> + +<p>Oh, they are wonderful company these gods and +goddesses, and others of the company who tell their +story and adventure in the operas of the Nibelungen +<span class="pagenum">[Pg 9]</span> +Ring. Here is Siegfried forging his Magic Sword +Nothung.</p> + +<div class="figcenter"> +<img src="images/illus13.png" alt="No. 13" title="No. 13" /><br /> +<span class="caption">SIEGFRIED</span> +</div> + +<p>Now, as we have said, when +we learn of so great a man we +always wonder what sort of a +boy he was. Well, when this boy +was nine years old he went to a +classical school. One of his teachers +at least must have been very +fond of him, and he must have +been fond of his teacher, for +when Richard Wagner was only +thirteen years old he translated from Greek into German +twelve books of the Odyssey for this teacher.</p> + +<div class="figcenter"> +<img src="images/illus14.png" alt="No. 14" title="No. 14" /><br /> +<span class="caption">WAGNER AS A BOY</span> +</div> + +<p><span class="pagenum">[Pg 10]</span> +"I intend to become a poet," he used to say. He +read <i>Romeo and Juliet</i> in English. Then he wrote +a play in which were <i>Hamlet</i> and <i>King Lear</i>. And +there were forty-two other characters. All of these +died or were killed in the fourth act and were brought +back as ghosts in the fifth! He played the piano, too, +and seems to have been quite as busy a boy as he was +a man.</p> + +<p>Of one composer's music he +was very fond. This composer +lived nearby and passed the +Wagner house almost every day. +Richard always ran to the window +to watch him coming. This +musician was the composer of +<i>Der Freischütz</i> and of <i>Oberon</i>. Can +you guess his name?</p> + +<p>This composer's father was +also a musician as well as a military +man.</p> + +<div class="figcenter"> +<img src="images/illus15.png" alt="No. 15" title="No. 15" /><br /> +<span class="caption">WEBER</span> +</div> + +<p>Children will be glad to know +that Wagner was very fond of +animals. Here he is with a picture +of one of his dogs. His +favorite dogs are buried in the +garden of his home at Bayreuth, +where Wagner is also buried.</p> + +<p>Wagner called his home at +Bayreuth "Wahnfried," which +really means "Fancy Free."</p> + +<p>It is beautifully located in the +heart of the old town.</p> + +<div class="figcenter"> +<img src="images/illus16.png" alt="No. 16" title="No. 16 +WAGNER AND HIS DOG" /><br /> +<span class="caption">No. 16 +WAGNER AND HIS DOG</span> +</div> + +<p><span class="pagenum">[Pg 11]</span> +Later on the boy read about the contest of <i>Die +Meistersinger</i>. He was then sixteen. And he read, +too, a poem called <i>Tannhäuser</i>. He kept these stories +in mind until he became a man and then he wrote an +opera about each.</p> + +<p>Thus we see that we carry childhood thoughts into +manhood.</p> + +<div class="figcenter"> +<img src="images/illus17.png" alt="No. 17" title="No. 17" /><br /> +<span class="caption">No. 17</span> +</div> + +<p>Here is a list of the operas by Richard Wagner, +with their names pronounced:—</p> + +<p class="noindent"> +<i>The Fairies</i> (1833).<br /> +<i>Das Liebesverbot</i> (1836) leebes-fehr-bote.<br /> +<i>Rienzi</i> (1842) ree-ent'-see.<br /> +<i>The Flying Dutchman</i> (1842).<br /> +<i>Tannhäuser</i> (1845) tan'-hoy-ser.<br /> +<i>Lohengrin</i> (1847) lo'-en-green.<br /> +<i>Das Rheingold</i> (1869) rhine-gold.<br /> +<i>Die Walküre</i> (1870) dee val-kee-reh.<br /> +<i>Siegfried</i> (1869) seeg'-freed.<br /> +<i>Tristan and Isolde</i> (1865) e-sol'-deh.<br /> +<i>Die Meistersinger</i> (1867).<br /> +<i>Die Götterdämmerung</i> (1876) dee getter-day-meh-roongk.<br /> +<i>Parsifal</i> (1882) par'-se-fal.<br /> +</p> + +<p>Wagner also wrote symphonies and a few works +for chorus and orchestra, but he is so much greater +as a composer of music dramas that he is known +mostly for his works for the stage. +<span class="pagenum">[Pg 12]</span></p> + +<hr class="hr2"/> + +<p class="h3">SOME FACTS ABOUT RICHARD WAGNER</p> + +<p>Read these facts about Richard Wagner and try +to write his story out of them, using your own words. +When your story is finished, ask your mother or your +teacher to read it. When you have made it, copy it on +pages 14, 15 and 16.</p> + +<p>1. Richard Wagner wrote operas.</p> + +<p>2. He was born May 22nd, 1813.</p> + +<p>3. How long did Wagner study music?</p> + +<p>4. His operas, like the novels of Charles Dickens, +are full of wonderful characters.</p> + +<p>5. Besides people of every day kind there are +gods and goddesses, and giants, and other strange +beings in his operas.</p> + +<p>6. As a boy Richard Wagner went to a classical +school.</p> + +<p>7. He was always fond of music.</p> + +<p>8. He could translate Greek when he was only +thirteen years old.</p> + +<p>9. Even as a little boy he said: I intend to become +a poet.</p> + +<p>10. He wrote plays and he read the plays of +Shakespeare in English.</p> + +<p>11. As a boy he studied the piano and was fond +of the music of Von Weber.</p> + +<p>12. Among the books that Richard Wagner read +as a boy were the story of <i>Die Meistersinger</i> and the +story of <i>Tannhäuser</i>.</p> + +<p>13. He always kept these stories in mind.</p> + +<p>14. When he became a composer he wrote an +opera upon each of these stories.</p> + +<p>15. Tell something about Wagner and animals.</p> + +<p><span class="pagenum">[Pg 13]</span> +16. Richard Wagner died at Venice on Feb. 13, +1883.</p> + +<hr /> + +<p class="h3">SOME QUESTIONS</p> + +<p>1. What kind of music did Richard Wagner compose?</p> + +<p>2. When was he born?</p> + +<p>3. Can you name some of the musicians who lived +when Richard Wagner was a boy?</p> + +<p>4. How many characters from the Dickens' novel +can you name from memory?</p> + +<p>5. In what opera by Richard Wagner is <i>The Prize +Song</i>?</p> + +<p>6. Who sings it?</p> + +<p>7. Tell what kind of a man Beckmesser is.</p> + +<p>8. Who was the jolly cobbler singer?</p> + +<p>9. What happened to Beckmesser in the contest +with Walter?</p> + +<p>10. What sort of characters occur in the operas?</p> + +<p>11. See if you can describe each of these: Donner, +Fafner, Mime, Freia, Wotan.</p> + +<p>12. What is the name of the house in which +Richard Wagner was born?</p> + +<p>13. Tell some of the things he did when he was a +boy.</p> + +<p>14. Who composed <i>Oberon</i>?</p> + +<p>15. What other opera did this composer write?</p> + +<p>16. What should we remember about childhood +thoughts? +<span class="pagenum">[Pg 14]</span></p> + +<hr class="hr2"/> + +<p class="h2">THE STORY OF WAGNER</p> + +<p>Written by.............................</p> + +<p>On (date).............................</p> + +<p>Write a short story about Wagner and copy it on +these pages.</p> + +<div class="figcenter"> +<img src="images/illus18.png" alt="No. 18" title="No. 18" /> +</div> + +<hr class="hr2"/> + +<div class="tnote"> +<p class="h3">Transcriber's Notes:</p> + +<hr /> + +<p>On page 9, "Odessy" was replaced with "Odyssey".</p> + +<p>On page 11, "Die" and "Parsifal" were italicized.</p> + +<p>The music depicted in the illustration is not from Walter's Prize Song in Die Meistersinger, but is instead the opening of the overture to that opera.</p> +</div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Wagner, by Thomas Tapper + +*** END OF THIS PROJECT GUTENBERG EBOOK WAGNER *** + +***** This file should be named 35128-h.htm or 35128-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/5/1/2/35128/ + +Produced by Juliet Sutherland, Ernest Schaal, and the +Online Distributed Proofreading Team (including the Music +Team) at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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@@ +The Project Gutenberg EBook of Wagner, by Thomas Tapper + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Wagner + The Story of the Boy Who Wrote Little Plays + +Author: Thomas Tapper + +Release Date: January 31, 2011 [EBook #35128] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK WAGNER *** + + + + +Produced by Juliet Sutherland, Ernest Schaal, and the +Online Distributed Proofreading Team (including the Music +Team) at http://www.pgdp.net + + + + + + + + + + CHILD'S OWN BOOK + _of Great Musicians_ + WAGNER + + + [Illustration] + + + By + THOMAS TAPPER + + + THEODORE PRESSER CO. + 1712 CHESTNUT STREET + PHILADELPHIA + + + + + [Illustration] + + Directions for Binding + + +Enclosed in this envelope is the cord and the needle with which to bind +this book. Start in from the outside as shown on the diagram here. Pass +the needle and thread through the center of the book, leaving an end +extend outside, then through to the outside, about 2 inches from the +center; then from the outside to inside 2 inches from the center at the +other end of the book, bringing the thread finally again through the +center, and tie the two ends in a knot, one each side of the cord on the +outside. + + THEO. PRESSER CO., Pub's., Phila., Pa. + + + + + HOW TO USE THIS BOOK + + +This book is one of a series known as the CHILD'S OWN BOOK OF GREAT +MUSICIANS, written by Thomas Tapper, author of "Pictures from the Lives +of the Great Composers for Children," "Music Talks with Children," +"First Studies in Music Biography," and others. + +The sheet of illustrations included herewith is to be cut apart by the +child, and each illustration is to be inserted in its proper place +throughout the book, pasted in the space containing the same number as +will be found under each picture on the sheet. It is not necessary to +cover the entire back of a picture with paste. Put it only on the +corners and place neatly within the lines you will find printed around +each space. Use photographic paste, if possible. + +After this play-work is completed there will be found at the back of the +book blank pages upon which the child is to write his own story of the +great musician, based upon the facts and questions found on the previous +pages. + +The book is then to be sewed by the child through the center with the +cord found in the enclosed envelope. The book thus becomes the child's +own book. + +This series will be found not only to furnish a pleasing and interesting +task for the children, but will teach them the main facts with regard to +the life of each of the great musicians--an educational feature worth +while. + + * * * * * + +This series of the Child's Own Book of Great Musicians includes at +present a book on each of the following: + + Bach MacDowell + Beethoven Mendelssohn + Brahms Mozart + Chopin Schubert + Grieg Schumann + Handel Tschaikowsky + Haydn Verdi + Liszt Wagner + + Printed in U. S. A. + + + + + [Illustration: No. 1] + + [Illustration: No. 12] + + [Illustration: No. 3] + + [Illustration: No. 9] + + [Illustration: No. 16] + + [Illustration: No. 14] + + [Illustration: No. 4] + + [Illustration: No. 6] + + [Illustration: No. 13] + + [Illustration: No. 11] + + [Illustration: No. 17] + + [Illustration: No. 2] + + [Illustration: No. 15] + + [Illustration: No. 18] + + [Illustration: No. 5] + + [Illustration: No. 10] + + [Illustration: No. 8] + + [Illustration: No. 7] + + + + + RICHARD WAGNER + + + The Story of the Boy + Who Wrote Little Plays + + + This Book was made by + + .......................... + + Philadelphia + Theodore Presser Co. + 1712 Chestnut Str. + + + Copyright, 1918, by Theodore Presser Co. + British Copyright Secured + Printed in U. S. A. + + + + + [Illustration: No. 1 + + Cut the picture of Wagner from the picture sheet. + + Paste in here. + + Write the composer's name below and the dates also.] + + + BORN + + .................................. + + + DIED + + .................................. + + + + + The Story of the Boy Who Wrote Little Plays + + +A very odd house used to stand in the quaint old Saxon City of Leipzig. +This house was called the Red and White Lion. I suppose no one ever +really saw a lion that was red and white, but nevertheless that was the +name of the house. There, was born Richard Wagner, who was one day to +write the wonderful opera scenes of which we will soon read. + + [Illustration: No. 2 + WAGNER'S BIRTHPLACE] + +Richard Wagner's day of birth was May 22, 1813. That was more than a +century ago! More than twelve hundred months! + +Since that time, music has changed very greatly. When Wagner was born, +much of the music that was being written had to follow certain patterns +or models just as architects follow certain patterns in building a +house. Now the composer when he writes music feels a great deal freer as +he knows that he can make his own patterns,--that he is not held in by +any such hard laws as those which held back such composers as Mozart, +Bach, Haydn and Handel. It was Wagner who did much to set music free +from the old barriers. This does not mean that music to-day is better +than music that was written by Haydn and Beethoven. Indeed it often is +not nearly so good, but it is freer, less held down by rule. + + [Illustration: No. 3 + TANNHAEUSER] + +When Wagner wrote his first opera that had any success (Rienzi) he +followed the models of composers of the day, but when he came to write +operas that followed, such as Flying Dutchman, Lohengrin and Tannhaeuser, +he struck out in new and fresh paths which made him many enemies at +first and many friends later. + +As we read of a great man we must learn to see the world as it was in +his day. + +Today we think of the world as the home of our parents, of ourselves and +of our friends; as the world of Mr. Edison, Mr. Wilson and Mr. +Roosevelt. In the world of Wagner there was not one of these. + +Who were the great musicians when he was a boy? Well, here are some of +them. Can you tell one fact about each of the men whose pictures come +next? + + [Illustration: No. 4] + LISZT + + [Illustration: No. 5] + SCHUMANN + + [Illustration: No. 6] + VERDI + + [Illustration: No. 7] + CHOPIN + +Wagner's father died when he was only six months old, and the boy was +brought up by his mother and his step-father, who was very kind to him. +In one way Wagner was unlike most of the other great composers. He did +not show any talent for music until he was almost a man. All that he +thought of was writing plays. When he did study, he was so bright and +worked so hard that he learned in less than a year more than many learn +in a lifetime. Here is a picture of Wagner's mother, who cared for him +so tenderly. + + [Illustration: No. 8] + WAGNER'S MOTHER + +When we read the stories of Charles Dickens we make many friends. And +they are among the very best we ever have. There are Little Nell, Paul +Dombey, Sam Weller, Oliver Twist, and a host of others. + +Writers like Dickens bring all sorts of people before us. _But few +composers can do such a thing._ + +Yet there are some who do this, and one of the greatest is Richard +Wagner. In his operas a host of people live,--people as real and as +interesting as those in the stories of Charles Dickens. + +There is Walter, who sings the Prize Song in Die Meistersinger, and Eva, +whom he loves. And in the same opera there is Beckmesser, the fussy old +schoolmaster kind of a man. And Hans Sachs, the cobbler. + + [Illustration: No. 9] + SCENE FROM DIE MEISTERSINGER + +There is a lovely scene in the third act of this opera. We see a meadow +light and bright in the sunshine. A glistening river flows quietly +through it. Everywhere on the water there are boats. Scattered over the +meadow there are tents. Everybody is out for a holiday time. All is +lively and full of color and bright and cheery. Now there pass before us +the tradesmen singing in chorus. There are cobblers and carpenters led +by the town pipers. And every trade sings its own songs. + +Then comes the scene in which Walter and Beckmesser sing in contest. +Beckmesser begins. He stutters and stammers and struggles through his +song. And finally, like a school-boy who does not know his lesson, he +breaks down. + +Then Walter comes to sing the lovely _Prize Song_; a melody that just +sings itself into the heart of everyone. + + [Illustration: No. 10] + WALTER'S PRIZE SONG + +Do you wonder that with such lovely music Walter wins the contest and +the hand of Eva whom he loves? Jolly old Hans Sachs is so happy over it +all that he sings a rollicking song and everybody joins in with him as +the curtain goes down. + + [Illustration: No. 11] + HANS SACHS + +Nor was Wagner satisfied with making characters who were merely people +just like ourselves. (For Walter and Eva are people of our kind). But +there are in the operas by Richard Wagner, gods and goddesses, giants +and Rhine maidens, and Nibelungs. + +Many of them have strange names. These names are easy to remember +because they are strange: Wotan and Donner are gods. Freia and Erda are +goddesses. Fafner is a giant. Flosshilde is a Rhine daughter. Mime and +Alberich are Nibelungs. + + [Illustration: No. 12] + LOHENGRIN + +Oh, they are wonderful company these gods and goddesses, and others of +the company who tell their story and adventure in the operas of the +Nibelungen Ring. Here is Siegfried forging his Magic Sword Nothung. + + [Illustration: No. 13] + SIEGFRIED + +Now, as we have said, when we learn of so great a man we always wonder +what sort of a boy he was. Well, when this boy was nine years old he +went to a classical school. One of his teachers at least must have been +very fond of him, and he must have been fond of his teacher, for when +Richard Wagner was only thirteen years old he translated from Greek into +German twelve books of the Odyssey for this teacher. + + [Illustration: No. 14] + WAGNER AS A BOY + +"I intend to become a poet," he used to say. He read _Romeo and Juliet_ +in English. Then he wrote a play in which were _Hamlet_ and _King Lear_. +And there were forty-two other characters. All of these died or were +killed in the fourth act and were brought back as ghosts in the fifth! +He played the piano, too, and seems to have been quite as busy a boy as +he was a man. + +Of one composer's music he was very fond. This composer lived nearby and +passed the Wagner house almost every day. Richard always ran to the +window to watch him coming. This musician was the composer of _Der +Freischuetz_ and of _Oberon_. Can you guess his name? + +This composer's father was also a musician as well as a military man. + + [Illustration: No. 15] + WEBER + +Children will be glad to know that Wagner was very fond of animals. Here +he is with a picture of one of his dogs. His favorite dogs are buried in +the garden of his home at Bayreuth, where Wagner is also buried. + +Wagner called his home at Bayreuth "Wahnfried," which really means +"Fancy Free." + +It is beautifully located in the heart of the old town. + + [Illustration: No. 16] + WAGNER AND HIS DOG + +Later on the boy read about the contest of _Die Meistersinger_. He was +then sixteen. And he read, too, a poem called _Tannhaeuser_. He kept +these stories in mind until he became a man and then he wrote an opera +about each. + +Thus we see that we carry childhood thoughts into manhood. + + [Illustration: No. 17] + +Here is a list of the operas by Richard Wagner, with their names +pronounced:-- + + _The Fairies_ (1833). + _Das Liebesverbot_ (1836) leebes-fehr-bote. + _Rienzi_ (1842) ree-ent'-see. + _The Flying Dutchman_ (1842). + _Tannhaeuser_ (1845) tan'-hoy-ser. + _Lohengrin_ (1847) lo'-en-green. + _Das Rheingold_ (1869) rhine-gold. + _Die Walkuere_ (1870) dee val-kee-reh. + _Siegfried_ (1869) seeg'-freed. + _Tristan and Isolde_ (1865) e-sol'-deh. + _Die Meistersinger_ (1867). + _Die Goetterdaemmerung_ (1876) dee getter-day-meh-roongk. + _Parsifal_ (1882) par'-se-fal. + +Wagner also wrote symphonies and a few works for chorus and orchestra, +but he is so much greater as a composer of music dramas that he is known +mostly for his works for the stage. + + + SOME FACTS ABOUT RICHARD WAGNER + +Read these facts about Richard Wagner and try to write his story out of +them, using your own words. When your story is finished, ask your mother +or your teacher to read it. When you have made it, copy it on pages 14, +15 and 16. + +1. Richard Wagner wrote operas. + +2. He was born May 22nd, 1813. + +3. How long did Wagner study music? + +4. His operas, like the novels of Charles Dickens, are full of wonderful +characters. + +5. Besides people of every day kind there are gods and goddesses, and +giants, and other strange beings in his operas. + +6. As a boy Richard Wagner went to a classical school. + +7. He was always fond of music. + +8. He could translate Greek when he was only thirteen years old. + +9. Even as a little boy he said: I intend to become a poet. + +10. He wrote plays and he read the plays of Shakespeare in English. + +11. As a boy he studied the piano and was fond of the music of Von +Weber. + +12. Among the books that Richard Wagner read as a boy were the story of +_Die Meistersinger_ and the story of _Tannhaeuser_. + +13. He always kept these stories in mind. + +14. When he became a composer he wrote an opera upon each of these +stories. + +15. Tell something about Wagner and animals. + +16. Richard Wagner died at Venice on Feb. 13, 1883. + + + SOME QUESTIONS + +1. What kind of music did Richard Wagner compose? + +2. When was he born? + +3. Can you name some of the musicians who lived when Richard Wagner was +a boy? + +4. How many characters from the Dickens' novel can you name from memory? + +5. In what opera by Richard Wagner is _The Prize Song_? + +6. Who sings it? + +7. Tell what kind of a man Beckmesser is. + +8. Who was the jolly cobbler singer? + +9. What happened to Beckmesser in the contest with Walter? + +10. What sort of characters occur in the operas? + +11. See if you can describe each of these: Donner, Fafner, Mime, Freia, +Wotan. + +12. What is the name of the house in which Richard Wagner was born? + +13. Tell some of the things he did when he was a boy. + +14. Who composed _Oberon_? + +15. What other opera did this composer write? + +16. What should we remember about childhood thoughts? + + + + + THE STORY OF WAGNER + +Written by .................................. + +On date .................................. + +Write a short story about Wagner and copy it on these pages. + + [Illustration: No. 18] + + + + +Transcriber's Notes: + +On page 9, "Odessy" was replaced with "Odyssey". + +On page 11, "Die" and "Parsifal" were italicized. + +The music depicted in the illustration is not from Walter's Prize Song in Die Meistersinger, but is instead the opening of the overture to that opera. + + + + + +End of the Project Gutenberg EBook of Wagner, by Thomas Tapper + +*** END OF THIS PROJECT GUTENBERG EBOOK WAGNER *** + +***** This file should be named 35128.txt or 35128.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/5/1/2/35128/ + +Produced by Juliet Sutherland, Ernest Schaal, and the +Online Distributed Proofreading Team (including the Music +Team) at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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