summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 20:00:31 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 20:00:31 -0700
commitdf1b41e06bf64902bf1a921c4d26b4028ff6bb1d (patch)
tree6d461d41bb945ec9072cd307c0ddf1612054808e
initial commit of ebook 33940HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--33940-8.txt2566
-rw-r--r--33940-8.zipbin0 -> 32340 bytes
-rw-r--r--33940-h.zipbin0 -> 48238 bytes
-rw-r--r--33940-h/33940-h.htm2975
-rw-r--r--33940-h/images/dectriangle.pngbin0 -> 9271 bytes
-rw-r--r--33940-h/images/fleurdelis.pngbin0 -> 330 bytes
-rw-r--r--33940.txt2566
-rw-r--r--33940.zipbin0 -> 32318 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
11 files changed, 8123 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/33940-8.txt b/33940-8.txt
new file mode 100644
index 0000000..4d73d50
--- /dev/null
+++ b/33940-8.txt
@@ -0,0 +1,2566 @@
+The Project Gutenberg EBook of A Voice on the Wind, by Madison Julius Cawein
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Voice on the Wind
+ and Other Poems
+
+Author: Madison Julius Cawein
+
+Release Date: October 6, 2010 [EBook #33940]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A VOICE ON THE WIND ***
+
+
+
+
+Produced by David Garcia, Dianne Nolan and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+
+
+
+
+
+
+
+
+ A Voice on the Wind
+
+ AND OTHER POEMS
+
+ by
+ Madison Cawein
+
+ [Illustration]
+
+ Louisville
+ John P. Morton & Company, Publishers
+ 1902
+
+
+
+
+ COPYRIGHTED 1902, BY MADISON CAWEIN
+
+
+
+
+ For permission to reprint several of the poems included in this
+ volume thanks are due to the _Atlantic Monthly_, _Harper's
+ Magazine_, _The Century Magazine_, _Smart Set_, _Saturday
+ Evening Post_, and _Lippincott's Magazine_.
+
+
+
+
+ INSCRIBED
+
+ TO
+
+ EDMUND GOSSE
+
+ AS A SLIGHT TOKEN OF APPRECIATION AND ESTEEM
+
+
+
+
+
+ PROEM.
+
+
+ OH, FOR A SOUL THAT FULFILLS
+ MUSIC LIKE THAT OF A BIRD!
+ THRILLING WITH RAPTURE THE HILLS,
+ HEEDLESS IF ANY ONE HEARD.
+
+ OR, LIKE THE FLOWER THAT BLOOMS
+ LONE IN THE MIDST OF THE TREES,
+ FILLING THE WOODS WITH PERFUMES,
+ CARELESS IF ANY ONE SEES.
+
+ OR, LIKE THE WANDERING WIND,
+ OVER THE MEADOWS THAT SWINGS,
+ BRINGING WILD SWEETS TO MANKIND,
+ KNOWING NOT THAT WHICH IT BRINGS.
+
+ OH, FOR A WAY TO IMPART
+ BEAUTY, NO MATTER HOW HARD!
+ LIKE UNTO NATURE, WHOSE ART
+ NEVER ONCE DREAMS OF REWARD.
+
+
+
+
+
+A Voice on the Wind
+
+
+
+
+ A VOICE ON THE WIND
+
+
+ She walks with the wind on the windy height
+ When the rocks are loud and the waves are white,
+ And all night long she calls through the night,
+ "O, my children, come home!"
+ Her bleak gown, torn as a tattered cloud,
+ Tosses around her like a shroud,
+ While over the deep her voice rings loud,--
+ "O, my children, come home, come home!
+ O, my children, come home!"
+
+ Who is she who wanders alone,
+ When the wind drives sheer and the rain is blown?
+ Who walks all night and makes her moan,
+ "O, my children, come home!"
+ Whose face is raised to the blinding gale;
+ Whose hair blows black and whose eyes are pale,
+ While over the world is heard her wail,--
+ "O, my children, come home, come home!
+ O, my children, come home!"
+
+ She walks with the wind in the windy wood;
+ The sad rain drips from her hair and hood,
+ And her cry sobs by, like a ghost pursued,
+ "O, my children, come home!"
+
+ Where the trees are gaunt and the rocks are drear,
+ The owl and the fox crouch down in fear,
+ While wild through the wood her voice they hear,--
+ "O, my children, come home, come home!
+ O, my children, come home!"
+
+ Who is she who shudders by
+ When the boughs blow bare and the dead leaves fly?
+ Who walks all night with her wailing cry,
+ "O, my children, come home!"
+ Who, strange of look, and wild of tongue,
+ With pale feet wounded and hands wan-wrung,
+ Sweeps on and on with her cry, far-flung,--
+ "O, my children, come home, come home!
+ O, my children, come home!"
+
+ 'Tis the Spirit of Autumn, no man sees,
+ The mother of Death and Mysteries,
+ Who cries on the wind all night to these,
+ "O, my children, come home!"
+ The Spirit of Autumn, pierced with pain,
+ Calling her children home again,
+ Death and Dreams, through ruin and rain,
+ "O, my children, come home, come home!
+ O, my children, come home!"
+
+
+
+
+ THE LAND OF HEARTS MADE WHOLE
+
+
+ Do you know the way that goes
+ Over fields of rue and rose,--
+ Warm of scent and hot of hue,
+ Roofed with heaven's bluest blue,--
+ To the Vale of Dreams Come True?
+
+ Do you know the path that twines,
+ Banked with elder-bosks and vines,
+ Under boughs that shade a stream,
+ Hurrying, crystal as a gleam,
+ To the Hills of Love a-Dream?
+
+ Tell me, tell me, have you gone
+ Through the fields and woods of dawn,
+ Meadowlands and trees that roll,
+ Great of grass and huge of bole,
+ To the Land of Hearts Made Whole?
+
+ On the way, among the fields,
+ Poppies lift vermilion shields,
+ In whose hearts the golden Noon,
+ Murmuring her drowsy tune,
+ Rocks the sleepy bees that croon.
+
+ On the way, amid the woods,
+ Mandrakes muster multitudes,
+ 'Mid whose blossoms, white as tusk,
+ Glides the glimmering Forest-Dusk,
+ With her fluttering moths of musk.
+
+ Here you hear the stealthy stir
+ Of shy lives of hoof and fur;
+ Harmless things that hide and peer,
+ Hearts that sucked the milk of fear--
+ Fox and rabbit, squirrel and deer.
+
+ Here you see the mossy flight
+ Of faint forms that love the night--
+ Whippoorwill- and owlet-things,
+ Whose far call before you brings
+ Wonder-worlds of happenings.
+
+ Now in sunlight, now in shade,
+ Water, like a brandished blade,
+ Foaming forward, wild of flight,
+ Startles then arrests the sight,
+ Whirling steely loops of light.
+
+ Thro' the tree-tops, down the vale,
+ Breezes pass and leave a trail
+ Of cool music that the birds,
+ Following in happy herds,
+ Gather up in twittering words.
+
+ Blossoms, frail and manifold,
+ Strew the way with pearl and gold;
+ Blurs, that seem the darling print
+ Of the Springtime's feet, or glint
+ Of her twinkling gown's torn tint.
+
+ There the myths of old endure:
+ Dreams that are the world-soul's cure;
+ Things that have no place or play
+ In the facts of Everyday
+ 'Round your presence smile and sway.
+
+ Suddenly your eyes may see,
+ Stepping softly from her tree,
+ Slim of form and wet with dew,
+ The brown dryad; lips the hue
+ Of a berry bit into.
+
+ You may mark the naiad rise
+ From her pool's reflected skies;
+ In her gaze the heaven that dreams,
+ Starred, in twilight-haunted streams,
+ Mixed with water's grayer gleams.
+
+ You may see the laurel's girth,
+ Big of bloom, give fragrant birth
+ To the oread whose hair,
+ Musk and darkness, light and air,
+ Fills the hush with wonder there.
+
+ You may mark the rocks divide,
+ And the faun before you glide,
+ Piping on a magic reed,
+ Sowing many a music seed,
+ From which bloom and mushroom bead.
+
+ Of the rain and sunlight born,
+ Young of beard and young of horn,
+ You may see the satyr lie,
+ With a very knowing eye,
+ Teaching youngling birds to fly.
+
+ These shall cheer and follow you
+ Through the Vale of Dreams Come True;
+ Wind-like voices, leaf-like feet;
+ Forms of mist and hazy heat,
+ In whose pulses sunbeams beat.
+
+ Lo! you tread enchanted ground!
+ From the hollows all around
+ Elf and spirit, gnome and fay,
+ Guide your feet along the way
+ Till the dewy close of day.
+
+ Then beside you, jet on jet,
+ Emerald-hued or violet,
+ Flickering swings a firefly light,
+ Aye to guide your steps a-right
+ From the valley to the height.
+
+ Steep the way is; when at last
+ Vale and wood and stream are passed,
+ From the heights you shall behold
+ Panther heavens of spotted gold
+ Tiger-tawny deeps unfold.
+
+ You shall see on stocks and stones
+ Sunset's bell-deep color tones
+ Fallen; and the valleys filled
+ With dusk's purple music, spilled
+ On the silence rapture-thrilled.
+
+ Then, as answering bell greets bell,
+ Night ring in her miracle
+ Of the doméd dark, o'er-rolled,
+ Note on note, with starlight cold,
+ 'Twixt the moon's broad peal of gold.
+
+ On the hill-top Love-a-Dream
+ Shows you then her window-gleam;
+ Brings you home and folds your soul
+ In the peace of vale and knoll,
+ In the Land of Hearts Made Whole.
+
+
+
+
+ THE WIND OF WINTER
+
+
+ The Winter Wind, the wind of death,
+ Who knocked upon my door,
+ Now through the key-hole entereth,
+ Invisible and hoar;
+ He breathes around his icy breath
+ And treads the flickering floor.
+
+ I heard him, wandering in the night,
+ Tap at my window pane,
+ With ghostly fingers, snowy white,
+ I heard him tug in vain,
+ Until the shuddering candle-light
+ With fear did cringe and strain.
+
+ The fire, awakened by his voice,
+ Leapt up with frantic arms,
+ Like some wild babe that greets with noise
+ Its father home who storms,
+ With rosy gestures that rejoice
+ And crimson kiss that warms.
+
+ Now in the hearth he sits and, drowned
+ Among the ashes, blows;
+ Or through the room goes stealing 'round
+ On cautious-stepping toes,
+ Deep mantled in the drowsy sound
+ Of night that sleets and snows.
+
+ And oft, like some thin fairy-thing,
+ The stormy hush amid,
+ I hear his captive trebles ring
+ Beneath the kettle's lid;
+ Or now a harp of elfland string
+ In some dark cranny hid.
+
+ Again I hear him, imp-like, whine
+ Cramped in the gusty flue;
+ Or knotted in the resinous pine
+ Raise goblin cry and hue,
+ While through the smoke his eyeballs shine,
+ A sooty red and blue.
+
+ At last I hear him, nearing dawn,
+ Take up his roaring broom,
+ And sweep wild leaves from wood and lawn,
+ And from the heavens the gloom,
+ To show the gaunt world lying wan,
+ And morn's cold rose a-bloom.
+
+
+
+
+ THE WIND OF SUMMER
+
+
+ From the hills and far away
+ All the long, warm summer day
+ Comes the wind and seems to say:
+
+ "Come, oh, come! and let us go
+ Where the meadows bend and blow,
+ Waving with the white-tops' snow.
+
+ "'Neath the hyssop-colored sky
+ 'Mid the meadows we will lie
+ Watching the white clouds roll by;
+
+ "While your hair my hands shall press
+ With a cooling tenderness
+ Till your grief grows less and less.
+
+ "Come, oh, come! and let us roam
+ Where the rock-cut waters comb
+ Flowing crystal into foam.
+
+ "Under trees whose trunks are brown,
+ On the banks that violets crown,
+ We will watch the fish flash down;
+
+ "While your ear my voice shall soothe
+ With a whisper soft and smooth
+ Till your care shall wax uncouth.
+
+ "Come! where forests, line on line,
+ Armies of the oak and pine,
+ Scale the hills and shout and shine.
+
+ "We will wander, hand in hand,
+ Ways where tall the toadstools stand,
+ Mile-stones white of Fairyland.
+
+ "While your eyes my lips shall kiss,
+ Dewy as a wild rose is,
+ Till they gaze on naught but bliss.
+
+ "On the meadows you will hear,
+ Leaning low your spirit ear,
+ Cautious footsteps drawing near.
+
+ "You will deem it but a bee,
+ Murmuring soft and sleepily,
+ Till your inner sight shall see
+
+ "'Tis a presence passing slow,
+ All its shining hair ablow,
+ Through the white-tops' tossing snow.
+
+ "By the waters, if you will,
+ And your inmost soul be still,
+ Melody your ears shall fill.
+
+ "You will deem it but the stream
+ Rippling onward in a dream,
+ Till upon your gaze shall gleam
+
+ "Arm of spray and throat of foam--
+ 'Tis a spirit there aroam
+ Where the radiant waters comb.
+
+ "In the forest, if you heed,
+ You shall hear a magic reed
+ Sow sweet notes like silver seed.
+
+ "You will deem your ears have heard
+ Stir of tree or song of bird,
+ Till your startled eyes are blurred
+
+ "By a vision, instant seen,
+ Naked gold and beryl green,
+ Glimmering bright the boughs between.
+
+ "Follow me! and you shall see
+ Wonder-worlds of mystery
+ That are only known to me!"
+
+ Thus outside my city door
+ Speaks the Wind its wildwood lore,
+ Speaks and lo! I go once more.
+
+
+
+
+ THE SPIRIT OF THE FOREST SPRING
+
+
+ Over the rocks she trails her locks,
+ Her mossy locks that drip, drip, drip;
+ Her sparkling eyes smile at the skies
+ In friendship-wise and fellowship;
+ While the gleam and glance of her countenance
+ Lull into trance the woodland places,
+ As over the rocks she trails her locks,
+ Her dripping locks that the long fern graces.
+
+ She pours clear ooze from her heart's cool cruse,
+ Its crystal cruse that drips, drips, drips;
+ And all the day its diamond spray
+ Is heard to play from her finger-tips;
+ And the slight soft sound makes haunted ground
+ Of the woods around that the sunlight laces,
+ As she pours clear ooze from her heart's cool cruse,
+ Its dripping cruse that no man traces.
+
+ She swims and swims with glimmering limbs,
+ With lucid limbs that drip, drip, drip;
+ Where beechen boughs build a leafy house
+ For her form to drowse or her feet to trip;
+ And the liquid beat of her rippling feet
+ Makes three-times sweet the forest mazes,
+ As she swims and swims with glimmering limbs,
+ With dripping limbs through the twilight's hazes.
+
+ Then wrapped in deeps of the wild she sleeps,
+ She whispering sleeps and drips, drips, drips;
+ Where moon and mist wreathe neck and wrist,
+ While, starry-whist, through the night she slips;
+ And the heavenly dream of her soul makes gleam
+ The falls that stream and the foam that races,
+ As wrapped in deeps of the wild she sleeps,
+ She dripping sleeps or starward gazes.
+
+
+
+
+ TO THE LEAF-CRICKET
+
+
+ I
+
+ Small twilight singer
+ Of dew and mist: thou ghost-gray, gossamer winger
+ Of dusk's dim glimmer,
+ How cool thy note sounds; how thy wings of shimmer
+ Vibrate, soft-sighing,
+ Meseems, for Summer that is dead or dying.
+ I stand and listen,
+ And at thy song the garden-beds, that glisten
+ With rose and lily,
+ Seem touched with sadness; and the tuberose chilly,
+ Breathing around its cold and colorless breath,
+ Fills the pale evening with wan hints of death.
+
+
+ II
+
+ I see thee quaintly
+ Beneath the leaf; thy shell-shaped winglets faintly--
+ As thin as spangle
+ Of cobwebbed rain--held up at airy angle;
+ I hear thy tinkle,
+ Thy fairy notes, the silvery stillness sprinkle;
+ Investing wholly
+ The moonlight with divinest melancholy:
+ Until, in seeming,
+ I see the Spirit of the Summer dreaming
+ Amid her ripened orchards, apple-strewn,
+ Her great, grave eyes fixed on the harvest-moon.
+
+
+ III
+
+ As dew-drops beady,
+ As mist minute, thy notes ring low and reedy:
+ The vaguest vapor
+ Of melody, now near; now, like some taper
+ Of sound, far fading--
+ Thou will-o'-wisp of music aye evading.
+ Among the bowers,
+ The fog-washed stalks of Autumn's weeds and flowers,
+ By hill and hollow,
+ I hear thy murmur and in vain I follow--
+ Thou jack-o'-lantern voice, thou elfin cry,
+ Thou dirge, that tellest Beauty she must die.
+
+
+ IV
+
+ And when the frantic
+ Wild winds of Autumn with the dead leaves antic;
+ And walnuts scatter
+ The mire of lanes; and dropping acorns patter
+ In grove and forest,
+ Like some frail grief, with the rude blast thou warrest,
+ Sending thy slender
+ Far cry against the gale, that, rough, untender,
+ Untouched of sorrow,
+ Sweeps thee aside, where, haply, I to-morrow
+ Shall find thee lying, tiny, cold and crushed,
+ Thy weak wings folded and thy music hushed.
+
+
+
+
+ THE OWLET
+
+
+ I
+
+ When dusk is drowned in drowsy dreams,
+ And slow the hues of sunset die;
+ When firefly and moth go by,
+ And in still streams the new-moon gleams,
+ A sickle in the sky;
+ Then from the hills there comes a cry,
+ The owlet's cry;
+ A shivering voice that sobs and screams,
+ That, frightened, screams:
+
+ "Who is it, who is it, who?
+ Who rides through the dusk and dew,
+ With a pair o' horns,
+ As thin as thorns,
+ And face a bubble blue?
+ Who, who, who!
+ Who is it, who is it, who?"
+
+
+ II
+
+ When night has dulled the lily's white,
+ And opened wide the primrose eyes;
+ When pale mists rise and veil the skies,
+ And 'round the height in whispering flight
+ The night-wind sounds and sighs;
+ Then in the woods again it cries,
+ The owlet cries;
+ A shivering voice that calls in fright,
+ In maundering fright:
+
+ "Who is it, who is it, who?
+ Who walks with a shuffling shoe,
+ 'Mid the gusty trees,
+ With a face none sees,
+ And a form as ghostly too?
+ Who, who, who!
+ Who is it, who is it, who?"
+
+
+ III
+
+ When midnight leans a listening ear
+ And tinkles on her insect lutes;
+ When 'mid the roots the cricket flutes,
+ And marsh and mere, now far, now near,
+ A jack-o'-lantern foots;
+ Then o'er the pool again it hoots,
+ The owlet hoots;
+ A voice that shivers as with fear,
+ That cries in fear:
+
+ "Who is it, who is it, who?
+ Who creeps with his glow-worm crew
+ Above the mire
+ With a corpse-light fire,
+ As only dead men do?
+ Who, who, who!
+ Who is it, who is it, who?"
+
+
+
+
+ VINE AND SYCAMORE
+
+
+ I
+
+ Here where a tree and its wild liana,
+ Leaning over the streamlet, grow,
+ Once a nymph, like the moon'd Diana,
+ Sat in the ages long ago.
+ Sat with a mortal with whom she had mated,
+ Sat and laughed with a mortal youth,
+ Ere he of the forest, the god who hated,
+ Saw and changed to a form uncouth....
+
+
+ II
+
+ Once in the woods she had heard a shepherd,
+ Heard a reed in a golden glade;
+ Followed, and clad in the skin of a leopard,
+ Found him fluting within the shade.
+ Found him sitting with bare brown shoulder,
+ Lithe and strong as a sapling oak,
+ And leaning over a mossy boulder,
+ Love in her wildwood heart awoke.
+
+
+ III
+
+ White she was as a dogwood flower,
+ Pinkly white as a wild-crab bloom,
+ Sweetly white as a hawtree bower
+ Full of dew and the May's perfume.
+ He who saw her above him burning,
+ Beautiful, naked, in light arrayed,
+ Deemed her Diana, and from her turning,
+ Leapt to his feet and fled afraid.
+
+
+ IV
+
+ Far she followed and called and pleaded,
+ Ever he fled with never a look;
+ Fled, till he came to this spot, deep-reeded,
+ Came to the bank of this forest brook.
+ Here for a moment he stopped and listened,
+ Heard in her voice her heart's despair,
+ Saw in her eyes the love that glistened,
+ Sank on her bosom and rested there.
+
+
+ V
+
+ Close to her beauty she strained and pressed him,
+ Held and bound him with kiss on kiss;
+ Soft with her arms and her lips caressed him,
+ Sweeter of touch than a blossom is.
+ Spoke to his heart, and with sweet persuasion
+ Mastered his soul till its fear was flown;
+ Spoke to his soul till its mortal evasion
+ Vanished, and body and soul were her own.
+
+
+ VI
+
+ Many a day had they met and mated,
+ Many a day by this woodland brook,
+ When he of the forest, the god who hated,
+ Came on their love and changed with a look.
+ There on the shore, while they joyed and jested,
+ He in the shadows, unseen, espied
+ Her, like the goddess Diana breasted,
+ Him, like Endymion by her side.
+
+
+ VII
+
+ Lo! at a word, at a sign, their folded
+ Limbs and bodies assumed new form,
+ Hers to the shape of a tree were molded,
+ His to a vine with surrounding arm....
+ So they stand with their limbs enlacing,
+ Nymph and mortal, upon this shore,
+ He forever a vine embracing
+ Her a silvery sycamore.
+
+
+
+
+ THE POET
+
+
+ He stands above all worldly schism,
+ And, gazing over life's abysm,
+ Beholds within the starry range
+ Of heaven laws of death and change,
+ That, through his soul's prophetic prism,
+ Are turned to rainbows wild and strange.
+
+ Through nature is his hope made surer
+ Of that ideal, his allurer,
+ By whom his life is upward drawn
+ To mount pale pinnacles of dawn,
+ 'Mid which all that is fairer, purer
+ Of love and lore it comes upon.
+
+ An alkahest, that makes gold metal
+ Of dross, his mind is--where one petal
+ Of one wild-rose will all outweigh
+ The piled-up facts of everyday--
+ Where commonplaces, there that settle,
+ Are changed to things of heavenly ray.
+
+ He climbs by steps of stars and flowers,
+ Companioned of the dreaming hours,
+ And sets his feet in pastures where
+ No merely mortal feet may fare;
+ And higher than the stars he towers
+ Though lowlier than the flowers there.
+
+ His comrades are his own high fancies
+ And thoughts in which his soul romances;
+ And every part of heaven or earth
+ He visits, lo, assumes new worth;
+ And touched with loftier traits and trances
+ Re-shines as with a lovelier birth.
+
+ He is the play, likewise the player;
+ The word that's said, also the sayer;
+ And in the books of heart and head
+ There is no thing he has not read;
+ Of time and tears he is the weigher,
+ And mouthpiece 'twixt the quick and dead.
+
+ He dies: but, mounting ever higher,
+ Wings Phoenix-like from out his pyre
+ Above our mortal day and night,
+ Clothed on with sempiternal light;
+ And raimented in thought's far fire
+ Flames on in everlasting flight.
+
+ Unseen, yet seen, on heights of visions,
+ Above all praise and world derisions,
+ His spirit and his deathless brood
+ Of dreams fare on, a multitude,
+ While on the pillar of great missions
+ His name and place are granite-hewed.
+
+
+
+
+ EVENING ON THE FARM
+
+
+ From out the hills, where twilight stands,
+ Above the shadowy pasture lands,
+ With strained and strident cry,
+ Beneath pale skies that sunset bands,
+ The bull-bats fly.
+
+ A cloud hangs over, strange of shape,
+ And, colored like the half-ripe grape,
+ Seems some uneven stain
+ On heaven's azure, thin as crape,
+ And blue as rain.
+
+ By ways, that sunset's sardonyx
+ O'erflares, and gates the farmboy clicks,
+ Through which the cattle came,
+ The mullein stalks seem giant wicks
+ Of downy flame.
+
+ From woods no glimmer enters in,
+ Above the streams that wandering win
+ From out the violet hills,
+ Those haunters of the dusk begin,
+ The whippoorwills.
+
+ Adown the dark the firefly marks
+ Its flight in golden-emerald sparks;
+ And, loosened from his chain,
+ The shaggy watchdog bounds and barks,
+ And barks again.
+
+ Each breeze brings scents of hill-heaped hay;
+ And now an owlet, far away,
+ Cries twice or thrice, "Twohoo;"
+ And cool dim moths of mottled gray
+ Flit through the dew.
+
+ The silence sounds its frog-bassoon,
+ Where on the woodland creek's lagoon,
+ Pale as a ghostly girl
+ Lost 'mid the trees, looks down the moon
+ With face of pearl.
+
+ Within the shed where logs, late hewed,
+ Smell forest-sweet, and chips of wood
+ Make blurs of white and brown,
+ The brood-hen cuddles her warm brood
+ Of teetering down.
+
+ The clattering guineas in the tree
+ Din for a time; and quietly
+ The henhouse, near the fence,
+ Sleeps, save for some brief rivalry
+ Of cocks and hens.
+
+ A cow-bell tinkles by the rails,
+ Where, streaming white in foaming pails,
+ Milk makes an uddery sound;
+ While overhead the black bat trails
+ Around and 'round.
+
+ The night is still. The slow cows chew
+ A drowsy cud. The bird that flew
+ And sang is in its nest.
+ It is the time of falling dew,
+ Of dreams and rest.
+
+ The brown bees sleep; and 'round the walk,
+ The garden path, from stalk to stalk
+ The bungling beetle booms,
+ Where two soft shadows stand and talk
+ Among the blooms.
+
+ The stars are thick: the light is dead
+ That dyed the West: and Drowsyhead,
+ Tuning his cricket-pipe,
+ Nods, and some apple, round and red,
+ Drops over ripe.
+
+ Now down the road, that shambles by,
+ A window, shining like an eye
+ Through climbing rose and gourd,
+ Shows where Toil sups and these things lie,
+ His heart and hoard.
+
+
+
+
+ THE BROOK
+
+
+ To it the forest tells
+ The mystery that haunts its heart and folds
+ Its form in cogitation deep, that holds
+ The shadow of each myth that dwells
+ In nature--be it Nymph or Fay or Faun--
+ And whispering of them to the dales and dells,
+ It wanders on and on.
+
+ To it the heaven shows
+ The secret of its soul; true images
+ Of dreams that form its aspect; and with these
+ Reflected in its countenance it goes,
+ With pictures of the skies, the dusk and dawn,
+ Within its breast, as every blossom knows,
+ For them to gaze upon.
+
+ Through it the world-soul sends
+ Its heart's creating pulse that beats and sings
+ The music of maternity whence springs
+ All life; and shaping earthly ends,
+ From the deep sources of the heavens drawn,
+ Planting its ways with beauty, on it wends,
+ On and forever on.
+
+
+
+
+ SUMMER NOONTIDE
+
+
+ The slender snail clings to the leaf,
+ Gray on its silvered underside:
+ And slowly, slowlier than the snail, with brief
+ Bright steps, whose ripening touch foretells the sheaf,
+ Her warm hands berry-dyed,
+ Comes down the tanned Noontide.
+
+ The pungent fragrance of the mint
+ And pennyroyal drench her gown,
+ That leaves long shreds of trumpet-blossom tint
+ Among the thorns, and everywhere the glint
+ Of gold and white and brown
+ Her flowery steps waft down.
+
+ The leaves, like hands with emerald veined,
+ Along her way try their wild best
+ To reach the jewel--whose hot hue was drained
+ From some rich rose that all the June contained--
+ The butterfly, soft pressed
+ Upon her sunny breast.
+
+ Her shawl, the lace-like elder bloom,
+ She hangs upon the hillside brake,
+ Smelling of warmth and of her breast's perfume,
+ And, lying in the citron-colored gloom
+ Beside the lilied lake,
+ She stares the buds awake.
+
+ Or, with a smile, through watery deeps
+ She leads the oaring turtle's legs;
+ Or guides the crimson fish, that swims and sleeps,
+ From pad to pad, from which the young frog leaps;
+ And to its nest's green eggs
+ The bird that pleads and begs.
+
+ Then 'mid the fields of unmown hay
+ She shows the bees where sweets are found;
+ And points the butterflies, at airy play,
+ And dragonflies, along the water-way,
+ Where honeyed flowers abound
+ For them to flicker 'round.
+
+ Or where ripe apples pelt with gold
+ Some barn--around which, coned with snow,
+ The wild-potato blooms--she mounts its old
+ Mossed roof, and through warped sides, the knots have holed,
+ Lets her long glances glow
+ Into the loft below.
+
+ To show the mud-wasp at its cell
+ Slenderly busy; swallows, too,
+ Packing against a beam their nest's clay shell;
+ And crouching in the dark the owl as well
+ With all her downy crew
+ Of owlets gray of hue.
+
+ These are her joys, and until dusk
+ Lounging she walks where reapers reap,
+ From sultry raiment shaking scents of musk,
+ Rustling the corn within its silken husk,
+ And driving down heav'n's deep
+ White herds of clouds like sheep.
+
+
+
+
+ HEAT
+
+
+ I
+
+ Now is it as if Spring had never been,
+ And Winter but a memory and dream,
+ Here where the Summer stands, her lap of green
+ Heaped high with bloom and beam,
+ Among her blackberry-lilies, low that lean
+ To kiss her feet; or, freckle-browed, that stare
+ Upon the dragonfly which, slimly seen,
+ Like a blue jewel flickering in her hair,
+ Sparkles above them there.
+
+
+ II
+
+ Knee-deep among the tepid pools the cows
+ Chew a slow cud or switch a slower tail.
+ Half-sunk in sleep beneath the beechen boughs,
+ Where thin the wood-gnats ail.
+ From bloom to bloom the languid butterflies drowse;
+ The sleepy bees make hardly any sound;
+ The only things the sunrays can arouse,
+ It seems, are two black beetles rolling 'round
+ Upon the dusty ground.
+
+
+ III
+
+ Within its channel glares the creek and shrinks,
+ Beneath whose rocks the furtive crawfish hides
+ In stagnant places, where the green frog blinks,
+ And water-spider glides.
+
+ Far hotter seems it for the bird that drinks,
+ The startled kingfisher that screams and flies;
+ Hotter and lonelier for the purple pinks
+ Of weeds that bloom, whose sultry perfumes rise
+ Stifling the swooning skies.
+
+
+ IV
+
+ From ragweed fallows, rye fields, heaped with sheaves,
+ From blistering rocks, no moss or lichens crust,
+ And from the road, where every hoof-stroke heaves
+ A cloud of burning dust,
+ The hotness quivers, making limp the leaves,
+ That loll like tongues of panting hounds. The heat
+ Is a wan wimple that the Summer weaves,
+ A veil, in which she wraps, as in a sheet,
+ The shriveling corn and wheat.
+
+
+ V
+
+ Furious, incessant in the weeds and briers
+ The sawing weed-bugs sing; and, heat-begot,
+ The grasshoppers, so many strident wires,
+ Staccato fiercely hot:
+ A lash of whirling sound that never tires,
+ The locust flails the noon, where harnessed Thirst,
+ Beside the road-spring, many a shod hoof mires,
+ Into the trough thrusts his hot head, immersed,
+ 'Round which cool bubbles burst.
+
+
+ VI
+
+ The sad, sweet voice of some wood-spirit who
+ Laments while watching a loved oak tree die,
+ From the deep forest comes the wood-dove's coo.
+ A long, lost, lonely cry.
+ Oh, for a breeze, a mighty wind to woo
+ The woods to stormy laughter; sow like grain
+ The world with freshness of invisible dew.
+ And pile above far, fevered hill and plain.
+ Vast bastions black with rain.
+
+
+
+
+ JULY
+
+
+ Now 'tis the time when, tall,
+ The long blue torches of the bellflower gleam
+ Among the trees; and, by the wooded stream.
+ In many a fragrant ball.
+ Blooms of the button-bush fall.
+
+ Let us go forth and seek
+ Woods where the wild plums redden and the beech
+ Plumps its packed burs: and, swelling, just in reach.
+ The pawpaw, emerald sleek.
+ Ripens along the creek.
+
+ Now 'tis the time when ways
+ Of glimmering green flaunt white the misty plumes
+ Of the black-cohosh; and through bramble glooms,
+ A blur of orange rays,
+ The butterfly-blossoms blaze.
+
+ Let us go forth and hear
+ The spiral music that the locusts beat,
+ And that small spray of sound, so grassy sweet,
+ Dear to a country ear,
+ The cricket's summer cheer.
+
+ Now golden celandine
+ Is hairy hung with silvery sacks of seeds.
+ And bugled o'er with freckled gold, like beads.
+ Beneath the fox-grape vine,
+ The jewel-weed's blossoms shine.
+
+ Let us go forth and see
+ The dragon- and the butterfly, like gems,
+ Spangling the sunbeams; and the clover stems,
+ Weighed down by many a bee,
+ Nodding mellifluously.
+
+ Now morns are full of song;
+ The catbird and the redbird and the jay
+ Upon the hilltops rouse the rosy day,
+ Who, dewy, blithe, and strong,
+ Lures their wild wings along.
+
+ Now noons are full of dreams;
+ The clouds of heaven and the wandering breeze
+ Follow a vision; and the flowers and trees,
+ The hills and fields and streams,
+ Are lapped in mystic gleams.
+
+ The nights are full of love;
+ The stars and moon take up the golden tale
+ Of the sunk sun, and passionate and pale,
+ Mixing their fires above,
+ Grow eloquent thereof.
+
+ Such days are like a sigh
+ That beauty heaves from a full heart of bliss:
+ Such nights are like the sweetness of a kiss
+ On lips that half deny,
+ The warm lips of July.
+
+
+
+
+ TO THE LOCUST
+
+
+ Thou pulse of hotness, who, with reed-like breast,
+ Makest meridian music, long and loud,
+ Accentuating summer!--dost thy best
+ To make the sunbeams fiercer, and to crowd
+ With lonesomeness the long, close afternoon
+ When Labor leans, swart-faced and beady browed,
+ Upon his sultry scythe--thou tangible tune
+ Of heat, whose waves incessantly arise
+ Quivering and clear beneath the cloudless skies.
+
+ Thou singest, and upon his haggard hills
+ Drouth yawns and rubs his heavy eyes and wakes;
+ Brushes the hot hair from his face; and fills
+ The land with death as sullenly he takes
+ Downward his dusty way: 'midst woods and fields
+ At every pool his burning thirst he slakes:
+ No grove so deep, no bank so high it shields
+ A spring from him; no creek evades his eye;
+ He needs but look and they are withered dry.
+
+ Thou singest, and thy song is as a spell
+ Of somnolence to charm the land with sleep;
+ A thorn of sound that pierces dale and dell,
+ Diffusing slumber over vale and steep.
+
+ Sleepy the forest, nodding sleepy boughs;
+ The pastures sleepy with their sleepy sheep;
+ Sleepy the creek where sleepily the cows
+ Stand knee-deep: and the very heaven seems
+ Sleepy and lost in undetermined dreams.
+
+ Art thou a rattle that Monotony,
+ Summer's dull nurse, old sister of slow Time,
+ Shakes for Day's peevish pleasure, who in glee
+ Takes its discordant music for sweet rhyme?
+ Or oboe that the Summer Noontide plays,
+ Sitting with Ripeness 'neath the orchard-tree,
+ Trying repeatedly the same shrill phrase,
+ Until the musky peach with drowsiness
+ Drops, and the hum of bees grows less and less?
+
+
+
+
+ YOUNG SEPTEMBER
+
+
+ I
+
+ With a look and a laugh where the stream was flowing,
+ September led me along the land;
+ Where the golden-rod and lobelia, glowing,
+ Seemed burning torches within her hand.
+ And faint as the thistle's or milk-weed's feather
+ I glimpsed her form through the sparkling weather.
+
+
+ II
+
+ Now 'twas her hand and now her hair
+ That tossed me welcome everywhere;
+ That lured me onward through the stately rooms
+ Of forest, hung and carpeted with glooms,
+ And windowed wide with azure, doored with green.
+ Through which rich glimmers of her robe were seen--
+ Now, like some deep marsh-mallow, rosy gold;
+ Now, like the great Joe-Pye-weed, fold on fold
+ Of heavy mauve; and now, like the intense
+ Massed iron-weed, a purple opulence.
+
+
+ III
+
+ Along the bank in a wild procession
+ Of gold and sapphire the blossoms blew;
+ And borne on the breeze came their soft confession
+ In syllables musk of honey and dew;
+ In words unheard that their lips kept saying,
+ Sweet as the lips of children praying.
+
+
+ IV
+
+ And so, meseemed, I heard them tell
+ How here her loving glance once fell
+ Upon this bank, and from its azure grew
+ The ageratum mist-flower's happy hue:
+ How from her kiss, as crimson as the dawn,
+ The cardinal-flow'r drew its vermilion;
+ And from her hair's blond touch th' elecampane
+ Evolved the glory of its golden rain;
+ White from her starry footsteps, redolent,
+ The aster pearled its flowery firmament.
+
+
+
+
+ UNDER THE HUNTER'S MOON
+
+
+ White from her chrysalis of cloud,
+ The moth-like moon swings upward through the night;
+ And all the bee-like stars that crowd
+ The hollow hive of heav'n wane in her light.
+
+ Along the distance, folds of mist
+ Hang frost-pale, ridging all the dark with gray;
+ Tinting the trees with amethyst,
+ Touching with pearl and purple every spray.
+
+ All night the stealthy frost and fog
+ Conspire to slay the rich-robed weeds and flowers:
+ To strip of wealth the woods, and clog
+ With piled-up gold of leaves the creek that cowers.
+
+ I seem to see their Spirits stand,
+ Molded of moonlight, faint of form and face,
+ Now reaching high a chilly hand
+ To pluck some walnut from its spicy place:
+
+ Now with fine fingers, phantom-cold,
+ Splitting the wahoo's pods of rose, and thin
+ The bittersweet's balls o' gold,
+ To show the coal-red berries packed within:
+
+ Now on dim threads of gossamer
+ Stringing pale pearls of moisture; necklacing
+ The flow'rs; and spreading cobweb fur,
+ Crystaled with stardew, over everything:
+
+ While 'neath the moon, with moon-white feet,
+ They go and, chill, a moon-soft music draw
+ From wan leaf-cricket flutes--the sweet,
+ Sad dirge of Autumn dying in the shaw.
+
+
+
+
+ RAIN IN THE WOODS
+
+
+ When on the leaves the rain persists,
+ And every gust brings showers down;
+ When all the woodland smokes with mists,
+ I take the old road out of town
+ Into the hills through which it twists.
+
+ I find the vale where catnip grows,
+ Where boneset blooms, with moisture bowed;
+ The vale through which the red creek flows,
+ Turbid with hill-washed clay, and loud
+ As some wild horn a hunter blows.
+
+ Around the root the beetle glides,
+ A living beryl; and the ant,
+ Large, agate-red, a garnet, slides
+ Beneath the rock; and every plant
+ Is roof for some frail thing that hides.
+
+ Like knots against the trunks of trees
+ The lichen-colored moths are pressed;
+ And, wedged in hollow blooms, the bees
+ Seem clots of pollen; in its nest
+ The wasp has crawled and lies at ease.
+
+ The locust harsh, that sharply saws
+ The silence of the summer noon;
+ The katydid that thinly draws
+ Its fine file o'er the bars of moon;
+ And grasshopper that drills each pause:
+
+ The mantis, long-clawed, furtive, lean--
+ Fierce feline of the insect hordes--
+ And dragonfly, gauze-winged and green,
+ Beneath the wild-grape's leaves and gourd's,
+ Have housed themselves and rest unseen.
+
+ The butterfly and forest-bird
+ Are huddled on the same gnarled bough,
+ From which, like some rain-voweled word
+ That dampness hoarsely utters now,
+ The tree-toad's voice is vaguely heard.
+
+ I crouch and listen; and again
+ The woods are filled with phantom forms--
+ With shapes, grotesque in mystic train,
+ That rise and reach to me cool arms
+ Of mist; the wandering wraiths of rain.
+
+ I see them come; fantastic, fair;
+ Chill, mushroom-colored: sky and earth
+ Grow ghostly with their floating hair
+ And trailing limbs, that have their birth
+ In wetness--fungi of the air.
+
+ O wraiths of rain! O ghosts of mist!
+ Still fold me, hold me, and pursue!
+ Still let my lips by yours be kissed!
+ Still draw me with your hands of dew
+ Unto the tryst, the dripping tryst.
+
+
+
+
+ IN THE LANE
+
+
+ When the hornet hangs in the hollyhock,
+ And the brown bee drones i' the rose,
+ And the west is a red-streaked four-o'-clock,
+ And summer is near its close--
+ It's--Oh, for the gate and the locust lane
+ And dusk and dew and home again!
+
+ When the katydid sings and the cricket cries,
+ And ghosts of the mists ascend,
+ And the evening-star is a lamp i' the skies,
+ And summer is near its end--
+ It's--Oh, for the fence and the leafy lane,
+ And the twilight peace and the tryst again!
+
+ When the owlet hoots in the dogwood-tree,
+ That leans to the rippling Run,
+ And the wind is a wildwood melody,
+ And summer is almost done--
+ It's--Oh, for the bridge and the bramble lane,
+ And the fragrant hush and her hands again!
+
+ When fields smell moist with the dewy hay,
+ And woods are cool and wan,
+ And a path for dreams is the Milky-way,
+ And summer is nearly gone--
+ It's--Oh, for the rock and the woodland lane
+ And the silence and stars and her lips again!
+
+ When the weight of the apples breaks down the boughs,
+ And musk-melons split with sweet,
+ And the moon is a-bloom in the Heaven's house,
+ And summer has spent its heat--
+ It's--Oh, for the lane, the trysting lane,
+ And the deep-mooned night and her love again!
+
+
+
+
+ A FOREST IDYL
+
+
+ I
+
+ Beneath an old beech-tree
+ They sat together,
+ Fair as a flower was she
+ Of summer weather.
+ They spoke of life and love,
+ While, through the boughs above,
+ The sunlight, like a dove,
+ Dropped many a feather.
+
+
+ II
+
+ And there the violet,
+ The bluet near it,
+ Made blurs of azure wet--
+ As if some spirit,
+ Or woodland dream, had gone
+ Sprinkling the earth with dawn,
+ When only Fay and Faun
+ Could see or hear it.
+
+
+ III
+
+ She with her young, sweet face
+ And eyes gray-beaming,
+ Made of that forest place
+ A spot for dreaming:
+ A spot for Oreads
+ To smooth their nut-brown braids,
+ For Dryads of the glades
+ To dance in, gleaming.
+
+
+ IV
+
+ So dim the place, so blest.
+ One had not wondered
+ Had Dian's moonéd breast
+ The deep leaves sundered,
+ And there on them awhile
+ The goddess deigned to smile.
+ While down some forest aisle
+ The far hunt thundered.
+
+
+ V
+
+ I deem that hour perchance
+ Was but a mirror
+ To show them Earth's romance
+ And draw them nearer:
+ A mirror where, meseems.
+ All that this Earth-life dreams,
+ All loveliness that gleams,
+ Their souls saw clearer.
+
+
+ VI
+
+ Beneath an old beech-tree
+ They dreamed of blisses;
+ Fair as a flower was she
+ That summer kisses:
+ They spoke of dreams and days,
+ Of love that goes and stays,
+ Of all for which life prays,
+ Ah me! and misses.
+
+
+
+
+ UNDER THE ROSE
+
+
+ He told a story to her,
+ A story old yet new--
+ And was it of the Faëry Folk
+ That dance along the dew?
+
+ The night was hung with silence
+ As a room is hung with cloth,
+ And soundless, through the rose-sweet hush,
+ Swooned dim the down-white moth.
+
+ Along the east a shimmer,
+ A tenuous breath of flame,
+ From which, as from a bath of light,
+ Nymph-like, the girl-moon came.
+
+ And pendent in the purple
+ Of heaven, like fireflies,
+ Bubbles of gold the great stars blew
+ From windows of the skies.
+
+ He told a story to her,
+ A story full of dreams--
+ And was it of the Elfin things
+ That haunt the thin moonbeams?
+
+ Upon the hill a thorn-tree,
+ Crooked and gnarled and gray,
+ Against the moon seemed some crutch'd hag
+ Dragging a child away.
+
+ And in the vale a runnel,
+ That dripped from shelf to shelf,
+ Seemed, in the night, a woodland witch
+ Who muttered to herself.
+
+ Along the land a zephyr,
+ Whose breath was wild perfume,
+ That seemed a sorceress who wove
+ Sweet spells of beam and bloom.
+
+ He told a story to her,
+ A story young yet old--
+ And was it of the mystic things
+ Men's eyes shall ne'er behold?
+
+ They heard the dew drip faintly
+ From out the green-cupped leaf;
+ They heard the petals of the rose
+ Unfolding from their sheaf.
+
+ They saw the wind light-footing
+ The waters into sheen;
+ They saw the starlight kiss to sleep
+ The blossoms on the green.
+
+ They heard and saw these wonders;
+ These things they saw and heard;
+ And other things within the heart
+ For which there is no word.
+
+ He told a story to her,
+ The story men call Love,
+ Whose echoes fill the ages past,
+ And the world ne'er tires of.
+
+
+
+
+ IN AUTUMN
+
+
+ I
+
+ Sunflowers wither and lilies die,
+ Poppies are pods of seeds;
+ The first red leaves on the pathway lie,
+ Like blood of a heart that bleeds.
+
+ Weary alway will it be to-day,
+ Weary and wan and wet;
+ Dawn and noon will the clouds hang gray,
+ And the autumn wind will sigh and say,
+ "_He comes not yet, not yet.
+ Weary alway, alway!_"
+
+
+ II
+
+ Hollyhocks bend all tattered and torn,
+ Marigolds all are gone;
+ The last pale rose lies all forlorn,
+ Like love that is trampled on.
+
+ Weary, ah me! to-night will be,
+ Weary and wild and hoar;
+ Rain and mist will blow from the sea,
+ And the wind will sob in the autumn tree,
+ "_He comes no more, no more.
+ Weary, ah me! ah me!_"
+
+
+
+
+ EPIPHANY
+
+
+ There is nothing that eases my heart so much
+ As the wind that blows from the purple hills;
+ 'Tis a hand of balsam whose healing touch
+ Unburdens my bosom of ills.
+
+ There is nothing that causes my soul to rejoice
+ Like the sunset flaming without a flaw:
+ 'Tis a burning bush whence God's own voice
+ Addresses my spirit with awe.
+
+ There is nothing that hallows my mind, meseems,
+ Like the night with its moon and its stars above;
+ 'Tis a mystical lily whose golden gleams
+ Fulfill my being with love.
+
+ There is nothing, no, nothing, we see and feel.
+ That speaks to our souls some beautiful thought,
+ That was not created to help us, and heal
+ Our lives that are overwrought.
+
+
+
+
+ LIFE
+
+
+ I
+
+ PESSIMIST
+
+ There is never a thing we dream or do
+ But was dreamed and done in the ages gone;
+ Everything's old; there is nothing that's new,
+ And so it will be while the world goes on.
+
+ The thoughts we think have been thought before;
+ The deeds we do have long been done;
+ We pride ourselves on our love and lore
+ And both are as old as the moon and sun.
+
+ We strive and struggle and swink and sweat,
+ And the end for each is one and the same;
+ Time and the sun and the frost and wet
+ Will wear from its pillar the greatest name.
+
+ No answer comes for our prayer or curse,
+ No word replies though we shriek in air;
+ Ever the taciturn universe
+ Stretches unchanged for our curse or prayer.
+
+ With our mind's small light in the dark we crawl,--
+ Glow-worm glimmers that creep about,--
+ Tilt the Power that shaped us, over us all
+ Poises His foot and treads us out.
+
+ Unasked He fashions us out of clay,
+ A little water, a little dust,
+ And then in our holes He thrusts us away,
+ With never a word, to rot and rust.
+
+ 'Tis a sorry play with a sorry plot,
+ This life of hate and of lust and pain,
+ Where we play our parts and are soon forgot,
+ And all that we do is done in vain.
+
+
+ II
+
+ OPTIMIST
+
+ There is never a dream but it shall come true,
+ And never a deed but was wrought by plan;
+ And life is filled with the strange and new,
+ And ever has been since the world began.
+
+ As mind develops and soul matures
+ These two shall parent Earth's mightier acts;
+ Love is a fact, and 'tis love endures
+ 'Though the world make wreck of all other facts.
+
+ Through thought alone shall our Age obtain
+ Above all Ages gone before;
+ The tribes of sloth, of brawn, not brain,
+ Are the tribes that perish, are known no more.
+
+ Within ourselves is a voice of Awe,
+ And a hand that points to Balanced Scales;
+ The one is Love and the other Law,
+ And their presence alone it is avails.
+
+ For every shadow about our way
+ There is a glory of moon and sun;
+ But the hope within us hath more of ray
+ Than the light of the sun and moon in one.
+
+ Behind all being a purpose lies,
+ Undeviating as God hath willed;
+ And he alone it is who dies,
+ Who leaves that purpose unfulfilled.
+
+ Life is an epic the Master sings,
+ Whose theme is Man, and whose music, Soul,
+ Where each is a word in the Song of Things,
+ That shall roll on while the ages roll.
+
+
+
+
+ NEVER
+
+ (Song)
+
+
+ Love hath no place in her,
+ Though in her bosom be
+ Love-thoughts and dreams that stir
+ Longings that know not me:
+ Love hath no place in her,
+ No place for me.
+
+ Never within her eyes
+ Do I the love-light see;
+ Never her soul replies
+ To the sad soul in me:
+ Never with soul and eyes
+ Speaks she to me.
+
+ She is a star, a rose,
+ I but a moth, a bee;
+ High in her heaven she glows,
+ Blooms far away from me:
+ She is a star, a rose,
+ Never for me.
+
+ Why will I think of her
+ To my heart's misery?
+ Dreaming how sweet it were
+ Had she a thought of me:
+ Why will I think of her!
+ Why, why, ah me!
+
+
+
+
+ MEETING IN THE WOODS
+
+
+ Through ferns and moss the path wound to
+ A hollow where the touchmenots
+ Swung horns of honey filled with dew;
+ And where--like foot-prints--violets blue
+ And bluets made sweet sapphire blots,
+ 'Twas there that she had passed he knew.
+
+ The grass, the very wilderness
+ On either side, breathed rapture of
+ Her passage: 'twas her hand or dress
+ That touched some tree--a slight caress--
+ That made the wood-birds sing above;
+ Her step that made the flowers up-press.
+
+ He hurried, till across his way,
+ Foam-footed, bounding through the wood,
+ A brook, like some wild girl at play,
+ Went laughing loud its roundelay;
+ And there upon its bank she stood,
+ A sunbeam clad in woodland gray.
+
+ And when she saw him, all her face
+ Grew to a wildrose by the stream;
+ And to his breast a moment's space
+ He gathered her; and all the place
+ Seemed conscious of some happy dream
+ Come true to add to Earth its grace.
+
+ Some joy, on which Heav'n was intent--
+ For which God made the world--the bliss,
+ The love, that raised her innocent
+ Pure face to his that, smiling, bent
+ And sealed confession with a kiss--
+ Life needs no other testament.
+
+
+
+
+ A MAID WHO DIED OLD
+
+
+ Frail, shrunken face, so pinched and worn,
+ That life has carved with care and doubt!
+ So weary waiting, night and morn,
+ For that which never came about!
+ Pale lamp, so utterly forlorn.
+ In which God's light at last is out.
+
+ Gray hair, that lies so thin and prim
+ On either side the sunken brows!
+ And soldered eyes, so deep and dim,
+ No word of man could now arouse!
+ And hollow hands, so virgin slim,
+ Forever clasped in silent vows!
+
+ Poor breasts! that God designed for love,
+ For baby lips to kiss and press!
+ That never felt, yet dreamed thereof,
+ The human touch, the child caress--
+ That lie like shriveled blooms above
+ The heart's long-perished happiness.
+
+ O withered body, Nature gave
+ For purposes of death and birth,
+ That never knew, and could but crave
+ Those things perhaps that make life worth--
+ Rest now, alas! within the grave,
+ Sad shell that served no end of Earth.
+
+
+
+
+ COMMUNICANTS
+
+
+ Who knows the things they dream, alas!
+ Or feel, who lie beneath the ground?
+ Perhaps the flowers, the leaves, and grass
+ That close them round.
+
+ In spring the violets may spell
+ The moods of them we know not of;
+ Or lilies sweetly syllable
+ Their thoughts of love
+
+ Haply, in summer, dew and scent
+ Of all they feel may be a part;
+ Each red rose be the testament
+ Of some rich heart.
+
+ The winds of fall be utterance,
+ Perhaps, of saddest things they say;
+ Wild leaves may word some dead romance
+ In some dim way.
+
+ In winter all their sleep profound
+ Through frost may speak to grass and stream;
+ The snow may be the silent sound
+ Of all they dream.
+
+
+
+
+ THE DEAD DAY
+
+
+ The West builds high a sepulchre
+ Of cloudy granite and of gold.
+ Where twilight's priestly hours inter
+ The day like some great king of old,
+
+ A censer, rimmed with silver fire,
+ The new moon swings above his tomb;
+ While, organ-stops of God's own choir,
+ Star after star throbs in the gloom.
+
+ And night draws near, the sadly sweet--
+ A nun whose face is calm and fair--
+ And kneeling at the dead day's feet
+ Her soul goes up in silent prayer.
+
+ In prayer, we feel through dewy gleam
+ And flowery fragrance, and--above
+ All Earth--the ecstasy and dream
+ That haunt the mystic heart of love.
+
+
+
+
+ KNIGHT-ERRANT
+
+
+ Onward he gallops through enchanted gloom.
+ The spectres of the forest, dark and dim,
+ And shadows of vast death environ him--
+ Onward he spurs victorious over doom.
+ Before his eyes that love's far fires illume--
+ Where courage sits, impregnable and grim--
+ The form and features of _her_ beauty swim,
+ Beckoning him on with looks that fears consume.
+ The thought of her distress, her lips to kiss,
+ Mails him with triple might; and so at last
+ To Lust's huge keep he comes; its giant wall,
+ Wild-towering, frowning from the precipice;
+ And through its gate, borne like a bugle blast,
+ O'er night and hell he thunders to his all.
+
+
+
+
+ THE END OF SUMMER
+
+
+ Pods are the poppies, and slim spires of pods
+ The hollyhocks; the balsam's pearly bredes
+ Of rose-stained snow are little sacs of seeds
+ Collapsing at a touch; the lote, that sods
+ The pond with green, has changed its flowers to rods
+ And discs of vesicles; and all the weeds,
+ Around the sleepy water and its reeds.
+ Are one white smoke of seeded silk that nods.
+ Summer is dead, ay me! sweet Summer's dead!
+ The sunset clouds have built her funeral pyre,
+ Through which, e'en now, runs subterranean fire:
+ While from the East, as from a garden bed,
+ Mist-vined, the Dusk lifts her broad moon--like some
+ Great golden melon--saying, "Fall has come."
+
+
+
+
+ LIGHT AND WIND
+
+
+ Where, through the leaves of myriad forest trees,
+ The daylight falls, beryl and chrysoprase,
+ The glamour and the glimmer of its rays
+ Seem visible music, tangible melodies:
+ Light that is music; music that one sees--
+ Wagnerian music--where forever sways
+ The spirit of romance, and gods and fays
+ Take form, clad on with dreams and mysteries.
+ And now the wind's transmuting necromance
+ Touches the light and makes it fall and rise,
+ Vocal, a harp of multitudinous waves
+ That speaks as ocean speaks--an utterance
+ Of far-off whispers, mermaid-murmuring sighs--
+ Pelagian, vast, deep-down in coral caves.
+
+
+
+
+ SUPERSTITION
+
+
+ In the waste places, in the dreadful night,
+ When the wood whispers like a wandering mind,
+ And silence sits and listens to the wind,
+ Or, 'mid the rocks, to some wild torrent's flight;
+ Bat-browed thou wadest with thy wisp of light
+ Among black pools the moon can never find;
+ Or, owlet-eyed, thou hootest to the blind
+ Deep darkness from some cave or haunted height.
+ He who beholds but once thy fearsome face,
+ Never again shall walk alone! but wan
+ And terrible attendants shall be his--
+ Unutterable things that have no place
+ In God or Beauty--that compel him on,
+ Against all hope, where endless horror is.
+
+
+
+
+ UNCALLED
+
+
+ As one, who, journeying westward with the sun,
+ Beholds at length from the up-towering hills,
+ Far off, a land unspeakable beauty fills,
+ Circean peaks and vales of Avalon:
+ And, sinking weary, watches, one by one,
+ The big seas beat between; and knows it skills
+ No more to try; that now, as Heaven wills,
+ This is the helpless end, that all is done:
+ So 'tis with him, whom long a vision led
+ In quest of Beauty, and who finds at last
+ She lies beyond his effort. All the waves
+ Of all the world between them: While the dead,
+ The myriad dead, who people all the Past
+ With failure, hail him from forgotten graves.
+
+
+
+
+ LOVE DESPISED
+
+
+ Can one resolve and hunt it from one's heart?
+ This love, this god and fiend, that makes a hell
+ Of many a life, in ways no tongue can tell,
+ No mind divine, nor any word impart.
+ Would not one think the slights that make hearts smart,
+ The ice of love's disdain, the wint'ry well
+ Of love's disfavor, love's own fire would quell?
+ Or school its nature, too, to its own art.
+ Why will men cringe and cry forever here
+ For that which, once obtained, may prove a curse?
+ Why not remember that, however fair,
+ Decay is wed to Beauty? That each year
+ Takes somewhat from the riches of her purse,
+ Until at last her house of pride stands bare?
+
+
+
+
+ THE DEATH OF LOVE
+
+
+ So Love is dead, the Love we knew of old!
+ And in the sorrow of our hearts' hushed halls
+ A lute lies broken and a flower falls;
+ Love's house is empty and his hearth is cold.
+ Lone in dim places, where sweet vows were told.
+ In walks grown desolate, by ruined walls,
+ Beauty decays; and on their pedestals
+ Dreams crumble, and th' immortal gods are mould.
+ Music is slain or sleeps; one voice alone,
+ One voice awakes, and like a wandering ghost
+ Haunts all the echoing chambers of the Past--
+ The voice of Memory, that stills to stone
+ The soul that hears; the mind that, utterly lost,
+ Before its beautiful presence stands aghast.
+
+
+
+
+ GERALDINE, GERALDINE
+
+
+ Geraldine, Geraldine,
+ Do you remember where
+ The willows used to screen
+ The water flowing fair?
+ The mill-stream's banks of green
+ Where first our love begun,
+ When you were seventeen,
+ And I was twenty-one?
+
+ Geraldine, Geraldine,
+ Do you remember how
+ From th' old bridge we would lean--
+ The bridge that's broken now--
+ To watch the minnows sheen,
+ And the ripples of the Run,
+ When you were seventeen,
+ And I was twenty-one?
+
+ Geraldine, Geraldine,
+ Do you remember too
+ The old beech-tree, between
+ Whose roots the wild flowers grew?
+ Where oft we met at e'en,
+ When stars were few or none,
+ When you were seventeen,
+ And I was twenty-one?
+
+ Geraldine, Geraldine,
+ The bark has grown around
+ The names I cut therein,
+ And the truelove-knot that bound;
+ The love-knot, clear and clean,
+ I carved when our love begun,
+ When you were seventeen,
+ And I was twenty-one?
+
+ Geraldine, Geraldine,
+ The roof of the farmhouse gray
+ Is fallen and mossy green;
+ Its rafters rot away:
+ The old path scarce is seen
+ Where oft our feet would run,
+ When you were seventeen,
+ And I was twenty-one.
+
+ Geraldine, Geraldine,
+ Through each old tree and bough
+ The lone winds cry and keen--
+ The place is haunted now,
+ With ghosts of what-has-been,
+ With dreams of love-long-done,
+ When you were seventeen,
+ And I was twenty-one.
+
+ Geraldine, Geraldine,
+ There, in your world of wealth,
+ There, where you move a queen,
+ Broken in heart and health,
+ Does there ever rise a scene
+ Of days, your soul would shun,
+ When you were seventeen,
+ And I was twenty-one?
+
+ Geraldine, Geraldine,
+ Here, 'mid the rose and rue,
+ Would God that your grave were green.
+ And I were lying too!
+ Here on the hill, I mean,
+ Where oft we laughed i' the sun,
+ When you were seventeen,
+ And I was twenty-one.
+
+
+
+
+ ALLUREMENT
+
+
+ Across the world she sends me word,
+ From gardens fair as Falerina's,
+ Now by a blossom, now a bird,
+ To come to her, who long has lured
+ With magic sweeter than Alcina's.
+
+ I know not what her word may mean,
+ I know not what may mean the voices
+ She sends as messengers serene,
+ That through the silvery silence lean,
+ To tell me where her heart rejoices.
+
+ But I must go! I must away!
+ Must take the path that is appointed!
+ God grant I find her realm some day!
+ Where, by her love, as by a ray,
+ My soul shall be anointed.
+
+
+
+
+ BLACK VESPER'S PAGEANTS.
+
+
+ The day, all fierce with carmine, turns
+ An Indian face towards Earth and dies;
+ The west, like some gaunt vase, inurns
+ Its ashes under smouldering skies,
+ Athwart whose bowl one red cloud streams,
+ Strange as a shape some Aztec dreams.
+
+ Now shadows mass above the world,
+ And night comes on with wind and rain;
+ The mulberry-colored leaves are hurled
+ Like frantic hands against the pane.
+ And through the forests, bending low,
+ Night stalks like some gigantic woe.
+
+ In hollows where the thistle shakes
+ A hoar bloom like a witch's-light,
+ From weed and flower the rain-wind rakes
+ Dead sweetness--as a wildman might,
+ From out the leaves, the woods among,
+ Dig some dead woman, fair and young.
+
+ Now let me walk the woodland ways,
+ Alone! except for thoughts, that are
+ Akin to such wild nights and days;
+ A portion of the storm that far
+ Fills Heaven and Earth tumultuously,
+ And my own soul with ecstasy.
+
+
+
+
+
+ OTHER VOLUMES
+ BY
+ MADISON CAWEIN
+
+
+ THE GARDEN OF DREAMS
+
+ Printed on hand-made paper; bound in watered silk;
+ only a few copies remaining; price, $1.25 (net)
+
+
+ WEEDS BY THE WALL
+
+ Tastefully bound in silk cloth; price, $1.25
+
+
+ Sent on receipt of price to any address by
+
+ JOHN P. MORTON & COMPANY
+ PUBLISHERS
+ LOUISVILLE, KENTUCKY.
+
+
+WILLIAM DEAN HOWELLS, in the _North American Review_ for January, 1902.
+
+"One never praises an author for certain things without afterward
+doubting if they were the characteristic things, or whether just the
+reverse might not be said. Praise is, in fact, a delicate business, and
+I, who am rather fond of dealing in it, never feel quite safe. Not only
+is it questionable at the moment, but the later behavior of the author
+is sometimes such that one is sorry not to have made it blame. It is
+always with a shrinking, which I try to hide from the public, that I
+take up the fresh venture of a poet whom I have once bet on. But there
+is a joy when I find that I have not lost my wager, which is full
+compensation for the anxiety suffered. This joy has lately been mine in
+the latest little book of Mr. Madison Cawein, whose work I long ago
+confessed my pleasure in. I am not sure that he has transcended the
+limits which he then seemed to give himself as the lover, the prophet,
+of beauty in the woods and waters and skies of the southern Mid-West. I
+do not know that he need have done more than unlock the riches of
+emotion within these limits. What I am sure of is that in 'Weeds by the
+Wall' he has more deeply charmed me with an art perfected from that I
+felt in 'Blooms of the Berry' ten or fifteen years since. Many little
+books of his have come (I hope not also gone) between the first and
+last, and none of them has failed to make me glad of his work; and now,
+again, I am finding the same impassioned moods in the same impassive
+presences. To my knowledge, no such nature poems have been written
+within the time since Mr. Cawein began to write as his are, or from such
+an intimacy with the 'various language' which nature speaks. There are
+other good poems in the book, poems which would have made reputes in the
+eighteenth century, and which it would be a shame not to own good in the
+twentieth; but those which speak for 'The Cricket,' 'A Twilight Moth,'
+'The Grasshopper,' 'The Tree-Toad,' 'The Screech Owl,' 'The Chipmunk,'
+'Drouth,' 'Before the Rain,' and the like, are in a voice which
+interprets the very soul of what we call the inarticulate things, though
+they seem to have enunciated themselves so distinctly to this poet. It
+is cheap to note his increasing control of his affluent imagery and the
+growing mastery that makes him so fine an artist. These things were to
+be expected from his early poems, but what makes one think he will go
+far and long, and outlive both praise and blame, is the blending of a
+sense of the Kentucky civilization in such a poem as 'Feud.'...
+Civilization may not be quite the word for the condition of things
+suggested here, but there can be no doubt of the dramatic and the
+graphic power that suggests it, and that imparts a personal sense of the
+tragic squalor, the sultry drouth, the forlorn wickedness of it all. By
+such a way as this lies Mr. Cawein's hope of rise from nature up to man,
+if it is up; and also, as I perceive too late, lies confusion for the
+critic who said that the poet does not transcend the limits he once
+seemed to give himself."
+
+
+ * * * * *
+
+
+TRANSCRIBER'S NOTE: Page 76 "wickednsse" changed to "wickedness" (the
+forlorn wickedness of it all.)
+
+
+
+
+
+End of Project Gutenberg's A Voice on the Wind, by Madison Julius Cawein
+
+*** END OF THIS PROJECT GUTENBERG EBOOK A VOICE ON THE WIND ***
+
+***** This file should be named 33940-8.txt or 33940-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/3/9/4/33940/
+
+Produced by David Garcia, Dianne Nolan and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/33940-8.zip b/33940-8.zip
new file mode 100644
index 0000000..6fa41d2
--- /dev/null
+++ b/33940-8.zip
Binary files differ
diff --git a/33940-h.zip b/33940-h.zip
new file mode 100644
index 0000000..2541302
--- /dev/null
+++ b/33940-h.zip
Binary files differ
diff --git a/33940-h/33940-h.htm b/33940-h/33940-h.htm
new file mode 100644
index 0000000..ff7705a
--- /dev/null
+++ b/33940-h/33940-h.htm
@@ -0,0 +1,2975 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+<!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ -->
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of A Voice on the Wind, by Madison Cawein.
+ </title>
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+}
+
+table {
+ margin-left: auto;
+ margin-right: auto;
+}
+
+.pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+} /* page numbers */
+
+.blockquot {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+.center {text-align: center;}
+
+.smcap {font-variant: small-caps;}
+
+.u {text-decoration: underline;}
+
+.caption {font-weight: bold;}
+
+/* Images */
+.figcenter {
+ margin: auto;
+ text-align: center;
+}
+
+/* Poetry */
+.poem {
+ margin-left:10%;
+ margin-right:10%;
+ text-align: left;
+}
+
+.poem br {display: none;}
+
+.poem .stanza {margin: 1em 0em 1em 0em;}
+
+.poem h3 { /* title of poem above text */
+ margin-left: 6em; /* indented within poem, or.. */
+ text-align: left;
+ }
+
+.poem h4 { /* title of poem above text */
+ margin-left: 10em; /* indented within poem, or.. */
+ text-align: left;
+}
+
+.poem span.i0 {
+ display: block;
+ margin-left: 0em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i1 {
+ display: block;
+ margin-left: 1em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i2 {
+ display: block;
+ margin-left: 2em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i3 {
+ display: block;
+ margin-left: 3em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i4 {
+ display: block;
+ margin-left: 4em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i5 {
+ display: block;
+ margin-left: 5em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i6 {
+ display: block;
+ margin-left: 6em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+ins {text-decoration:none; border-bottom: thin dotted gray;
+}
+
+div.notes {background-color: #eeeeee; color: #000; border: 1px solid black;
+ padding-top: 0em; padding-bottom: .5em; padding-left: 2em; padding-right: 2em;
+ margin-top: 2em; margin-bottom: 4em; font-family: sans-serif; font-size: 90%;}
+
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of A Voice on the Wind, by Madison Julius Cawein
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Voice on the Wind
+ and Other Poems
+
+Author: Madison Julius Cawein
+
+Release Date: October 6, 2010 [EBook #33940]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A VOICE ON THE WIND ***
+
+
+
+
+Produced by David Garcia, Dianne Nolan and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+
+
+
+
+</pre>
+
+
+
+
+
+<div class="notes"><h3>Transcriber's Notes</h3><p>List of Poems did not appear in original book. Original spellings
+ and punctuation have been retained. Typographical error marked with mouse-hover pop-up.</p></div>
+
+<h3>LIST OF POEMS</h3>
+<p class="center">
+<a href="#PROEM"><b>PROEM.</b></a><br />
+<a href="#A_VOICE_ON_THE_WIND"><b>A VOICE ON THE WIND</b></a><br />
+<a href="#THE_LAND_OF_HEARTS_MADE_WHOLE"><b>THE LAND OF HEARTS MADE WHOLE</b></a><br />
+<a href="#THE_WIND_OF_WINTER"><b>THE WIND OF WINTER</b></a><br />
+<a href="#THE_WIND_OF_SUMMER"><b>THE WIND OF SUMMER</b></a><br />
+<a href="#THE_SPIRIT_OF_THE_FOREST_SPRING"><b>THE SPIRIT OF THE FOREST SPRING</b></a><br />
+<a href="#TO_THE_LEAF-CRICKET"><b>TO THE LEAF-CRICKET</b></a><br />
+<a href="#THE_OWLET"><b>THE OWLET</b></a><br />
+<a href="#VINE_AND_SYCAMORE"><b>VINE AND SYCAMORE</b></a><br />
+<a href="#THE_POET"><b>THE POET</b></a><br />
+<a href="#EVENING_ON_THE_FARM"><b>EVENING ON THE FARM</b></a><br />
+<a href="#THE_BROOK"><b>THE BROOK</b></a><br />
+<a href="#SUMMER_NOONTIDE"><b>SUMMER NOONTIDE</b></a><br />
+<a href="#HEAT"><b>HEAT</b></a><br />
+<a href="#JULY"><b>JULY</b></a><br />
+<a href="#TO_THE_LOCUST"><b>TO THE LOCUST</b></a><br />
+<a href="#YOUNG_SEPTEMBER"><b>YOUNG SEPTEMBER</b></a><br />
+<a href="#UNDER_THE_HUNTERS_MOON"><b>UNDER THE HUNTER'S MOON</b></a><br />
+<a href="#RAIN_IN_THE_WOODS"><b>RAIN IN THE WOODS</b></a><br />
+<a href="#IN_THE_LANE"><b>IN THE LANE</b></a><br />
+<a href="#A_FOREST_IDYL"><b>A FOREST IDYL</b></a><br />
+<a href="#UNDER_THE_ROSE"><b>UNDER THE ROSE</b></a><br />
+<a href="#IN_AUTUMN"><b>IN AUTUMN</b></a><br />
+<a href="#EPIPHANY"><b>EPIPHANY</b></a><br />
+<a href="#LIFE"><b>LIFE</b></a><br />
+<a href="#NEVER"><b>NEVER</b></a><br />
+<a href="#MEETING_IN_THE_WOODS"><b>MEETING IN THE WOODS</b></a><br />
+<a href="#A_MAID_WHO_DIED_OLD"><b>A MAID WHO DIED OLD</b></a><br />
+<a href="#COMMUNICANTS"><b>COMMUNICANTS</b></a><br />
+<a href="#THE_DEAD_DAY"><b>THE DEAD DAY</b></a><br />
+<a href="#KNIGHT-ERRANT"><b>KNIGHT-ERRANT</b></a><br />
+<a href="#THE_END_OF_SUMMER"><b>THE END OF SUMMER</b></a><br />
+<a href="#LIGHT_AND_WIND"><b>LIGHT AND WIND</b></a><br />
+<a href="#SUPERSTITION"><b>SUPERSTITION</b></a><br />
+<a href="#UNCALLED"><b>UNCALLED</b></a><br />
+<a href="#LOVE_DESPISED"><b>LOVE DESPISED</b></a><br />
+<a href="#THE_DEATH_OF_LOVE"><b>THE DEATH OF LOVE</b></a><br />
+<a href="#GERALDINE_GERALDINE"><b>GERALDINE, GERALDINE</b></a><br />
+<a href="#ALLUREMENT"><b>ALLUREMENT</b></a><br />
+<a href="#BLACK_VESPERS_PAGEANTS"><b>BLACK VESPER'S PAGEANTS.</b></a><br /><br /><br />
+</p>
+
+
+
+
+<h1>A Voice on the Wind</h1>
+
+
+<h3><span class="smcap">And Other Poems</span></h3>
+
+<h3>by</h3>
+<h2>Madison Cawein</h2>
+
+<div class="figcenter" style="width: 306px;">
+<img src="images/dectriangle.png" width="306" height="194" alt="decorative triangle" title="" />
+</div>
+
+
+<div class="center">
+<table border="0" cellpadding="4" cellspacing="0" summary="">
+<tr><td align="center">Louisville</td></tr>
+<tr><td align="center">John P. Morton &amp; Company, Publishers</td></tr>
+<tr><td align="center">1902</td></tr>
+</table></div>
+
+
+
+<hr style="width: 65%;" />
+<h4><span class="smcap">Copyrighted 1902, by Madison Cawein</span></h4>
+
+
+
+<hr style="width: 65%;" />
+<h5>For permission to reprint several of the poems included in this
+volume thanks are due to the <i>Atlantic Monthly</i>,<br />
+<i>Harper's Magazine</i>, <i>The Century Magazine</i>, <i>Smart Set</i>,
+<i>Saturday Evening Post</i>, and <i>Lippincott's Magazine</i>.</h5>
+<hr style="width: 65%;" />
+
+
+
+
+<h3>INSCRIBED</h3>
+
+<h4>TO</h4>
+
+<h2>EDMUND GOSSE<br /></h2>
+
+<h5>AS A SLIGHT TOKEN OF APPRECIATION AND ESTEEM<br /></h5>
+
+
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="PROEM" id="PROEM"></a>PROEM.</h2>
+
+
+
+<div class="poem"><div class="stanza">
+<span class="i0 smcap">Oh, for a soul that fulfills<br /></span>
+<span class="i1 smcap">Music like that of a bird!<br /></span>
+<span class="i0 smcap">Thrilling with rapture the hills,<br /></span>
+<span class="i1 smcap">Heedless if any one heard.<br /></span>
+</div><div class="stanza">
+<span class="i0 smcap">Or, like the flower that blooms<br /></span>
+<span class="i1 smcap">Lone in the midst of the trees,<br /></span>
+<span class="i0 smcap">Filling the woods with perfumes,<br /></span>
+<span class="i1 smcap">Careless if any one sees.<br /></span>
+</div><div class="stanza">
+<span class="i0 smcap">Or, like the wandering wind,<br /></span>
+<span class="i1 smcap">Over the meadows that swings,<br /></span>
+<span class="i0 smcap">Bringing wild sweets to mankind,<br /></span>
+<span class="i1 smcap">Knowing not that which it brings.<br /></span>
+</div><div class="stanza">
+<span class="i0 smcap">Oh, for a way to impart<br /></span>
+<span class="i1 smcap">Beauty, no matter how hard!<br /></span>
+<span class="i0 smcap">Like unto nature, whose art<br /></span>
+<span class="i1 smcap">Never once dreams of reward.<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<span class="pagenum"><a name="Page_1" id="Page_1">[Pg 1]</a></span>
+<h1>A Voice on the Wind</h1>
+
+<div class="figcenter" style="width: 144px;">
+<img src="images/fleurdelis.png" width="144" height="84" alt="fleur-de-lis" title="" />
+</div>
+
+
+<h2><a name="A_VOICE_ON_THE_WIND" id="A_VOICE_ON_THE_WIND"></a>A VOICE ON THE WIND</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">She walks with the wind on the windy height<br /></span>
+<span class="i0">When the rocks are loud and the waves are white,<br /></span>
+<span class="i0">And all night long she calls through the night,<br /></span>
+<span class="i3">"O, my children, come home!"<br /></span>
+<span class="i0">Her bleak gown, torn as a tattered cloud,<br /></span>
+<span class="i0">Tosses around her like a shroud,<br /></span>
+<span class="i0">While over the deep her voice rings loud,&mdash;<br /></span>
+<span class="i3">"O, my children, come home, come home!<br /></span>
+<span class="i3">O, my children, come home!"<br /></span>
+</div><div class="stanza">
+<span class="i0">Who is she who wanders alone,<br /></span>
+<span class="i0">When the wind drives sheer and the rain is blown?<br /></span>
+<span class="i0">Who walks all night and makes her moan,<br /></span>
+<span class="i3">"O, my children, come home!"<br /></span>
+<span class="i0">Whose face is raised to the blinding gale;<br /></span>
+<span class="i0">Whose hair blows black and whose eyes are pale,<br /></span>
+<span class="i0">While over the world is heard her wail,&mdash;<br /></span>
+<span class="i3">"O, my children, come home, come home!<br /></span>
+<span class="i3">O, my children, come home!"<br /></span>
+</div><div class="stanza">
+<span class="i0">She walks with the wind in the windy wood;<br /></span>
+<span class="i0">The sad rain drips from her hair and hood,<br /></span>
+<span class="i0">And her cry sobs by, like a ghost pursued,<br /></span>
+<span class="i3">"O, my children, come home!"<br /></span>
+<span class="i3">"O, my children, come home!"<br /></span>
+<span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span>
+<span class="i0">Where the trees are gaunt and the rocks are drear,<br /></span>
+<span class="i0">The owl and the fox crouch down in fear,<br /></span>
+<span class="i0">While wild through the wood her voice they hear,&mdash;<br /></span>
+<span class="i3">"O, my children, come home, come home!<br /></span>
+<span class="i3">O, my children, come home!"<br /></span>
+</div><div class="stanza">
+<span class="i0">Who is she who shudders by<br /></span>
+<span class="i0">When the boughs blow bare and the dead leaves fly?<br /></span>
+<span class="i0">Who walks all night with her wailing cry,<br /></span>
+<span class="i3">"O, my children, come home!"<br /></span>
+<span class="i0">Who, strange of look, and wild of tongue,<br /></span>
+<span class="i0">With pale feet wounded and hands wan-wrung,<br /></span>
+<span class="i0">Sweeps on and on with her cry, far-flung,&mdash;<br /></span>
+<span class="i3">"O, my children, come home, come home!<br /></span>
+<span class="i3">O, my children, come home!"<br /></span>
+</div><div class="stanza">
+<span class="i0">'Tis the Spirit of Autumn, no man sees,<br /></span>
+<span class="i0">The mother of Death and Mysteries,<br /></span>
+<span class="i0">Who cries on the wind all night to these,<br /></span>
+<span class="i3">"O, my children, come home!"<br /></span>
+<span class="i0">The Spirit of Autumn, pierced with pain,<br /></span>
+<span class="i0">Calling her children home again,<br /></span>
+<span class="i0">Death and Dreams, through ruin and rain,<br /></span>
+<span class="i3">"O, my children, come home, come home!<br /></span>
+<span class="i3">O, my children, come home!"<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<span class="pagenum"><a name="Page_3" id="Page_3">[Pg 3]</a></span>
+<h2><a name="THE_LAND_OF_HEARTS_MADE_WHOLE" id="THE_LAND_OF_HEARTS_MADE_WHOLE"></a>THE LAND OF HEARTS MADE WHOLE</h2>
+
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Do you know the way that goes<br /></span>
+<span class="i0">Over fields of rue and rose,&mdash;<br /></span>
+<span class="i2">Warm of scent and hot of hue,<br /></span>
+<span class="i2">Roofed with heaven's bluest blue,&mdash;<br /></span>
+<span class="i2">To the Vale of Dreams Come True?<br /></span>
+</div><div class="stanza">
+<span class="i0">Do you know the path that twines,<br /></span>
+<span class="i0">Banked with elder-bosks and vines,<br /></span>
+<span class="i2">Under boughs that shade a stream,<br /></span>
+<span class="i2">Hurrying, crystal as a gleam,<br /></span>
+<span class="i2">To the Hills of Love a-Dream?<br /></span>
+</div><div class="stanza">
+<span class="i0">Tell me, tell me, have you gone<br /></span>
+<span class="i0">Through the fields and woods of dawn,<br /></span>
+<span class="i2">Meadowlands and trees that roll,<br /></span>
+<span class="i2">Great of grass and huge of bole,<br /></span>
+<span class="i2">To the Land of Hearts Made Whole?<br /></span>
+</div><div class="stanza">
+<span class="i0">On the way, among the fields,<br /></span>
+<span class="i0">Poppies lift vermilion shields,<br /></span>
+<span class="i2">In whose hearts the golden Noon,<br /></span>
+<span class="i2">Murmuring her drowsy tune,<br /></span>
+<span class="i2">Rocks the sleepy bees that croon.<br /></span>
+<span class="pagenum"><a name="Page_4" id="Page_4">[Pg 4]</a></span>
+</div><div class="stanza">
+<span class="i0">On the way, amid the woods,<br /></span>
+<span class="i0">Mandrakes muster multitudes,<br /></span>
+<span class="i2">'Mid whose blossoms, white as tusk,<br /></span>
+<span class="i2">Glides the glimmering Forest-Dusk,<br /></span>
+<span class="i2">With her fluttering moths of musk.<br /></span>
+</div><div class="stanza">
+<span class="i0">Here you hear the stealthy stir<br /></span>
+<span class="i0">Of shy lives of hoof and fur;<br /></span>
+<span class="i2">Harmless things that hide and peer,<br /></span>
+<span class="i2">Hearts that sucked the milk of fear&mdash;<br /></span>
+<span class="i2">Fox and rabbit, squirrel and deer.<br /></span>
+</div><div class="stanza">
+<span class="i0">Here you see the mossy flight<br /></span>
+<span class="i0">Of faint forms that love the night&mdash;<br /></span>
+<span class="i2">Whippoorwill- and owlet-things,<br /></span>
+<span class="i2">Whose far call before you brings<br /></span>
+<span class="i2">Wonder-worlds of happenings.<br /></span>
+</div><div class="stanza">
+<span class="i0">Now in sunlight, now in shade,<br /></span>
+<span class="i0">Water, like a brandished blade,<br /></span>
+<span class="i2">Foaming forward, wild of flight,<br /></span>
+<span class="i2">Startles then arrests the sight,<br /></span>
+<span class="i2">Whirling steely loops of light.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thro' the tree-tops, down the vale,<br /></span>
+<span class="i0">Breezes pass and leave a trail<br /></span>
+<span class="i2">Of cool music that the birds,<br /></span>
+<span class="i2">Following in happy herds,<br /></span>
+<span class="i2">Gather up in twittering words.<br /></span>
+<span class="pagenum"><a name="Page_5" id="Page_5">[Pg 5]</a></span>
+</div><div class="stanza">
+<span class="i0">Blossoms, frail and manifold,<br /></span>
+<span class="i0">Strew the way with pearl and gold;<br /></span>
+<span class="i2">Blurs, that seem the darling print<br /></span>
+<span class="i2">Of the Springtime's feet, or glint<br /></span>
+<span class="i2">Of her twinkling gown's torn tint.<br /></span>
+</div><div class="stanza">
+<span class="i0">There the myths of old endure:<br /></span>
+<span class="i0">Dreams that are the world-soul's cure;<br /></span>
+<span class="i2">Things that have no place or play<br /></span>
+<span class="i2">In the facts of Everyday<br /></span>
+<span class="i2">'Round your presence smile and sway.<br /></span>
+</div><div class="stanza">
+<span class="i0">Suddenly your eyes may see,<br /></span>
+<span class="i0">Stepping softly from her tree,<br /></span>
+<span class="i2">Slim of form and wet with dew,<br /></span>
+<span class="i2">The brown dryad; lips the hue<br /></span>
+<span class="i2">Of a berry bit into.<br /></span>
+</div><div class="stanza">
+<span class="i0">You may mark the naiad rise<br /></span>
+<span class="i0">From her pool's reflected skies;<br /></span>
+<span class="i2">In her gaze the heaven that dreams,<br /></span>
+<span class="i2">Starred, in twilight-haunted streams,<br /></span>
+<span class="i2">Mixed with water's grayer gleams.<br /></span>
+</div><div class="stanza">
+<span class="i0">You may see the laurel's girth,<br /></span>
+<span class="i0">Big of bloom, give fragrant birth<br /></span>
+<span class="i2">To the oread whose hair,<br /></span>
+<span class="i2">Musk and darkness, light and air,<br /></span>
+<span class="i2">Fills the hush with wonder there.<br /></span>
+<span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span>
+</div><div class="stanza">
+<span class="i0">You may mark the rocks divide,<br /></span>
+<span class="i0">And the faun before you glide,<br /></span>
+<span class="i2">Piping on a magic reed,<br /></span>
+<span class="i2">Sowing many a music seed,<br /></span>
+<span class="i2">From which bloom and mushroom bead.<br /></span>
+</div><div class="stanza">
+<span class="i0">Of the rain and sunlight born,<br /></span>
+<span class="i0">Young of beard and young of horn,<br /></span>
+<span class="i2">You may see the satyr lie,<br /></span>
+<span class="i2">With a very knowing eye,<br /></span>
+<span class="i2">Teaching youngling birds to fly.<br /></span>
+</div><div class="stanza">
+<span class="i0">These shall cheer and follow you<br /></span>
+<span class="i0">Through the Vale of Dreams Come True;<br /></span>
+<span class="i2">Wind-like voices, leaf-like feet;<br /></span>
+<span class="i2">Forms of mist and hazy heat,<br /></span>
+<span class="i2">In whose pulses sunbeams beat.<br /></span>
+</div><div class="stanza">
+<span class="i0">Lo! you tread enchanted ground!<br /></span>
+<span class="i0">From the hollows all around<br /></span>
+<span class="i2">Elf and spirit, gnome and fay,<br /></span>
+<span class="i2">Guide your feet along the way<br /></span>
+<span class="i2">Till the dewy close of day.<br /></span>
+</div><div class="stanza">
+<span class="i0">Then beside you, jet on jet,<br /></span>
+<span class="i0">Emerald-hued or violet,<br /></span>
+<span class="i2">Flickering swings a firefly light,<br /></span>
+<span class="i2">Aye to guide your steps a-right<br /></span>
+<span class="i2">From the valley to the height.<br /></span>
+<span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span>
+</div><div class="stanza">
+<span class="i0">Steep the way is; when at last<br /></span>
+<span class="i0">Vale and wood and stream are passed,<br /></span>
+<span class="i2">From the heights you shall behold<br /></span>
+<span class="i2">Panther heavens of spotted gold<br /></span>
+<span class="i2">Tiger-tawny deeps unfold.<br /></span>
+</div><div class="stanza">
+<span class="i0">You shall see on stocks and stones<br /></span>
+<span class="i0">Sunset's bell-deep color tones<br /></span>
+<span class="i2">Fallen; and the valleys filled<br /></span>
+<span class="i2">With dusk's purple music, spilled<br /></span>
+<span class="i2">On the silence rapture-thrilled.<br /></span>
+</div><div class="stanza">
+<span class="i0">Then, as answering bell greets bell,<br /></span>
+<span class="i0">Night ring in her miracle<br /></span>
+<span class="i2">Of the doméd dark, o'er-rolled,<br /></span>
+<span class="i2">Note on note, with starlight cold,<br /></span>
+<span class="i2">'Twixt the moon's broad peal of gold.<br /></span>
+</div><div class="stanza">
+<span class="i0">On the hill-top Love-a-Dream<br /></span>
+<span class="i0">Shows you then her window-gleam;<br /></span>
+<span class="i2">Brings you home and folds your soul<br /></span>
+<span class="i2">In the peace of vale and knoll,<br /></span>
+<span class="i2">In the Land of Hearts Made Whole.<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span>
+<h2><a name="THE_WIND_OF_WINTER" id="THE_WIND_OF_WINTER"></a>THE WIND OF WINTER</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">The Winter Wind, the wind of death,<br /></span>
+<span class="i1">Who knocked upon my door,<br /></span>
+<span class="i0">Now through the key-hole entereth,<br /></span>
+<span class="i1">Invisible and hoar;<br /></span>
+<span class="i0">He breathes around his icy breath<br /></span>
+<span class="i1">And treads the flickering floor.<br /></span>
+</div><div class="stanza">
+<span class="i0">I heard him, wandering in the night,<br /></span>
+<span class="i1">Tap at my window pane,<br /></span>
+<span class="i0">With ghostly fingers, snowy white,<br /></span>
+<span class="i1">I heard him tug in vain,<br /></span>
+<span class="i0">Until the shuddering candle-light<br /></span>
+<span class="i1">With fear did cringe and strain.<br /></span>
+</div><div class="stanza">
+<span class="i0">The fire, awakened by his voice,<br /></span>
+<span class="i1">Leapt up with frantic arms,<br /></span>
+<span class="i0">Like some wild babe that greets with noise<br /></span>
+<span class="i1">Its father home who storms,<br /></span>
+<span class="i0">With rosy gestures that rejoice<br /></span>
+<span class="i1">And crimson kiss that warms.<br /></span>
+</div><div class="stanza">
+<span class="i0">Now in the hearth he sits and, drowned<br /></span>
+<span class="i1">Among the ashes, blows;<br /></span>
+<span class="i0">Or through the room goes stealing 'round<br /></span>
+<span class="i1">On cautious-stepping toes,<br /></span>
+<span class="i0">Deep mantled in the drowsy sound<br /></span>
+<span class="i1">Of night that sleets and snows.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span>
+<span class="i0">And oft, like some thin fairy-thing,<br /></span>
+<span class="i1">The stormy hush amid,<br /></span>
+<span class="i0">I hear his captive trebles ring<br /></span>
+<span class="i1">Beneath the kettle's lid;<br /></span>
+<span class="i0">Or now a harp of elfland string<br /></span>
+<span class="i1">In some dark cranny hid.<br /></span>
+</div><div class="stanza">
+<span class="i0">Again I hear him, imp-like, whine<br /></span>
+<span class="i1">Cramped in the gusty flue;<br /></span>
+<span class="i0">Or knotted in the resinous pine<br /></span>
+<span class="i1">Raise goblin cry and hue,<br /></span>
+<span class="i0">While through the smoke his eyeballs shine,<br /></span>
+<span class="i1">A sooty red and blue.<br /></span>
+</div><div class="stanza">
+<span class="i0">At last I hear him, nearing dawn,<br /></span>
+<span class="i1">Take up his roaring broom,<br /></span>
+<span class="i0">And sweep wild leaves from wood and lawn,<br /></span>
+<span class="i1">And from the heavens the gloom,<br /></span>
+<span class="i0">To show the gaunt world lying wan,<br /></span>
+<span class="i1">And morn's cold rose a-bloom.<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<span class="pagenum"><a name="Page_10" id="Page_10">[Pg 10]</a></span>
+<h2><a name="THE_WIND_OF_SUMMER" id="THE_WIND_OF_SUMMER"></a>THE WIND OF SUMMER</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">From the hills and far away<br /></span>
+<span class="i0">All the long, warm summer day<br /></span>
+<span class="i0">Comes the wind and seems to say:<br /></span>
+</div><div class="stanza">
+<span class="i0">"Come, oh, come! and let us go<br /></span>
+<span class="i0">Where the meadows bend and blow,<br /></span>
+<span class="i0">Waving with the white-tops' snow.<br /></span>
+</div><div class="stanza">
+<span class="i0">"'Neath the hyssop-colored sky<br /></span>
+<span class="i0">'Mid the meadows we will lie<br /></span>
+<span class="i0">Watching the white clouds roll by;<br /></span>
+</div><div class="stanza">
+<span class="i0">"While your hair my hands shall press<br /></span>
+<span class="i0">With a cooling tenderness<br /></span>
+<span class="i0">Till your grief grows less and less.<br /></span>
+</div><div class="stanza">
+<span class="i0">"Come, oh, come! and let us roam<br /></span>
+<span class="i0">Where the rock-cut waters comb<br /></span>
+<span class="i0">Flowing crystal into foam.<br /></span>
+</div><div class="stanza">
+<span class="i0">"Under trees whose trunks are brown,<br /></span>
+<span class="i0">On the banks that violets crown,<br /></span>
+<span class="i0">We will watch the fish flash down;<br /></span>
+</div><div class="stanza">
+<span class="i0">"While your ear my voice shall soothe<br /></span>
+<span class="i0">With a whisper soft and smooth<br /></span>
+<span class="i0">Till your care shall wax uncouth.<br /></span>
+<span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span>
+</div><div class="stanza">
+<span class="i0">"Come! where forests, line on line,<br /></span>
+<span class="i0">Armies of the oak and pine,<br /></span>
+<span class="i0">Scale the hills and shout and shine.<br /></span>
+</div><div class="stanza">
+<span class="i0">"We will wander, hand in hand,<br /></span>
+<span class="i0">Ways where tall the toadstools stand,<br /></span>
+<span class="i0">Mile-stones white of Fairyland.<br /></span>
+</div><div class="stanza">
+<span class="i0">"While your eyes my lips shall kiss,<br /></span>
+<span class="i0">Dewy as a wild rose is,<br /></span>
+<span class="i0">Till they gaze on naught but bliss.<br /></span>
+</div><div class="stanza">
+<span class="i0">"On the meadows you will hear,<br /></span>
+<span class="i0">Leaning low your spirit ear,<br /></span>
+<span class="i0">Cautious footsteps drawing near.<br /></span>
+</div><div class="stanza">
+<span class="i0">"You will deem it but a bee,<br /></span>
+<span class="i0">Murmuring soft and sleepily,<br /></span>
+<span class="i0">Till your inner sight shall see<br /></span>
+</div><div class="stanza">
+<span class="i0">"'Tis a presence passing slow,<br /></span>
+<span class="i0">All its shining hair ablow,<br /></span>
+<span class="i0">Through the white-tops' tossing snow.<br /></span>
+</div><div class="stanza">
+<span class="i0">"By the waters, if you will,<br /></span>
+<span class="i0">And your inmost soul be still,<br /></span>
+<span class="i0">Melody your ears shall fill.<br /></span>
+</div><div class="stanza">
+<span class="i0">"You will deem it but the stream<br /></span>
+<span class="i0">Rippling onward in a dream,<br /></span>
+<span class="i0">Till upon your gaze shall gleam<br /></span>
+<span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span>
+</div><div class="stanza">
+<span class="i0">"Arm of spray and throat of foam&mdash;<br /></span>
+<span class="i0">'Tis a spirit there aroam<br /></span>
+<span class="i0">Where the radiant waters comb.<br /></span>
+</div><div class="stanza">
+<span class="i0">"In the forest, if you heed,<br /></span>
+<span class="i0">You shall hear a magic reed<br /></span>
+<span class="i0">Sow sweet notes like silver seed.<br /></span>
+</div><div class="stanza">
+<span class="i0">"You will deem your ears have heard<br /></span>
+<span class="i0">Stir of tree or song of bird,<br /></span>
+<span class="i0">Till your startled eyes are blurred<br /></span>
+</div><div class="stanza">
+<span class="i0">"By a vision, instant seen,<br /></span>
+<span class="i0">Naked gold and beryl green,<br /></span>
+<span class="i0">Glimmering bright the boughs between.<br /></span>
+</div><div class="stanza">
+<span class="i0">"Follow me! and you shall see<br /></span>
+<span class="i0">Wonder-worlds of mystery<br /></span>
+<span class="i0">That are only known to me!"<br /></span>
+</div><div class="stanza">
+<span class="i0">Thus outside my city door<br /></span>
+<span class="i0">Speaks the Wind its wildwood lore,<br /></span>
+<span class="i0">Speaks and lo! I go once more.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span>
+
+<h2><a name="THE_SPIRIT_OF_THE_FOREST_SPRING" id="THE_SPIRIT_OF_THE_FOREST_SPRING"></a>THE SPIRIT OF THE FOREST SPRING</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Over the rocks she trails her locks,<br /></span>
+<span class="i0">Her mossy locks that drip, drip, drip;<br /></span>
+<span class="i0">Her sparkling eyes smile at the skies<br /></span>
+<span class="i0">In friendship-wise and fellowship;<br /></span>
+<span class="i0">While the gleam and glance of her countenance<br /></span>
+<span class="i0">Lull into trance the woodland places,<br /></span>
+<span class="i0">As over the rocks she trails her locks,<br /></span>
+<span class="i0">Her dripping locks that the long fern graces.<br /></span>
+</div><div class="stanza">
+<span class="i0">She pours clear ooze from her heart's cool cruse,<br /></span>
+<span class="i0">Its crystal cruse that drips, drips, drips;<br /></span>
+<span class="i0">And all the day its diamond spray<br /></span>
+<span class="i0">Is heard to play from her finger-tips;<br /></span>
+<span class="i0">And the slight soft sound makes haunted ground<br /></span>
+<span class="i0">Of the woods around that the sunlight laces,<br /></span>
+<span class="i0">As she pours clear ooze from her heart's cool cruse,<br /></span>
+<span class="i0">Its dripping cruse that no man traces.<br /></span>
+</div><div class="stanza">
+<span class="i0">She swims and swims with glimmering limbs,<br /></span>
+<span class="i0">With lucid limbs that drip, drip, drip;<br /></span>
+<span class="i0">Where beechen boughs build a leafy house<br /></span>
+<span class="i0">For her form to drowse or her feet to trip;<br /></span>
+<span class="i0">And the liquid beat of her rippling feet<br /></span>
+<span class="i0">Makes three-times sweet the forest mazes,<br /></span>
+<span class="i0">As she swims and swims with glimmering limbs,<br /></span>
+<span class="i0">With dripping limbs through the twilight's hazes.<br /></span>
+<span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span>
+</div><div class="stanza">
+<span class="i0">Then wrapped in deeps of the wild she sleeps,<br /></span>
+<span class="i0">She whispering sleeps and drips, drips, drips;<br /></span>
+<span class="i0">Where moon and mist wreathe neck and wrist,<br /></span>
+<span class="i0">While, starry-whist, through the night she slips;<br /></span>
+<span class="i0">And the heavenly dream of her soul makes gleam<br /></span>
+<span class="i0">The falls that stream and the foam that races,<br /></span>
+<span class="i0">As wrapped in deeps of the wild she sleeps,<br /></span>
+<span class="i0">She dripping sleeps or starward gazes.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<span class="pagenum"><a name="Page_15" id="Page_15">[Pg 15]</a></span>
+
+<h2><a name="TO_THE_LEAF-CRICKET" id="TO_THE_LEAF-CRICKET"></a>TO THE LEAF-CRICKET</h2>
+
+<div class="poem"><div class="stanza">
+<h4>I</h4>
+
+<span class="i6">Small twilight singer<br /></span>
+<span class="i0">Of dew and mist: thou ghost-gray, gossamer winger<br /></span>
+<span class="i6">Of dusk's dim glimmer,<br /></span>
+<span class="i0">How cool thy note sounds; how thy wings of shimmer<br /></span>
+<span class="i6">Vibrate, soft-sighing,<br /></span>
+<span class="i0">Meseems, for Summer that is dead or dying.<br /></span>
+<span class="i6">I stand and listen,<br /></span>
+<span class="i0">And at thy song the garden-beds, that glisten<br /></span>
+<span class="i6">With rose and lily,<br /></span>
+<span class="i0">Seem touched with sadness; and the tuberose chilly,<br /></span>
+<span class="i0">Breathing around its cold and colorless breath,<br /></span>
+<span class="i0">Fills the pale evening with wan hints of death.<br /></span>
+</div>
+
+<div class="stanza">
+<h4>II</h4>
+
+
+<span class="i6">I see thee quaintly<br /></span>
+<span class="i0">Beneath the leaf; thy shell-shaped winglets faintly&mdash;<br /></span>
+<span class="i6">As thin as spangle<br /></span>
+<span class="i0">Of cobwebbed rain&mdash;held up at airy angle;<br /></span>
+<span class="i6">I hear thy tinkle,<br /></span>
+<span class="i0">Thy fairy notes, the silvery stillness sprinkle;<br /></span>
+<span class="i6">Investing wholly<br /></span>
+<span class="i0">The moonlight with divinest melancholy:<br /></span>
+<span class="i6">Until, in seeming,<br /></span>
+<span class="i0">I see the Spirit of the Summer dreaming<br /></span>
+<span class="i0">Amid her ripened orchards, apple-strewn,<br /></span>
+<span class="i0">Her great, grave eyes fixed on the harvest-moon.<br /></span>
+</div>
+
+<div class="stanza">
+<h4>III</h4>
+<span class="pagenum"><a name="Page_16" id="Page_16">[Pg 16]</a></span>
+
+<span class="i6">As dew-drops beady,<br /></span>
+<span class="i0">As mist minute, thy notes ring low and reedy:<br /></span>
+<span class="i6">The vaguest vapor<br /></span>
+<span class="i0">Of melody, now near; now, like some taper<br /></span>
+<span class="i6">Of sound, far fading&mdash;<br /></span>
+<span class="i0">Thou will-o'-wisp of music aye evading.<br /></span>
+<span class="i6">Among the bowers,<br /></span>
+<span class="i0">The fog-washed stalks of Autumn's weeds and flowers,<br /></span>
+<span class="i6">By hill and hollow,<br /></span>
+<span class="i0">I hear thy murmur and in vain I follow&mdash;<br /></span>
+<span class="i0">Thou jack-o'-lantern voice, thou elfin cry,<br /></span>
+<span class="i0">Thou dirge, that tellest Beauty she must die.<br /></span>
+</div>
+
+<div class="stanza">
+<h4>IV</h4>
+
+
+<span class="i6">And when the frantic<br /></span>
+<span class="i0">Wild winds of Autumn with the dead leaves antic;<br /></span>
+<span class="i6">And walnuts scatter<br /></span>
+<span class="i0">The mire of lanes; and dropping acorns patter<br /></span>
+<span class="i6">In grove and forest,<br /></span>
+<span class="i0">Like some frail grief, with the rude blast thou warrest,<br /></span>
+<span class="i6">Sending thy slender<br /></span>
+<span class="i0">Far cry against the gale, that, rough, untender,<br /></span>
+<span class="i6">Untouched of sorrow,<br /></span>
+<span class="i0">Sweeps thee aside, where, haply, I to-morrow<br /></span>
+<span class="i0">Shall find thee lying, tiny, cold and crushed,<br /></span>
+<span class="i0">Thy weak wings folded and thy music hushed.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span>
+<h2><a name="THE_OWLET" id="THE_OWLET"></a>THE OWLET</h2>
+
+<div class="poem"><div class="stanza">
+<h4>I</h4>
+
+<span class="i0">When dusk is drowned in drowsy dreams,<br /></span>
+<span class="i2">And slow the hues of sunset die;<br /></span>
+<span class="i2">When firefly and moth go by,<br /></span>
+<span class="i0">And in still streams the new-moon gleams,<br /></span>
+<span class="i4">A sickle in the sky;<br /></span>
+<span class="i2">Then from the hills there comes a cry,<br /></span>
+<span class="i6">The owlet's cry;<br /></span>
+<span class="i0">A shivering voice that sobs and screams,<br /></span>
+<span class="i4">That, frightened, screams:<br /></span>
+</div><div class="stanza">
+<span class="i3">"Who is it, who is it, who?<br /></span>
+<span class="i3">Who rides through the dusk and dew,<br /></span>
+<span class="i5">With a pair o' horns,<br /></span>
+<span class="i5">As thin as thorns,<br /></span>
+<span class="i3">And face a bubble blue?<br /></span>
+<span class="i5">Who, who, who!<br /></span>
+<span class="i3">Who is it, who is it, who?"<br /></span>
+</div>
+
+<div class="stanza">
+<h4>II</h4>
+
+<span class="i0">When night has dulled the lily's white,<br /></span>
+<span class="i2">And opened wide the primrose eyes;<br /></span>
+<span class="i2">When pale mists rise and veil the skies,<br /></span>
+<span class="i0">And 'round the height in whispering flight<br /></span>
+<span class="i4">The night-wind sounds and sighs;<br /></span>
+<span class="i2">Then in the woods again it cries,<br /></span>
+<span class="i6">The owlet cries;<br /></span>
+<span class="i0">A shivering voice that calls in fright,<br /></span>
+<span class="i4">In maundering fright:<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span>
+<span class="i3">"Who is it, who is it, who?<br /></span>
+<span class="i3">Who walks with a shuffling shoe,<br /></span>
+<span class="i5">'Mid the gusty trees,<br /></span>
+<span class="i5">With a face none sees,<br /></span>
+<span class="i3">And a form as ghostly too?<br /></span>
+<span class="i5">Who, who, who!<br /></span>
+<span class="i3">Who is it, who is it, who?"<br /></span>
+</div>
+
+<div class="stanza">
+<h4>III</h4>
+
+<span class="i0">When midnight leans a listening ear<br /></span>
+<span class="i2">And tinkles on her insect lutes;<br /></span>
+<span class="i2">When 'mid the roots the cricket flutes,<br /></span>
+<span class="i0">And marsh and mere, now far, now near,<br /></span>
+<span class="i4">A jack-o'-lantern foots;<br /></span>
+<span class="i2">Then o'er the pool again it hoots,<br /></span>
+<span class="i6">The owlet hoots;<br /></span>
+<span class="i0">A voice that shivers as with fear,<br /></span>
+<span class="i4">That cries in fear:<br /></span>
+</div><div class="stanza">
+<span class="i3">"Who is it, who is it, who?<br /></span>
+<span class="i3">Who creeps with his glow-worm crew<br /></span>
+<span class="i5">Above the mire<br /></span>
+<span class="i5">With a corpse-light fire,<br /></span>
+<span class="i3">As only dead men do?<br /></span>
+<span class="i5">Who, who, who!<br /></span>
+<span class="i3">Who is it, who is it, who?"<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span>
+<h2><a name="VINE_AND_SYCAMORE" id="VINE_AND_SYCAMORE"></a>VINE AND SYCAMORE</h2>
+
+<div class="poem"><div class="stanza">
+<h4>I</h4>
+
+<span class="i0">Here where a tree and its wild liana,<br /></span>
+<span class="i1">Leaning over the streamlet, grow,<br /></span>
+<span class="i0">Once a nymph, like the moon'd Diana,<br /></span>
+<span class="i1">Sat in the ages long ago.<br /></span>
+<span class="i0">Sat with a mortal with whom she had mated,<br /></span>
+<span class="i1">Sat and laughed with a mortal youth,<br /></span>
+<span class="i0">Ere he of the forest, the god who hated,<br /></span>
+<span class="i1">Saw and changed to a form uncouth....<br /></span>
+</div><div class="stanza">
+
+
+<h4>II</h4>
+
+<span class="i0">Once in the woods she had heard a shepherd,<br /></span>
+<span class="i1">Heard a reed in a golden glade;<br /></span>
+<span class="i0">Followed, and clad in the skin of a leopard,<br /></span>
+<span class="i1">Found him fluting within the shade.<br /></span>
+<span class="i0">Found him sitting with bare brown shoulder,<br /></span>
+<span class="i1">Lithe and strong as a sapling oak,<br /></span>
+<span class="i0">And leaning over a mossy boulder,<br /></span>
+<span class="i1">Love in her wildwood heart awoke.<br /></span>
+</div><div class="stanza">
+
+
+<h4>III</h4>
+
+<span class="i0">White she was as a dogwood flower,<br /></span>
+<span class="i1">Pinkly white as a wild-crab bloom,<br /></span>
+<span class="i0">Sweetly white as a hawtree bower<br /></span>
+<span class="i1">Full of dew and the May's perfume.<br /></span>
+<span class="i0">He who saw her above him burning,<br /></span>
+<span class="i1">Beautiful, naked, in light arrayed,<br /></span>
+<span class="i0">Deemed her Diana, and from her turning,<br /></span>
+<span class="i1">Leapt to his feet and fled afraid.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span>
+
+<h4>IV</h4>
+
+<span class="i0">Far she followed and called and pleaded,<br /></span>
+<span class="i1">Ever he fled with never a look;<br /></span>
+<span class="i0">Fled, till he came to this spot, deep-reeded,<br /></span>
+<span class="i1">Came to the bank of this forest brook.<br /></span>
+<span class="i0">Here for a moment he stopped and listened,<br /></span>
+<span class="i1">Heard in her voice her heart's despair,<br /></span>
+<span class="i0">Saw in her eyes the love that glistened,<br /></span>
+<span class="i1">Sank on her bosom and rested there.<br /></span>
+</div><div class="stanza">
+
+
+<h4>V</h4>
+
+<span class="i0">Close to her beauty she strained and pressed him,<br /></span>
+<span class="i1">Held and bound him with kiss on kiss;<br /></span>
+<span class="i0">Soft with her arms and her lips caressed him,<br /></span>
+<span class="i1">Sweeter of touch than a blossom is.<br /></span>
+<span class="i0">Spoke to his heart, and with sweet persuasion<br /></span>
+<span class="i1">Mastered his soul till its fear was flown;<br /></span>
+<span class="i0">Spoke to his soul till its mortal evasion<br /></span>
+<span class="i1">Vanished, and body and soul were her own.<br /></span>
+</div><div class="stanza">
+
+
+<h4>VI</h4>
+
+<span class="i0">Many a day had they met and mated,<br /></span>
+<span class="i1">Many a day by this woodland brook,<br /></span>
+<span class="i0">When he of the forest, the god who hated,<br /></span>
+<span class="i1">Came on their love and changed with a look.<br /></span>
+<span class="i0">There on the shore, while they joyed and jested,<br /></span>
+<span class="i1">He in the shadows, unseen, espied<br /></span>
+<span class="i0">Her, like the goddess Diana breasted,<br /></span>
+<span class="i1">Him, like Endymion by her side.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span>
+
+<h4>VII</h4>
+
+<span class="i0">Lo! at a word, at a sign, their folded<br /></span>
+<span class="i1">Limbs and bodies assumed new form,<br /></span>
+<span class="i0">Hers to the shape of a tree were molded,<br /></span>
+<span class="i1">His to a vine with surrounding arm....<br /></span>
+<span class="i0">So they stand with their limbs enlacing,<br /></span>
+<span class="i1">Nymph and mortal, upon this shore,<br /></span>
+<span class="i0">He forever a vine embracing<br /></span>
+<span class="i1">Her a silvery sycamore.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span></p>
+<h2><a name="THE_POET" id="THE_POET"></a>THE POET</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">He stands above all worldly schism,<br /></span>
+<span class="i0">And, gazing over life's abysm,<br /></span>
+<span class="i0">Beholds within the starry range<br /></span>
+<span class="i0">Of heaven laws of death and change,<br /></span>
+<span class="i0">That, through his soul's prophetic prism,<br /></span>
+<span class="i0">Are turned to rainbows wild and strange.<br /></span>
+</div><div class="stanza">
+<span class="i0">Through nature is his hope made surer<br /></span>
+<span class="i0">Of that ideal, his allurer,<br /></span>
+<span class="i0">By whom his life is upward drawn<br /></span>
+<span class="i0">To mount pale pinnacles of dawn,<br /></span>
+<span class="i0">'Mid which all that is fairer, purer<br /></span>
+<span class="i0">Of love and lore it comes upon.<br /></span>
+</div><div class="stanza">
+<span class="i0">An alkahest, that makes gold metal<br /></span>
+<span class="i0">Of dross, his mind is&mdash;where one petal<br /></span>
+<span class="i0">Of one wild-rose will all outweigh<br /></span>
+<span class="i0">The piled-up facts of everyday&mdash;<br /></span>
+<span class="i0">Where commonplaces, there that settle,<br /></span>
+<span class="i0">Are changed to things of heavenly ray.<br /></span>
+</div><div class="stanza">
+<span class="i0">He climbs by steps of stars and flowers,<br /></span>
+<span class="i0">Companioned of the dreaming hours,<br /></span>
+<span class="i0">And sets his feet in pastures where<br /></span>
+<span class="i0">No merely mortal feet may fare;<br /></span>
+<span class="i0">And higher than the stars he towers<br /></span>
+<span class="i0">Though lowlier than the flowers there.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span>
+<span class="i0">His comrades are his own high fancies<br /></span>
+<span class="i0">And thoughts in which his soul romances;<br /></span>
+<span class="i0">And every part of heaven or earth<br /></span>
+<span class="i0">He visits, lo, assumes new worth;<br /></span>
+<span class="i0">And touched with loftier traits and trances<br /></span>
+<span class="i0">Re-shines as with a lovelier birth.<br /></span>
+</div><div class="stanza">
+<span class="i0">He is the play, likewise the player;<br /></span>
+<span class="i0">The word that's said, also the sayer;<br /></span>
+<span class="i0">And in the books of heart and head<br /></span>
+<span class="i0">There is no thing he has not read;<br /></span>
+<span class="i0">Of time and tears he is the weigher,<br /></span>
+<span class="i0">And mouthpiece 'twixt the quick and dead.<br /></span>
+</div><div class="stanza">
+<span class="i0">He dies: but, mounting ever higher,<br /></span>
+<span class="i0">Wings Ph&oelig;nix-like from out his pyre<br /></span>
+<span class="i0">Above our mortal day and night,<br /></span>
+<span class="i0">Clothed on with sempiternal light;<br /></span>
+<span class="i0">And raimented in thought's far fire<br /></span>
+<span class="i0">Flames on in everlasting flight.<br /></span>
+</div><div class="stanza">
+<span class="i0">Unseen, yet seen, on heights of visions,<br /></span>
+<span class="i0">Above all praise and world derisions,<br /></span>
+<span class="i0">His spirit and his deathless brood<br /></span>
+<span class="i0">Of dreams fare on, a multitude,<br /></span>
+<span class="i0">While on the pillar of great missions<br /></span>
+<span class="i0">His name and place are granite-hewed.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span></p>
+<h2><a name="EVENING_ON_THE_FARM" id="EVENING_ON_THE_FARM"></a>EVENING ON THE FARM</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">From out the hills, where twilight stands,<br /></span>
+<span class="i0">Above the shadowy pasture lands,<br /></span>
+<span class="i0">With strained and strident cry,<br /></span>
+<span class="i0">Beneath pale skies that sunset bands,<br /></span>
+<span class="i0">The bull-bats fly.<br /></span>
+</div><div class="stanza">
+<span class="i0">A cloud hangs over, strange of shape,<br /></span>
+<span class="i0">And, colored like the half-ripe grape,<br /></span>
+<span class="i0">Seems some uneven stain<br /></span>
+<span class="i0">On heaven's azure, thin as crape,<br /></span>
+<span class="i0">And blue as rain.<br /></span>
+</div><div class="stanza">
+<span class="i0">By ways, that sunset's sardonyx<br /></span>
+<span class="i0">O'erflares, and gates the farmboy clicks,<br /></span>
+<span class="i0">Through which the cattle came,<br /></span>
+<span class="i0">The mullein stalks seem giant wicks<br /></span>
+<span class="i0">Of downy flame.<br /></span>
+</div><div class="stanza">
+<span class="i0">From woods no glimmer enters in,<br /></span>
+<span class="i0">Above the streams that wandering win<br /></span>
+<span class="i0">From out the violet hills,<br /></span>
+<span class="i0">Those haunters of the dusk begin,<br /></span>
+<span class="i0">The whippoorwills.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span>
+
+<span class="i0">Adown the dark the firefly marks<br /></span>
+<span class="i0">Its flight in golden-emerald sparks;<br /></span>
+<span class="i0">And, loosened from his chain,<br /></span>
+<span class="i0">The shaggy watchdog bounds and barks,<br /></span>
+<span class="i0">And barks again.<br /></span>
+</div><div class="stanza">
+<span class="i0">Each breeze brings scents of hill-heaped hay;<br /></span>
+<span class="i0">And now an owlet, far away,<br /></span>
+<span class="i0">Cries twice or thrice, "Twohoo;"<br /></span>
+<span class="i0">And cool dim moths of mottled gray<br /></span>
+<span class="i0">Flit through the dew.<br /></span>
+</div><div class="stanza">
+<span class="i0">The silence sounds its frog-bassoon,<br /></span>
+<span class="i0">Where on the woodland creek's lagoon,<br /></span>
+<span class="i0">Pale as a ghostly girl<br /></span>
+<span class="i0">Lost 'mid the trees, looks down the moon<br /></span>
+<span class="i0">With face of pearl.<br /></span>
+</div><div class="stanza">
+<span class="i0">Within the shed where logs, late hewed,<br /></span>
+<span class="i0">Smell forest-sweet, and chips of wood<br /></span>
+<span class="i0">Make blurs of white and brown,<br /></span>
+<span class="i0">The brood-hen cuddles her warm brood<br /></span>
+<span class="i0">Of teetering down.<br /></span>
+</div><div class="stanza">
+<span class="i0">The clattering guineas in the tree<br /></span>
+<span class="i0">Din for a time; and quietly<br /></span>
+<span class="i0">The henhouse, near the fence,<br /></span>
+<span class="i0">Sleeps, save for some brief rivalry<br /></span>
+<span class="i0">Of cocks and hens.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span>
+
+<span class="i0">A cow-bell tinkles by the rails,<br /></span>
+<span class="i0">Where, streaming white in foaming pails,<br /></span>
+<span class="i0">Milk makes an uddery sound;<br /></span>
+<span class="i0">While overhead the black bat trails<br /></span>
+<span class="i0">Around and 'round.<br /></span>
+</div><div class="stanza">
+<span class="i0">The night is still. The slow cows chew<br /></span>
+<span class="i0">A drowsy cud. The bird that flew<br /></span>
+<span class="i0">And sang is in its nest.<br /></span>
+<span class="i0">It is the time of falling dew,<br /></span>
+<span class="i0">Of dreams and rest.<br /></span>
+</div><div class="stanza">
+<span class="i0">The brown bees sleep; and 'round the walk,<br /></span>
+<span class="i0">The garden path, from stalk to stalk<br /></span>
+<span class="i0">The bungling beetle booms,<br /></span>
+<span class="i0">Where two soft shadows stand and talk<br /></span>
+<span class="i0">Among the blooms.<br /></span>
+</div><div class="stanza">
+<span class="i0">The stars are thick: the light is dead<br /></span>
+<span class="i0">That dyed the West: and Drowsyhead,<br /></span>
+<span class="i0">Tuning his cricket-pipe,<br /></span>
+<span class="i0">Nods, and some apple, round and red,<br /></span>
+<span class="i0">Drops over ripe.<br /></span>
+</div><div class="stanza">
+<span class="i0">Now down the road, that shambles by,<br /></span>
+<span class="i0">A window, shining like an eye<br /></span>
+<span class="i0">Through climbing rose and gourd,<br /></span>
+<span class="i0">Shows where Toil sups and these things lie,<br /></span>
+<span class="i0">His heart and hoard.<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span></p>
+<h2><a name="THE_BROOK" id="THE_BROOK"></a>THE BROOK</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">To it the forest tells<br /></span>
+<span class="i0">The mystery that haunts its heart and folds<br /></span>
+<span class="i0">Its form in cogitation deep, that holds<br /></span>
+<span class="i0">The shadow of each myth that dwells<br /></span>
+<span class="i0">In nature&mdash;be it Nymph or Fay or Faun&mdash;<br /></span>
+<span class="i0">And whispering of them to the dales and dells,<br /></span>
+<span class="i2">It wanders on and on.<br /></span>
+</div><div class="stanza">
+<span class="i0">To it the heaven shows<br /></span>
+<span class="i0">The secret of its soul; true images<br /></span>
+<span class="i0">Of dreams that form its aspect; and with these<br /></span>
+<span class="i0">Reflected in its countenance it goes,<br /></span>
+<span class="i0">With pictures of the skies, the dusk and dawn,<br /></span>
+<span class="i0">Within its breast, as every blossom knows,<br /></span>
+<span class="i2">For them to gaze upon.<br /></span>
+</div><div class="stanza">
+<span class="i0">Through it the world-soul sends<br /></span>
+<span class="i0">Its heart's creating pulse that beats and sings<br /></span>
+<span class="i0">The music of maternity whence springs<br /></span>
+<span class="i0">All life; and shaping earthly ends,<br /></span>
+<span class="i0">From the deep sources of the heavens drawn,<br /></span>
+<span class="i0">Planting its ways with beauty, on it wends,<br /></span>
+<span class="i2">On and forever on.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span>
+<h2><a name="SUMMER_NOONTIDE" id="SUMMER_NOONTIDE"></a>SUMMER NOONTIDE</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i2">The slender snail clings to the leaf,<br /></span>
+<span class="i2">Gray on its silvered underside:<br /></span>
+<span class="i0">And slowly, slowlier than the snail, with brief<br /></span>
+<span class="i0">Bright steps, whose ripening touch foretells the sheaf,<br /></span>
+<span class="i2">Her warm hands berry-dyed,<br /></span>
+<span class="i2">Comes down the tanned Noontide.<br /></span>
+</div><div class="stanza">
+<span class="i2">The pungent fragrance of the mint<br /></span>
+<span class="i2">And pennyroyal drench her gown,<br /></span>
+<span class="i0">That leaves long shreds of trumpet-blossom tint<br /></span>
+<span class="i0">Among the thorns, and everywhere the glint<br /></span>
+<span class="i2">Of gold and white and brown<br /></span>
+<span class="i2">Her flowery steps waft down.<br /></span>
+</div><div class="stanza">
+<span class="i2">The leaves, like hands with emerald veined,<br /></span>
+<span class="i2">Along her way try their wild best<br /></span>
+<span class="i0">To reach the jewel&mdash;whose hot hue was drained<br /></span>
+<span class="i0">From some rich rose that all the June contained&mdash;<br /></span>
+<span class="i2">The butterfly, soft pressed<br /></span>
+<span class="i2">Upon her sunny breast.<br /></span>
+</div><div class="stanza">
+<span class="i2">Her shawl, the lace-like elder bloom,<br /></span>
+<span class="i2">She hangs upon the hillside brake,<br /></span>
+<span class="i0">Smelling of warmth and of her breast's perfume,<br /></span>
+<span class="i0">And, lying in the citron-colored gloom<br /></span>
+<span class="i2">Beside the lilied lake,<br /></span>
+<span class="i2">She stares the buds awake.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span>
+
+<span class="i2">Or, with a smile, through watery deeps<br /></span>
+<span class="i2">She leads the oaring turtle's legs;<br /></span>
+<span class="i0">Or guides the crimson fish, that swims and sleeps,<br /></span>
+<span class="i0">From pad to pad, from which the young frog leaps;<br /></span>
+<span class="i2">And to its nest's green eggs<br /></span>
+<span class="i2">The bird that pleads and begs.<br /></span>
+</div><div class="stanza">
+<span class="i2">Then 'mid the fields of unmown hay<br /></span>
+<span class="i2">She shows the bees where sweets are found;<br /></span>
+<span class="i0">And points the butterflies, at airy play,<br /></span>
+<span class="i0">And dragonflies, along the water-way,<br /></span>
+<span class="i2">Where honeyed flowers abound<br /></span>
+<span class="i2">For them to flicker 'round.<br /></span>
+</div><div class="stanza">
+<span class="i2">Or where ripe apples pelt with gold<br /></span>
+<span class="i2">Some barn&mdash;around which, coned with snow,<br /></span>
+<span class="i0">The wild-potato blooms&mdash;she mounts its old<br /></span>
+<span class="i0">Mossed roof, and through warped sides, the knots have holed,<br /></span>
+<span class="i2">Lets her long glances glow<br /></span>
+<span class="i2">Into the loft below.<br /></span>
+</div><div class="stanza">
+<span class="i2">To show the mud-wasp at its cell<br /></span>
+<span class="i2">Slenderly busy; swallows, too,<br /></span>
+<span class="i0">Packing against a beam their nest's clay shell;<br /></span>
+<span class="i0">And crouching in the dark the owl as well<br /></span>
+<span class="i2">With all her downy crew<br /></span>
+<span class="i2">Of owlets gray of hue.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span>
+
+<span class="i2">These are her joys, and until dusk<br /></span>
+<span class="i2">Lounging she walks where reapers reap,<br /></span>
+<span class="i0">From sultry raiment shaking scents of musk,<br /></span>
+<span class="i0">Rustling the corn within its silken husk,<br /></span>
+<span class="i2">And driving down heav'n's deep<br /></span>
+<span class="i2">White herds of clouds like sheep.<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_31" id="Page_31">[Pg 31]</a></span></p>
+<h2><a name="HEAT" id="HEAT"></a>HEAT</h2>
+
+<div class="poem"><div class="stanza">
+<h4>I</h4>
+
+<span class="i0">Now is it as if Spring had never been,<br /></span>
+<span class="i2">And Winter but a memory and dream,<br /></span>
+<span class="i0">Here where the Summer stands, her lap of green<br /></span>
+<span class="i4">Heaped high with bloom and beam,<br /></span>
+<span class="i0">Among her blackberry-lilies, low that lean<br /></span>
+<span class="i2">To kiss her feet; or, freckle-browed, that stare<br /></span>
+<span class="i0">Upon the dragonfly which, slimly seen,<br /></span>
+<span class="i2">Like a blue jewel flickering in her hair,<br /></span>
+<span class="i4">Sparkles above them there.<br /></span>
+</div><div class="stanza">
+
+
+<h4>II</h4>
+
+<span class="i0">Knee-deep among the tepid pools the cows<br /></span>
+<span class="i2">Chew a slow cud or switch a slower tail.<br /></span>
+<span class="i0">Half-sunk in sleep beneath the beechen boughs,<br /></span>
+<span class="i4">Where thin the wood-gnats ail.<br /></span>
+<span class="i0">From bloom to bloom the languid butterflies drowse;<br /></span>
+<span class="i2">The sleepy bees make hardly any sound;<br /></span>
+<span class="i0">The only things the sunrays can arouse,<br /></span>
+<span class="i2">It seems, are two black beetles rolling 'round<br /></span>
+<span class="i4">Upon the dusty ground.<br /></span>
+</div><div class="stanza">
+
+
+<h4>III</h4>
+
+<span class="i0">Within its channel glares the creek and shrinks,<br /></span>
+<span class="i2">Beneath whose rocks the furtive crawfish hides<br /></span>
+<span class="i0">In stagnant places, where the green frog blinks,<br /></span>
+<span class="i4">And water-spider glides.<br /></span>
+<span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span>
+<span class="i4">And water-spider glides.<br /></span>
+<span class="i0">Far hotter seems it for the bird that drinks,<br /></span>
+<span class="i2">The startled kingfisher that screams and flies;<br /></span>
+<span class="i0">Hotter and lonelier for the purple pinks<br /></span>
+<span class="i2">Of weeds that bloom, whose sultry perfumes rise<br /></span>
+<span class="i4">Stifling the swooning skies.<br /></span>
+</div><div class="stanza">
+
+
+<h4>IV</h4>
+
+<span class="i0">From ragweed fallows, rye fields, heaped with sheaves,<br /></span>
+<span class="i2">From blistering rocks, no moss or lichens crust,<br /></span>
+<span class="i0">And from the road, where every hoof-stroke heaves<br /></span>
+<span class="i4">A cloud of burning dust,<br /></span>
+<span class="i0">The hotness quivers, making limp the leaves,<br /></span>
+<span class="i2">That loll like tongues of panting hounds. The heat<br /></span>
+<span class="i0">Is a wan wimple that the Summer weaves,<br /></span>
+<span class="i2">A veil, in which she wraps, as in a sheet,<br /></span>
+<span class="i4">The shriveling corn and wheat.<br /></span>
+</div><div class="stanza">
+
+
+<h4>V</h4>
+
+<span class="i0">Furious, incessant in the weeds and briers<br /></span>
+<span class="i2">The sawing weed-bugs sing; and, heat-begot,<br /></span>
+<span class="i0">The grasshoppers, so many strident wires,<br /></span>
+<span class="i4">Staccato fiercely hot:<br /></span>
+<span class="i0">A lash of whirling sound that never tires,<br /></span>
+<span class="i2">The locust flails the noon, where harnessed Thirst,<br /></span>
+<span class="i0">Beside the road-spring, many a shod hoof mires,<br /></span>
+<span class="i2">Into the trough thrusts his hot head, immersed,<br /></span>
+<span class="i4">'Round which cool bubbles burst.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span>
+
+
+<h4>VI</h4>
+
+<span class="i0">The sad, sweet voice of some wood-spirit who<br /></span>
+<span class="i2">Laments while watching a loved oak tree die,<br /></span>
+<span class="i0">From the deep forest comes the wood-dove's coo.<br /></span>
+<span class="i4">A long, lost, lonely cry.<br /></span>
+<span class="i0">Oh, for a breeze, a mighty wind to woo<br /></span>
+<span class="i2">The woods to stormy laughter; sow like grain<br /></span>
+<span class="i0">The world with freshness of invisible dew.<br /></span>
+<span class="i2">And pile above far, fevered hill and plain.<br /></span>
+<span class="i4">Vast bastions black with rain.<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span></p>
+<h2><a name="JULY" id="JULY"></a>JULY</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i2">Now 'tis the time when, tall,<br /></span>
+<span class="i0">The long blue torches of the bellflower gleam<br /></span>
+<span class="i0">Among the trees; and, by the wooded stream.<br /></span>
+<span class="i2">In many a fragrant ball.<br /></span>
+<span class="i2">Blooms of the button-bush fall.<br /></span>
+</div><div class="stanza">
+<span class="i2">Let us go forth and seek<br /></span>
+<span class="i0">Woods where the wild plums redden and the beech<br /></span>
+<span class="i0">Plumps its packed burs: and, swelling, just in reach.<br /></span>
+<span class="i2">The pawpaw, emerald sleek.<br /></span>
+<span class="i2">Ripens along the creek.<br /></span>
+</div><div class="stanza">
+<span class="i2">Now 'tis the time when ways<br /></span>
+<span class="i0">Of glimmering green flaunt white the misty plumes<br /></span>
+<span class="i0">Of the black-cohosh; and through bramble glooms,<br /></span>
+<span class="i2">A blur of orange rays,<br /></span>
+<span class="i2">The butterfly-blossoms blaze.<br /></span>
+</div><div class="stanza">
+<span class="i2">Let us go forth and hear<br /></span>
+<span class="i0">The spiral music that the locusts beat,<br /></span>
+<span class="i0">And that small spray of sound, so grassy sweet,<br /></span>
+<span class="i2">Dear to a country ear,<br /></span>
+<span class="i2">The cricket's summer cheer.<br /></span>
+</div><div class="stanza">
+<span class="i2">Now golden celandine<br /></span>
+<span class="i0">Is hairy hung with silvery sacks of seeds.<br /></span>
+<span class="i0">And bugled o'er with freckled gold, like beads.<br /></span>
+<span class="i2">Beneath the fox-grape vine,<br /></span>
+<span class="i2">The jewel-weed's blossoms shine.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span>
+
+<span class="i2">Let us go forth and see<br /></span>
+<span class="i0">The dragon- and the butterfly, like gems,<br /></span>
+<span class="i0">Spangling the sunbeams; and the clover stems,<br /></span>
+<span class="i2">Weighed down by many a bee,<br /></span>
+<span class="i2">Nodding mellifluously.<br /></span>
+</div><div class="stanza">
+<span class="i2">Now morns are full of song;<br /></span>
+<span class="i0">The catbird and the redbird and the jay<br /></span>
+<span class="i0">Upon the hilltops rouse the rosy day,<br /></span>
+<span class="i2">Who, dewy, blithe, and strong,<br /></span>
+<span class="i2">Lures their wild wings along.<br /></span>
+</div><div class="stanza">
+<span class="i2">Now noons are full of dreams;<br /></span>
+<span class="i0">The clouds of heaven and the wandering breeze<br /></span>
+<span class="i0">Follow a vision; and the flowers and trees,<br /></span>
+<span class="i2">The hills and fields and streams,<br /></span>
+<span class="i2">Are lapped in mystic gleams.<br /></span>
+</div><div class="stanza">
+<span class="i2">The nights are full of love;<br /></span>
+<span class="i0">The stars and moon take up the golden tale<br /></span>
+<span class="i0">Of the sunk sun, and passionate and pale,<br /></span>
+<span class="i2">Mixing their fires above,<br /></span>
+<span class="i2">Grow eloquent thereof.<br /></span>
+</div><div class="stanza">
+<span class="i2">Such days are like a sigh<br /></span>
+<span class="i0">That beauty heaves from a full heart of bliss:<br /></span>
+<span class="i0">Such nights are like the sweetness of a kiss<br /></span>
+<span class="i2">On lips that half deny,<br /></span>
+<span class="i2">The warm lips of July.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span></p>
+<h2><a name="TO_THE_LOCUST" id="TO_THE_LOCUST"></a>TO THE LOCUST</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Thou pulse of hotness, who, with reed-like breast,<br /></span>
+<span class="i1">Makest meridian music, long and loud,<br /></span>
+<span class="i0">Accentuating summer!&mdash;dost thy best<br /></span>
+<span class="i1">To make the sunbeams fiercer, and to crowd<br /></span>
+<span class="i0">With lonesomeness the long, close afternoon<br /></span>
+<span class="i1">When Labor leans, swart-faced and beady browed,<br /></span>
+<span class="i0">Upon his sultry scythe&mdash;thou tangible tune<br /></span>
+<span class="i1">Of heat, whose waves incessantly arise<br /></span>
+<span class="i1">Quivering and clear beneath the cloudless skies.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thou singest, and upon his haggard hills<br /></span>
+<span class="i1">Drouth yawns and rubs his heavy eyes and wakes;<br /></span>
+<span class="i0">Brushes the hot hair from his face; and fills<br /></span>
+<span class="i1">The land with death as sullenly he takes<br /></span>
+<span class="i0">Downward his dusty way: 'midst woods and fields<br /></span>
+<span class="i1">At every pool his burning thirst he slakes:<br /></span>
+<span class="i0">No grove so deep, no bank so high it shields<br /></span>
+<span class="i1">A spring from him; no creek evades his eye;<br /></span>
+<span class="i1">He needs but look and they are withered dry.<br /></span>
+</div><div class="stanza">
+<span class="i0">Thou singest, and thy song is as a spell<br /></span>
+<span class="i1">Of somnolence to charm the land with sleep;<br /></span>
+<span class="i0">A thorn of sound that pierces dale and dell,<br /></span>
+<span class="i1">Diffusing slumber over vale and steep.<br /></span>
+<span class="pagenum"><a name="Page_37" id="Page_37">[Pg 37]</a></span>
+<span class="i1">Diffusing slumber over vale and steep.<br /></span>
+<span class="i0">Sleepy the forest, nodding sleepy boughs;<br /></span>
+<span class="i1">The pastures sleepy with their sleepy sheep;<br /></span>
+<span class="i0">Sleepy the creek where sleepily the cows<br /></span>
+<span class="i1">Stand knee-deep: and the very heaven seems<br /></span>
+<span class="i1">Sleepy and lost in undetermined dreams.<br /></span>
+</div><div class="stanza">
+<span class="i0">Art thou a rattle that Monotony,<br /></span>
+<span class="i1">Summer's dull nurse, old sister of slow Time,<br /></span>
+<span class="i0">Shakes for Day's peevish pleasure, who in glee<br /></span>
+<span class="i1">Takes its discordant music for sweet rhyme?<br /></span>
+<span class="i0">Or oboe that the Summer Noontide plays,<br /></span>
+<span class="i1">Sitting with Ripeness 'neath the orchard-tree,<br /></span>
+<span class="i0">Trying repeatedly the same shrill phrase,<br /></span>
+<span class="i1">Until the musky peach with drowsiness<br /></span>
+<span class="i1">Drops, and the hum of bees grows less and less?<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_38" id="Page_38">[Pg 38]</a></span></p>
+<h2><a name="YOUNG_SEPTEMBER" id="YOUNG_SEPTEMBER"></a>YOUNG SEPTEMBER</h2>
+
+<div class="poem"><div class="stanza">
+<h4>I</h4>
+
+<span class="i0">With a look and a laugh where the stream was flowing,<br /></span>
+<span class="i1">September led me along the land;<br /></span>
+<span class="i0">Where the golden-rod and lobelia, glowing,<br /></span>
+<span class="i1">Seemed burning torches within her hand.<br /></span>
+<span class="i0">And faint as the thistle's or milk-weed's feather<br /></span>
+<span class="i0">I glimpsed her form through the sparkling weather.<br /></span>
+</div><div class="stanza">
+
+<h4>II</h4>
+
+<span class="i2">Now 'twas her hand and now her hair<br /></span>
+<span class="i2">That tossed me welcome everywhere;<br /></span>
+<span class="i0">That lured me onward through the stately rooms<br /></span>
+<span class="i0">Of forest, hung and carpeted with glooms,<br /></span>
+<span class="i0">And windowed wide with azure, doored with green.<br /></span>
+<span class="i0">Through which rich glimmers of her robe were seen&mdash;<br /></span>
+<span class="i0">Now, like some deep marsh-mallow, rosy gold;<br /></span>
+<span class="i0">Now, like the great Joe-Pye-weed, fold on fold<br /></span>
+<span class="i0">Of heavy mauve; and now, like the intense<br /></span>
+<span class="i0">Massed iron-weed, a purple opulence.<br /></span>
+</div><div class="stanza">
+
+
+<h4>III</h4>
+
+<span class="i0">Along the bank in a wild procession<br /></span>
+<span class="i2">Of gold and sapphire the blossoms blew;<br /></span>
+<span class="i0">And borne on the breeze came their soft confession<br /></span>
+<span class="i2">In syllables musk of honey and dew;<br /></span>
+<span class="i0">In words unheard that their lips kept saying,<br /></span>
+<span class="i0">Sweet as the lips of children praying.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_39" id="Page_39">[Pg 39]</a></span>
+
+
+<h4>IV</h4>
+
+<span class="i2">And so, meseemed, I heard them tell<br /></span>
+<span class="i2">How here her loving glance once fell<br /></span>
+<span class="i0">Upon this bank, and from its azure grew<br /></span>
+<span class="i0">The ageratum mist-flower's happy hue:<br /></span>
+<span class="i0">How from her kiss, as crimson as the dawn,<br /></span>
+<span class="i0">The cardinal-flow'r drew its vermilion;<br /></span>
+<span class="i0">And from her hair's blond touch th' elecampane<br /></span>
+<span class="i0">Evolved the glory of its golden rain;<br /></span>
+<span class="i0">White from her starry footsteps, redolent,<br /></span>
+<span class="i0">The aster pearled its flowery firmament.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_40" id="Page_40">[Pg 40]</a></span></p>
+<h2><a name="UNDER_THE_HUNTERS_MOON" id="UNDER_THE_HUNTERS_MOON"></a>UNDER THE HUNTER'S MOON</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">White from her chrysalis of cloud,<br /></span>
+<span class="i1">The moth-like moon swings upward through the night;<br /></span>
+<span class="i0">And all the bee-like stars that crowd<br /></span>
+<span class="i1">The hollow hive of heav'n wane in her light.<br /></span>
+</div><div class="stanza">
+<span class="i0">Along the distance, folds of mist<br /></span>
+<span class="i1">Hang frost-pale, ridging all the dark with gray;<br /></span>
+<span class="i0">Tinting the trees with amethyst,<br /></span>
+<span class="i1">Touching with pearl and purple every spray.<br /></span>
+</div><div class="stanza">
+<span class="i0">All night the stealthy frost and fog<br /></span>
+<span class="i1">Conspire to slay the rich-robed weeds and flowers:<br /></span>
+<span class="i0">To strip of wealth the woods, and clog<br /></span>
+<span class="i1">With piled-up gold of leaves the creek that cowers.<br /></span>
+</div><div class="stanza">
+<span class="i0">I seem to see their Spirits stand,<br /></span>
+<span class="i1">Molded of moonlight, faint of form and face,<br /></span>
+<span class="i0">Now reaching high a chilly hand<br /></span>
+<span style="margin-left: 1.5em;">To pluck some walnut from its spicy place:<br /></span>
+</div><div class="stanza">
+<span class="i0">Now with fine fingers, phantom-cold,<br /></span>
+<span class="i1">Splitting the wahoo's pods of rose, and thin<br /></span>
+<span class="i0">The bittersweet's balls o' gold,<br /></span>
+<span class="i1">To show the coal-red berries packed within:<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_41" id="Page_41">[Pg 41]</a></span>
+
+<span class="i0">Now on dim threads of gossamer<br /></span>
+<span class="i1">Stringing pale pearls of moisture; necklacing<br /></span>
+<span class="i0">The flow'rs; and spreading cobweb fur,<br /></span>
+<span class="i1">Crystaled with stardew, over everything:<br /></span>
+</div><div class="stanza">
+<span class="i0">While 'neath the moon, with moon-white feet,<br /></span>
+<span class="i1">They go and, chill, a moon-soft music draw<br /></span>
+<span class="i0">From wan leaf-cricket flutes&mdash;the sweet,<br /></span>
+<span class="i1">Sad dirge of Autumn dying in the shaw.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_42" id="Page_42">[Pg 42]</a></span></p>
+<h2><a name="RAIN_IN_THE_WOODS" id="RAIN_IN_THE_WOODS"></a>RAIN IN THE WOODS</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">When on the leaves the rain persists,<br /></span>
+<span class="i1">And every gust brings showers down;<br /></span>
+<span class="i0">When all the woodland smokes with mists,<br /></span>
+<span class="i1">I take the old road out of town<br /></span>
+<span class="i0">Into the hills through which it twists.<br /></span>
+</div><div class="stanza">
+<span class="i0">I find the vale where catnip grows,<br /></span>
+<span class="i1">Where boneset blooms, with moisture bowed;<br /></span>
+<span class="i0">The vale through which the red creek flows,<br /></span>
+<span class="i1">Turbid with hill-washed clay, and loud<br /></span>
+<span class="i0">As some wild horn a hunter blows.<br /></span>
+</div><div class="stanza">
+<span class="i0">Around the root the beetle glides,<br /></span>
+<span class="i1">A living beryl; and the ant,<br /></span>
+<span class="i0">Large, agate-red, a garnet, slides<br /></span>
+<span class="i1">Beneath the rock; and every plant<br /></span>
+<span class="i0">Is roof for some frail thing that hides.<br /></span>
+</div><div class="stanza">
+<span class="i0">Like knots against the trunks of trees<br /></span>
+<span class="i1">The lichen-colored moths are pressed;<br /></span>
+<span class="i0">And, wedged in hollow blooms, the bees<br /></span>
+<span class="i1">Seem clots of pollen; in its nest<br /></span>
+<span class="i0">The wasp has crawled and lies at ease.<br /></span>
+</div><div class="stanza">
+<span class="i0">The locust harsh, that sharply saws<br /></span>
+<span class="i1">The silence of the summer noon;<br /></span>
+<span class="i0">The katydid that thinly draws<br /></span>
+<span class="i1">Its fine file o'er the bars of moon;<br /></span>
+<span class="i0">And grasshopper that drills each pause:<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_43" id="Page_43">[Pg 43]</a></span>
+
+<span class="i0">The mantis, long-clawed, furtive, lean&mdash;<br /></span>
+<span class="i1">Fierce feline of the insect hordes&mdash;<br /></span>
+<span class="i0">And dragonfly, gauze-winged and green,<br /></span>
+<span class="i1">Beneath the wild-grape's leaves and gourd's,<br /></span>
+<span class="i0">Have housed themselves and rest unseen.<br /></span>
+</div><div class="stanza">
+<span class="i0">The butterfly and forest-bird<br /></span>
+<span class="i1">Are huddled on the same gnarled bough,<br /></span>
+<span class="i0">From which, like some rain-voweled word<br /></span>
+<span class="i1">That dampness hoarsely utters now,<br /></span>
+<span class="i0">The tree-toad's voice is vaguely heard.<br /></span>
+</div><div class="stanza">
+<span class="i0">I crouch and listen; and again<br /></span>
+<span class="i1">The woods are filled with phantom forms&mdash;<br /></span>
+<span class="i0">With shapes, grotesque in mystic train,<br /></span>
+<span class="i1">That rise and reach to me cool arms<br /></span>
+<span class="i0">Of mist; the wandering wraiths of rain.<br /></span>
+</div><div class="stanza">
+<span class="i0">I see them come; fantastic, fair;<br /></span>
+<span class="i1">Chill, mushroom-colored: sky and earth<br /></span>
+<span class="i0">Grow ghostly with their floating hair<br /></span>
+<span class="i1">And trailing limbs, that have their birth<br /></span>
+<span class="i0">In wetness&mdash;fungi of the air.<br /></span>
+</div><div class="stanza">
+<span class="i0">O wraiths of rain! O ghosts of mist!<br /></span>
+<span class="i1">Still fold me, hold me, and pursue!<br /></span>
+<span class="i0">Still let my lips by yours be kissed!<br /></span>
+<span class="i1">Still draw me with your hands of dew<br /></span>
+<span class="i0">Unto the tryst, the dripping tryst.<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_44" id="Page_44">[Pg 44]</a></span></p>
+<h2><a name="IN_THE_LANE" id="IN_THE_LANE"></a>IN THE LANE</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">When the hornet hangs in the hollyhock,<br /></span>
+<span class="i2">And the brown bee drones i' the rose,<br /></span>
+<span class="i0">And the west is a red-streaked four-o'-clock,<br /></span>
+<span class="i2">And summer is near its close&mdash;<br /></span>
+<span class="i0">It's&mdash;Oh, for the gate and the locust lane<br /></span>
+<span class="i0">And dusk and dew and home again!<br /></span>
+</div><div class="stanza">
+<span class="i0">When the katydid sings and the cricket cries,<br /></span>
+<span class="i2">And ghosts of the mists ascend,<br /></span>
+<span class="i0">And the evening-star is a lamp i' the skies,<br /></span>
+<span class="i2">And summer is near its end&mdash;<br /></span>
+<span class="i0">It's&mdash;Oh, for the fence and the leafy lane,<br /></span>
+<span class="i0">And the twilight peace and the tryst again!<br /></span>
+</div><div class="stanza">
+<span class="i0">When the owlet hoots in the dogwood-tree,<br /></span>
+<span class="i2">That leans to the rippling Run,<br /></span>
+<span class="i0">And the wind is a wildwood melody,<br /></span>
+<span class="i2">And summer is almost done&mdash;<br /></span>
+<span class="i0">It's&mdash;Oh, for the bridge and the bramble lane,<br /></span>
+<span class="i0">And the fragrant hush and her hands again!<br /></span>
+</div><div class="stanza">
+<span class="i0">When fields smell moist with the dewy hay,<br /></span>
+<span class="i2">And woods are cool and wan,<br /></span>
+<span class="i0">And a path for dreams is the Milky-way,<br /></span>
+<span class="i2">And summer is nearly gone&mdash;<br /></span>
+<span class="i0">It's&mdash;Oh, for the rock and the woodland lane<br /></span>
+<span class="i0">And the silence and stars and her lips again!<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span>
+
+<span class="i0">When the weight of the apples breaks down the boughs,<br /></span>
+<span class="i2">And musk-melons split with sweet,<br /></span>
+<span class="i0">And the moon is a-bloom in the Heaven's house,<br /></span>
+<span class="i2">And summer has spent its heat&mdash;<br /></span>
+<span class="i0">It's&mdash;Oh, for the lane, the trysting lane,<br /></span>
+<span class="i0">And the deep-mooned night and her love again!<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_46" id="Page_46">[Pg 46]</a></span></p>
+<h2><a name="A_FOREST_IDYL" id="A_FOREST_IDYL"></a>A FOREST IDYL</h2>
+
+<div class="poem"><div class="stanza">
+<h4>I</h4>
+
+<span class="i0">Beneath an old beech-tree<br /></span>
+<span class="i1">They sat together,<br /></span>
+<span class="i0">Fair as a flower was she<br /></span>
+<span class="i1">Of summer weather.<br /></span>
+<span class="i0">They spoke of life and love,<br /></span>
+<span class="i0">While, through the boughs above,<br /></span>
+<span class="i0">The sunlight, like a dove,<br /></span>
+<span class="i1">Dropped many a feather.<br /></span>
+</div><div class="stanza">
+
+<h4>II</h4>
+
+<span class="i0">And there the violet,<br /></span>
+<span class="i1">The bluet near it,<br /></span>
+<span class="i0">Made blurs of azure wet&mdash;<br /></span>
+<span class="i1">As if some spirit,<br /></span>
+<span class="i0">Or woodland dream, had gone<br /></span>
+<span class="i0">Sprinkling the earth with dawn,<br /></span>
+<span class="i0">When only Fay and Faun<br /></span>
+<span class="i1">Could see or hear it.<br /></span>
+</div><div class="stanza">
+
+<h4>III</h4>
+
+<span class="i0">She with her young, sweet face<br /></span>
+<span class="i1">And eyes gray-beaming,<br /></span>
+<span class="i0">Made of that forest place<br /></span>
+<span class="i1">A spot for dreaming:<br /></span>
+<span class="i0">A spot for Oreads<br /></span>
+<span class="i0">To smooth their nut-brown braids,<br /></span>
+<span class="i0">For Dryads of the glades<br /></span>
+<span class="i1">To dance in, gleaming.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_47" id="Page_47">[Pg 47]</a></span>
+
+<h4>IV</h4>
+
+<span class="i0">So dim the place, so blest.<br /></span>
+<span class="i1">One had not wondered<br /></span>
+<span class="i0">Had Dian's moonéd breast<br /></span>
+<span class="i1">The deep leaves sundered,<br /></span>
+<span class="i0">And there on them awhile<br /></span>
+<span class="i0">The goddess deigned to smile.<br /></span>
+<span class="i0">While down some forest aisle<br /></span>
+<span class="i1">The far hunt thundered.<br /></span>
+</div><div class="stanza">
+
+<h4>V</h4>
+
+<span class="i0">I deem that hour perchance<br /></span>
+<span class="i1">Was but a mirror<br /></span>
+<span class="i0">To show them Earth's romance<br /></span>
+<span class="i1">And draw them nearer:<br /></span>
+<span class="i0">A mirror where, meseems.<br /></span>
+<span class="i0">All that this Earth-life dreams,<br /></span>
+<span class="i0">All loveliness that gleams,<br /></span>
+<span class="i1">Their souls saw clearer.<br /></span>
+</div><div class="stanza">
+
+<h4>VI</h4>
+
+<span class="i0">Beneath an old beech-tree<br /></span>
+<span class="i1">They dreamed of blisses;<br /></span>
+<span class="i0">Fair as a flower was she<br /></span>
+<span class="i1">That summer kisses:<br /></span>
+<span class="i0">They spoke of dreams and days,<br /></span>
+<span class="i0">Of love that goes and stays,<br /></span>
+<span class="i0">Of all for which life prays,<br /></span>
+<span class="i1">Ah me! and misses.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_48" id="Page_48">[Pg 48]</a></span></p>
+<h2><a name="UNDER_THE_ROSE" id="UNDER_THE_ROSE"></a>UNDER THE ROSE</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">He told a story to her,<br /></span>
+<span class="i1">A story old yet new&mdash;<br /></span>
+<span class="i0">And was it of the Faëry Folk<br /></span>
+<span class="i1">That dance along the dew?<br /></span>
+</div><div class="stanza">
+<span class="i0">The night was hung with silence<br /></span>
+<span class="i1">As a room is hung with cloth,<br /></span>
+<span class="i0">And soundless, through the rose-sweet hush,<br /></span>
+<span class="i1">Swooned dim the down-white moth.<br /></span>
+</div><div class="stanza">
+<span class="i0">Along the east a shimmer,<br /></span>
+<span class="i1">A tenuous breath of flame,<br /></span>
+<span class="i0">From which, as from a bath of light,<br /></span>
+<span class="i1">Nymph-like, the girl-moon came.<br /></span>
+</div><div class="stanza">
+<span class="i0">And pendent in the purple<br /></span>
+<span class="i1">Of heaven, like fireflies,<br /></span>
+<span class="i0">Bubbles of gold the great stars blew<br /></span>
+<span class="i1">From windows of the skies.<br /></span>
+</div><div class="stanza">
+<span class="i0">He told a story to her,<br /></span>
+<span class="i1">A story full of dreams&mdash;<br /></span>
+<span class="i0">And was it of the Elfin things<br /></span>
+<span class="i1">That haunt the thin moonbeams?<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_49" id="Page_49">[Pg 49]</a></span>
+
+<span class="i0">Upon the hill a thorn-tree,<br /></span>
+<span class="i1">Crooked and gnarled and gray,<br /></span>
+<span class="i0">Against the moon seemed some crutch'd hag<br /></span>
+<span class="i1">Dragging a child away.<br /></span>
+</div><div class="stanza">
+<span class="i0">And in the vale a runnel,<br /></span>
+<span class="i1">That dripped from shelf to shelf,<br /></span>
+<span class="i0">Seemed, in the night, a woodland witch<br /></span>
+<span class="i1">Who muttered to herself.<br /></span>
+</div><div class="stanza">
+<span class="i0">Along the land a zephyr,<br /></span>
+<span class="i1">Whose breath was wild perfume,<br /></span>
+<span class="i0">That seemed a sorceress who wove<br /></span>
+<span class="i1">Sweet spells of beam and bloom.<br /></span>
+</div><div class="stanza">
+<span class="i0">He told a story to her,<br /></span>
+<span class="i1">A story young yet old&mdash;<br /></span>
+<span class="i0">And was it of the mystic things<br /></span>
+<span class="i1">Men's eyes shall ne'er behold?<br /></span>
+</div><div class="stanza">
+<span class="i0">They heard the dew drip faintly<br /></span>
+<span class="i1">From out the green-cupped leaf;<br /></span>
+<span class="i0">They heard the petals of the rose<br /></span>
+<span class="i1">Unfolding from their sheaf.<br /></span>
+</div><div class="stanza">
+<span class="i0">They saw the wind light-footing<br /></span>
+<span class="i1">The waters into sheen;<br /></span>
+<span class="i0">They saw the starlight kiss to sleep<br /></span>
+<span class="i1">The blossoms on the green.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_50" id="Page_50">[Pg 50]</a></span>
+
+<span class="i0">They heard and saw these wonders;<br /></span>
+<span class="i1">These things they saw and heard;<br /></span>
+<span class="i0">And other things within the heart<br /></span>
+<span class="i1">For which there is no word.<br /></span>
+</div><div class="stanza">
+<span class="i0">He told a story to her,<br /></span>
+<span class="i1">The story men call Love,<br /></span>
+<span class="i0">Whose echoes fill the ages past,<br /></span>
+<span class="i1">And the world ne'er tires of.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_51" id="Page_51">[Pg 51]</a></span></p>
+<h2><a name="IN_AUTUMN" id="IN_AUTUMN"></a>IN AUTUMN</h2>
+
+<div class="poem"><div class="stanza">
+<h4>I</h4>
+
+<span class="i1">Sunflowers wither and lilies die,<br /></span>
+<span class="i2">Poppies are pods of seeds;<br /></span>
+<span class="i1">The first red leaves on the pathway lie,<br /></span>
+<span class="i2">Like blood of a heart that bleeds.<br /></span>
+</div><div class="stanza">
+<span class="i0">Weary alway will it be to-day,<br /></span>
+<span class="i1">Weary and wan and wet;<br /></span>
+<span class="i0">Dawn and noon will the clouds hang gray,<br /></span>
+<span class="i0">And the autumn wind will sigh and say,<br /></span>
+<span class="i1">"<i>He comes not yet, not yet.</i><br /></span>
+<span class="i3"><i>Weary alway, alway!</i>"<br /></span>
+</div><div class="stanza">
+
+<h4>II</h4>
+
+<span class="i1">Hollyhocks bend all tattered and torn,<br /></span>
+<span class="i2">Marigolds all are gone;<br /></span>
+<span class="i1">The last pale rose lies all forlorn,<br /></span>
+<span class="i2">Like love that is trampled on.<br /></span>
+</div><div class="stanza">
+<span class="i0">Weary, ah me! to-night will be,<br /></span>
+<span class="i1">Weary and wild and hoar;<br /></span>
+<span class="i0">Rain and mist will blow from the sea,<br /></span>
+<span class="i0">And the wind will sob in the autumn tree,<br /></span>
+<span class="i1">"<i>He comes no more, no more.</i><br /></span>
+<span class="i3"><i>Weary, ah me! ah me!</i>"<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_52" id="Page_52">[Pg 52]</a></span></p>
+<h2><a name="EPIPHANY" id="EPIPHANY"></a>EPIPHANY</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">There is nothing that eases my heart so much<br /></span>
+<span class="i1">As the wind that blows from the purple hills;<br /></span>
+<span class="i0">'Tis a hand of balsam whose healing touch<br /></span>
+<span class="i1">Unburdens my bosom of ills.<br /></span>
+</div><div class="stanza">
+<span class="i0">There is nothing that causes my soul to rejoice<br /></span>
+<span class="i1">Like the sunset flaming without a flaw:<br /></span>
+<span class="i0">'Tis a burning bush whence God's own voice<br /></span>
+<span class="i1">Addresses my spirit with awe.<br /></span>
+</div><div class="stanza">
+<span class="i0">There is nothing that hallows my mind, meseems,<br /></span>
+<span class="i1">Like the night with its moon and its stars above;<br /></span>
+<span class="i0">'Tis a mystical lily whose golden gleams<br /></span>
+<span class="i1">Fulfill my being with love.<br /></span>
+</div><div class="stanza">
+<span class="i0">There is nothing, no, nothing, we see and feel.<br /></span>
+<span class="i1">That speaks to our souls some beautiful thought,<br /></span>
+<span class="i0">That was not created to help us, and heal<br /></span>
+<span class="i1">Our lives that are overwrought.<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_53" id="Page_53">[Pg 53]</a></span></p>
+<h2><a name="LIFE" id="LIFE"></a>LIFE</h2>
+
+<div class="poem"><div class="stanza">
+<h4>I</h4>
+
+<h3>PESSIMIST</h3>
+
+<span class="i0">There is never a thing we dream or do<br /></span>
+<span class="i1">But was dreamed and done in the ages gone;<br /></span>
+<span class="i0">Everything's old; there is nothing that's new,<br /></span>
+<span class="i1">And so it will be while the world goes on.<br /></span>
+</div><div class="stanza">
+<span class="i0">The thoughts we think have been thought before;<br /></span>
+<span class="i1">The deeds we do have long been done;<br /></span>
+<span class="i0">We pride ourselves on our love and lore<br /></span>
+<span class="i1">And both are as old as the moon and sun.<br /></span>
+</div><div class="stanza">
+<span class="i0">We strive and struggle and swink and sweat,<br /></span>
+<span class="i1">And the end for each is one and the same;<br /></span>
+<span class="i0">Time and the sun and the frost and wet<br /></span>
+<span class="i1">Will wear from its pillar the greatest name.<br /></span>
+</div><div class="stanza">
+<span class="i0">No answer comes for our prayer or curse,<br /></span>
+<span class="i1">No word replies though we shriek in air;<br /></span>
+<span class="i0">Ever the taciturn universe<br /></span>
+<span class="i1">Stretches unchanged for our curse or prayer.<br /></span>
+</div><div class="stanza">
+<span class="i0">With our mind's small light in the dark we crawl,&mdash;<br /></span>
+<span class="i1">Glow-worm glimmers that creep about,&mdash;<br /></span>
+<span class="i0">Tilt the Power that shaped us, over us all<br /></span>
+<span class="i1">Poises His foot and treads us out.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_54" id="Page_54">[Pg 54]</a></span>
+
+<span class="i0">Unasked He fashions us out of clay,<br /></span>
+<span class="i1">A little water, a little dust,<br /></span>
+<span class="i0">And then in our holes He thrusts us away,<br /></span>
+<span class="i1">With never a word, to rot and rust.<br /></span>
+</div><div class="stanza">
+<span class="i0">'Tis a sorry play with a sorry plot,<br /></span>
+<span class="i1">This life of hate and of lust and pain,<br /></span>
+<span class="i0">Where we play our parts and are soon forgot,<br /></span>
+<span class="i1">And all that we do is done in vain.<br /></span>
+</div><div class="stanza">
+
+
+<h4>II</h4>
+
+<h3>OPTIMIST</h3>
+
+<span class="i0">There is never a dream but it shall come true,<br /></span>
+<span class="i1">And never a deed but was wrought by plan;<br /></span>
+<span class="i0">And life is filled with the strange and new,<br /></span>
+<span class="i1">And ever has been since the world began.<br /></span>
+</div><div class="stanza">
+<span class="i0">As mind develops and soul matures<br /></span>
+<span class="i1">These two shall parent Earth's mightier acts;<br /></span>
+<span class="i0">Love is a fact, and 'tis love endures<br /></span>
+<span class="i1">'Though the world make wreck of all other facts.<br /></span>
+</div><div class="stanza">
+<span class="i0">Through thought alone shall our Age obtain<br /></span>
+<span class="i1">Above all Ages gone before;<br /></span>
+<span class="i0">The tribes of sloth, of brawn, not brain,<br /></span>
+<span class="i1">Are the tribes that perish, are known no more.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_55" id="Page_55">[Pg 55]</a></span>
+
+<span class="i0">Within ourselves is a voice of Awe,<br /></span>
+<span class="i1">And a hand that points to Balanced Scales;<br /></span>
+<span class="i0">The one is Love and the other Law,<br /></span>
+<span class="i1">And their presence alone it is avails.<br /></span>
+</div><div class="stanza">
+<span class="i0">For every shadow about our way<br /></span>
+<span class="i1">There is a glory of moon and sun;<br /></span>
+<span class="i0">But the hope within us hath more of ray<br /></span>
+<span class="i1">Than the light of the sun and moon in one.<br /></span>
+</div><div class="stanza">
+<span class="i0">Behind all being a purpose lies,<br /></span>
+<span class="i1">Undeviating as God hath willed;<br /></span>
+<span class="i0">And he alone it is who dies,<br /></span>
+<span class="i1">Who leaves that purpose unfulfilled.<br /></span>
+</div><div class="stanza">
+<span class="i0">Life is an epic the Master sings,<br /></span>
+<span class="i1">Whose theme is Man, and whose music, Soul,<br /></span>
+<span class="i0">Where each is a word in the Song of Things,<br /></span>
+<span class="i1">That shall roll on while the ages roll.<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_56" id="Page_56">[Pg 56]</a></span></p>
+<h2><a name="NEVER" id="NEVER"></a>NEVER</h2>
+
+<h4>(Song)</h4>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Love hath no place in her,<br /></span>
+<span class="i1">Though in her bosom be<br /></span>
+<span class="i0">Love-thoughts and dreams that stir<br /></span>
+<span class="i1">Longings that know not me:<br /></span>
+<span class="i0">Love hath no place in her,<br /></span>
+<span class="i1">No place for me.<br /></span>
+</div><div class="stanza">
+<span class="i0">Never within her eyes<br /></span>
+<span class="i1">Do I the love-light see;<br /></span>
+<span class="i0">Never her soul replies<br /></span>
+<span class="i1">To the sad soul in me:<br /></span>
+<span class="i0">Never with soul and eyes<br /></span>
+<span class="i1">Speaks she to me.<br /></span>
+</div><div class="stanza">
+<span class="i0">She is a star, a rose,<br /></span>
+<span class="i1">I but a moth, a bee;<br /></span>
+<span class="i0">High in her heaven she glows,<br /></span>
+<span class="i1">Blooms far away from me:<br /></span>
+<span class="i0">She is a star, a rose,<br /></span>
+<span class="i1">Never for me.<br /></span>
+</div><div class="stanza">
+<span class="i0">Why will I think of her<br /></span>
+<span class="i1">To my heart's misery?<br /></span>
+<span class="i0">Dreaming how sweet it were<br /></span>
+<span class="i1">Had she a thought of me:<br /></span>
+<span class="i0">Why will I think of her!<br /></span>
+<span class="i1">Why, why, ah me!<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_57" id="Page_57">[Pg 57]</a></span></p>
+<h2><a name="MEETING_IN_THE_WOODS" id="MEETING_IN_THE_WOODS"></a>MEETING IN THE WOODS</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Through ferns and moss the path wound to<br /></span>
+<span class="i1">A hollow where the touchmenots<br /></span>
+<span class="i0">Swung horns of honey filled with dew;<br /></span>
+<span class="i0">And where&mdash;like foot-prints&mdash;violets blue<br /></span>
+<span class="i1">And bluets made sweet sapphire blots,<br /></span>
+<span class="i0">'Twas there that she had passed he knew.<br /></span>
+</div><div class="stanza">
+<span class="i0">The grass, the very wilderness<br /></span>
+<span class="i1">On either side, breathed rapture of<br /></span>
+<span class="i0">Her passage: 'twas her hand or dress<br /></span>
+<span class="i0">That touched some tree&mdash;a slight caress&mdash;<br /></span>
+<span class="i1">That made the wood-birds sing above;<br /></span>
+<span class="i0">Her step that made the flowers up-press.<br /></span>
+</div><div class="stanza">
+<span class="i0">He hurried, till across his way,<br /></span>
+<span class="i1">Foam-footed, bounding through the wood,<br /></span>
+<span class="i0">A brook, like some wild girl at play,<br /></span>
+<span class="i0">Went laughing loud its roundelay;<br /></span>
+<span class="i1">And there upon its bank she stood,<br /></span>
+<span class="i0">A sunbeam clad in woodland gray.<br /></span>
+</div><div class="stanza">
+<span class="i0">And when she saw him, all her face<br /></span>
+<span class="i1">Grew to a wildrose by the stream;<br /></span>
+<span class="i0">And to his breast a moment's space<br /></span>
+<span class="i0">He gathered her; and all the place<br /></span>
+<span class="i1">Seemed conscious of some happy dream<br /></span>
+<span class="i0">Come true to add to Earth its grace.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_58" id="Page_58">[Pg 58]</a></span>
+
+<span class="i0">Some joy, on which Heav'n was intent&mdash;<br /></span>
+<span class="i1">For which God made the world&mdash;the bliss,<br /></span>
+<span class="i0">The love, that raised her innocent<br /></span>
+<span class="i0">Pure face to his that, smiling, bent<br /></span>
+<span class="i1">And sealed confession with a kiss&mdash;<br /></span>
+<span class="i0">Life needs no other testament.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_59" id="Page_59">[Pg 59]</a></span></p>
+<h2><a name="A_MAID_WHO_DIED_OLD" id="A_MAID_WHO_DIED_OLD"></a>A MAID WHO DIED OLD</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Frail, shrunken face, so pinched and worn,<br /></span>
+<span class="i1">That life has carved with care and doubt!<br /></span>
+<span class="i0">So weary waiting, night and morn,<br /></span>
+<span class="i1">For that which never came about!<br /></span>
+<span class="i0">Pale lamp, so utterly forlorn.<br /></span>
+<span class="i1">In which God's light at last is out.<br /></span>
+</div><div class="stanza">
+<span class="i0">Gray hair, that lies so thin and prim<br /></span>
+<span class="i1">On either side the sunken brows!<br /></span>
+<span class="i0">And soldered eyes, so deep and dim,<br /></span>
+<span class="i1">No word of man could now arouse!<br /></span>
+<span class="i0">And hollow hands, so virgin slim,<br /></span>
+<span class="i1">Forever clasped in silent vows!<br /></span>
+</div><div class="stanza">
+<span class="i0">Poor breasts! that God designed for love,<br /></span>
+<span class="i1">For baby lips to kiss and press!<br /></span>
+<span class="i0">That never felt, yet dreamed thereof,<br /></span>
+<span class="i1">The human touch, the child caress&mdash;<br /></span>
+<span class="i0">That lie like shriveled blooms above<br /></span>
+<span class="i1">The heart's long-perished happiness.<br /></span>
+</div><div class="stanza">
+<span class="i0">O withered body, Nature gave<br /></span>
+<span class="i1">For purposes of death and birth,<br /></span>
+<span class="i0">That never knew, and could but crave<br /></span>
+<span class="i1">Those things perhaps that make life worth&mdash;<br /></span>
+<span class="i0">Rest now, alas! within the grave,<br /></span>
+<span class="i1">Sad shell that served no end of Earth.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_60" id="Page_60">[Pg 60]</a></span></p>
+<h2><a name="COMMUNICANTS" id="COMMUNICANTS"></a>COMMUNICANTS</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Who knows the things they dream, alas!<br /></span>
+<span class="i1">Or feel, who lie beneath the ground?<br /></span>
+<span class="i0">Perhaps the flowers, the leaves, and grass<br /></span>
+<span class="i1">That close them round.<br /></span>
+</div><div class="stanza">
+<span class="i0">In spring the violets may spell<br /></span>
+<span class="i1">The moods of them we know not of;<br /></span>
+<span class="i0">Or lilies sweetly syllable<br /></span>
+<span class="i1">Their thoughts of love<br /></span>
+</div><div class="stanza">
+<span class="i0">Haply, in summer, dew and scent<br /></span>
+<span class="i1">Of all they feel may be a part;<br /></span>
+<span class="i0">Each red rose be the testament<br /></span>
+<span class="i1">Of some rich heart.<br /></span>
+</div><div class="stanza">
+<span class="i0">The winds of fall be utterance,<br /></span>
+<span class="i1">Perhaps, of saddest things they say;<br /></span>
+<span class="i0">Wild leaves may word some dead romance<br /></span>
+<span class="i1">In some dim way.<br /></span>
+</div><div class="stanza">
+<span class="i0">In winter all their sleep profound<br /></span>
+<span class="i1">Through frost may speak to grass and stream;<br /></span>
+<span class="i0">The snow may be the silent sound<br /></span>
+<span class="i1">Of all they dream.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_61" id="Page_61">[Pg 61]</a></span></p>
+<h2><a name="THE_DEAD_DAY" id="THE_DEAD_DAY"></a>THE DEAD DAY</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">The West builds high a sepulchre<br /></span>
+<span class="i1">Of cloudy granite and of gold.<br /></span>
+<span class="i0">Where twilight's priestly hours inter<br /></span>
+<span class="i1">The day like some great king of old,<br /></span>
+</div><div class="stanza">
+<span class="i0">A censer, rimmed with silver fire,<br /></span>
+<span class="i1">The new moon swings above his tomb;<br /></span>
+<span class="i0">While, organ-stops of God's own choir,<br /></span>
+<span class="i1">Star after star throbs in the gloom.<br /></span>
+</div><div class="stanza">
+<span class="i0">And night draws near, the sadly sweet&mdash;<br /></span>
+<span class="i1">A nun whose face is calm and fair&mdash;<br /></span>
+<span class="i0">And kneeling at the dead day's feet<br /></span>
+<span class="i1">Her soul goes up in silent prayer.<br /></span>
+</div><div class="stanza">
+<span class="i0">In prayer, we feel through dewy gleam<br /></span>
+<span class="i1">And flowery fragrance, and&mdash;above<br /></span>
+<span class="i0">All Earth&mdash;the ecstasy and dream<br /></span>
+<span class="i1">That haunt the mystic heart of love.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_62" id="Page_62">[Pg 62]</a></span></p>
+<h2><a name="KNIGHT-ERRANT" id="KNIGHT-ERRANT"></a>KNIGHT-ERRANT</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Onward he gallops through enchanted gloom.<br /></span>
+<span class="i1">The spectres of the forest, dark and dim,<br /></span>
+<span class="i1">And shadows of vast death environ him&mdash;<br /></span>
+<span class="i0">Onward he spurs victorious over doom.<br /></span>
+<span class="i0">Before his eyes that love's far fires illume&mdash;<br /></span>
+<span class="i1">Where courage sits, impregnable and grim&mdash;<br /></span>
+<span class="i1">The form and features of <i>her</i> beauty swim,<br /></span>
+<span class="i0">Beckoning him on with looks that fears consume.<br /></span>
+<span class="i0">The thought of her distress, her lips to kiss,<br /></span>
+<span class="i1">Mails him with triple might; and so at last<br /></span>
+<span class="i2">To Lust's huge keep he comes; its giant wall,<br /></span>
+<span class="i0">Wild-towering, frowning from the precipice;<br /></span>
+<span class="i1">And through its gate, borne like a bugle blast,<br /></span>
+<span class="i2">O'er night and hell he thunders to his all.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_63" id="Page_63">[Pg 63]</a></span></p>
+<h2><a name="THE_END_OF_SUMMER" id="THE_END_OF_SUMMER"></a>THE END OF SUMMER</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Pods are the poppies, and slim spires of pods<br /></span>
+<span class="i1">The hollyhocks; the balsam's pearly bredes<br /></span>
+<span class="i1">Of rose-stained snow are little sacs of seeds<br /></span>
+<span class="i0">Collapsing at a touch; the lote, that sods<br /></span>
+<span class="i0">The pond with green, has changed its flowers to rods<br /></span>
+<span class="i1">And discs of vesicles; and all the weeds,<br /></span>
+<span class="i1">Around the sleepy water and its reeds.<br /></span>
+<span class="i0">Are one white smoke of seeded silk that nods.<br /></span>
+<span class="i0">Summer is dead, ay me! sweet Summer's dead!<br /></span>
+<span class="i1">The sunset clouds have built her funeral pyre,<br /></span>
+<span class="i1">Through which, e'en now, runs subterranean fire:<br /></span>
+<span class="i0">While from the East, as from a garden bed,<br /></span>
+<span class="i1">Mist-vined, the Dusk lifts her broad moon&mdash;like some<br /></span>
+<span class="i1">Great golden melon&mdash;saying, "Fall has come."<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_64" id="Page_64">[Pg 64]</a></span></p>
+<h2><a name="LIGHT_AND_WIND" id="LIGHT_AND_WIND"></a>LIGHT AND WIND</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Where, through the leaves of myriad forest trees,<br /></span>
+<span class="i1">The daylight falls, beryl and chrysoprase,<br /></span>
+<span class="i1">The glamour and the glimmer of its rays<br /></span>
+<span class="i0">Seem visible music, tangible melodies:<br /></span>
+<span class="i0">Light that is music; music that one sees&mdash;<br /></span>
+<span class="i1">Wagnerian music&mdash;where forever sways<br /></span>
+<span class="i1">The spirit of romance, and gods and fays<br /></span>
+<span class="i0">Take form, clad on with dreams and mysteries.<br /></span>
+<span class="i0">And now the wind's transmuting necromance<br /></span>
+<span class="i1">Touches the light and makes it fall and rise,<br /></span>
+<span class="i3">Vocal, a harp of multitudinous waves<br /></span>
+<span class="i0">That speaks as ocean speaks&mdash;an utterance<br /></span>
+<span class="i1">Of far-off whispers, mermaid-murmuring sighs&mdash;<br /></span>
+<span class="i3">Pelagian, vast, deep-down in coral caves.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_65" id="Page_65">[Pg 65]</a></span></p>
+<h2><a name="SUPERSTITION" id="SUPERSTITION"></a>SUPERSTITION</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">In the waste places, in the dreadful night,<br /></span>
+<span class="i1">When the wood whispers like a wandering mind,<br /></span>
+<span class="i1">And silence sits and listens to the wind,<br /></span>
+<span class="i0">Or, 'mid the rocks, to some wild torrent's flight;<br /></span>
+<span class="i0">Bat-browed thou wadest with thy wisp of light<br /></span>
+<span class="i1">Among black pools the moon can never find;<br /></span>
+<span class="i1">Or, owlet-eyed, thou hootest to the blind<br /></span>
+<span class="i0">Deep darkness from some cave or haunted height.<br /></span>
+<span class="i0">He who beholds but once thy fearsome face,<br /></span>
+<span class="i1">Never again shall walk alone! but wan<br /></span>
+<span class="i3">And terrible attendants shall be his&mdash;<br /></span>
+<span class="i1">Unutterable things that have no place<br /></span>
+<span class="i1">In God or Beauty&mdash;that compel him on,<br /></span>
+<span class="i3">Against all hope, where endless horror is.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_66" id="Page_66">[Pg 66]</a></span></p>
+<h2><a name="UNCALLED" id="UNCALLED"></a>UNCALLED</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">As one, who, journeying westward with the sun,<br /></span>
+<span class="i1">Beholds at length from the up-towering hills,<br /></span>
+<span class="i1">Far off, a land unspeakable beauty fills,<br /></span>
+<span class="i0">Circean peaks and vales of Avalon:<br /></span>
+<span class="i0">And, sinking weary, watches, one by one,<br /></span>
+<span class="i1">The big seas beat between; and knows it skills<br /></span>
+<span class="i1">No more to try; that now, as Heaven wills,<br /></span>
+<span class="i0">This is the helpless end, that all is done:<br /></span>
+<span class="i0">So 'tis with him, whom long a vision led<br /></span>
+<span class="i1">In quest of Beauty, and who finds at last<br /></span>
+<span class="i1">She lies beyond his effort. All the waves<br /></span>
+<span class="i0">Of all the world between them: While the dead,<br /></span>
+<span class="i1">The myriad dead, who people all the Past<br /></span>
+<span class="i1">With failure, hail him from forgotten graves.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_67" id="Page_67">[Pg 67]</a></span></p>
+<h2><a name="LOVE_DESPISED" id="LOVE_DESPISED"></a>LOVE DESPISED</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Can one resolve and hunt it from one's heart?<br /></span>
+<span class="i1">This love, this god and fiend, that makes a hell<br /></span>
+<span class="i1">Of many a life, in ways no tongue can tell,<br /></span>
+<span class="i0">No mind divine, nor any word impart.<br /></span>
+<span class="i0">Would not one think the slights that make hearts smart,<br /></span>
+<span class="i1">The ice of love's disdain, the wint'ry well<br /></span>
+<span class="i1">Of love's disfavor, love's own fire would quell?<br /></span>
+<span class="i0">Or school its nature, too, to its own art.<br /></span>
+<span class="i0">Why will men cringe and cry forever here<br /></span>
+<span class="i1">For that which, once obtained, may prove a curse?<br /></span>
+<span class="i1">Why not remember that, however fair,<br /></span>
+<span class="i0">Decay is wed to Beauty? That each year<br /></span>
+<span class="i1">Takes somewhat from the riches of her purse,<br /></span>
+<span class="i1">Until at last her house of pride stands bare?<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_68" id="Page_68">[Pg 68]</a></span></p>
+<h2><a name="THE_DEATH_OF_LOVE" id="THE_DEATH_OF_LOVE"></a>THE DEATH OF LOVE</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">So Love is dead, the Love we knew of old!<br /></span>
+<span class="i1">And in the sorrow of our hearts' hushed halls<br /></span>
+<span class="i1">A lute lies broken and a flower falls;<br /></span>
+<span class="i0">Love's house is empty and his hearth is cold.<br /></span>
+<span class="i0">Lone in dim places, where sweet vows were told.<br /></span>
+<span class="i1">In walks grown desolate, by ruined walls,<br /></span>
+<span class="i1">Beauty decays; and on their pedestals<br /></span>
+<span class="i0">Dreams crumble, and th' immortal gods are mould.<br /></span>
+<span class="i0">Music is slain or sleeps; one voice alone,<br /></span>
+<span class="i1">One voice awakes, and like a wandering ghost<br /></span>
+<span class="i2">Haunts all the echoing chambers of the Past&mdash;<br /></span>
+<span class="i0">The voice of Memory, that stills to stone<br /></span>
+<span class="i1">The soul that hears; the mind that, utterly lost,<br /></span>
+<span class="i2">Before its beautiful presence stands aghast.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_69" id="Page_69">[Pg 69]</a></span></p>
+<h2><a name="GERALDINE_GERALDINE" id="GERALDINE_GERALDINE"></a>GERALDINE, GERALDINE</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Geraldine, Geraldine,<br /></span>
+<span class="i1">Do you remember where<br /></span>
+<span class="i0">The willows used to screen<br /></span>
+<span class="i1">The water flowing fair?<br /></span>
+<span class="i0">The mill-stream's banks of green<br /></span>
+<span class="i1">Where first our love begun,<br /></span>
+<span class="i0">When you were seventeen,<br /></span>
+<span class="i1">And I was twenty-one?<br /></span>
+</div><div class="stanza">
+<span class="i0">Geraldine, Geraldine,<br /></span>
+<span class="i1">Do you remember how<br /></span>
+<span class="i0">From th' old bridge we would lean&mdash;<br /></span>
+<span class="i1">The bridge that's broken now&mdash;<br /></span>
+<span class="i0">To watch the minnows sheen,<br /></span>
+<span class="i1">And the ripples of the Run,<br /></span>
+<span class="i0">When you were seventeen,<br /></span>
+<span class="i1">And I was twenty-one?<br /></span>
+</div><div class="stanza">
+<span class="i0">Geraldine, Geraldine,<br /></span>
+<span class="i1">Do you remember too<br /></span>
+<span class="i0">The old beech-tree, between<br /></span>
+<span class="i1">Whose roots the wild flowers grew?<br /></span>
+<span class="i0">Where oft we met at e'en,<br /></span>
+<span class="i1">When stars were few or none,<br /></span>
+<span class="i0">When you were seventeen,<br /></span>
+<span class="i1">And I was twenty-one?<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_70" id="Page_70">[Pg 70]</a></span>
+
+<span class="i0">Geraldine, Geraldine,<br /></span>
+<span class="i1">The bark has grown around<br /></span>
+<span class="i0">The names I cut therein,<br /></span>
+<span class="i1">And the truelove-knot that bound;<br /></span>
+<span class="i0">The love-knot, clear and clean,<br /></span>
+<span class="i1">I carved when our love begun,<br /></span>
+<span class="i0">When you were seventeen,<br /></span>
+<span class="i1">And I was twenty-one?<br /></span>
+</div><div class="stanza">
+<span class="i0">Geraldine, Geraldine,<br /></span>
+<span class="i1">The roof of the farmhouse gray<br /></span>
+<span class="i0">Is fallen and mossy green;<br /></span>
+<span class="i1">Its rafters rot away:<br /></span>
+<span class="i0">The old path scarce is seen<br /></span>
+<span class="i1">Where oft our feet would run,<br /></span>
+<span class="i0">When you were seventeen,<br /></span>
+<span class="i1">And I was twenty-one.<br /></span>
+</div><div class="stanza">
+<span class="i0">Geraldine, Geraldine,<br /></span>
+<span class="i1">Through each old tree and bough<br /></span>
+<span class="i0">The lone winds cry and keen&mdash;<br /></span>
+<span class="i1">The place is haunted now,<br /></span>
+<span class="i0">With ghosts of what-has-been,<br /></span>
+<span class="i1">With dreams of love-long-done,<br /></span>
+<span class="i0">When you were seventeen,<br /></span>
+<span class="i1">And I was twenty-one.<br /></span>
+</div><div class="stanza">
+<span class="pagenum"><a name="Page_71" id="Page_71">[Pg 71]</a></span>
+
+<span class="i0">Geraldine, Geraldine,<br /></span>
+<span class="i1">There, in your world of wealth,<br /></span>
+<span class="i0">There, where you move a queen,<br /></span>
+<span class="i1">Broken in heart and health,<br /></span>
+<span class="i0">Does there ever rise a scene<br /></span>
+<span class="i1">Of days, your soul would shun,<br /></span>
+<span class="i0">When you were seventeen,<br /></span>
+<span class="i1">And I was twenty-one?<br /></span>
+</div><div class="stanza">
+<span class="i0">Geraldine, Geraldine,<br /></span>
+<span class="i1">Here, 'mid the rose and rue,<br /></span>
+<span class="i0">Would God that your grave were green.<br /></span>
+<span class="i1">And I were lying too!<br /></span>
+<span class="i0">Here on the hill, I mean,<br /></span>
+<span class="i1">Where oft we laughed i' the sun,<br /></span>
+<span class="i0">When you were seventeen,<br /></span>
+<span class="i1">And I was twenty-one.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_72" id="Page_72">[Pg 72]</a></span></p>
+<h2><a name="ALLUREMENT" id="ALLUREMENT"></a>ALLUREMENT</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Across the world she sends me word,<br /></span>
+<span class="i0">From gardens fair as Falerina's,<br /></span>
+<span class="i0">Now by a blossom, now a bird,<br /></span>
+<span class="i0">To come to her, who long has lured<br /></span>
+<span class="i0">With magic sweeter than Alcina's.<br /></span>
+</div><div class="stanza">
+<span class="i0">I know not what her word may mean,<br /></span>
+<span class="i0">I know not what may mean the voices<br /></span>
+<span class="i0">She sends as messengers serene,<br /></span>
+<span class="i0">That through the silvery silence lean,<br /></span>
+<span class="i0">To tell me where her heart rejoices.<br /></span>
+</div><div class="stanza">
+<span class="i0">But I must go! I must away!<br /></span>
+<span class="i0">Must take the path that is appointed!<br /></span>
+<span class="i0">God grant I find her realm some day!<br /></span>
+<span class="i0">Where, by her love, as by a ray,<br /></span>
+<span class="i0">My soul shall be anointed.<br /></span>
+</div></div>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_73" id="Page_73">[Pg 73]</a></span></p>
+<h2><a name="BLACK_VESPERS_PAGEANTS" id="BLACK_VESPERS_PAGEANTS"></a>BLACK VESPER'S PAGEANTS.</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">The day, all fierce with carmine, turns<br /></span>
+<span class="i1">An Indian face towards Earth and dies;<br /></span>
+<span class="i0">The west, like some gaunt vase, inurns<br /></span>
+<span class="i1">Its ashes under smouldering skies,<br /></span>
+<span class="i0">Athwart whose bowl one red cloud streams,<br /></span>
+<span class="i0">Strange as a shape some Aztec dreams.<br /></span>
+</div><div class="stanza">
+<span class="i0">Now shadows mass above the world,<br /></span>
+<span class="i1">And night comes on with wind and rain;<br /></span>
+<span class="i0">The mulberry-colored leaves are hurled<br /></span>
+<span class="i1">Like frantic hands against the pane.<br /></span>
+<span class="i0">And through the forests, bending low,<br /></span>
+<span class="i0">Night stalks like some gigantic woe.<br /></span>
+</div><div class="stanza">
+<span class="i0">In hollows where the thistle shakes<br /></span>
+<span class="i1">A hoar bloom like a witch's-light,<br /></span>
+<span class="i0">From weed and flower the rain-wind rakes<br /></span>
+<span class="i1">Dead sweetness&mdash;as a wildman might,<br /></span>
+<span class="i0">From out the leaves, the woods among,<br /></span>
+<span class="i0">Dig some dead woman, fair and young.<br /></span>
+</div><div class="stanza">
+<span class="i0">Now let me walk the woodland ways,<br /></span>
+<span class="i1">Alone! except for thoughts, that are<br /></span>
+<span class="i0">Akin to such wild nights and days;<br /></span>
+<span class="i1">A portion of the storm that far<br /></span>
+<span class="i0">Fills Heaven and Earth tumultuously,<br /></span>
+<span class="i0">And my own soul with ecstasy.<br /></span>
+</div></div>
+
+
+
+
+<hr style="width: 65%;" />
+<h2>OTHER VOLUMES</h2>
+
+<h3>BY</h3>
+
+<h2>MADISON CAWEIN</h2>
+
+
+<div class="blockquot"><p><span class="u">THE GARDEN OF DREAMS</span></p>
+
+<p>Printed on hand-made paper; bound in watered silk;
+only a few copies remaining; price, $1.25 (net)</p>
+
+<p><span class="u">WEEDS BY THE WALL</span></p>
+
+<p>Tastefully bound in silk cloth; price, $1.25</p></div>
+
+
+<p class="center">Sent on receipt of price to any address by</p>
+
+<p class="center">JOHN P. MORTON &amp; COMPANY<br />
+
+PUBLISHERS<br />
+
+LOUISVILLE, KENTUCKY.</p>
+
+
+
+<hr style="width: 65%;" />
+<p class="center">WILLIAM DEAN HOWELLS, in the <i>North American Review</i>
+for January, 1902.</p>
+
+<p>"One never praises an author for certain things without afterward
+doubting if they were the characteristic things, or whether just the
+reverse might not be said. Praise is, in fact, a delicate business, and I,
+who am rather fond of dealing in it, never feel quite safe. Not only is it
+questionable at the moment, but the later behavior of the author is sometimes
+such that one is sorry not to have made it blame. It is always with
+a shrinking, which I try to hide from the public, that I take up the fresh
+venture of a poet whom I have once bet on. But there is a joy when I
+find that I have not lost my wager, which is full compensation for the
+anxiety suffered. This joy has lately been mine in the latest little book
+of Mr. Madison Cawein, whose work I long ago confessed my pleasure in.
+I am not sure that he has transcended the limits which he then seemed
+to give himself as the lover, the prophet, of beauty in the woods and
+waters and skies of the southern Mid-West. I do not know that he need
+have done more than unlock the riches of emotion within these limits.
+What I am sure of is that in 'Weeds by the Wall' he has more deeply
+charmed me with an art perfected from that I felt in 'Blooms of the
+Berry' ten or fifteen years since. Many little books of his have come (I
+hope not also gone) between the first and last, and none of them has
+failed to make me glad of his work; and now, again, I am finding the same
+impassioned moods in the same impassive presences. To my knowledge,
+no such nature poems have been written within the time since Mr. Cawein
+began to write as his are, or from such an intimacy with the 'various
+language' which nature speaks. There are other good poems in the book,
+poems which would have made reputes in the eighteenth century, and
+which it would be a shame not to own good in the twentieth; but those
+which speak for 'The Cricket,' ' A Twilight Moth,' 'The Grasshopper,'
+'The Tree-Toad,' 'The Screech Owl,' 'The Chipmunk,' 'Drouth,' 'Before
+the Rain,' and the like, are in a voice which interprets the very soul of
+what we call the inarticulate things, though they seem to have enunciated
+themselves so distinctly to this poet. It is cheap to note his increasing
+control of his affluent imagery and the growing mastery that makes him
+so fine an artist. These things were to be expected from his early poems,
+but what makes one think he will go far and long, and outlive both praise
+and blame, is the blending of a sense of the Kentucky civilization in
+such a poem as 'Feud.'... Civilization may not be quite the word for
+the condition of things suggested here, but there can be no doubt of the
+dramatic and the graphic power that suggests it, and that imparts a personal
+sense of the tragic squalor, the sultry drouth, the forlorn <ins title="Transcriber's Note: original reads 'wickednsse'">wickedness</ins>
+of it all. By such a way as this lies Mr. Cawein's hope of rise from nature
+up to man, if it is up; and also, as I perceive too late, lies confusion for
+the critic who said that the poet does not transcend the limits he once
+seemed to give himself."</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's A Voice on the Wind, by Madison Julius Cawein
+
+*** END OF THIS PROJECT GUTENBERG EBOOK A VOICE ON THE WIND ***
+
+***** This file should be named 33940-h.htm or 33940-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/3/9/4/33940/
+
+Produced by David Garcia, Dianne Nolan and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/33940-h/images/dectriangle.png b/33940-h/images/dectriangle.png
new file mode 100644
index 0000000..7c3e9be
--- /dev/null
+++ b/33940-h/images/dectriangle.png
Binary files differ
diff --git a/33940-h/images/fleurdelis.png b/33940-h/images/fleurdelis.png
new file mode 100644
index 0000000..2f3bf6d
--- /dev/null
+++ b/33940-h/images/fleurdelis.png
Binary files differ
diff --git a/33940.txt b/33940.txt
new file mode 100644
index 0000000..efb00fc
--- /dev/null
+++ b/33940.txt
@@ -0,0 +1,2566 @@
+The Project Gutenberg EBook of A Voice on the Wind, by Madison Julius Cawein
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Voice on the Wind
+ and Other Poems
+
+Author: Madison Julius Cawein
+
+Release Date: October 6, 2010 [EBook #33940]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A VOICE ON THE WIND ***
+
+
+
+
+Produced by David Garcia, Dianne Nolan and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+
+
+
+
+
+
+
+
+ A Voice on the Wind
+
+ AND OTHER POEMS
+
+ by
+ Madison Cawein
+
+ [Illustration]
+
+ Louisville
+ John P. Morton & Company, Publishers
+ 1902
+
+
+
+
+ COPYRIGHTED 1902, BY MADISON CAWEIN
+
+
+
+
+ For permission to reprint several of the poems included in this
+ volume thanks are due to the _Atlantic Monthly_, _Harper's
+ Magazine_, _The Century Magazine_, _Smart Set_, _Saturday
+ Evening Post_, and _Lippincott's Magazine_.
+
+
+
+
+ INSCRIBED
+
+ TO
+
+ EDMUND GOSSE
+
+ AS A SLIGHT TOKEN OF APPRECIATION AND ESTEEM
+
+
+
+
+
+ PROEM.
+
+
+ OH, FOR A SOUL THAT FULFILLS
+ MUSIC LIKE THAT OF A BIRD!
+ THRILLING WITH RAPTURE THE HILLS,
+ HEEDLESS IF ANY ONE HEARD.
+
+ OR, LIKE THE FLOWER THAT BLOOMS
+ LONE IN THE MIDST OF THE TREES,
+ FILLING THE WOODS WITH PERFUMES,
+ CARELESS IF ANY ONE SEES.
+
+ OR, LIKE THE WANDERING WIND,
+ OVER THE MEADOWS THAT SWINGS,
+ BRINGING WILD SWEETS TO MANKIND,
+ KNOWING NOT THAT WHICH IT BRINGS.
+
+ OH, FOR A WAY TO IMPART
+ BEAUTY, NO MATTER HOW HARD!
+ LIKE UNTO NATURE, WHOSE ART
+ NEVER ONCE DREAMS OF REWARD.
+
+
+
+
+
+A Voice on the Wind
+
+
+
+
+ A VOICE ON THE WIND
+
+
+ She walks with the wind on the windy height
+ When the rocks are loud and the waves are white,
+ And all night long she calls through the night,
+ "O, my children, come home!"
+ Her bleak gown, torn as a tattered cloud,
+ Tosses around her like a shroud,
+ While over the deep her voice rings loud,--
+ "O, my children, come home, come home!
+ O, my children, come home!"
+
+ Who is she who wanders alone,
+ When the wind drives sheer and the rain is blown?
+ Who walks all night and makes her moan,
+ "O, my children, come home!"
+ Whose face is raised to the blinding gale;
+ Whose hair blows black and whose eyes are pale,
+ While over the world is heard her wail,--
+ "O, my children, come home, come home!
+ O, my children, come home!"
+
+ She walks with the wind in the windy wood;
+ The sad rain drips from her hair and hood,
+ And her cry sobs by, like a ghost pursued,
+ "O, my children, come home!"
+
+ Where the trees are gaunt and the rocks are drear,
+ The owl and the fox crouch down in fear,
+ While wild through the wood her voice they hear,--
+ "O, my children, come home, come home!
+ O, my children, come home!"
+
+ Who is she who shudders by
+ When the boughs blow bare and the dead leaves fly?
+ Who walks all night with her wailing cry,
+ "O, my children, come home!"
+ Who, strange of look, and wild of tongue,
+ With pale feet wounded and hands wan-wrung,
+ Sweeps on and on with her cry, far-flung,--
+ "O, my children, come home, come home!
+ O, my children, come home!"
+
+ 'Tis the Spirit of Autumn, no man sees,
+ The mother of Death and Mysteries,
+ Who cries on the wind all night to these,
+ "O, my children, come home!"
+ The Spirit of Autumn, pierced with pain,
+ Calling her children home again,
+ Death and Dreams, through ruin and rain,
+ "O, my children, come home, come home!
+ O, my children, come home!"
+
+
+
+
+ THE LAND OF HEARTS MADE WHOLE
+
+
+ Do you know the way that goes
+ Over fields of rue and rose,--
+ Warm of scent and hot of hue,
+ Roofed with heaven's bluest blue,--
+ To the Vale of Dreams Come True?
+
+ Do you know the path that twines,
+ Banked with elder-bosks and vines,
+ Under boughs that shade a stream,
+ Hurrying, crystal as a gleam,
+ To the Hills of Love a-Dream?
+
+ Tell me, tell me, have you gone
+ Through the fields and woods of dawn,
+ Meadowlands and trees that roll,
+ Great of grass and huge of bole,
+ To the Land of Hearts Made Whole?
+
+ On the way, among the fields,
+ Poppies lift vermilion shields,
+ In whose hearts the golden Noon,
+ Murmuring her drowsy tune,
+ Rocks the sleepy bees that croon.
+
+ On the way, amid the woods,
+ Mandrakes muster multitudes,
+ 'Mid whose blossoms, white as tusk,
+ Glides the glimmering Forest-Dusk,
+ With her fluttering moths of musk.
+
+ Here you hear the stealthy stir
+ Of shy lives of hoof and fur;
+ Harmless things that hide and peer,
+ Hearts that sucked the milk of fear--
+ Fox and rabbit, squirrel and deer.
+
+ Here you see the mossy flight
+ Of faint forms that love the night--
+ Whippoorwill- and owlet-things,
+ Whose far call before you brings
+ Wonder-worlds of happenings.
+
+ Now in sunlight, now in shade,
+ Water, like a brandished blade,
+ Foaming forward, wild of flight,
+ Startles then arrests the sight,
+ Whirling steely loops of light.
+
+ Thro' the tree-tops, down the vale,
+ Breezes pass and leave a trail
+ Of cool music that the birds,
+ Following in happy herds,
+ Gather up in twittering words.
+
+ Blossoms, frail and manifold,
+ Strew the way with pearl and gold;
+ Blurs, that seem the darling print
+ Of the Springtime's feet, or glint
+ Of her twinkling gown's torn tint.
+
+ There the myths of old endure:
+ Dreams that are the world-soul's cure;
+ Things that have no place or play
+ In the facts of Everyday
+ 'Round your presence smile and sway.
+
+ Suddenly your eyes may see,
+ Stepping softly from her tree,
+ Slim of form and wet with dew,
+ The brown dryad; lips the hue
+ Of a berry bit into.
+
+ You may mark the naiad rise
+ From her pool's reflected skies;
+ In her gaze the heaven that dreams,
+ Starred, in twilight-haunted streams,
+ Mixed with water's grayer gleams.
+
+ You may see the laurel's girth,
+ Big of bloom, give fragrant birth
+ To the oread whose hair,
+ Musk and darkness, light and air,
+ Fills the hush with wonder there.
+
+ You may mark the rocks divide,
+ And the faun before you glide,
+ Piping on a magic reed,
+ Sowing many a music seed,
+ From which bloom and mushroom bead.
+
+ Of the rain and sunlight born,
+ Young of beard and young of horn,
+ You may see the satyr lie,
+ With a very knowing eye,
+ Teaching youngling birds to fly.
+
+ These shall cheer and follow you
+ Through the Vale of Dreams Come True;
+ Wind-like voices, leaf-like feet;
+ Forms of mist and hazy heat,
+ In whose pulses sunbeams beat.
+
+ Lo! you tread enchanted ground!
+ From the hollows all around
+ Elf and spirit, gnome and fay,
+ Guide your feet along the way
+ Till the dewy close of day.
+
+ Then beside you, jet on jet,
+ Emerald-hued or violet,
+ Flickering swings a firefly light,
+ Aye to guide your steps a-right
+ From the valley to the height.
+
+ Steep the way is; when at last
+ Vale and wood and stream are passed,
+ From the heights you shall behold
+ Panther heavens of spotted gold
+ Tiger-tawny deeps unfold.
+
+ You shall see on stocks and stones
+ Sunset's bell-deep color tones
+ Fallen; and the valleys filled
+ With dusk's purple music, spilled
+ On the silence rapture-thrilled.
+
+ Then, as answering bell greets bell,
+ Night ring in her miracle
+ Of the domed dark, o'er-rolled,
+ Note on note, with starlight cold,
+ 'Twixt the moon's broad peal of gold.
+
+ On the hill-top Love-a-Dream
+ Shows you then her window-gleam;
+ Brings you home and folds your soul
+ In the peace of vale and knoll,
+ In the Land of Hearts Made Whole.
+
+
+
+
+ THE WIND OF WINTER
+
+
+ The Winter Wind, the wind of death,
+ Who knocked upon my door,
+ Now through the key-hole entereth,
+ Invisible and hoar;
+ He breathes around his icy breath
+ And treads the flickering floor.
+
+ I heard him, wandering in the night,
+ Tap at my window pane,
+ With ghostly fingers, snowy white,
+ I heard him tug in vain,
+ Until the shuddering candle-light
+ With fear did cringe and strain.
+
+ The fire, awakened by his voice,
+ Leapt up with frantic arms,
+ Like some wild babe that greets with noise
+ Its father home who storms,
+ With rosy gestures that rejoice
+ And crimson kiss that warms.
+
+ Now in the hearth he sits and, drowned
+ Among the ashes, blows;
+ Or through the room goes stealing 'round
+ On cautious-stepping toes,
+ Deep mantled in the drowsy sound
+ Of night that sleets and snows.
+
+ And oft, like some thin fairy-thing,
+ The stormy hush amid,
+ I hear his captive trebles ring
+ Beneath the kettle's lid;
+ Or now a harp of elfland string
+ In some dark cranny hid.
+
+ Again I hear him, imp-like, whine
+ Cramped in the gusty flue;
+ Or knotted in the resinous pine
+ Raise goblin cry and hue,
+ While through the smoke his eyeballs shine,
+ A sooty red and blue.
+
+ At last I hear him, nearing dawn,
+ Take up his roaring broom,
+ And sweep wild leaves from wood and lawn,
+ And from the heavens the gloom,
+ To show the gaunt world lying wan,
+ And morn's cold rose a-bloom.
+
+
+
+
+ THE WIND OF SUMMER
+
+
+ From the hills and far away
+ All the long, warm summer day
+ Comes the wind and seems to say:
+
+ "Come, oh, come! and let us go
+ Where the meadows bend and blow,
+ Waving with the white-tops' snow.
+
+ "'Neath the hyssop-colored sky
+ 'Mid the meadows we will lie
+ Watching the white clouds roll by;
+
+ "While your hair my hands shall press
+ With a cooling tenderness
+ Till your grief grows less and less.
+
+ "Come, oh, come! and let us roam
+ Where the rock-cut waters comb
+ Flowing crystal into foam.
+
+ "Under trees whose trunks are brown,
+ On the banks that violets crown,
+ We will watch the fish flash down;
+
+ "While your ear my voice shall soothe
+ With a whisper soft and smooth
+ Till your care shall wax uncouth.
+
+ "Come! where forests, line on line,
+ Armies of the oak and pine,
+ Scale the hills and shout and shine.
+
+ "We will wander, hand in hand,
+ Ways where tall the toadstools stand,
+ Mile-stones white of Fairyland.
+
+ "While your eyes my lips shall kiss,
+ Dewy as a wild rose is,
+ Till they gaze on naught but bliss.
+
+ "On the meadows you will hear,
+ Leaning low your spirit ear,
+ Cautious footsteps drawing near.
+
+ "You will deem it but a bee,
+ Murmuring soft and sleepily,
+ Till your inner sight shall see
+
+ "'Tis a presence passing slow,
+ All its shining hair ablow,
+ Through the white-tops' tossing snow.
+
+ "By the waters, if you will,
+ And your inmost soul be still,
+ Melody your ears shall fill.
+
+ "You will deem it but the stream
+ Rippling onward in a dream,
+ Till upon your gaze shall gleam
+
+ "Arm of spray and throat of foam--
+ 'Tis a spirit there aroam
+ Where the radiant waters comb.
+
+ "In the forest, if you heed,
+ You shall hear a magic reed
+ Sow sweet notes like silver seed.
+
+ "You will deem your ears have heard
+ Stir of tree or song of bird,
+ Till your startled eyes are blurred
+
+ "By a vision, instant seen,
+ Naked gold and beryl green,
+ Glimmering bright the boughs between.
+
+ "Follow me! and you shall see
+ Wonder-worlds of mystery
+ That are only known to me!"
+
+ Thus outside my city door
+ Speaks the Wind its wildwood lore,
+ Speaks and lo! I go once more.
+
+
+
+
+ THE SPIRIT OF THE FOREST SPRING
+
+
+ Over the rocks she trails her locks,
+ Her mossy locks that drip, drip, drip;
+ Her sparkling eyes smile at the skies
+ In friendship-wise and fellowship;
+ While the gleam and glance of her countenance
+ Lull into trance the woodland places,
+ As over the rocks she trails her locks,
+ Her dripping locks that the long fern graces.
+
+ She pours clear ooze from her heart's cool cruse,
+ Its crystal cruse that drips, drips, drips;
+ And all the day its diamond spray
+ Is heard to play from her finger-tips;
+ And the slight soft sound makes haunted ground
+ Of the woods around that the sunlight laces,
+ As she pours clear ooze from her heart's cool cruse,
+ Its dripping cruse that no man traces.
+
+ She swims and swims with glimmering limbs,
+ With lucid limbs that drip, drip, drip;
+ Where beechen boughs build a leafy house
+ For her form to drowse or her feet to trip;
+ And the liquid beat of her rippling feet
+ Makes three-times sweet the forest mazes,
+ As she swims and swims with glimmering limbs,
+ With dripping limbs through the twilight's hazes.
+
+ Then wrapped in deeps of the wild she sleeps,
+ She whispering sleeps and drips, drips, drips;
+ Where moon and mist wreathe neck and wrist,
+ While, starry-whist, through the night she slips;
+ And the heavenly dream of her soul makes gleam
+ The falls that stream and the foam that races,
+ As wrapped in deeps of the wild she sleeps,
+ She dripping sleeps or starward gazes.
+
+
+
+
+ TO THE LEAF-CRICKET
+
+
+ I
+
+ Small twilight singer
+ Of dew and mist: thou ghost-gray, gossamer winger
+ Of dusk's dim glimmer,
+ How cool thy note sounds; how thy wings of shimmer
+ Vibrate, soft-sighing,
+ Meseems, for Summer that is dead or dying.
+ I stand and listen,
+ And at thy song the garden-beds, that glisten
+ With rose and lily,
+ Seem touched with sadness; and the tuberose chilly,
+ Breathing around its cold and colorless breath,
+ Fills the pale evening with wan hints of death.
+
+
+ II
+
+ I see thee quaintly
+ Beneath the leaf; thy shell-shaped winglets faintly--
+ As thin as spangle
+ Of cobwebbed rain--held up at airy angle;
+ I hear thy tinkle,
+ Thy fairy notes, the silvery stillness sprinkle;
+ Investing wholly
+ The moonlight with divinest melancholy:
+ Until, in seeming,
+ I see the Spirit of the Summer dreaming
+ Amid her ripened orchards, apple-strewn,
+ Her great, grave eyes fixed on the harvest-moon.
+
+
+ III
+
+ As dew-drops beady,
+ As mist minute, thy notes ring low and reedy:
+ The vaguest vapor
+ Of melody, now near; now, like some taper
+ Of sound, far fading--
+ Thou will-o'-wisp of music aye evading.
+ Among the bowers,
+ The fog-washed stalks of Autumn's weeds and flowers,
+ By hill and hollow,
+ I hear thy murmur and in vain I follow--
+ Thou jack-o'-lantern voice, thou elfin cry,
+ Thou dirge, that tellest Beauty she must die.
+
+
+ IV
+
+ And when the frantic
+ Wild winds of Autumn with the dead leaves antic;
+ And walnuts scatter
+ The mire of lanes; and dropping acorns patter
+ In grove and forest,
+ Like some frail grief, with the rude blast thou warrest,
+ Sending thy slender
+ Far cry against the gale, that, rough, untender,
+ Untouched of sorrow,
+ Sweeps thee aside, where, haply, I to-morrow
+ Shall find thee lying, tiny, cold and crushed,
+ Thy weak wings folded and thy music hushed.
+
+
+
+
+ THE OWLET
+
+
+ I
+
+ When dusk is drowned in drowsy dreams,
+ And slow the hues of sunset die;
+ When firefly and moth go by,
+ And in still streams the new-moon gleams,
+ A sickle in the sky;
+ Then from the hills there comes a cry,
+ The owlet's cry;
+ A shivering voice that sobs and screams,
+ That, frightened, screams:
+
+ "Who is it, who is it, who?
+ Who rides through the dusk and dew,
+ With a pair o' horns,
+ As thin as thorns,
+ And face a bubble blue?
+ Who, who, who!
+ Who is it, who is it, who?"
+
+
+ II
+
+ When night has dulled the lily's white,
+ And opened wide the primrose eyes;
+ When pale mists rise and veil the skies,
+ And 'round the height in whispering flight
+ The night-wind sounds and sighs;
+ Then in the woods again it cries,
+ The owlet cries;
+ A shivering voice that calls in fright,
+ In maundering fright:
+
+ "Who is it, who is it, who?
+ Who walks with a shuffling shoe,
+ 'Mid the gusty trees,
+ With a face none sees,
+ And a form as ghostly too?
+ Who, who, who!
+ Who is it, who is it, who?"
+
+
+ III
+
+ When midnight leans a listening ear
+ And tinkles on her insect lutes;
+ When 'mid the roots the cricket flutes,
+ And marsh and mere, now far, now near,
+ A jack-o'-lantern foots;
+ Then o'er the pool again it hoots,
+ The owlet hoots;
+ A voice that shivers as with fear,
+ That cries in fear:
+
+ "Who is it, who is it, who?
+ Who creeps with his glow-worm crew
+ Above the mire
+ With a corpse-light fire,
+ As only dead men do?
+ Who, who, who!
+ Who is it, who is it, who?"
+
+
+
+
+ VINE AND SYCAMORE
+
+
+ I
+
+ Here where a tree and its wild liana,
+ Leaning over the streamlet, grow,
+ Once a nymph, like the moon'd Diana,
+ Sat in the ages long ago.
+ Sat with a mortal with whom she had mated,
+ Sat and laughed with a mortal youth,
+ Ere he of the forest, the god who hated,
+ Saw and changed to a form uncouth....
+
+
+ II
+
+ Once in the woods she had heard a shepherd,
+ Heard a reed in a golden glade;
+ Followed, and clad in the skin of a leopard,
+ Found him fluting within the shade.
+ Found him sitting with bare brown shoulder,
+ Lithe and strong as a sapling oak,
+ And leaning over a mossy boulder,
+ Love in her wildwood heart awoke.
+
+
+ III
+
+ White she was as a dogwood flower,
+ Pinkly white as a wild-crab bloom,
+ Sweetly white as a hawtree bower
+ Full of dew and the May's perfume.
+ He who saw her above him burning,
+ Beautiful, naked, in light arrayed,
+ Deemed her Diana, and from her turning,
+ Leapt to his feet and fled afraid.
+
+
+ IV
+
+ Far she followed and called and pleaded,
+ Ever he fled with never a look;
+ Fled, till he came to this spot, deep-reeded,
+ Came to the bank of this forest brook.
+ Here for a moment he stopped and listened,
+ Heard in her voice her heart's despair,
+ Saw in her eyes the love that glistened,
+ Sank on her bosom and rested there.
+
+
+ V
+
+ Close to her beauty she strained and pressed him,
+ Held and bound him with kiss on kiss;
+ Soft with her arms and her lips caressed him,
+ Sweeter of touch than a blossom is.
+ Spoke to his heart, and with sweet persuasion
+ Mastered his soul till its fear was flown;
+ Spoke to his soul till its mortal evasion
+ Vanished, and body and soul were her own.
+
+
+ VI
+
+ Many a day had they met and mated,
+ Many a day by this woodland brook,
+ When he of the forest, the god who hated,
+ Came on their love and changed with a look.
+ There on the shore, while they joyed and jested,
+ He in the shadows, unseen, espied
+ Her, like the goddess Diana breasted,
+ Him, like Endymion by her side.
+
+
+ VII
+
+ Lo! at a word, at a sign, their folded
+ Limbs and bodies assumed new form,
+ Hers to the shape of a tree were molded,
+ His to a vine with surrounding arm....
+ So they stand with their limbs enlacing,
+ Nymph and mortal, upon this shore,
+ He forever a vine embracing
+ Her a silvery sycamore.
+
+
+
+
+ THE POET
+
+
+ He stands above all worldly schism,
+ And, gazing over life's abysm,
+ Beholds within the starry range
+ Of heaven laws of death and change,
+ That, through his soul's prophetic prism,
+ Are turned to rainbows wild and strange.
+
+ Through nature is his hope made surer
+ Of that ideal, his allurer,
+ By whom his life is upward drawn
+ To mount pale pinnacles of dawn,
+ 'Mid which all that is fairer, purer
+ Of love and lore it comes upon.
+
+ An alkahest, that makes gold metal
+ Of dross, his mind is--where one petal
+ Of one wild-rose will all outweigh
+ The piled-up facts of everyday--
+ Where commonplaces, there that settle,
+ Are changed to things of heavenly ray.
+
+ He climbs by steps of stars and flowers,
+ Companioned of the dreaming hours,
+ And sets his feet in pastures where
+ No merely mortal feet may fare;
+ And higher than the stars he towers
+ Though lowlier than the flowers there.
+
+ His comrades are his own high fancies
+ And thoughts in which his soul romances;
+ And every part of heaven or earth
+ He visits, lo, assumes new worth;
+ And touched with loftier traits and trances
+ Re-shines as with a lovelier birth.
+
+ He is the play, likewise the player;
+ The word that's said, also the sayer;
+ And in the books of heart and head
+ There is no thing he has not read;
+ Of time and tears he is the weigher,
+ And mouthpiece 'twixt the quick and dead.
+
+ He dies: but, mounting ever higher,
+ Wings Phoenix-like from out his pyre
+ Above our mortal day and night,
+ Clothed on with sempiternal light;
+ And raimented in thought's far fire
+ Flames on in everlasting flight.
+
+ Unseen, yet seen, on heights of visions,
+ Above all praise and world derisions,
+ His spirit and his deathless brood
+ Of dreams fare on, a multitude,
+ While on the pillar of great missions
+ His name and place are granite-hewed.
+
+
+
+
+ EVENING ON THE FARM
+
+
+ From out the hills, where twilight stands,
+ Above the shadowy pasture lands,
+ With strained and strident cry,
+ Beneath pale skies that sunset bands,
+ The bull-bats fly.
+
+ A cloud hangs over, strange of shape,
+ And, colored like the half-ripe grape,
+ Seems some uneven stain
+ On heaven's azure, thin as crape,
+ And blue as rain.
+
+ By ways, that sunset's sardonyx
+ O'erflares, and gates the farmboy clicks,
+ Through which the cattle came,
+ The mullein stalks seem giant wicks
+ Of downy flame.
+
+ From woods no glimmer enters in,
+ Above the streams that wandering win
+ From out the violet hills,
+ Those haunters of the dusk begin,
+ The whippoorwills.
+
+ Adown the dark the firefly marks
+ Its flight in golden-emerald sparks;
+ And, loosened from his chain,
+ The shaggy watchdog bounds and barks,
+ And barks again.
+
+ Each breeze brings scents of hill-heaped hay;
+ And now an owlet, far away,
+ Cries twice or thrice, "Twohoo;"
+ And cool dim moths of mottled gray
+ Flit through the dew.
+
+ The silence sounds its frog-bassoon,
+ Where on the woodland creek's lagoon,
+ Pale as a ghostly girl
+ Lost 'mid the trees, looks down the moon
+ With face of pearl.
+
+ Within the shed where logs, late hewed,
+ Smell forest-sweet, and chips of wood
+ Make blurs of white and brown,
+ The brood-hen cuddles her warm brood
+ Of teetering down.
+
+ The clattering guineas in the tree
+ Din for a time; and quietly
+ The henhouse, near the fence,
+ Sleeps, save for some brief rivalry
+ Of cocks and hens.
+
+ A cow-bell tinkles by the rails,
+ Where, streaming white in foaming pails,
+ Milk makes an uddery sound;
+ While overhead the black bat trails
+ Around and 'round.
+
+ The night is still. The slow cows chew
+ A drowsy cud. The bird that flew
+ And sang is in its nest.
+ It is the time of falling dew,
+ Of dreams and rest.
+
+ The brown bees sleep; and 'round the walk,
+ The garden path, from stalk to stalk
+ The bungling beetle booms,
+ Where two soft shadows stand and talk
+ Among the blooms.
+
+ The stars are thick: the light is dead
+ That dyed the West: and Drowsyhead,
+ Tuning his cricket-pipe,
+ Nods, and some apple, round and red,
+ Drops over ripe.
+
+ Now down the road, that shambles by,
+ A window, shining like an eye
+ Through climbing rose and gourd,
+ Shows where Toil sups and these things lie,
+ His heart and hoard.
+
+
+
+
+ THE BROOK
+
+
+ To it the forest tells
+ The mystery that haunts its heart and folds
+ Its form in cogitation deep, that holds
+ The shadow of each myth that dwells
+ In nature--be it Nymph or Fay or Faun--
+ And whispering of them to the dales and dells,
+ It wanders on and on.
+
+ To it the heaven shows
+ The secret of its soul; true images
+ Of dreams that form its aspect; and with these
+ Reflected in its countenance it goes,
+ With pictures of the skies, the dusk and dawn,
+ Within its breast, as every blossom knows,
+ For them to gaze upon.
+
+ Through it the world-soul sends
+ Its heart's creating pulse that beats and sings
+ The music of maternity whence springs
+ All life; and shaping earthly ends,
+ From the deep sources of the heavens drawn,
+ Planting its ways with beauty, on it wends,
+ On and forever on.
+
+
+
+
+ SUMMER NOONTIDE
+
+
+ The slender snail clings to the leaf,
+ Gray on its silvered underside:
+ And slowly, slowlier than the snail, with brief
+ Bright steps, whose ripening touch foretells the sheaf,
+ Her warm hands berry-dyed,
+ Comes down the tanned Noontide.
+
+ The pungent fragrance of the mint
+ And pennyroyal drench her gown,
+ That leaves long shreds of trumpet-blossom tint
+ Among the thorns, and everywhere the glint
+ Of gold and white and brown
+ Her flowery steps waft down.
+
+ The leaves, like hands with emerald veined,
+ Along her way try their wild best
+ To reach the jewel--whose hot hue was drained
+ From some rich rose that all the June contained--
+ The butterfly, soft pressed
+ Upon her sunny breast.
+
+ Her shawl, the lace-like elder bloom,
+ She hangs upon the hillside brake,
+ Smelling of warmth and of her breast's perfume,
+ And, lying in the citron-colored gloom
+ Beside the lilied lake,
+ She stares the buds awake.
+
+ Or, with a smile, through watery deeps
+ She leads the oaring turtle's legs;
+ Or guides the crimson fish, that swims and sleeps,
+ From pad to pad, from which the young frog leaps;
+ And to its nest's green eggs
+ The bird that pleads and begs.
+
+ Then 'mid the fields of unmown hay
+ She shows the bees where sweets are found;
+ And points the butterflies, at airy play,
+ And dragonflies, along the water-way,
+ Where honeyed flowers abound
+ For them to flicker 'round.
+
+ Or where ripe apples pelt with gold
+ Some barn--around which, coned with snow,
+ The wild-potato blooms--she mounts its old
+ Mossed roof, and through warped sides, the knots have holed,
+ Lets her long glances glow
+ Into the loft below.
+
+ To show the mud-wasp at its cell
+ Slenderly busy; swallows, too,
+ Packing against a beam their nest's clay shell;
+ And crouching in the dark the owl as well
+ With all her downy crew
+ Of owlets gray of hue.
+
+ These are her joys, and until dusk
+ Lounging she walks where reapers reap,
+ From sultry raiment shaking scents of musk,
+ Rustling the corn within its silken husk,
+ And driving down heav'n's deep
+ White herds of clouds like sheep.
+
+
+
+
+ HEAT
+
+
+ I
+
+ Now is it as if Spring had never been,
+ And Winter but a memory and dream,
+ Here where the Summer stands, her lap of green
+ Heaped high with bloom and beam,
+ Among her blackberry-lilies, low that lean
+ To kiss her feet; or, freckle-browed, that stare
+ Upon the dragonfly which, slimly seen,
+ Like a blue jewel flickering in her hair,
+ Sparkles above them there.
+
+
+ II
+
+ Knee-deep among the tepid pools the cows
+ Chew a slow cud or switch a slower tail.
+ Half-sunk in sleep beneath the beechen boughs,
+ Where thin the wood-gnats ail.
+ From bloom to bloom the languid butterflies drowse;
+ The sleepy bees make hardly any sound;
+ The only things the sunrays can arouse,
+ It seems, are two black beetles rolling 'round
+ Upon the dusty ground.
+
+
+ III
+
+ Within its channel glares the creek and shrinks,
+ Beneath whose rocks the furtive crawfish hides
+ In stagnant places, where the green frog blinks,
+ And water-spider glides.
+
+ Far hotter seems it for the bird that drinks,
+ The startled kingfisher that screams and flies;
+ Hotter and lonelier for the purple pinks
+ Of weeds that bloom, whose sultry perfumes rise
+ Stifling the swooning skies.
+
+
+ IV
+
+ From ragweed fallows, rye fields, heaped with sheaves,
+ From blistering rocks, no moss or lichens crust,
+ And from the road, where every hoof-stroke heaves
+ A cloud of burning dust,
+ The hotness quivers, making limp the leaves,
+ That loll like tongues of panting hounds. The heat
+ Is a wan wimple that the Summer weaves,
+ A veil, in which she wraps, as in a sheet,
+ The shriveling corn and wheat.
+
+
+ V
+
+ Furious, incessant in the weeds and briers
+ The sawing weed-bugs sing; and, heat-begot,
+ The grasshoppers, so many strident wires,
+ Staccato fiercely hot:
+ A lash of whirling sound that never tires,
+ The locust flails the noon, where harnessed Thirst,
+ Beside the road-spring, many a shod hoof mires,
+ Into the trough thrusts his hot head, immersed,
+ 'Round which cool bubbles burst.
+
+
+ VI
+
+ The sad, sweet voice of some wood-spirit who
+ Laments while watching a loved oak tree die,
+ From the deep forest comes the wood-dove's coo.
+ A long, lost, lonely cry.
+ Oh, for a breeze, a mighty wind to woo
+ The woods to stormy laughter; sow like grain
+ The world with freshness of invisible dew.
+ And pile above far, fevered hill and plain.
+ Vast bastions black with rain.
+
+
+
+
+ JULY
+
+
+ Now 'tis the time when, tall,
+ The long blue torches of the bellflower gleam
+ Among the trees; and, by the wooded stream.
+ In many a fragrant ball.
+ Blooms of the button-bush fall.
+
+ Let us go forth and seek
+ Woods where the wild plums redden and the beech
+ Plumps its packed burs: and, swelling, just in reach.
+ The pawpaw, emerald sleek.
+ Ripens along the creek.
+
+ Now 'tis the time when ways
+ Of glimmering green flaunt white the misty plumes
+ Of the black-cohosh; and through bramble glooms,
+ A blur of orange rays,
+ The butterfly-blossoms blaze.
+
+ Let us go forth and hear
+ The spiral music that the locusts beat,
+ And that small spray of sound, so grassy sweet,
+ Dear to a country ear,
+ The cricket's summer cheer.
+
+ Now golden celandine
+ Is hairy hung with silvery sacks of seeds.
+ And bugled o'er with freckled gold, like beads.
+ Beneath the fox-grape vine,
+ The jewel-weed's blossoms shine.
+
+ Let us go forth and see
+ The dragon- and the butterfly, like gems,
+ Spangling the sunbeams; and the clover stems,
+ Weighed down by many a bee,
+ Nodding mellifluously.
+
+ Now morns are full of song;
+ The catbird and the redbird and the jay
+ Upon the hilltops rouse the rosy day,
+ Who, dewy, blithe, and strong,
+ Lures their wild wings along.
+
+ Now noons are full of dreams;
+ The clouds of heaven and the wandering breeze
+ Follow a vision; and the flowers and trees,
+ The hills and fields and streams,
+ Are lapped in mystic gleams.
+
+ The nights are full of love;
+ The stars and moon take up the golden tale
+ Of the sunk sun, and passionate and pale,
+ Mixing their fires above,
+ Grow eloquent thereof.
+
+ Such days are like a sigh
+ That beauty heaves from a full heart of bliss:
+ Such nights are like the sweetness of a kiss
+ On lips that half deny,
+ The warm lips of July.
+
+
+
+
+ TO THE LOCUST
+
+
+ Thou pulse of hotness, who, with reed-like breast,
+ Makest meridian music, long and loud,
+ Accentuating summer!--dost thy best
+ To make the sunbeams fiercer, and to crowd
+ With lonesomeness the long, close afternoon
+ When Labor leans, swart-faced and beady browed,
+ Upon his sultry scythe--thou tangible tune
+ Of heat, whose waves incessantly arise
+ Quivering and clear beneath the cloudless skies.
+
+ Thou singest, and upon his haggard hills
+ Drouth yawns and rubs his heavy eyes and wakes;
+ Brushes the hot hair from his face; and fills
+ The land with death as sullenly he takes
+ Downward his dusty way: 'midst woods and fields
+ At every pool his burning thirst he slakes:
+ No grove so deep, no bank so high it shields
+ A spring from him; no creek evades his eye;
+ He needs but look and they are withered dry.
+
+ Thou singest, and thy song is as a spell
+ Of somnolence to charm the land with sleep;
+ A thorn of sound that pierces dale and dell,
+ Diffusing slumber over vale and steep.
+
+ Sleepy the forest, nodding sleepy boughs;
+ The pastures sleepy with their sleepy sheep;
+ Sleepy the creek where sleepily the cows
+ Stand knee-deep: and the very heaven seems
+ Sleepy and lost in undetermined dreams.
+
+ Art thou a rattle that Monotony,
+ Summer's dull nurse, old sister of slow Time,
+ Shakes for Day's peevish pleasure, who in glee
+ Takes its discordant music for sweet rhyme?
+ Or oboe that the Summer Noontide plays,
+ Sitting with Ripeness 'neath the orchard-tree,
+ Trying repeatedly the same shrill phrase,
+ Until the musky peach with drowsiness
+ Drops, and the hum of bees grows less and less?
+
+
+
+
+ YOUNG SEPTEMBER
+
+
+ I
+
+ With a look and a laugh where the stream was flowing,
+ September led me along the land;
+ Where the golden-rod and lobelia, glowing,
+ Seemed burning torches within her hand.
+ And faint as the thistle's or milk-weed's feather
+ I glimpsed her form through the sparkling weather.
+
+
+ II
+
+ Now 'twas her hand and now her hair
+ That tossed me welcome everywhere;
+ That lured me onward through the stately rooms
+ Of forest, hung and carpeted with glooms,
+ And windowed wide with azure, doored with green.
+ Through which rich glimmers of her robe were seen--
+ Now, like some deep marsh-mallow, rosy gold;
+ Now, like the great Joe-Pye-weed, fold on fold
+ Of heavy mauve; and now, like the intense
+ Massed iron-weed, a purple opulence.
+
+
+ III
+
+ Along the bank in a wild procession
+ Of gold and sapphire the blossoms blew;
+ And borne on the breeze came their soft confession
+ In syllables musk of honey and dew;
+ In words unheard that their lips kept saying,
+ Sweet as the lips of children praying.
+
+
+ IV
+
+ And so, meseemed, I heard them tell
+ How here her loving glance once fell
+ Upon this bank, and from its azure grew
+ The ageratum mist-flower's happy hue:
+ How from her kiss, as crimson as the dawn,
+ The cardinal-flow'r drew its vermilion;
+ And from her hair's blond touch th' elecampane
+ Evolved the glory of its golden rain;
+ White from her starry footsteps, redolent,
+ The aster pearled its flowery firmament.
+
+
+
+
+ UNDER THE HUNTER'S MOON
+
+
+ White from her chrysalis of cloud,
+ The moth-like moon swings upward through the night;
+ And all the bee-like stars that crowd
+ The hollow hive of heav'n wane in her light.
+
+ Along the distance, folds of mist
+ Hang frost-pale, ridging all the dark with gray;
+ Tinting the trees with amethyst,
+ Touching with pearl and purple every spray.
+
+ All night the stealthy frost and fog
+ Conspire to slay the rich-robed weeds and flowers:
+ To strip of wealth the woods, and clog
+ With piled-up gold of leaves the creek that cowers.
+
+ I seem to see their Spirits stand,
+ Molded of moonlight, faint of form and face,
+ Now reaching high a chilly hand
+ To pluck some walnut from its spicy place:
+
+ Now with fine fingers, phantom-cold,
+ Splitting the wahoo's pods of rose, and thin
+ The bittersweet's balls o' gold,
+ To show the coal-red berries packed within:
+
+ Now on dim threads of gossamer
+ Stringing pale pearls of moisture; necklacing
+ The flow'rs; and spreading cobweb fur,
+ Crystaled with stardew, over everything:
+
+ While 'neath the moon, with moon-white feet,
+ They go and, chill, a moon-soft music draw
+ From wan leaf-cricket flutes--the sweet,
+ Sad dirge of Autumn dying in the shaw.
+
+
+
+
+ RAIN IN THE WOODS
+
+
+ When on the leaves the rain persists,
+ And every gust brings showers down;
+ When all the woodland smokes with mists,
+ I take the old road out of town
+ Into the hills through which it twists.
+
+ I find the vale where catnip grows,
+ Where boneset blooms, with moisture bowed;
+ The vale through which the red creek flows,
+ Turbid with hill-washed clay, and loud
+ As some wild horn a hunter blows.
+
+ Around the root the beetle glides,
+ A living beryl; and the ant,
+ Large, agate-red, a garnet, slides
+ Beneath the rock; and every plant
+ Is roof for some frail thing that hides.
+
+ Like knots against the trunks of trees
+ The lichen-colored moths are pressed;
+ And, wedged in hollow blooms, the bees
+ Seem clots of pollen; in its nest
+ The wasp has crawled and lies at ease.
+
+ The locust harsh, that sharply saws
+ The silence of the summer noon;
+ The katydid that thinly draws
+ Its fine file o'er the bars of moon;
+ And grasshopper that drills each pause:
+
+ The mantis, long-clawed, furtive, lean--
+ Fierce feline of the insect hordes--
+ And dragonfly, gauze-winged and green,
+ Beneath the wild-grape's leaves and gourd's,
+ Have housed themselves and rest unseen.
+
+ The butterfly and forest-bird
+ Are huddled on the same gnarled bough,
+ From which, like some rain-voweled word
+ That dampness hoarsely utters now,
+ The tree-toad's voice is vaguely heard.
+
+ I crouch and listen; and again
+ The woods are filled with phantom forms--
+ With shapes, grotesque in mystic train,
+ That rise and reach to me cool arms
+ Of mist; the wandering wraiths of rain.
+
+ I see them come; fantastic, fair;
+ Chill, mushroom-colored: sky and earth
+ Grow ghostly with their floating hair
+ And trailing limbs, that have their birth
+ In wetness--fungi of the air.
+
+ O wraiths of rain! O ghosts of mist!
+ Still fold me, hold me, and pursue!
+ Still let my lips by yours be kissed!
+ Still draw me with your hands of dew
+ Unto the tryst, the dripping tryst.
+
+
+
+
+ IN THE LANE
+
+
+ When the hornet hangs in the hollyhock,
+ And the brown bee drones i' the rose,
+ And the west is a red-streaked four-o'-clock,
+ And summer is near its close--
+ It's--Oh, for the gate and the locust lane
+ And dusk and dew and home again!
+
+ When the katydid sings and the cricket cries,
+ And ghosts of the mists ascend,
+ And the evening-star is a lamp i' the skies,
+ And summer is near its end--
+ It's--Oh, for the fence and the leafy lane,
+ And the twilight peace and the tryst again!
+
+ When the owlet hoots in the dogwood-tree,
+ That leans to the rippling Run,
+ And the wind is a wildwood melody,
+ And summer is almost done--
+ It's--Oh, for the bridge and the bramble lane,
+ And the fragrant hush and her hands again!
+
+ When fields smell moist with the dewy hay,
+ And woods are cool and wan,
+ And a path for dreams is the Milky-way,
+ And summer is nearly gone--
+ It's--Oh, for the rock and the woodland lane
+ And the silence and stars and her lips again!
+
+ When the weight of the apples breaks down the boughs,
+ And musk-melons split with sweet,
+ And the moon is a-bloom in the Heaven's house,
+ And summer has spent its heat--
+ It's--Oh, for the lane, the trysting lane,
+ And the deep-mooned night and her love again!
+
+
+
+
+ A FOREST IDYL
+
+
+ I
+
+ Beneath an old beech-tree
+ They sat together,
+ Fair as a flower was she
+ Of summer weather.
+ They spoke of life and love,
+ While, through the boughs above,
+ The sunlight, like a dove,
+ Dropped many a feather.
+
+
+ II
+
+ And there the violet,
+ The bluet near it,
+ Made blurs of azure wet--
+ As if some spirit,
+ Or woodland dream, had gone
+ Sprinkling the earth with dawn,
+ When only Fay and Faun
+ Could see or hear it.
+
+
+ III
+
+ She with her young, sweet face
+ And eyes gray-beaming,
+ Made of that forest place
+ A spot for dreaming:
+ A spot for Oreads
+ To smooth their nut-brown braids,
+ For Dryads of the glades
+ To dance in, gleaming.
+
+
+ IV
+
+ So dim the place, so blest.
+ One had not wondered
+ Had Dian's mooned breast
+ The deep leaves sundered,
+ And there on them awhile
+ The goddess deigned to smile.
+ While down some forest aisle
+ The far hunt thundered.
+
+
+ V
+
+ I deem that hour perchance
+ Was but a mirror
+ To show them Earth's romance
+ And draw them nearer:
+ A mirror where, meseems.
+ All that this Earth-life dreams,
+ All loveliness that gleams,
+ Their souls saw clearer.
+
+
+ VI
+
+ Beneath an old beech-tree
+ They dreamed of blisses;
+ Fair as a flower was she
+ That summer kisses:
+ They spoke of dreams and days,
+ Of love that goes and stays,
+ Of all for which life prays,
+ Ah me! and misses.
+
+
+
+
+ UNDER THE ROSE
+
+
+ He told a story to her,
+ A story old yet new--
+ And was it of the Faery Folk
+ That dance along the dew?
+
+ The night was hung with silence
+ As a room is hung with cloth,
+ And soundless, through the rose-sweet hush,
+ Swooned dim the down-white moth.
+
+ Along the east a shimmer,
+ A tenuous breath of flame,
+ From which, as from a bath of light,
+ Nymph-like, the girl-moon came.
+
+ And pendent in the purple
+ Of heaven, like fireflies,
+ Bubbles of gold the great stars blew
+ From windows of the skies.
+
+ He told a story to her,
+ A story full of dreams--
+ And was it of the Elfin things
+ That haunt the thin moonbeams?
+
+ Upon the hill a thorn-tree,
+ Crooked and gnarled and gray,
+ Against the moon seemed some crutch'd hag
+ Dragging a child away.
+
+ And in the vale a runnel,
+ That dripped from shelf to shelf,
+ Seemed, in the night, a woodland witch
+ Who muttered to herself.
+
+ Along the land a zephyr,
+ Whose breath was wild perfume,
+ That seemed a sorceress who wove
+ Sweet spells of beam and bloom.
+
+ He told a story to her,
+ A story young yet old--
+ And was it of the mystic things
+ Men's eyes shall ne'er behold?
+
+ They heard the dew drip faintly
+ From out the green-cupped leaf;
+ They heard the petals of the rose
+ Unfolding from their sheaf.
+
+ They saw the wind light-footing
+ The waters into sheen;
+ They saw the starlight kiss to sleep
+ The blossoms on the green.
+
+ They heard and saw these wonders;
+ These things they saw and heard;
+ And other things within the heart
+ For which there is no word.
+
+ He told a story to her,
+ The story men call Love,
+ Whose echoes fill the ages past,
+ And the world ne'er tires of.
+
+
+
+
+ IN AUTUMN
+
+
+ I
+
+ Sunflowers wither and lilies die,
+ Poppies are pods of seeds;
+ The first red leaves on the pathway lie,
+ Like blood of a heart that bleeds.
+
+ Weary alway will it be to-day,
+ Weary and wan and wet;
+ Dawn and noon will the clouds hang gray,
+ And the autumn wind will sigh and say,
+ "_He comes not yet, not yet.
+ Weary alway, alway!_"
+
+
+ II
+
+ Hollyhocks bend all tattered and torn,
+ Marigolds all are gone;
+ The last pale rose lies all forlorn,
+ Like love that is trampled on.
+
+ Weary, ah me! to-night will be,
+ Weary and wild and hoar;
+ Rain and mist will blow from the sea,
+ And the wind will sob in the autumn tree,
+ "_He comes no more, no more.
+ Weary, ah me! ah me!_"
+
+
+
+
+ EPIPHANY
+
+
+ There is nothing that eases my heart so much
+ As the wind that blows from the purple hills;
+ 'Tis a hand of balsam whose healing touch
+ Unburdens my bosom of ills.
+
+ There is nothing that causes my soul to rejoice
+ Like the sunset flaming without a flaw:
+ 'Tis a burning bush whence God's own voice
+ Addresses my spirit with awe.
+
+ There is nothing that hallows my mind, meseems,
+ Like the night with its moon and its stars above;
+ 'Tis a mystical lily whose golden gleams
+ Fulfill my being with love.
+
+ There is nothing, no, nothing, we see and feel.
+ That speaks to our souls some beautiful thought,
+ That was not created to help us, and heal
+ Our lives that are overwrought.
+
+
+
+
+ LIFE
+
+
+ I
+
+ PESSIMIST
+
+ There is never a thing we dream or do
+ But was dreamed and done in the ages gone;
+ Everything's old; there is nothing that's new,
+ And so it will be while the world goes on.
+
+ The thoughts we think have been thought before;
+ The deeds we do have long been done;
+ We pride ourselves on our love and lore
+ And both are as old as the moon and sun.
+
+ We strive and struggle and swink and sweat,
+ And the end for each is one and the same;
+ Time and the sun and the frost and wet
+ Will wear from its pillar the greatest name.
+
+ No answer comes for our prayer or curse,
+ No word replies though we shriek in air;
+ Ever the taciturn universe
+ Stretches unchanged for our curse or prayer.
+
+ With our mind's small light in the dark we crawl,--
+ Glow-worm glimmers that creep about,--
+ Tilt the Power that shaped us, over us all
+ Poises His foot and treads us out.
+
+ Unasked He fashions us out of clay,
+ A little water, a little dust,
+ And then in our holes He thrusts us away,
+ With never a word, to rot and rust.
+
+ 'Tis a sorry play with a sorry plot,
+ This life of hate and of lust and pain,
+ Where we play our parts and are soon forgot,
+ And all that we do is done in vain.
+
+
+ II
+
+ OPTIMIST
+
+ There is never a dream but it shall come true,
+ And never a deed but was wrought by plan;
+ And life is filled with the strange and new,
+ And ever has been since the world began.
+
+ As mind develops and soul matures
+ These two shall parent Earth's mightier acts;
+ Love is a fact, and 'tis love endures
+ 'Though the world make wreck of all other facts.
+
+ Through thought alone shall our Age obtain
+ Above all Ages gone before;
+ The tribes of sloth, of brawn, not brain,
+ Are the tribes that perish, are known no more.
+
+ Within ourselves is a voice of Awe,
+ And a hand that points to Balanced Scales;
+ The one is Love and the other Law,
+ And their presence alone it is avails.
+
+ For every shadow about our way
+ There is a glory of moon and sun;
+ But the hope within us hath more of ray
+ Than the light of the sun and moon in one.
+
+ Behind all being a purpose lies,
+ Undeviating as God hath willed;
+ And he alone it is who dies,
+ Who leaves that purpose unfulfilled.
+
+ Life is an epic the Master sings,
+ Whose theme is Man, and whose music, Soul,
+ Where each is a word in the Song of Things,
+ That shall roll on while the ages roll.
+
+
+
+
+ NEVER
+
+ (Song)
+
+
+ Love hath no place in her,
+ Though in her bosom be
+ Love-thoughts and dreams that stir
+ Longings that know not me:
+ Love hath no place in her,
+ No place for me.
+
+ Never within her eyes
+ Do I the love-light see;
+ Never her soul replies
+ To the sad soul in me:
+ Never with soul and eyes
+ Speaks she to me.
+
+ She is a star, a rose,
+ I but a moth, a bee;
+ High in her heaven she glows,
+ Blooms far away from me:
+ She is a star, a rose,
+ Never for me.
+
+ Why will I think of her
+ To my heart's misery?
+ Dreaming how sweet it were
+ Had she a thought of me:
+ Why will I think of her!
+ Why, why, ah me!
+
+
+
+
+ MEETING IN THE WOODS
+
+
+ Through ferns and moss the path wound to
+ A hollow where the touchmenots
+ Swung horns of honey filled with dew;
+ And where--like foot-prints--violets blue
+ And bluets made sweet sapphire blots,
+ 'Twas there that she had passed he knew.
+
+ The grass, the very wilderness
+ On either side, breathed rapture of
+ Her passage: 'twas her hand or dress
+ That touched some tree--a slight caress--
+ That made the wood-birds sing above;
+ Her step that made the flowers up-press.
+
+ He hurried, till across his way,
+ Foam-footed, bounding through the wood,
+ A brook, like some wild girl at play,
+ Went laughing loud its roundelay;
+ And there upon its bank she stood,
+ A sunbeam clad in woodland gray.
+
+ And when she saw him, all her face
+ Grew to a wildrose by the stream;
+ And to his breast a moment's space
+ He gathered her; and all the place
+ Seemed conscious of some happy dream
+ Come true to add to Earth its grace.
+
+ Some joy, on which Heav'n was intent--
+ For which God made the world--the bliss,
+ The love, that raised her innocent
+ Pure face to his that, smiling, bent
+ And sealed confession with a kiss--
+ Life needs no other testament.
+
+
+
+
+ A MAID WHO DIED OLD
+
+
+ Frail, shrunken face, so pinched and worn,
+ That life has carved with care and doubt!
+ So weary waiting, night and morn,
+ For that which never came about!
+ Pale lamp, so utterly forlorn.
+ In which God's light at last is out.
+
+ Gray hair, that lies so thin and prim
+ On either side the sunken brows!
+ And soldered eyes, so deep and dim,
+ No word of man could now arouse!
+ And hollow hands, so virgin slim,
+ Forever clasped in silent vows!
+
+ Poor breasts! that God designed for love,
+ For baby lips to kiss and press!
+ That never felt, yet dreamed thereof,
+ The human touch, the child caress--
+ That lie like shriveled blooms above
+ The heart's long-perished happiness.
+
+ O withered body, Nature gave
+ For purposes of death and birth,
+ That never knew, and could but crave
+ Those things perhaps that make life worth--
+ Rest now, alas! within the grave,
+ Sad shell that served no end of Earth.
+
+
+
+
+ COMMUNICANTS
+
+
+ Who knows the things they dream, alas!
+ Or feel, who lie beneath the ground?
+ Perhaps the flowers, the leaves, and grass
+ That close them round.
+
+ In spring the violets may spell
+ The moods of them we know not of;
+ Or lilies sweetly syllable
+ Their thoughts of love
+
+ Haply, in summer, dew and scent
+ Of all they feel may be a part;
+ Each red rose be the testament
+ Of some rich heart.
+
+ The winds of fall be utterance,
+ Perhaps, of saddest things they say;
+ Wild leaves may word some dead romance
+ In some dim way.
+
+ In winter all their sleep profound
+ Through frost may speak to grass and stream;
+ The snow may be the silent sound
+ Of all they dream.
+
+
+
+
+ THE DEAD DAY
+
+
+ The West builds high a sepulchre
+ Of cloudy granite and of gold.
+ Where twilight's priestly hours inter
+ The day like some great king of old,
+
+ A censer, rimmed with silver fire,
+ The new moon swings above his tomb;
+ While, organ-stops of God's own choir,
+ Star after star throbs in the gloom.
+
+ And night draws near, the sadly sweet--
+ A nun whose face is calm and fair--
+ And kneeling at the dead day's feet
+ Her soul goes up in silent prayer.
+
+ In prayer, we feel through dewy gleam
+ And flowery fragrance, and--above
+ All Earth--the ecstasy and dream
+ That haunt the mystic heart of love.
+
+
+
+
+ KNIGHT-ERRANT
+
+
+ Onward he gallops through enchanted gloom.
+ The spectres of the forest, dark and dim,
+ And shadows of vast death environ him--
+ Onward he spurs victorious over doom.
+ Before his eyes that love's far fires illume--
+ Where courage sits, impregnable and grim--
+ The form and features of _her_ beauty swim,
+ Beckoning him on with looks that fears consume.
+ The thought of her distress, her lips to kiss,
+ Mails him with triple might; and so at last
+ To Lust's huge keep he comes; its giant wall,
+ Wild-towering, frowning from the precipice;
+ And through its gate, borne like a bugle blast,
+ O'er night and hell he thunders to his all.
+
+
+
+
+ THE END OF SUMMER
+
+
+ Pods are the poppies, and slim spires of pods
+ The hollyhocks; the balsam's pearly bredes
+ Of rose-stained snow are little sacs of seeds
+ Collapsing at a touch; the lote, that sods
+ The pond with green, has changed its flowers to rods
+ And discs of vesicles; and all the weeds,
+ Around the sleepy water and its reeds.
+ Are one white smoke of seeded silk that nods.
+ Summer is dead, ay me! sweet Summer's dead!
+ The sunset clouds have built her funeral pyre,
+ Through which, e'en now, runs subterranean fire:
+ While from the East, as from a garden bed,
+ Mist-vined, the Dusk lifts her broad moon--like some
+ Great golden melon--saying, "Fall has come."
+
+
+
+
+ LIGHT AND WIND
+
+
+ Where, through the leaves of myriad forest trees,
+ The daylight falls, beryl and chrysoprase,
+ The glamour and the glimmer of its rays
+ Seem visible music, tangible melodies:
+ Light that is music; music that one sees--
+ Wagnerian music--where forever sways
+ The spirit of romance, and gods and fays
+ Take form, clad on with dreams and mysteries.
+ And now the wind's transmuting necromance
+ Touches the light and makes it fall and rise,
+ Vocal, a harp of multitudinous waves
+ That speaks as ocean speaks--an utterance
+ Of far-off whispers, mermaid-murmuring sighs--
+ Pelagian, vast, deep-down in coral caves.
+
+
+
+
+ SUPERSTITION
+
+
+ In the waste places, in the dreadful night,
+ When the wood whispers like a wandering mind,
+ And silence sits and listens to the wind,
+ Or, 'mid the rocks, to some wild torrent's flight;
+ Bat-browed thou wadest with thy wisp of light
+ Among black pools the moon can never find;
+ Or, owlet-eyed, thou hootest to the blind
+ Deep darkness from some cave or haunted height.
+ He who beholds but once thy fearsome face,
+ Never again shall walk alone! but wan
+ And terrible attendants shall be his--
+ Unutterable things that have no place
+ In God or Beauty--that compel him on,
+ Against all hope, where endless horror is.
+
+
+
+
+ UNCALLED
+
+
+ As one, who, journeying westward with the sun,
+ Beholds at length from the up-towering hills,
+ Far off, a land unspeakable beauty fills,
+ Circean peaks and vales of Avalon:
+ And, sinking weary, watches, one by one,
+ The big seas beat between; and knows it skills
+ No more to try; that now, as Heaven wills,
+ This is the helpless end, that all is done:
+ So 'tis with him, whom long a vision led
+ In quest of Beauty, and who finds at last
+ She lies beyond his effort. All the waves
+ Of all the world between them: While the dead,
+ The myriad dead, who people all the Past
+ With failure, hail him from forgotten graves.
+
+
+
+
+ LOVE DESPISED
+
+
+ Can one resolve and hunt it from one's heart?
+ This love, this god and fiend, that makes a hell
+ Of many a life, in ways no tongue can tell,
+ No mind divine, nor any word impart.
+ Would not one think the slights that make hearts smart,
+ The ice of love's disdain, the wint'ry well
+ Of love's disfavor, love's own fire would quell?
+ Or school its nature, too, to its own art.
+ Why will men cringe and cry forever here
+ For that which, once obtained, may prove a curse?
+ Why not remember that, however fair,
+ Decay is wed to Beauty? That each year
+ Takes somewhat from the riches of her purse,
+ Until at last her house of pride stands bare?
+
+
+
+
+ THE DEATH OF LOVE
+
+
+ So Love is dead, the Love we knew of old!
+ And in the sorrow of our hearts' hushed halls
+ A lute lies broken and a flower falls;
+ Love's house is empty and his hearth is cold.
+ Lone in dim places, where sweet vows were told.
+ In walks grown desolate, by ruined walls,
+ Beauty decays; and on their pedestals
+ Dreams crumble, and th' immortal gods are mould.
+ Music is slain or sleeps; one voice alone,
+ One voice awakes, and like a wandering ghost
+ Haunts all the echoing chambers of the Past--
+ The voice of Memory, that stills to stone
+ The soul that hears; the mind that, utterly lost,
+ Before its beautiful presence stands aghast.
+
+
+
+
+ GERALDINE, GERALDINE
+
+
+ Geraldine, Geraldine,
+ Do you remember where
+ The willows used to screen
+ The water flowing fair?
+ The mill-stream's banks of green
+ Where first our love begun,
+ When you were seventeen,
+ And I was twenty-one?
+
+ Geraldine, Geraldine,
+ Do you remember how
+ From th' old bridge we would lean--
+ The bridge that's broken now--
+ To watch the minnows sheen,
+ And the ripples of the Run,
+ When you were seventeen,
+ And I was twenty-one?
+
+ Geraldine, Geraldine,
+ Do you remember too
+ The old beech-tree, between
+ Whose roots the wild flowers grew?
+ Where oft we met at e'en,
+ When stars were few or none,
+ When you were seventeen,
+ And I was twenty-one?
+
+ Geraldine, Geraldine,
+ The bark has grown around
+ The names I cut therein,
+ And the truelove-knot that bound;
+ The love-knot, clear and clean,
+ I carved when our love begun,
+ When you were seventeen,
+ And I was twenty-one?
+
+ Geraldine, Geraldine,
+ The roof of the farmhouse gray
+ Is fallen and mossy green;
+ Its rafters rot away:
+ The old path scarce is seen
+ Where oft our feet would run,
+ When you were seventeen,
+ And I was twenty-one.
+
+ Geraldine, Geraldine,
+ Through each old tree and bough
+ The lone winds cry and keen--
+ The place is haunted now,
+ With ghosts of what-has-been,
+ With dreams of love-long-done,
+ When you were seventeen,
+ And I was twenty-one.
+
+ Geraldine, Geraldine,
+ There, in your world of wealth,
+ There, where you move a queen,
+ Broken in heart and health,
+ Does there ever rise a scene
+ Of days, your soul would shun,
+ When you were seventeen,
+ And I was twenty-one?
+
+ Geraldine, Geraldine,
+ Here, 'mid the rose and rue,
+ Would God that your grave were green.
+ And I were lying too!
+ Here on the hill, I mean,
+ Where oft we laughed i' the sun,
+ When you were seventeen,
+ And I was twenty-one.
+
+
+
+
+ ALLUREMENT
+
+
+ Across the world she sends me word,
+ From gardens fair as Falerina's,
+ Now by a blossom, now a bird,
+ To come to her, who long has lured
+ With magic sweeter than Alcina's.
+
+ I know not what her word may mean,
+ I know not what may mean the voices
+ She sends as messengers serene,
+ That through the silvery silence lean,
+ To tell me where her heart rejoices.
+
+ But I must go! I must away!
+ Must take the path that is appointed!
+ God grant I find her realm some day!
+ Where, by her love, as by a ray,
+ My soul shall be anointed.
+
+
+
+
+ BLACK VESPER'S PAGEANTS.
+
+
+ The day, all fierce with carmine, turns
+ An Indian face towards Earth and dies;
+ The west, like some gaunt vase, inurns
+ Its ashes under smouldering skies,
+ Athwart whose bowl one red cloud streams,
+ Strange as a shape some Aztec dreams.
+
+ Now shadows mass above the world,
+ And night comes on with wind and rain;
+ The mulberry-colored leaves are hurled
+ Like frantic hands against the pane.
+ And through the forests, bending low,
+ Night stalks like some gigantic woe.
+
+ In hollows where the thistle shakes
+ A hoar bloom like a witch's-light,
+ From weed and flower the rain-wind rakes
+ Dead sweetness--as a wildman might,
+ From out the leaves, the woods among,
+ Dig some dead woman, fair and young.
+
+ Now let me walk the woodland ways,
+ Alone! except for thoughts, that are
+ Akin to such wild nights and days;
+ A portion of the storm that far
+ Fills Heaven and Earth tumultuously,
+ And my own soul with ecstasy.
+
+
+
+
+
+ OTHER VOLUMES
+ BY
+ MADISON CAWEIN
+
+
+ THE GARDEN OF DREAMS
+
+ Printed on hand-made paper; bound in watered silk;
+ only a few copies remaining; price, $1.25 (net)
+
+
+ WEEDS BY THE WALL
+
+ Tastefully bound in silk cloth; price, $1.25
+
+
+ Sent on receipt of price to any address by
+
+ JOHN P. MORTON & COMPANY
+ PUBLISHERS
+ LOUISVILLE, KENTUCKY.
+
+
+WILLIAM DEAN HOWELLS, in the _North American Review_ for January, 1902.
+
+"One never praises an author for certain things without afterward
+doubting if they were the characteristic things, or whether just the
+reverse might not be said. Praise is, in fact, a delicate business, and
+I, who am rather fond of dealing in it, never feel quite safe. Not only
+is it questionable at the moment, but the later behavior of the author
+is sometimes such that one is sorry not to have made it blame. It is
+always with a shrinking, which I try to hide from the public, that I
+take up the fresh venture of a poet whom I have once bet on. But there
+is a joy when I find that I have not lost my wager, which is full
+compensation for the anxiety suffered. This joy has lately been mine in
+the latest little book of Mr. Madison Cawein, whose work I long ago
+confessed my pleasure in. I am not sure that he has transcended the
+limits which he then seemed to give himself as the lover, the prophet,
+of beauty in the woods and waters and skies of the southern Mid-West. I
+do not know that he need have done more than unlock the riches of
+emotion within these limits. What I am sure of is that in 'Weeds by the
+Wall' he has more deeply charmed me with an art perfected from that I
+felt in 'Blooms of the Berry' ten or fifteen years since. Many little
+books of his have come (I hope not also gone) between the first and
+last, and none of them has failed to make me glad of his work; and now,
+again, I am finding the same impassioned moods in the same impassive
+presences. To my knowledge, no such nature poems have been written
+within the time since Mr. Cawein began to write as his are, or from such
+an intimacy with the 'various language' which nature speaks. There are
+other good poems in the book, poems which would have made reputes in the
+eighteenth century, and which it would be a shame not to own good in the
+twentieth; but those which speak for 'The Cricket,' 'A Twilight Moth,'
+'The Grasshopper,' 'The Tree-Toad,' 'The Screech Owl,' 'The Chipmunk,'
+'Drouth,' 'Before the Rain,' and the like, are in a voice which
+interprets the very soul of what we call the inarticulate things, though
+they seem to have enunciated themselves so distinctly to this poet. It
+is cheap to note his increasing control of his affluent imagery and the
+growing mastery that makes him so fine an artist. These things were to
+be expected from his early poems, but what makes one think he will go
+far and long, and outlive both praise and blame, is the blending of a
+sense of the Kentucky civilization in such a poem as 'Feud.'...
+Civilization may not be quite the word for the condition of things
+suggested here, but there can be no doubt of the dramatic and the
+graphic power that suggests it, and that imparts a personal sense of the
+tragic squalor, the sultry drouth, the forlorn wickedness of it all. By
+such a way as this lies Mr. Cawein's hope of rise from nature up to man,
+if it is up; and also, as I perceive too late, lies confusion for the
+critic who said that the poet does not transcend the limits he once
+seemed to give himself."
+
+
+ * * * * *
+
+
+TRANSCRIBER'S NOTE: Page 76 "wickednsse" changed to "wickedness" (the
+forlorn wickedness of it all.)
+
+
+
+
+
+End of Project Gutenberg's A Voice on the Wind, by Madison Julius Cawein
+
+*** END OF THIS PROJECT GUTENBERG EBOOK A VOICE ON THE WIND ***
+
+***** This file should be named 33940.txt or 33940.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/3/9/4/33940/
+
+Produced by David Garcia, Dianne Nolan and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/33940.zip b/33940.zip
new file mode 100644
index 0000000..0f5860a
--- /dev/null
+++ b/33940.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..07296b1
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #33940 (https://www.gutenberg.org/ebooks/33940)