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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/33346-h.zip b/33346-h.zip Binary files differnew file mode 100644 index 0000000..c652711 --- /dev/null +++ b/33346-h.zip diff --git a/33346-h/33346-h.htm b/33346-h/33346-h.htm new file mode 100644 index 0000000..8c2ef4e --- /dev/null +++ b/33346-h/33346-h.htm @@ -0,0 +1,2031 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta http-equiv="Content-Type" + content="text/html; charset=us-ascii" /> +<meta content="pg2html (binary v0.18)" name="generator" /> +<title>The Project Gutenberg eBook of + How to tell the Birds from the Flowers and other Wood-cuts, + by Robert Williams Wood. +</title> +<style type="text/css"> + body { margin-left: 10%; margin-right: 10%; } + p { text-indent: 1em; + margin-top: .75em; + font-size: 100%; + text-align: justify; + margin-bottom: .75em; } + h1,h3,h4,h5,h6 { text-align: left; } + h2 { text-align: left; background-color: inherit; color: #666666; } + .foot { margin-left: 10%; margin-right: 10%; text-align: justify; text-indent: -3em; font-size: 85%; } + .poem { margin-bottom: 1em; text-align: left; } + .poem .stanza { margin: 1em 0em 1em 0em; } + .poem p { margin: 0; padding-left: 3em; text-indent: -3em; } + .poem p.i2 { margin-left: 1.5em; } + .poem p.i4 { margin-left: 2.5em; } + .poem p.i6 { margin-left: 3.5em; } + .figure { text-indent: 0em; font-size: 90%;} + span.pagenum { position: absolute; left: 1%; right: 91%; font-size: 8pt; color: gray; background-color: inherit; } + p.center { text-indent: 0em; text-align: center;} + p.left { text-indent: 0em; text-align: left;} + a, img { border: none!important; text-decoration: none!important; } +</style> +</head> +<body> + + +<pre> + +The Project Gutenberg EBook of How to tell the Birds from the Flowers and +other Wood-cuts, by Robert Williams Wood + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: How to tell the Birds from the Flowers and other Wood-cuts + A Revised Manual of Flornithology for Beginners + +Author: Robert Williams Wood + +Release Date: August 4, 2010 [EBook #33346] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK HOW TO TELL BIRDS FROM FLOWERS *** + + + + +Produced by Juliet Sutherland, David Garcia and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<a name="image-0000"><!--IMG--></a> +<div class="figure"> +<a href="images/fcover.jpg"><img src="images/fcover-s.jpg" width="400" height="550" +alt="Front Cover" /></a> +</div> + +<div style="height: 6em;"><br /><br /><br /><br /><br /><br /></div> + +<h1> +How To Tell The Birds +<br /> +From The Flowers +<br /> +And Other Wood-cuts. +</h1> + +<h2> + A Revised Manual of Flornithology for Beginners. +</h2> + +<a name="image-0001"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p-i.jpg"><img src="images/i-p-i.png" width="400" height="65" +alt="Bird and Flower" /></a> +</div> + +<h3> +Verses and Illustrations +<br /> +By Robert Williams Wood. +</h3> + +<p class="left"> +Published By Duffield and Co. +<br /> +New York. +</p> + +<p><span class="pagenum"><a id="pagei" name="pagei"></a>[pg i]</span></p> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<a name="image-0002"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p-ii.jpg"><img src="images/i-p-ii.png" width="400" height="225" +alt="Copyright 1917. By Duffield and Co." /></a> +</div> + +<p class="left"> +Copyright 1917. +<br /> +By +<br /> +Duffield and Co. +</p> + +<p><span class="pagenum"><a id="pageii" name="pageii"></a>[pg ii]</span></p> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2>Contents.</h2> + +<table summary="Table of Contents"> +<tr><td><a href="#h2H_4_0003">The Burr. The Bird.</a></td><td align="right">1.</td></tr> +<tr><td><a href="#h2H_4_0004">The Crow. The Crocus.</a></td><td align="right">2.</td></tr> +<tr><td><a href="#h2H_4_0005">The Clover. The Plover.</a></td><td align="right">3.</td></tr> +<tr><td><a href="#h2H_4_0006">Ole Gander. Oleander.</a></td><td align="right">4.</td></tr> +<tr><td><a href="#h2H_4_0007">The Hen. The Lichen.</a></td><td align="right">5.</td></tr> +<tr><td><a href="#h2H_4_0008">The Pelican. The Panicle.</a></td><td align="right">6.</td></tr> +<tr><td><a href="#h2H_4_0009">The Pea. The Pewee.</a></td><td align="right">7.</td></tr> +<tr><td><a href="#h2H_4_0010">The Parrot. The Carrot.</a></td><td align="right">8.</td></tr> +<tr><td><a href="#h2H_4_0011">The Rue. The Rooster.</a></td><td align="right">9.</td></tr> +<tr><td><a href="#h2H_4_0012">The Hawk. The Hollyhock.</a></td><td align="right">10.</td></tr> +<tr><td><a href="#h2H_4_0013">The Pecan. The Toucan.</a></td><td align="right">11.</td></tr> +<tr><td><a href="#h2H_4_0014">The Cat-bird. The Cat-nip.</a></td><td align="right">12.</td></tr> +<tr><td><a href="#h2H_4_0015">The Quail. The Kale.</a></td><td align="right">13.</td></tr> +<tr><td><a href="#h2H_4_0016">The Auk. The Orchid.</a></td><td align="right">14.</td></tr> +<tr><td><a href="#h2H_4_0017">The Cow Bird. The Cowslip.</a></td><td align="right">15.</td></tr> +<tr><td><a href="#h2H_4_0018">The Butter-ball. The Butter-cup.</a></td><td align="right">16.</td></tr> +<tr><td><a href="#h2H_4_0019">The Roc. The Shamrock.</a></td><td align="right">17.</td></tr> +<tr><td><a href="#h2H_4_0020">A Sparrer. Asparagus.</a></td><td align="right">18.</td></tr> +<tr><td><a href="#h2H_4_0021">The Blue Mountain Lory.</a></td><td align="right">19.</td></tr> +<tr><td><a href="#h2H_4_0021">The Blue Morning Glory.</a></td><td align="right">19.</td></tr> +<tr><td><a href="#h2H_4_0022">The Tern. The Turnip.</a></td><td align="right">20.</td></tr> +<tr><td><a href="#h2H_4_0023">The Larks. The Larkspur.</a></td><td align="right">22.</td></tr> +<tr><td><a href="#h2H_4_0024">Cross Bill. Sweet William.</a></td><td align="right">23.</td></tr> +<tr><td><a href="#h2H_4_0025">The Ibis. The 'Ibiscus.</a></td><td align="right">24.</td></tr> +<tr><td><a href="#h2H_4_0026">The Pipe. The Snipe.</a></td><td align="right">25.</td></tr> +<tr><td><a href="#h2H_4_0027">The Jay. The Bay.</a></td><td align="right">26.</td></tr> +<tr><td><a href="#h2H_4_0028">The Gent-ian. The Lady-bird.</a></td><td align="right">27.</td></tr> +<tr><td><a href="#h2H_4_0029">Puffin. Nuffin.</a></td><td align="right">28.</td></tr> +<tr><td><a href="#h2H_4_0030">Bee. Beet. Beetle.</a></td><td align="right">29.</td></tr> +<tr><td><a href="#h2H_4_0031">The Bunny. The Tunny.</a></td><td align="right">30.</td></tr> +<tr><td> +<span class="pagenum"><a id="pageiii" name="pageiii"></a>[pg iii]</span> + <a href="#h2H_4_0032">The Puss. The Octopus.</a></td><td align="right">31.</td></tr> +<tr><td><a href="#h2H_4_0033">The Eel. The Eelephant.</a></td><td align="right">32.</td></tr> +<tr><td><a href="#h2H_4_0034">The Ant. The Pheasant.</a></td><td align="right">33.</td></tr> +<tr><td><a href="#h2H_4_0035">The Hare. The Harrier.</a></td><td align="right">34.</td></tr> +<tr><td><a href="#h2H_4_0036">The Pen-guin. The Sword-fish.</a></td><td align="right">35.</td></tr> +<tr><td><a href="#h2H_4_0037">The Gnu. The Newt.</a></td><td align="right">36.</td></tr> +<tr><td><a href="#h2H_4_0038">The Ray. The Raven.</a></td><td align="right">38.</td></tr> +<tr><td><a href="#h2H_4_0039">The Ape. The Grape.</a></td><td align="right">40.</td></tr> +<tr><td><a href="#h2H_4_0040">The Doe. The Dodo.</a></td><td align="right">41.</td></tr> +<tr><td><a href="#h2H_4_0041">The Pipe-fish. The Sea-gar.</a></td><td align="right">42.</td></tr> +<tr><td><a href="#h2H_4_0042">The Elk. The Whelk.</a></td><td align="right">43.</td></tr> +<tr><td><a href="#h2H_4_0043">The P-Cock. The Q-Cumber.</a></td><td align="right">44.</td></tr> +<tr><td><a href="#h2H_4_0044">The Sloe. The Sloth.</a></td><td align="right">45.</td></tr> +<tr><td><a href="#h2H_4_0045">The Cow. The Cowry.</a></td><td align="right">46.</td></tr> +<tr><td><a href="#h2H_4_0046">The Antelope. The Cantelope.</a></td><td align="right">47.</td></tr> +<tr><td><a href="#h2H_4_0047">The Pansy. The Chim-pansy.</a></td><td align="right">48.</td></tr> +<tr><td><a href="#h2H_4_0048">Naught. Nautilus.</a></td><td align="right">49.</td></tr> +</table> + +<p><span class="pagenum"><a id="pageiv" name="pageiv"></a>[pg iv]</span></p> + +<a name="h2H_4_0002" id="h2H_4_0002"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + Intro-duc-tion. +</h2> + +<a name="image-0003"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p-v.jpg"><img src="images/i-p-v.png" width="400" height="85" +alt="Intro-duc-tion." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> By other Nature books I'm sure, </p> +<p class="i4"> You've often been misled, </p> +<p class="i2"> You've tried a wall-flower to secure. </p> +<p class="i4"> And "picked a hen" instead: </p> +<p class="i2"> You've wondered what the egg-plants lay, </p> +<p class="i4"> And why the chestnut's burred, </p> +<p class="i2"> And if the hop-vine hops away, </p> +<p class="i4"> It's perfectly absurd. </p> +<p class="i2"> I hence submit for your inspection, </p> +<p class="i4"> This very new and choice collection, </p> +<p class="i2"> Of flowers on Storks, and Phlox of birds, </p> +<p class="i4"> With some explanatory words. </p> +<p class="i2"> Not every one is always able </p> +<p class="i4"> To recognize a vegetable, </p> +</div> +</div> + +<p><span class="pagenum"><a id="pagev" name="pagev"></a>[pg v]</span></p> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> For some are guided by tradition, </p> +<p class="i2"> While others use their intuition, </p> +<p class="i2"> And even I make no pretense </p> +<p class="i2"> Of having more than common sense. </p> +<p class="i2"> Indeed these strange homologies </p> +<p class="i2"> Are in most flornithologies, </p> +<p class="i2"> And I have freely drawn upon </p> +<p class="i2"> The works of Gray and Audubon, </p> +<p class="i2"> Avoiding though the frequent blunders </p> +<p class="i2"> Of those who study Nature's wonders. </p> +</div> +</div> + +<a name="image-0004"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p-vi.jpg"><img src="images/i-p-vi.png" width="400" height="175" +alt="Stork and Phlox" /></a> +</div> + +<p><span class="pagenum"><a id="pagevi" name="pagevi"></a>[pg vi]</span></p> + +<a name="h2H_4_0003" id="h2H_4_0003"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + Burr. Bird. +</h2> + +<a name="image-0005"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p01a.jpg"><img src="images/i-p01a.png" width="400" height="155" +alt="Burr. Bird." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Who <u>is</u> there who has never heard, </p> +<p class="i2"> About the Burdock and the Bird? </p> +<p class="i2"> And yet how very very few, </p> +<p class="i2"> Discriminate between the two, </p> +<p class="i2"> While even Mr. Burbank can't, </p> +<p class="i2"> Transform a Bird into a Plant. </p> +</div> +</div> + +<a name="image-0006"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p01b.jpg"><img src="images/i-p01b.png" width="400" height="140" +alt="Burbank." /></a> +</div> + +<p><span class="pagenum"><a id="page1" name="page1"></a>[pg 1]</span></p> + +<a name="h2H_4_0004" id="h2H_4_0004"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Crow. The Crocus. +</h2> + +<a name="image-0007"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p02.jpg"><img src="images/i-p02.png" width="400" height="265" +alt="The Crow. The Crocus." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Some are unable, as you know, </p> +<p class="i2"> To tell the Crocus from the Crow; </p> +<p class="i2"> The reason why is just be-caws </p> +<p class="i2"> They are not versed in Nature's laws. </p> +<p class="i2"> The noisy cawing Crows all come, </p> +<p class="i2"> Obedient to the Cro'custom, </p> +<p class="i2"> A large Crow Caw-cus to convoke. </p> +<p class="i2"> You never hear the Crocus croak! </p> +</div> +</div> + +<p><span class="pagenum"><a id="page2" name="page2"></a>[pg 2]</span></p> + +<a name="h2H_4_0005" id="h2H_4_0005"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Clover. The Plover. +</h2> + +<a name="image-0008"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p03.jpg"><img src="images/i-p03.png" width="400" height="255" +alt="The Clover. The Plover." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Plover and the Clover can be told apart with ease, </p> +<p class="i2"> By paying close attention to the habits of the Bees, </p> +<p class="i2"> For En-to-molo-gists aver, the Bee can be in Clover, </p> +<p class="i2"> While Ety-molo-gists concur, there is no B in Plover. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page3" name="page3"></a>[pg 3]</span></p> + +<a name="h2H_4_0006" id="h2H_4_0006"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Ole Gander. The Oleander. +</h2> + +<a name="image-0009"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p04.jpg"><img src="images/i-p04.png" width="400" height="265" +alt="The Ole Gander. The Oleander." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Gander loves to promenade, </p> +<p class="i2"> Around the farmer's poultry yard, </p> +<p class="i2"> While as we see, the Oleander </p> +<p class="i2"> Is quite unable to meander: </p> +<p class="i2"> The Gardener tied it up indeed, </p> +<p class="i2"> Fearing that it might run to seed. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page4" name="page4"></a>[pg 4]</span></p> + +<a name="h2H_4_0007" id="h2H_4_0007"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Hen. The Lichen. +</h2> + +<a name="image-0010"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p05.jpg"><img src="images/i-p05.png" width="400" height="195" +alt="The Hen. The Lichen." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Lichens, regardless of conventions, </p> +<p class="i2"> Exist in only two dimensions, </p> +<p class="i2"> A life restricted to a plane, </p> +<p class="i2"> On rocks and stones a greenish stain, </p> +<p class="i2"> They live upon the simplest fare, </p> +<p class="i2"> A drop of dew, a breath of air. </p> +<p class="i2"> Contrast them with the greedy Hen, </p> +<p class="i2"> And her most careless regimen, </p> +<p class="i2"> She shuns the barren stones and rocks, </p> +<p class="i2"> And thrives upon the garbage box. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page5" name="page5"></a>[pg 5]</span></p> + +<a name="h2H_4_0008" id="h2H_4_0008"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Pelican. The Panicle. +</h2> + +<a name="image-0011"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p06.jpg"><img src="images/i-p06.png" width="400" height="255" +alt="The Pelican. The Panicle." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Panicle and Pelican have often been confused, </p> +<p class="i2"> The letters which spell Pelican, in Panicle are used. </p> +<p class="i2"> If you recognize this Anagram you'll never go astray, </p> +<p class="i2"> Or make the careless blunder that was made by Mr. Gray. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page6" name="page6"></a>[pg 6]</span></p> + +<a name="h2H_4_0009" id="h2H_4_0009"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Pea. The Pewee. +</h2> + +<a name="image-0012"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p07.jpg"><img src="images/i-p07.png" width="400" height="260" +alt="The Pea. The Pewee." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> To tell the Pewee from the Pea, </p> +<p class="i2"> Requires great per-spi-ca-city. </p> +<p class="i2"> Here in the pod we see the Pea, </p> +<p class="i2"> While perched close by is the Pewee; </p> +<p class="i2"> The Pea he hears the Pewee peep, </p> +<p class="i2"> While Pewee sees the wee Pea weep, </p> +<p class="i2"> There'll be but little time to see, </p> +<p class="i2"> How Pewee differs from the Pea. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page7" name="page7"></a>[pg 7]</span></p> + +<a name="h2H_4_0010" id="h2H_4_0010"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Parrot. The Carrot. +</h2> + +<a name="image-0013"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p08.jpg"><img src="images/i-p08.png" width="400" height="260" +alt="The Parrot. The Carrot." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Parrot and the Carrot one may easily confound, </p> +<p class="i2"> They're very much alike in looks and similar in sound, </p> +<p class="i2"> We recognize the Parrot by his clear articulation, </p> +<p class="i2"> For Carrots are unable to engage in conversation. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page8" name="page8"></a>[pg 8]</span></p> + +<a name="h2H_4_0011" id="h2H_4_0011"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Rue. The Rooster. +</h2> + +<a name="image-0014"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p09.jpg"><img src="images/i-p09.png" width="400" height="230" +alt="The Rue. The Rooster." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> When you awake at half-past-two, </p> +<p class="i2"> And hear a "Cock-a-doodle-doo," </p> +<p class="i2"> No argument need then ensue, </p> +<p class="i2"> It is the Rooster, not the Rue, </p> +<p class="i2"> Which never thus disturbs our dreams, </p> +<p class="i2"> With ruthless rude nocturnal screams. </p> +<p class="i2"> We sleep less soundly than we used ter </p> +<p class="i2"> And love the Rue but rue the Rooster. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page9" name="page9"></a>[pg 9]</span></p> + +<a name="h2H_4_0012" id="h2H_4_0012"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Hawk. The Hollyhock. +</h2> + +<a name="image-0015"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p10.jpg"><img src="images/i-p10.png" width="400" height="285" +alt="The Hawk. The Hollyhock." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> To recognize this bird-of-prey, </p> +<p class="i2"> The broody hen you should survey: </p> +<p class="i2"> She takes her chicks on daily walks, </p> +<p class="i2"> Among the neighboring Hollyhocks, </p> +<p class="i2"> While with the Hawk association, </p> +<p class="i2"> Is quite beyond her toleration. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page10" name="page10"></a>[pg 10]</span></p> + +<a name="h2H_4_0013" id="h2H_4_0013"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Pecan. The Toucan. +</h2> + +<a name="image-0016"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p11.jpg"><img src="images/i-p11.png" width="400" height="235" +alt="The Pecan. The Toucan." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i6"> Very few can </p> +<p class="i6"> Tell the Toucan </p> +<p class="i6"> From the Pecan— </p> +<p class="i6"> Here's a new plan: </p> +<p class="i2"> To take the Toucan from the tree, </p> +<p class="i2"> Requires im-mense a-gil-i-tee, </p> +<p class="i2"> While anyone can pick with ease </p> +<p class="i2"> The Pecans from the Pecan trees. </p> +<p class="i2"> It's such an easy thing to do, </p> +<p class="i2"> That even the Toucan he can too. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page11" name="page11"></a>[pg 11]</span></p> + +<a name="h2H_4_0014" id="h2H_4_0014"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Cat-bird. The Cat-nip. +</h2> + +<a name="image-0017"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p12a.jpg"><img src="images/i-p12a.png" width="400" height="200" +alt="The Cat-bird. The Cat-nip." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Cat-bird's call resembles that </p> +<p class="i2"> Emitted by the Pussy Cat, </p> +<p class="i2"> While Cat-nip growing by the wall, </p> +<p class="i2"> Is never known to caterwaul: </p> +<p class="i2"> It's odor though attracts the Kits, </p> +<p class="i2"> And throws them in Cat-nip-tion fits. </p> +</div> +</div> + +<a name="image-0018"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p12b.jpg"><img src="images/i-p12b.png" width="400" height="105" +alt="(cat rolling in catnip)" /></a> +</div> + +<p><span class="pagenum"><a id="page12" name="page12"></a>[pg 12]</span></p> + +<a name="h2H_4_0015" id="h2H_4_0015"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Quail. The Kale. +</h2> + +<a name="image-0019"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p13.jpg"><img src="images/i-p13.png" width="400" height="220" +alt="The Quail. The Kale." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The California Quail is said </p> +<p class="i2"> To have a tail upon his head, </p> +<p class="i2"> While contrary-wise we style the Kale, </p> +<p class="i2"> A cabbage-head upon a tail. </p> +<p class="i2"> It is not hard to tell the two, </p> +<p class="i2"> The Quail commences with a queue. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page13" name="page13"></a>[pg 13]</span></p> + +<a name="h2H_4_0016" id="h2H_4_0016"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Auk. The Orchid. +</h2> + +<a name="image-0020"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p14.jpg"><img src="images/i-p14.png" width="400" height="205" +alt="The Auk. The Orchid." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> We seldom meet, when out to walk, </p> +<p class="i2"> Either the Orchid or the Auk. </p> +<p class="i2"> The awk-ward Auk is only known </p> +<p class="i2"> To dwellers in the Auk-tic zone, </p> +<p class="i2"> While Orchids can be found in legions, </p> +<p class="i2"> Within the equatorial regions. </p> +<p class="i2"> So if by chance you travel on </p> +<p class="i2"> The Lena or the Am-a-zon, </p> +<p class="i2"> Be certain of the tem-pera-ture </p> +<p class="i2"> Or you will make mistakes I'm sure. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page14" name="page14"></a>[pg 14]</span></p> + +<a name="h2H_4_0017" id="h2H_4_0017"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Cow Bird. The Cowslip. +</h2> + +<a name="image-0021"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p15.jpg"><img src="images/i-p15.png" width="400" height="260" +alt="The Cow Bird. The Cowslip." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Although the Cow'slips on this plant, </p> +<p class="i2"> Suggest perhaps a ru-min-ant, </p> +<p class="i2"> One never sees the opening bud, </p> +<p class="i2"> Devour the grass or chew its cud. </p> +<p class="i2"> The Cowbird picture, I suspect, </p> +<p class="i2"> Is absolutely incorrect; </p> +<p class="i2"> We make such errors now and then, </p> +<p class="i2"> A sort of cow slip of the pen. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page15" name="page15"></a>[pg 15]</span></p> + +<a name="h2H_4_0018" id="h2H_4_0018"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Butter-ball. The Butter-cup. +</h2> + +<a name="image-0022"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p16a.jpg"><img src="images/i-p16a.png" width="400" height="220" +alt="The Butter-ball. The Butter-cup." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The little Butter-cup can sing, </p> +<p class="i2"> From morn 'till night like anything. </p> +<p class="i2"> The quacking of the Butter-ball, </p> +<p class="i2"> Cannot be called a song at all. </p> +<p class="i2"> We thus the flower may learn to know, </p> +<p class="i2"> Its song is reproduced below. </p> +</div> +</div> + +<a name="image-0023"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p16b.jpg"><img src="images/i-p16b.png" width="400" height="50" +alt="(Music notation: song of the Butter-cup)" /></a> +<br /> +<a href="images/m-p16b.mid"><small>[Hear this melody as midi.]</small></a> +</div> + +<p><span class="pagenum"><a id="page16" name="page16"></a>[pg 16]</span></p> + +<a name="h2H_4_0019" id="h2H_4_0019"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Roc. The Shamrock. +</h2> + +<a name="image-0024"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p17.jpg"><img src="images/i-p17.png" width="400" height="235" +alt="The Roc. The Shamrock." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Although I never took much stock, </p> +<p class="i2"> In Sinbad's yarn about the Roc, </p> +<p class="i2"> And really must confess I am </p> +<p class="i2"> Inclined to think the Roc a sham: </p> +<p class="i2"> Take notice that, the Sham-rock may </p> +<p class="i2"> Be seen upon St. Patrick's day. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page17" name="page17"></a>[pg 17]</span></p> + +<a name="h2H_4_0020" id="h2H_4_0020"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + A Sparrer. Asparagus. +</h2> + +<a name="image-0025"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p18.jpg"><img src="images/i-p18.png" width="400" height="260" +alt="A Sparrer. Asparagus." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Of the fall of the Sparrow we often have heard, </p> +<p class="i2"> And I've here represented the fall of the bird: </p> +<p class="i2"> In the case of Asparagus though, I may mention, </p> +<p class="i2"> A fall such as this, is quite out of the question: </p> +<p class="i2"> For observe that Asparagus, fat and well fed, </p> +<p class="i2"> Spends all of his time in the 'sparagus bed. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page18" name="page18"></a>[pg 18]</span></p> + +<a name="h2H_4_0021" id="h2H_4_0021"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Blue Mountain Lory. The Blue Morning Glory. +</h2> + +<a name="image-0026"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p19.jpg"><img src="images/i-p19.png" width="400" height="230" +alt="The Blue Mountain Lory. The Blue Morning Glory." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> The Insects, to avoid surprise </p> +<p class="i2"> By Birds, sometimes themselves disguise </p> +<p class="i2"> As leaves and twigs, and thus escape </p> +<p class="i2"> The appetizing Insect's fate. </p> +<p class="i2"> Observe how cleverly this Vine </p> +<p class="i2"> Has forced its leaves and flowers to twine </p> +<p class="i2"> Themselves into a Bird design. </p> +<p class="i2"> And how it's artful turns and twists, </p> +<p class="i2"> Hides it from zealous Botanists. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page19" name="page19"></a>[pg 19]</span></p> + +<a name="h2H_4_0022" id="h2H_4_0022"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Tern. The Turnip. +</h2> + +<a name="image-0027"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p20.jpg"><img src="images/i-p20.png" width="400" height="285" +alt="The Tern. The Turnip." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> To tell the Turnip from the Tern, </p> +<p class="i2"> A thing which everyone should learn, </p> +<p class="i2"> Observe the Tern up in the air, </p> +<p class="i2"> See how he turns, and now compare </p> +<p class="i2"> Him with this in-ert veg-et-able, </p> +<p class="i2"> Who thus to turn is quite unable, </p> +<p class="i2"> For he is rooted to the spot, </p> +</div> +</div> + +<p><span class="pagenum"><a id="page20" name="page20"></a>[pg 20]</span></p> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> While as we see, the Tern is not: </p> +<p class="i2"> He is not always doomed to be </p> +<p class="i2"> Thus bound to earth e-<u>tern</u>-ally </p> +<p class="i2"> For "cooked to a tern" may be inferred, </p> +<p class="i2"> To change the Turnip to a bird. </p> +</div> +</div> + +<a name="image-0028"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p21.jpg"><img src="images/i-p21.png" width="400" height="220" +alt="(tern looking at a boiling pot)" /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Observe the Turnip in the Pot. </p> +<p class="i2"> The Tern is glad that he is not! </p> +</div> +</div> + +<p><span class="pagenum"><a id="page21" name="page21"></a>[pg 21]</span></p> + +<a name="h2H_4_0023" id="h2H_4_0023"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Larks. The Larkspur. +</h2> + +<a name="image-0029"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p22.jpg"><img src="images/i-p22.png" width="400" height="270" +alt="The Larks. The Larkspur." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> You must not make ad-verse remarks, </p> +<p class="i2"> About my drawing of the Larks. </p> +<p class="i2"> For, by the minor poet's lore </p> +<p class="i2"> The Larks—per-pet-ually soar. </p> +<p class="i2"> While Larkspurs, bordering garden walks, </p> +<p class="i2"> Are perched securely on their stalks. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page22" name="page22"></a>[pg 22]</span></p> + +<a name="h2H_4_0024" id="h2H_4_0024"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + Cross Bill. Sweet William. +</h2> + +<a name="image-0030"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p23.jpg"><img src="images/i-p23.png" width="400" height="210" +alt="Cross Bill. Sweet William." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Nobody but an imbecile </p> +<p class="i2"> Mistakes Sweet William for Cross Bill: </p> +<p class="i2"> And even I can scarcely claim, </p> +<p class="i2"> The skill to make them look the same. </p> +<p class="i2"> Some other shrubs and vines and trees, </p> +<p class="i2"> Express emotion much like these, </p> +<p class="i2"> You've seen the mad-wort plant I guess, </p> +<p class="i2"> And weeping willows and sigh-press, </p> +<p class="i2"> The passion-flower, at it's climax, </p> +<p class="i2"> The glad-iolus and the smile-ax. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page23" name="page23"></a>[pg 23]</span></p> + +<a name="h2H_4_0025" id="h2H_4_0025"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Ibis. The 'Ibiscus. +</h2> + +<a name="image-0031"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p24.jpg"><img src="images/i-p24.png" width="400" height="280" +alt="The Ibis. The 'Ibiscus." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The sacred Ibis, one might say, </p> +<p class="i2"> Was classified a "Bird-of-Pray" </p> +<p class="i2"> His body, after death, was dried, </p> +<p class="i2"> Embalmed in pitch, and mummyfied, </p> +<p class="i2"> And thus was handed down to us </p> +<p class="i2"> In some old King's sarcophagus. </p> +<p class="i2"> The Mallow, growing in the bogs, </p> +<p class="i2"> ('Ibiscus termed by pedagogues) </p> +<p class="i2"> Is much opposed to dessication, </p> +<p class="i2"> And bears no marks of veneration. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page24" name="page24"></a>[pg 24]</span></p> + +<a name="h2H_4_0026" id="h2H_4_0026"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Pipe. The Snipe. +</h2> + +<a name="image-0032"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p25a.jpg"><img src="images/i-p25a.png" width="400" height="250" +alt="The Pipe. The Snipe." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Observe the hybrid Indian Pipe, </p> +<p class="i2"> Likewise the high-bred English Snipe, </p> +<p class="i2"> Who is distinguished, as we see, </p> +<p class="i2"> By his superior pedigree. </p> +</div> +</div> + +<a name="image-0034"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p25b.jpg"><img src="images/i-p25b.png" width="400" height="135" +alt="Two crosses bottony Bend sinister Fess Argent Mantlets Sable" /></a> +<br /> +<!-- +<p> Two crosses botonny <br /> Bend sinister </p> +<p> Fess Argent <br /> Mantlets Sable </p> +--> +</div> + +<p><span class="pagenum"><a id="page25" name="page25"></a>[pg 25]</span></p> + +<a name="h2H_4_0027" id="h2H_4_0027"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Jay. The Bay. +</h2> + +<a name="image-0035"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p26.jpg"><img src="images/i-p26.png" width="400" height="290" +alt="The Jay. The Bay." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Blue Jay, as we clearly see, </p> +<p class="i2"> Is so much like the green Bay tree </p> +<p class="i2"> That one might say the only clue, </p> +<p class="i2"> Lies in their dif-fer-ence of hue, </p> +<p class="i2"> And if you have a color sense, </p> +<p class="i2"> You'll see at once this difference. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page26" name="page26"></a>[pg 26]</span></p> + +<a name="h2H_4_0028" id="h2H_4_0028"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Gent-ians. The Lady-bird. +</h2> + +<a name="image-0036"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p27.jpg"><img src="images/i-p27.png" width="400" height="280" +alt="The Gent-ians. The Lady-bird." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The reason why this beetle gay, </p> +<p class="i2"> Is called the Lady-bird, they say, </p> +<p class="i2"> Is just because he wastes his hours, </p> +<p class="i2"> In running after pretty flowers, </p> +<p class="i2"> Who, quite regardless of conventions, </p> +<p class="i2"> Most openly invite attentions. </p> +<p class="i2"> (And hence are aptly termed the Gent-ians.) </p> +</div> +</div> + +<p><span class="pagenum"><a id="page27" name="page27"></a>[pg 27]</span></p> + +<a name="h2H_4_0029" id="h2H_4_0029"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + Puffin. Nuffin. +</h2> + +<a name="image-0037"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p28.jpg"><img src="images/i-p28.png" width="400" height="290" +alt="Puffin. Nuffin." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Upon this cake of ice is perched, </p> +<p class="i4"> The paddle-footed Puffin: </p> +<p class="i2"> To find his double I have searched, </p> +<p class="i4"> But have discovered—Nuffin'. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page28" name="page28"></a>[pg 28]</span></p> + +<a name="h2H_4_0030" id="h2H_4_0030"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Bee. The Beet. The Beetle. +</h2> + +<a name="image-0038"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p29.jpg"><img src="images/i-p29.png" width="400" height="210" +alt="The Bee. The Beet. The Beetle." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Good Mr. Darwin once contended </p> +<p class="i2"> That Beetles were from Bees descended, </p> +<p class="i2"> And as my pictures show I think </p> +<p class="i2"> The Beet must be the missing link. </p> +<p class="i2"> The sugar-beet and honey-bee </p> +<p class="i2"> Supply the Beetle's pedigree: </p> +<p class="i2"> The family is now complete,— </p> +<p class="i2"> The Bee, the Beetle and the Beet. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page29" name="page29"></a>[pg 29]</span></p> + +<a name="h2H_4_0031" id="h2H_4_0031"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Bunny. The Tunny. +</h2> + +<a name="image-0039"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p30.jpg"><img src="images/i-p30.png" width="400" height="235" +alt="The Bunny. The Tunny." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The superficial naturalists have often been misled, </p> +<p class="i2"> By failing to discriminate between the tail and head: </p> +<p class="i2"> It really is unfortunate such carelessness prevails, </p> +<p class="i2"> Because the Bunnies have their heads where Tunnies have their tails. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page30" name="page30"></a>[pg 30]</span></p> + +<a name="h2H_4_0032" id="h2H_4_0032"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Puss. The Octo-pus. +</h2> + +<a name="image-0040"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p31.jpg"><img src="images/i-p31.png" width="400" height="280" +alt="The Puss. The Octo-pus." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Octopus or Cuttle-fish! </p> +<p class="i2"> I'm sure that none of us would wish </p> +<p class="i2"> To have him scuttle 'round the house, </p> +<p class="i2"> Like Puss, when she espies a mouse: </p> +<p class="i2"> When <u>you</u> secure your house-hold pet, </p> +<p class="i2"> Be very sure you do not get </p> +<p class="i2"> The Octopus, or there may be </p> +<p class="i2"> Domestic in-<u>felis</u>-ity. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page31" name="page31"></a>[pg 31]</span></p> + +<a name="h2H_4_0033" id="h2H_4_0033"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Eel. The Eelephant. +</h2> + +<a name="image-0041"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p32.jpg"><img src="images/i-p32.png" width="400" height="320" +alt="The Eel. The Eelephant." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The marked aversion which we feel, </p> +<p class="i2"> When in the presence of the Eel, </p> +<p class="i2"> Makes many view with consternation, </p> +<p class="i2"> The Elephant's front ele-vation. </p> +<p class="i2"> Such folly must be clearly due </p> +<p class="i2"> To their peculiar point of view. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page32" name="page32"></a>[pg 32]</span></p> + +<a name="h2H_4_0034" id="h2H_4_0034"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Ant. The Pheas-ant. +</h2> + +<a name="image-0042"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p33.jpg"><img src="images/i-p33.png" width="400" height="200" +alt="The Ant. The Pheas-ant." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The ant is known by his ant-ennae, </p> +<p class="i2"> Where-as the pheas-ant has'nt any, </p> +<p class="i2"> And that is why he wears instead, </p> +<p class="i2"> A small red cap upon his head: </p> +<p class="i2"> Without his Fez, indeed the pheasant, </p> +<p class="i2"> Would be quite bald and quite un-pleasant. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page33" name="page33"></a>[pg 33]</span></p> + +<a name="h2H_4_0035" id="h2H_4_0035"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Hare. The Harrier. +</h2> + +<a name="image-0043"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p34.jpg"><img src="images/i-p34.png" width="400" height="250" +alt="The Hare. The Harrier." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Harrier, harassed by the Hare, </p> +<p class="i2"> Presents a picture of despair; </p> +<p class="i2"> Although as far as I'm concerned, </p> +<p class="i2"> I love to see the tables turned. </p> +<p class="i2"> The Harrier flies with all his might, </p> +<p class="i2"> It is a harum-scare'm flight: </p> +<p class="i2"> I'm not surprised he does not care </p> +<p class="i2"> To meet the fierce pursuing Hare. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page34" name="page34"></a>[pg 34]</span></p> + +<a name="h2H_4_0036" id="h2H_4_0036"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Pen-guin. The Sword-fish. +</h2> + +<a name="image-0044"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p35.jpg"><img src="images/i-p35.png" width="400" height="270" +alt="The Pen-guin. The Sword-fish." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> We have for many years been bored </p> +<p class="i2"> By that old saw about the sword </p> +<p class="i2"> And pen, and now we all rejoice, </p> +<p class="i2"> To see how Nature made her choice: </p> +<p class="i2"> She made, regardless of offendin', </p> +<p class="i2"> The Sword-fish mightier than the Penguin. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page35" name="page35"></a>[pg 35]</span></p> + +<a name="h2H_4_0037" id="h2H_4_0037"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Gnu. The Newt. +</h2> + +<a name="image-0045"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p36.jpg"><img src="images/i-p36.png" width="400" height="200" +alt="The Gnu. The Newt." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Gnu conspicuously wears </p> +<p class="i2"> His coat of gnumerous bristling hairs, </p> +<p class="i2"> While, as we see, the modest Newt </p> +<p class="i2"> Of such a coat is destitute. </p> +<p class="i2"> (I'm only telling this to you, </p> +<p class="i2"> And it is strictly "entre gnu") </p> +<p class="i2"> In point of fact the Newt is nude, </p> +<p class="i2"> And therefore he does not obtrude, </p> +<p class="i2"> But hides in some secluded gnook, </p> +<p class="i2"> Beneath the surface of the brook. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page36" name="page36"></a>[pg 36]</span></p> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> It's almost more than he can bear, </p> +<p class="i2"> To issue slyly from his lair, </p> +<p class="i2"> And snatch a hasty breath of air, </p> +<p class="i2"> His need of which is absolute, </p> +<p class="i2"> Because, you see, he is a pneu-t. <a name="noteref-A" href="#note-A">*</a> </p> +</div> +</div> + +<a name="image-0046"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p37.jpg"><img src="images/i-p37.png" width="400" height="260" +alt="(newts and a fish, underwater)" /></a> +</div> + +<a name="note-A"><!--Note--></a> +<div class="poem"> +<div class="stanza" style="font-size: 90%;"> +<u>*</u> (<a href="#noteref-A">return</a>) +<br /> +<p class="i2" style="font-size: 90%;"> This word, of <u>air</u> is emblematic, </p> +<p class="i2" style="font-size: 90%;"> Greek, "pneumos"—air—compare Pneumatic. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page37" name="page37"></a>[pg 37]</span></p> + +<a name="h2H_4_0038" id="h2H_4_0038"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Ray. The Raven. +</h2> + +<a name="image-0047"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p38.jpg"><img src="images/i-p38.png" width="400" height="240" +alt="The Ray. The Raven." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> I always sing the hymn of hate, </p> +<p class="i2"> When I perceive the Ray (or skate) </p> +<p class="i2"> His ugly mouth I can't abide, </p> +<p class="i2"> His eyes are on the other side, </p> +<p class="i2"> His features are all out of place </p> +<p class="i2"> He hasn't even any face. </p> +<p class="i2"> I do not mind the Raven, though </p> +<p class="i2"> Maligned by Edgar Allan Poe: </p> +</div> +</div> + +<p><span class="pagenum"><a id="page38" name="page38"></a>[pg 38]</span></p> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> By his fun-er-ial array </p> +<p class="i2"> We recognize him from the Ray, </p> +<p class="i2"> Whose epiderm is white as snow, </p> +<p class="i2"> Not black as night, like Mr Crow. </p> +<p class="i2"> Though black, morose, and quite unshaven </p> +<p class="i2"> I'm sure we all prefer the Raven. </p> +</div> +</div> + +<a name="image-0048"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p39.jpg"><img src="images/i-p39.png" width="400" height="135" +alt="(Raven)" /></a> +</div> + +<p><span class="pagenum"><a id="page39" name="page39"></a>[pg 39]</span></p> + +<a name="h2H_4_0039" id="h2H_4_0039"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Ape. The Grape. +</h2> + +<a name="image-0049"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p40.jpg"><img src="images/i-p40.png" width="400" height="255" +alt="The Ape. The Grape. To see her shape, Invert the Ape!" /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Apes, from whom we are descended, </p> +<p class="i2"> Hang ape-x down from trees suspended, </p> +<p class="i2"> And since we find them in the trees, </p> +<p class="i2"> We term them arbor-ig-i-nes. </p> +<p class="i2"> This quite explains the monkey-shines </p> +<p class="i2"> Cut up by those who pluck from vines </p> +<p class="i2"> The Grape, and then subject its juices, </p> +<p class="i2"> To Bacchanalian abuses. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page40" name="page40"></a>[pg 40]</span></p> + +<a name="h2H_4_0040" id="h2H_4_0040"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Doe. The Dodo. +</h2> + +<a name="image-0050"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p41.jpg"><img src="images/i-p41.png" width="400" height="235" +alt="The Doe. The Dodo." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Doe and her phonetic double, </p> +<p class="i2"> No longer are a source of trouble, </p> +<p class="i2"> Because the Dodo, it appears, </p> +<p class="i2"> Has been extinct for many years: </p> +<p class="i2"> <u>She</u> was too haughty to embark, </p> +<p class="i2"> With total strangers in Noah's ark, </p> +<p class="i2"> And we rejoice because her pride, </p> +<p class="i2"> Our nature book has simplified. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page41" name="page41"></a>[pg 41]</span></p> + +<a name="h2H_4_0041" id="h2H_4_0041"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Pipe-fish. The Sea-gar. +</h2> + +<a name="image-0051"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p42.jpg"><img src="images/i-p42.png" width="400" height="160" +alt="The Pipe-fish. The Sea-gar." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> To smoke a herring is to make </p> +<p class="i4"> A most lam-<u>en</u>-table mistake, </p> +<p class="i2"> Particularly since there are </p> +<p class="i4"> The pipe-fish and the long Sea-gar. </p> +<p class="i2"> Bear this in mind when next you wish </p> +<p class="i4"> To smoke your after-dinner fish. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page42" name="page42"></a>[pg 42]</span></p> + +<a name="h2H_4_0042" id="h2H_4_0042"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Elk. The Whelk. +</h2> + +<a name="image-0052"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p43.jpg"><img src="images/i-p43.png" width="400" height="270" +alt="The Elk. The Whelk." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> A roar of welkome through the welkin </p> +<p class="i2"> Is certain proof you'll find the Elk in; </p> +<p class="i2"> But if you listen to the shell, </p> +<p class="i2"> In which the Whelk is said to dwell, </p> +<p class="i2"> And hear a roar, beyond a doubt </p> +<p class="i2"> It indicates the Whelk is out. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page43" name="page43"></a>[pg 43]</span></p> + +<a name="h2H_4_0043" id="h2H_4_0043"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The P-Cock. The Q-Cumber. +</h2> + +<a name="image-0053"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p44a.jpg"><img src="images/i-p44a.png" width="400" height="265" +alt="The P-Cock. The Q-Cumber." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The striking similarity of this P-Q-liar pair, </p> +<p class="i2"> No longer need en-cumber us, or fill us with despair: </p> +<p class="i2"> The P-Cock and the Q-Cumber you never need confuse, </p> +<p class="i2"> If you pay attention to the Eyes and mind your P's and Q's. </p> +</div> +</div> + +<a name="image-0054"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p44b.jpg"><img src="images/i-p44b.png" width="50" height="90" +alt="(eyes)" /></a> +<br /> +</div> + +<p><span class="pagenum"><a id="page44" name="page44"></a>[pg 44]</span></p> + +<a name="h2H_4_0044" id="h2H_4_0044"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Sloe. The Sloth. +</h2> + +<a name="image-0055"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p45.jpg"><img src="images/i-p45.png" width="400" height="250" +alt="The Sloe. The Sloth." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> See what a fix the Sloth is in, </p> +<p class="i2"> He has been captured by the gin: </p> +<p class="i2"> This gin is not the same gin though, </p> +<p class="i2"> In which we sometimes find the Sloe. </p> +<p class="i2"> This shows how careful one must be, </p> +<p class="i2"> To treat the gin most gingerly. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page45" name="page45"></a>[pg 45]</span></p> + +<a name="h2H_4_0045" id="h2H_4_0045"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Cow. The Cowry. +</h2> + +<a name="image-0056"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p46.jpg"><img src="images/i-p46.png" width="400" height="240" +alt="The Cow. The Cowry." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Cowry seems to be, somehow, </p> +<p class="i2"> A sort of mouth-piece for the Cow: </p> +<p class="i2"> A speaking likeness one might say, </p> +<p class="i2"> Which I've endeavored to portray. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page46" name="page46"></a>[pg 46]</span></p> + +<a name="h2H_4_0046" id="h2H_4_0046"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Antelope. The Cantelope. +</h2> + +<a name="image-0057"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p47.jpg"><img src="images/i-p47.png" width="400" height="225" +alt="The Antelope. The Cantelope." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> If you will tap the Cantelope reposing on the ground </p> +<p class="i2"> It will not move, but just emit a melon-choly sound </p> +<p class="i2"> But if you try this method on the antlered antelope, </p> +<p class="i2"> His departure will convince you that he is a mis-an-thrope. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page47" name="page47"></a>[pg 47]</span></p> + +<a name="h2H_4_0047" id="h2H_4_0047"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + The Pansy. The Chim-pansy. +</h2> + +<a name="image-0058"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p48.jpg"><img src="images/i-p48.png" width="400" height="220" +alt="The Pansy. The Chim-pansy." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> Observe how Nature's necromancies </p> +<p class="i2"> Have clearly painted on the Pansies, </p> +<p class="i2"> These almost human counten-ances, </p> +<p class="i2"> In yellow, blue and black nu-ances. </p> +<p class="i2"> The face however seems to me </p> +<p class="i2"> To be that of the Chim-pan-zee: </p> +<p class="i2"> A fact that makes the gentle Pansy, </p> +<p class="i2"> Appeal no longer to my fancy. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page48" name="page48"></a>[pg 48]</span></p> + +<a name="h2H_4_0048" id="h2H_4_0048"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + Naught. Nautilus. +</h2> + +<a name="image-0059"><!--IMG--></a> +<div class="figure"> +<a href="images/f-p49.jpg"><img src="images/i-p49.png" width="400" height="235" +alt="Naught. Nautilus." /></a> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i2"> The Argo-naut or Nautilus, </p> +<p class="i2"> With habits quite adventurous, </p> +<p class="i2"> A com-bin-a-tion of a snail, </p> +<p class="i2"> A jelly-fish and paper sail. </p> +<p class="i2"> The parts of him that did not jell, </p> +<p class="i2"> Are packed securely in his shell. </p> +<p class="i2"> It is not strange that when I sought </p> +<p class="i2"> To find his double, I found Naught. </p> +</div> +</div> + +<p><span class="pagenum"><a id="page49" name="page49"></a>[pg 49]</span></p> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<a name="image-0060"><!--IMG--></a> +<div class="figure"> +<a href="images/bcover.jpg"><img src="images/bcover-s.jpg" width="400" height="550" +alt="Back Cover" /></a> +</div> + +<div style="height: 6em;"><br /><br /><br /><br /><br /><br /></div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of How to tell the Birds from the Flowers +and other Wood-cuts, by Robert Williams Wood + +*** END OF THIS PROJECT GUTENBERG EBOOK HOW TO TELL BIRDS FROM FLOWERS *** + +***** This file should be named 33346-h.htm or 33346-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/3/3/4/33346/ + +Produced by Juliet Sutherland, David Garcia and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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+almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: How to tell the Birds from the Flowers and other Wood-cuts + A Revised Manual of Flornithology for Beginners + +Author: Robert Williams Wood + +Release Date: August 4, 2010 [EBook #33346] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK HOW TO TELL BIRDS FROM FLOWERS *** + + + + +Produced by Juliet Sutherland, David Garcia and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + + + How To Tell The Birds + From The Flowers + And Other Wood-cuts. + + A Revised Manual of Flornithology for Beginners. + +[Illustration] + + Verses and Illustrations + By Robert Williams Wood. + + Published By Duffield and Co. + New York. + + + Copyright 1917. + By + Duffield and Co. + +[Illustration] + + + + +Contents. + + + The Burr. The Bird. 1. + The Crow. The Crocus. 2. + The Plover. The Clover. 3. + Ole Gander. Oleander. 4. + The Hen. The Lichen. 5. + The Pelican. The Panicle. 6. + The Pea. The Pewee. 7. + The Parrot. The Carrot. 8. + The Rue. The Rooster. 9. + The Hawk. The Hollyhock. 10. + The Pecan. The Toucan. 11. + The Cat-bird. The Cat-nip. 12. + The Quail. The Kale. 13. + The Auk. The Orchid. 14. + The Cow-bird. The Cowslip. 15. + The Butter-ball. The Buttercup. 16. + The Roc. The Shamrock. 17. + A Sparrer. Asparagus. 18. + The Blue Mountain Lory. 19. + The Blue Morning Glory. 19. + The Tern. The Turnip. 20. + The Larks. The Larkspur. 22. + Cross Bill. Sweet William. 23. + The Ibis. The 'Ibiscus. 24. + The Pipe. The Snipe. 25. + The Bay. The Jay. 26. + The Gent-ian. The Lady-bird. 27. + Puffin. Nuffin. 28. + Bee. Beet. Beetle. 29. + The Bunny. The Tunny. 30. + The Puss. The Octopus. 31. + The Eel. The Eelephant. 32. + The Ant. The Pheasant. 33. + The Hare. The Harrier. 34. + The Pen-guin. The Sword-fish. 35. + The Gnu. The Newt. 36. + The Ray. The Raven. 38. + The Ape. The Grape. 40. + The Doe. The Dodo. 41. + The Pipe-fish. The Sea-gar. 42. + The Elk. The Whelk. 43. + The P-cock. The Q-cumber. 44. + The Sloe. The Sloth. 45. + The Cow. The Cowry. 46. + The Antelope. The Cantelope. 47. + The Pansy. The Chim-pansy. 48. + Naught. Nautilus. 49. + + + + +Intro-duc-tion. + +[Illustration] + + + By other Nature books I'm sure, + You've often been misled, + You've tried a wall-flower to secure. + And "picked a hen" instead: + You've wondered what the egg-plants lay, + And why the chestnut's burred, + And if the hop-vine hops away, + It's perfectly absurd. + I hence submit for your inspection, + This very new and choice collection, + Of flowers on Storks, and Phlox of birds, + With some explanatory words. + Not every one is always able + To recognize a vegetable, + + For some are guided by tradition, + While others use their intuition, + And even I make no pretense + Of having more than common sense. + Indeed these strange homologies + Are in most flornithologies, + And I have freely drawn upon + The works of Gray and Audubon, + Avoiding though the frequent blunders + Of those who study Nature's wonders. + +[Illustration] + + + + +Burr. Bird. + +[Illustration: Burr. Bird.] + + + Who _is_ there who has never heard, + About the Burdock and the Bird? + And yet how very very few, + Discriminate between the two, + While even Mr. Burbank can't, + Transform a Bird into a Plant. + +[Illustration: Burbank.] + + + + +The Crow. The Crocus. + +[Illustration: The Crow. The Crocus.] + + + Some are unable, as you know, + To tell the Crocus from the Crow; + The reason why is just be-caws + They are not versed in Nature's laws. + The noisy cawing Crows all come, + Obedient to the Cro'custom, + A large Crow Caw-cus to convoke. + You never hear the Crocus croak! + + + + +The Clover. The Plover. + +[Illustration: The Clover. The Plover.] + + + The Plover and the Clover can be told apart with ease, + By paying close attention to the habits of the Bees, + For En-to-molo-gists aver, the Bee can be in Clover, + While Ety-molo-gists concur, there is no B in Plover. + + + + +The Ole Gander. The Oleander. + +[Illustration: The Ole Gander. The Oleander.] + + + The Gander loves to promenade, + Around the farmer's poultry yard, + While as we see, the Oleander + Is quite unable to meander: + The Gardener tied it up indeed, + Fearing that it might run to seed. + + + + +The Hen. The Lichen. + +[Illustration: The Hen. The Lichen.] + + + Lichens, regardless of conventions, + Exist in only two dimensions, + A life restricted to a plane, + On rocks and stones a greenish stain, + They live upon the simplest fare, + A drop of dew, a breath of air. + Contrast them with the greedy Hen, + And her most careless regimen, + She shuns the barren stones and rocks, + And thrives upon the garbage box. + + + + +The Pelican. The Panicle. + +[Illustration: The Pelican. The Panicle.] + + + The Panicle and Pelican have often been confused, + The letters which spell Pelican, in Panicle are used. + If you recognize this Anagram you'll never go astray, + Or make the careless blunder that was made by Mr. Gray. + + + + +The Pea. The Pewee. + +[Illustration: The Pea. The Pewee.] + + + To tell the Pewee from the Pea, + Requires great per-spi-ca-city. + Here in the pod we see the Pea, + While perched close by is the Pewee; + The Pea he hears the Pewee peep, + While Pewee sees the wee Pea weep, + There'll be but little time to see, + How Pewee differs from the Pea. + + + + +The Parrot. The Carrot. + +[Illustration: The Parrot. The Carrot.] + + + The Parrot and the Carrot one may easily confound, + They're very much alike in looks and similar in sound, + We recognize the Parrot by his clear articulation, + For Carrots are unable to engage in conversation. + + + + +The Rue. The Rooster. + +[Illustration: The Rue. The Rooster.] + + + When you awake at half-past-two, + And hear a "Cock-a-doodle-doo," + No argument need then ensue, + It is the Rooster, not the Rue, + Which never thus disturbs our dreams, + With ruthless rude nocturnal screams. + We sleep less soundly than we used ter + And love the Rue but rue the Rooster. + + + + +The Hawk. The Hollyhock. + +[Illustration: The Hawk. The Hollyhock.] + + + To recognize this bird-of-prey, + The broody hen you should survey: + She takes her chicks on daily walks, + Among the neighboring Hollyhocks, + While with the Hawk association, + Is quite beyond her toleration. + + + + +The Pecan. The Toucan. + +[Illustration: The Pecan. The Toucan.] + + + Very few can + Tell the Toucan + From the Pecan-- + Here's a new plan: + To take the Toucan from the tree, + Requires im-mense a-gil-i-tee, + While anyone can pick with ease + The Pecans from the Pecan trees. + It's such an easy thing to do, + That even the Toucan he can too. + + + + +The Cat-bird. The Cat-nip. + +[Illustration: The Cat-bird. The Cat-nip.] + + + The Cat-bird's call resembles that + Emitted by the Pussy Cat, + While Cat-nip growing by the wall, + Is never known to caterwaul: + It's odor though attracts the Kits, + And throws them in Cat-nip-tion fits. + +[Illustration] + + + + +The Quail. The Kale. + +[Illustration: The Quail. The Kale.] + + + The California Quail is said + To have a tail upon his head, + While contrary-wise we style the Kale, + A cabbage-head upon a tail. + It is not hard to tell the two, + The Quail commences with a queue. + + + + +The Auk. The Orchid. + +[Illustration: The Auk. The Orchid.] + + + We seldom meet, when out to walk, + Either the Orchid or the Auk. + The awk-ward Auk is only known + To dwellers in the Auk-tic zone, + While Orchids can be found in legions, + Within the equatorial regions. + So if by chance you travel on + The Lena or the Am-a-zon, + Be certain of the tem-pera-ture + Or you will make mistakes I'm sure. + + + + +The Cow Bird. The Cowslip. + +[Illustration: The Cow Bird. The Cowslip.] + + + Although the Cow'slips on this plant, + Suggest perhaps a ru-min-ant, + One never sees the opening bud, + Devour the grass or chew its cud. + The Cowbird picture, I suspect, + Is absolutely incorrect; + We make such errors now and then, + A sort of cow slip of the pen. + + + + +The Butter-ball. The Butter-cup. + +[Illustration: The Butter-ball. The Butter-cup.] + + + The little Butter-cup can sing, + From morn 'till night like anything. + The quacking of the Butter-ball, + Cannot be called a song at all. + We thus the flower may learn to know, + Its song is reproduced below. + +[Illustration] + + + + +The Roc. The Shamrock. + +[Illustration: The Roc. The Shamrock.] + + + Although I never took much stock, + In Sinbad's yarn about the Roc, + And really must confess I am + Inclined to think the Roc a sham: + Take notice that, the Sham-rock may + Be seen upon St. Patrick's day. + + + + +A Sparrer. Asparagus. + +[Illustration: A Sparrer. Asparagus.] + + + Of the fall of the Sparrow we often have heard, + And I've here represented the fall of the bird: + In the case of Asparagus though, I may mention, + A fall such as this, is quite out of the question: + For observe that Asparagus, fat and well fed, + Spends all of his time in the 'sparagus bed. + + + + +The Blue Mountain Lory. The Blue Morning Glory. + +[Illustration: The Blue Mountain Lory. The Blue Morning Glory.] + + + The Insects, to avoid surprise + By Birds, sometimes themselves disguise + As leaves and twigs, and thus escape + The appetizing Insect's fate. + Observe how cleverly this Vine + Has forced its leaves and flowers to twine + Themselves into a Bird design. + And how it's artful turns and twists, + Hides it from zealous Botanists. + + + + +The Tern. The Turnip. + +[Illustration: The Tern. The Turnip.] + + + To tell the Turnip from the Tern, + A thing which everyone should learn, + Observe the Tern up in the air, + See how he turns, and now compare + Him with this in-ert veg-et-able, + Who thus to turn is quite unable, + For he is rooted to the spot, + While as we see, the Tern is not: + He is not always doomed to be + Thus bound to earth e-_tern_-ally + For "cooked to a tern" may be inferred, + To change the Turnip to a bird. + +[Illustration] + + Observe the Turnip in the Pot. + The Tern is glad that he is not! + + + + +The Larks. The Larkspur. + +[Illustration: The Larks. The Larkspur.] + + + You must not make ad-verse remarks, + About my drawing of the Larks. + For, by the minor poet's lore + The Larks--per-pet-ually soar. + While Larkspurs, bordering garden walks, + Are perched securely on their stalks. + + + + +Cross Bill. Sweet William. + +[Illustration: Cross Bill. Sweet William.] + + + Nobody but an imbecile + Mistakes Sweet William for Cross Bill: + And even I can scarcely claim, + The skill to make them look the same. + Some other shrubs and vines and trees, + Express emotion much like these, + You've seen the mad-wort plant I guess, + And weeping willows and sigh-press, + The passion-flower, at it's climax, + The glad-iolus and the smile-ax. + + + + +The Ibis. The 'Ibiscus. + +[Illustration: The Ibis. The 'Ibiscus.] + + + The sacred Ibis, one might say, + Was classified a "Bird-of-Pray" + His body, after death, was dried, + Embalmed in pitch, and mummyfied, + And thus was handed down to us + In some old King's sarcophagus. + The Mallow, growing in the bogs, + ('Ibiscus termed by pedagogues) + Is much opposed to dessication, + And bears no marks of veneration. + + + + +The Pipe. The Snipe. + +[Illustration: The Pipe. The Snipe.] + + + Observe the hybrid Indian Pipe, + Likewise the high-bred English Snipe, + Who is distinguished, as we see, + By his superior pedigree. + + +[Illustration: + Two crosses botonny + Bend sinister] + +[Illustration: + Fess Argent + Mantlets Sable] + + + + +The Jay. The Bay. + +[Illustration: The Jay. The Bay.] + + + The Blue Jay, as we clearly see, + Is so much like the green Bay tree + That one might say the only clue, + Lies in their dif-fer-ence of hue, + And if you have a color sense, + You'll see at once this difference. + + + + +The Gent-ians. The Lady-bird. + +[Illustration: The Gent-ians. The Lady-bird.] + + + The reason why this beetle gay, + Is called the Lady-bird, they say, + Is just because he wastes his hours, + In running after pretty flowers, + Who, quite regardless of conventions, + Most openly invite attentions. + (And hence are aptly termed the Gent-ians.) + + + + +Puffin. Nuffin. + +[Illustration: Puffin. Nuffin.] + + + Upon this cake of ice is perched, + The paddle-footed Puffin: + To find his double I have searched, + But have discovered--Nuffin'. + + + + +The Bee. The Beet. The Beetle. + +[Illustration: The Bee. The Beet. The Beetle.] + + + Good Mr. Darwin once contended + That Beetles were from Bees descended, + And as my pictures show I think + The Beet must be the missing link. + The sugar-beet and honey-bee + Supply the Beetle's pedigree: + The family is now complete,-- + The Bee, the Beetle and the Beet. + + + + +The Bunny. The Tunny. + +[Illustration: The Bunny. The Tunny.] + + + The superficial naturalists have often been misled, + By failing to discriminate between the tail and head: + It really is unfortunate such carelessness prevails, + Because the Bunnies have their heads where Tunnies have their tails. + + + + +The Puss. The Octo-pus. + +[Illustration: The Puss. The Octo-pus.] + + + The Octopus or Cuttle-fish! + I'm sure that none of us would wish + To have him scuttle 'round the house, + Like Puss, when she espies a mouse: + When _you_ secure your house-hold pet, + Be very sure you do not get + The Octopus, or there may be + Domestic in-_felis_-ity. + + + + +The Eel. The Eelephant. + +[Illustration: The Eel. The Eelephant.] + + + The marked aversion which we feel, + When in the presence of the Eel, + Makes many view with consternation, + The Elephant's front ele-vation. + Such folly must be clearly due + To their peculiar point of view. + + + + +The Ant. The Pheas-ant. + +[Illustration: The Ant. The Pheas-ant.] + + + The ant is known by his ant-ennae, + Where-as the pheas-ant has'nt any, + And that is why he wears instead, + A small red cap upon his head: + Without his Fez, indeed the pheasant, + Would be quite bald and quite un-pleasant. + + + + +The Hare. The Harrier. + +[Illustration: The Hare. The Harrier.] + + + The Harrier, harassed by the Hare, + Presents a picture of despair; + Although as far as I'm concerned, + I love to see the tables turned. + The Harrier flies with all his might, + It is a harum-scare'm flight: + I'm not surprised he does not care + To meet the fierce pursuing Hare. + + + + +The Pen-guin. The Sword-fish. + +[Illustration: The Pen-guin. The Sword-fish.] + + + We have for many years been bored + By that old saw about the sword + And pen, and now we all rejoice, + To see how Nature made her choice: + She made, regardless of offendin', + The Sword-fish mightier than the Penguin. + + + + +The Gnu. The Newt. + +[Illustration: The Gnu. The Newt.] + + + The Gnu conspicuously wears + His coat of gnumerous bristling hairs, + While, as we see, the modest Newt + Of such a coat is destitute. + (I'm only telling this to you, + And it is strictly "entre gnu") + In point of fact the Newt is nude, + And therefore he does not obtrude, + But hides in some secluded gnook, + Beneath the surface of the brook. + It's almost more than he can bear, + To issue slyly from his lair, + And snatch a hasty breath of air, + His need of which is absolute, + Because, you see, he is a pneu-t.[A] + + +[Illustration] + +[Footnote A: + This word, of _air_ is emblematic, + Greek, "pneumos"--air--compare Pneumatic.] + + + + +The Ray. The Raven. + +[Illustration: The Ray. The Raven.] + + + I always sing the hymn of hate, + When I perceive the Ray (or skate) + His ugly mouth I can't abide, + His eyes are on the other side, + His features are all out of place + He hasn't even any face. + I do not mind the Raven, though + Maligned by Edgar Allan Poe: + By his fun-er-ial array + We recognize him from the Ray, + Whose epiderm is white as snow, + Not black as night, like Mr Crow. + Though black, morose, and quite unshaven + I'm sure we all prefer the Raven. + +[Illustration] + + + + +The Ape. The Grape. + +[Illustration: The Ape. The Grape. + To see her shape, + Invert the Ape!] + + + The Apes, from whom we are descended, + Hang ape-x down from trees suspended, + And since we find them in the trees, + We term them arbor-ig-i-nes. + This quite explains the monkey-shines + Cut up by those who pluck from vines + The Grape, and then subject its juices, + To Bacchanalian abuses. + + + + +The Doe. The Dodo. + +[Illustration: The Doe. The Dodo.] + + + The Doe and her phonetic double, + No longer are a source of trouble, + Because the Dodo, it appears, + Has been extinct for many years: + _She_ was too haughty to embark, + With total strangers in Noah's ark, + And we rejoice because her pride, + Our nature book has simplified. + + + + +The Pipe-fish. The Sea-gar. + +[Illustration: The Pipe-fish. The Sea-gar.] + + + To smoke a herring is to make + A most lam-_en_-table mistake, + Particularly since there are + The pipe-fish and the long Sea-gar. + Bear this in mind when next you wish + To smoke your after-dinner fish. + + + + +The Elk. The Whelk. + +[Illustration: The Elk. The Whelk.] + + + A roar of welkome through the welkin + Is certain proof you'll find the Elk in; + But if you listen to the shell, + In which the Whelk is said to dwell, + And hear a roar, beyond a doubt + It indicates the Whelk is out. + + + + +The P-Cock. The Q-Cumber. + +[Illustration: The P-Cock. The Q-Cumber.] + + + The striking similarity of this P-Q-liar pair, + No longer need en-cumber us, or fill us with despair: + The P-Cock and the Q-Cumber you never need confuse, + If you pay attention to the Eyes and mind your P's and Q's. + +[Illustration] + + + + +The Sloe. The Sloth. + +[Illustration: The Sloe. The Sloth.] + + + See what a fix the Sloth is in, + He has been captured by the gin: + This gin is not the same gin though, + In which we sometimes find the Sloe. + This shows how careful one must be, + To treat the gin most gingerly. + + + + +The Cow. The Cowry. + +[Illustration: The Cow. The Cowry.] + + + The Cowry seems to be, somehow, + A sort of mouth-piece for the Cow: + A speaking likeness one might say, + Which I've endeavored to portray. + + + + +The Antelope. The Cantelope. + +[Illustration: The Antelope. The Cantelope.] + + + If you will tap the Cantelope reposing on the ground + It will not move, but just emit a melon-choly sound + But if you try this method on the antlered antelope, + His departure will convince you that he is a mis-an-thrope. + + + + +The Pansy. The Chim-pansy. + +[Illustration: The Pansy. The Chim-pansy.] + + + Observe how Nature's necromancies + Have clearly painted on the Pansies, + These almost human counten-ances, + In yellow, blue and black nu-ances. + The face however seems to me + To be that of the Chim-pan-zee: + A fact that makes the gentle Pansy, + Appeal no longer to my fancy. + + + + +Naught. Nautilus. + +[Illustration: Naught. Nautilus.] + + + The Argo-naut or Nautilus, + With habits quite adventurous, + A com-bin-a-tion of a snail, + A jelly-fish and paper sail. + The parts of him that did not jell, + Are packed securely in his shell. + It is not strange that when I sought + To find his double, I found Naught. + + + + + + + +End of the Project Gutenberg EBook of How to tell the Birds from the Flowers +and other Wood-cuts, by Robert Williams Wood + +*** END OF THIS PROJECT GUTENBERG EBOOK HOW TO TELL BIRDS FROM FLOWERS *** + +***** This file should be named 33346.txt or 33346.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/3/3/4/33346/ + +Produced by Juliet Sutherland, David Garcia and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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