summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 19:56:38 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 19:56:38 -0700
commit4fc3274db045f77fc8082cafd5278eea787355b9 (patch)
tree31dfb230c7a057d12d14ab1a66e30eb710563709
initial commit of ebook 31896HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--31896-8.txt3545
-rw-r--r--31896-8.zipbin0 -> 50837 bytes
-rw-r--r--31896-h.zipbin0 -> 58365 bytes
-rw-r--r--31896-h/31896-h.htm3949
-rw-r--r--31896.txt3545
-rw-r--r--31896.zipbin0 -> 50811 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 11055 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/31896-8.txt b/31896-8.txt
new file mode 100644
index 0000000..fea00ef
--- /dev/null
+++ b/31896-8.txt
@@ -0,0 +1,3545 @@
+The Project Gutenberg EBook of Idyllic Monologues, by Madison J. Cawein
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Idyllic Monologues
+ Old and New World Verses
+
+Author: Madison J. Cawein
+
+Release Date: April 6, 2010 [EBook #31896]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK IDYLLIC MONOLOGUES ***
+
+
+
+
+Produced by David Garcia, Carla Foust and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+
+
+
+Transcriber's note
+
+
+Minor punctuation errors have been changed without notice. Printer
+errors have been changed and are listed at the end. All other
+inconsistencies are as in the original.
+
+
+
+ IDYLLIC MONOLOGUES
+
+ Poems by Madison Cawein
+
+
+ OLD AND NEW WORLD VERSES
+
+ BY THE AUTHOR OF
+
+ "Undertones" "Garden of Dreams"
+
+
+ JOHN P. MORTON AND COMPANY
+
+ Publishers--Louisville, Kentucky
+
+
+
+
+ Copyrighted 1898
+
+ BY MADISON CAWEIN
+
+
+
+
+ TO
+ MY FRIEND:
+
+ R. E. LEE GIBSON
+
+
+
+
+This collection of poems is entirely new with the exception of three or
+four which appeared in two earlier volumes, published some ten years
+ago. The reprinted poems have been carefully re-written, and so changed
+throughout as to hardly bear any resemblance, except that of subject, to
+the original.
+
+
+
+
+CONTENTS
+
+ PAGE
+
+ The Brothers 1
+
+ Geraldine 15
+
+ The Moated Manse 20
+
+ The Forester 35
+
+ My Lady of Verne 48
+
+ An Old Tale Re-told 55
+
+ The Water Witch 65
+
+ At Nineveh 70
+
+ How They Brought Aid to Bryan's Station 72
+
+ On the Jellico Spur of the Cumberlands 77
+
+ A Confession 83
+
+ Lilith 84
+
+ Content 86
+
+ Berrying 88
+
+ To a Pansy-Violet 90
+
+ Heart of my Heart 93
+
+ Witnesses 94
+
+ Wherefore 95
+
+ Pagan 96
+
+ "The Fathers of our Fathers" 97
+
+ "Mene, Mene, Tekel, Upharsin" 99
+
+ Her Vivien Eyes 101
+
+ There was a Rose 102
+
+ The Artist 103
+
+ Poetry and Philosophy 103
+
+ "Quo Vadis" 104
+
+ To a Critic 105
+
+
+
+
+FOREWORD.
+
+
+ _And one, perchance, will read and sigh:
+ "What aimless songs! Why will he sing
+ Of nature that drags out her woe
+ Through wind and rain, and sun, and snow,
+ From miserable spring to spring?"
+ Then put me by._
+
+ _And one, perhaps, will read and say:
+ "Why write of things across the sea;
+ Of men and women, far and near,
+ When we of things at home would hear--
+ Well, who would call this poetry?"
+ Then toss away._
+
+ _A hopeless task have we, meseems,
+ At this late day; whom fate hath made
+ Sad, bankrupt heirs of song; who, filled
+ With kindred yearnings, try to build
+ A tower like theirs, that will not fade,
+ Out of our dreams._
+
+
+
+
+ Only One Hundred and Fifty Copies Printed for Private Distribution.
+ A Few Copies For Sale.
+
+
+
+
+IDYLLIC MONOLOGUES
+
+
+
+
+The Brothers
+
+
+ Not far from here, it lies beyond
+ That low-hilled belt of woods. We'll take
+ This unused lane where brambles make
+ A wall of twilight, and the blond
+ Brier-roses pelt the path and flake
+ The margin waters of a pond.
+
+ This is its fence--or that which was
+ Its fence once--now, rock rolled from rock,
+ One tangle of the vine and dock,
+ Where bloom the wild petunias;
+ And this its gate, the iron-weeds block,
+ Hot with the insects' dusty buzz.
+
+ Two wooden posts, wherefrom has peeled
+ The weather-crumbled paint, still rise;
+ Gaunt things--that groan when someone tries
+ The gate whose hinges, rust-congealed,
+ Snarl open:--on each post still lies
+ Its carven lion with a shield.
+
+ We enter; and between great rows
+ Of locusts winds a grass-grown road;
+ And at its glimmering end,--o'erflowed
+ With quiet light,--the white front shows
+ Of an old mansion, grand and broad,
+ With grave Colonial porticoes.
+
+ Grown thick around it, dark and deep,
+ The locust trees make one vast hush;
+ Their brawny branches crowd and crush
+ Its very casements, and o'ersweep
+ Its rotting roofs; their tranquil rush
+ Haunts all its spacious rooms with sleep.
+
+ Still is it called The Locusts; though
+ None lives here now. A tale's to tell
+ Of some dark thing that here befell;
+ A crime that happened years ago,
+ When by its walls, with shot and shell,
+ The war swept on and left it so.
+
+ For one black night, within it, shame
+ Made revel, while, all here about,
+ With prayer or curse or battle-shout,
+ Men died and homesteads leapt in flame:
+ Then passed the conquering Northern rout,
+ And left it silent and the same.
+
+ Why should I speak of what has been?
+ Or what dark part I played in all?
+ Why ruin sits in porch and hall
+ Where pride and gladness once were seen;
+ And why beneath this lichened wall
+ The grave of Margaret is green.
+
+ Heart-broken Margaret! whose fate
+ Was sadder yet than his who won
+ Her hand--my brother Hamilton--
+ Or mine, who learned to know too late;
+ Who learned to know, when all was done,
+ And nothing could exonerate.
+
+ To expiate is still my lot,--
+ And, like the Ancient Mariner,
+ To show to others how things are
+ And what I am, still helps me blot
+ A little from that crime's red scar,
+ That on my soul is branded hot.
+
+ He was my only brother. She
+ A sister of my brother's friend.
+ They met, and married in the end.
+ And I remember well when he
+ Brought her rejoicing home, the trend
+ Of war moved towards us sullenly.
+
+ And scarce a year of wedlock when
+ Its red arms took him from his bride.
+ With lips by hers thrice sanctified
+ He left to ride with Morgan's men.
+ And I--I never could decide--
+ Remained at home. It happened then.
+
+ For days went by. And, oft delayed,
+ A letter came of loving word
+ Scrawled by some camp-fire, sabre-stirred,
+ Or by a pine-knot's fitful aid,
+ When in the saddle, armed and spurred
+ And booted for some hurried raid.
+
+ Then weeks went by. I do not know
+ How long it was before there came,
+ Blown from the North, the clarion fame
+ Of Morgan, who, with blow on blow,
+ Had drawn a line of blood and flame
+ From Tennessee to Ohio.
+
+ Then letters ceased; and days went on.
+ No word from him. The war rolled back,
+ And in its turgid crimson track
+ A rumor grew, like some wild dawn,
+ All ominous and red and black,
+ With news of our lost Hamilton,
+
+ That hinted death or capture. Yet
+ No thing was sure; till one day,--fed
+ By us,--some men rode up who said
+ They'd been with Morgan and had met
+ Disaster, and that he was dead,
+ My brother.--I and Margaret
+
+ Believed them. Grief was ours too:
+ But mine was more for her than him;
+ Grief, that her eyes with tears were dim;
+ Grief, that became the avenue
+ For love, who crowned the sombre brim
+ Of death's dark cup with rose-red hue.
+
+ In sympathy,--unconsciously
+ Though it be given--I hold, doth dwell
+ The germ of love that time shall swell
+ To blossom. Sooner then in me--
+ When close relations so befell--
+ That love should spring from sympathy.
+
+ Our similar tastes and mutual bents
+ Combined to make us intimates
+ From our first meeting. Different states
+ Of interest then our temperaments
+ Begot. Then friendship, that abates
+ No love, whose self it represents.
+
+ These led to talks and dreams: how oft
+ We sat at some wide window while
+ The sun sank o'er the hills' far file,
+ Serene; and of the cloud aloft
+ Made one vast rose; and mile on mile
+ Of firmament grew sad and soft.
+
+ And all in harmony with these
+ Dim clemencies of dusk, afar
+ Our talks and dreams went; while the star
+ Of evening brightened o'er the trees:
+ We spoke of home; the end of war:
+ We dreamed of life and love and peace.
+
+ How on our walks in listening lanes
+ Or confidences of the wood,
+ We paused to hear the dove that cooed;
+ Or gathered wild-flowers, taking pains
+ To find the fairest; or her hood
+ Filled with wild fruit that left deep stains.
+
+ No echo of the drum or fife,
+ No hint of conflict entered in
+ Our thoughts then. Will you call it sin--
+ Indifference to a nation's strife?
+ What side might lose, what side might win,
+ Both immaterial to our life.
+
+ Into the past we did not look;
+ Beyond what was we did not dream;
+ While onward rushed the thunderous stream
+ Of war, that, in its torrent, took
+ One of our own. No crimson gleam
+ Of its wild course around us shook.
+
+ At last we knew. And when we learned
+ How he had fallen, Margaret
+ Wept; and, albeit my eyes were wet,
+ Within my soul I half discerned
+ A joy that mingled with regret,
+ A grief that to relief was turned.
+
+ As time went on and confidence
+ Drew us more strongly each to each,
+ Why did no intimation reach
+ Its warning hand into the dense
+ Soul-silence, and confuse the speech
+ Of love's unbroken eloquence!
+
+ But, no! no hint to turn the poise,
+ Or check the impulse of our youth;
+ To chill it with the living truth
+ As with the awe of God's own voice;
+ No hint, to make our hope uncouth;
+ No word, to warn us from our choice.
+
+ To me a wall seemed overthrown
+ That social law had raised between;
+ And o'er its ruin, broad and green
+ A path went, I possessed alone;
+ The sky above seemed all serene;
+ The land around seemed all my own.
+
+ What shall I say of Margaret
+ To justify her part in this?
+ That her young heart was never his?
+ But had been mine since first we met?
+ So would you say!--Enough it is
+ That when he left she loved him yet.
+
+ So passed the Spring, and Summer sped;
+ And early Autumn brought the day
+ When she her hand in mine should lay,
+ And I should take her hand and wed.
+ And still no hint that might gainsay,
+ No warning word of quick or dead.
+
+ The day arrived; and, with it born,
+ A battle, sullying the East
+ With boom of cannon, that increased,
+ And throb of musket and of horn:
+ Until at last, towards dusk, it ceased;
+ And men with faces wild and worn,
+
+ In fierce retreat swept past; now groups;
+ Now one by one; now sternly white,
+ Or blood-stained; now with looks whose fright
+ Said all was lost. Then sullen troops
+ That, beaten, still kept up the fight.
+ Then came the victors; shadowy loops
+
+ Of men and horse, that left a crowd
+ Of officers in hall and porch....
+ While through the land around the torch
+ Circled, and many a fiery cloud
+ Marked out the army's iron march
+ In furrows red, that pillage plowed,
+
+ Here we were wedded.--Ask the years
+ How such could be, while over us
+ A sword of wrath swung ominous,
+ And on our cheeks its breath was fierce!
+ All I remember is--'twas thus,
+ And Margaret's eyes were wet with tears.
+
+ No other cause my memory sees
+ Save this, _that night was set_; and when
+ I found my home filled with armed men
+ With whom were all my sympathies
+ Of Union--why postpone it then?
+ So argued conscience into peace.
+
+ And then it was, when night had passed
+ There came to me an orderly
+ With word of a confederate spy
+ Late taken, who, with head downcast,
+ Had asked one favor, this: "That I
+ Would see him ere he breathed his last."
+
+ I stand alone here. Heavily
+ My thoughts go back. Had I not gone,
+ The dead had still been dead!--for none
+ Had yet believed his story--he,
+ My dead-deemed brother, Hamilton,
+ Who in the spy confronted me.
+
+ O you who never have been tried,
+ How can you judge me!--in my place
+ I saw him standing--who can trace
+ My heart thoughts then!--I turned aside,
+ A thing of some unnatural race,
+ And did not speak; and so he died.
+
+ In hospital or prison, when
+ It was he lay; what had forbid
+ His home return so long: amid
+ What hardships he had suffered, then
+ I dared not ask; and when I did,
+ Long afterwards, inquire of men,
+
+ No thing I learned. But this I feel--
+ He who had so returned to life
+ Was not a spy. Through stress and strife,--
+ This makes my conscience hard to heal!--
+ He had escaped; he sought his wife;
+ He sought his home that should conceal.
+
+ And Margaret! Oh, pity her!
+ A criminal I sought her side,
+ Still thinking love was justified
+ In all for her--whatever were
+ The price, a brother thrice denied,
+ Or thrice a brother's murderer.
+
+ Since then long years have passed away.
+ And through those years, perhaps, you'll ask
+ How to the world I wore my mask
+ Of honesty?--I can but say
+ Beyond my powers it was a task;
+ Before my time it turned me gray.
+
+ And when at last the ceaseless hiss
+ Of conscience drove, and I betrayed
+ All to her, she knelt down and prayed,
+ Then rose; and 'twixt us an abyss
+ Was opened; and she seemed to fade
+ Out of my life: I came to miss
+
+ The sweet attentions of a bride:
+ For each appealing heart's caress
+ In me, her heart assumed a dress
+ Of dull indifference; till denied
+ To me was all responsiveness;
+ And then I knew her love had died.
+
+ Ah, had she loaded me, perchance,
+ With wild reproach or even hate,
+ Such would have helped a hope to wait
+ Forgiveness and returned romance;
+ But 'twixt our souls, instead, a gate
+ She closed of silent tolerance.
+
+ Yet, 't was for love of her I lent
+ My soul to crime ... I question me
+ Often, if less entirely
+ I'd loved her, then, in that event,
+ She had been justified to see
+ The deed alone stand prominent.
+
+ The deed alone! But love records
+ In his own heart, I will aver,
+ No depth I did not feel for her
+ Beyond the plummet-reach of words:
+ And though there may be worthier,
+ No truer love this world affords
+
+ Than mine was, though it could not rise
+ Above itself. And so 't was best,
+ Perhaps, that she saw manifest
+ Its crime, that I, as saw her eyes,
+ Might see; and so, in soul confessed,
+ Some life atonement might devise.
+
+ Sadly my heart one comfort keeps,
+ That, towards the end, she took my hands
+ And said, as one who understands,
+ "Had I but seen! But love that weeps,
+ Sees only as its loss commands,"
+ And sighed. Beneath this stone she sleeps.
+
+ Yes; I have suffered for that sin;
+ Yet in no instance would I shun
+ What I should suffer. Many a one,
+ Who heard my tale, has tried to win
+ Me to believe that Hamilton
+ It was not; and, though proven kin,
+
+ This had not saved him. Still the stain
+ Of the intention--had I erred
+ And 't was not he--had writ the word
+ Red on my soul that branded Cain;
+ For still my error had incurred
+ The fact of guilt that would remain.
+
+ Ah, love at best is insecure,
+ And lives with doubt and vain regret;
+ And hope and faith, with faces set
+ Upon the past, are never sure;
+ And through their fever, grief, and fret
+ The heart may fail that should endure.
+
+ For in ourselves, however blend
+ The passions that make heaven and hell,
+ Is evil not accountable
+ For most the good we comprehend?
+ And through these two, or ill, or well,
+ Man must evolve his spiritual end.
+
+ It is with deeds that we must ask
+ Forgiveness; for upon this earth,
+ Life walks alone from very birth
+ With death, hope tells us is a mask
+ For life beyond of vaster worth,
+ Where sin no more sets love a task.
+
+
+
+
+Geraldine
+
+
+ Ah, Geraldine, lost Geraldine,
+ That night of love, when first we met,
+ You have forgotten, Geraldine--
+ I never dreamed you would forget.
+
+ Ah, Geraldine, sweet Geraldine,
+ More lovely than that Asian queen,
+ Scheherazade, the beautiful,
+ Who in her orient palace cool
+ Of India, for a thousand nights
+ And one, beside her monarch lay,
+ Telling--while sandal-scented lights
+ And music stole the soul away--
+ Love tales of old Arabia,
+ Full of enchantments and emprise--
+ But no enchantments like your eyes.
+
+ Ah, Geraldine, loved Geraldine,
+ More lovely than those maids, I ween,
+ Pampinea and Lauretta, who,
+ In gardens old of dusk and dew,
+ Sat with their lovers, maid and man,
+ In stately days Italian,
+ And in quaint stories, that we know
+ Through grace of good Boccaccio,
+ Told of fond loves, some false, some true,--
+ But, Geraldine, none false as you.
+
+ Ah, Geraldine, lost Geraldine,
+ That night of love, when first we met,
+ You have forgotten, Geraldine--
+ I never dreamed you would forget.
+
+ 'T was summer, and the moon swam high,
+ A great pale pearl within the sky:
+ And down that purple night of love
+ The stars, concurrent spark on spark,
+ Seemed fiery moths that swarmed above:
+ And through the roses, o'er the park,
+ Star-like the fire-flies filled the dark:
+ A mocking-bird in some deep tree,
+ Drowsy with dreams and melody,
+ Like a magnolia bud, that, dim,
+ Opens and pours its soul in musk,
+ Gave to the moonlight and the dusk
+ Its heart's pure song, its evening hymn.
+ Oh, night of love! when in the dance
+ Your heart thrilled rapture into mine,
+ As in a state of necromance
+ A mortal hears a voice divine.
+ Oh, night of love! when from your glance
+ I drank sweet death as men drink wine.
+
+ You wearied of the waltz at last.
+ I led you out into the night.
+ Warm in my hand I held yours fast.
+
+ Your face was flushed; your eyes were bright.
+ The moon hung like a shell of light
+ Above the lake, above the trees:
+ And borne to us with fragrances
+ Of roses that were ripe to fall,
+ The soul of music from the hall
+ Beat in the moonlight and the breeze,
+ As youth's wild heart grown weary of
+ Desire and its dream of love.
+
+ I held your arm and, for awhile,
+ We walked along the balmy aisle
+ Of flowers that, like velvet, dips
+ Unto the lake which lilies tile
+ Like stars; and hyacinths, like strips
+ Of heaven: and beside a fall,
+ That, down a ferned and mossy wall,
+ Fell in the lake,--deep, woodbine-wound,
+ A latticed summer-house we found;
+ A green kiosk,--through which the sound
+ Of waters and of breezes swayed,
+ And honeysuckle bugles played
+ Soft serenades of perfume sweet,--
+ Around which ran a rustic seat.
+ And seated in that haunted nook,--
+ I know not how it was,--a word,
+ A touch, perhaps, a sigh, a look,
+ Was father to the kiss I took;
+
+ Great things grow out of small I've heard.
+ And then it was I took between
+ My hands your face, loved Geraldine,
+ And gazed into your eyes, and told
+ The story ever new though old.
+ You did not look away, but met
+ My eyes with eyes whose lids were wet
+ With tears of truth; and you did lean
+ Your cheek to mine, sweet Geraldine,--
+ I never dreamed you would forget.
+
+ The night-wind and the water sighed:
+ And through the leaves, that stirred above,
+ The moonbeams swooned with music of
+ The dance--soft things in league with love:
+ I never dreamed that you had lied.
+
+ How all comes back now, Geraldine!
+ The melody; the glimmering scene;
+ Your angel face; and ev'n, between
+ Your lawny breasts, the heart-shaped jewel,--
+ To which your breath gave fluctuant fuel,--
+ A rosy star of stormy fire;
+ The snowy drift of your attire,
+ Lace-deep and fragrant: and your hair,
+ Disordered in the dance, held back
+ By one gemmed pin,--a moonbeam there,
+ Half-drowned within its night-like black.
+ And I who sat beside you then,
+ Seemed blessed above all mortal men.
+
+ I loved you for the way you sighed;
+ The way you said, "I love but you;"
+ The smile with which your lips replied;
+ Your lips, that from my bosom drew
+ The soul; your looks, like undenied
+ Caresses, that seemed naught but true:
+ I loved you for the violet scent
+ That clung about you as a flower;
+ Your moods, where shine and shadow blent,
+ An April-tide of sun and shower;
+ You were my creed, my testament,
+ Wherein I read of God's high power.
+
+ Was it because the loving see
+ Only what they desire shall be
+ There in the well-belovéd's soul,
+ Affection and affinity,
+ That I beheld in you the whole
+ Of my love's image? and believed
+ You loved as I did? nor perceived
+ 'T was but a mask, a mockery!
+
+ Ah, Geraldine, lost Geraldine,
+ That night of love, when first we met,
+ You have forgotten, Geraldine--
+ I never dreamed you would forget.
+
+
+
+
+The Moated Manse
+
+
+ I.
+
+ And now once more we stood within the walls
+ Of her old manor near the riverside;
+ Dead leaves lay rotting in its empty halls,
+ And here and there the ivy could not hide
+ The year-old scars, made by the Royalists' balls,
+ Around the doorway, where so many died
+ In that last effort to defend the stair,
+ When Rupert, like a demon, entered there.
+
+
+ II.
+
+ The basest Cavalier who yet wore spurs
+ Or drew a sword, I count him; with his grave
+ Eyes 'neath his plumed hat like a wolf's whom curs
+ Rouse, to their harm, within a forest cave;
+ And hair like harvest; and a voice like verse
+ For smoothness. Ay, a handsome man and brave!--
+ Brave?--who would question it! although 't is true
+ He warred with one weak woman and her few.
+
+
+ III.
+
+ Lady Isolda of the Moated Manse,
+ Whom here, that very noon, it happened me
+ To meet near her old home. A single glance
+ Told me 't was she. I marveled much to see
+ How lovely still she was! as fair, perchance,
+ As when Red Rupert thrust her brutally,--
+ Her long hair loosened,--down the shattered stair,
+ And cast her, shrieking, 'mid his followers there.
+
+
+ IV.
+
+ "She is for you! Take her! I promised it!
+ She is for you!"--he shouted, as he flung
+ Her in their midst. Then, on her poor hands (split,
+ And beaten by his dagger when she clung
+ Resisting him) and knees, she crept a bit
+ Nearer his feet and begged for death. No tongue
+ Can tell the way he turned from her and cursed,
+ Then bade his men draw lots for which were first.
+
+
+ V.
+
+ I saw it all from that low parapet,
+ Where, bullet-wounded in the hip and head,
+ I lay face-upward in the whispering wet,
+ Exhausted 'mid the dead and left for dead.
+ We had held out two days without a let
+ Against these bandits. You could trace with red,
+ From room to room, how we resisted hard
+ Since the great door crashed in to their petard.
+
+
+ VI.
+
+ The rain revived me, and I leaned with pain
+ And saw her lying there, all soiled and splashed
+ And miserable; on her cheek a stain,
+ A dull red bruise, made when his hand had dashed
+ Her down upon the stones; the wretched rain
+ Dripped from her dark hair; and her hands were gashed.--
+ Oh, for a musket or a petronel
+ With which to send his devil's soul to hell!
+
+
+ VII.
+
+ But helpless there I lay, no weapon near,
+ Only the useless sword I could not reach
+ His traitor's heart with, while I chafed to hear
+ The laugh, the insult and the villain speech
+ Of him to her. Oh, God! could I but clear
+ The height between and, hanging like a leech,
+ My fingers at his throat, there tear his base
+ Vile tongue out, yea, and lash it in his face!
+
+
+ VIII.
+
+ But, badly wounded, what could I but weep
+ With rage and pity of my helplessness
+ And her misfortune! Could I only creep
+ A little nearer so that she might guess
+ I was not dead; that I my life would keep
+ But to avenge her!--Oh, the wild distress
+ Of that last moment when, half-dead, I saw
+ Them mount and bear her swooning through the shaw.
+
+
+ IX.
+
+ Long time I lay unconscious. It befell
+ Some woodsmen found me, having heard the sound
+ Of fighting cease that, for two days, made dell
+ And dingle echo; ventured on the ground
+ For plunder; and it had not then gone well
+ With me, I fear, had not their leader found
+ That in some way I would repay his care;
+ So bore me to his hut and nursed me there.
+
+
+ X.
+
+ How roughly kind he was. For weeks I hung
+ 'Twixt life and death; health, like a varying, sick,
+ And fluttering pendulum, now this way swung,
+ Now that, until at last its querulous tick
+ Beat out life's usual time, and slowly rung
+ The long loud hours that exclaimed, "Be quick!--
+ Arise--Go forth!--Hear how her black wrongs call!--
+ Make them the salve to cure thy wounds withal!"
+
+
+ XI.
+
+ They were my balsam: for, ere autumn came,
+ Weak still, but over eager to be gone,
+ I took my leave of him. A little lame
+ From that hip-wound, and somewhat thin and wan,
+ I sought the village. Here I heard her name
+ And shame's made one. How Rupert passed one dawn,
+ And she among his troopers rode--astride
+ Like any man--pale-faced and feverish-eyed.
+
+ XII.
+
+ Which way these took they pointed, and I went
+ Like fire after. Oh, the thought was good
+ That they were on before! And much it meant
+ To know she lived still; she, whose image stood
+ Ever before me, making turbulent
+ Each heart-beat with her wrongs, that were fierce food
+ Unto my hate that, "Courage!" cried, "Rest not!
+ Think of her there, and let thy haste be hot!"
+
+ XIII.
+
+ But months passed by and still I had not found:
+ Yet here and there, as wearily I sought,
+ I caught some news: how he had held his ground
+ Against the Roundhead troops; or how he'd fought
+ Then fled, returned and conquered. Like a hound,
+ Questing a boar, I followed; but was brought
+ Never to see my quarry. Day by day
+ It seemed that Satan kept him from my way.
+
+
+ XIV.
+
+ A woman rode beside him, so they said,
+ A fair-faced wanton, mounted like a man--
+ Isolda!--my Isolda!--better dead,
+ Yea, dead and damned! than thus the courtesan,
+ Bold, unreluctant, of such men! A dread,
+ That such should be, unmanned me. Doubt began
+ To whisper at my heart.--But I was mad,
+ To insult her with such thoughts, whose love I had.
+
+
+ XV.
+
+ At last one day I rested in a glade
+ Near that same woodland which I lay in when
+ Sore wounded; and, while sitting in the shade
+ Of an old beech--what! did I dream, or men
+ Like Rupert's own ride near me? and a maid--
+ Isolda or her spirit!--Wildly then
+ I rose and, shouting, leapt upon my horse;
+ Unsheathed my sword and rode across their course.
+
+
+ XVI.
+
+ Mainly I looked for Rupert, and by name
+ Challenged him forth:--"Dog! dost thou hide behind?--
+ Insulter of women! Coward! save where shame
+ And rapine call thee! God at last is kind,
+ And my sword waits!"--Like an upbeating flame,
+ My voice rose to a windy shout; and blind
+ I seemed to sit, till, with an outstretched hand,
+ Isolda rode before me from that band.
+
+
+ XVII.
+
+ "Gerald!" she cried; not as a heart surprised
+ With gladness that the loved, deemed dead, still lives;
+ But like the heart that long hath realized
+ Only misfortune and to fortune gives
+ No confidence, though it be recognized
+ As good. She spoke: "Lo, we are fugitives.
+ Rupert is slain. And I am going home."
+ Then like a child asked simply, "Wilt thou come?...
+
+
+ XVIII.
+
+ "Oh, I have suffered, Gerald, oh, my God!
+ What shame, what vileness! Once my soul was clean--
+ Stained and defiled behold it!--I have trod
+ Sad ways of hell and horror. I have seen
+ And lived all depths of lust. Yet, oh, my God!
+ Blameless I hold myself of what hath been,
+ Though through it all, yea, this thou too must know,
+ I loved him! my betrayer and thy foe!"
+
+
+ XIX.
+
+ Sobbing she spoke as if but half awake,
+ Her eyes far-fixed beyond me, far beyond
+ All hope of mine.--So it was for his sake,
+ His love, that she had suffered!... blind and fond,
+ For what return!... And I to nurse a snake,
+ And never dream its nature would respond
+ With some such fang of venom! 'T was for this
+ That I had ventured all, to find her his!
+
+
+ XX.
+
+ At first half-stunned I stood; then blood and brain,
+ Like two stern judges, who had slept, awoke,
+ Rose up and thundered, "Slay her!" Every vein
+ And nerve responded, "Slay her at a stroke!"--
+ And I had done it, but my heart again,
+ Like a strong captain in a tumult, spoke,
+ And the fierce discord fell. And quietly
+ I sheathed my sword and said, "I'll go with thee."
+
+
+ XXI.
+
+ But this was my reward for all I'd borne,
+ My loyalty and love! To see her eyes
+ Hollow from tears for him; her pale cheeks worn
+ With grief for him; to know them all for lies,
+ Her vows of faith to me; to come forlorn,
+ Where I had hoped to come on Paradise,
+ On Hell's black gulf; and, as if not enough,
+ Soiled as she was and outcast, still to love!
+
+
+ XXII.
+
+ Then rode one ruffian from the rest, clay-flecked
+ From spur to plume with hurry; seized my rein,
+ And--"What art thou," demanded, "who hast checked
+ Our way, and challenged?"--Then, with some disdain,
+ Isolda, "Sir, my kinsman did expect
+ Your captain here. What honor may remain
+ To me I pledge for him. Hold off thy hands!
+ He but attends me to the Moated Manse."
+
+
+ XXIII.
+
+ We rode in silence. And at twilight came
+ Into the Moated Manse.--Great clouds had grown
+ Up in the West, on which the sunset's flame
+ Lay like the hand of slaughter.--Very lone
+ Its rooms and halls: a splintered door that, lame,
+ Swung on one hinge; a cabinet o'erthrown;
+ Or arras torn; or blood-stain turning wan,
+ Showed us the way the battle once had gone.
+
+
+ XXIV.
+
+ We reached the tower-chamber towards the West,
+ In which on that dark day she thought to hide
+ From Rupert when, at last, 't was manifest
+ We could not hold the Manse. There was no pride
+ In her deep eyes now; nor did scorn invest
+ Her with such dignity as once defied
+ Him bursting in to find her standing here
+ Prepared to die like some dog-hunted deer.
+
+
+ XXV.
+
+ She took my hand, and, as if naught of love
+ Had ever been between us, said,--"All know
+ The madness of that day when with his glove
+ He struck then slew my brother, and brought woe
+ On all our house; and thou, incensed above
+ The rest, came here, and made my foe thy foe.
+ But he had left. 'T was then I promised thee
+ My hand, but, ah! my heart was gone from me.
+
+
+ XXVI.
+
+ "Yea, he had won me, this same Rupert, when
+ He was our guest.--Thou know'st how gallantry
+ And beauty can make heroes of all men
+ To us weak women!--And so secretly
+ I vowed to be his wife. It happened then
+ My brother found him in some villainy;
+ The insult followed; he was killed ... and thou
+ Dost still remember how I made a vow.
+
+
+ XXVII.
+
+ "But still this man pursued me, and I held
+ Firm to my vow, albeit I loved him still,
+ Unknown to all, with all the love unquelled
+ Of first impressions, and against my will.
+ At last despair of winning me compelled
+ Him to the oath he swore: He would not kill,
+ But take me living and would make my life
+ A living death. No man should make me wife.
+
+
+ XXVIII.
+
+ The war, that now consumes us, did, indeed,
+ Give him occasion.--I had not been warned,
+ When down he came against me in the lead
+ Of his marauders. With thy help I scorned
+ His mad attacks two days. I would not plead
+ Nor parley with him, who came hoofed and horned,
+ Like Satan's self in soul, and, with his aid,
+ Took this strong house and kept the oath he made.
+
+
+ XXIX.
+
+ "Months passed. Alas! it needs not here to tell
+ What often thou hast heard--Of how he led
+ His troopers here now there; nor what befell
+ Me of dishonor. Oft I wished me dead,
+ Loathing my life, than which the nether hell
+ Hath less of horror ... So we fought or fled
+ From place to place until a year had passed,
+ And Parliament forces hemmed us in at last.
+
+
+ XXX.
+
+ "Yea, I had only lived for this--to right
+ With death my wrongs sometime. And love and hate
+ Contended in my bosom when, that night
+ Before the fight that should decide our fate,
+ I entered where he slept. There was no light
+ Save of the stars to see by. Long and late
+ I leaned above him there, yet could not kill--
+ Hate raised the dagger but love held it still.
+
+
+ XXXI.
+
+ "The woman in me conquered. What a slave
+ To our emotions are we! To relent
+ At this long-waited moment!--Wave on wave
+ Of pitying weakness swept me, and I bent
+ And kissed his face. Then prayed to God; and gave
+ My trust to God; and left to God th' event.--
+ I never looked on Rupert's face again,
+ For in that morning's combat--he was slain.
+
+
+ XXXII.
+
+ "Out of defeat escaped some scant three score
+ Of all his followers. And night and day
+ They fled; and while the Roundheads pressed them sore,
+ And in their road, good as a fortress, lay
+ The Moated Manse, where their three score or more
+ Might well hold out, I pointed them the way.
+ And they are come, amid its wrecks to end
+ The crime begun here.--Thou must go, my friend!
+
+
+ XXXIII.
+
+ "Go quickly! For the time approaches when
+ Destruction must arrive.--Oh, well I know
+ All thou wouldst say to me.--What boots it then?--
+ I tell thee thou must go, that thou must go!--
+ Yea, dost thou think I'd have thee die 'mid men
+ Like these, for such an one as I!--No! no!--
+ Thy life is clean. Thou shalt not cast away
+ Thy clean life for my soiled one. Go, I pray!"
+
+
+ XXXIV.
+
+ She ceased. I spoke--I know not what it was.
+ Then took her hand and kissed it and so said--
+ "Thou art my promised wife. Thou hast no cause
+ That is not mine. I love thee. We will wed.
+ I love thee. Come!"--A moment did she pause,
+ Then shook her head and sighed, "My heart is dead.
+ This can not be. Behold, that way is thine.
+ I will not let thee share this way that's mine."
+
+
+ XXXV.
+
+ Then turning from me ere I could prevent
+ Passed like a shadow from the shadowy room,
+ Leaving my soul in shadow ... Naught was meant
+ By my sweet flower of love then! bloom by bloom
+ I'd watched it wither; then its fragrance went,
+ And naught was left now.--It was dark as doom,
+ And bells were tolling far off through the rain,
+ When from that house I turned my face again.
+
+
+ XXXVI.
+
+ Then in the night a trumpet; and the dull
+ Close thud of horse and clash of Puritan arms;
+ And glimmering helms swept by me. Sorrowful
+ I stood and waited till upon the storm's
+ Black breast, the Manse, a burning carbuncle,
+ Blazed like a battle-beacon, and alarms
+ Of onslaught clanged around it; then, like one
+ Who bears with him God's curse, I galloped on.
+
+
+
+
+The Forester
+
+
+ I met him here at Ammendorf one Spring.
+ It was the end of April and the Harz,
+ Veined to their ruin-crested summits, seemed
+ One pulse of tender green and delicate gold,
+ Beneath a heaven that was like the face
+ Of girlhood waking into motherhood.
+ Along the furrowed meadow, freshly ploughed,
+ The patient oxen, loamy to the knees,
+ Plodded or lowed or snuffed the fragrant soil;
+ And in each thorntree hedge the wild bird sang
+ A song to Spring, made of its own wild heart
+ And soul, that heard the dairy-maiden May's
+ Heart beating like a star at break of day,
+ As, kissing ripe the blossoms, she drew near,
+ Her mouth's sweet rose all dew-drops and perfume.
+ Here at this inn and underneath this tree
+ We took our wine, the morning prismed in its
+ Flame-angled gold.--A goodly vintage that!
+ Tang with the ripeness of full twenty years.
+ Rare! I remember!--wine that spurred the blood,
+ That brought the heart glad to the limbered lip,
+ And made the eyes unlatticed casements where
+ A man's true soul you could not help but see.
+ As royal a Rhenish, I will vouch to say,
+ As that, old legends tell, which Necromance
+ And Magic keep, gnome-guarded, in huge casks
+ Of antique make deep in the Kyffhäuser,
+ The Cellar of the Knights near Sittendorf.--
+ So solaced of that wine we sat an hour.
+ He told me his intent in coming here.
+ His name was Rudolf; and his native home,
+ Franconia; but no word of parentage:
+ Only his mind to don the buff and green
+ And live a forester with us and be
+ Enfellowed in the Duke of Brunswick's train,
+ And for the Duke's estate even now was bound.
+ Tall was he for his age and strong and brown,
+ And lithe of limb; and with a face that seemed
+ Hope's counterpart--but with the eyes of doubt;
+ Deep restless disks, instinct with gleaming night,
+ That seemed to say, "We're sure of earth, at least
+ For some short space, my friend; but afterward--
+ Nay! ransack not to-morrow till to-day,
+ Lest it engulf thy joy before it is!"--
+ And when he spoke, the fire in his eyes
+ Worked stealthy as a hunted animal's;
+ Or like the Count von Hackelnburg's that turn,
+ Feeling the unseen presence of a fiend.
+ Then, as it chanced, old Kurt had come that morn
+ With some six of his jerkined foresters
+ From the Thuringian forest; wet with dew,
+ And fresh as morn with early travel; bound
+ For Brunswick, Dummburg and the Hakel passed.
+ Chief huntsman he then to our lord the Duke,
+ And father of the loveliest maiden here
+ In Ammendorf, the sunny Ilsabe:
+ Her mother dead, the gray-haired father prized
+ His daughter more than all that men hold dear;
+ His only happiness, who was beloved
+ Of all as Lora of Thuringia was,
+ For gentle ways that spoke a noble soul,
+ Winning all hearts to love her and to praise,
+ As might a great and beautiful thought that holds
+ Us by the simplest words.--Her eyes were blue
+ As the high influence of a summer day.
+ Her hair,--serene and braided over brows
+ White as a Harz dove's wing,--was auburn brown,
+ And deep as mists the sun has drenched with gold.
+ And her young presence--well, 't was like a song,
+ A far Tyrolean melody of love,
+ Heard on an Alpine path at close of day
+ When shepherds homeward lead their tinkling flocks.
+ And when she left, being with you awhile,--
+ How shall I say it?--'t was as when one hath
+ Beheld an Undine by the moonlit Rhine,
+ Who, ere the mind adjusts a thought, is gone,
+ And in your soul you wonder if a dream.
+ Some thirty years ago it was;--and I,
+ Commissioner of the Duke--(no sinecure
+ I can assure you)--had scarce reached the age
+ Of thirty,--that we sat here at our wine;
+ And 't was through me that Rudolf,--whom at first,
+ From some rash words dropped then in argument,
+ The foresterhood was like to be denied,--
+ Was then enfellowed. "Yes," said I, "he's young.
+ Kurt, he is young; but see, a wiry frame;
+ A chamois footing and a face for deeds;
+ An eye that likes me not; too quick to turn;
+ But that may be the restless soul within;
+ A soul perhaps with virtues that have been
+ Severely tried and could not stand the test;
+ These be thy care, Kurt; and if not too deep
+ In vices of the flesh, discover them,
+ As divers bring lost riches up from ooze.
+ Thou hast a daughter; let him be thy son."
+ A year thereafter was it that I heard
+ Of Rudolf's passion for Kurt's Ilsabe;
+ Then their betrothal. And it was from this,--
+ Good Mother Mary! how she haunts me still!
+ Sweet Ilsabe! whose higher womanhood,
+ True as the touchstone which philosophers feign
+ Transmutes to gold base metals it may touch,
+ Had turned to good all evil in this man,--
+ Surmised I of the excellency which
+ Refinement of her purer company,
+ And contact with her innocence, had resolved
+ His fiery nature to, conditioning slave.
+ And so I came from Brunswick--as, you know,
+ Is custom of the Duke or, by his seal
+ Commissioned proxy, his commissioner--
+ To test the marksmanship of Rudolf, who
+ Succeeded Kurt with marriage of his child,
+ An heir of Kuno.--He?--Greatgrandfather
+ Of Kurt; and of this forestkeepership
+ The first possessor; thus established here--
+ Or this the tale they tell on winter nights:
+ Kuno, once in the Knight of Wippach's train,
+ Rode on a grand hunt with the Duke, who came,--
+ Grandfather of the father of our Duke,--
+ With much magnificence of knights and squires,
+ Great velvet-vestured nobles, cloaked and plumed,
+ To hunt Thuringian deer. Then morn,--too quick
+ To bid good-morrow,--was too slow for these,
+ And on the wind-trod hills recumbent yawned
+ Disturbed an hour too soon; all sleepy-eyed,
+ Like some young milkmaid whom the cock hath roused,
+ Who sits and rubs stiff eyes that still will close.
+ Horns sang and deer-hounds tugged a whimpering leash,
+ Or, loosened, bounded through the baying glens:
+ And ere the mountain mists, compact of white,
+ Broke wild before the azure spears of day,
+ The far-off hunt, that woke the woods to life,
+ Seemed but the heart-beat of the ancient hills.
+ And then, near noon, within a forest brake,
+ The ban-dogs roused a red gigantic stag,
+ Lashed to whose back with gnarly-knotted cords,
+ And borne along like some pale parasite,
+ A man shrieked: tangle-bearded, and wild hair
+ A mane of forest-burs. The man himself,
+ Emaciated and half-naked from
+ The stag's mad flight through headlong rocks and trees,
+ One bleeding bruise, with eyes like holes of fire.
+ For such the law then: when the peasant chased
+ Or slew the dun deer of his tyrant lords,
+ If seized, as punishment the withes and spine
+ Of some strong stag, a gift to him of game,
+ Enough till death--death in the antlered herd,
+ Or slow starvation in the haggard hills.
+ Then was the great Duke glad, and forthwith cried
+ To all his hunting train a rich reward
+ For him who slew the stag and saved the man,
+ But death for him who slew both man and stag.
+ So plunged the hunt after the hurrying slot,
+ A shout and glimmer through the sounding woods,--
+ Like some mad torrent that the hills have loosed
+ With death for goal.--'T was late; and none had risked
+ That shot as yet,--too desperate the risk
+ Beside the poor life and a little gold,--
+ When this young Kuno, with fierce eyes, wherein
+ Hunt and impatience kindled reckless flame,
+ Cried, "Has the dew then made our powder wet?
+ Or have we left our marksmanship at home?
+ Here's for its heart! the Fiend direct my ball!"--
+ And fired into a covert deeply packed,
+ An intertangled wall of matted night,
+ Wherein the eye might vainly strive and strive
+ To pierce one fathom, earn one foot beyond.
+ But, ha! the huge stag staggered from the brake
+ Hit full i' the heart. And that wan wretch, unbound,
+ Was ta'en and cared for. Then his grace, the Duke,
+ Charmed with the eagle aim, called Kuno up,
+ And there to him and his forever gave
+ The forestkeepership.
+ But envious tongues
+ Were soon at wag; and whispered went the tale
+ Of how the shot was free, and how the balls
+ Used by young Kuno were free bullets--which
+ To say is: Lead by magic moulded, in
+ The influence and directed, of the Fiend.
+ Of some effect these tales, and had some force
+ Even with the Duke, who lent an ear so far
+ As to ordain Kuno's descendants all
+ To proof of skill ere their succession to
+ The father's office. Kurt himself hath shot
+ The silver ring out o' the popinjay's beak--
+ A good shot he, you see, who would succeed.
+ Of these enchanted bullets let me speak:
+ There may be such; our Earth has things as strange,
+ Perhaps, and stranger, that we doubt not of,
+ While we behold, not only 'neath the thatch
+ Of Ignorance's hovel, but within
+ The pictured halls of Wisdom's palaces,
+ How Superstition sits an honored guest.
+ A cross-way let it be among the hills;
+ A cross-way in a solitude of pines;
+ And on the lonely cross-way you must draw
+ A blood-red circle with a bloody sword;
+ And round the circle, runic characters,
+ Gaunt and satanic; here a skull, and there
+ A scythe and cross-bones, and an hour-glass here;
+ And in the centre, fed with coffin-wood,
+ Stol'n from the grave of one, a murderer,
+ A smouldering fire. Eleven of the clock
+ The first ball leaves the mold--the sullen lead
+ Mixed with three bullets that have hit their mark,
+ And blood, the wounded Sacramental Host
+ Stolen, and hence unhallowed, oozed, when shot
+ Fixed to a riven pine. Ere twelve o'clock
+ With never a word until that hour sound,
+ Must all the balls be cast; and these must be
+ In number three and sixty; three of which
+ The Fiend's dark agent, demon Sammael,
+ Claims for his master and stamps for his own
+ To hit aside their mark, askew for harm.
+ The other sixty shall not miss their mark.
+ No cry, no word, no whisper, even though
+ Vague, gesturing shapes, that loom like moonlit mists,
+ Their faces human but with animal forms,
+ Rise thick around and threaten to destroy.
+ No cry, no word, no whisper should there come,
+ Weeping, a wandering shadow like the girl
+ You love, or loved, now lost to you, her eyes
+ Hollow with tears; all palely beckoning
+ With beautiful arms, or censuring; her face
+ Sad with a desolate love; who, if you speak
+ Or waver from that circle--hideous change!--
+ Shrinks to a wrinkled hag, whose harpy hands
+ Shall tear you limb from limb with horrible mirth.
+ Nor be deceived if some far midnight bell
+ Strike that anticipated hour; nor leave
+ By one short inch the circle, for, unseen
+ Though now they be, Hell's minions still are there,
+ Watching with flaming eyes to seize your soul.
+ But when the hour of midnight sounds, be sure
+ You have your bullets, neither more nor less;
+ For if through fear one more or less you have,
+ Your soul is forfeit to Hell's majesty.--
+ Then while the hour of midnight strikes, will come
+ A noise of galloping hoofs and outriders,
+ Shouting; six midnight steeds,--their nostrils, pits
+ Of burning blood,--postilioned, roll a stage,
+ Black and with groaning wheels of spinning fire:
+ "Room there!--ho! ho!--who bars the mountain-way?
+ On over him!"--But fear not, nor fare forth;
+ 'T is but the last trick of your bounden slave.
+ And ere the red moon rushes through the clouds
+ And dives again, high the huge leaders leap,
+ Their fore-hoofs fire, and their eye-balls flame,
+ And, spun a spiral spark into the night,
+ Whistling the phantom flies and fades away.
+ Some say there comes no stage; that Hackelnburg,
+ Wild-huntsman of the Harz, comes dark as storm,
+ With rain and wind and demon dogs of Hell,
+ The terror of his hunting-horn, an owl,
+ And the dim deer he hunts, rush on before;
+ The forests crash, and whirlwinds are the leaves,
+ And all the skies a-thunder, as he hurls
+ Straight on the circle, horse and hounds and stag.
+ And at the last, plutonian-cloaked, there comes,
+ Upon a stallion gaunt and lurid black,
+ The minister of Satan, Sammael,
+ Who greets you, and informs you, and assures.
+ Enough! these wives'-tales told, to what I've seen:
+ To Ammendorf I came; and Rudolf here
+ With Kurt and his assembled men, I met.
+ The abundant year,--like some sweet wife,--a-smile
+ At her brown baby, Autumn, in her arms,
+ Stood 'mid the garnered harvests of her fields
+ Dreaming of days that pass like almoners
+ Scattering their alms in minted gold of flowers;
+ Of nights, that forest all the skies with stars,
+ Wherethrough the moon--bare-bosomed huntress--rides,
+ One cloud before her like a flying fawn.
+ Then I proposed the season's hunt; till eve
+ The test of Rudolf's skill postponed, at which
+ He seemed impatient. And 't was then I heard
+ How he an execrable marksman was;
+ And tales that told of near, incredible shots,
+ That missed their mark; or how his flint-lock oft
+ Flashed harmless powder, while the curious deer
+ Stood staring; as in pity of such aim
+ Bidding him try his marksmanship again.
+ Howbeit, he that day acquitted him
+ Of all this gossip; in that day's long hunt
+ Missing no shot, however rashly made
+ Or distant through the intercepting trees.
+ And the piled, various game brought down of all
+ Good marksmen of Kurt's train had not sufficed,
+ Doubled, nay, trebled, there to match his heap.
+ And marvelling the hunters saw, nor knew
+ How to excuse them. My indulgence giv'n,
+ Some told me that but yesterday old Kurt
+ Had made his daughter weep and Rudolf frown,
+ By vowing end to their betrothéd love,
+ Unless that love developed better aim
+ Against the morrow's test; his ancestors'
+ High fame should not be tarnished. So he railed;
+ And bowed his gray head and sat moodily;
+ But looking up, forgave all when he saw
+ Tears in his daughter's eyes and Rudolf gone
+ Out in the night black with approaching storm.
+ Before this inn, yonder and here, they stood,
+ The holiday village come to view the trial:
+ Fair maidens and their comely mothers with
+ Their sweethearts and their husbands. And I marked
+ Kurt and his daughter here; his florid face
+ All jubilant at Rudolf's great success;
+ Hers, radiant with happiness; for this
+ Her marriage eve--so had her father said--
+ Should Rudolf come successful from the hunt.
+ So pleased was I with what I'd seen him do,
+ The trial of skill superfluous seemed, and so
+ Was on the bare brink of announcing, when
+ Out of the western heaven's deepening red,--
+ Like a white message dropped by rosy lips,--
+ A wild dove clove the luminous winds and there,
+ Upon that limb, a peaceful moment sat.
+ Then I, "Thy rifle, Rudolf! pierce its head!"
+ Cried pointing, "and chief-forester art thou!"--
+ Why did he falter with a face as strange
+ As a dark omen? did his soul foresee
+ What was to be with tragic prescience?--
+ What a bad dream it all seems now!--Again
+ I see him aim. Again I hear the cry,
+ "My dove! O Rudolf, do not kill my dove!"
+ And from the crowd, like some sweet dove herself,
+ A fluttering whiteness, came our Ilsabe--
+ Too late! the rifle cracked ... The unhurt dove
+ Rose, beating frightened wings--but Ilsabe!...
+ The sight! the sight!... lay smitten; a red stain,
+ Sullying the pureness of her bridal bodice,
+ Showed where the ball had pierced her through the heart.
+ And Rudolf?--Ah, of him you still would know?--
+ When he beheld this thing that he had done,
+ Why he went mad--I say--but others not.
+ An hour he raved of how her life had paid
+ For the unholy bullets he had used,
+ And how his soul was three times lost and damned.
+ I say that he went mad and fled forthwith
+ Into the haunted Harz.--Some say, to die
+ The prey of demons of the Dummburg ruin.
+ I, one of those less superstitious, say,
+ He in the Bodé--from that blackened rock,--
+ Whereon were found his hunting-cap and gun,--
+ The Devil's Dancing Place, did leap and die.
+
+
+
+
+My Lady of Verne
+
+
+ It all comes back as the end draws near;
+ All comes back like a tale of old!
+ Shall I tell you all? Will you lend an ear?
+ You, with your face so stern and cold;
+ You, who have found me dying here ...
+
+ Lady Leona's villa at Verne--
+ You have walked its terraces, where the fount
+ And statue gleam and the fluted urn;
+ Its world-old elms, that are avenues gaunt
+ Of shadow and flame when the West is a-burn.
+
+ 'T is a lonely region of tarns and trees,
+ And hollow hills that circle the West;
+ Haunted of rooks and the far-off sea's
+ Immemorial vague unrest;
+ A land of sorrowful memories.
+
+ A gray sad land, where the wind has its will,
+ And the sun its way with the fruits and flowers;
+ Where ever the one all night is shrill,
+ And ever the other all day brings hours
+ Of glimmering silence that dead days fill.
+
+ A gray sad land, where her girlhood grew
+ To womanhood proud, that the hill-winds seemed
+ To give their heart, like melody, to;
+ And the stars, their soul, like a dream undreamed--
+ The only glad thing that the sad land knew.
+
+ My Lady, you know, how nobly born!
+ Haughty of form, with a head that rose
+ Like a dream of empire; love and scorn
+ Made haunts of her eyes; and her lips were bows
+ Whence pride imperious flashed flower and thorn.
+
+ And I--oh, I was nobody: one
+ Her worshiper only; who chose to be
+ Silent, seeing that love alone
+ Was his only badge of nobility,
+ Set in his heart's escutcheon.
+
+ How long ago does the springtime look,
+ When we wandered away to the hills! the hills,--
+ Like the land in the tale in the fairy-book,--
+ Covered with gold of the daffodils,
+ And gemmed with the crocus by brae and brook!
+
+ When I gathered a branch from a hawthorn tree,
+ For her hair or bosom, from boughs that hung
+ Odorous of heaven and purity;
+ And she thanked me smiling; then merrily sung,
+ Laughingly sung, while she looked at me:--
+
+ "There dwelt a princess over the sea--
+ Right fair was she, right fair was she--
+ Who loved a squire of low degree,
+ But married a king of Brittany--
+ Ah, woe is me!
+
+ "And it came to pass on the wedding-day--
+ So people say, so people say--
+ That they found her dead in her bridal array,
+ Dead, and her lover beside her lay--
+ Ah, well-away!
+
+ "A sour stave for your sweets," she said,
+ Pressing the blossoms against her lips:
+ Then petal by petal the branch she shred,
+ Snowing the blooms from her finger-tips,
+ Tossing them down for her feet to tread.
+
+ What to her was the look I gave
+ Of love despised! though she seemed to start,
+ Seeing, and said, with a quick hand-wave,
+ "Why, one would think that _that_ was your heart,"
+ While her face with a sudden thought grew grave.
+
+ But I answered nothing. And so to her home
+ We came in the twilight; falling clear,
+ With a few first stars and a moon's curved foam,
+ Over the hush of meadow and mere,
+ Whence the boom of the bittern would often come.
+
+ Would you think that she loved me?--Who can say?--
+ What a riddle unread was she to me!--
+ When I kissed her fingers and turned away
+ I wanted to speak, but--what cared she,
+ Though her eyes looked soft and she begged me stay!
+
+ Though she lingered to watch me--that might be
+ A slim moon-beam or the evening haze,--
+ But never my Lady's drapery
+ Or wistful face!--in the ivy maze....
+ Leona of Verne--why, what cared she!
+
+ So the days went by, and the Summer wore
+ Her hot heart out; and, a mighty slayer,
+ The Autumn harried the land and shore,
+ And the world was red with his wrecks; but grayer
+ That land with the ghosts of the nevermore.
+
+ The sheaves of the Summer had long been bound;
+ The harvests of Autumn had long been past;
+ And the snows of the Winter lay deep around,
+ When the dark news came and I knew at last;
+ And the reigning woe of my heart was crowned.
+
+ So I sought her here, the young Earl's bride;
+ In the ancient room at the oriel dreaming,
+ Pale as the blooms in her hair; and, wide,
+ Her robe's rich satin, flung stormily, gleaming,
+ Like shimmering silver, twilight-dyed.
+
+ I marked as I stole to her side that tears
+ Were vaguely large in her beautiful eyes;
+ That the loops of pearls on her throat, and years
+ Old lace on her bosom were heaved with sighs;
+ So I spoke what I thought--"Then, it appears"--
+
+ And stopped with, it seemed, my soul in my gaze--
+ "That you are not happy, Leona of Verne?
+ There is that at your heart which--well, betrays
+ These mocking mummeries.--Live and learn!--
+ And this is the truth that the poet says:--
+
+ "'I went to my love and I told with my heart,
+ In words of the soul, that are silent in speech,
+ All of my passion, too sacred for art;
+ But she heard me not--for I could not reach
+ Her in that world of which she is part.'--
+
+ "That world, where I saw you as one afar
+ Sees palms and waters, and knows that sands,
+ Pitiless sands, before him are;
+ Yet follows ever with helpless hands
+ Till he sinks at last.--You were my star,
+
+ "My hope, my heaven!--I loved you!... Life
+ Is less than nothing to me!"... She turned,
+ With a wild look, saying--"Now I am his wife
+ You come and tell me!--Indeed you are learn'd
+ In the language of hearts that's unheard!"... A Knife,
+
+ As she ceased and leaned on a cabinet,--
+ A curve of scintillant steel, keen, cold,--
+ Fell icily clashing; some curio met
+ Among Asian antiques, bronze and gold,
+ Mystical, curiously graven and set.
+
+ A Bactrian dagger, whose slightest prick
+ Through its ancient poison was death, I knew;
+ If true that she loved me--then!--And quick
+ To the unspoken thought she replied, "'T is true!
+ I have loved you long, and my soul was sick,
+
+ "Sick for the love that has made me weak,
+ Weak to your will even now!"--And more
+ She said, in my arms, that I shall not speak--
+ And the dagger there on the polished floor
+ Ever her eyes, while she spoke, would seek.
+
+ "'And it came to pass on the wedding-day'"--
+ Then my lips for a moment were crushed to hers--
+ "'That they found her dead in her bridal array,'"
+ She sang; then said, "You finish the verse!
+ Finish the song, for you know the way."
+
+ And I whispered "yes," for my mind had thought
+ Her own thought through--that life were a hell
+ To her as to me,--So the blade I caught
+ With a sudden hand; and she leaned, and--well,
+ What a little wound, and the blood it brought
+
+ To crimson her bosom!--I set her there
+ In that carven chair; then turned the blade,--
+ With its glittering haft one savage glare
+ Of gold and jewels, wildly inlaid,--
+ To my breast, for the poisonous point rent bare.
+
+ A stain of blood on her bosom, and one
+ Black red o'er my heart.--You see, 't is good
+ To die so for love!... Does the sinking sun,
+ Through the dull vast west burst banked with blood?--
+ Or is it that life will at last have done?...
+
+ So you are her husband? and--well, you see,
+ You see she is dead ... But your face, how white!
+ --Is it with hate or with misery?--
+ What matters it now!--For, at last, the night
+ Falls and the silence covers me.
+
+
+
+
+An Old Tale Re-told
+
+
+ From the terrace here, where the hills indent,
+ You can see the uttermost battlement
+ Of the castle there; the Cliffords' home;
+ Where the seasons go and the seasons come
+ And never a footstep else doth fall
+ Save the prowling fox's; the ancient hall
+ Echoes no voice save the owlet's call:
+ Its turret chambers are homes for the bat;
+ And its courts are tangled and wild to see;
+ And where in the cellar was once the rat,
+ The viper and toad move stealthily.
+ Long years have passed since the place was burned,
+ And he sailed to the wars in France and earned
+ The name that he bears of the bold and true
+ On his tomb. Long years, since my lord, Sir Hugh,
+ Lived; and I was his favorite page,
+ And the thing then happened; and he of an age
+ When a man will love and be loved again,
+ Or hie to the wars or a monastery,
+ Or toil till he conquer his heart's sore pain,
+ Or drink and forget it and finally bury.
+
+ I was his page. And often we fared
+ Through the Clare demesnes, in autumn, hawking;
+ If the Baron had known, how they would have glared
+ 'Neath their bushy brows, those eyes of mocking!--
+ That last of the Strongbows, Richard, I mean--
+ And growling some six of his henchmen lean
+ To mount and after this Clifford and hang
+ With his crop-eared page to the nearest oak,
+ How he would have cursed us while he spoke!
+ For Clare and Clifford had ever a fang
+ In the other's side ... And I hear the clang
+ Of his rage in the hall when the hawker told--
+ If he told!--how we met on the autumn wold
+ His daughter, sweet Clara of Clare, the day
+ Her hooded tiercel its brails did burst,
+ And trailing its jesses, came flying our way--
+ An untrained haggard the falconer cursed
+ While he tried to secure:--as the eyas flew
+ Slant, low and heavily over us, Hugh,--
+ Who saw it coming, and had just then cast
+ His peregrine hawk at a heron quarry,--
+ In his saddle rising, so, as it passed,
+ By the jesses caught, and to her did carry,
+ Where she stood near the wood. Her face flushed rose
+ With the glad of the meeting. No two foes
+ Her eyes and my Lord's, I swear, who saw
+ 'Twas love from the start. And I heard him speak
+ Some words; then he knelt; and the sombre shaw,
+ With the rust of the autumn waste and bleak,
+ Grew spring with her smile, as the hawk she took
+ On her lily wrist, where it pruned and shook
+ Its ragged wings. Then I saw him seize
+ The hand, that she reached to him, long and white,
+ As she smilingly bade him rise from his knees--
+
+ When he kissed its fingers, her eyes grew bright.
+ But her cheeks grew pallid when, lashing through
+ The woodland there, with a face a-flare
+ With the sting of the wind, and his gipsy hair
+ Flying, the falconer came, and two
+ Or three of the people of Castle Clare.
+ And the leaves of the autumn made a frame
+ For the picture there in the morning's flame.
+
+ What was said in that moment, I do not know,
+ That moment of meeting, between those lovers;
+ But whatever it was, 't was whispered low,
+ And soft as a leaf that swings and hovers,
+ A twinkling gold, when the leaves are yellow.
+ And her face with the joy was still aglow,
+ When down through the wood that burly fellow
+ Came with his frown, and made a pause
+ In the pulse of their words. My lord, Sir Hugh,
+ Stood with the soil on his knee. No cause
+ Had he, but his hanger he partly drew,
+ Then clapped it sharp in its sheath again,
+ And bowed to my Lady, and strode away;
+ And mounting his horse, with a swinging rein
+ Rode with a song in his heart all day.
+
+ He loved and was loved, I knew; for, look!
+ All other sports for the chase he forsook.
+ And strange that he never went to hawk,
+ Or hunt, but Clara would meet him there
+ In the Strongbow forest! I know the rock,
+ With its fern-filled moss, by the bramble lair,
+ Were oft and again he met--by chance,
+ Shall I say?--the daughter of Clare; as fair
+ Of face as a queen in an old romance,
+ Who waits with her sweet face pale; her hair
+ Night-deep; and eyes dove-gray with dreams;--
+ By the fountain-side where the statue gleams
+ And the moonbeam lolls in the lily white,--
+ For the knightly lover who comes at night.
+
+ Heigho! they ceased, those meetings; I wot,
+ Betrayed to the Baron by some of his crew
+ Of menials who followed and saw and knew.
+ For she loved too well to have once forgot
+ The time and the place of their trysting true.
+ "Why and when?" would ask Sir Hugh
+ In the labored letters he used to lock--
+ The lovers' post--in a coigne of that rock.
+ She used to answer, but now did not.
+ But nearing Yule, love got them again
+ A twilight tryst--through frowardness sure!--
+ They met. And that day was gray with rain,
+ Or snow: and the wind did ever endure
+ A long bleak moaning thorough the wood,
+ That chapped i' the cheek and smarted the blood;
+ And a brook in the forest went throb and throb,
+ And over it all was the wild-beast sob
+ Of the rushing boughs like a thing pursued.
+ And then it was that he learned how she,
+ (God's blood! how it makes my old limbs quiver
+ To think what a miserable tyrant he--
+ The Baron Richard--aye and ever
+ To his daughter was!) forsooth! must wed
+ With an eastern earl, a Lovell: to whom
+ (Would God o' his mercy had struck him dead!)
+ Clara of Clare when only a child,--
+ With a face like a flower, that blooms in the wild
+ Of the hills, and a soul like its soft perfume,--
+ Was given; to seal, or strengthen, some ties
+ Of power and wealth--say bartered, then,
+ Like the merest chattel. With tearful eyes
+ And trembling lips she spoke; and when
+ Her lover, the Clifford, had learned and heard,--
+ He'd have had her flee with him then, 'sdeath!
+ In spite of them all! Let her speak the word,
+ They would fly together; the Baron's men
+ Might follow, and if ... and he touched his sword,
+ It should answer! But she, while she seemed to stay,
+ With a hand on her bosom, her heart's quick breath,
+ Replied to his heat, "They would take and slay
+ Thee who art life of me!--No! not thus
+ Shall we fly! there's another way for us;
+ A way that is sure; an only way;
+ I have thought it out this many a day."--
+ The words that she spoke, how well I remember!
+ As well as the mood o' that day of December,
+ That bullied and blustered and seemed in league,
+ Like a spiteful shrew, with the wind and snow,
+ To drown the words of their sweet intrigue,
+ With the boom of the boughs tossed to and fro.
+ Her last words these, "By curfew sure,
+ On Christmas eve, at the postern door."
+
+ And we were there; with a led horse too;
+ Armed for a journey I hardly knew
+ Whither, but why, you well can guess.
+ For often he whispered a certain name,
+ The talisman of his happiness,
+ That warmed his blood like a yule-log's flame.
+ While we waited there, till its owner came,
+ We saw how the castle's baronial girth,
+ Like a giant's, loosed for reveling more,
+ Shone; and we heard the wassail and mirth
+ Where the mistletoe hung in the hearth's red roar,
+ And the holly brightened the weaponed wall
+ Of ancient oak in the banqueting hall.
+ And the spits, I trow, by the scullions turned
+ O'er the snoring logs, rich steamed and burned,
+ While the whole wild-boar and the deer were roasted,
+ And the half of an ox and the roe-buck haunches;
+ While tuns of ale, that the cellars boasted,
+ And casks of sack, were broached for paunches
+ Of vassals who reveled in stable and hall.
+ The song of the minstrel; the yeomen's quarrel
+ O'er the dice and the drink; and the huntsman's bawl
+ In the baying kennels, its hounds a-snarl
+ O'er the bones of the banquet; now loud, now low,
+ We could hear where we crouched in the drifting snow.
+
+ Was she long? did she come?... By the postern we
+ Like shadows waited. My lord, Sir Hugh,
+ Spoke, pointing a tower, "That casement, see?
+ When a stealthy light in its slit burns blue
+ And signals thrice slowly, thus--'t is she."
+ And close to his breast his gaberdine drew,
+ For the wind it whipped and the snow beat through.
+ Did she come?--We had waited an hour or twain,
+ When the taper flashed in the central pane,
+ And flourished three times and vanished so.
+ And under the arch of the postern's portal,
+ Holding the horses, we stood in the snow,
+ Stiff with the cold. Ah, me! immortal
+ Minutes we waited, breath-bated, and listened
+ Shivering there in the hiss of the gale:
+ The parapets whistled, the angles glistened,
+ And the night around seemed one black wail
+ Of death, whose ominous presence over
+ The stormy battlements seemed to hover.
+ Said my lord, Sir Hugh,--to himself he spoke,--
+ "She feels for the spring in the sliding panel
+ 'Neath the arras, hid in the carven oak.
+ It opens. The stair, like a well's dark channel,
+ Yawns; and the draught makes her taper slope.
+ Wrapped deep in her mantle she stoops, now puts
+ One foot on the stair; now a listening pause
+ As nearer and nearer the mad search draws
+ Of the thwarted castle. No smallest hope
+ That they find her now that the panel shuts!...
+ If the wind, that howls like a tortured thing,
+ Would throttle itself with itself, then I
+ Might hear how her hurrying footsteps ring
+ Down the hollow ... there! 't is her fingers try
+ The postern's bolts that the rust makes cling."--
+ But ever some whim of the storm that shook
+ A clanging ring or a creaking hook
+ In buttress or wall. And we waited, numb
+ With the cold, till dawn--but she did not come.
+
+ I must tell you why and have done: 'T is said,
+ On the brink of the marriage she fled the side
+ Of the guests and the bridegroom there; she fled
+ With a mischievous laugh,--"I'll hide! I'll hide!
+ Seek! and be sure that you find!"--so led
+ A long search after her; but defied
+ All search for--a score and ten long years....
+
+ Well, the laughter of Yule was turned to tears
+ For them and for us. We saw the glare
+ Of torches that hurried from chamber to stair;
+ And we heard the castle re-echo her name,
+ But neither to them nor to us she came.
+ And that was the last of Clara of Clare.
+
+ That winter it was, a month thereafter,
+ That the home of the Cliffords, roof and rafter,
+ Burned.--I could swear 't was the Strongbow's doing,
+ Were I sure that he knew of the Clifford's wooing
+ His daughter; and so, by the Rood and Cross!
+ Had burned Hugh's home to avenge his loss.--
+ So over the channel to France with his King,
+ The Black Prince, sailed to the wars--to deaden
+ The ache of the mystery--Hugh that spring,
+ And fell at Poitiers; for his loss made leaden
+ His heart; and his life was a weary sadness,
+ So he flung it away in a moment's madness.
+ And the Baron died. And the bridegroom?--well,
+ Unlucky was he in truth!--to tell
+ Of him there is nothing. The Baron died,
+ The last of the Strongbows he--gramercy!
+ And the Clare estate with its wealth and pride
+ Devolved to the Bloets, Walter and Percy.
+
+ And years went by. And it happened that they
+ Ransacked the old castle; and so, one day,
+ In a lonesome tower uprummaged a chest,
+ From Flanders; of ebon, and wildly carved
+ All over with things: a sinister crest,
+ And evil faces, distorted and starved;
+ Fast-locked with a spring, which they forced and, lo!
+ When they opened it--Death, like a lady dressed,
+ Grinned up at their terror!--but no, not so!
+ A skeleton, jeweled and laced, and wreathed
+ With flowers of dust; and a miniver
+ Around it clasped, that the ruin sheathed
+ Of a once rich raiment of silk and fur.
+
+ I'd have given my life to hear him tell,
+ The courtly Clifford, how this befell!
+ He'd have known how it was: For, you see, in groping
+ For the secret spring of that panel, hoping
+ And fearing as nearer and nearer drew
+ The search of retainers, why, out she blew
+ The tell-tale taper; and, seeing this chest,
+ Would hide her a minute in it, mayhap,
+ Till the hurry had passed; but the death-lock, pressed
+ By the lid's great weight, closed fast with a snap,
+ Ere her heart was aware of the fiendish trap.
+
+
+
+
+The Water Witch
+
+
+ See! the milk-white doe is wounded.
+ He will follow as it bounds
+ Through the woods. His horn has sounded.
+ Echoing, for his men and hounds.
+ But no answering bugle blew.
+ He has lost his retinue
+ For the shapely deer that bounded
+ Past him when his bow he drew.
+
+ Not one hound or huntsman follows.
+ Through the underbrush and moss
+ Goes the slot; and in the hollows
+ Of the hills, that he must cross,
+ He has lost it. He must fare
+ Over rocks where she-wolves lair;
+ Wood-pools where the wild-boar wallows;
+ So he leaves his good steed there.
+
+ Through his mind then flashed an olden
+ Legend told him by the monks:--
+ Of a girl, whose hair is golden,
+ Haunting fountains and the trunks
+ Of the woodland; who, they say,
+ Is a white doe all the day;
+ But when woods are night-enfolden
+ Turns into an evil fay.
+
+ Then the story oft his teacher
+ Told him; of a mountain lake
+ Demons dwell in; vague of feature,
+ Human-like, but each a snake,
+ She is queen of.--Did he hear
+ Laughter at his startled ear?
+ Or a bird? And now, what creature
+ Is it, or the wind, stirs near?
+
+ Fever of the hunt. This water,
+ Murmuring here, will cool his head.
+ Through the forest, fierce as slaughter,
+ Slants the sunset; ruby red
+ Are the drops that slip between
+ His cupped hands, while on the green,--
+ Like the couch of some wild daughter
+ Of the forest,--he doth lean.
+
+ But the runnel, bubbling, dripping,
+ Seems to bid him to be gone;
+ As with crystal words, and tripping
+ Steps of sparkle luring on.
+ Now a spirit in the rocks
+ Calls him; now a face that mocks,
+ From behind some bowlder slipping,
+ Laughs at him with lilied locks.
+
+ So he follows through the flowers,
+ Blue and gold, that blossom there;
+ Thridding twilight-haunted bowers
+ Where each ripple seems the bare
+ Beauty of white limbs that gleam
+ Rosy through the running stream;
+ Or bright-shaken hair, that showers
+ Starlight in the sunset's beam.
+
+ Till, far in the forest, sleeping
+ Like a luminous darkness, lay
+ A deep water, wherein, leaping,
+ Fell the Fountain of the Fay,
+ With a singing, sighing sound,
+ As of spirit things around,
+ Musically laughing, weeping
+ In the air and underground.
+
+ Not a ripple o'er it merried:
+ Like the round moon 'neath a cloud,
+ In its rocks the lake lay buried:
+ And strange creatures seemed to crowd
+ Its dark depths; vague limbs and eyes
+ To the surface seemed to rise
+ Spawn-like and, as formless, ferried
+ Through the water, shadow-wise.
+
+ Foliage things with human faces,
+ Demon-dreadful, pale and wild
+ As the forms the lightning traces
+ On the clouds the storm has piled,
+ Seeming now to draw to land,
+ Now away--Then up the strand
+ Comes a woman; and she places
+ On his arm a spray-white hand.
+
+ Ah! an untold world of sorrow
+ Were her eyes; her hair, a place
+ Whence the moon its gold might borrow;
+ And a dream of ice her face:
+ 'Round her hair and throat in rims
+ Pearls of foam hung; and through whims
+ Of her robe, as breaks the morrow,
+ Shone the rose-light of her limbs.
+
+ Who could help but look with gladness
+ On such beauty? though within,
+ Deep within the beryl sadness
+ Of those eyes, the serpent sin
+ Coil?--When she hath placed her cheek
+ Chilly upon his, and weak,
+ With love longing and its madness,
+ Is his will grown, then she'll speak:
+
+ "Dost thou love me?"--"If surrender
+ Is to love thee, then I love."--
+ "Hast no fear then?"--"In the splendor
+ Of thy gaze who knows thereof?
+ Yet I fear--I fear to lose
+ Thee, thy love!"--"And thou dost choose
+ Aye to be my heart's defender?"--
+ "Take me. I am thine to use."
+
+ "Follow then. Ah, love, no lowly
+ Home I give thee."--With fixed eyes,
+ To the water's edge she slowly
+ Drew him.... And he did surmise
+ 'Twas her lips on his, until
+ O'er his face the foam closed chill,
+ Whisp'ring, and the lake unholy
+ Rippled, rippled and was still.
+
+
+
+
+At Nineveh
+
+Written for my friend Walter S. Mathews.
+
+
+ There was a princess once, who loved the slave
+ Of an Assyrian king, her father; known
+ At Nineveh as Hadria; o'er whose grave
+ The sands of centuries have long been blown;
+ Yet sooner shall the night forget its stars
+ Than love her story:--How, unto his throne,
+ One day she came, where, with his warriors,
+ The king sat in the hall of audience,
+ 'Mid pillared trophies of barbaric wars,
+ And, kneeling to him, asked, "O father, whence
+ Comes love and why?"--He, smiling on her, said,--
+ "O Hadria, love is of the gods, and hence
+ Divine, is only soul-interpreted.
+ But why love is, ah, child, we do not know,
+ Unless 'tis love that gives us life when dead."--
+ And then his daughter, with a face aglow
+ With all the love that clamored in her blood
+ Its sweet avowal, lifted arms of snow,
+ And, like Aurora's rose, before him stood,
+ Saying,--"Since love is of the powers above,
+ I love a slave, O Asshur! Let the good
+ The gods have giv'n be sanctioned. Speak not of
+ Dishonor and our line's ancestral dead!
+ They are imperial dust. I live and love."--
+ Black as black storm then rose the king and said,--
+ A lightning gesture at her standing there,--
+ "Enough! ho, Rhana, strike me off her head!"
+ And at the mandate, with his limbs half bare
+ A slave strode forth. Majestic was his form
+ As some young god's. He, gathering up her hair,
+ Wound it three times around his sinewy arm.
+ Then drew his sword. It for one moment shone
+ A semicircling light, and, dripping warm,
+ Lifting the head he stood before the throne.
+ Then cried the despot, "By the horn of Bel!
+ This was no child of mine!"--Like chiselled stone
+ Still stood the slave, a son of Israel.
+ Then striding towards the monarch, in his eye
+ The wrath of heaven and the hate of hell,
+ Shrieked, "Lust! I loved her! look on us and die!"
+ Swifter than fire clove him to the brain.
+ Then kissed the dead fair face of her held high,
+ And crying, "Judge, O God, between us twain!"
+ A thousand daggers in his heart, fell slain.
+
+
+
+
+How They Brought Aid to Bryan's Station
+
+During the siege of Bryan's Station, Kentucky, August 16, 1782, Nicholas
+Tomlinson and Thomas Bell, two inhabitants of the Fort, undertook to
+ride through the besieging Indian and Tory lines to Lexington, Ky., for
+aid. It happened also during this siege that the pioneer women of the
+Fort, when the water supply was exhausted, heroically carried water from
+a spring, at a considerable distance outside the palisades of the
+Station, to its inmates, under the very guns of the enemy.
+
+
+ With saddles girt and reins held fast,
+ Our rifles well in front, at last
+ Tom Bell and I were mounted.
+ The gate swung wide. We said, "Good-bye."
+ No time for talk had Bell and I.
+ One said, "God speed!" another, "Fly!"
+ Then out we galloped. Live or die,
+ We felt each moment counted.
+
+ The trace, the buffaloes had worn,
+ Stretched broad before us; and the corn
+ And cane through which it wended,
+ We knew for acres from the gate
+ Hid Indian guile and Tory hate.
+ We rode with hearts that seemed to wait
+ For instant death; and on our fate
+ The Station's fate depended.
+
+ No rifle cracked. No creature stirred,
+ As on towards Lexington we spurred
+ Unflinchingly together.
+ We reached the woods: no savage shout
+ Of all the wild Wyandotte rout
+ And Shawanese had yet rung out:
+ But now and then an Indian scout
+ Showed here a face and feather.
+
+ We rode expecting death each stride
+ From thicket depth or tree-trunk side,
+ Where some red foe might huddle--
+ For well we knew that renegade,
+ The blood-stained Girty, had not stayed
+ His fiends from us, who rode for aid,--
+ The dastard he who had betrayed
+ The pioneers of Ruddle.
+
+ And when an arrow grazed my hair
+ I did not turn, I did not spare
+ To spur as men spur warward:
+ A war-whoop rang this side a rock:
+ Then painted faces swarmed, to block
+ Our way, with brandished tomahawk
+ And rifle: then a shout, a shock--
+ And we again rode forward.
+
+ They followed; but 'twas no great while
+ Before from them by some long mile
+ Of forest we were sundered.
+ We galloped on. I'd lost my gun;
+ And Bell, whose girth had come undone,
+ Rode saddleless. The summer sun
+ Was up when into Lexington
+ Side unto side we thundered.
+
+ Too late. For Todd had left that day
+ With many men. Decoyed away
+ To Hoy's by some false story.
+ And we must after. Bryan's needs
+ Said, "On!" although our gallant steeds
+ Were blown--Enough! we must do deeds!
+ Must follow where our duty leads,
+ Be it to death or glory.
+
+ The way was wild and often barred
+ By trees and rocks; and it was hard
+ To keep our hearts from sinking;
+ But thoughts of those we'd left behind
+ Gave strength to muscle and to mind
+ To help us onward through the blind
+ Deep woods. And often we would find
+ Ourselves of loved ones thinking.
+
+ The hot stockade. No water left.
+ The fierce attack. All hope bereft
+ The powder-grimed defender.
+ The war-cry and the groan of pain.
+ All day the slanting arrow-rain
+ Of fire from the corn and cane.
+ The stern defence, but all in vain.
+ And then at last--surrender.
+
+ But not for Bryan's!--no! too well
+ Must they remember what befell
+ At Ruddle's and take warning.
+ So thought we as, all dust and sweat,
+ We rode with faces forward set,
+ And came to Station Boone while yet
+ An hour from noon ... We had not let
+ Our horses rest since morning.
+
+ Here Ellis met us with his men.
+ They did not stop nor tarry then.
+ That little band of lions;
+ But setting out at once with aid,
+ Right well you know how unafraid
+ They charged the Indian ambuscade,
+ And through a storm of bullets made
+ Their entrance into Bryan's.
+
+ And that is all I have to tell.
+ No more the Huron's hideous yell
+ Sounds to assault and slaughter.--
+ Perhaps to us some praise is due;
+ But we are men, accustomed to
+ Such dangers, which we often woo.
+ Much more is due our women who
+ Brought to the Station--water.
+
+
+
+
+On the Jellico Spur of the Cumberlands
+
+TO J. FOX, JR.
+
+
+ You remember how the mist,
+ When we climbed to Devil's Den,
+ Pearly in the mountain glen,
+ And above us, amethyst,
+ Throbbed or circled? then away,
+ Through the wildwoods opposite,
+ Torn and scattered, morning-lit,
+ Vanished into dewy gray?--
+ Vague as in romance we saw,
+ From the fog, one riven trunk,
+ Talon-like with branches shrunk,
+ Thrust a monster dragon claw.
+ And we climbed for hours through
+ The dawn-dripping Jellicoes,
+ To a wooded rock that shows
+ Undulating leagues of blue
+ Summits; mountain-chains that lie
+ Dark with forests; bar on bar,
+ Ranging their irregular
+ Purple peaks beneath a sky
+ Soft as slumber. Range on range
+ Billow their enormous spines,
+ Where the rocks and priestly pines
+ Sit eternal, without change.
+ We were sons of Nature then:
+ She had taken us to her,
+ Signalized by brier and burr,
+ Something more to her than men:
+ Pupils of her lofty moods,
+ From her bloom-anointed looks,
+ Wisdom of no man-made books
+ Learned we in those solitudes:
+ How the seed supplied the flower;
+ How the sapling held the oak;
+ How within the vine awoke
+ The wild impulse still to tower;
+ How in fantasy or mirth,
+ Springing from her footsteps there,
+ Curious fungi everywhere
+ Bulged, exuded from the earth;
+ Coral vegetable things,
+ That the underworld exhaled,
+ Bulbous, crystal-ribbed and scaled,
+ Many colored and in rings,
+ Like the Indian-Pipe that grew
+ Pink and white in loamy cracks,
+ Flowers of a natural wax,
+ She had turned her fancy to.--
+ On that laureled precipice,
+ Where the chestnuts dropped their burrs,
+ Sweet with balsam of the firs,
+ First we felt her mother kiss
+ Full of heaven and the wind;
+ While the forests, wood on wood,
+ Murmured like a multitude
+ Giving praise where none hath sinned.--
+ Freedom met us there; we saw
+ Freedom giving audience;
+ In her face the eloquence,
+ Lightning-like, of love and law:
+ Round her, with majestic hips,
+ Lay the giant mountains; there
+ Near her, cataracts tossed their hair,
+ God and thunder on their lips.--
+ Oft an eagle, or a hawk,
+ Or a scavenger, we knew
+ Winged through altitudes of blue,
+ By its shadow on the rock.
+ Or a cloud of templed white
+ Moved, a lazy berg of pearl,
+ Through the sky's pacific swirl,
+ Shot with cool cerulean light.
+ So we dreamed an hour upon
+ That warm rock the lichens mossed,
+ While around us foliage tossed
+ Coins, gold-minted of the sun:
+ Then arose; and a ravine,
+ Which a torrent once had worn,
+ Made our roadway to the corn,
+ In the valley, deep and green;
+ And the farm house with its bees,
+ Where old-fashioned flowers spun
+ Gay rag-carpets in the sun,
+ Hid among the apple trees.
+ Here we watched the twilight fall;
+ O'er Wolf-Mountain sunset made
+ A huge rhododendron rayed
+ Round the sun's cloud-centered ball.
+ Then through scents of herb and soil,
+ To the mining-camp we turned,
+ In the twinkling dusk discerned
+ With its white-washed homes of toil.
+ Ah, those nights!--We wandered forth
+ On some haunted mountain path,
+ When the moon was late, and rathe
+ The large stars, sowed south and north,
+ Splashed with gold the purple skies;
+ And the milky zodiac,
+ Rolled athwart the belted black,
+ Seemed a path to Paradise.
+ And we walked or lingered till,
+ In the valley-land beneath,
+ Like the vapor of a breath
+ Breathed in frost, arose the still
+ Architecture of the mist:
+ And the moon-dawn's necromance
+ Touched the mist and made it glance
+ Like a town of amethyst.
+ Then around us, sharp and brusque,
+ Night's shrill insects strident strung
+ Instruments that buzzed and sung
+ Pixy music of the dusk.
+ And we seemed to hear soft sighs,
+ And hushed steps of ghostly things,
+ Fluttered feet or rustled wings,
+ Moved before us. Fire-flies,
+ Gleaming in the tangled glade,
+ Seemed the eyes of warriors
+ Stealing under watching stars
+ To some midnight ambuscade;
+ To the Indian village there,
+ Wigwamed with the mist, that slept
+ By the woodland side, whence crept
+ Shadowy Shawnees of the air.
+ When the moon rose, like a cup
+ Lay the valley, brimmed with wine
+ Of mesmeric shade and shine,
+ To the moon's pale face held up.
+ As she rose from out the mines
+ Of the eastern darkness, night
+ Met her, clad in dewy light
+ 'Mid Pine Mountain's sachem pines.
+ As from clouds in pearly parts
+ Her serene circumference grew,
+ Home we turned. And all night through
+ Dreamed the dreams of happy hearts.
+
+
+
+
+A Confession
+
+
+ These are the facts:--I was to blame:
+ I brought her here and wrought her shame:
+ She came with me all trustingly.
+ Lovely and innocent her face:
+ And in her perfect form, the grace
+ Of purity and modesty.
+
+ I think I loved her then: 'would dote
+ On her ambrosial breast and throat,
+ Young as a blossom's tenderness:
+ Her eyes, that were both glad and sad:
+ Her cheeks and chin, that dimples had:
+ Her mouth, red-ripe to kiss and kiss.
+
+ Three months passed by; three moons of fire;
+ When in me sickened all desire:
+ And in its place a devil,--who
+ Filled all my soul with deep disgust,
+ And on the victim of my lust
+ Turned eyes of loathing,--swiftly grew.
+
+ One night, when by my side she slept,
+ I rose: and leaning, while I kept
+ The dagger hid, I kissed her hair
+ And throat: and, when she smiled asleep,
+ Into her heart I drove it deep:
+ And left her dead, still smiling there.
+
+
+
+
+Lilith
+
+
+ Yea, there are some who always seek
+ The love that lasts an hour;
+ And some who in love's language speak,
+ Yet never know his power.
+
+ Of such was I, who knew not what
+ Sweet mysteries may rise
+ Within the heart when 't is its lot
+ To love and realize.
+
+ Of such was I, ah me! till, lo,
+ Your face on mine did gleam,
+ And changed that world, I used to know,
+ Into an evil dream.
+
+ That world wherein, on hill and plain,
+ Great blood-red poppies bloomed,
+ Their hot hearts thirsty for the rain,
+ And sleepily perfumed.
+
+ Above, below, on every part
+ A crimson shadow lay,
+ As if the red sun streamed athwart
+ And sunset was alway.
+
+ I know not how, I know not when,
+ I only know that there
+ She met me in the haunted glen,
+ A poppy in her hair.
+
+ Her face seemed fair as Mary's is,
+ That knows no sin or wrong;
+ Her presence filled the silences
+ As music fills a song.
+
+ And she was clad like the Mother of God,
+ As 't were for Christ's sweet sake,
+ But when she moved and where she trod
+ A hiss went of a snake.
+
+ Though seeming sinless, till I die
+ I shall not know for sure
+ Why to my soul she seemed a lie
+ And otherwise than pure.
+
+ Nor why I kissed her soon and late
+ And for her felt desire,
+ While loathing of her passion ate
+ Into my soul like fire.
+
+ Was it because my soul could tell
+ That, like the poppy-flower,
+ She had no soul? a thing of Hell,
+ That o'er it had no power.
+
+ Or was it that your love at last
+ My soul so long had craved,
+ From the sweet sin that held me fast
+ At that last moment saved?
+
+
+
+
+Content
+
+
+ When I behold how some pursue
+ Fame, that is care's embodiment,
+ Or fortune, whose false face looks true,--
+ A humble home with sweet content
+ Is all I ask for me and you.
+
+ A humble home, where pigeons coo,
+ Whose path leads under breezy lines
+ Of frosty-berried cedars to
+ A gate, one mass of trumpet-vines,
+ Is all I ask for me and you.
+
+ A garden, which, all summer through,
+ The roses old make redolent,
+ And morning-glories, gay of hue,
+ And tansy, with its homely scent,
+ Is all I ask for me and you.
+
+ An orchard, that the pippins strew,
+ From whose bruised gold the juices spring;
+ A vineyard, where the grapes hang blue,
+ Wine-big and ripe for vintaging,
+ Is all I ask for me and you.
+
+ A lane, that leads to some far view
+ Of forest and of fallow-land,
+ Bloomed o'er with rose and meadow-rue,
+ Each with a bee in its hot hand,
+ Is all I ask for me and you.
+
+ At morn, a pathway deep with dew,
+ And birds to vary time and tune;
+ At eve, a sunset avenue,
+ And whippoorwills that haunt the moon,
+ Is all I ask for me and you.
+
+ Dear heart, with wants so small and few,
+ And faith, that's better far than gold,
+ A lowly friend, a child or two,
+ To care for us when we are old,
+ Is all I ask for me and you.
+
+
+
+
+Berrying
+
+
+ I.
+
+ My love went berrying
+ Where brooks were merrying
+ And wild wings ferrying
+ Heaven's amethyst;
+ The wildflowers blessed her,
+ My dearest Hester,
+ The winds caressed her,
+ The sunbeams kissed.
+
+
+ II.
+
+ I followed, carrying
+ Her basket; varying
+ Fond hopes of marrying
+ With hopes denied;
+ Both late and early
+ She deemed me surly,
+ And bowed her curly
+ Fair head and sighed:
+
+
+ III.
+
+ "The skies look lowery;
+ It will he showery;
+ No longer flowery
+ The way I find.
+ No use in going.
+ 'T will soon be snowing
+ If you keep growing
+ Much more unkind."
+
+
+ IV.
+
+ Then looked up tearfully.
+ And I, all fearfully,
+ Replied, "My dear, fully
+ Will I explain:
+ I love you dearly,
+ But look not cheerly
+ Since all says clearly
+ I love in vain."
+
+
+ V.
+
+ Then smiled she airily;
+ And answered merrily
+ With words that--verily
+ Made me decide:
+ And drawing tow'rd her,
+ I there implored her--
+ I who adored her--
+ To be my bride.
+
+
+ VI.
+
+ O sweet simplicity
+ Of young rusticity,
+ Without duplicity,
+ Whom love made know,
+ That hearts in meter
+ Make earth completer;
+ And kisses, sweeter
+ Than--berries grow.
+
+
+
+
+To a Pansy-Violet
+
+Found Solitary Among the Hills.
+
+
+ I.
+
+ O pansy-violet,
+ With early April wet,
+ How frail and pure you look
+ Lost in this glow-worm nook
+ Of heaven-holding hills:
+ Down which the hurrying rills
+ Fling scrolls of melodies:
+ O'er which the birds and bees
+ Weave gossamers of song,
+ Invisible, but strong:
+ Sweet music webs they spin
+ To snare the spirit in.
+
+
+ II.
+
+ O pansy-violet,
+ Unto your face I set
+ My lips, and--do you speak?
+ Or is it but some freak
+ Of fancy, love imparts
+ Through you unto the heart's
+ Desire? whispering low
+ A secret none may know,
+ But such as sit and dream
+ By forest-side and stream.
+
+
+ III.
+
+ O pansy-violet,
+ O darling floweret,
+ Hued like the timid gem
+ That stars the diadem
+ Of Fay or Sylvan Sprite,
+ Who, in the woods, all night
+ Is busy with the blooms,
+ Young leaves and wild perfumes,
+ Through you I seem t' have seen
+ All that such dreams may mean.
+
+
+ IV.
+
+ O pansy-violet,
+ Long, long ago we met--
+ 'T was in a Fairy-tale:
+ Two children in a vale
+ Sat underneath glad stars,
+ Far from the world of wars;
+ Each loved the other well:
+ Her eyes were like the spell
+ Of dusk and dawning skies--
+ The purple dark that dyes
+ The midnight: his were blue
+ As heaven the day shines through.
+
+
+ V.
+
+ O pansy-violet,
+ What is this vague regret,
+ This yearning, so like tears,
+ That touches through the years
+ Long past, when Myth and Fable
+ In all strange things were able
+ To beautify the Earth,
+ Things of immortal worth?--
+ This longing, that to me
+ Is like a memory
+ Lived long ago, of those
+ Fair children who, it knows,
+ Loved with no mortal love;
+ Whom smiling heaven above
+ Fostered, and when they died
+ Laid side by loving side.
+
+
+ VI.
+
+ O pansy-violet,
+ I dream, remembering yet
+ A wood-god-guarded tomb,
+ Out of whose moss a bloom
+ Sprang, with three petals wan
+ As are the eyes of dawn;
+ And two as darkly deep
+ As are the eyes of sleep.--
+ O flower,--that seems to hold
+ Some memory of old,
+ A hope, a happiness,
+ At which I can but guess,--
+ You are a sign to me
+ Of immortality:
+ Through you my spirit sees
+ The deathless purposes
+ Of death, that still evolves
+ The beauty it resolves;
+ The change that aye fulfills
+ Life's meaning as God wills.
+
+
+
+
+Heart of my Heart
+
+
+ Here where the season turns the land to gold,
+ Among the fields our feet have known of old,--
+ When we were children who would laugh and run,
+ Glad little playmates of the wind and sun,--
+ Before came toil and care and years went ill,
+ And one forgot and one remembered still,
+ Heart of my heart, among the old fields here,
+ Give me your hands and let me draw you near.
+ Heart of my heart.
+
+ Stars are not truer than your soul is true--
+ What need I more of heaven then than you?
+ Flowers are not sweeter than your face is sweet--
+ What need I more to make my world complete?
+ O woman nature, love that still endures,
+ What strength hath ours that is not born of yours?
+ Heart of my heart, to you, whatever come,
+ To you the lead, whose love hath led me home.
+ Heart of my heart.
+
+
+
+
+Witnesses
+
+
+ I.
+
+ You say I do not love you!--Tell me why,
+ When I have gazed a little on your face,
+ And then gone forth into the world of men,
+ A beauty, neither of the Earth or Sky,
+ A glamour, that transforms each common place,
+ Attends my spirit then?
+
+
+ II.
+
+ You say I do not love you!--Yet I know
+ When I have heard you speak and dwelt upon
+ Your words awhile, my heart has gone away
+ Filled with strange music, very soft and low,
+ A dim companion, touching with sweet tone
+ The discords of the day.
+
+
+ III.
+
+ You say I do not love you!--Yet it seems,
+ When I have kissed your hand and said farewell,
+ A fragrance, sweeter than did flower yet bloom,
+ Accompanies my soul and fills, with dreams,
+ The sad and sordid streets, where people dwell,
+ Dreams of spring's wild perfume.
+
+
+
+
+Wherefore
+
+
+ I would not see, yet must behold
+ The truth they preach in church and hall;
+ And question so,--Is death then all,
+ And life an idle tale that's told?
+
+ The myriad wonders art hath wrought
+ I deemed eternal as God's love:
+ No more than shadows these shall prove,
+ And insubstantial as a thought.
+
+ And love and labor, who have gone,
+ Hand in close hand, and civilized
+ The wilderness, these shall be prized
+ No more than if they had not done.
+
+ Then wherefore strive? Why strain and bend
+ Beneath a burden so unjust?
+ Our works are builded out of dust,
+ And dust their universal end.
+
+
+
+
+Pagan
+
+
+ The gods, who could loose and bind
+ In the long ago,
+ The gods, who were stern and kind
+ To men below,
+ Where shall we seek and find,
+ Or, finding, know?
+
+ Where Greece, with king on king,
+ Dreamed in her halls;
+ Where Rome kneeled worshiping,
+ The owl now calls,
+ And whispering ivies cling
+ To mouldering walls.
+
+ They have served, and have passed away
+ From the earth and sky,
+ And their Creed is a record gray,
+ Where the passer-by
+ Reads, "Live and be glad to-day,
+ For to-morrow ye die."
+
+ And shall it be so, indeed,
+ When we are no more,
+ That nations to be shall read,--
+ As we have before,--
+ In the dust of a Christian Creed,
+ But pagan lore?
+
+
+
+
+"The Fathers of our Fathers"
+
+Written February 24, 1898, on reading the latest news concerning the
+battleship Maine, blown up in Havana harbor, February 15th.
+
+
+ I.
+
+ The fathers of our fathers they were men!--
+ What are we who now stand idle while we see our seamen slain?
+ Who behold our flag dishonored, and still pause!
+ Are we blind to her duplicity, the treachery of Spain?
+ To the rights, she scorns, of nations and their laws?
+ Let us rise, a mighty people, let us wipe away the stain!
+ Must we wait till she insult us for a cause?--
+ The fathers of our fathers they were men!
+
+
+ II.
+
+ The fathers of our fathers they were men!--
+ Had they nursed delay as we do? had they sat thus deaf and dumb,
+ With these cowards compromising year by year?
+ Never hearing what they should hear, never saying what should come,
+ While the courteous mask of Spain still hid a sneer!
+ No! such news had roused their natures like a rolling battle-drum--
+ God of earth! and God of heaven! do we fear?--
+ The fathers of our fathers they were men!
+
+
+ III.
+
+ The fathers of our fathers they were men!--
+ What are we who are so cautious, never venturing too far!
+ Shall we, at the cost of honor, still keep peace?
+ While we see the thousands starving and the struggling Cuban star,
+ And the outraged form of Freedom on her knees!
+ Let our long, steel ocean-bloodhounds, adamantine dogs of war,
+ Sweep the yellow Spanish panther from the seas!--
+ The fathers of our fathers they were men!
+
+
+
+
+"Mene, Mene, Tekel, Upharsin"
+
+
+ I.
+
+ Behold! we have gathered together our battleships near and afar;
+ Their decks they are cleared for action, their guns they are shotted
+ for war:
+ From the East to the West there is hurry, in the North and the South
+ a peal
+ Of hammers in fort and shipyard, and the clamor and clang of steel;
+ And the roar and the rush of engines, and clanking of derrick and
+ crane--
+ Thou art weighed in the Scales and found wanting, the balance of God,
+ O Spain!
+
+
+ II.
+
+ Behold! I have stood on the mountains, and this was writ in the
+ sky:--
+ "She is weighed in the Scales and found wanting, the balance God
+ holds on high!"
+ The balance He once weighed Babylon, the Mother of Harlots, in:
+ One scale holds thy pride and thy power and empire, begotten of sin;
+ Heavy with woe and torture, the crimes of a thousand years,
+ Mortared and welded together with fire and blood and tears;
+ In the other, for justice and mercy, a blade with never a stain,
+ Is laid the Sword of Liberty, and the balance dips, O Spain!
+
+
+ III.
+
+ Summon thy vessels together! great is thy need for these!--
+ Cristobal Colon, Vizcaya, Oquendo, and Maria Terese--
+ Let them be strong and many, for a vision I had by night,
+ That the ancient wrongs thou hast done the world came howling to the
+ fight;
+ From the New-World shores they gathered, Inca and Aztec slain,
+ To the Cuban shot but yesterday, and our own dead seamen, Spain!
+
+
+ IV.
+
+ Summon thy ships together, gather a mighty fleet!
+ For a strong young Nation is arming, that never hath known defeat.
+ Summon thy ships together, there on thy blood-stained sands!
+ For a shadowy army gathers with manacled feet and hands,
+ A shadowy host of sorrows and shames, too black to tell,
+ That reach, with their horrible wounds, for thee to drag thee down to
+ Hell;
+ A myriad phantoms and spectres, thou warrest against in vain--
+ Thou art weighed in the Scales and found wanting, the balance of God,
+ O Spain!
+
+
+
+
+Her Vivien Eyes
+
+
+ Her Vivien eyes,--beware! beware!--
+ Though they be stars, a deadly snare
+ They set beneath her night of hair.
+ Regard them not! lest, drawing near--
+ As sages once in old Chaldee--
+ Thou shouldst become a worshiper,
+ And they thy evil destiny.
+
+ Her Vivien eyes,--away! away!--
+ Though they be springs, remorseless they
+ Gleam underneath her brow's bright day.
+ Turn, turn aside, whate'er the cost!
+ Lest in their deeps thou lures behold,
+ Through which thy captive soul were lost,
+ As was young Hylas once of old.
+
+ Her Vivien eyes,--take heed! take heed!--
+ Though they be bibles, none may read
+ Therein of God or Holy Creed.
+ Look, look away! lest thou be cursed,--
+ As Merlin was, romances tell,--
+ And in their sorcerous spells immersed,
+ Hoping for Heaven thou chance on Hell.
+
+
+
+
+There Was a Rose
+
+
+ There was a rose in Eden once: it grows
+ On Earth now, sweeter for its rare perfume:
+ And Paradise is poorer by one bloom,
+ And Earth is richer. In this blossom glows
+ More loveliness than old seraglios
+ Or courts of kings did ever yet illume:
+ More purity, than ever yet had room
+ In soul of nun or saint.--O human rose,--
+ Who art initial and sweet period of
+ My heart's divinest sentence, where I read
+ Love, first and last, and in the pauses love;
+ Who art the dear ideal of each deed
+ My life aspires by to some high goal,--
+ Set in the haunted garden of my soul!
+
+
+
+
+The Artist
+
+
+ In story books, when I was very young,
+ I knew you first, one of the Fairy Race;
+ And then it was your picture took its place,
+ Framed in with love's deep gold, and draped and hung
+ High in my heart's red room: no song was sung,
+ No tale of passion told, I did not grace
+ With your associated form and face,
+ And intimated charm of touch and tongue.
+ As years went on you grew to more and more,
+ Until each thing, symbolic to my heart
+ Of beauty,--such as honor, truth, and fame,--
+ Within the studio of my soul's thought wore
+ Your lineaments, whom I, with all my art,
+ Strove to embody and to give a name.
+
+
+
+
+Poetry and Philosophy
+
+
+ Out of the past the dim leaves spoke to me
+ The thoughts of Pindar with a voice so sweet
+ Hyblćan bees seemed swarming my retreat
+ Around the reedy well of Poesy.
+ I closed the book. Then, knee to neighbor knee,
+ Sat with the soul of Plato, to repeat
+ Doctrines, till mine seemed some Socratic seat
+ High on the summit of Philosophy.
+ Around the wave of one Religion taught
+ Her first rude children. From the stars that burned
+ Above the mountained other, Science learned
+ The first vague lessons of the work she wrought.
+ Daughters of God, in whom we still behold
+ The Age of Iron and the Age of Gold.
+
+
+
+
+"Quo Vadis"
+
+
+ It is as if imperial trumpets broke
+ Again the silence on War's iron height;
+ And Cćsar's armored legions marched to fight,
+ While Rome, blood-red upon her mountain-yoke,
+ Blazed like an awful sunset. At a stroke,
+ Again I see the living torches light
+ The horrible revels, and the bloated, white,
+ Bayed brow of Nero smiling through the smoke:
+ And here and there a little band of slaves
+ Among dark ruins; and the form of Paul,
+ Bearded and gaunt, expounding still the Word:
+ And towards the North the tottering architraves
+ Of empire; and, wild-waving over all,
+ The flaming figure of a Gothic sword.
+
+
+
+
+To a Critic
+
+
+ Song hath a catalogue of lovely things
+ Thy kind hath oft defiled,--whose spite misleads
+ The world too often!--where the poet reads,
+ As in a fable, of old envyings,
+ Crows, such as thou, which hush the bird that sings,
+ Or kill it with their cawings; thorns and weeds,
+ Such as thyself, 'midst which the wind sows seeds
+ Of flow'rs, these crush before one blossom swings.
+ But here and there the wisdom of a School
+ Unknown to these hath often written down
+ "Fame" in white ink the future hath turned brown;
+ When every beauty, heaped with ridicule,
+ In their ignoble prose, proved their renown,
+ Making each famous--as an ass or fool.
+
+
+
+
+_AFTERWORD._
+
+
+ _The old enthusiasms
+ Are dead, quite dead, in me;
+ Dead the aspiring spasms
+ Of art and poesy,
+ That opened magic chasms,
+ Once, of wild mystery,
+ In youth's rich Araby.
+ That opened magic chasms._
+
+ _The longing and the care
+ Are mine; and, helplessly,
+ The heartache and despair
+ For what can never be.
+ More than my mortal share
+ Of sad mortality,
+ It seems, God gives to me,
+ More than my mortal share._
+
+ _O world! O time! O fate!
+ Remorseless trinity!
+ Let not your wheel abate
+ Its iron rotary!--
+ Turn round! nor make me wait,
+ Bound to it neck and knee,
+ Hope's final agony!--
+ Turn round! nor make me wait._
+
+ * * * * *
+
+
+Transcriber's note
+
+
+The following changes have been made to the text:
+
+Page 25: "beach" changed to "beech".
+
+Page 46: "marrige" changed to "marriage".
+
+Page 53: "slighest" changed to "slightest".
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Idyllic Monologues, by Madison J. Cawein
+
+*** END OF THIS PROJECT GUTENBERG EBOOK IDYLLIC MONOLOGUES ***
+
+***** This file should be named 31896-8.txt or 31896-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/1/8/9/31896/
+
+Produced by David Garcia, Carla Foust and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/31896-8.zip b/31896-8.zip
new file mode 100644
index 0000000..53d03bd
--- /dev/null
+++ b/31896-8.zip
Binary files differ
diff --git a/31896-h.zip b/31896-h.zip
new file mode 100644
index 0000000..1efb13a
--- /dev/null
+++ b/31896-h.zip
Binary files differ
diff --git a/31896-h/31896-h.htm b/31896-h/31896-h.htm
new file mode 100644
index 0000000..9aec49b
--- /dev/null
+++ b/31896-h/31896-h.htm
@@ -0,0 +1,3949 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Idyllic Monologues, by Madison Cawein.
+ </title>
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+}
+
+.fm2 {font-size: 125%;
+ text-align: center;
+ font-weight: bold;
+}
+
+.fm3 {font-size: 100%;
+ text-align: center;
+ font-weight: bold;
+}
+
+.fm4 {font-size: 90%;
+ text-align: center;
+ font-weight: bold;
+}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+}
+
+table {margin: auto; text-align: center; width: 35em;}
+td.tdl {text-align: left; padding-right: .5em;}
+td.tdr {text-align: right; padding-left: .5em;}
+td.page {font-size: 90%;}
+
+.pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+} /* page numbers */
+
+
+.center {text-align: center;}
+
+.smcap {font-variant: small-caps;}
+
+
+.transnote { background-color: #ADD8E6; color: inherit; margin: 2em 10% 1em 10%; font-size: 80%; padding: 0.5em 1em 0.5em 1em;}
+.transnote p { text-align: left;}
+
+ins.correction {
+ text-decoration:none; /* replace default underline.. */
+ border-bottom: thin dotted red; /* ..with thin dotted red */
+}
+
+/* Poetry */
+.poem {
+ margin-left:20%;
+ margin-right:10%;
+ text-align: left;
+}
+
+.poem2 {
+ margin-left:15%;
+ margin-right:10%;
+ text-align: left;
+}
+
+.poem br {display: none;}
+
+.poem .stanza {margin: 1em 0em 1em 0em;}
+
+.poem span.i0 {
+ display: block;
+ margin-left: 0em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i2 {
+ display: block;
+ margin-left: 2em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+ .poem span.i1 {display: block; margin-left: 1em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i20 {display: block; margin-left: 20em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i3 {display: block; margin-left: 3em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i9 {display: block; margin-left: 9em; padding-left: 3em; text-indent: -3em;}
+
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Idyllic Monologues, by Madison J. Cawein
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Idyllic Monologues
+ Old and New World Verses
+
+Author: Madison J. Cawein
+
+Release Date: April 6, 2010 [EBook #31896]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK IDYLLIC MONOLOGUES ***
+
+
+
+
+Produced by David Garcia, Carla Foust and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+
+
+
+
+</pre>
+
+
+<hr style="width: 65%;" />
+<div class="transnote">
+<h3>Transcriber's note</h3>
+<p>Minor punctuation errors have been changed without notice. Printer
+errors have been changed and are indicated with
+a <a class="correction" title="like this" href="#tnotes">mouse-hover</a>
+and listed at the
+<a href="#tnotes">end of this book</a>.
+</p>
+</div>
+
+<hr style="width: 65%;" />
+<h1>IDYLLIC MONOLOGUES</h1>
+
+<p class="fm2">Poems by Madison Cawein</p>
+
+
+<p class="fm3">OLD AND NEW WORLD VERSES</p>
+
+<p class="fm4">BY THE AUTHOR OF</p>
+
+<p class="fm3">"Undertones" "Garden of Dreams"</p>
+
+<p><br /></p>
+
+<p class="fm3"><span class="smcap">John P. Morton and Company</span></p>
+
+<p class="fm3">Publishers&mdash;Louisville, Kentucky</p>
+
+<hr style="width: 65%;" />
+<p class="fm4">Copyrighted 1898<br />
+BY MADISON CAWEIN</p>
+
+<hr style="width: 65%;" />
+<p class="fm4">TO<br />
+MY FRIEND:<br />
+R. E. LEE GIBSON</p>
+
+
+
+<hr style="width: 65%;" />
+<p>This collection of poems is entirely new with the exception of three or
+four which appeared in two earlier volumes, published some ten years
+ago. The reprinted poems have been carefully re-written, and so changed
+throughout as to hardly bear any resemblance, except that of subject, to
+the original.</p>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="CONTENTS" id="CONTENTS"></a>CONTENTS</h2>
+
+<table summary="CONTENTS">
+<tr>
+<td class="tdl">&nbsp;</td>
+<td class="tdr">PAGE</td>
+</tr>
+<tr>
+<td class="tdl">The Brothers</td>
+<td class="tdr"><a href="#Page_1">1</a></td>
+</tr>
+<tr>
+<td class="tdl">Geraldine</td>
+<td class="tdr"><a href="#Page_15">15</a></td>
+</tr>
+<tr>
+<td class="tdl">The Moated Manse</td>
+<td class="tdr"><a href="#Page_20">20</a></td>
+</tr>
+<tr>
+<td class="tdl">The Forester</td>
+<td class="tdr"><a href="#Page_35">35</a></td>
+</tr>
+<tr>
+<td class="tdl">My Lady of Verne</td>
+<td class="tdr"><a href="#Page_48">48</a></td>
+</tr>
+<tr>
+<td class="tdl">An Old Tale Re-told</td>
+<td class="tdr"><a href="#Page_55">55</a></td>
+</tr>
+<tr>
+<td class="tdl">The Water Witch</td>
+<td class="tdr"><a href="#Page_65">65</a></td>
+</tr>
+<tr>
+<td class="tdl">At Nineveh</td>
+<td class="tdr"><a href="#Page_70">70</a></td>
+</tr>
+<tr>
+<td class="tdl">How They Brought Aid to Bryan's Station</td>
+<td class="tdr"><a href="#Page_72">72</a></td>
+</tr>
+<tr>
+<td class="tdl">On the Jellico Spur of the Cumberlands</td>
+<td class="tdr"><a href="#Page_77">77</a></td>
+</tr>
+<tr>
+<td class="tdl">A Confession</td>
+<td class="tdr"><a href="#Page_83">83</a></td>
+</tr>
+<tr>
+<td class="tdl">Lilith</td>
+<td class="tdr"><a href="#Page_84">84</a></td>
+</tr>
+<tr>
+<td class="tdl">Content</td>
+<td class="tdr"><a href="#Page_86">86</a></td>
+</tr>
+<tr>
+<td class="tdl">Berrying</td>
+<td class="tdr"><a href="#Page_88">88</a></td>
+</tr>
+<tr>
+<td class="tdl">To a Pansy-Violet</td>
+<td class="tdr"><a href="#Page_90">90</a></td>
+</tr>
+<tr>
+<td class="tdl">Heart of my Heart</td>
+<td class="tdr"><a href="#Page_93">93</a></td>
+</tr>
+<tr>
+<td class="tdl">Witnesses</td>
+<td class="tdr"><a href="#Page_94">94</a></td>
+</tr>
+<tr>
+<td class="tdl">Wherefore</td>
+<td class="tdr"><a href="#Page_95">95</a></td>
+</tr>
+<tr>
+<td class="tdl">Pagan</td>
+<td class="tdr"><a href="#Page_96">96</a></td>
+</tr>
+<tr>
+<td class="tdl">"The Fathers of our Fathers"</td>
+<td class="tdr"><a href="#Page_97">97</a></td>
+</tr>
+<tr>
+<td class="tdl">"Mene, Mene, Tekel, Upharsin"</td>
+<td class="tdr"><a href="#Page_99">99</a></td>
+</tr>
+<tr>
+<td class="tdl">Her Vivien Eyes</td>
+<td class="tdr"><a href="#Page_101">101</a></td>
+</tr>
+<tr>
+<td class="tdl">There was a Rose</td>
+<td class="tdr"><a href="#Page_102">102</a></td>
+</tr>
+<tr>
+<td class="tdl">The Artist</td>
+<td class="tdr"><a href="#Page_103">103</a></td>
+</tr>
+<tr>
+<td class="tdl">Poetry and Philosophy</td>
+<td class="tdr"><a href="#Page_103">103</a></td>
+</tr>
+<tr>
+<td class="tdl">"Quo Vadis"</td>
+<td class="tdr"><a href="#Page_104">104</a></td>
+</tr>
+<tr>
+<td class="tdl">To a Critic</td>
+<td class="tdr"><a href="#Page_105">105</a></td>
+</tr>
+</table>
+
+
+<hr style="width: 65%;" />
+<h2><a name="FOREWORD" id="FOREWORD"></a>FOREWORD.</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0"><i>And one, perchance, will read and sigh:</i><br /></span>
+<span class="i0"><i>"What aimless songs! Why will he sing</i><br /></span>
+<span class="i0"><i>Of nature that drags out her woe</i><br /></span>
+<span class="i0"><i>Through wind and rain, and sun, and snow,</i><br /></span>
+<span class="i0"><i>From miserable spring to spring?"</i><br /></span>
+<span class="i3"><i>Then put me by.</i><br /></span>
+</div><div class="stanza">
+<span class="i0"><i>And one, perhaps, will read and say:</i><br /></span>
+<span class="i0"><i>"Why write of things across the sea;</i><br /></span>
+<span class="i0"><i>Of men and women, far and near,</i><br /></span>
+<span class="i0"><i>When we of things at home would hear&mdash;</i><br /></span>
+<span class="i0"><i>Well, who would call this poetry?"</i><br /></span>
+<span class="i3"><i>Then toss away.</i><br /></span>
+</div><div class="stanza">
+<span class="i0"><i>A hopeless task have we, meseems,</i><br /></span>
+<span class="i0"><i>At this late day; whom fate hath made</i><br /></span>
+<span class="i0"><i>Sad, bankrupt heirs of song; who, filled</i><br /></span>
+<span class="i0"><i>With kindred yearnings, try to build</i><br /></span>
+<span class="i0"><i>A tower like theirs, that will not fade,</i><br /></span>
+<span class="i3"><i>Out of our dreams.</i><br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p class="center">Only One Hundred and Fifty Copies Printed for Private Distribution.<br />
+A Few Copies For Sale.</p>
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_1" id="Page_1">[1]</a></span></p>
+<h2><a name="IDYLLIC_MONOLOGUES" id="IDYLLIC_MONOLOGUES"></a>IDYLLIC MONOLOGUES</h2>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="The_Brothers" id="The_Brothers"></a>The Brothers</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Not far from here, it lies beyond<br /></span>
+<span class="i0">That low-hilled belt of woods. We'll take<br /></span>
+<span class="i0">This unused lane where brambles make<br /></span>
+<span class="i0">A wall of twilight, and the blond<br /></span>
+<span class="i0">Brier-roses pelt the path and flake<br /></span>
+<span class="i0">The margin waters of a pond.<br /></span>
+</div><div class="stanza">
+<span class="i0">This is its fence&mdash;or that which was<br /></span>
+<span class="i0">Its fence once&mdash;now, rock rolled from rock,<br /></span>
+<span class="i0">One tangle of the vine and dock,<br /></span>
+<span class="i0">Where bloom the wild petunias;<br /></span>
+<span class="i0">And this its gate, the iron-weeds block,<br /></span>
+<span class="i0">Hot with the insects' dusty buzz.<br /></span>
+</div><div class="stanza">
+<span class="i0">Two wooden posts, wherefrom has peeled<br /></span>
+<span class="i0">The weather-crumbled paint, still rise;<br /></span>
+<span class="i0">Gaunt things&mdash;that groan when someone tries<br /></span>
+<span class="i0">The gate whose hinges, rust-congealed,<br /></span>
+<span class="i0">Snarl open:&mdash;on each post still lies<br /></span>
+<span class="i0">Its carven lion with a shield.<br /></span>
+<span class="pagenum"><a name="Page_2" id="Page_2">[2]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">We enter; and between great rows<br /></span>
+<span class="i0">Of locusts winds a grass-grown road;<br /></span>
+<span class="i0">And at its glimmering end,&mdash;o'erflowed<br /></span>
+<span class="i0">With quiet light,&mdash;the white front shows<br /></span>
+<span class="i0">Of an old mansion, grand and broad,<br /></span>
+<span class="i0">With grave Colonial porticoes.<br /></span>
+</div><div class="stanza">
+<span class="i0">Grown thick around it, dark and deep,<br /></span>
+<span class="i0">The locust trees make one vast hush;<br /></span>
+<span class="i0">Their brawny branches crowd and crush<br /></span>
+<span class="i0">Its very casements, and o'ersweep<br /></span>
+<span class="i0">Its rotting roofs; their tranquil rush<br /></span>
+<span class="i0">Haunts all its spacious rooms with sleep.<br /></span>
+</div><div class="stanza">
+<span class="i0">Still is it called The Locusts; though<br /></span>
+<span class="i0">None lives here now. A tale's to tell<br /></span>
+<span class="i0">Of some dark thing that here befell;<br /></span>
+<span class="i0">A crime that happened years ago,<br /></span>
+<span class="i0">When by its walls, with shot and shell,<br /></span>
+<span class="i0">The war swept on and left it so.<br /></span>
+</div><div class="stanza">
+<span class="i0">For one black night, within it, shame<br /></span>
+<span class="i0">Made revel, while, all here about,<br /></span>
+<span class="i0">With prayer or curse or battle-shout,<br /></span>
+<span class="i0">Men died and homesteads leapt in flame:<br /></span>
+<span class="i0">Then passed the conquering Northern rout,<br /></span>
+<span class="i0">And left it silent and the same.<br /></span>
+<span class="pagenum"><a name="Page_3" id="Page_3">[3]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">Why should I speak of what has been?<br /></span>
+<span class="i0">Or what dark part I played in all?<br /></span>
+<span class="i0">Why ruin sits in porch and hall<br /></span>
+<span class="i0">Where pride and gladness once were seen;<br /></span>
+<span class="i0">And why beneath this lichened wall<br /></span>
+<span class="i0">The grave of Margaret is green.<br /></span>
+</div><div class="stanza">
+<span class="i0">Heart-broken Margaret! whose fate<br /></span>
+<span class="i0">Was sadder yet than his who won<br /></span>
+<span class="i0">Her hand&mdash;my brother Hamilton&mdash;<br /></span>
+<span class="i0">Or mine, who learned to know too late;<br /></span>
+<span class="i0">Who learned to know, when all was done,<br /></span>
+<span class="i0">And nothing could exonerate.<br /></span>
+</div><div class="stanza">
+<span class="i0">To expiate is still my lot,&mdash;<br /></span>
+<span class="i0">And, like the Ancient Mariner,<br /></span>
+<span class="i0">To show to others how things are<br /></span>
+<span class="i0">And what I am, still helps me blot<br /></span>
+<span class="i0">A little from that crime's red scar,<br /></span>
+<span class="i0">That on my soul is branded hot.<br /></span>
+</div><div class="stanza">
+<span class="i0">He was my only brother. She<br /></span>
+<span class="i0">A sister of my brother's friend.<br /></span>
+<span class="i0">They met, and married in the end.<br /></span>
+<span class="i0">And I remember well when he<br /></span>
+<span class="i0">Brought her rejoicing home, the trend<br /></span>
+<span class="i0">Of war moved towards us sullenly.<br /></span>
+<span class="pagenum"><a name="Page_4" id="Page_4">[4]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">And scarce a year of wedlock when<br /></span>
+<span class="i0">Its red arms took him from his bride.<br /></span>
+<span class="i0">With lips by hers thrice sanctified<br /></span>
+<span class="i0">He left to ride with Morgan's men.<br /></span>
+<span class="i0">And I&mdash;I never could decide&mdash;<br /></span>
+<span class="i0">Remained at home. It happened then.<br /></span>
+</div><div class="stanza">
+<span class="i0">For days went by. And, oft delayed,<br /></span>
+<span class="i0">A letter came of loving word<br /></span>
+<span class="i0">Scrawled by some camp-fire, sabre-stirred,<br /></span>
+<span class="i0">Or by a pine-knot's fitful aid,<br /></span>
+<span class="i0">When in the saddle, armed and spurred<br /></span>
+<span class="i0">And booted for some hurried raid.<br /></span>
+</div><div class="stanza">
+<span class="i0">Then weeks went by. I do not know<br /></span>
+<span class="i0">How long it was before there came,<br /></span>
+<span class="i0">Blown from the North, the clarion fame<br /></span>
+<span class="i0">Of Morgan, who, with blow on blow,<br /></span>
+<span class="i0">Had drawn a line of blood and flame<br /></span>
+<span class="i0">From Tennessee to Ohio.<br /></span>
+</div><div class="stanza">
+<span class="i0">Then letters ceased; and days went on.<br /></span>
+<span class="i0">No word from him. The war rolled back,<br /></span>
+<span class="i0">And in its turgid crimson track<br /></span>
+<span class="i0">A rumor grew, like some wild dawn,<br /></span>
+<span class="i0">All ominous and red and black,<br /></span>
+<span class="i0">With news of our lost Hamilton,<br /></span>
+<span class="pagenum"><a name="Page_5" id="Page_5">[5]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">That hinted death or capture. Yet<br /></span>
+<span class="i0">No thing was sure; till one day,&mdash;fed<br /></span>
+<span class="i0">By us,&mdash;some men rode up who said<br /></span>
+<span class="i0">They'd been with Morgan and had met<br /></span>
+<span class="i0">Disaster, and that he was dead,<br /></span>
+<span class="i0">My brother.&mdash;I and Margaret<br /></span>
+</div><div class="stanza">
+<span class="i0">Believed them. Grief was ours too:<br /></span>
+<span class="i0">But mine was more for her than him;<br /></span>
+<span class="i0">Grief, that her eyes with tears were dim;<br /></span>
+<span class="i0">Grief, that became the avenue<br /></span>
+<span class="i0">For love, who crowned the sombre brim<br /></span>
+<span class="i0">Of death's dark cup with rose-red hue.<br /></span>
+</div><div class="stanza">
+<span class="i0">In sympathy,&mdash;unconsciously<br /></span>
+<span class="i0">Though it be given&mdash;I hold, doth dwell<br /></span>
+<span class="i0">The germ of love that time shall swell<br /></span>
+<span class="i0">To blossom. Sooner then in me&mdash;<br /></span>
+<span class="i0">When close relations so befell&mdash;<br /></span>
+<span class="i0">That love should spring from sympathy.<br /></span>
+</div><div class="stanza">
+<span class="i0">Our similar tastes and mutual bents<br /></span>
+<span class="i0">Combined to make us intimates<br /></span>
+<span class="i0">From our first meeting. Different states<br /></span>
+<span class="i0">Of interest then our temperaments<br /></span>
+<span class="i0">Begot. Then friendship, that abates<br /></span>
+<span class="i0">No love, whose self it represents.<br /></span>
+<span class="pagenum"><a name="Page_6" id="Page_6">[6]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">These led to talks and dreams: how oft<br /></span>
+<span class="i0">We sat at some wide window while<br /></span>
+<span class="i0">The sun sank o'er the hills' far file,<br /></span>
+<span class="i0">Serene; and of the cloud aloft<br /></span>
+<span class="i0">Made one vast rose; and mile on mile<br /></span>
+<span class="i0">Of firmament grew sad and soft.<br /></span>
+</div><div class="stanza">
+<span class="i0">And all in harmony with these<br /></span>
+<span class="i0">Dim clemencies of dusk, afar<br /></span>
+<span class="i0">Our talks and dreams went; while the star<br /></span>
+<span class="i0">Of evening brightened o'er the trees:<br /></span>
+<span class="i0">We spoke of home; the end of war:<br /></span>
+<span class="i0">We dreamed of life and love and peace.<br /></span>
+</div><div class="stanza">
+<span class="i0">How on our walks in listening lanes<br /></span>
+<span class="i0">Or confidences of the wood,<br /></span>
+<span class="i0">We paused to hear the dove that cooed;<br /></span>
+<span class="i0">Or gathered wild-flowers, taking pains<br /></span>
+<span class="i0">To find the fairest; or her hood<br /></span>
+<span class="i0">Filled with wild fruit that left deep stains.<br /></span>
+</div><div class="stanza">
+<span class="i0">No echo of the drum or fife,<br /></span>
+<span class="i0">No hint of conflict entered in<br /></span>
+<span class="i0">Our thoughts then. Will you call it sin&mdash;<br /></span>
+<span class="i0">Indifference to a nation's strife?<br /></span>
+<span class="i0">What side might lose, what side might win,<br /></span>
+<span class="i0">Both immaterial to our life.<br /></span>
+<span class="pagenum"><a name="Page_7" id="Page_7">[7]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">Into the past we did not look;<br /></span>
+<span class="i0">Beyond what was we did not dream;<br /></span>
+<span class="i0">While onward rushed the thunderous stream<br /></span>
+<span class="i0">Of war, that, in its torrent, took<br /></span>
+<span class="i0">One of our own. No crimson gleam<br /></span>
+<span class="i0">Of its wild course around us shook.<br /></span>
+</div><div class="stanza">
+<span class="i0">At last we knew. And when we learned<br /></span>
+<span class="i0">How he had fallen, Margaret<br /></span>
+<span class="i0">Wept; and, albeit my eyes were wet,<br /></span>
+<span class="i0">Within my soul I half discerned<br /></span>
+<span class="i0">A joy that mingled with regret,<br /></span>
+<span class="i0">A grief that to relief was turned.<br /></span>
+</div><div class="stanza">
+<span class="i0">As time went on and confidence<br /></span>
+<span class="i0">Drew us more strongly each to each,<br /></span>
+<span class="i0">Why did no intimation reach<br /></span>
+<span class="i0">Its warning hand into the dense<br /></span>
+<span class="i0">Soul-silence, and confuse the speech<br /></span>
+<span class="i0">Of love's unbroken eloquence!<br /></span>
+</div><div class="stanza">
+<span class="i0">But, no! no hint to turn the poise,<br /></span>
+<span class="i0">Or check the impulse of our youth;<br /></span>
+<span class="i0">To chill it with the living truth<br /></span>
+<span class="i0">As with the awe of God's own voice;<br /></span>
+<span class="i0">No hint, to make our hope uncouth;<br /></span>
+<span class="i0">No word, to warn us from our choice.<br /></span>
+<span class="pagenum"><a name="Page_8" id="Page_8">[8]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">To me a wall seemed overthrown<br /></span>
+<span class="i0">That social law had raised between;<br /></span>
+<span class="i0">And o'er its ruin, broad and green<br /></span>
+<span class="i0">A path went, I possessed alone;<br /></span>
+<span class="i0">The sky above seemed all serene;<br /></span>
+<span class="i0">The land around seemed all my own.<br /></span>
+</div><div class="stanza">
+<span class="i0">What shall I say of Margaret<br /></span>
+<span class="i0">To justify her part in this?<br /></span>
+<span class="i0">That her young heart was never his?<br /></span>
+<span class="i0">But had been mine since first we met?<br /></span>
+<span class="i0">So would you say!&mdash;Enough it is<br /></span>
+<span class="i0">That when he left she loved him yet.<br /></span>
+</div><div class="stanza">
+<span class="i0">So passed the Spring, and Summer sped;<br /></span>
+<span class="i0">And early Autumn brought the day<br /></span>
+<span class="i0">When she her hand in mine should lay,<br /></span>
+<span class="i0">And I should take her hand and wed.<br /></span>
+<span class="i0">And still no hint that might gainsay,<br /></span>
+<span class="i0">No warning word of quick or dead.<br /></span>
+</div><div class="stanza">
+<span class="i0">The day arrived; and, with it born,<br /></span>
+<span class="i0">A battle, sullying the East<br /></span>
+<span class="i0">With boom of cannon, that increased,<br /></span>
+<span class="i0">And throb of musket and of horn:<br /></span>
+<span class="i0">Until at last, towards dusk, it ceased;<br /></span>
+<span class="i0">And men with faces wild and worn,<br /></span>
+<span class="pagenum"><a name="Page_9" id="Page_9">[9]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">In fierce retreat swept past; now groups;<br /></span>
+<span class="i0">Now one by one; now sternly white,<br /></span>
+<span class="i0">Or blood-stained; now with looks whose fright<br /></span>
+<span class="i0">Said all was lost. Then sullen troops<br /></span>
+<span class="i0">That, beaten, still kept up the fight.<br /></span>
+<span class="i0">Then came the victors; shadowy loops<br /></span>
+</div><div class="stanza">
+<span class="i0">Of men and horse, that left a crowd<br /></span>
+<span class="i0">Of officers in hall and porch....<br /></span>
+<span class="i0">While through the land around the torch<br /></span>
+<span class="i0">Circled, and many a fiery cloud<br /></span>
+<span class="i0">Marked out the army's iron march<br /></span>
+<span class="i0">In furrows red, that pillage plowed,<br /></span>
+</div><div class="stanza">
+<span class="i0">Here we were wedded.&mdash;Ask the years<br /></span>
+<span class="i0">How such could be, while over us<br /></span>
+<span class="i0">A sword of wrath swung ominous,<br /></span>
+<span class="i0">And on our cheeks its breath was fierce!<br /></span>
+<span class="i0">All I remember is&mdash;'twas thus,<br /></span>
+<span class="i0">And Margaret's eyes were wet with tears.<br /></span>
+</div><div class="stanza">
+<span class="i0">No other cause my memory sees<br /></span>
+<span class="i0">Save this, <i>that night was set</i>; and when<br /></span>
+<span class="i0">I found my home filled with armed men<br /></span>
+<span class="i0">With whom were all my sympathies<br /></span>
+<span class="i0">Of Union&mdash;why postpone it then?<br /></span>
+<span class="i0">So argued conscience into peace.<br /></span>
+<span class="pagenum"><a name="Page_10" id="Page_10">[10]</a></span></div></div>
+<div class="poem"><div class="stanza">
+</div><div class="stanza">
+<span class="i0">And then it was, when night had passed<br /></span>
+<span class="i0">There came to me an orderly<br /></span>
+<span class="i0">With word of a confederate spy<br /></span>
+<span class="i0">Late taken, who, with head downcast,<br /></span>
+<span class="i0">Had asked one favor, this: "That I<br /></span>
+<span class="i0">Would see him ere he breathed his last."<br /></span>
+</div><div class="stanza">
+<span class="i0">I stand alone here. Heavily<br /></span>
+<span class="i0">My thoughts go back. Had I not gone,<br /></span>
+<span class="i0">The dead had still been dead!&mdash;for none<br /></span>
+<span class="i0">Had yet believed his story&mdash;he,<br /></span>
+<span class="i0">My dead-deemed brother, Hamilton,<br /></span>
+<span class="i0">Who in the spy confronted me.<br /></span>
+</div><div class="stanza">
+<span class="i0">O you who never have been tried,<br /></span>
+<span class="i0">How can you judge me!&mdash;in my place<br /></span>
+<span class="i0">I saw him standing&mdash;who can trace<br /></span>
+<span class="i0">My heart thoughts then!&mdash;I turned aside,<br /></span>
+<span class="i0">A thing of some unnatural race,<br /></span>
+<span class="i0">And did not speak; and so he died.<br /></span>
+</div><div class="stanza">
+<span class="i0">In hospital or prison, when<br /></span>
+<span class="i0">It was he lay; what had forbid<br /></span>
+<span class="i0">His home return so long: amid<br /></span>
+<span class="i0">What hardships he had suffered, then<br /></span>
+<span class="i0">I dared not ask; and when I did,<br /></span>
+<span class="i0">Long afterwards, inquire of men,<br /></span>
+<span class="pagenum"><a name="Page_11" id="Page_11">[11]</a></span></div></div>
+<div class="poem"><div class="stanza">
+</div><div class="stanza">
+<span class="i0">No thing I learned. But this I feel&mdash;<br /></span>
+<span class="i0">He who had so returned to life<br /></span>
+<span class="i0">Was not a spy. Through stress and strife,&mdash;<br /></span>
+<span class="i0">This makes my conscience hard to heal!&mdash;<br /></span>
+<span class="i0">He had escaped; he sought his wife;<br /></span>
+<span class="i0">He sought his home that should conceal.<br /></span>
+</div><div class="stanza">
+<span class="i0">And Margaret! Oh, pity her!<br /></span>
+<span class="i0">A criminal I sought her side,<br /></span>
+<span class="i0">Still thinking love was justified<br /></span>
+<span class="i0">In all for her&mdash;whatever were<br /></span>
+<span class="i0">The price, a brother thrice denied,<br /></span>
+<span class="i0">Or thrice a brother's murderer.<br /></span>
+</div><div class="stanza">
+<span class="i0">Since then long years have passed away.<br /></span>
+<span class="i0">And through those years, perhaps, you'll ask<br /></span>
+<span class="i0">How to the world I wore my mask<br /></span>
+<span class="i0">Of honesty?&mdash;I can but say<br /></span>
+<span class="i0">Beyond my powers it was a task;<br /></span>
+<span class="i0">Before my time it turned me gray.<br /></span>
+</div><div class="stanza">
+<span class="i0">And when at last the ceaseless hiss<br /></span>
+<span class="i0">Of conscience drove, and I betrayed<br /></span>
+<span class="i0">All to her, she knelt down and prayed,<br /></span>
+<span class="i0">Then rose; and 'twixt us an abyss<br /></span>
+<span class="i0">Was opened; and she seemed to fade<br /></span>
+<span class="i0">Out of my life: I came to miss<br /></span>
+<span class="pagenum"><a name="Page_12" id="Page_12">[12]</a></span></div></div>
+<div class="poem"><div class="stanza">
+</div><div class="stanza">
+<span class="i0">The sweet attentions of a bride:<br /></span>
+<span class="i0">For each appealing heart's caress<br /></span>
+<span class="i0">In me, her heart assumed a dress<br /></span>
+<span class="i0">Of dull indifference; till denied<br /></span>
+<span class="i0">To me was all responsiveness;<br /></span>
+<span class="i0">And then I knew her love had died.<br /></span>
+</div><div class="stanza">
+<span class="i0">Ah, had she loaded me, perchance,<br /></span>
+<span class="i0">With wild reproach or even hate,<br /></span>
+<span class="i0">Such would have helped a hope to wait<br /></span>
+<span class="i0">Forgiveness and returned romance;<br /></span>
+<span class="i0">But 'twixt our souls, instead, a gate<br /></span>
+<span class="i0">She closed of silent tolerance.<br /></span>
+</div><div class="stanza">
+<span class="i0">Yet, 't was for love of her I lent<br /></span>
+<span class="i0">My soul to crime ... I question me<br /></span>
+<span class="i0">Often, if less entirely<br /></span>
+<span class="i0">I'd loved her, then, in that event,<br /></span>
+<span class="i0">She had been justified to see<br /></span>
+<span class="i0">The deed alone stand prominent.<br /></span>
+</div><div class="stanza">
+<span class="i0">The deed alone! But love records<br /></span>
+<span class="i0">In his own heart, I will aver,<br /></span>
+<span class="i0">No depth I did not feel for her<br /></span>
+<span class="i0">Beyond the plummet-reach of words:<br /></span>
+<span class="i0">And though there may be worthier,<br /></span>
+<span class="i0">No truer love this world affords<br /></span>
+<span class="pagenum"><a name="Page_13" id="Page_13">[13]</a></span></div></div>
+<div class="poem"><div class="stanza">
+</div><div class="stanza">
+<span class="i0">Than mine was, though it could not rise<br /></span>
+<span class="i0">Above itself. And so 't was best,<br /></span>
+<span class="i0">Perhaps, that she saw manifest<br /></span>
+<span class="i0">Its crime, that I, as saw her eyes,<br /></span>
+<span class="i0">Might see; and so, in soul confessed,<br /></span>
+<span class="i0">Some life atonement might devise.<br /></span>
+</div><div class="stanza">
+<span class="i0">Sadly my heart one comfort keeps,<br /></span>
+<span class="i0">That, towards the end, she took my hands<br /></span>
+<span class="i0">And said, as one who understands,<br /></span>
+<span class="i0">"Had I but seen! But love that weeps,<br /></span>
+<span class="i0">Sees only as its loss commands,"<br /></span>
+<span class="i0">And sighed. Beneath this stone she sleeps.<br /></span>
+</div><div class="stanza">
+<span class="i0">Yes; I have suffered for that sin;<br /></span>
+<span class="i0">Yet in no instance would I shun<br /></span>
+<span class="i0">What I should suffer. Many a one,<br /></span>
+<span class="i0">Who heard my tale, has tried to win<br /></span>
+<span class="i0">Me to believe that Hamilton<br /></span>
+<span class="i0">It was not; and, though proven kin,<br /></span>
+</div><div class="stanza">
+<span class="i0">This had not saved him. Still the stain<br /></span>
+<span class="i0">Of the intention&mdash;had I erred<br /></span>
+<span class="i0">And 't was not he&mdash;had writ the word<br /></span>
+<span class="i0">Red on my soul that branded Cain;<br /></span>
+<span class="i0">For still my error had incurred<br /></span>
+<span class="i0">The fact of guilt that would remain.<br /></span>
+<span class="pagenum"><a name="Page_14" id="Page_14">[14]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">Ah, love at best is insecure,<br /></span>
+<span class="i0">And lives with doubt and vain regret;<br /></span>
+<span class="i0">And hope and faith, with faces set<br /></span>
+<span class="i0">Upon the past, are never sure;<br /></span>
+<span class="i0">And through their fever, grief, and fret<br /></span>
+<span class="i0">The heart may fail that should endure.<br /></span>
+</div><div class="stanza">
+<span class="i0">For in ourselves, however blend<br /></span>
+<span class="i0">The passions that make heaven and hell,<br /></span>
+<span class="i0">Is evil not accountable<br /></span>
+<span class="i0">For most the good we comprehend?<br /></span>
+<span class="i0">And through these two, or ill, or well,<br /></span>
+<span class="i0">Man must evolve his spiritual end.<br /></span>
+</div><div class="stanza">
+<span class="i0">It is with deeds that we must ask<br /></span>
+<span class="i0">Forgiveness; for upon this earth,<br /></span>
+<span class="i0">Life walks alone from very birth<br /></span>
+<span class="i0">With death, hope tells us is a mask<br /></span>
+<span class="i0">For life beyond of vaster worth,<br /></span>
+<span class="i0">Where sin no more sets love a task.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_15" id="Page_15">[15]</a></span></p>
+<h2><a name="Geraldine" id="Geraldine"></a>Geraldine</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Ah, Geraldine, lost Geraldine,<br /></span>
+<span class="i0">That night of love, when first we met,<br /></span>
+<span class="i0">You have forgotten, Geraldine&mdash;<br /></span>
+<span class="i0">I never dreamed you would forget.<br /></span>
+</div><div class="stanza">
+<span class="i0">Ah, Geraldine, sweet Geraldine,<br /></span>
+<span class="i0">More lovely than that Asian queen,<br /></span>
+<span class="i0">Scheherazade, the beautiful,<br /></span>
+<span class="i0">Who in her orient palace cool<br /></span>
+<span class="i0">Of India, for a thousand nights<br /></span>
+<span class="i0">And one, beside her monarch lay,<br /></span>
+<span class="i0">Telling&mdash;while sandal-scented lights<br /></span>
+<span class="i0">And music stole the soul away&mdash;<br /></span>
+<span class="i0">Love tales of old Arabia,<br /></span>
+<span class="i0">Full of enchantments and emprise&mdash;<br /></span>
+<span class="i0">But no enchantments like your eyes.<br /></span>
+</div><div class="stanza">
+<span class="i0">Ah, Geraldine, loved Geraldine,<br /></span>
+<span class="i0">More lovely than those maids, I ween,<br /></span>
+<span class="i0">Pampinea and Lauretta, who,<br /></span>
+<span class="i0">In gardens old of dusk and dew,<br /></span>
+<span class="i0">Sat with their lovers, maid and man,<br /></span>
+<span class="i0">In stately days Italian,<br /></span>
+<span class="i0">And in quaint stories, that we know<br /></span>
+<span class="i0">Through grace of good Boccaccio,<br /></span>
+<span class="i0">Told of fond loves, some false, some true,&mdash;<br /></span>
+<span class="i0">But, Geraldine, none false as you.<br /></span>
+</div></div>
+
+<div class="poem"><div class="stanza"><span class="pagenum"><a name="Page_16" id="Page_16">[16]</a></span>
+<span class="i0">Ah, Geraldine, lost Geraldine,<br /></span>
+<span class="i0">That night of love, when first we met,<br /></span>
+<span class="i0">You have forgotten, Geraldine&mdash;<br /></span>
+<span class="i0">I never dreamed you would forget.<br /></span>
+</div><div class="stanza">
+<span class="i0">'T was summer, and the moon swam high,<br /></span>
+<span class="i0">A great pale pearl within the sky:<br /></span>
+<span class="i0">And down that purple night of love<br /></span>
+<span class="i0">The stars, concurrent spark on spark,<br /></span>
+<span class="i0">Seemed fiery moths that swarmed above:<br /></span>
+<span class="i0">And through the roses, o'er the park,<br /></span>
+<span class="i0">Star-like the fire-flies filled the dark:<br /></span>
+<span class="i0">A mocking-bird in some deep tree,<br /></span>
+<span class="i0">Drowsy with dreams and melody,<br /></span>
+<span class="i0">Like a magnolia bud, that, dim,<br /></span>
+<span class="i0">Opens and pours its soul in musk,<br /></span>
+<span class="i0">Gave to the moonlight and the dusk<br /></span>
+<span class="i0">Its heart's pure song, its evening hymn.<br /></span>
+<span class="i0">Oh, night of love! when in the dance<br /></span>
+<span class="i0">Your heart thrilled rapture into mine,<br /></span>
+<span class="i0">As in a state of necromance<br /></span>
+<span class="i0">A mortal hears a voice divine.<br /></span>
+<span class="i0">Oh, night of love! when from your glance<br /></span>
+<span class="i0">I drank sweet death as men drink wine.<br /></span>
+</div><div class="stanza">
+<span class="i0">You wearied of the waltz at last.<br /></span>
+<span class="i0">I led you out into the night.<br /></span>
+<span class="i0">Warm in my hand I held yours fast.<br /></span>
+</div></div>
+
+<div class="poem"><div class="stanza"><span class="pagenum"><a name="Page_17" id="Page_17">[17]</a></span>
+<span class="i0">Your face was flushed; your eyes were bright.<br /></span>
+<span class="i0">The moon hung like a shell of light<br /></span>
+<span class="i0">Above the lake, above the trees:<br /></span>
+<span class="i0">And borne to us with fragrances<br /></span>
+<span class="i0">Of roses that were ripe to fall,<br /></span>
+<span class="i0">The soul of music from the hall<br /></span>
+<span class="i0">Beat in the moonlight and the breeze,<br /></span>
+<span class="i0">As youth's wild heart grown weary of<br /></span>
+<span class="i0">Desire and its dream of love.<br /></span>
+</div><div class="stanza">
+<span class="i0">I held your arm and, for awhile,<br /></span>
+<span class="i0">We walked along the balmy aisle<br /></span>
+<span class="i0">Of flowers that, like velvet, dips<br /></span>
+<span class="i0">Unto the lake which lilies tile<br /></span>
+<span class="i0">Like stars; and hyacinths, like strips<br /></span>
+<span class="i0">Of heaven: and beside a fall,<br /></span>
+<span class="i0">That, down a ferned and mossy wall,<br /></span>
+<span class="i0">Fell in the lake,&mdash;deep, woodbine-wound,<br /></span>
+<span class="i0">A latticed summer-house we found;<br /></span>
+<span class="i0">A green kiosk,&mdash;through which the sound<br /></span>
+<span class="i0">Of waters and of breezes swayed,<br /></span>
+<span class="i0">And honeysuckle bugles played<br /></span>
+<span class="i0">Soft serenades of perfume sweet,&mdash;<br /></span>
+<span class="i0">Around which ran a rustic seat.<br /></span>
+<span class="i0">And seated in that haunted nook,&mdash;<br /></span>
+<span class="i0">I know not how it was,&mdash;a word,<br /></span>
+<span class="i0">A touch, perhaps, a sigh, a look,<br /></span>
+<span class="i0">Was father to the kiss I took;<br /></span>
+</div></div>
+
+<div class="poem"><div class="stanza"><span class="pagenum"><a name="Page_18" id="Page_18">[18]</a></span>
+<span class="i0">Great things grow out of small I've heard.<br /></span>
+<span class="i0">And then it was I took between<br /></span>
+<span class="i0">My hands your face, loved Geraldine,<br /></span>
+<span class="i0">And gazed into your eyes, and told<br /></span>
+<span class="i0">The story ever new though old.<br /></span>
+<span class="i0">You did not look away, but met<br /></span>
+<span class="i0">My eyes with eyes whose lids were wet<br /></span>
+<span class="i0">With tears of truth; and you did lean<br /></span>
+<span class="i0">Your cheek to mine, sweet Geraldine,&mdash;<br /></span>
+<span class="i0">I never dreamed you would forget.<br /></span>
+</div><div class="stanza">
+<span class="i0">The night-wind and the water sighed:<br /></span>
+<span class="i0">And through the leaves, that stirred above,<br /></span>
+<span class="i0">The moonbeams swooned with music of<br /></span>
+<span class="i0">The dance&mdash;soft things in league with love:<br /></span>
+<span class="i0">I never dreamed that you had lied.<br /></span>
+</div><div class="stanza">
+<span class="i0">How all comes back now, Geraldine!<br /></span>
+<span class="i0">The melody; the glimmering scene;<br /></span>
+<span class="i0">Your angel face; and ev'n, between<br /></span>
+<span class="i0">Your lawny breasts, the heart-shaped jewel,&mdash;<br /></span>
+<span class="i0">To which your breath gave fluctuant fuel,&mdash;<br /></span>
+<span class="i0">A rosy star of stormy fire;<br /></span>
+<span class="i0">The snowy drift of your attire,<br /></span>
+<span class="i0">Lace-deep and fragrant: and your hair,<br /></span>
+<span class="i0">Disordered in the dance, held back<br /></span>
+<span class="i0">By one gemmed pin,&mdash;a moonbeam there,<br /></span>
+<span class="i0">Half-drowned within its night-like black.<br /></span>
+<span class="i0">And I who sat beside you then,<br /></span><span class="pagenum"><a name="Page_19" id="Page_19">[19]</a></span>
+<span class="i0">Seemed blessed above all mortal men.<br /></span>
+</div><div class="stanza">
+<span class="i0">I loved you for the way you sighed;<br /></span>
+<span class="i0">The way you said, "I love but you;"<br /></span>
+<span class="i0">The smile with which your lips replied;<br /></span>
+<span class="i0">Your lips, that from my bosom drew<br /></span>
+<span class="i0">The soul; your looks, like undenied<br /></span>
+<span class="i0">Caresses, that seemed naught but true:<br /></span>
+<span class="i0">I loved you for the violet scent<br /></span>
+<span class="i0">That clung about you as a flower;<br /></span>
+<span class="i0">Your moods, where shine and shadow blent,<br /></span>
+<span class="i0">An April-tide of sun and shower;<br /></span>
+<span class="i0">You were my creed, my testament,<br /></span>
+<span class="i0">Wherein I read of God's high power.<br /></span>
+</div><div class="stanza">
+<span class="i0">Was it because the loving see<br /></span>
+<span class="i0">Only what they desire shall be<br /></span>
+<span class="i0">There in the well-belovéd's soul,<br /></span>
+<span class="i0">Affection and affinity,<br /></span>
+<span class="i0">That I beheld in you the whole<br /></span>
+<span class="i0">Of my love's image? and believed<br /></span>
+<span class="i0">You loved as I did? nor perceived<br /></span>
+<span class="i0">'T was but a mask, a mockery!<br /></span>
+</div><div class="stanza">
+<span class="i0">Ah, Geraldine, lost Geraldine,<br /></span>
+<span class="i0">That night of love, when first we met,<br /></span>
+<span class="i0">You have forgotten, Geraldine&mdash;<br /></span>
+<span class="i0">I never dreamed you would forget.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_20" id="Page_20">[20]</a></span></p>
+<h2><a name="The_Moated_Manse" id="The_Moated_Manse"></a>The Moated Manse</h2>
+
+<h3>I.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">And now once more we stood within the walls<br /></span>
+<span class="i0">Of her old manor near the riverside;<br /></span>
+<span class="i0">Dead leaves lay rotting in its empty halls,<br /></span>
+<span class="i0">And here and there the ivy could not hide<br /></span>
+<span class="i0">The year-old scars, made by the Royalists' balls,<br /></span>
+<span class="i0">Around the doorway, where so many died<br /></span>
+<span class="i0">In that last effort to defend the stair,<br /></span>
+<span class="i0">When Rupert, like a demon, entered there.<br /></span>
+</div></div>
+
+<h3>II.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">The basest Cavalier who yet wore spurs<br /></span>
+<span class="i0">Or drew a sword, I count him; with his grave<br /></span>
+<span class="i0">Eyes 'neath his plumed hat like a wolf's whom curs<br /></span>
+<span class="i0">Rouse, to their harm, within a forest cave;<br /></span>
+<span class="i0">And hair like harvest; and a voice like verse<br /></span>
+<span class="i0">For smoothness. Ay, a handsome man and brave!&mdash;<br /></span>
+<span class="i0">Brave?&mdash;who would question it! although 't is true<br /></span>
+<span class="i0">He warred with one weak woman and her few.<br /></span>
+</div></div>
+
+<h3>III.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Lady Isolda of the Moated Manse,<br /></span>
+<span class="i0">Whom here, that very noon, it happened me<br /></span>
+<span class="i0">To meet near her old home. A single glance<br /></span>
+<span class="i0">Told me 't was she. I marveled much to see<br /></span><span class="pagenum"><a name="Page_21" id="Page_21">[21]</a></span>
+<span class="i0">How lovely still she was! as fair, perchance,<br /></span>
+<span class="i0">As when Red Rupert thrust her brutally,&mdash;<br /></span>
+<span class="i0">Her long hair loosened,&mdash;down the shattered stair,<br /></span>
+<span class="i0">And cast her, shrieking, 'mid his followers there.<br /></span>
+</div></div>
+
+<h3>IV.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">"She is for you! Take her! I promised it!<br /></span>
+<span class="i0">She is for you!"&mdash;he shouted, as he flung<br /></span>
+<span class="i0">Her in their midst. Then, on her poor hands (split,<br /></span>
+<span class="i0">And beaten by his dagger when she clung<br /></span>
+<span class="i0">Resisting him) and knees, she crept a bit<br /></span>
+<span class="i0">Nearer his feet and begged for death. No tongue<br /></span>
+<span class="i0">Can tell the way he turned from her and cursed,<br /></span>
+<span class="i0">Then bade his men draw lots for which were first.<br /></span>
+</div></div>
+
+<h3>V.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">I saw it all from that low parapet,<br /></span>
+<span class="i0">Where, bullet-wounded in the hip and head,<br /></span>
+<span class="i0">I lay face-upward in the whispering wet,<br /></span>
+<span class="i0">Exhausted 'mid the dead and left for dead.<br /></span>
+<span class="i0">We had held out two days without a let<br /></span>
+<span class="i0">Against these bandits. You could trace with red,<br /></span>
+<span class="i0">From room to room, how we resisted hard<br /></span>
+<span class="i0">Since the great door crashed in to their petard.<br /></span>
+</div></div>
+
+<h3>VI.</h3>
+<div class="poem2"><div class="stanza">
+<span class="pagenum"><a name="Page_22" id="Page_22">[22]</a></span>
+<span class="i0">The rain revived me, and I leaned with pain<br /></span>
+<span class="i0">And saw her lying there, all soiled and splashed<br /></span>
+<span class="i0">And miserable; on her cheek a stain,<br /></span>
+<span class="i0">A dull red bruise, made when his hand had dashed<br /></span>
+<span class="i0">Her down upon the stones; the wretched rain<br /></span>
+<span class="i0">Dripped from her dark hair; and her hands were gashed.&mdash;<br /></span>
+<span class="i0">Oh, for a musket or a petronel<br /></span>
+<span class="i0">With which to send his devil's soul to hell!<br /></span>
+</div></div>
+
+<h3>VII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">But helpless there I lay, no weapon near,<br /></span>
+<span class="i0">Only the useless sword I could not reach<br /></span>
+<span class="i0">His traitor's heart with, while I chafed to hear<br /></span>
+<span class="i0">The laugh, the insult and the villain speech<br /></span>
+<span class="i0">Of him to her. Oh, God! could I but clear<br /></span>
+<span class="i0">The height between and, hanging like a leech,<br /></span>
+<span class="i0">My fingers at his throat, there tear his base<br /></span>
+<span class="i0">Vile tongue out, yea, and lash it in his face!<br /></span>
+</div></div>
+
+<h3>VIII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">But, badly wounded, what could I but weep<br /></span>
+<span class="i0">With rage and pity of my helplessness<br /></span>
+<span class="i0">And her misfortune! Could I only creep<br /></span>
+<span class="i0">A little nearer so that she might guess<br /></span><span class="pagenum"><a name="Page_23" id="Page_23">[23]</a></span>
+<span class="i0">I was not dead; that I my life would keep<br /></span>
+<span class="i0">But to avenge her!&mdash;Oh, the wild distress<br /></span>
+<span class="i0">Of that last moment when, half-dead, I saw<br /></span>
+<span class="i0">Them mount and bear her swooning through the shaw.<br /></span>
+</div></div>
+
+<h3>IX.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Long time I lay unconscious. It befell<br /></span>
+<span class="i0">Some woodsmen found me, having heard the sound<br /></span>
+<span class="i0">Of fighting cease that, for two days, made dell<br /></span>
+<span class="i0">And dingle echo; ventured on the ground<br /></span>
+<span class="i0">For plunder; and it had not then gone well<br /></span>
+<span class="i0">With me, I fear, had not their leader found<br /></span>
+<span class="i0">That in some way I would repay his care;<br /></span>
+<span class="i0">So bore me to his hut and nursed me there.<br /></span>
+</div></div>
+
+<h3>X.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">How roughly kind he was. For weeks I hung<br /></span>
+<span class="i0">'Twixt life and death; health, like a varying, sick,<br /></span>
+<span class="i0">And fluttering pendulum, now this way swung,<br /></span>
+<span class="i0">Now that, until at last its querulous tick<br /></span>
+<span class="i0">Beat out life's usual time, and slowly rung<br /></span>
+<span class="i0">The long loud hours that exclaimed, "Be quick!&mdash;<br /></span>
+<span class="i0">Arise&mdash;Go forth!&mdash;Hear how her black wrongs call!&mdash;<br /></span>
+<span class="i0">Make them the salve to cure thy wounds withal!"<br /></span>
+<span class="pagenum"><a name="Page_24" id="Page_24">[24]</a></span></div></div>
+
+
+<h3>XI.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">They were my balsam: for, ere autumn came,<br /></span>
+<span class="i0">Weak still, but over eager to be gone,<br /></span>
+<span class="i0">I took my leave of him. A little lame<br /></span>
+<span class="i0">From that hip-wound, and somewhat thin and wan,<br /></span>
+<span class="i0">I sought the village. Here I heard her name<br /></span>
+<span class="i0">And shame's made one. How Rupert passed one dawn,<br /></span>
+<span class="i0">And she among his troopers rode&mdash;astride<br /></span>
+<span class="i0">Like any man&mdash;pale-faced and feverish-eyed.<br /></span>
+</div></div>
+
+<h3>XII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Which way these took they pointed, and I went<br /></span>
+<span class="i0">Like fire after. Oh, the thought was good<br /></span>
+<span class="i0">That they were on before! And much it meant<br /></span>
+<span class="i0">To know she lived still; she, whose image stood<br /></span>
+<span class="i0">Ever before me, making turbulent<br /></span>
+<span class="i0">Each heart-beat with her wrongs, that were fierce food<br /></span>
+<span class="i0">Unto my hate that, "Courage!" cried, "Rest not!<br /></span>
+<span class="i0">Think of her there, and let thy haste be hot!"<br /></span>
+</div></div>
+
+<h3>XIII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">But months passed by and still I had not found:<br /></span>
+<span class="i0">Yet here and there, as wearily I sought,<br /></span>
+<span class="i0">I caught some news: how he had held his ground<br /></span>
+<span class="i0">Against the Roundhead troops; or how he'd fought<br /></span><span class="pagenum"><a name="Page_25" id="Page_25">[25]</a></span>
+<span class="i0">Then fled, returned and conquered. Like a hound,<br /></span>
+<span class="i0">Questing a boar, I followed; but was brought<br /></span>
+<span class="i0">Never to see my quarry. Day by day<br /></span>
+<span class="i0">It seemed that Satan kept him from my way.<br /></span>
+</div></div>
+
+<h3>XIV.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">A woman rode beside him, so they said,<br /></span>
+<span class="i0">A fair-faced wanton, mounted like a man&mdash;<br /></span>
+<span class="i0">Isolda!&mdash;my Isolda!&mdash;better dead,<br /></span>
+<span class="i0">Yea, dead and damned! than thus the courtesan,<br /></span>
+<span class="i0">Bold, unreluctant, of such men! A dread,<br /></span>
+<span class="i0">That such should be, unmanned me. Doubt began<br /></span>
+<span class="i0">To whisper at my heart.&mdash;But I was mad,<br /></span>
+<span class="i0">To insult her with such thoughts, whose love I had.<br /></span>
+</div></div>
+
+<h3>XV.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">At last one day I rested in a glade<br /></span>
+<span class="i0">Near that same woodland which I lay in when<br /></span>
+<span class="i0">Sore wounded; and, while sitting in the shade<br /></span>
+<span class="i0">Of an old <a name='TC_1'></a><ins title="Was 'beach'">beech</ins>&mdash;what! did I dream, or men<br /></span>
+<span class="i0">Like Rupert's own ride near me? and a maid&mdash;<br /></span>
+<span class="i0">Isolda or her spirit!&mdash;Wildly then<br /></span>
+<span class="i0">I rose and, shouting, leapt upon my horse;<br /></span>
+<span class="i0">Unsheathed my sword and rode across their course.<br /></span>
+<span class="pagenum"><a name="Page_26" id="Page_26">[26]</a></span>
+</div></div>
+
+<h3>XVI.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Mainly I looked for Rupert, and by name<br /></span>
+<span class="i0">Challenged him forth:&mdash;"Dog! dost thou hide behind?&mdash;<br /></span>
+<span class="i0">Insulter of women! Coward! save where shame<br /></span>
+<span class="i0">And rapine call thee! God at last is kind,<br /></span>
+<span class="i0">And my sword waits!"&mdash;Like an upbeating flame,<br /></span>
+<span class="i0">My voice rose to a windy shout; and blind<br /></span>
+<span class="i0">I seemed to sit, till, with an outstretched hand,<br /></span>
+<span class="i0">Isolda rode before me from that band.<br /></span>
+</div></div>
+
+<h3>XVII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">"Gerald!" she cried; not as a heart surprised<br /></span>
+<span class="i0">With gladness that the loved, deemed dead, still lives;<br /></span>
+<span class="i0">But like the heart that long hath realized<br /></span>
+<span class="i0">Only misfortune and to fortune gives<br /></span>
+<span class="i0">No confidence, though it be recognized<br /></span>
+<span class="i0">As good. She spoke: "Lo, we are fugitives.<br /></span>
+<span class="i0">Rupert is slain. And I am going home."<br /></span>
+<span class="i0">Then like a child asked simply, "Wilt thou come?...<br /></span>
+</div></div>
+
+<h3>XVIII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">"Oh, I have suffered, Gerald, oh, my God!<br /></span>
+<span class="i0">What shame, what vileness! Once my soul was clean&mdash;<br /></span>
+<span class="i0">Stained and defiled behold it!&mdash;I have trod<br /></span>
+<span class="i0">Sad ways of hell and horror. I have seen<br /></span><span class="pagenum"><a name="Page_27" id="Page_27">[27]</a></span>
+<span class="i0">And lived all depths of lust. Yet, oh, my God!<br /></span>
+<span class="i0">Blameless I hold myself of what hath been,<br /></span>
+<span class="i0">Though through it all, yea, this thou too must know,<br /></span>
+<span class="i0">I loved him! my betrayer and thy foe!"<br /></span>
+</div></div>
+
+<h3>XIX.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Sobbing she spoke as if but half awake,<br /></span>
+<span class="i0">Her eyes far-fixed beyond me, far beyond<br /></span>
+<span class="i0">All hope of mine.&mdash;So it was for his sake,<br /></span>
+<span class="i0">His love, that she had suffered!... blind and fond,<br /></span>
+<span class="i0">For what return!... And I to nurse a snake,<br /></span>
+<span class="i0">And never dream its nature would respond<br /></span>
+<span class="i0">With some such fang of venom! 'T was for this<br /></span>
+<span class="i0">That I had ventured all, to find her his!<br /></span>
+</div></div>
+
+<h3>XX.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">At first half-stunned I stood; then blood and brain,<br /></span>
+<span class="i0">Like two stern judges, who had slept, awoke,<br /></span>
+<span class="i0">Rose up and thundered, "Slay her!" Every vein<br /></span>
+<span class="i0">And nerve responded, "Slay her at a stroke!"&mdash;<br /></span>
+<span class="i0">And I had done it, but my heart again,<br /></span>
+<span class="i0">Like a strong captain in a tumult, spoke,<br /></span>
+<span class="i0">And the fierce discord fell. And quietly<br /></span>
+<span class="i0">I sheathed my sword and said, "I'll go with thee."<br /></span>
+<span class="pagenum"><a name="Page_28" id="Page_28">[28]</a></span>
+</div></div>
+
+<h3>XXI.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">But this was my reward for all I'd borne,<br /></span>
+<span class="i0">My loyalty and love! To see her eyes<br /></span>
+<span class="i0">Hollow from tears for him; her pale cheeks worn<br /></span>
+<span class="i0">With grief for him; to know them all for lies,<br /></span>
+<span class="i0">Her vows of faith to me; to come forlorn,<br /></span>
+<span class="i0">Where I had hoped to come on Paradise,<br /></span>
+<span class="i0">On Hell's black gulf; and, as if not enough,<br /></span>
+<span class="i0">Soiled as she was and outcast, still to love!<br /></span>
+</div></div>
+
+<h3>XXII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Then rode one ruffian from the rest, clay-flecked<br /></span>
+<span class="i0">From spur to plume with hurry; seized my rein,<br /></span>
+<span class="i0">And&mdash;"What art thou," demanded, "who hast checked<br /></span>
+<span class="i0">Our way, and challenged?"&mdash;Then, with some disdain,<br /></span>
+<span class="i0">Isolda, "Sir, my kinsman did expect<br /></span>
+<span class="i0">Your captain here. What honor may remain<br /></span>
+<span class="i0">To me I pledge for him. Hold off thy hands!<br /></span>
+<span class="i0">He but attends me to the Moated Manse."<br /></span>
+</div></div>
+
+<h3>XXIII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">We rode in silence. And at twilight came<br /></span>
+<span class="i0">Into the Moated Manse.&mdash;Great clouds had grown<br /></span>
+<span class="i0">Up in the West, on which the sunset's flame<br /></span>
+<span class="i0">Lay like the hand of slaughter.&mdash;Very lone<br /></span><span class="pagenum"><a name="Page_29" id="Page_29">[29]</a></span>
+<span class="i0">Its rooms and halls: a splintered door that, lame,<br /></span>
+<span class="i0">Swung on one hinge; a cabinet o'erthrown;<br /></span>
+<span class="i0">Or arras torn; or blood-stain turning wan,<br /></span>
+<span class="i0">Showed us the way the battle once had gone.<br /></span>
+</div></div>
+
+<h3>XXIV.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">We reached the tower-chamber towards the West,<br /></span>
+<span class="i0">In which on that dark day she thought to hide<br /></span>
+<span class="i0">From Rupert when, at last, 't was manifest<br /></span>
+<span class="i0">We could not hold the Manse. There was no pride<br /></span>
+<span class="i0">In her deep eyes now; nor did scorn invest<br /></span>
+<span class="i0">Her with such dignity as once defied<br /></span>
+<span class="i0">Him bursting in to find her standing here<br /></span>
+<span class="i0">Prepared to die like some dog-hunted deer.<br /></span>
+</div></div>
+
+<h3>XXV.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">She took my hand, and, as if naught of love<br /></span>
+<span class="i0">Had ever been between us, said,&mdash;"All know<br /></span>
+<span class="i0">The madness of that day when with his glove<br /></span>
+<span class="i0">He struck then slew my brother, and brought woe<br /></span>
+<span class="i0">On all our house; and thou, incensed above<br /></span>
+<span class="i0">The rest, came here, and made my foe thy foe.<br /></span>
+<span class="i0">But he had left. 'T was then I promised thee<br /></span>
+<span class="i0">My hand, but, ah! my heart was gone from me.<br /></span>
+<span class="pagenum"><a name="Page_30" id="Page_30">[30]</a></span>
+</div></div>
+
+<h3>XXVI.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">"Yea, he had won me, this same Rupert, when<br /></span>
+<span class="i0">He was our guest.&mdash;Thou know'st how gallantry<br /></span>
+<span class="i0">And beauty can make heroes of all men<br /></span>
+<span class="i0">To us weak women!&mdash;And so secretly<br /></span>
+<span class="i0">I vowed to be his wife. It happened then<br /></span>
+<span class="i0">My brother found him in some villainy;<br /></span>
+<span class="i0">The insult followed; he was killed ... and thou<br /></span>
+<span class="i0">Dost still remember how I made a vow.<br /></span>
+</div></div>
+
+<h3>XXVII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">"But still this man pursued me, and I held<br /></span>
+<span class="i0">Firm to my vow, albeit I loved him still,<br /></span>
+<span class="i0">Unknown to all, with all the love unquelled<br /></span>
+<span class="i0">Of first impressions, and against my will.<br /></span>
+<span class="i0">At last despair of winning me compelled<br /></span>
+<span class="i0">Him to the oath he swore: He would not kill,<br /></span>
+<span class="i0">But take me living and would make my life<br /></span>
+<span class="i0">A living death. No man should make me wife.<br /></span>
+</div></div>
+
+<h3>XXVIII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">The war, that now consumes us, did, indeed,<br /></span>
+<span class="i0">Give him occasion.&mdash;I had not been warned,<br /></span>
+<span class="i0">When down he came against me in the lead<br /></span>
+<span class="i0">Of his marauders. With thy help I scorned<br /></span><span class="pagenum"><a name="Page_31" id="Page_31">[31]</a></span>
+<span class="i0">His mad attacks two days. I would not plead<br /></span>
+<span class="i0">Nor parley with him, who came hoofed and horned,<br /></span>
+<span class="i0">Like Satan's self in soul, and, with his aid,<br /></span>
+<span class="i0">Took this strong house and kept the oath he made.<br /></span>
+</div></div>
+
+<h3>XXIX.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">"Months passed. Alas! it needs not here to tell<br /></span>
+<span class="i0">What often thou hast heard&mdash;Of how he led<br /></span>
+<span class="i0">His troopers here now there; nor what befell<br /></span>
+<span class="i0">Me of dishonor. Oft I wished me dead,<br /></span>
+<span class="i0">Loathing my life, than which the nether hell<br /></span>
+<span class="i0">Hath less of horror ... So we fought or fled<br /></span>
+<span class="i0">From place to place until a year had passed,<br /></span>
+<span class="i0">And Parliament forces hemmed us in at last.<br /></span>
+</div></div>
+
+<h3>XXX.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">"Yea, I had only lived for this&mdash;to right<br /></span>
+<span class="i0">With death my wrongs sometime. And love and hate<br /></span>
+<span class="i0">Contended in my bosom when, that night<br /></span>
+<span class="i0">Before the fight that should decide our fate,<br /></span>
+<span class="i0">I entered where he slept. There was no light<br /></span>
+<span class="i0">Save of the stars to see by. Long and late<br /></span>
+<span class="i0">I leaned above him there, yet could not kill&mdash;<br /></span>
+<span class="i0">Hate raised the dagger but love held it still.<br /></span>
+<span class="pagenum"><a name="Page_32" id="Page_32">[32]</a></span>
+</div></div>
+
+<h3>XXXI.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">"The woman in me conquered. What a slave<br /></span>
+<span class="i0">To our emotions are we! To relent<br /></span>
+<span class="i0">At this long-waited moment!&mdash;Wave on wave<br /></span>
+<span class="i0">Of pitying weakness swept me, and I bent<br /></span>
+<span class="i0">And kissed his face. Then prayed to God; and gave<br /></span>
+<span class="i0">My trust to God; and left to God th' event.&mdash;<br /></span>
+<span class="i0">I never looked on Rupert's face again,<br /></span>
+<span class="i0">For in that morning's combat&mdash;he was slain.<br /></span>
+</div></div>
+
+<h3>XXXII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">"Out of defeat escaped some scant three score<br /></span>
+<span class="i0">Of all his followers. And night and day<br /></span>
+<span class="i0">They fled; and while the Roundheads pressed them sore,<br /></span>
+<span class="i0">And in their road, good as a fortress, lay<br /></span>
+<span class="i0">The Moated Manse, where their three score or more<br /></span>
+<span class="i0">Might well hold out, I pointed them the way.<br /></span>
+<span class="i0">And they are come, amid its wrecks to end<br /></span>
+<span class="i0">The crime begun here.&mdash;Thou must go, my friend!<br /></span>
+</div></div>
+
+<h3>XXXIII.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">"Go quickly! For the time approaches when<br /></span>
+<span class="i0">Destruction must arrive.&mdash;Oh, well I know<br /></span>
+<span class="i0">All thou wouldst say to me.&mdash;What boots it then?&mdash;<br /></span>
+<span class="i0">I tell thee thou must go, that thou must go!&mdash;<br /></span><span class="pagenum"><a name="Page_33" id="Page_33">[33]</a></span>
+<span class="i0">Yea, dost thou think I'd have thee die 'mid men<br /></span>
+<span class="i0">Like these, for such an one as I!&mdash;No! no!&mdash;<br /></span>
+<span class="i0">Thy life is clean. Thou shalt not cast away<br /></span>
+<span class="i0">Thy clean life for my soiled one. Go, I pray!"<br /></span>
+</div></div>
+
+<h3>XXXIV.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">She ceased. I spoke&mdash;I know not what it was.<br /></span>
+<span class="i0">Then took her hand and kissed it and so said&mdash;<br /></span>
+<span class="i0">"Thou art my promised wife. Thou hast no cause<br /></span>
+<span class="i0">That is not mine. I love thee. We will wed.<br /></span>
+<span class="i0">I love thee. Come!"&mdash;A moment did she pause,<br /></span>
+<span class="i0">Then shook her head and sighed, "My heart is dead.<br /></span>
+<span class="i0">This can not be. Behold, that way is thine.<br /></span>
+<span class="i0">I will not let thee share this way that's mine."<br /></span>
+</div></div>
+
+<h3>XXXV.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Then turning from me ere I could prevent<br /></span>
+<span class="i0">Passed like a shadow from the shadowy room,<br /></span>
+<span class="i0">Leaving my soul in shadow ... Naught was meant<br /></span>
+<span class="i0">By my sweet flower of love then! bloom by bloom<br /></span>
+<span class="i0">I'd watched it wither; then its fragrance went,<br /></span>
+<span class="i0">And naught was left now.&mdash;It was dark as doom,<br /></span>
+<span class="i0">And bells were tolling far off through the rain,<br /></span>
+<span class="i0">When from that house I turned my face again.<br /></span>
+<span class="pagenum"><a name="Page_34" id="Page_34">[34]</a></span>
+</div></div>
+
+<h3>XXXVI.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Then in the night a trumpet; and the dull<br /></span>
+<span class="i0">Close thud of horse and clash of Puritan arms;<br /></span>
+<span class="i0">And glimmering helms swept by me. Sorrowful<br /></span>
+<span class="i0">I stood and waited till upon the storm's<br /></span>
+<span class="i0">Black breast, the Manse, a burning carbuncle,<br /></span>
+<span class="i0">Blazed like a battle-beacon, and alarms<br /></span>
+<span class="i0">Of onslaught clanged around it; then, like one<br /></span>
+<span class="i0">Who bears with him God's curse, I galloped on.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_35" id="Page_35">[35]</a></span></p>
+<h2><a name="The_Forester" id="The_Forester"></a>The Forester</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">I met him here at Ammendorf one Spring.<br /></span>
+<span class="i0">It was the end of April and the Harz,<br /></span>
+<span class="i0">Veined to their ruin-crested summits, seemed<br /></span>
+<span class="i0">One pulse of tender green and delicate gold,<br /></span>
+<span class="i0">Beneath a heaven that was like the face<br /></span>
+<span class="i0">Of girlhood waking into motherhood.<br /></span>
+<span class="i0">Along the furrowed meadow, freshly ploughed,<br /></span>
+<span class="i0">The patient oxen, loamy to the knees,<br /></span>
+<span class="i0">Plodded or lowed or snuffed the fragrant soil;<br /></span>
+<span class="i0">And in each thorntree hedge the wild bird sang<br /></span>
+<span class="i0">A song to Spring, made of its own wild heart<br /></span>
+<span class="i0">And soul, that heard the dairy-maiden May's<br /></span>
+<span class="i0">Heart beating like a star at break of day,<br /></span>
+<span class="i0">As, kissing ripe the blossoms, she drew near,<br /></span>
+<span class="i0">Her mouth's sweet rose all dew-drops and perfume.<br /></span>
+<span class="i0">Here at this inn and underneath this tree<br /></span>
+<span class="i0">We took our wine, the morning prismed in its<br /></span>
+<span class="i0">Flame-angled gold.&mdash;A goodly vintage that!<br /></span>
+<span class="i0">Tang with the ripeness of full twenty years.<br /></span>
+<span class="i0">Rare! I remember!&mdash;wine that spurred the blood,<br /></span>
+<span class="i0">That brought the heart glad to the limbered lip,<br /></span>
+<span class="i0">And made the eyes unlatticed casements where<br /></span>
+<span class="i0">A man's true soul you could not help but see.<br /></span>
+<span class="i0">As royal a Rhenish, I will vouch to say,<br /></span>
+<span class="i0">As that, old legends tell, which Necromance<br /></span>
+<span class="i0">And Magic keep, gnome-guarded, in huge casks<br /></span>
+<span class="i0">Of antique make deep in the Kyffhäuser,<br /></span><span class="pagenum"><a name="Page_36" id="Page_36">[36]</a></span>
+<span class="i0">The Cellar of the Knights near Sittendorf.&mdash;<br /></span>
+<span class="i3">So solaced of that wine we sat an hour.<br /></span>
+<span class="i0">He told me his intent in coming here.<br /></span>
+<span class="i0">His name was Rudolf; and his native home,<br /></span>
+<span class="i0">Franconia; but no word of parentage:<br /></span>
+<span class="i0">Only his mind to don the buff and green<br /></span>
+<span class="i0">And live a forester with us and be<br /></span>
+<span class="i0">Enfellowed in the Duke of Brunswick's train,<br /></span>
+<span class="i0">And for the Duke's estate even now was bound.<br /></span>
+<span class="i3">Tall was he for his age and strong and brown,<br /></span>
+<span class="i0">And lithe of limb; and with a face that seemed<br /></span>
+<span class="i0">Hope's counterpart&mdash;but with the eyes of doubt;<br /></span>
+<span class="i0">Deep restless disks, instinct with gleaming night,<br /></span>
+<span class="i0">That seemed to say, "We're sure of earth, at least<br /></span>
+<span class="i0">For some short space, my friend; but afterward&mdash;<br /></span>
+<span class="i0">Nay! ransack not to-morrow till to-day,<br /></span>
+<span class="i0">Lest it engulf thy joy before it is!"&mdash;<br /></span>
+<span class="i0">And when he spoke, the fire in his eyes<br /></span>
+<span class="i0">Worked stealthy as a hunted animal's;<br /></span>
+<span class="i0">Or like the Count von Hackelnburg's that turn,<br /></span>
+<span class="i0">Feeling the unseen presence of a fiend.<br /></span>
+<span class="i3">Then, as it chanced, old Kurt had come that morn<br /></span>
+<span class="i0">With some six of his jerkined foresters<br /></span>
+<span class="i0">From the Thuringian forest; wet with dew,<br /></span>
+<span class="i0">And fresh as morn with early travel; bound<br /></span>
+<span class="i0">For Brunswick, Dummburg and the Hakel passed.<br /></span>
+<span class="i0">Chief huntsman he then to our lord the Duke,<br /></span><span class="pagenum"><a name="Page_37" id="Page_37">[37]</a></span>
+<span class="i0">And father of the loveliest maiden here<br /></span>
+<span class="i0">In Ammendorf, the sunny Ilsabe:<br /></span>
+<span class="i0">Her mother dead, the gray-haired father prized<br /></span>
+<span class="i0">His daughter more than all that men hold dear;<br /></span>
+<span class="i0">His only happiness, who was beloved<br /></span>
+<span class="i0">Of all as Lora of Thuringia was,<br /></span>
+<span class="i0">For gentle ways that spoke a noble soul,<br /></span>
+<span class="i0">Winning all hearts to love her and to praise,<br /></span>
+<span class="i0">As might a great and beautiful thought that holds<br /></span>
+<span class="i0">Us by the simplest words.&mdash;Her eyes were blue<br /></span>
+<span class="i0">As the high influence of a summer day.<br /></span>
+<span class="i0">Her hair,&mdash;serene and braided over brows<br /></span>
+<span class="i0">White as a Harz dove's wing,&mdash;was auburn brown,<br /></span>
+<span class="i0">And deep as mists the sun has drenched with gold.<br /></span>
+<span class="i0">And her young presence&mdash;well, 't was like a song,<br /></span>
+<span class="i0">A far Tyrolean melody of love,<br /></span>
+<span class="i0">Heard on an Alpine path at close of day<br /></span>
+<span class="i0">When shepherds homeward lead their tinkling flocks.<br /></span>
+<span class="i0">And when she left, being with you awhile,&mdash;<br /></span>
+<span class="i0">How shall I say it?&mdash;'t was as when one hath<br /></span>
+<span class="i0">Beheld an Undine by the moonlit Rhine,<br /></span>
+<span class="i0">Who, ere the mind adjusts a thought, is gone,<br /></span>
+<span class="i0">And in your soul you wonder if a dream.<br /></span>
+<span class="i3">Some thirty years ago it was;&mdash;and I,<br /></span>
+<span class="i0">Commissioner of the Duke&mdash;(no sinecure<br /></span>
+<span class="i0">I can assure you)&mdash;had scarce reached the age<br /></span>
+<span class="i0">Of thirty,&mdash;that we sat here at our wine;<br /></span><span class="pagenum"><a name="Page_38" id="Page_38">[38]</a></span>
+<span class="i0">And 't was through me that Rudolf,&mdash;whom at first,<br /></span>
+<span class="i0">From some rash words dropped then in argument,<br /></span>
+<span class="i0">The foresterhood was like to be denied,&mdash;<br /></span>
+<span class="i0">Was then enfellowed. "Yes," said I, "he's young.<br /></span>
+<span class="i0">Kurt, he is young; but see, a wiry frame;<br /></span>
+<span class="i0">A chamois footing and a face for deeds;<br /></span>
+<span class="i0">An eye that likes me not; too quick to turn;<br /></span>
+<span class="i0">But that may be the restless soul within;<br /></span>
+<span class="i0">A soul perhaps with virtues that have been<br /></span>
+<span class="i0">Severely tried and could not stand the test;<br /></span>
+<span class="i0">These be thy care, Kurt; and if not too deep<br /></span>
+<span class="i0">In vices of the flesh, discover them,<br /></span>
+<span class="i0">As divers bring lost riches up from ooze.<br /></span>
+<span class="i0">Thou hast a daughter; let him be thy son."<br /></span>
+<span class="i3">A year thereafter was it that I heard<br /></span>
+<span class="i0">Of Rudolf's passion for Kurt's Ilsabe;<br /></span>
+<span class="i0">Then their betrothal. And it was from this,&mdash;<br /></span>
+<span class="i0">Good Mother Mary! how she haunts me still!<br /></span>
+<span class="i0">Sweet Ilsabe! whose higher womanhood,<br /></span>
+<span class="i0">True as the touchstone which philosophers feign<br /></span>
+<span class="i0">Transmutes to gold base metals it may touch,<br /></span>
+<span class="i0">Had turned to good all evil in this man,&mdash;<br /></span>
+<span class="i0">Surmised I of the excellency which<br /></span>
+<span class="i0">Refinement of her purer company,<br /></span>
+<span class="i0">And contact with her innocence, had resolved<br /></span>
+<span class="i0">His fiery nature to, conditioning slave.<br /></span>
+<span class="i0">And so I came from Brunswick&mdash;as, you know,<br /></span><span class="pagenum"><a name="Page_39" id="Page_39">[39]</a></span>
+<span class="i0">Is custom of the Duke or, by his seal<br /></span>
+<span class="i0">Commissioned proxy, his commissioner&mdash;<br /></span>
+<span class="i0">To test the marksmanship of Rudolf, who<br /></span>
+<span class="i0">Succeeded Kurt with marriage of his child,<br /></span>
+<span class="i0">An heir of Kuno.&mdash;He?&mdash;Greatgrandfather<br /></span>
+<span class="i0">Of Kurt; and of this forestkeepership<br /></span>
+<span class="i0">The first possessor; thus established here&mdash;<br /></span>
+<span class="i0">Or this the tale they tell on winter nights:<br /></span>
+<span class="i3">Kuno, once in the Knight of Wippach's train,<br /></span>
+<span class="i0">Rode on a grand hunt with the Duke, who came,&mdash;<br /></span>
+<span class="i0">Grandfather of the father of our Duke,&mdash;<br /></span>
+<span class="i0">With much magnificence of knights and squires,<br /></span>
+<span class="i0">Great velvet-vestured nobles, cloaked and plumed,<br /></span>
+<span class="i0">To hunt Thuringian deer. Then morn,&mdash;too quick<br /></span>
+<span class="i0">To bid good-morrow,&mdash;was too slow for these,<br /></span>
+<span class="i0">And on the wind-trod hills recumbent yawned<br /></span>
+<span class="i0">Disturbed an hour too soon; all sleepy-eyed,<br /></span>
+<span class="i0">Like some young milkmaid whom the cock hath roused,<br /></span>
+<span class="i0">Who sits and rubs stiff eyes that still will close.<br /></span>
+<span class="i0">Horns sang and deer-hounds tugged a whimpering leash,<br /></span>
+<span class="i0">Or, loosened, bounded through the baying glens:<br /></span>
+<span class="i0">And ere the mountain mists, compact of white,<br /></span>
+<span class="i0">Broke wild before the azure spears of day,<br /></span>
+<span class="i0">The far-off hunt, that woke the woods to life,<br /></span>
+<span class="i0">Seemed but the heart-beat of the ancient hills.<br /></span>
+<span class="i3">And then, near noon, within a forest brake,<br /></span><span class="pagenum"><a name="Page_40" id="Page_40">[40]</a></span>
+<span class="i0">The ban-dogs roused a red gigantic stag,<br /></span>
+<span class="i0">Lashed to whose back with gnarly-knotted cords,<br /></span>
+<span class="i0">And borne along like some pale parasite,<br /></span>
+<span class="i0">A man shrieked: tangle-bearded, and wild hair<br /></span>
+<span class="i0">A mane of forest-burs. The man himself,<br /></span>
+<span class="i0">Emaciated and half-naked from<br /></span>
+<span class="i0">The stag's mad flight through headlong rocks and trees,<br /></span>
+<span class="i0">One bleeding bruise, with eyes like holes of fire.<br /></span>
+<span class="i0">For such the law then: when the peasant chased<br /></span>
+<span class="i0">Or slew the dun deer of his tyrant lords,<br /></span>
+<span class="i0">If seized, as punishment the withes and spine<br /></span>
+<span class="i0">Of some strong stag, a gift to him of game,<br /></span>
+<span class="i0">Enough till death&mdash;death in the antlered herd,<br /></span>
+<span class="i0">Or slow starvation in the haggard hills.<br /></span>
+<span class="i0">Then was the great Duke glad, and forthwith cried<br /></span>
+<span class="i0">To all his hunting train a rich reward<br /></span>
+<span class="i0">For him who slew the stag and saved the man,<br /></span>
+<span class="i0">But death for him who slew both man and stag.<br /></span>
+<span class="i0">So plunged the hunt after the hurrying slot,<br /></span>
+<span class="i0">A shout and glimmer through the sounding woods,&mdash;<br /></span>
+<span class="i0">Like some mad torrent that the hills have loosed<br /></span>
+<span class="i0">With death for goal.&mdash;'T was late; and none had risked<br /></span>
+<span class="i0">That shot as yet,&mdash;too desperate the risk<br /></span>
+<span class="i0">Beside the poor life and a little gold,&mdash;<br /></span>
+<span class="i0">When this young Kuno, with fierce eyes, wherein<br /></span>
+<span class="i0">Hunt and impatience kindled reckless flame,<br /></span><span class="pagenum"><a name="Page_41" id="Page_41">[41]</a></span>
+<span class="i0">Cried, "Has the dew then made our powder wet?<br /></span>
+<span class="i0">Or have we left our marksmanship at home?<br /></span>
+<span class="i0">Here's for its heart! the Fiend direct my ball!"&mdash;<br /></span>
+<span class="i0">And fired into a covert deeply packed,<br /></span>
+<span class="i0">An intertangled wall of matted night,<br /></span>
+<span class="i0">Wherein the eye might vainly strive and strive<br /></span>
+<span class="i0">To pierce one fathom, earn one foot beyond.<br /></span>
+<span class="i0">But, ha! the huge stag staggered from the brake<br /></span>
+<span class="i0">Hit full i' the heart. And that wan wretch, unbound,<br /></span>
+<span class="i0">Was ta'en and cared for. Then his grace, the Duke,<br /></span>
+<span class="i0">Charmed with the eagle aim, called Kuno up,<br /></span>
+<span class="i0">And there to him and his forever gave<br /></span>
+<span class="i0">The forestkeepership.<br /></span>
+<span class="i9">But envious tongues<br /></span>
+<span class="i0">Were soon at wag; and whispered went the tale<br /></span>
+<span class="i0">Of how the shot was free, and how the balls<br /></span>
+<span class="i0">Used by young Kuno were free bullets&mdash;which<br /></span>
+<span class="i0">To say is: Lead by magic moulded, in<br /></span>
+<span class="i0">The influence and directed, of the Fiend.<br /></span>
+<span class="i0">Of some effect these tales, and had some force<br /></span>
+<span class="i0">Even with the Duke, who lent an ear so far<br /></span>
+<span class="i0">As to ordain Kuno's descendants all<br /></span>
+<span class="i0">To proof of skill ere their succession to<br /></span>
+<span class="i0">The father's office. Kurt himself hath shot<br /></span>
+<span class="i0">The silver ring out o' the popinjay's beak&mdash;<br /></span>
+<span class="i0">A good shot he, you see, who would succeed.<br /></span>
+<span class="i3">Of these enchanted bullets let me speak:<br /></span><span class="pagenum"><a name="Page_42" id="Page_42">[42]</a></span>
+<span class="i0">There may be such; our Earth has things as strange,<br /></span>
+<span class="i0">Perhaps, and stranger, that we doubt not of,<br /></span>
+<span class="i0">While we behold, not only 'neath the thatch<br /></span>
+<span class="i0">Of Ignorance's hovel, but within<br /></span>
+<span class="i0">The pictured halls of Wisdom's palaces,<br /></span>
+<span class="i0">How Superstition sits an honored guest.<br /></span>
+<span class="i3">A cross-way let it be among the hills;<br /></span>
+<span class="i0">A cross-way in a solitude of pines;<br /></span>
+<span class="i0">And on the lonely cross-way you must draw<br /></span>
+<span class="i0">A blood-red circle with a bloody sword;<br /></span>
+<span class="i0">And round the circle, runic characters,<br /></span>
+<span class="i0">Gaunt and satanic; here a skull, and there<br /></span>
+<span class="i0">A scythe and cross-bones, and an hour-glass here;<br /></span>
+<span class="i0">And in the centre, fed with coffin-wood,<br /></span>
+<span class="i0">Stol'n from the grave of one, a murderer,<br /></span>
+<span class="i0">A smouldering fire. Eleven of the clock<br /></span>
+<span class="i0">The first ball leaves the mold&mdash;the sullen lead<br /></span>
+<span class="i0">Mixed with three bullets that have hit their mark,<br /></span>
+<span class="i0">And blood, the wounded Sacramental Host<br /></span>
+<span class="i0">Stolen, and hence unhallowed, oozed, when shot<br /></span>
+<span class="i0">Fixed to a riven pine. Ere twelve o'clock<br /></span>
+<span class="i0">With never a word until that hour sound,<br /></span>
+<span class="i0">Must all the balls be cast; and these must be<br /></span>
+<span class="i0">In number three and sixty; three of which<br /></span>
+<span class="i0">The Fiend's dark agent, demon Sammael,<br /></span>
+<span class="i0">Claims for his master and stamps for his own<br /></span>
+<span class="i0">To hit aside their mark, askew for harm.<br /></span><span class="pagenum"><a name="Page_43" id="Page_43">[43]</a></span>
+<span class="i0">The other sixty shall not miss their mark.<br /></span>
+<span class="i3">No cry, no word, no whisper, even though<br /></span>
+<span class="i0">Vague, gesturing shapes, that loom like moonlit mists,<br /></span>
+<span class="i0">Their faces human but with animal forms,<br /></span>
+<span class="i0">Rise thick around and threaten to destroy.<br /></span>
+<span class="i0">No cry, no word, no whisper should there come,<br /></span>
+<span class="i0">Weeping, a wandering shadow like the girl<br /></span>
+<span class="i0">You love, or loved, now lost to you, her eyes<br /></span>
+<span class="i0">Hollow with tears; all palely beckoning<br /></span>
+<span class="i0">With beautiful arms, or censuring; her face<br /></span>
+<span class="i0">Sad with a desolate love; who, if you speak<br /></span>
+<span class="i0">Or waver from that circle&mdash;hideous change!&mdash;<br /></span>
+<span class="i0">Shrinks to a wrinkled hag, whose harpy hands<br /></span>
+<span class="i0">Shall tear you limb from limb with horrible mirth.<br /></span>
+<span class="i0">Nor be deceived if some far midnight bell<br /></span>
+<span class="i0">Strike that anticipated hour; nor leave<br /></span>
+<span class="i0">By one short inch the circle, for, unseen<br /></span>
+<span class="i0">Though now they be, Hell's minions still are there,<br /></span>
+<span class="i0">Watching with flaming eyes to seize your soul.<br /></span>
+<span class="i0">But when the hour of midnight sounds, be sure<br /></span>
+<span class="i0">You have your bullets, neither more nor less;<br /></span>
+<span class="i0">For if through fear one more or less you have,<br /></span>
+<span class="i0">Your soul is forfeit to Hell's majesty.&mdash;<br /></span>
+<span class="i0">Then while the hour of midnight strikes, will come<br /></span>
+<span class="i0">A noise of galloping hoofs and outriders,<br /></span>
+<span class="i0">Shouting; six midnight steeds,&mdash;their nostrils, pits<br /></span>
+<span class="i0">Of burning blood,&mdash;postilioned, roll a stage,<br /></span><span class="pagenum"><a name="Page_44" id="Page_44">[44]</a></span>
+<span class="i0">Black and with groaning wheels of spinning fire:<br /></span>
+<span class="i0">"Room there!&mdash;ho! ho!&mdash;who bars the mountain-way?<br /></span>
+<span class="i0">On over him!"&mdash;But fear not, nor fare forth;<br /></span>
+<span class="i0">'T is but the last trick of your bounden slave.<br /></span>
+<span class="i0">And ere the red moon rushes through the clouds<br /></span>
+<span class="i0">And dives again, high the huge leaders leap,<br /></span>
+<span class="i0">Their fore-hoofs fire, and their eye-balls flame,<br /></span>
+<span class="i0">And, spun a spiral spark into the night,<br /></span>
+<span class="i0">Whistling the phantom flies and fades away.<br /></span>
+<span class="i0">Some say there comes no stage; that Hackelnburg,<br /></span>
+<span class="i0">Wild-huntsman of the Harz, comes dark as storm,<br /></span>
+<span class="i0">With rain and wind and demon dogs of Hell,<br /></span>
+<span class="i0">The terror of his hunting-horn, an owl,<br /></span>
+<span class="i0">And the dim deer he hunts, rush on before;<br /></span>
+<span class="i0">The forests crash, and whirlwinds are the leaves,<br /></span>
+<span class="i0">And all the skies a-thunder, as he hurls<br /></span>
+<span class="i0">Straight on the circle, horse and hounds and stag.<br /></span>
+<span class="i0">And at the last, plutonian-cloaked, there comes,<br /></span>
+<span class="i0">Upon a stallion gaunt and lurid black,<br /></span>
+<span class="i0">The minister of Satan, Sammael,<br /></span>
+<span class="i0">Who greets you, and informs you, and assures.<br /></span>
+<span class="i3">Enough! these wives'-tales told, to what I've seen:<br /></span>
+<span class="i0">To Ammendorf I came; and Rudolf here<br /></span>
+<span class="i0">With Kurt and his assembled men, I met.<br /></span>
+<span class="i0">The abundant year,&mdash;like some sweet wife,&mdash;a-smile<br /></span>
+<span class="i0">At her brown baby, Autumn, in her arms,<br /></span><span class="pagenum"><a name="Page_45" id="Page_45">[45]</a></span>
+<span class="i0">Stood 'mid the garnered harvests of her fields<br /></span>
+<span class="i0">Dreaming of days that pass like almoners<br /></span>
+<span class="i0">Scattering their alms in minted gold of flowers;<br /></span>
+<span class="i0">Of nights, that forest all the skies with stars,<br /></span>
+<span class="i0">Wherethrough the moon&mdash;bare-bosomed huntress&mdash;rides,<br /></span>
+<span class="i0">One cloud before her like a flying fawn.<br /></span>
+<span class="i0">Then I proposed the season's hunt; till eve<br /></span>
+<span class="i0">The test of Rudolf's skill postponed, at which<br /></span>
+<span class="i0">He seemed impatient. And 't was then I heard<br /></span>
+<span class="i0">How he an execrable marksman was;<br /></span>
+<span class="i0">And tales that told of near, incredible shots,<br /></span>
+<span class="i0">That missed their mark; or how his flint-lock oft<br /></span>
+<span class="i0">Flashed harmless powder, while the curious deer<br /></span>
+<span class="i0">Stood staring; as in pity of such aim<br /></span>
+<span class="i0">Bidding him try his marksmanship again.<br /></span>
+<span class="i0">Howbeit, he that day acquitted him<br /></span>
+<span class="i0">Of all this gossip; in that day's long hunt<br /></span>
+<span class="i0">Missing no shot, however rashly made<br /></span>
+<span class="i0">Or distant through the intercepting trees.<br /></span>
+<span class="i0">And the piled, various game brought down of all<br /></span>
+<span class="i0">Good marksmen of Kurt's train had not sufficed,<br /></span>
+<span class="i0">Doubled, nay, trebled, there to match his heap.<br /></span>
+<span class="i0">And marvelling the hunters saw, nor knew<br /></span>
+<span class="i0">How to excuse them. My indulgence giv'n,<br /></span>
+<span class="i0">Some told me that but yesterday old Kurt<br /></span>
+<span class="i0">Had made his daughter weep and Rudolf frown,<br /></span><span class="pagenum"><a name="Page_46" id="Page_46">[46]</a></span>
+<span class="i0">By vowing end to their betrothéd love,<br /></span>
+<span class="i0">Unless that love developed better aim<br /></span>
+<span class="i0">Against the morrow's test; his ancestors'<br /></span>
+<span class="i0">High fame should not be tarnished. So he railed;<br /></span>
+<span class="i0">And bowed his gray head and sat moodily;<br /></span>
+<span class="i0">But looking up, forgave all when he saw<br /></span>
+<span class="i0">Tears in his daughter's eyes and Rudolf gone<br /></span>
+<span class="i0">Out in the night black with approaching storm.<br /></span>
+<span class="i3">Before this inn, yonder and here, they stood,<br /></span>
+<span class="i0">The holiday village come to view the trial:<br /></span>
+<span class="i0">Fair maidens and their comely mothers with<br /></span>
+<span class="i0">Their sweethearts and their husbands. And I marked<br /></span>
+<span class="i0">Kurt and his daughter here; his florid face<br /></span>
+<span class="i0">All jubilant at Rudolf's great success;<br /></span>
+<span class="i0">Hers, radiant with happiness; for this<br /></span>
+<span class="i0">Her <a name='TC_2'></a><ins title="Was 'marrige'">marriage</ins> eve&mdash;so had her father said&mdash;<br /></span>
+<span class="i0">Should Rudolf come successful from the hunt.<br /></span>
+<span class="i3">So pleased was I with what I'd seen him do,<br /></span>
+<span class="i0">The trial of skill superfluous seemed, and so<br /></span>
+<span class="i0">Was on the bare brink of announcing, when<br /></span>
+<span class="i0">Out of the western heaven's deepening red,&mdash;<br /></span>
+<span class="i0">Like a white message dropped by rosy lips,&mdash;<br /></span>
+<span class="i0">A wild dove clove the luminous winds and there,<br /></span>
+<span class="i0">Upon that limb, a peaceful moment sat.<br /></span>
+<span class="i0">Then I, "Thy rifle, Rudolf! pierce its head!"<br /></span>
+<span class="i0">Cried pointing, "and chief-forester art thou!"&mdash;<br /></span>
+<span class="i0">Why did he falter with a face as strange<br /></span><span class="pagenum"><a name="Page_47" id="Page_47">[47]</a></span>
+<span class="i0">As a dark omen? did his soul foresee<br /></span>
+<span class="i0">What was to be with tragic prescience?&mdash;<br /></span>
+<span class="i0">What a bad dream it all seems now!&mdash;Again<br /></span>
+<span class="i0">I see him aim. Again I hear the cry,<br /></span>
+<span class="i0">"My dove! O Rudolf, do not kill my dove!"<br /></span>
+<span class="i0">And from the crowd, like some sweet dove herself,<br /></span>
+<span class="i0">A fluttering whiteness, came our Ilsabe&mdash;<br /></span>
+<span class="i0">Too late! the rifle cracked ... The unhurt dove<br /></span>
+<span class="i0">Rose, beating frightened wings&mdash;but Ilsabe!...<br /></span>
+<span class="i0">The sight! the sight!... lay smitten; a red stain,<br /></span>
+<span class="i0">Sullying the pureness of her bridal bodice,<br /></span>
+<span class="i0">Showed where the ball had pierced her through the heart.<br /></span>
+<span class="i3">And Rudolf?&mdash;Ah, of him you still would know?&mdash;<br /></span>
+<span class="i0">When he beheld this thing that he had done,<br /></span>
+<span class="i0">Why he went mad&mdash;I say&mdash;but others not.<br /></span>
+<span class="i0">An hour he raved of how her life had paid<br /></span>
+<span class="i0">For the unholy bullets he had used,<br /></span>
+<span class="i0">And how his soul was three times lost and damned.<br /></span>
+<span class="i0">I say that he went mad and fled forthwith<br /></span>
+<span class="i0">Into the haunted Harz.&mdash;Some say, to die<br /></span>
+<span class="i0">The prey of demons of the Dummburg ruin.<br /></span>
+<span class="i0">I, one of those less superstitious, say,<br /></span>
+<span class="i0">He in the Bodé&mdash;from that blackened rock,&mdash;<br /></span>
+<span class="i0">Whereon were found his hunting-cap and gun,&mdash;<br /></span>
+<span class="i0">The Devil's Dancing Place, did leap and die.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_48" id="Page_48">[48]</a></span></p>
+<h2><a name="My_Lady_of_Verne" id="My_Lady_of_Verne"></a>My Lady of Verne</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">It all comes back as the end draws near;<br /></span>
+<span class="i0">All comes back like a tale of old!<br /></span>
+<span class="i0">Shall I tell you all? Will you lend an ear?<br /></span>
+<span class="i0">You, with your face so stern and cold;<br /></span>
+<span class="i0">You, who have found me dying here ...<br /></span>
+</div><div class="stanza">
+<span class="i0">Lady Leona's villa at Verne&mdash;<br /></span>
+<span class="i0">You have walked its terraces, where the fount<br /></span>
+<span class="i0">And statue gleam and the fluted urn;<br /></span>
+<span class="i0">Its world-old elms, that are avenues gaunt<br /></span>
+<span class="i0">Of shadow and flame when the West is a-burn.<br /></span>
+</div><div class="stanza">
+<span class="i0">'T is a lonely region of tarns and trees,<br /></span>
+<span class="i0">And hollow hills that circle the West;<br /></span>
+<span class="i0">Haunted of rooks and the far-off sea's<br /></span>
+<span class="i0">Immemorial vague unrest;<br /></span>
+<span class="i0">A land of sorrowful memories.<br /></span>
+</div><div class="stanza">
+<span class="i0">A gray sad land, where the wind has its will,<br /></span>
+<span class="i0">And the sun its way with the fruits and flowers;<br /></span>
+<span class="i0">Where ever the one all night is shrill,<br /></span>
+<span class="i0">And ever the other all day brings hours<br /></span>
+<span class="i0">Of glimmering silence that dead days fill.<br /></span>
+</div><div class="stanza">
+<span class="i0">A gray sad land, where her girlhood grew<br /></span>
+<span class="i0">To womanhood proud, that the hill-winds seemed<br /></span>
+<span class="i0">To give their heart, like melody, to;<br /></span>
+<span class="i0">And the stars, their soul, like a dream undreamed&mdash;<br /></span>
+<span class="i0">The only glad thing that the sad land knew.<br /></span>
+</div></div>
+
+<div class="poem"><div class="stanza"><span class="pagenum"><a name="Page_49" id="Page_49">[49]</a></span>
+<span class="i0">My Lady, you know, how nobly born!<br /></span>
+<span class="i0">Haughty of form, with a head that rose<br /></span>
+<span class="i0">Like a dream of empire; love and scorn<br /></span>
+<span class="i0">Made haunts of her eyes; and her lips were bows<br /></span>
+<span class="i0">Whence pride imperious flashed flower and thorn.<br /></span>
+</div><div class="stanza">
+<span class="i0">And I&mdash;oh, I was nobody: one<br /></span>
+<span class="i0">Her worshiper only; who chose to be<br /></span>
+<span class="i0">Silent, seeing that love alone<br /></span>
+<span class="i0">Was his only badge of nobility,<br /></span>
+<span class="i0">Set in his heart's escutcheon.<br /></span>
+</div><div class="stanza">
+<span class="i0">How long ago does the springtime look,<br /></span>
+<span class="i0">When we wandered away to the hills! the hills,&mdash;<br /></span>
+<span class="i0">Like the land in the tale in the fairy-book,&mdash;<br /></span>
+<span class="i0">Covered with gold of the daffodils,<br /></span>
+<span class="i0">And gemmed with the crocus by brae and brook!<br /></span>
+</div><div class="stanza">
+<span class="i0">When I gathered a branch from a hawthorn tree,<br /></span>
+<span class="i0">For her hair or bosom, from boughs that hung<br /></span>
+<span class="i0">Odorous of heaven and purity;<br /></span>
+<span class="i0">And she thanked me smiling; then merrily sung,<br /></span>
+<span class="i0">Laughingly sung, while she looked at me:&mdash;<br /></span>
+</div><div class="stanza">
+<span class="i0">"There dwelt a princess over the sea&mdash;<br /></span>
+<span class="i2">Right fair was she, right fair was she&mdash;<br /></span>
+<span class="i0">Who loved a squire of low degree,<br /></span>
+<span class="i0">But married a king of Brittany&mdash;<br /></span>
+<span class="i2">Ah, woe is me!<br /></span>
+<span class="pagenum"><a name="Page_50" id="Page_50">[50]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">"And it came to pass on the wedding-day&mdash;<br /></span>
+<span class="i2">So people say, so people say&mdash;<br /></span>
+<span class="i0">That they found her dead in her bridal array,<br /></span>
+<span class="i0">Dead, and her lover beside her lay&mdash;<br /></span>
+<span class="i2">Ah, well-away!<br /></span>
+</div><div class="stanza">
+<span class="i0">"A sour stave for your sweets," she said,<br /></span>
+<span class="i0">Pressing the blossoms against her lips:<br /></span>
+<span class="i0">Then petal by petal the branch she shred,<br /></span>
+<span class="i0">Snowing the blooms from her finger-tips,<br /></span>
+<span class="i0">Tossing them down for her feet to tread.<br /></span>
+</div><div class="stanza">
+<span class="i0">What to her was the look I gave<br /></span>
+<span class="i0">Of love despised! though she seemed to start,<br /></span>
+<span class="i0">Seeing, and said, with a quick hand-wave,<br /></span>
+<span class="i0">"Why, one would think that <i>that</i> was your heart,"<br /></span>
+<span class="i0">While her face with a sudden thought grew grave.<br /></span>
+</div><div class="stanza">
+<span class="i0">But I answered nothing. And so to her home<br /></span>
+<span class="i0">We came in the twilight; falling clear,<br /></span>
+<span class="i0">With a few first stars and a moon's curved foam,<br /></span>
+<span class="i0">Over the hush of meadow and mere,<br /></span>
+<span class="i0">Whence the boom of the bittern would often come.<br /></span>
+</div><div class="stanza">
+<span class="i0">Would you think that she loved me?&mdash;Who can say?&mdash;<br /></span>
+<span class="i0">What a riddle unread was she to me!&mdash;<br /></span>
+<span class="i0">When I kissed her fingers and turned away<br /></span>
+<span class="i0">I wanted to speak, but&mdash;what cared she,<br /></span>
+<span class="i0">Though her eyes looked soft and she begged me stay!<br /></span>
+<span class="pagenum"><a name="Page_51" id="Page_51">[51]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">Though she lingered to watch me&mdash;that might be<br /></span>
+<span class="i0">A slim moon-beam or the evening haze,&mdash;<br /></span>
+<span class="i0">But never my Lady's drapery<br /></span>
+<span class="i0">Or wistful face!&mdash;in the ivy maze....<br /></span>
+<span class="i0">Leona of Verne&mdash;why, what cared she!<br /></span>
+</div><div class="stanza">
+<span class="i0">So the days went by, and the Summer wore<br /></span>
+<span class="i0">Her hot heart out; and, a mighty slayer,<br /></span>
+<span class="i0">The Autumn harried the land and shore,<br /></span>
+<span class="i0">And the world was red with his wrecks; but grayer<br /></span>
+<span class="i0">That land with the ghosts of the nevermore.<br /></span>
+</div><div class="stanza">
+<span class="i0">The sheaves of the Summer had long been bound;<br /></span>
+<span class="i0">The harvests of Autumn had long been past;<br /></span>
+<span class="i0">And the snows of the Winter lay deep around,<br /></span>
+<span class="i0">When the dark news came and I knew at last;<br /></span>
+<span class="i0">And the reigning woe of my heart was crowned.<br /></span>
+</div><div class="stanza">
+<span class="i0">So I sought her here, the young Earl's bride;<br /></span>
+<span class="i0">In the ancient room at the oriel dreaming,<br /></span>
+<span class="i0">Pale as the blooms in her hair; and, wide,<br /></span>
+<span class="i0">Her robe's rich satin, flung stormily, gleaming,<br /></span>
+<span class="i0">Like shimmering silver, twilight-dyed.<br /></span>
+</div><div class="stanza">
+<span class="i0">I marked as I stole to her side that tears<br /></span>
+<span class="i0">Were vaguely large in her beautiful eyes;<br /></span>
+<span class="i0">That the loops of pearls on her throat, and years<br /></span>
+<span class="i0">Old lace on her bosom were heaved with sighs;<br /></span>
+<span class="i0">So I spoke what I thought&mdash;"Then, it appears"&mdash;<br /></span>
+<span class="pagenum"><a name="Page_52" id="Page_52">[52]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">And stopped with, it seemed, my soul in my gaze&mdash;<br /></span>
+<span class="i0">"That you are not happy, Leona of Verne?<br /></span>
+<span class="i0">There is that at your heart which&mdash;well, betrays<br /></span>
+<span class="i0">These mocking mummeries.&mdash;Live and learn!&mdash;<br /></span>
+<span class="i0">And this is the truth that the poet says:&mdash;<br /></span>
+</div><div class="stanza">
+<span class="i0">"'I went to my love and I told with my heart,<br /></span>
+<span class="i0">In words of the soul, that are silent in speech,<br /></span>
+<span class="i0">All of my passion, too sacred for art;<br /></span>
+<span class="i0">But she heard me not&mdash;for I could not reach<br /></span>
+<span class="i0">Her in that world of which she is part.'&mdash;<br /></span>
+</div><div class="stanza">
+<span class="i0">"That world, where I saw you as one afar<br /></span>
+<span class="i0">Sees palms and waters, and knows that sands,<br /></span>
+<span class="i0">Pitiless sands, before him are;<br /></span>
+<span class="i0">Yet follows ever with helpless hands<br /></span>
+<span class="i0">Till he sinks at last.&mdash;You were my star,<br /></span>
+</div><div class="stanza">
+<span class="i0">"My hope, my heaven!&mdash;I loved you!... Life<br /></span>
+<span class="i0">Is less than nothing to me!"... She turned,<br /></span>
+<span class="i0">With a wild look, saying&mdash;"Now I am his wife<br /></span>
+<span class="i0">You come and tell me!&mdash;Indeed you are learn'd<br /></span>
+<span class="i0">In the language of hearts that's unheard!"... A Knife,<br /></span>
+</div><div class="stanza">
+<span class="i0">As she ceased and leaned on a cabinet,&mdash;<br /></span>
+<span class="i0">A curve of scintillant steel, keen, cold,&mdash;<br /></span>
+<span class="i0">Fell icily clashing; some curio met<br /></span>
+<span class="i0">Among Asian antiques, bronze and gold,<br /></span>
+<span class="i0">Mystical, curiously graven and set.<br /></span>
+<span class="pagenum"><a name="Page_53" id="Page_53">[53]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">A Bactrian dagger, whose <a name='TC_3'></a><ins title="Was 'slighest'">slightest</ins> prick<br /></span>
+<span class="i0">Through its ancient poison was death, I knew;<br /></span>
+<span class="i0">If true that she loved me&mdash;then!&mdash;And quick<br /></span>
+<span class="i0">To the unspoken thought she replied, "'T is true!<br /></span>
+<span class="i0">I have loved you long, and my soul was sick,<br /></span>
+</div><div class="stanza">
+<span class="i0">"Sick for the love that has made me weak,<br /></span>
+<span class="i0">Weak to your will even now!"&mdash;And more<br /></span>
+<span class="i0">She said, in my arms, that I shall not speak&mdash;<br /></span>
+<span class="i0">And the dagger there on the polished floor<br /></span>
+<span class="i0">Ever her eyes, while she spoke, would seek.<br /></span>
+</div><div class="stanza">
+<span class="i0">"'And it came to pass on the wedding-day'"&mdash;<br /></span>
+<span class="i0">Then my lips for a moment were crushed to hers&mdash;<br /></span>
+<span class="i0">"'That they found her dead in her bridal array,'"<br /></span>
+<span class="i0">She sang; then said, "You finish the verse!<br /></span>
+<span class="i0">Finish the song, for you know the way."<br /></span>
+</div><div class="stanza">
+<span class="i0">And I whispered "yes," for my mind had thought<br /></span>
+<span class="i0">Her own thought through&mdash;that life were a hell<br /></span>
+<span class="i0">To her as to me,&mdash;So the blade I caught<br /></span>
+<span class="i0">With a sudden hand; and she leaned, and&mdash;well,<br /></span>
+<span class="i0">What a little wound, and the blood it brought<br /></span>
+</div><div class="stanza">
+<span class="i0">To crimson her bosom!&mdash;I set her there<br /></span>
+<span class="i0">In that carven chair; then turned the blade,&mdash;<br /></span>
+<span class="i0">With its glittering haft one savage glare<br /></span>
+<span class="i0">Of gold and jewels, wildly inlaid,&mdash;<br /></span>
+<span class="i0">To my breast, for the poisonous point rent bare.<br /></span>
+<span class="pagenum"><a name="Page_54" id="Page_54">[54]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">A stain of blood on her bosom, and one<br /></span>
+<span class="i0">Black red o'er my heart.&mdash;You see, 't is good<br /></span>
+<span class="i0">To die so for love!... Does the sinking sun,<br /></span>
+<span class="i0">Through the dull vast west burst banked with blood?&mdash;<br /></span>
+<span class="i0">Or is it that life will at last have done?...<br /></span>
+</div><div class="stanza">
+<span class="i0">So you are her husband? and&mdash;well, you see,<br /></span>
+<span class="i0">You see she is dead ... But your face, how white!<br /></span>
+<span class="i0">&mdash;Is it with hate or with misery?&mdash;<br /></span>
+<span class="i0">What matters it now!&mdash;For, at last, the night<br /></span>
+<span class="i0">Falls and the silence covers me.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_55" id="Page_55">[55]</a></span></p>
+<h2><a name="An_Old_Tale_Re-told" id="An_Old_Tale_Re-told"></a>An Old Tale Re-told</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">From the terrace here, where the hills indent,<br /></span>
+<span class="i0">You can see the uttermost battlement<br /></span>
+<span class="i0">Of the castle there; the Cliffords' home;<br /></span>
+<span class="i0">Where the seasons go and the seasons come<br /></span>
+<span class="i0">And never a footstep else doth fall<br /></span>
+<span class="i0">Save the prowling fox's; the ancient hall<br /></span>
+<span class="i0">Echoes no voice save the owlet's call:<br /></span>
+<span class="i0">Its turret chambers are homes for the bat;<br /></span>
+<span class="i0">And its courts are tangled and wild to see;<br /></span>
+<span class="i0">And where in the cellar was once the rat,<br /></span>
+<span class="i0">The viper and toad move stealthily.<br /></span>
+<span class="i0">Long years have passed since the place was burned,<br /></span>
+<span class="i0">And he sailed to the wars in France and earned<br /></span>
+<span class="i0">The name that he bears of the bold and true<br /></span>
+<span class="i0">On his tomb. Long years, since my lord, Sir Hugh,<br /></span>
+<span class="i0">Lived; and I was his favorite page,<br /></span>
+<span class="i0">And the thing then happened; and he of an age<br /></span>
+<span class="i0">When a man will love and be loved again,<br /></span>
+<span class="i0">Or hie to the wars or a monastery,<br /></span>
+<span class="i0">Or toil till he conquer his heart's sore pain,<br /></span>
+<span class="i0">Or drink and forget it and finally bury.<br /></span>
+</div><div class="stanza">
+<span class="i0">I was his page. And often we fared<br /></span>
+<span class="i0">Through the Clare demesnes, in autumn, hawking;<br /></span>
+<span class="i0">If the Baron had known, how they would have glared<br /></span>
+<span class="i0">'Neath their bushy brows, those eyes of mocking!&mdash;<br /></span>
+<span class="i0">That last of the Strongbows, Richard, I mean&mdash;<br /></span>
+<span class="i0">And growling some six of his henchmen lean<br /></span><span class="pagenum"><a name="Page_56" id="Page_56">[56]</a></span>
+<span class="i0">To mount and after this Clifford and hang<br /></span>
+<span class="i0">With his crop-eared page to the nearest oak,<br /></span>
+<span class="i0">How he would have cursed us while he spoke!<br /></span>
+<span class="i0">For Clare and Clifford had ever a fang<br /></span>
+<span class="i0">In the other's side ... And I hear the clang<br /></span>
+<span class="i0">Of his rage in the hall when the hawker told&mdash;<br /></span>
+<span class="i0">If he told!&mdash;how we met on the autumn wold<br /></span>
+<span class="i0">His daughter, sweet Clara of Clare, the day<br /></span>
+<span class="i0">Her hooded tiercel its brails did burst,<br /></span>
+<span class="i0">And trailing its jesses, came flying our way&mdash;<br /></span>
+<span class="i0">An untrained haggard the falconer cursed<br /></span>
+<span class="i0">While he tried to secure:&mdash;as the eyas flew<br /></span>
+<span class="i0">Slant, low and heavily over us, Hugh,&mdash;<br /></span>
+<span class="i0">Who saw it coming, and had just then cast<br /></span>
+<span class="i0">His peregrine hawk at a heron quarry,&mdash;<br /></span>
+<span class="i0">In his saddle rising, so, as it passed,<br /></span>
+<span class="i0">By the jesses caught, and to her did carry,<br /></span>
+<span class="i0">Where she stood near the wood. Her face flushed rose<br /></span>
+<span class="i0">With the glad of the meeting. No two foes<br /></span>
+<span class="i0">Her eyes and my Lord's, I swear, who saw<br /></span>
+<span class="i0">'Twas love from the start. And I heard him speak<br /></span>
+<span class="i0">Some words; then he knelt; and the sombre shaw,<br /></span>
+<span class="i0">With the rust of the autumn waste and bleak,<br /></span>
+<span class="i0">Grew spring with her smile, as the hawk she took<br /></span>
+<span class="i0">On her lily wrist, where it pruned and shook<br /></span>
+<span class="i0">Its ragged wings. Then I saw him seize<br /></span>
+<span class="i0">The hand, that she reached to him, long and white,<br /></span>
+<span class="i0">As she smilingly bade him rise from his knees&mdash;<br /></span>
+<span class="pagenum"><a name="Page_57" id="Page_57">[57]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">When he kissed its fingers, her eyes grew bright.<br /></span>
+<span class="i0">But her cheeks grew pallid when, lashing through<br /></span>
+<span class="i0">The woodland there, with a face a-flare<br /></span>
+<span class="i0">With the sting of the wind, and his gipsy hair<br /></span>
+<span class="i0">Flying, the falconer came, and two<br /></span>
+<span class="i0">Or three of the people of Castle Clare.<br /></span>
+<span class="i0">And the leaves of the autumn made a frame<br /></span>
+<span class="i0">For the picture there in the morning's flame.<br /></span>
+</div><div class="stanza">
+<span class="i0">What was said in that moment, I do not know,<br /></span>
+<span class="i0">That moment of meeting, between those lovers;<br /></span>
+<span class="i0">But whatever it was, 't was whispered low,<br /></span>
+<span class="i0">And soft as a leaf that swings and hovers,<br /></span>
+<span class="i0">A twinkling gold, when the leaves are yellow.<br /></span>
+<span class="i0">And her face with the joy was still aglow,<br /></span>
+<span class="i0">When down through the wood that burly fellow<br /></span>
+<span class="i0">Came with his frown, and made a pause<br /></span>
+<span class="i0">In the pulse of their words. My lord, Sir Hugh,<br /></span>
+<span class="i0">Stood with the soil on his knee. No cause<br /></span>
+<span class="i0">Had he, but his hanger he partly drew,<br /></span>
+<span class="i0">Then clapped it sharp in its sheath again,<br /></span>
+<span class="i0">And bowed to my Lady, and strode away;<br /></span>
+<span class="i0">And mounting his horse, with a swinging rein<br /></span>
+<span class="i0">Rode with a song in his heart all day.<br /></span>
+</div><div class="stanza">
+<span class="i0">He loved and was loved, I knew; for, look!<br /></span>
+<span class="i0">All other sports for the chase he forsook.<br /></span>
+<span class="i0">And strange that he never went to hawk,<br /></span><span class="pagenum"><a name="Page_58" id="Page_58">[58]</a></span>
+<span class="i0">Or hunt, but Clara would meet him there<br /></span>
+<span class="i0">In the Strongbow forest! I know the rock,<br /></span>
+<span class="i0">With its fern-filled moss, by the bramble lair,<br /></span>
+<span class="i0">Were oft and again he met&mdash;by chance,<br /></span>
+<span class="i0">Shall I say?&mdash;the daughter of Clare; as fair<br /></span>
+<span class="i0">Of face as a queen in an old romance,<br /></span>
+<span class="i0">Who waits with her sweet face pale; her hair<br /></span>
+<span class="i0">Night-deep; and eyes dove-gray with dreams;&mdash;<br /></span>
+<span class="i0">By the fountain-side where the statue gleams<br /></span>
+<span class="i0">And the moonbeam lolls in the lily white,&mdash;<br /></span>
+<span class="i0">For the knightly lover who comes at night.<br /></span>
+</div><div class="stanza">
+<span class="i0">Heigho! they ceased, those meetings; I wot,<br /></span>
+<span class="i0">Betrayed to the Baron by some of his crew<br /></span>
+<span class="i0">Of menials who followed and saw and knew.<br /></span>
+<span class="i0">For she loved too well to have once forgot<br /></span>
+<span class="i0">The time and the place of their trysting true.<br /></span>
+<span class="i0">"Why and when?" would ask Sir Hugh<br /></span>
+<span class="i0">In the labored letters he used to lock&mdash;<br /></span>
+<span class="i0">The lovers' post&mdash;in a coigne of that rock.<br /></span>
+<span class="i0">She used to answer, but now did not.<br /></span>
+<span class="i0">But nearing Yule, love got them again<br /></span>
+<span class="i0">A twilight tryst&mdash;through frowardness sure!&mdash;<br /></span>
+<span class="i0">They met. And that day was gray with rain,<br /></span>
+<span class="i0">Or snow: and the wind did ever endure<br /></span>
+<span class="i0">A long bleak moaning thorough the wood,<br /></span>
+<span class="i0">That chapped i' the cheek and smarted the blood;<br /></span>
+<span class="i0">And a brook in the forest went throb and throb,<br /></span><span class="pagenum"><a name="Page_59" id="Page_59">[59]</a></span>
+<span class="i0">And over it all was the wild-beast sob<br /></span>
+<span class="i0">Of the rushing boughs like a thing pursued.<br /></span>
+<span class="i0">And then it was that he learned how she,<br /></span>
+<span class="i0">(God's blood! how it makes my old limbs quiver<br /></span>
+<span class="i0">To think what a miserable tyrant he&mdash;<br /></span>
+<span class="i0">The Baron Richard&mdash;aye and ever<br /></span>
+<span class="i0">To his daughter was!) forsooth! must wed<br /></span>
+<span class="i0">With an eastern earl, a Lovell: to whom<br /></span>
+<span class="i0">(Would God o' his mercy had struck him dead!)<br /></span>
+<span class="i0">Clara of Clare when only a child,&mdash;<br /></span>
+<span class="i0">With a face like a flower, that blooms in the wild<br /></span>
+<span class="i0">Of the hills, and a soul like its soft perfume,&mdash;<br /></span>
+<span class="i0">Was given; to seal, or strengthen, some ties<br /></span>
+<span class="i0">Of power and wealth&mdash;say bartered, then,<br /></span>
+<span class="i0">Like the merest chattel. With tearful eyes<br /></span>
+<span class="i0">And trembling lips she spoke; and when<br /></span>
+<span class="i0">Her lover, the Clifford, had learned and heard,&mdash;<br /></span>
+<span class="i0">He'd have had her flee with him then, 'sdeath!<br /></span>
+<span class="i0">In spite of them all! Let her speak the word,<br /></span>
+<span class="i0">They would fly together; the Baron's men<br /></span>
+<span class="i0">Might follow, and if ... and he touched his sword,<br /></span>
+<span class="i0">It should answer! But she, while she seemed to stay,<br /></span>
+<span class="i0">With a hand on her bosom, her heart's quick breath,<br /></span>
+<span class="i0">Replied to his heat, "They would take and slay<br /></span>
+<span class="i0">Thee who art life of me!&mdash;No! not thus<br /></span>
+<span class="i0">Shall we fly! there's another way for us;<br /></span>
+<span class="i0">A way that is sure; an only way;<br /></span><span class="pagenum"><a name="Page_60" id="Page_60">[60]</a></span>
+<span class="i0">I have thought it out this many a day."&mdash;<br /></span>
+<span class="i0">The words that she spoke, how well I remember!<br /></span>
+<span class="i0">As well as the mood o' that day of December,<br /></span>
+<span class="i0">That bullied and blustered and seemed in league,<br /></span>
+<span class="i0">Like a spiteful shrew, with the wind and snow,<br /></span>
+<span class="i0">To drown the words of their sweet intrigue,<br /></span>
+<span class="i0">With the boom of the boughs tossed to and fro.<br /></span>
+<span class="i0">Her last words these, "By curfew sure,<br /></span>
+<span class="i0">On Christmas eve, at the postern door."<br /></span>
+</div><div class="stanza">
+<span class="i0">And we were there; with a led horse too;<br /></span>
+<span class="i0">Armed for a journey I hardly knew<br /></span>
+<span class="i0">Whither, but why, you well can guess.<br /></span>
+<span class="i0">For often he whispered a certain name,<br /></span>
+<span class="i0">The talisman of his happiness,<br /></span>
+<span class="i0">That warmed his blood like a yule-log's flame.<br /></span>
+<span class="i0">While we waited there, till its owner came,<br /></span>
+<span class="i0">We saw how the castle's baronial girth,<br /></span>
+<span class="i0">Like a giant's, loosed for reveling more,<br /></span>
+<span class="i0">Shone; and we heard the wassail and mirth<br /></span>
+<span class="i0">Where the mistletoe hung in the hearth's red roar,<br /></span>
+<span class="i0">And the holly brightened the weaponed wall<br /></span>
+<span class="i0">Of ancient oak in the banqueting hall.<br /></span>
+<span class="i0">And the spits, I trow, by the scullions turned<br /></span>
+<span class="i0">O'er the snoring logs, rich steamed and burned,<br /></span>
+<span class="i0">While the whole wild-boar and the deer were roasted,<br /></span>
+<span class="i0">And the half of an ox and the roe-buck haunches;<br /></span>
+<span class="i0">While tuns of ale, that the cellars boasted,<br /></span><span class="pagenum"><a name="Page_61" id="Page_61">[61]</a></span>
+<span class="i0">And casks of sack, were broached for paunches<br /></span>
+<span class="i0">Of vassals who reveled in stable and hall.<br /></span>
+<span class="i0">The song of the minstrel; the yeomen's quarrel<br /></span>
+<span class="i0">O'er the dice and the drink; and the huntsman's bawl<br /></span>
+<span class="i0">In the baying kennels, its hounds a-snarl<br /></span>
+<span class="i0">O'er the bones of the banquet; now loud, now low,<br /></span>
+<span class="i0">We could hear where we crouched in the drifting snow.<br /></span>
+</div><div class="stanza">
+<span class="i0">Was she long? did she come?... By the postern we<br /></span>
+<span class="i0">Like shadows waited. My lord, Sir Hugh,<br /></span>
+<span class="i0">Spoke, pointing a tower, "That casement, see?<br /></span>
+<span class="i0">When a stealthy light in its slit burns blue<br /></span>
+<span class="i0">And signals thrice slowly, thus&mdash;'t is she."<br /></span>
+<span class="i0">And close to his breast his gaberdine drew,<br /></span>
+<span class="i0">For the wind it whipped and the snow beat through.<br /></span>
+<span class="i0">Did she come?&mdash;We had waited an hour or twain,<br /></span>
+<span class="i0">When the taper flashed in the central pane,<br /></span>
+<span class="i0">And flourished three times and vanished so.<br /></span>
+<span class="i0">And under the arch of the postern's portal,<br /></span>
+<span class="i0">Holding the horses, we stood in the snow,<br /></span>
+<span class="i0">Stiff with the cold. Ah, me! immortal<br /></span>
+<span class="i0">Minutes we waited, breath-bated, and listened<br /></span>
+<span class="i0">Shivering there in the hiss of the gale:<br /></span>
+<span class="i0">The parapets whistled, the angles glistened,<br /></span>
+<span class="i0">And the night around seemed one black wail<br /></span>
+<span class="i0">Of death, whose ominous presence over<br /></span><span class="pagenum"><a name="Page_62" id="Page_62">[62]</a></span>
+<span class="i0">The stormy battlements seemed to hover.<br /></span>
+<span class="i0">Said my lord, Sir Hugh,&mdash;to himself he spoke,&mdash;<br /></span>
+<span class="i0">"She feels for the spring in the sliding panel<br /></span>
+<span class="i0">'Neath the arras, hid in the carven oak.<br /></span>
+<span class="i0">It opens. The stair, like a well's dark channel,<br /></span>
+<span class="i0">Yawns; and the draught makes her taper slope.<br /></span>
+<span class="i0">Wrapped deep in her mantle she stoops, now puts<br /></span>
+<span class="i0">One foot on the stair; now a listening pause<br /></span>
+<span class="i0">As nearer and nearer the mad search draws<br /></span>
+<span class="i0">Of the thwarted castle. No smallest hope<br /></span>
+<span class="i0">That they find her now that the panel shuts!...<br /></span>
+<span class="i0">If the wind, that howls like a tortured thing,<br /></span>
+<span class="i0">Would throttle itself with itself, then I<br /></span>
+<span class="i0">Might hear how her hurrying footsteps ring<br /></span>
+<span class="i0">Down the hollow ... there! 't is her fingers try<br /></span>
+<span class="i0">The postern's bolts that the rust makes cling."&mdash;<br /></span>
+<span class="i0">But ever some whim of the storm that shook<br /></span>
+<span class="i0">A clanging ring or a creaking hook<br /></span>
+<span class="i0">In buttress or wall. And we waited, numb<br /></span>
+<span class="i0">With the cold, till dawn&mdash;but she did not come.<br /></span>
+</div><div class="stanza">
+<span class="i0">I must tell you why and have done: 'T is said,<br /></span>
+<span class="i0">On the brink of the marriage she fled the side<br /></span>
+<span class="i0">Of the guests and the bridegroom there; she fled<br /></span>
+<span class="i0">With a mischievous laugh,&mdash;"I'll hide! I'll hide!<br /></span>
+<span class="i0">Seek! and be sure that you find!"&mdash;so led<br /></span>
+<span class="i0">A long search after her; but defied<br /></span>
+<span class="i0">All search for&mdash;a score and ten long years....<br /></span>
+<span class="pagenum"><a name="Page_63" id="Page_63">[63]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">Well, the laughter of Yule was turned to tears<br /></span>
+<span class="i0">For them and for us. We saw the glare<br /></span>
+<span class="i0">Of torches that hurried from chamber to stair;<br /></span>
+<span class="i0">And we heard the castle re-echo her name,<br /></span>
+<span class="i0">But neither to them nor to us she came.<br /></span>
+<span class="i0">And that was the last of Clara of Clare.<br /></span>
+</div><div class="stanza">
+<span class="i0">That winter it was, a month thereafter,<br /></span>
+<span class="i0">That the home of the Cliffords, roof and rafter,<br /></span>
+<span class="i0">Burned.&mdash;I could swear 't was the Strongbow's doing,<br /></span>
+<span class="i0">Were I sure that he knew of the Clifford's wooing<br /></span>
+<span class="i0">His daughter; and so, by the Rood and Cross!<br /></span>
+<span class="i0">Had burned Hugh's home to avenge his loss.&mdash;<br /></span>
+<span class="i0">So over the channel to France with his King,<br /></span>
+<span class="i0">The Black Prince, sailed to the wars&mdash;to deaden<br /></span>
+<span class="i0">The ache of the mystery&mdash;Hugh that spring,<br /></span>
+<span class="i0">And fell at Poitiers; for his loss made leaden<br /></span>
+<span class="i0">His heart; and his life was a weary sadness,<br /></span>
+<span class="i0">So he flung it away in a moment's madness.<br /></span>
+<span class="i0">And the Baron died. And the bridegroom?&mdash;well,<br /></span>
+<span class="i0">Unlucky was he in truth!&mdash;to tell<br /></span>
+<span class="i0">Of him there is nothing. The Baron died,<br /></span>
+<span class="i0">The last of the Strongbows he&mdash;gramercy!<br /></span>
+<span class="i0">And the Clare estate with its wealth and pride<br /></span>
+<span class="i0">Devolved to the Bloets, Walter and Percy.<br /></span>
+</div><div class="stanza">
+<span class="i0">And years went by. And it happened that they<br /></span>
+<span class="i0">Ransacked the old castle; and so, one day,<br /></span>
+<span class="i0">In a lonesome tower uprummaged a chest,<br /></span><span class="pagenum"><a name="Page_64" id="Page_64">[64]</a></span>
+<span class="i0">From Flanders; of ebon, and wildly carved<br /></span>
+<span class="i0">All over with things: a sinister crest,<br /></span>
+<span class="i0">And evil faces, distorted and starved;<br /></span>
+<span class="i0">Fast-locked with a spring, which they forced and, lo!<br /></span>
+<span class="i0">When they opened it&mdash;Death, like a lady dressed,<br /></span>
+<span class="i0">Grinned up at their terror!&mdash;but no, not so!<br /></span>
+<span class="i0">A skeleton, jeweled and laced, and wreathed<br /></span>
+<span class="i0">With flowers of dust; and a miniver<br /></span>
+<span class="i0">Around it clasped, that the ruin sheathed<br /></span>
+<span class="i0">Of a once rich raiment of silk and fur.<br /></span>
+</div><div class="stanza">
+<span class="i0">I'd have given my life to hear him tell,<br /></span>
+<span class="i0">The courtly Clifford, how this befell!<br /></span>
+<span class="i0">He'd have known how it was: For, you see, in groping<br /></span>
+<span class="i0">For the secret spring of that panel, hoping<br /></span>
+<span class="i0">And fearing as nearer and nearer drew<br /></span>
+<span class="i0">The search of retainers, why, out she blew<br /></span>
+<span class="i0">The tell-tale taper; and, seeing this chest,<br /></span>
+<span class="i0">Would hide her a minute in it, mayhap,<br /></span>
+<span class="i0">Till the hurry had passed; but the death-lock, pressed<br /></span>
+<span class="i0">By the lid's great weight, closed fast with a snap,<br /></span>
+<span class="i0">Ere her heart was aware of the fiendish trap.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_65" id="Page_65">[65]</a></span></p>
+<h2><a name="The_Water_Witch" id="The_Water_Witch"></a>The Water Witch</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">See! the milk-white doe is wounded.<br /></span>
+<span class="i1">He will follow as it bounds<br /></span>
+<span class="i0">Through the woods. His horn has sounded.<br /></span>
+<span class="i1">Echoing, for his men and hounds.<br /></span>
+<span class="i0">But no answering bugle blew.<br /></span>
+<span class="i0">He has lost his retinue<br /></span>
+<span class="i0">For the shapely deer that bounded<br /></span>
+<span class="i0">Past him when his bow he drew.<br /></span>
+</div><div class="stanza">
+<span class="i0">Not one hound or huntsman follows.<br /></span>
+<span class="i1">Through the underbrush and moss<br /></span>
+<span class="i0">Goes the slot; and in the hollows<br /></span>
+<span class="i1">Of the hills, that he must cross,<br /></span>
+<span class="i0">He has lost it. He must fare<br /></span>
+<span class="i0">Over rocks where she-wolves lair;<br /></span>
+<span class="i0">Wood-pools where the wild-boar wallows;<br /></span>
+<span class="i0">So he leaves his good steed there.<br /></span>
+</div><div class="stanza">
+<span class="i0">Through his mind then flashed an olden<br /></span>
+<span class="i1">Legend told him by the monks:&mdash;<br /></span>
+<span class="i0">Of a girl, whose hair is golden,<br /></span>
+<span class="i1">Haunting fountains and the trunks<br /></span>
+<span class="i0">Of the woodland; who, they say,<br /></span>
+<span class="i0">Is a white doe all the day;<br /></span>
+<span class="i0">But when woods are night-enfolden<br /></span>
+<span class="i0">Turns into an evil fay.<br /></span>
+<span class="pagenum"><a name="Page_66" id="Page_66">[66]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">Then the story oft his teacher<br /></span>
+<span class="i1">Told him; of a mountain lake<br /></span>
+<span class="i0">Demons dwell in; vague of feature,<br /></span>
+<span class="i1">Human-like, but each a snake,<br /></span>
+<span class="i0">She is queen of.&mdash;Did he hear<br /></span>
+<span class="i0">Laughter at his startled ear?<br /></span>
+<span class="i0">Or a bird? And now, what creature<br /></span>
+<span class="i0">Is it, or the wind, stirs near?<br /></span>
+</div><div class="stanza">
+<span class="i0">Fever of the hunt. This water,<br /></span>
+<span class="i1">Murmuring here, will cool his head.<br /></span>
+<span class="i0">Through the forest, fierce as slaughter,<br /></span>
+<span class="i1">Slants the sunset; ruby red<br /></span>
+<span class="i0">Are the drops that slip between<br /></span>
+<span class="i0">His cupped hands, while on the green,&mdash;<br /></span>
+<span class="i0">Like the couch of some wild daughter<br /></span>
+<span class="i0">Of the forest,&mdash;he doth lean.<br /></span>
+</div><div class="stanza">
+<span class="i0">But the runnel, bubbling, dripping,<br /></span>
+<span class="i1">Seems to bid him to be gone;<br /></span>
+<span class="i0">As with crystal words, and tripping<br /></span>
+<span class="i1">Steps of sparkle luring on.<br /></span>
+<span class="i0">Now a spirit in the rocks<br /></span>
+<span class="i0">Calls him; now a face that mocks,<br /></span>
+<span class="i0">From behind some bowlder slipping,<br /></span>
+<span class="i0">Laughs at him with lilied locks.<br /></span>
+<span class="pagenum"><a name="Page_67" id="Page_67">[67]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">So he follows through the flowers,<br /></span>
+<span class="i1">Blue and gold, that blossom there;<br /></span>
+<span class="i0">Thridding twilight-haunted bowers<br /></span>
+<span class="i1">Where each ripple seems the bare<br /></span>
+<span class="i0">Beauty of white limbs that gleam<br /></span>
+<span class="i0">Rosy through the running stream;<br /></span>
+<span class="i0">Or bright-shaken hair, that showers<br /></span>
+<span class="i0">Starlight in the sunset's beam.<br /></span>
+</div><div class="stanza">
+<span class="i0">Till, far in the forest, sleeping<br /></span>
+<span class="i1">Like a luminous darkness, lay<br /></span>
+<span class="i0">A deep water, wherein, leaping,<br /></span>
+<span class="i1">Fell the Fountain of the Fay,<br /></span>
+<span class="i0">With a singing, sighing sound,<br /></span>
+<span class="i0">As of spirit things around,<br /></span>
+<span class="i0">Musically laughing, weeping<br /></span>
+<span class="i0">In the air and underground.<br /></span>
+</div><div class="stanza">
+<span class="i0">Not a ripple o'er it merried:<br /></span>
+<span class="i1">Like the round moon 'neath a cloud,<br /></span>
+<span class="i0">In its rocks the lake lay buried:<br /></span>
+<span class="i1">And strange creatures seemed to crowd<br /></span>
+<span class="i0">Its dark depths; vague limbs and eyes<br /></span>
+<span class="i0">To the surface seemed to rise<br /></span>
+<span class="i0">Spawn-like and, as formless, ferried<br /></span>
+<span class="i0">Through the water, shadow-wise.<br /></span>
+<span class="pagenum"><a name="Page_68" id="Page_68">[68]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">Foliage things with human faces,<br /></span>
+<span class="i1">Demon-dreadful, pale and wild<br /></span>
+<span class="i0">As the forms the lightning traces<br /></span>
+<span class="i1">On the clouds the storm has piled,<br /></span>
+<span class="i0">Seeming now to draw to land,<br /></span>
+<span class="i0">Now away&mdash;Then up the strand<br /></span>
+<span class="i0">Comes a woman; and she places<br /></span>
+<span class="i0">On his arm a spray-white hand.<br /></span>
+</div><div class="stanza">
+<span class="i0">Ah! an untold world of sorrow<br /></span>
+<span class="i1">Were her eyes; her hair, a place<br /></span>
+<span class="i0">Whence the moon its gold might borrow;<br /></span>
+<span class="i1">And a dream of ice her face:<br /></span>
+<span class="i0">'Round her hair and throat in rims<br /></span>
+<span class="i0">Pearls of foam hung; and through whims<br /></span>
+<span class="i0">Of her robe, as breaks the morrow,<br /></span>
+<span class="i0">Shone the rose-light of her limbs.<br /></span>
+</div><div class="stanza">
+<span class="i0">Who could help but look with gladness<br /></span>
+<span class="i1">On such beauty? though within,<br /></span>
+<span class="i0">Deep within the beryl sadness<br /></span>
+<span class="i1">Of those eyes, the serpent sin<br /></span>
+<span class="i0">Coil?&mdash;When she hath placed her cheek<br /></span>
+<span class="i0">Chilly upon his, and weak,<br /></span>
+<span class="i0">With love longing and its madness,<br /></span>
+<span class="i0">Is his will grown, then she'll speak:<br /></span>
+<span class="pagenum"><a name="Page_69" id="Page_69">[69]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">"Dost thou love me?"&mdash;"If surrender<br /></span>
+<span class="i1">Is to love thee, then I love."&mdash;<br /></span>
+<span class="i0">"Hast no fear then?"&mdash;"In the splendor<br /></span>
+<span class="i1">Of thy gaze who knows thereof?<br /></span>
+<span class="i0">Yet I fear&mdash;I fear to lose<br /></span>
+<span class="i0">Thee, thy love!"&mdash;"And thou dost choose<br /></span>
+<span class="i0">Aye to be my heart's defender?"&mdash;<br /></span>
+<span class="i0">"Take me. I am thine to use."<br /></span>
+</div><div class="stanza">
+<span class="i0">"Follow then. Ah, love, no lowly<br /></span>
+<span class="i1">Home I give thee."&mdash;With fixed eyes,<br /></span>
+<span class="i0">To the water's edge she slowly<br /></span>
+<span class="i1">Drew him.... And he did surmise<br /></span>
+<span class="i0">'Twas her lips on his, until<br /></span>
+<span class="i0">O'er his face the foam closed chill,<br /></span>
+<span class="i0">Whisp'ring, and the lake unholy<br /></span>
+<span class="i0">Rippled, rippled and was still.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_70" id="Page_70">[70]</a></span></p>
+<h2><a name="At_Nineveh" id="At_Nineveh"></a>At Nineveh</h2>
+
+<h3>Written for my friend Walter S. Mathews.</h3>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">There was a princess once, who loved the slave<br /></span>
+<span class="i1">Of an Assyrian king, her father; known<br /></span>
+<span class="i0">At Nineveh as Hadria; o'er whose grave<br /></span>
+<span class="i1">The sands of centuries have long been blown;<br /></span>
+<span class="i0">Yet sooner shall the night forget its stars<br /></span>
+<span class="i1">Than love her story:&mdash;How, unto his throne,<br /></span>
+<span class="i0">One day she came, where, with his warriors,<br /></span>
+<span class="i1">The king sat in the hall of audience,<br /></span>
+<span class="i0">'Mid pillared trophies of barbaric wars,<br /></span>
+<span class="i1">And, kneeling to him, asked, "O father, whence<br /></span>
+<span class="i0">Comes love and why?"&mdash;He, smiling on her, said,&mdash;<br /></span>
+<span class="i1">"O Hadria, love is of the gods, and hence<br /></span>
+<span class="i0">Divine, is only soul-interpreted.<br /></span>
+<span class="i1">But why love is, ah, child, we do not know,<br /></span>
+<span class="i0">Unless 'tis love that gives us life when dead."&mdash;<br /></span>
+<span class="i1">And then his daughter, with a face aglow<br /></span>
+<span class="i0">With all the love that clamored in her blood<br /></span>
+<span class="i1">Its sweet avowal, lifted arms of snow,<br /></span>
+<span class="i0">And, like Aurora's rose, before him stood,<br /></span>
+<span class="i1">Saying,&mdash;"Since love is of the powers above,<br /></span>
+<span class="i0">I love a slave, O Asshur! Let the good<br /></span>
+<span class="i1">The gods have giv'n be sanctioned. Speak not of<br /></span>
+<span class="i0">Dishonor and our line's ancestral dead!<br /></span>
+<span class="i1">They are imperial dust. I live and love."&mdash;<br /></span>
+<span class="i0">Black as black storm then rose the king and said,&mdash;<br /></span>
+<span class="i1">A lightning gesture at her standing there,&mdash;<br /></span>
+<span class="i0">"Enough! ho, Rhana, strike me off her head!"<br /></span>
+<span class="i1">And at the mandate, with his limbs half bare<br /></span><span class="pagenum"><a name="Page_71" id="Page_71">[71]</a></span>
+<span class="i0">A slave strode forth. Majestic was his form<br /></span>
+<span class="i1">As some young god's. He, gathering up her hair,<br /></span>
+<span class="i0">Wound it three times around his sinewy arm.<br /></span>
+<span class="i1">Then drew his sword. It for one moment shone<br /></span>
+<span class="i0">A semicircling light, and, dripping warm,<br /></span>
+<span class="i1">Lifting the head he stood before the throne.<br /></span>
+<span class="i0">Then cried the despot, "By the horn of Bel!<br /></span>
+<span class="i1">This was no child of mine!"&mdash;Like chiselled stone<br /></span>
+<span class="i0">Still stood the slave, a son of Israel.<br /></span>
+<span class="i1">Then striding towards the monarch, in his eye<br /></span>
+<span class="i0">The wrath of heaven and the hate of hell,<br /></span>
+<span class="i1">Shrieked, "Lust! I loved her! look on us and die!"<br /></span>
+<span class="i0">Swifter than fire clove him to the brain.<br /></span>
+<span class="i1">Then kissed the dead fair face of her held high,<br /></span>
+<span class="i0">And crying, "Judge, O God, between us twain!"<br /></span>
+<span class="i1">A thousand daggers in his heart, fell slain.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_72" id="Page_72">[72]</a></span></p>
+<h2><a name="How_They_Brought_Aid_to_Bryans_Station" id="How_They_Brought_Aid_to_Bryans_Station"></a>How They Brought Aid to Bryan's Station</h2>
+
+<p>During the siege of Bryan's Station, Kentucky, August 16, 1782, Nicholas
+Tomlinson and Thomas Bell, two inhabitants of the Fort, undertook to
+ride through the besieging Indian and Tory lines to Lexington, Ky., for
+aid. It happened also during this siege that the pioneer women of the
+Fort, when the water supply was exhausted, heroically carried water from
+a spring, at a considerable distance outside the palisades of the
+Station, to its inmates, under the very guns of the enemy.</p>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">With saddles girt and reins held fast,<br /></span>
+<span class="i0">Our rifles well in front, at last<br /></span>
+<span class="i1">Tom Bell and I were mounted.<br /></span>
+<span class="i0">The gate swung wide. We said, "Good-bye."<br /></span>
+<span class="i0">No time for talk had Bell and I.<br /></span>
+<span class="i0">One said, "God speed!" another, "Fly!"<br /></span>
+<span class="i0">Then out we galloped. Live or die,<br /></span>
+<span class="i1">We felt each moment counted.<br /></span>
+</div><div class="stanza">
+<span class="i0">The trace, the buffaloes had worn,<br /></span>
+<span class="i0">Stretched broad before us; and the corn<br /></span>
+<span class="i1">And cane through which it wended,<br /></span>
+<span class="i0">We knew for acres from the gate<br /></span>
+<span class="i0">Hid Indian guile and Tory hate.<br /></span>
+<span class="i0">We rode with hearts that seemed to wait<br /></span>
+<span class="i0">For instant death; and on our fate<br /></span>
+<span class="i1">The Station's fate depended.<br /></span>
+<span class="pagenum"><a name="Page_73" id="Page_73">[73]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">No rifle cracked. No creature stirred,<br /></span>
+<span class="i0">As on towards Lexington we spurred<br /></span>
+<span class="i1">Unflinchingly together.<br /></span>
+<span class="i0">We reached the woods: no savage shout<br /></span>
+<span class="i0">Of all the wild Wyandotte rout<br /></span>
+<span class="i0">And Shawanese had yet rung out:<br /></span>
+<span class="i0">But now and then an Indian scout<br /></span>
+<span class="i1">Showed here a face and feather.<br /></span>
+</div><div class="stanza">
+<span class="i0">We rode expecting death each stride<br /></span>
+<span class="i0">From thicket depth or tree-trunk side,<br /></span>
+<span class="i1">Where some red foe might huddle&mdash;<br /></span>
+<span class="i0">For well we knew that renegade,<br /></span>
+<span class="i0">The blood-stained Girty, had not stayed<br /></span>
+<span class="i0">His fiends from us, who rode for aid,&mdash;<br /></span>
+<span class="i0">The dastard he who had betrayed<br /></span>
+<span class="i1">The pioneers of Ruddle.<br /></span>
+</div><div class="stanza">
+<span class="i0">And when an arrow grazed my hair<br /></span>
+<span class="i0">I did not turn, I did not spare<br /></span>
+<span class="i1">To spur as men spur warward:<br /></span>
+<span class="i0">A war-whoop rang this side a rock:<br /></span>
+<span class="i0">Then painted faces swarmed, to block<br /></span>
+<span class="i0">Our way, with brandished tomahawk<br /></span>
+<span class="i0">And rifle: then a shout, a shock&mdash;<br /></span>
+<span class="i1">And we again rode forward.<br /></span>
+<span class="pagenum"><a name="Page_74" id="Page_74">[74]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">They followed; but 'twas no great while<br /></span>
+<span class="i0">Before from them by some long mile<br /></span>
+<span class="i1">Of forest we were sundered.<br /></span>
+<span class="i0">We galloped on. I'd lost my gun;<br /></span>
+<span class="i0">And Bell, whose girth had come undone,<br /></span>
+<span class="i0">Rode saddleless. The summer sun<br /></span>
+<span class="i0">Was up when into Lexington<br /></span>
+<span class="i1">Side unto side we thundered.<br /></span>
+</div><div class="stanza">
+<span class="i0">Too late. For Todd had left that day<br /></span>
+<span class="i0">With many men. Decoyed away<br /></span>
+<span class="i1">To Hoy's by some false story.<br /></span>
+<span class="i0">And we must after. Bryan's needs<br /></span>
+<span class="i0">Said, "On!" although our gallant steeds<br /></span>
+<span class="i0">Were blown&mdash;Enough! we must do deeds!<br /></span>
+<span class="i0">Must follow where our duty leads,<br /></span>
+<span class="i1">Be it to death or glory.<br /></span>
+</div><div class="stanza">
+<span class="i0">The way was wild and often barred<br /></span>
+<span class="i0">By trees and rocks; and it was hard<br /></span>
+<span class="i1">To keep our hearts from sinking;<br /></span>
+<span class="i0">But thoughts of those we'd left behind<br /></span>
+<span class="i0">Gave strength to muscle and to mind<br /></span>
+<span class="i0">To help us onward through the blind<br /></span>
+<span class="i0">Deep woods. And often we would find<br /></span>
+<span class="i1">Ourselves of loved ones thinking.<br /></span>
+<span class="pagenum"><a name="Page_75" id="Page_75">[75]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">The hot stockade. No water left.<br /></span>
+<span class="i0">The fierce attack. All hope bereft<br /></span>
+<span class="i1">The powder-grimed defender.<br /></span>
+<span class="i0">The war-cry and the groan of pain.<br /></span>
+<span class="i0">All day the slanting arrow-rain<br /></span>
+<span class="i0">Of fire from the corn and cane.<br /></span>
+<span class="i0">The stern defence, but all in vain.<br /></span>
+<span class="i1">And then at last&mdash;surrender.<br /></span>
+</div><div class="stanza">
+<span class="i0">But not for Bryan's!&mdash;no! too well<br /></span>
+<span class="i0">Must they remember what befell<br /></span>
+<span class="i1">At Ruddle's and take warning.<br /></span>
+<span class="i0">So thought we as, all dust and sweat,<br /></span>
+<span class="i0">We rode with faces forward set,<br /></span>
+<span class="i0">And came to Station Boone while yet<br /></span>
+<span class="i0">An hour from noon ... We had not let<br /></span>
+<span class="i1">Our horses rest since morning.<br /></span>
+</div><div class="stanza">
+<span class="i0">Here Ellis met us with his men.<br /></span>
+<span class="i0">They did not stop nor tarry then.<br /></span>
+<span class="i1">That little band of lions;<br /></span>
+<span class="i0">But setting out at once with aid,<br /></span>
+<span class="i0">Right well you know how unafraid<br /></span>
+<span class="i0">They charged the Indian ambuscade,<br /></span>
+<span class="i0">And through a storm of bullets made<br /></span>
+<span class="i1">Their entrance into Bryan's.<br /></span>
+<span class="pagenum"><a name="Page_76" id="Page_76">[76]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+<span class="i0">And that is all I have to tell.<br /></span>
+<span class="i0">No more the Huron's hideous yell<br /></span>
+<span class="i1">Sounds to assault and slaughter.&mdash;<br /></span>
+<span class="i0">Perhaps to us some praise is due;<br /></span>
+<span class="i0">But we are men, accustomed to<br /></span>
+<span class="i0">Such dangers, which we often woo.<br /></span>
+<span class="i0">Much more is due our women who<br /></span>
+<span class="i1">Brought to the Station&mdash;water.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_77" id="Page_77">[77]</a></span></p>
+<h2><a name="On_the_Jellico_Spur_of_the_Cumberlands" id="On_the_Jellico_Spur_of_the_Cumberlands"></a>On the Jellico Spur of the Cumberlands</h2>
+
+<h3>TO J. FOX, JR.</h3>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">You remember how the mist,<br /></span>
+<span class="i1">When we climbed to Devil's Den,<br /></span>
+<span class="i1">Pearly in the mountain glen,<br /></span>
+<span class="i0">And above us, amethyst,<br /></span>
+<span class="i0">Throbbed or circled? then away,<br /></span>
+<span class="i1">Through the wildwoods opposite,<br /></span>
+<span class="i1">Torn and scattered, morning-lit,<br /></span>
+<span class="i0">Vanished into dewy gray?&mdash;<br /></span>
+<span class="i0">Vague as in romance we saw,<br /></span>
+<span class="i1">From the fog, one riven trunk,<br /></span>
+<span class="i1">Talon-like with branches shrunk,<br /></span>
+<span class="i0">Thrust a monster dragon claw.<br /></span>
+<span class="i0">And we climbed for hours through<br /></span>
+<span class="i1">The dawn-dripping Jellicoes,<br /></span>
+<span class="i1">To a wooded rock that shows<br /></span>
+<span class="i0">Undulating leagues of blue<br /></span>
+<span class="i0">Summits; mountain-chains that lie<br /></span>
+<span class="i1">Dark with forests; bar on bar,<br /></span>
+<span class="i1">Ranging their irregular<br /></span>
+<span class="i0">Purple peaks beneath a sky<br /></span>
+<span class="i0">Soft as slumber. Range on range<br /></span>
+<span class="i1">Billow their enormous spines,<br /></span>
+<span class="i1">Where the rocks and priestly pines<br /></span>
+<span class="i0">Sit eternal, without change.<br /></span><span class="pagenum"><a name="Page_78" id="Page_78">[78]</a></span>
+<span class="i0">We were sons of Nature then:<br /></span>
+<span class="i1">She had taken us to her,<br /></span>
+<span class="i1">Signalized by brier and burr,<br /></span>
+<span class="i0">Something more to her than men:<br /></span>
+<span class="i0">Pupils of her lofty moods,<br /></span>
+<span class="i1">From her bloom-anointed looks,<br /></span>
+<span class="i1">Wisdom of no man-made books<br /></span>
+<span class="i0">Learned we in those solitudes:<br /></span>
+<span class="i0">How the seed supplied the flower;<br /></span>
+<span class="i1">How the sapling held the oak;<br /></span>
+<span class="i1">How within the vine awoke<br /></span>
+<span class="i0">The wild impulse still to tower;<br /></span>
+<span class="i0">How in fantasy or mirth,<br /></span>
+<span class="i1">Springing from her footsteps there,<br /></span>
+<span class="i1">Curious fungi everywhere<br /></span>
+<span class="i0">Bulged, exuded from the earth;<br /></span>
+<span class="i0">Coral vegetable things,<br /></span>
+<span class="i1">That the underworld exhaled,<br /></span>
+<span class="i1">Bulbous, crystal-ribbed and scaled,<br /></span>
+<span class="i0">Many colored and in rings,<br /></span>
+<span class="i0">Like the Indian-Pipe that grew<br /></span>
+<span class="i1">Pink and white in loamy cracks,<br /></span>
+<span class="i1">Flowers of a natural wax,<br /></span>
+<span class="i0">She had turned her fancy to.&mdash;<br /></span>
+<span class="i0">On that laureled precipice,<br /></span>
+<span class="i1">Where the chestnuts dropped their burrs,<br /></span>
+<span class="i1">Sweet with balsam of the firs,<br /></span><span class="pagenum"><a name="Page_79" id="Page_79">[79]</a></span>
+<span class="i0">First we felt her mother kiss<br /></span>
+<span class="i0">Full of heaven and the wind;<br /></span>
+<span class="i1">While the forests, wood on wood,<br /></span>
+<span class="i1">Murmured like a multitude<br /></span>
+<span class="i0">Giving praise where none hath sinned.&mdash;<br /></span>
+<span class="i0">Freedom met us there; we saw<br /></span>
+<span class="i1">Freedom giving audience;<br /></span>
+<span class="i1">In her face the eloquence,<br /></span>
+<span class="i0">Lightning-like, of love and law:<br /></span>
+<span class="i0">Round her, with majestic hips,<br /></span>
+<span class="i1">Lay the giant mountains; there<br /></span>
+<span class="i1">Near her, cataracts tossed their hair,<br /></span>
+<span class="i0">God and thunder on their lips.&mdash;<br /></span>
+<span class="i0">Oft an eagle, or a hawk,<br /></span>
+<span class="i1">Or a scavenger, we knew<br /></span>
+<span class="i1">Winged through altitudes of blue,<br /></span>
+<span class="i0">By its shadow on the rock.<br /></span>
+<span class="i0">Or a cloud of templed white<br /></span>
+<span class="i1">Moved, a lazy berg of pearl,<br /></span>
+<span class="i1">Through the sky's pacific swirl,<br /></span>
+<span class="i0">Shot with cool cerulean light.<br /></span>
+<span class="i0">So we dreamed an hour upon<br /></span>
+<span class="i1">That warm rock the lichens mossed,<br /></span>
+<span class="i1">While around us foliage tossed<br /></span>
+<span class="i0">Coins, gold-minted of the sun:<br /></span>
+<span class="i0">Then arose; and a ravine,<br /></span><span class="pagenum"><a name="Page_80" id="Page_80">[80]</a></span>
+<span class="i1">Which a torrent once had worn,<br /></span>
+<span class="i1">Made our roadway to the corn,<br /></span>
+<span class="i0">In the valley, deep and green;<br /></span>
+<span class="i0">And the farm house with its bees,<br /></span>
+<span class="i1">Where old-fashioned flowers spun<br /></span>
+<span class="i1">Gay rag-carpets in the sun,<br /></span>
+<span class="i0">Hid among the apple trees.<br /></span>
+<span class="i0">Here we watched the twilight fall;<br /></span>
+<span class="i1">O'er Wolf-Mountain sunset made<br /></span>
+<span class="i1">A huge rhododendron rayed<br /></span>
+<span class="i0">Round the sun's cloud-centered ball.<br /></span>
+<span class="i0">Then through scents of herb and soil,<br /></span>
+<span class="i1">To the mining-camp we turned,<br /></span>
+<span class="i1">In the twinkling dusk discerned<br /></span>
+<span class="i0">With its white-washed homes of toil.<br /></span>
+<span class="i0">Ah, those nights!&mdash;We wandered forth<br /></span>
+<span class="i1">On some haunted mountain path,<br /></span>
+<span class="i1">When the moon was late, and rathe<br /></span>
+<span class="i0">The large stars, sowed south and north,<br /></span>
+<span class="i0">Splashed with gold the purple skies;<br /></span>
+<span class="i1">And the milky zodiac,<br /></span>
+<span class="i1">Rolled athwart the belted black,<br /></span>
+<span class="i0">Seemed a path to Paradise.<br /></span>
+<span class="i0">And we walked or lingered till,<br /></span>
+<span class="i1">In the valley-land beneath,<br /></span>
+<span class="i1">Like the vapor of a breath<br /></span>
+<span class="i0">Breathed in frost, arose the still<br /></span><span class="pagenum"><a name="Page_81" id="Page_81">[81]</a></span>
+<span class="i0">Architecture of the mist:<br /></span>
+<span class="i1">And the moon-dawn's necromance<br /></span>
+<span class="i1">Touched the mist and made it glance<br /></span>
+<span class="i0">Like a town of amethyst.<br /></span>
+<span class="i0">Then around us, sharp and brusque,<br /></span>
+<span class="i1">Night's shrill insects strident strung<br /></span>
+<span class="i1">Instruments that buzzed and sung<br /></span>
+<span class="i0">Pixy music of the dusk.<br /></span>
+<span class="i0">And we seemed to hear soft sighs,<br /></span>
+<span class="i1">And hushed steps of ghostly things,<br /></span>
+<span class="i1">Fluttered feet or rustled wings,<br /></span>
+<span class="i0">Moved before us. Fire-flies,<br /></span>
+<span class="i0">Gleaming in the tangled glade,<br /></span>
+<span class="i1">Seemed the eyes of warriors<br /></span>
+<span class="i1">Stealing under watching stars<br /></span>
+<span class="i0">To some midnight ambuscade;<br /></span>
+<span class="i0">To the Indian village there,<br /></span>
+<span class="i1">Wigwamed with the mist, that slept<br /></span>
+<span class="i1">By the woodland side, whence crept<br /></span>
+<span class="i0">Shadowy Shawnees of the air.<br /></span>
+<span class="i0">When the moon rose, like a cup<br /></span>
+<span class="i1">Lay the valley, brimmed with wine<br /></span>
+<span class="i1">Of mesmeric shade and shine,<br /></span>
+<span class="i0">To the moon's pale face held up.<br /></span>
+<span class="i0">As she rose from out the mines<br /></span>
+<span class="i1">Of the eastern darkness, night<br /></span>
+<span class="i1">Met her, clad in dewy light<br /></span><span class="pagenum"><a name="Page_82" id="Page_82">[82]</a></span>
+<span class="i0">'Mid Pine Mountain's sachem pines.<br /></span>
+<span class="i0">As from clouds in pearly parts<br /></span>
+<span class="i1">Her serene circumference grew,<br /></span>
+<span class="i1">Home we turned. And all night through<br /></span>
+<span class="i0">Dreamed the dreams of happy hearts.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_83" id="Page_83">[83]</a></span></p>
+<h2><a name="A_Confession" id="A_Confession"></a>A Confession</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">These are the facts:&mdash;I was to blame:<br /></span>
+<span class="i0">I brought her here and wrought her shame:<br /></span>
+<span class="i0">She came with me all trustingly.<br /></span>
+<span class="i0">Lovely and innocent her face:<br /></span>
+<span class="i0">And in her perfect form, the grace<br /></span>
+<span class="i0">Of purity and modesty.<br /></span>
+</div><div class="stanza">
+<span class="i0">I think I loved her then: 'would dote<br /></span>
+<span class="i0">On her ambrosial breast and throat,<br /></span>
+<span class="i0">Young as a blossom's tenderness:<br /></span>
+<span class="i0">Her eyes, that were both glad and sad:<br /></span>
+<span class="i0">Her cheeks and chin, that dimples had:<br /></span>
+<span class="i0">Her mouth, red-ripe to kiss and kiss.<br /></span>
+</div><div class="stanza">
+<span class="i0">Three months passed by; three moons of fire;<br /></span>
+<span class="i0">When in me sickened all desire:<br /></span>
+<span class="i0">And in its place a devil,&mdash;who<br /></span>
+<span class="i0">Filled all my soul with deep disgust,<br /></span>
+<span class="i0">And on the victim of my lust<br /></span>
+<span class="i0">Turned eyes of loathing,&mdash;swiftly grew.<br /></span>
+</div><div class="stanza">
+<span class="i0">One night, when by my side she slept,<br /></span>
+<span class="i0">I rose: and leaning, while I kept<br /></span>
+<span class="i0">The dagger hid, I kissed her hair<br /></span>
+<span class="i0">And throat: and, when she smiled asleep,<br /></span>
+<span class="i0">Into her heart I drove it deep:<br /></span>
+<span class="i0">And left her dead, still smiling there.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_84" id="Page_84">[84]</a></span></p>
+<h2><a name="Lilith" id="Lilith"></a>Lilith</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Yea, there are some who always seek<br /></span>
+<span class="i0">The love that lasts an hour;<br /></span>
+<span class="i0">And some who in love's language speak,<br /></span>
+<span class="i0">Yet never know his power.<br /></span>
+</div><div class="stanza">
+<span class="i0">Of such was I, who knew not what<br /></span>
+<span class="i0">Sweet mysteries may rise<br /></span>
+<span class="i0">Within the heart when 't is its lot<br /></span>
+<span class="i0">To love and realize.<br /></span>
+</div><div class="stanza">
+<span class="i0">Of such was I, ah me! till, lo,<br /></span>
+<span class="i0">Your face on mine did gleam,<br /></span>
+<span class="i0">And changed that world, I used to know,<br /></span>
+<span class="i0">Into an evil dream.<br /></span>
+</div><div class="stanza">
+<span class="i0">That world wherein, on hill and plain,<br /></span>
+<span class="i0">Great blood-red poppies bloomed,<br /></span>
+<span class="i0">Their hot hearts thirsty for the rain,<br /></span>
+<span class="i0">And sleepily perfumed.<br /></span>
+</div><div class="stanza">
+<span class="i0">Above, below, on every part<br /></span>
+<span class="i0">A crimson shadow lay,<br /></span>
+<span class="i0">As if the red sun streamed athwart<br /></span>
+<span class="i0">And sunset was alway.<br /></span>
+</div><div class="stanza">
+<span class="i0">I know not how, I know not when,<br /></span>
+<span class="i0">I only know that there<br /></span>
+<span class="i0">She met me in the haunted glen,<br /></span>
+<span class="i0">A poppy in her hair.<br /></span>
+<span class="pagenum"><a name="Page_85" id="Page_85">[85]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+</div><div class="stanza">
+<span class="i0">Her face seemed fair as Mary's is,<br /></span>
+<span class="i0">That knows no sin or wrong;<br /></span>
+<span class="i0">Her presence filled the silences<br /></span>
+<span class="i0">As music fills a song.<br /></span>
+</div><div class="stanza">
+<span class="i0">And she was clad like the Mother of God,<br /></span>
+<span class="i0">As 't were for Christ's sweet sake,<br /></span>
+<span class="i0">But when she moved and where she trod<br /></span>
+<span class="i0">A hiss went of a snake.<br /></span>
+</div><div class="stanza">
+<span class="i0">Though seeming sinless, till I die<br /></span>
+<span class="i0">I shall not know for sure<br /></span>
+<span class="i0">Why to my soul she seemed a lie<br /></span>
+<span class="i0">And otherwise than pure.<br /></span>
+</div><div class="stanza">
+<span class="i0">Nor why I kissed her soon and late<br /></span>
+<span class="i0">And for her felt desire,<br /></span>
+<span class="i0">While loathing of her passion ate<br /></span>
+<span class="i0">Into my soul like fire.<br /></span>
+</div><div class="stanza">
+<span class="i0">Was it because my soul could tell<br /></span>
+<span class="i0">That, like the poppy-flower,<br /></span>
+<span class="i0">She had no soul? a thing of Hell,<br /></span>
+<span class="i0">That o'er it had no power.<br /></span>
+</div><div class="stanza">
+<span class="i0">Or was it that your love at last<br /></span>
+<span class="i0">My soul so long had craved,<br /></span>
+<span class="i0">From the sweet sin that held me fast<br /></span>
+<span class="i0">At that last moment saved?<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_86" id="Page_86">[86]</a></span></p>
+<h2><a name="Content" id="Content"></a>Content</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">When I behold how some pursue<br /></span>
+<span class="i0">Fame, that is care's embodiment,<br /></span>
+<span class="i0">Or fortune, whose false face looks true,&mdash;<br /></span>
+<span class="i0">A humble home with sweet content<br /></span>
+<span class="i0">Is all I ask for me and you.<br /></span>
+</div><div class="stanza">
+<span class="i0">A humble home, where pigeons coo,<br /></span>
+<span class="i0">Whose path leads under breezy lines<br /></span>
+<span class="i0">Of frosty-berried cedars to<br /></span>
+<span class="i0">A gate, one mass of trumpet-vines,<br /></span>
+<span class="i0">Is all I ask for me and you.<br /></span>
+</div><div class="stanza">
+<span class="i0">A garden, which, all summer through,<br /></span>
+<span class="i0">The roses old make redolent,<br /></span>
+<span class="i0">And morning-glories, gay of hue,<br /></span>
+<span class="i0">And tansy, with its homely scent,<br /></span>
+<span class="i0">Is all I ask for me and you.<br /></span>
+</div><div class="stanza">
+<span class="i0">An orchard, that the pippins strew,<br /></span>
+<span class="i0">From whose bruised gold the juices spring;<br /></span>
+<span class="i0">A vineyard, where the grapes hang blue,<br /></span>
+<span class="i0">Wine-big and ripe for vintaging,<br /></span>
+<span class="i0">Is all I ask for me and you.<br /></span>
+</div><div class="stanza">
+<span class="i0">A lane, that leads to some far view<br /></span>
+<span class="i0">Of forest and of fallow-land,<br /></span>
+<span class="i0">Bloomed o'er with rose and meadow-rue,<br /></span>
+<span class="i0">Each with a bee in its hot hand,<br /></span>
+<span class="i0">Is all I ask for me and you.<br /></span>
+<span class="pagenum"><a name="Page_87" id="Page_87">[87]</a></span></div></div>
+
+<div class="poem"><div class="stanza">
+</div><div class="stanza">
+<span class="i0">At morn, a pathway deep with dew,<br /></span>
+<span class="i0">And birds to vary time and tune;<br /></span>
+<span class="i0">At eve, a sunset avenue,<br /></span>
+<span class="i0">And whippoorwills that haunt the moon,<br /></span>
+<span class="i0">Is all I ask for me and you.<br /></span>
+</div><div class="stanza">
+<span class="i0">Dear heart, with wants so small and few,<br /></span>
+<span class="i0">And faith, that's better far than gold,<br /></span>
+<span class="i0">A lowly friend, a child or two,<br /></span>
+<span class="i0">To care for us when we are old,<br /></span>
+<span class="i0">Is all I ask for me and you.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_88" id="Page_88">[88]</a></span></p>
+<h2><a name="Berrying" id="Berrying"></a>Berrying</h2>
+
+<h3>I.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">My love went berrying<br /></span>
+<span class="i0">Where brooks were merrying<br /></span>
+<span class="i0">And wild wings ferrying<br /></span>
+<span class="i2">Heaven's amethyst;<br /></span>
+<span class="i0">The wildflowers blessed her,<br /></span>
+<span class="i0">My dearest Hester,<br /></span>
+<span class="i0">The winds caressed her,<br /></span>
+<span class="i2">The sunbeams kissed.<br /></span>
+</div></div>
+
+<h3>II.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">I followed, carrying<br /></span>
+<span class="i0">Her basket; varying<br /></span>
+<span class="i0">Fond hopes of marrying<br /></span>
+<span class="i2">With hopes denied;<br /></span>
+<span class="i0">Both late and early<br /></span>
+<span class="i0">She deemed me surly,<br /></span>
+<span class="i0">And bowed her curly<br /></span>
+<span class="i2">Fair head and sighed:<br /></span>
+</div></div>
+
+<h3>III.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">"The skies look lowery;<br /></span>
+<span class="i0">It will he showery;<br /></span>
+<span class="i0">No longer flowery<br /></span>
+<span class="i2">The way I find.<br /></span>
+<span class="i0">No use in going.<br /></span>
+<span class="i0">'T will soon be snowing<br /></span>
+<span class="i0">If you keep growing<br /></span>
+<span class="i2">Much more unkind."<br /></span>
+<span class="pagenum"><a name="Page_89" id="Page_89">[89]</a></span>
+</div></div>
+
+<h3>IV.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">Then looked up tearfully.<br /></span>
+<span class="i0">And I, all fearfully,<br /></span>
+<span class="i0">Replied, "My dear, fully<br /></span>
+<span class="i2">Will I explain:<br /></span>
+<span class="i0">I love you dearly,<br /></span>
+<span class="i0">But look not cheerly<br /></span>
+<span class="i0">Since all says clearly<br /></span>
+<span class="i2">I love in vain."<br /></span>
+</div></div>
+
+<h3>V.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">Then smiled she airily;<br /></span>
+<span class="i0">And answered merrily<br /></span>
+<span class="i0">With words that&mdash;verily<br /></span>
+<span class="i2">Made me decide:<br /></span>
+<span class="i0">And drawing tow'rd her,<br /></span>
+<span class="i0">I there implored her&mdash;<br /></span>
+<span class="i0">I who adored her&mdash;<br /></span>
+<span class="i2">To be my bride.<br /></span>
+</div></div>
+
+<h3>VI.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">O sweet simplicity<br /></span>
+<span class="i0">Of young rusticity,<br /></span>
+<span class="i0">Without duplicity,<br /></span>
+<span class="i2">Whom love made know,<br /></span>
+<span class="i0">That hearts in meter<br /></span>
+<span class="i0">Make earth completer;<br /></span>
+<span class="i0">And kisses, sweeter<br /></span>
+<span class="i2">Than&mdash;berries grow.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_90" id="Page_90">[90]</a></span></p>
+<h2><a name="To_a_Pansy-Violet" id="To_a_Pansy-Violet"></a>To a Pansy-Violet</h2>
+
+<h3>Found Solitary Among the Hills.</h3>
+
+
+<h3>I.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">O pansy-violet,<br /></span>
+<span class="i0">With early April wet,<br /></span>
+<span class="i0">How frail and pure you look<br /></span>
+<span class="i0">Lost in this glow-worm nook<br /></span>
+<span class="i0">Of heaven-holding hills:<br /></span>
+<span class="i0">Down which the hurrying rills<br /></span>
+<span class="i0">Fling scrolls of melodies:<br /></span>
+<span class="i0">O'er which the birds and bees<br /></span>
+<span class="i0">Weave gossamers of song,<br /></span>
+<span class="i0">Invisible, but strong:<br /></span>
+<span class="i0">Sweet music webs they spin<br /></span>
+<span class="i0">To snare the spirit in.<br /></span>
+</div></div>
+
+<h3>II.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">O pansy-violet,<br /></span>
+<span class="i0">Unto your face I set<br /></span>
+<span class="i0">My lips, and&mdash;do you speak?<br /></span>
+<span class="i0">Or is it but some freak<br /></span>
+<span class="i0">Of fancy, love imparts<br /></span>
+<span class="i0">Through you unto the heart's<br /></span>
+<span class="i0">Desire? whispering low<br /></span>
+<span class="i0">A secret none may know,<br /></span>
+<span class="i0">But such as sit and dream<br /></span>
+<span class="i0">By forest-side and stream.<br /></span>
+<span class="pagenum"><a name="Page_91" id="Page_91">[91]</a></span></div></div>
+<div class="poem"><div class="stanza">
+</div></div>
+
+<h3>III.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">O pansy-violet,<br /></span>
+<span class="i0">O darling floweret,<br /></span>
+<span class="i0">Hued like the timid gem<br /></span>
+<span class="i0">That stars the diadem<br /></span>
+<span class="i0">Of Fay or Sylvan Sprite,<br /></span>
+<span class="i0">Who, in the woods, all night<br /></span>
+<span class="i0">Is busy with the blooms,<br /></span>
+<span class="i0">Young leaves and wild perfumes,<br /></span>
+<span class="i0">Through you I seem t' have seen<br /></span>
+<span class="i0">All that such dreams may mean.<br /></span>
+</div></div>
+
+<h3>IV.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">O pansy-violet,<br /></span>
+<span class="i0">Long, long ago we met&mdash;<br /></span>
+<span class="i0">'T was in a Fairy-tale:<br /></span>
+<span class="i0">Two children in a vale<br /></span>
+<span class="i0">Sat underneath glad stars,<br /></span>
+<span class="i0">Far from the world of wars;<br /></span>
+<span class="i0">Each loved the other well:<br /></span>
+<span class="i0">Her eyes were like the spell<br /></span>
+<span class="i0">Of dusk and dawning skies&mdash;<br /></span>
+<span class="i0">The purple dark that dyes<br /></span>
+<span class="i0">The midnight: his were blue<br /></span>
+<span class="i0">As heaven the day shines through.<br /></span>
+<span class="pagenum"><a name="Page_92" id="Page_92">[92]</a></span></div></div>
+<div class="poem"><div class="stanza">
+</div></div>
+
+<h3>V.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">O pansy-violet,<br /></span>
+<span class="i0">What is this vague regret,<br /></span>
+<span class="i0">This yearning, so like tears,<br /></span>
+<span class="i0">That touches through the years<br /></span>
+<span class="i0">Long past, when Myth and Fable<br /></span>
+<span class="i0">In all strange things were able<br /></span>
+<span class="i0">To beautify the Earth,<br /></span>
+<span class="i0">Things of immortal worth?&mdash;<br /></span>
+<span class="i0">This longing, that to me<br /></span>
+<span class="i0">Is like a memory<br /></span>
+<span class="i0">Lived long ago, of those<br /></span>
+<span class="i0">Fair children who, it knows,<br /></span>
+<span class="i0">Loved with no mortal love;<br /></span>
+<span class="i0">Whom smiling heaven above<br /></span>
+<span class="i0">Fostered, and when they died<br /></span>
+<span class="i0">Laid side by loving side.<br /></span>
+</div></div>
+
+<h3>VI.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">O pansy-violet,<br /></span>
+<span class="i0">I dream, remembering yet<br /></span>
+<span class="i0">A wood-god-guarded tomb,<br /></span>
+<span class="i0">Out of whose moss a bloom<br /></span>
+<span class="i0">Sprang, with three petals wan<br /></span>
+<span class="i0">As are the eyes of dawn;<br /></span>
+<span class="i0">And two as darkly deep<br /></span>
+<span class="i0">As are the eyes of sleep.&mdash;<br /></span><span class="pagenum"><a name="Page_93" id="Page_93">[93]</a></span>
+<span class="i0">O flower,&mdash;that seems to hold<br /></span>
+<span class="i0">Some memory of old,<br /></span>
+<span class="i0">A hope, a happiness,<br /></span>
+<span class="i0">At which I can but guess,&mdash;<br /></span>
+<span class="i0">You are a sign to me<br /></span>
+<span class="i0">Of immortality:<br /></span>
+<span class="i0">Through you my spirit sees<br /></span>
+<span class="i0">The deathless purposes<br /></span>
+<span class="i0">Of death, that still evolves<br /></span>
+<span class="i0">The beauty it resolves;<br /></span>
+<span class="i0">The change that aye fulfills<br /></span>
+<span class="i0">Life's meaning as God wills.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Heart_of_my_Heart" id="Heart_of_my_Heart"></a>Heart of my Heart</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Here where the season turns the land to gold,<br /></span>
+<span class="i0">Among the fields our feet have known of old,&mdash;<br /></span>
+<span class="i0">When we were children who would laugh and run,<br /></span>
+<span class="i0">Glad little playmates of the wind and sun,&mdash;<br /></span>
+<span class="i0">Before came toil and care and years went ill,<br /></span>
+<span class="i0">And one forgot and one remembered still,<br /></span>
+<span class="i0">Heart of my heart, among the old fields here,<br /></span>
+<span class="i0">Give me your hands and let me draw you near.<br /></span>
+<span class="i3">Heart of my heart.<br /></span>
+<span class="pagenum"><a name="Page_94" id="Page_94">[94]</a></span></div></div>
+<div class="poem"><div class="stanza">
+</div><div class="stanza">
+<span class="i0">Stars are not truer than your soul is true&mdash;<br /></span>
+<span class="i0">What need I more of heaven then than you?<br /></span>
+<span class="i0">Flowers are not sweeter than your face is sweet&mdash;<br /></span>
+<span class="i0">What need I more to make my world complete?<br /></span>
+<span class="i0">O woman nature, love that still endures,<br /></span>
+<span class="i0">What strength hath ours that is not born of yours?<br /></span>
+<span class="i0">Heart of my heart, to you, whatever come,<br /></span>
+<span class="i0">To you the lead, whose love hath led me home.<br /></span>
+<span class="i3">Heart of my heart.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Witnesses" id="Witnesses"></a>Witnesses</h2>
+
+
+<h3>I.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">You say I do not love you!&mdash;Tell me why,<br /></span>
+<span class="i1">When I have gazed a little on your face,<br /></span>
+<span class="i0">And then gone forth into the world of men,<br /></span>
+<span class="i1">A beauty, neither of the Earth or Sky,<br /></span>
+<span class="i0">A glamour, that transforms each common place,<br /></span>
+<span class="i3">Attends my spirit then?<br /></span>
+</div></div>
+
+<h3>II.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">You say I do not love you!&mdash;Yet I know<br /></span>
+<span class="i1">When I have heard you speak and dwelt upon<br /></span>
+<span class="i0">Your words awhile, my heart has gone away<br /></span>
+<span class="i1">Filled with strange music, very soft and low,<br /></span>
+<span class="i0">A dim companion, touching with sweet tone<br /></span>
+<span class="i3">The discords of the day.<br /></span>
+<span class="pagenum"><a name="Page_95" id="Page_95">[95]</a></span>
+</div></div>
+
+<h3>III.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i0">You say I do not love you!&mdash;Yet it seems,<br /></span>
+<span class="i1">When I have kissed your hand and said farewell,<br /></span>
+<span class="i0">A fragrance, sweeter than did flower yet bloom,<br /></span>
+<span class="i1">Accompanies my soul and fills, with dreams,<br /></span>
+<span class="i0">The sad and sordid streets, where people dwell,<br /></span>
+<span class="i3">Dreams of spring's wild perfume.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Wherefore" id="Wherefore"></a>Wherefore</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">I would not see, yet must behold<br /></span>
+<span class="i0">The truth they preach in church and hall;<br /></span>
+<span class="i0">And question so,&mdash;Is death then all,<br /></span>
+<span class="i0">And life an idle tale that's told?<br /></span>
+</div><div class="stanza">
+<span class="i0">The myriad wonders art hath wrought<br /></span>
+<span class="i0">I deemed eternal as God's love:<br /></span>
+<span class="i0">No more than shadows these shall prove,<br /></span>
+<span class="i0">And insubstantial as a thought.<br /></span>
+</div><div class="stanza">
+<span class="i0">And love and labor, who have gone,<br /></span>
+<span class="i0">Hand in close hand, and civilized<br /></span>
+<span class="i0">The wilderness, these shall be prized<br /></span>
+<span class="i0">No more than if they had not done.<br /></span>
+</div><div class="stanza">
+<span class="i0">Then wherefore strive? Why strain and bend<br /></span>
+<span class="i0">Beneath a burden so unjust?<br /></span>
+<span class="i0">Our works are builded out of dust,<br /></span>
+<span class="i0">And dust their universal end.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_96" id="Page_96">[96]</a></span></p>
+<h2><a name="Pagan" id="Pagan"></a>Pagan</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">The gods, who could loose and bind<br /></span>
+<span class="i3">In the long ago,<br /></span>
+<span class="i0">The gods, who were stern and kind<br /></span>
+<span class="i3">To men below,<br /></span>
+<span class="i0">Where shall we seek and find,<br /></span>
+<span class="i3">Or, finding, know?<br /></span>
+</div><div class="stanza">
+<span class="i0">Where Greece, with king on king,<br /></span>
+<span class="i3">Dreamed in her halls;<br /></span>
+<span class="i0">Where Rome kneeled worshiping,<br /></span>
+<span class="i3">The owl now calls,<br /></span>
+<span class="i0">And whispering ivies cling<br /></span>
+<span class="i3">To mouldering walls.<br /></span>
+</div><div class="stanza">
+<span class="i0">They have served, and have passed away<br /></span>
+<span class="i3">From the earth and sky,<br /></span>
+<span class="i0">And their Creed is a record gray,<br /></span>
+<span class="i3">Where the passer-by<br /></span>
+<span class="i0">Reads, "Live and be glad to-day,<br /></span>
+<span class="i3">For to-morrow ye die."<br /></span>
+</div><div class="stanza">
+<span class="i0">And shall it be so, indeed,<br /></span>
+<span class="i3">When we are no more,<br /></span>
+<span class="i0">That nations to be shall read,&mdash;<br /></span>
+<span class="i3">As we have before,&mdash;<br /></span>
+<span class="i0">In the dust of a Christian Creed,<br /></span>
+<span class="i3">But pagan lore?<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_97" id="Page_97">[97]</a></span></p>
+<h2><a name="The_Fathers_of_our_Fathers" id="The_Fathers_of_our_Fathers"></a>"The Fathers of our Fathers"</h2>
+
+<h3>Written February 24, 1898, on reading the latest news concerning<br />
+the battleship Maine, blown up in Havana harbor, February 15th.</h3>
+
+
+<h3>I.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i2">The fathers of our fathers they were men!&mdash;<br /></span>
+<span class="i0">What are we who now stand idle while we see our seamen slain?<br /></span>
+<span class="i1">Who behold our flag dishonored, and still pause!<br /></span>
+<span class="i0">Are we blind to her duplicity, the treachery of Spain?<br /></span>
+<span class="i1">To the rights, she scorns, of nations and their laws?<br /></span>
+<span class="i0">Let us rise, a mighty people, let us wipe away the stain!<br /></span>
+<span class="i1">Must we wait till she insult us for a cause?&mdash;<br /></span>
+<span class="i2">The fathers of our fathers they were men!<br /></span>
+</div></div>
+
+<h3>II.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i2">The fathers of our fathers they were men!&mdash;<br /></span>
+<span class="i0">Had they nursed delay as we do? had they sat thus deaf and dumb,<br /></span>
+<span class="i1">With these cowards compromising year by year?<br /></span>
+<span class="i0">Never hearing what they should hear, never saying what should come,<br /></span>
+<span class="i1">While the courteous mask of Spain still hid a sneer!<br /></span>
+<span class="i0">No! such news had roused their natures like a rolling battle-drum&mdash;<br /></span>
+<span class="i1">God of earth! and God of heaven! do we fear?&mdash;<br /></span>
+<span class="i2">The fathers of our fathers they were men!<br /></span>
+<span class="pagenum"><a name="Page_98" id="Page_98">[98]</a></span></div></div>
+<div class="poem"><div class="stanza">
+</div></div>
+
+<h3>III.</h3>
+
+<div class="poem"><div class="stanza">
+<span class="i2">The fathers of our fathers they were men!&mdash;<br /></span>
+<span class="i0">What are we who are so cautious, never venturing too far!<br /></span>
+<span class="i1">Shall we, at the cost of honor, still keep peace?<br /></span>
+<span class="i0">While we see the thousands starving and the struggling Cuban star,<br /></span>
+<span class="i1">And the outraged form of Freedom on her knees!<br /></span>
+<span class="i0">Let our long, steel ocean-bloodhounds, adamantine dogs of war,<br /></span>
+<span class="i1">Sweep the yellow Spanish panther from the seas!&mdash;<br /></span>
+<span class="i2">The fathers of our fathers they were men!<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_99" id="Page_99">[99]</a></span></p>
+<h2><a name="Mene_Mene_Tekel_Upharsin" id="Mene_Mene_Tekel_Upharsin"></a>"Mene, Mene, Tekel, Upharsin"</h2>
+
+
+<h3>I.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Behold! we have gathered together our battleships near and afar;<br /></span>
+<span class="i0">Their decks they are cleared for action, their guns they are shotted for war:<br /></span>
+<span class="i0">From the East to the West there is hurry, in the North and the South a peal<br /></span>
+<span class="i0">Of hammers in fort and shipyard, and the clamor and clang of steel;<br /></span>
+<span class="i0">And the roar and the rush of engines, and clanking of derrick and crane&mdash;<br /></span>
+<span class="i0">Thou art weighed in the Scales and found wanting, the balance of God, O Spain!<br /></span>
+</div></div>
+
+<h3>II.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Behold! I have stood on the mountains, and this was writ in the sky:&mdash;<br /></span>
+<span class="i0">"She is weighed in the Scales and found wanting, the balance God holds on high!"<br /></span>
+<span class="i0">The balance He once weighed Babylon, the Mother of Harlots, in:<br /></span>
+<span class="i0">One scale holds thy pride and thy power and empire, begotten of sin;<br /></span>
+<span class="i0">Heavy with woe and torture, the crimes of a thousand years,<br /></span>
+<span class="i0">Mortared and welded together with fire and blood and tears;<br /></span><span class="pagenum"><a name="Page_100" id="Page_100">[100]</a></span>
+<span class="i0">In the other, for justice and mercy, a blade with never a stain,<br /></span>
+<span class="i0">Is laid the Sword of Liberty, and the balance dips, O Spain!<br /></span>
+</div></div>
+
+<h3>III.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Summon thy vessels together! great is thy need for these!&mdash;<br /></span>
+<span class="i0">Cristobal Colon, Vizcaya, Oquendo, and Maria Terese&mdash;<br /></span>
+<span class="i0">Let them be strong and many, for a vision I had by night,<br /></span>
+<span class="i0">That the ancient wrongs thou hast done the world came howling to the fight;<br /></span>
+<span class="i0">From the New-World shores they gathered, Inca and Aztec slain,<br /></span>
+<span class="i0">To the Cuban shot but yesterday, and our own dead seamen, Spain!<br /></span>
+</div></div>
+
+<h3>IV.</h3>
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Summon thy ships together, gather a mighty fleet!<br /></span>
+<span class="i0">For a strong young Nation is arming, that never hath known defeat.<br /></span>
+<span class="i0">Summon thy ships together, there on thy blood-stained sands!<br /></span>
+<span class="i0">For a shadowy army gathers with manacled feet and hands,<br /></span>
+<span class="i0">A shadowy host of sorrows and shames, too black to tell,<br /></span><span class="pagenum"><a name="Page_101" id="Page_101">[101]</a></span>
+<span class="i0">That reach, with their horrible wounds, for thee to drag thee down to Hell;<br /></span>
+<span class="i0">A myriad phantoms and spectres, thou warrest against in vain&mdash;<br /></span>
+<span class="i0">Thou art weighed in the Scales and found wanting, the balance of God, O Spain!<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Her_Vivien_Eyes" id="Her_Vivien_Eyes"></a>Her Vivien Eyes</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Her Vivien eyes,&mdash;beware! beware!&mdash;<br /></span>
+<span class="i0">Though they be stars, a deadly snare<br /></span>
+<span class="i0">They set beneath her night of hair.<br /></span>
+<span class="i0">Regard them not! lest, drawing near&mdash;<br /></span>
+<span class="i0">As sages once in old Chaldee&mdash;<br /></span>
+<span class="i0">Thou shouldst become a worshiper,<br /></span>
+<span class="i0">And they thy evil destiny.<br /></span>
+</div><div class="stanza">
+<span class="i0">Her Vivien eyes,&mdash;away! away!&mdash;<br /></span>
+<span class="i0">Though they be springs, remorseless they<br /></span>
+<span class="i0">Gleam underneath her brow's bright day.<br /></span>
+<span class="i0">Turn, turn aside, whate'er the cost!<br /></span>
+<span class="i0">Lest in their deeps thou lures behold,<br /></span>
+<span class="i0">Through which thy captive soul were lost,<br /></span>
+<span class="i0">As was young Hylas once of old.<br /></span>
+<span class="pagenum"><a name="Page_102" id="Page_102">[102]</a></span></div></div>
+<div class="poem"><div class="stanza">
+</div><div class="stanza">
+<span class="i0">Her Vivien eyes,&mdash;take heed! take heed!&mdash;<br /></span>
+<span class="i0">Though they be bibles, none may read<br /></span>
+<span class="i0">Therein of God or Holy Creed.<br /></span>
+<span class="i0">Look, look away! lest thou be cursed,&mdash;<br /></span>
+<span class="i0">As Merlin was, romances tell,&mdash;<br /></span>
+<span class="i0">And in their sorcerous spells immersed,<br /></span>
+<span class="i0">Hoping for Heaven thou chance on Hell.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="There_Was_a_Rose" id="There_Was_a_Rose"></a>There Was a Rose</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">There was a rose in Eden once: it grows<br /></span>
+<span class="i0">On Earth now, sweeter for its rare perfume:<br /></span>
+<span class="i0">And Paradise is poorer by one bloom,<br /></span>
+<span class="i0">And Earth is richer. In this blossom glows<br /></span>
+<span class="i0">More loveliness than old seraglios<br /></span>
+<span class="i0">Or courts of kings did ever yet illume:<br /></span>
+<span class="i0">More purity, than ever yet had room<br /></span>
+<span class="i0">In soul of nun or saint.&mdash;O human rose,&mdash;<br /></span>
+<span class="i0">Who art initial and sweet period of<br /></span>
+<span class="i0">My heart's divinest sentence, where I read<br /></span>
+<span class="i0">Love, first and last, and in the pauses love;<br /></span>
+<span class="i0">Who art the dear ideal of each deed<br /></span>
+<span class="i0">My life aspires by to some high goal,&mdash;<br /></span>
+<span class="i0">Set in the haunted garden of my soul!<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_103" id="Page_103">[103]</a></span></p>
+<h2><a name="The_Artist" id="The_Artist"></a>The Artist</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">In story books, when I was very young,<br /></span>
+<span class="i0">I knew you first, one of the Fairy Race;<br /></span>
+<span class="i0">And then it was your picture took its place,<br /></span>
+<span class="i0">Framed in with love's deep gold, and draped and hung<br /></span>
+<span class="i0">High in my heart's red room: no song was sung,<br /></span>
+<span class="i0">No tale of passion told, I did not grace<br /></span>
+<span class="i0">With your associated form and face,<br /></span>
+<span class="i0">And intimated charm of touch and tongue.<br /></span>
+<span class="i0">As years went on you grew to more and more,<br /></span>
+<span class="i0">Until each thing, symbolic to my heart<br /></span>
+<span class="i0">Of beauty,&mdash;such as honor, truth, and fame,&mdash;<br /></span>
+<span class="i0">Within the studio of my soul's thought wore<br /></span>
+<span class="i0">Your lineaments, whom I, with all my art,<br /></span>
+<span class="i0">Strove to embody and to give a name.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Poetry_and_Philosophy" id="Poetry_and_Philosophy"></a>Poetry and Philosophy</h2>
+
+
+<div class="poem2"><div class="stanza">
+<span class="i0">Out of the past the dim leaves spoke to me<br /></span>
+<span class="i0">The thoughts of Pindar with a voice so sweet<br /></span>
+<span class="i0">Hyblćan bees seemed swarming my retreat<br /></span>
+<span class="i0">Around the reedy well of Poesy.<br /></span>
+<span class="i0">I closed the book. Then, knee to neighbor knee,<br /></span>
+<span class="i0">Sat with the soul of Plato, to repeat<br /></span>
+<span class="i0">Doctrines, till mine seemed some Socratic seat<br /></span><span class="pagenum"><a name="Page_104" id="Page_104">[104]</a></span>
+<span class="i0">High on the summit of Philosophy.<br /></span>
+<span class="i0">Around the wave of one Religion taught<br /></span>
+<span class="i0">Her first rude children. From the stars that burned<br /></span>
+<span class="i0">Above the mountained other, Science learned<br /></span>
+<span class="i0">The first vague lessons of the work she wrought.<br /></span>
+<span class="i0">Daughters of God, in whom we still behold<br /></span>
+<span class="i0">The Age of Iron and the Age of Gold.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<h2><a name="Quo_Vadis" id="Quo_Vadis"></a>"Quo Vadis"</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">It is as if imperial trumpets broke<br /></span>
+<span class="i0">Again the silence on War's iron height;<br /></span>
+<span class="i0">And Cćsar's armored legions marched to fight,<br /></span>
+<span class="i0">While Rome, blood-red upon her mountain-yoke,<br /></span>
+<span class="i0">Blazed like an awful sunset. At a stroke,<br /></span>
+<span class="i0">Again I see the living torches light<br /></span>
+<span class="i0">The horrible revels, and the bloated, white,<br /></span>
+<span class="i0">Bayed brow of Nero smiling through the smoke:<br /></span>
+<span class="i0">And here and there a little band of slaves<br /></span>
+<span class="i0">Among dark ruins; and the form of Paul,<br /></span>
+<span class="i0">Bearded and gaunt, expounding still the Word:<br /></span>
+<span class="i0">And towards the North the tottering architraves<br /></span>
+<span class="i0">Of empire; and, wild-waving over all,<br /></span>
+<span class="i0">The flaming figure of a Gothic sword.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_105" id="Page_105">[105]</a></span></p>
+<h2><a name="To_a_Critic" id="To_a_Critic"></a>To a Critic</h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0">Song hath a catalogue of lovely things<br /></span>
+<span class="i0">Thy kind hath oft defiled,&mdash;whose spite misleads<br /></span>
+<span class="i0">The world too often!&mdash;where the poet reads,<br /></span>
+<span class="i0">As in a fable, of old envyings,<br /></span>
+<span class="i0">Crows, such as thou, which hush the bird that sings,<br /></span>
+<span class="i0">Or kill it with their cawings; thorns and weeds,<br /></span>
+<span class="i0">Such as thyself, 'midst which the wind sows seeds<br /></span>
+<span class="i0">Of flow'rs, these crush before one blossom swings.<br /></span>
+<span class="i0">But here and there the wisdom of a School<br /></span>
+<span class="i0">Unknown to these hath often written down<br /></span>
+<span class="i0">"Fame" in white ink the future hath turned brown;<br /></span>
+<span class="i0">When every beauty, heaped with ridicule,<br /></span>
+<span class="i0">In their ignoble prose, proved their renown,<br /></span>
+<span class="i0">Making each famous&mdash;as an ass or fool.<br /></span>
+</div></div>
+
+
+
+<hr style="width: 65%;" />
+<p><span class="pagenum"><a name="Page_106" id="Page_106">[106]</a></span></p>
+<h2><a name="AFTERWORD" id="AFTERWORD"></a><i>AFTERWORD.</i></h2>
+
+
+<div class="poem"><div class="stanza">
+<span class="i0"><i>The old enthusiasms</i><br /></span>
+<span class="i0"><i>Are dead, quite dead, in me;</i><br /></span>
+<span class="i0"><i>Dead the aspiring spasms</i><br /></span>
+<span class="i0"><i>Of art and poesy,</i><br /></span>
+<span class="i0"><i>That opened magic chasms,</i><br /></span>
+<span class="i0"><i>Once, of wild mystery,</i><br /></span>
+<span class="i0"><i>In youth's rich Araby.</i><br /></span>
+<span class="i0"><i>That opened magic chasms.</i><br /></span>
+</div><div class="stanza">
+<span class="i0"><i>The longing and the care</i><br /></span>
+<span class="i0"><i>Are mine; and, helplessly,</i><br /></span>
+<span class="i0"><i>The heartache and despair</i><br /></span>
+<span class="i0"><i>For what can never be.</i><br /></span>
+<span class="i0"><i>More than my mortal share</i><br /></span>
+<span class="i0"><i>Of sad mortality,</i><br /></span>
+<span class="i0"><i>It seems, God gives to me,</i><br /></span>
+<span class="i0"><i>More than my mortal share.</i><br /></span>
+</div><div class="stanza">
+<span class="i0"><i>O world! O time! O fate!</i><br /></span>
+<span class="i0"><i>Remorseless trinity!</i><br /></span>
+<span class="i0"><i>Let not your wheel abate</i><br /></span>
+<span class="i0"><i>Its iron rotary!&mdash;</i><br /></span>
+<span class="i0"><i>Turn round! nor make me wait,</i><br /></span>
+<span class="i0"><i>Bound to it neck and knee,</i><br /></span>
+<span class="i0"><i>Hope's final agony!&mdash;</i><br /></span>
+<span class="i0"><i>Turn round! nor make me wait.</i><br /></span>
+</div></div>
+
+<hr style="width: 65%;" />
+<div class="transnote">
+<h3>Transcriber's note<a name="tnotes" id="tnotes"></a></h3>
+
+<p>
+The following changes have been made to the text:</p>
+
+<p><a href='#TC_1'>Page 25</a>: Was 'beach' (Of an old <b>beech</b>)</p>
+<p><a href='#TC_2'>Page 46</a>: Was 'marrige' (Her <b>marriage</b> eve)</p>
+<p><a href='#TC_3'>Page 53</a>: Was 'slighest' (whose <b>slightest</b> prick)</p>
+
+</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Idyllic Monologues, by Madison J. Cawein
+
+*** END OF THIS PROJECT GUTENBERG EBOOK IDYLLIC MONOLOGUES ***
+
+***** This file should be named 31896-h.htm or 31896-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/1/8/9/31896/
+
+Produced by David Garcia, Carla Foust and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/31896.txt b/31896.txt
new file mode 100644
index 0000000..1886b7b
--- /dev/null
+++ b/31896.txt
@@ -0,0 +1,3545 @@
+The Project Gutenberg EBook of Idyllic Monologues, by Madison J. Cawein
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Idyllic Monologues
+ Old and New World Verses
+
+Author: Madison J. Cawein
+
+Release Date: April 6, 2010 [EBook #31896]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK IDYLLIC MONOLOGUES ***
+
+
+
+
+Produced by David Garcia, Carla Foust and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+
+
+
+Transcriber's note
+
+
+Minor punctuation errors have been changed without notice. Printer
+errors have been changed and are listed at the end. All other
+inconsistencies are as in the original.
+
+
+
+ IDYLLIC MONOLOGUES
+
+ Poems by Madison Cawein
+
+
+ OLD AND NEW WORLD VERSES
+
+ BY THE AUTHOR OF
+
+ "Undertones" "Garden of Dreams"
+
+
+ JOHN P. MORTON AND COMPANY
+
+ Publishers--Louisville, Kentucky
+
+
+
+
+ Copyrighted 1898
+
+ BY MADISON CAWEIN
+
+
+
+
+ TO
+ MY FRIEND:
+
+ R. E. LEE GIBSON
+
+
+
+
+This collection of poems is entirely new with the exception of three or
+four which appeared in two earlier volumes, published some ten years
+ago. The reprinted poems have been carefully re-written, and so changed
+throughout as to hardly bear any resemblance, except that of subject, to
+the original.
+
+
+
+
+CONTENTS
+
+ PAGE
+
+ The Brothers 1
+
+ Geraldine 15
+
+ The Moated Manse 20
+
+ The Forester 35
+
+ My Lady of Verne 48
+
+ An Old Tale Re-told 55
+
+ The Water Witch 65
+
+ At Nineveh 70
+
+ How They Brought Aid to Bryan's Station 72
+
+ On the Jellico Spur of the Cumberlands 77
+
+ A Confession 83
+
+ Lilith 84
+
+ Content 86
+
+ Berrying 88
+
+ To a Pansy-Violet 90
+
+ Heart of my Heart 93
+
+ Witnesses 94
+
+ Wherefore 95
+
+ Pagan 96
+
+ "The Fathers of our Fathers" 97
+
+ "Mene, Mene, Tekel, Upharsin" 99
+
+ Her Vivien Eyes 101
+
+ There was a Rose 102
+
+ The Artist 103
+
+ Poetry and Philosophy 103
+
+ "Quo Vadis" 104
+
+ To a Critic 105
+
+
+
+
+FOREWORD.
+
+
+ _And one, perchance, will read and sigh:
+ "What aimless songs! Why will he sing
+ Of nature that drags out her woe
+ Through wind and rain, and sun, and snow,
+ From miserable spring to spring?"
+ Then put me by._
+
+ _And one, perhaps, will read and say:
+ "Why write of things across the sea;
+ Of men and women, far and near,
+ When we of things at home would hear--
+ Well, who would call this poetry?"
+ Then toss away._
+
+ _A hopeless task have we, meseems,
+ At this late day; whom fate hath made
+ Sad, bankrupt heirs of song; who, filled
+ With kindred yearnings, try to build
+ A tower like theirs, that will not fade,
+ Out of our dreams._
+
+
+
+
+ Only One Hundred and Fifty Copies Printed for Private Distribution.
+ A Few Copies For Sale.
+
+
+
+
+IDYLLIC MONOLOGUES
+
+
+
+
+The Brothers
+
+
+ Not far from here, it lies beyond
+ That low-hilled belt of woods. We'll take
+ This unused lane where brambles make
+ A wall of twilight, and the blond
+ Brier-roses pelt the path and flake
+ The margin waters of a pond.
+
+ This is its fence--or that which was
+ Its fence once--now, rock rolled from rock,
+ One tangle of the vine and dock,
+ Where bloom the wild petunias;
+ And this its gate, the iron-weeds block,
+ Hot with the insects' dusty buzz.
+
+ Two wooden posts, wherefrom has peeled
+ The weather-crumbled paint, still rise;
+ Gaunt things--that groan when someone tries
+ The gate whose hinges, rust-congealed,
+ Snarl open:--on each post still lies
+ Its carven lion with a shield.
+
+ We enter; and between great rows
+ Of locusts winds a grass-grown road;
+ And at its glimmering end,--o'erflowed
+ With quiet light,--the white front shows
+ Of an old mansion, grand and broad,
+ With grave Colonial porticoes.
+
+ Grown thick around it, dark and deep,
+ The locust trees make one vast hush;
+ Their brawny branches crowd and crush
+ Its very casements, and o'ersweep
+ Its rotting roofs; their tranquil rush
+ Haunts all its spacious rooms with sleep.
+
+ Still is it called The Locusts; though
+ None lives here now. A tale's to tell
+ Of some dark thing that here befell;
+ A crime that happened years ago,
+ When by its walls, with shot and shell,
+ The war swept on and left it so.
+
+ For one black night, within it, shame
+ Made revel, while, all here about,
+ With prayer or curse or battle-shout,
+ Men died and homesteads leapt in flame:
+ Then passed the conquering Northern rout,
+ And left it silent and the same.
+
+ Why should I speak of what has been?
+ Or what dark part I played in all?
+ Why ruin sits in porch and hall
+ Where pride and gladness once were seen;
+ And why beneath this lichened wall
+ The grave of Margaret is green.
+
+ Heart-broken Margaret! whose fate
+ Was sadder yet than his who won
+ Her hand--my brother Hamilton--
+ Or mine, who learned to know too late;
+ Who learned to know, when all was done,
+ And nothing could exonerate.
+
+ To expiate is still my lot,--
+ And, like the Ancient Mariner,
+ To show to others how things are
+ And what I am, still helps me blot
+ A little from that crime's red scar,
+ That on my soul is branded hot.
+
+ He was my only brother. She
+ A sister of my brother's friend.
+ They met, and married in the end.
+ And I remember well when he
+ Brought her rejoicing home, the trend
+ Of war moved towards us sullenly.
+
+ And scarce a year of wedlock when
+ Its red arms took him from his bride.
+ With lips by hers thrice sanctified
+ He left to ride with Morgan's men.
+ And I--I never could decide--
+ Remained at home. It happened then.
+
+ For days went by. And, oft delayed,
+ A letter came of loving word
+ Scrawled by some camp-fire, sabre-stirred,
+ Or by a pine-knot's fitful aid,
+ When in the saddle, armed and spurred
+ And booted for some hurried raid.
+
+ Then weeks went by. I do not know
+ How long it was before there came,
+ Blown from the North, the clarion fame
+ Of Morgan, who, with blow on blow,
+ Had drawn a line of blood and flame
+ From Tennessee to Ohio.
+
+ Then letters ceased; and days went on.
+ No word from him. The war rolled back,
+ And in its turgid crimson track
+ A rumor grew, like some wild dawn,
+ All ominous and red and black,
+ With news of our lost Hamilton,
+
+ That hinted death or capture. Yet
+ No thing was sure; till one day,--fed
+ By us,--some men rode up who said
+ They'd been with Morgan and had met
+ Disaster, and that he was dead,
+ My brother.--I and Margaret
+
+ Believed them. Grief was ours too:
+ But mine was more for her than him;
+ Grief, that her eyes with tears were dim;
+ Grief, that became the avenue
+ For love, who crowned the sombre brim
+ Of death's dark cup with rose-red hue.
+
+ In sympathy,--unconsciously
+ Though it be given--I hold, doth dwell
+ The germ of love that time shall swell
+ To blossom. Sooner then in me--
+ When close relations so befell--
+ That love should spring from sympathy.
+
+ Our similar tastes and mutual bents
+ Combined to make us intimates
+ From our first meeting. Different states
+ Of interest then our temperaments
+ Begot. Then friendship, that abates
+ No love, whose self it represents.
+
+ These led to talks and dreams: how oft
+ We sat at some wide window while
+ The sun sank o'er the hills' far file,
+ Serene; and of the cloud aloft
+ Made one vast rose; and mile on mile
+ Of firmament grew sad and soft.
+
+ And all in harmony with these
+ Dim clemencies of dusk, afar
+ Our talks and dreams went; while the star
+ Of evening brightened o'er the trees:
+ We spoke of home; the end of war:
+ We dreamed of life and love and peace.
+
+ How on our walks in listening lanes
+ Or confidences of the wood,
+ We paused to hear the dove that cooed;
+ Or gathered wild-flowers, taking pains
+ To find the fairest; or her hood
+ Filled with wild fruit that left deep stains.
+
+ No echo of the drum or fife,
+ No hint of conflict entered in
+ Our thoughts then. Will you call it sin--
+ Indifference to a nation's strife?
+ What side might lose, what side might win,
+ Both immaterial to our life.
+
+ Into the past we did not look;
+ Beyond what was we did not dream;
+ While onward rushed the thunderous stream
+ Of war, that, in its torrent, took
+ One of our own. No crimson gleam
+ Of its wild course around us shook.
+
+ At last we knew. And when we learned
+ How he had fallen, Margaret
+ Wept; and, albeit my eyes were wet,
+ Within my soul I half discerned
+ A joy that mingled with regret,
+ A grief that to relief was turned.
+
+ As time went on and confidence
+ Drew us more strongly each to each,
+ Why did no intimation reach
+ Its warning hand into the dense
+ Soul-silence, and confuse the speech
+ Of love's unbroken eloquence!
+
+ But, no! no hint to turn the poise,
+ Or check the impulse of our youth;
+ To chill it with the living truth
+ As with the awe of God's own voice;
+ No hint, to make our hope uncouth;
+ No word, to warn us from our choice.
+
+ To me a wall seemed overthrown
+ That social law had raised between;
+ And o'er its ruin, broad and green
+ A path went, I possessed alone;
+ The sky above seemed all serene;
+ The land around seemed all my own.
+
+ What shall I say of Margaret
+ To justify her part in this?
+ That her young heart was never his?
+ But had been mine since first we met?
+ So would you say!--Enough it is
+ That when he left she loved him yet.
+
+ So passed the Spring, and Summer sped;
+ And early Autumn brought the day
+ When she her hand in mine should lay,
+ And I should take her hand and wed.
+ And still no hint that might gainsay,
+ No warning word of quick or dead.
+
+ The day arrived; and, with it born,
+ A battle, sullying the East
+ With boom of cannon, that increased,
+ And throb of musket and of horn:
+ Until at last, towards dusk, it ceased;
+ And men with faces wild and worn,
+
+ In fierce retreat swept past; now groups;
+ Now one by one; now sternly white,
+ Or blood-stained; now with looks whose fright
+ Said all was lost. Then sullen troops
+ That, beaten, still kept up the fight.
+ Then came the victors; shadowy loops
+
+ Of men and horse, that left a crowd
+ Of officers in hall and porch....
+ While through the land around the torch
+ Circled, and many a fiery cloud
+ Marked out the army's iron march
+ In furrows red, that pillage plowed,
+
+ Here we were wedded.--Ask the years
+ How such could be, while over us
+ A sword of wrath swung ominous,
+ And on our cheeks its breath was fierce!
+ All I remember is--'twas thus,
+ And Margaret's eyes were wet with tears.
+
+ No other cause my memory sees
+ Save this, _that night was set_; and when
+ I found my home filled with armed men
+ With whom were all my sympathies
+ Of Union--why postpone it then?
+ So argued conscience into peace.
+
+ And then it was, when night had passed
+ There came to me an orderly
+ With word of a confederate spy
+ Late taken, who, with head downcast,
+ Had asked one favor, this: "That I
+ Would see him ere he breathed his last."
+
+ I stand alone here. Heavily
+ My thoughts go back. Had I not gone,
+ The dead had still been dead!--for none
+ Had yet believed his story--he,
+ My dead-deemed brother, Hamilton,
+ Who in the spy confronted me.
+
+ O you who never have been tried,
+ How can you judge me!--in my place
+ I saw him standing--who can trace
+ My heart thoughts then!--I turned aside,
+ A thing of some unnatural race,
+ And did not speak; and so he died.
+
+ In hospital or prison, when
+ It was he lay; what had forbid
+ His home return so long: amid
+ What hardships he had suffered, then
+ I dared not ask; and when I did,
+ Long afterwards, inquire of men,
+
+ No thing I learned. But this I feel--
+ He who had so returned to life
+ Was not a spy. Through stress and strife,--
+ This makes my conscience hard to heal!--
+ He had escaped; he sought his wife;
+ He sought his home that should conceal.
+
+ And Margaret! Oh, pity her!
+ A criminal I sought her side,
+ Still thinking love was justified
+ In all for her--whatever were
+ The price, a brother thrice denied,
+ Or thrice a brother's murderer.
+
+ Since then long years have passed away.
+ And through those years, perhaps, you'll ask
+ How to the world I wore my mask
+ Of honesty?--I can but say
+ Beyond my powers it was a task;
+ Before my time it turned me gray.
+
+ And when at last the ceaseless hiss
+ Of conscience drove, and I betrayed
+ All to her, she knelt down and prayed,
+ Then rose; and 'twixt us an abyss
+ Was opened; and she seemed to fade
+ Out of my life: I came to miss
+
+ The sweet attentions of a bride:
+ For each appealing heart's caress
+ In me, her heart assumed a dress
+ Of dull indifference; till denied
+ To me was all responsiveness;
+ And then I knew her love had died.
+
+ Ah, had she loaded me, perchance,
+ With wild reproach or even hate,
+ Such would have helped a hope to wait
+ Forgiveness and returned romance;
+ But 'twixt our souls, instead, a gate
+ She closed of silent tolerance.
+
+ Yet, 't was for love of her I lent
+ My soul to crime ... I question me
+ Often, if less entirely
+ I'd loved her, then, in that event,
+ She had been justified to see
+ The deed alone stand prominent.
+
+ The deed alone! But love records
+ In his own heart, I will aver,
+ No depth I did not feel for her
+ Beyond the plummet-reach of words:
+ And though there may be worthier,
+ No truer love this world affords
+
+ Than mine was, though it could not rise
+ Above itself. And so 't was best,
+ Perhaps, that she saw manifest
+ Its crime, that I, as saw her eyes,
+ Might see; and so, in soul confessed,
+ Some life atonement might devise.
+
+ Sadly my heart one comfort keeps,
+ That, towards the end, she took my hands
+ And said, as one who understands,
+ "Had I but seen! But love that weeps,
+ Sees only as its loss commands,"
+ And sighed. Beneath this stone she sleeps.
+
+ Yes; I have suffered for that sin;
+ Yet in no instance would I shun
+ What I should suffer. Many a one,
+ Who heard my tale, has tried to win
+ Me to believe that Hamilton
+ It was not; and, though proven kin,
+
+ This had not saved him. Still the stain
+ Of the intention--had I erred
+ And 't was not he--had writ the word
+ Red on my soul that branded Cain;
+ For still my error had incurred
+ The fact of guilt that would remain.
+
+ Ah, love at best is insecure,
+ And lives with doubt and vain regret;
+ And hope and faith, with faces set
+ Upon the past, are never sure;
+ And through their fever, grief, and fret
+ The heart may fail that should endure.
+
+ For in ourselves, however blend
+ The passions that make heaven and hell,
+ Is evil not accountable
+ For most the good we comprehend?
+ And through these two, or ill, or well,
+ Man must evolve his spiritual end.
+
+ It is with deeds that we must ask
+ Forgiveness; for upon this earth,
+ Life walks alone from very birth
+ With death, hope tells us is a mask
+ For life beyond of vaster worth,
+ Where sin no more sets love a task.
+
+
+
+
+Geraldine
+
+
+ Ah, Geraldine, lost Geraldine,
+ That night of love, when first we met,
+ You have forgotten, Geraldine--
+ I never dreamed you would forget.
+
+ Ah, Geraldine, sweet Geraldine,
+ More lovely than that Asian queen,
+ Scheherazade, the beautiful,
+ Who in her orient palace cool
+ Of India, for a thousand nights
+ And one, beside her monarch lay,
+ Telling--while sandal-scented lights
+ And music stole the soul away--
+ Love tales of old Arabia,
+ Full of enchantments and emprise--
+ But no enchantments like your eyes.
+
+ Ah, Geraldine, loved Geraldine,
+ More lovely than those maids, I ween,
+ Pampinea and Lauretta, who,
+ In gardens old of dusk and dew,
+ Sat with their lovers, maid and man,
+ In stately days Italian,
+ And in quaint stories, that we know
+ Through grace of good Boccaccio,
+ Told of fond loves, some false, some true,--
+ But, Geraldine, none false as you.
+
+ Ah, Geraldine, lost Geraldine,
+ That night of love, when first we met,
+ You have forgotten, Geraldine--
+ I never dreamed you would forget.
+
+ 'T was summer, and the moon swam high,
+ A great pale pearl within the sky:
+ And down that purple night of love
+ The stars, concurrent spark on spark,
+ Seemed fiery moths that swarmed above:
+ And through the roses, o'er the park,
+ Star-like the fire-flies filled the dark:
+ A mocking-bird in some deep tree,
+ Drowsy with dreams and melody,
+ Like a magnolia bud, that, dim,
+ Opens and pours its soul in musk,
+ Gave to the moonlight and the dusk
+ Its heart's pure song, its evening hymn.
+ Oh, night of love! when in the dance
+ Your heart thrilled rapture into mine,
+ As in a state of necromance
+ A mortal hears a voice divine.
+ Oh, night of love! when from your glance
+ I drank sweet death as men drink wine.
+
+ You wearied of the waltz at last.
+ I led you out into the night.
+ Warm in my hand I held yours fast.
+
+ Your face was flushed; your eyes were bright.
+ The moon hung like a shell of light
+ Above the lake, above the trees:
+ And borne to us with fragrances
+ Of roses that were ripe to fall,
+ The soul of music from the hall
+ Beat in the moonlight and the breeze,
+ As youth's wild heart grown weary of
+ Desire and its dream of love.
+
+ I held your arm and, for awhile,
+ We walked along the balmy aisle
+ Of flowers that, like velvet, dips
+ Unto the lake which lilies tile
+ Like stars; and hyacinths, like strips
+ Of heaven: and beside a fall,
+ That, down a ferned and mossy wall,
+ Fell in the lake,--deep, woodbine-wound,
+ A latticed summer-house we found;
+ A green kiosk,--through which the sound
+ Of waters and of breezes swayed,
+ And honeysuckle bugles played
+ Soft serenades of perfume sweet,--
+ Around which ran a rustic seat.
+ And seated in that haunted nook,--
+ I know not how it was,--a word,
+ A touch, perhaps, a sigh, a look,
+ Was father to the kiss I took;
+
+ Great things grow out of small I've heard.
+ And then it was I took between
+ My hands your face, loved Geraldine,
+ And gazed into your eyes, and told
+ The story ever new though old.
+ You did not look away, but met
+ My eyes with eyes whose lids were wet
+ With tears of truth; and you did lean
+ Your cheek to mine, sweet Geraldine,--
+ I never dreamed you would forget.
+
+ The night-wind and the water sighed:
+ And through the leaves, that stirred above,
+ The moonbeams swooned with music of
+ The dance--soft things in league with love:
+ I never dreamed that you had lied.
+
+ How all comes back now, Geraldine!
+ The melody; the glimmering scene;
+ Your angel face; and ev'n, between
+ Your lawny breasts, the heart-shaped jewel,--
+ To which your breath gave fluctuant fuel,--
+ A rosy star of stormy fire;
+ The snowy drift of your attire,
+ Lace-deep and fragrant: and your hair,
+ Disordered in the dance, held back
+ By one gemmed pin,--a moonbeam there,
+ Half-drowned within its night-like black.
+ And I who sat beside you then,
+ Seemed blessed above all mortal men.
+
+ I loved you for the way you sighed;
+ The way you said, "I love but you;"
+ The smile with which your lips replied;
+ Your lips, that from my bosom drew
+ The soul; your looks, like undenied
+ Caresses, that seemed naught but true:
+ I loved you for the violet scent
+ That clung about you as a flower;
+ Your moods, where shine and shadow blent,
+ An April-tide of sun and shower;
+ You were my creed, my testament,
+ Wherein I read of God's high power.
+
+ Was it because the loving see
+ Only what they desire shall be
+ There in the well-beloved's soul,
+ Affection and affinity,
+ That I beheld in you the whole
+ Of my love's image? and believed
+ You loved as I did? nor perceived
+ 'T was but a mask, a mockery!
+
+ Ah, Geraldine, lost Geraldine,
+ That night of love, when first we met,
+ You have forgotten, Geraldine--
+ I never dreamed you would forget.
+
+
+
+
+The Moated Manse
+
+
+ I.
+
+ And now once more we stood within the walls
+ Of her old manor near the riverside;
+ Dead leaves lay rotting in its empty halls,
+ And here and there the ivy could not hide
+ The year-old scars, made by the Royalists' balls,
+ Around the doorway, where so many died
+ In that last effort to defend the stair,
+ When Rupert, like a demon, entered there.
+
+
+ II.
+
+ The basest Cavalier who yet wore spurs
+ Or drew a sword, I count him; with his grave
+ Eyes 'neath his plumed hat like a wolf's whom curs
+ Rouse, to their harm, within a forest cave;
+ And hair like harvest; and a voice like verse
+ For smoothness. Ay, a handsome man and brave!--
+ Brave?--who would question it! although 't is true
+ He warred with one weak woman and her few.
+
+
+ III.
+
+ Lady Isolda of the Moated Manse,
+ Whom here, that very noon, it happened me
+ To meet near her old home. A single glance
+ Told me 't was she. I marveled much to see
+ How lovely still she was! as fair, perchance,
+ As when Red Rupert thrust her brutally,--
+ Her long hair loosened,--down the shattered stair,
+ And cast her, shrieking, 'mid his followers there.
+
+
+ IV.
+
+ "She is for you! Take her! I promised it!
+ She is for you!"--he shouted, as he flung
+ Her in their midst. Then, on her poor hands (split,
+ And beaten by his dagger when she clung
+ Resisting him) and knees, she crept a bit
+ Nearer his feet and begged for death. No tongue
+ Can tell the way he turned from her and cursed,
+ Then bade his men draw lots for which were first.
+
+
+ V.
+
+ I saw it all from that low parapet,
+ Where, bullet-wounded in the hip and head,
+ I lay face-upward in the whispering wet,
+ Exhausted 'mid the dead and left for dead.
+ We had held out two days without a let
+ Against these bandits. You could trace with red,
+ From room to room, how we resisted hard
+ Since the great door crashed in to their petard.
+
+
+ VI.
+
+ The rain revived me, and I leaned with pain
+ And saw her lying there, all soiled and splashed
+ And miserable; on her cheek a stain,
+ A dull red bruise, made when his hand had dashed
+ Her down upon the stones; the wretched rain
+ Dripped from her dark hair; and her hands were gashed.--
+ Oh, for a musket or a petronel
+ With which to send his devil's soul to hell!
+
+
+ VII.
+
+ But helpless there I lay, no weapon near,
+ Only the useless sword I could not reach
+ His traitor's heart with, while I chafed to hear
+ The laugh, the insult and the villain speech
+ Of him to her. Oh, God! could I but clear
+ The height between and, hanging like a leech,
+ My fingers at his throat, there tear his base
+ Vile tongue out, yea, and lash it in his face!
+
+
+ VIII.
+
+ But, badly wounded, what could I but weep
+ With rage and pity of my helplessness
+ And her misfortune! Could I only creep
+ A little nearer so that she might guess
+ I was not dead; that I my life would keep
+ But to avenge her!--Oh, the wild distress
+ Of that last moment when, half-dead, I saw
+ Them mount and bear her swooning through the shaw.
+
+
+ IX.
+
+ Long time I lay unconscious. It befell
+ Some woodsmen found me, having heard the sound
+ Of fighting cease that, for two days, made dell
+ And dingle echo; ventured on the ground
+ For plunder; and it had not then gone well
+ With me, I fear, had not their leader found
+ That in some way I would repay his care;
+ So bore me to his hut and nursed me there.
+
+
+ X.
+
+ How roughly kind he was. For weeks I hung
+ 'Twixt life and death; health, like a varying, sick,
+ And fluttering pendulum, now this way swung,
+ Now that, until at last its querulous tick
+ Beat out life's usual time, and slowly rung
+ The long loud hours that exclaimed, "Be quick!--
+ Arise--Go forth!--Hear how her black wrongs call!--
+ Make them the salve to cure thy wounds withal!"
+
+
+ XI.
+
+ They were my balsam: for, ere autumn came,
+ Weak still, but over eager to be gone,
+ I took my leave of him. A little lame
+ From that hip-wound, and somewhat thin and wan,
+ I sought the village. Here I heard her name
+ And shame's made one. How Rupert passed one dawn,
+ And she among his troopers rode--astride
+ Like any man--pale-faced and feverish-eyed.
+
+ XII.
+
+ Which way these took they pointed, and I went
+ Like fire after. Oh, the thought was good
+ That they were on before! And much it meant
+ To know she lived still; she, whose image stood
+ Ever before me, making turbulent
+ Each heart-beat with her wrongs, that were fierce food
+ Unto my hate that, "Courage!" cried, "Rest not!
+ Think of her there, and let thy haste be hot!"
+
+ XIII.
+
+ But months passed by and still I had not found:
+ Yet here and there, as wearily I sought,
+ I caught some news: how he had held his ground
+ Against the Roundhead troops; or how he'd fought
+ Then fled, returned and conquered. Like a hound,
+ Questing a boar, I followed; but was brought
+ Never to see my quarry. Day by day
+ It seemed that Satan kept him from my way.
+
+
+ XIV.
+
+ A woman rode beside him, so they said,
+ A fair-faced wanton, mounted like a man--
+ Isolda!--my Isolda!--better dead,
+ Yea, dead and damned! than thus the courtesan,
+ Bold, unreluctant, of such men! A dread,
+ That such should be, unmanned me. Doubt began
+ To whisper at my heart.--But I was mad,
+ To insult her with such thoughts, whose love I had.
+
+
+ XV.
+
+ At last one day I rested in a glade
+ Near that same woodland which I lay in when
+ Sore wounded; and, while sitting in the shade
+ Of an old beech--what! did I dream, or men
+ Like Rupert's own ride near me? and a maid--
+ Isolda or her spirit!--Wildly then
+ I rose and, shouting, leapt upon my horse;
+ Unsheathed my sword and rode across their course.
+
+
+ XVI.
+
+ Mainly I looked for Rupert, and by name
+ Challenged him forth:--"Dog! dost thou hide behind?--
+ Insulter of women! Coward! save where shame
+ And rapine call thee! God at last is kind,
+ And my sword waits!"--Like an upbeating flame,
+ My voice rose to a windy shout; and blind
+ I seemed to sit, till, with an outstretched hand,
+ Isolda rode before me from that band.
+
+
+ XVII.
+
+ "Gerald!" she cried; not as a heart surprised
+ With gladness that the loved, deemed dead, still lives;
+ But like the heart that long hath realized
+ Only misfortune and to fortune gives
+ No confidence, though it be recognized
+ As good. She spoke: "Lo, we are fugitives.
+ Rupert is slain. And I am going home."
+ Then like a child asked simply, "Wilt thou come?...
+
+
+ XVIII.
+
+ "Oh, I have suffered, Gerald, oh, my God!
+ What shame, what vileness! Once my soul was clean--
+ Stained and defiled behold it!--I have trod
+ Sad ways of hell and horror. I have seen
+ And lived all depths of lust. Yet, oh, my God!
+ Blameless I hold myself of what hath been,
+ Though through it all, yea, this thou too must know,
+ I loved him! my betrayer and thy foe!"
+
+
+ XIX.
+
+ Sobbing she spoke as if but half awake,
+ Her eyes far-fixed beyond me, far beyond
+ All hope of mine.--So it was for his sake,
+ His love, that she had suffered!... blind and fond,
+ For what return!... And I to nurse a snake,
+ And never dream its nature would respond
+ With some such fang of venom! 'T was for this
+ That I had ventured all, to find her his!
+
+
+ XX.
+
+ At first half-stunned I stood; then blood and brain,
+ Like two stern judges, who had slept, awoke,
+ Rose up and thundered, "Slay her!" Every vein
+ And nerve responded, "Slay her at a stroke!"--
+ And I had done it, but my heart again,
+ Like a strong captain in a tumult, spoke,
+ And the fierce discord fell. And quietly
+ I sheathed my sword and said, "I'll go with thee."
+
+
+ XXI.
+
+ But this was my reward for all I'd borne,
+ My loyalty and love! To see her eyes
+ Hollow from tears for him; her pale cheeks worn
+ With grief for him; to know them all for lies,
+ Her vows of faith to me; to come forlorn,
+ Where I had hoped to come on Paradise,
+ On Hell's black gulf; and, as if not enough,
+ Soiled as she was and outcast, still to love!
+
+
+ XXII.
+
+ Then rode one ruffian from the rest, clay-flecked
+ From spur to plume with hurry; seized my rein,
+ And--"What art thou," demanded, "who hast checked
+ Our way, and challenged?"--Then, with some disdain,
+ Isolda, "Sir, my kinsman did expect
+ Your captain here. What honor may remain
+ To me I pledge for him. Hold off thy hands!
+ He but attends me to the Moated Manse."
+
+
+ XXIII.
+
+ We rode in silence. And at twilight came
+ Into the Moated Manse.--Great clouds had grown
+ Up in the West, on which the sunset's flame
+ Lay like the hand of slaughter.--Very lone
+ Its rooms and halls: a splintered door that, lame,
+ Swung on one hinge; a cabinet o'erthrown;
+ Or arras torn; or blood-stain turning wan,
+ Showed us the way the battle once had gone.
+
+
+ XXIV.
+
+ We reached the tower-chamber towards the West,
+ In which on that dark day she thought to hide
+ From Rupert when, at last, 't was manifest
+ We could not hold the Manse. There was no pride
+ In her deep eyes now; nor did scorn invest
+ Her with such dignity as once defied
+ Him bursting in to find her standing here
+ Prepared to die like some dog-hunted deer.
+
+
+ XXV.
+
+ She took my hand, and, as if naught of love
+ Had ever been between us, said,--"All know
+ The madness of that day when with his glove
+ He struck then slew my brother, and brought woe
+ On all our house; and thou, incensed above
+ The rest, came here, and made my foe thy foe.
+ But he had left. 'T was then I promised thee
+ My hand, but, ah! my heart was gone from me.
+
+
+ XXVI.
+
+ "Yea, he had won me, this same Rupert, when
+ He was our guest.--Thou know'st how gallantry
+ And beauty can make heroes of all men
+ To us weak women!--And so secretly
+ I vowed to be his wife. It happened then
+ My brother found him in some villainy;
+ The insult followed; he was killed ... and thou
+ Dost still remember how I made a vow.
+
+
+ XXVII.
+
+ "But still this man pursued me, and I held
+ Firm to my vow, albeit I loved him still,
+ Unknown to all, with all the love unquelled
+ Of first impressions, and against my will.
+ At last despair of winning me compelled
+ Him to the oath he swore: He would not kill,
+ But take me living and would make my life
+ A living death. No man should make me wife.
+
+
+ XXVIII.
+
+ The war, that now consumes us, did, indeed,
+ Give him occasion.--I had not been warned,
+ When down he came against me in the lead
+ Of his marauders. With thy help I scorned
+ His mad attacks two days. I would not plead
+ Nor parley with him, who came hoofed and horned,
+ Like Satan's self in soul, and, with his aid,
+ Took this strong house and kept the oath he made.
+
+
+ XXIX.
+
+ "Months passed. Alas! it needs not here to tell
+ What often thou hast heard--Of how he led
+ His troopers here now there; nor what befell
+ Me of dishonor. Oft I wished me dead,
+ Loathing my life, than which the nether hell
+ Hath less of horror ... So we fought or fled
+ From place to place until a year had passed,
+ And Parliament forces hemmed us in at last.
+
+
+ XXX.
+
+ "Yea, I had only lived for this--to right
+ With death my wrongs sometime. And love and hate
+ Contended in my bosom when, that night
+ Before the fight that should decide our fate,
+ I entered where he slept. There was no light
+ Save of the stars to see by. Long and late
+ I leaned above him there, yet could not kill--
+ Hate raised the dagger but love held it still.
+
+
+ XXXI.
+
+ "The woman in me conquered. What a slave
+ To our emotions are we! To relent
+ At this long-waited moment!--Wave on wave
+ Of pitying weakness swept me, and I bent
+ And kissed his face. Then prayed to God; and gave
+ My trust to God; and left to God th' event.--
+ I never looked on Rupert's face again,
+ For in that morning's combat--he was slain.
+
+
+ XXXII.
+
+ "Out of defeat escaped some scant three score
+ Of all his followers. And night and day
+ They fled; and while the Roundheads pressed them sore,
+ And in their road, good as a fortress, lay
+ The Moated Manse, where their three score or more
+ Might well hold out, I pointed them the way.
+ And they are come, amid its wrecks to end
+ The crime begun here.--Thou must go, my friend!
+
+
+ XXXIII.
+
+ "Go quickly! For the time approaches when
+ Destruction must arrive.--Oh, well I know
+ All thou wouldst say to me.--What boots it then?--
+ I tell thee thou must go, that thou must go!--
+ Yea, dost thou think I'd have thee die 'mid men
+ Like these, for such an one as I!--No! no!--
+ Thy life is clean. Thou shalt not cast away
+ Thy clean life for my soiled one. Go, I pray!"
+
+
+ XXXIV.
+
+ She ceased. I spoke--I know not what it was.
+ Then took her hand and kissed it and so said--
+ "Thou art my promised wife. Thou hast no cause
+ That is not mine. I love thee. We will wed.
+ I love thee. Come!"--A moment did she pause,
+ Then shook her head and sighed, "My heart is dead.
+ This can not be. Behold, that way is thine.
+ I will not let thee share this way that's mine."
+
+
+ XXXV.
+
+ Then turning from me ere I could prevent
+ Passed like a shadow from the shadowy room,
+ Leaving my soul in shadow ... Naught was meant
+ By my sweet flower of love then! bloom by bloom
+ I'd watched it wither; then its fragrance went,
+ And naught was left now.--It was dark as doom,
+ And bells were tolling far off through the rain,
+ When from that house I turned my face again.
+
+
+ XXXVI.
+
+ Then in the night a trumpet; and the dull
+ Close thud of horse and clash of Puritan arms;
+ And glimmering helms swept by me. Sorrowful
+ I stood and waited till upon the storm's
+ Black breast, the Manse, a burning carbuncle,
+ Blazed like a battle-beacon, and alarms
+ Of onslaught clanged around it; then, like one
+ Who bears with him God's curse, I galloped on.
+
+
+
+
+The Forester
+
+
+ I met him here at Ammendorf one Spring.
+ It was the end of April and the Harz,
+ Veined to their ruin-crested summits, seemed
+ One pulse of tender green and delicate gold,
+ Beneath a heaven that was like the face
+ Of girlhood waking into motherhood.
+ Along the furrowed meadow, freshly ploughed,
+ The patient oxen, loamy to the knees,
+ Plodded or lowed or snuffed the fragrant soil;
+ And in each thorntree hedge the wild bird sang
+ A song to Spring, made of its own wild heart
+ And soul, that heard the dairy-maiden May's
+ Heart beating like a star at break of day,
+ As, kissing ripe the blossoms, she drew near,
+ Her mouth's sweet rose all dew-drops and perfume.
+ Here at this inn and underneath this tree
+ We took our wine, the morning prismed in its
+ Flame-angled gold.--A goodly vintage that!
+ Tang with the ripeness of full twenty years.
+ Rare! I remember!--wine that spurred the blood,
+ That brought the heart glad to the limbered lip,
+ And made the eyes unlatticed casements where
+ A man's true soul you could not help but see.
+ As royal a Rhenish, I will vouch to say,
+ As that, old legends tell, which Necromance
+ And Magic keep, gnome-guarded, in huge casks
+ Of antique make deep in the Kyffhaeuser,
+ The Cellar of the Knights near Sittendorf.--
+ So solaced of that wine we sat an hour.
+ He told me his intent in coming here.
+ His name was Rudolf; and his native home,
+ Franconia; but no word of parentage:
+ Only his mind to don the buff and green
+ And live a forester with us and be
+ Enfellowed in the Duke of Brunswick's train,
+ And for the Duke's estate even now was bound.
+ Tall was he for his age and strong and brown,
+ And lithe of limb; and with a face that seemed
+ Hope's counterpart--but with the eyes of doubt;
+ Deep restless disks, instinct with gleaming night,
+ That seemed to say, "We're sure of earth, at least
+ For some short space, my friend; but afterward--
+ Nay! ransack not to-morrow till to-day,
+ Lest it engulf thy joy before it is!"--
+ And when he spoke, the fire in his eyes
+ Worked stealthy as a hunted animal's;
+ Or like the Count von Hackelnburg's that turn,
+ Feeling the unseen presence of a fiend.
+ Then, as it chanced, old Kurt had come that morn
+ With some six of his jerkined foresters
+ From the Thuringian forest; wet with dew,
+ And fresh as morn with early travel; bound
+ For Brunswick, Dummburg and the Hakel passed.
+ Chief huntsman he then to our lord the Duke,
+ And father of the loveliest maiden here
+ In Ammendorf, the sunny Ilsabe:
+ Her mother dead, the gray-haired father prized
+ His daughter more than all that men hold dear;
+ His only happiness, who was beloved
+ Of all as Lora of Thuringia was,
+ For gentle ways that spoke a noble soul,
+ Winning all hearts to love her and to praise,
+ As might a great and beautiful thought that holds
+ Us by the simplest words.--Her eyes were blue
+ As the high influence of a summer day.
+ Her hair,--serene and braided over brows
+ White as a Harz dove's wing,--was auburn brown,
+ And deep as mists the sun has drenched with gold.
+ And her young presence--well, 't was like a song,
+ A far Tyrolean melody of love,
+ Heard on an Alpine path at close of day
+ When shepherds homeward lead their tinkling flocks.
+ And when she left, being with you awhile,--
+ How shall I say it?--'t was as when one hath
+ Beheld an Undine by the moonlit Rhine,
+ Who, ere the mind adjusts a thought, is gone,
+ And in your soul you wonder if a dream.
+ Some thirty years ago it was;--and I,
+ Commissioner of the Duke--(no sinecure
+ I can assure you)--had scarce reached the age
+ Of thirty,--that we sat here at our wine;
+ And 't was through me that Rudolf,--whom at first,
+ From some rash words dropped then in argument,
+ The foresterhood was like to be denied,--
+ Was then enfellowed. "Yes," said I, "he's young.
+ Kurt, he is young; but see, a wiry frame;
+ A chamois footing and a face for deeds;
+ An eye that likes me not; too quick to turn;
+ But that may be the restless soul within;
+ A soul perhaps with virtues that have been
+ Severely tried and could not stand the test;
+ These be thy care, Kurt; and if not too deep
+ In vices of the flesh, discover them,
+ As divers bring lost riches up from ooze.
+ Thou hast a daughter; let him be thy son."
+ A year thereafter was it that I heard
+ Of Rudolf's passion for Kurt's Ilsabe;
+ Then their betrothal. And it was from this,--
+ Good Mother Mary! how she haunts me still!
+ Sweet Ilsabe! whose higher womanhood,
+ True as the touchstone which philosophers feign
+ Transmutes to gold base metals it may touch,
+ Had turned to good all evil in this man,--
+ Surmised I of the excellency which
+ Refinement of her purer company,
+ And contact with her innocence, had resolved
+ His fiery nature to, conditioning slave.
+ And so I came from Brunswick--as, you know,
+ Is custom of the Duke or, by his seal
+ Commissioned proxy, his commissioner--
+ To test the marksmanship of Rudolf, who
+ Succeeded Kurt with marriage of his child,
+ An heir of Kuno.--He?--Greatgrandfather
+ Of Kurt; and of this forestkeepership
+ The first possessor; thus established here--
+ Or this the tale they tell on winter nights:
+ Kuno, once in the Knight of Wippach's train,
+ Rode on a grand hunt with the Duke, who came,--
+ Grandfather of the father of our Duke,--
+ With much magnificence of knights and squires,
+ Great velvet-vestured nobles, cloaked and plumed,
+ To hunt Thuringian deer. Then morn,--too quick
+ To bid good-morrow,--was too slow for these,
+ And on the wind-trod hills recumbent yawned
+ Disturbed an hour too soon; all sleepy-eyed,
+ Like some young milkmaid whom the cock hath roused,
+ Who sits and rubs stiff eyes that still will close.
+ Horns sang and deer-hounds tugged a whimpering leash,
+ Or, loosened, bounded through the baying glens:
+ And ere the mountain mists, compact of white,
+ Broke wild before the azure spears of day,
+ The far-off hunt, that woke the woods to life,
+ Seemed but the heart-beat of the ancient hills.
+ And then, near noon, within a forest brake,
+ The ban-dogs roused a red gigantic stag,
+ Lashed to whose back with gnarly-knotted cords,
+ And borne along like some pale parasite,
+ A man shrieked: tangle-bearded, and wild hair
+ A mane of forest-burs. The man himself,
+ Emaciated and half-naked from
+ The stag's mad flight through headlong rocks and trees,
+ One bleeding bruise, with eyes like holes of fire.
+ For such the law then: when the peasant chased
+ Or slew the dun deer of his tyrant lords,
+ If seized, as punishment the withes and spine
+ Of some strong stag, a gift to him of game,
+ Enough till death--death in the antlered herd,
+ Or slow starvation in the haggard hills.
+ Then was the great Duke glad, and forthwith cried
+ To all his hunting train a rich reward
+ For him who slew the stag and saved the man,
+ But death for him who slew both man and stag.
+ So plunged the hunt after the hurrying slot,
+ A shout and glimmer through the sounding woods,--
+ Like some mad torrent that the hills have loosed
+ With death for goal.--'T was late; and none had risked
+ That shot as yet,--too desperate the risk
+ Beside the poor life and a little gold,--
+ When this young Kuno, with fierce eyes, wherein
+ Hunt and impatience kindled reckless flame,
+ Cried, "Has the dew then made our powder wet?
+ Or have we left our marksmanship at home?
+ Here's for its heart! the Fiend direct my ball!"--
+ And fired into a covert deeply packed,
+ An intertangled wall of matted night,
+ Wherein the eye might vainly strive and strive
+ To pierce one fathom, earn one foot beyond.
+ But, ha! the huge stag staggered from the brake
+ Hit full i' the heart. And that wan wretch, unbound,
+ Was ta'en and cared for. Then his grace, the Duke,
+ Charmed with the eagle aim, called Kuno up,
+ And there to him and his forever gave
+ The forestkeepership.
+ But envious tongues
+ Were soon at wag; and whispered went the tale
+ Of how the shot was free, and how the balls
+ Used by young Kuno were free bullets--which
+ To say is: Lead by magic moulded, in
+ The influence and directed, of the Fiend.
+ Of some effect these tales, and had some force
+ Even with the Duke, who lent an ear so far
+ As to ordain Kuno's descendants all
+ To proof of skill ere their succession to
+ The father's office. Kurt himself hath shot
+ The silver ring out o' the popinjay's beak--
+ A good shot he, you see, who would succeed.
+ Of these enchanted bullets let me speak:
+ There may be such; our Earth has things as strange,
+ Perhaps, and stranger, that we doubt not of,
+ While we behold, not only 'neath the thatch
+ Of Ignorance's hovel, but within
+ The pictured halls of Wisdom's palaces,
+ How Superstition sits an honored guest.
+ A cross-way let it be among the hills;
+ A cross-way in a solitude of pines;
+ And on the lonely cross-way you must draw
+ A blood-red circle with a bloody sword;
+ And round the circle, runic characters,
+ Gaunt and satanic; here a skull, and there
+ A scythe and cross-bones, and an hour-glass here;
+ And in the centre, fed with coffin-wood,
+ Stol'n from the grave of one, a murderer,
+ A smouldering fire. Eleven of the clock
+ The first ball leaves the mold--the sullen lead
+ Mixed with three bullets that have hit their mark,
+ And blood, the wounded Sacramental Host
+ Stolen, and hence unhallowed, oozed, when shot
+ Fixed to a riven pine. Ere twelve o'clock
+ With never a word until that hour sound,
+ Must all the balls be cast; and these must be
+ In number three and sixty; three of which
+ The Fiend's dark agent, demon Sammael,
+ Claims for his master and stamps for his own
+ To hit aside their mark, askew for harm.
+ The other sixty shall not miss their mark.
+ No cry, no word, no whisper, even though
+ Vague, gesturing shapes, that loom like moonlit mists,
+ Their faces human but with animal forms,
+ Rise thick around and threaten to destroy.
+ No cry, no word, no whisper should there come,
+ Weeping, a wandering shadow like the girl
+ You love, or loved, now lost to you, her eyes
+ Hollow with tears; all palely beckoning
+ With beautiful arms, or censuring; her face
+ Sad with a desolate love; who, if you speak
+ Or waver from that circle--hideous change!--
+ Shrinks to a wrinkled hag, whose harpy hands
+ Shall tear you limb from limb with horrible mirth.
+ Nor be deceived if some far midnight bell
+ Strike that anticipated hour; nor leave
+ By one short inch the circle, for, unseen
+ Though now they be, Hell's minions still are there,
+ Watching with flaming eyes to seize your soul.
+ But when the hour of midnight sounds, be sure
+ You have your bullets, neither more nor less;
+ For if through fear one more or less you have,
+ Your soul is forfeit to Hell's majesty.--
+ Then while the hour of midnight strikes, will come
+ A noise of galloping hoofs and outriders,
+ Shouting; six midnight steeds,--their nostrils, pits
+ Of burning blood,--postilioned, roll a stage,
+ Black and with groaning wheels of spinning fire:
+ "Room there!--ho! ho!--who bars the mountain-way?
+ On over him!"--But fear not, nor fare forth;
+ 'T is but the last trick of your bounden slave.
+ And ere the red moon rushes through the clouds
+ And dives again, high the huge leaders leap,
+ Their fore-hoofs fire, and their eye-balls flame,
+ And, spun a spiral spark into the night,
+ Whistling the phantom flies and fades away.
+ Some say there comes no stage; that Hackelnburg,
+ Wild-huntsman of the Harz, comes dark as storm,
+ With rain and wind and demon dogs of Hell,
+ The terror of his hunting-horn, an owl,
+ And the dim deer he hunts, rush on before;
+ The forests crash, and whirlwinds are the leaves,
+ And all the skies a-thunder, as he hurls
+ Straight on the circle, horse and hounds and stag.
+ And at the last, plutonian-cloaked, there comes,
+ Upon a stallion gaunt and lurid black,
+ The minister of Satan, Sammael,
+ Who greets you, and informs you, and assures.
+ Enough! these wives'-tales told, to what I've seen:
+ To Ammendorf I came; and Rudolf here
+ With Kurt and his assembled men, I met.
+ The abundant year,--like some sweet wife,--a-smile
+ At her brown baby, Autumn, in her arms,
+ Stood 'mid the garnered harvests of her fields
+ Dreaming of days that pass like almoners
+ Scattering their alms in minted gold of flowers;
+ Of nights, that forest all the skies with stars,
+ Wherethrough the moon--bare-bosomed huntress--rides,
+ One cloud before her like a flying fawn.
+ Then I proposed the season's hunt; till eve
+ The test of Rudolf's skill postponed, at which
+ He seemed impatient. And 't was then I heard
+ How he an execrable marksman was;
+ And tales that told of near, incredible shots,
+ That missed their mark; or how his flint-lock oft
+ Flashed harmless powder, while the curious deer
+ Stood staring; as in pity of such aim
+ Bidding him try his marksmanship again.
+ Howbeit, he that day acquitted him
+ Of all this gossip; in that day's long hunt
+ Missing no shot, however rashly made
+ Or distant through the intercepting trees.
+ And the piled, various game brought down of all
+ Good marksmen of Kurt's train had not sufficed,
+ Doubled, nay, trebled, there to match his heap.
+ And marvelling the hunters saw, nor knew
+ How to excuse them. My indulgence giv'n,
+ Some told me that but yesterday old Kurt
+ Had made his daughter weep and Rudolf frown,
+ By vowing end to their betrothed love,
+ Unless that love developed better aim
+ Against the morrow's test; his ancestors'
+ High fame should not be tarnished. So he railed;
+ And bowed his gray head and sat moodily;
+ But looking up, forgave all when he saw
+ Tears in his daughter's eyes and Rudolf gone
+ Out in the night black with approaching storm.
+ Before this inn, yonder and here, they stood,
+ The holiday village come to view the trial:
+ Fair maidens and their comely mothers with
+ Their sweethearts and their husbands. And I marked
+ Kurt and his daughter here; his florid face
+ All jubilant at Rudolf's great success;
+ Hers, radiant with happiness; for this
+ Her marriage eve--so had her father said--
+ Should Rudolf come successful from the hunt.
+ So pleased was I with what I'd seen him do,
+ The trial of skill superfluous seemed, and so
+ Was on the bare brink of announcing, when
+ Out of the western heaven's deepening red,--
+ Like a white message dropped by rosy lips,--
+ A wild dove clove the luminous winds and there,
+ Upon that limb, a peaceful moment sat.
+ Then I, "Thy rifle, Rudolf! pierce its head!"
+ Cried pointing, "and chief-forester art thou!"--
+ Why did he falter with a face as strange
+ As a dark omen? did his soul foresee
+ What was to be with tragic prescience?--
+ What a bad dream it all seems now!--Again
+ I see him aim. Again I hear the cry,
+ "My dove! O Rudolf, do not kill my dove!"
+ And from the crowd, like some sweet dove herself,
+ A fluttering whiteness, came our Ilsabe--
+ Too late! the rifle cracked ... The unhurt dove
+ Rose, beating frightened wings--but Ilsabe!...
+ The sight! the sight!... lay smitten; a red stain,
+ Sullying the pureness of her bridal bodice,
+ Showed where the ball had pierced her through the heart.
+ And Rudolf?--Ah, of him you still would know?--
+ When he beheld this thing that he had done,
+ Why he went mad--I say--but others not.
+ An hour he raved of how her life had paid
+ For the unholy bullets he had used,
+ And how his soul was three times lost and damned.
+ I say that he went mad and fled forthwith
+ Into the haunted Harz.--Some say, to die
+ The prey of demons of the Dummburg ruin.
+ I, one of those less superstitious, say,
+ He in the Bode--from that blackened rock,--
+ Whereon were found his hunting-cap and gun,--
+ The Devil's Dancing Place, did leap and die.
+
+
+
+
+My Lady of Verne
+
+
+ It all comes back as the end draws near;
+ All comes back like a tale of old!
+ Shall I tell you all? Will you lend an ear?
+ You, with your face so stern and cold;
+ You, who have found me dying here ...
+
+ Lady Leona's villa at Verne--
+ You have walked its terraces, where the fount
+ And statue gleam and the fluted urn;
+ Its world-old elms, that are avenues gaunt
+ Of shadow and flame when the West is a-burn.
+
+ 'T is a lonely region of tarns and trees,
+ And hollow hills that circle the West;
+ Haunted of rooks and the far-off sea's
+ Immemorial vague unrest;
+ A land of sorrowful memories.
+
+ A gray sad land, where the wind has its will,
+ And the sun its way with the fruits and flowers;
+ Where ever the one all night is shrill,
+ And ever the other all day brings hours
+ Of glimmering silence that dead days fill.
+
+ A gray sad land, where her girlhood grew
+ To womanhood proud, that the hill-winds seemed
+ To give their heart, like melody, to;
+ And the stars, their soul, like a dream undreamed--
+ The only glad thing that the sad land knew.
+
+ My Lady, you know, how nobly born!
+ Haughty of form, with a head that rose
+ Like a dream of empire; love and scorn
+ Made haunts of her eyes; and her lips were bows
+ Whence pride imperious flashed flower and thorn.
+
+ And I--oh, I was nobody: one
+ Her worshiper only; who chose to be
+ Silent, seeing that love alone
+ Was his only badge of nobility,
+ Set in his heart's escutcheon.
+
+ How long ago does the springtime look,
+ When we wandered away to the hills! the hills,--
+ Like the land in the tale in the fairy-book,--
+ Covered with gold of the daffodils,
+ And gemmed with the crocus by brae and brook!
+
+ When I gathered a branch from a hawthorn tree,
+ For her hair or bosom, from boughs that hung
+ Odorous of heaven and purity;
+ And she thanked me smiling; then merrily sung,
+ Laughingly sung, while she looked at me:--
+
+ "There dwelt a princess over the sea--
+ Right fair was she, right fair was she--
+ Who loved a squire of low degree,
+ But married a king of Brittany--
+ Ah, woe is me!
+
+ "And it came to pass on the wedding-day--
+ So people say, so people say--
+ That they found her dead in her bridal array,
+ Dead, and her lover beside her lay--
+ Ah, well-away!
+
+ "A sour stave for your sweets," she said,
+ Pressing the blossoms against her lips:
+ Then petal by petal the branch she shred,
+ Snowing the blooms from her finger-tips,
+ Tossing them down for her feet to tread.
+
+ What to her was the look I gave
+ Of love despised! though she seemed to start,
+ Seeing, and said, with a quick hand-wave,
+ "Why, one would think that _that_ was your heart,"
+ While her face with a sudden thought grew grave.
+
+ But I answered nothing. And so to her home
+ We came in the twilight; falling clear,
+ With a few first stars and a moon's curved foam,
+ Over the hush of meadow and mere,
+ Whence the boom of the bittern would often come.
+
+ Would you think that she loved me?--Who can say?--
+ What a riddle unread was she to me!--
+ When I kissed her fingers and turned away
+ I wanted to speak, but--what cared she,
+ Though her eyes looked soft and she begged me stay!
+
+ Though she lingered to watch me--that might be
+ A slim moon-beam or the evening haze,--
+ But never my Lady's drapery
+ Or wistful face!--in the ivy maze....
+ Leona of Verne--why, what cared she!
+
+ So the days went by, and the Summer wore
+ Her hot heart out; and, a mighty slayer,
+ The Autumn harried the land and shore,
+ And the world was red with his wrecks; but grayer
+ That land with the ghosts of the nevermore.
+
+ The sheaves of the Summer had long been bound;
+ The harvests of Autumn had long been past;
+ And the snows of the Winter lay deep around,
+ When the dark news came and I knew at last;
+ And the reigning woe of my heart was crowned.
+
+ So I sought her here, the young Earl's bride;
+ In the ancient room at the oriel dreaming,
+ Pale as the blooms in her hair; and, wide,
+ Her robe's rich satin, flung stormily, gleaming,
+ Like shimmering silver, twilight-dyed.
+
+ I marked as I stole to her side that tears
+ Were vaguely large in her beautiful eyes;
+ That the loops of pearls on her throat, and years
+ Old lace on her bosom were heaved with sighs;
+ So I spoke what I thought--"Then, it appears"--
+
+ And stopped with, it seemed, my soul in my gaze--
+ "That you are not happy, Leona of Verne?
+ There is that at your heart which--well, betrays
+ These mocking mummeries.--Live and learn!--
+ And this is the truth that the poet says:--
+
+ "'I went to my love and I told with my heart,
+ In words of the soul, that are silent in speech,
+ All of my passion, too sacred for art;
+ But she heard me not--for I could not reach
+ Her in that world of which she is part.'--
+
+ "That world, where I saw you as one afar
+ Sees palms and waters, and knows that sands,
+ Pitiless sands, before him are;
+ Yet follows ever with helpless hands
+ Till he sinks at last.--You were my star,
+
+ "My hope, my heaven!--I loved you!... Life
+ Is less than nothing to me!"... She turned,
+ With a wild look, saying--"Now I am his wife
+ You come and tell me!--Indeed you are learn'd
+ In the language of hearts that's unheard!"... A Knife,
+
+ As she ceased and leaned on a cabinet,--
+ A curve of scintillant steel, keen, cold,--
+ Fell icily clashing; some curio met
+ Among Asian antiques, bronze and gold,
+ Mystical, curiously graven and set.
+
+ A Bactrian dagger, whose slightest prick
+ Through its ancient poison was death, I knew;
+ If true that she loved me--then!--And quick
+ To the unspoken thought she replied, "'T is true!
+ I have loved you long, and my soul was sick,
+
+ "Sick for the love that has made me weak,
+ Weak to your will even now!"--And more
+ She said, in my arms, that I shall not speak--
+ And the dagger there on the polished floor
+ Ever her eyes, while she spoke, would seek.
+
+ "'And it came to pass on the wedding-day'"--
+ Then my lips for a moment were crushed to hers--
+ "'That they found her dead in her bridal array,'"
+ She sang; then said, "You finish the verse!
+ Finish the song, for you know the way."
+
+ And I whispered "yes," for my mind had thought
+ Her own thought through--that life were a hell
+ To her as to me,--So the blade I caught
+ With a sudden hand; and she leaned, and--well,
+ What a little wound, and the blood it brought
+
+ To crimson her bosom!--I set her there
+ In that carven chair; then turned the blade,--
+ With its glittering haft one savage glare
+ Of gold and jewels, wildly inlaid,--
+ To my breast, for the poisonous point rent bare.
+
+ A stain of blood on her bosom, and one
+ Black red o'er my heart.--You see, 't is good
+ To die so for love!... Does the sinking sun,
+ Through the dull vast west burst banked with blood?--
+ Or is it that life will at last have done?...
+
+ So you are her husband? and--well, you see,
+ You see she is dead ... But your face, how white!
+ --Is it with hate or with misery?--
+ What matters it now!--For, at last, the night
+ Falls and the silence covers me.
+
+
+
+
+An Old Tale Re-told
+
+
+ From the terrace here, where the hills indent,
+ You can see the uttermost battlement
+ Of the castle there; the Cliffords' home;
+ Where the seasons go and the seasons come
+ And never a footstep else doth fall
+ Save the prowling fox's; the ancient hall
+ Echoes no voice save the owlet's call:
+ Its turret chambers are homes for the bat;
+ And its courts are tangled and wild to see;
+ And where in the cellar was once the rat,
+ The viper and toad move stealthily.
+ Long years have passed since the place was burned,
+ And he sailed to the wars in France and earned
+ The name that he bears of the bold and true
+ On his tomb. Long years, since my lord, Sir Hugh,
+ Lived; and I was his favorite page,
+ And the thing then happened; and he of an age
+ When a man will love and be loved again,
+ Or hie to the wars or a monastery,
+ Or toil till he conquer his heart's sore pain,
+ Or drink and forget it and finally bury.
+
+ I was his page. And often we fared
+ Through the Clare demesnes, in autumn, hawking;
+ If the Baron had known, how they would have glared
+ 'Neath their bushy brows, those eyes of mocking!--
+ That last of the Strongbows, Richard, I mean--
+ And growling some six of his henchmen lean
+ To mount and after this Clifford and hang
+ With his crop-eared page to the nearest oak,
+ How he would have cursed us while he spoke!
+ For Clare and Clifford had ever a fang
+ In the other's side ... And I hear the clang
+ Of his rage in the hall when the hawker told--
+ If he told!--how we met on the autumn wold
+ His daughter, sweet Clara of Clare, the day
+ Her hooded tiercel its brails did burst,
+ And trailing its jesses, came flying our way--
+ An untrained haggard the falconer cursed
+ While he tried to secure:--as the eyas flew
+ Slant, low and heavily over us, Hugh,--
+ Who saw it coming, and had just then cast
+ His peregrine hawk at a heron quarry,--
+ In his saddle rising, so, as it passed,
+ By the jesses caught, and to her did carry,
+ Where she stood near the wood. Her face flushed rose
+ With the glad of the meeting. No two foes
+ Her eyes and my Lord's, I swear, who saw
+ 'Twas love from the start. And I heard him speak
+ Some words; then he knelt; and the sombre shaw,
+ With the rust of the autumn waste and bleak,
+ Grew spring with her smile, as the hawk she took
+ On her lily wrist, where it pruned and shook
+ Its ragged wings. Then I saw him seize
+ The hand, that she reached to him, long and white,
+ As she smilingly bade him rise from his knees--
+
+ When he kissed its fingers, her eyes grew bright.
+ But her cheeks grew pallid when, lashing through
+ The woodland there, with a face a-flare
+ With the sting of the wind, and his gipsy hair
+ Flying, the falconer came, and two
+ Or three of the people of Castle Clare.
+ And the leaves of the autumn made a frame
+ For the picture there in the morning's flame.
+
+ What was said in that moment, I do not know,
+ That moment of meeting, between those lovers;
+ But whatever it was, 't was whispered low,
+ And soft as a leaf that swings and hovers,
+ A twinkling gold, when the leaves are yellow.
+ And her face with the joy was still aglow,
+ When down through the wood that burly fellow
+ Came with his frown, and made a pause
+ In the pulse of their words. My lord, Sir Hugh,
+ Stood with the soil on his knee. No cause
+ Had he, but his hanger he partly drew,
+ Then clapped it sharp in its sheath again,
+ And bowed to my Lady, and strode away;
+ And mounting his horse, with a swinging rein
+ Rode with a song in his heart all day.
+
+ He loved and was loved, I knew; for, look!
+ All other sports for the chase he forsook.
+ And strange that he never went to hawk,
+ Or hunt, but Clara would meet him there
+ In the Strongbow forest! I know the rock,
+ With its fern-filled moss, by the bramble lair,
+ Were oft and again he met--by chance,
+ Shall I say?--the daughter of Clare; as fair
+ Of face as a queen in an old romance,
+ Who waits with her sweet face pale; her hair
+ Night-deep; and eyes dove-gray with dreams;--
+ By the fountain-side where the statue gleams
+ And the moonbeam lolls in the lily white,--
+ For the knightly lover who comes at night.
+
+ Heigho! they ceased, those meetings; I wot,
+ Betrayed to the Baron by some of his crew
+ Of menials who followed and saw and knew.
+ For she loved too well to have once forgot
+ The time and the place of their trysting true.
+ "Why and when?" would ask Sir Hugh
+ In the labored letters he used to lock--
+ The lovers' post--in a coigne of that rock.
+ She used to answer, but now did not.
+ But nearing Yule, love got them again
+ A twilight tryst--through frowardness sure!--
+ They met. And that day was gray with rain,
+ Or snow: and the wind did ever endure
+ A long bleak moaning thorough the wood,
+ That chapped i' the cheek and smarted the blood;
+ And a brook in the forest went throb and throb,
+ And over it all was the wild-beast sob
+ Of the rushing boughs like a thing pursued.
+ And then it was that he learned how she,
+ (God's blood! how it makes my old limbs quiver
+ To think what a miserable tyrant he--
+ The Baron Richard--aye and ever
+ To his daughter was!) forsooth! must wed
+ With an eastern earl, a Lovell: to whom
+ (Would God o' his mercy had struck him dead!)
+ Clara of Clare when only a child,--
+ With a face like a flower, that blooms in the wild
+ Of the hills, and a soul like its soft perfume,--
+ Was given; to seal, or strengthen, some ties
+ Of power and wealth--say bartered, then,
+ Like the merest chattel. With tearful eyes
+ And trembling lips she spoke; and when
+ Her lover, the Clifford, had learned and heard,--
+ He'd have had her flee with him then, 'sdeath!
+ In spite of them all! Let her speak the word,
+ They would fly together; the Baron's men
+ Might follow, and if ... and he touched his sword,
+ It should answer! But she, while she seemed to stay,
+ With a hand on her bosom, her heart's quick breath,
+ Replied to his heat, "They would take and slay
+ Thee who art life of me!--No! not thus
+ Shall we fly! there's another way for us;
+ A way that is sure; an only way;
+ I have thought it out this many a day."--
+ The words that she spoke, how well I remember!
+ As well as the mood o' that day of December,
+ That bullied and blustered and seemed in league,
+ Like a spiteful shrew, with the wind and snow,
+ To drown the words of their sweet intrigue,
+ With the boom of the boughs tossed to and fro.
+ Her last words these, "By curfew sure,
+ On Christmas eve, at the postern door."
+
+ And we were there; with a led horse too;
+ Armed for a journey I hardly knew
+ Whither, but why, you well can guess.
+ For often he whispered a certain name,
+ The talisman of his happiness,
+ That warmed his blood like a yule-log's flame.
+ While we waited there, till its owner came,
+ We saw how the castle's baronial girth,
+ Like a giant's, loosed for reveling more,
+ Shone; and we heard the wassail and mirth
+ Where the mistletoe hung in the hearth's red roar,
+ And the holly brightened the weaponed wall
+ Of ancient oak in the banqueting hall.
+ And the spits, I trow, by the scullions turned
+ O'er the snoring logs, rich steamed and burned,
+ While the whole wild-boar and the deer were roasted,
+ And the half of an ox and the roe-buck haunches;
+ While tuns of ale, that the cellars boasted,
+ And casks of sack, were broached for paunches
+ Of vassals who reveled in stable and hall.
+ The song of the minstrel; the yeomen's quarrel
+ O'er the dice and the drink; and the huntsman's bawl
+ In the baying kennels, its hounds a-snarl
+ O'er the bones of the banquet; now loud, now low,
+ We could hear where we crouched in the drifting snow.
+
+ Was she long? did she come?... By the postern we
+ Like shadows waited. My lord, Sir Hugh,
+ Spoke, pointing a tower, "That casement, see?
+ When a stealthy light in its slit burns blue
+ And signals thrice slowly, thus--'t is she."
+ And close to his breast his gaberdine drew,
+ For the wind it whipped and the snow beat through.
+ Did she come?--We had waited an hour or twain,
+ When the taper flashed in the central pane,
+ And flourished three times and vanished so.
+ And under the arch of the postern's portal,
+ Holding the horses, we stood in the snow,
+ Stiff with the cold. Ah, me! immortal
+ Minutes we waited, breath-bated, and listened
+ Shivering there in the hiss of the gale:
+ The parapets whistled, the angles glistened,
+ And the night around seemed one black wail
+ Of death, whose ominous presence over
+ The stormy battlements seemed to hover.
+ Said my lord, Sir Hugh,--to himself he spoke,--
+ "She feels for the spring in the sliding panel
+ 'Neath the arras, hid in the carven oak.
+ It opens. The stair, like a well's dark channel,
+ Yawns; and the draught makes her taper slope.
+ Wrapped deep in her mantle she stoops, now puts
+ One foot on the stair; now a listening pause
+ As nearer and nearer the mad search draws
+ Of the thwarted castle. No smallest hope
+ That they find her now that the panel shuts!...
+ If the wind, that howls like a tortured thing,
+ Would throttle itself with itself, then I
+ Might hear how her hurrying footsteps ring
+ Down the hollow ... there! 't is her fingers try
+ The postern's bolts that the rust makes cling."--
+ But ever some whim of the storm that shook
+ A clanging ring or a creaking hook
+ In buttress or wall. And we waited, numb
+ With the cold, till dawn--but she did not come.
+
+ I must tell you why and have done: 'T is said,
+ On the brink of the marriage she fled the side
+ Of the guests and the bridegroom there; she fled
+ With a mischievous laugh,--"I'll hide! I'll hide!
+ Seek! and be sure that you find!"--so led
+ A long search after her; but defied
+ All search for--a score and ten long years....
+
+ Well, the laughter of Yule was turned to tears
+ For them and for us. We saw the glare
+ Of torches that hurried from chamber to stair;
+ And we heard the castle re-echo her name,
+ But neither to them nor to us she came.
+ And that was the last of Clara of Clare.
+
+ That winter it was, a month thereafter,
+ That the home of the Cliffords, roof and rafter,
+ Burned.--I could swear 't was the Strongbow's doing,
+ Were I sure that he knew of the Clifford's wooing
+ His daughter; and so, by the Rood and Cross!
+ Had burned Hugh's home to avenge his loss.--
+ So over the channel to France with his King,
+ The Black Prince, sailed to the wars--to deaden
+ The ache of the mystery--Hugh that spring,
+ And fell at Poitiers; for his loss made leaden
+ His heart; and his life was a weary sadness,
+ So he flung it away in a moment's madness.
+ And the Baron died. And the bridegroom?--well,
+ Unlucky was he in truth!--to tell
+ Of him there is nothing. The Baron died,
+ The last of the Strongbows he--gramercy!
+ And the Clare estate with its wealth and pride
+ Devolved to the Bloets, Walter and Percy.
+
+ And years went by. And it happened that they
+ Ransacked the old castle; and so, one day,
+ In a lonesome tower uprummaged a chest,
+ From Flanders; of ebon, and wildly carved
+ All over with things: a sinister crest,
+ And evil faces, distorted and starved;
+ Fast-locked with a spring, which they forced and, lo!
+ When they opened it--Death, like a lady dressed,
+ Grinned up at their terror!--but no, not so!
+ A skeleton, jeweled and laced, and wreathed
+ With flowers of dust; and a miniver
+ Around it clasped, that the ruin sheathed
+ Of a once rich raiment of silk and fur.
+
+ I'd have given my life to hear him tell,
+ The courtly Clifford, how this befell!
+ He'd have known how it was: For, you see, in groping
+ For the secret spring of that panel, hoping
+ And fearing as nearer and nearer drew
+ The search of retainers, why, out she blew
+ The tell-tale taper; and, seeing this chest,
+ Would hide her a minute in it, mayhap,
+ Till the hurry had passed; but the death-lock, pressed
+ By the lid's great weight, closed fast with a snap,
+ Ere her heart was aware of the fiendish trap.
+
+
+
+
+The Water Witch
+
+
+ See! the milk-white doe is wounded.
+ He will follow as it bounds
+ Through the woods. His horn has sounded.
+ Echoing, for his men and hounds.
+ But no answering bugle blew.
+ He has lost his retinue
+ For the shapely deer that bounded
+ Past him when his bow he drew.
+
+ Not one hound or huntsman follows.
+ Through the underbrush and moss
+ Goes the slot; and in the hollows
+ Of the hills, that he must cross,
+ He has lost it. He must fare
+ Over rocks where she-wolves lair;
+ Wood-pools where the wild-boar wallows;
+ So he leaves his good steed there.
+
+ Through his mind then flashed an olden
+ Legend told him by the monks:--
+ Of a girl, whose hair is golden,
+ Haunting fountains and the trunks
+ Of the woodland; who, they say,
+ Is a white doe all the day;
+ But when woods are night-enfolden
+ Turns into an evil fay.
+
+ Then the story oft his teacher
+ Told him; of a mountain lake
+ Demons dwell in; vague of feature,
+ Human-like, but each a snake,
+ She is queen of.--Did he hear
+ Laughter at his startled ear?
+ Or a bird? And now, what creature
+ Is it, or the wind, stirs near?
+
+ Fever of the hunt. This water,
+ Murmuring here, will cool his head.
+ Through the forest, fierce as slaughter,
+ Slants the sunset; ruby red
+ Are the drops that slip between
+ His cupped hands, while on the green,--
+ Like the couch of some wild daughter
+ Of the forest,--he doth lean.
+
+ But the runnel, bubbling, dripping,
+ Seems to bid him to be gone;
+ As with crystal words, and tripping
+ Steps of sparkle luring on.
+ Now a spirit in the rocks
+ Calls him; now a face that mocks,
+ From behind some bowlder slipping,
+ Laughs at him with lilied locks.
+
+ So he follows through the flowers,
+ Blue and gold, that blossom there;
+ Thridding twilight-haunted bowers
+ Where each ripple seems the bare
+ Beauty of white limbs that gleam
+ Rosy through the running stream;
+ Or bright-shaken hair, that showers
+ Starlight in the sunset's beam.
+
+ Till, far in the forest, sleeping
+ Like a luminous darkness, lay
+ A deep water, wherein, leaping,
+ Fell the Fountain of the Fay,
+ With a singing, sighing sound,
+ As of spirit things around,
+ Musically laughing, weeping
+ In the air and underground.
+
+ Not a ripple o'er it merried:
+ Like the round moon 'neath a cloud,
+ In its rocks the lake lay buried:
+ And strange creatures seemed to crowd
+ Its dark depths; vague limbs and eyes
+ To the surface seemed to rise
+ Spawn-like and, as formless, ferried
+ Through the water, shadow-wise.
+
+ Foliage things with human faces,
+ Demon-dreadful, pale and wild
+ As the forms the lightning traces
+ On the clouds the storm has piled,
+ Seeming now to draw to land,
+ Now away--Then up the strand
+ Comes a woman; and she places
+ On his arm a spray-white hand.
+
+ Ah! an untold world of sorrow
+ Were her eyes; her hair, a place
+ Whence the moon its gold might borrow;
+ And a dream of ice her face:
+ 'Round her hair and throat in rims
+ Pearls of foam hung; and through whims
+ Of her robe, as breaks the morrow,
+ Shone the rose-light of her limbs.
+
+ Who could help but look with gladness
+ On such beauty? though within,
+ Deep within the beryl sadness
+ Of those eyes, the serpent sin
+ Coil?--When she hath placed her cheek
+ Chilly upon his, and weak,
+ With love longing and its madness,
+ Is his will grown, then she'll speak:
+
+ "Dost thou love me?"--"If surrender
+ Is to love thee, then I love."--
+ "Hast no fear then?"--"In the splendor
+ Of thy gaze who knows thereof?
+ Yet I fear--I fear to lose
+ Thee, thy love!"--"And thou dost choose
+ Aye to be my heart's defender?"--
+ "Take me. I am thine to use."
+
+ "Follow then. Ah, love, no lowly
+ Home I give thee."--With fixed eyes,
+ To the water's edge she slowly
+ Drew him.... And he did surmise
+ 'Twas her lips on his, until
+ O'er his face the foam closed chill,
+ Whisp'ring, and the lake unholy
+ Rippled, rippled and was still.
+
+
+
+
+At Nineveh
+
+Written for my friend Walter S. Mathews.
+
+
+ There was a princess once, who loved the slave
+ Of an Assyrian king, her father; known
+ At Nineveh as Hadria; o'er whose grave
+ The sands of centuries have long been blown;
+ Yet sooner shall the night forget its stars
+ Than love her story:--How, unto his throne,
+ One day she came, where, with his warriors,
+ The king sat in the hall of audience,
+ 'Mid pillared trophies of barbaric wars,
+ And, kneeling to him, asked, "O father, whence
+ Comes love and why?"--He, smiling on her, said,--
+ "O Hadria, love is of the gods, and hence
+ Divine, is only soul-interpreted.
+ But why love is, ah, child, we do not know,
+ Unless 'tis love that gives us life when dead."--
+ And then his daughter, with a face aglow
+ With all the love that clamored in her blood
+ Its sweet avowal, lifted arms of snow,
+ And, like Aurora's rose, before him stood,
+ Saying,--"Since love is of the powers above,
+ I love a slave, O Asshur! Let the good
+ The gods have giv'n be sanctioned. Speak not of
+ Dishonor and our line's ancestral dead!
+ They are imperial dust. I live and love."--
+ Black as black storm then rose the king and said,--
+ A lightning gesture at her standing there,--
+ "Enough! ho, Rhana, strike me off her head!"
+ And at the mandate, with his limbs half bare
+ A slave strode forth. Majestic was his form
+ As some young god's. He, gathering up her hair,
+ Wound it three times around his sinewy arm.
+ Then drew his sword. It for one moment shone
+ A semicircling light, and, dripping warm,
+ Lifting the head he stood before the throne.
+ Then cried the despot, "By the horn of Bel!
+ This was no child of mine!"--Like chiselled stone
+ Still stood the slave, a son of Israel.
+ Then striding towards the monarch, in his eye
+ The wrath of heaven and the hate of hell,
+ Shrieked, "Lust! I loved her! look on us and die!"
+ Swifter than fire clove him to the brain.
+ Then kissed the dead fair face of her held high,
+ And crying, "Judge, O God, between us twain!"
+ A thousand daggers in his heart, fell slain.
+
+
+
+
+How They Brought Aid to Bryan's Station
+
+During the siege of Bryan's Station, Kentucky, August 16, 1782, Nicholas
+Tomlinson and Thomas Bell, two inhabitants of the Fort, undertook to
+ride through the besieging Indian and Tory lines to Lexington, Ky., for
+aid. It happened also during this siege that the pioneer women of the
+Fort, when the water supply was exhausted, heroically carried water from
+a spring, at a considerable distance outside the palisades of the
+Station, to its inmates, under the very guns of the enemy.
+
+
+ With saddles girt and reins held fast,
+ Our rifles well in front, at last
+ Tom Bell and I were mounted.
+ The gate swung wide. We said, "Good-bye."
+ No time for talk had Bell and I.
+ One said, "God speed!" another, "Fly!"
+ Then out we galloped. Live or die,
+ We felt each moment counted.
+
+ The trace, the buffaloes had worn,
+ Stretched broad before us; and the corn
+ And cane through which it wended,
+ We knew for acres from the gate
+ Hid Indian guile and Tory hate.
+ We rode with hearts that seemed to wait
+ For instant death; and on our fate
+ The Station's fate depended.
+
+ No rifle cracked. No creature stirred,
+ As on towards Lexington we spurred
+ Unflinchingly together.
+ We reached the woods: no savage shout
+ Of all the wild Wyandotte rout
+ And Shawanese had yet rung out:
+ But now and then an Indian scout
+ Showed here a face and feather.
+
+ We rode expecting death each stride
+ From thicket depth or tree-trunk side,
+ Where some red foe might huddle--
+ For well we knew that renegade,
+ The blood-stained Girty, had not stayed
+ His fiends from us, who rode for aid,--
+ The dastard he who had betrayed
+ The pioneers of Ruddle.
+
+ And when an arrow grazed my hair
+ I did not turn, I did not spare
+ To spur as men spur warward:
+ A war-whoop rang this side a rock:
+ Then painted faces swarmed, to block
+ Our way, with brandished tomahawk
+ And rifle: then a shout, a shock--
+ And we again rode forward.
+
+ They followed; but 'twas no great while
+ Before from them by some long mile
+ Of forest we were sundered.
+ We galloped on. I'd lost my gun;
+ And Bell, whose girth had come undone,
+ Rode saddleless. The summer sun
+ Was up when into Lexington
+ Side unto side we thundered.
+
+ Too late. For Todd had left that day
+ With many men. Decoyed away
+ To Hoy's by some false story.
+ And we must after. Bryan's needs
+ Said, "On!" although our gallant steeds
+ Were blown--Enough! we must do deeds!
+ Must follow where our duty leads,
+ Be it to death or glory.
+
+ The way was wild and often barred
+ By trees and rocks; and it was hard
+ To keep our hearts from sinking;
+ But thoughts of those we'd left behind
+ Gave strength to muscle and to mind
+ To help us onward through the blind
+ Deep woods. And often we would find
+ Ourselves of loved ones thinking.
+
+ The hot stockade. No water left.
+ The fierce attack. All hope bereft
+ The powder-grimed defender.
+ The war-cry and the groan of pain.
+ All day the slanting arrow-rain
+ Of fire from the corn and cane.
+ The stern defence, but all in vain.
+ And then at last--surrender.
+
+ But not for Bryan's!--no! too well
+ Must they remember what befell
+ At Ruddle's and take warning.
+ So thought we as, all dust and sweat,
+ We rode with faces forward set,
+ And came to Station Boone while yet
+ An hour from noon ... We had not let
+ Our horses rest since morning.
+
+ Here Ellis met us with his men.
+ They did not stop nor tarry then.
+ That little band of lions;
+ But setting out at once with aid,
+ Right well you know how unafraid
+ They charged the Indian ambuscade,
+ And through a storm of bullets made
+ Their entrance into Bryan's.
+
+ And that is all I have to tell.
+ No more the Huron's hideous yell
+ Sounds to assault and slaughter.--
+ Perhaps to us some praise is due;
+ But we are men, accustomed to
+ Such dangers, which we often woo.
+ Much more is due our women who
+ Brought to the Station--water.
+
+
+
+
+On the Jellico Spur of the Cumberlands
+
+TO J. FOX, JR.
+
+
+ You remember how the mist,
+ When we climbed to Devil's Den,
+ Pearly in the mountain glen,
+ And above us, amethyst,
+ Throbbed or circled? then away,
+ Through the wildwoods opposite,
+ Torn and scattered, morning-lit,
+ Vanished into dewy gray?--
+ Vague as in romance we saw,
+ From the fog, one riven trunk,
+ Talon-like with branches shrunk,
+ Thrust a monster dragon claw.
+ And we climbed for hours through
+ The dawn-dripping Jellicoes,
+ To a wooded rock that shows
+ Undulating leagues of blue
+ Summits; mountain-chains that lie
+ Dark with forests; bar on bar,
+ Ranging their irregular
+ Purple peaks beneath a sky
+ Soft as slumber. Range on range
+ Billow their enormous spines,
+ Where the rocks and priestly pines
+ Sit eternal, without change.
+ We were sons of Nature then:
+ She had taken us to her,
+ Signalized by brier and burr,
+ Something more to her than men:
+ Pupils of her lofty moods,
+ From her bloom-anointed looks,
+ Wisdom of no man-made books
+ Learned we in those solitudes:
+ How the seed supplied the flower;
+ How the sapling held the oak;
+ How within the vine awoke
+ The wild impulse still to tower;
+ How in fantasy or mirth,
+ Springing from her footsteps there,
+ Curious fungi everywhere
+ Bulged, exuded from the earth;
+ Coral vegetable things,
+ That the underworld exhaled,
+ Bulbous, crystal-ribbed and scaled,
+ Many colored and in rings,
+ Like the Indian-Pipe that grew
+ Pink and white in loamy cracks,
+ Flowers of a natural wax,
+ She had turned her fancy to.--
+ On that laureled precipice,
+ Where the chestnuts dropped their burrs,
+ Sweet with balsam of the firs,
+ First we felt her mother kiss
+ Full of heaven and the wind;
+ While the forests, wood on wood,
+ Murmured like a multitude
+ Giving praise where none hath sinned.--
+ Freedom met us there; we saw
+ Freedom giving audience;
+ In her face the eloquence,
+ Lightning-like, of love and law:
+ Round her, with majestic hips,
+ Lay the giant mountains; there
+ Near her, cataracts tossed their hair,
+ God and thunder on their lips.--
+ Oft an eagle, or a hawk,
+ Or a scavenger, we knew
+ Winged through altitudes of blue,
+ By its shadow on the rock.
+ Or a cloud of templed white
+ Moved, a lazy berg of pearl,
+ Through the sky's pacific swirl,
+ Shot with cool cerulean light.
+ So we dreamed an hour upon
+ That warm rock the lichens mossed,
+ While around us foliage tossed
+ Coins, gold-minted of the sun:
+ Then arose; and a ravine,
+ Which a torrent once had worn,
+ Made our roadway to the corn,
+ In the valley, deep and green;
+ And the farm house with its bees,
+ Where old-fashioned flowers spun
+ Gay rag-carpets in the sun,
+ Hid among the apple trees.
+ Here we watched the twilight fall;
+ O'er Wolf-Mountain sunset made
+ A huge rhododendron rayed
+ Round the sun's cloud-centered ball.
+ Then through scents of herb and soil,
+ To the mining-camp we turned,
+ In the twinkling dusk discerned
+ With its white-washed homes of toil.
+ Ah, those nights!--We wandered forth
+ On some haunted mountain path,
+ When the moon was late, and rathe
+ The large stars, sowed south and north,
+ Splashed with gold the purple skies;
+ And the milky zodiac,
+ Rolled athwart the belted black,
+ Seemed a path to Paradise.
+ And we walked or lingered till,
+ In the valley-land beneath,
+ Like the vapor of a breath
+ Breathed in frost, arose the still
+ Architecture of the mist:
+ And the moon-dawn's necromance
+ Touched the mist and made it glance
+ Like a town of amethyst.
+ Then around us, sharp and brusque,
+ Night's shrill insects strident strung
+ Instruments that buzzed and sung
+ Pixy music of the dusk.
+ And we seemed to hear soft sighs,
+ And hushed steps of ghostly things,
+ Fluttered feet or rustled wings,
+ Moved before us. Fire-flies,
+ Gleaming in the tangled glade,
+ Seemed the eyes of warriors
+ Stealing under watching stars
+ To some midnight ambuscade;
+ To the Indian village there,
+ Wigwamed with the mist, that slept
+ By the woodland side, whence crept
+ Shadowy Shawnees of the air.
+ When the moon rose, like a cup
+ Lay the valley, brimmed with wine
+ Of mesmeric shade and shine,
+ To the moon's pale face held up.
+ As she rose from out the mines
+ Of the eastern darkness, night
+ Met her, clad in dewy light
+ 'Mid Pine Mountain's sachem pines.
+ As from clouds in pearly parts
+ Her serene circumference grew,
+ Home we turned. And all night through
+ Dreamed the dreams of happy hearts.
+
+
+
+
+A Confession
+
+
+ These are the facts:--I was to blame:
+ I brought her here and wrought her shame:
+ She came with me all trustingly.
+ Lovely and innocent her face:
+ And in her perfect form, the grace
+ Of purity and modesty.
+
+ I think I loved her then: 'would dote
+ On her ambrosial breast and throat,
+ Young as a blossom's tenderness:
+ Her eyes, that were both glad and sad:
+ Her cheeks and chin, that dimples had:
+ Her mouth, red-ripe to kiss and kiss.
+
+ Three months passed by; three moons of fire;
+ When in me sickened all desire:
+ And in its place a devil,--who
+ Filled all my soul with deep disgust,
+ And on the victim of my lust
+ Turned eyes of loathing,--swiftly grew.
+
+ One night, when by my side she slept,
+ I rose: and leaning, while I kept
+ The dagger hid, I kissed her hair
+ And throat: and, when she smiled asleep,
+ Into her heart I drove it deep:
+ And left her dead, still smiling there.
+
+
+
+
+Lilith
+
+
+ Yea, there are some who always seek
+ The love that lasts an hour;
+ And some who in love's language speak,
+ Yet never know his power.
+
+ Of such was I, who knew not what
+ Sweet mysteries may rise
+ Within the heart when 't is its lot
+ To love and realize.
+
+ Of such was I, ah me! till, lo,
+ Your face on mine did gleam,
+ And changed that world, I used to know,
+ Into an evil dream.
+
+ That world wherein, on hill and plain,
+ Great blood-red poppies bloomed,
+ Their hot hearts thirsty for the rain,
+ And sleepily perfumed.
+
+ Above, below, on every part
+ A crimson shadow lay,
+ As if the red sun streamed athwart
+ And sunset was alway.
+
+ I know not how, I know not when,
+ I only know that there
+ She met me in the haunted glen,
+ A poppy in her hair.
+
+ Her face seemed fair as Mary's is,
+ That knows no sin or wrong;
+ Her presence filled the silences
+ As music fills a song.
+
+ And she was clad like the Mother of God,
+ As 't were for Christ's sweet sake,
+ But when she moved and where she trod
+ A hiss went of a snake.
+
+ Though seeming sinless, till I die
+ I shall not know for sure
+ Why to my soul she seemed a lie
+ And otherwise than pure.
+
+ Nor why I kissed her soon and late
+ And for her felt desire,
+ While loathing of her passion ate
+ Into my soul like fire.
+
+ Was it because my soul could tell
+ That, like the poppy-flower,
+ She had no soul? a thing of Hell,
+ That o'er it had no power.
+
+ Or was it that your love at last
+ My soul so long had craved,
+ From the sweet sin that held me fast
+ At that last moment saved?
+
+
+
+
+Content
+
+
+ When I behold how some pursue
+ Fame, that is care's embodiment,
+ Or fortune, whose false face looks true,--
+ A humble home with sweet content
+ Is all I ask for me and you.
+
+ A humble home, where pigeons coo,
+ Whose path leads under breezy lines
+ Of frosty-berried cedars to
+ A gate, one mass of trumpet-vines,
+ Is all I ask for me and you.
+
+ A garden, which, all summer through,
+ The roses old make redolent,
+ And morning-glories, gay of hue,
+ And tansy, with its homely scent,
+ Is all I ask for me and you.
+
+ An orchard, that the pippins strew,
+ From whose bruised gold the juices spring;
+ A vineyard, where the grapes hang blue,
+ Wine-big and ripe for vintaging,
+ Is all I ask for me and you.
+
+ A lane, that leads to some far view
+ Of forest and of fallow-land,
+ Bloomed o'er with rose and meadow-rue,
+ Each with a bee in its hot hand,
+ Is all I ask for me and you.
+
+ At morn, a pathway deep with dew,
+ And birds to vary time and tune;
+ At eve, a sunset avenue,
+ And whippoorwills that haunt the moon,
+ Is all I ask for me and you.
+
+ Dear heart, with wants so small and few,
+ And faith, that's better far than gold,
+ A lowly friend, a child or two,
+ To care for us when we are old,
+ Is all I ask for me and you.
+
+
+
+
+Berrying
+
+
+ I.
+
+ My love went berrying
+ Where brooks were merrying
+ And wild wings ferrying
+ Heaven's amethyst;
+ The wildflowers blessed her,
+ My dearest Hester,
+ The winds caressed her,
+ The sunbeams kissed.
+
+
+ II.
+
+ I followed, carrying
+ Her basket; varying
+ Fond hopes of marrying
+ With hopes denied;
+ Both late and early
+ She deemed me surly,
+ And bowed her curly
+ Fair head and sighed:
+
+
+ III.
+
+ "The skies look lowery;
+ It will he showery;
+ No longer flowery
+ The way I find.
+ No use in going.
+ 'T will soon be snowing
+ If you keep growing
+ Much more unkind."
+
+
+ IV.
+
+ Then looked up tearfully.
+ And I, all fearfully,
+ Replied, "My dear, fully
+ Will I explain:
+ I love you dearly,
+ But look not cheerly
+ Since all says clearly
+ I love in vain."
+
+
+ V.
+
+ Then smiled she airily;
+ And answered merrily
+ With words that--verily
+ Made me decide:
+ And drawing tow'rd her,
+ I there implored her--
+ I who adored her--
+ To be my bride.
+
+
+ VI.
+
+ O sweet simplicity
+ Of young rusticity,
+ Without duplicity,
+ Whom love made know,
+ That hearts in meter
+ Make earth completer;
+ And kisses, sweeter
+ Than--berries grow.
+
+
+
+
+To a Pansy-Violet
+
+Found Solitary Among the Hills.
+
+
+ I.
+
+ O pansy-violet,
+ With early April wet,
+ How frail and pure you look
+ Lost in this glow-worm nook
+ Of heaven-holding hills:
+ Down which the hurrying rills
+ Fling scrolls of melodies:
+ O'er which the birds and bees
+ Weave gossamers of song,
+ Invisible, but strong:
+ Sweet music webs they spin
+ To snare the spirit in.
+
+
+ II.
+
+ O pansy-violet,
+ Unto your face I set
+ My lips, and--do you speak?
+ Or is it but some freak
+ Of fancy, love imparts
+ Through you unto the heart's
+ Desire? whispering low
+ A secret none may know,
+ But such as sit and dream
+ By forest-side and stream.
+
+
+ III.
+
+ O pansy-violet,
+ O darling floweret,
+ Hued like the timid gem
+ That stars the diadem
+ Of Fay or Sylvan Sprite,
+ Who, in the woods, all night
+ Is busy with the blooms,
+ Young leaves and wild perfumes,
+ Through you I seem t' have seen
+ All that such dreams may mean.
+
+
+ IV.
+
+ O pansy-violet,
+ Long, long ago we met--
+ 'T was in a Fairy-tale:
+ Two children in a vale
+ Sat underneath glad stars,
+ Far from the world of wars;
+ Each loved the other well:
+ Her eyes were like the spell
+ Of dusk and dawning skies--
+ The purple dark that dyes
+ The midnight: his were blue
+ As heaven the day shines through.
+
+
+ V.
+
+ O pansy-violet,
+ What is this vague regret,
+ This yearning, so like tears,
+ That touches through the years
+ Long past, when Myth and Fable
+ In all strange things were able
+ To beautify the Earth,
+ Things of immortal worth?--
+ This longing, that to me
+ Is like a memory
+ Lived long ago, of those
+ Fair children who, it knows,
+ Loved with no mortal love;
+ Whom smiling heaven above
+ Fostered, and when they died
+ Laid side by loving side.
+
+
+ VI.
+
+ O pansy-violet,
+ I dream, remembering yet
+ A wood-god-guarded tomb,
+ Out of whose moss a bloom
+ Sprang, with three petals wan
+ As are the eyes of dawn;
+ And two as darkly deep
+ As are the eyes of sleep.--
+ O flower,--that seems to hold
+ Some memory of old,
+ A hope, a happiness,
+ At which I can but guess,--
+ You are a sign to me
+ Of immortality:
+ Through you my spirit sees
+ The deathless purposes
+ Of death, that still evolves
+ The beauty it resolves;
+ The change that aye fulfills
+ Life's meaning as God wills.
+
+
+
+
+Heart of my Heart
+
+
+ Here where the season turns the land to gold,
+ Among the fields our feet have known of old,--
+ When we were children who would laugh and run,
+ Glad little playmates of the wind and sun,--
+ Before came toil and care and years went ill,
+ And one forgot and one remembered still,
+ Heart of my heart, among the old fields here,
+ Give me your hands and let me draw you near.
+ Heart of my heart.
+
+ Stars are not truer than your soul is true--
+ What need I more of heaven then than you?
+ Flowers are not sweeter than your face is sweet--
+ What need I more to make my world complete?
+ O woman nature, love that still endures,
+ What strength hath ours that is not born of yours?
+ Heart of my heart, to you, whatever come,
+ To you the lead, whose love hath led me home.
+ Heart of my heart.
+
+
+
+
+Witnesses
+
+
+ I.
+
+ You say I do not love you!--Tell me why,
+ When I have gazed a little on your face,
+ And then gone forth into the world of men,
+ A beauty, neither of the Earth or Sky,
+ A glamour, that transforms each common place,
+ Attends my spirit then?
+
+
+ II.
+
+ You say I do not love you!--Yet I know
+ When I have heard you speak and dwelt upon
+ Your words awhile, my heart has gone away
+ Filled with strange music, very soft and low,
+ A dim companion, touching with sweet tone
+ The discords of the day.
+
+
+ III.
+
+ You say I do not love you!--Yet it seems,
+ When I have kissed your hand and said farewell,
+ A fragrance, sweeter than did flower yet bloom,
+ Accompanies my soul and fills, with dreams,
+ The sad and sordid streets, where people dwell,
+ Dreams of spring's wild perfume.
+
+
+
+
+Wherefore
+
+
+ I would not see, yet must behold
+ The truth they preach in church and hall;
+ And question so,--Is death then all,
+ And life an idle tale that's told?
+
+ The myriad wonders art hath wrought
+ I deemed eternal as God's love:
+ No more than shadows these shall prove,
+ And insubstantial as a thought.
+
+ And love and labor, who have gone,
+ Hand in close hand, and civilized
+ The wilderness, these shall be prized
+ No more than if they had not done.
+
+ Then wherefore strive? Why strain and bend
+ Beneath a burden so unjust?
+ Our works are builded out of dust,
+ And dust their universal end.
+
+
+
+
+Pagan
+
+
+ The gods, who could loose and bind
+ In the long ago,
+ The gods, who were stern and kind
+ To men below,
+ Where shall we seek and find,
+ Or, finding, know?
+
+ Where Greece, with king on king,
+ Dreamed in her halls;
+ Where Rome kneeled worshiping,
+ The owl now calls,
+ And whispering ivies cling
+ To mouldering walls.
+
+ They have served, and have passed away
+ From the earth and sky,
+ And their Creed is a record gray,
+ Where the passer-by
+ Reads, "Live and be glad to-day,
+ For to-morrow ye die."
+
+ And shall it be so, indeed,
+ When we are no more,
+ That nations to be shall read,--
+ As we have before,--
+ In the dust of a Christian Creed,
+ But pagan lore?
+
+
+
+
+"The Fathers of our Fathers"
+
+Written February 24, 1898, on reading the latest news concerning the
+battleship Maine, blown up in Havana harbor, February 15th.
+
+
+ I.
+
+ The fathers of our fathers they were men!--
+ What are we who now stand idle while we see our seamen slain?
+ Who behold our flag dishonored, and still pause!
+ Are we blind to her duplicity, the treachery of Spain?
+ To the rights, she scorns, of nations and their laws?
+ Let us rise, a mighty people, let us wipe away the stain!
+ Must we wait till she insult us for a cause?--
+ The fathers of our fathers they were men!
+
+
+ II.
+
+ The fathers of our fathers they were men!--
+ Had they nursed delay as we do? had they sat thus deaf and dumb,
+ With these cowards compromising year by year?
+ Never hearing what they should hear, never saying what should come,
+ While the courteous mask of Spain still hid a sneer!
+ No! such news had roused their natures like a rolling battle-drum--
+ God of earth! and God of heaven! do we fear?--
+ The fathers of our fathers they were men!
+
+
+ III.
+
+ The fathers of our fathers they were men!--
+ What are we who are so cautious, never venturing too far!
+ Shall we, at the cost of honor, still keep peace?
+ While we see the thousands starving and the struggling Cuban star,
+ And the outraged form of Freedom on her knees!
+ Let our long, steel ocean-bloodhounds, adamantine dogs of war,
+ Sweep the yellow Spanish panther from the seas!--
+ The fathers of our fathers they were men!
+
+
+
+
+"Mene, Mene, Tekel, Upharsin"
+
+
+ I.
+
+ Behold! we have gathered together our battleships near and afar;
+ Their decks they are cleared for action, their guns they are shotted
+ for war:
+ From the East to the West there is hurry, in the North and the South
+ a peal
+ Of hammers in fort and shipyard, and the clamor and clang of steel;
+ And the roar and the rush of engines, and clanking of derrick and
+ crane--
+ Thou art weighed in the Scales and found wanting, the balance of God,
+ O Spain!
+
+
+ II.
+
+ Behold! I have stood on the mountains, and this was writ in the
+ sky:--
+ "She is weighed in the Scales and found wanting, the balance God
+ holds on high!"
+ The balance He once weighed Babylon, the Mother of Harlots, in:
+ One scale holds thy pride and thy power and empire, begotten of sin;
+ Heavy with woe and torture, the crimes of a thousand years,
+ Mortared and welded together with fire and blood and tears;
+ In the other, for justice and mercy, a blade with never a stain,
+ Is laid the Sword of Liberty, and the balance dips, O Spain!
+
+
+ III.
+
+ Summon thy vessels together! great is thy need for these!--
+ Cristobal Colon, Vizcaya, Oquendo, and Maria Terese--
+ Let them be strong and many, for a vision I had by night,
+ That the ancient wrongs thou hast done the world came howling to the
+ fight;
+ From the New-World shores they gathered, Inca and Aztec slain,
+ To the Cuban shot but yesterday, and our own dead seamen, Spain!
+
+
+ IV.
+
+ Summon thy ships together, gather a mighty fleet!
+ For a strong young Nation is arming, that never hath known defeat.
+ Summon thy ships together, there on thy blood-stained sands!
+ For a shadowy army gathers with manacled feet and hands,
+ A shadowy host of sorrows and shames, too black to tell,
+ That reach, with their horrible wounds, for thee to drag thee down to
+ Hell;
+ A myriad phantoms and spectres, thou warrest against in vain--
+ Thou art weighed in the Scales and found wanting, the balance of God,
+ O Spain!
+
+
+
+
+Her Vivien Eyes
+
+
+ Her Vivien eyes,--beware! beware!--
+ Though they be stars, a deadly snare
+ They set beneath her night of hair.
+ Regard them not! lest, drawing near--
+ As sages once in old Chaldee--
+ Thou shouldst become a worshiper,
+ And they thy evil destiny.
+
+ Her Vivien eyes,--away! away!--
+ Though they be springs, remorseless they
+ Gleam underneath her brow's bright day.
+ Turn, turn aside, whate'er the cost!
+ Lest in their deeps thou lures behold,
+ Through which thy captive soul were lost,
+ As was young Hylas once of old.
+
+ Her Vivien eyes,--take heed! take heed!--
+ Though they be bibles, none may read
+ Therein of God or Holy Creed.
+ Look, look away! lest thou be cursed,--
+ As Merlin was, romances tell,--
+ And in their sorcerous spells immersed,
+ Hoping for Heaven thou chance on Hell.
+
+
+
+
+There Was a Rose
+
+
+ There was a rose in Eden once: it grows
+ On Earth now, sweeter for its rare perfume:
+ And Paradise is poorer by one bloom,
+ And Earth is richer. In this blossom glows
+ More loveliness than old seraglios
+ Or courts of kings did ever yet illume:
+ More purity, than ever yet had room
+ In soul of nun or saint.--O human rose,--
+ Who art initial and sweet period of
+ My heart's divinest sentence, where I read
+ Love, first and last, and in the pauses love;
+ Who art the dear ideal of each deed
+ My life aspires by to some high goal,--
+ Set in the haunted garden of my soul!
+
+
+
+
+The Artist
+
+
+ In story books, when I was very young,
+ I knew you first, one of the Fairy Race;
+ And then it was your picture took its place,
+ Framed in with love's deep gold, and draped and hung
+ High in my heart's red room: no song was sung,
+ No tale of passion told, I did not grace
+ With your associated form and face,
+ And intimated charm of touch and tongue.
+ As years went on you grew to more and more,
+ Until each thing, symbolic to my heart
+ Of beauty,--such as honor, truth, and fame,--
+ Within the studio of my soul's thought wore
+ Your lineaments, whom I, with all my art,
+ Strove to embody and to give a name.
+
+
+
+
+Poetry and Philosophy
+
+
+ Out of the past the dim leaves spoke to me
+ The thoughts of Pindar with a voice so sweet
+ Hyblaean bees seemed swarming my retreat
+ Around the reedy well of Poesy.
+ I closed the book. Then, knee to neighbor knee,
+ Sat with the soul of Plato, to repeat
+ Doctrines, till mine seemed some Socratic seat
+ High on the summit of Philosophy.
+ Around the wave of one Religion taught
+ Her first rude children. From the stars that burned
+ Above the mountained other, Science learned
+ The first vague lessons of the work she wrought.
+ Daughters of God, in whom we still behold
+ The Age of Iron and the Age of Gold.
+
+
+
+
+"Quo Vadis"
+
+
+ It is as if imperial trumpets broke
+ Again the silence on War's iron height;
+ And Caesar's armored legions marched to fight,
+ While Rome, blood-red upon her mountain-yoke,
+ Blazed like an awful sunset. At a stroke,
+ Again I see the living torches light
+ The horrible revels, and the bloated, white,
+ Bayed brow of Nero smiling through the smoke:
+ And here and there a little band of slaves
+ Among dark ruins; and the form of Paul,
+ Bearded and gaunt, expounding still the Word:
+ And towards the North the tottering architraves
+ Of empire; and, wild-waving over all,
+ The flaming figure of a Gothic sword.
+
+
+
+
+To a Critic
+
+
+ Song hath a catalogue of lovely things
+ Thy kind hath oft defiled,--whose spite misleads
+ The world too often!--where the poet reads,
+ As in a fable, of old envyings,
+ Crows, such as thou, which hush the bird that sings,
+ Or kill it with their cawings; thorns and weeds,
+ Such as thyself, 'midst which the wind sows seeds
+ Of flow'rs, these crush before one blossom swings.
+ But here and there the wisdom of a School
+ Unknown to these hath often written down
+ "Fame" in white ink the future hath turned brown;
+ When every beauty, heaped with ridicule,
+ In their ignoble prose, proved their renown,
+ Making each famous--as an ass or fool.
+
+
+
+
+_AFTERWORD._
+
+
+ _The old enthusiasms
+ Are dead, quite dead, in me;
+ Dead the aspiring spasms
+ Of art and poesy,
+ That opened magic chasms,
+ Once, of wild mystery,
+ In youth's rich Araby.
+ That opened magic chasms._
+
+ _The longing and the care
+ Are mine; and, helplessly,
+ The heartache and despair
+ For what can never be.
+ More than my mortal share
+ Of sad mortality,
+ It seems, God gives to me,
+ More than my mortal share._
+
+ _O world! O time! O fate!
+ Remorseless trinity!
+ Let not your wheel abate
+ Its iron rotary!--
+ Turn round! nor make me wait,
+ Bound to it neck and knee,
+ Hope's final agony!--
+ Turn round! nor make me wait._
+
+ * * * * *
+
+
+Transcriber's note
+
+
+The following changes have been made to the text:
+
+Page 25: "beach" changed to "beech".
+
+Page 46: "marrige" changed to "marriage".
+
+Page 53: "slighest" changed to "slightest".
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Idyllic Monologues, by Madison J. Cawein
+
+*** END OF THIS PROJECT GUTENBERG EBOOK IDYLLIC MONOLOGUES ***
+
+***** This file should be named 31896.txt or 31896.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/1/8/9/31896/
+
+Produced by David Garcia, Carla Foust and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Kentuckiana Digital Library)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/31896.zip b/31896.zip
new file mode 100644
index 0000000..e6cdaf5
--- /dev/null
+++ b/31896.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..24414fe
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #31896 (https://www.gutenberg.org/ebooks/31896)