summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:20:39 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:20:39 -0700
commitcdfe41ca041bdb82d5065f64f5d4492efcf1b945 (patch)
treee24412d99a0e010c8c8e21788fb5c9ae773934c1
initial commit of ebook 3167HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--3167-0.txt3688
-rw-r--r--3167-0.zipbin0 -> 50051 bytes
-rw-r--r--3167-h.zipbin0 -> 8605393 bytes
-rw-r--r--3167-h/3167-h.htm4141
-rw-r--r--3167-h/images/coverb.jpgbin0 -> 168084 bytes
-rw-r--r--3167-h/images/covers.jpgbin0 -> 38148 bytes
-rw-r--r--3167-h/images/p107b.jpgbin0 -> 252526 bytes
-rw-r--r--3167-h/images/p107s.jpgbin0 -> 40177 bytes
-rw-r--r--3167-h/images/p113b.jpgbin0 -> 268856 bytes
-rw-r--r--3167-h/images/p113s.jpgbin0 -> 39628 bytes
-rw-r--r--3167-h/images/p115b.jpgbin0 -> 210648 bytes
-rw-r--r--3167-h/images/p115s.jpgbin0 -> 40525 bytes
-rw-r--r--3167-h/images/p123b.jpgbin0 -> 237335 bytes
-rw-r--r--3167-h/images/p123s.jpgbin0 -> 40514 bytes
-rw-r--r--3167-h/images/p125b.jpgbin0 -> 221247 bytes
-rw-r--r--3167-h/images/p125s.jpgbin0 -> 40086 bytes
-rw-r--r--3167-h/images/p129b.jpgbin0 -> 252032 bytes
-rw-r--r--3167-h/images/p129s.jpgbin0 -> 40812 bytes
-rw-r--r--3167-h/images/p133b.jpgbin0 -> 229174 bytes
-rw-r--r--3167-h/images/p133s.jpgbin0 -> 38612 bytes
-rw-r--r--3167-h/images/p140b.jpgbin0 -> 235762 bytes
-rw-r--r--3167-h/images/p140s.jpgbin0 -> 40731 bytes
-rw-r--r--3167-h/images/p142b.jpgbin0 -> 257204 bytes
-rw-r--r--3167-h/images/p142s.jpgbin0 -> 38454 bytes
-rw-r--r--3167-h/images/p159b.jpgbin0 -> 265931 bytes
-rw-r--r--3167-h/images/p159s.jpgbin0 -> 38952 bytes
-rw-r--r--3167-h/images/p165b.jpgbin0 -> 155106 bytes
-rw-r--r--3167-h/images/p165s.jpgbin0 -> 38424 bytes
-rw-r--r--3167-h/images/p177b.jpgbin0 -> 222115 bytes
-rw-r--r--3167-h/images/p177s.jpgbin0 -> 38768 bytes
-rw-r--r--3167-h/images/p183b.jpgbin0 -> 249685 bytes
-rw-r--r--3167-h/images/p183s.jpgbin0 -> 39882 bytes
-rw-r--r--3167-h/images/p197b.jpgbin0 -> 217207 bytes
-rw-r--r--3167-h/images/p197s.jpgbin0 -> 38719 bytes
-rw-r--r--3167-h/images/p19b.jpgbin0 -> 227214 bytes
-rw-r--r--3167-h/images/p19s.jpgbin0 -> 39238 bytes
-rw-r--r--3167-h/images/p1b.jpgbin0 -> 296738 bytes
-rw-r--r--3167-h/images/p1s.jpgbin0 -> 38295 bytes
-rw-r--r--3167-h/images/p213b.jpgbin0 -> 237140 bytes
-rw-r--r--3167-h/images/p213s.jpgbin0 -> 38212 bytes
-rw-r--r--3167-h/images/p21b.jpgbin0 -> 227518 bytes
-rw-r--r--3167-h/images/p21s.jpgbin0 -> 40778 bytes
-rw-r--r--3167-h/images/p25b.jpgbin0 -> 246620 bytes
-rw-r--r--3167-h/images/p25s.jpgbin0 -> 40404 bytes
-rw-r--r--3167-h/images/p30b.jpgbin0 -> 244160 bytes
-rw-r--r--3167-h/images/p30s.jpgbin0 -> 39788 bytes
-rw-r--r--3167-h/images/p43b.jpgbin0 -> 261230 bytes
-rw-r--r--3167-h/images/p43s.jpgbin0 -> 39220 bytes
-rw-r--r--3167-h/images/p45b.jpgbin0 -> 226138 bytes
-rw-r--r--3167-h/images/p45s.jpgbin0 -> 40040 bytes
-rw-r--r--3167-h/images/p53b.jpgbin0 -> 232729 bytes
-rw-r--r--3167-h/images/p53s.jpgbin0 -> 40600 bytes
-rw-r--r--3167-h/images/p61b.jpgbin0 -> 265588 bytes
-rw-r--r--3167-h/images/p61s.jpgbin0 -> 38997 bytes
-rw-r--r--3167-h/images/p6b.jpgbin0 -> 299690 bytes
-rw-r--r--3167-h/images/p6s.jpgbin0 -> 40830 bytes
-rw-r--r--3167-h/images/p74b.jpgbin0 -> 213371 bytes
-rw-r--r--3167-h/images/p74s.jpgbin0 -> 40002 bytes
-rw-r--r--3167-h/images/p78b.jpgbin0 -> 246164 bytes
-rw-r--r--3167-h/images/p78s.jpgbin0 -> 38615 bytes
-rw-r--r--3167-h/images/p85b.jpgbin0 -> 225594 bytes
-rw-r--r--3167-h/images/p85s.jpgbin0 -> 40748 bytes
-rw-r--r--3167-h/images/p91b.jpgbin0 -> 228324 bytes
-rw-r--r--3167-h/images/p91s.jpgbin0 -> 40648 bytes
-rw-r--r--3167-h/images/p95b.jpgbin0 -> 244884 bytes
-rw-r--r--3167-h/images/p95s.jpgbin0 -> 39902 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/wsxpm10.txt3559
-rw-r--r--old/wsxpm10.zipbin0 -> 46086 bytes
71 files changed, 11404 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/3167-0.txt b/3167-0.txt
new file mode 100644
index 0000000..d0dadf6
--- /dev/null
+++ b/3167-0.txt
@@ -0,0 +1,3688 @@
+The Project Gutenberg eBook, Wessex Poems and Other Verses, by Thomas
+Hardy, Illustrated by Thomas Hardy
+
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+
+
+
+Title: Wessex Poems and Other Verses
+
+
+Author: Thomas Hardy
+
+
+
+Release Date: January 30, 2015 [eBook #3167]
+[This file was first posted on January 30, 2001]
+
+Language: English
+
+Character set encoding: UTF-8
+
+
+***START OF THE PROJECT GUTENBERG EBOOK WESSEX POEMS AND OTHER VERSES***
+
+
+Transcribed from the 1919 Macmillan and Co. “Wessex Poems and Other
+Verses; Poems of the Past and the Present” edition by David Price, email
+ccx074@pglaf.org
+
+
+
+
+
+ WESSEX POEMS AND
+ OTHER VERSES
+
+
+ * * * * *
+
+ BY
+ THOMAS HARDY
+
+ * * * * *
+
+ * * * * *
+
+ * * * * *
+
+ MACMILLAN AND CO., LIMITED
+ ST. MARTIN’S STREET, LONDON
+ 1919
+
+ * * * * *
+
+ COPYRIGHT
+
+ “_Wessex Poems_”: _First Edition_, _Crown_ 8vo, 1898. _New Edition_
+ 1903.
+ _First Pocket Edition June_ 1907. _Reprinted January_ 1909, 1913
+
+ “_Poems_, _Past and Present_”: _First edition_ 1901 (dated 1902)
+ _Second Edition_ 1903. _First Pocket Edition June_ 1907
+ _Reprinted January_ 1908, 1913, 1918, 1919
+
+ * * * * *
+
+
+
+
+PREFACE TO WESSEX POEMS
+
+
+OF the miscellaneous collection of verse that follows, only four pieces
+have been published, though many were written long ago, and other partly
+written. In some few cases the verses were turned into prose and printed
+as such, it having been unanticipated at that time that they might see
+the light.
+
+Whenever an ancient and legitimate word of the district, for which there
+was no equivalent in received English, suggested itself as the most
+natural, nearest, and often only expression of a thought, it has been
+made use of, on what seemed good grounds.
+
+The pieces are in a large degree dramatic or personative in conception;
+and this even where they are not obviously so.
+
+The dates attached to some of the poems do not apply to the rough
+sketches given in illustration, which have been recently made, and, as
+may be surmised, are inserted for personal and local reasons rather than
+for their intrinsic qualities.
+
+ T. H.
+
+_September_ 1898.
+
+
+
+
+CONTENTS
+
+ PAGE
+THE TEMPORARY THE ALL 1
+AMABEL 4
+HAP 7
+“IN VISION I ROAMED” 9
+AT A BRIDAL 11
+POSTPONEMENT 13
+A CONFESSION TO A FRIEND IN TROUBLE 15
+NEUTRAL TONES 17
+SHE 19
+HER INITIALS 21
+HER DILEMMA 23
+REVULSION 27
+SHE, TO HIM, I. 31
+ ,, ,, II. 33
+ ,, ,, III. 35
+ ,, ,, IV. 37
+DITTY 39
+THE SERGEANT’S SONG 43
+VALENCIENNES 45
+SAN SEBASTIAN 51
+THE STRANGER’S SONG 59
+THE BURGHERS 61
+LEIPZIG 67
+THE PEASANT’S CONFESSION 79
+THE ALARM 91
+HER DEATH AND AFTER 103
+THE DANCE AT THE PHŒNIX 115
+THE CASTERBRIDGE CAPTAINS 125
+A SIGN-SEEKER 129
+MY CICELY 133
+HER IMMORTALITY 143
+THE IVY-WIFE 147
+A MEETING WITH DESPAIR 149
+UNKNOWING 153
+FRIENDS BEYOND 155
+TO OUTER NATURE 159
+THOUGHTS OF PHENA 163
+MIDDLE-AGE ENTHUSIASMS 167
+IN A WOOD 169
+TO A LADY 173
+TO AN ORPHAN CHILD 175
+NATURE’S QUESTIONING 177
+THE IMPERCIPIENT 181
+AT AN INN 187
+THE SLOW NATURE 191
+IN A EWELEAZE NEAR WEATHERBURY 195
+THE FIRE AT TRANTER SWEATLEY’S 201
+HEIRESS AND ARCHITECT 211
+THE TWO MEN 217
+LINES 223
+“I LOOK INTO MY GLASS” 227
+
+ [Picture: Sketch of tower with sun-dial]
+
+
+
+
+THE TEMPORARY THE ALL
+
+
+ CHANGE and chancefulness in my flowering youthtime,
+ Set me sun by sun near to one unchosen;
+ Wrought us fellow-like, and despite divergence,
+ Friends interlinked us.
+
+ “Cherish him can I while the true one forthcome—
+ Come the rich fulfiller of my prevision;
+ Life is roomy yet, and the odds unbounded.”
+ So self-communed I.
+
+ Thwart my wistful way did a damsel saunter,
+ Fair, the while unformed to be all-eclipsing;
+ “Maiden meet,” held I, “till arise my forefelt
+ Wonder of women.”
+
+ Long a visioned hermitage deep desiring,
+ Tenements uncouth I was fain to house in;
+ “Let such lodging be for a breath-while,” thought I,
+ “Soon a more seemly.
+
+ “Then, high handiwork will I make my life-deed,
+ Truth and Light outshow; but the ripe time pending,
+ Intermissive aim at the thing sufficeth.”
+ Thus I . . . But lo, me!
+
+ Mistress, friend, place, aims to be bettered straightway,
+ Bettered not has Fate or my hand’s achieving;
+ Sole the showance those of my onward earth-track—
+ Never transcended!
+
+
+
+
+AMABEL
+
+
+ I MARKED her ruined hues,
+ Her custom-straitened views,
+ And asked, “Can there indwell
+ My Amabel?”
+
+ I looked upon her gown,
+ Once rose, now earthen brown;
+ The change was like the knell
+ Of Amabel.
+
+ Her step’s mechanic ways
+ Had lost the life of May’s;
+ Her laugh, once sweet in swell,
+ Spoilt Amabel.
+
+ I mused: “Who sings the strain
+ I sang ere warmth did wane?
+ Who thinks its numbers spell
+ His Amabel?”—
+
+ Knowing that, though Love cease,
+ Love’s race shows undecrease;
+ All find in dorp or dell
+ An Amabel.
+
+ —I felt that I could creep
+ To some housetop, and weep,
+ That Time the tyrant fell
+ Ruled Amabel!
+
+ I said (the while I sighed
+ That love like ours had died),
+ “Fond things I’ll no more tell
+ To Amabel,
+
+ “But leave her to her fate,
+ And fling across the gate,
+ ‘Till the Last Trump, farewell,
+ O Amabel!’”
+
+1865.
+
+ [Picture: Sketch of hour-glass]
+
+
+
+
+HAP
+
+
+ IF but some vengeful god would call to me
+ From up the sky, and laugh: “Thou suffering thing,
+ Know that thy sorrow is my ecstasy,
+ That thy love’s loss is my hate’s profiting!”
+
+ Then would I bear, and clench myself, and die,
+ Steeled by the sense of ire unmerited;
+ Half-eased in that a Powerfuller than I
+ Had willed and meted me the tears I shed.
+
+ But not so. How arrives it joy lies slain,
+ And why unblooms the best hope ever sown?
+ —Crass Casualty obstructs the sun and rain,
+ And dicing Time for gladness casts a moan . . .
+ These purblind Doomsters had as readily strown
+ Blisses about my pilgrimage as pain.
+
+1866.
+
+
+
+
+“IN VISION I ROAMED”
+TO —
+
+
+ IN vision I roamed the flashing Firmament,
+ So fierce in blazon that the Night waxed wan,
+ As though with an awed sense of such ostent;
+ And as I thought my spirit ranged on and on
+
+ In footless traverse through ghast heights of sky,
+ To the last chambers of the monstrous Dome,
+ Where stars the brightest here to darkness die:
+ Then, any spot on our own Earth seemed Home!
+
+ And the sick grief that you were far away
+ Grew pleasant thankfulness that you were near?
+ Who might have been, set on some outstep sphere,
+ Less than a Want to me, as day by day
+ I lived unware, uncaring all that lay
+ Locked in that Universe taciturn and drear.
+
+1866.
+
+
+
+
+AT A BRIDAL
+TO —
+
+
+ WHEN you paced forth, to wait maternity,
+ A dream of other offspring held my mind,
+ Compounded of us twain as Love designed;
+ Rare forms, that corporate now will never be!
+
+ Should I, too, wed as slave to Mode’s decree,
+ And each thus found apart, of false desire,
+ A stolid line, whom no high aims will fire
+ As had fired ours could ever have mingled we;
+
+ And, grieved that lives so matched should mis-compose,
+ Each mourn the double waste; and question dare
+ To the Great Dame whence incarnation flows.
+ Why those high-purposed children never were:
+ What will she answer? That she does not care
+ If the race all such sovereign types unknows.
+
+1866.
+
+
+
+
+POSTPONEMENT
+
+
+ SNOW-BOUND in woodland, a mournful word,
+ Dropt now and then from the bill of a bird,
+ Reached me on wind-wafts; and thus I heard,
+ Wearily waiting:—
+
+ “I planned her a nest in a leafless tree,
+ But the passers eyed and twitted me,
+ And said: ‘How reckless a bird is he,
+ Cheerily mating!’
+
+ “Fear-filled, I stayed me till summer-tide,
+ In lewth of leaves to throne her bride;
+ But alas! her love for me waned and died,
+ Wearily waiting.
+
+ “Ah, had I been like some I see,
+ Born to an evergreen nesting-tree,
+ None had eyed and twitted me,
+ Cheerily mating!”
+
+1866.
+
+
+
+
+A CONFESSION TO A FRIEND IN TROUBLE
+
+
+ YOUR troubles shrink not, though I feel them less
+ Here, far away, than when I tarried near;
+ I even smile old smiles—with listlessness—
+ Yet smiles they are, not ghastly mockeries mere.
+
+ A thought too strange to house within my brain
+ Haunting its outer precincts I discern:
+ —_That I will not show zeal again to learn_
+ _Your griefs_, _and sharing them_, _renew my pain_ . . .
+
+ It goes, like murky bird or buccaneer
+ That shapes its lawless figure on the main,
+ And each new impulse tends to make outflee
+ The unseemly instinct that had lodgment here;
+ Yet, comrade old, can bitterer knowledge be
+ Than that, though banned, such instinct was in me!
+
+1866.
+
+
+
+
+NEUTRAL TONES
+
+
+ WE stood by a pond that winter day,
+ And the sun was white, as though chidden of God,
+ And a few leaves lay on the starving sod,
+ —They had fallen from an ash, and were gray.
+
+ Your eyes on me were as eyes that rove
+ Over tedious riddles solved years ago;
+ And some words played between us to and fro—
+ On which lost the more by our love.
+
+ The smile on your mouth was the deadest thing
+ Alive enough to have strength to die;
+ And a grin of bitterness swept thereby
+ Like an ominous bird a-wing . . .
+
+ Since then, keen lessons that love deceives,
+ And wrings with wrong, have shaped to me
+ Your face, and the God-curst sun, and a tree,
+ And a pond edged with grayish leaves.
+
+1867.
+
+ [Picture: Sketch of church with person outside wall]
+
+
+
+
+SHE
+AT HIS FUNERAL
+
+
+ THEY bear him to his resting-place—
+ In slow procession sweeping by;
+ I follow at a stranger’s space;
+ His kindred they, his sweetheart I.
+ Unchanged my gown of garish dye,
+ Though sable-sad is their attire;
+ But they stand round with griefless eye,
+ Whilst my regret consumes like fire!
+
+187–.
+
+ [Picture: Sketch of open book with two letters hand-written on left-hand
+ page]
+
+
+
+
+HER INITIALS
+
+
+ UPON a poet’s page I wrote
+ Of old two letters of her name;
+ Part seemed she of the effulgent thought
+ Whence that high singer’s rapture came.
+ —When now I turn the leaf the same
+ Immortal light illumes the lay,
+ But from the letters of her name
+ The radiance has died away!
+
+1869.
+
+
+
+
+HER DILEMMA
+(IN — CHURCH)
+
+
+ THE two were silent in a sunless church,
+ Whose mildewed walls, uneven paving-stones,
+ And wasted carvings passed antique research;
+ And nothing broke the clock’s dull monotones.
+
+ Leaning against a wormy poppy-head,
+ So wan and worn that he could scarcely stand,
+ —For he was soon to die,—he softly said,
+ “Tell me you love me!”—holding hard her hand.
+
+ She would have given a world to breathe “yes” truly,
+ So much his life seemed handing on her mind,
+ And hence she lied, her heart persuaded throughly
+ ’Twas worth her soul to be a moment kind.
+
+ But the sad need thereof, his nearing death,
+ So mocked humanity that she shamed to prize
+ A world conditioned thus, or care for breath
+ Where Nature such dilemmas could devise.
+
+1866.
+
+ [Picture: Sketch of two people in a church]
+
+
+
+
+REVULSION
+
+
+ THOUGH I waste watches framing words to fetter
+ Some spirit to mine own in clasp and kiss,
+ Out of the night there looms a sense ’twere better
+ To fail obtaining whom one fails to miss.
+
+ For winning love we win the risk of losing,
+ And losing love is as one’s life were riven;
+ It cuts like contumely and keen ill-using
+ To cede what was superfluously given.
+
+ Let me then feel no more the fateful thrilling
+ That devastates the love-worn wooer’s frame,
+ The hot ado of fevered hopes, the chilling
+ That agonizes disappointed aim!
+ So may I live no junctive law fulfilling,
+ And my heart’s table bear no woman’s name.
+
+1866.
+
+ [Picture: Sketch of person walking long path to building on hill]
+
+
+
+
+SHE, TO HIM
+I
+
+
+ WHEN you shall see me in the toils of Time,
+ My lauded beauties carried off from me,
+ My eyes no longer stars as in their prime,
+ My name forgot of Maiden Fair and Free;
+
+ When in your being heart concedes to mind,
+ And judgment, though you scarce its process know,
+ Recalls the excellencies I once enshrined,
+ And you are irked that they have withered so:
+
+ Remembering that with me lies not the blame,
+ That Sportsman Time but rears his brood to kill,
+ Knowing me in my soul the very same—
+ One who would die to spare you touch of ill!—
+ Will you not grant to old affection’s claim
+ The hand of friendship down Life’s sunless hill?
+
+1866.
+
+
+
+
+SHE, TO HIM
+II
+
+
+ PERHAPS, long hence, when I have passed away,
+ Some other’s feature, accent, thought like mine,
+ Will carry you back to what I used to say,
+ And bring some memory of your love’s decline.
+
+ Then you may pause awhile and think, “Poor jade!”
+ And yield a sigh to me—as ample due,
+ Not as the tittle of a debt unpaid
+ To one who could resign her all to you—
+
+ And thus reflecting, you will never see
+ That your thin thought, in two small words conveyed,
+ Was no such fleeting phantom-thought to me,
+ But the Whole Life wherein my part was played;
+ And you amid its fitful masquerade
+ A Thought—as I in yours but seem to be.
+
+1866.
+
+
+
+
+SHE, TO HIM
+III
+
+
+ I WILL be faithful to thee; aye, I will!
+ And Death shall choose me with a wondering eye
+ That he did not discern and domicile
+ One his by right ever since that last Good-bye!
+
+ I have no care for friends, or kin, or prime
+ Of manhood who deal gently with me here;
+ Amid the happy people of my time
+ Who work their love’s fulfilment, I appear
+
+ Numb as a vane that cankers on its point,
+ True to the wind that kissed ere canker came;
+ Despised by souls of Now, who would disjoint
+ The mind from memory, and make Life all aim,
+
+ My old dexterities of hue quite gone,
+ And nothing left for Love to look upon.
+
+1866.
+
+
+
+
+SHE, TO HIM
+IV
+
+
+ This love puts all humanity from me;
+ I can but maledict her, pray her dead,
+ For giving love and getting love of thee—
+ Feeding a heart that else mine own had fed!
+
+ How much I love I know not, life not known,
+ Save as some unit I would add love by;
+ But this I know, my being is but thine own—
+ Fused from its separateness by ecstasy.
+
+ And thus I grasp thy amplitudes, of her
+ Ungrasped, though helped by nigh-regarding eyes;
+ Canst thou then hate me as an envier
+ Who see unrecked what I so dearly prize?
+ Believe me, Lost One, Love is lovelier
+ The more it shapes its moan in selfish-wise.
+
+1866.
+
+
+
+
+DITTY
+(E. L G.)
+
+
+ BENEATH a knap where flown
+ Nestlings play,
+ Within walls of weathered stone,
+ Far away
+ From the files of formal houses,
+ By the bough the firstling browses,
+ Lives a Sweet: no merchants meet,
+ No man barters, no man sells
+ Where she dwells.
+
+ Upon that fabric fair
+ “Here is she!”
+ Seems written everywhere
+ Unto me.
+ But to friends and nodding neighbours,
+ Fellow-wights in lot and labours,
+ Who descry the times as I,
+ No such lucid legend tells
+ Where she dwells.
+
+ Should I lapse to what I was
+ Ere we met;
+ (Such can not be, but because
+ Some forget
+ Let me feign it)—none would notice
+ That where she I know by rote is
+ Spread a strange and withering change,
+ Like a drying of the wells
+ Where she dwells.
+
+ To feel I might have kissed—
+ Loved as true—
+ Otherwhere, nor Mine have missed
+ My life through.
+ Had I never wandered near her,
+ Is a smart severe—severer
+ In the thought that she is nought,
+ Even as I, beyond the dells
+ Where she dwells.
+
+ And Devotion droops her glance
+ To recall
+ What bond-servants of Chance
+ We are all.
+ I but found her in that, going
+ On my errant path unknowing,
+ I did not out-skirt the spot
+ That no spot on earth excels,
+ —Where she dwells!
+
+1870.
+
+ [Picture: Sketch of man in military dress]
+
+
+
+
+THE SERGEANT’S SONG
+(1803)
+
+
+ WHEN Lawyers strive to heal a breach,
+ And Parsons practise what they preach;
+ Then Little Boney he’ll pounce down,
+ And march his men on London town!
+ Rollicum-rorum, tol-lol-lorum,
+ Rollicum-rorum, tol-lol-lay!
+
+ When Justices hold equal scales,
+ And Rogues are only found in jails;
+ Then Little Boney he’ll pounce down,
+ And march his men on London town!
+ Rollicum-rorum, &c.
+
+ When Rich Men find their wealth a curse,
+ And fill therewith the Poor Man’s purse;
+ Then Little Boney he’ll pounce down,
+ And march his men on London town!
+ Rollicum-rorum, &c.
+
+ When Husbands with their Wives agree,
+ And Maids won’t wed from modesty;
+ Then Little Boney he’ll pounce down,
+ And march his men on London town!
+ Rollicum-rorum, tol-tol-lorum,
+ Rollicum-rorum, tol-lol-lay!
+
+1878.
+
+ _Published in_ “_The Trumpet-Major_,” 1880.
+
+ [Picture: Sketch of cannons overlooking a town]
+
+
+
+
+VALENCIENNES
+(1793)
+
+
+ BY CORP’L TULLIDGE: _see_ “_The Trumpet-Major_”
+ IN MEMORY OF S. C. (PENSIONER). DIED 184–
+
+ WE trenched, we trumpeted and drummed,
+ And from our mortars tons of iron hummed
+ Ath’art the ditch, the month we bombed
+ The Town o’ Valencieën.
+
+ ’Twas in the June o’ Ninety-dree
+ (The Duke o’ Yark our then Commander been)
+ The German Legion, Guards, and we
+ Laid siege to Valencieën.
+
+ This was the first time in the war
+ That French and English spilled each other’s gore;
+ —Few dreamt how far would roll the roar
+ Begun at Valencieën!
+
+ ’Twas said that we’d no business there
+ A-topperèn the French for disagreën;
+ However, that’s not my affair—
+ We were at Valencieën.
+
+ Such snocks and slats, since war began
+ Never knew raw recruit or veteran:
+ Stone-deaf therence went many a man
+ Who served at Valencieën.
+
+ Into the streets, ath’art the sky,
+ A hundred thousand balls and bombs were fleën;
+ And harmless townsfolk fell to die
+ Each hour at Valencieën!
+
+ And, sweatèn wi’ the bombardiers,
+ A shell was slent to shards anighst my ears:
+ —’Twas nigh the end of hopes and fears
+ For me at Valencieën!
+
+ They bore my wownded frame to camp,
+ And shut my gapèn skull, and washed en cleän,
+ And jined en wi’ a zilver clamp
+ Thik night at Valencieën.
+
+ “We’ve fetched en back to quick from dead;
+ But never more on earth while rose is red
+ Will drum rouse Corpel!” Doctor said
+ O’ me at Valencieën.
+
+ ’Twer true. No voice o’ friend or foe
+ Can reach me now, or any livèn beën;
+ And little have I power to know
+ Since then at Valencieën!
+
+ I never hear the zummer hums
+ O’ bees; and don’ know when the cuckoo comes;
+ But night and day I hear the bombs
+ We threw at Valencieën . . .
+
+ As for the Duke o’ Yark in war,
+ There be some volk whose judgment o’ en is mean;
+ But this I say—a was not far
+ From great at Valencieën.
+
+ O’ wild wet nights, when all seems sad,
+ My wownds come back, as though new wownds I’d had;
+ But yet—at times I’m sort o’ glad
+ I fout at Valencieën.
+
+ Well: Heaven wi’ its jasper halls
+ Is now the on’y Town I care to be in . . .
+ Good Lord, if Nick should bomb the walls
+ As we did Valencieën!
+
+1878–1897.
+
+
+
+
+SAN SEBASTIAN
+(August 1813)
+
+
+ WITH THOUGHTS OF SERGEANT M— (PENSIONER), WHO DIED 185–.
+
+ “WHY, Sergeant, stray on the Ivel Way,
+ As though at home there were spectres rife?
+ From first to last ’twas a proud career!
+ And your sunny years with a gracious wife
+ Have brought you a daughter dear.
+
+ “I watched her to-day; a more comely maid,
+ As she danced in her muslin bowed with blue,
+ Round a Hintock maypole never gayed.”
+ —“Aye, aye; I watched her this day, too,
+ As it happens,” the Sergeant said.
+
+ “My daughter is now,” he again began,
+ “Of just such an age as one I knew
+ When we of the Line and Forlorn-hope van,
+ On an August morning—a chosen few—
+ Stormed San Sebastian.
+
+ “She’s a score less three; so about was _she_—
+ The maiden I wronged in Peninsular days . . .
+ You may prate of your prowess in lusty times,
+ But as years gnaw inward you blink your bays,
+ And see too well your crimes!
+
+ “We’d stormed it at night, by the vlanker-light
+ Of burning towers, and the mortar’s boom:
+ We’d topped the breach; but had failed to stay,
+ For our files were misled by the baffling gloom;
+ And we said we’d storm by day.
+
+ [Picture: Sketch of mountain]
+
+ “So, out of the trenches, with features set,
+ On that hot, still morning, in measured pace,
+ Our column climbed; climbed higher yet,
+ Past the fauss’bray, scarp, up the curtain-face,
+ And along the parapet.
+
+ “From the battened hornwork the cannoneers
+ Hove crashing balls of iron fire;
+ On the shaking gap mount the volunteers
+ In files, and as they mount expire
+ Amid curses, groans, and cheers.
+
+ “Five hours did we storm, five hours re-form,
+ As Death cooled those hot blood pricked on;
+ Till our cause was helped by a woe within:
+ They swayed from the summit we’d leapt upon,
+ And madly we entered in.
+
+ “On end for plunder, ’mid rain and thunder
+ That burst with the lull of our cannonade,
+ We vamped the streets in the stifling air—
+ Our hunger unsoothed, our thirst unstayed—
+ And ransacked the buildings there.
+
+ “Down the stony steps of the house-fronts white
+ We rolled rich puncheons of Spanish grape,
+ Till at length, with the fire of the wine alight,
+ I saw at a doorway a fair fresh shape—
+ A woman, a sylph, or sprite.
+
+ “Afeard she fled, and with heated head
+ I pursued to the chamber she called her own;
+ —When might is right no qualms deter,
+ And having her helpless and alone
+ I wreaked my will on her.
+
+ “She raised her beseeching eyes to me,
+ And I heard the words of prayer she sent
+ In her own soft language . . . Seemingly
+ I copied those eyes for my punishment
+ In begetting the girl you see!
+
+ “So, to-day I stand with a God-set brand
+ Like Cain’s, when he wandered from kindred’s ken . . .
+ I served through the war that made Europe free;
+ I wived me in peace-year. But, hid from men,
+ I bear that mark on me.
+
+ “And I nightly stray on the Ivel Way
+ As though at home there were spectres rife;
+ I delight me not in my proud career;
+ And ’tis coals of fire that a gracious wife
+ Should have brought me a daughter dear!”
+
+
+
+
+THE STRANGER’S SONG
+
+
+ (_As sung by_ MR. CHARLES CHARRINGTON _in the play of_ “_The Three
+ Wayfarers_”)
+
+ O MY trade it is the rarest one,
+ Simple shepherds all—
+ My trade is a sight to see;
+ For my customers I tie, and take ’em up on high,
+ And waft ’em to a far countree!
+
+ My tools are but common ones,
+ Simple shepherds all—
+ My tools are no sight to see:
+ A little hempen string, and a post whereon to swing,
+ Are implements enough for me!
+
+ To-morrow is my working day,
+ Simple shepherds all—
+ To-morrow is a working day for me:
+ For the farmer’s sheep is slain, and the lad who did it ta’en,
+ And on his soul may God ha’ mer-cy!
+
+ _Printed in_ “_The Three Strangers_,” 1883.
+
+ [Picture: Sketch of man in old street]
+
+
+
+
+THE BURGHERS
+(17–)
+
+
+ THE sun had wheeled from Grey’s to Dammer’s Crest,
+ And still I mused on that Thing imminent:
+ At length I sought the High-street to the West.
+
+ The level flare raked pane and pediment
+ And my wrecked face, and shaped my nearing friend
+ Like one of those the Furnace held unshent.
+
+ “I’ve news concerning her,” he said. “Attend.
+ They fly to-night at the late moon’s first gleam:
+ Watch with thy steel: two righteous thrusts will end
+
+ Her shameless visions and his passioned dream.
+ I’ll watch with thee, to testify thy wrong—
+ To aid, maybe.—Law consecrates the scheme.”
+
+ I started, and we paced the flags along
+ Till I replied: “Since it has come to this
+ I’ll do it! But alone. I can be strong.”
+
+ Three hours past Curfew, when the Froom’s mild hiss
+ Reigned sole, undulled by whirr of merchandize,
+ From Pummery-Tout to where the Gibbet is,
+
+ I crossed my pleasaunce hard by Glyd’path Rise,
+ And stood beneath the wall. Eleven strokes went,
+ And to the door they came, contrariwise,
+
+ And met in clasp so close I had but bent
+ My lifted blade upon them to have let
+ Their two souls loose upon the firmament.
+
+ But something held my arm. “A moment yet
+ As pray-time ere you wantons die!” I said;
+ And then they saw me. Swift her gaze was set
+
+ With eye and cry of love illimited
+ Upon her Heart-king. Never upon me
+ Had she thrown look of love so thorough-sped! . . .
+
+ At once she flung her faint form shieldingly
+ On his, against the vengeance of my vows;
+ The which o’erruling, her shape shielded he.
+
+ Blanked by such love, I stood as in a drowse,
+ And the slow moon edged from the upland nigh,
+ My sad thoughts moving thuswise: “I may house
+
+ And I may husband her, yet what am I
+ But licensed tyrant to this bonded pair?
+ Says Charity, Do as ye would be done by.” . . .
+
+ Hurling my iron to the bushes there,
+ I bade them stay. And, as if brain and breast
+ Were passive, they walked with me to the stair.
+
+ Inside the house none watched; and on we prest
+ Before a mirror, in whose gleam I read
+ Her beauty, his,—and mine own mien unblest;
+
+ Till at her room I turned. “Madam,” I said,
+ “Have you the wherewithal for this? Pray speak.
+ Love fills no cupboard. You’ll need daily bread.”
+
+ “We’ve nothing, sire,” said she; “and nothing seek.
+ ’Twere base in me to rob my lord unware;
+ Our hands will earn a pittance week by week.”
+
+ And next I saw she’d piled her raiment rare
+ Within the garde-robes, and her household purse,
+ Her jewels, and least lace of personal wear;
+
+ And stood in homespun. Now grown wholly hers,
+ I handed her the gold, her jewels all,
+ And him the choicest of her robes diverse.
+
+ “I’ll take you to the doorway in the wall,
+ And then adieu,” I to them. “Friends, withdraw.”
+ They did so; and she went—beyond recall.
+
+ And as I paused beneath the arch I saw
+ Their moonlit figures—slow, as in surprise—
+ Descend the slope, and vanish on the haw.
+
+ “‘Fool,’ some will say,” I thought. “But who is wise,
+ Save God alone, to weigh my reasons why?”
+ —“Hast thou struck home?” came with the boughs’ night-sighs.
+
+ It was my friend. “I have struck well. They fly,
+ But carry wounds that none can cicatrize.”
+ —“Not mortal?” said he. “Lingering—worse,” said I.
+
+
+
+
+LEIPZIG
+(1813)
+
+
+ _Scene_: _The Master-tradesmen’s Parlour at the Old Ship Inn_,
+ _Casterbridge_. _Evening_.
+
+ “OLD Norbert with the flat blue cap—
+ A German said to be—
+ Why let your pipe die on your lap,
+ Your eyes blink absently?”—
+
+ —“Ah! . . . Well, I had thought till my cheek was wet
+ Of my mother—her voice and mien
+ When she used to sing and pirouette,
+ And touse the tambourine
+
+ “To the march that yon street-fiddler plies:
+ She told me ’twas the same
+ She’d heard from the trumpets, when the Allies
+ Her city overcame.
+
+ “My father was one of the German Hussars,
+ My mother of Leipzig; but he,
+ Long quartered here, fetched her at close of the wars,
+ And a Wessex lad reared me.
+
+ “And as I grew up, again and again
+ She’d tell, after trilling that air,
+ Of her youth, and the battles on Leipzig plain
+ And of all that was suffered there! . . .
+
+ “—’Twas a time of alarms. Three Chiefs-at-arms
+ Combined them to crush One,
+ And by numbers’ might, for in equal fight
+ He stood the matched of none.
+
+ “Carl Schwarzenberg was of the plot,
+ And Blücher, prompt and prow,
+ And Jean the Crown-Prince Bernadotte:
+ Buonaparte was the foe.
+
+ “City and plain had felt his reign
+ From the North to the Middle Sea,
+ And he’d now sat down in the noble town
+ Of the King of Saxony.
+
+ “October’s deep dew its wet gossamer threw
+ Upon Leipzig’s lawns, leaf-strewn,
+ Where lately each fair avenue
+ Wrought shade for summer noon.
+
+ “To westward two dull rivers crept
+ Through miles of marsh and slough,
+ Whereover a streak of whiteness swept—
+ The Bridge of Lindenau.
+
+ “Hard by, in the City, the One, care-tossed,
+ Gloomed over his shrunken power;
+ And without the walls the hemming host
+ Waxed denser every hour.
+
+ “He had speech that night on the morrow’s designs
+ With his chiefs by the bivouac fire,
+ While the belt of flames from the enemy’s lines
+ Flared nigher him yet and nigher.
+
+ “Three sky-lights then from the girdling trine
+ Told, ‘Ready!’ As they rose
+ Their flashes seemed his Judgment-Sign
+ For bleeding Europe’s woes.
+
+ “’Twas seen how the French watch-fires that night
+ Glowed still and steadily;
+ And the Three rejoiced, for they read in the sight
+ That the One disdained to flee . . .
+
+ “—Five hundred guns began the affray
+ On next day morn at nine;
+ Such mad and mangling cannon-play
+ Had never torn human line.
+
+ “Around the town three battles beat,
+ Contracting like a gin;
+ As nearer marched the million feet
+ Of columns closing in.
+
+ “The first battle nighed on the low Southern side;
+ The second by the Western way;
+ The nearing of the third on the North was heard:
+ —The French held all at bay.
+
+ “Against the first band did the Emperor stand;
+ Against the second stood Ney;
+ Marmont against the third gave the order-word:
+ —Thus raged it throughout the day.
+
+ “Fifty thousand sturdy souls on those trampled plains and knolls,
+ Who met the dawn hopefully,
+ And were lotted their shares in a quarrel not theirs,
+ Dropt then in their agony.
+
+ “‘O,’ the old folks said, ‘ye Preachers stern!
+ O so-called Christian time!
+ When will men’s swords to ploughshares turn?
+ When come the promised prime?’ . . .
+
+ “—The clash of horse and man which that day began,
+ Closed not as evening wore;
+ And the morrow’s armies, rear and van,
+ Still mustered more and more.
+
+ “From the City towers the Confederate Powers
+ Were eyed in glittering lines,
+ And up from the vast a murmuring passed
+ As from a wood of pines.
+
+ “‘’Tis well to cover a feeble skill
+ By numbers!’ scoffèd He;
+ ‘But give me a third of their strength, I’d fill
+ Half Hell with their soldiery!’
+
+ [Picture: Sketch of town square, Leipzig?]
+
+ “All that day raged the war they waged,
+ And again dumb night held reign,
+ Save that ever upspread from the dark deathbed
+ A miles-wide pant of pain.
+
+ “Hard had striven brave Ney, the true Bertrand,
+ Victor, and Augereau,
+ Bold Poniatowski, and Lauriston,
+ To stay their overthrow;
+
+ “But, as in the dream of one sick to death
+ There comes a narrowing room
+ That pens him, body and limbs and breath,
+ To wait a hideous doom,
+
+ “So to Napoleon, in the hush
+ That held the town and towers
+ Through these dire nights, a creeping crush
+ Seemed inborne with the hours.
+
+ “One road to the rearward, and but one,
+ Did fitful Chance allow;
+ ’Twas where the Pleiss’ and Elster run—
+ The Bridge of Lindenau.
+
+ “The nineteenth dawned. Down street and Platz
+ The wasted French sank back,
+ Stretching long lines across the Flats
+ And on the bridge-way track;
+
+ “When there surged on the sky an earthen wave,
+ And stones, and men, as though
+ Some rebel churchyard crew updrave
+ Their sepulchres from below.
+
+ “To Heaven is blown Bridge Lindenau;
+ Wrecked regiments reel therefrom;
+ And rank and file in masses plough
+ The sullen Elster-Strom.
+
+ “A gulf was Lindenau; and dead
+ Were fifties, hundreds, tens;
+ And every current rippled red
+ With Marshal’s blood and men’s.
+
+ “The smart Macdonald swam therein,
+ And barely won the verge;
+ Bold Poniatowski plunged him in
+ Never to re-emerge.
+
+ “Then stayed the strife. The remnants wound
+ Their Rhineward way pell-mell;
+ And thus did Leipzig City sound
+ An Empire’s passing bell;
+
+ “While in cavalcade, with band and blade,
+ Came Marshals, Princes, Kings;
+ And the town was theirs . . . Ay, as simple maid,
+ My mother saw these things!
+
+ “And whenever those notes in the street begin,
+ I recall her, and that far scene,
+ And her acting of how the Allies marched in,
+ And her touse of the tambourine!”
+
+ [Picture: Sketch of person standing outside bay window, looking in]
+
+
+
+
+THE PEASANT’S CONFESSION
+
+
+ “Si le maréchal Grouchy avait été rejoint par l’officier que Napoléon
+ lui avait expédié la veille à dix heures du soir, toute question eût
+ disparu. Mais cet officier n’était point parvenu à sa destination,
+ ainsi que le maréchal n’a cessé de l’affirmer toute sa vie, et il
+ faut l’en croire, car autrement il n’aurait eu aucune raison pour
+ hésiter. Cet officier avait-il été pris? avait-il passé à l’ennemi?
+ C’est ce qu’on a toujours ignoré.”
+
+ —THIERS: _Histoire de l’Empire_. “Waterloo.”
+
+ GOOD Father! . . . ’Twas an eve in middle June,
+ And war was waged anew
+ By great Napoleon, who for years had strewn
+ Men’s bones all Europe through.
+
+ Three nights ere this, with columned corps he’d crossed
+ The Sambre at Charleroi,
+ To move on Brussels, where the English host
+ Dallied in Parc and Bois.
+
+ The yestertide we’d heard the gloomy gun
+ Growl through the long-sunned day
+ From Quatre-Bras and Ligny; till the dun
+ Twilight suppressed the fray;
+
+ Albeit therein—as lated tongues bespoke—
+ Brunswick’s high heart was drained,
+ And Prussia’s Line and Landwehr, though unbroke,
+ Stood cornered and constrained.
+
+ And at next noon-time Grouchy slowly passed
+ With thirty thousand men:
+ We hoped thenceforth no army, small or vast,
+ Would trouble us again.
+
+ My hut lay deeply in a vale recessed,
+ And never a soul seemed nigh
+ When, reassured at length, we went to rest—
+ My children, wife, and I.
+
+ But what was this that broke our humble ease?
+ What noise, above the rain,
+ Above the dripping of the poplar trees
+ That smote along the pane?
+
+ —A call of mastery, bidding me arise,
+ Compelled me to the door,
+ At which a horseman stood in martial guise—
+ Splashed—sweating from every pore.
+
+ Had I seen Grouchy? Yes? Which track took he?
+ Could I lead thither on?—
+ Fulfilment would ensure gold pieces three,
+ Perchance more gifts anon.
+
+ “I bear the Emperor’s mandate,” then he said,
+ “Charging the Marshal straight
+ To strike between the double host ahead
+ Ere they co-operate,
+
+ “Engaging Blücher till the Emperor put
+ Lord Wellington to flight,
+ And next the Prussians. This to set afoot
+ Is my emprise to-night.”
+
+ I joined him in the mist; but, pausing, sought
+ To estimate his say.
+ Grouchy had made for Wavre; and yet, on thought,
+ I did not lead that way.
+
+ I mused: “If Grouchy thus instructed be,
+ The clash comes sheer hereon;
+ My farm is stript. While, as for pieces three,
+ Money the French have none.
+
+ “Grouchy unwarned, moreo’er, the English win,
+ And mine is left to me—
+ They buy, not borrow.”—Hence did I begin
+ To lead him treacherously.
+
+ By Joidoigne, near to east, as we ondrew,
+ Dawn pierced the humid air;
+ And eastward faced I with him, though I knew
+ Never marched Grouchy there.
+
+ Near Ottignies we passed, across the Dyle
+ (Lim’lette left far aside),
+ And thence direct toward Pervez and Noville
+ Through green grain, till he cried:
+
+ “I doubt thy conduct, man! no track is here—
+ I doubt thy gagèd word!”
+ Thereat he scowled on me, and pranced me near,
+ And pricked me with his sword.
+
+ “Nay, Captain, hold! We skirt, not trace the course
+ Of Grouchy,” said I then:
+ “As we go, yonder went he, with his force
+ Of thirty thousand men.”
+
+ —At length noon nighed; when west, from Saint-John’s-Mound,
+ A hoarse artillery boomed,
+ And from Saint-Lambert’s upland, chapel-crowned,
+ The Prussian squadrons loomed.
+
+ Then to the wayless wet gray ground he leapt;
+ “My mission fails!” he cried;
+ “Too late for Grouchy now to intercept,
+ For, peasant, you have lied!”
+
+ He turned to pistol me. I sprang, and drew
+ The sabre from his flank,
+ And ’twixt his nape and shoulder, ere he knew,
+ I struck, and dead he sank.
+
+ [Picture: Sketch of landscape]
+
+ I hid him deep in nodding rye and oat—
+ His shroud green stalks and loam;
+ His requiem the corn-blade’s husky note—
+ And then I hastened home, . . .
+
+ —Two armies writhe in coils of red and blue,
+ And brass and iron clang
+ From Goumont, past the front of Waterloo,
+ To Pap’lotte and Smohain.
+
+ The Guard Imperial wavered on the height;
+ The Emperor’s face grew glum;
+ “I sent,” he said, “to Grouchy yesternight,
+ And yet he does not come!”
+
+ ’Twas then, Good Father, that the French espied,
+ Streaking the summer land,
+ The men of Blücher. But the Emperor cried,
+ “Grouchy is now at hand!”
+
+ And meanwhile Vand’leur, Vivian, Maitland, Kempt,
+ Met d’Erlon, Friant, Ney;
+ But Grouchy—mis-sent, blamed, yet blame-exempt—
+ Grouchy was far away.
+
+ By even, slain or struck, Michel the strong,
+ Bold Travers, Dnop, Delord,
+ Smart Guyot, Reil-le, l’Heriter, Friant,
+ Scattered that champaign o’er.
+
+ Fallen likewise wronged Duhesme, and skilled Lobau
+ Did that red sunset see;
+ Colbert, Legros, Blancard! . . . And of the foe
+ Picton and Ponsonby;
+
+ With Gordon, Canning, Blackman, Ompteda,
+ L’Estrange, Delancey, Packe,
+ Grose, D’Oyly, Stables, Morice, Howard, Hay,
+ Von Schwerin, Watzdorf, Boek,
+
+ Smith, Phelips, Fuller, Lind, and Battersby,
+ And hosts of ranksmen round . . .
+ Memorials linger yet to speak to thee
+ Of those that bit the ground!
+
+ The Guards’ last column yielded; dykes of dead
+ Lay between vale and ridge,
+ As, thinned yet closing, faint yet fierce, they sped
+ In packs to Genappe Bridge.
+
+ Safe was my stock; my capple cow unslain;
+ Intact each cock and hen;
+ But Grouchy far at Wavre all day had lain,
+ And thirty thousand men.
+
+ O Saints, had I but lost my earing corn
+ And saved the cause once prized!
+ O Saints, why such false witness had I borne
+ When late I’d sympathized! . . .
+
+ So now, being old, my children eye askance
+ My slowly dwindling store,
+ And crave my mite; till, worn with tarriance,
+ I care for life no more.
+
+ To Almighty God henceforth I stand confessed,
+ And Virgin-Saint Marie;
+ O Michael, John, and Holy Ones in rest,
+ Entreat the Lord for me!
+
+ [Picture: Silhouette of solder standing on hill]
+
+
+
+
+THE ALARM
+(1803)
+
+
+ _See_ “_The Trumpet-Major_”
+
+ IN MEMORY OF ONE OF THE WRITER’S FAMILY WHO WAS A
+ VOLUNTEER DURING THE WAR WITH NAPOLEON
+
+ IN a ferny byway
+ Near the great South-Wessex Highway,
+ A homestead raised its breakfast-smoke aloft;
+ The dew-damps still lay steamless, for the sun had made no sky-way,
+ And twilight cloaked the croft.
+
+ ’Twas hard to realize on
+ This snug side the mute horizon
+ That beyond it hostile armaments might steer,
+ Save from seeing in the porchway a fair woman weep with eyes on
+ A harnessed Volunteer.
+
+ In haste he’d flown there
+ To his comely wife alone there,
+ While marching south hard by, to still her fears,
+ For she soon would be a mother, and few messengers were known there
+ In these campaigning years.
+
+ ’Twas time to be Good-bying,
+ Since the assembly-hour was nighing
+ In royal George’s town at six that morn;
+ And betwixt its wharves and this retreat were ten good miles of hieing
+ Ere ring of bugle-horn.
+
+ “I’ve laid in food, Dear,
+ And broached the spiced and brewed, Dear;
+ And if our July hope should antedate,
+ Let the char-wench mount and gallop by the halterpath and wood, Dear,
+ And fetch assistance straight.
+
+ “As for Buonaparte, forget him;
+ He’s not like to land! But let him,
+ Those strike with aim who strike for wives and sons!
+ And the war-boats built to float him; ’twere but wanted to upset him
+ A slat from Nelson’s guns!
+
+ “But, to assure thee,
+ And of creeping fears to cure thee,
+ If he _should_ be rumoured anchoring in the Road,
+ Drive with the nurse to Kingsbere; and let nothing thence allure thee
+ Till we’ve him safe-bestowed.
+
+ “Now, to turn to marching matters:—
+ I’ve my knapsack, firelock, spatters,
+ Crossbelts, priming-horn, stock, bay’net, blackball, clay,
+ Pouch, magazine, flints, flint-box that at every quick-step clatters;
+ . . . My heart, Dear; that must stay!”
+
+ —With breathings broken
+ Farewell was kissed unspoken,
+ And they parted there as morning stroked the panes;
+ And the Volunteer went on, and turned, and twirled his glove for
+ token,
+ And took the coastward lanes.
+
+ When above He’th Hills he found him,
+ He saw, on gazing round him,
+ The Barrow-Beacon burning—burning low,
+ As if, perhaps, uplighted ever since he’d homeward bound him;
+ And it meant: Expect the Foe!
+
+ [Picture: Sketch of person riding with wide landscape behind]
+
+ Leaving the byway,
+ And following swift the highway,
+ Car and chariot met he, faring fast inland;
+ “He’s anchored, Soldier!” shouted some: “God save thee, marching thy
+ way,
+ Th’lt front him on the strand!”
+
+ He slowed; he stopped; he paltered
+ Awhile with self, and faltered,
+ “Why courting misadventure shoreward roam?
+ To Molly, surely! Seek the woods with her till times have altered;
+ Charity favours home.
+
+ “Else, my denying
+ He would come she’ll read as lying—
+ Think the Barrow-Beacon must have met my eyes—
+ That my words were not unwareness, but deceit of her, while trying
+ My life to jeopardize.
+
+ “At home is stocked provision,
+ And to-night, without suspicion,
+ We might bear it with us to a covert near;
+ Such sin, to save a childing wife, would earn it Christ’s remission,
+ Though none forgive it here!”
+
+ While thus he, thinking,
+ A little bird, quick drinking
+ Among the crowfoot tufts the river bore,
+ Was tangled in their stringy arms, and fluttered, well-nigh sinking,
+ Near him, upon the moor.
+
+ He stepped in, reached, and seized it,
+ And, preening, had released it
+ But that a thought of Holy Writ occurred,
+ And Signs Divine ere battle, till it seemed him Heaven had pleased it
+ As guide to send the bird.
+
+ “O Lord, direct me! . . .
+ Doth Duty now expect me
+ To march a-coast, or guard my weak ones near?
+ Give this bird a flight according, that I thence know to elect me
+ The southward or the rear.”
+
+ He loosed his clasp; when, rising,
+ The bird—as if surmising—
+ Bore due to southward, crossing by the Froom,
+ And Durnover Great-Field and Fort, the soldier clear advising—
+ Prompted he wist by Whom.
+
+ Then on he panted
+ By grim Mai-Don, and slanted
+ Up the steep Ridge-way, hearkening betwixt whiles;
+ Till, nearing coast and harbour, he beheld the shore-line planted
+ With Foot and Horse for miles.
+
+ Mistrusting not the omen,
+ He gained the beach, where Yeomen,
+ Militia, Fencibles, and Pikemen bold,
+ With Regulars in thousands, were enmassed to meet the Foemen,
+ Whose fleet had not yet shoaled.
+
+ Captain and Colonel,
+ Sere Generals, Ensigns vernal,
+ Were there; of neighbour-natives, Michel, Smith,
+ Meggs, Bingham, Gambier, Cunningham, roused by the hued nocturnal
+ Swoop on their land and kith.
+
+ But Buonaparte still tarried;
+ His project had miscarried;
+ At the last hour, equipped for victory,
+ The fleet had paused; his subtle combinations had been parried
+ By British strategy.
+
+ Homeward returning
+ Anon, no beacons burning,
+ No alarms, the Volunteer, in modest bliss,
+ Te Deum sang with wife and friends: “We praise Thee, Lord, discerning
+ That Thou hast helped in this!”
+
+
+
+
+HER DEATH AND AFTER
+
+
+ ’TWAS a death-bed summons, and forth I went
+ By the way of the Western Wall, so drear
+ On that winter night, and sought a gate—
+ The home, by Fate,
+ Of one I had long held dear.
+
+ And there, as I paused by her tenement,
+ And the trees shed on me their rime and hoar,
+ I thought of the man who had left her lone—
+ Him who made her his own
+ When I loved her, long before.
+
+ The rooms within had the piteous shine
+ That home-things wear when there’s aught amiss;
+ From the stairway floated the rise and fall
+ Of an infant’s call,
+ Whose birth had brought her to this.
+
+ Her life was the price she would pay for that whine—
+ For a child by the man she did not love.
+ “But let that rest for ever,” I said,
+ And bent my tread
+ To the chamber up above.
+
+ She took my hand in her thin white own,
+ And smiled her thanks—though nigh too weak—
+ And made them a sign to leave us there
+ Then faltered, ere
+ She could bring herself to speak.
+
+ “’Twas to see you before I go—he’ll condone
+ Such a natural thing now my time’s not much—
+ When Death is so near it hustles hence
+ All passioned sense
+ Between woman and man as such!
+
+ “My husband is absent. As heretofore
+ The City detains him. But, in truth,
+ He has not been kind . . . I will speak no blame,
+ But—the child is lame;
+ O, I pray she may reach his ruth!
+
+ “Forgive past days—I can say no more—
+ Maybe if we’d wedded you’d now repine! . . .
+ But I treated you ill. I was punished. Farewell!
+ —Truth shall I tell?
+ Would the child were yours and mine!
+
+ “As a wife I was true. But, such my unease
+ That, could I insert a deed back in Time,
+ I’d make her yours, to secure your care;
+ And the scandal bear,
+ And the penalty for the crime!”
+
+ —When I had left, and the swinging trees
+ Rang above me, as lauding her candid say,
+ Another was I. Her words were enough:
+ Came smooth, came rough,
+ I felt I could live my day.
+
+ Next night she died; and her obsequies
+ In the Field of Tombs, by the Via renowned,
+ Had her husband’s heed. His tendance spent,
+ I often went
+ And pondered by her mound.
+
+ All that year and the next year whiled,
+ And I still went thitherward in the gloam;
+ But the Town forgot her and her nook,
+ And her husband took
+ Another Love to his home.
+
+ And the rumour flew that the lame lone child
+ Whom she wished for its safety child of mine,
+ Was treated ill when offspring came
+ Of the new-made dame,
+ And marked a more vigorous line.
+
+ [Picture: Sketch of cemetery]
+
+ A smarter grief within me wrought
+ Than even at loss of her so dear;
+ Dead the being whose soul my soul suffused,
+ Her child ill-used,
+ I helpless to interfere!
+
+ One eve as I stood at my spot of thought
+ In the white-stoned Garth, brooding thus her wrong,
+ Her husband neared; and to shun his view
+ By her hallowed mew
+ I went from the tombs among
+
+ To the Cirque of the Gladiators which faced—
+ That haggard mark of Imperial Rome,
+ Whose Pagan echoes mock the chime
+ Of our Christian time:
+ It was void, and I inward clomb.
+
+ Scarce night the sun’s gold touch displaced
+ From the vast Rotund and the neighbouring dead
+ When her husband followed; bowed; half-passed,
+ With lip upcast;
+ Then, halting, sullenly said:
+
+ “It is noised that you visit my first wife’s tomb.
+ Now, I gave her an honoured name to bear
+ While living, when dead. So I’ve claim to ask
+ By what right you task
+ My patience by vigiling there?
+
+ “There’s decency even in death, I assume;
+ Preserve it, sir, and keep away;
+ For the mother of my first-born you
+ Show mind undue!
+ —Sir, I’ve nothing more to say.”
+
+ A desperate stroke discerned I then—
+ God pardon—or pardon not—the lie;
+ She had sighed that she wished (lest the child should pine
+ Of slights) ’twere mine,
+ So I said: “But the father I.
+
+ “That you thought it yours is the way of men;
+ But I won her troth long ere your day:
+ You learnt how, in dying, she summoned me?
+ ’Twas in fealty.
+ —Sir, I’ve nothing more to say,
+
+ “Save that, if you’ll hand me my little maid,
+ I’ll take her, and rear her, and spare you toil.
+ Think it more than a friendly act none can;
+ I’m a lonely man,
+ While you’ve a large pot to boil.
+
+ “If not, and you’ll put it to ball or blade—
+ To-night, to-morrow night, anywhen—
+ I’ll meet you here . . . But think of it,
+ And in season fit
+ Let me hear from you again.”
+
+ —Well, I went away, hoping; but nought I heard
+ Of my stroke for the child, till there greeted me
+ A little voice that one day came
+ To my window-frame
+ And babbled innocently:
+
+ “My father who’s not my own, sends word
+ I’m to stay here, sir, where I belong!”
+ Next a writing came: “Since the child was the fruit
+ Of your lawless suit,
+ Pray take her, to right a wrong.”
+
+ And I did. And I gave the child my love,
+ And the child loved me, and estranged us none.
+ But compunctions loomed; for I’d harmed the dead
+ By what I’d said
+ For the good of the living one.
+
+ —Yet though, God wot, I am sinner enough,
+ And unworthy the woman who drew me so,
+ Perhaps this wrong for her darling’s good
+ She forgives, or would,
+ If only she could know!
+
+ [Picture: Sketch of tree-lined path]
+
+ * * * * *
+
+ [Picture: Sketch of a decorative stave of music]
+
+
+
+
+THE DANCE AT THE PHŒNIX
+
+
+ TO Jenny came a gentle youth
+ From inland leazes lone,
+ His love was fresh as apple-blooth
+ By Parrett, Yeo, or Tone.
+ And duly he entreated her
+ To be his tender minister,
+ And call him aye her own.
+
+ Fair Jenny’s life had hardly been
+ A life of modesty;
+ At Casterbridge experience keen
+ Of many loves had she
+ From scarcely sixteen years above;
+ Among them sundry troopers of
+ The King’s-Own Cavalry.
+
+ But each with charger, sword, and gun,
+ Had bluffed the Biscay wave;
+ And Jenny prized her gentle one
+ For all the love he gave.
+ She vowed to be, if they were wed,
+ His honest wife in heart and head
+ From bride-ale hour to grave.
+
+ Wedded they were. Her husband’s trust
+ In Jenny knew no bound,
+ And Jenny kept her pure and just,
+ Till even malice found
+ No sin or sign of ill to be
+ In one who walked so decently
+ The duteous helpmate’s round.
+
+ Two sons were born, and bloomed to men,
+ And roamed, and were as not:
+ Alone was Jenny left again
+ As ere her mind had sought
+ A solace in domestic joys,
+ And ere the vanished pair of boys
+ Were sent to sun her cot.
+
+ She numbered near on sixty years,
+ And passed as elderly,
+ When, in the street, with flush of fears,
+ One day discovered she,
+ From shine of swords and thump of drum.
+ Her early loves from war had come,
+ The King’s-Own Cavalry.
+
+ She turned aside, and bowed her head
+ Anigh Saint Peter’s door;
+ “Alas for chastened thoughts!” she said;
+ “I’m faded now, and hoar,
+ And yet those notes—they thrill me through,
+ And those gay forms move me anew
+ As in the years of yore!” . . .
+
+ ’Twas Christmas, and the Phœnix Inn
+ Was lit with tapers tall,
+ For thirty of the trooper men
+ Had vowed to give a ball
+ As “Theirs” had done (’twas handed down)
+ When lying in the selfsame town
+ Ere Buonaparté’s fall.
+
+ That night the throbbing “Soldier’s Joy,”
+ The measured tread and sway
+ Of “Fancy-Lad” and “Maiden Coy,”
+ Reached Jenny as she lay
+ Beside her spouse; till springtide blood
+ Seemed scouring through her like a flood
+ That whisked the years away.
+
+ She rose, and rayed, and decked her head
+ Where the bleached hairs ran thin;
+ Upon her cap two bows of red
+ She fixed with hasty pin;
+ Unheard descending to the street,
+ She trod the flags with tune-led feet,
+ And stood before the Inn.
+
+ Save for the dancers’, not a sound
+ Disturbed the icy air;
+ No watchman on his midnight round
+ Or traveller was there;
+ But over All-Saints’, high and bright,
+ Pulsed to the music Sirius white,
+ The Wain by Bullstake Square.
+
+ She knocked, but found her further stride
+ Checked by a sergeant tall:
+ “Gay Granny, whence come you?” he cried;
+ “This is a private ball.”
+ —“No one has more right here than me!
+ Ere you were born, man,” answered she,
+ “I knew the regiment all!”
+
+ “Take not the lady’s visit ill!”
+ Upspoke the steward free;
+ “We lack sufficient partners still,
+ So, prithee let her be!”
+ They seized and whirled her ’mid the maze,
+ And Jenny felt as in the days
+ Of her immodesty.
+
+ Hour chased each hour, and night advanced;
+ She sped as shod with wings;
+ Each time and every time she danced—
+ Reels, jigs, poussettes, and flings:
+ They cheered her as she soared and swooped,
+ (She’d learnt ere art in dancing drooped
+ From hops to slothful swings).
+
+ The favourite Quick-step “Speed the Plough”—
+ (Cross hands, cast off, and wheel)—
+ “The Triumph,” “Sylph,” “The Row-dow-dow,”
+ Famed “Major Malley’s Reel,”
+ “The Duke of York’s,” “The Fairy Dance,”
+ “The Bridge of Lodi” (brought from France),
+ She beat out, toe and heel.
+
+ The “Fall of Paris” clanged its close,
+ And Peter’s chime told four,
+ When Jenny, bosom-beating, rose
+ To seek her silent door.
+ They tiptoed in escorting her,
+ Lest stroke of heel or clink of spur
+ Should break her goodman’s snore.
+
+ The fire that late had burnt fell slack
+ When lone at last stood she;
+ Her nine-and-fifty years came back;
+ She sank upon her knee
+ Beside the durn, and like a dart
+ A something arrowed through her heart
+ In shoots of agony.
+
+ Their footsteps died as she leant there,
+ Lit by the morning star
+ Hanging above the moorland, where
+ The aged elm-rows are;
+ And, as o’ernight, from Pummery Ridge
+ To Maembury Ring and Standfast Bridge
+ No life stirred, near or far.
+
+ Though inner mischief worked amain,
+ She reached her husband’s side;
+ Where, toil-weary, as he had lain
+ Beneath the patchwork pied
+ When yestereve she’d forthward crept,
+ And as unwitting, still he slept
+ Who did in her confide.
+
+ A tear sprang as she turned and viewed
+ His features free from guile;
+ She kissed him long, as when, just wooed,
+ She chose his domicile.
+ She felt she could have given her life
+ To be the single-hearted wife
+ That she had been erstwhile.
+
+ Time wore to six. Her husband rose
+ And struck the steel and stone;
+ He glanced at Jenny, whose repose
+ Seemed deeper than his own.
+ With dumb dismay, on closer sight,
+ He gathered sense that in the night,
+ Or morn, her soul had flown.
+
+ When told that some too mighty strain
+ For one so many-yeared
+ Had burst her bosom’s master-vein,
+ His doubts remained unstirred.
+ His Jenny had not left his side
+ Betwixt the eve and morning-tide:
+ —The King’s said not a word.
+
+ Well! times are not as times were then,
+ Nor fair ones half so free;
+ And truly they were martial men,
+ The King’s-Own Cavalry.
+ And when they went from Casterbridge
+ And vanished over Mellstock Ridge,
+ ’Twas saddest morn to see.
+
+ [Picture: Two lines of military men on horses]
+
+ * * * * *
+
+ [Picture: Sketch of wooden panel]
+
+
+
+
+THE CASTERBRIDGE CAPTAINS
+(KHYBER PASS, 1842)
+
+
+ A TRADITION OF J. B. L—, T. G. B—, AND J. L—.
+
+ THREE captains went to Indian wars,
+ And only one returned:
+ Their mate of yore, he singly wore
+ The laurels all had earned.
+
+ At home he sought the ancient aisle
+ Wherein, untrumped of fame,
+ The three had sat in pupilage,
+ And each had carved his name.
+
+ The names, rough-hewn, of equal size,
+ Stood on the panel still;
+ Unequal since.—“’Twas theirs to aim,
+ Mine was it to fulfil!”
+
+ —“Who saves his life shall lose it, friends!”
+ Outspake the preacher then,
+ Unweeting he his listener, who
+ Looked at the names again.
+
+ That he had come and they’d been stayed,
+ ’Twas but the chance of war:
+ Another chance, and they’d sat here,
+ And he had lain afar.
+
+ Yet saw he something in the lives
+ Of those who’d ceased to live
+ That sphered them with a majesty
+ Which living failed to give.
+
+ Transcendent triumph in return
+ No longer lit his brain;
+ Transcendence rayed the distant urn
+ Where slept the fallen twain.
+
+ [Picture: Sketch of comet]
+
+
+
+
+A SIGN-SEEKER
+
+
+ I MARK the months in liveries dank and dry,
+ The noontides many-shaped and hued;
+ I see the nightfall shades subtrude,
+ And hear the monotonous hours clang negligently by.
+
+ I view the evening bonfires of the sun
+ On hills where morning rains have hissed;
+ The eyeless countenance of the mist
+ Pallidly rising when the summer droughts are done.
+
+ I have seen the lightning-blade, the leaping star,
+ The cauldrons of the sea in storm,
+ Have felt the earthquake’s lifting arm,
+ And trodden where abysmal fires and snow-cones are.
+
+ I learn to prophesy the hid eclipse,
+ The coming of eccentric orbs;
+ To mete the dust the sky absorbs,
+ To weigh the sun, and fix the hour each planet dips.
+
+ I witness fellow earth-men surge and strive;
+ Assemblies meet, and throb, and part;
+ Death’s soothing finger, sorrow’s smart;
+ —All the vast various moils that mean a world alive.
+
+ But that I fain would wot of shuns my sense—
+ Those sights of which old prophets tell,
+ Those signs the general word so well,
+ Vouchsafed to their unheed, denied my long suspense.
+
+ In graveyard green, behind his monument
+ To glimpse a phantom parent, friend,
+ Wearing his smile, and “Not the end!”
+ Outbreathing softly: that were blest enlightenment;
+
+ Or, if a dead Love’s lips, whom dreams reveal
+ When midnight imps of King Decay
+ Delve sly to solve me back to clay,
+ Should leave some print to prove her spirit-kisses real;
+
+ Or, when Earth’s Frail lie bleeding of her Strong,
+ If some Recorder, as in Writ,
+ Near to the weary scene should flit
+ And drop one plume as pledge that Heaven inscrolls the wrong.
+
+ —There are who, rapt to heights of trancéd trust,
+ These tokens claim to feel and see,
+ Read radiant hints of times to be—
+ Of heart to heart returning after dust to dust.
+
+ Such scope is granted not to lives like mine . . .
+ I have lain in dead men’s beds, have walked
+ The tombs of those with whom I’d talked,
+ Called many a gone and goodly one to shape a sign,
+
+ And panted for response. But none replies;
+ No warnings loom, nor whisperings
+ To open out my limitings,
+ And Nescience mutely muses: When a man falls he lies.
+
+ [Picture: Sketch of person on horseback in wide landscape]
+
+
+
+
+MY CICELY
+(17–)
+
+
+ “ALIVE?”—And I leapt in my wonder,
+ Was faint of my joyance,
+ And grasses and grove shone in garments
+ Of glory to me.
+
+ “She lives, in a plenteous well-being,
+ To-day as aforehand;
+ The dead bore the name—though a rare one—
+ The name that bore she.”
+
+ She lived . . . I, afar in the city
+ Of frenzy-led factions,
+ Had squandered green years and maturer
+ In bowing the knee
+
+ To Baals illusive and specious,
+ Till chance had there voiced me
+ That one I loved vainly in nonage
+ Had ceased her to be.
+
+ The passion the planets had scowled on,
+ And change had let dwindle,
+ Her death-rumour smartly relifted
+ To full apogee.
+
+ I mounted a steed in the dawning
+ With acheful remembrance,
+ And made for the ancient West Highway
+ To far Exonb’ry.
+
+ Passing heaths, and the House of Long Sieging,
+ I neared the thin steeple
+ That tops the fair fane of Poore’s olden
+ Episcopal see;
+
+ And, changing anew my onbearer,
+ I traversed the downland
+ Whereon the bleak hill-graves of Chieftains
+ Bulge barren of tree;
+
+ And still sadly onward I followed
+ That Highway the Icen,
+ Which trails its pale riband down Wessex
+ O’er lynchet and lea.
+
+ Along through the Stour-bordered Forum,
+ Where Legions had wayfared,
+ And where the slow river upglasses
+ Its green canopy,
+
+ And by Weatherbury Castle, and thencefrom
+ Through Casterbridge held I
+ Still on, to entomb her my vision
+ Saw stretched pallidly.
+
+ No highwayman’s trot blew the night-wind
+ To me so life-weary,
+ But only the creak of the gibbets
+ Or waggoners’ jee.
+
+ Triple-ramparted Maidon gloomed grayly
+ Above me from southward,
+ And north the hill-fortress of Eggar,
+ And square Pummerie.
+
+ The Nine-Pillared Cromlech, the Bride-streams,
+ The Axe, and the Otter
+ I passed, to the gate of the city
+ Where Exe scents the sea;
+
+ Till, spent, in the graveacre pausing,
+ I learnt ’twas not my Love
+ To whom Mother Church had just murmured
+ A last lullaby.
+
+ —“Then, where dwells the Canon’s kinswoman,
+ My friend of aforetime?”—
+ (’Twas hard to repress my heart-heavings
+ And new ecstasy.)
+
+ “She wedded.”—“Ah!”—“Wedded beneath her—
+ She keeps the stage-hostel
+ Ten miles hence, beside the great Highway—
+ The famed Lions-Three.
+
+ “Her spouse was her lackey—no option
+ ’Twixt wedlock and worse things;
+ A lapse over-sad for a lady
+ Of her pedigree!”
+
+ I shuddered, said nothing, and wandered
+ To shades of green laurel:
+ Too ghastly had grown those first tidings
+ So brightsome of blee!
+
+ For, on my ride hither, I’d halted
+ Awhile at the Lions,
+ And her—her whose name had once opened
+ My heart as a key—
+
+ I’d looked on, unknowing, and witnessed
+ Her jests with the tapsters,
+ Her liquor-fired face, her thick accents
+ In naming her fee.
+
+ “O God, why this seeming derision!”
+ I cried in my anguish:
+ “O once Loved, O fair Unforgotten—
+ That Thing—meant it thee!
+
+ “Inurned and at peace, lost but sainted,
+ Were grief I could compass;
+ Depraved—’tis for Christ’s poor dependent
+ A cruel decree!”
+
+ I backed on the Highway; but passed not
+ The hostel. Within there
+ Too mocking to Love’s re-expression
+ Was Time’s repartee!
+
+ Uptracking where Legions had wayfared,
+ By cromlechs unstoried,
+ And lynchets, and sepultured Chieftains,
+ In self-colloquy,
+
+ A feeling stirred in me and strengthened
+ That _she_ was not my Love,
+ But she of the garth, who lay rapt in
+ Her long reverie.
+
+ And thence till to-day I persuade me
+ That this was the true one;
+ That Death stole intact her young dearness
+ And innocency.
+
+ Frail-witted, illuded they call me;
+ I may be. ’Tis better
+ To dream than to own the debasement
+ Of sweet Cicely.
+
+ Moreover I rate it unseemly
+ To hold that kind Heaven
+ Could work such device—to her ruin
+ And my misery.
+
+ So, lest I disturb my choice vision,
+ I shun the West Highway,
+ Even now, when the knaps ring with rhythms
+ From blackbird and bee;
+
+ And feel that with slumber half-conscious
+ She rests in the church-hay,
+ Her spirit unsoiled as in youth-time
+ When lovers were we.
+
+ [Picture: Sketch of top of church tower]
+
+ * * * * *
+
+ [Picture: Sketch of fields with trees]
+
+
+
+
+HER IMMORTALITY
+
+
+ UPON a noon I pilgrimed through
+ A pasture, mile by mile,
+ Unto the place where I last saw
+ My dead Love’s living smile.
+
+ And sorrowing I lay me down
+ Upon the heated sod:
+ It seemed as if my body pressed
+ The very ground she trod.
+
+ I lay, and thought; and in a trance
+ She came and stood me by—
+ The same, even to the marvellous ray
+ That used to light her eye.
+
+ “You draw me, and I come to you,
+ My faithful one,” she said,
+ In voice that had the moving tone
+ It bore ere breath had fled.
+
+ She said: “’Tis seven years since I died:
+ Few now remember me;
+ My husband clasps another bride;
+ My children’s love has she.
+
+ “My brethren, sisters, and my friends
+ Care not to meet my sprite:
+ Who prized me most I did not know
+ Till I passed down from sight.”
+
+ I said: “My days are lonely here;
+ I need thy smile alway:
+ I’ll use this night my ball or blade,
+ And join thee ere the day.”
+
+ A tremor stirred her tender lips,
+ Which parted to dissuade:
+ “That cannot be, O friend,” she cried;
+ “Think, I am but a Shade!
+
+ “A Shade but in its mindful ones
+ Has immortality;
+ By living, me you keep alive,
+ By dying you slay me.
+
+ “In you resides my single power
+ Of sweet continuance here;
+ On your fidelity I count
+ Through many a coming year.”
+
+ —I started through me at her plight,
+ So suddenly confessed:
+ Dismissing late distaste for life,
+ I craved its bleak unrest.
+
+ “I will not die, my One of all!—
+ To lengthen out thy days
+ I’ll guard me from minutest harms
+ That may invest my ways!”
+
+ She smiled and went. Since then she comes
+ Oft when her birth-moon climbs,
+ Or at the seasons’ ingresses
+ Or anniversary times;
+
+ But grows my grief. When I surcease,
+ Through whom alone lives she,
+ Ceases my Love, her words, her ways,
+ Never again to be!
+
+
+
+
+THE IVY-WIFE
+
+
+ I LONGED to love a full-boughed beech
+ And be as high as he:
+ I stretched an arm within his reach,
+ And signalled unity.
+ But with his drip he forced a breach,
+ And tried to poison me.
+
+ I gave the grasp of partnership
+ To one of other race—
+ A plane: he barked him strip by strip
+ From upper bough to base;
+ And me therewith; for gone my grip,
+ My arms could not enlace.
+
+ In new affection next I strove
+ To coll an ash I saw,
+ And he in trust received my love;
+ Till with my soft green claw
+ I cramped and bound him as I wove . . .
+ Such was my love: ha-ha!
+
+ By this I gained his strength and height
+ Without his rivalry.
+ But in my triumph I lost sight
+ Of afterhaps. Soon he,
+ Being bark-bound, flagged, snapped, fell outright,
+ And in his fall felled me!
+
+
+
+
+A MEETING WITH DESPAIR
+
+
+ AS evening shaped I found me on a moor
+ Which sight could scarce sustain:
+ The black lean land, of featureless contour,
+ Was like a tract in pain.
+
+ “This scene, like my own life,” I said, “is one
+ Where many glooms abide;
+ Toned by its fortune to a deadly dun—
+ Lightless on every side.
+
+ I glanced aloft and halted, pleasure-caught
+ To see the contrast there:
+ The ray-lit clouds gleamed glory; and I thought,
+ “There’s solace everywhere!”
+
+ Then bitter self-reproaches as I stood
+ I dealt me silently
+ As one perverse—misrepresenting Good
+ In graceless mutiny.
+
+ Against the horizon’s dim-discernèd wheel
+ A form rose, strange of mould:
+ That he was hideous, hopeless, I could feel
+ Rather than could behold.
+
+ “’Tis a dead spot, where even the light lies spent
+ To darkness!” croaked the Thing.
+ “Not if you look aloft!” said I, intent
+ On my new reasoning.
+
+ “Yea—but await awhile!” he cried. “Ho-ho!—
+ Look now aloft and see!”
+ I looked. There, too, sat night: Heaven’s radiant show
+ Had gone. Then chuckled he.
+
+
+
+
+UNKNOWING
+
+
+ WHEN, soul in soul reflected,
+ We breathed an æthered air,
+ When we neglected
+ All things elsewhere,
+ And left the friendly friendless
+ To keep our love aglow,
+ We deemed it endless . . .
+ —We did not know!
+
+ When, by mad passion goaded,
+ We planned to hie away,
+ But, unforeboded,
+ The storm-shafts gray
+ So heavily down-pattered
+ That none could forthward go,
+ Our lives seemed shattered . . .
+ —We did not know!
+
+ When I found you, helpless lying,
+ And you waived my deep misprise,
+ And swore me, dying,
+ In phantom-guise
+ To wing to me when grieving,
+ And touch away my woe,
+ We kissed, believing . . .
+ —We did not know!
+
+ But though, your powers outreckoning,
+ You hold you dead and dumb,
+ Or scorn my beckoning,
+ And will not come;
+ And I say, “’Twere mood ungainly
+ To store her memory so:”
+ I say it vainly—
+ I feel and know!
+
+
+
+
+FRIENDS BEYOND
+
+
+ WILLIAM DEWY, Tranter Reuben, Farmer Ledlow late at plough,
+ Robert’s kin, and John’s, and Ned’s,
+ And the Squire, and Lady Susan, lie in Mellstock churchyard now!
+
+ “Gone,” I call them, gone for good, that group of local hearts and
+ heads;
+ Yet at mothy curfew-tide,
+ And at midnight when the noon-heat breathes it back from walls and
+ leads,
+
+ They’ve a way of whispering to me—fellow-wight who yet abide—
+ In the muted, measured note
+ Of a ripple under archways, or a lone cave’s stillicide:
+
+ “We have triumphed: this achievement turns the bane to antidote,
+ Unsuccesses to success,
+ —Many thought-worn eves and morrows to a morrow free of thought.
+
+ “No more need we corn and clothing, feel of old terrestrial stress;
+ Chill detraction stirs no sigh;
+ Fear of death has even bygone us: death gave all that we possess.”
+
+ _W. D._—“Ye mid burn the wold bass-viol that I set such vallie by.”
+ _Squire_.—“You may hold the manse in fee,
+ You may wed my spouse, my children’s memory of me may decry.”
+
+ _Lady_.—“You may have my rich brocades, my laces; take each household
+ key;
+ Ransack coffer, desk, bureau;
+ Quiz the few poor treasures hid there, con the letters kept by me.”
+
+ _Far._—“Ye mid zell my favourite heifer, ye mid let the charlock grow,
+ Foul the grinterns, give up thrift.”
+ _Wife_.—“If ye break my best blue china, children, I shan’t care or
+ ho.”
+
+ _All_. —“We’ve no wish to hear the tidings, how the people’s fortunes
+ shift;
+ What your daily doings are;
+ Who are wedded, born, divided; if your lives beat slow or swift.
+
+ “Curious not the least are we if our intents you make or mar,
+ If you quire to our old tune,
+ If the City stage still passes, if the weirs still roar afar.”
+
+ —Thus, with very gods’ composure, freed those crosses late and soon
+ Which, in life, the Trine allow
+ (Why, none witteth), and ignoring all that haps beneath the moon,
+
+ William Dewy, Tranter Reuben, Farmer Ledlow late at plough,
+ Robert’s kin, and John’s, and Ned’s,
+ And the Squire, and Lady Susan, murmur mildly to me now.
+
+ [Picture: Sketch of vase with dead flowers]
+
+
+
+
+TO OUTER NATURE
+
+
+ SHOW thee as I thought thee
+ When I early sought thee,
+ Omen-scouting,
+ All undoubting
+ Love alone had wrought thee—
+
+ Wrought thee for my pleasure,
+ Planned thee as a measure
+ For expounding
+ And resounding
+ Glad things that men treasure.
+
+ O for but a moment
+ Of that old endowment—
+ Light to gaily
+ See thy daily
+ Irisèd embowment!
+
+ But such re-adorning
+ Time forbids with scorning—
+ Makes me see things
+ Cease to be things
+ They were in my morning.
+
+ Fad’st thou, glow-forsaken,
+ Darkness-overtaken!
+ Thy first sweetness,
+ Radiance, meetness,
+ None shall re-awaken.
+
+ Why not sempiternal
+ Thou and I? Our vernal
+ Brightness keeping,
+ Time outleaping;
+ Passed the hodiernal!
+
+
+
+
+THOUGHTS OF PHENA
+AT NEWS OF HER DEATH
+
+
+ NOT a line of her writing have I,
+ Not a thread of her hair,
+ No mark of her late time as dame in her dwelling, whereby
+ I may picture her there;
+ And in vain do I urge my unsight
+ To conceive my lost prize
+ At her close, whom I knew when her dreams were upbrimming with light,
+ And with laughter her eyes.
+
+ What scenes spread around her last days,
+ Sad, shining, or dim?
+ Did her gifts and compassions enray and enarch her sweet ways
+ With an aureate nimb?
+ Or did life-light decline from her years,
+ And mischances control
+ Her full day-star; unease, or regret, or forebodings, or fears
+ Disennoble her soul?
+
+ Thus I do but the phantom retain
+ Of the maiden of yore
+ As my relic; yet haply the best of her—fined in my brain
+ It maybe the more
+ That no line of her writing have I,
+ Nor a thread of her hair,
+ No mark of her late time as dame in her dwelling, whereby
+ I may picture her there.
+
+_March_ 1890.
+
+ [Picture: Sketch of woman cover in sheet lying on couch]
+
+
+
+
+MIDDLE-AGE ENTHUSIASMS
+To M. H.
+
+
+ WE passed where flag and flower
+ Signalled a jocund throng;
+ We said: “Go to, the hour
+ Is apt!”—and joined the song;
+ And, kindling, laughed at life and care,
+ Although we knew no laugh lay there.
+
+ We walked where shy birds stood
+ Watching us, wonder-dumb;
+ Their friendship met our mood;
+ We cried: “We’ll often come:
+ We’ll come morn, noon, eve, everywhen!”
+ —We doubted we should come again.
+
+ We joyed to see strange sheens
+ Leap from quaint leaves in shade;
+ A secret light of greens
+ They’d for their pleasure made.
+ We said: “We’ll set such sorts as these!”
+ —We knew with night the wish would cease.
+
+ “So sweet the place,” we said,
+ “Its tacit tales so dear,
+ Our thoughts, when breath has sped,
+ Will meet and mingle here!” . . .
+ “Words!” mused we. “Passed the mortal door,
+ Our thoughts will reach this nook no more.”
+
+
+
+
+IN A WOOD
+See “THE WOODLANDERS”
+
+
+ PALE beech and pine-tree blue,
+ Set in one clay,
+ Bough to bough cannot you
+ Bide out your day?
+ When the rains skim and skip,
+ Why mar sweet comradeship,
+ Blighting with poison-drip
+ Neighbourly spray?
+
+ Heart-halt and spirit-lame,
+ City-opprest,
+ Unto this wood I came
+ As to a nest;
+ Dreaming that sylvan peace
+ Offered the harrowed ease—
+ Nature a soft release
+ From men’s unrest.
+
+ But, having entered in,
+ Great growths and small
+ Show them to men akin—
+ Combatants all!
+ Sycamore shoulders oak,
+ Bines the slim sapling yoke,
+ Ivy-spun halters choke
+ Elms stout and tall.
+
+ Touches from ash, O wych,
+ Sting you like scorn!
+ You, too, brave hollies, twitch
+ Sidelong from thorn.
+ Even the rank poplars bear
+ Illy a rival’s air,
+ Cankering in black despair
+ If overborne.
+
+ Since, then, no grace I find
+ Taught me of trees,
+ Turn I back to my kind,
+ Worthy as these.
+ There at least smiles abound,
+ There discourse trills around,
+ There, now and then, are found
+ Life-loyalties.
+
+1887: 1896.
+
+
+
+
+TO A LADY
+OFFENDED BY A BOOK OF THE WRITER’S
+
+
+ NOW that my page upcloses, doomed, maybe,
+ Never to press thy cosy cushions more,
+ Or wake thy ready Yeas as heretofore,
+ Or stir thy gentle vows of faith in me:
+
+ Knowing thy natural receptivity,
+ I figure that, as flambeaux banish eve,
+ My sombre image, warped by insidious heave
+ Of those less forthright, must lose place in thee.
+
+ So be it. I have borne such. Let thy dreams
+ Of me and mine diminish day by day,
+ And yield their space to shine of smugger things;
+ Till I shape to thee but in fitful gleams,
+ And then in far and feeble visitings,
+ And then surcease. Truth will be truth alway.
+
+
+
+
+TO AN ORPHAN CHILD
+A WHIMSEY
+
+
+ AH, child, thou art but half thy darling mother’s;
+ Hers couldst thou wholly be,
+ My light in thee would outglow all in others;
+ She would relive to me.
+ But niggard Nature’s trick of birth
+ Bars, lest she overjoy,
+ Renewal of the loved on earth
+ Save with alloy.
+
+ The Dame has no regard, alas, my maiden,
+ For love and loss like mine—
+ No sympathy with mind-sight memory-laden;
+ Only with fickle eyne.
+ To her mechanic artistry
+ My dreams are all unknown,
+ And why I wish that thou couldst be
+ But One’s alone!
+
+ [Picture: Sketch of broken key?]
+
+
+
+
+NATURE’S QUESTIONING
+
+
+ WHEN I look forth at dawning, pool,
+ Field, flock, and lonely tree,
+ All seem to gaze at me
+ Like chastened children sitting silent in a school;
+
+ Their faces dulled, constrained, and worn,
+ As though the master’s ways
+ Through the long teaching days
+ Their first terrestrial zest had chilled and overborne.
+
+ And on them stirs, in lippings mere
+ (As if once clear in call,
+ But now scarce breathed at all)—
+ “We wonder, ever wonder, why we find us here!
+
+ “Has some Vast Imbecility,
+ Mighty to build and blend,
+ But impotent to tend,
+ Framed us in jest, and left us now to hazardry?
+
+ “Or come we of an Automaton
+ Unconscious of our pains? . . .
+ Or are we live remains
+ Of Godhead dying downwards, brain and eye now gone?
+
+ “Or is it that some high Plan betides,
+ As yet not understood,
+ Of Evil stormed by Good,
+ We the Forlorn Hope over which Achievement strides?”
+
+ Thus things around. No answerer I . . .
+ Meanwhile the winds, and rains,
+ And Earth’s old glooms and pains
+ Are still the same, and gladdest Life Death neighbours nigh.
+
+
+
+
+THE IMPERCIPIENT
+(AT A CATHEDRAL SERVICE)
+
+
+ THAT from this bright believing band
+ An outcast I should be,
+ That faiths by which my comrades stand
+ Seem fantasies to me,
+ And mirage-mists their Shining Land,
+ Is a drear destiny.
+
+ Why thus my soul should be consigned
+ To infelicity,
+ Why always I must feel as blind
+ To sights my brethren see,
+ Why joys they’ve found I cannot find,
+ Abides a mystery.
+
+ Since heart of mine knows not that ease
+ Which they know; since it be
+ That He who breathes All’s Well to these
+ Breathes no All’s-Well to me,
+ My lack might move their sympathies
+ And Christian charity!
+
+ I am like a gazer who should mark
+ An inland company
+ Standing upfingered, with, “Hark! hark!
+ The glorious distant sea!”
+ And feel, “Alas, ’tis but yon dark
+ And wind-swept pine to me!”
+
+ Yet I would bear my shortcomings
+ With meet tranquillity,
+ But for the charge that blessed things
+ I’d liefer have unbe.
+ O, doth a bird deprived of wings
+ Go earth-bound wilfully!
+
+ * * * * *
+
+ Enough. As yet disquiet clings
+ About us. Rest shall we.
+
+ [Picture: Sketch of inside of church]
+
+
+
+
+AT AN INN
+
+
+ WHEN we as strangers sought
+ Their catering care,
+ Veiled smiles bespoke their thought
+ Of what we were.
+ They warmed as they opined
+ Us more than friends—
+ That we had all resigned
+ For love’s dear ends.
+
+ And that swift sympathy
+ With living love
+ Which quicks the world—maybe
+ The spheres above,
+ Made them our ministers,
+ Moved them to say,
+ “Ah, God, that bliss like theirs
+ Would flush our day!”
+
+ And we were left alone
+ As Love’s own pair;
+ Yet never the love-light shone
+ Between us there!
+ But that which chilled the breath
+ Of afternoon,
+ And palsied unto death
+ The pane-fly’s tune.
+
+ The kiss their zeal foretold,
+ And now deemed come,
+ Came not: within his hold
+ Love lingered-numb.
+ Why cast he on our port
+ A bloom not ours?
+ Why shaped us for his sport
+ In after-hours?
+
+ As we seemed we were not
+ That day afar,
+ And now we seem not what
+ We aching are.
+ O severing sea and land,
+ O laws of men,
+ Ere death, once let us stand
+ As we stood then!
+
+
+
+
+THE SLOW NATURE
+(AN INCIDENT OF FROOM VALLEY)
+
+
+ “THY husband—poor, poor Heart!—is dead—
+ Dead, out by Moreford Rise;
+ A bull escaped the barton-shed,
+ Gored him, and there he lies!”
+
+ —“Ha, ha—go away! ’Tis a tale, methink,
+ Thou joker Kit!” laughed she.
+ “I’ve known thee many a year, Kit Twink,
+ And ever hast thou fooled me!”
+
+ —“But, Mistress Damon—I can swear
+ Thy goodman John is dead!
+ And soon th’lt hear their feet who bear
+ His body to his bed.”
+
+ So unwontedly sad was the merry man’s face—
+ That face which had long deceived—
+ That she gazed and gazed; and then could trace
+ The truth there; and she believed.
+
+ She laid a hand on the dresser-ledge,
+ And scanned far Egdon-side;
+ And stood; and you heard the wind-swept sedge
+ And the rippling Froom; till she cried:
+
+ “O my chamber’s untidied, unmade my bed
+ Though the day has begun to wear!
+ ‘What a slovenly hussif!’ it will be said,
+ When they all go up my stair!”
+
+ She disappeared; and the joker stood
+ Depressed by his neighbour’s doom,
+ And amazed that a wife struck to widowhood
+ Thought first of her unkempt room.
+
+ But a fortnight thence she could take no food,
+ And she pined in a slow decay;
+ While Kit soon lost his mournful mood
+ And laughed in his ancient way.
+
+1894.
+
+
+
+
+IN A EWELEAZE NEAR WEATHERBURY
+
+
+ THE years have gathered grayly
+ Since I danced upon this leaze
+ With one who kindled gaily
+ Love’s fitful ecstasies!
+ But despite the term as teacher,
+ I remain what I was then
+ In each essential feature
+ Of the fantasies of men.
+
+ Yet I note the little chisel
+ Of never-napping Time,
+ Defacing ghast and grizzel
+ The blazon of my prime.
+ When at night he thinks me sleeping,
+ I feel him boring sly
+ Within my bones, and heaping
+ Quaintest pains for by-and-by.
+
+ Still, I’d go the world with Beauty,
+ I would laugh with her and sing,
+ I would shun divinest duty
+ To resume her worshipping.
+ But she’d scorn my brave endeavour,
+ She would not balm the breeze
+ By murmuring “Thine for ever!”
+ As she did upon this leaze.
+
+1890.
+
+ [Picture: Sketch of pair of glasses on sketch of landscape]
+
+
+
+
+ADDITIONS
+
+
+THE FIRE AT TRANTER SWEATLEY’S
+
+
+ THEY had long met o’ Zundays—her true love and she—
+ And at junketings, maypoles, and flings;
+ But she bode wi’ a thirtover uncle, and he
+ Swore by noon and by night that her goodman should be
+ Naibour Sweatley—a gaffer oft weak at the knee
+ From taking o’ sommat more cheerful than tea—
+ Who tranted, and moved people’s things.
+
+ She cried, “O pray pity me!” Nought would he hear;
+ Then with wild rainy eyes she obeyed.
+ She chid when her Love was for clinking off wi’ her.
+ The pa’son was told, as the season drew near
+ To throw over pu’pit the names of the peäir
+ As fitting one flesh to be made.
+
+ The wedding-day dawned and the morning drew on;
+ The couple stood bridegroom and bride;
+ The evening was passed, and when midnight had gone
+ The folks horned out, “God save the King,” and anon
+ The two home-along gloomily hied.
+
+ The lover Tim Tankens mourned heart-sick and drear
+ To be thus of his darling deprived:
+ He roamed in the dark ath’art field, mound, and mere,
+ And, a’most without knowing it, found himself near
+ The house of the tranter, and now of his Dear,
+ Where the lantern-light showed ’em arrived.
+
+ The bride sought her cham’er so calm and so pale
+ That a Northern had thought her resigned;
+ But to eyes that had seen her in tide-times of weal,
+ Like the white cloud o’ smoke, the red battle-field’s vail,
+ That look spak’ of havoc behind.
+
+ The bridegroom yet laitered a beaker to drain,
+ Then reeled to the linhay for more,
+ When the candle-snoff kindled some chaff from his grain—
+ Flames spread, and red vlankers, wi’ might and wi’ main,
+ And round beams, thatch, and chimley-tun roar.
+
+ Young Tim away yond, rafted up by the light,
+ Through brimble and underwood tears,
+ Till he comes to the orchet, when crooping thereright
+ In the lewth of a codlin-tree, bivering wi’ fright,
+ Wi’ on’y her night-rail to screen her from sight,
+ His lonesome young Barbree appears.
+
+ Her cwold little figure half-naked he views
+ Played about by the frolicsome breeze,
+ Her light-tripping totties, her ten little tooes,
+ All bare and besprinkled wi’ Fall’s chilly dews,
+ While her great gallied eyes, through her hair hanging loose,
+ Sheened as stars through a tardle o’ trees.
+
+ She eyed en; and, as when a weir-hatch is drawn,
+ Her tears, penned by terror afore,
+ With a rushing of sobs in a shower were strawn,
+ Till her power to pour ’em seemed wasted and gone
+ From the heft o’ misfortune she bore.
+
+ “O Tim, my _own_ Tim I must call ’ee—I will!
+ All the world ha’ turned round on me so!
+ Can you help her who loved ’ee, though acting so ill?
+ Can you pity her misery—feel for her still?
+ When worse than her body so quivering and chill
+ Is her heart in its winter o’ woe!
+
+ “I think I mid almost ha’ borne it,” she said,
+ “Had my griefs one by one come to hand;
+ But O, to be slave to thik husbird for bread,
+ And then, upon top o’ that, driven to wed,
+ And then, upon top o’ that, burnt out o’ bed,
+ Is more than my nater can stand!”
+
+ Tim’s soul like a lion ’ithin en outsprung—
+ (Tim had a great soul when his feelings were wrung)—
+ “Feel for ’ee, dear Barbree?” he cried;
+ And his warm working-jacket about her he flung,
+ Made a back, horsed her up, till behind him she clung
+ Like a chiel on a gipsy, her figure uphung
+ By the sleeves that around her he tied.
+
+ Over piggeries, and mixens, and apples, and hay,
+ They lumpered straight into the night;
+ And finding bylong where a halter-path lay,
+ At dawn reached Tim’s house, on’y seen on their way
+ By a naibour or two who were up wi’ the day;
+ But they gathered no clue to the sight.
+
+ Then tender Tim Tankens he searched here and there
+ For some garment to clothe her fair skin;
+ But though he had breeches and waistcoats to spare,
+ He had nothing quite seemly for Barbree to wear,
+ Who, half shrammed to death, stood and cried on a chair
+ At the caddle she found herself in.
+
+ There was one thing to do, and that one thing he did,
+ He lent her some clouts of his own,
+ And she took ’em perforce; and while in ’em she slid,
+ Tim turned to the winder, as modesty bid,
+ Thinking, “O that the picter my duty keeps hid
+ To the sight o’ my eyes mid be shown!”
+
+ In the tallet he stowed her; there huddied she lay,
+ Shortening sleeves, legs, and tails to her limbs;
+ But most o’ the time in a mortal bad way,
+ Well knowing that there’d be the divel to pay
+ If ’twere found that, instead o’ the elements’ prey,
+ She was living in lodgings at Tim’s.
+
+ “Where’s the tranter?” said men and boys; “where can er be?”
+ “Where’s the tranter?” said Barbree alone.
+ “Where on e’th is the tranter?” said everybod-y:
+ They sifted the dust of his perished roof-tree,
+ And all they could find was a bone.
+
+ Then the uncle cried, “Lord, pray have mercy on me!”
+ And in terror began to repent.
+ But before ’twas complete, and till sure she was free,
+ Barbree drew up her loft-ladder, tight turned her key—
+ Tim bringing up breakfast and dinner and tea—
+ Till the news of her hiding got vent.
+
+ Then followed the custom-kept rout, shout, and flare
+ Of a skimmington-ride through the naibourhood, ere
+ Folk had proof o’ wold Sweatley’s decay.
+ Whereupon decent people all stood in a stare,
+ Saying Tim and his lodger should risk it, and pair:
+ So he took her to church. An’ some laughing lads there
+ Cried to Tim, “After Sweatley!” She said, “I declare
+ I stand as a maiden to-day!”
+
+ _Written_ 1866; _printed_ 1875.
+
+
+
+HEIRESS AND ARCHITECT
+FOR A. W. B.
+
+
+ SHE sought the Studios, beckoning to her side
+ An arch-designer, for she planned to build.
+ He was of wise contrivance, deeply skilled
+ In every intervolve of high and wide—
+ Well fit to be her guide.
+
+ “Whatever it be,”
+ Responded he,
+ With cold, clear voice, and cold, clear view,
+ “In true accord with prudent fashionings
+ For such vicissitudes as living brings,
+ And thwarting not the law of stable things,
+ That will I do.”
+
+ “Shape me,” she said, “high halls with tracery
+ And open ogive-work, that scent and hue
+ Of buds, and travelling bees, may come in through,
+ The note of birds, and singings of the sea,
+ For these are much to me.”
+
+ “An idle whim!”
+ Broke forth from him
+ Whom nought could warm to gallantries:
+ “Cede all these buds and birds, the zephyr’s call,
+ And scents, and hues, and things that falter all,
+ And choose as best the close and surly wall,
+ For winters freeze.”
+
+ [Picture: Sketch of people carrying a large object up stairs]
+
+ “Then frame,” she cried, “wide fronts of crystal glass,
+ That I may show my laughter and my light—
+ Light like the sun’s by day, the stars’ by night—
+ Till rival heart-queens, envying, wail, ‘Alas,
+ Her glory!’ as they pass.”
+
+ “O maid misled!”
+ He sternly said,
+ Whose facile foresight pierced her dire;
+ “Where shall abide the soul when, sick of glee,
+ It shrinks, and hides, and prays no eye may see?
+ Those house them best who house for secrecy,
+ For you will tire.”
+
+ “A little chamber, then, with swan and dove
+ Ranged thickly, and engrailed with rare device
+ Of reds and purples, for a Paradise
+ Wherein my Love may greet me, I my Love,
+ When he shall know thereof?”
+
+ “This, too, is ill,”
+ He answered still,
+ The man who swayed her like a shade.
+ “An hour will come when sight of such sweet nook
+ Would bring a bitterness too sharp to brook,
+ When brighter eyes have won away his look;
+ For you will fade.”
+
+ Then said she faintly: “O, contrive some way—
+ Some narrow winding turret, quite mine own,
+ To reach a loft where I may grieve alone!
+ It is a slight thing; hence do not, I pray,
+ This last dear fancy slay!”
+
+ “Such winding ways
+ Fit not your days,”
+ Said he, the man of measuring eye;
+ “I must even fashion as my rule declares,
+ To wit: Give space (since life ends unawares)
+ To hale a coffined corpse adown the stairs;
+ For you will die.”
+
+1867.
+
+
+
+THE TWO MEN
+
+
+ THERE were two youths of equal age,
+ Wit, station, strength, and parentage;
+ They studied at the selfsame schools,
+ And shaped their thoughts by common rules.
+
+ One pondered on the life of man,
+ His hopes, his ending, and began
+ To rate the Market’s sordid war
+ As something scarce worth living for.
+
+ “I’ll brace to higher aims,” said he,
+ “I’ll further Truth and Purity;
+ Thereby to mend the mortal lot
+ And sweeten sorrow. Thrive I not,
+
+ “Winning their hearts, my kind will give
+ Enough that I may lowly live,
+ And house my Love in some dim dell,
+ For pleasing them and theirs so well.”
+
+ Idly attired, with features wan,
+ In secret swift he laboured on:
+ Such press of power had brought much gold
+ Applied to things of meaner mould.
+
+ Sometimes he wished his aims had been
+ To gather gains like other men;
+ Then thanked his God he’d traced his track
+ Too far for wish to drag him back.
+
+ He lookèd from his loft one day
+ To where his slighted garden lay;
+ Nettles and hemlock hid each lawn,
+ And every flower was starved and gone.
+
+ He fainted in his heart, whereon
+ He rose, and sought his plighted one,
+ Resolved to loose her bond withal,
+ Lest she should perish in his fall.
+
+ He met her with a careless air,
+ As though he’d ceased to find her fair,
+ And said: “True love is dust to me;
+ I cannot kiss: I tire of thee!”
+
+ (That she might scorn him was he fain,
+ To put her sooner out of pain;
+ For incensed love breathes quick and dies,
+ When famished love a-lingering lies.)
+
+ Once done, his soul was so betossed,
+ It found no more the force it lost:
+ Hope was his only drink and food,
+ And hope extinct, decay ensued.
+
+ And, living long so closely penned,
+ He had not kept a single friend;
+ He dwindled thin as phantoms be,
+ And drooped to death in poverty . . .
+
+ Meantime his schoolmate had gone out
+ To join the fortune-finding rout;
+ He liked the winnings of the mart,
+ But wearied of the working part.
+
+ He turned to seek a privy lair,
+ Neglecting note of garb and hair,
+ And day by day reclined and thought
+ How he might live by doing nought.
+
+ “I plan a valued scheme,” he said
+ To some. “But lend me of your bread,
+ And when the vast result looms nigh,
+ In profit you shall stand as I.”
+
+ Yet they took counsel to restrain
+ Their kindness till they saw the gain;
+ And, since his substance now had run,
+ He rose to do what might be done.
+
+ He went unto his Love by night,
+ And said: “My Love, I faint in fight:
+ Deserving as thou dost a crown,
+ My cares shall never drag thee down.”
+
+ (He had descried a maid whose line
+ Would hand her on much corn and wine,
+ And held her far in worth above
+ One who could only pray and love.)
+
+ But this Fair read him; whence he failed
+ To do the deed so blithely hailed;
+ He saw his projects wholly marred,
+ And gloom and want oppressed him hard;
+
+ Till, living to so mean an end,
+ Whereby he’d lost his every friend,
+ He perished in a pauper sty,
+ His mate the dying pauper nigh.
+
+ And moralists, reflecting, said,
+ As “dust to dust” in burial read
+ Was echoed from each coffin-lid,
+ “These men were like in all they did.”
+
+1866.
+
+
+
+LINES
+
+
+_Spoken by Miss_ ADA REHAN _at the Lyceum Theatre_, _July_ 23, 1890, _at
+a performance on behalf of Lady Jeune’s Holiday Fund for City Children_.
+
+ BEFORE we part to alien thoughts and aims,
+ Permit the one brief word the occasion claims:
+ —When mumming and grave projects are allied,
+ Perhaps an Epilogue is justified.
+
+ Our under-purpose has, in truth, to-day
+ Commanded most our musings; least the play:
+ A purpose futile but for your good-will
+ Swiftly responsive to the cry of ill:
+ A purpose all too limited!—to aid
+ Frail human flowerets, sicklied by the shade,
+ In winning some short spell of upland breeze,
+ Or strengthening sunlight on the level leas.
+
+ Who has not marked, where the full cheek should be,
+ Incipient lines of lank flaccidity,
+ Lymphatic pallor where the pink should glow,
+ And where the throb of transport, pulses low?—
+ Most tragical of shapes from Pole to Line,
+ O wondering child, unwitting Time’s design,
+ Why should Art add to Nature’s quandary,
+ And worsen ill by thus immuring thee?
+ —That races do despite unto their own,
+ That Might supernal do indeed condone
+ Wrongs individual for the general ease,
+ Instance the proof in victims such as these.
+
+ Launched into thoroughfares too thronged before,
+ Mothered by those whose protest is “No more!”
+ Vitalized without option: who shall say
+ That did Life hang on choosing—Yea or Nay—
+ They had not scorned it with such penalty,
+ And nothingness implored of Destiny?
+
+ And yet behind the horizon smile serene
+ The down, the cornland, and the stretching green—
+ Space—the child’s heaven: scenes which at least ensure
+ Some palliative for ill they cannot cure.
+
+ Dear friends—now moved by this poor show of ours
+ To make your own long joy in buds and bowers
+ For one brief while the joy of infant eyes,
+ Changing their urban murk to paradise—
+ You have our thanks!—may your reward include
+ More than our thanks, far more: their gratitude.
+
+
+
+“I LOOK INTO MY GLASS”
+
+
+ I LOOK into my glass,
+ And view my wasting skin,
+ And say, “Would God it came to pass
+ My heart had shrunk as thin!”
+
+ For then, I, undistrest
+ By hearts grown cold to me,
+ Could lonely wait my endless rest
+ With equanimity.
+
+ But Time, to make me grieve;
+ Part steals, lets part abide;
+ And shakes this fragile frame at eve
+ With throbbings of noontide.
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK WESSEX POEMS AND OTHER VERSES***
+
+
+******* This file should be named 3167-0.txt or 3167-0.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/3/1/6/3167
+
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/3167-0.zip b/3167-0.zip
new file mode 100644
index 0000000..f9615e2
--- /dev/null
+++ b/3167-0.zip
Binary files differ
diff --git a/3167-h.zip b/3167-h.zip
new file mode 100644
index 0000000..da96dea
--- /dev/null
+++ b/3167-h.zip
Binary files differ
diff --git a/3167-h/3167-h.htm b/3167-h/3167-h.htm
new file mode 100644
index 0000000..ddfcc9e
--- /dev/null
+++ b/3167-h/3167-h.htm
@@ -0,0 +1,4141 @@
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" />
+<title>Wessex Poems and Other Verses, by Thomas Hardy</title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ P { margin-top: .75em;
+ margin-bottom: .75em;
+ }
+ P.gutsumm { margin-left: 5%;}
+ P.poetry {margin-left: 3%; }
+ .GutSmall { font-size: 0.7em; }
+ H1, H2 {
+ text-align: center;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ }
+ H3, H4, H5 {
+ text-align: center;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ }
+ BODY{margin-left: 10%;
+ margin-right: 10%;
+ }
+ table { border-collapse: collapse; }
+table {margin-left:auto; margin-right:auto;}
+ td { vertical-align: top; border: 1px solid black;}
+ td p { margin: 0.2em; }
+ .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */
+
+ .smcap {font-variant: small-caps;}
+
+ .pagenum {position: absolute;
+ left: 92%;
+ font-size: small;
+ text-align: right;
+ font-weight: normal;
+ color: gray;
+ }
+ img { border: none; }
+ img.dc { float: left; width: 50px; height: 50px; }
+ p.gutindent { margin-left: 2em; }
+ div.gapspace { height: 0.8em; }
+ div.gapline { height: 0.8em; width: 100%; border-top: 1px solid;}
+ div.gapmediumline { height: 0.3em; width: 40%; margin-left:30%;
+ border-top: 1px solid; }
+ div.gapmediumdoubleline { height: 0.3em; width: 40%; margin-left:30%;
+ border-top: 1px solid; border-bottom: 1px solid;}
+ div.gapshortdoubleline { height: 0.3em; width: 20%;
+ margin-left: 40%; border-top: 1px solid;
+ border-bottom: 1px solid; }
+ div.gapdoubleline { height: 0.3em; width: 50%;
+ margin-left: 25%; border-top: 1px solid;
+ border-bottom: 1px solid;}
+ div.gapshortline { height: 0.3em; width: 20%; margin-left:40%;
+ border-top: 1px solid; }
+ .citation {vertical-align: super;
+ font-size: .8em;
+ text-decoration: none;}
+ img.floatleft { float: left;
+ margin-right: 1em;
+ margin-top: 0.5em; margin-bottom: 0.5em; }
+ img.floatright { float: right;
+ margin-left: 1em; margin-top: 0.5em;
+ margin-bottom: 0.5em; }
+ img.clearcenter {display: block;
+ margin-left: auto;
+ margin-right: auto; margin-top: 0.5em;
+ margin-bottom: 0.5em}
+ -->
+ /* XML end ]]>*/
+ </style>
+</head>
+<body>
+<pre>
+
+The Project Gutenberg eBook, Wessex Poems and Other Verses, by Thomas
+Hardy, Illustrated by Thomas Hardy
+
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+
+
+
+Title: Wessex Poems and Other Verses
+
+
+Author: Thomas Hardy
+
+
+
+Release Date: January 30, 2015 [eBook #3167]
+[This file was first posted on January 30, 2001]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK WESSEX POEMS AND OTHER VERSES***
+</pre>
+<p>Transcribed from the 1919 Macmillan and Co. &ldquo;Wessex
+Poems and Other Verses; Poems of the Past and the Present&rdquo;
+edition by David Price, email ccx074@pglaf.org</p>
+<h1>WESSEX POEMS AND<br />
+<span class="GutSmall">OTHER VERSES</span></h1>
+
+<div class="gapmediumline">&nbsp;</div>
+<p style="text-align: center"><span class="GutSmall">BY</span><br
+/>
+THOMAS HARDY</p>
+
+<div class="gapmediumline">&nbsp;</div>
+
+<div class="gapspace">&nbsp;</div>
+
+<div class="gapmediumline">&nbsp;</div>
+<p style="text-align: center">MACMILLAN AND CO., LIMITED<br />
+ST. MARTIN&rsquo;S STREET, LONDON<br />
+1919</p>
+
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center"><a name="pageiv"></a><span
+class="pagenum">p. iv</span><span
+class="GutSmall">COPYRIGHT</span></p>
+<p style="text-align: center">&ldquo;<i>Wessex Poems</i>&rdquo;:
+<i>First Edition</i>, <i>Crown</i> 8vo, 1898.&nbsp; <i>New
+Edition</i> 1903.<br />
+<i>First Pocket Edition June</i> 1907.&nbsp; <i>Reprinted
+January</i> 1909, 1913</p>
+<p style="text-align: center">&ldquo;<i>Poems</i>, <i>Past and
+Present</i>&rdquo;: <i>First edition</i> 1901 (dated 1902)<br />
+<i>Second Edition</i> 1903.&nbsp; <i>First Pocket Edition
+June</i> 1907<br />
+<i>Reprinted January</i> 1908, 1913, 1918, 1919</p>
+
+<div class="gapspace">&nbsp;</div>
+<h2><a name="pagev"></a><span class="pagenum">p. v</span>PREFACE
+TO WESSEX POEMS</h2>
+<p><span class="smcap">Of</span> the miscellaneous collection of
+verse that follows, only four pieces have been published, though
+many were written long ago, and other partly written.&nbsp; In
+some few cases the verses were turned into prose and printed as
+such, it having been unanticipated at that time that they might
+see the light.</p>
+<p>Whenever an ancient and legitimate word of the district, for
+which there was no equivalent in received English, suggested
+itself as the most natural, nearest, and often only expression of
+a thought, it has been made use of, on what seemed good
+grounds.</p>
+<p><a name="pagevi"></a><span class="pagenum">p. vi</span>The
+pieces are in a large degree dramatic or personative in
+conception; and this even where they are not obviously so.</p>
+<p>The dates attached to some of the poems do not apply to the
+rough sketches given in illustration, which have been recently
+made, and, as may be surmised, are inserted for personal and
+local reasons rather than for their intrinsic qualities.</p>
+<p style="text-align: right">T. H.</p>
+<p><i>September</i> 1898.</p>
+<h2><a name="pageix"></a><span class="pagenum">p.
+ix</span>CONTENTS</h2>
+<table>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p style="text-align: right"><span
+class="GutSmall">PAGE</span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Temporary the All</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page1">1</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Amabel</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page4">4</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Hap</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page7">7</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&ldquo;<span class="smcap">In Vision I
+Roamed</span>&rdquo;</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page9">9</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">At a Bridal</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page11">11</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Postponement</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page13">13</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">A Confession to a Friend in
+Trouble</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page15">15</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Neutral Tones</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page17">17</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">She</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page19">19</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Her Initials</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page21">21</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Her Dilemma</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page23">23</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Revulsion</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page27">27</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">She, To Him</span>, I.</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page31">31</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;&nbsp;&nbsp;,,&nbsp;&nbsp;&nbsp;&nbsp;
+,,&nbsp;&nbsp; II.</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page33">33</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;&nbsp;&nbsp;,,&nbsp;&nbsp;&nbsp;&nbsp;
+,,&nbsp;&nbsp; III.</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page35">35</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&nbsp;&nbsp;&nbsp;,,&nbsp;&nbsp;&nbsp;&nbsp;
+,,&nbsp;&nbsp; IV.</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page37">37</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Ditty</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page39">39</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Sergeant&rsquo;s Song</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page43">43</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Valenciennes</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page45">45</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">San Sebastian</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page51">51</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Stranger&rsquo;s Song</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page59">59</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><a name="pagex"></a><span class="pagenum">p. x</span><span
+class="smcap">The Burghers</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page61">61</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Leipzig</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page67">67</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Peasant&rsquo;s
+Confession</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page79">79</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Alarm</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page91">91</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Her Death and After</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page103">103</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Dance at the
+Ph&oelig;nix</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page115">115</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Casterbridge Captains</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page125">125</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">A Sign-Seeker</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page129">129</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">My Cicely</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page133">133</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Her Immortality</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page143">143</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Ivy-Wife</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page147">147</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">A Meeting with Despair</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page149">149</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Unknowing</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page153">153</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Friends Beyond</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page155">155</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">To Outer Nature</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page159">159</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Thoughts of Phena</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page163">163</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Middle-Age Enthusiasms</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page167">167</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">In a Wood</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page169">169</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">To a Lady</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page173">173</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">To an Orphan Child</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page175">175</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Nature&rsquo;s Questioning</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page177">177</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Impercipient</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page181">181</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">At an Inn</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page187">187</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Slow Nature</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page191">191</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">In a Eweleaze near
+Weatherbury</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page195">195</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Fire at Tranter
+Sweatley&rsquo;s</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page201">201</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Heiress and Architect</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page211">211</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Two Men</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page217">217</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Lines</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page223">223</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>&ldquo;<span class="smcap">I Look into my
+Glass</span>&rdquo;</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page227">227</a></span></p>
+</td>
+</tr>
+</table>
+<p style="text-align: center"><a name="page1"></a><span
+class="pagenum">p. 1</span>
+<a href="images/p1b.jpg">
+<img alt=
+"Sketch of tower with sun-dial"
+title=
+"Sketch of tower with sun-dial"
+ src="images/p1s.jpg" />
+</a></p>
+<h2>THE TEMPORARY THE ALL</h2>
+<p class="poetry"><span class="smcap">Change</span> and
+chancefulness in my flowering youthtime,<br />
+Set me sun by sun near to one unchosen;<br />
+Wrought us fellow-like, and despite divergence,<br />
+&nbsp;&nbsp; Friends interlinked us.</p>
+<p class="poetry"><a name="page2"></a><span class="pagenum">p.
+2</span>&ldquo;Cherish him can I while the true one
+forthcome&mdash;<br />
+Come the rich fulfiller of my prevision;<br />
+Life is roomy yet, and the odds unbounded.&rdquo;<br />
+&nbsp;&nbsp; So self-communed I.</p>
+<p class="poetry">Thwart my wistful way did a damsel saunter,<br
+/>
+Fair, the while unformed to be all-eclipsing;<br />
+&ldquo;Maiden meet,&rdquo; held I, &ldquo;till arise my
+forefelt<br />
+&nbsp;&nbsp; Wonder of women.&rdquo;</p>
+<p class="poetry">Long a visioned hermitage deep desiring,<br />
+Tenements uncouth I was fain to house in;<br />
+&ldquo;Let such lodging be for a breath-while,&rdquo; thought
+I,<br />
+&nbsp;&nbsp; &ldquo;Soon a more seemly.</p>
+<p class="poetry">&ldquo;Then, high handiwork will I make my
+life-deed,<br />
+Truth and Light outshow; but the ripe time pending,<br />
+Intermissive aim at the thing sufficeth.&rdquo;<br />
+&nbsp;&nbsp; Thus I . . . But lo, me!</p>
+<p class="poetry"><a name="page3"></a><span class="pagenum">p.
+3</span>Mistress, friend, place, aims to be bettered
+straightway,<br />
+Bettered not has Fate or my hand&rsquo;s achieving;<br />
+Sole the showance those of my onward earth-track&mdash;<br />
+&nbsp;&nbsp; Never transcended!</p>
+<h2><a name="page4"></a><span class="pagenum">p.
+4</span>AMABEL</h2>
+<p class="poetry">I <span class="smcap">marked</span> her ruined
+hues,<br />
+Her custom-straitened views,<br />
+And asked, &ldquo;Can there indwell<br />
+&nbsp;&nbsp; My Amabel?&rdquo;</p>
+<p class="poetry">I looked upon her gown,<br />
+Once rose, now earthen brown;<br />
+The change was like the knell<br />
+&nbsp;&nbsp; Of Amabel.</p>
+<p class="poetry"><a name="page5"></a><span class="pagenum">p.
+5</span>Her step&rsquo;s mechanic ways<br />
+Had lost the life of May&rsquo;s;<br />
+Her laugh, once sweet in swell,<br />
+&nbsp;&nbsp; Spoilt Amabel.</p>
+<p class="poetry">I mused: &ldquo;Who sings the strain<br />
+I sang ere warmth did wane?<br />
+Who thinks its numbers spell<br />
+&nbsp;&nbsp; His Amabel?&rdquo;&mdash;</p>
+<p class="poetry">Knowing that, though Love cease,<br />
+Love&rsquo;s race shows undecrease;<br />
+All find in dorp or dell<br />
+&nbsp;&nbsp; An Amabel.</p>
+<p class="poetry">&mdash;I felt that I could creep<br />
+To some housetop, and weep,<br />
+That Time the tyrant fell<br />
+&nbsp;&nbsp; Ruled Amabel!</p>
+<p class="poetry">I said (the while I sighed<br />
+That love like ours had died),<br />
+&ldquo;Fond things I&rsquo;ll no more tell<br />
+&nbsp;&nbsp; To Amabel,</p>
+<p class="poetry"><a name="page6"></a><span class="pagenum">p.
+6</span>&ldquo;But leave her to her fate,<br />
+And fling across the gate,<br />
+&lsquo;Till the Last Trump, farewell,<br />
+&nbsp;&nbsp; O Amabel!&rsquo;&rdquo;</p>
+<p>1865.</p>
+<p style="text-align: center">
+<a href="images/p6b.jpg">
+<img alt=
+"Sketch of hour-glass"
+title=
+"Sketch of hour-glass"
+ src="images/p6s.jpg" />
+</a></p>
+<h2><a name="page7"></a><span class="pagenum">p. 7</span>HAP</h2>
+<p class="poetry"><span class="smcap">If</span> but some vengeful
+god would call to me <br />
+From up the sky, and laugh: &ldquo;Thou suffering thing,<br />
+Know that thy sorrow is my ecstasy,<br />
+That thy love&rsquo;s loss is my hate&rsquo;s
+profiting!&rdquo;</p>
+<p class="poetry">Then would I bear, and clench myself, and
+die,<br />
+Steeled by the sense of ire unmerited;<br />
+Half-eased in that a Powerfuller than I<br />
+Had willed and meted me the tears I shed.</p>
+<p class="poetry"><a name="page8"></a><span class="pagenum">p.
+8</span>But not so.&nbsp; How arrives it joy lies slain,<br />
+And why unblooms the best hope ever sown?<br />
+&mdash;Crass Casualty obstructs the sun and rain,<br />
+And dicing Time for gladness casts a moan . . .<br />
+These purblind Doomsters had as readily strown<br />
+Blisses about my pilgrimage as pain.</p>
+<p>1866.</p>
+<h2><a name="page9"></a><span class="pagenum">p.
+9</span>&ldquo;IN VISION I ROAMED&rdquo;<br />
+<span class="GutSmall">TO &mdash;</span></h2>
+<p class="poetry"><span class="smcap">In</span> vision I roamed
+the flashing Firmament,<br />
+So fierce in blazon that the Night waxed wan,<br />
+As though with an awed sense of such ostent;<br />
+And as I thought my spirit ranged on and on</p>
+<p class="poetry">In footless traverse through ghast heights of
+sky,<br />
+To the last chambers of the monstrous Dome,<br />
+Where stars the brightest here to darkness die:<br />
+Then, any spot on our own Earth seemed Home!</p>
+<p class="poetry"><a name="page10"></a><span class="pagenum">p.
+10</span>And the sick grief that you were far away<br />
+Grew pleasant thankfulness that you were near?<br />
+Who might have been, set on some outstep sphere,<br />
+Less than a Want to me, as day by day<br />
+I lived unware, uncaring all that lay<br />
+Locked in that Universe taciturn and drear.</p>
+<p>1866.</p>
+<h2><a name="page11"></a><span class="pagenum">p. 11</span>AT A
+BRIDAL<br />
+<span class="GutSmall">TO &mdash;</span></h2>
+<p class="poetry"><span class="smcap">When</span> you paced
+forth, to wait maternity,<br />
+A dream of other offspring held my mind,<br />
+Compounded of us twain as Love designed;<br />
+Rare forms, that corporate now will never be!</p>
+<p class="poetry">Should I, too, wed as slave to Mode&rsquo;s
+decree,<br />
+And each thus found apart, of false desire,<br />
+A stolid line, whom no high aims will fire<br />
+As had fired ours could ever have mingled we;</p>
+<p class="poetry"><a name="page12"></a><span class="pagenum">p.
+12</span>And, grieved that lives so matched should
+mis-compose,<br />
+Each mourn the double waste; and question dare<br />
+To the Great Dame whence incarnation flows.<br />
+Why those high-purposed children never were:<br />
+What will she answer?&nbsp; That she does not care<br />
+If the race all such sovereign types unknows.</p>
+<p>1866.</p>
+<h2><a name="page13"></a><span class="pagenum">p.
+13</span>POSTPONEMENT</h2>
+<p class="poetry"><span class="smcap">Snow-bound</span> in
+woodland, a mournful word,<br />
+Dropt now and then from the bill of a bird,<br />
+Reached me on wind-wafts; and thus I heard,<br />
+&nbsp;&nbsp; Wearily waiting:&mdash;</p>
+<p class="poetry">&ldquo;I planned her a nest in a leafless
+tree,<br />
+But the passers eyed and twitted me,<br />
+And said: &lsquo;How reckless a bird is he,<br />
+&nbsp;&nbsp; Cheerily mating!&rsquo;</p>
+<p class="poetry"><a name="page14"></a><span class="pagenum">p.
+14</span>&ldquo;Fear-filled, I stayed me till summer-tide,<br />
+In lewth of leaves to throne her bride;<br />
+But alas! her love for me waned and died,<br />
+&nbsp;&nbsp; Wearily waiting.</p>
+<p class="poetry">&ldquo;Ah, had I been like some I see,<br />
+Born to an evergreen nesting-tree,<br />
+None had eyed and twitted me,<br />
+&nbsp;&nbsp; Cheerily mating!&rdquo;</p>
+<p>1866.</p>
+<h2><a name="page15"></a><span class="pagenum">p. 15</span>A
+CONFESSION TO A FRIEND IN TROUBLE</h2>
+<p class="poetry"><span class="smcap">Your</span> troubles shrink
+not, though I feel them less<br />
+Here, far away, than when I tarried near;<br />
+I even smile old smiles&mdash;with listlessness&mdash;<br />
+Yet smiles they are, not ghastly mockeries mere.</p>
+<p class="poetry">A thought too strange to house within my
+brain<br />
+Haunting its outer precincts I discern:<br />
+&mdash;<i>That I will not show zeal again to learn</i><br />
+<i>Your griefs</i>, <i>and sharing them</i>, <i>renew my pain</i>
+. . .</p>
+<p class="poetry"><a name="page16"></a><span class="pagenum">p.
+16</span>It goes, like murky bird or buccaneer<br />
+That shapes its lawless figure on the main,<br />
+And each new impulse tends to make outflee<br />
+The unseemly instinct that had lodgment here;<br />
+Yet, comrade old, can bitterer knowledge be<br />
+Than that, though banned, such instinct was in me!</p>
+<p>1866.</p>
+<h2><a name="page17"></a><span class="pagenum">p.
+17</span>NEUTRAL TONES</h2>
+<p class="poetry"><span class="smcap">We</span> stood by a pond
+that winter day,<br />
+And the sun was white, as though chidden of God,<br />
+And a few leaves lay on the starving sod,<br />
+&nbsp;&nbsp; &mdash;They had fallen from an ash, and were
+gray.</p>
+<p class="poetry">Your eyes on me were as eyes that rove<br />
+Over tedious riddles solved years ago;<br />
+And some words played between us to and fro&mdash;<br />
+&nbsp;&nbsp; On which lost the more by our love.</p>
+<p class="poetry"><a name="page18"></a><span class="pagenum">p.
+18</span>The smile on your mouth was the deadest thing<br />
+Alive enough to have strength to die;<br />
+And a grin of bitterness swept thereby<br />
+&nbsp;&nbsp; Like an ominous bird a-wing . . .</p>
+<p class="poetry">Since then, keen lessons that love deceives,<br
+/>
+And wrings with wrong, have shaped to me<br />
+Your face, and the God-curst sun, and a tree,<br />
+&nbsp;&nbsp; And a pond edged with grayish leaves.</p>
+<p>1867.</p>
+<p style="text-align: center"><a name="page19"></a><span
+class="pagenum">p. 19</span>
+<a href="images/p19b.jpg">
+<img alt=
+"Sketch of church with person outside wall"
+title=
+"Sketch of church with person outside wall"
+ src="images/p19s.jpg" />
+</a></p>
+<h2>SHE<br />
+<span class="GutSmall">AT HIS FUNERAL</span></h2>
+<p class="poetry"><span class="smcap">They</span> bear him to his
+resting-place&mdash;<br />
+In slow procession sweeping by;<br />
+I follow at a stranger&rsquo;s space;<br />
+His kindred they, his sweetheart I.<br />
+Unchanged my gown of garish dye,<br />
+Though sable-sad is their attire;<br />
+But they stand round with griefless eye,<br />
+Whilst my regret consumes like fire!</p>
+<p>187&ndash;.</p>
+<p style="text-align: center"><a name="page21"></a><span
+class="pagenum">p. 21</span>
+<a href="images/p21b.jpg">
+<img alt=
+"Sketch of open book with two letters hand-written on left-hand
+page"
+title=
+"Sketch of open book with two letters hand-written on left-hand
+page"
+ src="images/p21s.jpg" />
+</a></p>
+<h2>HER INITIALS</h2>
+<p class="poetry"><span class="smcap">Upon</span> a poet&rsquo;s
+page I wrote<br />
+Of old two letters of her name;<br />
+Part seemed she of the effulgent thought<br />
+Whence that high singer&rsquo;s rapture came.<br />
+&mdash;When now I turn the leaf the same<br />
+Immortal light illumes the lay,<br />
+But from the letters of her name<br />
+The radiance has died away!</p>
+<p>1869.</p>
+<h2><a name="page23"></a><span class="pagenum">p. 23</span>HER
+DILEMMA<br />
+(IN &mdash; CHURCH)</h2>
+<p class="poetry"><span class="smcap">The</span> two were silent
+in a sunless church,<br />
+Whose mildewed walls, uneven paving-stones,<br />
+And wasted carvings passed antique research;<br />
+And nothing broke the clock&rsquo;s dull monotones.</p>
+<p class="poetry">Leaning against a wormy poppy-head,<br />
+So wan and worn that he could scarcely stand,<br />
+<a name="page24"></a><span class="pagenum">p. 24</span>&mdash;For
+he was soon to die,&mdash;he softly said,<br />
+&ldquo;Tell me you love me!&rdquo;&mdash;holding hard her
+hand.</p>
+<p class="poetry">She would have given a world to breathe
+&ldquo;yes&rdquo; truly,<br />
+So much his life seemed handing on her mind,<br />
+And hence she lied, her heart persuaded throughly<br />
+&rsquo;Twas worth her soul to be a moment kind.</p>
+<p class="poetry">But the sad need thereof, his nearing death,<br
+/>
+So mocked humanity that she shamed to prize<br />
+A world conditioned thus, or care for breath<br />
+Where Nature such dilemmas could devise.</p>
+<p>1866.</p>
+<p style="text-align: center">
+<a href="images/p25b.jpg">
+<img alt=
+"Sketch of two people in a church"
+title=
+"Sketch of two people in a church"
+ src="images/p25s.jpg" />
+</a></p>
+<h2><a name="page27"></a><span class="pagenum">p.
+27</span>REVULSION</h2>
+<p class="poetry"><span class="smcap">Though</span> I waste
+watches framing words to fetter <br />
+Some spirit to mine own in clasp and kiss,<br />
+Out of the night there looms a sense &rsquo;twere better<br />
+To fail obtaining whom one fails to miss.</p>
+<p class="poetry">For winning love we win the risk of losing,<br
+/>
+And losing love is as one&rsquo;s life were riven;<br />
+It cuts like contumely and keen ill-using<br />
+To cede what was superfluously given.</p>
+<p class="poetry"><a name="page28"></a><span class="pagenum">p.
+28</span>Let me then feel no more the fateful thrilling<br />
+That devastates the love-worn wooer&rsquo;s frame,<br />
+The hot ado of fevered hopes, the chilling<br />
+That agonizes disappointed aim!<br />
+So may I live no junctive law fulfilling,<br />
+And my heart&rsquo;s table bear no woman&rsquo;s name.</p>
+<p>1866.</p>
+<p style="text-align: center">
+<a href="images/p30b.jpg">
+<img alt=
+"Sketch of person walking long path to building on hill"
+title=
+"Sketch of person walking long path to building on hill"
+ src="images/p30s.jpg" />
+</a></p>
+<h2><a name="page31"></a><span class="pagenum">p. 31</span>SHE,
+TO HIM<br />
+I</h2>
+<p class="poetry"><span class="smcap">When</span> you shall see
+me in the toils of Time,<br />
+My lauded beauties carried off from me,<br />
+My eyes no longer stars as in their prime,<br />
+My name forgot of Maiden Fair and Free;</p>
+<p class="poetry">When in your being heart concedes to mind,<br
+/>
+And judgment, though you scarce its process know,<br />
+Recalls the excellencies I once enshrined,<br />
+And you are irked that they have withered so:</p>
+<p class="poetry"><a name="page32"></a><span class="pagenum">p.
+32</span>Remembering that with me lies not the blame,<br />
+That Sportsman Time but rears his brood to kill,<br />
+Knowing me in my soul the very same&mdash;<br />
+One who would die to spare you touch of ill!&mdash;<br />
+Will you not grant to old affection&rsquo;s claim<br />
+The hand of friendship down Life&rsquo;s sunless hill?</p>
+<p>1866.</p>
+<h2><a name="page33"></a><span class="pagenum">p. 33</span>SHE,
+TO HIM<br />
+II</h2>
+<p class="poetry"><span class="smcap">Perhaps</span>, long hence,
+when I have passed away,<br />
+Some other&rsquo;s feature, accent, thought like mine,<br />
+Will carry you back to what I used to say,<br />
+And bring some memory of your love&rsquo;s decline.</p>
+<p class="poetry">Then you may pause awhile and think,
+&ldquo;Poor jade!&rdquo;<br />
+And yield a sigh to me&mdash;as ample due,<br />
+Not as the tittle of a debt unpaid<br />
+To one who could resign her all to you&mdash;</p>
+<p class="poetry"><a name="page34"></a><span class="pagenum">p.
+34</span>And thus reflecting, you will never see<br />
+That your thin thought, in two small words conveyed,<br />
+Was no such fleeting phantom-thought to me,<br />
+But the Whole Life wherein my part was played;<br />
+And you amid its fitful masquerade<br />
+A Thought&mdash;as I in yours but seem to be.</p>
+<p>1866.</p>
+<h2><a name="page35"></a><span class="pagenum">p. 35</span>SHE,
+TO HIM<br />
+III</h2>
+<p class="poetry">I <span class="smcap">will</span> be faithful
+to thee; aye, I will!<br />
+And Death shall choose me with a wondering eye <br />
+That he did not discern and domicile<br />
+One his by right ever since that last Good-bye!</p>
+<p class="poetry">I have no care for friends, or kin, or prime<br
+/>
+Of manhood who deal gently with me here;<br />
+Amid the happy people of my time<br />
+Who work their love&rsquo;s fulfilment, I appear</p>
+<p class="poetry"><a name="page36"></a><span class="pagenum">p.
+36</span>Numb as a vane that cankers on its point,<br />
+True to the wind that kissed ere canker came;<br />
+Despised by souls of Now, who would disjoint<br />
+The mind from memory, and make Life all aim,</p>
+<p class="poetry">My old dexterities of hue quite gone,<br />
+And nothing left for Love to look upon.</p>
+<p>1866.</p>
+<h2><a name="page37"></a><span class="pagenum">p. 37</span>SHE,
+TO HIM<br />
+IV</h2>
+<p class="poetry">This love puts all humanity from me;<br />
+I can but maledict her, pray her dead,<br />
+For giving love and getting love of thee&mdash;<br />
+Feeding a heart that else mine own had fed!</p>
+<p class="poetry">How much I love I know not, life not known,<br
+/>
+Save as some unit I would add love by;<br />
+But this I know, my being is but thine own&mdash;<br />
+Fused from its separateness by ecstasy.</p>
+<p class="poetry"><a name="page38"></a><span class="pagenum">p.
+38</span>And thus I grasp thy amplitudes, of her<br />
+Ungrasped, though helped by nigh-regarding eyes;<br />
+Canst thou then hate me as an envier<br />
+Who see unrecked what I so dearly prize?<br />
+Believe me, Lost One, Love is lovelier<br />
+The more it shapes its moan in selfish-wise.</p>
+<p>1866.</p>
+<h2><a name="page39"></a><span class="pagenum">p.
+39</span>DITTY<br />
+<span class="GutSmall">(E. L G.)</span></h2>
+<p class="poetry"><span class="smcap">Beneath</span> a knap where
+flown<br />
+&nbsp;&nbsp; Nestlings play,<br />
+Within walls of weathered stone,<br />
+&nbsp;&nbsp; Far away<br />
+From the files of formal houses,<br />
+By the bough the firstling browses,<br />
+Lives a Sweet: no merchants meet,<br />
+No man barters, no man sells<br />
+&nbsp;&nbsp; Where she dwells.</p>
+<p class="poetry"><a name="page40"></a><span class="pagenum">p.
+40</span>Upon that fabric fair<br />
+&nbsp;&nbsp; &ldquo;Here is she!&rdquo;<br />
+Seems written everywhere<br />
+&nbsp;&nbsp; Unto me.<br />
+But to friends and nodding neighbours,<br />
+Fellow-wights in lot and labours,<br />
+Who descry the times as I,<br />
+No such lucid legend tells<br />
+&nbsp;&nbsp; Where she dwells.</p>
+<p class="poetry">Should I lapse to what I was<br />
+&nbsp;&nbsp; Ere we met;<br />
+(Such can not be, but because<br />
+&nbsp;&nbsp; Some forget<br />
+Let me feign it)&mdash;none would notice<br />
+That where she I know by rote is<br />
+Spread a strange and withering change,<br />
+Like a drying of the wells<br />
+&nbsp;&nbsp; Where she dwells.</p>
+<p class="poetry">To feel I might have kissed&mdash;<br />
+&nbsp;&nbsp; Loved as true&mdash;<br />
+Otherwhere, nor Mine have missed<br />
+&nbsp;&nbsp; My life through.<br />
+<a name="page41"></a><span class="pagenum">p. 41</span>Had I
+never wandered near her,<br />
+Is a smart severe&mdash;severer<br />
+In the thought that she is nought,<br />
+Even as I, beyond the dells<br />
+&nbsp;&nbsp; Where she dwells.</p>
+<p class="poetry">And Devotion droops her glance<br />
+&nbsp;&nbsp; To recall<br />
+What bond-servants of Chance<br />
+&nbsp;&nbsp; We are all.<br />
+I but found her in that, going<br />
+On my errant path unknowing,<br />
+I did not out-skirt the spot<br />
+That no spot on earth excels,<br />
+&nbsp;&nbsp; &mdash;Where she dwells!</p>
+<p>1870.</p>
+<p style="text-align: center"><a name="page43"></a><span
+class="pagenum">p. 43</span>
+<a href="images/p43b.jpg">
+<img alt=
+"Sketch of man in military dress"
+title=
+"Sketch of man in military dress"
+ src="images/p43s.jpg" />
+</a></p>
+<h2>THE SERGEANT&rsquo;S SONG<br />
+<span class="GutSmall">(1803)</span></h2>
+<p class="poetry"><span class="smcap">When</span> Lawyers strive
+to heal a breach,<br />
+And Parsons practise what they preach;<br />
+Then Little Boney he&rsquo;ll pounce down,<br />
+And march his men on London town!<br />
+&nbsp;&nbsp; Rollicum-rorum, tol-lol-lorum,<br />
+&nbsp;&nbsp; Rollicum-rorum, tol-lol-lay!</p>
+<p class="poetry">When Justices hold equal scales,<br />
+And Rogues are only found in jails;<br />
+<a name="page44"></a><span class="pagenum">p. 44</span>Then
+Little Boney he&rsquo;ll pounce down,<br />
+And march his men on London town!<br />
+&nbsp;&nbsp; Rollicum-rorum, &amp;c.</p>
+<p class="poetry">When Rich Men find their wealth a curse,<br />
+And fill therewith the Poor Man&rsquo;s purse;<br />
+Then Little Boney he&rsquo;ll pounce down,<br />
+And march his men on London town!<br />
+&nbsp;&nbsp; Rollicum-rorum, &amp;c.</p>
+<p class="poetry">When Husbands with their Wives agree,<br />
+And Maids won&rsquo;t wed from modesty;<br />
+Then Little Boney he&rsquo;ll pounce down,<br />
+And march his men on London town!<br />
+&nbsp;&nbsp; Rollicum-rorum, tol-tol-lorum,<br />
+&nbsp;&nbsp; Rollicum-rorum, tol-lol-lay!</p>
+<p>1878.</p>
+<p style="text-align: right"><i>Published in</i> &ldquo;<i>The
+Trumpet-Major</i>,&rdquo; 1880.</p>
+<p style="text-align: center"><a name="page45"></a><span
+class="pagenum">p. 45</span>
+<a href="images/p45b.jpg">
+<img alt=
+"Sketch of cannons overlooking a town"
+title=
+"Sketch of cannons overlooking a town"
+ src="images/p45s.jpg" />
+</a></p>
+<h2>VALENCIENNES<br />
+<span class="GutSmall">(1793)</span></h2>
+<p style="text-align: center"><span class="smcap">By Corp&rsquo;l
+Tullidge</span>: <i>see</i> &ldquo;<i>The
+Trumpet-Major</i>&rdquo;<br />
+<span class="smcap">In Memory of</span> S. C. (<span
+class="smcap">Pensioner</span>).&nbsp; <span
+class="smcap">Died</span> 184&ndash;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;<span class="smcap">We</span>
+trenched, we trumpeted and drummed,<br />
+And from our mortars tons of iron hummed<br />
+&nbsp;&nbsp; Ath&rsquo;art the ditch, the month we bombed<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Town o&rsquo;
+Valencie&euml;n.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;<a name="page46"></a><span
+class="pagenum">p. 46</span>&rsquo;Twas in the June o&rsquo;
+Ninety-dree<br />
+(The Duke o&rsquo; Yark our then Commander been)<br />
+&nbsp;&nbsp; The German Legion, Guards, and we<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Laid siege to Valencie&euml;n.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;This was the first time in
+the war<br />
+That French and English spilled each other&rsquo;s gore;<br />
+&nbsp;&nbsp; &mdash;Few dreamt how far would roll the roar<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Begun at Valencie&euml;n!</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&rsquo;Twas said that
+we&rsquo;d no business there<br />
+A-topper&egrave;n the French for disagre&euml;n;<br />
+&nbsp;&nbsp; However, that&rsquo;s not my affair&mdash;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; We were at Valencie&euml;n.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;Such snocks and slats, since
+war began<br />
+Never knew raw recruit or veteran:<br />
+&nbsp;&nbsp; Stone-deaf therence went many a man<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Who served at Valencie&euml;n.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;<a name="page47"></a><span
+class="pagenum">p. 47</span>Into the streets, ath&rsquo;art the
+sky,<br />
+A hundred thousand balls and bombs were fle&euml;n;<br />
+&nbsp;&nbsp; And harmless townsfolk fell to die<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Each hour at Valencie&euml;n!</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;And, sweat&egrave;n wi&rsquo;
+the bombardiers,<br />
+A shell was slent to shards anighst my ears:<br />
+&nbsp;&nbsp; &mdash;&rsquo;Twas nigh the end of hopes and
+fears<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; For me at Valencie&euml;n!</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;They bore my wownded frame to
+camp,<br />
+And shut my gap&egrave;n skull, and washed en cle&auml;n,<br />
+&nbsp;&nbsp; And jined en wi&rsquo; a zilver clamp<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Thik night at Valencie&euml;n.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&ldquo;We&rsquo;ve fetched en
+back to quick from dead;<br />
+But never more on earth while rose is red<br />
+&nbsp;&nbsp; Will drum rouse Corpel!&rdquo; Doctor said<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O&rsquo; me at
+Valencie&euml;n.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;<a name="page48"></a><span
+class="pagenum">p. 48</span>&rsquo;Twer true.&nbsp; No voice
+o&rsquo; friend or foe<br />
+Can reach me now, or any liv&egrave;n be&euml;n;<br />
+&nbsp;&nbsp; And little have I power to know<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Since then at Valencie&euml;n!</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;I never hear the zummer
+hums<br />
+O&rsquo; bees; and don&rsquo; know when the cuckoo comes;<br />
+&nbsp;&nbsp; But night and day I hear the bombs<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; We threw at Valencie&euml;n . .
+.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;As for the Duke o&rsquo; Yark
+in war,<br />
+There be some volk whose judgment o&rsquo; en is mean;<br />
+&nbsp;&nbsp; But this I say&mdash;a was not far<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; From great at Valencie&euml;n.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;O&rsquo; wild wet nights,
+when all seems sad,<br />
+My wownds come back, as though new wownds I&rsquo;d had;<br />
+&nbsp;&nbsp; But yet&mdash;at times I&rsquo;m sort o&rsquo;
+glad<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I fout at Valencie&euml;n.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;<a name="page49"></a><span
+class="pagenum">p. 49</span>Well: Heaven wi&rsquo; its jasper
+halls<br />
+Is now the on&rsquo;y Town I care to be in . . .<br />
+&nbsp;&nbsp; Good Lord, if Nick should bomb the walls<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; As we did Valencie&euml;n!</p>
+<p>1878&ndash;1897.</p>
+<h2><a name="page51"></a><span class="pagenum">p. 51</span>SAN
+SEBASTIAN<br />
+<span class="GutSmall">(August 1813)</span></h2>
+<p style="text-align: center"><span class="smcap">With Thoughts
+of Sergeant</span> M&mdash; (<span
+class="smcap">Pensioner</span>), <span class="smcap">who
+died</span> 185&ndash;.</p>
+<p class="poetry">&ldquo;<span class="smcap">Why</span>,
+Sergeant, stray on the Ivel Way,<br />
+As though at home there were spectres rife?<br />
+From first to last &rsquo;twas a proud career!<br />
+And your sunny years with a gracious wife<br />
+&nbsp;&nbsp; Have brought you a daughter dear.</p>
+<p class="poetry"><a name="page52"></a><span class="pagenum">p.
+52</span>&ldquo;I watched her to-day; a more comely maid,<br />
+As she danced in her muslin bowed with blue,<br />
+Round a Hintock maypole never gayed.&rdquo;<br />
+&mdash;&ldquo;Aye, aye; I watched her this day, too,<br />
+&nbsp;&nbsp; As it happens,&rdquo; the Sergeant said.</p>
+<p class="poetry">&ldquo;My daughter is now,&rdquo; he again
+began,<br />
+&ldquo;Of just such an age as one I knew<br />
+When we of the Line and Forlorn-hope van,<br />
+On an August morning&mdash;a chosen few&mdash;<br />
+&nbsp;&nbsp; Stormed San Sebastian.</p>
+<p class="poetry">&ldquo;She&rsquo;s a score less three; so about
+was <i>she</i>&mdash;<br />
+The maiden I wronged in Peninsular days . . .<br />
+You may prate of your prowess in lusty times,<br />
+But as years gnaw inward you blink your bays,<br />
+&nbsp;&nbsp; And see too well your crimes!</p>
+<p class="poetry">&ldquo;We&rsquo;d stormed it at night, by the
+vlanker-light<br />
+Of burning towers, and the mortar&rsquo;s boom:<br />
+We&rsquo;d topped the breach; but had failed to stay,<br />
+For our files were misled by the baffling gloom;<br />
+&nbsp;&nbsp; And we said we&rsquo;d storm by day.</p>
+<p style="text-align: center">
+<a href="images/p53b.jpg">
+<img alt=
+"Sketch of mountain"
+title=
+"Sketch of mountain"
+ src="images/p53s.jpg" />
+</a></p>
+<p class="poetry"><a name="page55"></a><span class="pagenum">p.
+55</span>&ldquo;So, out of the trenches, with features set,<br />
+On that hot, still morning, in measured pace,<br />
+Our column climbed; climbed higher yet,<br />
+Past the fauss&rsquo;bray, scarp, up the curtain-face,<br />
+&nbsp;&nbsp; And along the parapet.</p>
+<p class="poetry">&ldquo;From the battened hornwork the
+cannoneers<br />
+Hove crashing balls of iron fire;<br />
+On the shaking gap mount the volunteers<br />
+In files, and as they mount expire<br />
+&nbsp;&nbsp; Amid curses, groans, and cheers.</p>
+<p class="poetry">&ldquo;Five hours did we storm, five hours
+re-form,<br />
+As Death cooled those hot blood pricked on;<br />
+Till our cause was helped by a woe within:<br />
+They swayed from the summit we&rsquo;d leapt upon,<br />
+&nbsp;&nbsp; And madly we entered in.</p>
+<p class="poetry">&ldquo;On end for plunder, &rsquo;mid rain and
+thunder<br />
+That burst with the lull of our cannonade,<br />
+We vamped the streets in the stifling air&mdash;<br />
+Our hunger unsoothed, our thirst unstayed&mdash;<br />
+&nbsp;&nbsp; And ransacked the buildings there.</p>
+<p class="poetry"><a name="page56"></a><span class="pagenum">p.
+56</span>&ldquo;Down the stony steps of the house-fronts white<br
+/>
+We rolled rich puncheons of Spanish grape,<br />
+Till at length, with the fire of the wine alight,<br />
+I saw at a doorway a fair fresh shape&mdash;<br />
+&nbsp;&nbsp; A woman, a sylph, or sprite.</p>
+<p class="poetry">&ldquo;Afeard she fled, and with heated head<br
+/>
+I pursued to the chamber she called her own;<br />
+&mdash;When might is right no qualms deter,<br />
+And having her helpless and alone<br />
+&nbsp;&nbsp; I wreaked my will on her.</p>
+<p class="poetry">&ldquo;She raised her beseeching eyes to me,<br
+/>
+And I heard the words of prayer she sent<br />
+In her own soft language . . . Seemingly<br />
+I copied those eyes for my punishment<br />
+&nbsp;&nbsp; In begetting the girl you see!</p>
+<p class="poetry">&ldquo;So, to-day I stand with a God-set
+brand<br />
+Like Cain&rsquo;s, when he wandered from kindred&rsquo;s ken . .
+.<br />
+<a name="page57"></a><span class="pagenum">p. 57</span>I served
+through the war that made Europe free;<br />
+I wived me in peace-year.&nbsp; But, hid from men,<br />
+&nbsp;&nbsp; I bear that mark on me.</p>
+<p class="poetry">&ldquo;And I nightly stray on the Ivel Way<br
+/>
+As though at home there were spectres rife;<br />
+I delight me not in my proud career;<br />
+And &rsquo;tis coals of fire that a gracious wife<br />
+&nbsp;&nbsp; Should have brought me a daughter dear!&rdquo;</p>
+<h2><a name="page59"></a><span class="pagenum">p. 59</span>THE
+STRANGER&rsquo;S SONG</h2>
+<p style="text-align: center">(<i>As sung by</i> <span
+class="smcap">Mr</span>. <span class="smcap">Charles
+Charrington</span> <i>in the play of</i> &ldquo;<i>The Three
+Wayfarers</i>&rdquo;)</p>
+<p
+class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;O
+<span class="smcap">my</span> trade it is the rarest one,<br />
+Simple shepherds all&mdash;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My trade is a sight to see;<br />
+For my customers I tie, and take &rsquo;em up on high,<br />
+&nbsp;&nbsp; And waft &rsquo;em to a far countree!</p>
+<p class="poetry"><a name="page60"></a><span class="pagenum">p.
+60</span>My tools are but common ones,<br />
+
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Simple shepherds all&mdash;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My tools are no sight to see:<br
+/>
+A little hempen string, and a post whereon to swing,<br />
+&nbsp;&nbsp; Are implements enough for me!</p>
+<p class="poetry">To-morrow is my working day,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Simple shepherds
+all&mdash;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; To-morrow is a working day for
+me:<br />
+For the farmer&rsquo;s sheep is slain, and the lad who did it
+ta&rsquo;en,<br />
+&nbsp;&nbsp; And on his soul may God ha&rsquo; mer-cy!</p>
+<p style="text-align: right"><i>Printed in</i> &ldquo;<i>The
+Three Strangers</i>,&rdquo; 1883.</p>
+<p style="text-align: center"><a name="page61"></a><span
+class="pagenum">p. 61</span>
+<a href="images/p61b.jpg">
+<img alt=
+"Sketch of man in old street"
+title=
+"Sketch of man in old street"
+ src="images/p61s.jpg" />
+</a></p>
+<h2>THE BURGHERS<br />
+<span class="GutSmall">(17&ndash;)</span></h2>
+<p class="poetry"><span class="smcap">The</span> sun had wheeled
+from Grey&rsquo;s to Dammer&rsquo;s Crest,<br />
+And still I mused on that Thing imminent:<br />
+At length I sought the High-street to the West.</p>
+<p class="poetry"><a name="page62"></a><span class="pagenum">p.
+62</span>The level flare raked pane and pediment<br />
+And my wrecked face, and shaped my nearing friend<br />
+Like one of those the Furnace held unshent.</p>
+<p class="poetry">&ldquo;I&rsquo;ve news concerning her,&rdquo;
+he said.&nbsp; &ldquo;Attend.<br />
+They fly to-night at the late moon&rsquo;s first gleam:<br />
+Watch with thy steel: two righteous thrusts will end</p>
+<p class="poetry">Her shameless visions and his passioned
+dream.<br />
+I&rsquo;ll watch with thee, to testify thy wrong&mdash;<br />
+To aid, maybe.&mdash;Law consecrates the scheme.&rdquo;</p>
+<p class="poetry">I started, and we paced the flags along<br />
+Till I replied: &ldquo;Since it has come to this<br />
+I&rsquo;ll do it!&nbsp; But alone.&nbsp; I can be
+strong.&rdquo;</p>
+<p class="poetry">Three hours past Curfew, when the Froom&rsquo;s
+mild hiss<br />
+Reigned sole, undulled by whirr of merchandize,<br />
+From Pummery-Tout to where the Gibbet is,</p>
+<p class="poetry"><a name="page63"></a><span class="pagenum">p.
+63</span>I crossed my pleasaunce hard by Glyd&rsquo;path Rise,<br
+/>
+And stood beneath the wall.&nbsp; Eleven strokes went,<br />
+And to the door they came, contrariwise,</p>
+<p class="poetry">And met in clasp so close I had but bent<br />
+My lifted blade upon them to have let<br />
+Their two souls loose upon the firmament.</p>
+<p class="poetry">But something held my arm.&nbsp; &ldquo;A
+moment yet<br />
+As pray-time ere you wantons die!&rdquo; I said;<br />
+And then they saw me.&nbsp; Swift her gaze was set</p>
+<p class="poetry">With eye and cry of love illimited<br />
+Upon her Heart-king.&nbsp; Never upon me<br />
+Had she thrown look of love so thorough-sped! . . .</p>
+<p class="poetry">At once she flung her faint form shieldingly<br
+/>
+On his, against the vengeance of my vows;<br />
+The which o&rsquo;erruling, her shape shielded he.</p>
+<p class="poetry"><a name="page64"></a><span class="pagenum">p.
+64</span>Blanked by such love, I stood as in a drowse,<br />
+And the slow moon edged from the upland nigh,<br />
+My sad thoughts moving thuswise: &ldquo;I may house</p>
+<p class="poetry">And I may husband her, yet what am I<br />
+But licensed tyrant to this bonded pair?<br />
+Says Charity, Do as ye would be done by.&rdquo; . . .</p>
+<p class="poetry">Hurling my iron to the bushes there,<br />
+I bade them stay.&nbsp; And, as if brain and breast<br />
+Were passive, they walked with me to the stair.</p>
+<p class="poetry">Inside the house none watched; and on we
+prest<br />
+Before a mirror, in whose gleam I read<br />
+Her beauty, his,&mdash;and mine own mien unblest;</p>
+<p class="poetry"><a name="page65"></a><span class="pagenum">p.
+65</span>Till at her room I turned.&nbsp; &ldquo;Madam,&rdquo; I
+said,<br />
+&ldquo;Have you the wherewithal for this?&nbsp; Pray speak.<br />
+Love fills no cupboard.&nbsp; You&rsquo;ll need daily
+bread.&rdquo;</p>
+<p class="poetry">&ldquo;We&rsquo;ve nothing, sire,&rdquo; said
+she; &ldquo;and nothing seek.<br />
+&rsquo;Twere base in me to rob my lord unware;<br />
+Our hands will earn a pittance week by week.&rdquo;</p>
+<p class="poetry">And next I saw she&rsquo;d piled her raiment
+rare<br />
+Within the garde-robes, and her household purse,<br />
+Her jewels, and least lace of personal wear;</p>
+<p class="poetry">And stood in homespun.&nbsp; Now grown wholly
+hers,<br />
+I handed her the gold, her jewels all,<br />
+And him the choicest of her robes diverse.</p>
+<p class="poetry"><a name="page66"></a><span class="pagenum">p.
+66</span>&ldquo;I&rsquo;ll take you to the doorway in the
+wall,<br />
+And then adieu,&rdquo; I to them.&nbsp; &ldquo;Friends,
+withdraw.&rdquo;<br />
+They did so; and she went&mdash;beyond recall.</p>
+<p class="poetry">And as I paused beneath the arch I saw<br />
+Their moonlit figures&mdash;slow, as in surprise&mdash;<br />
+Descend the slope, and vanish on the haw.</p>
+<p class="poetry">&ldquo;&lsquo;Fool,&rsquo; some will
+say,&rdquo; I thought.&nbsp; &ldquo;But who is wise,<br />
+Save God alone, to weigh my reasons why?&rdquo;<br />
+&mdash;&ldquo;Hast thou struck home?&rdquo; came with the
+boughs&rsquo; night-sighs.</p>
+<p class="poetry">It was my friend.&nbsp; &ldquo;I have struck
+well.&nbsp; They fly,<br />
+But carry wounds that none can cicatrize.&rdquo;<br />
+&mdash;&ldquo;Not mortal?&rdquo; said he.&nbsp;
+&ldquo;Lingering&mdash;worse,&rdquo; said I.</p>
+<h2><a name="page67"></a><span class="pagenum">p.
+67</span>LEIPZIG<br />
+<span class="GutSmall">(1813)</span></h2>
+<p style="text-align: center"><i>Scene</i>: <i>The
+Master-tradesmen&rsquo;s Parlour at the Old Ship Inn</i>,
+<i>Casterbridge</i>.&nbsp; <i>Evening</i>.</p>
+<p class="poetry">&ldquo;<span class="smcap">Old</span> Norbert
+with the flat blue cap&mdash;<br />
+&nbsp;&nbsp; A German said to be&mdash;<br />
+Why let your pipe die on your lap,<br />
+&nbsp;&nbsp; Your eyes blink absently?&rdquo;&mdash;</p>
+<p class="poetry">&mdash;&ldquo;Ah! . . . Well, I had thought
+till my cheek was wet<br />
+&nbsp;&nbsp; Of my mother&mdash;her voice and mien<br />
+When she used to sing and pirouette,<br />
+&nbsp;&nbsp; And touse the tambourine</p>
+<p class="poetry"><a name="page68"></a><span class="pagenum">p.
+68</span>&ldquo;To the march that yon street-fiddler plies:<br />
+&nbsp;&nbsp; She told me &rsquo;twas the same<br />
+She&rsquo;d heard from the trumpets, when the Allies<br />
+&nbsp;&nbsp; Her city overcame.</p>
+<p class="poetry">&ldquo;My father was one of the German
+Hussars,<br />
+&nbsp;&nbsp; My mother of Leipzig; but he,<br />
+Long quartered here, fetched her at close of the wars,<br />
+&nbsp;&nbsp; And a Wessex lad reared me.</p>
+<p class="poetry">&ldquo;And as I grew up, again and again<br />
+&nbsp;&nbsp; She&rsquo;d tell, after trilling that air,<br />
+Of her youth, and the battles on Leipzig plain<br />
+&nbsp;&nbsp; And of all that was suffered there! . . .</p>
+<p class="poetry">&ldquo;&mdash;&rsquo;Twas a time of
+alarms.&nbsp; Three Chiefs-at-arms<br />
+&nbsp;&nbsp; Combined them to crush One,<br />
+And by numbers&rsquo; might, for in equal fight<br />
+&nbsp;&nbsp; He stood the matched of none.</p>
+<p class="poetry"><a name="page69"></a><span class="pagenum">p.
+69</span>&ldquo;Carl Schwarzenberg was of the plot,<br />
+&nbsp;&nbsp; And Bl&uuml;cher, prompt and prow,<br />
+And Jean the Crown-Prince Bernadotte:<br />
+&nbsp;&nbsp; Buonaparte was the foe.</p>
+<p class="poetry">&ldquo;City and plain had felt his reign<br />
+&nbsp;&nbsp; From the North to the Middle Sea,<br />
+And he&rsquo;d now sat down in the noble town<br />
+&nbsp;&nbsp; Of the King of Saxony.</p>
+<p class="poetry">&ldquo;October&rsquo;s deep dew its wet
+gossamer threw<br />
+&nbsp;&nbsp; Upon Leipzig&rsquo;s lawns, leaf-strewn,<br />
+Where lately each fair avenue<br />
+&nbsp;&nbsp; Wrought shade for summer noon.</p>
+<p class="poetry">&ldquo;To westward two dull rivers crept<br />
+&nbsp;&nbsp; Through miles of marsh and slough,<br />
+Whereover a streak of whiteness swept&mdash;<br />
+&nbsp;&nbsp; The Bridge of Lindenau.</p>
+<p class="poetry">&ldquo;Hard by, in the City, the One,
+care-tossed,<br />
+&nbsp;&nbsp; Gloomed over his shrunken power;<br />
+And without the walls the hemming host<br />
+&nbsp;&nbsp; Waxed denser every hour.</p>
+<p class="poetry"><a name="page70"></a><span class="pagenum">p.
+70</span>&ldquo;He had speech that night on the morrow&rsquo;s
+designs<br />
+&nbsp;&nbsp; With his chiefs by the bivouac fire,<br />
+While the belt of flames from the enemy&rsquo;s lines<br />
+&nbsp;&nbsp; Flared nigher him yet and nigher.</p>
+<p class="poetry">&ldquo;Three sky-lights then from the girdling
+trine<br />
+&nbsp;&nbsp; Told, &lsquo;Ready!&rsquo;&nbsp; As they rose<br />
+Their flashes seemed his Judgment-Sign<br />
+&nbsp;&nbsp; For bleeding Europe&rsquo;s woes.</p>
+<p class="poetry">&ldquo;&rsquo;Twas seen how the French
+watch-fires that night<br />
+&nbsp;&nbsp; Glowed still and steadily;<br />
+And the Three rejoiced, for they read in the sight<br />
+&nbsp;&nbsp; That the One disdained to flee . . .</p>
+<p class="poetry">&ldquo;&mdash;Five hundred guns began the
+affray<br />
+&nbsp;&nbsp; On next day morn at nine;<br />
+Such mad and mangling cannon-play<br />
+&nbsp;&nbsp; Had never torn human line.</p>
+<p class="poetry"><a name="page71"></a><span class="pagenum">p.
+71</span>&ldquo;Around the town three battles beat,<br />
+&nbsp;&nbsp; Contracting like a gin;<br />
+As nearer marched the million feet<br />
+&nbsp;&nbsp; Of columns closing in.</p>
+<p class="poetry">&ldquo;The first battle nighed on the low
+Southern side;<br />
+&nbsp;&nbsp; The second by the Western way;<br />
+The nearing of the third on the North was heard:<br />
+&nbsp;&nbsp; &mdash;The French held all at bay.</p>
+<p class="poetry">&ldquo;Against the first band did the Emperor
+stand;<br />
+&nbsp;&nbsp; Against the second stood Ney;<br />
+Marmont against the third gave the order-word:<br />
+&nbsp;&nbsp; &mdash;Thus raged it throughout the day.</p>
+<p class="poetry">&ldquo;Fifty thousand sturdy souls on those
+trampled plains and knolls,<br />
+&nbsp;&nbsp; Who met the dawn hopefully,<br />
+And were lotted their shares in a quarrel not theirs,<br />
+&nbsp;&nbsp; Dropt then in their agony.</p>
+<p class="poetry"><a name="page72"></a><span class="pagenum">p.
+72</span>&ldquo;&lsquo;O,&rsquo; the old folks said, &lsquo;ye
+Preachers stern!<br />
+&nbsp;&nbsp; O so-called Christian time!<br />
+When will men&rsquo;s swords to ploughshares turn?<br />
+&nbsp;&nbsp; When come the promised prime?&rsquo; . . .</p>
+<p class="poetry">&ldquo;&mdash;The clash of horse and man which
+that day began,<br />
+&nbsp;&nbsp; Closed not as evening wore;<br />
+And the morrow&rsquo;s armies, rear and van,<br />
+&nbsp;&nbsp; Still mustered more and more.</p>
+<p class="poetry">&ldquo;From the City towers the Confederate
+Powers<br />
+&nbsp;&nbsp; Were eyed in glittering lines,<br />
+And up from the vast a murmuring passed<br />
+&nbsp;&nbsp; As from a wood of pines.</p>
+<p class="poetry">&ldquo;&lsquo;&rsquo;Tis well to cover a feeble
+skill<br />
+&nbsp;&nbsp; By numbers!&rsquo; scoff&egrave;d He;<br />
+&lsquo;But give me a third of their strength, I&rsquo;d fill<br
+/>
+&nbsp;&nbsp; Half Hell with their soldiery!&rsquo;</p>
+<p style="text-align: center">
+<a href="images/p74b.jpg">
+<img alt=
+"Sketch of town square, Leipzig?"
+title=
+"Sketch of town square, Leipzig?"
+ src="images/p74s.jpg" />
+</a></p>
+<p class="poetry"><a name="page75"></a><span class="pagenum">p.
+75</span>&ldquo;All that day raged the war they waged,<br />
+&nbsp;&nbsp; And again dumb night held reign,<br />
+Save that ever upspread from the dark deathbed<br />
+&nbsp;&nbsp; A miles-wide pant of pain.</p>
+<p class="poetry">&ldquo;Hard had striven brave Ney, the true
+Bertrand,<br />
+&nbsp;&nbsp; Victor, and Augereau,<br />
+Bold Poniatowski, and Lauriston,<br />
+&nbsp;&nbsp; To stay their overthrow;</p>
+<p class="poetry">&ldquo;But, as in the dream of one sick to
+death<br />
+&nbsp;&nbsp; There comes a narrowing room<br />
+That pens him, body and limbs and breath,<br />
+&nbsp;&nbsp; To wait a hideous doom,</p>
+<p class="poetry">&ldquo;So to Napoleon, in the hush<br />
+&nbsp;&nbsp; That held the town and towers<br />
+Through these dire nights, a creeping crush<br />
+&nbsp;&nbsp; Seemed inborne with the hours.</p>
+<p class="poetry"><a name="page76"></a><span class="pagenum">p.
+76</span>&ldquo;One road to the rearward, and but one,<br />
+&nbsp;&nbsp; Did fitful Chance allow;<br />
+&rsquo;Twas where the Pleiss&rsquo; and Elster run&mdash;<br />
+&nbsp;&nbsp; The Bridge of Lindenau.</p>
+<p class="poetry">&ldquo;The nineteenth dawned.&nbsp; Down street
+and Platz<br />
+&nbsp;&nbsp; The wasted French sank back,<br />
+Stretching long lines across the Flats<br />
+&nbsp;&nbsp; And on the bridge-way track;</p>
+<p class="poetry">&ldquo;When there surged on the sky an earthen
+wave,<br />
+&nbsp;&nbsp; And stones, and men, as though<br />
+Some rebel churchyard crew updrave<br />
+&nbsp;&nbsp; Their sepulchres from below.</p>
+<p class="poetry">&ldquo;To Heaven is blown Bridge Lindenau;<br
+/>
+&nbsp;&nbsp; Wrecked regiments reel therefrom;<br />
+And rank and file in masses plough<br />
+&nbsp;&nbsp; The sullen Elster-Strom.</p>
+<p class="poetry"><a name="page77"></a><span class="pagenum">p.
+77</span>&ldquo;A gulf was Lindenau; and dead<br />
+&nbsp;&nbsp; Were fifties, hundreds, tens;<br />
+And every current rippled red<br />
+&nbsp;&nbsp; With Marshal&rsquo;s blood and men&rsquo;s.</p>
+<p class="poetry">&ldquo;The smart Macdonald swam therein,<br />
+&nbsp;&nbsp; And barely won the verge;<br />
+Bold Poniatowski plunged him in<br />
+&nbsp;&nbsp; Never to re-emerge.</p>
+<p class="poetry">&ldquo;Then stayed the strife.&nbsp; The
+remnants wound<br />
+&nbsp;&nbsp; Their Rhineward way pell-mell;<br />
+And thus did Leipzig City sound<br />
+&nbsp;&nbsp; An Empire&rsquo;s passing bell;</p>
+<p class="poetry">&ldquo;While in cavalcade, with band and
+blade,<br />
+&nbsp;&nbsp; Came Marshals, Princes, Kings;<br />
+And the town was theirs . . . Ay, as simple maid,<br />
+&nbsp;&nbsp; My mother saw these things!</p>
+<p class="poetry"><a name="page78"></a><span class="pagenum">p.
+78</span>&ldquo;And whenever those notes in the street begin,<br
+/>
+&nbsp;&nbsp; I recall her, and that far scene,<br />
+And her acting of how the Allies marched in,<br />
+&nbsp;&nbsp; And her touse of the tambourine!&rdquo;</p>
+<p style="text-align: center">
+<a href="images/p78b.jpg">
+<img alt=
+"Sketch of person standing outside bay window, looking in"
+title=
+"Sketch of person standing outside bay window, looking in"
+ src="images/p78s.jpg" />
+</a></p>
+<h2><a name="page79"></a><span class="pagenum">p. 79</span>THE
+PEASANT&rsquo;S CONFESSION</h2>
+<blockquote><p>&ldquo;Si le mar&eacute;chal Grouchy avait
+&eacute;t&eacute; rejoint par l&rsquo;officier que
+Napol&eacute;on lui avait exp&eacute;di&eacute; la veille
+&agrave; dix heures du soir, toute question e&ucirc;t
+disparu.&nbsp; Mais cet officier n&rsquo;&eacute;tait point
+parvenu &agrave; sa destination, ainsi que le mar&eacute;chal
+n&rsquo;a cess&eacute; de l&rsquo;affirmer toute sa vie, et il
+faut l&rsquo;en croire, car autrement il n&rsquo;aurait eu aucune
+raison pour h&eacute;siter.&nbsp; Cet officier avait-il
+&eacute;t&eacute; pris? avait-il pass&eacute; &agrave;
+l&rsquo;ennemi?&nbsp; C&rsquo;est ce qu&rsquo;on a toujours
+ignor&eacute;.&rdquo;</p>
+<p style="text-align: right">&mdash;<span
+class="smcap">Thiers</span>: <i>Histoire de
+l&rsquo;Empire</i>.&nbsp; &ldquo;Waterloo.&rdquo;</p>
+</blockquote>
+<p class="poetry"><span class="smcap">Good</span> Father! . . .
+&rsquo;Twas an eve in middle June,<br />
+&nbsp;&nbsp; And war was waged anew<br />
+By great Napoleon, who for years had strewn<br />
+&nbsp;&nbsp; Men&rsquo;s bones all Europe through.</p>
+<p class="poetry"><a name="page80"></a><span class="pagenum">p.
+80</span>Three nights ere this, with columned corps he&rsquo;d
+crossed<br />
+&nbsp;&nbsp; The Sambre at Charleroi,<br />
+To move on Brussels, where the English host<br />
+&nbsp;&nbsp; Dallied in Parc and Bois.</p>
+<p class="poetry">The yestertide we&rsquo;d heard the gloomy
+gun<br />
+&nbsp;&nbsp; Growl through the long-sunned day<br />
+From Quatre-Bras and Ligny; till the dun<br />
+&nbsp;&nbsp; Twilight suppressed the fray;</p>
+<p class="poetry">Albeit therein&mdash;as lated tongues
+bespoke&mdash;<br />
+&nbsp;&nbsp; Brunswick&rsquo;s high heart was drained,<br />
+And Prussia&rsquo;s Line and Landwehr, though unbroke,<br />
+&nbsp;&nbsp; Stood cornered and constrained.</p>
+<p class="poetry">And at next noon-time Grouchy slowly passed<br
+/>
+&nbsp;&nbsp; With thirty thousand men:<br />
+We hoped thenceforth no army, small or vast,<br />
+&nbsp;&nbsp; Would trouble us again.</p>
+<p class="poetry"><a name="page81"></a><span class="pagenum">p.
+81</span>My hut lay deeply in a vale recessed,<br />
+&nbsp;&nbsp; And never a soul seemed nigh<br />
+When, reassured at length, we went to rest&mdash;<br />
+&nbsp;&nbsp; My children, wife, and I.</p>
+<p class="poetry">But what was this that broke our humble
+ease?<br />
+&nbsp;&nbsp; What noise, above the rain,<br />
+Above the dripping of the poplar trees<br />
+&nbsp;&nbsp; That smote along the pane?</p>
+<p class="poetry">&mdash;A call of mastery, bidding me arise,<br
+/>
+&nbsp;&nbsp; Compelled me to the door,<br />
+At which a horseman stood in martial guise&mdash;<br />
+&nbsp;&nbsp; Splashed&mdash;sweating from every pore.</p>
+<p class="poetry">Had I seen Grouchy?&nbsp; Yes?&nbsp; Which
+track took he?<br />
+&nbsp;&nbsp; Could I lead thither on?&mdash;<br />
+Fulfilment would ensure gold pieces three,<br />
+&nbsp;&nbsp; Perchance more gifts anon.</p>
+<p class="poetry"><a name="page82"></a><span class="pagenum">p.
+82</span>&ldquo;I bear the Emperor&rsquo;s mandate,&rdquo; then
+he said,<br />
+&nbsp;&nbsp; &ldquo;Charging the Marshal straight<br />
+To strike between the double host ahead<br />
+&nbsp;&nbsp; Ere they co-operate,</p>
+<p class="poetry">&ldquo;Engaging Bl&uuml;cher till the Emperor
+put<br />
+&nbsp;&nbsp; Lord Wellington to flight,<br />
+And next the Prussians.&nbsp; This to set afoot<br />
+&nbsp;&nbsp; Is my emprise to-night.&rdquo;</p>
+<p class="poetry">I joined him in the mist; but, pausing,
+sought<br />
+&nbsp;&nbsp; To estimate his say.<br />
+Grouchy had made for Wavre; and yet, on thought,<br />
+&nbsp;&nbsp; I did not lead that way.</p>
+<p class="poetry">I mused: &ldquo;If Grouchy thus instructed
+be,<br />
+&nbsp;&nbsp; The clash comes sheer hereon;<br />
+My farm is stript.&nbsp; While, as for pieces three,<br />
+&nbsp;&nbsp; Money the French have none.</p>
+<p class="poetry"><a name="page83"></a><span class="pagenum">p.
+83</span>&ldquo;Grouchy unwarned, moreo&rsquo;er, the English
+win,<br />
+&nbsp;&nbsp; And mine is left to me&mdash;<br />
+They buy, not borrow.&rdquo;&mdash;Hence did I begin<br />
+&nbsp;&nbsp; To lead him treacherously.</p>
+<p class="poetry">By Joidoigne, near to east, as we ondrew,<br />
+&nbsp;&nbsp; Dawn pierced the humid air;<br />
+And eastward faced I with him, though I knew<br />
+&nbsp;&nbsp; Never marched Grouchy there.</p>
+<p class="poetry">Near Ottignies we passed, across the Dyle<br />
+&nbsp;&nbsp; (Lim&rsquo;lette left far aside),<br />
+And thence direct toward Pervez and Noville<br />
+&nbsp;&nbsp; Through green grain, till he cried:</p>
+<p class="poetry">&ldquo;I doubt thy conduct, man! no track is
+here&mdash;<br />
+&nbsp;&nbsp; I doubt thy gag&egrave;d word!&rdquo;<br />
+Thereat he scowled on me, and pranced me near,<br />
+&nbsp;&nbsp; And pricked me with his sword.</p>
+<p class="poetry"><a name="page84"></a><span class="pagenum">p.
+84</span>&ldquo;Nay, Captain, hold!&nbsp; We skirt, not trace the
+course<br />
+&nbsp;&nbsp; Of Grouchy,&rdquo; said I then:<br />
+&ldquo;As we go, yonder went he, with his force<br />
+&nbsp;&nbsp; Of thirty thousand men.&rdquo;</p>
+<p class="poetry">&mdash;At length noon nighed; when west, from
+Saint-John&rsquo;s-Mound,<br />
+&nbsp;&nbsp; A hoarse artillery boomed,<br />
+And from Saint-Lambert&rsquo;s upland, chapel-crowned,<br />
+&nbsp;&nbsp; The Prussian squadrons loomed.</p>
+<p class="poetry">Then to the wayless wet gray ground he
+leapt;<br />
+&nbsp;&nbsp; &ldquo;My mission fails!&rdquo; he cried;<br />
+&ldquo;Too late for Grouchy now to intercept,<br />
+&nbsp;&nbsp; For, peasant, you have lied!&rdquo;</p>
+<p class="poetry">He turned to pistol me.&nbsp; I sprang, and
+drew<br />
+&nbsp;&nbsp; The sabre from his flank,<br />
+And &rsquo;twixt his nape and shoulder, ere he knew,<br />
+&nbsp;&nbsp; I struck, and dead he sank.</p>
+<p style="text-align: center">
+<a href="images/p85b.jpg">
+<img alt=
+"Sketch of landscape"
+title=
+"Sketch of landscape"
+ src="images/p85s.jpg" />
+</a></p>
+<p class="poetry"><a name="page87"></a><span class="pagenum">p.
+87</span>I hid him deep in nodding rye and oat&mdash;<br />
+&nbsp;&nbsp; His shroud green stalks and loam;<br />
+His requiem the corn-blade&rsquo;s husky note&mdash;<br />
+&nbsp;&nbsp; And then I hastened home, . . .</p>
+<p class="poetry">&mdash;Two armies writhe in coils of red and
+blue,<br />
+&nbsp;&nbsp; And brass and iron clang<br />
+From Goumont, past the front of Waterloo,<br />
+&nbsp;&nbsp; To Pap&rsquo;lotte and Smohain.</p>
+<p class="poetry">The Guard Imperial wavered on the height;<br />
+&nbsp;&nbsp; The Emperor&rsquo;s face grew glum;<br />
+&ldquo;I sent,&rdquo; he said, &ldquo;to Grouchy yesternight,<br
+/>
+&nbsp;&nbsp; And yet he does not come!&rdquo;</p>
+<p class="poetry">&rsquo;Twas then, Good Father, that the French
+espied,<br />
+&nbsp;&nbsp; Streaking the summer land,<br />
+The men of Bl&uuml;cher.&nbsp; But the Emperor cried,<br />
+&nbsp;&nbsp; &ldquo;Grouchy is now at hand!&rdquo;</p>
+<p class="poetry"><a name="page88"></a><span class="pagenum">p.
+88</span>And meanwhile Vand&rsquo;leur, Vivian, Maitland,
+Kempt,<br />
+&nbsp;&nbsp; Met d&rsquo;Erlon, Friant, Ney;<br />
+But Grouchy&mdash;mis-sent, blamed, yet blame-exempt&mdash;<br />
+&nbsp;&nbsp; Grouchy was far away.</p>
+<p class="poetry">By even, slain or struck, Michel the strong,<br
+/>
+&nbsp;&nbsp; Bold Travers, Dnop, Delord,<br />
+Smart Guyot, Reil-le, l&rsquo;Heriter, Friant,<br />
+&nbsp;&nbsp; Scattered that champaign o&rsquo;er.</p>
+<p class="poetry">Fallen likewise wronged Duhesme, and skilled
+Lobau<br />
+&nbsp;&nbsp; Did that red sunset see;<br />
+Colbert, Legros, Blancard! . . . And of the foe<br />
+&nbsp;&nbsp; Picton and Ponsonby;</p>
+<p class="poetry">With Gordon, Canning, Blackman, Ompteda,<br />
+&nbsp;&nbsp; L&rsquo;Estrange, Delancey, Packe,<br />
+Grose, D&rsquo;Oyly, Stables, Morice, Howard, Hay,<br />
+&nbsp;&nbsp; Von Schwerin, Watzdorf, Boek,</p>
+<p class="poetry"><a name="page89"></a><span class="pagenum">p.
+89</span>Smith, Phelips, Fuller, Lind, and Battersby,<br />
+&nbsp;&nbsp; And hosts of ranksmen round . . .<br />
+Memorials linger yet to speak to thee<br />
+&nbsp;&nbsp; Of those that bit the ground!</p>
+<p class="poetry">The Guards&rsquo; last column yielded; dykes of
+dead<br />
+&nbsp;&nbsp; Lay between vale and ridge,<br />
+As, thinned yet closing, faint yet fierce, they sped<br />
+&nbsp;&nbsp; In packs to Genappe Bridge.</p>
+<p class="poetry">Safe was my stock; my capple cow unslain;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Intact each cock and hen;<br />
+But Grouchy far at Wavre all day had lain,<br />
+&nbsp;&nbsp; And thirty thousand men.</p>
+<p class="poetry">O Saints, had I but lost my earing corn<br />
+&nbsp;&nbsp; And saved the cause once prized!<br />
+O Saints, why such false witness had I borne<br />
+&nbsp;&nbsp; When late I&rsquo;d sympathized! . . .</p>
+<p class="poetry"><a name="page90"></a><span class="pagenum">p.
+90</span>So now, being old, my children eye askance<br />
+&nbsp;&nbsp; My slowly dwindling store,<br />
+And crave my mite; till, worn with tarriance,<br />
+&nbsp;&nbsp; I care for life no more.</p>
+<p class="poetry">To Almighty God henceforth I stand
+confessed,<br />
+&nbsp;&nbsp; And Virgin-Saint Marie;<br />
+O Michael, John, and Holy Ones in rest,<br />
+&nbsp;&nbsp; Entreat the Lord for me!</p>
+<p style="text-align: center"><a name="page91"></a><span
+class="pagenum">p. 91</span>
+<a href="images/p91b.jpg">
+<img alt=
+"Silhouette of solder standing on hill"
+title=
+"Silhouette of solder standing on hill"
+ src="images/p91s.jpg" />
+</a></p>
+<h2>THE ALARM<br />
+<span class="GutSmall">(1803)</span></h2>
+<p style="text-align: center"><i>See</i> &ldquo;<i>The
+Trumpet-Major</i>&rdquo;</p>
+<p style="text-align: center"><span class="smcap">In Memory of
+one of the Writer&rsquo;s Family who was a</span><br />
+<span class="smcap">Volunteer during the War with
+Napoleon</span></p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="smcap">In</span> a ferny byway<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Near the great South-Wessex
+Highway,<br />
+&nbsp;&nbsp; A homestead raised its breakfast-smoke aloft;<br />
+The dew-damps still lay steamless, for the sun had made no
+sky-way,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And twilight cloaked the
+croft.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a
+name="page92"></a><span class="pagenum">p. 92</span>&rsquo;Twas
+hard to realize on<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This snug side the mute horizon<br
+/>
+&nbsp;&nbsp; That beyond it hostile armaments might steer,<br />
+Save from seeing in the porchway a fair woman weep with eyes
+on<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A harnessed Volunteer.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In haste
+he&rsquo;d flown there<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; To his comely wife alone there,<br
+/>
+&nbsp;&nbsp; While marching south hard by, to still her fears,<br
+/>
+For she soon would be a mother, and few messengers were known
+there<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; In these campaigning years.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&rsquo;Twas
+time to be Good-bying,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Since the assembly-hour was
+nighing<br />
+&nbsp;&nbsp; In royal George&rsquo;s town at six that morn;<br />
+And betwixt its wharves and this retreat were ten good miles of
+hieing<br />
+&nbsp;&nbsp; Ere ring of bugle-horn.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a
+name="page93"></a><span class="pagenum">p.
+93</span>&ldquo;I&rsquo;ve laid in food, Dear,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And broached the spiced and
+brewed, Dear;<br />
+&nbsp;&nbsp; And if our July hope should antedate,<br />
+Let the char-wench mount and gallop by the halterpath and wood,
+Dear,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And fetch assistance straight.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;As
+for Buonaparte, forget him;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He&rsquo;s not like to land!&nbsp;
+But let him,<br />
+&nbsp;&nbsp; Those strike with aim who strike for wives and
+sons!<br />
+And the war-boats built to float him; &rsquo;twere but wanted to
+upset him<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A slat from Nelson&rsquo;s
+guns!</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;But,
+to assure thee,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And of creeping fears to cure
+thee,<br />
+&nbsp;&nbsp; If he <i>should</i> be rumoured anchoring in the
+Road,<br />
+Drive with the nurse to Kingsbere; and let nothing thence allure
+thee<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Till we&rsquo;ve him
+safe-bestowed.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a
+name="page94"></a><span class="pagenum">p. 94</span>&ldquo;Now,
+to turn to marching matters:&mdash;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I&rsquo;ve my knapsack, firelock,
+spatters,<br />
+&nbsp;&nbsp; Crossbelts, priming-horn, stock, bay&rsquo;net,
+blackball, clay, <br />
+Pouch, magazine, flints, flint-box that at every quick-step
+clatters;<br />
+&nbsp;&nbsp; . . . My heart, Dear; that must stay!&rdquo;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&mdash;With
+breathings broken<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Farewell was kissed unspoken,<br
+/>
+&nbsp;&nbsp; And they parted there as morning stroked the
+panes;<br />
+And the Volunteer went on, and turned, and twirled his glove for
+token,<br />
+&nbsp;&nbsp; And took the coastward lanes.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;When above
+He&rsquo;th Hills he found him,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He saw, on gazing round him,<br />
+&nbsp;&nbsp; The Barrow-Beacon burning&mdash;burning low,<br />
+As if, perhaps, uplighted ever since he&rsquo;d homeward bound
+him;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And it meant: Expect the Foe!</p>
+<p style="text-align: center">
+<a href="images/p95b.jpg">
+<img alt=
+"Sketch of person riding with wide landscape behind"
+title=
+"Sketch of person riding with wide landscape behind"
+ src="images/p95s.jpg" />
+</a></p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a
+name="page97"></a><span class="pagenum">p. 97</span>Leaving the
+byway,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And following swift the
+highway,<br />
+&nbsp;&nbsp; Car and chariot met he, faring fast inland;<br />
+&ldquo;He&rsquo;s anchored, Soldier!&rdquo; shouted some:
+&ldquo;God save thee, marching thy way,<br />
+&nbsp;&nbsp; Th&rsquo;lt front him on the strand!&rdquo;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;He slowed;
+he stopped; he paltered<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Awhile with self, and faltered,<br
+/>
+&nbsp;&nbsp; &ldquo;Why courting misadventure shoreward roam?<br
+/>
+To Molly, surely!&nbsp; Seek the woods with her till times have
+altered;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Charity favours home.</p>
+<p
+class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;Else,
+my denying<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He would come she&rsquo;ll read as
+lying&mdash;<br />
+&nbsp;&nbsp; Think the Barrow-Beacon must have met my
+eyes&mdash;<br />
+That my words were not unwareness, but deceit of her, while
+trying<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My life to jeopardize.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a
+name="page98"></a><span class="pagenum">p. 98</span>&ldquo;At
+home is stocked provision,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And to-night, without
+suspicion,<br />
+&nbsp;&nbsp; We might bear it with us to a covert near;<br />
+Such sin, to save a childing wife, would earn it Christ&rsquo;s
+remission,<br />
+&nbsp;&nbsp; Though none forgive it here!&rdquo;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;While thus
+he, thinking,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A little bird, quick drinking<br
+/>
+&nbsp;&nbsp; Among the crowfoot tufts the river bore,<br />
+Was tangled in their stringy arms, and fluttered, well-nigh
+sinking,<br />
+&nbsp;&nbsp; Near him, upon the moor.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;He stepped
+in, reached, and seized it,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And, preening, had released it<br
+/>
+&nbsp;&nbsp; But that a thought of Holy Writ occurred,<br />
+And Signs Divine ere battle, till it seemed him Heaven had
+pleased it<br />
+&nbsp;&nbsp; As guide to send the bird.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a
+name="page99"></a><span class="pagenum">p. 99</span>&ldquo;O
+Lord, direct me! . . .<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Doth Duty now expect me<br />
+&nbsp;&nbsp; To march a-coast, or guard my weak ones near?<br />
+Give this bird a flight according, that I thence know to elect
+me<br />
+&nbsp;&nbsp; The southward or the rear.&rdquo;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;He loosed
+his clasp; when, rising,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The bird&mdash;as if
+surmising&mdash;<br />
+&nbsp;&nbsp; Bore due to southward, crossing by the Froom,<br />
+And Durnover Great-Field and Fort, the soldier clear
+advising&mdash;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Prompted he wist by Whom.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Then on he
+panted<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; By grim Mai-Don, and slanted<br />
+&nbsp;&nbsp; Up the steep Ridge-way, hearkening betwixt
+whiles;<br />
+Till, nearing coast and harbour, he beheld the shore-line
+planted<br />
+&nbsp;&nbsp; With Foot and Horse for miles.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a
+name="page100"></a><span class="pagenum">p. 100</span>Mistrusting
+not the omen,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He gained the beach, where
+Yeomen,<br />
+&nbsp;&nbsp; Militia, Fencibles, and Pikemen bold,<br />
+With Regulars in thousands, were enmassed to meet the Foemen,<br
+/>
+&nbsp;&nbsp; Whose fleet had not yet shoaled.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Captain and
+Colonel,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sere Generals, Ensigns vernal,<br
+/>
+&nbsp;&nbsp; Were there; of neighbour-natives, Michel, Smith,<br
+/>
+Meggs, Bingham, Gambier, Cunningham, roused by the hued
+nocturnal<br />
+&nbsp;&nbsp; Swoop on their land and kith.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;But
+Buonaparte still tarried;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; His project had miscarried;<br />
+&nbsp;&nbsp; At the last hour, equipped for victory,<br />
+The fleet had paused; his subtle combinations had been parried<br
+/>
+&nbsp;&nbsp; By British strategy.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a
+name="page101"></a><span class="pagenum">p. 101</span>Homeward
+returning<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Anon, no beacons burning,<br />
+&nbsp;&nbsp; No alarms, the Volunteer, in modest bliss,<br />
+Te Deum sang with wife and friends: &ldquo;We praise Thee, Lord,
+discerning<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; That Thou hast helped in
+this!&rdquo;</p>
+<h2><a name="page103"></a><span class="pagenum">p. 103</span>HER
+DEATH AND AFTER</h2>
+<p class="poetry">&rsquo;<span class="smcap">Twas</span> a
+death-bed summons, and forth I went<br />
+By the way of the Western Wall, so drear<br />
+On that winter night, and sought a gate&mdash;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The home, by Fate,<br />
+&nbsp;&nbsp; Of one I had long held dear.</p>
+<p class="poetry">And there, as I paused by her tenement,<br />
+And the trees shed on me their rime and hoar,<br />
+I thought of the man who had left her lone&mdash;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Him who made her his own<br />
+&nbsp;&nbsp; When I loved her, long before.</p>
+<p class="poetry"><a name="page104"></a><span class="pagenum">p.
+104</span>The rooms within had the piteous shine<br />
+That home-things wear when there&rsquo;s aught amiss;<br />
+From the stairway floated the rise and fall<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Of an infant&rsquo;s call,<br />
+&nbsp;&nbsp; Whose birth had brought her to this.</p>
+<p class="poetry">Her life was the price she would pay for that
+whine&mdash;<br />
+For a child by the man she did not love.<br />
+&ldquo;But let that rest for ever,&rdquo; I said,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And bent my tread<br />
+&nbsp;&nbsp; To the chamber up above.</p>
+<p class="poetry">She took my hand in her thin white own,<br />
+And smiled her thanks&mdash;though nigh too weak&mdash;<br />
+And made them a sign to leave us there<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Then faltered, ere<br />
+&nbsp;&nbsp; She could bring herself to speak.</p>
+<p class="poetry">&ldquo;&rsquo;Twas to see you before I
+go&mdash;he&rsquo;ll condone<br />
+Such a natural thing now my time&rsquo;s not much&mdash;<br />
+<a name="page105"></a><span class="pagenum">p. 105</span>When
+Death is so near it hustles hence<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; All passioned sense<br />
+&nbsp;&nbsp; Between woman and man as such!</p>
+<p class="poetry">&ldquo;My husband is absent.&nbsp; As
+heretofore<br />
+The City detains him.&nbsp; But, in truth,<br />
+He has not been kind . . . I will speak no blame,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; But&mdash;the child is lame;<br />
+&nbsp;&nbsp; O, I pray she may reach his ruth!</p>
+<p class="poetry">&ldquo;Forgive past days&mdash;I can say no
+more&mdash;<br />
+Maybe if we&rsquo;d wedded you&rsquo;d now repine! . . .<br />
+But I treated you ill.&nbsp; I was punished.&nbsp; Farewell!<br
+/>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &mdash;Truth shall I tell?<br />
+&nbsp;&nbsp; Would the child were yours and mine!</p>
+<p class="poetry">&ldquo;As a wife I was true.&nbsp; But, such my
+unease<br />
+That, could I insert a deed back in Time,<br />
+I&rsquo;d make her yours, to secure your care;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And the scandal bear,<br />
+&nbsp;&nbsp; And the penalty for the crime!&rdquo;</p>
+<p class="poetry"><a name="page106"></a><span class="pagenum">p.
+106</span>&mdash;When I had left, and the swinging trees<br />
+Rang above me, as lauding her candid say,<br />
+Another was I.&nbsp; Her words were enough:<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Came smooth, came rough,<br />
+&nbsp;&nbsp; I felt I could live my day.</p>
+<p class="poetry">Next night she died; and her obsequies<br />
+In the Field of Tombs, by the Via renowned,<br />
+Had her husband&rsquo;s heed.&nbsp; His tendance spent,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I often went<br />
+&nbsp;&nbsp; And pondered by her mound.</p>
+<p class="poetry">All that year and the next year whiled,<br />
+And I still went thitherward in the gloam;<br />
+But the Town forgot her and her nook,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And her husband took<br />
+&nbsp;&nbsp; Another Love to his home.</p>
+<p class="poetry">And the rumour flew that the lame lone child<br
+/>
+Whom she wished for its safety child of mine,<br />
+<a name="page109"></a><span class="pagenum">p. 109</span>Was
+treated ill when offspring came<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Of the new-made dame,<br />
+&nbsp;&nbsp; And marked a more vigorous line.</p>
+<p style="text-align: center">
+<a href="images/p107b.jpg">
+<img alt=
+"Sketch of cemetery"
+title=
+"Sketch of cemetery"
+ src="images/p107s.jpg" />
+</a></p>
+<p class="poetry">A smarter grief within me wrought<br />
+Than even at loss of her so dear;<br />
+Dead the being whose soul my soul suffused,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Her child ill-used,<br />
+&nbsp;&nbsp; I helpless to interfere!</p>
+<p class="poetry">One eve as I stood at my spot of thought<br />
+In the white-stoned Garth, brooding thus her wrong,<br />
+Her husband neared; and to shun his view<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; By her hallowed mew<br />
+&nbsp;&nbsp; I went from the tombs among</p>
+<p class="poetry">To the Cirque of the Gladiators which
+faced&mdash;<br />
+That haggard mark of Imperial Rome,<br />
+Whose Pagan echoes mock the chime<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Of our Christian time:<br />
+&nbsp;&nbsp; It was void, and I inward clomb.</p>
+<p class="poetry"><a name="page110"></a><span class="pagenum">p.
+110</span>Scarce night the sun&rsquo;s gold touch displaced<br />
+From the vast Rotund and the neighbouring dead<br />
+When her husband followed; bowed; half-passed,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; With lip upcast;<br />
+&nbsp;&nbsp; Then, halting, sullenly said:</p>
+<p class="poetry">&ldquo;It is noised that you visit my first
+wife&rsquo;s tomb.<br />
+Now, I gave her an honoured name to bear<br />
+While living, when dead.&nbsp; So I&rsquo;ve claim to ask<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; By what right you task<br />
+&nbsp;&nbsp; My patience by vigiling there?</p>
+<p class="poetry">&ldquo;There&rsquo;s decency even in death, I
+assume;<br />
+Preserve it, sir, and keep away;<br />
+For the mother of my first-born you<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Show mind undue!<br />
+&nbsp;&nbsp; &mdash;Sir, I&rsquo;ve nothing more to
+say.&rdquo;</p>
+<p class="poetry">A desperate stroke discerned I then&mdash;<br
+/>
+God pardon&mdash;or pardon not&mdash;the lie;<br />
+<a name="page111"></a><span class="pagenum">p. 111</span>She had
+sighed that she wished (lest the child should pine<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Of slights) &rsquo;twere mine,<br
+/>
+&nbsp;&nbsp; So I said: &ldquo;But the father I.</p>
+<p class="poetry">&ldquo;That you thought it yours is the way of
+men;<br />
+But I won her troth long ere your day:<br />
+You learnt how, in dying, she summoned me?<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &rsquo;Twas in fealty.<br />
+&nbsp;&nbsp; &mdash;Sir, I&rsquo;ve nothing more to say,</p>
+<p class="poetry">&ldquo;Save that, if you&rsquo;ll hand me my
+little maid,<br />
+I&rsquo;ll take her, and rear her, and spare you toil.<br />
+Think it more than a friendly act none can;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I&rsquo;m a lonely man,<br />
+&nbsp;&nbsp; While you&rsquo;ve a large pot to boil.</p>
+<p class="poetry">&ldquo;If not, and you&rsquo;ll put it to ball
+or blade&mdash;<br />
+To-night, to-morrow night, anywhen&mdash;<br />
+I&rsquo;ll meet you here . . . But think of it,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And in season fit<br />
+&nbsp;&nbsp; Let me hear from you again.&rdquo;</p>
+<p class="poetry"><a name="page112"></a><span class="pagenum">p.
+112</span>&mdash;Well, I went away, hoping; but nought I heard<br
+/>
+Of my stroke for the child, till there greeted me<br />
+A little voice that one day came<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; To my window-frame<br />
+&nbsp;&nbsp; And babbled innocently:</p>
+<p class="poetry">&ldquo;My father who&rsquo;s not my own, sends
+word<br />
+I&rsquo;m to stay here, sir, where I belong!&rdquo;<br />
+Next a writing came: &ldquo;Since the child was the fruit<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Of your lawless suit,<br />
+&nbsp;&nbsp; Pray take her, to right a wrong.&rdquo;</p>
+<p class="poetry">And I did.&nbsp; And I gave the child my
+love,<br />
+And the child loved me, and estranged us none.<br />
+But compunctions loomed; for I&rsquo;d harmed the dead<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; By what I&rsquo;d said<br />
+&nbsp;&nbsp; For the good of the living one.</p>
+<p class="poetry"><a name="page113"></a><span class="pagenum">p.
+113</span>&mdash;Yet though, God wot, I am sinner enough,<br />
+And unworthy the woman who drew me so,<br />
+Perhaps this wrong for her darling&rsquo;s good<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; She forgives, or would,<br />
+&nbsp;&nbsp; If only she could know!</p>
+<p style="text-align: center">
+<a href="images/p113b.jpg">
+<img alt=
+"Sketch of tree-lined path"
+title=
+"Sketch of tree-lined path"
+ src="images/p113s.jpg" />
+</a></p>
+
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center"><a name="page115"></a><span
+class="pagenum">p. 115</span>
+<a href="images/p115b.jpg">
+<img alt=
+"Sketch of a decorative stave of music"
+title=
+"Sketch of a decorative stave of music"
+ src="images/p115s.jpg" />
+</a></p>
+<h2>THE DANCE AT THE PH&OElig;NIX</h2>
+<p class="poetry"><span class="smcap">To</span> Jenny came a
+gentle youth<br />
+&nbsp;&nbsp; From inland leazes lone,<br />
+His love was fresh as apple-blooth<br />
+&nbsp;&nbsp; By Parrett, Yeo, or Tone.<br />
+And duly he entreated her<br />
+To be his tender minister,<br />
+&nbsp;&nbsp; And call him aye her own.</p>
+<p class="poetry">Fair Jenny&rsquo;s life had hardly been<br />
+&nbsp;&nbsp; A life of modesty;<br />
+At Casterbridge experience keen<br />
+&nbsp;&nbsp; Of many loves had she<br />
+<a name="page116"></a><span class="pagenum">p. 116</span>From
+scarcely sixteen years above;<br />
+Among them sundry troopers of<br />
+&nbsp;&nbsp; The King&rsquo;s-Own Cavalry.</p>
+<p class="poetry">But each with charger, sword, and gun,<br />
+&nbsp;&nbsp; Had bluffed the Biscay wave;<br />
+And Jenny prized her gentle one<br />
+&nbsp;&nbsp; For all the love he gave.<br />
+She vowed to be, if they were wed,<br />
+His honest wife in heart and head<br />
+&nbsp;&nbsp; From bride-ale hour to grave.</p>
+<p class="poetry">Wedded they were.&nbsp; Her husband&rsquo;s
+trust<br />
+&nbsp;&nbsp; In Jenny knew no bound,<br />
+And Jenny kept her pure and just,<br />
+&nbsp;&nbsp; Till even malice found<br />
+No sin or sign of ill to be<br />
+In one who walked so decently<br />
+&nbsp;&nbsp; The duteous helpmate&rsquo;s round.</p>
+<p class="poetry">Two sons were born, and bloomed to men,<br />
+&nbsp;&nbsp; And roamed, and were as not:<br />
+Alone was Jenny left again<br />
+&nbsp;&nbsp; As ere her mind had sought<br />
+<a name="page117"></a><span class="pagenum">p. 117</span>A solace
+in domestic joys,<br />
+And ere the vanished pair of boys<br />
+&nbsp;&nbsp; Were sent to sun her cot.</p>
+<p class="poetry">She numbered near on sixty years,<br />
+&nbsp;&nbsp; And passed as elderly,<br />
+When, in the street, with flush of fears,<br />
+&nbsp;&nbsp; One day discovered she,<br />
+From shine of swords and thump of drum.<br />
+Her early loves from war had come,<br />
+&nbsp;&nbsp; The King&rsquo;s-Own Cavalry.</p>
+<p class="poetry">She turned aside, and bowed her head<br />
+&nbsp;&nbsp; Anigh Saint Peter&rsquo;s door;<br />
+&ldquo;Alas for chastened thoughts!&rdquo; she said;<br />
+&nbsp;&nbsp; &ldquo;I&rsquo;m faded now, and hoar,<br />
+And yet those notes&mdash;they thrill me through,<br />
+And those gay forms move me anew<br />
+&nbsp;&nbsp; As in the years of yore!&rdquo; . . .</p>
+<p class="poetry">&rsquo;Twas Christmas, and the Ph&oelig;nix
+Inn<br />
+&nbsp;&nbsp; Was lit with tapers tall,<br />
+For thirty of the trooper men<br />
+&nbsp;&nbsp; Had vowed to give a ball<br />
+<a name="page118"></a><span class="pagenum">p. 118</span>As
+&ldquo;Theirs&rdquo; had done (&rsquo;twas handed down)<br />
+When lying in the selfsame town<br />
+&nbsp;&nbsp; Ere Buonapart&eacute;&rsquo;s fall.</p>
+<p class="poetry">That night the throbbing &ldquo;Soldier&rsquo;s
+Joy,&rdquo;<br />
+&nbsp;&nbsp; The measured tread and sway<br />
+Of &ldquo;Fancy-Lad&rdquo; and &ldquo;Maiden Coy,&rdquo;<br />
+&nbsp;&nbsp; Reached Jenny as she lay<br />
+Beside her spouse; till springtide blood<br />
+Seemed scouring through her like a flood<br />
+&nbsp;&nbsp; That whisked the years away.</p>
+<p class="poetry">She rose, and rayed, and decked her head<br />
+&nbsp;&nbsp; Where the bleached hairs ran thin;<br />
+Upon her cap two bows of red<br />
+&nbsp;&nbsp; She fixed with hasty pin;<br />
+Unheard descending to the street,<br />
+She trod the flags with tune-led feet,<br />
+&nbsp;&nbsp; And stood before the Inn.</p>
+<p class="poetry">Save for the dancers&rsquo;, not a sound<br />
+&nbsp;&nbsp; Disturbed the icy air;<br />
+No watchman on his midnight round<br />
+&nbsp;&nbsp; Or traveller was there;<br />
+<a name="page119"></a><span class="pagenum">p. 119</span>But over
+All-Saints&rsquo;, high and bright,<br />
+Pulsed to the music Sirius white,<br />
+&nbsp;&nbsp; The Wain by Bullstake Square.</p>
+<p class="poetry">She knocked, but found her further stride<br />
+&nbsp;&nbsp; Checked by a sergeant tall:<br />
+&ldquo;Gay Granny, whence come you?&rdquo; he cried;<br />
+&nbsp;&nbsp; &ldquo;This is a private ball.&rdquo;<br />
+&mdash;&ldquo;No one has more right here than me!<br />
+Ere you were born, man,&rdquo; answered she,<br />
+&nbsp;&nbsp; &ldquo;I knew the regiment all!&rdquo;</p>
+<p class="poetry">&ldquo;Take not the lady&rsquo;s visit
+ill!&rdquo;<br />
+&nbsp;&nbsp; Upspoke the steward free;<br />
+&ldquo;We lack sufficient partners still,<br />
+&nbsp;&nbsp; So, prithee let her be!&rdquo;<br />
+They seized and whirled her &rsquo;mid the maze,<br />
+And Jenny felt as in the days<br />
+&nbsp;&nbsp; Of her immodesty.</p>
+<p class="poetry">Hour chased each hour, and night advanced;<br
+/>
+&nbsp;&nbsp; She sped as shod with wings;<br />
+Each time and every time she danced&mdash;<br />
+&nbsp;&nbsp; Reels, jigs, poussettes, and flings:<br />
+<a name="page120"></a><span class="pagenum">p. 120</span>They
+cheered her as she soared and swooped,<br />
+(She&rsquo;d learnt ere art in dancing drooped<br />
+&nbsp;&nbsp; From hops to slothful swings).</p>
+<p class="poetry">The favourite Quick-step &ldquo;Speed the
+Plough&rdquo;&mdash;<br />
+&nbsp;&nbsp; (Cross hands, cast off, and wheel)&mdash;<br />
+&ldquo;The Triumph,&rdquo; &ldquo;Sylph,&rdquo; &ldquo;The
+Row-dow-dow,&rdquo;<br />
+&nbsp;&nbsp; Famed &ldquo;Major Malley&rsquo;s Reel,&rdquo;<br />
+&ldquo;The Duke of York&rsquo;s,&rdquo; &ldquo;The Fairy
+Dance,&rdquo;<br />
+&ldquo;The Bridge of Lodi&rdquo; (brought from France),<br />
+&nbsp;&nbsp; She beat out, toe and heel.</p>
+<p class="poetry">The &ldquo;Fall of Paris&rdquo; clanged its
+close,<br />
+&nbsp;&nbsp; And Peter&rsquo;s chime told four,<br />
+When Jenny, bosom-beating, rose<br />
+&nbsp;&nbsp; To seek her silent door.<br />
+They tiptoed in escorting her,<br />
+Lest stroke of heel or clink of spur<br />
+&nbsp;&nbsp; Should break her goodman&rsquo;s snore.</p>
+<p class="poetry"><a name="page121"></a><span class="pagenum">p.
+121</span>The fire that late had burnt fell slack<br />
+&nbsp;&nbsp; When lone at last stood she;<br />
+Her nine-and-fifty years came back;<br />
+&nbsp;&nbsp; She sank upon her knee <br />
+Beside the durn, and like a dart<br />
+A something arrowed through her heart<br />
+&nbsp;&nbsp; In shoots of agony.</p>
+<p class="poetry">Their footsteps died as she leant there,<br />
+&nbsp;&nbsp; Lit by the morning star<br />
+Hanging above the moorland, where<br />
+&nbsp;&nbsp; The aged elm-rows are;<br />
+And, as o&rsquo;ernight, from Pummery Ridge<br />
+To Maembury Ring and Standfast Bridge<br />
+&nbsp;&nbsp; No life stirred, near or far.</p>
+<p class="poetry">Though inner mischief worked amain,<br />
+&nbsp;&nbsp; She reached her husband&rsquo;s side;<br />
+Where, toil-weary, as he had lain<br />
+&nbsp;&nbsp; Beneath the patchwork pied<br />
+When yestereve she&rsquo;d forthward crept,<br />
+And as unwitting, still he slept<br />
+&nbsp;&nbsp; Who did in her confide.</p>
+<p class="poetry"><a name="page122"></a><span class="pagenum">p.
+122</span>A tear sprang as she turned and viewed<br />
+&nbsp;&nbsp; His features free from guile;<br />
+She kissed him long, as when, just wooed,<br />
+&nbsp;&nbsp; She chose his domicile.<br />
+She felt she could have given her life<br />
+To be the single-hearted wife<br />
+&nbsp;&nbsp; That she had been erstwhile.</p>
+<p class="poetry">Time wore to six.&nbsp; Her husband rose<br />
+&nbsp;&nbsp; And struck the steel and stone;<br />
+He glanced at Jenny, whose repose<br />
+&nbsp;&nbsp; Seemed deeper than his own.<br />
+With dumb dismay, on closer sight,<br />
+He gathered sense that in the night,<br />
+&nbsp;&nbsp; Or morn, her soul had flown.</p>
+<p class="poetry">When told that some too mighty strain<br />
+&nbsp;&nbsp; For one so many-yeared<br />
+Had burst her bosom&rsquo;s master-vein,<br />
+&nbsp;&nbsp; His doubts remained unstirred.<br />
+His Jenny had not left his side<br />
+Betwixt the eve and morning-tide:<br />
+&nbsp;&nbsp; &mdash;The King&rsquo;s said not a word.</p>
+<p class="poetry"><a name="page123"></a><span class="pagenum">p.
+123</span>Well! times are not as times were then,<br />
+&nbsp;&nbsp; Nor fair ones half so free;<br />
+And truly they were martial men,<br />
+&nbsp;&nbsp; The King&rsquo;s-Own Cavalry.<br />
+And when they went from Casterbridge<br />
+And vanished over Mellstock Ridge,<br />
+&nbsp;&nbsp; &rsquo;Twas saddest morn to see.</p>
+<p style="text-align: center">
+<a href="images/p123b.jpg">
+<img alt=
+"Two lines of military men on horses"
+title=
+"Two lines of military men on horses"
+ src="images/p123s.jpg" />
+</a></p>
+
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center"><a name="page125"></a><span
+class="pagenum">p. 125</span>
+<a href="images/p125b.jpg">
+<img alt=
+"Sketch of wooden panel"
+title=
+"Sketch of wooden panel"
+ src="images/p125s.jpg" />
+</a></p>
+<h2>THE CASTERBRIDGE CAPTAINS<br />
+<span class="GutSmall">(KHYBER PASS, 1842)</span></h2>
+<p style="text-align: center">A <span class="smcap">Tradition
+of</span> J. B. L&mdash;, T. G. B&mdash;, AND J. L&mdash;.</p>
+<p class="poetry"><span class="smcap">Three</span> captains went
+to Indian wars,<br />
+&nbsp;&nbsp; And only one returned:<br />
+Their mate of yore, he singly wore<br />
+&nbsp;&nbsp; The laurels all had earned.</p>
+<p class="poetry"><a name="page126"></a><span class="pagenum">p.
+126</span>At home he sought the ancient aisle<br />
+&nbsp;&nbsp; Wherein, untrumped of fame,<br />
+The three had sat in pupilage,<br />
+&nbsp;&nbsp; And each had carved his name.</p>
+<p class="poetry">The names, rough-hewn, of equal size,<br />
+&nbsp;&nbsp; Stood on the panel still;<br />
+Unequal since.&mdash;&ldquo;&rsquo;Twas theirs to aim,<br />
+&nbsp;&nbsp; Mine was it to fulfil!&rdquo;</p>
+<p class="poetry">&mdash;&ldquo;Who saves his life shall lose it,
+friends!&rdquo;<br />
+&nbsp;&nbsp; Outspake the preacher then,<br />
+Unweeting he his listener, who<br />
+&nbsp;&nbsp; Looked at the names again.</p>
+<p class="poetry">That he had come and they&rsquo;d been
+stayed,<br />
+&nbsp;&nbsp; &rsquo;Twas but the chance of war:<br />
+Another chance, and they&rsquo;d sat here,<br />
+&nbsp;&nbsp; And he had lain afar.</p>
+<p class="poetry"><a name="page127"></a><span class="pagenum">p.
+127</span>Yet saw he something in the lives<br />
+&nbsp;&nbsp; Of those who&rsquo;d ceased to live<br />
+That sphered them with a majesty<br />
+&nbsp;&nbsp; Which living failed to give.</p>
+<p class="poetry">Transcendent triumph in return<br />
+&nbsp;&nbsp; No longer lit his brain;<br />
+Transcendence rayed the distant urn<br />
+&nbsp;&nbsp; Where slept the fallen twain.</p>
+<p style="text-align: center"><a name="page129"></a><span
+class="pagenum">p. 129</span>
+<a href="images/p129b.jpg">
+<img alt=
+"Sketch of comet"
+title=
+"Sketch of comet"
+ src="images/p129s.jpg" />
+</a></p>
+<h2>A SIGN-SEEKER</h2>
+<p class="poetry">I <span class="smcap">mark</span> the months in
+liveries dank and dry,<br />
+&nbsp;&nbsp; The noontides many-shaped and hued;<br />
+&nbsp;&nbsp; I see the nightfall shades subtrude,<br />
+And hear the monotonous hours clang negligently by.</p>
+<p class="poetry">I view the evening bonfires of the sun<br />
+&nbsp;&nbsp; On hills where morning rains have hissed;<br />
+&nbsp;&nbsp; The eyeless countenance of the mist<br />
+Pallidly rising when the summer droughts are done.</p>
+<p class="poetry"><a name="page130"></a><span class="pagenum">p.
+130</span>I have seen the lightning-blade, the leaping star,<br
+/>
+&nbsp;&nbsp; The cauldrons of the sea in storm,<br />
+&nbsp;&nbsp; Have felt the earthquake&rsquo;s lifting arm,<br />
+And trodden where abysmal fires and snow-cones are.</p>
+<p class="poetry">I learn to prophesy the hid eclipse,<br />
+&nbsp;&nbsp; The coming of eccentric orbs;<br />
+&nbsp;&nbsp; To mete the dust the sky absorbs,<br />
+To weigh the sun, and fix the hour each planet dips.</p>
+<p class="poetry">I witness fellow earth-men surge and strive;<br
+/>
+&nbsp;&nbsp; Assemblies meet, and throb, and part;<br />
+&nbsp;&nbsp; Death&rsquo;s soothing finger, sorrow&rsquo;s
+smart;<br />
+&mdash;All the vast various moils that mean a world alive.</p>
+<p class="poetry">But that I fain would wot of shuns my
+sense&mdash;<br />
+&nbsp;&nbsp; Those sights of which old prophets tell,<br />
+&nbsp;&nbsp; Those signs the general word so well,<br />
+Vouchsafed to their unheed, denied my long suspense.</p>
+<p class="poetry"><a name="page131"></a><span class="pagenum">p.
+131</span>In graveyard green, behind his monument<br />
+&nbsp;&nbsp; To glimpse a phantom parent, friend,<br />
+&nbsp;&nbsp; Wearing his smile, and &ldquo;Not the end!&rdquo;<br
+/>
+Outbreathing softly: that were blest enlightenment;</p>
+<p class="poetry">Or, if a dead Love&rsquo;s lips, whom dreams
+reveal<br />
+&nbsp;&nbsp; When midnight imps of King Decay<br />
+&nbsp;&nbsp; Delve sly to solve me back to clay,<br />
+Should leave some print to prove her spirit-kisses real;</p>
+<p class="poetry">Or, when Earth&rsquo;s Frail lie bleeding of
+her Strong,<br />
+&nbsp;&nbsp; If some Recorder, as in Writ,<br />
+&nbsp;&nbsp; Near to the weary scene should flit<br />
+And drop one plume as pledge that Heaven inscrolls the wrong.</p>
+<p class="poetry">&mdash;There are who, rapt to heights of
+tranc&eacute;d trust,<br />
+&nbsp;&nbsp; These tokens claim to feel and see,<br />
+&nbsp;&nbsp; Read radiant hints of times to be&mdash;<br />
+Of heart to heart returning after dust to dust.</p>
+<p class="poetry"><a name="page132"></a><span class="pagenum">p.
+132</span>Such scope is granted not to lives like mine . . .<br
+/>
+&nbsp;&nbsp; I have lain in dead men&rsquo;s beds, have walked<br
+/>
+&nbsp;&nbsp; The tombs of those with whom I&rsquo;d talked,<br />
+Called many a gone and goodly one to shape a sign,</p>
+<p class="poetry">And panted for response.&nbsp; But none
+replies;<br />
+&nbsp;&nbsp; No warnings loom, nor whisperings<br />
+&nbsp;&nbsp; To open out my limitings,<br />
+And Nescience mutely muses: When a man falls he lies.</p>
+<p style="text-align: center"><a name="page133"></a><span
+class="pagenum">p. 133</span>
+<a href="images/p133b.jpg">
+<img alt=
+"Sketch of person on horseback in wide landscape"
+title=
+"Sketch of person on horseback in wide landscape"
+ src="images/p133s.jpg" />
+</a></p>
+<h2>MY CICELY<br />
+<span class="GutSmall">(17&ndash;)</span></h2>
+<p class="poetry">&ldquo;<span
+class="smcap">Alive</span>?&rdquo;&mdash;And I leapt in my
+wonder,<br />
+&nbsp;&nbsp; Was faint of my joyance,<br />
+And grasses and grove shone in garments<br />
+&nbsp;&nbsp; Of glory to me.</p>
+<p class="poetry">&ldquo;She lives, in a plenteous well-being,<br
+/>
+&nbsp;&nbsp; To-day as aforehand;<br />
+The dead bore the name&mdash;though a rare one&mdash;<br />
+&nbsp;&nbsp; The name that bore she.&rdquo;</p>
+<p class="poetry"><a name="page134"></a><span class="pagenum">p.
+134</span>She lived . . . I, afar in the city<br />
+&nbsp;&nbsp; Of frenzy-led factions,<br />
+Had squandered green years and maturer<br />
+&nbsp;&nbsp; In bowing the knee</p>
+<p class="poetry">To Baals illusive and specious,<br />
+&nbsp;&nbsp; Till chance had there voiced me<br />
+That one I loved vainly in nonage<br />
+&nbsp;&nbsp; Had ceased her to be.</p>
+<p class="poetry">The passion the planets had scowled on,<br />
+&nbsp;&nbsp; And change had let dwindle,<br />
+Her death-rumour smartly relifted<br />
+&nbsp;&nbsp; To full apogee.</p>
+<p class="poetry">I mounted a steed in the dawning<br />
+&nbsp;&nbsp; With acheful remembrance,<br />
+And made for the ancient West Highway<br />
+&nbsp;&nbsp; To far Exonb&rsquo;ry.</p>
+<p class="poetry">Passing heaths, and the House of Long
+Sieging,<br />
+&nbsp;&nbsp; I neared the thin steeple<br />
+<a name="page135"></a><span class="pagenum">p. 135</span>That
+tops the fair fane of Poore&rsquo;s olden<br />
+&nbsp;&nbsp; Episcopal see;</p>
+<p class="poetry">And, changing anew my onbearer,<br />
+&nbsp;&nbsp; I traversed the downland<br />
+Whereon the bleak hill-graves of Chieftains<br />
+&nbsp;&nbsp; Bulge barren of tree;</p>
+<p class="poetry">And still sadly onward I followed<br />
+&nbsp;&nbsp; That Highway the Icen,<br />
+Which trails its pale riband down Wessex<br />
+&nbsp;&nbsp; O&rsquo;er lynchet and lea.</p>
+<p class="poetry">Along through the Stour-bordered Forum,<br />
+&nbsp;&nbsp; Where Legions had wayfared,<br />
+And where the slow river upglasses<br />
+&nbsp;&nbsp; Its green canopy,</p>
+<p class="poetry">And by Weatherbury Castle, and thencefrom<br />
+&nbsp;&nbsp; Through Casterbridge held I<br />
+Still on, to entomb her my vision<br />
+&nbsp;&nbsp; Saw stretched pallidly.</p>
+<p class="poetry"><a name="page136"></a><span class="pagenum">p.
+136</span>No highwayman&rsquo;s trot blew the night-wind<br />
+&nbsp;&nbsp; To me so life-weary,<br />
+But only the creak of the gibbets<br />
+&nbsp;&nbsp; Or waggoners&rsquo; jee.</p>
+<p class="poetry">Triple-ramparted Maidon gloomed grayly<br />
+&nbsp;&nbsp; Above me from southward,<br />
+And north the hill-fortress of Eggar,<br />
+&nbsp;&nbsp; And square Pummerie.</p>
+<p class="poetry">The Nine-Pillared Cromlech, the
+Bride-streams,<br />
+&nbsp;&nbsp; The Axe, and the Otter<br />
+I passed, to the gate of the city<br />
+&nbsp;&nbsp; Where Exe scents the sea;</p>
+<p class="poetry">Till, spent, in the graveacre pausing,<br />
+&nbsp;&nbsp; I learnt &rsquo;twas not my Love<br />
+To whom Mother Church had just murmured<br />
+&nbsp;&nbsp; A last lullaby.</p>
+<p class="poetry">&mdash;&ldquo;Then, where dwells the
+Canon&rsquo;s kinswoman,<br />
+&nbsp;&nbsp; My friend of aforetime?&rdquo;&mdash;<br />
+<a name="page137"></a><span class="pagenum">p.
+137</span>(&rsquo;Twas hard to repress my heart-heavings<br />
+&nbsp;&nbsp; And new ecstasy.)</p>
+<p class="poetry">&ldquo;She
+wedded.&rdquo;&mdash;&ldquo;Ah!&rdquo;&mdash;&ldquo;Wedded
+beneath her&mdash;<br />
+&nbsp;&nbsp; She keeps the stage-hostel<br />
+Ten miles hence, beside the great Highway&mdash;<br />
+&nbsp;&nbsp; The famed Lions-Three.</p>
+<p class="poetry">&ldquo;Her spouse was her lackey&mdash;no
+option<br />
+&nbsp;&nbsp; &rsquo;Twixt wedlock and worse things;<br />
+A lapse over-sad for a lady<br />
+&nbsp;&nbsp; Of her pedigree!&rdquo;</p>
+<p class="poetry">I shuddered, said nothing, and wandered<br />
+&nbsp;&nbsp; To shades of green laurel:<br />
+Too ghastly had grown those first tidings<br />
+&nbsp;&nbsp; So brightsome of blee!</p>
+<p class="poetry">For, on my ride hither, I&rsquo;d halted<br />
+&nbsp;&nbsp; Awhile at the Lions,<br />
+And her&mdash;her whose name had once opened<br />
+&nbsp;&nbsp; My heart as a key&mdash;</p>
+<p class="poetry"><a name="page138"></a><span class="pagenum">p.
+138</span>I&rsquo;d looked on, unknowing, and witnessed<br />
+&nbsp;&nbsp; Her jests with the tapsters,<br />
+Her liquor-fired face, her thick accents<br />
+&nbsp;&nbsp; In naming her fee.</p>
+<p class="poetry">&ldquo;O God, why this seeming
+derision!&rdquo;<br />
+&nbsp;&nbsp; I cried in my anguish:<br />
+&ldquo;O once Loved, O fair Unforgotten&mdash;<br />
+&nbsp;&nbsp; That Thing&mdash;meant it thee!</p>
+<p class="poetry">&ldquo;Inurned and at peace, lost but
+sainted,<br />
+&nbsp;&nbsp; Were grief I could compass;<br />
+Depraved&mdash;&rsquo;tis for Christ&rsquo;s poor dependent<br />
+&nbsp;&nbsp; A cruel decree!&rdquo;</p>
+<p class="poetry">I backed on the Highway; but passed not<br />
+&nbsp;&nbsp; The hostel.&nbsp; Within there<br />
+Too mocking to Love&rsquo;s re-expression<br />
+&nbsp;&nbsp; Was Time&rsquo;s repartee!</p>
+<p class="poetry">Uptracking where Legions had wayfared,<br />
+&nbsp;&nbsp; By cromlechs unstoried,<br />
+And lynchets, and sepultured Chieftains,<br />
+&nbsp;&nbsp; In self-colloquy,</p>
+<p class="poetry"><a name="page139"></a><span class="pagenum">p.
+139</span>A feeling stirred in me and strengthened<br />
+&nbsp;&nbsp; That <i>she</i> was not my Love,<br />
+But she of the garth, who lay rapt in<br />
+&nbsp;&nbsp; Her long reverie.</p>
+<p class="poetry">And thence till to-day I persuade me<br />
+&nbsp;&nbsp; That this was the true one;<br />
+That Death stole intact her young dearness<br />
+&nbsp;&nbsp; And innocency.</p>
+<p class="poetry">Frail-witted, illuded they call me;<br />
+&nbsp;&nbsp; I may be.&nbsp; &rsquo;Tis better<br />
+To dream than to own the debasement<br />
+&nbsp;&nbsp; Of sweet Cicely.</p>
+<p class="poetry">Moreover I rate it unseemly<br />
+&nbsp;&nbsp; To hold that kind Heaven<br />
+Could work such device&mdash;to her ruin<br />
+&nbsp;&nbsp; And my misery.</p>
+<p class="poetry">So, lest I disturb my choice vision,<br />
+&nbsp;&nbsp; I shun the West Highway,<br />
+Even now, when the knaps ring with rhythms<br />
+&nbsp;&nbsp; From blackbird and bee;</p>
+<p class="poetry"><a name="page140"></a><span class="pagenum">p.
+140</span>And feel that with slumber half-conscious<br />
+&nbsp;&nbsp; She rests in the church-hay,<br />
+Her spirit unsoiled as in youth-time<br />
+&nbsp;&nbsp; When lovers were we.</p>
+<p style="text-align: center" class="poetry">
+<a href="images/p140b.jpg">
+<img alt=
+"Sketch of top of church tower"
+title=
+"Sketch of top of church tower"
+ src="images/p140s.jpg" />
+</a></p>
+
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center" class="poetry">
+<a href="images/p142b.jpg">
+<img alt=
+"Sketch of fields with trees"
+title=
+"Sketch of fields with trees"
+ src="images/p142s.jpg" />
+</a></p>
+<h2><a name="page143"></a><span class="pagenum">p. 143</span>HER
+IMMORTALITY</h2>
+<p class="poetry"><span class="smcap">Upon</span> a noon I
+pilgrimed through<br />
+&nbsp;&nbsp; A pasture, mile by mile,<br />
+Unto the place where I last saw<br />
+&nbsp;&nbsp; My dead Love&rsquo;s living smile.</p>
+<p class="poetry">And sorrowing I lay me down<br />
+&nbsp;&nbsp; Upon the heated sod:<br />
+It seemed as if my body pressed<br />
+&nbsp;&nbsp; The very ground she trod.</p>
+<p class="poetry"><a name="page144"></a><span class="pagenum">p.
+144</span>I lay, and thought; and in a trance<br />
+&nbsp;&nbsp; She came and stood me by&mdash;<br />
+The same, even to the marvellous ray<br />
+&nbsp;&nbsp; That used to light her eye.</p>
+<p class="poetry">&ldquo;You draw me, and I come to you,<br />
+&nbsp;&nbsp; My faithful one,&rdquo; she said,<br />
+In voice that had the moving tone<br />
+&nbsp;&nbsp; It bore ere breath had fled.</p>
+<p class="poetry">She said: &ldquo;&rsquo;Tis seven years since I
+died:<br />
+&nbsp;&nbsp; Few now remember me;<br />
+My husband clasps another bride;<br />
+&nbsp;&nbsp; My children&rsquo;s love has she.</p>
+<p class="poetry">&ldquo;My brethren, sisters, and my friends<br
+/>
+&nbsp;&nbsp; Care not to meet my sprite:<br />
+Who prized me most I did not know<br />
+&nbsp;&nbsp; Till I passed down from sight.&rdquo;</p>
+<p class="poetry">I said: &ldquo;My days are lonely here;<br />
+&nbsp;&nbsp; I need thy smile alway:<br />
+I&rsquo;ll use this night my ball or blade,<br />
+&nbsp;&nbsp; And join thee ere the day.&rdquo;</p>
+<p class="poetry"><a name="page145"></a><span class="pagenum">p.
+145</span>A tremor stirred her tender lips,<br />
+&nbsp;&nbsp; Which parted to dissuade:<br />
+&ldquo;That cannot be, O friend,&rdquo; she cried;<br />
+&nbsp;&nbsp; &ldquo;Think, I am but a Shade!</p>
+<p class="poetry">&ldquo;A Shade but in its mindful ones<br />
+&nbsp;&nbsp; Has immortality;<br />
+By living, me you keep alive,<br />
+&nbsp;&nbsp; By dying you slay me.</p>
+<p class="poetry">&ldquo;In you resides my single power<br />
+&nbsp;&nbsp; Of sweet continuance here;<br />
+On your fidelity I count<br />
+&nbsp;&nbsp; Through many a coming year.&rdquo;</p>
+<p class="poetry">&mdash;I started through me at her plight,<br
+/>
+&nbsp;&nbsp; So suddenly confessed:<br />
+Dismissing late distaste for life,<br />
+&nbsp;&nbsp; I craved its bleak unrest.</p>
+<p class="poetry">&ldquo;I will not die, my One of all!&mdash;<br
+/>
+&nbsp;&nbsp; To lengthen out thy days<br />
+I&rsquo;ll guard me from minutest harms<br />
+&nbsp;&nbsp; That may invest my ways!&rdquo;</p>
+<p class="poetry"><a name="page146"></a><span class="pagenum">p.
+146</span>She smiled and went.&nbsp; Since then she comes<br />
+&nbsp;&nbsp; Oft when her birth-moon climbs,<br />
+Or at the seasons&rsquo; ingresses<br />
+&nbsp;&nbsp; Or anniversary times;</p>
+<p class="poetry">But grows my grief.&nbsp; When I surcease,<br
+/>
+&nbsp;&nbsp; Through whom alone lives she,<br />
+Ceases my Love, her words, her ways,<br />
+&nbsp;&nbsp; Never again to be!</p>
+<h2><a name="page147"></a><span class="pagenum">p. 147</span>THE
+IVY-WIFE</h2>
+<p class="poetry">I <span class="smcap">longed</span> to love a
+full-boughed beech<br />
+&nbsp;&nbsp; And be as high as he:<br />
+I stretched an arm within his reach,<br />
+&nbsp;&nbsp; And signalled unity.<br />
+But with his drip he forced a breach,<br />
+&nbsp;&nbsp; And tried to poison me.</p>
+<p class="poetry">I gave the grasp of partnership<br />
+&nbsp;&nbsp; To one of other race&mdash; <br />
+<a name="page148"></a><span class="pagenum">p. 148</span>A plane:
+he barked him strip by strip<br />
+&nbsp;&nbsp; From upper bough to base;<br />
+And me therewith; for gone my grip,<br />
+&nbsp;&nbsp; My arms could not enlace.</p>
+<p class="poetry">In new affection next I strove<br />
+&nbsp;&nbsp; To coll an ash I saw,<br />
+And he in trust received my love;<br />
+&nbsp;&nbsp; Till with my soft green claw<br />
+I cramped and bound him as I wove . . .<br />
+&nbsp;&nbsp; Such was my love: ha-ha!</p>
+<p class="poetry">By this I gained his strength and height<br />
+&nbsp;&nbsp; Without his rivalry.<br />
+But in my triumph I lost sight<br />
+&nbsp;&nbsp; Of afterhaps.&nbsp; Soon he,<br />
+Being bark-bound, flagged, snapped, fell outright,<br />
+&nbsp;&nbsp; And in his fall felled me!</p>
+<h2><a name="page149"></a><span class="pagenum">p. 149</span>A
+MEETING WITH DESPAIR</h2>
+<p class="poetry"><span class="smcap">As</span> evening shaped I
+found me on a moor<br />
+&nbsp;&nbsp; Which sight could scarce sustain:<br />
+The black lean land, of featureless contour,<br />
+&nbsp;&nbsp; Was like a tract in pain.</p>
+<p class="poetry">&ldquo;This scene, like my own life,&rdquo; I
+said, &ldquo;is one<br />
+&nbsp;&nbsp; Where many glooms abide;<br />
+Toned by its fortune to a deadly dun&mdash;<br />
+&nbsp;&nbsp; Lightless on every side.</p>
+<p class="poetry"><a name="page150"></a><span class="pagenum">p.
+150</span>I glanced aloft and halted, pleasure-caught<br />
+&nbsp;&nbsp; To see the contrast there:<br />
+The ray-lit clouds gleamed glory; and I thought,<br />
+&nbsp;&nbsp; &ldquo;There&rsquo;s solace everywhere!&rdquo;</p>
+<p class="poetry">Then bitter self-reproaches as I stood<br />
+&nbsp;&nbsp; I dealt me silently<br />
+As one perverse&mdash;misrepresenting Good<br />
+&nbsp;&nbsp; In graceless mutiny.</p>
+<p class="poetry">Against the horizon&rsquo;s
+dim-discern&egrave;d wheel<br />
+&nbsp;&nbsp; A form rose, strange of mould:<br />
+That he was hideous, hopeless, I could feel<br />
+&nbsp;&nbsp; Rather than could behold.</p>
+<p class="poetry">&ldquo;&rsquo;Tis a dead spot, where even the
+light lies spent<br />
+&nbsp;&nbsp; To darkness!&rdquo; croaked the Thing.<br />
+&ldquo;Not if you look aloft!&rdquo; said I, intent<br />
+&nbsp;&nbsp; On my new reasoning.</p>
+<p class="poetry"><a name="page151"></a><span class="pagenum">p.
+151</span>&ldquo;Yea&mdash;but await awhile!&rdquo; he
+cried.&nbsp; &ldquo;Ho-ho!&mdash;<br />
+&nbsp;&nbsp; Look now aloft and see!&rdquo;<br />
+I looked.&nbsp; There, too, sat night: Heaven&rsquo;s radiant
+show<br />
+&nbsp;&nbsp; Had gone.&nbsp; Then chuckled he.</p>
+<h2><a name="page153"></a><span class="pagenum">p.
+153</span>UNKNOWING</h2>
+<p class="poetry"><span class="smcap">When</span>, soul in soul
+reflected,<br />
+We breathed an &aelig;thered air,<br />
+&nbsp;&nbsp; When we neglected<br />
+&nbsp;&nbsp; All things elsewhere,<br />
+And left the friendly friendless<br />
+To keep our love aglow,<br />
+&nbsp;&nbsp; We deemed it endless . . .<br />
+&nbsp;&nbsp; &mdash;We did not know!</p>
+<p class="poetry">When, by mad passion goaded,<br />
+We planned to hie away,<br />
+&nbsp;&nbsp; <a name="page154"></a><span class="pagenum">p.
+154</span>But, unforeboded,<br />
+&nbsp;&nbsp; The storm-shafts gray<br />
+So heavily down-pattered<br />
+That none could forthward go,<br />
+&nbsp;&nbsp; Our lives seemed shattered . . .<br />
+&nbsp;&nbsp; &mdash;We did not know!</p>
+<p class="poetry">When I found you, helpless lying,<br />
+And you waived my deep misprise,<br />
+&nbsp;&nbsp; And swore me, dying,<br />
+&nbsp;&nbsp; In phantom-guise<br />
+To wing to me when grieving,<br />
+And touch away my woe,<br />
+&nbsp;&nbsp; We kissed, believing . . .<br />
+&nbsp;&nbsp; &mdash;We did not know!</p>
+<p class="poetry">But though, your powers outreckoning,<br />
+You hold you dead and dumb,<br />
+&nbsp;&nbsp; Or scorn my beckoning,<br />
+&nbsp;&nbsp; And will not come;<br />
+And I say, &ldquo;&rsquo;Twere mood ungainly<br />
+To store her memory so:&rdquo;<br />
+&nbsp;&nbsp; I say it vainly&mdash;<br />
+&nbsp;&nbsp; I feel and know!</p>
+<h2><a name="page155"></a><span class="pagenum">p.
+155</span>FRIENDS BEYOND</h2>
+<p class="poetry"><span class="smcap">William Dewy</span>,
+Tranter Reuben, Farmer Ledlow late at plough,<br />
+&nbsp;&nbsp; Robert&rsquo;s kin, and John&rsquo;s, and
+Ned&rsquo;s,<br />
+And the Squire, and Lady Susan, lie in Mellstock churchyard
+now!</p>
+<p class="poetry">&ldquo;Gone,&rdquo; I call them, gone for good,
+that group of local hearts and heads;<br />
+&nbsp;&nbsp; Yet at mothy curfew-tide,<br />
+And at midnight when the noon-heat breathes it back from walls
+and leads,</p>
+<p class="poetry"><a name="page156"></a><span class="pagenum">p.
+156</span>They&rsquo;ve a way of whispering to
+me&mdash;fellow-wight who yet abide&mdash;<br />
+&nbsp;&nbsp; In the muted, measured note<br />
+Of a ripple under archways, or a lone cave&rsquo;s
+stillicide:</p>
+<p class="poetry">&ldquo;We have triumphed: this achievement
+turns the bane to antidote,<br />
+&nbsp;&nbsp; Unsuccesses to success,<br />
+&mdash;Many thought-worn eves and morrows to a morrow free of
+thought.</p>
+<p class="poetry">&ldquo;No more need we corn and clothing, feel
+of old terrestrial stress;<br />
+&nbsp;&nbsp; Chill detraction stirs no sigh;<br />
+Fear of death has even bygone us: death gave all that we
+possess.&rdquo;</p>
+<p class="poetry"><i>W. D.</i>&mdash;&ldquo;Ye mid burn the wold
+bass-viol that I set such vallie by.&rdquo;<br />
+&nbsp;&nbsp; <i>Squire</i>.&mdash;&ldquo;You may hold the manse
+in fee,<br />
+You may wed my spouse, my children&rsquo;s memory of me may
+decry.&rdquo;</p>
+<p class="poetry"><a name="page157"></a><span class="pagenum">p.
+157</span><i>Lady</i>.&mdash;&ldquo;You may have my rich
+brocades, my laces; take each household key;<br />
+&nbsp;&nbsp; Ransack coffer, desk, bureau;<br />
+Quiz the few poor treasures hid there, con the letters kept by
+me.&rdquo;</p>
+<p class="poetry"><i>Far.</i>&mdash;&ldquo;Ye mid zell my
+favourite heifer, ye mid let the charlock grow,<br />
+&nbsp;&nbsp; Foul the grinterns, give up thrift.&rdquo;<br />
+<i>Wife</i>.&mdash;&ldquo;If ye break my best blue china,
+children, I shan&rsquo;t care or ho.&rdquo;</p>
+<p class="poetry"><i>All</i>. &mdash;&ldquo;We&rsquo;ve no wish
+to hear the tidings, how the people&rsquo;s fortunes shift;<br />
+&nbsp;&nbsp; What your daily doings are;<br />
+Who are wedded, born, divided; if your lives beat slow or
+swift.</p>
+<p class="poetry">&ldquo;Curious not the least are we if our
+intents you make or mar,<br />
+&nbsp;&nbsp; If you quire to our old tune,<br />
+If the City stage still passes, if the weirs still roar
+afar.&rdquo;</p>
+<p class="poetry"><a name="page158"></a><span class="pagenum">p.
+158</span>&mdash;Thus, with very gods&rsquo; composure, freed
+those crosses late and soon<br />
+&nbsp;&nbsp; Which, in life, the Trine allow<br />
+(Why, none witteth), and ignoring all that haps beneath the
+moon,</p>
+<p class="poetry">William Dewy, Tranter Reuben, Farmer Ledlow
+late at plough,<br />
+&nbsp;&nbsp; Robert&rsquo;s kin, and John&rsquo;s, and
+Ned&rsquo;s,<br />
+And the Squire, and Lady Susan, murmur mildly to me now.</p>
+<p style="text-align: center"><a name="page159"></a><span
+class="pagenum">p. 159</span>
+<a href="images/p159b.jpg">
+<img alt=
+"Sketch of vase with dead flowers"
+title=
+"Sketch of vase with dead flowers"
+ src="images/p159s.jpg" />
+</a></p>
+<h2>TO OUTER NATURE</h2>
+<p class="poetry"><span class="smcap">Show</span> thee as I
+thought thee<br />
+When I early sought thee,<br />
+&nbsp;&nbsp; Omen-scouting,<br />
+&nbsp;&nbsp; All undoubting<br />
+Love alone had wrought thee&mdash;</p>
+<p class="poetry"><a name="page160"></a><span class="pagenum">p.
+160</span>Wrought thee for my pleasure,<br />
+Planned thee as a measure<br />
+&nbsp;&nbsp; For expounding<br />
+&nbsp;&nbsp; And resounding<br />
+Glad things that men treasure.</p>
+<p class="poetry">O for but a moment<br />
+Of that old endowment&mdash;<br />
+&nbsp;&nbsp; Light to gaily<br />
+&nbsp;&nbsp; See thy daily<br />
+Iris&egrave;d embowment!</p>
+<p class="poetry">But such re-adorning<br />
+Time forbids with scorning&mdash;<br />
+&nbsp;&nbsp; Makes me see things<br />
+&nbsp;&nbsp; Cease to be things<br />
+They were in my morning.</p>
+<p class="poetry">Fad&rsquo;st thou, glow-forsaken,<br />
+Darkness-overtaken!<br />
+&nbsp;&nbsp; Thy first sweetness,<br />
+&nbsp;&nbsp; Radiance, meetness,<br />
+None shall re-awaken.</p>
+<p class="poetry"><a name="page161"></a><span class="pagenum">p.
+161</span>Why not sempiternal<br />
+Thou and I?&nbsp; Our vernal<br />
+&nbsp;&nbsp; Brightness keeping,<br />
+&nbsp;&nbsp; Time outleaping;<br />
+Passed the hodiernal!</p>
+<h2><a name="page163"></a><span class="pagenum">p.
+163</span>THOUGHTS OF PHENA<br />
+<span class="GutSmall">AT NEWS OF HER DEATH</span></h2>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
+class="smcap">Not</span> a line of her writing have I,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Not a thread of
+her hair,<br />
+No mark of her late time as dame in her dwelling, whereby<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I may picture her there;<br />
+&nbsp;&nbsp; And in vain do I urge my unsight<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; To conceive my lost prize<br />
+At her close, whom I knew when her dreams were upbrimming with
+light,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And with laughter her eyes.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a
+name="page164"></a><span class="pagenum">p. 164</span>What scenes
+spread around her last days,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sad, shining, or
+dim?<br />
+Did her gifts and compassions enray and enarch her sweet ways<br
+/>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; With an aureate nimb?<br />
+&nbsp;&nbsp; Or did life-light decline from her years,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And mischances control<br />
+Her full day-star; unease, or regret, or forebodings, or fears<br
+/>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Disennoble her soul?</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Thus I do
+but the phantom retain<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Of the maiden of
+yore<br />
+As my relic; yet haply the best of her&mdash;fined in my brain<br
+/>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; It maybe the more<br />
+&nbsp;&nbsp; That no line of her writing have I,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Nor a thread of her hair,<br />
+No mark of her late time as dame in her dwelling, whereby<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I may picture her there.</p>
+<p><i>March</i> 1890.</p>
+<p style="text-align: center">
+<a href="images/p165b.jpg">
+<img alt=
+"Sketch of woman cover in sheet lying on couch"
+title=
+"Sketch of woman cover in sheet lying on couch"
+ src="images/p165s.jpg" />
+</a></p>
+<h2><a name="page167"></a><span class="pagenum">p.
+167</span>MIDDLE-AGE ENTHUSIASMS<br />
+<span class="GutSmall">To M. H.</span></h2>
+<p class="poetry">&nbsp;&nbsp;&nbsp;<span class="smcap">We</span>
+passed where flag and flower<br />
+&nbsp;&nbsp; Signalled a jocund throng;<br />
+&nbsp;&nbsp; We said: &ldquo;Go to, the hour<br />
+&nbsp;&nbsp; Is apt!&rdquo;&mdash;and joined the song;<br />
+And, kindling, laughed at life and care,<br />
+Although we knew no laugh lay there.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;We walked where shy birds
+stood<br />
+&nbsp;&nbsp; Watching us, wonder-dumb;<br />
+&nbsp;&nbsp; <a name="page168"></a><span class="pagenum">p.
+168</span>Their friendship met our mood;<br />
+&nbsp;&nbsp; We cried: &ldquo;We&rsquo;ll often come:<br />
+We&rsquo;ll come morn, noon, eve, everywhen!&rdquo;<br />
+&mdash;We doubted we should come again.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;We joyed to see strange
+sheens<br />
+&nbsp;&nbsp; Leap from quaint leaves in shade;<br />
+&nbsp;&nbsp; A secret light of greens<br />
+&nbsp;&nbsp; They&rsquo;d for their pleasure made.<br />
+We said: &ldquo;We&rsquo;ll set such sorts as these!&rdquo;<br />
+&mdash;We knew with night the wish would cease.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&ldquo;So sweet the
+place,&rdquo; we said,<br />
+&nbsp;&nbsp; &ldquo;Its tacit tales so dear, <br />
+&nbsp;&nbsp; Our thoughts, when breath has sped,<br />
+&nbsp;&nbsp; Will meet and mingle here!&rdquo; . . .<br />
+&ldquo;Words!&rdquo; mused we.&nbsp; &ldquo;Passed the mortal
+door,<br />
+Our thoughts will reach this nook no more.&rdquo;</p>
+<h2><a name="page169"></a><span class="pagenum">p. 169</span>IN A
+WOOD<br />
+<span class="GutSmall">See &ldquo;THE
+WOODLANDERS&rdquo;</span></h2>
+<p class="poetry"><span class="smcap">Pale</span> beech and
+pine-tree blue,<br />
+&nbsp;&nbsp; Set in one clay,<br />
+Bough to bough cannot you<br />
+&nbsp;&nbsp; Bide out your day?<br />
+When the rains skim and skip,<br />
+Why mar sweet comradeship,<br />
+Blighting with poison-drip<br />
+&nbsp;&nbsp; Neighbourly spray?</p>
+<p class="poetry">Heart-halt and spirit-lame,<br />
+&nbsp;&nbsp; City-opprest,<br />
+<a name="page170"></a><span class="pagenum">p. 170</span>Unto
+this wood I came<br />
+&nbsp;&nbsp; As to a nest;<br />
+Dreaming that sylvan peace<br />
+Offered the harrowed ease&mdash;<br />
+Nature a soft release<br />
+&nbsp;&nbsp; From men&rsquo;s unrest.</p>
+<p class="poetry">But, having entered in,<br />
+&nbsp;&nbsp; Great growths and small<br />
+Show them to men akin&mdash;<br />
+&nbsp;&nbsp; Combatants all!<br />
+Sycamore shoulders oak,<br />
+Bines the slim sapling yoke,<br />
+Ivy-spun halters choke<br />
+&nbsp;&nbsp; Elms stout and tall.</p>
+<p class="poetry">Touches from ash, O wych,<br />
+&nbsp;&nbsp; Sting you like scorn!<br />
+You, too, brave hollies, twitch<br />
+&nbsp;&nbsp; Sidelong from thorn.<br />
+Even the rank poplars bear<br />
+Illy a rival&rsquo;s air,<br />
+Cankering in black despair<br />
+&nbsp;&nbsp; If overborne.</p>
+<p class="poetry"><a name="page171"></a><span class="pagenum">p.
+171</span>Since, then, no grace I find<br />
+&nbsp;&nbsp; Taught me of trees,<br />
+Turn I back to my kind,<br />
+&nbsp;&nbsp; Worthy as these.<br />
+There at least smiles abound,<br />
+There discourse trills around,<br />
+There, now and then, are found<br />
+&nbsp;&nbsp; Life-loyalties.</p>
+<p>1887: 1896.</p>
+<h2><a name="page173"></a><span class="pagenum">p. 173</span>TO A
+LADY<br />
+<span class="GutSmall">OFFENDED BY A BOOK OF THE
+WRITER&rsquo;S</span></h2>
+<p class="poetry"><span class="smcap">Now</span> that my page
+upcloses, doomed, maybe,<br />
+Never to press thy cosy cushions more,<br />
+Or wake thy ready Yeas as heretofore,<br />
+Or stir thy gentle vows of faith in me:</p>
+<p class="poetry">Knowing thy natural receptivity,<br />
+I figure that, as flambeaux banish eve,<br />
+My sombre image, warped by insidious heave<br />
+Of those less forthright, must lose place in thee.</p>
+<p class="poetry"><a name="page174"></a><span class="pagenum">p.
+174</span>So be it.&nbsp; I have borne such.&nbsp; Let thy
+dreams<br />
+Of me and mine diminish day by day,<br />
+And yield their space to shine of smugger things;<br />
+Till I shape to thee but in fitful gleams,<br />
+And then in far and feeble visitings,<br />
+And then surcease.&nbsp; Truth will be truth alway.</p>
+<h2><a name="page175"></a><span class="pagenum">p. 175</span>TO
+AN ORPHAN CHILD<br />
+<span class="GutSmall">A WHIMSEY</span></h2>
+<p class="poetry"><span class="smcap">Ah</span>, child, thou art
+but half thy darling mother&rsquo;s;<br />
+&nbsp;&nbsp; Hers couldst thou wholly be,<br />
+My light in thee would outglow all in others;<br />
+&nbsp;&nbsp; She would relive to me.<br />
+But niggard Nature&rsquo;s trick of birth<br />
+&nbsp;&nbsp; Bars, lest she overjoy,<br />
+Renewal of the loved on earth<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Save with alloy.</p>
+<p class="poetry"><a name="page176"></a><span class="pagenum">p.
+176</span>The Dame has no regard, alas, my maiden,<br />
+&nbsp;&nbsp; For love and loss like mine&mdash;<br />
+No sympathy with mind-sight memory-laden;<br />
+&nbsp;&nbsp; Only with fickle eyne.<br />
+To her mechanic artistry<br />
+&nbsp;&nbsp; My dreams are all unknown,<br />
+And why I wish that thou couldst be<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; But One&rsquo;s alone!</p>
+<p style="text-align: center"><a name="page177"></a><span
+class="pagenum">p. 177</span>
+<a href="images/p177b.jpg">
+<img alt=
+"Sketch of broken key?"
+title=
+"Sketch of broken key?"
+ src="images/p177s.jpg" />
+</a></p>
+<h2>NATURE&rsquo;S QUESTIONING</h2>
+<p class="poetry">&nbsp;&nbsp;&nbsp;<span
+class="smcap">When</span> I look forth at dawning, pool,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Field, flock, and lonely tree,<br
+/>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; All seem to gaze at me<br />
+Like chastened children sitting silent in a school;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;Their faces dulled,
+constrained, and worn,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; As though the master&rsquo;s
+ways<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Through the long teaching days<br
+/>
+Their first terrestrial zest had chilled and overborne.</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;<a name="page178"></a><span
+class="pagenum">p. 178</span>And on them stirs, in lippings
+mere<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (As if once clear in call,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; But now scarce breathed at
+all)&mdash;<br />
+&ldquo;We wonder, ever wonder, why we find us here!</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&ldquo;Has some Vast
+Imbecility,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mighty to build and blend,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; But impotent to tend,<br />
+Framed us in jest, and left us now to hazardry?</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&ldquo;Or come we of an
+Automaton<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Unconscious of our pains? . . .<br
+/>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Or are we live remains<br />
+Of Godhead dying downwards, brain and eye now gone?</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&ldquo;Or is it that some
+high Plan betides,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; As yet not understood,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Of Evil stormed by Good,<br />
+We the Forlorn Hope over which Achievement strides?&rdquo;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;<a name="page179"></a><span
+class="pagenum">p. 179</span>Thus things around.&nbsp; No
+answerer I . . .<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Meanwhile the winds, and rains,<br
+/>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And Earth&rsquo;s old glooms and
+pains<br />
+Are still the same, and gladdest Life Death neighbours nigh.</p>
+<h2><a name="page181"></a><span class="pagenum">p. 181</span>THE
+IMPERCIPIENT<br />
+<span class="GutSmall">(AT A CATHEDRAL SERVICE)</span></h2>
+<p class="poetry"><span class="smcap">That</span> from this
+bright believing band<br />
+&nbsp;&nbsp; An outcast I should be,<br />
+That faiths by which my comrades stand<br />
+&nbsp;&nbsp; Seem fantasies to me,<br />
+And mirage-mists their Shining Land,<br />
+&nbsp;&nbsp; Is a drear destiny.</p>
+<p class="poetry">Why thus my soul should be consigned<br />
+&nbsp;&nbsp; To infelicity,<br />
+<a name="page182"></a><span class="pagenum">p. 182</span>Why
+always I must feel as blind<br />
+&nbsp;&nbsp; To sights my brethren see,<br />
+Why joys they&rsquo;ve found I cannot find,<br />
+&nbsp;&nbsp; Abides a mystery.</p>
+<p class="poetry">Since heart of mine knows not that ease<br />
+&nbsp;&nbsp; Which they know; since it be<br />
+That He who breathes All&rsquo;s Well to these<br />
+&nbsp;&nbsp; Breathes no All&rsquo;s-Well to me,<br />
+My lack might move their sympathies<br />
+&nbsp;&nbsp; And Christian charity!</p>
+<p class="poetry">I am like a gazer who should mark<br />
+&nbsp;&nbsp; An inland company<br />
+Standing upfingered, with, &ldquo;Hark! hark!<br />
+&nbsp;&nbsp; The glorious distant sea!&rdquo;<br />
+And feel, &ldquo;Alas, &rsquo;tis but yon dark<br />
+&nbsp;&nbsp; And wind-swept pine to me!&rdquo;</p>
+<p class="poetry">Yet I would bear my shortcomings<br />
+&nbsp;&nbsp; With meet tranquillity,<br />
+But for the charge that blessed things<br />
+&nbsp;&nbsp; I&rsquo;d liefer have unbe.<br />
+<a name="page185"></a><span class="pagenum">p. 185</span>O, doth
+a bird deprived of wings<br />
+&nbsp;&nbsp; Go earth-bound wilfully!</p>
+<p style="text-align: center">* * * * *</p>
+<p class="poetry">Enough.&nbsp; As yet disquiet clings<br />
+&nbsp;&nbsp; About us.&nbsp; Rest shall we.</p>
+<p style="text-align: center">
+<a href="images/p183b.jpg">
+<img alt=
+"Sketch of inside of church"
+title=
+"Sketch of inside of church"
+ src="images/p183s.jpg" />
+</a></p>
+<h2><a name="page187"></a><span class="pagenum">p. 187</span>AT
+AN INN</h2>
+<p class="poetry"><span class="smcap">When</span> we as strangers
+sought<br />
+&nbsp;&nbsp; Their catering care,<br />
+Veiled smiles bespoke their thought<br />
+&nbsp;&nbsp; Of what we were.<br />
+They warmed as they opined<br />
+&nbsp;&nbsp; Us more than friends&mdash;<br />
+That we had all resigned<br />
+&nbsp;&nbsp; For love&rsquo;s dear ends.</p>
+<p class="poetry">And that swift sympathy<br />
+&nbsp;&nbsp; With living love<br />
+<a name="page188"></a><span class="pagenum">p. 188</span>Which
+quicks the world&mdash;maybe<br />
+&nbsp;&nbsp; The spheres above,<br />
+Made them our ministers,<br />
+&nbsp;&nbsp; Moved them to say,<br />
+&ldquo;Ah, God, that bliss like theirs<br />
+&nbsp;&nbsp; Would flush our day!&rdquo;</p>
+<p class="poetry">And we were left alone<br />
+&nbsp;&nbsp; As Love&rsquo;s own pair;<br />
+Yet never the love-light shone<br />
+&nbsp;&nbsp; Between us there!<br />
+But that which chilled the breath<br />
+&nbsp;&nbsp; Of afternoon,<br />
+And palsied unto death<br />
+&nbsp;&nbsp; The pane-fly&rsquo;s tune.</p>
+<p class="poetry">The kiss their zeal foretold,<br />
+&nbsp;&nbsp; And now deemed come,<br />
+Came not: within his hold<br />
+&nbsp;&nbsp; Love lingered-numb.<br />
+Why cast he on our port<br />
+&nbsp;&nbsp; A bloom not ours?<br />
+Why shaped us for his sport<br />
+&nbsp;&nbsp; In after-hours?</p>
+<p class="poetry"><a name="page189"></a><span class="pagenum">p.
+189</span>As we seemed we were not<br />
+&nbsp;&nbsp; That day afar,<br />
+And now we seem not what<br />
+&nbsp;&nbsp; We aching are.<br />
+O severing sea and land,<br />
+&nbsp;&nbsp; O laws of men,<br />
+Ere death, once let us stand<br />
+&nbsp;&nbsp; As we stood then!</p>
+<h2><a name="page191"></a><span class="pagenum">p. 191</span>THE
+SLOW NATURE<br />
+<span class="GutSmall">(AN INCIDENT OF FROOM VALLEY)</span></h2>
+<p class="poetry">&ldquo;<span class="smcap">Thy</span>
+husband&mdash;poor, poor Heart!&mdash;is dead&mdash;<br />
+&nbsp;&nbsp; Dead, out by Moreford Rise;<br />
+A bull escaped the barton-shed,<br />
+&nbsp;&nbsp; Gored him, and there he lies!&rdquo;</p>
+<p class="poetry">&mdash;&ldquo;Ha, ha&mdash;go away!&nbsp;
+&rsquo;Tis a tale, methink,<br />
+&nbsp;&nbsp; Thou joker Kit!&rdquo; laughed she.<br />
+&ldquo;I&rsquo;ve known thee many a year, Kit Twink,<br />
+&nbsp;&nbsp; And ever hast thou fooled me!&rdquo;</p>
+<p class="poetry"><a name="page192"></a><span class="pagenum">p.
+192</span>&mdash;&ldquo;But, Mistress Damon&mdash;I can swear<br
+/>
+&nbsp;&nbsp; Thy goodman John is dead!<br />
+And soon th&rsquo;lt hear their feet who bear<br />
+&nbsp;&nbsp; His body to his bed.&rdquo;</p>
+<p class="poetry">So unwontedly sad was the merry man&rsquo;s
+face&mdash;<br />
+&nbsp;&nbsp; That face which had long deceived&mdash;<br />
+That she gazed and gazed; and then could trace<br />
+&nbsp;&nbsp; The truth there; and she believed.</p>
+<p class="poetry">She laid a hand on the dresser-ledge,<br />
+&nbsp;&nbsp; And scanned far Egdon-side;<br />
+And stood; and you heard the wind-swept sedge<br />
+&nbsp;&nbsp; And the rippling Froom; till she cried:</p>
+<p class="poetry">&ldquo;O my chamber&rsquo;s untidied, unmade my
+bed<br />
+&nbsp;&nbsp; Though the day has begun to wear!<br />
+&lsquo;What a slovenly hussif!&rsquo; it will be said,<br />
+&nbsp;&nbsp; When they all go up my stair!&rdquo;</p>
+<p class="poetry"><a name="page193"></a><span class="pagenum">p.
+193</span>She disappeared; and the joker stood<br />
+&nbsp;&nbsp; Depressed by his neighbour&rsquo;s doom,<br />
+And amazed that a wife struck to widowhood<br />
+&nbsp;&nbsp; Thought first of her unkempt room.</p>
+<p class="poetry">But a fortnight thence she could take no
+food,<br />
+&nbsp;&nbsp; And she pined in a slow decay;<br />
+While Kit soon lost his mournful mood<br />
+&nbsp;&nbsp; And laughed in his ancient way.</p>
+<p>1894.</p>
+<h2><a name="page195"></a><span class="pagenum">p. 195</span>IN A
+EWELEAZE NEAR WEATHERBURY</h2>
+<p class="poetry"><span class="smcap">The</span> years have
+gathered grayly<br />
+&nbsp;&nbsp; Since I danced upon this leaze<br />
+With one who kindled gaily<br />
+&nbsp;&nbsp; Love&rsquo;s fitful ecstasies!<br />
+But despite the term as teacher,<br />
+&nbsp;&nbsp; I remain what I was then<br />
+In each essential feature<br />
+&nbsp;&nbsp; Of the fantasies of men.</p>
+<p class="poetry">Yet I note the little chisel<br />
+&nbsp;&nbsp; Of never-napping Time,<br />
+<a name="page196"></a><span class="pagenum">p. 196</span>Defacing
+ghast and grizzel<br />
+&nbsp;&nbsp; The blazon of my prime.<br />
+When at night he thinks me sleeping,<br />
+&nbsp;&nbsp; I feel him boring sly<br />
+Within my bones, and heaping<br />
+&nbsp;&nbsp; Quaintest pains for by-and-by.</p>
+<p class="poetry">Still, I&rsquo;d go the world with Beauty,<br
+/>
+&nbsp;&nbsp; I would laugh with her and sing,<br />
+I would shun divinest duty<br />
+&nbsp;&nbsp; To resume her worshipping.<br />
+But she&rsquo;d scorn my brave endeavour,<br />
+&nbsp;&nbsp; She would not balm the breeze<br />
+By murmuring &ldquo;Thine for ever!&rdquo;<br />
+&nbsp;&nbsp; As she did upon this leaze.</p>
+<p>1890.</p>
+<p style="text-align: center">
+<a href="images/p197b.jpg">
+<img alt=
+"Sketch of pair of glasses on sketch of landscape"
+title=
+"Sketch of pair of glasses on sketch of landscape"
+ src="images/p197s.jpg" />
+</a></p>
+<h2><a name="page199"></a><span class="pagenum">p.
+199</span>ADDITIONS</h2>
+<h3><a name="page201"></a><span class="pagenum">p. 201</span>THE
+FIRE AT TRANTER SWEATLEY&rsquo;S</h3>
+<p class="poetry"><span class="smcap">They</span> had long met
+o&rsquo; Zundays&mdash;her true love and she&mdash;<br />
+&nbsp;&nbsp; And at junketings, maypoles, and flings;<br />
+But she bode wi&rsquo; a thirtover uncle, and he<br />
+Swore by noon and by night that her goodman should be<br />
+Naibour Sweatley&mdash;a gaffer oft weak at the knee<br />
+From taking o&rsquo; sommat more cheerful than tea&mdash;<br />
+&nbsp;&nbsp; Who tranted, and moved people&rsquo;s things.</p>
+<p class="poetry"><a name="page202"></a><span class="pagenum">p.
+202</span>She cried, &ldquo;O pray pity me!&rdquo;&nbsp; Nought
+would he hear;<br />
+&nbsp;&nbsp; Then with wild rainy eyes she obeyed.<br />
+She chid when her Love was for clinking off wi&rsquo; her.<br />
+The pa&rsquo;son was told, as the season drew near<br />
+To throw over pu&rsquo;pit the names of the pe&auml;ir<br />
+&nbsp;&nbsp; As fitting one flesh to be made.</p>
+<p class="poetry">The wedding-day dawned and the morning drew
+on;<br />
+&nbsp;&nbsp; The couple stood bridegroom and bride;<br />
+The evening was passed, and when midnight had gone<br />
+The folks horned out, &ldquo;God save the King,&rdquo; and
+anon<br />
+&nbsp;&nbsp; The two home-along gloomily hied.</p>
+<p class="poetry">The lover Tim Tankens mourned heart-sick and
+drear<br />
+&nbsp;&nbsp; To be thus of his darling deprived:<br />
+He roamed in the dark ath&rsquo;art field, mound, and mere,<br />
+<a name="page203"></a><span class="pagenum">p. 203</span>And,
+a&rsquo;most without knowing it, found himself near<br />
+The house of the tranter, and now of his Dear,<br />
+&nbsp;&nbsp; Where the lantern-light showed &rsquo;em
+arrived.</p>
+<p class="poetry">The bride sought her cham&rsquo;er so calm and
+so pale<br />
+&nbsp;&nbsp; That a Northern had thought her resigned;<br />
+But to eyes that had seen her in tide-times of weal,<br />
+Like the white cloud o&rsquo; smoke, the red battle-field&rsquo;s
+vail,<br />
+&nbsp;&nbsp; That look spak&rsquo; of havoc behind.</p>
+<p class="poetry">The bridegroom yet laitered a beaker to
+drain,<br />
+&nbsp;&nbsp; Then reeled to the linhay for more,<br />
+When the candle-snoff kindled some chaff from his grain&mdash;<br
+/>
+Flames spread, and red vlankers, wi&rsquo; might and wi&rsquo;
+main,<br />
+&nbsp;&nbsp; And round beams, thatch, and chimley-tun roar.</p>
+<p class="poetry"><a name="page204"></a><span class="pagenum">p.
+204</span>Young Tim away yond, rafted up by the light,<br />
+&nbsp;&nbsp; Through brimble and underwood tears,<br />
+Till he comes to the orchet, when crooping thereright<br />
+In the lewth of a codlin-tree, bivering wi&rsquo; fright,<br />
+Wi&rsquo; on&rsquo;y her night-rail to screen her from sight,<br
+/>
+&nbsp;&nbsp; His lonesome young Barbree appears.</p>
+<p class="poetry">Her cwold little figure half-naked he views<br
+/>
+&nbsp;&nbsp; Played about by the frolicsome breeze,<br />
+Her light-tripping totties, her ten little tooes,<br />
+All bare and besprinkled wi&rsquo; Fall&rsquo;s chilly dews,<br
+/>
+While her great gallied eyes, through her hair hanging loose,<br
+/>
+&nbsp;&nbsp; Sheened as stars through a tardle o&rsquo;
+trees.</p>
+<p class="poetry">She eyed en; and, as when a weir-hatch is
+drawn,<br />
+&nbsp;&nbsp; Her tears, penned by terror afore,<br />
+<a name="page205"></a><span class="pagenum">p. 205</span>With a
+rushing of sobs in a shower were strawn,<br />
+Till her power to pour &rsquo;em seemed wasted and gone<br />
+&nbsp;&nbsp; From the heft o&rsquo; misfortune she bore.</p>
+<p class="poetry">&ldquo;O Tim, my <i>own</i> Tim I must call
+&rsquo;ee&mdash;I will!<br />
+&nbsp;&nbsp; All the world ha&rsquo; turned round on me so!<br />
+Can you help her who loved &rsquo;ee, though acting so ill?<br />
+Can you pity her misery&mdash;feel for her still?<br />
+When worse than her body so quivering and chill<br />
+&nbsp;&nbsp; Is her heart in its winter o&rsquo; woe!</p>
+<p class="poetry">&ldquo;I think I mid almost ha&rsquo; borne
+it,&rdquo; she said,<br />
+&nbsp;&nbsp; &ldquo;Had my griefs one by one come to hand;<br />
+But O, to be slave to thik husbird for bread,<br />
+And then, upon top o&rsquo; that, driven to wed,<br />
+And then, upon top o&rsquo; that, burnt out o&rsquo; bed,<br />
+&nbsp;&nbsp; Is more than my nater can stand!&rdquo;</p>
+<p class="poetry"><a name="page206"></a><span class="pagenum">p.
+206</span>Tim&rsquo;s soul like a lion &rsquo;ithin en
+outsprung&mdash;<br />
+(Tim had a great soul when his feelings were wrung)&mdash;<br />
+&nbsp;&nbsp; &ldquo;Feel for &rsquo;ee, dear Barbree?&rdquo; he
+cried;<br />
+And his warm working-jacket about her he flung,<br />
+Made a back, horsed her up, till behind him she clung<br />
+Like a chiel on a gipsy, her figure uphung<br />
+&nbsp;&nbsp; By the sleeves that around her he tied.</p>
+<p class="poetry">Over piggeries, and mixens, and apples, and
+hay,<br />
+&nbsp;&nbsp; They lumpered straight into the night;<br />
+And finding bylong where a halter-path lay,<br />
+At dawn reached Tim&rsquo;s house, on&rsquo;y seen on their
+way<br />
+By a naibour or two who were up wi&rsquo; the day;<br />
+&nbsp;&nbsp; But they gathered no clue to the sight.</p>
+<p class="poetry">Then tender Tim Tankens he searched here and
+there<br />
+&nbsp;&nbsp; For some garment to clothe her fair skin;<br />
+<a name="page207"></a><span class="pagenum">p. 207</span>But
+though he had breeches and waistcoats to spare,<br />
+He had nothing quite seemly for Barbree to wear,<br />
+Who, half shrammed to death, stood and cried on a chair<br />
+&nbsp;&nbsp; At the caddle she found herself in.</p>
+<p class="poetry">There was one thing to do, and that one thing
+he did,<br />
+&nbsp;&nbsp; He lent her some clouts of his own,<br />
+And she took &rsquo;em perforce; and while in &rsquo;em she
+slid,<br />
+Tim turned to the winder, as modesty bid,<br />
+Thinking, &ldquo;O that the picter my duty keeps hid<br />
+&nbsp;&nbsp; To the sight o&rsquo; my eyes mid be
+shown!&rdquo;</p>
+<p class="poetry">In the tallet he stowed her; there huddied she
+lay,<br />
+&nbsp;&nbsp; Shortening sleeves, legs, and tails to her limbs;<br
+/>
+But most o&rsquo; the time in a mortal bad way,<br />
+<a name="page208"></a><span class="pagenum">p. 208</span>Well
+knowing that there&rsquo;d be the divel to pay<br />
+If &rsquo;twere found that, instead o&rsquo; the elements&rsquo;
+prey,<br />
+&nbsp;&nbsp; She was living in lodgings at Tim&rsquo;s.</p>
+<p class="poetry">&ldquo;Where&rsquo;s the tranter?&rdquo; said
+men and boys; &ldquo;where can er be?&rdquo;<br />
+&nbsp;&nbsp; &ldquo;Where&rsquo;s the tranter?&rdquo; said
+Barbree alone.<br />
+&ldquo;Where on e&rsquo;th is the tranter?&rdquo; said
+everybod-y:<br />
+They sifted the dust of his perished roof-tree,<br />
+&nbsp;&nbsp; And all they could find was a bone.</p>
+<p class="poetry"><a name="page209"></a><span class="pagenum">p.
+209</span>Then the uncle cried, &ldquo;Lord, pray have mercy on
+me!&rdquo;<br />
+&nbsp;&nbsp; And in terror began to repent.<br />
+But before &rsquo;twas complete, and till sure she was free,<br
+/>
+Barbree drew up her loft-ladder, tight turned her key&mdash;<br
+/>
+Tim bringing up breakfast and dinner and tea&mdash;<br />
+&nbsp;&nbsp; Till the news of her hiding got vent.</p>
+<p class="poetry">Then followed the custom-kept rout, shout, and
+flare<br />
+Of a skimmington-ride through the naibourhood, ere<br />
+&nbsp;&nbsp; Folk had proof o&rsquo; wold Sweatley&rsquo;s
+decay.<br />
+Whereupon decent people all stood in a stare,<br />
+Saying Tim and his lodger should risk it, and pair:<br />
+So he took her to church.&nbsp; An&rsquo; some laughing lads
+there<br />
+Cried to Tim, &ldquo;After Sweatley!&rdquo;&nbsp; She said,
+&ldquo;I declare<br />
+&nbsp;&nbsp; I stand as a maiden to-day!&rdquo;</p>
+<p style="text-align: right"><i>Written</i> 1866; <i>printed</i>
+1875.</p>
+<h3><a name="page211"></a><span class="pagenum">p.
+211</span>HEIRESS AND ARCHITECT<br />
+<span class="smcap">For</span> A. W. B.</h3>
+<p class="poetry"><span class="smcap">She</span> sought the
+Studios, beckoning to her side<br />
+An arch-designer, for she planned to build.<br />
+He was of wise contrivance, deeply skilled<br />
+In every intervolve of high and wide&mdash;<br />
+&nbsp;&nbsp; Well fit to be her guide.</p>
+<p
+class="poetry">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&ldquo;Whatever
+it be,&rdquo;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Responded he,<br />
+With cold, clear voice, and cold, clear view,<br />
+<a name="page212"></a><span class="pagenum">p.
+212</span>&ldquo;In true accord with prudent fashionings<br />
+For such vicissitudes as living brings,<br />
+And thwarting not the law of stable things,<br />
+&nbsp;&nbsp; That will I do.&rdquo;</p>
+<p class="poetry">&ldquo;Shape me,&rdquo; she said, &ldquo;high
+halls with tracery<br />
+And open ogive-work, that scent and hue<br />
+Of buds, and travelling bees, may come in through,<br />
+The note of birds, and singings of the sea,<br />
+&nbsp;&nbsp; For these are much to me.&rdquo;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&ldquo;An idle
+whim!&rdquo;<br />
+&nbsp;&nbsp; Broke forth from him<br />
+Whom nought could warm to gallantries:<br />
+&ldquo;Cede all these buds and birds, the zephyr&rsquo;s call,<br
+/>
+And scents, and hues, and things that falter all,<br />
+And choose as best the close and surly wall,<br />
+&nbsp;&nbsp; For winters freeze.&rdquo;</p>
+<p style="text-align: center">
+<a href="images/p213b.jpg">
+<img alt=
+"Sketch of people carrying a large object up stairs"
+title=
+"Sketch of people carrying a large object up stairs"
+ src="images/p213s.jpg" />
+</a></p>
+<p class="poetry"><a name="page215"></a><span class="pagenum">p.
+215</span>&ldquo;Then frame,&rdquo; she cried, &ldquo;wide fronts
+of crystal glass,<br />
+That I may show my laughter and my light&mdash;<br />
+Light like the sun&rsquo;s by day, the stars&rsquo; by
+night&mdash;<br />
+Till rival heart-queens, envying, wail, &lsquo;Alas,<br />
+&nbsp;&nbsp; Her glory!&rsquo; as they pass.&rdquo;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&ldquo;O maid
+misled!&rdquo;<br />
+&nbsp;&nbsp; He sternly said,<br />
+Whose facile foresight pierced her dire;<br />
+&ldquo;Where shall abide the soul when, sick of glee,<br />
+It shrinks, and hides, and prays no eye may see?<br />
+Those house them best who house for secrecy,<br />
+&nbsp;&nbsp; For you will tire.&rdquo;</p>
+<p class="poetry">&ldquo;A little chamber, then, with swan and
+dove<br />
+Ranged thickly, and engrailed with rare device<br />
+Of reds and purples, for a Paradise<br />
+Wherein my Love may greet me, I my Love,<br />
+&nbsp;&nbsp; When he shall know thereof?&rdquo;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;<a name="page216"></a><span
+class="pagenum">p. 216</span>&ldquo;This, too, is ill,&rdquo;<br
+/>
+&nbsp;&nbsp; He answered still,<br />
+The man who swayed her like a shade.<br />
+&ldquo;An hour will come when sight of such sweet nook<br />
+Would bring a bitterness too sharp to brook,<br />
+When brighter eyes have won away his look;<br />
+&nbsp;&nbsp; For you will fade.&rdquo;</p>
+<p class="poetry">Then said she faintly: &ldquo;O, contrive some
+way&mdash;<br />
+Some narrow winding turret, quite mine own,<br />
+To reach a loft where I may grieve alone!<br />
+It is a slight thing; hence do not, I pray,<br />
+&nbsp;&nbsp; This last dear fancy slay!&rdquo;</p>
+<p class="poetry">&nbsp;&nbsp;&nbsp;&ldquo;Such winding ways<br
+/>
+&nbsp;&nbsp; Fit not your days,&rdquo;<br />
+Said he, the man of measuring eye;<br />
+&ldquo;I must even fashion as my rule declares,<br />
+To wit: Give space (since life ends unawares)<br />
+To hale a coffined corpse adown the stairs;<br />
+&nbsp;&nbsp; For you will die.&rdquo;</p>
+<p>1867.</p>
+<h3><a name="page217"></a><span class="pagenum">p. 217</span>THE
+TWO MEN</h3>
+<p class="poetry"><span class="smcap">There</span> were two
+youths of equal age,<br />
+Wit, station, strength, and parentage;<br />
+They studied at the selfsame schools,<br />
+And shaped their thoughts by common rules.</p>
+<p class="poetry">One pondered on the life of man,<br />
+His hopes, his ending, and began<br />
+To rate the Market&rsquo;s sordid war<br />
+As something scarce worth living for.</p>
+<p class="poetry"><a name="page218"></a><span class="pagenum">p.
+218</span>&ldquo;I&rsquo;ll brace to higher aims,&rdquo; said
+he,<br />
+&ldquo;I&rsquo;ll further Truth and Purity;<br />
+Thereby to mend the mortal lot<br />
+And sweeten sorrow.&nbsp; Thrive I not,</p>
+<p class="poetry">&ldquo;Winning their hearts, my kind will
+give<br />
+Enough that I may lowly live,<br />
+And house my Love in some dim dell,<br />
+For pleasing them and theirs so well.&rdquo;</p>
+<p class="poetry">Idly attired, with features wan,<br />
+In secret swift he laboured on:<br />
+Such press of power had brought much gold<br />
+Applied to things of meaner mould.</p>
+<p class="poetry">Sometimes he wished his aims had been<br />
+To gather gains like other men;<br />
+Then thanked his God he&rsquo;d traced his track<br />
+Too far for wish to drag him back.</p>
+<p class="poetry">He look&egrave;d from his loft one day<br />
+To where his slighted garden lay;<br />
+Nettles and hemlock hid each lawn,<br />
+And every flower was starved and gone.</p>
+<p class="poetry"><a name="page219"></a><span class="pagenum">p.
+219</span>He fainted in his heart, whereon<br />
+He rose, and sought his plighted one,<br />
+Resolved to loose her bond withal,<br />
+Lest she should perish in his fall.</p>
+<p class="poetry">He met her with a careless air,<br />
+As though he&rsquo;d ceased to find her fair,<br />
+And said: &ldquo;True love is dust to me;<br />
+I cannot kiss: I tire of thee!&rdquo;</p>
+<p class="poetry">(That she might scorn him was he fain,<br />
+To put her sooner out of pain;<br />
+For incensed love breathes quick and dies,<br />
+When famished love a-lingering lies.)</p>
+<p class="poetry">Once done, his soul was so betossed,<br />
+It found no more the force it lost:<br />
+Hope was his only drink and food,<br />
+And hope extinct, decay ensued.</p>
+<p class="poetry">And, living long so closely penned,<br />
+He had not kept a single friend;<br />
+He dwindled thin as phantoms be,<br />
+And drooped to death in poverty . . .</p>
+<p class="poetry"><a name="page220"></a><span class="pagenum">p.
+220</span>Meantime his schoolmate had gone out<br />
+To join the fortune-finding rout;<br />
+He liked the winnings of the mart,<br />
+But wearied of the working part.</p>
+<p class="poetry">He turned to seek a privy lair,<br />
+Neglecting note of garb and hair,<br />
+And day by day reclined and thought<br />
+How he might live by doing nought.</p>
+<p class="poetry">&ldquo;I plan a valued scheme,&rdquo; he
+said<br />
+To some.&nbsp; &ldquo;But lend me of your bread,<br />
+And when the vast result looms nigh,<br />
+In profit you shall stand as I.&rdquo;</p>
+<p class="poetry">Yet they took counsel to restrain<br />
+Their kindness till they saw the gain;<br />
+And, since his substance now had run,<br />
+He rose to do what might be done.</p>
+<p class="poetry">He went unto his Love by night,<br />
+And said: &ldquo;My Love, I faint in fight:<br />
+Deserving as thou dost a crown,<br />
+My cares shall never drag thee down.&rdquo;</p>
+<p class="poetry"><a name="page221"></a><span class="pagenum">p.
+221</span>(He had descried a maid whose line<br />
+Would hand her on much corn and wine,<br />
+And held her far in worth above<br />
+One who could only pray and love.)</p>
+<p class="poetry">But this Fair read him; whence he failed<br />
+To do the deed so blithely hailed;<br />
+He saw his projects wholly marred,<br />
+And gloom and want oppressed him hard;</p>
+<p class="poetry">Till, living to so mean an end,<br />
+Whereby he&rsquo;d lost his every friend,<br />
+He perished in a pauper sty,<br />
+His mate the dying pauper nigh.</p>
+<p class="poetry">And moralists, reflecting, said,<br />
+As &ldquo;dust to dust&rdquo; in burial read<br />
+Was echoed from each coffin-lid,<br />
+&ldquo;These men were like in all they did.&rdquo;</p>
+<p>1866.</p>
+<h3><a name="page223"></a><span class="pagenum">p.
+223</span>LINES</h3>
+<p><i>Spoken by Miss</i> <span class="smcap">Ada Rehan</span>
+<i>at the Lyceum Theatre</i>, <i>July</i> 23, 1890, <i>at a
+performance on behalf of Lady Jeune&rsquo;s Holiday Fund for City
+Children</i>.</p>
+<p class="poetry"><span class="smcap">Before</span> we part to
+alien thoughts and aims,<br />
+Permit the one brief word the occasion claims:<br />
+&mdash;When mumming and grave projects are allied,<br />
+Perhaps an Epilogue is justified.</p>
+<p class="poetry">Our under-purpose has, in truth, to-day<br />
+Commanded most our musings; least the play:<br />
+A purpose futile but for your good-will<br />
+Swiftly responsive to the cry of ill:<br />
+<a name="page224"></a><span class="pagenum">p. 224</span>A
+purpose all too limited!&mdash;to aid<br />
+Frail human flowerets, sicklied by the shade,<br />
+In winning some short spell of upland breeze,<br />
+Or strengthening sunlight on the level leas.</p>
+<p class="poetry">Who has not marked, where the full cheek should
+be,<br />
+Incipient lines of lank flaccidity,<br />
+Lymphatic pallor where the pink should glow,<br />
+And where the throb of transport, pulses low?&mdash;<br />
+Most tragical of shapes from Pole to Line,<br />
+O wondering child, unwitting Time&rsquo;s design,<br />
+Why should Art add to Nature&rsquo;s quandary,<br />
+And worsen ill by thus immuring thee?<br />
+&mdash;That races do despite unto their own,<br />
+That Might supernal do indeed condone<br />
+Wrongs individual for the general ease,<br />
+Instance the proof in victims such as these.</p>
+<p class="poetry"><a name="page225"></a><span class="pagenum">p.
+225</span>Launched into thoroughfares too thronged before,<br />
+Mothered by those whose protest is &ldquo;No more!&rdquo;<br />
+Vitalized without option: who shall say<br />
+That did Life hang on choosing&mdash;Yea or Nay&mdash;<br />
+They had not scorned it with such penalty,<br />
+And nothingness implored of Destiny?</p>
+<p class="poetry">And yet behind the horizon smile serene<br />
+The down, the cornland, and the stretching green&mdash;<br />
+Space&mdash;the child&rsquo;s heaven: scenes which at least
+ensure<br />
+Some palliative for ill they cannot cure.</p>
+<p class="poetry">Dear friends&mdash;now moved by this poor show
+of ours<br />
+To make your own long joy in buds and bowers<br />
+<a name="page226"></a><span class="pagenum">p. 226</span>For one
+brief while the joy of infant eyes,<br />
+Changing their urban murk to paradise&mdash;<br />
+You have our thanks!&mdash;may your reward include<br />
+More than our thanks, far more: their gratitude.</p>
+<h3><a name="page227"></a><span class="pagenum">p.
+227</span>&ldquo;I LOOK INTO MY GLASS&rdquo;</h3>
+<p class="poetry">I <span class="smcap">look</span> into my
+glass,<br />
+And view my wasting skin,<br />
+And say, &ldquo;Would God it came to pass<br />
+My heart had shrunk as thin!&rdquo;</p>
+<p class="poetry">For then, I, undistrest<br />
+By hearts grown cold to me,<br />
+Could lonely wait my endless rest<br />
+With equanimity.</p>
+<p class="poetry"><a name="page228"></a><span class="pagenum">p.
+228</span>But Time, to make me grieve;<br />
+Part steals, lets part abide;<br />
+And shakes this fragile frame at eve<br />
+With throbbings of noontide.</p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK WESSEX POEMS AND OTHER VERSES***</p>
+<pre>
+
+
+***** This file should be named 3167-h.htm or 3167-h.zip******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/3/1/6/3167
+
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+</pre></body>
+</html>
diff --git a/3167-h/images/coverb.jpg b/3167-h/images/coverb.jpg
new file mode 100644
index 0000000..f8fc2ca
--- /dev/null
+++ b/3167-h/images/coverb.jpg
Binary files differ
diff --git a/3167-h/images/covers.jpg b/3167-h/images/covers.jpg
new file mode 100644
index 0000000..60fd097
--- /dev/null
+++ b/3167-h/images/covers.jpg
Binary files differ
diff --git a/3167-h/images/p107b.jpg b/3167-h/images/p107b.jpg
new file mode 100644
index 0000000..63c0ad2
--- /dev/null
+++ b/3167-h/images/p107b.jpg
Binary files differ
diff --git a/3167-h/images/p107s.jpg b/3167-h/images/p107s.jpg
new file mode 100644
index 0000000..ddc1468
--- /dev/null
+++ b/3167-h/images/p107s.jpg
Binary files differ
diff --git a/3167-h/images/p113b.jpg b/3167-h/images/p113b.jpg
new file mode 100644
index 0000000..595f59a
--- /dev/null
+++ b/3167-h/images/p113b.jpg
Binary files differ
diff --git a/3167-h/images/p113s.jpg b/3167-h/images/p113s.jpg
new file mode 100644
index 0000000..208486a
--- /dev/null
+++ b/3167-h/images/p113s.jpg
Binary files differ
diff --git a/3167-h/images/p115b.jpg b/3167-h/images/p115b.jpg
new file mode 100644
index 0000000..bc4ca5f
--- /dev/null
+++ b/3167-h/images/p115b.jpg
Binary files differ
diff --git a/3167-h/images/p115s.jpg b/3167-h/images/p115s.jpg
new file mode 100644
index 0000000..b782fad
--- /dev/null
+++ b/3167-h/images/p115s.jpg
Binary files differ
diff --git a/3167-h/images/p123b.jpg b/3167-h/images/p123b.jpg
new file mode 100644
index 0000000..50c3dbd
--- /dev/null
+++ b/3167-h/images/p123b.jpg
Binary files differ
diff --git a/3167-h/images/p123s.jpg b/3167-h/images/p123s.jpg
new file mode 100644
index 0000000..224163d
--- /dev/null
+++ b/3167-h/images/p123s.jpg
Binary files differ
diff --git a/3167-h/images/p125b.jpg b/3167-h/images/p125b.jpg
new file mode 100644
index 0000000..738eac6
--- /dev/null
+++ b/3167-h/images/p125b.jpg
Binary files differ
diff --git a/3167-h/images/p125s.jpg b/3167-h/images/p125s.jpg
new file mode 100644
index 0000000..475d661
--- /dev/null
+++ b/3167-h/images/p125s.jpg
Binary files differ
diff --git a/3167-h/images/p129b.jpg b/3167-h/images/p129b.jpg
new file mode 100644
index 0000000..c435bd5
--- /dev/null
+++ b/3167-h/images/p129b.jpg
Binary files differ
diff --git a/3167-h/images/p129s.jpg b/3167-h/images/p129s.jpg
new file mode 100644
index 0000000..7458bad
--- /dev/null
+++ b/3167-h/images/p129s.jpg
Binary files differ
diff --git a/3167-h/images/p133b.jpg b/3167-h/images/p133b.jpg
new file mode 100644
index 0000000..7f69a3f
--- /dev/null
+++ b/3167-h/images/p133b.jpg
Binary files differ
diff --git a/3167-h/images/p133s.jpg b/3167-h/images/p133s.jpg
new file mode 100644
index 0000000..1dea046
--- /dev/null
+++ b/3167-h/images/p133s.jpg
Binary files differ
diff --git a/3167-h/images/p140b.jpg b/3167-h/images/p140b.jpg
new file mode 100644
index 0000000..3dab198
--- /dev/null
+++ b/3167-h/images/p140b.jpg
Binary files differ
diff --git a/3167-h/images/p140s.jpg b/3167-h/images/p140s.jpg
new file mode 100644
index 0000000..0042e3d
--- /dev/null
+++ b/3167-h/images/p140s.jpg
Binary files differ
diff --git a/3167-h/images/p142b.jpg b/3167-h/images/p142b.jpg
new file mode 100644
index 0000000..c4b77a2
--- /dev/null
+++ b/3167-h/images/p142b.jpg
Binary files differ
diff --git a/3167-h/images/p142s.jpg b/3167-h/images/p142s.jpg
new file mode 100644
index 0000000..5b4de6f
--- /dev/null
+++ b/3167-h/images/p142s.jpg
Binary files differ
diff --git a/3167-h/images/p159b.jpg b/3167-h/images/p159b.jpg
new file mode 100644
index 0000000..a15398e
--- /dev/null
+++ b/3167-h/images/p159b.jpg
Binary files differ
diff --git a/3167-h/images/p159s.jpg b/3167-h/images/p159s.jpg
new file mode 100644
index 0000000..25f36e4
--- /dev/null
+++ b/3167-h/images/p159s.jpg
Binary files differ
diff --git a/3167-h/images/p165b.jpg b/3167-h/images/p165b.jpg
new file mode 100644
index 0000000..2ee2441
--- /dev/null
+++ b/3167-h/images/p165b.jpg
Binary files differ
diff --git a/3167-h/images/p165s.jpg b/3167-h/images/p165s.jpg
new file mode 100644
index 0000000..523a4ba
--- /dev/null
+++ b/3167-h/images/p165s.jpg
Binary files differ
diff --git a/3167-h/images/p177b.jpg b/3167-h/images/p177b.jpg
new file mode 100644
index 0000000..5c4aff2
--- /dev/null
+++ b/3167-h/images/p177b.jpg
Binary files differ
diff --git a/3167-h/images/p177s.jpg b/3167-h/images/p177s.jpg
new file mode 100644
index 0000000..2e62cce
--- /dev/null
+++ b/3167-h/images/p177s.jpg
Binary files differ
diff --git a/3167-h/images/p183b.jpg b/3167-h/images/p183b.jpg
new file mode 100644
index 0000000..14e583e
--- /dev/null
+++ b/3167-h/images/p183b.jpg
Binary files differ
diff --git a/3167-h/images/p183s.jpg b/3167-h/images/p183s.jpg
new file mode 100644
index 0000000..e1e0c8c
--- /dev/null
+++ b/3167-h/images/p183s.jpg
Binary files differ
diff --git a/3167-h/images/p197b.jpg b/3167-h/images/p197b.jpg
new file mode 100644
index 0000000..f6af166
--- /dev/null
+++ b/3167-h/images/p197b.jpg
Binary files differ
diff --git a/3167-h/images/p197s.jpg b/3167-h/images/p197s.jpg
new file mode 100644
index 0000000..9c58b69
--- /dev/null
+++ b/3167-h/images/p197s.jpg
Binary files differ
diff --git a/3167-h/images/p19b.jpg b/3167-h/images/p19b.jpg
new file mode 100644
index 0000000..0574416
--- /dev/null
+++ b/3167-h/images/p19b.jpg
Binary files differ
diff --git a/3167-h/images/p19s.jpg b/3167-h/images/p19s.jpg
new file mode 100644
index 0000000..f6a4376
--- /dev/null
+++ b/3167-h/images/p19s.jpg
Binary files differ
diff --git a/3167-h/images/p1b.jpg b/3167-h/images/p1b.jpg
new file mode 100644
index 0000000..16d3f59
--- /dev/null
+++ b/3167-h/images/p1b.jpg
Binary files differ
diff --git a/3167-h/images/p1s.jpg b/3167-h/images/p1s.jpg
new file mode 100644
index 0000000..ee247b5
--- /dev/null
+++ b/3167-h/images/p1s.jpg
Binary files differ
diff --git a/3167-h/images/p213b.jpg b/3167-h/images/p213b.jpg
new file mode 100644
index 0000000..b7cb43a
--- /dev/null
+++ b/3167-h/images/p213b.jpg
Binary files differ
diff --git a/3167-h/images/p213s.jpg b/3167-h/images/p213s.jpg
new file mode 100644
index 0000000..122f217
--- /dev/null
+++ b/3167-h/images/p213s.jpg
Binary files differ
diff --git a/3167-h/images/p21b.jpg b/3167-h/images/p21b.jpg
new file mode 100644
index 0000000..b2572e7
--- /dev/null
+++ b/3167-h/images/p21b.jpg
Binary files differ
diff --git a/3167-h/images/p21s.jpg b/3167-h/images/p21s.jpg
new file mode 100644
index 0000000..4dbeb4f
--- /dev/null
+++ b/3167-h/images/p21s.jpg
Binary files differ
diff --git a/3167-h/images/p25b.jpg b/3167-h/images/p25b.jpg
new file mode 100644
index 0000000..eb53238
--- /dev/null
+++ b/3167-h/images/p25b.jpg
Binary files differ
diff --git a/3167-h/images/p25s.jpg b/3167-h/images/p25s.jpg
new file mode 100644
index 0000000..c13f240
--- /dev/null
+++ b/3167-h/images/p25s.jpg
Binary files differ
diff --git a/3167-h/images/p30b.jpg b/3167-h/images/p30b.jpg
new file mode 100644
index 0000000..ebeb216
--- /dev/null
+++ b/3167-h/images/p30b.jpg
Binary files differ
diff --git a/3167-h/images/p30s.jpg b/3167-h/images/p30s.jpg
new file mode 100644
index 0000000..9bc7792
--- /dev/null
+++ b/3167-h/images/p30s.jpg
Binary files differ
diff --git a/3167-h/images/p43b.jpg b/3167-h/images/p43b.jpg
new file mode 100644
index 0000000..7dd4af5
--- /dev/null
+++ b/3167-h/images/p43b.jpg
Binary files differ
diff --git a/3167-h/images/p43s.jpg b/3167-h/images/p43s.jpg
new file mode 100644
index 0000000..351b912
--- /dev/null
+++ b/3167-h/images/p43s.jpg
Binary files differ
diff --git a/3167-h/images/p45b.jpg b/3167-h/images/p45b.jpg
new file mode 100644
index 0000000..d66d584
--- /dev/null
+++ b/3167-h/images/p45b.jpg
Binary files differ
diff --git a/3167-h/images/p45s.jpg b/3167-h/images/p45s.jpg
new file mode 100644
index 0000000..5a2cd03
--- /dev/null
+++ b/3167-h/images/p45s.jpg
Binary files differ
diff --git a/3167-h/images/p53b.jpg b/3167-h/images/p53b.jpg
new file mode 100644
index 0000000..bc994db
--- /dev/null
+++ b/3167-h/images/p53b.jpg
Binary files differ
diff --git a/3167-h/images/p53s.jpg b/3167-h/images/p53s.jpg
new file mode 100644
index 0000000..16725b5
--- /dev/null
+++ b/3167-h/images/p53s.jpg
Binary files differ
diff --git a/3167-h/images/p61b.jpg b/3167-h/images/p61b.jpg
new file mode 100644
index 0000000..8850d16
--- /dev/null
+++ b/3167-h/images/p61b.jpg
Binary files differ
diff --git a/3167-h/images/p61s.jpg b/3167-h/images/p61s.jpg
new file mode 100644
index 0000000..a6ba7e4
--- /dev/null
+++ b/3167-h/images/p61s.jpg
Binary files differ
diff --git a/3167-h/images/p6b.jpg b/3167-h/images/p6b.jpg
new file mode 100644
index 0000000..f5c560f
--- /dev/null
+++ b/3167-h/images/p6b.jpg
Binary files differ
diff --git a/3167-h/images/p6s.jpg b/3167-h/images/p6s.jpg
new file mode 100644
index 0000000..d3a3c31
--- /dev/null
+++ b/3167-h/images/p6s.jpg
Binary files differ
diff --git a/3167-h/images/p74b.jpg b/3167-h/images/p74b.jpg
new file mode 100644
index 0000000..5aa279c
--- /dev/null
+++ b/3167-h/images/p74b.jpg
Binary files differ
diff --git a/3167-h/images/p74s.jpg b/3167-h/images/p74s.jpg
new file mode 100644
index 0000000..bb5eb02
--- /dev/null
+++ b/3167-h/images/p74s.jpg
Binary files differ
diff --git a/3167-h/images/p78b.jpg b/3167-h/images/p78b.jpg
new file mode 100644
index 0000000..217faa8
--- /dev/null
+++ b/3167-h/images/p78b.jpg
Binary files differ
diff --git a/3167-h/images/p78s.jpg b/3167-h/images/p78s.jpg
new file mode 100644
index 0000000..4e23ff7
--- /dev/null
+++ b/3167-h/images/p78s.jpg
Binary files differ
diff --git a/3167-h/images/p85b.jpg b/3167-h/images/p85b.jpg
new file mode 100644
index 0000000..112e3cb
--- /dev/null
+++ b/3167-h/images/p85b.jpg
Binary files differ
diff --git a/3167-h/images/p85s.jpg b/3167-h/images/p85s.jpg
new file mode 100644
index 0000000..ddefb74
--- /dev/null
+++ b/3167-h/images/p85s.jpg
Binary files differ
diff --git a/3167-h/images/p91b.jpg b/3167-h/images/p91b.jpg
new file mode 100644
index 0000000..e30587c
--- /dev/null
+++ b/3167-h/images/p91b.jpg
Binary files differ
diff --git a/3167-h/images/p91s.jpg b/3167-h/images/p91s.jpg
new file mode 100644
index 0000000..1227085
--- /dev/null
+++ b/3167-h/images/p91s.jpg
Binary files differ
diff --git a/3167-h/images/p95b.jpg b/3167-h/images/p95b.jpg
new file mode 100644
index 0000000..fb4baa6
--- /dev/null
+++ b/3167-h/images/p95b.jpg
Binary files differ
diff --git a/3167-h/images/p95s.jpg b/3167-h/images/p95s.jpg
new file mode 100644
index 0000000..99c62b7
--- /dev/null
+++ b/3167-h/images/p95s.jpg
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..ed9e0a4
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #3167 (https://www.gutenberg.org/ebooks/3167)
diff --git a/old/wsxpm10.txt b/old/wsxpm10.txt
new file mode 100644
index 0000000..8dade6c
--- /dev/null
+++ b/old/wsxpm10.txt
@@ -0,0 +1,3559 @@
+Project Gutenberg Etext Wessex Poems and Other Verses, by Hardy
+#18 in our series by Thomas Hardy
+
+Copyright laws are changing all over the world, be sure to check
+the laws for your country before redistributing these files!!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers.
+
+Please do not remove this.
+
+This should be the first thing seen when anyone opens the book.
+Do not change or edit it without written permission. The words
+are carefully chosen to provide users with the information they
+need about what they can legally do with the texts.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
+organization with EIN [Employee Identification Number] 64-6221541
+
+As of 12/12/00 contributions are only being solicited from people in:
+Colorado, Connecticut, Idaho, Indiana, Iowa,
+Kentucky, Louisiana, Massachusetts, Montana,
+Nevada, Oklahoma, South Carolina, South Dakota,
+Texas, Vermont, and Wyoming.
+
+As the requirements for other states are met,
+additions to this list will be made and fund raising
+will begin in the additional states. Please feel
+free to ask to check the status of your state.
+
+These donations should be made to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+
+Title: Wessex Poems and Other Verses
+
+Author: Thomas Hardy
+
+Release Date: April, 2002 [Etext #3167]
+[Yes, we are about one year ahead of schedule]
+[The actual date this file first posted = 01/30/01]
+
+Edition: 10
+
+Language: English
+
+Project Gutenberg Etext Wessex Poems and Other Verses, by Hardy
+******This file should be named wsxpm10.txt or wsxpm10.zip*****
+
+Corrected EDITIONS of our etexts get a new NUMBER, wsxpm11.txt
+VERSIONS based on separate sources get new LETTER, wsxpm10a.txt
+
+This etext was produced from the 1919 Macmillan and Co. edition by
+David Price, email ccx074@coventry.ac.uk
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we usually do NOT keep any
+of these books in compliance with any particular paper edition.
+
+We are now trying to release all our books one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to send us error messages even years after
+the official publication date.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our sites at:
+http://gutenberg.net
+http://promo.net/pg
+
+
+Those of you who want to download any Etext before announcement
+can surf to them as follows, and just download by date; this is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext02
+or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext02
+
+Or /etext01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release fifty new Etext
+files per month, or 500 more Etexts in 2000 for a total of 3000+
+If they reach just 1-2% of the world's population then the total
+should reach over 300 billion Etexts given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding.
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+Presently, contributions are only being solicited from people in:
+Colorado, Connecticut, Idaho, Indiana, Iowa,
+Kentucky, Louisiana, Massachusetts, Nevada,
+Montana, Nevada, Oklahoma, South Carolina,
+South Dakota, Texas, Vermont, and Wyoming.
+
+As the requirements for other states are met,
+additions to this list will be made and fund raising
+will begin in the additional states.
+
+These donations should be made to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+
+Project Gutenberg Literary Archive Foundation,
+EIN [Employee Identification Number] 64-6221541,
+has been approved as a 501(c)(3) organization by the US Internal
+Revenue Service (IRS). Donations are tax-deductible to the extent
+permitted by law. As the requirements for other states are met,
+additions to this list will be made and fund raising will begin in the
+additional states.
+
+All donations should be made to the Project Gutenberg Literary
+Archive Foundation. Mail to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Avenue
+Oxford, MS 38655-4109 [USA]
+
+
+We need your donations more than ever!
+
+You can get up to date donation information at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+hart@pobox.com forwards to hart@prairienet.org and archive.org
+if your mail bounces from archive.org, I will still see it, if
+it bounces from prairienet.org, better resend later on. . . .
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+***
+
+
+Example command-line FTP session:
+
+ftp ftp.ibiblio.org
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99 or etext00 through etext02, etc.
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this etext,
+[2] alteration, modification, or addition to the etext,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+
+
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.12.12.00*END*
+
+
+
+
+
+This etext was produced from the 1919 Macmillan and Co. edition by
+David Price, email ccx074@coventry.ac.uk
+
+
+
+
+
+WESSEX POEMS AND OTHER VERSES
+
+by Thomas Hardy
+
+
+
+
+Contents
+
+Preface
+The Temporary The All
+Amabel
+Hap
+"In Vision I Roamed"
+At a Bridal
+Postponement
+A Confession to a Friend in Trouble
+Neutral Tones
+She
+Her Initials
+Her Dilemma
+Revulsion
+She, To Him, I.
+ " " II.
+ " " III.
+ " " IV.
+Ditty
+The Sergeant's Song
+Valenciennes
+San Sebastian
+The Stranger's Song
+The Burghers
+Leipzig
+The Peasant's Confession
+The Alarm
+Her Death and After
+The Dance at the Phoenix
+The Casterbridge Captains
+A Sign-Seeker
+My Cicely
+Her Immortality
+The Ivy-Wife
+A Meeting with Despair
+Unknowing
+Friends Beyond
+To Outer Nature
+Thoughts of Phena
+Middle-Age Enthusiasms
+In a Wood
+To a Lady
+To an Orphan Child
+Nature's Questioning
+The Impercipient
+At An Inn
+The Slow Nature
+In a Eweleaze Near Weatherbury
+ADDITIONS:
+ The Fire at Tranter Sweatley's
+ Heiress and Architect
+ The Two Men
+ Lines
+ "I Look into my Glass"
+
+
+
+
+PREFACE
+
+Of the miscellaneous collection of verse that follows, only four
+pieces have been published, though many were written long ago, and
+other partly written. In some few cases the verses were turned into
+prose and printed as such, it having been unanticipated at that time
+that they might see the light.
+
+Whenever an ancient and legitimate word of the district, for which
+there was no equivalent in received English, suggested itself as the
+most natural, nearest, and often only expression of a thought, it has
+been made use of, on what seemed good grounds.
+
+The pieces are in a large degree dramatic or personative in
+conception; and this even where they are not obviously so.
+
+The dates attached to some of the poems do not apply to the rough
+sketches given in illustration, which have been recently made, and,
+as may be surmised, are inserted for personal and local reasons
+rather than for their intrinsic qualities.
+
+T. H.
+September 1898.
+
+
+
+
+THE TEMPORARY THE ALL
+
+
+
+Change and chancefulness in my flowering youthtime,
+Set me sun by sun near to one unchosen;
+Wrought us fellow-like, and despite divergence,
+ Friends interlinked us.
+
+"Cherish him can I while the true one forthcome -
+Come the rich fulfiller of my prevision;
+Life is roomy yet, and the odds unbounded."
+ So self-communed I.
+
+Thwart my wistful way did a damsel saunter,
+Fair, the while unformed to be all-eclipsing;
+"Maiden meet," held I, "till arise my forefelt
+ Wonder of women."
+
+Long a visioned hermitage deep desiring,
+Tenements uncouth I was fain to house in;
+"Let such lodging be for a breath-while," thought I,
+ "Soon a more seemly.
+
+"Then, high handiwork will I make my life-deed,
+Truth and Light outshow; but the ripe time pending,
+Intermissive aim at the thing sufficeth."
+ Thus I . . . But lo, me!
+
+Mistress, friend, place, aims to be bettered straightway,
+Bettered not has Fate or my hand's achieving;
+Sole the showance those of my onward earth-track -
+ Never transcended!
+
+
+
+AMABEL
+
+
+
+I marked her ruined hues,
+Her custom-straitened views,
+And asked, "Can there indwell
+ My Amabel?"
+
+I looked upon her gown,
+Once rose, now earthen brown;
+The change was like the knell
+ Of Amabel.
+
+Her step's mechanic ways
+Had lost the life of May's;
+Her laugh, once sweet in swell,
+ Spoilt Amabel.
+
+I mused: "Who sings the strain
+I sang ere warmth did wane?
+Who thinks its numbers spell
+ His Amabel?" -
+
+Knowing that, though Love cease,
+Love's race shows undecrease;
+All find in dorp or dell
+ An Amabel.
+
+- I felt that I could creep
+To some housetop, and weep,
+That Time the tyrant fell
+ Ruled Amabel!
+
+I said (the while I sighed
+That love like ours had died),
+"Fond things I'll no more tell
+ To Amabel,
+
+"But leave her to her fate,
+And fling across the gate,
+'Till the Last Trump, farewell,
+ O Amabel!'"
+
+1865.
+
+
+
+HAP
+
+
+
+If but some vengeful god would call to me
+From up the sky, and laugh: "Thou suffering thing,
+Know that thy sorrow is my ecstasy,
+That thy love's loss is my hate's profiting!"
+
+Then would I bear, and clench myself, and die,
+Steeled by the sense of ire unmerited;
+Half-eased in that a Powerfuller than I
+Had willed and meted me the tears I shed.
+
+But not so. How arrives it joy lies slain,
+And why unblooms the best hope ever sown?
+- Crass Casualty obstructs the sun and rain,
+And dicing Time for gladness casts a moan . . .
+These purblind Doomsters had as readily strown
+Blisses about my pilgrimage as pain.
+
+1866.
+
+
+
+"IN VISION I ROAMED"
+TO -
+
+
+
+In vision I roamed the flashing Firmament,
+So fierce in blazon that the Night waxed wan,
+As though with an awed sense of such ostent;
+And as I thought my spirit ranged on and on
+
+In footless traverse through ghast heights of sky,
+To the last chambers of the monstrous Dome,
+Where stars the brightest here to darkness die:
+Then, any spot on our own Earth seemed Home!
+
+And the sick grief that you were far away
+Grew pleasant thankfulness that you were near?
+Who might have been, set on some outstep sphere,
+Less than a Want to me, as day by day
+I lived unware, uncaring all that lay
+Locked in that Universe taciturn and drear.
+
+1866.
+
+
+
+AT A BRIDAL
+TO -
+
+
+
+When you paced forth, to wait maternity,
+A dream of other offspring held my mind,
+Compounded of us twain as Love designed;
+Rare forms, that corporate now will never be!
+
+Should I, too, wed as slave to Mode's decree,
+And each thus found apart, of false desire,
+A stolid line, whom no high aims will fire
+As had fired ours could ever have mingled we;
+
+And, grieved that lives so matched should mis-compose,
+Each mourn the double waste; and question dare
+To the Great Dame whence incarnation flows.
+Why those high-purposed children never were:
+What will she answer? That she does not care
+If the race all such sovereign types unknows.
+
+1866.
+
+
+
+POSTPONEMENT
+
+
+
+Snow-bound in woodland, a mournful word,
+Dropt now and then from the bill of a bird,
+Reached me on wind-wafts; and thus I heard,
+ Wearily waiting:-
+
+"I planned her a nest in a leafless tree,
+But the passers eyed and twitted me,
+And said: 'How reckless a bird is he,
+ Cheerily mating!'
+
+"Fear-filled, I stayed me till summer-tide,
+In lewth of leaves to throne her bride;
+But alas! her love for me waned and died,
+ Wearily waiting.
+
+"Ah, had I been like some I see,
+Born to an evergreen nesting-tree,
+None had eyed and twitted me,
+ Cheerily mating!"
+
+1866.
+
+
+
+A CONFESSION TO A FRIEND IN TROUBLE
+
+
+
+Your troubles shrink not, though I feel them less
+Here, far away, than when I tarried near;
+I even smile old smiles--with listlessness -
+Yet smiles they are, not ghastly mockeries mere.
+
+A thought too strange to house within my brain
+Haunting its outer precincts I discern:
+- That I will not show zeal again to learn
+Your griefs, and sharing them, renew my pain . . .
+
+It goes, like murky bird or buccaneer
+That shapes its lawless figure on the main,
+And each new impulse tends to make outflee
+The unseemly instinct that had lodgment here;
+Yet, comrade old, can bitterer knowledge be
+Than that, though banned, such instinct was in me!
+
+1866.
+
+
+
+NEUTRAL TONES
+
+
+
+We stood by a pond that winter day,
+And the sun was white, as though chidden of God,
+And a few leaves lay on the starving sod,
+ --They had fallen from an ash, and were gray.
+
+Your eyes on me were as eyes that rove
+Over tedious riddles solved years ago;
+And some words played between us to and fro -
+ On which lost the more by our love.
+
+The smile on your mouth was the deadest thing
+Alive enough to have strength to die;
+And a grin of bitterness swept thereby
+ Like an ominous bird a-wing . . .
+
+Since then, keen lessons that love deceives,
+And wrings with wrong, have shaped to me
+Your face, and the God-curst sun, and a tree,
+ And a pond edged with grayish leaves.
+
+1867.
+
+
+
+SHE
+AT HIS FUNERAL
+
+
+
+They bear him to his resting-place -
+In slow procession sweeping by;
+I follow at a stranger's space;
+His kindred they, his sweetheart I.
+Unchanged my gown of garish dye,
+Though sable-sad is their attire;
+But they stand round with griefless eye,
+Whilst my regret consumes like fire!
+
+187-.
+
+
+
+HER INITIALS
+
+
+
+Upon a poet's page I wrote
+Of old two letters of her name;
+Part seemed she of the effulgent thought
+Whence that high singer's rapture came.
+- When now I turn the leaf the same
+Immortal light illumes the lay,
+But from the letters of her name
+The radiance has died away!
+
+1869.
+
+
+
+HER DILEMMA
+(IN --- CHURCH)
+
+
+
+The two were silent in a sunless church,
+Whose mildewed walls, uneven paving-stones,
+And wasted carvings passed antique research;
+And nothing broke the clock's dull monotones.
+
+Leaning against a wormy poppy-head,
+So wan and worn that he could scarcely stand,
+- For he was soon to die,--he softly said,
+"Tell me you love me!"--holding hard her hand.
+
+She would have given a world to breathe "yes" truly,
+So much his life seemed handing on her mind,
+And hence she lied, her heart persuaded throughly
+'Twas worth her soul to be a moment kind.
+
+But the sad need thereof, his nearing death,
+So mocked humanity that she shamed to prize
+A world conditioned thus, or care for breath
+Where Nature such dilemmas could devise.
+
+1866.
+
+
+
+REVULSION
+
+
+
+Though I waste watches framing words to fetter
+Some spirit to mine own in clasp and kiss,
+Out of the night there looms a sense 'twere better
+To fail obtaining whom one fails to miss.
+
+For winning love we win the risk of losing,
+And losing love is as one's life were riven;
+It cuts like contumely and keen ill-using
+To cede what was superfluously given.
+
+Let me then feel no more the fateful thrilling
+That devastates the love-worn wooer's frame,
+The hot ado of fevered hopes, the chilling
+That agonizes disappointed aim!
+So may I live no junctive law fulfilling,
+And my heart's table bear no woman's name.
+
+1866.
+
+
+
+SHE, TO HIM--I
+
+
+
+When you shall see me in the toils of Time,
+My lauded beauties carried off from me,
+My eyes no longer stars as in their prime,
+My name forgot of Maiden Fair and Free;
+
+When in your being heart concedes to mind,
+And judgment, though you scarce its process know,
+Recalls the excellencies I once enshrined,
+And you are irked that they have withered so:
+
+Remembering that with me lies not the blame,
+That Sportsman Time but rears his brood to kill,
+Knowing me in my soul the very same -
+One who would die to spare you touch of ill! -
+Will you not grant to old affection's claim
+The hand of friendship down Life's sunless hill?
+
+1866.
+
+
+
+SHE, TO HIM--II
+
+
+
+Perhaps, long hence, when I have passed away,
+Some other's feature, accent, thought like mine,
+Will carry you back to what I used to say,
+And bring some memory of your love's decline.
+
+Then you may pause awhile and think, "Poor jade!"
+And yield a sigh to me--as ample due,
+Not as the tittle of a debt unpaid
+To one who could resign her all to you -
+
+And thus reflecting, you will never see
+That your thin thought, in two small words conveyed,
+Was no such fleeting phantom-thought to me,
+But the Whole Life wherein my part was played;
+And you amid its fitful masquerade
+A Thought--as I in yours but seem to be.
+
+1866.
+
+
+
+SHE, TO HIM--III
+
+
+
+I will be faithful to thee; aye, I will!
+And Death shall choose me with a wondering eye
+That he did not discern and domicile
+One his by right ever since that last Good-bye!
+
+I have no care for friends, or kin, or prime
+Of manhood who deal gently with me here;
+Amid the happy people of my time
+Who work their love's fulfilment, I appear
+
+Numb as a vane that cankers on its point,
+True to the wind that kissed ere canker came;
+Despised by souls of Now, who would disjoint
+The mind from memory, and make Life all aim,
+
+My old dexterities of hue quite gone,
+And nothing left for Love to look upon.
+
+1866.
+
+
+
+SHE, TO HIM--IV
+
+
+
+This love puts all humanity from me;
+I can but maledict her, pray her dead,
+For giving love and getting love of thee -
+Feeding a heart that else mine own had fed!
+
+How much I love I know not, life not known,
+Save as some unit I would add love by;
+But this I know, my being is but thine own--
+Fused from its separateness by ecstasy.
+
+And thus I grasp thy amplitudes, of her
+Ungrasped, though helped by nigh-regarding eyes;
+Canst thou then hate me as an envier
+Who see unrecked what I so dearly prize?
+Believe me, Lost One, Love is lovelier
+The more it shapes its moan in selfish-wise.
+
+1866.
+
+
+
+DITTY
+(E. L G.)
+
+
+
+Beneath a knap where flown
+ Nestlings play,
+Within walls of weathered stone,
+ Far away
+From the files of formal houses,
+By the bough the firstling browses,
+Lives a Sweet: no merchants meet,
+No man barters, no man sells
+ Where she dwells.
+
+Upon that fabric fair
+ "Here is she!"
+Seems written everywhere
+ Unto me.
+But to friends and nodding neighbours,
+Fellow-wights in lot and labours,
+Who descry the times as I,
+No such lucid legend tells
+ Where she dwells.
+
+Should I lapse to what I was
+ Ere we met;
+(Such can not be, but because
+ Some forget
+Let me feign it)--none would notice
+That where she I know by rote is
+Spread a strange and withering change,
+Like a drying of the wells
+ Where she dwells.
+
+To feel I might have kissed -
+ Loved as true -
+Otherwhere, nor Mine have missed
+ My life through.
+Had I never wandered near her,
+Is a smart severe--severer
+In the thought that she is nought,
+Even as I, beyond the dells
+ Where she dwells.
+
+And Devotion droops her glance
+ To recall
+What bond-servants of Chance
+ We are all.
+I but found her in that, going
+On my errant path unknowing,
+I did not out-skirt the spot
+That no spot on earth excels,
+ --Where she dwells!
+
+1870.
+
+
+
+THE SERGEANT'S SONG
+(1803)
+
+
+
+When Lawyers strive to heal a breach,
+And Parsons practise what they preach;
+Then Little Boney he'll pounce down,
+And march his men on London town!
+ Rollicum-rorum, tol-lol-lorum,
+ Rollicum-rorum, tol-lol-lay!
+
+When Justices hold equal scales,
+And Rogues are only found in jails;
+Then Little Boney he'll pounce down,
+And march his men on London town!
+ Rollicum-rorum, &c.
+
+When Rich Men find their wealth a curse,
+And fill therewith the Poor Man's purse;
+Then Little Boney he'll pounce down,
+And march his men on London town!
+ Rollicum-rorum, &c.
+
+When Husbands with their Wives agree,
+And Maids won't wed from modesty;
+Then Little Boney he'll pounce down,
+And march his men on London town!
+ Rollicum-rorum, tol-tol-lorum,
+ Rollicum-rorum, tol-lol-lay!
+
+1878.
+
+Published in "The Trumpet-Major," 1880.
+
+
+
+VALENCIENNES
+(1793)
+BY CORP'L TULLIDGE: see "The Trumpet-Major"
+IN MEMORY OF S. C. (PENSIONER). DIED 184-
+
+
+
+ We trenched, we trumpeted and drummed,
+And from our mortars tons of iron hummed
+ Ath'art the ditch, the month we bombed
+ The Town o' Valencieen.
+
+ 'Twas in the June o' Ninety-dree
+(The Duke o' Yark our then Commander been)
+ The German Legion, Guards, and we
+ Laid siege to Valencieen.
+
+ This was the first time in the war
+That French and English spilled each other's gore;
+ --Few dreamt how far would roll the roar
+ Begun at Valencieen!
+
+ 'Twas said that we'd no business there
+A-topperen the French for disagreen;
+ However, that's not my affair -
+ We were at Valencieen.
+
+ Such snocks and slats, since war began
+Never knew raw recruit or veteran:
+ Stone-deaf therence went many a man
+ Who served at Valencieen.
+
+ Into the streets, ath'art the sky,
+A hundred thousand balls and bombs were fleen;
+ And harmless townsfolk fell to die
+ Each hour at Valencieen!
+
+ And, sweaten wi' the bombardiers,
+A shell was slent to shards anighst my ears:
+ --'Twas nigh the end of hopes and fears
+ For me at Valencieen!
+
+ They bore my wownded frame to camp,
+And shut my gapen skull, and washed en clean,
+ And jined en wi' a zilver clamp
+ Thik night at Valencieen.
+
+ "We've fetched en back to quick from dead;
+But never more on earth while rose is red
+ Will drum rouse Corpel!" Doctor said
+ O' me at Valencieen.
+
+ 'Twer true. No voice o' friend or foe
+Can reach me now, or any liven been;
+ And little have I power to know
+ Since then at Valencieen!
+
+ I never hear the zummer hums
+O' bees; and don' know when the cuckoo comes;
+ But night and day I hear the bombs
+ We threw at Valencieen . . .
+
+ As for the Duke o' Yark in war,
+There be some volk whose judgment o' en is mean;
+ But this I say--a was not far
+ From great at Valencieen.
+
+ O' wild wet nights, when all seems sad,
+My wownds come back, as though new wownds I'd had;
+ But yet--at times I'm sort o' glad
+ I fout at Valencieen.
+
+ Well: Heaven wi' its jasper halls
+Is now the on'y Town I care to be in . . .
+ Good Lord, if Nick should bomb the walls
+ As we did Valencieen!
+
+1878-1897.
+
+
+
+SAN SEBASTIAN
+(August 1813)
+WITH THOUGHTS OF SERGEANT M- (PENSIONER), WHO DIED 185-.
+
+
+
+"Why, Sergeant, stray on the Ivel Way,
+As though at home there were spectres rife?
+From first to last 'twas a proud career!
+And your sunny years with a gracious wife
+ Have brought you a daughter dear.
+
+"I watched her to-day; a more comely maid,
+As she danced in her muslin bowed with blue,
+Round a Hintock maypole never gayed."
+- "Aye, aye; I watched her this day, too,
+ As it happens," the Sergeant said.
+
+"My daughter is now," he again began,
+"Of just such an age as one I knew
+When we of the Line and Forlorn-hope van,
+On an August morning--a chosen few -
+ Stormed San Sebastian.
+
+"She's a score less three; so about was SHE -
+The maiden I wronged in Peninsular days . . .
+You may prate of your prowess in lusty times,
+But as years gnaw inward you blink your bays,
+ And see too well your crimes!
+
+"We'd stormed it at night, by the vlanker-light
+Of burning towers, and the mortar's boom:
+We'd topped the breach; but had failed to stay,
+For our files were misled by the baffling gloom;
+ And we said we'd storm by day.
+
+"So, out of the trenches, with features set,
+On that hot, still morning, in measured pace,
+Our column climbed; climbed higher yet,
+Past the fauss'bray, scarp, up the curtain-face,
+ And along the parapet.
+
+"From the battened hornwork the cannoneers
+Hove crashing balls of iron fire;
+On the shaking gap mount the volunteers
+In files, and as they mount expire
+ Amid curses, groans, and cheers.
+
+"Five hours did we storm, five hours re-form,
+As Death cooled those hot blood pricked on;
+Till our cause was helped by a woe within:
+They swayed from the summit we'd leapt upon,
+ And madly we entered in.
+
+"On end for plunder, 'mid rain and thunder
+That burst with the lull of our cannonade,
+We vamped the streets in the stifling air -
+Our hunger unsoothed, our thirst unstayed -
+ And ransacked the buildings there.
+
+"Down the stony steps of the house-fronts white
+We rolled rich puncheons of Spanish grape,
+Till at length, with the fire of the wine alight,
+I saw at a doorway a fair fresh shape -
+ A woman, a sylph, or sprite.
+
+"Afeard she fled, and with heated head
+I pursued to the chamber she called her own;
+- When might is right no qualms deter,
+And having her helpless and alone
+ I wreaked my will on her.
+
+"She raised her beseeching eyes to me,
+And I heard the words of prayer she sent
+In her own soft language . . . Seemingly
+I copied those eyes for my punishment
+ In begetting the girl you see!
+
+"So, to-day I stand with a God-set brand
+Like Cain's, when he wandered from kindred's ken . . .
+I served through the war that made Europe free;
+I wived me in peace-year. But, hid from men,
+ I bear that mark on me.
+
+"And I nightly stray on the Ivel Way
+As though at home there were spectres rife;
+I delight me not in my proud career;
+And 'tis coals of fire that a gracious wife
+ Should have brought me a daughter dear!"
+
+
+
+THE STRANGER'S SONG
+(As sung by MR. CHARLES CHARRINGTON in the play of "The Three
+Wayfarers")
+
+
+
+ O my trade it is the rarest one,
+Simple shepherds all -
+ My trade is a sight to see;
+For my customers I tie, and take 'em up on high,
+ And waft 'em to a far countree!
+
+My tools are but common ones,
+ Simple shepherds all -
+ My tools are no sight to see:
+A little hempen string, and a post whereon to swing,
+ Are implements enough for me!
+
+To-morrow is my working day,
+ Simple shepherds all -
+ To-morrow is a working day for me:
+For the farmer's sheep is slain, and the lad who did it ta'en,
+ And on his soul may God ha' mer-cy!
+
+Printed in "The Three Strangers," 1883.
+
+
+
+THE BURGHERS
+(17-)
+
+
+
+The sun had wheeled from Grey's to Dammer's Crest,
+And still I mused on that Thing imminent:
+At length I sought the High-street to the West.
+
+The level flare raked pane and pediment
+And my wrecked face, and shaped my nearing friend
+Like one of those the Furnace held unshent.
+
+"I've news concerning her," he said. "Attend.
+They fly to-night at the late moon's first gleam:
+Watch with thy steel: two righteous thrusts will end
+
+Her shameless visions and his passioned dream.
+I'll watch with thee, to testify thy wrong -
+To aid, maybe.--Law consecrates the scheme."
+
+I started, and we paced the flags along
+Till I replied: "Since it has come to this
+I'll do it! But alone. I can be strong."
+
+Three hours past Curfew, when the Froom's mild hiss
+Reigned sole, undulled by whirr of merchandize,
+From Pummery-Tout to where the Gibbet is,
+
+I crossed my pleasaunce hard by Glyd'path Rise,
+And stood beneath the wall. Eleven strokes went,
+And to the door they came, contrariwise,
+
+And met in clasp so close I had but bent
+My lifted blade upon them to have let
+Their two souls loose upon the firmament.
+
+But something held my arm. "A moment yet
+As pray-time ere you wantons die!" I said;
+And then they saw me. Swift her gaze was set
+
+With eye and cry of love illimited
+Upon her Heart-king. Never upon me
+Had she thrown look of love so thorough-sped! . . .
+
+At once she flung her faint form shieldingly
+On his, against the vengeance of my vows;
+The which o'erruling, her shape shielded he.
+
+Blanked by such love, I stood as in a drowse,
+And the slow moon edged from the upland nigh,
+My sad thoughts moving thuswise: "I may house
+
+And I may husband her, yet what am I
+But licensed tyrant to this bonded pair?
+Says Charity, Do as ye would be done by." . . .
+
+Hurling my iron to the bushes there,
+I bade them stay. And, as if brain and breast
+Were passive, they walked with me to the stair.
+
+Inside the house none watched; and on we prest
+Before a mirror, in whose gleam I read
+Her beauty, his,--and mine own mien unblest;
+
+Till at her room I turned. "Madam," I said,
+"Have you the wherewithal for this? Pray speak.
+Love fills no cupboard. You'll need daily bread."
+
+"We've nothing, sire," said she; "and nothing seek.
+'Twere base in me to rob my lord unware;
+Our hands will earn a pittance week by week."
+
+And next I saw she'd piled her raiment rare
+Within the garde-robes, and her household purse,
+Her jewels, and least lace of personal wear;
+
+And stood in homespun. Now grown wholly hers,
+I handed her the gold, her jewels all,
+And him the choicest of her robes diverse.
+
+"I'll take you to the doorway in the wall,
+And then adieu," I to them. "Friends, withdraw."
+They did so; and she went--beyond recall.
+
+And as I paused beneath the arch I saw
+Their moonlit figures--slow, as in surprise -
+Descend the slope, and vanish on the haw.
+
+"'Fool,' some will say," I thought. "But who is wise,
+Save God alone, to weigh my reasons why?"
+- "Hast thou struck home?" came with the boughs' night-sighs.
+
+It was my friend. "I have struck well. They fly,
+But carry wounds that none can cicatrize."
+- "Not mortal?" said he. "Lingering--worse," said I.
+
+
+
+LEIPZIG
+(1813)
+Scene: The Master-tradesmen's Parlour at the Old Ship Inn,
+Casterbridge. Evening.
+
+
+
+"Old Norbert with the flat blue cap--
+ A German said to be -
+Why let your pipe die on your lap,
+ Your eyes blink absently?" -
+
+- "Ah! . . . Well, I had thought till my cheek was wet
+ Of my mother--her voice and mien
+When she used to sing and pirouette,
+ And touse the tambourine
+
+"To the march that yon street-fiddler plies:
+ She told me 'twas the same
+She'd heard from the trumpets, when the Allies
+ Her city overcame.
+
+"My father was one of the German Hussars,
+ My mother of Leipzig; but he,
+Long quartered here, fetched her at close of the wars,
+ And a Wessex lad reared me.
+
+"And as I grew up, again and again
+ She'd tell, after trilling that air,
+Of her youth, and the battles on Leipzig plain
+ And of all that was suffered there! . . .
+
+"--'Twas a time of alarms. Three Chiefs-at-arms
+ Combined them to crush One,
+And by numbers' might, for in equal fight
+ He stood the matched of none.
+
+"Carl Schwarzenberg was of the plot,
+ And Blucher, prompt and prow,
+And Jean the Crown-Prince Bernadotte:
+ Buonaparte was the foe.
+
+"City and plain had felt his reign
+ From the North to the Middle Sea,
+And he'd now sat down in the noble town
+ Of the King of Saxony.
+
+"October's deep dew its wet gossamer threw
+ Upon Leipzig's lawns, leaf-strewn,
+Where lately each fair avenue
+ Wrought shade for summer noon.
+
+"To westward two dull rivers crept
+ Through miles of marsh and slough,
+Whereover a streak of whiteness swept -
+ The Bridge of Lindenau.
+
+"Hard by, in the City, the One, care-tossed,
+ Gloomed over his shrunken power;
+And without the walls the hemming host
+ Waxed denser every hour.
+
+"He had speech that night on the morrow's designs
+ With his chiefs by the bivouac fire,
+While the belt of flames from the enemy's lines
+ Flared nigher him yet and nigher.
+
+"Three sky-lights then from the girdling trine
+ Told, 'Ready!' As they rose
+Their flashes seemed his Judgment-Sign
+ For bleeding Europe's woes.
+
+"'Twas seen how the French watch-fires that night
+ Glowed still and steadily;
+And the Three rejoiced, for they read in the sight
+ That the One disdained to flee . . .
+
+"--Five hundred guns began the affray
+ On next day morn at nine;
+Such mad and mangling cannon-play
+ Had never torn human line.
+
+"Around the town three battles beat,
+ Contracting like a gin;
+As nearer marched the million feet
+ Of columns closing in.
+
+"The first battle nighed on the low Southern side;
+ The second by the Western way;
+The nearing of the third on the North was heard:
+ --The French held all at bay.
+
+"Against the first band did the Emperor stand;
+ Against the second stood Ney;
+Marmont against the third gave the order-word:
+ --Thus raged it throughout the day.
+
+"Fifty thousand sturdy souls on those trampled plains and knolls,
+ Who met the dawn hopefully,
+And were lotted their shares in a quarrel not theirs,
+ Dropt then in their agony.
+
+"'O,' the old folks said, 'ye Preachers stern!
+ O so-called Christian time!
+When will men's swords to ploughshares turn?
+ When come the promised prime?' . . .
+
+"--The clash of horse and man which that day began,
+ Closed not as evening wore;
+And the morrow's armies, rear and van,
+ Still mustered more and more.
+
+"From the City towers the Confederate Powers
+ Were eyed in glittering lines,
+And up from the vast a murmuring passed
+ As from a wood of pines.
+
+"''Tis well to cover a feeble skill
+ By numbers!' scoffed He;
+'But give me a third of their strength, I'd fill
+ Half Hell with their soldiery!'
+
+"All that day raged the war they waged,
+ And again dumb night held reign,
+Save that ever upspread from the dark deathbed
+ A miles-wide pant of pain.
+
+"Hard had striven brave Ney, the true Bertrand,
+ Victor, and Augereau,
+Bold Poniatowski, and Lauriston,
+ To stay their overthrow;
+
+"But, as in the dream of one sick to death
+ There comes a narrowing room
+That pens him, body and limbs and breath,
+ To wait a hideous doom,
+
+"So to Napoleon, in the hush
+ That held the town and towers
+Through these dire nights, a creeping crush
+ Seemed inborne with the hours.
+
+"One road to the rearward, and but one,
+ Did fitful Chance allow;
+'Twas where the Pleiss' and Elster run -
+ The Bridge of Lindenau.
+
+"The nineteenth dawned. Down street and Platz
+ The wasted French sank back,
+Stretching long lines across the Flats
+ And on the bridge-way track;
+
+"When there surged on the sky an earthen wave,
+ And stones, and men, as though
+Some rebel churchyard crew updrave
+ Their sepulchres from below.
+
+"To Heaven is blown Bridge Lindenau;
+ Wrecked regiments reel therefrom;
+And rank and file in masses plough
+ The sullen Elster-Strom.
+
+"A gulf was Lindenau; and dead
+ Were fifties, hundreds, tens;
+And every current rippled red
+ With Marshal's blood and men's.
+
+"The smart Macdonald swam therein,
+ And barely won the verge;
+Bold Poniatowski plunged him in
+ Never to re-emerge.
+
+"Then stayed the strife. The remnants wound
+ Their Rhineward way pell-mell;
+And thus did Leipzig City sound
+ An Empire's passing bell;
+
+"While in cavalcade, with band and blade,
+ Came Marshals, Princes, Kings;
+And the town was theirs . . . Ay, as simple maid,
+ My mother saw these things!
+
+"And whenever those notes in the street begin,
+ I recall her, and that far scene,
+And her acting of how the Allies marched in,
+ And her touse of the tambourine!"
+
+
+
+THE PEASANT'S CONFESSION
+
+
+
+"Si le marechal Grouchy avait ete rejoint par l'officier que Napoleon
+lui avait expedie la veille a dix heures du soir, toute question eut
+disparu. Mais cet officier n'etait point parvenu a sa destination,
+ainsi que le marechal n'a cesse de l'affirmer toute sa vie, et il
+faut l'en croire, car autrement il n'aurait eu aucune raison pour
+hesiter. Cet officier avait-il ete pris? avait-il passe a l'ennemi?
+C'est ce qu'on a toujours ignore."
+
+- THIERS: Histoire de l'Empire. "Waterloo."
+
+Good Father! . . . 'Twas an eve in middle June,
+ And war was waged anew
+By great Napoleon, who for years had strewn
+ Men's bones all Europe through.
+
+Three nights ere this, with columned corps he'd crossed
+ The Sambre at Charleroi,
+To move on Brussels, where the English host
+ Dallied in Parc and Bois.
+
+The yestertide we'd heard the gloomy gun
+ Growl through the long-sunned day
+From Quatre-Bras and Ligny; till the dun
+ Twilight suppressed the fray;
+
+Albeit therein--as lated tongues bespoke -
+ Brunswick's high heart was drained,
+And Prussia's Line and Landwehr, though unbroke,
+ Stood cornered and constrained.
+
+And at next noon-time Grouchy slowly passed
+ With thirty thousand men:
+We hoped thenceforth no army, small or vast,
+ Would trouble us again.
+
+My hut lay deeply in a vale recessed,
+ And never a soul seemed nigh
+When, reassured at length, we went to rest -
+ My children, wife, and I.
+
+But what was this that broke our humble ease?
+ What noise, above the rain,
+Above the dripping of the poplar trees
+ That smote along the pane?
+
+- A call of mastery, bidding me arise,
+ Compelled me to the door,
+At which a horseman stood in martial guise -
+ Splashed--sweating from every pore.
+
+Had I seen Grouchy? Yes? Which track took he?
+ Could I lead thither on? -
+Fulfilment would ensure gold pieces three,
+ Perchance more gifts anon.
+
+"I bear the Emperor's mandate," then he said,
+ "Charging the Marshal straight
+To strike between the double host ahead
+ Ere they co-operate,
+
+"Engaging Blucher till the Emperor put
+ Lord Wellington to flight,
+And next the Prussians. This to set afoot
+ Is my emprise to-night."
+
+I joined him in the mist; but, pausing, sought
+ To estimate his say.
+Grouchy had made for Wavre; and yet, on thought,
+ I did not lead that way.
+
+I mused: "If Grouchy thus instructed be,
+ The clash comes sheer hereon;
+My farm is stript. While, as for pieces three,
+ Money the French have none.
+
+"Grouchy unwarned, moreo'er, the English win,
+ And mine is left to me -
+They buy, not borrow."--Hence did I begin
+ To lead him treacherously.
+
+By Joidoigne, near to east, as we ondrew,
+ Dawn pierced the humid air;
+And eastward faced I with him, though I knew
+ Never marched Grouchy there.
+
+Near Ottignies we passed, across the Dyle
+ (Lim'lette left far aside),
+And thence direct toward Pervez and Noville
+ Through green grain, till he cried:
+
+"I doubt thy conduct, man! no track is here -
+ I doubt thy gaged word!"
+Thereat he scowled on me, and pranced me near,
+ And pricked me with his sword.
+
+"Nay, Captain, hold! We skirt, not trace the course
+ Of Grouchy," said I then:
+"As we go, yonder went he, with his force
+ Of thirty thousand men."
+
+- At length noon nighed; when west, from Saint-John's-Mound,
+ A hoarse artillery boomed,
+And from Saint-Lambert's upland, chapel-crowned,
+ The Prussian squadrons loomed.
+
+Then to the wayless wet gray ground he leapt;
+ "My mission fails!" he cried;
+"Too late for Grouchy now to intercept,
+ For, peasant, you have lied!"
+
+He turned to pistol me. I sprang, and drew
+ The sabre from his flank,
+And 'twixt his nape and shoulder, ere he knew,
+ I struck, and dead he sank.
+
+I hid him deep in nodding rye and oat -
+ His shroud green stalks and loam;
+His requiem the corn-blade's husky note -
+ And then I hastened home, . . .
+
+- Two armies writhe in coils of red and blue,
+ And brass and iron clang
+From Goumont, past the front of Waterloo,
+ To Pap'lotte and Smohain.
+
+The Guard Imperial wavered on the height;
+ The Emperor's face grew glum;
+"I sent," he said, "to Grouchy yesternight,
+ And yet he does not come!"
+
+'Twas then, Good Father, that the French espied,
+ Streaking the summer land,
+The men of Blucher. But the Emperor cried,
+ "Grouchy is now at hand!"
+
+And meanwhile Vand'leur, Vivian, Maitland, Kempt,
+ Met d'Erlon, Friant, Ney;
+But Grouchy--mis-sent, blamed, yet blame-exempt -
+ Grouchy was far away.
+
+By even, slain or struck, Michel the strong,
+ Bold Travers, Dnop, Delord,
+Smart Guyot, Reil-le, l'Heriter, Friant,
+ Scattered that champaign o'er.
+
+Fallen likewise wronged Duhesme, and skilled Lobau
+ Did that red sunset see;
+Colbert, Legros, Blancard! . . . And of the foe
+ Picton and Ponsonby;
+
+With Gordon, Canning, Blackman, Ompteda,
+ L'Estrange, Delancey, Packe,
+Grose, D'Oyly, Stables, Morice, Howard, Hay,
+ Von Schwerin, Watzdorf, Boek,
+
+Smith, Phelips, Fuller, Lind, and Battersby,
+ And hosts of ranksmen round . . .
+Memorials linger yet to speak to thee
+ Of those that bit the ground!
+
+The Guards' last column yielded; dykes of dead
+ Lay between vale and ridge,
+As, thinned yet closing, faint yet fierce, they sped
+ In packs to Genappe Bridge.
+
+Safe was my stock; my capple cow unslain;
+ Intact each cock and hen;
+But Grouchy far at Wavre all day had lain,
+ And thirty thousand men.
+
+O Saints, had I but lost my earing corn
+ And saved the cause once prized!
+O Saints, why such false witness had I borne
+ When late I'd sympathized! . . .
+
+So now, being old, my children eye askance
+ My slowly dwindling store,
+And crave my mite; till, worn with tarriance,
+ I care for life no more.
+
+To Almighty God henceforth I stand confessed,
+ And Virgin-Saint Marie;
+O Michael, John, and Holy Ones in rest,
+ Entreat the Lord for me!
+
+
+
+THE ALARM
+(1803)
+See "The Trumpet-Major"
+IN MEMORY OF ONE OF THE WRITER'S FAMILY WHO WAS A VOLUNTEER DURING
+THE WAR WITH NAPOLEON
+
+
+
+ In a ferny byway
+ Near the great South-Wessex Highway,
+ A homestead raised its breakfast-smoke aloft;
+The dew-damps still lay steamless, for the sun had made no sky-way,
+ And twilight cloaked the croft.
+
+ 'Twas hard to realize on
+ This snug side the mute horizon
+ That beyond it hostile armaments might steer,
+Save from seeing in the porchway a fair woman weep with eyes on
+ A harnessed Volunteer.
+
+ In haste he'd flown there
+ To his comely wife alone there,
+ While marching south hard by, to still her fears,
+For she soon would be a mother, and few messengers were known there
+ In these campaigning years.
+
+ 'Twas time to be Good-bying,
+ Since the assembly-hour was nighing
+ In royal George's town at six that morn;
+And betwixt its wharves and this retreat were ten good miles of
+hieing
+ Ere ring of bugle-horn.
+
+ "I've laid in food, Dear,
+ And broached the spiced and brewed, Dear;
+ And if our July hope should antedate,
+Let the char-wench mount and gallop by the halterpath and wood, Dear,
+ And fetch assistance straight.
+
+ "As for Buonaparte, forget him;
+ He's not like to land! But let him,
+ Those strike with aim who strike for wives and sons!
+And the war-boats built to float him; 'twere but wanted to upset him
+ A slat from Nelson's guns!
+
+ "But, to assure thee,
+ And of creeping fears to cure thee,
+ If he SHOULD be rumoured anchoring in the Road,
+Drive with the nurse to Kingsbere; and let nothing thence allure thee
+ Till we've him safe-bestowed.
+
+ "Now, to turn to marching matters:-
+ I've my knapsack, firelock, spatters,
+ Crossbelts, priming-horn, stock, bay'net, blackball, clay,
+Pouch, magazine, flints, flint-box that at every quick-step clatters;
+ . . . My heart, Dear; that must stay!"
+
+ --With breathings broken
+ Farewell was kissed unspoken,
+ And they parted there as morning stroked the panes;
+And the Volunteer went on, and turned, and twirled his glove for
+token,
+ And took the coastward lanes.
+
+ When above He'th Hills he found him,
+ He saw, on gazing round him,
+ The Barrow-Beacon burning--burning low,
+As if, perhaps, uplighted ever since he'd homeward bound him;
+ And it meant: Expect the Foe!
+
+ Leaving the byway,
+ And following swift the highway,
+ Car and chariot met he, faring fast inland;
+"He's anchored, Soldier!" shouted some: "God save thee, marching thy
+way,
+ Th'lt front him on the strand!"
+
+ He slowed; he stopped; he paltered
+ Awhile with self, and faltered,
+ "Why courting misadventure shoreward roam?
+To Molly, surely! Seek the woods with her till times have altered;
+ Charity favours home.
+
+ Else, my denying
+ He would come she'll read as lying -
+ Think the Barrow-Beacon must have met my eyes--
+That my words were not unwareness, but deceit of her, while trying
+ My life to jeopardize.
+
+ "At home is stocked provision,
+ And to-night, without suspicion,
+ We might bear it with us to a covert near;
+Such sin, to save a childing wife, would earn it Christ's remission,
+ Though none forgive it here!"
+
+ While thus he, thinking,
+ A little bird, quick drinking
+ Among the crowfoot tufts the river bore,
+Was tangled in their stringy arms, and fluttered, well-nigh sinking,
+ Near him, upon the moor.
+
+ He stepped in, reached, and seized it,
+ And, preening, had released it
+ But that a thought of Holy Writ occurred,
+And Signs Divine ere battle, till it seemed him Heaven had pleased it
+ As guide to send the bird.
+
+ "O Lord, direct me! . . .
+ Doth Duty now expect me
+ To march a-coast, or guard my weak ones near?
+Give this bird a flight according, that I thence know to elect me
+ The southward or the rear."
+
+ He loosed his clasp; when, rising,
+ The bird--as if surmising -
+ Bore due to southward, crossing by the Froom,
+And Durnover Great-Field and Fort, the soldier clear advising -
+ Prompted he wist by Whom.
+
+ Then on he panted
+ By grim Mai-Don, and slanted
+ Up the steep Ridge-way, hearkening betwixt whiles;
+Till, nearing coast and harbour, he beheld the shore-line planted
+ With Foot and Horse for miles.
+
+ Mistrusting not the omen,
+ He gained the beach, where Yeomen,
+ Militia, Fencibles, and Pikemen bold,
+With Regulars in thousands, were enmassed to meet the Foemen,
+ Whose fleet had not yet shoaled.
+
+ Captain and Colonel,
+ Sere Generals, Ensigns vernal,
+ Were there; of neighbour-natives, Michel, Smith,
+Meggs, Bingham, Gambier, Cunningham, roused by the hued nocturnal
+ Swoop on their land and kith.
+
+ But Buonaparte still tarried;
+ His project had miscarried;
+ At the last hour, equipped for victory,
+The fleet had paused; his subtle combinations had been parried
+ By British strategy.
+
+ Homeward returning
+ Anon, no beacons burning,
+ No alarms, the Volunteer, in modest bliss,
+Te Deum sang with wife and friends: "We praise Thee, Lord,
+discerning
+ That Thou hast helped in this!"
+
+
+
+HER DEATH AND AFTER
+
+
+
+'Twas a death-bed summons, and forth I went
+By the way of the Western Wall, so drear
+On that winter night, and sought a gate -
+ The home, by Fate,
+ Of one I had long held dear.
+
+And there, as I paused by her tenement,
+And the trees shed on me their rime and hoar,
+I thought of the man who had left her lone -
+ Him who made her his own
+ When I loved her, long before.
+
+The rooms within had the piteous shine
+That home-things wear when there's aught amiss;
+From the stairway floated the rise and fall
+ Of an infant's call,
+ Whose birth had brought her to this.
+
+Her life was the price she would pay for that whine -
+For a child by the man she did not love.
+"But let that rest for ever," I said,
+ And bent my tread
+ To the chamber up above.
+
+She took my hand in her thin white own,
+And smiled her thanks--though nigh too weak -
+And made them a sign to leave us there
+ Then faltered, ere
+ She could bring herself to speak.
+
+"'Twas to see you before I go--he'll condone
+Such a natural thing now my time's not much--
+When Death is so near it hustles hence
+ All passioned sense
+ Between woman and man as such!
+
+"My husband is absent. As heretofore
+The City detains him. But, in truth,
+He has not been kind . . . I will speak no blame,
+ But--the child is lame;
+ O, I pray she may reach his ruth!
+
+"Forgive past days--I can say no more -
+Maybe if we'd wedded you'd now repine! . . .
+But I treated you ill. I was punished. Farewell!
+ --Truth shall I tell?
+ Would the child were yours and mine!
+
+"As a wife I was true. But, such my unease
+That, could I insert a deed back in Time,
+I'd make her yours, to secure your care;
+ And the scandal bear,
+ And the penalty for the crime!"
+
+- When I had left, and the swinging trees
+Rang above me, as lauding her candid say,
+Another was I. Her words were enough:
+ Came smooth, came rough,
+ I felt I could live my day.
+
+Next night she died; and her obsequies
+In the Field of Tombs, by the Via renowned,
+Had her husband's heed. His tendance spent,
+ I often went
+ And pondered by her mound.
+
+All that year and the next year whiled,
+And I still went thitherward in the gloam;
+But the Town forgot her and her nook,
+ And her husband took
+ Another Love to his home.
+
+And the rumour flew that the lame lone child
+Whom she wished for its safety child of mine,
+Was treated ill when offspring came
+ Of the new-made dame,
+ And marked a more vigorous line.
+
+A smarter grief within me wrought
+Than even at loss of her so dear;
+Dead the being whose soul my soul suffused,
+ Her child ill-used,
+ I helpless to interfere!
+
+One eve as I stood at my spot of thought
+In the white-stoned Garth, brooding thus her wrong,
+Her husband neared; and to shun his view
+ By her hallowed mew
+ I went from the tombs among
+
+To the Cirque of the Gladiators which faced -
+That haggard mark of Imperial Rome,
+Whose Pagan echoes mock the chime
+ Of our Christian time:
+ It was void, and I inward clomb.
+
+Scarce night the sun's gold touch displaced
+From the vast Rotund and the neighbouring dead
+When her husband followed; bowed; half-passed,
+ With lip upcast;
+ Then, halting, sullenly said:
+
+"It is noised that you visit my first wife's tomb.
+Now, I gave her an honoured name to bear
+While living, when dead. So I've claim to ask
+ By what right you task
+ My patience by vigiling there?
+
+"There's decency even in death, I assume;
+Preserve it, sir, and keep away;
+For the mother of my first-born you
+ Show mind undue!
+ --Sir, I've nothing more to say."
+
+A desperate stroke discerned I then -
+God pardon--or pardon not--the lie;
+She had sighed that she wished (lest the child should pine
+ Of slights) 'twere mine,
+ So I said: "But the father I.
+
+"That you thought it yours is the way of men;
+But I won her troth long ere your day:
+You learnt how, in dying, she summoned me?
+ 'Twas in fealty.
+ --Sir, I've nothing more to say,
+
+"Save that, if you'll hand me my little maid,
+I'll take her, and rear her, and spare you toil.
+Think it more than a friendly act none can;
+ I'm a lonely man,
+ While you've a large pot to boil.
+
+"If not, and you'll put it to ball or blade -
+To-night, to-morrow night, anywhen -
+I'll meet you here . . . But think of it,
+ And in season fit
+ Let me hear from you again."
+
+- Well, I went away, hoping; but nought I heard
+Of my stroke for the child, till there greeted me
+A little voice that one day came
+ To my window-frame
+ And babbled innocently:
+
+"My father who's not my own, sends word
+I'm to stay here, sir, where I belong!"
+Next a writing came: "Since the child was the fruit
+ Of your lawless suit,
+ Pray take her, to right a wrong."
+
+And I did. And I gave the child my love,
+And the child loved me, and estranged us none.
+But compunctions loomed; for I'd harmed the dead
+ By what I'd said
+ For the good of the living one.
+
+- Yet though, God wot, I am sinner enough,
+And unworthy the woman who drew me so,
+Perhaps this wrong for her darling's good
+ She forgives, or would,
+ If only she could know!
+
+
+
+THE DANCE AT THE PHOENIX
+
+
+
+To Jenny came a gentle youth
+ From inland leazes lone,
+His love was fresh as apple-blooth
+ By Parrett, Yeo, or Tone.
+And duly he entreated her
+To be his tender minister,
+ And call him aye her own.
+
+Fair Jenny's life had hardly been
+ A life of modesty;
+At Casterbridge experience keen
+ Of many loves had she
+From scarcely sixteen years above;
+Among them sundry troopers of
+ The King's-Own Cavalry.
+
+But each with charger, sword, and gun,
+ Had bluffed the Biscay wave;
+And Jenny prized her gentle one
+ For all the love he gave.
+She vowed to be, if they were wed,
+His honest wife in heart and head
+ From bride-ale hour to grave.
+
+Wedded they were. Her husband's trust
+ In Jenny knew no bound,
+And Jenny kept her pure and just,
+ Till even malice found
+No sin or sign of ill to be
+In one who walked so decently
+ The duteous helpmate's round.
+
+Two sons were born, and bloomed to men,
+ And roamed, and were as not:
+Alone was Jenny left again
+ As ere her mind had sought
+A solace in domestic joys,
+And ere the vanished pair of boys
+ Were sent to sun her cot.
+
+She numbered near on sixty years,
+ And passed as elderly,
+When, in the street, with flush of fears,
+ One day discovered she,
+From shine of swords and thump of drum.
+Her early loves from war had come,
+ The King's-Own Cavalry.
+
+She turned aside, and bowed her head
+ Anigh Saint Peter's door;
+"Alas for chastened thoughts!" she said;
+ "I'm faded now, and hoar,
+And yet those notes--they thrill me through,
+And those gay forms move me anew
+ As in the years of yore!" . . .
+
+'Twas Christmas, and the Phoenix Inn
+ Was lit with tapers tall,
+For thirty of the trooper men
+ Had vowed to give a ball
+As "Theirs" had done ('twas handed down)
+When lying in the selfsame town
+ Ere Buonaparte's fall.
+
+That night the throbbing "Soldier's Joy,"
+ The measured tread and sway
+Of "Fancy-Lad" and "Maiden Coy,"
+ Reached Jenny as she lay
+Beside her spouse; till springtide blood
+Seemed scouring through her like a flood
+ That whisked the years away.
+
+She rose, and rayed, and decked her head
+ Where the bleached hairs ran thin;
+Upon her cap two bows of red
+ She fixed with hasty pin;
+Unheard descending to the street,
+She trod the flags with tune-led feet,
+ And stood before the Inn.
+
+Save for the dancers', not a sound
+ Disturbed the icy air;
+No watchman on his midnight round
+ Or traveller was there;
+But over All-Saints', high and bright,
+Pulsed to the music Sirius white,
+ The Wain by Bullstake Square.
+
+She knocked, but found her further stride
+ Checked by a sergeant tall:
+"Gay Granny, whence come you?" he cried;
+ "This is a private ball."
+- "No one has more right here than me!
+Ere you were born, man," answered she,
+ "I knew the regiment all!"
+
+"Take not the lady's visit ill!"
+ Upspoke the steward free;
+"We lack sufficient partners still,
+ So, prithee let her be!"
+They seized and whirled her 'mid the maze,
+And Jenny felt as in the days
+ Of her immodesty.
+
+Hour chased each hour, and night advanced;
+ She sped as shod with wings;
+Each time and every time she danced -
+ Reels, jigs, poussettes, and flings:
+They cheered her as she soared and swooped,
+(She'd learnt ere art in dancing drooped
+ From hops to slothful swings).
+
+The favourite Quick-step "Speed the Plough" -
+ (Cross hands, cast off, and wheel)--
+"The Triumph," "Sylph," "The Row-dow-dow,"
+ Famed "Major Malley's Reel,"
+"The Duke of York's," "The Fairy Dance,"
+"The Bridge of Lodi" (brought from France),
+ She beat out, toe and heel.
+
+The "Fall of Paris" clanged its close,
+ And Peter's chime told four,
+When Jenny, bosom-beating, rose
+ To seek her silent door.
+They tiptoed in escorting her,
+Lest stroke of heel or clink of spur
+ Should break her goodman's snore.
+
+The fire that late had burnt fell slack
+ When lone at last stood she;
+Her nine-and-fifty years came back;
+ She sank upon her knee
+Beside the durn, and like a dart
+A something arrowed through her heart
+ In shoots of agony.
+
+Their footsteps died as she leant there,
+ Lit by the morning star
+Hanging above the moorland, where
+ The aged elm-rows are;
+And, as o'ernight, from Pummery Ridge
+To Maembury Ring and Standfast Bridge
+ No life stirred, near or far.
+
+Though inner mischief worked amain,
+ She reached her husband's side;
+Where, toil-weary, as he had lain
+ Beneath the patchwork pied
+When yestereve she'd forthward crept,
+And as unwitting, still he slept
+ Who did in her confide.
+
+A tear sprang as she turned and viewed
+ His features free from guile;
+She kissed him long, as when, just wooed,
+ She chose his domicile.
+She felt she could have given her life
+To be the single-hearted wife
+ That she had been erstwhile.
+
+Time wore to six. Her husband rose
+ And struck the steel and stone;
+He glanced at Jenny, whose repose
+ Seemed deeper than his own.
+With dumb dismay, on closer sight,
+He gathered sense that in the night,
+ Or morn, her soul had flown.
+
+When told that some too mighty strain
+ For one so many-yeared
+Had burst her bosom's master-vein,
+ His doubts remained unstirred.
+His Jenny had not left his side
+Betwixt the eve and morning-tide:
+ --The King's said not a word.
+
+Well! times are not as times were then,
+ Nor fair ones half so free;
+And truly they were martial men,
+ The King's-Own Cavalry.
+And when they went from Casterbridge
+And vanished over Mellstock Ridge,
+ 'Twas saddest morn to see.
+
+
+
+THE CASTERBRIDGE CAPTAINS
+(KHYBER PASS, 1842)
+A TRADITION OF J. B. L-, T. G. B-, AND J. L-.
+
+
+
+Three captains went to Indian wars,
+ And only one returned:
+Their mate of yore, he singly wore
+ The laurels all had earned.
+
+At home he sought the ancient aisle
+ Wherein, untrumped of fame,
+The three had sat in pupilage,
+ And each had carved his name.
+
+The names, rough-hewn, of equal size,
+ Stood on the panel still;
+Unequal since.--"'Twas theirs to aim,
+ Mine was it to fulfil!"
+
+- "Who saves his life shall lose it, friends!"
+ Outspake the preacher then,
+Unweeting he his listener, who
+ Looked at the names again.
+
+That he had come and they'd been stayed,
+ 'Twas but the chance of war:
+Another chance, and they'd sat here,
+ And he had lain afar.
+
+Yet saw he something in the lives
+ Of those who'd ceased to live
+That sphered them with a majesty
+ Which living failed to give.
+
+Transcendent triumph in return
+ No longer lit his brain;
+Transcendence rayed the distant urn
+ Where slept the fallen twain.
+
+
+
+A SIGN-SEEKER
+
+
+
+I mark the months in liveries dank and dry,
+ The noontides many-shaped and hued;
+ I see the nightfall shades subtrude,
+And hear the monotonous hours clang negligently by.
+
+I view the evening bonfires of the sun
+ On hills where morning rains have hissed;
+ The eyeless countenance of the mist
+Pallidly rising when the summer droughts are done.
+
+I have seen the lightning-blade, the leaping star,
+ The cauldrons of the sea in storm,
+ Have felt the earthquake's lifting arm,
+And trodden where abysmal fires and snow-cones are.
+
+I learn to prophesy the hid eclipse,
+ The coming of eccentric orbs;
+ To mete the dust the sky absorbs,
+To weigh the sun, and fix the hour each planet dips.
+
+I witness fellow earth-men surge and strive;
+ Assemblies meet, and throb, and part;
+ Death's soothing finger, sorrow's smart;
+- All the vast various moils that mean a world alive.
+
+But that I fain would wot of shuns my sense -
+ Those sights of which old prophets tell,
+ Those signs the general word so well,
+Vouchsafed to their unheed, denied my long suspense.
+
+In graveyard green, behind his monument
+ To glimpse a phantom parent, friend,
+ Wearing his smile, and "Not the end!"
+Outbreathing softly: that were blest enlightenment;
+
+Or, if a dead Love's lips, whom dreams reveal
+ When midnight imps of King Decay
+ Delve sly to solve me back to clay,
+Should leave some print to prove her spirit-kisses real;
+
+Or, when Earth's Frail lie bleeding of her Strong,
+ If some Recorder, as in Writ,
+ Near to the weary scene should flit
+And drop one plume as pledge that Heaven inscrolls the wrong.
+
+- There are who, rapt to heights of tranced trust,
+ These tokens claim to feel and see,
+ Read radiant hints of times to be -
+Of heart to heart returning after dust to dust.
+
+Such scope is granted not to lives like mine . . .
+ I have lain in dead men's beds, have walked
+ The tombs of those with whom I'd talked,
+Called many a gone and goodly one to shape a sign,
+
+And panted for response. But none replies;
+ No warnings loom, nor whisperings
+ To open out my limitings,
+And Nescience mutely muses: When a man falls he lies.
+
+
+
+MY CICELY
+(17-)
+
+
+
+"Alive?"--And I leapt in my wonder,
+ Was faint of my joyance,
+And grasses and grove shone in garments
+ Of glory to me.
+
+"She lives, in a plenteous well-being,
+ To-day as aforehand;
+The dead bore the name--though a rare one -
+ The name that bore she."
+
+She lived . . . I, afar in the city
+ Of frenzy-led factions,
+Had squandered green years and maturer
+ In bowing the knee
+
+To Baals illusive and specious,
+ Till chance had there voiced me
+That one I loved vainly in nonage
+ Had ceased her to be.
+
+The passion the planets had scowled on,
+ And change had let dwindle,
+Her death-rumour smartly relifted
+ To full apogee.
+
+I mounted a steed in the dawning
+ With acheful remembrance,
+And made for the ancient West Highway
+ To far Exonb'ry.
+
+Passing heaths, and the House of Long Sieging,
+ I neared the thin steeple
+That tops the fair fane of Poore's olden
+ Episcopal see;
+
+And, changing anew my onbearer,
+ I traversed the downland
+Whereon the bleak hill-graves of Chieftains
+ Bulge barren of tree;
+
+And still sadly onward I followed
+ That Highway the Icen,
+Which trails its pale riband down Wessex
+ O'er lynchet and lea.
+
+Along through the Stour-bordered Forum,
+ Where Legions had wayfared,
+And where the slow river upglasses
+ Its green canopy,
+
+And by Weatherbury Castle, and thencefrom
+ Through Casterbridge held I
+Still on, to entomb her my vision
+ Saw stretched pallidly.
+
+No highwayman's trot blew the night-wind
+ To me so life-weary,
+But only the creak of the gibbets
+ Or waggoners' jee.
+
+Triple-ramparted Maidon gloomed grayly
+ Above me from southward,
+And north the hill-fortress of Eggar,
+ And square Pummerie.
+
+The Nine-Pillared Cromlech, the Bride-streams,
+ The Axe, and the Otter
+I passed, to the gate of the city
+ Where Exe scents the sea;
+
+Till, spent, in the graveacre pausing,
+ I learnt 'twas not my Love
+To whom Mother Church had just murmured
+ A last lullaby.
+
+- "Then, where dwells the Canon's kinswoman,
+ My friend of aforetime?"--
+('Twas hard to repress my heart-heavings
+ And new ecstasy.)
+
+"She wedded."--"Ah!"--"Wedded beneath her -
+ She keeps the stage-hostel
+Ten miles hence, beside the great Highway -
+ The famed Lions-Three.
+
+"Her spouse was her lackey--no option
+ 'Twixt wedlock and worse things;
+A lapse over-sad for a lady
+ Of her pedigree!"
+
+I shuddered, said nothing, and wandered
+ To shades of green laurel:
+Too ghastly had grown those first tidings
+ So brightsome of blee!
+
+For, on my ride hither, I'd halted
+ Awhile at the Lions,
+And her--her whose name had once opened
+ My heart as a key--
+
+I'd looked on, unknowing, and witnessed
+ Her jests with the tapsters,
+Her liquor-fired face, her thick accents
+ In naming her fee.
+
+"O God, why this seeming derision!"
+ I cried in my anguish:
+"O once Loved, O fair Unforgotten -
+ That Thing--meant it thee!
+
+"Inurned and at peace, lost but sainted,
+ Were grief I could compass;
+Depraved--'tis for Christ's poor dependent
+ A cruel decree!"
+
+I backed on the Highway; but passed not
+ The hostel. Within there
+Too mocking to Love's re-expression
+ Was Time's repartee!
+
+Uptracking where Legions had wayfared,
+ By cromlechs unstoried,
+And lynchets, and sepultured Chieftains,
+ In self-colloquy,
+
+A feeling stirred in me and strengthened
+ That SHE was not my Love,
+But she of the garth, who lay rapt in
+ Her long reverie.
+
+And thence till to-day I persuade me
+ That this was the true one;
+That Death stole intact her young dearness
+ And innocency.
+
+Frail-witted, illuded they call me;
+ I may be. 'Tis better
+To dream than to own the debasement
+ Of sweet Cicely.
+
+Moreover I rate it unseemly
+ To hold that kind Heaven
+Could work such device--to her ruin
+ And my misery.
+
+So, lest I disturb my choice vision,
+ I shun the West Highway,
+Even now, when the knaps ring with rhythms
+ From blackbird and bee;
+
+And feel that with slumber half-conscious
+ She rests in the church-hay,
+Her spirit unsoiled as in youth-time
+ When lovers were we.
+
+
+
+HER IMMORTALITY
+
+
+
+Upon a noon I pilgrimed through
+ A pasture, mile by mile,
+Unto the place where I last saw
+ My dead Love's living smile.
+
+And sorrowing I lay me down
+ Upon the heated sod:
+It seemed as if my body pressed
+ The very ground she trod.
+
+I lay, and thought; and in a trance
+ She came and stood me by--
+The same, even to the marvellous ray
+ That used to light her eye.
+
+"You draw me, and I come to you,
+ My faithful one," she said,
+In voice that had the moving tone
+ It bore ere breath had fled.
+
+She said: "'Tis seven years since I died:
+ Few now remember me;
+My husband clasps another bride;
+ My children's love has she.
+
+"My brethren, sisters, and my friends
+ Care not to meet my sprite:
+Who prized me most I did not know
+ Till I passed down from sight."
+
+I said: "My days are lonely here;
+ I need thy smile alway:
+I'll use this night my ball or blade,
+ And join thee ere the day."
+
+A tremor stirred her tender lips,
+ Which parted to dissuade:
+"That cannot be, O friend," she cried;
+ "Think, I am but a Shade!
+
+"A Shade but in its mindful ones
+ Has immortality;
+By living, me you keep alive,
+ By dying you slay me.
+
+"In you resides my single power
+ Of sweet continuance here;
+On your fidelity I count
+ Through many a coming year."
+
+- I started through me at her plight,
+ So suddenly confessed:
+Dismissing late distaste for life,
+ I craved its bleak unrest.
+
+"I will not die, my One of all! -
+ To lengthen out thy days
+I'll guard me from minutest harms
+ That may invest my ways!"
+
+She smiled and went. Since then she comes
+ Oft when her birth-moon climbs,
+Or at the seasons' ingresses
+ Or anniversary times;
+
+But grows my grief. When I surcease,
+ Through whom alone lives she,
+Ceases my Love, her words, her ways,
+ Never again to be!
+
+
+
+THE IVY-WIFE
+
+
+
+I longed to love a full-boughed beech
+ And be as high as he:
+I stretched an arm within his reach,
+ And signalled unity.
+But with his drip he forced a breach,
+ And tried to poison me.
+
+I gave the grasp of partnership
+ To one of other race--
+A plane: he barked him strip by strip
+ From upper bough to base;
+And me therewith; for gone my grip,
+ My arms could not enlace.
+
+In new affection next I strove
+ To coll an ash I saw,
+And he in trust received my love;
+ Till with my soft green claw
+I cramped and bound him as I wove . . .
+ Such was my love: ha-ha!
+
+By this I gained his strength and height
+ Without his rivalry.
+But in my triumph I lost sight
+ Of afterhaps. Soon he,
+Being bark-bound, flagged, snapped, fell outright,
+ And in his fall felled me!
+
+
+
+A MEETING WITH DESPAIR
+
+
+
+As evening shaped I found me on a moor
+ Which sight could scarce sustain:
+The black lean land, of featureless contour,
+ Was like a tract in pain.
+
+"This scene, like my own life," I said, "is one
+ Where many glooms abide;
+Toned by its fortune to a deadly dun -
+ Lightless on every side.
+
+I glanced aloft and halted, pleasure-caught
+ To see the contrast there:
+The ray-lit clouds gleamed glory; and I thought,
+ "There's solace everywhere!"
+
+Then bitter self-reproaches as I stood
+ I dealt me silently
+As one perverse--misrepresenting Good
+ In graceless mutiny.
+
+Against the horizon's dim-discerned wheel
+ A form rose, strange of mould:
+That he was hideous, hopeless, I could feel
+ Rather than could behold.
+
+"'Tis a dead spot, where even the light lies spent
+ To darkness!" croaked the Thing.
+"Not if you look aloft!" said I, intent
+ On my new reasoning.
+
+ "Yea--but await awhile!" he cried. "Ho-ho! -
+ Look now aloft and see!"
+I looked. There, too, sat night: Heaven's radiant show
+ Had gone. Then chuckled he.
+
+
+
+UNKNOWING
+
+
+
+When, soul in soul reflected,
+We breathed an aethered air,
+ When we neglected
+ All things elsewhere,
+And left the friendly friendless
+To keep our love aglow,
+ We deemed it endless . . .
+ --We did not know!
+
+When, by mad passion goaded,
+We planned to hie away,
+ But, unforeboded,
+ The storm-shafts gray
+So heavily down-pattered
+That none could forthward go,
+ Our lives seemed shattered . . .
+ --We did not know!
+
+When I found you, helpless lying,
+And you waived my deep misprise,
+ And swore me, dying,
+ In phantom-guise
+To wing to me when grieving,
+And touch away my woe,
+ We kissed, believing . . .
+ --We did not know!
+
+But though, your powers outreckoning,
+You hold you dead and dumb,
+ Or scorn my beckoning,
+ And will not come;
+And I say, "'Twere mood ungainly
+To store her memory so:"
+ I say it vainly -
+ I feel and know!
+
+
+
+FRIENDS BEYOND
+
+
+
+William Dewy, Tranter Reuben, Farmer Ledlow late at plough,
+ Robert's kin, and John's, and Ned's,
+And the Squire, and Lady Susan, lie in Mellstock churchyard now!
+
+"Gone," I call them, gone for good, that group of local hearts and
+heads;
+ Yet at mothy curfew-tide,
+And at midnight when the noon-heat breathes it back from walls and
+leads,
+
+They've a way of whispering to me--fellow-wight who yet abide -
+ In the muted, measured note
+Of a ripple under archways, or a lone cave's stillicide:
+
+"We have triumphed: this achievement turns the bane to antidote,
+ Unsuccesses to success,
+- Many thought-worn eves and morrows to a morrow free of thought.
+
+"No more need we corn and clothing, feel of old terrestrial stress;
+ Chill detraction stirs no sigh;
+Fear of death has even bygone us: death gave all that we possess."
+
+W. D.--"Ye mid burn the wold bass-viol that I set such vallie by."
+ Squire.--"You may hold the manse in fee,
+You may wed my spouse, my children's memory of me may decry."
+
+Lady.--"You may have my rich brocades, my laces; take each household
+key;
+ Ransack coffer, desk, bureau;
+Quiz the few poor treasures hid there, con the letters kept by me."
+
+Far.--"Ye mid zell my favourite heifer, ye mid let the charlock grow,
+ Foul the grinterns, give up thrift."
+Wife.--"If ye break my best blue china, children, I shan't care or
+ho."
+
+All. --"We've no wish to hear the tidings, how the people's fortunes
+shift;
+ What your daily doings are;
+Who are wedded, born, divided; if your lives beat slow or swift.
+
+"Curious not the least are we if our intents you make or mar,
+ If you quire to our old tune,
+If the City stage still passes, if the weirs still roar afar."
+
+- Thus, with very gods' composure, freed those crosses late and soon
+ Which, in life, the Trine allow
+(Why, none witteth), and ignoring all that haps beneath the moon,
+
+William Dewy, Tranter Reuben, Farmer Ledlow late at plough,
+ Robert's kin, and John's, and Ned's,
+And the Squire, and Lady Susan, murmur mildly to me now.
+
+
+
+TO OUTER NATURE
+
+
+
+Show thee as I thought thee
+When I early sought thee,
+ Omen-scouting,
+ All undoubting
+Love alone had wrought thee -
+
+Wrought thee for my pleasure,
+Planned thee as a measure
+ For expounding
+ And resounding
+Glad things that men treasure.
+
+O for but a moment
+Of that old endowment -
+ Light to gaily
+ See thy daily
+Irised embowment!
+
+But such re-adorning
+Time forbids with scorning -
+ Makes me see things
+ Cease to be things
+They were in my morning.
+
+Fad'st thou, glow-forsaken,
+Darkness-overtaken!
+ Thy first sweetness,
+ Radiance, meetness,
+None shall re-awaken.
+
+Why not sempiternal
+Thou and I? Our vernal
+ Brightness keeping,
+ Time outleaping;
+Passed the hodiernal!
+
+
+
+THOUGHTS OF PHENA
+AT NEWS OF HER DEATH
+
+
+
+ Not a line of her writing have I,
+ Not a thread of her hair,
+No mark of her late time as dame in her dwelling, whereby
+ I may picture her there;
+ And in vain do I urge my unsight
+ To conceive my lost prize
+At her close, whom I knew when her dreams were upbrimming with light,
+ And with laughter her eyes.
+
+ What scenes spread around her last days,
+ Sad, shining, or dim?
+Did her gifts and compassions enray and enarch her sweet ways
+ With an aureate nimb?
+ Or did life-light decline from her years,
+ And mischances control
+Her full day-star; unease, or regret, or forebodings, or fears
+ Disennoble her soul?
+
+ Thus I do but the phantom retain
+ Of the maiden of yore
+As my relic; yet haply the best of her--fined in my brain
+ It maybe the more
+ That no line of her writing have I,
+ Nor a thread of her hair,
+No mark of her late time as dame in her dwelling, whereby
+ I may picture her there.
+
+March 1890.
+
+
+
+MIDDLE-AGE ENTHUSIASMS
+To M. H.
+
+
+
+ We passed where flag and flower
+ Signalled a jocund throng;
+ We said: "Go to, the hour
+ Is apt!"--and joined the song;
+And, kindling, laughed at life and care,
+Although we knew no laugh lay there.
+
+ We walked where shy birds stood
+ Watching us, wonder-dumb;
+ Their friendship met our mood;
+ We cried: "We'll often come:
+We'll come morn, noon, eve, everywhen!"
+- We doubted we should come again.
+
+ We joyed to see strange sheens
+ Leap from quaint leaves in shade;
+ A secret light of greens
+ They'd for their pleasure made.
+We said: "We'll set such sorts as these!"
+- We knew with night the wish would cease.
+
+ "So sweet the place," we said,
+ "Its tacit tales so dear,
+ Our thoughts, when breath has sped,
+ Will meet and mingle here!" . . .
+"Words!" mused we. "Passed the mortal door,
+Our thoughts will reach this nook no more."
+
+
+
+IN A WOOD
+See "THE WOODLANDERS"
+
+
+
+Pale beech and pine-tree blue,
+ Set in one clay,
+Bough to bough cannot you
+ Bide out your day?
+When the rains skim and skip,
+Why mar sweet comradeship,
+Blighting with poison-drip
+ Neighbourly spray?
+
+Heart-halt and spirit-lame,
+ City-opprest,
+Unto this wood I came
+ As to a nest;
+Dreaming that sylvan peace
+Offered the harrowed ease--
+Nature a soft release
+ From men's unrest.
+
+But, having entered in,
+ Great growths and small
+Show them to men akin -
+ Combatants all!
+Sycamore shoulders oak,
+Bines the slim sapling yoke,
+Ivy-spun halters choke
+ Elms stout and tall.
+
+Touches from ash, O wych,
+ Sting you like scorn!
+You, too, brave hollies, twitch
+ Sidelong from thorn.
+Even the rank poplars bear
+Illy a rival's air,
+Cankering in black despair
+ If overborne.
+
+Since, then, no grace I find
+ Taught me of trees,
+Turn I back to my kind,
+ Worthy as these.
+There at least smiles abound,
+There discourse trills around,
+There, now and then, are found
+ Life-loyalties.
+
+1887: 1896.
+
+
+
+TO A LADY
+OFFENDED BY A BOOK OF THE WRITER'S
+
+
+
+Now that my page upcloses, doomed, maybe,
+Never to press thy cosy cushions more,
+Or wake thy ready Yeas as heretofore,
+Or stir thy gentle vows of faith in me:
+
+Knowing thy natural receptivity,
+I figure that, as flambeaux banish eve,
+My sombre image, warped by insidious heave
+Of those less forthright, must lose place in thee.
+
+So be it. I have borne such. Let thy dreams
+Of me and mine diminish day by day,
+And yield their space to shine of smugger things;
+Till I shape to thee but in fitful gleams,
+And then in far and feeble visitings,
+And then surcease. Truth will be truth alway.
+
+
+
+TO AN ORPHAN CHILD
+A WHIMSEY
+
+
+
+Ah, child, thou art but half thy darling mother's;
+ Hers couldst thou wholly be,
+My light in thee would outglow all in others;
+ She would relive to me.
+But niggard Nature's trick of birth
+ Bars, lest she overjoy,
+Renewal of the loved on earth
+ Save with alloy.
+
+The Dame has no regard, alas, my maiden,
+ For love and loss like mine -
+No sympathy with mind-sight memory-laden;
+ Only with fickle eyne.
+To her mechanic artistry
+ My dreams are all unknown,
+And why I wish that thou couldst be
+ But One's alone!
+
+
+
+NATURE'S QUESTIONING
+
+
+
+ When I look forth at dawning, pool,
+ Field, flock, and lonely tree,
+ All seem to gaze at me
+Like chastened children sitting silent in a school;
+
+ Their faces dulled, constrained, and worn,
+ As though the master's ways
+ Through the long teaching days
+Their first terrestrial zest had chilled and overborne.
+
+ And on them stirs, in lippings mere
+ (As if once clear in call,
+ But now scarce breathed at all) -
+"We wonder, ever wonder, why we find us here!
+
+ "Has some Vast Imbecility,
+ Mighty to build and blend,
+ But impotent to tend,
+Framed us in jest, and left us now to hazardry?
+
+ "Or come we of an Automaton
+ Unconscious of our pains? . . .
+ Or are we live remains
+Of Godhead dying downwards, brain and eye now gone?
+
+ "Or is it that some high Plan betides,
+ As yet not understood,
+ Of Evil stormed by Good,
+We the Forlorn Hope over which Achievement strides?"
+
+ Thus things around. No answerer I . . .
+ Meanwhile the winds, and rains,
+ And Earth's old glooms and pains
+Are still the same, and gladdest Life Death neighbours nigh.
+
+
+
+THE IMPERCIPIENT
+(AT A CATHEDRAL SERVICE)
+
+
+
+That from this bright believing band
+ An outcast I should be,
+That faiths by which my comrades stand
+ Seem fantasies to me,
+And mirage-mists their Shining Land,
+ Is a drear destiny.
+
+Why thus my soul should be consigned
+ To infelicity,
+Why always I must feel as blind
+ To sights my brethren see,
+Why joys they've found I cannot find,
+ Abides a mystery.
+
+Since heart of mine knows not that ease
+ Which they know; since it be
+That He who breathes All's Well to these
+ Breathes no All's-Well to me,
+My lack might move their sympathies
+ And Christian charity!
+
+I am like a gazer who should mark
+ An inland company
+Standing upfingered, with, "Hark! hark!
+ The glorious distant sea!"
+And feel, "Alas, 'tis but yon dark
+ And wind-swept pine to me!"
+
+Yet I would bear my shortcomings
+ With meet tranquillity,
+But for the charge that blessed things
+ I'd liefer have unbe.
+O, doth a bird deprived of wings
+ Go earth-bound wilfully!
+
+* * *
+
+Enough. As yet disquiet clings
+ About us. Rest shall we.
+
+
+
+AT AN INN
+
+
+
+When we as strangers sought
+ Their catering care,
+Veiled smiles bespoke their thought
+ Of what we were.
+They warmed as they opined
+ Us more than friends -
+That we had all resigned
+ For love's dear ends.
+
+And that swift sympathy
+ With living love
+Which quicks the world--maybe
+ The spheres above,
+Made them our ministers,
+ Moved them to say,
+"Ah, God, that bliss like theirs
+ Would flush our day!"
+
+And we were left alone
+ As Love's own pair;
+Yet never the love-light shone
+ Between us there!
+But that which chilled the breath
+ Of afternoon,
+And palsied unto death
+ The pane-fly's tune.
+
+The kiss their zeal foretold,
+ And now deemed come,
+Came not: within his hold
+ Love lingered-numb.
+Why cast he on our port
+ A bloom not ours?
+Why shaped us for his sport
+ In after-hours?
+
+As we seemed we were not
+ That day afar,
+And now we seem not what
+ We aching are.
+O severing sea and land,
+ O laws of men,
+Ere death, once let us stand
+ As we stood then!
+
+
+
+THE SLOW NATURE
+(AN INCIDENT OF FROOM VALLEY)
+
+
+
+"Thy husband--poor, poor Heart!--is dead--
+ Dead, out by Moreford Rise;
+A bull escaped the barton-shed,
+ Gored him, and there he lies!"
+
+- "Ha, ha--go away! 'Tis a tale, methink,
+ Thou joker Kit!" laughed she.
+"I've known thee many a year, Kit Twink,
+ And ever hast thou fooled me!"
+
+- "But, Mistress Damon--I can swear
+ Thy goodman John is dead!
+And soon th'lt hear their feet who bear
+ His body to his bed."
+
+So unwontedly sad was the merry man's face -
+ That face which had long deceived -
+That she gazed and gazed; and then could trace
+ The truth there; and she believed.
+
+She laid a hand on the dresser-ledge,
+ And scanned far Egdon-side;
+And stood; and you heard the wind-swept sedge
+ And the rippling Froom; till she cried:
+
+"O my chamber's untidied, unmade my bed
+ Though the day has begun to wear!
+'What a slovenly hussif!' it will be said,
+ When they all go up my stair!"
+
+She disappeared; and the joker stood
+ Depressed by his neighbour's doom,
+And amazed that a wife struck to widowhood
+ Thought first of her unkempt room.
+
+But a fortnight thence she could take no food,
+ And she pined in a slow decay;
+While Kit soon lost his mournful mood
+ And laughed in his ancient way.
+
+1894.
+
+
+
+IN A EWELEAZE NEAR WEATHERBURY
+
+
+
+The years have gathered grayly
+ Since I danced upon this leaze
+With one who kindled gaily
+ Love's fitful ecstasies!
+But despite the term as teacher,
+ I remain what I was then
+In each essential feature
+ Of the fantasies of men.
+
+Yet I note the little chisel
+ Of never-napping Time,
+Defacing ghast and grizzel
+ The blazon of my prime.
+When at night he thinks me sleeping,
+ I feel him boring sly
+Within my bones, and heaping
+ Quaintest pains for by-and-by.
+
+Still, I'd go the world with Beauty,
+ I would laugh with her and sing,
+I would shun divinest duty
+ To resume her worshipping.
+But she'd scorn my brave endeavour,
+ She would not balm the breeze
+By murmuring "Thine for ever!"
+ As she did upon this leaze.
+
+1890.
+
+
+
+THE FIRE AT TRANTER SWEATLEY'S
+
+
+
+They had long met o' Zundays--her true love and she -
+ And at junketings, maypoles, and flings;
+But she bode wi' a thirtover uncle, and he
+Swore by noon and by night that her goodman should be
+Naibour Sweatley--a gaffer oft weak at the knee
+From taking o' sommat more cheerful than tea -
+ Who tranted, and moved people's things.
+
+She cried, "O pray pity me!" Nought would he hear;
+ Then with wild rainy eyes she obeyed.
+She chid when her Love was for clinking off wi' her.
+The pa'son was told, as the season drew near
+To throw over pu'pit the names of the peair
+ As fitting one flesh to be made.
+
+The wedding-day dawned and the morning drew on;
+ The couple stood bridegroom and bride;
+The evening was passed, and when midnight had gone
+The folks horned out, "God save the King," and anon
+ The two home-along gloomily hied.
+
+The lover Tim Tankens mourned heart-sick and drear
+ To be thus of his darling deprived:
+He roamed in the dark ath'art field, mound, and mere,
+And, a'most without knowing it, found himself near
+The house of the tranter, and now of his Dear,
+ Where the lantern-light showed 'em arrived.
+
+The bride sought her cham'er so calm and so pale
+ That a Northern had thought her resigned;
+But to eyes that had seen her in tide-times of weal,
+Like the white cloud o' smoke, the red battle-field's vail,
+ That look spak' of havoc behind.
+
+The bridegroom yet laitered a beaker to drain,
+ Then reeled to the linhay for more,
+When the candle-snoff kindled some chaff from his grain -
+Flames spread, and red vlankers, wi' might and wi' main,
+ And round beams, thatch, and chimley-tun roar.
+
+Young Tim away yond, rafted up by the light,
+ Through brimble and underwood tears,
+Till he comes to the orchet, when crooping thereright
+In the lewth of a codlin-tree, bivering wi' fright,
+Wi' on'y her night-rail to screen her from sight,
+ His lonesome young Barbree appears.
+
+Her cwold little figure half-naked he views
+ Played about by the frolicsome breeze,
+Her light-tripping totties, her ten little tooes,
+All bare and besprinkled wi' Fall's chilly dews,
+While her great gallied eyes, through her hair hanging loose,
+ Sheened as stars through a tardle o' trees.
+
+She eyed en; and, as when a weir-hatch is drawn,
+ Her tears, penned by terror afore,
+With a rushing of sobs in a shower were strawn,
+Till her power to pour 'em seemed wasted and gone
+ From the heft o' misfortune she bore.
+
+"O Tim, my OWN Tim I must call 'ee--I will!
+ All the world ha' turned round on me so!
+Can you help her who loved 'ee, though acting so ill?
+Can you pity her misery--feel for her still?
+When worse than her body so quivering and chill
+ Is her heart in its winter o' woe!
+
+"I think I mid almost ha' borne it," she said,
+ "Had my griefs one by one come to hand;
+But O, to be slave to thik husbird for bread,
+And then, upon top o' that, driven to wed,
+And then, upon top o' that, burnt out o' bed,
+ Is more than my nater can stand!"
+
+Tim's soul like a lion 'ithin en outsprung -
+(Tim had a great soul when his feelings were wrung)--
+ "Feel for 'ee, dear Barbree?" he cried;
+And his warm working-jacket about her he flung,
+Made a back, horsed her up, till behind him she clung
+Like a chiel on a gipsy, her figure uphung
+ By the sleeves that around her he tied.
+
+Over piggeries, and mixens, and apples, and hay,
+ They lumpered straight into the night;
+And finding bylong where a halter-path lay,
+At dawn reached Tim's house, on'y seen on their way
+By a naibour or two who were up wi' the day;
+ But they gathered no clue to the sight.
+
+Then tender Tim Tankens he searched here and there
+ For some garment to clothe her fair skin;
+But though he had breeches and waistcoats to spare,
+He had nothing quite seemly for Barbree to wear,
+Who, half shrammed to death, stood and cried on a chair
+ At the caddle she found herself in.
+
+There was one thing to do, and that one thing he did,
+ He lent her some clouts of his own,
+And she took 'em perforce; and while in 'em she slid,
+Tim turned to the winder, as modesty bid,
+Thinking, "O that the picter my duty keeps hid
+ To the sight o' my eyes mid be shown!"
+
+In the tallet he stowed her; there huddied she lay,
+ Shortening sleeves, legs, and tails to her limbs;
+But most o' the time in a mortal bad way,
+Well knowing that there'd be the divel to pay
+If 'twere found that, instead o' the elements' prey,
+ She was living in lodgings at Tim's.
+
+"Where's the tranter?" said men and boys; "where can er be?"
+ "Where's the tranter?" said Barbree alone.
+"Where on e'th is the tranter?" said everybod-y:
+They sifted the dust of his perished roof-tree,
+ And all they could find was a bone.
+
+Then the uncle cried, "Lord, pray have mercy on me!"
+ And in terror began to repent.
+But before 'twas complete, and till sure she was free,
+Barbree drew up her loft-ladder, tight turned her key -
+Tim bringing up breakfast and dinner and tea -
+ Till the news of her hiding got vent.
+
+Then followed the custom-kept rout, shout, and flare
+Of a skimmington-ride through the naibourhood, ere
+ Folk had proof o' wold Sweatley's decay.
+Whereupon decent people all stood in a stare,
+Saying Tim and his lodger should risk it, and pair:
+So he took her to church. An' some laughing lads there
+Cried to Tim, "After Sweatley!" She said, "I declare
+ I stand as a maiden to-day!"
+
+Written 1866; printed 1875.
+
+
+
+HEIRESS AND ARCHITECT
+FOR A. W. B.
+
+
+
+She sought the Studios, beckoning to her side
+An arch-designer, for she planned to build.
+He was of wise contrivance, deeply skilled
+In every intervolve of high and wide -
+ Well fit to be her guide.
+
+ "Whatever it be,"
+ Responded he,
+With cold, clear voice, and cold, clear view,
+"In true accord with prudent fashionings
+For such vicissitudes as living brings,
+And thwarting not the law of stable things,
+ That will I do."
+
+"Shape me," she said, "high halls with tracery
+And open ogive-work, that scent and hue
+Of buds, and travelling bees, may come in through,
+The note of birds, and singings of the sea,
+ For these are much to me."
+
+ "An idle whim!"
+ Broke forth from him
+Whom nought could warm to gallantries:
+"Cede all these buds and birds, the zephyr's call,
+And scents, and hues, and things that falter all,
+And choose as best the close and surly wall,
+ For winters freeze."
+
+"Then frame," she cried, "wide fronts of crystal glass,
+That I may show my laughter and my light -
+Light like the sun's by day, the stars' by night -
+Till rival heart-queens, envying, wail, 'Alas,
+ Her glory!' as they pass."
+
+ "O maid misled!"
+ He sternly said,
+Whose facile foresight pierced her dire;
+"Where shall abide the soul when, sick of glee,
+It shrinks, and hides, and prays no eye may see?
+Those house them best who house for secrecy,
+ For you will tire."
+
+"A little chamber, then, with swan and dove
+Ranged thickly, and engrailed with rare device
+Of reds and purples, for a Paradise
+Wherein my Love may greet me, I my Love,
+ When he shall know thereof?"
+
+ "This, too, is ill,"
+ He answered still,
+The man who swayed her like a shade.
+"An hour will come when sight of such sweet nook
+Would bring a bitterness too sharp to brook,
+When brighter eyes have won away his look;
+ For you will fade."
+
+Then said she faintly: "O, contrive some way -
+Some narrow winding turret, quite mine own,
+To reach a loft where I may grieve alone!
+It is a slight thing; hence do not, I pray,
+ This last dear fancy slay!"
+
+ "Such winding ways
+ Fit not your days,"
+Said he, the man of measuring eye;
+"I must even fashion as my rule declares,
+To wit: Give space (since life ends unawares)
+To hale a coffined corpse adown the stairs;
+ For you will die."
+
+1867.
+
+
+
+THE TWO MEN
+
+
+
+There were two youths of equal age,
+Wit, station, strength, and parentage;
+They studied at the selfsame schools,
+And shaped their thoughts by common rules.
+
+One pondered on the life of man,
+His hopes, his ending, and began
+To rate the Market's sordid war
+As something scarce worth living for.
+
+"I'll brace to higher aims," said he,
+"I'll further Truth and Purity;
+Thereby to mend the mortal lot
+And sweeten sorrow. Thrive I not,
+
+"Winning their hearts, my kind will give
+Enough that I may lowly live,
+And house my Love in some dim dell,
+For pleasing them and theirs so well."
+
+Idly attired, with features wan,
+In secret swift he laboured on:
+Such press of power had brought much gold
+Applied to things of meaner mould.
+
+Sometimes he wished his aims had been
+To gather gains like other men;
+Then thanked his God he'd traced his track
+Too far for wish to drag him back.
+
+He looked from his loft one day
+To where his slighted garden lay;
+Nettles and hemlock hid each lawn,
+And every flower was starved and gone.
+
+He fainted in his heart, whereon
+He rose, and sought his plighted one,
+Resolved to loose her bond withal,
+Lest she should perish in his fall.
+
+He met her with a careless air,
+As though he'd ceased to find her fair,
+And said: "True love is dust to me;
+I cannot kiss: I tire of thee!"
+
+(That she might scorn him was he fain,
+To put her sooner out of pain;
+For incensed love breathes quick and dies,
+When famished love a-lingering lies.)
+
+Once done, his soul was so betossed,
+It found no more the force it lost:
+Hope was his only drink and food,
+And hope extinct, decay ensued.
+
+And, living long so closely penned,
+He had not kept a single friend;
+He dwindled thin as phantoms be,
+And drooped to death in poverty . . .
+
+Meantime his schoolmate had gone out
+To join the fortune-finding rout;
+He liked the winnings of the mart,
+But wearied of the working part.
+
+He turned to seek a privy lair,
+Neglecting note of garb and hair,
+And day by day reclined and thought
+How he might live by doing nought.
+
+"I plan a valued scheme," he said
+To some. "But lend me of your bread,
+And when the vast result looms nigh,
+In profit you shall stand as I."
+
+Yet they took counsel to restrain
+Their kindness till they saw the gain;
+And, since his substance now had run,
+He rose to do what might be done.
+
+He went unto his Love by night,
+And said: "My Love, I faint in fight:
+Deserving as thou dost a crown,
+My cares shall never drag thee down."
+
+(He had descried a maid whose line
+Would hand her on much corn and wine,
+And held her far in worth above
+One who could only pray and love.)
+
+But this Fair read him; whence he failed
+To do the deed so blithely hailed;
+He saw his projects wholly marred,
+And gloom and want oppressed him hard;
+
+Till, living to so mean an end,
+Whereby he'd lost his every friend,
+He perished in a pauper sty,
+His mate the dying pauper nigh.
+
+And moralists, reflecting, said,
+As "dust to dust" in burial read
+Was echoed from each coffin-lid,
+"These men were like in all they did."
+
+1866.
+
+
+
+LINES
+
+
+
+Spoken by Miss ADA REHAN at the Lyceum Theatre, July 23, 1890, at a
+performance on behalf of Lady Jeune's Holiday Fund for City Children.
+
+Before we part to alien thoughts and aims,
+Permit the one brief word the occasion claims:
+- When mumming and grave projects are allied,
+Perhaps an Epilogue is justified.
+
+Our under-purpose has, in truth, to-day
+Commanded most our musings; least the play:
+A purpose futile but for your good-will
+Swiftly responsive to the cry of ill:
+A purpose all too limited!--to aid
+Frail human flowerets, sicklied by the shade,
+In winning some short spell of upland breeze,
+Or strengthening sunlight on the level leas.
+
+Who has not marked, where the full cheek should be,
+Incipient lines of lank flaccidity,
+Lymphatic pallor where the pink should glow,
+And where the throb of transport, pulses low? -
+Most tragical of shapes from Pole to Line,
+O wondering child, unwitting Time's design,
+Why should Art add to Nature's quandary,
+And worsen ill by thus immuring thee?
+- That races do despite unto their own,
+That Might supernal do indeed condone
+Wrongs individual for the general ease,
+Instance the proof in victims such as these.
+
+Launched into thoroughfares too thronged before,
+Mothered by those whose protest is "No more!"
+Vitalized without option: who shall say
+That did Life hang on choosing--Yea or Nay -
+They had not scorned it with such penalty,
+And nothingness implored of Destiny?
+
+And yet behind the horizon smile serene
+The down, the cornland, and the stretching green -
+Space--the child's heaven: scenes which at least ensure
+Some palliative for ill they cannot cure.
+
+Dear friends--now moved by this poor show of ours
+To make your own long joy in buds and bowers
+For one brief while the joy of infant eyes,
+Changing their urban murk to paradise -
+You have our thanks!--may your reward include
+More than our thanks, far more: their gratitude.
+
+
+
+"I LOOK INTO MY GLASS"
+
+
+
+I look into my glass,
+And view my wasting skin,
+And say, "Would God it came to pass
+My heart had shrunk as thin!"
+
+For then, I, undistrest
+By hearts grown cold to me,
+Could lonely wait my endless rest
+With equanimity.
+
+But Time, to make me grieve;
+Part steals, lets part abide;
+And shakes this fragile frame at eve
+With throbbings of noontide.
+
+
+
+
+
+End of Project Gutenberg Etext Wessex Poems and Other Verses, by Hardy
+
diff --git a/old/wsxpm10.zip b/old/wsxpm10.zip
new file mode 100644
index 0000000..ca39376
--- /dev/null
+++ b/old/wsxpm10.zip
Binary files differ