summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--31661-h.zipbin0 -> 40454 bytes
-rw-r--r--31661-h/31661-h.htm2152
-rw-r--r--31661.txt2073
-rw-r--r--31661.zipbin0 -> 39216 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
7 files changed, 4241 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/31661-h.zip b/31661-h.zip
new file mode 100644
index 0000000..a7479be
--- /dev/null
+++ b/31661-h.zip
Binary files differ
diff --git a/31661-h/31661-h.htm b/31661-h/31661-h.htm
new file mode 100644
index 0000000..3e1f85e
--- /dev/null
+++ b/31661-h/31661-h.htm
@@ -0,0 +1,2152 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Exile from Space, by Judith Merril
+ </title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+body {
+ margin-left: 10%;
+ margin-right: 10%; background-color: #FFFFFF;
+}
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+}
+
+.tr {margin-left: 10%; margin-right: 10%; margin-top: 5%; margin-bottom: 5%; padding: 2em; background-color: #f6f2f2; color: black; border: dotted black 1px;}
+
+
+.blockquot {
+ margin-left: 15%;
+ margin-right: 10%;
+}
+
+.u {text-decoration:underline; }
+
+.sidenote {
+ width: 100%;
+ padding-bottom: .5em;
+ padding-top: .5em;
+ padding-left: .5em;
+ padding-right: .5em;
+ margin-left: 1em;
+ margin-top: 1em;
+ color: black;
+ background: #eeeeee;
+ border: dashed 1px;
+}
+
+.center {text-align: center;}
+
+/* XML end ]]>*/
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Exile from Space, by Judith Merril
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Exile from Space
+
+Author: Judith Merril
+
+Release Date: March 16, 2010 [EBook #31661]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK EXILE FROM SPACE ***
+
+
+
+
+Produced by Sankar Viswanathan, Greg Weeks, and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+<div class="tr"><p class="center">Transcriber's Note:</p>
+<p class="center">This etext was produced from Fantastic Universe November 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.</p></div>
+<p>&nbsp;</p>
+
+<div class="sidenote"><i>"They" worried about the impression she'd make. Who</i> could
+<i>imagine that she'd fall in love, passionately, the way others of her
+blood must have done?</i></div>
+
+<p>&nbsp;</p>
+<h1>exile from space</h1>
+<p>&nbsp;</p>
+<h2><i>by ... Judith Merril</i></h2>
+<p>&nbsp;</p>
+<div class="blockquot"><p>Who <span class="u">was</span> this strange girl who had been born in this
+place&mdash;and still it wasn't her home?...</p></div>
+
+<hr style="width: 65%;" />
+
+<p>I don't know where they got the car. We made three or four stops
+before the last one, and they must have picked it up one of those
+times. Anyhow, they got it, but they had to make a license plate,
+because it had the wrong kind on it.</p>
+
+<p>They made me some clothes, too&mdash;a skirt and blouse and shoes that
+looked just like the ones we saw on television. They couldn't make me
+a lipstick or any of those things, because there was no way to figure
+out just what the chemical composition was. And they decided I'd be as
+well off without any driver's license or automobile registration as I
+would be with papers that weren't exactly perfect, so they didn't
+bother about making those either.</p>
+
+<p>They were worried about what to do with my hair, and even thought
+about cutting it short, so it would look more like the women on
+television, but that was one time I was way ahead of them. I'd seen
+more shows than anyone else, of course&mdash;I watched them almost every
+minute, from the time they told me I was going&mdash;and there was one
+where I'd seen a way to make braids and put them around the top of
+your head. It wasn't very comfortable, but I practiced at it until it
+looked pretty good.</p>
+
+<p>They made me a purse, too. It didn't have anything in it except the
+diamonds, but the women we saw always seemed to carry them, and they
+thought it might be a sort of superstition or ritual necessity, and
+that we'd better not take a chance on violating anything like that.</p>
+
+<p>They made me spend a lot of time practicing with the car, because
+without a license, I couldn't take a chance on getting into any
+trouble. I must have put in the better part of an hour starting and
+stopping and backing that thing, and turning it around, and weaving
+through trees and rocks, before they were satisfied.</p>
+
+<p>Then, all of a sudden, there was nothing left to do except <i>go</i>. They
+made me repeat everything one more time, about selling the diamonds,
+and how to register at the hotel, and what to do if I got into
+trouble, and how to get in touch with them when I wanted to come back.
+Then they said good-bye, and made me promise not to stay <i>too</i> long,
+and said they'd keep in touch the best they could. And then I got in
+the car, and drove down the hill into town.</p>
+
+<p>I knew they didn't want to let me go. They were worried, maybe even a
+little afraid I wouldn't want to come back, but mostly worried that I
+might say something I shouldn't, or run into some difficulties they
+hadn't anticipated. And outside of that, they knew they were going to
+miss me. Yet they'd made up their minds to it; they planned it this
+way, and they felt it was the right thing to do, and certainly they'd
+put an awful lot of thought and effort and preparation into it.</p>
+
+<p>If it hadn't been for that, I might have turned back at the last
+minute. Maybe they were worried; but <i>I</i> was petrified. Only of
+course, I wanted to go, really. I couldn't help being curious, and it
+never occurred to me then that I might miss them. It was the first
+time I'd ever been out on my own, and they'd promised me, for years
+and years, as far back as I could remember, that some day I'd go back,
+like this, by myself. But....</p>
+
+<p>Going back, when you've been away long enough, is not so much a
+homecoming as a dream <i>deja vu</i>. And for me, at least, the dream was
+not entirely a happy one. Everything I saw or heard or touched had a
+sense of haunting familiarity, and yet of <i>wrongness</i>, too&mdash;almost a
+nightmare feeling of the oppressively inevitable sequence of events,
+of faces and features and events just not-quite-remembered and
+not-quite-known.</p>
+
+<p>I was born in this place, but it was not my home. Its people were not
+mine; its ways were not mine. All I knew of it was what I had been
+told, and what I had seen for myself these last weeks of preparation,
+on the television screen. And the dream-feeling was intensified, at
+first, by the fact that I did not know <i>why</i> I was there. I knew it
+had been planned this way, and I had been told it was necessary to
+complete my education. Certainly I was aware of the great effort that
+had been made to make the trip possible. But I did not yet understand
+just <i>why</i>.</p>
+
+<p>Perhaps it was just that I had heard and watched and thought and
+dreamed too much about this place, and now I was actually there, the
+reality was&mdash;not so much a disappointment as&mdash;just sort of <i>unreal</i>.
+Different from what I knew when I <i>didn't</i> know.</p>
+
+<p>The road unwound in a spreading spiral down the mountainside. Each
+time I came round, I could see the city below, closer and larger, and
+less distinct. From the top, with the sunlight sparkling on it, it had
+been a clean and gleaming pattern of human civilization. Halfway down,
+the symmetry was lost, and the smudge and smoke began to show.</p>
+
+<p>Halfway down, too, I began to pass places of business: restaurants and
+gas stations and handicraft shops. I wanted to stop. For half an hour
+now I had been out on my own, and I still hadn't seen any of the
+people, except the three who had passed me behind the wheels of their
+cars, going up the road. One of the shops had a big sign on it, "COME
+IN AND LOOK AROUND." But I kept going. One thing I understood was that
+it was absolutely necessary to have money, and that I must stop
+nowhere, and attempt nothing, till after I had gotten some.</p>
+
+<p>Farther down, the houses began coming closer together, and then the
+road stopped winding around, and became almost straight. By that time,
+I was used to the car, and didn't have to think about it much, and for
+a little while I really enjoyed myself. I could see into the houses
+sometimes, through the windows, and at one, a woman was opening the
+door, coming out with a broom in her hand. There were children playing
+in the yards. There were cars of all kinds parked around the houses,
+and I saw dogs and a couple of horses, and once a whole flock of
+chickens.</p>
+
+<p>But just where it was beginning to get really interesting, when I was
+coming into the little town before the city, I had to stop watching it
+all, because there were too many other people driving. That was when I
+began to understand all the fuss about licenses and tests and traffic
+regulations. Watching it on television, it wasn't anything like being
+in the middle of it!</p>
+
+<p>Of course, what I ran into there was really nothing; I found that out
+when I got into the city itself. But just at first, it seemed pretty
+bad. And I still don't understand it. These people are pretty bright
+mechanically. You'd think anybody who could <i>build</i> an automobile&mdash;let
+alone an atom bomb&mdash;could <i>drive</i> one easily enough. Especially with a
+lifetime to learn in. Maybe they just like to live dangerously....</p>
+
+<p>It was a good thing, though, that I'd already started watching out for
+what the other drivers were doing when I hit my first red light. That
+was something I'd overlooked entirely, watching street scenes on the
+screen, and I guess they'd never noticed either. They must have taken
+it for granted, the way I did, that people stopped their cars out of
+courtesy from time to time to let the others go by. As it was, I
+stopped because the others did, and just happened to notice that they
+began again when the light changed to green. It's really a very good
+system; I don't see why they don't have them at all the intersections.</p>
+
+<hr style="width: 45%;" />
+
+<p>From the first light, it was eight miles into the center of Colorado
+Springs. A sign on the road said so, and I was irrationally pleased
+when the speedometer on the car confirmed it. Proud, I suppose, that
+these natives from my own birth-place were such good gadgeteers. The
+road was better after that, too, and the cars didn't dart in and out
+off the sidestreets the way they had before. There was more traffic on
+the highway, but most of them behaved fairly intelligently. Until we
+got into town, that is. After that, it was everybody-for-himself, but
+by then I was prepared for it.</p>
+
+<p>I found a place to park the car near a drugstore. That was the first
+thing I was supposed to do. Find a drugstore, where there would likely
+be a telephone directory, and go in and look up the address of a hock
+shop. I had a little trouble parking the car in the space they had
+marked off, but I could see from the way the others were stationed
+that you were supposed to get in between the white lines, with the
+front of the car next to the post on the sidewalk. I didn't know what
+the post was for, until I got out and read what it said, and then I
+didn't know what to do, because I didn't <i>have</i> any money. Not yet.
+And I didn't dare get into any trouble that might end up with a
+policeman asking to see my license, which always seemed to be the
+first thing they did on television, when they talked to anybody who
+was driving a car. I got back in the car and wriggled my way out of
+the hole between the other cars, and tried to think what to do. Then I
+remembered seeing a sign that said "Free Parking" somewhere, not too
+far away, and went back the way I'd come.</p>
+
+<p>There was a sort of park, with a fountain spraying water all over the
+grass, and a big building opposite, and the white lines here were much
+more sensible. They were painted in diagonal strips, so you could get
+in and out quite easily, without all that backing and twisting and
+turning. I left the car there, and remembered to take the keys with
+me, and started walking back to the drugstore.</p>
+
+<hr style="width: 45%;" />
+
+<p>That was when it hit me.</p>
+
+<p>Up to then, beginning I guess when I drove that little stretch coming
+into Manitou, with the houses on the hills, and the children and yards
+and dogs and chickens, I'd begun to feel almost as if I belonged here.
+The people seemed so <i>much</i> like me&mdash;as long as I wasn't right up
+against them. From a little distance, you'd think there was no
+difference at all. Then, I guess, when I was close enough to notice,
+driving through town, I'd been too much preoccupied with the car. It
+didn't really get to me till I got out and started walking.</p>
+
+<p>They were all so <i>big</i>....</p>
+
+<p>They were big, and their faces and noses and even the pores of their
+skin were too big. And their voices were too loud. And they <i>smelled</i>.</p>
+
+<p>I didn't notice that last much till I got into the drugstore. Then I
+thought I was going to suffocate, and I had a kind of squeezing
+upside-down feeling in my stomach and diaphragm and throat, which I
+didn't realize till later was what they meant by "being sick." I stood
+over the directory rack, pretending to read, but really just
+struggling with my insides, and a man came along and shouted in my ear
+something that sounded like, "Vvvm trubbb lll-lll-lll ay-dee?" (I
+didn't get that sorted out for hours afterwards, but I don't think
+I'll ever forget just the way it sounded at the time. Of course, he
+meant, "Having trouble, little lady?") But all I knew at the time was
+he was too big and smelled of all kinds of things that were unfamiliar
+and slightly sickening. I couldn't answer him. All I could do was turn
+away so as not to breathe him, and try to pretend I knew what I was
+doing with the directory. Then he hissed at me ("Sorry, no offense," I
+figured out later), and said clearly enough so I could understand even
+then, "Just trying to help," and walked away.</p>
+
+<p>As soon as he was gone, I walked out myself. Directory or no
+directory, I had to get out of that store. I went back to where I'd
+left the car, but instead of getting in it, I sat down on a bench in
+the park, and waited till the turmoil inside me began to quiet down.</p>
+
+<p>I went back into that drugstore once before I left, purposely, just to
+see if I could pin down what it was that had bothered me so much,
+because I never reacted that strongly afterwards, and I wondered if
+maybe it was just that it was the first time I was inside one of their
+buildings. But it was more than that; that place was a regular
+snake-pit of a treatment for a stranger, believe me! They had a
+tobacco counter, and a lunch counter and a perfume-and-toiletries
+section, and a nut-roasting machine, and just to top it off, in the
+back of the store, an open-to-look-at (<i>and</i> smell) pharmaceutical
+center! Everything, all mixed together, and compounded with stale
+human sweat, which was also new to me at the time. And no air
+conditioning.</p>
+
+<p>Most of the air conditioning they have is bad enough on its own, with
+chemical smells, but those are comparatively easy to get used to ...
+and I'll take them <i>any</i> time, over what I got in that first dose of
+<i>Odeur d'Earth</i>.</p>
+
+<hr style="width: 45%;" />
+
+<p>Anyhow, I sat on the park bench about fifteen minutes, I guess,
+letting the sun and fresh air seep in, and trying to tabulate and
+memorize as many of the components of that drugstore smell as I could,
+for future reference. I was simply going to have to adjust to them,
+and next time I wanted to be prepared.</p>
+
+<p>All the same, I didn't feel prepared to go back into the same place.
+Maybe another store wouldn't be quite as bad. I started walking in the
+opposite direction, staying on the wide main street, where all the big
+stores seemed to be, and two blocks down, I ran into luck, because
+there was a big bracket sticking out over the sidewalk from the front
+of a store halfway down a side street, and it had the three gold balls
+hanging from it that I knew, from television, meant the kind of place
+I wanted. When I walked down to it, I saw too that they had a sign
+painted over the window: "We buy old gold and diamonds."</p>
+
+<p>Just <i>how</i> lucky that was, I didn't realize till quite some time
+later. I was going to look in the Classified Directory for "Hock
+Shops." I didn't know any other name for them then.</p>
+
+<p>Inside, it looked exactly like what I expected, and even the smell was
+nothing to complain about. Camphor and dust and mustiness were strong
+enough to cover most of the sweaty smell, and those were smells of a
+kind I'd experienced before, in other places.</p>
+
+<p>The whole procedure was reassuring, because it all went just the way
+it was supposed to, and I knew how to behave. I'd seen it in a show,
+and the man behind the grilled window even <i>looked</i> like the man on
+the screen, and talked the same way.</p>
+
+<p>"What can we do for you, girlie?"</p>
+
+<p>"I'd like to sell a diamond," I told him.</p>
+
+<p>He didn't say anything at first, then he looked impatient. "You got it
+with you?"</p>
+
+<p>"Oh ... yes!" I opened my purse, and took out one of the little
+packages, and unwrapped it, and handed it to him. He screwed the lens
+into his eye, and walked back from the window and put it on a little
+scale, and turned back and unscrewed the lens and looked at me.</p>
+
+<p>"Where'd you get this, lady?" he asked me.</p>
+
+<p>"It's mine," I said. I knew just how to do it. We'd gone over this
+half a dozen times before I left, and he was behaving exactly the way
+we'd expected.</p>
+
+<p>"I don't know," he said. "Can't do much with an unset stone like
+this...." He pursed his lips, tossed the diamond carelessly in his
+hand, and then pushed it back at me across the counter. I had to keep
+myself from smiling. It was just the way they'd said it would be. The
+people here were still in the Mech Age, of course, and not nearly
+conscious enough to communicate anything at all complex or abstract
+any way except verbally. But there is nothing abstract about avarice,
+and between what I'd been told to expect, and what I could feel
+pouring out of him, I knew precisely what was going on in his mind.</p>
+
+<p>"You mean you don't <i>want</i> it?" I said. "I thought it was worth quite
+a lot...."</p>
+
+<p>"Might have been once." He shrugged. "You can't do much with a stone
+like that any more. Where'd you get it, girlie?"</p>
+
+<p>"My mother gave it to me. A long time ago. I wouldn't sell it,
+except.... Look," I said, and didn't have to work hard to sound
+desperate, because in a way I was. "Look, it must be worth
+<i>some</i>thing?"</p>
+
+<p>He picked it up again. "Well ... what do you want for it?"</p>
+
+<p>That went on for quite a while. I knew what it was supposed to be
+worth, of course, but I didn't hope to get even half of that. He
+offered seventy dollars, and I asked for five hundred, and after a
+while he gave me three-fifty, and I felt I'd done pretty well&mdash;for a
+greenhorn. I put the money in my purse, and went back to the car, and
+on the way I saw a policeman, so I stopped and asked him about a
+hotel. He looked me up and down, and started asking questions about
+how old I was, and what was my name and where did I live, and I began
+to realize that being so much smaller than the other people was going
+to make life complicated. I told him I'd come to visit my brother in
+the Academy, and he smiled, and said, "Your <i>brother</i>, is it?" Then he
+told me the name of a place just outside of town, near the Academy. It
+wasn't a hotel; it was a <i>mo</i>tel, which I didn't know about at that
+time, but he said I'd be better off there. A lot of what he said went
+right over my head at the time; later I realized what he meant about
+"a nice respectable couple" running the place. I found out later on,
+too, that he called them up to ask them to keep an eye on me; he
+thought I was a nice girl, but he was worried about my being alone
+there.</p>
+
+<p>By this time, I was getting hungry, but I thought I'd better go and
+arrange about a place to stay first. I found the motel without much
+trouble, and went in and registered; I knew how to do that, at
+least&mdash;I'd seen it plenty of times. They gave me a key, and the man
+who ran the place asked me did I want any help with my bags.</p>
+
+<p>"Oh, no," I said. "No, thanks. I haven't got much."</p>
+
+<p>I'd forgotten all about that, and they'd never thought about it
+either! These people always have a lot of different clothes, not just
+one set, and you're supposed to have a suitcase full of things when
+you go to stay anyplace. I said I was hungry anyway, and wanted to go
+get something to eat, and do a couple of other things&mdash;I didn't say
+what&mdash;before I got settled. So the woman walked over with me, and
+showed me which cabin it was, and asked was everything all right?</p>
+
+<p>It looked all right to me. The room had a big bed in it, with sheets
+and a blanket and pillows and a bedspread, just like the ones I'd seen
+on television. And there was a chest of drawers, and a table with more
+small drawers in it, and two chairs and a mirror and one door that
+went into a closet and one that led to the bathroom. The fixtures in
+there were a little different from the ones they'd made for me to
+practice in, but functionally they seemed about the same.</p>
+
+<p>I didn't look for any difficulty with anything there except the bed,
+and that wasn't <i>her</i> fault, so I assured her everything was just
+fine, and let her show me how to operate the gas-burner that was set
+in the wall for heat. Then we went out, and she very carefully locked
+the door, and handed me the key.</p>
+
+<p>"You better keep that door locked," she said, just a little sharply.
+"You never know...."</p>
+
+<p>I wanted to ask her <i>what</i> you never know, but had the impression that
+it was something <i>every</i>body was supposed to know, so I just nodded
+and agreed instead.</p>
+
+<p>"You want to get some lunch," she said then, "there's a place down the
+road isn't too bad. Clean, anyhow, and they don't cater too much to
+those ... well, it's clean." She pointed the way; you could see the
+sign from where we were standing. I thanked her, and started the car,
+and decided I might as well go there as anyplace else, especially
+since I could see she was watching to find out whether I did or not.</p>
+
+<hr style="width: 45%;" />
+
+<p>These people are all too big. Or almost all of them. But the man
+behind the counter at the diner was enormous. He was tall and fat with
+a beefy red face and large open pores and a fleshy mound of a nose. I
+didn't like to look at him, and when he talked, he boomed so loud I
+could hardly understand him. On top of all that, the smell in that
+place was awful: not quite as bad as the drugstore, but some ways
+similar to it. I kept my eyes on the menu, which was full of
+unfamiliar words, and tried to remember that I was hungry.</p>
+
+<p>The man was shouting at me&mdash;or it was more like growling, I guess&mdash;and
+I couldn't make out the words at first. He said it again, and I sorted
+out syllables and matched them with the words on the card, and then I
+got it:</p>
+
+<p>"Goulash is nice today, miss...."</p>
+
+<p>I didn't know what goulash was, and the state my stomach was in, with
+the smells, I decided I'd better play safe, and ordered a glass of
+milk, and some vegetable soup.</p>
+
+<p>The milk had a strange taste to it. Not <i>bad</i>&mdash;just <i>different</i>. But
+of course, this came from cows. That was all right. But the vegetable
+soup...!</p>
+
+<p>It was quite literally putrid, made as near as I could figure out from
+dead animal juices, in which vegetables had been soaked and cooked
+till any trace of flavor or nourishment was entirely removed. I took
+one taste of that, and then I realized what the really nauseating part
+of the odor was, in the diner and the drugstore both. It was rotten
+meat, dead for some time, and then heated in preparation for eating.</p>
+
+<p>The crackers that came with the soup were good; they had a nice salty
+tang. I ordered more of those, with another glass of milk, and sat
+back sipping slowly, trying to adjust to that smell, now that I
+realized I'd probably find it anywhere I could find food.</p>
+
+<p>After a while, I got my insides enough in order so that I could look
+around a little and see the place, and the other people in it. That
+was when I turned around and saw Larry sitting next to me.</p>
+
+<p>He was beautiful. He <i>is</i> beautiful. I know that's not what you're
+supposed to say about a man, and he wouldn't like it, but I can only
+say what I see, and of course that's partly a matter of my own
+training and my own feelings about myself.</p>
+
+<p>At home on the ship, I always wanted to cut off my hair, because it
+was so black, and my skin was so white, and they didn't go together.
+But they wouldn't let me; they liked it that way, I guess, but <i>I</i>
+didn't. No child wants to feel like a freak, and nobody else had hair
+like that, or dead-white colorless skin, either.</p>
+
+<p>Then, when I went down there, and saw all the humans, I was still a
+freak because I was so small.</p>
+
+<p>Larry's small, too. Almost as small as I am. And he's all one color.
+He has hair, of course, but it's so light, and his skin is so dark
+(both from the sun, I found out), that he looks just about the same
+lovely golden color all over. Or at least as much of him as showed
+when I saw him that time, in the diner.</p>
+
+<p>He was beautiful, and he was my size, and he didn't have ugly rough
+skin or big heavy hands. I stared at him, and I felt like grabbing on
+to him to make sure he didn't get away.</p>
+
+<p>After a while I realized my mouth was half-open, and I was still
+holding a cracker, and I remembered that this was very bad manners. I
+put the cracker down and closed my mouth. He smiled. I didn't know if
+he was laughing at the odd way I was acting, or just being friendly,
+but I smiled back anyhow.</p>
+
+<p>"I'm sorry," he said. "I mean, hello. How do you do, and I'm sorry if
+I startled you. I shouldn't have been staring."</p>
+
+<p>"<i>You</i>," I said, and meant to finish, <i>You were staring?</i> But he went
+right on talking, so that I couldn't finish.</p>
+
+<p>"I don't know what else you can expect, if you go around looking like
+that," he said.</p>
+
+<p>"I'm sorry...." I started again.</p>
+
+<p>"And you should be," he said sternly. "Anybody who walks into a place
+like this in the middle of a day like this looking the way you do has
+got to expect to get stared at a little."</p>
+
+<p>The thing is, I wasn't used to the language; not used <i>enough</i>. I
+could communicate all right, and even understand some jokes, and I
+knew the spoken language, not some formal unusable version, because I
+learned it mostly watching those shows on the television screen. But I
+got confused this time, because "looking" means two different things,
+active and passive, and I was thinking about how I'd been <i>looking at</i>
+him, and....</p>
+
+<p>That was my lucky day. I didn't want him to be angry at me, and the
+way I saw it, he was perfectly justified in scolding me, which is what
+I thought he was doing. But I <i>knew</i> he wasn't really angry; I'd have
+felt it if he was. So I said, "You're right. It was very rude of me,
+and I don't blame you for being annoyed. I won't do it any more."</p>
+
+<p>He started laughing, and this time I knew it was friendly. Like I
+said, that was my lucky day; <i>he</i> thought I was being witty. And, from
+what he's told me since, I guess he realized then that <i>I</i> felt
+friendly too, because before that he'd just been bluffing it out, not
+knowing how to get to know me, and afraid <i>I</i>'d be sore at <i>him</i>, just
+for talking to me!</p>
+
+<p>Which goes to show that sometimes you're better off not being <i>too</i>
+familiar with the local customs.</p>
+
+<hr style="width: 45%;" />
+
+<p>The trouble was there were too many things I didn't know, too many
+small ways to trip myself up. Things they couldn't have foreseen, or
+if they did, couldn't have done much about. All it took was a little
+caution and a lot of alertness, plus one big important item: staying
+in the background&mdash;not getting to know any one person too well&mdash;not
+giving any single individual a chance to observe too much about me.</p>
+
+<p>But Larry didn't mean to let me do that. And ... I didn't want him to.</p>
+
+<p>He asked questions; I tried to answer them. I did know enough at least
+of the conventions to realize that I didn't have to give detailed
+answers, or could, at any point, act offended at being questioned so
+much. I <i>didn't</i> know enough to realize that reluctance or irritation
+on my part wouldn't have made him go away. We sat on those stools at
+the diner for most of an hour, talking, and after a little while I
+found I could keep the conversation on safer ground by asking <i>him</i>
+about himself, and about the country thereabouts. He seemed to enjoy
+talking.</p>
+
+<p>Eventually, he had to go back to work. As near as I could make out, he
+was a test-pilot, or something like it, for a small experimental
+aircraft plant near the city. He lived not too far from where I was
+staying, and he wanted to see me that evening.</p>
+
+<p>I hadn't told him where the motel was, and I had at least enough
+caution left not to tell him, even then. I did agree to meet him at
+the diner, but for lunch the next day again, instead of that evening.
+For one thing, I had a lot to do; and for another, I'd seen enough on
+television shows to know that an evening date was likely to be pretty
+long-drawn-out, and I wasn't sure I could stand up under that much
+close scrutiny. I had some studying-up to do first. But the lunch-date
+was fine; the thought of not seeing him at all was terrifying&mdash;as if
+he were an old friend in a world full of strangers. That was how I
+felt, that first time, maybe just because he was almost as small as I.
+But I think it was more than that, really.</p>
+
+<hr style="width: 45%;" />
+
+<p>I drove downtown again, and found a store that seemed to sell all
+kinds of clothing for women. Then when I got inside, I didn't know
+where to start, or what to get. I thought of just buying one of
+everything, so as to fill up a suitcase; the things I had on seemed to
+be perfectly satisfactory for actual <i>wearing</i> purposes. They were
+quite remarkably&mdash;when you stopped to think of it&mdash;similar to what
+most of the women I'd seen that day were wearing, and of course they
+weren't subject to the same problems of dirtying and wrinkling and
+such as the clothes in the store were.</p>
+
+<p>I walked around for a while, trying to figure out what all the
+different items, shapes, sizes, and colors, were for. Some racks and
+counters had signs, but most of them were unfamiliar words like
+<i>brunchies</i>, or <i>Bermudas</i> or <i>scuffs</i>; or else they seemed to be
+mislabeled, like <i>dusters</i> for a sort of button-down dress, and
+<i>Postage Stamp Girdles</i> at one section of a long counter devoted to
+"Foundation Garments." For half an hour or so, I wandered around in
+there, shaking my head every time a saleswoman came up to me, because
+I didn't know, and couldn't figure out, what to ask for, or how to ask
+for it.</p>
+
+<p>The thing was, I didn't dare draw too much attention to myself by
+doing or saying the wrong things. I'd have to find out more about
+clothes, somehow, before I could do much buying.</p>
+
+<p>I went out, and on the same block I found a show-window full of
+suitcases. That was easy. I went in and pointed to one I liked, and
+paid for it, and walked out with it, feeling a little braver. After
+all, nobody had to know there was nothing in it. On the corner, I saw
+some books displayed in the window of a drug store. It took all the
+courage I had to go in there, after my first trip into one that looked
+very much like it, but I wanted a dictionary. This place didn't smell
+quite so strong; I suppose the pharmacy was enclosed in back, and I
+don't believe it had a lunch counter. Anyhow, I got in and out
+quickly, and walked back to the car, and sat down with the dictionary.</p>
+
+<p>It turned out to be entirely useless, at least as far as <i>brunchies</i>
+and <i>Bermudas</i> were concerned. It had "scuff, v.," with a definition;
+"v.," I found out, meant <i>verb</i>, so that wasn't the word I wanted, but
+when I remembered the slippers on the counter with the sign, it made
+sense in a way.</p>
+
+<p>Not enough sense, though. I decided to forget about the clothes for a
+while. The next problem was a driver's license.</p>
+
+<p>The policeman that morning had been helpful, if over-interested, and
+since policemen directed traffic, they ought to have the information I
+wanted. I found one of them standing on a streetcorner looking not too
+busy, and asked him, and if his hair hadn't been brown instead of
+reddish (and only half there) I'd have thought it was the same one I
+talked to before. He wanted to know how old I was, and where was I
+from, and what I was doing there, and did I have a car, and was I
+<i>sure</i> I was nineteen?</p>
+
+<p>Well, of course, I wasn't sure, but they'd told me that by the local
+reckoning, that was my approximate age. And I almost slipped and said
+I <i>had</i> a car, until I realized that I didn't have a right to drive
+one till I had a license. After he asked that one question, I began to
+feel suspicious about everything else he asked, and the interest he
+expressed. He was helpful, but I had to remember too, that it was the
+police who were charged with watching for suspicious characters,
+and&mdash;well, it was the last time I asked a policeman for information.</p>
+
+<p>He <i>did</i> tell me where I could rent a car to take my road test,
+though, and where to apply for the test. The Courthouse turned out to
+be the big building behind the square where I'd parked the car that
+morning, and arranging for the test turned out to be much simpler
+than, by then, I expected it to be. In a way, I suppose, all the
+questions I had to answer when I talked to the policeman had prepared
+me for the official session&mdash;though they didn't seem nearly so
+inquisitive there.</p>
+
+<p>By this time, I'd come to expect that they wouldn't believe my age
+when I told them. The woman at the window behind the counter wanted to
+see a "birth certificate," and I produced the one piece of
+identification I had; an ancient and yellowed document they had kept
+for me all these years. From the information it contained, I suspected
+it might even <i>be</i> a birth certificate; whether or not, it apparently
+satisfied her, and after that all she wanted was things like my
+address and height and weight. Fortunately, they had taken the
+trouble, back on the ship, to determine these statistics for me,
+because things like that were always coming up on television shows,
+especially when people were being questioned by the police. For the
+address, of course, I used the motel. The rest I knew, and I guess we
+had the figures close enough to right so that at least the woman
+didn't question any of it.</p>
+
+<p>I had my road test about half an hour later, in a rented car, and the
+examiner said I did very well. He seemed surprised, and I don't
+wonder, considering the way most of those people contrive to mismanage
+a simple mechanism like an automobile. I guess when they say Earth is
+still in the Mechanical Age, what they mean is that humans are just
+<i>learning</i> about machines.</p>
+
+<hr style="width: 45%;" />
+
+<p>The biggest single stroke of luck I had at any time came during that
+road test. We passed a public-looking building with a sign in front
+that I didn't understand.</p>
+
+<p>"What's that place?" I asked the examiner, and he said, as if anyone
+would know what he meant, "That? Oh&mdash;the Library."</p>
+
+<p>I looked it up in my dictionary as soon as I was done at the License
+Bureau, and when I found out what it was, everything became a great
+deal simpler.</p>
+
+<p>There was a woman who worked there, who showed me, without any
+surprise at my ignorance, just how the card catalogue worked, and what
+the numbering system meant; she didn't ask me how old I was, or any
+other questions, or demand any proof of any kind to convince her I had
+a right to use the place. She didn't even bother me much with
+questions about what I was looking for. I told her there were a <i>lot</i>
+of things I wanted to know, and she seemed to think that was a good
+answer, and said if she could help me any way, not to hesitate to ask,
+and then she left me alone with those drawers and drawers full of
+letter-and-number keys to all the mysteries of an alien world.</p>
+
+<p>I found a book on how to outfit your daughter for college, that
+started with underwear and worked its way through to jewelry and
+cosmetics. I also found a whole shelf full of law books, and in one of
+them, specific information about the motor vehicle regulations in
+different States. There was a wonderful book about diamonds and other
+precious stones, particularly fascinating because it went into the
+chemistry of the different stones, and gave me the best
+measuring-stick I found at any time to judge the general level of
+technology of that so-called Mechanical Age.</p>
+
+<p>That was all I had time for, I couldn't believe it was so late, when
+the librarian came and told me they were closing up, and I guess my
+disappointment must have showed all over me, because she asked if I
+wouldn't like to have a card, so I could take books home?</p>
+
+<p>I found out all I needed to get a card was identification. I was
+supposed to have a reference, too, but the woman said she thought
+perhaps it would be all right without one, in my case. And then, when
+I wanted to take a volume of the Encyclopedia Americana, she said they
+didn't usually circulate that, but if I thought I could bring it back
+within a day or two....</p>
+
+<p>I promised to, and I never did, and out of everything that happened,
+that's the one thing I feel badly about. I think she must have been a
+very unusual and <i>good</i> sort of woman, and I wish I had kept my
+promise to her.</p>
+
+<hr style="width: 45%;" />
+
+<p>Some of the stores downtown were still open. I bought the things I'd be
+expected to have, as near as I could make out from the book on college
+girls: panties and a garter belt and a brassiere, and stockings. A slip
+and another blouse, and a coat, because even in the early evening it was
+beginning to get chilly. Then the salesgirl talked me into gloves and a
+scarf and some earrings. I was halfway back to the car when I remembered
+about night clothes, and went back for a gown and robe and slippers. That
+didn't begin to complete the college girls' list, but it seemed like a
+good start. I'd need a dress, too, I thought, if I ever did go out with
+Larry in the evening ... but that could wait.</p>
+
+<p>I put everything into the suitcase, and drove back to the motel. On
+the way, I stopped at a food store, and bought a large container of
+milk, and some crackers, and some fruit&mdash;oranges and bananas and
+apples. Back in my room, I put everything away in the drawers, and
+then sat down with my book and my food, and had a wonderful time. I
+was hungry, and everything tasted good, away from the dead meat
+smells, and what with clothes in the drawers and everything, I was
+beginning to feel like a real Earth-girl.</p>
+
+<p>I even took a bath in the bathroom.</p>
+
+<p>A good long one. Next to the library, that's the thing I miss most. It
+would be even better, if they made the tubs bigger, so you could swim
+around some. But just getting wet all over like that, and splashing in
+the water, is fun. Of course, we could never spare enough water for
+that on the ship.</p>
+
+<p>Altogether, it was a good evening; everything was fine until I tried
+to sleep in that bed. I felt as if I was being suffocated all over.
+The floor was almost as bad, but in a different way. And once I got to
+sleep, I guess I slept well enough, because I felt fine in the
+morning. But then, I think I must have been on a mild oxygen jag all
+the time I was down there; nothing seemed to bother me too much. That
+morning, I felt so good I worked up my courage to go into a
+restaurant again&mdash;a different one. The smell was beginning to be
+familiar, and I could manage better. I experimented with a cereal
+called oatmeal, which was delicious, then I went back to the motel,
+packed up all my new belongings, left the key on the desk&mdash;as
+instructed by the sign on the door&mdash;and started out for Denver.</p>
+
+<hr style="width: 45%;" />
+
+<p>Denver, according to the Encyclopedia Americana, is more of a true
+metropolitan area than Colorado Springs; that means&mdash;on Earth&mdash;that it
+is dirtier, more crowded, far less pleasant to look at or live in, and
+a great deal more convenient and efficient to do business in. In
+Denver, and with the aid of a Colorado driver's license for casual
+identification, I was able to sell two of my larger diamonds fairly
+quickly, at two different places, for something approximating half of
+their full value. Then I parked the car they had given me on a side
+street, took my suitcase, coat, and book with me, and walked to the
+nearest car sales lot. I left the keys in the old car, for the
+convenience of anyone who might want it.</p>
+
+<p>Everything went extraordinarily smoothly, with just one exception. I
+had found out everything I needed to know in that library, except that
+when dealing with humans, one must always allow for waste time. If I
+had realized that at the time I left Colorado Springs that morning,
+everything might have turned out very differently indeed&mdash;although
+when I try to think just what other way it <i>could</i> have turned out, I
+don't quite know ... and I wonder, too, how much they knew, or
+planned, before they sent me down there....</p>
+
+<p>This much is sure: if I hadn't assumed that a 70-mile trip, with a
+60-mile average speed limit, would take approximately an hour and a
+half, and if I had realized that buying an automobile was not the same
+simple process as buying a nightgown, I wouldn't have been late for my
+luncheon appointment. And if I'd been there on time, I'd never have
+made the date for that night. As it was, I started out at seven
+o'clock in the morning, and only by exceeding the speed limit on the
+last twenty miles of the return trip did I manage to pull into that
+diner parking space at five minutes before two.</p>
+
+<p>His car was still there!</p>
+
+<p>It is so easy to look back and spot the instant of recognition or of
+error. My relief when I saw his car ... my delight when I walked in
+and saw and <i>felt</i> his mixture of surprise and joy that I had come,
+with disappointment and frustration because it was so late, and he had
+to leave almost immediately. And my complete failure, in the midst of
+the complexities of these inter-reactions, to think logically, or to
+recognize that his ordinary perceptions were certainly the equivalent
+of my own....</p>
+
+<p>At that moment, I wasn't thinking <i>about</i> any of these things. I spent
+a delirious sort of five minute period absorbing his feelings about
+me, and releasing my own at him. I hadn't planned to do it, not so
+soon, not till I knew much more than I did&mdash;perhaps after another
+week's reading and going about&mdash;but when he said that since I'd got
+there so late for lunch, I'd <i>have</i> to meet him for dinner, I found I
+agreed with him perfectly.</p>
+
+<hr style="width: 45%;" />
+
+<p>That afternoon, I bought a dress. This, too, took a great deal of
+time, even more than the car, because in the one case I simply had to
+look at a number of component parts, and listen to the operation of
+the motor, and feel for the total response of the mechanism, to
+determine whether it was suitable or not&mdash;but in the other, I had
+nothing to guide me but my own untrained taste, and the dubious
+preferences of the salesgirl, plus what I <i>thought</i> Larry's reactions
+<i>might</i> be. Also, I had to determine, without seeming too ignorant,
+just what sort of dress might be suitable for a dinner date&mdash;and
+without knowing for sure just how elaborate Larry's plans for the
+evening might be.</p>
+
+<p>I learned a lot, and was startled to find that I enjoyed myself
+tremendously. But I couldn't make up my mind, and bought three dresses
+instead of one. It was after that, emboldened by pleasure and success,
+that I went back to that first drugstore. The Encyclopedia volume I
+had taken from the library, besides containing the information I
+wanted on Colorado, had an article on Cosmetics. I decided powder was
+unnecessary, although I could understand easily enough how important
+it must be to the native women, with their thick skin and large pores
+and patchy coloring; that accounted for the fact that the men were
+mostly so much uglier ... and I wondered if Larry used it, and if that
+was why his skin looked so much better than the others'.</p>
+
+<p>Most of the perfumes made me literally ill; a few were inoffensive or
+mildly pleasant, if you thought of them just as smells, and not as
+something to be mistaken for one's <i>own</i> smell. Apparently, though,
+from the amount of space given over to them on the counter, and the
+number of advertisements I had seen or heard for one brand or another,
+they were an essential item. I picked out a faint lavender scent, and
+then bought some lipstick, mascara, and eyebrow pencil. On these last
+purchases, it was a relief to find that I had no opportunity to
+display my ignorance about nuances of coloring, or the merits of one
+brand over another. The woman behind the counter knew exactly what I
+should have, and was not interested in hearing any of my opinions. She
+even told me how to apply the mascara, which was helpful, since the
+other two were obvious, and anyhow I'd seen them used on television,
+and the lipstick especially I had seen women use since I'd been here.</p>
+
+<p>It turned out to be a little more difficult than it looked, when I
+tried it. Cosmetics apparently take a good deal more experience than
+clothing, if you want to have it look <i>right</i>. Right by <i>their</i>
+standards, I mean, so that your face becomes a formal design, and will
+register only a minimum of actual emotion or response.</p>
+
+<p>I was supposed to meet Larry in the cocktail lounge of a hotel in
+Manitou Springs, the smaller town I'd passed through the day before on
+my way down from the mountain. I drove back that way now, with all my
+possessions in my new car, including the purse that held not only my
+remaining diamonds and birth certificate, but also a car registration,
+driver's license, wallet, money, and makeup. A little more than
+halfway there, I saw a motel with a "Vacancy" sign out, and an
+attractive clean look about it. I pulled in and got myself a room with
+no more concern than if I'd been doing that sort of thing all my life.</p>
+
+<p>This time there was no question about my age, nor was there later on
+that evening, in the cocktail lounge or anywhere else. I suppose it
+was the lipstick that made the difference, plus a certain increase in
+self-confidence; apparently I wasn't too small to be an adult,
+provided I looked and acted like one.</p>
+
+<p>The new room did not have a bathtub. There was a shower, which was
+fun, but not as much as the tub had been. Dressing was <i>not</i> fun, and
+when I was finished, the whole effect still didn't look right, in
+terms of my own mental image of an Earth-woman dressed for a date.</p>
+
+<p>It was the shoes, of course. This kind of dress wanted high heels. I
+had tried a pair in the store, and promptly rejected the whole notion.
+Now I wondered if I'd been too hasty, but I realized I could not
+conceivably have added that discomfort to the already-pressing
+difficulties of stockings and garter belt.</p>
+
+<p>This last problem got so acute when I sat down and tried to drive the
+car, that I did some thinking about it, and decided to take them off.
+It seemed to me that I'd seen a lot of bare legs with flat heels. It
+was only with high heels that stockings were a real necessity. Anyhow,
+I pulled the car over to the side on an empty stretch of road, and
+wriggled out of things with a great deal of difficulty. I don't
+believe it made much difference in my appearance. No one <i>seemed</i> to
+notice, and I do think the lack of heels was more important.</p>
+
+<hr style="width: 45%;" />
+
+<p>All of this has been easy to put down. The next part is harder: partly
+because it's so important; partly because it's personal; partly
+because I just don't remember it all as clearly.</p>
+
+<p>Larry was waiting for me when I got to the hotel. He stood up and
+walked over to me, looking at me as if I were the only person in the
+room besides himself, or as if he'd been waiting all his life, and
+only just that moment saw what it was he'd been waiting for. I don't
+know how I looked at him, but I know how I felt all of a sudden, and I
+don't think I can express it very well.</p>
+
+<p>It was odd, because of the barriers to communication. The way he felt
+and the way I did are not things to put into words, and although I
+couldn't help but feel the impact of <i>his</i> emotion, I had to remember
+that he was deaf-and-blind to mine. All I could get from him for that
+matter, was a sort of generalized <i>noise</i>, loud but confused, without
+any features or details.</p>
+
+<p>He smiled, and I smiled, and he said, "I didn't know if you'd really
+come ..." and I said, "Am I late?" and he said, "Not much. What do you
+want to drink?"</p>
+
+<p>I knew he meant something with alcohol in it, and I didn't dare, not
+till I'd experimented all alone first.</p>
+
+<p>"Could I get some orange juice?" I asked.</p>
+
+<p>He smiled again. "You can get anything you want. You don't drink?" He
+took my arm, and walked me over to a booth in the back corner, and
+went on without giving me a chance to answer. "No, of course you
+don't. Just orange juice and milk. Listen, Tina, I've been scared to
+ask you, but we might as well get it over with. How old are you
+anyhow?..." We sat down, but he still didn't give me a chance to
+answer. "No, that's not the right question. Who are you? What are you?
+What makes a girl like you exist at all? How come they let you run
+around on your own like this? Does your mother.... Never mind me,
+honey. I've got no business asking anything. Sufficient unto the
+moment, and all that. I'm just talking so much because I'm so nervous.
+I haven't felt like this since ... since I first went up for a solo in
+a Piper Cub. I didn't think you'd come, and you did, and you're still
+here in spite of me and my dumb yap. Orange juice for the lady,
+please," he told the waiter, "and a beer for me. Draft."</p>
+
+<p>I just sat there. As long as he kept talking, I didn't have to. He
+looked just as beautiful as he had in the diner, only maybe more so.
+His skin was smoother; I suppose he'd just shaved. And he was wearing
+a tan suit just a shade darker than his skin, which was just a shade
+darker than his hair, and there was absolutely nothing I could say out
+loud in his language that would mean anything at all, so I waited to
+see if he'd start talking again.</p>
+
+<p>"You're not mad at me, Tina?"</p>
+
+<p>I smiled and shook my head.</p>
+
+<p>"Well, <i>say</i> something then."</p>
+
+<p>"It's more fun listening to you."</p>
+
+<p>"You say that just like you mean it ... or do you mean <i>funny</i>?"</p>
+
+<p>"No. I mean that it's hard for me to talk much. I don't know how to
+say a lot of the things I want to say. And most people don't say
+anything when they talk, and I don't like listening to their voices,
+but I do like yours, and ... I can't help liking what you say ... it's
+always so <i>nice</i>. About me, I mean. Complimentary. Flattering."</p>
+
+<p>"You were right the first time. And you seem to be able to say what
+you mean very clearly."</p>
+
+<p>Which was just the trouble. Not only able to, but unable not to. It
+didn't take any special planning or remembering to say or act the
+necessary lies to other humans. But Larry was the least alien person
+I'd ever known. Dishonesty to him was like lying to myself. Playing a
+role for him was pure schizophrenia.</p>
+
+<p>Right then, I knew it was a mistake. I should never have made that
+date, or at least not nearly so soon. But even as I thought that, I
+had no more intention of cutting it short or backing out than I did of
+going back to the ship the next day. I just tried not to talk too
+much, and trusted to the certain knowledge that I was as important to
+him as he was to me&mdash;so perhaps whatever mistakes I made, whatever I
+said that sounded <i>wrong</i>, he would either accept or ignore or
+forgive.</p>
+
+<p>But of course you can't just sit all night and say nothing. And the
+simplest things could trip me up. Like when he asked if I'd like to
+dance, and all I had to say was "No, thanks," and instead, because I
+<i>wanted</i> to try it, I said, "I don't know how."</p>
+
+<p>Or when he said something about going to a movie, and I agreed
+enthusiastically, and he gave me a choice of three different ones that
+he wanted to see ... "Oh, anyone," I told him. "You're easy to
+please," he said, but he insisted on my making a choice. There was
+something he called "an old-Astaire-Rogers," and something else that
+was made in England, and one current American one with stars I'd seen
+on television. I wanted to see either of the others. I could have said
+so, or I could have named one, any one. Instead I heard myself
+blurting out that I'd never been to a movie.</p>
+
+<p>At that point, of course, he began to ask questions in earnest. And at
+that point, schizoid or not, I had to lie. It was easier, though,
+because I'd been thoroughly briefed in my story, for just such
+emergencies as this&mdash;and because I could talk more or less
+uninterruptedly, with only pertinent questions thrown in, and without
+having to react so much to the emotional tensions between us.</p>
+
+<p>I told him how my parents had died in an automobile accident when I
+was a baby; how my two uncles had claimed me at the hospital; about
+the old house up on the mountainside, and the convent school, and the
+two old men who hated the evils of the world; about the death of the
+first uncle, and at long last the death of the second, and the lawyers
+and the will and everything&mdash;the whole story, as we'd worked it out
+back on the ship.</p>
+
+<p>It answered everything, explained everything&mdash;even the unexpected item
+of not being able to eat meat. My uncles were vegetarians, which was
+certainly a harmless eccentricity compared to most of the others I
+credited them with.</p>
+
+<p>As a story, it was pretty far-fetched, but it hung together&mdash;and in
+certain ways, it wasn't even <i>too</i> far removed from the truth. It was,
+anyhow, the closest thing to the truth that I could tell&mdash;and I
+therefore delivered it with a fair degree of conviction. Of course it
+wasn't designed to stand up to the close and personal inspection Larry
+gave it; but then he <i>wanted</i> to believe me.</p>
+
+<p>He seemed to swallow it. What he did, of course, was something any man
+who relies, as he did, on his reflexes and responses to stay alive,
+learns to do very early&mdash;he filed all questions and apparent
+discrepancies for reference, or for thinking over when there was time,
+and proceeded to make the most of the current situation.</p>
+
+<p>We both made the most of it. It was a wonderful evening, from that
+point on. We went to the Astaire-Rogers picture, and although I missed
+a lot of the humor, since it was contemporary stuff from a time before
+I had any chance to learn about Earth, the music and dancing were fun.
+Later on, I found that dancing was not nearly as difficult or
+intricate as it looked&mdash;at least not with Larry. All I had to do was
+give in to a natural impulse to let my body follow his. It felt
+wonderful, from the feet on up.</p>
+
+<p>Finally, we went back to the hotel, where we'd left my car, and I
+started to get out of his, but he reached out an arm, and stopped me.</p>
+
+<p>"There's something else I guess you never did," he said. His voice
+sounded different from before. He put both his hands on my shoulders,
+and pulled me toward him, and leaned over and kissed me.</p>
+
+<p>I'd seen it, of course, on television.</p>
+
+<p>I'd seen it, but I had no idea....</p>
+
+<p>That first time, it was something I felt on my lips, and felt so
+sweetly and so strongly that the rest of me seemed to melt away
+entirely. I had no other sensations, except in that one place where
+his mouth touched mine. That was the first time.</p>
+
+<p>When it stopped, the world stopped, and I began again, but I had to
+sort out the parts and pieces and put them all together to find out
+who I was. While I did this, his hands were still on my shoulders,
+where they'd been all along, only he was holding me at arm's distance
+away from him, and looking at me curiously.</p>
+
+<p>"It really was, wasn't it?" he said.</p>
+
+<p>"What?" I tried to say, but the sound didn't come out. I took a breath
+and "Was what?" I croaked.</p>
+
+<p>"The first time." He smiled suddenly, and it was like the sun coming
+up in the morning, and then his arms went all the way around me. I
+don't know whether he moved over on the seat, or I did, or both of us.
+"Oh, baby, baby," he whispered in my ear, and then there was the
+second time.</p>
+
+<p>The second time was like the first, and also like dancing, and some
+ways like the bathtub. This time none of me melted away; it was all
+there, and all close to him, and all warm, and all tingling with
+sensations. I was more completely alive right then than I had ever
+been before in my life.</p>
+
+<p>After we stopped kissing each other, we stayed very still, holding on
+to each other, for a while, and then he moved away just a little,
+enough, to breathe better.</p>
+
+<p>I didn't know what to do. I didn't want to get out of the car. I
+didn't even want to be separated from him by the two or three inches
+between us on the seat. But he was sitting next to me now, staring
+straight ahead, not saying anything, and I just didn't know what came
+next. On television, the kiss was always the end of the scene.</p>
+
+<p>He started the car again.</p>
+
+<p>I said, "I have to ... my car ... I...."</p>
+
+<p>"We'll come back," he said. "Don't worry about it. We'll come back.
+Let's just drive a little...?" he pulled out past my car, and turned
+and looked at me for a minute. "You don't want to go now, do you?
+Right away?"</p>
+
+<p>I shook my head, but he wasn't looking at me any more, so I took a
+breath and said out loud, "No."</p>
+
+<p>We came off a twisty street onto the highway. "So that's how it hits
+you," he said. He wasn't exactly talking to me; more like thinking out
+loud. "Twenty-seven years a cool cat, and now it has to be a crazy
+little midget that gets to you." He had to stop then, for a red
+light&mdash;the same light I'd stopped at the first time on the way in.
+That seemed a long long time before.</p>
+
+<p>Larry turned around and took my hand. He looked hard at my face, "I'm
+sorry, hon. I didn't mean that the way it sounded."</p>
+
+<p>"What?" I said. "What do you mean?" I hadn't even tried to make sense
+out of what he was saying before; he wasn't talking to me anyhow.</p>
+
+<p>"Kid," he said, "maybe that was the first time for you, but in a
+different way it was the first time for me too." His hand opened and
+closed around mine, and his mouth opened and closed too, but nothing
+came out. The light was green; he noticed, and started moving, but it
+turned red again. This time he kept watching it.</p>
+
+<p>"I don't suppose anybody ever told you about the birds and the bees
+and the butterflies," he said.</p>
+
+<p>"Told me <i>what</i> about them?" He didn't answer right away, so I thought
+about it. "All I can think of is they all have wings. They all fly."</p>
+
+<p>"So do I. So does a fly. What I mean is ... the hell with it!" He
+turned off the highway, and we went up a short hill and through a sort
+of gateway between two enormous rocks. "Have you ever been here?" he
+asked.</p>
+
+<p>"I don't think so...."</p>
+
+<p>"They call it The Garden of the Gods. I don't know why. I like it here ...
+it's a good place to drive and think."</p>
+
+<p>There was a lot of moonlight, and the Garden was all hills and drops
+and winding roads between low-growing brush, and everywhere, as if the
+creatures of some giant planet had dropped them, were those towering
+rocks, their shapes scooped out and chiseled and hollowed and twisted
+by wind, water and sand. Yes, it was lovely, and it was non-intrusive.
+Just what he said&mdash;a good place to drive and think.</p>
+
+<p>Once he came to the top of a hill, and stopped the car, and we looked
+out over the Garden, spreading out in every direction, with the
+moonlight shadowed in the sagebrush, and gleaming off the great rocks.
+Then we turned and looked at each other, and he reached out for me and
+kissed me again; after which he pulled away as if the touch of me hurt
+him, and grabbed hold of the wheel with a savage look on his face, and
+raced the motor, and raised a cloud of dust on the road behind us.</p>
+
+<p>I didn't understand, and I felt hurt. I wanted to stop again. I wanted
+to be kissed again. I didn't like sitting alone on my side of the
+seat, with that growl in his throat not quite coming out.</p>
+
+<p>I asked him to stop again. He shook his head, and made believe to
+smile.</p>
+
+<p>"I'll buy you a book," he said. "All about the birds and the bees and
+a little thing we have around here we call sex. I'll buy it tomorrow,
+and you can read it&mdash;you <i>do</i> know how to read, don't you?&mdash;and then
+we'll take another ride, and we can park if you want to. Not tonight,
+baby."</p>
+
+<p>"But I <i>know</i>...." I started, and then had sense enough to stop. I
+knew about sex; but what I knew about it didn't connect with kissing
+or parking the car, or sitting close ... and it occurred to me that
+maybe it did, and maybe there was a lot I <i>didn't</i> know that wasn't on
+Television, and wasn't on the Ship's reference tapes either. Morals
+and mores, and nuances of behavior. So I shut up, and let him take me
+back to the hotel again, to my own car.</p>
+
+<p>He leaned past me to open the door on my side, but he couldn't quite
+make it, and I had my fourth kiss. Then he let go again, and almost
+pushed me out of the car; but when I started to close the door behind
+me, he called out, "Tomorrow night?"</p>
+
+<p>"I ... all right," I said. "Yes. Tomorrow night."</p>
+
+<p>"Can I pick you up?"</p>
+
+<p>There was no reason not to this time. The first time I wouldn't tell
+him where I lived, because I knew I'd have to change places, and I
+didn't know where yet. I told him the name of the motel, and where it
+was.</p>
+
+<p>"Six o'clock," he said.</p>
+
+<p>"All right."</p>
+
+<p>"Good night."</p>
+
+<p>"Good night."</p>
+
+<hr style="width: 45%;" />
+
+<p>I don't remember driving back to my room. I think I slept on the bed
+that night, without ever stopping to determine whether it was
+comfortable or not. And when I woke up in the morning, and looked out
+the window at a white-coated landscape, the miracle of snow (which I
+had never seen before; not many planets have as much water vapor in
+their atmospheres as Earth does.) in summer weather seemed trivial in
+comparison to what had happened to me.</p>
+
+<p>Trivial, but beautiful. I was afraid it would be very cold, but it
+wasn't.</p>
+
+<p>I had gathered, from the weather-talk in the place where I ate
+breakfast, that in this mountain-country (it was considered to be very
+high altitude there), snow at night and hot sun in the afternoon was
+not infrequent in the month of April, though it was unusual for May.</p>
+
+<p>It was beautiful to look at, and nice to walk on, but it began melting
+as soon as the sun was properly up, and then it looked awful. The red
+dirt there is pretty, and so is the snow, but when they began merging
+into each other in patches and muddy spots, it was downright ugly.</p>
+
+<p>Not that I cared. I ate oatmeal and drank milk and nibbled at a piece
+of toast, and tried to plan my activities for the day. To the library
+first, and take back the book they'd lent me. Book ... all right then,
+get a book on sex. But that was foolish; I <i>knew</i> all about sex. At
+least I knew ... well, what did I know? I knew their manner of
+reproduction, and....</p>
+
+<p>Just why, at that time and place, I should have let it come through to
+me, I don't know. I'd managed to stay in a golden daze from the time
+in the Garden till that moment, refusing to think through the
+implications of what Larry said.</p>
+
+<p>Sex. Sex is mating and reproduction. Dating and dancing and kissing
+are parts of the courtship procedure. And the television shows all
+stop with kissing, because the mating itself is taboo. Very simple.
+Also <i>very</i> taboo.</p>
+
+<p>Of course, they didn't <i>say</i> I couldn't. They never said anything
+about it at all. It was just obvious. It wouldn't even work. We were
+<i>different</i>, after all.</p>
+
+<p>Oh, technically, biologically, of course, we were probably
+cross-fertile, but....</p>
+
+<p>The whole thing was so obviously <i>impossible</i>!</p>
+
+<p>They should have warned me. I'd never have let it go this far, if I'd
+known.</p>
+
+<p>Sex. Mating. Marriage. Tribal rites. Rituals and rigamaroles, and stay
+here forever. Never go back.</p>
+
+<p><i>Never go back?</i></p>
+
+<p>There was an instant's sheer terror, and then the comforting knowledge
+that they wouldn't <i>let</i> me do that. I had to go back.</p>
+
+<p>Baby on a spaceship?</p>
+
+<p>Well, <i>I</i> was a baby on a spaceship, but that was different. How
+different? I was older. I wasn't born there. Getting born is
+complicated. Oxygen, gravity, things like that. You can't raise a
+<i>human</i> baby on a spaceship.... <i>Human?</i> What's human? What am I?
+Never mind the labels. It would be <i>my</i> baby....</p>
+
+<p>I didn't want a baby. I just wanted Larry to hold me close to him and
+kiss me.</p>
+
+<hr style="width: 45%;" />
+
+<p>I drove downtown and on the way to the library I passed a bookstore,
+so I stopped and went in there instead. That was better. I could buy
+what I wanted, and not have to ask permission to take it out, and if
+there was more than one, I could have all I wanted.</p>
+
+<p>I asked the man for books about sex. He looked so startled, I realized
+the taboo must apply on the verbal level too.</p>
+
+<p>I didn't care. He showed me where the books were, and that's all that
+mattered. "Non-fiction here," he said. "That what you wanted, Miss?"</p>
+
+<p>Non-fiction. Definitely. I thanked him, and picked out half a dozen
+different books. One was a survey of sexual behavior and morals;
+another was a manual of techniques; one was on the psychology of sex,
+and there was another about abnormal sex, and one on physiology, and
+just to play safe, considering the state of my own ignorance, one that
+announced itself as giving a "clear simple explanation of the facts of
+life for adolescents."</p>
+
+<p>I took them all to the counter, and paid for them, and the man still
+looked startled, but he took the money. He insisted on wrapping them
+up, though, before I could leave.</p>
+
+<hr style="width: 45%;" />
+
+<p>The next part of this is really Larry's story, but unable as I am,
+even now, to be <i>certain</i> about his unspoken thoughts, I can only tell
+it as I experienced it. I didn't do anything all that day, except wade
+through the books I'd bought, piece-meal, reading a few pages here and
+a chapter there. The more I read, the more confused I got. Each writer
+contradicted all the others, except in regard to the few basic
+biological facts that I already knew. The only real addition to my
+factual knowledge was the information in the manual of technique about
+contraception&mdash;and that was rather shocking, even while it was
+tempting.</p>
+
+<p>The mechanical contrivances these people made use of were foolish, of
+course, and typical of the stage of culture they are going through. If
+I wanted to prevent conception, while engaging in an act of sexual
+intercourse, I could, do so, of course, but....</p>
+
+<p>The shock to the glandular system wouldn't be too severe; it was the
+psychological repercussions I was thinking about. The idea of pursuing
+a course of action whose sole motivation was the procreative urge, and
+simultaneously to decide by an act of will to refuse to procreate....</p>
+
+<p>I <i>could</i> do it, theoretically, but in practice I knew I never would.</p>
+
+<p>I put the book down and went outside in the afternoon sunshine. The
+motel was run by a young married couple, and I watched the woman come
+out and put her baby in the playpen. She was laughing and talking to
+it; she looked happy; so did the baby.</p>
+
+<p>But <i>I</i> wouldn't be. Not even if they let me. I couldn't live here and
+bring up a child&mdash;children?&mdash;on this primitive, almost barbaric,
+world. Never ever be able fully to communicate with anyone. Never,
+ever, be entirely honest with anyone.</p>
+
+<p>Then I remembered what it was like to be in Larry's arms, and wondered
+what kind of communication I could want that might surpass that. Then
+I went inside and took a shower and began to dress for the evening.</p>
+
+<p>It was too early to get dressed. I was ready too soon. I went out and
+got in the car, and pulled out onto the highway and started driving. I
+was halfway up the mountain before I knew where I was going, and then
+I doubled my speed.</p>
+
+<p>I was scared. I ran away.</p>
+
+<hr style="width: 45%;" />
+
+<p>There was still some snow on the mountain top. Down below, it would be
+warm yet, but up there it was cold. The big empty house was full of
+dust and chill and I brought fear in with me. I wished I had known
+where I was going when I left my room; I wanted my coat. I wanted
+something to read while I waited. I remembered the library book and
+almost went back. Instead, I went to the dark room in back that had
+once been somebody's kitchen, and opened the cupboard and found the
+projector and yelled for help.</p>
+
+<p>I didn't know where they were, how far away, whether cruising or
+landed somewhere, or how long it would take. All I could be sure of
+was that they couldn't come till after dark, full dark, and that would
+be, on the mountain top, at least another four hours.</p>
+
+<p>There was a big round black stove in a front room, that looked as if
+it could burn wood safely. I went out and gathered up everything I
+could find nearby that looked to be combustible, and started a fire,
+and began to feel better. I beat the dust off a big soft chair, and
+pulled it over close to the stove, and curled up in it, warm and
+drowsy and knowing that help was on the way.</p>
+
+<p>I fell asleep, and I was in the car with Larry again, in front of that
+hotel, every cell of my body tinglingly awake, and I woke up, and
+moved the chair farther back away from the fire, and watched the sun
+set through the window&mdash;till I fell asleep again, and dreamed again,
+and when I woke, the sun was gone, but the mountain top was brightly
+lit. I had forgotten about the moon.</p>
+
+<p>I tried to remember what time it rose and when it set, but all I knew
+was it had shone as bright last night in the Garden of the Gods.</p>
+
+<p>I walked around, and went outside, and got more wood, and when it was
+hot in the room again, I fell asleep, and Larry's hands were on my
+shoulders, but he wasn't kissing me.</p>
+
+<p>He was shouting at me. He sounded furious, but I couldn't feel any
+anger. "You God-damn little idiot!" he shouted. "What in the name of
+all that's holy...? ... put you over my knee and.... For God's sake,
+baby," he stopped shouting, "what did you pull a dumb trick like this
+for?"</p>
+
+<p>"I was scared. I didn't even plan to do it. I just did."</p>
+
+<p>"Scared? My God, I should think you would be! Now listen, babe. I
+don't know yet what's going on, and I don't think I'm going to like it
+when I find out. I don't like it already that you told me a pack of
+lies last night. Just the same, God help me, I don't think it's what
+it sounds like. But I'm the only one who doesn't. Now you better give
+it to me straight, because they've got half the security personnel of
+this entire area out hunting for you, and nobody else is going to care
+much what the truth is. My God, on top of everything else, you had to
+<i>run away</i>! Now, give out, kid, and make it good. This one has got to
+stick."</p>
+
+<p>I didn't understand a lot of what he said. I started trying to
+explain, but he wouldn't listen. He wanted something else, and I
+didn't know what.</p>
+
+<p>Finally, he made me understand.</p>
+
+<p>He'd almost believed my story the night before. Almost, but there was
+a detail somewhere that bothered him. He couldn't remember it at
+first; it kept nudging around the edge of his mind, but he didn't know
+what it was. He forgot about it for a while. Then, in the Garden, I
+made my second big mistake. (He didn't explain all of this then; he
+just accused, and I didn't understand this part completely until
+later.) I wanted him to park the car.</p>
+
+<p>Any girl on Earth, no matter how sheltered, how inexperienced, would
+have known better than that. As he saw it, he had to decide whether I
+was just so carried away by the night and the mood and the moment
+that I didn't <i>care</i>&mdash;or whether my apparent innocence was a pose all
+along.</p>
+
+<p>When we separated in front of the hotel that night, we both had to
+take the same road for a while. Larry was driving right behind me for
+a good three miles, before I turned off at the motel. And that was
+when he realized what the detail was that had been bothering him: my
+car.</p>
+
+<p>The first time he saw me, I was driving a different make and model,
+with Massachusetts plates on it. He was sure of that, because he had
+copied it down when he left the luncheonette, the first time we met.</p>
+
+<p>Larry had never told me very clearly about the kind of work he did. I
+knew it was something more or less "classified," having to do with
+aircraft&mdash;jet planes or experimental rockets, or something like that.
+And I knew, without his telling me, that the work&mdash;not just the <i>job</i>,
+but the work he did at it&mdash;was more important to him than anything
+else ever had been. More important, certainly, than he had ever
+expected any woman to be.</p>
+
+<p>So, naturally, when he met me that day, and knew he wanted to see me
+again, but couldn't get my address or any other identifying
+information out of me, he had copied down the license number of my
+car, and turned it in, with my name, to the Security Officer on the
+Project. A man who has spent almost every waking moment from the age
+of nine planning and preparing to fit himself for a role in humanity's
+first big fling into space doesn't endanger his security status by
+risking involuntary contamination from an attractive girl. The little
+aircraft plant on the fringes of town was actually a top-secret key
+division in the Satellite project, and if you worked there, you took
+precautions.</p>
+
+<p>The second time I met him at the luncheonette, he had been waiting so
+long, and had so nearly given up any hope of my coming, that he was no
+longer watching the road or the door when I finally got there&mdash;and
+when he left, he was so pleased at having gotten a dinner date with
+me, that he didn't notice much of anything at all. Not except out of
+the corner of one eye, and with only the slightest edge of
+subconscious recognition: just enough so that some niggling detail
+that was out-of-place kept bothering him thereafter; and just enough
+so that he made a point of stopping in the Security Office again that
+afternoon to add my new motel address to the information he'd given
+them the day before.</p>
+
+<p>The three-mile drive in back of my Colorado plates was just about long
+enough, finally, to make the discrepancy register consciously.</p>
+
+<p>Larry went home and spent a bad night. His feelings toward me, as I
+could hardly understand at the time, were a great deal stronger, or at
+least more clearly defined, than mine about him. But since he was
+more certain just what it was he wanted, and less certain what <i>I</i>
+did, every time he tried to fit my attitude in the car into the rest
+of what he knew, he'd come up with a different answer, and nine
+answers out of ten were angry and suspicious and agonizing.</p>
+
+<p>"Now look, babe," he said, "you've got to see this. I trusted <i>you</i>;
+really, all the time, I did trust you. But I didn't trust <i>me</i>. By the
+time I went to work this morning, I was half-nuts. I didn't know
+<i>what</i> to think, that's all. And I finally sold myself on the idea
+that if you were what you said you were, nobody would get hurt,
+and&mdash;well, if you <i>weren't</i> on the level, I better find out, quick.
+You see that?"</p>
+
+<p>"Yes," I said.</p>
+
+<p>"Okay. So I told them about the license plates, and about&mdash;the other
+stuff."</p>
+
+<p>"What other stuff?" What else was there? How stupid could I be?</p>
+
+<p>"I mean, the&mdash;in the car. The way you&mdash;Listen, kid," he said, his face
+grim and demanding again. "It's still just as true as it was then. I
+<i>still</i> don't know. They called me this evening, and said when they
+got around to the motel to question you, you'd skipped out. They also
+said that Massachusetts car was stolen. And there were a couple of
+other things they'd picked up that they wouldn't tell me, but they've
+got half the National Guard and all the Boy Scouts out after you by
+now. They wanted me to tell them anything I could think of that might
+help them find this place. I couldn't think of anything while I was
+talking to them. Right afterwards, I remembered plenty of
+things&mdash;which roads you were familiar with, and what you'd seen before
+and what you hadn't, stuff like that, so&mdash;"</p>
+
+<p>"So you&mdash;?"</p>
+
+<p>"So I came out myself. I wanted to find you first. Listen, babe, I
+love you. Maybe I'm a sucker, and maybe I'm nuts, and maybe
+I-don't-know-what. But I figured maybe I could find out more, and
+easier on you, than they could. And honey, it better be good, because
+I don't think I've got what it would take to turn you in, and now I've
+found you&mdash;"</p>
+
+<p>He let it go there, but that was plenty. He was willing to listen. He
+wanted to believe in me, because he wanted me. And finding me in the
+house I'd described, where I'd said it was, had him half-convinced.
+But I still had to explain those Massachusetts plates. And I couldn't.</p>
+
+<p>I was psychologically incapable of telling him another lie, now, when
+I knew I would never see him again, that this was the last time I
+could ever possibly be close to him in any way. I couldn't estrange
+myself by lying.</p>
+
+<hr style="width: 45%;" />
+
+<p>And I was <i>also</i> psychologically incapable&mdash;I found out&mdash;of telling
+the truth. They'd seen to that.</p>
+
+<p>It was the first time I'd ever hated them. The first time, I suppose,
+that I fully realized my position with them.</p>
+
+<p>I could not tell the truth, and I would not tell a lie; all I could do
+was explain this, and hope he would believe me. I could explain, too,
+that I was no spy, no enemy; that those who had prevented me from
+telling what I wanted to tell were no menace to his government or his
+people.</p>
+
+<p>He believed me.</p>
+
+<p>It was just that simple. He believed me, because I suppose he knew,
+without knowing how he knew it, that it was truth. Humans are not
+incapable of communication; they are simply unaware of it.</p>
+
+<p>I told him, also, that they were coming for me, that I had called
+them, and&mdash;regretfully&mdash;that he had better leave before they came.</p>
+
+<p>"You said they weren't enemies or criminals. You were telling the
+truth, weren't you?"</p>
+
+<p>"Yes, I was. They won't <i>harm</i> you. But they might...." I couldn't say
+it. I didn't know the words when I tried to say it. <i>Might take you
+away with them ... with us....</i></p>
+
+<p>"Might what?"</p>
+
+<p>"Might ... oh, I don't <i>know</i>!"</p>
+
+<p>Now he was suspicious again. "All right," he said. "I'll leave. You
+come with me."</p>
+
+<p>It was just that simple. Go back with him. Let them come and not find
+me. What could they do? Their own rules would keep them from hunting
+for me. They couldn't come down among the people of Earth. Go back.
+Stop running.</p>
+
+<p>We got into his car, and he turned around and smiled at me again, like
+the other time.</p>
+
+<p>I smiled back, seeing him through a shiny kind of mist which must have
+been tears. I reached for him, and he reached for me at the same time.</p>
+
+<p>When we let go, he tried to start the car, and it wouldn't work. Of
+course. I'd forgotten till then. I started laughing and crying at the
+same time in a sort of a crazy way, and took him back inside and
+showed him the projector. They'd forgotten to give me any commands
+about not doing that, I guess. Or they thought it wouldn't matter.</p>
+
+<p>It did matter. Larry looked it over, and puzzled over it a little, and
+fooled around, and asked me some questions. I didn't have much
+technical knowledge, but I knew what it did, and he figured out the
+way it did it. Nothing with an electro-magnetic motor was going to
+work while that thing was turned on, not within a mile or so in any
+direction. And there wasn't any way to turn it off. It was a homing
+beam, and it was on to stay&mdash;foolproof.</p>
+
+<p>That was when he looked at me, and said slowly, "You got here three
+days ago, didn't you, babe?"</p>
+
+<p>I nodded.</p>
+
+<p>"There was&mdash;God-damn it, it's too foolish! There was a&mdash;a <i>flying
+saucer</i> story in the paper that day. Somebody saw it land on a hilltop
+somewhere. Some crackpot. Some ... how about it, kid?"</p>
+
+<p>I couldn't say yes and I couldn't say no, and I did the only thing
+that was left, which was to get hysterical. In a big way.</p>
+
+<p>He had to calm me down, of course. And I found out why the television
+shows stop with the kiss. The rest is very private and personal.</p>
+
+<hr style="width: 45%;" />
+
+<p><i>Author's note: This story was dictated to me by a five-year-old
+boy&mdash;word-for-word, except for a very few editorial changes of my own.
+He is a very charming and bright youngster who plays with my own
+five-year-old daughter. One day he wandered into my office, and
+watched me typing for a while, then asked what I was doing. I answered
+(somewhat irritably, because the children are supposed to stay out of
+the room when I'm working) that I was trying to write a story.</i></p>
+
+<p>"<i>What kind of a story?</i>"</p>
+
+<p>"<i>A grown-up story.</i>"</p>
+
+<p>"<i>But what</i> kind?"</p>
+
+<p><i>"A science-fiction story." The next thing I was going to do was to
+call my daughter, and ask her to take her company back to the
+playroom. I had my mouth open, but I never got a syllable out. Teddy
+was talking.</i></p>
+
+<p><i>"I don't know where they got the car," he said. "They made three or
+four stops before the last...." He had a funny look on his face, and
+his eyes were glazed-looking.</i></p>
+
+<p><i>I had seen some experimental work with hypnosis and post-hypnotic
+performance. After the first couple of sentences, I led Teddy into the
+living-room, and switched on the tape-recorder. I left it on as long
+as he kept talking. I had to change tapes once, and missed a few more
+sentences. When he was done, I asked him, with the tape still running,
+where he had heard that story.</i></p>
+
+<p><i>"What story?" he asked. He looked perfectly normal again.</i></p>
+
+<p>"<i>The story you just told me.</i>"</p>
+
+<p><i>He was obviously puzzled.</i></p>
+
+<p>"<i>The</i> science-fiction <i>story</i>," <i>I said</i>.</p>
+
+<p><i>"I don't know where they got the car," he began; his face was set and
+his eyes were blank.</i></p>
+
+<p><i>I kept the tape running, and picked up the parts I'd missed before.
+Then I sent Teddy off to the playroom, and played back the tape, and
+thought for a while.</i></p>
+
+<p><i>There was a little more, besides what you've read. Parts of it were
+confused, with some strange words mixed in, and with sentences
+half-completed, and a feeling of ambivalence or censorship or
+inhibition of some kind preventing much clarity. Other parts were
+quite clear. Of these, the only section I have omitted so far that
+seems to me to belong in the story is this one:&mdash;</i></p>
+
+<hr style="width: 45%;" />
+
+<p>The baby will have to be born on Earth! They have decided that
+themselves. And for the first time, I am glad that they cannot
+communicate with me as perfectly as they do among themselves. I can
+think some things they do not know about.</p>
+
+<p>We are not coming back. I do not think that I will like it on Earth
+for very long, and I do not know&mdash;neither does Larry&mdash;what will happen
+to us when the Security people find us, and we cannot answer their
+questions. But&mdash;</p>
+
+<p>I am a woman now, and I love like a woman. Larry will not be their
+pet; so I cannot be. I am not sure that I am fit to be what Larry
+thinks of as a "human being." He says I must learn to be "my own
+master." I am not at all sure I could do this, if it were necessary,
+but fortunately, this is one of Larry's areas of semantic confusion.
+The feminine of <i>master</i> is <i>mistress</i>, which has various meanings.</p>
+
+<p>Also, there is the distinct possibility, from what Larry says, that we
+will not, <i>either</i> of us, be allowed even as much liberty as we have
+here.</p>
+
+<p>There is also the matter of gratitude. <i>They</i> brought me up, took care
+of me, taught me, loved me, gave me a way of life, and a knowledge of
+myself, infinitely richer than I could ever have had on Earth. Perhaps
+they even saved my life, healing me when I was quite possibly beyond
+the power of Earthly medical science to save. But against all this&mdash;</p>
+
+<p><i>They</i> caused the damage to start with. It was <i>their</i> force-field
+that wrecked the car and killed my parents. <i>They</i> have paid for it;
+<i>they</i> are paying for it yet. <i>They</i> will continue to pay, for more
+years than make sense in terms of a human lifetime. <i>They</i> will
+continue to wander from planet to planet and system to system, because
+<i>they</i> have broken <i>their</i> own law, and now may never go home.</p>
+
+<p>But <i>I</i> can.</p>
+
+<p>I am a woman, and Larry is a man. We will go home and have our baby.
+And perhaps the baby will be the means of our freedom, some day. If we
+cannot speak to save ourselves, he may some day be able to speak for
+us.</p>
+
+<p>I do not think the blocks they set in us will penetrate my womb as my
+own thoughts, I hope, already have.</p>
+
+<hr style="width: 45%;" />
+
+<p><i>Author's note: Before writing this story&mdash;as a story&mdash;I talked with
+Johnny's parents. I approached them cautiously. His mother is a big
+woman, and a brunette. His father is a friendly fat redhead. I already
+knew that neither of them reads science-fiction. The word is not
+likely to be mentioned in their household.</i></p>
+
+<p><i>They moved to town about three years ago. Nobody here knew them
+before that, but there are rumors that Johnny is adopted. They did not
+volunteer any confirmation of that information when I talked to them,
+and they did not pick up on any of the leads I offered about his
+recitation.</i></p>
+
+<p><i>Johnny himself is small and fair-haired. He takes after his paternal
+grandmother, his mother says....</i></p>
+
+<hr style="width: 65%;" />
+
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Exile from Space, by Judith Merril
+
+*** END OF THIS PROJECT GUTENBERG EBOOK EXILE FROM SPACE ***
+
+***** This file should be named 31661-h.htm or 31661-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/1/6/6/31661/
+
+Produced by Sankar Viswanathan, Greg Weeks, and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/31661.txt b/31661.txt
new file mode 100644
index 0000000..3909e3d
--- /dev/null
+++ b/31661.txt
@@ -0,0 +1,2073 @@
+The Project Gutenberg EBook of Exile from Space, by Judith Merril
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Exile from Space
+
+Author: Judith Merril
+
+Release Date: March 16, 2010 [EBook #31661]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK EXILE FROM SPACE ***
+
+
+
+
+Produced by Sankar Viswanathan, Greg Weeks, and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+ Transcriber's Note:
+
+ This etext was produced from Fantastic Universe November 1956.
+ Extensive research did not uncover any evidence that the U.S.
+ copyright on this publication was renewed.
+
+
+[_"They" worried about the impression she'd make. Who_ could
+ _imagine that she'd fall in love, passionately, the way others of her
+ blood must have done?_]
+
+
+ exile from space
+
+
+ _by ... Judith Merril_
+
+
+ Who _was_ this strange girl who had been born in this
+ place--and still it wasn't her home?...
+
+ * * * * *
+
+
+
+
+I don't know where they got the car. We made three or four stops
+before the last one, and they must have picked it up one of those
+times. Anyhow, they got it, but they had to make a license plate,
+because it had the wrong kind on it.
+
+They made me some clothes, too--a skirt and blouse and shoes that
+looked just like the ones we saw on television. They couldn't make me
+a lipstick or any of those things, because there was no way to figure
+out just what the chemical composition was. And they decided I'd be as
+well off without any driver's license or automobile registration as I
+would be with papers that weren't exactly perfect, so they didn't
+bother about making those either.
+
+They were worried about what to do with my hair, and even thought
+about cutting it short, so it would look more like the women on
+television, but that was one time I was way ahead of them. I'd seen
+more shows than anyone else, of course--I watched them almost every
+minute, from the time they told me I was going--and there was one
+where I'd seen a way to make braids and put them around the top of
+your head. It wasn't very comfortable, but I practiced at it until it
+looked pretty good.
+
+They made me a purse, too. It didn't have anything in it except the
+diamonds, but the women we saw always seemed to carry them, and they
+thought it might be a sort of superstition or ritual necessity, and
+that we'd better not take a chance on violating anything like that.
+
+They made me spend a lot of time practicing with the car, because
+without a license, I couldn't take a chance on getting into any
+trouble. I must have put in the better part of an hour starting and
+stopping and backing that thing, and turning it around, and weaving
+through trees and rocks, before they were satisfied.
+
+Then, all of a sudden, there was nothing left to do except _go_. They
+made me repeat everything one more time, about selling the diamonds,
+and how to register at the hotel, and what to do if I got into
+trouble, and how to get in touch with them when I wanted to come back.
+Then they said good-bye, and made me promise not to stay _too_ long,
+and said they'd keep in touch the best they could. And then I got in
+the car, and drove down the hill into town.
+
+I knew they didn't want to let me go. They were worried, maybe even a
+little afraid I wouldn't want to come back, but mostly worried that I
+might say something I shouldn't, or run into some difficulties they
+hadn't anticipated. And outside of that, they knew they were going to
+miss me. Yet they'd made up their minds to it; they planned it this
+way, and they felt it was the right thing to do, and certainly they'd
+put an awful lot of thought and effort and preparation into it.
+
+If it hadn't been for that, I might have turned back at the last
+minute. Maybe they were worried; but _I_ was petrified. Only of
+course, I wanted to go, really. I couldn't help being curious, and it
+never occurred to me then that I might miss them. It was the first
+time I'd ever been out on my own, and they'd promised me, for years
+and years, as far back as I could remember, that some day I'd go back,
+like this, by myself. But....
+
+Going back, when you've been away long enough, is not so much a
+homecoming as a dream _deja vu_. And for me, at least, the dream was
+not entirely a happy one. Everything I saw or heard or touched had a
+sense of haunting familiarity, and yet of _wrongness_, too--almost a
+nightmare feeling of the oppressively inevitable sequence of events,
+of faces and features and events just not-quite-remembered and
+not-quite-known.
+
+I was born in this place, but it was not my home. Its people were not
+mine; its ways were not mine. All I knew of it was what I had been
+told, and what I had seen for myself these last weeks of preparation,
+on the television screen. And the dream-feeling was intensified, at
+first, by the fact that I did not know _why_ I was there. I knew it
+had been planned this way, and I had been told it was necessary to
+complete my education. Certainly I was aware of the great effort that
+had been made to make the trip possible. But I did not yet understand
+just _why_.
+
+Perhaps it was just that I had heard and watched and thought and
+dreamed too much about this place, and now I was actually there, the
+reality was--not so much a disappointment as--just sort of _unreal_.
+Different from what I knew when I _didn't_ know.
+
+The road unwound in a spreading spiral down the mountainside. Each
+time I came round, I could see the city below, closer and larger, and
+less distinct. From the top, with the sunlight sparkling on it, it had
+been a clean and gleaming pattern of human civilization. Halfway down,
+the symmetry was lost, and the smudge and smoke began to show.
+
+Halfway down, too, I began to pass places of business: restaurants and
+gas stations and handicraft shops. I wanted to stop. For half an hour
+now I had been out on my own, and I still hadn't seen any of the
+people, except the three who had passed me behind the wheels of their
+cars, going up the road. One of the shops had a big sign on it, "COME
+IN AND LOOK AROUND." But I kept going. One thing I understood was that
+it was absolutely necessary to have money, and that I must stop
+nowhere, and attempt nothing, till after I had gotten some.
+
+Farther down, the houses began coming closer together, and then the
+road stopped winding around, and became almost straight. By that time,
+I was used to the car, and didn't have to think about it much, and for
+a little while I really enjoyed myself. I could see into the houses
+sometimes, through the windows, and at one, a woman was opening the
+door, coming out with a broom in her hand. There were children playing
+in the yards. There were cars of all kinds parked around the houses,
+and I saw dogs and a couple of horses, and once a whole flock of
+chickens.
+
+But just where it was beginning to get really interesting, when I was
+coming into the little town before the city, I had to stop watching it
+all, because there were too many other people driving. That was when I
+began to understand all the fuss about licenses and tests and traffic
+regulations. Watching it on television, it wasn't anything like being
+in the middle of it!
+
+Of course, what I ran into there was really nothing; I found that out
+when I got into the city itself. But just at first, it seemed pretty
+bad. And I still don't understand it. These people are pretty bright
+mechanically. You'd think anybody who could _build_ an automobile--let
+alone an atom bomb--could _drive_ one easily enough. Especially with a
+lifetime to learn in. Maybe they just like to live dangerously....
+
+It was a good thing, though, that I'd already started watching out for
+what the other drivers were doing when I hit my first red light. That
+was something I'd overlooked entirely, watching street scenes on the
+screen, and I guess they'd never noticed either. They must have taken
+it for granted, the way I did, that people stopped their cars out of
+courtesy from time to time to let the others go by. As it was, I
+stopped because the others did, and just happened to notice that they
+began again when the light changed to green. It's really a very good
+system; I don't see why they don't have them at all the intersections.
+
+ * * * * *
+
+From the first light, it was eight miles into the center of Colorado
+Springs. A sign on the road said so, and I was irrationally pleased
+when the speedometer on the car confirmed it. Proud, I suppose, that
+these natives from my own birth-place were such good gadgeteers. The
+road was better after that, too, and the cars didn't dart in and out
+off the sidestreets the way they had before. There was more traffic on
+the highway, but most of them behaved fairly intelligently. Until we
+got into town, that is. After that, it was everybody-for-himself, but
+by then I was prepared for it.
+
+I found a place to park the car near a drugstore. That was the first
+thing I was supposed to do. Find a drugstore, where there would likely
+be a telephone directory, and go in and look up the address of a hock
+shop. I had a little trouble parking the car in the space they had
+marked off, but I could see from the way the others were stationed
+that you were supposed to get in between the white lines, with the
+front of the car next to the post on the sidewalk. I didn't know what
+the post was for, until I got out and read what it said, and then I
+didn't know what to do, because I didn't _have_ any money. Not yet.
+And I didn't dare get into any trouble that might end up with a
+policeman asking to see my license, which always seemed to be the
+first thing they did on television, when they talked to anybody who
+was driving a car. I got back in the car and wriggled my way out of
+the hole between the other cars, and tried to think what to do. Then I
+remembered seeing a sign that said "Free Parking" somewhere, not too
+far away, and went back the way I'd come.
+
+There was a sort of park, with a fountain spraying water all over the
+grass, and a big building opposite, and the white lines here were much
+more sensible. They were painted in diagonal strips, so you could get
+in and out quite easily, without all that backing and twisting and
+turning. I left the car there, and remembered to take the keys with
+me, and started walking back to the drugstore.
+
+ * * * * *
+
+That was when it hit me.
+
+Up to then, beginning I guess when I drove that little stretch coming
+into Manitou, with the houses on the hills, and the children and yards
+and dogs and chickens, I'd begun to feel almost as if I belonged here.
+The people seemed so _much_ like me--as long as I wasn't right up
+against them. From a little distance, you'd think there was no
+difference at all. Then, I guess, when I was close enough to notice,
+driving through town, I'd been too much preoccupied with the car. It
+didn't really get to me till I got out and started walking.
+
+They were all so _big_....
+
+They were big, and their faces and noses and even the pores of their
+skin were too big. And their voices were too loud. And they _smelled_.
+
+I didn't notice that last much till I got into the drugstore. Then I
+thought I was going to suffocate, and I had a kind of squeezing
+upside-down feeling in my stomach and diaphragm and throat, which I
+didn't realize till later was what they meant by "being sick." I stood
+over the directory rack, pretending to read, but really just
+struggling with my insides, and a man came along and shouted in my ear
+something that sounded like, "Vvvm trubbb lll-lll-lll ay-dee?" (I
+didn't get that sorted out for hours afterwards, but I don't think
+I'll ever forget just the way it sounded at the time. Of course, he
+meant, "Having trouble, little lady?") But all I knew at the time was
+he was too big and smelled of all kinds of things that were unfamiliar
+and slightly sickening. I couldn't answer him. All I could do was turn
+away so as not to breathe him, and try to pretend I knew what I was
+doing with the directory. Then he hissed at me ("Sorry, no offense," I
+figured out later), and said clearly enough so I could understand even
+then, "Just trying to help," and walked away.
+
+As soon as he was gone, I walked out myself. Directory or no
+directory, I had to get out of that store. I went back to where I'd
+left the car, but instead of getting in it, I sat down on a bench in
+the park, and waited till the turmoil inside me began to quiet down.
+
+I went back into that drugstore once before I left, purposely, just to
+see if I could pin down what it was that had bothered me so much,
+because I never reacted that strongly afterwards, and I wondered if
+maybe it was just that it was the first time I was inside one of their
+buildings. But it was more than that; that place was a regular
+snake-pit of a treatment for a stranger, believe me! They had a
+tobacco counter, and a lunch counter and a perfume-and-toiletries
+section, and a nut-roasting machine, and just to top it off, in the
+back of the store, an open-to-look-at (_and_ smell) pharmaceutical
+center! Everything, all mixed together, and compounded with stale
+human sweat, which was also new to me at the time. And no air
+conditioning.
+
+Most of the air conditioning they have is bad enough on its own, with
+chemical smells, but those are comparatively easy to get used to ...
+and I'll take them _any_ time, over what I got in that first dose of
+_Odeur d'Earth_.
+
+ * * * * *
+
+Anyhow, I sat on the park bench about fifteen minutes, I guess,
+letting the sun and fresh air seep in, and trying to tabulate and
+memorize as many of the components of that drugstore smell as I could,
+for future reference. I was simply going to have to adjust to them,
+and next time I wanted to be prepared.
+
+All the same, I didn't feel prepared to go back into the same place.
+Maybe another store wouldn't be quite as bad. I started walking in the
+opposite direction, staying on the wide main street, where all the big
+stores seemed to be, and two blocks down, I ran into luck, because
+there was a big bracket sticking out over the sidewalk from the front
+of a store halfway down a side street, and it had the three gold balls
+hanging from it that I knew, from television, meant the kind of place
+I wanted. When I walked down to it, I saw too that they had a sign
+painted over the window: "We buy old gold and diamonds."
+
+Just _how_ lucky that was, I didn't realize till quite some time
+later. I was going to look in the Classified Directory for "Hock
+Shops." I didn't know any other name for them then.
+
+Inside, it looked exactly like what I expected, and even the smell was
+nothing to complain about. Camphor and dust and mustiness were strong
+enough to cover most of the sweaty smell, and those were smells of a
+kind I'd experienced before, in other places.
+
+The whole procedure was reassuring, because it all went just the way
+it was supposed to, and I knew how to behave. I'd seen it in a show,
+and the man behind the grilled window even _looked_ like the man on
+the screen, and talked the same way.
+
+"What can we do for you, girlie?"
+
+"I'd like to sell a diamond," I told him.
+
+He didn't say anything at first, then he looked impatient. "You got it
+with you?"
+
+"Oh ... yes!" I opened my purse, and took out one of the little
+packages, and unwrapped it, and handed it to him. He screwed the lens
+into his eye, and walked back from the window and put it on a little
+scale, and turned back and unscrewed the lens and looked at me.
+
+"Where'd you get this, lady?" he asked me.
+
+"It's mine," I said. I knew just how to do it. We'd gone over this
+half a dozen times before I left, and he was behaving exactly the way
+we'd expected.
+
+"I don't know," he said. "Can't do much with an unset stone like
+this...." He pursed his lips, tossed the diamond carelessly in his
+hand, and then pushed it back at me across the counter. I had to keep
+myself from smiling. It was just the way they'd said it would be. The
+people here were still in the Mech Age, of course, and not nearly
+conscious enough to communicate anything at all complex or abstract
+any way except verbally. But there is nothing abstract about avarice,
+and between what I'd been told to expect, and what I could feel
+pouring out of him, I knew precisely what was going on in his mind.
+
+"You mean you don't _want_ it?" I said. "I thought it was worth quite
+a lot...."
+
+"Might have been once." He shrugged. "You can't do much with a stone
+like that any more. Where'd you get it, girlie?"
+
+"My mother gave it to me. A long time ago. I wouldn't sell it,
+except.... Look," I said, and didn't have to work hard to sound
+desperate, because in a way I was. "Look, it must be worth
+_some_thing?"
+
+He picked it up again. "Well ... what do you want for it?"
+
+That went on for quite a while. I knew what it was supposed to be
+worth, of course, but I didn't hope to get even half of that. He
+offered seventy dollars, and I asked for five hundred, and after a
+while he gave me three-fifty, and I felt I'd done pretty well--for a
+greenhorn. I put the money in my purse, and went back to the car, and
+on the way I saw a policeman, so I stopped and asked him about a
+hotel. He looked me up and down, and started asking questions about
+how old I was, and what was my name and where did I live, and I began
+to realize that being so much smaller than the other people was going
+to make life complicated. I told him I'd come to visit my brother in
+the Academy, and he smiled, and said, "Your _brother_, is it?" Then he
+told me the name of a place just outside of town, near the Academy. It
+wasn't a hotel; it was a _mo_tel, which I didn't know about at that
+time, but he said I'd be better off there. A lot of what he said went
+right over my head at the time; later I realized what he meant about
+"a nice respectable couple" running the place. I found out later on,
+too, that he called them up to ask them to keep an eye on me; he
+thought I was a nice girl, but he was worried about my being alone
+there.
+
+By this time, I was getting hungry, but I thought I'd better go and
+arrange about a place to stay first. I found the motel without much
+trouble, and went in and registered; I knew how to do that, at
+least--I'd seen it plenty of times. They gave me a key, and the man
+who ran the place asked me did I want any help with my bags.
+
+"Oh, no," I said. "No, thanks. I haven't got much."
+
+I'd forgotten all about that, and they'd never thought about it
+either! These people always have a lot of different clothes, not just
+one set, and you're supposed to have a suitcase full of things when
+you go to stay anyplace. I said I was hungry anyway, and wanted to go
+get something to eat, and do a couple of other things--I didn't say
+what--before I got settled. So the woman walked over with me, and
+showed me which cabin it was, and asked was everything all right?
+
+It looked all right to me. The room had a big bed in it, with sheets
+and a blanket and pillows and a bedspread, just like the ones I'd seen
+on television. And there was a chest of drawers, and a table with more
+small drawers in it, and two chairs and a mirror and one door that
+went into a closet and one that led to the bathroom. The fixtures in
+there were a little different from the ones they'd made for me to
+practice in, but functionally they seemed about the same.
+
+I didn't look for any difficulty with anything there except the bed,
+and that wasn't _her_ fault, so I assured her everything was just
+fine, and let her show me how to operate the gas-burner that was set
+in the wall for heat. Then we went out, and she very carefully locked
+the door, and handed me the key.
+
+"You better keep that door locked," she said, just a little sharply.
+"You never know...."
+
+I wanted to ask her _what_ you never know, but had the impression that
+it was something _every_body was supposed to know, so I just nodded
+and agreed instead.
+
+"You want to get some lunch," she said then, "there's a place down the
+road isn't too bad. Clean, anyhow, and they don't cater too much to
+those ... well, it's clean." She pointed the way; you could see the
+sign from where we were standing. I thanked her, and started the car,
+and decided I might as well go there as anyplace else, especially
+since I could see she was watching to find out whether I did or not.
+
+ * * * * *
+
+These people are all too big. Or almost all of them. But the man
+behind the counter at the diner was enormous. He was tall and fat with
+a beefy red face and large open pores and a fleshy mound of a nose. I
+didn't like to look at him, and when he talked, he boomed so loud I
+could hardly understand him. On top of all that, the smell in that
+place was awful: not quite as bad as the drugstore, but some ways
+similar to it. I kept my eyes on the menu, which was full of
+unfamiliar words, and tried to remember that I was hungry.
+
+The man was shouting at me--or it was more like growling, I guess--and
+I couldn't make out the words at first. He said it again, and I sorted
+out syllables and matched them with the words on the card, and then I
+got it:
+
+"Goulash is nice today, miss...."
+
+I didn't know what goulash was, and the state my stomach was in, with
+the smells, I decided I'd better play safe, and ordered a glass of
+milk, and some vegetable soup.
+
+The milk had a strange taste to it. Not _bad_--just _different_. But
+of course, this came from cows. That was all right. But the vegetable
+soup...!
+
+It was quite literally putrid, made as near as I could figure out from
+dead animal juices, in which vegetables had been soaked and cooked
+till any trace of flavor or nourishment was entirely removed. I took
+one taste of that, and then I realized what the really nauseating part
+of the odor was, in the diner and the drugstore both. It was rotten
+meat, dead for some time, and then heated in preparation for eating.
+
+The crackers that came with the soup were good; they had a nice salty
+tang. I ordered more of those, with another glass of milk, and sat
+back sipping slowly, trying to adjust to that smell, now that I
+realized I'd probably find it anywhere I could find food.
+
+After a while, I got my insides enough in order so that I could look
+around a little and see the place, and the other people in it. That
+was when I turned around and saw Larry sitting next to me.
+
+He was beautiful. He _is_ beautiful. I know that's not what you're
+supposed to say about a man, and he wouldn't like it, but I can only
+say what I see, and of course that's partly a matter of my own
+training and my own feelings about myself.
+
+At home on the ship, I always wanted to cut off my hair, because it
+was so black, and my skin was so white, and they didn't go together.
+But they wouldn't let me; they liked it that way, I guess, but _I_
+didn't. No child wants to feel like a freak, and nobody else had hair
+like that, or dead-white colorless skin, either.
+
+Then, when I went down there, and saw all the humans, I was still a
+freak because I was so small.
+
+Larry's small, too. Almost as small as I am. And he's all one color.
+He has hair, of course, but it's so light, and his skin is so dark
+(both from the sun, I found out), that he looks just about the same
+lovely golden color all over. Or at least as much of him as showed
+when I saw him that time, in the diner.
+
+He was beautiful, and he was my size, and he didn't have ugly rough
+skin or big heavy hands. I stared at him, and I felt like grabbing on
+to him to make sure he didn't get away.
+
+After a while I realized my mouth was half-open, and I was still
+holding a cracker, and I remembered that this was very bad manners. I
+put the cracker down and closed my mouth. He smiled. I didn't know if
+he was laughing at the odd way I was acting, or just being friendly,
+but I smiled back anyhow.
+
+"I'm sorry," he said. "I mean, hello. How do you do, and I'm sorry if
+I startled you. I shouldn't have been staring."
+
+"_You_," I said, and meant to finish, _You were staring?_ But he went
+right on talking, so that I couldn't finish.
+
+"I don't know what else you can expect, if you go around looking like
+that," he said.
+
+"I'm sorry...." I started again.
+
+"And you should be," he said sternly. "Anybody who walks into a place
+like this in the middle of a day like this looking the way you do has
+got to expect to get stared at a little."
+
+The thing is, I wasn't used to the language; not used _enough_. I
+could communicate all right, and even understand some jokes, and I
+knew the spoken language, not some formal unusable version, because I
+learned it mostly watching those shows on the television screen. But I
+got confused this time, because "looking" means two different things,
+active and passive, and I was thinking about how I'd been _looking at_
+him, and....
+
+That was my lucky day. I didn't want him to be angry at me, and the
+way I saw it, he was perfectly justified in scolding me, which is what
+I thought he was doing. But I _knew_ he wasn't really angry; I'd have
+felt it if he was. So I said, "You're right. It was very rude of me,
+and I don't blame you for being annoyed. I won't do it any more."
+
+He started laughing, and this time I knew it was friendly. Like I
+said, that was my lucky day; _he_ thought I was being witty. And, from
+what he's told me since, I guess he realized then that _I_ felt
+friendly too, because before that he'd just been bluffing it out, not
+knowing how to get to know me, and afraid _I_'d be sore at _him_, just
+for talking to me!
+
+Which goes to show that sometimes you're better off not being _too_
+familiar with the local customs.
+
+ * * * * *
+
+The trouble was there were too many things I didn't know, too many
+small ways to trip myself up. Things they couldn't have foreseen, or
+if they did, couldn't have done much about. All it took was a little
+caution and a lot of alertness, plus one big important item: staying
+in the background--not getting to know any one person too well--not
+giving any single individual a chance to observe too much about me.
+
+But Larry didn't mean to let me do that. And ... I didn't want him to.
+
+He asked questions; I tried to answer them. I did know enough at least
+of the conventions to realize that I didn't have to give detailed
+answers, or could, at any point, act offended at being questioned so
+much. I _didn't_ know enough to realize that reluctance or irritation
+on my part wouldn't have made him go away. We sat on those stools at
+the diner for most of an hour, talking, and after a little while I
+found I could keep the conversation on safer ground by asking _him_
+about himself, and about the country thereabouts. He seemed to enjoy
+talking.
+
+Eventually, he had to go back to work. As near as I could make out, he
+was a test-pilot, or something like it, for a small experimental
+aircraft plant near the city. He lived not too far from where I was
+staying, and he wanted to see me that evening.
+
+I hadn't told him where the motel was, and I had at least enough
+caution left not to tell him, even then. I did agree to meet him at
+the diner, but for lunch the next day again, instead of that evening.
+For one thing, I had a lot to do; and for another, I'd seen enough on
+television shows to know that an evening date was likely to be pretty
+long-drawn-out, and I wasn't sure I could stand up under that much
+close scrutiny. I had some studying-up to do first. But the lunch-date
+was fine; the thought of not seeing him at all was terrifying--as if
+he were an old friend in a world full of strangers. That was how I
+felt, that first time, maybe just because he was almost as small as I.
+But I think it was more than that, really.
+
+ * * * * *
+
+I drove downtown again, and found a store that seemed to sell all
+kinds of clothing for women. Then when I got inside, I didn't know
+where to start, or what to get. I thought of just buying one of
+everything, so as to fill up a suitcase; the things I had on seemed to
+be perfectly satisfactory for actual _wearing_ purposes. They were
+quite remarkably--when you stopped to think of it--similar to what
+most of the women I'd seen that day were wearing, and of course they
+weren't subject to the same problems of dirtying and wrinkling and
+such as the clothes in the store were.
+
+I walked around for a while, trying to figure out what all the
+different items, shapes, sizes, and colors, were for. Some racks and
+counters had signs, but most of them were unfamiliar words like
+_brunchies_, or _Bermudas_ or _scuffs_; or else they seemed to be
+mislabeled, like _dusters_ for a sort of button-down dress, and
+_Postage Stamp Girdles_ at one section of a long counter devoted to
+"Foundation Garments." For half an hour or so, I wandered around in
+there, shaking my head every time a saleswoman came up to me, because
+I didn't know, and couldn't figure out, what to ask for, or how to ask
+for it.
+
+The thing was, I didn't dare draw too much attention to myself by
+doing or saying the wrong things. I'd have to find out more about
+clothes, somehow, before I could do much buying.
+
+I went out, and on the same block I found a show-window full of
+suitcases. That was easy. I went in and pointed to one I liked, and
+paid for it, and walked out with it, feeling a little braver. After
+all, nobody had to know there was nothing in it. On the corner, I saw
+some books displayed in the window of a drug store. It took all the
+courage I had to go in there, after my first trip into one that looked
+very much like it, but I wanted a dictionary. This place didn't smell
+quite so strong; I suppose the pharmacy was enclosed in back, and I
+don't believe it had a lunch counter. Anyhow, I got in and out
+quickly, and walked back to the car, and sat down with the dictionary.
+
+It turned out to be entirely useless, at least as far as _brunchies_
+and _Bermudas_ were concerned. It had "scuff, v.," with a definition;
+"v.," I found out, meant _verb_, so that wasn't the word I wanted, but
+when I remembered the slippers on the counter with the sign, it made
+sense in a way.
+
+Not enough sense, though. I decided to forget about the clothes for a
+while. The next problem was a driver's license.
+
+The policeman that morning had been helpful, if over-interested, and
+since policemen directed traffic, they ought to have the information I
+wanted. I found one of them standing on a streetcorner looking not too
+busy, and asked him, and if his hair hadn't been brown instead of
+reddish (and only half there) I'd have thought it was the same one I
+talked to before. He wanted to know how old I was, and where was I
+from, and what I was doing there, and did I have a car, and was I
+_sure_ I was nineteen?
+
+Well, of course, I wasn't sure, but they'd told me that by the local
+reckoning, that was my approximate age. And I almost slipped and said
+I _had_ a car, until I realized that I didn't have a right to drive
+one till I had a license. After he asked that one question, I began to
+feel suspicious about everything else he asked, and the interest he
+expressed. He was helpful, but I had to remember too, that it was the
+police who were charged with watching for suspicious characters,
+and--well, it was the last time I asked a policeman for information.
+
+He _did_ tell me where I could rent a car to take my road test,
+though, and where to apply for the test. The Courthouse turned out to
+be the big building behind the square where I'd parked the car that
+morning, and arranging for the test turned out to be much simpler
+than, by then, I expected it to be. In a way, I suppose, all the
+questions I had to answer when I talked to the policeman had prepared
+me for the official session--though they didn't seem nearly so
+inquisitive there.
+
+By this time, I'd come to expect that they wouldn't believe my age
+when I told them. The woman at the window behind the counter wanted to
+see a "birth certificate," and I produced the one piece of
+identification I had; an ancient and yellowed document they had kept
+for me all these years. From the information it contained, I suspected
+it might even _be_ a birth certificate; whether or not, it apparently
+satisfied her, and after that all she wanted was things like my
+address and height and weight. Fortunately, they had taken the
+trouble, back on the ship, to determine these statistics for me,
+because things like that were always coming up on television shows,
+especially when people were being questioned by the police. For the
+address, of course, I used the motel. The rest I knew, and I guess we
+had the figures close enough to right so that at least the woman
+didn't question any of it.
+
+I had my road test about half an hour later, in a rented car, and the
+examiner said I did very well. He seemed surprised, and I don't
+wonder, considering the way most of those people contrive to mismanage
+a simple mechanism like an automobile. I guess when they say Earth is
+still in the Mechanical Age, what they mean is that humans are just
+_learning_ about machines.
+
+ * * * * *
+
+The biggest single stroke of luck I had at any time came during that
+road test. We passed a public-looking building with a sign in front
+that I didn't understand.
+
+"What's that place?" I asked the examiner, and he said, as if anyone
+would know what he meant, "That? Oh--the Library."
+
+I looked it up in my dictionary as soon as I was done at the License
+Bureau, and when I found out what it was, everything became a great
+deal simpler.
+
+There was a woman who worked there, who showed me, without any
+surprise at my ignorance, just how the card catalogue worked, and what
+the numbering system meant; she didn't ask me how old I was, or any
+other questions, or demand any proof of any kind to convince her I had
+a right to use the place. She didn't even bother me much with
+questions about what I was looking for. I told her there were a _lot_
+of things I wanted to know, and she seemed to think that was a good
+answer, and said if she could help me any way, not to hesitate to ask,
+and then she left me alone with those drawers and drawers full of
+letter-and-number keys to all the mysteries of an alien world.
+
+I found a book on how to outfit your daughter for college, that
+started with underwear and worked its way through to jewelry and
+cosmetics. I also found a whole shelf full of law books, and in one of
+them, specific information about the motor vehicle regulations in
+different States. There was a wonderful book about diamonds and other
+precious stones, particularly fascinating because it went into the
+chemistry of the different stones, and gave me the best
+measuring-stick I found at any time to judge the general level of
+technology of that so-called Mechanical Age.
+
+That was all I had time for, I couldn't believe it was so late, when
+the librarian came and told me they were closing up, and I guess my
+disappointment must have showed all over me, because she asked if I
+wouldn't like to have a card, so I could take books home?
+
+I found out all I needed to get a card was identification. I was
+supposed to have a reference, too, but the woman said she thought
+perhaps it would be all right without one, in my case. And then, when
+I wanted to take a volume of the Encyclopedia Americana, she said they
+didn't usually circulate that, but if I thought I could bring it back
+within a day or two....
+
+I promised to, and I never did, and out of everything that happened,
+that's the one thing I feel badly about. I think she must have been a
+very unusual and _good_ sort of woman, and I wish I had kept my
+promise to her.
+
+ * * * * *
+
+Some of the stores downtown were still open. I bought the things I'd be
+expected to have, as near as I could make out from the book on college
+girls: panties and a garter belt and a brassiere, and stockings. A slip
+and another blouse, and a coat, because even in the early evening it was
+beginning to get chilly. Then the salesgirl talked me into gloves and a
+scarf and some earrings. I was halfway back to the car when I remembered
+about night clothes, and went back for a gown and robe and slippers. That
+didn't begin to complete the college girls' list, but it seemed like a
+good start. I'd need a dress, too, I thought, if I ever did go out with
+Larry in the evening ... but that could wait.
+
+I put everything into the suitcase, and drove back to the motel. On
+the way, I stopped at a food store, and bought a large container of
+milk, and some crackers, and some fruit--oranges and bananas and
+apples. Back in my room, I put everything away in the drawers, and
+then sat down with my book and my food, and had a wonderful time. I
+was hungry, and everything tasted good, away from the dead meat
+smells, and what with clothes in the drawers and everything, I was
+beginning to feel like a real Earth-girl.
+
+I even took a bath in the bathroom.
+
+A good long one. Next to the library, that's the thing I miss most. It
+would be even better, if they made the tubs bigger, so you could swim
+around some. But just getting wet all over like that, and splashing in
+the water, is fun. Of course, we could never spare enough water for
+that on the ship.
+
+Altogether, it was a good evening; everything was fine until I tried
+to sleep in that bed. I felt as if I was being suffocated all over.
+The floor was almost as bad, but in a different way. And once I got to
+sleep, I guess I slept well enough, because I felt fine in the
+morning. But then, I think I must have been on a mild oxygen jag all
+the time I was down there; nothing seemed to bother me too much. That
+morning, I felt so good I worked up my courage to go into a
+restaurant again--a different one. The smell was beginning to be
+familiar, and I could manage better. I experimented with a cereal
+called oatmeal, which was delicious, then I went back to the motel,
+packed up all my new belongings, left the key on the desk--as
+instructed by the sign on the door--and started out for Denver.
+
+ * * * * *
+
+Denver, according to the Encyclopedia Americana, is more of a true
+metropolitan area than Colorado Springs; that means--on Earth--that it
+is dirtier, more crowded, far less pleasant to look at or live in, and
+a great deal more convenient and efficient to do business in. In
+Denver, and with the aid of a Colorado driver's license for casual
+identification, I was able to sell two of my larger diamonds fairly
+quickly, at two different places, for something approximating half of
+their full value. Then I parked the car they had given me on a side
+street, took my suitcase, coat, and book with me, and walked to the
+nearest car sales lot. I left the keys in the old car, for the
+convenience of anyone who might want it.
+
+Everything went extraordinarily smoothly, with just one exception. I
+had found out everything I needed to know in that library, except that
+when dealing with humans, one must always allow for waste time. If I
+had realized that at the time I left Colorado Springs that morning,
+everything might have turned out very differently indeed--although
+when I try to think just what other way it _could_ have turned out, I
+don't quite know ... and I wonder, too, how much they knew, or
+planned, before they sent me down there....
+
+This much is sure: if I hadn't assumed that a 70-mile trip, with a
+60-mile average speed limit, would take approximately an hour and a
+half, and if I had realized that buying an automobile was not the same
+simple process as buying a nightgown, I wouldn't have been late for my
+luncheon appointment. And if I'd been there on time, I'd never have
+made the date for that night. As it was, I started out at seven
+o'clock in the morning, and only by exceeding the speed limit on the
+last twenty miles of the return trip did I manage to pull into that
+diner parking space at five minutes before two.
+
+His car was still there!
+
+It is so easy to look back and spot the instant of recognition or of
+error. My relief when I saw his car ... my delight when I walked in
+and saw and _felt_ his mixture of surprise and joy that I had come,
+with disappointment and frustration because it was so late, and he had
+to leave almost immediately. And my complete failure, in the midst of
+the complexities of these inter-reactions, to think logically, or to
+recognize that his ordinary perceptions were certainly the equivalent
+of my own....
+
+At that moment, I wasn't thinking _about_ any of these things. I spent
+a delirious sort of five minute period absorbing his feelings about
+me, and releasing my own at him. I hadn't planned to do it, not so
+soon, not till I knew much more than I did--perhaps after another
+week's reading and going about--but when he said that since I'd got
+there so late for lunch, I'd _have_ to meet him for dinner, I found I
+agreed with him perfectly.
+
+ * * * * *
+
+That afternoon, I bought a dress. This, too, took a great deal of
+time, even more than the car, because in the one case I simply had to
+look at a number of component parts, and listen to the operation of
+the motor, and feel for the total response of the mechanism, to
+determine whether it was suitable or not--but in the other, I had
+nothing to guide me but my own untrained taste, and the dubious
+preferences of the salesgirl, plus what I _thought_ Larry's reactions
+_might_ be. Also, I had to determine, without seeming too ignorant,
+just what sort of dress might be suitable for a dinner date--and
+without knowing for sure just how elaborate Larry's plans for the
+evening might be.
+
+I learned a lot, and was startled to find that I enjoyed myself
+tremendously. But I couldn't make up my mind, and bought three dresses
+instead of one. It was after that, emboldened by pleasure and success,
+that I went back to that first drugstore. The Encyclopedia volume I
+had taken from the library, besides containing the information I
+wanted on Colorado, had an article on Cosmetics. I decided powder was
+unnecessary, although I could understand easily enough how important
+it must be to the native women, with their thick skin and large pores
+and patchy coloring; that accounted for the fact that the men were
+mostly so much uglier ... and I wondered if Larry used it, and if that
+was why his skin looked so much better than the others'.
+
+Most of the perfumes made me literally ill; a few were inoffensive or
+mildly pleasant, if you thought of them just as smells, and not as
+something to be mistaken for one's _own_ smell. Apparently, though,
+from the amount of space given over to them on the counter, and the
+number of advertisements I had seen or heard for one brand or another,
+they were an essential item. I picked out a faint lavender scent, and
+then bought some lipstick, mascara, and eyebrow pencil. On these last
+purchases, it was a relief to find that I had no opportunity to
+display my ignorance about nuances of coloring, or the merits of one
+brand over another. The woman behind the counter knew exactly what I
+should have, and was not interested in hearing any of my opinions. She
+even told me how to apply the mascara, which was helpful, since the
+other two were obvious, and anyhow I'd seen them used on television,
+and the lipstick especially I had seen women use since I'd been here.
+
+It turned out to be a little more difficult than it looked, when I
+tried it. Cosmetics apparently take a good deal more experience than
+clothing, if you want to have it look _right_. Right by _their_
+standards, I mean, so that your face becomes a formal design, and will
+register only a minimum of actual emotion or response.
+
+I was supposed to meet Larry in the cocktail lounge of a hotel in
+Manitou Springs, the smaller town I'd passed through the day before on
+my way down from the mountain. I drove back that way now, with all my
+possessions in my new car, including the purse that held not only my
+remaining diamonds and birth certificate, but also a car registration,
+driver's license, wallet, money, and makeup. A little more than
+halfway there, I saw a motel with a "Vacancy" sign out, and an
+attractive clean look about it. I pulled in and got myself a room with
+no more concern than if I'd been doing that sort of thing all my life.
+
+This time there was no question about my age, nor was there later on
+that evening, in the cocktail lounge or anywhere else. I suppose it
+was the lipstick that made the difference, plus a certain increase in
+self-confidence; apparently I wasn't too small to be an adult,
+provided I looked and acted like one.
+
+The new room did not have a bathtub. There was a shower, which was
+fun, but not as much as the tub had been. Dressing was _not_ fun, and
+when I was finished, the whole effect still didn't look right, in
+terms of my own mental image of an Earth-woman dressed for a date.
+
+It was the shoes, of course. This kind of dress wanted high heels. I
+had tried a pair in the store, and promptly rejected the whole notion.
+Now I wondered if I'd been too hasty, but I realized I could not
+conceivably have added that discomfort to the already-pressing
+difficulties of stockings and garter belt.
+
+This last problem got so acute when I sat down and tried to drive the
+car, that I did some thinking about it, and decided to take them off.
+It seemed to me that I'd seen a lot of bare legs with flat heels. It
+was only with high heels that stockings were a real necessity. Anyhow,
+I pulled the car over to the side on an empty stretch of road, and
+wriggled out of things with a great deal of difficulty. I don't
+believe it made much difference in my appearance. No one _seemed_ to
+notice, and I do think the lack of heels was more important.
+
+ * * * * *
+
+All of this has been easy to put down. The next part is harder: partly
+because it's so important; partly because it's personal; partly
+because I just don't remember it all as clearly.
+
+Larry was waiting for me when I got to the hotel. He stood up and
+walked over to me, looking at me as if I were the only person in the
+room besides himself, or as if he'd been waiting all his life, and
+only just that moment saw what it was he'd been waiting for. I don't
+know how I looked at him, but I know how I felt all of a sudden, and I
+don't think I can express it very well.
+
+It was odd, because of the barriers to communication. The way he felt
+and the way I did are not things to put into words, and although I
+couldn't help but feel the impact of _his_ emotion, I had to remember
+that he was deaf-and-blind to mine. All I could get from him for that
+matter, was a sort of generalized _noise_, loud but confused, without
+any features or details.
+
+He smiled, and I smiled, and he said, "I didn't know if you'd really
+come ..." and I said, "Am I late?" and he said, "Not much. What do you
+want to drink?"
+
+I knew he meant something with alcohol in it, and I didn't dare, not
+till I'd experimented all alone first.
+
+"Could I get some orange juice?" I asked.
+
+He smiled again. "You can get anything you want. You don't drink?" He
+took my arm, and walked me over to a booth in the back corner, and
+went on without giving me a chance to answer. "No, of course you
+don't. Just orange juice and milk. Listen, Tina, I've been scared to
+ask you, but we might as well get it over with. How old are you
+anyhow?..." We sat down, but he still didn't give me a chance to
+answer. "No, that's not the right question. Who are you? What are you?
+What makes a girl like you exist at all? How come they let you run
+around on your own like this? Does your mother.... Never mind me,
+honey. I've got no business asking anything. Sufficient unto the
+moment, and all that. I'm just talking so much because I'm so nervous.
+I haven't felt like this since ... since I first went up for a solo in
+a Piper Cub. I didn't think you'd come, and you did, and you're still
+here in spite of me and my dumb yap. Orange juice for the lady,
+please," he told the waiter, "and a beer for me. Draft."
+
+I just sat there. As long as he kept talking, I didn't have to. He
+looked just as beautiful as he had in the diner, only maybe more so.
+His skin was smoother; I suppose he'd just shaved. And he was wearing
+a tan suit just a shade darker than his skin, which was just a shade
+darker than his hair, and there was absolutely nothing I could say out
+loud in his language that would mean anything at all, so I waited to
+see if he'd start talking again.
+
+"You're not mad at me, Tina?"
+
+I smiled and shook my head.
+
+"Well, _say_ something then."
+
+"It's more fun listening to you."
+
+"You say that just like you mean it ... or do you mean _funny_?"
+
+"No. I mean that it's hard for me to talk much. I don't know how to
+say a lot of the things I want to say. And most people don't say
+anything when they talk, and I don't like listening to their voices,
+but I do like yours, and ... I can't help liking what you say ... it's
+always so _nice_. About me, I mean. Complimentary. Flattering."
+
+"You were right the first time. And you seem to be able to say what
+you mean very clearly."
+
+Which was just the trouble. Not only able to, but unable not to. It
+didn't take any special planning or remembering to say or act the
+necessary lies to other humans. But Larry was the least alien person
+I'd ever known. Dishonesty to him was like lying to myself. Playing a
+role for him was pure schizophrenia.
+
+Right then, I knew it was a mistake. I should never have made that
+date, or at least not nearly so soon. But even as I thought that, I
+had no more intention of cutting it short or backing out than I did of
+going back to the ship the next day. I just tried not to talk too
+much, and trusted to the certain knowledge that I was as important to
+him as he was to me--so perhaps whatever mistakes I made, whatever I
+said that sounded _wrong_, he would either accept or ignore or
+forgive.
+
+But of course you can't just sit all night and say nothing. And the
+simplest things could trip me up. Like when he asked if I'd like to
+dance, and all I had to say was "No, thanks," and instead, because I
+_wanted_ to try it, I said, "I don't know how."
+
+Or when he said something about going to a movie, and I agreed
+enthusiastically, and he gave me a choice of three different ones that
+he wanted to see ... "Oh, anyone," I told him. "You're easy to
+please," he said, but he insisted on my making a choice. There was
+something he called "an old-Astaire-Rogers," and something else that
+was made in England, and one current American one with stars I'd seen
+on television. I wanted to see either of the others. I could have said
+so, or I could have named one, any one. Instead I heard myself
+blurting out that I'd never been to a movie.
+
+At that point, of course, he began to ask questions in earnest. And at
+that point, schizoid or not, I had to lie. It was easier, though,
+because I'd been thoroughly briefed in my story, for just such
+emergencies as this--and because I could talk more or less
+uninterruptedly, with only pertinent questions thrown in, and without
+having to react so much to the emotional tensions between us.
+
+I told him how my parents had died in an automobile accident when I
+was a baby; how my two uncles had claimed me at the hospital; about
+the old house up on the mountainside, and the convent school, and the
+two old men who hated the evils of the world; about the death of the
+first uncle, and at long last the death of the second, and the lawyers
+and the will and everything--the whole story, as we'd worked it out
+back on the ship.
+
+It answered everything, explained everything--even the unexpected item
+of not being able to eat meat. My uncles were vegetarians, which was
+certainly a harmless eccentricity compared to most of the others I
+credited them with.
+
+As a story, it was pretty far-fetched, but it hung together--and in
+certain ways, it wasn't even _too_ far removed from the truth. It was,
+anyhow, the closest thing to the truth that I could tell--and I
+therefore delivered it with a fair degree of conviction. Of course it
+wasn't designed to stand up to the close and personal inspection Larry
+gave it; but then he _wanted_ to believe me.
+
+He seemed to swallow it. What he did, of course, was something any man
+who relies, as he did, on his reflexes and responses to stay alive,
+learns to do very early--he filed all questions and apparent
+discrepancies for reference, or for thinking over when there was time,
+and proceeded to make the most of the current situation.
+
+We both made the most of it. It was a wonderful evening, from that
+point on. We went to the Astaire-Rogers picture, and although I missed
+a lot of the humor, since it was contemporary stuff from a time before
+I had any chance to learn about Earth, the music and dancing were fun.
+Later on, I found that dancing was not nearly as difficult or
+intricate as it looked--at least not with Larry. All I had to do was
+give in to a natural impulse to let my body follow his. It felt
+wonderful, from the feet on up.
+
+Finally, we went back to the hotel, where we'd left my car, and I
+started to get out of his, but he reached out an arm, and stopped me.
+
+"There's something else I guess you never did," he said. His voice
+sounded different from before. He put both his hands on my shoulders,
+and pulled me toward him, and leaned over and kissed me.
+
+I'd seen it, of course, on television.
+
+I'd seen it, but I had no idea....
+
+That first time, it was something I felt on my lips, and felt so
+sweetly and so strongly that the rest of me seemed to melt away
+entirely. I had no other sensations, except in that one place where
+his mouth touched mine. That was the first time.
+
+When it stopped, the world stopped, and I began again, but I had to
+sort out the parts and pieces and put them all together to find out
+who I was. While I did this, his hands were still on my shoulders,
+where they'd been all along, only he was holding me at arm's distance
+away from him, and looking at me curiously.
+
+"It really was, wasn't it?" he said.
+
+"What?" I tried to say, but the sound didn't come out. I took a breath
+and "Was what?" I croaked.
+
+"The first time." He smiled suddenly, and it was like the sun coming
+up in the morning, and then his arms went all the way around me. I
+don't know whether he moved over on the seat, or I did, or both of us.
+"Oh, baby, baby," he whispered in my ear, and then there was the
+second time.
+
+The second time was like the first, and also like dancing, and some
+ways like the bathtub. This time none of me melted away; it was all
+there, and all close to him, and all warm, and all tingling with
+sensations. I was more completely alive right then than I had ever
+been before in my life.
+
+After we stopped kissing each other, we stayed very still, holding on
+to each other, for a while, and then he moved away just a little,
+enough, to breathe better.
+
+I didn't know what to do. I didn't want to get out of the car. I
+didn't even want to be separated from him by the two or three inches
+between us on the seat. But he was sitting next to me now, staring
+straight ahead, not saying anything, and I just didn't know what came
+next. On television, the kiss was always the end of the scene.
+
+He started the car again.
+
+I said, "I have to ... my car ... I...."
+
+"We'll come back," he said. "Don't worry about it. We'll come back.
+Let's just drive a little...?" he pulled out past my car, and turned
+and looked at me for a minute. "You don't want to go now, do you?
+Right away?"
+
+I shook my head, but he wasn't looking at me any more, so I took a
+breath and said out loud, "No."
+
+We came off a twisty street onto the highway. "So that's how it hits
+you," he said. He wasn't exactly talking to me; more like thinking out
+loud. "Twenty-seven years a cool cat, and now it has to be a crazy
+little midget that gets to you." He had to stop then, for a red
+light--the same light I'd stopped at the first time on the way in.
+That seemed a long long time before.
+
+Larry turned around and took my hand. He looked hard at my face, "I'm
+sorry, hon. I didn't mean that the way it sounded."
+
+"What?" I said. "What do you mean?" I hadn't even tried to make sense
+out of what he was saying before; he wasn't talking to me anyhow.
+
+"Kid," he said, "maybe that was the first time for you, but in a
+different way it was the first time for me too." His hand opened and
+closed around mine, and his mouth opened and closed too, but nothing
+came out. The light was green; he noticed, and started moving, but it
+turned red again. This time he kept watching it.
+
+"I don't suppose anybody ever told you about the birds and the bees
+and the butterflies," he said.
+
+"Told me _what_ about them?" He didn't answer right away, so I thought
+about it. "All I can think of is they all have wings. They all fly."
+
+"So do I. So does a fly. What I mean is ... the hell with it!" He
+turned off the highway, and we went up a short hill and through a sort
+of gateway between two enormous rocks. "Have you ever been here?" he
+asked.
+
+"I don't think so...."
+
+"They call it The Garden of the Gods. I don't know why. I like it here ...
+it's a good place to drive and think."
+
+There was a lot of moonlight, and the Garden was all hills and drops
+and winding roads between low-growing brush, and everywhere, as if the
+creatures of some giant planet had dropped them, were those towering
+rocks, their shapes scooped out and chiseled and hollowed and twisted
+by wind, water and sand. Yes, it was lovely, and it was non-intrusive.
+Just what he said--a good place to drive and think.
+
+Once he came to the top of a hill, and stopped the car, and we looked
+out over the Garden, spreading out in every direction, with the
+moonlight shadowed in the sagebrush, and gleaming off the great rocks.
+Then we turned and looked at each other, and he reached out for me and
+kissed me again; after which he pulled away as if the touch of me hurt
+him, and grabbed hold of the wheel with a savage look on his face, and
+raced the motor, and raised a cloud of dust on the road behind us.
+
+I didn't understand, and I felt hurt. I wanted to stop again. I wanted
+to be kissed again. I didn't like sitting alone on my side of the
+seat, with that growl in his throat not quite coming out.
+
+I asked him to stop again. He shook his head, and made believe to
+smile.
+
+"I'll buy you a book," he said. "All about the birds and the bees and
+a little thing we have around here we call sex. I'll buy it tomorrow,
+and you can read it--you _do_ know how to read, don't you?--and then
+we'll take another ride, and we can park if you want to. Not tonight,
+baby."
+
+"But I _know_...." I started, and then had sense enough to stop. I
+knew about sex; but what I knew about it didn't connect with kissing
+or parking the car, or sitting close ... and it occurred to me that
+maybe it did, and maybe there was a lot I _didn't_ know that wasn't on
+Television, and wasn't on the Ship's reference tapes either. Morals
+and mores, and nuances of behavior. So I shut up, and let him take me
+back to the hotel again, to my own car.
+
+He leaned past me to open the door on my side, but he couldn't quite
+make it, and I had my fourth kiss. Then he let go again, and almost
+pushed me out of the car; but when I started to close the door behind
+me, he called out, "Tomorrow night?"
+
+"I ... all right," I said. "Yes. Tomorrow night."
+
+"Can I pick you up?"
+
+There was no reason not to this time. The first time I wouldn't tell
+him where I lived, because I knew I'd have to change places, and I
+didn't know where yet. I told him the name of the motel, and where it
+was.
+
+"Six o'clock," he said.
+
+"All right."
+
+"Good night."
+
+"Good night."
+
+ * * * * *
+
+I don't remember driving back to my room. I think I slept on the bed
+that night, without ever stopping to determine whether it was
+comfortable or not. And when I woke up in the morning, and looked out
+the window at a white-coated landscape, the miracle of snow (which I
+had never seen before; not many planets have as much water vapor in
+their atmospheres as Earth does.) in summer weather seemed trivial in
+comparison to what had happened to me.
+
+Trivial, but beautiful. I was afraid it would be very cold, but it
+wasn't.
+
+I had gathered, from the weather-talk in the place where I ate
+breakfast, that in this mountain-country (it was considered to be very
+high altitude there), snow at night and hot sun in the afternoon was
+not infrequent in the month of April, though it was unusual for May.
+
+It was beautiful to look at, and nice to walk on, but it began melting
+as soon as the sun was properly up, and then it looked awful. The red
+dirt there is pretty, and so is the snow, but when they began merging
+into each other in patches and muddy spots, it was downright ugly.
+
+Not that I cared. I ate oatmeal and drank milk and nibbled at a piece
+of toast, and tried to plan my activities for the day. To the library
+first, and take back the book they'd lent me. Book ... all right then,
+get a book on sex. But that was foolish; I _knew_ all about sex. At
+least I knew ... well, what did I know? I knew their manner of
+reproduction, and....
+
+Just why, at that time and place, I should have let it come through to
+me, I don't know. I'd managed to stay in a golden daze from the time
+in the Garden till that moment, refusing to think through the
+implications of what Larry said.
+
+Sex. Sex is mating and reproduction. Dating and dancing and kissing
+are parts of the courtship procedure. And the television shows all
+stop with kissing, because the mating itself is taboo. Very simple.
+Also _very_ taboo.
+
+Of course, they didn't _say_ I couldn't. They never said anything
+about it at all. It was just obvious. It wouldn't even work. We were
+_different_, after all.
+
+Oh, technically, biologically, of course, we were probably
+cross-fertile, but....
+
+The whole thing was so obviously _impossible_!
+
+They should have warned me. I'd never have let it go this far, if I'd
+known.
+
+Sex. Mating. Marriage. Tribal rites. Rituals and rigamaroles, and stay
+here forever. Never go back.
+
+_Never go back?_
+
+There was an instant's sheer terror, and then the comforting knowledge
+that they wouldn't _let_ me do that. I had to go back.
+
+Baby on a spaceship?
+
+Well, _I_ was a baby on a spaceship, but that was different. How
+different? I was older. I wasn't born there. Getting born is
+complicated. Oxygen, gravity, things like that. You can't raise a
+_human_ baby on a spaceship.... _Human?_ What's human? What am I?
+Never mind the labels. It would be _my_ baby....
+
+I didn't want a baby. I just wanted Larry to hold me close to him and
+kiss me.
+
+ * * * * *
+
+I drove downtown and on the way to the library I passed a bookstore,
+so I stopped and went in there instead. That was better. I could buy
+what I wanted, and not have to ask permission to take it out, and if
+there was more than one, I could have all I wanted.
+
+I asked the man for books about sex. He looked so startled, I realized
+the taboo must apply on the verbal level too.
+
+I didn't care. He showed me where the books were, and that's all that
+mattered. "Non-fiction here," he said. "That what you wanted, Miss?"
+
+Non-fiction. Definitely. I thanked him, and picked out half a dozen
+different books. One was a survey of sexual behavior and morals;
+another was a manual of techniques; one was on the psychology of sex,
+and there was another about abnormal sex, and one on physiology, and
+just to play safe, considering the state of my own ignorance, one that
+announced itself as giving a "clear simple explanation of the facts of
+life for adolescents."
+
+I took them all to the counter, and paid for them, and the man still
+looked startled, but he took the money. He insisted on wrapping them
+up, though, before I could leave.
+
+ * * * * *
+
+The next part of this is really Larry's story, but unable as I am,
+even now, to be _certain_ about his unspoken thoughts, I can only tell
+it as I experienced it. I didn't do anything all that day, except wade
+through the books I'd bought, piece-meal, reading a few pages here and
+a chapter there. The more I read, the more confused I got. Each writer
+contradicted all the others, except in regard to the few basic
+biological facts that I already knew. The only real addition to my
+factual knowledge was the information in the manual of technique about
+contraception--and that was rather shocking, even while it was
+tempting.
+
+The mechanical contrivances these people made use of were foolish, of
+course, and typical of the stage of culture they are going through. If
+I wanted to prevent conception, while engaging in an act of sexual
+intercourse, I could, do so, of course, but....
+
+The shock to the glandular system wouldn't be too severe; it was the
+psychological repercussions I was thinking about. The idea of pursuing
+a course of action whose sole motivation was the procreative urge, and
+simultaneously to decide by an act of will to refuse to procreate....
+
+I _could_ do it, theoretically, but in practice I knew I never would.
+
+I put the book down and went outside in the afternoon sunshine. The
+motel was run by a young married couple, and I watched the woman come
+out and put her baby in the playpen. She was laughing and talking to
+it; she looked happy; so did the baby.
+
+But _I_ wouldn't be. Not even if they let me. I couldn't live here and
+bring up a child--children?--on this primitive, almost barbaric,
+world. Never ever be able fully to communicate with anyone. Never,
+ever, be entirely honest with anyone.
+
+Then I remembered what it was like to be in Larry's arms, and wondered
+what kind of communication I could want that might surpass that. Then
+I went inside and took a shower and began to dress for the evening.
+
+It was too early to get dressed. I was ready too soon. I went out and
+got in the car, and pulled out onto the highway and started driving. I
+was halfway up the mountain before I knew where I was going, and then
+I doubled my speed.
+
+I was scared. I ran away.
+
+ * * * * *
+
+There was still some snow on the mountain top. Down below, it would be
+warm yet, but up there it was cold. The big empty house was full of
+dust and chill and I brought fear in with me. I wished I had known
+where I was going when I left my room; I wanted my coat. I wanted
+something to read while I waited. I remembered the library book and
+almost went back. Instead, I went to the dark room in back that had
+once been somebody's kitchen, and opened the cupboard and found the
+projector and yelled for help.
+
+I didn't know where they were, how far away, whether cruising or
+landed somewhere, or how long it would take. All I could be sure of
+was that they couldn't come till after dark, full dark, and that would
+be, on the mountain top, at least another four hours.
+
+There was a big round black stove in a front room, that looked as if
+it could burn wood safely. I went out and gathered up everything I
+could find nearby that looked to be combustible, and started a fire,
+and began to feel better. I beat the dust off a big soft chair, and
+pulled it over close to the stove, and curled up in it, warm and
+drowsy and knowing that help was on the way.
+
+I fell asleep, and I was in the car with Larry again, in front of that
+hotel, every cell of my body tinglingly awake, and I woke up, and
+moved the chair farther back away from the fire, and watched the sun
+set through the window--till I fell asleep again, and dreamed again,
+and when I woke, the sun was gone, but the mountain top was brightly
+lit. I had forgotten about the moon.
+
+I tried to remember what time it rose and when it set, but all I knew
+was it had shone as bright last night in the Garden of the Gods.
+
+I walked around, and went outside, and got more wood, and when it was
+hot in the room again, I fell asleep, and Larry's hands were on my
+shoulders, but he wasn't kissing me.
+
+He was shouting at me. He sounded furious, but I couldn't feel any
+anger. "You God-damn little idiot!" he shouted. "What in the name of
+all that's holy...? ... put you over my knee and.... For God's sake,
+baby," he stopped shouting, "what did you pull a dumb trick like this
+for?"
+
+"I was scared. I didn't even plan to do it. I just did."
+
+"Scared? My God, I should think you would be! Now listen, babe. I
+don't know yet what's going on, and I don't think I'm going to like it
+when I find out. I don't like it already that you told me a pack of
+lies last night. Just the same, God help me, I don't think it's what
+it sounds like. But I'm the only one who doesn't. Now you better give
+it to me straight, because they've got half the security personnel of
+this entire area out hunting for you, and nobody else is going to care
+much what the truth is. My God, on top of everything else, you had to
+_run away_! Now, give out, kid, and make it good. This one has got to
+stick."
+
+I didn't understand a lot of what he said. I started trying to
+explain, but he wouldn't listen. He wanted something else, and I
+didn't know what.
+
+Finally, he made me understand.
+
+He'd almost believed my story the night before. Almost, but there was
+a detail somewhere that bothered him. He couldn't remember it at
+first; it kept nudging around the edge of his mind, but he didn't know
+what it was. He forgot about it for a while. Then, in the Garden, I
+made my second big mistake. (He didn't explain all of this then; he
+just accused, and I didn't understand this part completely until
+later.) I wanted him to park the car.
+
+Any girl on Earth, no matter how sheltered, how inexperienced, would
+have known better than that. As he saw it, he had to decide whether I
+was just so carried away by the night and the mood and the moment
+that I didn't _care_--or whether my apparent innocence was a pose all
+along.
+
+When we separated in front of the hotel that night, we both had to
+take the same road for a while. Larry was driving right behind me for
+a good three miles, before I turned off at the motel. And that was
+when he realized what the detail was that had been bothering him: my
+car.
+
+The first time he saw me, I was driving a different make and model,
+with Massachusetts plates on it. He was sure of that, because he had
+copied it down when he left the luncheonette, the first time we met.
+
+Larry had never told me very clearly about the kind of work he did. I
+knew it was something more or less "classified," having to do with
+aircraft--jet planes or experimental rockets, or something like that.
+And I knew, without his telling me, that the work--not just the _job_,
+but the work he did at it--was more important to him than anything
+else ever had been. More important, certainly, than he had ever
+expected any woman to be.
+
+So, naturally, when he met me that day, and knew he wanted to see me
+again, but couldn't get my address or any other identifying
+information out of me, he had copied down the license number of my
+car, and turned it in, with my name, to the Security Officer on the
+Project. A man who has spent almost every waking moment from the age
+of nine planning and preparing to fit himself for a role in humanity's
+first big fling into space doesn't endanger his security status by
+risking involuntary contamination from an attractive girl. The little
+aircraft plant on the fringes of town was actually a top-secret key
+division in the Satellite project, and if you worked there, you took
+precautions.
+
+The second time I met him at the luncheonette, he had been waiting so
+long, and had so nearly given up any hope of my coming, that he was no
+longer watching the road or the door when I finally got there--and
+when he left, he was so pleased at having gotten a dinner date with
+me, that he didn't notice much of anything at all. Not except out of
+the corner of one eye, and with only the slightest edge of
+subconscious recognition: just enough so that some niggling detail
+that was out-of-place kept bothering him thereafter; and just enough
+so that he made a point of stopping in the Security Office again that
+afternoon to add my new motel address to the information he'd given
+them the day before.
+
+The three-mile drive in back of my Colorado plates was just about long
+enough, finally, to make the discrepancy register consciously.
+
+Larry went home and spent a bad night. His feelings toward me, as I
+could hardly understand at the time, were a great deal stronger, or at
+least more clearly defined, than mine about him. But since he was
+more certain just what it was he wanted, and less certain what _I_
+did, every time he tried to fit my attitude in the car into the rest
+of what he knew, he'd come up with a different answer, and nine
+answers out of ten were angry and suspicious and agonizing.
+
+"Now look, babe," he said, "you've got to see this. I trusted _you_;
+really, all the time, I did trust you. But I didn't trust _me_. By the
+time I went to work this morning, I was half-nuts. I didn't know
+_what_ to think, that's all. And I finally sold myself on the idea
+that if you were what you said you were, nobody would get hurt,
+and--well, if you _weren't_ on the level, I better find out, quick.
+You see that?"
+
+"Yes," I said.
+
+"Okay. So I told them about the license plates, and about--the other
+stuff."
+
+"What other stuff?" What else was there? How stupid could I be?
+
+"I mean, the--in the car. The way you--Listen, kid," he said, his face
+grim and demanding again. "It's still just as true as it was then. I
+_still_ don't know. They called me this evening, and said when they
+got around to the motel to question you, you'd skipped out. They also
+said that Massachusetts car was stolen. And there were a couple of
+other things they'd picked up that they wouldn't tell me, but they've
+got half the National Guard and all the Boy Scouts out after you by
+now. They wanted me to tell them anything I could think of that might
+help them find this place. I couldn't think of anything while I was
+talking to them. Right afterwards, I remembered plenty of
+things--which roads you were familiar with, and what you'd seen before
+and what you hadn't, stuff like that, so--"
+
+"So you--?"
+
+"So I came out myself. I wanted to find you first. Listen, babe, I
+love you. Maybe I'm a sucker, and maybe I'm nuts, and maybe
+I-don't-know-what. But I figured maybe I could find out more, and
+easier on you, than they could. And honey, it better be good, because
+I don't think I've got what it would take to turn you in, and now I've
+found you--"
+
+He let it go there, but that was plenty. He was willing to listen. He
+wanted to believe in me, because he wanted me. And finding me in the
+house I'd described, where I'd said it was, had him half-convinced.
+But I still had to explain those Massachusetts plates. And I couldn't.
+
+I was psychologically incapable of telling him another lie, now, when
+I knew I would never see him again, that this was the last time I
+could ever possibly be close to him in any way. I couldn't estrange
+myself by lying.
+
+ * * * * *
+
+And I was _also_ psychologically incapable--I found out--of telling
+the truth. They'd seen to that.
+
+It was the first time I'd ever hated them. The first time, I suppose,
+that I fully realized my position with them.
+
+I could not tell the truth, and I would not tell a lie; all I could do
+was explain this, and hope he would believe me. I could explain, too,
+that I was no spy, no enemy; that those who had prevented me from
+telling what I wanted to tell were no menace to his government or his
+people.
+
+He believed me.
+
+It was just that simple. He believed me, because I suppose he knew,
+without knowing how he knew it, that it was truth. Humans are not
+incapable of communication; they are simply unaware of it.
+
+I told him, also, that they were coming for me, that I had called
+them, and--regretfully--that he had better leave before they came.
+
+"You said they weren't enemies or criminals. You were telling the
+truth, weren't you?"
+
+"Yes, I was. They won't _harm_ you. But they might...." I couldn't say
+it. I didn't know the words when I tried to say it. _Might take you
+away with them ... with us...._
+
+"Might what?"
+
+"Might ... oh, I don't _know_!"
+
+Now he was suspicious again. "All right," he said. "I'll leave. You
+come with me."
+
+It was just that simple. Go back with him. Let them come and not find
+me. What could they do? Their own rules would keep them from hunting
+for me. They couldn't come down among the people of Earth. Go back.
+Stop running.
+
+We got into his car, and he turned around and smiled at me again, like
+the other time.
+
+I smiled back, seeing him through a shiny kind of mist which must have
+been tears. I reached for him, and he reached for me at the same time.
+
+When we let go, he tried to start the car, and it wouldn't work. Of
+course. I'd forgotten till then. I started laughing and crying at the
+same time in a sort of a crazy way, and took him back inside and
+showed him the projector. They'd forgotten to give me any commands
+about not doing that, I guess. Or they thought it wouldn't matter.
+
+It did matter. Larry looked it over, and puzzled over it a little, and
+fooled around, and asked me some questions. I didn't have much
+technical knowledge, but I knew what it did, and he figured out the
+way it did it. Nothing with an electro-magnetic motor was going to
+work while that thing was turned on, not within a mile or so in any
+direction. And there wasn't any way to turn it off. It was a homing
+beam, and it was on to stay--foolproof.
+
+That was when he looked at me, and said slowly, "You got here three
+days ago, didn't you, babe?"
+
+I nodded.
+
+"There was--God-damn it, it's too foolish! There was a--a _flying
+saucer_ story in the paper that day. Somebody saw it land on a hilltop
+somewhere. Some crackpot. Some ... how about it, kid?"
+
+I couldn't say yes and I couldn't say no, and I did the only thing
+that was left, which was to get hysterical. In a big way.
+
+He had to calm me down, of course. And I found out why the television
+shows stop with the kiss. The rest is very private and personal.
+
+ * * * * *
+
+_Author's note: This story was dictated to me by a five-year-old
+boy--word-for-word, except for a very few editorial changes of my own.
+He is a very charming and bright youngster who plays with my own
+five-year-old daughter. One day he wandered into my office, and
+watched me typing for a while, then asked what I was doing. I answered
+(somewhat irritably, because the children are supposed to stay out of
+the room when I'm working) that I was trying to write a story._
+
+"_What kind of a story?_"
+
+"_A grown-up story._"
+
+"_But what_ kind?"
+
+_"A science-fiction story." The next thing I was going to do was to
+call my daughter, and ask her to take her company back to the
+playroom. I had my mouth open, but I never got a syllable out. Teddy
+was talking._
+
+_"I don't know where they got the car," he said. "They made three or
+four stops before the last...." He had a funny look on his face, and
+his eyes were glazed-looking._
+
+_I had seen some experimental work with hypnosis and post-hypnotic
+performance. After the first couple of sentences, I led Teddy into the
+living-room, and switched on the tape-recorder. I left it on as long
+as he kept talking. I had to change tapes once, and missed a few more
+sentences. When he was done, I asked him, with the tape still running,
+where he had heard that story._
+
+_"What story?" he asked. He looked perfectly normal again._
+
+"_The story you just told me._"
+
+_He was obviously puzzled._
+
+"_The_ science-fiction _story_," _I said_.
+
+_"I don't know where they got the car," he began; his face was set and
+his eyes were blank._
+
+_I kept the tape running, and picked up the parts I'd missed before.
+Then I sent Teddy off to the playroom, and played back the tape, and
+thought for a while._
+
+_There was a little more, besides what you've read. Parts of it were
+confused, with some strange words mixed in, and with sentences
+half-completed, and a feeling of ambivalence or censorship or
+inhibition of some kind preventing much clarity. Other parts were
+quite clear. Of these, the only section I have omitted so far that
+seems to me to belong in the story is this one:--_
+
+ * * * * *
+
+The baby will have to be born on Earth! They have decided that
+themselves. And for the first time, I am glad that they cannot
+communicate with me as perfectly as they do among themselves. I can
+think some things they do not know about.
+
+We are not coming back. I do not think that I will like it on Earth
+for very long, and I do not know--neither does Larry--what will happen
+to us when the Security people find us, and we cannot answer their
+questions. But--
+
+I am a woman now, and I love like a woman. Larry will not be their
+pet; so I cannot be. I am not sure that I am fit to be what Larry
+thinks of as a "human being." He says I must learn to be "my own
+master." I am not at all sure I could do this, if it were necessary,
+but fortunately, this is one of Larry's areas of semantic confusion.
+The feminine of _master_ is _mistress_, which has various meanings.
+
+Also, there is the distinct possibility, from what Larry says, that we
+will not, _either_ of us, be allowed even as much liberty as we have
+here.
+
+There is also the matter of gratitude. _They_ brought me up, took care
+of me, taught me, loved me, gave me a way of life, and a knowledge of
+myself, infinitely richer than I could ever have had on Earth. Perhaps
+they even saved my life, healing me when I was quite possibly beyond
+the power of Earthly medical science to save. But against all this--
+
+_They_ caused the damage to start with. It was _their_ force-field
+that wrecked the car and killed my parents. _They_ have paid for it;
+_they_ are paying for it yet. _They_ will continue to pay, for more
+years than make sense in terms of a human lifetime. _They_ will
+continue to wander from planet to planet and system to system, because
+_they_ have broken _their_ own law, and now may never go home.
+
+But _I_ can.
+
+I am a woman, and Larry is a man. We will go home and have our baby.
+And perhaps the baby will be the means of our freedom, some day. If we
+cannot speak to save ourselves, he may some day be able to speak for
+us.
+
+I do not think the blocks they set in us will penetrate my womb as my
+own thoughts, I hope, already have.
+
+ * * * * *
+
+_Author's note: Before writing this story--as a story--I talked with
+Johnny's parents. I approached them cautiously. His mother is a big
+woman, and a brunette. His father is a friendly fat redhead. I already
+knew that neither of them reads science-fiction. The word is not
+likely to be mentioned in their household._
+
+_They moved to town about three years ago. Nobody here knew them
+before that, but there are rumors that Johnny is adopted. They did not
+volunteer any confirmation of that information when I talked to them,
+and they did not pick up on any of the leads I offered about his
+recitation._
+
+_Johnny himself is small and fair-haired. He takes after his paternal
+grandmother, his mother says...._
+
+ * * * * *
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Exile from Space, by Judith Merril
+
+*** END OF THIS PROJECT GUTENBERG EBOOK EXILE FROM SPACE ***
+
+***** This file should be named 31661.txt or 31661.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/1/6/6/31661/
+
+Produced by Sankar Viswanathan, Greg Weeks, and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/31661.zip b/31661.zip
new file mode 100644
index 0000000..8b748c1
--- /dev/null
+++ b/31661.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..379fac4
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #31661 (https://www.gutenberg.org/ebooks/31661)