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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/30959-0.txt b/30959-0.txt new file mode 100644 index 0000000..0cfa86b --- /dev/null +++ b/30959-0.txt @@ -0,0 +1,1286 @@ +The Project Gutenberg eBook, George Eliot Centenary, November 1919, by +Coventry Libraries Committee + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: George Eliot Centenary, November 1919 + + +Author: Coventry Libraries Committee + + + +Release Date: January 13, 2010 [eBook #30959] + +Language: English + +Character set encoding: UTF-8 + + +***START OF THE PROJECT GUTENBERG EBOOK GEORGE ELIOT CENTENARY, NOVEMBER +1919*** + + +Transcribed from the 1919 Coventry Libraries Committee catalogue by David +Price, email ccx074@pglaf.org. Many thanks to Nuneaton Library, UK, for +allowing the use of their copy to make this transcription. + + + + + + George Eliot Centenary, + NOVEMBER, 1919. + + + * * * * * + +Catalogue of . . + + RELICS, MANUSCRIPTS, + PRINTS, PAINTINGS, + PHOTOGRAPHS & BOOKS + + RELATING TO + + GEORGE ELIOT, + + EXHIBITED IN + + St. Mary’s Hall. Coventry. + + * * * * * + + COVENTRY LIBRARIES COMMITTEE. + + + + +PREFATORY NOTE. + + +The Exhibition has special reference to George Eliot’s residence in +Coventry, and to the Coventry circle of which she was the most +distinguished member. + +Visitors are requested not to touch the exhibits. Copying or sketching +or photographing any exhibit is prohibited. + + + + +RELICS, PORTRAITS, MANUSCRIPTS, +EXHIBITED IN +MUNIMENT ROOM. + + +Family Portraits and Records. + + +CASE 1. + + +1. Portrait of Robert Evans. + + _Lent by Canon Evans_, _Bedworth_. + +Father of G. E., and prototype of _Adam Bede_. + +2. Diaries of Robert Evans (“Adam Bede”). + + _Lent by Mr. Walter P. Evans_, _Leamington_. + + +CASE 2. + + +3. Portrait of Isaac P. Evans. + + _Lent by Canon Evans_, _Bedworth_. + +G. E’s brother; original of “Tom Tulliver.” + +3a. Another portrait of Isaac P. Evans. + + Lent by Mr. W. P. Evans, Leamington. + + +CASE 3. + + +4. Portrait of George Eliot, with portrait of her father, Robert Evans. + + _Lent by National Portrait Gallery_. + +Drawn in 1842 by Mrs. Charles Bray. + + +CASE. 4. + + +5. Portrait of George Eliot, 1850, fr. painting by M. D’Albert. + + _Lent by Mrs. Herbert Draper_, _Kenilworth_. + +6. George Eliot’s portrait (after Sir F. Burton). + + _Lent by Mrs. Herbert Draper_, _Kenilworth_. + +G. E.’s. gift to Mrs. Bray + +6a. Pencil drawing from shadow thrown by cast of G. Eliot, by Miss Sara +S. Hennell. Presented by Mr. Warwick Draper. + + +WALL BOOK CASE 1. + + +6b. Oil painting of Miss Everard, G. Eliot’s aunt. + + Lent by Canon Evans. + +Caricutured as Aunt Glegg (_Mill on the Floss_). + + + +Holographs. + + +CASE 5. + + +10. Holograph letters of George Eliot. + + _Lent by Mr. A. E. Fridlander_. + +See typewritten copies exhibited. + +11. Holograph letter to Mrs. Bray. + + _Lent by Mrs. Herbert Draper_, _Kenilworth_. + +Written Sept., 1876, after she returned from abroad; describing some part +of the journey. + + +CASE 6. + + +12. Holograph letters. + + _Lent by Mr. Frederic Harrison_, _Bath_. + +Two of the letters are on Positivist affairs; three refer to the legal +advice given to G. E. by Mr. Harrison in constructing the plot of _Felix +Holt_ (_George Eliot’s Life_, by Cross, v. 3: 258); the last letter was +written during her mourning for G. H. Lewes. + + +CASE 7. + + +15. Favourite airs copied by G. Eliot. + + _Lent by Miss Evans_, _Leamington_. + +Holographic throughout. + +16. Receipt given by G. E. in connection with her father’s will. + + Lent by Mr. W. P. Evans, Leamington. + + + +Association Items and Books. + + +18. Statuette of Christ, after Thorwaldsen. + + _Lent by Mrs. Herbert Draper_. + +At one time belonged to G. E., and is associated with her translation of +Strauss, Life of Jesus. + +19. Ring worn by George Eliot in memory of her mother. + + _Lent by Miss Evans_, _Leamington_. + +Inscribed inside, “In memory of Christiana Evans.” + +20. Portrait of Mr. Edward Simms, G. Eliot’s music master. + + Lent by Coventry Libraries. + +25. Defoe’s “History Of the Devil.” + + _Lent by Canon Evans_, _Bedworth_. + +G. E’s. own copy; it is referred to in _Mill on the Floss_, ch. 3. + +25a. A Kempis, De Imitatione Christi. + + Presented by Mr. Warwick Draper. + +G. Eliot’s own copy, acquired at Coventry, 1849, given to Miss Sara S. +Hennell, 1851, and at Mrs. Bray’s death came into the possession of Mr. +Warwick Draper. See _Mill on the Floss_, bk. 4, ch. 3. + + +CASE 8. + + +26. Bacon’s “Essays,” 1828. + + _Lent by Coventry Libraries_. + +Autograph on flyleaf “Mary Ann Evans.” + +27. Newspaper cuttings collected by George Eliot. + + _Lent by Coventry Libraries_ + +With her own contributions to the “Coventry Herald” at the end. The book +bears the signature, in pencil, of J. Hennell. + +28. “Silas Marner,” _First edition_, 1861. + + _Lent by Coventry Libraries_. + +Inscribed: “Caroline Bray from Mr. Lewes June 22 ’61,” in G. Eliot’s +handwriting. + +29. “The Legend of Jubal and other poems,” _First edition_, 1874. + + _Lent by Coventry Libraries_. + +Inscribed: “Caroline Bray May 1874, with the author’s compliments.” + +30. “Impressions of Theophrastus Such,” _First edition_, 1879. + + _Lent by Coventry Libraries_. + +Inscribed: “Caroline Bray, from the author, Eastbourne, May 29, 1879.” + +31. “Essays and leaves from a note-book,” _First edition_, 1884. + + _Lent by Coventry Libraries_. + +Inscribed. “Mrs. Charles Bray from C. L. Lewes, Feb., 1884.” C. L. L. +was the son of G. H. Lewes. + + +CASE 9. + + +32. Pen used in Italy by G. Eliot, and covered there with silk and +beads. + + Lent by Mr. T. H. Allen, Coventry. + +33. Musical Box, reputed to be Uncle Pullet’s. + + Lent by Mrs. W. W. Orton. + +(_Mill on the Floss_), see newscutting. + +34. Water colour sketch of attic at Griff—Maggie Tulliver’s favourite +retreat. + + Lent by Mr. W. P. Evans, Leamington. + + +WALL BOOKCASE 2. + +Silhouettes of Characters in “Janet’s Repentance.” + + + _Lent by Miss Robinson_, _Chilvers Coton_. + +36. Mrs. J. W. Buchanan (“Janet Dempster.”) + +37. James Buchanan (“Lawyer Dempster.”) + +38. Mrs. George Buchanan. + +39. Mrs. Robinson (“Mrs. Pettifer.”) + +40. T. Bull (“Mr. Fred Phipps.”) + +41. John Craddock (“Mr. Landor.”) + +42. John Towle (“Mr. Lowme.”) + + +WALL BOOKCASE 1. + + +50. Portrait of Mrs. Robinson. + + _Lent by Miss Robinson_, _Chilvers Coton_. + +Mrs. R. was the original of Mrs. Pettifer (_Janet’s Repentance_). + + + +Hennell and Bray Families. + + +CASE 9. + + +57. Silhouette miniatures of Mr. and Mrs. James Hennell of Hackney. + + _Lent by Mrs. Herbert Draper_. + +Father and mother of Mrs. Bray and Miss Sara Hennell. + +58. Miniatures of Mr. and Mrs. Samuel Hennell. + + _Lent by Mrs. Herbert Draper_. + + +CASE 10. + + +58a. Water colour sketch of Mrs. Hennell. + + Lent by Miss Mary Scampton. + +59. Portrait of Eliza Hennell. + + _Lent by Mrs. Herbert Draper_. + +Author of “Tale of the Alps,” also exhibited. + +60. Home of Mr. and Mrs. Sam Hennell, Coventry. + + _Lent by Mrs. Herbert Draper_. + +Uncle and Aunt of Mrs. Charles Bray. + +61. Wilson, Capt., “History of Prince Lee Boo,” 1812. + + _Lent by Coventry Libraries_. + +Inscribed: “Eliza Hennell, March 7th, 1815.” + +62. Hennell, Eliza. “Tale of the Alps,” a romance [original MS.] + + _Lent by Coventry Libraries_. + +This little work was composed by E. H., written in her own handwriting, +and bound by her when she was fourteen years of age. Inscribed: “Eliza +Hennell, April 10th, 1819 + + +CASE 11. + + +62a. Three water colour sketches of the Hennells’ Hackney home, by Miss +Sara Hennell. + + Lent by Miss Mary Scampton. + +62b. Water colour sketch of Hackney chapel, attended by the Hennells, by +Miss Sara Hennell. + + Lent by Miss Mary Scampton. + +63. Portrait of Charles Bray, at 50. + + _Lent by Mrs. Herbert Draper_, _Kenilworth_. + + +WALL BOOKCASE 1. + + +64. Mrs. Charles Bray, oil painting by Miss E. Martin. + + _Lent by Mr. A. E. Fridlander_. + + +CASE 12. + + +65. Miniature of Mrs. Charles Bray. + + _Lent by Miss Scampton_, _Coventry_. + +Painted by Mrs. Bray’s sister, Sara S. Hennell, c. 1836. Mrs. Bray was +G. E’s Coventry friend. + +65a. Water colour portrait of Mrs. Bray, by Miss Sara S. Hennell. + + Lent by Miss Mary Scampton. + +66. Water colour portrait of Charles Bray. + + _Lent by Mrs. Herbert Draper_. + +66a. Miniature portrait of Mrs. Charles Bray, by herself, c. 1853. + + Lent by Mr. A. E. Fridlander. + + +CASE 13. + + +66b. Water colour portrait of Miss Sara S. Hennell, by herself. + + Lent by Miss Mary Scampton. + +67. Portrait of Mrs. Bray and Miss Sara Hennell, 1897. + + Lent by Miss Mary Scampton. + +68. Water colour portrait of Miss Sara Hennell. + + _Lent by Mrs. H. Draper_. + + +CASE 14. + + +68a. C. C. Hennell’s “Inquiry.” + + Lent by Mr. A. E. Fridlander. + +Inscribed, “Sara Sophia Hennell, 1st January, 1846.” + +68b. Three water colour sketches of “Rosehill,” the Coventry home of the +Brays. + + Lent by Miss Mary Scampton. + + +CASE 15. + + +69. Portrait of Miss Brabant, afterwards Mrs. C. C. Hennell. + + _Lent by Mrs. H. Draper_. + +70. Portrait of Miss Julia Smith. + + _Lent by Mrs. H. Draper_. + +A valued friend of G. E., and sister of Mme. Bodichon. + +71. Three water colour sketches by Miss Sara. S. Hennell. + + Lent by Miss Mary Scampton. + +Made during a Scottish tour with G. Eliot and Mr. and Mrs. Bray. + + +CASE 16. + + +72. Romola, 3 vols., extra illustrated. + + Lent by Coventry Libraries. + + + +PICTURES ON WALL. + + +73. Water colour of Griff Hollows, “The Red Deeps,” 1876, by Miss Patty +Townsend. + + Lent by Nuneaton Art Gallery. + +74. Water colour sketch—Lawyer Dempster’s house, by Thomas Wakeman. + + Lent by Nuneaton Art Gallery. + +75. Water colour drawing—Chilvers Coton church, by Thomas Wakeman. + + Lent by Nuneaton Art Gallery. + +76. Water colour drawing—South Farm, Arbury, by Thomas Wakeman. + + Lent by Nuneaton Art Gallery. + +76. Series of photographs of G. Eliot country. + + Lent by Miss Robinson, Chilvers Coton. + + + + +PHOTOGRAPHIC SURVEY +OF +GEORGE ELIOT’S WARWICKSHIRE +BY MEMBERS OF THE +COVENTRY PHOTOGRAPHIC SOCIETY. + + +Arbury, South Farm. + + + _Photographed by_ + +Arbury Farm is on the Arbury Estate. Robert Evans, the novelist’s +father, lived there from 1806 to 1820 as land agent to the estate. +George Eliot was born here on November 22nd, 1819, but was taken to live +at Griff House four months’ later. The farm has been much altered. + +1. Arbury Farm, view from garden + + Miss C. NORTON + +2. Arbury Farm, view from garden + + Mr. G. H. OSBORNE. + + + +Griff House. + + +George Eliot’s home from 1820 to 1841. The house has not been greatly +altered. “It was a delightful place to grow up in, and over and above +the charms of the house, farm, garden and fields, there was the high road +just in front of the gate, where she and her brother stood and watched +the mail-coach pass twice a day.” At the back of the house is “a large, +old-fashioned farm-house garden, where flowers, vegetables, fruits and +trees grow in friendly confusion—just the kind of garden in which Hetty +Sorrel gathered red currants.”—_Deakin_, _Early Life of G. E._, p. 5, 9. +The dairy is known as “Mrs. Poyser’s,” but it was erected after G. Eliot +left Griff. The “Round Pond,” into which Maggie Tulliver pushed Lucy and +where Maggie and Tom used to fish, is in a field adjoining. Griff +Hollows is the “Red Deeps” of the _Mill on the Floss_. + +3. Griff House + + Mr. G. H. OSBORNE + +The window of the attic to which Maggie fled when in trouble (_Mill on +the Floss_) is shown on the gable end, where the flagstaff is fixed. + +4–5. Griff House + + Mr. A. W. HOARE (4) + Mr. S. T. SHIPWAY (5) + +6–7. Griff House + + Miss M. IMISON (6) + Mr. A. W. HOARE (7) + +8. Griff House, dairy + + Mr. A. W. HOARE + +9. Griff House, dairy, interior + + Mr. L. P. WILSON + +The Dairy is known as “Mrs. Poyser’s,” but it was erected after G. Eliot +left Griff. + +10. Griff House, garden seat + + Mr. A. H. HOWELL + + The little summer house at the end of the Yew-tree walk; in just such + a place Dorothea found her husband after his death. + + —(_Middlemarch_). + +11. Griff House, round pond + + Mr. S. T. SHIPWAY + +The pool into which Maggie Tulliver pushed Lucy, and where Maggie and Tom +used to fish, is in a field adjoining the house. + +12. Griff Hollows + + Mr. L. P. WILSON + +13. Griff Hollows + + Miss M. IMISON + +The “Red Deeps” of _The Mill on the Floss_, the meeting place of Maggie +Tulliver and Philip Wakem. + + + +George Eliot’s Schooldays. + + +14. Griff, the Dame School + + Mr. A. W. HOARE + +George Eliot’s first school, which she attended with her brother until +she was five years old. Her second school (Miss Lathom’s Boarding School +at Attleborough) has not been identified. + +15–16. Nuneaton, The Elms + + Miss C. NORTON + +George Eliot’s third school, near Nuneaton Church. She attended it with +her sister Chrissy until 1832, when she went to Coventry. + +17. Coventry, house of Rev. Francis Franklin, Cow Lane + + Mr. S. T. SHIPWAY + +In 1832 was transferred from The Elms, Nuneaton, to a school in Coventry, +kept by the two Miss Franklins, daughters of The Rev. Francis Franklin, +Minister of Cow Lane Chapel. Mr. Franklin was the prototype of Rufus +Lyon (_Felix Holt_). + +18. Coventry, back of minister’s house, Cow Lane + + Mr. S. T. SHIPWAY + +19. Coventry, memorial tablet to Rev. Francis Franklin, Cow Lane Chapel + + Mr. S. T. SHIPWAY + +20. Bust of George Whitfield, at one time in Mr. Franklin’s house + + Mr. A. W. HOARE + + “A black bust with a coloured face, which for some reason or other + was covered with green gauze.” “That,” said Mr. Lyon, “is the + eminent George Whitfield . . . Providence ordained that the good man + should squint; and my daughter has not yet learned to bear with this + infirmity.”—_Felix Holt_, ch. v. + +21. Coventry, Nantglyn, Warwick Row + + Mr. S. T. SHIPWAY + +The Misses Franklin’s school was at this address. George Eliot left this +school in 1835. + + + +George Eliot’s Coventry Home and Circle. + + +In March, 1841, Robert Evans and his daughter came to live in the +Foleshill Road, until her father died in 1849. The house is known as +Bird Grove, and has been much altered. + +22. Coventry, Bird Grove + + Mr. S. T. SHIPWAY + +22a. Coventry, gates of Bird Grove + + Mr. J. BRADBURY + +23. Coventry, Bird Grove, window of George Eliot’s study over entrance + + Mr. A. W. HOARE + +24–25. Coventry, Bird Grove, study and bedroom + + Mr. A. W. HOARE (24) + Mr. S. T. SHIPWAY (25) + +26. Coventry, Bird Grove, room used by G. Eliot as drawing room + + Mr. S. T. SHIPWAY + +27. Coventry, Bird Grove, study + + Mr. S. T. SHIPWAY + +28. Coventry, Bird Grove, interior + + Mr. S. T. SHIPWAY + +29. Coventry, “Rosehill” + + Mr. L. P. WILSON + +George Eliot first visited “Rosehill,” the home of the Brays, on November +2nd, 1841. There is an interesting account of this visit in Bray’s +_Autobiography_, p. 76. The Brays and the Hennells exerted an important +influence on her life. + +30. Coventry, Ivy Cottage, + + Mr. L. P. WILSON + +The home of the Hennell family; adjoins “Rosehill.” + + + +Scenes of Clerical Life. + + +Nuneaton is the Milby of _Janet’s Repentance_. There is an amusing +description of a Sunday morning service at the church at the beginning of +the story. + +31–32. Nuneaton church, exterior and interior + + Miss C. NORTON + +33–34. Nuneaton church and vicarage + + Miss C. NORTON + +35. Nuneaton, Lawyer Dempster’s house + + Miss C. NORTON + +No. 35 Church Street, the Orchard Street of _Janet’s Repentance_. The +original of Dempster was a Mr. Buchanan. + +36–37. Nuneaton, Dempster’s house, other views + + Miss C. NORTON + +38. Nuneaton, garden of Dempster’s house + + Mr. A. H. HOWELL + +39. Nuneaton, grotto in Dempster’s garden + + Mr. A. H. HOWELL + +40. Chilvers Coton church + + Miss C. NORTON + +The “Shepperton” church of _Amos Barton_. George Eliot was baptised +here. The tenor bell was hung in her memory (1909). “The little flight +of steps with their wooden rail running up the outer wall and leading to +the children’s gallery,” is still in existence. + +41. Chilvers Coton church + + Mr. A. H. HOWELL + +42. Chilvers Coton church, interior + + Mr. S. T. SHIPWAY + +43. Chilvers Coton church, children’s gallery + + Mr. G. H. OSBORNE + +44. Chilvers Coton vicarage, garden + + Mr. A. H. HOWELL + +The open window belongs to the room in which “Milly Barton” died. + +45. Chilvers Coton vicarage and church + + Mr. S. T. SHIPWAY + +46. Chilvers Coton churchyard, Emma Gwyther’s grave + + Mr. S. T. SHIPWAY + +Mrs. Gwyther was the original of “Milly Barton” of _The Sad fortunes of +Amos Barton_, one of the most touching stories in English literature. +The inscription is transcribed in full in Olcott’s _George Eliot_, +_scenes and people in her novels_. + +47. Chilvers Coton churchyard, Emma Gwyther’s grave + + Mr. A. W. HOARE + +48–48a. Chilvers Coton churchyard, tomb of Robert (“Adam Bede”) and +Christiana Evans. + + Mr. A. W. HOARE (48) + Mr. A. HUNT (48a) + +49. Chilvers Coton churchyard, tomb of Sarah and Isaac Pearson Evans +(“Tom Tulliver” and his wife) + + Mr. A. H. HOWELL + +50. Chilvers Coton church, extract from parish register + + Mr. W. H. STOKES + +Recording the marriage of Edward Clark and G. Eliot’s sister Chrissy, +“Celia” of _Middlemarch_. The signatures include those of the Rev. John +Gwyther (“Amos Barton”), Robert Evans (“Adam Bede”), Mary Ann Evans (the +novelist), and Isaac P. Evans (“Tom Tulliver”—see No. 49). + +51. Arbury Hall + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + +A copy of an older photograph; the view is not the same to-day. This is +the “Cheverel Manor” of _Mr. Gilfil’s Love Story_. Arbury is the home of +the Newdegate family. Robert Evans, father of George Eliot, was land +agent for the Newdegate estate. This “castellated house of grey-tinted +stone is described beautifully in the _Love Story_, ch. 2. See also +three books by Lady Newdigate-Newdegate: _The Cheverels of Cheverel +Manor_; _Gossip from a Muniment Room_; and _Cavalier and Puritan_. + +52. Arbury Park, George Eliot Memorial + + Mr. W. H. STOKES + +Erected by Mr. F. A. Newdigate-Newdegate, M.P. Of rough grey stone, +recording the dates and places of her birth and death, and the words +“Lest we forget.” + +52a. Arbury Park, Caterina’s Walk + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + +Ch. 7. of _Mr. Gilfil’s Love Story_. + +52b. Arbury Park, The Rookery + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + +“The thick shades of the distant Rookery” where Caterina found the body +of Captain Wybrow. + +53. Astley church + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + +Astley is the “Knebley” church of _Mr. Gilfil’s Love Story_—“a wonderful +little church, with a checkered pavement which had once rung to the iron +tread of military monks.” (ch. 1). + +53a. Astley castle + + Mr. O. W. BARRY + and Mr. W. H. HOWELL + +“Knebley” castle. + +53b. Astley castle and gateway + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + +53c. Astley castle, the moat + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + + + +“Adam Bede.” + + +53d. Corley Hall farm, gates + + Mr. A. W. HOARE + + “Evidently that gate is never opened; . . . and if it were opened, it + is so rusty, that the force necessary to turn it on its hinges would + be likely to pull down the square stone-built pillars, to the + detriment of the two stone lionesses which grin with a doubtful + carnivorous affability above a coat of arms, surmounting each of the + pillars.”—_Adam Bede_, ch. 6. + +53e. Corley Hall farm, row of walnut trees + + Mr. A. W. HOARE + + “That grand double row of walnut trees on the right-hand of the + enclosure.”—_Adam Bede_, ch. 6. + + + +“Silas Marner.” + + +54–55. Bulkington, single hand-loom at + + Mr. A. W. HOARE + +Bulkington is possibly the village George Eliot had in mind in describing +Raveloe (_Silas Marner_). The photographs show a hand-loom used in Silas +Marner’s day. + + + + +***END OF THE PROJECT GUTENBERG EBOOK GEORGE ELIOT CENTENARY, NOVEMBER +1919*** + + +******* This file should be named 30959-0.txt or 30959-0.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/3/0/9/5/30959 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: George Eliot Centenary, November 1919 + + +Author: Coventry Libraries Committee + + + +Release Date: January 13, 2010 [eBook #30959] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK GEORGE ELIOT CENTENARY, NOVEMBER +1919*** +</pre> +<p>Transcribed from the 1919 Coventry Libraries Committee +catalogue by David Price, email ccx074@pglaf.org. Many +thanks to Nuneaton Library, UK, for allowing the use of their +copy to make this transcription.</p> +<h1>George Eliot Centenary,<br /> +<span class="smcap">November</span>, 1919.</h1> +<div class="gapshortline"> </div> +<p>Catalogue of . .</p> +<p style="text-align: center">RELICS, MANUSCRIPTS,<br /> +PRINTS, PAINTINGS,<br /> +PHOTOGRAPHS & BOOKS</p> +<p style="text-align: center"><span class="smcap">relating +to</span></p> +<p style="text-align: center">GEORGE ELIOT,</p> +<p style="text-align: center"><span class="smcap">exhibited +in</span></p> +<p style="text-align: center">St. Mary’s Hall. +Coventry.</p> +<div class="gapshortline"> </div> +<p style="text-align: center"><span class="smcap">coventry +libraries committee</span>.</p> +<h2><!-- page 2--><a name="page2"></a><span class="pagenum">p. +2</span>PREFATORY NOTE.</h2> +<p>The Exhibition has special reference to George Eliot’s +residence in Coventry, and to the Coventry circle of which she +was the most distinguished member.</p> +<p>Visitors are requested not to touch the exhibits. +Copying or sketching or photographing any exhibit is +prohibited.</p> +<h2><!-- page 3--><a name="page3"></a><span class="pagenum">p. +3</span>RELICS, PORTRAITS, MANUSCRIPTS,<br /> +<span class="smcap">exhibited in</span><br /> +MUNIMENT ROOM.</h2> +<h3>Family Portraits and Records.</h3> +<h4>CASE 1.</h4> +<p>1. Portrait of Robert Evans.</p> +<p style="text-align: right"><i>Lent by Canon Evans</i>, +<i>Bedworth</i>.</p> +<p class="gutcom">Father of G. E., and prototype of <i>Adam +Bede</i>.</p> +<p>2. Diaries of Robert Evans (“Adam +Bede”).</p> +<p style="text-align: right"><i>Lent by Mr. Walter P. Evans</i>, +<i>Leamington</i>.</p> +<h4>CASE 2.</h4> +<p>3. Portrait of Isaac P. Evans.</p> +<p style="text-align: right"><i>Lent by Canon Evans</i>, +<i>Bedworth</i>.</p> +<p class="gutcom">G. E’s brother; original of “Tom +Tulliver.”</p> +<p>3a. Another portrait of Isaac P. Evans.</p> +<p style="text-align: right">Lent by Mr. W. P. Evans, +Leamington.</p> +<h4>CASE 3.</h4> +<p>4. Portrait of George Eliot, with portrait of her +father, Robert Evans.</p> +<p style="text-align: right"><i>Lent by National Portrait +Gallery</i>.</p> +<p class="gutcom">Drawn in 1842 by Mrs. Charles Bray.</p> +<h4>CASE. 4.</h4> +<p>5. Portrait of George Eliot, 1850, fr. painting by M. +D’Albert.</p> +<p style="text-align: right"><i>Lent by Mrs. Herbert Draper</i>, +<i>Kenilworth</i>.</p> +<p>6. George Eliot’s portrait (after Sir F. +Burton).</p> +<p style="text-align: right"><i>Lent by Mrs. Herbert Draper</i>, +<i>Kenilworth</i>.</p> +<p class="gutcom">G. E.’s. gift to Mrs. Bray</p> +<p>6a. Pencil drawing from shadow thrown by cast of G. +Eliot, by Miss Sara S. Hennell. Presented by Mr. Warwick +Draper.</p> +<h4>WALL BOOK CASE 1.</h4> +<p>6b. Oil painting of Miss Everard, G. Eliot’s +aunt.</p> +<p style="text-align: right">Lent by Canon Evans.</p> +<p class="gutcom">Caricutured as Aunt Glegg (<i>Mill on the +Floss</i>).</p> +<h3><!-- page 4--><a name="page4"></a><span class="pagenum">p. +4</span>Holographs.</h3> +<h4>CASE 5.</h4> +<p>10. Holograph letters of George Eliot.</p> +<p style="text-align: right"><i>Lent by Mr. A. E. +Fridlander</i>.</p> +<p class="gutcom">See typewritten copies exhibited.</p> +<p>11. Holograph letter to Mrs. Bray.</p> +<p style="text-align: right"><i>Lent by Mrs. Herbert Draper</i>, +<i>Kenilworth</i>.</p> +<p class="gutcom">Written Sept., 1876, after she returned from +abroad; describing some part of the journey.</p> +<h4>CASE 6.</h4> +<p>12. Holograph letters.</p> +<p style="text-align: right"><i>Lent by Mr. Frederic +Harrison</i>, <i>Bath</i>.</p> +<p class="gutcom">Two of the letters are on Positivist affairs; +three refer to the legal advice given to G. E. by Mr. Harrison in +constructing the plot of <i>Felix Holt</i> (<i>George +Eliot’s Life</i>, by Cross, v. 3: 258); the last letter was +written during her mourning for G. H. Lewes.</p> +<h4>CASE 7.</h4> +<p>15. Favourite airs copied by G. Eliot.</p> +<p style="text-align: right"><i>Lent by Miss Evans</i>, +<i>Leamington</i>.</p> +<p class="gutcom">Holographic throughout.</p> +<p>16. Receipt given by G. E. in connection with her +father’s will.</p> +<p style="text-align: right">Lent by Mr. W. P. Evans, +Leamington.</p> +<h3>Association Items and Books.</h3> +<p>18. Statuette of Christ, after Thorwaldsen.</p> +<p style="text-align: right"><i>Lent by Mrs. Herbert +Draper</i>.</p> +<p class="gutcom">At one time belonged to G. E., and is +associated with her translation of Strauss, Life of Jesus.</p> +<p>19. Ring worn by George Eliot in memory of her +mother.</p> +<p style="text-align: right"><i>Lent by Miss Evans</i>, +<i>Leamington</i>.</p> +<p class="gutcom">Inscribed inside, “In memory of +Christiana Evans.”</p> +<p>20. Portrait of Mr. Edward Simms, G. Eliot’s music +master.</p> +<p style="text-align: right">Lent by Coventry Libraries.</p> +<p>25. Defoe’s “History Of the +Devil.”</p> +<p style="text-align: right"><i>Lent by Canon Evans</i>, +<i>Bedworth</i>.</p> +<p class="gutcom">G. E’s. own copy; it is referred to in +<i>Mill on the Floss</i>, ch. 3.</p> +<p>25a. A Kempis, De Imitatione Christi.</p> +<p style="text-align: right">Presented by Mr. Warwick Draper.</p> +<p class="gutcom">G. Eliot’s own copy, acquired at +Coventry, 1849, given to Miss Sara S. Hennell, 1851, and at Mrs. +Bray’s death came into the possession of Mr. Warwick +Draper. See <i>Mill on the Floss</i>, bk. 4, ch. 3.</p> +<h4>CASE 8.</h4> +<p>26. Bacon’s “Essays,” 1828.</p> +<p style="text-align: right"><i>Lent by Coventry +Libraries</i>.</p> +<p class="gutcom">Autograph on flyleaf “Mary Ann +Evans.”</p> +<p><!-- page 5--><a name="page5"></a><span class="pagenum">p. +5</span>27. Newspaper cuttings collected by George +Eliot.</p> +<p style="text-align: right"><i>Lent by Coventry +Libraries</i></p> +<p class="gutcom">With her own contributions to the +“Coventry Herald” at the end. The book bears +the signature, in pencil, of J. Hennell.</p> +<p>28. “Silas Marner,” <i>First edition</i>, +1861.</p> +<p style="text-align: right"><i>Lent by Coventry +Libraries</i>.</p> +<p class="gutcom">Inscribed: “Caroline Bray from Mr. Lewes +June 22 ’61,” in G. Eliot’s handwriting.</p> +<p>29. “The Legend of Jubal and other poems,” +<i>First edition</i>, 1874.</p> +<p style="text-align: right"><i>Lent by Coventry +Libraries</i>.</p> +<p class="gutcom">Inscribed: “Caroline Bray May 1874, with +the author’s compliments.”</p> +<p>30. “Impressions of Theophrastus Such,” +<i>First edition</i>, 1879.</p> +<p style="text-align: right"><i>Lent by Coventry +Libraries</i>.</p> +<p class="gutcom">Inscribed: “Caroline Bray, from the +author, Eastbourne, May 29, 1879.”</p> +<p>31. “Essays and leaves from a note-book,” +<i>First edition</i>, 1884.</p> +<p style="text-align: right"><i>Lent by Coventry +Libraries</i>.</p> +<p class="gutcom">Inscribed. “Mrs. Charles Bray from +C. L. Lewes, Feb., 1884.” C. L. L. was the son of G. +H. Lewes.</p> +<h4>CASE 9.</h4> +<p>32. Pen used in Italy by G. Eliot, and covered there +with silk and beads.</p> +<p style="text-align: right">Lent by Mr. T. H. Allen, +Coventry.</p> +<p>33. Musical Box, reputed to be Uncle Pullet’s.</p> +<p style="text-align: right">Lent by Mrs. W. W. Orton.</p> +<p class="gutcom">(<i>Mill on the Floss</i>), see +newscutting.</p> +<p>34. Water colour sketch of attic at Griff—Maggie +Tulliver’s favourite retreat.</p> +<p style="text-align: right">Lent by Mr. W. P. Evans, +Leamington.</p> +<h4>WALL BOOKCASE 2.</h4> +<h5>Silhouettes of Characters in “Janet’s +Repentance.”</h5> +<p style="text-align: right"><i>Lent by Miss Robinson</i>, +<i>Chilvers Coton</i>.</p> +<p>36. Mrs. J. W. Buchanan (“Janet +Dempster.”)</p> +<p>37. James Buchanan (“Lawyer Dempster.”)</p> +<p>38. Mrs. George Buchanan.</p> +<p>39. Mrs. Robinson (“Mrs. Pettifer.”)</p> +<p>40. T. Bull (“Mr. Fred Phipps.”)</p> +<p>41. John Craddock (“Mr. Landor.”)</p> +<p>42. John Towle (“Mr. Lowme.”)</p> +<h4>WALL BOOKCASE 1.</h4> +<p>50. Portrait of Mrs. Robinson.</p> +<p style="text-align: right"><i>Lent by Miss Robinson</i>, +<i>Chilvers Coton</i>.</p> +<p class="gutcom">Mrs. R. was the original of Mrs. Pettifer +(<i>Janet’s Repentance</i>).</p> +<h3><!-- page 6--><a name="page6"></a><span class="pagenum">p. +6</span>Hennell and Bray Families.</h3> +<h4>CASE 9.</h4> +<p>57. Silhouette miniatures of Mr. and Mrs. James Hennell +of Hackney.</p> +<p style="text-align: right"><i>Lent by Mrs. Herbert +Draper</i>.</p> +<p class="gutcom">Father and mother of Mrs. Bray and Miss Sara +Hennell.</p> +<p>58. Miniatures of Mr. and Mrs. Samuel Hennell.</p> +<p style="text-align: right"><i>Lent by Mrs. Herbert +Draper</i>.</p> +<h4>CASE 10.</h4> +<p>58a. Water colour sketch of Mrs. Hennell.</p> +<p style="text-align: right">Lent by Miss Mary Scampton.</p> +<p>59. Portrait of Eliza Hennell.</p> +<p style="text-align: right"><i>Lent by Mrs. Herbert +Draper</i>.</p> +<p class="gutcom">Author of “Tale of the Alps,” also +exhibited.</p> +<p>60. Home of Mr. and Mrs. Sam Hennell, Coventry.</p> +<p style="text-align: right"><i>Lent by Mrs. Herbert +Draper</i>.</p> +<p class="gutcom">Uncle and Aunt of Mrs. Charles Bray.</p> +<p>61. Wilson, Capt., “History of Prince Lee +Boo,” 1812.</p> +<p style="text-align: right"><i>Lent by Coventry +Libraries</i>.</p> +<p class="gutcom">Inscribed: “Eliza Hennell, March 7th, +1815.”</p> +<p>62. Hennell, Eliza. “Tale of the +Alps,” a romance [original MS.]</p> +<p style="text-align: right"><i>Lent by Coventry +Libraries</i>.</p> +<p class="gutcom">This little work was composed by E. H., written +in her own handwriting, and bound by her when she was fourteen +years of age. Inscribed: “Eliza Hennell, April 10th, +1819</p> +<h4>CASE 11.</h4> +<p>62a. Three water colour sketches of the Hennells’ +Hackney home, by Miss Sara Hennell.</p> +<p style="text-align: right">Lent by Miss Mary Scampton.</p> +<p>62b. Water colour sketch of Hackney chapel, attended by +the Hennells, by Miss Sara Hennell.</p> +<p style="text-align: right">Lent by Miss Mary Scampton.</p> +<p>63. Portrait of Charles Bray, at 50.</p> +<p style="text-align: right"><i>Lent by Mrs. Herbert Draper</i>, +<i>Kenilworth</i>.</p> +<h4>WALL BOOKCASE 1.</h4> +<p>64. Mrs. Charles Bray, oil painting by Miss E. +Martin.</p> +<p style="text-align: right"><i>Lent by Mr. A. E. +Fridlander</i>.</p> +<h4>CASE 12.</h4> +<p>65. Miniature of Mrs. Charles Bray.</p> +<p style="text-align: right"><i>Lent by Miss Scampton</i>, +<i>Coventry</i>.</p> +<p class="gutcom">Painted by Mrs. Bray’s sister, Sara S. +Hennell, c. 1836. Mrs. Bray was G. E’s Coventry +friend.</p> +<p>65a. Water colour portrait of Mrs. Bray, by Miss Sara S. +Hennell.</p> +<p style="text-align: right">Lent by Miss Mary Scampton.</p> +<p><!-- page 7--><a name="page7"></a><span class="pagenum">p. +7</span>66. Water colour portrait of Charles Bray.</p> +<p style="text-align: right"><i>Lent by Mrs. Herbert +Draper</i>.</p> +<p>66a. Miniature portrait of Mrs. Charles Bray, by +herself, c. 1853.</p> +<p style="text-align: right">Lent by Mr. A. E. Fridlander.</p> +<h4>CASE 13.</h4> +<p>66b. Water colour portrait of Miss Sara S. Hennell, by +herself.</p> +<p style="text-align: right">Lent by Miss Mary Scampton.</p> +<p>67. Portrait of Mrs. Bray and Miss Sara Hennell, +1897.</p> +<p style="text-align: right">Lent by Miss Mary Scampton.</p> +<p>68. Water colour portrait of Miss Sara Hennell.</p> +<p style="text-align: right"><i>Lent by Mrs. H. Draper</i>.</p> +<h4>CASE 14.</h4> +<p>68a. C. C. Hennell’s “Inquiry.”</p> +<p style="text-align: right">Lent by Mr. A. E. Fridlander.</p> +<p class="gutcom">Inscribed, “Sara Sophia Hennell, 1st +January, 1846.”</p> +<p>68b. Three water colour sketches of +“Rosehill,” the Coventry home of the Brays.</p> +<p style="text-align: right">Lent by Miss Mary Scampton.</p> +<h4>CASE 15.</h4> +<p>69. Portrait of Miss Brabant, afterwards Mrs. C. C. +Hennell.</p> +<p style="text-align: right"><i>Lent by Mrs. H. Draper</i>.</p> +<p>70. Portrait of Miss Julia Smith.</p> +<p style="text-align: right"><i>Lent by Mrs. H. Draper</i>.</p> +<p class="gutcom">A valued friend of G. E., and sister of Mme. +Bodichon.</p> +<p>71. Three water colour sketches by Miss Sara. S. +Hennell.</p> +<p style="text-align: right">Lent by Miss Mary Scampton.</p> +<p class="gutcom">Made during a Scottish tour with G. Eliot and +Mr. and Mrs. Bray.</p> +<h4>CASE 16.</h4> +<p>72. Romola, 3 vols., extra illustrated.</p> +<p style="text-align: right">Lent by Coventry Libraries.</p> +<h3>PICTURES ON WALL.</h3> +<p>73. Water colour of Griff Hollows, “The Red +Deeps,” 1876, by Miss Patty Townsend.</p> +<p style="text-align: right">Lent by Nuneaton Art Gallery.</p> +<p>74. Water colour sketch—Lawyer Dempster’s +house, by Thomas Wakeman.</p> +<p style="text-align: right">Lent by Nuneaton Art Gallery.</p> +<p>75. Water colour drawing—Chilvers Coton church, by +Thomas Wakeman.</p> +<p style="text-align: right">Lent by Nuneaton Art Gallery.</p> +<p>76. Water colour drawing—South Farm, Arbury, by +Thomas Wakeman.</p> +<p style="text-align: right">Lent by Nuneaton Art Gallery.</p> +<p>76. Series of photographs of G. Eliot country.</p> +<p style="text-align: right">Lent by Miss Robinson, Chilvers +Coton.</p> +<h2><!-- page 8--><a name="page8"></a><span class="pagenum">p. +8</span>PHOTOGRAPHIC SURVEY<br /> +<span class="smcap">of</span><br /> +GEORGE ELIOT’S WARWICKSHIRE<br /> +<span class="smcap">by members of the</span><br /> +COVENTRY PHOTOGRAPHIC SOCIETY.</h2> +<h3>Arbury, South Farm.</h3> +<p style="text-align: right"><i>Photographed by</i></p> +<p>Arbury Farm is on the Arbury Estate. Robert Evans, the +novelist’s father, lived there from 1806 to 1820 as land +agent to the estate. George Eliot was born here on November +22nd, 1819, but was taken to live at Griff House four +months’ later. The farm has been much altered.</p> +<p>1. Arbury Farm, view from garden</p> +<p style="text-align: right">Miss <span class="smcap">C. +Norton</span></p> +<p>2. Arbury Farm, view from garden</p> +<p style="text-align: right">Mr. <span class="smcap">G. H. +Osborne</span>.</p> +<h3>Griff House.</h3> +<p>George Eliot’s home from 1820 to 1841. The house +has not been greatly altered. “It was a delightful +place to grow up in, and over and above the charms of the house, +farm, garden and fields, there was the high road just in front of +the gate, where she and her brother stood and watched the +mail-coach pass twice a day.” At the back of the +house is “a large, old-fashioned farm-house garden, where +flowers, vegetables, fruits and trees grow in friendly +confusion—just the kind of garden in which Hetty Sorrel +gathered red currants.”—<i>Deakin</i>, <i>Early Life +of G. E.</i>, p. 5, 9. The dairy is known as “Mrs. +Poyser’s,” but it was erected after G. Eliot left +Griff. The “Round Pond,” into which Maggie +Tulliver pushed Lucy and where Maggie and Tom used to fish, is in +a field adjoining. Griff Hollows is the “Red +Deeps” of the <i>Mill on the Floss</i>.</p> +<p>3. Griff House</p> +<p style="text-align: right">Mr. <span class="smcap">G. H. +Osborne</span></p> +<p class="gutcom">The window of the attic to which Maggie fled +when in trouble (<i>Mill on the Floss</i>) is shown on the gable +end, where the flagstaff is fixed.</p> +<p>4–5. Griff House</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span> (4)<br /> +Mr. <span class="smcap">S. T. Shipway</span> (5)</p> +<p>6–7. Griff House</p> +<p style="text-align: right">Miss <span class="smcap">M. +Imison</span> (6)<br /> +Mr. <span class="smcap">A. W. Hoare</span> (7)</p> +<p>8. Griff House, dairy</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span></p> +<p>9. Griff House, dairy, interior</p> +<p style="text-align: right">Mr. <span class="smcap">L. P. +Wilson</span></p> +<p class="gutcom">The Dairy is known as “Mrs. +Poyser’s,” but it was erected after G. Eliot left +Griff.</p> +<p><!-- page 9--><a name="page9"></a><span class="pagenum">p. +9</span>10. Griff House, garden seat</p> +<p style="text-align: right">Mr. <span class="smcap">A. H. +Howell</span></p> +<blockquote><p>The little summer house at the end of the Yew-tree +walk; in just such a place Dorothea found her husband after his +death.</p> +<p style="text-align: right">—(<i>Middlemarch</i>).</p> +</blockquote> +<p>11. Griff House, round pond</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p class="gutcom">The pool into which Maggie Tulliver pushed +Lucy, and where Maggie and Tom used to fish, is in a field +adjoining the house.</p> +<p>12. Griff Hollows</p> +<p style="text-align: right">Mr. <span class="smcap">L. P. +Wilson</span></p> +<p>13. Griff Hollows</p> +<p style="text-align: right">Miss <span class="smcap">M. +Imison</span></p> +<p class="gutcom">The “Red Deeps” of <i>The Mill on +the Floss</i>, the meeting place of Maggie Tulliver and Philip +Wakem.</p> +<h3>George Eliot’s Schooldays.</h3> +<p>14. Griff, the Dame School</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span></p> +<p class="gutcom">George Eliot’s first school, which she +attended with her brother until she was five years old. Her +second school (Miss Lathom’s Boarding School at +Attleborough) has not been identified.</p> +<p>15–16. Nuneaton, The Elms</p> +<p style="text-align: right">Miss <span class="smcap">C. +Norton</span></p> +<p class="gutcom">George Eliot’s third school, near +Nuneaton Church. She attended it with her sister Chrissy +until 1832, when she went to Coventry.</p> +<p>17. Coventry, house of Rev. Francis Franklin, Cow +Lane</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p class="gutcom">In 1832 was transferred from The Elms, +Nuneaton, to a school in Coventry, kept by the two Miss +Franklins, daughters of The Rev. Francis Franklin, Minister of +Cow Lane Chapel. Mr. Franklin was the prototype of Rufus +Lyon (<i>Felix Holt</i>).</p> +<p>18. Coventry, back of minister’s house, Cow +Lane</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p>19. Coventry, memorial tablet to Rev. Francis Franklin, +Cow Lane Chapel</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p>20. Bust of George Whitfield, at one time in Mr. +Franklin’s house</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span></p> +<blockquote><p>“A black bust with a coloured face, which +for some reason or other was covered with green +gauze.” “That,” said Mr. Lyon, “is +the eminent George Whitfield . . . Providence ordained that the +good man should squint; and my daughter has not yet learned to +bear with this infirmity.”—<i>Felix Holt</i>, ch. +v.</p> +</blockquote> +<p>21. Coventry, Nantglyn, Warwick Row</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p class="gutcom">The Misses Franklin’s school was at this +address. George Eliot left this school in 1835.</p> +<h3><!-- page 10--><a name="page10"></a><span class="pagenum">p. +10</span>George Eliot’s Coventry Home and Circle.</h3> +<p>In March, 1841, Robert Evans and his daughter came to live in +the Foleshill Road, until her father died in 1849. The +house is known as Bird Grove, and has been much altered.</p> +<p>22. Coventry, Bird Grove</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p>22a. Coventry, gates of Bird Grove</p> +<p style="text-align: right">Mr. <span class="smcap">J. +Bradbury</span></p> +<p>23. Coventry, Bird Grove, window of George Eliot’s +study over entrance</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span></p> +<p>24–25. Coventry, Bird Grove, study and bedroom</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span> (24)<br /> +Mr. <span class="smcap">S. T. Shipway</span> (25)</p> +<p>26. Coventry, Bird Grove, room used by G. Eliot as +drawing room</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p>27. Coventry, Bird Grove, study</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p>28. Coventry, Bird Grove, interior</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p>29. Coventry, “Rosehill”</p> +<p style="text-align: right">Mr. <span class="smcap">L. P. +Wilson</span></p> +<p class="gutcom">George Eliot first visited +“Rosehill,” the home of the Brays, on November 2nd, +1841. There is an interesting account of this visit in +Bray’s <i>Autobiography</i>, p. 76. The Brays and the +Hennells exerted an important influence on her life.</p> +<p>30. Coventry, Ivy Cottage,</p> +<p style="text-align: right">Mr. <span class="smcap">L. P. +Wilson</span></p> +<p class="gutcom">The home of the Hennell family; adjoins +“Rosehill.”</p> +<h3>Scenes of Clerical Life.</h3> +<p>Nuneaton is the Milby of <i>Janet’s +Repentance</i>. There is an amusing description of a Sunday +morning service at the church at the beginning of the story.</p> +<p>31–32. Nuneaton church, exterior and interior</p> +<p style="text-align: right">Miss <span class="smcap">C. +Norton</span></p> +<p>33–34. Nuneaton church and vicarage</p> +<p style="text-align: right">Miss <span class="smcap">C. +Norton</span></p> +<p>35. Nuneaton, Lawyer Dempster’s house</p> +<p style="text-align: right">Miss <span class="smcap">C. +Norton</span></p> +<p class="gutcom">No. 35 Church Street, the Orchard Street of +<i>Janet’s Repentance</i>. The original of Dempster +was a Mr. Buchanan.</p> +<p>36–37. Nuneaton, Dempster’s house, other +views</p> +<p style="text-align: right">Miss <span class="smcap">C. +Norton</span></p> +<p>38. Nuneaton, garden of Dempster’s house</p> +<p style="text-align: right">Mr. <span class="smcap">A. H. +Howell</span></p> +<p>39. Nuneaton, grotto in Dempster’s garden</p> +<p style="text-align: right">Mr. <span class="smcap">A. H. +Howell</span></p> +<p><!-- page 11--><a name="page11"></a><span class="pagenum">p. +11</span>40. Chilvers Coton church</p> +<p style="text-align: right">Miss <span class="smcap">C. +Norton</span></p> +<p class="gutcom">The “Shepperton” church of <i>Amos +Barton</i>. George Eliot was baptised here. The tenor +bell was hung in her memory (1909). “The little +flight of steps with their wooden rail running up the outer wall +and leading to the children’s gallery,” is still in +existence.</p> +<p>41. Chilvers Coton church</p> +<p style="text-align: right">Mr. <span class="smcap">A. H. +Howell</span></p> +<p>42. Chilvers Coton church, interior</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p>43. Chilvers Coton church, children’s +gallery</p> +<p style="text-align: right">Mr. <span class="smcap">G. H. +Osborne</span></p> +<p>44. Chilvers Coton vicarage, garden</p> +<p style="text-align: right">Mr. <span class="smcap">A. H. +Howell</span></p> +<p class="gutcom">The open window belongs to the room in which +“Milly Barton” died.</p> +<p>45. Chilvers Coton vicarage and church</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p>46. Chilvers Coton churchyard, Emma Gwyther’s +grave</p> +<p style="text-align: right">Mr. <span class="smcap">S. T. +Shipway</span></p> +<p class="gutcom">Mrs. Gwyther was the original of “Milly +Barton” of <i>The Sad fortunes of Amos Barton</i>, one of +the most touching stories in English literature. The +inscription is transcribed in full in Olcott’s <i>George +Eliot</i>, <i>scenes and people in her novels</i>.</p> +<p>47. Chilvers Coton churchyard, Emma Gwyther’s +grave</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span></p> +<p>48–48a. Chilvers Coton churchyard, tomb of Robert +(“Adam Bede”) and Christiana Evans.</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span> (48)<br /> +Mr. <span class="smcap">A. Hunt</span> (48a)</p> +<p>49. Chilvers Coton churchyard, tomb of Sarah and Isaac +Pearson Evans (“Tom Tulliver” and his wife)</p> +<p style="text-align: right">Mr. <span class="smcap">A. H. +Howell</span></p> +<p>50. Chilvers Coton church, extract from parish +register</p> +<p style="text-align: right">Mr. <span class="smcap">W. H. +Stokes</span></p> +<p class="gutcom">Recording the marriage of Edward Clark and G. +Eliot’s sister Chrissy, “Celia” of +<i>Middlemarch</i>. The signatures include those of the +Rev. John Gwyther (“Amos Barton”), Robert Evans +(“Adam Bede”), Mary Ann Evans (the novelist), and +Isaac P. Evans (“Tom Tulliver”—see No. 49).</p> +<p>51. Arbury Hall</p> +<p style="text-align: right">Mr. <span class="smcap">W. H. +McLauchlan</span><br /> +and Mr. <span class="smcap">W. H. Stokes</span></p> +<p class="gutcom">A copy of an older photograph; the view is not +the same to-day. This is the “Cheverel Manor” +of <i>Mr. Gilfil’s Love Story</i>. Arbury is the home +of the Newdegate family. Robert Evans, father of George +Eliot, was land agent for the Newdegate estate. This +“castellated house of grey-tinted stone is described +beautifully in the <i>Love Story</i>, ch. 2. See also three +books by Lady Newdigate-Newdegate: <i>The Cheverels of Cheverel +Manor</i>; <i>Gossip from a Muniment Room</i>; and <i>Cavalier +and Puritan</i>.</p> +<p><!-- page 12--><a name="page12"></a><span class="pagenum">p. +12</span>52. Arbury Park, George Eliot Memorial</p> +<p style="text-align: right">Mr. <span class="smcap">W. H. +Stokes</span></p> +<p class="gutcom">Erected by Mr. F. A. Newdigate-Newdegate, +M.P. Of rough grey stone, recording the dates and places of +her birth and death, and the words “Lest we +forget.”</p> +<p>52a. Arbury Park, Caterina’s Walk</p> +<p style="text-align: right">Mr. <span class="smcap">W. H. +McLauchlan</span><br /> +and Mr. <span class="smcap">W. H. Stokes</span></p> +<p class="gutcom">Ch. 7. of <i>Mr. Gilfil’s Love +Story</i>.</p> +<p>52b. Arbury Park, The Rookery</p> +<p style="text-align: right">Mr. <span class="smcap">W. H. +McLauchlan</span><br /> +and Mr. <span class="smcap">W. H. Stokes</span></p> +<p class="gutcom">“The thick shades of the distant +Rookery” where Caterina found the body of Captain +Wybrow.</p> +<p>53. Astley church</p> +<p style="text-align: right">Mr. <span class="smcap">W. H. +McLauchlan</span><br /> +and Mr. <span class="smcap">W. H. Stokes</span></p> +<p class="gutcom">Astley is the “Knebley” church of +<i>Mr. Gilfil’s Love Story</i>—“a wonderful +little church, with a checkered pavement which had once rung to +the iron tread of military monks.” (ch. 1).</p> +<p>53a. Astley castle</p> +<p style="text-align: right">Mr. <span class="smcap">O. W. +Barry</span><br /> +and Mr. <span class="smcap">W. H. Howell</span></p> +<p class="gutcom">“Knebley” castle.</p> +<p>53b. Astley castle and gateway</p> +<p style="text-align: right">Mr. <span class="smcap">W. H. +McLauchlan</span><br /> +and Mr. <span class="smcap">W. H. Stokes</span></p> +<p>53c. Astley castle, the moat</p> +<p style="text-align: right">Mr. <span class="smcap">W. H. +McLauchlan</span><br /> +and Mr. <span class="smcap">W. H. Stokes</span></p> +<h3>“Adam Bede.”</h3> +<p>53d. Corley Hall farm, gates</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span></p> +<blockquote><p>“Evidently that gate is never opened; . . . +and if it were opened, it is so rusty, that the force necessary +to turn it on its hinges would be likely to pull down the square +stone-built pillars, to the detriment of the two stone lionesses +which grin with a doubtful carnivorous affability above a coat of +arms, surmounting each of the pillars.”—<i>Adam +Bede</i>, ch. 6.</p> +</blockquote> +<p>53e. Corley Hall farm, row of walnut trees</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span></p> +<blockquote><p>“That grand double row of walnut trees on +the right-hand of the enclosure.”—<i>Adam Bede</i>, +ch. 6.</p> +</blockquote> +<h3>“Silas Marner.”</h3> +<p>54–55. Bulkington, single hand-loom at</p> +<p style="text-align: right">Mr. <span class="smcap">A. W. +Hoare</span></p> +<p class="gutcom">Bulkington is possibly the village George Eliot +had in mind in describing Raveloe (<i>Silas Marner</i>). +The photographs show a hand-loom used in Silas Marner’s +day.</p> +<p>***END OF THE PROJECT GUTENBERG EBOOK GEORGE ELIOT CENTENARY, NOVEMBER</p> +<pre> +1919*** + + +***** This file should be named 30959-h.htm or 30959-h.zip****** + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/3/0/9/5/30959 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: George Eliot Centenary, November 1919 + + +Author: Coventry Libraries Committee + + + +Release Date: January 13, 2010 [eBook #30959] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK GEORGE ELIOT CENTENARY, NOVEMBER +1919*** + + +Transcribed from the 1919 Coventry Libraries Committee catalogue by David +Price, email ccx074@pglaf.org. Many thanks to Nuneaton Library, UK, for +allowing the use of their copy to make this transcription. + + + + + + George Eliot Centenary, + NOVEMBER, 1919. + + + * * * * * + +Catalogue of . . + + RELICS, MANUSCRIPTS, + PRINTS, PAINTINGS, + PHOTOGRAPHS & BOOKS + + RELATING TO + + GEORGE ELIOT, + + EXHIBITED IN + + St. Mary's Hall. Coventry. + + * * * * * + + COVENTRY LIBRARIES COMMITTEE. + + + + +PREFATORY NOTE. + + +The Exhibition has special reference to George Eliot's residence in +Coventry, and to the Coventry circle of which she was the most +distinguished member. + +Visitors are requested not to touch the exhibits. Copying or sketching +or photographing any exhibit is prohibited. + + + + +RELICS, PORTRAITS, MANUSCRIPTS, +EXHIBITED IN +MUNIMENT ROOM. + + +Family Portraits and Records. + + +CASE 1. + + +1. Portrait of Robert Evans. + + _Lent by Canon Evans_, _Bedworth_. + +Father of G. E., and prototype of _Adam Bede_. + +2. Diaries of Robert Evans ("Adam Bede"). + + _Lent by Mr. Walter P. Evans_, _Leamington_. + + +CASE 2. + + +3. Portrait of Isaac P. Evans. + + _Lent by Canon Evans_, _Bedworth_. + +G. E's brother; original of "Tom Tulliver." + +3a. Another portrait of Isaac P. Evans. + + Lent by Mr. W. P. Evans, Leamington. + + +CASE 3. + + +4. Portrait of George Eliot, with portrait of her father, Robert Evans. + + _Lent by National Portrait Gallery_. + +Drawn in 1842 by Mrs. Charles Bray. + + +CASE. 4. + + +5. Portrait of George Eliot, 1850, fr. painting by M. D'Albert. + + _Lent by Mrs. Herbert Draper_, _Kenilworth_. + +6. George Eliot's portrait (after Sir F. Burton). + + _Lent by Mrs. Herbert Draper_, _Kenilworth_. + +G. E.'s. gift to Mrs. Bray + +6a. Pencil drawing from shadow thrown by cast of G. Eliot, by Miss Sara +S. Hennell. Presented by Mr. Warwick Draper. + + +WALL BOOK CASE 1. + + +6b. Oil painting of Miss Everard, G. Eliot's aunt. + + Lent by Canon Evans. + +Caricutured as Aunt Glegg (_Mill on the Floss_). + + + +Holographs. + + +CASE 5. + + +10. Holograph letters of George Eliot. + + _Lent by Mr. A. E. Fridlander_. + +See typewritten copies exhibited. + +11. Holograph letter to Mrs. Bray. + + _Lent by Mrs. Herbert Draper_, _Kenilworth_. + +Written Sept., 1876, after she returned from abroad; describing some part +of the journey. + + +CASE 6. + + +12. Holograph letters. + + _Lent by Mr. Frederic Harrison_, _Bath_. + +Two of the letters are on Positivist affairs; three refer to the legal +advice given to G. E. by Mr. Harrison in constructing the plot of _Felix +Holt_ (_George Eliot's Life_, by Cross, v. 3: 258); the last letter was +written during her mourning for G. H. Lewes. + + +CASE 7. + + +15. Favourite airs copied by G. Eliot. + + _Lent by Miss Evans_, _Leamington_. + +Holographic throughout. + +16. Receipt given by G. E. in connection with her father's will. + + Lent by Mr. W. P. Evans, Leamington. + + + +Association Items and Books. + + +18. Statuette of Christ, after Thorwaldsen. + + _Lent by Mrs. Herbert Draper_. + +At one time belonged to G. E., and is associated with her translation of +Strauss, Life of Jesus. + +19. Ring worn by George Eliot in memory of her mother. + + _Lent by Miss Evans_, _Leamington_. + +Inscribed inside, "In memory of Christiana Evans." + +20. Portrait of Mr. Edward Simms, G. Eliot's music master. + + Lent by Coventry Libraries. + +25. Defoe's "History Of the Devil." + + _Lent by Canon Evans_, _Bedworth_. + +G. E's. own copy; it is referred to in _Mill on the Floss_, ch. 3. + +25a. A Kempis, De Imitatione Christi. + + Presented by Mr. Warwick Draper. + +G. Eliot's own copy, acquired at Coventry, 1849, given to Miss Sara S. +Hennell, 1851, and at Mrs. Bray's death came into the possession of Mr. +Warwick Draper. See _Mill on the Floss_, bk. 4, ch. 3. + + +CASE 8. + + +26. Bacon's "Essays," 1828. + + _Lent by Coventry Libraries_. + +Autograph on flyleaf "Mary Ann Evans." + +27. Newspaper cuttings collected by George Eliot. + + _Lent by Coventry Libraries_ + +With her own contributions to the "Coventry Herald" at the end. The book +bears the signature, in pencil, of J. Hennell. + +28. "Silas Marner," _First edition_, 1861. + + _Lent by Coventry Libraries_. + +Inscribed: "Caroline Bray from Mr. Lewes June 22 '61," in G. Eliot's +handwriting. + +29. "The Legend of Jubal and other poems," _First edition_, 1874. + + _Lent by Coventry Libraries_. + +Inscribed: "Caroline Bray May 1874, with the author's compliments." + +30. "Impressions of Theophrastus Such," _First edition_, 1879. + + _Lent by Coventry Libraries_. + +Inscribed: "Caroline Bray, from the author, Eastbourne, May 29, 1879." + +31. "Essays and leaves from a note-book," _First edition_, 1884. + + _Lent by Coventry Libraries_. + +Inscribed. "Mrs. Charles Bray from C. L. Lewes, Feb., 1884." C. L. L. +was the son of G. H. Lewes. + + +CASE 9. + + +32. Pen used in Italy by G. Eliot, and covered there with silk and +beads. + + Lent by Mr. T. H. Allen, Coventry. + +33. Musical Box, reputed to be Uncle Pullet's. + + Lent by Mrs. W. W. Orton. + +(_Mill on the Floss_), see newscutting. + +34. Water colour sketch of attic at Griff--Maggie Tulliver's favourite +retreat. + + Lent by Mr. W. P. Evans, Leamington. + + +WALL BOOKCASE 2. + +Silhouettes of Characters in "Janet's Repentance." + + + _Lent by Miss Robinson_, _Chilvers Coton_. + +36. Mrs. J. W. Buchanan ("Janet Dempster.") + +37. James Buchanan ("Lawyer Dempster.") + +38. Mrs. George Buchanan. + +39. Mrs. Robinson ("Mrs. Pettifer.") + +40. T. Bull ("Mr. Fred Phipps.") + +41. John Craddock ("Mr. Landor.") + +42. John Towle ("Mr. Lowme.") + + +WALL BOOKCASE 1. + + +50. Portrait of Mrs. Robinson. + + _Lent by Miss Robinson_, _Chilvers Coton_. + +Mrs. R. was the original of Mrs. Pettifer (_Janet's Repentance_). + + + +Hennell and Bray Families. + + +CASE 9. + + +57. Silhouette miniatures of Mr. and Mrs. James Hennell of Hackney. + + _Lent by Mrs. Herbert Draper_. + +Father and mother of Mrs. Bray and Miss Sara Hennell. + +58. Miniatures of Mr. and Mrs. Samuel Hennell. + + _Lent by Mrs. Herbert Draper_. + + +CASE 10. + + +58a. Water colour sketch of Mrs. Hennell. + + Lent by Miss Mary Scampton. + +59. Portrait of Eliza Hennell. + + _Lent by Mrs. Herbert Draper_. + +Author of "Tale of the Alps," also exhibited. + +60. Home of Mr. and Mrs. Sam Hennell, Coventry. + + _Lent by Mrs. Herbert Draper_. + +Uncle and Aunt of Mrs. Charles Bray. + +61. Wilson, Capt., "History of Prince Lee Boo," 1812. + + _Lent by Coventry Libraries_. + +Inscribed: "Eliza Hennell, March 7th, 1815." + +62. Hennell, Eliza. "Tale of the Alps," a romance [original MS.] + + _Lent by Coventry Libraries_. + +This little work was composed by E. H., written in her own handwriting, +and bound by her when she was fourteen years of age. Inscribed: "Eliza +Hennell, April 10th, 1819 + + +CASE 11. + + +62a. Three water colour sketches of the Hennells' Hackney home, by Miss +Sara Hennell. + + Lent by Miss Mary Scampton. + +62b. Water colour sketch of Hackney chapel, attended by the Hennells, by +Miss Sara Hennell. + + Lent by Miss Mary Scampton. + +63. Portrait of Charles Bray, at 50. + + _Lent by Mrs. Herbert Draper_, _Kenilworth_. + + +WALL BOOKCASE 1. + + +64. Mrs. Charles Bray, oil painting by Miss E. Martin. + + _Lent by Mr. A. E. Fridlander_. + + +CASE 12. + + +65. Miniature of Mrs. Charles Bray. + + _Lent by Miss Scampton_, _Coventry_. + +Painted by Mrs. Bray's sister, Sara S. Hennell, c. 1836. Mrs. Bray was +G. E's Coventry friend. + +65a. Water colour portrait of Mrs. Bray, by Miss Sara S. Hennell. + + Lent by Miss Mary Scampton. + +66. Water colour portrait of Charles Bray. + + _Lent by Mrs. Herbert Draper_. + +66a. Miniature portrait of Mrs. Charles Bray, by herself, c. 1853. + + Lent by Mr. A. E. Fridlander. + + +CASE 13. + + +66b. Water colour portrait of Miss Sara S. Hennell, by herself. + + Lent by Miss Mary Scampton. + +67. Portrait of Mrs. Bray and Miss Sara Hennell, 1897. + + Lent by Miss Mary Scampton. + +68. Water colour portrait of Miss Sara Hennell. + + _Lent by Mrs. H. Draper_. + + +CASE 14. + + +68a. C. C. Hennell's "Inquiry." + + Lent by Mr. A. E. Fridlander. + +Inscribed, "Sara Sophia Hennell, 1st January, 1846." + +68b. Three water colour sketches of "Rosehill," the Coventry home of the +Brays. + + Lent by Miss Mary Scampton. + + +CASE 15. + + +69. Portrait of Miss Brabant, afterwards Mrs. C. C. Hennell. + + _Lent by Mrs. H. Draper_. + +70. Portrait of Miss Julia Smith. + + _Lent by Mrs. H. Draper_. + +A valued friend of G. E., and sister of Mme. Bodichon. + +71. Three water colour sketches by Miss Sara. S. Hennell. + + Lent by Miss Mary Scampton. + +Made during a Scottish tour with G. Eliot and Mr. and Mrs. Bray. + + +CASE 16. + + +72. Romola, 3 vols., extra illustrated. + + Lent by Coventry Libraries. + + + +PICTURES ON WALL. + + +73. Water colour of Griff Hollows, "The Red Deeps," 1876, by Miss Patty +Townsend. + + Lent by Nuneaton Art Gallery. + +74. Water colour sketch--Lawyer Dempster's house, by Thomas Wakeman. + + Lent by Nuneaton Art Gallery. + +75. Water colour drawing--Chilvers Coton church, by Thomas Wakeman. + + Lent by Nuneaton Art Gallery. + +76. Water colour drawing--South Farm, Arbury, by Thomas Wakeman. + + Lent by Nuneaton Art Gallery. + +76. Series of photographs of G. Eliot country. + + Lent by Miss Robinson, Chilvers Coton. + + + + +PHOTOGRAPHIC SURVEY +OF +GEORGE ELIOT'S WARWICKSHIRE +BY MEMBERS OF THE +COVENTRY PHOTOGRAPHIC SOCIETY. + + +Arbury, South Farm. + + + _Photographed by_ + +Arbury Farm is on the Arbury Estate. Robert Evans, the novelist's +father, lived there from 1806 to 1820 as land agent to the estate. +George Eliot was born here on November 22nd, 1819, but was taken to live +at Griff House four months' later. The farm has been much altered. + +1. Arbury Farm, view from garden + + Miss C. NORTON + +2. Arbury Farm, view from garden + + Mr. G. H. OSBORNE. + + + +Griff House. + + +George Eliot's home from 1820 to 1841. The house has not been greatly +altered. "It was a delightful place to grow up in, and over and above +the charms of the house, farm, garden and fields, there was the high road +just in front of the gate, where she and her brother stood and watched +the mail-coach pass twice a day." At the back of the house is "a large, +old-fashioned farm-house garden, where flowers, vegetables, fruits and +trees grow in friendly confusion--just the kind of garden in which Hetty +Sorrel gathered red currants."--_Deakin_, _Early Life of G. E._, p. 5, 9. +The dairy is known as "Mrs. Poyser's," but it was erected after G. Eliot +left Griff. The "Round Pond," into which Maggie Tulliver pushed Lucy and +where Maggie and Tom used to fish, is in a field adjoining. Griff +Hollows is the "Red Deeps" of the _Mill on the Floss_. + +3. Griff House + + Mr. G. H. OSBORNE + +The window of the attic to which Maggie fled when in trouble (_Mill on +the Floss_) is shown on the gable end, where the flagstaff is fixed. + +4-5. Griff House + + Mr. A. W. HOARE (4) + Mr. S. T. SHIPWAY (5) + +6-7. Griff House + + Miss M. IMISON (6) + Mr. A. W. HOARE (7) + +8. Griff House, dairy + + Mr. A. W. HOARE + +9. Griff House, dairy, interior + + Mr. L. P. WILSON + +The Dairy is known as "Mrs. Poyser's," but it was erected after G. Eliot +left Griff. + +10. Griff House, garden seat + + Mr. A. H. HOWELL + + The little summer house at the end of the Yew-tree walk; in just such + a place Dorothea found her husband after his death. + + --(_Middlemarch_). + +11. Griff House, round pond + + Mr. S. T. SHIPWAY + +The pool into which Maggie Tulliver pushed Lucy, and where Maggie and Tom +used to fish, is in a field adjoining the house. + +12. Griff Hollows + + Mr. L. P. WILSON + +13. Griff Hollows + + Miss M. IMISON + +The "Red Deeps" of _The Mill on the Floss_, the meeting place of Maggie +Tulliver and Philip Wakem. + + + +George Eliot's Schooldays. + + +14. Griff, the Dame School + + Mr. A. W. HOARE + +George Eliot's first school, which she attended with her brother until +she was five years old. Her second school (Miss Lathom's Boarding School +at Attleborough) has not been identified. + +15-16. Nuneaton, The Elms + + Miss C. NORTON + +George Eliot's third school, near Nuneaton Church. She attended it with +her sister Chrissy until 1832, when she went to Coventry. + +17. Coventry, house of Rev. Francis Franklin, Cow Lane + + Mr. S. T. SHIPWAY + +In 1832 was transferred from The Elms, Nuneaton, to a school in Coventry, +kept by the two Miss Franklins, daughters of The Rev. Francis Franklin, +Minister of Cow Lane Chapel. Mr. Franklin was the prototype of Rufus +Lyon (_Felix Holt_). + +18. Coventry, back of minister's house, Cow Lane + + Mr. S. T. SHIPWAY + +19. Coventry, memorial tablet to Rev. Francis Franklin, Cow Lane Chapel + + Mr. S. T. SHIPWAY + +20. Bust of George Whitfield, at one time in Mr. Franklin's house + + Mr. A. W. HOARE + + "A black bust with a coloured face, which for some reason or other + was covered with green gauze." "That," said Mr. Lyon, "is the + eminent George Whitfield . . . Providence ordained that the good man + should squint; and my daughter has not yet learned to bear with this + infirmity."--_Felix Holt_, ch. v. + +21. Coventry, Nantglyn, Warwick Row + + Mr. S. T. SHIPWAY + +The Misses Franklin's school was at this address. George Eliot left this +school in 1835. + + + +George Eliot's Coventry Home and Circle. + + +In March, 1841, Robert Evans and his daughter came to live in the +Foleshill Road, until her father died in 1849. The house is known as +Bird Grove, and has been much altered. + +22. Coventry, Bird Grove + + Mr. S. T. SHIPWAY + +22a. Coventry, gates of Bird Grove + + Mr. J. BRADBURY + +23. Coventry, Bird Grove, window of George Eliot's study over entrance + + Mr. A. W. HOARE + +24-25. Coventry, Bird Grove, study and bedroom + + Mr. A. W. HOARE (24) + Mr. S. T. SHIPWAY (25) + +26. Coventry, Bird Grove, room used by G. Eliot as drawing room + + Mr. S. T. SHIPWAY + +27. Coventry, Bird Grove, study + + Mr. S. T. SHIPWAY + +28. Coventry, Bird Grove, interior + + Mr. S. T. SHIPWAY + +29. Coventry, "Rosehill" + + Mr. L. P. WILSON + +George Eliot first visited "Rosehill," the home of the Brays, on November +2nd, 1841. There is an interesting account of this visit in Bray's +_Autobiography_, p. 76. The Brays and the Hennells exerted an important +influence on her life. + +30. Coventry, Ivy Cottage, + + Mr. L. P. WILSON + +The home of the Hennell family; adjoins "Rosehill." + + + +Scenes of Clerical Life. + + +Nuneaton is the Milby of _Janet's Repentance_. There is an amusing +description of a Sunday morning service at the church at the beginning of +the story. + +31-32. Nuneaton church, exterior and interior + + Miss C. NORTON + +33-34. Nuneaton church and vicarage + + Miss C. NORTON + +35. Nuneaton, Lawyer Dempster's house + + Miss C. NORTON + +No. 35 Church Street, the Orchard Street of _Janet's Repentance_. The +original of Dempster was a Mr. Buchanan. + +36-37. Nuneaton, Dempster's house, other views + + Miss C. NORTON + +38. Nuneaton, garden of Dempster's house + + Mr. A. H. HOWELL + +39. Nuneaton, grotto in Dempster's garden + + Mr. A. H. HOWELL + +40. Chilvers Coton church + + Miss C. NORTON + +The "Shepperton" church of _Amos Barton_. George Eliot was baptised +here. The tenor bell was hung in her memory (1909). "The little flight +of steps with their wooden rail running up the outer wall and leading to +the children's gallery," is still in existence. + +41. Chilvers Coton church + + Mr. A. H. HOWELL + +42. Chilvers Coton church, interior + + Mr. S. T. SHIPWAY + +43. Chilvers Coton church, children's gallery + + Mr. G. H. OSBORNE + +44. Chilvers Coton vicarage, garden + + Mr. A. H. HOWELL + +The open window belongs to the room in which "Milly Barton" died. + +45. Chilvers Coton vicarage and church + + Mr. S. T. SHIPWAY + +46. Chilvers Coton churchyard, Emma Gwyther's grave + + Mr. S. T. SHIPWAY + +Mrs. Gwyther was the original of "Milly Barton" of _The Sad fortunes of +Amos Barton_, one of the most touching stories in English literature. +The inscription is transcribed in full in Olcott's _George Eliot_, +_scenes and people in her novels_. + +47. Chilvers Coton churchyard, Emma Gwyther's grave + + Mr. A. W. HOARE + +48-48a. Chilvers Coton churchyard, tomb of Robert ("Adam Bede") and +Christiana Evans. + + Mr. A. W. HOARE (48) + Mr. A. HUNT (48a) + +49. Chilvers Coton churchyard, tomb of Sarah and Isaac Pearson Evans +("Tom Tulliver" and his wife) + + Mr. A. H. HOWELL + +50. Chilvers Coton church, extract from parish register + + Mr. W. H. STOKES + +Recording the marriage of Edward Clark and G. Eliot's sister Chrissy, +"Celia" of _Middlemarch_. The signatures include those of the Rev. John +Gwyther ("Amos Barton"), Robert Evans ("Adam Bede"), Mary Ann Evans (the +novelist), and Isaac P. Evans ("Tom Tulliver"--see No. 49). + +51. Arbury Hall + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + +A copy of an older photograph; the view is not the same to-day. This is +the "Cheverel Manor" of _Mr. Gilfil's Love Story_. Arbury is the home of +the Newdegate family. Robert Evans, father of George Eliot, was land +agent for the Newdegate estate. This "castellated house of grey-tinted +stone is described beautifully in the _Love Story_, ch. 2. See also +three books by Lady Newdigate-Newdegate: _The Cheverels of Cheverel +Manor_; _Gossip from a Muniment Room_; and _Cavalier and Puritan_. + +52. Arbury Park, George Eliot Memorial + + Mr. W. H. STOKES + +Erected by Mr. F. A. Newdigate-Newdegate, M.P. Of rough grey stone, +recording the dates and places of her birth and death, and the words +"Lest we forget." + +52a. Arbury Park, Caterina's Walk + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + +Ch. 7. of _Mr. Gilfil's Love Story_. + +52b. Arbury Park, The Rookery + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + +"The thick shades of the distant Rookery" where Caterina found the body +of Captain Wybrow. + +53. Astley church + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + +Astley is the "Knebley" church of _Mr. Gilfil's Love Story_--"a wonderful +little church, with a checkered pavement which had once rung to the iron +tread of military monks." (ch. 1). + +53a. Astley castle + + Mr. O. W. BARRY + and Mr. W. H. HOWELL + +"Knebley" castle. + +53b. Astley castle and gateway + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + +53c. Astley castle, the moat + + Mr. W. H. MCLAUCHLAN + and Mr. W. H. STOKES + + + +"Adam Bede." + + +53d. Corley Hall farm, gates + + Mr. A. W. HOARE + + "Evidently that gate is never opened; . . . and if it were opened, it + is so rusty, that the force necessary to turn it on its hinges would + be likely to pull down the square stone-built pillars, to the + detriment of the two stone lionesses which grin with a doubtful + carnivorous affability above a coat of arms, surmounting each of the + pillars."--_Adam Bede_, ch. 6. + +53e. Corley Hall farm, row of walnut trees + + Mr. A. W. HOARE + + "That grand double row of walnut trees on the right-hand of the + enclosure."--_Adam Bede_, ch. 6. + + + +"Silas Marner." + + +54-55. Bulkington, single hand-loom at + + Mr. A. W. HOARE + +Bulkington is possibly the village George Eliot had in mind in describing +Raveloe (_Silas Marner_). The photographs show a hand-loom used in Silas +Marner's day. + + + + +***END OF THE PROJECT GUTENBERG EBOOK GEORGE ELIOT CENTENARY, NOVEMBER +1919*** + + +******* This file should be named 30959.txt or 30959.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/3/0/9/5/30959 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. 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