diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 19:53:02 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 19:53:02 -0700 |
| commit | 57402878832f25b87070bff1c28f84c41d7a730f (patch) | |
| tree | a18a8ce881dcdd041574f7212954004810aaef9f | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 30045-0.txt | 384 | ||||
| -rw-r--r-- | 30045-h.zip | bin | 0 -> 325401 bytes | |||
| -rw-r--r-- | 30045-h/30045-h.htm | 646 | ||||
| -rw-r--r-- | 30045-h/images/001.png | bin | 0 -> 75022 bytes | |||
| -rw-r--r-- | 30045-h/images/002-1.jpg | bin | 0 -> 31755 bytes | |||
| -rw-r--r-- | 30045-h/images/002-2.jpg | bin | 0 -> 203150 bytes | |||
| -rw-r--r-- | 30045.txt | 778 | ||||
| -rw-r--r-- | 30045.zip | bin | 0 -> 13828 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/30045-h.zip | bin | 0 -> 325401 bytes | |||
| -rw-r--r-- | old/30045-h/30045-h.htm | 1063 | ||||
| -rw-r--r-- | old/30045-h/images/001.png | bin | 0 -> 75022 bytes | |||
| -rw-r--r-- | old/30045-h/images/002-1.jpg | bin | 0 -> 31755 bytes | |||
| -rw-r--r-- | old/30045-h/images/002-2.jpg | bin | 0 -> 203150 bytes | |||
| -rw-r--r-- | old/30045.txt | 778 | ||||
| -rw-r--r-- | old/30045.zip | bin | 0 -> 13828 bytes |
18 files changed, 3665 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/30045-0.txt b/30045-0.txt new file mode 100644 index 0000000..1b8175a --- /dev/null +++ b/30045-0.txt @@ -0,0 +1,384 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 30045 *** + +[Illustration] + + + _The climate was perfect, the sky was always + blue, and--best of all--nobody had to work. + What more could anyone want?_ + + +Planet of Dreams + +By James McKimmey, Jr. + +Illustrated by Paul Orban + + +It was a small world, a tiny spinning globe, placed in the universe to +weather and age by itself until the end of things. But because its air +was good and its earth was fertile, Daniel Loveral had placed a finger +upon a map and said, "This is the planet. This is the Dream Planet." + +That was two years before, back on Earth. And now Loveral with his +selected flock had shot through space, to light like chuckling geese +upon the planet, to feel the effect of their dreams come true. + +Loveral was sitting in his office, drumming his long fingers against his +desk while the name, Atkinson, ticked through his brain like the sound +of a sewing machine. + +Would he be the only one, Loveral asked himself, or was he just the +first? In either case, it was up to Loveral, as leader and guiding hand, +to stop this thing and stop it quickly. + +Loveral stood up and put on his jacket, although there was no need for +it, other than the formality it gave his figure. + +He stepped out of his office into a clear bright day, where the air was +clean and fresh in his lungs, at once like frost and fire and sweet +perfume. He walked along a winding path, which was bordered by +slim-necked flowers and a short hedge whose even clipped lines were kept +neat by tireless robot hands. + +Trees pointed to a blue sky, rocking and fluttering their leaves in a +soft breeze, and glinting metallic houses lay peacefully beyond in +wooded hollows and upon slight hills. + +A whole small world was before his eyes, set there upon his direction, +maintained by himself with the help of a dozen complex machines which +lay locked and sealed in the Maintenance Room for only his fingers to +touch. + +It was a busy life for Loveral, up at dawn to work until deep night, +keeping his flock happy and free from spirit-killing labor. But it was a +perfect plan, one which had been tested and turned in his mind for +years. If he had to work hard to keep it running smoothly, that was all +right. In fact, he had never been happier. + +Now, however, there was this business about Atkinson. Loveral was +disturbed about that. + +He walked on, over the quiet path which would lead to the house where +Atkinson and his wife lived. Loveral smiled, in readiness for any happy +face that might appear before him, to greet him, to show with thankful +eyes appreciation for his wonderful world. But that, too, brought +thoughts that were a bit disturbing. + +Lately there had been few such faces. Most of his flock no longer seemed +to care about walking along the cultivated paths, or smiling, or +nodding, or touching a leaf here or a flower there. They preferred, it +appeared, to remain deep inside their houses, as though they might have +become tired of the soft perfection of Dream Planet. As though they +might have become weary of quiet woods and sweet bird-music or a sky +which was always blue. + +Loveral shook his head as he walked, puzzling out his thoughts. It was +strange, but nothing to worry about certainly. + +Just this business about Atkinson. That was his only worry. + +He came slowly up a hill, the top of which held a low curving house, +with a silver roof and wide, sweeping windows. There were yellow and +blue and deep red flowers, skirting the sides of the house, and green +ivy grew thickly between the glistening windows. The lawn, dotted with +small leafy trees and round bushes, sloped down from the front of the +house, looking like a carefully arranged painting. + +Loveral pressed a button beside a shining door and waited, smiling +through his pale blue kindly eyes. + + * * * * * + +Mrs. Atkinson appeared after several moments and stood blinking at him. +She was a thin woman, who seemed to have gotten even thinner, Loveral +noticed. She was working her fingers at the neck of her dress. She +smiled but her lips wavered. + +"My dear," Loveral greeted her in his soft voice, showing the goodness +in his eyes. + +She nodded her recognition, opening her mouth without speaking. + +"May I?" said Loveral finally, waving his long fingers toward the living +room. + +"Oh, yes," said the woman. "Of course, Mr. Loveral." And as she spoke +Loveral had the impression she might suddenly begin crying. + +Loveral followed the woman into the house, noticing all over again the +precise way everything had been arranged. The rug was soft beneath his +feet, and the light came in through the windows in such a way that it, +too, became soft. The furniture, molded to hold a human body most +comfortably, rested about the room in perfect efficiency. + +"Your place is so lovely," Loveral said, out of his old habit from +Earth. But his words seemed to ring strangely in the quiet, because it +was his own arrangement, like all the other rooms on the planet. And +Mrs. Atkinson, standing thin and nervous before him, had nothing, after +all, to do with it. The cleanliness was the work of his robot machines, +the planning his own. It was like complimenting himself. + +He cleared his throat and stood, smiling his most benevolent smile to +reassure Mrs. Atkinson. + +"Ah, my dear. Is George about?" + +Again, the woman's hand skittered to her throat. + +"He's not ill, surely?" Loveral asked, although this, too, was silly, +because foods, selected and prepared for utmost nutrition, packed +and frozen to be doled out in weekly quantities, purified air, +disease-killing serums, simply written folders on exercise, and of +course Loveral's own philosophies of quiet, peaceful living--all of this +guarded well the health of Dream Planet's flock. + +The woman shook her head. "No, George is fine. He's just--sleeping, I +think." + +"Rest is nature's finest tonic," said Loveral, and hearing his voice +thought suddenly there was hardly anything he could say any more that +might not sound a bit out of place in this peaceful world. Rest to the +man who had nothing to do ceased to be a tonic. + +"Yes, yes," said Loveral. "May we just sit down, my dear?" + +Mrs. Atkinson jerked a hand toward one of the chairs and then wound her +fingers. + +Loveral sat down and leaned back, smiling his most charming smile. +"Perhaps George might awaken after a bit?" + +"Oh, yes," the woman said, her eyes flickering, and she sat upon the +edge of one chair, like a bird perched upon a thin wire. + +Loveral waited, legs crossed, leaning his head back against the silken +softness of the chair. It was so good to relax these days. The business +of watching and of caring for his flock was trying. When you have +brought an entire community of people at great expense through space, +guaranteeing to give them a life of constant comfort and ease, so that +they might dream and think as they wander through the flowers and the +leaves, their thoughts cleansed of worry about work and responsibility, +then you have a job. Loveral was most busy, busier than his heritage of +wealth ever before had allowed, seeing to all of this. + +But he also was most content--with everything except Atkinson. + +Mrs. Atkinson teetered on the edge of her chair, as though she might at +any moment go flying across the room in a crazy gyration. There was +something about her eyes, Loveral noticed, while he peacefully nodded in +the chair. Fear, perhaps. + +If so, he probably had been right. He tightened himself, listening. +There it was again. The sound. Just as he had heard it a day before when +he had passed near the house. He leaned forward quickly. + +Mrs. Atkinson jumped. + +Loveral smiled. "Didn't I hear a noise of some sort, my dear?" + +"Noise?" the woman said, as though her own voice were the sound of an +echo. + +"An odd noise," Loveral said, his eyes searching. + +The woman's hands fluttered about her dress. + +Loveral stood up. "Would you mind if I just glanced about, my dear?" + +The woman didn't answer, but Loveral was already moving across the room +toward a door. He opened it and walked down a hall. The noise grew +stronger. He threw open another door. + + * * * * * + +He stood watching while George Atkinson spun around, dark eyes flashing, +hair tousled. There was a two days' growth of beard darkening Atkinson's +face. + +"Why, George," Loveral said, swiftly examining the litter of metal and +wood which was spread over a table behind Atkinson. There was a +home-made hammer in Atkinson's hand. "What have we here, George?" + +"Something for you," Atkinson said, tightening his fingers about the +handle of the hammer. + +Loveral grinned his famous Loveral grin. "That's fine. What could it +be?" + +"None of your damned business." + +"_George_," Loveral said, his smile still white but his eyes narrow and +quick. + +The woman was behind them. Her voice screeched. "George, I told you. Why +didn't you listen, George? You should have listened to me. You--" + +Loveral held up a hand, still watching Atkinson. "Now tell me, George, +what is it you're making for me?" + +Atkinson raised the hammer slightly. + +Loveral stood very still. "That's a nice hammer, George." + +Atkinson's eyes were black beneath his thick brows. + +"You made that, didn't you?" Loveral asked. + +"Yes, I made that," Atkinson said. "I made that and I made something +else. Another minute and I'll have that finished, too." + +"George," said Loveral, stepping quietly forward, "I don't like to say +this, of course. You've been one of our very best members. But nobody +works here, George. We can't allow that. You know the rules." + +"I know the rules, all right." + +"Well, then," Loveral said, extending his hand toward the hammer, "we'll +just destroy this and whatever else you might have been making. We'll +just forget it ever happened. We'll get along real fine that way, +George. We'll just be such good friends." + +"We'll just go to hell," said Atkinson, snatching his hammer away. + +Loveral's smile disappeared. "I'll tell you, George. I have to mean +business with this. You know the reasons. If we allow anybody to work +here, then there's going to be trouble. That isn't our plan. We're here +to grow within ourselves and expand culturally. Not to commercialize a +beautiful world like Dream Planet." + +Atkinson stood unmoving, and Loveral could see the way the man's muscles +were tight, like steel springs, and the way his eyes burned deep inside +their blackness. + +"We've given you everything you need," Loveral explained, trying to +adjust the smile on his lips again. "Everybody has everything they want. +But, you see, if you sit there and work and make something that someone +else doesn't have, then the whole system is destroyed. Then someone will +want what you've made. We'll have jealousy and hatred and fighting. This +is the stuff of which wars are made, George. You know that. It starts +with small things like this, but it grows. When it does, the structure +of our life here will collapse. You wouldn't want that, would you, +George?" + +"Yes!" Atkinson said, his mouth white at the edges. "I'd like to see the +whole rotten thing collapsed and blown to hell!" + +Loveral's teeth snapped together and his lips grew tight. He could feel +a muscle jumping along his neck. + +Atkinson looked at him with furious eyes. "What do you think it's like, +living this way? You're busy working twenty-four hours a day, while we +wander around this damned prison like the breathing dead. You can feel +sweat and aches in your bones from a hard day's work. Sleep is like +medicine to you, instead of another stretch of torture. You can forget +your own brain for a while by doing something with your hands. You can +relax because you can get tired. Not us, by God. Not us!" + +"I envy you, George," Loveral said through his teeth. + +"Oh, like hell you do. You treat us like we were helpless infants. You +feed and clothe us and do all our work, and you're so happy you damned +near split your guts." + +"I'll take that, if you don't mind," Loveral said, reaching for the +hammer, his voice suddenly icy cold. + +Atkinson slammed back against the table. "No, you won't. You won't take +anything more at all. You've taken our spirit and our pride and the +strength right out of our spines. You won't take anything more!" + +"George?" Loveral said, but not moving any further. + +Atkinson slid the hammer back of him onto the table, and his hands were +searching among a dozen scattered pieces of metal and wood. He watched +Loveral as he worked. "Let me show you what else I've made," he said. + +"I'd hate to do it," Loveral said, "but I can stop your food, your +water, everything." + +Atkinson's hands moved swiftly, assembling the pieces. He nodded. "You +can, but you won't." + +"I have the only keys to the storage units. I control everything, +George." + +"Correction," said Atkinson, holding an assembled revolver in his hands. +"You _did_." + + * * * * * + +Loveral looked at what Atkinson had in his hands. He blinked. + +"You're nearly dead," Atkinson said. + +Loveral looked at Atkinson, into his eyes. "If you wanted to kill me, +you could have done it some other way." + +Atkinson shook his head. "Just this way. Just with something that took +me dozens of days and nights to make. With something that made me sweat +and swear to get. It was difficult--with no tools or proper +materials--but that made it all the better. Now I've got it finished," +he said, pushing a bullet into the chamber, "and ready to use." + +Loveral stood frozen, then he turned. "My dear," he said to the woman +who moved her mouth as though her voice had been pumped out of her. He +reached to touch her shoulder. She recoiled, as though his fingers held +poison. "George," he said, turning back to the black-eyed man. + +"This is a great moment," Atkinson said, lifting the muzzle of the +revolver. "When I squeeze the trigger, it'll be like blowing the lock +off a prison door. I'll go yelling to the others, and we'll smash down +the whole goddamned place. We'll smash it down, so we'll have to rebuild +it. We'll pull apart every robot you've got. We'll tear apart the food +lockers and have a celebration for a week, and when we've gotten sick +from too much food, we'll start growing some more with our own hands. +We'll make forges for the men and looms for the women. We'll burn our +clothes and make new ones. We'll grow corn in the fields. We'll pump +water from the ground. You're finished, Loveral." + +Loveral stared at the revolver. "George," he said, pleading. "The plans. +The beautiful, beautiful plans. All of you, you all wanted peace and +contentment. Time to think and dream. You all wanted to get away from +the work and the worry and the responsibility. You--" + +Atkinson fired the gun into Loveral's stomach. + +Loveral gestured at the air and fell to his knees. Atkinson threw his +gun through a window and grabbed his wife by the hand. "Hurry!" he said, +laughing. "Hurry!" + +Loveral felt of the blood on his shirt and rested on his knees. He could +hear footsteps, racing through the house and out to the yard. He held +out his bloody hand and looked at it. Atkinson's voice pealed through +the warm clear air. "He's dead! Loveral's dead!" + +There was a sound of sudden activity, and everywhere went the cry, +"Loveral's dead!" + +Loveral sank to his haunches and opened his lips. The blood was there, +too. He could hear the shouts and the laughter, and then the tearing of +steel, the smashing of glass. He bent over his knees, trembling with a +sudden chill. The sound of destruction grew like thunder. "Why?" he said +in his dying throat. "Oh, why? It was what they said they wanted." + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _If Worlds of Science Fiction_ + September 1953. Extensive research did not uncover any evidence that + the U.S. copyright on this publication was renewed. Minor spelling + and typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Planet of Dreams, by James McKimmey + +*** END OF THE PROJECT GUTENBERG EBOOK 30045 *** diff --git a/30045-h.zip b/30045-h.zip Binary files differnew file mode 100644 index 0000000..0c27cf7 --- /dev/null +++ b/30045-h.zip diff --git a/30045-h/30045-h.htm b/30045-h/30045-h.htm new file mode 100644 index 0000000..ce24940 --- /dev/null +++ b/30045-h/30045-h.htm @@ -0,0 +1,646 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of Planet of Dreams, by James McKimmey, Jr. + </title> + <style type="text/css"> + + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + h1,h2,.hd1,.hd2 {text-align: center;} + hr {width: 45%; margin: 2em auto; visibility: hidden;} + body {margin-left: 10%; margin-right: 10%;} + .figl {float: left; clear: left; margin: 0 1em 1em 0; padding: 0; width: 353px;} + img {border: none;} + a:link,a:visited {text-decoration: none;} + p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em; width: auto;} + .dcap {text-transform: uppercase;} + .figt {float: left; clear: left; margin: 15px; padding: 0; width: 284px;} + .trn {border: solid 1px; margin: 3em 15%; min-height: 230px;} + .trn p {margin: 15px;} + .hd1 {margin-bottom: 2em;} + .hd2 {margin-top: 2em;} + .sp1 {font-size: 150%;} + + </style> + </head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 30045 ***</div> + +<div class="figl"><img src="images/001.png" width="353" height="550" alt="" title="" /></div> + +<div class="hd1"><p><big><i>The climate was perfect, the sky was always +blue, and—best of all—nobody had to work. +What more could anyone want?</i></big></p></div> + +<h1><span class="sp1">Planet of Dreams</span></h1> + +<h2>By James McKimmey, Jr.</h2> + +<p class="hd1">Illustrated by Paul Orban</p> + +<p class="cap"><span class="dcap">It was</span> a small world, a tiny +spinning globe, placed in the +universe to weather and age by itself +until the end of things. But because +its air was good and its earth +was fertile, Daniel Loveral had +placed a finger upon a map and +said, "This is the planet. This is +the Dream Planet."</p> + +<p>That was two years before, back +on Earth. And now Loveral with +his selected flock had shot through +space, to light like chuckling geese +upon the planet, to feel the effect +of their dreams come true.</p> + +<p>Loveral was sitting in his office, +drumming his long fingers against +his desk while the name, Atkinson, +ticked through his brain like the +sound of a sewing machine.</p> + +<p>Would he be the only one, Loveral +asked himself, or was he just +the first? In either case, it was up +to Loveral, as leader and guiding +hand, to stop this thing and stop +it quickly.</p> + +<p>Loveral stood up and put on his +jacket, although there was no need +for it, other than the formality it +gave his figure.</p> + +<p>He stepped out of his office into a +clear bright day, where the air was +clean and fresh in his lungs, at +once like frost and fire and sweet +perfume. He walked along a winding +path, which was bordered by +slim-necked flowers and a short +hedge whose even clipped lines +were kept neat by tireless robot +hands.</p> + +<p>Trees pointed to a blue sky, +rocking and fluttering their leaves +in a soft breeze, and glinting metallic +houses lay peacefully beyond in +wooded hollows and upon slight +hills.</p> + +<p>A whole small world was before +his eyes, set there upon his direction, +maintained by himself with +the help of a dozen complex machines +which lay locked and sealed +in the Maintenance Room for only +his fingers to touch.</p> + +<p>It was a busy life for Loveral, up +at dawn to work until deep night, +keeping his flock happy and free +from spirit-killing labor. But it was +a perfect plan, one which had +been tested and turned in his mind +for years. If he had to work hard +to keep it running smoothly, that +was all right. In fact, he had never +been happier.</p> + +<p>Now, however, there was this +business about Atkinson. Loveral +was disturbed about that.</p> + +<p>He walked on, over the quiet +path which would lead to the +house where Atkinson and his wife +lived. Loveral smiled, in readiness +for any happy face that might appear +before him, to greet him, to +show with thankful eyes appreciation +for his wonderful world. But +that, too, brought thoughts that +were a bit disturbing.</p> + +<p>Lately there had been few such +faces. Most of his flock no longer +seemed to care about walking +along the cultivated paths, or smiling, +or nodding, or touching a leaf +here or a flower there. They preferred, +it appeared, to remain deep +inside their houses, as though they +might have become tired of the +soft perfection of Dream Planet. +As though they might have become +weary of quiet woods and +sweet bird-music or a sky which +was always blue.</p> + +<p>Loveral shook his head as he +walked, puzzling out his thoughts. +It was strange, but nothing to +worry about certainly.</p> + +<p>Just this business about Atkinson. +That was his only worry.</p> + +<p>He came slowly up a hill, the top +of which held a low curving house, +with a silver roof and wide, sweeping +windows. There were yellow +and blue and deep red flowers, +skirting the sides of the house, and +green ivy grew thickly between the +glistening windows. The lawn, dotted +with small leafy trees and +round bushes, sloped down from +the front of the house, looking like +a carefully arranged painting.</p> + +<p>Loveral pressed a button beside +a shining door and waited, smiling +through his pale blue kindly eyes.</p> + +<hr /> + +<p class="cap"><span class="dcap">Mrs. Atkinson</span> appeared +after several moments and +stood blinking at him. She was a +thin woman, who seemed to have +gotten even thinner, Loveral noticed. +She was working her fingers +at the neck of her dress. She smiled +but her lips wavered.</p> + +<p>"My dear," Loveral greeted her +in his soft voice, showing the +goodness in his eyes.</p> + +<p>She nodded her recognition, +opening her mouth without speaking.</p> + +<p>"May I?" said Loveral finally, +waving his long fingers toward the +living room.</p> + +<p>"Oh, yes," said the woman. "Of +course, Mr. Loveral." And as she +spoke Loveral had the impression +she might suddenly begin crying.</p> + +<p>Loveral followed the woman +into the house, noticing all over +again the precise way everything +had been arranged. The rug was +soft beneath his feet, and the light +came in through the windows in +such a way that it, too, became +soft. The furniture, molded to hold +a human body most comfortably, +rested about the room in perfect +efficiency.</p> + +<p>"Your place is so lovely," Loveral +said, out of his old habit from +Earth. But his words seemed to +ring strangely in the quiet, because +it was his own arrangement, like +all the other rooms on the planet. +And Mrs. Atkinson, standing thin +and nervous before him, had nothing, +after all, to do with it. The +cleanliness was the work of his robot +machines, the planning his own. +It was like complimenting himself.</p> + +<p>He cleared his throat and stood, +smiling his most benevolent smile +to reassure Mrs. Atkinson.</p> + +<p>"Ah, my dear. Is George about?"</p> + +<p>Again, the woman's hand skittered +to her throat.</p> + +<p>"He's not ill, surely?" Loveral +asked, although this, too, was silly, +because foods, selected and prepared +for utmost nutrition, packed +and frozen to be doled out in weekly +quantities, purified air, disease-killing +serums, simply written folders +on exercise, and of course Loveral's +own philosophies of quiet, +peaceful living—all of this guarded +well the health of Dream Planet's +flock.</p> + +<p>The woman shook her head. +"No, George is fine. He's just—sleeping, +I think."</p> + +<p>"Rest is nature's finest tonic," +said Loveral, and hearing his voice +thought suddenly there was hardly +anything he could say any more +that might not sound a bit out of +place in this peaceful world. Rest +to the man who had nothing to do +ceased to be a tonic.</p> + +<p>"Yes, yes," said Loveral. "May +we just sit down, my dear?"</p> + +<p>Mrs. Atkinson jerked a hand toward +one of the chairs and then +wound her fingers.</p> + +<p>Loveral sat down and leaned +back, smiling his most charming +smile. "Perhaps George might +awaken after a bit?"</p> + +<p>"Oh, yes," the woman said, her +eyes flickering, and she sat upon +the edge of one chair, like a bird +perched upon a thin wire.</p> + +<p>Loveral waited, legs crossed, +leaning his head back against the +silken softness of the chair. It was +so good to relax these days. The +business of watching and of caring +for his flock was trying. When you +have brought an entire community +of people at great expense through +space, guaranteeing to give them a +life of constant comfort and ease, +so that they might dream and think +as they wander through the flowers +and the leaves, their thoughts +cleansed of worry about work and +responsibility, then you have a job. +Loveral was most busy, busier than +his heritage of wealth ever before +had allowed, seeing to all of this.</p> + +<p>But he also was most content—with +everything except Atkinson.</p> + +<p>Mrs. Atkinson teetered on the +edge of her chair, as though she +might at any moment go flying +across the room in a crazy gyration. +There was something about her +eyes, Loveral noticed, while he +peacefully nodded in the chair. +Fear, perhaps.</p> + +<p>If so, he probably had been +right. He tightened himself, listening. +There it was again. The sound. +Just as he had heard it a day before +when he had passed near the +house. He leaned forward quickly.</p> + +<p>Mrs. Atkinson jumped.</p> + +<p>Loveral smiled. "Didn't I hear a +noise of some sort, my dear?"</p> + +<p>"Noise?" the woman said, as +though her own voice were the +sound of an echo.</p> + +<p>"An odd noise," Loveral said, +his eyes searching.</p> + +<p>The woman's hands fluttered +about her dress.</p> + +<p>Loveral stood up. "Would you +mind if I just glanced about, my +dear?"</p> + +<p>The woman didn't answer, but +Loveral was already moving across +the room toward a door. He +opened it and walked down a hall. +The noise grew stronger. He threw +open another door.</p> + +<hr /> + +<p class="cap"><span class="dcap">He stood</span> watching while +George Atkinson spun +around, dark eyes flashing, hair +tousled. There was a two days' +growth of beard darkening Atkinson's +face.</p> + +<p>"Why, George," Loveral said, +swiftly examining the litter of metal +and wood which was spread +over a table behind Atkinson. +There was a home-made hammer +in Atkinson's hand. "What have +we here, George?"</p> + +<p>"Something for you," Atkinson +said, tightening his fingers about +the handle of the hammer.</p> + +<p>Loveral grinned his famous Loveral +grin. "That's fine. What could +it be?"</p> + +<p>"None of your damned business."</p> + +<p>"<i>George</i>," Loveral said, his smile +still white but his eyes narrow +and quick.</p> + +<p>The woman was behind them. +Her voice screeched. "George, I +told you. Why didn't you listen, +George? You should have listened +to me. You—"</p> + +<p>Loveral held up a hand, still +watching Atkinson. "Now tell me, +George, what is it you're making +for me?"</p> + +<p>Atkinson raised the hammer +slightly.</p> + +<p>Loveral stood very still. "That's +a nice hammer, George."</p> + +<p>Atkinson's eyes were black beneath +his thick brows.</p> + +<p>"You made that, didn't you?" +Loveral asked.</p> + +<p>"Yes, I made that," Atkinson +said. "I made that and I made +something else. Another minute and +I'll have that finished, too."</p> + +<p>"George," said Loveral, stepping +quietly forward, "I don't like to say +this, of course. You've been one of +our very best members. But nobody +works here, George. We can't allow +that. You know the rules."</p> + +<p>"I know the rules, all right."</p> + +<p>"Well, then," Loveral said, extending +his hand toward the hammer, +"we'll just destroy this and +whatever else you might have been +making. We'll just forget it ever +happened. We'll get along real fine +that way, George. We'll just be +such good friends."</p> + +<p>"We'll just go to hell," said Atkinson, +snatching his hammer +away.</p> + +<p>Loveral's smile disappeared. "I'll +tell you, George. I have to mean +business with this. You know the +reasons. If we allow anybody to +work here, then there's going to be +trouble. That isn't our plan. We're +here to grow within ourselves and +expand culturally. Not to commercialize +a beautiful world like Dream +Planet."</p> + +<p>Atkinson stood unmoving, and +Loveral could see the way the +man's muscles were tight, like steel +springs, and the way his eyes +burned deep inside their blackness.</p> + +<p>"We've given you everything you +need," Loveral explained, trying to +adjust the smile on his lips again. +"Everybody has everything they +want. But, you see, if you sit there +and work and make something that +someone else doesn't have, then the +whole system is destroyed. Then +someone will want what you've +made. We'll have jealousy and +hatred and fighting. This is the +stuff of which wars are made, +George. You know that. It starts +with small things like this, but it +grows. When it does, the structure +of our life here will collapse. You +wouldn't want that, would you, +George?"</p> + +<p>"Yes!" Atkinson said, his mouth +white at the edges. "I'd like to see +the whole rotten thing collapsed +and blown to hell!"</p> + +<p>Loveral's teeth snapped together +and his lips grew tight. He could +feel a muscle jumping along his +neck.</p> + +<p>Atkinson looked at him with furious +eyes. "What do you think it's +like, living this way? You're busy +working twenty-four hours a day, +while we wander around this +damned prison like the breathing +dead. You can feel sweat and aches +in your bones from a hard day's +work. Sleep is like medicine to you, +instead of another stretch of torture. +You can forget your own +brain for a while by doing something +with your hands. You can relax +because you can get tired. Not +us, by God. Not us!"</p> + +<p>"I envy you, George," Loveral +said through his teeth.</p> + +<p>"Oh, like hell you do. You treat +us like we were helpless infants. +You feed and clothe us and do all +our work, and you're so happy you +damned near split your guts."</p> + +<p>"I'll take that, if you don't +mind," Loveral said, reaching for +the hammer, his voice suddenly icy +cold.</p> + +<p>Atkinson slammed back against +the table. "No, you won't. You won't +take anything more at all. You've +taken our spirit and our pride and +the strength right out of our spines. +You won't take anything more!"</p> + +<p>"George?" Loveral said, but not +moving any further.</p> + +<p>Atkinson slid the hammer back +of him onto the table, and his hands +were searching among a dozen scattered +pieces of metal and wood. He +watched Loveral as he worked. +"Let me show you what else I've +made," he said.</p> + +<p>"I'd hate to do it," Loveral said, +"but I can stop your food, your +water, everything."</p> + +<p>Atkinson's hands moved swiftly, +assembling the pieces. He nodded. +"You can, but you won't."</p> + +<p>"I have the only keys to the storage +units. I control everything, +George."</p> + +<p>"Correction," said Atkinson, +holding an assembled revolver in +his hands. "You <i>did</i>."</p> + +<hr /> + +<p class="cap"><span class="dcap">Loveral</span> looked at what Atkinson +had in his hands. He +blinked.</p> + +<p>"You're nearly dead," Atkinson +said.</p> + +<p>Loveral looked at Atkinson, into +his eyes. "If you wanted to kill me, +you could have done it some other +way."</p> + +<p>Atkinson shook his head. "Just +this way. Just with something that +took me dozens of days and nights +to make. With something that made +me sweat and swear to get. It was +difficult—with no tools or proper +materials—but that made it all the +better. Now I've got it finished," +he said, pushing a bullet into the +chamber, "and ready to use."</p> + +<p>Loveral stood frozen, then he +turned. "My dear," he said to the +woman who moved her mouth as +though her voice had been pumped +out of her. He reached to touch +her shoulder. She recoiled, as +though his fingers held poison. +"George," he said, turning back to +the black-eyed man.</p> + +<p>"This is a great moment," Atkinson +said, lifting the muzzle of +the revolver. "When I squeeze the +trigger, it'll be like blowing the lock +off a prison door. I'll go yelling to +the others, and we'll smash down +the whole goddamned place. We'll +smash it down, so we'll have to rebuild +it. We'll pull apart every +robot you've got. We'll tear apart +the food lockers and have a celebration +for a week, and when we've +gotten sick from too much food, +we'll start growing some more with +our own hands. We'll make forges +for the men and looms for the +women. We'll burn our clothes +and make new ones. We'll grow +corn in the fields. We'll pump water +from the ground. You're finished, +Loveral."</p> + +<p>Loveral stared at the revolver. +"George," he said, pleading. "The +plans. The beautiful, beautiful +plans. All of you, you all wanted +peace and contentment. Time to +think and dream. You all wanted +to get away from the work and +the worry and the responsibility. +You—"</p> + +<p>Atkinson fired the gun into Loveral's +stomach.</p> + +<p>Loveral gestured at the air and +fell to his knees. Atkinson threw +his gun through a window and +grabbed his wife by the hand. +"Hurry!" he said, laughing. "Hurry!"</p> + +<p>Loveral felt of the blood on his +shirt and rested on his knees. He +could hear footsteps, racing through +the house and out to the yard. He +held out his bloody hand and +looked at it. Atkinson's voice pealed +through the warm clear air. "He's +dead! Loveral's dead!"</p> + +<p>There was a sound of sudden activity, +and everywhere went the +cry, "Loveral's dead!"</p> + +<p>Loveral sank to his haunches and +opened his lips. The blood was +there, too. He could hear the shouts +and the laughter, and then the tearing +of steel, the smashing of glass. +He bent over his knees, trembling +with a sudden chill. The sound of +destruction grew like thunder. +"Why?" he said in his dying throat. +"Oh, why? It was what they said +they wanted."</p> + +<p class="hd2">THE END</p> + +<div class="trn"><div class="figt"><a href="images/002-2.jpg"><img src="images/002-1.jpg" width="284" height="200" alt="" title="" /></a></div> + +<p><big><b>Transcriber's Note:</b></big></p> + +<p>This etext was produced from <i>If Worlds of Science Fiction</i> September 1953. +Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</p></div> + +<div>*** END OF THE PROJECT GUTENBERG EBOOK 30045 ***</div> +</body> +</html> diff --git a/30045-h/images/001.png b/30045-h/images/001.png Binary files differnew file mode 100644 index 0000000..7ab005d --- /dev/null +++ b/30045-h/images/001.png diff --git a/30045-h/images/002-1.jpg b/30045-h/images/002-1.jpg Binary files differnew file mode 100644 index 0000000..63382ce --- /dev/null +++ b/30045-h/images/002-1.jpg diff --git a/30045-h/images/002-2.jpg b/30045-h/images/002-2.jpg Binary files differnew file mode 100644 index 0000000..762097d --- /dev/null +++ b/30045-h/images/002-2.jpg diff --git a/30045.txt b/30045.txt new file mode 100644 index 0000000..83cc455 --- /dev/null +++ b/30045.txt @@ -0,0 +1,778 @@ +The Project Gutenberg EBook of Planet of Dreams, by James McKimmey + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Planet of Dreams + +Author: James McKimmey + +Illustrator: Paul Orban + +Release Date: September 20, 2009 [EBook #30045] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PLANET OF DREAMS *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + +[Illustration] + + + _The climate was perfect, the sky was always + blue, and--best of all--nobody had to work. + What more could anyone want?_ + + +Planet of Dreams + +By James McKimmey, Jr. + +Illustrated by Paul Orban + + +It was a small world, a tiny spinning globe, placed in the universe to +weather and age by itself until the end of things. But because its air +was good and its earth was fertile, Daniel Loveral had placed a finger +upon a map and said, "This is the planet. This is the Dream Planet." + +That was two years before, back on Earth. And now Loveral with his +selected flock had shot through space, to light like chuckling geese +upon the planet, to feel the effect of their dreams come true. + +Loveral was sitting in his office, drumming his long fingers against his +desk while the name, Atkinson, ticked through his brain like the sound +of a sewing machine. + +Would he be the only one, Loveral asked himself, or was he just the +first? In either case, it was up to Loveral, as leader and guiding hand, +to stop this thing and stop it quickly. + +Loveral stood up and put on his jacket, although there was no need for +it, other than the formality it gave his figure. + +He stepped out of his office into a clear bright day, where the air was +clean and fresh in his lungs, at once like frost and fire and sweet +perfume. He walked along a winding path, which was bordered by +slim-necked flowers and a short hedge whose even clipped lines were kept +neat by tireless robot hands. + +Trees pointed to a blue sky, rocking and fluttering their leaves in a +soft breeze, and glinting metallic houses lay peacefully beyond in +wooded hollows and upon slight hills. + +A whole small world was before his eyes, set there upon his direction, +maintained by himself with the help of a dozen complex machines which +lay locked and sealed in the Maintenance Room for only his fingers to +touch. + +It was a busy life for Loveral, up at dawn to work until deep night, +keeping his flock happy and free from spirit-killing labor. But it was a +perfect plan, one which had been tested and turned in his mind for +years. If he had to work hard to keep it running smoothly, that was all +right. In fact, he had never been happier. + +Now, however, there was this business about Atkinson. Loveral was +disturbed about that. + +He walked on, over the quiet path which would lead to the house where +Atkinson and his wife lived. Loveral smiled, in readiness for any happy +face that might appear before him, to greet him, to show with thankful +eyes appreciation for his wonderful world. But that, too, brought +thoughts that were a bit disturbing. + +Lately there had been few such faces. Most of his flock no longer seemed +to care about walking along the cultivated paths, or smiling, or +nodding, or touching a leaf here or a flower there. They preferred, it +appeared, to remain deep inside their houses, as though they might have +become tired of the soft perfection of Dream Planet. As though they +might have become weary of quiet woods and sweet bird-music or a sky +which was always blue. + +Loveral shook his head as he walked, puzzling out his thoughts. It was +strange, but nothing to worry about certainly. + +Just this business about Atkinson. That was his only worry. + +He came slowly up a hill, the top of which held a low curving house, +with a silver roof and wide, sweeping windows. There were yellow and +blue and deep red flowers, skirting the sides of the house, and green +ivy grew thickly between the glistening windows. The lawn, dotted with +small leafy trees and round bushes, sloped down from the front of the +house, looking like a carefully arranged painting. + +Loveral pressed a button beside a shining door and waited, smiling +through his pale blue kindly eyes. + + * * * * * + +Mrs. Atkinson appeared after several moments and stood blinking at him. +She was a thin woman, who seemed to have gotten even thinner, Loveral +noticed. She was working her fingers at the neck of her dress. She +smiled but her lips wavered. + +"My dear," Loveral greeted her in his soft voice, showing the goodness +in his eyes. + +She nodded her recognition, opening her mouth without speaking. + +"May I?" said Loveral finally, waving his long fingers toward the living +room. + +"Oh, yes," said the woman. "Of course, Mr. Loveral." And as she spoke +Loveral had the impression she might suddenly begin crying. + +Loveral followed the woman into the house, noticing all over again the +precise way everything had been arranged. The rug was soft beneath his +feet, and the light came in through the windows in such a way that it, +too, became soft. The furniture, molded to hold a human body most +comfortably, rested about the room in perfect efficiency. + +"Your place is so lovely," Loveral said, out of his old habit from +Earth. But his words seemed to ring strangely in the quiet, because it +was his own arrangement, like all the other rooms on the planet. And +Mrs. Atkinson, standing thin and nervous before him, had nothing, after +all, to do with it. The cleanliness was the work of his robot machines, +the planning his own. It was like complimenting himself. + +He cleared his throat and stood, smiling his most benevolent smile to +reassure Mrs. Atkinson. + +"Ah, my dear. Is George about?" + +Again, the woman's hand skittered to her throat. + +"He's not ill, surely?" Loveral asked, although this, too, was silly, +because foods, selected and prepared for utmost nutrition, packed +and frozen to be doled out in weekly quantities, purified air, +disease-killing serums, simply written folders on exercise, and of +course Loveral's own philosophies of quiet, peaceful living--all of this +guarded well the health of Dream Planet's flock. + +The woman shook her head. "No, George is fine. He's just--sleeping, I +think." + +"Rest is nature's finest tonic," said Loveral, and hearing his voice +thought suddenly there was hardly anything he could say any more that +might not sound a bit out of place in this peaceful world. Rest to the +man who had nothing to do ceased to be a tonic. + +"Yes, yes," said Loveral. "May we just sit down, my dear?" + +Mrs. Atkinson jerked a hand toward one of the chairs and then wound her +fingers. + +Loveral sat down and leaned back, smiling his most charming smile. +"Perhaps George might awaken after a bit?" + +"Oh, yes," the woman said, her eyes flickering, and she sat upon the +edge of one chair, like a bird perched upon a thin wire. + +Loveral waited, legs crossed, leaning his head back against the silken +softness of the chair. It was so good to relax these days. The business +of watching and of caring for his flock was trying. When you have +brought an entire community of people at great expense through space, +guaranteeing to give them a life of constant comfort and ease, so that +they might dream and think as they wander through the flowers and the +leaves, their thoughts cleansed of worry about work and responsibility, +then you have a job. Loveral was most busy, busier than his heritage of +wealth ever before had allowed, seeing to all of this. + +But he also was most content--with everything except Atkinson. + +Mrs. Atkinson teetered on the edge of her chair, as though she might at +any moment go flying across the room in a crazy gyration. There was +something about her eyes, Loveral noticed, while he peacefully nodded in +the chair. Fear, perhaps. + +If so, he probably had been right. He tightened himself, listening. +There it was again. The sound. Just as he had heard it a day before when +he had passed near the house. He leaned forward quickly. + +Mrs. Atkinson jumped. + +Loveral smiled. "Didn't I hear a noise of some sort, my dear?" + +"Noise?" the woman said, as though her own voice were the sound of an +echo. + +"An odd noise," Loveral said, his eyes searching. + +The woman's hands fluttered about her dress. + +Loveral stood up. "Would you mind if I just glanced about, my dear?" + +The woman didn't answer, but Loveral was already moving across the room +toward a door. He opened it and walked down a hall. The noise grew +stronger. He threw open another door. + + * * * * * + +He stood watching while George Atkinson spun around, dark eyes flashing, +hair tousled. There was a two days' growth of beard darkening Atkinson's +face. + +"Why, George," Loveral said, swiftly examining the litter of metal and +wood which was spread over a table behind Atkinson. There was a +home-made hammer in Atkinson's hand. "What have we here, George?" + +"Something for you," Atkinson said, tightening his fingers about the +handle of the hammer. + +Loveral grinned his famous Loveral grin. "That's fine. What could it +be?" + +"None of your damned business." + +"_George_," Loveral said, his smile still white but his eyes narrow and +quick. + +The woman was behind them. Her voice screeched. "George, I told you. Why +didn't you listen, George? You should have listened to me. You--" + +Loveral held up a hand, still watching Atkinson. "Now tell me, George, +what is it you're making for me?" + +Atkinson raised the hammer slightly. + +Loveral stood very still. "That's a nice hammer, George." + +Atkinson's eyes were black beneath his thick brows. + +"You made that, didn't you?" Loveral asked. + +"Yes, I made that," Atkinson said. "I made that and I made something +else. Another minute and I'll have that finished, too." + +"George," said Loveral, stepping quietly forward, "I don't like to say +this, of course. You've been one of our very best members. But nobody +works here, George. We can't allow that. You know the rules." + +"I know the rules, all right." + +"Well, then," Loveral said, extending his hand toward the hammer, "we'll +just destroy this and whatever else you might have been making. We'll +just forget it ever happened. We'll get along real fine that way, +George. We'll just be such good friends." + +"We'll just go to hell," said Atkinson, snatching his hammer away. + +Loveral's smile disappeared. "I'll tell you, George. I have to mean +business with this. You know the reasons. If we allow anybody to work +here, then there's going to be trouble. That isn't our plan. We're here +to grow within ourselves and expand culturally. Not to commercialize a +beautiful world like Dream Planet." + +Atkinson stood unmoving, and Loveral could see the way the man's muscles +were tight, like steel springs, and the way his eyes burned deep inside +their blackness. + +"We've given you everything you need," Loveral explained, trying to +adjust the smile on his lips again. "Everybody has everything they want. +But, you see, if you sit there and work and make something that someone +else doesn't have, then the whole system is destroyed. Then someone will +want what you've made. We'll have jealousy and hatred and fighting. This +is the stuff of which wars are made, George. You know that. It starts +with small things like this, but it grows. When it does, the structure +of our life here will collapse. You wouldn't want that, would you, +George?" + +"Yes!" Atkinson said, his mouth white at the edges. "I'd like to see the +whole rotten thing collapsed and blown to hell!" + +Loveral's teeth snapped together and his lips grew tight. He could feel +a muscle jumping along his neck. + +Atkinson looked at him with furious eyes. "What do you think it's like, +living this way? You're busy working twenty-four hours a day, while we +wander around this damned prison like the breathing dead. You can feel +sweat and aches in your bones from a hard day's work. Sleep is like +medicine to you, instead of another stretch of torture. You can forget +your own brain for a while by doing something with your hands. You can +relax because you can get tired. Not us, by God. Not us!" + +"I envy you, George," Loveral said through his teeth. + +"Oh, like hell you do. You treat us like we were helpless infants. You +feed and clothe us and do all our work, and you're so happy you damned +near split your guts." + +"I'll take that, if you don't mind," Loveral said, reaching for the +hammer, his voice suddenly icy cold. + +Atkinson slammed back against the table. "No, you won't. You won't take +anything more at all. You've taken our spirit and our pride and the +strength right out of our spines. You won't take anything more!" + +"George?" Loveral said, but not moving any further. + +Atkinson slid the hammer back of him onto the table, and his hands were +searching among a dozen scattered pieces of metal and wood. He watched +Loveral as he worked. "Let me show you what else I've made," he said. + +"I'd hate to do it," Loveral said, "but I can stop your food, your +water, everything." + +Atkinson's hands moved swiftly, assembling the pieces. He nodded. "You +can, but you won't." + +"I have the only keys to the storage units. I control everything, +George." + +"Correction," said Atkinson, holding an assembled revolver in his hands. +"You _did_." + + * * * * * + +Loveral looked at what Atkinson had in his hands. He blinked. + +"You're nearly dead," Atkinson said. + +Loveral looked at Atkinson, into his eyes. "If you wanted to kill me, +you could have done it some other way." + +Atkinson shook his head. "Just this way. Just with something that took +me dozens of days and nights to make. With something that made me sweat +and swear to get. It was difficult--with no tools or proper +materials--but that made it all the better. Now I've got it finished," +he said, pushing a bullet into the chamber, "and ready to use." + +Loveral stood frozen, then he turned. "My dear," he said to the woman +who moved her mouth as though her voice had been pumped out of her. He +reached to touch her shoulder. She recoiled, as though his fingers held +poison. "George," he said, turning back to the black-eyed man. + +"This is a great moment," Atkinson said, lifting the muzzle of the +revolver. "When I squeeze the trigger, it'll be like blowing the lock +off a prison door. I'll go yelling to the others, and we'll smash down +the whole goddamned place. We'll smash it down, so we'll have to rebuild +it. We'll pull apart every robot you've got. We'll tear apart the food +lockers and have a celebration for a week, and when we've gotten sick +from too much food, we'll start growing some more with our own hands. +We'll make forges for the men and looms for the women. We'll burn our +clothes and make new ones. We'll grow corn in the fields. We'll pump +water from the ground. You're finished, Loveral." + +Loveral stared at the revolver. "George," he said, pleading. "The plans. +The beautiful, beautiful plans. All of you, you all wanted peace and +contentment. Time to think and dream. You all wanted to get away from +the work and the worry and the responsibility. You--" + +Atkinson fired the gun into Loveral's stomach. + +Loveral gestured at the air and fell to his knees. Atkinson threw his +gun through a window and grabbed his wife by the hand. "Hurry!" he said, +laughing. "Hurry!" + +Loveral felt of the blood on his shirt and rested on his knees. He could +hear footsteps, racing through the house and out to the yard. He held +out his bloody hand and looked at it. Atkinson's voice pealed through +the warm clear air. "He's dead! Loveral's dead!" + +There was a sound of sudden activity, and everywhere went the cry, +"Loveral's dead!" + +Loveral sank to his haunches and opened his lips. The blood was there, +too. He could hear the shouts and the laughter, and then the tearing of +steel, the smashing of glass. He bent over his knees, trembling with a +sudden chill. The sound of destruction grew like thunder. "Why?" he said +in his dying throat. "Oh, why? It was what they said they wanted." + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _If Worlds of Science Fiction_ + September 1953. Extensive research did not uncover any evidence that + the U.S. copyright on this publication was renewed. Minor spelling + and typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Planet of Dreams, by James McKimmey + +*** END OF THIS PROJECT GUTENBERG EBOOK PLANET OF DREAMS *** + +***** This file should be named 30045.txt or 30045.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/0/0/4/30045/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/30045.zip b/30045.zip Binary files differnew file mode 100644 index 0000000..c4e3e05 --- /dev/null +++ b/30045.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..91d669b --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #30045 (https://www.gutenberg.org/ebooks/30045) diff --git a/old/30045-h.zip b/old/30045-h.zip Binary files differnew file mode 100644 index 0000000..0c27cf7 --- /dev/null +++ b/old/30045-h.zip diff --git a/old/30045-h/30045-h.htm b/old/30045-h/30045-h.htm new file mode 100644 index 0000000..2aac428 --- /dev/null +++ b/old/30045-h/30045-h.htm @@ -0,0 +1,1063 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of Planet of Dreams, by James McKimmey, Jr. + </title> + <style type="text/css"> + + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + h1,h2,.hd1,.hd2 {text-align: center;} + hr {width: 45%; margin: 2em auto; visibility: hidden;} + body {margin-left: 10%; margin-right: 10%;} + .figl {float: left; clear: left; margin: 0 1em 1em 0; padding: 0; width: 353px;} + img {border: none;} + a:link,a:visited {text-decoration: none;} + p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em; width: auto;} + .dcap {text-transform: uppercase;} + .figt {float: left; clear: left; margin: 15px; padding: 0; width: 284px;} + .trn {border: solid 1px; margin: 3em 15%; min-height: 230px;} + .trn p {margin: 15px;} + .hd1 {margin-bottom: 2em;} + .hd2 {margin-top: 2em;} + .sp1 {font-size: 150%;} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Planet of Dreams, by James McKimmey + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Planet of Dreams + +Author: James McKimmey + +Illustrator: Paul Orban + +Release Date: September 20, 2009 [EBook #30045] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PLANET OF DREAMS *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<div class="figl"><img src="images/001.png" width="353" height="550" alt="" title="" /></div> + +<div class="hd1"><p><big><i>The climate was perfect, the sky was always +blue, and—best of all—nobody had to work. +What more could anyone want?</i></big></p></div> + +<h1><span class="sp1">Planet of Dreams</span></h1> + +<h2>By James McKimmey, Jr.</h2> + +<p class="hd1">Illustrated by Paul Orban</p> + +<p class="cap"><span class="dcap">It was</span> a small world, a tiny +spinning globe, placed in the +universe to weather and age by itself +until the end of things. But because +its air was good and its earth +was fertile, Daniel Loveral had +placed a finger upon a map and +said, "This is the planet. This is +the Dream Planet."</p> + +<p>That was two years before, back +on Earth. And now Loveral with +his selected flock had shot through +space, to light like chuckling geese +upon the planet, to feel the effect +of their dreams come true.</p> + +<p>Loveral was sitting in his office, +drumming his long fingers against +his desk while the name, Atkinson, +ticked through his brain like the +sound of a sewing machine.</p> + +<p>Would he be the only one, Loveral +asked himself, or was he just +the first? In either case, it was up +to Loveral, as leader and guiding +hand, to stop this thing and stop +it quickly.</p> + +<p>Loveral stood up and put on his +jacket, although there was no need +for it, other than the formality it +gave his figure.</p> + +<p>He stepped out of his office into a +clear bright day, where the air was +clean and fresh in his lungs, at +once like frost and fire and sweet +perfume. He walked along a winding +path, which was bordered by +slim-necked flowers and a short +hedge whose even clipped lines +were kept neat by tireless robot +hands.</p> + +<p>Trees pointed to a blue sky, +rocking and fluttering their leaves +in a soft breeze, and glinting metallic +houses lay peacefully beyond in +wooded hollows and upon slight +hills.</p> + +<p>A whole small world was before +his eyes, set there upon his direction, +maintained by himself with +the help of a dozen complex machines +which lay locked and sealed +in the Maintenance Room for only +his fingers to touch.</p> + +<p>It was a busy life for Loveral, up +at dawn to work until deep night, +keeping his flock happy and free +from spirit-killing labor. But it was +a perfect plan, one which had +been tested and turned in his mind +for years. If he had to work hard +to keep it running smoothly, that +was all right. In fact, he had never +been happier.</p> + +<p>Now, however, there was this +business about Atkinson. Loveral +was disturbed about that.</p> + +<p>He walked on, over the quiet +path which would lead to the +house where Atkinson and his wife +lived. Loveral smiled, in readiness +for any happy face that might appear +before him, to greet him, to +show with thankful eyes appreciation +for his wonderful world. But +that, too, brought thoughts that +were a bit disturbing.</p> + +<p>Lately there had been few such +faces. Most of his flock no longer +seemed to care about walking +along the cultivated paths, or smiling, +or nodding, or touching a leaf +here or a flower there. They preferred, +it appeared, to remain deep +inside their houses, as though they +might have become tired of the +soft perfection of Dream Planet. +As though they might have become +weary of quiet woods and +sweet bird-music or a sky which +was always blue.</p> + +<p>Loveral shook his head as he +walked, puzzling out his thoughts. +It was strange, but nothing to +worry about certainly.</p> + +<p>Just this business about Atkinson. +That was his only worry.</p> + +<p>He came slowly up a hill, the top +of which held a low curving house, +with a silver roof and wide, sweeping +windows. There were yellow +and blue and deep red flowers, +skirting the sides of the house, and +green ivy grew thickly between the +glistening windows. The lawn, dotted +with small leafy trees and +round bushes, sloped down from +the front of the house, looking like +a carefully arranged painting.</p> + +<p>Loveral pressed a button beside +a shining door and waited, smiling +through his pale blue kindly eyes.</p> + +<hr /> + +<p class="cap"><span class="dcap">Mrs. Atkinson</span> appeared +after several moments and +stood blinking at him. She was a +thin woman, who seemed to have +gotten even thinner, Loveral noticed. +She was working her fingers +at the neck of her dress. She smiled +but her lips wavered.</p> + +<p>"My dear," Loveral greeted her +in his soft voice, showing the +goodness in his eyes.</p> + +<p>She nodded her recognition, +opening her mouth without speaking.</p> + +<p>"May I?" said Loveral finally, +waving his long fingers toward the +living room.</p> + +<p>"Oh, yes," said the woman. "Of +course, Mr. Loveral." And as she +spoke Loveral had the impression +she might suddenly begin crying.</p> + +<p>Loveral followed the woman +into the house, noticing all over +again the precise way everything +had been arranged. The rug was +soft beneath his feet, and the light +came in through the windows in +such a way that it, too, became +soft. The furniture, molded to hold +a human body most comfortably, +rested about the room in perfect +efficiency.</p> + +<p>"Your place is so lovely," Loveral +said, out of his old habit from +Earth. But his words seemed to +ring strangely in the quiet, because +it was his own arrangement, like +all the other rooms on the planet. +And Mrs. Atkinson, standing thin +and nervous before him, had nothing, +after all, to do with it. The +cleanliness was the work of his robot +machines, the planning his own. +It was like complimenting himself.</p> + +<p>He cleared his throat and stood, +smiling his most benevolent smile +to reassure Mrs. Atkinson.</p> + +<p>"Ah, my dear. Is George about?"</p> + +<p>Again, the woman's hand skittered +to her throat.</p> + +<p>"He's not ill, surely?" Loveral +asked, although this, too, was silly, +because foods, selected and prepared +for utmost nutrition, packed +and frozen to be doled out in weekly +quantities, purified air, disease-killing +serums, simply written folders +on exercise, and of course Loveral's +own philosophies of quiet, +peaceful living—all of this guarded +well the health of Dream Planet's +flock.</p> + +<p>The woman shook her head. +"No, George is fine. He's just—sleeping, +I think."</p> + +<p>"Rest is nature's finest tonic," +said Loveral, and hearing his voice +thought suddenly there was hardly +anything he could say any more +that might not sound a bit out of +place in this peaceful world. Rest +to the man who had nothing to do +ceased to be a tonic.</p> + +<p>"Yes, yes," said Loveral. "May +we just sit down, my dear?"</p> + +<p>Mrs. Atkinson jerked a hand toward +one of the chairs and then +wound her fingers.</p> + +<p>Loveral sat down and leaned +back, smiling his most charming +smile. "Perhaps George might +awaken after a bit?"</p> + +<p>"Oh, yes," the woman said, her +eyes flickering, and she sat upon +the edge of one chair, like a bird +perched upon a thin wire.</p> + +<p>Loveral waited, legs crossed, +leaning his head back against the +silken softness of the chair. It was +so good to relax these days. The +business of watching and of caring +for his flock was trying. When you +have brought an entire community +of people at great expense through +space, guaranteeing to give them a +life of constant comfort and ease, +so that they might dream and think +as they wander through the flowers +and the leaves, their thoughts +cleansed of worry about work and +responsibility, then you have a job. +Loveral was most busy, busier than +his heritage of wealth ever before +had allowed, seeing to all of this.</p> + +<p>But he also was most content—with +everything except Atkinson.</p> + +<p>Mrs. Atkinson teetered on the +edge of her chair, as though she +might at any moment go flying +across the room in a crazy gyration. +There was something about her +eyes, Loveral noticed, while he +peacefully nodded in the chair. +Fear, perhaps.</p> + +<p>If so, he probably had been +right. He tightened himself, listening. +There it was again. The sound. +Just as he had heard it a day before +when he had passed near the +house. He leaned forward quickly.</p> + +<p>Mrs. Atkinson jumped.</p> + +<p>Loveral smiled. "Didn't I hear a +noise of some sort, my dear?"</p> + +<p>"Noise?" the woman said, as +though her own voice were the +sound of an echo.</p> + +<p>"An odd noise," Loveral said, +his eyes searching.</p> + +<p>The woman's hands fluttered +about her dress.</p> + +<p>Loveral stood up. "Would you +mind if I just glanced about, my +dear?"</p> + +<p>The woman didn't answer, but +Loveral was already moving across +the room toward a door. He +opened it and walked down a hall. +The noise grew stronger. He threw +open another door.</p> + +<hr /> + +<p class="cap"><span class="dcap">He stood</span> watching while +George Atkinson spun +around, dark eyes flashing, hair +tousled. There was a two days' +growth of beard darkening Atkinson's +face.</p> + +<p>"Why, George," Loveral said, +swiftly examining the litter of metal +and wood which was spread +over a table behind Atkinson. +There was a home-made hammer +in Atkinson's hand. "What have +we here, George?"</p> + +<p>"Something for you," Atkinson +said, tightening his fingers about +the handle of the hammer.</p> + +<p>Loveral grinned his famous Loveral +grin. "That's fine. What could +it be?"</p> + +<p>"None of your damned business."</p> + +<p>"<i>George</i>," Loveral said, his smile +still white but his eyes narrow +and quick.</p> + +<p>The woman was behind them. +Her voice screeched. "George, I +told you. Why didn't you listen, +George? You should have listened +to me. You—"</p> + +<p>Loveral held up a hand, still +watching Atkinson. "Now tell me, +George, what is it you're making +for me?"</p> + +<p>Atkinson raised the hammer +slightly.</p> + +<p>Loveral stood very still. "That's +a nice hammer, George."</p> + +<p>Atkinson's eyes were black beneath +his thick brows.</p> + +<p>"You made that, didn't you?" +Loveral asked.</p> + +<p>"Yes, I made that," Atkinson +said. "I made that and I made +something else. Another minute and +I'll have that finished, too."</p> + +<p>"George," said Loveral, stepping +quietly forward, "I don't like to say +this, of course. You've been one of +our very best members. But nobody +works here, George. We can't allow +that. You know the rules."</p> + +<p>"I know the rules, all right."</p> + +<p>"Well, then," Loveral said, extending +his hand toward the hammer, +"we'll just destroy this and +whatever else you might have been +making. We'll just forget it ever +happened. We'll get along real fine +that way, George. We'll just be +such good friends."</p> + +<p>"We'll just go to hell," said Atkinson, +snatching his hammer +away.</p> + +<p>Loveral's smile disappeared. "I'll +tell you, George. I have to mean +business with this. You know the +reasons. If we allow anybody to +work here, then there's going to be +trouble. That isn't our plan. We're +here to grow within ourselves and +expand culturally. Not to commercialize +a beautiful world like Dream +Planet."</p> + +<p>Atkinson stood unmoving, and +Loveral could see the way the +man's muscles were tight, like steel +springs, and the way his eyes +burned deep inside their blackness.</p> + +<p>"We've given you everything you +need," Loveral explained, trying to +adjust the smile on his lips again. +"Everybody has everything they +want. But, you see, if you sit there +and work and make something that +someone else doesn't have, then the +whole system is destroyed. Then +someone will want what you've +made. We'll have jealousy and +hatred and fighting. This is the +stuff of which wars are made, +George. You know that. It starts +with small things like this, but it +grows. When it does, the structure +of our life here will collapse. You +wouldn't want that, would you, +George?"</p> + +<p>"Yes!" Atkinson said, his mouth +white at the edges. "I'd like to see +the whole rotten thing collapsed +and blown to hell!"</p> + +<p>Loveral's teeth snapped together +and his lips grew tight. He could +feel a muscle jumping along his +neck.</p> + +<p>Atkinson looked at him with furious +eyes. "What do you think it's +like, living this way? You're busy +working twenty-four hours a day, +while we wander around this +damned prison like the breathing +dead. You can feel sweat and aches +in your bones from a hard day's +work. Sleep is like medicine to you, +instead of another stretch of torture. +You can forget your own +brain for a while by doing something +with your hands. You can relax +because you can get tired. Not +us, by God. Not us!"</p> + +<p>"I envy you, George," Loveral +said through his teeth.</p> + +<p>"Oh, like hell you do. You treat +us like we were helpless infants. +You feed and clothe us and do all +our work, and you're so happy you +damned near split your guts."</p> + +<p>"I'll take that, if you don't +mind," Loveral said, reaching for +the hammer, his voice suddenly icy +cold.</p> + +<p>Atkinson slammed back against +the table. "No, you won't. You won't +take anything more at all. You've +taken our spirit and our pride and +the strength right out of our spines. +You won't take anything more!"</p> + +<p>"George?" Loveral said, but not +moving any further.</p> + +<p>Atkinson slid the hammer back +of him onto the table, and his hands +were searching among a dozen scattered +pieces of metal and wood. He +watched Loveral as he worked. +"Let me show you what else I've +made," he said.</p> + +<p>"I'd hate to do it," Loveral said, +"but I can stop your food, your +water, everything."</p> + +<p>Atkinson's hands moved swiftly, +assembling the pieces. He nodded. +"You can, but you won't."</p> + +<p>"I have the only keys to the storage +units. I control everything, +George."</p> + +<p>"Correction," said Atkinson, +holding an assembled revolver in +his hands. "You <i>did</i>."</p> + +<hr /> + +<p class="cap"><span class="dcap">Loveral</span> looked at what Atkinson +had in his hands. He +blinked.</p> + +<p>"You're nearly dead," Atkinson +said.</p> + +<p>Loveral looked at Atkinson, into +his eyes. "If you wanted to kill me, +you could have done it some other +way."</p> + +<p>Atkinson shook his head. "Just +this way. Just with something that +took me dozens of days and nights +to make. With something that made +me sweat and swear to get. It was +difficult—with no tools or proper +materials—but that made it all the +better. Now I've got it finished," +he said, pushing a bullet into the +chamber, "and ready to use."</p> + +<p>Loveral stood frozen, then he +turned. "My dear," he said to the +woman who moved her mouth as +though her voice had been pumped +out of her. He reached to touch +her shoulder. She recoiled, as +though his fingers held poison. +"George," he said, turning back to +the black-eyed man.</p> + +<p>"This is a great moment," Atkinson +said, lifting the muzzle of +the revolver. "When I squeeze the +trigger, it'll be like blowing the lock +off a prison door. I'll go yelling to +the others, and we'll smash down +the whole goddamned place. We'll +smash it down, so we'll have to rebuild +it. We'll pull apart every +robot you've got. We'll tear apart +the food lockers and have a celebration +for a week, and when we've +gotten sick from too much food, +we'll start growing some more with +our own hands. We'll make forges +for the men and looms for the +women. We'll burn our clothes +and make new ones. We'll grow +corn in the fields. We'll pump water +from the ground. You're finished, +Loveral."</p> + +<p>Loveral stared at the revolver. +"George," he said, pleading. "The +plans. The beautiful, beautiful +plans. All of you, you all wanted +peace and contentment. Time to +think and dream. You all wanted +to get away from the work and +the worry and the responsibility. +You—"</p> + +<p>Atkinson fired the gun into Loveral's +stomach.</p> + +<p>Loveral gestured at the air and +fell to his knees. Atkinson threw +his gun through a window and +grabbed his wife by the hand. +"Hurry!" he said, laughing. "Hurry!"</p> + +<p>Loveral felt of the blood on his +shirt and rested on his knees. He +could hear footsteps, racing through +the house and out to the yard. He +held out his bloody hand and +looked at it. Atkinson's voice pealed +through the warm clear air. "He's +dead! Loveral's dead!"</p> + +<p>There was a sound of sudden activity, +and everywhere went the +cry, "Loveral's dead!"</p> + +<p>Loveral sank to his haunches and +opened his lips. The blood was +there, too. He could hear the shouts +and the laughter, and then the tearing +of steel, the smashing of glass. +He bent over his knees, trembling +with a sudden chill. The sound of +destruction grew like thunder. +"Why?" he said in his dying throat. +"Oh, why? It was what they said +they wanted."</p> + +<p class="hd2">THE END</p> + +<div class="trn"><div class="figt"><a href="images/002-2.jpg"><img src="images/002-1.jpg" width="284" height="200" alt="" title="" /></a></div> + +<p><big><b>Transcriber's Note:</b></big></p> + +<p>This etext was produced from <i>If Worlds of Science Fiction</i> September 1953. +Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</p></div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Planet of Dreams, by James McKimmey + +*** END OF THIS PROJECT GUTENBERG EBOOK PLANET OF DREAMS *** + +***** This file should be named 30045-h.htm or 30045-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/0/0/4/30045/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/old/30045-h/images/001.png b/old/30045-h/images/001.png Binary files differnew file mode 100644 index 0000000..7ab005d --- /dev/null +++ b/old/30045-h/images/001.png diff --git a/old/30045-h/images/002-1.jpg b/old/30045-h/images/002-1.jpg Binary files differnew file mode 100644 index 0000000..63382ce --- /dev/null +++ b/old/30045-h/images/002-1.jpg diff --git a/old/30045-h/images/002-2.jpg b/old/30045-h/images/002-2.jpg Binary files differnew file mode 100644 index 0000000..762097d --- /dev/null +++ b/old/30045-h/images/002-2.jpg diff --git a/old/30045.txt b/old/30045.txt new file mode 100644 index 0000000..83cc455 --- /dev/null +++ b/old/30045.txt @@ -0,0 +1,778 @@ +The Project Gutenberg EBook of Planet of Dreams, by James McKimmey + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Planet of Dreams + +Author: James McKimmey + +Illustrator: Paul Orban + +Release Date: September 20, 2009 [EBook #30045] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PLANET OF DREAMS *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + +[Illustration] + + + _The climate was perfect, the sky was always + blue, and--best of all--nobody had to work. + What more could anyone want?_ + + +Planet of Dreams + +By James McKimmey, Jr. + +Illustrated by Paul Orban + + +It was a small world, a tiny spinning globe, placed in the universe to +weather and age by itself until the end of things. But because its air +was good and its earth was fertile, Daniel Loveral had placed a finger +upon a map and said, "This is the planet. This is the Dream Planet." + +That was two years before, back on Earth. And now Loveral with his +selected flock had shot through space, to light like chuckling geese +upon the planet, to feel the effect of their dreams come true. + +Loveral was sitting in his office, drumming his long fingers against his +desk while the name, Atkinson, ticked through his brain like the sound +of a sewing machine. + +Would he be the only one, Loveral asked himself, or was he just the +first? In either case, it was up to Loveral, as leader and guiding hand, +to stop this thing and stop it quickly. + +Loveral stood up and put on his jacket, although there was no need for +it, other than the formality it gave his figure. + +He stepped out of his office into a clear bright day, where the air was +clean and fresh in his lungs, at once like frost and fire and sweet +perfume. He walked along a winding path, which was bordered by +slim-necked flowers and a short hedge whose even clipped lines were kept +neat by tireless robot hands. + +Trees pointed to a blue sky, rocking and fluttering their leaves in a +soft breeze, and glinting metallic houses lay peacefully beyond in +wooded hollows and upon slight hills. + +A whole small world was before his eyes, set there upon his direction, +maintained by himself with the help of a dozen complex machines which +lay locked and sealed in the Maintenance Room for only his fingers to +touch. + +It was a busy life for Loveral, up at dawn to work until deep night, +keeping his flock happy and free from spirit-killing labor. But it was a +perfect plan, one which had been tested and turned in his mind for +years. If he had to work hard to keep it running smoothly, that was all +right. In fact, he had never been happier. + +Now, however, there was this business about Atkinson. Loveral was +disturbed about that. + +He walked on, over the quiet path which would lead to the house where +Atkinson and his wife lived. Loveral smiled, in readiness for any happy +face that might appear before him, to greet him, to show with thankful +eyes appreciation for his wonderful world. But that, too, brought +thoughts that were a bit disturbing. + +Lately there had been few such faces. Most of his flock no longer seemed +to care about walking along the cultivated paths, or smiling, or +nodding, or touching a leaf here or a flower there. They preferred, it +appeared, to remain deep inside their houses, as though they might have +become tired of the soft perfection of Dream Planet. As though they +might have become weary of quiet woods and sweet bird-music or a sky +which was always blue. + +Loveral shook his head as he walked, puzzling out his thoughts. It was +strange, but nothing to worry about certainly. + +Just this business about Atkinson. That was his only worry. + +He came slowly up a hill, the top of which held a low curving house, +with a silver roof and wide, sweeping windows. There were yellow and +blue and deep red flowers, skirting the sides of the house, and green +ivy grew thickly between the glistening windows. The lawn, dotted with +small leafy trees and round bushes, sloped down from the front of the +house, looking like a carefully arranged painting. + +Loveral pressed a button beside a shining door and waited, smiling +through his pale blue kindly eyes. + + * * * * * + +Mrs. Atkinson appeared after several moments and stood blinking at him. +She was a thin woman, who seemed to have gotten even thinner, Loveral +noticed. She was working her fingers at the neck of her dress. She +smiled but her lips wavered. + +"My dear," Loveral greeted her in his soft voice, showing the goodness +in his eyes. + +She nodded her recognition, opening her mouth without speaking. + +"May I?" said Loveral finally, waving his long fingers toward the living +room. + +"Oh, yes," said the woman. "Of course, Mr. Loveral." And as she spoke +Loveral had the impression she might suddenly begin crying. + +Loveral followed the woman into the house, noticing all over again the +precise way everything had been arranged. The rug was soft beneath his +feet, and the light came in through the windows in such a way that it, +too, became soft. The furniture, molded to hold a human body most +comfortably, rested about the room in perfect efficiency. + +"Your place is so lovely," Loveral said, out of his old habit from +Earth. But his words seemed to ring strangely in the quiet, because it +was his own arrangement, like all the other rooms on the planet. And +Mrs. Atkinson, standing thin and nervous before him, had nothing, after +all, to do with it. The cleanliness was the work of his robot machines, +the planning his own. It was like complimenting himself. + +He cleared his throat and stood, smiling his most benevolent smile to +reassure Mrs. Atkinson. + +"Ah, my dear. Is George about?" + +Again, the woman's hand skittered to her throat. + +"He's not ill, surely?" Loveral asked, although this, too, was silly, +because foods, selected and prepared for utmost nutrition, packed +and frozen to be doled out in weekly quantities, purified air, +disease-killing serums, simply written folders on exercise, and of +course Loveral's own philosophies of quiet, peaceful living--all of this +guarded well the health of Dream Planet's flock. + +The woman shook her head. "No, George is fine. He's just--sleeping, I +think." + +"Rest is nature's finest tonic," said Loveral, and hearing his voice +thought suddenly there was hardly anything he could say any more that +might not sound a bit out of place in this peaceful world. Rest to the +man who had nothing to do ceased to be a tonic. + +"Yes, yes," said Loveral. "May we just sit down, my dear?" + +Mrs. Atkinson jerked a hand toward one of the chairs and then wound her +fingers. + +Loveral sat down and leaned back, smiling his most charming smile. +"Perhaps George might awaken after a bit?" + +"Oh, yes," the woman said, her eyes flickering, and she sat upon the +edge of one chair, like a bird perched upon a thin wire. + +Loveral waited, legs crossed, leaning his head back against the silken +softness of the chair. It was so good to relax these days. The business +of watching and of caring for his flock was trying. When you have +brought an entire community of people at great expense through space, +guaranteeing to give them a life of constant comfort and ease, so that +they might dream and think as they wander through the flowers and the +leaves, their thoughts cleansed of worry about work and responsibility, +then you have a job. Loveral was most busy, busier than his heritage of +wealth ever before had allowed, seeing to all of this. + +But he also was most content--with everything except Atkinson. + +Mrs. Atkinson teetered on the edge of her chair, as though she might at +any moment go flying across the room in a crazy gyration. There was +something about her eyes, Loveral noticed, while he peacefully nodded in +the chair. Fear, perhaps. + +If so, he probably had been right. He tightened himself, listening. +There it was again. The sound. Just as he had heard it a day before when +he had passed near the house. He leaned forward quickly. + +Mrs. Atkinson jumped. + +Loveral smiled. "Didn't I hear a noise of some sort, my dear?" + +"Noise?" the woman said, as though her own voice were the sound of an +echo. + +"An odd noise," Loveral said, his eyes searching. + +The woman's hands fluttered about her dress. + +Loveral stood up. "Would you mind if I just glanced about, my dear?" + +The woman didn't answer, but Loveral was already moving across the room +toward a door. He opened it and walked down a hall. The noise grew +stronger. He threw open another door. + + * * * * * + +He stood watching while George Atkinson spun around, dark eyes flashing, +hair tousled. There was a two days' growth of beard darkening Atkinson's +face. + +"Why, George," Loveral said, swiftly examining the litter of metal and +wood which was spread over a table behind Atkinson. There was a +home-made hammer in Atkinson's hand. "What have we here, George?" + +"Something for you," Atkinson said, tightening his fingers about the +handle of the hammer. + +Loveral grinned his famous Loveral grin. "That's fine. What could it +be?" + +"None of your damned business." + +"_George_," Loveral said, his smile still white but his eyes narrow and +quick. + +The woman was behind them. Her voice screeched. "George, I told you. Why +didn't you listen, George? You should have listened to me. You--" + +Loveral held up a hand, still watching Atkinson. "Now tell me, George, +what is it you're making for me?" + +Atkinson raised the hammer slightly. + +Loveral stood very still. "That's a nice hammer, George." + +Atkinson's eyes were black beneath his thick brows. + +"You made that, didn't you?" Loveral asked. + +"Yes, I made that," Atkinson said. "I made that and I made something +else. Another minute and I'll have that finished, too." + +"George," said Loveral, stepping quietly forward, "I don't like to say +this, of course. You've been one of our very best members. But nobody +works here, George. We can't allow that. You know the rules." + +"I know the rules, all right." + +"Well, then," Loveral said, extending his hand toward the hammer, "we'll +just destroy this and whatever else you might have been making. We'll +just forget it ever happened. We'll get along real fine that way, +George. We'll just be such good friends." + +"We'll just go to hell," said Atkinson, snatching his hammer away. + +Loveral's smile disappeared. "I'll tell you, George. I have to mean +business with this. You know the reasons. If we allow anybody to work +here, then there's going to be trouble. That isn't our plan. We're here +to grow within ourselves and expand culturally. Not to commercialize a +beautiful world like Dream Planet." + +Atkinson stood unmoving, and Loveral could see the way the man's muscles +were tight, like steel springs, and the way his eyes burned deep inside +their blackness. + +"We've given you everything you need," Loveral explained, trying to +adjust the smile on his lips again. "Everybody has everything they want. +But, you see, if you sit there and work and make something that someone +else doesn't have, then the whole system is destroyed. Then someone will +want what you've made. We'll have jealousy and hatred and fighting. This +is the stuff of which wars are made, George. You know that. It starts +with small things like this, but it grows. When it does, the structure +of our life here will collapse. You wouldn't want that, would you, +George?" + +"Yes!" Atkinson said, his mouth white at the edges. "I'd like to see the +whole rotten thing collapsed and blown to hell!" + +Loveral's teeth snapped together and his lips grew tight. He could feel +a muscle jumping along his neck. + +Atkinson looked at him with furious eyes. "What do you think it's like, +living this way? You're busy working twenty-four hours a day, while we +wander around this damned prison like the breathing dead. You can feel +sweat and aches in your bones from a hard day's work. Sleep is like +medicine to you, instead of another stretch of torture. You can forget +your own brain for a while by doing something with your hands. You can +relax because you can get tired. Not us, by God. Not us!" + +"I envy you, George," Loveral said through his teeth. + +"Oh, like hell you do. You treat us like we were helpless infants. You +feed and clothe us and do all our work, and you're so happy you damned +near split your guts." + +"I'll take that, if you don't mind," Loveral said, reaching for the +hammer, his voice suddenly icy cold. + +Atkinson slammed back against the table. "No, you won't. You won't take +anything more at all. You've taken our spirit and our pride and the +strength right out of our spines. You won't take anything more!" + +"George?" Loveral said, but not moving any further. + +Atkinson slid the hammer back of him onto the table, and his hands were +searching among a dozen scattered pieces of metal and wood. He watched +Loveral as he worked. "Let me show you what else I've made," he said. + +"I'd hate to do it," Loveral said, "but I can stop your food, your +water, everything." + +Atkinson's hands moved swiftly, assembling the pieces. He nodded. "You +can, but you won't." + +"I have the only keys to the storage units. I control everything, +George." + +"Correction," said Atkinson, holding an assembled revolver in his hands. +"You _did_." + + * * * * * + +Loveral looked at what Atkinson had in his hands. He blinked. + +"You're nearly dead," Atkinson said. + +Loveral looked at Atkinson, into his eyes. "If you wanted to kill me, +you could have done it some other way." + +Atkinson shook his head. "Just this way. Just with something that took +me dozens of days and nights to make. With something that made me sweat +and swear to get. It was difficult--with no tools or proper +materials--but that made it all the better. Now I've got it finished," +he said, pushing a bullet into the chamber, "and ready to use." + +Loveral stood frozen, then he turned. "My dear," he said to the woman +who moved her mouth as though her voice had been pumped out of her. He +reached to touch her shoulder. She recoiled, as though his fingers held +poison. "George," he said, turning back to the black-eyed man. + +"This is a great moment," Atkinson said, lifting the muzzle of the +revolver. "When I squeeze the trigger, it'll be like blowing the lock +off a prison door. I'll go yelling to the others, and we'll smash down +the whole goddamned place. We'll smash it down, so we'll have to rebuild +it. We'll pull apart every robot you've got. We'll tear apart the food +lockers and have a celebration for a week, and when we've gotten sick +from too much food, we'll start growing some more with our own hands. +We'll make forges for the men and looms for the women. We'll burn our +clothes and make new ones. We'll grow corn in the fields. We'll pump +water from the ground. You're finished, Loveral." + +Loveral stared at the revolver. "George," he said, pleading. "The plans. +The beautiful, beautiful plans. All of you, you all wanted peace and +contentment. Time to think and dream. You all wanted to get away from +the work and the worry and the responsibility. You--" + +Atkinson fired the gun into Loveral's stomach. + +Loveral gestured at the air and fell to his knees. Atkinson threw his +gun through a window and grabbed his wife by the hand. "Hurry!" he said, +laughing. "Hurry!" + +Loveral felt of the blood on his shirt and rested on his knees. He could +hear footsteps, racing through the house and out to the yard. He held +out his bloody hand and looked at it. Atkinson's voice pealed through +the warm clear air. "He's dead! Loveral's dead!" + +There was a sound of sudden activity, and everywhere went the cry, +"Loveral's dead!" + +Loveral sank to his haunches and opened his lips. The blood was there, +too. He could hear the shouts and the laughter, and then the tearing of +steel, the smashing of glass. He bent over his knees, trembling with a +sudden chill. The sound of destruction grew like thunder. "Why?" he said +in his dying throat. "Oh, why? It was what they said they wanted." + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _If Worlds of Science Fiction_ + September 1953. Extensive research did not uncover any evidence that + the U.S. copyright on this publication was renewed. Minor spelling + and typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Planet of Dreams, by James McKimmey + +*** END OF THIS PROJECT GUTENBERG EBOOK PLANET OF DREAMS *** + +***** This file should be named 30045.txt or 30045.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/0/0/4/30045/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/old/30045.zip b/old/30045.zip Binary files differnew file mode 100644 index 0000000..c4e3e05 --- /dev/null +++ b/old/30045.zip |
