diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 29963-h.zip | bin | 0 -> 244583 bytes | |||
| -rw-r--r-- | 29963-h/29963-h.htm | 884 | ||||
| -rw-r--r-- | 29963-h/images/001.png | bin | 0 -> 118577 bytes | |||
| -rw-r--r-- | 29963-h/images/002-1.jpg | bin | 0 -> 15753 bytes | |||
| -rw-r--r-- | 29963-h/images/002-2.jpg | bin | 0 -> 96859 bytes | |||
| -rw-r--r-- | 29963.txt | 670 | ||||
| -rw-r--r-- | 29963.zip | bin | 0 -> 11917 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
10 files changed, 1570 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/29963-h.zip b/29963-h.zip Binary files differnew file mode 100644 index 0000000..04034d0 --- /dev/null +++ b/29963-h.zip diff --git a/29963-h/29963-h.htm b/29963-h/29963-h.htm new file mode 100644 index 0000000..a4f423b --- /dev/null +++ b/29963-h/29963-h.htm @@ -0,0 +1,884 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of Goodbye, Dead Man!, by Tom W. Harris + </title> + <style type="text/css"> + + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + h1,h2 {text-align: center; clear: both;} + h2 {font-weight: normal; margin-bottom: 2em;} + hr {width: 45%; margin: 2em auto; visibility: hidden;} + body {margin-left: 10%; margin-right: 10%;} + .figc {margin: 1em auto; width: 600px;} + img {border: none;} + a:link,a:visited {text-decoration: none;} + p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em; width: auto;} + .dcap {text-transform: uppercase;} + .figt {float: left; clear: left; margin: 15px; padding: 0; width: 149px;} + .trn {border: solid 1px; margin: 3em 15%; min-height: 230px;} + .trn p {margin: 15px;} + .bk1 {margin: 2em auto; width: 30em;} + .bk1 p {text-indent: 2em;} + .sp1 {font-size: 150%;} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Goodbye, Dead Man!, by Tom W. Harris + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Goodbye, Dead Man! + +Author: Tom W. Harris + +Illustrator: Becker + +Release Date: September 12, 2009 [EBook #29963] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK GOODBYE, DEAD MAN! *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<div class="bk1"><p><big><b>Mattup had killed a man, so it was logical +he should be punished. It was Danny who came up +with the idea of leaving him with the prophecy—</b></big></p></div> + +<h1><span class="sp1">Goodbye, Dead Man!</span></h1> + +<h2><i>by<br /> +Tom W. Harris</i></h2> + +<p class="cap"><span class="dcap">It was Orley</span> Mattup's killing +of the old lab technician +that really made us hate him.</p> + +<p>Mattup was a guard at the reactor +installation at Bayless, Kentucky, +where my friend Danny +Hern and I were part of the staff +when the Outsiders took everything +over. In what god-forsaken mountain +hole they had found Mattup, +and how they got him to sell out +to them, I don't know. He was an +authentic human, though. You can +tell an Outsider.</p> + +<p>Mattup and Danny and I were +playing high-low-jack the night +Uncle Pete was killed, sitting on +the widewalk where Mattup had a +view of the part of the station he +was responsible for. High-low-jack +is a back-country card game; +Danny had learned it in northern +Pennsylvania, where he came from, +and Mattup loved the game, and +they had taught it to me because +the game is better three-handed. +The evening sessions had been +Danny's idea—I think he figured +it might give him a line on Mattup.</p> + +<p>On the night in question, Mattup +was on a week's losing streak +and was in a foul humor. He was +superstitious, and he had called for +a new deck twice that evening and +walked around his seat four different +times. His bidding was getting +wilder.</p> + +<p>"You'd better cool down," Danny +told him. "Thing to do is ride +out the bad luck, not fight it."</p> + +<p>Orley picked his nose and looked +at his cards, "Bid four," he +growled.</p> + +<p>Four is the highest possible bid. +Tim played his cards well and he +had good ones. He had sewed up +three of his points when we heard +somebody moving around down on +the reactor floor. It was old Uncle +Pete Barker, one of the technicians.</p> + +<div class="figc"><img src="images/001.png" width="600" height="538" alt="" title="" /></div> + +<p>"What you want down there?" +bawled Mattup.</p> + +<p>"Just left my cap by the control +room," said Uncle Pete, "and +thought I'd go get it."</p> + +<p>"You keep the hell away from +there," grunted Mattup.</p> + +<p>Uncle Pete stopped and stood +gazing up at us. We went on playing. +It was the last card of the +hand, and would either win the +game for Mattup or lose it for him. +Orley slapped his card down; it +was a crucial card, the jack. Danny +took it with a queen and Mattup +had lost the game.</p> + +<p>I felt like clearing out. Mattup's +face was purple and his eyes looked +like wolves' eyes. He glared at +Danny, making a noise in his +throat, and then I saw his gaze +leave Danny and go to something +down by the reactor.</p> + +<p>It was Uncle Pete, shuffling +along toward the control room.</p> + +<p>Mattup didn't say a word. He +stood up and unholstered the thing +the Outsiders had given him and +pointed it at Uncle Pete. There +was a ringing in our ears and Uncle +Pete began to twist. Something inside +him twisted him, twisting inside +his arms, his legs, head, trunk, +even his fingers. It was only for +a few seconds. Then the ringing +stopped, and Uncle Pete sunk to +the ground, and there was the +silence and the smell.</p> + +<p>Mattup made us leave the body +there until we had played two more +hands. Danny won one; he was a +man with good nerves. When we +were back in our room he said, +"That did it—I'm going to get +that guy."</p> + +<p>"I hate his big thick guts," I +said, buttoning my pajama shirt, +"but how are you going to get +him?"</p> + +<p>"I'll get him," said Danny. +"Meanwhile, we'll keep playing +cards."</p> + +<p>Things went on almost normally +at the Bayless reactor. It was a +privately-owned pool-type reactor, +and we were sent samples of all +sorts of material for irradiation +from all over the country. Danny +was one of the irradiation men; I +generally handled controlling. The +Outsiders had filled the place with +telescreens and guards, and all mail +was opened, but there was no real +interference with the work. I began +to worry a little about Danny. +Almost every afternoon he spent +an hour alone in our room, with +the door closed.</p> + +<p>Mattup kept getting worse; an +animal with power. He used to go +hunting with the damnable Outsider +weapon, although the meat +killed with it wasn't fit to eat, +and he used it on birds until there +wasn't one left anywhere near the +plant. He never killed a bluebird, +though. He said it was bad luck. +Sometimes he drank moonshine +corn liquor, usually alone, because +the Outsiders wouldn't touch it, +but sometimes he made some of +us drink with him, watching sharply +to see we didn't poison him and +craftily picking his nose. When +he was drunk he was abusive.</p> + +<hr /> + +<p class="cap"><span class="dcap">One night</span> we were in our +room, dead for sleep after a +long game, and Danny said, "Let +me show you something."</p> + +<p>He shuffled the cards, I cut, and +he dealt me an ace, king, queen, +jack, ten and deuce of spades. He +shuffled again and dealt me the +same in hearts.</p> + +<p>"Watch as closely as you can," +he grinned. "See if you can catch +me."</p> + +<p>I couldn't.</p> + +<p>"I've been practicing," he said. +"I'm going to get Mattup."</p> + +<p>"What good will it do to beat +him in cards? You'll only make +him sore." I was relieved to learn +what Danny had been doing, alone +in our room, but this card-sharp +angle didn't make much sense to +me.</p> + +<p>"Who says I'm going to beat +him at cards?" smiled Danny. "By +the way, did you hear the rumor? +They're going to break up the +staff, Outsider policy, send us to +Oak Ridge, Argonne, Shippingport, +send new people down here."</p> + +<p>"That doesn't leave you much +time," I said.</p> + +<p>"Time enough," said Danny.</p> + +<p>The next night Mattup began +a fantastic streak of luck. It seemed +he couldn't lose, and he was as +unpleasant a winner as he was a +loser.</p> + +<p>"You boys don't know what card-playin' +is," he'd gloat. "Think +you're pretty smarty with all that +science stuff but you can't win a +plain old card game. You know +why you can't beat me, boys?"</p> + +<p>"Because you're too smart, I +guess," said Danny.</p> + +<p>"Well, yeah, and somethin' else. +I dipped my hands in spunk water, +up on the mountain where you +can never find it, and besides that +I spit on ever' card in this deck +and wiped it off. Couldn't lose now +to save my life."</p> + +<p>"Maybe you're right," said Danny, +and went on dealing.</p> + +<p>In a few days the rumor of +moving was confirmed; I was being +sent to Oak Ridge, Danny to +Argonne. Mattup kept winning, +and "suggested" that we raise the +stakes. By the day that we were +to leave we owed him every cent +we had.</p> + +<p>I paid up soberly; I wouldn't +give Mattup any satisfaction by +complaining. It looked as though +Danny wasn't going to "get" Mattup +after all. But Danny surprised +me.</p> + +<p>"Look, buster," he wheedled. +"If I pay you seventy-five bucks +I won't have a cent left. How +about me paying half now and the +rest later?"</p> + +<p>"No good," said Mattup. "You +got it—pay me. If you can't pay +cash gimme your watch. I know +you got one."</p> + +<p>"Look, buster—"</p> + +<p>"Quit callin' me buster."</p> + +<p>"What am I going to live on until +I get paid again?"</p> + +<p>"What do I care?"</p> + +<p>It went on like that until the +busses for the airport were nearly +ready to leave and both men +seemed angry enough to kill each +other.</p> + +<p>"Let's go," I begged Danny. +"Pay him and leave."</p> + +<p>"All right then!" Danny snapped, +and pulled out his wallet. He +counted out all his bills into Mattup's +hand.</p> + +<p>"You're a buck short," said +Mattup.</p> + +<p>"Why not forget the buck?" +said Danny. "You can spare it."</p> + +<p>"You're a buck short," repeated +Mattup, scowling.</p> + +<p>Danny dashed his wallet to the +ground. "You're even taking my +change!" He got his jacket from +the back of a chair—it was a hot +day—and emptied change from the +side pocket.</p> + +<p>There were two quarters and a +half dollar, and he paid them over. +"I have eleven cents left," he said. +"Hell, take that too. I don't give +a damn."</p> + +<p>Mattup grinned. "Sure I'll take +it—if you weren't lying when you +said I could have it."</p> + +<p>"It'll break me," said Danny.</p> + +<p>"I know it," said Mattup. +"Gonna break your promise?"</p> + +<p>The bus driver was honking. +"The hell with you," Danny said +to Mattup, and gave him a dime +and a penny. He looked Mattup in +the eye with a strange expression. +"Now, I gave you that and you +didn't win it. You took it of your +own free will. I offered it to you +and you took it. Right?"</p> + +<p>"Right," said Mattup. "Sucker."</p> + +<p>We scrambled on the bus and +as it pulled away Danny yelled +"Hey, Buster, look!" Mattup +looked, and Danny stuck his right +arm out the window, pointing at +Mattup with his right forefinger +and his little finger stuck out +straight and parallel, the thumb +tucked under. A strange, disturbed +look came over Orley. He turned +his back as the bus roared out of +the drive.</p> + +<p>At the airport Danny popped +into a phone-booth and got Orley +on the line—nobody seemed to +care, either Outsiders or guards—and +he let me listen.</p> + +<p>"Spent your money yet, dead +man?" purred Danny.</p> + +<p>"Whacha mean, dead man?" +gruffed Orley's voice. "You crazy +or something?"</p> + +<p>"You know that eleven cents extra +you took?" gloated Danny. +"It's gonna kill you, Buster, for +killing Uncle Pete, and for everything +else you've done. I know. I've +been talking nights to Uncle Pete. +You're a dead duck, Orley Mattup! +Dead!"</p> + +<p>"That's—I don't believe it, it's +baloney! I'm going to spend that +eleven cents and get rid of it."</p> + +<p>"You do exactly that, Buster. I +locked the curse on it, and I made +the sign on you, and you have to +keep that eleven cents the rest of +your life. If you spend it—or if +you lose it, and you will lose it—that's +the end of you."</p> + +<p>"I'll come out there and pound +the hell out of you!" yelled Mattup.</p> + +<p>"Too late, Buster, our planes are +leaving. Goodbye, dead man!"</p> + +<p>And we had to run for our planes. +Danny's pitch sounded pretty weak +to me, even though Orley was superstitious, +but I didn't get to tell +Danny that until nearly five years +later.</p> + +<hr /> + +<p class="cap"><span class="dcap">"I think</span> I got him," said Danny. +"You don't know the whole thing."</p> + +<p>A hotel clerk had been listening. +"You mean Orley Mattup, the +guard? He got sick, and said he +had a hex on him, and took off +one day and a lot later they found +him up on the mountain. He was +dead."</p> + +<p>"Any money on him?" asked +Danny.</p> + +<p>"Jest some change. They buried +it with him; they heard the hex +was locked onto that money."</p> + +<p>"Congratulations," I told Danny. +"I didn't think it'd work. You +scared him to death."</p> + +<p>"Not quite," said Danny. "I +scared him into hanging onto the +money. That money would have +killed anybody that carried it much +longer than the few minutes I handled +it. I'd been keeping the stuff +in the reactor beam tubes. It was +radioactive as hell."</p> + +<div class="trn"><div class="figt"><a href="images/002-2.jpg"><img src="images/002-1.jpg" width="149" height="200" alt="" title="" /></a></div> + +<p><big><b>Transcriber's Note:</b></big></p> + +<p>This etext was produced from <i>Imagination Stories of Science and Fantasy</i> April 1958. +Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</p></div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Goodbye, Dead Man!, by Tom W. Harris + +*** END OF THIS PROJECT GUTENBERG EBOOK GOODBYE, DEAD MAN! *** + +***** This file should be named 29963-h.htm or 29963-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/9/6/29963/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/29963-h/images/001.png b/29963-h/images/001.png Binary files differnew file mode 100644 index 0000000..3b68fe8 --- /dev/null +++ b/29963-h/images/001.png diff --git a/29963-h/images/002-1.jpg b/29963-h/images/002-1.jpg Binary files differnew file mode 100644 index 0000000..928170b --- /dev/null +++ b/29963-h/images/002-1.jpg diff --git a/29963-h/images/002-2.jpg b/29963-h/images/002-2.jpg Binary files differnew file mode 100644 index 0000000..5616cc1 --- /dev/null +++ b/29963-h/images/002-2.jpg diff --git a/29963.txt b/29963.txt new file mode 100644 index 0000000..72d34ae --- /dev/null +++ b/29963.txt @@ -0,0 +1,670 @@ +The Project Gutenberg EBook of Goodbye, Dead Man!, by Tom W. Harris + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Goodbye, Dead Man! + +Author: Tom W. Harris + +Illustrator: Becker + +Release Date: September 12, 2009 [EBook #29963] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK GOODBYE, DEAD MAN! *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + Mattup had killed a man, so it was logical + he should be punished. It was Danny who came up + with the idea of leaving him with the prophecy-- + + Goodbye, Dead Man! + + _by Tom W. Harris_ + + +It was Orley Mattup's killing of the old lab technician that really made +us hate him. + +Mattup was a guard at the reactor installation at Bayless, Kentucky, +where my friend Danny Hern and I were part of the staff when the +Outsiders took everything over. In what god-forsaken mountain hole they +had found Mattup, and how they got him to sell out to them, I don't +know. He was an authentic human, though. You can tell an Outsider. + +Mattup and Danny and I were playing high-low-jack the night Uncle Pete +was killed, sitting on the widewalk where Mattup had a view of the part +of the station he was responsible for. High-low-jack is a back-country +card game; Danny had learned it in northern Pennsylvania, where he came +from, and Mattup loved the game, and they had taught it to me because +the game is better three-handed. The evening sessions had been Danny's +idea--I think he figured it might give him a line on Mattup. + +On the night in question, Mattup was on a week's losing streak and was +in a foul humor. He was superstitious, and he had called for a new deck +twice that evening and walked around his seat four different times. His +bidding was getting wilder. + +"You'd better cool down," Danny told him. "Thing to do is ride out the +bad luck, not fight it." + +Orley picked his nose and looked at his cards, "Bid four," he growled. + +Four is the highest possible bid. Tim played his cards well and he had +good ones. He had sewed up three of his points when we heard somebody +moving around down on the reactor floor. It was old Uncle Pete Barker, +one of the technicians. + +[Illustration] + +"What you want down there?" bawled Mattup. + +"Just left my cap by the control room," said Uncle Pete, "and thought +I'd go get it." + +"You keep the hell away from there," grunted Mattup. + +Uncle Pete stopped and stood gazing up at us. We went on playing. It was +the last card of the hand, and would either win the game for Mattup or +lose it for him. Orley slapped his card down; it was a crucial card, the +jack. Danny took it with a queen and Mattup had lost the game. + +I felt like clearing out. Mattup's face was purple and his eyes looked +like wolves' eyes. He glared at Danny, making a noise in his throat, and +then I saw his gaze leave Danny and go to something down by the reactor. + +It was Uncle Pete, shuffling along toward the control room. + +Mattup didn't say a word. He stood up and unholstered the thing the +Outsiders had given him and pointed it at Uncle Pete. There was a +ringing in our ears and Uncle Pete began to twist. Something inside him +twisted him, twisting inside his arms, his legs, head, trunk, even his +fingers. It was only for a few seconds. Then the ringing stopped, and +Uncle Pete sunk to the ground, and there was the silence and the smell. + +Mattup made us leave the body there until we had played two more hands. +Danny won one; he was a man with good nerves. When we were back in our +room he said, "That did it--I'm going to get that guy." + +"I hate his big thick guts," I said, buttoning my pajama shirt, "but how +are you going to get him?" + +"I'll get him," said Danny. "Meanwhile, we'll keep playing cards." + +Things went on almost normally at the Bayless reactor. It was a +privately-owned pool-type reactor, and we were sent samples of all sorts +of material for irradiation from all over the country. Danny was one of +the irradiation men; I generally handled controlling. The Outsiders had +filled the place with telescreens and guards, and all mail was opened, +but there was no real interference with the work. I began to worry a +little about Danny. Almost every afternoon he spent an hour alone in our +room, with the door closed. + +Mattup kept getting worse; an animal with power. He used to go hunting +with the damnable Outsider weapon, although the meat killed with it +wasn't fit to eat, and he used it on birds until there wasn't one left +anywhere near the plant. He never killed a bluebird, though. He said it +was bad luck. Sometimes he drank moonshine corn liquor, usually alone, +because the Outsiders wouldn't touch it, but sometimes he made some of +us drink with him, watching sharply to see we didn't poison him and +craftily picking his nose. When he was drunk he was abusive. + + * * * * * + +One night we were in our room, dead for sleep after a long game, and +Danny said, "Let me show you something." + +He shuffled the cards, I cut, and he dealt me an ace, king, queen, jack, +ten and deuce of spades. He shuffled again and dealt me the same in +hearts. + +"Watch as closely as you can," he grinned. "See if you can catch me." + +I couldn't. + +"I've been practicing," he said. "I'm going to get Mattup." + +"What good will it do to beat him in cards? You'll only make him sore." +I was relieved to learn what Danny had been doing, alone in our room, +but this card-sharp angle didn't make much sense to me. + +"Who says I'm going to beat him at cards?" smiled Danny. "By the way, +did you hear the rumor? They're going to break up the staff, Outsider +policy, send us to Oak Ridge, Argonne, Shippingport, send new people +down here." + +"That doesn't leave you much time," I said. + +"Time enough," said Danny. + +The next night Mattup began a fantastic streak of luck. It seemed he +couldn't lose, and he was as unpleasant a winner as he was a loser. + +"You boys don't know what card-playin' is," he'd gloat. "Think you're +pretty smarty with all that science stuff but you can't win a plain old +card game. You know why you can't beat me, boys?" + +"Because you're too smart, I guess," said Danny. + +"Well, yeah, and somethin' else. I dipped my hands in spunk water, up on +the mountain where you can never find it, and besides that I spit on +ever' card in this deck and wiped it off. Couldn't lose now to save my +life." + +"Maybe you're right," said Danny, and went on dealing. + +In a few days the rumor of moving was confirmed; I was being sent to Oak +Ridge, Danny to Argonne. Mattup kept winning, and "suggested" that we +raise the stakes. By the day that we were to leave we owed him every +cent we had. + +I paid up soberly; I wouldn't give Mattup any satisfaction by +complaining. It looked as though Danny wasn't going to "get" Mattup +after all. But Danny surprised me. + +"Look, buster," he wheedled. "If I pay you seventy-five bucks I won't +have a cent left. How about me paying half now and the rest later?" + +"No good," said Mattup. "You got it--pay me. If you can't pay cash gimme +your watch. I know you got one." + +"Look, buster--" + +"Quit callin' me buster." + +"What am I going to live on until I get paid again?" + +"What do I care?" + +It went on like that until the busses for the airport were nearly ready +to leave and both men seemed angry enough to kill each other. + +"Let's go," I begged Danny. "Pay him and leave." + +"All right then!" Danny snapped, and pulled out his wallet. He counted +out all his bills into Mattup's hand. + +"You're a buck short," said Mattup. + +"Why not forget the buck?" said Danny. "You can spare it." + +"You're a buck short," repeated Mattup, scowling. + +Danny dashed his wallet to the ground. "You're even taking my change!" +He got his jacket from the back of a chair--it was a hot day--and +emptied change from the side pocket. + +There were two quarters and a half dollar, and he paid them over. "I +have eleven cents left," he said. "Hell, take that too. I don't give a +damn." + +Mattup grinned. "Sure I'll take it--if you weren't lying when you said I +could have it." + +"It'll break me," said Danny. + +"I know it," said Mattup. "Gonna break your promise?" + +The bus driver was honking. "The hell with you," Danny said to Mattup, +and gave him a dime and a penny. He looked Mattup in the eye with a +strange expression. "Now, I gave you that and you didn't win it. You +took it of your own free will. I offered it to you and you took it. +Right?" + +"Right," said Mattup. "Sucker." + +We scrambled on the bus and as it pulled away Danny yelled "Hey, Buster, +look!" Mattup looked, and Danny stuck his right arm out the window, +pointing at Mattup with his right forefinger and his little finger stuck +out straight and parallel, the thumb tucked under. A strange, disturbed +look came over Orley. He turned his back as the bus roared out of the +drive. + +At the airport Danny popped into a phone-booth and got Orley on the +line--nobody seemed to care, either Outsiders or guards--and he let me +listen. + +"Spent your money yet, dead man?" purred Danny. + +"Whacha mean, dead man?" gruffed Orley's voice. "You crazy or +something?" + +"You know that eleven cents extra you took?" gloated Danny. "It's gonna +kill you, Buster, for killing Uncle Pete, and for everything else you've +done. I know. I've been talking nights to Uncle Pete. You're a dead +duck, Orley Mattup! Dead!" + +"That's--I don't believe it, it's baloney! I'm going to spend that +eleven cents and get rid of it." + +"You do exactly that, Buster. I locked the curse on it, and I made the +sign on you, and you have to keep that eleven cents the rest of your +life. If you spend it--or if you lose it, and you will lose it--that's +the end of you." + +"I'll come out there and pound the hell out of you!" yelled Mattup. + +"Too late, Buster, our planes are leaving. Goodbye, dead man!" + +And we had to run for our planes. Danny's pitch sounded pretty weak to +me, even though Orley was superstitious, but I didn't get to tell Danny +that until nearly five years later. + + * * * * * + +"I think I got him," said Danny. "You don't know the whole thing." + +A hotel clerk had been listening. "You mean Orley Mattup, the guard? He +got sick, and said he had a hex on him, and took off one day and a lot +later they found him up on the mountain. He was dead." + +"Any money on him?" asked Danny. + +"Jest some change. They buried it with him; they heard the hex was +locked onto that money." + +"Congratulations," I told Danny. "I didn't think it'd work. You scared +him to death." + +"Not quite," said Danny. "I scared him into hanging onto the money. That +money would have killed anybody that carried it much longer than the few +minutes I handled it. I'd been keeping the stuff in the reactor beam +tubes. It was radioactive as hell." + + + + +Transcriber's Note: + + This etext was produced from _Imagination Stories of Science and + Fantasy_ April 1958. Extensive research did not uncover any evidence + that the U.S. copyright on this publication was renewed. Minor + spelling and typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Goodbye, Dead Man!, by Tom W. Harris + +*** END OF THIS PROJECT GUTENBERG EBOOK GOODBYE, DEAD MAN! *** + +***** This file should be named 29963.txt or 29963.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/9/6/29963/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/29963.zip b/29963.zip Binary files differnew file mode 100644 index 0000000..e2ea2b6 --- /dev/null +++ b/29963.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..c808dd4 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #29963 (https://www.gutenberg.org/ebooks/29963) |
