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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/29954-h.zip b/29954-h.zip Binary files differnew file mode 100644 index 0000000..a680d93 --- /dev/null +++ b/29954-h.zip diff --git a/29954-h/29954-h.htm b/29954-h/29954-h.htm new file mode 100644 index 0000000..7f36bde --- /dev/null +++ b/29954-h/29954-h.htm @@ -0,0 +1,793 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of There is a Reaper ..., by Charles V. De Vet + </title> + <style type="text/css"> + + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + h1,h2,.hd1 {text-align: center;} + h2 {font-weight: normal;} + hr {width: 45%; margin: 2em auto; visibility: hidden;} + body {margin-left: 10%; margin-right: 10%;} + .figr {float: right; clear: right; margin: 1em 0 1em 1em; padding: 0; width: 370px;} + img {border: none;} + a:link,a:visited {text-decoration: none;} + p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em; width: auto;} + .dcap {text-transform: uppercase;} + .figt {float: left; clear: left; margin: 15px; padding: 0; width: 146px;} + .trn {border: solid 1px; margin: 3em 15%; min-height: 230px;} + .trn p {margin: 15px;} + .sp1 {font-size: 150%;} + .bk1 {margin: 2em auto; width: 26em;} + .bk1 p {text-indent: 2em;} + .hd1 {margin-top: 2em;} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of There is a Reaper ..., by Charles V. De Vet + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: There is a Reaper ... + +Author: Charles V. De Vet + +Illustrator: W. E. Terry + +Release Date: September 10, 2009 [EBook #29954] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THERE IS A REAPER ... *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + +<h1><span class="sp1">There Is A Reaper ...</span></h1> + +<h2><i>By<br /> +Charles V. De Vet</i></h2> + +<div class="bk1"><p><big><b>Doctors had given him just one month to +live. A month to wonder, what comes afterward? +There was one way to find out—ask a dead man!</b></big></p></div> + +<p class="cap"><span class="dcap">The</span> amber brown of the +liquor disguised the poison it +held, and I watched with a +smile on my lips as he drank it. +There was no pity in my heart for +him. He was a jackal in the jungle +of life, and I ... I was one of +the carnivores. It is the lot of the +jackals of life to be devoured by +the carnivore.</p> + +<p>Suddenly the contented look +on his face froze into a startled +stillness. I knew he was +feeling the first savage twinge +of the agony that was to +come. He turned his head and +looked at me, and I saw suddenly +that he knew what I had done.</p> + +<p>"You murderer!" he cursed me, +and then his body arched in the +middle and his voice choked off +deep in his throat.</p> + +<p>For a short minute he sat, tense, +his body stiffened by the agony +that rode it—unable to move a +muscle. I watched the torment in +his eyes build up to a crescendo of +pain, until the suffering became so +great that it filmed his eyes, and +I knew that, though he still stared +directly at me, he no longer saw +me.</p> + +<p>Then, as suddenly as the spasm +had come, the starch went out of +his body and his back slid slowly +down the chair edge. He landed +heavily with his head resting limply +against the seat of the chair. +His right leg doubled up in a kind +of jerk, before he was still.</p> + +<p>I knew the time had come. +"Where are you?" I asked.</p> + +<p>This moment had cost me sixty +thousand dollars.</p> + +<p>Three weeks ago the best doctors +in the state had given me a +month to live. And with seven +million dollars in the bank I couldn't +buy a minute more.</p> + +<p>I accepted the doctors' decision +philosophically, like the gambler +that I am. But I had a plan: One +which necessity had never forced +me to use until now. Several years +before I had read an article about +the medicine men of a certain tribe +of aborigines living in the jungles +at the source of the Amazon River. +They had discovered a process in +which the juice of a certain bush—known +only to them—could be +used to poison a man. Anyone subjected +to this poison died, but for +a few minutes after the life left his +body the medicine men could still +converse with him. The subject, +though ostensibly and actually +dead, answered the medicine men's +every question. This was their +primitive, though reportedly effective +method of catching glimpses of +what lay in the world of death.</p> + +<div class="figr"><img src="images/001.png" width="370" height="500" alt="" title="" /></div> + +<p>I had conceived my idea at the +time I read the article, but I had +never had the need to use it—until +the doctors gave me a month to +live. Then I spent my sixty thousand +dollars, and three weeks later +I held in my hands a small bottle +of the witch doctors' fluid.</p> + +<p>The next step was to secure my +victim—my collaborator, I preferred +to call him.</p> + +<p>The man I chose was a nobody. +A homeless, friendless non-entity, +picked up off the street. He had +once been an educated man. But +now he was only a bum, and when +he died he'd never be missed. A +perfect man for my experiment.</p> + +<p>I'm a rich man because I have +a system. The system is simple: +I never make a move until I know +exactly where that move will lead +me. My field of operations is the +stock market. I spend money unstintingly +to secure the information +I need before I take each step. I +hire the best investigators, bribe +employees and persons in position +to give me the information I want, +and only when I am as certain as +humanly possible that I cannot be +wrong do I move. And the system +never fails. Seven million dollars +in the bank is proof of that.</p> + +<p>Now, knowing that I could not +live, I intended to make the system +work for me one last time before +I died. I'm a firm believer in the +adage that any situation can be +whipped, given prior knowledge of +its coming—and, of course, its attendant +circumstances.</p> + +<hr /> + +<p class="cap"><span class="dcap">For</span> a moment he did not answer +and I began to fear that +my experiment had failed. "Where +are you?" I repeated, louder and +sharper this time.</p> + +<p>The small muscles about his +eyes puckered with an unnormal +tension while the rest of his face +held its death frost. Slowly, slowly, +unnaturally—as though energized +by some hyper-rational power—his +lips and tongue moved. +The words he spoke were clear. "I +am in a ... a ... tunnel," he +said. "It is lighted, dimly, but +there is nothing for me to see." +Blue veins showed through the +flesh of his cheeks like watermarks +on translucent paper.</p> + +<p>He paused and I urged, "Go +on."</p> + +<p>"I am alone," he said. "The +realities I knew no longer exist, +and I am damp and cold. All about +me is a sense of gloom and dejection. +It is an apprehension—an +emanation—so deep and real as +to be almost a tangible thing. The +walls to either side of me seem to +be formed, not of substance, but +rather of the soundless cries of +melancholy of spirits I cannot see.</p> + +<p>"I am waiting, waiting in the +gloom for something which will +come to me. That need to wait +is an innate part of my being and +I have no thought of questioning +it." His voice died again.</p> + +<p>"What are you waiting for?" I +asked.</p> + +<p>"I do not know," he said, his +voice dreary with the despair of +centuries of hopelessness. "I only +know that I must wait—that compulsion +is greater than my strength +to combat."</p> + +<p>The tone of his voice changed +slightly. "The tunnel about me +is widening and now the walls have +receded into invisibility. The tunnel +has become a plain, but the +plain is as desolate, as forlorn and +dreary as was the tunnel, and still +I stand and wait. How long must +this go on?"</p> + +<p>He fell silent again, and I was +about to prompt him with another +question—I could not afford to let +the time run out in long silences—but +abruptly the muscles about his +eyes tightened and subtly a new +aspect replaced their hopeless dejection. +Now they expressed a +black, bottomless terror. For a +moment I marveled that so small +a portion of a facial anatomy could +express such horror.</p> + +<p>"There is something coming toward +me," he said. "A—beast—of +brutish foulness! Beast is too +inadequate a term to describe it, +but I know no words to tell its +form. It is an intangible and evasive—thing—but +very real. And it +is coming closer! It has no organs +of sight as I know them, but I feel +that it can see me. Or rather that +it is aware of me with a sense sharper +than vision itself. It is very +near now. Oh God, the malevolence, +the hate—the potentiality of +awful, fearsome destructiveness +that is its very essence! And still +I cannot move!"</p> + +<p>The expression of terrified anticipation, +centered in his eyes, lessened +slightly, and was replaced, instantly, +by its former deep, deep +despair. "I am no longer afraid," +he said.</p> + +<p>"Why?" I interjected. "Why?" +I was impatient to learn all that +I could before the end came.</p> + +<p>"Because ..." He paused. +"Because it holds no threat for +me. Somehow, someday, I understand—I +know—that it too is seeking +that for which I wait."</p> + +<p>"What is it doing now?" I +asked.</p> + +<p>"It has stopped beside me and +we stand together, gazing across +the stark, empty plain. Now a second +awful entity, with the same +leashed virulence about it, moves +up and stands at my other side. +We all three wait, myself with a +dark fear of this dismal universe, +my unnatural companions with patient, +malicious menace.</p> + +<p>"Bits of ..." He faltered. "Of +... I can name it only <i>aura</i>, go +out from the beasts like an acid +stream, and touch me, and the hate, +and the venom chill my body like +a wave of intense cold.</p> + +<p>"Now there are others of the +awful breed behind me. We stand, +waiting, waiting for that which +will come. What it is I do not +know."</p> + +<p>I could see the pallor of death +creeping steadily into the last +corners of his lips, and I knew that +the end was not far away. Suddenly +a black frustration built up +within me. "What are you waiting +for?" I screamed, the tenseness, +and the importance of this moment +forcing me to lose the iron self-control +upon which I have always +prided myself. I knew that the +answer held the secret of what I +must know. If I could learn that, +my experiment would not be in +vain, and I could make whatever +preparations were necessary for my +own death. I had to know that +answer.</p> + +<p>"Think! Think!" I pleaded. +"What are you waiting for?"</p> + +<p>"I do not know!" The dreary +despair in his eyes, sightless as they +met mine, chilled me with a coldness +that I felt in the marrow of +my being. "I do not know," he +repeated. "I ... Yes, I do know!"</p> + +<p>Abruptly the plasmatic film +cleared from his eyes and I knew +that for the first time, since the +poison struck, he was seeing me, +clearly. I sensed that this was +the last moment before he left—for +good. It had to be now!</p> + +<p>"Tell me. I command you," I +cried. "What are you waiting +for?"</p> + +<p>His voice was quiet as he murmured, +softly, implacably, before +he was gone.</p> + +<p>"We are waiting," he said, "for +<i>you</i>."</p> + +<p class="hd1"><big>THE END</big></p> + +<div class="trn"><div class="figt"><a href="images/002-2.jpg"><img src="images/002-1.jpg" width="146" height="200" alt="" title="" /></a></div> + +<p><big><b>Transcriber's Note:</b></big></p> + +<p>This etext was produced from <i>Imagination Stories of Science and Fantasy</i> August 1953. +Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</p></div> + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's There is a Reaper ..., by Charles V. 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De Vet + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: There is a Reaper ... + +Author: Charles V. De Vet + +Illustrator: W. E. Terry + +Release Date: September 10, 2009 [EBook #29954] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THERE IS A REAPER ... *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + +There Is A Reaper ... + +_By Charles V. De Vet_ + + + Doctors had given him just one month to + live. A month to wonder, what comes afterward? + There was one way to find out--ask a dead man! + + +The amber brown of the liquor disguised the poison it held, and I +watched with a smile on my lips as he drank it. There was no pity in my +heart for him. He was a jackal in the jungle of life, and I ... I was +one of the carnivores. It is the lot of the jackals of life to be +devoured by the carnivore. + +Suddenly the contented look on his face froze into a startled stillness. +I knew he was feeling the first savage twinge of the agony that was to +come. He turned his head and looked at me, and I saw suddenly that he +knew what I had done. + +"You murderer!" he cursed me, and then his body arched in the middle and +his voice choked off deep in his throat. + +For a short minute he sat, tense, his body stiffened by the agony that +rode it--unable to move a muscle. I watched the torment in his eyes +build up to a crescendo of pain, until the suffering became so great +that it filmed his eyes, and I knew that, though he still stared +directly at me, he no longer saw me. + +Then, as suddenly as the spasm had come, the starch went out of his body +and his back slid slowly down the chair edge. He landed heavily with his +head resting limply against the seat of the chair. His right leg doubled +up in a kind of jerk, before he was still. + +I knew the time had come. "Where are you?" I asked. + +This moment had cost me sixty thousand dollars. + +Three weeks ago the best doctors in the state had given me a month to +live. And with seven million dollars in the bank I couldn't buy a minute +more. + +I accepted the doctors' decision philosophically, like the gambler +that I am. But I had a plan: One which necessity had never forced me to +use until now. Several years before I had read an article about the +medicine men of a certain tribe of aborigines living in the jungles at +the source of the Amazon River. They had discovered a process in which +the juice of a certain bush--known only to them--could be used to poison +a man. Anyone subjected to this poison died, but for a few minutes after +the life left his body the medicine men could still converse with him. +The subject, though ostensibly and actually dead, answered the medicine +men's every question. This was their primitive, though reportedly +effective method of catching glimpses of what lay in the world of death. + +[Illustration] + +I had conceived my idea at the time I read the article, but I had never +had the need to use it--until the doctors gave me a month to live. Then +I spent my sixty thousand dollars, and three weeks later I held in my +hands a small bottle of the witch doctors' fluid. + +The next step was to secure my victim--my collaborator, I preferred to +call him. + +The man I chose was a nobody. A homeless, friendless non-entity, picked +up off the street. He had once been an educated man. But now he was only +a bum, and when he died he'd never be missed. A perfect man for my +experiment. + +I'm a rich man because I have a system. The system is simple: I never +make a move until I know exactly where that move will lead me. My field +of operations is the stock market. I spend money unstintingly to secure +the information I need before I take each step. I hire the best +investigators, bribe employees and persons in position to give me the +information I want, and only when I am as certain as humanly possible +that I cannot be wrong do I move. And the system never fails. Seven +million dollars in the bank is proof of that. + +Now, knowing that I could not live, I intended to make the system work +for me one last time before I died. I'm a firm believer in the adage +that any situation can be whipped, given prior knowledge of its +coming--and, of course, its attendant circumstances. + + * * * * * + +For a moment he did not answer and I began to fear that my experiment +had failed. "Where are you?" I repeated, louder and sharper this time. + +The small muscles about his eyes puckered with an unnormal tension +while the rest of his face held its death frost. Slowly, slowly, +unnaturally--as though energized by some hyper-rational power--his lips +and tongue moved. The words he spoke were clear. "I am in a ... a ... +tunnel," he said. "It is lighted, dimly, but there is nothing for me to +see." Blue veins showed through the flesh of his cheeks like watermarks +on translucent paper. + +He paused and I urged, "Go on." + +"I am alone," he said. "The realities I knew no longer exist, and I am +damp and cold. All about me is a sense of gloom and dejection. It is an +apprehension--an emanation--so deep and real as to be almost a tangible +thing. The walls to either side of me seem to be formed, not of +substance, but rather of the soundless cries of melancholy of spirits I +cannot see. + +"I am waiting, waiting in the gloom for something which will come to me. +That need to wait is an innate part of my being and I have no thought of +questioning it." His voice died again. + +"What are you waiting for?" I asked. + +"I do not know," he said, his voice dreary with the despair of centuries +of hopelessness. "I only know that I must wait--that compulsion is +greater than my strength to combat." + +The tone of his voice changed slightly. "The tunnel about me is widening +and now the walls have receded into invisibility. The tunnel has become +a plain, but the plain is as desolate, as forlorn and dreary as was the +tunnel, and still I stand and wait. How long must this go on?" + +He fell silent again, and I was about to prompt him with another +question--I could not afford to let the time run out in long +silences--but abruptly the muscles about his eyes tightened and subtly a +new aspect replaced their hopeless dejection. Now they expressed a +black, bottomless terror. For a moment I marveled that so small a +portion of a facial anatomy could express such horror. + +"There is something coming toward me," he said. "A--beast--of brutish +foulness! Beast is too inadequate a term to describe it, but I know no +words to tell its form. It is an intangible and evasive--thing--but very +real. And it is coming closer! It has no organs of sight as I know them, +but I feel that it can see me. Or rather that it is aware of me with a +sense sharper than vision itself. It is very near now. Oh God, the +malevolence, the hate--the potentiality of awful, fearsome +destructiveness that is its very essence! And still I cannot move!" + +The expression of terrified anticipation, centered in his eyes, lessened +slightly, and was replaced, instantly, by its former deep, deep despair. +"I am no longer afraid," he said. + +"Why?" I interjected. "Why?" I was impatient to learn all that I could +before the end came. + +"Because ..." He paused. "Because it holds no threat for me. Somehow, +someday, I understand--I know--that it too is seeking that for which I +wait." + +"What is it doing now?" I asked. + +"It has stopped beside me and we stand together, gazing across the +stark, empty plain. Now a second awful entity, with the same leashed +virulence about it, moves up and stands at my other side. We all three +wait, myself with a dark fear of this dismal universe, my unnatural +companions with patient, malicious menace. + +"Bits of ..." He faltered. "Of ... I can name it only _aura_, go out +from the beasts like an acid stream, and touch me, and the hate, and the +venom chill my body like a wave of intense cold. + +"Now there are others of the awful breed behind me. We stand, waiting, +waiting for that which will come. What it is I do not know." + +I could see the pallor of death creeping steadily into the last corners +of his lips, and I knew that the end was not far away. Suddenly a black +frustration built up within me. "What are you waiting for?" I screamed, +the tenseness, and the importance of this moment forcing me to lose the +iron self-control upon which I have always prided myself. I knew that +the answer held the secret of what I must know. If I could learn that, +my experiment would not be in vain, and I could make whatever +preparations were necessary for my own death. I had to know that answer. + +"Think! Think!" I pleaded. "What are you waiting for?" + +"I do not know!" The dreary despair in his eyes, sightless as they met +mine, chilled me with a coldness that I felt in the marrow of my being. +"I do not know," he repeated. "I ... Yes, I do know!" + +Abruptly the plasmatic film cleared from his eyes and I knew that for +the first time, since the poison struck, he was seeing me, clearly. I +sensed that this was the last moment before he left--for good. It had to +be now! + +"Tell me. I command you," I cried. "What are you waiting for?" + +His voice was quiet as he murmured, softly, implacably, before he was +gone. + +"We are waiting," he said, "for _you_." + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _Imagination Stories of Science and + Fantasy_ August 1953. Extensive research did not uncover any + evidence that the U.S. copyright on this publication was renewed. + Minor spelling and typographical errors have been corrected without + note. + + + + + +End of Project Gutenberg's There is a Reaper ..., by Charles V. 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