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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/29948-h.zip b/29948-h.zip Binary files differnew file mode 100644 index 0000000..998c1c5 --- /dev/null +++ b/29948-h.zip diff --git a/29948-h/29948-h.htm b/29948-h/29948-h.htm new file mode 100644 index 0000000..358eb83 --- /dev/null +++ b/29948-h/29948-h.htm @@ -0,0 +1,641 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of Two Timer, by Fredric Brown + </title> + <style type="text/css"> + + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + h1,h2,h3,.center {text-align: center;} + h3 {margin-top: 2em;} + body {margin-left: 10%; margin-right: 10%;} + .rgt {text-align: right;} + .figc {margin: 1em auto; width: 600px;} + img {border: none;} + a:link,a:visited {text-decoration: none;} + p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em; width: auto;} + .dcap {text-transform: uppercase;} + .figt {float: left; clear: left; margin: 15px; padding: 0; width: 147px;} + .trn {border: solid 1px; margin: 3em 15%; min-height: 230px;} + .trn p {margin: 15px;} + .sp1 {font-size: 200%;} + .bk1 {margin: 2em auto; width: 20em;} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Two Timer, by Fredric Brown + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Two Timer + +Author: Fredric Brown + +Illustrator: Stone + +Release Date: September 9, 2009 [EBook #29948] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK TWO TIMER *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<h1><span class="sp1">Two Timer</span></h1> + +<h2>By FREDRIC BROWN</h2> + +<div class="bk1"><p><i><big><b>Here is a brace of vignettes by the Old Vignette +Master ... short and sharp ... like a hypodermic!</b></big></i></p></div> + +<p class="center"><big><b>Illustrated by STONE</b></big></p> + +<div class="figc"><img src="images/001.png" width="600" height="359" alt="" title="" /></div> + +<h3><span class="sp1">Experiment</span></h3> + +<p class="cap"><span class="dcap">"The first</span> time machine, +gentlemen," Professor +Johnson proudly +informed his two colleagues. +"True, it is a small-scale experimental +model. It will operate +only on objects weighing less +than three pounds, five ounces +and for distances into the past +and future of twelve minutes or +less. But it works."</p> + +<p>The small-scale model looked +like a small scale—a postage +scale—except for two dials in the +part under the platform.</p> + +<p>Professor Johnson held up a +small metal cube. "Our experimental +object," he said, "is a +brass cube weighing one pound, +two point three ounces. First, I +shall send it five minutes into the +future."</p> + +<p>He leaned forward and set one +of the dials on the time machine. +"Look at your watches," he said.</p> + +<p>They looked at their watches. +Professor Johnson placed the +cube gently on the machine's +platform. It vanished.</p> + +<p>Five minutes later, to the second, +it reappeared.</p> + +<p>Professor Johnson picked it +up. "Now five minutes into the +past." He set the other dial. Holding +the cube in his hand he looked +at his watch. "It is six minutes +before three o'clock. I shall now +activate the mechanism—by +placing the cube on the platform—at +exactly three o'clock. Therefore, +the cube should, at five +minutes before three, vanish from +my hand and appear on the platform, +five minutes before I place +it there."</p> + +<p>"How can you place it there, +then?" asked one of his colleagues.</p> + +<p>"It will, as my hand approaches, +vanish from the platform +and appear in my hand to +be placed there. Three o'clock. +Notice, please."</p> + +<p>The cube vanished from his +hand.</p> + +<p>It appeared on the platform of +the time machine.</p> + +<p>"See? Five minutes before I +shall place it there, it <i>is</i> there!"</p> + +<p>His other colleague frowned at +the cube. "But," he said, "what +if, now that it has already appeared +five minutes before you +place it there, you should change +your mind about doing so and <i>not</i> +place it there at three o'clock? +Wouldn't there be a paradox of +some sort involved?"</p> + +<p>"An interesting idea," Professor +Johnson said. "I had not +thought of it, and it will be interesting +to try. Very well, I +shall <i>not</i> ..."</p> + +<p>There was no paradox at all. +The cube remained.</p> + +<p>But the entire rest of the Universe, +professors and all, vanished.</p> + +<h3><span class="sp1">Sentry</span></h3> + +<p class="cap"><span class="dcap">He was</span> wet and muddy and +hungry and cold, and he was +fifty thousand light-years from +home.</p> + +<p>A strange blue sun gave light +and the gravity, twice what he +was used to, made every movement +difficult.</p> + +<p>But in tens of thousands of +years this part of war hadn't +changed. The flyboys were fine +with their sleek spaceships and +their fancy weapons. When the +chips are down, though, it was +still the foot soldier, the infantry, +that had to take the ground and +hold it, foot by bloody foot. Like +this damned planet of a star he'd +never heard of until they'd landed +him there. And now it was +sacred ground because the aliens +were there too. <i>The</i> aliens, the +only other intelligent race in the +Galaxy ... cruel, hideous and repulsive +monsters.</p> + +<div class="figc"><img src="images/002.png" width="600" height="363" alt="" title="" /></div> + +<p>Contact had been made with +them near the center of the Galaxy, +after the slow, difficult colonization +of a dozen thousand +planets; and it had been war at +sight; they'd shot without even +trying to negotiate, or to make +peace.</p> + +<p>Now, planet by bitter planet, +it was being fought out.</p> + +<p>He was wet and muddy and +hungry and cold, and the day +was raw with a high wind that +hurt his eyes. But the aliens were +trying to infiltrate and every +sentry post was vital.</p> + +<p>He stayed alert, gun ready. +Fifty thousand light-years from +home, fighting on a strange world +and wondering if he'd ever live +to see home again.</p> + +<p>And then he saw one of them +crawling toward him. He drew a +bead and fired. The alien made +that strange horrible sound they +all make, then lay still.</p> + +<p>He shuddered at the sound and +sight of the alien lying there. One +ought to be able to get used to +them after a while, but he'd never +been able to. Such repulsive creatures +they were, with only two +arms and two legs, ghastly white +skins and no scales.</p> + +<p class="rgt"><b>—FREDRIC BROWN</b></p> + +<div class="trn"><div class="figt"><a href="images/003-2.jpg"><img src="images/003-1.jpg" width="147" height="200" alt="" title="" /></a></div> + +<p><big><b>Transcriber's Note:</b></big></p> + +<p>This etext was produced from <i>Galaxy Science Fiction</i> February 1954. +Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</p></div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Two Timer, by Fredric Brown + +*** END OF THIS PROJECT GUTENBERG EBOOK TWO TIMER *** + +***** This file should be named 29948-h.htm or 29948-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/9/4/29948/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Two Timer + +Author: Fredric Brown + +Illustrator: Stone + +Release Date: September 9, 2009 [EBook #29948] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK TWO TIMER *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + +Two Timer + +By FREDRIC BROWN + + + _Here is a brace of vignettes by the Old Vignette + Master ... short and sharp ... like a hypodermic!_ + + +Illustrated by STONE + +[Illustration] + + +Experiment + +"The first time machine, gentlemen," Professor Johnson proudly informed +his two colleagues. "True, it is a small-scale experimental model. It +will operate only on objects weighing less than three pounds, five +ounces and for distances into the past and future of twelve minutes or +less. But it works." + +The small-scale model looked like a small scale--a postage scale--except +for two dials in the part under the platform. + +Professor Johnson held up a small metal cube. "Our experimental object," +he said, "is a brass cube weighing one pound, two point three ounces. +First, I shall send it five minutes into the future." + +He leaned forward and set one of the dials on the time machine. "Look at +your watches," he said. + +They looked at their watches. Professor Johnson placed the cube gently +on the machine's platform. It vanished. + +Five minutes later, to the second, it reappeared. + +Professor Johnson picked it up. "Now five minutes into the past." He set +the other dial. Holding the cube in his hand he looked at his watch. "It +is six minutes before three o'clock. I shall now activate the +mechanism--by placing the cube on the platform--at exactly three +o'clock. Therefore, the cube should, at five minutes before three, +vanish from my hand and appear on the platform, five minutes before I +place it there." + +"How can you place it there, then?" asked one of his colleagues. + +"It will, as my hand approaches, vanish from the platform and appear in +my hand to be placed there. Three o'clock. Notice, please." + +The cube vanished from his hand. + +It appeared on the platform of the time machine. + +"See? Five minutes before I shall place it there, it _is_ there!" + +His other colleague frowned at the cube. "But," he said, "what if, now +that it has already appeared five minutes before you place it there, you +should change your mind about doing so and _not_ place it there at three +o'clock? Wouldn't there be a paradox of some sort involved?" + +"An interesting idea," Professor Johnson said. "I had not thought of it, +and it will be interesting to try. Very well, I shall _not_ ..." + +There was no paradox at all. The cube remained. + +But the entire rest of the Universe, professors and all, vanished. + + +Sentry + +He was wet and muddy and hungry and cold, and he was fifty thousand +light-years from home. + +A strange blue sun gave light and the gravity, twice what he was used +to, made every movement difficult. + +But in tens of thousands of years this part of war hadn't changed. The +flyboys were fine with their sleek spaceships and their fancy weapons. +When the chips are down, though, it was still the foot soldier, the +infantry, that had to take the ground and hold it, foot by bloody foot. +Like this damned planet of a star he'd never heard of until they'd +landed him there. And now it was sacred ground because the aliens were +there too. _The_ aliens, the only other intelligent race in the +Galaxy ... cruel, hideous and repulsive monsters. + +[Illustration] + +Contact had been made with them near the center of the Galaxy, after the +slow, difficult colonization of a dozen thousand planets; and it had +been war at sight; they'd shot without even trying to negotiate, or to +make peace. + +Now, planet by bitter planet, it was being fought out. + +He was wet and muddy and hungry and cold, and the day was raw with a +high wind that hurt his eyes. But the aliens were trying to infiltrate +and every sentry post was vital. + +He stayed alert, gun ready. Fifty thousand light-years from home, +fighting on a strange world and wondering if he'd ever live to see home +again. + +And then he saw one of them crawling toward him. He drew a bead and +fired. The alien made that strange horrible sound they all make, then +lay still. + +He shuddered at the sound and sight of the alien lying there. One ought +to be able to get used to them after a while, but he'd never been able +to. Such repulsive creatures they were, with only two arms and two legs, +ghastly white skins and no scales. + + --FREDRIC BROWN + + + + +Transcriber's Note: + + This etext was produced from _Galaxy Science Fiction_ February 1954. + Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Two Timer, by Fredric Brown + +*** END OF THIS PROJECT GUTENBERG EBOOK TWO TIMER *** + +***** This file should be named 29948.txt or 29948.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/9/4/29948/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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