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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/29736-8.txt b/29736-8.txt new file mode 100644 index 0000000..35e08ab --- /dev/null +++ b/29736-8.txt @@ -0,0 +1,9433 @@ +The Project Gutenberg EBook of Continental Monthly, Vol. III, No IV, April +1863, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Continental Monthly, Vol. III, No IV, April 1863 + Devoted to Literature and National Policy + +Author: Various + +Release Date: August 19, 2009 [EBook #29736] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK CONTINENTAL MONTHLY, APRIL 1863 *** + + + + +Produced by Joshua Hutchinson and the Online Distributed +Proofreading Team at https://www.pgdp.net (This file was +produced from images generously made available by Cornell +University Digital Collections) + + + + + + + + + + + + THE + + CONTINENTAL MONTHLY: + + DEVOTED TO + + LITERATURE AND NATIONAL POLICY. + + + VOL. III.--APRIL, 1863.--No. IV. + + + + +THE WONDERS OF WORDS. + + +Every nation has its legend of a 'golden age'--when all was young and +fresh and fair--'_comme les couleurs primitives de la nature_'--even +before the existence of this gaunt shadow of Sorrow--_the shadow of +ourselves_--that ever stalks in company with us;--an epoch of Saturnian +rule, when gods held sweet converse with men, and man primeval bounded +with all the elasticity of god-given juvenility: + + ('Ah! remember, + This--all this--was in the olden + Time long ago.') + +And even now, in spite of our atheism and our apathism, amid all the +overwhelming world-influences of this great 'living Present'--the ghost +of the dead Past will come rushing back upon us with its solemn voices +and its infinite wailings of pity: but soft and faint it comes; for the +wild jarrings of the Now almost prevent us from hearing its still, small +voices. It + + 'Is but a _dim-remembered_ story + Of the old time entombed.' + +Besides, what is History but the story of the bygone? The elegy, too, +comes to us as the last lamenting, sadly solemn swan-song of that +glorious golden time. And, indeed, are not all poesies but various notes +of that mighty diapason of Thought and Feeling, that has, through the +ages, been singing itself in jubilee and wail? + +So it is in the individual--(for is not the individual ever the +rudimental, formula-like expression of that awful problem which nations +and humanity itself are slowly and painfully working out?): in the +'moonlight of memory' these sorrowful mementos revisit every one of us; +and + + ----'But I am not _now_ + That which I _have been_'-- + +and _vanitas vanitatum!_ are not only the satisfied croakings of _blasé_ +Childe Harolds, but our universal experience; while from childhood's +gushing glee even unto manhood's sad satiety, we feel that all are +nought but the phantasmagoria + + 'of a creature + _Moving about in worlds not realized_.' + +Listen now to a snatch of melody: + + 'The rainbow comes and goes, + And lovely is the rose, + The moon doth with delight + Look round her when the heavens are bare; + Waters on a starry night + Are beautiful and fair; + The sunshine is a glorious birth; + But yet I know, wherever I go, + That there hath passed away a glory from the earth!' + +So saith the mild Braminical Wordsworth. Now it will be remembered that +Wordsworth, in that glorious ode whence we extract the above, develops +the Platonic idea (shall we call Platonic that which has been +entertained by the wise and the _feeling_ of all times?) of a shadowy +recollection of past and eternal existence in the profundities of the +Divine Heart. 'It sounds forth here a mournful remembrance of a faded +world of gods and heroes--as the echoing plaint for the loss of man's +original, celestial state, and paradisiacal innocence.' And then we have +those transcendent lines that come to us like aromatic breezes blowing +from the Spice Islands: + + 'Hence in a season of calm weather, + Though inland far we be, + Our souls have sight of that immortal sea, + Which brought us hither, + Can in a moment travel thither, + And see the Children sport upon the shore, + And hear the mighty waters rolling evermore.' + +But, + + 'descending + From these imaginative heights that yield + Far-stretching views into eternity,'-- + +what have the golden age and Platonic _dicta_ to do with our +word-ramble? A good deal. For we will endeavor to show that words, being +the very sign-manual of man's convictions, contain the elements of what +may throw light on both. To essay this: + +Why is it that we generally speak of death as a 'return,' or a 'return +home'? And how is it that this same idea has so remarkably interwoven +itself with the very warp and woof of our language and poetry?--so that +in our fervency, we can sing: + + 'Jerusalem, my glorious _home_,' etc. + +Does not the very idea (not to mention the composition of the word) of a +'return' involve a previously having been in the place? And we can +scarcely call that 'home' where we have never been before. So, that 'old +Hebrew book' sublimely tells us that 'the spirit of the man _returneth_ +to God who gave it.' + +Is it possible that these can be obscure intimations of that bygone time +when WE were rocked in the bosom of the Divine consciousness? +Perhaps.... And now if the reader will pardon a piece of moralizing, we +would say that these expressions teach us in the most emphatic way +that--'_This is not our rest_.' So that when we have dived into every +mine of knowledge and drunk from every fountain of pleasure; when, with +Dante, we arrive at the painful conclusion that + + 'Tutto l'oro, ch'è sotto la luna, + E che già fu, di queste anime stanche + Non poterebbe farne posar una,' + +(since, indeed, the Finite can never gain entire satisfaction in +itself)--we may not despair, but still the heart-throbbings, knowing +that He who has--for a season--enveloped us in the mantle of this +sleep-rounded life, and thrown around himself the drapery of the +universe--spangling it with stars--will again take us back to his +fatherly bosom. + +Somewhat analogous to these, and arguing the eternity of our existence, +we have such words as 'decease,' which merely imports a _withdrawal_; +'demise,' implying also a laying down, a _removal_. By the way, it is +rather curious to observe the notions in the mind of mankind that have +given rise to the words expressing 'death.' Thus we have the Latin word +_mors_--allied, perhaps, to the Greek [Greek: moros] and [Greek: +moira],[1] from [Greek: meiromai]--to _portion out_, to _assign_. Even +this, however, there was a repulsion to using; and both the Greeks and +Romans were wont to slip clear of the employment of their [Greek: +thanatos], _mors_, etc., by such circumlocutions as _vitam suam mutare, +transire e seculo_; [Greek: koimêsato chalkeon hypnon]--_he slept the +brazen sleep_ (Homer's Iliad, [Greek: Lamda], 241); [Greek: ton de +skotos oss' ekalypsen]--_and darkness covered his eyes_ (Iliad, [Greek: +Zeta], 11); or _he completeth the destiny of life_, etc. This reminds us +of the French aversion to uttering their _mort_. These expressions, +again, are suggestive of our 'fate,' with an application similar to the +Latin _fatum_, which, indeed, is none other than 'id quod _fatum est_ a +deis'--a God's word. So that in this sense we may all be considered +'fatalists,' and all things _fated_. Why not? However, in the following +from _Festus_, it is the 'deil' that makes the assertion: + + 'FESTUS. Forced on us. + + LUCIFER. _All things are of necessity._ + + FESTUS. Then best. + + But the good are never fatalists. The bad + Alone act by necessity, they say. + + LUCIFER. It matters not what men assume to be; + Or good, or bad, they are but what they are.' + +In which we may agree that his majesty was not so very far wrong. + +Moreover, 'Why _should_ we mourn departed friends?'--since we know that +they are but lying in the [Greek: moimêtêrion] (cemetery)--the _sleeping +place_; or, as the vivid old Hebrew faith would have it, _the house of +the living_ (Bethaim). Is not this testimony for the soul's immortality +worth as much as all the rhapsody written thereon, from Plato to +Addison? + +Some words are the very essence of poetry; redolent with all beauteous +phantasies; odoriferous as flowers in spring, or discoursing an awful +organ-melody, like to the re-bellowing of the hoarse-sounding sea. For +instance, those two noble old Saxon words 'main' and 'deep,' that we +apply to the ocean--what a music is there about them! The 'main' is the +_maegen_--the strength, the _strong one_; the great 'deep' is precisely +what the name imports. Our employment of 'deep' reminds of the Latin +_altum_, which, properly signifying high or lofty, is, by a familiar +species of metonymy, put for its opposite. + +By the way, how exceedingly timid are our poets and poetasters generally +of the open sea--_la pleine mer_. They linger around the shores thereof, +in a vain attempt to sit snugly there _à leur aise_, while they 'call +spirits from the vasty deep'--that never did and never would come on +such conditions, though they grew hoarse over it. We all remember how +Sandy Smith labors with making abortive _grabs_ at its _amber tails_, +_main_, etc. (rather slippery articles on the whole)--but he is not + + 'A shepherd in the Hebrid Isles, + _Placed far amid the melancholy main!_' + +Hail shade of Thomson! But hear how the exile sings it: + + 'La mer! partout la mer! des flots, des flots encor! + L'oiseau fatigue en vain son inégal essor. + Ici les flots, là-bas les ondes. + Toujours des flots sans fin par des flots repoussés; + L'oeil ne voit que des flots dans l'abime entassés + Rouler sous les vaques profondes.'[2] + +This we, for our part, would pronounce one of the very best open-sea +sketches we have ever met with; and if the reader will take even our +unequal rendering, he may think so too. + + 'The sea! all round, the sea! flood, flood o'er billow surges! + In vain the bird fatigued its faltering wing here urges. + Billows beneath, waves, waves around; + Ever the floods (no end!) by urging floods repulsed; + The eye sees but the waves, in an abyss engulphed, + Roll 'neath their lairs profound.' + +'Aurora' comes to us as a remnant of that beautiful Grecian mythology +that deified and poetized everything; and even to us she is still the +'rosy-fingered daughter of the morn.' The 'Levant,' 'Orient,' and +'Occident' are all of them poetical, for they are all true translations +from nature. The 'Levant' is where the sun is _levant_, raising himself +up. 'Orient' will be recognized as the same figure from _orior_; while +'occident' is, of course, the opposite in signification, namely, the +declining, the 'setting' place. + +'Lethe' is another classic myth. It is [Greek: ho tês lêthês +potamos]--the river of forgetfulness, 'the oblivious pool.' Perhaps is +it that all of us, as well as the son of Thetis, had a dip therein. + +There exists not a more poetic expression than 'Hyperborean,' _i. e._ +[Greek: hyperboreos]--_beyond Boreas_; or, as a modern poet finely and +faithfully expands it: + + 'Beyond those regions cold + Where dwells the Spirit of the North-Wind, + Boreas old.' + +Homer never manifested himself to be more of a poet than in the creation +of this word. By the way, the Hyperboreans were regarded by the ancients +as an extremely happy and pious people. + +How few of those who use that very vague, grandiloquent word 'Ambrosial' +know that it has reference to the 'ambrosia' ([Greek: ambrotos], +_immortal_), the food of the gods! It has, however, a secondary +signification, namely, that of an unguent, or perfume, hence fragrant; +and this is probably the prevailing idea in our 'ambrosial': instance +Milton's 'ambrosial flowers.' It was, like the 'nectar' ([Greek: +nektar], an _elixir vitæ_), considered a veritable elixir of +immortality, and consequently denied to men. + +The Immortals, in their golden halls of 'many-topped Olympus,' seem to +have led a merry-enough life of it over their nectar and ambrosia, their +laughter and intrigues. + +But not half as jolly were they as were Odin and the Iotun--dead drunk +in Valhalla over their mead and ale, from + + 'the ale-cellars of the Iotun, + Which is called Brimir.' + +The daisy (Saxon _Daeges ege_) has often been cited as fragrant with +poesy. It is the _Day's Eye_: we remember Chaucer's affectionate lines: + + 'Of all the floures in the mede + Than love I most those floures of white and rede, + Such that men called _daisies_ in our toun, + To them I have so great affection.' + +Nor is he alone in his love for the + + _'Wee, modest, crimson-tipped flouer.'_ + +An odoriferous-enough (etymologic) bouquet could we cull from the names +of Flora's children. What a beauty is there in the 'primrose,' which is +just the _prime_-rose; in the 'Beauty of the Night' and the 'Morning +Glory,' except when a pompous scientific terminology, would convert it +into a _convolvulus_! So, too, the 'Anemone' ([Greek: anemos], the +wind-flower), into which it is fabled Venus changed her Adonis. What a +story of maiden's love does the 'Sweet William' tell; and how many +charming associations cluster around the 'Forget-me-not!' Again, is +there not poetry in calling a certain family of minute crustacea, whose +two eyes meet and form a single round spot in the centre of the head, +'Cyclops'--([Greek: kyklôps], circular-eyed)? + +And if any one thinketh that there cannot be poetry even in the dry +technicalities of science, let him take such an expression as 'coral,' +which, in the original Greek, [Greek: koralion], signifies a _sea +damsel_; or the chemical 'cobalt,' 'which,' remarks Webster, 'is said to +be the German _Kobold_, a goblin, the demon of the mines; so called by +miners, because cobalt was troublesome to miners, and at first its value +was not known.' Ah! but these terms were created before _Science_, in +its rigidity, had taught us the _truth_ in regard to these matters. Yes! +and fortunate is it for us that we still have words, and ideas +clustering around these words, that have not yet been chilled and +exanimated by the frigid touch of an empirical knowledge. For + + 'Still the heart doth need a language, still + Doth the old instinct bring back the old names.' + +And may benign heaven deliver us from those buckram individuals who +imagine that Nature is as narrow and rigid as their own contracted +selves, and who would seek to array her in their own exquisite +bottle-green bifurcations and a _gilet à la mode_! These characters +always put us in mind of the statues of Louis XIV, in which he is +represented as Jupiter or Hercules, nude, with the exception of the +lion's hide thrown round him--_and the long, flowing peruke_ of the +times! O Jupiter _tonans_! let us have either the lion or the ass--only +let it be _veracious_! + +To proceed: 'Auburn' is probably connected with _brennan_, and means +_sun-burned_, analogous, indeed, to 'Ethiopian' ([Greek: Aithiops]), +_one whom the sun has looked upon_. + +How seldom do we think, in uttering 'adieu,' that we verily say, I +commend you _à Dieu_--to God; that the lightly-spoken _good-by_ means +_God be wi' you_,[3] or that the (if possible) still more frequent and +_unthinking_ 'thank you,' in reality assures the person addressed--_I +will think often of you_. + +'Eld' is a word that has the poetic aroma about it, and is an example +(of which we might adduce additional cases from the domain of 'poetic +diction') of a word set aside from a prose use and devoted exclusively +to poetry. It is, as we know, Saxon, signifying _old_ or _old age_, and +was formerly in constant use in this sense; as, for instance, in +Chaucer's translation of _Boethius de Consolatione Philosophiæ_, we find +thus: + + 'At laste no drede ne might overcame tho muses, that thei ne weren + fellowes, and foloweden my waie, that is to saie, when I was + exiled, thei that weren of my youth whilom welfull and grene, + comforten now sorrowfull weirdes of me olde man: for _elde_ is + comen unwarely upon me, hasted by the harmes that I have, and + sorowe hath commaunded his age to be in me.' + +So in the _Knightes Tale_: + + 'As sooth in said _elde_ hath gret avantage; + In _elde_ is both wisdom and usage: + Men may the old out-renne but not out-rede.' + +Oh! what an overflowing fulness of truth and beauty is there wrapped up +in the core of these articulations that we so heedlessly utter, would we +but make use of the wizard's wand wherewith to evoke them! What an +exhaustless wealth does there lie in even the humblest fruitage and +flowerage of language, and what a fecundity have even dry 'roots'! + +'Thinkest thou there were no poets till Dan Chaucer?' asks our great +Thomas; 'no heart burning with a thought, which it could not hold, and +had no word for; and needed to shape and coin a word for--what thou +callest a metaphor, trope, or the like? For every word we have, there +was such a man and poet. The coldest word was once a glowing new +metaphor, and bold questionable originality. 'Thy very ATTENTION, does +it not mean an _attentio_, a STRETCHING-TO?' Fancy that act of the mind +which all were conscious of, which none had yet named--when this new +'poet' first felt bound and driven to name it! His questionable +originality and new glowing metaphor was found adoptible, intelligible; +and remains our name for it to this day.'[4] + +This seems to be a pet etymology of Carlyle, as he makes Professor +Teufelsdröckh give it to us also. + +Nor less of a poet was that Grecian man who first named this beauteous +world--with its boundless unity in variety--the [Greek: kosmos],[5] the +_order_, the _adornment_. But + + 'Alas, for the rarity + Of Christian charity,' + +and + + 'Ah! the inanity + Of frail humanity,' + +that first induced some luckless mortal to give to certain mysterious +compounds the appellation of _cosmetics_! But here is an atonement; for +even in our unmythical, unbelieving days, the god 'Terminus' is made to +stand guard over every railway station! Again, how finely did the Roman +call his heroism his 'virtus'--his _vir_tue--his _manliness_. With the +Italians, however, it became quite a different thing; for his 'virtu' is +none other than his love of the fine arts (these being to him the only +subject of _manly_ occupation), a mere _objet de vertu_; and his +_virtuoso_ has no more virtuousness or manliness about him than what +appertains to being skilled in these same fine arts. With us, our +'virtue' is ... well, as soon as we can find out, we will tell you. + +By the way, in what a _bathos_ of mystery are most of our terms +expressing the moral relations plunged! Some philosophers have declared +that truth lies at the bottom of a well;--the well in which the truth in +regard to these matters lies would seem to stretch far enough +down--reaching, in fact, almost to the kingdom of the Inane. The +beautiful simplicity of Bible truths has often become so perverted--so +overloaded by the vain works (and _words_) of man's device--as barely to +escape total extinction. Witness 'repentance'; in what a farrago of +endless absurdities and palpable contradictions has this word (and, more +unfortunately still, the thing itself along with it) been enveloped! +According to the 'divines,' what does it not signify? Its composition, +we very well know, gives us _poenitentia_, from _poenitere_, to _be +sorry_, to _regret_--and such is its true and _only_ meaning. 'This +design' (that of the analysis of language in its elementary forms), says +Wilkins, 'will likewise contribute much to the clearing of some of our +modern differences in religion; by unmasking many wild errors, that +shelter themselves under the disguise of affected phrases; which being +philosophically unfolded, and rendered according to the genuine and +natural importance of words, will appear to be inconsistencies and +absurdities.' Nor would he have gone very far astray had he put +_philosophy_ and _politics_ under the same category. Strip the gaudy +dress and trappings from an expression, and it will have a most marked +result. Analysis is a terrible humiliation to your mysticism and your +grandiloquence--and an awful bore to those who depend for effect on +either. We have something to say hereafter on those astonishingly +profound oracles whose only depth is in the terminology they employ. In +the mean time, expect not too much of words. Never, in all our +philologic researches, must we lose sight of the fact that _words are +but the daughters of earth, while things are the sons of heaven_. This +expecting too much of words has been the fruitful source of innumerable +errors. To resume: + +Take a dozen words (to prove our generosity, we will let it be a baker's +dozen) illustrative of this same principle of metaphor that governs the +mechanism of language, and sheds a glory and a beauty around even our +every-day fireside words; so that even those that seem hackneyed, worn +out, and apparently tottering with the imbecility of old age--would we +but get into the core of them--will shine forth with all the expressive +meaning of their spring time--with the blush and bloom of poesy-- + + 'All redolent with youth and flowers,' + +and prove their very abusers--poets. + +The 'halcyon' days! What a balmy serenity hovers around them--basking in +the sunlight of undisturbed tranquillity. This we feel; but how we +realize it after reading the little _family secret_ that it wraps up! +The [Greek: Halkyôn] (halcyon)--_alcedo hispida_--was the name applied +by the Greeks to the _kingfisher_ (a name commonly derived from [Greek: +hals, kyô], i. e., _sea-conceiving_, from the fact of this bird's being +said to lay her eggs in rocks near the sea); and the [Greek: halkyonides +hêmerai]--_halcyon days_--were those fourteen 'during the calm weather +about the winter solstice,' during which the bird was said to build her +nest and lay her eggs; hence, by an easy transition, perfect quietude in +general. + +Those who have felt the bitter, biting effect of 'sarcasm,' will hardly +be disposed to consider it a metaphor even, should we trace it back to +the Greek [Greek: sarkazô]--_to tear off the flesh_ ([Greek: sarx]), +_literally_, to 'flay.' 'Satire,' again, has an arbitrary-enough origin; +it is _satira_, from _satur_, _mixed_; and the application is as +follows: each species of poetry had, among the Romans, its own special +kind of versification; thus the hexameter was used in the epic, the +iambic in the drama, etc. Ennius, however, the earliest Latin +'satirist,' first disregarded these conventionalities, and introduced a +_medley_ (satira) of all kinds of metres. It afterward, however, lost +this idea of a _melange_, and acquired the notion of a poem 'directed +against the vices and failings of men with a view to their correction.' + +Perhaps we owe to reviewing the metaphorical applications of such terms +as 'caustic,' 'mordant,' 'piquant,' etc., in their _burning_, _biting_, +and _pricking_ senses. + +But 'review,' itself, we are to regard as pure metaphor. Our friend +'Snooks,' at least, found _that_ out; for, instead of _re_-viewing--_i. +e._, viewing again and again his book, they pronounced it to be +decidedly bad without any examination whatever. A 'critic' we all +recognize in his character of _judge_ or _umpire_; but is it that he +always possesses discrimination--has he always _insight_ (for these are +the primary ideas attaching themselves to [Greek: krinô], whence [Greek: +kritikos] comes)--does he divide between the merely arbitrary and +incidental, and see into the absolute and eternal Art-Soul that vivifies +a poem or a picture? If so, then is he a critic indeed. + +How perfectly do 'invidiousness' and 'envy'[6] express the _looking over +against_ (_in-video_)--the _askance gaze_--the natural development of +that painful mental state which poor humanity is so subject to! So with +'obstinacy' (_ob-sto_), which, by the way, the phrenologists represent, +literally enough, by an ass in a position which assuredly Webster had in +his mind when he wrote his definition of this word; thus: ... '_in a +fixedness in opinion or resolution that cannot be shaken at all, or +without great difficulty_.' + +Speaking of this reminds us of those very capital 'Illustrations of +Phrenology,' by Cruikshank, with which we all are familiar, and where, +for example, '_veneration_ is exemplified by a stout old gentleman, with +an ample paunch, gazing with admiring eyes and uplifted hands on the fat +side of an ox fed by Mr. Heavyside, and exhibited at the stall of a +butcher. In this way a Jew old-clothes man, holding his hand on his +breast with the utmost earnestness, while in the other he offers a coin +for a pair of slippers, two pairs of boots, three hats, and a large +bundle of clothes, to an old woman, who, evidently astonished all over, +exclaims, 'A shilling!' is an illustration of _conscientiousness_. A +dialogue of two fishwomen at Billingsgate illustrates _language_, and a +riot at Donnybrook Fair explains the phrenological doctrine of +_combativeness_.' + +But peace to the 'bumps,' and pass we on. Could anything be more +completely metaphorical than such expressions as 'egregious' and +'fanatic?' 'Egregious' is chosen, _e-grex_--_out of the flock_, i. e., +the best sheep, etc., selected from the rest, and set aside for sacred +purposes; hence, _distingué_. This word, though occupying at present +comparatively neutral ground, seems fast merging toward its worst +application. Can it be that an 'egregious' _rogue_ is an article of so +much more frequent occurrence than an 'egregiously' _honest_ man, that +incongruity seems to subsist between the latter? 'Fanatic,' again, is +just the Roman '_fanaticus_,' one addicted to the _fana_,[7] the temples +in which the 'fanatici' or fanatics were wont to spend an extraordinary +portion of their time. But besides this, their religious fervor used to +impel them to many extravagances, such as cutting themselves with +knives, etc., and hence an 'ultraist' (one who goes _beyond_ (ultra) the +notions of other people) in any sense. Whereupon it might be remarked +that though + + 'Coelum, non animum, mutant qui trans mare currunt,' + +may, in certain applications, be true, it is surely not so in the case +of a good many words. Thus this very instance, 'fanatic,' which, among +the Romans, implied one who had an _extra share of devotion_, is, among +us--the better informed on this head--by a very curious and very +unfathomable figure (disfigure?) of speech or logic, applied to one who +has a peculiar _penchant_ for human liberty! + + 'In the most high and _palmy_ state of Rome, + A little ere the mighty Julius fell, + The graves stood tenantless, and the sheeted dead + Did squeak and gibber in the Roman streets.' + +We do not quote this for the sake of the making-the-hair-to-stand-on-end +tendencies of the last two lines, but through the voluptuous quiescence +of the first, + + 'In the most high and palmy state of Rome,' + +to introduce the beautifully metaphorical expression, 'palmy.' It will, +of course, be immediately recognized as being from the 'palm' tree; that +is to say, _palm-abounding_. And what visions of orient splendor does it +bear with it, wafting on its wings the very aroma of the isles of the +blest--[Greek: makarôn nêsoi]--or + + 'Where the gorgeous East, with richest hand, + Showers on her kings barbaric pearl and gold!' + +It bears us away with it, and we stand on that sun-kissed land + + 'Whose rivers wander over sands of gold,' + +with a houri lurking in every 'bosky bourne,' and the beauteous palm, +waving its umbrageous head, at once food, shade, and shelter. + +The palm being to the Oriental of such passing price, we can easily +imagine how he would so enhance its value as to make it the type of +everything that is prosperous and glorious and 'palmy,' the _beau-ideal_ +of everything that is flourishing. Hear what Sir Walter Raleigh says on +this subject: 'Nothing better proveth the excellency of this soil than +the abundant growing of the _palm trees_ without labor of man. _This +tree alone giveth unto man whatsoever his life beggeth at nature's +hand._' + +'Paradise,' too, is oriental in all its associations. It is [Greek: +paradeisos],[8] that is, a _park_ or _pleasure ground_, in which sense +it is constantly employed by Xenophon, as every weary youth who has +_parasanged_ it with him knows. By the LXX it was used in a metaphorical +sense for the garden of Eden: + + 'The glories we have known, + And that imperial palace whence we came;' + +but a still loftier meaning did it acquire when the Christ employed it +as descriptive of the splendors of the 'better land'--of the glories and +beauties of the land Beulah. + +But, look out, fellow strollers, for we are off in a tangent! + +What a curiously humble origin has 'literature,' contrasted with the +magnitude of its present import. It is just 'litteral'--_letters_ in +their most primitive sense; and [Greek: grammata] is nought other. Nor +can even all the pomposity of the 'belles-lettres' carry us any farther +than the very fine 'letters' or _litteral_; while even Solomon So-so may +take courage when he reflects (provided Solomon be ever guilty of +reflecting) that the 'literati' have 'literally' nothing more profound +about them than the knowledge of their 'letters.' The Latins were +prolific in words of this kind; thus they had the _literatus_ and the +_literator_--making some such discrimination between them as we do +between 'philosopher' and 'philosophe.' + +'Unlettered,' to be sure, is one who is unacquainted even with his +'letters;' but what is 'erudite?' It is merely E, _out of_, a RUDIS, +_rude_, _chaotic_, _ignorant_ state of things; and thus in itself +asserts nothing very tremendous, and makes no very prodigious +pretensions. Surely these words had their origin at an epoch when +'letters' stood higher in the scale of estimation than they do now; when +he who knew them possessed a spell that rendered him a potent character +among the 'unlettered.' + +A 'spell' did we say? Perhaps that is not altogether fanciful; for +'spell' itself in the Saxon primarily imports a _word_; and we know that +the runes or Runic letters were long employed in this way. For instance, +Mr. Turner thus informs us ('History of the Anglo-Saxons,' vol. i, p. +169): 'It was the invariable policy of the Roman ecclesiastics to +discourage the use of the Runic characters, because they were of pagan +origin, and had been much connected with idolatrous superstitions.' And +if any one be incredulous, let him read this from Sir Thomas Brown: +'Some have delivered the polity of spirits, that they stand in awe of +charms, _spells_, and conjurations; _letters_, characters, notes, and +dashes.' And have not the [Greek: Alpha] and [Greek: Ômega] something +mystic and cabalistic about them even to us? + +While on this, let us note that 'spell' gives us the beautiful and +cheering expression 'gospel,' which is precisely _God's-spell_--the +'evangile,' the good God's-news! + +To resume: + +'Graphical' ([Greek: graphô]) is just what is well +delineated--_literally_, 'well written,' or, as our common expression +corroboratively has it, _like a book_! + +'Style' and 'stiletto' would, from their significations, appear to be +radically very different words; and yet they are something more akin +than even cousins-german. 'Style' is known to be from the [Greek: +stylos], or _stylus_, which the Greeks and Romans employed in writing on +their waxen tablets; and, as they were both sharp and strong, they +became in the hands of scholars quite formidable instruments when used +against their schoolmasters. Afterward they came to be employed in all +the bloody relations and uses to which a 'bare bodkin' can be put, and +hence our acceptation of 'stiletto.' Cæsar himself, it is supposed, got +his 'quietus' by means of a 'stylus;' nor is he the first or last +character whose 'style' has been his (_literary_, if not _literal_) +damnation. + +'Volume,' too, how perfectly metaphorical is it in its present +reception! It is originally just a _volumen_, that is, a 'roll' of +parchment, papyrus, or whatever else the 'book' (i. e., the _bark_--the +'liber') might be composed of. Nor can we regard as aught other such +terms as 'leaf' or 'folio,' which is also 'leaf.' 'Stave,' too, is +suggestive of the _staff_ on which the runes were wont to be cut. +Indeed, old almanacs are sometimes to be met with consisting of these +long sticks or 'staves,' on which the days and months are represented by +the Runic letters. + +'Charm,' 'enchant,' and 'incantation' all owe their origin to the time +when spells were in vogue. 'Charm' is just _carmen_, from the fact that +'a kind of Runic rhyme' was employed in _diablerie_ of this sort; so +'enchant' and 'incantation' are but a _singing to_--a true 'siren's +song;' while 'fascination' took its rise when the mystic terrors of the +_evil eye_ threw its withering blight over many a heart. + +We are all familiar with the old fable of _The Town Mouse and the +Country Mouse_. We will vouch that the following read us as luminous a +comment thereon as may be desired: 'Polite,' 'urbane,' 'civil,' +'rustic,' 'villain,' 'savage,' 'pagan,' 'heathen.' Let us seek the +moral: + +'Polite,' 'urbane,' and 'civil' we of course recognize as being +respectively from [Greek: polis], _urbs_, and _civis_, each denoting the +city or town--_la grande ville_. 'Polite' is _city-like_; while +'urbanity' and 'civility' carry nothing deeper with them than the +graces and the attentions that belong to the punctilious town. 'Rustic' +we note as implying nothing more uncultivated than a 'peasant,' which is +just _pays_-an, or, as we also say, a 'countryman.' 'Savage,' too, or, +as we ought to write it, _salvage_,[9] is nothing more grim or terrible +than one who dwells _in sylvis_, in the woods--a meaning we can +appreciate from our still comparatively pure application of the +adjective _sylvan_. A 'backwoodsman' is therefore the very best original +type of a _savage_! 'Savage' seems to be hesitating between its civil +and its ethical applications; 'villain,' 'pagan,' and 'heathen,' +however, have become quite absorbed in their moral sense--and this by a +contortion that would seem strange enough were we not constantly +accustomed to such transgressions. For we need not to be informed that +'villain' primarily and properly implies simply one who inhabits a ville +or _village_. In Chaucer, for example, we see it without at least any +moral signification attached thereto: + + 'But firste I praie you of your curtesie + That ye ne arette it not my _vilanie_.' + + _Prologue to the Canterbury Tales._ + +So a 'pagan,' or _paganus_, is but a dweller in a _pagus_, or village; +precisely equivalent to the Greek [Greek: kômêtês], with no other idea +whatever attached thereto; while 'heathen' imported those who lived on +the _heaths_ or in the country, consequently far away from +_civilization_ or _town-like-ness_. + +From all of which expressions we may learn the mere conventionality and +the utter arbitrariness of even our most important ethical terms. How +prodigiously _cheap_ is the application of any such epithets, +considering the terrible abuse they have undergone! And how poor is that +philosophy that can concentrate 'politeness' and 'civility' in the +frippery and heartlessness of mere external city-forms; and convert the +man who dwells in the woods or in the village into a _savage_ or a +_villain_! How fearful a lack do these numerous words and their so +prolific analogues manifest of acknowledgment of that glorious principle +which Burns has with fire-words given utterance to--and to which, would +we preserve the dignity of manhood, we must hold on-- + + 'A man's a man for a' that!' + +Ah! it is veritably enough to make us atrabiliar! Here we see words in +their weaknesses and their meannesses, as elsewhere in their glory and +beauty. And not so much _their_ meanness and weakness, as that of those +who have distorted these innocent servants of truth to become tools of +falsehood and the abject instruments of the extinction of all honesty +and nobleness. + +The word 'health' wraps up in it--for, indeed, it is hardly +metaphorical--a whole world of thought and suggestion. It is that which +_healeth_ or maketh one to be _whole_, or, as the Scotch say, _hale_; +which _whole_ or _hale_ (for they are one word) may imply entireness or +unity; that is to say, perfect 'health' is that state of the system in +which there is no disorganization--no division of interest--but when it +is recognized as a perfect _one_ or whole; or, in other words, not +recognized at all. And this meaning is confirmed by our analogue +_sanity_, which, from _sanus_, and allied to [Greek: saos], has +underneath it a similar basis. + +Every student of Carlyle will remember the very telling use to which he +puts the idea contained in this word--speaking of the manifold relations +of physical, psychal, and social health. Reference is made to his +employment of it in the 'Characteristics'--itself one of the most +authentic and veracious pieces of philosophy that it has been our lot to +meet with for a long time; yet wherein he proves the impossibility of +any, and the uselessness of all philosophies. Listen while he +discourses thereon: 'So long as the several elements of life, all fitly +adjusted, can pour forth their movement like harmonious tuned strings, +it is melody and unison: life, from its mysterious fountains, flows out +as in celestial music and diapason--which, also, like that other music +of the spheres, even because it is perennial and complete, without +interruption and without imperfection, might be fabled to escape the +ear. Thus, too, in some languages, is the state of health well denoted +by a term expressing unity; when we feel ourselves as we wish to be, we +say that we are _whole_.' + +But our psychal and social wholeness or health, as well as our physical, +is yet, it would appear, in the future, in the good time _coming_-- + + 'When man to man + Shall brothers be and a' that!' + +Even that, however, is encouraging--that it is _in prospectu_. For we +know that _right before us_ lies this great promised land--this +_Future_, teeming with all the donations of infinite time, and bursting +with blessings. And for us, too, there are in waiting [Greek: makarôn +nêsoi], or Islands of the Blest, where all heroic doers and all heroic +sufferers shall enjoy rest forever! + +In conclusion, take the benediction of serene old Miguel de Cervantes +Saavedra, in his preface to 'Don Quixote' (could we possibly have a +better?): 'And so God give you _health_, not forgetting me. Farewell!' + +FOOTNOTES: + +[Footnote 1: This alliance may be fanciful (though we observe some of +the best German lexicographers have it so); a better origin might, +perhaps, be found in the Sanscrit _mri_, etc.] + +[Footnote 2: 'Les Orientals,' par VICTOR HUGO. _Le Feu du ciel._] + +[Footnote 3: The 'by' may, however, have the force of going or passing, +equivalent to 'fare' in 'farewell,' or 'welfare,' _i. e._, may you have +a good passage or journey.] + +[Footnote 4: 'Past and Present,' pp. 128, 129.] + +[Footnote 5: Compare with this the Latin _mundus_, which is exactly +analogous in signification.] + +[Footnote 6: En-voir.] + +[Footnote 7: Perhaps nothing could better prove how profoundly +_religious_ were the Latins than a word compounded of the above; namely +'profane.' A 'fanatic' was one who devoted himself to the _fanum_ or +temple--'profane' is an object devoted to _anything else +'pro'_--_instead of_--the '_fanum_,' or fane.] + +[Footnote 8: The word is more properly oriental than Greek, _e. g._, +Hebrew, _pardes_, and Sanscrit, _paradêsa_.] + +[Footnote 9: See the Italian _setvaggio_ and the Spanish _salvage_, in +which a more approximate orthography has been retained.] + + + + +THE CHECH. + +"Chcés li tajnou véc aneb pravdu vyzvédéti, blazen, dité, opily +clovék o tom umeji povedeti." + + "Wouldst thou know a truth or mystery, + A drunkard, fool, or child may tell it thee." + + _Bohemian Proverb._ + + + And now I'll wrap my blanket o'er me, + And on the tavern floor I'll lie; + A double spirit-flask before me, + And watch the pipe clouds melting die. + + They melt and die--but ever darken, + As night comes on and hides the day; + Till all is black;--then, brothers, hearken! + And if ye can, write down my lay! + + In yon black loaf my knife is gleaming, + Like one long sail above the boat;-- + --As once at Pesth I saw it beaming, + Half through a curst Croatian throat. + + Now faster, faster whirls the ceiling, + And wilder, wilder turns my brain; + And still I'll drink--till, past all feeling, + The soul leaps forth to light again. + + Whence come these white girls wreathing round me? + Baruska!--long I thought thee dead! + Kacenka!--when these arms last bound thee, + Thou laidst by Rajhrad cold as lead! + + Now faster, faster whirls the ceiling, + And wilder, wilder turns my brain; + And from afar a star comes stealing, + Straight at me o'er the death-black plain. + + Alas!--I sink--my spirits miss me, + I swim, I shoot from sky to shore! + Klarà! thou golden sister--kiss me! + I rise--I'm safe--I'm strong once more. + + And faster, faster whirls the ceiling, + And wilder, wilder turns my brain; + The star!--it strikes my soul, revealing + All life and light to me again. + + * * * * * + + Against the waves fresh waves are dashing, + Above the breeze fresh breezes blow; + Through seas of light new light is flashing, + And with them all I float and flow. + + But round me rings of fire are gleaming: + Pale rings of fire--wild eyes of death! + Why haunt me thus awake or dreaming? + Methought I left ye with my breath. + + Aye glare and stare with life increasing, + And leech-like eyebrows arching in; + Be, if ye must, my fate unceasing, + But never hope a fear to win. + + He who knows all may haunt the haunting, + He who fears nought hath conquered fate; + Who bears in silence quells the daunting, + And sees his spoiler desolate. + + Oh wondrous eyes of star-like lustre, + How ye have changed to guardian love! + Alas!--where stars in myriads cluster + Ye vanish in the heaven above. + + * * * * * + + I hear two bells so softly singing: + How sweet their silver voices roll! + The one on yonder hill is ringing, + The other peals within my soul. + + I hear two maidens gently talking, + Bohemian maidens fair to see; + The one on yonder hill is walking, + The other maiden--where is she? + + Where is she?--when the moonlight glistens + O'er silent lake or murm'ring stream, + I hear her call my soul which listens: + 'Oh! wake no more--come, love, and dream!' + + She came to earth-earth's loveliest creature; + She died--and then was born once more; + Changed was her race, and changed each feature, + But oh! I loved her as before. + + We live--but still, when night has bound us + In golden dreams too sweet to last, + A wondrous light-blue world around us, + She comes, the loved one of the Past. + + I know not which I love the dearest, + For both my loves are still the same; + The living to my heart is nearest, + The dead love feeds the living flame. + + And when the moon, its rose-wine quaffing + Which flows across the Eastern deep, + Awakes us, Klarà chides me laughing, + And says, 'We love too well in sleep!' + + And though no more a Vojvod's daughter, + As when she lived on Earth before, + The love is still the same which sought her, + And she is true--what would you more? + + * * * * * + + Bright moonbeams on the sea are playing, + And starlight shines o'er vale and hill; + I should be gone--yet still delaying, + By thy loved side I linger still! + + My gold is gone--my hopes have perished, + And nought remains save love for thee! + E'en that must fade, though once so cherished: + Farewell!--and think no more of me! + + 'Though gold be gone and hope departed, + And nought remain save love for me, + Thou ne'er shalt leave me broken-hearted, + For I will share my life with thee! + + 'Thou deem'st me but a wanton maiden, + The plaything of thy idle hours; + But laughing streams with gold are laden, + And sweets are hidden 'neath the flowers. + + 'E'en outcasts may have heart and feeling, + E'en such as I be fond and true; + And love, like light, in dungeons stealing, + Though bars be there, will still burst through.' + + + + +PICTURES FROM THE NORTH. + + +It is worth while to live in the city, that we may learn to love the +country; and it is not bad for many, that artificial life binds them +with bonds of silk or lace or rags or cobwebs, since, when they are rent +away, the Real gleams out in a beauty and with a zest which had not been +save for contrast. + +Contrast is the salt of the beautiful. I wonder that the ancients, who +came so near it in so many ways, never made a goddess of Contrast. They +had something like it in ever-varying Future--something like it in +double-faced Janus, who was their real 'Angel of the Odd.' Perhaps it is +my ignorance which is at fault--if so, I pray you correct me. The subtle +Neo-Platonists _must_ have apotheosized such a savor to all æsthetic +bliss. Mostly do I feel its charm when there come before me pictures +true to life of far lands and lives, of valley and river, sea and shore. +Then I forget the narrow office and the shop-lined street, the rattling +cars and hurried hotel-lodgment, and think what it would be if nature, +in all her freshness and never-ending contrasts, could be my +ever-present. + +I thought this yesterday, in glancing over an old manuscript in my +drawer, containing translations, by some hand to me unknown, of sketches +of Sweden by the fairy-story teller Hans Christian Andersen. Reader, +will they strike you as pleasantly as they did me? I know not. Let us +glance them over. They have at least the full flavor of the North, of +the healthy land of frost and pines, of fragrant birch and of sweeter +meadow-grass, and simpler, holier flowers than the rich South ever +showed, even in her simplest moods. + +The first of these sketches sweeps us at once far away over the +Northland: + + 'WE JOURNEY. + + 'It is spring, fragrant spring, the birds are singing. You do not + understand their song? Then hear it in free translation: + + ''Seat thyself upon my back!' said the stork, the holy bird of our + green island. 'I will carry thee over the waves of the Sound. + Sweden also has its fresh, fragrant beechwoods, green meadows, and + fields of waving corn; in Schoonen, under the blooming apple trees + behind the peasant's house, thou wilt imagine thyself still in + Denmark!' + + ''Fly with me,' said the swallow. 'I fly over Hal-land's mountain + ridges, where the beeches cease. I soar farther toward the north + than the stork. I will show you where the arable land retires + before rocky valleys. You shall see friendly towns, old churches, + solitary court yards, within which it is cosy and pleasant to + dwell, where the family stands in circle around the table with the + smoking platters, and asks a blessing through the mouth of the + youngest child, and morning and evening sings a holy song. I have + heard it, I have seen it, when I was yet small, from my nest under + the roof.' + + ''Come! come!' cried the unsteady seagull, impatiently waiting, and + ever flying round in a circle. 'Follow me into the Scheeren, where + thousands of rocky islands, covered with pines and firs, lie along + the coasts like flower beds; where the fisherman draws full nets!' + + ''Let yourself down between our outspread wings!' sing the wild + swans. 'We will bear you to the great seas, to the ever-roaring, + arrow-quick mountain streams, where the oak does not thrive and the + birches are stunted; let yourself down between our outspread + wings,--we soar high over Sulitelma, the eye of the island, as the + mountain is called; we fly from the spring-green valley, over the + snow waves, up to the summit of the mountain, whence you may catch + a glimpse of the North Sea, beyond Norway. We fly toward Jamtland, + with its high blue mountains, where the waterfalls roar, where the + signal fires flame up as signs from coast to coast that they are + waiting for the ferry boat--up to the deep, cold, hurrying floods, + which do not see the sun set in midsummer, where twilight is dawn!' + + 'So sing the birds! Shall we hearken to their song--follow them, at + least a short way? We do not seat ourselves upon the wings of the + swan, nor upon the back of the stork; we stride forward with steam + and horses, sometimes upon our own feet, and glance, at the same + time, now and then, from the actual, over the hedge into the + kingdom of fancy, that is always our near neighborland, and pluck + flowers or leaves, which shall be placed together in the memorandum + book--they bud indeed on the flight of the journey. We fly, and we + sing: Sweden, thou glorious land! Sweden, whither holy gods came in + remote antiquity from the mountains of Asia; thou land that art yet + illumined by their glitter! It streams out of the flowers, with the + name of Linnæus; it beams before thy knightly people from the + banner of Charles the Twelfth, it sounds out of the memorial stone + erected upon the field at Lutzen. Sweden! thou land of deep + feeling, of inward songs, home of the clear streams, where wild + swans sing in the northern light's glimmer! thou land, upon whose + deep, still seas the fairies of the North build their colonnades + and lead their struggling spirit-hosts over the ice mirror. + Glorious Sweden, with the perfume-breathing Linea, with Jenny's + soulful songs! To thee will we fly with the stork and the swallow, + with the unsteady seagull and the wild swan. Thy birchwood throws + out its perfume so refreshing and animating, under its hanging, + earnest boughs--on its white trunk shall the harp hang. Let the + summer wind of the North glide murmuring over its strings.' + +There is true fatherland's love there. I doubt if there was ever yet +_real_ patriotism in a hot climate--the North is the only home of +unselfish and great union. Italy owes it to the cool breezes of her +Apennines that she cherishes unity; had it not been for her northern +mountains in a southern clime, she would have long ago forgotten to +think of _one_ country. But while the Alps are her backbone, she will +always be at least a vertebrate among nations, and one of the higher +order. Without the Alps she would soon be eaten up by the cancer of +states' rights. It is the North, too, which will supply the great +uniting power of America, and keep alive a love for the great national +name. + +Very different is the rest--and yet it has too the domestic home-tone of +the North. In Sweden, in Germany, in America, in England, the family tie +is somewhat other than in the East or in any warm country. With us, old +age is not so ever-neglected and little honored as in softer climes. +Thank the fireside for that. The hearth, and the stove, and the long, +cold months which keep the grandsire and granddame in the easy chair by +the warm corner, make a home centre, where the children linger as long +as they may for stories, and where love lingers, kept alive by many a +cheerful, not to be easily told tie. And it lives--this love--lives in +the heart of the man after he has gone forth to business or to battle: +he will not tell you of it, but he remembers grandmother and +grandfather, as he saw them a boy--the centre of the group, which will +never form again save in heaven. + +Let us turn to + + 'THE GRANDMOTHER. + + 'Grandmother is very old, has many wrinkles, and perfectly white + hair; but her eyes gleam like two stars, yes, much more beautiful; + they are so mild, it does one good to look into them! And then she + knows how to relate the most beautiful stories. And she has a dress + embroidered with great, great flowers; it is such a heavy silk + stuff that it rattles. Grandmother knows a great deal, because she + has lived much longer than father and mother; that is certain! + Grandmother has a hymn book with strong silver clasps, and she + reads very often in the book. In the midst of it lies a rose, + pressed and dry; it is not so beautiful as the rose which stands in + the glass, but yet she smiles upon it in the most friendly way; + indeed, it brings the tears to her eyes! Why does grandmother look + so at the faded flower in the old book? Do you know? Every time + that grandmother's tears fall upon the flower, the colors become + fresh again, the rose swells up and fills the whole room with its + fragrance, the walls disappear, as if they were only mist, and + round about her is the green, glorious wood, where the sun beams + through the leaves of the trees; and grandmother is young again; a + charming maiden, with full red cheeks, beautiful and innocent--no + rose is fresher; but the eyes, the mild, blessing eyes, still + belong to grandmother. At her side sits a young man, large and + powerful: he reaches her the rose, and she smiles--grandmother does + not smile so now! oh yes, look now!----But he has vanished: many + thoughts, many forms sweep past--the beautiful young man is gone, + the rose lies in the hymn book, and grandmother sits there again as + an old woman, and looks upon the faded rose which lies in the book. + + 'Now grandmother is dead. She sat in the armchair and related a + long, beautiful story; she said, 'Now the story is finished, and I + am tired;' and she leaned her head back, in order to sleep a + little. We could hear her breathing--she slept; but it became + stiller and stiller, her face was full of happiness and peace, it + was as if a sunbeam illumined her features; she smiled again, and + then the people said, 'She is dead.' She was placed in a black box; + there she lay covered with white linen; she was very beautiful, and + yet her eyes were closed, but every wrinkle had vanished; she lay + there with a smile about her mouth; her hair was silver white, + venerable, but it did not frighten one to look upon the corpse, for + it was indeed the dear, kind-hearted grandmother. The hymn book was + placed under her head--this she had herself desired; the rose lay + in the old book; and then they buried grandmother. + + Upon the grave, close by the church wall, a rose tree was planted; + it was full of roses, and the nightingale flew singing over the + flowers and the grave. Within the church, there resounded from the + organ the most beautiful hymns, which were in the old book under + the head of the dead one. The moon shone down upon the grave, but + the dead was not there; each child could go there quietly by night + and pluck a rose from the peaceful courtyard wall. The dead know + more than all of us living ones; they are better than we. The earth + is heaped up over the coffin, even within the coffin there is + earth; the leaves of the hymn book are dust, and the rose, with all + its memories. But above bloom fresh roses; above, the nightingale + sings, and the organ tones forth; above, the memory of the old + grandmother lives, with her mild, ever young eyes. Eyes can never + die. Ours will one day see the grandmother again, young and + blooming as when she for the first time kissed the fresh red rose, + which is now dust in the grave.' + + 'THE CELL PRISON. + + 'By separation from other men, by loneliness, in continual silence + shall the criminal be punished and benefited; on this account cell + prisons are built. In Sweden there are many such, and new ones are + building. I visited for the first time one in Marienstadt. The + building lies in a beautiful landscape, close by the town, on a + small stream of water, like a great villa, white and smiling, with + window upon window. But one soon discovers that the stillness of + the grave rests over the place; it seems as if no one dwelt here, + or as if it were a dwelling forsaken during the plague. The gates + of these walls are locked; but one opened and the jailor received + us, with his bundle of keys in his hand. The court is empty and + clean; even the grass between the paving stones is weeded out. We + entered the 'reception room,' to which the prisoner is first taken; + then the bath room, whither he is carried next. We ascend a flight + of stairs, and find ourselves in a large hall, built the whole + length and height of the building. Several galleries, one over + another in the different stories, extend round the whole hall, and + in the midst of the hall is the chancel, from which, on Sundays, + the preacher delivers his sermon before an invisible audience. All + the doors of the cells, which lead upon the galleries, are half + opened, the prisoners hear the preacher, but they cannot see him, + nor he them. The whole is a well-built machine for a pressure of + the spirit. In the door of each cell there is a glass of the size + of an eye; a valve covers it on the outside, and through this may + the warden, unnoticed by the prisoners, observe all which is going + on within; but he must move with soft step, noiselessly, for the + hearing of the prisoner is wonderfully sharpened by solitude. I + removed the valve from the glass very softly, and looked into the + closed room--for a moment the glance of the prisoner met my eye. It + is airy, pure, and clean within, but the window is so high that it + is impossible to look out. The whole furniture consists of a high + bench, made fast to a kind of table, a berth, which can be fastened + with hooks to the ceiling, and around which there is a curtain. + Several cells were opened to us. In one there was a young, very + pretty maiden; she had lain down in her berth, but sprang out when + the door was opened, and her first movement disturbed the berth, + which it unclasped and rolled together. Upon the little table stood + the water cask, and near it lay the remains of hard black bread, + farther off the Bible, and a few spiritual songs. In another cell + sat an infanticide; I saw her only through the small glass of the + door, she had heard our steps, and our talking, but she sat still, + cowered together in the corner by the door, as if she wished to + conceal herself as much as she could; her back was bent, her head + sunk almost into her lap, and over it her hands were folded. The + unhappy one is very young, said they. In two different cells sat + two brothers; they were paying the penalty of horse-stealing; one + was yet a boy. In one cell sat a poor servant girl; they said she + had no relations, and was poor, and they placed her here. I thought + that I had misunderstood, repeated my question, Why is the maiden + here? and received the same answer. Yet still I prefer to believe + that I have misunderstood the remark. Without, in the clear, free + sunlight, is the busy rush of day; here within the stillness of + midnight always reigns. The spider, which spins along the wall, the + swallow, which rarely flies near the vaulted window there above, + even the tread of the stranger in the gallery, close by the door, + is an occurrence in this mute, solitary life, where the mind of the + prisoner revolves ever upon himself. One should read of the martyr + cells of the holy inquisition, of the unfortunates of the Bagnio + chained to each other, of the hot leaden chambers, and the dark wet + abyss of the pit of Venice, and shudder over those pictures, in + order to wander through the galleries of the cell prison with a + calmer heart; here is light, here is air, here it is more human. + Here, where the sunbeam throws in upon the prisoner its mild light, + here will an illuminating beam from God Himself sink into the + heart.' + +Last we have + + 'SALA. + + 'Sweden's great king, Germany's deliverer, Gustavus Adolphus, + caused Sala to be built. The small enclosed wood in the vicinity of + the little town relates to us yet traditions of the youthful love + of the hero king, of his rendezvous with Ebba Brahe. The silver + shafts at Sala are the largest, the deepest and oldest in Sweden; + they reach down a hundred and seventy fathoms, almost as deep as + the Baltic. This is sufficient to awaken an interest in the little + town; how does it look now? 'Sala,' says the guide book, 'lies in a + valley, in a flat, and not very agreeable region.' And so it is + truly; in that direction was nothing beautiful, and the highway led + directly into the town, which has no character. It consists of a + single long street with a knot and a pair of ends: the knot is the + market; at the ends are two lanes which are attached to it. The + long street--it may be called long in such a short town--was + entirely empty. No one came out of the doors, no one looked out of + the windows. It was with no small joy that I saw a man, at last, in + a shop, in whose window hung a paper of pins, a red handkerchief, + and two tea cans, a solitary, sedate apprentice, who leaned over + the counter and looked out through the open house door. He + certainly wrote that evening in his journal, if he kept one; + 'To-day a traveller went through the town; the dear God may know + him, I do not!' The apprentice's face appeared to me to say all + that, and he had an honest face. + + 'In the tavern in which I entered, the same deathlike stillness + reigned as upon the street. The door was indeed closed, but in the + interior of the house all the doors stood wide open; the house cock + stood in the midst of the sitting room, and crowed in order to give + information that there was some one in the house. As to the rest, + the house was entirely picturesque; it had an open balcony looking + out upon the court--upon the street would have been too lively. The + old sign hung over the door and creaked in the wind; it sounded as + if it were alive. I saw it from my window; I saw also how the grass + had overgrown the pavement of the street. The sun shone clear, but + as it shines in the sitting room of the solitary old bachelor and + upon the balsam in the pot of the old maid, it was still as on a + Scottish Sunday, and it was Tuesday! I felt myself drawn to study + Young's 'Night Thoughts.' + + 'I looked down from the balcony into the neighbor's court; no + living being was to be seen, but children had played there; they + had built a little garden out of perfectly dry twigs; these had + been stuck into the soft earth and watered; the potsherd, which + served as watering pot, lay there still; the twigs represented + roses and geranium. It had been a splendid garden--ah yes! We + great, grown-up men play just so, build us a garden with love's + roses and friendship's geranium, we water it with our tears and our + heart's blood--and yet they are and remain dry twigs without roots. + That was a gloomy thought--I felt it, and in order to transform the + dry twigs into a blossoming Aaron's-staff, I went out. I went out + into the ends and into the long thread, that is to say, into the + little lanes and into the great street, and here was more life, as + I might have expected; a herd of cows met me, who were coming home, + or going away, I know not--they had no leader. The apprentice was + still standing behind the counter; he bowed over it and greeted; + the stranger took off his hat in return; these were the events of + this day in Sala. Pardon me, thou still town, which Gustavus + Adolphus built, where his young heart glowed in its first love, and + where the silver rests in the deep shafts without the town, in a + flat and not very pleasant country. I knew no one in this town, no + one conducted me about, and so I went with the cows, and reached + the graveyard; the cows went on, I climbed over the fence, and + found myself between the graves, where the green grass grew, and + nearly all the tombstones lay with inscriptions blotted out; only + here and there, 'Anno' was still legible--what further? And who + rests here? Everything on the stone was effaced, as the earth life + of the one who was now earth within the earth. What drama have ye + dead ones played here in the still Sala? The setting sun threw its + beams over the graves, no leaf stirred on the tree; all was still, + deathly still, in the town of the silver mines, which for the + remembrance of the traveller is only a frame about the apprentice, + who bowed greeting over the counter.' + +Silence, stillness, quiet, solitude, loneliness, far-away-ness; hushed, +calm, remote, out of the world, un-newspapered, operaless, +un-gossipped--was there ever a sketch which carried one so far from the +world as this of 'Sala'? That _one_ shopboy--those going or coming +cows--the tombs, with wornout dates, every point of time vanishing--a +living grave! + +Contrast again, dear reader. Verily she is a goddess--and I adore her. +Lo! she brings me back again in Sala to the busy streets of this city, +and the office, and the 'exchanges,' and the rustling, bustling world, +and the hotel dinner--to be in time for which I am even now writing +against time--and I am thankful for it all. Sala has cured me. That +picture drives away longings. Verily, he who lives in America, and in +its great roaring current of events, needs but a glance at Sala to feel +that _here_ he is on a darting stream ever hurrying more gloriously into +the world and away from the dull inanity--which the merest sibilant of +aggravation will change to insanity. + +Reader, our Andersen is an artist--as most children know. But I am glad +that he seldom gives us anything which is so _very_ much of a monochrome +as Sala. + +I wonder if Sala was the native and surnaming town of that _other_ Sala +whose initials are G. A. S., and whose nature is 'ditto'? Did its +dulness drive him to liveliness, even as an 'orthodox' training is said +to drive youth to dissipation? It may be so. The one hath a deep mine of +silver--the other contains inexhaustible mines of brass--and the name of +the one as of the other, when read in Hebrew-wise gives us 'alas!' + +But I am wandering from the Northern pictures and fresh nature, and must +close. + + + + +THE NEW RASSELAS. + + +... And Joseph, opening the drawing room, told me the postchaise was +ready. My mother and my sister threw themselves into my arms. + +'It is still time,' said they, 'to abandon this scheme. Stay with us.' + +'Mother, I am of noble birth, I am now twenty, I must have a name, I +must be talked about in the country, I must be getting a position in the +army or at court.' + +'Oh! but, Bernard, when you have gone, what will become of me?' + +'You will be happy and proud when you hear of your son's success.' + +'But if you are killed in some battle?' + +'What of that! What's life? Who thinks about being killed? When one is +twenty, and of noble lineage, he thinks of nothing but glory. And, +mother, in a few years you shall see me return to your side a colonel, +or a general, or with some rich office at Versailles.' + +'Well, and what then?' + +'Why, then I shall be respected and considered about here.' + +'And then?' + +'Why, everybody will take off their hat to me.' + +'And then?' + +'I'll marry Cousin Henrietta, and I'll marry off my young sisters, and +we'll all live together with you, tranquil and happy, on my estate in +Brittany.' + +'Now, why can't you commence this tranquil and happy life to-day? Has +not your father left us the largest fortune of all the province? Is +there anywhere near us a richer estate or a finer chateau than that of +La Roche Bernard? Are you not considered by all your vassals? Doesn't +everybody take off their hat when they meet you? No, don't quit us, my +dear child; remain with your friends, with your sisters, with your old +mother, whom, at your return, perhaps you may not find alive; do not +expend in vain glory, nor abridge by cares and annoyances of every kind, +days which at the best pass away too rapidly: life is a pleasant thing, +my son, and Brittany's sun is genial!' + +As she said this, she showed me from the drawing-room windows the +beautiful avenues of my park, the old horse-chestnuts in bloom, the +lilacs, the honeysuckles, whose fragrance filled the air, and whose +verdure glistened in the sun. In the antechamber was the gardener and +all his family, who, sad and silent, seemed also to say to me, 'Don't +go, young master, don't go.' Hortense, my eldest sister, pressed me in +her arms, and Amélie, my little sister, who was in a corner of the +drawing room looking at the pictures in a volume of La Fontaine, came up +to me, holding out the book: + +'Read, read, brother,' said she, weeping.... + +She pointed to the fable of the Two Pigeons!... I suddenly got up, and +repelled them all. 'I am now twenty, I am of noble blood, I want glory +and honor.... Let me go.' And I ran toward the courtyard. I was about +getting into the postchaise, when a woman appeared on the staircase. +It was Henrietta! She did not weep ... she did not say a word ... but, +pale and trembling, it was with the utmost difficulty that she kept from +falling. She waved the white handkerchief she held in her hand, as a +last good-by, and she fell senseless on the floor. I ran and took her +up, I pressed her in my arms, I pledged my love to her for life; and as +she recovered consciousness, leaving her in the hands of my mother and +sister, I ran to my postchaise without stopping, and without turning my +head. + +If I had looked at Henrietta, I should not have gone. + +In a few moments afterward the postchaise was rattling along the +highway. For a long time my mind was completely absorbed by thoughts of +my sisters, of Henrietta, of my mother, and of all the happiness I left +behind me; but these ideas gradually quitted me as I lost sight of the +turrets of La Roche Bernard, and dreams of ambition and of glory took +the entire possession of my mind. What schemes! What castles in the air! +What noble actions I performed in my postchaise!! I denied myself +nothing: wealth, honors, dignities, success of every kind, I merited and +I awarded myself all; at the last, raising myself from grade to grade as +I advanced on my journey, by the time I reached my inn at night, I was +duke and peer, governor of a province, and marshal of France. The voice +of my servant, who called me modestly Monsieur le Chevalier, alone +forced me to remember who I was, and to abdicate all my dignities. The +next day, and the following days, I indulged in the same dreams, and +enjoyed the same intoxication, for my journey was long. I was going to a +chateau near Sedan the chateau of the Duke de C----, an old friend of my +father, and protector of my family. It was understood that he was to +carry me to Paris with him, where he was expected about the end of the +month; he promised to present me at Versailles, and to give me a company +of dragoons through the credit of his sister, the Marchioness de F----, +a charming young lady, designated by public opinion as Madame de +Pompadour's successor, whose title she claimed with the greater justice +as she had long filled its honorable functions. I reached Sedan at +night, and at too late an hour to go to the chateau of my protector. I +therefore postponed my visit until the nest day, and lay at the +'France's Arms,' the best hotel of the town, and the ordinary rendezvous +of all the officers; for Sedan is a garrison town, and is well +fortified; the streets have a warlike air, and even the shopkeepers have +a martial look, which seems to say to strangers, 'We are fellow +countrymen of the great Turenne!' I supped at the general table, and I +asked what road I should take in the morning to go to the chateau of the +Duke de C----, which is situated some three leagues out of the town. +'Anybody will show you,' I was told, 'for it is well known hereabouts: +Marshal Fabert, a great warrior and a celebrated man, died there.' +Thereupon the conversation turned about Marshal Fabert. Between young +soldiers, this was very natural; his battles, his exploits, his modesty, +which made him refuse the letters patent of nobility and the collar of +his orders offered him by Louis XIV, were all talked about; they dwelt +especially on the inconceivable fortune which had raised him from the +rank of a simple soldier to the rank of a marshal of France--him, who +was nothing at all, the son of a mere printer: it was the only example +of such a piece of fortune which could then be instanced, and which, +even during Fabert's life, had appeared so extraordinary, the vulgar +never feared to ascribe his elevation to supernatural causes. It was +said that from his youth he had busied himself with magic and sorcery, +and that he had made a league with the devil. Mine host, who, to the +stupidity inherent in all the natives of the province of Champagne, +added the credulity of our Brittany peasants, assured us with a great +deal of sangfroid, that when Fabert died in the chateau of the Duke de +C----, a black man, whom nobody knew, was seen to enter into the dead +man's room, and disappear, taking with him the marshal's soul, which he +had bought, and which belonged to him; and that even now, every May, +about the period of the death of Fabert, the people of the chateau saw +the black man about the house, bearing a small light. This story made +our dessert merry, and we drank a bottle of champagne to the demon of +Fabert, craving it to be good enough to take us also under its +protection, and enable us to win some battles like those of Collioure +and La Marfee. + +I rose early the next morning, and went to the chateau of the Duke de +C----, an immense gothic manor-house, which perhaps at any other moment +I would not have noticed, but which I regarded, I acknowledge, with +curiosity mixed with emotion, as I recollected the story told us on the +preceding evening by the host of the 'France's Arms.' The servant to +whom I spoke, told me he did not know whether his master could receive +company, and whether he could receive me. I gave him my name, and he +went out, leaving me alone in a sort of armory, decorated with the +attributes of the chase and family portraits. + +I waited some time, and no one came. 'The career of glory and of honor I +have dreamed commences by the antechamber,' said I to myself, and +impatience soon possessed the discontented solicitor. I had counted over +the family portraits and all the rafters of the ceiling some two or +three times, when I heard a slight noise in the wooden wainscoting. It +was caused by an ill-closed door the wind had forced open. I looked in, +and I perceived a very handsome boudoir, lighted by two large windows +and a glazed door opening on a magnificent park. I walked into this +room, and after I had gone a short distance, I was stopped by a scene +which I had not at first perceived. A man was lying on a sofa, with his +back turned to the door by which I came in. He got up, and without +perceiving me, ran abruptly to the window. Tears streamed down his +cheeks, and a profound despair was marked on his every feature. He +remained motionless for some time, keeping his face buried in his hands; +then he began striding rapidly about the room. I was then near him; he +perceived me, and trembled; I, too, was annoyed and confounded at my +indiscretion; I sought to retire, muttering some words of excuse. + +'Who are you? What do you want?' he said to me in a loud voice, taking +hold of me by my arms. + +'I am the Chevalier Bernard de la Roche Bernard, and I come from +Brittany.'... + +'I know, I know,' said he; and he threw himself into my arms, made me +take a seat by his side, spoke to me warmly about my father and all my +family, whom he knew so well that I was persuaded I was talking with the +master of the chateau. + +'You are Monsieur de C----?' I asked him. + +He got up, looked at me wildly, and replied, 'I was he, I am he no +longer, I am nothing;' and seeing my astonishment, he exclaimed, 'Not a +word more, young man, don't question me!' + +'I must, Monsieur; I have been the involuntary witness of your chagrin +and your grief, and if my attachment and my friendship may to some +degree alleviate'---- + +'You are right, you are right,' said he; 'you cannot change my fate, but +at the least you may receive my last wishes and my last injunctions ... +it is the only favor I ask of you.' + +He shut the door, and again took his seat by my side; I was touched, and +tremblingly expected what he was going to say: he spoke with a grave and +solemn manner. His physiognomy had an expression I had never seen before +on any face. His forehead, which I attentively examined, seemed marked +by fatality; his face was pale; his black eyes sparkled, and +occasionally his features, although changed by pain, would contract in +an ironical and infernal smile. 'What I am going to tell you,' said he, +'will surprise you.' You will doubt me ... you will not believe me ... +even. I doubt it sometimes ... at the least, I would like to doubt it; +but I have got the proofs of it; and there is in everything around us, +in our very organization, a great many other mysteries which we are +obliged to undergo, without being able to understand.' He remained +silent for a moment, as if to collect his ideas, brushed his forehead +with his hand, and then proceeded: + +'I was born in this chateau. I had two elder brothers, to whom the +honors and the estates of our house were to descend. I could hope +nothing above the cassock of an abbé, and yet dreams of ambition and of +glory fermented in my head, and quickened the beatings of my heart. +Discontented with my obscurity, eager for fame, I thought of nothing but +the means of acquiring it, and this idea made me insensible to all the +pleasures and all the joys of life. The present was nothing to me; I +existed only in the future; and that future lay before me robed in the +most sombre colors. I was nearly thirty years old, and had done nothing. +Then literary reputations arose from every side in Paris, and their +brilliancy was reflected even to our distant province. 'Ah!' I often +said to myself, 'if I could at the least command a name in the world of +letters! that at least would be fame, and fame is happiness.' The +confidant of my sorrow was an old servant, an aged negro, who had lived +in the chateau for years before I was born; he was the oldest person +about the house, for no one remembered when he came to live there; and +some of the country people said that he knew the Marshal Fabert, and had +been present at his death'-- + +My host saw me express the greatest surprise; he interrupted his +narrative to ask me what was the matter. + +'Nothing,' said I; but I could not help thinking of the black man the +innkeeper had mentioned the evening before. + +Monsieur de C---- went on with his story: 'One day, before Juba (such +was the negro's name), I loudly expressed my despair at my obscurity and +the uselessness of my life, and I exclaimed: '_I would give ten years of +my life_ to be placed in the first rank of our authors.' 'Ten years,' he +coldly replied to me, 'are a great deal; it's paying dearly for a +trifle; but that's nothing, I accept your ten years. I take them now; +remember your promises: I shall keep mine!' I cannot depict to you my +surprise at hearing him speak in this way. I thought years had weakened +his reason; I smiled, and he shrugged his shoulders, and in a few days +afterward I quitted the chateau to pay a visit to Paris. There I was +thrown a great deal in literary society. Their example encouraged me, +and I published several works, whose success I shall not weary you by +describing. All Paris applauded me; the newspapers proclaimed my +praises; the new name I had assumed became celebrated, and no later than +yesterday, you, yourself, my young friend, admired me.' + +A new gesture of surprise again interrupted his narrative: 'What! you +are not the Duke de C----?' I exclaimed. + +'No,' said he very coldly. + +'And,' I said to myself, 'a celebrated literary man! Is it Marmontel? or +D'Alembert? or Voltaire?' + +He sighed; a smile of regret and of contempt flitted over his lips, and +he resumed his story: 'This literary reputation I had desired soon +became insufficient for a soul as ardent as my own. I longed for nobler +success, and I said to Juba, who had followed me to Paris, and who now +remained with me: 'There is no real glory, no true fame, but that +acquired in the profession of arms. What is a literary man? A poet? +Nothing. But a great captain, a leader of an army! Ah! that's the +destiny I desire; and for a great military reputation, I would give +another ten years of my life.' 'I accept them,' Juba replied; 'I take +them now; don't forget it.'' + +At this part of his story he stopped again, and, observing the trouble +and hesitation visible in my every feature, he said: + +'I warned you beforehand, young man, that you could not believe me; this +seems a dream, a chimera to you!... and to me, too!... and yet the +grades and the honors I obtained were no illusions; those soldiers I led +to the cannon's mouth, those redoubts stormed, those flags won, those +victories with which all France has rung ... all that was my work ... +all that glory was mine.'... + +While he strode up and down the room, and spoke with this warmth and +enthusiasm, surprise chilled my blood, and I said to myself, 'Who can +this gentleman be?... Is he Coligny?... Richelieu?... the Marshal +Saxe?'... + +From this state of excitement he had fallen into great depression, and +coming close to me, he said to me, with a sombre air: + +'Juba spoke truly; and after a short time had passed away, disgusted +with this vain bubble of military glory, I longed for the only thing +real and satisfactory and permanent in this world; and when, at the cost +of five or six years of life, I desired gold and wealth, Juba gave them +too.... Yes, my young friend, yes, I have seen fortune surpass all my +desires; I became the lord of estates, of forests, of chateaux. Up to +this morning they were all mine; if you don't believe me, if you don't +believe Juba ... wait ... wait ... he is coming ... and you will see for +yourself, with your own eyes, that what confounds your reason and mine, +is unhappily but too real.' + +He then walked toward the mantlepiece, looked at the clock, exhibited +great alarm, and said to me in a whisper: + +'This morning at daybreak I felt so depressed and weak I could scarcely +get up. I rang for my servant. Juba came. 'What is the matter with me +this morning?' I asked him. 'Master, nothing more than natural. The hour +approaches, the moment draws near!' 'What hour? What moment?' 'Don't you +remember? Heaven allotted sixty years as the term of your existence. You +were thirty when I began to obey you!' 'Juba,' said I, seriously +alarmed, 'are you in earnest?' 'Yes, master; in five years you have +dissipated in glory twenty-five years of life. You gave them to me, they +belong to me; and those years you bartered away shall now be added to +the days I have to live.' 'What, was that the price of your services?' +'Others have paid more dearly for them. You have heard of Fabert: I +protected him.' 'Silence! silence!' I said to him; 'you lie! you lie!' +'As you please; but get ready, you have only half an hour to live.' 'You +are mocking me; you deceive me.' 'Not at all; make the calculation +yourself. You have really lived thirty-five years; you have lost +twenty-five years: total, sixty years.' He started to go out.... I felt +my strength diminishing; I felt my life waning away. 'Juba! Juba!' said +I, 'give me a few hours, only a few hours,' I screamed; 'oh! give me a +few hours longer!' 'No, no,' said he, 'that would be to diminish my own +life, and I know better than you the value of life. There is no treasure +in this world worth two hours' existence!' I could scarcely speak; my +eyes became obscured by a thick veil, the icy hand of death began to +freeze my veins. 'Oh!' said I, making an effort to speak, 'take back +those estates for which I have sacrificed everything. Give me four hours +longer, and I make you master of all my gold, of all my wealth, of all +that opulence of fortune I have so earnestly desired.' 'Agreed: you have +been a good master, and I am willing to do something for you; I consent +to your prayer.' I felt my strength return; and I exclaimed: 'Four hours +are so little ... oh! Juba! ... Juba ... oh! Juba! give me yet four +hours, and I renounce all my literary glory, all my works, everything +that has placed me so high in the opinion of the world.' 'Four hours of +life for that!' exclaimed the negro with contempt.... 'That's a great +deal; but never mind; you shan't say I refused your last dying request.' +'Oh! no! no! Juba, don't say my last dying request.... Juba! Juba! I beg +of you, give me until this evening, give me twelve hours, the whole day, +and may my exploits, my victories, my military fame, my whole career be +forever effaced from the memory of men!... may nothing whatever remain +of them!... if you will give me this day, only to-day, Juba; and I shall +be too well satisfied.' 'You abuse my generosity,' said he, 'and I am +making a fool's bargain. But never mind, I give you until sundown. After +that, ask me for nothing more. Don't forget, after sundown I shall come +for you!' + +'He went away,' added my companion, with a tone of despair I can never +forget, 'and this is the last day of my life.' He then walked to the +glazed door looking out on the park (it was open), and he exclaimed: + +'Oh God! I shall see no more this beautiful sky, these green lawns, +these sparkling waters; I shall never again breathe the balmy air of the +spring! Madman that I was! I might have enjoyed for twenty-five years to +come these blessings God has showered on all, blessings whose worth I +knew not, and of which I am beginning to know the value. I have worn out +my days, I have sacrificed my life for a vain chimera, for a sterile +glory, which has not made me happy, and which died before me.... See! +see there!' said he, pointing to some peasants plodding their weary way +homeward; 'what would I not give to share their labors and their +poverty!... But I have nothing to give, nothing to hope here below ... +nothing ... not even misfortune!'... At this moment a sunbeam, a May +sunbeam, lighted up his pale, haggard features; he took me by the arm +with a sort of delirium, and said to me: + +'See! oh see! how splendid is the sun!... Oh! and I must leave all +this!... Oh! at the least let me enjoy it now.... Let me taste to the +full this pure and beautiful day ... whose morrow I shall never see!' + +He leaped into the park, and, before I could well comprehend what he was +doing, he had disappeared down an alley. But, to speak truly, I could +not have restrained him, even if I would.... I had not now the strength; +I fell back on the sofa, confounded, stunned, bewildered by all I had +seen and heard. At length I arose and walked about the room to convince +myself that I was awake, that I was not dreaming, that.... + +At this moment the door of the boudoir opened, and a servant announced: + +'My master, Monsieur le Duc de C----.' + +A gentleman some sixty years old and of a very aristocratic appearance +came forward, and, taking me by the hand, begged my pardon for having +kept me so long waiting. + +'I was not at the chateau,' said he. 'I have just come from the town, +where I have been to consult with the physicians about the health of the +Count de C----, my younger brother.' + +'Is he dangerously ill?' + +'No, monsieur, thank Heaven, he is not; but in his youth visions of +glory and of ambition had excited his imagination, and a grave fever, +from which he has just recovered, and which came near proving fatal, has +left his head in a state of delirium and insanity, which persuades him +that he has only one day longer to live. That's his madness.' + +Everything was explained to me now! + +'Come, my young friend, now let us talk over your business; tell me what +I can do for your advancement. We will go together to Versailles about +the end of this month. I will present you at court.' + +'I know how kind you are to me, duke, and I have come here to thank you +for it.' + +'What! have you renounced going to court, and to the advantages you may +reckon on having there?' + +'Yes.' + +'But recollect, that aided by me, you will make a rapid progress, and +that with a little assiduity and patience ... say in ten years.' + +'They would be ten years lost!' + +'What!' exclaimed the duke with astonishment, 'is that purchasing too +dearly glory, fortune, and fame?... Silence, my young friend, we will go +together to Versailles.' + +'No, duke, I return to Brittany, and I beg you to accept my thanks and +those of my family for your kindness.' + +'You are mad!' said the duke. + +But thinking over what I had heard and seen, I said to myself: 'You are +the same!' + +The next morning I turned my face homeward. With what pleasure I saw +again my fine chateau de la Roche Bernard, the old trees of my park, and +the beautiful sun of Brittany! I found again my vassals, my sisters, my +mother, and happiness, which has never quitted me since, for eight days +afterward I married Henrietta. + + + + +THE CHAINED RIVER. + + + Home I love, I now must leave thee! Home I love, I now must go + Far away, although it grieve me, through the valley, through the snow. + + By the night and through the valley, though the hail against us flies, + Till we reach the frozen river--on its bank the foeman lies. + + Frozen river, mighty river!--wilt thou e'er again be free + From the fountain through the mountain, from the mountain to the sea. + + Yes; though Freedom's glorious river for a time be frozen fast, + Still it cannot hold forever--Winter's reign will soon be past. + + Still it runs, although 'tis frozen--on beneath the icy plain, + From the mountain to the ocean--free as thought, though held in chain. + + From the mountain to the ocean, from the ocean to the sky, + Then in rainy drops returning--lo the ice-chains burst and fly! + + And the ice makes great the river. Breast the spring-flood if you dare! + Rivers run though ice be o'er them--GOD and Freedom everywhere! + + + + +HOW THE WAR AFFECTS AMERICANS. + + +At the outbreak of the present terrible civil war, the condition of the +American people was apparently enviable beyond that of any other nation. +We say apparently, because the seeds of the rebellion had long been +germinating; and, to a philosophic eye, the great change destined to +follow the rebellion was inevitable, though it was then impossible for +human foresight to predict the steps by which that change would come. +Unconscious of impending calamity, we were proud of our position and +character as American citizens. We were free from oppressive taxation, +and enjoyed unbounded liberty of speech and action. Revelling in the +fertility of a virgin continent, unexampled in modern times for the +facilities of cultivation and the richness of its return to human labor, +it was a national characteristic to felicitate ourselves upon the +general prosperity, and boastingly to compare our growing resources and +our unlimited and almost spontaneous abundance, with the hard-earned and +dearly purchased productions of other and more exhausted countries. Our +population, swollen by streams of immigration from the crowded +continents of the old world, has spread over the boundless plains of +this, with amazing rapidity; and the physical improvements which have +followed our wonderful expansion have been truly magical in their +results, as shown by the decennial exhibits of the census, or presented +in still more palpable form to the eye of the thoughtful and observant +traveller. Since the fall of the Roman empire, no single government has +possessed so magnificent a domain in the temperate regions of the globe; +and certainly, no other people so numerous, intelligent, and powerful, +has ever in any age of the world enjoyed the same unrestricted freedom +in the pursuit of happiness: accordingly, none has ever exhibited the +same extraordinary activity in enterprise, or equal success in the +creation and accumulation of wealth. It was unfortunately true that our +mighty energies were mostly employed in the production of physical +results; and although our youthful, vigorous, and unrestricted efforts +made these results truly marvellous, yet the moral and intellectual +basis on which we built was not sufficiently broad and stable to sustain +the vast superstructure of our prosperity. The foundations having been +seriously disturbed, it becomes indispensable to look to their permanent +security, whatever may be the temporary inconvenience arising from the +necessary destruction of portions of the old fabric. + +When the war began, the South was supplying the world with cotton--a +staple which in modern times has become intimately connected with the +physical well-being of the whole civilized world. At the same time, the +Northwest was furnishing to all nations immense quantities of grain and +animal food, her teeming fields presenting a sure resource against the +uncertainty of seasons in those regions of the earth in which capital +must supply the fertility which is still inexhaustible here. While such +were the occupations of the South and the West, the North and East were +advancing in the path of mechanical and commercial improvement, with a +rapidity beyond all former example. Agricultural and manufacturing +inventions were springing up, full grown, out of the teeming brain of +the Yankees, and were fast altering the face of the world. New +combinations of natural forces were appearing as the agents of the human +will, and were multiplying the physical capacity of man in a ratio that +seemed to know no bounds. Commercial enterprise kept pace with these +magnificent creations, and never failed, with liberal and enlightened +spirit, to avail itself of all the resources which industry produced or +genius invented. Our tonnage surpassed that of the greatest nations; the +skill of our shipbuilders was unsurpassed; and the courage, industry, +and perseverance of our seamen were renowned all over the world. On +every ocean and in every important harbor of the earth were daily +visible the emblems of our national power and the evidences of our +individual prosperity. But in one fatal moment, from a cause which was +inherent in our moral and political condition, all this prodigious +activity of thought and work was brought to a complete stand. Such a +shock was never before experienced, because such a social and material +momentum had never before been acquired by any nation, and then been +arrested by so gigantic a calamity. It was as if the earth had been +suddenly stopped on its axis, and all things on its surface had felt the +destructive impulse of the centrifugal force. + +War itself is, unhappily, no uncommon condition of mankind. Wars on a +gigantic scale have often heretofore raged among the great nations, or +even between sundered parts of the same people. It is not the magnitude +of the present contest which constitutes its greatest peculiarity. It is +rather the magnitude and importance of the interests it involves and the +relations it sunders, which give it the tremendous significance it bears +in the eyes of the world. Never has any war found the contending parties +engaged in works of such world-wide and absorbing interest, as those +which occupied both sections of our people at the commencement of this +rebellion. No two people, connected by so many ties, enjoying such +unlimited freedom of intercourse, so mutually dependent each upon the +other, and occupying a country so utterly incapable of natural +divisions, have ever been known to struggle with each other in so +sanguinary a conflict. All the circumstances of the case have been +unexampled in history. Accordingly the influence of the contest upon +affairs on this continent, and indeed upon human affairs generally, has +been great and disastrous in proportion to the magnitude of the peaceful +works which have been suspended by it, and to the closeness of those +brotherly relations which have heretofore existed between the contending +parties, now violently broken, and perhaps forever destroyed. + +Almost the entire industry and commerce of the United States have been +diverted into new and unaccustomed channels. The most active and +enterprising people in the world, in the midst of their varied +occupations, suddenly find all the accustomed channels of business +blocked up and the stream of their productions flowing back upon them in +a disastrous flood, and stagnating in their workshops and storehouses. +They are compelled to find new issues for their enterprise and to make a +complete change in their habits and works. It is not merely in the +cessation of all intercourse between the two vast sections, North and +South, that this mighty transformation has taken place; but an equal +alteration has been suddenly effected in the character of the business +and the nature of the occupations which the people have heretofore +pursued in the loyal States of the Union. Great branches of business, +employing millions of capital, have been utterly annihilated or +indefinitely suspended. Vast amounts of capital have been sunk and +utterly lost in the deep gulf of separation which temporarily divides +the States; or if they are ever to be recovered, it will be only after +the storm shall have completely subsided, when some portions of the +wrecks, which have been scattered in the fearful commotion, may be +thrown safely on to the shores of reunion. It was anticipated, +especially by the rebels themselves, that these incalculable losses, +these tremendous shocks and sudden changes, would utterly overwhelm the +North with ruin and tear her to pieces with faction and disorder. But +this anticipation of accumulated disasters, in which the wish was father +to the thought, has not been realized to any appreciable extent. The +pecuniary losses have been in a great measure compensated by the immense +demands of the war; and when faction has attempted to raise its head, it +has been compelled to retire before the patriotic rebuke of the people. +And although the vast expenditures of the war give present relief; by +drawing largely on the resources of the future, yet the strength we +acquire is none the less real or less effectual in overthrowing the +rebellion. + +But this sudden and grand emergency, with all its appalling concomitants +of lives sacrificed, property destroyed, commercial disaster, and social +derangement, has given a rare opportunity for the testing of our +national character, and of our ability to meet and overcome the most +tremendous difficulties and dangers. Perhaps the versatility of American +genius and its ready adaptation to the new circumstances, are even more +wonderful than any other exhibition made by our people in this great +national crisis. There has never been any good reason to doubt the +capacity of any portion of American citizens for warlike occupations, +nor their possession of the moral qualities necessary to make them good +soldiers. The long period of peace which has blessed our country, with +the industrial, educational, and moral improvement produced by it, has +rendered war justly distasteful to the Free States of the Union. They +were slow to recognize the necessity for it; and nothing but the most +solemn convictions of duty would have aroused them to the stern and +unanimous determination with which they have entered on the present +struggle. Swift would have been our degeneration, if the spirit of our +fathers had already died out among us. But our history of less than a +century since the Revolutionary war has fully maintained the +self-reliant character of Americans and demonstrated their military +abilities; and if the commercial and manufacturing populations of +particular sections were supposed to have become somewhat enervated by +long exemption from the labors and perils of war, it was certain that +our large agricultural regions and especially our frontier settlements +were peopled with men inured to toil and familiar with danger, +constituting the best material for armies to be found in any country. +Nor was it in fact true that any considerable portion of our people, +even those drawn from the stores and workshops of the cities, had become +so far deteriorated in vigor of body, or demoralized in spirit, as to be +unfit for military service. The Southern leaders looked with scorn upon +our volunteer army only until they encountered it in battle. They were +then compelled to alter their preconceived opinions of the Yankee +character, and to change their contempt, real or pretended, into +respect, if not admiration. Even when superior numbers or better +strategy enabled them to beat us, they have seldom failed to bear +honorable testimony to the unflinching courage and endurance of our +troops. Nor do we need the admissions of the enemy to establish this +character for us; our own triumphs, on many glorious fields, are the +best evidences of our ability in war, and of themselves sufficiently +attest the valor and energy of our noble volunteers. In this aspect of +the matter, we must not forget the peculiar character and constitution +of our vast army. It is indeed worthy to be called the wonder of the +world. It is virtually a voluntary association of the people for the +purpose of putting down a gigantic rebellion and saving their own +government from destruction. This is a social phenomenon never before +known in history on a scale approaching the magnitude of our +combinations--a phenomenon which could only take place in a popular +government, where the unrestricted freedom of individual action promotes +the virtues of personal independence, self-respect, and manly courage. +Even the Southern people, fighting on their own soil, in a war which, +though actually commenced by them, they now affect to consider wholly +defensive--even they, with all their boasted unanimity, and with the +fierce passions engendered by slavery, have been compelled to maintain +their armies by a conscription of the most unexampled severity; while +the loyal States, fighting solely for union and nationality--interests +of the most general nature, and offering little of mere personal +inducement--have so far escaped that necessity, and are now just +preparing to resort to it. After all, it must be acknowledged by every +just and generous mind, whether that of friend or foe, that there is a +substratum of noble sentiment and manly impulses at the foundation of +the Yankee character. The vast movements of the Northern people plainly +show it. Their contributions for the support of soldiers' families and +for the relief of the wounded and disabled, are upon a gigantic scale. +They raise immense sums for the payment of bounties to volunteers, and +thus, in every way, the burdens of the war are voluntarily assumed by +the people, and to some extent distributed among them, so that every one +may participate in the patriotic work. Nor is this large-hearted +liberality confined solely to our own country. The sufferers in other +lands, who have felt the disastrous effects of our great civil war, have +not been forgotten. In the midst of a life-and-death struggle among +ourselves, we have found time and means to assist in relieving their +wants--an exhibition of liberality peculiar, and truly American in +character. + +Nor are these the only interesting features in the bearing of the +American people at the present crisis. Perhaps a still more remarkable +one is the entire devotion of the national energies--of intellect not +less than of heart, of skill, not less than of capital--to the great +purposes of the war. This was the necessary result of our free +institutions; of our untrammelled pursuits; the mobility of our means +and agencies of production; and the plastic character of all our +creations. The amount of thought expended on this subject has been +prodigious and incalculable. It would be difficult, if not impossible, +to enumerate the ten thousand inventions and devices of all kinds which +have been presented for the purpose of increasing the efficiency of +weapons and of all the appliances of war, as well as for adding to the +comfort and securing the health of the soldier. Every imaginable +instrument of usefulness in any of the operations of the camp, or the +march, or the field of battle, has been the subject of tentative +ingenuity, such as none but Yankees could display. The musket, the +carbine, the pistol, have been constructed upon numberless plans, +apparently with every possible modification. The cartridge has been +covered with copper, impervious to water, instead of paper, and has its +own fulminate attached in various modes. Cannon shot and shells have +been made in many new forms; and cannons themselves have been increased +in calibre to an extraordinary size with proportionate efficiency, and +have been constructed in various modes and forms never before conceived. +The tent, the cot, the chest, the chair, the knife and fork, the stove +and bakeoven, each and every one of them, have been touched by the +transforming hand of homely genius, and have assumed a thousand +unimaginable forms of usefulness and convenience. India rubber and every +other available material have been made to perform new and appropriate +parts in the general work. The result of all this unexampled activity +and ingenuity has not yet been fully eliminated. It would require years +of experience in war in order to bring American genius, as at present +developed, to bear with all its extraordinary force on the mechanical +details of the military art. Beyond doubt, numberless devices, among +those presented, will prove to be utterly worthless; but many of them +will certainly stand the test of experience, will be ultimately approved +and adopted, and will remain as monuments of the enterprise and +ingenuity aroused by the necessities of the country in this hour of its +sad calamity. + +It would be a curious and interesting employment to estimate the number +and character of these inventions, due wholly to the existing civil +strife. Only then should we be able to form some adequate conception of +the immense stimulus which has been applied to the national intellect, +and which has caused it to embrace within the boundless range of its +investigations, the highest moral and political problems, alike with the +minutest questions of mechanical and economical convenience. But we +should be greatly disappointed in not finding this phenomenon even +partially comprehended by the powers that be. It is truly a melancholy +thing to meet in the highest quarters so little sympathy with the +noblest efforts of the popular mind, and to witness the cold neglect and +even disdainful suspicion with which the most useful and valuable +devices are often received, or rather, we should say, haughtily +disregarded and rejected. Seldom or never do we find these inventions +appreciated according to their merits. The Government is proverbially +slow to adopt improvements of any kind; and the army and navy, like all +similar professional bodies, are averse to every important change, and +wedded to the instruments and processes in the use of which they have +been educated and trained. This peculiar indisposition to progressive +movements, in all the established institutions and organizations of +society, has frequently been the subject of remark and of regret. It is, +however, only an exaggeration of the conservative principle, which, when +confined within proper limits, is wise and beneficial. Indeed, the +actual progress of society in any period, is neither more nor less than +the result of the conflict between the opposite tendencies, of +retrogradation and advancement--a disposition to adhere to the old, +which has been tried and approved, and a tendency toward the new, which, +however promising and alluring, may yet disappoint and mislead. In the +long run, however, the latter prevails, and the progressive movement, +more or less rapid, goes on continually. Improvements gradually force +themselves upon the attention of the most prejudiced minds, and +eventually conquer opposition in spite of professional immobility and +aversion to change. Observation has shown that the most important steps +of progress usually originate outside of the professions, and are only +adopted when they can no longer be resisted with safety to the +conservative body. To the volunteer officer and soldier, or to those +educated soldiers who have long been in civil life, will probably be due +the greater part of that accessibility to new ideas which will result in +important advances in the art of war. This assertion may seem to be +paradoxical; but all experience proves that ignorance of old processes +is most favorable to the introduction of new ones. And though in a +thousand instances such ignorance may be disastrous, occasionally it +finds the unprejudiced intellect illuminated by flashes of original +genius, and open to the entrance of valuable ideas which would have been +utterly excluded by all the old and established rules. + +But the actual work of the unexampled mental activity of the present +day, will not be fully known and estimated until after the close of the +war. Until then there will be neither time nor opportunity to weigh and +test the creations of the national ingenuity. In the midst of campaigns +and battles, with the absorbing interest of the great struggle, the +instruments of warfare cannot be easily changed, however important may +be the improvement presented. The emergency which arouses genius and +brings forth valuable inventions, is by no means favorable to their +adoption and general use. On the contrary, by a sort of fatality which +seems to be a law of their existence, they are doomed to struggle with +adversity and fierce opposition, and they are left by the occasion which +gave them birth as its repudiated offspring--a legacy to the future +emergency which will cherish and perfect them, make them available, and +enjoy the full benefit to be derived from them. + +The navy has always justly been the pride of our country; and it was to +be expected that it would first feel the impulse of inventive genius. +Confident in our strength and resources, we had long remained +comparatively sluggish, and regardless of those interesting experiments +which other great maritime powers had been carefully making with a view +to render ships invulnerable. We looked on quietly, observed the +results, and waited for the occasion when we should be required to put +forth our strength in this direction. When the war commenced, we had not +a single iron-clad vessel of any description. It became necessary that +the immense Southern coast of our country should be subjected to the +strictest blockade. This was a work of vast magnitude, and a very large +and sudden increase of the navy was demanded by the extraordinary +emergency. Cities were to be taken, and strong fortresses to be +attacked. The rebels had managed to save some of the vessels intended to +be destroyed at Norfolk, and had converted the Merrimack into a +formidable monster, which in due time displayed her destructive powers +upon our unfortunate fleet in Hampton Roads, in that ever-memorable +contest in which the Monitor first made her timely appearance. The chief +result of the vast effort demanded by the perilous situation of our +country, was the class of vessels of which the partially successful but +ill-fated Monitor was the type. These structures are certainly very far +from being perfect as ships of war; nevertheless, they constitute an +interesting and valuable experiment, and mark an advance in naval +warfare of the very first importance. They establish the form in which +defensive armor may perhaps be most effectively disposed for the +protection of men on board ships; but at the same time, it must be +conceded that they utterly fail in all the other requisites for +men-of-war and sea-going vessels. They are deficient in buoyancy and +speed. In truth they are nothing more than floating batteries, useful in +the defence of harbors or the attack of forts. The melancholy end of the +Monitor shows too plainly that vessels of her character cannot be safely +trusted to the fury of the open sea. They may do well in favorable +weather, or may escape on a single expedition; but a repetition of long +voyages will be almost certain to result in their loss. + +We want lighter and swifter vessels to be equally formidable in +ordnance, and alike invulnerable to the attacks of any adversary. To +combine all these requisites is not beyond the ingenuity of American +constructors. Most assuredly such vessels will soon make their +appearance on the ocean. Some new arrangement of the propelling +apparatus, and lighter and more powerful machinery, will accomplish this +important end. And then, too, with greatly increased speed, and with a +construction suitable to the new function, the principle of the ram will +be perfected; so that the projectile thrown by the most powerful +ordnance now existing or even conceived will be insignificant compared +with the momentum of a large steamer, going at the rate of thirty or +forty miles an hour, and herself becoming the direct instrument of +destruction to her adversary. Ordnance may possibly be devised which +will throw shot or shell weighing each a thousand pounds; but by the new +principle, which is evidently growing in practicability and favor, the +weight of thousands of tons will be precipitated against vessels of war, +and naval combats will become a conflict of gigantic forces, in +comparison with which the discharge of guns and the momentum of cannon +balls will be little more than the bursting of bubbles. + +The exploits of the rebel steamer Alabama, so destructive to our +commerce and so humiliating to our pride as a great naval power, +sufficiently attest the vital importance of the element of speed in +ships of war. Her capacity under steam is beyond that of our best +vessels, and she therefore becomes, at her pleasure, utterly +inaccessible to anything we may send to pursue her. We have built our +steamers strong and heavy; but proportionately slow and clumsy. The +Alabama could not safely encounter any one of them entitled to the name +of a regular cruiser; but she does not intend to risk such a contest, +and, most unfortunately for us, she cannot be compelled to meet it. Of +what real use are all the costly structures of our navy with the +tremendous ordnance which they carry, if this comparatively +insignificant craft can go and come when and where she will, and sail +through and around our fleets without the possibility of being +interrupted? They are perfectly well suited to remain stationary and aid +us in blockading the Southern ports; but the frequent escape of fast +steamers running the blockade, serves still further to demonstrate the +great and palpable deficiency in the speed of our ships of war. We may +start a hundred of our best steamers on the track of the Alabama, and, +without an accident, they can never overtake her. The only alternative +is to accept the lesson which her example teaches, and to surpass her in +those qualities which constitute her efficiency and make her formidable +as a foe. This we must do, or we must quietly surrender our commerce to +her infamous depredations, and acknowledge ourselves beaten on the seas +by the rebel confederacy without an open port, and without anything +worthy to be called a navy. The ability of our naval heroes, and their +skill and valor, so nobly illustrated on several occasions during the +present war, will be utterly unavailing against superior celerity of +motion. Their just pride must be humbled, and their patriotic hearts +must chafe with vexation, so long as the terrible rebel rover continues +to command the seas, as she will not fail to do so long as we are unable +to cope with her in activity and speed. Nor is it certain we have yet +known the worst. Ominous appearances abroad, and thick-coming rumors +brought by every arrival, indicate the construction in England of +numerous other ships like the Alabama, destined to run the blockade and +afterward to join that renowned cruiser in her work of destruction. +Stores of cotton held in Southern ports offer a temptation to the +cupidity of foreign adventurers which will command capital to any +amount, and the best skill of English engineers and builders will be +enlisted to make the enterprise successful--a skill not embarrassed by +bureaucratic inertia and stolidity. + +Let the genius of American constructors and engineers be brought to bear +on the subject, and the important problem will be solved in sixty days. +Indeed, there are plans in existence, at this very hour, by which the +desired end could be at once accomplished. But the inertia of official +authority, and especially of the bureaus in the Navy Department, is such +that any novel idea, however demonstrably good and valuable, is usually +doomed to battle for years against opposition of all kinds before it can +hope to secure an introduction. In all probability, the war will have +been ended before anything of great importance ever can be accomplished +through those channels. The adoption of the Monitor principle was not +due to the skill and intelligence found in official quarters; it was +forced upon the Navy Department from the outside. And like the boa +constrictor, after having swallowed its prey, the Department must +sluggishly repose until that meal is digested before another can be +taken. One idea, of the magnitude of this, is enough for the present +crisis. We shall not have another, if the stubborn resistance and fixity +of ideas in the bureaus can prevent it. The invulnerability of the +Monitors, and the peculiar arrangement by which this important end is +obtained, are but one of the items necessary to make up the complete +efficiency of war steamers. They are only one half what is required. +They accomplish one of the great desiderata in armaments afloat; but +they leave another equally important demand utterly unsatisfied. There +is a counterpart to this achievement--its complement, equally +indispensable to the efficiency of the navy, and waiting to be placed by +the side of the recent improvement. It must and will be brought forth, +whether the naval authorities assist or oppose. American genius, only +give it fair play, is equal to all emergencies. + +The immense activity of thought and ingenuity elicited by the war, and +extending to all the departments of enterprise appropriate to the great +crisis, is a phenomenon peculiar to the American people. It could be +exhibited nowhere else, to the same extent, among civilized nations, +because nowhere else is the same stimulus applied with equal directness +to the popular masses. The operation of this peculiar cause is +conspicuously plain. The Government of the United States is the people's +Government; the war is emphatically the people's war. Every man feels +that he has a personal interest in it. He understands, more or less +clearly, the whole question involved, and has fixed opinions, and +perhaps strong feelings, in regard to it. His friends and neighbors and +brothers are in the army, and they have gone thither voluntarily, +perhaps impelled by enlightened and conscientious convictions of duty. +His sympathies follow them; he ardently prays for their success; and he +is stimulated to provide, as well as he can, for their comfort. All +other business being greatly interrupted, if not wholly suspended, he +thinks continuously of the mighty operations of the war. He dwells on +them night and day, and in the laboratory of his active mind, excited by +the mighty stimulus of personal and patriotic feeling natural to the +occasion, he produces those extraordinary combinations which distinguish +the present era. + +In addition to these impulses which operate so generally, there is the +still more universal and all-pervading love of gain which stimulates his +inventive faculties, and causes them to operate in the direction in +which his hopes and sympathies are turned. Aroused by motives of all +kinds, the whole mind and heart of the country is absorbed in the great +contest, and all its energies are applied in every conceivable way to +the work of war. The man who carries the gun and uses it on the battle +field is not more earnestly engaged in this work than he who racks his +brain and sifts his teeming ideas for the purpose of making the +instrument more destructive. Even the victims who fall in the deadly +strife and give their mangled bodies to their country, are not more +truly martyrs to a glorious cause than the inventors who sometimes +sacrifice themselves in the course of their perilous experiments, or by +the slower process of mental and physical exhaustion during the long +years of 'hope deferred,' while vainly seeking to make known the value +of their devices. A great power is at work, operating on the character +and capacity of each individual, and affecting each according to the +infinite diversity which prevails among men. A common enthusiasm, or, +at least, a common excitement pervades the whole community to its +profoundest depths, and arouses all its energy and all its intellect, +whatever that energy and intellect may be capable of doing. It carries +multitudes into the army full of patriotic ardor; it inspires others +with grand ideas, which they seek to embody in combinations of power, +useful and effective in the great work which is the task of the nation, +and for the accomplishment of which all noble hearts are laboring +earnestly and incessantly. + +But in this tempestuous hour, as in more peaceful times, good and bad +ideas, valuable and worthless devices, noble and generous as well as +sinister and mercenary purposes are mingled in the vast multitude of +projects which are presented for acceptance and adoption. The power of +the nation is magnified by the impulse which arouses it; but in its +exaltation it still retains its errors and defects. It is the same +people, with all their characteristic faults and virtues, stimulated to +mighty exertions in a sacred cause, who have been so often engaged in +petty partisan contests, swayed by dishonest leaders, and carried astray +by the base intrigues of ambition and selfishness. Yet, as the masses, +at all times, have had no interest but that of the nation which they +chiefly constitute, and have sought nothing but what they at least +considered to be the public good, so even now, in these mad and perilous +times, the predominating sentiment and purpose of the people, in +whatever sphere they move, are, on the whole, good and worthy of +approval. Every one must at least pretend to be controlled by honest and +patriotic motives; and in such an emergency hypocrisy cannot possibly be +universal or even predominant. Although men may seek chiefly their own +interest and profit, they must do so through some effort of public +usefulness. They must commend themselves, their works, and ideas, as of +superior importance to the cause of the country; and in this universal +struggle and competition--this mighty effervescence of popular thought +and action, it would be strange and unexampled, if some great, new +conceptions should not dawn upon us. The very condition, physical, +social, and moral, of our twenty millions of people in the loyal States +is unlike all that has ever preceded it. Their general intelligence, the +result of universal education, makes available their unlimited freedom, +and establishes their capacity for great achievements. The present +momentous occasion makes an imperative demand upon all their highest +faculties, and they cannot fail to respond in a manner which will +satisfy every just expectation. + +What the Government has undertaken in this crisis is worthy of a great +people and springs from the large ideas habitual to Americans. The +blockade of the whole Southern coast, with its vast shore line, and its +intricate network of inlets, harbors, and rivers; the controlling of the +mighty Mississippi from Cairo to the gulf; the campaigns in Virginia, +Tennessee, and Arkansas; and the pending attacks on Charleston and +Savannah--these gigantic and tremendous operations have something of +that grandeur which is familiar to our thoughts--which, indeed, +constitutes the staple of the ordinary American speech, apparently +having all the characteristics of exaggerated jesting and idle boast. We +frequently hear our enthusiastic countrymen talk of anchoring Great +Britain in one of our northern lakes. They speak contemptuously of the +petty jurisdictions of European powers contrasted with the magnificent +domain of our States, and they sneer at the rivers of the old continent +as mere rills by the side of the mighty 'father of waters.' The men +whose very jests are on a scale of such magnitude, do not seem to find +the extensive military operations too large for their serious thoughts. +No American considers them beyond our power, or for one moment hesitates +to admit their ultimate success. No difficulties discourage us, no +disasters appal. We move on with indomitable will and determination, +looking through all the obstacles to the grand result as already +accomplished. Does slavery stand in the way, and cotton seek to usurp +the throne of universal empire, dictating terms to twenty millions of +freemen, and demanding the acquiescence of the world? The first is +annihilated by a word proclaiming universal liberation; the second is +blockaded in his ports, surrounded by a wall of fire, suffocated and +strangled, and dragged helpless and insensible from his imaginary +throne. A proud and desperate aristocracy, rich and powerful, and +correspondingly confident, undertake to measure strength with the +democratic millions whom they despise. These Northern people, scorned +and detested, have ideas--grand and magnificent as well as practical +ideas, nurtured by universal education and unlimited freedom of thought +and act. The fierce and relentless aristocracy rave in their very +madness, and defy the people whom they seek to destroy; but these bear +down upon the haughty enemy, slowly and deliberately--awkwardly and +blunderingly, it may be, at first, but learning by experience, and +moving on, through all vicissitudes, with the certainty and solemnity of +destiny to the hour of final and complete success. The confidence in +this grand result dominates every other thought. All ideas and all +purposes revolve around it as a centre. It is the internal fire which +warms the patriotism, strengthens the purpose, stimulates the invention, +sustains the courage, and feeds the undying confidence of the nation, in +this, the hour of its desperate struggle for existence. + + + + +PROMOTED! + + + '_You_ will not bid me stay!' he said, + 'She calls for me--my native land! + And _stay_? ah, better to be dead! + A _coward_ dare not ask your hand! + + 'My crimson sash you'll tie for me, + My belted sword you'll fasten, love! + I swear to both I'll faithful be, + To these below! to God above! + + 'And if, perchance, my sword shall win + A laurel wreath to crown _your_ name, + He will not count it as my sin, + That I for _you_ have prayed for fame!' + + * * * * * + + His name rings thro' his native land, + His sword has won the hero's prize; + Why comes he not to ask her hand? + Dead on the battle field he lies. + + + + +HENRIETTA AND VULCAN. + + +Time, O well beloved, floweth by like a river; sweepeth on by turreted +castles and dainty boat-houses, great old forests and ruined cities. +Tender, cool-eyed lilies fringe its rippling shores, straggling arms of +longing seaweeds are unceasingly wooing and losing its flying waves; and +on its purple bosom by night, linger merrily hosts of dancing stars. +Bright under its limpid waters gleam the towers of many a 'sunken city.' +Strong and clear through the night-silence of eager listening, ring the +chimes of their far-off bells, the echoes of joyous laughter: and to +waiting, yearning ones come, ever and anon, deep glances from gleaming +eyes, warm graspings from outstretched hands. And well windeth the river +into grim old caves, and even the merriest boat that King Cole ever +launched flitteth by the dark doors, intent only on the brilliant +_chateaux_, that shimmer above in the gorgeous sunlight of a brave +_Espagne_. But laughing imps, with flying feet, venture singly into +these realms of the Unknown. Bright streameth the light there from +carbuncles and glowing rubies; but of the melodies that there bewilder +them, no returning voice ever speaketh, for are they not Eleusinian +mysteries? But when thou meetest, O brother, sailing down the stream +under gay flags and rounding sails, some Hogarth or some Sterne, who +playeth _rouge et noir_ with keen old Pharaohs, and battledore with +Charlie Buff; who singeth brave _Libiamos_, and despiseth not the +Christmas plums of Johnny Horner; who payeth graceful court to the great +and learned, and warmeth the pale hearts of the shivering poor with his +kind cheer and gentle words; who sitteth with Socrates and Pericles at +the feet of an ever-lovely Aspasia, and whispereth _capricios_ to Anna +Maria at the opera; know then, O beloved, if thou hast ever trodden the +mystic halls, that this man is the brother of thy soul! Selah! + +But the bravest stream that ever was born on a mountain side has its +shoals and quicksands, and far out in the sounding sea rise slowly coral +reefs. Now, if on every green, growing isle newly rising to the +sunlight, the glorious jealousy of some Jove should toss a Vulcan, how +would our Venuses be suddenly charmed by the beauties of a South Sea +Scheme! how would their tiny shallops dot the curling waves, and what +new flowers would spring upon the smiling shores to greet their rosy +feet! + +'And why a Vulcan?' says the elegant Narcissus Hare, with a shiver; 'a +great, grim, solemn, limping monster, that Brummel would have spurned in +disgust! And he to win our ladies with their delicate loveliness! Faugh, +sir! are you a Cyclops yourself?' + +Alas! my Tinkler, do you remember that Salmasius began his vituperations +of Milton with gratuitous speculations upon his supposed ugliness, and +that great was his grief when he was assured that he contended with an +ideal of beauty. Have you forgotten that the Antinöus won the +distinguished favor of his merry, courteous queen Christina, and that +the satirist and man of 'taste' died of obscurity in a year? Beware, my +little Narcissus, lest the next autumn flowers bloom above your grave in +Greenwood, and your fair Luline be accepting bouquets and _bonbons_ from +me. + +You, Roland, are pale from the very contemplation of such a catastrophe, +such an unprecedented _hægira_ of dames! It is as if from every gay +watering place, some softly tinkling bell should summon the fair +mermaids. Beplaided and betrowsered, with their little gypsy hats, would +they float out beyond the breakers, waving aside with farewell, airy +kisses, the patent life boats and the magical preservers, and pressing +on, like Gebers, with their rosy faces and great, hopeful eyes ever +laughingly, merrily turned to the golden east--their _Morgen Land_! + +Ah! but--have we no Vulcans among us? 'Fair Bertha, Beatrice, Alys,' +come out of the Christmas ecstatics of the dear old year that has just +streamed out like a meteor among the stars;--_you_ know, fair ones, that +the stars are only years, and the planets grave old centuries; lock away +the jewels and the lace sets--charming, I know--the glove boxes and the +statuettes, the cream-leaved books, and the fragile, graceful +_babioles_; pull up the cushions, and group your bright selves around +the register--it's very cold to-day, you roses--and let us settle the +question--have we a Vulcan among us? + +Magnificent essayists, O dearly beloved, have handled 'Our Husbands,' +'Our Wives,' 'Our Sons' and 'Our Daughters' in a masterly style. Very +praiseworthy, no doubt, but so unromantic! Why, there's not a green leaf +in the whole collection! The style is decidedly Egyptian, solid and +expressive, but dreadfully compact. No arabesques, those offshoots of +lazy, dreamy hours and pleasantly disconnected thoughts, disgrace the +solemnly even tenor of these fathers of 'Ephemeral Literature,' as some +'rude Iconoclast' has irreverently styled the butterfly journeyings of +our magazine age. But we, O merry souls and brave, are still young and +frivolous: we still look at pictures with as much zest as before our +dimly remembered teens; and we belong to that happy branch of the +Scribbleri family, that prefer the sympathy of bright eyes and gay +laughter, to the approving shake of any D'Orsay's 'ambrosial curls,' or +the most unqualified smile from the grimmest old champion who even now +votes in his secret heart against the New Tariff, or charges with +unparalleled bravery imaginary or windmill giants on the floor of a +Platform or of a Legislature. + +But this, our paper, purporteth to be, in some wise, a disquisition on +Beaux, and, by our faith, we had well-nigh forgotten it. _Retournons à +nos moutons_, as the ancient lawyers used to say (and many a tyro, in +the interim, hath said the same) when they grew so entangled in the +mazes of Jack Shepherd cases that they lost sight of their original +designs. And lest I should grow wearisomely prosaic, and see the yawn +behind your white hand, _belle_ Beatrice, let me make my disquisition a +half story, and point my moral, not as fairies do, with a pinch, but +with the shadow of a tale. + +And here, _signorina_, though in courage I am a Cæsar, here I shrink. +The birdseye view I would take of a few leaves of beau-dom, should be +from the standing point of your own unquiet, peering eyes; and if even +Cupid is blindfold, how may I, to whom you are all tormentingly +delicious enigmas, hope in my own unaided strength to enter the charmed +citadel of your experiences? Oh, no! But happy is the man, who, with an +inquiring mind, has also a sister! Thrice happy he whose sisters have +just now flitted down the staircase, from their own inner sanctuaries, +into the little library, bearing with them in noisy triumph the Harry of +all Goodfellows, the truant Henrietta Ruyter! Ah! she is the key that +will unlock for me those treasures of thought and observation that I +will shortly lay before you, O readers! + +And now to you, O much-traduced star, that presided at my _début_ into +this vale of tears, may the most glorious rocket ascend that Jackson +ever said or sung, one that shall break out in pæans of brilliant +stars!--_for_, when I entered the charmed presence, the very ball that I +had been wishing to roll was upon the carpet. But of this I was +unconscious as I admired Fanny's new dress, the mysterious earrings of +our stately Bertha, and ventured upon a slight compliment to Henrietta, +who lounged upon the divan. With admirable dexterity, the young lady +caught the _fleurette_ upon her crochet needle, reviewed it carelessly, +and finally decided to accept it; an event that I had undoubtedly +foreseen, for the compliment was a graceful and artistic one. But +brothers, as you, Gustav, my boy, have long since discovered, are not +events, and I was presently consigned to the 'elephant chair' in the +corner, with a portfolio of sketches that Henrietta had brought from +over the sea--and the dames continued, in charming obliviousness of my +presence. + +'Girls,' said Henrietta, having deposited my compliment snugly in her +little workbasket, whence it may issue to the delectation of some future +young lady group, 'how are you going to entertain me? Such a Wandering +Jew as I am! A perfect Ahasuerus! _What_ a novelty it will be that will +interest _me_!' and with a most laughingly wearied air, the pretty +eyebrows were raised, and waves of weariness floated over the golden +hair in its scarlet net. + +Fanny looked concerned. 'We may have a week of opera.' + +'I've been--in--Milan,' returned Henrietta, with a well-counterfeited +air of the disdain with which Mrs. De Lancy Stevens views all republican +institutions since her year in Europe. Bertha laughed. + +'You have grown literary, astronomical perhaps, with your star gazing, +and Len has become such a Mitchellite of late, that two shelves of his +bookcase are filled with works on the heavenly bodies. What a rapture +you will be in at the sight!' + +'Quite an Aquinas,' said Henrietta, with gravity. + +'How so, Harry,' asked Fanny, after a pause, during which she had been +deciding that her friend meant--Galileo! + +'Oh, he wrote about angels, you know; said these heavenly bodies were +made of thick clouds, and some other nonsense, of which I remember +nothing.' + +I, in my corner, was devoutly thankful that angels now assume more +tangible shapes, which chivalric sentiment, finding expression only in +my eyes, was recognized but by Henrietta, who rewarded me with a +lightning smile. + +'Bertha, my queen,' continued she, as that lady's serene countenance +beamed upon her in apparently immovable calmness, '_does_ anything ever +arouse you? Have you forgotten, my impenetrable spirit, the sad days of +yore, when we sobbed out grand _arias_ to the wretched accompaniment of +Professor Tirili, blistered our young fingers on guitar strings, waded +unprofitably in oceans of Locke and Bacon, and were oftener at the apex +of a triangle than its comfortable base? And you always as calm as +though 'sailing over summer seas!' Come--I am absolutely blue;' and the +half-fretful belle, who had really exhausted her strength and amiability +by a grand pedestrian tour in the Central Park that morning, stretched +out demurely her gaiter boots, and drew with an invisible pencil on +imaginary paper, the outline of her boldly arched instep. + +'If Landon would only come,' sighed Fanny, musingly, counting the beads +for the eye of the Polyphemus she was embroidering on a cushion for that +gentleman's sofa meditations, 'he would entertain you, as well as +the--one--two--three--witches in Macbeth.' + +'No doubt of it,' said Henrietta. + +'Five blues and two blacks,' said Fanny, not heeding the reply. 'See, +girls,' and she held up the glittering orb, 'what a lovely eye!' + +The enthusiasm of her audience was delirious but subdued. I caught an +occasional '_Such_ a love!' 'How sweet--how fierce!' + +'Now,' said Henrietta, decidedly, 'if Medusa had but one eye, and this +dear creature two, I should die as miserably as the lady who loved the +Apollo Belvidere. I have had _oceans_ of knights errant--but _such_! I +think of writing a natural history like--Cuvier.' + +'Yes,' said Bertha, quietly, 'or Peter Parley.' + +'Suppose I read you the advance sheets some morning?' + +'Charming,' said Fanny, with a little shrug of approaching delight. + +'Mr. Landon Snowe, Miss Fanny,' said a crusty voice, and from under a +tower of white turban, Sibyl's face looked out--at the door. + +'We will see him here, Sibyl,' said Fanny, brightly; 'and oh, Sibyl, ask +Mott to make a macaroon custard for dinner, for Miss Ruyter.' + +'Excellent,' said that lady, again with the De Lancy Stevens air, 'I +ate--those--in--Paris. They actually flavor them there with _Haut +Brion!_ and they are delicious!' and Henrietta's lips fairly quivered at +the remembrance, that was by no means a recollection of the long-ago +enjoyed dainties. + +'Such extravagance!' said Fanny, opening her eyes, and arranging sundry +little points in her attitude that were intended to be very piercing +indeed to the gentleman, whose step was now heard in the hall. 'Such +extravagance, Harry! Your father, I suppose. You'll get nothing better +than Port here. Good morning, Mr. Snowe.' + +'Talking of ports, ladies,' said that gentleman, airily, after he had +prostrated himself, figuratively as well as disfiguratively, before Miss +Henrietta, bowed over Bertha's hand, and drew his chair to Fanny's +sewing stand, for the triple purpose of confusing her zephyrs, flirting +at a side table, and ascertaining whether Henrietta had fulfilled the +luxuriant promise of her earlier youth. Snowe was, womanly speaking, as +you will see, 'a perfect love of a man.' 'Newport, for example, and +charming drives? Williamsport and the Susquehanna, Miss Fanny?' + +Very statesmanly, O Landon G. Snowe, Esq., both the glance beneath which +my poor little sister's eyes fell, and the allusions twain to the scenes +of many a pleasure past. But Fanny, though not mistress of her blushes, +can, at least, control her words. + +'You are not a very good Oedipus, Mr. Snowe; we were discussing +imports.' + +'Such as laces and silks?'-- + +'And punch,' suggested Henrietta. + +Mr. Snowe's eyeglass was here freshly adjusted, and his attention +bestowed upon the young lady who talked of punch, a thing unheard of in +society! The prospect was refreshing. Henrietta was stylish, piquant, +and pretty. Fanny was uncertain, indifferent, but, for the moment, +divine. He magnanimously sacrificed himself to the impulse of the +moment, and the courtesies of hospitality, and walked courageously over +to Henrietta, under cover of a huge book. + +'They were views from the White Mountains, he believed. Had Miss Ruyter +seen them? Allow him;' and he wheeled her sofa nearer the table, and +unfurled the book. Henrietta was charmed. + +'The Schwartz Mountains? She had not understood. These are glaciers? How +they glisten! And these little flowers below are violets? Such pretty, +modest, ladylike flowers. Had Mr. Snowe a favorite among flowers?' + +Mr. Snowe was prepared. He had answered the question exactly five +hundred and ten times. To Cecilia Lanner, who was almost a _religieuse_, +and who wore her diamond cross from principle, he was the very poet of a +passion flower, such holy mysteries as its opening petals disclosed to +him! To Lucy Grey, who wore pensive curls, and had a sweet voice, he +presented constantly fragrant little sprays of mignonette, cunning moss +baskets with a suspicion of heliotrope peeping out, and crushed myrtle +blossoms between the leaves of her most exquisitely bound books. To Katy +Lessing, who rowed a small green boat somewhere up the Hudson in the +summer, he confided the fact that water lilies were his admiration: he +loved the limpid water; its restless waves were like heart throbbings +(this nearly overwhelmed poor Katy). All great and noble souls loved the +water;--he forgot the sacred fakirs, and the noble lord who preferred +Malmsey wine! He had repeatedly assured Regina Ward that the camelia was +_his_ flower, so proudly beautiful! His soul was 'permeated with +loveliness,' and asked no fragrance. Regina is a great white creature, +lovely to behold, and, perfectly conscious of her perfection, no more +actively charming than the Ino of Foley. He won Milly White's favor by +applauding her love for wild flowers, declaring that a field of +buttercups reminded him of the 'spangled heavens,' and that on summer +days he was constantly envying the cool little Jacks in their green +pulpits. + +A pretended Lavater--and there have been such--would have convicted +Snowe at once of the most artful penetration, could he have seen the +lowering curve of his brows as he watched the nervous fluttering of +Henrietta's hands over the pictures, and the decided but softly pleasant +rounding of her white chin. But it was the general unconsciously +powerful indifference of manner, that advised him to prefer, in reply to +her question: + +'The snapdragon, yes, beyond the shadow of a doubt. I have an odd +fashion (very odd, Gustav!), Miss Ruyter, of associating ladies with +flowers, and that gorgeous three-bird snapdragon always looks to me like +some brilliant belle, who holds her glittering sceptre and wields it, +capriciously perhaps, but always charmingly.' + +'A sort of Helen,' observed Henrietta, calmly. + +'A witching, arbitrary, lovely Helen,' promptly returned Snowe, who had +a vague idea of Greek helmets and golden apples, wooden horses, a great +war, and 'all for love.' + +Henrietta heard the magnificent vagueness, and became so intently +interested in a view, that Snowe came softly over to my window, and +looked into the garden. Lilly Brennan coming in just then, the +conversation became general, and presently Snowe accompanied her down +the street. + +'Fanny,' said Henrietta, with an inquisitorial air, after the girls had +decided that the slides on the bows of Lilly's dress were too small, and +that her 'Bird of Paradise' was lovely enough to fly away with them all, +'Fanny, are you the 'bright, particular star' of that man?' + +'I believe so,' said Fanny, with a stare. + +'Do you intend to beam on him for any length of time?' persisted +Henrietta. + +'I haven't decided,' said Fan, honestly. 'I love beauty, and Landon +Snowe is magnificent.' + +'So is the Venus de Medicis,' said Henrietta, fiercely; 'but look at her +spine! What sort of a brain do you think _could_ flourish at the top of +such a spine? Not that I suppose that man to have the least fragment of +one; don't suspect such a thing! Don't you observe his weak, disjointed +way of carrying his head, and the Pisan appearance of his sentences? I +should dread an earthquake for such a man as Mr. Snowe--you'd have +nothing but remnants to remember him by, Fanny.' + +'But earthquakes _are_ phenomena,' said Fanny, stoutly, 'and I'm not in +the least like one. As long as Landon never fails except spiritually, I +am contented--and even in that light _I_ never knew him to trip,' and +the child was as indignant as her indolent nature would permit. + +'Trip! of course not,' echoed Henrietta, 'when he's buried like a +delicate Sphinx up to his shoulders in the sands of your good opinion, +and the mummy cloths of his own conceit; but just remove these, and +you'll see a downfall. My dear FRANCESCA, this man is your CECCO, and +he'd far better retire into a monastery than hope to win you. Why, I'd +rather marry you myself, FRANCESCA! Such charms!' and Henrietta, with +her own delicate perception and enjoyment of the beautiful, kissed my +sister's deprecatingly extended hand, and, as the dinner bell rang, +waltzed her out of the room. + +'It's perfectly bewildering the interest some people take in music,' she +resumed later, building a little tent on the side of her plate with the +_débris_ of fish. 'There's Bartlett Browning, telling me the other +evening a melancholy story of some melodious fishes, off the coast +of--_Weiss nicht wo_; oysters, I suppose; conceive of it! the most +phlegmatic of creatures. I suppose some poor fisherman heard a merlady +singing in her green halls, and fancied it the death song of some of his +shells. But that's nothing to some of Bartlett Browning's musical tales. +The man's a perfect B flat himself!' + +'Well,' said Nelly, Phil's little girl, who had come around to show her +new velvet basque, 'but shells _do_ sing, for I've often listened to +mamma's, and Bessy gives it to me at night to put me to sleep. _You_ +know, Aunt Bertie, for you once made me learn what it said: + + 'Oh, sweet and far, from cliff and scar, + The horns of Elfland faintly blowing!' + +'Fish-land, my beauty,' said Henrietta, playfully; 'let us hear _your_ +song, fishlet,' and she held a little gleaming shrimp by his tail, and +looked expectantly at his silent mouth. And here I remember, with a +smile of amusement and some astonishment, that Herman Melville, in +nervous fear of ridicule, apologized, most gracefully, of course, for +his beauteous Fayaway's primitive mode of carving a fish; but I fancy I +hear myself, or you either, sir, begging the community to shut its dear +eyes, while Harry's little victim, all unconscious of his fate, +disappeared behind the walls, coral and white, of her lips and teeth. + +Oh, isn't it perfectly delicious to meet a real, frank, merry, wise sort +of a girl, who doesn't wear spectacles or blue stockings, nor disdain +the Lancers or a new frock with nineteen flounces? Just fancy it, +Gustav, my dear fellow, chatting with the Venus of Milo, in a New York +dining room, and she all done up in blue poplin, with cords and tassels +and all that, with that lovely hair tumbling about in a scarlet net, and +such a splendid enjoyment of her own great grace, and royal claiming of +homage! Eating mashed potatoes too, and celery, and roast beef, to keep +up that magnificent physique of hers! Oh, it's rare! + +But Henrietta couldn't forget Snowe, any more than Snowe could forget +himself; so, after she had gazed with delight at the red veins of wine +that threaded the jelly-like custard, with its imprisoned macaroons, +looking like gold fish asleep in a globe of sun-dyed water, she went on, +as if the conversation had not been interrupted: + +'Do you know, Fan, that he reminds me constantly of champagne. If +there's anything on earth or in a cellar that I do detest, its +champagne; such smiling, brilliant-looking impudence, that comes out +fizz--bang! and that's the end of it; there's not so much as the quaver +of an echo. You drink it, and instead of seeing cool vineyards and +purple waters and cataracts of icicles in your glass, you find a pale, +gaunt spectre, or a poor, half-drowned Bacchus, staring at you. It's +just so with your Landon Snowe. You, and other people, too, have a +_habit_ of admiring him, a great creature with eyes of milky blue, who +goes about disbursing his small coin like some old Aladdin! Why, my dear +children, the man, I don't doubt, is this moment congratulating himself, +in his solitude at Delmonico's, upon his great penetration. Didn't you +see him studying me with a great flourish of deference, and throwing +his old, three-birded snapdragons into my White Mountains? If he had +been as ugly as a Scarron, now, and had known what he said, I could have +loved him for that, for, of all things, I do delight in dragons! Such +sieges as I have had at zoological gardens and menageries, from Dan to +Beersheba, just to see one; and ugly old lizards have been pointed out +to me, and scorpions, and every imaginable object but a dragon. But one +day I dug a splendid old manuscript--a perfect fossil--out of some old +library in Spezia, and opening it, by the merest chance came upon a most +lovely, illuminated, full-grown dragon, the very one, I suppose, that +Confucius couldn't find! I gazed in raptures, my dearest; he perfectly +sparkled with emeralds; his eyes were the most luminous opals. Dear, +happy old Indians, who had their dragons at the four corners of the +earth, and could go and look over at the lordly creatures whenever they +felt melancholy. And besides, I have a little private system of +dragonology of my own, that approaches the equator more nearly. I've +always worn opals since that day on every possible occasion; I mean to +be married in them.' + +Hurra! _belle Henriette!_ thou hast a weakness. At the end of a long +aisle, shrouded in sumptuously colored perfumed light, stands an altar, +and white surplices gleam through the effulgence.--Thou queen! and that +thy crowning! + +'Len,' said Fanny the next morning, as I sat, after breakfast, over the +paper, 'don't you think Harry is a little, just a little, satirical, +and--well--not _perfectly_ ladylike and kind, to talk so dreadfully of +one's friends?' + +'Satirical!? Bless your little, tender heart, not the least mite in the +world; she's quite too straightforward for that. Unladylike! Why, my +dear Fanny, don't you know 'the wounds of a friend'? Did you never +think, little sister, that some girls are sent into the world to perform +the office of crumb-scrapers for your serene highnesses, and themselves +as well?' + +'Like a lady, who gives a dinner party, jumping up and brushing off her +own table,' said Fanny with an amused laugh. + +'Just so, dear; and as they go wandering about, not a fragment can be +omitted. Now, a little dwarf of a thing like you couldn't do that with +any grace; but Harry _could_, you know, and make everybody think it was +charming. So, if fragments of poor Snowe fall under her unsparing hand, +and she brushes them off carelessly, don't let anybody's tears go +rolling after, don't let anybody's heart ache, for such a trifle; think +of the dessert, Fanny, that is sure to follow.' + +'Then you too, Len, you _want_ me to give up Landon?' + +'Yes, my dear, let Landon--slide.' + +Fanny here boxed my ears with emphasis, and retreated, with an +expression of great disgust on her pretty face. + +'Come back here, my child,' I said, pulling her down on my knee, 'and +let me reason with you.' + +Such an oracle as I am with the girls! There's nothing like it, Gustav; +for every fan or bracelet you give your sisters, you'll be amply +rewarded by revelations and love; and it's something to have a dear, +white, undulating wreath of a girl in your arms, and rosy lips on yours, +even if it is your sister. Bless the sweet creatures! + +'What do you want to marry Snowe for?' + +'Well, you see, Len, it's so grand to have such a great beauty always at +one's hand, and the girls are all dying for him; and, you know, Len, the +truth is,' (very low,) 'he loves me, as you see, and--we girls are such +silly creatures--and I suppose the compliment pleases me,' and the +frank, darling face crimsoned, and tears stood in the blue eyes. I +kissed them both, and laid her hands on my shoulders. + +'Pet,' I said, earnestly, 'you are worth a gross of Landon Snowes. He +loves you, of course--he'd have been an icicle to have failed in so +obvious a duty; but it's only a matter of pure admiration, scarcely of +any complicated feelings. Besides, dear, these whitewashed, sinewless, +variable fellows fade like the winter sun, without any twilight; their +features go wandering off in search of becoming expressions, and they +would want a wife like a chameleon to satiate their variety-loving +natures. No, dear; give Landon to Henrietta, and when Napoleon comes +back, I will enter no protest, even Harry will be silent, and'-- + +'Oh, Len, what nonsense! couldn't you recommend me to the man in the +moon, through a telescope?' + +Fanny laughed, and we went again into the library, where Harry, as +usual, was tapping her rings with the carved handle of the crotchet +needle, that was as ornamental, and about as useful, as Cleopatra's. + +'I am going to live in a new country,' said she, gravely, as we entered +the room; 'I would go sailing off like a squirrel on a piece of bark. I +begin to have intense yearnings after my double. _Where_ do you suppose +I'm to find him, the gorgeous, tropical anomaly?' + +'In Pompeii, or the Cities of the Plain?' I suggested. + +'Fanny,' she continued, laughingly, 'is very grave about her vanishing +Snowe-flakes; but for poor me, who have been persecuted by the most +distressing men, she has no pity. Girls, I promised you an inventory of +these treasures.' + +'Oh yes,' said Fan, gleefully; 'go out, Len, or you will never be able +to endure Harry afterward, for your counterpart will be peeping out, and +then woe to your pride!' + +'No danger,' said Henrietta, '_that's_ perfectly invulnerable. Lenox may +remain; it will be a wholesome discipline for him--a warning, you know, +my hero; although, girls, Lenox is tolerably faultless, + + 'Little _he_ loves but a Frau or a feast, + Little he fears but a protest or priest.' + +Praed altered. Sit down, disciple, at my feet if you will; I am in the +oratorical mood to-day. Hypatia, if you please, _not_ Grace the Less.' + +There was a pretty picture of the _Immaculée Conception_ over the sofa, +one of those lithographs that you see in every bookstore, that Bertha +fancied because it was 'sweet.' The Virgin, a woman with a child-angel's +face, and the mezzo-luna beneath her feet. That artist knew what he was +about, sir. I'd give more for a picture with a good, deep idea, boldly +launched forth, than for a thousand of your smiling, proper, natural +'studies,' and Bridal Scenes, and Dramatic or Historical Snatches. If +artists, now, were all poets and scholars, as they should be, it would +be the work and delirious rapture of a life to go through a gallery as +large as our Dusseldorf. Men would go there to write novels and +histories, and women to learn to be good and beautiful--that is, to +learn to think. Oh, what a school for great and small! But when is this +new era of the real and the true in art to begin? You boy artists, who +are just opening glad eyes to the glorious light, the great world looks +to _you_ to inaugurate the new, to pour ancient lore and mystic symbols +and grand old art into the waiting crucible, and melt the whole, with +your burning, creative genius, into forms and conceptions before which, +hearts shall be silent in very rapture. But the time is not yet. One +here and there cannot change the Iron to a Golden Age, and it is to +thoughts rather than their great embodiments that earnest +art-worshippers now bow. And yet men fancy they are artists, dream of a +fame glorious as that of Phidias! Why there's young Acajou, who +chiselled a very respectable hound out of a stray lump of marble, +stealthily, by a candle, or more probably a spirit lamp, in his father's +cellar--was discovered and straightway heroized. I don't say the boy +hasn't talent, genius if you will; but it isn't the genius that will +overflow his soul and etherealize his whole nature. Yet already he +'progresses like a giantess,' has attracted some attention in the +Academy, and will directly be sent to Rome. But the idea! I know him too +well! The other night I heard him criticizing Michael Angelo! and when I +gave him an engraving of that delicious Psyche of Theed's to admire, the +creature talked as if she were a manikin or a robed skeleton! Is there +nothing due to the idea, Acajou? 'The idea!' dear me, why he didn't +exactly know what the _idea_ was! So he'll go trolling about the Louvre +and the Luxembourg gallery, the Pitti palace and all Rome, and his mind +will be as full of elbows and collar bones as the catacombs; he'll talk +to you of the Grecian line of beauty and of 'pose,' and sketch you such +a glorious arm or ankle that you, fair lady, wouldn't know it from your +own! But do you see a single softened line in his own face? Has he ever +drunk deep draughts from old fountains of poesy? Has he ever thought of +the Vatican library--even though to long is all he may do? Oh no! He +says mythology is a wornout dream, and insulting to a Christian age; +that it's all well enough to know Jupiter and Bacchus (Silenus too?) and +Venus and the head men back there, but this century wants originality, +progress! Oh, pshaw! + +Oh, but I was saying that Our Lady stood over the half moon, and +Henrietta sat below it, with that soft cashmere morning dress, fighting +all around her to see which fold should cling most lovingly to her +graceful form. It was all a delicious poem to me, and if I were Horace, +you would have had a splendid ode. Oh, well! + +'Why, what a Joseph he is!' said Henrietta, waking me out of this +reverie. + +'Oh,' said I, starting, 'how did you know that?' + +'Only conjecture, my dear friend; but when we see a man with his eyes +fixed in that ghostly way, and his mustaches and all in perfect repose, +we reasonably imagine that he's seeing visions; and I suppose you'll +come flaming out presently with some dreams that shall have, for remote +consequences, a throne in some Eastern paradise, and a princess, +perhaps--who knows?' + +'Who knows?' echoed I; 'but go on, Hypatia.' + +'Oh yes! where shall I begin? Oh! there is Penhurst Lane, girls, you +remember?' + +'The raven?' said Bertha. + +'No,' said Fanny, 'that is Mr. Rawdon. Penhurst Lane is an idealist.' + +'A _very_ idealist, just so,' returned Harry. 'Well, the way I've been a +martyr to that man's caprice is perfectly heart-rending. He came of some +gorgeous family in the middle of Pennsylvania, where all the tribes, +like leaning towers, incline toward Germany. To be sure, you'd never +dream it from his looks, for he is a perfect Mark Antony in that +respect. You needn't laugh. Didn't he have _bonnes fortunes_ as well as +Alcibiades? Not that Penhurst had _bonnes fortunes_, or ever dreamed of +such things; but he always had such a proclivity toward any one who +would listen to his harangues; and I must say, just _inter nos_ (the +only bit of Latin I know, Lenox, I got it from the English 'Don +Giovanni'), that I have quite a talent for listening well. But I'd as +lief encounter a West India hurricane or a simoom. I used to feel him +coming an hour beforehand. Then I would read a little in Blair, take a +peep at Sir Charles Grandison, swallow half a page of Cowper's 'Task,' +and look over the Grecian and Roman heroes; then I was fortified. 'Why +didn't I take Shelley?' Oh my! why, he couldn't endure Shelley, said he +was a poor, weak creature, _all gone to imagination_! Then I would +assume a Sontag and thick boots, if the weather was cold, to appear +sensible, you know, and await his coming; that is, if I didn't become +exasperated before that stage, and rush in to see Lil Brennan to avoid +him. And his opinions, such an unfolding! You never caught him looking +with admiration, oh no! I might have laid a wilderness of charms on the +floor, at his very feet, and he would have brushed them all away with +indifference. His mind revolved around a weightier theme than any 'lady +of fashion;' like a newly discovered moon, he flew around the earth, and +with miraculous speed. He stopped in China to say 'Confucius;' in India, +to say 'Brahma;' in Persia, to say 'Ormuzd;' and so on around. My dear +Lenox, if you had asked him whether Ormuzd was at peace with all the +world, he would have retired into himself, for he hadn't the faintest +idea. As for music, or any fine art, he never approached it but once, +when he led me to the piano, begging for some native American melody, +and not a German romance. Well, I played him 'God save the Queen,' with +extravagant variations, which he took for 'Yankee Doodle.' No matter! I +made a mistake when I spoke of his opinions; he hadn't any. He was what +some call 'well read,' that is, he had a distant desire to 'improve his +mind,' but his magnificent self so filled his little vision, that his +great desire was obscured and distorted. Like my beloved Jean Paul, he +had once said to himself, _Ich bin ein Ich_ (I am a ME), and the noble +consciousness overwhelmed him, and excluded all after thoughts on any +minor subject. He never heard Grisi, never saw Rachel; they were +triflers, 'life was too grave, too short;' but he escorted me +occasionally to lectures and orations. I remember two or three of these. +A lecture on the 'Fossils of Humanity and Primeval Formations,' which +was unintelligible, consequently to him 'sublime;' one on 'the Exalted,' +that soared out of sight and beyond the empire of gravity, and one on +'Architecture,' by Dr. Vinton, a splendid production, the fruit and +evidence of years of study and rare talent, that sent me home with +longings and unaccustomed reverence for the Great in every form, and +with grief that my own ignorance rendered it only a half-enjoyed +pleasure to me; while Penhurst talked as if it were only the echo of his +own thoughts; pretended to say it was very 'sensible!' But you've had +enough of Mr. Lane, who was never known to laugh except at his own wit, +who patronized me because I was a 'solid' young lady, and not given to +flights. You may readily imagine that our interviews were generally +_tête-à-têtes_, for general society was to him a thing 'stale, flat, and +unprofitable.' Of course you know I only endured his visits because +among the girls it was considered a compliment to receive them, and they +were all dying of envy. Besides and principally, it is neither politic +nor pleasant to offend any one, and I could not have denied myself to +him, without doing this; so'-- + +'But, Harry, he is married now.' + +'Ah me! yes. He saw me in a cap and bells once with you, Lenox, and not +many weeks afterward married a damsel who reveres him as a Solon, this +man, who said: + + ----'The wanderings + Of this most intricate Universe + Teach me the nothingness of things. + Yet could not all creation pierce + Beyond the bottom of his eye.' + +'_Are_ you done, Harry?' + +'Yes, Lenox.' + +'Then sing us Béranger's _Grace à la fêve, je suis roi_.' + +She has such a delicious voice. + +'And while I am on tiresome people, who think only of themselves, let me +recall P. George Rawdon; the Raven, Bertha; I always believed his first +name was Pluto, because of the shades around him. They say every one has +a text book; his was neither the Bible, the Prayer Book, Thomas à +Kempis, _La Nouvelle Héloise_, or 'Queechy,' but Mrs. Crowe's 'Night +Side of Nature.' Talk of having a skeleton in the house! the most +distressing ones that ever preceded Douglas and Sherwood's were nothing +to him! he reminded one constantly of an Egyptian feast. He looked +sadly at children, and gave little Henry Parsons, his godchild, a +miniature dagger with a jewelled handle, with which the child nearly +destroyed his right hand. When poor Mary was married, he walked +mournfully up to the altar, and stared during the ceremony unmistakably +at an imaginary coffin, hanging, like Mohammed's, midway between the +ceiling and the floor. Poor man, it's really curious, but he contrives +to be always in mourning, and everybody knows that he goes only to see +tragedies, and has the dyspepsia, like Regina and her diamond cross, +from principle. He composes epitaphs for all the ladies of his +acquaintance, and presents them, like newspaper-carrier addresses, on +New Year's days. I have one in my writing desk in a very secret drawer; +a _soul_-cheering effusion, but not particularly agreeable to the +physical humanity. This I intend to bequeath to the British museum, +where it will be in future ages as great a treat to the antiquary as the +Elgin marbles. What a doleful subject--pass him by!' + +'Don't forget Leon Channing,' suggested Fanny, who was listening with +great interest, and from a natural dread of ghosts and vampires was glad +to see that Mr. Rawdon had come to a crisis. + +'Dear me, no!' said Henrietta, cheerily, 'it's quite refreshing to come +to an individual who creates a smile. I never was born for tears and +lamentations, Bertha, any more than a lily was made to be merry; and if +it were not for Len Channing, I don't suppose I should ever have been +sharpened to such a dangerous degree; it's this constant friction, you +know; well, as some darling of a cosmopolite has said, 'We must allow +for friction in the most perfect machinery--yes, be glad to find it--for +a certain degree of resistance is essential to strength. I like Leon +very well. No one is more safe in a parlor engagement, always in the +right place at the right tune, never embarrassed, never _de trop_; but +then the queer consciousness, when he's giving you a meringué or an ice, +that if you were a 'real pretty,' graceful, conversible fawn or dove he +would be doing it with the same interest! _Why?_ Oh, because he says +women belong to a lower order in the animal creation! Yes, veil your +face, Mr. Lenox Raleigh, and be mournful that you are a man! 'A lower +order of humanity!' Well, of course, I'm always quarrelling with him. To +be sure he's a shallow kind of a philosopher, one of your rationalists; +thinks Boston is the linchpin of the whole universe; has autograph +letters from Emerson and Longfellow, and all that sort of thing. Now, I +dare say it's very fine for a Schelling or a Hegel once in a while to +beam over the earth, but it always seems inharmonious to me to see +little jets of philosophers popping up in your face and then down again, +all the time, thinking themselves great things. That's the way with +Leon. Let me tell you what happened when I saw him last; and that was in +Cologne, more than a year ago. I was sitting in our room with a great +folio of Retzsch's engravings before me, and father writing horrible +notes in his journal at the table, and wishing the eleven thousand +virgins and all Cologne in the bottom of the Rhine, when I looked up, +and somehow there was Leon. Of course we were rejoiced to see him, it's +always so pleasant to meet friends abroad. After some talk, father went +out to take another look at the cathedral, and indulge in speculations +and legends, and left Leon and me in the window. It's as queer and +horrible an old town, girls, as you ever dreamed of, and, as there was +nothing external very fascinating, Leon soon turned his gaze inward, +and, after twanging several minor strings, began to harp on his endless +'inferiority of woman.' I plied him, you may know; I gave him Zenobias +and Didos and de Staels and de Medicis--in an emergency Pope Joan, and +finally the Boston Margaret Fuller. Leon only stroked his beard and +smiled. + +''Miss Henrietta,' said he, at last, when I stopped in exultation, 'do +you grant the Africans the vigor or variety of intellect of the +Europeans?' + +''No,' said I. + +''Yet you concede that there may be instances among them, where +education and culture have developed great results.' + +''Yes,' I thought, 'there might be.' + +''Just as I, bewildered by Miss Henrietta's keen shafts and graceful +manoeuvres, yield that a woman is, once in a century, gifted with a +man's depth of thought and her sex's loveliness.' The comparison was +odious. What did I do? Oh, I (the swarthy Ethiop) only rose from my +faded arm chair, saluted Mr. Channing (the lordly European) as if I were +his partner in a quadrille, and brought out my cameos and mosaics to +show him. In about half an hour the beauty of his reasoning and +comparison reached his brain, but mine was impenetrable to his most +honeyed apologies; as I very sweetly assured him, 'I couldn't +understand, didn't see the drift, couldn't connect the links.' Leon says +ancient history is a fable, and Herodotus a myth, and all because a +_woman_ sat upon the tripod at Delphi, and because a _woman_ wore the +helmet and carried the shield of wisdom.' + +'What's the matter, Harry?' asked Fanny, compassionately, as her small +fingers were stretched like infant grid-irons before her eyes, and a +silence ensued. + +'My new bonnet, Fanny dear, I am wondering what it shall be; we must go +down this very morning and decide.' + +Did you ever think, Narcissus, and you, Gustav, and all of you boys, +when you are engaged in your small diplomacies and _coups de main_, and +feeling like giants in intellect beside the dear little girls who play +polkas for you of evenings and sing sweet ballads, that _pour bien juger +les grands, il faut les approcher_? I thought so that morning, as I +heard the animated discussion that succeeded Henrietta's monologue; a +discussion into which all sorts of delicate conceits of lace and flowers +entered largely, and which savored about as much of the preceding +elements as last night's Charlotte Russe of this morning's coffee. + +Since Henrietta's oration, I am more than ever afraid of a Vulcan. It is +very plain that our most fashionably cut suits and most delicately +perfumed billets are not all powerful,--that the dear creatures are +either waking or we have been asleep. _Reveillons!_ + +'_Aux armes, citoyens!_' + +Now, while I was writing that last word, a heavy hand was laid on my +shoulder, and looking up, I saw--Nap. I love Nap. I have a girlish +weakness (let some lady arraign me for this hereafter) for him; so I +shouted out and grasped his hands. + +'How are the boys?' + +'Flourishing. Come to stay? + +'Yes, old fellow.' + +'Stocks up?' + +'To the sky.' + +'The governor?' + +'All right.' + +_I_ haven't any governor. Nap has; and one that saw fit to persecute him +from twenty to thirty, because he declined to take 'orders.' _Per +Bacco!_ Never mind, a fit of paralysis has shaken the opposition out of +the old gentleman at last, and Nap is in sunshine in consequence, and +rushes around Wall street like a veteran. + +But I didn't promise to tell you about Nap, or the girls either; it was +only a few rays of light I had to dash over 'our beaux;' so where is +your mother, belle Beatrice? I must make my adieux. + +What say you, little one? You like Henrietta; you want to see her again? +You pull me back with your wee white hands; I will talk to you for an +hour longer, if I may hold the little kittens in my own. I may? And kiss +each finger afterward? Ah! you dear child! Well, then-- + +'Are you going to Van Wyck's to-night, Lenox?' asked Bertha of me, as we +rose from dinner, a month afterward. + +'Yes, after the opera. And you? I fancy--yes--from your eyes.' + +Bertha did not answer, and I strolled up stairs into the little back +drawing room. From the library above I could hear Fanny's merry voice +and the ring of Nap's cheery replies. Such a comfort as it was to me to +see those two so fond of each other. You see I am, in a way, Fanny's +father, and took no very great credit to myself when she half laid her +hand in the extended one of Snowe. How curiously that witch Harry +managed the thing, though! Dear little Fan; she stood in more than one +twilight by the garden window, and whispered over: '_Addio_, FRANCESCA! +_addio_, CECCO!' and Snowe faded in the returning spring of her heart, +and into the blooming vista of their separation, hopefully walked Nap, +and was welcomed with many smiles. + +This afternoon, I walked over to the garden window, and there was Harry, +scrawling an old, bearded hermit on the glass with her diamond ring. We +both looked out--nothing much to see--a New York garden, thirty feet +square, with the usual gorgeousness of our winter flowers! + +'You are thinking of Shiraz, Harry.' + +'Yes,' said she, dreamily, 'I am thinking of Shiraz!' + +She didn't say it, but don't you suppose I knew just as well that she +was wishing for her Vulcan and a great rose garden? I began to sing the +'Last Man,' but didn't succeed admirably; then I lighted my pipe--Harry +didn't mind, you know, indeed she only looked at it wishfully. + +'In my rose garden,' said she, with a laugh, 'I shall smoke to kill the +rosebugs.' + +'Don't wait,' said I, taking down a dainty _écume de mer_ (the back +drawing room was my peculiar 'study,' and the repository of several +gentlemanly 'improprieties'), and I adjusted the amber mouth piece to +the cherry stem, 'Don't wait for Persia, make your rose garden here.' + +Harry shook her head: 'You know, Len,' she said, 'that my roses would +grow like so many witches in a Puritan soil. I always thought that story +of the Norwegians' taking rosebuds for bulbs of fire, and being +terrified, was a very delicate and poetical satire upon _all_ +superstition.' + +'Are you going to wash away _all_ superstition?' I asked hastily. + +'No,' said she, with a smile at my fierceness; 'no, I like to see the +sun shine on the dew drops that the webs catch and swing between the +tops of the grasses.' + +I looked at her as she laid her head back against the curtains. My +nonchalance was as striking as hers, and--as genuine! We were no +children to be awkward in any event. I took her hand; it was a glowing +pulse--and mine? She wore one of those curious little cabal rings; there +were the Hebrew characters for Faith, traced as with a gold pen dipped +in melted pearls on black enamel. My seal was an emerald, Faith also, +impaled. I snatched it up and laid it by the ring on her hand. She +smiled--such a smile! intensest sympathy, deepest! Could it be? to love +the same old symbols, the same weird music? I caught her close, and bent +over her lips. The gold hair waved over my shoulder; the great, +glittering eyes foamed into mine, then melted and swam into deep, +quivering seas of dreams. I whispered, '_Zoe mou!_' Oh, the quick, +golden whisper, the flash of genial heartiness, the daring--oh, _how_ +tender! '_Sas agapo._' I held her off, radiant, glowing, fragrant, and +Bertha's dress rustled up the stairs. + +Henrietta stooped to pick up the seal, which had fallen; she balanced it +on the tip of her finger--the nervy Titan queen! and drew Bertha down by +her side on the sofa. It was growing dark. + +'I must be off, girls, and get your camelias. What will you have, +Bertha? a red or a white, you've a moment to decide?' + +'Neither, Len; I do not go.' + +'Why, Bertha? Oh! I remember, it is your anniversary,' and I kissed her. + +'And you, princess!' I turned to Henrietta. + +'Only roses, good my liege.' + +What was the opera that night? Pshaw! what a rhetorical affectation this +question! as if I could ever forget! _Die Zauberflöte_, and it rang pure +and clear through my thrilled heart. It followed me around to Van +Wyck's, where I found Henrietta and Fanny. A compliment to madame, a +German with mademoiselle, and home again. A great light streamed out of +the drawing room. I pushed the door open. With a cry of joy, Fan rushed +into the arms of the grave, fair man who put Bertha off his knee to +welcome her. Nap, who had followed us in, for a moment stood transfixed, +and Henrietta, more quiet, stood by their side, saying: 'Here is Harry, +Fred, when you choose to see her.' And he did choose, her own brother, +whom she had not seen for three years! + +'Come in, Nap,' I said. 'Fred Ruyter.' + +'Nap and Fanny,' I whispered; Fred smiled invisibly. + +And Bertha? Oh, you know, of course, that she's Bertha Ruyter, and that +Fred is her husband, just home from six months in Rio, and exactly a +year from his wedding night! Oh, Lionardo! what mellow, transparent, +flowing shades drowned us all that night! + +'Harry,' I said, the next morning, before I went down town, as I lounged +over her sofa, 'you have my emerald?' + +'Yes!' and her bright face turned up to mine. + +'You will keep it, and take me also, dear?' + +'_Ma foi! oui_,' was the sweet, smiling reply. + +'I'm not quite ugly enough for a Vulcan, I know; but after a while, if +you are patient, who knows? What sayest thou, Venus?' + +'I will try you, _bon camarade_.' + +'Your hand upon it, Harry.' + +She gave it; I kissed the gold hair that waved against my lips. Fanny +rushed impetuously upon us, with half-opened eyes, and stifled us with +caresses. + +'Such a proposal,' said she musingly, after she had returned to her +wools and beads, '14° above zero!' + +'And the Polyphemus, Fanny?' + +'Is for Nap,' and Fanny blushed and laughed. She was wondering if that +great event, an 'engagement,' always came about in so prosaic a way. But +looking at Bertha, I caught the bright, long, gravely humorous gleam +from her dark eyes, and walked upon it all the way down to Exchange +Place. + +Adieu, little Beatrice; my story hath at last an ending. Keep the little +hands and little heart warm for somebody brave by and by. Go shining +about and dancing, and smiling, Hummingbird; may sweetest flowers always +bloom around you; may you dwell in a fragrant rose garden of your own, +_mignonne_! Adieu. + + + + +ETHEL. + +FITZ FASHION'S WIFE. + + + Take the diamonds from my forehead--their chill weight but frets my brow! + How they glitter! radiant, faultless--but they give no pleasure now. + + Once they might have saved a Poet, o'er whose bed the violet waves: + Now their lustre chills my spirit, like the light from new-made graves. + + Quick! unbind the braided tresses of my coroneted hair! + Let it fall in single ringlets such as I was wont to wear. + + Take that wreath of dewy violets, twine it round their golden flow; + Let the perfumed purple blossoms fall upon my brow of snow! + + Simple flowers, ye gently lead me back into the sunny years, + Ere I wore proud chains of diamonds, forged of bitter, frozen tears! + + Bring the silver mirror to me! I am changed since those bright days, + When I lived with my sweet mother, and a Poet sang my praise. + + My blue eyes are larger, dimmer; thicker lashes veil their light; + Upon my cheek the crimson rose fast is fading to the white. + + I am taller, statelier, slighter, than I was in days of yore:-- + If his eyes in heaven behold me, does he praise me as before? + + Proudly swells the silken rustle--all around is wealth and state,-- + Dearer far the early roses twining round the wicker gate, + + Where my mother came at evening with the saint-like forehead pale, + And the Poet sat beside her, conning o'er his rhythmed tale. + + As he read the linked lines over, she would sanction, disapprove: + Soft and musical the pages, but he never sang of love. + + I had lived through sixteen summers, he was only twenty-one, + And we three still sat together at the hour of setting sun. + + Lowly was the forest cottage, but the sweetbrier wreathed it well; + 'Mid its violets and roses, bees and robins loved to dwell. + + Wilder forms of larch and hemlock climbed the mountain at its side; + Fairy-like a rill came leaping where the quivering harebells sighed. + + Glittering, bounding, singing, dancing, ferns and mosses loved its track; + Lower in it dipped the willows, as to kiss the cloudland's rack. + + Soon there came a stately lover,--praised my beauty, softly smiled: + 'He would make my mother happy,'--I was but a silly child! + + Came a dream of sudden power--fairest visions o'er me glide-- + Wider spheres would open for me;--dazzled, I became a bride: + + Fondly deemed my lonely mother would be freed from sordid care; + Splendor I might pour around her, every joy with her might share. + + Then the Poet, who had never breathed one word of love to me,-- + We might shape his life-course for him, give him culture wide and free. + + How I longed to turn the pages, with a husband's hand as guide, + Of the long-past golden ages, art and science at my side! + + To my simple fancy seemed it almost everything he knew-- + Ah! he might have won affection, faithful, fervent, trusting, true! + + I was happy, never dreaming wealth congeals the human soul, + Freezing all its generous impulse--I but saw its wide control. + + Years have passed--a larger culture poured strange knowledge through + my mind-- + I have learned to read man's nature: better I were ever blind! + + How can I take upon me what I look upon with scorn, + Or learn to brook my own contempt, or trample the forlorn? + + I cannot live by rote and rule; I was not born a slave + To narrow fancies; I must feel, although a husband rave! + + I cannot choose my friends because I know them rich, or great; + My heart elects the noble,--what cares love for wealth or state? + + Very lovely are my pictures, saints and angels throng my hall-- + But with shame my cheek is flushing, and my quivering lashes fall: + + Can I gaze on pictured actions, daring deeds, and emprise high, + And not feel my degradation while these fetters round me lie? + + Once the Poet came to see me, but it gave me nought but pain; + I was glad to see the Gifted go, ne'er to return again. + + For my husband scorning told me: 'True, his lines were very sweet, + But his clothes, so worn and seedy--scarce for me acquaintance meet! + + Artists, poets, men of genius, truly should be better paid, + But not holding our position, cannot be our friends,' he said. + + 'As gentlemen to meet them were a very curious thing; + They were happier in their garrets--there let them sigh or sing. + + There were Travers and De Courcy--could he ask them home to dine, + At the risk of meeting truly such strange fellows o'er their wine?' + + Then he said, 'My cheeks were peachy, lips were coral, curls were gold, + But he liked them braided crown-like, and with pearls and diamonds + rolled. + + I was once a little peasant; now I stood a jewelled queen-- + Fitter that a calmer presence in his stately wife were seen!' + + Then he gave a gorgeous card-case; set with rubies, Roman gold, + Handed me a paper with it, strands of pearls around it rolled; + + Names of all his wife should visit I would find upon the roll:-- + Found I none I loved within it--not one friend upon the scroll! + + And my mother, God forgive me! I was glad to see her go, + Ere the current of her loving heart had turned like mine to snow. + + Must I still seem fair and stately, choking down my bosom's strife, + Because 'all deep emotions were unseemly in his wife'? + + Must I gasp 'neath diamonds' glitter--walk in lustrous silken sheen-- + Leaving those I love in anguish while I play some haughty scene? + + I am choking! closer round me crowds convention's stifling vault-- + Every meanness's called a virtue--every virtue deemed a fault! + + Every generous thought is scandal; every noble deed is crime; + Every feeling's wrapped in fiction, and truth only lives in rhyme! + + No;--I am not fashion's minion,--I am not convention's slave! + If 'obedience is for woman,' still she has a soul to save. + + Must I share their haughty falsehood, take my part in social guile, + Cut my dearest friends, and stab them with a false, deceitful smile? + + Creeping like a serpent through me, faint, I feel a deadly chill, + Freezing all the good within me, icy fetters chain my will. + + Do I grow like those around me? will I learn to bear my part + In this glittering world of fashion, taming down a woman's heart? + + Must I lower to my husband? is it duty to abate + All the higher instincts in me, till I grow his fitting mate? + + Shall I muse on noble pictures, turn the poet's stirring page, + And grow base and mean in action, petty with a petty age? + + I am heart-sick, weary, weary! tell me not that this life, + Where all that's truly living must be pruned by fashion's knife!-- + + I can make my own existence--spurn his gifts, and use my hands, + Though the senseless world of fashion for the deed my memory brands. + + Quick! unbraid the heavy tresses of my coroneted hair-- + Let its gold fall in _free_ ringlets such as I was wont to wear. + + I am going back to nature. I no more will school my heart + To stifle its best feelings, play an idle puppet's part. + + I will seek my banished mother, nestle closely on her breast; + Noble, faithful, kind, and loving, there the tortured one may rest. + + We will turn the Poets' pages, learn the noblest deeds to act, + Till the fictions in their beauty shall be lived as simple fact. + + I will mould a living statue, make it generous, strong, and high, + Humble, meek, self-abnegating, formed to meet the Master's eye. + + Oh, the glow of earnest culture! Oh, the joy of sacrifice! + The delight to help another! o'er all selfish thoughts to rise! + + Farewell, cold and haughty splendor--how you chilled me when a bride! + Hollow all your mental efforts; meanness all your dazzling pride! + + Put the diamonds in their caskets! pearls and rubies, place them there! + I shall never sigh to wear them with the violets in my hair. + + Freedom! with no eye upon me freezing all my fiery soul; + Free to follow nature's dictates; free from all save God's control. + + I am going to the cottage, with its windows small and low, + Where the sweetbrier twines its roses and the Guelder rose its snow. + + I will climb the thymy mountains where the pines in sturdy might + Follow nature's holy bidding, growing ever to the light; + + Tracking down the leaping streamlet till the willows on it rise, + Watch its broad and faithful bosom strive to mirror back the skies. + + Through the wicker gate at evening with my mother I will come, + With a little book, the Poet's, to read low at set of sun. + + 'Tis a gloomy, broken record of a love poured forth in death, + Generous, holy, and devoted, sung with panting, dying breath. + + By the grassy mound we'll read it where he calmly sleeps in God,-- + My gushing tears may stream above--they cannot pierce the sod! + + Hand in hand we'll sit together by the lowly mossy grave-- + Oh, God! I blazed with jewels, but the noble dared not save! + + I am going to the cottage, there to sculpture my own soul, + Till it fill the high ideal of the Poet's glowing roll. + + * * * * * + + Stay, lovely dream! I waken! hear the clanking of my chain! + Feel a hopeless vow is on me--I can ne'er be free again! + + His wife! I've sworn it truly! I must bear his freezing eye, + Feel his blighting breath upon me while all nobler instincts die! + + Feel the Evil gain upon me as the weary moments glide, + Till I hiss, a jewelled serpent, fit companion, at his side. + + Vain is struggle--vain is writhing--vain are sobs and stifled gasps-- + I must wear my brilliant fetters though my life-blood stain their clasps! + + Hark! he calls! tear out the violets! quick! the diamonds in my hair! + There's a ball to-night at Travers'--'tis his will I should be there. + + Splendid victim in his pageant, though my tortured head should ache, + Yet I must be brilliant, joyous, if my throbbing heart should break! + + I shudder! quick! my dress of rose, my tunic of point lace-- + If fine enough, he will not read the anguish in my face! + + I know one place he dare not look--it is so still and deep-- + He dare not lift the winding sheet that veils my last, long sleep! + + He dreads the dead! the coffin lid will shield me from his breath-- + His eye no more will torture----Joy! I shall be free in death! + + Free to rest beside the Poet. He will shun the lowly grave: + There my mother soon will join us, and the violets o'er us wave. + + + + +THE SKEPTICS OF THE WAVERLEY NOVELS. + + +It is remarkable that while, in a republic, which is the mildest form of +government, respect for law and order are most highly developed, there +is in an aristocracy (which is always the most deeply based form of +tyranny) a constant revolt against all law. Puritanism in England, +Pietism in Germany, and Huguenotism in France, were all directly and +strongly republican and law-abiding in their social relations; while for +an example of the contrary we need only glance at our own South. +Aristocracy--a regularly ordered system of society into ranks--is the +dream of the slaveholder, and experience is showing us how extremely +difficult it is to uproot the power of a very few wicked men who have +fairly mudsilled the majority; and yet, despite this strength, there was +never yet a country claiming to be civilized, in which the wild caprices +and armed outrages of the individual were regarded with such toleration. + +_Republicanism is Christian._ When will the world see this tremendous +truth as it should, and realize that as there is a present and a future, +so did the Saviour lay down one law whereby man might progress in this +life, and another for the attainment of happiness in the next, and that +the two are mutually sustaining? There was no real republicanism before +the Gospels, and there has been no real addition to the doctrine since. +The instant that religion or any great law of truth falls into the hands +of a high caste, and puts on its livery, it becomes--ridiculous. What +think you of a shepherd's crook of gold blazing with diamonds? + +It is interesting to trace an excellent illustration of the natural +affinity between the fondness for feudalism and the love of law-breaking +in Sir WALTER SCOTT. Whatever his head and his natural common sense +dictated (and as he was a canny Scot and a shrewd observer, they +dictated many wise truths), his heart was always with the men of bow and +brand; with dashing robbers, moss troopers, duellists, wild-eagle +barons, wild-wolf borderers, and the whole farrago of autocratic +scoundrelism. With his soul devoted to dreams of feudalism, his fond +love of its romance was principally based on the constant infractions of +law and order to which a state of society must always be subject in +which certain men acquire power out of proportion to their integrity. +The result of this always is a lurking sympathy with rascality, a secret +relish for bold selfishness, which is in every community the deadliest +poison of the rights of the poor, and all the disinherited by fortune. + +It is very remarkable that Walter Scott, a Tory to the soul, should, by +his apparently contradictory yet still most consistent love of the +_outré_, have had a keen amateur sympathy for outlaws. It is much more +remarkable, however, that, still retaining his faith in king and nobles, +Church and State, he should have pushed his appreciation of such men to +the degree of marvellously comprehending--nay, enjoying--certain types +of skepticism which sprang up in fiercest opposition to authority; urged +into existence by its abuses, as germs of plants have been thought to be +electrified into life by sharp blows. And it is most remarkable of all, +that he did this at a time when none among his English readers seem to +have had any comprehension whatever of these characters, or to have +surmised the fact that to merely understand and depict them, the writer +must have ventured into fearful depths of reflection and of study. In +treating these characters, Walter Scott seems to become positively +_subjective_--and I will venture to say that it is the only instance of +the slightest approach to anything of the kind to be found in all his +writings. Unlike Byron, who was painfully conscious, not of the nature +of his want in this respect, but of _something_ wanting, Scott nowhere +else betrays the slightest consciousness of his continual life under +limitations, when, _plump!_ we find him making a headlong leap right +into the very centre of that terrible pool whose waters feed the +forbidden-fruit tree of good and of evil. + +The characters to which I particularly refer in Sir Walter Scott's +novels are those of the Templar, Brian de Bois Guilbert, in 'Ivanhoe;' +of the gypsy Hayraddin Maugrabin in 'Quentin Durward;' of Dryfesdale, +the steward, in 'The Abbot;' and of the 'leech' Henbane Dwining, in 'The +Fair Maid of Perth.' There are several others which more or less +resemble these, as, for instance, Ranald Mac Eagh, the Child of the +Mist, in 'Montrose,' and Rashleigh, in 'Rob Roy;' but the latter, +considered by themselves, are only partly developed. In fact, if Scott +had given to the world only _one_ of these outlaws of faith, there would +have been but little ground for inferring that his mind had ever taken +so daring a range as I venture to claim for him. It is in his constant, +wistful return, in one form or the other, to that terrible type of +humanity--the man who, as a matter of intensely sincere faith, has freed +himself from all adherence to the laws of man or GOD--that we find the +clue to the _real_ nature of the author's extraordinary sympathy for the +most daring, yet most subtle example of the law-breaker. In comparing +these characters carefully, we find that each by contrast appears far +more perfect than when separate--as the bone, which, however excellent +its state of preservation may be, never seems to the eye of the +physiologist so complete as when in its place in the complete skeleton. +And through this contrast we learn that Scott, having by sympathy and +historical-romantic study, comprehended the lost secret of all +_illuminée_ mysteries--that of human dependence on nought save the laws +of a mysterious and terrible Nature--could not refrain from ever and +anon whispering the royal secret, though it were only to the rustling +reeds and rushes of fashionable novels. Having learned, though in an +illegitimate way, that the friend of PAN, the great king of the golden +touch, had ass's ears, he _must_ tell it again, though in murmurs and +whispers: + + 'Qui cum ne prodere visum + Dedecus auderet, cupiens efferre sub auras, + Nec posset reticere tamen, secedit, humumque + Effodit: et domini quales aspexerit aures, + Vox refert parva; terræque immurmurat haustæ.'[10] + +It is to be remarked, in studying collectively these outlaws as set +forth by Scott, that while the same characteristic lies at the basis of +each, there is very great variety in its development, and that the +author seems to have striven to present it in as many widely differing +phases as he was capable of doing. When we reflect that Scott himself +could not be fairly said to be perfectly _at home_ in more than half a +dozen departments of history, and yet that he has taken pains to set +forth as many historical varieties of minds absolutely emancipated from +all faith, and finally, when we recall that at the time when he wrote, +the great proportion of the characteristics of these _dramatis personæ_ +were utterly unappreciated, and that by even the learned they were +simply reviewed as 'infidels,' we cannot but smile at the care with +which (like the sculptor in the old story) he carved his images, and +buried them to be dug up at a future day by men who, as he possibly +hoped, would appreciate more fully than did his contemporaries his own +degree of forbidden knowledge. I certainly do not exaggerate the +importance of these characters when speaking in this manner. They could +not have been conceived without a very great expenditure of study and of +reflection. They are, as I said, subjective, and such portraits of +humanity always involve a vastly greater amount of penetrative and +long-continued thought, than do the mere historical and social +photographs which constitute the bulk of Scott's, as of all novels, and +form the favorites of the mass of readers for entertainment. + +First among these characters, and most important as indicating direct +historical familiarity with the obscure subject of the Oriental heresies +of the Middle Ages in Europe, I would place that of the Templar, Brian +de Bois Guilbert, who is generally regarded by readers as simply 'a +horrid creature,' who chased 'that darling Rebecca' out of the window to +the verge of the parapet; or at best as a knightly ruffian, who, like +most ruffianly sinners, quieted conscience by stifling it with doubt. +Very different, however, did the Templar appear to Scott himself, who, +notwithstanding the poetic justice meted to the knight, evidently +sympathized in secret more warmly with him than with any other character +in the gorgeous company of 'Ivanhoe.' Among them all he is the only one +who fully and fairly appreciates the intellect of Rebecca, and, seen +from the stand-point of rigid historical probability which Scott would +not violate, _all allowance being made for what the Templar was_, he +appears by far the noblest and most intelligent of all the knightly +throng. I say that though a favorite, Scott would not to favor him, +violate historical probability. Why should he? It formed no part of his +plan to give the public of his day lessons in _illuminée_-ism. Had he +done so he would have failed like 'George Sand' in 'Consuelo;' but a +very small proportion indeed of whose readers retain a recollection of +the doctrines which it is the main object of the book to set forth. I +trust there is no slander in the remark, but I _must_ believe it to be +true until I see that the majority of the readers of that work have also +taken to zealously investigating the sources of that most forbidden +lore, which has most certainly this peculiarity, that no one can +_comprehend_ it ever so little without experiencing an insatiable, +never-resting desire to exhaust it, like everything which is prohibited. +There is no such thing as knowing it a little. As one of its sages said +of old, its knowledge rushes forth into infinite lands. + +It was, I believe, some time before 'Ivanhoe' appeared, that Baron von +Hammer Purgstall had published his theory that the Knights Templars +were, although most unjustly treated, still guilty, in a certain sense, +of the extraordinary charges brought against them. It seems at least to +be tolerably certain that during their long residence in the East they +had acquired the Oriental secrets of initiation into societies which +taught the old serpent-lore of _eritis sicut Deus_, and positive +knowledge; the ultimate secret, being the absolute nothingness of all +faith, creeds, laws, ties, or rules to him who is capable of rising +above them and of drawing from Nature by an 'enlightened' study of her +laws the principles of action, of harmony with fellow men, and of +unlimited earthly enjoyment. Such had been for ages the last lessons of +all the 'mysteries' of the East--mysteries which it was the peculiar +destiny of the Hebrew race to resist through ages of struggle. It was +through the teaching of such mysteries of pantheistic naturalism that, +as the unflinching Jewish deists and anthropomorphists believed, man +fell, and their belief was set forth in their very first religious +tradition--the history of the apple, the serpent, and the Fall. And it +is to the very extraordinary nature of the Hebrew race, by which they +presented for the first time in history the spectacle of a people +resisting nature-worship, that they owe their claim to be a peculiar +people. + +The Templars, under the glowing skies of the East, among its thousand +temptations, those of superior knowledge not being the least; in an age +when the absurdities of the Roman church were, to an enlightened mind, +at their absurdest pitch, fell readily into 'illumination.' Whether they +literally _worshipped_ the Oriental Baphomet, a figure with two heads, +male and female, girt with a serpent, typifying the completest +abnegation of all moral relations, and the rights of knowledge, no one +can say now--it is, however, significant that this symbol, which they +undoubtedly used, actually found its way under the freemasons into the +Christian churches of the West, as a type of 'prudence' among the +representations of Christian virtues. When we remember that the Gnostics +taught that _prudence_ alone was virtue,[11] we have here a coincidence +which sufficiently explains the meaning of this emblem of 'the baptism +of mind.' + +Nothing is more likely than that a portion of the Knights Templars were +initiated in the mysteries of such Oriental sects as those of the _House +of Wisdom_ of Al Hakem, the seventh and last degree of which at first +'inculcated the vanity of all religion, and the indifference of actions +which are neither visited with recompense nor chastisement here or +hereafter.' At a later age, when the doctrines of this society had +permeated all Islam, it seems to have labored very zealously to teach +both women and men gratuitously all learning, and give them the freest +use of books. At this time it was in the ninth degree that the initiate +'learnt the grand secret of atheism, and a code of morals, which may be +summed up in a few words, as believing nothing and daring +everything.'[12] + +Bearing this in mind, Walter Scott may be presumed to have studied with +shrewd appreciation the character of the Templars, and to have +conjectured with strange wisdom their great ambition, when we find Brian +de Bois Guilbert declaring to Rebecca that his Order threatened the +thrones of Europe, and hinting at tremendous changes in society--'hopes +more extended than can be viewed from the throne of a monarch.' For it +was indeed the hope--it _must_ have been--for the proud and powerful +brotherhood of the Temple to extend their secret doctrines over Europe, +regenerate society, and overthrow all existing powers, substituting for +them its own crude and impossible socialism, and for Christianity the +lore of the serpent. How plainly is this expressed in the speech of Bois +Guilbert to Rebecca: + + 'Such a swelling flood is that powerful league. Of this mighty + Order I am no mean member, but already one of the Chief Commanders, + and may well aspire one day to hold the baton of Grand Master. The + poor soldiers of the Temple will not alone place their foot upon + the necks of Kings--a hemp-sandall'd monk can do that. Our mailed + step shall ascend their throne--our gauntlet shall wrench the + sceptre from their gripe. Not the reign of your vainly expected + Messiah offers such power to your dispersed tribes as my ambition + may aim at. I have sought but a kindred spirit to share it, and I + have found such in thee.' + + 'Sayest thou this to one of my people?' answered Rebecca. 'Bethink + thee'-- + + 'Answer me not,' said the Templar, 'by urging the difference of our + creeds; within our secret conclaves we hold these nursery tales in + derision. Think not we long remain blind to the idiotic folly of + our founders, who forswore every delight of life for the pleasures + of dying martyrs by hunger, by thirst, and by pestilence, and by + the swords of savages, while they vainly strove to defend a barren + desert, valuable only in the eyes of superstition. Our Order soon + adopted bolder and wider views, and found out a better + indemnification for our sacrifices. Our immense possessions in + every kingdom of Europe, our high military fame, which brings + within our circle the flower of chivalry from every Christian + clime--these are dedicated to ends of which our pious founders + little dreamed, and which are equally concealed from such weak + spirits as embrace our Order on the ancient principles, and whose + superstition makes them our passive tools. But I will not further + withdraw the veil of our mysteries.' + +We may well pause for an instant to wonder what would have been the +present state of the now civilized world had this order with its +Oriental illuminéeism actually succeeded in undermining feudal society +and in overthrowing thrones. That it was jointly dreaded by Church and +State appears from the excessive, implacable zeal with which it was +broken up by Philip the Fair and Pope Clement the Fifth--a zeal quite +inexplicable from the motives of avarice usually attributed to them by +the modern freemasonic defenders of the Knights of the Temple. I may +well say modern, since in a freemasonic document bearing date 1766, +reprinted in a rare work,[13] we find the most earnest protest and +denial that freemasonry had anything in common with the Templars. But +the Order did not die unavenged. It is by no means improbable that the +secret heresies which, bearing unmistakable marks of Eastern origin, +continually sprang up in Europe, and finally led the way to Huss and the +Reformation, were in their origin encouraged by the Templars. + +Certain it is that the character of Bois Guilbert as drawn by Scott--his +habitual oath 'by earth and sea and sky!' his scorn of 'the doting +scruples which fetter our free-born reason,' and his atheistic faith +that to die is to be 'dispersed to the elements of which our strange +forms are so mystically composed,' are all wonderful indications of +insight into a type of mind differing inconceivably from the mere +infidel villain of modern novels, and which could never have been +attributed to a knight of the superstitious Middle Ages without a strong +basis of historical research. Very striking indeed is his fierce love +for Rebecca--his intense appreciation of her great courage and firmness, +which he at once recognizes as congenial to his own daring, and believes +will form for him in her a fit mate. There is a spirit of reality in +this which transcends ordinary conceptions of what is called genius. To +deem a woman requisite aid in such intellectual labor--for so we may +well call the system of the Templars--would at that era have been +incomprehensibly absurd to any save the worshippers of the bi-sexed +Baphomet and the disciples of the House of Wisdom, with whom the equal +culture of the sexes was a leading aim. The extraordinary tact with +which Scott has contrived to make Bois Guilbert repulsive to the mass of +readers, while at the same time he really--for himself--makes him +undergo every sacrifice of which the Templar's nature is _consistently_ +capable, is perhaps the most elaborately artistic effort in his works. +To have made Bois Guilbert sensible to the laws of love and of chivalry, +which in his mystical freedom he despised, to rescue her simply from +death, which in his view had no terrors beyond short-lived pain, would +not have agreed with his character as Scott very truly understood it. +Himself a sacrifice to fate, he was willing that she, whom he regarded +as a second self, should also perish. This reserving the true +comprehension of a certain character to one's self by a writer is not, I +believe, an uncommon thing in romance writing. 'Blifil' was the favorite +child of his literary parent, and was (it is to be hoped) seen by him +from a stand-point undreamed of by nearly all readers. + +Closely allied in the one main point of character to Bois Guilbert, and +to a certain degree having his Oriental origin, yet differing in every +other detail, we have Hayraddin Maugrabin, the gypsy, in 'Quentin +Durward.' + +When Walter Scott drew the outlines of this singular subordinate actor +in one of the world's greatest mediæval romances, so little was known of +the real condition of the 'Rommany,' that the author was supposed to +have introduced an exaggerated and most improbable character among +historical portraits which were true to life. The more recent researches +of George Borrow and others have shown that, judged by the gypsy of the +present day, Hayraddin is extremely well drawn in certain particulars, +but improbable in other respects. He has, amid all his villany, a +certain firmness or greatness which is peculiar to men who can sustain +positions of rank--a marked Oriental 'leadership,' which Scott might be +presumed to have guessed at. Yet all of this corresponds closely to the +historical account of the first of these wanderers, who in 1427 came to +Europe, 'well mounted,' and claiming to be men of the highest rank, and +to the condition and character of certain men among them in the +Slavonian countries of the present day. If we study carefully all that +is accessible both of the present and the past relative to this singular +race, we shall find that Scott, partly from knowledge and partly by +poetic intuition, has in this gypsy produced one of his most marvellous +and deeply interesting studies. + +Like Bois Guilbert, Hayraddin is a man without a God, and the +peculiarity of his character lies in a constant realization of the fact +that he is absolutely _free_ from every form or principle of faith, +every conventional tie, every duty founded on aught save the most +natural instincts. He revels in this freedom; it is to him like magic +armor, making him invulnerable to shafts which reach all around +him--nay, which render him supremely indifferent to death itself. +Whether this extreme of philosophical skepticism and stoicism could be +consistently and correctly attributed to a gypsy of the fifteenth +century, will be presently considered. Let me first quote those passages +in which the character is best set forth. The first is that in which +Hayraddin, in reply to the queries of Quentin Durward, asserts that he +has no country, is not a Christian, and is altogether lawless: + + 'You are then,' said the wondering querist, 'destitute of all that + other men are combined by--you have no law, no leader, no settled + means of subsistence, no house or home. You have, may Heaven + compassionate you, no country--and, may Heaven enlighten and + forgive you, you have no God! What is it that remains to you, + deprived of government, domestic happiness, and religion?' + + 'I have liberty,' said the Bohemian--'I crouch to no one--obey no + one--respect no one.--I go where I will--live as I can--and die + when my day comes.' + + 'But you are subject to instant execution at the pleasure of the + Judge?' + + 'Be it so,' returned the Bohemian; 'I can but die so much the + sooner.' + + 'And to imprisonment also,' said the Scot; 'and where then is your + boasted freedom?' + + 'In my thoughts,' said the Bohemian, 'which no chains can bind; + while yours, even when your limbs are free, remain fettered by your + laws and your superstitions, your dreams of local attachment, and + your fantastic visions of civil policy. Such as I are free in + spirit when our limbs are chained. You are imprisoned in mind, even + when your limbs are most at freedom.' + + [14]'Yet the freedom of your thoughts,' said the Scot, 'relieves + not the pressure of the gyves on your limbs.' + + 'For a brief time that may be endured,' answered the vagrant, 'and + if within that period I cannot extricate myself, and fail of relief + from my comrades, I can always die, and death is the most perfect + freedom of all.' + +Again, when asked in his last hour what are his hopes for the future, +the gypsy, after denying the existence of the soul, declares that his +anticipations are: + + 'To be resolved into the elements. * * * My hope and trust and + expectation is, that the mysterious frame of humanity shall melt + into the general mass of nature, to be recompounded in the other + forms with which she daily supplies those which daily disappear, + and return under different forms,--the watery particles to streams + and showers, the earthy parts to enrich their mother earth, the + airy portions to wanton in the breeze, and those of fire to supply + the blaze of Aldebaran and his brethren. In this faith I have + lived, and will die in it. Hence! begone!--disturb me no further! I + have spoken the last word that mortal ears shall listen to!' + +That such a strain as this would be absurd from 'Mr. Petulengro,' or any +other of the race as portrayed by Borrow, is evident enough. Whether it +is inappropriate, however, in the mouth of one of the first corners of +the people in Europe, of direct Hindustanee blood, is another question. +Let us examine it. + +In his notes to 'Quentin Durward,' Scott declares his belief that there +can be little doubt that the first gypsies consisted originally of +Hindus, who left their native land when it was invaded by Timur or +Tamerlane, and that their language is a dialect of Hindustanee. That the +gypsies were Hindus, and outcast Hindus or Pariahs at that, could be no +secret to Scott. That he should have made Hayraddin in his doctrines +marvellously true to the very life to certain of this class, indicates a +degree either of knowledge or of intuition (it may have been either) +which is at least remarkable. + +The reader has probably learned to consider the Hindu Pariah as a merely +wretched outcast, ignorant, vulgar, and oppressed. Such is not, however, +exactly their _status_. Whatever their social rank may be, the +Pariahs--the undoubted ancestors of the gypsies--are the authors in +India of a great mass of philosophy and literature, embracing nearly all +that land has ever produced which is tinctured with independence or wit. +In confirmation of which I beg leave to cite the following passages from +that extremely entertaining, well-edited, and elegantly published little +work, the 'Strange Surprising Adventures of the Venerable Goroo Simple +and his Five Disciples': + + 'The literature of the Hindoos owes but little to the hereditary + claimants to the sole possession of divine light and knowledge. On + the contrary, with the many things which the Brahmins are forbidden + to touch, all science, if left to them alone, would soon stagnate, + and clever men, whose genius cannot be held in trammels, therefore + soon become outcasts and swell the number of _Pariars_ in + consequence of their very pursuit of knowledge. * * * To the + writings of the _Poorrachchameiyans_, a sect of _Pariars_ odious in + the eyes of a Brahman, the Tamuls owe the greater part of works on + science. * * * To the _Vallooran_ sect of Pariars, particularly + shunned by the Brahmans, Hindoo literature is indebted almost + exclusively for the many moral poems and books of aphorisms which + are its chief pride. + + 'This class of literature' (satiric humor and fables) 'emanated + chiefly from those despised outcasts, the Pariars, the very men who + (using keener spectacles than Dr. Robertson, our historian of + Ancient India, did, who singularly became the panegyrist of Gentoo + subdivisions) saw that to bind human intellect and human energy + within the wire fences of Hindoo castes is as impossible as to shut + up the winds of heaven in a temple built by man's hand, and boldly + thought for themselves.' + +Of the literary _Vallooran_ Pariah outcasts and scientific +Poorrachchameiyans, we know from the best authority--Father Beschi--that +they form society of six degrees or sects, the fifth of which, when five +Fridays occur in a month, celebrate it _avec de grandes abominations_, +while the sixth 'admits the real existence of nothing--except, +_perhaps_, GOD.' This last is a mere guess on the part of the good +father. It is beyond conjecture that we have here another of those +strange Oriental sects, 'atheistic' in its highest school and identical +in its nature with that of the House of Wisdom of Cairo, and with the +Templars; and if Scott's gypsy Hayraddin Maugrabin is to be supposed one +of that type of Hindu outcasts, which were of all others most hateful to +the orthodox Moslem invader, we cannot sufficiently admire the +appropriateness with which doctrines which were actually held by the +most deeply initiated among the Pariahs were put into his mouth. To have +made a merely vulgar, nothing-believing, and as little reflecting gypsy, +as philosophical as the wanderer in 'Quentin Durward,' would have been +absurd. There is a vigor, an earnestness in his creed, which betrays +culture and thought, and which is marvellously appropriate if we regard +him as a wandering scion of the outcast Pariah illuminati of India. + +Did our author owe this insight to erudition or to poetic intuition? In +either case we discover a depth which few would have surmised. It was +once said of Scott, that he was a millionaire of genius whose wealth was +all in small change--that his scenes and characters were all massed from +a vast collection of little details. This would be equivalent to +declaring that he was a great novelist without a great idea. Perhaps +this is true, but the clairvoyance of genius which _seems_ to manifest +itself in the two characters which I have already examined, and the +cautious manner in which he has treated them, would appear to prove that +he possessed a rarer gift than that of 'great ideas'--the power of +controlling them. Such ideas may make reformers, critics, politicians, +essayists--but they generally ruin a novelist--and Scott knew it. + +A third character belonging to the class under consideration, is Henbane +Dwining, the 'pottingar,' apothecary or 'leech,' in the novel of 'The +Fair Maid of Perth.' + +This man is rather developed by his deeds than his words, and these are +prompted by two motives, terrible vindictiveness and the pride of +superior knowledge. He is vile from the former, and yet almost heroic +from the latter, for it is briefly impossible to make any man intensely +self-reliant, and base this self-reliance on great learning in men and +books, without displaying in him some elements of superiority. He is so +radically bad that by contrast one of the greatest villains in Scottish +history, Sir John Ramorney, appears rather gray than black; and yet we +dislike him less than the knight, possibly because we know that men of +the Dwining stamp, when they have had the control of nations, often do +good simply from the dictates of superior wisdom--the wisdom of the +serpent--which, no Ramorney ever did. The skill with which the crawling, +paltry leech controls his fierce lord; the contempt for his power and +pride shown in Dwining's adroit sneers, and above all, the ease with +which the latter casts into the shade Ramorney's fancied superiority in +wickedness, is well set forth--and such a character could only have been +conceived by deep study of the motives and agencies which formed it. To +do so, Scott had recourse to the same Oriental source--the same fearful +school of atheism which in another and higher form gave birth to the +Templar and the gypsy. 'I have studied,' says Dwining, 'among the sages +of Granada, where the fiery-souled Moor lifts high his deadly dagger as +it drops with his enemy's blood, and avows the doctrine which the pallid +Christian practises, though, coward-like, he dare not name it.' His +sneers at the existence of a devil, at all 'prejudices,' at religion, +above all, at brute strength and every power save that of intellect, are +perfectly Oriental--not however of the Oriental Sufi, or of the +initiated in the House of Wisdom, whose pantheistic Idealism went hand +in hand with a faith in benefiting mankind, and which taught +forgiveness, equality, and love, but rather that corrupted Asiatic +vanity of wisdom which abounded among the disciples of Aristotle and of +Averroes in Spain, and which was entirely material. I err, strictly +speaking, therefore, when I speak of this as the _same_ Oriental school, +though in a certain sense it had a common origin--that of believing in +the infinite power of human wisdom. Both are embraced indeed in the +beguiling _eritis sicut Deus_, 'ye shall be as GOD,' uttered by the +serpent to Eve. + +Quite subordinate as regards its position among the actors of the novel, +yet extremely interesting in a historical point of view, is the +character of Jasper Dryfesdale the steward of the Douglas family, in +'The Abbot.' In this man Scott has happily combined the sentiment of +absolute feudal devotion to his superiors with a gloomy fatalism learned +'among the fierce sectaries of Lower Germany.' If carefully studied, +Dryfesdale will be found to be, on the whole, the most morally +instructive character in the entire range of Scott's writings. In the +first place, he illustrates the fact, so little noted by the advocates +of loyalty, aristocracy, 'devoted retainers,' and 'faithful vassals,' +that all such fidelity carried beyond the balance of a harmony of +interests, results in an insensibility to moral accountability. Thus in +the Southern States, masters often refer with pride to the fact that a +certain negro, who will freely pillage in other quarters, will 'never +steal at home.' History shows that the man who surrenders himself +entirely to the will of another begins at once to cast on his superior +all responsibility for his own acts. Such dependence and evasion is of +itself far worse than the bold unbelief which is to the last degree +self-reliant; which seeks no substitute, dreads no labor, scorns all +mastery, and aims at the truth, the whole truth, and nothing but the +truth. Such unbelief may possibly end in finding religious truth after +its devious errors, but what shall be said of those who would have men +sin as _slaves_? + +Singularly and appropriately allied to a resignation of moral +accountability from feudal attachment, is the contemptible and cowardly +doctrine of fatalism, which Dryfesdale also professes. It is not with +him the philosophic doctrine of the concurring impulses of circumstance, +or of natural laws, but rather the stupendously nonsensical notion of +the Arabian _kismet_, that from the beginning of time every event was +fore-arranged as in a fairy tale, and that all which _is_, is simply the +acting out of a libretto written before the play began--a belief revived +in the last century by readers of Leibnitz, who were truer than the +great German himself to the consequences of his doctrine, which he +simply evaded.[15] In coupling this humiliating and superstitious means +of evading moral accountability with the same principle as derived from +feudal devotion, Scott, consciously or unconsciously, displayed genius, +and at the same time indirectly attacked that system of society to which +he was specially devoted. So true is it that genius instinctively tends +to set forth the _truth_, be the predilections of its possessor what +they may. And indeed, as Scott nowhere shows in any way that _he_, for +his part, regarded the blind fidelity of the steward as other than +admirable, it may be that he was guided rather by instinct than will, in +thus pointing out the great evil resulting from a formally aristocratic +state of society. Such as it is, it is well worth studying in these +times, when the principles of republicanism and aristocracy are brought +face to face at war among us, firstly in the contest between the South +and the North, and secondly in the rapidly growing division between the +friends of the Union, and the treasonable 'Copperheads,' who consist of +men of selfish, aristocratic tendencies, and their natural allies, the +refuse of the population. + +It is very unfortunate that the term 'Anabaptists' should have ever been +applied to the ferocious fanatics led by John of Leyden, Knipperdolling, +and Rothmann, since it has brought discredit on a large sect bearing the +same name with which it had in reality even less in common than the +historians of the latter imagine. It is not a difficult matter for the +mind familiar with the undoubted Oriental origin of the 'heresies' of +the middle ages, to trace in the origin at least of the fierce and +licentious socialists of Münster the same secret influence which, +flowing from Gnostic, Manichæan, or Templar sources, founded the +Waldense and Albigense sects, and was afterward perceptible in a branch +of the Hussites. At the time of the Reformation their ancient doctrines +had subsided into Biblical fanaticism; but the old leaven of revolt +against the church, and against all compulsion--keenly sharpened by +their experiences, in the recent Peasant's War--was as hot as ever among +them. They had no great or high philosophy, but were in all respects +chaotic, contradictory, and stormy. Unable to rise to the cultivated and +philanthropic feelings which accompanied the skepticism of their remote +founders, they based their denial of moral accountability--as narrow and +vulgar minds naturally do--on a predestination, which is as insulting to +GOD as to man, since it is consistently comprehensible only by supposing +HIM a slave to destiny. Among such vassals to a worse than earthly +tyranny, the man who as 'a Scottish servant regarded not his own life or +that of any other save his master,' would find doctrines congenial +enough to his grovelling nature. So he was willing to believe that 'that +which was written of me a million years before I saw the light must be +executed by me.' 'I am well taught, and strong in belief,' he says, +'that man does nought for himself; he is but the foam on the billow, +which rises, bubbles, and bursts, not by its own effort, but by the +mightier impulse of fate which urges him.' And the combination of his +two wretched doctrines is well set forth in the passage wherein he tells +his mistress that she had no choice as regarded accepting his criminal +services. 'You might not choose, lady,' answered the steward. 'Long ere +this castle was builded--ay, long ere the islet which sustains it reared +its head above the blue water--I was destined to be your faithful slave, +and you to be my ungrateful mistress.' + +Freethinkers, infidels, and atheists abound in novels, but it is to the +credit of Sir Walter Scott that wherever he has introduced a _sincere_ +character of this description, he has gone to the very origin for his +facts, and then given us the result without pedantry. The four which I +have examined are each a curious subject for study, and indicate, +collectively and compared, a train of thought which I believe that few +have suspected in Scott, notwithstanding his well-known great love for +the curious and occult in literature. That he perfectly understood that +absurd and vain character, the so-called 'infidel,' whose philosophy is +limited to abusing Christianity, and whose real object is to be odd and +peculiar, and astonish humble individuals with his wickedness, is most +amusingly shown in 'Bletson,' one of the three Commissioners of Cromwell +introduced into 'Woodstock.' Scott has drawn this very subordinate +character in remarkable detail, having devoted nearly seven pages to its +description,[16] evidently being for once carried away by the desire of +rendering the personality as clearly as possible, or of gratifying his +own fancy. And while no effort is ever made to cast even a shadow of +ridicule on the Knight Templar, on Dryfesdale, on the gypsy, or even on +the crawling Dwining, he manifestly takes great pains to render as +contemptible and laughably absurd as possible this type of the very +great majority of modern infidels, who disavow religion because they +fear it, and ridicule Christianity from sheer, shallow ignorance. Our +own country at present abounds in 'Bletsons,' in conceited, ignorant +'infidel' scribblers of many descriptions, in of all whom we can still +trace the cant and drawl of the old-fashioned fanaticism to which they +are in reality nearly allied, while they appear to oppose it. For the +truth is, that popular infidelity--to borrow Mr. Caudle's simile of +tyrants--is only Puritanism turned inside out. We see this, even when it +is masked in French flippancy and the Shibboleth of the current +accomplishments of literature--it betrays itself by its vindictiveness +and conceit, by its cruelty, sarcasms, and meanness--with the infidel as +with the bigot. The sincere seeker for truth, whether he wander through +the paths of unbelief or of faith, never forgets to love, never courts +notoriety, and is neither a satirical court-fool nor a would-be +Mephistopheles. + +In reflecting on these characters, I am irresistibly reminded of an +anecdote illustrating their nature. A friend of mine who had employed a +rather ignorant fellow to guide him through some ruins in England, was +astonished, as he entered a gloomy dungeon, at the sudden remark, in the +hollow voice of one imparting a dire confidence, of: 'I doan't believe +in hany GOD!' 'Don't you, indeed?' was the placid reply. 'Noa,' answered +the guide; '_H'I'm a_ HINFIDEL!' 'Well, I hope you feel easy after it,' +quoth my friend. + +There is yet another skeptic set forth by Scott, whose peculiarities may +be deemed worthy of examination. I refer to Agelastes, the treacherous +and hypocritical sage of 'Count Robert of Paris.' In this man we have, +however, rather the refined sensualist and elegant scholar who amuses +himself with the subtleties of the old Greek philosophy, than a sincere +seeker for truth, or even a sincere doubter. His views are fully given +in a short lecture of the countess: + + 'Daughter,' said Agelastes, approaching nearer to the lady, 'it is + with pain I see you bewildered in errors which a little calm + reflection might remove. We may flatter ourselves, and human vanity + usually does so, that beings infinitely more powerful than those + belonging to mere humanity are employed daily in measuring out the + good and evil of this world, the termination of combats or the fate + of empires, according to their own ideas of what is right or wrong, + or more properly, according to what we ourselves conceive to be + such. The Greek heathens, renowned for their wisdom, and glorious + for their actions, explained to men of ordinary minds the supposed + existence of Jupiter and his Pantheon, where various deities + presided over various virtues and vices, and regulated the temporal + fortune and future happiness of such as practised them. The more + learned and wise of the ancients rejected such the vulgar + interpretation, and wisely, although affecting a deference to the + public faith, denied before their disciples in private, the gross + fallacies of Tartarus and Olympus, the vain doctrines concerning + the gods themselves, and the extravagant expectations which the + vulgar entertained of an immortality supposed to be possessed by + creatures who were in every respect mortal, both in the + conformation of their bodies, and in the internal belief of their + souls. Of these wise and good men some granted the existence of the + supposed deities, but denied that they cared about the actions of + mankind any more than those of the inferior animals. A merry, + jovial, careless life, such as the followers of Epicurus would + choose for themselves, was what they assigned for those gods whose + being they admitted. Others, more bold or more consistent, entirely + denied the existence of deities who apparently had no proper object + or purpose, and believed that such of them, whose being and + attributes were proved to us by no supernatural appearances, had in + reality no existence whatever.' + +In all this, and indeed in all the character of Agelastes, there is +nothing more than shallow scholarship, such as may be found in many of +'the learned' in all ages, whose learning is worn as a fine garment, +perhaps as one of comfort, but _not_ as the armor in which to earnestly +do battle for life. A contempt for the vulgar, or at best a selfish +rendering of life agreeable to themselves, is all that is gathered from +such systems of doubt--and this was in all ages the reproach of all +Greek philosophy. It was not meant for the multitude nor for the +barbarian. It embraced no hope of benefiting all mankind, no scheme for +even freeing them from superstition. Such ideas were only cherished by +the Orientals, and (though mingled with errors) subsequently and _fully_ +by the early Christians. It was in the East that the glorious doctrine +of love for _all_ beings, not only for enemies, but for the very fiends +themselves, was first proclaimed as essential to perfect the soul--as +shown in the beautiful Hindu poem of 'The Buddha's Victory,'[17] in +which the demon Wassywart, that horror of horrors, whose eyes are clots +of blood, whose voice outroars the thunder, who plucks up the sun from +its socket the sky, defies the great saint-god to battle: + + 'The unarmed Buddha mildly gazed at him, + And said in peace: 'Poor fiend, _even thee I love_.' + Before great Wassywart the world grew dim; + His bulk enormous dwindled to a dove. * * * + --Celestial beauty sat on Buddhas face, + While sweetly sang the metamorphosed dove: + 'Swords, rocks, lies, fiends, must yield to moveless love, + And nothing can withstand the Buddha's grace.' + +And again, in 'The Secret of Piety'--the secret 'of all the lore which +angelic bosoms swell'--we have the same pure faith: + + 'Whoso would careless tread one worm that crawls the sod, + That cruel man is darkly alienate from God; + But he that lives embracing all that is in _love_, + To dwell with him God bursts all bounds, below, above.' + +The Greek philosophy knew nothing of all this, and the result is that +even in the atheism which sprang from the East, and in its harshest and +lowest 'tinctures,' we find a something nobler and less selfish than is +to be found in the school of Plato himself. And however this may be, the +reader will admit, in examining the six skeptics set forth by Scott, +that each is a character firmly based in historical truth; that all, +with the exception of 'Bletson,' are sketched with remarkable brevity; +and that a careful comparative analysis of the whole gives us a deeper +insight into the secret tendencies of the author's mind, and at the same +time into the springs of his genius, than the world has been wont to +take. And the study of the subject is finally interesting, since we may +learn from it that even in the works of one who is a standard poetic +authority among those who would, if possible, subject all men to +feudalism, we may learn lessons of that highest social +truth--republicanism. + +FOOTNOTES: + +[Footnote 10: OVID. _Metamorphoseon_, lib. xi. v. 183.] + +[Footnote 11: Hæc autem erat Gnosticorum doctrina ethica, quod omnem +virtutem in prudentia sitim esse credebant, quam Ophitæ per _Metem_ +(Sophiam) et Serpentem exprimebant, desumpto iterum ex Evangelii +præcepto; _estote prudentes ut serpentes_,--ob innatem hujus animalis +astutiam?--VON HAMMER, _Fundgruben des Orients_, tom. vi. p. 85.] + +[Footnote 12: _New Curiosities of Literature._ By GEO. SOANE, London, +1849.] + +[Footnote 13: _Developpement des Abus introduits dans la Franc +Maçonnerie._ Ecossois de Saint ANDRÉ d'Écosse, &c., &c. Paris, 1780.] + +[Footnote 14: London. Trübner &. Co., No. 60 Paternoster Row. 1861.] + +[Footnote 15: 'Tota hæc humanæ vitæ fabula, quæ universitatem naturæ et +generis humani historiam constituit tota prius in intellectu divino +præconcepta fuit cum infinitis aliis.'--LEIBNITZ, _Theodicæa_, part 11, +p. 149.] + +[Footnote 16: Tickner and Fields' edition of Waverley Novels, Boston, +1858.] + +[Footnote 17: _The Poetry of the East._ By WILLIAM ROUNSEVILLE ALGER. +Boston. Whittemore, Niles & Hall, 1856.] + + + + +A CHORD OF WOOD. + + + Well, New York, you've made your pile + Of Wood, and, if you like, may smile: + Laugh, if you will, to split your sides, + But in that Wood pile a nigger hides, + With a double face beneath his hood: + Don't hurra till you're out of your Wood. + + + + +A MERCHANT'S STORY. + + 'All of which I saw, and part of which I was.' + + +CHAPTER XIX. + +The moon and the stars were out, and the tall, dark pines cast long, +gloomy shadows over the little rows of negro houses which formed the +rearguard to Preston's mansion. They were nearly deserted. Not a +solitary fire slumbered on the bare clay hearths, and not a single darky +stood sentry over the loose pork and neglected hoecakes, or kept at bay +the army of huge rats and prowling opossums which beleaguered the +quarters. Silence--death's music--was over and around them. The noisy +revelry of the dancers had died away in the distance, and even the +hoarse song of the great trees had sunk to a low moan as they stood, +motionless and abashed, in the presence of the grim giant who knocks +alike at the palace and the cottage gate. + +A stray light glimmered through the logs of a low hut, far off in the +woods, and, making our way to it, we entered. A bright fire lit up the +interior, and on a rude cot, in one corner, lay the old preacher. His +eyes were closed; a cold, clammy sweat was on his forehead--he was +dying. One of his skeleton hands rested on the tattered coverlet, and +his weazened face was half buried in a dilapidated pillow, whose ragged +casing and protruding plumage bespoke it a relic of some departed white +sleeper. + +An old negress, with gray hair and haggard visage, sat at the foot of +the bed, wailing piteously; and Joe and half a dozen aged saints stood +around, singing a hymn, doleful enough to have made even a sinner weep. + +Not heeding our entrance, Joe took the dying man by the hand, and, in a +slow, solemn voice, said: + +'Brudder Jack, you'm dyin'; you'm gwine ter dat lan' whence no trabeller +returns; you'm settin' out fur dat country which'm lit by de smile ob de +Lord; whar dar ain't no sickness, no pain, no sorrer, no dyin'; fur dat +kingdom whar de Lord reigns; whar trufh flows on like a riber; whar +righteousness springs up like de grass, an' lub draps down like de dew, +an' cobers de face ob de groun'; whar you woan't gwo 'bout wid no +crutch; whar you woan't lib in no ole cabin like dis, an' eat hoecake +an' salt pork in sorrer an' heabiness ob soul; but whar you'll run an' +not be weary, an' walk an' not be faint; whar you'll hab a hous'n +builded ob de Lord, an' sit at His table--you' meat an' drink de bread +an' de water ob life! + +'I knows you's a sinner, Jack; I knows you's lub'd de hot water too +much, an' dat it make you forgit you' duty sometime, an' set a bad +'zample ter dem as looked up ter you fur better tings; but dar am mercy +wid de Lord, Jack; dar am forgibness wid Him; an' I hopes you'm ready +an' willin' ter gwo.' + +Old Jack opened his eyes, and, in a low, peevish tone, said: + +'Joe, none ob you' nonsense ter me! I'se h'ard you talk dis way afore. +_You_ can't preach--you neber could. You jess knows I ain't fit ter +trabble, an' I ain't willin' ter gwo, nowhar.' + +Joe mildly rebuked him, and again commenced expatiating on the 'upper +kingdom,' and on the glories of 'the house not made with hands, eternal +in the heavens;' but the old darky cut him short, with-- + +'Shet up, Joe! no more ob dat. I doan't want no oder hous'n but dis--dis +ole cabin am good 'nuff fur me.' + +Joe was about to reply, when Preston stepped to the bedside, and, taking +the aged preacher's hand, said: + +'My good Jack, master Robert has come to see you.' + +The dying man turned his eyes toward his master, and, in a weak, +tremulous voice, exclaimed: + +'Oh! massa Robert, has _you_ come? has you come ter see ole Jack? Bress +you, massa Robert, bress you! Jack know'd you'd neber leab him yere ter +die alone.' + +'No, my good Jack; I would save you if I could.' + +'But you can't sabe me, massa Robert; I'se b'yond dat. I'se dyin', massa +Robert. I'se gwine ter de good missus. She tell'd me ter get ready ter +foller har, an' I is. I'se gwine ter har now, massa Robert!' + +'I know you are, Jack. I feel _sure_ you are.' + +'Tank you, massa Robert--tank you fur sayin' dat. An' woan't you pray +fur me, massa Robert--jess a little pray? De good man's prayer am h'ard, +you knows, massa Robert.' + +All kneeling down on the rough floor, Preston prayed--a short, simple, +fervent prayer. At its close, he rose, and, bending over the old negro, +said: + +'The Lord is good, Jack; His mercy is everlasting.' + +'I knows dat; I feels dat,' gasped the dying man. 'I lubs you, massa +Robert; I allers lub'd you; but I'se gwine ter leab you now. Bress you! +de Lord bress you, massa Robert' I'll tell de good missus'-- + +He clutched convulsively at his master's hand; a wild light came out of +his eyes; a sudden spasm passed over his face, and--he was 'gone whar de +good darkies go.' + + +CHAPTER XX. + +On the following day Frank and I were to resume our journey; and, in the +morning, I suggested that we should visit Colonel Dawsey, with whom, +though he had for many years been a correspondent of the house in which +I was a partner, I had no personal acquaintance. + +His plantation adjoined Preston's, and his house was only a short half +mile from my friend's. After breakfast, we set out for it through the +woods. The day was cold for the season, with a sharp, nipping air, and +our overcoats were not at all uncomfortable. + +As we walked along I said to Preston: + +'Dawsey's 'account' is a good one. He never draws against shipments, but +holds on, and sells sight drafts, thus making the exchange.' + +'Yes, I know; he's a close calculator.' + +'Does he continue to manage his negroes as formerly?' + +'In much the same way, I reckon.' + +'Then he can't stand remarkably well with his neighbors.' + +'Oh! people round here don't mind such things. Many of them do as badly +as he. Besides, Dawsey is a gentleman of good family. He inherited his +plantation and two hundred hands.' + +'Indeed! How, then, did he become reduced to his present number?' + +'He was a wild young fellow, and, before he was twenty-five, had +squandered and gambled away everything but his land and some thirty +negroes. Then he turned square round, and, from being prodigal and +careless, became mean and cruel. He has a hundred now, and more ready +money than any planter in the district.' + +A half hour's walk took us to Dawsey's negro quarters--a collection of +about thirty low huts in the rear of his house. They were not so poor as +some I had seen on cotton and rice plantations, but they seemed unfit +for the habitation of any animal but the hog. Their floors were the bare +ground, hardened by being moistened with water and pounded with mauls; +and worn, as they were, several inches lower in the centre than at the +sides, they must have formed, in rainy weather, the beds of small lakes. +So much water would have been objectionable to white tenants; but +negroes, like their friends the alligators, are amphibious animals; and +Dawsey's were never known to make complaint. The chimneys were often +merely vent-holes in the roof, though a few were tumble-down structures +of sticks and clay; and not a window, nor an opening which courtesy +could have christened a window, was to be seen in the entire collection. +And, for that matter, windows were useless, for the wide crevices in the +logs, which let in the air and rain, at the same time might admit the +light. Two or three low beds at one end, a small pine bench, which held +half a dozen wooden plates and spoons, and a large iron pot, resting on +four stones, over a low fire, and serving for both washtub and +cook-kettle, composed the furniture of each interior. + +No one of the cabins was over sixteen feet square, but each was 'home' +and 'shelter' for three or four human beings. Walking on a short +distance, we came to a larger hovel, in front of which about a dozen +young chattels were playing. Seven or eight more, too young to walk, +were crawling about on the ground inside. They had only one garment +apiece--a long shirt of coarse linsey--and their heads and feet were +bare. An old negress was seated in the doorway, knitting. Approaching +her, I said: + +'Aunty, are not these children cold?' + +'Oh! no, massa; dey'm use' ter de wedder.' + +'Do you take care of all of them?' + +'In de daytime I does, massa. In de night dar mudders takes de small +'uns.' + +'But some of them are white. Those two are as white as I am!' + +'No, massa; dey'm brack. Ef you looks at dar eyes an' dar finger nails, +you'll see dat.' + +'They're black, to be sure they are,' said young Preston, laughing; 'but +they're about as white as Dawsey, and look wonderfully like him--eh, +aunty Sue?' + +'I reckons, massa Joe!' replied the woman, running her hand through her +wool, and grinning widely. + +'What does he ask for _them_, aunty?' + +'Doan't know, massa, but 'spect dey'm pooty high. Dem kine am hard ter +raise.' + +'Yes,' said Joe; 'white blood--even Dawsey's--don't take naturally to +mud.' + +'I reckons not, massa Joe!' said the old negress, with another grin. + +Joe gave her a half-dollar piece, and, amid an avalanche of blessings, +we passed on to Dawsey's 'mansion'--if mansion it could be called--a +story-and-a-half shanty, about thirty feet square, covered with rough, +unpainted boards, and lit by two small, dingy windows. It was approached +by a sandy walk, and the ground around its front entrance was littered +with apple peelings, potato parings, and the refuse of the culinary +department. + +Joe rapped at the door, and, in a moment, it opened, and a middle-aged +mulatto woman appeared. As soon as she perceived Preston, she grasped +his two hands, and exclaimed: + +'Oh! massa Robert, _do_ buy har! Massa'll kill har, ef you doan't.' + +'But I can't, Dinah. Your master refuses my note, and I haven't the +money now.' + +'Oh! oh! He'll kill har; he say he will. She woan't gib in ter him, an' +he'll kill har, _shore_. Oh! oh!' cried the woman, wringing her hands, +and bursting into tears. + +'Is it 'Spasia?' asked Joe. + +'Yas, massa Joe; it'm 'Spasia. Massa hab sole yaller Tom 'way from har, +an' he swar he'll kill har 'case she woan't gib in ter him. Oh! oh!' + +'Where is your master?' + +'He'm 'way wid har an' Black Cale. I reckon dey'm down ter de branch. I +reckon dey'm whippin' on har _now_!' + +'Come, Frank,' cried Joe, starting off at a rapid pace; 'let's see that +performance.' + +'Hold on, Joe; wait for us. You'll get into trouble!' shouted his +father, hurrying after him. The rest of us caught up with them in a few +moments, and then all walked rapidly on in the direction of the small +run which borders the two plantations. + +Before we had gone far, we heard loud screams, mingled with oaths and +the heavy blows of a whip. Quickening our pace, we soon reached the bank +of the little stream, which there was lined with thick underbrush. We +could see no one, and the sounds had subsided. In a moment, however, a +rough voice called out from behind the bushes: + +'Have you had enough? Will you give up?' + +'Oh! no, good massa; I can't do dat!' was the half-sobbing, half-moaning +reply. + +'Give it to her again, Cale!' cried the first voice; and again the whip +descended, and again the piercing cries: 'O Lord!' 'Oh, pray doan't!' 'O +Lord, hab mercy!' 'Oh! good massa, hab mercy!' mingled with the falling +blows. + +'This way!' shouted Joe, pressing through the bushes, and bounding down +the bank toward the actors in this nineteenth-century tournament, +wherein an armed knight and a doughty squire were set against a weak, +defenceless woman. + +Leaning against a pine at a few feet from the edge of the run, was a +tall, bony man of about fifty. His hair was coarse and black, and his +skin the color of tobacco-juice. He wore the ordinary homespun of the +district; and long, deep lines about his mouth and under his eyes told +the story of a dissipated life. His entire appearance was anything but +prepossessing. + +At the distance of three or four rods, and bound to the charred trunk of +an old tree, was a woman, several shades lighter than the man. Her feet +were secured by stout cords, and her arms were clasped around the +blackened stump, and tied in that position. Her back was bare to the +loins, and, as she hung there, moaning with agony, and shivering with +cold, it seemed one mass of streaming gore. + +The brawny black, whom Boss Joe had so eccentrically addressed at the +negro meeting, years before, was in the act of whipping the woman; but +with one bound, young Preston was on him. Wrenching the whip from his +hand, he turned on his master, crying out: + +'Untie her, you white-livered devil, or I'll plough your back as you've +ploughed hers!' + +'Don't interfere here, you d--d whelp!' shouted Dawsey, livid with rage, +and drawing his revolver. + +'I'll give you enough of that, you cowardly hound!' cried Joe, taking a +small Derringer from his pocket, and coolly advancing upon Dawsey. + +The latter levelled his pistol, but, before he could fire, by a +dexterous movement of my cane, I struck it from his hand. Drawing +instantly a large knife, he rushed on me. The knife was descending--in +another instant I should have 'tasted Southern steel,' had not Frank +caught his arm, wrenched the weapon from his grasp, and with the fury of +an aroused tiger, sprung on him and borne him to the ground. Planting +his knee firmly on Dawsey's breast, and twisting his neckcloth tightly +about his throat, Frank yelled out: + +'Stand back. Let _me_ deal with him!' + +'But you will kill him.' + +'Well, he would have killed _you_!' he cried, tightening his hold on +Dawsey's throat. + +'Let him up, Frank. Let the devil have fair play,' said Joe; 'I'll give +him a chance at ten paces.' + +'Yes, let him up, my son; he is unarmed.' + +Frank slowly and reluctantly released his hold, and the woman-whipper +rose. Looking at us for a moment--a mingled look of rage and +defiance--he turned, without speaking, and took some rapid strides up +the bank. + +'Hold on, Colonel Dawsey!' cried Joe, elevating his Derringer; 'take +another step, and I'll let daylight through you. You've just got to +promise you won't whip this woman, or take your chance at ten paces.' + +[I afterward learned that Joe was deadly sure with the pistol.] + +Dawsey turned slowly round, and, in a sullen tone, asked: + +'Who are you, _gentlemen_, that interfere with my private affairs?' + +'_My_ name, sir, is Kirke, of New York; and this young man is my son.' + +'Not Mr. Kirke, my factor?' + +'The same, sir.' + +'Well, Mr. Kirke, I'm sorry to say you're just now in d--d pore +business.' + +'I _have_ been, sir. I've done yours for some years, and I'm heartily +ashamed of it. I'll try to mend in that particular, however.' + +'Well, no more words, Colonel Dawsey,' said Joe. 'Here's a Derringer, if +you'd like a pop at me.' + +'Tain't an even chance,' replied Dawsey; 'you know it.' + +'Take it, or promise not to whip the woman. I won't waste more time on +such a sneaking coward as you are.' + +Dawsey hesitated, but finally, in a dogged way, made the required +promise, and took himself off. + +While this conversation was going on, Preston and the negro man had +untied the woman. Her back was bleeding profusely, and she was unable to +stand. Lifting her in their arms, the two conveyed her to the top of the +bank, and then, making a bed of their coats, laid her on the ground. We +remained there until the negro returned from the house with a turpentine +wagon, and conveyed the woman 'home.' We then returned to the +plantation, and that afternoon, accompanied by Frank and Joe, I resumed +my journey. + +By way of episode, I will mention that the slave woman, after being +confined to her bed several weeks, recovered. Then Dawsey renewed his +attack upon her, and, from the effects of a second whipping, she died. + + +CHAPTER XXI. + +Returning from the South a few weeks after the events narrated in the +previous chapter, Frank and I were met at Goldsboro by Preston and +Selma, when the latter accompanied us to the North, and once more +resumed her place in David's family. + +On the first of February following, Frank, then not quite twenty-one, +was admitted a partner in the house of Russell, Rollins, & Co., and, in +the succeeding summer, was sent to Europe on business of the firm. +Shortly after his return, in the following spring, he came on from +Boston with a proposal from Cragin that I should embark with them and +young Preston in an extensive speculation. Deeming any business in which +Cragin was willing to engage worthy of careful consideration, I listened +to Frank's exposition of the plan of operations. He had originated the +project, and in it he displayed the comprehensive business mind and rare +blending of caution and boldness which characterized his father. As the +result of this transaction had an important influence on the future of +some of the actors in my story, I will detail its programme. + +It was during the Crimean war. The Russian ports were closed, and Great +Britain and the Continent of Europe were dependent entirely on the +Southern States for their supply of resinous articles. The rivers at the +South were low, and it was not supposed they would rise sufficiently to +float produce to market before the occurrence of the spring freshets, in +the following April or May. Only forty thousand barrels of common rosin +were held in Wilmington--the largest naval-store port in the world; and +it was estimated that not more than two hundred thousand were on hand in +the other ports of Savannah, Ga., Georgetown, S. C., Newbern and +Washington, N. C., and in New York, Boston, and Philadelphia. Very +little was for sale in London, Liverpool, or Glasgow, the largest +foreign markets for the article; and Frank thought that a hundred and +fifty thousand barrels could be purchased. That quantity, taken at once +out of market, would probably so much enhance the value of the article, +that the operation would realize a large profit before the new crop came +forward. The purchases were to be made simultaneously in the various +markets, and about two hundred thousand dollars were required to carry +through the transaction. One hundred thousand of this was to be +furnished in equal proportions by the parties interested; the other +hundred thousand would be realized by Joseph Preston's negotiating 'long +exchange' on Russell, Rollins & Co. + +I declined to embark in the speculation, but the others carried it out +as laid down in the programme; the only deviation being that, at Frank's +suggestion, Mr. Robert Preston was apprised of the intended movement, +and allowed to purchase, on his own account, as much produce as could be +secured in Newbern. He bought about seven thousand barrels, paid for +them by drawing at ninety days on Russell, Rollins, & Co., and held them +for sale at Newbern, agreeing to satisfy his drafts with the proceeds. +These drafts amounted to a trifle over eighty-two hundred dollars. + +About a month after this transaction was entered into, our firm received +the following letter from Preston: + + 'GENTLEMEN: An unfortunate difference with my son prevents my + longer using him as my indorser. I have not, as yet, been able to + secure another; and, our banks requiring two home names on time + drafts, I have to beg you to honor a small bill at one day's sight. + I have drawn for one thousand dollars. Please honor.' + +To this I at once replied: + + 'DEAR SIR: We have advice of your draft for one thousand dollars. + To protect your credit, we shall pay it; but we beg you will draw + no more, till you forward bills of lading. + + 'You are now overdrawn some five thousand dollars, which, by the + maturing of your drafts, has become a _cash_ advance. The death of + our senior, Mr. Randall, and the consequent withdrawal of his + capital, has left us with an extended business and limited means. + Money, also, is very tight, and we therefore earnestly beg you to + put us in funds at the earliest possible moment.' + +No reply was received to this letter; but, about ten days after its +transmission, Preston himself walked into my private office. His clothes +were travel stained, and he appeared haggard and careworn. I had never +seen him look so miserably. + +He met me cordially, and soon referred to the state of his affairs. His +wife, the winter before, had agreed to reside permanently at Newbern, +and content herself with an allowance of three thousand dollars +annually; but at the close of the year he found that she had contracted +debts to the extent of several thousand more. He was pressed for these +debts; his interest was in arrears, and he could raise no money for lack +of another indorser. Ruin stared him in the face, unless I again put my +shoulder to the wheel, and pried him out of the mire. The turpentine +business was not paying as well as formerly, but the new plantation was +encumbered with only the original mortgage--less than six thousand +dollars--and was then worth, owing to an advance in the value of land, +fully twenty thousand. He would secure me by a mortgage on that +property, but I _must_ allow the present indebtedness to stand, and let +him increase it four or five thousand dollars. That amount would +extricate him from present difficulties; and, to avoid future +embarrassments, he would take measures for a legal separation from his +wife. + +I heard him through, and then said: + +'I cannot help you, my friend. I am very sorry; but my own affairs are +in a most critical state. I owe over a hundred thousand dollars, +maturing within twenty days, and my present available resources are not +more than fifty thousand. I have three hundred thousand worth of produce +on hand, but the market is so depressed that I cannot realize a dollar +upon it. The banks have shut down, and money is two per cent. a month in +the street. What you owe us would aid me wonderfully; but I can rub +through without it. That much I can bear, but not a dollar more.' + +He walked the room for a time, and was silent; then, turning to me, he +said--each separate word seeming a groan: + +'I have cursed every one I ever loved, and now I am bringing +trouble--perhaps disaster--upon _you_, the only real friend I have +left.' + +'Pshaw! my good fellow, don't talk in that way. What you owe us is only +a drop in the bucket. We have made twice that amount out of you; so give +yourself no uneasiness, if you _never_ pay it.' + +'But I must pay it--I _shall_ pay it;' and, continuing to pace the room +silently for a few moments, he added, giving me his hand: 'Good-by; I'm +going back to-night.' + +'Back to-night!--without seeing Selly, or my wife? You are mad!' + +'I _must_ go.' + +'You must _not_ go. You are letting affairs trouble you too much. Come, +go home with me, and see Kate. A few words from her will make a new man +of you.' + +'No, no; I must go back at once. I must raise this money somehow.' + +'Send money to the dogs! Come with me, and have a good night's rest. +You'll think better of this in the morning. And now it occurs to me that +Kate has about seven thousand belonging to Frank. He means to settle it +on Selly when they are married, and she might as well have it first as +last. Perhaps you can get it now.' + +'But I might be robbing my own child.' + +'You can give the farm as security; it's worth twice the amount.' + +'Well, I'll stay. Let us see your wife at once.' + +While we were seated in the parlor, after supper, I broached the subject +of Preston's wants to Kate. She heard me through attentively, and then +quietly said: + +'Frank is of age--he can do as he pleases; but _I_ would not advise him +to make the loan. I once heard my father scout at the idea of taking +security on property a thousand miles away. I would not wound Mr. +Preston's feelings, but--his wife's extravagance has led him into this +difficulty, and her property should extricate him from it. Her town +house, horses, and carriages should be sold. She ought to be made to +feel some of the mortification she has brought upon him.' + +Preston's face brightened; a new idea seemed to strike him. 'You are +right. I will sell everything.' His face clouded again, as he continued: +'But I cannot realize soon enough. Your husband needs money at once.' + +'Never mind me; I can take care of myself. But what is this trouble with +Joe? Tell me, I will arrange it. Everything can go on smoothly again.' + +'It cannot be arranged. There can be no reconciliation between us.' + +'What prevents? Who is at fault--you, or he?' + +'I am. He will never forgive me!' + +'Forgive you! I can't imagine what you have done, that admits of no +forgiveness.' + +He rose, and walked the room for a while in gloomy silence, then said: + +'I will tell you. It is right you should know. You _both_ should know +the sort of man you have esteemed and befriended for so many years;' +and, resuming his seat, he related the following occurrences: + +'Everything went on as usual at the plantation, till some months after +Rosey's marriage to Ally. Then a child was born to them. It was white. +Rosey refused to reveal its father, but it was evidently not her +husband. Ally, being a proud, high-spirited fellow, took the thing +terribly to heart. He refused to live with his wife, or even to see her. +I tried to reconcile them, but without success. Old Dinah, who had +previously doted on Rosey, turned about, and began to beat and abuse her +cruelly. To keep the child out of the old woman's way, I took her into +the house, and she remained there till about two months ago. Then, one +day, Larkin, the trader, of whom you bought Phylly and the children, +came to me, wanting a woman house-servant. I was pressed for money, and +I offered him--a thing I never did before--two or three of my family +slaves. They did not suit, but he said Rosey would, and proposed to buy +her and the child. I refused. He offered me fifteen hundred dollars for +them, but I still refused. Then he told me that he had spoken to the +girl, and she wished him to buy her. I doubted it, and said so; but he +called Rosey to us, and she confirmed it, and, in an excited way, told +me she would run away, or drown herself, if I did not sell her. She said +she could live no longer on the same plantation with Ally. I told her I +would send Ally away; but she replied: 'No; I am tired of this place. I +have suffered so much here, I want to get away. I _shall_ go; whether +alive or dead, is for _you_ to say.' I saw she was in earnest; I was +hard pressed for money; Larkin promised to get her a kind master, and--I +sold her.' + +'Sold her! My God! Preston, she was your own child!' + +'I know it,' he replied, burying his face in his hands. 'The curse of +GOD was on it; it has been on me for years.' After a few moments, he +added: 'But hear the rest, and _you_ will curse me, too.' + +Overcome with emotion, he groaned audibly. I said nothing, and a pause +of some minutes ensued. Then, in a choked, broken voice, he continued: + +'The rosin transaction had been gone into. I had used up what blank +indorsements I had. Needing more, and wanting to consult with Joe about +selling the rosin, I went to Mobile. It was five weeks ago. I arrived +there about dark, and put up at the Battle House. Joe had boarded there. +I was told he had left, and gone to housekeeping. A negro conducted me +to a small house in the outskirts of the town. He said Joe lived there. +Wishing to surprise him, I went in without knocking. The house had two +parlors, separated by folding doors. In the back one a young woman was +clearing away the tea things; in the front one, Joe was seated by the +fire, with a young child on his knee. I put my hand on his shoulder, and +said: 'Joe, whose child have you here?' He looked up, and laughingly +said: 'Why, father, you ought to know; you've seen it before!' I looked +closely at it--it was Rosey's! I said so. 'Yes, father,' he replied; +'and there's Rosey herself. Larkin promised she should have a kind +master, and--he kept his word.' The truth flashed upon me--the child was +his! My only son had seduced his _own sister_! I staggered back in +horror. I told him who Rosey was, and then'--no words can express the +intense agony depicted on his face as he said this--'then he cursed me! +O my God! HE CURSED ME!' + +I pitied him, I could but pity him; and I said: + +'Do not be so cast down, my friend. I once heard you say: 'The Lord is +good. His mercy is everlasting!'' + +'But he cannot have mercy on some!' he cried. '_My_ sins have been too +great; they cannot be blotted out. I embittered the life of my wife; I +have driven my daughter from her home; sold my own child; made my +generous, noble-hearted boy do a horrible crime--a crime that will +haunt him forever. Oh! the curse of God is on me. My misery is greater +than I can bear.' + +'No, my friend; God curses none of his creatures. You have reaped what +you have sown, that is all; but you have suffered enough. Better things, +believe me, are in store for you.' + +'No, no; everything is gone--wife, children, all! I am alone--the past, +nothing but remorse; the future, ruin and dishonor!' + +'But Selly is left you. _She_ will always love you.' + +'No, no! Even Selly would curse me, if she knew _all_!' + +No one spoke for a full half hour, and he continued pacing up and down +the room. When, at last, he seated himself, more composed, I asked: + +'What became of Rosey and the child?' + +'I do not know. I was shut in my room for several days. When I got out, +I was told Joe had freed her, and she had disappeared, no one knew +whither. I tried every means to trace her, but could not. At the end of +a week, I went home, what you see me--a broken-hearted man.' + +The next morning, despite our urgent entreaties, he returned to the +South. + + * * * * * + +The twenty days were expiring. By hard struggling I had met my +liabilities, but the last day--the crisis--was approaching. Thirty +thousand dollars of our acceptances had accumulated together, and were +maturing on that day. When I went home, on the preceding night, we had +only nineteen thousand in bank. I had exhausted all our receivables. +Where the eleven thousand was to come from, I did not know. Only one +resource seemed left me--the hypothecation of produce; and a resort to +that, at that time, before warehouse receipts became legitimate +securities, would be ruinous to our credit. My position was a terrible +one. No one not a merchant can appreciate or realize it. With thousands +upon thousands of assets, the accumulations of years, my standing among +merchants, and, what I valued more than all, my untarnished credit, were +in jeopardy for the want of a paltry sum. + +I went home that night with a heavy heart; but Kate's hopeful words +encouraged me. With her and the children left to me, I need not care for +the rest; all might go, and I could commence again at the bottom of the +hill. The next morning I walked down town with a firm spirit, ready to +meet disaster like a man. The letters by the early mail were on my desk. +I opened them one after another, hurriedly, eagerly. There were no +remittances! I had expected at least five thousand dollars. For a moment +my courage failed me. I rose, and paced the room, and thoughts like +these passed through my mind: 'The last alternative has come. Pride must +give way to duty. I must hypothecate produce, and protect my +correspondents. I must sacrifice myself to save my friends! + +'But here are two letters I have thrown aside. They are addressed to me +personally. Mere letters of friendship! What is friendship, at a time +like this?--friendship without money! Pshaw! I wouldn't give a fig for +all the friends in the world!' + +Mechanically I opened one of them. An enclosure dropped to the floor. +Without pausing to pick it up, I read: + + 'DEAR FATHER: Mother writes me you are hard pressed. Sell my U. S. + stock--it will realize over seven thousand. It is yours. Enclosed + is Cragin's certified check for ten thousand. If you need more, + draw on _him_, at sight, for any amount. He says he will stand by + you to the death. + + 'Love to mother. + FRANK.' + + 'P. S.--Fire away, old fellow! Hallet is ugly, but I'll go my pile + on you, spite of the devil. + CRAGIN.' + + +'SAVED! saved by my wife and child!' I leaned my head on my desk. When I +rose, there were tears upon it. + +It wanted some minutes of ten, but I was nervously impatient to blot out +those terrible acceptances. I should then be safe; I should then breathe +freely. As I passed out of my private office, I opened the other letter. +It was from Preston. Pausing a moment, I read it: + + 'MY VERY DEAR FRIEND: I enclose you sight check of Branch Bank of + Cape Fear on Bank of Republic, for $10,820. Apply what is needed to + pay my account; the rest hold subject to my drafts. + + 'I have sold my town house, furniture, horses, etc., and the + proceeds will pay my home debts. I shall therefore not need to draw + the balance for, say, sixty days. God bless you!' + +'Well, the age of miracles is _not_ passed! How _did_ he raise the +money?' + +Stepping back into the private office, I called my partner: + +'Draw checks for all the acceptances due to-day; get them certified, and +take up the bills at once. Don't let the grass grow under your feet. I +shall be away the rest of the day, and I want to see them before I go. +Here is a draft from Preston; it will make our account good.' + +He looked at it, and, laughing, said: + +'Yes, and leave about fifty dollars in bank.' + +'Well, never mind; we are out of the woods.' + +When he had gone, I sat down, and wrote the following letter: + + 'MY DEAR FRANK: I return Cragin's check, with many thanks. I have + not sold your stock. My legitimate resources have carried me + through. + + 'I need not say, my boy, that I feel what you would have done for + me. Words are not needed between _us_. + + 'Tell Cragin that I consider him a trump--the very ace of hearts. + + 'Your mother and I will see you in a few days.' + +In half an hour, with the two letters in my pocket, I was on my way +home. Handing them to Kate, I took her in my arms; and, as I brushed the +still bright, golden hair from her broad forehead, I felt I was the +richest man living. + + * * * * * + +Within the same week I went to Boston. I arrived just after dark; and +then occurred the events narrated in the first chapter. + + + + +WAR. + +[J. G. PERCIVAL.] + + + For war is now upon their shores, + And we must meet the foe, + Must go where battle's thunder roars, + And brave men slumber low; + Go, where the sleep of death comes on + The proudest hearts, who dare + To grasp the wreath by valor won, + And glory's banquet share. + + + + +A CHAPTER ON WONDERS. + + 'Obstupui! steteruntque comæ, et vox faucibus hæsit.' + + +There is a certain portion of mankind ever on the alert to see or hear +some wonderful thing; whose minds are attuned to a marvellous key, and +vibrate with extreme sensitiveness to the slightest touch; whose vital +fluid is the air of romance, and whose algebraic symbol is a mark of +exclamation! This sentiment, existing in some persons to a greater +degree than in others, is often fostered by education and association, +so as to become the all-engrossing passion. Children, of course, begin +to wonder as soon as their eyes are opened upon the strange scenes of +their future operations. The first thing usually done to develop their +dawning intellect, is to display before them such objects as are best +calculated to arrest their attention, and keep them in a continual state +of excitement. This course is succeeded by a supply of all sorts of +_toys_, to gratify the passion of novelty. These are followed by +wonderful stories, and books of every variety of absurd +impossibilities;--which system of development is, it would seem, +entirely based upon the presumption, that the faculty of admiration must +be expanded, in order that the young idea may best learn how to _shoot_. +It is therefore quite natural, that--the predisposition granted--a +faculty of the mind so auspiciously nurtured under the influence of +exaggeration should mature in a corresponding degree. + +Thus we have in our midst a class, into whose mental economy the faculty +of _wonder_ is so thoroughly infused, that it has inoculated the entire +system, and forms an inherent, inexplicable, and almost elementary part +of it. These persons sail about in their pleasure yachts, on roving +expeditions, under a pretended '_right of search_,' armed to the teeth, +and boarding all sorts of crafts to obtain plunder for their favorite +gratification. They are most uneasy and uncomfortable companions, having +no ear for commonplace subjects of conversation, and no eye for ordinary +objects of sight. + +When such persons approach each other, they are mutually attracted, like +two bodies charged with different kinds of electricity--an interchange +of commodities takes place, repulsion follows, and thus reënforced, they +separate to diffuse the supply of wonders collected. + +By this centripetal and centrifugal process, the social atmosphere is +subjected to a continual state of agitation. _Language_ is altogether +too tame to give full effect to their meaning, and all the varieties of +_dumb show_, of _gesticulation_, _shrugs_, and wise shakes of the head, +are called into requisition, to effectually and unmistakably express +their ideas. The usages of good society are regarded by them as a great +restraint upon their besetting propensity to expatiate in phrases of +grandiloquence, and to magnify objects of trivial importance. They are +always sure to initiate topics which will afford scope for admiration; +they delight to enlarge upon the unprecedented growth of cities, +villages, and towns; upon the comparative prices of 'corner lots' at +different periods; and to calculate how rich they _might_ have been, had +they only known as much _then_ as _now_. + +They experience a gratification when a rich man dies, that the wonder +will now be solved as to the amount of his property; and when a man +fails in business, that it is _now_ made clear--what has so long +perplexed them--'_how he managed to live so extravagantly_!' See them +at an agricultural fair, and they will be found examining the 'mammoth +squashes' and various products of prodigious growth--or they will +install themselves as self-appointed exhibiter of the 'Fat Baby,' to +inform the incredulous how much it weighs! See them at a conflagration, +and they wonder what was the _cause_ of the fire, and _how far_ it will +extend? + +They long to travel, that they may visit 'mammoth caves' and 'Giant's +Causeways.' We talk of the 'Seven Wonders of the World,' while to them +there is a successive series for every day in the year--putting to the +blush our meagre stock of monstrosities--making 'Ossa like a wart.' +Nothing gratifies them more than the issuing from the press of an +anonymous work, that they may exert their ingenuity in endeavoring to +discover the author; and, when called on for information on the subject, +prove conclusively to every one but themselves, that they know nothing +whatever about the matter. + +The ocean is to them only wonderful as the abode of 'Leviathans,' and +'Sea Serpents,' 'Krakens,' and 'Mermaids'--abounding in 'Mäelstroms' and +_sunken_ islands, and traversed by 'Phantom Ships' and 'Flying Dutchmen' +in perpetual search for some 'lost Atlantis;'--all well-attested +incredibilities, certified to by the 'affidavits of respectable +eye-witnesses,' and, we might add, by 'intelligent contrabands,'--and +all in strict conformity with the convenient aphorism '_Credo quia +impossibile est_.' They are ever ready to bestow their amazement upon a +fresh miracle as soon as the present has had its day--like the man who, +being landed at some distance by the explosion of a juggler's +pyrotechnics, rubbed his eyes open, and exclaimed, '_I wonder what the +fellow will do next!_' + +If a steamboat explodes her boiler, or the walls of a factory fall, +burying hundreds in the ruins, their hearts--rendered callous by the +constant stream of cold air pouring in through their _ever-open +mouths_--are not shocked at the calamity, but they wonder if it was +_insured_! + +The increase of population in this country affords a most prolific and +inexhaustible fund for statistical astonishment, as an interlude to the +entertainment, while something more appalling is being prepared. + +The portentous omens so often relied on by the credulous believers in +signs, have so frequently proved 'dead failures,' that one would suppose +these votaries would at length become disheartened. But this seems not +to be the case--like a quack doctor when his patient dies, their +audacity is equal to any emergency, and, with the elasticity of india +rubber, they come out of a 'tight squeeze' with undiminished rotundity. +With _stupid_ amazement, hair all erect, and ears likewise, they pass +through life as through a museum, ready to exclaim with Dominie Sampson +at all _they_ cannot understand, 'Pro--di--gi--ous!' + +It matters little, perhaps, in what form this principle is exhibited, +while it exists and flourishes in undiminished exuberance. Thus says +Glendower: + + 'At my nativity + The front of heaven was full of fiery shapes, + Of burning cressets; and, at my birth, + The frame and huge foundation of the earth + Shak'd like a coward. + + _Hotspur._ Why so it would have done + At the same season, if your mother's cat had + But kittened, though yourself had ne'er been born.' + +Glendower naturally enough flouts this rather impertinent comment, and +'repeats the story of his birth' with still greater improvements, till +Hotspur gives him a piece of advice which will do for his whole race of +the present day, viz., 'tell the truth, and shame the devil.' + +The English people of this generation are rather more phlegmatic than +their explosive neighbors across the channel, and neither the injustice +of black slavery abroad, nor the starvation of _white_ slaves at home, +can shake them from their lop-sided neutrality, _so long as money goes +into their pocket_. The excitable French, on the contrary, require an +occasional _coup d'état_ to arouse their conjectures as to the next +imperial experiment in the art of international diplomacy. + +The press of the day teems with all sorts of provisions to satisfy the +cravings of a depraved imagination, and even the most sedate of our +daily papers are not above employing 'double-leaded Sensations,' and +'display Heads' as a part of their ordinary stock in trade; while from +the hebdomadals, 'Thrilling Tales,' 'Awful Disclosures,' and 'Startling +Discoveries,' succeed each other with truly fearful rapidity. Thus he +who wastes the midnight kerosene, and spoils his weary eyes in poring +over the pages of trashy productions, so well designed to murder sleep, +may truly say with Macbeth, 'I have supp'd full with horrors.' + +It is certainly remarkable (as an indication of the pleasure the +multitude take in voluntarily perplexing themselves), how eagerly they +enter into all sorts of contrivances which conduce to bewilderment and +doubt. In 'Hampton Court' there is a famous enclosure called the +'_Maze_,' so arranged with hedged alleys as to form a perfect labyrinth. +To this place throngs of persons are constantly repairing, to enjoy the +luxury of losing themselves, and of seeing others in the same +predicament. + +Some persons become so impatient of the constant demand upon their +admiration, that they resist whatever seems to lead in that direction. +Washington Irving said he 'never liked to walk with his host over the +latter's ground'--a feeling which many will at once acknowledge having +experienced. A celebrated English traveller was so annoyed by the urgent +invitations of the Philadelphians to visit the Fairmount Water Works, +that he resolved _not_ to visit them, so that he might have the +characteristic satisfaction of recording the ill-natured fact. + +'Swift mentions a gentleman who made it a rule in reading, to skip over +all sentences where he spied a note of admiration at the end.' + +The instances here quoted are, to be sure, carrying out the '_Nil +admirari_' principle rather to extremes, and are not recommended for +general observance. The most remarkable and prominent wonders in the +natural world seldom meet the expectation of the beholder, because he +looks to experience a new sensation, and is disappointed; and so with +works of art, as St. Peter's at Rome-- + + ----'its grandeur overwhelms thee not, + And why? it is not lessen'd; but thy mind, + Expanded by the genius of the spot, + Has grown colossal.' + +_Wonder_ is defined as 'the effect of novelty upon ignorance.' Most +objects which excite wonder are magnified by the distance or the point +of view, and their proportions diminish and shrink as we approach them. +It is a saying as old as Horace, 'ignotum pro magnifico est': we cease +to wonder at what we understand. Seneca says that those whose habits are +temperate are satisfied with fountain water, which is cold enough for +them; while those who have lived high and luxuriously, require the use +of _ice_. Thus a well-disciplined mind adjusts itself to whatever events +may occur, and not being likely to lose its equanimity upon ordinary +occasions, is equally well prepared for more serious results. + +'Let us never wonder,' again saith Seneca, 'at anything we are born to; +for no man has reason to complain where we are all in the same +condition.' But notwithstanding all the precepts of philosophers, the +advice of all men of sense, and the best examples for our guides, we go +on, with eyes dilated and minds wide open, to see, hear, and receive +impressions through distorted mediums, leading to wrong conclusions and +endless mistakes. + +'Wonders will never cease!' Of course they will not, so long as there +are so many persons engaged in providing the aliment for their +sustenance; so long as the demand exceeds the supply; so long as mankind +are more disposed to listen to exaggeration rather than to simple +truths, and so long as they shall tolerate the race of _wonder-mongers_, +giving them 'aid and comfort,' regardless of their being enemies of our +peace, and the pests of our social community. + + + + +THE RETURN. + + + July,--what is the news they tell? + A battle won: our eyes are dim, + And sad forbodings press the heart + Anxious, awaiting news from him. + Hour drags on hour: fond heart, be still, + Shall evil tidings break the spell? + A word at last!--they found him dead; + He fought in the advance, and fell. + + Oh aloes of affliction poured + Into the wine cup of the soul! + Oh bitterness of anguish stored + To fill our grief beyond control! + At last he comes, awaited long, + Not to home welcomes warm and loud, + Not to the voice of mirth and song, + Pale featured, cold, beneath a shroud. + + Oh from the morrow of our lives + A glowing hope has stolen away, + A something from the sun has fled, + That dims the glory of the day. + More earnestly we look beyond + The present life to that to be; + Another influence draws the soul + To long for that futurity. + + Pardon if anguished souls refrain + Too little, grieving for the lost, + From thinking dearly bought the gain + Of victory at such fearful cost. + Teach us as dearest gain to prize + The glory crown he early won; + Forever shall his requiem rise: + Rest thee in peace, thy duty done. + + + + +THE UNION. + +VI. + +VIRGINIA AND PENNSYLVANIA COMPARED. + + +Virginia was a considerable colony, when Pennsylvania was occupied only +by Indian tribes. In 1790, Virginia was first in rank of all the States, +her number of inhabitants being 748,308. (Census Rep., 120,121.) +Pennsylvania then ranked the second, numbering 434,373 persons. (Ib.) In +1860 the population of Virginia was 1,596,318, ranking the fifth; +Pennsylvania still remaining the second, and numbering 2,905,115. (Ib.) +In 1790 the population of Virginia exceeded that of Pennsylvania +313,925; in 1860 the excess in favor of Pennsylvania was 1,308,797. The +ratio of increase of population of Virginia from 1790 to 1860 was 113.32 +per cent., and of Pennsylvania in the same period, 569.03. At the same +relative ratio of increase for the next seventy years, Virginia would +contain a population of 3,405,265 in 1930; and Pennsylvania 19,443,934, +exceeding that of England. Such has been and would continue to be the +effect of slavery in retarding the progress of Virginia, and such the +influence of freedom in the rapid advance of Pennsylvania. Indeed, with +the maintenance and perpetuity of the Union in all its integrity, the +destiny of Pennsylvania will surpass the most sanguine expectations. + +The population of Virginia per square mile in 1790 was 12.19, and in +1860, 26.02; whilst that of Pennsylvania in 1790 was 9.44, and in 1860, +63.18. (Ib.) The absolute increase of the population of Virginia per +square mile, from 1790 to 1860, was 13.83, and from 1850 to 1860, 2.85; +whilst that of Pennsylvania from 1790 to 1860, was 53.74, and from 1850 +to 1860, 12.93. (Ib.) + +AREA.--The area of Virginia is 61,352 square miles, and of Pennsylvania, +46,000, the difference being 15,352 square miles, which is greater, by +758 square miles, than the aggregate area of Massachusetts, Connecticut, +and Delaware, containing in 1860 a population of 1,803,429. (Ib.) +Retaining their respective ratios of increase per square mile from 1790 +to 1860, and reversing their areas, that of Virginia in 1860 would have +been 1,196,920, and of Pennsylvania 3,876,119. Reversing the numbers of +each State in 1790, the ratio of increase in each remaining the same, +the population of Pennsylvania in 1860 would have been 5,408,424, and +that of Virginia, 926,603. Reversing both the areas and numbers in 1790, +and the population of Pennsylvania would have exceeded that of Virginia +in 1860 more than six millions. + +SHORE LINE.--By the Tables of the Coast Survey, the shore line of +Virginia is 1,571 miles, and of Pennsylvania only 60 miles. This vastly +superior coast line of Virginia, with better, deeper, more capacious, +and much more numerous harbors, unobstructed by ice, and with easy +access for so many hundred miles by navigable bays and tide-water rivers +leading so far into the interior, give to Virginia great advantages over +Pennsylvania in commerce and every branch of industry. Indeed, in this +respect, Virginia stands unrivalled in the Union. The hydraulic power of +Virginia greatly exceeds that of Pennsylvania. + +MINES.--Pennsylvania excels every other State in mineral wealth, but +Virginia comes next. + +SOIL.--In natural fertility of soil, the two States are about equal; +but the seasons in Virginia are more favorable, both for crops and +stock, than in Pennsylvania. Virginia has all the agricultural products +of Pennsylvania, with cotton in addition. The area, however, of Virginia +(39,265,280 acres) being greater by 9,825,280 acres than that of +Pennsylvania (29,440,000 acres), gives to Virginia vast advantages. + +In her greater area, her far superior coast line, harbors, rivers, and +hydraulic power, her longer and better seasons for crops and stock, and +greater variety of products, Virginia has vast natural advantages, and +with nearly double the population of Pennsylvania in 1790. And yet, +where has slavery placed Virginia? Pennsylvania exceeds her now in +numbers 1,308,797, and increased in population, from 1790 to 1860, in a +ratio more than five to one. Such is the terrible contrast between free +and slave institutions! + +PROGRESS OF WEALTH.--By Census Tables (1860) 33 and 36, it appears +(omitting commerce) that the products of industry, as given, viz., of +agriculture, manufactures, mines, and fisheries, were that year in +Pennsylvania, of the value of $398,600,000, or $137 per capita; and in +Virginia, $120,000,000 or $75 per capita. This shows a total value of +product in Pennsylvania much more than three times that of Virginia, +and, per capita, nearly two to one. That is, the average value of the +product of the labor of each person in Pennsylvania, is nearly double +that of each person, including slaves, in Virginia. Thus is proved the +vast superiority of free over slave labor, and the immense national loss +occasioned by the substitution of the latter for the former. + +As to the rate of increase; the value of the products of Virginia in +1850 was $84,480,428 (Table 9), and in Pennsylvania, $229,567,131, +showing an increase in Virginia, from 1850 to 1860, of $35,519,572, +being 41 per cent.; and in Pennsylvania, $169,032,869, being 50 per +cent.; exhibiting a difference of 9 per cent. in favor of Pennsylvania. +By the Census Table of 1860, No. 35, p. 195, the true value then of the +real and personal property was, in Pennsylvania, $1,416,501,818, and of +Virginia, $793,249,681. Now, we have seen, the value of the products in +Pennsylvania in 1860 was $398,600,000, and in Virginia, $120,000,000. +Thus, as a question of the annual yield of capital, that of Pennsylvania +was 28.13 per cent., and of Virginia, 15.13 per cent. By Census Table +35, the total value of the real and personal property of Pennsylvania +was $722,486,120 in 1850, and $1,416,501,818 in 1860, showing an +increase, in that decade, of $694,015,698, being 96.05 per cent.; and in +Virginia, $430,701,082 in 1850, and $793,249,681 in 1860, showing an +increase of $362,548,599, or 84.17 per cent. + +By Table 36, p. 196, Census of 1860, the _cash_ value of the farms of +Virginia was $371,092,211, being $11.91 per acre; and of Pennsylvania, +$662,050,707, being $38.91 per acre. Now, by this table, the number of +acres embraced in these farms of Pennsylvania was 17,012,153 acres, and +in Virginia, 31,014,950; the difference of value per acre being $27, or +largely more than three to one in favor of Pennsylvania, Now, if we +multiply the farm lands of Virginia by the Pennsylvania value per acre, +it would make the total value of the farm lands of Virginia +$1,204,791,804; and the _additional_ value, caused by emancipation, +$835,699,593, which is more, by $688,440,093, than the value of all the +slaves of Virginia. But the whole area of Virginia is 39,265,280 acres, +deducting from which the farm lands, there remain unoccupied 8,250,330 +acres. Now, if (as would be in the absence of slavery,) the population +per square mile of Virginia equalled that of Pennsylvania, three fifths +of these lands would have been occupied as farms, viz., 4,950,198, +which, at the Pennsylvania value per acre, would have been worth +$188,207,524. Deduct from this their present average value of $2 per +acre, $9,800,396, and the remainder, $178,407,128, is the sum by which +the unoccupied lands of Virginia, converted into farms, would have been +increased in value by emancipation. Add this to the enhanced value of +their present farms, and the result is $1,014,106,721 as the gain, on +this basis, of Virginia in the value of her lands, by emancipation. To +these we should add the increased value of town and city lots and +improvements, and of personal property, and, with emancipation, Virginia +would now have an augmented wealth of at least one billion and a half of +dollars. + +The earnings of commerce are not given in the Census Tables, which would +vastly increase the difference in the value of their annual products in +favor of Pennsylvania as compared with Virginia. These earnings include +all not embraced under the heads of agriculture, manufactures, the +mines, and fisheries. Let us examine some of these statistics. + +RAILROADS.--The number of miles of railroads in operation in +Pennsylvania in 1860, including city roads, was 2,690.49 miles, costing +$147,283,410; and in Virginia, 1,771 miles, costing $64,958,807. (Census +Table of 1860, No. 38, pp. 230, 232.) The annual value of the freight +carried on these roads is estimated at $200,000,000 more in Pennsylvania +than in Virginia, and the passenger account would still more increase +the disparity. + +CANALS.--The number of miles of canals in Pennsylvania in 1860 was +1,259, and their cost, $42,015,000. In Virginia the number of miles was +178, and the cost, $7,817,000. (Census Table 39, p. 238.) The estimated +value of the freight on the Pennsylvania canals is ten times that of the +freight on the Virginia canals. + +TONNAGE.--The tonnage of vessels built in Pennsylvania in 1860 was +21,615 tons, and in Virginia, 4,372. (Census, p. 107.) + +BANKS.--The number of banks in Pennsylvania in 1860 was 90; capital, +$25,565,582; loans, $50,327,127; specie, $8,378,474; circulation, +13,132,892; deposits, $26,167,143:--and in Virginia the number was 65; +capital, $16,005,156; loans, $24,975,792; specie, $2,943,652; +circulation, $9,812,197; deposits, $7,729,652. (Census Table 35, p. +193.) + +EXPORTS AND IMPORTS, ETC.--Our exports abroad from Pennsylvania, for the +fiscal year ending 30th June, 1860, and foreign imports, were of the +value of $20,262,608. The clearances, same year, from Pennsylvania, and +entries were 336,848 tons. In Virginia the exports the same year, and +foreign imports were of the value of $7,184,273; clearances and entries, +178,143 tons, (Table 14, Register of U.S. Treasury.) Revenue from +customs, same year, in Pennsylvania, $2,552,924, and in Virginia, +$189,816; or more than twelve to one in favor of Pennsylvania. (Tables +U.S. Commissioner of Customs.) No returns are given for the coastwise +and internal trade of either State; but the railway and canal +transportation of both States shows a difference of ten to one in favor +of Pennsylvania. And yet, Virginia, as we have seen, had much greater +natural advantages than Pennsylvania for commerce, foreign and internal, +her shore line up to head of tide-water being 1,571 miles, and +Pennsylvania only 60 miles. + +We have seen that, exclusive of commerce, the products of Pennsylvania +in 1860 were of the value of $398,600,000, or $137 per capita; and in +Virginia, $120,000,000, or $75 per capita. But, if we add the earnings +of commerce, the products of Pennsylvania must have exceeded those of +Virginia much more than four to one, and have reached, per capita, +nearly three to one. What but slavery could have produced such amazing +results? Indeed, when we see the same effects in _all_ the Free States +as compared with _all_ the Slave States, and in _any_ of the Slave +States, as compared with _any_ of the Free States, the uniformity of +results establishes the law beyond all controversy, that slavery +retards immensely the progress of wealth and population. + +That the Tariff has produced none of these results, is shown by the fact +that the agriculture and commerce of Pennsylvania vastly exceed those of +Virginia, and yet these are the interests supposed to be most +injuriously affected by high tariffs. But there is still more conclusive +proof. The year 1824 was the commencement of the era of high tariffs, +and yet, from 1790 to 1820, as proved by the Census, the percentage of +increase of Pennsylvania over Virginia was greater than from 1820 to +1860. Thus, by Table 1 of the Census, p. 124, the increase of population +in Virginia was as follows: + + From 1790 to 1800 17.63 per cent. + " 1800 " 1810 10.73 " + " 1810 " 1820 9.31 " + " 1820 " 1830 13.71 " + " 1830 " 1840 2.34 " + " 1840 " 1850 14.60 " + " 1850 " 1860 12.29 " + +The increase of population in Pennsylvania was: + + From 1790 to 1800 38.67 per cent. + " 1800 " 1810 34.49 " + " 1810 " 1820 29.55 " + " 1820 " 1830 28.47 " + " 1830 " 1840 27.87 " + " 1840 " 1850 34.09 " + " 1850 " 1860 25.71 " + +In 1790 the population of Virginia was 748,318; in 1820, 1,065,129, and +in 1860, 1,596,318. In 1790 the population of Pennsylvania was 434,373; +in 1820, 1,348,233, and in 1860, 2,906,115. Thus, from 1790 to 1820, +before the inauguration of the protective policy, the relative increase +of the population of Pennsylvania, as compared with Virginia, was very +far greater than from 1820 to 1860. It is quite clear, then, that the +tariff had no influence in depressing the progress of Virginia as +compared with Pennsylvania. + +Having shown how much the material progress of Virginia has been +retarded by slavery, let us now consider its effect upon her moral and +intellectual development. + +NEWSPAPERS AND PERIODICALS.--The number of newspapers and periodicals in +Pennsylvania in 1860 was 367, of which 277 were political, 43 religious, +25 literary, 22 miscellaneous; and the total number of copies circulated +in 1860 was 116,094,480. (Census Tables, Nos. 15, 37.) The number in +Virginia was 139, of which 117 were political, 13 religious, 3 literary, +6 miscellaneous; and the number of copies circulated in 1860 was +26,772,568, being much less than one fourth that of Pennsylvania. The +number of copies of monthly periodicals circulated in Pennsylvania in +1860 was 464,684; and in Virginia, 43,900; or much more than ten to one +in favor of Pennsylvania. + +As regards schools, colleges, academies, libraries, and churches, I must +take the Census of 1850, those tables for 1860 not being yet arranged or +printed. The number of public schools in Pennsylvania in 1850 was 9,061; +teachers, 10,024; pupils, 413,706; colleges, academies, &c., pupils, +26,142; attending school during the year, as returned by families, +504,610; native adults of the State who cannot read or write, 51,283; +public libraries, 393; volumes, 363,400; value of churches, $11,853,291; +percentage of native free, population (adults) who cannot read or write, +4.56. (Comp. Census of 1850.) + +The number of public schools in Virginia in 1850 was 2,937; teachers, +3,005; pupils, 67,438; colleges, academies, &c., pupils, 10,326; +attending school, as returned by families, 109,775; native white adults +of the State who cannot read or write, 75,868; public libraries, 54; +volumes, 88,462; value of churches, $2,902,220; percentage of native +free adults of Virginia who cannot read or write, 19.90. (Comp. Census +of 1850.) Thus, the church and educational statistics of Pennsylvania, +and especially of free adults who cannot read or write, is as five to +one nearly in favor of Pennsylvania. When we recollect that nearly one +third of the population of Pennsylvania are of the great German race, +and speak the noble German language, to which they are greatly attached, +and hence the difficulty of introducing common _English_ public schools +in the State, the advantage, in this respect, of Pennsylvania over +Virginia is most extraordinary. + +These official statistics enable me, then, again to say that slavery is +hostile to the progress of _wealth_ and _education_, to _science_ and +_literature_, to _schools_, _colleges_, and _universities_, to _books_ +and _libraries_, to _churches_ and _religion_, to the PRESS, and +therefore to FREE GOVERNMENT; hostile to the _poor_, keeping them in +_want_ and _ignorance_; hostile to LABOR, reducing it to _servitude_ and +decreasing _two thirds_ the value of its products; hostile to _morals_, +repudiating among slaves the _marital_ and _parental_ condition, +classifying them by law as CHATTELS, _darkening_ the _immortal soul_, +and making it a _crime_ to teach millions of _human beings_ to _read_ or +_write_. + +And yet, there are desperate leaders of the Peace party of Pennsylvania, +desecrating the name of _Democrats_, but, in fact, Tories and traitors, +who would separate that glorious old commonwealth from the North, and +bid her sue in abject humiliation for admission as one of the Slave +States of the rebel confederacy. Shades of Penn and Franklin, and of the +thousands of martyred patriots of Pennsylvania who have fallen in +defence of the Union from 1776 to 1863, forbid the terrible degradation. + + + + +DOWN IN TENNESSEE. + + +Sultry and wearisome the day had been in that Tennessee valley, and +after drill, we had laid around under the trees--tall, noble trees they +were--and the fresh grass was green and soft under them as on the old +'Campus,' and we had been smoking and talking over a wide, wide range of +subjects, from deep Carlyleism--of which Carlyle doubtless never +heard--to the significance of the day's orders. It was not an +inharmonious picture--Camp Alabama, so we had named it--for it was with +a 'here we rest' feeling that a dozen days before we had marched in at +noon. The ground sloped to the eastward--a single winding road of yellow +sand crept over the slope into the horizon, a mile or more away; north, +a hill rose with some abruptness; south and west, a grove of wonderful +beauty skirted the valley. A single building--an old but large log +farmhouse--stood near the tent, whose fluttering banner indicated +headquarters. This old house was well filled with commissary stores, +and, following that incomprehensible Tennessee policy, four companies of +our regiment, the twenty-third, had been detached to guard them under +Major Fanning--'a noble soldier he, but all untried.' We had never yet +seen active service, and our tents were still white and unstained. The +ground had been once the lawn of the deserted house--in the long ago +probably the home of a planter of some pretension; and, as we lay there +under the trees watching the boys over the fires, kindled for their +evening meal, the blue smoke curling up among the trees, it made, as I +have said, a most harmonious picture. + +That fair June evening! I can never forget it, and I wish I were an +artist that I could show you the sloping valley, the white tents, +flushing like a girl's cheek to the good-night kisses of the sun, the +curling smoke wreaths, and far, far above the amethystine heaven, from +which floated over all a dim purple tint. I was the youngest +commissioned officer in the regiment, having been promoted to a vacancy +a week or two before through Major Fanning's influence. + +We were all invited that evening to supper with our commanding officer +and his wife--who had been with him for a few days. A fresh breeze +stirred the trees at sunset, and, after slight attention to our +toilette, we dropped by twos and threes into the neighborhood of the +major's tent. A little back from the rows of other tents, a few fine +oaks made a temple in front, worthy even of its presiding genius, Grace +Fanning--but I am _not_ going to rhapsodize. She was a fair, modest, +young thing, with the girl rose yet fresh on her wife's cheek. I had +known her from childhood; very nearly of the same age, and the children +of neighbors, we had been inseparable; of course in my first college +vacation, finding her grown tall and womanly, I had entertained for her +a devoted boyish passion, and had gone from her presence, one August +night, mad with rejection, and wild with what I called despair. But +_that_ passed, and we had been good friends ever since--she the +confidential one, to whom I related my varied college love affairs, +listening ever with a tender, genial sympathy. I had no sister, and +Grace Jones (I am sorry, but her name _was_ Jones) was dear to me as +one. Two years of professional study had kept me away from my village +home, and a few words came once in a long while, in my mother's letters +'to assure me of Grace's remembrance and regard.' A little of the elder +sister's advising tone amused my one and twenty years and my incipient +moustache amazingly; and I resolved, when I saw her, to convince her of +my dignity--to patronize her. But the notes that called me home were too +clarion-like for a relapse into puppyism. My country spoke my name, and +I arose a man, and 'put away childish things.' I came home to say +farewell. A regiment was forming there, I enlisted, and a few days +before our departure, I stood in the village church, looking and +listening while Grace promised eternal fidelity to Harry Fanning. I was +a stranger to him. He had come to Danville after my departure, winning +from all golden opinions, and from Grace a woman's priceless heart. She +gave him freely to his country, and denied not her hand to his parting +prayer. I had had time only to say farewell to her, and the old footing +had not been restored, but I _think_ she spoke to the major of me, for +he soon sought me, giving me genial friendship and sympathy, and +procuring for me, as I have related, my commission. I had seen her but +once since she came to Camp Alabama, and she gave me warm and kindly +welcome as I came in, the last of the group, having found in my tent +some unexpected employment. Being a soldier, I shall not shock my fair +readers if I confess that it was--buttons. Ah! me, I am frivolous. But I +linger in the spirit of that happy hour. Grace's chair was shaded by a +gracefully draped flag; the major stood near her, his love for her as +visible in his eye as his cordial kindness for us. To me, in honor of my +'juniority,' as Mrs. Fanning said, was assigned a place near her. The +others had choice between campstools and blankets on the grass. And the +oddest but most respectable of contrabands served us soon with our +supper, so homelike that we suspected 'Mrs. Major's' fair hands of +interference. + +It was a happy evening. Merry laughter at our camp stories rang silverly +from her fair lips. Or we listened eagerly to her as she told us of the +homes we had left, and the bonny maidens there, sobered since our +departure into patriotic industry. Stories of touching self-denial, with +a wholesome pathos, and sometimes from her dainty musical talk she +dropped, pebble-like, a name, as 'Fanny,' 'Carry,' 'Maggie,' and +responsive blushes rippled up over sunburned, honest faces, and a soft +mist brightened for a second resolute eyes. Presently the band--a part +only of the regiment's--began to play soft, well-known tunes. Through a +few marches and national airs, I looked and listened as a year before, +in the village church at home. And as the 'Star-Spangled Banner' rose +inspiringly, I felt the coincidence strangely, and could scarcely say +which scene was real: the church aisle and the bridal party, in white +robes and favors, with mellow organ-tones rising in patriotic strains +concerning the 'dear old flag,' or the group under the oaks; the young +wife in her gray travelling dress, and the uniformed figures gathered +around her; the moon-rise over the hill, lighting softly the drooping +flag, the major's dark hair, and Mrs. Fanning's sunny braids, the wild +notes of the same beloved melody overswelling all. But voices near +aroused me, and we joined in the chorus, and in the following tune, +'Sweet Home,' the usual finale of our evening programme. Then, as the +tones died, Grace lifted her voice and sang with sweet, pure soprano +tones, an old-time ballad of love and parting and reunion. + +We had a wild little battle song in 'Our Mess,' written by Charlie +Marsh, our fair-haired boy-poet soldier, speaking of home, and the +country's need, and victory, and possible deaths in ringing notes. We +sang it there in the light of the slowly rising moon. The chorus was +like this: + + 'Our country's foe before us, + Our country's banner o'er us, + Our country to deplore us, + These are a soldier's needs.' + +As we closed, Grace caught the strain, and with soft, birdlike notes +sang: + + 'Your country's flag above you, + Your country's true hearts love you-- + So let your country move you + To brave, undying deeds.' + +More songs followed, and happy words of cheer in distress, of +self-consecration, of past and future victory; but Major Fanning was +unusually silent. Hardly sad, for he flung into our conversation +occasional cheerful words; but gravely quiet, his dark eye following +every motion of his fair young wife. Finally we called on Captain +Carter, our 'oldest man,' a grave bachelor of forty-five, and to our +surprise, who knew him harsh and sometimes profane, he sang, with a +voice not faultless, but soft and expressive, that exquisite health of +Campbell's: + + 'Drink ye to her that each loves best, + And if you nurse a flame + That's told but to her mutual breast, + We will not ask her name. + + 'And far, far hence be jest or boast, + From hallowed thoughts so dear; + But drink to her that each loves most, + As she would love to hear.' + +Then silence for a little space; and the moonlight full and fair in +soldiers' faces, young and old, but all firm and true, and fair and full +on Grace Fanning's fresh, young brow. Then 'good-nights,' mingled with +expressions of enjoyment, and plans for the morrow. I left them last. + +'I am glad you are here, Robert,' said the major; 'Grace would not be +all alone, even if I'-- + +Her white hand flashed to his lips, where a kiss met it, and laughingly +we parted. A few rods away, I paused and turned. They stood there under +the flag. Her bright head on his bosom, his arms about her, and the +silver moonlight over all. Fair Grace Fanning! Have I named my story +wrongly, pretty reader? I called it 'Camp Sketch,' and it reads too like +a love story. 'Ah! gentle girl, seeking adventure in fiction, but +shrinking really from even a cut finger, there is enough of battle even +in my little story, though you slept peacefully and happily that fair +June night, or waltzed yourself weary to the sound of the sea at the +'Ocean House.' + +A few 'good nights' commendatory of our hostess and our evening greeted +me as I sought my tent and made ready for sleep. I was very happy, no +memory of our talk was sullied by coarse or unlovely thought; pure as +herself had been our enjoyment of Mrs. Fanning's society, and I slept +sweetly. + +The long roll! None but those who have heard it when it means instant +danger and possible death, can conceive the thrill with which I sprang +from deep slumber, and made hasty preparation for action. Quick as I +was, others had been before me, and I found the half-dressed men drawn +up in battle line before the encampment. I took my place. + +Behind us lay the camp, a wide, street-like space, fringed with a double +row of tents--at its foot the old log mansion; near that, a little in +front, but at one side, the flag of headquarters--this behind. Before us +the major--the western wood, and the flashing sabres of a band of +hostile cavalry. They came on heedless of the fast-emptying saddles, on, +_on_, and more following from the wood, the moon in the mid heaven, +clear like day. + +A gallant charge--a firm repulse. Major Fanning's clear voice on the +night air, rallying the men to attack the furious foe. They sweep their +horses around to left, but calmly the major wheels his battalion, still +unflanked; again those fierce steeds try the first point of attack; +again we front them undaunted. In our turn, with lifted level bayonets +we charge; the enemy falls back--a shout threads along our lines, +changing suddenly into a wail, for, calling us on, our leader falls. +Pitiless to his noble valor, a well-aimed carbine-shot lays him low. +They lift him, some brave soldiers near; and, his young face bathed in +blood, they bear him to his waiting bride; he opens his eyes, as he +passes. + +'Courage! victory! my boys!' he calls; then, seeing me: 'Go! tell her, +Robert.' + +I call my orderly to my place, and before they have pierced our lines +with their beloved burden, I am at the tent door. She stands there +waiting, a little pistol in her hand--a light wrapper about her, and her +fair hair streaming over her shoulders. I look at her mutely; she knows +there is something terrible for her, and while I seek words, her eye +goes on, resting where down the moonlit trees they are bringing him. A +moment, she is by his side, and tearless and white, her hand on his +unanswering heart, she moves beside him. The soldiers lay their leader +on the ground under his flag, and her imperious gesture sends them back +to their places in the battle. And then she, sinking beside him, cries +out: + +'Oh, Robert! will he never speak to me again? Help him!' + +My two years at lectures had not been passed in vain, and surgery had +been my hobby. I knelt and strove to aid him. It was a cruel wound. I +asked for bandages. She tore them from her garments wildly. I stilled +the trickling crimson stream, and going into the tent, found some +restoratives. I poured the wine down his throat, and, soon opening his +eyes, he spoke: + +'Grace!' + +I stepped away--near enough for call, not near enough for intrusion. +Looking at the lines of dark forms topped by the light glimmer of stray +bayonets, I saw with dismay that our men were retreating before those +heavy charges; in thick, dense masses they moved back, nearing us. I +thought of our soldier chief, crushed under those wild hoofs; I thought +of Grace, unprotected in her youth and widowed, desolate beauty, and +sprang to her side, ready with my life for her. + +The major saw it all, and, faint as he was, rose on his elbow, watching. +Charge after charge, wild and impetuous, break the slowly retreating +battalions. In vain I heard Carter's stern oaths (may the angel of tears +forgive him!), and Charlie Marsh's boyish calls. The men are facing us. +The enemy, cheering, and in the background huge torches flaming with +pitch, are ready for incendiarism. + +'Grace! Grace! I _must_ rally them, let me go!' and I see Major Fanning +straggling in her arms. I clasp him also. + +'It is certain death,' I say to her, mad with fright and misery. + +'And this is worse, worse, Grace; you might better kill me!' his voice +was harsh--cruel even. + +Suddenly she was gone, and I held him alone; catching his sword, she +sprang like a flash of lightning into the open space before the log +house, and, lifting the bare blade with naked, slender arm, its loose +sleeve floating from her shoulder like a wing, she faced those +panic-stricken men. + +'For shame!' she cried; but her weak voice was lost; then, stern as the +angel of death, she stepped forward. + +'The first man that passes me shall die!' and she swung the flashing +blade up, ready to fall. A moment's halt, and then, she spoke to them +with wonderful strange words. I cannot recall them; with inspired +eloquence she spoke, a slight, white-robed figure in the clear +moonlight, and the rout was stayed, and they turned bravely to meet the +foe. Then she came faint and weak to her husband's side again. He looked +up with glad, eager eyes. + +'Darling!' + +Infinite love, soul-recognition, shone on both faces, and then blank +unconsciousness crept over his. Firmly our boys met the charging steeds +now. That moment had restored to them their courage. Emptied saddles +were frequent, but still fresh forces dashed from the wood. Is there no +hope for us? Must we be overpowered? Is all this valor vain? Grace from +her husband's side looks mutely up to heaven. I find my place among the +men. Little hope remains. Some one calls 'retreat.' 'Just once more,' +cries Charlie, and falls before us. But listen; above the battle din +comes a new, an approaching sound from the eastward. + +Along the yellow road pours swiftly a force of cavalry, behind the +rumble of cannon almost flying over the ground, and high in air, reeling +from the swift motion of its bearer's steed, the banner of the free. We +are saved! A wild shout rings along our lines. Among the enemy, +frightened consultation followed by flight; another second, and our +friends are with us and beyond us in hot pursuit. + +Brief question and answer told us of the friendly warning in the distant +camp, the hasty march to aid us. The rest we saw. Then, 'A surgeon for +Major Fanning.' The man of the green sash had not grown callous. There +were tears in his eyes as he rose from his vain endeavors, saying only: + +'I can do nothing here; I am needed elsewhere.' + +Our young hero was dead! + +They composed his limbs, laying him on a blanket under the trees, and +Grace sat down beside him, tearless still, but pale as her dress, or the +white hand lying cold over the soldier's pulseless heart. + +'Robert, send them away,' she said to me, as sympathizing strangers +pressed round; and they left us alone with the dead. I spoke at last the +commonplaces of consolation, suggested and modified by the hour and my +soldier feelings. + +'Yes, Robert,' she answered, 'I gave him long ago. GOD will comfort me +for my hero--in time. Do not speak to me just yet. Do not let any one +come.' + +The tears came now, and she wept bitterly, silently, under the starry +banner, beside the dead. I heard the hum of many voices, and now and +then a cry of pain, and knew they were all helping the sufferers. Then I +turned to her again. Her streaming hair swept the ground, golden in the +light. Her fair face was hidden on the cold dead face. And I dared not +speak to her. Oh, that picture! Poor Grace Fanning! and the silver, +silver moonlight over all. + + + + +POETRY AND POETICAL SELECTIONS. + + 'Oh, deem not in this world of strife, + An idle art the Poet brings; + Let high Philosophy control, + And sages calm the stream of life; + 'Tis he refines its fountain springs, + The nobler passions of the soul.' + + +In the annals of literature, Poetry antedates Prose. Creation precedes +Providence, not merely in the order of sequence, but what is usually +called intellectual and physical grandeur. So in genius and taste, +Poetry transcends prose. In the work of Creation the Almighty broke the +awful stillness of Eternity, by His first creative fiat, and angels were +the first-born of God. They took their thrones in the galleries of the +universe, and in silent contemplation sat. They spoke not; for words, as +signs of thought or will or emotion, were not then conceived, and, +consequently, then unborn. They gazed in rapture on one another, and in +solemn silence thought. Their emotions bodied forth the Anthem of +Creation. + +Human words being created breath, and breath being air in motion, prior +to these language was impossible. And as the deaf are always dumb, +language, like faith, comes by hearing. But hearing itself is a +pensioner, waiting upon a speaker; consequently, it must ever be +contingent on a cause alike antecedent and extrinsic of itself. It is, +therefore, equally an oracle of reason and of faith that, however God +may have communicated to angels, to _man_ He spoke in articulate sounds, +before man articulated a thought, a feeling, or an emotion of his soul. +And as an emotional soul is but a harp of many strings, a hand there +must have been to play upon its chords, before melody and harmony, +twins-born of Heaven, had either a local habitation or a name. + +But, it may be asked--Is there not in the regions of Poetry an æolian +harp, found in the cave of Æolus, on which the winds of heaven played +many a celestial symphony, without the skill or touch of human hand? +Grant all that the Poetic Muse assumes, and then we ask--Who made the +harp? And whence directed came the musing sylvan Zephyrus and his choir? +Came they not from a land of images and dreams? + +But we are inquiring for originals. Images and originals are the poles +apart. An original without an image is possible; but an image without an +original is alike impossible and inconceivable. Hence, alike +philosophically and logically, we conclude that _neither man nor angel +addressed each other until they themselves had been addressed by their +Creator_. Then they intercommunicated thought, sentiment, and emotion +with one another as God had communicated to them. + +The mystery of language and Poetry is insoluble but on the admission of +a revelation or communication of some sort, unconceived by the human +mind, unexecuted by the human hand. If invention and creation be the +grand characteristics of the Poet, Moses, if uninspired, was a greater +Poet than Homer, or Milton, or Shakspeare, on the hypothesis that he +invented the drama which he wrote. The first chapter of Genesis is the +greatest and most splendid Poem ever conceived by human imagination, or +written by human hand. + +All Poets, ancient and modern, are mere plagiarists, if Moses was +uninspired. We prove his Divine Legation by the intrinsic and +transcendent merits of the Poem which he wrote. Imagination originates +nothing absolutely new. It merely imitates and combines. It is regarded +as the creative faculty of man; but its material is already furnished. +The portrait of an unreal Adam is as conceivable as a child without a +father, or an effect without a cause. + +Thus we are obliged, by an inseparable necessity, to admit the +credibility of the Poem which he wrote. And what does Moses say? Nothing +more than that _God spoke, and the universe was!_ This is the sublime of +true Poetry. This is more than the logic of the proposition, _God was, +therefore we are!_ It is more than the philosophy, _ex nihilo, nihil +fit!_ or than, that _nothing_ cannot be the parent of _something_. + +But we must place our foot on a higher round of the ladder, before we +can stand on such an eminence as to see, in all its fair proportions, +the column on which the Muses perch themselves. + +Job, and not Moses, shall be our guide, and the oracle alike of our +reason and our imagination. But who is Job? There is not much poetry in +the name, Job. But Rome and its vulgate vulgarized this hallowed name, +and Britain followed Rome. His name in Chaldee, Syriac, and Arabic, is +Jobab. There is more poetry in this. There is no metre, no poetry in a +monotone or monosyllable. Born among rocks and mountains, the proper +theatre of a heaven-inspired Muse--not in Arabia the Happy, but in +Arabia the Rocky--he was a heart-touching, a soul-stirring, emotional +Bard. In such a case the clouds that overshadow the era of the man only +enhance the genius and inspiration of the Poet. + +In internal and external evidence, according to our calendar of the +Muses, he is the first-born of the Poets that yet survive the wasteful +ravages of hoary Time. He sings not, indeed, of Chaos and Eternal Night. +But as one inspired by a heaven-born Muse, he echoes the chorus of the +Angelic Song, when on the utterance of the first _fiat_ the Morning +Stars sang together and all the sons of God shouted for joy. Hence we +argue, that Poetry is not only prior to prose, but that language, its +intellectual and emotional embodiment, is heaven-conceived, and +heaven-born. + +But in a short essay it would be out of place and in bad taste to +attempt a discourse upon the broad field of ancient or modern Poetry. We +merely attempt to suggest one idea on this rich and lofty theme. Our +radical conception of the essential and differential attribute of +Poetry, as contradistinguished from prose, however chaste, pure, +beautiful, and philosophic, is not mere art, nor science, but +_creation_. + +The universe itself is a grand Heroic Poem. Hence its instrument is that +power usually called Imagination. But _human_ imagination is not first, +second, or third in rank on the scale of the universe. God Himself +imagined the universe before He created it. His imagination is infinite. +The Cherubim and Seraphim have wings that elevate them above our zenith. +And angels, too, excel us in this creative faculty, and therefore veil +their faces before the Majesty of heaven and earth. Still, man has an +humble portion of it, and can turn it to a good account. + +But there is another idea essential to the character of Poetry, as good +or evil in its spirit and adornings. We need scarcely say, for we are +anticipated by every reflecting mind, that this is the _spirit_ of the +Poem. Poetry, in the abstract, is not necessarily good or evil. It may +be Christian, Jewish, Pagan, or Infidel in its spirit and tendencies. It +may corrupt or purify the heart. It may save or ruin the reader in +fortune or in fame. Hence, as Poetry is powerful to elevate or degrade, +to purify or to corrupt a people, much depends on the spirit of the +Poetry which they may put into the hands of the youth of a country; as +well observed by an eminent moralist: 'Let me write the poems or +ballads of a people, and I care but little who enacts their laws.' + +The genius of a Poet is a rare genius. And most happily it is so; for +elevated taste and high-toned morality are not, by any means, the common +heritage of man. Anacreon and Burns were genuine Poets. They uttered, in +fine style, many truths; and were not merely fluent in their respective +languages, but affluent. But, perhaps, like some other men of mighty +parts and grand proportions, better for mankind they had never been +born. A Cowper and a Byron, in their whole career of song, will exert a +very different influence, not only on earth, but in eternity, on the +destiny of their amateurs. We need not argue this position as though, +among a Christian people, it were a doubtful or debatable position. If +the evil spirit, or the melancholy demon, that fitfully possessed the +first king of Israel, was expelled by the skilful hand of his successor, +even when his youthful fingers awoke the melodies of the lyre, how much +more puissant the exquisite Odes of the sweet Psalmist, inspired as they +were with sentiments and views alike honorable to God and man, to +elevate the conceptions, purify the heart, ennoble the aspirations, and +adorn the life of man! + +As the cask long retains the odor of the wine put into it, so the moral +and religious fragrance of many a fine poetic effusion, securely lodged +in the recesses of memory, may yield, and often does yield, a rich +repast of pleasurable associations and emotions which, beside their +opportune recurrence in some trying or tempting hour or season of +adversity, do often energize our souls with a moral heroism to deeds of +nobler daring, which result in enterprises full of blessings to +ourselves, and not unfrequently to our associates in the walks of life, +and radiate through them salutary light for generations to come. + +Imagination, like every other faculty, is to be cultivated. But here we +are interrogated--'What is Imagination?' + +No distinction has given critics more trouble, in the way of definition, +than that between Imagination and Fancy. Fancy, it is held, is given to +beguile and quicken the temporal part of our nature; Imagination to +incite and support the eternal. + +It would be vain to enumerate the various definitions of this term, or +to attempt to give even an abstract of the diversity of views +entertained by philosophers respecting the nature and extent of its +operations. It is regarded by some writers as that power or faculty of +the mind by which it conceives and forms ideas of things communicated to +it by the organs of sense. So defines our encyclopædias. Bacon defined +it to be the 'representation of an individual thought.' But Dugald +Stewart more philosophically defines it as the 'power of modifying our +conceptions, by combining the parts of different ones so as to form new +wholes of our own creation.' The Edinburgh Encyclopædia, not satisfied +with this, says Webster defines it to be the _will working on the +materials of memory, selecting parts of different conceptions, or +objects of memory, to form some new whole_. + +This has long been our cherished view of Imagination. It creates only as +a mechanic creates a chest of drawers, a sideboard, a clock, or a watch. +It originates not a single material of thought, volition, or action. +But, mechanic-like, it works by plumb and rule on all the materials +found in the warehouse of memory; and manufactures, out of the same +plank of pine, or bar of iron, or wedge of gold, or precious stone, some +new utensil, ornament, or adornment never found in Nature. In its +present form it is the offspring of the art and contrivance of man. +Hence our invulnerable position against Atheism or Deism. _No one could +have created the idea of a God or of a Christ, without a special +inspiration, any more than he could create a gold watch without the +metal called gold._ + +The deaf are necessarily dumb. The blind cannot conceive of color. A +Poet cannot work without language, any more than the nightingale could +sing without air. Language and prototypes precede and necessarily +antedate writing and prose. Hence the idea of Poetry is preceded by the +idea of Prose, as speaking by the idea of hearing. There was reason, and +an age of reason, without, and antecedent to, rhyme; and therefore we +sometimes find rhyme without reason, as well as reason without rhyme. + +Rhyme, however, facilitates memory and recollection. Memory, indeed, is +but a printed tablet, and recollection the art and mystery of reading +it. Poetry, therefore, is both useful and pleasing. It aids +recollection, and soothes and excites and animates the soul of man. It +makes deeper, more pungent, more stimulating, more exciting, and more +enduring impressions on the mind than prose; and, therefore, greatly +facilitates both the acquisition and retention of ideas and impressions. +Of it Horace says ('Ars Poetica'): + + 'Ut pictura, poesis; erit, quæ, si propius stes, + Te capiet magis, et quædam, si longius abstes. + Hæc amat obscurum; volet hæc sub luce videri, + Judicis argutum quæ non formidat acumen: + Hæc placuit semel, hæc decies repetita placebit.' + +No one ever attained to what is usually called _good taste_ who has not +devoted a portion of his time and study to the whole science and art of +Poetry. We do not mean good taste in relation to any one manifestation +of it. + +There is a general as well as a special good taste, but they are +distinguishable only as genus and species. There is, it may be alleged, +a _native_ as well as an _acquired_ taste. This may also be conceded. +There is in some persons a greater innate susceptibility of deriving +pleasure from the works of Nature and of Art than is discoverable in +others. Still we cannot imagine any one gifted with reason and +sensibility to be entirely destitute of it. It is an element of reason +and of sense peculiar to man. As a fabulist once represented a cock in +quest of barleycorns, scraping for his breakfast, saying to himself, on +discovering a precious and brilliant gem: 'If a lapidary were in my +place he would now have made his fortune; but as for myself, I prefer +one grain of barley to all the precious stones in the world.' + +But what man, so feeling and thinking, would not 'blush and hang his +head to think himself a man'? Apart from the value of the gem, every man +of reason or of thought has pleasure in the contemplation of the +beautiful diamond, whether on his own person or on that of another. +Taste seems to be as inseparable from reason as Poetry is from +imagination. It is not wholly the gift of Nature, nor wholly the gift of +Art. It is an innate element of the human constitution, designed to +beautify and beatify man. To cultivate and improve it is an essential +part of education. The highest civilization known in Christendom is but +the result or product of good taste. Even religion and morality, in +their highest excellence, are but, so far as society is concerned, +developments and demonstrations of cultivated taste. There may, indeed, +be a fictitious or chimerical taste without Poetry or Religion; but a +genuine good taste, in our judgment, without these handmaids, is +unattainable. + +But as no interesting landscape--no mountain, hill, or valley, no river, +lake or sea--affords us all that charms, excites or elevates our +imagination viewed from any one point of vision, so the poetic faculty +itself can neither be conceived of nor appreciated, contemplated out of +its own family register. + +There is in all the 'Fine Arts' a common paternity, and hence a family +lineage and a family likeness. To appreciate any one of them we must +form an acquaintance with the whole sisterhood--Poetry, Music, Painting, +and Sculpture. + +And are not all these the genuine offspring of Imagination? Hence they +are of one paternity, though not of one maternity. The eye, the ear, and +the hand, has each its own peculiar sympathetic nerve. For, as all God's +works are perfect, when and where He gives an eye to see or an ear to +hear, He gives a hand to execute. This is the law; and as all God's laws +are universal as perfect, there is no exception save from accident, or +from something poetically styled a _lusus naturæ_--a mere caprice or +sport of Nature. + +But the philosophy of Poetry is not necessary to its existence any more +than the astronomy of the heavens is to the brilliancy of the sun or to +the splendors of a comet. A Poet is a creator, and his most perfect +creature is a portraiture of any work of God or man; of any attribute of +God or man in perfect keeping with Nature or with the original +prototype, be it in fact or in fiction, in repose or in operation. + +Imitation is sometimes regarded as the test of poetic excellence. But +what is imitation but the creation of an image! Alexander Pope so well +imitates Homer, that, as an English critic once said, in speaking of his +translation of that Prince of Grecian Poets--'a time might come, should +the annals of Greece and England be confounded in some convulsion of +Nature, when it might be a grave question of debate whether Pope +translated Homer, or Homer Pope.' + +For our own part, we have never been able to decide to our own entire +satisfaction, which excels in the true Heroic style. Pope, in his +translation of the exordium of Homer, we think more than equals Homer +himself: + + 'Achilles' wrath, to Greece the direful spring + Of woes unnumbered, heavenly goddess, sing! + That wrath which hurled to Pluto's dark domain + The souls of mighty chiefs in battle slain; + Whose limbs, unburied on the fatal shore, + Devouring dogs and hungry vultures tore; + Since great Achilles and Atrides strove, + Such was the sovereign doom and such the will of Jove.'[18] + +We opine that Pope, being trammelled with a copy, and consequently his +imagination cramped, displays every attribute of poetic genius fully +equal, if not superior, to that of the beau ideal of the Grecian Muse. + +But Alexander Pope, of England, is not the Pope of English Poetry, a +brother Poet being judge, for Dryden says: + + 'Three Poets, in three distant ages born, + Greece, Italy, and England did adorn; + The first in majesty of thought surpassed, + The next in melody--in both the last: + The force of Nature could no further go, + To make the third she joined the other two.' + +And who awards not to Milton the richest medal in the Temple of the +Muses! Not, perhaps, for the elegant diction and sublime imagery of his +PARADISE LOST, but for his grand conceptions of Divinity in all its +attributes, and of humanity in all its conditions, past, present, and +future. + +We Americans have a peculiar respect for Lyric Poetry. We have not time +for the Epic. If anything with us is good, it is superlatively good for +being brief. Short sermons, short prayers, short hymns, and short metre +are peculiarly interesting. We are, too, a miscellaneous people, and we +are peculiarly fond of miscellanies. The age of folios and quartos is +forever past with Young America. Octavos are waning, and more in need of +brushing than of burnishing. But still we must have Poetry--_good_ +Poetry; for we Americans prefer to live rather in the style of good +lyric than in that of grave, elongated hexameter. Variety, too, is with +us the spice of life. We are not satisfied with grand prairies, rivers, +and cataracts, and even cascades and _jet d'eaus_! + +Collections of miscellaneous Poetry seem alike due to the Poetic Muse +and to the American people. We love variety. It is, as we have remarked, +the spice of American life; and our country will ever cherish it as +being most in harmony with itself. It is, moreover, more in unison with +the conditions of human nature and human existence. There is, too, as +the wisest of men and the greatest of kings has said, 'a time for every +purpose and for every work.' No volume of Poetry or of Prose can, +therefore, be popular or interesting to such a nation as we are, that +does not adapt itself to the versatile genius of our people, and to the +ever-varying conditions of their lives and fortunes. + +There is, therefore, a propriety in getting up good selections, because +a greater advantage is to be derived from well selected specimens of the +Poetic Muse than from the labors of any one of the great masters of the +Lyre! Who would not rather visit a rich and extensive museum of the +products and arts of civilized life--some well assorted repository of +its scientific or artistic developments, than to traverse a whole state +or kingdom in pursuit of such knowledge of the wisdom, talents, and +contrivances of its population? + +Of all kinds of composition, Poetry is that which gives to the lovers of +it the greatest and most enduring pleasure. Almost every one of them can +heartily respond to the beautiful words of one who was not only a great +Poet, but a profound philosopher--Coleridge--who, speaking of the +delight he had experienced in writing his Poems, says: 'Poetry has been +to me its own exceeding great reward. It has soothed my afflictions; it +has multiplied and refined my enjoyments; it has endeared solitude; and +it has given me the habit of wishing to discover the Good and the +Beautiful in all that meets and surrounds me.' + +In no way can the imagination be more effectually or safely exercised +and improved than by the constant perusal and study of our best Poets. +Poetry appeals to the universal sympathies of mankind. With the +contemplative writers, we can indulge our pensive and thoughtful tastes. +With the describers of natural scenery, we can delight in the beauties +and glories of the external universe. With the great dramatists, we are +able to study all the phases of the human mind, and to take their +fictitious personages as models or beacons for ourselves. With the great +creative Poets, we can go outside of all these, and find ourselves in a +region of pure Imagination, which may be as true to our higher +instincts--perhaps more so--than the shows which surround us. + +If it be as truthfully as it has been happily expressed by the prince of +dramatic Poets, that + + 'He who has no music in his soul + Is fit for treasons, stratagems, and spoils,' + +it should be a paramount duty with every one who loves his species, and +cultivates a generous philanthropy, to patronize every effort to diffuse +widely through society, Poetry of genuine character, and to cultivate a +taste for it as an element of a literary, religious, and moral +education. We commend, as a standard of appreciation of the true +character of the gifts of the Poetic Muse, the following critique from +Sheffield, Duke of Buckingham: + + ''Tis not a flash of fancy, which sometimes, + Dazzling our minds, sets off the slightest rhymes, + Bright as a blaze, but in a moment done; + True wit is everlasting, like the sun, + Which, though sometimes behind a cloud retired, + Breaks out again, and is by all admired. + Number and rhyme, and that harmonious sound + Which not the nicest ear with harshness wound, + Are necessary, yet but vulgar arts; + And all in rain these superficial parts + Contribute to the structure of the whole, + Without a genius too--for that's the soul; + A spirit which inspires the work throughout, + As that of Nature moves the world about; + A flame that glows amidst conceptions fit; + E'en something of divine, and more than wit; + Itself unseen, yet all things by it shown, + Describing all men, but described by none.' + +We neither intend nor desire to institute any invidious comparisons +between Old Britain and Young America. We are one people--one in blood, +one literature, one faith, one religion, in fact or in profession. Our +language girdles the whole earth. Our science and our religion more or +less enlighten every land, as our sails whiten every sea, and our +commerce, in some degree, enriches every people. There is a magnanimity, +a benevolence, a philanthropy, in English Poetry, whether the Muse be +English, Scotch, Irish, or American, that thrills the social nerve and +warms the kindred hearts of all who think, or speak, or dream in our +vernacular. The pen of the gifted Bard is more puissant than the +cannon's thundering roar or the warrior's glittering sword; and the +soft, sweet melodies of English Poetry, gushing from a Christian Muse, +are Heaven's sovereign specifics for a wounded spirit and an aching +heart! + +FOOTNOTES: + +[Footnote 18: + + [Greek: Mênin aeide, thea, Pêlêiadeô, Achilêos, + Oulomenên, hê myri' Achaiois alge' ethêken, + Pollas d' iphthimous psychas Aidi proiapsen + Hêrôôn, autous de helôria teuche kynessin + + K.T.L.]] + + + + +PATRIA SPES ULTIMA MUNDI. + +FLAG OF OUR UNION. + +National Song. + +BY HON. ROBERT J. WALKER + +_Dedicated to the Union Army and Navy._ + + + The day our nation's life began, + Dawned on the sovereignty of man, + His charter then our Fathers signed, + Proclaiming Freedom for mankind. + May Heaven still guard her glorious sway, + Till time with endless years grows gray. + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + Americans, your mighty name, + With glory floods the peaks of fame; + Ye whom our Washington has led, + Men who with Warren nobly bled, + Who never quailed on land or sea, + Your watchword, _Death or Liberty_! + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + It was the Union made us free, + Its loss, man's second fall would be. + States linked in kindred glory save, + Till the last despot finds a grave; + And angels hasten here to see + Man break his chains, the whole earth free! + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + Ye struggling brothers o'er the sea, + Who spurn the chain of tyranny, + Like brave Columbus westward steer, + Our stars of hope will guide you here, + Where States still rising bless our land, + And freedom strengthens labor's hand. + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + Ye toiling millions, free and brave, + Whose shores two mighty oceans lave: + Your cultured fields, your marts of trade, + Keels by the hand of genius laid, + The shuttle's hum, the anvil's ring + Echo your voice that God is King. + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + Hail! Union Army, true and brave, + And dauntless Navy on the wave. + Holy the cause where Freedom leads, + Sacred the field where patriot bleeds; + Victory shall crown your spotless fame, + Nations and ages bless your name. + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + + + +A FANCY SKETCH. + + +I am a banker, and I need hardly say I am in comfortable circumstances. +Some of my friends, of whom I have a good many, are pleased to call me +rich, and I shall not take it upon myself to dispute their word. Until I +was twenty-five, I travelled, waltzed, and saw the best foreign society; +from twenty-five to thirty I devoted myself to literature and the art of +dining; I am now entered upon the serious business of life, which +consists in increasing one's estate. At forty I shall marry, and as this +epoch is nine years distant, I trust none of the fair readers of this +journal will trouble themselves to address me notes which I really +cannot answer, and which it would give me pain to throw in the fire. + +Some persons think it beneath a gentleman to write for the magazines or +papers. This is a low and vulgar idea. The great wits of the world have +found their best friends in the journals; there were some who never +learned to write,--who ever hears of them now? I write anonymously of +course, and I amuse myself by listening to the remarks that society +makes upon my productions. Society talks about them a great deal, and I +divide attention with the last novelist, whether an unknown young lady +of the South, or a drumhead writer of romances. People say, 'That was a +brilliant article of so and so's in the last ----, wasn't it?' You will +often hear this remark. I am that gentleman--I wrote that article--it +was brilliant, and, though I say it, I am capable of producing others +fully equal to it. + +Many persons imagine that business disqualifies from the exercise of the +imagination. This is a mistake. Alexander was a business man of the +highest order; so was Cæsar; so was Bonaparte; so was Burr; so am I. To +be sure, none of these distinguished characters wrote poetry; but I take +it, poetry is a low species of writing, quite inferior to prose, and +unworthy one's attention. Look at the splendid qualities of these great +men, particularly in the line in which the imaginative faculties tend. +See how they fascinated the ladies, who it is well known adore a fine +imagination. How well they talked love, the noblest of all subjects--for +a man's idle hours. Then observe the schemes they projected. Conquests, +consolidations, empires, dominion, and to include my own project, a +bullion bank with a ten-acre vault. It appears that a lack of capital +was at the bottom of all their plans. Alexander confessed that he was +bankrupt for lack of more worlds, and is reputed to have shed tears over +his failure, which might have been expected from a modern dry-goods +jobber, but not from Alexander. Cæsar and Bonaparte failed for the want +of men: they do not seem to have been aware of the existence of Rhode +Island. I think Burr failed for the lack of impudence--he had more than +all the rest of the world together, but he needed much more than that to +push his projects ahead of his times. As for myself, when I have doubled +my capital, I shall found my bullion bank in the face of all opposition. +The ten-acre lot at the corner of Broadway and Wall street is already +selected and paid for, and I shall excavate as soon as the present crop +is off. + +There is no question that the occupation of banking conduces to literary +pursuits. When I take interest out of my fellow beings, I naturally take +interest in them, and so fall to writing about them. I have in my +portfolio sketches of all the leading merchants of the age, romantically +wrought, and full of details of their private lives, hopes, fears, and +pleasures. These men that go up town every day have had, and still have, +little fanciful excursions that are quite amusing when an observer of my +talent notes them down. I know all about old Boscobello, the Spanish +merchant, of the house of Boscobello, Bolaso & Co. My romance of his +life from twenty to forty fills three volumes, and is as exciting as the +diaries of those amusing French people whom Bossuet preached to with +such small effect. Boscobello has sobered since forty, and begs for +loans as an old business man ought to. I think he sees the error of his +ways, and is anxious to repair his fortunes to the old point, but it is +easier to spend a million than to make it. My cashier reports his +account overdrawn the other day, and not made good till late next +afternoon. This is a sign of failing circumstances, and must be attended +to. + +When Boscobello comes in about half past two of an afternoon for the +usual loan of a hundred dollars to enable him to go on, I amuse myself +by talking to him while I look over his securities. He has two or three +loans to pay up before three o'clock, in different parts of the town, +and we cannot blame him for being in a hurry, but this is no concern of +mine. If he _will_ get into a tight place, one may surely take one's +time at helping him out: and really it does require some little time to +investigate the class of securities he brings, and which are +astonishingly varied. For instance, he brought me to-day as collateral +to an accommodation, a deed to a South Brooklyn block, title clouded; a +Mackerelville second mortgage; ten shares of coal-oil stock; an +undivided quarter right in a guano island, and the note of a President +of the Unterrified Insurance Company. 'How much was the cartage, Bos?' +said I, for you see my great mind descends to the smallest particulars, +and I was benevolent enough to wish to deduct his expenses from the +bonus I was about to charge him for the loan. 'Never mind the cartage,' +said he, 'that's a very strong list, and will command the money any day +in Wall street, but I have a particular reason for getting it of you.' +'The particular reason being,' said I, 'that you can't get it anywhere +else. Jennings,' I continued to my cashier, 'give Mr. Boscobello +ninety-five dollars Norfolk or Richmond due-bills, and take his check +payable in current funds next Saturday for a hundred.' + +Poor old Boscobello! A man at forty ought not to look old, but Bos had +often seen the sun rise before he went to bed, and he _had_ been gay, so +all my aunts said. Some stories Bos has told me himself, o' nights at my +house, after having in vain endeavored to induce me to take shares in +the guano island, or 'go into' South Brooklyn water lots. 'I'm too old +for that sort of a thing, Bos,' I say; 'it's quite natural for you to +ask me, and I don't blame you for trying it on, but you must find some +younger man. Tell me about that little affair with the mysterious Cuban +lady; when you only weighed a hundred and forty pounds, and never went +out without a thousand dollars in your pocket--in the blooming days of +youth, Bos, when you went plucking purple pansies along the shore.' + +Boscobello weighs over two hundred now, and would have a rush of blood +to the head if he were to stoop to pluck pansies. Mysterious Cuban +ladies, in fact ladies of any description, would pass him by as a +middle-aged person of a somewhat distressed appearance, and the dreams +of his youth are quite dreamed out. Nevertheless, when he warms with my +white Hermitage, the colors of his old life come richly out into sight, +and the romantic adventures of wealth and high spirits overpower, though +in the tame measures of recital, all the adverse influences of the +present hour. But as the evening wanes, the colors fade again; his +voice assumes a dreary tone; and I once more feel that I am with a man +who has outlived himself, and who, having never learned where the late +roses blow, is now too old to learn. + +The reader will perceive I am sorry for Boscobello. If I am remarkable +for anything, it is for my humanity, consideration, and sympathy. + +These qualities of my constitution lead me to enter into the affairs of +my clients with feeling and sincerity, but I fear I am sometimes +misunderstood. Not long ago I issued an order to my junior partners to +exercise more compassion for those unfortunate men with whom we decline +business, and not to tumble them down the front steps so roughly. Let +six of the porters attend with trestles, I said, and carry them out +carefully, and dump them with discretion in some quiet corner, where, as +soon as they recover their faculties, they may get up and walk away. I +put it to the reader if this was not a very humane idea, and yet there +are those who have stigmatized it as heartless. + +I wish I was better acquainted with the way in which common people live. +I can see how I have made mistakes in consequence of not understanding +the restricted means and the exigencies of these people, who are styled +respectable merchants. Thus when Boscobello has made some more than +ordinarily piteous application, I have said, 'Boscobello, dismiss about +fifty of your servants;' or, 'Boscobello, sell a railroad and put the +money back again into your business;' or, 'Boscobello, my good friend, +limit your table, say, to turtle soup, champagne, and truffles; live +more plainly, and don't take above ten quarts of strawberries a day +during the winter,--the lower servants don't really need them;' or, +'Boscobello, if you are really short, send around a hundred or so of +your fast trotters to my stables, and I'll pay you a long figure for +them, if they are warranted under two minutes.' Boscobello has never +made any very definite replies to such advice, and I have attributed his +silence to his nervousness; but I begin to suspect he has'nt quite +understood me on such occasions. Then again, when Twigsmith declared he +was a ruined man, in consequence of my refusal of further advances, and +that he should be unable to provide for his family, I said: 'Why, +Twigsmith, retire to one of your country seats, and live on the interest +of some canal or other, or discount bonds and mortgages for the country +banks.' Actually, I heard Twigsmith mutter as he went out, that it +wasn't right to insult a man's poverty. Now I hadn't the remotest idea +of injuring Twigsmith's feelings, for he was a very clever fellow, and +we made a good thing out of him in his time, but it seems that my advice +might not have been properly grounded. + +It begins to occur to me that there _may_ be such a case as that a man +may want something, and not be able to get it; and again, that at such a +time a weak mind may complain, and grow discouraged, and make itself +disagreeable to others. + +There is a set of old fellows who call themselves family men, and apply +for discounts as if they had a right to them, by reason of their having +families to provide for. I have never yet been able to see the logical +sequence of their conclusions, and so I tell them. What right does it +give anybody to my money that he has a wife, six children, and lives in +a large house with three nursery-maids, a cook, and a boy to clean the +knives? 'Limit your expenses,' I say to these respectable gentlemen, 'do +as I do. When Jennings comes to me on Monday morning, and reports that +the receipts of the week will be eighty millions, exclusive of the +Labrador coupons, which, if paid, will be eighty millions more, I say, +'Jennings, discount seventy, and don't encroach upon the reserves; you +may however let Boscobello have ten on call.' This is true philosophy; +adapt your outlay to your income, and you will never be in trouble, or +go begging for loans. If the Bank of England had always managed in this +way, they wouldn't have been obliged to call on our house for assistance +during the Irish famine.' + +These family men invite me to their wives' parties, constantly, +unremittingly. The billets sometimes reach my desk, although I have +given orders to put them all into the waste basket unopened. I went to +one of these parties, only one, I give you my honor as a gentleman, and +after Twigsmith and his horrid wife had almost wrung my hand off, I was +presented to a young female, to whom Nature had been tolerably kind, but +who was most shamefully dressed. In fact her dress couldn't have cost +over a thousand dollars--one of my chambermaids going to a Teutonia ball +is better got up. This young person asked me 'how I liked the Germania?' +Taking it for granted that such a badly dressed young woman must be a +school teacher, with perhaps classical tastes, I replied that it was one +of the most pleasing compositions of Tacitus, and that I occasionally +read it of a morning. 'Oh, it's not very taciturn,' she replied; 'I mean +the band.' 'Very true,' said I, 'he says _agmen_, which you translate +band very happily, though I might possibly say 'body' in a familiar +reading.' 'Oh dear,' she replied, blushing, 'I'm sure I don't know what +kind of men they are, nor anything about their bodies, but they +certainly seem very respectable, and they play elegantly; oh, don't you +think so?' 'I am glad you are pleased so easily,' I answered; 'Tacitus +describes their performances as indeed fearful, and calculated to strike +horror into the hearts of their enemies. But,' continued I, endeavoring +to make my retreat, for I began to think I was in company with an inmate +of a private lunatic hospital, 'they were devoted to the ladies.' +'Indeed they are,' said she,'and the harpist is _so_ gallant, and gets +so many nice bouquets.' It then flashed across my mind that she meant +the Germania musicians. 'They might do passably well, madame,' said I, +'for a quadrille party at a country inn, but for a dress ball or a +dinner you would need three of them rolled into one.' 'Oh, you gentlemen +are so hard to please,' she replied; and catching sight of the +Koh-i-noor on my little finger, she began to smile so sweetly that I +fled at once. + +It was at that party that I perspired. I had heard doctors talk about +perspiration, and I had seen waiters at a dinner with little drops on +their faces, but I supposed it was the effect of a spatter, or that some +champagne had flown into their eyes, or something of that sort. But at +this party I happened to pass a mirror, and did it the honor to look +into it. I saw there the best dressed man in America, but his face was +flushed, and there were drops on it. This is fearful, thought I; I took +my _mouchoir_ and gently removed them. They dampened the delicate +fabric, and I shook with agitation. The large doors were open, and after +a struggle of an hour and three quarters, I reached them, and promising +the hostess to send my _valet_ in the morning to make my respects, which +the present exigency would not allow me to stay to accomplish, I was +rapidly whirled homeward. I can hardly pen the details, but on the +removal of my linen, it was found--can I go on?--tumbled, and here and +there the snowy lawn confessed a small damp spot, or fleck of moisture. +Remorse and terror seized me. Medical attendance was called, and I +passed the night in a bath of attar of roses delicately medicated with +_aqua pura_. Of course, I have never again appeared at a party. + +People haven't right ideas of entertainment. What entertainment is it to +stand all the evening in a set of sixteen-by-twenty parlors, jammed in +among all sorts of strange persons, and stranger perfumes, deafened with +a hubbub of senseless talk, and finally be led down to feed at a long +table where the sherry is hot, and the partridges are cold? Very +probably some boy or other across the table lets off a champagne cork +into your eyes, and the fattest men in the room _will_ tread on your +toes. One might describe such scenes of torture at length, but the +recital of human follies and miseries is not agreeable to my +sensibilities. + +I dare say the reader might find himself gratified at one of my little +fètes. The editors of this journal attend them regularly, and have done +me the honor to approve of them. You enter on Twelfth avenue; a modest +door just off Nine-and-a-half street opens quietly, and you are ushered +by a polite gentleman--one of our city bank presidents, who takes this +means to increase his income--into an attiring room. Here you are +dressed by the most accomplished Schneider of the age, in your own +selections from an unequalled _repertoire_ of sartorial _chef d'ouvres_, +and your old clothes are sent home in an omnibus. + +I might delight you with a description of the ball room, but the editors +have requested me to the contrary. Some secrets of gorgeous splendor +there are which are wisely concealed from the general gaze. But a floor +three hundred feet square, and walls as high as the mast of an East +Boston clipper, confer ample room for motion; and the unequalled +atmosphere of the saloon is perhaps unnecessarily refreshed by fountains +of rarest distilled waters. This is also my picture gallery, where all +mythology is exhausted by the great painters of the antique; and modern +art is thoroughly illustrated by the famous landscapes of both +hemispheres. The luxuriant fancy of my favorite artist has suggested +unique collocations of aquaria and mossy grottoes in the angles of the +apartment, where the vegetable wealth of the tropics rises in perfect +bounty and lawless exuberance, and fishes of every hue and shape flash +to and fro among the tangled roots, in the light of a thousand lamps. In +the centre, I have caused the seats of the orchestra to be hidden at the +summit of a picturesque group of rocks, profusely hung with vegetation, +and gemmed with a hundred tiny fountains that trickle in bright beads +and diamonds into the reservoir at the base. From this eminence, the +melody of sixty unequalled performers pervades the saloon, justly +diffused, and on all sides the same; unlike the crude arrangements of +most modern orchestras, where at one end of the room you are deluged +with music, and at the other extremity you distinguish the notes with +pain or difficulty. The ceiling, by a rare combination of mechanical +ingenuity and artistic inspiration, displays, so as to quite deceive the +senses, the heavens with all their stars moving in just and harmonious +order. Here on summer nights you see Lyra and Altair triumphantly +blazing in the middle sky as they sweep their mighty arch through the +ample zenith; and low in the south, the Scorpion crawls along the verge +with the red Antares at his heart, and the bright arrows of the Archer +forever pursuing him. Here in winter, gazing up through the warm and +perfumed air, you behold those bright orbs that immemorially suggest the +icy blasts of January: Aldebaran; the mighty suns of Orion; diamond-like +Capella; and the clear eyes of the Gemini. Under such influences, with +the breath of the tropics in your nostrils, and your heart stirred by +the rich melodies of the invisible orchestra, waltzing becomes a sublime +passion, in which all your faculties dilate to utmost expansion, and you +float out into happy forgetfulness of time and destiny. + +Rarely at these fêtes do we dance to other measures than those of the +waltz, though at times we find a relief from the luxuriance of that +divine rhythm in the cooler cadences of the Schottish. By universal +consent and instinct, we banish the quadrille, stiff and artificial; the +polka, inelegant and essentially vulgar; and the various hybrid +measures with which the low ingenuity of professors has filled society. +But we move like gods and goddesses to the sadly joyful strains of +Strauss and Weber and Beethoven and Mozart, and the mighty art of these +great masters fills and re-creates all our existence. + +Sometimes in these divine hours, thrilled by the touch of a companion +whose heart beats against and consonantly with mine, I catch glimpses of +the possibilities of a free life of the spirit when it shall be released +from earth and gravitation, and I conjecture the breadth of a future +existence. This will only seem irrational to such as have squeezed out +their souls flat between the hard edges of dollars, or have buried them +among theologic texts which they are too self-wise to understand. +History and the experience of the young are with me. + +From twelve to four you sup, when, and as, and where, you will. A +succession of little rooms lie open around an atrium, all different as +to size and ornament, yet none too large for a single couple, and none +too small for the reunion of six. What charming accidents of company and +conversation sometimes occur in these Lucullian boudoirs! You pass and +repass, come and go, at your own pleasure. Waltzing, and Burgundy, and +Love, and Woodcock are here combined into a dramatic poem, in which we +are all star performers, and sure of applause. These hours cannot last +forever, and the first daybeams that tell of morning, are accompanied by +those vague feelings of languor that hint to us that we are mortal. Then +we pause, and separate before these faint hints of our imperfection +deepen into distasteful monitions, and before our fulness of enjoyment +degenerates into satiety. Antiquity has conferred an immortal blessing +upon us in bequeathing to us that golden legend, NE QUID NIMIS;[19] a +legend better than all the teachings of Galen, or than all the dialogues +of Socrates. For in these brief words are compressed the experiences of +the best lives, and Alcibiades and Zeno might equally profit by them. +They contain the priceless secret of happiness; and do you, reader, +wisely digest them till we meet again. + +FOOTNOTES: + +[Footnote 19: 'Not too much.'] + + + + +THE SOLDIER. + +[BURNS.] + + + For gold the merchant ploughs the main, + The farmer ploughs the manor; + But glory is the soldier's pride, + The soldier's wealth is honor. + The brave, poor soldier ne'er despise, + Nor count him as a stranger; + Remember he's his country's stay + In day and hour of danger! + + + + +OUR PRESENT POSITION: ITS DANGERS AND ITS DUTIES. + +ADDRESSED TO THE PEOPLE OF ALL POLITICAL PARTIES. + + +When Daniel Webster replied to Senator Hayne, of South Carolina, during +the exciting debate on the right of secession, he commenced his +ever-memorable speech with these words: + + 'When the mariner has been tossed for many days in thick weather + and on an unknown sea, he naturally avails himself of the first + pause in the storm--the earliest glance of the sun--to take his + latitude, and ascertain how far the elements have driven him from + his true course. Let us imitate this prudence before we float + farther, that we may at least be able to conjecture where we now + are.' + +No words are fitter for our ears at this tumultuous period than are +these, when the passions of our countrymen, North and South, are excited +with the bitterest animosity, and when the discordant cries of party +faction at the North are threatening a desolation worse than that of +contending armies. In considering, then, our condition, it behooves us +first, to 'take our latitude, and ascertain where we now are,'--not as a +section or a party, but as a nation and a people. Let us avail ourselves +of that distant and dim glimmer in the heavens which even now is looked +upon by the sanguine as the promise of peace, and in its light survey +our dangers and nerve ourselves to our duties. We behold, then, a +people, bound together by the ties of a common interest, namely, +national prosperity and renown, and in possession of a land more favored +by natural elements of advantage than any other on the face of the +globe. We see them standing up in the ranks of hostile resistance each +to each, the one great and glorious army fighting for the restoration of +a nation once the envy of the world; the other great and glorious army +equally ardent and valorous in behalf of a separation of that territory +in which they are taught to believe we cannot hold together in peace and +amity. Both armies and people are evincing in their very warfare the +elements of character which heretofore distinguished us as a nation, and +are employing the very means for each other's destruction which were of +late the principles of action which rendered us in the highest degree a +nation worthy of respect at home and admiration abroad. It is not the +purpose of this paper to go back to causes or to relate the subsequent +events which have placed us where we are. These causes and events are +well known to us and to the world. But here we now stand, with this +fratricidal war increased to the most alarming proportions, and with, +results but partially developed. Here we of the North stand, with a +still invincible army, loyal to the cause nearest to the heart of every +patriot, and confident in the ability to withstand and overcome the +machinations of the enemy. Here, too, we--ay, _we_ of the South stand, +bound together in a common aim, an ardent hope, and a proclaimed and +omnipotent impulse to action. _This is the only proper view to take of +the case_--to regard our opponents as we regard ourselves, and to give +due credit where credit is due for valor, for motives, and for +principles of action. The North believes itself to be engaged in a +strife forced upon it by blinded prejudice and evil passion, and fights +for that which, if not worthy of fighting, ay, and dying for, is unfit +to live for, namely, national integrity. The South claims, little as we +can understand it, the same ground for rising against the land they had +sworn to protect, and whose fathers died with our fathers to create. We +at the North would have been pusillanimous and weak indeed had we +silently submitted to that which is in our view against every principle +of national right and renown. To have acted otherwise would have been to +bring down upon our heads the scorn and contempt of our enemies and of +every foreign power, from the strongest oligarchy to the most benevolent +form of monarchical government. Hence it is that while certain foreign +powers have not failed to improve the opportunity of our weakness, as a +divided nation, to insult and sneer, to preach peace with dishonor, and +advocate separation, which they know to be but another word for +humiliation, yet have they not failed to see and been forced to confess +that, divided as we are, we have shown inherent greatness and power, +_which, united, would be a degree of national superiority which might +well defy the world_. Nothing is more striking at this moment than this +great fact, and no topic is more worthy of the serious consideration of +our countrymen, North and South, than this. No time is fitter than now +to suggest the subject, and to see in it matter which is pregnant with +hopes for our future. If nothing but this great truth had been developed +by the war--this truth, bold, naked, defiant as it is, _is worth the +war_--worth all its cost of noble lives, of sacred blood, of yet +uncounted treasure. We stand before the world this day divided by the +fearful conflict, with malignant hate lighting the fires of either camp, +and with hands reeking in fraternal blood--with both sections of our +land more or less afflicted--with credit impaired, with the scoff and +jeers of nations ringing in our ears--we stand losers of almost every +thing but our individual self-respect, which has inspired both foes with +the ardor and courage born within us as Americans. This it is that +leaves us unshorn of our strength; this it is that enables us in this +very day of trial and adversity to present to the world the undeniable +fact that we have within us--not as Northerners, not as Southerners, +_but as Americans_--the elements of innate will and physical power, +which makes the scale of valor hang almost with an even beam, and +foretells us, with words which we cannot but hear--and which would to +God we might heed!--that, united, we can rear up on this beautiful and +bountiful land a temple of political, social, and commercial prosperity, +more glorious than that which entered into the dreams and aspirations of +the fathers who founded it. + +Alas! that the contemplation of so worthy a theme is marred by the 'ifs' +and 'buts' of controversial strife. Alas! that we cannot depress the +sectional opposing interests which are but secondary to a condition of +political consolidation, and elevate above these distracting and +isolated evils, the great and eternal principle, Strength as it alone +exists in Unity. Alas! that with the beam of suicidal measures we blind +the eye political, because, forsooth, the motes of individual or local +injuries afflict, as they afflict _all_ human forms of government. + +The great evil, North and South, before the war, during the war, and +now, is the want of political charity--that charity which, like its +moral prototype, 'suffereth long and is kind.' We the people, North and +South, have been and are unwilling to grant to the other people and +States the right to think, speak, and urge their own opinions--the very +right which each insists upon claiming for itself. It has been held +'dangerous' to discuss questions which, though in one sense pertaining +only to particular States, nevertheless bear upon the whole country. It +has been considered 'heresy' to urge with rhetoric and declamation, even +in our halls of Congress, certain principles for and against Slavery, +for example, lest mischief result from the agitation of those topics. +But in such remonstrance we have forgotten that the very principle of +democratic institutions involves the right of all men to think and act, +under the law, as each pleases. We have also forgotten that any subject +which will not bear discussion and political consideration must be +dangerous _in itself_, and pregnant with weakness, if not evil. There is +no harm in discussing questions upon which hang vital principles; for if +there exists on the one side strength and justice, all arguments on the +other side can do it no injury. With regard to Slavery, one of the +'causes' or 'occasions' of this unhappy war, it may be said that the +North owes much to the South which it has never paid, in a true and +kindly appreciation of the difficulties which have ever surrounded the +institutions of the latter. But let us not forget that one reason why +this debt has not been paid is because the South owes the North its +value received, by not being willing to admit in the other's behalf the +motives which underlay the efforts which have been made by the earnest, +or so-called 'radical' men, who have opposed the institution of slavery. +Pure misunderstanding of motive, pure lack of political as well as moral +charity, has been wanting between the men of the North who opposed, and +the men of the South who maintained the extension of slavery. Had each +understood the other better, it is probable that the character of each +would have assumed the following proportions: The slaveholder of the +South, inheriting from generations back a system of servitude which even +ancient history supported and defended, and which he in his inmost heart +believes to be beneficial to the slave not less than the master, regards +himself as violating no law of God or man in receiving from this +inferior race or grade of men the labor of their hands, and the right to +their control, while they draw from him the necessary physical support +and protection which it is in his belief his bounden duty to give. The +planter, a gentleman educated and a Christian, with the fear of God +before his eyes, believes this--the belief was born in him and dies in +him, and he is conscientiously faithful in carrying out the principles +of his faith. I speak now of no exceptional, but of general cases, +instancing only the representative of the highest class of Southern men. +Is it to be wondered at that such a man, looking from _his_ point of +vision, should regard with suspicion and distrust the efforts of those +who sought to abolish even by gradual means the apparent sources of his +prosperity? Is it remarkable that he should regard as his enemy the man +who preaches against and denounces as criminal the very system in which +he trusts his social and political safety? He will not regard that +apparent enemy what at heart and soul he really is, namely, a man as +pure and devout, as well meaning and conscientious as himself. The man +whom he scoffs at as a 'radical,' an 'abolitionist,' and a 'fanatic,' by +education and intuition believes in his very soul that the holding of +men in bondage, forcing from them involuntary labor, and the +consequences thereof, are pregnant with moral and political ruin and +decay. The system, not the men, is offensive to his eyes. Is he to blame +for this opinion, provided it be well founded in his mind? Admit it +eroneous in logic, still, if he believes it, is he to be condemned for +holding the belief, and would he not be contemptible in his own eyes if +he feared to express the moral convictions of his soul? The error of +both has been that both are uncharitable--both unwilling to allow the +right of opinion and freedom of debate on what both, as American +citizens, hold to be vital principles, dependent upon constitutional +provisions; the one claiming Slavery as the 'corner stone of political +freedom,' the other as the stumbling block in the way of its +advancement. This unwillingness to appreciate the motives of opposing +minds led at last one section of our beloved country to an unwillingness +to recognize the right of election, and, worse than all, an +unwillingness to abide by the results of that election. When that +principle--submission to the will of the majority--was overthrown, then, +indeed, did the pillars of our national temple tremble, and the seat of +our national power rock in its foundation. + +And now a word in connection with this same principle of submission, as +applicable to the people of the North in our present emergency. In +accordance with the plan adopted by the founders of our Government, and +practically illustrated in the election of George Washington and his +successors, the people by a plurality of votes elected to office and +placed at the head of our political system as its highest authority and +ruler, the present Chief Magistrate. From the day of his acknowledged +election, party politics settled into the calm of acquiescence, and all +loyal and true States and men bowed to the arbitrament of the ballot +box. That man, Abraham Lincoln, instantly became invested with the +potential right of rule under the Constitution, and the great principle +of constitutional liberty in his election and elevation stood justified. +It mattered not then, nor matters it now, to us, what may be individual +opinion of his merits or demerits, his ability or his disability. There +he is, not as a private citizen, but as the head of our Government: his +individuality is lost in his official embodiment. This principle being +acknowledged, and party opinion being buried, in theory at least, at the +foot of the altar of the Government _de facto_, whence is it that at +this time creeps into our council chambers, our political cliques, our +social haunts, our market places, ay, our most sacred tabernacles--a +spirit adverse to the principles for which we are fighting, laboring +for, and dying for? Let us--a people anxious for peace on honorable +grounds, anxious for a Union which no rash hand shall ever again attempt +to destroy--look, with a moment's calm reflection, at this alarming +evil. + +It is very evident to most men that, in spite of temporary defeats and +an unexpected prolongation of the war, the loyal States hold +unquestionably the preponderance of power. Nothing but armed +intervention from abroad can now affect even temporarily this +preponderance. As events and purposes are seen more clearly through the +smoke of the battle fields by the ever-watchful eyes of Europe, armed +intervention becomes less and less a matter of probability. The hopes of +an honorable peace, therefore, hang upon the increase and continuance of +this military preponderance. With the spirit of determination evinced by +both combatants, the unflinching valor of both armies, and with the +unquestioned resources and ability to hold out of the North, it appears +evident that the strife for mastery will in time terminate in favor of +the loyal States. There is but one undermining influence which can +defeat this end, and still further prolong the war, or, what is worse, +plunge the North into the irretrievable disaster of internal +conflict--and that undermining influence is _dissension among +ourselves_. Such a consummation would bring joy to the hearts of our +enemies and lend them the first ray of real hope that ultimate +separation will be their purchased peace. We will not here draw a +picture of that fallacious peace, that suicidal gap, whose festering +political sore would breed misery and ruin, not only for ourselves, but +for our posterity, for ages to come. But let us be warned in time. Even +now the insidious movement of dissension is hailed with satisfaction and +delight in the council meetings at Richmond, and no effort will be +spared to aid its devastating progress. False rumors will be raised on +the slightest and most insignificant grounds. Trivial mistakes and +blunders in the cabinet and the field will be magnified; facts +distorted, and the flame be blown by corrupting influences abroad and +at home, in the hopes--let them be vain hopes--that we the people will +be diverted from the great cause we have most at heart into side issues +and sectional distrust. And why? Because more powerful than serried +hosts and open warfare is the poison of sedition and conspiracy that is +thrown into the cup of domestic peace and confidence--more fatal than +the ravages of the battle field is that of the worm that creeps slowly +and surely--weakening, as it works, the foundations of the edifice in +which we dwell unsuspicious of evil. Is it astonishing that they, the +enemies of our common weal, should rejoice in these signs of incipient +weakness, or fail to resort to any expedient whereby our strength as a +united and loyal people can be made less? Have they not shown themselves +capable and ready to avail themselves of every weakness in our counsels +and in the field? Would not we do the same did we perceive distrust and +dissatisfaction presenting through the mailed armor of our opponents a +vulnerable point for attack? Then blame them not with muttered +imprecations, but look--ay, look to ourselves. The shape of this +undermining influence is political dissension at a period when the name +of 'party' ought to be obliterated from the people's creed. Let opinion +on measures and men have full and unrestricted sway, so far as these +opinions may silently work under the banner of the one great cause of +self-preservation; but let them not interfere with the prosecution of +the efforts of the Government, whether State or national, to prosecute +this holy and patriotic war in defence of the principles which created +and are to keep us a united nation. Let us not tempt the strength of the +ice that covers the waters of political and partisan problems, while we +have enough to do to protect and cover the solid ground already in our +possession. The President of the United States, be he who or what he +may--think he how or what he will, enact he what he chooses--is, let us +remember, the corner stone of our political liberty. The Constitution is +a piece of parchment--sacred and to be revered--but it is, in its +outward presentment, material and inactive. The _spirit_ of the +Constitution is intangible and ideal, its interpretation alone is its +vitality. We the people--through equally material morsels of paper +entitled votes--raise the spirit of the Constitution by placing in the +halls of Congress the interpreters of that Constitution, over whom and +above all sits the Chief Magistrate, who, once endowed by us with power, +retains and sways it until another, by the same process, carries out at +our will the same eventualities. Our part as electors and adjudicators +is done, and it ill becomes us to weaken or hold up to the ridicule of +the world the power therein invested, by questions as to the President's +'right' or 'power' or 'ability' to enact this measure or that. + +Away then with the unseemly cry of 'the Constitution as it is,' 'the +Union at it was,' the 'expediency' or 'non-expediency' of employing the +war power, the interference or the non-interference of the man and the +men established by us to represent us with the military leaders, the +finances, or the thousand and one implements of administration, _which +they are bound to employ_, not as we, but as they, holding our powers of +attorney for a specified and legalized period, in their human wisdom +deem best for the common good of the land. Let us have faith in the +motives and intentions of our political administration, or if we have +lost our faith, let us submit--patiently and with accord. Above all, at +a period like this, when the minds of the best men and the truest are +oppressed with a sense of the injustice with which a portion of our +countrymen regard us, it most behooves us to keep our social and +political ranks closed and in order, subject to the will of that +commander, disobedience to which is infamy and ruin. No matter with +what diversity of tongues and opinions we pursue our individual +avocations and aims, we are all pilgrims pressing forward like the +followers of Mohammed to the Kêbla stone of _our_ faith--Peace founded +on Union. + +What if a party clique utters sentiments adverse to our own on the never +ceasing topic of political policy? Is it not the expression of a mind or +a hundred minds forming a portion of the great body politic, of which we +ourselves are a part, and are they not entitled to their opinion and +modes of expressing it, providing it be done with decorum and with a +proper respect for the opinions of their adversaries? Why then do we or +they employ, through the press and in rhetorical bombast, opprobrious +epithets, fit only for the pot-house or the shambles? Shall we men and +citizens, each of us a pillar upholding the crowning dome of our +nationality, be taught, like vexed and querulous children, the impotence +of personal abuse? Why seek to lay upon the head of this Cabinet officer +or that, this Senator or that, the responsibility of temporary military +defeats, when we are no more able to command and prevent reverses than +are they? Or if in our superior wisdom we deem ourselves to be the +better able to direct and administer, why do we forget that others among +us, inspired by the same love of country, and equally ardent for its +safety and advancement, hold exactly contrary opinions? It is not a +matter of opinion--it is not a matter for interference, it is simply and +only a matter for untiring unflinching confidence and support. We have +done our duty as a people, and elected our Administration--let us, in +the name of all that is sublime and fundamental in republican +principles, support and not perplex them in the hard and complex problem +which they are appointed to solve. These are principles, which, however +trite, need to be kept before us and practically sustained at a period +when, as is often the case in long and tedious wars, the dispiriting +influence of delays and occasional defeats work erroneous conclusions in +the minds of the people, leading to unjust accusations against the men +in power, and an unwillingness to frankly acknowledge that the evil too +often originated where the result most immediately occurred. In other +words, our armies have often suffered simply and for no other reason +than that they were outgeneralled on the field of battle, or overpowered +by military causes for which no one is to blame--least of all, the +President or his advisers. + +And here let one word be said against the arguments of those +well-meaning and patriotic men who attempt to prove that certain acts of +the Government have been injudicious and unwise--such, for example, as +the suspension of the habeas corpus, the alleged illegal arrests, and +the emancipation policy. It is not the purpose of this paper to enter +into additional argument to sustain this opinion or to disprove it. But +in justice to the Government--simply because it is a Government--let it +not be forgotten that when events heretofore unforeseen and unprepared +for are throwing our vast nation into incalculable confusion, and when +it becomes absolutely imperative that the head of the Government must +act decisively and according to the promptness of his honest judgment, +and when we know equally well that that judgment, be it what it may, +cannot accord with the various and diverse opinions of _all_ men, then +it behooves his countrymen, if not to acquiesce in, to support whatever +that honest judgment may decide to be best for the emergency. No doubt, +errors have been made, but they are errors inconceivably less in their +results than would be the unpardonable sin of the people, should they, +because differing in opinion, weaken the hands and confuse the purposes +of the powers that be. With secret and treacherous foes in our very +midst, hidden behind the masks of a painted loyalty, the President, +after deep and earnest consultation and reflection, deemed it his duty +to authorize arrests under circumstances which he solemnly believed were +the best adapted to arrest the evil, though, by so doing, many good and +innocent men might temporarily suffer with the bad. So too with regard +to the proclamation of freedom--be the step wise or unwise, and there is +by no means a unity of sentiment on this head--the President conceived +it to be the duty of his office--a duty which never entered into his +plans or intentions until the war had increased to gigantic and +threatening proportions--to level a blow at what he and millions of his +countrymen believe to be the stronghold of the enemy, viz., that system +of human servitude which nourished the body politic and social now +standing in armed and fearful resistance to the Constitution and the +laws. It matters not, so far as opinion goes, whether the step was wise +or foolish, if the executive head deemed it wise. Nor was it a hasty or +spasmodic movement on his part. Months were devoted to its +consideration, and every argument was patiently and candidly listened to +from all the representatives of political theory for and against. Even +then no hasty step was taken; but, on the contrary, our deluded +countrymen in arms against us were forewarned, and earnestly, +respectfully advised and entreated to take that step in behalf of Union +and peace, which would leave their institution as it had existed. Nay, +more: terms whereby no personal inconvenience or pecuniary loss to them +would be involved if they would but be simply loyal to the Government, +were liberally offered them, with three months for their consideration. +Let those of us who, notwithstanding these ameliorating circumstances, +doubt the good policy of the act, remember that they of the South, our +open foes, invited the measures. Their leaders acknowledged and their +press boasted that the Southern army never could be overcome--if for no +other reason, for this reason, that while the army of the North was +composed of the bone and muscle of the great working classes, drawn away +from the fields of labor and enterprise, which must necessarily, in +their opinion, languish from this absence, the Confederate army was +composed of 'citizens' and property owners (to wit, slaveholders), whose +absence from their plantations in no way interfered with the growth of +their cotton, sugar, corn, and rice, from which sources of wealth and +nourishment they could continue to draw the sinews of war. They went +farther than this, and acted upon their declaration by employing their +surplus slave labor in the work of intrenching their fortifications, +serving their army, and finally fighting in their army. + +Upon this basis of slave labor they asserted their omnipotence in war +and ability to continue the struggle without limit of time. The +subsidized press of England supported this theory, and declared that +with such advantages it was idle for the Federal Government to maintain +a struggle in the face of such belligerent advantages! Then, and not +till then, were the eyes of the President open to a fact which none but +the political blind man could fail to observe, and then it was that not +only the President, but a very large proportion of our countrymen, +heretofore strictly conservative men, felt that the time had come when +further forbearance would be suicidal. Although many doubted and still +doubt if slavery was the cause of the rebellion, very many were forced +to the conclusion that what our enemies themselves admitted to be the +strength of the rebellion was indeed such, and that the time had arrived +to avail themselves of that military necessity which authorizes the +Government to adopt such measures as may be deemed the most fitting for +crushing rebellion and restoring our constitutional liberty. Let us +think, then, as we please upon the judiciousness of the +proclamation--that it was uttered with forethought, calmness, and with a +full sense of the responsibility of the President to his God and his +country, none of us can deny. With this we should be satisfied. We have +but one duty before us, then, as a government and a people--and that is, +an earnest, devoted prosecution of this war for the integrity of our +common country. In the untrammelled hands of that Government let us +leave its prosecution. We have but one duty before us as individuals, +and that is to support the existing Government with our individual +might. Let the cry be loud and long, as, thank Heaven, it still is, 'On +with the war,' not for war's sake, but for the sake of that peace, which +only war, humanely and vigorously conducted, can achieve. + +Fling personal ambition and individual aggrandizement to the winds. Let +political preferment and partisan proclivities bide their time, and as a +united and one-minded people, devote heart and mind, strength and money, +to the prosecution of the campaign, without considering what may be its +duration, and without fear of circumstance or expenditure. If it be +necessary, let the public debt be increased until it reaches and exceeds +the public liabilities of the most indebted Government of Europe. We and +our descendants will cheerfully pay the interest on that expenditure +which purchased so great a blessing as national endurability. Meanwhile, +with unity, forbearance, perseverance, and the silent administration of +the ballot box, we will, as a people, maintain, notwithstanding that a +portion of the land we hold dear stands severed from us by hatred and +prejudice, the prosperity which we still claim, and the renown which was +once accorded to us. By so doing, and by so doing only, shall our former +grandeur come back to us--though its garments be stained with blood. A +grandeur which, without hyperbole, it may be said, will outstrip the +glory which, as a young and sanguine people, we have ever claimed for +our country. The reason for so believing is the simple and undeniable +fact that out of the saddening humiliation and devastation of this civil +war has arisen the better knowledge of the wonderful resources, +abilities, and determined spirit of the American people. We see--both +combatants--that we are giants fighting, and not quarrelling pigmies, as +the foreign enemies of us both have vainly attempted to prove. We see, +both combatants, how vast and important to each is the territory we are +struggling for, how inseparable to our united interests are the sources +of wealth imbedded in our rocks, underlying our soil, and growing in its +beneficent bosom. We see, both combatants, how strong is the commerce of +the East to supply, like a diligent handmaiden, the wants of every +section; how bountiful are the plantations of the South and the +granaries of the West to keep the world united to us in the strong bonds +of commercial and friendly intercourse; how absolutely necessary to the +prosperity of both are the deep and wide-flowing rivers which run, like +silver bands of peace, through the length and breadth of a land whose +vast privileges we have been too blind to appreciate, and in that +blindness would destroy. Above all, we are _beginning_ to see that like +two mighty champions fighting for the belt of superiority, we can +neither of us achieve that individual advantage which can utterly and +forever place the other beyond the ability of again accepting the +gauntlet of defiance, and that our true and lasting glory can alone +proceed from a determination to shake hands in peace, and, as united +champions, defying no longer each other, defy the world. Nor would the +South in consenting to a reunion _now_ find humiliation or dishonor. She +has proved herself a noble foe--quick in expedient, firm in +determination, valorous in war. We know each other the better for the +contest; we shall, when peace returns, respect each other the more; and +although the cost of that peace, whenever it comes, will be the +sacrifice of many local prejudices and sectional privileges, what, oh, +what are such sacrifices to the inestimable blessings of national +salvation? + + + + +THE COMPLAINING BORE. + + +About the most disagreeable people one meets with in life are those who +make a business of complaining. They ask for sympathy when they merit +censure. There is no excuse for man or woman making known their private +griefs except to intimate friends or those who stand in the nearest +relation to them. I have no patience with the man who wishes to catch +the public ear with the sound of his repining. Be it that he complain of +the world generally, or specify the particular occasion of his +dumpishness, he is in either aspect equally contemptible. What a +serio-comic spectacle a man presents who imagines that everybody is in a +leagued conspiracy against him to disappoint his hopes and thwart his +plans for success! He thinks he is kept from rising by some untoward +fate that is bent on crushing him into the ground, feels that he is the +victim of persecution, the sport of angry gods. Not having the spirit of +a martyr, he frets and fumes about his condition, and finds a selfish +relief in counting over his grievances in the presence of all who are +good-natured enough to listen. Such a fellow is a social nuisance--away +with him! The fact usually is that the world has more reason to complain +of him than he of the world. For instance, I know a man who has become +misanthropic, but who should hate himself instead of the whole race. + +Mr. Jordan Algrieve has become disgusted with life, and confesses than +his experiment with existence has thus far proved a failure. He has +combated with the world, and the world has proved too much for him, and +he acknowledges the defeat. Mr. Algrieve is on the shady side of fifty, +and his hair getting to be of an iron gray. His features are prominent, +with a face wrinkled and shrivelled by discontent and acidity of temper. +His tall figure is bent, not so much by cares and weight of years, as in +a kind of typical submission to the stern decree of an evil destiny. + +Strange to say, he is well educated, and graduated with honor at one of +our Eastern colleges. With a knowledge of this fact, it is pitiable to +see him standing at the corner of the street in his busy town in a suit +of seedy black and a shockingly bad hat, chafing his hands together and +pretending to wait for somebody who never comes. + +Poor Algrieve, he is a man under the table, and he knows it. He has +tried to be somebody in his way, but has failed sadly in all his +efforts. It is said that Algrieve always had a constitutional aversion +to legitimate and continued labor, but has a passion for making strikes +and securing positions that afford liberal pay for little work. + +Thinking a profession too monotonous and plodding, he never took the +trouble to acquire one. As to honest manual toil, that was an expedient +he never so much as dreamed of. In early life he was so unfortunate as +to secure an appointment to a clerkship in the Assembly, and after that +he haunted the State Legislature for five or six winters in hot pursuit +of another place, but his claims failing to be recognized, he relapsed +into the natural belief that his party was in league to proscribe him. +After making a large number of political ventures of a more ambitious +order, and with the same mortifying results, he abandoned that field and +took to speculation in patent rights. He vended a wonderful churn-dash, +circulated a marvellous flatiron, and expatiated through the country on +the latest improvement in the line of a washing machine. But these +operations somehow afforded him but transient relief, and left him +always involved still more largely in debt. At different times in his +life he had also been a horse dealer, a dry-goods merchant, a saloon +keeper, the proprietor of a tenpin alley, and managed to grow poorer in +all these various occupations. The last I saw of him he was reduced to +peddling books in a small way, carrying his whole stock in a new market +basket. He was very importunate in his appeals to customers to purchase, +putting it upon the ground that he had been unfortunate and had a claim +to their charity. I happened to see him in the office of the popular +hotel in Podgeville, when he was more than usually clamorous for +patronage. He accosted nearly every man in the room with a dull, +uninteresting volume in his hand, and for which he asked a respectable +price. At last he set down his basket, and commenced a kind of +snivelling harangue to his little audience. Mr. Algrieve opened by +saying: + + 'Gentlemen, you'll pardon me for thrusting myself upon your + attention; but it is hard to have the world turned against ye, and + to work like a slave all your life to get something to fall back on + in old age, and then have to die poor at last! I hope none of you + have ever known what it is to be born unlucky; to never undertake + anything but turned out a failure, and to meet disappointment where + you deserved success. I am such a man!' + +Here Mr. Algrieve produced a fragmentary pocket handkerchief for the +ostensible purpose of absorbing an expected tear, but really to give his +remark a tragic effect. He continued: + + 'Behold an individual who has been doomed to penury and + destitution, but who has not met his fate without a struggle. You + who have known me, gentlemen, for the last thirty years, know that + Jordan Algrieve has battled with life manfully.' At this point he + put out his clenched fist in defiance of his fancied enemy.' But I + have been compelled to yield to the force of circumstances--not, + however, till I had taken my chance in nearly every department of + honorary endeavor, and experienced the most wretched success. The + world has pronounced its ban upon me, and I must bow submissively + to its cruel imposition. I tried to serve my country in the + capacity of a public official, but my services and talents were + repeatedly rejected--the majority of voters always so necessary to + an honest election was forever on the side of my lucky opponent. + When I withdrew from the political field, impoverished by my + efforts to advance the prosperity of my party, I embarked in a + small commercial enterprise; but owing to the tightness of the + times, and my want of capital, I was soon obliged to give up and + throw myself upon the mercy of my creditors. I have tried popular + amusements, and lost money--that is, I failed to make it. I even + branched out into fancy speculations, but they only served to sink + me still deeper in the yawning depths of insolvency!' + +Mr. Algrieve here paused, and seemed to look down into the frightful +gulf with a shuddering expression, as if he were not quite accustomed to +the descent yet. + + 'In short, gentlemen, I am completely prostrated--I am floored! And + is the world willing to help me up? By no means! On the contrary, + when I commenced falling and slipping on the stairs of human + endeavor the world was ready to kick me down, down, till I reached + the--in short, gentlemen, till I became what I now am. Now, what + have I done, let me ask, that I should fare thus? Have I not made + an effort? I appeal to you, gentlemen, to say. [A voice from the + crowd here chimed in: 'Yes, Algrieve, your efforts to live without + work have been immense!'] But here I am, poor and persecuted; my + family are in want of some of the common necessaries of life; and + now, gentlemen, I beg some of you will buy that book (holding out a + copy of the 'Pilgrim's Progress'), and do something to avert for a + while, at least, the pauper's fate!' + +Some benevolent gentleman, either from a charitable motive, or to put an +end to his lachrymose oration, bought the volume for $1.25. Mr. Algrieve +received the money with many expressions of gratitude, and, gathering up +his stock, moped off into the drinking room, and invested a dime in a +gin cocktail, and five cents in a cigar, with which he sought to solace +himself for all the inflictions of the inexorable world. + +Thus Jordan Algrieve goes about telling of his reverses and misfortunes, +exhibiting them to the public eye like a beggar his sores, without shame +or remorse; seeking to levy contributions on his fellow men, as one who +has been robbed of his estate. Reader, will you say that you have never +met with Jordan Algrieve? + +Another common species of the complaining bore are those who are +continually parading their bodily infirmities. For example, a man will +call on you, apparently for the express purpose of illustrating a most +interesting case of neuralgia. He comes into your office, perhaps, with +his head tied up in a handkerchief, and an expression of face as if he +had some time winked one eye very close, and had never since been able +to open it. Thinking himself an object worthy of study, he shows how the +darting pains vacillate between his eyes, invade his teeth, hold general +muster in his cheeks, take refuge in the back of his neck; and +demonstrates these points to you by applying his hands to the parts +designated, and uttering cries of feigned anguish to give effect to his +description. He informs you, as a piece of refreshing intelligence, that +it is devilish hard to bear, and enough to make a saint indulge in +profanity. When he has proceeded thus far, he may be taken with one of +his capricious pains, ducks his head between his knees, squeezes it with +his hands, and bawls out: 'O-h! Je-ru-sa-lem!' with a duration of sound +only limited by the capacity of his wind. He feels that he has a witness +to his sufferings, and wishes to make the most of it. When he gets +sufficiently easy, he tells you his experience with various remedies, +enumerates all the lotions, liniments, ointments, and other applications +he has used, with his opinion on the merits of each. + +Another person will accost you on a bright day with a most saturnine and +wo-begone visage, informing you that he is in a terrible way, that his +food distresses him, and he can't any longer take comfort in eating. He +places his hand in the region of his stomach, remarks that he feels a +great load there, and makes the usual complaints of a dyspeptic. He is +pathetic over the fact that his physician has denied him fried oysters +and mince pie for evening lunch, and closes his observations by +exclaiming in a moralizing vein that 'such is life!' + +A third individual has a throat disease, and, forgetful of his bad +breath, desires you to take a minute survey of his glottis, and inform +him of its appearance. Accordingly he opens his mouth and throws back +his head as if he were inviting you to an entertaining show. + +These are but a tithe of the examples of people who exhibit in public +and at social gatherings their ills and ailments, accompanied with +dreary complainings of their bodily inflictions. It implies no +indifference or lack of sympathy for physical pain and hardships to say +that its victims have no right to mar the enjoyment of others by the +unnecessary display of their infirmities or present sufferings. If a man +will make a travelling show of his disorders, he should be obliged to +carry a hand organ to give variety to his stupid entertainment. Were +these fellows all compelled to furnish this accompaniment, what a +musical bedlam our streets would become! Of course, there is no law +against complaining and repining--it may not be immoral--but it is a +very poor method of making those around us happy, which is a duty that +none but selfish natures can forget. A man who goes through life with a +smiling face and cheerful temper, despite the grievances common to us +all, is a public benefactor in his way, as much as one who founds a +library or establishes an asylum. + +Misanthropy is a sublime egotism that mistakes its own distemper for a +disease of the universe. With all the mishaps to which our life is +subject, a glance over a wide range of human experience proves that God +helps those who help themselves, and whatever be the tenor of our +fortune, levity is more seemly than moodiness, and under any +circumstances there is more virtue in being a clown than a cynic. But in +adversity, a subdued cheerfulness and quiet humor are, next to Christian +fortitude, the golden mean of feeling that makes the loss of worldly +things rest lightly on the heart, and spreads out before the hopeful eye +the vision of better days! + + + + +DEATH OF THE BRAVE. + + + 'How sleep the brave who sink to rest + By all their country's wishes blest! + When spring with dewy fingers cold + Returns to deck their hallowed mould, + She then shall dress a sweeter sod + Than fancy's feet have ever trod.' + + + + +LITERARY NOTICES + + + THE ICE MAIDEN, AND OTHER TALES. By HANS CHRISTIAN ANDERSEN. + Translated by FANNY FULLER. Philadelphia: F. Leypoldt. New York: C. + T. EVANS. 1863. + +Probably no writer of stories for the young ever equalled Hans Christian +Andersen; certainly none ever succeeded as he has done in reproducing +the nameless charm of the real fairy tale which springs up without an +author among the people,--the best specimens of which are the stories +collected by the Brothers Grimm in Germany. But this exquisite +fascination of an inner life in animals and in inanimate objects, which +every child's mind produces from dolls and other puppets, and which +makes fairies of flowers, is by Andersen adroitly turned very often to +good moral and instructive purpose, without losing the original sweet +and simple charm which blends the real and the imaginary. Here he +surpasses all other tale writers, nearly all of whom, in their efforts +at simplicity in such narratives, generally become supremely silly. + +The present volume contains four stories--'The Ice Maiden,' 'The +Butterfly,' 'The Psyche,' and 'The Snail and the Rose Tree,'--all in +Andersen's usual happy and successful vein; for he is preëminently an +_equal_ writer, and never falls behind himself. Perhaps the highest +compliment which can be paid them is the truthful assertion that any +person may read them with keen interest, and never reflect that they +were written for young people. Poetry and prose meet in them on equal +grounds, and any of them in verse would be charming. The main reason for +this is that such stories to charm must set forth natural objects with +Irving-like fidelity; nay, the writer must, with a few words, bring +before us scenes and things as in a mirror. In this 'The Ice Maiden' +excels; Swiss life is depicted as though we were listening to _yodle_ +songs on the mountains, and felt the superstitions of the icy winter +nights taking hold of our souls. + +'The Psyche' is an art-story. Most writers would have made it a legend +of 'high' art, but it is far sweeter and more impressive from the sad +simplicity and gentleness with which it is here told. 'The Butterfly,' +on the contrary, is a delightful little burlesque on flirtations and +fops; and 'The Snail and the Rose Tree' is much like it. Both are really +fables of the highest order, or shrewd prose epigrams. + +The volume before us is well translated; very well, notwithstanding one +or two trifling inadvertencies, which, however, really testify to the +fact that the best of all pens for such version--a lady's--was employed +in the work. A _Skytte_, for instance, in Danish, or _Schutz_ in German, +is generally termed among the fraternity of sportsmen a 'shot,' and not +a 'shooter.' But the spirit of the original is charmingly preserved, and +Miss Fuller has the rare gift of using short and simple words, which are +the best in the world when one knows how to use them as she does. We +trust that we shall see many more stories of this kind, translated by +her. + +We must, in conclusion, say a word for the dainty binding (Pawson & +Nicholson), the exquisite paper and typography, and, finally, for the +pretty photograph vignette with which this volume is adorned. Mr. +Leypoldt has benefited Philadelphia in many ways,--by his foreign and +American circulating library, his lecture room, and by his republication +in photograph of first-class engravings,--and we now welcome him to the +society of publishers. His first step in this direction is a most +promising one. + + + NOTES, CRITICISMS, AND CORRESPONDENCE UPON SHAKSPEARE'S PLAYS AND + ACTORS. By JAMES HENRY HACKETT. New York: Carleton, 413 Broadway. + 1863. + +This work will be one of great interest, firstly to all those who visit +the theatre, secondly to readers of Shakspeare, and thirdly to all who +relish originality and naïvete of character, such as Mr. Hackett +displays abundantly, from the rising of the curtain even to the going +down of the same, in his book. There are no men who live so much within +their profession as actors, or are so earnest in their faith in it; and +this devotion is reflected unconsciously, but very entertainingly, +through the whole volume. Shakspeare tells us that all the world is a +stage--to the actor the stage is all his world, the only one in which he +truly lives. + +We thank Mr. Hackett for giving us in this volume, firstly, very minute +and excellent descriptions of all the eminent actors of Shakespeare +within his memory--not a brief one, he having been himself a really +excellent and eminent actor since 1828. It is to be regretted that there +are not more such judicious descriptions as these. The author has, as we +gather from his book, been in the habit of recording his daily +experiences, and consequently writes from better data than those +afforded by mere memory. The reader will also thank him for many +agreeable minor reminiscences of celebrities, and for giving to the +public his extremely interesting correspondence on Shaksperean subjects +with John Quincy Adams and others. The views of the venerable statesman +on _Hamlet_, and on 'Misconceptions of Shakspeare on the Stage,' +indicate a very great degree of study of the great poet, and of +reflection on the manner in which he is over or under acted. Nor are Mr. +Hackett's own letters and criticisms by any means devoid of +merit--witness the following: + + 'Mr. Forrest recites the text (of King Lear) as though it were all + prose, and not occasionally written in poetic measure; whereas, + blank verse can, and always should, be distinguishable from prose + by proper modulations of the voice, which a listener with a nice + ear and a cultivated taste could not mistake, nor, if confounded, + detect in their respective recitals: else Milton as well as + Shakspeare has toiled to little purpose in the best-proportioned + numbers.' + +The criticism on Forrest is throughout judicious, and, though frequently +severe, is still very kindly written when we consider the 'capacities' +of the subject. + +As regards Mr. Hackett's views of readings, we detect in them a little +of that tendency to excessive accentuation, and that disposition to +'make a hit' or a sensation in every sentence which renders most, or +all, Shaksperean or tragic acting so harsh and strained, and which has +made the word 'theatrical' in ordinary conversation synonymous with +'unnatural.' Something of this is reflected in the enormous amount of +needless italicizing with which the typography of the book is afflicted, +and which we trust will be amended in future editions. We cheerfully +pardon Mr. Hackett for sounding his own praises--sometimes rather loudly +and frequently, as in the republication of a sketch of himself--since, +after all, we thereby gain a more accurate idea of a favorite actor, who +has for thirty-six years pleased the public, and gained in that long +time the character of a conscientious artist who has always striven to +improve himself. + +To one thing, however, we decidedly object--the questionable taste +displayed by the author in answering in type criticisms of his acting, +and in republishing them in his work. We can well imagine the temptation +to be great, but to yield to it is not creditable to a good artist. With +this little exception, we cordially commend the work to all readers. + + + DEVOTIONAL POEMS. By R. T. CONRAD. Philadelphia: J. B. Lippincott & + Co. 1862. + +The late Judge Conrad left a number of religious poems, which +fortunately fell into the hands of those who appreciated their merit, +and we now have them in volume, with an introductory poem to the widow +of the deceased and a preface by George H. Boker, to whom the editing of +the present volume was committed. These lyrics, as we infer, were +written in the spirit of private devotion, and are therefore gifted with +the greatest merit which can possibly inspire religious writing--we mean +deep sincerity. But apart from the _spirit_,--the _sine qua non_,--the +beauty of the form of these works will always give them a high value to +the impartial critic. They are far above the mediocrity into which most +religious writers always at first _appear_ to be lost, owing to the vast +amount of thoughts and expressions which they are compelled to share in +common with others. And as there has been awakened within a few years a +spirit of collecting and studying such poetry, we cordially commend this +work to all who share it. + +As regards form, one of the more marked poems in this collection is +'The Stricken;' we have room only for the beginning: + + Heavy! Heavy! Oh, my heart + Seems a cavern deep and drear, + From whose dark recesses start, + Flatteringly like birds of night, + Throes of passion, thoughts of fear, + Screaming in their flight. + Wildly o'er the gloom they sweep, + Spreading a horror dim,--a woe that cannot weep! + + Weary! Weary! What is life + But a spectre-crowded tomb? + Startled with unearthly strife, + Spirits fierce in conflict met, + In the lightning and the gloom, + The agony and sweat; + Passions wild and powers insane, + And thoughts with vulture beak, and quick Promethean pain. + +We select this single specimen from its remarkable resemblance to +Anglo-Saxon religious poetry,--by far the sincerest, and, so far as it +was ripened, the soundest, in our language. With the exception of the +Promethean allusion, every line in these verses is singularly Saxon--the +night birds, screaming in gloom--as in the '_Sea Farer_,' where, instead +of joyous mirth, + + 'Storms beat the stone cliffs, + Where them the starling answered, + Icy of wing.' + +The divisions of this work are 'Sinai,' which is in great measure a +commentary on virtues and vices, 'Sonnets on the Lord's Prayer,' and +'Bible Breathings.' Of these we would commend the Sonnets, as forming +collectively a highly finished and beautiful poem, complete in each +detail. The little poem, 'A Thought,' is as perfect as a mere simile in +verse could be. + +Robert T. Conrad, who was born in Philadelphia in 1810, and died there +in 1858, first became known to the public by a drama entitled _Conrad of +Naples_, a subject which has been extensively treated by German writers, +Uhland himself having written a tragedy on it. After being admitted to +the bar, Conrad connected himself with the press, but resumed the +practice of law in 1834 with success, being appointed judge of the +criminal sessions in 1838, and of the general sessions in 1840. He was +subsequently president of a well-known railroad company, and mayor of +his native city. During the intervals of his business he was at one time +editor of _Graham's Magazine_, and acquired a literary reputation by his +articles in the _North American_, and by the well-known tragedy of +_Aylmere_, in which Mr. Forrest, the actor, has frequently appeared as +'Jack Cade.' In addition to these, Mr. Conrad published, in 1852, a +volume entitled 'Aylmere and other poems,' which was very extensively +reviewed. In it the 'Sonnets on the Lord's Prayer' first appeared. + +The volume before us is very well edited in every respect, and makes its +appearance in very beautiful 'externals.' The paper, binding, and +typography are, in French phrase, as applied to such matters, +'luxurious.' + + + SKETCHES OF THE WAR: A Series of Letters to the North Moore Street + School of New York. By CHARLES C. NOTT, Captain in the Fifth Iowa + Cavalry. New York: Charles T. Evans, 448 Broadway. 1863. + +Were this little work ten times its present length, we should have read +it to the end with the same interest which its perusal inspired, and +arrived, with the same regret that there was not more of it, at its last +page. It is simple and unpretending, but as life-like and spirited as +any collection of descriptive sketches which we can recall. We realize +in it all the vexations of mud, all the horrors of blood, and all the +joys of occasional chickens and a good night's rest, which render the +soldier's life at once so great and yet so much a matter of petty joys +and sorrows. The love of the rider for the good horse--for his pet +Gypsy--her caprices and coquetries, are set forth, for instance, very +freely, without, however, a shadow of affectation, while in all his +interviews with men and women, the characters come before us 'like +life,' and give us a singularly accurate conception of the social +effects of the war in the West. The appearance of the country is +unconsciously detailed as accurately as in a photograph, and the events +and sensations of battle are presented with great ability; in fact, we +have as yet seen no sketches from the war which in these particulars are +equal to them. They are free from 'fine writing,' and are given in +simple, intelligible language which cannot fail to make them generally +popular. The occasional flashes of humorous description are extremely +well given--so well that we only wish there had been more of them, as +the author has evidently a talent in that direction, which we trust will +be more fully developed in other works. + + + + +EDITOR'S TABLE + + +With all the outcry that has been raised at the slow progress of the +war, it is difficult for a comprehensive mind to conceive how, on the +whole, the struggle with the South could have advanced more favorably to +the _general interests_ and future prosperity of the whole country, than +it has thus far done. 'Had the Administration been possessed of +sufficient energy, it could have crushed the rebellion in the first +month,' say the grumblers. Very possibly--to break out again! No amount +of prompt action could have calmed the first fire and fury of the South. +It required _blood_; it was starving for war; it was running over with +hatred for the North. + +The war went on, and, as it progressed, it became evident that, while +thousands deprecated agitation of the slave question as untimely, the +war could never end until that question was disposed of. And it also +became every day more plain that the 'little arrangement' so frequently +insisted on, and expressed in the words, 'Conquer the enemy _first_, and +_then_ free the slaves,' was a little absurdity. It was 'all very +pretty,' but with the whole North and South at swords-points over this +as the alleged cause of war--with all Europe declaring that the North +had no intention of removing the cause of the war--with the slave +constantly interfering in all our military movements--and, finally, with +a party of domestic traitors springing up everywhere, at home and in the +army itself, it became high time to adopt a fixed policy. It _was_ +adopted, and President LINCOLN, to his lasting honor, and despite +tremendous opposition, issued the Proclamation of January First--the +noblest document in history. + +It is difficult to see how, when, or in what manner slavery would have +disappeared from a single State, had the war been sooner ended; and +nothing is more certain than that any early victory or temporary +compromise would have simply postponed the struggle, to be settled with +compound interest. But another benefit has resulted and is resulting +from the experience of the past two years. Our own Free States have +abounded with men who are at heart traitors; men who have, by their +ignorance of the great principles of national welfare involved in this +war, acted as a continual drawback on our progress. This body of men, +incapable of comprehending the great principles of republicanism as laid +down in the Constitution, and as urged by Washington, would be after all +only partially vanquished should we subdue the rebels. They are around +us here in our own homes; their treason rings from the halls of national +legislation; they are busy night and day in their 'copperhead' councils +in giving aid and comfort to the enemy, and in poisoning the minds of +the ignorant, by hissing slanders at the President and his advisers as +being devoid of energy and ability. + +It would avail us little could we conclude a peace to-morrow, if these +aiders and abetters of treason--these foes of all enlightened +measures--these worse than open rebels--were to remain among us to +destroy by their selfishness and malignity those great measures by which +this country is destined to become great. The war is doing us the +glorious service of bringing the 'copperheads' before the people in +their true light--the light of foes to equality, to the rights of the +many, and as perverse friends of all that is anti-American. Who and +_what_, indeed, are their leaders! Review them all, from FERNANDO WOOD +down to the wretched SAULSBURY, including W. B. REED, in whose veins +hereditary traitorous blood seems, with every descent, to have acquired +a fresh taint--consider the character which has for years attached to +most of them--and then reflect on what a party must be with such +leaders! + +These men have no desire to be brought distinctly before the public; +they would by far prefer to burrow in silence. But the war and +emancipation have proved an Ithuriel's spear to touch the toad and make +him spring up in his full and naturally fiendish form. The sooner and +the more distinctly he is seen, the better will it be for the country. +We must dispose of rebels abroad and copperheads at home ere we can have +peace, and the sooner the country knows its foes, the better will it be +for it. We have come at last to either carrying out the great +centralizing system of an Union, superior to all States Rights, as +commended by Washington, or to division into a thousand petty +principalities, each ruled by its WOOD, or other demagogue, who can +succeed in securing a majority-mob of adherents! + +It is with such men and their measures that Gen. GEORGE B. MCCLELLAN, +the frequently proposed candidate for the next presidency, is becoming +firmly connected in the minds of the people! Fortunately the war has +developed the objects of the traitors, and the Union Leagues which are +springing up by hundreds over the country are doing good service in +making them thoroughly known. Until treason is fairly rooted out at home +and abroad, and until _Union at the centre for the people everywhere_ is +fully enforced, this war can only be concluded now, to be renewed +in tenfold horror to-morrow. + + * * * * * + +There is a complication of interests at present springing up in Europe, +which is difficult to fathom. Just now it seems as if the Polish +insurrection were being fomented by Austria, at French instigation, in +order that the hands of Russia may be tied, so that in case of war with +America, we may be deprived of the aid of our great European friend. +England sees it in this light, and angrily protests against Prussian +interference in the matter. Should a general war result, who would gain +by it? Would France avail herself of the opportunity to array her forces +against Prussia, and seize the Rhine, and perhaps Belgium? Or would the +Emperor avail himself of circumstances to embroil England in a war, and +then withdraw to a position of profitable neutrality? Let it be borne in +mind, meantime, that it required all the strength of France, England, +and Austria, combined, to beat Russia in the Crimea, and that a short +prolongation of the war would have witnessed the arrival of vast bodies +of Russian troops--many of whom had been nearly a year on the march. +Those troops are now far more accessible in case of war. + +A war between England and the United States, however it might injure us, +would be utter ruin to our adversary. With our commerce destroyed, we +should still have a vast territory left; but nine tenths of England's +prosperity lies within her wooden walls, which would be swept from the +ocean. With her exportation destroyed, England would be ruined. We +should suffer, unquestionably, but we could hold our own, and would +undoubtedly progress as regards manufacturing. But what would become of +the British workshops, and how would the British people endure such +suffering as never yet befell them? Even with our Southern Rebellion on +our hands, and English men-of-war on our coast, we could still, with our +merchant marine, bring John Bull to his face. And John Bull knows it. + +England is now building, in the cause of slavery and for the South, a +great fleet of iron-clad pirate vessels, which are intended to prey on +our commerce. How long will it be before retaliation on England begins, +and, _when_ it begins, how will it end? Ay--_how_ will it end? It is not +to be supposed that we can long be blinded by such a flimsy humbug as a +transfer to Southern possession of these vessels 'for the Chinese +trade!' Are the English mad, demented, or besotted, that they suppose we +intend to endure such deliberate aid of our enemies? When those vessels +'for the Chinese' are afloat, and our merchants begin to suffer, let +England beware! We are not a people to stop and reason nicely on legal +points, when they are enforced in the form of fire and death. Better for +England that she weighed the iron of that fleet pound for pound with +gold, and cast it into the sea, than that she suffered it to be +launched. _Qui facit per alium, facit per se._ England is the _real_ +criminal in this business, for her Government could have _prevented_ it; +and to her we shall look for the responsibility. All through America a +spirit of fierce indignation has been awakened at hearing of this +'Chinese' fleet, which will burst out ere long in a storm. We are very +far from being afraid of war--we are in it; we know what it is like--and +those who openly, brazenly, infamously, aid our enemies and make war for +them, shall also learn, let it cost what it may. + +England hopes to cover the world's oceans with pirates, with murder, +rapine, and robbery--to exaggerate still more the horrors of war--and +yet deems that her commerce will escape! This is a different matter from +the affair of the Trent. + + * * * * * + +Don't grumble! Don't be incessantly croaking from morning to night at +the war and the administration and the generals, and everything else! +Things have gone better on the whole than you imagine, and your endless +growling is just what the traitors like. Were there no croakers there +would be no traitors. + +It was growling and croaking which caused the reverses of the army of +the Potomac--sheer grumbling. Now the truth is coming out, and we are +beginning to see the disadvantages of eternal fault-finding. The truth +is that the war in the Crimea was much worse conducted than this of ours +has been--even as regards swindling by contracts--and it was so with +every other war. We have no monopoly of faults. + +Now that the war is being reorganized, we would modestly suggest that a +little severity--say an occasional halter--would not be out of place as +regards deserters. There has been altogether too much of this amusement +in vogue, which a few capital punishments in the beginning would have +entirely obviated. Pennsylvania, we are told, is full of hulking runaway +young farmers, and our cities abound in ex-rowdies, who, after securing +their bounties, have deserted, and who are now aiding treason, and +spreading 'verdigrease' in every direction by their falsehoods. Let +every exertion be made to arrest and return these scamps--cost what it +may; and let their punishment be exemplary. And let there be a new +policy inaugurated with the new levy, which shall effectually prevent +all further escaping. + + * * * * * + +Reader--wherever you are, either join a Union League, or get one up. If +there be none in your town, gather a few friends together--and mind that +they be good, loyal Unionists, without a suspicion of verdigrease or +copperhead poison about them--and at once put yourselves in connection +with the central Leagues of the great cities. Those of Philadelphia, New +York and Boston are all conducted by honorable men of the highest +character--and we may remark, by the way, that in this respect the +contrast between the leaders of the League and of the Verdigrease Clubs +is indeed remarkable. When you have formed your League, see that +addresses are delivered there frequently, that patriotic documents and +newspapers are collected there, and finally that it does good service in +every way in forwarding the war, and in promoting the determination to +preserve the Union. + +The copperheads aim not only at letting the South go--they hope to break +the North to fragments, and trust that in the general crash each of them +may secure his share. When the war first broke out, FERNANDO WOOD +publicly recommended the secession of New York as a free city--and a +very free city it would have been under the rule of Fernando the First! +And this object of 'dissolution and of division' is still cherished in +secret among the true leaders of the traitors. + +The time has come when every true American should go to work in earnest +to strengthen the Union and destroy treason, whether in the field or at +home. A foe to liberty and to human rights is a foe, whether he be a +fellow countryman or not, and against such foes it is the duty of every +good citizen to declare himself openly. + + * * * * * + +It will be seen by the annexed that our Art correspondent, a gentleman +of wide experiences, has gone into the battle. We trust that his +experiences will amuse the reader. As for the _facts_--never mind! + + CAMP O'BELLOW, + _Army of the Potomac_. + +MY PATRIOTIC FRIEND AND EDITOR: + +I have changed my base. + +When I last wrote you, it was from the field of art--this time it is +from the floor of my tent--at least it will be, as soon as my fellows +pitch it. N. B.--For special information I would add that this is not +done, as I have seen a Kalmouk do it, with a bucket of pitch and a rag +on a stick. One way, however, of pitching tents is to pitch 'em down +when the enemy is coming, and run like the juice. Ha, ha! + +But I must not laugh too loudly, as yon small soldier may hear me. +Little pitchers have long ears. + +Now for my sufferings. + +The first is my stove. + +My stove is made of a camp kettle. + +It has such a vile draught that I think of giving it a lesson in +drawing. _Joke._ Perhaps you remember it of old in the jolly old Studio +Building in Tenth Street. By the way how is WHITTREDGE?--I believe _he_ +imported that joke from Rome where he learned it of JULES DE MONTALANT +who acquired it of CHAPMAN who got it from GIBSON, who learned it of +THORWALDSEN who picked it up from DAVID who stole it from the elder +VERNET to whom it had come down from MICHAEL ANGELO who cribbed it from +ALBERT DÜRER who sucked it somehow from GIOTTO. + +I wish you could see that stove. I cook in it and on it and all around +the sides and underneath it. I wash my clothes in it, make punch in it, +write on it, when cold sit on it, play poker on it, and occasionally use +it for a trunk. It also gives music, for though it don't draw, it can +sing. + +My second friend is my Iron Bride--the sword. She is a useful creeter. +Little did I think, when you, my beloved friends, presented me with that +deadly brand, how useful she would prove in getting at the brandy, when +I should have occasion to 'decap' a bottle. She kills pigs, cuts cheese, +toasts pork, slices lemons, stirs coffee, licks the horses, scares +Secesh, and cuts lead pencils. In a word, if I wished to give useful +advice to a cavalry officer, it would be not to go to war without a +sword. + +A revolver is also extremely utilitarious. A _large_ revolver, mind you, +with _six corks_. Mine contains red and black pepper, salt, vinegar, +oil, and ketchup--when I'm in a hurry. A curious circumstance once +'transpired,' as the missionaries say, in relation to this article of +the _quizzeen_. All the barrels were loaded--which I had forgotten--and +so proceeded to give it an extra charge of groceries. * * * + +It was a deadly fray. _Rang tang bang, paoufff!_ We fought as if it had +been a Sixth Ward election. Suddingly I found myself amid a swarm of my +country's foes. Sabres slashed at me, and in my rage I determined to +exterminate something. Looking around from mere force of habit to see +that there were no police about, I drew my revolver and aimed at JIM +MARRYGOLD of Charleston, whom I had last seen owling it in New Orleans, +four years ago. He and DICK MIDDLETONGUE of Natchez (who carved the +Butcher's Daughter at Florence, and who is now a Secesh major), came +down with their cheese knives, evidently intending to carve _me_. Such +language you never heard, such a diluvium of profanity, such +double-shotted d--ns! I drew my pistol _at once_, and gave Dick a +blizzard. The ball went through his ear--the red pepper took his eyes, +while Jim received the shot in his hat, and with it the sweet oil. In +this sweet state of affairs, CHARLEY RUFFEM of Savannah was descending +on me with his sabre. (He was the man who said my browns were all put in +with guano.) I put him out of the way of criticism with a _third_ +barrel--killed him _dead_, and _salted_ him. + +The best of this war is, it enables me to exterminate so many _bad +artists_. + +The worst of it is that Charley owed me five dollars. + +A fifth Secesh now made his appearance. We went it on the sword, and +fought--for further particulars see Ivanhoe, volume second. My foe was +RAWLEY CHIVERS, of Tuscumbia, Ala., and as the mischief would have it, +he knew all my guards and cuts. We used to fence together, and had had +more than one trial at _'fertig-los!'_ on the old _Pauk-boden_ in +Heidelberg. + +'POP!' said he on the seventeenth round, 'are we going to chop all day?' + +'CHIV,' said I, as I drew my castor, '_are you ready_?' + +'Ready,' quoth he, effecting the same manoeuvre--'_one_, _two_, +_three_.' + +I scratched his cheek, but the mustard settled him. +Sputter--p'l'z'z'z--how he swore! I went at him with both hands. + +'_Priz?_' I cried. + +'Priz it is,' he answered. + +So I took him off as a priz. He was very glad to go too, for he hadn't +had a dinner for six weeks, and would have made a fine study for a +Murillo beggar so ar as rags went. + +I punish my men whenever I catch them foraging. Punish them by +confiscation. Mild as I am by nature, I never allow them to keep stolen +provisions--when I am hungry. + +Yesterday evening I detected a vast German private with a colossal +bull-turkey. + +'Lay it down _there_, sir!' I exclaimed fiercely--indicating the floor +of my tent as the bank of deposit. + +'But den when I leafs it you eats de toorky up!' he exclaimed in +sorrowful remonstrance. + +'Yes,' I replied, like a Roman. 'Yes--I may _eat_ it--but,' I added in +tones of high moral conscientiousness, 'remember that I didn't STEAL +it!' + +He went forth abashed. + +No more till it is eaten, from + + Yours truly, + + POPPY OYLE. + + * * * * * + + +We are indebted to a Philadelphia correspondent for the following: + + Alas! that noble thoughts so oft + Are born to live but for an hour, + Then sleep in slumber of the soul + As droops at night the passion flower, + Their morn is like a summer sun + With splendor dawning on the day-- + Their eve beholds that glory gone, + And light with splendor fled away. + + J. W. L. + +True indeed. The difference between the great mind and the small is +after all that the former can _retain_ its 'noble thoughts,' while with +the latter they are evanescent. And it is the glory of Art that it +revives such feelings, and keeps early impressions alive. + + * * * * * + +FROM THE GERMAN OF HEINE. + + + My love, in our light boat riding, + We sat at the close of day; + And still through the night went gliding, + Afar on our watery way. + + The Spirit Isle, soft glowing, + Lay dimmering 'neath moon and star; + There music was softly flowing, + And cloud dances waved afar: + + And ever more sweetly pealing, + And waving more winningly; + But past it our boat went stealing, + All sad on the wide, wide sea. + + * * * * * + +Here is an + +ADVENTURE WITH A GRIZZLY BEAR, + +from a Philadelphia correspondent: + + 'We had gone out one morning, while camping upon the river San + Joaquin, to indulge in the sport of fowling. There were three of + us, and we possessed two skiffs, but an accident had reduced our + sculls to a single pair, which my companion used to propel one of + the boats down the stream, after securing the other, with me as its + occupant, in the midst of a thicket of tule, where I awaited in + ambush the flying flocks. As geese and ducks abounded, and nearly + all of my shots told, in a few hours I had killed plenty of game; + but becoming weary, as the intervals lengthened between the flights + of the birds, I sat down, and had already begun to nod dozingly, + when a startling splash, near the river bank, instantly aroused me. + Grasping my gun and springing upright, I looked in the direction + whence the sound had come; but, owing to the intervening mass of + tule, could not see what kind of animal--for such I at once + conjectured it must be--had occasioned my sudden surprise. Having + hitherto seen no domestic stock hereabouts, I therefore felt fully + satisfied that it could not belong to a tame species. Judging from + the noise of its still continued movements, it was of no small + bulk; and, if its ferocity were correspondent with its apparent + size, this was indeed a beast to be dreaded. + + 'The thought at once occurred to me that, as I possessed neither + oars nor other means of propulsion, it would be difficult to move + the boat from its mooring if chance or acuteness of scent should + lead the creature to my place of concealment. In short, this, with + various suggestions of fancy, some of them ludicrously exaggerated, + speedily made me apprehensive of imminent danger. Nor was my + suspicion unfounded, for a crisis was at hand. + + 'There was a space of clear water between the river bank and the + margin of the tule, in which the brute seemed to disport a few + moments; and then the rustling of the reeds indicated that it was + about to advance. With heavy footfalls it came toward me; as it + approached my nervousness increased; I could not mistake that + significant tread; undoubtedly it was a grizzly bear. But how could + I escape? Bruin, though his progress was not unimpeded, was surely + drawing near. Following my first impulse in this pressing + emergency, I placed myself forward in the boat, and, seizing a + handful of green blades on either side of it, endeavored, by + violently pulling upon them, to force the craft through the thick + growth which surrounded it. The headway of the skiff was slow, but + my efforts were not silent. In fact, the commotion occasioned by my + own panic became, to my hearing, so confounded with the sound made + by my floundering pursuer that my excited imagination multiplied + the single supposed bear, and the water seemed to be dashed about + by several formidable 'grizzlies.' + + 'You smile, gentlemen, but really I was so impressed with this and + like extravagant creations of fear that my better judgment was + temporarily suspended. This deception, however, was only of + momentary duration. + + 'Suddenly the skiff encountered some obstacle and remained + immovable. Quickly clutching my gun and firing it aimlessly, I + sprang overboard, and, with extraordinary energy, made for the + other side of the river and safety. + + 'My remembrance of that hazardous crossing even now fills me with a + sympathetic thrill. The river, near where I had leaped in, varied + in depth from my middle to my neck, and the snaky stalks of tule + clung to me, retarding my retreat like faithful allies of the + enemy. An area of this plant extended to the channel, a distance of + some fifty yards, where a clear current rendered swimming feasible; + and this I essayed to reach, urged onward by terror, and regardless + of ordinary obstructions. So vigorous was my action that, + notwithstanding the frequent reversals of my head and 'head's + antipodes' as I tripped over reeds and roots, perhaps I should have + reached the 'point proposed' with only a loss equivalent to the + proverbial 'year's growth,' had not a hidden snag unluckily lain in + the way, which 'by hook or by crook' fastened itself in the part of + my trowsers exactly corresponding, when dry, with that 'broad disk + of drab' finally seen, after much anxiety, by the curious Geoffrey + Crayon between the parted coat-skirts of a certain mysterious + 'Stout Gentleman,' and inextricably held me in check despite my + frantic struggles. + + 'Imagine my feelings while thus entangled by a bond of enduring + material, a bait for a fierce brute which eagerly pressed forward + to snap at me. Believe me, boys, this was _not_ the happiest moment + of my life. I knew no reason why I should resignedly submit to so + undistinguished a fate. My knife, however, was in the boat, so that + my release could only be attained by extreme exertion. Accordingly + I writhed and jerked with my 'best violence,' all the time + denouncing the whole race of bears, from 'Noah's pets' down; and + you may be sure, emphatically expressing not a very exalted opinion + of snags. + + 'Ah! how that brief period of horrible _suspense_ appeared to + stretch out almost to the crack of doom. I roared lustily for help, + but no aid came. The bear continued its course through the thicket; + in another instant I might be seized. + + 'Rather than suffer such a 'taking off' as this, which now seemed + inevitable, I should have welcomed as an easy death any method of + exit from life that I might hitherto have deprecated. Incited then + by the proximity of the beast, which so intensified the horror of + my situation, to a last desperate effort to avert this much dreaded + fate; and, concentrating nearly a superhuman strength upon one + impetuous bound, the _stubborn fabric burst_, and--joy possessed my + soul! + + 'Even greater than my recent misery was the ecstasy which succeeded + my liberation. The happy sense of relief imparted to me such a + feeling of buoyancy that I was enabled to extricate myself from + this 'slough of despond,' and I soon reached the swift current, + when a few strokes landed me in security on a jutting bar. + + 'Without unnecessary delay I sought out my comrades, to whom I told + the story of my escape. Their response was a hearty laugh, and + certain equivocal words which might imply doubt--not as to my + fright, for that was too plain--but concerning the identity of the + 'grizzly.' I observed, however, that, as they rowed nearer to the + scene of my disaster, their display of levity lessened; and as we + came within sight of the suspicious locality, there was not the + 'ghost of a joke' on board; but, on the contrary, thay both charged + me to 'keep a bright look out,' as well as to 'see that the arms + were all right,' thus showing a remarkable diminution of their + previous incredulity. + + 'While cautiously exploring the vicinity of my memorable flight, we + saw the bear in the distance, upon a piece of rising ground. It + moved off with a lumbering shuffle and probably a contented + stomach, for, on searching for my scattered game, we found but + little of it left besides sundry fragments and many feathers.' + + * * * * * + +In the old times people received queer names, and plenty of them. On +Long Island a Mr. Crabb named a child +'Through-much-tribulation-we-enter-into-the-kingdom-of-heaven Crabb.' +The child went by the name of _Tribby_. Scores of such names could be +cited. The practice of giving long and curious names is not yet out of +date. In Saybrook, Conn., is a family by the name of Beman, whose +children are successively named as follows: + +1. Jonathan Hubbard Lubbard Lambard Hunk Dan Dunk Peter Jacobus Lackany +Christian Beman. + +2. Prince Frederick Henry Jacob Zacheus Christian Beman. + +3. Queen Caroline Sarah Rogers Ruhamah Christian Beman. + +4. Charity Freelove Ruth Grace Mercy Truth Faith and Hope and Peace +pursue I'll have no more to do for that will go clear through Christian +Beman. + +Some of the older American names were not unmusical. In a Genealogical +Register open before us we frequently find Dulcena, Eusena, Sabra, and +Norman; 'Czarina' also occurs. Rather peculiar at the present day are +Puah and Azoa (girls), Albion, Ardelia, Philomelia, Serepta, Persis, +Electa, Typhenia, Lois, Selim, Damarias, Thankful, Sephemia, Zena, +Experience, Hilpa, Penninnah, Juduthum, Freelove, Luthena, Meriba (this +lady married 'Oney Anness' at Providence, R.I., in 1785), Paris, +Francena, Vienna, Florantina, Phedora, Azuba, Achsah, Alma, Arad, +Asenah, Braman, Cairo, Candace, China (this was a Miss Ware--China +Ware--who married Moses Bullen at Sherburne, Mass., in 1805), Curatia, +Deliverance, Diadema, Electus, Hopestill, Izanna, Loannis, Loravia, +Lovice, Orilla, Orison, Osro, Ozoro, Permelia, Philinda, Roavea, +Rozilla, Royal, Salmon, Saloma, Samantha, Silence, Siley, Alamena, Eda, +Aseneth, Bloomy, Syrell, Geneora, Burlin, Idella, Hadasseh, Patrora +(Martainly), Allethina, Philura, and Zebina. + +Some of these names are still extant--most have become obsolete. It +would be a commendable idea should some scholar publish a work +containing the Names of all Nations! + + * * * * * + +Doubtless the reader has heard much of the Wandering Jew and of his +trials, but we venture to say that he has probably not encountered a +more affecting state of the case than is set forth in the following +lyric, translated from the German, in which language it is entitled +'Ahasver,' and beginneth as follows: + +THE EVERLASTING OLD JEW. + + 'Ich bin der alte + Ahasver, + Ich wand're hin, + Ich wand're her. + Mein Ruh ist hin, + Mein Herz ist schwer, + Ich finde sie nimmer, + Und nimmermehr.' + + I am the old + Ahasuér; + I wander here, + I wander there. + My rest is gone, + My heart is sair; + I find it never, + And nevermair. + + Loud roars the storm, + The milldams tear; + I cannot perish, + O _malheur!_ + My heart is void, + My head is bare; + I am the old + Ahasuér. + + Belloweth ox + And danceth bear, + I find them never, + Never mair. + I'm the old Hebrew + On a tare; + I order arms: + My heart is sair. + + I'm goaded round, + I know not where: + I wander here, + I wander there. + I'd like to sleep, + But must forbear: + I am the old + Ahasuér. + + I meet folks alway + Unaware: + My rest is gone, + I'm in despair. + I cross all lands, + The sea I dare: + I travel here, + I wander there. + + I feel each pain, + I sometimes swear: + I am the old + Ahasuér. + Criss-cross I wander + Anywhere; + I find it never, + Never mair. + + Against the wale + I lean my spear; + I find no quiet, + I declare. + My peace is lost, + My heart is sair: + I swing like pendulum in air. + + I'm hard of hearing, + You're aware? + Curaçoa is + A fine _liquéur_. + I 'listed once + _En militaire_: + I find no comfort + Anywhere. + + But what's to stop it? + Pray declare! + My peace is gone. + My heart is sair: + I am the old + Ahasuér. + Now I know nothing, + Nothing mair. + +Truly a hard case, and one far surpassing the paltry picturing of Eugène +Sue. There is a vagueness of mind and a senile bewilderment manifested +in this poem, which is indeed remarkable. + + * * * * * + +One fine day, some time ago, SAVIN and PIDGEON were walking down Fifth +avenue to their offices. + +A funeral was starting from No. --. On the door plate was the word +IRVING. + +'Such is life,' said Savin. 'All that is mortal of the great essayist is +being borne to the grave: in fact, the cold and silent tomb.' + +A tear came to Pidgeon's eye. Pidgeon has an enthusiastic veneration for +genius. He adores literary talent. + +'Savin,' said he, 'there is a seat vacant in this carriage. I will enter +it, and pay my last tribute of respect to the illustrious departed. But +I thought he had a place up the river.' + +'This was his town house,' said Savin. 'How I should like to join with +you in your thoughtful remembrance, and in your somewhat unceleritous +journey to the churchyard! But, no, the case of Blackbridge _vs._ +Bridgeblack will be called at twelve, and I have no time to lose.' + +Pidgeon entered the carriage. There was a large man on the seat, but +Pigeon found room beside him. The carriage slowly moved off. Pidgeon put +his handkerchief to his eyes; the large man coughed and took a chew of +tobacco. + +Presently said Pidgeon: + +'We are following to the grave the remains of a splendid writer.' + +'Uncommon,' said the large man. 'Sech a man with a pen _I_ never +see--ekalled by few, and excelled by none; copperplate wasn't nowhere.' + +'Indeed,' replied Pidgeon, 'I wasn't aware his chirography was so +unusually elegant; but his books were magnificent, weren't they? So +equable, too, and without that bold speculation that we too often meet +with, nowadays.' + +'Ah, you may well say so,' returned the large man. 'He always kept them +himself; had 'em sent up to his house whenever he was sick, likeways; +but he wasn't without his bold speculations neither. Look at that there +operation of his into figs, last year.' + +'Figs!' + +'Figs, yes; and there was dates into the same cargo.' + +'Dates! figs! My good friend, do you mean to say that the great +Washington Irving speculated in groceries?' + +'Lord, no, not that _I_ know of. This here is Josh Irving, whose +remains'-- + +Pidgeon opened the carriage door, and, being agile, got out without +stopping the procession. Arriving at his office, where the boy was +diligently occupied in sticking red wafers over the velvet of his desk +lid, he took down 'Sugden on Vendors,' to ascertain if there was any +legal remedy for the manner in which he had been sold, and at the latest +dates had unsuccessfully travelled nearly half through that very +entertaining volume. + +THERE is no time to be lost. Either the Union is to be made stronger, or +it is to perish; and the sooner every man's position is defined, the +better. If you are opposed to the war, say so, and step over to +Secession, but do not falter and equivocate, croak and grumble, and play +the bat of the fable. The manly, good, old-fashioned Democrats, at +least, are above this, and are rapidly dividing from the copperheads. +The Philadelphia _Evening Bulletin_, a staunch patriotic journal, says: + +'The sooner that the fact is made clear that the mass of the Democrats, +as well as of all other parties, are loyal and opposed to the infamous +teachings of Vallandigham, Biddle, Reed, Ingersoll, Wood, and their +compeers, the sooner will the war be brought to an end and the Union be +restored.' + +Show your colors. Let us know at once who and what everybody is, in this +great struggle. + + * * * * * + +LOVE-LIFE. + + In a forest lone, 'neath a mossy stone, + Pale flowrets grew: + No sunlight fell in the sombre dell, + Raindrop nor dew. + + Bring them to light, where all is bright, + See if they grow? + Yes, stem and leaf are green, + While, hid in crimson sheen, + The petals glow. + + Girl blossoms, too, love the sun and dew, + And the soft air: + Hidden from love's eye they fade and die, + In city low or cloister high, + Yes, everywhere. + + Give them but love, the fire from above, + And they will grow, + The once cold children of the gloom, + Rich in their bloom, shedding perfume + On high and low. + + * * * * * + +We beg leave to remind our readers that Mr. LELAND'S new book, _Sunshine +in Thought_, retail price $1, is given as a premium to all who subscribe +$3 in advance to the CONTINENTAL MONTHLY. Will the reader permit us to +call attention to the following notice of the work from the Philadelphia +_Evening Bulletin_: + + 'A beautiful volume, entitled _Sunshine in Thought_, by Charles + Godfrey Leland, has just been published by Charles T. Evans. No + work from Mr. Leland's pen has afforded us so much pleasure, and we + recommend it to all who want and relish bright, refreshing, + cheering reading. It consists of a number of essays, the main idea + of which is to inculcate joyousness in thought and feeling, in + opposition to the sickly, sentimental seriousness which is so much + affected in literature and in society. That a volume based on this + one idea should be filled with reading that is never tiresome, is a + proof of great cleverness. But Mr. Leland's varied learning, and + his extensive acquaintance with foreign as well as English + literature, combine with his native talent to qualify him for such + a work. He has done nothing so well, not even his admirable + translation of Heine's _Reisebilder_. He is thoroughly imbued with + the spirit of his motto, '_Hilariter_,' and in expressing his + bright thoughts, he has been peculiarly felicitous in style. + Nothing of his that we have read shows so much elegance and polish. + Every chapter in the book is delightful, but we especially enjoyed + that on 'Tannhæuser,' with the fine translation and subsequent + elucidation of the famous legend.' But the boldest and most + original chapter is the concluding one, with its strange + speculations on 'The Musical After-Life of the Soul,' and the + after-death experience of 'Dione' and 'Bel-er-oph-on,' which the + author characterizes in the conclusion as 'an idle, fantastic, + foolish dream.' So it may be, but it is as vividly told as any + dream of the Opium-Eater or the Hasheesh-Eater. Mr. Leland is to be + congratulated on his _Sunshine in Thought_. It is a book that will + be enjoyed by every reader of culture, and its effect will be good + wherever it is read.' + +The aim proposed in this work is one of great interest at the present +time, or, as the Philadelphia _North American_ declares, 'is a great and +noble one'--'to aid in fully developing the glorious problem of freeing +labor from every drawback, and of constantly raising it and intellect in +the social scale.' 'Mr. LELAND believes that one of the most powerful +levers for raising labor to its true position in the estimation of the +world, is the encouragement of cheerfulness and joyousness in every +phase of literature and of practical life.' 'The work is one long, +glowing sermon, the text of which is the example of Jesus Christ.' + + E. K. + + +BUST-HEAD WHISKEY. + +For two days the quiet of the Rising Sun Tavern, in the quaint little +town of Shearsville, Ohio, was disturbed by a drunken Democratic member +of the Pennsylvania Legislature, who visited the town in order to +address what he hoped would turn out to be the assembled multitude of +copperheads, but which proved after all no great snakes! + +For two days this worthless vagabond insulted travellers stopping at the +tavern, until at last the landlord's wife, a woman of some intelligence, +determined to have her revenge, since no man on the premises had pluck +enough to give the sot the thrashing he so well merited. + +On the third day, after a very severe night's carouse on bust-head +whiskey, the Pennsylvanian appeared at the breakfast table, looking +sadly the worse for wear, and having an awful headache. The landlady +having previously removed the only looking glass in the tavern--one +hanging in the barroom--said to the beast as he sat down to table: + +'Poor man! oh, what _is_ the matter with your face? It is terribly +swollen, and your whole head too. Can't I do something for you? send for +the doctor, or'-- + +The legislator, who was in a state of half-besottedness, listened with +sharp ears to this remark, but believing the landlady was only making +fun of him, interrupted her with-- + +'There ain't nothin' the matter with my head. I'm all right; only a +little headache what don't 'mount to nothing.' + +But a man who sat opposite to him at table, and who had his clue from +the landlady, said with an alarmed look-- + +'I say, mister, I don't know it's any of my business, but I'll be hanged +for a horse thief, if your head ain't swelled up twicet its nat'ral +size. You'd better do something for it, I'm thinking.' + +The drunken legislator! (Legislator, _n._ One who makes laws for a +state: vide dictionary) believing at last that his face must in fact be +swollen, since several other travellers, who were in the plot, also +spoke to him of his shocking appearance, got up from the table and went +out to the barroom to consult the looking glass, such luxuries not being +placed in the chambers. But there was no glass there. After some time he +found the landlady, and she told him that the barroom glass was broken, +but she could lend him a small one; which she at once gave him. + +The poor sot, with trembling hand, held it in front of his face, and +looked in. + +'Well,' said he, 'if that ain't a swelled head I hope I may never be a +senator! or sell my vote again at Harrisburg.' + +'Poor man!' exclaimed the bystanders. + +'Fellers,' said the legislator, 'wot d'ye think I'd better do?' Here he +gave another hard look in the glass. 'I ought to be back in Harrisburg +right off, but I cant go with a head like that onto me. Nobody'd give me +ten cents to vote for 'em with such a head as that. It's a'-- + +'Big thing,' interrupted a bystander. + +'Fellers,' said the blackguard, 'I'll kill a feller any day of the week, +with old rye, if he'll only tell er feller how to cure this head of +mine.' + +'Have it shaved, sir, by all means,' spoke the landlady: 'shaved at +once, and then a mild fly blister will draw out the inflammation, and +the swelling will go down. Don't you think so, doctor?' + +The doctor thus addressed was a cow doctor, but, accustomed to attending +brutes, his advice was worth something in the present case; so he also +recommended shaving and blistering. + +'I'll go git the barber right off the reel, sha'n't I?' asked the +doctor, to which the legislator assenting, it chanced that in fifteen +minutes his head was as bald as a billiard ball, and in a few more was +covered with a good-sized fly blister. + +'Ouch--good woman--how it hurts!' he cried. But that was only the +beginning of it. + +'Ee-ea-ah!' he roared, as it grew hotter and hotter. One might have +heard him a mile. The neighbors did hear it, and rushed in. The joke was +'contaminated' round among them, and they enjoyed it. He had disgusted +them all. + +'Golly! what a big head!' cried a bystander. + +The legislator took another look at the glass. They held it about a yard +from him. + +'It's gittin' smaller, ain't it?' he groaned. + +'Yes, it's wiltin',' said the landlady. 'Now go to bed.' + +He went, and on rising departed. Whether he ever became an honest man is +not known, but the legend says he has from that day avoided 'bust-head +whiskey.' + + * * * * * + +Don't you _see_ it, reader? The landlady had shown him his face in a +convex mirror--one of those old-fashioned things, which may occasionally +be found in country taverns. + + * * * * * + +WAR-WAIFS. + +The chronicles of war in all ages show us that this internecine strife +into which we of the North have been driven by those who will eventually +rue the necessity, is by no manner of means the first in which brother +has literally been pitted against brother in the deadly 'tug of war.' +The fiercest conflict of the kind, however, which we can at present call +up from the memory of past readings, was one in which THEODEBERT, king +of Austria, took the field against his own brother, THIERRI, king of +Burgundy. Historians tell us that, so close was the hand-to-hand +fighting in this battle, slain soldiers did not fall until the _mélée_ +was over, but were borne to and fro in an upright position amid the +serried ranks. + + * * * * * + +Although many and many of England's greatest battles have been won for +her by her Irish soldiers, it is not always that the latter can be +depended upon by her. With the Celt, above all men, 'blood is thicker +than water;' and, although he is very handy at breaking the head of +another Celt with a blackthorn 'alpeen,' in a free faction fight, he +objects to making assaults upon his fellow countrymen with the 'pomp and +circumstance of war.' A striking instance of this occurred during the +Irish rebellion of 1798. The 5th Royal Irish Light Dragoons refused to +charge upon a body of the rebels when the word was given. Not a man or +horse stirred from the ranks. Here was a difficult card to play, now, +for the authorities, because it would have been inconvenient to try the +whole regiment by court martial, and the soldiers were quite too +valuable to be mowed down _en masse_. The only course left was to +disband the regiment, which was done. The disaffected men were +distributed into regiments serving in India and other remote colonies, +and the officers, none of whom, we believe, were involved in the mutiny, +were provided for in various quarters. The circumstance was commemorated +in a curious way. It was ordered that the 5th Royal Irish Light Dragoons +should be erased from the records of the army list, in which a blank +between the 4th and 6th Dragoons should remain forever, as a memorial of +disgrace. For upward of half a century this gap remained in the army +list, as anybody may see by referring to any number of that publication +of half-a-dozen years back. The regiment was revived during, or just +after, the Crimean war, and the numbers in the army list are once more +complete. + + + + +THE + +CONTINENTAL MONTHLY. + + +The readers of the CONTINENTAL are aware of the important position it +has assumed, of the influence which it exerts, and of the brilliant +array of political and literary talent of the highest order which +supports it. No publication of the kind has, in this country, so +successfully combined the energy and freedom of the daily newspaper with +the higher literary tone of the first-class monthly; and it is very +certain that no magazine has given wider range to its contributors, or +preserved itself so completely from the narrow influences of party or of +faction. In times like the present, such a journal is either a power in +the land or it is nothing. That the CONTINENTAL is not the latter is +abundantly evidenced _by what it has done_--by the reflection of its +counsels in many important public events, and in the character and power +of those who are its staunchest supporters. + +Though but little more than a year has elapsed since the CONTINENTAL was +first established, it has during that time acquired a strength and a +political significance elevating it to a position far above that +previously occupied by any publication of the kind in America. In proof +of which assertion we call attention, to the following facts: + +1. Of its POLITICAL articles republished in pamphlet form, a single one +has had, thus far, a circulation of _one hundred and six thousand_ +copies. + +2. From its LITERARY department, a single serial novel, "Among the +Pines," has, within a very few months, sold nearly _thirty-five +thousand_ copies. Two other series of its literary articles have also +been republished in book form, while the first portion of a third is +already in press. + +No more conclusive facts need be alleged to prove the excellence of the +contributions to the CONTINENTAL, or their _extraordinary popularity_; +and its conductors are determined that it shall not fall behind. +Preserving all "the boldness, vigor, and ability" which a thousand +journals have attributed to it, it will greatly enlarge its circle of +action, and discuss, fearlessly and frankly, every principle involved in +the great questions of the day. The first minds of the country, +embracing the men most familiar with its diplomacy and most +distinguished for ability, are among its contributors; and it is no mere +"flattering promise of a prospectus" to say that this "magazine for the +times" will employ the first intellect in America, under auspices which +no publication ever enjoyed before in this country. + +While the CONTINENTAL will express decided opinions on the great +questions of the day, it will not be a mere political journal: much the +larger portion of its columns will be enlivened, as heretofore, by +tales, poetry, and humor. In a word, the CONTINENTAL will be found, +under its new staff of Editors, occupying, a position and presenting +attractions never before found in a magazine. + + + + +TERMS TO CLUBS. + + Two copies for one year, Five dollars. + + Three copies for one year, Six dollars. + + Six copies for one year, Eleven dollars. + + Eleven copies for one year, Twenty dollars. + + Twenty copies for one year, Thirty-six dollars. + + PAID IN ADVANCE. + + _Postage, Thirty-six cents a year_, TO BE PAID BY THE SUBSCRIBER. + + SINGLE COPIES. + + Three dollars a year, IN ADVANCE. _Postage paid by the Publisher._ + + + JOHN F. TROW, 50 Greene St, N.Y., + + PUBLISHER FOR THE PROPRIETORS. + + +[Symbol: Hand] As an inducement to new subscribers, the Publisher +offers the following liberal premiums: + +[Symbol: Hand] Any person remitting $3, in advance, will receive the +magazine from July, 1862, to January, 1864, thus securing the whole of +Mr. KIMBALL's and Mr. KIRKE's new serials, which are alone worth the +price of subscription. Or, if preferred, a subscriber can take the +magazine for 1863 and a copy of "Among the Pines," or of "Undercurrents +of Wall Street," by R. B. KIMBALL, bound in cloth, or of "Sunshine in +Thought," by CHARLES GODFREY LELAND (retail price, $1.25.) The book to +be sent postage paid. + +[Symbol: Hand] Any person remitting $4.50, will receive the magazine +from its commencement, January, 1862, to January, 1864, thus securing +Mr. KIMBALL's "Was He Successful?" and Mr. KIRKE's "Among the Pines," +and "Merchant's Story," and nearly 3,000 octavo pages of the best +literature in the world. Premium subscribers to pay their own postage. + + + + +[Illustration: THE FINEST FARMING LANDS + +_WHEAT CORN COTTON FRUITS & VEGETABLES_] + +EQUAL TO ANY IN THE WORLD!!! + +MAY BE PROCURED + +At FROM $8 to $12 PER ACRE, + +Near Markets, Schools, Railroads, Churches, and all the blessings of +Civilization. + +1,200,000 Acres, in Farms of 40, 80, 120, 160 Acres and upwards, in +ILLINOIS, the Garden State of America. + + * * * * * + + The Illinois Central Railroad Company offer, ON LONG CREDIT, the + beautiful and fertile PRAIRIE LANDS lying along the whole line of + their Railroad, 700 MILES IN LENGTH, upon the most Favorable Terms + for enabling Farmers, Manufacturers, Mechanics and Workingmen to + make for themselves and their families a competency, and a HOME they + can call THEIR OWN, as will appear from the following statements: + + +ILLINOIS. + +Is about equal in extent to England, with a population of 1,722,666 and +a soil capable of supporting 20,000,000. No State in the Valley of the +Mississippi offers so great an inducement to the settler as the State of +Illinois. There is no part of the world where all the conditions of +climate and soil so admirably combine to produce those two great +staples, CORN and WHEAT. + + +CLIMATE. + +Nowhere can the industrious farmer secure such immediate results from +his labor as on these deep, rich, loamy soils, cultivated with so much +ease. The climate from the extreme southern part of the State to the +Terre Haute, Alton and St. Louis Railroad, a distance of nearly 200 +miles, is well adapted to Winter. + + +WHEAT, CORN, COTTON, TOBACCO. + +Peaches, Pears, Tomatoes, and every variety of fruit and vegetables is +grown in great abundance, from which Chicago and other Northern markets +are furnished from four to six weeks earlier than their immediate +vicinity. Between the Terre Haute, Alton & St. Louis Railway and the +Kankakee and Illinois Rivers, (it distance of 115 miles on the Branch, +and 136 miles on the Main Trunk,) lies the great Corn and Stock raising +portion of the State. + + +THE ORDINARY YIELD + +of Corn is from 50 to 80 bushels per acre. Cattle, Horses, Mules, Sheep +and Hogs are raised here at a small cost, and yield large profits. It is +believed that no section of country presents greater inducements for +Dairy Farming than the Prairies of Illinois, a branch of farming to +which but little attention has been paid, and which must yield sure +profitable results. Between the Kankakee and Illinois Rivers, and +Chicago and Dunleith, (a distance of 56 miles on the Branch and 147 +miles by the Main Trunk,) Timothy Hay, Spring Wheat, Corn, &c., are +produced in great abundance. + + +AGRICULTURAL PRODUCTS. + +The Agricultural products of Illinois are greater than those of any +other State. The Wheat crop of 1861 was estimated at 85,000,000 bushels, +while the Corn crop yields not less than 140,000,000 bushels besides the +crop of Oats, Barley, Rye, Buckwheat, Potatoes, Sweet Potatoes, +Pumpkins, Squashes, Flax, Hemp, Peas, Clover, Cabbage, Beets, Tobacco, +Sorghum, Grapes, Peaches, Apples. &c., which go to swell the vast +aggregate of production in this fertile region. Over Four Million tons +of produce were sent out the State of Illinois during the past year. + + +STOCK RAISING. + +In Central and Southern Illinois uncommon advantages are presented for +the extension of Stock raising. All kinds of Cattle, Horses, Mules, +Sheep, Hogs, &c., of the best breeds, yield handsome profits; large +fortunes have already been made, and the field is open for others to +enter with the fairest prospects of like results. DAIRY FARMING also +presents its inducements to many. + + +CULTIVATION OF COTTON. + +_The experiments in Cotton culture are of very great promise. Commencing +in latitude 39 deg. 30 min. (see Mattoon on the Branch, and Assumption +the Main Line), the Company owns thousands of acres well adapted to the +perfection of this fibre. A settler having a family of young children, +can turn their youthful labor to a most profitable account in the growth +and perfection of this plant._ + + +THE ILLINOIS CENTRAL RAILROAD + +Traverses the whole length of the State, from the banks of the +Mississippi and Lake Michigan to the Ohio, As its name imports, the +Railroad runs through the centre of the State, and on either side of the +road along its whole length lie the lands offered for sale. + + +CITIES, TOWNS, MARKETS DEPOTS. + +There are Ninety-eight Depots on the Company's Railway, giving about one +every seven miles. Cities, Towns and Villages are situated at convenient +distances throughout the whole route, where every desirable commodity +may be found as readily as in the oldest cities of the Union and where +buyers are to be met for all kinds of farm produce. + + +EDUCATION. + +Mechanics and working-men will find the free school system encouraged by +the State, and endowed with a large revenue for the support of the +schools. Children can live in sight of the school, the college, the +church, and grow up with the prosperity of the leading State in the +Great Western Empire. + + * * * * * + + +PRICES AND TERMS OF PAYMENT--ON LONG CREDIT. + +80 acres at $10 per acre with interest at 6 per ct. annually on the +following terms: + + Cash payment $48.00 + Payment in one year 48.00 + " in two years 48.00 + " in three years 48.00 + " in four years 236.00 + " in five years 224.00 + " in six years 212.00 + " in seven years 200.00 + + 40 acres, at $10.00 per acre: + + Cash payment $24.00 + Payment in one year 24.00 + " in two years 24.00 + " in three years 24.00 + " in four years 118.00 + " in five years 112.00 + " in six years 106.00 + " in seven years 100.00 + + + + +Number 17. + +25 Cents. + +THE + +CONTINENTAL + +MONTHLY. + +DEVOTED TO + +Literature and National Policy. + +MAY, 1863. + + NEW YORK: + JOHN F. TROW 50 GREENE STREET + (FOR THE PROPRIETORS). + + HENRY DEXTER AND SINCLAIR TOUSEY. + WASHINGTON, D.C.: FRANCK TAYLOR. + + +CONTENTS.--No. XVII. + + The Great Prairie State. By Mrs. C. M. Kirkland, 513 + + A Winter in Camp. By E. G. Hammond, 519 + + In Memoriam. By Richard Wolcott, 527 + + A Merchant's Story. By Edmund Kirke, 528 + + Shylock _vs._ Antonio. By Carlton Edwards 539 + + A Heroine of To-Day, 543 + + National Ode, 554 + + The Surrender of Forts Jackson and St. Philip, + on the Mississippi. By F. H. Gerdes. Assistant + U. S. Coast Survey, 557 + + Reason, Rhyme, and Rhythm. By Mrs. Martha Cook, 562 + + The Value of the Union. By William H. Muller, 571 + + War Song--Earth's Last Battle. By Mrs. Martha Cook, 586 + + Miriam's Testimony. By M. A. Edwards, 589 + + The Destiny of the African Race in the United States. + By Rev. J. M. Sturtevant, D.D., 600 + + Was He Successful? By Richard B. Kimball, 611 + + The Union. By Hon. Robert J. Walker, 615 + + The Causes and Results of the War. By Lieut. Egbert + Phelps, U.S.A 617 + + Great Heart, 629 + + Literary Notices 630 + + +The June No. of the Continental will contain an article on 'The +Confederation and the Nation,' by Edward Carey. + + * * * * * + +ENTERED, according to Act of Congress, in the year 1862, by JAMES R. +GILMORE, in the Clerk's Office of the District Court of the United +States for the Southern District of New York. + + * * * * * + +JOHN F. TROW, PRINTER. + + + + + +End of the Project Gutenberg EBook of Continental Monthly, Vol. III, No IV, +April 1863, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK CONTINENTAL MONTHLY, APRIL 1863 *** + +***** This file should be named 29736-8.txt or 29736-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/7/3/29736/ + +Produced by Joshua Hutchinson and the Online Distributed +Proofreading Team at https://www.pgdp.net (This file was +produced from images generously made available by Cornell +University Digital Collections) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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April, 1863. No. IV. by Various. + </title> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .75em; + text-align: justify; + margin-bottom: .75em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; +} +div.centered {text-align: center;} /* work around for IE centering with CSS problem part 1 */ + div.centered table {margin-left: auto; margin-right: auto; text-align: left;} /* work around for IE centering with CSS problem part 2 */ + + +.pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; +} /* page numbers */ + + +.blockquot { + margin-left: 5%; + margin-right: 10%; +} + + + +.bb {border-bottom: solid 2px;} + +.bl {border-left: solid 2px;} + +.bt {border-top: solid 2px;} + +.br {border-right: solid 2px;} + +.bbox {border: solid 2px;} + +.center {text-align: center;} + +.smcap {font-variant: small-caps;} + +.caption {font-weight: bold;} + +/* Images */ +.figcenter { + margin: auto; + text-align: center; +} + +.figleft { + float: left; + clear: left; + margin-left: 0; + margin-bottom: 1em; + margin-top: 1em; + margin-right: 1em; + padding: 0; + text-align: center; +} + +.figright { + float: right; + clear: right; + margin-left: 1em; + margin-bottom: + 1em; + margin-top: 1em; + margin-right: 0; + padding: 0; + text-align: center; +} + +/* Footnotes */ +.footnotes {border: dashed 1px;} + +.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + +.footnote .label {position: absolute; right: 84%; text-align: right;} + +.fnanchor { + vertical-align: super; + font-size: .8em; + text-decoration: + none; +} + +.left {float: left; text-align: left;} +.right {float: right; text-align: right;} + +.author {text-align: right; margin-right: 5%;} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Continental Monthly, Vol. III, No IV, April +1863, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Continental Monthly, Vol. III, No IV, April 1863 + Devoted to Literature and National Policy + +Author: Various + +Release Date: August 19, 2009 [EBook #29736] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK CONTINENTAL MONTHLY, APRIL 1863 *** + + + + +Produced by Joshua Hutchinson and the Online Distributed +Proofreading Team at https://www.pgdp.net (This file was +produced from images generously made available by Cornell +University Digital Collections) + + + + + + +</pre> + + + + + +<p><span class='pagenum'><a name="Page_385" id="Page_385">[Pg 385]</a></span></p> + + +<h2>THE</h2> + +<h1>CONTINENTAL MONTHLY:</h1> + +<h4>DEVOTED TO</h4> + +<h2>Literature and National Policy.</h2> + + + +<h3><span class="smcap">Vol. III.</span>—APRIL, 1863.—No. IV.</h3> + +<hr style="width: 65%;" /> +<h3>CONTENTS</h3> + +<div class='centered'> +<table border="0" cellpadding="2" width="65%" cellspacing="0" summary="CONTENTS"> +<tr><td align='left'><a href="#THE_WONDERS_OF_WORDS">THE WONDERS OF WORDS.</a></td></tr> +<tr><td align='left'><a href="#THE_CHECH">THE CHECH.</a></td></tr> +<tr><td align='left'><a href="#PICTURES_FROM_THE_NORTH">PICTURES FROM THE NORTH.</a></td></tr> +<tr><td align='left'><a href="#THE_NEW_RASSELAS">THE NEW RASSELAS.</a></td></tr> +<tr><td align='left'><a href="#THE_CHAINED_RIVER">THE CHAINED RIVER.</a></td></tr> +<tr><td align='left'><a href="#HOW_THE_WAR_AFFECTS_AMERICANS">HOW THE WAR AFFECTS AMERICANS.</a></td></tr> +<tr><td align='left'><a href="#PROMOTED">PROMOTED!</a></td></tr> +<tr><td align='left'><a href="#HENRIETTA_AND_VULCAN">HENRIETTA AND VULCAN.</a></td></tr> +<tr><td align='left'><a href="#ETHEL">ETHEL.</a></td></tr> +<tr><td align='left'><a href="#THE_SKEPTICS_OF_THE_WAVERLEY_NOVELS">THE SKEPTICS OF THE WAVERLEY NOVELS.</a></td></tr> +<tr><td align='left'><a href="#A_CHORD_OF_WOOD">A CHORD OF WOOD.</a></td></tr> +<tr><td align='left'><a href="#A_MERCHANTS_STORY">A MERCHANT'S STORY.</a></td></tr> +<tr><td align='left'><a href="#WAR">WAR.</a></td></tr> +<tr><td align='left'><a href="#A_CHAPTER_ON_WONDERS">A CHAPTER ON WONDERS.</a></td></tr> +<tr><td align='left'><a href="#THE_RETURN">THE RETURN.</a></td></tr> +<tr><td align='left'><a href="#THE_UNION">THE UNION.</a></td></tr> +<tr><td align='left'><a href="#DOWN_IN_TENNESSEE">DOWN IN TENNESSEE.</a></td></tr> +<tr><td align='left'><a href="#POETRY_AND_POETICAL_SELECTIONS">POETRY AND POETICAL SELECTIONS.</a></td></tr> +<tr><td align='left'><a href="#PATRIA_SPES_ULTIMA_MUNDI">PATRIA SPES ULTIMA MUNDI.</a></td></tr> +<tr><td align='left'><a href="#A_FANCY_SKETCH">A FANCY SKETCH.</a></td></tr> +<tr><td align='left'><a href="#THE_SOLDIER">THE SOLDIER.</a></td></tr> +<tr><td align='left'><a href="#OUR_PRESENT_POSITION_ITS_DANGERS_AND_ITS_DUTIES">OUR PRESENT POSITION: ITS DANGERS AND ITS DUTIES.</a></td></tr> +<tr><td align='left'><a href="#THE_COMPLAINING_BORE">THE COMPLAINING BORE.</a></td></tr> +<tr><td align='left'><a href="#DEATH_OF_THE_BRAVE">DEATH OF THE BRAVE.</a></td></tr> +<tr><td align='left'><a href="#LITERARY_NOTICES">LITERARY NOTICES</a></td></tr> +<tr><td align='left'><a href="#EDITORS_TABLE">EDITOR'S TABLE</a></td></tr> +<tr><td align='left'><a href="#CONTENTS_No_XVII">CONTENTS.—No. XVII.</a></td></tr> +</table></div> + + + + +<hr style="width: 65%;" /> +<h2><a name="THE_WONDERS_OF_WORDS" id="THE_WONDERS_OF_WORDS"></a>THE WONDERS OF WORDS.</h2> + + +<p>Every nation has its legend of a 'golden age'—when all was young and +fresh and fair—'<i>comme les couleurs primitives de la nature</i>'—even +before the existence of this gaunt shadow of Sorrow—<i>the shadow of +ourselves</i>—that ever stalks in company with us;—an epoch of Saturnian +rule, when gods held sweet converse with men, and man primeval bounded +with all the elasticity of god-given juvenility:</p> + +<p> +<span style="margin-left: 4em;">('Ah! remember,</span><br /> +<span style="margin-left: 1em;">This—all this—was in the olden</span><br /> +<span style="margin-left: 1em;">Time long ago.')</span><br /> +</p> + +<p>And even now, in spite of our atheism and our apathism, amid all the +overwhelming world-influences of this great 'living Present'—the ghost +of the dead Past will come rushing back upon us with its solemn voices +and its infinite wailings of pity: but soft and faint it comes; for the +wild jarrings of the Now almost prevent us from hearing its still, small +voices. It</p> + +<p> +<span style="margin-left: 1em;">'Is but a <i>dim-remembered</i> story</span><br /> +<span style="margin-left: 1.5em;">Of the old time entombed.'</span><br /> +</p> + +<p>Besides, what is History but the story of the bygone? The elegy, too, +comes to us as the last lamenting, sadly solemn swan-song of that +glorious golden time. And, indeed, are not all poesies but various notes +of that mighty diapason of Thought and Feeling, that has, through the +ages, been singing itself in jubilee and wail?</p> + +<p>So it is in the individual—(for is not the individual ever the +rudimental, formula-like expression of that awful problem which nations +and humanity itself are slowly and painfully working out?): in the +'moonlight of memory' these sorrowful mementos revisit every one of us; +and</p> + +<p> +<span style="margin-left: 4em;">——'But I am not <i>now</i></span><br /> +<span style="margin-left: 1em;">That which I <i>have been</i>'—</span><br /> +</p> + +<p>and <i>vanitas vanitatum!</i> are not only the satisfied croakings of <i>blasé</i> +Childe Harolds, but our universal experience; while from childhood's +gushing glee even unto manhood's sad satiety, we feel that all are +nought but the phantasmagoria</p> + +<p> +<span style="margin-left: 10em;">'of a creature</span><br /> +<span style="margin-left: 1em;"><i>Moving about in worlds not realized</i>.'</span><br /> +</p> + +<p>Listen now to a snatch of melody:</p> + +<p> +<span style="margin-left: 2.5em;">'The rainbow comes and goes,</span><br /> +<span style="margin-left: 3em;">And lovely is the rose,</span><br /> +<span style="margin-left: 3em;">The moon doth with delight</span><br /> +<span style="margin-left: 2em;">Look round her when the heavens are bare;</span><br /> +<span style="margin-left: 3em;">Waters on a starry night</span><br /> +<span style="margin-left: 3em;">Are beautiful and fair;</span><br /> +<span style="margin-left: 2em;">The sunshine is a glorious birth;</span><br /> +<span style="margin-left: 3em;">But yet I know, wherever I go,</span><br /> +<span style="margin-left: 1em;">That there hath passed away a glory from the earth!'</span><br /> +<span class='pagenum'><a name="Page_386" id="Page_386">[Pg 386]</a></span></p> + +<p>So saith the mild Braminical Wordsworth. Now it will be remembered that +Wordsworth, in that glorious ode whence we extract the above, develops +the Platonic idea (shall we call Platonic that which has been +entertained by the wise and the <i>feeling</i> of all times?) of a shadowy +recollection of past and eternal existence in the profundities of the +Divine Heart. 'It sounds forth here a mournful remembrance of a faded +world of gods and heroes—as the echoing plaint for the loss of man's +original, celestial state, and paradisiacal innocence.' And then we have +those transcendent lines that come to us like aromatic breezes blowing +from the Spice Islands:</p> + +<p> +<span style="margin-left: 2.5em;">'Hence in a season of calm weather,</span><br /> +<span style="margin-left: 3em;">Though inland far we be,</span><br /> +<span style="margin-left: 1em;">Our souls have sight of that immortal sea,</span><br /> +<span style="margin-left: 3em;">Which brought us hither,</span><br /> +<span style="margin-left: 3em;">Can in a moment travel thither,</span><br /> +<span style="margin-left: 1em;">And see the Children sport upon the shore,</span><br /> +<span style="margin-left: 1em;">And hear the mighty waters rolling evermore.'</span><br /> +</p> + +<p>But,</p> + +<p> +<span style="margin-left: 8.5em;">'descending</span><br /> +<span style="margin-left: 1em;">From these imaginative heights that yield</span><br /> +<span style="margin-left: 1em;">Far-stretching views into eternity,'—</span><br /> +</p> + +<p>what have the golden age and Platonic <i>dicta</i> to do with our +word-ramble? A good deal. For we will endeavor to show that words, being +the very sign-manual of man's convictions, contain the elements of what +may throw light on both. To essay this:</p> + +<p>Why is it that we generally speak of death as a 'return,' or a 'return +home'? And how is it that this same idea has so remarkably interwoven +itself with the very warp and woof of our language and poetry?—so that +in our fervency, we can sing:</p> + +<p> +<span style="margin-left: 1em;">'Jerusalem, my glorious <i>home</i>,' etc.</span><br /> +</p> + +<p>Does not the very idea (not to mention the composition of the word) of a +'return' involve a previously having been in the place? And we can +scarcely call that 'home' where we have never been before. So, that 'old +Hebrew book' sublimely tells us that 'the spirit of the man <i>returneth</i> +to God who gave it.'</p> + +<p>Is it possible that these can be obscure intimations of that bygone time +when <span class="smcap">WE</span> were rocked in the bosom of the Divine consciousness? +Perhaps.... And now if the reader will pardon a piece of moralizing, we +would say that these expressions teach us in the most emphatic way +that—'<i>This is not our rest</i>.' So that when we have dived into every +mine of knowledge and drunk from every fountain of pleasure; when, with +Dante, we arrive at the painful conclusion that</p> + +<p> +<span style="margin-left: 1em;">'Tutto l'oro, ch'è sotto la luna,</span><br /> +<span style="margin-left: 1em;">E che già fu, di queste anime stanche</span><br /> +<span style="margin-left: 1em;">Non poterebbe farne posar una,'</span><br /> +</p> + +<p>(since, indeed, the Finite can never gain entire satisfaction in +itself)—we may not despair, but still the heart-throbbings, knowing +that He who has—for a season—enveloped us in the mantle of this +sleep-rounded life, and thrown around himself the drapery of the +universe—spangling it with stars—will again take us back to his +fatherly bosom.</p> + +<p>Somewhat analogous to these, and arguing the eternity of our existence, +we have such words as 'decease,' which merely imports a <i>withdrawal</i>; +'demise,' implying also a laying down, a <i>removal</i>. By the way, it is +rather curious to observe the notions in the mind of mankind that have +given rise to the words expressing 'death.' Thus we have the Latin word +<i>mors</i>—allied, perhaps, to the Greek μὁιρα and +μοἱρα,<a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">[1]</a> from μεἱρομαι—to <i>portion out</i>, to <i>assign</i>. Even +this, however, there was a repulsion to using; and both the Greeks and +Romans were wont to slip clear of the employment of their +θἁνατος, <i>mors</i>, etc., by such circumlocutions as <i>vitam suam mutare, +transire e seculo</i>; κοιμἡσατο chalkeon hypnon]—<i>he slept the +brazen sleep</i> (Homer's Iliad, λ, 241); δἑ σκὁτος οσσ εκἁλυψεν<span class='pagenum'><a name="Page_387" id="Page_387">[Pg 387]</a></span>—<i>and darkness covered his eyes</i> (Iliad, +Ζ, 11); or <i>he completeth the destiny of life</i>, etc. This reminds us +of the French aversion to uttering their <i>mort</i>. These expressions, +again, are suggestive of our 'fate,' with an application similar to the +Latin <i>fatum</i>, which, indeed, is none other than 'id quod <i>fatum est</i> a +deis'—a God's word. So that in this sense we may all be considered +'fatalists,' and all things <i>fated</i>. Why not? However, in the following +from <i>Festus</i>, it is the 'deil' that makes the assertion:</p> + +<p> +<span style="margin-left: 1em;">'<span class="smcap">Festus.</span> Forced on us.</span><br /> +<br /> +<span style="margin-left: 1em;"><span class="smcap">Lucifer.</span> <i>All things are of necessity.</i></span><br /> +<br /> +<span style="margin-left: 1em;"><span class="smcap">Festus.</span> Then best.</span><br /> +<span style="margin-left: 1.5em;">But the good are never fatalists. The bad</span><br /> +<span style="margin-left: 1.5em;">Alone act by necessity, they say.</span><br /> +<br /> +<span style="margin-left: 1em;"><span class="smcap">Lucifer.</span> It matters not what men assume to be;</span><br /> +<span style="margin-left: 1.5em;">Or good, or bad, they are but what they are.'</span><br /> +</p> + +<p>In which we may agree that his majesty was not so very far wrong.</p> + +<p>Moreover, 'Why <i>should</i> we mourn departed friends?'—since we know that +they are but lying in the μοιμητἡριον (cemetery)—the <i>sleeping +place</i>; or, as the vivid old Hebrew faith would have it, <i>the house of +the living</i> (Bethaim). Is not this testimony for the soul's immortality +worth as much as all the rhapsody written thereon, from Plato to +Addison?</p> + +<p>Some words are the very essence of poetry; redolent with all beauteous +phantasies; odoriferous as flowers in spring, or discoursing an awful +organ-melody, like to the re-bellowing of the hoarse-sounding sea. For +instance, those two noble old Saxon words 'main' and 'deep,' that we +apply to the ocean—what a music is there about them! The 'main' is the +<i>maegen</i>—the strength, the <i>strong one</i>; the great 'deep' is precisely +what the name imports. Our employment of 'deep' reminds of the Latin +<i>altum</i>, which, properly signifying high or lofty, is, by a familiar +species of metonymy, put for its opposite.</p> + +<p>By the way, how exceedingly timid are our poets and poetasters generally +of the open sea—<i>la pleine mer</i>. They linger around the shores thereof, +in a vain attempt to sit snugly there <i>à leur aise</i>, while they 'call +spirits from the vasty deep'—that never did and never would come on +such conditions, though they grew hoarse over it. We all remember how +Sandy Smith labors with making abortive <i>grabs</i> at its <i>amber tails</i>, +<i>main</i>, etc. (rather slippery articles on the whole)—but he is not</p> + +<p> +<span style="margin-left: 1em;">'A shepherd in the Hebrid Isles,</span><br /> +<span style="margin-left: 1em;"><i>Placed far amid the melancholy main!</i>'</span><br /> +</p> + +<p>Hail shade of Thomson! But hear how the exile sings it:</p> + +<p> +<span style="margin-left: 1em;">'La mer! partout la mer! des flots, des flots encor!</span><br /> +<span style="margin-left: 1em;">L'oiseau fatigue en vain son inégal essor.</span><br /> +<span style="margin-left: 2.5em;">Ici les flots, là-bas les ondes.</span><br /> +<span style="margin-left: 1em;">Toujours des flots sans fin par des flots repoussés;</span><br /> +<span style="margin-left: 1em;">L'œil ne voit que des flots dans l'abime entassés</span><br /> +<span style="margin-left: 2.5em;">Rouler sous les vaques profondes.'<a name="FNanchor_2_2" id="FNanchor_2_2"></a><a href="#Footnote_2_2" class="fnanchor">[2]</a></span><br /> +</p> + +<p>This we, for our part, would pronounce one of the very best open-sea +sketches we have ever met with; and if the reader will take even our +unequal rendering, he may think so too.</p> + +<p> +<span style="margin-left: 1em;">'The sea! all round, the sea! flood, flood o'er billow surges!</span><br /> +<span style="margin-left: 1.5em;">In vain the bird fatigued its faltering wing here urges.</span><br /> +<span style="margin-left: 2.5em;">Billows beneath, waves, waves around;</span><br /> +<span style="margin-left: 1em;">Ever the floods (no end!) by urging floods repulsed;</span><br /> +<span style="margin-left: 1em;">The eye sees but the waves, in an abyss engulphed,</span><br /> +<span style="margin-left: 2.5em;">Roll 'neath their lairs profound.'</span><br /> +</p> + +<p>'Aurora' comes to us as a remnant of that beautiful Grecian mythology +that deified and poetized everything; and even to us she is still the +'rosy-fingered daughter of the morn.' The 'Levant,' 'Orient,' and +'Occident' are all of them poetical, for they are all true translations +from nature. The 'Levant' is where the sun is <i>levant</i>, raising himself +up. 'Orient' will be recognized as the same figure from <i>orior</i>; while +'occident' is, of course,<span class='pagenum'><a name="Page_388" id="Page_388">[Pg 388]</a></span> the opposite in signification, namely, the +declining, the 'setting' place.</p> + +<p>'Lethe' is another classic myth. It is ὁ τἡς λἡθης ροταμὁς—the river of forgetfulness, 'the oblivious pool.' Perhaps is +it that all of us, as well as the son of Thetis, had a dip therein.</p> + +<p>There exists not a more poetic expression than 'Hyperborean,' <i>i. e.</i> +υπερβὁρεος—<i>beyond Boreas</i>; or, as a modern poet finely and +faithfully expands it:</p> + +<p> +<span style="margin-left: 7.5em;">'Beyond those regions cold</span><br /> +<span style="margin-left: 1em;">Where dwells the Spirit of the North-Wind,</span><br /> +<span style="margin-left: 2.5em;">Boreas old.'</span><br /> +</p> + +<p>Homer never manifested himself to be more of a poet than in the creation +of this word. By the way, the Hyperboreans were regarded by the ancients +as an extremely happy and pious people.</p> + +<p>How few of those who use that very vague, grandiloquent word 'Ambrosial' +know that it has reference to the 'ambrosia' (ἁμβροτος, +<i>immortal</i>), the food of the gods! It has, however, a secondary +signification, namely, that of an unguent, or perfume, hence fragrant; +and this is probably the prevailing idea in our 'ambrosial': instance +Milton's 'ambrosial flowers.' It was, like the 'nectar' (νἑκταρ, an <i>elixir vitæ</i>), considered a veritable elixir of +immortality, and consequently denied to men.</p> + +<p>The Immortals, in their golden halls of 'many-topped Olympus,' seem to +have led a merry-enough life of it over their nectar and ambrosia, their +laughter and intrigues.</p> + +<p>But not half as jolly were they as were Odin and the Iotun—dead drunk +in Valhalla over their mead and ale, from</p> + +<p> +<span style="margin-left: 4em;">'the ale-cellars of the Iotun,</span><br /> +<span style="margin-left: 1em;">Which is called Brimir.'</span><br /> +</p> + +<p>The daisy (Saxon <i>Daeges ege</i>) has often been cited as fragrant with +poesy. It is the <i>Day's Eye</i>: we remember Chaucer's affectionate lines:</p> + +<p> +<span style="margin-left: 4em;">'Of all the floures in the mede</span><br /> +<span style="margin-left: 1em;">Than love I most those floures of white and rede,</span><br /> +<span style="margin-left: 1em;">Such that men called <i>daisies</i> in our toun,</span><br /> +<span style="margin-left: 1em;">To them I have so great affection.'</span><br /> +</p> + +<p>Nor is he alone in his love for the</p> + +<p> +<span style="margin-left: 1em;"><i>'Wee, modest, crimson-tipped flouer.'</i></span><br /> +</p> + +<p>An odoriferous-enough (etymologic) bouquet could we cull from the names +of Flora's children. What a beauty is there in the 'primrose,' which is +just the <i>prime</i>-rose; in the 'Beauty of the Night' and the 'Morning +Glory,' except when a pompous scientific terminology, would convert it +into a <i>convolvulus</i>! So, too, the 'Anemone' (ἁνεμος, the +wind-flower), into which it is fabled Venus changed her Adonis. What a +story of maiden's love does the 'Sweet William' tell; and how many +charming associations cluster around the 'Forget-me-not!' Again, is +there not poetry in calling a certain family of minute crustacea, whose +two eyes meet and form a single round spot in the centre of the head, +'Cyclops'—(κὑκλοψ, circular-eyed)?</p> + +<p>And if any one thinketh that there cannot be poetry even in the dry +technicalities of science, let him take such an expression as 'coral,' +which, in the original Greek, κορἁλιον, signifies a <i>sea +damsel</i>; or the chemical 'cobalt,' 'which,' remarks Webster, 'is said to +be the German <i>Kobold</i>, a goblin, the demon of the mines; so called by +miners, because cobalt was troublesome to miners, and at first its value +was not known.' Ah! but these terms were created before <i>Science</i>, in +its rigidity, had taught us the <i>truth</i> in regard to these matters. Yes! +and fortunate is it for us that we still have words, and ideas +clustering around these words, that have not yet been chilled and +exanimated by the frigid touch of an empirical knowledge. For</p> + +<p> +<span style="margin-left: 1em;">'Still the heart doth need a language, still</span><br /> +<span style="margin-left: 1em;">Doth the old instinct bring back the old names.'</span><br /> +</p> + +<p>And may benign heaven deliver us from those buckram individuals who +imagine that Nature is as narrow and rigid as their own contracted +selves, and who would seek to array her in their own exquisite +bottle-green bifur<span class='pagenum'><a name="Page_389" id="Page_389">[Pg 389]</a></span>cations and a <i>gilet à la mode</i>! These characters +always put us in mind of the statues of Louis XIV, in which he is +represented as Jupiter or Hercules, nude, with the exception of the +lion's hide thrown round him—<i>and the long, flowing peruke</i> of the +times! O Jupiter <i>tonans</i>! let us have either the lion or the ass—only +let it be <i>veracious</i>!</p> + +<p>To proceed: 'Auburn' is probably connected with <i>brennan</i>, and means +<i>sun-burned</i>, analogous, indeed, to 'Ethiopian' (Ἁθἱοψ), +<i>one whom the sun has looked upon</i>.</p> + +<p>How seldom do we think, in uttering 'adieu,' that we verily say, I +commend you <i>à Dieu</i>—to God; that the lightly-spoken <i>good-by</i> means +<i>God be wi' you</i>,<a name="FNanchor_3_3" id="FNanchor_3_3"></a><a href="#Footnote_3_3" class="fnanchor">[3]</a> or that the (if possible) still more frequent and +<i>unthinking</i> 'thank you,' in reality assures the person addressed—<i>I +will think often of you</i>.</p> + +<p>'Eld' is a word that has the poetic aroma about it, and is an example +(of which we might adduce additional cases from the domain of 'poetic +diction') of a word set aside from a prose use and devoted exclusively +to poetry. It is, as we know, Saxon, signifying <i>old</i> or <i>old age</i>, and +was formerly in constant use in this sense; as, for instance, in +Chaucer's translation of <i>Boethius de Consolatione Philosophiæ</i>, we find +thus:</p> + +<div class="blockquot"><p>'At laste no drede ne might overcame tho muses, that thei ne weren +fellowes, and foloweden my waie, that is to saie, when I was +exiled, thei that weren of my youth whilom welfull and grene, +comforten now sorrowfull weirdes of me olde man: for <i>elde</i> is +comen unwarely upon me, hasted by the harmes that I have, and +sorowe hath commaunded his age to be in me.'</p></div> + +<p>So in the <i>Knightes Tale</i>:</p> + +<p> +<span style="margin-left: 1em;">'As sooth in said <i>elde</i> hath gret avantage;</span><br /> +<span style="margin-left: 1em;">In <i>elde</i> is both wisdom and usage:</span><br /> +<span style="margin-left: 1em;">Men may the old out-renne but not out-rede.'</span><br /> +</p> + +<p>Oh! what an overflowing fulness of truth and beauty is there wrapped up +in the core of these articulations that we so heedlessly utter, would we +but make use of the wizard's wand wherewith to evoke them! What an +exhaustless wealth does there lie in even the humblest fruitage and +flowerage of language, and what a fecundity have even dry 'roots'!</p> + +<p>'Thinkest thou there were no poets till Dan Chaucer?' asks our great +Thomas; 'no heart burning with a thought, which it could not hold, and +had no word for; and needed to shape and coin a word for—what thou +callest a metaphor, trope, or the like? For every word we have, there +was such a man and poet. The coldest word was once a glowing new +metaphor, and bold questionable originality. 'Thy very <span class="smcap">ATTENTION</span>, does +it not mean an <i>attentio</i>, a <span class="smcap">STRETCHING-TO</span>?' Fancy that act of the mind +which all were conscious of, which none had yet named—when this new +'poet' first felt bound and driven to name it! His questionable +originality and new glowing metaphor was found adoptible, intelligible; +and remains our name for it to this day.'<a name="FNanchor_4_4" id="FNanchor_4_4"></a><a href="#Footnote_4_4" class="fnanchor">[4]</a></p> + +<p>This seems to be a pet etymology of Carlyle, as he makes Professor +Teufelsdröckh give it to us also.</p> + +<p>Nor less of a poet was that Grecian man who first named this beauteous +world—with its boundless unity in variety—the κὁσμος,<a name="FNanchor_5_5" id="FNanchor_5_5"></a><a href="#Footnote_5_5" class="fnanchor">[5]</a> the +<i>order</i>, the <i>adornment</i>. But</p> + +<p> +<span style="margin-left: 1em;">'Alas, for the rarity</span><br /> +<span style="margin-left: 1em;">Of Christian charity,'</span><br /> +</p> + +<p>and</p> + +<p> +<span style="margin-left: 1em;">'Ah! the inanity</span><br /> +<span style="margin-left: 1em;">Of frail humanity,'</span><br /> +</p> + +<p>that first induced some luckless mortal to give to certain mysterious +compounds the appellation of <i>cosmetics</i>! But here is an atonement; for +even in our unmythical, unbelieving days, the god 'Terminus' is made to +stand guard over every railway station! Again, how finely did the Roman +call his hero<span class='pagenum'><a name="Page_390" id="Page_390">[Pg 390]</a></span>ism his 'virtus'—his <i>vir</i>tue—his <i>manliness</i>. With the +Italians, however, it became quite a different thing; for his 'virtu' is +none other than his love of the fine arts (these being to him the only +subject of <i>manly</i> occupation), a mere <i>objet de vertu</i>; and his +<i>virtuoso</i> has no more virtuousness or manliness about him than what +appertains to being skilled in these same fine arts. With us, our +'virtue' is ... well, as soon as we can find out, we will tell you.</p> + +<p>By the way, in what a <i>bathos</i> of mystery are most of our terms +expressing the moral relations plunged! Some philosophers have declared +that truth lies at the bottom of a well;—the well in which the truth in +regard to these matters lies would seem to stretch far enough +down—reaching, in fact, almost to the kingdom of the Inane. The +beautiful simplicity of Bible truths has often become so perverted—so +overloaded by the vain works (and <i>words</i>) of man's device—as barely to +escape total extinction. Witness 'repentance'; in what a farrago of +endless absurdities and palpable contradictions has this word (and, more +unfortunately still, the thing itself along with it) been enveloped! +According to the 'divines,' what does it not signify? Its composition, +we very well know, gives us <i>pœnitentia</i>, from <i>pœnitere</i>, to <i>be +sorry</i>, to <i>regret</i>—and such is its true and <i>only</i> meaning. 'This +design' (that of the analysis of language in its elementary forms), says +Wilkins, 'will likewise contribute much to the clearing of some of our +modern differences in religion; by unmasking many wild errors, that +shelter themselves under the disguise of affected phrases; which being +philosophically unfolded, and rendered according to the genuine and +natural importance of words, will appear to be inconsistencies and +absurdities.' Nor would he have gone very far astray had he put +<i>philosophy</i> and <i>politics</i> under the same category. Strip the gaudy +dress and trappings from an expression, and it will have a most marked +result. Analysis is a terrible humiliation to your mysticism and your +grandiloquence—and an awful bore to those who depend for effect on +either. We have something to say hereafter on those astonishingly +profound oracles whose only depth is in the terminology they employ. In +the mean time, expect not too much of words. Never, in all our +philologic researches, must we lose sight of the fact that <i>words are +but the daughters of earth, while things are the sons of heaven</i>. This +expecting too much of words has been the fruitful source of innumerable +errors. To resume:</p> + +<p>Take a dozen words (to prove our generosity, we will let it be a baker's +dozen) illustrative of this same principle of metaphor that governs the +mechanism of language, and sheds a glory and a beauty around even our +every-day fireside words; so that even those that seem hackneyed, worn +out, and apparently tottering with the imbecility of old age—would we +but get into the core of them—will shine forth with all the expressive +meaning of their spring time—with the blush and bloom of poesy—</p> + +<p> +<span style="margin-left: 1em;">'All redolent with youth and flowers,'</span><br /> +</p> + +<p>and prove their very abusers—poets.</p> + +<p>The 'halcyon' days! What a balmy serenity hovers around them—basking in +the sunlight of undisturbed tranquillity. This we feel; but how we +realize it after reading the little <i>family secret</i> that it wraps up! +The Ἁλκυὡν (halcyon)—<i>alcedo hispida</i>—was the name applied +by the Greeks to the <i>kingfisher</i> (a name commonly derived from +Ἁλς, κυλ, i. e., <i>sea-conceiving</i>, from the fact of this bird's being +said to lay her eggs in rocks near the sea); and the ἁλκκυονἱδες ἡμἑραι—<i>halcyon days</i>—were those fourteen 'during the calm weather +about the winter solstice,' during which the bird was said to build her +nest and lay her eggs; hence, by an easy transition, perfect quietude in +general.</p> + +<p>Those who have felt the bitter, biting<span class='pagenum'><a name="Page_391" id="Page_391">[Pg 391]</a></span> effect of 'sarcasm,' will hardly +be disposed to consider it a metaphor even, should we trace it back to +the Greek σαρκἁζω—<i>to tear off the flesh</i> (σαρξ), +<i>literally</i>, to 'flay.' 'Satire,' again, has an arbitrary-enough origin; +it is <i>satira</i>, from <i>satur</i>, <i>mixed</i>; and the application is as +follows: each species of poetry had, among the Romans, its own special +kind of versification; thus the hexameter was used in the epic, the +iambic in the drama, etc. Ennius, however, the earliest Latin +'satirist,' first disregarded these conventionalities, and introduced a +<i>medley</i> (satira) of all kinds of metres. It afterward, however, lost +this idea of a <i>melange</i>, and acquired the notion of a poem 'directed +against the vices and failings of men with a view to their correction.'</p> + +<p>Perhaps we owe to reviewing the metaphorical applications of such terms +as 'caustic,' 'mordant,' 'piquant,' etc., in their <i>burning</i>, <i>biting</i>, +and <i>pricking</i> senses.</p> + +<p>But 'review,' itself, we are to regard as pure metaphor. Our friend +'Snooks,' at least, found <i>that</i> out; for, instead of <i>re</i>-viewing—<i>i. +e.</i>, viewing again and again his book, they pronounced it to be +decidedly bad without any examination whatever. A 'critic' we all +recognize in his character of <i>judge</i> or <i>umpire</i>; but is it that he +always possesses discrimination—has he always <i>insight</i> (for these are +the primary ideas attaching themselves to κρἱνω, whence κριτικὁς + comes)—does he divide between the merely arbitrary and +incidental, and see into the absolute and eternal Art-Soul that vivifies +a poem or a picture? If so, then is he a critic indeed.</p> + +<p>How perfectly do 'invidiousness' and 'envy'<a name="FNanchor_6_6" id="FNanchor_6_6"></a><a href="#Footnote_6_6" class="fnanchor">[6]</a> express the <i>looking over +against</i> (<i>in-video</i>)—the <i>askance gaze</i>—the natural development of +that painful mental state which poor humanity is so subject to! So with +'obstinacy' (<i>ob-sto</i>), which, by the way, the phrenologists represent, +literally enough, by an ass in a position which assuredly Webster had in +his mind when he wrote his definition of this word; thus: ... '<i>in a +fixedness in opinion or resolution that cannot be shaken at all, or +without great difficulty</i>.'</p> + +<p>Speaking of this reminds us of those very capital 'Illustrations of +Phrenology,' by Cruikshank, with which we all are familiar, and where, +for example, '<i>veneration</i> is exemplified by a stout old gentleman, with +an ample paunch, gazing with admiring eyes and uplifted hands on the fat +side of an ox fed by Mr. Heavyside, and exhibited at the stall of a +butcher. In this way a Jew old-clothes man, holding his hand on his +breast with the utmost earnestness, while in the other he offers a coin +for a pair of slippers, two pairs of boots, three hats, and a large +bundle of clothes, to an old woman, who, evidently astonished all over, +exclaims, 'A shilling!' is an illustration of <i>conscientiousness</i>. A +dialogue of two fishwomen at Billingsgate illustrates <i>language</i>, and a +riot at Donnybrook Fair explains the phrenological doctrine of +<i>combativeness</i>.'</p> + +<p>But peace to the 'bumps,' and pass we on. Could anything be more +completely metaphorical than such expressions as 'egregious' and +'fanatic?' 'Egregious' is chosen, <i>e-grex</i>—<i>out of the flock</i>, i. e., +the best sheep, etc., selected from the rest, and set aside for sacred +purposes; hence, <i>distingué</i>. This word, though occupying at present +comparatively neutral ground, seems fast merging toward its worst +application. Can it be that an 'egregious' <i>rogue</i> is an article of so +much more frequent occurrence than an 'egregiously' <i>honest</i> man, that +incongruity seems to subsist between the latter? 'Fanatic,' again, is +just the Roman '<i>fanaticus</i>,' one addicted to the <i>fana</i>,<a name="FNanchor_7_7" id="FNanchor_7_7"></a><a href="#Footnote_7_7" class="fnanchor">[7]</a> the temples +in which the 'fanatici' or fanatics were<span class='pagenum'><a name="Page_392" id="Page_392">[Pg 392]</a></span> wont to spend an extraordinary +portion of their time. But besides this, their religious fervor used to +impel them to many extravagances, such as cutting themselves with +knives, etc., and hence an 'ultraist' (one who goes <i>beyond</i> (ultra) the +notions of other people) in any sense. Whereupon it might be remarked +that though</p> + +<p> +<span style="margin-left: 1em;">'Cœlum, non animum, mutant qui trans mare currunt,'</span><br /> +</p> + +<p>may, in certain applications, be true, it is surely not so in the case +of a good many words. Thus this very instance, 'fanatic,' which, among +the Romans, implied one who had an <i>extra share of devotion</i>, is, among +us—the better informed on this head—by a very curious and very +unfathomable figure (disfigure?) of speech or logic, applied to one who +has a peculiar <i>penchant</i> for human liberty!</p> + +<p> +<span style="margin-left: 1em;">'In the most high and <i>palmy</i> state of Rome,</span><br /> +<span style="margin-left: 1em;">A little ere the mighty Julius fell,</span><br /> +<span style="margin-left: 1em;">The graves stood tenantless, and the sheeted dead</span><br /> +<span style="margin-left: 1em;">Did squeak and gibber in the Roman streets.'</span><br /> +</p> + +<p>We do not quote this for the sake of the making-the-hair-to-stand-on-end +tendencies of the last two lines, but through the voluptuous quiescence +of the first,</p> + +<p> +<span style="margin-left: 1em;">'In the most high and palmy state of Rome,'</span><br /> +</p> + +<p>to introduce the beautifully metaphorical expression, 'palmy.' It will, +of course, be immediately recognized as being from the 'palm' tree; that +is to say, <i>palm-abounding</i>. And what visions of orient splendor does it +bear with it, wafting on its wings the very aroma of the isles of the +blest—μἁκαρων νἡσοι—or</p> + +<p> +<span style="margin-left: 1em;">'Where the gorgeous East, with richest hand,</span><br /> +<span style="margin-left: 1em;">Showers on her kings barbaric pearl and gold!'</span><br /> +</p> + +<p>It bears us away with it, and we stand on that sun-kissed land</p> + +<p> +<span style="margin-left: 1em;">'Whose rivers wander over sands of gold,'</span><br /> +</p> + +<p>with a houri lurking in every 'bosky bourne,' and the beauteous palm, +waving its umbrageous head, at once food, shade, and shelter.</p> + +<p>The palm being to the Oriental of such passing price, we can easily +imagine how he would so enhance its value as to make it the type of +everything that is prosperous and glorious and 'palmy,' the <i>beau-ideal</i> +of everything that is flourishing. Hear what Sir Walter Raleigh says on +this subject: 'Nothing better proveth the excellency of this soil than +the abundant growing of the <i>palm trees</i> without labor of man. <i>This +tree alone giveth unto man whatsoever his life beggeth at nature's +hand.</i>'</p> + +<p>'Paradise,' too, is oriental in all its associations. It is παρἁδεισος,<a name="FNanchor_8_8" id="FNanchor_8_8"></a><a href="#Footnote_8_8" class="fnanchor">[8]</a> that is, a <i>park</i> or <i>pleasure ground</i>, in which sense +it is constantly employed by Xenophon, as every weary youth who has +<i>parasanged</i> it with him knows. By the LXX it was used in a metaphorical +sense for the garden of Eden:</p> + +<p> +<span style="margin-left: 5em;">'The glories we have known,</span><br /> +<span style="margin-left: 1em;">And that imperial palace whence we came;'</span><br /> +</p> + +<p>but a still loftier meaning did it acquire when the Christ employed it +as descriptive of the splendors of the 'better land'—of the glories and +beauties of the land Beulah.</p> + +<p>But, look out, fellow strollers, for we are off in a tangent!</p> + +<p>What a curiously humble origin has 'literature,' contrasted with the +magnitude of its present import. It is just 'litteral'—<i>letters</i> in +their most primitive sense; and γραμματα is nought other. Nor +can even all the pomposity of the 'belles-lettres' carry us any farther +than the very fine 'letters' or <i>litteral</i>; while even Solomon So-so may +take courage when he reflects (provided Solomon be ever guilty of +reflecting) that the 'literati' have 'literally' nothing more profound +about them than the knowledge of their 'letters.' The Latins were +prolific in words of this kind; thus they had the <i>literatus</i> and the +<i>literator</i>—making some such discrimination between them as we do +between 'philosopher' and 'philosophe.'<span class='pagenum'><a name="Page_393" id="Page_393">[Pg 393]</a></span></p> + +<p>'Unlettered,' to be sure, is one who is unacquainted even with his +'letters;' but what is 'erudite?' It is merely <span class="smcap">E</span>, <i>out of</i>, a <span class="smcap">RUDIS</span>, +<i>rude</i>, <i>chaotic</i>, <i>ignorant</i> state of things; and thus in itself +asserts nothing very tremendous, and makes no very prodigious +pretensions. Surely these words had their origin at an epoch when +'letters' stood higher in the scale of estimation than they do now; when +he who knew them possessed a spell that rendered him a potent character +among the 'unlettered.'</p> + +<p>A 'spell' did we say? Perhaps that is not altogether fanciful; for +'spell' itself in the Saxon primarily imports a <i>word</i>; and we know that +the runes or Runic letters were long employed in this way. For instance, +Mr. Turner thus informs us ('History of the Anglo-Saxons,' vol. i, p. +169): 'It was the invariable policy of the Roman ecclesiastics to +discourage the use of the Runic characters, because they were of pagan +origin, and had been much connected with idolatrous superstitions.' And +if any one be incredulous, let him read this from Sir Thomas Brown: +'Some have delivered the polity of spirits, that they stand in awe of +charms, <i>spells</i>, and conjurations; <i>letters</i>, characters, notes, and +dashes.' And have not the Α and Ω something +mystic and cabalistic about them even to us?</p> + +<p>While on this, let us note that 'spell' gives us the beautiful and +cheering expression 'gospel,' which is precisely <i>God's-spell</i>—the +'evangile,' the good God's-news!</p> + +<p>To resume:</p> + +<p>'Graphical' (γρἁφω) is just what is well +delineated—<i>literally</i>, 'well written,' or, as our common expression +corroboratively has it, <i>like a book</i>!</p> + +<p>'Style' and 'stiletto' would, from their significations, appear to be +radically very different words; and yet they are something more akin +than even cousins-german. 'Style' is known to be from the στὑλος, or <i>stylus</i>, which the Greeks and Romans employed in writing on +their waxen tablets; and, as they were both sharp and strong, they +became in the hands of scholars quite formidable instruments when used +against their schoolmasters. Afterward they came to be employed in all +the bloody relations and uses to which a 'bare bodkin' can be put, and +hence our acceptation of 'stiletto.' Cæsar himself, it is supposed, got +his 'quietus' by means of a 'stylus;' nor is he the first or last +character whose 'style' has been his (<i>literary</i>, if not <i>literal</i>) +damnation.</p> + +<p>'Volume,' too, how perfectly metaphorical is it in its present +reception! It is originally just a <i>volumen</i>, that is, a 'roll' of +parchment, papyrus, or whatever else the 'book' (i. e., the <i>bark</i>—the +'liber') might be composed of. Nor can we regard as aught other such +terms as 'leaf' or 'folio,' which is also 'leaf.' 'Stave,' too, is +suggestive of the <i>staff</i> on which the runes were wont to be cut. +Indeed, old almanacs are sometimes to be met with consisting of these +long sticks or 'staves,' on which the days and months are represented by +the Runic letters.</p> + +<p>'Charm,' 'enchant,' and 'incantation' all owe their origin to the time +when spells were in vogue. 'Charm' is just <i>carmen</i>, from the fact that +'a kind of Runic rhyme' was employed in <i>diablerie</i> of this sort; so +'enchant' and 'incantation' are but a <i>singing to</i>—a true 'siren's +song;' while 'fascination' took its rise when the mystic terrors of the +<i>evil eye</i> threw its withering blight over many a heart.</p> + +<p>We are all familiar with the old fable of <i>The Town Mouse and the +Country Mouse</i>. We will vouch that the following read us as luminous a +comment thereon as may be desired: 'Polite,' 'urbane,' 'civil,' +'rustic,' 'villain,' 'savage,' 'pagan,' 'heathen.' Let us seek the +moral:</p> + +<p>'Polite,' 'urbane,' and 'civil' we of course recognize as being +respectively from πὁλις, <i>urbs</i>, and <i>civis</i>, each denoting the +city or town—<i>la grande ville</i>. 'Polite' is <i>city-like</i>; while +'urbanity' and<span class='pagenum'><a name="Page_394" id="Page_394">[Pg 394]</a></span> 'civility' carry nothing deeper with them than the +graces and the attentions that belong to the punctilious town. 'Rustic' +we note as implying nothing more uncultivated than a 'peasant,' which is +just <i>pays</i>-an, or, as we also say, a 'countryman.' 'Savage,' too, or, +as we ought to write it, <i>salvage</i>,<a name="FNanchor_9_9" id="FNanchor_9_9"></a><a href="#Footnote_9_9" class="fnanchor">[9]</a> is nothing more grim or terrible +than one who dwells <i>in sylvis</i>, in the woods—a meaning we can +appreciate from our still comparatively pure application of the +adjective <i>sylvan</i>. A 'backwoodsman' is therefore the very best original +type of a <i>savage</i>! 'Savage' seems to be hesitating between its civil +and its ethical applications; 'villain,' 'pagan,' and 'heathen,' +however, have become quite absorbed in their moral sense—and this by a +contortion that would seem strange enough were we not constantly +accustomed to such transgressions. For we need not to be informed that +'villain' primarily and properly implies simply one who inhabits a ville +or <i>village</i>. In Chaucer, for example, we see it without at least any +moral signification attached thereto:</p> + +<p> +<span style="margin-left: 1em;">'But firste I praie you of your curtesie</span><br /> +<span style="margin-left: 1em;">That ye ne arette it not my <i>vilanie</i>.'</span><br /> +<span style="margin-left: 11em;"><i>Prologue to the Canterbury Tales.</i></span><br /> +</p> + +<p>So a 'pagan,' or <i>paganus</i>, is but a dweller in a <i>pagus</i>, or village; +precisely equivalent to the Greek κωμἡτης, with no other idea +whatever attached thereto; while 'heathen' imported those who lived on +the <i>heaths</i> or in the country, consequently far away from +<i>civilization</i> or <i>town-like-ness</i>.</p> + +<p>From all of which expressions we may learn the mere conventionality and +the utter arbitrariness of even our most important ethical terms. How +prodigiously <i>cheap</i> is the application of any such epithets, +considering the terrible abuse they have undergone! And how poor is that +philosophy that can concentrate 'politeness' and 'civility' in the +frippery and heartlessness of mere external city-forms; and convert the +man who dwells in the woods or in the village into a <i>savage</i> or a +<i>villain</i>! How fearful a lack do these numerous words and their so +prolific analogues manifest of acknowledgment of that glorious principle +which Burns has with fire-words given utterance to—and to which, would +we preserve the dignity of manhood, we must hold on—</p> + +<p> +<span style="margin-left: 1em;">'A man's a man for a' that!'</span><br /> +</p> + +<p>Ah! it is veritably enough to make us atrabiliar! Here we see words in +their weaknesses and their meannesses, as elsewhere in their glory and +beauty. And not so much <i>their</i> meanness and weakness, as that of those +who have distorted these innocent servants of truth to become tools of +falsehood and the abject instruments of the extinction of all honesty +and nobleness.</p> + +<p>The word 'health' wraps up in it—for, indeed, it is hardly +metaphorical—a whole world of thought and suggestion. It is that which +<i>healeth</i> or maketh one to be <i>whole</i>, or, as the Scotch say, <i>hale</i>; +which <i>whole</i> or <i>hale</i> (for they are one word) may imply entireness or +unity; that is to say, perfect 'health' is that state of the system in +which there is no disorganization—no division of interest—but when it +is recognized as a perfect <i>one</i> or whole; or, in other words, not +recognized at all. And this meaning is confirmed by our analogue +<i>sanity</i>, which, from <i>sanus</i>, and allied to σἁος, has +underneath it a similar basis.</p> + +<p>Every student of Carlyle will remember the very telling use to which he +puts the idea contained in this word—speaking of the manifold relations +of physical, psychal, and social health. Reference is made to his +employment of it in the 'Characteristics'—itself one of the most +authentic and veracious pieces of philosophy that it has been our lot to +meet with for a long time; yet wherein he proves the impossibility of +any, and the uselessness of all philosophies. Listen while he +discourses<span class='pagenum'><a name="Page_395" id="Page_395">[Pg 395]</a></span> thereon: 'So long as the several elements of life, all fitly +adjusted, can pour forth their movement like harmonious tuned strings, +it is melody and unison: life, from its mysterious fountains, flows out +as in celestial music and diapason—which, also, like that other music +of the spheres, even because it is perennial and complete, without +interruption and without imperfection, might be fabled to escape the +ear. Thus, too, in some languages, is the state of health well denoted +by a term expressing unity; when we feel ourselves as we wish to be, we +say that we are <i>whole</i>.'</p> + +<p>But our psychal and social wholeness or health, as well as our physical, +is yet, it would appear, in the future, in the good time <i>coming</i>—</p> + +<p> +<span style="margin-left: 5em;">'When man to man</span><br /> +<span style="margin-left: 1em;">Shall brothers be and a' that!'</span><br /> +</p> + +<p>Even that, however, is encouraging—that it is <i>in prospectu</i>. For we +know that <i>right before us</i> lies this great promised land—this +<i>Future</i>, teeming with all the donations of infinite time, and bursting +with blessings. And for us, too, there are in waiting μακἁρων νἡσοι, or Islands of the Blest, where all heroic doers and all heroic +sufferers shall enjoy rest forever!</p> + +<p>In conclusion, take the benediction of serene old Miguel de Cervantes +Saavedra, in his preface to 'Don Quixote' (could we possibly have a +better?): 'And so God give you <i>health</i>, not forgetting me. Farewell!'</p> + + +<hr style="width: 65%;" /> +<h2><a name="THE_CHECH" id="THE_CHECH"></a>THE CHECH.</h2> + +<p class="center">"Chcés li tajnou véc aneb pravdu vyzvédéti, blazen, dité, opily +ćlovék o tom umeji povedeti."</p> + +<p> +<span style="margin-left: 6em;">"Wouldst thou know a truth or mystery,</span><br /> +<span style="margin-left: 6em;">A drunkard, fool, or child may tell it thee."</span><br /> +<span style="margin-left: 16em;"><i>Bohemian Proverb.</i></span><br /> +</p> + + +<p> +<span style="margin-left: 1em;">And now I'll wrap my blanket o'er me,</span><br /> +<span style="margin-left: 2em;">And on the tavern floor I'll lie;</span><br /> +<span style="margin-left: 1em;">A double spirit-flask before me,</span><br /> +<span style="margin-left: 2em;">And watch the pipe clouds melting die.</span><br /> +<br /> +<span style="margin-left: 1em;">They melt and die—but ever darken,</span><br /> +<span style="margin-left: 2em;">As night comes on and hides the day;</span><br /> +<span style="margin-left: 1em;">Till all is black;—then, brothers, hearken!</span><br /> +<span style="margin-left: 2em;">And if ye can, write down my lay!</span><br /> +<br /> +<span style="margin-left: 1em;">In yon black loaf my knife is gleaming,</span><br /> +<span style="margin-left: 2em;">Like one long sail above the boat;—</span><br /> +<span style="margin-left: 1em;">—As once at Pesth I saw it beaming,</span><br /> +<span style="margin-left: 2em;">Half through a curst Croatian throat.</span><br /> +<br /> +<span style="margin-left: 1em;">Now faster, faster whirls the ceiling,</span><br /> +<span style="margin-left: 2em;">And wilder, wilder turns my brain;</span><br /> +<span style="margin-left: 1em;">And still I'll drink—till, past all feeling,</span><br /> +<span class='pagenum'><a name="Page_396" id="Page_396">[Pg 396]</a></span><span style="margin-left: 2em;">The soul leaps forth to light again.</span><br /> +<br /> +<span style="margin-left: 1em;">Whence come these white girls wreathing round me?</span><br /> +<span style="margin-left: 2em;">Baruska!—long I thought thee dead!</span><br /> +<span style="margin-left: 1em;">Kacenka!—when these arms last bound thee,</span><br /> +<span style="margin-left: 2em;">Thou laidst by Rajhrad cold as lead!</span><br /> +<br /> +<span style="margin-left: 1em;">Now faster, faster whirls the ceiling,</span><br /> +<span style="margin-left: 2em;">And wilder, wilder turns my brain;</span><br /> +<span style="margin-left: 1em;">And from afar a star comes stealing,</span><br /> +<span style="margin-left: 2em;">Straight at me o'er the death-black plain.</span><br /> +<br /> +<span style="margin-left: 1em;">Alas!—I sink—my spirits miss me,</span><br /> +<span style="margin-left: 2em;">I swim, I shoot from sky to shore!</span><br /> +<span style="margin-left: 1em;">Klarà! thou golden sister—kiss me!</span><br /> +<span style="margin-left: 2em;">I rise—I'm safe—I'm strong once more.</span><br /> +<br /> +<span style="margin-left: 1em;">And faster, faster whirls the ceiling,</span><br /> +<span style="margin-left: 2em;">And wilder, wilder turns my brain;</span><br /> +<span style="margin-left: 1em;">The star!—it strikes my soul, revealing</span><br /> +<span style="margin-left: 2em;">All life and light to me again.</span><br /> +</p> + +<hr style="width: 20%; Margin-left: 2em; Margin-top: 1em; margin-bottom: 1em;" /> + +<p> +<span style="margin-left: 1em;">Against the waves fresh waves are dashing,</span><br /> +<span style="margin-left: 2em;">Above the breeze fresh breezes blow;</span><br /> +<span style="margin-left: 1em;">Through seas of light new light is flashing,</span><br /> +<span style="margin-left: 2em;">And with them all I float and flow.</span><br /> +<br /> +<span style="margin-left: 1em;">But round me rings of fire are gleaming:</span><br /> +<span style="margin-left: 2em;">Pale rings of fire—wild eyes of death!</span><br /> +<span style="margin-left: 1em;">Why haunt me thus awake or dreaming?</span><br /> +<span style="margin-left: 2em;">Methought I left ye with my breath.</span><br /> +<br /> +<span style="margin-left: 1em;">Aye glare and stare with life increasing,</span><br /> +<span style="margin-left: 2em;">And leech-like eyebrows arching in;</span><br /> +<span style="margin-left: 1em;">Be, if ye must, my fate unceasing,</span><br /> +<span style="margin-left: 2em;">But never hope a fear to win.</span><br /> +<br /> +<span style="margin-left: 1em;">He who knows all may haunt the haunting,</span><br /> +<span style="margin-left: 2em;">He who fears nought hath conquered fate;</span><br /> +<span style="margin-left: 1em;">Who bears in silence quells the daunting,</span><br /> +<span style="margin-left: 2em;">And sees his spoiler desolate.</span><br /> +<br /> +<span style="margin-left: 1em;">Oh wondrous eyes of star-like lustre,</span><br /> +<span style="margin-left: 2em;">How ye have changed to guardian love!</span><br /> +<span style="margin-left: 1em;">Alas!—where stars in myriads cluster</span><br /> +<span style="margin-left: 2em;">Ye vanish in the heaven above.</span><br /> +</p> + +<p><span class='pagenum'><a name="Page_397" id="Page_397">[Pg 397]</a></span></p> + +<hr style="width: 20%; Margin-left: 2em; Margin-top: 1em; margin-bottom: 1em;" /> + + + +<p> +<span style="margin-left: 1em;">I hear two bells so softly singing:</span><br /> +<span style="margin-left: 2em;">How sweet their silver voices roll!</span><br /> +<span style="margin-left: 1em;">The one on yonder hill is ringing,</span><br /> +<span style="margin-left: 2em;">The other peals within my soul.</span><br /> +<br /> +<span style="margin-left: 1em;">I hear two maidens gently talking,</span><br /> +<span style="margin-left: 2em;">Bohemian maidens fair to see;</span><br /> +<span style="margin-left: 1em;">The one on yonder hill is walking,</span><br /> +<span style="margin-left: 2em;">The other maiden—where is she?</span><br /> +<br /> +<span style="margin-left: 1em;">Where is she?—when the moonlight glistens</span><br /> +<span style="margin-left: 2em;">O'er silent lake or murm'ring stream,</span><br /> +<span style="margin-left: 1em;">I hear her call my soul which listens:</span><br /> +<span style="margin-left: 2em;">'Oh! wake no more—come, love, and dream!'</span><br /> +<br /> +<span style="margin-left: 1em;">She came to earth-earth's loveliest creature;</span><br /> +<span style="margin-left: 2em;">She died—and then was born once more;</span><br /> +<span style="margin-left: 1em;">Changed was her race, and changed each feature,</span><br /> +<span style="margin-left: 2em;">But oh! I loved her as before.</span><br /> +<br /> +<span style="margin-left: 1em;">We live—but still, when night has bound us</span><br /> +<span style="margin-left: 2em;">In golden dreams too sweet to last,</span><br /> +<span style="margin-left: 1em;">A wondrous light-blue world around us,</span><br /> +<span style="margin-left: 2em;">She comes, the loved one of the Past.</span><br /> +<br /> +<span style="margin-left: 1em;">I know not which I love the dearest,</span><br /> +<span style="margin-left: 2em;">For both my loves are still the same;</span><br /> +<span style="margin-left: 1em;">The living to my heart is nearest,</span><br /> +<span style="margin-left: 2em;">The dead love feeds the living flame.</span><br /> +<br /> +<span style="margin-left: 1em;">And when the moon, its rose-wine quaffing</span><br /> +<span style="margin-left: 2em;">Which flows across the Eastern deep,</span><br /> +<span style="margin-left: 1em;">Awakes us, Klarà chides me laughing,</span><br /> +<span style="margin-left: 2em;">And says, 'We love too well in sleep!'</span><br /> +<br /> +<span style="margin-left: 1em;">And though no more a Vojvod's daughter,</span><br /> +<span style="margin-left: 2em;">As when she lived on Earth before,</span><br /> +<span style="margin-left: 1em;">The love is still the same which sought her,</span><br /> +<span style="margin-left: 2em;">And she is true—what would you more?</span><br /> +</p> + +<hr style="width: 20%; Margin-left: 2em; Margin-top: 1em; margin-bottom: 1em;" /> + +<p> +<span style="margin-left: 1em;">Bright moonbeams on the sea are playing,</span><br /> +<span style="margin-left: 2em;">And starlight shines o'er vale and hill;</span><br /> +<span style="margin-left: 1em;">I should be gone—yet still delaying,</span><br /> +<span style="margin-left: 2em;">By thy loved side I linger still!</span><br /> +<br /> +<span style="margin-left: 1em;">My gold is gone—my hopes have perished,</span><br /> +<span style="margin-left: 2em;">And nought remains save love for thee!</span><br /> +<span style="margin-left: 1em;">E'en that must fade, though once so cherished:</span><br /> +<span class='pagenum'><a name="Page_398" id="Page_398">[Pg 398]</a></span><span style="margin-left: 2em;">Farewell!—and think no more of me!</span><br /> +<br /> +<span style="margin-left: 1em;">'Though gold be gone and hope departed,</span><br /> +<span style="margin-left: 2em;">And nought remain save love for me,</span><br /> +<span style="margin-left: 1em;">Thou ne'er shalt leave me broken-hearted,</span><br /> +<span style="margin-left: 2em;">For I will share my life with thee!</span><br /> +<br /> +<span style="margin-left: 1em;">'Thou deem'st me but a wanton maiden,</span><br /> +<span style="margin-left: 2em;">The plaything of thy idle hours;</span><br /> +<span style="margin-left: 1em;">But laughing streams with gold are laden,</span><br /> +<span style="margin-left: 2em;">And sweets are hidden 'neath the flowers.</span><br /> +<br /> +<span style="margin-left: 1em;">'E'en outcasts may have heart and feeling,</span><br /> +<span style="margin-left: 2em;">E'en such as I be fond and true;</span><br /> +<span style="margin-left: 1em;">And love, like light, in dungeons stealing,</span><br /> +<span style="margin-left: 2em;">Though bars be there, will still burst through.'</span><br /> +</p> + + + +<hr style="width: 65%;" /> +<h2><a name="PICTURES_FROM_THE_NORTH" id="PICTURES_FROM_THE_NORTH"></a>PICTURES FROM THE NORTH.</h2> + + +<p>It is worth while to live in the city, that we may learn to love the +country; and it is not bad for many, that artificial life binds them +with bonds of silk or lace or rags or cobwebs, since, when they are rent +away, the Real gleams out in a beauty and with a zest which had not been +save for contrast.</p> + +<p>Contrast is the salt of the beautiful. I wonder that the ancients, who +came so near it in so many ways, never made a goddess of Contrast. They +had something like it in ever-varying Future—something like it in +double-faced Janus, who was their real 'Angel of the Odd.' Perhaps it is +my ignorance which is at fault—if so, I pray you correct me. The subtle +Neo-Platonists <i>must</i> have apotheosized such a savor to all æsthetic +bliss. Mostly do I feel its charm when there come before me pictures +true to life of far lands and lives, of valley and river, sea and shore. +Then I forget the narrow office and the shop-lined street, the rattling +cars and hurried hotel-lodgment, and think what it would be if nature, +in all her freshness and never-ending contrasts, could be my +ever-present.</p> + +<p>I thought this yesterday, in glancing over an old manuscript in my +drawer, containing translations, by some hand to me unknown, of sketches +of Sweden by the fairy-story teller Hans Christian Andersen. Reader, +will they strike you as pleasantly as they did me? I know not. Let us +glance them over. They have at least the full flavor of the North, of +the healthy land of frost and pines, of fragrant birch and of sweeter +meadow-grass, and simpler, holier flowers than the rich South ever +showed, even in her simplest moods.</p> + +<p>The first of these sketches sweeps us at once far away over the +Northland:</p> + +<div class="blockquot"><h4>'WE JOURNEY.</h4> + +<p>'It is spring, fragrant spring, the birds are singing. You do not +understand their song? Then hear it in free translation:</p> + +<p>''Seat thyself upon my back!' said the stork, the holy bird of our +green island. 'I will carry thee over the waves of the Sound. +Sweden also has its fresh, fragrant beechwoods, green meadows, and +fields of waving corn; in Schoonen, under the blooming apple<span class='pagenum'><a name="Page_399" id="Page_399">[Pg 399]</a></span> trees +behind the peasant's house, thou wilt imagine thyself still in +Denmark!'</p> + +<p>''Fly with me,' said the swallow. 'I fly over Hal-land's mountain +ridges, where the beeches cease. I soar farther toward the north +than the stork. I will show you where the arable land retires +before rocky valleys. You shall see friendly towns, old churches, +solitary court yards, within which it is cosy and pleasant to +dwell, where the family stands in circle around the table with the +smoking platters, and asks a blessing through the mouth of the +youngest child, and morning and evening sings a holy song. I have +heard it, I have seen it, when I was yet small, from my nest under +the roof.'</p> + +<p>''Come! come!' cried the unsteady seagull, impatiently waiting, and +ever flying round in a circle. 'Follow me into the Scheeren, where +thousands of rocky islands, covered with pines and firs, lie along +the coasts like flower beds; where the fisherman draws full nets!'</p> + +<p>''Let yourself down between our outspread wings!' sing the wild +swans. 'We will bear you to the great seas, to the ever-roaring, +arrow-quick mountain streams, where the oak does not thrive and the +birches are stunted; let yourself down between our outspread +wings,—we soar high over Sulitelma, the eye of the island, as the +mountain is called; we fly from the spring-green valley, over the +snow waves, up to the summit of the mountain, whence you may catch +a glimpse of the North Sea, beyond Norway. We fly toward Jamtland, +with its high blue mountains, where the waterfalls roar, where the +signal fires flame up as signs from coast to coast that they are +waiting for the ferry boat—up to the deep, cold, hurrying floods, +which do not see the sun set in midsummer, where twilight is dawn!'</p> + +<p>'So sing the birds! Shall we hearken to their song—follow them, at +least a short way? We do not seat ourselves upon the wings of the +swan, nor upon the back of the stork; we stride forward with steam +and horses, sometimes upon our own feet, and glance, at the same +time, now and then, from the actual, over the hedge into the +kingdom of fancy, that is always our near neighborland, and pluck +flowers or leaves, which shall be placed together in the memorandum +book—they bud indeed on the flight of the journey. We fly, and we +sing: Sweden, thou glorious land! Sweden, whither holy gods came in +remote antiquity from the mountains of Asia; thou land that art yet +illumined by their glitter! It streams out of the flowers, with the +name of Linnæus; it beams before thy knightly people from the +banner of Charles the Twelfth, it sounds out of the memorial stone +erected upon the field at Lutzen. Sweden! thou land of deep +feeling, of inward songs, home of the clear streams, where wild +swans sing in the northern light's glimmer! thou land, upon whose +deep, still seas the fairies of the North build their colonnades +and lead their struggling spirit-hosts over the ice mirror. +Glorious Sweden, with the perfume-breathing Linea, with Jenny's +soulful songs! To thee will we fly with the stork and the swallow, +with the unsteady seagull and the wild swan. Thy birchwood throws +out its perfume so refreshing and animating, under its hanging, +earnest boughs—on its white trunk shall the harp hang. Let the +summer wind of the North glide murmuring over its strings.'</p></div> + +<p>There is true fatherland's love there. I doubt if there was ever yet +<i>real</i> patriotism in a hot climate—the North is the only home of +unselfish and great union. Italy owes it to the cool breezes of her +Apennines that she cherishes unity; had it not been for her northern +mountains in a southern clime, she would have long ago forgotten to +think of <i>one</i> country. But while the Alps are her backbone, she will +always be at least a vertebrate among nations, and one of the higher +order. Without the Alps she would soon be eaten up by the<span class='pagenum'><a name="Page_400" id="Page_400">[Pg 400]</a></span> cancer of +states' rights. It is the North, too, which will supply the great +uniting power of America, and keep alive a love for the great national +name.</p> + +<p>Very different is the rest—and yet it has too the domestic home-tone of +the North. In Sweden, in Germany, in America, in England, the family tie +is somewhat other than in the East or in any warm country. With us, old +age is not so ever-neglected and little honored as in softer climes. +Thank the fireside for that. The hearth, and the stove, and the long, +cold months which keep the grandsire and granddame in the easy chair by +the warm corner, make a home centre, where the children linger as long +as they may for stories, and where love lingers, kept alive by many a +cheerful, not to be easily told tie. And it lives—this love—lives in +the heart of the man after he has gone forth to business or to battle: +he will not tell you of it, but he remembers grandmother and +grandfather, as he saw them a boy—the centre of the group, which will +never form again save in heaven.</p> + +<p>Let us turn to</p> + +<div class="blockquot"><h4>'THE GRANDMOTHER.</h4> + +<p>'Grandmother is very old, has many wrinkles, and perfectly white +hair; but her eyes gleam like two stars, yes, much more beautiful; +they are so mild, it does one good to look into them! And then she +knows how to relate the most beautiful stories. And she has a dress +embroidered with great, great flowers; it is such a heavy silk +stuff that it rattles. Grandmother knows a great deal, because she +has lived much longer than father and mother; that is certain! +Grandmother has a hymn book with strong silver clasps, and she +reads very often in the book. In the midst of it lies a rose, +pressed and dry; it is not so beautiful as the rose which stands in +the glass, but yet she smiles upon it in the most friendly way; +indeed, it brings the tears to her eyes! Why does grandmother look +so at the faded flower in the old book? Do you know? Every time +that grandmother's tears fall upon the flower, the colors become +fresh again, the rose swells up and fills the whole room with its +fragrance, the walls disappear, as if they were only mist, and +round about her is the green, glorious wood, where the sun beams +through the leaves of the trees; and grandmother is young again; a +charming maiden, with full red cheeks, beautiful and innocent—no +rose is fresher; but the eyes, the mild, blessing eyes, still +belong to grandmother. At her side sits a young man, large and +powerful: he reaches her the rose, and she smiles—grandmother does +not smile so now! oh yes, look now!—--But he has vanished: many +thoughts, many forms sweep past—the beautiful young man is gone, +the rose lies in the hymn book, and grandmother sits there again as +an old woman, and looks upon the faded rose which lies in the book.</p> + +<p>'Now grandmother is dead. She sat in the armchair and related a +long, beautiful story; she said, 'Now the story is finished, and I +am tired;' and she leaned her head back, in order to sleep a +little. We could hear her breathing—she slept; but it became +stiller and stiller, her face was full of happiness and peace, it +was as if a sunbeam illumined her features; she smiled again, and +then the people said, 'She is dead.' She was placed in a black box; +there she lay covered with white linen; she was very beautiful, and +yet her eyes were closed, but every wrinkle had vanished; she lay +there with a smile about her mouth; her hair was silver white, +venerable, but it did not frighten one to look upon the corpse, for +it was indeed the dear, kind-hearted grandmother. The hymn book was +placed under her head—this she had herself desired; the rose lay +in the old book; and then they buried grandmother.</p> + +<p>Upon the grave, close by the church wall, a rose tree was planted; +it was full of roses, and the nightingale flew singing over the +flowers and the grave.<span class='pagenum'><a name="Page_401" id="Page_401">[Pg 401]</a></span> Within the church, there resounded from the +organ the most beautiful hymns, which were in the old book under +the head of the dead one. The moon shone down upon the grave, but +the dead was not there; each child could go there quietly by night +and pluck a rose from the peaceful courtyard wall. The dead know +more than all of us living ones; they are better than we. The earth +is heaped up over the coffin, even within the coffin there is +earth; the leaves of the hymn book are dust, and the rose, with all +its memories. But above bloom fresh roses; above, the nightingale +sings, and the organ tones forth; above, the memory of the old +grandmother lives, with her mild, ever young eyes. Eyes can never +die. Ours will one day see the grandmother again, young and +blooming as when she for the first time kissed the fresh red rose, +which is now dust in the grave.'</p></div> + +<div class="blockquot"><h4>'THE CELL PRISON.</h4> + +<p>'By separation from other men, by loneliness, in continual silence +shall the criminal be punished and benefited; on this account cell +prisons are built. In Sweden there are many such, and new ones are +building. I visited for the first time one in Marienstadt. The +building lies in a beautiful landscape, close by the town, on a +small stream of water, like a great villa, white and smiling, with +window upon window. But one soon discovers that the stillness of +the grave rests over the place; it seems as if no one dwelt here, +or as if it were a dwelling forsaken during the plague. The gates +of these walls are locked; but one opened and the jailor received +us, with his bundle of keys in his hand. The court is empty and +clean; even the grass between the paving stones is weeded out. We +entered the 'reception room,' to which the prisoner is first taken; +then the bath room, whither he is carried next. We ascend a flight +of stairs, and find ourselves in a large hall, built the whole +length and height of the building. Several galleries, one over +another in the different stories, extend round the whole hall, and +in the midst of the hall is the chancel, from which, on Sundays, +the preacher delivers his sermon before an invisible audience. All +the doors of the cells, which lead upon the galleries, are half +opened, the prisoners hear the preacher, but they cannot see him, +nor he them. The whole is a well-built machine for a pressure of +the spirit. In the door of each cell there is a glass of the size +of an eye; a valve covers it on the outside, and through this may +the warden, unnoticed by the prisoners, observe all which is going +on within; but he must move with soft step, noiselessly, for the +hearing of the prisoner is wonderfully sharpened by solitude. I +removed the valve from the glass very softly, and looked into the +closed room—for a moment the glance of the prisoner met my eye. It +is airy, pure, and clean within, but the window is so high that it +is impossible to look out. The whole furniture consists of a high +bench, made fast to a kind of table, a berth, which can be fastened +with hooks to the ceiling, and around which there is a curtain. +Several cells were opened to us. In one there was a young, very +pretty maiden; she had lain down in her berth, but sprang out when +the door was opened, and her first movement disturbed the berth, +which it unclasped and rolled together. Upon the little table stood +the water cask, and near it lay the remains of hard black bread, +farther off the Bible, and a few spiritual songs. In another cell +sat an infanticide; I saw her only through the small glass of the +door, she had heard our steps, and our talking, but she sat still, +cowered together in the corner by the door, as if she wished to +conceal herself as much as she could; her back was bent, her head +sunk almost into her lap, and over it her hands were folded. The +unhappy one is very young, said they. In two different cells sat +two brothers;<span class='pagenum'><a name="Page_402" id="Page_402">[Pg 402]</a></span> they were paying the penalty of horse-stealing; one +was yet a boy. In one cell sat a poor servant girl; they said she +had no relations, and was poor, and they placed her here. I thought +that I had misunderstood, repeated my question, Why is the maiden +here? and received the same answer. Yet still I prefer to believe +that I have misunderstood the remark. Without, in the clear, free +sunlight, is the busy rush of day; here within the stillness of +midnight always reigns. The spider, which spins along the wall, the +swallow, which rarely flies near the vaulted window there above, +even the tread of the stranger in the gallery, close by the door, +is an occurrence in this mute, solitary life, where the mind of the +prisoner revolves ever upon himself. One should read of the martyr +cells of the holy inquisition, of the unfortunates of the Bagnio +chained to each other, of the hot leaden chambers, and the dark wet +abyss of the pit of Venice, and shudder over those pictures, in +order to wander through the galleries of the cell prison with a +calmer heart; here is light, here is air, here it is more human. +Here, where the sunbeam throws in upon the prisoner its mild light, +here will an illuminating beam from God Himself sink into the +heart.'</p></div> + +<p>Last we have</p> + +<div class="blockquot"><h4>'SALA.</h4> + +<p>'Sweden's great king, Germany's deliverer, Gustavus Adolphus, +caused Sala to be built. The small enclosed wood in the vicinity of +the little town relates to us yet traditions of the youthful love +of the hero king, of his rendezvous with Ebba Brahe. The silver +shafts at Sala are the largest, the deepest and oldest in Sweden; +they reach down a hundred and seventy fathoms, almost as deep as +the Baltic. This is sufficient to awaken an interest in the little +town; how does it look now? 'Sala,' says the guide book, 'lies in a +valley, in a flat, and not very agreeable region.' And so it is +truly; in that direction was nothing beautiful, and the highway led +directly into the town, which has no character. It consists of a +single long street with a knot and a pair of ends: the knot is the +market; at the ends are two lanes which are attached to it. The +long street—it may be called long in such a short town—was +entirely empty. No one came out of the doors, no one looked out of +the windows. It was with no small joy that I saw a man, at last, in +a shop, in whose window hung a paper of pins, a red handkerchief, +and two tea cans, a solitary, sedate apprentice, who leaned over +the counter and looked out through the open house door. He +certainly wrote that evening in his journal, if he kept one; +'To-day a traveller went through the town; the dear God may know +him, I do not!' The apprentice's face appeared to me to say all +that, and he had an honest face.</p> + +<p>'In the tavern in which I entered, the same deathlike stillness +reigned as upon the street. The door was indeed closed, but in the +interior of the house all the doors stood wide open; the house cock +stood in the midst of the sitting room, and crowed in order to give +information that there was some one in the house. As to the rest, +the house was entirely picturesque; it had an open balcony looking +out upon the court—upon the street would have been too lively. The +old sign hung over the door and creaked in the wind; it sounded as +if it were alive. I saw it from my window; I saw also how the grass +had overgrown the pavement of the street. The sun shone clear, but +as it shines in the sitting room of the solitary old bachelor and +upon the balsam in the pot of the old maid, it was still as on a +Scottish Sunday, and it was Tuesday! I felt myself drawn to study +Young's 'Night Thoughts.'</p> + +<p>'I looked down from the balcony into the neighbor's court; no +living being was to be seen, but children had played there; they +had built a little garden out of perfectly dry twigs; these had +been<span class='pagenum'><a name="Page_403" id="Page_403">[Pg 403]</a></span> stuck into the soft earth and watered; the potsherd, which +served as watering pot, lay there still; the twigs represented +roses and geranium. It had been a splendid garden—ah yes! We +great, grown-up men play just so, build us a garden with love's +roses and friendship's geranium, we water it with our tears and our +heart's blood—and yet they are and remain dry twigs without roots. +That was a gloomy thought—I felt it, and in order to transform the +dry twigs into a blossoming Aaron's-staff, I went out. I went out +into the ends and into the long thread, that is to say, into the +little lanes and into the great street, and here was more life, as +I might have expected; a herd of cows met me, who were coming home, +or going away, I know not—they had no leader. The apprentice was +still standing behind the counter; he bowed over it and greeted; +the stranger took off his hat in return; these were the events of +this day in Sala. Pardon me, thou still town, which Gustavus +Adolphus built, where his young heart glowed in its first love, and +where the silver rests in the deep shafts without the town, in a +flat and not very pleasant country. I knew no one in this town, no +one conducted me about, and so I went with the cows, and reached +the graveyard; the cows went on, I climbed over the fence, and +found myself between the graves, where the green grass grew, and +nearly all the tombstones lay with inscriptions blotted out; only +here and there, 'Anno' was still legible—what further? And who +rests here? Everything on the stone was effaced, as the earth life +of the one who was now earth within the earth. What drama have ye +dead ones played here in the still Sala? The setting sun threw its +beams over the graves, no leaf stirred on the tree; all was still, +deathly still, in the town of the silver mines, which for the +remembrance of the traveller is only a frame about the apprentice, +who bowed greeting over the counter.'</p></div> + +<p>Silence, stillness, quiet, solitude, loneliness, far-away-ness; hushed, +calm, remote, out of the world, un-newspapered, operaless, +un-gossipped—was there ever a sketch which carried one so far from the +world as this of 'Sala'? That <i>one</i> shopboy—those going or coming +cows—the tombs, with wornout dates, every point of time vanishing—a +living grave!</p> + +<p>Contrast again, dear reader. Verily she is a goddess—and I adore her. +Lo! she brings me back again in Sala to the busy streets of this city, +and the office, and the 'exchanges,' and the rustling, bustling world, +and the hotel dinner—to be in time for which I am even now writing +against time—and I am thankful for it all. Sala has cured me. That +picture drives away longings. Verily, he who lives in America, and in +its great roaring current of events, needs but a glance at Sala to feel +that <i>here</i> he is on a darting stream ever hurrying more gloriously into +the world and away from the dull inanity—which the merest sibilant of +aggravation will change to insanity.</p> + +<p>Reader, our Andersen is an artist—as most children know. But I am glad +that he seldom gives us anything which is so <i>very</i> much of a monochrome +as Sala.</p> + +<p>I wonder if Sala was the native and surnaming town of that <i>other</i> Sala +whose initials are G. A. S., and whose nature is 'ditto'? Did its +dulness drive him to liveliness, even as an 'orthodox' training is said +to drive youth to dissipation? It may be so. The one hath a deep mine of +silver—the other contains inexhaustible mines of brass—and the name of +the one as of the other, when read in Hebrew-wise gives us 'alas!'</p> + +<p>But I am wandering from the Northern pictures and fresh nature, and must +close.<span class='pagenum'><a name="Page_404" id="Page_404">[Pg 404]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="THE_NEW_RASSELAS" id="THE_NEW_RASSELAS"></a>THE NEW RASSELAS.</h2> + + +<p>... And Joseph, opening the drawing room, told me the postchaise was +ready. My mother and my sister threw themselves into my arms.</p> + +<p>'It is still time,' said they, 'to abandon this scheme. Stay with us.'</p> + +<p>'Mother, I am of noble birth, I am now twenty, I must have a name, I +must be talked about in the country, I must be getting a position in the +army or at court.'</p> + +<p>'Oh! but, Bernard, when you have gone, what will become of me?'</p> + +<p>'You will be happy and proud when you hear of your son's success.'</p> + +<p>'But if you are killed in some battle?'</p> + +<p>'What of that! What's life? Who thinks about being killed? When one is +twenty, and of noble lineage, he thinks of nothing but glory. And, +mother, in a few years you shall see me return to your side a colonel, +or a general, or with some rich office at Versailles.'</p> + +<p>'Well, and what then?'</p> + +<p>'Why, then I shall be respected and considered about here.'</p> + +<p>'And then?'</p> + +<p>'Why, everybody will take off their hat to me.'</p> + +<p>'And then?'</p> + +<p>'I'll marry Cousin Henrietta, and I'll marry off my young sisters, and +we'll all live together with you, tranquil and happy, on my estate in +Brittany.'</p> + +<p>'Now, why can't you commence this tranquil and happy life to-day? Has +not your father left us the largest fortune of all the province? Is +there anywhere near us a richer estate or a finer chateau than that of +La Roche Bernard? Are you not considered by all your vassals? Doesn't +everybody take off their hat when they meet you? No, don't quit us, my +dear child; remain with your friends, with your sisters, with your old +mother, whom, at your return, perhaps you may not find alive; do not +expend in vain glory, nor abridge by cares and annoyances of every kind, +days which at the best pass away too rapidly: life is a pleasant thing, +my son, and Brittany's sun is genial!'</p> + +<p>As she said this, she showed me from the drawing-room windows the +beautiful avenues of my park, the old horse-chestnuts in bloom, the +lilacs, the honeysuckles, whose fragrance filled the air, and whose +verdure glistened in the sun. In the antechamber was the gardener and +all his family, who, sad and silent, seemed also to say to me, 'Don't +go, young master, don't go.' Hortense, my eldest sister, pressed me in +her arms, and Amélie, my little sister, who was in a corner of the +drawing room looking at the pictures in a volume of La Fontaine, came up +to me, holding out the book:</p> + +<p>'Read, read, brother,' said she, weeping....</p> + +<p>She pointed to the fable of the Two Pigeons!... I suddenly got up, and +repelled them all. 'I am now twenty, I am of noble blood, I want glory +and honor.... Let me go.' And I ran toward the courtyard. I was about +getting into the postchaise, when a woman appeared on the staircase. +It was Henrietta! She did not weep ... she did not say a word ... but, +pale and trembling, it was with the utmost difficulty that she kept from +falling. She waved the white handkerchief she held in her hand, as a +last good-by, and she fell senseless on the floor. I ran and took her +up, I pressed her in my arms, I pledged my love to her for life; and as +she recovered consciousness, leaving her in the hands of my mother and +sister, I ran to my postchaise without stopping, and without turning my +head.<span class='pagenum'><a name="Page_405" id="Page_405">[Pg 405]</a></span></p> + +<p>If I had looked at Henrietta, I should not have gone.</p> + +<p>In a few moments afterward the postchaise was rattling along the +highway. For a long time my mind was completely absorbed by thoughts of +my sisters, of Henrietta, of my mother, and of all the happiness I left +behind me; but these ideas gradually quitted me as I lost sight of the +turrets of La Roche Bernard, and dreams of ambition and of glory took +the entire possession of my mind. What schemes! What castles in the air! +What noble actions I performed in my postchaise!! I denied myself +nothing: wealth, honors, dignities, success of every kind, I merited and +I awarded myself all; at the last, raising myself from grade to grade as +I advanced on my journey, by the time I reached my inn at night, I was +duke and peer, governor of a province, and marshal of France. The voice +of my servant, who called me modestly Monsieur le Chevalier, alone +forced me to remember who I was, and to abdicate all my dignities. The +next day, and the following days, I indulged in the same dreams, and +enjoyed the same intoxication, for my journey was long. I was going to a +chateau near Sedan the chateau of the Duke de C——, an old friend of my +father, and protector of my family. It was understood that he was to +carry me to Paris with him, where he was expected about the end of the +month; he promised to present me at Versailles, and to give me a company +of dragoons through the credit of his sister, the Marchioness de F——, +a charming young lady, designated by public opinion as Madame de +Pompadour's successor, whose title she claimed with the greater justice +as she had long filled its honorable functions. I reached Sedan at +night, and at too late an hour to go to the chateau of my protector. I +therefore postponed my visit until the nest day, and lay at the +'France's Arms,' the best hotel of the town, and the ordinary rendezvous +of all the officers; for Sedan is a garrison town, and is well +fortified; the streets have a warlike air, and even the shopkeepers have +a martial look, which seems to say to strangers, 'We are fellow +countrymen of the great Turenne!' I supped at the general table, and I +asked what road I should take in the morning to go to the chateau of the +Duke de C——, which is situated some three leagues out of the town. +'Anybody will show you,' I was told, 'for it is well known hereabouts: +Marshal Fabert, a great warrior and a celebrated man, died there.' +Thereupon the conversation turned about Marshal Fabert. Between young +soldiers, this was very natural; his battles, his exploits, his modesty, +which made him refuse the letters patent of nobility and the collar of +his orders offered him by Louis XIV, were all talked about; they dwelt +especially on the inconceivable fortune which had raised him from the +rank of a simple soldier to the rank of a marshal of France—him, who +was nothing at all, the son of a mere printer: it was the only example +of such a piece of fortune which could then be instanced, and which, +even during Fabert's life, had appeared so extraordinary, the vulgar +never feared to ascribe his elevation to supernatural causes. It was +said that from his youth he had busied himself with magic and sorcery, +and that he had made a league with the devil. Mine host, who, to the +stupidity inherent in all the natives of the province of Champagne, +added the credulity of our Brittany peasants, assured us with a great +deal of sangfroid, that when Fabert died in the chateau of the Duke de +C——, a black man, whom nobody knew, was seen to enter into the dead +man's room, and disappear, taking with him the marshal's soul, which he +had bought, and which belonged to him; and that even now, every May, +about the period of the death of Fabert, the people of the chateau saw +the black man about the house, bearing a small light. This story made +our dessert merry, and we<span class='pagenum'><a name="Page_406" id="Page_406">[Pg 406]</a></span> drank a bottle of champagne to the demon of +Fabert, craving it to be good enough to take us also under its +protection, and enable us to win some battles like those of Collioure +and La Marfee.</p> + +<p>I rose early the next morning, and went to the chateau of the Duke de +C——, an immense gothic manor-house, which perhaps at any other moment +I would not have noticed, but which I regarded, I acknowledge, with +curiosity mixed with emotion, as I recollected the story told us on the +preceding evening by the host of the 'France's Arms.' The servant to +whom I spoke, told me he did not know whether his master could receive +company, and whether he could receive me. I gave him my name, and he +went out, leaving me alone in a sort of armory, decorated with the +attributes of the chase and family portraits.</p> + +<p>I waited some time, and no one came. 'The career of glory and of honor I +have dreamed commences by the antechamber,' said I to myself, and +impatience soon possessed the discontented solicitor. I had counted over +the family portraits and all the rafters of the ceiling some two or +three times, when I heard a slight noise in the wooden wainscoting. It +was caused by an ill-closed door the wind had forced open. I looked in, +and I perceived a very handsome boudoir, lighted by two large windows +and a glazed door opening on a magnificent park. I walked into this +room, and after I had gone a short distance, I was stopped by a scene +which I had not at first perceived. A man was lying on a sofa, with his +back turned to the door by which I came in. He got up, and without +perceiving me, ran abruptly to the window. Tears streamed down his +cheeks, and a profound despair was marked on his every feature. He +remained motionless for some time, keeping his face buried in his hands; +then he began striding rapidly about the room. I was then near him; he +perceived me, and trembled; I, too, was annoyed and confounded at my +indiscretion; I sought to retire, muttering some words of excuse.</p> + +<p>'Who are you? What do you want?' he said to me in a loud voice, taking +hold of me by my arms.</p> + +<p>'I am the Chevalier Bernard de la Roche Bernard, and I come from +Brittany.'...</p> + +<p>'I know, I know,' said he; and he threw himself into my arms, made me +take a seat by his side, spoke to me warmly about my father and all my +family, whom he knew so well that I was persuaded I was talking with the +master of the chateau.</p> + +<p>'You are Monsieur de C——?' I asked him.</p> + +<p>He got up, looked at me wildly, and replied, 'I was he, I am he no +longer, I am nothing;' and seeing my astonishment, he exclaimed, 'Not a +word more, young man, don't question me!'</p> + +<p>'I must, Monsieur; I have been the involuntary witness of your chagrin +and your grief, and if my attachment and my friendship may to some +degree alleviate'——</p> + +<p>'You are right, you are right,' said he; 'you cannot change my fate, but +at the least you may receive my last wishes and my last injunctions ... +it is the only favor I ask of you.'</p> + +<p>He shut the door, and again took his seat by my side; I was touched, and +tremblingly expected what he was going to say: he spoke with a grave and +solemn manner. His physiognomy had an expression I had never seen before +on any face. His forehead, which I attentively examined, seemed marked +by fatality; his face was pale; his black eyes sparkled, and +occasionally his features, although changed by pain, would contract in +an ironical and infernal smile. 'What I am going to tell you,' said he, +'will surprise you.' You will doubt me ... you will not believe me ... +even. I doubt it sometimes ... at the least, I would like to doubt it; +but I have got the proofs of<span class='pagenum'><a name="Page_407" id="Page_407">[Pg 407]</a></span> it; and there is in everything around us, +in our very organization, a great many other mysteries which we are +obliged to undergo, without being able to understand.' He remained +silent for a moment, as if to collect his ideas, brushed his forehead +with his hand, and then proceeded:</p> + +<p>'I was born in this chateau. I had two elder brothers, to whom the +honors and the estates of our house were to descend. I could hope +nothing above the cassock of an abbé, and yet dreams of ambition and of +glory fermented in my head, and quickened the beatings of my heart. +Discontented with my obscurity, eager for fame, I thought of nothing but +the means of acquiring it, and this idea made me insensible to all the +pleasures and all the joys of life. The present was nothing to me; I +existed only in the future; and that future lay before me robed in the +most sombre colors. I was nearly thirty years old, and had done nothing. +Then literary reputations arose from every side in Paris, and their +brilliancy was reflected even to our distant province. 'Ah!' I often +said to myself, 'if I could at the least command a name in the world of +letters! that at least would be fame, and fame is happiness.' The +confidant of my sorrow was an old servant, an aged negro, who had lived +in the chateau for years before I was born; he was the oldest person +about the house, for no one remembered when he came to live there; and +some of the country people said that he knew the Marshal Fabert, and had +been present at his death'—</p> + +<p>My host saw me express the greatest surprise; he interrupted his +narrative to ask me what was the matter.</p> + +<p>'Nothing,' said I; but I could not help thinking of the black man the +innkeeper had mentioned the evening before.</p> + +<p>Monsieur de C—— went on with his story: 'One day, before Juba (such +was the negro's name), I loudly expressed my despair at my obscurity and +the uselessness of my life, and I exclaimed: '<i>I would give ten years of +my life</i> to be placed in the first rank of our authors.' 'Ten years,' he +coldly replied to me, 'are a great deal; it's paying dearly for a +trifle; but that's nothing, I accept your ten years. I take them now; +remember your promises: I shall keep mine!' I cannot depict to you my +surprise at hearing him speak in this way. I thought years had weakened +his reason; I smiled, and he shrugged his shoulders, and in a few days +afterward I quitted the chateau to pay a visit to Paris. There I was +thrown a great deal in literary society. Their example encouraged me, +and I published several works, whose success I shall not weary you by +describing. All Paris applauded me; the newspapers proclaimed my +praises; the new name I had assumed became celebrated, and no later than +yesterday, you, yourself, my young friend, admired me.'</p> + +<p>A new gesture of surprise again interrupted his narrative: 'What! you +are not the Duke de C——?' I exclaimed.</p> + +<p>'No,' said he very coldly.</p> + +<p>'And,' I said to myself, 'a celebrated literary man! Is it Marmontel? or +D'Alembert? or Voltaire?'</p> + +<p>He sighed; a smile of regret and of contempt flitted over his lips, and +he resumed his story: 'This literary reputation I had desired soon +became insufficient for a soul as ardent as my own. I longed for nobler +success, and I said to Juba, who had followed me to Paris, and who now +remained with me: 'There is no real glory, no true fame, but that +acquired in the profession of arms. What is a literary man? A poet? +Nothing. But a great captain, a leader of an army! Ah! that's the +destiny I desire; and for a great military reputation, I would give +another ten years of my life.' 'I accept them,' Juba replied; 'I take +them now; don't forget it.''</p> + +<p>At this part of his story he stopped again, and, observing the trouble +and<span class='pagenum'><a name="Page_408" id="Page_408">[Pg 408]</a></span> hesitation visible in my every feature, he said:</p> + +<p>'I warned you beforehand, young man, that you could not believe me; this +seems a dream, a chimera to you!... and to me, too!... and yet the +grades and the honors I obtained were no illusions; those soldiers I led +to the cannon's mouth, those redoubts stormed, those flags won, those +victories with which all France has rung ... all that was my work ... +all that glory was mine.'...</p> + +<p>While he strode up and down the room, and spoke with this warmth and +enthusiasm, surprise chilled my blood, and I said to myself, 'Who can +this gentleman be?... Is he Coligny?... Richelieu?... the Marshal +Saxe?'...</p> + +<p>From this state of excitement he had fallen into great depression, and +coming close to me, he said to me, with a sombre air:</p> + +<p>'Juba spoke truly; and after a short time had passed away, disgusted +with this vain bubble of military glory, I longed for the only thing +real and satisfactory and permanent in this world; and when, at the cost +of five or six years of life, I desired gold and wealth, Juba gave them +too.... Yes, my young friend, yes, I have seen fortune surpass all my +desires; I became the lord of estates, of forests, of chateaux. Up to +this morning they were all mine; if you don't believe me, if you don't +believe Juba ... wait ... wait ... he is coming ... and you will see for +yourself, with your own eyes, that what confounds your reason and mine, +is unhappily but too real.'</p> + +<p>He then walked toward the mantlepiece, looked at the clock, exhibited +great alarm, and said to me in a whisper:</p> + +<p>'This morning at daybreak I felt so depressed and weak I could scarcely +get up. I rang for my servant. Juba came. 'What is the matter with me +this morning?' I asked him. 'Master, nothing more than natural. The hour +approaches, the moment draws near!' 'What hour? What moment?' 'Don't you +remember? Heaven allotted sixty years as the term of your existence. You +were thirty when I began to obey you!' 'Juba,' said I, seriously +alarmed, 'are you in earnest?' 'Yes, master; in five years you have +dissipated in glory twenty-five years of life. You gave them to me, they +belong to me; and those years you bartered away shall now be added to +the days I have to live.' 'What, was that the price of your services?' +'Others have paid more dearly for them. You have heard of Fabert: I +protected him.' 'Silence! silence!' I said to him; 'you lie! you lie!' +'As you please; but get ready, you have only half an hour to live.' 'You +are mocking me; you deceive me.' 'Not at all; make the calculation +yourself. You have really lived thirty-five years; you have lost +twenty-five years: total, sixty years.' He started to go out.... I felt +my strength diminishing; I felt my life waning away. 'Juba! Juba!' said +I, 'give me a few hours, only a few hours,' I screamed; 'oh! give me a +few hours longer!' 'No, no,' said he, 'that would be to diminish my own +life, and I know better than you the value of life. There is no treasure +in this world worth two hours' existence!' I could scarcely speak; my +eyes became obscured by a thick veil, the icy hand of death began to +freeze my veins. 'Oh!' said I, making an effort to speak, 'take back +those estates for which I have sacrificed everything. Give me four hours +longer, and I make you master of all my gold, of all my wealth, of all +that opulence of fortune I have so earnestly desired.' 'Agreed: you have +been a good master, and I am willing to do something for you; I consent +to your prayer.' I felt my strength return; and I exclaimed: 'Four hours +are so little ... oh! Juba! ... Juba ... oh! Juba! give me yet four +hours, and I renounce all my literary glory, all my works, everything +that has placed me so high<span class='pagenum'><a name="Page_409" id="Page_409">[Pg 409]</a></span> in the opinion of the world.' 'Four hours of +life for that!' exclaimed the negro with contempt.... 'That's a great +deal; but never mind; you shan't say I refused your last dying request.' +'Oh! no! no! Juba, don't say my last dying request.... Juba! Juba! I beg +of you, give me until this evening, give me twelve hours, the whole day, +and may my exploits, my victories, my military fame, my whole career be +forever effaced from the memory of men!... may nothing whatever remain +of them!... if you will give me this day, only to-day, Juba; and I shall +be too well satisfied.' 'You abuse my generosity,' said he, 'and I am +making a fool's bargain. But never mind, I give you until sundown. After +that, ask me for nothing more. Don't forget, after sundown I shall come +for you!'</p> + +<p>'He went away,' added my companion, with a tone of despair I can never +forget, 'and this is the last day of my life.' He then walked to the +glazed door looking out on the park (it was open), and he exclaimed:</p> + +<p>'Oh God! I shall see no more this beautiful sky, these green lawns, +these sparkling waters; I shall never again breathe the balmy air of the +spring! Madman that I was! I might have enjoyed for twenty-five years to +come these blessings God has showered on all, blessings whose worth I +knew not, and of which I am beginning to know the value. I have worn out +my days, I have sacrificed my life for a vain chimera, for a sterile +glory, which has not made me happy, and which died before me.... See! +see there!' said he, pointing to some peasants plodding their weary way +homeward; 'what would I not give to share their labors and their +poverty!... But I have nothing to give, nothing to hope here below ... +nothing ... not even misfortune!'... At this moment a sunbeam, a May +sunbeam, lighted up his pale, haggard features; he took me by the arm +with a sort of delirium, and said to me:</p> + +<p>'See! oh see! how splendid is the sun!... Oh! and I must leave all +this!... Oh! at the least let me enjoy it now.... Let me taste to the +full this pure and beautiful day ... whose morrow I shall never see!'</p> + +<p>He leaped into the park, and, before I could well comprehend what he was +doing, he had disappeared down an alley. But, to speak truly, I could +not have restrained him, even if I would.... I had not now the strength; +I fell back on the sofa, confounded, stunned, bewildered by all I had +seen and heard. At length I arose and walked about the room to convince +myself that I was awake, that I was not dreaming, that....</p> + +<p>At this moment the door of the boudoir opened, and a servant announced:</p> + +<p>'My master, Monsieur le Duc de C——.'</p> + +<p>A gentleman some sixty years old and of a very aristocratic appearance +came forward, and, taking me by the hand, begged my pardon for having +kept me so long waiting.</p> + +<p>'I was not at the chateau,' said he. 'I have just come from the town, +where I have been to consult with the physicians about the health of the +Count de C——, my younger brother.'</p> + +<p>'Is he dangerously ill?'</p> + +<p>'No, monsieur, thank Heaven, he is not; but in his youth visions of +glory and of ambition had excited his imagination, and a grave fever, +from which he has just recovered, and which came near proving fatal, has +left his head in a state of delirium and insanity, which persuades him +that he has only one day longer to live. That's his madness.'</p> + +<p>Everything was explained to me now!</p> + +<p>'Come, my young friend, now let us talk over your business; tell me what +I can do for your advancement. We<span class='pagenum'><a name="Page_410" id="Page_410">[Pg 410]</a></span> will go together to Versailles about +the end of this month. I will present you at court.'</p> + +<p>'I know how kind you are to me, duke, and I have come here to thank you +for it.'</p> + +<p>'What! have you renounced going to court, and to the advantages you may +reckon on having there?'</p> + +<p>'Yes.'</p> + +<p>'But recollect, that aided by me, you will make a rapid progress, and +that with a little assiduity and patience ... say in ten years.'</p> + +<p>'They would be ten years lost!'</p> + +<p>'What!' exclaimed the duke with astonishment, 'is that purchasing too +dearly glory, fortune, and fame?... Silence, my young friend, we will go +together to Versailles.'</p> + +<p>'No, duke, I return to Brittany, and I beg you to accept my thanks and +those of my family for your kindness.'</p> + +<p>'You are mad!' said the duke.</p> + +<p>But thinking over what I had heard and seen, I said to myself: 'You are +the same!'</p> + +<p>The next morning I turned my face homeward. With what pleasure I saw +again my fine chateau de la Roche Bernard, the old trees of my park, and +the beautiful sun of Brittany! I found again my vassals, my sisters, my +mother, and happiness, which has never quitted me since, for eight days +afterward I married Henrietta.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="THE_CHAINED_RIVER" id="THE_CHAINED_RIVER"></a>THE CHAINED RIVER.</h2> + + +<p> +<span style="margin-left: 1em;">Home I love, I now must leave thee! Home I love, I now must go</span><br /> +<span style="margin-left: 1em;">Far away, although it grieve me, through the valley, through the snow.</span><br /> +<br /> +<span style="margin-left: 1em;">By the night and through the valley, though the hail against us flies,</span><br /> +<span style="margin-left: 1em;">Till we reach the frozen river—on its bank the foeman lies.</span><br /> +<br /> +<span style="margin-left: 1em;">Frozen river, mighty river!—wilt thou e'er again be free</span><br /> +<span style="margin-left: 1em;">From the fountain through the mountain, from the mountain to the sea.</span><br /> +<br /> +<span style="margin-left: 1em;">Yes; though Freedom's glorious river for a time be frozen fast,</span><br /> +<span style="margin-left: 1em;">Still it cannot hold forever—Winter's reign will soon be past.</span><br /> +<br /> +<span style="margin-left: 1em;">Still it runs, although 'tis frozen—on beneath the icy plain,</span><br /> +<span style="margin-left: 1em;">From the mountain to the ocean—free as thought, though held in chain.</span><br /> +<br /> +<span style="margin-left: 1em;">From the mountain to the ocean, from the ocean to the sky,</span><br /> +<span style="margin-left: 1em;">Then in rainy drops returning—lo the ice-chains burst and fly!</span><br /> +<br /> +<span style="margin-left: 1em;">And the ice makes great the river. Breast the spring-flood if you dare!</span><br /> +<span style="margin-left: 1em;">Rivers run though ice be o'er them—<span class="smcap">God</span> and Freedom everywhere!</span><br /> +<span class='pagenum'><a name="Page_411" id="Page_411">[Pg 411]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="HOW_THE_WAR_AFFECTS_AMERICANS" id="HOW_THE_WAR_AFFECTS_AMERICANS"></a>HOW THE WAR AFFECTS AMERICANS.</h2> + + +<p>At the outbreak of the present terrible civil war, the condition of the +American people was apparently enviable beyond that of any other nation. +We say apparently, because the seeds of the rebellion had long been +germinating; and, to a philosophic eye, the great change destined to +follow the rebellion was inevitable, though it was then impossible for +human foresight to predict the steps by which that change would come. +Unconscious of impending calamity, we were proud of our position and +character as American citizens. We were free from oppressive taxation, +and enjoyed unbounded liberty of speech and action. Revelling in the +fertility of a virgin continent, unexampled in modern times for the +facilities of cultivation and the richness of its return to human labor, +it was a national characteristic to felicitate ourselves upon the +general prosperity, and boastingly to compare our growing resources and +our unlimited and almost spontaneous abundance, with the hard-earned and +dearly purchased productions of other and more exhausted countries. Our +population, swollen by streams of immigration from the crowded +continents of the old world, has spread over the boundless plains of +this, with amazing rapidity; and the physical improvements which have +followed our wonderful expansion have been truly magical in their +results, as shown by the decennial exhibits of the census, or presented +in still more palpable form to the eye of the thoughtful and observant +traveller. Since the fall of the Roman empire, no single government has +possessed so magnificent a domain in the temperate regions of the globe; +and certainly, no other people so numerous, intelligent, and powerful, +has ever in any age of the world enjoyed the same unrestricted freedom +in the pursuit of happiness: accordingly, none has ever exhibited the +same extraordinary activity in enterprise, or equal success in the +creation and accumulation of wealth. It was unfortunately true that our +mighty energies were mostly employed in the production of physical +results; and although our youthful, vigorous, and unrestricted efforts +made these results truly marvellous, yet the moral and intellectual +basis on which we built was not sufficiently broad and stable to sustain +the vast superstructure of our prosperity. The foundations having been +seriously disturbed, it becomes indispensable to look to their permanent +security, whatever may be the temporary inconvenience arising from the +necessary destruction of portions of the old fabric.</p> + +<p>When the war began, the South was supplying the world with cotton—a +staple which in modern times has become intimately connected with the +physical well-being of the whole civilized world. At the same time, the +Northwest was furnishing to all nations immense quantities of grain and +animal food, her teeming fields presenting a sure resource against the +uncertainty of seasons in those regions of the earth in which capital +must supply the fertility which is still inexhaustible here. While such +were the occupations of the South and the West, the North and East were +advancing in the path of mechanical and commercial improvement, with a +rapidity beyond all former example. Agricultural and manufacturing +inventions were springing up, full grown, out of the teeming brain of +the Yankees, and were fast altering the face of the world. New +combinations of natural forces were appearing as the agents of the human +will, and were multiplying the physical capacity of man in a ratio that +seemed to<span class='pagenum'><a name="Page_412" id="Page_412">[Pg 412]</a></span> know no bounds. Commercial enterprise kept pace with these +magnificent creations, and never failed, with liberal and enlightened +spirit, to avail itself of all the resources which industry produced or +genius invented. Our tonnage surpassed that of the greatest nations; the +skill of our shipbuilders was unsurpassed; and the courage, industry, +and perseverance of our seamen were renowned all over the world. On +every ocean and in every important harbor of the earth were daily +visible the emblems of our national power and the evidences of our +individual prosperity. But in one fatal moment, from a cause which was +inherent in our moral and political condition, all this prodigious +activity of thought and work was brought to a complete stand. Such a +shock was never before experienced, because such a social and material +momentum had never before been acquired by any nation, and then been +arrested by so gigantic a calamity. It was as if the earth had been +suddenly stopped on its axis, and all things on its surface had felt the +destructive impulse of the centrifugal force.</p> + +<p>War itself is, unhappily, no uncommon condition of mankind. Wars on a +gigantic scale have often heretofore raged among the great nations, or +even between sundered parts of the same people. It is not the magnitude +of the present contest which constitutes its greatest peculiarity. It is +rather the magnitude and importance of the interests it involves and the +relations it sunders, which give it the tremendous significance it bears +in the eyes of the world. Never has any war found the contending parties +engaged in works of such world-wide and absorbing interest, as those +which occupied both sections of our people at the commencement of this +rebellion. No two people, connected by so many ties, enjoying such +unlimited freedom of intercourse, so mutually dependent each upon the +other, and occupying a country so utterly incapable of natural +divisions, have ever been known to struggle with each other in so +sanguinary a conflict. All the circumstances of the case have been +unexampled in history. Accordingly the influence of the contest upon +affairs on this continent, and indeed upon human affairs generally, has +been great and disastrous in proportion to the magnitude of the peaceful +works which have been suspended by it, and to the closeness of those +brotherly relations which have heretofore existed between the contending +parties, now violently broken, and perhaps forever destroyed.</p> + +<p>Almost the entire industry and commerce of the United States have been +diverted into new and unaccustomed channels. The most active and +enterprising people in the world, in the midst of their varied +occupations, suddenly find all the accustomed channels of business +blocked up and the stream of their productions flowing back upon them in +a disastrous flood, and stagnating in their workshops and storehouses. +They are compelled to find new issues for their enterprise and to make a +complete change in their habits and works. It is not merely in the +cessation of all intercourse between the two vast sections, North and +South, that this mighty transformation has taken place; but an equal +alteration has been suddenly effected in the character of the business +and the nature of the occupations which the people have heretofore +pursued in the loyal States of the Union. Great branches of business, +employing millions of capital, have been utterly annihilated or +indefinitely suspended. Vast amounts of capital have been sunk and +utterly lost in the deep gulf of separation which temporarily divides +the States; or if they are ever to be recovered, it will be only after +the storm shall have completely subsided, when some portions of the +wrecks, which have been scattered in the fearful commotion, may be +thrown safely on to the shores of reunion. It was anticipated, +especially<span class='pagenum'><a name="Page_413" id="Page_413">[Pg 413]</a></span> by the rebels themselves, that these incalculable losses, +these tremendous shocks and sudden changes, would utterly overwhelm the +North with ruin and tear her to pieces with faction and disorder. But +this anticipation of accumulated disasters, in which the wish was father +to the thought, has not been realized to any appreciable extent. The +pecuniary losses have been in a great measure compensated by the immense +demands of the war; and when faction has attempted to raise its head, it +has been compelled to retire before the patriotic rebuke of the people. +And although the vast expenditures of the war give present relief; by +drawing largely on the resources of the future, yet the strength we +acquire is none the less real or less effectual in overthrowing the +rebellion.</p> + +<p>But this sudden and grand emergency, with all its appalling concomitants +of lives sacrificed, property destroyed, commercial disaster, and social +derangement, has given a rare opportunity for the testing of our +national character, and of our ability to meet and overcome the most +tremendous difficulties and dangers. Perhaps the versatility of American +genius and its ready adaptation to the new circumstances, are even more +wonderful than any other exhibition made by our people in this great +national crisis. There has never been any good reason to doubt the +capacity of any portion of American citizens for warlike occupations, +nor their possession of the moral qualities necessary to make them good +soldiers. The long period of peace which has blessed our country, with +the industrial, educational, and moral improvement produced by it, has +rendered war justly distasteful to the Free States of the Union. They +were slow to recognize the necessity for it; and nothing but the most +solemn convictions of duty would have aroused them to the stern and +unanimous determination with which they have entered on the present +struggle. Swift would have been our degeneration, if the spirit of our +fathers had already died out among us. But our history of less than a +century since the Revolutionary war has fully maintained the +self-reliant character of Americans and demonstrated their military +abilities; and if the commercial and manufacturing populations of +particular sections were supposed to have become somewhat enervated by +long exemption from the labors and perils of war, it was certain that +our large agricultural regions and especially our frontier settlements +were peopled with men inured to toil and familiar with danger, +constituting the best material for armies to be found in any country. +Nor was it in fact true that any considerable portion of our people, +even those drawn from the stores and workshops of the cities, had become +so far deteriorated in vigor of body, or demoralized in spirit, as to be +unfit for military service. The Southern leaders looked with scorn upon +our volunteer army only until they encountered it in battle. They were +then compelled to alter their preconceived opinions of the Yankee +character, and to change their contempt, real or pretended, into +respect, if not admiration. Even when superior numbers or better +strategy enabled them to beat us, they have seldom failed to bear +honorable testimony to the unflinching courage and endurance of our +troops. Nor do we need the admissions of the enemy to establish this +character for us; our own triumphs, on many glorious fields, are the +best evidences of our ability in war, and of themselves sufficiently +attest the valor and energy of our noble volunteers. In this aspect of +the matter, we must not forget the peculiar character and constitution +of our vast army. It is indeed worthy to be called the wonder of the +world. It is virtually a voluntary association of the people for the +purpose of putting down a gigantic rebellion and saving their own +government from destruction. This is a social phenomenon never before +known in<span class='pagenum'><a name="Page_414" id="Page_414">[Pg 414]</a></span> history on a scale approaching the magnitude of our +combinations—a phenomenon which could only take place in a popular +government, where the unrestricted freedom of individual action promotes +the virtues of personal independence, self-respect, and manly courage. +Even the Southern people, fighting on their own soil, in a war which, +though actually commenced by them, they now affect to consider wholly +defensive—even they, with all their boasted unanimity, and with the +fierce passions engendered by slavery, have been compelled to maintain +their armies by a conscription of the most unexampled severity; while +the loyal States, fighting solely for union and nationality—interests +of the most general nature, and offering little of mere personal +inducement—have so far escaped that necessity, and are now just +preparing to resort to it. After all, it must be acknowledged by every +just and generous mind, whether that of friend or foe, that there is a +substratum of noble sentiment and manly impulses at the foundation of +the Yankee character. The vast movements of the Northern people plainly +show it. Their contributions for the support of soldiers' families and +for the relief of the wounded and disabled, are upon a gigantic scale. +They raise immense sums for the payment of bounties to volunteers, and +thus, in every way, the burdens of the war are voluntarily assumed by +the people, and to some extent distributed among them, so that every one +may participate in the patriotic work. Nor is this large-hearted +liberality confined solely to our own country. The sufferers in other +lands, who have felt the disastrous effects of our great civil war, have +not been forgotten. In the midst of a life-and-death struggle among +ourselves, we have found time and means to assist in relieving their +wants—an exhibition of liberality peculiar, and truly American in +character.</p> + +<p>Nor are these the only interesting features in the bearing of the +American people at the present crisis. Perhaps a still more remarkable +one is the entire devotion of the national energies—of intellect not +less than of heart, of skill, not less than of capital—to the great +purposes of the war. This was the necessary result of our free +institutions; of our untrammelled pursuits; the mobility of our means +and agencies of production; and the plastic character of all our +creations. The amount of thought expended on this subject has been +prodigious and incalculable. It would be difficult, if not impossible, +to enumerate the ten thousand inventions and devices of all kinds which +have been presented for the purpose of increasing the efficiency of +weapons and of all the appliances of war, as well as for adding to the +comfort and securing the health of the soldier. Every imaginable +instrument of usefulness in any of the operations of the camp, or the +march, or the field of battle, has been the subject of tentative +ingenuity, such as none but Yankees could display. The musket, the +carbine, the pistol, have been constructed upon numberless plans, +apparently with every possible modification. The cartridge has been +covered with copper, impervious to water, instead of paper, and has its +own fulminate attached in various modes. Cannon shot and shells have +been made in many new forms; and cannons themselves have been increased +in calibre to an extraordinary size with proportionate efficiency, and +have been constructed in various modes and forms never before conceived. +The tent, the cot, the chest, the chair, the knife and fork, the stove +and bakeoven, each and every one of them, have been touched by the +transforming hand of homely genius, and have assumed a thousand +unimaginable forms of usefulness and convenience. India rubber and every +other available material have been made to perform new and appropriate +parts in the general work. The result of all this unexampled activity +and ingenuity has<span class='pagenum'><a name="Page_415" id="Page_415">[Pg 415]</a></span> not yet been fully eliminated. It would require years +of experience in war in order to bring American genius, as at present +developed, to bear with all its extraordinary force on the mechanical +details of the military art. Beyond doubt, numberless devices, among +those presented, will prove to be utterly worthless; but many of them +will certainly stand the test of experience, will be ultimately approved +and adopted, and will remain as monuments of the enterprise and +ingenuity aroused by the necessities of the country in this hour of its +sad calamity.</p> + +<p>It would be a curious and interesting employment to estimate the number +and character of these inventions, due wholly to the existing civil +strife. Only then should we be able to form some adequate conception of +the immense stimulus which has been applied to the national intellect, +and which has caused it to embrace within the boundless range of its +investigations, the highest moral and political problems, alike with the +minutest questions of mechanical and economical convenience. But we +should be greatly disappointed in not finding this phenomenon even +partially comprehended by the powers that be. It is truly a melancholy +thing to meet in the highest quarters so little sympathy with the +noblest efforts of the popular mind, and to witness the cold neglect and +even disdainful suspicion with which the most useful and valuable +devices are often received, or rather, we should say, haughtily +disregarded and rejected. Seldom or never do we find these inventions +appreciated according to their merits. The Government is proverbially +slow to adopt improvements of any kind; and the army and navy, like all +similar professional bodies, are averse to every important change, and +wedded to the instruments and processes in the use of which they have +been educated and trained. This peculiar indisposition to progressive +movements, in all the established institutions and organizations of +society, has frequently been the subject of remark and of regret. It is, +however, only an exaggeration of the conservative principle, which, when +confined within proper limits, is wise and beneficial. Indeed, the +actual progress of society in any period, is neither more nor less than +the result of the conflict between the opposite tendencies, of +retrogradation and advancement—a disposition to adhere to the old, +which has been tried and approved, and a tendency toward the new, which, +however promising and alluring, may yet disappoint and mislead. In the +long run, however, the latter prevails, and the progressive movement, +more or less rapid, goes on continually. Improvements gradually force +themselves upon the attention of the most prejudiced minds, and +eventually conquer opposition in spite of professional immobility and +aversion to change. Observation has shown that the most important steps +of progress usually originate outside of the professions, and are only +adopted when they can no longer be resisted with safety to the +conservative body. To the volunteer officer and soldier, or to those +educated soldiers who have long been in civil life, will probably be due +the greater part of that accessibility to new ideas which will result in +important advances in the art of war. This assertion may seem to be +paradoxical; but all experience proves that ignorance of old processes +is most favorable to the introduction of new ones. And though in a +thousand instances such ignorance may be disastrous, occasionally it +finds the unprejudiced intellect illuminated by flashes of original +genius, and open to the entrance of valuable ideas which would have been +utterly excluded by all the old and established rules.</p> + +<p>But the actual work of the unexampled mental activity of the present +day, will not be fully known and estimated until after the close of the +war. Until then there will be neither time nor opportunity to weigh and +test the crea<span class='pagenum'><a name="Page_416" id="Page_416">[Pg 416]</a></span>tions of the national ingenuity. In the midst of campaigns +and battles, with the absorbing interest of the great struggle, the +instruments of warfare cannot be easily changed, however important may +be the improvement presented. The emergency which arouses genius and +brings forth valuable inventions, is by no means favorable to their +adoption and general use. On the contrary, by a sort of fatality which +seems to be a law of their existence, they are doomed to struggle with +adversity and fierce opposition, and they are left by the occasion which +gave them birth as its repudiated offspring—a legacy to the future +emergency which will cherish and perfect them, make them available, and +enjoy the full benefit to be derived from them.</p> + +<p>The navy has always justly been the pride of our country; and it was to +be expected that it would first feel the impulse of inventive genius. +Confident in our strength and resources, we had long remained +comparatively sluggish, and regardless of those interesting experiments +which other great maritime powers had been carefully making with a view +to render ships invulnerable. We looked on quietly, observed the +results, and waited for the occasion when we should be required to put +forth our strength in this direction. When the war commenced, we had not +a single iron-clad vessel of any description. It became necessary that +the immense Southern coast of our country should be subjected to the +strictest blockade. This was a work of vast magnitude, and a very large +and sudden increase of the navy was demanded by the extraordinary +emergency. Cities were to be taken, and strong fortresses to be +attacked. The rebels had managed to save some of the vessels intended to +be destroyed at Norfolk, and had converted the Merrimack into a +formidable monster, which in due time displayed her destructive powers +upon our unfortunate fleet in Hampton Roads, in that ever-memorable +contest in which the Monitor first made her timely appearance. The chief +result of the vast effort demanded by the perilous situation of our +country, was the class of vessels of which the partially successful but +ill-fated Monitor was the type. These structures are certainly very far +from being perfect as ships of war; nevertheless, they constitute an +interesting and valuable experiment, and mark an advance in naval +warfare of the very first importance. They establish the form in which +defensive armor may perhaps be most effectively disposed for the +protection of men on board ships; but at the same time, it must be +conceded that they utterly fail in all the other requisites for +men-of-war and sea-going vessels. They are deficient in buoyancy and +speed. In truth they are nothing more than floating batteries, useful in +the defence of harbors or the attack of forts. The melancholy end of the +Monitor shows too plainly that vessels of her character cannot be safely +trusted to the fury of the open sea. They may do well in favorable +weather, or may escape on a single expedition; but a repetition of long +voyages will be almost certain to result in their loss.</p> + +<p>We want lighter and swifter vessels to be equally formidable in +ordnance, and alike invulnerable to the attacks of any adversary. To +combine all these requisites is not beyond the ingenuity of American +constructors. Most assuredly such vessels will soon make their +appearance on the ocean. Some new arrangement of the propelling +apparatus, and lighter and more powerful machinery, will accomplish this +important end. And then, too, with greatly increased speed, and with a +construction suitable to the new function, the principle of the ram will +be perfected; so that the projectile thrown by the most powerful +ordnance now existing or even conceived will be insignificant compared +with the momentum of a large steamer, going at the rate of thirty or +forty miles an hour, and herself becom<span class='pagenum'><a name="Page_417" id="Page_417">[Pg 417]</a></span>ing the direct instrument of +destruction to her adversary. Ordnance may possibly be devised which +will throw shot or shell weighing each a thousand pounds; but by the new +principle, which is evidently growing in practicability and favor, the +weight of thousands of tons will be precipitated against vessels of war, +and naval combats will become a conflict of gigantic forces, in +comparison with which the discharge of guns and the momentum of cannon +balls will be little more than the bursting of bubbles.</p> + +<p>The exploits of the rebel steamer Alabama, so destructive to our +commerce and so humiliating to our pride as a great naval power, +sufficiently attest the vital importance of the element of speed in +ships of war. Her capacity under steam is beyond that of our best +vessels, and she therefore becomes, at her pleasure, utterly +inaccessible to anything we may send to pursue her. We have built our +steamers strong and heavy; but proportionately slow and clumsy. The +Alabama could not safely encounter any one of them entitled to the name +of a regular cruiser; but she does not intend to risk such a contest, +and, most unfortunately for us, she cannot be compelled to meet it. Of +what real use are all the costly structures of our navy with the +tremendous ordnance which they carry, if this comparatively +insignificant craft can go and come when and where she will, and sail +through and around our fleets without the possibility of being +interrupted? They are perfectly well suited to remain stationary and aid +us in blockading the Southern ports; but the frequent escape of fast +steamers running the blockade, serves still further to demonstrate the +great and palpable deficiency in the speed of our ships of war. We may +start a hundred of our best steamers on the track of the Alabama, and, +without an accident, they can never overtake her. The only alternative +is to accept the lesson which her example teaches, and to surpass her in +those qualities which constitute her efficiency and make her formidable +as a foe. This we must do, or we must quietly surrender our commerce to +her infamous depredations, and acknowledge ourselves beaten on the seas +by the rebel confederacy without an open port, and without anything +worthy to be called a navy. The ability of our naval heroes, and their +skill and valor, so nobly illustrated on several occasions during the +present war, will be utterly unavailing against superior celerity of +motion. Their just pride must be humbled, and their patriotic hearts +must chafe with vexation, so long as the terrible rebel rover continues +to command the seas, as she will not fail to do so long as we are unable +to cope with her in activity and speed. Nor is it certain we have yet +known the worst. Ominous appearances abroad, and thick-coming rumors +brought by every arrival, indicate the construction in England of +numerous other ships like the Alabama, destined to run the blockade and +afterward to join that renowned cruiser in her work of destruction. +Stores of cotton held in Southern ports offer a temptation to the +cupidity of foreign adventurers which will command capital to any +amount, and the best skill of English engineers and builders will be +enlisted to make the enterprise successful—a skill not embarrassed by +bureaucratic inertia and stolidity.</p> + +<p>Let the genius of American constructors and engineers be brought to bear +on the subject, and the important problem will be solved in sixty days. +Indeed, there are plans in existence, at this very hour, by which the +desired end could be at once accomplished. But the inertia of official +authority, and especially of the bureaus in the Navy Department, is such +that any novel idea, however demonstrably good and valuable, is usually +doomed to battle for years against opposition of all kinds before it can +hope to secure an introduction. In all probability, the war will have +been ended before anything<span class='pagenum'><a name="Page_418" id="Page_418">[Pg 418]</a></span> of great importance ever can be accomplished +through those channels. The adoption of the Monitor principle was not +due to the skill and intelligence found in official quarters; it was +forced upon the Navy Department from the outside. And like the boa +constrictor, after having swallowed its prey, the Department must +sluggishly repose until that meal is digested before another can be +taken. One idea, of the magnitude of this, is enough for the present +crisis. We shall not have another, if the stubborn resistance and fixity +of ideas in the bureaus can prevent it. The invulnerability of the +Monitors, and the peculiar arrangement by which this important end is +obtained, are but one of the items necessary to make up the complete +efficiency of war steamers. They are only one half what is required. +They accomplish one of the great desiderata in armaments afloat; but +they leave another equally important demand utterly unsatisfied. There +is a counterpart to this achievement—its complement, equally +indispensable to the efficiency of the navy, and waiting to be placed by +the side of the recent improvement. It must and will be brought forth, +whether the naval authorities assist or oppose. American genius, only +give it fair play, is equal to all emergencies.</p> + +<p>The immense activity of thought and ingenuity elicited by the war, and +extending to all the departments of enterprise appropriate to the great +crisis, is a phenomenon peculiar to the American people. It could be +exhibited nowhere else, to the same extent, among civilized nations, +because nowhere else is the same stimulus applied with equal directness +to the popular masses. The operation of this peculiar cause is +conspicuously plain. The Government of the United States is the people's +Government; the war is emphatically the people's war. Every man feels +that he has a personal interest in it. He understands, more or less +clearly, the whole question involved, and has fixed opinions, and +perhaps strong feelings, in regard to it. His friends and neighbors and +brothers are in the army, and they have gone thither voluntarily, +perhaps impelled by enlightened and conscientious convictions of duty. +His sympathies follow them; he ardently prays for their success; and he +is stimulated to provide, as well as he can, for their comfort. All +other business being greatly interrupted, if not wholly suspended, he +thinks continuously of the mighty operations of the war. He dwells on +them night and day, and in the laboratory of his active mind, excited by +the mighty stimulus of personal and patriotic feeling natural to the +occasion, he produces those extraordinary combinations which distinguish +the present era.</p> + +<p>In addition to these impulses which operate so generally, there is the +still more universal and all-pervading love of gain which stimulates his +inventive faculties, and causes them to operate in the direction in +which his hopes and sympathies are turned. Aroused by motives of all +kinds, the whole mind and heart of the country is absorbed in the great +contest, and all its energies are applied in every conceivable way to +the work of war. The man who carries the gun and uses it on the battle +field is not more earnestly engaged in this work than he who racks his +brain and sifts his teeming ideas for the purpose of making the +instrument more destructive. Even the victims who fall in the deadly +strife and give their mangled bodies to their country, are not more +truly martyrs to a glorious cause than the inventors who sometimes +sacrifice themselves in the course of their perilous experiments, or by +the slower process of mental and physical exhaustion during the long +years of 'hope deferred,' while vainly seeking to make known the value +of their devices. A great power is at work, operating on the character +and capacity of each individual, and affecting each according to the +infinite diversity which prevails among men. A common en<span class='pagenum'><a name="Page_419" id="Page_419">[Pg 419]</a></span>thusiasm, or, +at least, a common excitement pervades the whole community to its +profoundest depths, and arouses all its energy and all its intellect, +whatever that energy and intellect may be capable of doing. It carries +multitudes into the army full of patriotic ardor; it inspires others +with grand ideas, which they seek to embody in combinations of power, +useful and effective in the great work which is the task of the nation, +and for the accomplishment of which all noble hearts are laboring +earnestly and incessantly.</p> + +<p>But in this tempestuous hour, as in more peaceful times, good and bad +ideas, valuable and worthless devices, noble and generous as well as +sinister and mercenary purposes are mingled in the vast multitude of +projects which are presented for acceptance and adoption. The power of +the nation is magnified by the impulse which arouses it; but in its +exaltation it still retains its errors and defects. It is the same +people, with all their characteristic faults and virtues, stimulated to +mighty exertions in a sacred cause, who have been so often engaged in +petty partisan contests, swayed by dishonest leaders, and carried astray +by the base intrigues of ambition and selfishness. Yet, as the masses, +at all times, have had no interest but that of the nation which they +chiefly constitute, and have sought nothing but what they at least +considered to be the public good, so even now, in these mad and perilous +times, the predominating sentiment and purpose of the people, in +whatever sphere they move, are, on the whole, good and worthy of +approval. Every one must at least pretend to be controlled by honest and +patriotic motives; and in such an emergency hypocrisy cannot possibly be +universal or even predominant. Although men may seek chiefly their own +interest and profit, they must do so through some effort of public +usefulness. They must commend themselves, their works, and ideas, as of +superior importance to the cause of the country; and in this universal +struggle and competition—this mighty effervescence of popular thought +and action, it would be strange and unexampled, if some great, new +conceptions should not dawn upon us. The very condition, physical, +social, and moral, of our twenty millions of people in the loyal States +is unlike all that has ever preceded it. Their general intelligence, the +result of universal education, makes available their unlimited freedom, +and establishes their capacity for great achievements. The present +momentous occasion makes an imperative demand upon all their highest +faculties, and they cannot fail to respond in a manner which will +satisfy every just expectation.</p> + +<p>What the Government has undertaken in this crisis is worthy of a great +people and springs from the large ideas habitual to Americans. The +blockade of the whole Southern coast, with its vast shore line, and its +intricate network of inlets, harbors, and rivers; the controlling of the +mighty Mississippi from Cairo to the gulf; the campaigns in Virginia, +Tennessee, and Arkansas; and the pending attacks on Charleston and +Savannah—these gigantic and tremendous operations have something of +that grandeur which is familiar to our thoughts—which, indeed, +constitutes the staple of the ordinary American speech, apparently +having all the characteristics of exaggerated jesting and idle boast. We +frequently hear our enthusiastic countrymen talk of anchoring Great +Britain in one of our northern lakes. They speak contemptuously of the +petty jurisdictions of European powers contrasted with the magnificent +domain of our States, and they sneer at the rivers of the old continent +as mere rills by the side of the mighty 'father of waters.' The men +whose very jests are on a scale of such magnitude, do not seem to find +the extensive military operations too large for their serious thoughts. +No American considers them beyond our power, or for one moment hesitates +to admit their<span class='pagenum'><a name="Page_420" id="Page_420">[Pg 420]</a></span> ultimate success. No difficulties discourage us, no +disasters appal. We move on with indomitable will and determination, +looking through all the obstacles to the grand result as already +accomplished. Does slavery stand in the way, and cotton seek to usurp +the throne of universal empire, dictating terms to twenty millions of +freemen, and demanding the acquiescence of the world? The first is +annihilated by a word proclaiming universal liberation; the second is +blockaded in his ports, surrounded by a wall of fire, suffocated and +strangled, and dragged helpless and insensible from his imaginary +throne. A proud and desperate aristocracy, rich and powerful, and +correspondingly confident, undertake to measure strength with the +democratic millions whom they despise. These Northern people, scorned +and detested, have ideas—grand and magnificent as well as practical +ideas, nurtured by universal education and unlimited freedom of thought +and act. The fierce and relentless aristocracy rave in their very +madness, and defy the people whom they seek to destroy; but these bear +down upon the haughty enemy, slowly and deliberately—awkwardly and +blunderingly, it may be, at first, but learning by experience, and +moving on, through all vicissitudes, with the certainty and solemnity of +destiny to the hour of final and complete success. The confidence in +this grand result dominates every other thought. All ideas and all +purposes revolve around it as a centre. It is the internal fire which +warms the patriotism, strengthens the purpose, stimulates the invention, +sustains the courage, and feeds the undying confidence of the nation, in +this, the hour of its desperate struggle for existence.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="PROMOTED" id="PROMOTED"></a>PROMOTED!</h2> + + +<p> +<span style="margin-left: 1em;">'<i>You</i> will not bid me stay!' he said,</span><br /> +<span style="margin-left: 2em;">'She calls for me—my native land!</span><br /> +<span style="margin-left: 1em;">And <i>stay</i>? ah, better to be dead!</span><br /> +<span style="margin-left: 2em;">A <i>coward</i> dare not ask your hand!</span><br /> +<br /> +<span style="margin-left: 1em;">'My crimson sash you'll tie for me,</span><br /> +<span style="margin-left: 2em;">My belted sword you'll fasten, love!</span><br /> +<span style="margin-left: 1em;">I swear to both I'll faithful be,</span><br /> +<span style="margin-left: 2em;">To these below! to God above!</span><br /> +<br /> +<span style="margin-left: 1em;">'And if, perchance, my sword shall win</span><br /> +<span style="margin-left: 2em;">A laurel wreath to crown <i>your</i> name,</span><br /> +<span style="margin-left: 1em;">He will not count it as my sin,</span><br /> +<span style="margin-left: 2em;">That I for <i>you</i> have prayed for fame!'</span><br /> +</p> +<hr style="width: 20%; Margin-left: 2em; Margin-top: 1em; margin-bottom: 1em;" /> +<p> +<span style="margin-left: 1em;">His name rings thro' his native land,</span><br /> +<span style="margin-left: 2em;">His sword has won the hero's prize;</span><br /> +<span style="margin-left: 1em;">Why comes he not to ask her hand?</span><br /> +<span style="margin-left: 2em;">Dead on the battle field he lies.</span><br /> +<span class='pagenum'><a name="Page_421" id="Page_421">[Pg 421]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="HENRIETTA_AND_VULCAN" id="HENRIETTA_AND_VULCAN"></a>HENRIETTA AND VULCAN.</h2> + + +<p>Time, O well beloved, floweth by like a river; sweepeth on by turreted +castles and dainty boat-houses, great old forests and ruined cities. +Tender, cool-eyed lilies fringe its rippling shores, straggling arms of +longing seaweeds are unceasingly wooing and losing its flying waves; and +on its purple bosom by night, linger merrily hosts of dancing stars. +Bright under its limpid waters gleam the towers of many a 'sunken city.' +Strong and clear through the night-silence of eager listening, ring the +chimes of their far-off bells, the echoes of joyous laughter: and to +waiting, yearning ones come, ever and anon, deep glances from gleaming +eyes, warm graspings from outstretched hands. And well windeth the river +into grim old caves, and even the merriest boat that King Cole ever +launched flitteth by the dark doors, intent only on the brilliant +<i>chateaux</i>, that shimmer above in the gorgeous sunlight of a brave +<i>Espagne</i>. But laughing imps, with flying feet, venture singly into +these realms of the Unknown. Bright streameth the light there from +carbuncles and glowing rubies; but of the melodies that there bewilder +them, no returning voice ever speaketh, for are they not Eleusinian +mysteries? But when thou meetest, O brother, sailing down the stream +under gay flags and rounding sails, some Hogarth or some Sterne, who +playeth <i>rouge et noir</i> with keen old Pharaohs, and battledore with +Charlie Buff; who singeth brave <i>Libiamos</i>, and despiseth not the +Christmas plums of Johnny Horner; who payeth graceful court to the great +and learned, and warmeth the pale hearts of the shivering poor with his +kind cheer and gentle words; who sitteth with Socrates and Pericles at +the feet of an ever-lovely Aspasia, and whispereth <i>capricios</i> to Anna +Maria at the opera; know then, O beloved, if thou hast ever trodden the +mystic halls, that this man is the brother of thy soul! Selah!</p> + +<p>But the bravest stream that ever was born on a mountain side has its +shoals and quicksands, and far out in the sounding sea rise slowly coral +reefs. Now, if on every green, growing isle newly rising to the +sunlight, the glorious jealousy of some Jove should toss a Vulcan, how +would our Venuses be suddenly charmed by the beauties of a South Sea +Scheme! how would their tiny shallops dot the curling waves, and what +new flowers would spring upon the smiling shores to greet their rosy +feet!</p> + +<p>'And why a Vulcan?' says the elegant Narcissus Hare, with a shiver; 'a +great, grim, solemn, limping monster, that Brummel would have spurned in +disgust! And he to win our ladies with their delicate loveliness! Faugh, +sir! are you a Cyclops yourself?'</p> + +<p>Alas! my Tinkler, do you remember that Salmasius began his vituperations +of Milton with gratuitous speculations upon his supposed ugliness, and +that great was his grief when he was assured that he contended with an +ideal of beauty. Have you forgotten that the Antinöus won the +distinguished favor of his merry, courteous queen Christina, and that +the satirist and man of 'taste' died of obscurity in a year? Beware, my +little Narcissus, lest the next autumn flowers bloom above your grave in +Greenwood, and your fair Luline be accepting bouquets and <i>bonbons</i> from +me.</p> + +<p>You, Roland, are pale from the very contemplation of such a catastrophe, +such an unprecedented <i>hægira</i> of dames! It is as if from every gay +watering place, some softly tinkling<span class='pagenum'><a name="Page_422" id="Page_422">[Pg 422]</a></span> bell should summon the fair +mermaids. Beplaided and betrowsered, with their little gypsy hats, would +they float out beyond the breakers, waving aside with farewell, airy +kisses, the patent life boats and the magical preservers, and pressing +on, like Gebers, with their rosy faces and great, hopeful eyes ever +laughingly, merrily turned to the golden east—their <i>Morgen Land</i>!</p> + +<p>Ah! but—have we no Vulcans among us? 'Fair Bertha, Beatrice, Alys,' +come out of the Christmas ecstatics of the dear old year that has just +streamed out like a meteor among the stars;—<i>you</i> know, fair ones, that +the stars are only years, and the planets grave old centuries; lock away +the jewels and the lace sets—charming, I know—the glove boxes and the +statuettes, the cream-leaved books, and the fragile, graceful +<i>babioles</i>; pull up the cushions, and group your bright selves around +the register—it's very cold to-day, you roses—and let us settle the +question—have we a Vulcan among us?</p> + +<p>Magnificent essayists, O dearly beloved, have handled 'Our Husbands,' +'Our Wives,' 'Our Sons' and 'Our Daughters' in a masterly style. Very +praiseworthy, no doubt, but so unromantic! Why, there's not a green leaf +in the whole collection! The style is decidedly Egyptian, solid and +expressive, but dreadfully compact. No arabesques, those offshoots of +lazy, dreamy hours and pleasantly disconnected thoughts, disgrace the +solemnly even tenor of these fathers of 'Ephemeral Literature,' as some +'rude Iconoclast' has irreverently styled the butterfly journeyings of +our magazine age. But we, O merry souls and brave, are still young and +frivolous: we still look at pictures with as much zest as before our +dimly remembered teens; and we belong to that happy branch of the +Scribbleri family, that prefer the sympathy of bright eyes and gay +laughter, to the approving shake of any D'Orsay's 'ambrosial curls,' or +the most unqualified smile from the grimmest old champion who even now +votes in his secret heart against the New Tariff, or charges with +unparalleled bravery imaginary or windmill giants on the floor of a +Platform or of a Legislature.</p> + +<p>But this, our paper, purporteth to be, in some wise, a disquisition on +Beaux, and, by our faith, we had well-nigh forgotten it. <i>Retournons à +nos moutons</i>, as the ancient lawyers used to say (and many a tyro, in +the interim, hath said the same) when they grew so entangled in the +mazes of Jack Shepherd cases that they lost sight of their original +designs. And lest I should grow wearisomely prosaic, and see the yawn +behind your white hand, <i>belle</i> Beatrice, let me make my disquisition a +half story, and point my moral, not as fairies do, with a pinch, but +with the shadow of a tale.</p> + +<p>And here, <i>signorina</i>, though in courage I am a Cæsar, here I shrink. +The birdseye view I would take of a few leaves of beau-dom, should be +from the standing point of your own unquiet, peering eyes; and if even +Cupid is blindfold, how may I, to whom you are all tormentingly +delicious enigmas, hope in my own unaided strength to enter the charmed +citadel of your experiences? Oh, no! But happy is the man, who, with an +inquiring mind, has also a sister! Thrice happy he whose sisters have +just now flitted down the staircase, from their own inner sanctuaries, +into the little library, bearing with them in noisy triumph the Harry of +all Goodfellows, the truant Henrietta Ruyter! Ah! she is the key that +will unlock for me those treasures of thought and observation that I +will shortly lay before you, O readers!</p> + +<p>And now to you, O much-traduced star, that presided at my <i>début</i> into +this vale of tears, may the most glorious rocket ascend that Jackson +ever said or sung, one that shall break out in pæans of brilliant +stars!—<i>for</i>, when I entered the charmed presence, the very ball that I +had been wishing to roll was<span class='pagenum'><a name="Page_423" id="Page_423">[Pg 423]</a></span> upon the carpet. But of this I was +unconscious as I admired Fanny's new dress, the mysterious earrings of +our stately Bertha, and ventured upon a slight compliment to Henrietta, +who lounged upon the divan. With admirable dexterity, the young lady +caught the <i>fleurette</i> upon her crochet needle, reviewed it carelessly, +and finally decided to accept it; an event that I had undoubtedly +foreseen, for the compliment was a graceful and artistic one. But +brothers, as you, Gustav, my boy, have long since discovered, are not +events, and I was presently consigned to the 'elephant chair' in the +corner, with a portfolio of sketches that Henrietta had brought from +over the sea—and the dames continued, in charming obliviousness of my +presence.</p> + +<p>'Girls,' said Henrietta, having deposited my compliment snugly in her +little workbasket, whence it may issue to the delectation of some future +young lady group, 'how are you going to entertain me? Such a Wandering +Jew as I am! A perfect Ahasuerus! <i>What</i> a novelty it will be that will +interest <i>me</i>!' and with a most laughingly wearied air, the pretty +eyebrows were raised, and waves of weariness floated over the golden +hair in its scarlet net.</p> + +<p>Fanny looked concerned. 'We may have a week of opera.'</p> + +<p>'I've been—in—Milan,' returned Henrietta, with a well-counterfeited +air of the disdain with which Mrs. De Lancy Stevens views all republican +institutions since her year in Europe. Bertha laughed.</p> + +<p>'You have grown literary, astronomical perhaps, with your star gazing, +and Len has become such a Mitchellite of late, that two shelves of his +bookcase are filled with works on the heavenly bodies. What a rapture +you will be in at the sight!'</p> + +<p>'Quite an Aquinas,' said Henrietta, with gravity.</p> + +<p>'How so, Harry,' asked Fanny, after a pause, during which she had been +deciding that her friend meant—Galileo!</p> + +<p>'Oh, he wrote about angels, you know; said these heavenly bodies were +made of thick clouds, and some other nonsense, of which I remember +nothing.'</p> + +<p>I, in my corner, was devoutly thankful that angels now assume more +tangible shapes, which chivalric sentiment, finding expression only in +my eyes, was recognized but by Henrietta, who rewarded me with a +lightning smile.</p> + +<p>'Bertha, my queen,' continued she, as that lady's serene countenance +beamed upon her in apparently immovable calmness, '<i>does</i> anything ever +arouse you? Have you forgotten, my impenetrable spirit, the sad days of +yore, when we sobbed out grand <i>arias</i> to the wretched accompaniment of +Professor Tirili, blistered our young fingers on guitar strings, waded +unprofitably in oceans of Locke and Bacon, and were oftener at the apex +of a triangle than its comfortable base? And you always as calm as +though 'sailing over summer seas!' Come—I am absolutely blue;' and the +half-fretful belle, who had really exhausted her strength and amiability +by a grand pedestrian tour in the Central Park that morning, stretched +out demurely her gaiter boots, and drew with an invisible pencil on +imaginary paper, the outline of her boldly arched instep.</p> + +<p>'If Landon would only come,' sighed Fanny, musingly, counting the beads +for the eye of the Polyphemus she was embroidering on a cushion for that +gentleman's sofa meditations, 'he would entertain you, as well as +the—one—two—three—witches in Macbeth.'</p> + +<p>'No doubt of it,' said Henrietta.</p> + +<p>'Five blues and two blacks,' said Fanny, not heeding the reply. 'See, +girls,' and she held up the glittering orb, 'what a lovely eye!'</p> + +<p>The enthusiasm of her audience was delirious but subdued. I caught an +occasional '<i>Such</i> a love!' 'How sweet—how fierce!'<span class='pagenum'><a name="Page_424" id="Page_424">[Pg 424]</a></span></p> + +<p>'Now,' said Henrietta, decidedly, 'if Medusa had but one eye, and this +dear creature two, I should die as miserably as the lady who loved the +Apollo Belvidere. I have had <i>oceans</i> of knights errant—but <i>such</i>! I +think of writing a natural history like—Cuvier.'</p> + +<p>'Yes,' said Bertha, quietly, 'or Peter Parley.'</p> + +<p>'Suppose I read you the advance sheets some morning?'</p> + +<p>'Charming,' said Fanny, with a little shrug of approaching delight.</p> + +<p>'Mr. Landon Snowe, Miss Fanny,' said a crusty voice, and from under a +tower of white turban, Sibyl's face looked out—at the door.</p> + +<p>'We will see him here, Sibyl,' said Fanny, brightly; 'and oh, Sibyl, ask +Mott to make a macaroon custard for dinner, for Miss Ruyter.'</p> + +<p>'Excellent,' said that lady, again with the De Lancy Stevens air, 'I +ate—those—in—Paris. They actually flavor them there with <i>Haut +Brion!</i> and they are delicious!' and Henrietta's lips fairly quivered at +the remembrance, that was by no means a recollection of the long-ago +enjoyed dainties.</p> + +<p>'Such extravagance!' said Fanny, opening her eyes, and arranging sundry +little points in her attitude that were intended to be very piercing +indeed to the gentleman, whose step was now heard in the hall. 'Such +extravagance, Harry! Your father, I suppose. You'll get nothing better +than Port here. Good morning, Mr. Snowe.'</p> + +<p>'Talking of ports, ladies,' said that gentleman, airily, after he had +prostrated himself, figuratively as well as disfiguratively, before Miss +Henrietta, bowed over Bertha's hand, and drew his chair to Fanny's +sewing stand, for the triple purpose of confusing her zephyrs, flirting +at a side table, and ascertaining whether Henrietta had fulfilled the +luxuriant promise of her earlier youth. Snowe was, womanly speaking, as +you will see, 'a perfect love of a man.' 'Newport, for example, and +charming drives? Williamsport and the Susquehanna, Miss Fanny?'</p> + +<p>Very statesmanly, O Landon G. Snowe, Esq., both the glance beneath which +my poor little sister's eyes fell, and the allusions twain to the scenes +of many a pleasure past. But Fanny, though not mistress of her blushes, +can, at least, control her words.</p> + +<p>'You are not a very good Œdipus, Mr. Snowe; we were discussing +imports.'</p> + +<p>'Such as laces and silks?'—</p> + +<p>'And punch,' suggested Henrietta.</p> + +<p>Mr. Snowe's eyeglass was here freshly adjusted, and his attention +bestowed upon the young lady who talked of punch, a thing unheard of in +society! The prospect was refreshing. Henrietta was stylish, piquant, +and pretty. Fanny was uncertain, indifferent, but, for the moment, +divine. He magnanimously sacrificed himself to the impulse of the +moment, and the courtesies of hospitality, and walked courageously over +to Henrietta, under cover of a huge book.</p> + +<p>'They were views from the White Mountains, he believed. Had Miss Ruyter +seen them? Allow him;' and he wheeled her sofa nearer the table, and +unfurled the book. Henrietta was charmed.</p> + +<p>'The Schwartz Mountains? She had not understood. These are glaciers? How +they glisten! And these little flowers below are violets? Such pretty, +modest, ladylike flowers. Had Mr. Snowe a favorite among flowers?'</p> + +<p>Mr. Snowe was prepared. He had answered the question exactly five +hundred and ten times. To Cecilia Lanner, who was almost a <i>religieuse</i>, +and who wore her diamond cross from principle, he was the very poet of a +passion flower, such holy mysteries as its opening petals disclosed to +him! To Lucy Grey, who wore pensive curls, and had a sweet voice, he +presented constantly fragrant little sprays of mignonette, cunning moss +baskets with a suspicion of heliotrope peeping out,<span class='pagenum'><a name="Page_425" id="Page_425">[Pg 425]</a></span> and crushed myrtle +blossoms between the leaves of her most exquisitely bound books. To Katy +Lessing, who rowed a small green boat somewhere up the Hudson in the +summer, he confided the fact that water lilies were his admiration: he +loved the limpid water; its restless waves were like heart throbbings +(this nearly overwhelmed poor Katy). All great and noble souls loved the +water;—he forgot the sacred fakirs, and the noble lord who preferred +Malmsey wine! He had repeatedly assured Regina Ward that the camelia was +<i>his</i> flower, so proudly beautiful! His soul was 'permeated with +loveliness,' and asked no fragrance. Regina is a great white creature, +lovely to behold, and, perfectly conscious of her perfection, no more +actively charming than the Ino of Foley. He won Milly White's favor by +applauding her love for wild flowers, declaring that a field of +buttercups reminded him of the 'spangled heavens,' and that on summer +days he was constantly envying the cool little Jacks in their green +pulpits.</p> + +<p>A pretended Lavater—and there have been such—would have convicted +Snowe at once of the most artful penetration, could he have seen the +lowering curve of his brows as he watched the nervous fluttering of +Henrietta's hands over the pictures, and the decided but softly pleasant +rounding of her white chin. But it was the general unconsciously +powerful indifference of manner, that advised him to prefer, in reply to +her question:</p> + +<p>'The snapdragon, yes, beyond the shadow of a doubt. I have an odd +fashion (very odd, Gustav!), Miss Ruyter, of associating ladies with +flowers, and that gorgeous three-bird snapdragon always looks to me like +some brilliant belle, who holds her glittering sceptre and wields it, +capriciously perhaps, but always charmingly.'</p> + +<p>'A sort of Helen,' observed Henrietta, calmly.</p> + +<p>'A witching, arbitrary, lovely Helen,' promptly returned Snowe, who had +a vague idea of Greek helmets and golden apples, wooden horses, a great +war, and 'all for love.'</p> + +<p>Henrietta heard the magnificent vagueness, and became so intently +interested in a view, that Snowe came softly over to my window, and +looked into the garden. Lilly Brennan coming in just then, the +conversation became general, and presently Snowe accompanied her down +the street.</p> + +<p>'Fanny,' said Henrietta, with an inquisitorial air, after the girls had +decided that the slides on the bows of Lilly's dress were too small, and +that her 'Bird of Paradise' was lovely enough to fly away with them all, +'Fanny, are you the 'bright, particular star' of that man?'</p> + +<p>'I believe so,' said Fanny, with a stare.</p> + +<p>'Do you intend to beam on him for any length of time?' persisted +Henrietta.</p> + +<p>'I haven't decided,' said Fan, honestly. 'I love beauty, and Landon +Snowe is magnificent.'</p> + +<p>'So is the Venus de Medicis,' said Henrietta, fiercely; 'but look at her +spine! What sort of a brain do you think <i>could</i> flourish at the top of +such a spine? Not that I suppose that man to have the least fragment of +one; don't suspect such a thing! Don't you observe his weak, disjointed +way of carrying his head, and the Pisan appearance of his sentences? I +should dread an earthquake for such a man as Mr. Snowe—you'd have +nothing but remnants to remember him by, Fanny.'</p> + +<p>'But earthquakes <i>are</i> phenomena,' said Fanny, stoutly, 'and I'm not in +the least like one. As long as Landon never fails except spiritually, I +am contented—and even in that light <i>I</i> never knew him to trip,' and +the child was as indignant as her indolent nature would permit.</p> + +<p>'Trip! of course not,' echoed Henrietta, 'when he's buried like a +delicate Sphinx up to his shoulders in the sands<span class='pagenum'><a name="Page_426" id="Page_426">[Pg 426]</a></span> of your good opinion, +and the mummy cloths of his own conceit; but just remove these, and +you'll see a downfall. My dear <span class="smcap">Francesca</span>, this man is your <span class="smcap">Cecco</span>, and +he'd far better retire into a monastery than hope to win you. Why, I'd +rather marry you myself, <span class="smcap">Francesca</span>! Such charms!' and Henrietta, with +her own delicate perception and enjoyment of the beautiful, kissed my +sister's deprecatingly extended hand, and, as the dinner bell rang, +waltzed her out of the room.</p> + +<p>'It's perfectly bewildering the interest some people take in music,' she +resumed later, building a little tent on the side of her plate with the +<i>débris</i> of fish. 'There's Bartlett Browning, telling me the other +evening a melancholy story of some melodious fishes, off the coast +of—<i>Weiss nicht wo</i>; oysters, I suppose; conceive of it! the most +phlegmatic of creatures. I suppose some poor fisherman heard a merlady +singing in her green halls, and fancied it the death song of some of his +shells. But that's nothing to some of Bartlett Browning's musical tales. +The man's a perfect B flat himself!'</p> + +<p>'Well,' said Nelly, Phil's little girl, who had come around to show her +new velvet basque, 'but shells <i>do</i> sing, for I've often listened to +mamma's, and Bessy gives it to me at night to put me to sleep. <i>You</i> +know, Aunt Bertie, for you once made me learn what it said:</p> + +<p> +<span style="margin-left: 1em;">'Oh, sweet and far, from cliff and scar,</span><br /> +<span style="margin-left: 2em;">The horns of Elfland faintly blowing!'</span><br /> +</p> + +<p>'Fish-land, my beauty,' said Henrietta, playfully; 'let us hear <i>your</i> +song, fishlet,' and she held a little gleaming shrimp by his tail, and +looked expectantly at his silent mouth. And here I remember, with a +smile of amusement and some astonishment, that Herman Melville, in +nervous fear of ridicule, apologized, most gracefully, of course, for +his beauteous Fayaway's primitive mode of carving a fish; but I fancy I +hear myself, or you either, sir, begging the community to shut its dear +eyes, while Harry's little victim, all unconscious of his fate, +disappeared behind the walls, coral and white, of her lips and teeth.</p> + +<p>Oh, isn't it perfectly delicious to meet a real, frank, merry, wise sort +of a girl, who doesn't wear spectacles or blue stockings, nor disdain +the Lancers or a new frock with nineteen flounces? Just fancy it, +Gustav, my dear fellow, chatting with the Venus of Milo, in a New York +dining room, and she all done up in blue poplin, with cords and tassels +and all that, with that lovely hair tumbling about in a scarlet net, and +such a splendid enjoyment of her own great grace, and royal claiming of +homage! Eating mashed potatoes too, and celery, and roast beef, to keep +up that magnificent physique of hers! Oh, it's rare!</p> + +<p>But Henrietta couldn't forget Snowe, any more than Snowe could forget +himself; so, after she had gazed with delight at the red veins of wine +that threaded the jelly-like custard, with its imprisoned macaroons, +looking like gold fish asleep in a globe of sun-dyed water, she went on, +as if the conversation had not been interrupted:</p> + +<p>'Do you know, Fan, that he reminds me constantly of champagne. If +there's anything on earth or in a cellar that I do detest, its +champagne; such smiling, brilliant-looking impudence, that comes out +fizz—bang! and that's the end of it; there's not so much as the quaver +of an echo. You drink it, and instead of seeing cool vineyards and +purple waters and cataracts of icicles in your glass, you find a pale, +gaunt spectre, or a poor, half-drowned Bacchus, staring at you. It's +just so with your Landon Snowe. You, and other people, too, have a +<i>habit</i> of admiring him, a great creature with eyes of milky blue, who +goes about disbursing his small coin like some old Aladdin! Why, my dear +children, the man, I don't doubt, is this moment congratulating himself, +in his solitude at Delmonico's, upon his great penetration. Didn't you +see him studying me with a great flourish of<span class='pagenum'><a name="Page_427" id="Page_427">[Pg 427]</a></span> deference, and throwing +his old, three-birded snapdragons into my White Mountains? If he had +been as ugly as a Scarron, now, and had known what he said, I could have +loved him for that, for, of all things, I do delight in dragons! Such +sieges as I have had at zoological gardens and menageries, from Dan to +Beersheba, just to see one; and ugly old lizards have been pointed out +to me, and scorpions, and every imaginable object but a dragon. But one +day I dug a splendid old manuscript—a perfect fossil—out of some old +library in Spezia, and opening it, by the merest chance came upon a most +lovely, illuminated, full-grown dragon, the very one, I suppose, that +Confucius couldn't find! I gazed in raptures, my dearest; he perfectly +sparkled with emeralds; his eyes were the most luminous opals. Dear, +happy old Indians, who had their dragons at the four corners of the +earth, and could go and look over at the lordly creatures whenever they +felt melancholy. And besides, I have a little private system of +dragonology of my own, that approaches the equator more nearly. I've +always worn opals since that day on every possible occasion; I mean to +be married in them.'</p> + +<p>Hurra! <i>belle Henriette!</i> thou hast a weakness. At the end of a long +aisle, shrouded in sumptuously colored perfumed light, stands an altar, +and white surplices gleam through the effulgence.—Thou queen! and that +thy crowning!</p> + +<p>'Len,' said Fanny the next morning, as I sat, after breakfast, over the +paper, 'don't you think Harry is a little, just a little, satirical, +and—well—not <i>perfectly</i> ladylike and kind, to talk so dreadfully of +one's friends?'</p> + +<p>'Satirical!? Bless your little, tender heart, not the least mite in the +world; she's quite too straightforward for that. Unladylike! Why, my +dear Fanny, don't you know 'the wounds of a friend'? Did you never +think, little sister, that some girls are sent into the world to perform +the office of crumb-scrapers for your serene highnesses, and themselves +as well?'</p> + +<p>'Like a lady, who gives a dinner party, jumping up and brushing off her +own table,' said Fanny with an amused laugh.</p> + +<p>'Just so, dear; and as they go wandering about, not a fragment can be +omitted. Now, a little dwarf of a thing like you couldn't do that with +any grace; but Harry <i>could</i>, you know, and make everybody think it was +charming. So, if fragments of poor Snowe fall under her unsparing hand, +and she brushes them off carelessly, don't let anybody's tears go +rolling after, don't let anybody's heart ache, for such a trifle; think +of the dessert, Fanny, that is sure to follow.'</p> + +<p>'Then you too, Len, you <i>want</i> me to give up Landon?'</p> + +<p>'Yes, my dear, let Landon—slide.'</p> + +<p>Fanny here boxed my ears with emphasis, and retreated, with an +expression of great disgust on her pretty face.</p> + +<p>'Come back here, my child,' I said, pulling her down on my knee, 'and +let me reason with you.'</p> + +<p>Such an oracle as I am with the girls! There's nothing like it, Gustav; +for every fan or bracelet you give your sisters, you'll be amply +rewarded by revelations and love; and it's something to have a dear, +white, undulating wreath of a girl in your arms, and rosy lips on yours, +even if it is your sister. Bless the sweet creatures!</p> + +<p>'What do you want to marry Snowe for?'</p> + +<p>'Well, you see, Len, it's so grand to have such a great beauty always at +one's hand, and the girls are all dying for him; and, you know, Len, the +truth is,' (very low,) 'he loves me, as you see, and—we girls are such +silly creatures—and I suppose the compliment pleases me,' and the +frank, darling face crimsoned, and tears stood in the blue eyes. I +kissed them both, and laid her hands on my shoulders.</p> + +<p>'Pet,' I said, earnestly, 'you are worth a gross of Landon Snowes. He +loves you, of course—he'd have been an<span class='pagenum'><a name="Page_428" id="Page_428">[Pg 428]</a></span> icicle to have failed in so +obvious a duty; but it's only a matter of pure admiration, scarcely of +any complicated feelings. Besides, dear, these whitewashed, sinewless, +variable fellows fade like the winter sun, without any twilight; their +features go wandering off in search of becoming expressions, and they +would want a wife like a chameleon to satiate their variety-loving +natures. No, dear; give Landon to Henrietta, and when Napoleon comes +back, I will enter no protest, even Harry will be silent, and'—</p> + +<p>'Oh, Len, what nonsense! couldn't you recommend me to the man in the +moon, through a telescope?'</p> + +<p>Fanny laughed, and we went again into the library, where Harry, as +usual, was tapping her rings with the carved handle of the crotchet +needle, that was as ornamental, and about as useful, as Cleopatra's.</p> + +<p>'I am going to live in a new country,' said she, gravely, as we entered +the room; 'I would go sailing off like a squirrel on a piece of bark. I +begin to have intense yearnings after my double. <i>Where</i> do you suppose +I'm to find him, the gorgeous, tropical anomaly?'</p> + +<p>'In Pompeii, or the Cities of the Plain?' I suggested.</p> + +<p>'Fanny,' she continued, laughingly, 'is very grave about her vanishing +Snowe-flakes; but for poor me, who have been persecuted by the most +distressing men, she has no pity. Girls, I promised you an inventory of +these treasures.'</p> + +<p>'Oh yes,' said Fan, gleefully; 'go out, Len, or you will never be able +to endure Harry afterward, for your counterpart will be peeping out, and +then woe to your pride!'</p> + +<p>'No danger,' said Henrietta, '<i>that's</i> perfectly invulnerable. Lenox may +remain; it will be a wholesome discipline for him—a warning, you know, +my hero; although, girls, Lenox is tolerably faultless,</p> + +<p> +<span style="margin-left: 1em;">'Little <i>he</i> loves but a Frau or a feast,</span><br /> +<span style="margin-left: 1.5em;">Little he fears but a protest or priest.'</span><br /> +</p> + +<p>Praed altered. Sit down, disciple, at my feet if you will; I am in the +oratorical mood to-day. Hypatia, if you please, <i>not</i> Grace the Less.'</p> + +<p>There was a pretty picture of the <i>Immaculée Conception</i> over the sofa, +one of those lithographs that you see in every bookstore, that Bertha +fancied because it was 'sweet.' The Virgin, a woman with a child-angel's +face, and the mezzo-luna beneath her feet. That artist knew what he was +about, sir. I'd give more for a picture with a good, deep idea, boldly +launched forth, than for a thousand of your smiling, proper, natural +'studies,' and Bridal Scenes, and Dramatic or Historical Snatches. If +artists, now, were all poets and scholars, as they should be, it would +be the work and delirious rapture of a life to go through a gallery as +large as our Dusseldorf. Men would go there to write novels and +histories, and women to learn to be good and beautiful—that is, to +learn to think. Oh, what a school for great and small! But when is this +new era of the real and the true in art to begin? You boy artists, who +are just opening glad eyes to the glorious light, the great world looks +to <i>you</i> to inaugurate the new, to pour ancient lore and mystic symbols +and grand old art into the waiting crucible, and melt the whole, with +your burning, creative genius, into forms and conceptions before which, +hearts shall be silent in very rapture. But the time is not yet. One +here and there cannot change the Iron to a Golden Age, and it is to +thoughts rather than their great embodiments that earnest +art-worshippers now bow. And yet men fancy they are artists, dream of a +fame glorious as that of Phidias! Why there's young Acajou, who +chiselled a very respectable hound out of a stray lump of marble, +stealthily, by a candle, or more probably a spirit lamp, in his father's +cellar—was discovered and straightway heroized. I don't say the boy +hasn't talent, genius if you will; but it isn't the genius that will +overflow his soul and etherealize<span class='pagenum'><a name="Page_429" id="Page_429">[Pg 429]</a></span> his whole nature. Yet already he +'progresses like a giantess,' has attracted some attention in the +Academy, and will directly be sent to Rome. But the idea! I know him too +well! The other night I heard him criticizing Michael Angelo! and when I +gave him an engraving of that delicious Psyche of Theed's to admire, the +creature talked as if she were a manikin or a robed skeleton! Is there +nothing due to the idea, Acajou? 'The idea!' dear me, why he didn't +exactly know what the <i>idea</i> was! So he'll go trolling about the Louvre +and the Luxembourg gallery, the Pitti palace and all Rome, and his mind +will be as full of elbows and collar bones as the catacombs; he'll talk +to you of the Grecian line of beauty and of 'pose,' and sketch you such +a glorious arm or ankle that you, fair lady, wouldn't know it from your +own! But do you see a single softened line in his own face? Has he ever +drunk deep draughts from old fountains of poesy? Has he ever thought of +the Vatican library—even though to long is all he may do? Oh no! He +says mythology is a wornout dream, and insulting to a Christian age; +that it's all well enough to know Jupiter and Bacchus (Silenus too?) and +Venus and the head men back there, but this century wants originality, +progress! Oh, pshaw!</p> + +<p>Oh, but I was saying that Our Lady stood over the half moon, and +Henrietta sat below it, with that soft cashmere morning dress, fighting +all around her to see which fold should cling most lovingly to her +graceful form. It was all a delicious poem to me, and if I were Horace, +you would have had a splendid ode. Oh, well!</p> + +<p>'Why, what a Joseph he is!' said Henrietta, waking me out of this +reverie.</p> + +<p>'Oh,' said I, starting, 'how did you know that?'</p> + +<p>'Only conjecture, my dear friend; but when we see a man with his eyes +fixed in that ghostly way, and his mustaches and all in perfect repose, +we reasonably imagine that he's seeing visions; and I suppose you'll +come flaming out presently with some dreams that shall have, for remote +consequences, a throne in some Eastern paradise, and a princess, +perhaps—who knows?'</p> + +<p>'Who knows?' echoed I; 'but go on, Hypatia.'</p> + +<p>'Oh yes! where shall I begin? Oh! there is Penhurst Lane, girls, you +remember?'</p> + +<p>'The raven?' said Bertha.</p> + +<p>'No,' said Fanny, 'that is Mr. Rawdon. Penhurst Lane is an idealist.'</p> + +<p>'A <i>very</i> idealist, just so,' returned Harry. 'Well, the way I've been a +martyr to that man's caprice is perfectly heart-rending. He came of some +gorgeous family in the middle of Pennsylvania, where all the tribes, +like leaning towers, incline toward Germany. To be sure, you'd never +dream it from his looks, for he is a perfect Mark Antony in that +respect. You needn't laugh. Didn't he have <i>bonnes fortunes</i> as well as +Alcibiades? Not that Penhurst had <i>bonnes fortunes</i>, or ever dreamed of +such things; but he always had such a proclivity toward any one who +would listen to his harangues; and I must say, just <i>inter nos</i> (the +only bit of Latin I know, Lenox, I got it from the English 'Don +Giovanni'), that I have quite a talent for listening well. But I'd as +lief encounter a West India hurricane or a simoom. I used to feel him +coming an hour beforehand. Then I would read a little in Blair, take a +peep at Sir Charles Grandison, swallow half a page of Cowper's 'Task,' +and look over the Grecian and Roman heroes; then I was fortified. 'Why +didn't I take Shelley?' Oh my! why, he couldn't endure Shelley, said he +was a poor, weak creature, <i>all gone to imagination</i>! Then I would +assume a Sontag and thick boots, if the weather was cold, to appear +sensible, you know, and await his coming; that is, if I didn't become +exasperated before that stage, and rush in to see Lil Brennan to avoid +him. And his opinions, such an unfolding! You never caught<span class='pagenum'><a name="Page_430" id="Page_430">[Pg 430]</a></span> him looking +with admiration, oh no! I might have laid a wilderness of charms on the +floor, at his very feet, and he would have brushed them all away with +indifference. His mind revolved around a weightier theme than any 'lady +of fashion;' like a newly discovered moon, he flew around the earth, and +with miraculous speed. He stopped in China to say 'Confucius;' in India, +to say 'Brahma;' in Persia, to say 'Ormuzd;' and so on around. My dear +Lenox, if you had asked him whether Ormuzd was at peace with all the +world, he would have retired into himself, for he hadn't the faintest +idea. As for music, or any fine art, he never approached it but once, +when he led me to the piano, begging for some native American melody, +and not a German romance. Well, I played him 'God save the Queen,' with +extravagant variations, which he took for 'Yankee Doodle.' No matter! I +made a mistake when I spoke of his opinions; he hadn't any. He was what +some call 'well read,' that is, he had a distant desire to 'improve his +mind,' but his magnificent self so filled his little vision, that his +great desire was obscured and distorted. Like my beloved Jean Paul, he +had once said to himself, <i>Ich bin ein Ich</i> (I am a <span class="smcap">ME</span>), and the noble +consciousness overwhelmed him, and excluded all after thoughts on any +minor subject. He never heard Grisi, never saw Rachel; they were +triflers, 'life was too grave, too short;' but he escorted me +occasionally to lectures and orations. I remember two or three of these. +A lecture on the 'Fossils of Humanity and Primeval Formations,' which +was unintelligible, consequently to him 'sublime;' one on 'the Exalted,' +that soared out of sight and beyond the empire of gravity, and one on +'Architecture,' by Dr. Vinton, a splendid production, the fruit and +evidence of years of study and rare talent, that sent me home with +longings and unaccustomed reverence for the Great in every form, and +with grief that my own ignorance rendered it only a half-enjoyed +pleasure to me; while Penhurst talked as if it were only the echo of his +own thoughts; pretended to say it was very 'sensible!' But you've had +enough of Mr. Lane, who was never known to laugh except at his own wit, +who patronized me because I was a 'solid' young lady, and not given to +flights. You may readily imagine that our interviews were generally +<i>tête-à-têtes</i>, for general society was to him a thing 'stale, flat, and +unprofitable.' Of course you know I only endured his visits because +among the girls it was considered a compliment to receive them, and they +were all dying of envy. Besides and principally, it is neither politic +nor pleasant to offend any one, and I could not have denied myself to +him, without doing this; so'—</p> + +<p>'But, Harry, he is married now.'</p> + +<p>'Ah me! yes. He saw me in a cap and bells once with you, Lenox, and not +many weeks afterward married a damsel who reveres him as a Solon, this +man, who said:</p> + +<p> +<span style="margin-left: 4.5em;">——'The wanderings</span><br /> +<span style="margin-left: 1em;">Of this most intricate Universe</span><br /> +<span style="margin-left: 1em;">Teach me the nothingness of things.</span><br /> +<span style="margin-left: 1em;">Yet could not all creation pierce</span><br /> +<span style="margin-left: 1em;">Beyond the bottom of his eye.'</span><br /> +</p> + +<p>'<i>Are</i> you done, Harry?'</p> + +<p>'Yes, Lenox.'</p> + +<p>'Then sing us Béranger's <i>Grace à la fêve, je suis roi</i>.'</p> + +<p>She has such a delicious voice.</p> + +<p>'And while I am on tiresome people, who think only of themselves, let me +recall P. George Rawdon; the Raven, Bertha; I always believed his first +name was Pluto, because of the shades around him. They say every one has +a text book; his was neither the Bible, the Prayer Book, Thomas à +Kempis, <i>La Nouvelle Héloise</i>, or 'Queechy,' but Mrs. Crowe's 'Night +Side of Nature.' Talk of having a skeleton in the house! the most +distressing ones that ever preceded Douglas and Sherwood's were nothing +to him! he reminded one constantly of an Egyptian feast. He looked<span class='pagenum'><a name="Page_431" id="Page_431">[Pg 431]</a></span> +sadly at children, and gave little Henry Parsons, his godchild, a +miniature dagger with a jewelled handle, with which the child nearly +destroyed his right hand. When poor Mary was married, he walked +mournfully up to the altar, and stared during the ceremony unmistakably +at an imaginary coffin, hanging, like Mohammed's, midway between the +ceiling and the floor. Poor man, it's really curious, but he contrives +to be always in mourning, and everybody knows that he goes only to see +tragedies, and has the dyspepsia, like Regina and her diamond cross, +from principle. He composes epitaphs for all the ladies of his +acquaintance, and presents them, like newspaper-carrier addresses, on +New Year's days. I have one in my writing desk in a very secret drawer; +a <i>soul</i>-cheering effusion, but not particularly agreeable to the +physical humanity. This I intend to bequeath to the British museum, +where it will be in future ages as great a treat to the antiquary as the +Elgin marbles. What a doleful subject—pass him by!'</p> + +<p>'Don't forget Leon Channing,' suggested Fanny, who was listening with +great interest, and from a natural dread of ghosts and vampires was glad +to see that Mr. Rawdon had come to a crisis.</p> + +<p>'Dear me, no!' said Henrietta, cheerily, 'it's quite refreshing to come +to an individual who creates a smile. I never was born for tears and +lamentations, Bertha, any more than a lily was made to be merry; and if +it were not for Len Channing, I don't suppose I should ever have been +sharpened to such a dangerous degree; it's this constant friction, you +know; well, as some darling of a cosmopolite has said, 'We must allow +for friction in the most perfect machinery—yes, be glad to find it—for +a certain degree of resistance is essential to strength. I like Leon +very well. No one is more safe in a parlor engagement, always in the +right place at the right tune, never embarrassed, never <i>de trop</i>; but +then the queer consciousness, when he's giving you a meringué or an ice, +that if you were a 'real pretty,' graceful, conversible fawn or dove he +would be doing it with the same interest! <i>Why?</i> Oh, because he says +women belong to a lower order in the animal creation! Yes, veil your +face, Mr. Lenox Raleigh, and be mournful that you are a man! 'A lower +order of humanity!' Well, of course, I'm always quarrelling with him. To +be sure he's a shallow kind of a philosopher, one of your rationalists; +thinks Boston is the linchpin of the whole universe; has autograph +letters from Emerson and Longfellow, and all that sort of thing. Now, I +dare say it's very fine for a Schelling or a Hegel once in a while to +beam over the earth, but it always seems inharmonious to me to see +little jets of philosophers popping up in your face and then down again, +all the time, thinking themselves great things. That's the way with +Leon. Let me tell you what happened when I saw him last; and that was in +Cologne, more than a year ago. I was sitting in our room with a great +folio of Retzsch's engravings before me, and father writing horrible +notes in his journal at the table, and wishing the eleven thousand +virgins and all Cologne in the bottom of the Rhine, when I looked up, +and somehow there was Leon. Of course we were rejoiced to see him, it's +always so pleasant to meet friends abroad. After some talk, father went +out to take another look at the cathedral, and indulge in speculations +and legends, and left Leon and me in the window. It's as queer and +horrible an old town, girls, as you ever dreamed of, and, as there was +nothing external very fascinating, Leon soon turned his gaze inward, +and, after twanging several minor strings, began to harp on his endless +'inferiority of woman.' I plied him, you may know; I gave him Zenobias +and Didos and de Staels and de Medicis—in an emergency Pope Joan, and +finally the Boston Margaret Fuller. Leon only stroked his beard and +smiled.<span class='pagenum'><a name="Page_432" id="Page_432">[Pg 432]</a></span></p> + +<p>''Miss Henrietta,' said he, at last, when I stopped in exultation, 'do +you grant the Africans the vigor or variety of intellect of the +Europeans?'</p> + +<p>''No,' said I.</p> + +<p>''Yet you concede that there may be instances among them, where +education and culture have developed great results.'</p> + +<p>''Yes,' I thought, 'there might be.'</p> + +<p>''Just as I, bewildered by Miss Henrietta's keen shafts and graceful +manœuvres, yield that a woman is, once in a century, gifted with a +man's depth of thought and her sex's loveliness.' The comparison was +odious. What did I do? Oh, I (the swarthy Ethiop) only rose from my +faded arm chair, saluted Mr. Channing (the lordly European) as if I were +his partner in a quadrille, and brought out my cameos and mosaics to +show him. In about half an hour the beauty of his reasoning and +comparison reached his brain, but mine was impenetrable to his most +honeyed apologies; as I very sweetly assured him, 'I couldn't +understand, didn't see the drift, couldn't connect the links.' Leon says +ancient history is a fable, and Herodotus a myth, and all because a +<i>woman</i> sat upon the tripod at Delphi, and because a <i>woman</i> wore the +helmet and carried the shield of wisdom.'</p> + +<p>'What's the matter, Harry?' asked Fanny, compassionately, as her small +fingers were stretched like infant grid-irons before her eyes, and a +silence ensued.</p> + +<p>'My new bonnet, Fanny dear, I am wondering what it shall be; we must go +down this very morning and decide.'</p> + +<p>Did you ever think, Narcissus, and you, Gustav, and all of you boys, +when you are engaged in your small diplomacies and <i>coups de main</i>, and +feeling like giants in intellect beside the dear little girls who play +polkas for you of evenings and sing sweet ballads, that <i>pour bien juger +les grands, il faut les approcher</i>? I thought so that morning, as I +heard the animated discussion that succeeded Henrietta's monologue; a +discussion into which all sorts of delicate conceits of lace and flowers +entered largely, and which savored about as much of the preceding +elements as last night's Charlotte Russe of this morning's coffee.</p> + +<p>Since Henrietta's oration, I am more than ever afraid of a Vulcan. It is +very plain that our most fashionably cut suits and most delicately +perfumed billets are not all powerful,—that the dear creatures are +either waking or we have been asleep. <i>Reveillons!</i></p> + +<p>'<i>Aux armes, citoyens!</i>'</p> + +<p>Now, while I was writing that last word, a heavy hand was laid on my +shoulder, and looking up, I saw—Nap. I love Nap. I have a girlish +weakness (let some lady arraign me for this hereafter) for him; so I +shouted out and grasped his hands.</p> + +<p>'How are the boys?'</p> + +<p>'Flourishing. Come to stay?</p> + +<p>'Yes, old fellow.'</p> + +<p>'Stocks up?'</p> + +<p>'To the sky.'</p> + +<p>'The governor?'</p> + +<p>'All right.'</p> + +<p><i>I</i> haven't any governor. Nap has; and one that saw fit to persecute him +from twenty to thirty, because he declined to take 'orders.' <i>Per +Bacco!</i> Never mind, a fit of paralysis has shaken the opposition out of +the old gentleman at last, and Nap is in sunshine in consequence, and +rushes around Wall street like a veteran.</p> + +<p>But I didn't promise to tell you about Nap, or the girls either; it was +only a few rays of light I had to dash over 'our beaux;' so where is +your mother, belle Beatrice? I must make my adieux.</p> + +<p>What say you, little one? You like Henrietta; you want to see her again? +You pull me back with your wee white hands; I will talk to you for an +hour longer, if I may hold the little kittens in my own. I may? And kiss +each finger afterward? Ah! you dear child! Well, then<span class='pagenum'><a name="Page_433" id="Page_433">[Pg 433]</a></span>—</p> + +<p>'Are you going to Van Wyck's to-night, Lenox?' asked Bertha of me, as we +rose from dinner, a month afterward.</p> + +<p>'Yes, after the opera. And you? I fancy—yes—from your eyes.'</p> + +<p>Bertha did not answer, and I strolled up stairs into the little back +drawing room. From the library above I could hear Fanny's merry voice +and the ring of Nap's cheery replies. Such a comfort as it was to me to +see those two so fond of each other. You see I am, in a way, Fanny's +father, and took no very great credit to myself when she half laid her +hand in the extended one of Snowe. How curiously that witch Harry +managed the thing, though! Dear little Fan; she stood in more than one +twilight by the garden window, and whispered over: '<i>Addio</i>, <span class="smcap">Francesca</span>! +<i>addio</i>, <span class="smcap">Cecco</span>!' and Snowe faded in the returning spring of her heart, +and into the blooming vista of their separation, hopefully walked Nap, +and was welcomed with many smiles.</p> + +<p>This afternoon, I walked over to the garden window, and there was Harry, +scrawling an old, bearded hermit on the glass with her diamond ring. We +both looked out—nothing much to see—a New York garden, thirty feet +square, with the usual gorgeousness of our winter flowers!</p> + +<p>'You are thinking of Shiraz, Harry.'</p> + +<p>'Yes,' said she, dreamily, 'I am thinking of Shiraz!'</p> + +<p>She didn't say it, but don't you suppose I knew just as well that she +was wishing for her Vulcan and a great rose garden? I began to sing the +'Last Man,' but didn't succeed admirably; then I lighted my pipe—Harry +didn't mind, you know, indeed she only looked at it wishfully.</p> + +<p>'In my rose garden,' said she, with a laugh, 'I shall smoke to kill the +rosebugs.'</p> + +<p>'Don't wait,' said I, taking down a dainty <i>écume de mer</i> (the back +drawing room was my peculiar 'study,' and the repository of several +gentlemanly 'improprieties'), and I adjusted the amber mouth piece to +the cherry stem, 'Don't wait for Persia, make your rose garden here.'</p> + +<p>Harry shook her head: 'You know, Len,' she said, 'that my roses would +grow like so many witches in a Puritan soil. I always thought that story +of the Norwegians' taking rosebuds for bulbs of fire, and being +terrified, was a very delicate and poetical satire upon <i>all</i> +superstition.'</p> + +<p>'Are you going to wash away <i>all</i> superstition?' I asked hastily.</p> + +<p>'No,' said she, with a smile at my fierceness; 'no, I like to see the +sun shine on the dew drops that the webs catch and swing between the +tops of the grasses.'</p> + +<p>I looked at her as she laid her head back against the curtains. My +nonchalance was as striking as hers, and—as genuine! We were no +children to be awkward in any event. I took her hand; it was a glowing +pulse—and mine? She wore one of those curious little cabal rings; there +were the Hebrew characters for Faith, traced as with a gold pen dipped +in melted pearls on black enamel. My seal was an emerald, Faith also, +impaled. I snatched it up and laid it by the ring on her hand. She +smiled—such a smile! intensest sympathy, deepest! Could it be? to love +the same old symbols, the same weird music? I caught her close, and bent +over her lips. The gold hair waved over my shoulder; the great, +glittering eyes foamed into mine, then melted and swam into deep, +quivering seas of dreams. I whispered, '<i>Zoe mou!</i>' Oh, the quick, +golden whisper, the flash of genial heartiness, the daring—oh, <i>how</i> +tender! '<i>Sas agapo.</i>' I held her off, radiant, glowing, fragrant, and +Bertha's dress rustled up the stairs.</p> + +<p>Henrietta stooped to pick up the seal, which had fallen; she balanced it +on the tip of her finger—the nervy Titan queen! and drew Bertha down by +her side on the sofa. It was growing dark.<span class='pagenum'><a name="Page_434" id="Page_434">[Pg 434]</a></span></p> + +<p>'I must be off, girls, and get your camelias. What will you have, +Bertha? a red or a white, you've a moment to decide?'</p> + +<p>'Neither, Len; I do not go.'</p> + +<p>'Why, Bertha? Oh! I remember, it is your anniversary,' and I kissed her.</p> + +<p>'And you, princess!' I turned to Henrietta.</p> + +<p>'Only roses, good my liege.'</p> + +<p>What was the opera that night? Pshaw! what a rhetorical affectation this +question! as if I could ever forget! <i>Die Zauberflöte</i>, and it rang pure +and clear through my thrilled heart. It followed me around to Van +Wyck's, where I found Henrietta and Fanny. A compliment to madame, a +German with mademoiselle, and home again. A great light streamed out of +the drawing room. I pushed the door open. With a cry of joy, Fan rushed +into the arms of the grave, fair man who put Bertha off his knee to +welcome her. Nap, who had followed us in, for a moment stood transfixed, +and Henrietta, more quiet, stood by their side, saying: 'Here is Harry, +Fred, when you choose to see her.' And he did choose, her own brother, +whom she had not seen for three years!</p> + +<p>'Come in, Nap,' I said. 'Fred Ruyter.'</p> + +<p>'Nap and Fanny,' I whispered; Fred smiled invisibly.</p> + +<p>And Bertha? Oh, you know, of course, that she's Bertha Ruyter, and that +Fred is her husband, just home from six months in Rio, and exactly a +year from his wedding night! Oh, Lionardo! what mellow, transparent, +flowing shades drowned us all that night!</p> + +<p>'Harry,' I said, the next morning, before I went down town, as I lounged +over her sofa, 'you have my emerald?'</p> + +<p>'Yes!' and her bright face turned up to mine.</p> + +<p>'You will keep it, and take me also, dear?'</p> + +<p>'<i>Ma foi! oui</i>,' was the sweet, smiling reply.</p> + +<p>'I'm not quite ugly enough for a Vulcan, I know; but after a while, if +you are patient, who knows? What sayest thou, Venus?'</p> + +<p>'I will try you, <i>bon camarade</i>.'</p> + +<p>'Your hand upon it, Harry.'</p> + +<p>She gave it; I kissed the gold hair that waved against my lips. Fanny +rushed impetuously upon us, with half-opened eyes, and stifled us with +caresses.</p> + +<p>'Such a proposal,' said she musingly, after she had returned to her +wools and beads, '14° above zero!'</p> + +<p>'And the Polyphemus, Fanny?'</p> + +<p>'Is for Nap,' and Fanny blushed and laughed. She was wondering if that +great event, an 'engagement,' always came about in so prosaic a way. But +looking at Bertha, I caught the bright, long, gravely humorous gleam +from her dark eyes, and walked upon it all the way down to Exchange +Place.</p> + +<p>Adieu, little Beatrice; my story hath at last an ending. Keep the little +hands and little heart warm for somebody brave by and by. Go shining +about and dancing, and smiling, Hummingbird; may sweetest flowers always +bloom around you; may you dwell in a fragrant rose garden of your own, +<i>mignonne</i>! Adieu.<span class='pagenum'><a name="Page_435" id="Page_435">[Pg 435]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="ETHEL" id="ETHEL"></a>ETHEL.</h2> + +<h4>FITZ FASHION'S WIFE.</h4> + + +<p> +<span style="margin-left: 1em;">Take the diamonds from my forehead—their chill weight but frets my brow!</span><br /> +<span style="margin-left: 1em;">How they glitter! radiant, faultless—but they give no pleasure now.</span><br /> +<br /> +<span style="margin-left: 1em;">Once they might have saved a Poet, o'er whose bed the violet waves:</span><br /> +<span style="margin-left: 1em;">Now their lustre chills my spirit, like the light from new-made graves.</span><br /> +<br /> +<span style="margin-left: 1em;">Quick! unbind the braided tresses of my coroneted hair!</span><br /> +<span style="margin-left: 1em;">Let it fall in single ringlets such as I was wont to wear.</span><br /> +<br /> +<span style="margin-left: 1em;">Take that wreath of dewy violets, twine it round their golden flow;</span><br /> +<span style="margin-left: 1em;">Let the perfumed purple blossoms fall upon my brow of snow!</span><br /> +<br /> +<span style="margin-left: 1em;">Simple flowers, ye gently lead me back into the sunny years,</span><br /> +<span style="margin-left: 1em;">Ere I wore proud chains of diamonds, forged of bitter, frozen tears!</span><br /> +<br /> +<span style="margin-left: 1em;">Bring the silver mirror to me! I am changed since those bright days,</span><br /> +<span style="margin-left: 1em;">When I lived with my sweet mother, and a Poet sang my praise.</span><br /> +<br /> +<span style="margin-left: 1em;">My blue eyes are larger, dimmer; thicker lashes veil their light;</span><br /> +<span style="margin-left: 1em;">Upon my cheek the crimson rose fast is fading to the white.</span><br /> +<br /> +<span style="margin-left: 1em;">I am taller, statelier, slighter, than I was in days of yore:—</span><br /> +<span style="margin-left: 1em;">If his eyes in heaven behold me, does he praise me as before?</span><br /> +<br /> +<span style="margin-left: 1em;">Proudly swells the silken rustle—all around is wealth and state,—</span><br /> +<span style="margin-left: 1em;">Dearer far the early roses twining round the wicker gate,</span><br /> +<br /> +<span style="margin-left: 1em;">Where my mother came at evening with the saint-like forehead pale,</span><br /> +<span style="margin-left: 1em;">And the Poet sat beside her, conning o'er his rhythmed tale.</span><br /> +<br /> +<span style="margin-left: 1em;">As he read the linked lines over, she would sanction, disapprove:</span><br /> +<span style="margin-left: 1em;">Soft and musical the pages, but he never sang of love.</span><br /> +<br /> +<span style="margin-left: 1em;">I had lived through sixteen summers, he was only twenty-one,</span><br /> +<span style="margin-left: 1em;">And we three still sat together at the hour of setting sun.</span><br /> +<br /> +<span style="margin-left: 1em;">Lowly was the forest cottage, but the sweetbrier wreathed it well;</span><br /> +<span style="margin-left: 1em;">'Mid its violets and roses, bees and robins loved to dwell.</span><br /> +<br /> +<span style="margin-left: 1em;">Wilder forms of larch and hemlock climbed the mountain at its side;</span><br /> +<span style="margin-left: 1em;">Fairy-like a rill came leaping where the quivering harebells sighed.</span><br /> +<br /> +<span style="margin-left: 1em;">Glittering, bounding, singing, dancing, ferns and mosses loved its track;</span><br /> +<span style="margin-left: 1em;">Lower in it dipped the willows, as to kiss the cloudland's rack.</span><br /> +<br /> +<span style="margin-left: 1em;">Soon there came a stately lover,—praised my beauty, softly smiled:</span><br /> +<span style="margin-left: 1em;">'He would make my mother happy,'—I was but a silly child!</span><br /> +<br /> +<span style="margin-left: 1em;">Came a dream of sudden power—fairest visions o'er me glide—</span><br /> +<span class='pagenum'><a name="Page_436" id="Page_436">[Pg 436]</a></span><span style="margin-left: 1em;">Wider spheres would open for me;—dazzled, I became a bride:</span><br /> +<br /> +<span style="margin-left: 1em;">Fondly deemed my lonely mother would be freed from sordid care;</span><br /> +<span style="margin-left: 1em;">Splendor I might pour around her, every joy with her might share.</span><br /> +<br /> +<span style="margin-left: 1em;">Then the Poet, who had never breathed one word of love to me,—</span><br /> +<span style="margin-left: 1em;">We might shape his life-course for him, give him culture wide and free.</span><br /> +<br /> +<span style="margin-left: 1em;">How I longed to turn the pages, with a husband's hand as guide,</span><br /> +<span style="margin-left: 1em;">Of the long-past golden ages, art and science at my side!</span><br /> +<br /> +<span style="margin-left: 1em;">To my simple fancy seemed it almost everything he knew—</span><br /> +<span style="margin-left: 1em;">Ah! he might have won affection, faithful, fervent, trusting, true!</span><br /> +<br /> +<span style="margin-left: 1em;">I was happy, never dreaming wealth congeals the human soul,</span><br /> +<span style="margin-left: 1em;">Freezing all its generous impulse—I but saw its wide control.</span><br /> +<br /> +<span style="margin-left: 1em;">Years have passed—a larger culture poured strange knowledge through my mind—</span><br /> +<span style="margin-left: 1em;">I have learned to read man's nature: better I were ever blind!</span><br /> +<br /> +<span style="margin-left: 1em;">How can I take upon me what I look upon with scorn,</span><br /> +<span style="margin-left: 1em;">Or learn to brook my own contempt, or trample the forlorn?</span><br /> +<br /> +<span style="margin-left: 1em;">I cannot live by rote and rule; I was not born a slave</span><br /> +<span style="margin-left: 1em;">To narrow fancies; I must feel, although a husband rave!</span><br /> +<br /> +<span style="margin-left: 1em;">I cannot choose my friends because I know them rich, or great;</span><br /> +<span style="margin-left: 1em;">My heart elects the noble,—what cares love for wealth or state?</span><br /> +<br /> +<span style="margin-left: 1em;">Very lovely are my pictures, saints and angels throng my hall—</span><br /> +<span style="margin-left: 1em;">But with shame my cheek is flushing, and my quivering lashes fall:</span><br /> +<br /> +<span style="margin-left: 1em;">Can I gaze on pictured actions, daring deeds, and emprise high,</span><br /> +<span style="margin-left: 1em;">And not feel my degradation while these fetters round me lie?</span><br /> +<br /> +<span style="margin-left: 1em;">Once the Poet came to see me, but it gave me nought but pain;</span><br /> +<span style="margin-left: 1em;">I was glad to see the Gifted go, ne'er to return again.</span><br /> +<br /> +<span style="margin-left: 1em;">For my husband scorning told me: 'True, his lines were very sweet,</span><br /> +<span style="margin-left: 1em;">But his clothes, so worn and seedy—scarce for me acquaintance meet!</span><br /> +<br /> +<span style="margin-left: 1em;">Artists, poets, men of genius, truly should be better paid,</span><br /> +<span style="margin-left: 1em;">But not holding our position, cannot be our friends,' he said.</span><br /> +<br /> +<span style="margin-left: 1em;">'As gentlemen to meet them were a very curious thing;</span><br /> +<span style="margin-left: 1em;">They were happier in their garrets—there let them sigh or sing.</span><br /> +<br /> +<span style="margin-left: 1em;">There were Travers and De Courcy—could he ask them home to dine,</span><br /> +<span style="margin-left: 1em;">At the risk of meeting truly such strange fellows o'er their wine?'</span><br /> +<br /> +<span style="margin-left: 1em;">Then he said, 'My cheeks were peachy, lips were coral, curls were gold,</span><br /> +<span style="margin-left: 1em;">But he liked them braided crown-like, and with pearls and diamonds rolled.</span><br /> +<br /> +<span style="margin-left: 1em;">I was once a little peasant; now I stood a jewelled queen—</span><br /> +<span style="margin-left: 1em;">Fitter that a calmer presence in his stately wife were seen!'</span><br /> +<br /> +<span style="margin-left: 1em;">Then he gave a gorgeous card-case; set with rubies, Roman gold,</span><br /> +<span class='pagenum'><a name="Page_437" id="Page_437">[Pg 437]</a></span><span style="margin-left: 1em;">Handed me a paper with it, strands of pearls around it rolled;</span><br /> +<br /> +<span style="margin-left: 1em;">Names of all his wife should visit I would find upon the roll:—</span><br /> +<span style="margin-left: 1em;">Found I none I loved within it—not one friend upon the scroll!</span><br /> +<br /> +<span style="margin-left: 1em;">And my mother, God forgive me! I was glad to see her go,</span><br /> +<span style="margin-left: 1em;">Ere the current of her loving heart had turned like mine to snow.</span><br /> +<br /> +<span style="margin-left: 1em;">Must I still seem fair and stately, choking down my bosom's strife,</span><br /> +<span style="margin-left: 1em;">Because 'all deep emotions were unseemly in his wife'?</span><br /> +<br /> +<span style="margin-left: 1em;">Must I gasp 'neath diamonds' glitter—walk in lustrous silken sheen—</span><br /> +<span style="margin-left: 1em;">Leaving those I love in anguish while I play some haughty scene?</span><br /> +<br /> +<span style="margin-left: 1em;">I am choking! closer round me crowds convention's stifling vault—</span><br /> +<span style="margin-left: 1em;">Every meanness's called a virtue—every virtue deemed a fault!</span><br /> +<br /> +<span style="margin-left: 1em;">Every generous thought is scandal; every noble deed is crime;</span><br /> +<span style="margin-left: 1em;">Every feeling's wrapped in fiction, and truth only lives in rhyme!</span><br /> +<br /> +<span style="margin-left: 1em;">No;—I am not fashion's minion,—I am not convention's slave!</span><br /> +<span style="margin-left: 1em;">If 'obedience is for woman,' still she has a soul to save.</span><br /> +<br /> +<span style="margin-left: 1em;">Must I share their haughty falsehood, take my part in social guile,</span><br /> +<span style="margin-left: 1em;">Cut my dearest friends, and stab them with a false, deceitful smile?</span><br /> +<br /> +<span style="margin-left: 1em;">Creeping like a serpent through me, faint, I feel a deadly chill,</span><br /> +<span style="margin-left: 1em;">Freezing all the good within me, icy fetters chain my will.</span><br /> +<br /> +<span style="margin-left: 1em;">Do I grow like those around me? will I learn to bear my part</span><br /> +<span style="margin-left: 1em;">In this glittering world of fashion, taming down a woman's heart?</span><br /> +<br /> +<span style="margin-left: 1em;">Must I lower to my husband? is it duty to abate</span><br /> +<span style="margin-left: 1em;">All the higher instincts in me, till I grow his fitting mate?</span><br /> +<br /> +<span style="margin-left: 1em;">Shall I muse on noble pictures, turn the poet's stirring page,</span><br /> +<span style="margin-left: 1em;">And grow base and mean in action, petty with a petty age?</span><br /> +<br /> +<span style="margin-left: 1em;">I am heart-sick, weary, weary! tell me not that this life,</span><br /> +<span style="margin-left: 1em;">Where all that's truly living must be pruned by fashion's knife!—</span><br /> +<br /> +<span style="margin-left: 1em;">I can make my own existence—spurn his gifts, and use my hands,</span><br /> +<span style="margin-left: 1em;">Though the senseless world of fashion for the deed my memory brands.</span><br /> +<br /> +<span style="margin-left: 1em;">Quick! unbraid the heavy tresses of my coroneted hair—</span><br /> +<span style="margin-left: 1em;">Let its gold fall in <i>free</i> ringlets such as I was wont to wear.</span><br /> +<br /> +<span style="margin-left: 1em;">I am going back to nature. I no more will school my heart</span><br /> +<span style="margin-left: 1em;">To stifle its best feelings, play an idle puppet's part.</span><br /> +<br /> +<span style="margin-left: 1em;">I will seek my banished mother, nestle closely on her breast;</span><br /> +<span style="margin-left: 1em;">Noble, faithful, kind, and loving, there the tortured one may rest.</span><br /> +<br /> +<span style="margin-left: 1em;">We will turn the Poets' pages, learn the noblest deeds to act,</span><br /> +<span style="margin-left: 1em;">Till the fictions in their beauty shall be lived as simple fact.</span><br /> +<br /> +<span style="margin-left: 1em;">I will mould a living statue, make it generous, strong, and high,</span><br /> +<span class='pagenum'><a name="Page_438" id="Page_438">[Pg 438]</a></span><span style="margin-left: 1em;">Humble, meek, self-abnegating, formed to meet the Master's eye.</span><br /> +<br /> +<span style="margin-left: 1em;">Oh, the glow of earnest culture! Oh, the joy of sacrifice!</span><br /> +<span style="margin-left: 1em;">The delight to help another! o'er all selfish thoughts to rise!</span><br /> +<br /> +<span style="margin-left: 1em;">Farewell, cold and haughty splendor—how you chilled me when a bride!</span><br /> +<span style="margin-left: 1em;">Hollow all your mental efforts; meanness all your dazzling pride!</span><br /> +<br /> +<span style="margin-left: 1em;">Put the diamonds in their caskets! pearls and rubies, place them there!</span><br /> +<span style="margin-left: 1em;">I shall never sigh to wear them with the violets in my hair.</span><br /> +<br /> +<span style="margin-left: 1em;">Freedom! with no eye upon me freezing all my fiery soul;</span><br /> +<span style="margin-left: 1em;">Free to follow nature's dictates; free from all save God's control.</span><br /> +<br /> +<span style="margin-left: 1em;">I am going to the cottage, with its windows small and low,</span><br /> +<span style="margin-left: 1em;">Where the sweetbrier twines its roses and the Guelder rose its snow.</span><br /> +<br /> +<span style="margin-left: 1em;">I will climb the thymy mountains where the pines in sturdy might</span><br /> +<span style="margin-left: 1em;">Follow nature's holy bidding, growing ever to the light;</span><br /> +<br /> +<span style="margin-left: 1em;">Tracking down the leaping streamlet till the willows on it rise,</span><br /> +<span style="margin-left: 1em;">Watch its broad and faithful bosom strive to mirror back the skies.</span><br /> +<br /> +<span style="margin-left: 1em;">Through the wicker gate at evening with my mother I will come,</span><br /> +<span style="margin-left: 1em;">With a little book, the Poet's, to read low at set of sun.</span><br /> +<br /> +<span style="margin-left: 1em;">'Tis a gloomy, broken record of a love poured forth in death,</span><br /> +<span style="margin-left: 1em;">Generous, holy, and devoted, sung with panting, dying breath.</span><br /> +<br /> +<span style="margin-left: 1em;">By the grassy mound we'll read it where he calmly sleeps in God,—</span><br /> +<span style="margin-left: 1em;">My gushing tears may stream above—they cannot pierce the sod!</span><br /> +<br /> +<span style="margin-left: 1em;">Hand in hand we'll sit together by the lowly mossy grave—</span><br /> +<span style="margin-left: 1em;">Oh, God! I blazed with jewels, but the noble dared not save!</span><br /> +<br /> +<span style="margin-left: 1em;">I am going to the cottage, there to sculpture my own soul,</span><br /> +<span style="margin-left: 1em;">Till it fill the high ideal of the Poet's glowing roll.</span><br /> +</p> +<hr style="width: 20%; Margin-left: 2em; Margin-top: 1em; margin-bottom: 1em;" /> +<p> +<span style="margin-left: 1em;">Stay, lovely dream! I waken! hear the clanking of my chain!</span><br /> +<span style="margin-left: 1em;">Feel a hopeless vow is on me—I can ne'er be free again!</span><br /> +<br /> +<span style="margin-left: 1em;">His wife! I've sworn it truly! I must bear his freezing eye,</span><br /> +<span style="margin-left: 1em;">Feel his blighting breath upon me while all nobler instincts die!</span><br /> +<br /> +<span style="margin-left: 1em;">Feel the Evil gain upon me as the weary moments glide,</span><br /> +<span style="margin-left: 1em;">Till I hiss, a jewelled serpent, fit companion, at his side.</span><br /> +<br /> +<span style="margin-left: 1em;">Vain is struggle—vain is writhing—vain are sobs and stifled gasps—</span><br /> +<span style="margin-left: 1em;">I must wear my brilliant fetters though my life-blood stain their clasps!</span><br /> +<br /> +<span style="margin-left: 1em;">Hark! he calls! tear out the violets! quick! the diamonds in my hair!</span><br /> +<span style="margin-left: 1em;">There's a ball to-night at Travers'—'tis his will I should be there.</span><br /> +<br /> +<span style="margin-left: 1em;">Splendid victim in his pageant, though my tortured head should ache,</span><br /> +<span class='pagenum'><a name="Page_439" id="Page_439">[Pg 439]</a></span><span style="margin-left: 1em;">Yet I must be brilliant, joyous, if my throbbing heart should break!</span><br /> +<br /> +<span style="margin-left: 1em;">I shudder! quick! my dress of rose, my tunic of point lace—</span><br /> +<span style="margin-left: 1em;">If fine enough, he will not read the anguish in my face!</span><br /> +<br /> +<span style="margin-left: 1em;">I know one place he dare not look—it is so still and deep—</span><br /> +<span style="margin-left: 1em;">He dare not lift the winding sheet that veils my last, long sleep!</span><br /> +<br /> +<span style="margin-left: 1em;">He dreads the dead! the coffin lid will shield me from his breath—</span><br /> +<span style="margin-left: 1em;">His eye no more will torture——Joy! I shall be free in death!</span><br /> +<br /> +<span style="margin-left: 1em;">Free to rest beside the Poet. He will shun the lowly grave:</span><br /> +<span style="margin-left: 1em;">There my mother soon will join us, and the violets o'er us wave.</span><br /> +</p> + + + +<hr style="width: 65%;" /> +<h2><a name="THE_SKEPTICS_OF_THE_WAVERLEY_NOVELS" id="THE_SKEPTICS_OF_THE_WAVERLEY_NOVELS"></a>THE SKEPTICS OF THE WAVERLEY NOVELS.</h2> + + +<p>It is remarkable that while, in a republic, which is the mildest form of +government, respect for law and order are most highly developed, there +is in an aristocracy (which is always the most deeply based form of +tyranny) a constant revolt against all law. Puritanism in England, +Pietism in Germany, and Huguenotism in France, were all directly and +strongly republican and law-abiding in their social relations; while for +an example of the contrary we need only glance at our own South. +Aristocracy—a regularly ordered system of society into ranks—is the +dream of the slaveholder, and experience is showing us how extremely +difficult it is to uproot the power of a very few wicked men who have +fairly mudsilled the majority; and yet, despite this strength, there was +never yet a country claiming to be civilized, in which the wild caprices +and armed outrages of the individual were regarded with such toleration.</p> + +<p><i>Republicanism is Christian.</i> When will the world see this tremendous +truth as it should, and realize that as there is a present and a future, +so did the Saviour lay down one law whereby man might progress in this +life, and another for the attainment of happiness in the next, and that +the two are mutually sustaining? There was no real republicanism before +the Gospels, and there has been no real addition to the doctrine since. +The instant that religion or any great law of truth falls into the hands +of a high caste, and puts on its livery, it becomes—ridiculous. What +think you of a shepherd's crook of gold blazing with diamonds?</p> + +<p>It is interesting to trace an excellent illustration of the natural +affinity between the fondness for feudalism and the love of law-breaking +in Sir <span class="smcap">Walter Scott</span>. Whatever his head and his natural common sense +dictated (and as he was a canny Scot and a shrewd observer, they +dictated many wise truths), his heart was always with the men of bow and +brand; with dashing robbers, moss troopers, duellists, wild-eagle +barons, wild-wolf borderers, and the whole farrago of autocratic +scoundrelism. With his soul devoted to dreams of feudalism, his fond +love of its romance was principally based on the constant infractions of +law and order to which a state of society must always be subject in +which certain men acquire power out of proportion to their integrity. +The result of this always is a lurking sympathy with rascality, a secret +relish for bold selfishness, which is in every community the deadliest +poison<span class='pagenum'><a name="Page_440" id="Page_440">[Pg 440]</a></span> of the rights of the poor, and all the disinherited by fortune.</p> + +<p>It is very remarkable that Walter Scott, a Tory to the soul, should, by +his apparently contradictory yet still most consistent love of the +<i>outré</i>, have had a keen amateur sympathy for outlaws. It is much more +remarkable, however, that, still retaining his faith in king and nobles, +Church and State, he should have pushed his appreciation of such men to +the degree of marvellously comprehending—nay, enjoying—certain types +of skepticism which sprang up in fiercest opposition to authority; urged +into existence by its abuses, as germs of plants have been thought to be +electrified into life by sharp blows. And it is most remarkable of all, +that he did this at a time when none among his English readers seem to +have had any comprehension whatever of these characters, or to have +surmised the fact that to merely understand and depict them, the writer +must have ventured into fearful depths of reflection and of study. In +treating these characters, Walter Scott seems to become positively +<i>subjective</i>—and I will venture to say that it is the only instance of +the slightest approach to anything of the kind to be found in all his +writings. Unlike Byron, who was painfully conscious, not of the nature +of his want in this respect, but of <i>something</i> wanting, Scott nowhere +else betrays the slightest consciousness of his continual life under +limitations, when, <i>plump!</i> we find him making a headlong leap right +into the very centre of that terrible pool whose waters feed the +forbidden-fruit tree of good and of evil.</p> + +<p>The characters to which I particularly refer in Sir Walter Scott's +novels are those of the Templar, Brian de Bois Guilbert, in 'Ivanhoe;' +of the gypsy Hayraddin Maugrabin in 'Quentin Durward;' of Dryfesdale, +the steward, in 'The Abbot;' and of the 'leech' Henbane Dwining, in 'The +Fair Maid of Perth.' There are several others which more or less +resemble these, as, for instance, Ranald Mac Eagh, the Child of the +Mist, in 'Montrose,' and Rashleigh, in 'Rob Roy;' but the latter, +considered by themselves, are only partly developed. In fact, if Scott +had given to the world only <i>one</i> of these outlaws of faith, there would +have been but little ground for inferring that his mind had ever taken +so daring a range as I venture to claim for him. It is in his constant, +wistful return, in one form or the other, to that terrible type of +humanity—the man who, as a matter of intensely sincere faith, has freed +himself from all adherence to the laws of man or <span class="smcap">God</span>—that we find the +clue to the <i>real</i> nature of the author's extraordinary sympathy for the +most daring, yet most subtle example of the law-breaker. In comparing +these characters carefully, we find that each by contrast appears far +more perfect than when separate—as the bone, which, however excellent +its state of preservation may be, never seems to the eye of the +physiologist so complete as when in its place in the complete skeleton. +And through this contrast we learn that Scott, having by sympathy and +historical-romantic study, comprehended the lost secret of all +<i>illuminée</i> mysteries—that of human dependence on nought save the laws +of a mysterious and terrible Nature—could not refrain from ever and +anon whispering the royal secret, though it were only to the rustling +reeds and rushes of fashionable novels. Having learned, though in an +illegitimate way, that the friend of <span class="smcap">Pan</span>, the great king of the golden +touch, had ass's ears, he <i>must</i> tell it again, though in murmurs and +whispers:</p> + +<p> +<span style="margin-left: 6.5em;">'Qui cum ne prodere visum</span><br /> +<span style="margin-left: 1em;">Dedecus auderet, cupiens efferre sub auras,</span><br /> +<span style="margin-left: 1em;">Nec posset reticere tamen, secedit, humumque</span><br /> +<span style="margin-left: 1em;">Effodit: et domini quales aspexerit aures,</span><br /> +<span style="margin-left: 1em;">Vox refert parva; terræque immurmurat haustæ.'<a name="FNanchor_10_10" id="FNanchor_10_10"></a><a href="#Footnote_10_10" class="fnanchor">[10]</a></span><br /> +</p> + +<p>It is to be remarked, in studying collectively these outlaws as set +forth by Scott, that while the same characteristic<span class='pagenum'><a name="Page_441" id="Page_441">[Pg 441]</a></span> lies at the basis of +each, there is very great variety in its development, and that the +author seems to have striven to present it in as many widely differing +phases as he was capable of doing. When we reflect that Scott himself +could not be fairly said to be perfectly <i>at home</i> in more than half a +dozen departments of history, and yet that he has taken pains to set +forth as many historical varieties of minds absolutely emancipated from +all faith, and finally, when we recall that at the time when he wrote, +the great proportion of the characteristics of these <i>dramatis personæ</i> +were utterly unappreciated, and that by even the learned they were +simply reviewed as 'infidels,' we cannot but smile at the care with +which (like the sculptor in the old story) he carved his images, and +buried them to be dug up at a future day by men who, as he possibly +hoped, would appreciate more fully than did his contemporaries his own +degree of forbidden knowledge. I certainly do not exaggerate the +importance of these characters when speaking in this manner. They could +not have been conceived without a very great expenditure of study and of +reflection. They are, as I said, subjective, and such portraits of +humanity always involve a vastly greater amount of penetrative and +long-continued thought, than do the mere historical and social +photographs which constitute the bulk of Scott's, as of all novels, and +form the favorites of the mass of readers for entertainment.</p> + +<p>First among these characters, and most important as indicating direct +historical familiarity with the obscure subject of the Oriental heresies +of the Middle Ages in Europe, I would place that of the Templar, Brian +de Bois Guilbert, who is generally regarded by readers as simply 'a +horrid creature,' who chased 'that darling Rebecca' out of the window to +the verge of the parapet; or at best as a knightly ruffian, who, like +most ruffianly sinners, quieted conscience by stifling it with doubt. +Very different, however, did the Templar appear to Scott himself, who, +notwithstanding the poetic justice meted to the knight, evidently +sympathized in secret more warmly with him than with any other character +in the gorgeous company of 'Ivanhoe.' Among them all he is the only one +who fully and fairly appreciates the intellect of Rebecca, and, seen +from the stand-point of rigid historical probability which Scott would +not violate, <i>all allowance being made for what the Templar was</i>, he +appears by far the noblest and most intelligent of all the knightly +throng. I say that though a favorite, Scott would not to favor him, +violate historical probability. Why should he? It formed no part of his +plan to give the public of his day lessons in <i>illuminée</i>-ism. Had he +done so he would have failed like 'George Sand' in 'Consuelo;' but a +very small proportion indeed of whose readers retain a recollection of +the doctrines which it is the main object of the book to set forth. I +trust there is no slander in the remark, but I <i>must</i> believe it to be +true until I see that the majority of the readers of that work have also +taken to zealously investigating the sources of that most forbidden +lore, which has most certainly this peculiarity, that no one can +<i>comprehend</i> it ever so little without experiencing an insatiable, +never-resting desire to exhaust it, like everything which is prohibited. +There is no such thing as knowing it a little. As one of its sages said +of old, its knowledge rushes forth into infinite lands.</p> + +<p>It was, I believe, some time before 'Ivanhoe' appeared, that Baron von +Hammer Purgstall had published his theory that the Knights Templars +were, although most unjustly treated, still guilty, in a certain sense, +of the extraordinary charges brought against them. It seems at least to +be tolerably certain that during their long residence in the East they +had acquired the Oriental secrets of initiation into societies which +taught the old serpent-lore of<span class='pagenum'><a name="Page_442" id="Page_442">[Pg 442]</a></span> <i>eritis sicut Deus</i>, and positive +knowledge; the ultimate secret, being the absolute nothingness of all +faith, creeds, laws, ties, or rules to him who is capable of rising +above them and of drawing from Nature by an 'enlightened' study of her +laws the principles of action, of harmony with fellow men, and of +unlimited earthly enjoyment. Such had been for ages the last lessons of +all the 'mysteries' of the East—mysteries which it was the peculiar +destiny of the Hebrew race to resist through ages of struggle. It was +through the teaching of such mysteries of pantheistic naturalism that, +as the unflinching Jewish deists and anthropomorphists believed, man +fell, and their belief was set forth in their very first religious +tradition—the history of the apple, the serpent, and the Fall. And it +is to the very extraordinary nature of the Hebrew race, by which they +presented for the first time in history the spectacle of a people +resisting nature-worship, that they owe their claim to be a peculiar +people.</p> + +<p>The Templars, under the glowing skies of the East, among its thousand +temptations, those of superior knowledge not being the least; in an age +when the absurdities of the Roman church were, to an enlightened mind, +at their absurdest pitch, fell readily into 'illumination.' Whether they +literally <i>worshipped</i> the Oriental Baphomet, a figure with two heads, +male and female, girt with a serpent, typifying the completest +abnegation of all moral relations, and the rights of knowledge, no one +can say now—it is, however, significant that this symbol, which they +undoubtedly used, actually found its way under the freemasons into the +Christian churches of the West, as a type of 'prudence' among the +representations of Christian virtues. When we remember that the Gnostics +taught that <i>prudence</i> alone was virtue,<a name="FNanchor_11_11" id="FNanchor_11_11"></a><a href="#Footnote_11_11" class="fnanchor">[11]</a> we have here a coincidence +which sufficiently explains the meaning of this emblem of 'the baptism +of mind.'</p> + +<p>Nothing is more likely than that a portion of the Knights Templars were +initiated in the mysteries of such Oriental sects as those of the <i>House +of Wisdom</i> of Al Hakem, the seventh and last degree of which at first +'inculcated the vanity of all religion, and the indifference of actions +which are neither visited with recompense nor chastisement here or +hereafter.' At a later age, when the doctrines of this society had +permeated all Islam, it seems to have labored very zealously to teach +both women and men gratuitously all learning, and give them the freest +use of books. At this time it was in the ninth degree that the initiate +'learnt the grand secret of atheism, and a code of morals, which may be +summed up in a few words, as believing nothing and daring +everything.'<a name="FNanchor_12_12" id="FNanchor_12_12"></a><a href="#Footnote_12_12" class="fnanchor">[12]</a></p> + +<p>Bearing this in mind, Walter Scott may be presumed to have studied with +shrewd appreciation the character of the Templars, and to have +conjectured with strange wisdom their great ambition, when we find Brian +de Bois Guilbert declaring to Rebecca that his Order threatened the +thrones of Europe, and hinting at tremendous changes in society—'hopes +more extended than can be viewed from the throne of a monarch.' For it +was indeed the hope—it <i>must</i> have been—for the proud and powerful +brotherhood of the Temple to extend their secret doctrines over Europe, +regenerate society, and overthrow all existing powers, substituting for +them its own crude and impossible socialism, and for Christianity the +lore of the serpent. How plainly is this expressed in the speech of Bois +Guilbert to Rebecca:</p> + +<div class="blockquot"><p>'Such a swelling flood is that powerful league. Of this mighty +Order I am no mean member, but already one of the Chief Commanders, +and may well aspire one day to hold<span class='pagenum'><a name="Page_443" id="Page_443">[Pg 443]</a></span> the baton of Grand Master. The +poor soldiers of the Temple will not alone place their foot upon +the necks of Kings—a hemp-sandall'd monk can do that. Our mailed +step shall ascend their throne—our gauntlet shall wrench the +sceptre from their gripe. Not the reign of your vainly expected +Messiah offers such power to your dispersed tribes as my ambition +may aim at. I have sought but a kindred spirit to share it, and I +have found such in thee.'</p> + +<p>'Sayest thou this to one of my people?' answered Rebecca. 'Bethink +thee'—</p> + +<p>'Answer me not,' said the Templar, 'by urging the difference of our +creeds; within our secret conclaves we hold these nursery tales in +derision. Think not we long remain blind to the idiotic folly of +our founders, who forswore every delight of life for the pleasures +of dying martyrs by hunger, by thirst, and by pestilence, and by +the swords of savages, while they vainly strove to defend a barren +desert, valuable only in the eyes of superstition. Our Order soon +adopted bolder and wider views, and found out a better +indemnification for our sacrifices. Our immense possessions in +every kingdom of Europe, our high military fame, which brings +within our circle the flower of chivalry from every Christian +clime—these are dedicated to ends of which our pious founders +little dreamed, and which are equally concealed from such weak +spirits as embrace our Order on the ancient principles, and whose +superstition makes them our passive tools. But I will not further +withdraw the veil of our mysteries.'</p></div> + +<p>We may well pause for an instant to wonder what would have been the +present state of the now civilized world had this order with its +Oriental illuminéeism actually succeeded in undermining feudal society +and in overthrowing thrones. That it was jointly dreaded by Church and +State appears from the excessive, implacable zeal with which it was +broken up by Philip the Fair and Pope Clement the Fifth—a zeal quite +inexplicable from the motives of avarice usually attributed to them by +the modern freemasonic defenders of the Knights of the Temple. I may +well say modern, since in a freemasonic document bearing date 1766, +reprinted in a rare work,<a name="FNanchor_13_13" id="FNanchor_13_13"></a><a href="#Footnote_13_13" class="fnanchor">[13]</a> we find the most earnest protest and +denial that freemasonry had anything in common with the Templars. But +the Order did not die unavenged. It is by no means improbable that the +secret heresies which, bearing unmistakable marks of Eastern origin, +continually sprang up in Europe, and finally led the way to Huss and the +Reformation, were in their origin encouraged by the Templars.</p> + +<p>Certain it is that the character of Bois Guilbert as drawn by Scott—his +habitual oath 'by earth and sea and sky!' his scorn of 'the doting +scruples which fetter our free-born reason,' and his atheistic faith +that to die is to be 'dispersed to the elements of which our strange +forms are so mystically composed,' are all wonderful indications of +insight into a type of mind differing inconceivably from the mere +infidel villain of modern novels, and which could never have been +attributed to a knight of the superstitious Middle Ages without a strong +basis of historical research. Very striking indeed is his fierce love +for Rebecca—his intense appreciation of her great courage and firmness, +which he at once recognizes as congenial to his own daring, and believes +will form for him in her a fit mate. There is a spirit of reality in +this which transcends ordinary conceptions of what is called genius. To +deem a woman requisite aid in such intellectual labor—for so we may +well call the system of the Templars—would at that era have been +incomprehensibly absurd to any save the worshippers of the bi-sexed +Baphomet and the disciples of the House of Wisdom, with whom the equal +culture of the sexes was a leading aim. The extraordinary tact with +which Scott has contrived to make Bois Guilbert repulsive to the mass of +readers, while at the same time he really—for himself—makes him +undergo every sacrifice of which the Templar's nature is <i>consistently</i> +capable, is perhaps the most elaborately artistic effort in his works. +To have made Bois Guilbert sensible to the laws of love and of chivalry, +which in his mystical<span class='pagenum'><a name="Page_444" id="Page_444">[Pg 444]</a></span> freedom he despised, to rescue her simply from +death, which in his view had no terrors beyond short-lived pain, would +not have agreed with his character as Scott very truly understood it. +Himself a sacrifice to fate, he was willing that she, whom he regarded +as a second self, should also perish. This reserving the true +comprehension of a certain character to one's self by a writer is not, I +believe, an uncommon thing in romance writing. 'Blifil' was the favorite +child of his literary parent, and was (it is to be hoped) seen by him +from a stand-point undreamed of by nearly all readers.</p> + +<p>Closely allied in the one main point of character to Bois Guilbert, and +to a certain degree having his Oriental origin, yet differing in every +other detail, we have Hayraddin Maugrabin, the gypsy, in 'Quentin +Durward.'</p> + +<p>When Walter Scott drew the outlines of this singular subordinate actor +in one of the world's greatest mediæval romances, so little was known of +the real condition of the 'Rommany,' that the author was supposed to +have introduced an exaggerated and most improbable character among +historical portraits which were true to life. The more recent researches +of George Borrow and others have shown that, judged by the gypsy of the +present day, Hayraddin is extremely well drawn in certain particulars, +but improbable in other respects. He has, amid all his villany, a +certain firmness or greatness which is peculiar to men who can sustain +positions of rank—a marked Oriental 'leadership,' which Scott might be +presumed to have guessed at. Yet all of this corresponds closely to the +historical account of the first of these wanderers, who in 1427 came to +Europe, 'well mounted,' and claiming to be men of the highest rank, and +to the condition and character of certain men among them in the +Slavonian countries of the present day. If we study carefully all that +is accessible both of the present and the past relative to this singular +race, we shall find that Scott, partly from knowledge and partly by +poetic intuition, has in this gypsy produced one of his most marvellous +and deeply interesting studies.</p> + +<p>Like Bois Guilbert, Hayraddin is a man without a God, and the +peculiarity of his character lies in a constant realization of the fact +that he is absolutely <i>free</i> from every form or principle of faith, +every conventional tie, every duty founded on aught save the most +natural instincts. He revels in this freedom; it is to him like magic +armor, making him invulnerable to shafts which reach all around +him—nay, which render him supremely indifferent to death itself. +Whether this extreme of philosophical skepticism and stoicism could be +consistently and correctly attributed to a gypsy of the fifteenth +century, will be presently considered. Let me first quote those passages +in which the character is best set forth. The first is that in which +Hayraddin, in reply to the queries of Quentin Durward, asserts that he +has no country, is not a Christian, and is altogether lawless:</p> + +<div class="blockquot"><p>'You are then,' said the wondering querist, 'destitute of all that +other men are combined by—you have no law, no leader, no settled +means of subsistence, no house or home. You have, may Heaven +compassionate you, no country—and, may Heaven enlighten and +forgive you, you have no God! What is it that remains to you, +deprived of government, domestic happiness, and religion?'</p> + +<p>'I have liberty,' said the Bohemian—'I crouch to no one—obey no +one—respect no one.—I go where I will—live as I can—and die +when my day comes.'</p> + +<p>'But you are subject to instant execution at the pleasure of the +Judge?'</p> + +<p>'Be it so,' returned the Bohemian; 'I can but die so much the +sooner.'</p> + +<p>'And to imprisonment also,' said the Scot; 'and where then is your +boasted freedom?'</p> + +<p>'In my thoughts,' said the Bohemian, 'which no chains can bind; +while yours, even when your limbs are free, remain fettered by your +laws and your superstitions, your dreams of local attachment, and +your fantastic visions of civil policy. Such as I are free in +spirit when our limbs are chained. You are imprisoned in mind, even +when your limbs are most at freedom.'<span class='pagenum'><a name="Page_445" id="Page_445">[Pg 445]</a></span></p> + +<blockquote><p> Transcriber's note:<br />No anchor for this footnote could be found on this page. +<a name="FNanchor_14_14" id="FNanchor_14_14"></a><a href="#Footnote_14_14" class="fnanchor">[14]</a> + + +</p> +</blockquote> +<p>'Yet the freedom of your thoughts,' said the Scot, 'relieves +not the pressure of the gyves on your limbs.'</p> + +<p>'For a brief time that may be endured,' answered the vagrant, 'and +if within that period I cannot extricate myself, and fail of relief +from my comrades, I can always die, and death is the most perfect +freedom of all.'</p></div> + +<p>Again, when asked in his last hour what are his hopes for the future, +the gypsy, after denying the existence of the soul, declares that his +anticipations are:</p> + +<div class="blockquot"><p>'To be resolved into the elements. * * * My hope and trust and +expectation is, that the mysterious frame of humanity shall melt +into the general mass of nature, to be recompounded in the other +forms with which she daily supplies those which daily disappear, +and return under different forms,—the watery particles to streams +and showers, the earthy parts to enrich their mother earth, the +airy portions to wanton in the breeze, and those of fire to supply +the blaze of Aldebaran and his brethren. In this faith I have +lived, and will die in it. Hence! begone!—disturb me no further! I +have spoken the last word that mortal ears shall listen to!'</p></div> + +<p>That such a strain as this would be absurd from 'Mr. Petulengro,' or any +other of the race as portrayed by Borrow, is evident enough. Whether it +is inappropriate, however, in the mouth of one of the first corners of +the people in Europe, of direct Hindustanee blood, is another question. +Let us examine it.</p> + +<p>In his notes to 'Quentin Durward,' Scott declares his belief that there +can be little doubt that the first gypsies consisted originally of +Hindus, who left their native land when it was invaded by Timur or +Tamerlane, and that their language is a dialect of Hindustanee. That the +gypsies were Hindus, and outcast Hindus or Pariahs at that, could be no +secret to Scott. That he should have made Hayraddin in his doctrines +marvellously true to the very life to certain of this class, indicates a +degree either of knowledge or of intuition (it may have been either) +which is at least remarkable.</p> + +<p>The reader has probably learned to consider the Hindu Pariah as a merely +wretched outcast, ignorant, vulgar, and oppressed. Such is not, however, +exactly their <i>status</i>. Whatever their social rank may be, the +Pariahs—the undoubted ancestors of the gypsies—are the authors in +India of a great mass of philosophy and literature, embracing nearly all +that land has ever produced which is tinctured with independence or wit. +In confirmation of which I beg leave to cite the following passages from +that extremely entertaining, well-edited, and elegantly published little +work, the 'Strange Surprising Adventures of the Venerable Goroo Simple +and his Five Disciples':</p> + +<div class="blockquot"><p>'The literature of the Hindoos owes but little to the hereditary +claimants to the sole possession of divine light and knowledge. On +the contrary, with the many things which the Brahmins are forbidden +to touch, all science, if left to them alone, would soon stagnate, +and clever men, whose genius cannot be held in trammels, therefore +soon become outcasts and swell the number of <i>Pariars</i> in +consequence of their very pursuit of knowledge. * * * To the +writings of the <i>Poorrachchameiyans</i>, a sect of <i>Pariars</i> odious in +the eyes of a Brahman, the Tamuls owe the greater part of works on +science. * * * To the <i>Vallooran</i> sect of Pariars, particularly +shunned by the Brahmans, Hindoo literature is indebted almost +exclusively for the many moral poems and books of aphorisms which +are its chief pride.</p> + +<p>'This class of literature' (satiric humor and fables) 'emanated +chiefly from those despised outcasts, the Pariars, the very men who +(using keener spectacles than Dr. Robertson, our historian of +Ancient India, did, who singularly became the panegyrist of Gentoo +subdivisions) saw that to bind human intellect and human energy +within the wire fences of Hindoo castes is as impossible as to shut +up the winds of heaven in a temple built by man's hand, and boldly +thought for themselves.'</p></div> + +<p>Of the literary <i>Vallooran</i> Pariah outcasts and scientific +Poorrachchameiyans, we know from the best authority—Father Beschi—that +they form society of six degrees or sects, the fifth of which, when five +Fridays occur in a month, celebrate it <i>avec de grandes abominations</i>, +while the sixth 'admits the<span class='pagenum'><a name="Page_446" id="Page_446">[Pg 446]</a></span> real existence of nothing—except, +<i>perhaps</i>, <span class="smcap">God</span>.' This last is a mere guess on the part of the good +father. It is beyond conjecture that we have here another of those +strange Oriental sects, 'atheistic' in its highest school and identical +in its nature with that of the House of Wisdom of Cairo, and with the +Templars; and if Scott's gypsy Hayraddin Maugrabin is to be supposed one +of that type of Hindu outcasts, which were of all others most hateful to +the orthodox Moslem invader, we cannot sufficiently admire the +appropriateness with which doctrines which were actually held by the +most deeply initiated among the Pariahs were put into his mouth. To have +made a merely vulgar, nothing-believing, and as little reflecting gypsy, +as philosophical as the wanderer in 'Quentin Durward,' would have been +absurd. There is a vigor, an earnestness in his creed, which betrays +culture and thought, and which is marvellously appropriate if we regard +him as a wandering scion of the outcast Pariah illuminati of India.</p> + +<p>Did our author owe this insight to erudition or to poetic intuition? In +either case we discover a depth which few would have surmised. It was +once said of Scott, that he was a millionaire of genius whose wealth was +all in small change—that his scenes and characters were all massed from +a vast collection of little details. This would be equivalent to +declaring that he was a great novelist without a great idea. Perhaps +this is true, but the clairvoyance of genius which <i>seems</i> to manifest +itself in the two characters which I have already examined, and the +cautious manner in which he has treated them, would appear to prove that +he possessed a rarer gift than that of 'great ideas'—the power of +controlling them. Such ideas may make reformers, critics, politicians, +essayists—but they generally ruin a novelist—and Scott knew it.</p> + +<p>A third character belonging to the class under consideration, is Henbane +Dwining, the 'pottingar,' apothecary or 'leech,' in the novel of 'The +Fair Maid of Perth.'</p> + +<p>This man is rather developed by his deeds than his words, and these are +prompted by two motives, terrible vindictiveness and the pride of +superior knowledge. He is vile from the former, and yet almost heroic +from the latter, for it is briefly impossible to make any man intensely +self-reliant, and base this self-reliance on great learning in men and +books, without displaying in him some elements of superiority. He is so +radically bad that by contrast one of the greatest villains in Scottish +history, Sir John Ramorney, appears rather gray than black; and yet we +dislike him less than the knight, possibly because we know that men of +the Dwining stamp, when they have had the control of nations, often do +good simply from the dictates of superior wisdom—the wisdom of the +serpent—which, no Ramorney ever did. The skill with which the crawling, +paltry leech controls his fierce lord; the contempt for his power and +pride shown in Dwining's adroit sneers, and above all, the ease with +which the latter casts into the shade Ramorney's fancied superiority in +wickedness, is well set forth—and such a character could only have been +conceived by deep study of the motives and agencies which formed it. To +do so, Scott had recourse to the same Oriental source—the same fearful +school of atheism which in another and higher form gave birth to the +Templar and the gypsy. 'I have studied,' says Dwining, 'among the sages +of Granada, where the fiery-souled Moor lifts high his deadly dagger as +it drops with his enemy's blood, and avows the doctrine which the pallid +Christian practises, though, coward-like, he dare not name it.' His +sneers at the existence of a devil, at all 'prejudices,' at religion, +above all, at brute strength and every power save that of intellect, are +perfectly Oriental—not however of the Oriental Sufi, or of the +initiated in the House of Wisdom, whose pantheistic Idealism<span class='pagenum'><a name="Page_447" id="Page_447">[Pg 447]</a></span> went hand +in hand with a faith in benefiting mankind, and which taught +forgiveness, equality, and love, but rather that corrupted Asiatic +vanity of wisdom which abounded among the disciples of Aristotle and of +Averroes in Spain, and which was entirely material. I err, strictly +speaking, therefore, when I speak of this as the <i>same</i> Oriental school, +though in a certain sense it had a common origin—that of believing in +the infinite power of human wisdom. Both are embraced indeed in the +beguiling <i>eritis sicut Deus</i>, 'ye shall be as <span class="smcap">God</span>,' uttered by the +serpent to Eve.</p> + +<p>Quite subordinate as regards its position among the actors of the novel, +yet extremely interesting in a historical point of view, is the +character of Jasper Dryfesdale the steward of the Douglas family, in +'The Abbot.' In this man Scott has happily combined the sentiment of +absolute feudal devotion to his superiors with a gloomy fatalism learned +'among the fierce sectaries of Lower Germany.' If carefully studied, +Dryfesdale will be found to be, on the whole, the most morally +instructive character in the entire range of Scott's writings. In the +first place, he illustrates the fact, so little noted by the advocates +of loyalty, aristocracy, 'devoted retainers,' and 'faithful vassals,' +that all such fidelity carried beyond the balance of a harmony of +interests, results in an insensibility to moral accountability. Thus in +the Southern States, masters often refer with pride to the fact that a +certain negro, who will freely pillage in other quarters, will 'never +steal at home.' History shows that the man who surrenders himself +entirely to the will of another begins at once to cast on his superior +all responsibility for his own acts. Such dependence and evasion is of +itself far worse than the bold unbelief which is to the last degree +self-reliant; which seeks no substitute, dreads no labor, scorns all +mastery, and aims at the truth, the whole truth, and nothing but the +truth. Such unbelief may possibly end in finding religious truth after +its devious errors, but what shall be said of those who would have men +sin as <i>slaves</i>?</p> + +<p>Singularly and appropriately allied to a resignation of moral +accountability from feudal attachment, is the contemptible and cowardly +doctrine of fatalism, which Dryfesdale also professes. It is not with +him the philosophic doctrine of the concurring impulses of circumstance, +or of natural laws, but rather the stupendously nonsensical notion of +the Arabian <i>kismet</i>, that from the beginning of time every event was +fore-arranged as in a fairy tale, and that all which <i>is</i>, is simply the +acting out of a libretto written before the play began—a belief revived +in the last century by readers of Leibnitz, who were truer than the +great German himself to the consequences of his doctrine, which he +simply evaded.<a name="FNanchor_15_15" id="FNanchor_15_15"></a><a href="#Footnote_15_15" class="fnanchor">[15]</a> In coupling this humiliating and superstitious means +of evading moral accountability with the same principle as derived from +feudal devotion, Scott, consciously or unconsciously, displayed genius, +and at the same time indirectly attacked that system of society to which +he was specially devoted. So true is it that genius instinctively tends +to set forth the <i>truth</i>, be the predilections of its possessor what +they may. And indeed, as Scott nowhere shows in any way that <i>he</i>, for +his part, regarded the blind fidelity of the steward as other than +admirable, it may be that he was guided rather by instinct than will, in +thus pointing out the great evil resulting from a formally aristocratic +state of society. Such as it is, it is well worth studying in these +times, when the principles of republicanism and aristocracy are brought +face to face at war among us, firstly in the contest between the South +and the North, and secondly in the rapidly growing division between the +friends of the Union, and the trea<span class='pagenum'><a name="Page_448" id="Page_448">[Pg 448]</a></span>sonable 'Copperheads,' who consist of +men of selfish, aristocratic tendencies, and their natural allies, the +refuse of the population.</p> + +<p>It is very unfortunate that the term 'Anabaptists' should have ever been +applied to the ferocious fanatics led by John of Leyden, Knipperdolling, +and Rothmann, since it has brought discredit on a large sect bearing the +same name with which it had in reality even less in common than the +historians of the latter imagine. It is not a difficult matter for the +mind familiar with the undoubted Oriental origin of the 'heresies' of +the middle ages, to trace in the origin at least of the fierce and +licentious socialists of Münster the same secret influence which, +flowing from Gnostic, Manichæan, or Templar sources, founded the +Waldense and Albigense sects, and was afterward perceptible in a branch +of the Hussites. At the time of the Reformation their ancient doctrines +had subsided into Biblical fanaticism; but the old leaven of revolt +against the church, and against all compulsion—keenly sharpened by +their experiences, in the recent Peasant's War—was as hot as ever among +them. They had no great or high philosophy, but were in all respects +chaotic, contradictory, and stormy. Unable to rise to the cultivated and +philanthropic feelings which accompanied the skepticism of their remote +founders, they based their denial of moral accountability—as narrow and +vulgar minds naturally do—on a predestination, which is as insulting to +<span class="smcap">God</span> as to man, since it is consistently comprehensible only by supposing +<span class="smcap">Him</span> a slave to destiny. Among such vassals to a worse than earthly +tyranny, the man who as 'a Scottish servant regarded not his own life or +that of any other save his master,' would find doctrines congenial +enough to his grovelling nature. So he was willing to believe that 'that +which was written of me a million years before I saw the light must be +executed by me.' 'I am well taught, and strong in belief,' he says, +'that man does nought for himself; he is but the foam on the billow, +which rises, bubbles, and bursts, not by its own effort, but by the +mightier impulse of fate which urges him.' And the combination of his +two wretched doctrines is well set forth in the passage wherein he tells +his mistress that she had no choice as regarded accepting his criminal +services. 'You might not choose, lady,' answered the steward. 'Long ere +this castle was builded—ay, long ere the islet which sustains it reared +its head above the blue water—I was destined to be your faithful slave, +and you to be my ungrateful mistress.'</p> + +<p>Freethinkers, infidels, and atheists abound in novels, but it is to the +credit of Sir Walter Scott that wherever he has introduced a <i>sincere</i> +character of this description, he has gone to the very origin for his +facts, and then given us the result without pedantry. The four which I +have examined are each a curious subject for study, and indicate, +collectively and compared, a train of thought which I believe that few +have suspected in Scott, notwithstanding his well-known great love for +the curious and occult in literature. That he perfectly understood that +absurd and vain character, the so-called 'infidel,' whose philosophy is +limited to abusing Christianity, and whose real object is to be odd and +peculiar, and astonish humble individuals with his wickedness, is most +amusingly shown in 'Bletson,' one of the three Commissioners of Cromwell +introduced into 'Woodstock.' Scott has drawn this very subordinate +character in remarkable detail, having devoted nearly seven pages to its +description,<a name="FNanchor_16_16" id="FNanchor_16_16"></a><a href="#Footnote_16_16" class="fnanchor">[16]</a> evidently being for once carried away by the desire of +rendering the personality as clearly as possible, or of gratifying his +own fancy. And while no effort is ever made to cast even a shadow of +ridicule on the Knight Templar, on Dryfesdale, on the gypsy, or even on +the crawling Dwining, he manifestly<span class='pagenum'><a name="Page_449" id="Page_449">[Pg 449]</a></span> takes great pains to render as +contemptible and laughably absurd as possible this type of the very +great majority of modern infidels, who disavow religion because they +fear it, and ridicule Christianity from sheer, shallow ignorance. Our +own country at present abounds in 'Bletsons,' in conceited, ignorant +'infidel' scribblers of many descriptions, in of all whom we can still +trace the cant and drawl of the old-fashioned fanaticism to which they +are in reality nearly allied, while they appear to oppose it. For the +truth is, that popular infidelity—to borrow Mr. Caudle's simile of +tyrants—is only Puritanism turned inside out. We see this, even when it +is masked in French flippancy and the Shibboleth of the current +accomplishments of literature—it betrays itself by its vindictiveness +and conceit, by its cruelty, sarcasms, and meanness—with the infidel as +with the bigot. The sincere seeker for truth, whether he wander through +the paths of unbelief or of faith, never forgets to love, never courts +notoriety, and is neither a satirical court-fool nor a would-be +Mephistopheles.</p> + +<p>In reflecting on these characters, I am irresistibly reminded of an +anecdote illustrating their nature. A friend of mine who had employed a +rather ignorant fellow to guide him through some ruins in England, was +astonished, as he entered a gloomy dungeon, at the sudden remark, in the +hollow voice of one imparting a dire confidence, of: 'I doan't believe +in hany <span class="smcap">God</span>!' 'Don't you, indeed?' was the placid reply. 'Noa,' answered +the guide; '<i>H'I'm a</i> <span class="smcap">HINFIDEL</span>!' 'Well, I hope you feel easy after it,' +quoth my friend.</p> + +<p>There is yet another skeptic set forth by Scott, whose peculiarities may +be deemed worthy of examination. I refer to Agelastes, the treacherous +and hypocritical sage of 'Count Robert of Paris.' In this man we have, +however, rather the refined sensualist and elegant scholar who amuses +himself with the subtleties of the old Greek philosophy, than a sincere +seeker for truth, or even a sincere doubter. His views are fully given +in a short lecture of the countess:</p> + +<div class="blockquot"><p>'Daughter,' said Agelastes, approaching nearer to the lady, 'it is +with pain I see you bewildered in errors which a little calm +reflection might remove. We may flatter ourselves, and human vanity +usually does so, that beings infinitely more powerful than those +belonging to mere humanity are employed daily in measuring out the +good and evil of this world, the termination of combats or the fate +of empires, according to their own ideas of what is right or wrong, +or more properly, according to what we ourselves conceive to be +such. The Greek heathens, renowned for their wisdom, and glorious +for their actions, explained to men of ordinary minds the supposed +existence of Jupiter and his Pantheon, where various deities +presided over various virtues and vices, and regulated the temporal +fortune and future happiness of such as practised them. The more +learned and wise of the ancients rejected such the vulgar +interpretation, and wisely, although affecting a deference to the +public faith, denied before their disciples in private, the gross +fallacies of Tartarus and Olympus, the vain doctrines concerning +the gods themselves, and the extravagant expectations which the +vulgar entertained of an immortality supposed to be possessed by +creatures who were in every respect mortal, both in the +conformation of their bodies, and in the internal belief of their +souls. Of these wise and good men some granted the existence of the +supposed deities, but denied that they cared about the actions of +mankind any more than those of the inferior animals. A merry, +jovial, careless life, such as the followers of Epicurus would +choose for themselves, was what they assigned for those gods whose +being they admitted. Others, more bold or more consistent, entirely +denied the existence of deities who apparently had no proper object +or purpose, and believed that such of them, whose being and +attributes were proved to us by no supernatural appearances, had in +reality no existence whatever.'</p></div> + +<p>In all this, and indeed in all the character of Agelastes, there is +nothing more than shallow scholarship, such as may be found in many of +'the learned' in all ages, whose learning is worn as a fine garment, +perhaps as one of comfort, but <i>not</i> as the armor in which to earnestly +do battle for life. A contempt for the vulgar, or at best a selfish +rendering of life agreeable to themselves, is all that is gathered from +such<span class='pagenum'><a name="Page_450" id="Page_450">[Pg 450]</a></span> systems of doubt—and this was in all ages the reproach of all +Greek philosophy. It was not meant for the multitude nor for the +barbarian. It embraced no hope of benefiting all mankind, no scheme for +even freeing them from superstition. Such ideas were only cherished by +the Orientals, and (though mingled with errors) subsequently and <i>fully</i> +by the early Christians. It was in the East that the glorious doctrine +of love for <i>all</i> beings, not only for enemies, but for the very fiends +themselves, was first proclaimed as essential to perfect the soul—as +shown in the beautiful Hindu poem of 'The Buddha's Victory,'<a name="FNanchor_17_17" id="FNanchor_17_17"></a><a href="#Footnote_17_17" class="fnanchor">[17]</a> in +which the demon Wassywart, that horror of horrors, whose eyes are clots +of blood, whose voice outroars the thunder, who plucks up the sun from +its socket the sky, defies the great saint-god to battle:</p> + +<p> +<span style="margin-left: 1em;">'The unarmed Buddha mildly gazed at him,</span><br /> +<span style="margin-left: 1em;">And said in peace: 'Poor fiend, <i>even thee I love</i>.'</span><br /> +<span style="margin-left: 1em;">Before great Wassywart the world grew dim;</span><br /> +<span style="margin-left: 1em;">His bulk enormous dwindled to a dove. * * *</span><br /> +<span style="margin-left: 1em;">—Celestial beauty sat on Buddhas face,</span><br /> +<span style="margin-left: 1em;">While sweetly sang the metamorphosed dove:</span><br /> +<span style="margin-left: 1em;">'Swords, rocks, lies, fiends, must yield to moveless love,</span><br /> +<span style="margin-left: 1em;">And nothing can withstand the Buddha's grace.'</span><br /> +</p> + +<p>And again, in 'The Secret of Piety'—the secret 'of all the lore which +angelic bosoms swell'—we have the same pure faith:</p> + +<p> +<span style="margin-left: 1em;">'Whoso would careless tread one worm that crawls the sod,</span><br /> +<span style="margin-left: 1em;">That cruel man is darkly alienate from God;</span><br /> +<span style="margin-left: 1em;">But he that lives embracing all that is in <i>love</i>,</span><br /> +<span style="margin-left: 1em;">To dwell with him God bursts all bounds, below, above.'</span><br /> +</p> + +<p>The Greek philosophy knew nothing of all this, and the result is that +even in the atheism which sprang from the East, and in its harshest and +lowest 'tinctures,' we find a something nobler and less selfish than is +to be found in the school of Plato himself. And however this may be, the +reader will admit, in examining the six skeptics set forth by Scott, +that each is a character firmly based in historical truth; that all, +with the exception of 'Bletson,' are sketched with remarkable brevity; +and that a careful comparative analysis of the whole gives us a deeper +insight into the secret tendencies of the author's mind, and at the same +time into the springs of his genius, than the world has been wont to +take. And the study of the subject is finally interesting, since we may +learn from it that even in the works of one who is a standard poetic +authority among those who would, if possible, subject all men to +feudalism, we may learn lessons of that highest social +truth—republicanism.</p> + + + + +<hr style="width: 65%;" /> +<h2><a name="A_CHORD_OF_WOOD" id="A_CHORD_OF_WOOD"></a>A CHORD OF WOOD.</h2> + + +<p> +<span style="margin-left: 1em;">Well, New York, you've made your pile</span><br /> +<span style="margin-left: 1em;">Of Wood, and, if you like, may smile:</span><br /> +<span style="margin-left: 1em;">Laugh, if you will, to split your sides,</span><br /> +<span style="margin-left: 1em;">But in that Wood pile a nigger hides,</span><br /> +<span style="margin-left: 1em;">With a double face beneath his hood:</span><br /> +<span style="margin-left: 1em;">Don't hurra till you're out of your Wood.</span><br /> +<span class='pagenum'><a name="Page_451" id="Page_451">[Pg 451]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="A_MERCHANTS_STORY" id="A_MERCHANTS_STORY"></a>A MERCHANT'S STORY.</h2> + +<p class="center"> +<span style="margin-left: 1em;">'All of which I saw, and part of which I was.'</span><br /> +</p> + + +<h4>CHAPTER XIX.</h4> + +<p>The moon and the stars were out, and the tall, dark pines cast long, +gloomy shadows over the little rows of negro houses which formed the +rearguard to Preston's mansion. They were nearly deserted. Not a +solitary fire slumbered on the bare clay hearths, and not a single darky +stood sentry over the loose pork and neglected hoecakes, or kept at bay +the army of huge rats and prowling opossums which beleaguered the +quarters. Silence—death's music—was over and around them. The noisy +revelry of the dancers had died away in the distance, and even the +hoarse song of the great trees had sunk to a low moan as they stood, +motionless and abashed, in the presence of the grim giant who knocks +alike at the palace and the cottage gate.</p> + +<p>A stray light glimmered through the logs of a low hut, far off in the +woods, and, making our way to it, we entered. A bright fire lit up the +interior, and on a rude cot, in one corner, lay the old preacher. His +eyes were closed; a cold, clammy sweat was on his forehead—he was +dying. One of his skeleton hands rested on the tattered coverlet, and +his weazened face was half buried in a dilapidated pillow, whose ragged +casing and protruding plumage bespoke it a relic of some departed white +sleeper.</p> + +<p>An old negress, with gray hair and haggard visage, sat at the foot of +the bed, wailing piteously; and Joe and half a dozen aged saints stood +around, singing a hymn, doleful enough to have made even a sinner weep.</p> + +<p>Not heeding our entrance, Joe took the dying man by the hand, and, in a +slow, solemn voice, said:</p> + +<p>'Brudder Jack, you'm dyin'; you'm gwine ter dat lan' whence no trabeller +returns; you'm settin' out fur dat country which'm lit by de smile ob de +Lord; whar dar ain't no sickness, no pain, no sorrer, no dyin'; fur dat +kingdom whar de Lord reigns; whar trufh flows on like a riber; whar +righteousness springs up like de grass, an' lub draps down like de dew, +an' cobers de face ob de groun'; whar you woan't gwo 'bout wid no +crutch; whar you woan't lib in no ole cabin like dis, an' eat hoecake +an' salt pork in sorrer an' heabiness ob soul; but whar you'll run an' +not be weary, an' walk an' not be faint; whar you'll hab a hous'n +builded ob de Lord, an' sit at His table—you' meat an' drink de bread +an' de water ob life!</p> + +<p>'I knows you's a sinner, Jack; I knows you's lub'd de hot water too +much, an' dat it make you forgit you' duty sometime, an' set a bad +'zample ter dem as looked up ter you fur better tings; but dar am mercy +wid de Lord, Jack; dar am forgibness wid Him; an' I hopes you'm ready +an' willin' ter gwo.'</p> + +<p>Old Jack opened his eyes, and, in a low, peevish tone, said:</p> + +<p>'Joe, none ob you' nonsense ter me! I'se h'ard you talk dis way afore. +<i>You</i> can't preach—you neber could. You jess knows I ain't fit ter +trabble, an' I ain't willin' ter gwo, nowhar.'</p> + +<p>Joe mildly rebuked him, and again commenced expatiating on the 'upper +kingdom,' and on the glories of 'the house not made with hands, eternal +in the heavens;' but the old darky cut him short, with—</p> + +<p>'Shet up, Joe! no more ob dat. I doan't want no oder hous'n but dis—dis +ole cabin am good 'nuff fur me.'</p> + +<p>Joe was about to reply, when Preston stepped to the bedside, and, taking +the aged preacher's hand, said:</p> + +<p>'My good Jack, master Robert has come to see you.'<span class='pagenum'><a name="Page_452" id="Page_452">[Pg 452]</a></span></p> + +<p>The dying man turned his eyes toward his master, and, in a weak, +tremulous voice, exclaimed:</p> + +<p>'Oh! massa Robert, has <i>you</i> come? has you come ter see ole Jack? Bress +you, massa Robert, bress you! Jack know'd you'd neber leab him yere ter +die alone.'</p> + +<p>'No, my good Jack; I would save you if I could.'</p> + +<p>'But you can't sabe me, massa Robert; I'se b'yond dat. I'se dyin', massa +Robert. I'se gwine ter de good missus. She tell'd me ter get ready ter +foller har, an' I is. I'se gwine ter har now, massa Robert!'</p> + +<p>'I know you are, Jack. I feel <i>sure</i> you are.'</p> + +<p>'Tank you, massa Robert—tank you fur sayin' dat. An' woan't you pray +fur me, massa Robert—jess a little pray? De good man's prayer am h'ard, +you knows, massa Robert.'</p> + +<p>All kneeling down on the rough floor, Preston prayed—a short, simple, +fervent prayer. At its close, he rose, and, bending over the old negro, +said:</p> + +<p>'The Lord is good, Jack; His mercy is everlasting.'</p> + +<p>'I knows dat; I feels dat,' gasped the dying man. 'I lubs you, massa +Robert; I allers lub'd you; but I'se gwine ter leab you now. Bress you! +de Lord bress you, massa Robert' I'll tell de good missus'—</p> + +<p>He clutched convulsively at his master's hand; a wild light came out of +his eyes; a sudden spasm passed over his face, and—he was 'gone whar de +good darkies go.'</p> + + +<h4>CHAPTER XX.</h4> + +<p>On the following day Frank and I were to resume our journey; and, in the +morning, I suggested that we should visit Colonel Dawsey, with whom, +though he had for many years been a correspondent of the house in which +I was a partner, I had no personal acquaintance.</p> + +<p>His plantation adjoined Preston's, and his house was only a short half +mile from my friend's. After breakfast, we set out for it through the +woods. The day was cold for the season, with a sharp, nipping air, and +our overcoats were not at all uncomfortable.</p> + +<p>As we walked along I said to Preston:</p> + +<p>'Dawsey's 'account' is a good one. He never draws against shipments, but +holds on, and sells sight drafts, thus making the exchange.'</p> + +<p>'Yes, I know; he's a close calculator.'</p> + +<p>'Does he continue to manage his negroes as formerly?'</p> + +<p>'In much the same way, I reckon.'</p> + +<p>'Then he can't stand remarkably well with his neighbors.'</p> + +<p>'Oh! people round here don't mind such things. Many of them do as badly +as he. Besides, Dawsey is a gentleman of good family. He inherited his +plantation and two hundred hands.'</p> + +<p>'Indeed! How, then, did he become reduced to his present number?'</p> + +<p>'He was a wild young fellow, and, before he was twenty-five, had +squandered and gambled away everything but his land and some thirty +negroes. Then he turned square round, and, from being prodigal and +careless, became mean and cruel. He has a hundred now, and more ready +money than any planter in the district.'</p> + +<p>A half hour's walk took us to Dawsey's negro quarters—a collection of +about thirty low huts in the rear of his house. They were not so poor as +some I had seen on cotton and rice plantations, but they seemed unfit +for the habitation of any animal but the hog. Their floors were the bare +ground, hardened by being moistened with water and pounded with mauls; +and worn, as they were, several inches lower in the centre than at the +sides, they must have formed, in rainy weather, the beds of small lakes. +So much water would have been objectionable to white tenants; but +negroes, like their friends the alligators, are amphibious animals;<span class='pagenum'><a name="Page_453" id="Page_453">[Pg 453]</a></span> and +Dawsey's were never known to make complaint. The chimneys were often +merely vent-holes in the roof, though a few were tumble-down structures +of sticks and clay; and not a window, nor an opening which courtesy +could have christened a window, was to be seen in the entire collection. +And, for that matter, windows were useless, for the wide crevices in the +logs, which let in the air and rain, at the same time might admit the +light. Two or three low beds at one end, a small pine bench, which held +half a dozen wooden plates and spoons, and a large iron pot, resting on +four stones, over a low fire, and serving for both washtub and +cook-kettle, composed the furniture of each interior.</p> + +<p>No one of the cabins was over sixteen feet square, but each was 'home' +and 'shelter' for three or four human beings. Walking on a short +distance, we came to a larger hovel, in front of which about a dozen +young chattels were playing. Seven or eight more, too young to walk, +were crawling about on the ground inside. They had only one garment +apiece—a long shirt of coarse linsey—and their heads and feet were +bare. An old negress was seated in the doorway, knitting. Approaching +her, I said:</p> + +<p>'Aunty, are not these children cold?'</p> + +<p>'Oh! no, massa; dey'm use' ter de wedder.'</p> + +<p>'Do you take care of all of them?'</p> + +<p>'In de daytime I does, massa. In de night dar mudders takes de small +'uns.'</p> + +<p>'But some of them are white. Those two are as white as I am!'</p> + +<p>'No, massa; dey'm brack. Ef you looks at dar eyes an' dar finger nails, +you'll see dat.'</p> + +<p>'They're black, to be sure they are,' said young Preston, laughing; 'but +they're about as white as Dawsey, and look wonderfully like him—eh, +aunty Sue?'</p> + +<p>'I reckons, massa Joe!' replied the woman, running her hand through her +wool, and grinning widely.</p> + +<p>'What does he ask for <i>them</i>, aunty?'</p> + +<p>'Doan't know, massa, but 'spect dey'm pooty high. Dem kine am hard ter +raise.'</p> + +<p>'Yes,' said Joe; 'white blood—even Dawsey's—don't take naturally to +mud.'</p> + +<p>'I reckons not, massa Joe!' said the old negress, with another grin.</p> + +<p>Joe gave her a half-dollar piece, and, amid an avalanche of blessings, +we passed on to Dawsey's 'mansion'—if mansion it could be called—a +story-and-a-half shanty, about thirty feet square, covered with rough, +unpainted boards, and lit by two small, dingy windows. It was approached +by a sandy walk, and the ground around its front entrance was littered +with apple peelings, potato parings, and the refuse of the culinary +department.</p> + +<p>Joe rapped at the door, and, in a moment, it opened, and a middle-aged +mulatto woman appeared. As soon as she perceived Preston, she grasped +his two hands, and exclaimed:</p> + +<p>'Oh! massa Robert, <i>do</i> buy har! Massa'll kill har, ef you doan't.'</p> + +<p>'But I can't, Dinah. Your master refuses my note, and I haven't the +money now.'</p> + +<p>'Oh! oh! He'll kill har; he say he will. She woan't gib in ter him, an' +he'll kill har, <i>shore</i>. Oh! oh!' cried the woman, wringing her hands, +and bursting into tears.</p> + +<p>'Is it 'Spasia?' asked Joe.</p> + +<p>'Yas, massa Joe; it'm 'Spasia. Massa hab sole yaller Tom 'way from har, +an' he swar he'll kill har 'case she woan't gib in ter him. Oh! oh!'</p> + +<p>'Where is your master?'</p> + +<p>'He'm 'way wid har an' Black Cale. I reckon dey'm down ter de branch. I +reckon dey'm whippin' on har <i>now</i>!'</p> + +<p>'Come, Frank,' cried Joe, starting off at a rapid pace; 'let's see that +performance.'</p> + +<p>'Hold on, Joe; wait for us. You'll get into trouble!' shouted his +father, hurrying after him. The rest of us caught up with them in a few +mo<span class='pagenum'><a name="Page_454" id="Page_454">[Pg 454]</a></span>ments, and then all walked rapidly on in the direction of the small +run which borders the two plantations.</p> + +<p>Before we had gone far, we heard loud screams, mingled with oaths and +the heavy blows of a whip. Quickening our pace, we soon reached the bank +of the little stream, which there was lined with thick underbrush. We +could see no one, and the sounds had subsided. In a moment, however, a +rough voice called out from behind the bushes:</p> + +<p>'Have you had enough? Will you give up?'</p> + +<p>'Oh! no, good massa; I can't do dat!' was the half-sobbing, half-moaning +reply.</p> + +<p>'Give it to her again, Cale!' cried the first voice; and again the whip +descended, and again the piercing cries: 'O Lord!' 'Oh, pray doan't!' 'O +Lord, hab mercy!' 'Oh! good massa, hab mercy!' mingled with the falling +blows.</p> + +<p>'This way!' shouted Joe, pressing through the bushes, and bounding down +the bank toward the actors in this nineteenth-century tournament, +wherein an armed knight and a doughty squire were set against a weak, +defenceless woman.</p> + +<p>Leaning against a pine at a few feet from the edge of the run, was a +tall, bony man of about fifty. His hair was coarse and black, and his +skin the color of tobacco-juice. He wore the ordinary homespun of the +district; and long, deep lines about his mouth and under his eyes told +the story of a dissipated life. His entire appearance was anything but +prepossessing.</p> + +<p>At the distance of three or four rods, and bound to the charred trunk of +an old tree, was a woman, several shades lighter than the man. Her feet +were secured by stout cords, and her arms were clasped around the +blackened stump, and tied in that position. Her back was bare to the +loins, and, as she hung there, moaning with agony, and shivering with +cold, it seemed one mass of streaming gore.</p> + +<p>The brawny black, whom Boss Joe had so eccentrically addressed at the +negro meeting, years before, was in the act of whipping the woman; but +with one bound, young Preston was on him. Wrenching the whip from his +hand, he turned on his master, crying out:</p> + +<p>'Untie her, you white-livered devil, or I'll plough your back as you've +ploughed hers!'</p> + +<p>'Don't interfere here, you d—d whelp!' shouted Dawsey, livid with rage, +and drawing his revolver.</p> + +<p>'I'll give you enough of that, you cowardly hound!' cried Joe, taking a +small Derringer from his pocket, and coolly advancing upon Dawsey.</p> + +<p>The latter levelled his pistol, but, before he could fire, by a +dexterous movement of my cane, I struck it from his hand. Drawing +instantly a large knife, he rushed on me. The knife was descending—in +another instant I should have 'tasted Southern steel,' had not Frank +caught his arm, wrenched the weapon from his grasp, and with the fury of +an aroused tiger, sprung on him and borne him to the ground. Planting +his knee firmly on Dawsey's breast, and twisting his neckcloth tightly +about his throat, Frank yelled out:</p> + +<p>'Stand back. Let <i>me</i> deal with him!'</p> + +<p>'But you will kill him.'</p> + +<p>'Well, he would have killed <i>you</i>!' he cried, tightening his hold on +Dawsey's throat.</p> + +<p>'Let him up, Frank. Let the devil have fair play,' said Joe; 'I'll give +him a chance at ten paces.'</p> + +<p>'Yes, let him up, my son; he is unarmed.'</p> + +<p>Frank slowly and reluctantly released his hold, and the woman-whipper +rose. Looking at us for a moment—a mingled look of rage and +defiance—he turned, without speaking, and took some rapid strides up +the bank.</p> + +<p>'Hold on, Colonel Dawsey!' cried<span class='pagenum'><a name="Page_455" id="Page_455">[Pg 455]</a></span> Joe, elevating his Derringer; 'take +another step, and I'll let daylight through you. You've just got to +promise you won't whip this woman, or take your chance at ten paces.'</p> + +<p>[I afterward learned that Joe was deadly sure with the pistol.]</p> + +<p>Dawsey turned slowly round, and, in a sullen tone, asked:</p> + +<p>'Who are you, <i>gentlemen</i>, that interfere with my private affairs?'</p> + +<p>'<i>My</i> name, sir, is Kirke, of New York; and this young man is my son.'</p> + +<p>'Not Mr. Kirke, my factor?'</p> + +<p>'The same, sir.'</p> + +<p>'Well, Mr. Kirke, I'm sorry to say you're just now in d—d pore +business.'</p> + +<p>'I <i>have</i> been, sir. I've done yours for some years, and I'm heartily +ashamed of it. I'll try to mend in that particular, however.'</p> + +<p>'Well, no more words, Colonel Dawsey,' said Joe. 'Here's a Derringer, if +you'd like a pop at me.'</p> + +<p>'Tain't an even chance,' replied Dawsey; 'you know it.'</p> + +<p>'Take it, or promise not to whip the woman. I won't waste more time on +such a sneaking coward as you are.'</p> + +<p>Dawsey hesitated, but finally, in a dogged way, made the required +promise, and took himself off.</p> + +<p>While this conversation was going on, Preston and the negro man had +untied the woman. Her back was bleeding profusely, and she was unable to +stand. Lifting her in their arms, the two conveyed her to the top of the +bank, and then, making a bed of their coats, laid her on the ground. We +remained there until the negro returned from the house with a turpentine +wagon, and conveyed the woman 'home.' We then returned to the +plantation, and that afternoon, accompanied by Frank and Joe, I resumed +my journey.</p> + +<p>By way of episode, I will mention that the slave woman, after being +confined to her bed several weeks, recovered. Then Dawsey renewed his +attack upon her, and, from the effects of a second whipping, she died.</p> + + +<h4>CHAPTER XXI.</h4> + +<p>Returning from the South a few weeks after the events narrated in the +previous chapter, Frank and I were met at Goldsboro by Preston and +Selma, when the latter accompanied us to the North, and once more +resumed her place in David's family.</p> + +<p>On the first of February following, Frank, then not quite twenty-one, +was admitted a partner in the house of Russell, Rollins, & Co., and, in +the succeeding summer, was sent to Europe on business of the firm. +Shortly after his return, in the following spring, he came on from +Boston with a proposal from Cragin that I should embark with them and +young Preston in an extensive speculation. Deeming any business in which +Cragin was willing to engage worthy of careful consideration, I listened +to Frank's exposition of the plan of operations. He had originated the +project, and in it he displayed the comprehensive business mind and rare +blending of caution and boldness which characterized his father. As the +result of this transaction had an important influence on the future of +some of the actors in my story, I will detail its programme.</p> + +<p>It was during the Crimean war. The Russian ports were closed, and Great +Britain and the Continent of Europe were dependent entirely on the +Southern States for their supply of resinous articles. The rivers at the +South were low, and it was not supposed they would rise sufficiently to +float produce to market before the occurrence of the spring freshets, in +the following April or May. Only forty thousand barrels of common rosin +were held in Wilmington—the largest naval-store port in the world; and +it was estimated that not more than two hundred thousand were on hand in +the other ports of Savannah, Ga., Georgetown, S. C., Newbern and +Washington, N. C., and in New York,<span class='pagenum'><a name="Page_456" id="Page_456">[Pg 456]</a></span> Boston, and Philadelphia. Very +little was for sale in London, Liverpool, or Glasgow, the largest +foreign markets for the article; and Frank thought that a hundred and +fifty thousand barrels could be purchased. That quantity, taken at once +out of market, would probably so much enhance the value of the article, +that the operation would realize a large profit before the new crop came +forward. The purchases were to be made simultaneously in the various +markets, and about two hundred thousand dollars were required to carry +through the transaction. One hundred thousand of this was to be +furnished in equal proportions by the parties interested; the other +hundred thousand would be realized by Joseph Preston's negotiating 'long +exchange' on Russell, Rollins & Co.</p> + +<p>I declined to embark in the speculation, but the others carried it out +as laid down in the programme; the only deviation being that, at Frank's +suggestion, Mr. Robert Preston was apprised of the intended movement, +and allowed to purchase, on his own account, as much produce as could be +secured in Newbern. He bought about seven thousand barrels, paid for +them by drawing at ninety days on Russell, Rollins, & Co., and held them +for sale at Newbern, agreeing to satisfy his drafts with the proceeds. +These drafts amounted to a trifle over eighty-two hundred dollars.</p> + +<p>About a month after this transaction was entered into, our firm received +the following letter from Preston:</p> + +<div class="blockquot"><p>'<span class="smcap">Gentlemen</span>: An unfortunate difference with my son prevents my +longer using him as my indorser. I have not, as yet, been able to +secure another; and, our banks requiring two home names on time +drafts, I have to beg you to honor a small bill at one day's sight. +I have drawn for one thousand dollars. Please honor.'</p></div> + +<p>To this I at once replied:</p> + +<div class="blockquot"><p>'<span class="smcap">Dear Sir</span>: We have advice of your draft for one thousand dollars. +To protect your credit, we shall pay it; but we beg you will draw +no more, till you forward bills of lading.</p> + +<p>'You are now overdrawn some five thousand dollars, which, by the +maturing of your drafts, has become a <i>cash</i> advance. The death of +our senior, Mr. Randall, and the consequent withdrawal of his +capital, has left us with an extended business and limited means. +Money, also, is very tight, and we therefore earnestly beg you to +put us in funds at the earliest possible moment.'</p></div> + +<p>No reply was received to this letter; but, about ten days after its +transmission, Preston himself walked into my private office. His clothes +were travel stained, and he appeared haggard and careworn. I had never +seen him look so miserably.</p> + +<p>He met me cordially, and soon referred to the state of his affairs. His +wife, the winter before, had agreed to reside permanently at Newbern, +and content herself with an allowance of three thousand dollars +annually; but at the close of the year he found that she had contracted +debts to the extent of several thousand more. He was pressed for these +debts; his interest was in arrears, and he could raise no money for lack +of another indorser. Ruin stared him in the face, unless I again put my +shoulder to the wheel, and pried him out of the mire. The turpentine +business was not paying as well as formerly, but the new plantation was +encumbered with only the original mortgage—less than six thousand +dollars—and was then worth, owing to an advance in the value of land, +fully twenty thousand. He would secure me by a mortgage on that +property, but I <i>must</i> allow the present indebtedness to stand, and let +him increase it four or five thousand dollars. That amount would +extricate him from present difficulties; and, to avoid future +embarrassments, he would take measures for a legal separation from his +wife.<span class='pagenum'><a name="Page_457" id="Page_457">[Pg 457]</a></span></p> + +<p>I heard him through, and then said:</p> + +<p>'I cannot help you, my friend. I am very sorry; but my own affairs are +in a most critical state. I owe over a hundred thousand dollars, +maturing within twenty days, and my present available resources are not +more than fifty thousand. I have three hundred thousand worth of produce +on hand, but the market is so depressed that I cannot realize a dollar +upon it. The banks have shut down, and money is two per cent. a month in +the street. What you owe us would aid me wonderfully; but I can rub +through without it. That much I can bear, but not a dollar more.'</p> + +<p>He walked the room for a time, and was silent; then, turning to me, he +said—each separate word seeming a groan:</p> + +<p>'I have cursed every one I ever loved, and now I am bringing +trouble—perhaps disaster—upon <i>you</i>, the only real friend I have +left.'</p> + +<p>'Pshaw! my good fellow, don't talk in that way. What you owe us is only +a drop in the bucket. We have made twice that amount out of you; so give +yourself no uneasiness, if you <i>never</i> pay it.'</p> + +<p>'But I must pay it—I <i>shall</i> pay it;' and, continuing to pace the room +silently for a few moments, he added, giving me his hand: 'Good-by; I'm +going back to-night.'</p> + +<p>'Back to-night!—without seeing Selly, or my wife? You are mad!'</p> + +<p>'I <i>must</i> go.'</p> + +<p>'You must <i>not</i> go. You are letting affairs trouble you too much. Come, +go home with me, and see Kate. A few words from her will make a new man +of you.'</p> + +<p>'No, no; I must go back at once. I must raise this money somehow.'</p> + +<p>'Send money to the dogs! Come with me, and have a good night's rest. +You'll think better of this in the morning. And now it occurs to me that +Kate has about seven thousand belonging to Frank. He means to settle it +on Selly when they are married, and she might as well have it first as +last. Perhaps you can get it now.'</p> + +<p>'But I might be robbing my own child.'</p> + +<p>'You can give the farm as security; it's worth twice the amount.'</p> + +<p>'Well, I'll stay. Let us see your wife at once.'</p> + +<p>While we were seated in the parlor, after supper, I broached the subject +of Preston's wants to Kate. She heard me through attentively, and then +quietly said:</p> + +<p>'Frank is of age—he can do as he pleases; but <i>I</i> would not advise him +to make the loan. I once heard my father scout at the idea of taking +security on property a thousand miles away. I would not wound Mr. +Preston's feelings, but—his wife's extravagance has led him into this +difficulty, and her property should extricate him from it. Her town +house, horses, and carriages should be sold. She ought to be made to +feel some of the mortification she has brought upon him.'</p> + +<p>Preston's face brightened; a new idea seemed to strike him. 'You are +right. I will sell everything.' His face clouded again, as he continued: +'But I cannot realize soon enough. Your husband needs money at once.'</p> + +<p>'Never mind me; I can take care of myself. But what is this trouble with +Joe? Tell me, I will arrange it. Everything can go on smoothly again.'</p> + +<p>'It cannot be arranged. There can be no reconciliation between us.'</p> + +<p>'What prevents? Who is at fault—you, or he?'</p> + +<p>'I am. He will never forgive me!'</p> + +<p>'Forgive you! I can't imagine what you have done, that admits of no +forgiveness.'</p> + +<p>He rose, and walked the room for a while in gloomy silence, then said:</p> + +<p>'I will tell you. It is right you should know. You <i>both</i> should know +the sort of man you have esteemed and befriended for so many years;' +and, resuming his seat, he related the following occurrences:<span class='pagenum'><a name="Page_458" id="Page_458">[Pg 458]</a></span></p> + +<p>'Everything went on as usual at the plantation, till some months after +Rosey's marriage to Ally. Then a child was born to them. It was white. +Rosey refused to reveal its father, but it was evidently not her +husband. Ally, being a proud, high-spirited fellow, took the thing +terribly to heart. He refused to live with his wife, or even to see her. +I tried to reconcile them, but without success. Old Dinah, who had +previously doted on Rosey, turned about, and began to beat and abuse her +cruelly. To keep the child out of the old woman's way, I took her into +the house, and she remained there till about two months ago. Then, one +day, Larkin, the trader, of whom you bought Phylly and the children, +came to me, wanting a woman house-servant. I was pressed for money, and +I offered him—a thing I never did before—two or three of my family +slaves. They did not suit, but he said Rosey would, and proposed to buy +her and the child. I refused. He offered me fifteen hundred dollars for +them, but I still refused. Then he told me that he had spoken to the +girl, and she wished him to buy her. I doubted it, and said so; but he +called Rosey to us, and she confirmed it, and, in an excited way, told +me she would run away, or drown herself, if I did not sell her. She said +she could live no longer on the same plantation with Ally. I told her I +would send Ally away; but she replied: 'No; I am tired of this place. I +have suffered so much here, I want to get away. I <i>shall</i> go; whether +alive or dead, is for <i>you</i> to say.' I saw she was in earnest; I was +hard pressed for money; Larkin promised to get her a kind master, and—I +sold her.'</p> + +<p>'Sold her! My God! Preston, she was your own child!'</p> + +<p>'I know it,' he replied, burying his face in his hands. 'The curse of +<span class="smcap">God</span> was on it; it has been on me for years.' After a few moments, he +added: 'But hear the rest, and <i>you</i> will curse me, too.'</p> + +<p>Overcome with emotion, he groaned audibly. I said nothing, and a pause +of some minutes ensued. Then, in a choked, broken voice, he continued:</p> + +<p>'The rosin transaction had been gone into. I had used up what blank +indorsements I had. Needing more, and wanting to consult with Joe about +selling the rosin, I went to Mobile. It was five weeks ago. I arrived +there about dark, and put up at the Battle House. Joe had boarded there. +I was told he had left, and gone to housekeeping. A negro conducted me +to a small house in the outskirts of the town. He said Joe lived there. +Wishing to surprise him, I went in without knocking. The house had two +parlors, separated by folding doors. In the back one a young woman was +clearing away the tea things; in the front one, Joe was seated by the +fire, with a young child on his knee. I put my hand on his shoulder, and +said: 'Joe, whose child have you here?' He looked up, and laughingly +said: 'Why, father, you ought to know; you've seen it before!' I looked +closely at it—it was Rosey's! I said so. 'Yes, father,' he replied; +'and there's Rosey herself. Larkin promised she should have a kind +master, and—he kept his word.' The truth flashed upon me—the child was +his! My only son had seduced his <i>own sister</i>! I staggered back in +horror. I told him who Rosey was, and then'—no words can express the +intense agony depicted on his face as he said this—'then he cursed me! +O my God! <span class="smcap">HE CURSED ME</span>!'</p> + +<p>I pitied him, I could but pity him; and I said:</p> + +<p>'Do not be so cast down, my friend. I once heard you say: 'The Lord is +good. His mercy is everlasting!''</p> + +<p>'But he cannot have mercy on some!' he cried. '<i>My</i> sins have been too +great; they cannot be blotted out. I embittered the life of my wife; I +have driven my daughter from her home; sold my own child; made my +generous, noble-hearted boy do a horrible crime<span class='pagenum'><a name="Page_459" id="Page_459">[Pg 459]</a></span>—a crime that will +haunt him forever. Oh! the curse of God is on me. My misery is greater +than I can bear.'</p> + +<p>'No, my friend; God curses none of his creatures. You have reaped what +you have sown, that is all; but you have suffered enough. Better things, +believe me, are in store for you.'</p> + +<p>'No, no; everything is gone—wife, children, all! I am alone—the past, +nothing but remorse; the future, ruin and dishonor!'</p> + +<p>'But Selly is left you. <i>She</i> will always love you.'</p> + +<p>'No, no! Even Selly would curse me, if she knew <i>all</i>!'</p> + +<p>No one spoke for a full half hour, and he continued pacing up and down +the room. When, at last, he seated himself, more composed, I asked:</p> + +<p>'What became of Rosey and the child?'</p> + +<p>'I do not know. I was shut in my room for several days. When I got out, +I was told Joe had freed her, and she had disappeared, no one knew +whither. I tried every means to trace her, but could not. At the end of +a week, I went home, what you see me—a broken-hearted man.'</p> + +<p>The next morning, despite our urgent entreaties, he returned to the +South.</p> + +<hr style="width: 45%;" /> + +<p>The twenty days were expiring. By hard struggling I had met my +liabilities, but the last day—the crisis—was approaching. Thirty +thousand dollars of our acceptances had accumulated together, and were +maturing on that day. When I went home, on the preceding night, we had +only nineteen thousand in bank. I had exhausted all our receivables. +Where the eleven thousand was to come from, I did not know. Only one +resource seemed left me—the hypothecation of produce; and a resort to +that, at that time, before warehouse receipts became legitimate +securities, would be ruinous to our credit. My position was a terrible +one. No one not a merchant can appreciate or realize it. With thousands +upon thousands of assets, the accumulations of years, my standing among +merchants, and, what I valued more than all, my untarnished credit, were +in jeopardy for the want of a paltry sum.</p> + +<p>I went home that night with a heavy heart; but Kate's hopeful words +encouraged me. With her and the children left to me, I need not care for +the rest; all might go, and I could commence again at the bottom of the +hill. The next morning I walked down town with a firm spirit, ready to +meet disaster like a man. The letters by the early mail were on my desk. +I opened them one after another, hurriedly, eagerly. There were no +remittances! I had expected at least five thousand dollars. For a moment +my courage failed me. I rose, and paced the room, and thoughts like +these passed through my mind: 'The last alternative has come. Pride must +give way to duty. I must hypothecate produce, and protect my +correspondents. I must sacrifice myself to save my friends!</p> + +<p>'But here are two letters I have thrown aside. They are addressed to me +personally. Mere letters of friendship! What is friendship, at a time +like this?—friendship without money! Pshaw! I wouldn't give a fig for +all the friends in the world!'</p> + +<p>Mechanically I opened one of them. An enclosure dropped to the floor. +Without pausing to pick it up, I read:</p> + +<div class="blockquot"><p>'<span class="smcap">Dear Father</span>: Mother writes me you are hard pressed. Sell my U. S. +stock—it will realize over seven thousand. It is yours. Enclosed +is Cragin's certified check for ten thousand. If you need more, +draw on <i>him</i>, at sight, for any amount. He says he will stand by +you to the death.</p> + +<p class="center"> +<span style="margin-left: 2em;">'Love to mother.</span></p> + +<p class="author"><span class="smcap">Frank</span>.' +</p> + +<p class="center">'P. S.—Fire away, old fellow! Hallet is ugly, but I'll go my pile +on you, spite of the devil.</p> + +<p class="author"> +<span class="smcap">Cragin</span>.' +</p> + +</div> + +<p>'<span class="smcap">Saved</span>! saved by my wife and child!' I leaned my head on my desk. When I +rose, there were tears upon it.<span class='pagenum'><a name="Page_460" id="Page_460">[Pg 460]</a></span></p> + +<p>It wanted some minutes of ten, but I was nervously impatient to blot out +those terrible acceptances. I should then be safe; I should then breathe +freely. As I passed out of my private office, I opened the other letter. +It was from Preston. Pausing a moment, I read it:</p> + +<div class="blockquot"><p>'<span class="smcap">My very dear Friend</span>: I enclose you sight check of Branch Bank of +Cape Fear on Bank of Republic, for $10,820. Apply what is needed to +pay my account; the rest hold subject to my drafts.</p> + +<p>'I have sold my town house, furniture, horses, etc., and the +proceeds will pay my home debts. I shall therefore not need to draw +the balance for, say, sixty days. God bless you!'</p></div> + +<p>'Well, the age of miracles is <i>not</i> passed! How <i>did</i> he raise the +money?'</p> + +<p>Stepping back into the private office, I called my partner:</p> + +<p>'Draw checks for all the acceptances due to-day; get them certified, and +take up the bills at once. Don't let the grass grow under your feet. I +shall be away the rest of the day, and I want to see them before I go. +Here is a draft from Preston; it will make our account good.'</p> + +<p>He looked at it, and, laughing, said:</p> + +<p>'Yes, and leave about fifty dollars in bank.'</p> + +<p>'Well, never mind; we are out of the woods.'</p> + +<p>When he had gone, I sat down, and wrote the following letter:</p> + +<div class="blockquot"><p>'<span class="smcap">My dear Frank</span>: I return Cragin's check, with many thanks. I have +not sold your stock. My legitimate resources have carried me +through.</p> + +<p>'I need not say, my boy, that I feel what you would have done for +me. Words are not needed between <i>us</i>.</p> + +<p>'Tell Cragin that I consider him a trump—the very ace of hearts.</p> + +<p>'Your mother and I will see you in a few days.'</p></div> + +<p>In half an hour, with the two letters in my pocket, I was on my way +home. Handing them to Kate, I took her in my arms; and, as I brushed the +still bright, golden hair from her broad forehead, I felt I was the +richest man living.</p> + +<hr style="width: 45%;" /> + +<p>Within the same week I went to Boston. I arrived just after dark; and +then occurred the events narrated in the first chapter.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="WAR" id="WAR"></a>WAR.</h2> + +<h4>[J. G. PERCIVAL.]</h4> + + +<p> +<span style="margin-left: 1em;">For war is now upon their shores,</span><br /> +<span style="margin-left: 2em;">And we must meet the foe,</span><br /> +<span style="margin-left: 1em;">Must go where battle's thunder roars,</span><br /> +<span style="margin-left: 2em;">And brave men slumber low;</span><br /> +<span style="margin-left: 1em;">Go, where the sleep of death comes on</span><br /> +<span style="margin-left: 2em;">The proudest hearts, who dare</span><br /> +<span style="margin-left: 1em;">To grasp the wreath by valor won,</span><br /> +<span style="margin-left: 2em;">And glory's banquet share.</span><br /> +<span class='pagenum'><a name="Page_461" id="Page_461">[Pg 461]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="A_CHAPTER_ON_WONDERS" id="A_CHAPTER_ON_WONDERS"></a>A CHAPTER ON WONDERS.</h2> + +<p class="center"> +<span style="margin-left: 1em;">'Obstupui! steteruntque comæ, et vox faucibus hæsit.'</span><br /> +</p> + + +<p>There is a certain portion of mankind ever on the alert to see or hear +some wonderful thing; whose minds are attuned to a marvellous key, and +vibrate with extreme sensitiveness to the slightest touch; whose vital +fluid is the air of romance, and whose algebraic symbol is a mark of +exclamation! This sentiment, existing in some persons to a greater +degree than in others, is often fostered by education and association, +so as to become the all-engrossing passion. Children, of course, begin +to wonder as soon as their eyes are opened upon the strange scenes of +their future operations. The first thing usually done to develop their +dawning intellect, is to display before them such objects as are best +calculated to arrest their attention, and keep them in a continual state +of excitement. This course is succeeded by a supply of all sorts of +<i>toys</i>, to gratify the passion of novelty. These are followed by +wonderful stories, and books of every variety of absurd +impossibilities;—which system of development is, it would seem, +entirely based upon the presumption, that the faculty of admiration must +be expanded, in order that the young idea may best learn how to <i>shoot</i>. +It is therefore quite natural, that—the predisposition granted—a +faculty of the mind so auspiciously nurtured under the influence of +exaggeration should mature in a corresponding degree.</p> + +<p>Thus we have in our midst a class, into whose mental economy the faculty +of <i>wonder</i> is so thoroughly infused, that it has inoculated the entire +system, and forms an inherent, inexplicable, and almost elementary part +of it. These persons sail about in their pleasure yachts, on roving +expeditions, under a pretended '<i>right of search</i>,' armed to the teeth, +and boarding all sorts of crafts to obtain plunder for their favorite +gratification. They are most uneasy and uncomfortable companions, having +no ear for commonplace subjects of conversation, and no eye for ordinary +objects of sight.</p> + +<p>When such persons approach each other, they are mutually attracted, like +two bodies charged with different kinds of electricity—an interchange +of commodities takes place, repulsion follows, and thus reënforced, they +separate to diffuse the supply of wonders collected.</p> + +<p>By this centripetal and centrifugal process, the social atmosphere is +subjected to a continual state of agitation. <i>Language</i> is altogether +too tame to give full effect to their meaning, and all the varieties of +<i>dumb show</i>, of <i>gesticulation</i>, <i>shrugs</i>, and wise shakes of the head, +are called into requisition, to effectually and unmistakably express +their ideas. The usages of good society are regarded by them as a great +restraint upon their besetting propensity to expatiate in phrases of +grandiloquence, and to magnify objects of trivial importance. They are +always sure to initiate topics which will afford scope for admiration; +they delight to enlarge upon the unprecedented growth of cities, +villages, and towns; upon the comparative prices of 'corner lots' at +different periods; and to calculate how rich they <i>might</i> have been, had +they only known as much <i>then</i> as <i>now</i>.</p> + +<p>They experience a gratification when a rich man dies, that the wonder +will now be solved as to the amount of his property; and when a man +fails in business, that it is <i>now</i> made clear—what has so long +perplexed them—'<i>how he managed to live so extravagantly</i>!' See<span class='pagenum'><a name="Page_462" id="Page_462">[Pg 462]</a></span> them +at an agricultural fair, and they will be found examining the 'mammoth +squashes' and various products of prodigious growth—or they will +install themselves as self-appointed exhibiter of the 'Fat Baby,' to +inform the incredulous how much it weighs! See them at a conflagration, +and they wonder what was the <i>cause</i> of the fire, and <i>how far</i> it will +extend?</p> + +<p>They long to travel, that they may visit 'mammoth caves' and 'Giant's +Causeways.' We talk of the 'Seven Wonders of the World,' while to them +there is a successive series for every day in the year—putting to the +blush our meagre stock of monstrosities—making 'Ossa like a wart.' +Nothing gratifies them more than the issuing from the press of an +anonymous work, that they may exert their ingenuity in endeavoring to +discover the author; and, when called on for information on the subject, +prove conclusively to every one but themselves, that they know nothing +whatever about the matter.</p> + +<p>The ocean is to them only wonderful as the abode of 'Leviathans,' and +'Sea Serpents,' 'Krakens,' and 'Mermaids'—abounding in 'Mäelstroms' and +<i>sunken</i> islands, and traversed by 'Phantom Ships' and 'Flying Dutchmen' +in perpetual search for some 'lost Atlantis;'—all well-attested +incredibilities, certified to by the 'affidavits of respectable +eye-witnesses,' and, we might add, by 'intelligent contrabands,'—and +all in strict conformity with the convenient aphorism '<i>Credo quia +impossibile est</i>.' They are ever ready to bestow their amazement upon a +fresh miracle as soon as the present has had its day—like the man who, +being landed at some distance by the explosion of a juggler's +pyrotechnics, rubbed his eyes open, and exclaimed, '<i>I wonder what the +fellow will do next!</i>'</p> + +<p>If a steamboat explodes her boiler, or the walls of a factory fall, +burying hundreds in the ruins, their hearts—rendered callous by the +constant stream of cold air pouring in through their <i>ever-open +mouths</i>—are not shocked at the calamity, but they wonder if it was +<i>insured</i>!</p> + +<p>The increase of population in this country affords a most prolific and +inexhaustible fund for statistical astonishment, as an interlude to the +entertainment, while something more appalling is being prepared.</p> + +<p>The portentous omens so often relied on by the credulous believers in +signs, have so frequently proved 'dead failures,' that one would suppose +these votaries would at length become disheartened. But this seems not +to be the case—like a quack doctor when his patient dies, their +audacity is equal to any emergency, and, with the elasticity of india +rubber, they come out of a 'tight squeeze' with undiminished rotundity. +With <i>stupid</i> amazement, hair all erect, and ears likewise, they pass +through life as through a museum, ready to exclaim with Dominie Sampson +at all <i>they</i> cannot understand, 'Pro—di—gi—ous!'</p> + +<p>It matters little, perhaps, in what form this principle is exhibited, +while it exists and flourishes in undiminished exuberance. Thus says +Glendower:</p> + +<p> +<span style="margin-left: 11em;">'At my nativity</span><br /> +<span style="margin-left: 1em;">The front of heaven was full of fiery shapes,</span><br /> +<span style="margin-left: 1em;">Of burning cressets; and, at my birth,</span><br /> +<span style="margin-left: 1em;">The frame and huge foundation of the earth</span><br /> +<span style="margin-left: 1em;">Shak'd like a coward.</span><br /> +<br /> +<span style="margin-left: 1em;"><i>Hotspur.</i> Why so it would have done</span><br /> +<span style="margin-left: 1em;">At the same season, if your mother's cat had</span><br /> +<span style="margin-left: 1em;">But kittened, though yourself had ne'er been born.'</span><br /> +</p> + +<p>Glendower naturally enough flouts this rather impertinent comment, and +'repeats the story of his birth' with still greater improvements, till +Hotspur gives him a piece of advice which will do for his whole race of +the present day, viz., 'tell the truth, and shame the devil.'</p> + +<p>The English people of this generation are rather more phlegmatic than +their explosive neighbors across the channel, and neither the injustice +of black slavery abroad, nor the starvation of <i>white</i> slaves at home, +can shake them<span class='pagenum'><a name="Page_463" id="Page_463">[Pg 463]</a></span> from their lop-sided neutrality, <i>so long as money goes +into their pocket</i>. The excitable French, on the contrary, require an +occasional <i>coup d'état</i> to arouse their conjectures as to the next +imperial experiment in the art of international diplomacy.</p> + +<p>The press of the day teems with all sorts of provisions to satisfy the +cravings of a depraved imagination, and even the most sedate of our +daily papers are not above employing 'double-leaded Sensations,' and +'display Heads' as a part of their ordinary stock in trade; while from +the hebdomadals, 'Thrilling Tales,' 'Awful Disclosures,' and 'Startling +Discoveries,' succeed each other with truly fearful rapidity. Thus he +who wastes the midnight kerosene, and spoils his weary eyes in poring +over the pages of trashy productions, so well designed to murder sleep, +may truly say with Macbeth, 'I have supp'd full with horrors.'</p> + +<p>It is certainly remarkable (as an indication of the pleasure the +multitude take in voluntarily perplexing themselves), how eagerly they +enter into all sorts of contrivances which conduce to bewilderment and +doubt. In 'Hampton Court' there is a famous enclosure called the +'<i>Maze</i>,' so arranged with hedged alleys as to form a perfect labyrinth. +To this place throngs of persons are constantly repairing, to enjoy the +luxury of losing themselves, and of seeing others in the same +predicament.</p> + +<p>Some persons become so impatient of the constant demand upon their +admiration, that they resist whatever seems to lead in that direction. +Washington Irving said he 'never liked to walk with his host over the +latter's ground'—a feeling which many will at once acknowledge having +experienced. A celebrated English traveller was so annoyed by the urgent +invitations of the Philadelphians to visit the Fairmount Water Works, +that he resolved <i>not</i> to visit them, so that he might have the +characteristic satisfaction of recording the ill-natured fact.</p> + +<p>'Swift mentions a gentleman who made it a rule in reading, to skip over +all sentences where he spied a note of admiration at the end.'</p> + +<p>The instances here quoted are, to be sure, carrying out the '<i>Nil +admirari</i>' principle rather to extremes, and are not recommended for +general observance. The most remarkable and prominent wonders in the +natural world seldom meet the expectation of the beholder, because he +looks to experience a new sensation, and is disappointed; and so with +works of art, as St. Peter's at Rome—</p> + +<p> +<span style="margin-left: 2em;">——'its grandeur overwhelms thee not,</span><br /> +<span style="margin-left: 1em;">And why? it is not lessen'd; but thy mind,</span><br /> +<span style="margin-left: 1em;">Expanded by the genius of the spot,</span><br /> +<span style="margin-left: 1em;">Has grown colossal.'</span><br /> +</p> + +<p><i>Wonder</i> is defined as 'the effect of novelty upon ignorance.' Most +objects which excite wonder are magnified by the distance or the point +of view, and their proportions diminish and shrink as we approach them. +It is a saying as old as Horace, 'ignotum pro magnifico est': we cease +to wonder at what we understand. Seneca says that those whose habits are +temperate are satisfied with fountain water, which is cold enough for +them; while those who have lived high and luxuriously, require the use +of <i>ice</i>. Thus a well-disciplined mind adjusts itself to whatever events +may occur, and not being likely to lose its equanimity upon ordinary +occasions, is equally well prepared for more serious results.</p> + +<p>'Let us never wonder,' again saith Seneca, 'at anything we are born to; +for no man has reason to complain where we are all in the same +condition.' But notwithstanding all the precepts of philosophers, the +advice of all men of sense, and the best examples for our guides, we go +on, with eyes dilated and minds wide open, to see, hear, and receive +impressions through distorted mediums, leading to wrong conclusions and +endless mistakes.</p> + +<p>'Wonders will never cease!' Of course they will not, so long as there +are so many<span class='pagenum'><a name="Page_464" id="Page_464">[Pg 464]</a></span> persons engaged in providing the aliment for their +sustenance; so long as the demand exceeds the supply; so long as mankind +are more disposed to listen to exaggeration rather than to simple +truths, and so long as they shall tolerate the race of <i>wonder-mongers</i>, +giving them 'aid and comfort,' regardless of their being enemies of our +peace, and the pests of our social community.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="THE_RETURN" id="THE_RETURN"></a>THE RETURN.</h2> + + +<p> +<span style="margin-left: 1em;">July,—what is the news they tell?</span><br /> +<span style="margin-left: 2em;">A battle won: our eyes are dim,</span><br /> +<span style="margin-left: 1em;">And sad forbodings press the heart</span><br /> +<span style="margin-left: 2em;">Anxious, awaiting news from him.</span><br /> +<span style="margin-left: 1em;">Hour drags on hour: fond heart, be still,</span><br /> +<span style="margin-left: 2em;">Shall evil tidings break the spell?</span><br /> +<span style="margin-left: 1em;">A word at last!—they found him dead;</span><br /> +<span style="margin-left: 2em;">He fought in the advance, and fell.</span><br /> +<br /> +<span style="margin-left: 1em;">Oh aloes of affliction poured</span><br /> +<span style="margin-left: 2em;">Into the wine cup of the soul!</span><br /> +<span style="margin-left: 1em;">Oh bitterness of anguish stored</span><br /> +<span style="margin-left: 2em;">To fill our grief beyond control!</span><br /> +<span style="margin-left: 1em;">At last he comes, awaited long,</span><br /> +<span style="margin-left: 2em;">Not to home welcomes warm and loud,</span><br /> +<span style="margin-left: 1em;">Not to the voice of mirth and song,</span><br /> +<span style="margin-left: 2em;">Pale featured, cold, beneath a shroud.</span><br /> +<br /> +<span style="margin-left: 1em;">Oh from the morrow of our lives</span><br /> +<span style="margin-left: 2em;">A glowing hope has stolen away,</span><br /> +<span style="margin-left: 1em;">A something from the sun has fled,</span><br /> +<span style="margin-left: 2em;">That dims the glory of the day.</span><br /> +<span style="margin-left: 1em;">More earnestly we look beyond</span><br /> +<span style="margin-left: 2em;">The present life to that to be;</span><br /> +<span style="margin-left: 1em;">Another influence draws the soul</span><br /> +<span style="margin-left: 2em;">To long for that futurity.</span><br /> +<br /> +<span style="margin-left: 1em;">Pardon if anguished souls refrain</span><br /> +<span style="margin-left: 2em;">Too little, grieving for the lost,</span><br /> +<span style="margin-left: 1em;">From thinking dearly bought the gain</span><br /> +<span style="margin-left: 2em;">Of victory at such fearful cost.</span><br /> +<span style="margin-left: 1em;">Teach us as dearest gain to prize</span><br /> +<span style="margin-left: 2em;">The glory crown he early won;</span><br /> +<span style="margin-left: 1em;">Forever shall his requiem rise:</span><br /> +<span style="margin-left: 2em;">Rest thee in peace, thy duty done.</span><br /> +<span class='pagenum'><a name="Page_465" id="Page_465">[Pg 465]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="THE_UNION" id="THE_UNION"></a>THE UNION.</h2> + +<h3>VI.</h3> + +<h4>VIRGINIA AND PENNSYLVANIA COMPARED.</h4> + + +<p>Virginia was a considerable colony, when Pennsylvania was occupied only +by Indian tribes. In 1790, Virginia was first in rank of all the States, +her number of inhabitants being 748,308. (Census Rep., 120,121.) +Pennsylvania then ranked the second, numbering 434,373 persons. (Ib.) In +1860 the population of Virginia was 1,596,318, ranking the fifth; +Pennsylvania still remaining the second, and numbering 2,905,115. (Ib.) +In 1790 the population of Virginia exceeded that of Pennsylvania +313,925; in 1860 the excess in favor of Pennsylvania was 1,308,797. The +ratio of increase of population of Virginia from 1790 to 1860 was 113.32 +per cent., and of Pennsylvania in the same period, 569.03. At the same +relative ratio of increase for the next seventy years, Virginia would +contain a population of 3,405,265 in 1930; and Pennsylvania 19,443,934, +exceeding that of England. Such has been and would continue to be the +effect of slavery in retarding the progress of Virginia, and such the +influence of freedom in the rapid advance of Pennsylvania. Indeed, with +the maintenance and perpetuity of the Union in all its integrity, the +destiny of Pennsylvania will surpass the most sanguine expectations.</p> + +<p>The population of Virginia per square mile in 1790 was 12.19, and in +1860, 26.02; whilst that of Pennsylvania in 1790 was 9.44, and in 1860, +63.18. (Ib.) The absolute increase of the population of Virginia per +square mile, from 1790 to 1860, was 13.83, and from 1850 to 1860, 2.85; +whilst that of Pennsylvania from 1790 to 1860, was 53.74, and from 1850 +to 1860, 12.93. (Ib.)</p> + +<p><span class="smcap">Area</span>.—The area of Virginia is 61,352 square miles, and of Pennsylvania, +46,000, the difference being 15,352 square miles, which is greater, by +758 square miles, than the aggregate area of Massachusetts, Connecticut, +and Delaware, containing in 1860 a population of 1,803,429. (Ib.) +Retaining their respective ratios of increase per square mile from 1790 +to 1860, and reversing their areas, that of Virginia in 1860 would have +been 1,196,920, and of Pennsylvania 3,876,119. Reversing the numbers of +each State in 1790, the ratio of increase in each remaining the same, +the population of Pennsylvania in 1860 would have been 5,408,424, and +that of Virginia, 926,603. Reversing both the areas and numbers in 1790, +and the population of Pennsylvania would have exceeded that of Virginia +in 1860 more than six millions.</p> + +<p><span class="smcap">Shore Line</span>.—By the Tables of the Coast Survey, the shore line of +Virginia is 1,571 miles, and of Pennsylvania only 60 miles. This vastly +superior coast line of Virginia, with better, deeper, more capacious, +and much more numerous harbors, unobstructed by ice, and with easy +access for so many hundred miles by navigable bays and tide-water rivers +leading so far into the interior, give to Virginia great advantages over +Pennsylvania in commerce and every branch of industry. Indeed, in this +respect, Virginia stands unrivalled in the Union. The hydraulic power of +Virginia greatly exceeds that of Pennsylvania.</p> + +<p><span class="smcap">Mines</span>.—Pennsylvania excels every other State in mineral wealth, but +Virginia comes next.</p> + +<p><span class="smcap">Soil</span>.—In natural fertility of soil, the<span class='pagenum'><a name="Page_466" id="Page_466">[Pg 466]</a></span> two States are about equal; +but the seasons in Virginia are more favorable, both for crops and +stock, than in Pennsylvania. Virginia has all the agricultural products +of Pennsylvania, with cotton in addition. The area, however, of Virginia +(39,265,280 acres) being greater by 9,825,280 acres than that of +Pennsylvania (29,440,000 acres), gives to Virginia vast advantages.</p> + +<p>In her greater area, her far superior coast line, harbors, rivers, and +hydraulic power, her longer and better seasons for crops and stock, and +greater variety of products, Virginia has vast natural advantages, and +with nearly double the population of Pennsylvania in 1790. And yet, +where has slavery placed Virginia? Pennsylvania exceeds her now in +numbers 1,308,797, and increased in population, from 1790 to 1860, in a +ratio more than five to one. Such is the terrible contrast between free +and slave institutions!</p> + +<p><span class="smcap">Progress of Wealth</span>.—By Census Tables (1860) 33 and 36, it appears +(omitting commerce) that the products of industry, as given, viz., of +agriculture, manufactures, mines, and fisheries, were that year in +Pennsylvania, of the value of $398,600,000, or $137 per capita; and in +Virginia, $120,000,000 or $75 per capita. This shows a total value of +product in Pennsylvania much more than three times that of Virginia, +and, per capita, nearly two to one. That is, the average value of the +product of the labor of each person in Pennsylvania, is nearly double +that of each person, including slaves, in Virginia. Thus is proved the +vast superiority of free over slave labor, and the immense national loss +occasioned by the substitution of the latter for the former.</p> + +<p>As to the rate of increase; the value of the products of Virginia in +1850 was $84,480,428 (Table 9), and in Pennsylvania, $229,567,131, +showing an increase in Virginia, from 1850 to 1860, of $35,519,572, +being 41 per cent.; and in Pennsylvania, $169,032,869, being 50 per +cent.; exhibiting a difference of 9 per cent. in favor of Pennsylvania. +By the Census Table of 1860, No. 35, p. 195, the true value then of the +real and personal property was, in Pennsylvania, $1,416,501,818, and of +Virginia, $793,249,681. Now, we have seen, the value of the products in +Pennsylvania in 1860 was $398,600,000, and in Virginia, $120,000,000. +Thus, as a question of the annual yield of capital, that of Pennsylvania +was 28.13 per cent., and of Virginia, 15.13 per cent. By Census Table +35, the total value of the real and personal property of Pennsylvania +was $722,486,120 in 1850, and $1,416,501,818 in 1860, showing an +increase, in that decade, of $694,015,698, being 96.05 per cent.; and in +Virginia, $430,701,082 in 1850, and $793,249,681 in 1860, showing an +increase of $362,548,599, or 84.17 per cent.</p> + +<p>By Table 36, p. 196, Census of 1860, the <i>cash</i> value of the farms of +Virginia was $371,092,211, being $11.91 per acre; and of Pennsylvania, +$662,050,707, being $38.91 per acre. Now, by this table, the number of +acres embraced in these farms of Pennsylvania was 17,012,153 acres, and +in Virginia, 31,014,950; the difference of value per acre being $27, or +largely more than three to one in favor of Pennsylvania, Now, if we +multiply the farm lands of Virginia by the Pennsylvania value per acre, +it would make the total value of the farm lands of Virginia +$1,204,791,804; and the <i>additional</i> value, caused by emancipation, +$835,699,593, which is more, by $688,440,093, than the value of all the +slaves of Virginia. But the whole area of Virginia is 39,265,280 acres, +deducting from which the farm lands, there remain unoccupied 8,250,330 +acres. Now, if (as would be in the absence of slavery,) the population +per square mile of Virginia equalled that of Pennsylvania, three fifths +of these lands would have been occupied as farms, viz., 4,950,198, +which, at the Pennsylvania value per acre, would have been worth +$188,207,524. Deduct from this their present average value<span class='pagenum'><a name="Page_467" id="Page_467">[Pg 467]</a></span> of $2 per +acre, $9,800,396, and the remainder, $178,407,128, is the sum by which +the unoccupied lands of Virginia, converted into farms, would have been +increased in value by emancipation. Add this to the enhanced value of +their present farms, and the result is $1,014,106,721 as the gain, on +this basis, of Virginia in the value of her lands, by emancipation. To +these we should add the increased value of town and city lots and +improvements, and of personal property, and, with emancipation, Virginia +would now have an augmented wealth of at least one billion and a half of +dollars.</p> + +<p>The earnings of commerce are not given in the Census Tables, which would +vastly increase the difference in the value of their annual products in +favor of Pennsylvania as compared with Virginia. These earnings include +all not embraced under the heads of agriculture, manufactures, the +mines, and fisheries. Let us examine some of these statistics.</p> + +<p><span class="smcap">Railroads</span>.—The number of miles of railroads in operation in +Pennsylvania in 1860, including city roads, was 2,690.49 miles, costing +$147,283,410; and in Virginia, 1,771 miles, costing $64,958,807. (Census +Table of 1860, No. 38, pp. 230, 232.) The annual value of the freight +carried on these roads is estimated at $200,000,000 more in Pennsylvania +than in Virginia, and the passenger account would still more increase +the disparity.</p> + +<p><span class="smcap">Canals</span>.—The number of miles of canals in Pennsylvania in 1860 was +1,259, and their cost, $42,015,000. In Virginia the number of miles was +178, and the cost, $7,817,000. (Census Table 39, p. 238.) The estimated +value of the freight on the Pennsylvania canals is ten times that of the +freight on the Virginia canals.</p> + +<p><span class="smcap">Tonnage</span>.—The tonnage of vessels built in Pennsylvania in 1860 was +21,615 tons, and in Virginia, 4,372. (Census, p. 107.)</p> + +<p><span class="smcap">Banks</span>.—The number of banks in Pennsylvania in 1860 was 90; capital, +$25,565,582; loans, $50,327,127; specie, $8,378,474; circulation, +13,132,892; deposits, $26,167,143:—and in Virginia the number was 65; +capital, $16,005,156; loans, $24,975,792; specie, $2,943,652; +circulation, $9,812,197; deposits, $7,729,652. (Census Table 35, p. +193.)</p> + +<p><span class="smcap">Exports and Imports, etc.</span>—Our exports abroad from Pennsylvania, for the +fiscal year ending 30th June, 1860, and foreign imports, were of the +value of $20,262,608. The clearances, same year, from Pennsylvania, and +entries were 336,848 tons. In Virginia the exports the same year, and +foreign imports were of the value of $7,184,273; clearances and entries, +178,143 tons, (Table 14, Register of U.S. Treasury.) Revenue from +customs, same year, in Pennsylvania, $2,552,924, and in Virginia, +$189,816; or more than twelve to one in favor of Pennsylvania. (Tables +U.S. Commissioner of Customs.) No returns are given for the coastwise +and internal trade of either State; but the railway and canal +transportation of both States shows a difference of ten to one in favor +of Pennsylvania. And yet, Virginia, as we have seen, had much greater +natural advantages than Pennsylvania for commerce, foreign and internal, +her shore line up to head of tide-water being 1,571 miles, and +Pennsylvania only 60 miles.</p> + +<p>We have seen that, exclusive of commerce, the products of Pennsylvania +in 1860 were of the value of $398,600,000, or $137 per capita; and in +Virginia, $120,000,000, or $75 per capita. But, if we add the earnings +of commerce, the products of Pennsylvania must have exceeded those of +Virginia much more than four to one, and have reached, per capita, +nearly three to one. What but slavery could have produced such amazing +results? Indeed, when we see the same effects in <i>all</i> the Free States +as compared with <i>all</i> the Slave States, and in <i>any</i> of the Slave +States, as compared with <i>any</i> of the Free States, the uniformity of +results estab<span class='pagenum'><a name="Page_468" id="Page_468">[Pg 468]</a></span>lishes the law beyond all controversy, that slavery +retards immensely the progress of wealth and population.</p> + +<p>That the Tariff has produced none of these results, is shown by the fact +that the agriculture and commerce of Pennsylvania vastly exceed those of +Virginia, and yet these are the interests supposed to be most +injuriously affected by high tariffs. But there is still more conclusive +proof. The year 1824 was the commencement of the era of high tariffs, +and yet, from 1790 to 1820, as proved by the Census, the percentage of +increase of Pennsylvania over Virginia was greater than from 1820 to +1860. Thus, by Table 1 of the Census, p. 124, the increase of population +in Virginia was as follows:</p> + + + +<div class='centered'> +<table border="0" cellpadding="2" cellspacing="0" width="40%" summary="increase of population +in Virginia"> +<tr><td align='center'>From</td><td align='left'>1790</td><td align='center'>to</td><td align='left'>1800</td><td align='right'>7.63</td><td align='center'>per cent.</td></tr> +<tr><td align='center'>"</td><td align='left'>1800</td><td align='center'>"</td><td align='left'>1810</td><td align='right'>10.73</td><td align='center'>"</td></tr> +<tr><td align='center'>"</td><td align='left'>1810</td><td align='center'>"</td><td align='left'>1820</td><td align='right'>9.31</td><td align='center'>"</td></tr> +<tr><td align='center'>"</td><td align='left'>1820</td><td align='center'>"</td><td align='left'>1830</td><td align='right'>13.71</td><td align='center'>"</td></tr> +<tr><td align='center'>"</td><td align='left'>1830</td><td align='center'>"</td><td align='left'>1840</td><td align='right'>2.34</td><td align='center'>"</td></tr> +<tr><td align='center'>"</td><td align='left'>1840</td><td align='center'>"</td><td align='left'>1850</td><td align='right'>14.60</td><td align='center'>"</td></tr> +<tr><td align='center'>"</td><td align='left'>1850</td><td align='center'>"</td><td align='left'>1860</td><td align='right'>12.29</td><td align='center'>"</td></tr> +</table></div> + + +<p>The increase of population in Pennsylvania was:</p> + + + +<div class='centered'> +<table border="0" cellpadding="2" cellspacing="0" width="40%" summary="increase of population in Pennsylvania"> +<tr><td align='center'>From</td><td align='left'>1790</td><td align='center'>to</td><td align='left'>1800</td><td align='right'>38.67</td><td align='center'>per cent.</td></tr> +<tr><td align='center'>"</td><td align='left'>1800</td><td align='center'>"</td><td align='left'>1810</td><td align='right'>4.49</td><td align='center'>"</td></tr> +<tr><td align='center'>"</td><td align='left'>1810</td><td align='center'>"</td><td align='left'>1820</td><td align='right'>29.55</td><td align='center'>"</td></tr> +<tr><td align='center'>"</td><td align='left'>1820</td><td align='center'>"</td><td align='left'>1830</td><td align='right'>28.47</td><td align='center'>"</td></tr> +<tr><td align='center'>"</td><td align='left'>1830</td><td align='center'>"</td><td align='left'>1840</td><td align='right'>27.87</td><td align='center'>"</td></tr> +<tr><td align='center'>"</td><td align='left'>1840</td><td align='center'>"</td><td align='left'>1850</td><td align='right'>34.09</td><td align='center'>"</td></tr> +<tr><td align='center'>"</td><td align='left'>1850</td><td align='center'>"</td><td align='left'>1860</td><td align='right'>25.71</td><td align='center'>"</td></tr> +</table></div> + + +<p>In 1790 the population of Virginia was 748,318; in 1820, 1,065,129, and +in 1860, 1,596,318. In 1790 the population of Pennsylvania was 434,373; +in 1820, 1,348,233, and in 1860, 2,906,115. Thus, from 1790 to 1820, +before the inauguration of the protective policy, the relative increase +of the population of Pennsylvania, as compared with Virginia, was very +far greater than from 1820 to 1860. It is quite clear, then, that the +tariff had no influence in depressing the progress of Virginia as +compared with Pennsylvania.</p> + +<p>Having shown how much the material progress of Virginia has been +retarded by slavery, let us now consider its effect upon her moral and +intellectual development.</p> + +<p><span class="smcap">Newspapers and Periodicals</span>.—The number of newspapers and periodicals in +Pennsylvania in 1860 was 367, of which 277 were political, 43 religious, +25 literary, 22 miscellaneous; and the total number of copies circulated +in 1860 was 116,094,480. (Census Tables, Nos. 15, 37.) The number in +Virginia was 139, of which 117 were political, 13 religious, 3 literary, +6 miscellaneous; and the number of copies circulated in 1860 was +26,772,568, being much less than one fourth that of Pennsylvania. The +number of copies of monthly periodicals circulated in Pennsylvania in +1860 was 464,684; and in Virginia, 43,900; or much more than ten to one +in favor of Pennsylvania.</p> + +<p>As regards schools, colleges, academies, libraries, and churches, I must +take the Census of 1850, those tables for 1860 not being yet arranged or +printed. The number of public schools in Pennsylvania in 1850 was 9,061; +teachers, 10,024; pupils, 413,706; colleges, academies, &c., pupils, +26,142; attending school during the year, as returned by families, +504,610; native adults of the State who cannot read or write, 51,283; +public libraries, 393; volumes, 363,400; value of churches, $11,853,291; +percentage of native free, population (adults) who cannot read or write, +4.56. (Comp. Census of 1850.)</p> + +<p>The number of public schools in Virginia in 1850 was 2,937; teachers, +3,005; pupils, 67,438; colleges, academies, &c., pupils, 10,326; +attending school, as returned by families, 109,775; native white adults +of the State who cannot read or write, 75,868; public libraries, 54; +volumes, 88,462; value of churches, $2,902,220; percentage of native +free adults of Virginia who cannot read or write, 19.90. (Comp. Census +of 1850.) Thus, the church and educational statistics of Pennsylvania, +and especially of free adults who cannot read or write, is as five to +one<span class='pagenum'><a name="Page_469" id="Page_469">[Pg 469]</a></span> nearly in favor of Pennsylvania. When we recollect that nearly one +third of the population of Pennsylvania are of the great German race, +and speak the noble German language, to which they are greatly attached, +and hence the difficulty of introducing common <i>English</i> public schools +in the State, the advantage, in this respect, of Pennsylvania over +Virginia is most extraordinary.</p> + +<p>These official statistics enable me, then, again to say that slavery is +hostile to the progress of <i>wealth</i> and <i>education</i>, to <i>science</i> and +<i>literature</i>, to <i>schools</i>, <i>colleges</i>, and <i>universities</i>, to <i>books</i> +and <i>libraries</i>, to <i>churches</i> and <i>religion</i>, to the <span class="smcap">PRESS</span>, and +therefore to <span class="smcap">FREE GOVERNMENT</span>; hostile to the <i>poor</i>, keeping them in +<i>want</i> and <i>ignorance</i>; hostile to <span class="smcap">LABOR</span>, reducing it to <i>servitude</i> and +decreasing <i>two thirds</i> the value of its products; hostile to <i>morals</i>, +repudiating among slaves the <i>marital</i> and <i>parental</i> condition, +classifying them by law as <span class="smcap">CHATTELS</span>, <i>darkening</i> the <i>immortal soul</i>, +and making it a <i>crime</i> to teach millions of <i>human beings</i> to <i>read</i> or +<i>write</i>.</p> + +<p>And yet, there are desperate leaders of the Peace party of Pennsylvania, +desecrating the name of <i>Democrats</i>, but, in fact, Tories and traitors, +who would separate that glorious old commonwealth from the North, and +bid her sue in abject humiliation for admission as one of the Slave +States of the rebel confederacy. Shades of Penn and Franklin, and of the +thousands of martyred patriots of Pennsylvania who have fallen in +defence of the Union from 1776 to 1863, forbid the terrible degradation.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="DOWN_IN_TENNESSEE" id="DOWN_IN_TENNESSEE"></a>DOWN IN TENNESSEE.</h2> + + +<p>Sultry and wearisome the day had been in that Tennessee valley, and +after drill, we had laid around under the trees—tall, noble trees they +were—and the fresh grass was green and soft under them as on the old +'Campus,' and we had been smoking and talking over a wide, wide range of +subjects, from deep Carlyleism—of which Carlyle doubtless never +heard—to the significance of the day's orders. It was not an +inharmonious picture—Camp Alabama, so we had named it—for it was with +a 'here we rest' feeling that a dozen days before we had marched in at +noon. The ground sloped to the eastward—a single winding road of yellow +sand crept over the slope into the horizon, a mile or more away; north, +a hill rose with some abruptness; south and west, a grove of wonderful +beauty skirted the valley. A single building—an old but large log +farmhouse—stood near the tent, whose fluttering banner indicated +headquarters. This old house was well filled with commissary stores, +and, following that incomprehensible Tennessee policy, four companies of +our regiment, the twenty-third, had been detached to guard them under +Major Fanning—'a noble soldier he, but all untried.' We had never yet +seen active service, and our tents were still white and unstained. The +ground had been once the lawn of the deserted house—in the long ago +probably the home of a planter of some pretension; and, as we lay there +under the trees watching the boys over the fires, kindled for their +evening meal, the blue smoke curling up among the trees, it made, as I +have said, a most harmonious picture.</p> + +<p>That fair June evening! I can never forget it, and I wish I were an +artist that I could show you the sloping valley, the white tents, +flushing like a girl's cheek to the good-night kisses of the sun, the +curling smoke wreaths,<span class='pagenum'><a name="Page_470" id="Page_470">[Pg 470]</a></span> and far, far above the amethystine heaven, from +which floated over all a dim purple tint. I was the youngest +commissioned officer in the regiment, having been promoted to a vacancy +a week or two before through Major Fanning's influence.</p> + +<p>We were all invited that evening to supper with our commanding officer +and his wife—who had been with him for a few days. A fresh breeze +stirred the trees at sunset, and, after slight attention to our +toilette, we dropped by twos and threes into the neighborhood of the +major's tent. A little back from the rows of other tents, a few fine +oaks made a temple in front, worthy even of its presiding genius, Grace +Fanning—but I am <i>not</i> going to rhapsodize. She was a fair, modest, +young thing, with the girl rose yet fresh on her wife's cheek. I had +known her from childhood; very nearly of the same age, and the children +of neighbors, we had been inseparable; of course in my first college +vacation, finding her grown tall and womanly, I had entertained for her +a devoted boyish passion, and had gone from her presence, one August +night, mad with rejection, and wild with what I called despair. But +<i>that</i> passed, and we had been good friends ever since—she the +confidential one, to whom I related my varied college love affairs, +listening ever with a tender, genial sympathy. I had no sister, and +Grace Jones (I am sorry, but her name <i>was</i> Jones) was dear to me as +one. Two years of professional study had kept me away from my village +home, and a few words came once in a long while, in my mother's letters +'to assure me of Grace's remembrance and regard.' A little of the elder +sister's advising tone amused my one and twenty years and my incipient +moustache amazingly; and I resolved, when I saw her, to convince her of +my dignity—to patronize her. But the notes that called me home were too +clarion-like for a relapse into puppyism. My country spoke my name, and +I arose a man, and 'put away childish things.' I came home to say +farewell. A regiment was forming there, I enlisted, and a few days +before our departure, I stood in the village church, looking and +listening while Grace promised eternal fidelity to Harry Fanning. I was +a stranger to him. He had come to Danville after my departure, winning +from all golden opinions, and from Grace a woman's priceless heart. She +gave him freely to his country, and denied not her hand to his parting +prayer. I had had time only to say farewell to her, and the old footing +had not been restored, but I <i>think</i> she spoke to the major of me, for +he soon sought me, giving me genial friendship and sympathy, and +procuring for me, as I have related, my commission. I had seen her but +once since she came to Camp Alabama, and she gave me warm and kindly +welcome as I came in, the last of the group, having found in my tent +some unexpected employment. Being a soldier, I shall not shock my fair +readers if I confess that it was—buttons. Ah! me, I am frivolous. But I +linger in the spirit of that happy hour. Grace's chair was shaded by a +gracefully draped flag; the major stood near her, his love for her as +visible in his eye as his cordial kindness for us. To me, in honor of my +'juniority,' as Mrs. Fanning said, was assigned a place near her. The +others had choice between campstools and blankets on the grass. And the +oddest but most respectable of contrabands served us soon with our +supper, so homelike that we suspected 'Mrs. Major's' fair hands of +interference.</p> + +<p>It was a happy evening. Merry laughter at our camp stories rang silverly +from her fair lips. Or we listened eagerly to her as she told us of the +homes we had left, and the bonny maidens there, sobered since our +departure into patriotic industry. Stories of touching self-denial, with +a wholesome pathos, and sometimes from her dainty musical talk she +dropped, pebble-like, a name, as 'Fanny,' 'Carry,'<span class='pagenum'><a name="Page_471" id="Page_471">[Pg 471]</a></span> 'Maggie,' and +responsive blushes rippled up over sunburned, honest faces, and a soft +mist brightened for a second resolute eyes. Presently the band—a part +only of the regiment's—began to play soft, well-known tunes. Through a +few marches and national airs, I looked and listened as a year before, +in the village church at home. And as the 'Star-Spangled Banner' rose +inspiringly, I felt the coincidence strangely, and could scarcely say +which scene was real: the church aisle and the bridal party, in white +robes and favors, with mellow organ-tones rising in patriotic strains +concerning the 'dear old flag,' or the group under the oaks; the young +wife in her gray travelling dress, and the uniformed figures gathered +around her; the moon-rise over the hill, lighting softly the drooping +flag, the major's dark hair, and Mrs. Fanning's sunny braids, the wild +notes of the same beloved melody overswelling all. But voices near +aroused me, and we joined in the chorus, and in the following tune, +'Sweet Home,' the usual finale of our evening programme. Then, as the +tones died, Grace lifted her voice and sang with sweet, pure soprano +tones, an old-time ballad of love and parting and reunion.</p> + +<p>We had a wild little battle song in 'Our Mess,' written by Charlie +Marsh, our fair-haired boy-poet soldier, speaking of home, and the +country's need, and victory, and possible deaths in ringing notes. We +sang it there in the light of the slowly rising moon. The chorus was +like this:</p> + +<p> +<span style="margin-left: 1em;">'Our country's foe before us,</span><br /> +<span style="margin-left: 1em;">Our country's banner o'er us,</span><br /> +<span style="margin-left: 1em;">Our country to deplore us,</span><br /> +<span style="margin-left: 2em;">These are a soldier's needs.'</span><br /> +</p> + +<p>As we closed, Grace caught the strain, and with soft, birdlike notes +sang:</p> + +<p> +<span style="margin-left: 1em;">'Your country's flag above you,</span><br /> +<span style="margin-left: 1em;">Your country's true hearts love you—</span><br /> +<span style="margin-left: 1em;">So let your country move you</span><br /> +<span style="margin-left: 2em;">To brave, undying deeds.'</span><br /> +</p> + +<p>More songs followed, and happy words of cheer in distress, of +self-consecration, of past and future victory; but Major Fanning was +unusually silent. Hardly sad, for he flung into our conversation +occasional cheerful words; but gravely quiet, his dark eye following +every motion of his fair young wife. Finally we called on Captain +Carter, our 'oldest man,' a grave bachelor of forty-five, and to our +surprise, who knew him harsh and sometimes profane, he sang, with a +voice not faultless, but soft and expressive, that exquisite health of +Campbell's:</p> + +<p> +<span style="margin-left: 1em;">'Drink ye to her that each loves best,</span><br /> +<span style="margin-left: 2em;">And if you nurse a flame</span><br /> +<span style="margin-left: 1em;">That's told but to her mutual breast,</span><br /> +<span style="margin-left: 2em;">We will not ask her name.</span><br /> +<br /> +<span style="margin-left: 1em;">'And far, far hence be jest or boast,</span><br /> +<span style="margin-left: 2em;">From hallowed thoughts so dear;</span><br /> +<span style="margin-left: 1em;">But drink to her that each loves most,</span><br /> +<span style="margin-left: 2em;">As she would love to hear.'</span><br /> +</p> + +<p>Then silence for a little space; and the moonlight full and fair in +soldiers' faces, young and old, but all firm and true, and fair and full +on Grace Fanning's fresh, young brow. Then 'good-nights,' mingled with +expressions of enjoyment, and plans for the morrow. I left them last.</p> + +<p>'I am glad you are here, Robert,' said the major; 'Grace would not be +all alone, even if I'—</p> + +<p>Her white hand flashed to his lips, where a kiss met it, and laughingly +we parted. A few rods away, I paused and turned. They stood there under +the flag. Her bright head on his bosom, his arms about her, and the +silver moonlight over all. Fair Grace Fanning! Have I named my story +wrongly, pretty reader? I called it 'Camp Sketch,' and it reads too like +a love story. 'Ah! gentle girl, seeking adventure in fiction, but +shrinking really from even a cut finger, there is enough of battle even +in my little story, though you slept peacefully and happily that fair +June night, or waltzed yourself weary to the sound of the sea at the +'Ocean House.'</p> + +<p>A few 'good nights' commendatory<span class='pagenum'><a name="Page_472" id="Page_472">[Pg 472]</a></span> of our hostess and our evening greeted +me as I sought my tent and made ready for sleep. I was very happy, no +memory of our talk was sullied by coarse or unlovely thought; pure as +herself had been our enjoyment of Mrs. Fanning's society, and I slept +sweetly.</p> + +<p>The long roll! None but those who have heard it when it means instant +danger and possible death, can conceive the thrill with which I sprang +from deep slumber, and made hasty preparation for action. Quick as I +was, others had been before me, and I found the half-dressed men drawn +up in battle line before the encampment. I took my place.</p> + +<p>Behind us lay the camp, a wide, street-like space, fringed with a double +row of tents—at its foot the old log mansion; near that, a little in +front, but at one side, the flag of headquarters—this behind. Before us +the major—the western wood, and the flashing sabres of a band of +hostile cavalry. They came on heedless of the fast-emptying saddles, on, +<i>on</i>, and more following from the wood, the moon in the mid heaven, +clear like day.</p> + +<p>A gallant charge—a firm repulse. Major Fanning's clear voice on the +night air, rallying the men to attack the furious foe. They sweep their +horses around to left, but calmly the major wheels his battalion, still +unflanked; again those fierce steeds try the first point of attack; +again we front them undaunted. In our turn, with lifted level bayonets +we charge; the enemy falls back—a shout threads along our lines, +changing suddenly into a wail, for, calling us on, our leader falls. +Pitiless to his noble valor, a well-aimed carbine-shot lays him low. +They lift him, some brave soldiers near; and, his young face bathed in +blood, they bear him to his waiting bride; he opens his eyes, as he +passes.</p> + +<p>'Courage! victory! my boys!' he calls; then, seeing me: 'Go! tell her, +Robert.'</p> + +<p>I call my orderly to my place, and before they have pierced our lines +with their beloved burden, I am at the tent door. She stands there +waiting, a little pistol in her hand—a light wrapper about her, and her +fair hair streaming over her shoulders. I look at her mutely; she knows +there is something terrible for her, and while I seek words, her eye +goes on, resting where down the moonlit trees they are bringing him. A +moment, she is by his side, and tearless and white, her hand on his +unanswering heart, she moves beside him. The soldiers lay their leader +on the ground under his flag, and her imperious gesture sends them back +to their places in the battle. And then she, sinking beside him, cries +out:</p> + +<p>'Oh, Robert! will he never speak to me again? Help him!'</p> + +<p>My two years at lectures had not been passed in vain, and surgery had +been my hobby. I knelt and strove to aid him. It was a cruel wound. I +asked for bandages. She tore them from her garments wildly. I stilled +the trickling crimson stream, and going into the tent, found some +restoratives. I poured the wine down his throat, and, soon opening his +eyes, he spoke:</p> + +<p>'Grace!'</p> + +<p>I stepped away—near enough for call, not near enough for intrusion. +Looking at the lines of dark forms topped by the light glimmer of stray +bayonets, I saw with dismay that our men were retreating before those +heavy charges; in thick, dense masses they moved back, nearing us. I +thought of our soldier chief, crushed under those wild hoofs; I thought +of Grace, unprotected in her youth and widowed, desolate beauty, and +sprang to her side, ready with my life for her.</p> + +<p>The major saw it all, and, faint as he was, rose on his elbow, watching. +Charge after charge, wild and impetuous, break the slowly retreating +battalions. In vain I heard Carter's stern oaths (may the angel of tears +forgive him!), and Charlie Marsh's boyish calls. The men are facing us. +The enemy,<span class='pagenum'><a name="Page_473" id="Page_473">[Pg 473]</a></span> cheering, and in the background huge torches flaming with +pitch, are ready for incendiarism.</p> + +<p>'Grace! Grace! I <i>must</i> rally them, let me go!' and I see Major Fanning +straggling in her arms. I clasp him also.</p> + +<p>'It is certain death,' I say to her, mad with fright and misery.</p> + +<p>'And this is worse, worse, Grace; you might better kill me!' his voice +was harsh—cruel even.</p> + +<p>Suddenly she was gone, and I held him alone; catching his sword, she +sprang like a flash of lightning into the open space before the log +house, and, lifting the bare blade with naked, slender arm, its loose +sleeve floating from her shoulder like a wing, she faced those +panic-stricken men.</p> + +<p>'For shame!' she cried; but her weak voice was lost; then, stern as the +angel of death, she stepped forward.</p> + +<p>'The first man that passes me shall die!' and she swung the flashing +blade up, ready to fall. A moment's halt, and then, she spoke to them +with wonderful strange words. I cannot recall them; with inspired +eloquence she spoke, a slight, white-robed figure in the clear +moonlight, and the rout was stayed, and they turned bravely to meet the +foe. Then she came faint and weak to her husband's side again. He looked +up with glad, eager eyes.</p> + +<p>'Darling!'</p> + +<p>Infinite love, soul-recognition, shone on both faces, and then blank +unconsciousness crept over his. Firmly our boys met the charging steeds +now. That moment had restored to them their courage. Emptied saddles +were frequent, but still fresh forces dashed from the wood. Is there no +hope for us? Must we be overpowered? Is all this valor vain? Grace from +her husband's side looks mutely up to heaven. I find my place among the +men. Little hope remains. Some one calls 'retreat.' 'Just once more,' +cries Charlie, and falls before us. But listen; above the battle din +comes a new, an approaching sound from the eastward.</p> + +<p>Along the yellow road pours swiftly a force of cavalry, behind the +rumble of cannon almost flying over the ground, and high in air, reeling +from the swift motion of its bearer's steed, the banner of the free. We +are saved! A wild shout rings along our lines. Among the enemy, +frightened consultation followed by flight; another second, and our +friends are with us and beyond us in hot pursuit.</p> + +<p>Brief question and answer told us of the friendly warning in the distant +camp, the hasty march to aid us. The rest we saw. Then, 'A surgeon for +Major Fanning.' The man of the green sash had not grown callous. There +were tears in his eyes as he rose from his vain endeavors, saying only:</p> + +<p>'I can do nothing here; I am needed elsewhere.'</p> + +<p>Our young hero was dead!</p> + +<p>They composed his limbs, laying him on a blanket under the trees, and +Grace sat down beside him, tearless still, but pale as her dress, or the +white hand lying cold over the soldier's pulseless heart.</p> + +<p>'Robert, send them away,' she said to me, as sympathizing strangers +pressed round; and they left us alone with the dead. I spoke at last the +commonplaces of consolation, suggested and modified by the hour and my +soldier feelings.</p> + +<p>'Yes, Robert,' she answered, 'I gave him long ago. <span class="smcap">God</span> will comfort me +for my hero—in time. Do not speak to me just yet. Do not let any one +come.'</p> + +<p>The tears came now, and she wept bitterly, silently, under the starry +banner, beside the dead. I heard the hum of many voices, and now and +then a cry of pain, and knew they were all helping the sufferers. Then I +turned to her again. Her streaming hair swept the ground, golden in the +light. Her fair face was hidden on the cold dead face. And I dared not +speak to her. Oh, that picture! Poor Grace Fanning! and the silver, +silver moonlight over all.<span class='pagenum'><a name="Page_474" id="Page_474">[Pg 474]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="POETRY_AND_POETICAL_SELECTIONS" id="POETRY_AND_POETICAL_SELECTIONS"></a>POETRY AND POETICAL SELECTIONS.</h2> + +<p> +<span style="margin-left: 1em;">'Oh, deem not in this world of strife,</span><br /> +<span style="margin-left: 2em;">An idle art the Poet brings;</span><br /> +<span style="margin-left: 3em;">Let high Philosophy control,</span><br /> +<span style="margin-left: 1em;">And sages calm the stream of life;</span><br /> +<span style="margin-left: 2em;">'Tis he refines its fountain springs,</span><br /> +<span style="margin-left: 3em;">The nobler passions of the soul.'</span><br /> +</p> + + +<p>In the annals of literature, Poetry antedates Prose. Creation precedes +Providence, not merely in the order of sequence, but what is usually +called intellectual and physical grandeur. So in genius and taste, +Poetry transcends prose. In the work of Creation the Almighty broke the +awful stillness of Eternity, by His first creative fiat, and angels were +the first-born of God. They took their thrones in the galleries of the +universe, and in silent contemplation sat. They spoke not; for words, as +signs of thought or will or emotion, were not then conceived, and, +consequently, then unborn. They gazed in rapture on one another, and in +solemn silence thought. Their emotions bodied forth the Anthem of +Creation.</p> + +<p>Human words being created breath, and breath being air in motion, prior +to these language was impossible. And as the deaf are always dumb, +language, like faith, comes by hearing. But hearing itself is a +pensioner, waiting upon a speaker; consequently, it must ever be +contingent on a cause alike antecedent and extrinsic of itself. It is, +therefore, equally an oracle of reason and of faith that, however God +may have communicated to angels, to <i>man</i> He spoke in articulate sounds, +before man articulated a thought, a feeling, or an emotion of his soul. +And as an emotional soul is but a harp of many strings, a hand there +must have been to play upon its chords, before melody and harmony, +twins-born of Heaven, had either a local habitation or a name.</p> + +<p>But, it may be asked—Is there not in the regions of Poetry an æolian +harp, found in the cave of Æolus, on which the winds of heaven played +many a celestial symphony, without the skill or touch of human hand? +Grant all that the Poetic Muse assumes, and then we ask—Who made the +harp? And whence directed came the musing sylvan Zephyrus and his choir? +Came they not from a land of images and dreams?</p> + +<p>But we are inquiring for originals. Images and originals are the poles +apart. An original without an image is possible; but an image without an +original is alike impossible and inconceivable. Hence, alike +philosophically and logically, we conclude that <i>neither man nor angel +addressed each other until they themselves had been addressed by their +Creator</i>. Then they intercommunicated thought, sentiment, and emotion +with one another as God had communicated to them.</p> + +<p>The mystery of language and Poetry is insoluble but on the admission of +a revelation or communication of some sort, unconceived by the human +mind, unexecuted by the human hand. If invention and creation be the +grand characteristics of the Poet, Moses, if uninspired, was a greater +Poet than Homer, or Milton, or Shakspeare, on the hypothesis that he +invented the drama which he wrote. The first chapter of Genesis is the +greatest and most splendid Poem ever conceived by human imagination, or +written by human hand.</p> + +<p>All Poets, ancient and modern, are mere plagiarists, if Moses was +uninspired. We prove his Divine Legation<span class='pagenum'><a name="Page_475" id="Page_475">[Pg 475]</a></span> by the intrinsic and +transcendent merits of the Poem which he wrote. Imagination originates +nothing absolutely new. It merely imitates and combines. It is regarded +as the creative faculty of man; but its material is already furnished. +The portrait of an unreal Adam is as conceivable as a child without a +father, or an effect without a cause.</p> + +<p>Thus we are obliged, by an inseparable necessity, to admit the +credibility of the Poem which he wrote. And what does Moses say? Nothing +more than that <i>God spoke, and the universe was!</i> This is the sublime of +true Poetry. This is more than the logic of the proposition, <i>God was, +therefore we are!</i> It is more than the philosophy, <i>ex nihilo, nihil +fit!</i> or than, that <i>nothing</i> cannot be the parent of <i>something</i>.</p> + +<p>But we must place our foot on a higher round of the ladder, before we +can stand on such an eminence as to see, in all its fair proportions, +the column on which the Muses perch themselves.</p> + +<p>Job, and not Moses, shall be our guide, and the oracle alike of our +reason and our imagination. But who is Job? There is not much poetry in +the name, Job. But Rome and its vulgate vulgarized this hallowed name, +and Britain followed Rome. His name in Chaldee, Syriac, and Arabic, is +Jobab. There is more poetry in this. There is no metre, no poetry in a +monotone or monosyllable. Born among rocks and mountains, the proper +theatre of a heaven-inspired Muse—not in Arabia the Happy, but in +Arabia the Rocky—he was a heart-touching, a soul-stirring, emotional +Bard. In such a case the clouds that overshadow the era of the man only +enhance the genius and inspiration of the Poet.</p> + +<p>In internal and external evidence, according to our calendar of the +Muses, he is the first-born of the Poets that yet survive the wasteful +ravages of hoary Time. He sings not, indeed, of Chaos and Eternal Night. +But as one inspired by a heaven-born Muse, he echoes the chorus of the +Angelic Song, when on the utterance of the first <i>fiat</i> the Morning +Stars sang together and all the sons of God shouted for joy. Hence we +argue, that Poetry is not only prior to prose, but that language, its +intellectual and emotional embodiment, is heaven-conceived, and +heaven-born.</p> + +<p>But in a short essay it would be out of place and in bad taste to +attempt a discourse upon the broad field of ancient or modern Poetry. We +merely attempt to suggest one idea on this rich and lofty theme. Our +radical conception of the essential and differential attribute of +Poetry, as contradistinguished from prose, however chaste, pure, +beautiful, and philosophic, is not mere art, nor science, but +<i>creation</i>.</p> + +<p>The universe itself is a grand Heroic Poem. Hence its instrument is that +power usually called Imagination. But <i>human</i> imagination is not first, +second, or third in rank on the scale of the universe. God Himself +imagined the universe before He created it. His imagination is infinite. +The Cherubim and Seraphim have wings that elevate them above our zenith. +And angels, too, excel us in this creative faculty, and therefore veil +their faces before the Majesty of heaven and earth. Still, man has an +humble portion of it, and can turn it to a good account.</p> + +<p>But there is another idea essential to the character of Poetry, as good +or evil in its spirit and adornings. We need scarcely say, for we are +anticipated by every reflecting mind, that this is the <i>spirit</i> of the +Poem. Poetry, in the abstract, is not necessarily good or evil. It may +be Christian, Jewish, Pagan, or Infidel in its spirit and tendencies. It +may corrupt or purify the heart. It may save or ruin the reader in +fortune or in fame. Hence, as Poetry is powerful to elevate or degrade, +to purify or to corrupt a people, much depends on the spirit of the +Poetry which they may put into the hands of the youth of a country; as +well observed by an<span class='pagenum'><a name="Page_476" id="Page_476">[Pg 476]</a></span> eminent moralist: 'Let me write the poems or +ballads of a people, and I care but little who enacts their laws.'</p> + +<p>The genius of a Poet is a rare genius. And most happily it is so; for +elevated taste and high-toned morality are not, by any means, the common +heritage of man. Anacreon and Burns were genuine Poets. They uttered, in +fine style, many truths; and were not merely fluent in their respective +languages, but affluent. But, perhaps, like some other men of mighty +parts and grand proportions, better for mankind they had never been +born. A Cowper and a Byron, in their whole career of song, will exert a +very different influence, not only on earth, but in eternity, on the +destiny of their amateurs. We need not argue this position as though, +among a Christian people, it were a doubtful or debatable position. If +the evil spirit, or the melancholy demon, that fitfully possessed the +first king of Israel, was expelled by the skilful hand of his successor, +even when his youthful fingers awoke the melodies of the lyre, how much +more puissant the exquisite Odes of the sweet Psalmist, inspired as they +were with sentiments and views alike honorable to God and man, to +elevate the conceptions, purify the heart, ennoble the aspirations, and +adorn the life of man!</p> + +<p>As the cask long retains the odor of the wine put into it, so the moral +and religious fragrance of many a fine poetic effusion, securely lodged +in the recesses of memory, may yield, and often does yield, a rich +repast of pleasurable associations and emotions which, beside their +opportune recurrence in some trying or tempting hour or season of +adversity, do often energize our souls with a moral heroism to deeds of +nobler daring, which result in enterprises full of blessings to +ourselves, and not unfrequently to our associates in the walks of life, +and radiate through them salutary light for generations to come.</p> + +<p>Imagination, like every other faculty, is to be cultivated. But here we +are interrogated—'What is Imagination?'</p> + +<p>No distinction has given critics more trouble, in the way of definition, +than that between Imagination and Fancy. Fancy, it is held, is given to +beguile and quicken the temporal part of our nature; Imagination to +incite and support the eternal.</p> + +<p>It would be vain to enumerate the various definitions of this term, or +to attempt to give even an abstract of the diversity of views +entertained by philosophers respecting the nature and extent of its +operations. It is regarded by some writers as that power or faculty of +the mind by which it conceives and forms ideas of things communicated to +it by the organs of sense. So defines our encyclopædias. Bacon defined +it to be the 'representation of an individual thought.' But Dugald +Stewart more philosophically defines it as the 'power of modifying our +conceptions, by combining the parts of different ones so as to form new +wholes of our own creation.' The Edinburgh Encyclopædia, not satisfied +with this, says Webster defines it to be the <i>will working on the +materials of memory, selecting parts of different conceptions, or +objects of memory, to form some new whole</i>.</p> + +<p>This has long been our cherished view of Imagination. It creates only as +a mechanic creates a chest of drawers, a sideboard, a clock, or a watch. +It originates not a single material of thought, volition, or action. +But, mechanic-like, it works by plumb and rule on all the materials +found in the warehouse of memory; and manufactures, out of the same +plank of pine, or bar of iron, or wedge of gold, or precious stone, some +new utensil, ornament, or adornment never found in Nature. In its +present form it is the offspring of the art and contrivance of man. +Hence our invulnerable position against Atheism or Deism. <i>No one could +have created the idea of a God or of a Christ, without</i><span class='pagenum'><a name="Page_477" id="Page_477">[Pg 477]</a></span><i> a special +inspiration, any more than he could create a gold watch without the +metal called gold.</i></p> + +<p>The deaf are necessarily dumb. The blind cannot conceive of color. A +Poet cannot work without language, any more than the nightingale could +sing without air. Language and prototypes precede and necessarily +antedate writing and prose. Hence the idea of Poetry is preceded by the +idea of Prose, as speaking by the idea of hearing. There was reason, and +an age of reason, without, and antecedent to, rhyme; and therefore we +sometimes find rhyme without reason, as well as reason without rhyme.</p> + +<p>Rhyme, however, facilitates memory and recollection. Memory, indeed, is +but a printed tablet, and recollection the art and mystery of reading +it. Poetry, therefore, is both useful and pleasing. It aids +recollection, and soothes and excites and animates the soul of man. It +makes deeper, more pungent, more stimulating, more exciting, and more +enduring impressions on the mind than prose; and, therefore, greatly +facilitates both the acquisition and retention of ideas and impressions. +Of it Horace says ('Ars Poetica'):</p> + +<p> +<span style="margin-left: 1em;">'Ut pictura, poesis; erit, quæ, si propius stes,</span><br /> +<span style="margin-left: 1em;">Te capiet magis, et quædam, si longius abstes.</span><br /> +<span style="margin-left: 1em;">Hæc amat obscurum; volet hæc sub luce videri,</span><br /> +<span style="margin-left: 1em;">Judicis argutum quæ non formidat acumen:</span><br /> +<span style="margin-left: 1em;">Hæc placuit semel, hæc decies repetita placebit.'</span><br /> +</p> + +<p>No one ever attained to what is usually called <i>good taste</i> who has not +devoted a portion of his time and study to the whole science and art of +Poetry. We do not mean good taste in relation to any one manifestation +of it.</p> + +<p>There is a general as well as a special good taste, but they are +distinguishable only as genus and species. There is, it may be alleged, +a <i>native</i> as well as an <i>acquired</i> taste. This may also be conceded. +There is in some persons a greater innate susceptibility of deriving +pleasure from the works of Nature and of Art than is discoverable in +others. Still we cannot imagine any one gifted with reason and +sensibility to be entirely destitute of it. It is an element of reason +and of sense peculiar to man. As a fabulist once represented a cock in +quest of barleycorns, scraping for his breakfast, saying to himself, on +discovering a precious and brilliant gem: 'If a lapidary were in my +place he would now have made his fortune; but as for myself, I prefer +one grain of barley to all the precious stones in the world.'</p> + +<p>But what man, so feeling and thinking, would not 'blush and hang his +head to think himself a man'? Apart from the value of the gem, every man +of reason or of thought has pleasure in the contemplation of the +beautiful diamond, whether on his own person or on that of another. +Taste seems to be as inseparable from reason as Poetry is from +imagination. It is not wholly the gift of Nature, nor wholly the gift of +Art. It is an innate element of the human constitution, designed to +beautify and beatify man. To cultivate and improve it is an essential +part of education. The highest civilization known in Christendom is but +the result or product of good taste. Even religion and morality, in +their highest excellence, are but, so far as society is concerned, +developments and demonstrations of cultivated taste. There may, indeed, +be a fictitious or chimerical taste without Poetry or Religion; but a +genuine good taste, in our judgment, without these handmaids, is +unattainable.</p> + +<p>But as no interesting landscape—no mountain, hill, or valley, no river, +lake or sea—affords us all that charms, excites or elevates our +imagination viewed from any one point of vision, so the poetic faculty +itself can neither be conceived of nor appreciated, contemplated out of +its own family register.</p> + +<p>There is in all the 'Fine Arts' a common paternity, and hence a family +lineage and a family likeness. To appre<span class='pagenum'><a name="Page_478" id="Page_478">[Pg 478]</a></span>ciate any one of them we must +form an acquaintance with the whole sisterhood—Poetry, Music, Painting, +and Sculpture.</p> + +<p>And are not all these the genuine offspring of Imagination? Hence they +are of one paternity, though not of one maternity. The eye, the ear, and +the hand, has each its own peculiar sympathetic nerve. For, as all God's +works are perfect, when and where He gives an eye to see or an ear to +hear, He gives a hand to execute. This is the law; and as all God's laws +are universal as perfect, there is no exception save from accident, or +from something poetically styled a <i>lusus naturæ</i>—a mere caprice or +sport of Nature.</p> + +<p>But the philosophy of Poetry is not necessary to its existence any more +than the astronomy of the heavens is to the brilliancy of the sun or to +the splendors of a comet. A Poet is a creator, and his most perfect +creature is a portraiture of any work of God or man; of any attribute of +God or man in perfect keeping with Nature or with the original +prototype, be it in fact or in fiction, in repose or in operation.</p> + +<p>Imitation is sometimes regarded as the test of poetic excellence. But +what is imitation but the creation of an image! Alexander Pope so well +imitates Homer, that, as an English critic once said, in speaking of his +translation of that Prince of Grecian Poets—'a time might come, should +the annals of Greece and England be confounded in some convulsion of +Nature, when it might be a grave question of debate whether Pope +translated Homer, or Homer Pope.'</p> + +<p>For our own part, we have never been able to decide to our own entire +satisfaction, which excels in the true Heroic style. Pope, in his +translation of the exordium of Homer, we think more than equals Homer +himself:</p> + +<p> +<span style="margin-left: 1em;">'Achilles' wrath, to Greece the direful spring</span><br /> +<span style="margin-left: 1em;">Of woes unnumbered, heavenly goddess, sing!</span><br /> +<span style="margin-left: 1em;">That wrath which hurled to Pluto's dark domain</span><br /> +<span style="margin-left: 1em;">The souls of mighty chiefs in battle slain;</span><br /> +<span style="margin-left: 1em;">Whose limbs, unburied on the fatal shore,</span><br /> +<span style="margin-left: 1em;">Devouring dogs and hungry vultures tore;</span><br /> +<span style="margin-left: 1em;">Since great Achilles and Atrides strove,</span><br /> +<span style="margin-left: 1em;">Such was the sovereign doom and such the will of Jove.'<a name="FNanchor_18_18" id="FNanchor_18_18"></a><a href="#Footnote_18_18" class="fnanchor">[18]</a></span><br /> +</p> + +<p>We opine that Pope, being trammelled with a copy, and consequently his +imagination cramped, displays every attribute of poetic genius fully +equal, if not superior, to that of the beau ideal of the Grecian Muse.</p> + +<p>But Alexander Pope, of England, is not the Pope of English Poetry, a +brother Poet being judge, for Dryden says:</p> + +<p> +<span style="margin-left: 1em;">'Three Poets, in three distant ages born,</span><br /> +<span style="margin-left: 1em;">Greece, Italy, and England did adorn;</span><br /> +<span style="margin-left: 1em;">The first in majesty of thought surpassed,</span><br /> +<span style="margin-left: 1em;">The next in melody—in both the last:</span><br /> +<span style="margin-left: 1em;">The force of Nature could no further go,</span><br /> +<span style="margin-left: 1em;">To make the third she joined the other two.'</span><br /> +</p> + +<p>And who awards not to Milton the richest medal in the Temple of the +Muses! Not, perhaps, for the elegant diction and sublime imagery of his +<span class="smcap">Paradise Lost</span>, but for his grand conceptions of Divinity in all its +attributes, and of humanity in all its conditions, past, present, and +future.</p> + +<p>We Americans have a peculiar respect for Lyric Poetry. We have not time +for the Epic. If anything with us is good, it is superlatively good for +being brief. Short sermons, short prayers, short hymns, and short metre +are peculiarly interesting. We are, too, a miscellaneous people, and we +are peculiarly fond of miscellanies. The age of folios and quartos is +forever past with Young America. Octavos are waning, and more in need of +brushing than of burnishing. But still we must have Poetry—<i>good</i> +Poetry; for we Americans prefer to live rather in the style of good +lyric than in that of grave,<span class='pagenum'><a name="Page_479" id="Page_479">[Pg 479]</a></span> elongated hexameter. Variety, too, is with +us the spice of life. We are not satisfied with grand prairies, rivers, +and cataracts, and even cascades and <i>jet d'eaus</i>!</p> + +<p>Collections of miscellaneous Poetry seem alike due to the Poetic Muse +and to the American people. We love variety. It is, as we have remarked, +the spice of American life; and our country will ever cherish it as +being most in harmony with itself. It is, moreover, more in unison with +the conditions of human nature and human existence. There is, too, as +the wisest of men and the greatest of kings has said, 'a time for every +purpose and for every work.' No volume of Poetry or of Prose can, +therefore, be popular or interesting to such a nation as we are, that +does not adapt itself to the versatile genius of our people, and to the +ever-varying conditions of their lives and fortunes.</p> + +<p>There is, therefore, a propriety in getting up good selections, because +a greater advantage is to be derived from well selected specimens of the +Poetic Muse than from the labors of any one of the great masters of the +Lyre! Who would not rather visit a rich and extensive museum of the +products and arts of civilized life—some well assorted repository of +its scientific or artistic developments, than to traverse a whole state +or kingdom in pursuit of such knowledge of the wisdom, talents, and +contrivances of its population?</p> + +<p>Of all kinds of composition, Poetry is that which gives to the lovers of +it the greatest and most enduring pleasure. Almost every one of them can +heartily respond to the beautiful words of one who was not only a great +Poet, but a profound philosopher—Coleridge—who, speaking of the +delight he had experienced in writing his Poems, says: 'Poetry has been +to me its own exceeding great reward. It has soothed my afflictions; it +has multiplied and refined my enjoyments; it has endeared solitude; and +it has given me the habit of wishing to discover the Good and the +Beautiful in all that meets and surrounds me.'</p> + +<p>In no way can the imagination be more effectually or safely exercised +and improved than by the constant perusal and study of our best Poets. +Poetry appeals to the universal sympathies of mankind. With the +contemplative writers, we can indulge our pensive and thoughtful tastes. +With the describers of natural scenery, we can delight in the beauties +and glories of the external universe. With the great dramatists, we are +able to study all the phases of the human mind, and to take their +fictitious personages as models or beacons for ourselves. With the great +creative Poets, we can go outside of all these, and find ourselves in a +region of pure Imagination, which may be as true to our higher +instincts—perhaps more so—than the shows which surround us.</p> + +<p>If it be as truthfully as it has been happily expressed by the prince of +dramatic Poets, that</p> + +<p> +<span style="margin-left: 1em;">'He who has no music in his soul</span><br /> +<span style="margin-left: 1em;">Is fit for treasons, stratagems, and spoils,'</span><br /> +</p> + +<p>it should be a paramount duty with every one who loves his species, and +cultivates a generous philanthropy, to patronize every effort to diffuse +widely through society, Poetry of genuine character, and to cultivate a +taste for it as an element of a literary, religious, and moral +education. We commend, as a standard of appreciation of the true +character of the gifts of the Poetic Muse, the following critique from +Sheffield, Duke of Buckingham:</p> + +<p> +<span style="margin-left: 1em;">''Tis not a flash of fancy, which sometimes,</span><br /> +<span style="margin-left: 1em;">Dazzling our minds, sets off the slightest rhymes,</span><br /> +<span style="margin-left: 1em;">Bright as a blaze, but in a moment done;</span><br /> +<span style="margin-left: 1em;">True wit is everlasting, like the sun,</span><br /> +<span style="margin-left: 1em;">Which, though sometimes behind a cloud retired,</span><br /> +<span style="margin-left: 1em;">Breaks out again, and is by all admired.</span><br /> +<span style="margin-left: 1em;">Number and rhyme, and that harmonious sound</span><br /> +<span style="margin-left: 1em;">Which not the nicest ear with harshness wound,</span><br /> +<span class='pagenum'><a name="Page_480" id="Page_480">[Pg 480]</a></span><span style="margin-left: 1em;">Are necessary, yet but vulgar arts;</span><br /> +<span style="margin-left: 1em;">And all in rain these superficial parts</span><br /> +<span style="margin-left: 1em;">Contribute to the structure of the whole,</span><br /> +<span style="margin-left: 1em;">Without a genius too—for that's the soul;</span><br /> +<span style="margin-left: 1em;">A spirit which inspires the work throughout,</span><br /> +<span style="margin-left: 1em;">As that of Nature moves the world about;</span><br /> +<span style="margin-left: 1em;">A flame that glows amidst conceptions fit;</span><br /> +<span style="margin-left: 1em;">E'en something of divine, and more than wit;</span><br /> +<span style="margin-left: 1em;">Itself unseen, yet all things by it shown,</span><br /> +<span style="margin-left: 1em;">Describing all men, but described by none.'</span><br /> +</p> + +<p>We neither intend nor desire to institute any invidious comparisons +between Old Britain and Young America. We are one people—one in blood, +one literature, one faith, one religion, in fact or in profession. Our +language girdles the whole earth. Our science and our religion more or +less enlighten every land, as our sails whiten every sea, and our +commerce, in some degree, enriches every people. There is a magnanimity, +a benevolence, a philanthropy, in English Poetry, whether the Muse be +English, Scotch, Irish, or American, that thrills the social nerve and +warms the kindred hearts of all who think, or speak, or dream in our +vernacular. The pen of the gifted Bard is more puissant than the +cannon's thundering roar or the warrior's glittering sword; and the +soft, sweet melodies of English Poetry, gushing from a Christian Muse, +are Heaven's sovereign specifics for a wounded spirit and an aching +heart!</p> + + + + +<hr style="width: 65%;" /> +<h2><a name="PATRIA_SPES_ULTIMA_MUNDI" id="PATRIA_SPES_ULTIMA_MUNDI"></a>PATRIA SPES ULTIMA MUNDI.</h2> + +<h3>FLAG OF OUR UNION.</h3> + +<h4>National Song.</h4> + +<p class="center"><span class="smcap">By Hon. Robert J. Walker</span></p> + +<p class="center"><i>Dedicated to the Union Army and Navy.</i></p> + + +<p> +<span style="margin-left: 1em;">The day our nation's life began,</span><br /> +<span style="margin-left: 1em;">Dawned on the sovereignty of man,</span><br /> +<span style="margin-left: 1em;">His charter then our Fathers signed,</span><br /> +<span style="margin-left: 1em;">Proclaiming Freedom for mankind.</span><br /> +<span style="margin-left: 1em;">May Heaven still guard her glorious sway,</span><br /> +<span style="margin-left: 1em;">Till time with endless years grows gray.</span><br /> +<br /> +<span style="margin-left: 4em;">Flag of our Union! float unfurled,</span><br /> +<span style="margin-left: 4em;">Thy stars shall light a ransomed world.</span><br /> +<br /> +<span style="margin-left: 1em;">Americans, your mighty name,</span><br /> +<span style="margin-left: 1em;">With glory floods the peaks of fame;</span><br /> +<span style="margin-left: 1em;">Ye whom our Washington has led,</span><br /> +<span style="margin-left: 1em;">Men who with Warren nobly bled,</span><br /> +<span style="margin-left: 1em;">Who never quailed on land or sea,</span><br /> +<span style="margin-left: 1em;">Your watchword, <i>Death or Liberty</i>!</span><br /> +<br /> +<span style="margin-left: 4em;">Flag of our Union! float unfurled,</span><br /> +<span class='pagenum'><a name="Page_481" id="Page_481">[Pg 481]</a></span><span style="margin-left: 4em;">Thy stars shall light a ransomed world.</span><br /> +<br /> +<span style="margin-left: 1em;">It was the Union made us free,</span><br /> +<span style="margin-left: 1em;">Its loss, man's second fall would be.</span><br /> +<span style="margin-left: 1em;">States linked in kindred glory save,</span><br /> +<span style="margin-left: 1em;">Till the last despot finds a grave;</span><br /> +<span style="margin-left: 1em;">And angels hasten here to see</span><br /> +<span style="margin-left: 1em;">Man break his chains, the whole earth free!</span><br /> +<br /> +<span style="margin-left: 4em;">Flag of our Union! float unfurled,</span><br /> +<span style="margin-left: 4em;">Thy stars shall light a ransomed world.</span><br /> +<br /> +<span style="margin-left: 1em;">Ye struggling brothers o'er the sea,</span><br /> +<span style="margin-left: 1em;">Who spurn the chain of tyranny,</span><br /> +<span style="margin-left: 1em;">Like brave Columbus westward steer,</span><br /> +<span style="margin-left: 1em;">Our stars of hope will guide you here,</span><br /> +<span style="margin-left: 1em;">Where States still rising bless our land,</span><br /> +<span style="margin-left: 1em;">And freedom strengthens labor's hand.</span><br /> +<br /> +<span style="margin-left: 4em;">Flag of our Union! float unfurled,</span><br /> +<span style="margin-left: 4em;">Thy stars shall light a ransomed world.</span><br /> +<br /> +<span style="margin-left: 1em;">Ye toiling millions, free and brave,</span><br /> +<span style="margin-left: 1em;">Whose shores two mighty oceans lave:</span><br /> +<span style="margin-left: 1em;">Your cultured fields, your marts of trade,</span><br /> +<span style="margin-left: 1em;">Keels by the hand of genius laid,</span><br /> +<span style="margin-left: 1em;">The shuttle's hum, the anvil's ring</span><br /> +<span style="margin-left: 1em;">Echo your voice that God is King.</span><br /> +<br /> +<span style="margin-left: 4em;">Flag of our Union! float unfurled,</span><br /> +<span style="margin-left: 4em;">Thy stars shall light a ransomed world.</span><br /> +<br /> +<span style="margin-left: 1em;">Hail! Union Army, true and brave,</span><br /> +<span style="margin-left: 1em;">And dauntless Navy on the wave.</span><br /> +<span style="margin-left: 1em;">Holy the cause where Freedom leads,</span><br /> +<span style="margin-left: 1em;">Sacred the field where patriot bleeds;</span><br /> +<span style="margin-left: 1em;">Victory shall crown your spotless fame,</span><br /> +<span style="margin-left: 1em;">Nations and ages bless your name.</span><br /> +<br /> +<span style="margin-left: 4em;">Flag of our Union! float unfurled,</span><br /> +<span style="margin-left: 4em;">Thy stars shall light a ransomed world.</span><br /> +<span class='pagenum'><a name="Page_482" id="Page_482">[Pg 482]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="A_FANCY_SKETCH" id="A_FANCY_SKETCH"></a>A FANCY SKETCH.</h2> + + +<p>I am a banker, and I need hardly say I am in comfortable circumstances. +Some of my friends, of whom I have a good many, are pleased to call me +rich, and I shall not take it upon myself to dispute their word. Until I +was twenty-five, I travelled, waltzed, and saw the best foreign society; +from twenty-five to thirty I devoted myself to literature and the art of +dining; I am now entered upon the serious business of life, which +consists in increasing one's estate. At forty I shall marry, and as this +epoch is nine years distant, I trust none of the fair readers of this +journal will trouble themselves to address me notes which I really +cannot answer, and which it would give me pain to throw in the fire.</p> + +<p>Some persons think it beneath a gentleman to write for the magazines or +papers. This is a low and vulgar idea. The great wits of the world have +found their best friends in the journals; there were some who never +learned to write,—who ever hears of them now? I write anonymously of +course, and I amuse myself by listening to the remarks that society +makes upon my productions. Society talks about them a great deal, and I +divide attention with the last novelist, whether an unknown young lady +of the South, or a drumhead writer of romances. People say, 'That was a +brilliant article of so and so's in the last ——, wasn't it?' You will +often hear this remark. I am that gentleman—I wrote that article—it +was brilliant, and, though I say it, I am capable of producing others +fully equal to it.</p> + +<p>Many persons imagine that business disqualifies from the exercise of the +imagination. This is a mistake. Alexander was a business man of the +highest order; so was Cæsar; so was Bonaparte; so was Burr; so am I. To +be sure, none of these distinguished characters wrote poetry; but I take +it, poetry is a low species of writing, quite inferior to prose, and +unworthy one's attention. Look at the splendid qualities of these great +men, particularly in the line in which the imaginative faculties tend. +See how they fascinated the ladies, who it is well known adore a fine +imagination. How well they talked love, the noblest of all subjects—for +a man's idle hours. Then observe the schemes they projected. Conquests, +consolidations, empires, dominion, and to include my own project, a +bullion bank with a ten-acre vault. It appears that a lack of capital +was at the bottom of all their plans. Alexander confessed that he was +bankrupt for lack of more worlds, and is reputed to have shed tears over +his failure, which might have been expected from a modern dry-goods +jobber, but not from Alexander. Cæsar and Bonaparte failed for the want +of men: they do not seem to have been aware of the existence of Rhode +Island. I think Burr failed for the lack of impudence—he had more than +all the rest of the world together, but he needed much more than that to +push his projects ahead of his times. As for myself, when I have doubled +my capital, I shall found my bullion bank in the face of all opposition. +The ten-acre lot at the corner of Broadway and Wall street is already +selected and paid for, and I shall excavate as soon as the present crop +is off.</p> + +<p>There is no question that the occupation of banking conduces to literary +pursuits. When I take interest out of my fellow beings, I naturally take +interest in them, and so fall to writing about them. I have in my +portfolio sketches of all the leading merchants of the age, romantically +wrought, and<span class='pagenum'><a name="Page_483" id="Page_483">[Pg 483]</a></span> full of details of their private lives, hopes, fears, and +pleasures. These men that go up town every day have had, and still have, +little fanciful excursions that are quite amusing when an observer of my +talent notes them down. I know all about old Boscobello, the Spanish +merchant, of the house of Boscobello, Bolaso & Co. My romance of his +life from twenty to forty fills three volumes, and is as exciting as the +diaries of those amusing French people whom Bossuet preached to with +such small effect. Boscobello has sobered since forty, and begs for +loans as an old business man ought to. I think he sees the error of his +ways, and is anxious to repair his fortunes to the old point, but it is +easier to spend a million than to make it. My cashier reports his +account overdrawn the other day, and not made good till late next +afternoon. This is a sign of failing circumstances, and must be attended +to.</p> + +<p>When Boscobello comes in about half past two of an afternoon for the +usual loan of a hundred dollars to enable him to go on, I amuse myself +by talking to him while I look over his securities. He has two or three +loans to pay up before three o'clock, in different parts of the town, +and we cannot blame him for being in a hurry, but this is no concern of +mine. If he <i>will</i> get into a tight place, one may surely take one's +time at helping him out: and really it does require some little time to +investigate the class of securities he brings, and which are +astonishingly varied. For instance, he brought me to-day as collateral +to an accommodation, a deed to a South Brooklyn block, title clouded; a +Mackerelville second mortgage; ten shares of coal-oil stock; an +undivided quarter right in a guano island, and the note of a President +of the Unterrified Insurance Company. 'How much was the cartage, Bos?' +said I, for you see my great mind descends to the smallest particulars, +and I was benevolent enough to wish to deduct his expenses from the +bonus I was about to charge him for the loan. 'Never mind the cartage,' +said he, 'that's a very strong list, and will command the money any day +in Wall street, but I have a particular reason for getting it of you.' +'The particular reason being,' said I, 'that you can't get it anywhere +else. Jennings,' I continued to my cashier, 'give Mr. Boscobello +ninety-five dollars Norfolk or Richmond due-bills, and take his check +payable in current funds next Saturday for a hundred.'</p> + +<p>Poor old Boscobello! A man at forty ought not to look old, but Bos had +often seen the sun rise before he went to bed, and he <i>had</i> been gay, so +all my aunts said. Some stories Bos has told me himself, o' nights at my +house, after having in vain endeavored to induce me to take shares in +the guano island, or 'go into' South Brooklyn water lots. 'I'm too old +for that sort of a thing, Bos,' I say; 'it's quite natural for you to +ask me, and I don't blame you for trying it on, but you must find some +younger man. Tell me about that little affair with the mysterious Cuban +lady; when you only weighed a hundred and forty pounds, and never went +out without a thousand dollars in your pocket—in the blooming days of +youth, Bos, when you went plucking purple pansies along the shore.'</p> + +<p>Boscobello weighs over two hundred now, and would have a rush of blood +to the head if he were to stoop to pluck pansies. Mysterious Cuban +ladies, in fact ladies of any description, would pass him by as a +middle-aged person of a somewhat distressed appearance, and the dreams +of his youth are quite dreamed out. Nevertheless, when he warms with my +white Hermitage, the colors of his old life come richly out into sight, +and the romantic adventures of wealth and high spirits overpower, though +in the tame measures of recital, all the adverse influences of the +present hour. But as the evening wanes, the colors fade<span class='pagenum'><a name="Page_484" id="Page_484">[Pg 484]</a></span> again; his +voice assumes a dreary tone; and I once more feel that I am with a man +who has outlived himself, and who, having never learned where the late +roses blow, is now too old to learn.</p> + +<p>The reader will perceive I am sorry for Boscobello. If I am remarkable +for anything, it is for my humanity, consideration, and sympathy.</p> + +<p>These qualities of my constitution lead me to enter into the affairs of +my clients with feeling and sincerity, but I fear I am sometimes +misunderstood. Not long ago I issued an order to my junior partners to +exercise more compassion for those unfortunate men with whom we decline +business, and not to tumble them down the front steps so roughly. Let +six of the porters attend with trestles, I said, and carry them out +carefully, and dump them with discretion in some quiet corner, where, as +soon as they recover their faculties, they may get up and walk away. I +put it to the reader if this was not a very humane idea, and yet there +are those who have stigmatized it as heartless.</p> + +<p>I wish I was better acquainted with the way in which common people live. +I can see how I have made mistakes in consequence of not understanding +the restricted means and the exigencies of these people, who are styled +respectable merchants. Thus when Boscobello has made some more than +ordinarily piteous application, I have said, 'Boscobello, dismiss about +fifty of your servants;' or, 'Boscobello, sell a railroad and put the +money back again into your business;' or, 'Boscobello, my good friend, +limit your table, say, to turtle soup, champagne, and truffles; live +more plainly, and don't take above ten quarts of strawberries a day +during the winter,—the lower servants don't really need them;' or, +'Boscobello, if you are really short, send around a hundred or so of +your fast trotters to my stables, and I'll pay you a long figure for +them, if they are warranted under two minutes.' Boscobello has never +made any very definite replies to such advice, and I have attributed his +silence to his nervousness; but I begin to suspect he has'nt quite +understood me on such occasions. Then again, when Twigsmith declared he +was a ruined man, in consequence of my refusal of further advances, and +that he should be unable to provide for his family, I said: 'Why, +Twigsmith, retire to one of your country seats, and live on the interest +of some canal or other, or discount bonds and mortgages for the country +banks.' Actually, I heard Twigsmith mutter as he went out, that it +wasn't right to insult a man's poverty. Now I hadn't the remotest idea +of injuring Twigsmith's feelings, for he was a very clever fellow, and +we made a good thing out of him in his time, but it seems that my advice +might not have been properly grounded.</p> + +<p>It begins to occur to me that there <i>may</i> be such a case as that a man +may want something, and not be able to get it; and again, that at such a +time a weak mind may complain, and grow discouraged, and make itself +disagreeable to others.</p> + +<p>There is a set of old fellows who call themselves family men, and apply +for discounts as if they had a right to them, by reason of their having +families to provide for. I have never yet been able to see the logical +sequence of their conclusions, and so I tell them. What right does it +give anybody to my money that he has a wife, six children, and lives in +a large house with three nursery-maids, a cook, and a boy to clean the +knives? 'Limit your expenses,' I say to these respectable gentlemen, 'do +as I do. When Jennings comes to me on Monday morning, and reports that +the receipts of the week will be eighty millions, exclusive of the +Labrador coupons, which, if paid, will be eighty millions more, I say, +'Jennings, discount seventy, and don't encroach upon the reserves; you +may however let Boscobello have ten on call.' This is true philosophy; +adapt your outlay to<span class='pagenum'><a name="Page_485" id="Page_485">[Pg 485]</a></span> your income, and you will never be in trouble, or +go begging for loans. If the Bank of England had always managed in this +way, they wouldn't have been obliged to call on our house for assistance +during the Irish famine.'</p> + +<p>These family men invite me to their wives' parties, constantly, +unremittingly. The billets sometimes reach my desk, although I have +given orders to put them all into the waste basket unopened. I went to +one of these parties, only one, I give you my honor as a gentleman, and +after Twigsmith and his horrid wife had almost wrung my hand off, I was +presented to a young female, to whom Nature had been tolerably kind, but +who was most shamefully dressed. In fact her dress couldn't have cost +over a thousand dollars—one of my chambermaids going to a Teutonia ball +is better got up. This young person asked me 'how I liked the Germania?' +Taking it for granted that such a badly dressed young woman must be a +school teacher, with perhaps classical tastes, I replied that it was one +of the most pleasing compositions of Tacitus, and that I occasionally +read it of a morning. 'Oh, it's not very taciturn,' she replied; 'I mean +the band.' 'Very true,' said I, 'he says <i>agmen</i>, which you translate +band very happily, though I might possibly say 'body' in a familiar +reading.' 'Oh dear,' she replied, blushing, 'I'm sure I don't know what +kind of men they are, nor anything about their bodies, but they +certainly seem very respectable, and they play elegantly; oh, don't you +think so?' 'I am glad you are pleased so easily,' I answered; 'Tacitus +describes their performances as indeed fearful, and calculated to strike +horror into the hearts of their enemies. But,' continued I, endeavoring +to make my retreat, for I began to think I was in company with an inmate +of a private lunatic hospital, 'they were devoted to the ladies.' +'Indeed they are,' said she,'and the harpist is <i>so</i> gallant, and gets +so many nice bouquets.' It then flashed across my mind that she meant +the Germania musicians. 'They might do passably well, madame,' said I, +'for a quadrille party at a country inn, but for a dress ball or a +dinner you would need three of them rolled into one.' 'Oh, you gentlemen +are so hard to please,' she replied; and catching sight of the +Koh-i-noor on my little finger, she began to smile so sweetly that I +fled at once.</p> + +<p>It was at that party that I perspired. I had heard doctors talk about +perspiration, and I had seen waiters at a dinner with little drops on +their faces, but I supposed it was the effect of a spatter, or that some +champagne had flown into their eyes, or something of that sort. But at +this party I happened to pass a mirror, and did it the honor to look +into it. I saw there the best dressed man in America, but his face was +flushed, and there were drops on it. This is fearful, thought I; I took +my <i>mouchoir</i> and gently removed them. They dampened the delicate +fabric, and I shook with agitation. The large doors were open, and after +a struggle of an hour and three quarters, I reached them, and promising +the hostess to send my <i>valet</i> in the morning to make my respects, which +the present exigency would not allow me to stay to accomplish, I was +rapidly whirled homeward. I can hardly pen the details, but on the +removal of my linen, it was found—can I go on?—tumbled, and here and +there the snowy lawn confessed a small damp spot, or fleck of moisture. +Remorse and terror seized me. Medical attendance was called, and I +passed the night in a bath of attar of roses delicately medicated with +<i>aqua pura</i>. Of course, I have never again appeared at a party.</p> + +<p>People haven't right ideas of entertainment. What entertainment is it to +stand all the evening in a set of sixteen-by-twenty parlors, jammed in +among all sorts of strange persons, and stranger perfumes, deafened with +a hubbub of senseless talk, and finally be led down to feed at a long +table where<span class='pagenum'><a name="Page_486" id="Page_486">[Pg 486]</a></span> the sherry is hot, and the partridges are cold? Very +probably some boy or other across the table lets off a champagne cork +into your eyes, and the fattest men in the room <i>will</i> tread on your +toes. One might describe such scenes of torture at length, but the +recital of human follies and miseries is not agreeable to my +sensibilities.</p> + +<p>I dare say the reader might find himself gratified at one of my little +fètes. The editors of this journal attend them regularly, and have done +me the honor to approve of them. You enter on Twelfth avenue; a modest +door just off Nine-and-a-half street opens quietly, and you are ushered +by a polite gentleman—one of our city bank presidents, who takes this +means to increase his income—into an attiring room. Here you are +dressed by the most accomplished Schneider of the age, in your own +selections from an unequalled <i>repertoire</i> of sartorial <i>chef d'ouvres</i>, +and your old clothes are sent home in an omnibus.</p> + +<p>I might delight you with a description of the ball room, but the editors +have requested me to the contrary. Some secrets of gorgeous splendor +there are which are wisely concealed from the general gaze. But a floor +three hundred feet square, and walls as high as the mast of an East +Boston clipper, confer ample room for motion; and the unequalled +atmosphere of the saloon is perhaps unnecessarily refreshed by fountains +of rarest distilled waters. This is also my picture gallery, where all +mythology is exhausted by the great painters of the antique; and modern +art is thoroughly illustrated by the famous landscapes of both +hemispheres. The luxuriant fancy of my favorite artist has suggested +unique collocations of aquaria and mossy grottoes in the angles of the +apartment, where the vegetable wealth of the tropics rises in perfect +bounty and lawless exuberance, and fishes of every hue and shape flash +to and fro among the tangled roots, in the light of a thousand lamps. In +the centre, I have caused the seats of the orchestra to be hidden at the +summit of a picturesque group of rocks, profusely hung with vegetation, +and gemmed with a hundred tiny fountains that trickle in bright beads +and diamonds into the reservoir at the base. From this eminence, the +melody of sixty unequalled performers pervades the saloon, justly +diffused, and on all sides the same; unlike the crude arrangements of +most modern orchestras, where at one end of the room you are deluged +with music, and at the other extremity you distinguish the notes with +pain or difficulty. The ceiling, by a rare combination of mechanical +ingenuity and artistic inspiration, displays, so as to quite deceive the +senses, the heavens with all their stars moving in just and harmonious +order. Here on summer nights you see Lyra and Altair triumphantly +blazing in the middle sky as they sweep their mighty arch through the +ample zenith; and low in the south, the Scorpion crawls along the verge +with the red Antares at his heart, and the bright arrows of the Archer +forever pursuing him. Here in winter, gazing up through the warm and +perfumed air, you behold those bright orbs that immemorially suggest the +icy blasts of January: Aldebaran; the mighty suns of Orion; diamond-like +Capella; and the clear eyes of the Gemini. Under such influences, with +the breath of the tropics in your nostrils, and your heart stirred by +the rich melodies of the invisible orchestra, waltzing becomes a sublime +passion, in which all your faculties dilate to utmost expansion, and you +float out into happy forgetfulness of time and destiny.</p> + +<p>Rarely at these fêtes do we dance to other measures than those of the +waltz, though at times we find a relief from the luxuriance of that +divine rhythm in the cooler cadences of the Schottish. By universal +consent and instinct, we banish the quadrille, stiff and artificial; the +polka, inelegant and essentially vulgar; and the various hybrid +measures<span class='pagenum'><a name="Page_487" id="Page_487">[Pg 487]</a></span> with which the low ingenuity of professors has filled society. +But we move like gods and goddesses to the sadly joyful strains of +Strauss and Weber and Beethoven and Mozart, and the mighty art of these +great masters fills and re-creates all our existence.</p> + +<p>Sometimes in these divine hours, thrilled by the touch of a companion +whose heart beats against and consonantly with mine, I catch glimpses of +the possibilities of a free life of the spirit when it shall be released +from earth and gravitation, and I conjecture the breadth of a future +existence. This will only seem irrational to such as have squeezed out +their souls flat between the hard edges of dollars, or have buried them +among theologic texts which they are too self-wise to understand. +History and the experience of the young are with me.</p> + +<p>From twelve to four you sup, when, and as, and where, you will. A +succession of little rooms lie open around an atrium, all different as +to size and ornament, yet none too large for a single couple, and none +too small for the reunion of six. What charming accidents of company and +conversation sometimes occur in these Lucullian boudoirs! You pass and +repass, come and go, at your own pleasure. Waltzing, and Burgundy, and +Love, and Woodcock are here combined into a dramatic poem, in which we +are all star performers, and sure of applause. These hours cannot last +forever, and the first daybeams that tell of morning, are accompanied by +those vague feelings of languor that hint to us that we are mortal. Then +we pause, and separate before these faint hints of our imperfection +deepen into distasteful monitions, and before our fulness of enjoyment +degenerates into satiety. Antiquity has conferred an immortal blessing +upon us in bequeathing to us that golden legend, <span class="smcap">Ne quid nimis</span>;<a name="FNanchor_19_19" id="FNanchor_19_19"></a><a href="#Footnote_19_19" class="fnanchor">[19]</a> a +legend better than all the teachings of Galen, or than all the dialogues +of Socrates. For in these brief words are compressed the experiences of +the best lives, and Alcibiades and Zeno might equally profit by them. +They contain the priceless secret of happiness; and do you, reader, +wisely digest them till we meet again.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="THE_SOLDIER" id="THE_SOLDIER"></a>THE SOLDIER.</h2> + +<h4>[BURNS.]</h4> + + +<p> +<span style="margin-left: 1em;">For gold the merchant ploughs the main,</span><br /> +<span style="margin-left: 2em;">The farmer ploughs the manor;</span><br /> +<span style="margin-left: 1em;">But glory is the soldier's pride,</span><br /> +<span style="margin-left: 2em;">The soldier's wealth is honor.</span><br /> +<span style="margin-left: 1em;">The brave, poor soldier ne'er despise,</span><br /> +<span style="margin-left: 2em;">Nor count him as a stranger;</span><br /> +<span style="margin-left: 1em;">Remember he's his country's stay</span><br /> +<span style="margin-left: 2em;">In day and hour of danger!</span><br /> +<span class='pagenum'><a name="Page_488" id="Page_488">[Pg 488]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="OUR_PRESENT_POSITION_ITS_DANGERS_AND_ITS_DUTIES" id="OUR_PRESENT_POSITION_ITS_DANGERS_AND_ITS_DUTIES"></a>OUR PRESENT POSITION: ITS DANGERS AND ITS DUTIES.</h2> + +<h4>ADDRESSED TO THE PEOPLE OF ALL POLITICAL PARTIES.</h4> + + +<p>When Daniel Webster replied to Senator Hayne, of South Carolina, during +the exciting debate on the right of secession, he commenced his +ever-memorable speech with these words:</p> + +<div class="blockquot"><p>'When the mariner has been tossed for many days in thick weather +and on an unknown sea, he naturally avails himself of the first +pause in the storm—the earliest glance of the sun—to take his +latitude, and ascertain how far the elements have driven him from +his true course. Let us imitate this prudence before we float +farther, that we may at least be able to conjecture where we now +are.'</p></div> + +<p>No words are fitter for our ears at this tumultuous period than are +these, when the passions of our countrymen, North and South, are excited +with the bitterest animosity, and when the discordant cries of party +faction at the North are threatening a desolation worse than that of +contending armies. In considering, then, our condition, it behooves us +first, to 'take our latitude, and ascertain where we now are,'—not as a +section or a party, but as a nation and a people. Let us avail ourselves +of that distant and dim glimmer in the heavens which even now is looked +upon by the sanguine as the promise of peace, and in its light survey +our dangers and nerve ourselves to our duties. We behold, then, a +people, bound together by the ties of a common interest, namely, +national prosperity and renown, and in possession of a land more favored +by natural elements of advantage than any other on the face of the +globe. We see them standing up in the ranks of hostile resistance each +to each, the one great and glorious army fighting for the restoration of +a nation once the envy of the world; the other great and glorious army +equally ardent and valorous in behalf of a separation of that territory +in which they are taught to believe we cannot hold together in peace and +amity. Both armies and people are evincing in their very warfare the +elements of character which heretofore distinguished us as a nation, and +are employing the very means for each other's destruction which were of +late the principles of action which rendered us in the highest degree a +nation worthy of respect at home and admiration abroad. It is not the +purpose of this paper to go back to causes or to relate the subsequent +events which have placed us where we are. These causes and events are +well known to us and to the world. But here we now stand, with this +fratricidal war increased to the most alarming proportions, and with, +results but partially developed. Here we of the North stand, with a +still invincible army, loyal to the cause nearest to the heart of every +patriot, and confident in the ability to withstand and overcome the +machinations of the enemy. Here, too, we—ay, <i>we</i> of the South stand, +bound together in a common aim, an ardent hope, and a proclaimed and +omnipotent impulse to action. <i>This is the only proper view to take of +the case</i>—to regard our opponents as we regard ourselves, and to give +due credit where credit is due for valor, for motives, and for +principles of action. The North believes itself to be engaged in a +strife forced upon it by blinded prejudice and evil passion, and fights +for that which, if not worthy of fighting, ay, and dying for, is unfit +to live for, namely, national integrity. The South claims, little as we +can understand it, the same ground for rising against the land they had +sworn to protect, and whose fathers died with our fathers to create. We<span class='pagenum'><a name="Page_489" id="Page_489">[Pg 489]</a></span> +at the North would have been pusillanimous and weak indeed had we +silently submitted to that which is in our view against every principle +of national right and renown. To have acted otherwise would have been to +bring down upon our heads the scorn and contempt of our enemies and of +every foreign power, from the strongest oligarchy to the most benevolent +form of monarchical government. Hence it is that while certain foreign +powers have not failed to improve the opportunity of our weakness, as a +divided nation, to insult and sneer, to preach peace with dishonor, and +advocate separation, which they know to be but another word for +humiliation, yet have they not failed to see and been forced to confess +that, divided as we are, we have shown inherent greatness and power, +<i>which, united, would be a degree of national superiority which might +well defy the world</i>. Nothing is more striking at this moment than this +great fact, and no topic is more worthy of the serious consideration of +our countrymen, North and South, than this. No time is fitter than now +to suggest the subject, and to see in it matter which is pregnant with +hopes for our future. If nothing but this great truth had been developed +by the war—this truth, bold, naked, defiant as it is, <i>is worth the +war</i>—worth all its cost of noble lives, of sacred blood, of yet +uncounted treasure. We stand before the world this day divided by the +fearful conflict, with malignant hate lighting the fires of either camp, +and with hands reeking in fraternal blood—with both sections of our +land more or less afflicted—with credit impaired, with the scoff and +jeers of nations ringing in our ears—we stand losers of almost every +thing but our individual self-respect, which has inspired both foes with +the ardor and courage born within us as Americans. This it is that +leaves us unshorn of our strength; this it is that enables us in this +very day of trial and adversity to present to the world the undeniable +fact that we have within us—not as Northerners, not as Southerners, +<i>but as Americans</i>—the elements of innate will and physical power, +which makes the scale of valor hang almost with an even beam, and +foretells us, with words which we cannot but hear—and which would to +God we might heed!—that, united, we can rear up on this beautiful and +bountiful land a temple of political, social, and commercial prosperity, +more glorious than that which entered into the dreams and aspirations of +the fathers who founded it.</p> + +<p>Alas! that the contemplation of so worthy a theme is marred by the 'ifs' +and 'buts' of controversial strife. Alas! that we cannot depress the +sectional opposing interests which are but secondary to a condition of +political consolidation, and elevate above these distracting and +isolated evils, the great and eternal principle, Strength as it alone +exists in Unity. Alas! that with the beam of suicidal measures we blind +the eye political, because, forsooth, the motes of individual or local +injuries afflict, as they afflict <i>all</i> human forms of government.</p> + +<p>The great evil, North and South, before the war, during the war, and +now, is the want of political charity—that charity which, like its +moral prototype, 'suffereth long and is kind.' We the people, North and +South, have been and are unwilling to grant to the other people and +States the right to think, speak, and urge their own opinions—the very +right which each insists upon claiming for itself. It has been held +'dangerous' to discuss questions which, though in one sense pertaining +only to particular States, nevertheless bear upon the whole country. It +has been considered 'heresy' to urge with rhetoric and declamation, even +in our halls of Congress, certain principles for and against Slavery, +for example, lest mischief result from the agitation of those topics. +But in such remonstrance we have forgotten that the very principle of +democratic institutions involves<span class='pagenum'><a name="Page_490" id="Page_490">[Pg 490]</a></span> the right of all men to think and act, +under the law, as each pleases. We have also forgotten that any subject +which will not bear discussion and political consideration must be +dangerous <i>in itself</i>, and pregnant with weakness, if not evil. There is +no harm in discussing questions upon which hang vital principles; for if +there exists on the one side strength and justice, all arguments on the +other side can do it no injury. With regard to Slavery, one of the +'causes' or 'occasions' of this unhappy war, it may be said that the +North owes much to the South which it has never paid, in a true and +kindly appreciation of the difficulties which have ever surrounded the +institutions of the latter. But let us not forget that one reason why +this debt has not been paid is because the South owes the North its +value received, by not being willing to admit in the other's behalf the +motives which underlay the efforts which have been made by the earnest, +or so-called 'radical' men, who have opposed the institution of slavery. +Pure misunderstanding of motive, pure lack of political as well as moral +charity, has been wanting between the men of the North who opposed, and +the men of the South who maintained the extension of slavery. Had each +understood the other better, it is probable that the character of each +would have assumed the following proportions: The slaveholder of the +South, inheriting from generations back a system of servitude which even +ancient history supported and defended, and which he in his inmost heart +believes to be beneficial to the slave not less than the master, regards +himself as violating no law of God or man in receiving from this +inferior race or grade of men the labor of their hands, and the right to +their control, while they draw from him the necessary physical support +and protection which it is in his belief his bounden duty to give. The +planter, a gentleman educated and a Christian, with the fear of God +before his eyes, believes this—the belief was born in him and dies in +him, and he is conscientiously faithful in carrying out the principles +of his faith. I speak now of no exceptional, but of general cases, +instancing only the representative of the highest class of Southern men. +Is it to be wondered at that such a man, looking from <i>his</i> point of +vision, should regard with suspicion and distrust the efforts of those +who sought to abolish even by gradual means the apparent sources of his +prosperity? Is it remarkable that he should regard as his enemy the man +who preaches against and denounces as criminal the very system in which +he trusts his social and political safety? He will not regard that +apparent enemy what at heart and soul he really is, namely, a man as +pure and devout, as well meaning and conscientious as himself. The man +whom he scoffs at as a 'radical,' an 'abolitionist,' and a 'fanatic,' by +education and intuition believes in his very soul that the holding of +men in bondage, forcing from them involuntary labor, and the +consequences thereof, are pregnant with moral and political ruin and +decay. The system, not the men, is offensive to his eyes. Is he to blame +for this opinion, provided it be well founded in his mind? Admit it +eroneous in logic, still, if he believes it, is he to be condemned for +holding the belief, and would he not be contemptible in his own eyes if +he feared to express the moral convictions of his soul? The error of +both has been that both are uncharitable—both unwilling to allow the +right of opinion and freedom of debate on what both, as American +citizens, hold to be vital principles, dependent upon constitutional +provisions; the one claiming Slavery as the 'corner stone of political +freedom,' the other as the stumbling block in the way of its +advancement. This unwillingness to appreciate the motives of opposing +minds led at last one section of our beloved country to an unwillingness +to recognize the right of election, and,<span class='pagenum'><a name="Page_491" id="Page_491">[Pg 491]</a></span> worse than all, an +unwillingness to abide by the results of that election. When that +principle—submission to the will of the majority—was overthrown, then, +indeed, did the pillars of our national temple tremble, and the seat of +our national power rock in its foundation.</p> + +<p>And now a word in connection with this same principle of submission, as +applicable to the people of the North in our present emergency. In +accordance with the plan adopted by the founders of our Government, and +practically illustrated in the election of George Washington and his +successors, the people by a plurality of votes elected to office and +placed at the head of our political system as its highest authority and +ruler, the present Chief Magistrate. From the day of his acknowledged +election, party politics settled into the calm of acquiescence, and all +loyal and true States and men bowed to the arbitrament of the ballot +box. That man, Abraham Lincoln, instantly became invested with the +potential right of rule under the Constitution, and the great principle +of constitutional liberty in his election and elevation stood justified. +It mattered not then, nor matters it now, to us, what may be individual +opinion of his merits or demerits, his ability or his disability. There +he is, not as a private citizen, but as the head of our Government: his +individuality is lost in his official embodiment. This principle being +acknowledged, and party opinion being buried, in theory at least, at the +foot of the altar of the Government <i>de facto</i>, whence is it that at +this time creeps into our council chambers, our political cliques, our +social haunts, our market places, ay, our most sacred tabernacles—a +spirit adverse to the principles for which we are fighting, laboring +for, and dying for? Let us—a people anxious for peace on honorable +grounds, anxious for a Union which no rash hand shall ever again attempt +to destroy—look, with a moment's calm reflection, at this alarming +evil.</p> + +<p>It is very evident to most men that, in spite of temporary defeats and +an unexpected prolongation of the war, the loyal States hold +unquestionably the preponderance of power. Nothing but armed +intervention from abroad can now affect even temporarily this +preponderance. As events and purposes are seen more clearly through the +smoke of the battle fields by the ever-watchful eyes of Europe, armed +intervention becomes less and less a matter of probability. The hopes of +an honorable peace, therefore, hang upon the increase and continuance of +this military preponderance. With the spirit of determination evinced by +both combatants, the unflinching valor of both armies, and with the +unquestioned resources and ability to hold out of the North, it appears +evident that the strife for mastery will in time terminate in favor of +the loyal States. There is but one undermining influence which can +defeat this end, and still further prolong the war, or, what is worse, +plunge the North into the irretrievable disaster of internal +conflict—and that undermining influence is <i>dissension among +ourselves</i>. Such a consummation would bring joy to the hearts of our +enemies and lend them the first ray of real hope that ultimate +separation will be their purchased peace. We will not here draw a +picture of that fallacious peace, that suicidal gap, whose festering +political sore would breed misery and ruin, not only for ourselves, but +for our posterity, for ages to come. But let us be warned in time. Even +now the insidious movement of dissension is hailed with satisfaction and +delight in the council meetings at Richmond, and no effort will be +spared to aid its devastating progress. False rumors will be raised on +the slightest and most insignificant grounds. Trivial mistakes and +blunders in the cabinet and the field will be magnified; facts +distorted, and the flame be blown<span class='pagenum'><a name="Page_492" id="Page_492">[Pg 492]</a></span> by corrupting influences abroad and +at home, in the hopes—let them be vain hopes—that we the people will +be diverted from the great cause we have most at heart into side issues +and sectional distrust. And why? Because more powerful than serried +hosts and open warfare is the poison of sedition and conspiracy that is +thrown into the cup of domestic peace and confidence—more fatal than +the ravages of the battle field is that of the worm that creeps slowly +and surely—weakening, as it works, the foundations of the edifice in +which we dwell unsuspicious of evil. Is it astonishing that they, the +enemies of our common weal, should rejoice in these signs of incipient +weakness, or fail to resort to any expedient whereby our strength as a +united and loyal people can be made less? Have they not shown themselves +capable and ready to avail themselves of every weakness in our counsels +and in the field? Would not we do the same did we perceive distrust and +dissatisfaction presenting through the mailed armor of our opponents a +vulnerable point for attack? Then blame them not with muttered +imprecations, but look—ay, look to ourselves. The shape of this +undermining influence is political dissension at a period when the name +of 'party' ought to be obliterated from the people's creed. Let opinion +on measures and men have full and unrestricted sway, so far as these +opinions may silently work under the banner of the one great cause of +self-preservation; but let them not interfere with the prosecution of +the efforts of the Government, whether State or national, to prosecute +this holy and patriotic war in defence of the principles which created +and are to keep us a united nation. Let us not tempt the strength of the +ice that covers the waters of political and partisan problems, while we +have enough to do to protect and cover the solid ground already in our +possession. The President of the United States, be he who or what he +may—think he how or what he will, enact he what he chooses—is, let us +remember, the corner stone of our political liberty. The Constitution is +a piece of parchment—sacred and to be revered—but it is, in its +outward presentment, material and inactive. The <i>spirit</i> of the +Constitution is intangible and ideal, its interpretation alone is its +vitality. We the people—through equally material morsels of paper +entitled votes—raise the spirit of the Constitution by placing in the +halls of Congress the interpreters of that Constitution, over whom and +above all sits the Chief Magistrate, who, once endowed by us with power, +retains and sways it until another, by the same process, carries out at +our will the same eventualities. Our part as electors and adjudicators +is done, and it ill becomes us to weaken or hold up to the ridicule of +the world the power therein invested, by questions as to the President's +'right' or 'power' or 'ability' to enact this measure or that.</p> + +<p>Away then with the unseemly cry of 'the Constitution as it is,' 'the +Union at it was,' the 'expediency' or 'non-expediency' of employing the +war power, the interference or the non-interference of the man and the +men established by us to represent us with the military leaders, the +finances, or the thousand and one implements of administration, <i>which +they are bound to employ</i>, not as we, but as they, holding our powers of +attorney for a specified and legalized period, in their human wisdom +deem best for the common good of the land. Let us have faith in the +motives and intentions of our political administration, or if we have +lost our faith, let us submit—patiently and with accord. Above all, at +a period like this, when the minds of the best men and the truest are +oppressed with a sense of the injustice with which a portion of our +countrymen regard us, it most behooves us to keep our social and +political ranks closed and in order, subject to the will of that +commander, disobedience to which is infamy and<span class='pagenum'><a name="Page_493" id="Page_493">[Pg 493]</a></span> ruin. No matter with +what diversity of tongues and opinions we pursue our individual +avocations and aims, we are all pilgrims pressing forward like the +followers of Mohammed to the Kêbla stone of <i>our</i> faith—Peace founded +on Union.</p> + +<p>What if a party clique utters sentiments adverse to our own on the never +ceasing topic of political policy? Is it not the expression of a mind or +a hundred minds forming a portion of the great body politic, of which we +ourselves are a part, and are they not entitled to their opinion and +modes of expressing it, providing it be done with decorum and with a +proper respect for the opinions of their adversaries? Why then do we or +they employ, through the press and in rhetorical bombast, opprobrious +epithets, fit only for the pot-house or the shambles? Shall we men and +citizens, each of us a pillar upholding the crowning dome of our +nationality, be taught, like vexed and querulous children, the impotence +of personal abuse? Why seek to lay upon the head of this Cabinet officer +or that, this Senator or that, the responsibility of temporary military +defeats, when we are no more able to command and prevent reverses than +are they? Or if in our superior wisdom we deem ourselves to be the +better able to direct and administer, why do we forget that others among +us, inspired by the same love of country, and equally ardent for its +safety and advancement, hold exactly contrary opinions? It is not a +matter of opinion—it is not a matter for interference, it is simply and +only a matter for untiring unflinching confidence and support. We have +done our duty as a people, and elected our Administration—let us, in +the name of all that is sublime and fundamental in republican +principles, support and not perplex them in the hard and complex problem +which they are appointed to solve. These are principles, which, however +trite, need to be kept before us and practically sustained at a period +when, as is often the case in long and tedious wars, the dispiriting +influence of delays and occasional defeats work erroneous conclusions in +the minds of the people, leading to unjust accusations against the men +in power, and an unwillingness to frankly acknowledge that the evil too +often originated where the result most immediately occurred. In other +words, our armies have often suffered simply and for no other reason +than that they were outgeneralled on the field of battle, or overpowered +by military causes for which no one is to blame—least of all, the +President or his advisers.</p> + +<p>And here let one word be said against the arguments of those +well-meaning and patriotic men who attempt to prove that certain acts of +the Government have been injudicious and unwise—such, for example, as +the suspension of the habeas corpus, the alleged illegal arrests, and +the emancipation policy. It is not the purpose of this paper to enter +into additional argument to sustain this opinion or to disprove it. But +in justice to the Government—simply because it is a Government—let it +not be forgotten that when events heretofore unforeseen and unprepared +for are throwing our vast nation into incalculable confusion, and when +it becomes absolutely imperative that the head of the Government must +act decisively and according to the promptness of his honest judgment, +and when we know equally well that that judgment, be it what it may, +cannot accord with the various and diverse opinions of <i>all</i> men, then +it behooves his countrymen, if not to acquiesce in, to support whatever +that honest judgment may decide to be best for the emergency. No doubt, +errors have been made, but they are errors inconceivably less in their +results than would be the unpardonable sin of the people, should they, +because differing in opinion, weaken the hands and confuse the purposes +of the powers that be. With secret and treacherous foes in our very +midst, hidden behind the masks of a painted loyalty, the Presi<span class='pagenum'><a name="Page_494" id="Page_494">[Pg 494]</a></span>dent, +after deep and earnest consultation and reflection, deemed it his duty +to authorize arrests under circumstances which he solemnly believed were +the best adapted to arrest the evil, though, by so doing, many good and +innocent men might temporarily suffer with the bad. So too with regard +to the proclamation of freedom—be the step wise or unwise, and there is +by no means a unity of sentiment on this head—the President conceived +it to be the duty of his office—a duty which never entered into his +plans or intentions until the war had increased to gigantic and +threatening proportions—to level a blow at what he and millions of his +countrymen believe to be the stronghold of the enemy, viz., that system +of human servitude which nourished the body politic and social now +standing in armed and fearful resistance to the Constitution and the +laws. It matters not, so far as opinion goes, whether the step was wise +or foolish, if the executive head deemed it wise. Nor was it a hasty or +spasmodic movement on his part. Months were devoted to its +consideration, and every argument was patiently and candidly listened to +from all the representatives of political theory for and against. Even +then no hasty step was taken; but, on the contrary, our deluded +countrymen in arms against us were forewarned, and earnestly, +respectfully advised and entreated to take that step in behalf of Union +and peace, which would leave their institution as it had existed. Nay, +more: terms whereby no personal inconvenience or pecuniary loss to them +would be involved if they would but be simply loyal to the Government, +were liberally offered them, with three months for their consideration. +Let those of us who, notwithstanding these ameliorating circumstances, +doubt the good policy of the act, remember that they of the South, our +open foes, invited the measures. Their leaders acknowledged and their +press boasted that the Southern army never could be overcome—if for no +other reason, for this reason, that while the army of the North was +composed of the bone and muscle of the great working classes, drawn away +from the fields of labor and enterprise, which must necessarily, in +their opinion, languish from this absence, the Confederate army was +composed of 'citizens' and property owners (to wit, slaveholders), whose +absence from their plantations in no way interfered with the growth of +their cotton, sugar, corn, and rice, from which sources of wealth and +nourishment they could continue to draw the sinews of war. They went +farther than this, and acted upon their declaration by employing their +surplus slave labor in the work of intrenching their fortifications, +serving their army, and finally fighting in their army.</p> + +<p>Upon this basis of slave labor they asserted their omnipotence in war +and ability to continue the struggle without limit of time. The +subsidized press of England supported this theory, and declared that +with such advantages it was idle for the Federal Government to maintain +a struggle in the face of such belligerent advantages! Then, and not +till then, were the eyes of the President open to a fact which none but +the political blind man could fail to observe, and then it was that not +only the President, but a very large proportion of our countrymen, +heretofore strictly conservative men, felt that the time had come when +further forbearance would be suicidal. Although many doubted and still +doubt if slavery was the cause of the rebellion, very many were forced +to the conclusion that what our enemies themselves admitted to be the +strength of the rebellion was indeed such, and that the time had arrived +to avail themselves of that military necessity which authorizes the +Government to adopt such measures as may be deemed the most fitting for +crushing rebellion and restoring our constitutional liberty. Let us +think, then, as we please upon the judicious<span class='pagenum'><a name="Page_495" id="Page_495">[Pg 495]</a></span>ness of the +proclamation—that it was uttered with forethought, calmness, and with a +full sense of the responsibility of the President to his God and his +country, none of us can deny. With this we should be satisfied. We have +but one duty before us, then, as a government and a people—and that is, +an earnest, devoted prosecution of this war for the integrity of our +common country. In the untrammelled hands of that Government let us +leave its prosecution. We have but one duty before us as individuals, +and that is to support the existing Government with our individual +might. Let the cry be loud and long, as, thank Heaven, it still is, 'On +with the war,' not for war's sake, but for the sake of that peace, which +only war, humanely and vigorously conducted, can achieve.</p> + +<p>Fling personal ambition and individual aggrandizement to the winds. Let +political preferment and partisan proclivities bide their time, and as a +united and one-minded people, devote heart and mind, strength and money, +to the prosecution of the campaign, without considering what may be its +duration, and without fear of circumstance or expenditure. If it be +necessary, let the public debt be increased until it reaches and exceeds +the public liabilities of the most indebted Government of Europe. We and +our descendants will cheerfully pay the interest on that expenditure +which purchased so great a blessing as national endurability. Meanwhile, +with unity, forbearance, perseverance, and the silent administration of +the ballot box, we will, as a people, maintain, notwithstanding that a +portion of the land we hold dear stands severed from us by hatred and +prejudice, the prosperity which we still claim, and the renown which was +once accorded to us. By so doing, and by so doing only, shall our former +grandeur come back to us—though its garments be stained with blood. A +grandeur which, without hyperbole, it may be said, will outstrip the +glory which, as a young and sanguine people, we have ever claimed for +our country. The reason for so believing is the simple and undeniable +fact that out of the saddening humiliation and devastation of this civil +war has arisen the better knowledge of the wonderful resources, +abilities, and determined spirit of the American people. We see—both +combatants—that we are giants fighting, and not quarrelling pigmies, as +the foreign enemies of us both have vainly attempted to prove. We see, +both combatants, how vast and important to each is the territory we are +struggling for, how inseparable to our united interests are the sources +of wealth imbedded in our rocks, underlying our soil, and growing in its +beneficent bosom. We see, both combatants, how strong is the commerce of +the East to supply, like a diligent handmaiden, the wants of every +section; how bountiful are the plantations of the South and the +granaries of the West to keep the world united to us in the strong bonds +of commercial and friendly intercourse; how absolutely necessary to the +prosperity of both are the deep and wide-flowing rivers which run, like +silver bands of peace, through the length and breadth of a land whose +vast privileges we have been too blind to appreciate, and in that +blindness would destroy. Above all, we are <i>beginning</i> to see that like +two mighty champions fighting for the belt of superiority, we can +neither of us achieve that individual advantage which can utterly and +forever place the other beyond the ability of again accepting the +gauntlet of defiance, and that our true and lasting glory can alone +proceed from a determination to shake hands in peace, and, as united +champions, defying no longer each other, defy the world. Nor would the +South in consenting to a reunion <i>now</i> find humiliation or dishonor. She +has proved herself a noble foe—quick in expedient, firm in +determination, valorous in war. We know each other the better for the +contest; we shall, when peace returns, respect each other<span class='pagenum'><a name="Page_496" id="Page_496">[Pg 496]</a></span> the more; and +although the cost of that peace, whenever it comes, will be the +sacrifice of many local prejudices and sectional privileges, what, oh, +what are such sacrifices to the inestimable blessings of national +salvation?</p> + + + +<hr style="width: 65%;" /> +<h2><a name="THE_COMPLAINING_BORE" id="THE_COMPLAINING_BORE"></a>THE COMPLAINING BORE.</h2> + + +<p>About the most disagreeable people one meets with in life are those who +make a business of complaining. They ask for sympathy when they merit +censure. There is no excuse for man or woman making known their private +griefs except to intimate friends or those who stand in the nearest +relation to them. I have no patience with the man who wishes to catch +the public ear with the sound of his repining. Be it that he complain of +the world generally, or specify the particular occasion of his +dumpishness, he is in either aspect equally contemptible. What a +serio-comic spectacle a man presents who imagines that everybody is in a +leagued conspiracy against him to disappoint his hopes and thwart his +plans for success! He thinks he is kept from rising by some untoward +fate that is bent on crushing him into the ground, feels that he is the +victim of persecution, the sport of angry gods. Not having the spirit of +a martyr, he frets and fumes about his condition, and finds a selfish +relief in counting over his grievances in the presence of all who are +good-natured enough to listen. Such a fellow is a social nuisance—away +with him! The fact usually is that the world has more reason to complain +of him than he of the world. For instance, I know a man who has become +misanthropic, but who should hate himself instead of the whole race.</p> + +<p>Mr. Jordan Algrieve has become disgusted with life, and confesses than +his experiment with existence has thus far proved a failure. He has +combated with the world, and the world has proved too much for him, and +he acknowledges the defeat. Mr. Algrieve is on the shady side of fifty, +and his hair getting to be of an iron gray. His features are prominent, +with a face wrinkled and shrivelled by discontent and acidity of temper. +His tall figure is bent, not so much by cares and weight of years, as in +a kind of typical submission to the stern decree of an evil destiny.</p> + +<p>Strange to say, he is well educated, and graduated with honor at one of +our Eastern colleges. With a knowledge of this fact, it is pitiable to +see him standing at the corner of the street in his busy town in a suit +of seedy black and a shockingly bad hat, chafing his hands together and +pretending to wait for somebody who never comes.</p> + +<p>Poor Algrieve, he is a man under the table, and he knows it. He has +tried to be somebody in his way, but has failed sadly in all his +efforts. It is said that Algrieve always had a constitutional aversion +to legitimate and continued labor, but has a passion for making strikes +and securing positions that afford liberal pay for little work.</p> + +<p>Thinking a profession too monotonous and plodding, he never took the +trouble to acquire one. As to honest manual toil, that was an expedient +he never so much as dreamed of. In early life he was so unfortunate as +to secure an appointment to a clerkship in the Assembly, and after that +he haunted the State Legislature for five or six winters in hot pursuit +of another place, but his claims<span class='pagenum'><a name="Page_497" id="Page_497">[Pg 497]</a></span> failing to be recognized, he relapsed +into the natural belief that his party was in league to proscribe him. +After making a large number of political ventures of a more ambitious +order, and with the same mortifying results, he abandoned that field and +took to speculation in patent rights. He vended a wonderful churn-dash, +circulated a marvellous flatiron, and expatiated through the country on +the latest improvement in the line of a washing machine. But these +operations somehow afforded him but transient relief, and left him +always involved still more largely in debt. At different times in his +life he had also been a horse dealer, a dry-goods merchant, a saloon +keeper, the proprietor of a tenpin alley, and managed to grow poorer in +all these various occupations. The last I saw of him he was reduced to +peddling books in a small way, carrying his whole stock in a new market +basket. He was very importunate in his appeals to customers to purchase, +putting it upon the ground that he had been unfortunate and had a claim +to their charity. I happened to see him in the office of the popular +hotel in Podgeville, when he was more than usually clamorous for +patronage. He accosted nearly every man in the room with a dull, +uninteresting volume in his hand, and for which he asked a respectable +price. At last he set down his basket, and commenced a kind of +snivelling harangue to his little audience. Mr. Algrieve opened by +saying:</p> + +<div class="blockquot"><p>'Gentlemen, you'll pardon me for thrusting myself upon your +attention; but it is hard to have the world turned against ye, and +to work like a slave all your life to get something to fall back on +in old age, and then have to die poor at last! I hope none of you +have ever known what it is to be born unlucky; to never undertake +anything but turned out a failure, and to meet disappointment where +you deserved success. I am such a man!'</p></div> + +<p>Here Mr. Algrieve produced a fragmentary pocket handkerchief for the +ostensible purpose of absorbing an expected tear, but really to give his +remark a tragic effect. He continued:</p> + +<div class="blockquot"><p>'Behold an individual who has been doomed to penury and +destitution, but who has not met his fate without a struggle. You +who have known me, gentlemen, for the last thirty years, know that +Jordan Algrieve has battled with life manfully.' At this point he +put out his clenched fist in defiance of his fancied enemy.' But I +have been compelled to yield to the force of circumstances—not, +however, till I had taken my chance in nearly every department of +honorary endeavor, and experienced the most wretched success. The +world has pronounced its ban upon me, and I must bow submissively +to its cruel imposition. I tried to serve my country in the +capacity of a public official, but my services and talents were +repeatedly rejected—the majority of voters always so necessary to +an honest election was forever on the side of my lucky opponent. +When I withdrew from the political field, impoverished by my +efforts to advance the prosperity of my party, I embarked in a +small commercial enterprise; but owing to the tightness of the +times, and my want of capital, I was soon obliged to give up and +throw myself upon the mercy of my creditors. I have tried popular +amusements, and lost money—that is, I failed to make it. I even +branched out into fancy speculations, but they only served to sink +me still deeper in the yawning depths of insolvency!'</p></div> + +<p>Mr. Algrieve here paused, and seemed to look down into the frightful +gulf with a shuddering expression, as if he were not quite accustomed to +the descent yet.</p> + +<div class="blockquot"><p>'In short, gentlemen, I am completely prostrated—I am floored! And +is the world willing to help me up? By no means! On the contrary, +when I commenced falling and slipping on the stairs of human +endeavor the world<span class='pagenum'><a name="Page_498" id="Page_498">[Pg 498]</a></span> was ready to kick me down, down, till I reached +the—in short, gentlemen, till I became what I now am. Now, what +have I done, let me ask, that I should fare thus? Have I not made +an effort? I appeal to you, gentlemen, to say. [A voice from the +crowd here chimed in: 'Yes, Algrieve, your efforts to live without +work have been immense!'] But here I am, poor and persecuted; my +family are in want of some of the common necessaries of life; and +now, gentlemen, I beg some of you will buy that book (holding out a +copy of the 'Pilgrim's Progress'), and do something to avert for a +while, at least, the pauper's fate!'</p></div> + +<p>Some benevolent gentleman, either from a charitable motive, or to put an +end to his lachrymose oration, bought the volume for $1.25. Mr. Algrieve +received the money with many expressions of gratitude, and, gathering up +his stock, moped off into the drinking room, and invested a dime in a +gin cocktail, and five cents in a cigar, with which he sought to solace +himself for all the inflictions of the inexorable world.</p> + +<p>Thus Jordan Algrieve goes about telling of his reverses and misfortunes, +exhibiting them to the public eye like a beggar his sores, without shame +or remorse; seeking to levy contributions on his fellow men, as one who +has been robbed of his estate. Reader, will you say that you have never +met with Jordan Algrieve?</p> + +<p>Another common species of the complaining bore are those who are +continually parading their bodily infirmities. For example, a man will +call on you, apparently for the express purpose of illustrating a most +interesting case of neuralgia. He comes into your office, perhaps, with +his head tied up in a handkerchief, and an expression of face as if he +had some time winked one eye very close, and had never since been able +to open it. Thinking himself an object worthy of study, he shows how the +darting pains vacillate between his eyes, invade his teeth, hold general +muster in his cheeks, take refuge in the back of his neck; and +demonstrates these points to you by applying his hands to the parts +designated, and uttering cries of feigned anguish to give effect to his +description. He informs you, as a piece of refreshing intelligence, that +it is devilish hard to bear, and enough to make a saint indulge in +profanity. When he has proceeded thus far, he may be taken with one of +his capricious pains, ducks his head between his knees, squeezes it with +his hands, and bawls out: 'O-h! Je-ru-sa-lem!' with a duration of sound +only limited by the capacity of his wind. He feels that he has a witness +to his sufferings, and wishes to make the most of it. When he gets +sufficiently easy, he tells you his experience with various remedies, +enumerates all the lotions, liniments, ointments, and other applications +he has used, with his opinion on the merits of each.</p> + +<p>Another person will accost you on a bright day with a most saturnine and +wo-begone visage, informing you that he is in a terrible way, that his +food distresses him, and he can't any longer take comfort in eating. He +places his hand in the region of his stomach, remarks that he feels a +great load there, and makes the usual complaints of a dyspeptic. He is +pathetic over the fact that his physician has denied him fried oysters +and mince pie for evening lunch, and closes his observations by +exclaiming in a moralizing vein that 'such is life!'</p> + +<p>A third individual has a throat disease, and, forgetful of his bad +breath, desires you to take a minute survey of his glottis, and inform +him of its appearance. Accordingly he opens his mouth and throws back +his head as if he were inviting you to an entertaining show.</p> + +<p>These are but a tithe of the examples of people who exhibit in public +and at social gatherings their ills and<span class='pagenum'><a name="Page_499" id="Page_499">[Pg 499]</a></span> ailments, accompanied with +dreary complainings of their bodily inflictions. It implies no +indifference or lack of sympathy for physical pain and hardships to say +that its victims have no right to mar the enjoyment of others by the +unnecessary display of their infirmities or present sufferings. If a man +will make a travelling show of his disorders, he should be obliged to +carry a hand organ to give variety to his stupid entertainment. Were +these fellows all compelled to furnish this accompaniment, what a +musical bedlam our streets would become! Of course, there is no law +against complaining and repining—it may not be immoral—but it is a +very poor method of making those around us happy, which is a duty that +none but selfish natures can forget. A man who goes through life with a +smiling face and cheerful temper, despite the grievances common to us +all, is a public benefactor in his way, as much as one who founds a +library or establishes an asylum.</p> + +<p>Misanthropy is a sublime egotism that mistakes its own distemper for a +disease of the universe. With all the mishaps to which our life is +subject, a glance over a wide range of human experience proves that God +helps those who help themselves, and whatever be the tenor of our +fortune, levity is more seemly than moodiness, and under any +circumstances there is more virtue in being a clown than a cynic. But in +adversity, a subdued cheerfulness and quiet humor are, next to Christian +fortitude, the golden mean of feeling that makes the loss of worldly +things rest lightly on the heart, and spreads out before the hopeful eye +the vision of better days!</p> + + + +<hr style="width: 65%;" /> +<h2><a name="DEATH_OF_THE_BRAVE" id="DEATH_OF_THE_BRAVE"></a>DEATH OF THE BRAVE.</h2> + + +<p> +<span style="margin-left: 1em;">'How sleep the brave who sink to rest</span><br /> +<span style="margin-left: 1em;">By all their country's wishes blest!</span><br /> +<span style="margin-left: 1em;">When spring with dewy fingers cold</span><br /> +<span style="margin-left: 1em;">Returns to deck their hallowed mould,</span><br /> +<span style="margin-left: 1em;">She then shall dress a sweeter sod</span><br /> +<span style="margin-left: 1em;">Than fancy's feet have ever trod.'</span><br /> +<span class='pagenum'><a name="Page_500" id="Page_500">[Pg 500]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="LITERARY_NOTICES" id="LITERARY_NOTICES"></a>LITERARY NOTICES</h2> + + +<div class="blockquot"><p><span class="smcap">The Ice Maiden, and Other Tales.</span> By <span class="smcap">Hans Christian Andersen.</span> +Translated by <span class="smcap">Fanny Fuller.</span> Philadelphia: F. Leypoldt. New York: <span class="smcap">C. +T. Evans</span>. 1863.</p></div> + +<p>Probably no writer of stories for the young ever equalled Hans Christian +Andersen; certainly none ever succeeded as he has done in reproducing +the nameless charm of the real fairy tale which springs up without an +author among the people,—the best specimens of which are the stories +collected by the Brothers Grimm in Germany. But this exquisite +fascination of an inner life in animals and in inanimate objects, which +every child's mind produces from dolls and other puppets, and which +makes fairies of flowers, is by Andersen adroitly turned very often to +good moral and instructive purpose, without losing the original sweet +and simple charm which blends the real and the imaginary. Here he +surpasses all other tale writers, nearly all of whom, in their efforts +at simplicity in such narratives, generally become supremely silly.</p> + +<p>The present volume contains four stories—'The Ice Maiden,' 'The +Butterfly,' 'The Psyche,' and 'The Snail and the Rose Tree,'—all in +Andersen's usual happy and successful vein; for he is preëminently an +<i>equal</i> writer, and never falls behind himself. Perhaps the highest +compliment which can be paid them is the truthful assertion that any +person may read them with keen interest, and never reflect that they +were written for young people. Poetry and prose meet in them on equal +grounds, and any of them in verse would be charming. The main reason for +this is that such stories to charm must set forth natural objects with +Irving-like fidelity; nay, the writer must, with a few words, bring +before us scenes and things as in a mirror. In this 'The Ice Maiden' +excels; Swiss life is depicted as though we were listening to <i>yodle</i> +songs on the mountains, and felt the superstitions of the icy winter +nights taking hold of our souls.</p> + +<p>'The Psyche' is an art-story. Most writers would have made it a legend +of 'high' art, but it is far sweeter and more impressive from the sad +simplicity and gentleness with which it is here told. 'The Butterfly,' +on the contrary, is a delightful little burlesque on flirtations and +fops; and 'The Snail and the Rose Tree' is much like it. Both are really +fables of the highest order, or shrewd prose epigrams.</p> + +<p>The volume before us is well translated; very well, notwithstanding one +or two trifling inadvertencies, which, however, really testify to the +fact that the best of all pens for such version—a lady's—was employed +in the work. A <i>Skytte</i>, for instance, in Danish, or <i>Schutz</i> in German, +is generally termed among the fraternity of sportsmen a 'shot,' and not +a 'shooter.' But the spirit of the original is charmingly preserved, and +Miss Fuller has the rare gift of using short and simple words, which are +the best in the world when one knows how to use them as she does. We +trust that we shall see many more stories of this kind, translated by +her.</p> + +<p>We must, in conclusion, say a word for the dainty binding (Pawson & +Nicholson), the exquisite paper and typography, and, finally, for the +pretty photograph vignette with which this volume is adorned. Mr. +Leypoldt has benefited Philadelphia in many ways,—by his foreign and +American circulating library, his lecture room, and by his republication +in photograph of first-class engravings,—and we now welcome him to the +society of publishers. His first step in this direction is a most +promising one.</p> + + +<div class="blockquot"><p><span class="smcap">Notes, Criticisms, and Correspondence Upon Shakspeare's Plays and +Actors.</span> By <span class="smcap">James Henry Hackett.</span> New York: Carleton, 413 Broadway. +1863.</p></div> + +<p>This work will be one of great interest, firstly to all those who visit +the theatre, secondly to readers of Shakspeare, and thirdly to all who +relish originality and naïvete of character, such as Mr. Hackett +displays abundantly, from the rising of the curtain<span class='pagenum'><a name="Page_501" id="Page_501">[Pg 501]</a></span> even to the going +down of the same, in his book. There are no men who live so much within +their profession as actors, or are so earnest in their faith in it; and +this devotion is reflected unconsciously, but very entertainingly, +through the whole volume. Shakspeare tells us that all the world is a +stage—to the actor the stage is all his world, the only one in which he +truly lives.</p> + +<p>We thank Mr. Hackett for giving us in this volume, firstly, very minute +and excellent descriptions of all the eminent actors of Shakespeare +within his memory—not a brief one, he having been himself a really +excellent and eminent actor since 1828. It is to be regretted that there +are not more such judicious descriptions as these. The author has, as we +gather from his book, been in the habit of recording his daily +experiences, and consequently writes from better data than those +afforded by mere memory. The reader will also thank him for many +agreeable minor reminiscences of celebrities, and for giving to the +public his extremely interesting correspondence on Shaksperean subjects +with John Quincy Adams and others. The views of the venerable statesman +on <i>Hamlet</i>, and on 'Misconceptions of Shakspeare on the Stage,' +indicate a very great degree of study of the great poet, and of +reflection on the manner in which he is over or under acted. Nor are Mr. +Hackett's own letters and criticisms by any means devoid of +merit—witness the following:</p> + +<div class="blockquot"><p>'Mr. Forrest recites the text (of King Lear) as though it were all +prose, and not occasionally written in poetic measure; whereas, +blank verse can, and always should, be distinguishable from prose +by proper modulations of the voice, which a listener with a nice +ear and a cultivated taste could not mistake, nor, if confounded, +detect in their respective recitals: else Milton as well as +Shakspeare has toiled to little purpose in the best-proportioned +numbers.'</p></div> + +<p>The criticism on Forrest is throughout judicious, and, though frequently +severe, is still very kindly written when we consider the 'capacities' +of the subject.</p> + +<p>As regards Mr. Hackett's views of readings, we detect in them a little +of that tendency to excessive accentuation, and that disposition to +'make a hit' or a sensation in every sentence which renders most, or +all, Shaksperean or tragic acting so harsh and strained, and which has +made the word 'theatrical' in ordinary conversation synonymous with +'unnatural.' Something of this is reflected in the enormous amount of +needless italicizing with which the typography of the book is afflicted, +and which we trust will be amended in future editions. We cheerfully +pardon Mr. Hackett for sounding his own praises—sometimes rather loudly +and frequently, as in the republication of a sketch of himself—since, +after all, we thereby gain a more accurate idea of a favorite actor, who +has for thirty-six years pleased the public, and gained in that long +time the character of a conscientious artist who has always striven to +improve himself.</p> + +<p>To one thing, however, we decidedly object—the questionable taste +displayed by the author in answering in type criticisms of his acting, +and in republishing them in his work. We can well imagine the temptation +to be great, but to yield to it is not creditable to a good artist. With +this little exception, we cordially commend the work to all readers.</p> + + +<div class="blockquot"><p><span class="smcap">Devotional Poems.</span> By <span class="smcap">R. T. Conrad.</span> Philadelphia: J. B. Lippincott & +Co. 1862.</p></div> + +<p>The late Judge Conrad left a number of religious poems, which +fortunately fell into the hands of those who appreciated their merit, +and we now have them in volume, with an introductory poem to the widow +of the deceased and a preface by George H. Boker, to whom the editing of +the present volume was committed. These lyrics, as we infer, were +written in the spirit of private devotion, and are therefore gifted with +the greatest merit which can possibly inspire religious writing—we mean +deep sincerity. But apart from the <i>spirit</i>,—the <i>sine qua non</i>,—the +beauty of the form of these works will always give them a high value to +the impartial critic. They are far above the mediocrity into which most +religious writers always at first <i>appear</i> to be lost, owing to the vast +amount of thoughts and expressions which they are compelled to share in +common with others. And as there has been awakened within a few years a +spirit of collecting and studying such poetry, we cordially commend this +work to all who share it.</p> + +<p>As regards form, one of the more marked<span class='pagenum'><a name="Page_502" id="Page_502">[Pg 502]</a></span> poems in this collection is +'The Stricken;' we have room only for the beginning:</p> + +<p> +<span style="margin-left: 2em;">Heavy! Heavy! Oh, my heart</span><br /> +<span style="margin-left: 3em;">Seems a cavern deep and drear,</span><br /> +<span style="margin-left: 2em;">From whose dark recesses start,</span><br /> +<span style="margin-left: 4em;">Flatteringly like birds of night,</span><br /> +<span style="margin-left: 3em;">Throes of passion, thoughts of fear,</span><br /> +<span style="margin-left: 4em;">Screaming in their flight.</span><br /> +<span style="margin-left: 3em;">Wildly o'er the gloom they sweep,</span><br /> +<span style="margin-left: 1em;">Spreading a horror dim,—a woe that cannot weep!</span><br /> +<br /> +<span style="margin-left: 2em;">Weary! Weary! What is life</span><br /> +<span style="margin-left: 3em;">But a spectre-crowded tomb?</span><br /> +<span style="margin-left: 2em;">Startled with unearthly strife,</span><br /> +<span style="margin-left: 3em;">Spirits fierce in conflict met,</span><br /> +<span style="margin-left: 2em;">In the lightning and the gloom,</span><br /> +<span style="margin-left: 3em;">The agony and sweat;</span><br /> +<span style="margin-left: 2em;">Passions wild and powers insane,</span><br /> +<span style="margin-left: 1em;">And thoughts with vulture beak, and quick Promethean pain.</span><br /> +</p> + +<p>We select this single specimen from its remarkable resemblance to +Anglo-Saxon religious poetry,—by far the sincerest, and, so far as it +was ripened, the soundest, in our language. With the exception of the +Promethean allusion, every line in these verses is singularly Saxon—the +night birds, screaming in gloom—as in the '<i>Sea Farer</i>,' where, instead +of joyous mirth,</p> + +<p> +<span style="margin-left: 1em;">'Storms beat the stone cliffs,</span><br /> +<span style="margin-left: 1em;">Where them the starling answered,</span><br /> +<span style="margin-left: 1em;">Icy of wing.'</span><br /> +</p> + +<p>The divisions of this work are 'Sinai,' which is in great measure a +commentary on virtues and vices, 'Sonnets on the Lord's Prayer,' and +'Bible Breathings.' Of these we would commend the Sonnets, as forming +collectively a highly finished and beautiful poem, complete in each +detail. The little poem, 'A Thought,' is as perfect as a mere simile in +verse could be.</p> + +<p>Robert T. Conrad, who was born in Philadelphia in 1810, and died there +in 1858, first became known to the public by a drama entitled <i>Conrad of +Naples</i>, a subject which has been extensively treated by German writers, +Uhland himself having written a tragedy on it. After being admitted to +the bar, Conrad connected himself with the press, but resumed the +practice of law in 1834 with success, being appointed judge of the +criminal sessions in 1838, and of the general sessions in 1840. He was +subsequently president of a well-known railroad company, and mayor of +his native city. During the intervals of his business he was at one time +editor of <i>Graham's Magazine</i>, and acquired a literary reputation by his +articles in the <i>North American</i>, and by the well-known tragedy of +<i>Aylmere</i>, in which Mr. Forrest, the actor, has frequently appeared as +'Jack Cade.' In addition to these, Mr. Conrad published, in 1852, a +volume entitled 'Aylmere and other poems,' which was very extensively +reviewed. In it the 'Sonnets on the Lord's Prayer' first appeared.</p> + +<p>The volume before us is very well edited in every respect, and makes its +appearance in very beautiful 'externals.' The paper, binding, and +typography are, in French phrase, as applied to such matters, +'luxurious.'</p> + + +<div class="blockquot"><p><span class="smcap">Sketches of the War</span>: A Series of Letters to the North Moore Street +School of New York. By <span class="smcap">Charles C. Nott</span>, Captain in the Fifth Iowa +Cavalry. New York: Charles T. Evans, 448 Broadway. 1863.</p></div> + +<p>Were this little work ten times its present length, we should have read +it to the end with the same interest which its perusal inspired, and +arrived, with the same regret that there was not more of it, at its last +page. It is simple and unpretending, but as life-like and spirited as +any collection of descriptive sketches which we can recall. We realize +in it all the vexations of mud, all the horrors of blood, and all the +joys of occasional chickens and a good night's rest, which render the +soldier's life at once so great and yet so much a matter of petty joys +and sorrows. The love of the rider for the good horse—for his pet +Gypsy—her caprices and coquetries, are set forth, for instance, very +freely, without, however, a shadow of affectation, while in all his +interviews with men and women, the characters come before us 'like +life,' and give us a singularly accurate conception of the social +effects of the war in the West. The appearance of the country is +unconsciously detailed as accurately as in a photograph, and the events +and sensations of battle are presented with great ability; in fact, we +have as yet seen no sketches from the war which in these particulars are +equal to them. They are free from 'fine writing,' and are given in +simple, intelligible language which cannot fail to make them generally +popular. The occasional flashes of humorous description are extremely +well given—so well that we only wish there had been more of them, as +the author has evidently a talent in that direction, which we trust will +be more fully developed in other works.<span class='pagenum'><a name="Page_503" id="Page_503">[Pg 503]</a></span></p> + + + +<hr style="width: 65%;" /> +<h2><a name="EDITORS_TABLE" id="EDITORS_TABLE"></a>EDITOR'S TABLE</h2> + + +<p>With all the outcry that has been raised at the slow progress of the +war, it is difficult for a comprehensive mind to conceive how, on the +whole, the struggle with the South could have advanced more favorably to +the <i>general interests</i> and future prosperity of the whole country, than +it has thus far done. 'Had the Administration been possessed of +sufficient energy, it could have crushed the rebellion in the first +month,' say the grumblers. Very possibly—to break out again! No amount +of prompt action could have calmed the first fire and fury of the South. +It required <i>blood</i>; it was starving for war; it was running over with +hatred for the North.</p> + +<p>The war went on, and, as it progressed, it became evident that, while +thousands deprecated agitation of the slave question as untimely, the +war could never end until that question was disposed of. And it also +became every day more plain that the 'little arrangement' so frequently +insisted on, and expressed in the words, 'Conquer the enemy <i>first</i>, and +<i>then</i> free the slaves,' was a little absurdity. It was 'all very +pretty,' but with the whole North and South at swords-points over this +as the alleged cause of war—with all Europe declaring that the North +had no intention of removing the cause of the war—with the slave +constantly interfering in all our military movements—and, finally, with +a party of domestic traitors springing up everywhere, at home and in the +army itself, it became high time to adopt a fixed policy. It <i>was</i> +adopted, and President <span class="smcap">Lincoln</span>, to his lasting honor, and despite +tremendous opposition, issued the Proclamation of January First—the +noblest document in history.</p> + +<p>It is difficult to see how, when, or in what manner slavery would have +disappeared from a single State, had the war been sooner ended; and +nothing is more certain than that any early victory or temporary +compromise would have simply postponed the struggle, to be settled with +compound interest. But another benefit has resulted and is resulting +from the experience of the past two years. Our own Free States have +abounded with men who are at heart traitors; men who have, by their +ignorance of the great principles of national welfare involved in this +war, acted as a continual drawback on our progress. This body of men, +incapable of comprehending the great principles of republicanism as laid +down in the Constitution, and as urged by Washington, would be after all +only partially vanquished should we subdue the rebels. They are around +us here in our own homes; their treason rings from the halls of national +legislation; they are busy night and day in their 'copperhead' councils +in giving aid and comfort to the enemy, and in poisoning the minds of +the ignorant, by hissing slanders at the President and his advisers as +being devoid of energy and ability.</p> + +<p>It would avail us little could we conclude a peace to-morrow, if these +aiders and abetters of treason—these foes of all enlightened +measures—these worse than open rebels—were to remain among us to +destroy by their selfishness and malignity those great measures by which +this country is destined to become great. The war is doing us the +glorious service of bringing the 'copperheads' before the people in +their true light—the light of foes to equality, to the rights of the +many, and as perverse friends of all that is anti-American. Who and +<i>what</i>, indeed, are their leaders! Review them all, from <span class="smcap">Fernando Wood</span> +down to the wretched <span class="smcap">Saulsbury</span>, including <span class="smcap">W. B. Reed</span>, in whose veins +hereditary traitorous blood seems, with every descent, to have acquired +a fresh taint—consider the character which has for years attached to +most of them—and then reflect on what a party must be with such +leaders!</p> + +<p>These men have no desire to be brought distinctly before the public; +they would by far prefer to burrow in silence. But the war and +emancipation have proved an Ithuriel's spear to touch the toad and make +him spring up in his full and naturally fiendish<span class='pagenum'><a name="Page_504" id="Page_504">[Pg 504]</a></span> form. The sooner and +the more distinctly he is seen, the better will it be for the country. +We must dispose of rebels abroad and copperheads at home ere we can have +peace, and the sooner the country knows its foes, the better will it be +for it. We have come at last to either carrying out the great +centralizing system of an Union, superior to all States Rights, as +commended by Washington, or to division into a thousand petty +principalities, each ruled by its WOOD, or other demagogue, who can +succeed in securing a majority-mob of adherents!</p> + +<p>It is with such men and their measures that Gen. <span class="smcap">George B. McClellan</span>, +the frequently proposed candidate for the next presidency, is becoming +firmly connected in the minds of the people! Fortunately the war has +developed the objects of the traitors, and the Union Leagues which are +springing up by hundreds over the country are doing good service in +making them thoroughly known. Until treason is fairly rooted out at home +and abroad, and until <i>Union at the centre for the people everywhere</i> is +fully enforced, this war can only be concluded now, to be renewed +in tenfold horror to-morrow.</p> + +<hr style="width: 45%;" /> + +<p>There is a complication of interests at present springing up in Europe, +which is difficult to fathom. Just now it seems as if the Polish +insurrection were being fomented by Austria, at French instigation, in +order that the hands of Russia may be tied, so that in case of war with +America, we may be deprived of the aid of our great European friend. +England sees it in this light, and angrily protests against Prussian +interference in the matter. Should a general war result, who would gain +by it? Would France avail herself of the opportunity to array her forces +against Prussia, and seize the Rhine, and perhaps Belgium? Or would the +Emperor avail himself of circumstances to embroil England in a war, and +then withdraw to a position of profitable neutrality? Let it be borne in +mind, meantime, that it required all the strength of France, England, +and Austria, combined, to beat Russia in the Crimea, and that a short +prolongation of the war would have witnessed the arrival of vast bodies +of Russian troops—many of whom had been nearly a year on the march. +Those troops are now far more accessible in case of war.</p> + +<p>A war between England and the United States, however it might injure us, +would be utter ruin to our adversary. With our commerce destroyed, we +should still have a vast territory left; but nine tenths of England's +prosperity lies within her wooden walls, which would be swept from the +ocean. With her exportation destroyed, England would be ruined. We +should suffer, unquestionably, but we could hold our own, and would +undoubtedly progress as regards manufacturing. But what would become of +the British workshops, and how would the British people endure such +suffering as never yet befell them? Even with our Southern Rebellion on +our hands, and English men-of-war on our coast, we could still, with our +merchant marine, bring John Bull to his face. And John Bull knows it.</p> + +<p>England is now building, in the cause of slavery and for the South, a +great fleet of iron-clad pirate vessels, which are intended to prey on +our commerce. How long will it be before retaliation on England begins, +and, <i>when</i> it begins, how will it end? Ay—<i>how</i> will it end? It is not +to be supposed that we can long be blinded by such a flimsy humbug as a +transfer to Southern possession of these vessels 'for the Chinese +trade!' Are the English mad, demented, or besotted, that they suppose we +intend to endure such deliberate aid of our enemies? When those vessels +'for the Chinese' are afloat, and our merchants begin to suffer, let +England beware! We are not a people to stop and reason nicely on legal +points, when they are enforced in the form of fire and death. Better for +England that she weighed the iron of that fleet pound for pound with +gold, and cast it into the sea, than that she suffered it to be +launched. <i>Qui facit per alium, facit per se.</i> England is the <i>real</i> +criminal in this business, for her Government could have <i>prevented</i> it; +and to her we shall look for the responsibility. All through America a +spirit of fierce indignation has been awakened at hearing of this +'Chinese' fleet, which will burst out ere long in a storm. We are very +far from being afraid of war—we are in it; we know what it is like—and +those who openly, brazenly, infamously, aid our enemies and make war for +them, shall also learn, let it cost what it may.</p> + +<p>England hopes to cover the world's oceans with pirates, with murder, +rapine, and rob<span class='pagenum'><a name="Page_505" id="Page_505">[Pg 505]</a></span>bery—to exaggerate still more the horrors of war—and +yet deems that her commerce will escape! This is a different matter from +the affair of the Trent.</p> + +<hr style="width: 45%;" /> + +<p>Don't grumble! Don't be incessantly croaking from morning to night at +the war and the administration and the generals, and everything else! +Things have gone better on the whole than you imagine, and your endless +growling is just what the traitors like. Were there no croakers there +would be no traitors.</p> + +<p>It was growling and croaking which caused the reverses of the army of +the Potomac—sheer grumbling. Now the truth is coming out, and we are +beginning to see the disadvantages of eternal fault-finding. The truth +is that the war in the Crimea was much worse conducted than this of ours +has been—even as regards swindling by contracts—and it was so with +every other war. We have no monopoly of faults.</p> + +<p>Now that the war is being reorganized, we would modestly suggest that a +little severity—say an occasional halter—would not be out of place as +regards deserters. There has been altogether too much of this amusement +in vogue, which a few capital punishments in the beginning would have +entirely obviated. Pennsylvania, we are told, is full of hulking runaway +young farmers, and our cities abound in ex-rowdies, who, after securing +their bounties, have deserted, and who are now aiding treason, and +spreading 'verdigrease' in every direction by their falsehoods. Let +every exertion be made to arrest and return these scamps—cost what it +may; and let their punishment be exemplary. And let there be a new +policy inaugurated with the new levy, which shall effectually prevent +all further escaping.</p> + +<hr style="width: 45%;" /> + +<p>Reader—wherever you are, either join a Union League, or get one up. If +there be none in your town, gather a few friends together—and mind that +they be good, loyal Unionists, without a suspicion of verdigrease or +copperhead poison about them—and at once put yourselves in connection +with the central Leagues of the great cities. Those of Philadelphia, New +York and Boston are all conducted by honorable men of the highest +character—and we may remark, by the way, that in this respect the +contrast between the leaders of the League and of the Verdigrease Clubs +is indeed remarkable. When you have formed your League, see that +addresses are delivered there frequently, that patriotic documents and +newspapers are collected there, and finally that it does good service in +every way in forwarding the war, and in promoting the determination to +preserve the Union.</p> + +<p>The copperheads aim not only at letting the South go—they hope to break +the North to fragments, and trust that in the general crash each of them +may secure his share. When the war first broke out, <span class="smcap">Fernando Wood</span> +publicly recommended the secession of New York as a free city—and a +very free city it would have been under the rule of Fernando the First! +And this object of 'dissolution and of division' is still cherished in +secret among the true leaders of the traitors.</p> + +<p>The time has come when every true American should go to work in earnest +to strengthen the Union and destroy treason, whether in the field or at +home. A foe to liberty and to human rights is a foe, whether he be a +fellow countryman or not, and against such foes it is the duty of every +good citizen to declare himself openly.</p> + +<hr style="width: 45%;" /> + +<p>It will be seen by the annexed that our Art correspondent, a gentleman +of wide experiences, has gone into the battle. We trust that his +experiences will amuse the reader. As for the <i>facts</i>—never mind!</p> + +<p class="author"> +<span class="smcap">Camp O'Bellow</span>, <br /> +<i>Army of the Potomac</i>. +</p> + + +<p><span class="smcap" style="margin-left: 2em;">My Patriotic Friend and Editor</span>:</p> + +<p>I have changed my base.</p> + +<p>When I last wrote you, it was from the field of art—this time it is +from the floor of my tent—at least it will be, as soon as my fellows +pitch it. N. B.—For special information I would add that this is not +done, as I have seen a Kalmouk do it, with a bucket of pitch and a rag +on a stick. One way, however, of pitching tents is to pitch 'em down +when the enemy is coming, and run like the juice. Ha, ha!</p> + +<p>But I must not laugh too loudly, as yon small soldier may hear me. +Little pitchers have long ears.</p> + +<p>Now for my sufferings.</p> + +<p>The first is my stove.</p> + +<p>My stove is made of a camp kettle.</p> + +<p>It has such a vile draught that I think of giving it a lesson in +drawing. <i>Joke.</i> Per<span class='pagenum'><a name="Page_506" id="Page_506">[Pg 506]</a></span>haps you remember it of old in the jolly old Studio +Building in Tenth Street. By the way how is <span class="smcap">Whittredge</span>?—I believe <i>he</i> +imported that joke from Rome where he learned it of <span class="smcap">Jules de Montalant</span> +who acquired it of <span class="smcap">Chapman</span> who got it from <span class="smcap">Gibson</span>, who learned it of +<span class="smcap">Thorwaldsen</span> who picked it up from <span class="smcap">David</span> who stole it from the elder +<span class="smcap">Vernet</span> to whom it had come down from <span class="smcap">Michael Angelo</span> who cribbed it from +<span class="smcap">Albert Dürer</span> who sucked it somehow from <span class="smcap">Giotto</span>.</p> + +<p>I wish you could see that stove. I cook in it and on it and all around +the sides and underneath it. I wash my clothes in it, make punch in it, +write on it, when cold sit on it, play poker on it, and occasionally use +it for a trunk. It also gives music, for though it don't draw, it can +sing.</p> + +<p>My second friend is my Iron Bride—the sword. She is a useful creeter. +Little did I think, when you, my beloved friends, presented me with that +deadly brand, how useful she would prove in getting at the brandy, when +I should have occasion to 'decap' a bottle. She kills pigs, cuts cheese, +toasts pork, slices lemons, stirs coffee, licks the horses, scares +Secesh, and cuts lead pencils. In a word, if I wished to give useful +advice to a cavalry officer, it would be not to go to war without a +sword.</p> + +<p>A revolver is also extremely utilitarious. A <i>large</i> revolver, mind you, +with <i>six corks</i>. Mine contains red and black pepper, salt, vinegar, +oil, and ketchup—when I'm in a hurry. A curious circumstance once +'transpired,' as the missionaries say, in relation to this article of +the <i>quizzeen</i>. All the barrels were loaded—which I had forgotten—and +so proceeded to give it an extra charge of groceries. * * *</p> + +<p>It was a deadly fray. <i>Rang tang bang, paoufff!</i> We fought as if it had +been a Sixth Ward election. Suddingly I found myself amid a swarm of my +country's foes. Sabres slashed at me, and in my rage I determined to +exterminate something. Looking around from mere force of habit to see +that there were no police about, I drew my revolver and aimed at <span class="smcap">Jim +Marrygold</span> of Charleston, whom I had last seen owling it in New Orleans, +four years ago. He and <span class="smcap">Dick Middletongue</span> of Natchez (who carved the +Butcher's Daughter at Florence, and who is now a Secesh major), came +down with their cheese knives, evidently intending to carve <i>me</i>. Such +language you never heard, such a diluvium of profanity, such +double-shotted d—ns! I drew my pistol <i>at once</i>, and gave Dick a +blizzard. The ball went through his ear—the red pepper took his eyes, +while Jim received the shot in his hat, and with it the sweet oil. In +this sweet state of affairs, <span class="smcap">Charley Ruffem</span> of Savannah was descending +on me with his sabre. (He was the man who said my browns were all put in +with guano.) I put him out of the way of criticism with a <i>third</i> +barrel—killed him <i>dead</i>, and <i>salted</i> him.</p> + +<p>The best of this war is, it enables me to exterminate so many <i>bad +artists</i>.</p> + +<p>The worst of it is that Charley owed me five dollars.</p> + +<p>A fifth Secesh now made his appearance. We went it on the sword, and +fought—for further particulars see Ivanhoe, volume second. My foe was +<span class="smcap">Rawley Chivers</span>, of Tuscumbia, Ala., and as the mischief would have it, +he knew all my guards and cuts. We used to fence together, and had had +more than one trial at <i>'fertig-los!'</i> on the old <i>Pauk-boden</i> in +Heidelberg.</p> + +<p>'<span class="smcap">Pop</span>!' said he on the seventeenth round, 'are we going to chop all day?'</p> + +<p>'<span class="smcap">Chiv</span>,' said I, as I drew my castor, '<i>are you ready</i>?'</p> + +<p>'Ready,' quoth he, effecting the same manœuvre—'<i>one</i>, <i>two</i>, +<i>three</i>.'</p> + +<p>I scratched his cheek, but the mustard settled him. +Sputter—p'l'z'z'z—how he swore! I went at him with both hands.</p> + +<p>'<i>Priz?</i>' I cried.</p> + +<p>'Priz it is,' he answered.</p> + +<p>So I took him off as a priz. He was very glad to go too, for he hadn't +had a dinner for six weeks, and would have made a fine study for a +Murillo beggar so ar as rags went.</p> + +<p>I punish my men whenever I catch them foraging. Punish them by +confiscation. Mild as I am by nature, I never allow them to keep stolen +provisions—when I am hungry.</p> + +<p>Yesterday evening I detected a vast German private with a colossal +bull-turkey.</p> + +<p>'Lay it down <i>there</i>, sir!' I exclaimed fiercely—indicating the floor +of my tent as the bank of deposit.</p> + +<p>'But den when I leafs it you eats de toorky up!' he exclaimed in +sorrowful remonstrance.</p> + +<p>'Yes,' I replied, like a Roman. 'Yes—I may <i>eat</i> it—but,' I added in +tones of high moral conscientiousness, 'remember that I didn't <span class="smcap">STEAL</span> +it!'</p> + +<p>He went forth abashed.</p> + +<p>No more till it is eaten, from</p> + +<p class="center"> +Yours truly,<br /> + +<span style="margin-left: 11em;">POPPY OYLE.</span><br /> +</p> + +<hr style="width: 45%;" /> + + +<p>We are indebted to a Philadelphia correspondent for the following:</p> + +<p> +<span style="margin-left: 1em;">Alas! that noble thoughts so oft</span><br /> +<span style="margin-left: 1em;">Are born to live but for an hour,</span><br /> +<span style="margin-left: 1em;">Then sleep in slumber of the soul</span><br /> +<span class='pagenum'><a name="Page_507" id="Page_507">[Pg 507]</a></span><span style="margin-left: 1em;">As droops at night the passion flower,</span><br /> +<span style="margin-left: 1em;">Their morn is like a summer sun</span><br /> +<span style="margin-left: 1em;">With splendor dawning on the day—</span><br /> +<span style="margin-left: 1em;">Their eve beholds that glory gone,</span><br /> +<span style="margin-left: 1em;">And light with splendor fled away.</span><br /> +<br /> +<span style="margin-left: 11em;">J. W. L.</span><br /> +</p> + +<p>True indeed. The difference between the great mind and the small is +after all that the former can <i>retain</i> its 'noble thoughts,' while with +the latter they are evanescent. And it is the glory of Art that it +revives such feelings, and keeps early impressions alive.</p> + +<hr style="width: 45%;" /> + +<h4>FROM THE GERMAN OF HEINE.</h4> + + +<p> +<span style="margin-left: 1em;">My love, in our light boat riding,</span><br /> +<span style="margin-left: 2em;">We sat at the close of day;</span><br /> +<span style="margin-left: 1em;">And still through the night went gliding,</span><br /> +<span style="margin-left: 2em;">Afar on our watery way.</span><br /> +<br /> +<span style="margin-left: 1em;">The Spirit Isle, soft glowing,</span><br /> +<span style="margin-left: 2em;">Lay dimmering 'neath moon and star;</span><br /> +<span style="margin-left: 1em;">There music was softly flowing,</span><br /> +<span style="margin-left: 2em;">And cloud dances waved afar:</span><br /> +<br /> +<span style="margin-left: 1em;">And ever more sweetly pealing,</span><br /> +<span style="margin-left: 2em;">And waving more winningly;</span><br /> +<span style="margin-left: 1em;">But past it our boat went stealing,</span><br /> +<span style="margin-left: 2em;">All sad on the wide, wide sea.</span><br /> +</p> + +<hr style="width: 45%;" /> + +<p>Here is an</p> + +<p><b>ADVENTURE WITH A GRIZZLY BEAR</b>,</p> + +<p>from a Philadelphia correspondent:</p> + +<div class="blockquot"><p>'We had gone out one morning, while camping upon the river San +Joaquin, to indulge in the sport of fowling. There were three of +us, and we possessed two skiffs, but an accident had reduced our +sculls to a single pair, which my companion used to propel one of +the boats down the stream, after securing the other, with me as its +occupant, in the midst of a thicket of tule, where I awaited in +ambush the flying flocks. As geese and ducks abounded, and nearly +all of my shots told, in a few hours I had killed plenty of game; +but becoming weary, as the intervals lengthened between the flights +of the birds, I sat down, and had already begun to nod dozingly, +when a startling splash, near the river bank, instantly aroused me. +Grasping my gun and springing upright, I looked in the direction +whence the sound had come; but, owing to the intervening mass of +tule, could not see what kind of animal—for such I at once +conjectured it must be—had occasioned my sudden surprise. Having +hitherto seen no domestic stock hereabouts, I therefore felt fully +satisfied that it could not belong to a tame species. Judging from +the noise of its still continued movements, it was of no small +bulk; and, if its ferocity were correspondent with its apparent +size, this was indeed a beast to be dreaded.</p> + +<p>'The thought at once occurred to me that, as I possessed neither +oars nor other means of propulsion, it would be difficult to move +the boat from its mooring if chance or acuteness of scent should +lead the creature to my place of concealment. In short, this, with +various suggestions of fancy, some of them ludicrously exaggerated, +speedily made me apprehensive of imminent danger. Nor was my +suspicion unfounded, for a crisis was at hand.</p> + +<p>'There was a space of clear water between the river bank and the +margin of the tule, in which the brute seemed to disport a few +moments; and then the rustling of the reeds indicated that it was +about to advance. With heavy footfalls it came toward me; as it +approached my nervousness increased; I could not mistake that +significant tread; undoubtedly it was a grizzly bear. But how could +I escape? Bruin, though his progress was not unimpeded, was surely +drawing near. Following my first impulse in this pressing +emergency, I placed myself forward in the boat, and, seizing a +handful of green blades on either side of it, endeavored, by +violently pulling upon them, to force the craft through the thick +growth which surrounded it. The headway of the skiff was slow, but +my efforts were not silent. In fact, the commotion occasioned by my +own panic became, to my hearing, so confounded with the sound made +by my floundering pursuer that my excited imagination multiplied +the single supposed bear, and the water seemed to be dashed about +by several formidable 'grizzlies.'</p> + +<p>'You smile, gentlemen, but really I was so impressed with this and +like extravagant creations of fear that my better judgment was +temporarily suspended. This deception, however, was only of +momentary duration.</p> + +<p>'Suddenly the skiff encountered some obstacle and remained +immovable. Quickly clutching my gun and firing it aimlessly, I +sprang overboard, and, with extraordinary energy, made for the +other side of the river and safety.</p> + +<p>'My remembrance of that hazardous crossing even now fills me with a +sympathetic thrill. The river, near where I had leaped in, varied +in depth from my middle to my neck, and the snaky stalks of tule +clung to me, retarding my retreat like faithful allies of the +enemy. An area of this plant extended to the channel, a distance of +some fifty yards, where a clear current rendered swimming feasible; +and this I essayed to reach, urged onward by terror, and regardless +of ordinary obstructions. So vigorous was my action that, +notwithstanding the frequent reversals of my head and<span class='pagenum'><a name="Page_508" id="Page_508">[Pg 508]</a></span> 'head's +antipodes' as I tripped over reeds and roots, perhaps I should have +reached the 'point proposed' with only a loss equivalent to the +proverbial 'year's growth,' had not a hidden snag unluckily lain in +the way, which 'by hook or by crook' fastened itself in the part of +my trowsers exactly corresponding, when dry, with that 'broad disk +of drab' finally seen, after much anxiety, by the curious Geoffrey +Crayon between the parted coat-skirts of a certain mysterious +'Stout Gentleman,' and inextricably held me in check despite my +frantic struggles.</p> + +<p>'Imagine my feelings while thus entangled by a bond of enduring +material, a bait for a fierce brute which eagerly pressed forward +to snap at me. Believe me, boys, this was <i>not</i> the happiest moment +of my life. I knew no reason why I should resignedly submit to so +undistinguished a fate. My knife, however, was in the boat, so that +my release could only be attained by extreme exertion. Accordingly +I writhed and jerked with my 'best violence,' all the time +denouncing the whole race of bears, from 'Noah's pets' down; and +you may be sure, emphatically expressing not a very exalted opinion +of snags.</p> + +<p>'Ah! how that brief period of horrible <i>suspense</i> appeared to +stretch out almost to the crack of doom. I roared lustily for help, +but no aid came. The bear continued its course through the thicket; +in another instant I might be seized.</p> + +<p>'Rather than suffer such a 'taking off' as this, which now seemed +inevitable, I should have welcomed as an easy death any method of +exit from life that I might hitherto have deprecated. Incited then +by the proximity of the beast, which so intensified the horror of +my situation, to a last desperate effort to avert this much dreaded +fate; and, concentrating nearly a superhuman strength upon one +impetuous bound, the <i>stubborn fabric burst</i>, and—joy possessed my +soul!</p> + +<p>'Even greater than my recent misery was the ecstasy which succeeded +my liberation. The happy sense of relief imparted to me such a +feeling of buoyancy that I was enabled to extricate myself from +this 'slough of despond,' and I soon reached the swift current, +when a few strokes landed me in security on a jutting bar.</p> + +<p>'Without unnecessary delay I sought out my comrades, to whom I told +the story of my escape. Their response was a hearty laugh, and +certain equivocal words which might imply doubt—not as to my +fright, for that was too plain—but concerning the identity of the +'grizzly.' I observed, however, that, as they rowed nearer to the +scene of my disaster, their display of levity lessened; and as we +came within sight of the suspicious locality, there was not the +'ghost of a joke' on board; but, on the contrary, thay both charged +me to 'keep a bright look out,' as well as to 'see that the arms +were all right,' thus showing a remarkable diminution of their +previous incredulity.</p> + +<p>'While cautiously exploring the vicinity of my memorable flight, we +saw the bear in the distance, upon a piece of rising ground. It +moved off with a lumbering shuffle and probably a contented +stomach, for, on searching for my scattered game, we found but +little of it left besides sundry fragments and many feathers.'</p></div> + +<hr style="width: 45%;" /> + +<p>In the old times people received queer names, and plenty of them. On +Long Island a Mr. Crabb named a child +'Through-much-tribulation-we-enter-into-the-kingdom-of-heaven Crabb.' +The child went by the name of <i>Tribby</i>. Scores of such names could be +cited. The practice of giving long and curious names is not yet out of +date. In Saybrook, Conn., is a family by the name of Beman, whose +children are successively named as follows:</p> + +<p>1. Jonathan Hubbard Lubbard Lambard Hunk Dan Dunk Peter Jacobus Lackany +Christian Beman.</p> + +<p>2. Prince Frederick Henry Jacob Zacheus Christian Beman.</p> + +<p>3. Queen Caroline Sarah Rogers Ruhamah Christian Beman.</p> + +<p>4. Charity Freelove Ruth Grace Mercy Truth Faith and Hope and Peace +pursue I'll have no more to do for that will go clear through Christian +Beman.</p> + +<p>Some of the older American names were not unmusical. In a Genealogical +Register open before us we frequently find Dulcena, Eusena, Sabra, and +Norman; 'Czarina' also occurs. Rather peculiar at the present day are +Puah and Azoa (girls), Albion, Ardelia, Philomelia, Serepta, Persis, +Electa, Typhenia, Lois, Selim, Damarias, Thankful, Sephemia, Zena, +Experience, Hilpa, Penninnah, Juduthum, Freelove, Luthena, Meriba (this +lady married 'Oney Anness' at Providence, R.I., in 1785), Paris, +Francena, Vienna, Florantina, Phedora, Azuba, Achsah, Alma, Arad, +Asenah, Braman, Cairo, Candace, China (this was a Miss Ware—China +Ware—who married Moses Bullen at Sherburne, Mass., in 1805), Curatia, +Deliverance, Diadema, Electus, Hopestill, Izanna,<span class='pagenum'><a name="Page_509" id="Page_509">[Pg 509]</a></span> Loannis, Loravia, +Lovice, Orilla, Orison, Osro, Ozoro, Permelia, Philinda, Roavea, +Rozilla, Royal, Salmon, Saloma, Samantha, Silence, Siley, Alamena, Eda, +Aseneth, Bloomy, Syrell, Geneora, Burlin, Idella, Hadasseh, Patrora +(Martainly), Allethina, Philura, and Zebina.</p> + +<p>Some of these names are still extant—most have become obsolete. It +would be a commendable idea should some scholar publish a work +containing the Names of all Nations!</p> + +<hr style="width: 45%;" /> + +<p>Doubtless the reader has heard much of the Wandering Jew and of his +trials, but we venture to say that he has probably not encountered a +more affecting state of the case than is set forth in the following +lyric, translated from the German, in which language it is entitled +'Ahasver,' and beginneth as follows:</p> + +<h4>THE EVERLASTING OLD JEW.</h4> + +<p> +<span style="margin-left: 1em;">'Ich bin der alte</span><br /> +<span style="margin-left: 2.5em;">Ahasver,</span><br /> +<span style="margin-left: 1.5em;">Ich wand're hin,</span><br /> +<span style="margin-left: 2.5em;">Ich wand're her.</span><br /> +<span style="margin-left: 1.5em;">Mein Ruh ist hin,</span><br /> +<span style="margin-left: 2.5em;">Mein Herz ist schwer,</span><br /> +<span style="margin-left: 1.5em;">Ich finde sie nimmer,</span><br /> +<span style="margin-left: 2.5em;">Und nimmermehr.'</span><br /> +<br /> +<span style="margin-left: 1em;">I am the old</span><br /> +<span style="margin-left: 2em;">Ahasuér;</span><br /> +<span style="margin-left: 1em;">I wander here,</span><br /> +<span style="margin-left: 2em;">I wander there.</span><br /> +<span style="margin-left: 1em;">My rest is gone,</span><br /> +<span style="margin-left: 2em;">My heart is sair;</span><br /> +<span style="margin-left: 1em;">I find it never,</span><br /> +<span style="margin-left: 2em;">And nevermair.</span><br /> +<br /> +<span style="margin-left: 1em;">Loud roars the storm,</span><br /> +<span style="margin-left: 2em;">The milldams tear;</span><br /> +<span style="margin-left: 1em;">I cannot perish,</span><br /> +<span style="margin-left: 2em;">O <i>malheur!</i></span><br /> +<span style="margin-left: 1em;">My heart is void,</span><br /> +<span style="margin-left: 2em;">My head is bare;</span><br /> +<span style="margin-left: 1em;">I am the old</span><br /> +<span style="margin-left: 2em;">Ahasuér.</span><br /> +<br /> +<span style="margin-left: 1em;">Belloweth ox</span><br /> +<span style="margin-left: 2em;">And danceth bear,</span><br /> +<span style="margin-left: 1em;">I find them never,</span><br /> +<span style="margin-left: 2em;">Never mair.</span><br /> +<span style="margin-left: 1em;">I'm the old Hebrew</span><br /> +<span style="margin-left: 2em;">On a tare;</span><br /> +<span style="margin-left: 1em;">I order arms:</span><br /> +<span style="margin-left: 2em;">My heart is sair.</span><br /> +<br /> +<span style="margin-left: 1em;">I'm goaded round,</span><br /> +<span style="margin-left: 2em;">I know not where:</span><br /> +<span style="margin-left: 1em;">I wander here,</span><br /> +<span style="margin-left: 2em;">I wander there.</span><br /> +<span style="margin-left: 1em;">I'd like to sleep,</span><br /> +<span style="margin-left: 2em;">But must forbear:</span><br /> +<span style="margin-left: 1em;">I am the old</span><br /> +<span style="margin-left: 2em;">Ahasuér.</span><br /> +<br /> +<span style="margin-left: 1em;">I meet folks alway</span><br /> +<span style="margin-left: 2em;">Unaware:</span><br /> +<span style="margin-left: 1em;">My rest is gone,</span><br /> +<span style="margin-left: 2em;">I'm in despair.</span><br /> +<span style="margin-left: 1em;">I cross all lands,</span><br /> +<span style="margin-left: 2em;">The sea I dare:</span><br /> +<span style="margin-left: 1em;">I travel here,</span><br /> +<span style="margin-left: 2em;">I wander there.</span><br /> +<br /> +<span style="margin-left: 1em;">I feel each pain,</span><br /> +<span style="margin-left: 2em;">I sometimes swear:</span><br /> +<span style="margin-left: 1em;">I am the old</span><br /> +<span style="margin-left: 2em;">Ahasuér.</span><br /> +<span style="margin-left: 1em;">Criss-cross I wander</span><br /> +<span style="margin-left: 2em;">Anywhere;</span><br /> +<span style="margin-left: 1em;">I find it never,</span><br /> +<span style="margin-left: 2em;">Never mair.</span><br /> +<br /> +<span style="margin-left: 1em;">Against the wale</span><br /> +<span style="margin-left: 2em;">I lean my spear;</span><br /> +<span style="margin-left: 1em;">I find no quiet,</span><br /> +<span style="margin-left: 2em;">I declare.</span><br /> +<span style="margin-left: 1em;">My peace is lost,</span><br /> +<span style="margin-left: 2em;">My heart is sair:</span><br /> +<span style="margin-left: 1em;">I swing like pendulum in air.</span><br /> +<br /> +<span style="margin-left: 1em;">I'm hard of hearing,</span><br /> +<span style="margin-left: 2em;">You're aware?</span><br /> +<span style="margin-left: 1em;">Curaçoa is</span><br /> +<span style="margin-left: 2em;">A fine <i>liquéur</i>.</span><br /> +<span style="margin-left: 1em;">I 'listed once</span><br /> +<span style="margin-left: 2em;"><i>En militaire</i>:</span><br /> +<span style="margin-left: 1em;">I find no comfort</span><br /> +<span style="margin-left: 2em;">Anywhere.</span><br /> +<br /> +<span style="margin-left: 1em;">But what's to stop it?</span><br /> +<span style="margin-left: 2em;">Pray declare!</span><br /> +<span style="margin-left: 1em;">My peace is gone.</span><br /> +<span style="margin-left: 2em;">My heart is sair:</span><br /> +<span style="margin-left: 1em;">I am the old</span><br /> +<span style="margin-left: 2em;">Ahasuér.</span><br /> +<span style="margin-left: 1em;">Now I know nothing,</span><br /> +<span style="margin-left: 2em;">Nothing mair.</span><br /> +</p> + +<p>Truly a hard case, and one far surpassing the paltry picturing of Eugène +Sue. There is a vagueness of mind and a senile bewilderment manifested +in this poem, which is indeed remarkable.</p> + +<hr style="width: 45%;" /> + +<p>One fine day, some time ago, <span class="smcap">Savin</span> and <span class="smcap">Pidgeon</span> were walking down Fifth +avenue to their offices.</p> + +<p>A funeral was starting from No. —. On the door plate was the word +<span class="smcap">Irving</span>.</p> + +<p>'Such is life,' said Savin. 'All that is mortal of the great essayist is +being borne to the grave: in fact, the cold and silent tomb.'<span class='pagenum'><a name="Page_510" id="Page_510">[Pg 510]</a></span></p> + +<p>A tear came to Pidgeon's eye. Pidgeon has an enthusiastic veneration for +genius. He adores literary talent.</p> + +<p>'Savin,' said he, 'there is a seat vacant in this carriage. I will enter +it, and pay my last tribute of respect to the illustrious departed. But +I thought he had a place up the river.'</p> + +<p>'This was his town house,' said Savin. 'How I should like to join with +you in your thoughtful remembrance, and in your somewhat unceleritous +journey to the churchyard! But, no, the case of Blackbridge <i>vs.</i> +Bridgeblack will be called at twelve, and I have no time to lose.'</p> + +<p>Pidgeon entered the carriage. There was a large man on the seat, but +Pigeon found room beside him. The carriage slowly moved off. Pidgeon put +his handkerchief to his eyes; the large man coughed and took a chew of +tobacco.</p> + +<p>Presently said Pidgeon:</p> + +<p>'We are following to the grave the remains of a splendid writer.'</p> + +<p>'Uncommon,' said the large man. 'Sech a man with a pen <i>I</i> never +see—ekalled by few, and excelled by none; copperplate wasn't nowhere.'</p> + +<p>'Indeed,' replied Pidgeon, 'I wasn't aware his chirography was so +unusually elegant; but his books were magnificent, weren't they? So +equable, too, and without that bold speculation that we too often meet +with, nowadays.'</p> + +<p>'Ah, you may well say so,' returned the large man. 'He always kept them +himself; had 'em sent up to his house whenever he was sick, likeways; +but he wasn't without his bold speculations neither. Look at that there +operation of his into figs, last year.'</p> + +<p>'Figs!'</p> + +<p>'Figs, yes; and there was dates into the same cargo.'</p> + +<p>'Dates! figs! My good friend, do you mean to say that the great +Washington Irving speculated in groceries?'</p> + +<p>'Lord, no, not that <i>I</i> know of. This here is Josh Irving, whose +remains'—</p> + +<p>Pidgeon opened the carriage door, and, being agile, got out without +stopping the procession. Arriving at his office, where the boy was +diligently occupied in sticking red wafers over the velvet of his desk +lid, he took down 'Sugden on Vendors,' to ascertain if there was any +legal remedy for the manner in which he had been sold, and at the latest +dates had unsuccessfully travelled nearly half through that very +entertaining volume.</p> + +<p><span class="smcap">There</span> is no time to be lost. Either the Union is to be made stronger, or +it is to perish; and the sooner every man's position is defined, the +better. If you are opposed to the war, say so, and step over to +Secession, but do not falter and equivocate, croak and grumble, and play +the bat of the fable. The manly, good, old-fashioned Democrats, at +least, are above this, and are rapidly dividing from the copperheads. +The Philadelphia <i>Evening Bulletin</i>, a staunch patriotic journal, says:</p> + +<p>'The sooner that the fact is made clear that the mass of the Democrats, +as well as of all other parties, are loyal and opposed to the infamous +teachings of Vallandigham, Biddle, Reed, Ingersoll, Wood, and their +compeers, the sooner will the war be brought to an end and the Union be +restored.'</p> + +<p>Show your colors. Let us know at once who and what everybody is, in this +great struggle.</p> + +<hr style="width: 45%;" /> + +<h4>LOVE-LIFE.</h4> + +<p> +<span style="margin-left: 1em;">In a forest lone, 'neath a mossy stone,</span><br /> +<span style="margin-left: 2em;">Pale flowrets grew:</span><br /> +<span style="margin-left: 1em;">No sunlight fell in the sombre dell,</span><br /> +<span style="margin-left: 2em;">Raindrop nor dew.</span><br /> +<br /> +<span style="margin-left: 1em;">Bring them to light, where all is bright,</span><br /> +<span style="margin-left: 2em;">See if they grow?</span><br /> +<span style="margin-left: 1em;">Yes, stem and leaf are green,</span><br /> +<span style="margin-left: 1em;">While, hid in crimson sheen,</span><br /> +<span style="margin-left: 2em;">The petals glow.</span><br /> +<br /> +<span style="margin-left: 1em;">Girl blossoms, too, love the sun and dew,</span><br /> +<span style="margin-left: 2em;">And the soft air:</span><br /> +<span style="margin-left: 1em;">Hidden from love's eye they fade and die,</span><br /> +<span style="margin-left: 1em;">In city low or cloister high,</span><br /> +<span style="margin-left: 2em;">Yes, everywhere.</span><br /> +<br /> +<span style="margin-left: 1em;">Give them but love, the fire from above,</span><br /> +<span style="margin-left: 2em;">And they will grow,</span><br /> +<span style="margin-left: 1em;">The once cold children of the gloom,</span><br /> +<span style="margin-left: 1em;">Rich in their bloom, shedding perfume</span><br /> +<span style="margin-left: 2em;">On high and low.</span><br /> +</p> + +<hr style="width: 45%;" /> + +<p>We beg leave to remind our readers that Mr. <span class="smcap">Leland's</span> new book, <i>Sunshine +in Thought</i>, retail price $1, is given as a premium to all who subscribe +$3 in advance to the <span class="smcap">Continental Monthly</span>. Will the reader permit us to +call attention to the following notice of the work from the Philadelphia +<i>Evening Bulletin</i>:</p> + +<div class="blockquot"><p>'A beautiful volume, entitled <i>Sunshine in Thought</i>, by Charles +Godfrey Leland, has just been published by Charles T. Evans. No +work from Mr. Leland's pen has afforded us so much pleasure, and we +recommend it to all who<span class='pagenum'><a name="Page_511" id="Page_511">[Pg 511]</a></span> want and relish bright, refreshing, +cheering reading. It consists of a number of essays, the main idea +of which is to inculcate joyousness in thought and feeling, in +opposition to the sickly, sentimental seriousness which is so much +affected in literature and in society. That a volume based on this +one idea should be filled with reading that is never tiresome, is a +proof of great cleverness. But Mr. Leland's varied learning, and +his extensive acquaintance with foreign as well as English +literature, combine with his native talent to qualify him for such +a work. He has done nothing so well, not even his admirable +translation of Heine's <i>Reisebilder</i>. He is thoroughly imbued with +the spirit of his motto, '<i>Hilariter</i>,' and in expressing his +bright thoughts, he has been peculiarly felicitous in style. +Nothing of his that we have read shows so much elegance and polish. +Every chapter in the book is delightful, but we especially enjoyed +that on 'Tannhæuser,' with the fine translation and subsequent +elucidation of the famous legend.' But the boldest and most +original chapter is the concluding one, with its strange +speculations on 'The Musical After-Life of the Soul,' and the +after-death experience of 'Dione' and 'Bel-er-oph-on,' which the +author characterizes in the conclusion as 'an idle, fantastic, +foolish dream.' So it may be, but it is as vividly told as any +dream of the Opium-Eater or the Hasheesh-Eater. Mr. Leland is to be +congratulated on his <i>Sunshine in Thought</i>. It is a book that will +be enjoyed by every reader of culture, and its effect will be good +wherever it is read.'</p></div> + +<p>The aim proposed in this work is one of great interest at the present +time, or, as the Philadelphia <i>North American</i> declares, 'is a great and +noble one'—'to aid in fully developing the glorious problem of freeing +labor from every drawback, and of constantly raising it and intellect in +the social scale.' 'Mr. <span class="smcap">Leland</span> believes that one of the most powerful +levers for raising labor to its true position in the estimation of the +world, is the encouragement of cheerfulness and joyousness in every +phase of literature and of practical life.' 'The work is one long, +glowing sermon, the text of which is the example of Jesus Christ.'</p> + +<p class="author"> +E. K. +</p> + + + +<hr style="width: 45%;" /> +<h4><a name="BUST-HEAD_WHISKEY" id="BUST-HEAD_WHISKEY"></a>BUST-HEAD WHISKEY.</h4> + + +<p>For two days the quiet of the Rising Sun Tavern, in the quaint little +town of Shearsville, Ohio, was disturbed by a drunken Democratic member +of the Pennsylvania Legislature, who visited the town in order to +address what he hoped would turn out to be the assembled multitude of +copperheads, but which proved after all no great snakes!</p> + +<p>For two days this worthless vagabond insulted travellers stopping at the +tavern, until at last the landlord's wife, a woman of some intelligence, +determined to have her revenge, since no man on the premises had pluck +enough to give the sot the thrashing he so well merited.</p> + +<p>On the third day, after a very severe night's carouse on bust-head +whiskey, the Pennsylvanian appeared at the breakfast table, looking +sadly the worse for wear, and having an awful headache. The landlady +having previously removed the only looking glass in the tavern—one +hanging in the barroom—said to the beast as he sat down to table:</p> + +<p>'Poor man! oh, what <i>is</i> the matter with your face? It is terribly +swollen, and your whole head too. Can't I do something for you? send for +the doctor, or'—</p> + +<p>The legislator, who was in a state of half-besottedness, listened with +sharp ears to this remark, but believing the landlady was only making +fun of him, interrupted her with—</p> + +<p>'There ain't nothin' the matter with my head. I'm all right; only a +little headache what don't 'mount to nothing.'</p> + +<p>But a man who sat opposite to him at table, and who had his clue from +the landlady, said with an alarmed look—</p> + +<p>'I say, mister, I don't know it's any of my business, but I'll be hanged +for a horse thief, if your head ain't swelled up twicet its nat'ral +size. You'd better do something for it, I'm thinking.'</p> + +<p>The drunken legislator! (Legislator, <i>n.</i> One who makes laws for a +state: vide dictionary) believing at last that his face must in fact be +swollen, since several other travellers, who were in the plot, also +spoke to him of his shocking appearance, got up from the table and went +out to the barroom to consult the looking glass, such luxuries not being +placed in the chambers. But there was no glass there. After some time he +found the landlady, and she told him that the barroom glass was broken, +but she could lend him a small one; which she at once gave him.</p> + +<p>The poor sot, with trembling hand, held it in front of his face, and +looked in.</p> + +<p>'Well,' said he, 'if that ain't a swelled head I hope I may never be a +senator! or sell my vote again at Harrisburg.'</p> + +<p>'Poor man!' exclaimed the bystanders.</p> + +<p>'Fellers,' said the legislator, 'wot d'ye think I'd better do?' Here he +gave another hard look in the glass. 'I ought to be back in Harrisburg +right off, but I cant go with a head like that onto me. Nobody'd give me +ten cents to vote for 'em with such a head as that. It's a'<span class='pagenum'><a name="Page_512" id="Page_512">[Pg 512]</a></span>—</p> + +<p>'Big thing,' interrupted a bystander.</p> + +<p>'Fellers,' said the blackguard, 'I'll kill a feller any day of the week, +with old rye, if he'll only tell er feller how to cure this head of +mine.'</p> + +<p>'Have it shaved, sir, by all means,' spoke the landlady: 'shaved at +once, and then a mild fly blister will draw out the inflammation, and +the swelling will go down. Don't you think so, doctor?'</p> + +<p>The doctor thus addressed was a cow doctor, but, accustomed to attending +brutes, his advice was worth something in the present case; so he also +recommended shaving and blistering.</p> + +<p>'I'll go git the barber right off the reel, sha'n't I?' asked the +doctor, to which the legislator assenting, it chanced that in fifteen +minutes his head was as bald as a billiard ball, and in a few more was +covered with a good-sized fly blister.</p> + +<p>'Ouch—good woman—how it hurts!' he cried. But that was only the +beginning of it.</p> + +<p>'Ee-ea-ah!' he roared, as it grew hotter and hotter. One might have +heard him a mile. The neighbors did hear it, and rushed in. The joke was +'contaminated' round among them, and they enjoyed it. He had disgusted +them all.</p> + +<p>'Golly! what a big head!' cried a bystander.</p> + +<p>The legislator took another look at the glass. They held it about a yard +from him.</p> + +<p>'It's gittin' smaller, ain't it?' he groaned.</p> + +<p>'Yes, it's wiltin',' said the landlady. 'Now go to bed.'</p> + +<p>He went, and on rising departed. Whether he ever became an honest man is +not known, but the legend says he has from that day avoided 'bust-head +whiskey.'</p> + +<hr style="width: 45%;" /> + +<p>Don't you <i>see</i> it, reader? The landlady had shown him his face in a +convex mirror—one of those old-fashioned things, which may occasionally +be found in country taverns.</p> + +<hr style="width: 45%;" /> + +<h4>WAR-WAIFS.</h4> + +<p>The chronicles of war in all ages show us that this internecine strife +into which we of the North have been driven by those who will eventually +rue the necessity, is by no manner of means the first in which brother +has literally been pitted against brother in the deadly 'tug of war.' +The fiercest conflict of the kind, however, which we can at present call +up from the memory of past readings, was one in which <span class="smcap">Theodebert</span>, king +of Austria, took the field against his own brother, <span class="smcap">Thierri</span>, king of +Burgundy. Historians tell us that, so close was the hand-to-hand +fighting in this battle, slain soldiers did not fall until the <i>mélée</i> +was over, but were borne to and fro in an upright position amid the +serried ranks.</p> + +<hr style="width: 45%;" /> + +<p>Although many and many of England's greatest battles have been won for +her by her Irish soldiers, it is not always that the latter can be +depended upon by her. With the Celt, above all men, 'blood is thicker +than water;' and, although he is very handy at breaking the head of +another Celt with a blackthorn 'alpeen,' in a free faction fight, he +objects to making assaults upon his fellow countrymen with the 'pomp and +circumstance of war.' A striking instance of this occurred during the +Irish rebellion of 1798. The 5th Royal Irish Light Dragoons refused to +charge upon a body of the rebels when the word was given. Not a man or +horse stirred from the ranks. Here was a difficult card to play, now, +for the authorities, because it would have been inconvenient to try the +whole regiment by court martial, and the soldiers were quite too +valuable to be mowed down <i>en masse</i>. The only course left was to +disband the regiment, which was done. The disaffected men were +distributed into regiments serving in India and other remote colonies, +and the officers, none of whom, we believe, were involved in the mutiny, +were provided for in various quarters. The circumstance was commemorated +in a curious way. It was ordered that the 5th Royal Irish Light Dragoons +should be erased from the records of the army list, in which a blank +between the 4th and 6th Dragoons should remain forever, as a memorial of +disgrace. For upward of half a century this gap remained in the army +list, as anybody may see by referring to any number of that publication +of half-a-dozen years back. The regiment was revived during, or just +after, the Crimean war, and the numbers in the army list are once more +complete.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="THE" id="THE"></a>THE</h2> + +<h2>CONTINENTAL MONTHLY.</h2> + + + +<p>The readers of the <span class="smcap">Continental</span> are aware of the important position it +has assumed, of the influence which it exerts, and of the brilliant +array of political and literary talent of the highest order which +supports it. No publication of the kind has, in this country, so +successfully combined the energy and freedom of the daily newspaper with +the higher literary tone of the first-class monthly; and it is very +certain that no magazine has given wider range to its contributors, or +preserved itself so completely from the narrow influences of party or of +faction. In times like the present, such a journal is either a power in +the land or it is nothing. That the <span class="smcap">Continental</span> is not the latter is +abundantly evidenced <i>by what it has done</i>—by the reflection of its +counsels in many important public events, and in the character and power +of those who are its staunchest supporters.</p> + +<p>Though but little more than a year has elapsed since the <span class="smcap">Continental</span> was +first established, it has during that time acquired a strength and a +political significance elevating it to a position far above that +previously occupied by any publication of the kind in America. In proof +of which assertion we call attention, to the following facts:</p> + +<blockquote><p>1. Of its <span class="smcap">POLITICAL</span> articles republished in pamphlet form, a single one +has had, thus far, a circulation of <i>one hundred and six thousand</i> +copies.</p> + +<p>2. From its <span class="smcap">LITERARY</span> department, a single serial novel, "Among the +Pines," has, within a very few months, sold nearly <i>thirty-five +thousand</i> copies. Two other series of its literary articles have also +been republished in book form, while the first portion of a third is +already in press.</p></blockquote> + +<p>No more conclusive facts need be alleged to prove the excellence of the +contributions to the <span class="smcap">Continental</span>, or their <i>extraordinary popularity</i>; +and its conductors are determined that it shall not fall behind. +Preserving all "the boldness, vigor, and ability" which a thousand +journals have attributed to it, it will greatly enlarge its circle of +action, and discuss, fearlessly and frankly, every principle involved in +the great questions of the day. The first minds of the country, +embracing the men most familiar with its diplomacy and most +distinguished for ability, are among its contributors; and it is no mere +"flattering promise of a prospectus" to say that this "magazine for the +times" will employ the first intellect in America, under auspices which +no publication ever enjoyed before in this country.</p> + +<p>While the <span class="smcap">Continental</span> will express decided opinions on the great +questions of the day, it will not be a mere political journal: much the +larger portion of its columns will be enlivened, as heretofore, by +tales, poetry, and humor. In a word, the <span class="smcap">Continental</span> will be found, +under its new staff of Editors, occupying, a position and presenting +attractions never before found in a magazine.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="TERMS_TO_CLUBS" id="TERMS_TO_CLUBS"></a>TERMS TO CLUBS.</h2> + + +<div class='centered'> +<table border="0" cellpadding="2" cellspacing="0" width="50%" summary="TERMS TO CLUBS"> +<tr><td align='left'>Two copies for one year,</td><td align='right'>Five dollars.</td></tr> +<tr><td align='left'>Three copies for one year,</td><td align='right'>Six dollars.</td></tr> +<tr><td align='left'>Six copies for one year,</td><td align='right'>Eleven dollars.</td></tr> +<tr><td align='left'>Eleven copies for one year,</td><td align='right'>Twenty dollars.</td></tr> +<tr><td align='left'>Twenty copies for one year,</td><td align='right'>Thirty-six dollars.</td></tr> +</table></div> + +<p class="center"> +PAID IN ADVANCE.<br /> +<br /> +<i>Postage, Thirty-six cents a year</i>, <span class="smcap">to be paid by the Subscriber</span>.<br /> +<br /> +SINGLE COPIES.<br /> +<br /> +Three dollars a year, <span class="smcap">IN ADVANCE</span>. <i>Postage paid by the Publisher.</i>><br /> +<br /> +<br /> +JOHN F. TROW, 50 Greene St, N.Y.,<br /> +<br /> +PUBLISHER FOR THE PROPRIETORS. +</p> + +<div class="figleft" style="width: 40px;"> +<img src="images/imgfinger.jpg" width="40" height="25" style="margin-top: -2em;" alt="" title="pointing finger" /> +</div> +<p>As an inducement to new subscribers, the Publisher +offers the following liberal premiums:</p> + +<div class="figleft" style="width: 40px;"> +<img src="images/imgfinger.jpg" width="40" height="25" style="margin-top: -3em;" alt="" title="pointing finger" /> +</div> +<p>Any person remitting $3, in advance, will receive the +magazine from July, 1862, to January, 1864, thus securing the whole of +Mr. <span class="smcap">Kimball</span>'s and Mr. <span class="smcap">Kirke</span>'s new serials, which are alone worth the +price of subscription. Or, if preferred, a subscriber can take the +magazine for 1863 and a copy of "Among the Pines," or of "Undercurrents +of Wall Street," by <span class="smcap">R. B. Kimball</span>, bound in cloth, or of "Sunshine in +Thought," by <span class="smcap">Charles Godfrey Leland</span> (retail price, $1.25.) The book to +be sent postage paid.</p> + +<div class="figleft" style="width: 40px;"> +<img src="images/imgfinger.jpg" width="40" height="25" style="margin-top: -3em;" alt="" title="pointing finger" /> +</div> +<p>Any person remitting $4.50, will receive the magazine +from its commencement, January, 1862, to January, 1864, thus securing +Mr. <span class="smcap">Kimball</span>'s "Was He Successful?" and Mr. <span class="smcap">Kirke</span>'s "Among the Pines," +and "Merchant's Story," and nearly 3,000 octavo pages of the best +literature in the world. Premium subscribers to pay their own postage.</p> + +<hr style="width: 65%;" /> +<div class="figcenter"><img src="images/imgffl.jpg" alt="Finest Farming Lands" title="Finest Farming Lands" /></div> + + +<h3><b>EQUAL TO ANY IN THE WORLD!!!</b></h3> + +<h3>MAY BE PROCURED</h3> + +<h4><b>At FROM $8 to $12 PER ACRE,</b></h4> + +<p class="center">Near Markets, Schools, Railroads, Churches, and all the blessings of +Civilization.</p> + +<p class="center">1,200,000 Acres, in Farms of 40, 80, 120, 160 Acres and upwards, in +ILLINOIS, the Garden State of America.</p> + +<hr style="width: 45%;" /> + +<blockquote> +<p class="center">The Illinois Central Railroad Company offer, ON LONG CREDIT, the +beautiful and fertile PRAIRIE LANDS lying along the whole line of their +Railroad. 700 MILES IN LENGTH, upon the most Favorable Terms for +enabling Farmers, Manufacturers, Mechanics and Workingmen to make for +themselves and their families a competency, and a HOME they can call +THEIR OWN, as will appear from the following statements:</p> + +<p>ILLINOIS.</p> + +<p>Is about equal in extent to England, with a population of 1,722,666, and +a soil capable of supporting 20,000,000. No State in the Valley of the +Mississippi offers so great an inducement to the settler as the State of +Illinois. There is no part of the world where all the conditions of +climate and soil so admirably combine to produce those two great +staples, <span class="smcap">Corn</span> and <span class="smcap">Wheat</span>.</p> + +<p>CLIMATE.</p> + +<p>Nowhere can the Industrious farmer secure such immediate results from +his labor as on these deep, rich, loamy soils, cultivated with so much +ease. The climate from the extreme southern part of the State to the +Terre Haute, Alton and St. Louis Railroad, a distance of nearly 200 +miles, is well adapted to Winter.</p> + +<p>WHEAT, CORN, COTTON, TOBACCO.</p> + +<p>Peaches, Pears, Tomatoes, and every variety of fruit and vegetables is +grown in great abundance, from which Chicago and other Northern markets +are furnished from four to six weeks earlier than their immediate +vicinity. Between the Terre Haute, Alton & St. Louis Railway and the +Kankakee and Illinois Rivers, (a distance of 115 miles on the Branch, +and 136 miles on the Main Trunk,) lies the great Corn and Stock raising +portion of the State.</p> + +<p>THE ORDINARY YIELD</p> + +<p>of Corn is from 60 to 80 bushels per acre. Cattle, Horses, Mules, Sheep +and Hogs are raised here at a small cost, and yield large profits. It is +believed that no section of country presents greater inducements for +Dairy Farming than the Prairies of Illinois, a branch of farming to +which but little attention has been paid, and which must yield sure +profitable results. Between the Kankakee and Illinois Rivers, and +Chicago and Dunleith, (a distance of 56 miles on the Branch and 147 +miles by the Main Trunk,) Timothy Hay, Spring Wheat, Corn, &c., are +produced in great abundance.</p> + +<p>AGRICULTURAL PRODUCTS.</p> + +<p>The Agricultural products of Illinois are greater than those of any +other State. The Wheat crop of 1861 was estimated at 35,000,000 bushels, +while the Corn crop yields not less than 140,000,000 bushels besides the +crop of Oats, Barley, Rye, Buckwheat, Potatoes, Sweet Potatoes, +Pumpkins, Squashes, Flax, Hemp, Peas, Clover, Cabbage, Beets, Tobacco, +Sorgheim, Grapes, Peaches, Apples, &c., which go to swell the vast +aggregate of production in this fertile region. Over Four Million tons +of produce were sent out the State of Illinois during the past year.</p> + +<p>STOCK RAISING.</p> + +<p>In Central and Southern Illinois uncommon advantages are presented for +the extension of Stock raising. All kinds of Cattle, Horses, Mules, +Sheep, Hogs, &c., of the best breeds, yield handsome profits; large +fortunes have already been made, and the field is open for others to +enter with the fairest prospects of like results. Dairy Farming also +presents its inducements to many.</p> + +<p>CULTIVATION OF COTTON.</p> + +<p>The experiments in Cotton culture are of very great promise. Commencing +in latitude 39 deg. 30 min. (see Mattoon on the Branch, and Assumption +on the Main Line), the Company owns thousands of acres well adapted to +the perfection of this fibre. A settler having a family of young +children, can turn their youthful labor to a most profitable account in +the growth and perfection of this plant.</p> + +<p>THE ILLINOIS CENTRAL RAILROAD</p> + +<p>Traverses the whole length of the State, from the banks of the +Mississippi and Lake Michigan to the Ohio. As its name imports, the +Railroad runs through the centre of the State, and on either side of the +road along its whole length lie the lands offered for sale.</p> + +<p>CITIES, TOWNS, MARKETS, DEPOTS.</p> + +<p>There are Ninety-eight Depots on the Company's Railway, giving about one +every seven miles. Cities, Towns and Villages are situated at convenient +distances throughout the whole route, where every desirable commodity +may be found as readily as in the oldest cities of the Union, and where +buyers are to be met for all kinds of farm produce.</p> + +<p>EDUCATION.</p> + +<p>Mechanics and working-men will find the free school system encouraged by +the State, and endowed with a large revenue for the support of the +schools. Children can live in sight of the school, the college, the +church, and grow up with the prosperity of the leading State in the +Great Western Empire.</p> + +<hr style='width: 45%;' /> + +<h4>PRICES AND TERMS OF PAYMENT—ON LONG CREDIT.</h4> + +<p class='center'> +80 acres at $10 per acre, with interest at 6 per ct. annually +on the following terms:</p> + +<div class="centered"> +<table border="0" cellpadding="2" width="65%" cellspacing="0" summary="Cost of Land"> +<tr><td align='center'>Cash payment</td><td align='left'> </td><td align='right'>$48 00</td></tr> +<tr><td align='center'>Payment</td><td align='left'>in one year</td><td align='right'>48 00</td></tr> +<tr><td align='center'>"</td><td align='left'>in two years</td><td align='right'>48 00</td></tr> +<tr><td align='center'>"</td><td align='left'>in three years</td><td align='right'>48 00</td></tr> +<tr><td align='center'>"</td><td align='left'>in four years</td><td align='right'>236 00</td></tr> + +<tr><td align='center'>"</td><td align='left'>in five years</td><td align='right'>224 00</td></tr> +<tr><td align='center'>"</td><td align='left'>in six years</td><td align='right'>212 00</td></tr> +</table></div> + +<p class='center'>40 acres, at $10 00 per acre:</p> + +<div class="centered"> +<table border="0" cellpadding="2" width="65%" cellspacing="0" summary="Cost of Land"> +<tr><td align='center'>Cash payment</td><td align='left'> </td><td align='right'>$24 00</td></tr> + +<tr><td align='center'>Payment</td><td align='left'>in one year</td><td align='right'>24 00</td></tr> +<tr><td align='center'>"</td><td align='left'>in two years</td><td align='right'>24 00</td></tr> +<tr><td align='center'>"</td><td align='left'>in three years</td><td align='right'>24 00</td></tr> +<tr><td align='center'>"</td><td align='left'>in four years</td><td align='right'>118 00</td></tr> +<tr><td align='center'>"</td><td align='left'>in five years</td><td align='right'>112 00</td></tr> + +<tr><td align='center'>"</td><td align='left'>in six years</td><td align='right'>106 00</td></tr> +</table></div> +</blockquote> + +<hr style="width: 65%;" /> + +<blockquote><p><span class="left">Number 17.</span><span class="right">25 Cents.</span><br /></p> +</blockquote> +<h2>THE<br /> + +CONTINENTAL<br /> + +MONTHLY.</h2> + +<h3>DEVOTED TO</h3> + +<h4>Literature and National Policy.</h4> + + +<h4>MAY, 1863.</h4> + + +<p class="center"> + NEW YORK:<br /> + JOHN F. TROW 50 GREENE STREET<br /> + (FOR THE PROPRIETORS).<br /><br /> + + HENRY DEXTER AND SINCLAIR TOUSEY.<br /> + WASHINGTON, D.C.: FRANCK TAYLOR. +</p> + + + + +<hr style="width: 65%;" /> +<h2><a name="CONTENTS_No_XVII" id="CONTENTS_No_XVII"></a>CONTENTS.—No. XVII.</h2> + + +<div class='centered'> +<table border="0" cellpadding="2" cellspacing="0" width="80%" summary="CONTENTS.—No. XVII."> +<tr><td align='left'>The Great Prairie State. By Mrs. C. M. Kirkland,</td><td align='right'>513</td></tr> +<tr><td align='left'>A Winter in Camp. By E. G. Hammond,</td><td align='right'>519</td></tr> +<tr><td align='left'>In Memoriam. By Richard Wolcott,</td><td align='right'>527</td></tr> +<tr><td align='left'>A Merchant's Story. By Edmund Kirke,</td><td align='right'>528</td></tr> +<tr><td align='left'>Shylock <i>vs.</i> Antonio. By Carlton Edwards</td><td align='right'>539</td></tr> +<tr><td align='left'>A Heroine of To-Day,</td><td align='right'>543</td></tr> +<tr><td align='left'>National Ode,</td><td align='right'>554</td></tr> +<tr><td align='left'>The Surrender of Forts Jackson and St. Philip, on the Mississippi. By F. H. Gerdes. Assistant U. S. Coast Survey,</td><td align='right'>557</td></tr> +<tr><td align='left'>Reason, Rhyme, and Rhythm. By Mrs. Martha Cook,</td><td align='right'>562</td></tr> +<tr><td align='left'>The Value of the Union. By William H. Muller,</td><td align='right'>571</td></tr> +<tr><td align='left'>War Song—Earth's Last Battle. By Mrs. Martha Cook,</td><td align='right'>586</td></tr> +<tr><td align='left'>Miriam's Testimony. By M. A. Edwards,</td><td align='right'>589</td></tr> +<tr><td align='left'>The Destiny of the African Race in the United States. By Rev. J. M. Sturtevant, D.D.,</td><td align='right'>600</td></tr> + +<tr><td align='left'>Was He Successful? By Richard B. Kimball,</td><td align='right'>611</td></tr> +<tr><td align='left'>The Union. By Hon. Robert J. Walker,</td><td align='right'>615</td></tr> +<tr><td align='left'>The Causes and Results of the War. By Lieut. Egbert Phelps, U.S.A</td><td align='right'>617</td></tr> + +<tr><td align='left'>Great Heart,</td><td align='right'>629</td></tr> +<tr><td align='left'>Literary Notices</td><td align='right'>630</td></tr> +</table></div> + +<p class="center">The June No. of the Continental will contain an article on 'The +Confederation and the Nation,' by Edward Carey.</p> + +<hr style="width: 45%;" /> + +<blockquote><p><span class="smcap">Entered</span>, according to Act of Congress, in the year 1862, by <span class="smcap">James R. +Gilmore</span>, in the Clerk's Office of the District Court of the United +States for the Southern District of New York.</p></blockquote> + +<hr style="width: 45%;" /> + +<p class="center"><span class="smcap">John F. Trow, Printer.</span></p> + +<div class="footnotes"><h3>FOOTNOTES:</h3> + +<div class="footnote"><p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> This alliance may be fanciful (though we observe some of +the best German lexicographers have it so); a better origin might, +perhaps, be found in the Sanscrit <i>mri</i>, etc.</p></div> + +<div class="footnote"><p><a name="Footnote_2_2" id="Footnote_2_2"></a><a href="#FNanchor_2_2"><span class="label">[2]</span></a> 'Les Orientals,' par <span class="smcap">Victor Hugo</span>. <i>Le Feu du ciel.</i></p></div> + +<div class="footnote"><p><a name="Footnote_3_3" id="Footnote_3_3"></a><a href="#FNanchor_3_3"><span class="label">[3]</span></a> The 'by' may, however, have the force of going or passing, +equivalent to 'fare' in 'farewell,' or 'welfare,' <i>i. e.</i>, may you have +a good passage or journey.</p></div> + +<div class="footnote"><p><a name="Footnote_4_4" id="Footnote_4_4"></a><a href="#FNanchor_4_4"><span class="label">[4]</span></a> 'Past and Present,' pp. 128, 129.</p></div> + +<div class="footnote"><p><a name="Footnote_5_5" id="Footnote_5_5"></a><a href="#FNanchor_5_5"><span class="label">[5]</span></a> Compare with this the Latin <i>mundus</i>, which is exactly +analogous in signification.</p></div> + +<div class="footnote"><p><a name="Footnote_6_6" id="Footnote_6_6"></a><a href="#FNanchor_6_6"><span class="label">[6]</span></a> En-voir.</p></div> + +<div class="footnote"><p><a name="Footnote_7_7" id="Footnote_7_7"></a><a href="#FNanchor_7_7"><span class="label">[7]</span></a> Perhaps nothing could better prove how profoundly +<i>religious</i> were the Latins than a word compounded of the above; namely +'profane.' A 'fanatic' was one who devoted himself to the <i>fanum</i> or +temple—'profane' is an object devoted to <i>anything else +'pro'</i>—<i>instead of</i>—the '<i>fanum</i>,' or fane.</p></div> + +<div class="footnote"><p><a name="Footnote_8_8" id="Footnote_8_8"></a><a href="#FNanchor_8_8"><span class="label">[8]</span></a> The word is more properly oriental than Greek, <i>e. g.</i>, +Hebrew, <i>pardes</i>, and Sanscrit, <i>paradêsa</i>.</p></div> + +<div class="footnote"><p><a name="Footnote_9_9" id="Footnote_9_9"></a><a href="#FNanchor_9_9"><span class="label">[9]</span></a> See the Italian <i>setvaggio</i> and the Spanish <i>salvage</i>, in +which a more approximate orthography has been retained.</p></div> + +<div class="footnote"><p><a name="Footnote_10_10" id="Footnote_10_10"></a><a href="#FNanchor_10_10"><span class="label">[10]</span></a> <span class="smcap">Ovid</span>. <i>Metamorphoseon</i>, lib. xi. v. 183.</p></div> + +<div class="footnote"><p><a name="Footnote_11_11" id="Footnote_11_11"></a><a href="#FNanchor_11_11"><span class="label">[11]</span></a> Hæc autem erat Gnosticorum doctrina ethica, quod omnem +virtutem in prudentia sitim esse credebant, quam Ophitæ per <i>Metem</i> +(Sophiam) et Serpentem exprimebant, desumpto iterum ex Evangelii +præcepto; <i>estote prudentes ut serpentes</i>,—ob innatem hujus animalis +astutiam?—<span class="smcap">Von Hammer</span>, <i>Fundgruben des Orients</i>, tom. vi. p. 85.</p></div> + +<div class="footnote"><p><a name="Footnote_12_12" id="Footnote_12_12"></a><a href="#FNanchor_12_12"><span class="label">[12]</span></a> <i>New Curiosities of Literature.</i> By <span class="smcap">Geo. Soane</span>, London, +1849.</p></div> + +<div class="footnote"><p><a name="Footnote_13_13" id="Footnote_13_13"></a><a href="#FNanchor_13_13"><span class="label">[13]</span></a> <i>Developpement des Abus introduits dans la Franc +Maçonnerie.</i> Ecossois de Saint <span class="smcap">André</span> d'Écosse, &c., &c. Paris, 1780.</p></div> + +<div class="footnote"><p><a name="Footnote_14_14" id="Footnote_14_14"></a><a href="#FNanchor_14_14"><span class="label">[14]</span></a> London. Trübner &. Co., No. 60 Paternoster Row. 1861.</p></div> + +<div class="footnote"><p><a name="Footnote_15_15" id="Footnote_15_15"></a><a href="#FNanchor_15_15"><span class="label">[15]</span></a> 'Tota hæc humanæ vitæ fabula, quæ universitatem naturæ et +generis humani historiam constituit tota prius in intellectu divino +præconcepta fuit cum infinitis aliis.'—<span class="smcap">Leibnitz</span>, <i>Theodicæa</i>, part 11, +p. 149.</p></div> + +<div class="footnote"><p><a name="Footnote_16_16" id="Footnote_16_16"></a><a href="#FNanchor_16_16"><span class="label">[16]</span></a> Tickner and Fields' edition of Waverley Novels, Boston, +1858.</p></div> + +<div class="footnote"><p><a name="Footnote_17_17" id="Footnote_17_17"></a><a href="#FNanchor_17_17"><span class="label">[17]</span></a> <i>The Poetry of the East.</i> By <span class="smcap">William Rounseville Alger</span>. +Boston. Whittemore, Niles & Hall, 1856.</p></div> + +<div class="footnote"><p><a name="Footnote_18_18" id="Footnote_18_18"></a><a href="#FNanchor_18_18"><span class="label">[18]</span></a> +</p><p><br /> +<span style="margin-left: 1em;">Μἡνιν αειδε θεἁ, Πηλιἁδεω, Ἁχιλἡος,</span><br /> +<span style="margin-left: 1em;">Ουλομἑνην, ἡ μυρἱ Ἁχαιοἱς αλγε ἑθηκεν,</span><br /> +<span style="margin-left: 1em;">Πολλἁς δ' ιφθἱμους ψυχἁς Ἁἱδι προταψεν</span><br /> +<span style="margin-left: 1em;">Ἡρὡων, αυτοὑς δἑ ελὡρια τεὑχε κὑεσσιν</span><br /> +</p><p> +<span style="margin-left: 14em;">Κ. Τ. Λ.</span><br /> +</p> +</div> + +<div class="footnote"><p><a name="Footnote_19_19" id="Footnote_19_19"></a><a href="#FNanchor_19_19"><span class="label">[19]</span></a> 'Not too much.'</p></div> + + + +</div> + + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Continental Monthly, Vol. III, No IV, +April 1863, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK CONTINENTAL MONTHLY, APRIL 1863 *** + +***** This file should be named 29736-h.htm or 29736-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/7/3/29736/ + +Produced by Joshua Hutchinson and the Online Distributed +Proofreading Team at https://www.pgdp.net (This file was +produced from images generously made available by Cornell +University Digital Collections) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/29736-h/images/imgffl.jpg b/29736-h/images/imgffl.jpg Binary files differnew file mode 100644 index 0000000..28db1fc --- /dev/null +++ b/29736-h/images/imgffl.jpg diff --git a/29736-h/images/imgfinger.jpg b/29736-h/images/imgfinger.jpg Binary files differnew file mode 100644 index 0000000..52e4dc6 --- /dev/null +++ b/29736-h/images/imgfinger.jpg diff --git a/29736.txt b/29736.txt new file mode 100644 index 0000000..9134e5b --- /dev/null +++ b/29736.txt @@ -0,0 +1,9433 @@ +The Project Gutenberg EBook of Continental Monthly, Vol. III, No IV, April +1863, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Continental Monthly, Vol. III, No IV, April 1863 + Devoted to Literature and National Policy + +Author: Various + +Release Date: August 19, 2009 [EBook #29736] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK CONTINENTAL MONTHLY, APRIL 1863 *** + + + + +Produced by Joshua Hutchinson and the Online Distributed +Proofreading Team at https://www.pgdp.net (This file was +produced from images generously made available by Cornell +University Digital Collections) + + + + + + + + + + + + THE + + CONTINENTAL MONTHLY: + + DEVOTED TO + + LITERATURE AND NATIONAL POLICY. + + + VOL. III.--APRIL, 1863.--No. IV. + + + + +THE WONDERS OF WORDS. + + +Every nation has its legend of a 'golden age'--when all was young and +fresh and fair--'_comme les couleurs primitives de la nature_'--even +before the existence of this gaunt shadow of Sorrow--_the shadow of +ourselves_--that ever stalks in company with us;--an epoch of Saturnian +rule, when gods held sweet converse with men, and man primeval bounded +with all the elasticity of god-given juvenility: + + ('Ah! remember, + This--all this--was in the olden + Time long ago.') + +And even now, in spite of our atheism and our apathism, amid all the +overwhelming world-influences of this great 'living Present'--the ghost +of the dead Past will come rushing back upon us with its solemn voices +and its infinite wailings of pity: but soft and faint it comes; for the +wild jarrings of the Now almost prevent us from hearing its still, small +voices. It + + 'Is but a _dim-remembered_ story + Of the old time entombed.' + +Besides, what is History but the story of the bygone? The elegy, too, +comes to us as the last lamenting, sadly solemn swan-song of that +glorious golden time. And, indeed, are not all poesies but various notes +of that mighty diapason of Thought and Feeling, that has, through the +ages, been singing itself in jubilee and wail? + +So it is in the individual--(for is not the individual ever the +rudimental, formula-like expression of that awful problem which nations +and humanity itself are slowly and painfully working out?): in the +'moonlight of memory' these sorrowful mementos revisit every one of us; +and + + ----'But I am not _now_ + That which I _have been_'-- + +and _vanitas vanitatum!_ are not only the satisfied croakings of _blase_ +Childe Harolds, but our universal experience; while from childhood's +gushing glee even unto manhood's sad satiety, we feel that all are +nought but the phantasmagoria + + 'of a creature + _Moving about in worlds not realized_.' + +Listen now to a snatch of melody: + + 'The rainbow comes and goes, + And lovely is the rose, + The moon doth with delight + Look round her when the heavens are bare; + Waters on a starry night + Are beautiful and fair; + The sunshine is a glorious birth; + But yet I know, wherever I go, + That there hath passed away a glory from the earth!' + +So saith the mild Braminical Wordsworth. Now it will be remembered that +Wordsworth, in that glorious ode whence we extract the above, develops +the Platonic idea (shall we call Platonic that which has been +entertained by the wise and the _feeling_ of all times?) of a shadowy +recollection of past and eternal existence in the profundities of the +Divine Heart. 'It sounds forth here a mournful remembrance of a faded +world of gods and heroes--as the echoing plaint for the loss of man's +original, celestial state, and paradisiacal innocence.' And then we have +those transcendent lines that come to us like aromatic breezes blowing +from the Spice Islands: + + 'Hence in a season of calm weather, + Though inland far we be, + Our souls have sight of that immortal sea, + Which brought us hither, + Can in a moment travel thither, + And see the Children sport upon the shore, + And hear the mighty waters rolling evermore.' + +But, + + 'descending + From these imaginative heights that yield + Far-stretching views into eternity,'-- + +what have the golden age and Platonic _dicta_ to do with our +word-ramble? A good deal. For we will endeavor to show that words, being +the very sign-manual of man's convictions, contain the elements of what +may throw light on both. To essay this: + +Why is it that we generally speak of death as a 'return,' or a 'return +home'? And how is it that this same idea has so remarkably interwoven +itself with the very warp and woof of our language and poetry?--so that +in our fervency, we can sing: + + 'Jerusalem, my glorious _home_,' etc. + +Does not the very idea (not to mention the composition of the word) of a +'return' involve a previously having been in the place? And we can +scarcely call that 'home' where we have never been before. So, that 'old +Hebrew book' sublimely tells us that 'the spirit of the man _returneth_ +to God who gave it.' + +Is it possible that these can be obscure intimations of that bygone time +when WE were rocked in the bosom of the Divine consciousness? +Perhaps.... And now if the reader will pardon a piece of moralizing, we +would say that these expressions teach us in the most emphatic way +that--'_This is not our rest_.' So that when we have dived into every +mine of knowledge and drunk from every fountain of pleasure; when, with +Dante, we arrive at the painful conclusion that + + 'Tutto l'oro, ch'e sotto la luna, + E che gia fu, di queste anime stanche + Non poterebbe farne posar una,' + +(since, indeed, the Finite can never gain entire satisfaction in +itself)--we may not despair, but still the heart-throbbings, knowing +that He who has--for a season--enveloped us in the mantle of this +sleep-rounded life, and thrown around himself the drapery of the +universe--spangling it with stars--will again take us back to his +fatherly bosom. + +Somewhat analogous to these, and arguing the eternity of our existence, +we have such words as 'decease,' which merely imports a _withdrawal_; +'demise,' implying also a laying down, a _removal_. By the way, it is +rather curious to observe the notions in the mind of mankind that have +given rise to the words expressing 'death.' Thus we have the Latin word +_mors_--allied, perhaps, to the Greek [Greek: moros] and [Greek: +moira],[1] from [Greek: meiromai]--to _portion out_, to _assign_. Even +this, however, there was a repulsion to using; and both the Greeks and +Romans were wont to slip clear of the employment of their [Greek: +thanatos], _mors_, etc., by such circumlocutions as _vitam suam mutare, +transire e seculo_; [Greek: koimesato chalkeon hypnon]--_he slept the +brazen sleep_ (Homer's Iliad, [Greek: Lamda], 241); [Greek: ton de +skotos oss' ekalypsen]--_and darkness covered his eyes_ (Iliad, [Greek: +Zeta], 11); or _he completeth the destiny of life_, etc. This reminds us +of the French aversion to uttering their _mort_. These expressions, +again, are suggestive of our 'fate,' with an application similar to the +Latin _fatum_, which, indeed, is none other than 'id quod _fatum est_ a +deis'--a God's word. So that in this sense we may all be considered +'fatalists,' and all things _fated_. Why not? However, in the following +from _Festus_, it is the 'deil' that makes the assertion: + + 'FESTUS. Forced on us. + + LUCIFER. _All things are of necessity._ + + FESTUS. Then best. + + But the good are never fatalists. The bad + Alone act by necessity, they say. + + LUCIFER. It matters not what men assume to be; + Or good, or bad, they are but what they are.' + +In which we may agree that his majesty was not so very far wrong. + +Moreover, 'Why _should_ we mourn departed friends?'--since we know that +they are but lying in the [Greek: moimeterion] (cemetery)--the _sleeping +place_; or, as the vivid old Hebrew faith would have it, _the house of +the living_ (Bethaim). Is not this testimony for the soul's immortality +worth as much as all the rhapsody written thereon, from Plato to +Addison? + +Some words are the very essence of poetry; redolent with all beauteous +phantasies; odoriferous as flowers in spring, or discoursing an awful +organ-melody, like to the re-bellowing of the hoarse-sounding sea. For +instance, those two noble old Saxon words 'main' and 'deep,' that we +apply to the ocean--what a music is there about them! The 'main' is the +_maegen_--the strength, the _strong one_; the great 'deep' is precisely +what the name imports. Our employment of 'deep' reminds of the Latin +_altum_, which, properly signifying high or lofty, is, by a familiar +species of metonymy, put for its opposite. + +By the way, how exceedingly timid are our poets and poetasters generally +of the open sea--_la pleine mer_. They linger around the shores thereof, +in a vain attempt to sit snugly there _a leur aise_, while they 'call +spirits from the vasty deep'--that never did and never would come on +such conditions, though they grew hoarse over it. We all remember how +Sandy Smith labors with making abortive _grabs_ at its _amber tails_, +_main_, etc. (rather slippery articles on the whole)--but he is not + + 'A shepherd in the Hebrid Isles, + _Placed far amid the melancholy main!_' + +Hail shade of Thomson! But hear how the exile sings it: + + 'La mer! partout la mer! des flots, des flots encor! + L'oiseau fatigue en vain son inegal essor. + Ici les flots, la-bas les ondes. + Toujours des flots sans fin par des flots repousses; + L'oeil ne voit que des flots dans l'abime entasses + Rouler sous les vaques profondes.'[2] + +This we, for our part, would pronounce one of the very best open-sea +sketches we have ever met with; and if the reader will take even our +unequal rendering, he may think so too. + + 'The sea! all round, the sea! flood, flood o'er billow surges! + In vain the bird fatigued its faltering wing here urges. + Billows beneath, waves, waves around; + Ever the floods (no end!) by urging floods repulsed; + The eye sees but the waves, in an abyss engulphed, + Roll 'neath their lairs profound.' + +'Aurora' comes to us as a remnant of that beautiful Grecian mythology +that deified and poetized everything; and even to us she is still the +'rosy-fingered daughter of the morn.' The 'Levant,' 'Orient,' and +'Occident' are all of them poetical, for they are all true translations +from nature. The 'Levant' is where the sun is _levant_, raising himself +up. 'Orient' will be recognized as the same figure from _orior_; while +'occident' is, of course, the opposite in signification, namely, the +declining, the 'setting' place. + +'Lethe' is another classic myth. It is [Greek: ho tes lethes +potamos]--the river of forgetfulness, 'the oblivious pool.' Perhaps is +it that all of us, as well as the son of Thetis, had a dip therein. + +There exists not a more poetic expression than 'Hyperborean,' _i. e._ +[Greek: hyperboreos]--_beyond Boreas_; or, as a modern poet finely and +faithfully expands it: + + 'Beyond those regions cold + Where dwells the Spirit of the North-Wind, + Boreas old.' + +Homer never manifested himself to be more of a poet than in the creation +of this word. By the way, the Hyperboreans were regarded by the ancients +as an extremely happy and pious people. + +How few of those who use that very vague, grandiloquent word 'Ambrosial' +know that it has reference to the 'ambrosia' ([Greek: ambrotos], +_immortal_), the food of the gods! It has, however, a secondary +signification, namely, that of an unguent, or perfume, hence fragrant; +and this is probably the prevailing idea in our 'ambrosial': instance +Milton's 'ambrosial flowers.' It was, like the 'nectar' ([Greek: +nektar], an _elixir vitae_), considered a veritable elixir of +immortality, and consequently denied to men. + +The Immortals, in their golden halls of 'many-topped Olympus,' seem to +have led a merry-enough life of it over their nectar and ambrosia, their +laughter and intrigues. + +But not half as jolly were they as were Odin and the Iotun--dead drunk +in Valhalla over their mead and ale, from + + 'the ale-cellars of the Iotun, + Which is called Brimir.' + +The daisy (Saxon _Daeges ege_) has often been cited as fragrant with +poesy. It is the _Day's Eye_: we remember Chaucer's affectionate lines: + + 'Of all the floures in the mede + Than love I most those floures of white and rede, + Such that men called _daisies_ in our toun, + To them I have so great affection.' + +Nor is he alone in his love for the + + _'Wee, modest, crimson-tipped flouer.'_ + +An odoriferous-enough (etymologic) bouquet could we cull from the names +of Flora's children. What a beauty is there in the 'primrose,' which is +just the _prime_-rose; in the 'Beauty of the Night' and the 'Morning +Glory,' except when a pompous scientific terminology, would convert it +into a _convolvulus_! So, too, the 'Anemone' ([Greek: anemos], the +wind-flower), into which it is fabled Venus changed her Adonis. What a +story of maiden's love does the 'Sweet William' tell; and how many +charming associations cluster around the 'Forget-me-not!' Again, is +there not poetry in calling a certain family of minute crustacea, whose +two eyes meet and form a single round spot in the centre of the head, +'Cyclops'--([Greek: kyklops], circular-eyed)? + +And if any one thinketh that there cannot be poetry even in the dry +technicalities of science, let him take such an expression as 'coral,' +which, in the original Greek, [Greek: koralion], signifies a _sea +damsel_; or the chemical 'cobalt,' 'which,' remarks Webster, 'is said to +be the German _Kobold_, a goblin, the demon of the mines; so called by +miners, because cobalt was troublesome to miners, and at first its value +was not known.' Ah! but these terms were created before _Science_, in +its rigidity, had taught us the _truth_ in regard to these matters. Yes! +and fortunate is it for us that we still have words, and ideas +clustering around these words, that have not yet been chilled and +exanimated by the frigid touch of an empirical knowledge. For + + 'Still the heart doth need a language, still + Doth the old instinct bring back the old names.' + +And may benign heaven deliver us from those buckram individuals who +imagine that Nature is as narrow and rigid as their own contracted +selves, and who would seek to array her in their own exquisite +bottle-green bifurcations and a _gilet a la mode_! These characters +always put us in mind of the statues of Louis XIV, in which he is +represented as Jupiter or Hercules, nude, with the exception of the +lion's hide thrown round him--_and the long, flowing peruke_ of the +times! O Jupiter _tonans_! let us have either the lion or the ass--only +let it be _veracious_! + +To proceed: 'Auburn' is probably connected with _brennan_, and means +_sun-burned_, analogous, indeed, to 'Ethiopian' ([Greek: Aithiops]), +_one whom the sun has looked upon_. + +How seldom do we think, in uttering 'adieu,' that we verily say, I +commend you _a Dieu_--to God; that the lightly-spoken _good-by_ means +_God be wi' you_,[3] or that the (if possible) still more frequent and +_unthinking_ 'thank you,' in reality assures the person addressed--_I +will think often of you_. + +'Eld' is a word that has the poetic aroma about it, and is an example +(of which we might adduce additional cases from the domain of 'poetic +diction') of a word set aside from a prose use and devoted exclusively +to poetry. It is, as we know, Saxon, signifying _old_ or _old age_, and +was formerly in constant use in this sense; as, for instance, in +Chaucer's translation of _Boethius de Consolatione Philosophiae_, we find +thus: + + 'At laste no drede ne might overcame tho muses, that thei ne weren + fellowes, and foloweden my waie, that is to saie, when I was + exiled, thei that weren of my youth whilom welfull and grene, + comforten now sorrowfull weirdes of me olde man: for _elde_ is + comen unwarely upon me, hasted by the harmes that I have, and + sorowe hath commaunded his age to be in me.' + +So in the _Knightes Tale_: + + 'As sooth in said _elde_ hath gret avantage; + In _elde_ is both wisdom and usage: + Men may the old out-renne but not out-rede.' + +Oh! what an overflowing fulness of truth and beauty is there wrapped up +in the core of these articulations that we so heedlessly utter, would we +but make use of the wizard's wand wherewith to evoke them! What an +exhaustless wealth does there lie in even the humblest fruitage and +flowerage of language, and what a fecundity have even dry 'roots'! + +'Thinkest thou there were no poets till Dan Chaucer?' asks our great +Thomas; 'no heart burning with a thought, which it could not hold, and +had no word for; and needed to shape and coin a word for--what thou +callest a metaphor, trope, or the like? For every word we have, there +was such a man and poet. The coldest word was once a glowing new +metaphor, and bold questionable originality. 'Thy very ATTENTION, does +it not mean an _attentio_, a STRETCHING-TO?' Fancy that act of the mind +which all were conscious of, which none had yet named--when this new +'poet' first felt bound and driven to name it! His questionable +originality and new glowing metaphor was found adoptible, intelligible; +and remains our name for it to this day.'[4] + +This seems to be a pet etymology of Carlyle, as he makes Professor +Teufelsdroeckh give it to us also. + +Nor less of a poet was that Grecian man who first named this beauteous +world--with its boundless unity in variety--the [Greek: kosmos],[5] the +_order_, the _adornment_. But + + 'Alas, for the rarity + Of Christian charity,' + +and + + 'Ah! the inanity + Of frail humanity,' + +that first induced some luckless mortal to give to certain mysterious +compounds the appellation of _cosmetics_! But here is an atonement; for +even in our unmythical, unbelieving days, the god 'Terminus' is made to +stand guard over every railway station! Again, how finely did the Roman +call his heroism his 'virtus'--his _vir_tue--his _manliness_. With the +Italians, however, it became quite a different thing; for his 'virtu' is +none other than his love of the fine arts (these being to him the only +subject of _manly_ occupation), a mere _objet de vertu_; and his +_virtuoso_ has no more virtuousness or manliness about him than what +appertains to being skilled in these same fine arts. With us, our +'virtue' is ... well, as soon as we can find out, we will tell you. + +By the way, in what a _bathos_ of mystery are most of our terms +expressing the moral relations plunged! Some philosophers have declared +that truth lies at the bottom of a well;--the well in which the truth in +regard to these matters lies would seem to stretch far enough +down--reaching, in fact, almost to the kingdom of the Inane. The +beautiful simplicity of Bible truths has often become so perverted--so +overloaded by the vain works (and _words_) of man's device--as barely to +escape total extinction. Witness 'repentance'; in what a farrago of +endless absurdities and palpable contradictions has this word (and, more +unfortunately still, the thing itself along with it) been enveloped! +According to the 'divines,' what does it not signify? Its composition, +we very well know, gives us _poenitentia_, from _poenitere_, to _be +sorry_, to _regret_--and such is its true and _only_ meaning. 'This +design' (that of the analysis of language in its elementary forms), says +Wilkins, 'will likewise contribute much to the clearing of some of our +modern differences in religion; by unmasking many wild errors, that +shelter themselves under the disguise of affected phrases; which being +philosophically unfolded, and rendered according to the genuine and +natural importance of words, will appear to be inconsistencies and +absurdities.' Nor would he have gone very far astray had he put +_philosophy_ and _politics_ under the same category. Strip the gaudy +dress and trappings from an expression, and it will have a most marked +result. Analysis is a terrible humiliation to your mysticism and your +grandiloquence--and an awful bore to those who depend for effect on +either. We have something to say hereafter on those astonishingly +profound oracles whose only depth is in the terminology they employ. In +the mean time, expect not too much of words. Never, in all our +philologic researches, must we lose sight of the fact that _words are +but the daughters of earth, while things are the sons of heaven_. This +expecting too much of words has been the fruitful source of innumerable +errors. To resume: + +Take a dozen words (to prove our generosity, we will let it be a baker's +dozen) illustrative of this same principle of metaphor that governs the +mechanism of language, and sheds a glory and a beauty around even our +every-day fireside words; so that even those that seem hackneyed, worn +out, and apparently tottering with the imbecility of old age--would we +but get into the core of them--will shine forth with all the expressive +meaning of their spring time--with the blush and bloom of poesy-- + + 'All redolent with youth and flowers,' + +and prove their very abusers--poets. + +The 'halcyon' days! What a balmy serenity hovers around them--basking in +the sunlight of undisturbed tranquillity. This we feel; but how we +realize it after reading the little _family secret_ that it wraps up! +The [Greek: Halkyon] (halcyon)--_alcedo hispida_--was the name applied +by the Greeks to the _kingfisher_ (a name commonly derived from [Greek: +hals, kyo], i. e., _sea-conceiving_, from the fact of this bird's being +said to lay her eggs in rocks near the sea); and the [Greek: halkyonides +hemerai]--_halcyon days_--were those fourteen 'during the calm weather +about the winter solstice,' during which the bird was said to build her +nest and lay her eggs; hence, by an easy transition, perfect quietude in +general. + +Those who have felt the bitter, biting effect of 'sarcasm,' will hardly +be disposed to consider it a metaphor even, should we trace it back to +the Greek [Greek: sarkazo]--_to tear off the flesh_ ([Greek: sarx]), +_literally_, to 'flay.' 'Satire,' again, has an arbitrary-enough origin; +it is _satira_, from _satur_, _mixed_; and the application is as +follows: each species of poetry had, among the Romans, its own special +kind of versification; thus the hexameter was used in the epic, the +iambic in the drama, etc. Ennius, however, the earliest Latin +'satirist,' first disregarded these conventionalities, and introduced a +_medley_ (satira) of all kinds of metres. It afterward, however, lost +this idea of a _melange_, and acquired the notion of a poem 'directed +against the vices and failings of men with a view to their correction.' + +Perhaps we owe to reviewing the metaphorical applications of such terms +as 'caustic,' 'mordant,' 'piquant,' etc., in their _burning_, _biting_, +and _pricking_ senses. + +But 'review,' itself, we are to regard as pure metaphor. Our friend +'Snooks,' at least, found _that_ out; for, instead of _re_-viewing--_i. +e._, viewing again and again his book, they pronounced it to be +decidedly bad without any examination whatever. A 'critic' we all +recognize in his character of _judge_ or _umpire_; but is it that he +always possesses discrimination--has he always _insight_ (for these are +the primary ideas attaching themselves to [Greek: krino], whence [Greek: +kritikos] comes)--does he divide between the merely arbitrary and +incidental, and see into the absolute and eternal Art-Soul that vivifies +a poem or a picture? If so, then is he a critic indeed. + +How perfectly do 'invidiousness' and 'envy'[6] express the _looking over +against_ (_in-video_)--the _askance gaze_--the natural development of +that painful mental state which poor humanity is so subject to! So with +'obstinacy' (_ob-sto_), which, by the way, the phrenologists represent, +literally enough, by an ass in a position which assuredly Webster had in +his mind when he wrote his definition of this word; thus: ... '_in a +fixedness in opinion or resolution that cannot be shaken at all, or +without great difficulty_.' + +Speaking of this reminds us of those very capital 'Illustrations of +Phrenology,' by Cruikshank, with which we all are familiar, and where, +for example, '_veneration_ is exemplified by a stout old gentleman, with +an ample paunch, gazing with admiring eyes and uplifted hands on the fat +side of an ox fed by Mr. Heavyside, and exhibited at the stall of a +butcher. In this way a Jew old-clothes man, holding his hand on his +breast with the utmost earnestness, while in the other he offers a coin +for a pair of slippers, two pairs of boots, three hats, and a large +bundle of clothes, to an old woman, who, evidently astonished all over, +exclaims, 'A shilling!' is an illustration of _conscientiousness_. A +dialogue of two fishwomen at Billingsgate illustrates _language_, and a +riot at Donnybrook Fair explains the phrenological doctrine of +_combativeness_.' + +But peace to the 'bumps,' and pass we on. Could anything be more +completely metaphorical than such expressions as 'egregious' and +'fanatic?' 'Egregious' is chosen, _e-grex_--_out of the flock_, i. e., +the best sheep, etc., selected from the rest, and set aside for sacred +purposes; hence, _distingue_. This word, though occupying at present +comparatively neutral ground, seems fast merging toward its worst +application. Can it be that an 'egregious' _rogue_ is an article of so +much more frequent occurrence than an 'egregiously' _honest_ man, that +incongruity seems to subsist between the latter? 'Fanatic,' again, is +just the Roman '_fanaticus_,' one addicted to the _fana_,[7] the temples +in which the 'fanatici' or fanatics were wont to spend an extraordinary +portion of their time. But besides this, their religious fervor used to +impel them to many extravagances, such as cutting themselves with +knives, etc., and hence an 'ultraist' (one who goes _beyond_ (ultra) the +notions of other people) in any sense. Whereupon it might be remarked +that though + + 'Coelum, non animum, mutant qui trans mare currunt,' + +may, in certain applications, be true, it is surely not so in the case +of a good many words. Thus this very instance, 'fanatic,' which, among +the Romans, implied one who had an _extra share of devotion_, is, among +us--the better informed on this head--by a very curious and very +unfathomable figure (disfigure?) of speech or logic, applied to one who +has a peculiar _penchant_ for human liberty! + + 'In the most high and _palmy_ state of Rome, + A little ere the mighty Julius fell, + The graves stood tenantless, and the sheeted dead + Did squeak and gibber in the Roman streets.' + +We do not quote this for the sake of the making-the-hair-to-stand-on-end +tendencies of the last two lines, but through the voluptuous quiescence +of the first, + + 'In the most high and palmy state of Rome,' + +to introduce the beautifully metaphorical expression, 'palmy.' It will, +of course, be immediately recognized as being from the 'palm' tree; that +is to say, _palm-abounding_. And what visions of orient splendor does it +bear with it, wafting on its wings the very aroma of the isles of the +blest--[Greek: makaron nesoi]--or + + 'Where the gorgeous East, with richest hand, + Showers on her kings barbaric pearl and gold!' + +It bears us away with it, and we stand on that sun-kissed land + + 'Whose rivers wander over sands of gold,' + +with a houri lurking in every 'bosky bourne,' and the beauteous palm, +waving its umbrageous head, at once food, shade, and shelter. + +The palm being to the Oriental of such passing price, we can easily +imagine how he would so enhance its value as to make it the type of +everything that is prosperous and glorious and 'palmy,' the _beau-ideal_ +of everything that is flourishing. Hear what Sir Walter Raleigh says on +this subject: 'Nothing better proveth the excellency of this soil than +the abundant growing of the _palm trees_ without labor of man. _This +tree alone giveth unto man whatsoever his life beggeth at nature's +hand._' + +'Paradise,' too, is oriental in all its associations. It is [Greek: +paradeisos],[8] that is, a _park_ or _pleasure ground_, in which sense +it is constantly employed by Xenophon, as every weary youth who has +_parasanged_ it with him knows. By the LXX it was used in a metaphorical +sense for the garden of Eden: + + 'The glories we have known, + And that imperial palace whence we came;' + +but a still loftier meaning did it acquire when the Christ employed it +as descriptive of the splendors of the 'better land'--of the glories and +beauties of the land Beulah. + +But, look out, fellow strollers, for we are off in a tangent! + +What a curiously humble origin has 'literature,' contrasted with the +magnitude of its present import. It is just 'litteral'--_letters_ in +their most primitive sense; and [Greek: grammata] is nought other. Nor +can even all the pomposity of the 'belles-lettres' carry us any farther +than the very fine 'letters' or _litteral_; while even Solomon So-so may +take courage when he reflects (provided Solomon be ever guilty of +reflecting) that the 'literati' have 'literally' nothing more profound +about them than the knowledge of their 'letters.' The Latins were +prolific in words of this kind; thus they had the _literatus_ and the +_literator_--making some such discrimination between them as we do +between 'philosopher' and 'philosophe.' + +'Unlettered,' to be sure, is one who is unacquainted even with his +'letters;' but what is 'erudite?' It is merely E, _out of_, a RUDIS, +_rude_, _chaotic_, _ignorant_ state of things; and thus in itself +asserts nothing very tremendous, and makes no very prodigious +pretensions. Surely these words had their origin at an epoch when +'letters' stood higher in the scale of estimation than they do now; when +he who knew them possessed a spell that rendered him a potent character +among the 'unlettered.' + +A 'spell' did we say? Perhaps that is not altogether fanciful; for +'spell' itself in the Saxon primarily imports a _word_; and we know that +the runes or Runic letters were long employed in this way. For instance, +Mr. Turner thus informs us ('History of the Anglo-Saxons,' vol. i, p. +169): 'It was the invariable policy of the Roman ecclesiastics to +discourage the use of the Runic characters, because they were of pagan +origin, and had been much connected with idolatrous superstitions.' And +if any one be incredulous, let him read this from Sir Thomas Brown: +'Some have delivered the polity of spirits, that they stand in awe of +charms, _spells_, and conjurations; _letters_, characters, notes, and +dashes.' And have not the [Greek: Alpha] and [Greek: Omega] something +mystic and cabalistic about them even to us? + +While on this, let us note that 'spell' gives us the beautiful and +cheering expression 'gospel,' which is precisely _God's-spell_--the +'evangile,' the good God's-news! + +To resume: + +'Graphical' ([Greek: grapho]) is just what is well +delineated--_literally_, 'well written,' or, as our common expression +corroboratively has it, _like a book_! + +'Style' and 'stiletto' would, from their significations, appear to be +radically very different words; and yet they are something more akin +than even cousins-german. 'Style' is known to be from the [Greek: +stylos], or _stylus_, which the Greeks and Romans employed in writing on +their waxen tablets; and, as they were both sharp and strong, they +became in the hands of scholars quite formidable instruments when used +against their schoolmasters. Afterward they came to be employed in all +the bloody relations and uses to which a 'bare bodkin' can be put, and +hence our acceptation of 'stiletto.' Caesar himself, it is supposed, got +his 'quietus' by means of a 'stylus;' nor is he the first or last +character whose 'style' has been his (_literary_, if not _literal_) +damnation. + +'Volume,' too, how perfectly metaphorical is it in its present +reception! It is originally just a _volumen_, that is, a 'roll' of +parchment, papyrus, or whatever else the 'book' (i. e., the _bark_--the +'liber') might be composed of. Nor can we regard as aught other such +terms as 'leaf' or 'folio,' which is also 'leaf.' 'Stave,' too, is +suggestive of the _staff_ on which the runes were wont to be cut. +Indeed, old almanacs are sometimes to be met with consisting of these +long sticks or 'staves,' on which the days and months are represented by +the Runic letters. + +'Charm,' 'enchant,' and 'incantation' all owe their origin to the time +when spells were in vogue. 'Charm' is just _carmen_, from the fact that +'a kind of Runic rhyme' was employed in _diablerie_ of this sort; so +'enchant' and 'incantation' are but a _singing to_--a true 'siren's +song;' while 'fascination' took its rise when the mystic terrors of the +_evil eye_ threw its withering blight over many a heart. + +We are all familiar with the old fable of _The Town Mouse and the +Country Mouse_. We will vouch that the following read us as luminous a +comment thereon as may be desired: 'Polite,' 'urbane,' 'civil,' +'rustic,' 'villain,' 'savage,' 'pagan,' 'heathen.' Let us seek the +moral: + +'Polite,' 'urbane,' and 'civil' we of course recognize as being +respectively from [Greek: polis], _urbs_, and _civis_, each denoting the +city or town--_la grande ville_. 'Polite' is _city-like_; while +'urbanity' and 'civility' carry nothing deeper with them than the +graces and the attentions that belong to the punctilious town. 'Rustic' +we note as implying nothing more uncultivated than a 'peasant,' which is +just _pays_-an, or, as we also say, a 'countryman.' 'Savage,' too, or, +as we ought to write it, _salvage_,[9] is nothing more grim or terrible +than one who dwells _in sylvis_, in the woods--a meaning we can +appreciate from our still comparatively pure application of the +adjective _sylvan_. A 'backwoodsman' is therefore the very best original +type of a _savage_! 'Savage' seems to be hesitating between its civil +and its ethical applications; 'villain,' 'pagan,' and 'heathen,' +however, have become quite absorbed in their moral sense--and this by a +contortion that would seem strange enough were we not constantly +accustomed to such transgressions. For we need not to be informed that +'villain' primarily and properly implies simply one who inhabits a ville +or _village_. In Chaucer, for example, we see it without at least any +moral signification attached thereto: + + 'But firste I praie you of your curtesie + That ye ne arette it not my _vilanie_.' + + _Prologue to the Canterbury Tales._ + +So a 'pagan,' or _paganus_, is but a dweller in a _pagus_, or village; +precisely equivalent to the Greek [Greek: kometes], with no other idea +whatever attached thereto; while 'heathen' imported those who lived on +the _heaths_ or in the country, consequently far away from +_civilization_ or _town-like-ness_. + +From all of which expressions we may learn the mere conventionality and +the utter arbitrariness of even our most important ethical terms. How +prodigiously _cheap_ is the application of any such epithets, +considering the terrible abuse they have undergone! And how poor is that +philosophy that can concentrate 'politeness' and 'civility' in the +frippery and heartlessness of mere external city-forms; and convert the +man who dwells in the woods or in the village into a _savage_ or a +_villain_! How fearful a lack do these numerous words and their so +prolific analogues manifest of acknowledgment of that glorious principle +which Burns has with fire-words given utterance to--and to which, would +we preserve the dignity of manhood, we must hold on-- + + 'A man's a man for a' that!' + +Ah! it is veritably enough to make us atrabiliar! Here we see words in +their weaknesses and their meannesses, as elsewhere in their glory and +beauty. And not so much _their_ meanness and weakness, as that of those +who have distorted these innocent servants of truth to become tools of +falsehood and the abject instruments of the extinction of all honesty +and nobleness. + +The word 'health' wraps up in it--for, indeed, it is hardly +metaphorical--a whole world of thought and suggestion. It is that which +_healeth_ or maketh one to be _whole_, or, as the Scotch say, _hale_; +which _whole_ or _hale_ (for they are one word) may imply entireness or +unity; that is to say, perfect 'health' is that state of the system in +which there is no disorganization--no division of interest--but when it +is recognized as a perfect _one_ or whole; or, in other words, not +recognized at all. And this meaning is confirmed by our analogue +_sanity_, which, from _sanus_, and allied to [Greek: saos], has +underneath it a similar basis. + +Every student of Carlyle will remember the very telling use to which he +puts the idea contained in this word--speaking of the manifold relations +of physical, psychal, and social health. Reference is made to his +employment of it in the 'Characteristics'--itself one of the most +authentic and veracious pieces of philosophy that it has been our lot to +meet with for a long time; yet wherein he proves the impossibility of +any, and the uselessness of all philosophies. Listen while he +discourses thereon: 'So long as the several elements of life, all fitly +adjusted, can pour forth their movement like harmonious tuned strings, +it is melody and unison: life, from its mysterious fountains, flows out +as in celestial music and diapason--which, also, like that other music +of the spheres, even because it is perennial and complete, without +interruption and without imperfection, might be fabled to escape the +ear. Thus, too, in some languages, is the state of health well denoted +by a term expressing unity; when we feel ourselves as we wish to be, we +say that we are _whole_.' + +But our psychal and social wholeness or health, as well as our physical, +is yet, it would appear, in the future, in the good time _coming_-- + + 'When man to man + Shall brothers be and a' that!' + +Even that, however, is encouraging--that it is _in prospectu_. For we +know that _right before us_ lies this great promised land--this +_Future_, teeming with all the donations of infinite time, and bursting +with blessings. And for us, too, there are in waiting [Greek: makaron +nesoi], or Islands of the Blest, where all heroic doers and all heroic +sufferers shall enjoy rest forever! + +In conclusion, take the benediction of serene old Miguel de Cervantes +Saavedra, in his preface to 'Don Quixote' (could we possibly have a +better?): 'And so God give you _health_, not forgetting me. Farewell!' + +FOOTNOTES: + +[Footnote 1: This alliance may be fanciful (though we observe some of +the best German lexicographers have it so); a better origin might, +perhaps, be found in the Sanscrit _mri_, etc.] + +[Footnote 2: 'Les Orientals,' par VICTOR HUGO. _Le Feu du ciel._] + +[Footnote 3: The 'by' may, however, have the force of going or passing, +equivalent to 'fare' in 'farewell,' or 'welfare,' _i. e._, may you have +a good passage or journey.] + +[Footnote 4: 'Past and Present,' pp. 128, 129.] + +[Footnote 5: Compare with this the Latin _mundus_, which is exactly +analogous in signification.] + +[Footnote 6: En-voir.] + +[Footnote 7: Perhaps nothing could better prove how profoundly +_religious_ were the Latins than a word compounded of the above; namely +'profane.' A 'fanatic' was one who devoted himself to the _fanum_ or +temple--'profane' is an object devoted to _anything else +'pro'_--_instead of_--the '_fanum_,' or fane.] + +[Footnote 8: The word is more properly oriental than Greek, _e. g._, +Hebrew, _pardes_, and Sanscrit, _paradesa_.] + +[Footnote 9: See the Italian _setvaggio_ and the Spanish _salvage_, in +which a more approximate orthography has been retained.] + + + + +THE CHECH. + +"Chces li tajnou vec aneb pravdu vyzvedeti, blazen, dite, opily +clovek o tom umeji povedeti." + + "Wouldst thou know a truth or mystery, + A drunkard, fool, or child may tell it thee." + + _Bohemian Proverb._ + + + And now I'll wrap my blanket o'er me, + And on the tavern floor I'll lie; + A double spirit-flask before me, + And watch the pipe clouds melting die. + + They melt and die--but ever darken, + As night comes on and hides the day; + Till all is black;--then, brothers, hearken! + And if ye can, write down my lay! + + In yon black loaf my knife is gleaming, + Like one long sail above the boat;-- + --As once at Pesth I saw it beaming, + Half through a curst Croatian throat. + + Now faster, faster whirls the ceiling, + And wilder, wilder turns my brain; + And still I'll drink--till, past all feeling, + The soul leaps forth to light again. + + Whence come these white girls wreathing round me? + Baruska!--long I thought thee dead! + Kacenka!--when these arms last bound thee, + Thou laidst by Rajhrad cold as lead! + + Now faster, faster whirls the ceiling, + And wilder, wilder turns my brain; + And from afar a star comes stealing, + Straight at me o'er the death-black plain. + + Alas!--I sink--my spirits miss me, + I swim, I shoot from sky to shore! + Klara! thou golden sister--kiss me! + I rise--I'm safe--I'm strong once more. + + And faster, faster whirls the ceiling, + And wilder, wilder turns my brain; + The star!--it strikes my soul, revealing + All life and light to me again. + + * * * * * + + Against the waves fresh waves are dashing, + Above the breeze fresh breezes blow; + Through seas of light new light is flashing, + And with them all I float and flow. + + But round me rings of fire are gleaming: + Pale rings of fire--wild eyes of death! + Why haunt me thus awake or dreaming? + Methought I left ye with my breath. + + Aye glare and stare with life increasing, + And leech-like eyebrows arching in; + Be, if ye must, my fate unceasing, + But never hope a fear to win. + + He who knows all may haunt the haunting, + He who fears nought hath conquered fate; + Who bears in silence quells the daunting, + And sees his spoiler desolate. + + Oh wondrous eyes of star-like lustre, + How ye have changed to guardian love! + Alas!--where stars in myriads cluster + Ye vanish in the heaven above. + + * * * * * + + I hear two bells so softly singing: + How sweet their silver voices roll! + The one on yonder hill is ringing, + The other peals within my soul. + + I hear two maidens gently talking, + Bohemian maidens fair to see; + The one on yonder hill is walking, + The other maiden--where is she? + + Where is she?--when the moonlight glistens + O'er silent lake or murm'ring stream, + I hear her call my soul which listens: + 'Oh! wake no more--come, love, and dream!' + + She came to earth-earth's loveliest creature; + She died--and then was born once more; + Changed was her race, and changed each feature, + But oh! I loved her as before. + + We live--but still, when night has bound us + In golden dreams too sweet to last, + A wondrous light-blue world around us, + She comes, the loved one of the Past. + + I know not which I love the dearest, + For both my loves are still the same; + The living to my heart is nearest, + The dead love feeds the living flame. + + And when the moon, its rose-wine quaffing + Which flows across the Eastern deep, + Awakes us, Klara chides me laughing, + And says, 'We love too well in sleep!' + + And though no more a Vojvod's daughter, + As when she lived on Earth before, + The love is still the same which sought her, + And she is true--what would you more? + + * * * * * + + Bright moonbeams on the sea are playing, + And starlight shines o'er vale and hill; + I should be gone--yet still delaying, + By thy loved side I linger still! + + My gold is gone--my hopes have perished, + And nought remains save love for thee! + E'en that must fade, though once so cherished: + Farewell!--and think no more of me! + + 'Though gold be gone and hope departed, + And nought remain save love for me, + Thou ne'er shalt leave me broken-hearted, + For I will share my life with thee! + + 'Thou deem'st me but a wanton maiden, + The plaything of thy idle hours; + But laughing streams with gold are laden, + And sweets are hidden 'neath the flowers. + + 'E'en outcasts may have heart and feeling, + E'en such as I be fond and true; + And love, like light, in dungeons stealing, + Though bars be there, will still burst through.' + + + + +PICTURES FROM THE NORTH. + + +It is worth while to live in the city, that we may learn to love the +country; and it is not bad for many, that artificial life binds them +with bonds of silk or lace or rags or cobwebs, since, when they are rent +away, the Real gleams out in a beauty and with a zest which had not been +save for contrast. + +Contrast is the salt of the beautiful. I wonder that the ancients, who +came so near it in so many ways, never made a goddess of Contrast. They +had something like it in ever-varying Future--something like it in +double-faced Janus, who was their real 'Angel of the Odd.' Perhaps it is +my ignorance which is at fault--if so, I pray you correct me. The subtle +Neo-Platonists _must_ have apotheosized such a savor to all aesthetic +bliss. Mostly do I feel its charm when there come before me pictures +true to life of far lands and lives, of valley and river, sea and shore. +Then I forget the narrow office and the shop-lined street, the rattling +cars and hurried hotel-lodgment, and think what it would be if nature, +in all her freshness and never-ending contrasts, could be my +ever-present. + +I thought this yesterday, in glancing over an old manuscript in my +drawer, containing translations, by some hand to me unknown, of sketches +of Sweden by the fairy-story teller Hans Christian Andersen. Reader, +will they strike you as pleasantly as they did me? I know not. Let us +glance them over. They have at least the full flavor of the North, of +the healthy land of frost and pines, of fragrant birch and of sweeter +meadow-grass, and simpler, holier flowers than the rich South ever +showed, even in her simplest moods. + +The first of these sketches sweeps us at once far away over the +Northland: + + 'WE JOURNEY. + + 'It is spring, fragrant spring, the birds are singing. You do not + understand their song? Then hear it in free translation: + + ''Seat thyself upon my back!' said the stork, the holy bird of our + green island. 'I will carry thee over the waves of the Sound. + Sweden also has its fresh, fragrant beechwoods, green meadows, and + fields of waving corn; in Schoonen, under the blooming apple trees + behind the peasant's house, thou wilt imagine thyself still in + Denmark!' + + ''Fly with me,' said the swallow. 'I fly over Hal-land's mountain + ridges, where the beeches cease. I soar farther toward the north + than the stork. I will show you where the arable land retires + before rocky valleys. You shall see friendly towns, old churches, + solitary court yards, within which it is cosy and pleasant to + dwell, where the family stands in circle around the table with the + smoking platters, and asks a blessing through the mouth of the + youngest child, and morning and evening sings a holy song. I have + heard it, I have seen it, when I was yet small, from my nest under + the roof.' + + ''Come! come!' cried the unsteady seagull, impatiently waiting, and + ever flying round in a circle. 'Follow me into the Scheeren, where + thousands of rocky islands, covered with pines and firs, lie along + the coasts like flower beds; where the fisherman draws full nets!' + + ''Let yourself down between our outspread wings!' sing the wild + swans. 'We will bear you to the great seas, to the ever-roaring, + arrow-quick mountain streams, where the oak does not thrive and the + birches are stunted; let yourself down between our outspread + wings,--we soar high over Sulitelma, the eye of the island, as the + mountain is called; we fly from the spring-green valley, over the + snow waves, up to the summit of the mountain, whence you may catch + a glimpse of the North Sea, beyond Norway. We fly toward Jamtland, + with its high blue mountains, where the waterfalls roar, where the + signal fires flame up as signs from coast to coast that they are + waiting for the ferry boat--up to the deep, cold, hurrying floods, + which do not see the sun set in midsummer, where twilight is dawn!' + + 'So sing the birds! Shall we hearken to their song--follow them, at + least a short way? We do not seat ourselves upon the wings of the + swan, nor upon the back of the stork; we stride forward with steam + and horses, sometimes upon our own feet, and glance, at the same + time, now and then, from the actual, over the hedge into the + kingdom of fancy, that is always our near neighborland, and pluck + flowers or leaves, which shall be placed together in the memorandum + book--they bud indeed on the flight of the journey. We fly, and we + sing: Sweden, thou glorious land! Sweden, whither holy gods came in + remote antiquity from the mountains of Asia; thou land that art yet + illumined by their glitter! It streams out of the flowers, with the + name of Linnaeus; it beams before thy knightly people from the + banner of Charles the Twelfth, it sounds out of the memorial stone + erected upon the field at Lutzen. Sweden! thou land of deep + feeling, of inward songs, home of the clear streams, where wild + swans sing in the northern light's glimmer! thou land, upon whose + deep, still seas the fairies of the North build their colonnades + and lead their struggling spirit-hosts over the ice mirror. + Glorious Sweden, with the perfume-breathing Linea, with Jenny's + soulful songs! To thee will we fly with the stork and the swallow, + with the unsteady seagull and the wild swan. Thy birchwood throws + out its perfume so refreshing and animating, under its hanging, + earnest boughs--on its white trunk shall the harp hang. Let the + summer wind of the North glide murmuring over its strings.' + +There is true fatherland's love there. I doubt if there was ever yet +_real_ patriotism in a hot climate--the North is the only home of +unselfish and great union. Italy owes it to the cool breezes of her +Apennines that she cherishes unity; had it not been for her northern +mountains in a southern clime, she would have long ago forgotten to +think of _one_ country. But while the Alps are her backbone, she will +always be at least a vertebrate among nations, and one of the higher +order. Without the Alps she would soon be eaten up by the cancer of +states' rights. It is the North, too, which will supply the great +uniting power of America, and keep alive a love for the great national +name. + +Very different is the rest--and yet it has too the domestic home-tone of +the North. In Sweden, in Germany, in America, in England, the family tie +is somewhat other than in the East or in any warm country. With us, old +age is not so ever-neglected and little honored as in softer climes. +Thank the fireside for that. The hearth, and the stove, and the long, +cold months which keep the grandsire and granddame in the easy chair by +the warm corner, make a home centre, where the children linger as long +as they may for stories, and where love lingers, kept alive by many a +cheerful, not to be easily told tie. And it lives--this love--lives in +the heart of the man after he has gone forth to business or to battle: +he will not tell you of it, but he remembers grandmother and +grandfather, as he saw them a boy--the centre of the group, which will +never form again save in heaven. + +Let us turn to + + 'THE GRANDMOTHER. + + 'Grandmother is very old, has many wrinkles, and perfectly white + hair; but her eyes gleam like two stars, yes, much more beautiful; + they are so mild, it does one good to look into them! And then she + knows how to relate the most beautiful stories. And she has a dress + embroidered with great, great flowers; it is such a heavy silk + stuff that it rattles. Grandmother knows a great deal, because she + has lived much longer than father and mother; that is certain! + Grandmother has a hymn book with strong silver clasps, and she + reads very often in the book. In the midst of it lies a rose, + pressed and dry; it is not so beautiful as the rose which stands in + the glass, but yet she smiles upon it in the most friendly way; + indeed, it brings the tears to her eyes! Why does grandmother look + so at the faded flower in the old book? Do you know? Every time + that grandmother's tears fall upon the flower, the colors become + fresh again, the rose swells up and fills the whole room with its + fragrance, the walls disappear, as if they were only mist, and + round about her is the green, glorious wood, where the sun beams + through the leaves of the trees; and grandmother is young again; a + charming maiden, with full red cheeks, beautiful and innocent--no + rose is fresher; but the eyes, the mild, blessing eyes, still + belong to grandmother. At her side sits a young man, large and + powerful: he reaches her the rose, and she smiles--grandmother does + not smile so now! oh yes, look now!----But he has vanished: many + thoughts, many forms sweep past--the beautiful young man is gone, + the rose lies in the hymn book, and grandmother sits there again as + an old woman, and looks upon the faded rose which lies in the book. + + 'Now grandmother is dead. She sat in the armchair and related a + long, beautiful story; she said, 'Now the story is finished, and I + am tired;' and she leaned her head back, in order to sleep a + little. We could hear her breathing--she slept; but it became + stiller and stiller, her face was full of happiness and peace, it + was as if a sunbeam illumined her features; she smiled again, and + then the people said, 'She is dead.' She was placed in a black box; + there she lay covered with white linen; she was very beautiful, and + yet her eyes were closed, but every wrinkle had vanished; she lay + there with a smile about her mouth; her hair was silver white, + venerable, but it did not frighten one to look upon the corpse, for + it was indeed the dear, kind-hearted grandmother. The hymn book was + placed under her head--this she had herself desired; the rose lay + in the old book; and then they buried grandmother. + + Upon the grave, close by the church wall, a rose tree was planted; + it was full of roses, and the nightingale flew singing over the + flowers and the grave. Within the church, there resounded from the + organ the most beautiful hymns, which were in the old book under + the head of the dead one. The moon shone down upon the grave, but + the dead was not there; each child could go there quietly by night + and pluck a rose from the peaceful courtyard wall. The dead know + more than all of us living ones; they are better than we. The earth + is heaped up over the coffin, even within the coffin there is + earth; the leaves of the hymn book are dust, and the rose, with all + its memories. But above bloom fresh roses; above, the nightingale + sings, and the organ tones forth; above, the memory of the old + grandmother lives, with her mild, ever young eyes. Eyes can never + die. Ours will one day see the grandmother again, young and + blooming as when she for the first time kissed the fresh red rose, + which is now dust in the grave.' + + 'THE CELL PRISON. + + 'By separation from other men, by loneliness, in continual silence + shall the criminal be punished and benefited; on this account cell + prisons are built. In Sweden there are many such, and new ones are + building. I visited for the first time one in Marienstadt. The + building lies in a beautiful landscape, close by the town, on a + small stream of water, like a great villa, white and smiling, with + window upon window. But one soon discovers that the stillness of + the grave rests over the place; it seems as if no one dwelt here, + or as if it were a dwelling forsaken during the plague. The gates + of these walls are locked; but one opened and the jailor received + us, with his bundle of keys in his hand. The court is empty and + clean; even the grass between the paving stones is weeded out. We + entered the 'reception room,' to which the prisoner is first taken; + then the bath room, whither he is carried next. We ascend a flight + of stairs, and find ourselves in a large hall, built the whole + length and height of the building. Several galleries, one over + another in the different stories, extend round the whole hall, and + in the midst of the hall is the chancel, from which, on Sundays, + the preacher delivers his sermon before an invisible audience. All + the doors of the cells, which lead upon the galleries, are half + opened, the prisoners hear the preacher, but they cannot see him, + nor he them. The whole is a well-built machine for a pressure of + the spirit. In the door of each cell there is a glass of the size + of an eye; a valve covers it on the outside, and through this may + the warden, unnoticed by the prisoners, observe all which is going + on within; but he must move with soft step, noiselessly, for the + hearing of the prisoner is wonderfully sharpened by solitude. I + removed the valve from the glass very softly, and looked into the + closed room--for a moment the glance of the prisoner met my eye. It + is airy, pure, and clean within, but the window is so high that it + is impossible to look out. The whole furniture consists of a high + bench, made fast to a kind of table, a berth, which can be fastened + with hooks to the ceiling, and around which there is a curtain. + Several cells were opened to us. In one there was a young, very + pretty maiden; she had lain down in her berth, but sprang out when + the door was opened, and her first movement disturbed the berth, + which it unclasped and rolled together. Upon the little table stood + the water cask, and near it lay the remains of hard black bread, + farther off the Bible, and a few spiritual songs. In another cell + sat an infanticide; I saw her only through the small glass of the + door, she had heard our steps, and our talking, but she sat still, + cowered together in the corner by the door, as if she wished to + conceal herself as much as she could; her back was bent, her head + sunk almost into her lap, and over it her hands were folded. The + unhappy one is very young, said they. In two different cells sat + two brothers; they were paying the penalty of horse-stealing; one + was yet a boy. In one cell sat a poor servant girl; they said she + had no relations, and was poor, and they placed her here. I thought + that I had misunderstood, repeated my question, Why is the maiden + here? and received the same answer. Yet still I prefer to believe + that I have misunderstood the remark. Without, in the clear, free + sunlight, is the busy rush of day; here within the stillness of + midnight always reigns. The spider, which spins along the wall, the + swallow, which rarely flies near the vaulted window there above, + even the tread of the stranger in the gallery, close by the door, + is an occurrence in this mute, solitary life, where the mind of the + prisoner revolves ever upon himself. One should read of the martyr + cells of the holy inquisition, of the unfortunates of the Bagnio + chained to each other, of the hot leaden chambers, and the dark wet + abyss of the pit of Venice, and shudder over those pictures, in + order to wander through the galleries of the cell prison with a + calmer heart; here is light, here is air, here it is more human. + Here, where the sunbeam throws in upon the prisoner its mild light, + here will an illuminating beam from God Himself sink into the + heart.' + +Last we have + + 'SALA. + + 'Sweden's great king, Germany's deliverer, Gustavus Adolphus, + caused Sala to be built. The small enclosed wood in the vicinity of + the little town relates to us yet traditions of the youthful love + of the hero king, of his rendezvous with Ebba Brahe. The silver + shafts at Sala are the largest, the deepest and oldest in Sweden; + they reach down a hundred and seventy fathoms, almost as deep as + the Baltic. This is sufficient to awaken an interest in the little + town; how does it look now? 'Sala,' says the guide book, 'lies in a + valley, in a flat, and not very agreeable region.' And so it is + truly; in that direction was nothing beautiful, and the highway led + directly into the town, which has no character. It consists of a + single long street with a knot and a pair of ends: the knot is the + market; at the ends are two lanes which are attached to it. The + long street--it may be called long in such a short town--was + entirely empty. No one came out of the doors, no one looked out of + the windows. It was with no small joy that I saw a man, at last, in + a shop, in whose window hung a paper of pins, a red handkerchief, + and two tea cans, a solitary, sedate apprentice, who leaned over + the counter and looked out through the open house door. He + certainly wrote that evening in his journal, if he kept one; + 'To-day a traveller went through the town; the dear God may know + him, I do not!' The apprentice's face appeared to me to say all + that, and he had an honest face. + + 'In the tavern in which I entered, the same deathlike stillness + reigned as upon the street. The door was indeed closed, but in the + interior of the house all the doors stood wide open; the house cock + stood in the midst of the sitting room, and crowed in order to give + information that there was some one in the house. As to the rest, + the house was entirely picturesque; it had an open balcony looking + out upon the court--upon the street would have been too lively. The + old sign hung over the door and creaked in the wind; it sounded as + if it were alive. I saw it from my window; I saw also how the grass + had overgrown the pavement of the street. The sun shone clear, but + as it shines in the sitting room of the solitary old bachelor and + upon the balsam in the pot of the old maid, it was still as on a + Scottish Sunday, and it was Tuesday! I felt myself drawn to study + Young's 'Night Thoughts.' + + 'I looked down from the balcony into the neighbor's court; no + living being was to be seen, but children had played there; they + had built a little garden out of perfectly dry twigs; these had + been stuck into the soft earth and watered; the potsherd, which + served as watering pot, lay there still; the twigs represented + roses and geranium. It had been a splendid garden--ah yes! We + great, grown-up men play just so, build us a garden with love's + roses and friendship's geranium, we water it with our tears and our + heart's blood--and yet they are and remain dry twigs without roots. + That was a gloomy thought--I felt it, and in order to transform the + dry twigs into a blossoming Aaron's-staff, I went out. I went out + into the ends and into the long thread, that is to say, into the + little lanes and into the great street, and here was more life, as + I might have expected; a herd of cows met me, who were coming home, + or going away, I know not--they had no leader. The apprentice was + still standing behind the counter; he bowed over it and greeted; + the stranger took off his hat in return; these were the events of + this day in Sala. Pardon me, thou still town, which Gustavus + Adolphus built, where his young heart glowed in its first love, and + where the silver rests in the deep shafts without the town, in a + flat and not very pleasant country. I knew no one in this town, no + one conducted me about, and so I went with the cows, and reached + the graveyard; the cows went on, I climbed over the fence, and + found myself between the graves, where the green grass grew, and + nearly all the tombstones lay with inscriptions blotted out; only + here and there, 'Anno' was still legible--what further? And who + rests here? Everything on the stone was effaced, as the earth life + of the one who was now earth within the earth. What drama have ye + dead ones played here in the still Sala? The setting sun threw its + beams over the graves, no leaf stirred on the tree; all was still, + deathly still, in the town of the silver mines, which for the + remembrance of the traveller is only a frame about the apprentice, + who bowed greeting over the counter.' + +Silence, stillness, quiet, solitude, loneliness, far-away-ness; hushed, +calm, remote, out of the world, un-newspapered, operaless, +un-gossipped--was there ever a sketch which carried one so far from the +world as this of 'Sala'? That _one_ shopboy--those going or coming +cows--the tombs, with wornout dates, every point of time vanishing--a +living grave! + +Contrast again, dear reader. Verily she is a goddess--and I adore her. +Lo! she brings me back again in Sala to the busy streets of this city, +and the office, and the 'exchanges,' and the rustling, bustling world, +and the hotel dinner--to be in time for which I am even now writing +against time--and I am thankful for it all. Sala has cured me. That +picture drives away longings. Verily, he who lives in America, and in +its great roaring current of events, needs but a glance at Sala to feel +that _here_ he is on a darting stream ever hurrying more gloriously into +the world and away from the dull inanity--which the merest sibilant of +aggravation will change to insanity. + +Reader, our Andersen is an artist--as most children know. But I am glad +that he seldom gives us anything which is so _very_ much of a monochrome +as Sala. + +I wonder if Sala was the native and surnaming town of that _other_ Sala +whose initials are G. A. S., and whose nature is 'ditto'? Did its +dulness drive him to liveliness, even as an 'orthodox' training is said +to drive youth to dissipation? It may be so. The one hath a deep mine of +silver--the other contains inexhaustible mines of brass--and the name of +the one as of the other, when read in Hebrew-wise gives us 'alas!' + +But I am wandering from the Northern pictures and fresh nature, and must +close. + + + + +THE NEW RASSELAS. + + +... And Joseph, opening the drawing room, told me the postchaise was +ready. My mother and my sister threw themselves into my arms. + +'It is still time,' said they, 'to abandon this scheme. Stay with us.' + +'Mother, I am of noble birth, I am now twenty, I must have a name, I +must be talked about in the country, I must be getting a position in the +army or at court.' + +'Oh! but, Bernard, when you have gone, what will become of me?' + +'You will be happy and proud when you hear of your son's success.' + +'But if you are killed in some battle?' + +'What of that! What's life? Who thinks about being killed? When one is +twenty, and of noble lineage, he thinks of nothing but glory. And, +mother, in a few years you shall see me return to your side a colonel, +or a general, or with some rich office at Versailles.' + +'Well, and what then?' + +'Why, then I shall be respected and considered about here.' + +'And then?' + +'Why, everybody will take off their hat to me.' + +'And then?' + +'I'll marry Cousin Henrietta, and I'll marry off my young sisters, and +we'll all live together with you, tranquil and happy, on my estate in +Brittany.' + +'Now, why can't you commence this tranquil and happy life to-day? Has +not your father left us the largest fortune of all the province? Is +there anywhere near us a richer estate or a finer chateau than that of +La Roche Bernard? Are you not considered by all your vassals? Doesn't +everybody take off their hat when they meet you? No, don't quit us, my +dear child; remain with your friends, with your sisters, with your old +mother, whom, at your return, perhaps you may not find alive; do not +expend in vain glory, nor abridge by cares and annoyances of every kind, +days which at the best pass away too rapidly: life is a pleasant thing, +my son, and Brittany's sun is genial!' + +As she said this, she showed me from the drawing-room windows the +beautiful avenues of my park, the old horse-chestnuts in bloom, the +lilacs, the honeysuckles, whose fragrance filled the air, and whose +verdure glistened in the sun. In the antechamber was the gardener and +all his family, who, sad and silent, seemed also to say to me, 'Don't +go, young master, don't go.' Hortense, my eldest sister, pressed me in +her arms, and Amelie, my little sister, who was in a corner of the +drawing room looking at the pictures in a volume of La Fontaine, came up +to me, holding out the book: + +'Read, read, brother,' said she, weeping.... + +She pointed to the fable of the Two Pigeons!... I suddenly got up, and +repelled them all. 'I am now twenty, I am of noble blood, I want glory +and honor.... Let me go.' And I ran toward the courtyard. I was about +getting into the postchaise, when a woman appeared on the staircase. +It was Henrietta! She did not weep ... she did not say a word ... but, +pale and trembling, it was with the utmost difficulty that she kept from +falling. She waved the white handkerchief she held in her hand, as a +last good-by, and she fell senseless on the floor. I ran and took her +up, I pressed her in my arms, I pledged my love to her for life; and as +she recovered consciousness, leaving her in the hands of my mother and +sister, I ran to my postchaise without stopping, and without turning my +head. + +If I had looked at Henrietta, I should not have gone. + +In a few moments afterward the postchaise was rattling along the +highway. For a long time my mind was completely absorbed by thoughts of +my sisters, of Henrietta, of my mother, and of all the happiness I left +behind me; but these ideas gradually quitted me as I lost sight of the +turrets of La Roche Bernard, and dreams of ambition and of glory took +the entire possession of my mind. What schemes! What castles in the air! +What noble actions I performed in my postchaise!! I denied myself +nothing: wealth, honors, dignities, success of every kind, I merited and +I awarded myself all; at the last, raising myself from grade to grade as +I advanced on my journey, by the time I reached my inn at night, I was +duke and peer, governor of a province, and marshal of France. The voice +of my servant, who called me modestly Monsieur le Chevalier, alone +forced me to remember who I was, and to abdicate all my dignities. The +next day, and the following days, I indulged in the same dreams, and +enjoyed the same intoxication, for my journey was long. I was going to a +chateau near Sedan the chateau of the Duke de C----, an old friend of my +father, and protector of my family. It was understood that he was to +carry me to Paris with him, where he was expected about the end of the +month; he promised to present me at Versailles, and to give me a company +of dragoons through the credit of his sister, the Marchioness de F----, +a charming young lady, designated by public opinion as Madame de +Pompadour's successor, whose title she claimed with the greater justice +as she had long filled its honorable functions. I reached Sedan at +night, and at too late an hour to go to the chateau of my protector. I +therefore postponed my visit until the nest day, and lay at the +'France's Arms,' the best hotel of the town, and the ordinary rendezvous +of all the officers; for Sedan is a garrison town, and is well +fortified; the streets have a warlike air, and even the shopkeepers have +a martial look, which seems to say to strangers, 'We are fellow +countrymen of the great Turenne!' I supped at the general table, and I +asked what road I should take in the morning to go to the chateau of the +Duke de C----, which is situated some three leagues out of the town. +'Anybody will show you,' I was told, 'for it is well known hereabouts: +Marshal Fabert, a great warrior and a celebrated man, died there.' +Thereupon the conversation turned about Marshal Fabert. Between young +soldiers, this was very natural; his battles, his exploits, his modesty, +which made him refuse the letters patent of nobility and the collar of +his orders offered him by Louis XIV, were all talked about; they dwelt +especially on the inconceivable fortune which had raised him from the +rank of a simple soldier to the rank of a marshal of France--him, who +was nothing at all, the son of a mere printer: it was the only example +of such a piece of fortune which could then be instanced, and which, +even during Fabert's life, had appeared so extraordinary, the vulgar +never feared to ascribe his elevation to supernatural causes. It was +said that from his youth he had busied himself with magic and sorcery, +and that he had made a league with the devil. Mine host, who, to the +stupidity inherent in all the natives of the province of Champagne, +added the credulity of our Brittany peasants, assured us with a great +deal of sangfroid, that when Fabert died in the chateau of the Duke de +C----, a black man, whom nobody knew, was seen to enter into the dead +man's room, and disappear, taking with him the marshal's soul, which he +had bought, and which belonged to him; and that even now, every May, +about the period of the death of Fabert, the people of the chateau saw +the black man about the house, bearing a small light. This story made +our dessert merry, and we drank a bottle of champagne to the demon of +Fabert, craving it to be good enough to take us also under its +protection, and enable us to win some battles like those of Collioure +and La Marfee. + +I rose early the next morning, and went to the chateau of the Duke de +C----, an immense gothic manor-house, which perhaps at any other moment +I would not have noticed, but which I regarded, I acknowledge, with +curiosity mixed with emotion, as I recollected the story told us on the +preceding evening by the host of the 'France's Arms.' The servant to +whom I spoke, told me he did not know whether his master could receive +company, and whether he could receive me. I gave him my name, and he +went out, leaving me alone in a sort of armory, decorated with the +attributes of the chase and family portraits. + +I waited some time, and no one came. 'The career of glory and of honor I +have dreamed commences by the antechamber,' said I to myself, and +impatience soon possessed the discontented solicitor. I had counted over +the family portraits and all the rafters of the ceiling some two or +three times, when I heard a slight noise in the wooden wainscoting. It +was caused by an ill-closed door the wind had forced open. I looked in, +and I perceived a very handsome boudoir, lighted by two large windows +and a glazed door opening on a magnificent park. I walked into this +room, and after I had gone a short distance, I was stopped by a scene +which I had not at first perceived. A man was lying on a sofa, with his +back turned to the door by which I came in. He got up, and without +perceiving me, ran abruptly to the window. Tears streamed down his +cheeks, and a profound despair was marked on his every feature. He +remained motionless for some time, keeping his face buried in his hands; +then he began striding rapidly about the room. I was then near him; he +perceived me, and trembled; I, too, was annoyed and confounded at my +indiscretion; I sought to retire, muttering some words of excuse. + +'Who are you? What do you want?' he said to me in a loud voice, taking +hold of me by my arms. + +'I am the Chevalier Bernard de la Roche Bernard, and I come from +Brittany.'... + +'I know, I know,' said he; and he threw himself into my arms, made me +take a seat by his side, spoke to me warmly about my father and all my +family, whom he knew so well that I was persuaded I was talking with the +master of the chateau. + +'You are Monsieur de C----?' I asked him. + +He got up, looked at me wildly, and replied, 'I was he, I am he no +longer, I am nothing;' and seeing my astonishment, he exclaimed, 'Not a +word more, young man, don't question me!' + +'I must, Monsieur; I have been the involuntary witness of your chagrin +and your grief, and if my attachment and my friendship may to some +degree alleviate'---- + +'You are right, you are right,' said he; 'you cannot change my fate, but +at the least you may receive my last wishes and my last injunctions ... +it is the only favor I ask of you.' + +He shut the door, and again took his seat by my side; I was touched, and +tremblingly expected what he was going to say: he spoke with a grave and +solemn manner. His physiognomy had an expression I had never seen before +on any face. His forehead, which I attentively examined, seemed marked +by fatality; his face was pale; his black eyes sparkled, and +occasionally his features, although changed by pain, would contract in +an ironical and infernal smile. 'What I am going to tell you,' said he, +'will surprise you.' You will doubt me ... you will not believe me ... +even. I doubt it sometimes ... at the least, I would like to doubt it; +but I have got the proofs of it; and there is in everything around us, +in our very organization, a great many other mysteries which we are +obliged to undergo, without being able to understand.' He remained +silent for a moment, as if to collect his ideas, brushed his forehead +with his hand, and then proceeded: + +'I was born in this chateau. I had two elder brothers, to whom the +honors and the estates of our house were to descend. I could hope +nothing above the cassock of an abbe, and yet dreams of ambition and of +glory fermented in my head, and quickened the beatings of my heart. +Discontented with my obscurity, eager for fame, I thought of nothing but +the means of acquiring it, and this idea made me insensible to all the +pleasures and all the joys of life. The present was nothing to me; I +existed only in the future; and that future lay before me robed in the +most sombre colors. I was nearly thirty years old, and had done nothing. +Then literary reputations arose from every side in Paris, and their +brilliancy was reflected even to our distant province. 'Ah!' I often +said to myself, 'if I could at the least command a name in the world of +letters! that at least would be fame, and fame is happiness.' The +confidant of my sorrow was an old servant, an aged negro, who had lived +in the chateau for years before I was born; he was the oldest person +about the house, for no one remembered when he came to live there; and +some of the country people said that he knew the Marshal Fabert, and had +been present at his death'-- + +My host saw me express the greatest surprise; he interrupted his +narrative to ask me what was the matter. + +'Nothing,' said I; but I could not help thinking of the black man the +innkeeper had mentioned the evening before. + +Monsieur de C---- went on with his story: 'One day, before Juba (such +was the negro's name), I loudly expressed my despair at my obscurity and +the uselessness of my life, and I exclaimed: '_I would give ten years of +my life_ to be placed in the first rank of our authors.' 'Ten years,' he +coldly replied to me, 'are a great deal; it's paying dearly for a +trifle; but that's nothing, I accept your ten years. I take them now; +remember your promises: I shall keep mine!' I cannot depict to you my +surprise at hearing him speak in this way. I thought years had weakened +his reason; I smiled, and he shrugged his shoulders, and in a few days +afterward I quitted the chateau to pay a visit to Paris. There I was +thrown a great deal in literary society. Their example encouraged me, +and I published several works, whose success I shall not weary you by +describing. All Paris applauded me; the newspapers proclaimed my +praises; the new name I had assumed became celebrated, and no later than +yesterday, you, yourself, my young friend, admired me.' + +A new gesture of surprise again interrupted his narrative: 'What! you +are not the Duke de C----?' I exclaimed. + +'No,' said he very coldly. + +'And,' I said to myself, 'a celebrated literary man! Is it Marmontel? or +D'Alembert? or Voltaire?' + +He sighed; a smile of regret and of contempt flitted over his lips, and +he resumed his story: 'This literary reputation I had desired soon +became insufficient for a soul as ardent as my own. I longed for nobler +success, and I said to Juba, who had followed me to Paris, and who now +remained with me: 'There is no real glory, no true fame, but that +acquired in the profession of arms. What is a literary man? A poet? +Nothing. But a great captain, a leader of an army! Ah! that's the +destiny I desire; and for a great military reputation, I would give +another ten years of my life.' 'I accept them,' Juba replied; 'I take +them now; don't forget it.'' + +At this part of his story he stopped again, and, observing the trouble +and hesitation visible in my every feature, he said: + +'I warned you beforehand, young man, that you could not believe me; this +seems a dream, a chimera to you!... and to me, too!... and yet the +grades and the honors I obtained were no illusions; those soldiers I led +to the cannon's mouth, those redoubts stormed, those flags won, those +victories with which all France has rung ... all that was my work ... +all that glory was mine.'... + +While he strode up and down the room, and spoke with this warmth and +enthusiasm, surprise chilled my blood, and I said to myself, 'Who can +this gentleman be?... Is he Coligny?... Richelieu?... the Marshal +Saxe?'... + +From this state of excitement he had fallen into great depression, and +coming close to me, he said to me, with a sombre air: + +'Juba spoke truly; and after a short time had passed away, disgusted +with this vain bubble of military glory, I longed for the only thing +real and satisfactory and permanent in this world; and when, at the cost +of five or six years of life, I desired gold and wealth, Juba gave them +too.... Yes, my young friend, yes, I have seen fortune surpass all my +desires; I became the lord of estates, of forests, of chateaux. Up to +this morning they were all mine; if you don't believe me, if you don't +believe Juba ... wait ... wait ... he is coming ... and you will see for +yourself, with your own eyes, that what confounds your reason and mine, +is unhappily but too real.' + +He then walked toward the mantlepiece, looked at the clock, exhibited +great alarm, and said to me in a whisper: + +'This morning at daybreak I felt so depressed and weak I could scarcely +get up. I rang for my servant. Juba came. 'What is the matter with me +this morning?' I asked him. 'Master, nothing more than natural. The hour +approaches, the moment draws near!' 'What hour? What moment?' 'Don't you +remember? Heaven allotted sixty years as the term of your existence. You +were thirty when I began to obey you!' 'Juba,' said I, seriously +alarmed, 'are you in earnest?' 'Yes, master; in five years you have +dissipated in glory twenty-five years of life. You gave them to me, they +belong to me; and those years you bartered away shall now be added to +the days I have to live.' 'What, was that the price of your services?' +'Others have paid more dearly for them. You have heard of Fabert: I +protected him.' 'Silence! silence!' I said to him; 'you lie! you lie!' +'As you please; but get ready, you have only half an hour to live.' 'You +are mocking me; you deceive me.' 'Not at all; make the calculation +yourself. You have really lived thirty-five years; you have lost +twenty-five years: total, sixty years.' He started to go out.... I felt +my strength diminishing; I felt my life waning away. 'Juba! Juba!' said +I, 'give me a few hours, only a few hours,' I screamed; 'oh! give me a +few hours longer!' 'No, no,' said he, 'that would be to diminish my own +life, and I know better than you the value of life. There is no treasure +in this world worth two hours' existence!' I could scarcely speak; my +eyes became obscured by a thick veil, the icy hand of death began to +freeze my veins. 'Oh!' said I, making an effort to speak, 'take back +those estates for which I have sacrificed everything. Give me four hours +longer, and I make you master of all my gold, of all my wealth, of all +that opulence of fortune I have so earnestly desired.' 'Agreed: you have +been a good master, and I am willing to do something for you; I consent +to your prayer.' I felt my strength return; and I exclaimed: 'Four hours +are so little ... oh! Juba! ... Juba ... oh! Juba! give me yet four +hours, and I renounce all my literary glory, all my works, everything +that has placed me so high in the opinion of the world.' 'Four hours of +life for that!' exclaimed the negro with contempt.... 'That's a great +deal; but never mind; you shan't say I refused your last dying request.' +'Oh! no! no! Juba, don't say my last dying request.... Juba! Juba! I beg +of you, give me until this evening, give me twelve hours, the whole day, +and may my exploits, my victories, my military fame, my whole career be +forever effaced from the memory of men!... may nothing whatever remain +of them!... if you will give me this day, only to-day, Juba; and I shall +be too well satisfied.' 'You abuse my generosity,' said he, 'and I am +making a fool's bargain. But never mind, I give you until sundown. After +that, ask me for nothing more. Don't forget, after sundown I shall come +for you!' + +'He went away,' added my companion, with a tone of despair I can never +forget, 'and this is the last day of my life.' He then walked to the +glazed door looking out on the park (it was open), and he exclaimed: + +'Oh God! I shall see no more this beautiful sky, these green lawns, +these sparkling waters; I shall never again breathe the balmy air of the +spring! Madman that I was! I might have enjoyed for twenty-five years to +come these blessings God has showered on all, blessings whose worth I +knew not, and of which I am beginning to know the value. I have worn out +my days, I have sacrificed my life for a vain chimera, for a sterile +glory, which has not made me happy, and which died before me.... See! +see there!' said he, pointing to some peasants plodding their weary way +homeward; 'what would I not give to share their labors and their +poverty!... But I have nothing to give, nothing to hope here below ... +nothing ... not even misfortune!'... At this moment a sunbeam, a May +sunbeam, lighted up his pale, haggard features; he took me by the arm +with a sort of delirium, and said to me: + +'See! oh see! how splendid is the sun!... Oh! and I must leave all +this!... Oh! at the least let me enjoy it now.... Let me taste to the +full this pure and beautiful day ... whose morrow I shall never see!' + +He leaped into the park, and, before I could well comprehend what he was +doing, he had disappeared down an alley. But, to speak truly, I could +not have restrained him, even if I would.... I had not now the strength; +I fell back on the sofa, confounded, stunned, bewildered by all I had +seen and heard. At length I arose and walked about the room to convince +myself that I was awake, that I was not dreaming, that.... + +At this moment the door of the boudoir opened, and a servant announced: + +'My master, Monsieur le Duc de C----.' + +A gentleman some sixty years old and of a very aristocratic appearance +came forward, and, taking me by the hand, begged my pardon for having +kept me so long waiting. + +'I was not at the chateau,' said he. 'I have just come from the town, +where I have been to consult with the physicians about the health of the +Count de C----, my younger brother.' + +'Is he dangerously ill?' + +'No, monsieur, thank Heaven, he is not; but in his youth visions of +glory and of ambition had excited his imagination, and a grave fever, +from which he has just recovered, and which came near proving fatal, has +left his head in a state of delirium and insanity, which persuades him +that he has only one day longer to live. That's his madness.' + +Everything was explained to me now! + +'Come, my young friend, now let us talk over your business; tell me what +I can do for your advancement. We will go together to Versailles about +the end of this month. I will present you at court.' + +'I know how kind you are to me, duke, and I have come here to thank you +for it.' + +'What! have you renounced going to court, and to the advantages you may +reckon on having there?' + +'Yes.' + +'But recollect, that aided by me, you will make a rapid progress, and +that with a little assiduity and patience ... say in ten years.' + +'They would be ten years lost!' + +'What!' exclaimed the duke with astonishment, 'is that purchasing too +dearly glory, fortune, and fame?... Silence, my young friend, we will go +together to Versailles.' + +'No, duke, I return to Brittany, and I beg you to accept my thanks and +those of my family for your kindness.' + +'You are mad!' said the duke. + +But thinking over what I had heard and seen, I said to myself: 'You are +the same!' + +The next morning I turned my face homeward. With what pleasure I saw +again my fine chateau de la Roche Bernard, the old trees of my park, and +the beautiful sun of Brittany! I found again my vassals, my sisters, my +mother, and happiness, which has never quitted me since, for eight days +afterward I married Henrietta. + + + + +THE CHAINED RIVER. + + + Home I love, I now must leave thee! Home I love, I now must go + Far away, although it grieve me, through the valley, through the snow. + + By the night and through the valley, though the hail against us flies, + Till we reach the frozen river--on its bank the foeman lies. + + Frozen river, mighty river!--wilt thou e'er again be free + From the fountain through the mountain, from the mountain to the sea. + + Yes; though Freedom's glorious river for a time be frozen fast, + Still it cannot hold forever--Winter's reign will soon be past. + + Still it runs, although 'tis frozen--on beneath the icy plain, + From the mountain to the ocean--free as thought, though held in chain. + + From the mountain to the ocean, from the ocean to the sky, + Then in rainy drops returning--lo the ice-chains burst and fly! + + And the ice makes great the river. Breast the spring-flood if you dare! + Rivers run though ice be o'er them--GOD and Freedom everywhere! + + + + +HOW THE WAR AFFECTS AMERICANS. + + +At the outbreak of the present terrible civil war, the condition of the +American people was apparently enviable beyond that of any other nation. +We say apparently, because the seeds of the rebellion had long been +germinating; and, to a philosophic eye, the great change destined to +follow the rebellion was inevitable, though it was then impossible for +human foresight to predict the steps by which that change would come. +Unconscious of impending calamity, we were proud of our position and +character as American citizens. We were free from oppressive taxation, +and enjoyed unbounded liberty of speech and action. Revelling in the +fertility of a virgin continent, unexampled in modern times for the +facilities of cultivation and the richness of its return to human labor, +it was a national characteristic to felicitate ourselves upon the +general prosperity, and boastingly to compare our growing resources and +our unlimited and almost spontaneous abundance, with the hard-earned and +dearly purchased productions of other and more exhausted countries. Our +population, swollen by streams of immigration from the crowded +continents of the old world, has spread over the boundless plains of +this, with amazing rapidity; and the physical improvements which have +followed our wonderful expansion have been truly magical in their +results, as shown by the decennial exhibits of the census, or presented +in still more palpable form to the eye of the thoughtful and observant +traveller. Since the fall of the Roman empire, no single government has +possessed so magnificent a domain in the temperate regions of the globe; +and certainly, no other people so numerous, intelligent, and powerful, +has ever in any age of the world enjoyed the same unrestricted freedom +in the pursuit of happiness: accordingly, none has ever exhibited the +same extraordinary activity in enterprise, or equal success in the +creation and accumulation of wealth. It was unfortunately true that our +mighty energies were mostly employed in the production of physical +results; and although our youthful, vigorous, and unrestricted efforts +made these results truly marvellous, yet the moral and intellectual +basis on which we built was not sufficiently broad and stable to sustain +the vast superstructure of our prosperity. The foundations having been +seriously disturbed, it becomes indispensable to look to their permanent +security, whatever may be the temporary inconvenience arising from the +necessary destruction of portions of the old fabric. + +When the war began, the South was supplying the world with cotton--a +staple which in modern times has become intimately connected with the +physical well-being of the whole civilized world. At the same time, the +Northwest was furnishing to all nations immense quantities of grain and +animal food, her teeming fields presenting a sure resource against the +uncertainty of seasons in those regions of the earth in which capital +must supply the fertility which is still inexhaustible here. While such +were the occupations of the South and the West, the North and East were +advancing in the path of mechanical and commercial improvement, with a +rapidity beyond all former example. Agricultural and manufacturing +inventions were springing up, full grown, out of the teeming brain of +the Yankees, and were fast altering the face of the world. New +combinations of natural forces were appearing as the agents of the human +will, and were multiplying the physical capacity of man in a ratio that +seemed to know no bounds. Commercial enterprise kept pace with these +magnificent creations, and never failed, with liberal and enlightened +spirit, to avail itself of all the resources which industry produced or +genius invented. Our tonnage surpassed that of the greatest nations; the +skill of our shipbuilders was unsurpassed; and the courage, industry, +and perseverance of our seamen were renowned all over the world. On +every ocean and in every important harbor of the earth were daily +visible the emblems of our national power and the evidences of our +individual prosperity. But in one fatal moment, from a cause which was +inherent in our moral and political condition, all this prodigious +activity of thought and work was brought to a complete stand. Such a +shock was never before experienced, because such a social and material +momentum had never before been acquired by any nation, and then been +arrested by so gigantic a calamity. It was as if the earth had been +suddenly stopped on its axis, and all things on its surface had felt the +destructive impulse of the centrifugal force. + +War itself is, unhappily, no uncommon condition of mankind. Wars on a +gigantic scale have often heretofore raged among the great nations, or +even between sundered parts of the same people. It is not the magnitude +of the present contest which constitutes its greatest peculiarity. It is +rather the magnitude and importance of the interests it involves and the +relations it sunders, which give it the tremendous significance it bears +in the eyes of the world. Never has any war found the contending parties +engaged in works of such world-wide and absorbing interest, as those +which occupied both sections of our people at the commencement of this +rebellion. No two people, connected by so many ties, enjoying such +unlimited freedom of intercourse, so mutually dependent each upon the +other, and occupying a country so utterly incapable of natural +divisions, have ever been known to struggle with each other in so +sanguinary a conflict. All the circumstances of the case have been +unexampled in history. Accordingly the influence of the contest upon +affairs on this continent, and indeed upon human affairs generally, has +been great and disastrous in proportion to the magnitude of the peaceful +works which have been suspended by it, and to the closeness of those +brotherly relations which have heretofore existed between the contending +parties, now violently broken, and perhaps forever destroyed. + +Almost the entire industry and commerce of the United States have been +diverted into new and unaccustomed channels. The most active and +enterprising people in the world, in the midst of their varied +occupations, suddenly find all the accustomed channels of business +blocked up and the stream of their productions flowing back upon them in +a disastrous flood, and stagnating in their workshops and storehouses. +They are compelled to find new issues for their enterprise and to make a +complete change in their habits and works. It is not merely in the +cessation of all intercourse between the two vast sections, North and +South, that this mighty transformation has taken place; but an equal +alteration has been suddenly effected in the character of the business +and the nature of the occupations which the people have heretofore +pursued in the loyal States of the Union. Great branches of business, +employing millions of capital, have been utterly annihilated or +indefinitely suspended. Vast amounts of capital have been sunk and +utterly lost in the deep gulf of separation which temporarily divides +the States; or if they are ever to be recovered, it will be only after +the storm shall have completely subsided, when some portions of the +wrecks, which have been scattered in the fearful commotion, may be +thrown safely on to the shores of reunion. It was anticipated, +especially by the rebels themselves, that these incalculable losses, +these tremendous shocks and sudden changes, would utterly overwhelm the +North with ruin and tear her to pieces with faction and disorder. But +this anticipation of accumulated disasters, in which the wish was father +to the thought, has not been realized to any appreciable extent. The +pecuniary losses have been in a great measure compensated by the immense +demands of the war; and when faction has attempted to raise its head, it +has been compelled to retire before the patriotic rebuke of the people. +And although the vast expenditures of the war give present relief; by +drawing largely on the resources of the future, yet the strength we +acquire is none the less real or less effectual in overthrowing the +rebellion. + +But this sudden and grand emergency, with all its appalling concomitants +of lives sacrificed, property destroyed, commercial disaster, and social +derangement, has given a rare opportunity for the testing of our +national character, and of our ability to meet and overcome the most +tremendous difficulties and dangers. Perhaps the versatility of American +genius and its ready adaptation to the new circumstances, are even more +wonderful than any other exhibition made by our people in this great +national crisis. There has never been any good reason to doubt the +capacity of any portion of American citizens for warlike occupations, +nor their possession of the moral qualities necessary to make them good +soldiers. The long period of peace which has blessed our country, with +the industrial, educational, and moral improvement produced by it, has +rendered war justly distasteful to the Free States of the Union. They +were slow to recognize the necessity for it; and nothing but the most +solemn convictions of duty would have aroused them to the stern and +unanimous determination with which they have entered on the present +struggle. Swift would have been our degeneration, if the spirit of our +fathers had already died out among us. But our history of less than a +century since the Revolutionary war has fully maintained the +self-reliant character of Americans and demonstrated their military +abilities; and if the commercial and manufacturing populations of +particular sections were supposed to have become somewhat enervated by +long exemption from the labors and perils of war, it was certain that +our large agricultural regions and especially our frontier settlements +were peopled with men inured to toil and familiar with danger, +constituting the best material for armies to be found in any country. +Nor was it in fact true that any considerable portion of our people, +even those drawn from the stores and workshops of the cities, had become +so far deteriorated in vigor of body, or demoralized in spirit, as to be +unfit for military service. The Southern leaders looked with scorn upon +our volunteer army only until they encountered it in battle. They were +then compelled to alter their preconceived opinions of the Yankee +character, and to change their contempt, real or pretended, into +respect, if not admiration. Even when superior numbers or better +strategy enabled them to beat us, they have seldom failed to bear +honorable testimony to the unflinching courage and endurance of our +troops. Nor do we need the admissions of the enemy to establish this +character for us; our own triumphs, on many glorious fields, are the +best evidences of our ability in war, and of themselves sufficiently +attest the valor and energy of our noble volunteers. In this aspect of +the matter, we must not forget the peculiar character and constitution +of our vast army. It is indeed worthy to be called the wonder of the +world. It is virtually a voluntary association of the people for the +purpose of putting down a gigantic rebellion and saving their own +government from destruction. This is a social phenomenon never before +known in history on a scale approaching the magnitude of our +combinations--a phenomenon which could only take place in a popular +government, where the unrestricted freedom of individual action promotes +the virtues of personal independence, self-respect, and manly courage. +Even the Southern people, fighting on their own soil, in a war which, +though actually commenced by them, they now affect to consider wholly +defensive--even they, with all their boasted unanimity, and with the +fierce passions engendered by slavery, have been compelled to maintain +their armies by a conscription of the most unexampled severity; while +the loyal States, fighting solely for union and nationality--interests +of the most general nature, and offering little of mere personal +inducement--have so far escaped that necessity, and are now just +preparing to resort to it. After all, it must be acknowledged by every +just and generous mind, whether that of friend or foe, that there is a +substratum of noble sentiment and manly impulses at the foundation of +the Yankee character. The vast movements of the Northern people plainly +show it. Their contributions for the support of soldiers' families and +for the relief of the wounded and disabled, are upon a gigantic scale. +They raise immense sums for the payment of bounties to volunteers, and +thus, in every way, the burdens of the war are voluntarily assumed by +the people, and to some extent distributed among them, so that every one +may participate in the patriotic work. Nor is this large-hearted +liberality confined solely to our own country. The sufferers in other +lands, who have felt the disastrous effects of our great civil war, have +not been forgotten. In the midst of a life-and-death struggle among +ourselves, we have found time and means to assist in relieving their +wants--an exhibition of liberality peculiar, and truly American in +character. + +Nor are these the only interesting features in the bearing of the +American people at the present crisis. Perhaps a still more remarkable +one is the entire devotion of the national energies--of intellect not +less than of heart, of skill, not less than of capital--to the great +purposes of the war. This was the necessary result of our free +institutions; of our untrammelled pursuits; the mobility of our means +and agencies of production; and the plastic character of all our +creations. The amount of thought expended on this subject has been +prodigious and incalculable. It would be difficult, if not impossible, +to enumerate the ten thousand inventions and devices of all kinds which +have been presented for the purpose of increasing the efficiency of +weapons and of all the appliances of war, as well as for adding to the +comfort and securing the health of the soldier. Every imaginable +instrument of usefulness in any of the operations of the camp, or the +march, or the field of battle, has been the subject of tentative +ingenuity, such as none but Yankees could display. The musket, the +carbine, the pistol, have been constructed upon numberless plans, +apparently with every possible modification. The cartridge has been +covered with copper, impervious to water, instead of paper, and has its +own fulminate attached in various modes. Cannon shot and shells have +been made in many new forms; and cannons themselves have been increased +in calibre to an extraordinary size with proportionate efficiency, and +have been constructed in various modes and forms never before conceived. +The tent, the cot, the chest, the chair, the knife and fork, the stove +and bakeoven, each and every one of them, have been touched by the +transforming hand of homely genius, and have assumed a thousand +unimaginable forms of usefulness and convenience. India rubber and every +other available material have been made to perform new and appropriate +parts in the general work. The result of all this unexampled activity +and ingenuity has not yet been fully eliminated. It would require years +of experience in war in order to bring American genius, as at present +developed, to bear with all its extraordinary force on the mechanical +details of the military art. Beyond doubt, numberless devices, among +those presented, will prove to be utterly worthless; but many of them +will certainly stand the test of experience, will be ultimately approved +and adopted, and will remain as monuments of the enterprise and +ingenuity aroused by the necessities of the country in this hour of its +sad calamity. + +It would be a curious and interesting employment to estimate the number +and character of these inventions, due wholly to the existing civil +strife. Only then should we be able to form some adequate conception of +the immense stimulus which has been applied to the national intellect, +and which has caused it to embrace within the boundless range of its +investigations, the highest moral and political problems, alike with the +minutest questions of mechanical and economical convenience. But we +should be greatly disappointed in not finding this phenomenon even +partially comprehended by the powers that be. It is truly a melancholy +thing to meet in the highest quarters so little sympathy with the +noblest efforts of the popular mind, and to witness the cold neglect and +even disdainful suspicion with which the most useful and valuable +devices are often received, or rather, we should say, haughtily +disregarded and rejected. Seldom or never do we find these inventions +appreciated according to their merits. The Government is proverbially +slow to adopt improvements of any kind; and the army and navy, like all +similar professional bodies, are averse to every important change, and +wedded to the instruments and processes in the use of which they have +been educated and trained. This peculiar indisposition to progressive +movements, in all the established institutions and organizations of +society, has frequently been the subject of remark and of regret. It is, +however, only an exaggeration of the conservative principle, which, when +confined within proper limits, is wise and beneficial. Indeed, the +actual progress of society in any period, is neither more nor less than +the result of the conflict between the opposite tendencies, of +retrogradation and advancement--a disposition to adhere to the old, +which has been tried and approved, and a tendency toward the new, which, +however promising and alluring, may yet disappoint and mislead. In the +long run, however, the latter prevails, and the progressive movement, +more or less rapid, goes on continually. Improvements gradually force +themselves upon the attention of the most prejudiced minds, and +eventually conquer opposition in spite of professional immobility and +aversion to change. Observation has shown that the most important steps +of progress usually originate outside of the professions, and are only +adopted when they can no longer be resisted with safety to the +conservative body. To the volunteer officer and soldier, or to those +educated soldiers who have long been in civil life, will probably be due +the greater part of that accessibility to new ideas which will result in +important advances in the art of war. This assertion may seem to be +paradoxical; but all experience proves that ignorance of old processes +is most favorable to the introduction of new ones. And though in a +thousand instances such ignorance may be disastrous, occasionally it +finds the unprejudiced intellect illuminated by flashes of original +genius, and open to the entrance of valuable ideas which would have been +utterly excluded by all the old and established rules. + +But the actual work of the unexampled mental activity of the present +day, will not be fully known and estimated until after the close of the +war. Until then there will be neither time nor opportunity to weigh and +test the creations of the national ingenuity. In the midst of campaigns +and battles, with the absorbing interest of the great struggle, the +instruments of warfare cannot be easily changed, however important may +be the improvement presented. The emergency which arouses genius and +brings forth valuable inventions, is by no means favorable to their +adoption and general use. On the contrary, by a sort of fatality which +seems to be a law of their existence, they are doomed to struggle with +adversity and fierce opposition, and they are left by the occasion which +gave them birth as its repudiated offspring--a legacy to the future +emergency which will cherish and perfect them, make them available, and +enjoy the full benefit to be derived from them. + +The navy has always justly been the pride of our country; and it was to +be expected that it would first feel the impulse of inventive genius. +Confident in our strength and resources, we had long remained +comparatively sluggish, and regardless of those interesting experiments +which other great maritime powers had been carefully making with a view +to render ships invulnerable. We looked on quietly, observed the +results, and waited for the occasion when we should be required to put +forth our strength in this direction. When the war commenced, we had not +a single iron-clad vessel of any description. It became necessary that +the immense Southern coast of our country should be subjected to the +strictest blockade. This was a work of vast magnitude, and a very large +and sudden increase of the navy was demanded by the extraordinary +emergency. Cities were to be taken, and strong fortresses to be +attacked. The rebels had managed to save some of the vessels intended to +be destroyed at Norfolk, and had converted the Merrimack into a +formidable monster, which in due time displayed her destructive powers +upon our unfortunate fleet in Hampton Roads, in that ever-memorable +contest in which the Monitor first made her timely appearance. The chief +result of the vast effort demanded by the perilous situation of our +country, was the class of vessels of which the partially successful but +ill-fated Monitor was the type. These structures are certainly very far +from being perfect as ships of war; nevertheless, they constitute an +interesting and valuable experiment, and mark an advance in naval +warfare of the very first importance. They establish the form in which +defensive armor may perhaps be most effectively disposed for the +protection of men on board ships; but at the same time, it must be +conceded that they utterly fail in all the other requisites for +men-of-war and sea-going vessels. They are deficient in buoyancy and +speed. In truth they are nothing more than floating batteries, useful in +the defence of harbors or the attack of forts. The melancholy end of the +Monitor shows too plainly that vessels of her character cannot be safely +trusted to the fury of the open sea. They may do well in favorable +weather, or may escape on a single expedition; but a repetition of long +voyages will be almost certain to result in their loss. + +We want lighter and swifter vessels to be equally formidable in +ordnance, and alike invulnerable to the attacks of any adversary. To +combine all these requisites is not beyond the ingenuity of American +constructors. Most assuredly such vessels will soon make their +appearance on the ocean. Some new arrangement of the propelling +apparatus, and lighter and more powerful machinery, will accomplish this +important end. And then, too, with greatly increased speed, and with a +construction suitable to the new function, the principle of the ram will +be perfected; so that the projectile thrown by the most powerful +ordnance now existing or even conceived will be insignificant compared +with the momentum of a large steamer, going at the rate of thirty or +forty miles an hour, and herself becoming the direct instrument of +destruction to her adversary. Ordnance may possibly be devised which +will throw shot or shell weighing each a thousand pounds; but by the new +principle, which is evidently growing in practicability and favor, the +weight of thousands of tons will be precipitated against vessels of war, +and naval combats will become a conflict of gigantic forces, in +comparison with which the discharge of guns and the momentum of cannon +balls will be little more than the bursting of bubbles. + +The exploits of the rebel steamer Alabama, so destructive to our +commerce and so humiliating to our pride as a great naval power, +sufficiently attest the vital importance of the element of speed in +ships of war. Her capacity under steam is beyond that of our best +vessels, and she therefore becomes, at her pleasure, utterly +inaccessible to anything we may send to pursue her. We have built our +steamers strong and heavy; but proportionately slow and clumsy. The +Alabama could not safely encounter any one of them entitled to the name +of a regular cruiser; but she does not intend to risk such a contest, +and, most unfortunately for us, she cannot be compelled to meet it. Of +what real use are all the costly structures of our navy with the +tremendous ordnance which they carry, if this comparatively +insignificant craft can go and come when and where she will, and sail +through and around our fleets without the possibility of being +interrupted? They are perfectly well suited to remain stationary and aid +us in blockading the Southern ports; but the frequent escape of fast +steamers running the blockade, serves still further to demonstrate the +great and palpable deficiency in the speed of our ships of war. We may +start a hundred of our best steamers on the track of the Alabama, and, +without an accident, they can never overtake her. The only alternative +is to accept the lesson which her example teaches, and to surpass her in +those qualities which constitute her efficiency and make her formidable +as a foe. This we must do, or we must quietly surrender our commerce to +her infamous depredations, and acknowledge ourselves beaten on the seas +by the rebel confederacy without an open port, and without anything +worthy to be called a navy. The ability of our naval heroes, and their +skill and valor, so nobly illustrated on several occasions during the +present war, will be utterly unavailing against superior celerity of +motion. Their just pride must be humbled, and their patriotic hearts +must chafe with vexation, so long as the terrible rebel rover continues +to command the seas, as she will not fail to do so long as we are unable +to cope with her in activity and speed. Nor is it certain we have yet +known the worst. Ominous appearances abroad, and thick-coming rumors +brought by every arrival, indicate the construction in England of +numerous other ships like the Alabama, destined to run the blockade and +afterward to join that renowned cruiser in her work of destruction. +Stores of cotton held in Southern ports offer a temptation to the +cupidity of foreign adventurers which will command capital to any +amount, and the best skill of English engineers and builders will be +enlisted to make the enterprise successful--a skill not embarrassed by +bureaucratic inertia and stolidity. + +Let the genius of American constructors and engineers be brought to bear +on the subject, and the important problem will be solved in sixty days. +Indeed, there are plans in existence, at this very hour, by which the +desired end could be at once accomplished. But the inertia of official +authority, and especially of the bureaus in the Navy Department, is such +that any novel idea, however demonstrably good and valuable, is usually +doomed to battle for years against opposition of all kinds before it can +hope to secure an introduction. In all probability, the war will have +been ended before anything of great importance ever can be accomplished +through those channels. The adoption of the Monitor principle was not +due to the skill and intelligence found in official quarters; it was +forced upon the Navy Department from the outside. And like the boa +constrictor, after having swallowed its prey, the Department must +sluggishly repose until that meal is digested before another can be +taken. One idea, of the magnitude of this, is enough for the present +crisis. We shall not have another, if the stubborn resistance and fixity +of ideas in the bureaus can prevent it. The invulnerability of the +Monitors, and the peculiar arrangement by which this important end is +obtained, are but one of the items necessary to make up the complete +efficiency of war steamers. They are only one half what is required. +They accomplish one of the great desiderata in armaments afloat; but +they leave another equally important demand utterly unsatisfied. There +is a counterpart to this achievement--its complement, equally +indispensable to the efficiency of the navy, and waiting to be placed by +the side of the recent improvement. It must and will be brought forth, +whether the naval authorities assist or oppose. American genius, only +give it fair play, is equal to all emergencies. + +The immense activity of thought and ingenuity elicited by the war, and +extending to all the departments of enterprise appropriate to the great +crisis, is a phenomenon peculiar to the American people. It could be +exhibited nowhere else, to the same extent, among civilized nations, +because nowhere else is the same stimulus applied with equal directness +to the popular masses. The operation of this peculiar cause is +conspicuously plain. The Government of the United States is the people's +Government; the war is emphatically the people's war. Every man feels +that he has a personal interest in it. He understands, more or less +clearly, the whole question involved, and has fixed opinions, and +perhaps strong feelings, in regard to it. His friends and neighbors and +brothers are in the army, and they have gone thither voluntarily, +perhaps impelled by enlightened and conscientious convictions of duty. +His sympathies follow them; he ardently prays for their success; and he +is stimulated to provide, as well as he can, for their comfort. All +other business being greatly interrupted, if not wholly suspended, he +thinks continuously of the mighty operations of the war. He dwells on +them night and day, and in the laboratory of his active mind, excited by +the mighty stimulus of personal and patriotic feeling natural to the +occasion, he produces those extraordinary combinations which distinguish +the present era. + +In addition to these impulses which operate so generally, there is the +still more universal and all-pervading love of gain which stimulates his +inventive faculties, and causes them to operate in the direction in +which his hopes and sympathies are turned. Aroused by motives of all +kinds, the whole mind and heart of the country is absorbed in the great +contest, and all its energies are applied in every conceivable way to +the work of war. The man who carries the gun and uses it on the battle +field is not more earnestly engaged in this work than he who racks his +brain and sifts his teeming ideas for the purpose of making the +instrument more destructive. Even the victims who fall in the deadly +strife and give their mangled bodies to their country, are not more +truly martyrs to a glorious cause than the inventors who sometimes +sacrifice themselves in the course of their perilous experiments, or by +the slower process of mental and physical exhaustion during the long +years of 'hope deferred,' while vainly seeking to make known the value +of their devices. A great power is at work, operating on the character +and capacity of each individual, and affecting each according to the +infinite diversity which prevails among men. A common enthusiasm, or, +at least, a common excitement pervades the whole community to its +profoundest depths, and arouses all its energy and all its intellect, +whatever that energy and intellect may be capable of doing. It carries +multitudes into the army full of patriotic ardor; it inspires others +with grand ideas, which they seek to embody in combinations of power, +useful and effective in the great work which is the task of the nation, +and for the accomplishment of which all noble hearts are laboring +earnestly and incessantly. + +But in this tempestuous hour, as in more peaceful times, good and bad +ideas, valuable and worthless devices, noble and generous as well as +sinister and mercenary purposes are mingled in the vast multitude of +projects which are presented for acceptance and adoption. The power of +the nation is magnified by the impulse which arouses it; but in its +exaltation it still retains its errors and defects. It is the same +people, with all their characteristic faults and virtues, stimulated to +mighty exertions in a sacred cause, who have been so often engaged in +petty partisan contests, swayed by dishonest leaders, and carried astray +by the base intrigues of ambition and selfishness. Yet, as the masses, +at all times, have had no interest but that of the nation which they +chiefly constitute, and have sought nothing but what they at least +considered to be the public good, so even now, in these mad and perilous +times, the predominating sentiment and purpose of the people, in +whatever sphere they move, are, on the whole, good and worthy of +approval. Every one must at least pretend to be controlled by honest and +patriotic motives; and in such an emergency hypocrisy cannot possibly be +universal or even predominant. Although men may seek chiefly their own +interest and profit, they must do so through some effort of public +usefulness. They must commend themselves, their works, and ideas, as of +superior importance to the cause of the country; and in this universal +struggle and competition--this mighty effervescence of popular thought +and action, it would be strange and unexampled, if some great, new +conceptions should not dawn upon us. The very condition, physical, +social, and moral, of our twenty millions of people in the loyal States +is unlike all that has ever preceded it. Their general intelligence, the +result of universal education, makes available their unlimited freedom, +and establishes their capacity for great achievements. The present +momentous occasion makes an imperative demand upon all their highest +faculties, and they cannot fail to respond in a manner which will +satisfy every just expectation. + +What the Government has undertaken in this crisis is worthy of a great +people and springs from the large ideas habitual to Americans. The +blockade of the whole Southern coast, with its vast shore line, and its +intricate network of inlets, harbors, and rivers; the controlling of the +mighty Mississippi from Cairo to the gulf; the campaigns in Virginia, +Tennessee, and Arkansas; and the pending attacks on Charleston and +Savannah--these gigantic and tremendous operations have something of +that grandeur which is familiar to our thoughts--which, indeed, +constitutes the staple of the ordinary American speech, apparently +having all the characteristics of exaggerated jesting and idle boast. We +frequently hear our enthusiastic countrymen talk of anchoring Great +Britain in one of our northern lakes. They speak contemptuously of the +petty jurisdictions of European powers contrasted with the magnificent +domain of our States, and they sneer at the rivers of the old continent +as mere rills by the side of the mighty 'father of waters.' The men +whose very jests are on a scale of such magnitude, do not seem to find +the extensive military operations too large for their serious thoughts. +No American considers them beyond our power, or for one moment hesitates +to admit their ultimate success. No difficulties discourage us, no +disasters appal. We move on with indomitable will and determination, +looking through all the obstacles to the grand result as already +accomplished. Does slavery stand in the way, and cotton seek to usurp +the throne of universal empire, dictating terms to twenty millions of +freemen, and demanding the acquiescence of the world? The first is +annihilated by a word proclaiming universal liberation; the second is +blockaded in his ports, surrounded by a wall of fire, suffocated and +strangled, and dragged helpless and insensible from his imaginary +throne. A proud and desperate aristocracy, rich and powerful, and +correspondingly confident, undertake to measure strength with the +democratic millions whom they despise. These Northern people, scorned +and detested, have ideas--grand and magnificent as well as practical +ideas, nurtured by universal education and unlimited freedom of thought +and act. The fierce and relentless aristocracy rave in their very +madness, and defy the people whom they seek to destroy; but these bear +down upon the haughty enemy, slowly and deliberately--awkwardly and +blunderingly, it may be, at first, but learning by experience, and +moving on, through all vicissitudes, with the certainty and solemnity of +destiny to the hour of final and complete success. The confidence in +this grand result dominates every other thought. All ideas and all +purposes revolve around it as a centre. It is the internal fire which +warms the patriotism, strengthens the purpose, stimulates the invention, +sustains the courage, and feeds the undying confidence of the nation, in +this, the hour of its desperate struggle for existence. + + + + +PROMOTED! + + + '_You_ will not bid me stay!' he said, + 'She calls for me--my native land! + And _stay_? ah, better to be dead! + A _coward_ dare not ask your hand! + + 'My crimson sash you'll tie for me, + My belted sword you'll fasten, love! + I swear to both I'll faithful be, + To these below! to God above! + + 'And if, perchance, my sword shall win + A laurel wreath to crown _your_ name, + He will not count it as my sin, + That I for _you_ have prayed for fame!' + + * * * * * + + His name rings thro' his native land, + His sword has won the hero's prize; + Why comes he not to ask her hand? + Dead on the battle field he lies. + + + + +HENRIETTA AND VULCAN. + + +Time, O well beloved, floweth by like a river; sweepeth on by turreted +castles and dainty boat-houses, great old forests and ruined cities. +Tender, cool-eyed lilies fringe its rippling shores, straggling arms of +longing seaweeds are unceasingly wooing and losing its flying waves; and +on its purple bosom by night, linger merrily hosts of dancing stars. +Bright under its limpid waters gleam the towers of many a 'sunken city.' +Strong and clear through the night-silence of eager listening, ring the +chimes of their far-off bells, the echoes of joyous laughter: and to +waiting, yearning ones come, ever and anon, deep glances from gleaming +eyes, warm graspings from outstretched hands. And well windeth the river +into grim old caves, and even the merriest boat that King Cole ever +launched flitteth by the dark doors, intent only on the brilliant +_chateaux_, that shimmer above in the gorgeous sunlight of a brave +_Espagne_. But laughing imps, with flying feet, venture singly into +these realms of the Unknown. Bright streameth the light there from +carbuncles and glowing rubies; but of the melodies that there bewilder +them, no returning voice ever speaketh, for are they not Eleusinian +mysteries? But when thou meetest, O brother, sailing down the stream +under gay flags and rounding sails, some Hogarth or some Sterne, who +playeth _rouge et noir_ with keen old Pharaohs, and battledore with +Charlie Buff; who singeth brave _Libiamos_, and despiseth not the +Christmas plums of Johnny Horner; who payeth graceful court to the great +and learned, and warmeth the pale hearts of the shivering poor with his +kind cheer and gentle words; who sitteth with Socrates and Pericles at +the feet of an ever-lovely Aspasia, and whispereth _capricios_ to Anna +Maria at the opera; know then, O beloved, if thou hast ever trodden the +mystic halls, that this man is the brother of thy soul! Selah! + +But the bravest stream that ever was born on a mountain side has its +shoals and quicksands, and far out in the sounding sea rise slowly coral +reefs. Now, if on every green, growing isle newly rising to the +sunlight, the glorious jealousy of some Jove should toss a Vulcan, how +would our Venuses be suddenly charmed by the beauties of a South Sea +Scheme! how would their tiny shallops dot the curling waves, and what +new flowers would spring upon the smiling shores to greet their rosy +feet! + +'And why a Vulcan?' says the elegant Narcissus Hare, with a shiver; 'a +great, grim, solemn, limping monster, that Brummel would have spurned in +disgust! And he to win our ladies with their delicate loveliness! Faugh, +sir! are you a Cyclops yourself?' + +Alas! my Tinkler, do you remember that Salmasius began his vituperations +of Milton with gratuitous speculations upon his supposed ugliness, and +that great was his grief when he was assured that he contended with an +ideal of beauty. Have you forgotten that the Antinoeus won the +distinguished favor of his merry, courteous queen Christina, and that +the satirist and man of 'taste' died of obscurity in a year? Beware, my +little Narcissus, lest the next autumn flowers bloom above your grave in +Greenwood, and your fair Luline be accepting bouquets and _bonbons_ from +me. + +You, Roland, are pale from the very contemplation of such a catastrophe, +such an unprecedented _haegira_ of dames! It is as if from every gay +watering place, some softly tinkling bell should summon the fair +mermaids. Beplaided and betrowsered, with their little gypsy hats, would +they float out beyond the breakers, waving aside with farewell, airy +kisses, the patent life boats and the magical preservers, and pressing +on, like Gebers, with their rosy faces and great, hopeful eyes ever +laughingly, merrily turned to the golden east--their _Morgen Land_! + +Ah! but--have we no Vulcans among us? 'Fair Bertha, Beatrice, Alys,' +come out of the Christmas ecstatics of the dear old year that has just +streamed out like a meteor among the stars;--_you_ know, fair ones, that +the stars are only years, and the planets grave old centuries; lock away +the jewels and the lace sets--charming, I know--the glove boxes and the +statuettes, the cream-leaved books, and the fragile, graceful +_babioles_; pull up the cushions, and group your bright selves around +the register--it's very cold to-day, you roses--and let us settle the +question--have we a Vulcan among us? + +Magnificent essayists, O dearly beloved, have handled 'Our Husbands,' +'Our Wives,' 'Our Sons' and 'Our Daughters' in a masterly style. Very +praiseworthy, no doubt, but so unromantic! Why, there's not a green leaf +in the whole collection! The style is decidedly Egyptian, solid and +expressive, but dreadfully compact. No arabesques, those offshoots of +lazy, dreamy hours and pleasantly disconnected thoughts, disgrace the +solemnly even tenor of these fathers of 'Ephemeral Literature,' as some +'rude Iconoclast' has irreverently styled the butterfly journeyings of +our magazine age. But we, O merry souls and brave, are still young and +frivolous: we still look at pictures with as much zest as before our +dimly remembered teens; and we belong to that happy branch of the +Scribbleri family, that prefer the sympathy of bright eyes and gay +laughter, to the approving shake of any D'Orsay's 'ambrosial curls,' or +the most unqualified smile from the grimmest old champion who even now +votes in his secret heart against the New Tariff, or charges with +unparalleled bravery imaginary or windmill giants on the floor of a +Platform or of a Legislature. + +But this, our paper, purporteth to be, in some wise, a disquisition on +Beaux, and, by our faith, we had well-nigh forgotten it. _Retournons a +nos moutons_, as the ancient lawyers used to say (and many a tyro, in +the interim, hath said the same) when they grew so entangled in the +mazes of Jack Shepherd cases that they lost sight of their original +designs. And lest I should grow wearisomely prosaic, and see the yawn +behind your white hand, _belle_ Beatrice, let me make my disquisition a +half story, and point my moral, not as fairies do, with a pinch, but +with the shadow of a tale. + +And here, _signorina_, though in courage I am a Caesar, here I shrink. +The birdseye view I would take of a few leaves of beau-dom, should be +from the standing point of your own unquiet, peering eyes; and if even +Cupid is blindfold, how may I, to whom you are all tormentingly +delicious enigmas, hope in my own unaided strength to enter the charmed +citadel of your experiences? Oh, no! But happy is the man, who, with an +inquiring mind, has also a sister! Thrice happy he whose sisters have +just now flitted down the staircase, from their own inner sanctuaries, +into the little library, bearing with them in noisy triumph the Harry of +all Goodfellows, the truant Henrietta Ruyter! Ah! she is the key that +will unlock for me those treasures of thought and observation that I +will shortly lay before you, O readers! + +And now to you, O much-traduced star, that presided at my _debut_ into +this vale of tears, may the most glorious rocket ascend that Jackson +ever said or sung, one that shall break out in paeans of brilliant +stars!--_for_, when I entered the charmed presence, the very ball that I +had been wishing to roll was upon the carpet. But of this I was +unconscious as I admired Fanny's new dress, the mysterious earrings of +our stately Bertha, and ventured upon a slight compliment to Henrietta, +who lounged upon the divan. With admirable dexterity, the young lady +caught the _fleurette_ upon her crochet needle, reviewed it carelessly, +and finally decided to accept it; an event that I had undoubtedly +foreseen, for the compliment was a graceful and artistic one. But +brothers, as you, Gustav, my boy, have long since discovered, are not +events, and I was presently consigned to the 'elephant chair' in the +corner, with a portfolio of sketches that Henrietta had brought from +over the sea--and the dames continued, in charming obliviousness of my +presence. + +'Girls,' said Henrietta, having deposited my compliment snugly in her +little workbasket, whence it may issue to the delectation of some future +young lady group, 'how are you going to entertain me? Such a Wandering +Jew as I am! A perfect Ahasuerus! _What_ a novelty it will be that will +interest _me_!' and with a most laughingly wearied air, the pretty +eyebrows were raised, and waves of weariness floated over the golden +hair in its scarlet net. + +Fanny looked concerned. 'We may have a week of opera.' + +'I've been--in--Milan,' returned Henrietta, with a well-counterfeited +air of the disdain with which Mrs. De Lancy Stevens views all republican +institutions since her year in Europe. Bertha laughed. + +'You have grown literary, astronomical perhaps, with your star gazing, +and Len has become such a Mitchellite of late, that two shelves of his +bookcase are filled with works on the heavenly bodies. What a rapture +you will be in at the sight!' + +'Quite an Aquinas,' said Henrietta, with gravity. + +'How so, Harry,' asked Fanny, after a pause, during which she had been +deciding that her friend meant--Galileo! + +'Oh, he wrote about angels, you know; said these heavenly bodies were +made of thick clouds, and some other nonsense, of which I remember +nothing.' + +I, in my corner, was devoutly thankful that angels now assume more +tangible shapes, which chivalric sentiment, finding expression only in +my eyes, was recognized but by Henrietta, who rewarded me with a +lightning smile. + +'Bertha, my queen,' continued she, as that lady's serene countenance +beamed upon her in apparently immovable calmness, '_does_ anything ever +arouse you? Have you forgotten, my impenetrable spirit, the sad days of +yore, when we sobbed out grand _arias_ to the wretched accompaniment of +Professor Tirili, blistered our young fingers on guitar strings, waded +unprofitably in oceans of Locke and Bacon, and were oftener at the apex +of a triangle than its comfortable base? And you always as calm as +though 'sailing over summer seas!' Come--I am absolutely blue;' and the +half-fretful belle, who had really exhausted her strength and amiability +by a grand pedestrian tour in the Central Park that morning, stretched +out demurely her gaiter boots, and drew with an invisible pencil on +imaginary paper, the outline of her boldly arched instep. + +'If Landon would only come,' sighed Fanny, musingly, counting the beads +for the eye of the Polyphemus she was embroidering on a cushion for that +gentleman's sofa meditations, 'he would entertain you, as well as +the--one--two--three--witches in Macbeth.' + +'No doubt of it,' said Henrietta. + +'Five blues and two blacks,' said Fanny, not heeding the reply. 'See, +girls,' and she held up the glittering orb, 'what a lovely eye!' + +The enthusiasm of her audience was delirious but subdued. I caught an +occasional '_Such_ a love!' 'How sweet--how fierce!' + +'Now,' said Henrietta, decidedly, 'if Medusa had but one eye, and this +dear creature two, I should die as miserably as the lady who loved the +Apollo Belvidere. I have had _oceans_ of knights errant--but _such_! I +think of writing a natural history like--Cuvier.' + +'Yes,' said Bertha, quietly, 'or Peter Parley.' + +'Suppose I read you the advance sheets some morning?' + +'Charming,' said Fanny, with a little shrug of approaching delight. + +'Mr. Landon Snowe, Miss Fanny,' said a crusty voice, and from under a +tower of white turban, Sibyl's face looked out--at the door. + +'We will see him here, Sibyl,' said Fanny, brightly; 'and oh, Sibyl, ask +Mott to make a macaroon custard for dinner, for Miss Ruyter.' + +'Excellent,' said that lady, again with the De Lancy Stevens air, 'I +ate--those--in--Paris. They actually flavor them there with _Haut +Brion!_ and they are delicious!' and Henrietta's lips fairly quivered at +the remembrance, that was by no means a recollection of the long-ago +enjoyed dainties. + +'Such extravagance!' said Fanny, opening her eyes, and arranging sundry +little points in her attitude that were intended to be very piercing +indeed to the gentleman, whose step was now heard in the hall. 'Such +extravagance, Harry! Your father, I suppose. You'll get nothing better +than Port here. Good morning, Mr. Snowe.' + +'Talking of ports, ladies,' said that gentleman, airily, after he had +prostrated himself, figuratively as well as disfiguratively, before Miss +Henrietta, bowed over Bertha's hand, and drew his chair to Fanny's +sewing stand, for the triple purpose of confusing her zephyrs, flirting +at a side table, and ascertaining whether Henrietta had fulfilled the +luxuriant promise of her earlier youth. Snowe was, womanly speaking, as +you will see, 'a perfect love of a man.' 'Newport, for example, and +charming drives? Williamsport and the Susquehanna, Miss Fanny?' + +Very statesmanly, O Landon G. Snowe, Esq., both the glance beneath which +my poor little sister's eyes fell, and the allusions twain to the scenes +of many a pleasure past. But Fanny, though not mistress of her blushes, +can, at least, control her words. + +'You are not a very good Oedipus, Mr. Snowe; we were discussing +imports.' + +'Such as laces and silks?'-- + +'And punch,' suggested Henrietta. + +Mr. Snowe's eyeglass was here freshly adjusted, and his attention +bestowed upon the young lady who talked of punch, a thing unheard of in +society! The prospect was refreshing. Henrietta was stylish, piquant, +and pretty. Fanny was uncertain, indifferent, but, for the moment, +divine. He magnanimously sacrificed himself to the impulse of the +moment, and the courtesies of hospitality, and walked courageously over +to Henrietta, under cover of a huge book. + +'They were views from the White Mountains, he believed. Had Miss Ruyter +seen them? Allow him;' and he wheeled her sofa nearer the table, and +unfurled the book. Henrietta was charmed. + +'The Schwartz Mountains? She had not understood. These are glaciers? How +they glisten! And these little flowers below are violets? Such pretty, +modest, ladylike flowers. Had Mr. Snowe a favorite among flowers?' + +Mr. Snowe was prepared. He had answered the question exactly five +hundred and ten times. To Cecilia Lanner, who was almost a _religieuse_, +and who wore her diamond cross from principle, he was the very poet of a +passion flower, such holy mysteries as its opening petals disclosed to +him! To Lucy Grey, who wore pensive curls, and had a sweet voice, he +presented constantly fragrant little sprays of mignonette, cunning moss +baskets with a suspicion of heliotrope peeping out, and crushed myrtle +blossoms between the leaves of her most exquisitely bound books. To Katy +Lessing, who rowed a small green boat somewhere up the Hudson in the +summer, he confided the fact that water lilies were his admiration: he +loved the limpid water; its restless waves were like heart throbbings +(this nearly overwhelmed poor Katy). All great and noble souls loved the +water;--he forgot the sacred fakirs, and the noble lord who preferred +Malmsey wine! He had repeatedly assured Regina Ward that the camelia was +_his_ flower, so proudly beautiful! His soul was 'permeated with +loveliness,' and asked no fragrance. Regina is a great white creature, +lovely to behold, and, perfectly conscious of her perfection, no more +actively charming than the Ino of Foley. He won Milly White's favor by +applauding her love for wild flowers, declaring that a field of +buttercups reminded him of the 'spangled heavens,' and that on summer +days he was constantly envying the cool little Jacks in their green +pulpits. + +A pretended Lavater--and there have been such--would have convicted +Snowe at once of the most artful penetration, could he have seen the +lowering curve of his brows as he watched the nervous fluttering of +Henrietta's hands over the pictures, and the decided but softly pleasant +rounding of her white chin. But it was the general unconsciously +powerful indifference of manner, that advised him to prefer, in reply to +her question: + +'The snapdragon, yes, beyond the shadow of a doubt. I have an odd +fashion (very odd, Gustav!), Miss Ruyter, of associating ladies with +flowers, and that gorgeous three-bird snapdragon always looks to me like +some brilliant belle, who holds her glittering sceptre and wields it, +capriciously perhaps, but always charmingly.' + +'A sort of Helen,' observed Henrietta, calmly. + +'A witching, arbitrary, lovely Helen,' promptly returned Snowe, who had +a vague idea of Greek helmets and golden apples, wooden horses, a great +war, and 'all for love.' + +Henrietta heard the magnificent vagueness, and became so intently +interested in a view, that Snowe came softly over to my window, and +looked into the garden. Lilly Brennan coming in just then, the +conversation became general, and presently Snowe accompanied her down +the street. + +'Fanny,' said Henrietta, with an inquisitorial air, after the girls had +decided that the slides on the bows of Lilly's dress were too small, and +that her 'Bird of Paradise' was lovely enough to fly away with them all, +'Fanny, are you the 'bright, particular star' of that man?' + +'I believe so,' said Fanny, with a stare. + +'Do you intend to beam on him for any length of time?' persisted +Henrietta. + +'I haven't decided,' said Fan, honestly. 'I love beauty, and Landon +Snowe is magnificent.' + +'So is the Venus de Medicis,' said Henrietta, fiercely; 'but look at her +spine! What sort of a brain do you think _could_ flourish at the top of +such a spine? Not that I suppose that man to have the least fragment of +one; don't suspect such a thing! Don't you observe his weak, disjointed +way of carrying his head, and the Pisan appearance of his sentences? I +should dread an earthquake for such a man as Mr. Snowe--you'd have +nothing but remnants to remember him by, Fanny.' + +'But earthquakes _are_ phenomena,' said Fanny, stoutly, 'and I'm not in +the least like one. As long as Landon never fails except spiritually, I +am contented--and even in that light _I_ never knew him to trip,' and +the child was as indignant as her indolent nature would permit. + +'Trip! of course not,' echoed Henrietta, 'when he's buried like a +delicate Sphinx up to his shoulders in the sands of your good opinion, +and the mummy cloths of his own conceit; but just remove these, and +you'll see a downfall. My dear FRANCESCA, this man is your CECCO, and +he'd far better retire into a monastery than hope to win you. Why, I'd +rather marry you myself, FRANCESCA! Such charms!' and Henrietta, with +her own delicate perception and enjoyment of the beautiful, kissed my +sister's deprecatingly extended hand, and, as the dinner bell rang, +waltzed her out of the room. + +'It's perfectly bewildering the interest some people take in music,' she +resumed later, building a little tent on the side of her plate with the +_debris_ of fish. 'There's Bartlett Browning, telling me the other +evening a melancholy story of some melodious fishes, off the coast +of--_Weiss nicht wo_; oysters, I suppose; conceive of it! the most +phlegmatic of creatures. I suppose some poor fisherman heard a merlady +singing in her green halls, and fancied it the death song of some of his +shells. But that's nothing to some of Bartlett Browning's musical tales. +The man's a perfect B flat himself!' + +'Well,' said Nelly, Phil's little girl, who had come around to show her +new velvet basque, 'but shells _do_ sing, for I've often listened to +mamma's, and Bessy gives it to me at night to put me to sleep. _You_ +know, Aunt Bertie, for you once made me learn what it said: + + 'Oh, sweet and far, from cliff and scar, + The horns of Elfland faintly blowing!' + +'Fish-land, my beauty,' said Henrietta, playfully; 'let us hear _your_ +song, fishlet,' and she held a little gleaming shrimp by his tail, and +looked expectantly at his silent mouth. And here I remember, with a +smile of amusement and some astonishment, that Herman Melville, in +nervous fear of ridicule, apologized, most gracefully, of course, for +his beauteous Fayaway's primitive mode of carving a fish; but I fancy I +hear myself, or you either, sir, begging the community to shut its dear +eyes, while Harry's little victim, all unconscious of his fate, +disappeared behind the walls, coral and white, of her lips and teeth. + +Oh, isn't it perfectly delicious to meet a real, frank, merry, wise sort +of a girl, who doesn't wear spectacles or blue stockings, nor disdain +the Lancers or a new frock with nineteen flounces? Just fancy it, +Gustav, my dear fellow, chatting with the Venus of Milo, in a New York +dining room, and she all done up in blue poplin, with cords and tassels +and all that, with that lovely hair tumbling about in a scarlet net, and +such a splendid enjoyment of her own great grace, and royal claiming of +homage! Eating mashed potatoes too, and celery, and roast beef, to keep +up that magnificent physique of hers! Oh, it's rare! + +But Henrietta couldn't forget Snowe, any more than Snowe could forget +himself; so, after she had gazed with delight at the red veins of wine +that threaded the jelly-like custard, with its imprisoned macaroons, +looking like gold fish asleep in a globe of sun-dyed water, she went on, +as if the conversation had not been interrupted: + +'Do you know, Fan, that he reminds me constantly of champagne. If +there's anything on earth or in a cellar that I do detest, its +champagne; such smiling, brilliant-looking impudence, that comes out +fizz--bang! and that's the end of it; there's not so much as the quaver +of an echo. You drink it, and instead of seeing cool vineyards and +purple waters and cataracts of icicles in your glass, you find a pale, +gaunt spectre, or a poor, half-drowned Bacchus, staring at you. It's +just so with your Landon Snowe. You, and other people, too, have a +_habit_ of admiring him, a great creature with eyes of milky blue, who +goes about disbursing his small coin like some old Aladdin! Why, my dear +children, the man, I don't doubt, is this moment congratulating himself, +in his solitude at Delmonico's, upon his great penetration. Didn't you +see him studying me with a great flourish of deference, and throwing +his old, three-birded snapdragons into my White Mountains? If he had +been as ugly as a Scarron, now, and had known what he said, I could have +loved him for that, for, of all things, I do delight in dragons! Such +sieges as I have had at zoological gardens and menageries, from Dan to +Beersheba, just to see one; and ugly old lizards have been pointed out +to me, and scorpions, and every imaginable object but a dragon. But one +day I dug a splendid old manuscript--a perfect fossil--out of some old +library in Spezia, and opening it, by the merest chance came upon a most +lovely, illuminated, full-grown dragon, the very one, I suppose, that +Confucius couldn't find! I gazed in raptures, my dearest; he perfectly +sparkled with emeralds; his eyes were the most luminous opals. Dear, +happy old Indians, who had their dragons at the four corners of the +earth, and could go and look over at the lordly creatures whenever they +felt melancholy. And besides, I have a little private system of +dragonology of my own, that approaches the equator more nearly. I've +always worn opals since that day on every possible occasion; I mean to +be married in them.' + +Hurra! _belle Henriette!_ thou hast a weakness. At the end of a long +aisle, shrouded in sumptuously colored perfumed light, stands an altar, +and white surplices gleam through the effulgence.--Thou queen! and that +thy crowning! + +'Len,' said Fanny the next morning, as I sat, after breakfast, over the +paper, 'don't you think Harry is a little, just a little, satirical, +and--well--not _perfectly_ ladylike and kind, to talk so dreadfully of +one's friends?' + +'Satirical!? Bless your little, tender heart, not the least mite in the +world; she's quite too straightforward for that. Unladylike! Why, my +dear Fanny, don't you know 'the wounds of a friend'? Did you never +think, little sister, that some girls are sent into the world to perform +the office of crumb-scrapers for your serene highnesses, and themselves +as well?' + +'Like a lady, who gives a dinner party, jumping up and brushing off her +own table,' said Fanny with an amused laugh. + +'Just so, dear; and as they go wandering about, not a fragment can be +omitted. Now, a little dwarf of a thing like you couldn't do that with +any grace; but Harry _could_, you know, and make everybody think it was +charming. So, if fragments of poor Snowe fall under her unsparing hand, +and she brushes them off carelessly, don't let anybody's tears go +rolling after, don't let anybody's heart ache, for such a trifle; think +of the dessert, Fanny, that is sure to follow.' + +'Then you too, Len, you _want_ me to give up Landon?' + +'Yes, my dear, let Landon--slide.' + +Fanny here boxed my ears with emphasis, and retreated, with an +expression of great disgust on her pretty face. + +'Come back here, my child,' I said, pulling her down on my knee, 'and +let me reason with you.' + +Such an oracle as I am with the girls! There's nothing like it, Gustav; +for every fan or bracelet you give your sisters, you'll be amply +rewarded by revelations and love; and it's something to have a dear, +white, undulating wreath of a girl in your arms, and rosy lips on yours, +even if it is your sister. Bless the sweet creatures! + +'What do you want to marry Snowe for?' + +'Well, you see, Len, it's so grand to have such a great beauty always at +one's hand, and the girls are all dying for him; and, you know, Len, the +truth is,' (very low,) 'he loves me, as you see, and--we girls are such +silly creatures--and I suppose the compliment pleases me,' and the +frank, darling face crimsoned, and tears stood in the blue eyes. I +kissed them both, and laid her hands on my shoulders. + +'Pet,' I said, earnestly, 'you are worth a gross of Landon Snowes. He +loves you, of course--he'd have been an icicle to have failed in so +obvious a duty; but it's only a matter of pure admiration, scarcely of +any complicated feelings. Besides, dear, these whitewashed, sinewless, +variable fellows fade like the winter sun, without any twilight; their +features go wandering off in search of becoming expressions, and they +would want a wife like a chameleon to satiate their variety-loving +natures. No, dear; give Landon to Henrietta, and when Napoleon comes +back, I will enter no protest, even Harry will be silent, and'-- + +'Oh, Len, what nonsense! couldn't you recommend me to the man in the +moon, through a telescope?' + +Fanny laughed, and we went again into the library, where Harry, as +usual, was tapping her rings with the carved handle of the crotchet +needle, that was as ornamental, and about as useful, as Cleopatra's. + +'I am going to live in a new country,' said she, gravely, as we entered +the room; 'I would go sailing off like a squirrel on a piece of bark. I +begin to have intense yearnings after my double. _Where_ do you suppose +I'm to find him, the gorgeous, tropical anomaly?' + +'In Pompeii, or the Cities of the Plain?' I suggested. + +'Fanny,' she continued, laughingly, 'is very grave about her vanishing +Snowe-flakes; but for poor me, who have been persecuted by the most +distressing men, she has no pity. Girls, I promised you an inventory of +these treasures.' + +'Oh yes,' said Fan, gleefully; 'go out, Len, or you will never be able +to endure Harry afterward, for your counterpart will be peeping out, and +then woe to your pride!' + +'No danger,' said Henrietta, '_that's_ perfectly invulnerable. Lenox may +remain; it will be a wholesome discipline for him--a warning, you know, +my hero; although, girls, Lenox is tolerably faultless, + + 'Little _he_ loves but a Frau or a feast, + Little he fears but a protest or priest.' + +Praed altered. Sit down, disciple, at my feet if you will; I am in the +oratorical mood to-day. Hypatia, if you please, _not_ Grace the Less.' + +There was a pretty picture of the _Immaculee Conception_ over the sofa, +one of those lithographs that you see in every bookstore, that Bertha +fancied because it was 'sweet.' The Virgin, a woman with a child-angel's +face, and the mezzo-luna beneath her feet. That artist knew what he was +about, sir. I'd give more for a picture with a good, deep idea, boldly +launched forth, than for a thousand of your smiling, proper, natural +'studies,' and Bridal Scenes, and Dramatic or Historical Snatches. If +artists, now, were all poets and scholars, as they should be, it would +be the work and delirious rapture of a life to go through a gallery as +large as our Dusseldorf. Men would go there to write novels and +histories, and women to learn to be good and beautiful--that is, to +learn to think. Oh, what a school for great and small! But when is this +new era of the real and the true in art to begin? You boy artists, who +are just opening glad eyes to the glorious light, the great world looks +to _you_ to inaugurate the new, to pour ancient lore and mystic symbols +and grand old art into the waiting crucible, and melt the whole, with +your burning, creative genius, into forms and conceptions before which, +hearts shall be silent in very rapture. But the time is not yet. One +here and there cannot change the Iron to a Golden Age, and it is to +thoughts rather than their great embodiments that earnest +art-worshippers now bow. And yet men fancy they are artists, dream of a +fame glorious as that of Phidias! Why there's young Acajou, who +chiselled a very respectable hound out of a stray lump of marble, +stealthily, by a candle, or more probably a spirit lamp, in his father's +cellar--was discovered and straightway heroized. I don't say the boy +hasn't talent, genius if you will; but it isn't the genius that will +overflow his soul and etherealize his whole nature. Yet already he +'progresses like a giantess,' has attracted some attention in the +Academy, and will directly be sent to Rome. But the idea! I know him too +well! The other night I heard him criticizing Michael Angelo! and when I +gave him an engraving of that delicious Psyche of Theed's to admire, the +creature talked as if she were a manikin or a robed skeleton! Is there +nothing due to the idea, Acajou? 'The idea!' dear me, why he didn't +exactly know what the _idea_ was! So he'll go trolling about the Louvre +and the Luxembourg gallery, the Pitti palace and all Rome, and his mind +will be as full of elbows and collar bones as the catacombs; he'll talk +to you of the Grecian line of beauty and of 'pose,' and sketch you such +a glorious arm or ankle that you, fair lady, wouldn't know it from your +own! But do you see a single softened line in his own face? Has he ever +drunk deep draughts from old fountains of poesy? Has he ever thought of +the Vatican library--even though to long is all he may do? Oh no! He +says mythology is a wornout dream, and insulting to a Christian age; +that it's all well enough to know Jupiter and Bacchus (Silenus too?) and +Venus and the head men back there, but this century wants originality, +progress! Oh, pshaw! + +Oh, but I was saying that Our Lady stood over the half moon, and +Henrietta sat below it, with that soft cashmere morning dress, fighting +all around her to see which fold should cling most lovingly to her +graceful form. It was all a delicious poem to me, and if I were Horace, +you would have had a splendid ode. Oh, well! + +'Why, what a Joseph he is!' said Henrietta, waking me out of this +reverie. + +'Oh,' said I, starting, 'how did you know that?' + +'Only conjecture, my dear friend; but when we see a man with his eyes +fixed in that ghostly way, and his mustaches and all in perfect repose, +we reasonably imagine that he's seeing visions; and I suppose you'll +come flaming out presently with some dreams that shall have, for remote +consequences, a throne in some Eastern paradise, and a princess, +perhaps--who knows?' + +'Who knows?' echoed I; 'but go on, Hypatia.' + +'Oh yes! where shall I begin? Oh! there is Penhurst Lane, girls, you +remember?' + +'The raven?' said Bertha. + +'No,' said Fanny, 'that is Mr. Rawdon. Penhurst Lane is an idealist.' + +'A _very_ idealist, just so,' returned Harry. 'Well, the way I've been a +martyr to that man's caprice is perfectly heart-rending. He came of some +gorgeous family in the middle of Pennsylvania, where all the tribes, +like leaning towers, incline toward Germany. To be sure, you'd never +dream it from his looks, for he is a perfect Mark Antony in that +respect. You needn't laugh. Didn't he have _bonnes fortunes_ as well as +Alcibiades? Not that Penhurst had _bonnes fortunes_, or ever dreamed of +such things; but he always had such a proclivity toward any one who +would listen to his harangues; and I must say, just _inter nos_ (the +only bit of Latin I know, Lenox, I got it from the English 'Don +Giovanni'), that I have quite a talent for listening well. But I'd as +lief encounter a West India hurricane or a simoom. I used to feel him +coming an hour beforehand. Then I would read a little in Blair, take a +peep at Sir Charles Grandison, swallow half a page of Cowper's 'Task,' +and look over the Grecian and Roman heroes; then I was fortified. 'Why +didn't I take Shelley?' Oh my! why, he couldn't endure Shelley, said he +was a poor, weak creature, _all gone to imagination_! Then I would +assume a Sontag and thick boots, if the weather was cold, to appear +sensible, you know, and await his coming; that is, if I didn't become +exasperated before that stage, and rush in to see Lil Brennan to avoid +him. And his opinions, such an unfolding! You never caught him looking +with admiration, oh no! I might have laid a wilderness of charms on the +floor, at his very feet, and he would have brushed them all away with +indifference. His mind revolved around a weightier theme than any 'lady +of fashion;' like a newly discovered moon, he flew around the earth, and +with miraculous speed. He stopped in China to say 'Confucius;' in India, +to say 'Brahma;' in Persia, to say 'Ormuzd;' and so on around. My dear +Lenox, if you had asked him whether Ormuzd was at peace with all the +world, he would have retired into himself, for he hadn't the faintest +idea. As for music, or any fine art, he never approached it but once, +when he led me to the piano, begging for some native American melody, +and not a German romance. Well, I played him 'God save the Queen,' with +extravagant variations, which he took for 'Yankee Doodle.' No matter! I +made a mistake when I spoke of his opinions; he hadn't any. He was what +some call 'well read,' that is, he had a distant desire to 'improve his +mind,' but his magnificent self so filled his little vision, that his +great desire was obscured and distorted. Like my beloved Jean Paul, he +had once said to himself, _Ich bin ein Ich_ (I am a ME), and the noble +consciousness overwhelmed him, and excluded all after thoughts on any +minor subject. He never heard Grisi, never saw Rachel; they were +triflers, 'life was too grave, too short;' but he escorted me +occasionally to lectures and orations. I remember two or three of these. +A lecture on the 'Fossils of Humanity and Primeval Formations,' which +was unintelligible, consequently to him 'sublime;' one on 'the Exalted,' +that soared out of sight and beyond the empire of gravity, and one on +'Architecture,' by Dr. Vinton, a splendid production, the fruit and +evidence of years of study and rare talent, that sent me home with +longings and unaccustomed reverence for the Great in every form, and +with grief that my own ignorance rendered it only a half-enjoyed +pleasure to me; while Penhurst talked as if it were only the echo of his +own thoughts; pretended to say it was very 'sensible!' But you've had +enough of Mr. Lane, who was never known to laugh except at his own wit, +who patronized me because I was a 'solid' young lady, and not given to +flights. You may readily imagine that our interviews were generally +_tete-a-tetes_, for general society was to him a thing 'stale, flat, and +unprofitable.' Of course you know I only endured his visits because +among the girls it was considered a compliment to receive them, and they +were all dying of envy. Besides and principally, it is neither politic +nor pleasant to offend any one, and I could not have denied myself to +him, without doing this; so'-- + +'But, Harry, he is married now.' + +'Ah me! yes. He saw me in a cap and bells once with you, Lenox, and not +many weeks afterward married a damsel who reveres him as a Solon, this +man, who said: + + ----'The wanderings + Of this most intricate Universe + Teach me the nothingness of things. + Yet could not all creation pierce + Beyond the bottom of his eye.' + +'_Are_ you done, Harry?' + +'Yes, Lenox.' + +'Then sing us Beranger's _Grace a la feve, je suis roi_.' + +She has such a delicious voice. + +'And while I am on tiresome people, who think only of themselves, let me +recall P. George Rawdon; the Raven, Bertha; I always believed his first +name was Pluto, because of the shades around him. They say every one has +a text book; his was neither the Bible, the Prayer Book, Thomas a +Kempis, _La Nouvelle Heloise_, or 'Queechy,' but Mrs. Crowe's 'Night +Side of Nature.' Talk of having a skeleton in the house! the most +distressing ones that ever preceded Douglas and Sherwood's were nothing +to him! he reminded one constantly of an Egyptian feast. He looked +sadly at children, and gave little Henry Parsons, his godchild, a +miniature dagger with a jewelled handle, with which the child nearly +destroyed his right hand. When poor Mary was married, he walked +mournfully up to the altar, and stared during the ceremony unmistakably +at an imaginary coffin, hanging, like Mohammed's, midway between the +ceiling and the floor. Poor man, it's really curious, but he contrives +to be always in mourning, and everybody knows that he goes only to see +tragedies, and has the dyspepsia, like Regina and her diamond cross, +from principle. He composes epitaphs for all the ladies of his +acquaintance, and presents them, like newspaper-carrier addresses, on +New Year's days. I have one in my writing desk in a very secret drawer; +a _soul_-cheering effusion, but not particularly agreeable to the +physical humanity. This I intend to bequeath to the British museum, +where it will be in future ages as great a treat to the antiquary as the +Elgin marbles. What a doleful subject--pass him by!' + +'Don't forget Leon Channing,' suggested Fanny, who was listening with +great interest, and from a natural dread of ghosts and vampires was glad +to see that Mr. Rawdon had come to a crisis. + +'Dear me, no!' said Henrietta, cheerily, 'it's quite refreshing to come +to an individual who creates a smile. I never was born for tears and +lamentations, Bertha, any more than a lily was made to be merry; and if +it were not for Len Channing, I don't suppose I should ever have been +sharpened to such a dangerous degree; it's this constant friction, you +know; well, as some darling of a cosmopolite has said, 'We must allow +for friction in the most perfect machinery--yes, be glad to find it--for +a certain degree of resistance is essential to strength. I like Leon +very well. No one is more safe in a parlor engagement, always in the +right place at the right tune, never embarrassed, never _de trop_; but +then the queer consciousness, when he's giving you a meringue or an ice, +that if you were a 'real pretty,' graceful, conversible fawn or dove he +would be doing it with the same interest! _Why?_ Oh, because he says +women belong to a lower order in the animal creation! Yes, veil your +face, Mr. Lenox Raleigh, and be mournful that you are a man! 'A lower +order of humanity!' Well, of course, I'm always quarrelling with him. To +be sure he's a shallow kind of a philosopher, one of your rationalists; +thinks Boston is the linchpin of the whole universe; has autograph +letters from Emerson and Longfellow, and all that sort of thing. Now, I +dare say it's very fine for a Schelling or a Hegel once in a while to +beam over the earth, but it always seems inharmonious to me to see +little jets of philosophers popping up in your face and then down again, +all the time, thinking themselves great things. That's the way with +Leon. Let me tell you what happened when I saw him last; and that was in +Cologne, more than a year ago. I was sitting in our room with a great +folio of Retzsch's engravings before me, and father writing horrible +notes in his journal at the table, and wishing the eleven thousand +virgins and all Cologne in the bottom of the Rhine, when I looked up, +and somehow there was Leon. Of course we were rejoiced to see him, it's +always so pleasant to meet friends abroad. After some talk, father went +out to take another look at the cathedral, and indulge in speculations +and legends, and left Leon and me in the window. It's as queer and +horrible an old town, girls, as you ever dreamed of, and, as there was +nothing external very fascinating, Leon soon turned his gaze inward, +and, after twanging several minor strings, began to harp on his endless +'inferiority of woman.' I plied him, you may know; I gave him Zenobias +and Didos and de Staels and de Medicis--in an emergency Pope Joan, and +finally the Boston Margaret Fuller. Leon only stroked his beard and +smiled. + +''Miss Henrietta,' said he, at last, when I stopped in exultation, 'do +you grant the Africans the vigor or variety of intellect of the +Europeans?' + +''No,' said I. + +''Yet you concede that there may be instances among them, where +education and culture have developed great results.' + +''Yes,' I thought, 'there might be.' + +''Just as I, bewildered by Miss Henrietta's keen shafts and graceful +manoeuvres, yield that a woman is, once in a century, gifted with a +man's depth of thought and her sex's loveliness.' The comparison was +odious. What did I do? Oh, I (the swarthy Ethiop) only rose from my +faded arm chair, saluted Mr. Channing (the lordly European) as if I were +his partner in a quadrille, and brought out my cameos and mosaics to +show him. In about half an hour the beauty of his reasoning and +comparison reached his brain, but mine was impenetrable to his most +honeyed apologies; as I very sweetly assured him, 'I couldn't +understand, didn't see the drift, couldn't connect the links.' Leon says +ancient history is a fable, and Herodotus a myth, and all because a +_woman_ sat upon the tripod at Delphi, and because a _woman_ wore the +helmet and carried the shield of wisdom.' + +'What's the matter, Harry?' asked Fanny, compassionately, as her small +fingers were stretched like infant grid-irons before her eyes, and a +silence ensued. + +'My new bonnet, Fanny dear, I am wondering what it shall be; we must go +down this very morning and decide.' + +Did you ever think, Narcissus, and you, Gustav, and all of you boys, +when you are engaged in your small diplomacies and _coups de main_, and +feeling like giants in intellect beside the dear little girls who play +polkas for you of evenings and sing sweet ballads, that _pour bien juger +les grands, il faut les approcher_? I thought so that morning, as I +heard the animated discussion that succeeded Henrietta's monologue; a +discussion into which all sorts of delicate conceits of lace and flowers +entered largely, and which savored about as much of the preceding +elements as last night's Charlotte Russe of this morning's coffee. + +Since Henrietta's oration, I am more than ever afraid of a Vulcan. It is +very plain that our most fashionably cut suits and most delicately +perfumed billets are not all powerful,--that the dear creatures are +either waking or we have been asleep. _Reveillons!_ + +'_Aux armes, citoyens!_' + +Now, while I was writing that last word, a heavy hand was laid on my +shoulder, and looking up, I saw--Nap. I love Nap. I have a girlish +weakness (let some lady arraign me for this hereafter) for him; so I +shouted out and grasped his hands. + +'How are the boys?' + +'Flourishing. Come to stay? + +'Yes, old fellow.' + +'Stocks up?' + +'To the sky.' + +'The governor?' + +'All right.' + +_I_ haven't any governor. Nap has; and one that saw fit to persecute him +from twenty to thirty, because he declined to take 'orders.' _Per +Bacco!_ Never mind, a fit of paralysis has shaken the opposition out of +the old gentleman at last, and Nap is in sunshine in consequence, and +rushes around Wall street like a veteran. + +But I didn't promise to tell you about Nap, or the girls either; it was +only a few rays of light I had to dash over 'our beaux;' so where is +your mother, belle Beatrice? I must make my adieux. + +What say you, little one? You like Henrietta; you want to see her again? +You pull me back with your wee white hands; I will talk to you for an +hour longer, if I may hold the little kittens in my own. I may? And kiss +each finger afterward? Ah! you dear child! Well, then-- + +'Are you going to Van Wyck's to-night, Lenox?' asked Bertha of me, as we +rose from dinner, a month afterward. + +'Yes, after the opera. And you? I fancy--yes--from your eyes.' + +Bertha did not answer, and I strolled up stairs into the little back +drawing room. From the library above I could hear Fanny's merry voice +and the ring of Nap's cheery replies. Such a comfort as it was to me to +see those two so fond of each other. You see I am, in a way, Fanny's +father, and took no very great credit to myself when she half laid her +hand in the extended one of Snowe. How curiously that witch Harry +managed the thing, though! Dear little Fan; she stood in more than one +twilight by the garden window, and whispered over: '_Addio_, FRANCESCA! +_addio_, CECCO!' and Snowe faded in the returning spring of her heart, +and into the blooming vista of their separation, hopefully walked Nap, +and was welcomed with many smiles. + +This afternoon, I walked over to the garden window, and there was Harry, +scrawling an old, bearded hermit on the glass with her diamond ring. We +both looked out--nothing much to see--a New York garden, thirty feet +square, with the usual gorgeousness of our winter flowers! + +'You are thinking of Shiraz, Harry.' + +'Yes,' said she, dreamily, 'I am thinking of Shiraz!' + +She didn't say it, but don't you suppose I knew just as well that she +was wishing for her Vulcan and a great rose garden? I began to sing the +'Last Man,' but didn't succeed admirably; then I lighted my pipe--Harry +didn't mind, you know, indeed she only looked at it wishfully. + +'In my rose garden,' said she, with a laugh, 'I shall smoke to kill the +rosebugs.' + +'Don't wait,' said I, taking down a dainty _ecume de mer_ (the back +drawing room was my peculiar 'study,' and the repository of several +gentlemanly 'improprieties'), and I adjusted the amber mouth piece to +the cherry stem, 'Don't wait for Persia, make your rose garden here.' + +Harry shook her head: 'You know, Len,' she said, 'that my roses would +grow like so many witches in a Puritan soil. I always thought that story +of the Norwegians' taking rosebuds for bulbs of fire, and being +terrified, was a very delicate and poetical satire upon _all_ +superstition.' + +'Are you going to wash away _all_ superstition?' I asked hastily. + +'No,' said she, with a smile at my fierceness; 'no, I like to see the +sun shine on the dew drops that the webs catch and swing between the +tops of the grasses.' + +I looked at her as she laid her head back against the curtains. My +nonchalance was as striking as hers, and--as genuine! We were no +children to be awkward in any event. I took her hand; it was a glowing +pulse--and mine? She wore one of those curious little cabal rings; there +were the Hebrew characters for Faith, traced as with a gold pen dipped +in melted pearls on black enamel. My seal was an emerald, Faith also, +impaled. I snatched it up and laid it by the ring on her hand. She +smiled--such a smile! intensest sympathy, deepest! Could it be? to love +the same old symbols, the same weird music? I caught her close, and bent +over her lips. The gold hair waved over my shoulder; the great, +glittering eyes foamed into mine, then melted and swam into deep, +quivering seas of dreams. I whispered, '_Zoe mou!_' Oh, the quick, +golden whisper, the flash of genial heartiness, the daring--oh, _how_ +tender! '_Sas agapo._' I held her off, radiant, glowing, fragrant, and +Bertha's dress rustled up the stairs. + +Henrietta stooped to pick up the seal, which had fallen; she balanced it +on the tip of her finger--the nervy Titan queen! and drew Bertha down by +her side on the sofa. It was growing dark. + +'I must be off, girls, and get your camelias. What will you have, +Bertha? a red or a white, you've a moment to decide?' + +'Neither, Len; I do not go.' + +'Why, Bertha? Oh! I remember, it is your anniversary,' and I kissed her. + +'And you, princess!' I turned to Henrietta. + +'Only roses, good my liege.' + +What was the opera that night? Pshaw! what a rhetorical affectation this +question! as if I could ever forget! _Die Zauberfloete_, and it rang pure +and clear through my thrilled heart. It followed me around to Van +Wyck's, where I found Henrietta and Fanny. A compliment to madame, a +German with mademoiselle, and home again. A great light streamed out of +the drawing room. I pushed the door open. With a cry of joy, Fan rushed +into the arms of the grave, fair man who put Bertha off his knee to +welcome her. Nap, who had followed us in, for a moment stood transfixed, +and Henrietta, more quiet, stood by their side, saying: 'Here is Harry, +Fred, when you choose to see her.' And he did choose, her own brother, +whom she had not seen for three years! + +'Come in, Nap,' I said. 'Fred Ruyter.' + +'Nap and Fanny,' I whispered; Fred smiled invisibly. + +And Bertha? Oh, you know, of course, that she's Bertha Ruyter, and that +Fred is her husband, just home from six months in Rio, and exactly a +year from his wedding night! Oh, Lionardo! what mellow, transparent, +flowing shades drowned us all that night! + +'Harry,' I said, the next morning, before I went down town, as I lounged +over her sofa, 'you have my emerald?' + +'Yes!' and her bright face turned up to mine. + +'You will keep it, and take me also, dear?' + +'_Ma foi! oui_,' was the sweet, smiling reply. + +'I'm not quite ugly enough for a Vulcan, I know; but after a while, if +you are patient, who knows? What sayest thou, Venus?' + +'I will try you, _bon camarade_.' + +'Your hand upon it, Harry.' + +She gave it; I kissed the gold hair that waved against my lips. Fanny +rushed impetuously upon us, with half-opened eyes, and stifled us with +caresses. + +'Such a proposal,' said she musingly, after she had returned to her +wools and beads, '14 deg. above zero!' + +'And the Polyphemus, Fanny?' + +'Is for Nap,' and Fanny blushed and laughed. She was wondering if that +great event, an 'engagement,' always came about in so prosaic a way. But +looking at Bertha, I caught the bright, long, gravely humorous gleam +from her dark eyes, and walked upon it all the way down to Exchange +Place. + +Adieu, little Beatrice; my story hath at last an ending. Keep the little +hands and little heart warm for somebody brave by and by. Go shining +about and dancing, and smiling, Hummingbird; may sweetest flowers always +bloom around you; may you dwell in a fragrant rose garden of your own, +_mignonne_! Adieu. + + + + +ETHEL. + +FITZ FASHION'S WIFE. + + + Take the diamonds from my forehead--their chill weight but frets my brow! + How they glitter! radiant, faultless--but they give no pleasure now. + + Once they might have saved a Poet, o'er whose bed the violet waves: + Now their lustre chills my spirit, like the light from new-made graves. + + Quick! unbind the braided tresses of my coroneted hair! + Let it fall in single ringlets such as I was wont to wear. + + Take that wreath of dewy violets, twine it round their golden flow; + Let the perfumed purple blossoms fall upon my brow of snow! + + Simple flowers, ye gently lead me back into the sunny years, + Ere I wore proud chains of diamonds, forged of bitter, frozen tears! + + Bring the silver mirror to me! I am changed since those bright days, + When I lived with my sweet mother, and a Poet sang my praise. + + My blue eyes are larger, dimmer; thicker lashes veil their light; + Upon my cheek the crimson rose fast is fading to the white. + + I am taller, statelier, slighter, than I was in days of yore:-- + If his eyes in heaven behold me, does he praise me as before? + + Proudly swells the silken rustle--all around is wealth and state,-- + Dearer far the early roses twining round the wicker gate, + + Where my mother came at evening with the saint-like forehead pale, + And the Poet sat beside her, conning o'er his rhythmed tale. + + As he read the linked lines over, she would sanction, disapprove: + Soft and musical the pages, but he never sang of love. + + I had lived through sixteen summers, he was only twenty-one, + And we three still sat together at the hour of setting sun. + + Lowly was the forest cottage, but the sweetbrier wreathed it well; + 'Mid its violets and roses, bees and robins loved to dwell. + + Wilder forms of larch and hemlock climbed the mountain at its side; + Fairy-like a rill came leaping where the quivering harebells sighed. + + Glittering, bounding, singing, dancing, ferns and mosses loved its track; + Lower in it dipped the willows, as to kiss the cloudland's rack. + + Soon there came a stately lover,--praised my beauty, softly smiled: + 'He would make my mother happy,'--I was but a silly child! + + Came a dream of sudden power--fairest visions o'er me glide-- + Wider spheres would open for me;--dazzled, I became a bride: + + Fondly deemed my lonely mother would be freed from sordid care; + Splendor I might pour around her, every joy with her might share. + + Then the Poet, who had never breathed one word of love to me,-- + We might shape his life-course for him, give him culture wide and free. + + How I longed to turn the pages, with a husband's hand as guide, + Of the long-past golden ages, art and science at my side! + + To my simple fancy seemed it almost everything he knew-- + Ah! he might have won affection, faithful, fervent, trusting, true! + + I was happy, never dreaming wealth congeals the human soul, + Freezing all its generous impulse--I but saw its wide control. + + Years have passed--a larger culture poured strange knowledge through + my mind-- + I have learned to read man's nature: better I were ever blind! + + How can I take upon me what I look upon with scorn, + Or learn to brook my own contempt, or trample the forlorn? + + I cannot live by rote and rule; I was not born a slave + To narrow fancies; I must feel, although a husband rave! + + I cannot choose my friends because I know them rich, or great; + My heart elects the noble,--what cares love for wealth or state? + + Very lovely are my pictures, saints and angels throng my hall-- + But with shame my cheek is flushing, and my quivering lashes fall: + + Can I gaze on pictured actions, daring deeds, and emprise high, + And not feel my degradation while these fetters round me lie? + + Once the Poet came to see me, but it gave me nought but pain; + I was glad to see the Gifted go, ne'er to return again. + + For my husband scorning told me: 'True, his lines were very sweet, + But his clothes, so worn and seedy--scarce for me acquaintance meet! + + Artists, poets, men of genius, truly should be better paid, + But not holding our position, cannot be our friends,' he said. + + 'As gentlemen to meet them were a very curious thing; + They were happier in their garrets--there let them sigh or sing. + + There were Travers and De Courcy--could he ask them home to dine, + At the risk of meeting truly such strange fellows o'er their wine?' + + Then he said, 'My cheeks were peachy, lips were coral, curls were gold, + But he liked them braided crown-like, and with pearls and diamonds + rolled. + + I was once a little peasant; now I stood a jewelled queen-- + Fitter that a calmer presence in his stately wife were seen!' + + Then he gave a gorgeous card-case; set with rubies, Roman gold, + Handed me a paper with it, strands of pearls around it rolled; + + Names of all his wife should visit I would find upon the roll:-- + Found I none I loved within it--not one friend upon the scroll! + + And my mother, God forgive me! I was glad to see her go, + Ere the current of her loving heart had turned like mine to snow. + + Must I still seem fair and stately, choking down my bosom's strife, + Because 'all deep emotions were unseemly in his wife'? + + Must I gasp 'neath diamonds' glitter--walk in lustrous silken sheen-- + Leaving those I love in anguish while I play some haughty scene? + + I am choking! closer round me crowds convention's stifling vault-- + Every meanness's called a virtue--every virtue deemed a fault! + + Every generous thought is scandal; every noble deed is crime; + Every feeling's wrapped in fiction, and truth only lives in rhyme! + + No;--I am not fashion's minion,--I am not convention's slave! + If 'obedience is for woman,' still she has a soul to save. + + Must I share their haughty falsehood, take my part in social guile, + Cut my dearest friends, and stab them with a false, deceitful smile? + + Creeping like a serpent through me, faint, I feel a deadly chill, + Freezing all the good within me, icy fetters chain my will. + + Do I grow like those around me? will I learn to bear my part + In this glittering world of fashion, taming down a woman's heart? + + Must I lower to my husband? is it duty to abate + All the higher instincts in me, till I grow his fitting mate? + + Shall I muse on noble pictures, turn the poet's stirring page, + And grow base and mean in action, petty with a petty age? + + I am heart-sick, weary, weary! tell me not that this life, + Where all that's truly living must be pruned by fashion's knife!-- + + I can make my own existence--spurn his gifts, and use my hands, + Though the senseless world of fashion for the deed my memory brands. + + Quick! unbraid the heavy tresses of my coroneted hair-- + Let its gold fall in _free_ ringlets such as I was wont to wear. + + I am going back to nature. I no more will school my heart + To stifle its best feelings, play an idle puppet's part. + + I will seek my banished mother, nestle closely on her breast; + Noble, faithful, kind, and loving, there the tortured one may rest. + + We will turn the Poets' pages, learn the noblest deeds to act, + Till the fictions in their beauty shall be lived as simple fact. + + I will mould a living statue, make it generous, strong, and high, + Humble, meek, self-abnegating, formed to meet the Master's eye. + + Oh, the glow of earnest culture! Oh, the joy of sacrifice! + The delight to help another! o'er all selfish thoughts to rise! + + Farewell, cold and haughty splendor--how you chilled me when a bride! + Hollow all your mental efforts; meanness all your dazzling pride! + + Put the diamonds in their caskets! pearls and rubies, place them there! + I shall never sigh to wear them with the violets in my hair. + + Freedom! with no eye upon me freezing all my fiery soul; + Free to follow nature's dictates; free from all save God's control. + + I am going to the cottage, with its windows small and low, + Where the sweetbrier twines its roses and the Guelder rose its snow. + + I will climb the thymy mountains where the pines in sturdy might + Follow nature's holy bidding, growing ever to the light; + + Tracking down the leaping streamlet till the willows on it rise, + Watch its broad and faithful bosom strive to mirror back the skies. + + Through the wicker gate at evening with my mother I will come, + With a little book, the Poet's, to read low at set of sun. + + 'Tis a gloomy, broken record of a love poured forth in death, + Generous, holy, and devoted, sung with panting, dying breath. + + By the grassy mound we'll read it where he calmly sleeps in God,-- + My gushing tears may stream above--they cannot pierce the sod! + + Hand in hand we'll sit together by the lowly mossy grave-- + Oh, God! I blazed with jewels, but the noble dared not save! + + I am going to the cottage, there to sculpture my own soul, + Till it fill the high ideal of the Poet's glowing roll. + + * * * * * + + Stay, lovely dream! I waken! hear the clanking of my chain! + Feel a hopeless vow is on me--I can ne'er be free again! + + His wife! I've sworn it truly! I must bear his freezing eye, + Feel his blighting breath upon me while all nobler instincts die! + + Feel the Evil gain upon me as the weary moments glide, + Till I hiss, a jewelled serpent, fit companion, at his side. + + Vain is struggle--vain is writhing--vain are sobs and stifled gasps-- + I must wear my brilliant fetters though my life-blood stain their clasps! + + Hark! he calls! tear out the violets! quick! the diamonds in my hair! + There's a ball to-night at Travers'--'tis his will I should be there. + + Splendid victim in his pageant, though my tortured head should ache, + Yet I must be brilliant, joyous, if my throbbing heart should break! + + I shudder! quick! my dress of rose, my tunic of point lace-- + If fine enough, he will not read the anguish in my face! + + I know one place he dare not look--it is so still and deep-- + He dare not lift the winding sheet that veils my last, long sleep! + + He dreads the dead! the coffin lid will shield me from his breath-- + His eye no more will torture----Joy! I shall be free in death! + + Free to rest beside the Poet. He will shun the lowly grave: + There my mother soon will join us, and the violets o'er us wave. + + + + +THE SKEPTICS OF THE WAVERLEY NOVELS. + + +It is remarkable that while, in a republic, which is the mildest form of +government, respect for law and order are most highly developed, there +is in an aristocracy (which is always the most deeply based form of +tyranny) a constant revolt against all law. Puritanism in England, +Pietism in Germany, and Huguenotism in France, were all directly and +strongly republican and law-abiding in their social relations; while for +an example of the contrary we need only glance at our own South. +Aristocracy--a regularly ordered system of society into ranks--is the +dream of the slaveholder, and experience is showing us how extremely +difficult it is to uproot the power of a very few wicked men who have +fairly mudsilled the majority; and yet, despite this strength, there was +never yet a country claiming to be civilized, in which the wild caprices +and armed outrages of the individual were regarded with such toleration. + +_Republicanism is Christian._ When will the world see this tremendous +truth as it should, and realize that as there is a present and a future, +so did the Saviour lay down one law whereby man might progress in this +life, and another for the attainment of happiness in the next, and that +the two are mutually sustaining? There was no real republicanism before +the Gospels, and there has been no real addition to the doctrine since. +The instant that religion or any great law of truth falls into the hands +of a high caste, and puts on its livery, it becomes--ridiculous. What +think you of a shepherd's crook of gold blazing with diamonds? + +It is interesting to trace an excellent illustration of the natural +affinity between the fondness for feudalism and the love of law-breaking +in Sir WALTER SCOTT. Whatever his head and his natural common sense +dictated (and as he was a canny Scot and a shrewd observer, they +dictated many wise truths), his heart was always with the men of bow and +brand; with dashing robbers, moss troopers, duellists, wild-eagle +barons, wild-wolf borderers, and the whole farrago of autocratic +scoundrelism. With his soul devoted to dreams of feudalism, his fond +love of its romance was principally based on the constant infractions of +law and order to which a state of society must always be subject in +which certain men acquire power out of proportion to their integrity. +The result of this always is a lurking sympathy with rascality, a secret +relish for bold selfishness, which is in every community the deadliest +poison of the rights of the poor, and all the disinherited by fortune. + +It is very remarkable that Walter Scott, a Tory to the soul, should, by +his apparently contradictory yet still most consistent love of the +_outre_, have had a keen amateur sympathy for outlaws. It is much more +remarkable, however, that, still retaining his faith in king and nobles, +Church and State, he should have pushed his appreciation of such men to +the degree of marvellously comprehending--nay, enjoying--certain types +of skepticism which sprang up in fiercest opposition to authority; urged +into existence by its abuses, as germs of plants have been thought to be +electrified into life by sharp blows. And it is most remarkable of all, +that he did this at a time when none among his English readers seem to +have had any comprehension whatever of these characters, or to have +surmised the fact that to merely understand and depict them, the writer +must have ventured into fearful depths of reflection and of study. In +treating these characters, Walter Scott seems to become positively +_subjective_--and I will venture to say that it is the only instance of +the slightest approach to anything of the kind to be found in all his +writings. Unlike Byron, who was painfully conscious, not of the nature +of his want in this respect, but of _something_ wanting, Scott nowhere +else betrays the slightest consciousness of his continual life under +limitations, when, _plump!_ we find him making a headlong leap right +into the very centre of that terrible pool whose waters feed the +forbidden-fruit tree of good and of evil. + +The characters to which I particularly refer in Sir Walter Scott's +novels are those of the Templar, Brian de Bois Guilbert, in 'Ivanhoe;' +of the gypsy Hayraddin Maugrabin in 'Quentin Durward;' of Dryfesdale, +the steward, in 'The Abbot;' and of the 'leech' Henbane Dwining, in 'The +Fair Maid of Perth.' There are several others which more or less +resemble these, as, for instance, Ranald Mac Eagh, the Child of the +Mist, in 'Montrose,' and Rashleigh, in 'Rob Roy;' but the latter, +considered by themselves, are only partly developed. In fact, if Scott +had given to the world only _one_ of these outlaws of faith, there would +have been but little ground for inferring that his mind had ever taken +so daring a range as I venture to claim for him. It is in his constant, +wistful return, in one form or the other, to that terrible type of +humanity--the man who, as a matter of intensely sincere faith, has freed +himself from all adherence to the laws of man or GOD--that we find the +clue to the _real_ nature of the author's extraordinary sympathy for the +most daring, yet most subtle example of the law-breaker. In comparing +these characters carefully, we find that each by contrast appears far +more perfect than when separate--as the bone, which, however excellent +its state of preservation may be, never seems to the eye of the +physiologist so complete as when in its place in the complete skeleton. +And through this contrast we learn that Scott, having by sympathy and +historical-romantic study, comprehended the lost secret of all +_illuminee_ mysteries--that of human dependence on nought save the laws +of a mysterious and terrible Nature--could not refrain from ever and +anon whispering the royal secret, though it were only to the rustling +reeds and rushes of fashionable novels. Having learned, though in an +illegitimate way, that the friend of PAN, the great king of the golden +touch, had ass's ears, he _must_ tell it again, though in murmurs and +whispers: + + 'Qui cum ne prodere visum + Dedecus auderet, cupiens efferre sub auras, + Nec posset reticere tamen, secedit, humumque + Effodit: et domini quales aspexerit aures, + Vox refert parva; terraeque immurmurat haustae.'[10] + +It is to be remarked, in studying collectively these outlaws as set +forth by Scott, that while the same characteristic lies at the basis of +each, there is very great variety in its development, and that the +author seems to have striven to present it in as many widely differing +phases as he was capable of doing. When we reflect that Scott himself +could not be fairly said to be perfectly _at home_ in more than half a +dozen departments of history, and yet that he has taken pains to set +forth as many historical varieties of minds absolutely emancipated from +all faith, and finally, when we recall that at the time when he wrote, +the great proportion of the characteristics of these _dramatis personae_ +were utterly unappreciated, and that by even the learned they were +simply reviewed as 'infidels,' we cannot but smile at the care with +which (like the sculptor in the old story) he carved his images, and +buried them to be dug up at a future day by men who, as he possibly +hoped, would appreciate more fully than did his contemporaries his own +degree of forbidden knowledge. I certainly do not exaggerate the +importance of these characters when speaking in this manner. They could +not have been conceived without a very great expenditure of study and of +reflection. They are, as I said, subjective, and such portraits of +humanity always involve a vastly greater amount of penetrative and +long-continued thought, than do the mere historical and social +photographs which constitute the bulk of Scott's, as of all novels, and +form the favorites of the mass of readers for entertainment. + +First among these characters, and most important as indicating direct +historical familiarity with the obscure subject of the Oriental heresies +of the Middle Ages in Europe, I would place that of the Templar, Brian +de Bois Guilbert, who is generally regarded by readers as simply 'a +horrid creature,' who chased 'that darling Rebecca' out of the window to +the verge of the parapet; or at best as a knightly ruffian, who, like +most ruffianly sinners, quieted conscience by stifling it with doubt. +Very different, however, did the Templar appear to Scott himself, who, +notwithstanding the poetic justice meted to the knight, evidently +sympathized in secret more warmly with him than with any other character +in the gorgeous company of 'Ivanhoe.' Among them all he is the only one +who fully and fairly appreciates the intellect of Rebecca, and, seen +from the stand-point of rigid historical probability which Scott would +not violate, _all allowance being made for what the Templar was_, he +appears by far the noblest and most intelligent of all the knightly +throng. I say that though a favorite, Scott would not to favor him, +violate historical probability. Why should he? It formed no part of his +plan to give the public of his day lessons in _illuminee_-ism. Had he +done so he would have failed like 'George Sand' in 'Consuelo;' but a +very small proportion indeed of whose readers retain a recollection of +the doctrines which it is the main object of the book to set forth. I +trust there is no slander in the remark, but I _must_ believe it to be +true until I see that the majority of the readers of that work have also +taken to zealously investigating the sources of that most forbidden +lore, which has most certainly this peculiarity, that no one can +_comprehend_ it ever so little without experiencing an insatiable, +never-resting desire to exhaust it, like everything which is prohibited. +There is no such thing as knowing it a little. As one of its sages said +of old, its knowledge rushes forth into infinite lands. + +It was, I believe, some time before 'Ivanhoe' appeared, that Baron von +Hammer Purgstall had published his theory that the Knights Templars +were, although most unjustly treated, still guilty, in a certain sense, +of the extraordinary charges brought against them. It seems at least to +be tolerably certain that during their long residence in the East they +had acquired the Oriental secrets of initiation into societies which +taught the old serpent-lore of _eritis sicut Deus_, and positive +knowledge; the ultimate secret, being the absolute nothingness of all +faith, creeds, laws, ties, or rules to him who is capable of rising +above them and of drawing from Nature by an 'enlightened' study of her +laws the principles of action, of harmony with fellow men, and of +unlimited earthly enjoyment. Such had been for ages the last lessons of +all the 'mysteries' of the East--mysteries which it was the peculiar +destiny of the Hebrew race to resist through ages of struggle. It was +through the teaching of such mysteries of pantheistic naturalism that, +as the unflinching Jewish deists and anthropomorphists believed, man +fell, and their belief was set forth in their very first religious +tradition--the history of the apple, the serpent, and the Fall. And it +is to the very extraordinary nature of the Hebrew race, by which they +presented for the first time in history the spectacle of a people +resisting nature-worship, that they owe their claim to be a peculiar +people. + +The Templars, under the glowing skies of the East, among its thousand +temptations, those of superior knowledge not being the least; in an age +when the absurdities of the Roman church were, to an enlightened mind, +at their absurdest pitch, fell readily into 'illumination.' Whether they +literally _worshipped_ the Oriental Baphomet, a figure with two heads, +male and female, girt with a serpent, typifying the completest +abnegation of all moral relations, and the rights of knowledge, no one +can say now--it is, however, significant that this symbol, which they +undoubtedly used, actually found its way under the freemasons into the +Christian churches of the West, as a type of 'prudence' among the +representations of Christian virtues. When we remember that the Gnostics +taught that _prudence_ alone was virtue,[11] we have here a coincidence +which sufficiently explains the meaning of this emblem of 'the baptism +of mind.' + +Nothing is more likely than that a portion of the Knights Templars were +initiated in the mysteries of such Oriental sects as those of the _House +of Wisdom_ of Al Hakem, the seventh and last degree of which at first +'inculcated the vanity of all religion, and the indifference of actions +which are neither visited with recompense nor chastisement here or +hereafter.' At a later age, when the doctrines of this society had +permeated all Islam, it seems to have labored very zealously to teach +both women and men gratuitously all learning, and give them the freest +use of books. At this time it was in the ninth degree that the initiate +'learnt the grand secret of atheism, and a code of morals, which may be +summed up in a few words, as believing nothing and daring +everything.'[12] + +Bearing this in mind, Walter Scott may be presumed to have studied with +shrewd appreciation the character of the Templars, and to have +conjectured with strange wisdom their great ambition, when we find Brian +de Bois Guilbert declaring to Rebecca that his Order threatened the +thrones of Europe, and hinting at tremendous changes in society--'hopes +more extended than can be viewed from the throne of a monarch.' For it +was indeed the hope--it _must_ have been--for the proud and powerful +brotherhood of the Temple to extend their secret doctrines over Europe, +regenerate society, and overthrow all existing powers, substituting for +them its own crude and impossible socialism, and for Christianity the +lore of the serpent. How plainly is this expressed in the speech of Bois +Guilbert to Rebecca: + + 'Such a swelling flood is that powerful league. Of this mighty + Order I am no mean member, but already one of the Chief Commanders, + and may well aspire one day to hold the baton of Grand Master. The + poor soldiers of the Temple will not alone place their foot upon + the necks of Kings--a hemp-sandall'd monk can do that. Our mailed + step shall ascend their throne--our gauntlet shall wrench the + sceptre from their gripe. Not the reign of your vainly expected + Messiah offers such power to your dispersed tribes as my ambition + may aim at. I have sought but a kindred spirit to share it, and I + have found such in thee.' + + 'Sayest thou this to one of my people?' answered Rebecca. 'Bethink + thee'-- + + 'Answer me not,' said the Templar, 'by urging the difference of our + creeds; within our secret conclaves we hold these nursery tales in + derision. Think not we long remain blind to the idiotic folly of + our founders, who forswore every delight of life for the pleasures + of dying martyrs by hunger, by thirst, and by pestilence, and by + the swords of savages, while they vainly strove to defend a barren + desert, valuable only in the eyes of superstition. Our Order soon + adopted bolder and wider views, and found out a better + indemnification for our sacrifices. Our immense possessions in + every kingdom of Europe, our high military fame, which brings + within our circle the flower of chivalry from every Christian + clime--these are dedicated to ends of which our pious founders + little dreamed, and which are equally concealed from such weak + spirits as embrace our Order on the ancient principles, and whose + superstition makes them our passive tools. But I will not further + withdraw the veil of our mysteries.' + +We may well pause for an instant to wonder what would have been the +present state of the now civilized world had this order with its +Oriental illumineeism actually succeeded in undermining feudal society +and in overthrowing thrones. That it was jointly dreaded by Church and +State appears from the excessive, implacable zeal with which it was +broken up by Philip the Fair and Pope Clement the Fifth--a zeal quite +inexplicable from the motives of avarice usually attributed to them by +the modern freemasonic defenders of the Knights of the Temple. I may +well say modern, since in a freemasonic document bearing date 1766, +reprinted in a rare work,[13] we find the most earnest protest and +denial that freemasonry had anything in common with the Templars. But +the Order did not die unavenged. It is by no means improbable that the +secret heresies which, bearing unmistakable marks of Eastern origin, +continually sprang up in Europe, and finally led the way to Huss and the +Reformation, were in their origin encouraged by the Templars. + +Certain it is that the character of Bois Guilbert as drawn by Scott--his +habitual oath 'by earth and sea and sky!' his scorn of 'the doting +scruples which fetter our free-born reason,' and his atheistic faith +that to die is to be 'dispersed to the elements of which our strange +forms are so mystically composed,' are all wonderful indications of +insight into a type of mind differing inconceivably from the mere +infidel villain of modern novels, and which could never have been +attributed to a knight of the superstitious Middle Ages without a strong +basis of historical research. Very striking indeed is his fierce love +for Rebecca--his intense appreciation of her great courage and firmness, +which he at once recognizes as congenial to his own daring, and believes +will form for him in her a fit mate. There is a spirit of reality in +this which transcends ordinary conceptions of what is called genius. To +deem a woman requisite aid in such intellectual labor--for so we may +well call the system of the Templars--would at that era have been +incomprehensibly absurd to any save the worshippers of the bi-sexed +Baphomet and the disciples of the House of Wisdom, with whom the equal +culture of the sexes was a leading aim. The extraordinary tact with +which Scott has contrived to make Bois Guilbert repulsive to the mass of +readers, while at the same time he really--for himself--makes him +undergo every sacrifice of which the Templar's nature is _consistently_ +capable, is perhaps the most elaborately artistic effort in his works. +To have made Bois Guilbert sensible to the laws of love and of chivalry, +which in his mystical freedom he despised, to rescue her simply from +death, which in his view had no terrors beyond short-lived pain, would +not have agreed with his character as Scott very truly understood it. +Himself a sacrifice to fate, he was willing that she, whom he regarded +as a second self, should also perish. This reserving the true +comprehension of a certain character to one's self by a writer is not, I +believe, an uncommon thing in romance writing. 'Blifil' was the favorite +child of his literary parent, and was (it is to be hoped) seen by him +from a stand-point undreamed of by nearly all readers. + +Closely allied in the one main point of character to Bois Guilbert, and +to a certain degree having his Oriental origin, yet differing in every +other detail, we have Hayraddin Maugrabin, the gypsy, in 'Quentin +Durward.' + +When Walter Scott drew the outlines of this singular subordinate actor +in one of the world's greatest mediaeval romances, so little was known of +the real condition of the 'Rommany,' that the author was supposed to +have introduced an exaggerated and most improbable character among +historical portraits which were true to life. The more recent researches +of George Borrow and others have shown that, judged by the gypsy of the +present day, Hayraddin is extremely well drawn in certain particulars, +but improbable in other respects. He has, amid all his villany, a +certain firmness or greatness which is peculiar to men who can sustain +positions of rank--a marked Oriental 'leadership,' which Scott might be +presumed to have guessed at. Yet all of this corresponds closely to the +historical account of the first of these wanderers, who in 1427 came to +Europe, 'well mounted,' and claiming to be men of the highest rank, and +to the condition and character of certain men among them in the +Slavonian countries of the present day. If we study carefully all that +is accessible both of the present and the past relative to this singular +race, we shall find that Scott, partly from knowledge and partly by +poetic intuition, has in this gypsy produced one of his most marvellous +and deeply interesting studies. + +Like Bois Guilbert, Hayraddin is a man without a God, and the +peculiarity of his character lies in a constant realization of the fact +that he is absolutely _free_ from every form or principle of faith, +every conventional tie, every duty founded on aught save the most +natural instincts. He revels in this freedom; it is to him like magic +armor, making him invulnerable to shafts which reach all around +him--nay, which render him supremely indifferent to death itself. +Whether this extreme of philosophical skepticism and stoicism could be +consistently and correctly attributed to a gypsy of the fifteenth +century, will be presently considered. Let me first quote those passages +in which the character is best set forth. The first is that in which +Hayraddin, in reply to the queries of Quentin Durward, asserts that he +has no country, is not a Christian, and is altogether lawless: + + 'You are then,' said the wondering querist, 'destitute of all that + other men are combined by--you have no law, no leader, no settled + means of subsistence, no house or home. You have, may Heaven + compassionate you, no country--and, may Heaven enlighten and + forgive you, you have no God! What is it that remains to you, + deprived of government, domestic happiness, and religion?' + + 'I have liberty,' said the Bohemian--'I crouch to no one--obey no + one--respect no one.--I go where I will--live as I can--and die + when my day comes.' + + 'But you are subject to instant execution at the pleasure of the + Judge?' + + 'Be it so,' returned the Bohemian; 'I can but die so much the + sooner.' + + 'And to imprisonment also,' said the Scot; 'and where then is your + boasted freedom?' + + 'In my thoughts,' said the Bohemian, 'which no chains can bind; + while yours, even when your limbs are free, remain fettered by your + laws and your superstitions, your dreams of local attachment, and + your fantastic visions of civil policy. Such as I are free in + spirit when our limbs are chained. You are imprisoned in mind, even + when your limbs are most at freedom.' + + [14]'Yet the freedom of your thoughts,' said the Scot, 'relieves + not the pressure of the gyves on your limbs.' + + 'For a brief time that may be endured,' answered the vagrant, 'and + if within that period I cannot extricate myself, and fail of relief + from my comrades, I can always die, and death is the most perfect + freedom of all.' + +Again, when asked in his last hour what are his hopes for the future, +the gypsy, after denying the existence of the soul, declares that his +anticipations are: + + 'To be resolved into the elements. * * * My hope and trust and + expectation is, that the mysterious frame of humanity shall melt + into the general mass of nature, to be recompounded in the other + forms with which she daily supplies those which daily disappear, + and return under different forms,--the watery particles to streams + and showers, the earthy parts to enrich their mother earth, the + airy portions to wanton in the breeze, and those of fire to supply + the blaze of Aldebaran and his brethren. In this faith I have + lived, and will die in it. Hence! begone!--disturb me no further! I + have spoken the last word that mortal ears shall listen to!' + +That such a strain as this would be absurd from 'Mr. Petulengro,' or any +other of the race as portrayed by Borrow, is evident enough. Whether it +is inappropriate, however, in the mouth of one of the first corners of +the people in Europe, of direct Hindustanee blood, is another question. +Let us examine it. + +In his notes to 'Quentin Durward,' Scott declares his belief that there +can be little doubt that the first gypsies consisted originally of +Hindus, who left their native land when it was invaded by Timur or +Tamerlane, and that their language is a dialect of Hindustanee. That the +gypsies were Hindus, and outcast Hindus or Pariahs at that, could be no +secret to Scott. That he should have made Hayraddin in his doctrines +marvellously true to the very life to certain of this class, indicates a +degree either of knowledge or of intuition (it may have been either) +which is at least remarkable. + +The reader has probably learned to consider the Hindu Pariah as a merely +wretched outcast, ignorant, vulgar, and oppressed. Such is not, however, +exactly their _status_. Whatever their social rank may be, the +Pariahs--the undoubted ancestors of the gypsies--are the authors in +India of a great mass of philosophy and literature, embracing nearly all +that land has ever produced which is tinctured with independence or wit. +In confirmation of which I beg leave to cite the following passages from +that extremely entertaining, well-edited, and elegantly published little +work, the 'Strange Surprising Adventures of the Venerable Goroo Simple +and his Five Disciples': + + 'The literature of the Hindoos owes but little to the hereditary + claimants to the sole possession of divine light and knowledge. On + the contrary, with the many things which the Brahmins are forbidden + to touch, all science, if left to them alone, would soon stagnate, + and clever men, whose genius cannot be held in trammels, therefore + soon become outcasts and swell the number of _Pariars_ in + consequence of their very pursuit of knowledge. * * * To the + writings of the _Poorrachchameiyans_, a sect of _Pariars_ odious in + the eyes of a Brahman, the Tamuls owe the greater part of works on + science. * * * To the _Vallooran_ sect of Pariars, particularly + shunned by the Brahmans, Hindoo literature is indebted almost + exclusively for the many moral poems and books of aphorisms which + are its chief pride. + + 'This class of literature' (satiric humor and fables) 'emanated + chiefly from those despised outcasts, the Pariars, the very men who + (using keener spectacles than Dr. Robertson, our historian of + Ancient India, did, who singularly became the panegyrist of Gentoo + subdivisions) saw that to bind human intellect and human energy + within the wire fences of Hindoo castes is as impossible as to shut + up the winds of heaven in a temple built by man's hand, and boldly + thought for themselves.' + +Of the literary _Vallooran_ Pariah outcasts and scientific +Poorrachchameiyans, we know from the best authority--Father Beschi--that +they form society of six degrees or sects, the fifth of which, when five +Fridays occur in a month, celebrate it _avec de grandes abominations_, +while the sixth 'admits the real existence of nothing--except, +_perhaps_, GOD.' This last is a mere guess on the part of the good +father. It is beyond conjecture that we have here another of those +strange Oriental sects, 'atheistic' in its highest school and identical +in its nature with that of the House of Wisdom of Cairo, and with the +Templars; and if Scott's gypsy Hayraddin Maugrabin is to be supposed one +of that type of Hindu outcasts, which were of all others most hateful to +the orthodox Moslem invader, we cannot sufficiently admire the +appropriateness with which doctrines which were actually held by the +most deeply initiated among the Pariahs were put into his mouth. To have +made a merely vulgar, nothing-believing, and as little reflecting gypsy, +as philosophical as the wanderer in 'Quentin Durward,' would have been +absurd. There is a vigor, an earnestness in his creed, which betrays +culture and thought, and which is marvellously appropriate if we regard +him as a wandering scion of the outcast Pariah illuminati of India. + +Did our author owe this insight to erudition or to poetic intuition? In +either case we discover a depth which few would have surmised. It was +once said of Scott, that he was a millionaire of genius whose wealth was +all in small change--that his scenes and characters were all massed from +a vast collection of little details. This would be equivalent to +declaring that he was a great novelist without a great idea. Perhaps +this is true, but the clairvoyance of genius which _seems_ to manifest +itself in the two characters which I have already examined, and the +cautious manner in which he has treated them, would appear to prove that +he possessed a rarer gift than that of 'great ideas'--the power of +controlling them. Such ideas may make reformers, critics, politicians, +essayists--but they generally ruin a novelist--and Scott knew it. + +A third character belonging to the class under consideration, is Henbane +Dwining, the 'pottingar,' apothecary or 'leech,' in the novel of 'The +Fair Maid of Perth.' + +This man is rather developed by his deeds than his words, and these are +prompted by two motives, terrible vindictiveness and the pride of +superior knowledge. He is vile from the former, and yet almost heroic +from the latter, for it is briefly impossible to make any man intensely +self-reliant, and base this self-reliance on great learning in men and +books, without displaying in him some elements of superiority. He is so +radically bad that by contrast one of the greatest villains in Scottish +history, Sir John Ramorney, appears rather gray than black; and yet we +dislike him less than the knight, possibly because we know that men of +the Dwining stamp, when they have had the control of nations, often do +good simply from the dictates of superior wisdom--the wisdom of the +serpent--which, no Ramorney ever did. The skill with which the crawling, +paltry leech controls his fierce lord; the contempt for his power and +pride shown in Dwining's adroit sneers, and above all, the ease with +which the latter casts into the shade Ramorney's fancied superiority in +wickedness, is well set forth--and such a character could only have been +conceived by deep study of the motives and agencies which formed it. To +do so, Scott had recourse to the same Oriental source--the same fearful +school of atheism which in another and higher form gave birth to the +Templar and the gypsy. 'I have studied,' says Dwining, 'among the sages +of Granada, where the fiery-souled Moor lifts high his deadly dagger as +it drops with his enemy's blood, and avows the doctrine which the pallid +Christian practises, though, coward-like, he dare not name it.' His +sneers at the existence of a devil, at all 'prejudices,' at religion, +above all, at brute strength and every power save that of intellect, are +perfectly Oriental--not however of the Oriental Sufi, or of the +initiated in the House of Wisdom, whose pantheistic Idealism went hand +in hand with a faith in benefiting mankind, and which taught +forgiveness, equality, and love, but rather that corrupted Asiatic +vanity of wisdom which abounded among the disciples of Aristotle and of +Averroes in Spain, and which was entirely material. I err, strictly +speaking, therefore, when I speak of this as the _same_ Oriental school, +though in a certain sense it had a common origin--that of believing in +the infinite power of human wisdom. Both are embraced indeed in the +beguiling _eritis sicut Deus_, 'ye shall be as GOD,' uttered by the +serpent to Eve. + +Quite subordinate as regards its position among the actors of the novel, +yet extremely interesting in a historical point of view, is the +character of Jasper Dryfesdale the steward of the Douglas family, in +'The Abbot.' In this man Scott has happily combined the sentiment of +absolute feudal devotion to his superiors with a gloomy fatalism learned +'among the fierce sectaries of Lower Germany.' If carefully studied, +Dryfesdale will be found to be, on the whole, the most morally +instructive character in the entire range of Scott's writings. In the +first place, he illustrates the fact, so little noted by the advocates +of loyalty, aristocracy, 'devoted retainers,' and 'faithful vassals,' +that all such fidelity carried beyond the balance of a harmony of +interests, results in an insensibility to moral accountability. Thus in +the Southern States, masters often refer with pride to the fact that a +certain negro, who will freely pillage in other quarters, will 'never +steal at home.' History shows that the man who surrenders himself +entirely to the will of another begins at once to cast on his superior +all responsibility for his own acts. Such dependence and evasion is of +itself far worse than the bold unbelief which is to the last degree +self-reliant; which seeks no substitute, dreads no labor, scorns all +mastery, and aims at the truth, the whole truth, and nothing but the +truth. Such unbelief may possibly end in finding religious truth after +its devious errors, but what shall be said of those who would have men +sin as _slaves_? + +Singularly and appropriately allied to a resignation of moral +accountability from feudal attachment, is the contemptible and cowardly +doctrine of fatalism, which Dryfesdale also professes. It is not with +him the philosophic doctrine of the concurring impulses of circumstance, +or of natural laws, but rather the stupendously nonsensical notion of +the Arabian _kismet_, that from the beginning of time every event was +fore-arranged as in a fairy tale, and that all which _is_, is simply the +acting out of a libretto written before the play began--a belief revived +in the last century by readers of Leibnitz, who were truer than the +great German himself to the consequences of his doctrine, which he +simply evaded.[15] In coupling this humiliating and superstitious means +of evading moral accountability with the same principle as derived from +feudal devotion, Scott, consciously or unconsciously, displayed genius, +and at the same time indirectly attacked that system of society to which +he was specially devoted. So true is it that genius instinctively tends +to set forth the _truth_, be the predilections of its possessor what +they may. And indeed, as Scott nowhere shows in any way that _he_, for +his part, regarded the blind fidelity of the steward as other than +admirable, it may be that he was guided rather by instinct than will, in +thus pointing out the great evil resulting from a formally aristocratic +state of society. Such as it is, it is well worth studying in these +times, when the principles of republicanism and aristocracy are brought +face to face at war among us, firstly in the contest between the South +and the North, and secondly in the rapidly growing division between the +friends of the Union, and the treasonable 'Copperheads,' who consist of +men of selfish, aristocratic tendencies, and their natural allies, the +refuse of the population. + +It is very unfortunate that the term 'Anabaptists' should have ever been +applied to the ferocious fanatics led by John of Leyden, Knipperdolling, +and Rothmann, since it has brought discredit on a large sect bearing the +same name with which it had in reality even less in common than the +historians of the latter imagine. It is not a difficult matter for the +mind familiar with the undoubted Oriental origin of the 'heresies' of +the middle ages, to trace in the origin at least of the fierce and +licentious socialists of Muenster the same secret influence which, +flowing from Gnostic, Manichaean, or Templar sources, founded the +Waldense and Albigense sects, and was afterward perceptible in a branch +of the Hussites. At the time of the Reformation their ancient doctrines +had subsided into Biblical fanaticism; but the old leaven of revolt +against the church, and against all compulsion--keenly sharpened by +their experiences, in the recent Peasant's War--was as hot as ever among +them. They had no great or high philosophy, but were in all respects +chaotic, contradictory, and stormy. Unable to rise to the cultivated and +philanthropic feelings which accompanied the skepticism of their remote +founders, they based their denial of moral accountability--as narrow and +vulgar minds naturally do--on a predestination, which is as insulting to +GOD as to man, since it is consistently comprehensible only by supposing +HIM a slave to destiny. Among such vassals to a worse than earthly +tyranny, the man who as 'a Scottish servant regarded not his own life or +that of any other save his master,' would find doctrines congenial +enough to his grovelling nature. So he was willing to believe that 'that +which was written of me a million years before I saw the light must be +executed by me.' 'I am well taught, and strong in belief,' he says, +'that man does nought for himself; he is but the foam on the billow, +which rises, bubbles, and bursts, not by its own effort, but by the +mightier impulse of fate which urges him.' And the combination of his +two wretched doctrines is well set forth in the passage wherein he tells +his mistress that she had no choice as regarded accepting his criminal +services. 'You might not choose, lady,' answered the steward. 'Long ere +this castle was builded--ay, long ere the islet which sustains it reared +its head above the blue water--I was destined to be your faithful slave, +and you to be my ungrateful mistress.' + +Freethinkers, infidels, and atheists abound in novels, but it is to the +credit of Sir Walter Scott that wherever he has introduced a _sincere_ +character of this description, he has gone to the very origin for his +facts, and then given us the result without pedantry. The four which I +have examined are each a curious subject for study, and indicate, +collectively and compared, a train of thought which I believe that few +have suspected in Scott, notwithstanding his well-known great love for +the curious and occult in literature. That he perfectly understood that +absurd and vain character, the so-called 'infidel,' whose philosophy is +limited to abusing Christianity, and whose real object is to be odd and +peculiar, and astonish humble individuals with his wickedness, is most +amusingly shown in 'Bletson,' one of the three Commissioners of Cromwell +introduced into 'Woodstock.' Scott has drawn this very subordinate +character in remarkable detail, having devoted nearly seven pages to its +description,[16] evidently being for once carried away by the desire of +rendering the personality as clearly as possible, or of gratifying his +own fancy. And while no effort is ever made to cast even a shadow of +ridicule on the Knight Templar, on Dryfesdale, on the gypsy, or even on +the crawling Dwining, he manifestly takes great pains to render as +contemptible and laughably absurd as possible this type of the very +great majority of modern infidels, who disavow religion because they +fear it, and ridicule Christianity from sheer, shallow ignorance. Our +own country at present abounds in 'Bletsons,' in conceited, ignorant +'infidel' scribblers of many descriptions, in of all whom we can still +trace the cant and drawl of the old-fashioned fanaticism to which they +are in reality nearly allied, while they appear to oppose it. For the +truth is, that popular infidelity--to borrow Mr. Caudle's simile of +tyrants--is only Puritanism turned inside out. We see this, even when it +is masked in French flippancy and the Shibboleth of the current +accomplishments of literature--it betrays itself by its vindictiveness +and conceit, by its cruelty, sarcasms, and meanness--with the infidel as +with the bigot. The sincere seeker for truth, whether he wander through +the paths of unbelief or of faith, never forgets to love, never courts +notoriety, and is neither a satirical court-fool nor a would-be +Mephistopheles. + +In reflecting on these characters, I am irresistibly reminded of an +anecdote illustrating their nature. A friend of mine who had employed a +rather ignorant fellow to guide him through some ruins in England, was +astonished, as he entered a gloomy dungeon, at the sudden remark, in the +hollow voice of one imparting a dire confidence, of: 'I doan't believe +in hany GOD!' 'Don't you, indeed?' was the placid reply. 'Noa,' answered +the guide; '_H'I'm a_ HINFIDEL!' 'Well, I hope you feel easy after it,' +quoth my friend. + +There is yet another skeptic set forth by Scott, whose peculiarities may +be deemed worthy of examination. I refer to Agelastes, the treacherous +and hypocritical sage of 'Count Robert of Paris.' In this man we have, +however, rather the refined sensualist and elegant scholar who amuses +himself with the subtleties of the old Greek philosophy, than a sincere +seeker for truth, or even a sincere doubter. His views are fully given +in a short lecture of the countess: + + 'Daughter,' said Agelastes, approaching nearer to the lady, 'it is + with pain I see you bewildered in errors which a little calm + reflection might remove. We may flatter ourselves, and human vanity + usually does so, that beings infinitely more powerful than those + belonging to mere humanity are employed daily in measuring out the + good and evil of this world, the termination of combats or the fate + of empires, according to their own ideas of what is right or wrong, + or more properly, according to what we ourselves conceive to be + such. The Greek heathens, renowned for their wisdom, and glorious + for their actions, explained to men of ordinary minds the supposed + existence of Jupiter and his Pantheon, where various deities + presided over various virtues and vices, and regulated the temporal + fortune and future happiness of such as practised them. The more + learned and wise of the ancients rejected such the vulgar + interpretation, and wisely, although affecting a deference to the + public faith, denied before their disciples in private, the gross + fallacies of Tartarus and Olympus, the vain doctrines concerning + the gods themselves, and the extravagant expectations which the + vulgar entertained of an immortality supposed to be possessed by + creatures who were in every respect mortal, both in the + conformation of their bodies, and in the internal belief of their + souls. Of these wise and good men some granted the existence of the + supposed deities, but denied that they cared about the actions of + mankind any more than those of the inferior animals. A merry, + jovial, careless life, such as the followers of Epicurus would + choose for themselves, was what they assigned for those gods whose + being they admitted. Others, more bold or more consistent, entirely + denied the existence of deities who apparently had no proper object + or purpose, and believed that such of them, whose being and + attributes were proved to us by no supernatural appearances, had in + reality no existence whatever.' + +In all this, and indeed in all the character of Agelastes, there is +nothing more than shallow scholarship, such as may be found in many of +'the learned' in all ages, whose learning is worn as a fine garment, +perhaps as one of comfort, but _not_ as the armor in which to earnestly +do battle for life. A contempt for the vulgar, or at best a selfish +rendering of life agreeable to themselves, is all that is gathered from +such systems of doubt--and this was in all ages the reproach of all +Greek philosophy. It was not meant for the multitude nor for the +barbarian. It embraced no hope of benefiting all mankind, no scheme for +even freeing them from superstition. Such ideas were only cherished by +the Orientals, and (though mingled with errors) subsequently and _fully_ +by the early Christians. It was in the East that the glorious doctrine +of love for _all_ beings, not only for enemies, but for the very fiends +themselves, was first proclaimed as essential to perfect the soul--as +shown in the beautiful Hindu poem of 'The Buddha's Victory,'[17] in +which the demon Wassywart, that horror of horrors, whose eyes are clots +of blood, whose voice outroars the thunder, who plucks up the sun from +its socket the sky, defies the great saint-god to battle: + + 'The unarmed Buddha mildly gazed at him, + And said in peace: 'Poor fiend, _even thee I love_.' + Before great Wassywart the world grew dim; + His bulk enormous dwindled to a dove. * * * + --Celestial beauty sat on Buddhas face, + While sweetly sang the metamorphosed dove: + 'Swords, rocks, lies, fiends, must yield to moveless love, + And nothing can withstand the Buddha's grace.' + +And again, in 'The Secret of Piety'--the secret 'of all the lore which +angelic bosoms swell'--we have the same pure faith: + + 'Whoso would careless tread one worm that crawls the sod, + That cruel man is darkly alienate from God; + But he that lives embracing all that is in _love_, + To dwell with him God bursts all bounds, below, above.' + +The Greek philosophy knew nothing of all this, and the result is that +even in the atheism which sprang from the East, and in its harshest and +lowest 'tinctures,' we find a something nobler and less selfish than is +to be found in the school of Plato himself. And however this may be, the +reader will admit, in examining the six skeptics set forth by Scott, +that each is a character firmly based in historical truth; that all, +with the exception of 'Bletson,' are sketched with remarkable brevity; +and that a careful comparative analysis of the whole gives us a deeper +insight into the secret tendencies of the author's mind, and at the same +time into the springs of his genius, than the world has been wont to +take. And the study of the subject is finally interesting, since we may +learn from it that even in the works of one who is a standard poetic +authority among those who would, if possible, subject all men to +feudalism, we may learn lessons of that highest social +truth--republicanism. + +FOOTNOTES: + +[Footnote 10: OVID. _Metamorphoseon_, lib. xi. v. 183.] + +[Footnote 11: Haec autem erat Gnosticorum doctrina ethica, quod omnem +virtutem in prudentia sitim esse credebant, quam Ophitae per _Metem_ +(Sophiam) et Serpentem exprimebant, desumpto iterum ex Evangelii +praecepto; _estote prudentes ut serpentes_,--ob innatem hujus animalis +astutiam?--VON HAMMER, _Fundgruben des Orients_, tom. vi. p. 85.] + +[Footnote 12: _New Curiosities of Literature._ By GEO. SOANE, London, +1849.] + +[Footnote 13: _Developpement des Abus introduits dans la Franc +Maconnerie._ Ecossois de Saint ANDRE d'Ecosse, &c., &c. Paris, 1780.] + +[Footnote 14: London. Truebner &. Co., No. 60 Paternoster Row. 1861.] + +[Footnote 15: 'Tota haec humanae vitae fabula, quae universitatem naturae et +generis humani historiam constituit tota prius in intellectu divino +praeconcepta fuit cum infinitis aliis.'--LEIBNITZ, _Theodicaea_, part 11, +p. 149.] + +[Footnote 16: Tickner and Fields' edition of Waverley Novels, Boston, +1858.] + +[Footnote 17: _The Poetry of the East._ By WILLIAM ROUNSEVILLE ALGER. +Boston. Whittemore, Niles & Hall, 1856.] + + + + +A CHORD OF WOOD. + + + Well, New York, you've made your pile + Of Wood, and, if you like, may smile: + Laugh, if you will, to split your sides, + But in that Wood pile a nigger hides, + With a double face beneath his hood: + Don't hurra till you're out of your Wood. + + + + +A MERCHANT'S STORY. + + 'All of which I saw, and part of which I was.' + + +CHAPTER XIX. + +The moon and the stars were out, and the tall, dark pines cast long, +gloomy shadows over the little rows of negro houses which formed the +rearguard to Preston's mansion. They were nearly deserted. Not a +solitary fire slumbered on the bare clay hearths, and not a single darky +stood sentry over the loose pork and neglected hoecakes, or kept at bay +the army of huge rats and prowling opossums which beleaguered the +quarters. Silence--death's music--was over and around them. The noisy +revelry of the dancers had died away in the distance, and even the +hoarse song of the great trees had sunk to a low moan as they stood, +motionless and abashed, in the presence of the grim giant who knocks +alike at the palace and the cottage gate. + +A stray light glimmered through the logs of a low hut, far off in the +woods, and, making our way to it, we entered. A bright fire lit up the +interior, and on a rude cot, in one corner, lay the old preacher. His +eyes were closed; a cold, clammy sweat was on his forehead--he was +dying. One of his skeleton hands rested on the tattered coverlet, and +his weazened face was half buried in a dilapidated pillow, whose ragged +casing and protruding plumage bespoke it a relic of some departed white +sleeper. + +An old negress, with gray hair and haggard visage, sat at the foot of +the bed, wailing piteously; and Joe and half a dozen aged saints stood +around, singing a hymn, doleful enough to have made even a sinner weep. + +Not heeding our entrance, Joe took the dying man by the hand, and, in a +slow, solemn voice, said: + +'Brudder Jack, you'm dyin'; you'm gwine ter dat lan' whence no trabeller +returns; you'm settin' out fur dat country which'm lit by de smile ob de +Lord; whar dar ain't no sickness, no pain, no sorrer, no dyin'; fur dat +kingdom whar de Lord reigns; whar trufh flows on like a riber; whar +righteousness springs up like de grass, an' lub draps down like de dew, +an' cobers de face ob de groun'; whar you woan't gwo 'bout wid no +crutch; whar you woan't lib in no ole cabin like dis, an' eat hoecake +an' salt pork in sorrer an' heabiness ob soul; but whar you'll run an' +not be weary, an' walk an' not be faint; whar you'll hab a hous'n +builded ob de Lord, an' sit at His table--you' meat an' drink de bread +an' de water ob life! + +'I knows you's a sinner, Jack; I knows you's lub'd de hot water too +much, an' dat it make you forgit you' duty sometime, an' set a bad +'zample ter dem as looked up ter you fur better tings; but dar am mercy +wid de Lord, Jack; dar am forgibness wid Him; an' I hopes you'm ready +an' willin' ter gwo.' + +Old Jack opened his eyes, and, in a low, peevish tone, said: + +'Joe, none ob you' nonsense ter me! I'se h'ard you talk dis way afore. +_You_ can't preach--you neber could. You jess knows I ain't fit ter +trabble, an' I ain't willin' ter gwo, nowhar.' + +Joe mildly rebuked him, and again commenced expatiating on the 'upper +kingdom,' and on the glories of 'the house not made with hands, eternal +in the heavens;' but the old darky cut him short, with-- + +'Shet up, Joe! no more ob dat. I doan't want no oder hous'n but dis--dis +ole cabin am good 'nuff fur me.' + +Joe was about to reply, when Preston stepped to the bedside, and, taking +the aged preacher's hand, said: + +'My good Jack, master Robert has come to see you.' + +The dying man turned his eyes toward his master, and, in a weak, +tremulous voice, exclaimed: + +'Oh! massa Robert, has _you_ come? has you come ter see ole Jack? Bress +you, massa Robert, bress you! Jack know'd you'd neber leab him yere ter +die alone.' + +'No, my good Jack; I would save you if I could.' + +'But you can't sabe me, massa Robert; I'se b'yond dat. I'se dyin', massa +Robert. I'se gwine ter de good missus. She tell'd me ter get ready ter +foller har, an' I is. I'se gwine ter har now, massa Robert!' + +'I know you are, Jack. I feel _sure_ you are.' + +'Tank you, massa Robert--tank you fur sayin' dat. An' woan't you pray +fur me, massa Robert--jess a little pray? De good man's prayer am h'ard, +you knows, massa Robert.' + +All kneeling down on the rough floor, Preston prayed--a short, simple, +fervent prayer. At its close, he rose, and, bending over the old negro, +said: + +'The Lord is good, Jack; His mercy is everlasting.' + +'I knows dat; I feels dat,' gasped the dying man. 'I lubs you, massa +Robert; I allers lub'd you; but I'se gwine ter leab you now. Bress you! +de Lord bress you, massa Robert' I'll tell de good missus'-- + +He clutched convulsively at his master's hand; a wild light came out of +his eyes; a sudden spasm passed over his face, and--he was 'gone whar de +good darkies go.' + + +CHAPTER XX. + +On the following day Frank and I were to resume our journey; and, in the +morning, I suggested that we should visit Colonel Dawsey, with whom, +though he had for many years been a correspondent of the house in which +I was a partner, I had no personal acquaintance. + +His plantation adjoined Preston's, and his house was only a short half +mile from my friend's. After breakfast, we set out for it through the +woods. The day was cold for the season, with a sharp, nipping air, and +our overcoats were not at all uncomfortable. + +As we walked along I said to Preston: + +'Dawsey's 'account' is a good one. He never draws against shipments, but +holds on, and sells sight drafts, thus making the exchange.' + +'Yes, I know; he's a close calculator.' + +'Does he continue to manage his negroes as formerly?' + +'In much the same way, I reckon.' + +'Then he can't stand remarkably well with his neighbors.' + +'Oh! people round here don't mind such things. Many of them do as badly +as he. Besides, Dawsey is a gentleman of good family. He inherited his +plantation and two hundred hands.' + +'Indeed! How, then, did he become reduced to his present number?' + +'He was a wild young fellow, and, before he was twenty-five, had +squandered and gambled away everything but his land and some thirty +negroes. Then he turned square round, and, from being prodigal and +careless, became mean and cruel. He has a hundred now, and more ready +money than any planter in the district.' + +A half hour's walk took us to Dawsey's negro quarters--a collection of +about thirty low huts in the rear of his house. They were not so poor as +some I had seen on cotton and rice plantations, but they seemed unfit +for the habitation of any animal but the hog. Their floors were the bare +ground, hardened by being moistened with water and pounded with mauls; +and worn, as they were, several inches lower in the centre than at the +sides, they must have formed, in rainy weather, the beds of small lakes. +So much water would have been objectionable to white tenants; but +negroes, like their friends the alligators, are amphibious animals; and +Dawsey's were never known to make complaint. The chimneys were often +merely vent-holes in the roof, though a few were tumble-down structures +of sticks and clay; and not a window, nor an opening which courtesy +could have christened a window, was to be seen in the entire collection. +And, for that matter, windows were useless, for the wide crevices in the +logs, which let in the air and rain, at the same time might admit the +light. Two or three low beds at one end, a small pine bench, which held +half a dozen wooden plates and spoons, and a large iron pot, resting on +four stones, over a low fire, and serving for both washtub and +cook-kettle, composed the furniture of each interior. + +No one of the cabins was over sixteen feet square, but each was 'home' +and 'shelter' for three or four human beings. Walking on a short +distance, we came to a larger hovel, in front of which about a dozen +young chattels were playing. Seven or eight more, too young to walk, +were crawling about on the ground inside. They had only one garment +apiece--a long shirt of coarse linsey--and their heads and feet were +bare. An old negress was seated in the doorway, knitting. Approaching +her, I said: + +'Aunty, are not these children cold?' + +'Oh! no, massa; dey'm use' ter de wedder.' + +'Do you take care of all of them?' + +'In de daytime I does, massa. In de night dar mudders takes de small +'uns.' + +'But some of them are white. Those two are as white as I am!' + +'No, massa; dey'm brack. Ef you looks at dar eyes an' dar finger nails, +you'll see dat.' + +'They're black, to be sure they are,' said young Preston, laughing; 'but +they're about as white as Dawsey, and look wonderfully like him--eh, +aunty Sue?' + +'I reckons, massa Joe!' replied the woman, running her hand through her +wool, and grinning widely. + +'What does he ask for _them_, aunty?' + +'Doan't know, massa, but 'spect dey'm pooty high. Dem kine am hard ter +raise.' + +'Yes,' said Joe; 'white blood--even Dawsey's--don't take naturally to +mud.' + +'I reckons not, massa Joe!' said the old negress, with another grin. + +Joe gave her a half-dollar piece, and, amid an avalanche of blessings, +we passed on to Dawsey's 'mansion'--if mansion it could be called--a +story-and-a-half shanty, about thirty feet square, covered with rough, +unpainted boards, and lit by two small, dingy windows. It was approached +by a sandy walk, and the ground around its front entrance was littered +with apple peelings, potato parings, and the refuse of the culinary +department. + +Joe rapped at the door, and, in a moment, it opened, and a middle-aged +mulatto woman appeared. As soon as she perceived Preston, she grasped +his two hands, and exclaimed: + +'Oh! massa Robert, _do_ buy har! Massa'll kill har, ef you doan't.' + +'But I can't, Dinah. Your master refuses my note, and I haven't the +money now.' + +'Oh! oh! He'll kill har; he say he will. She woan't gib in ter him, an' +he'll kill har, _shore_. Oh! oh!' cried the woman, wringing her hands, +and bursting into tears. + +'Is it 'Spasia?' asked Joe. + +'Yas, massa Joe; it'm 'Spasia. Massa hab sole yaller Tom 'way from har, +an' he swar he'll kill har 'case she woan't gib in ter him. Oh! oh!' + +'Where is your master?' + +'He'm 'way wid har an' Black Cale. I reckon dey'm down ter de branch. I +reckon dey'm whippin' on har _now_!' + +'Come, Frank,' cried Joe, starting off at a rapid pace; 'let's see that +performance.' + +'Hold on, Joe; wait for us. You'll get into trouble!' shouted his +father, hurrying after him. The rest of us caught up with them in a few +moments, and then all walked rapidly on in the direction of the small +run which borders the two plantations. + +Before we had gone far, we heard loud screams, mingled with oaths and +the heavy blows of a whip. Quickening our pace, we soon reached the bank +of the little stream, which there was lined with thick underbrush. We +could see no one, and the sounds had subsided. In a moment, however, a +rough voice called out from behind the bushes: + +'Have you had enough? Will you give up?' + +'Oh! no, good massa; I can't do dat!' was the half-sobbing, half-moaning +reply. + +'Give it to her again, Cale!' cried the first voice; and again the whip +descended, and again the piercing cries: 'O Lord!' 'Oh, pray doan't!' 'O +Lord, hab mercy!' 'Oh! good massa, hab mercy!' mingled with the falling +blows. + +'This way!' shouted Joe, pressing through the bushes, and bounding down +the bank toward the actors in this nineteenth-century tournament, +wherein an armed knight and a doughty squire were set against a weak, +defenceless woman. + +Leaning against a pine at a few feet from the edge of the run, was a +tall, bony man of about fifty. His hair was coarse and black, and his +skin the color of tobacco-juice. He wore the ordinary homespun of the +district; and long, deep lines about his mouth and under his eyes told +the story of a dissipated life. His entire appearance was anything but +prepossessing. + +At the distance of three or four rods, and bound to the charred trunk of +an old tree, was a woman, several shades lighter than the man. Her feet +were secured by stout cords, and her arms were clasped around the +blackened stump, and tied in that position. Her back was bare to the +loins, and, as she hung there, moaning with agony, and shivering with +cold, it seemed one mass of streaming gore. + +The brawny black, whom Boss Joe had so eccentrically addressed at the +negro meeting, years before, was in the act of whipping the woman; but +with one bound, young Preston was on him. Wrenching the whip from his +hand, he turned on his master, crying out: + +'Untie her, you white-livered devil, or I'll plough your back as you've +ploughed hers!' + +'Don't interfere here, you d--d whelp!' shouted Dawsey, livid with rage, +and drawing his revolver. + +'I'll give you enough of that, you cowardly hound!' cried Joe, taking a +small Derringer from his pocket, and coolly advancing upon Dawsey. + +The latter levelled his pistol, but, before he could fire, by a +dexterous movement of my cane, I struck it from his hand. Drawing +instantly a large knife, he rushed on me. The knife was descending--in +another instant I should have 'tasted Southern steel,' had not Frank +caught his arm, wrenched the weapon from his grasp, and with the fury of +an aroused tiger, sprung on him and borne him to the ground. Planting +his knee firmly on Dawsey's breast, and twisting his neckcloth tightly +about his throat, Frank yelled out: + +'Stand back. Let _me_ deal with him!' + +'But you will kill him.' + +'Well, he would have killed _you_!' he cried, tightening his hold on +Dawsey's throat. + +'Let him up, Frank. Let the devil have fair play,' said Joe; 'I'll give +him a chance at ten paces.' + +'Yes, let him up, my son; he is unarmed.' + +Frank slowly and reluctantly released his hold, and the woman-whipper +rose. Looking at us for a moment--a mingled look of rage and +defiance--he turned, without speaking, and took some rapid strides up +the bank. + +'Hold on, Colonel Dawsey!' cried Joe, elevating his Derringer; 'take +another step, and I'll let daylight through you. You've just got to +promise you won't whip this woman, or take your chance at ten paces.' + +[I afterward learned that Joe was deadly sure with the pistol.] + +Dawsey turned slowly round, and, in a sullen tone, asked: + +'Who are you, _gentlemen_, that interfere with my private affairs?' + +'_My_ name, sir, is Kirke, of New York; and this young man is my son.' + +'Not Mr. Kirke, my factor?' + +'The same, sir.' + +'Well, Mr. Kirke, I'm sorry to say you're just now in d--d pore +business.' + +'I _have_ been, sir. I've done yours for some years, and I'm heartily +ashamed of it. I'll try to mend in that particular, however.' + +'Well, no more words, Colonel Dawsey,' said Joe. 'Here's a Derringer, if +you'd like a pop at me.' + +'Tain't an even chance,' replied Dawsey; 'you know it.' + +'Take it, or promise not to whip the woman. I won't waste more time on +such a sneaking coward as you are.' + +Dawsey hesitated, but finally, in a dogged way, made the required +promise, and took himself off. + +While this conversation was going on, Preston and the negro man had +untied the woman. Her back was bleeding profusely, and she was unable to +stand. Lifting her in their arms, the two conveyed her to the top of the +bank, and then, making a bed of their coats, laid her on the ground. We +remained there until the negro returned from the house with a turpentine +wagon, and conveyed the woman 'home.' We then returned to the +plantation, and that afternoon, accompanied by Frank and Joe, I resumed +my journey. + +By way of episode, I will mention that the slave woman, after being +confined to her bed several weeks, recovered. Then Dawsey renewed his +attack upon her, and, from the effects of a second whipping, she died. + + +CHAPTER XXI. + +Returning from the South a few weeks after the events narrated in the +previous chapter, Frank and I were met at Goldsboro by Preston and +Selma, when the latter accompanied us to the North, and once more +resumed her place in David's family. + +On the first of February following, Frank, then not quite twenty-one, +was admitted a partner in the house of Russell, Rollins, & Co., and, in +the succeeding summer, was sent to Europe on business of the firm. +Shortly after his return, in the following spring, he came on from +Boston with a proposal from Cragin that I should embark with them and +young Preston in an extensive speculation. Deeming any business in which +Cragin was willing to engage worthy of careful consideration, I listened +to Frank's exposition of the plan of operations. He had originated the +project, and in it he displayed the comprehensive business mind and rare +blending of caution and boldness which characterized his father. As the +result of this transaction had an important influence on the future of +some of the actors in my story, I will detail its programme. + +It was during the Crimean war. The Russian ports were closed, and Great +Britain and the Continent of Europe were dependent entirely on the +Southern States for their supply of resinous articles. The rivers at the +South were low, and it was not supposed they would rise sufficiently to +float produce to market before the occurrence of the spring freshets, in +the following April or May. Only forty thousand barrels of common rosin +were held in Wilmington--the largest naval-store port in the world; and +it was estimated that not more than two hundred thousand were on hand in +the other ports of Savannah, Ga., Georgetown, S. C., Newbern and +Washington, N. C., and in New York, Boston, and Philadelphia. Very +little was for sale in London, Liverpool, or Glasgow, the largest +foreign markets for the article; and Frank thought that a hundred and +fifty thousand barrels could be purchased. That quantity, taken at once +out of market, would probably so much enhance the value of the article, +that the operation would realize a large profit before the new crop came +forward. The purchases were to be made simultaneously in the various +markets, and about two hundred thousand dollars were required to carry +through the transaction. One hundred thousand of this was to be +furnished in equal proportions by the parties interested; the other +hundred thousand would be realized by Joseph Preston's negotiating 'long +exchange' on Russell, Rollins & Co. + +I declined to embark in the speculation, but the others carried it out +as laid down in the programme; the only deviation being that, at Frank's +suggestion, Mr. Robert Preston was apprised of the intended movement, +and allowed to purchase, on his own account, as much produce as could be +secured in Newbern. He bought about seven thousand barrels, paid for +them by drawing at ninety days on Russell, Rollins, & Co., and held them +for sale at Newbern, agreeing to satisfy his drafts with the proceeds. +These drafts amounted to a trifle over eighty-two hundred dollars. + +About a month after this transaction was entered into, our firm received +the following letter from Preston: + + 'GENTLEMEN: An unfortunate difference with my son prevents my + longer using him as my indorser. I have not, as yet, been able to + secure another; and, our banks requiring two home names on time + drafts, I have to beg you to honor a small bill at one day's sight. + I have drawn for one thousand dollars. Please honor.' + +To this I at once replied: + + 'DEAR SIR: We have advice of your draft for one thousand dollars. + To protect your credit, we shall pay it; but we beg you will draw + no more, till you forward bills of lading. + + 'You are now overdrawn some five thousand dollars, which, by the + maturing of your drafts, has become a _cash_ advance. The death of + our senior, Mr. Randall, and the consequent withdrawal of his + capital, has left us with an extended business and limited means. + Money, also, is very tight, and we therefore earnestly beg you to + put us in funds at the earliest possible moment.' + +No reply was received to this letter; but, about ten days after its +transmission, Preston himself walked into my private office. His clothes +were travel stained, and he appeared haggard and careworn. I had never +seen him look so miserably. + +He met me cordially, and soon referred to the state of his affairs. His +wife, the winter before, had agreed to reside permanently at Newbern, +and content herself with an allowance of three thousand dollars +annually; but at the close of the year he found that she had contracted +debts to the extent of several thousand more. He was pressed for these +debts; his interest was in arrears, and he could raise no money for lack +of another indorser. Ruin stared him in the face, unless I again put my +shoulder to the wheel, and pried him out of the mire. The turpentine +business was not paying as well as formerly, but the new plantation was +encumbered with only the original mortgage--less than six thousand +dollars--and was then worth, owing to an advance in the value of land, +fully twenty thousand. He would secure me by a mortgage on that +property, but I _must_ allow the present indebtedness to stand, and let +him increase it four or five thousand dollars. That amount would +extricate him from present difficulties; and, to avoid future +embarrassments, he would take measures for a legal separation from his +wife. + +I heard him through, and then said: + +'I cannot help you, my friend. I am very sorry; but my own affairs are +in a most critical state. I owe over a hundred thousand dollars, +maturing within twenty days, and my present available resources are not +more than fifty thousand. I have three hundred thousand worth of produce +on hand, but the market is so depressed that I cannot realize a dollar +upon it. The banks have shut down, and money is two per cent. a month in +the street. What you owe us would aid me wonderfully; but I can rub +through without it. That much I can bear, but not a dollar more.' + +He walked the room for a time, and was silent; then, turning to me, he +said--each separate word seeming a groan: + +'I have cursed every one I ever loved, and now I am bringing +trouble--perhaps disaster--upon _you_, the only real friend I have +left.' + +'Pshaw! my good fellow, don't talk in that way. What you owe us is only +a drop in the bucket. We have made twice that amount out of you; so give +yourself no uneasiness, if you _never_ pay it.' + +'But I must pay it--I _shall_ pay it;' and, continuing to pace the room +silently for a few moments, he added, giving me his hand: 'Good-by; I'm +going back to-night.' + +'Back to-night!--without seeing Selly, or my wife? You are mad!' + +'I _must_ go.' + +'You must _not_ go. You are letting affairs trouble you too much. Come, +go home with me, and see Kate. A few words from her will make a new man +of you.' + +'No, no; I must go back at once. I must raise this money somehow.' + +'Send money to the dogs! Come with me, and have a good night's rest. +You'll think better of this in the morning. And now it occurs to me that +Kate has about seven thousand belonging to Frank. He means to settle it +on Selly when they are married, and she might as well have it first as +last. Perhaps you can get it now.' + +'But I might be robbing my own child.' + +'You can give the farm as security; it's worth twice the amount.' + +'Well, I'll stay. Let us see your wife at once.' + +While we were seated in the parlor, after supper, I broached the subject +of Preston's wants to Kate. She heard me through attentively, and then +quietly said: + +'Frank is of age--he can do as he pleases; but _I_ would not advise him +to make the loan. I once heard my father scout at the idea of taking +security on property a thousand miles away. I would not wound Mr. +Preston's feelings, but--his wife's extravagance has led him into this +difficulty, and her property should extricate him from it. Her town +house, horses, and carriages should be sold. She ought to be made to +feel some of the mortification she has brought upon him.' + +Preston's face brightened; a new idea seemed to strike him. 'You are +right. I will sell everything.' His face clouded again, as he continued: +'But I cannot realize soon enough. Your husband needs money at once.' + +'Never mind me; I can take care of myself. But what is this trouble with +Joe? Tell me, I will arrange it. Everything can go on smoothly again.' + +'It cannot be arranged. There can be no reconciliation between us.' + +'What prevents? Who is at fault--you, or he?' + +'I am. He will never forgive me!' + +'Forgive you! I can't imagine what you have done, that admits of no +forgiveness.' + +He rose, and walked the room for a while in gloomy silence, then said: + +'I will tell you. It is right you should know. You _both_ should know +the sort of man you have esteemed and befriended for so many years;' +and, resuming his seat, he related the following occurrences: + +'Everything went on as usual at the plantation, till some months after +Rosey's marriage to Ally. Then a child was born to them. It was white. +Rosey refused to reveal its father, but it was evidently not her +husband. Ally, being a proud, high-spirited fellow, took the thing +terribly to heart. He refused to live with his wife, or even to see her. +I tried to reconcile them, but without success. Old Dinah, who had +previously doted on Rosey, turned about, and began to beat and abuse her +cruelly. To keep the child out of the old woman's way, I took her into +the house, and she remained there till about two months ago. Then, one +day, Larkin, the trader, of whom you bought Phylly and the children, +came to me, wanting a woman house-servant. I was pressed for money, and +I offered him--a thing I never did before--two or three of my family +slaves. They did not suit, but he said Rosey would, and proposed to buy +her and the child. I refused. He offered me fifteen hundred dollars for +them, but I still refused. Then he told me that he had spoken to the +girl, and she wished him to buy her. I doubted it, and said so; but he +called Rosey to us, and she confirmed it, and, in an excited way, told +me she would run away, or drown herself, if I did not sell her. She said +she could live no longer on the same plantation with Ally. I told her I +would send Ally away; but she replied: 'No; I am tired of this place. I +have suffered so much here, I want to get away. I _shall_ go; whether +alive or dead, is for _you_ to say.' I saw she was in earnest; I was +hard pressed for money; Larkin promised to get her a kind master, and--I +sold her.' + +'Sold her! My God! Preston, she was your own child!' + +'I know it,' he replied, burying his face in his hands. 'The curse of +GOD was on it; it has been on me for years.' After a few moments, he +added: 'But hear the rest, and _you_ will curse me, too.' + +Overcome with emotion, he groaned audibly. I said nothing, and a pause +of some minutes ensued. Then, in a choked, broken voice, he continued: + +'The rosin transaction had been gone into. I had used up what blank +indorsements I had. Needing more, and wanting to consult with Joe about +selling the rosin, I went to Mobile. It was five weeks ago. I arrived +there about dark, and put up at the Battle House. Joe had boarded there. +I was told he had left, and gone to housekeeping. A negro conducted me +to a small house in the outskirts of the town. He said Joe lived there. +Wishing to surprise him, I went in without knocking. The house had two +parlors, separated by folding doors. In the back one a young woman was +clearing away the tea things; in the front one, Joe was seated by the +fire, with a young child on his knee. I put my hand on his shoulder, and +said: 'Joe, whose child have you here?' He looked up, and laughingly +said: 'Why, father, you ought to know; you've seen it before!' I looked +closely at it--it was Rosey's! I said so. 'Yes, father,' he replied; +'and there's Rosey herself. Larkin promised she should have a kind +master, and--he kept his word.' The truth flashed upon me--the child was +his! My only son had seduced his _own sister_! I staggered back in +horror. I told him who Rosey was, and then'--no words can express the +intense agony depicted on his face as he said this--'then he cursed me! +O my God! HE CURSED ME!' + +I pitied him, I could but pity him; and I said: + +'Do not be so cast down, my friend. I once heard you say: 'The Lord is +good. His mercy is everlasting!'' + +'But he cannot have mercy on some!' he cried. '_My_ sins have been too +great; they cannot be blotted out. I embittered the life of my wife; I +have driven my daughter from her home; sold my own child; made my +generous, noble-hearted boy do a horrible crime--a crime that will +haunt him forever. Oh! the curse of God is on me. My misery is greater +than I can bear.' + +'No, my friend; God curses none of his creatures. You have reaped what +you have sown, that is all; but you have suffered enough. Better things, +believe me, are in store for you.' + +'No, no; everything is gone--wife, children, all! I am alone--the past, +nothing but remorse; the future, ruin and dishonor!' + +'But Selly is left you. _She_ will always love you.' + +'No, no! Even Selly would curse me, if she knew _all_!' + +No one spoke for a full half hour, and he continued pacing up and down +the room. When, at last, he seated himself, more composed, I asked: + +'What became of Rosey and the child?' + +'I do not know. I was shut in my room for several days. When I got out, +I was told Joe had freed her, and she had disappeared, no one knew +whither. I tried every means to trace her, but could not. At the end of +a week, I went home, what you see me--a broken-hearted man.' + +The next morning, despite our urgent entreaties, he returned to the +South. + + * * * * * + +The twenty days were expiring. By hard struggling I had met my +liabilities, but the last day--the crisis--was approaching. Thirty +thousand dollars of our acceptances had accumulated together, and were +maturing on that day. When I went home, on the preceding night, we had +only nineteen thousand in bank. I had exhausted all our receivables. +Where the eleven thousand was to come from, I did not know. Only one +resource seemed left me--the hypothecation of produce; and a resort to +that, at that time, before warehouse receipts became legitimate +securities, would be ruinous to our credit. My position was a terrible +one. No one not a merchant can appreciate or realize it. With thousands +upon thousands of assets, the accumulations of years, my standing among +merchants, and, what I valued more than all, my untarnished credit, were +in jeopardy for the want of a paltry sum. + +I went home that night with a heavy heart; but Kate's hopeful words +encouraged me. With her and the children left to me, I need not care for +the rest; all might go, and I could commence again at the bottom of the +hill. The next morning I walked down town with a firm spirit, ready to +meet disaster like a man. The letters by the early mail were on my desk. +I opened them one after another, hurriedly, eagerly. There were no +remittances! I had expected at least five thousand dollars. For a moment +my courage failed me. I rose, and paced the room, and thoughts like +these passed through my mind: 'The last alternative has come. Pride must +give way to duty. I must hypothecate produce, and protect my +correspondents. I must sacrifice myself to save my friends! + +'But here are two letters I have thrown aside. They are addressed to me +personally. Mere letters of friendship! What is friendship, at a time +like this?--friendship without money! Pshaw! I wouldn't give a fig for +all the friends in the world!' + +Mechanically I opened one of them. An enclosure dropped to the floor. +Without pausing to pick it up, I read: + + 'DEAR FATHER: Mother writes me you are hard pressed. Sell my U. S. + stock--it will realize over seven thousand. It is yours. Enclosed + is Cragin's certified check for ten thousand. If you need more, + draw on _him_, at sight, for any amount. He says he will stand by + you to the death. + + 'Love to mother. + FRANK.' + + 'P. S.--Fire away, old fellow! Hallet is ugly, but I'll go my pile + on you, spite of the devil. + CRAGIN.' + + +'SAVED! saved by my wife and child!' I leaned my head on my desk. When I +rose, there were tears upon it. + +It wanted some minutes of ten, but I was nervously impatient to blot out +those terrible acceptances. I should then be safe; I should then breathe +freely. As I passed out of my private office, I opened the other letter. +It was from Preston. Pausing a moment, I read it: + + 'MY VERY DEAR FRIEND: I enclose you sight check of Branch Bank of + Cape Fear on Bank of Republic, for $10,820. Apply what is needed to + pay my account; the rest hold subject to my drafts. + + 'I have sold my town house, furniture, horses, etc., and the + proceeds will pay my home debts. I shall therefore not need to draw + the balance for, say, sixty days. God bless you!' + +'Well, the age of miracles is _not_ passed! How _did_ he raise the +money?' + +Stepping back into the private office, I called my partner: + +'Draw checks for all the acceptances due to-day; get them certified, and +take up the bills at once. Don't let the grass grow under your feet. I +shall be away the rest of the day, and I want to see them before I go. +Here is a draft from Preston; it will make our account good.' + +He looked at it, and, laughing, said: + +'Yes, and leave about fifty dollars in bank.' + +'Well, never mind; we are out of the woods.' + +When he had gone, I sat down, and wrote the following letter: + + 'MY DEAR FRANK: I return Cragin's check, with many thanks. I have + not sold your stock. My legitimate resources have carried me + through. + + 'I need not say, my boy, that I feel what you would have done for + me. Words are not needed between _us_. + + 'Tell Cragin that I consider him a trump--the very ace of hearts. + + 'Your mother and I will see you in a few days.' + +In half an hour, with the two letters in my pocket, I was on my way +home. Handing them to Kate, I took her in my arms; and, as I brushed the +still bright, golden hair from her broad forehead, I felt I was the +richest man living. + + * * * * * + +Within the same week I went to Boston. I arrived just after dark; and +then occurred the events narrated in the first chapter. + + + + +WAR. + +[J. G. PERCIVAL.] + + + For war is now upon their shores, + And we must meet the foe, + Must go where battle's thunder roars, + And brave men slumber low; + Go, where the sleep of death comes on + The proudest hearts, who dare + To grasp the wreath by valor won, + And glory's banquet share. + + + + +A CHAPTER ON WONDERS. + + 'Obstupui! steteruntque comae, et vox faucibus haesit.' + + +There is a certain portion of mankind ever on the alert to see or hear +some wonderful thing; whose minds are attuned to a marvellous key, and +vibrate with extreme sensitiveness to the slightest touch; whose vital +fluid is the air of romance, and whose algebraic symbol is a mark of +exclamation! This sentiment, existing in some persons to a greater +degree than in others, is often fostered by education and association, +so as to become the all-engrossing passion. Children, of course, begin +to wonder as soon as their eyes are opened upon the strange scenes of +their future operations. The first thing usually done to develop their +dawning intellect, is to display before them such objects as are best +calculated to arrest their attention, and keep them in a continual state +of excitement. This course is succeeded by a supply of all sorts of +_toys_, to gratify the passion of novelty. These are followed by +wonderful stories, and books of every variety of absurd +impossibilities;--which system of development is, it would seem, +entirely based upon the presumption, that the faculty of admiration must +be expanded, in order that the young idea may best learn how to _shoot_. +It is therefore quite natural, that--the predisposition granted--a +faculty of the mind so auspiciously nurtured under the influence of +exaggeration should mature in a corresponding degree. + +Thus we have in our midst a class, into whose mental economy the faculty +of _wonder_ is so thoroughly infused, that it has inoculated the entire +system, and forms an inherent, inexplicable, and almost elementary part +of it. These persons sail about in their pleasure yachts, on roving +expeditions, under a pretended '_right of search_,' armed to the teeth, +and boarding all sorts of crafts to obtain plunder for their favorite +gratification. They are most uneasy and uncomfortable companions, having +no ear for commonplace subjects of conversation, and no eye for ordinary +objects of sight. + +When such persons approach each other, they are mutually attracted, like +two bodies charged with different kinds of electricity--an interchange +of commodities takes place, repulsion follows, and thus reenforced, they +separate to diffuse the supply of wonders collected. + +By this centripetal and centrifugal process, the social atmosphere is +subjected to a continual state of agitation. _Language_ is altogether +too tame to give full effect to their meaning, and all the varieties of +_dumb show_, of _gesticulation_, _shrugs_, and wise shakes of the head, +are called into requisition, to effectually and unmistakably express +their ideas. The usages of good society are regarded by them as a great +restraint upon their besetting propensity to expatiate in phrases of +grandiloquence, and to magnify objects of trivial importance. They are +always sure to initiate topics which will afford scope for admiration; +they delight to enlarge upon the unprecedented growth of cities, +villages, and towns; upon the comparative prices of 'corner lots' at +different periods; and to calculate how rich they _might_ have been, had +they only known as much _then_ as _now_. + +They experience a gratification when a rich man dies, that the wonder +will now be solved as to the amount of his property; and when a man +fails in business, that it is _now_ made clear--what has so long +perplexed them--'_how he managed to live so extravagantly_!' See them +at an agricultural fair, and they will be found examining the 'mammoth +squashes' and various products of prodigious growth--or they will +install themselves as self-appointed exhibiter of the 'Fat Baby,' to +inform the incredulous how much it weighs! See them at a conflagration, +and they wonder what was the _cause_ of the fire, and _how far_ it will +extend? + +They long to travel, that they may visit 'mammoth caves' and 'Giant's +Causeways.' We talk of the 'Seven Wonders of the World,' while to them +there is a successive series for every day in the year--putting to the +blush our meagre stock of monstrosities--making 'Ossa like a wart.' +Nothing gratifies them more than the issuing from the press of an +anonymous work, that they may exert their ingenuity in endeavoring to +discover the author; and, when called on for information on the subject, +prove conclusively to every one but themselves, that they know nothing +whatever about the matter. + +The ocean is to them only wonderful as the abode of 'Leviathans,' and +'Sea Serpents,' 'Krakens,' and 'Mermaids'--abounding in 'Maeelstroms' and +_sunken_ islands, and traversed by 'Phantom Ships' and 'Flying Dutchmen' +in perpetual search for some 'lost Atlantis;'--all well-attested +incredibilities, certified to by the 'affidavits of respectable +eye-witnesses,' and, we might add, by 'intelligent contrabands,'--and +all in strict conformity with the convenient aphorism '_Credo quia +impossibile est_.' They are ever ready to bestow their amazement upon a +fresh miracle as soon as the present has had its day--like the man who, +being landed at some distance by the explosion of a juggler's +pyrotechnics, rubbed his eyes open, and exclaimed, '_I wonder what the +fellow will do next!_' + +If a steamboat explodes her boiler, or the walls of a factory fall, +burying hundreds in the ruins, their hearts--rendered callous by the +constant stream of cold air pouring in through their _ever-open +mouths_--are not shocked at the calamity, but they wonder if it was +_insured_! + +The increase of population in this country affords a most prolific and +inexhaustible fund for statistical astonishment, as an interlude to the +entertainment, while something more appalling is being prepared. + +The portentous omens so often relied on by the credulous believers in +signs, have so frequently proved 'dead failures,' that one would suppose +these votaries would at length become disheartened. But this seems not +to be the case--like a quack doctor when his patient dies, their +audacity is equal to any emergency, and, with the elasticity of india +rubber, they come out of a 'tight squeeze' with undiminished rotundity. +With _stupid_ amazement, hair all erect, and ears likewise, they pass +through life as through a museum, ready to exclaim with Dominie Sampson +at all _they_ cannot understand, 'Pro--di--gi--ous!' + +It matters little, perhaps, in what form this principle is exhibited, +while it exists and flourishes in undiminished exuberance. Thus says +Glendower: + + 'At my nativity + The front of heaven was full of fiery shapes, + Of burning cressets; and, at my birth, + The frame and huge foundation of the earth + Shak'd like a coward. + + _Hotspur._ Why so it would have done + At the same season, if your mother's cat had + But kittened, though yourself had ne'er been born.' + +Glendower naturally enough flouts this rather impertinent comment, and +'repeats the story of his birth' with still greater improvements, till +Hotspur gives him a piece of advice which will do for his whole race of +the present day, viz., 'tell the truth, and shame the devil.' + +The English people of this generation are rather more phlegmatic than +their explosive neighbors across the channel, and neither the injustice +of black slavery abroad, nor the starvation of _white_ slaves at home, +can shake them from their lop-sided neutrality, _so long as money goes +into their pocket_. The excitable French, on the contrary, require an +occasional _coup d'etat_ to arouse their conjectures as to the next +imperial experiment in the art of international diplomacy. + +The press of the day teems with all sorts of provisions to satisfy the +cravings of a depraved imagination, and even the most sedate of our +daily papers are not above employing 'double-leaded Sensations,' and +'display Heads' as a part of their ordinary stock in trade; while from +the hebdomadals, 'Thrilling Tales,' 'Awful Disclosures,' and 'Startling +Discoveries,' succeed each other with truly fearful rapidity. Thus he +who wastes the midnight kerosene, and spoils his weary eyes in poring +over the pages of trashy productions, so well designed to murder sleep, +may truly say with Macbeth, 'I have supp'd full with horrors.' + +It is certainly remarkable (as an indication of the pleasure the +multitude take in voluntarily perplexing themselves), how eagerly they +enter into all sorts of contrivances which conduce to bewilderment and +doubt. In 'Hampton Court' there is a famous enclosure called the +'_Maze_,' so arranged with hedged alleys as to form a perfect labyrinth. +To this place throngs of persons are constantly repairing, to enjoy the +luxury of losing themselves, and of seeing others in the same +predicament. + +Some persons become so impatient of the constant demand upon their +admiration, that they resist whatever seems to lead in that direction. +Washington Irving said he 'never liked to walk with his host over the +latter's ground'--a feeling which many will at once acknowledge having +experienced. A celebrated English traveller was so annoyed by the urgent +invitations of the Philadelphians to visit the Fairmount Water Works, +that he resolved _not_ to visit them, so that he might have the +characteristic satisfaction of recording the ill-natured fact. + +'Swift mentions a gentleman who made it a rule in reading, to skip over +all sentences where he spied a note of admiration at the end.' + +The instances here quoted are, to be sure, carrying out the '_Nil +admirari_' principle rather to extremes, and are not recommended for +general observance. The most remarkable and prominent wonders in the +natural world seldom meet the expectation of the beholder, because he +looks to experience a new sensation, and is disappointed; and so with +works of art, as St. Peter's at Rome-- + + ----'its grandeur overwhelms thee not, + And why? it is not lessen'd; but thy mind, + Expanded by the genius of the spot, + Has grown colossal.' + +_Wonder_ is defined as 'the effect of novelty upon ignorance.' Most +objects which excite wonder are magnified by the distance or the point +of view, and their proportions diminish and shrink as we approach them. +It is a saying as old as Horace, 'ignotum pro magnifico est': we cease +to wonder at what we understand. Seneca says that those whose habits are +temperate are satisfied with fountain water, which is cold enough for +them; while those who have lived high and luxuriously, require the use +of _ice_. Thus a well-disciplined mind adjusts itself to whatever events +may occur, and not being likely to lose its equanimity upon ordinary +occasions, is equally well prepared for more serious results. + +'Let us never wonder,' again saith Seneca, 'at anything we are born to; +for no man has reason to complain where we are all in the same +condition.' But notwithstanding all the precepts of philosophers, the +advice of all men of sense, and the best examples for our guides, we go +on, with eyes dilated and minds wide open, to see, hear, and receive +impressions through distorted mediums, leading to wrong conclusions and +endless mistakes. + +'Wonders will never cease!' Of course they will not, so long as there +are so many persons engaged in providing the aliment for their +sustenance; so long as the demand exceeds the supply; so long as mankind +are more disposed to listen to exaggeration rather than to simple +truths, and so long as they shall tolerate the race of _wonder-mongers_, +giving them 'aid and comfort,' regardless of their being enemies of our +peace, and the pests of our social community. + + + + +THE RETURN. + + + July,--what is the news they tell? + A battle won: our eyes are dim, + And sad forbodings press the heart + Anxious, awaiting news from him. + Hour drags on hour: fond heart, be still, + Shall evil tidings break the spell? + A word at last!--they found him dead; + He fought in the advance, and fell. + + Oh aloes of affliction poured + Into the wine cup of the soul! + Oh bitterness of anguish stored + To fill our grief beyond control! + At last he comes, awaited long, + Not to home welcomes warm and loud, + Not to the voice of mirth and song, + Pale featured, cold, beneath a shroud. + + Oh from the morrow of our lives + A glowing hope has stolen away, + A something from the sun has fled, + That dims the glory of the day. + More earnestly we look beyond + The present life to that to be; + Another influence draws the soul + To long for that futurity. + + Pardon if anguished souls refrain + Too little, grieving for the lost, + From thinking dearly bought the gain + Of victory at such fearful cost. + Teach us as dearest gain to prize + The glory crown he early won; + Forever shall his requiem rise: + Rest thee in peace, thy duty done. + + + + +THE UNION. + +VI. + +VIRGINIA AND PENNSYLVANIA COMPARED. + + +Virginia was a considerable colony, when Pennsylvania was occupied only +by Indian tribes. In 1790, Virginia was first in rank of all the States, +her number of inhabitants being 748,308. (Census Rep., 120,121.) +Pennsylvania then ranked the second, numbering 434,373 persons. (Ib.) In +1860 the population of Virginia was 1,596,318, ranking the fifth; +Pennsylvania still remaining the second, and numbering 2,905,115. (Ib.) +In 1790 the population of Virginia exceeded that of Pennsylvania +313,925; in 1860 the excess in favor of Pennsylvania was 1,308,797. The +ratio of increase of population of Virginia from 1790 to 1860 was 113.32 +per cent., and of Pennsylvania in the same period, 569.03. At the same +relative ratio of increase for the next seventy years, Virginia would +contain a population of 3,405,265 in 1930; and Pennsylvania 19,443,934, +exceeding that of England. Such has been and would continue to be the +effect of slavery in retarding the progress of Virginia, and such the +influence of freedom in the rapid advance of Pennsylvania. Indeed, with +the maintenance and perpetuity of the Union in all its integrity, the +destiny of Pennsylvania will surpass the most sanguine expectations. + +The population of Virginia per square mile in 1790 was 12.19, and in +1860, 26.02; whilst that of Pennsylvania in 1790 was 9.44, and in 1860, +63.18. (Ib.) The absolute increase of the population of Virginia per +square mile, from 1790 to 1860, was 13.83, and from 1850 to 1860, 2.85; +whilst that of Pennsylvania from 1790 to 1860, was 53.74, and from 1850 +to 1860, 12.93. (Ib.) + +AREA.--The area of Virginia is 61,352 square miles, and of Pennsylvania, +46,000, the difference being 15,352 square miles, which is greater, by +758 square miles, than the aggregate area of Massachusetts, Connecticut, +and Delaware, containing in 1860 a population of 1,803,429. (Ib.) +Retaining their respective ratios of increase per square mile from 1790 +to 1860, and reversing their areas, that of Virginia in 1860 would have +been 1,196,920, and of Pennsylvania 3,876,119. Reversing the numbers of +each State in 1790, the ratio of increase in each remaining the same, +the population of Pennsylvania in 1860 would have been 5,408,424, and +that of Virginia, 926,603. Reversing both the areas and numbers in 1790, +and the population of Pennsylvania would have exceeded that of Virginia +in 1860 more than six millions. + +SHORE LINE.--By the Tables of the Coast Survey, the shore line of +Virginia is 1,571 miles, and of Pennsylvania only 60 miles. This vastly +superior coast line of Virginia, with better, deeper, more capacious, +and much more numerous harbors, unobstructed by ice, and with easy +access for so many hundred miles by navigable bays and tide-water rivers +leading so far into the interior, give to Virginia great advantages over +Pennsylvania in commerce and every branch of industry. Indeed, in this +respect, Virginia stands unrivalled in the Union. The hydraulic power of +Virginia greatly exceeds that of Pennsylvania. + +MINES.--Pennsylvania excels every other State in mineral wealth, but +Virginia comes next. + +SOIL.--In natural fertility of soil, the two States are about equal; +but the seasons in Virginia are more favorable, both for crops and +stock, than in Pennsylvania. Virginia has all the agricultural products +of Pennsylvania, with cotton in addition. The area, however, of Virginia +(39,265,280 acres) being greater by 9,825,280 acres than that of +Pennsylvania (29,440,000 acres), gives to Virginia vast advantages. + +In her greater area, her far superior coast line, harbors, rivers, and +hydraulic power, her longer and better seasons for crops and stock, and +greater variety of products, Virginia has vast natural advantages, and +with nearly double the population of Pennsylvania in 1790. And yet, +where has slavery placed Virginia? Pennsylvania exceeds her now in +numbers 1,308,797, and increased in population, from 1790 to 1860, in a +ratio more than five to one. Such is the terrible contrast between free +and slave institutions! + +PROGRESS OF WEALTH.--By Census Tables (1860) 33 and 36, it appears +(omitting commerce) that the products of industry, as given, viz., of +agriculture, manufactures, mines, and fisheries, were that year in +Pennsylvania, of the value of $398,600,000, or $137 per capita; and in +Virginia, $120,000,000 or $75 per capita. This shows a total value of +product in Pennsylvania much more than three times that of Virginia, +and, per capita, nearly two to one. That is, the average value of the +product of the labor of each person in Pennsylvania, is nearly double +that of each person, including slaves, in Virginia. Thus is proved the +vast superiority of free over slave labor, and the immense national loss +occasioned by the substitution of the latter for the former. + +As to the rate of increase; the value of the products of Virginia in +1850 was $84,480,428 (Table 9), and in Pennsylvania, $229,567,131, +showing an increase in Virginia, from 1850 to 1860, of $35,519,572, +being 41 per cent.; and in Pennsylvania, $169,032,869, being 50 per +cent.; exhibiting a difference of 9 per cent. in favor of Pennsylvania. +By the Census Table of 1860, No. 35, p. 195, the true value then of the +real and personal property was, in Pennsylvania, $1,416,501,818, and of +Virginia, $793,249,681. Now, we have seen, the value of the products in +Pennsylvania in 1860 was $398,600,000, and in Virginia, $120,000,000. +Thus, as a question of the annual yield of capital, that of Pennsylvania +was 28.13 per cent., and of Virginia, 15.13 per cent. By Census Table +35, the total value of the real and personal property of Pennsylvania +was $722,486,120 in 1850, and $1,416,501,818 in 1860, showing an +increase, in that decade, of $694,015,698, being 96.05 per cent.; and in +Virginia, $430,701,082 in 1850, and $793,249,681 in 1860, showing an +increase of $362,548,599, or 84.17 per cent. + +By Table 36, p. 196, Census of 1860, the _cash_ value of the farms of +Virginia was $371,092,211, being $11.91 per acre; and of Pennsylvania, +$662,050,707, being $38.91 per acre. Now, by this table, the number of +acres embraced in these farms of Pennsylvania was 17,012,153 acres, and +in Virginia, 31,014,950; the difference of value per acre being $27, or +largely more than three to one in favor of Pennsylvania, Now, if we +multiply the farm lands of Virginia by the Pennsylvania value per acre, +it would make the total value of the farm lands of Virginia +$1,204,791,804; and the _additional_ value, caused by emancipation, +$835,699,593, which is more, by $688,440,093, than the value of all the +slaves of Virginia. But the whole area of Virginia is 39,265,280 acres, +deducting from which the farm lands, there remain unoccupied 8,250,330 +acres. Now, if (as would be in the absence of slavery,) the population +per square mile of Virginia equalled that of Pennsylvania, three fifths +of these lands would have been occupied as farms, viz., 4,950,198, +which, at the Pennsylvania value per acre, would have been worth +$188,207,524. Deduct from this their present average value of $2 per +acre, $9,800,396, and the remainder, $178,407,128, is the sum by which +the unoccupied lands of Virginia, converted into farms, would have been +increased in value by emancipation. Add this to the enhanced value of +their present farms, and the result is $1,014,106,721 as the gain, on +this basis, of Virginia in the value of her lands, by emancipation. To +these we should add the increased value of town and city lots and +improvements, and of personal property, and, with emancipation, Virginia +would now have an augmented wealth of at least one billion and a half of +dollars. + +The earnings of commerce are not given in the Census Tables, which would +vastly increase the difference in the value of their annual products in +favor of Pennsylvania as compared with Virginia. These earnings include +all not embraced under the heads of agriculture, manufactures, the +mines, and fisheries. Let us examine some of these statistics. + +RAILROADS.--The number of miles of railroads in operation in +Pennsylvania in 1860, including city roads, was 2,690.49 miles, costing +$147,283,410; and in Virginia, 1,771 miles, costing $64,958,807. (Census +Table of 1860, No. 38, pp. 230, 232.) The annual value of the freight +carried on these roads is estimated at $200,000,000 more in Pennsylvania +than in Virginia, and the passenger account would still more increase +the disparity. + +CANALS.--The number of miles of canals in Pennsylvania in 1860 was +1,259, and their cost, $42,015,000. In Virginia the number of miles was +178, and the cost, $7,817,000. (Census Table 39, p. 238.) The estimated +value of the freight on the Pennsylvania canals is ten times that of the +freight on the Virginia canals. + +TONNAGE.--The tonnage of vessels built in Pennsylvania in 1860 was +21,615 tons, and in Virginia, 4,372. (Census, p. 107.) + +BANKS.--The number of banks in Pennsylvania in 1860 was 90; capital, +$25,565,582; loans, $50,327,127; specie, $8,378,474; circulation, +13,132,892; deposits, $26,167,143:--and in Virginia the number was 65; +capital, $16,005,156; loans, $24,975,792; specie, $2,943,652; +circulation, $9,812,197; deposits, $7,729,652. (Census Table 35, p. +193.) + +EXPORTS AND IMPORTS, ETC.--Our exports abroad from Pennsylvania, for the +fiscal year ending 30th June, 1860, and foreign imports, were of the +value of $20,262,608. The clearances, same year, from Pennsylvania, and +entries were 336,848 tons. In Virginia the exports the same year, and +foreign imports were of the value of $7,184,273; clearances and entries, +178,143 tons, (Table 14, Register of U.S. Treasury.) Revenue from +customs, same year, in Pennsylvania, $2,552,924, and in Virginia, +$189,816; or more than twelve to one in favor of Pennsylvania. (Tables +U.S. Commissioner of Customs.) No returns are given for the coastwise +and internal trade of either State; but the railway and canal +transportation of both States shows a difference of ten to one in favor +of Pennsylvania. And yet, Virginia, as we have seen, had much greater +natural advantages than Pennsylvania for commerce, foreign and internal, +her shore line up to head of tide-water being 1,571 miles, and +Pennsylvania only 60 miles. + +We have seen that, exclusive of commerce, the products of Pennsylvania +in 1860 were of the value of $398,600,000, or $137 per capita; and in +Virginia, $120,000,000, or $75 per capita. But, if we add the earnings +of commerce, the products of Pennsylvania must have exceeded those of +Virginia much more than four to one, and have reached, per capita, +nearly three to one. What but slavery could have produced such amazing +results? Indeed, when we see the same effects in _all_ the Free States +as compared with _all_ the Slave States, and in _any_ of the Slave +States, as compared with _any_ of the Free States, the uniformity of +results establishes the law beyond all controversy, that slavery +retards immensely the progress of wealth and population. + +That the Tariff has produced none of these results, is shown by the fact +that the agriculture and commerce of Pennsylvania vastly exceed those of +Virginia, and yet these are the interests supposed to be most +injuriously affected by high tariffs. But there is still more conclusive +proof. The year 1824 was the commencement of the era of high tariffs, +and yet, from 1790 to 1820, as proved by the Census, the percentage of +increase of Pennsylvania over Virginia was greater than from 1820 to +1860. Thus, by Table 1 of the Census, p. 124, the increase of population +in Virginia was as follows: + + From 1790 to 1800 17.63 per cent. + " 1800 " 1810 10.73 " + " 1810 " 1820 9.31 " + " 1820 " 1830 13.71 " + " 1830 " 1840 2.34 " + " 1840 " 1850 14.60 " + " 1850 " 1860 12.29 " + +The increase of population in Pennsylvania was: + + From 1790 to 1800 38.67 per cent. + " 1800 " 1810 34.49 " + " 1810 " 1820 29.55 " + " 1820 " 1830 28.47 " + " 1830 " 1840 27.87 " + " 1840 " 1850 34.09 " + " 1850 " 1860 25.71 " + +In 1790 the population of Virginia was 748,318; in 1820, 1,065,129, and +in 1860, 1,596,318. In 1790 the population of Pennsylvania was 434,373; +in 1820, 1,348,233, and in 1860, 2,906,115. Thus, from 1790 to 1820, +before the inauguration of the protective policy, the relative increase +of the population of Pennsylvania, as compared with Virginia, was very +far greater than from 1820 to 1860. It is quite clear, then, that the +tariff had no influence in depressing the progress of Virginia as +compared with Pennsylvania. + +Having shown how much the material progress of Virginia has been +retarded by slavery, let us now consider its effect upon her moral and +intellectual development. + +NEWSPAPERS AND PERIODICALS.--The number of newspapers and periodicals in +Pennsylvania in 1860 was 367, of which 277 were political, 43 religious, +25 literary, 22 miscellaneous; and the total number of copies circulated +in 1860 was 116,094,480. (Census Tables, Nos. 15, 37.) The number in +Virginia was 139, of which 117 were political, 13 religious, 3 literary, +6 miscellaneous; and the number of copies circulated in 1860 was +26,772,568, being much less than one fourth that of Pennsylvania. The +number of copies of monthly periodicals circulated in Pennsylvania in +1860 was 464,684; and in Virginia, 43,900; or much more than ten to one +in favor of Pennsylvania. + +As regards schools, colleges, academies, libraries, and churches, I must +take the Census of 1850, those tables for 1860 not being yet arranged or +printed. The number of public schools in Pennsylvania in 1850 was 9,061; +teachers, 10,024; pupils, 413,706; colleges, academies, &c., pupils, +26,142; attending school during the year, as returned by families, +504,610; native adults of the State who cannot read or write, 51,283; +public libraries, 393; volumes, 363,400; value of churches, $11,853,291; +percentage of native free, population (adults) who cannot read or write, +4.56. (Comp. Census of 1850.) + +The number of public schools in Virginia in 1850 was 2,937; teachers, +3,005; pupils, 67,438; colleges, academies, &c., pupils, 10,326; +attending school, as returned by families, 109,775; native white adults +of the State who cannot read or write, 75,868; public libraries, 54; +volumes, 88,462; value of churches, $2,902,220; percentage of native +free adults of Virginia who cannot read or write, 19.90. (Comp. Census +of 1850.) Thus, the church and educational statistics of Pennsylvania, +and especially of free adults who cannot read or write, is as five to +one nearly in favor of Pennsylvania. When we recollect that nearly one +third of the population of Pennsylvania are of the great German race, +and speak the noble German language, to which they are greatly attached, +and hence the difficulty of introducing common _English_ public schools +in the State, the advantage, in this respect, of Pennsylvania over +Virginia is most extraordinary. + +These official statistics enable me, then, again to say that slavery is +hostile to the progress of _wealth_ and _education_, to _science_ and +_literature_, to _schools_, _colleges_, and _universities_, to _books_ +and _libraries_, to _churches_ and _religion_, to the PRESS, and +therefore to FREE GOVERNMENT; hostile to the _poor_, keeping them in +_want_ and _ignorance_; hostile to LABOR, reducing it to _servitude_ and +decreasing _two thirds_ the value of its products; hostile to _morals_, +repudiating among slaves the _marital_ and _parental_ condition, +classifying them by law as CHATTELS, _darkening_ the _immortal soul_, +and making it a _crime_ to teach millions of _human beings_ to _read_ or +_write_. + +And yet, there are desperate leaders of the Peace party of Pennsylvania, +desecrating the name of _Democrats_, but, in fact, Tories and traitors, +who would separate that glorious old commonwealth from the North, and +bid her sue in abject humiliation for admission as one of the Slave +States of the rebel confederacy. Shades of Penn and Franklin, and of the +thousands of martyred patriots of Pennsylvania who have fallen in +defence of the Union from 1776 to 1863, forbid the terrible degradation. + + + + +DOWN IN TENNESSEE. + + +Sultry and wearisome the day had been in that Tennessee valley, and +after drill, we had laid around under the trees--tall, noble trees they +were--and the fresh grass was green and soft under them as on the old +'Campus,' and we had been smoking and talking over a wide, wide range of +subjects, from deep Carlyleism--of which Carlyle doubtless never +heard--to the significance of the day's orders. It was not an +inharmonious picture--Camp Alabama, so we had named it--for it was with +a 'here we rest' feeling that a dozen days before we had marched in at +noon. The ground sloped to the eastward--a single winding road of yellow +sand crept over the slope into the horizon, a mile or more away; north, +a hill rose with some abruptness; south and west, a grove of wonderful +beauty skirted the valley. A single building--an old but large log +farmhouse--stood near the tent, whose fluttering banner indicated +headquarters. This old house was well filled with commissary stores, +and, following that incomprehensible Tennessee policy, four companies of +our regiment, the twenty-third, had been detached to guard them under +Major Fanning--'a noble soldier he, but all untried.' We had never yet +seen active service, and our tents were still white and unstained. The +ground had been once the lawn of the deserted house--in the long ago +probably the home of a planter of some pretension; and, as we lay there +under the trees watching the boys over the fires, kindled for their +evening meal, the blue smoke curling up among the trees, it made, as I +have said, a most harmonious picture. + +That fair June evening! I can never forget it, and I wish I were an +artist that I could show you the sloping valley, the white tents, +flushing like a girl's cheek to the good-night kisses of the sun, the +curling smoke wreaths, and far, far above the amethystine heaven, from +which floated over all a dim purple tint. I was the youngest +commissioned officer in the regiment, having been promoted to a vacancy +a week or two before through Major Fanning's influence. + +We were all invited that evening to supper with our commanding officer +and his wife--who had been with him for a few days. A fresh breeze +stirred the trees at sunset, and, after slight attention to our +toilette, we dropped by twos and threes into the neighborhood of the +major's tent. A little back from the rows of other tents, a few fine +oaks made a temple in front, worthy even of its presiding genius, Grace +Fanning--but I am _not_ going to rhapsodize. She was a fair, modest, +young thing, with the girl rose yet fresh on her wife's cheek. I had +known her from childhood; very nearly of the same age, and the children +of neighbors, we had been inseparable; of course in my first college +vacation, finding her grown tall and womanly, I had entertained for her +a devoted boyish passion, and had gone from her presence, one August +night, mad with rejection, and wild with what I called despair. But +_that_ passed, and we had been good friends ever since--she the +confidential one, to whom I related my varied college love affairs, +listening ever with a tender, genial sympathy. I had no sister, and +Grace Jones (I am sorry, but her name _was_ Jones) was dear to me as +one. Two years of professional study had kept me away from my village +home, and a few words came once in a long while, in my mother's letters +'to assure me of Grace's remembrance and regard.' A little of the elder +sister's advising tone amused my one and twenty years and my incipient +moustache amazingly; and I resolved, when I saw her, to convince her of +my dignity--to patronize her. But the notes that called me home were too +clarion-like for a relapse into puppyism. My country spoke my name, and +I arose a man, and 'put away childish things.' I came home to say +farewell. A regiment was forming there, I enlisted, and a few days +before our departure, I stood in the village church, looking and +listening while Grace promised eternal fidelity to Harry Fanning. I was +a stranger to him. He had come to Danville after my departure, winning +from all golden opinions, and from Grace a woman's priceless heart. She +gave him freely to his country, and denied not her hand to his parting +prayer. I had had time only to say farewell to her, and the old footing +had not been restored, but I _think_ she spoke to the major of me, for +he soon sought me, giving me genial friendship and sympathy, and +procuring for me, as I have related, my commission. I had seen her but +once since she came to Camp Alabama, and she gave me warm and kindly +welcome as I came in, the last of the group, having found in my tent +some unexpected employment. Being a soldier, I shall not shock my fair +readers if I confess that it was--buttons. Ah! me, I am frivolous. But I +linger in the spirit of that happy hour. Grace's chair was shaded by a +gracefully draped flag; the major stood near her, his love for her as +visible in his eye as his cordial kindness for us. To me, in honor of my +'juniority,' as Mrs. Fanning said, was assigned a place near her. The +others had choice between campstools and blankets on the grass. And the +oddest but most respectable of contrabands served us soon with our +supper, so homelike that we suspected 'Mrs. Major's' fair hands of +interference. + +It was a happy evening. Merry laughter at our camp stories rang silverly +from her fair lips. Or we listened eagerly to her as she told us of the +homes we had left, and the bonny maidens there, sobered since our +departure into patriotic industry. Stories of touching self-denial, with +a wholesome pathos, and sometimes from her dainty musical talk she +dropped, pebble-like, a name, as 'Fanny,' 'Carry,' 'Maggie,' and +responsive blushes rippled up over sunburned, honest faces, and a soft +mist brightened for a second resolute eyes. Presently the band--a part +only of the regiment's--began to play soft, well-known tunes. Through a +few marches and national airs, I looked and listened as a year before, +in the village church at home. And as the 'Star-Spangled Banner' rose +inspiringly, I felt the coincidence strangely, and could scarcely say +which scene was real: the church aisle and the bridal party, in white +robes and favors, with mellow organ-tones rising in patriotic strains +concerning the 'dear old flag,' or the group under the oaks; the young +wife in her gray travelling dress, and the uniformed figures gathered +around her; the moon-rise over the hill, lighting softly the drooping +flag, the major's dark hair, and Mrs. Fanning's sunny braids, the wild +notes of the same beloved melody overswelling all. But voices near +aroused me, and we joined in the chorus, and in the following tune, +'Sweet Home,' the usual finale of our evening programme. Then, as the +tones died, Grace lifted her voice and sang with sweet, pure soprano +tones, an old-time ballad of love and parting and reunion. + +We had a wild little battle song in 'Our Mess,' written by Charlie +Marsh, our fair-haired boy-poet soldier, speaking of home, and the +country's need, and victory, and possible deaths in ringing notes. We +sang it there in the light of the slowly rising moon. The chorus was +like this: + + 'Our country's foe before us, + Our country's banner o'er us, + Our country to deplore us, + These are a soldier's needs.' + +As we closed, Grace caught the strain, and with soft, birdlike notes +sang: + + 'Your country's flag above you, + Your country's true hearts love you-- + So let your country move you + To brave, undying deeds.' + +More songs followed, and happy words of cheer in distress, of +self-consecration, of past and future victory; but Major Fanning was +unusually silent. Hardly sad, for he flung into our conversation +occasional cheerful words; but gravely quiet, his dark eye following +every motion of his fair young wife. Finally we called on Captain +Carter, our 'oldest man,' a grave bachelor of forty-five, and to our +surprise, who knew him harsh and sometimes profane, he sang, with a +voice not faultless, but soft and expressive, that exquisite health of +Campbell's: + + 'Drink ye to her that each loves best, + And if you nurse a flame + That's told but to her mutual breast, + We will not ask her name. + + 'And far, far hence be jest or boast, + From hallowed thoughts so dear; + But drink to her that each loves most, + As she would love to hear.' + +Then silence for a little space; and the moonlight full and fair in +soldiers' faces, young and old, but all firm and true, and fair and full +on Grace Fanning's fresh, young brow. Then 'good-nights,' mingled with +expressions of enjoyment, and plans for the morrow. I left them last. + +'I am glad you are here, Robert,' said the major; 'Grace would not be +all alone, even if I'-- + +Her white hand flashed to his lips, where a kiss met it, and laughingly +we parted. A few rods away, I paused and turned. They stood there under +the flag. Her bright head on his bosom, his arms about her, and the +silver moonlight over all. Fair Grace Fanning! Have I named my story +wrongly, pretty reader? I called it 'Camp Sketch,' and it reads too like +a love story. 'Ah! gentle girl, seeking adventure in fiction, but +shrinking really from even a cut finger, there is enough of battle even +in my little story, though you slept peacefully and happily that fair +June night, or waltzed yourself weary to the sound of the sea at the +'Ocean House.' + +A few 'good nights' commendatory of our hostess and our evening greeted +me as I sought my tent and made ready for sleep. I was very happy, no +memory of our talk was sullied by coarse or unlovely thought; pure as +herself had been our enjoyment of Mrs. Fanning's society, and I slept +sweetly. + +The long roll! None but those who have heard it when it means instant +danger and possible death, can conceive the thrill with which I sprang +from deep slumber, and made hasty preparation for action. Quick as I +was, others had been before me, and I found the half-dressed men drawn +up in battle line before the encampment. I took my place. + +Behind us lay the camp, a wide, street-like space, fringed with a double +row of tents--at its foot the old log mansion; near that, a little in +front, but at one side, the flag of headquarters--this behind. Before us +the major--the western wood, and the flashing sabres of a band of +hostile cavalry. They came on heedless of the fast-emptying saddles, on, +_on_, and more following from the wood, the moon in the mid heaven, +clear like day. + +A gallant charge--a firm repulse. Major Fanning's clear voice on the +night air, rallying the men to attack the furious foe. They sweep their +horses around to left, but calmly the major wheels his battalion, still +unflanked; again those fierce steeds try the first point of attack; +again we front them undaunted. In our turn, with lifted level bayonets +we charge; the enemy falls back--a shout threads along our lines, +changing suddenly into a wail, for, calling us on, our leader falls. +Pitiless to his noble valor, a well-aimed carbine-shot lays him low. +They lift him, some brave soldiers near; and, his young face bathed in +blood, they bear him to his waiting bride; he opens his eyes, as he +passes. + +'Courage! victory! my boys!' he calls; then, seeing me: 'Go! tell her, +Robert.' + +I call my orderly to my place, and before they have pierced our lines +with their beloved burden, I am at the tent door. She stands there +waiting, a little pistol in her hand--a light wrapper about her, and her +fair hair streaming over her shoulders. I look at her mutely; she knows +there is something terrible for her, and while I seek words, her eye +goes on, resting where down the moonlit trees they are bringing him. A +moment, she is by his side, and tearless and white, her hand on his +unanswering heart, she moves beside him. The soldiers lay their leader +on the ground under his flag, and her imperious gesture sends them back +to their places in the battle. And then she, sinking beside him, cries +out: + +'Oh, Robert! will he never speak to me again? Help him!' + +My two years at lectures had not been passed in vain, and surgery had +been my hobby. I knelt and strove to aid him. It was a cruel wound. I +asked for bandages. She tore them from her garments wildly. I stilled +the trickling crimson stream, and going into the tent, found some +restoratives. I poured the wine down his throat, and, soon opening his +eyes, he spoke: + +'Grace!' + +I stepped away--near enough for call, not near enough for intrusion. +Looking at the lines of dark forms topped by the light glimmer of stray +bayonets, I saw with dismay that our men were retreating before those +heavy charges; in thick, dense masses they moved back, nearing us. I +thought of our soldier chief, crushed under those wild hoofs; I thought +of Grace, unprotected in her youth and widowed, desolate beauty, and +sprang to her side, ready with my life for her. + +The major saw it all, and, faint as he was, rose on his elbow, watching. +Charge after charge, wild and impetuous, break the slowly retreating +battalions. In vain I heard Carter's stern oaths (may the angel of tears +forgive him!), and Charlie Marsh's boyish calls. The men are facing us. +The enemy, cheering, and in the background huge torches flaming with +pitch, are ready for incendiarism. + +'Grace! Grace! I _must_ rally them, let me go!' and I see Major Fanning +straggling in her arms. I clasp him also. + +'It is certain death,' I say to her, mad with fright and misery. + +'And this is worse, worse, Grace; you might better kill me!' his voice +was harsh--cruel even. + +Suddenly she was gone, and I held him alone; catching his sword, she +sprang like a flash of lightning into the open space before the log +house, and, lifting the bare blade with naked, slender arm, its loose +sleeve floating from her shoulder like a wing, she faced those +panic-stricken men. + +'For shame!' she cried; but her weak voice was lost; then, stern as the +angel of death, she stepped forward. + +'The first man that passes me shall die!' and she swung the flashing +blade up, ready to fall. A moment's halt, and then, she spoke to them +with wonderful strange words. I cannot recall them; with inspired +eloquence she spoke, a slight, white-robed figure in the clear +moonlight, and the rout was stayed, and they turned bravely to meet the +foe. Then she came faint and weak to her husband's side again. He looked +up with glad, eager eyes. + +'Darling!' + +Infinite love, soul-recognition, shone on both faces, and then blank +unconsciousness crept over his. Firmly our boys met the charging steeds +now. That moment had restored to them their courage. Emptied saddles +were frequent, but still fresh forces dashed from the wood. Is there no +hope for us? Must we be overpowered? Is all this valor vain? Grace from +her husband's side looks mutely up to heaven. I find my place among the +men. Little hope remains. Some one calls 'retreat.' 'Just once more,' +cries Charlie, and falls before us. But listen; above the battle din +comes a new, an approaching sound from the eastward. + +Along the yellow road pours swiftly a force of cavalry, behind the +rumble of cannon almost flying over the ground, and high in air, reeling +from the swift motion of its bearer's steed, the banner of the free. We +are saved! A wild shout rings along our lines. Among the enemy, +frightened consultation followed by flight; another second, and our +friends are with us and beyond us in hot pursuit. + +Brief question and answer told us of the friendly warning in the distant +camp, the hasty march to aid us. The rest we saw. Then, 'A surgeon for +Major Fanning.' The man of the green sash had not grown callous. There +were tears in his eyes as he rose from his vain endeavors, saying only: + +'I can do nothing here; I am needed elsewhere.' + +Our young hero was dead! + +They composed his limbs, laying him on a blanket under the trees, and +Grace sat down beside him, tearless still, but pale as her dress, or the +white hand lying cold over the soldier's pulseless heart. + +'Robert, send them away,' she said to me, as sympathizing strangers +pressed round; and they left us alone with the dead. I spoke at last the +commonplaces of consolation, suggested and modified by the hour and my +soldier feelings. + +'Yes, Robert,' she answered, 'I gave him long ago. GOD will comfort me +for my hero--in time. Do not speak to me just yet. Do not let any one +come.' + +The tears came now, and she wept bitterly, silently, under the starry +banner, beside the dead. I heard the hum of many voices, and now and +then a cry of pain, and knew they were all helping the sufferers. Then I +turned to her again. Her streaming hair swept the ground, golden in the +light. Her fair face was hidden on the cold dead face. And I dared not +speak to her. Oh, that picture! Poor Grace Fanning! and the silver, +silver moonlight over all. + + + + +POETRY AND POETICAL SELECTIONS. + + 'Oh, deem not in this world of strife, + An idle art the Poet brings; + Let high Philosophy control, + And sages calm the stream of life; + 'Tis he refines its fountain springs, + The nobler passions of the soul.' + + +In the annals of literature, Poetry antedates Prose. Creation precedes +Providence, not merely in the order of sequence, but what is usually +called intellectual and physical grandeur. So in genius and taste, +Poetry transcends prose. In the work of Creation the Almighty broke the +awful stillness of Eternity, by His first creative fiat, and angels were +the first-born of God. They took their thrones in the galleries of the +universe, and in silent contemplation sat. They spoke not; for words, as +signs of thought or will or emotion, were not then conceived, and, +consequently, then unborn. They gazed in rapture on one another, and in +solemn silence thought. Their emotions bodied forth the Anthem of +Creation. + +Human words being created breath, and breath being air in motion, prior +to these language was impossible. And as the deaf are always dumb, +language, like faith, comes by hearing. But hearing itself is a +pensioner, waiting upon a speaker; consequently, it must ever be +contingent on a cause alike antecedent and extrinsic of itself. It is, +therefore, equally an oracle of reason and of faith that, however God +may have communicated to angels, to _man_ He spoke in articulate sounds, +before man articulated a thought, a feeling, or an emotion of his soul. +And as an emotional soul is but a harp of many strings, a hand there +must have been to play upon its chords, before melody and harmony, +twins-born of Heaven, had either a local habitation or a name. + +But, it may be asked--Is there not in the regions of Poetry an aeolian +harp, found in the cave of AEolus, on which the winds of heaven played +many a celestial symphony, without the skill or touch of human hand? +Grant all that the Poetic Muse assumes, and then we ask--Who made the +harp? And whence directed came the musing sylvan Zephyrus and his choir? +Came they not from a land of images and dreams? + +But we are inquiring for originals. Images and originals are the poles +apart. An original without an image is possible; but an image without an +original is alike impossible and inconceivable. Hence, alike +philosophically and logically, we conclude that _neither man nor angel +addressed each other until they themselves had been addressed by their +Creator_. Then they intercommunicated thought, sentiment, and emotion +with one another as God had communicated to them. + +The mystery of language and Poetry is insoluble but on the admission of +a revelation or communication of some sort, unconceived by the human +mind, unexecuted by the human hand. If invention and creation be the +grand characteristics of the Poet, Moses, if uninspired, was a greater +Poet than Homer, or Milton, or Shakspeare, on the hypothesis that he +invented the drama which he wrote. The first chapter of Genesis is the +greatest and most splendid Poem ever conceived by human imagination, or +written by human hand. + +All Poets, ancient and modern, are mere plagiarists, if Moses was +uninspired. We prove his Divine Legation by the intrinsic and +transcendent merits of the Poem which he wrote. Imagination originates +nothing absolutely new. It merely imitates and combines. It is regarded +as the creative faculty of man; but its material is already furnished. +The portrait of an unreal Adam is as conceivable as a child without a +father, or an effect without a cause. + +Thus we are obliged, by an inseparable necessity, to admit the +credibility of the Poem which he wrote. And what does Moses say? Nothing +more than that _God spoke, and the universe was!_ This is the sublime of +true Poetry. This is more than the logic of the proposition, _God was, +therefore we are!_ It is more than the philosophy, _ex nihilo, nihil +fit!_ or than, that _nothing_ cannot be the parent of _something_. + +But we must place our foot on a higher round of the ladder, before we +can stand on such an eminence as to see, in all its fair proportions, +the column on which the Muses perch themselves. + +Job, and not Moses, shall be our guide, and the oracle alike of our +reason and our imagination. But who is Job? There is not much poetry in +the name, Job. But Rome and its vulgate vulgarized this hallowed name, +and Britain followed Rome. His name in Chaldee, Syriac, and Arabic, is +Jobab. There is more poetry in this. There is no metre, no poetry in a +monotone or monosyllable. Born among rocks and mountains, the proper +theatre of a heaven-inspired Muse--not in Arabia the Happy, but in +Arabia the Rocky--he was a heart-touching, a soul-stirring, emotional +Bard. In such a case the clouds that overshadow the era of the man only +enhance the genius and inspiration of the Poet. + +In internal and external evidence, according to our calendar of the +Muses, he is the first-born of the Poets that yet survive the wasteful +ravages of hoary Time. He sings not, indeed, of Chaos and Eternal Night. +But as one inspired by a heaven-born Muse, he echoes the chorus of the +Angelic Song, when on the utterance of the first _fiat_ the Morning +Stars sang together and all the sons of God shouted for joy. Hence we +argue, that Poetry is not only prior to prose, but that language, its +intellectual and emotional embodiment, is heaven-conceived, and +heaven-born. + +But in a short essay it would be out of place and in bad taste to +attempt a discourse upon the broad field of ancient or modern Poetry. We +merely attempt to suggest one idea on this rich and lofty theme. Our +radical conception of the essential and differential attribute of +Poetry, as contradistinguished from prose, however chaste, pure, +beautiful, and philosophic, is not mere art, nor science, but +_creation_. + +The universe itself is a grand Heroic Poem. Hence its instrument is that +power usually called Imagination. But _human_ imagination is not first, +second, or third in rank on the scale of the universe. God Himself +imagined the universe before He created it. His imagination is infinite. +The Cherubim and Seraphim have wings that elevate them above our zenith. +And angels, too, excel us in this creative faculty, and therefore veil +their faces before the Majesty of heaven and earth. Still, man has an +humble portion of it, and can turn it to a good account. + +But there is another idea essential to the character of Poetry, as good +or evil in its spirit and adornings. We need scarcely say, for we are +anticipated by every reflecting mind, that this is the _spirit_ of the +Poem. Poetry, in the abstract, is not necessarily good or evil. It may +be Christian, Jewish, Pagan, or Infidel in its spirit and tendencies. It +may corrupt or purify the heart. It may save or ruin the reader in +fortune or in fame. Hence, as Poetry is powerful to elevate or degrade, +to purify or to corrupt a people, much depends on the spirit of the +Poetry which they may put into the hands of the youth of a country; as +well observed by an eminent moralist: 'Let me write the poems or +ballads of a people, and I care but little who enacts their laws.' + +The genius of a Poet is a rare genius. And most happily it is so; for +elevated taste and high-toned morality are not, by any means, the common +heritage of man. Anacreon and Burns were genuine Poets. They uttered, in +fine style, many truths; and were not merely fluent in their respective +languages, but affluent. But, perhaps, like some other men of mighty +parts and grand proportions, better for mankind they had never been +born. A Cowper and a Byron, in their whole career of song, will exert a +very different influence, not only on earth, but in eternity, on the +destiny of their amateurs. We need not argue this position as though, +among a Christian people, it were a doubtful or debatable position. If +the evil spirit, or the melancholy demon, that fitfully possessed the +first king of Israel, was expelled by the skilful hand of his successor, +even when his youthful fingers awoke the melodies of the lyre, how much +more puissant the exquisite Odes of the sweet Psalmist, inspired as they +were with sentiments and views alike honorable to God and man, to +elevate the conceptions, purify the heart, ennoble the aspirations, and +adorn the life of man! + +As the cask long retains the odor of the wine put into it, so the moral +and religious fragrance of many a fine poetic effusion, securely lodged +in the recesses of memory, may yield, and often does yield, a rich +repast of pleasurable associations and emotions which, beside their +opportune recurrence in some trying or tempting hour or season of +adversity, do often energize our souls with a moral heroism to deeds of +nobler daring, which result in enterprises full of blessings to +ourselves, and not unfrequently to our associates in the walks of life, +and radiate through them salutary light for generations to come. + +Imagination, like every other faculty, is to be cultivated. But here we +are interrogated--'What is Imagination?' + +No distinction has given critics more trouble, in the way of definition, +than that between Imagination and Fancy. Fancy, it is held, is given to +beguile and quicken the temporal part of our nature; Imagination to +incite and support the eternal. + +It would be vain to enumerate the various definitions of this term, or +to attempt to give even an abstract of the diversity of views +entertained by philosophers respecting the nature and extent of its +operations. It is regarded by some writers as that power or faculty of +the mind by which it conceives and forms ideas of things communicated to +it by the organs of sense. So defines our encyclopaedias. Bacon defined +it to be the 'representation of an individual thought.' But Dugald +Stewart more philosophically defines it as the 'power of modifying our +conceptions, by combining the parts of different ones so as to form new +wholes of our own creation.' The Edinburgh Encyclopaedia, not satisfied +with this, says Webster defines it to be the _will working on the +materials of memory, selecting parts of different conceptions, or +objects of memory, to form some new whole_. + +This has long been our cherished view of Imagination. It creates only as +a mechanic creates a chest of drawers, a sideboard, a clock, or a watch. +It originates not a single material of thought, volition, or action. +But, mechanic-like, it works by plumb and rule on all the materials +found in the warehouse of memory; and manufactures, out of the same +plank of pine, or bar of iron, or wedge of gold, or precious stone, some +new utensil, ornament, or adornment never found in Nature. In its +present form it is the offspring of the art and contrivance of man. +Hence our invulnerable position against Atheism or Deism. _No one could +have created the idea of a God or of a Christ, without a special +inspiration, any more than he could create a gold watch without the +metal called gold._ + +The deaf are necessarily dumb. The blind cannot conceive of color. A +Poet cannot work without language, any more than the nightingale could +sing without air. Language and prototypes precede and necessarily +antedate writing and prose. Hence the idea of Poetry is preceded by the +idea of Prose, as speaking by the idea of hearing. There was reason, and +an age of reason, without, and antecedent to, rhyme; and therefore we +sometimes find rhyme without reason, as well as reason without rhyme. + +Rhyme, however, facilitates memory and recollection. Memory, indeed, is +but a printed tablet, and recollection the art and mystery of reading +it. Poetry, therefore, is both useful and pleasing. It aids +recollection, and soothes and excites and animates the soul of man. It +makes deeper, more pungent, more stimulating, more exciting, and more +enduring impressions on the mind than prose; and, therefore, greatly +facilitates both the acquisition and retention of ideas and impressions. +Of it Horace says ('Ars Poetica'): + + 'Ut pictura, poesis; erit, quae, si propius stes, + Te capiet magis, et quaedam, si longius abstes. + Haec amat obscurum; volet haec sub luce videri, + Judicis argutum quae non formidat acumen: + Haec placuit semel, haec decies repetita placebit.' + +No one ever attained to what is usually called _good taste_ who has not +devoted a portion of his time and study to the whole science and art of +Poetry. We do not mean good taste in relation to any one manifestation +of it. + +There is a general as well as a special good taste, but they are +distinguishable only as genus and species. There is, it may be alleged, +a _native_ as well as an _acquired_ taste. This may also be conceded. +There is in some persons a greater innate susceptibility of deriving +pleasure from the works of Nature and of Art than is discoverable in +others. Still we cannot imagine any one gifted with reason and +sensibility to be entirely destitute of it. It is an element of reason +and of sense peculiar to man. As a fabulist once represented a cock in +quest of barleycorns, scraping for his breakfast, saying to himself, on +discovering a precious and brilliant gem: 'If a lapidary were in my +place he would now have made his fortune; but as for myself, I prefer +one grain of barley to all the precious stones in the world.' + +But what man, so feeling and thinking, would not 'blush and hang his +head to think himself a man'? Apart from the value of the gem, every man +of reason or of thought has pleasure in the contemplation of the +beautiful diamond, whether on his own person or on that of another. +Taste seems to be as inseparable from reason as Poetry is from +imagination. It is not wholly the gift of Nature, nor wholly the gift of +Art. It is an innate element of the human constitution, designed to +beautify and beatify man. To cultivate and improve it is an essential +part of education. The highest civilization known in Christendom is but +the result or product of good taste. Even religion and morality, in +their highest excellence, are but, so far as society is concerned, +developments and demonstrations of cultivated taste. There may, indeed, +be a fictitious or chimerical taste without Poetry or Religion; but a +genuine good taste, in our judgment, without these handmaids, is +unattainable. + +But as no interesting landscape--no mountain, hill, or valley, no river, +lake or sea--affords us all that charms, excites or elevates our +imagination viewed from any one point of vision, so the poetic faculty +itself can neither be conceived of nor appreciated, contemplated out of +its own family register. + +There is in all the 'Fine Arts' a common paternity, and hence a family +lineage and a family likeness. To appreciate any one of them we must +form an acquaintance with the whole sisterhood--Poetry, Music, Painting, +and Sculpture. + +And are not all these the genuine offspring of Imagination? Hence they +are of one paternity, though not of one maternity. The eye, the ear, and +the hand, has each its own peculiar sympathetic nerve. For, as all God's +works are perfect, when and where He gives an eye to see or an ear to +hear, He gives a hand to execute. This is the law; and as all God's laws +are universal as perfect, there is no exception save from accident, or +from something poetically styled a _lusus naturae_--a mere caprice or +sport of Nature. + +But the philosophy of Poetry is not necessary to its existence any more +than the astronomy of the heavens is to the brilliancy of the sun or to +the splendors of a comet. A Poet is a creator, and his most perfect +creature is a portraiture of any work of God or man; of any attribute of +God or man in perfect keeping with Nature or with the original +prototype, be it in fact or in fiction, in repose or in operation. + +Imitation is sometimes regarded as the test of poetic excellence. But +what is imitation but the creation of an image! Alexander Pope so well +imitates Homer, that, as an English critic once said, in speaking of his +translation of that Prince of Grecian Poets--'a time might come, should +the annals of Greece and England be confounded in some convulsion of +Nature, when it might be a grave question of debate whether Pope +translated Homer, or Homer Pope.' + +For our own part, we have never been able to decide to our own entire +satisfaction, which excels in the true Heroic style. Pope, in his +translation of the exordium of Homer, we think more than equals Homer +himself: + + 'Achilles' wrath, to Greece the direful spring + Of woes unnumbered, heavenly goddess, sing! + That wrath which hurled to Pluto's dark domain + The souls of mighty chiefs in battle slain; + Whose limbs, unburied on the fatal shore, + Devouring dogs and hungry vultures tore; + Since great Achilles and Atrides strove, + Such was the sovereign doom and such the will of Jove.'[18] + +We opine that Pope, being trammelled with a copy, and consequently his +imagination cramped, displays every attribute of poetic genius fully +equal, if not superior, to that of the beau ideal of the Grecian Muse. + +But Alexander Pope, of England, is not the Pope of English Poetry, a +brother Poet being judge, for Dryden says: + + 'Three Poets, in three distant ages born, + Greece, Italy, and England did adorn; + The first in majesty of thought surpassed, + The next in melody--in both the last: + The force of Nature could no further go, + To make the third she joined the other two.' + +And who awards not to Milton the richest medal in the Temple of the +Muses! Not, perhaps, for the elegant diction and sublime imagery of his +PARADISE LOST, but for his grand conceptions of Divinity in all its +attributes, and of humanity in all its conditions, past, present, and +future. + +We Americans have a peculiar respect for Lyric Poetry. We have not time +for the Epic. If anything with us is good, it is superlatively good for +being brief. Short sermons, short prayers, short hymns, and short metre +are peculiarly interesting. We are, too, a miscellaneous people, and we +are peculiarly fond of miscellanies. The age of folios and quartos is +forever past with Young America. Octavos are waning, and more in need of +brushing than of burnishing. But still we must have Poetry--_good_ +Poetry; for we Americans prefer to live rather in the style of good +lyric than in that of grave, elongated hexameter. Variety, too, is with +us the spice of life. We are not satisfied with grand prairies, rivers, +and cataracts, and even cascades and _jet d'eaus_! + +Collections of miscellaneous Poetry seem alike due to the Poetic Muse +and to the American people. We love variety. It is, as we have remarked, +the spice of American life; and our country will ever cherish it as +being most in harmony with itself. It is, moreover, more in unison with +the conditions of human nature and human existence. There is, too, as +the wisest of men and the greatest of kings has said, 'a time for every +purpose and for every work.' No volume of Poetry or of Prose can, +therefore, be popular or interesting to such a nation as we are, that +does not adapt itself to the versatile genius of our people, and to the +ever-varying conditions of their lives and fortunes. + +There is, therefore, a propriety in getting up good selections, because +a greater advantage is to be derived from well selected specimens of the +Poetic Muse than from the labors of any one of the great masters of the +Lyre! Who would not rather visit a rich and extensive museum of the +products and arts of civilized life--some well assorted repository of +its scientific or artistic developments, than to traverse a whole state +or kingdom in pursuit of such knowledge of the wisdom, talents, and +contrivances of its population? + +Of all kinds of composition, Poetry is that which gives to the lovers of +it the greatest and most enduring pleasure. Almost every one of them can +heartily respond to the beautiful words of one who was not only a great +Poet, but a profound philosopher--Coleridge--who, speaking of the +delight he had experienced in writing his Poems, says: 'Poetry has been +to me its own exceeding great reward. It has soothed my afflictions; it +has multiplied and refined my enjoyments; it has endeared solitude; and +it has given me the habit of wishing to discover the Good and the +Beautiful in all that meets and surrounds me.' + +In no way can the imagination be more effectually or safely exercised +and improved than by the constant perusal and study of our best Poets. +Poetry appeals to the universal sympathies of mankind. With the +contemplative writers, we can indulge our pensive and thoughtful tastes. +With the describers of natural scenery, we can delight in the beauties +and glories of the external universe. With the great dramatists, we are +able to study all the phases of the human mind, and to take their +fictitious personages as models or beacons for ourselves. With the great +creative Poets, we can go outside of all these, and find ourselves in a +region of pure Imagination, which may be as true to our higher +instincts--perhaps more so--than the shows which surround us. + +If it be as truthfully as it has been happily expressed by the prince of +dramatic Poets, that + + 'He who has no music in his soul + Is fit for treasons, stratagems, and spoils,' + +it should be a paramount duty with every one who loves his species, and +cultivates a generous philanthropy, to patronize every effort to diffuse +widely through society, Poetry of genuine character, and to cultivate a +taste for it as an element of a literary, religious, and moral +education. We commend, as a standard of appreciation of the true +character of the gifts of the Poetic Muse, the following critique from +Sheffield, Duke of Buckingham: + + ''Tis not a flash of fancy, which sometimes, + Dazzling our minds, sets off the slightest rhymes, + Bright as a blaze, but in a moment done; + True wit is everlasting, like the sun, + Which, though sometimes behind a cloud retired, + Breaks out again, and is by all admired. + Number and rhyme, and that harmonious sound + Which not the nicest ear with harshness wound, + Are necessary, yet but vulgar arts; + And all in rain these superficial parts + Contribute to the structure of the whole, + Without a genius too--for that's the soul; + A spirit which inspires the work throughout, + As that of Nature moves the world about; + A flame that glows amidst conceptions fit; + E'en something of divine, and more than wit; + Itself unseen, yet all things by it shown, + Describing all men, but described by none.' + +We neither intend nor desire to institute any invidious comparisons +between Old Britain and Young America. We are one people--one in blood, +one literature, one faith, one religion, in fact or in profession. Our +language girdles the whole earth. Our science and our religion more or +less enlighten every land, as our sails whiten every sea, and our +commerce, in some degree, enriches every people. There is a magnanimity, +a benevolence, a philanthropy, in English Poetry, whether the Muse be +English, Scotch, Irish, or American, that thrills the social nerve and +warms the kindred hearts of all who think, or speak, or dream in our +vernacular. The pen of the gifted Bard is more puissant than the +cannon's thundering roar or the warrior's glittering sword; and the +soft, sweet melodies of English Poetry, gushing from a Christian Muse, +are Heaven's sovereign specifics for a wounded spirit and an aching +heart! + +FOOTNOTES: + +[Footnote 18: + + [Greek: Menin aeide, thea, Peleiadeo, Achileos, + Oulomenen, he myri' Achaiois alge' etheken, + Pollas d' iphthimous psychas Aidi proiapsen + Heroon, autous de heloria teuche kynessin + + K.T.L.]] + + + + +PATRIA SPES ULTIMA MUNDI. + +FLAG OF OUR UNION. + +National Song. + +BY HON. ROBERT J. WALKER + +_Dedicated to the Union Army and Navy._ + + + The day our nation's life began, + Dawned on the sovereignty of man, + His charter then our Fathers signed, + Proclaiming Freedom for mankind. + May Heaven still guard her glorious sway, + Till time with endless years grows gray. + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + Americans, your mighty name, + With glory floods the peaks of fame; + Ye whom our Washington has led, + Men who with Warren nobly bled, + Who never quailed on land or sea, + Your watchword, _Death or Liberty_! + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + It was the Union made us free, + Its loss, man's second fall would be. + States linked in kindred glory save, + Till the last despot finds a grave; + And angels hasten here to see + Man break his chains, the whole earth free! + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + Ye struggling brothers o'er the sea, + Who spurn the chain of tyranny, + Like brave Columbus westward steer, + Our stars of hope will guide you here, + Where States still rising bless our land, + And freedom strengthens labor's hand. + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + Ye toiling millions, free and brave, + Whose shores two mighty oceans lave: + Your cultured fields, your marts of trade, + Keels by the hand of genius laid, + The shuttle's hum, the anvil's ring + Echo your voice that God is King. + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + Hail! Union Army, true and brave, + And dauntless Navy on the wave. + Holy the cause where Freedom leads, + Sacred the field where patriot bleeds; + Victory shall crown your spotless fame, + Nations and ages bless your name. + + Flag of our Union! float unfurled, + Thy stars shall light a ransomed world. + + + + +A FANCY SKETCH. + + +I am a banker, and I need hardly say I am in comfortable circumstances. +Some of my friends, of whom I have a good many, are pleased to call me +rich, and I shall not take it upon myself to dispute their word. Until I +was twenty-five, I travelled, waltzed, and saw the best foreign society; +from twenty-five to thirty I devoted myself to literature and the art of +dining; I am now entered upon the serious business of life, which +consists in increasing one's estate. At forty I shall marry, and as this +epoch is nine years distant, I trust none of the fair readers of this +journal will trouble themselves to address me notes which I really +cannot answer, and which it would give me pain to throw in the fire. + +Some persons think it beneath a gentleman to write for the magazines or +papers. This is a low and vulgar idea. The great wits of the world have +found their best friends in the journals; there were some who never +learned to write,--who ever hears of them now? I write anonymously of +course, and I amuse myself by listening to the remarks that society +makes upon my productions. Society talks about them a great deal, and I +divide attention with the last novelist, whether an unknown young lady +of the South, or a drumhead writer of romances. People say, 'That was a +brilliant article of so and so's in the last ----, wasn't it?' You will +often hear this remark. I am that gentleman--I wrote that article--it +was brilliant, and, though I say it, I am capable of producing others +fully equal to it. + +Many persons imagine that business disqualifies from the exercise of the +imagination. This is a mistake. Alexander was a business man of the +highest order; so was Caesar; so was Bonaparte; so was Burr; so am I. To +be sure, none of these distinguished characters wrote poetry; but I take +it, poetry is a low species of writing, quite inferior to prose, and +unworthy one's attention. Look at the splendid qualities of these great +men, particularly in the line in which the imaginative faculties tend. +See how they fascinated the ladies, who it is well known adore a fine +imagination. How well they talked love, the noblest of all subjects--for +a man's idle hours. Then observe the schemes they projected. Conquests, +consolidations, empires, dominion, and to include my own project, a +bullion bank with a ten-acre vault. It appears that a lack of capital +was at the bottom of all their plans. Alexander confessed that he was +bankrupt for lack of more worlds, and is reputed to have shed tears over +his failure, which might have been expected from a modern dry-goods +jobber, but not from Alexander. Caesar and Bonaparte failed for the want +of men: they do not seem to have been aware of the existence of Rhode +Island. I think Burr failed for the lack of impudence--he had more than +all the rest of the world together, but he needed much more than that to +push his projects ahead of his times. As for myself, when I have doubled +my capital, I shall found my bullion bank in the face of all opposition. +The ten-acre lot at the corner of Broadway and Wall street is already +selected and paid for, and I shall excavate as soon as the present crop +is off. + +There is no question that the occupation of banking conduces to literary +pursuits. When I take interest out of my fellow beings, I naturally take +interest in them, and so fall to writing about them. I have in my +portfolio sketches of all the leading merchants of the age, romantically +wrought, and full of details of their private lives, hopes, fears, and +pleasures. These men that go up town every day have had, and still have, +little fanciful excursions that are quite amusing when an observer of my +talent notes them down. I know all about old Boscobello, the Spanish +merchant, of the house of Boscobello, Bolaso & Co. My romance of his +life from twenty to forty fills three volumes, and is as exciting as the +diaries of those amusing French people whom Bossuet preached to with +such small effect. Boscobello has sobered since forty, and begs for +loans as an old business man ought to. I think he sees the error of his +ways, and is anxious to repair his fortunes to the old point, but it is +easier to spend a million than to make it. My cashier reports his +account overdrawn the other day, and not made good till late next +afternoon. This is a sign of failing circumstances, and must be attended +to. + +When Boscobello comes in about half past two of an afternoon for the +usual loan of a hundred dollars to enable him to go on, I amuse myself +by talking to him while I look over his securities. He has two or three +loans to pay up before three o'clock, in different parts of the town, +and we cannot blame him for being in a hurry, but this is no concern of +mine. If he _will_ get into a tight place, one may surely take one's +time at helping him out: and really it does require some little time to +investigate the class of securities he brings, and which are +astonishingly varied. For instance, he brought me to-day as collateral +to an accommodation, a deed to a South Brooklyn block, title clouded; a +Mackerelville second mortgage; ten shares of coal-oil stock; an +undivided quarter right in a guano island, and the note of a President +of the Unterrified Insurance Company. 'How much was the cartage, Bos?' +said I, for you see my great mind descends to the smallest particulars, +and I was benevolent enough to wish to deduct his expenses from the +bonus I was about to charge him for the loan. 'Never mind the cartage,' +said he, 'that's a very strong list, and will command the money any day +in Wall street, but I have a particular reason for getting it of you.' +'The particular reason being,' said I, 'that you can't get it anywhere +else. Jennings,' I continued to my cashier, 'give Mr. Boscobello +ninety-five dollars Norfolk or Richmond due-bills, and take his check +payable in current funds next Saturday for a hundred.' + +Poor old Boscobello! A man at forty ought not to look old, but Bos had +often seen the sun rise before he went to bed, and he _had_ been gay, so +all my aunts said. Some stories Bos has told me himself, o' nights at my +house, after having in vain endeavored to induce me to take shares in +the guano island, or 'go into' South Brooklyn water lots. 'I'm too old +for that sort of a thing, Bos,' I say; 'it's quite natural for you to +ask me, and I don't blame you for trying it on, but you must find some +younger man. Tell me about that little affair with the mysterious Cuban +lady; when you only weighed a hundred and forty pounds, and never went +out without a thousand dollars in your pocket--in the blooming days of +youth, Bos, when you went plucking purple pansies along the shore.' + +Boscobello weighs over two hundred now, and would have a rush of blood +to the head if he were to stoop to pluck pansies. Mysterious Cuban +ladies, in fact ladies of any description, would pass him by as a +middle-aged person of a somewhat distressed appearance, and the dreams +of his youth are quite dreamed out. Nevertheless, when he warms with my +white Hermitage, the colors of his old life come richly out into sight, +and the romantic adventures of wealth and high spirits overpower, though +in the tame measures of recital, all the adverse influences of the +present hour. But as the evening wanes, the colors fade again; his +voice assumes a dreary tone; and I once more feel that I am with a man +who has outlived himself, and who, having never learned where the late +roses blow, is now too old to learn. + +The reader will perceive I am sorry for Boscobello. If I am remarkable +for anything, it is for my humanity, consideration, and sympathy. + +These qualities of my constitution lead me to enter into the affairs of +my clients with feeling and sincerity, but I fear I am sometimes +misunderstood. Not long ago I issued an order to my junior partners to +exercise more compassion for those unfortunate men with whom we decline +business, and not to tumble them down the front steps so roughly. Let +six of the porters attend with trestles, I said, and carry them out +carefully, and dump them with discretion in some quiet corner, where, as +soon as they recover their faculties, they may get up and walk away. I +put it to the reader if this was not a very humane idea, and yet there +are those who have stigmatized it as heartless. + +I wish I was better acquainted with the way in which common people live. +I can see how I have made mistakes in consequence of not understanding +the restricted means and the exigencies of these people, who are styled +respectable merchants. Thus when Boscobello has made some more than +ordinarily piteous application, I have said, 'Boscobello, dismiss about +fifty of your servants;' or, 'Boscobello, sell a railroad and put the +money back again into your business;' or, 'Boscobello, my good friend, +limit your table, say, to turtle soup, champagne, and truffles; live +more plainly, and don't take above ten quarts of strawberries a day +during the winter,--the lower servants don't really need them;' or, +'Boscobello, if you are really short, send around a hundred or so of +your fast trotters to my stables, and I'll pay you a long figure for +them, if they are warranted under two minutes.' Boscobello has never +made any very definite replies to such advice, and I have attributed his +silence to his nervousness; but I begin to suspect he has'nt quite +understood me on such occasions. Then again, when Twigsmith declared he +was a ruined man, in consequence of my refusal of further advances, and +that he should be unable to provide for his family, I said: 'Why, +Twigsmith, retire to one of your country seats, and live on the interest +of some canal or other, or discount bonds and mortgages for the country +banks.' Actually, I heard Twigsmith mutter as he went out, that it +wasn't right to insult a man's poverty. Now I hadn't the remotest idea +of injuring Twigsmith's feelings, for he was a very clever fellow, and +we made a good thing out of him in his time, but it seems that my advice +might not have been properly grounded. + +It begins to occur to me that there _may_ be such a case as that a man +may want something, and not be able to get it; and again, that at such a +time a weak mind may complain, and grow discouraged, and make itself +disagreeable to others. + +There is a set of old fellows who call themselves family men, and apply +for discounts as if they had a right to them, by reason of their having +families to provide for. I have never yet been able to see the logical +sequence of their conclusions, and so I tell them. What right does it +give anybody to my money that he has a wife, six children, and lives in +a large house with three nursery-maids, a cook, and a boy to clean the +knives? 'Limit your expenses,' I say to these respectable gentlemen, 'do +as I do. When Jennings comes to me on Monday morning, and reports that +the receipts of the week will be eighty millions, exclusive of the +Labrador coupons, which, if paid, will be eighty millions more, I say, +'Jennings, discount seventy, and don't encroach upon the reserves; you +may however let Boscobello have ten on call.' This is true philosophy; +adapt your outlay to your income, and you will never be in trouble, or +go begging for loans. If the Bank of England had always managed in this +way, they wouldn't have been obliged to call on our house for assistance +during the Irish famine.' + +These family men invite me to their wives' parties, constantly, +unremittingly. The billets sometimes reach my desk, although I have +given orders to put them all into the waste basket unopened. I went to +one of these parties, only one, I give you my honor as a gentleman, and +after Twigsmith and his horrid wife had almost wrung my hand off, I was +presented to a young female, to whom Nature had been tolerably kind, but +who was most shamefully dressed. In fact her dress couldn't have cost +over a thousand dollars--one of my chambermaids going to a Teutonia ball +is better got up. This young person asked me 'how I liked the Germania?' +Taking it for granted that such a badly dressed young woman must be a +school teacher, with perhaps classical tastes, I replied that it was one +of the most pleasing compositions of Tacitus, and that I occasionally +read it of a morning. 'Oh, it's not very taciturn,' she replied; 'I mean +the band.' 'Very true,' said I, 'he says _agmen_, which you translate +band very happily, though I might possibly say 'body' in a familiar +reading.' 'Oh dear,' she replied, blushing, 'I'm sure I don't know what +kind of men they are, nor anything about their bodies, but they +certainly seem very respectable, and they play elegantly; oh, don't you +think so?' 'I am glad you are pleased so easily,' I answered; 'Tacitus +describes their performances as indeed fearful, and calculated to strike +horror into the hearts of their enemies. But,' continued I, endeavoring +to make my retreat, for I began to think I was in company with an inmate +of a private lunatic hospital, 'they were devoted to the ladies.' +'Indeed they are,' said she,'and the harpist is _so_ gallant, and gets +so many nice bouquets.' It then flashed across my mind that she meant +the Germania musicians. 'They might do passably well, madame,' said I, +'for a quadrille party at a country inn, but for a dress ball or a +dinner you would need three of them rolled into one.' 'Oh, you gentlemen +are so hard to please,' she replied; and catching sight of the +Koh-i-noor on my little finger, she began to smile so sweetly that I +fled at once. + +It was at that party that I perspired. I had heard doctors talk about +perspiration, and I had seen waiters at a dinner with little drops on +their faces, but I supposed it was the effect of a spatter, or that some +champagne had flown into their eyes, or something of that sort. But at +this party I happened to pass a mirror, and did it the honor to look +into it. I saw there the best dressed man in America, but his face was +flushed, and there were drops on it. This is fearful, thought I; I took +my _mouchoir_ and gently removed them. They dampened the delicate +fabric, and I shook with agitation. The large doors were open, and after +a struggle of an hour and three quarters, I reached them, and promising +the hostess to send my _valet_ in the morning to make my respects, which +the present exigency would not allow me to stay to accomplish, I was +rapidly whirled homeward. I can hardly pen the details, but on the +removal of my linen, it was found--can I go on?--tumbled, and here and +there the snowy lawn confessed a small damp spot, or fleck of moisture. +Remorse and terror seized me. Medical attendance was called, and I +passed the night in a bath of attar of roses delicately medicated with +_aqua pura_. Of course, I have never again appeared at a party. + +People haven't right ideas of entertainment. What entertainment is it to +stand all the evening in a set of sixteen-by-twenty parlors, jammed in +among all sorts of strange persons, and stranger perfumes, deafened with +a hubbub of senseless talk, and finally be led down to feed at a long +table where the sherry is hot, and the partridges are cold? Very +probably some boy or other across the table lets off a champagne cork +into your eyes, and the fattest men in the room _will_ tread on your +toes. One might describe such scenes of torture at length, but the +recital of human follies and miseries is not agreeable to my +sensibilities. + +I dare say the reader might find himself gratified at one of my little +fetes. The editors of this journal attend them regularly, and have done +me the honor to approve of them. You enter on Twelfth avenue; a modest +door just off Nine-and-a-half street opens quietly, and you are ushered +by a polite gentleman--one of our city bank presidents, who takes this +means to increase his income--into an attiring room. Here you are +dressed by the most accomplished Schneider of the age, in your own +selections from an unequalled _repertoire_ of sartorial _chef d'ouvres_, +and your old clothes are sent home in an omnibus. + +I might delight you with a description of the ball room, but the editors +have requested me to the contrary. Some secrets of gorgeous splendor +there are which are wisely concealed from the general gaze. But a floor +three hundred feet square, and walls as high as the mast of an East +Boston clipper, confer ample room for motion; and the unequalled +atmosphere of the saloon is perhaps unnecessarily refreshed by fountains +of rarest distilled waters. This is also my picture gallery, where all +mythology is exhausted by the great painters of the antique; and modern +art is thoroughly illustrated by the famous landscapes of both +hemispheres. The luxuriant fancy of my favorite artist has suggested +unique collocations of aquaria and mossy grottoes in the angles of the +apartment, where the vegetable wealth of the tropics rises in perfect +bounty and lawless exuberance, and fishes of every hue and shape flash +to and fro among the tangled roots, in the light of a thousand lamps. In +the centre, I have caused the seats of the orchestra to be hidden at the +summit of a picturesque group of rocks, profusely hung with vegetation, +and gemmed with a hundred tiny fountains that trickle in bright beads +and diamonds into the reservoir at the base. From this eminence, the +melody of sixty unequalled performers pervades the saloon, justly +diffused, and on all sides the same; unlike the crude arrangements of +most modern orchestras, where at one end of the room you are deluged +with music, and at the other extremity you distinguish the notes with +pain or difficulty. The ceiling, by a rare combination of mechanical +ingenuity and artistic inspiration, displays, so as to quite deceive the +senses, the heavens with all their stars moving in just and harmonious +order. Here on summer nights you see Lyra and Altair triumphantly +blazing in the middle sky as they sweep their mighty arch through the +ample zenith; and low in the south, the Scorpion crawls along the verge +with the red Antares at his heart, and the bright arrows of the Archer +forever pursuing him. Here in winter, gazing up through the warm and +perfumed air, you behold those bright orbs that immemorially suggest the +icy blasts of January: Aldebaran; the mighty suns of Orion; diamond-like +Capella; and the clear eyes of the Gemini. Under such influences, with +the breath of the tropics in your nostrils, and your heart stirred by +the rich melodies of the invisible orchestra, waltzing becomes a sublime +passion, in which all your faculties dilate to utmost expansion, and you +float out into happy forgetfulness of time and destiny. + +Rarely at these fetes do we dance to other measures than those of the +waltz, though at times we find a relief from the luxuriance of that +divine rhythm in the cooler cadences of the Schottish. By universal +consent and instinct, we banish the quadrille, stiff and artificial; the +polka, inelegant and essentially vulgar; and the various hybrid +measures with which the low ingenuity of professors has filled society. +But we move like gods and goddesses to the sadly joyful strains of +Strauss and Weber and Beethoven and Mozart, and the mighty art of these +great masters fills and re-creates all our existence. + +Sometimes in these divine hours, thrilled by the touch of a companion +whose heart beats against and consonantly with mine, I catch glimpses of +the possibilities of a free life of the spirit when it shall be released +from earth and gravitation, and I conjecture the breadth of a future +existence. This will only seem irrational to such as have squeezed out +their souls flat between the hard edges of dollars, or have buried them +among theologic texts which they are too self-wise to understand. +History and the experience of the young are with me. + +From twelve to four you sup, when, and as, and where, you will. A +succession of little rooms lie open around an atrium, all different as +to size and ornament, yet none too large for a single couple, and none +too small for the reunion of six. What charming accidents of company and +conversation sometimes occur in these Lucullian boudoirs! You pass and +repass, come and go, at your own pleasure. Waltzing, and Burgundy, and +Love, and Woodcock are here combined into a dramatic poem, in which we +are all star performers, and sure of applause. These hours cannot last +forever, and the first daybeams that tell of morning, are accompanied by +those vague feelings of languor that hint to us that we are mortal. Then +we pause, and separate before these faint hints of our imperfection +deepen into distasteful monitions, and before our fulness of enjoyment +degenerates into satiety. Antiquity has conferred an immortal blessing +upon us in bequeathing to us that golden legend, NE QUID NIMIS;[19] a +legend better than all the teachings of Galen, or than all the dialogues +of Socrates. For in these brief words are compressed the experiences of +the best lives, and Alcibiades and Zeno might equally profit by them. +They contain the priceless secret of happiness; and do you, reader, +wisely digest them till we meet again. + +FOOTNOTES: + +[Footnote 19: 'Not too much.'] + + + + +THE SOLDIER. + +[BURNS.] + + + For gold the merchant ploughs the main, + The farmer ploughs the manor; + But glory is the soldier's pride, + The soldier's wealth is honor. + The brave, poor soldier ne'er despise, + Nor count him as a stranger; + Remember he's his country's stay + In day and hour of danger! + + + + +OUR PRESENT POSITION: ITS DANGERS AND ITS DUTIES. + +ADDRESSED TO THE PEOPLE OF ALL POLITICAL PARTIES. + + +When Daniel Webster replied to Senator Hayne, of South Carolina, during +the exciting debate on the right of secession, he commenced his +ever-memorable speech with these words: + + 'When the mariner has been tossed for many days in thick weather + and on an unknown sea, he naturally avails himself of the first + pause in the storm--the earliest glance of the sun--to take his + latitude, and ascertain how far the elements have driven him from + his true course. Let us imitate this prudence before we float + farther, that we may at least be able to conjecture where we now + are.' + +No words are fitter for our ears at this tumultuous period than are +these, when the passions of our countrymen, North and South, are excited +with the bitterest animosity, and when the discordant cries of party +faction at the North are threatening a desolation worse than that of +contending armies. In considering, then, our condition, it behooves us +first, to 'take our latitude, and ascertain where we now are,'--not as a +section or a party, but as a nation and a people. Let us avail ourselves +of that distant and dim glimmer in the heavens which even now is looked +upon by the sanguine as the promise of peace, and in its light survey +our dangers and nerve ourselves to our duties. We behold, then, a +people, bound together by the ties of a common interest, namely, +national prosperity and renown, and in possession of a land more favored +by natural elements of advantage than any other on the face of the +globe. We see them standing up in the ranks of hostile resistance each +to each, the one great and glorious army fighting for the restoration of +a nation once the envy of the world; the other great and glorious army +equally ardent and valorous in behalf of a separation of that territory +in which they are taught to believe we cannot hold together in peace and +amity. Both armies and people are evincing in their very warfare the +elements of character which heretofore distinguished us as a nation, and +are employing the very means for each other's destruction which were of +late the principles of action which rendered us in the highest degree a +nation worthy of respect at home and admiration abroad. It is not the +purpose of this paper to go back to causes or to relate the subsequent +events which have placed us where we are. These causes and events are +well known to us and to the world. But here we now stand, with this +fratricidal war increased to the most alarming proportions, and with, +results but partially developed. Here we of the North stand, with a +still invincible army, loyal to the cause nearest to the heart of every +patriot, and confident in the ability to withstand and overcome the +machinations of the enemy. Here, too, we--ay, _we_ of the South stand, +bound together in a common aim, an ardent hope, and a proclaimed and +omnipotent impulse to action. _This is the only proper view to take of +the case_--to regard our opponents as we regard ourselves, and to give +due credit where credit is due for valor, for motives, and for +principles of action. The North believes itself to be engaged in a +strife forced upon it by blinded prejudice and evil passion, and fights +for that which, if not worthy of fighting, ay, and dying for, is unfit +to live for, namely, national integrity. The South claims, little as we +can understand it, the same ground for rising against the land they had +sworn to protect, and whose fathers died with our fathers to create. We +at the North would have been pusillanimous and weak indeed had we +silently submitted to that which is in our view against every principle +of national right and renown. To have acted otherwise would have been to +bring down upon our heads the scorn and contempt of our enemies and of +every foreign power, from the strongest oligarchy to the most benevolent +form of monarchical government. Hence it is that while certain foreign +powers have not failed to improve the opportunity of our weakness, as a +divided nation, to insult and sneer, to preach peace with dishonor, and +advocate separation, which they know to be but another word for +humiliation, yet have they not failed to see and been forced to confess +that, divided as we are, we have shown inherent greatness and power, +_which, united, would be a degree of national superiority which might +well defy the world_. Nothing is more striking at this moment than this +great fact, and no topic is more worthy of the serious consideration of +our countrymen, North and South, than this. No time is fitter than now +to suggest the subject, and to see in it matter which is pregnant with +hopes for our future. If nothing but this great truth had been developed +by the war--this truth, bold, naked, defiant as it is, _is worth the +war_--worth all its cost of noble lives, of sacred blood, of yet +uncounted treasure. We stand before the world this day divided by the +fearful conflict, with malignant hate lighting the fires of either camp, +and with hands reeking in fraternal blood--with both sections of our +land more or less afflicted--with credit impaired, with the scoff and +jeers of nations ringing in our ears--we stand losers of almost every +thing but our individual self-respect, which has inspired both foes with +the ardor and courage born within us as Americans. This it is that +leaves us unshorn of our strength; this it is that enables us in this +very day of trial and adversity to present to the world the undeniable +fact that we have within us--not as Northerners, not as Southerners, +_but as Americans_--the elements of innate will and physical power, +which makes the scale of valor hang almost with an even beam, and +foretells us, with words which we cannot but hear--and which would to +God we might heed!--that, united, we can rear up on this beautiful and +bountiful land a temple of political, social, and commercial prosperity, +more glorious than that which entered into the dreams and aspirations of +the fathers who founded it. + +Alas! that the contemplation of so worthy a theme is marred by the 'ifs' +and 'buts' of controversial strife. Alas! that we cannot depress the +sectional opposing interests which are but secondary to a condition of +political consolidation, and elevate above these distracting and +isolated evils, the great and eternal principle, Strength as it alone +exists in Unity. Alas! that with the beam of suicidal measures we blind +the eye political, because, forsooth, the motes of individual or local +injuries afflict, as they afflict _all_ human forms of government. + +The great evil, North and South, before the war, during the war, and +now, is the want of political charity--that charity which, like its +moral prototype, 'suffereth long and is kind.' We the people, North and +South, have been and are unwilling to grant to the other people and +States the right to think, speak, and urge their own opinions--the very +right which each insists upon claiming for itself. It has been held +'dangerous' to discuss questions which, though in one sense pertaining +only to particular States, nevertheless bear upon the whole country. It +has been considered 'heresy' to urge with rhetoric and declamation, even +in our halls of Congress, certain principles for and against Slavery, +for example, lest mischief result from the agitation of those topics. +But in such remonstrance we have forgotten that the very principle of +democratic institutions involves the right of all men to think and act, +under the law, as each pleases. We have also forgotten that any subject +which will not bear discussion and political consideration must be +dangerous _in itself_, and pregnant with weakness, if not evil. There is +no harm in discussing questions upon which hang vital principles; for if +there exists on the one side strength and justice, all arguments on the +other side can do it no injury. With regard to Slavery, one of the +'causes' or 'occasions' of this unhappy war, it may be said that the +North owes much to the South which it has never paid, in a true and +kindly appreciation of the difficulties which have ever surrounded the +institutions of the latter. But let us not forget that one reason why +this debt has not been paid is because the South owes the North its +value received, by not being willing to admit in the other's behalf the +motives which underlay the efforts which have been made by the earnest, +or so-called 'radical' men, who have opposed the institution of slavery. +Pure misunderstanding of motive, pure lack of political as well as moral +charity, has been wanting between the men of the North who opposed, and +the men of the South who maintained the extension of slavery. Had each +understood the other better, it is probable that the character of each +would have assumed the following proportions: The slaveholder of the +South, inheriting from generations back a system of servitude which even +ancient history supported and defended, and which he in his inmost heart +believes to be beneficial to the slave not less than the master, regards +himself as violating no law of God or man in receiving from this +inferior race or grade of men the labor of their hands, and the right to +their control, while they draw from him the necessary physical support +and protection which it is in his belief his bounden duty to give. The +planter, a gentleman educated and a Christian, with the fear of God +before his eyes, believes this--the belief was born in him and dies in +him, and he is conscientiously faithful in carrying out the principles +of his faith. I speak now of no exceptional, but of general cases, +instancing only the representative of the highest class of Southern men. +Is it to be wondered at that such a man, looking from _his_ point of +vision, should regard with suspicion and distrust the efforts of those +who sought to abolish even by gradual means the apparent sources of his +prosperity? Is it remarkable that he should regard as his enemy the man +who preaches against and denounces as criminal the very system in which +he trusts his social and political safety? He will not regard that +apparent enemy what at heart and soul he really is, namely, a man as +pure and devout, as well meaning and conscientious as himself. The man +whom he scoffs at as a 'radical,' an 'abolitionist,' and a 'fanatic,' by +education and intuition believes in his very soul that the holding of +men in bondage, forcing from them involuntary labor, and the +consequences thereof, are pregnant with moral and political ruin and +decay. The system, not the men, is offensive to his eyes. Is he to blame +for this opinion, provided it be well founded in his mind? Admit it +eroneous in logic, still, if he believes it, is he to be condemned for +holding the belief, and would he not be contemptible in his own eyes if +he feared to express the moral convictions of his soul? The error of +both has been that both are uncharitable--both unwilling to allow the +right of opinion and freedom of debate on what both, as American +citizens, hold to be vital principles, dependent upon constitutional +provisions; the one claiming Slavery as the 'corner stone of political +freedom,' the other as the stumbling block in the way of its +advancement. This unwillingness to appreciate the motives of opposing +minds led at last one section of our beloved country to an unwillingness +to recognize the right of election, and, worse than all, an +unwillingness to abide by the results of that election. When that +principle--submission to the will of the majority--was overthrown, then, +indeed, did the pillars of our national temple tremble, and the seat of +our national power rock in its foundation. + +And now a word in connection with this same principle of submission, as +applicable to the people of the North in our present emergency. In +accordance with the plan adopted by the founders of our Government, and +practically illustrated in the election of George Washington and his +successors, the people by a plurality of votes elected to office and +placed at the head of our political system as its highest authority and +ruler, the present Chief Magistrate. From the day of his acknowledged +election, party politics settled into the calm of acquiescence, and all +loyal and true States and men bowed to the arbitrament of the ballot +box. That man, Abraham Lincoln, instantly became invested with the +potential right of rule under the Constitution, and the great principle +of constitutional liberty in his election and elevation stood justified. +It mattered not then, nor matters it now, to us, what may be individual +opinion of his merits or demerits, his ability or his disability. There +he is, not as a private citizen, but as the head of our Government: his +individuality is lost in his official embodiment. This principle being +acknowledged, and party opinion being buried, in theory at least, at the +foot of the altar of the Government _de facto_, whence is it that at +this time creeps into our council chambers, our political cliques, our +social haunts, our market places, ay, our most sacred tabernacles--a +spirit adverse to the principles for which we are fighting, laboring +for, and dying for? Let us--a people anxious for peace on honorable +grounds, anxious for a Union which no rash hand shall ever again attempt +to destroy--look, with a moment's calm reflection, at this alarming +evil. + +It is very evident to most men that, in spite of temporary defeats and +an unexpected prolongation of the war, the loyal States hold +unquestionably the preponderance of power. Nothing but armed +intervention from abroad can now affect even temporarily this +preponderance. As events and purposes are seen more clearly through the +smoke of the battle fields by the ever-watchful eyes of Europe, armed +intervention becomes less and less a matter of probability. The hopes of +an honorable peace, therefore, hang upon the increase and continuance of +this military preponderance. With the spirit of determination evinced by +both combatants, the unflinching valor of both armies, and with the +unquestioned resources and ability to hold out of the North, it appears +evident that the strife for mastery will in time terminate in favor of +the loyal States. There is but one undermining influence which can +defeat this end, and still further prolong the war, or, what is worse, +plunge the North into the irretrievable disaster of internal +conflict--and that undermining influence is _dissension among +ourselves_. Such a consummation would bring joy to the hearts of our +enemies and lend them the first ray of real hope that ultimate +separation will be their purchased peace. We will not here draw a +picture of that fallacious peace, that suicidal gap, whose festering +political sore would breed misery and ruin, not only for ourselves, but +for our posterity, for ages to come. But let us be warned in time. Even +now the insidious movement of dissension is hailed with satisfaction and +delight in the council meetings at Richmond, and no effort will be +spared to aid its devastating progress. False rumors will be raised on +the slightest and most insignificant grounds. Trivial mistakes and +blunders in the cabinet and the field will be magnified; facts +distorted, and the flame be blown by corrupting influences abroad and +at home, in the hopes--let them be vain hopes--that we the people will +be diverted from the great cause we have most at heart into side issues +and sectional distrust. And why? Because more powerful than serried +hosts and open warfare is the poison of sedition and conspiracy that is +thrown into the cup of domestic peace and confidence--more fatal than +the ravages of the battle field is that of the worm that creeps slowly +and surely--weakening, as it works, the foundations of the edifice in +which we dwell unsuspicious of evil. Is it astonishing that they, the +enemies of our common weal, should rejoice in these signs of incipient +weakness, or fail to resort to any expedient whereby our strength as a +united and loyal people can be made less? Have they not shown themselves +capable and ready to avail themselves of every weakness in our counsels +and in the field? Would not we do the same did we perceive distrust and +dissatisfaction presenting through the mailed armor of our opponents a +vulnerable point for attack? Then blame them not with muttered +imprecations, but look--ay, look to ourselves. The shape of this +undermining influence is political dissension at a period when the name +of 'party' ought to be obliterated from the people's creed. Let opinion +on measures and men have full and unrestricted sway, so far as these +opinions may silently work under the banner of the one great cause of +self-preservation; but let them not interfere with the prosecution of +the efforts of the Government, whether State or national, to prosecute +this holy and patriotic war in defence of the principles which created +and are to keep us a united nation. Let us not tempt the strength of the +ice that covers the waters of political and partisan problems, while we +have enough to do to protect and cover the solid ground already in our +possession. The President of the United States, be he who or what he +may--think he how or what he will, enact he what he chooses--is, let us +remember, the corner stone of our political liberty. The Constitution is +a piece of parchment--sacred and to be revered--but it is, in its +outward presentment, material and inactive. The _spirit_ of the +Constitution is intangible and ideal, its interpretation alone is its +vitality. We the people--through equally material morsels of paper +entitled votes--raise the spirit of the Constitution by placing in the +halls of Congress the interpreters of that Constitution, over whom and +above all sits the Chief Magistrate, who, once endowed by us with power, +retains and sways it until another, by the same process, carries out at +our will the same eventualities. Our part as electors and adjudicators +is done, and it ill becomes us to weaken or hold up to the ridicule of +the world the power therein invested, by questions as to the President's +'right' or 'power' or 'ability' to enact this measure or that. + +Away then with the unseemly cry of 'the Constitution as it is,' 'the +Union at it was,' the 'expediency' or 'non-expediency' of employing the +war power, the interference or the non-interference of the man and the +men established by us to represent us with the military leaders, the +finances, or the thousand and one implements of administration, _which +they are bound to employ_, not as we, but as they, holding our powers of +attorney for a specified and legalized period, in their human wisdom +deem best for the common good of the land. Let us have faith in the +motives and intentions of our political administration, or if we have +lost our faith, let us submit--patiently and with accord. Above all, at +a period like this, when the minds of the best men and the truest are +oppressed with a sense of the injustice with which a portion of our +countrymen regard us, it most behooves us to keep our social and +political ranks closed and in order, subject to the will of that +commander, disobedience to which is infamy and ruin. No matter with +what diversity of tongues and opinions we pursue our individual +avocations and aims, we are all pilgrims pressing forward like the +followers of Mohammed to the Kebla stone of _our_ faith--Peace founded +on Union. + +What if a party clique utters sentiments adverse to our own on the never +ceasing topic of political policy? Is it not the expression of a mind or +a hundred minds forming a portion of the great body politic, of which we +ourselves are a part, and are they not entitled to their opinion and +modes of expressing it, providing it be done with decorum and with a +proper respect for the opinions of their adversaries? Why then do we or +they employ, through the press and in rhetorical bombast, opprobrious +epithets, fit only for the pot-house or the shambles? Shall we men and +citizens, each of us a pillar upholding the crowning dome of our +nationality, be taught, like vexed and querulous children, the impotence +of personal abuse? Why seek to lay upon the head of this Cabinet officer +or that, this Senator or that, the responsibility of temporary military +defeats, when we are no more able to command and prevent reverses than +are they? Or if in our superior wisdom we deem ourselves to be the +better able to direct and administer, why do we forget that others among +us, inspired by the same love of country, and equally ardent for its +safety and advancement, hold exactly contrary opinions? It is not a +matter of opinion--it is not a matter for interference, it is simply and +only a matter for untiring unflinching confidence and support. We have +done our duty as a people, and elected our Administration--let us, in +the name of all that is sublime and fundamental in republican +principles, support and not perplex them in the hard and complex problem +which they are appointed to solve. These are principles, which, however +trite, need to be kept before us and practically sustained at a period +when, as is often the case in long and tedious wars, the dispiriting +influence of delays and occasional defeats work erroneous conclusions in +the minds of the people, leading to unjust accusations against the men +in power, and an unwillingness to frankly acknowledge that the evil too +often originated where the result most immediately occurred. In other +words, our armies have often suffered simply and for no other reason +than that they were outgeneralled on the field of battle, or overpowered +by military causes for which no one is to blame--least of all, the +President or his advisers. + +And here let one word be said against the arguments of those +well-meaning and patriotic men who attempt to prove that certain acts of +the Government have been injudicious and unwise--such, for example, as +the suspension of the habeas corpus, the alleged illegal arrests, and +the emancipation policy. It is not the purpose of this paper to enter +into additional argument to sustain this opinion or to disprove it. But +in justice to the Government--simply because it is a Government--let it +not be forgotten that when events heretofore unforeseen and unprepared +for are throwing our vast nation into incalculable confusion, and when +it becomes absolutely imperative that the head of the Government must +act decisively and according to the promptness of his honest judgment, +and when we know equally well that that judgment, be it what it may, +cannot accord with the various and diverse opinions of _all_ men, then +it behooves his countrymen, if not to acquiesce in, to support whatever +that honest judgment may decide to be best for the emergency. No doubt, +errors have been made, but they are errors inconceivably less in their +results than would be the unpardonable sin of the people, should they, +because differing in opinion, weaken the hands and confuse the purposes +of the powers that be. With secret and treacherous foes in our very +midst, hidden behind the masks of a painted loyalty, the President, +after deep and earnest consultation and reflection, deemed it his duty +to authorize arrests under circumstances which he solemnly believed were +the best adapted to arrest the evil, though, by so doing, many good and +innocent men might temporarily suffer with the bad. So too with regard +to the proclamation of freedom--be the step wise or unwise, and there is +by no means a unity of sentiment on this head--the President conceived +it to be the duty of his office--a duty which never entered into his +plans or intentions until the war had increased to gigantic and +threatening proportions--to level a blow at what he and millions of his +countrymen believe to be the stronghold of the enemy, viz., that system +of human servitude which nourished the body politic and social now +standing in armed and fearful resistance to the Constitution and the +laws. It matters not, so far as opinion goes, whether the step was wise +or foolish, if the executive head deemed it wise. Nor was it a hasty or +spasmodic movement on his part. Months were devoted to its +consideration, and every argument was patiently and candidly listened to +from all the representatives of political theory for and against. Even +then no hasty step was taken; but, on the contrary, our deluded +countrymen in arms against us were forewarned, and earnestly, +respectfully advised and entreated to take that step in behalf of Union +and peace, which would leave their institution as it had existed. Nay, +more: terms whereby no personal inconvenience or pecuniary loss to them +would be involved if they would but be simply loyal to the Government, +were liberally offered them, with three months for their consideration. +Let those of us who, notwithstanding these ameliorating circumstances, +doubt the good policy of the act, remember that they of the South, our +open foes, invited the measures. Their leaders acknowledged and their +press boasted that the Southern army never could be overcome--if for no +other reason, for this reason, that while the army of the North was +composed of the bone and muscle of the great working classes, drawn away +from the fields of labor and enterprise, which must necessarily, in +their opinion, languish from this absence, the Confederate army was +composed of 'citizens' and property owners (to wit, slaveholders), whose +absence from their plantations in no way interfered with the growth of +their cotton, sugar, corn, and rice, from which sources of wealth and +nourishment they could continue to draw the sinews of war. They went +farther than this, and acted upon their declaration by employing their +surplus slave labor in the work of intrenching their fortifications, +serving their army, and finally fighting in their army. + +Upon this basis of slave labor they asserted their omnipotence in war +and ability to continue the struggle without limit of time. The +subsidized press of England supported this theory, and declared that +with such advantages it was idle for the Federal Government to maintain +a struggle in the face of such belligerent advantages! Then, and not +till then, were the eyes of the President open to a fact which none but +the political blind man could fail to observe, and then it was that not +only the President, but a very large proportion of our countrymen, +heretofore strictly conservative men, felt that the time had come when +further forbearance would be suicidal. Although many doubted and still +doubt if slavery was the cause of the rebellion, very many were forced +to the conclusion that what our enemies themselves admitted to be the +strength of the rebellion was indeed such, and that the time had arrived +to avail themselves of that military necessity which authorizes the +Government to adopt such measures as may be deemed the most fitting for +crushing rebellion and restoring our constitutional liberty. Let us +think, then, as we please upon the judiciousness of the +proclamation--that it was uttered with forethought, calmness, and with a +full sense of the responsibility of the President to his God and his +country, none of us can deny. With this we should be satisfied. We have +but one duty before us, then, as a government and a people--and that is, +an earnest, devoted prosecution of this war for the integrity of our +common country. In the untrammelled hands of that Government let us +leave its prosecution. We have but one duty before us as individuals, +and that is to support the existing Government with our individual +might. Let the cry be loud and long, as, thank Heaven, it still is, 'On +with the war,' not for war's sake, but for the sake of that peace, which +only war, humanely and vigorously conducted, can achieve. + +Fling personal ambition and individual aggrandizement to the winds. Let +political preferment and partisan proclivities bide their time, and as a +united and one-minded people, devote heart and mind, strength and money, +to the prosecution of the campaign, without considering what may be its +duration, and without fear of circumstance or expenditure. If it be +necessary, let the public debt be increased until it reaches and exceeds +the public liabilities of the most indebted Government of Europe. We and +our descendants will cheerfully pay the interest on that expenditure +which purchased so great a blessing as national endurability. Meanwhile, +with unity, forbearance, perseverance, and the silent administration of +the ballot box, we will, as a people, maintain, notwithstanding that a +portion of the land we hold dear stands severed from us by hatred and +prejudice, the prosperity which we still claim, and the renown which was +once accorded to us. By so doing, and by so doing only, shall our former +grandeur come back to us--though its garments be stained with blood. A +grandeur which, without hyperbole, it may be said, will outstrip the +glory which, as a young and sanguine people, we have ever claimed for +our country. The reason for so believing is the simple and undeniable +fact that out of the saddening humiliation and devastation of this civil +war has arisen the better knowledge of the wonderful resources, +abilities, and determined spirit of the American people. We see--both +combatants--that we are giants fighting, and not quarrelling pigmies, as +the foreign enemies of us both have vainly attempted to prove. We see, +both combatants, how vast and important to each is the territory we are +struggling for, how inseparable to our united interests are the sources +of wealth imbedded in our rocks, underlying our soil, and growing in its +beneficent bosom. We see, both combatants, how strong is the commerce of +the East to supply, like a diligent handmaiden, the wants of every +section; how bountiful are the plantations of the South and the +granaries of the West to keep the world united to us in the strong bonds +of commercial and friendly intercourse; how absolutely necessary to the +prosperity of both are the deep and wide-flowing rivers which run, like +silver bands of peace, through the length and breadth of a land whose +vast privileges we have been too blind to appreciate, and in that +blindness would destroy. Above all, we are _beginning_ to see that like +two mighty champions fighting for the belt of superiority, we can +neither of us achieve that individual advantage which can utterly and +forever place the other beyond the ability of again accepting the +gauntlet of defiance, and that our true and lasting glory can alone +proceed from a determination to shake hands in peace, and, as united +champions, defying no longer each other, defy the world. Nor would the +South in consenting to a reunion _now_ find humiliation or dishonor. She +has proved herself a noble foe--quick in expedient, firm in +determination, valorous in war. We know each other the better for the +contest; we shall, when peace returns, respect each other the more; and +although the cost of that peace, whenever it comes, will be the +sacrifice of many local prejudices and sectional privileges, what, oh, +what are such sacrifices to the inestimable blessings of national +salvation? + + + + +THE COMPLAINING BORE. + + +About the most disagreeable people one meets with in life are those who +make a business of complaining. They ask for sympathy when they merit +censure. There is no excuse for man or woman making known their private +griefs except to intimate friends or those who stand in the nearest +relation to them. I have no patience with the man who wishes to catch +the public ear with the sound of his repining. Be it that he complain of +the world generally, or specify the particular occasion of his +dumpishness, he is in either aspect equally contemptible. What a +serio-comic spectacle a man presents who imagines that everybody is in a +leagued conspiracy against him to disappoint his hopes and thwart his +plans for success! He thinks he is kept from rising by some untoward +fate that is bent on crushing him into the ground, feels that he is the +victim of persecution, the sport of angry gods. Not having the spirit of +a martyr, he frets and fumes about his condition, and finds a selfish +relief in counting over his grievances in the presence of all who are +good-natured enough to listen. Such a fellow is a social nuisance--away +with him! The fact usually is that the world has more reason to complain +of him than he of the world. For instance, I know a man who has become +misanthropic, but who should hate himself instead of the whole race. + +Mr. Jordan Algrieve has become disgusted with life, and confesses than +his experiment with existence has thus far proved a failure. He has +combated with the world, and the world has proved too much for him, and +he acknowledges the defeat. Mr. Algrieve is on the shady side of fifty, +and his hair getting to be of an iron gray. His features are prominent, +with a face wrinkled and shrivelled by discontent and acidity of temper. +His tall figure is bent, not so much by cares and weight of years, as in +a kind of typical submission to the stern decree of an evil destiny. + +Strange to say, he is well educated, and graduated with honor at one of +our Eastern colleges. With a knowledge of this fact, it is pitiable to +see him standing at the corner of the street in his busy town in a suit +of seedy black and a shockingly bad hat, chafing his hands together and +pretending to wait for somebody who never comes. + +Poor Algrieve, he is a man under the table, and he knows it. He has +tried to be somebody in his way, but has failed sadly in all his +efforts. It is said that Algrieve always had a constitutional aversion +to legitimate and continued labor, but has a passion for making strikes +and securing positions that afford liberal pay for little work. + +Thinking a profession too monotonous and plodding, he never took the +trouble to acquire one. As to honest manual toil, that was an expedient +he never so much as dreamed of. In early life he was so unfortunate as +to secure an appointment to a clerkship in the Assembly, and after that +he haunted the State Legislature for five or six winters in hot pursuit +of another place, but his claims failing to be recognized, he relapsed +into the natural belief that his party was in league to proscribe him. +After making a large number of political ventures of a more ambitious +order, and with the same mortifying results, he abandoned that field and +took to speculation in patent rights. He vended a wonderful churn-dash, +circulated a marvellous flatiron, and expatiated through the country on +the latest improvement in the line of a washing machine. But these +operations somehow afforded him but transient relief, and left him +always involved still more largely in debt. At different times in his +life he had also been a horse dealer, a dry-goods merchant, a saloon +keeper, the proprietor of a tenpin alley, and managed to grow poorer in +all these various occupations. The last I saw of him he was reduced to +peddling books in a small way, carrying his whole stock in a new market +basket. He was very importunate in his appeals to customers to purchase, +putting it upon the ground that he had been unfortunate and had a claim +to their charity. I happened to see him in the office of the popular +hotel in Podgeville, when he was more than usually clamorous for +patronage. He accosted nearly every man in the room with a dull, +uninteresting volume in his hand, and for which he asked a respectable +price. At last he set down his basket, and commenced a kind of +snivelling harangue to his little audience. Mr. Algrieve opened by +saying: + + 'Gentlemen, you'll pardon me for thrusting myself upon your + attention; but it is hard to have the world turned against ye, and + to work like a slave all your life to get something to fall back on + in old age, and then have to die poor at last! I hope none of you + have ever known what it is to be born unlucky; to never undertake + anything but turned out a failure, and to meet disappointment where + you deserved success. I am such a man!' + +Here Mr. Algrieve produced a fragmentary pocket handkerchief for the +ostensible purpose of absorbing an expected tear, but really to give his +remark a tragic effect. He continued: + + 'Behold an individual who has been doomed to penury and + destitution, but who has not met his fate without a struggle. You + who have known me, gentlemen, for the last thirty years, know that + Jordan Algrieve has battled with life manfully.' At this point he + put out his clenched fist in defiance of his fancied enemy.' But I + have been compelled to yield to the force of circumstances--not, + however, till I had taken my chance in nearly every department of + honorary endeavor, and experienced the most wretched success. The + world has pronounced its ban upon me, and I must bow submissively + to its cruel imposition. I tried to serve my country in the + capacity of a public official, but my services and talents were + repeatedly rejected--the majority of voters always so necessary to + an honest election was forever on the side of my lucky opponent. + When I withdrew from the political field, impoverished by my + efforts to advance the prosperity of my party, I embarked in a + small commercial enterprise; but owing to the tightness of the + times, and my want of capital, I was soon obliged to give up and + throw myself upon the mercy of my creditors. I have tried popular + amusements, and lost money--that is, I failed to make it. I even + branched out into fancy speculations, but they only served to sink + me still deeper in the yawning depths of insolvency!' + +Mr. Algrieve here paused, and seemed to look down into the frightful +gulf with a shuddering expression, as if he were not quite accustomed to +the descent yet. + + 'In short, gentlemen, I am completely prostrated--I am floored! And + is the world willing to help me up? By no means! On the contrary, + when I commenced falling and slipping on the stairs of human + endeavor the world was ready to kick me down, down, till I reached + the--in short, gentlemen, till I became what I now am. Now, what + have I done, let me ask, that I should fare thus? Have I not made + an effort? I appeal to you, gentlemen, to say. [A voice from the + crowd here chimed in: 'Yes, Algrieve, your efforts to live without + work have been immense!'] But here I am, poor and persecuted; my + family are in want of some of the common necessaries of life; and + now, gentlemen, I beg some of you will buy that book (holding out a + copy of the 'Pilgrim's Progress'), and do something to avert for a + while, at least, the pauper's fate!' + +Some benevolent gentleman, either from a charitable motive, or to put an +end to his lachrymose oration, bought the volume for $1.25. Mr. Algrieve +received the money with many expressions of gratitude, and, gathering up +his stock, moped off into the drinking room, and invested a dime in a +gin cocktail, and five cents in a cigar, with which he sought to solace +himself for all the inflictions of the inexorable world. + +Thus Jordan Algrieve goes about telling of his reverses and misfortunes, +exhibiting them to the public eye like a beggar his sores, without shame +or remorse; seeking to levy contributions on his fellow men, as one who +has been robbed of his estate. Reader, will you say that you have never +met with Jordan Algrieve? + +Another common species of the complaining bore are those who are +continually parading their bodily infirmities. For example, a man will +call on you, apparently for the express purpose of illustrating a most +interesting case of neuralgia. He comes into your office, perhaps, with +his head tied up in a handkerchief, and an expression of face as if he +had some time winked one eye very close, and had never since been able +to open it. Thinking himself an object worthy of study, he shows how the +darting pains vacillate between his eyes, invade his teeth, hold general +muster in his cheeks, take refuge in the back of his neck; and +demonstrates these points to you by applying his hands to the parts +designated, and uttering cries of feigned anguish to give effect to his +description. He informs you, as a piece of refreshing intelligence, that +it is devilish hard to bear, and enough to make a saint indulge in +profanity. When he has proceeded thus far, he may be taken with one of +his capricious pains, ducks his head between his knees, squeezes it with +his hands, and bawls out: 'O-h! Je-ru-sa-lem!' with a duration of sound +only limited by the capacity of his wind. He feels that he has a witness +to his sufferings, and wishes to make the most of it. When he gets +sufficiently easy, he tells you his experience with various remedies, +enumerates all the lotions, liniments, ointments, and other applications +he has used, with his opinion on the merits of each. + +Another person will accost you on a bright day with a most saturnine and +wo-begone visage, informing you that he is in a terrible way, that his +food distresses him, and he can't any longer take comfort in eating. He +places his hand in the region of his stomach, remarks that he feels a +great load there, and makes the usual complaints of a dyspeptic. He is +pathetic over the fact that his physician has denied him fried oysters +and mince pie for evening lunch, and closes his observations by +exclaiming in a moralizing vein that 'such is life!' + +A third individual has a throat disease, and, forgetful of his bad +breath, desires you to take a minute survey of his glottis, and inform +him of its appearance. Accordingly he opens his mouth and throws back +his head as if he were inviting you to an entertaining show. + +These are but a tithe of the examples of people who exhibit in public +and at social gatherings their ills and ailments, accompanied with +dreary complainings of their bodily inflictions. It implies no +indifference or lack of sympathy for physical pain and hardships to say +that its victims have no right to mar the enjoyment of others by the +unnecessary display of their infirmities or present sufferings. If a man +will make a travelling show of his disorders, he should be obliged to +carry a hand organ to give variety to his stupid entertainment. Were +these fellows all compelled to furnish this accompaniment, what a +musical bedlam our streets would become! Of course, there is no law +against complaining and repining--it may not be immoral--but it is a +very poor method of making those around us happy, which is a duty that +none but selfish natures can forget. A man who goes through life with a +smiling face and cheerful temper, despite the grievances common to us +all, is a public benefactor in his way, as much as one who founds a +library or establishes an asylum. + +Misanthropy is a sublime egotism that mistakes its own distemper for a +disease of the universe. With all the mishaps to which our life is +subject, a glance over a wide range of human experience proves that God +helps those who help themselves, and whatever be the tenor of our +fortune, levity is more seemly than moodiness, and under any +circumstances there is more virtue in being a clown than a cynic. But in +adversity, a subdued cheerfulness and quiet humor are, next to Christian +fortitude, the golden mean of feeling that makes the loss of worldly +things rest lightly on the heart, and spreads out before the hopeful eye +the vision of better days! + + + + +DEATH OF THE BRAVE. + + + 'How sleep the brave who sink to rest + By all their country's wishes blest! + When spring with dewy fingers cold + Returns to deck their hallowed mould, + She then shall dress a sweeter sod + Than fancy's feet have ever trod.' + + + + +LITERARY NOTICES + + + THE ICE MAIDEN, AND OTHER TALES. By HANS CHRISTIAN ANDERSEN. + Translated by FANNY FULLER. Philadelphia: F. Leypoldt. New York: C. + T. EVANS. 1863. + +Probably no writer of stories for the young ever equalled Hans Christian +Andersen; certainly none ever succeeded as he has done in reproducing +the nameless charm of the real fairy tale which springs up without an +author among the people,--the best specimens of which are the stories +collected by the Brothers Grimm in Germany. But this exquisite +fascination of an inner life in animals and in inanimate objects, which +every child's mind produces from dolls and other puppets, and which +makes fairies of flowers, is by Andersen adroitly turned very often to +good moral and instructive purpose, without losing the original sweet +and simple charm which blends the real and the imaginary. Here he +surpasses all other tale writers, nearly all of whom, in their efforts +at simplicity in such narratives, generally become supremely silly. + +The present volume contains four stories--'The Ice Maiden,' 'The +Butterfly,' 'The Psyche,' and 'The Snail and the Rose Tree,'--all in +Andersen's usual happy and successful vein; for he is preeminently an +_equal_ writer, and never falls behind himself. Perhaps the highest +compliment which can be paid them is the truthful assertion that any +person may read them with keen interest, and never reflect that they +were written for young people. Poetry and prose meet in them on equal +grounds, and any of them in verse would be charming. The main reason for +this is that such stories to charm must set forth natural objects with +Irving-like fidelity; nay, the writer must, with a few words, bring +before us scenes and things as in a mirror. In this 'The Ice Maiden' +excels; Swiss life is depicted as though we were listening to _yodle_ +songs on the mountains, and felt the superstitions of the icy winter +nights taking hold of our souls. + +'The Psyche' is an art-story. Most writers would have made it a legend +of 'high' art, but it is far sweeter and more impressive from the sad +simplicity and gentleness with which it is here told. 'The Butterfly,' +on the contrary, is a delightful little burlesque on flirtations and +fops; and 'The Snail and the Rose Tree' is much like it. Both are really +fables of the highest order, or shrewd prose epigrams. + +The volume before us is well translated; very well, notwithstanding one +or two trifling inadvertencies, which, however, really testify to the +fact that the best of all pens for such version--a lady's--was employed +in the work. A _Skytte_, for instance, in Danish, or _Schutz_ in German, +is generally termed among the fraternity of sportsmen a 'shot,' and not +a 'shooter.' But the spirit of the original is charmingly preserved, and +Miss Fuller has the rare gift of using short and simple words, which are +the best in the world when one knows how to use them as she does. We +trust that we shall see many more stories of this kind, translated by +her. + +We must, in conclusion, say a word for the dainty binding (Pawson & +Nicholson), the exquisite paper and typography, and, finally, for the +pretty photograph vignette with which this volume is adorned. Mr. +Leypoldt has benefited Philadelphia in many ways,--by his foreign and +American circulating library, his lecture room, and by his republication +in photograph of first-class engravings,--and we now welcome him to the +society of publishers. His first step in this direction is a most +promising one. + + + NOTES, CRITICISMS, AND CORRESPONDENCE UPON SHAKSPEARE'S PLAYS AND + ACTORS. By JAMES HENRY HACKETT. New York: Carleton, 413 Broadway. + 1863. + +This work will be one of great interest, firstly to all those who visit +the theatre, secondly to readers of Shakspeare, and thirdly to all who +relish originality and naivete of character, such as Mr. Hackett +displays abundantly, from the rising of the curtain even to the going +down of the same, in his book. There are no men who live so much within +their profession as actors, or are so earnest in their faith in it; and +this devotion is reflected unconsciously, but very entertainingly, +through the whole volume. Shakspeare tells us that all the world is a +stage--to the actor the stage is all his world, the only one in which he +truly lives. + +We thank Mr. Hackett for giving us in this volume, firstly, very minute +and excellent descriptions of all the eminent actors of Shakespeare +within his memory--not a brief one, he having been himself a really +excellent and eminent actor since 1828. It is to be regretted that there +are not more such judicious descriptions as these. The author has, as we +gather from his book, been in the habit of recording his daily +experiences, and consequently writes from better data than those +afforded by mere memory. The reader will also thank him for many +agreeable minor reminiscences of celebrities, and for giving to the +public his extremely interesting correspondence on Shaksperean subjects +with John Quincy Adams and others. The views of the venerable statesman +on _Hamlet_, and on 'Misconceptions of Shakspeare on the Stage,' +indicate a very great degree of study of the great poet, and of +reflection on the manner in which he is over or under acted. Nor are Mr. +Hackett's own letters and criticisms by any means devoid of +merit--witness the following: + + 'Mr. Forrest recites the text (of King Lear) as though it were all + prose, and not occasionally written in poetic measure; whereas, + blank verse can, and always should, be distinguishable from prose + by proper modulations of the voice, which a listener with a nice + ear and a cultivated taste could not mistake, nor, if confounded, + detect in their respective recitals: else Milton as well as + Shakspeare has toiled to little purpose in the best-proportioned + numbers.' + +The criticism on Forrest is throughout judicious, and, though frequently +severe, is still very kindly written when we consider the 'capacities' +of the subject. + +As regards Mr. Hackett's views of readings, we detect in them a little +of that tendency to excessive accentuation, and that disposition to +'make a hit' or a sensation in every sentence which renders most, or +all, Shaksperean or tragic acting so harsh and strained, and which has +made the word 'theatrical' in ordinary conversation synonymous with +'unnatural.' Something of this is reflected in the enormous amount of +needless italicizing with which the typography of the book is afflicted, +and which we trust will be amended in future editions. We cheerfully +pardon Mr. Hackett for sounding his own praises--sometimes rather loudly +and frequently, as in the republication of a sketch of himself--since, +after all, we thereby gain a more accurate idea of a favorite actor, who +has for thirty-six years pleased the public, and gained in that long +time the character of a conscientious artist who has always striven to +improve himself. + +To one thing, however, we decidedly object--the questionable taste +displayed by the author in answering in type criticisms of his acting, +and in republishing them in his work. We can well imagine the temptation +to be great, but to yield to it is not creditable to a good artist. With +this little exception, we cordially commend the work to all readers. + + + DEVOTIONAL POEMS. By R. T. CONRAD. Philadelphia: J. B. Lippincott & + Co. 1862. + +The late Judge Conrad left a number of religious poems, which +fortunately fell into the hands of those who appreciated their merit, +and we now have them in volume, with an introductory poem to the widow +of the deceased and a preface by George H. Boker, to whom the editing of +the present volume was committed. These lyrics, as we infer, were +written in the spirit of private devotion, and are therefore gifted with +the greatest merit which can possibly inspire religious writing--we mean +deep sincerity. But apart from the _spirit_,--the _sine qua non_,--the +beauty of the form of these works will always give them a high value to +the impartial critic. They are far above the mediocrity into which most +religious writers always at first _appear_ to be lost, owing to the vast +amount of thoughts and expressions which they are compelled to share in +common with others. And as there has been awakened within a few years a +spirit of collecting and studying such poetry, we cordially commend this +work to all who share it. + +As regards form, one of the more marked poems in this collection is +'The Stricken;' we have room only for the beginning: + + Heavy! Heavy! Oh, my heart + Seems a cavern deep and drear, + From whose dark recesses start, + Flatteringly like birds of night, + Throes of passion, thoughts of fear, + Screaming in their flight. + Wildly o'er the gloom they sweep, + Spreading a horror dim,--a woe that cannot weep! + + Weary! Weary! What is life + But a spectre-crowded tomb? + Startled with unearthly strife, + Spirits fierce in conflict met, + In the lightning and the gloom, + The agony and sweat; + Passions wild and powers insane, + And thoughts with vulture beak, and quick Promethean pain. + +We select this single specimen from its remarkable resemblance to +Anglo-Saxon religious poetry,--by far the sincerest, and, so far as it +was ripened, the soundest, in our language. With the exception of the +Promethean allusion, every line in these verses is singularly Saxon--the +night birds, screaming in gloom--as in the '_Sea Farer_,' where, instead +of joyous mirth, + + 'Storms beat the stone cliffs, + Where them the starling answered, + Icy of wing.' + +The divisions of this work are 'Sinai,' which is in great measure a +commentary on virtues and vices, 'Sonnets on the Lord's Prayer,' and +'Bible Breathings.' Of these we would commend the Sonnets, as forming +collectively a highly finished and beautiful poem, complete in each +detail. The little poem, 'A Thought,' is as perfect as a mere simile in +verse could be. + +Robert T. Conrad, who was born in Philadelphia in 1810, and died there +in 1858, first became known to the public by a drama entitled _Conrad of +Naples_, a subject which has been extensively treated by German writers, +Uhland himself having written a tragedy on it. After being admitted to +the bar, Conrad connected himself with the press, but resumed the +practice of law in 1834 with success, being appointed judge of the +criminal sessions in 1838, and of the general sessions in 1840. He was +subsequently president of a well-known railroad company, and mayor of +his native city. During the intervals of his business he was at one time +editor of _Graham's Magazine_, and acquired a literary reputation by his +articles in the _North American_, and by the well-known tragedy of +_Aylmere_, in which Mr. Forrest, the actor, has frequently appeared as +'Jack Cade.' In addition to these, Mr. Conrad published, in 1852, a +volume entitled 'Aylmere and other poems,' which was very extensively +reviewed. In it the 'Sonnets on the Lord's Prayer' first appeared. + +The volume before us is very well edited in every respect, and makes its +appearance in very beautiful 'externals.' The paper, binding, and +typography are, in French phrase, as applied to such matters, +'luxurious.' + + + SKETCHES OF THE WAR: A Series of Letters to the North Moore Street + School of New York. By CHARLES C. NOTT, Captain in the Fifth Iowa + Cavalry. New York: Charles T. Evans, 448 Broadway. 1863. + +Were this little work ten times its present length, we should have read +it to the end with the same interest which its perusal inspired, and +arrived, with the same regret that there was not more of it, at its last +page. It is simple and unpretending, but as life-like and spirited as +any collection of descriptive sketches which we can recall. We realize +in it all the vexations of mud, all the horrors of blood, and all the +joys of occasional chickens and a good night's rest, which render the +soldier's life at once so great and yet so much a matter of petty joys +and sorrows. The love of the rider for the good horse--for his pet +Gypsy--her caprices and coquetries, are set forth, for instance, very +freely, without, however, a shadow of affectation, while in all his +interviews with men and women, the characters come before us 'like +life,' and give us a singularly accurate conception of the social +effects of the war in the West. The appearance of the country is +unconsciously detailed as accurately as in a photograph, and the events +and sensations of battle are presented with great ability; in fact, we +have as yet seen no sketches from the war which in these particulars are +equal to them. They are free from 'fine writing,' and are given in +simple, intelligible language which cannot fail to make them generally +popular. The occasional flashes of humorous description are extremely +well given--so well that we only wish there had been more of them, as +the author has evidently a talent in that direction, which we trust will +be more fully developed in other works. + + + + +EDITOR'S TABLE + + +With all the outcry that has been raised at the slow progress of the +war, it is difficult for a comprehensive mind to conceive how, on the +whole, the struggle with the South could have advanced more favorably to +the _general interests_ and future prosperity of the whole country, than +it has thus far done. 'Had the Administration been possessed of +sufficient energy, it could have crushed the rebellion in the first +month,' say the grumblers. Very possibly--to break out again! No amount +of prompt action could have calmed the first fire and fury of the South. +It required _blood_; it was starving for war; it was running over with +hatred for the North. + +The war went on, and, as it progressed, it became evident that, while +thousands deprecated agitation of the slave question as untimely, the +war could never end until that question was disposed of. And it also +became every day more plain that the 'little arrangement' so frequently +insisted on, and expressed in the words, 'Conquer the enemy _first_, and +_then_ free the slaves,' was a little absurdity. It was 'all very +pretty,' but with the whole North and South at swords-points over this +as the alleged cause of war--with all Europe declaring that the North +had no intention of removing the cause of the war--with the slave +constantly interfering in all our military movements--and, finally, with +a party of domestic traitors springing up everywhere, at home and in the +army itself, it became high time to adopt a fixed policy. It _was_ +adopted, and President LINCOLN, to his lasting honor, and despite +tremendous opposition, issued the Proclamation of January First--the +noblest document in history. + +It is difficult to see how, when, or in what manner slavery would have +disappeared from a single State, had the war been sooner ended; and +nothing is more certain than that any early victory or temporary +compromise would have simply postponed the struggle, to be settled with +compound interest. But another benefit has resulted and is resulting +from the experience of the past two years. Our own Free States have +abounded with men who are at heart traitors; men who have, by their +ignorance of the great principles of national welfare involved in this +war, acted as a continual drawback on our progress. This body of men, +incapable of comprehending the great principles of republicanism as laid +down in the Constitution, and as urged by Washington, would be after all +only partially vanquished should we subdue the rebels. They are around +us here in our own homes; their treason rings from the halls of national +legislation; they are busy night and day in their 'copperhead' councils +in giving aid and comfort to the enemy, and in poisoning the minds of +the ignorant, by hissing slanders at the President and his advisers as +being devoid of energy and ability. + +It would avail us little could we conclude a peace to-morrow, if these +aiders and abetters of treason--these foes of all enlightened +measures--these worse than open rebels--were to remain among us to +destroy by their selfishness and malignity those great measures by which +this country is destined to become great. The war is doing us the +glorious service of bringing the 'copperheads' before the people in +their true light--the light of foes to equality, to the rights of the +many, and as perverse friends of all that is anti-American. Who and +_what_, indeed, are their leaders! Review them all, from FERNANDO WOOD +down to the wretched SAULSBURY, including W. B. REED, in whose veins +hereditary traitorous blood seems, with every descent, to have acquired +a fresh taint--consider the character which has for years attached to +most of them--and then reflect on what a party must be with such +leaders! + +These men have no desire to be brought distinctly before the public; +they would by far prefer to burrow in silence. But the war and +emancipation have proved an Ithuriel's spear to touch the toad and make +him spring up in his full and naturally fiendish form. The sooner and +the more distinctly he is seen, the better will it be for the country. +We must dispose of rebels abroad and copperheads at home ere we can have +peace, and the sooner the country knows its foes, the better will it be +for it. We have come at last to either carrying out the great +centralizing system of an Union, superior to all States Rights, as +commended by Washington, or to division into a thousand petty +principalities, each ruled by its WOOD, or other demagogue, who can +succeed in securing a majority-mob of adherents! + +It is with such men and their measures that Gen. GEORGE B. MCCLELLAN, +the frequently proposed candidate for the next presidency, is becoming +firmly connected in the minds of the people! Fortunately the war has +developed the objects of the traitors, and the Union Leagues which are +springing up by hundreds over the country are doing good service in +making them thoroughly known. Until treason is fairly rooted out at home +and abroad, and until _Union at the centre for the people everywhere_ is +fully enforced, this war can only be concluded now, to be renewed +in tenfold horror to-morrow. + + * * * * * + +There is a complication of interests at present springing up in Europe, +which is difficult to fathom. Just now it seems as if the Polish +insurrection were being fomented by Austria, at French instigation, in +order that the hands of Russia may be tied, so that in case of war with +America, we may be deprived of the aid of our great European friend. +England sees it in this light, and angrily protests against Prussian +interference in the matter. Should a general war result, who would gain +by it? Would France avail herself of the opportunity to array her forces +against Prussia, and seize the Rhine, and perhaps Belgium? Or would the +Emperor avail himself of circumstances to embroil England in a war, and +then withdraw to a position of profitable neutrality? Let it be borne in +mind, meantime, that it required all the strength of France, England, +and Austria, combined, to beat Russia in the Crimea, and that a short +prolongation of the war would have witnessed the arrival of vast bodies +of Russian troops--many of whom had been nearly a year on the march. +Those troops are now far more accessible in case of war. + +A war between England and the United States, however it might injure us, +would be utter ruin to our adversary. With our commerce destroyed, we +should still have a vast territory left; but nine tenths of England's +prosperity lies within her wooden walls, which would be swept from the +ocean. With her exportation destroyed, England would be ruined. We +should suffer, unquestionably, but we could hold our own, and would +undoubtedly progress as regards manufacturing. But what would become of +the British workshops, and how would the British people endure such +suffering as never yet befell them? Even with our Southern Rebellion on +our hands, and English men-of-war on our coast, we could still, with our +merchant marine, bring John Bull to his face. And John Bull knows it. + +England is now building, in the cause of slavery and for the South, a +great fleet of iron-clad pirate vessels, which are intended to prey on +our commerce. How long will it be before retaliation on England begins, +and, _when_ it begins, how will it end? Ay--_how_ will it end? It is not +to be supposed that we can long be blinded by such a flimsy humbug as a +transfer to Southern possession of these vessels 'for the Chinese +trade!' Are the English mad, demented, or besotted, that they suppose we +intend to endure such deliberate aid of our enemies? When those vessels +'for the Chinese' are afloat, and our merchants begin to suffer, let +England beware! We are not a people to stop and reason nicely on legal +points, when they are enforced in the form of fire and death. Better for +England that she weighed the iron of that fleet pound for pound with +gold, and cast it into the sea, than that she suffered it to be +launched. _Qui facit per alium, facit per se._ England is the _real_ +criminal in this business, for her Government could have _prevented_ it; +and to her we shall look for the responsibility. All through America a +spirit of fierce indignation has been awakened at hearing of this +'Chinese' fleet, which will burst out ere long in a storm. We are very +far from being afraid of war--we are in it; we know what it is like--and +those who openly, brazenly, infamously, aid our enemies and make war for +them, shall also learn, let it cost what it may. + +England hopes to cover the world's oceans with pirates, with murder, +rapine, and robbery--to exaggerate still more the horrors of war--and +yet deems that her commerce will escape! This is a different matter from +the affair of the Trent. + + * * * * * + +Don't grumble! Don't be incessantly croaking from morning to night at +the war and the administration and the generals, and everything else! +Things have gone better on the whole than you imagine, and your endless +growling is just what the traitors like. Were there no croakers there +would be no traitors. + +It was growling and croaking which caused the reverses of the army of +the Potomac--sheer grumbling. Now the truth is coming out, and we are +beginning to see the disadvantages of eternal fault-finding. The truth +is that the war in the Crimea was much worse conducted than this of ours +has been--even as regards swindling by contracts--and it was so with +every other war. We have no monopoly of faults. + +Now that the war is being reorganized, we would modestly suggest that a +little severity--say an occasional halter--would not be out of place as +regards deserters. There has been altogether too much of this amusement +in vogue, which a few capital punishments in the beginning would have +entirely obviated. Pennsylvania, we are told, is full of hulking runaway +young farmers, and our cities abound in ex-rowdies, who, after securing +their bounties, have deserted, and who are now aiding treason, and +spreading 'verdigrease' in every direction by their falsehoods. Let +every exertion be made to arrest and return these scamps--cost what it +may; and let their punishment be exemplary. And let there be a new +policy inaugurated with the new levy, which shall effectually prevent +all further escaping. + + * * * * * + +Reader--wherever you are, either join a Union League, or get one up. If +there be none in your town, gather a few friends together--and mind that +they be good, loyal Unionists, without a suspicion of verdigrease or +copperhead poison about them--and at once put yourselves in connection +with the central Leagues of the great cities. Those of Philadelphia, New +York and Boston are all conducted by honorable men of the highest +character--and we may remark, by the way, that in this respect the +contrast between the leaders of the League and of the Verdigrease Clubs +is indeed remarkable. When you have formed your League, see that +addresses are delivered there frequently, that patriotic documents and +newspapers are collected there, and finally that it does good service in +every way in forwarding the war, and in promoting the determination to +preserve the Union. + +The copperheads aim not only at letting the South go--they hope to break +the North to fragments, and trust that in the general crash each of them +may secure his share. When the war first broke out, FERNANDO WOOD +publicly recommended the secession of New York as a free city--and a +very free city it would have been under the rule of Fernando the First! +And this object of 'dissolution and of division' is still cherished in +secret among the true leaders of the traitors. + +The time has come when every true American should go to work in earnest +to strengthen the Union and destroy treason, whether in the field or at +home. A foe to liberty and to human rights is a foe, whether he be a +fellow countryman or not, and against such foes it is the duty of every +good citizen to declare himself openly. + + * * * * * + +It will be seen by the annexed that our Art correspondent, a gentleman +of wide experiences, has gone into the battle. We trust that his +experiences will amuse the reader. As for the _facts_--never mind! + + CAMP O'BELLOW, + _Army of the Potomac_. + +MY PATRIOTIC FRIEND AND EDITOR: + +I have changed my base. + +When I last wrote you, it was from the field of art--this time it is +from the floor of my tent--at least it will be, as soon as my fellows +pitch it. N. B.--For special information I would add that this is not +done, as I have seen a Kalmouk do it, with a bucket of pitch and a rag +on a stick. One way, however, of pitching tents is to pitch 'em down +when the enemy is coming, and run like the juice. Ha, ha! + +But I must not laugh too loudly, as yon small soldier may hear me. +Little pitchers have long ears. + +Now for my sufferings. + +The first is my stove. + +My stove is made of a camp kettle. + +It has such a vile draught that I think of giving it a lesson in +drawing. _Joke._ Perhaps you remember it of old in the jolly old Studio +Building in Tenth Street. By the way how is WHITTREDGE?--I believe _he_ +imported that joke from Rome where he learned it of JULES DE MONTALANT +who acquired it of CHAPMAN who got it from GIBSON, who learned it of +THORWALDSEN who picked it up from DAVID who stole it from the elder +VERNET to whom it had come down from MICHAEL ANGELO who cribbed it from +ALBERT DUeRER who sucked it somehow from GIOTTO. + +I wish you could see that stove. I cook in it and on it and all around +the sides and underneath it. I wash my clothes in it, make punch in it, +write on it, when cold sit on it, play poker on it, and occasionally use +it for a trunk. It also gives music, for though it don't draw, it can +sing. + +My second friend is my Iron Bride--the sword. She is a useful creeter. +Little did I think, when you, my beloved friends, presented me with that +deadly brand, how useful she would prove in getting at the brandy, when +I should have occasion to 'decap' a bottle. She kills pigs, cuts cheese, +toasts pork, slices lemons, stirs coffee, licks the horses, scares +Secesh, and cuts lead pencils. In a word, if I wished to give useful +advice to a cavalry officer, it would be not to go to war without a +sword. + +A revolver is also extremely utilitarious. A _large_ revolver, mind you, +with _six corks_. Mine contains red and black pepper, salt, vinegar, +oil, and ketchup--when I'm in a hurry. A curious circumstance once +'transpired,' as the missionaries say, in relation to this article of +the _quizzeen_. All the barrels were loaded--which I had forgotten--and +so proceeded to give it an extra charge of groceries. * * * + +It was a deadly fray. _Rang tang bang, paoufff!_ We fought as if it had +been a Sixth Ward election. Suddingly I found myself amid a swarm of my +country's foes. Sabres slashed at me, and in my rage I determined to +exterminate something. Looking around from mere force of habit to see +that there were no police about, I drew my revolver and aimed at JIM +MARRYGOLD of Charleston, whom I had last seen owling it in New Orleans, +four years ago. He and DICK MIDDLETONGUE of Natchez (who carved the +Butcher's Daughter at Florence, and who is now a Secesh major), came +down with their cheese knives, evidently intending to carve _me_. Such +language you never heard, such a diluvium of profanity, such +double-shotted d--ns! I drew my pistol _at once_, and gave Dick a +blizzard. The ball went through his ear--the red pepper took his eyes, +while Jim received the shot in his hat, and with it the sweet oil. In +this sweet state of affairs, CHARLEY RUFFEM of Savannah was descending +on me with his sabre. (He was the man who said my browns were all put in +with guano.) I put him out of the way of criticism with a _third_ +barrel--killed him _dead_, and _salted_ him. + +The best of this war is, it enables me to exterminate so many _bad +artists_. + +The worst of it is that Charley owed me five dollars. + +A fifth Secesh now made his appearance. We went it on the sword, and +fought--for further particulars see Ivanhoe, volume second. My foe was +RAWLEY CHIVERS, of Tuscumbia, Ala., and as the mischief would have it, +he knew all my guards and cuts. We used to fence together, and had had +more than one trial at _'fertig-los!'_ on the old _Pauk-boden_ in +Heidelberg. + +'POP!' said he on the seventeenth round, 'are we going to chop all day?' + +'CHIV,' said I, as I drew my castor, '_are you ready_?' + +'Ready,' quoth he, effecting the same manoeuvre--'_one_, _two_, +_three_.' + +I scratched his cheek, but the mustard settled him. +Sputter--p'l'z'z'z--how he swore! I went at him with both hands. + +'_Priz?_' I cried. + +'Priz it is,' he answered. + +So I took him off as a priz. He was very glad to go too, for he hadn't +had a dinner for six weeks, and would have made a fine study for a +Murillo beggar so ar as rags went. + +I punish my men whenever I catch them foraging. Punish them by +confiscation. Mild as I am by nature, I never allow them to keep stolen +provisions--when I am hungry. + +Yesterday evening I detected a vast German private with a colossal +bull-turkey. + +'Lay it down _there_, sir!' I exclaimed fiercely--indicating the floor +of my tent as the bank of deposit. + +'But den when I leafs it you eats de toorky up!' he exclaimed in +sorrowful remonstrance. + +'Yes,' I replied, like a Roman. 'Yes--I may _eat_ it--but,' I added in +tones of high moral conscientiousness, 'remember that I didn't STEAL +it!' + +He went forth abashed. + +No more till it is eaten, from + + Yours truly, + + POPPY OYLE. + + * * * * * + + +We are indebted to a Philadelphia correspondent for the following: + + Alas! that noble thoughts so oft + Are born to live but for an hour, + Then sleep in slumber of the soul + As droops at night the passion flower, + Their morn is like a summer sun + With splendor dawning on the day-- + Their eve beholds that glory gone, + And light with splendor fled away. + + J. W. L. + +True indeed. The difference between the great mind and the small is +after all that the former can _retain_ its 'noble thoughts,' while with +the latter they are evanescent. And it is the glory of Art that it +revives such feelings, and keeps early impressions alive. + + * * * * * + +FROM THE GERMAN OF HEINE. + + + My love, in our light boat riding, + We sat at the close of day; + And still through the night went gliding, + Afar on our watery way. + + The Spirit Isle, soft glowing, + Lay dimmering 'neath moon and star; + There music was softly flowing, + And cloud dances waved afar: + + And ever more sweetly pealing, + And waving more winningly; + But past it our boat went stealing, + All sad on the wide, wide sea. + + * * * * * + +Here is an + +ADVENTURE WITH A GRIZZLY BEAR, + +from a Philadelphia correspondent: + + 'We had gone out one morning, while camping upon the river San + Joaquin, to indulge in the sport of fowling. There were three of + us, and we possessed two skiffs, but an accident had reduced our + sculls to a single pair, which my companion used to propel one of + the boats down the stream, after securing the other, with me as its + occupant, in the midst of a thicket of tule, where I awaited in + ambush the flying flocks. As geese and ducks abounded, and nearly + all of my shots told, in a few hours I had killed plenty of game; + but becoming weary, as the intervals lengthened between the flights + of the birds, I sat down, and had already begun to nod dozingly, + when a startling splash, near the river bank, instantly aroused me. + Grasping my gun and springing upright, I looked in the direction + whence the sound had come; but, owing to the intervening mass of + tule, could not see what kind of animal--for such I at once + conjectured it must be--had occasioned my sudden surprise. Having + hitherto seen no domestic stock hereabouts, I therefore felt fully + satisfied that it could not belong to a tame species. Judging from + the noise of its still continued movements, it was of no small + bulk; and, if its ferocity were correspondent with its apparent + size, this was indeed a beast to be dreaded. + + 'The thought at once occurred to me that, as I possessed neither + oars nor other means of propulsion, it would be difficult to move + the boat from its mooring if chance or acuteness of scent should + lead the creature to my place of concealment. In short, this, with + various suggestions of fancy, some of them ludicrously exaggerated, + speedily made me apprehensive of imminent danger. Nor was my + suspicion unfounded, for a crisis was at hand. + + 'There was a space of clear water between the river bank and the + margin of the tule, in which the brute seemed to disport a few + moments; and then the rustling of the reeds indicated that it was + about to advance. With heavy footfalls it came toward me; as it + approached my nervousness increased; I could not mistake that + significant tread; undoubtedly it was a grizzly bear. But how could + I escape? Bruin, though his progress was not unimpeded, was surely + drawing near. Following my first impulse in this pressing + emergency, I placed myself forward in the boat, and, seizing a + handful of green blades on either side of it, endeavored, by + violently pulling upon them, to force the craft through the thick + growth which surrounded it. The headway of the skiff was slow, but + my efforts were not silent. In fact, the commotion occasioned by my + own panic became, to my hearing, so confounded with the sound made + by my floundering pursuer that my excited imagination multiplied + the single supposed bear, and the water seemed to be dashed about + by several formidable 'grizzlies.' + + 'You smile, gentlemen, but really I was so impressed with this and + like extravagant creations of fear that my better judgment was + temporarily suspended. This deception, however, was only of + momentary duration. + + 'Suddenly the skiff encountered some obstacle and remained + immovable. Quickly clutching my gun and firing it aimlessly, I + sprang overboard, and, with extraordinary energy, made for the + other side of the river and safety. + + 'My remembrance of that hazardous crossing even now fills me with a + sympathetic thrill. The river, near where I had leaped in, varied + in depth from my middle to my neck, and the snaky stalks of tule + clung to me, retarding my retreat like faithful allies of the + enemy. An area of this plant extended to the channel, a distance of + some fifty yards, where a clear current rendered swimming feasible; + and this I essayed to reach, urged onward by terror, and regardless + of ordinary obstructions. So vigorous was my action that, + notwithstanding the frequent reversals of my head and 'head's + antipodes' as I tripped over reeds and roots, perhaps I should have + reached the 'point proposed' with only a loss equivalent to the + proverbial 'year's growth,' had not a hidden snag unluckily lain in + the way, which 'by hook or by crook' fastened itself in the part of + my trowsers exactly corresponding, when dry, with that 'broad disk + of drab' finally seen, after much anxiety, by the curious Geoffrey + Crayon between the parted coat-skirts of a certain mysterious + 'Stout Gentleman,' and inextricably held me in check despite my + frantic struggles. + + 'Imagine my feelings while thus entangled by a bond of enduring + material, a bait for a fierce brute which eagerly pressed forward + to snap at me. Believe me, boys, this was _not_ the happiest moment + of my life. I knew no reason why I should resignedly submit to so + undistinguished a fate. My knife, however, was in the boat, so that + my release could only be attained by extreme exertion. Accordingly + I writhed and jerked with my 'best violence,' all the time + denouncing the whole race of bears, from 'Noah's pets' down; and + you may be sure, emphatically expressing not a very exalted opinion + of snags. + + 'Ah! how that brief period of horrible _suspense_ appeared to + stretch out almost to the crack of doom. I roared lustily for help, + but no aid came. The bear continued its course through the thicket; + in another instant I might be seized. + + 'Rather than suffer such a 'taking off' as this, which now seemed + inevitable, I should have welcomed as an easy death any method of + exit from life that I might hitherto have deprecated. Incited then + by the proximity of the beast, which so intensified the horror of + my situation, to a last desperate effort to avert this much dreaded + fate; and, concentrating nearly a superhuman strength upon one + impetuous bound, the _stubborn fabric burst_, and--joy possessed my + soul! + + 'Even greater than my recent misery was the ecstasy which succeeded + my liberation. The happy sense of relief imparted to me such a + feeling of buoyancy that I was enabled to extricate myself from + this 'slough of despond,' and I soon reached the swift current, + when a few strokes landed me in security on a jutting bar. + + 'Without unnecessary delay I sought out my comrades, to whom I told + the story of my escape. Their response was a hearty laugh, and + certain equivocal words which might imply doubt--not as to my + fright, for that was too plain--but concerning the identity of the + 'grizzly.' I observed, however, that, as they rowed nearer to the + scene of my disaster, their display of levity lessened; and as we + came within sight of the suspicious locality, there was not the + 'ghost of a joke' on board; but, on the contrary, thay both charged + me to 'keep a bright look out,' as well as to 'see that the arms + were all right,' thus showing a remarkable diminution of their + previous incredulity. + + 'While cautiously exploring the vicinity of my memorable flight, we + saw the bear in the distance, upon a piece of rising ground. It + moved off with a lumbering shuffle and probably a contented + stomach, for, on searching for my scattered game, we found but + little of it left besides sundry fragments and many feathers.' + + * * * * * + +In the old times people received queer names, and plenty of them. On +Long Island a Mr. Crabb named a child +'Through-much-tribulation-we-enter-into-the-kingdom-of-heaven Crabb.' +The child went by the name of _Tribby_. Scores of such names could be +cited. The practice of giving long and curious names is not yet out of +date. In Saybrook, Conn., is a family by the name of Beman, whose +children are successively named as follows: + +1. Jonathan Hubbard Lubbard Lambard Hunk Dan Dunk Peter Jacobus Lackany +Christian Beman. + +2. Prince Frederick Henry Jacob Zacheus Christian Beman. + +3. Queen Caroline Sarah Rogers Ruhamah Christian Beman. + +4. Charity Freelove Ruth Grace Mercy Truth Faith and Hope and Peace +pursue I'll have no more to do for that will go clear through Christian +Beman. + +Some of the older American names were not unmusical. In a Genealogical +Register open before us we frequently find Dulcena, Eusena, Sabra, and +Norman; 'Czarina' also occurs. Rather peculiar at the present day are +Puah and Azoa (girls), Albion, Ardelia, Philomelia, Serepta, Persis, +Electa, Typhenia, Lois, Selim, Damarias, Thankful, Sephemia, Zena, +Experience, Hilpa, Penninnah, Juduthum, Freelove, Luthena, Meriba (this +lady married 'Oney Anness' at Providence, R.I., in 1785), Paris, +Francena, Vienna, Florantina, Phedora, Azuba, Achsah, Alma, Arad, +Asenah, Braman, Cairo, Candace, China (this was a Miss Ware--China +Ware--who married Moses Bullen at Sherburne, Mass., in 1805), Curatia, +Deliverance, Diadema, Electus, Hopestill, Izanna, Loannis, Loravia, +Lovice, Orilla, Orison, Osro, Ozoro, Permelia, Philinda, Roavea, +Rozilla, Royal, Salmon, Saloma, Samantha, Silence, Siley, Alamena, Eda, +Aseneth, Bloomy, Syrell, Geneora, Burlin, Idella, Hadasseh, Patrora +(Martainly), Allethina, Philura, and Zebina. + +Some of these names are still extant--most have become obsolete. It +would be a commendable idea should some scholar publish a work +containing the Names of all Nations! + + * * * * * + +Doubtless the reader has heard much of the Wandering Jew and of his +trials, but we venture to say that he has probably not encountered a +more affecting state of the case than is set forth in the following +lyric, translated from the German, in which language it is entitled +'Ahasver,' and beginneth as follows: + +THE EVERLASTING OLD JEW. + + 'Ich bin der alte + Ahasver, + Ich wand're hin, + Ich wand're her. + Mein Ruh ist hin, + Mein Herz ist schwer, + Ich finde sie nimmer, + Und nimmermehr.' + + I am the old + Ahasuer; + I wander here, + I wander there. + My rest is gone, + My heart is sair; + I find it never, + And nevermair. + + Loud roars the storm, + The milldams tear; + I cannot perish, + O _malheur!_ + My heart is void, + My head is bare; + I am the old + Ahasuer. + + Belloweth ox + And danceth bear, + I find them never, + Never mair. + I'm the old Hebrew + On a tare; + I order arms: + My heart is sair. + + I'm goaded round, + I know not where: + I wander here, + I wander there. + I'd like to sleep, + But must forbear: + I am the old + Ahasuer. + + I meet folks alway + Unaware: + My rest is gone, + I'm in despair. + I cross all lands, + The sea I dare: + I travel here, + I wander there. + + I feel each pain, + I sometimes swear: + I am the old + Ahasuer. + Criss-cross I wander + Anywhere; + I find it never, + Never mair. + + Against the wale + I lean my spear; + I find no quiet, + I declare. + My peace is lost, + My heart is sair: + I swing like pendulum in air. + + I'm hard of hearing, + You're aware? + Curacoa is + A fine _liqueur_. + I 'listed once + _En militaire_: + I find no comfort + Anywhere. + + But what's to stop it? + Pray declare! + My peace is gone. + My heart is sair: + I am the old + Ahasuer. + Now I know nothing, + Nothing mair. + +Truly a hard case, and one far surpassing the paltry picturing of Eugene +Sue. There is a vagueness of mind and a senile bewilderment manifested +in this poem, which is indeed remarkable. + + * * * * * + +One fine day, some time ago, SAVIN and PIDGEON were walking down Fifth +avenue to their offices. + +A funeral was starting from No. --. On the door plate was the word +IRVING. + +'Such is life,' said Savin. 'All that is mortal of the great essayist is +being borne to the grave: in fact, the cold and silent tomb.' + +A tear came to Pidgeon's eye. Pidgeon has an enthusiastic veneration for +genius. He adores literary talent. + +'Savin,' said he, 'there is a seat vacant in this carriage. I will enter +it, and pay my last tribute of respect to the illustrious departed. But +I thought he had a place up the river.' + +'This was his town house,' said Savin. 'How I should like to join with +you in your thoughtful remembrance, and in your somewhat unceleritous +journey to the churchyard! But, no, the case of Blackbridge _vs._ +Bridgeblack will be called at twelve, and I have no time to lose.' + +Pidgeon entered the carriage. There was a large man on the seat, but +Pigeon found room beside him. The carriage slowly moved off. Pidgeon put +his handkerchief to his eyes; the large man coughed and took a chew of +tobacco. + +Presently said Pidgeon: + +'We are following to the grave the remains of a splendid writer.' + +'Uncommon,' said the large man. 'Sech a man with a pen _I_ never +see--ekalled by few, and excelled by none; copperplate wasn't nowhere.' + +'Indeed,' replied Pidgeon, 'I wasn't aware his chirography was so +unusually elegant; but his books were magnificent, weren't they? So +equable, too, and without that bold speculation that we too often meet +with, nowadays.' + +'Ah, you may well say so,' returned the large man. 'He always kept them +himself; had 'em sent up to his house whenever he was sick, likeways; +but he wasn't without his bold speculations neither. Look at that there +operation of his into figs, last year.' + +'Figs!' + +'Figs, yes; and there was dates into the same cargo.' + +'Dates! figs! My good friend, do you mean to say that the great +Washington Irving speculated in groceries?' + +'Lord, no, not that _I_ know of. This here is Josh Irving, whose +remains'-- + +Pidgeon opened the carriage door, and, being agile, got out without +stopping the procession. Arriving at his office, where the boy was +diligently occupied in sticking red wafers over the velvet of his desk +lid, he took down 'Sugden on Vendors,' to ascertain if there was any +legal remedy for the manner in which he had been sold, and at the latest +dates had unsuccessfully travelled nearly half through that very +entertaining volume. + +THERE is no time to be lost. Either the Union is to be made stronger, or +it is to perish; and the sooner every man's position is defined, the +better. If you are opposed to the war, say so, and step over to +Secession, but do not falter and equivocate, croak and grumble, and play +the bat of the fable. The manly, good, old-fashioned Democrats, at +least, are above this, and are rapidly dividing from the copperheads. +The Philadelphia _Evening Bulletin_, a staunch patriotic journal, says: + +'The sooner that the fact is made clear that the mass of the Democrats, +as well as of all other parties, are loyal and opposed to the infamous +teachings of Vallandigham, Biddle, Reed, Ingersoll, Wood, and their +compeers, the sooner will the war be brought to an end and the Union be +restored.' + +Show your colors. Let us know at once who and what everybody is, in this +great struggle. + + * * * * * + +LOVE-LIFE. + + In a forest lone, 'neath a mossy stone, + Pale flowrets grew: + No sunlight fell in the sombre dell, + Raindrop nor dew. + + Bring them to light, where all is bright, + See if they grow? + Yes, stem and leaf are green, + While, hid in crimson sheen, + The petals glow. + + Girl blossoms, too, love the sun and dew, + And the soft air: + Hidden from love's eye they fade and die, + In city low or cloister high, + Yes, everywhere. + + Give them but love, the fire from above, + And they will grow, + The once cold children of the gloom, + Rich in their bloom, shedding perfume + On high and low. + + * * * * * + +We beg leave to remind our readers that Mr. LELAND'S new book, _Sunshine +in Thought_, retail price $1, is given as a premium to all who subscribe +$3 in advance to the CONTINENTAL MONTHLY. Will the reader permit us to +call attention to the following notice of the work from the Philadelphia +_Evening Bulletin_: + + 'A beautiful volume, entitled _Sunshine in Thought_, by Charles + Godfrey Leland, has just been published by Charles T. Evans. No + work from Mr. Leland's pen has afforded us so much pleasure, and we + recommend it to all who want and relish bright, refreshing, + cheering reading. It consists of a number of essays, the main idea + of which is to inculcate joyousness in thought and feeling, in + opposition to the sickly, sentimental seriousness which is so much + affected in literature and in society. That a volume based on this + one idea should be filled with reading that is never tiresome, is a + proof of great cleverness. But Mr. Leland's varied learning, and + his extensive acquaintance with foreign as well as English + literature, combine with his native talent to qualify him for such + a work. He has done nothing so well, not even his admirable + translation of Heine's _Reisebilder_. He is thoroughly imbued with + the spirit of his motto, '_Hilariter_,' and in expressing his + bright thoughts, he has been peculiarly felicitous in style. + Nothing of his that we have read shows so much elegance and polish. + Every chapter in the book is delightful, but we especially enjoyed + that on 'Tannhaeuser,' with the fine translation and subsequent + elucidation of the famous legend.' But the boldest and most + original chapter is the concluding one, with its strange + speculations on 'The Musical After-Life of the Soul,' and the + after-death experience of 'Dione' and 'Bel-er-oph-on,' which the + author characterizes in the conclusion as 'an idle, fantastic, + foolish dream.' So it may be, but it is as vividly told as any + dream of the Opium-Eater or the Hasheesh-Eater. Mr. Leland is to be + congratulated on his _Sunshine in Thought_. It is a book that will + be enjoyed by every reader of culture, and its effect will be good + wherever it is read.' + +The aim proposed in this work is one of great interest at the present +time, or, as the Philadelphia _North American_ declares, 'is a great and +noble one'--'to aid in fully developing the glorious problem of freeing +labor from every drawback, and of constantly raising it and intellect in +the social scale.' 'Mr. LELAND believes that one of the most powerful +levers for raising labor to its true position in the estimation of the +world, is the encouragement of cheerfulness and joyousness in every +phase of literature and of practical life.' 'The work is one long, +glowing sermon, the text of which is the example of Jesus Christ.' + + E. K. + + +BUST-HEAD WHISKEY. + +For two days the quiet of the Rising Sun Tavern, in the quaint little +town of Shearsville, Ohio, was disturbed by a drunken Democratic member +of the Pennsylvania Legislature, who visited the town in order to +address what he hoped would turn out to be the assembled multitude of +copperheads, but which proved after all no great snakes! + +For two days this worthless vagabond insulted travellers stopping at the +tavern, until at last the landlord's wife, a woman of some intelligence, +determined to have her revenge, since no man on the premises had pluck +enough to give the sot the thrashing he so well merited. + +On the third day, after a very severe night's carouse on bust-head +whiskey, the Pennsylvanian appeared at the breakfast table, looking +sadly the worse for wear, and having an awful headache. The landlady +having previously removed the only looking glass in the tavern--one +hanging in the barroom--said to the beast as he sat down to table: + +'Poor man! oh, what _is_ the matter with your face? It is terribly +swollen, and your whole head too. Can't I do something for you? send for +the doctor, or'-- + +The legislator, who was in a state of half-besottedness, listened with +sharp ears to this remark, but believing the landlady was only making +fun of him, interrupted her with-- + +'There ain't nothin' the matter with my head. I'm all right; only a +little headache what don't 'mount to nothing.' + +But a man who sat opposite to him at table, and who had his clue from +the landlady, said with an alarmed look-- + +'I say, mister, I don't know it's any of my business, but I'll be hanged +for a horse thief, if your head ain't swelled up twicet its nat'ral +size. You'd better do something for it, I'm thinking.' + +The drunken legislator! (Legislator, _n._ One who makes laws for a +state: vide dictionary) believing at last that his face must in fact be +swollen, since several other travellers, who were in the plot, also +spoke to him of his shocking appearance, got up from the table and went +out to the barroom to consult the looking glass, such luxuries not being +placed in the chambers. But there was no glass there. After some time he +found the landlady, and she told him that the barroom glass was broken, +but she could lend him a small one; which she at once gave him. + +The poor sot, with trembling hand, held it in front of his face, and +looked in. + +'Well,' said he, 'if that ain't a swelled head I hope I may never be a +senator! or sell my vote again at Harrisburg.' + +'Poor man!' exclaimed the bystanders. + +'Fellers,' said the legislator, 'wot d'ye think I'd better do?' Here he +gave another hard look in the glass. 'I ought to be back in Harrisburg +right off, but I cant go with a head like that onto me. Nobody'd give me +ten cents to vote for 'em with such a head as that. It's a'-- + +'Big thing,' interrupted a bystander. + +'Fellers,' said the blackguard, 'I'll kill a feller any day of the week, +with old rye, if he'll only tell er feller how to cure this head of +mine.' + +'Have it shaved, sir, by all means,' spoke the landlady: 'shaved at +once, and then a mild fly blister will draw out the inflammation, and +the swelling will go down. Don't you think so, doctor?' + +The doctor thus addressed was a cow doctor, but, accustomed to attending +brutes, his advice was worth something in the present case; so he also +recommended shaving and blistering. + +'I'll go git the barber right off the reel, sha'n't I?' asked the +doctor, to which the legislator assenting, it chanced that in fifteen +minutes his head was as bald as a billiard ball, and in a few more was +covered with a good-sized fly blister. + +'Ouch--good woman--how it hurts!' he cried. But that was only the +beginning of it. + +'Ee-ea-ah!' he roared, as it grew hotter and hotter. One might have +heard him a mile. The neighbors did hear it, and rushed in. The joke was +'contaminated' round among them, and they enjoyed it. He had disgusted +them all. + +'Golly! what a big head!' cried a bystander. + +The legislator took another look at the glass. They held it about a yard +from him. + +'It's gittin' smaller, ain't it?' he groaned. + +'Yes, it's wiltin',' said the landlady. 'Now go to bed.' + +He went, and on rising departed. Whether he ever became an honest man is +not known, but the legend says he has from that day avoided 'bust-head +whiskey.' + + * * * * * + +Don't you _see_ it, reader? The landlady had shown him his face in a +convex mirror--one of those old-fashioned things, which may occasionally +be found in country taverns. + + * * * * * + +WAR-WAIFS. + +The chronicles of war in all ages show us that this internecine strife +into which we of the North have been driven by those who will eventually +rue the necessity, is by no manner of means the first in which brother +has literally been pitted against brother in the deadly 'tug of war.' +The fiercest conflict of the kind, however, which we can at present call +up from the memory of past readings, was one in which THEODEBERT, king +of Austria, took the field against his own brother, THIERRI, king of +Burgundy. Historians tell us that, so close was the hand-to-hand +fighting in this battle, slain soldiers did not fall until the _melee_ +was over, but were borne to and fro in an upright position amid the +serried ranks. + + * * * * * + +Although many and many of England's greatest battles have been won for +her by her Irish soldiers, it is not always that the latter can be +depended upon by her. With the Celt, above all men, 'blood is thicker +than water;' and, although he is very handy at breaking the head of +another Celt with a blackthorn 'alpeen,' in a free faction fight, he +objects to making assaults upon his fellow countrymen with the 'pomp and +circumstance of war.' A striking instance of this occurred during the +Irish rebellion of 1798. The 5th Royal Irish Light Dragoons refused to +charge upon a body of the rebels when the word was given. Not a man or +horse stirred from the ranks. Here was a difficult card to play, now, +for the authorities, because it would have been inconvenient to try the +whole regiment by court martial, and the soldiers were quite too +valuable to be mowed down _en masse_. The only course left was to +disband the regiment, which was done. The disaffected men were +distributed into regiments serving in India and other remote colonies, +and the officers, none of whom, we believe, were involved in the mutiny, +were provided for in various quarters. The circumstance was commemorated +in a curious way. It was ordered that the 5th Royal Irish Light Dragoons +should be erased from the records of the army list, in which a blank +between the 4th and 6th Dragoons should remain forever, as a memorial of +disgrace. For upward of half a century this gap remained in the army +list, as anybody may see by referring to any number of that publication +of half-a-dozen years back. The regiment was revived during, or just +after, the Crimean war, and the numbers in the army list are once more +complete. + + + + +THE + +CONTINENTAL MONTHLY. + + +The readers of the CONTINENTAL are aware of the important position it +has assumed, of the influence which it exerts, and of the brilliant +array of political and literary talent of the highest order which +supports it. No publication of the kind has, in this country, so +successfully combined the energy and freedom of the daily newspaper with +the higher literary tone of the first-class monthly; and it is very +certain that no magazine has given wider range to its contributors, or +preserved itself so completely from the narrow influences of party or of +faction. In times like the present, such a journal is either a power in +the land or it is nothing. That the CONTINENTAL is not the latter is +abundantly evidenced _by what it has done_--by the reflection of its +counsels in many important public events, and in the character and power +of those who are its staunchest supporters. + +Though but little more than a year has elapsed since the CONTINENTAL was +first established, it has during that time acquired a strength and a +political significance elevating it to a position far above that +previously occupied by any publication of the kind in America. In proof +of which assertion we call attention, to the following facts: + +1. Of its POLITICAL articles republished in pamphlet form, a single one +has had, thus far, a circulation of _one hundred and six thousand_ +copies. + +2. From its LITERARY department, a single serial novel, "Among the +Pines," has, within a very few months, sold nearly _thirty-five +thousand_ copies. Two other series of its literary articles have also +been republished in book form, while the first portion of a third is +already in press. + +No more conclusive facts need be alleged to prove the excellence of the +contributions to the CONTINENTAL, or their _extraordinary popularity_; +and its conductors are determined that it shall not fall behind. +Preserving all "the boldness, vigor, and ability" which a thousand +journals have attributed to it, it will greatly enlarge its circle of +action, and discuss, fearlessly and frankly, every principle involved in +the great questions of the day. The first minds of the country, +embracing the men most familiar with its diplomacy and most +distinguished for ability, are among its contributors; and it is no mere +"flattering promise of a prospectus" to say that this "magazine for the +times" will employ the first intellect in America, under auspices which +no publication ever enjoyed before in this country. + +While the CONTINENTAL will express decided opinions on the great +questions of the day, it will not be a mere political journal: much the +larger portion of its columns will be enlivened, as heretofore, by +tales, poetry, and humor. In a word, the CONTINENTAL will be found, +under its new staff of Editors, occupying, a position and presenting +attractions never before found in a magazine. + + + + +TERMS TO CLUBS. + + Two copies for one year, Five dollars. + + Three copies for one year, Six dollars. + + Six copies for one year, Eleven dollars. + + Eleven copies for one year, Twenty dollars. + + Twenty copies for one year, Thirty-six dollars. + + PAID IN ADVANCE. + + _Postage, Thirty-six cents a year_, TO BE PAID BY THE SUBSCRIBER. + + SINGLE COPIES. + + Three dollars a year, IN ADVANCE. _Postage paid by the Publisher._ + + + JOHN F. TROW, 50 Greene St, N.Y., + + PUBLISHER FOR THE PROPRIETORS. + + +[Symbol: Hand] As an inducement to new subscribers, the Publisher +offers the following liberal premiums: + +[Symbol: Hand] Any person remitting $3, in advance, will receive the +magazine from July, 1862, to January, 1864, thus securing the whole of +Mr. KIMBALL's and Mr. KIRKE's new serials, which are alone worth the +price of subscription. Or, if preferred, a subscriber can take the +magazine for 1863 and a copy of "Among the Pines," or of "Undercurrents +of Wall Street," by R. B. KIMBALL, bound in cloth, or of "Sunshine in +Thought," by CHARLES GODFREY LELAND (retail price, $1.25.) The book to +be sent postage paid. + +[Symbol: Hand] Any person remitting $4.50, will receive the magazine +from its commencement, January, 1862, to January, 1864, thus securing +Mr. KIMBALL's "Was He Successful?" and Mr. KIRKE's "Among the Pines," +and "Merchant's Story," and nearly 3,000 octavo pages of the best +literature in the world. Premium subscribers to pay their own postage. + + + + +[Illustration: THE FINEST FARMING LANDS + +_WHEAT CORN COTTON FRUITS & VEGETABLES_] + +EQUAL TO ANY IN THE WORLD!!! + +MAY BE PROCURED + +At FROM $8 to $12 PER ACRE, + +Near Markets, Schools, Railroads, Churches, and all the blessings of +Civilization. + +1,200,000 Acres, in Farms of 40, 80, 120, 160 Acres and upwards, in +ILLINOIS, the Garden State of America. + + * * * * * + + The Illinois Central Railroad Company offer, ON LONG CREDIT, the + beautiful and fertile PRAIRIE LANDS lying along the whole line of + their Railroad, 700 MILES IN LENGTH, upon the most Favorable Terms + for enabling Farmers, Manufacturers, Mechanics and Workingmen to + make for themselves and their families a competency, and a HOME they + can call THEIR OWN, as will appear from the following statements: + + +ILLINOIS. + +Is about equal in extent to England, with a population of 1,722,666 and +a soil capable of supporting 20,000,000. No State in the Valley of the +Mississippi offers so great an inducement to the settler as the State of +Illinois. There is no part of the world where all the conditions of +climate and soil so admirably combine to produce those two great +staples, CORN and WHEAT. + + +CLIMATE. + +Nowhere can the industrious farmer secure such immediate results from +his labor as on these deep, rich, loamy soils, cultivated with so much +ease. The climate from the extreme southern part of the State to the +Terre Haute, Alton and St. Louis Railroad, a distance of nearly 200 +miles, is well adapted to Winter. + + +WHEAT, CORN, COTTON, TOBACCO. + +Peaches, Pears, Tomatoes, and every variety of fruit and vegetables is +grown in great abundance, from which Chicago and other Northern markets +are furnished from four to six weeks earlier than their immediate +vicinity. Between the Terre Haute, Alton & St. Louis Railway and the +Kankakee and Illinois Rivers, (it distance of 115 miles on the Branch, +and 136 miles on the Main Trunk,) lies the great Corn and Stock raising +portion of the State. + + +THE ORDINARY YIELD + +of Corn is from 50 to 80 bushels per acre. Cattle, Horses, Mules, Sheep +and Hogs are raised here at a small cost, and yield large profits. It is +believed that no section of country presents greater inducements for +Dairy Farming than the Prairies of Illinois, a branch of farming to +which but little attention has been paid, and which must yield sure +profitable results. Between the Kankakee and Illinois Rivers, and +Chicago and Dunleith, (a distance of 56 miles on the Branch and 147 +miles by the Main Trunk,) Timothy Hay, Spring Wheat, Corn, &c., are +produced in great abundance. + + +AGRICULTURAL PRODUCTS. + +The Agricultural products of Illinois are greater than those of any +other State. The Wheat crop of 1861 was estimated at 85,000,000 bushels, +while the Corn crop yields not less than 140,000,000 bushels besides the +crop of Oats, Barley, Rye, Buckwheat, Potatoes, Sweet Potatoes, +Pumpkins, Squashes, Flax, Hemp, Peas, Clover, Cabbage, Beets, Tobacco, +Sorghum, Grapes, Peaches, Apples. &c., which go to swell the vast +aggregate of production in this fertile region. Over Four Million tons +of produce were sent out the State of Illinois during the past year. + + +STOCK RAISING. + +In Central and Southern Illinois uncommon advantages are presented for +the extension of Stock raising. All kinds of Cattle, Horses, Mules, +Sheep, Hogs, &c., of the best breeds, yield handsome profits; large +fortunes have already been made, and the field is open for others to +enter with the fairest prospects of like results. DAIRY FARMING also +presents its inducements to many. + + +CULTIVATION OF COTTON. + +_The experiments in Cotton culture are of very great promise. Commencing +in latitude 39 deg. 30 min. (see Mattoon on the Branch, and Assumption +the Main Line), the Company owns thousands of acres well adapted to the +perfection of this fibre. A settler having a family of young children, +can turn their youthful labor to a most profitable account in the growth +and perfection of this plant._ + + +THE ILLINOIS CENTRAL RAILROAD + +Traverses the whole length of the State, from the banks of the +Mississippi and Lake Michigan to the Ohio, As its name imports, the +Railroad runs through the centre of the State, and on either side of the +road along its whole length lie the lands offered for sale. + + +CITIES, TOWNS, MARKETS DEPOTS. + +There are Ninety-eight Depots on the Company's Railway, giving about one +every seven miles. Cities, Towns and Villages are situated at convenient +distances throughout the whole route, where every desirable commodity +may be found as readily as in the oldest cities of the Union and where +buyers are to be met for all kinds of farm produce. + + +EDUCATION. + +Mechanics and working-men will find the free school system encouraged by +the State, and endowed with a large revenue for the support of the +schools. Children can live in sight of the school, the college, the +church, and grow up with the prosperity of the leading State in the +Great Western Empire. + + * * * * * + + +PRICES AND TERMS OF PAYMENT--ON LONG CREDIT. + +80 acres at $10 per acre with interest at 6 per ct. annually on the +following terms: + + Cash payment $48.00 + Payment in one year 48.00 + " in two years 48.00 + " in three years 48.00 + " in four years 236.00 + " in five years 224.00 + " in six years 212.00 + " in seven years 200.00 + + 40 acres, at $10.00 per acre: + + Cash payment $24.00 + Payment in one year 24.00 + " in two years 24.00 + " in three years 24.00 + " in four years 118.00 + " in five years 112.00 + " in six years 106.00 + " in seven years 100.00 + + + + +Number 17. + +25 Cents. + +THE + +CONTINENTAL + +MONTHLY. + +DEVOTED TO + +Literature and National Policy. + +MAY, 1863. + + NEW YORK: + JOHN F. TROW 50 GREENE STREET + (FOR THE PROPRIETORS). + + HENRY DEXTER AND SINCLAIR TOUSEY. + WASHINGTON, D.C.: FRANCK TAYLOR. + + +CONTENTS.--No. XVII. + + The Great Prairie State. By Mrs. C. M. Kirkland, 513 + + A Winter in Camp. By E. G. Hammond, 519 + + In Memoriam. By Richard Wolcott, 527 + + A Merchant's Story. By Edmund Kirke, 528 + + Shylock _vs._ Antonio. By Carlton Edwards 539 + + A Heroine of To-Day, 543 + + National Ode, 554 + + The Surrender of Forts Jackson and St. Philip, + on the Mississippi. By F. H. Gerdes. Assistant + U. S. Coast Survey, 557 + + Reason, Rhyme, and Rhythm. By Mrs. Martha Cook, 562 + + The Value of the Union. By William H. Muller, 571 + + War Song--Earth's Last Battle. By Mrs. Martha Cook, 586 + + Miriam's Testimony. By M. A. Edwards, 589 + + The Destiny of the African Race in the United States. + By Rev. J. M. Sturtevant, D.D., 600 + + Was He Successful? By Richard B. Kimball, 611 + + The Union. By Hon. Robert J. Walker, 615 + + The Causes and Results of the War. By Lieut. Egbert + Phelps, U.S.A 617 + + Great Heart, 629 + + Literary Notices 630 + + +The June No. of the Continental will contain an article on 'The +Confederation and the Nation,' by Edward Carey. + + * * * * * + +ENTERED, according to Act of Congress, in the year 1862, by JAMES R. +GILMORE, in the Clerk's Office of the District Court of the United +States for the Southern District of New York. + + * * * * * + +JOHN F. TROW, PRINTER. + + + + + +End of the Project Gutenberg EBook of Continental Monthly, Vol. III, No IV, +April 1863, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK CONTINENTAL MONTHLY, APRIL 1863 *** + +***** This file should be named 29736.txt or 29736.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/7/3/29736/ + +Produced by Joshua Hutchinson and the Online Distributed +Proofreading Team at https://www.pgdp.net (This file was +produced from images generously made available by Cornell +University Digital Collections) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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