initial commit of ebook 29514HEADmain

14 files changed, 1133 insertions, 0 deletions

diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/29514-8.txt b/29514-8.txt
new file mode 100644
index 0000000..8877a9e
--- /dev/null
+++ b/29514-8.txt
@@ -0,0 +1,533 @@
+The Project Gutenberg EBook of Vergänglichkeit, by Sigmund Freud
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Vergänglichkeit
+
+Author: Sigmund Freud
+
+Release Date: July 26, 2009 [EBook #29514]
+
+Language: German
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK VERGÄNGLICHKEIT ***
+
+
+
+
+Produced by Jana Srna and Philipp Zeinlinger
+
+
+
+
+
+
+
+
+  [ Anmerkungen zur Transkription:
+
+    Der Text stammt aus: Das Land Goethes 1914-1916. Ein vaterländisches
+    Gedenkbuch. Herausgegeben vom Berliner Goethebund. Stuttgart und
+    Berlin: Deutsche Verlangs-Anstalt 1916. S. 37-38.
+
+    Schreibweise und Interpunktion des Originaltextes wurden übernommen.
+  ]
+
+
+
+
+Vergänglichkeit
+
+
+Vor einiger Zeit machte ich in Gesellschaft eines schweigsamen Freundes
+und eines jungen, bereits rühmlich bekannten Dichters einen Spaziergang
+durch eine blühende Sommerlandschaft. Der Dichter bewunderte die
+Schönheit der Natur um uns, aber ohne sich ihrer zu erfreuen. Ihn störte
+der Gedanke, daß all diese Schönheit dem Vergehen geweiht war, daß sie
+im Winter dahingeschwunden sein werde, aber ebenso jede menschliche
+Schönheit und alles Schöne und Edle, was Menschen geschaffen haben und
+schaffen könnten. Alles, was er sonst geliebt und bewundert hätte,
+schien ihm entwertet durch das Schicksal der Vergänglichkeit, zu dem es
+bestimmt war.
+
+Wir wissen, daß von solcher Versenkung in die Hinfälligkeit alles
+Schönen und Vollkommenen zwei verschiedene seelische Regungen ausgehen
+können. Die eine führt zu dem schmerzlichen Weltüberdruß des jungen
+Dichters, die andere zur Auflehnung gegen die behauptete Tatsächlichkeit.
+Nein, es ist unmöglich, daß all diese Herrlichkeiten der Natur und der
+Kunst, unserer Empfindungswelt und der Welt draußen, wirklich in Nichts
+zergehen sollten. Es wäre zu unsinnig, und zu frevelhaft daran zu
+glauben. Sie müssen in irgend einer Weise fortbestehen können, allen
+zerstörenden Einflüssen entrückt.
+
+Allein diese Ewigkeitsforderung ist zu deutlich ein Erfolg unseres
+Wunschlebens, als daß sie auf einen Realitätswert Anspruch erheben
+könnte. Auch das Schmerzliche kann wahr sein. Ich konnte mich weder
+entschließen, die allgemeine Vergänglichkeit zu bestreiten, noch für das
+Schöne und Vollkommene eine Ausnahme zu erzwingen. Aber ich bestritt dem
+pessimistischen Dichter, daß die Vergänglichkeit des Schönen eine
+Entwertung desselben mit sich bringe.
+
+Im Gegenteil, eine Wertsteigerung! Der Vergänglichkeitswert ist ein
+Seltenheitswert in der Zeit. Die Beschränkung in der Möglichkeit des
+Genusses erhöht dessen Kostbarkeit. Ich erklärte es für unverständlich,
+wie der Gedanke an die Vergänglichkeit des Schönen uns die Freude an
+demselben trüben sollte. Was die Schönheit der Natur betrifft, so kommt
+sie nach jeder Zerstörung durch den Winter im nächsten Jahre wieder, und
+diese Wiederkehr darf im Verhältnis zu unserer Lebensdauer als eine ewige
+bezeichnet werden. Die Schönheit des menschlichen Körpers und Angesichts
+sehen wir innerhalb unseres eigenen Lebens für immer schwinden, aber
+diese Kurzlebigkeit fügt zu ihren Reizen einen neuen hinzu. Wenn es eine
+Blume giebt, welche nur eine einzige Nacht blüht, so erscheint uns ihre
+Blüte darum nicht minder prächtig. Wie die Schönheit und Vollkommenheit
+des Kunstwerks und der intellektuellen Leistung durch deren zeitliche
+Beschränkung entwertet werden sollte, vermochte ich ebensowenig
+einzusehen. Mag eine Zeit kommen, wenn die Bilder und Statuen, die wir
+heute bewundern, zerfallen sind, oder ein Menschengeschlecht nach uns,
+welches die Werke unserer Dichter und Denker nicht mehr versteht, oder
+selbst eine geologische Epoche, in der alles Lebende auf der Erde
+verstummt ist, der Wert all dieses Schönen und Vollkommenen wird nur
+durch seine Bedeutung für unser Empfindungsleben bestimmt, braucht
+dieses selbst nicht zu überdauern und ist darum von der absoluten
+Zeitdauer unabhängig.
+
+Ich hielt diese Erwägungen für unanfechtbar, bemerkte aber, daß ich dem
+Dichter und dem Freunde keinen Eindruck gemacht hatte. Ich schloß aus
+diesem Mißerfolg auf die Einmengung eines starken affektiven Moments,
+welches ihr Urteil trübte, und glaubte dies auch später gefunden zu
+haben. Es muß die seelische Auflehnung gegen die Trauer gewesen sein,
+welche ihnen den Genuß des Schönen entwertete. Die Vorstellung, daß dies
+Schöne vergänglich sei, gab den beiden Empfindsamen einen Vorgeschmack
+der Trauer um seinen Untergang, und da die Seele von allem Schmerzlichen
+instinktiv zurückweicht, fühlten sie ihren Genuß am Schönen durch den
+Gedanken an dessen Vergänglichkeit beeinträchtigt.
+
+Die Trauer über den Verlust von etwas, das wir geliebt oder bewundert
+haben, erscheint dem Laien so natürlich, daß er sie für selbstverständlich
+erklärt. Dem Psychologen aber ist die Trauer ein großes Rätsel, eines
+jener Phänomene, die man selbst nicht klärt, auf die man aber anderes
+Dunkle zurückführt. Wir stellen uns vor, daß wir ein gewisses Maß von
+Liebesfähigkeit, genannt Libido, besitzen, welches sich in den Anfängen
+der Entwicklung dem eigenen Ich zugewendet hatte. Später, aber eigentlich
+von sehr frühe an, wendet es sich vom Ich ab und den Objekten zu, die wir
+solcher Art gewissermaßen in unser Ich hineinnehmen. Werden die Objekte
+zerstört oder gehen sie uns verloren, so wird unsere Liebesfähigkeit
+(Libido) wieder frei. Sie kann sich andere Objekte zum Ersatz nehmen
+oder zeitweise zum Ich zurückkehren. Warum aber diese Ablösung der
+Libido von ihren Objekten ein so schmerzhafter Vorgang sein sollte, das
+verstehen wir nicht und können es derzeit aus keiner Annahme ableiten.
+Wir sehen nur, daß sich die Libido an ihre Objekte klammert und die
+verlorenen auch dann nicht aufgeben will, wenn der Ersatz bereit liegt.
+Das also ist die Trauer.
+
+Die Unterhaltung mit dem Dichter fand im Sommer vor dem Krieg statt. Ein
+Jahr später brach der Krieg herein und raubte der Welt ihre Schönheiten.
+Er zerstörte nicht nur die Schönheit der Landschaften, die er durchzog,
+und die Kunstwerke, an die er auf seinem Wege streifte, er brach auch
+unseren Stolz auf die Errungenschaften unserer Kultur, unseren Respekt
+vor so vielen Denkern und Künstlern, unsere Hoffnungen auf eine endliche
+Überwindung der Verschiedenheiten unter Völkern und Rassen. Er beschmutzte
+die erhabene Unparteilichkeit unserer Wissenschaft, stellte unser
+Triebleben in seiner Nacktheit blos, entfesselte die bösen Geister
+in uns, die wir durch die Jahrhunderte währende Erziehung von Seiten
+unserer Edelsten dauernd gebändigt glaubten. Er machte unser Vaterland
+wieder klein und die andere Erde wieder fern und weit. Er raubte uns
+sovieles, was wir geliebt hatten, und zeigte uns die Hinfälligkeit von
+manchem, was wir für beständig gehalten hatten.
+
+Es ist nicht zu verwundern, daß unsere an Objekten so verarmte Libido
+mit umso größerer Intensität besetzt hat, was uns verblieben ist, daß
+die Liebe zum Vaterland, die Zärtlichkeit für unsern Nächsten und der
+Stolz auf unsere Gemeinsamkeiten jäh verstärkt worden sind. Aber jene
+anderen, jetzt verlorenen Güter, sind sie uns wirklich entwertet worden,
+weil sie sich als so hinfällig und widerstandsunfähig erwiesen haben?
+Vielen unter uns scheint es so, aber ich meine wiederum, mit Unrecht.
+Ich glaube, die so denken und zu einem dauernden Verzicht bereit
+scheinen, weil das Kostbare sich nicht als haltbar bewährt hat, befinden
+sich nur in der Trauer über den Verlust. Wir wissen, die Trauer, so
+schmerzhaft sie sein mag, läuft spontan ab. Wenn sie auf alles Verlorene
+verzichtet hat, hat sie sich auch selbst aufgezehrt, und dann wird unsere
+Libido wiederum frei, um sich, insoferne wir noch jung und lebenskräftig
+sind, die verlorenen Objekte durch möglichst gleich kostbare oder
+kostbarere neue zu ersetzen. Es steht zu hoffen, daß es mit den
+Verlusten dieses Krieges nicht anders gehen wird. Wenn erst die Trauer
+überwunden ist, wird es sich zeigen, daß unsere Hochschätzung der
+Kulturgüter unter der Erfahrung von ihrer Gebrechlichkeit nicht gelitten
+hat. Wir werden alles wieder aufbauen, was der Krieg zerstört hat,
+vielleicht auf festerem Grund und dauerhafter als vorher.
+
+=Wien=, November 1915.
+
+                                                     Sigm. Freud
+
+
+
+
+
+End of the Project Gutenberg EBook of Vergänglichkeit, by Sigmund Freud
+
+*** END OF THIS PROJECT GUTENBERG EBOOK VERGÄNGLICHKEIT ***
+
+***** This file should be named 29514-8.txt or 29514-8.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/2/9/5/1/29514/
+
+Produced by Jana Srna and Philipp Zeinlinger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/29514-8.zip b/29514-8.zip
new file mode 100644
index 0000000..39abb70
--- /dev/null
+++ b/29514-8.zip
diff --git a/29514-h.zip b/29514-h.zip
new file mode 100644
index 0000000..769904e
--- /dev/null
+++ b/29514-h.zip
diff --git a/29514-h/29514-h.htm b/29514-h/29514-h.htm
new file mode 100644
index 0000000..4765ae2
--- /dev/null
+++ b/29514-h/29514-h.htm
@@ -0,0 +1,584 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+    "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="de" xml:lang="de">
+  <head>
+    <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+    <title>The Project Gutenberg eBook of Vergänglichkeit, by Sigmund Freud</title>
+    <style type="text/css">
+<!--
+	body { margin-left: 20%; margin-right: 20%; }
+
+	p { margin-top: 0.75em;
+	    margin-bottom: 0.75em;
+	    text-align: justify;
+	  }
+
+	h1 { text-align: center;
+	     clear: both;
+	     margin-top: 0em;
+	     margin-bottom: 1.5em;
+	     font-weight: normal;
+	     font-size: x-large;
+	   }
+
+	.gesperrt { letter-spacing: 0.2em; margin-right: -0.2em; }
+
+	.center { text-align: center; }
+
+	.figright { margin-right: 2em; margin-left: auto; }
+
+	.pagenum { position: absolute;
+	           display: inline;
+	           right: 14%;
+	           font-size: x-small;
+	           text-align: right;
+	           color: #808080;
+	           font-style: normal;
+	           border: 1px solid silver;
+	           padding: 1px 4px 1px 4px;
+	           font-variant: normal;
+	           font-weight: normal;
+	           text-decoration: none;
+	           text-indent: 0em;
+	         }
+
+	#tnote { width: 26em;
+	         border: 1px dashed #808080;
+	         background-color: #f6f6f6;
+	         text-align: justify;
+	         padding: 0em 0.75em;
+	         margin: 120px auto 120px auto;
+	       }
+
+	@page { margin: 2cm; }
+
+	@media print {
+		body { margin: 2em; }
+		#tnote, pre, .pagenum { display: none; }
+	}
+-->
+    </style>
+  </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Vergänglichkeit, by Sigmund Freud
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Vergänglichkeit
+
+Author: Sigmund Freud
+
+Release Date: July 26, 2009 [EBook #29514]
+
+Language: German
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK VERGÄNGLICHKEIT ***
+
+
+
+
+Produced by Jana Srna and Philipp Zeinlinger
+
+
+
+
+
+</pre>
+
+
+
+<div id="tnote">
+<p class="center"><b>Anmerkungen zur Transkription:</b></p>
+<p>Der Text stammt aus: <cite>Das Land Goethes 1914&ndash;1916. Ein
+vaterländisches Gedenkbuch</cite>. Herausgegeben vom Berliner Goethebund. Stuttgart
+und Berlin: Deutsche Verlangs-Anstalt 1916. S.&nbsp;37&ndash;38.</p>
+<p>Schreibweise und Interpunktion des Originaltextes wurden
+übernommen.</p>
+</div>
+
+
+<p><span class="pagenum"><a name="Page_37">37</a></span></p>
+<h1>Vergänglichkeit</h1>
+
+
+<p>Vor einiger Zeit machte ich in Gesellschaft eines schweigsamen Freundes und eines jungen, bereits
+rühmlich bekannten Dichters einen Spaziergang durch eine blühende Sommerlandschaft. Der Dichter
+bewunderte die Schönheit der Natur um uns, aber ohne sich ihrer zu erfreuen. Ihn störte der Gedanke,
+daß all diese Schönheit dem Vergehen geweiht war, daß sie im Winter dahingeschwunden sein werde,
+aber ebenso jede menschliche Schönheit und alles Schöne und Edle, was Menschen geschaffen haben und
+schaffen könnten. Alles, was er sonst geliebt und bewundert hätte, schien ihm entwertet durch das Schicksal
+der Vergänglichkeit, zu dem es bestimmt war.</p>
+
+<p>Wir wissen, daß von solcher Versenkung in die Hinfälligkeit alles Schönen und Vollkommenen zwei
+verschiedene seelische Regungen ausgehen können. Die eine führt zu dem schmerzlichen Weltüberdruß des
+jungen Dichters, die andere zur Auflehnung gegen die behauptete Tatsächlichkeit. Nein, es ist unmöglich,
+daß all diese Herrlichkeiten der Natur und der Kunst, unserer Empfindungswelt und der Welt draußen,
+wirklich in Nichts zergehen sollten. Es wäre zu unsinnig, und zu frevelhaft daran zu glauben. Sie müssen
+in irgend einer Weise fortbestehen können, allen zerstörenden Einflüssen entrückt.</p>
+
+<p>Allein diese Ewigkeitsforderung ist zu deutlich ein Erfolg unseres Wunschlebens, als daß sie auf einen
+Realitätswert Anspruch erheben könnte. Auch das Schmerzliche kann wahr sein. Ich konnte mich weder
+entschließen, die allgemeine Vergänglichkeit zu bestreiten, noch für das Schöne und Vollkommene eine
+Ausnahme zu erzwingen. Aber ich bestritt dem pessimistischen Dichter, daß die Vergänglichkeit des Schönen
+eine Entwertung desselben mit sich bringe.</p>
+
+<p>Im Gegenteil, eine Wertsteigerung! Der Vergänglichkeitswert ist ein Seltenheitswert in der Zeit.
+Die Beschränkung in der Möglichkeit des Genusses erhöht dessen Kostbarkeit. Ich erklärte es für unverständlich,
+wie der Gedanke an die Vergänglichkeit des Schönen uns die Freude an demselben trüben sollte.
+Was die Schönheit der Natur betrifft, so kommt sie nach jeder Zerstörung durch den Winter im nächsten
+Jahre wieder, und diese Wiederkehr darf im Verhältnis zu unserer Lebensdauer als eine ewige bezeichnet
+werden. Die Schönheit des menschlichen Körpers und Angesichts sehen wir innerhalb unseres eigenen
+Lebens für immer schwinden, aber diese Kurzlebigkeit fügt zu ihren Reizen einen neuen hinzu. Wenn
+es eine Blume giebt, welche nur eine einzige Nacht blüht, so erscheint uns ihre Blüte darum nicht minder
+prächtig. Wie die Schönheit und Vollkommenheit des Kunstwerks und der intellektuellen Leistung durch
+deren zeitliche Beschränkung entwertet werden sollte, vermochte ich ebensowenig einzusehen. Mag eine
+Zeit kommen, wenn die Bilder und Statuen, die wir heute bewundern, zerfallen sind, oder ein Menschengeschlecht
+nach uns, welches die Werke unserer Dichter und Denker nicht mehr versteht, oder selbst eine
+geologische Epoche, in der alles Lebende auf der Erde verstummt ist, der Wert all dieses Schönen und
+Vollkommenen wird nur durch seine Bedeutung für unser Empfindungsleben bestimmt, braucht dieses selbst
+nicht zu überdauern und ist darum von der absoluten Zeitdauer unabhängig.</p>
+
+<p>Ich hielt diese Erwägungen für unanfechtbar, bemerkte aber, daß ich dem Dichter und dem Freunde
+keinen Eindruck gemacht hatte. Ich schloß aus diesem Mißerfolg auf die Einmengung eines starken
+affektiven Moments, welches ihr Urteil trübte, und glaubte dies auch später gefunden zu haben. Es muß
+die seelische Auflehnung gegen die Trauer gewesen sein, welche ihnen den Genuß des Schönen entwertete.
+Die Vorstellung, daß dies Schöne vergänglich sei, gab den beiden Empfindsamen einen Vorgeschmack
+der Trauer um seinen Untergang, und da die Seele von allem Schmerzlichen instinktiv zurückweicht,
+fühlten sie ihren Genuß am Schönen durch den Gedanken an dessen Vergänglichkeit beeinträchtigt.</p>
+
+<p>Die Trauer über den Verlust von etwas, das wir geliebt oder bewundert haben, erscheint dem
+Laien so natürlich, daß er sie für selbstverständlich erklärt. Dem Psychologen aber ist die Trauer ein großes
+Rätsel, eines jener Phänomene, die man selbst nicht klärt, auf die man aber anderes Dunkle zurückführt.
+<span class="pagenum"><a name="Page_38">38</a></span>Wir stellen uns vor, daß wir ein gewisses Maß von Liebesfähigkeit, genannt Libido, besitzen, welches sich
+in den Anfängen der Entwicklung dem eigenen Ich zugewendet hatte. Später, aber eigentlich von sehr
+frühe an, wendet es sich vom Ich ab und den Objekten zu, die wir solcher Art gewissermaßen in unser
+Ich hineinnehmen. Werden die Objekte zerstört oder gehen sie uns verloren, so wird unsere Liebesfähigkeit
+(Libido) wieder frei. Sie kann sich andere Objekte zum Ersatz nehmen oder zeitweise zum Ich zurückkehren.
+Warum aber diese Ablösung der Libido von ihren Objekten ein so schmerzhafter Vorgang sein
+sollte, das verstehen wir nicht und können es derzeit aus keiner Annahme ableiten. Wir sehen nur, daß
+sich die Libido an ihre Objekte klammert und die verlorenen auch dann nicht aufgeben will, wenn der
+Ersatz bereit liegt. Das also ist die Trauer.</p>
+
+<p>Die Unterhaltung mit dem Dichter fand im Sommer vor dem Krieg statt. Ein Jahr später brach
+der Krieg herein und raubte der Welt ihre Schönheiten. Er zerstörte nicht nur die Schönheit der Landschaften,
+die er durchzog, und die Kunstwerke, an die er auf seinem Wege streifte, er brach auch unseren
+Stolz auf die Errungenschaften unserer Kultur, unseren Respekt vor so vielen Denkern und Künstlern,
+unsere Hoffnungen auf eine endliche Überwindung der Verschiedenheiten unter Völkern und Rassen. Er
+beschmutzte die erhabene Unparteilichkeit unserer Wissenschaft, stellte unser Triebleben in seiner Nacktheit
+blos, entfesselte die bösen Geister in uns, die wir durch die Jahrhunderte währende Erziehung von Seiten
+unserer Edelsten dauernd gebändigt glaubten. Er machte unser Vaterland wieder klein und die andere
+Erde wieder fern und weit. Er raubte uns sovieles, was wir geliebt hatten, und zeigte uns die Hinfälligkeit
+von manchem, was wir für beständig gehalten hatten.</p>
+
+<p>Es ist nicht zu verwundern, daß unsere an Objekten so verarmte Libido mit umso größerer Intensität
+besetzt hat, was uns verblieben ist, daß die Liebe zum Vaterland, die Zärtlichkeit für unsern Nächsten und
+der Stolz auf unsere Gemeinsamkeiten jäh verstärkt worden sind. Aber jene anderen, jetzt verlorenen Güter,
+sind sie uns wirklich entwertet worden, weil sie sich als so hinfällig und widerstandsunfähig erwiesen haben?
+Vielen unter uns scheint es so, aber ich meine wiederum, mit Unrecht. Ich glaube, die so denken und zu
+einem dauernden Verzicht bereit scheinen, weil das Kostbare sich nicht als haltbar bewährt hat, befinden
+sich nur in der Trauer über den Verlust. Wir wissen, die Trauer, so schmerzhaft sie sein mag, läuft spontan
+ab. Wenn sie auf alles Verlorene verzichtet hat, hat sie sich auch selbst aufgezehrt, und dann wird unsere
+Libido wiederum frei, um sich, insoferne wir noch jung und lebenskräftig sind, die verlorenen Objekte durch
+möglichst gleich kostbare oder kostbarere neue zu ersetzen. Es steht zu hoffen, daß es mit den Verlusten
+dieses Krieges nicht anders gehen wird. Wenn erst die Trauer überwunden ist, wird es sich zeigen, daß
+unsere Hochschätzung der Kulturgüter unter der Erfahrung von ihrer Gebrechlichkeit nicht gelitten hat. Wir
+werden alles wieder aufbauen, was der Krieg zerstört hat, vielleicht auf festerem Grund und dauerhafter
+als vorher.</p>
+
+<p style="margin-top: 1em;"><span class="gesperrt">Wien</span>, November 1915.</p>
+
+<div class="figright" style="width: 300px; margin-bottom: 120px;">
+<img src="images/signatur.png" width="300" height="73" alt="Sigm. Freud" title="" />
+</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Vergänglichkeit, by Sigmund Freud
+
+*** END OF THIS PROJECT GUTENBERG EBOOK VERGÄNGLICHKEIT ***
+
+***** This file should be named 29514-h.htm or 29514-h.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/2/9/5/1/29514/
+
+Produced by Jana Srna and Philipp Zeinlinger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/29514-h/images/signatur.png b/29514-h/images/signatur.png
new file mode 100644
index 0000000..feae3d2
--- /dev/null
+++ b/29514-h/images/signatur.png
diff --git a/29514-page-images.zip b/29514-page-images.zip
new file mode 100644
index 0000000..1d02bc9
--- /dev/null
+++ b/29514-page-images.zip
diff --git a/29514-page-images/f0001.png b/29514-page-images/f0001.png
new file mode 100644
index 0000000..7ea920f
--- /dev/null
+++ b/29514-page-images/f0001.png
diff --git a/29514-page-images/f0002.png b/29514-page-images/f0002.png
new file mode 100644
index 0000000..4f0db11
--- /dev/null
+++ b/29514-page-images/f0002.png
diff --git a/29514-page-images/p0037.png b/29514-page-images/p0037.png
new file mode 100644
index 0000000..167d5ca
--- /dev/null
+++ b/29514-page-images/p0037.png
diff --git a/29514-page-images/p0038-image.png b/29514-page-images/p0038-image.png
new file mode 100644
index 0000000..057999c
--- /dev/null
+++ b/29514-page-images/p0038-image.png
diff --git a/29514-page-images/p0038.png b/29514-page-images/p0038.png
new file mode 100644
index 0000000..724bf11
--- /dev/null
+++ b/29514-page-images/p0038.png
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..2a1f402
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #29514 (https://www.gutenberg.org/ebooks/29514)