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| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:47:00 -0700 |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/29154-8.txt b/29154-8.txt new file mode 100644 index 0000000..5a5df99 --- /dev/null +++ b/29154-8.txt @@ -0,0 +1,2474 @@ +Project Gutenberg's Harper's Young People, September 28, 1880, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Harper's Young People, September 28, 1880 + An Illustrated Weekly + +Author: Various + +Release Date: June 18, 2009 [EBook #29154] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, SEP 28, 1880 *** + + + + +Produced by Annie McGuire + + + + + + + + +[Illustration: HARPER'S + +YOUNG PEOPLE + +AN ILLUSTRATED WEEKLY.] + + * * * * * + +VOL. I.--NO. 48. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR +CENTS. + +Tuesday, September 28, 1880. Copyright, 1880, by HARPER & BROTHERS. +$1.50 per Year, in Advance. + + * * * * * + + + + +[Illustration: A CHILDREN'S PARADISE.-[SEE NEXT PAGE.]] + +A CHILDREN'S PARADISE. + + +In one corner of the Bois de Boulogne is a pretty zoological garden +known as the Jardin d'Acclimatation. The Bois de Boulogne is the +pleasure-ground of Paris, and is one of the most beautiful parks in the +world. It comprises about twenty-five hundred acres of majestic forests +and open grassy meadows, through which flow picturesque streams, +tumbling over rocky cliffs in glistening cascades, or spreading out into +broad tranquil lakes, upon which float numbers of gay pleasure-boats +filled on sunny summer afternoons with crowds of happy children. + +But the place where the children are happiest is the Jardin +d'Acclimatation. There are no savage beasts here to frighten the little +ones with their roaring and growling. The lions and tigers and hyenas +are miles away, safe in their strong cages in the Jardin des Plantes, on +the other side of the big city of Paris; and in this charming spot are +gathered only those members of the great animal kingdom which in one way +or another are useful to man. + +The Jardin d'Acclimatation has been in existence about twenty-five +years. In 1854 a society was formed in Paris for the purpose of bringing +to France, from all parts of the world, beasts, birds, fishes, and other +living things, which in their native countries were in any way +serviceable, and to make every effort to accustom them to the climate +and soil of France. The city of Paris ceded to the society a space of +about forty acres in a quiet corner of the great park, and the +preparation of the ground for the reception of its strange inhabitants +was begun at once. The ponds were dug out and enlarged, the meadows were +sodded with fresh, rich grass, spacious stalls were built, and a big +kennel for dogs, aviaries for birds, aquaria for fish, and a silk-worm +nursery, were all made ready. A large greenhouse was also erected for +the cultivation of foreign plants. Here the animals were not brought +simply to be kept on exhibition, but they were made as comfortable and +as much at home as possible. + +On pleasant afternoons troops of children with their mammas or nurses +crowd the walks and avenues of the Jardin d'Acclimatation. Here, in a +comfortable airy kennel, are dogs from all parts of the world, some of +them great noble fellows, who allow the little folks to fondle and +stroke them. On a miniature mountain of artificial rock-work troops of +goats and mouflons--a species of mountain sheep--clamber about, as much +at home as if in their far-away native mountains. Under a group of +fir-trees a lot of reindeer are taking an afternoon nap, lost in dreams +of their home in the distant North. Grazing peacefully on the broad +meadows are antelopes, gazelles, and all kinds of deer; and yaks from +Tartary, llamas from the great South American plains, Thibet oxen, and +cattle of all kinds are browsing in their particular feeding grounds. + +In a pretty sunny corner is a neat little chalet inclosed in a yard +filled with fresh herbage. A cozy little home indeed, and there, peering +inquisitively through the open door, is one of the owners of this +mansion--a funny kangaroo, standing as firmly on its haunches as if it +scorned the idea of being classed among the quadrupeds. + +What is whinnying and galloping about on that meadow? A whole crowd of +ponies! Ponies from Siam, from Java, shaggy little Shetlands, quaggas +and dauws from Africa, all feeding and frolicking together, and there, +in the door of his stall, stands a sulky little zebra. He is a very +bad-tempered little animal, and evidently something has gone wrong, and +he "won't play." In a neighboring paddock is a gnu, the curious horned +horse of South Africa. The children are uncertain whether to call it a +horse, a buffalo, or a deer, and the creature itself appears a little +doubtful as to which character it can rightfully assume. + +One of the few animals kept in cages is the guepard, or hunting leopard. +The guepard, a graceful, spotted creature, is very useful to hunters in +India. It is not a savage animal, and when taken young is very easily +trained to work for its master. It is led hooded to the chase, and only +when the game is near is the hood removed. The guepard then springs upon +the prey, and holds it fast until the hunter comes to dispatch it. The +guepard in the Jardin d'Acclimatation is very affectionate toward its +keeper, and purrs like a big cat when he strokes its silky head, but it +is safer for children to keep their little hands away from it. + +In pens provided with little ponds are intelligent seals and families of +otters, with their elegant fur coats always clean and in order; and down +by the shore of the stream and the large lake a loud chattering is made +by the numerous web-footed creatures and long-legged waders. Here are +ducks from Barbary and the American tropics, wild-geese from every +clime, and swimming gracefully and silently in the clear water are +swans--black, gray, and white--that glide up to the summer-houses on the +bank, and eat bread and cake from the children's hands. + +Among the tall water-grasses at one end of the lake is a group of +pelicans, motionless, their long bills resting on their breasts. They +look very gloomy, as if refusing to be comforted for the loss of their +native fishing grounds in the wild African swamps. + +Promenading in a spacious park are whole troops of ostriches, their +small heads lifted high in the air, and their beautiful feathers blowing +gracefully in the wind. Be careful, or they will dart their long necks +through the paling and steal all your luncheon, or perhaps even the +pretty locket from your chain, for anything from a piece of plum-cake to +a cobble-stone is food for this voracious bird. A poor soldier, whose +sole possession was the cross of honor which he wore on the breast of +his coat, was once watching the ostriches in the Jardin d'Acclimatation, +when a bird suddenly darted at him, seized his cross in its beak, and +swallowed it. The soldier went to the superintendent of the garden and +entered a bitter complaint; but the feathered thief was not arrested, +and the soldier never recovered his treasure. + +What a rush and crowd of children on the avenue! No wonder, for there is +a pretty barouche, to which is harnessed a large ostrich, which marches +up and down, drawing its load as easily as if it were a span of goats or +a Shetland pony, instead of a bird. + +There are so many beautiful birds in the aviaries, so many odd fowls in +the poultry-house, and strange fish in the aquaria, that it is +impossible to see them all in one day, and the best thing to do now is +to rest on a seat in the cool shade of the vast conservatory, among +strange and beautiful plants from all parts of the world. And on every +holiday the happy children say, "We will go to the Jardin +d'Acclimatation, where there is so much to enjoy, and so much to learn." + + + + +FRANK'S WAR WITH THE 'COONS. + +BY GEORGE J. VARNEY. + + +Last month I spent several weeks at a farm within sight of the White +Mountains. One morning the boy Frank came in with a basket of sweet-corn +on his arm, and a bad scowl on his countenance. + +"What is the matter, Frank?" inquired his mother, coming from the +pantry. + +Indignation was personified in him, as he answered, "Them pigs has been +in my corn." + +"I hadn't heard that the pigs had been out. Did they do much harm?" + +"Yes, they spoiled a peck of corn, sure; broke the ears half off, and +some all off. Rubbed 'em all in the dirt, and only ate half the corn. +Left 'most all one side. They didn't know enough to pull the husks clear +off." + +Just then the hired man came in, and Frank repeated his complaint of the +pigs. + +"They hain't been out of their yard for a week, I know. I heard some +'coons yellin' over in the woods back of the orchard last night. I guess +them's the critters that's been in your corn piece." + +"S'pose they'll come again to-night?" inquired the boy, every trace of +displeasure vanishing. + +"Likely 's not. They 'most always do when they get a good bite, and +don't get scared." + +"I'll fix 'em to-night," said the boy, with a broad smile at the +anticipated sport. + +Twilight found Frank sitting patiently on a large pumpkin in the edge of +his corn piece, gun in hand, watching for the 'coons. An hour later his +patience was gone, and the 'coons hadn't come--at least he had no notice +of their coming. As he started from his rolling seat a slight sound in +the midst of the corn put him on the alert. He walked softly along +beside the outer row, stopping frequently to listen, until he could +distinctly hear the rustling of the corn leaves, and even the sound of +gnawing corn from the cob. His heart beat fast with excitement as he +became assured of the presence of a family of raccoons, and he held his +gun ready to pop over the first one that showed itself. There were +slight sounds of rustling and gnawing in several places, but they all +ceased, one after another, as Frank came near. He listened, but there +was nothing to be heard. Then he went to the other side of the piece to +cut off their retreat from the woods. He came cautiously up between the +corn rows to the midst of the piece, but no 'coon was there. + +"Pity they will eat their suppers in the dark," muttered Frank, to +relieve his vexation at the disappointment. + +He returned slowly to the house, and went up to his room, where he sat +down and read awhile. After an hour or more he became too sleepy to +read; so he laid aside his book, put out the light, and popped into bed. +Just as he was falling asleep he heard several cries over in the woods. +They were half whistle, half scream--a sort of squeal. He sprang up in +bed to listen. The cries ceased, and for several minutes all was +silence. Then there arose a succession of screams, much nearer, and in a +different voice. It was interrupted and broken. It seemed something +between the squeal of a pig and the cry of a child. + +Frank said to his father the next morning that "it sounded as if it was +a young one, and the mother was cuffing it and driving it back. At any +rate, the last of the cries sounded as if the little 'coon had turned, +and was going away." + +"Very likely," said his father; "the little 'coon was probably hungry +for the rest of his supper, and was going back to the corn sooner than +the old 'coon thought was prudent." + +Frank heard no more of the 'coons, and soon went to sleep, but in the +morning he found that more corn had been spoiled than in the first +night. The 'coons had only run off to come back again, and begin their +depredations in a new place. He therefore came to the conclusion that he +must watch all night, and every night, if at all. + +The hired man told how some boys where he worked once caught a 'coon by +setting a trap at the hole in a board fence near the corn piece. There +was a wall beside the woods not far from Frank's corn, and there were a +plenty of holes in it, but which particular hole the 'coons came through +nobody could tell. + +[Illustration: "FOR A FEW SECONDS THERE WAS A LIVELY BATTLE."] + +"I'll find out," said Frank. He went to a sand-bank with the +wheelbarrow, and shovelled in a load of sand. This he spread at the +bottom of every large hole, and on the rocks at every low place in the +wall. In the morning he walked along there, and the foot-prints in the +sand showed where the path of the 'coons crossed the wall. There he set +his steel-trap, and another which he borrowed of a neighbor. In the +morning he went over to see what had happened. One trap was sprung, and +held a few hairs; the other trap had disappeared. It didn't go off +alone, Frank thought; but it had a long stick fastened to its chain that +would be sure to catch in the bushes before it went far. He sprang over +the wall, and peeped round among the knolls and bushes. Suddenly, as he +went around a clump of little spruces, a chain rattled, and a +brownish-gray creature, "'most as big as a bear," as Frank afterward +said, sprang at him, with a sharp, snarling growl, and mouth wide open. +The sight was too much for Frank's nerves, and set them in such a tremor +that he ran away. When he came in sight of his corn he began to grow +angry, and his courage came up again. He now got him a larger stick than +he had first carried, and set out for the animal again. He had +considered that, after all, it could be only a 'coon, though bears had +been heard of in the corn fields further north. Frank and the corn-eater +now met again face to face, and for a few seconds there was a lively +battle, in which mingled the snarling of the 'coon, the rattling of the +chain, and the blows of the stick. At length the 'coon lay still, and +Frank stood guard over him with a broken stick. The next day he ate a +slice of roast 'coon for dinner with great relish. + +The traps were set again for the next night, but never a 'coon was in +them in the morning. The cunning fellows evidently considered the place +too dangerous, and chose another entrance. Anyway, the corn was still +going away fast. Frank feared that he wouldn't have enough to fill his +contract with the canning factory unless the family in the house, or the +other family in the woods, left off eating. Something must be done. At +length Frank bought a dog. He made a nice kennel for him in the middle +of the corn field, and tied him there at night. Just after Frank had +fallen into a sound sleep the dog woke him up with his barking. Frank +went out, but could find nothing. The dog woke him twice more that +night, but he didn't trouble himself to leave his bed again. In the +morning he found that the 'coons had destroyed as much corn as before, +but it was all about the edges. The next night they ventured a little +nearer the kennel. The following night the dog was left in the kennel +loose. Probably when the 'coons came he made a charge upon them, and +they turned upon him and drove him away, for he was only a little young +one. He took refuge in the wood-house, where he barked furiously for an +hour or more, and then in occasional brief spells all the +night--whenever he woke enough to remember the 'coons. After this Frank +gave up the defense of the corn, but began to gather it nightly as fast +as the ears were sufficiently full. At length he cut the corn and took +it into the barn, excepting a single bunch. About this bunch he sunk +traps in the ground, and threw hay-seed over them, and placed nice ears +of sweet-corn beside them. The next morning he had another 'coon. The +other trap was sprung also, but it held nothing but a little tuft of +long gray fur. That sly fellow had again sat down on the trencher. From +this time the 'coons troubled Frank's corn no more, having found other +fields where there was more corn and fewer traps. Frank's final conflict +with the 'coons was late in the autumn, when the leaves were nearly gone +from the trees, and the ripe beech-nuts were beginning to drop. He had +fired all his ammunition away at gray squirrels the day before, except a +little powder; but a meeting of crows in the adjoining woods incited his +sporting proclivities, and he loaded his gun, putting in peas for shot, +and started for the locality of the noisy birds. They cawed a little +louder when they discovered the intruder, then began in a straggling +manner to fly away. So when Frank arrived at the scene of the meeting it +had adjourned. Looking about in the trees to see if by chance a single +crow might still be lingering, a slight movement in a tall maple met his +eye. + +"Biggest gray squirrel ever I saw," muttered the boy, raising his gun. +The position was not a good one for a shot, as the head, which had been +thrust out over a large branch close to the trunk was now withdrawn, so +that only the end of the nose was visible. Close beside this branch was +another, and between the two a large surface of gray fur was exposed. + +"I'll send him some peas for dinner," thought Frank, and fired. He heard +the peas rattle against the hard bark of the tree, but no gray squirrel +came down or went up that he could see. When the smoke cleared away, a +black nose was thrust out over the branch, and two keen eyes were +visible, peering down at the sportsman, as much as to say, "I like peas +for dinner, little boy, but don't take 'em that way." + +"That's no squirrel," thought Frank. "I believe it's a 'coon--sure as a +gun. And I haven't got a thing to shoot him with." + +He thought of putting his knife into his gun for a bullet, but it proved +too large. Then he looked for some coarse gravel, but did not find any. +Feeling in all his pockets, his fingers clutched a board nail. + +"Ah, that's the thing! We'll see, Mr. 'Coon, if you care any more for +board nails than you do for peas." + +Loading his gun again, he dropped in the nail instead of a knife for a +bullet. He took careful aim again at the spot of fur between the +branches, and fired. The 'coon was more than surprised this time, and he +certainly forgot to look before he leaped, or he never would have sprung +right out ten feet from the tree, with nothing between him and the +ground, thirty or forty feet below. He struck all rounded up in a bunch, +like a big ball, bouncing up two or three feet from the ground. Frank +started toward the animal, thinking, "Well, that fall's knocked the life +out of him." + +He never was more mistaken. When he stepped toward him, the 'coon got +upon his feet at once, and offered battle. Frank now used his gun in +another manner, seizing it by the barrel, and turning it into a war +club. There ensued some lively dodging on the part of the 'coon; but at +length he was hit slightly, when he turned and ran for the nearest tree. +This happened to be a beech, in whose hard, smooth bark his claws would +not hold. He slipped down, and as Frank came up, turned and made a dash +for the boy's legs. Frank met him with a blow of the gun on the head, at +which the 'coon dropped down, apparently lifeless. Another such blow +would have finished him; but Frank was unwilling to give it, for the +last one had cracked his gun-stock. So he shouldered the gun, took the +'coon up by the hinder legs, and started for home. Before he got there +the 'coon had come to his senses again, and made Frank pretty lively +work to keep his own legs safe. As soon as he could find a good stake +Frank dropped his dangerous burden, and before the 'coon could run away, +he was stunned by a blow of the stake. + +With this victory the war between Frank and the 'coons ended for the +season. He had been obliged to buy some corn of a neighbor in order to +fill his contract with the canning factory; but the 'coon-skins sold for +enough to make up the money. + + + + +[Illustration: "COME ON!"] + + + + +[Begun in No. 46 of HARPER'S YOUNG PEOPLE, September 14.] + +WHO WAS PAUL GRAYSON? + +BY JOHN HABBERTON, + +AUTHOR OF "HELEN'S BABIES." + + +CHAPTER III. + +MUSIC AND MANNERS. + +The boys at Mr. Morton's select school were not the only people in +Laketon who were curious about Paul Grayson. Although the men and women +had daily duties like those of men and women elsewhere, they found a +great deal of time in which to think and talk about other people and +their affairs. So all the boys who attended the school were interrogated +so often about their new comrade, that they finally came to consider +themselves as being in some way a part of the mystery. + +Mr. Morton, who had opened his school only several weeks before the +appearance of Grayson, was himself unknown at Laketon until that spring, +when, after an unsuccessful attempt to be made principal of the grammar +school, he had hired the upper floor of what once had been a store +building, and opened a school on his own account. He had introduced +himself by letters that the school trustees, and Mr. Merivale, pastor of +one of the village churches, considered very good; but now that +Grayson's appearance was explained only by the teacher's statement that +the boy was son of an old school friend who now was a widower, some of +the trustees wished they were able to remember the names and addresses +appended to the letters that the new teacher had presented. Sam +Wardwell's father having learned from Mr. Morton where last he had +taught, went so far as to write to the wholesale merchants with whom he +dealt, in New York, for the name of some customer in Mr. Morton's former +town; but even by making the most of this roundabout method of inquiry +he only learned that the teacher had been highly respected, although +nothing was known of his antecedents. + +With one of the town theories on the subject of Mr. Morton and Paul +Grayson the boys entirely disagreed: this was that the teacher and the +boy were father and son. + +"I don't think grown people are so very smart, after all," said Sam +Wardwell, one day, as the boys who were not playing lounged in the shade +of the school building and chatted. "They talk about Grayson being Mr. +Morton's son. Why, who ever saw Grayson look a bit afraid of the +teacher?" + +"Nobody," replied Ned Johnston, and no one contradicted him, although +Bert Sharp suggested that there were other boys in the world who were +not afraid of their fathers--himself, for instance. + +"Then you ought to be," said Benny Mallow. Benny looked off at nothing +in particular for a moment, and then continued, "I wish I had a father +to be afraid of." + +There was a short silence after this, for as no other boy in the group +had lost a father, no one knew exactly what to say; besides, a big tear +began to trickle down Benny's face, and all the boys saw it, although +Benny dropped his head as much as possible. Finally, however, Ned +Johnston stealthily patted Benny on the back, and then Sam Wardwell, +taking a fine winter apple from his pocket, broke it in two, and +extended half of it, with the remark, "Halves, Benny." + +Benny said, "Thank you," and seemed to take a great deal of comfort out +of that piece of apple, while the other boys, who knew how fond Sam was +of all things good to eat, were so impressed by his generosity that none +of them asked for the core of the half that Sam was stowing away for +himself. Indeed, Ned Johnston was so affected that he at once agreed to +a barter--often proposed by Sam and as often declined--of his Centennial +medal for a rather old bass-line with a choice sinker. + +Before the same hour of the next day, however, nearly every boy who +attended Mr. Morton's school was wicked enough to wish to be in just +exactly Benny Mallow's position, so far as fathers were concerned. This +sudden change of feeling was not caused by anything that Laketon fathers +had done, but through fear of what they might do. As no two boys agreed +upon a statement of just how this difference of sentiment occurred, the +author is obliged to tell the story in his own words. + +Usually the boys hurried away from the neighborhood of the school as +soon as possible after dismissal in the afternoon, but during the last +recess of the day on which the above-recorded conversation occurred Will +Palmer and Charley Gunter completed a series of a hundred games of +marbles, and had the strange fortune to end exactly even. The match had +already attracted a great deal of attention in the school--so much so +that boys who took sides without thinking had foolishly made a great +many bets on the result, and a deputation of these informed the players +that it would be only the fair thing to play the deciding game that +afternoon after school, so that boys who had bet part or all of their +property might know how they stood. Will and Charley expressed no +objection; indeed, each was so anxious to prove himself the best player +that in his anxiety he made many blunders during the afternoon +recitations. + +As soon as the school was dismissed, the boys hurried into the yard, +while Grayson, who had lately seen as much of marble-playing as he cared +to, strolled off for a walk. The marble ring was quickly scratched on +the ground, and the players began work. But the boys did not take as +much interest in the game as they had expected to, for a rival +attraction had unexpectedly appeared on the ground since recess: two +rival attractions, more properly speaking, or perhaps three, for in a +shady corner sat an organ-grinder, on the ground in front of him was an +organ, and on top of this sat a monkey. Now to city boys more than ten +years of age an organ-grinder is almost as uninteresting as a scolding; +but Laketon was not a city, organ-grinders reached it seldom, and +monkeys less often; so fully half the boys lounged up to within a few +feet of the strangers, and devoured them with their eyes, while the man +and the animal devoured some scraps of food that had been begged at a +kitchen door. + +Nobody can deny that a monkey, even when soberly eating his dinner, is a +very comical animal, and no boy ever lived, not excepting that good +little boy Abel, who did not naturally wonder what a strange animal +would do if some one disturbed him in some way. Which of Mr. Morton's +pupils first felt this wonder about the organ-grinder's monkey was never +known; the boys soon became too sick of the general subject to care to +compare notes about this special phase of it; but the first one who +ventured to experiment on the monkey was Bert Sharp, who made so +skillful a "plumper" shot with a marble, from the level of his trousers +pocket, that the marble struck the monkey fairly in the breast, and +rattled down on the organ, while the monkey, who evidently had seen boys +before, made a sudden jump to the head of his master, and then scrambled +down the Italian's back, and hid himself so that he showed only as much +of his head as was necessary to his effort to peer across the +organ-grinder's shoulder. + +"Maledetta!" growled the Italian, as he looked inquiringly around him. +As none of the boys had ever before heard this word, they did not know +whether it was a question, a rebuke, or a threat; but they saw plainly +enough that the man was angry, and although most of them stepped +backward a pace or two, they all joined in the general laugh that a +crowd of boys are almost sure to indulge in when they see any one in +trouble, that any one of the same boys would be sorry about were he +alone when he saw it. + +The organ-grinder began munching his food very rapidly, as if in haste +to finish his meal, yet he did not forget to pass morsels across his +shoulder to his funny little companion, and the manner in which the +monkey put up a paw to take the food amused the boys greatly. Benny +Mallow thought that monkey was simply delightful, but he could not help +wondering what the animal would do if a marble were to strike his paw as +he put it up. Animals' paws are soft at bottom, reasoned Benny to +himself, and marbles shot through the air can not hurt much if any; the +result of this short argument was that Benny tried a "plumper" shot +himself; but the marble, instead of striking the monkey's paw, went +straight into the mouth of the organ-grinder, who was just about to take +a mouthful of bread. + +Up sprang the Italian, with an expression of countenance so perfectly +dreadful that Benny Mallow dreamed of it, for a month after, whenever he +ate too much supper. All the boys ran, and the Italian pursued them with +words so strange and numerous that the boys could not have repeated one +of them had they tried. Every boy was half a block away before he +thought to look around and see whether the footsteps behind him were +those of the organ-grinder or of some frightened boy. Sam Wardwell +stumbled and fell, at which Ned Johnston, who had been but a step or two +behind, fell upon Sam, who instantly screamed, "Oh, don't, mister: I +didn't do it--really I didn't." + +On hearing this all the other boys thought it safe to stop and look, and +when they saw the Italian was not in the street at all, they felt so +ashamed that there is no knowing what they would have done if they had +not had Sam Wardwell to laugh at. As for Sam, he was so angry about the +mistake he had made that he vowed vengeance against the Italian, and +hurried back toward the yard. Will Palmer afterward said that he +couldn't see how the Italian was to blame, and Ned Johnston said the +very same thought had occurred to him; but somehow neither of the two +happened to mention the matter, as they, with the other boys, followed +Sam Wardwell to see what he would do. Looking through the cracks of the +fence, the boys saw the Italian, with his organ and monkey on his back, +coming down the yard; at the same time they saw nearly half a brick go +up the yard, and barely miss the organ-grinder's head. The man said +nothing; perhaps he had been in difficulties with boys before, and had +learned that the best way to get out of them was to walk away as fast as +possible; besides, there was no one in sight for him to talk to, for Sam +had started to run the instant that the piece of brick left his hand. +The man came out of the yard, looked around, saw the boys, turned in the +opposite direction, and then turned up an alley that passed one side of +the school-house. + +He could not have done worse; for no one lived on the alley, so any +mischievous boy could tease him without fear of detection. He had gone +but a few steps when Sam, who had hidden in a garden on the same alley, +rose beside a fence, and threw a stick, which struck the organ. The man +stopped, turned around, saw the whole crowd of boys slowly following, +supposed some one of them was his assailant, threw the stick swiftly at +the party, and then started to run. No one was hit, but the mere sight +of a frightened man trying to escape seemed to rob the boys of every +particle of humanity. Charley Gunter, who was very fond of pets, devoted +himself to trying to hit the monkey with stones; Will Palmer, who had +once helped nurse a friendless negro who had cut himself badly with an +axe, actually shouted "Hurra!" when a stone thrown by himself struck one +of the man's legs, and made him limp; Ned Johnston hurriedly broke a +soft brick into small pieces, and threw them almost in a shower; and +even Benny Mallow, who had always been a most tender-hearted little +fellow, threw stones, sticks, and even an old bottle that he found among +the rubbish that had been thrown into the alley. + +[Illustration: THE ATTACK ON THE ORGAN-GRINDER.] + +Suddenly a stone--there were so many in the air at a time that no one +knew who threw that particular stone--struck the organ-grinder in the +back of the head, and the poor fellow fell forward flat, with his organ +on top of him, and remained perfectly motionless. + +"He's killed!" exclaimed some one, as the pursuers stopped. In an +instant all the boys went over the fences on either side of the alley, +but not until Paul Grayson, crossing the upper end of the alley, had +seen them, and they had seen him. + +[TO BE CONTINUED.] + + + + +FORDING A RIVER IN CENTRAL ASIA. + +BY DAVID KER. + + +I have heard many complaints made of the impossibility of sleeping in a +railway car, and have wondered much how those who made them would have +fared if compelled to spend, not one night, but twelve or fourteen in +succession, in crossing the roadless plains and hills of Central Asia in +a Russian cart, whose whole progress is a series of jolts that might +dislocate the spine of a megatherium, flinging one at every turn against +the corner of a box, or the broad shoulders of the Tartar driver. The +correct way of preparing for a journey in this primitive region is to +half fill your cart with hay, lay your baggage upon it as a kind of +pavement, and cover the whole with a straw mattress, upon which you +recline, walled in with rolled-up wrappers to keep you from being +absolutely battered to bits against the sides of the vehicle. You then +provide yourself with a hatchet and a coil of rope, as an antidote to +the inevitable coming off of a wheel two or three times a day during the +whole journey, and thus fore-armed, you are, as the Russians +significantly say, "ready to _chance it_." + +After a night of such travel as this, with all its attendant bumps, +bruises, and overturns, among the hills on the frontier of Bokhara, my +English comrade and I find ourselves nearing the once famous city of +Samarcand, and getting forward much more easily now that the plain is +fairly reached at last. But what we gain in comfort we lose in +picturesqueness. For several miles our course lies through the wet, miry +level of the rice fields, and we leave them only to emerge upon a wide +waste of bare gravel, amid which the once formidable current of the +"gold-giving Zer-Affshan" has shrunk to a single narrow channel, the +only fine feature of the landscape being the dark purple ridge beyond, +upon which, in June, 1868, was fought the battle that decided the fate +of Bokhara. + +But commonplace as it looks, every foot of this region is historic +ground. Here stood the centre of a mighty empire, drawing to itself all +the pomp and splendor of the East, in days when marsh frogs were +croaking upon the site of St. Petersburg, and Indians lighting their +camp fires upon that of New York. The very earth seems still shaking +with the march of ancient conquerors, and one would hardly wonder to see +Alexander's Macedonians coming with measured tramp over the boundless +level, or low-browed Attila, with the light of a grim gladness in his +deep-set eyes, waving on five hundred thousand horsemen with the sweep +of his enchanted sabre. But mingled with these memories comes the +thought of one who surpassed them both--a little, swarthy, keen-eyed, +limping man, known to history as Timour the Tartar, who crushed into one +great whole all the jarring kingdoms of Asia, only that they might melt +into chaos again the moment that mighty grasp was relaxed by death. + + * * * * * + +"We must get out here, David Stepanovitch!" + +The shrill call sweeps away my visions, and I look up to find myself in +front of a tiny hut--a mere speck in that wilderness of gravel--beside +which three or four wild-looking figures are grouped around a huge +_arba_ (native cart), conspicuous by its immense breadth of beam, and +its gigantic wheels, seven good feet in diameter. + +Mourad hastily explains that to attempt fording the river in our little +post-cart will be certain destruction to our baggage, and that we must +shift to the arba, which, light, strong, and, thanks to its great +breadth, almost impossible to overturn, seems made for this roadless +region, as the camel is for the desert. + +The transfer is soon effected, but it takes some time to secure our +packages against the tremendous shaking which awaits them, and our +careful henchman goes over his work three times before he can persuade +himself to let go. But the reckless Bokhariotes, who care little if we +and all our belongings go to the bottom, provided they get their money, +cut him short by leaping onto the front of the huge tray, and heading +right down upon the river. + +We make five or six lesser crossings before coming to the real one, the +Zer-Affshan, like Central Asian rivers generally, being given to wasting +its strength in minor channels; but even these run with a force and +swiftness that show us what we have to expect. At length, after a +comparatively long interval of bare gravel, the two Bokhariotes suddenly +plant themselves back to back, with their feet against the sides of the +cart. The huge vehicle halts for a moment, as if to gather strength for +its final leap, and then rushes into the stream. + +And now comes the tug of war. The wheels have barely made three turns in +the water when the great mass trembles under a shock like the collision +of a train, and to our bewildered eyes the river appears to be standing +perfectly still, and we ourselves to be flying backward at full speed. + +Deeper and deeper grows the water, stronger and stronger presses the +current. Already the little post-cart following in our wake is almost +submerged, and the water is battering against the bottom of the arba, +and splashing over our feet as we sit. More than once the horses stop +short, and plant their feet firmly, to save themselves from being swept +bodily away, and the roar of the chafing pebbles comes up to us like the +tramp of a charging squadron. + +In the midst of the din and hurly-burly, the lashing water, and the +blinding spray, a terrible thought suddenly occurs to me. "By Jove! all +my sugar's in the bottom of my store chest. It'll be all melted, to a +certainty." + +"Shouldn't wonder," remarks my friend, with that quiet fortitude +wherewith men are wont to bear the misfortunes of other people. +"However, you can get some more at Samarcand; and, after all, a trunk +lined with sugar will be worth exhibiting at home--if you ever get +there." + +For the next few minutes it is "touch and go" with us; but even among +Asiatics nothing can be spun out forever. Little by little the water +grows shallower, the ground firmer, the strain less and less violent, +till at length we come out upon dry land once more, decant the contents +of the arba back into the cart, reward our pilots, and are off again. + + + + +[Illustration] + +[Illustration] + +THE TUG OF WAR + + +This is an old English game, which has become a favorite athletic +exercise in almost all countries, as a trial of strength and endurance. +In England it used to be called "French and English," from the ancient +rivalry that existed between the two nationalities. Our picture shows +how the game is played. Care should be taken to have a stout rope, and +the players should be divided so that each party may as nearly as +possible be of equal strength. The party that pulls the other over a +line marked on the ground between them is the winner in the game. +Sometimes a string is tied on the rope, and when the game begins this +string should be directly over the dividing line. It often happens that +the parties are so evenly matched that neither can pull the string more +than an inch or two over the line; and then it becomes a trial of +endurance, and the question is which side can hold out the longer. + +Among the Burmese the "tug of war" is a part of the religious ceremonies +held when there is a scarcity of rain. Instead of rope, long, slender +canes are twisted together, and spokes are thrust through to give a firm +hold. The sides are taken by men from different quarters of a town, or +from different villages. Each side is marshalled by two drums and a +harsh wind-instrument, which make a hideous noise. A few priests are +generally seen squatting on the ground near by, chewing the betel-nut, +and reading their laws, which are printed on slips of palm leaf. Every +now and then they give a shout of encouragement. Each side tries to pull +the other over the line, amid shouts and cries of the most vigorous +description. It makes no difference which side wins the day, as victory +to either party is supposed by the superstitious natives to bring the +wished-for rain. Continued drought does not discourage them from +repeating the ceremony time after time; and when the rain comes at last +they firmly believe it is in answer to their incantations. + + + + +FOUND IN A FROG. + +BY MISS VIRGINIA W. JOHNSON, + +AUTHOR OF "THE CATSKILL FAIRIES." + + +The sun had risen when Gita awoke. She lived at the top of a tall old +house with her grandmother, and both were poor. When she had put on her +thin cotton gown, and smoothed her hair with her small brown hands, Gita +ran down stairs lightly; and these stairs--some crooked stone steps in a +dark passage--would have broken our necks to descend. She came out in a +narrow street with the tall houses almost meeting overhead, and steep +paths or flights of steps leading down to the shore. The town was +Mentone, in the south of France, with the boundary line of Italy not +half a mile distant. At one end of the street was visible the blue sky, +and two churches, yellow and white, on an open square, with towers, +where the bells were ringing. + +Gita felt in her pocket for a crust of hard bread, and began to eat. +This was her breakfast, and if she had been richer she would have drunk +a little black coffee with it. As it was, she paused at the fountain, +where the women were gossiping as they drew water in buckets, and placed +her mouth under the spout. + +Raphael came along, and greeted her. Raphael, a tall young fellow with +bright eyes, a face the color of bronze, and a little black mustache, +was the son of a merchant who kept goats and donkeys for the visitors +who came here every year. The goats furnished rich milk for the invalids +to drink, while the ladies and children rode the donkeys. Gita found +Raphael very handsome. + +He wore a curious straw hat with the brim turned up, a shirt striped +with red, blue pantaloons, and a yellow sash about his waist. One could +see he esteemed himself rather a dandy. In turn Raphael found Gita the +prettiest girl of his acquaintance, with her large black eyes, brown +face, and white teeth. Besides, Gita was amiable, and did not mock at +him when he walked on the Promenade on Sunday with his hat on one side, +and a cigarette in his mouth. + +"I have asked the consent of my parents to our marriage," said Raphael. +"They refuse, unless you have a dower of at least a hundred francs. We +must wait." + +Gita sighed and shook her head as she pursued her way down to the shore. +In these countries the young people must obtain the consent of their +parents to marry, and the bride should have a dowry. Gita had not a +penny; Raphael's father might as well have asked him to bring the moon +as one hundred francs. + +Grandmother was seated under an archway, with her little furnace before +her, roasting chestnuts. Grandmother, a wrinkled old woman, with a red +handkerchief wound about her head, was a chestnut merchant. The sailors, +children, and Italians coming over the border bought her wares, and when +she was not employed in serving them she twisted flax on a distaff. + +"Raphael's father needs a dowry of one hundred francs," said Gita, as +grandmother gave her a few chestnuts. + +"Ah, if you were a lemon girl!" said grandmother, beginning to twist the +flax. + +Gita poised a basket on her head, took a white stocking from her pocket, +and began to knit as she walked away. The women of the country carry all +burdens on their heads. You may see a mother with a mound of cut grass +on her head, dandling a little baby in her arms as she moves along. +Grandmother had been a lemon girl in her day, but Gita was not strong +enough. The lemon girls bring the fruit on their heads many miles, from +the lemon groves down to the ships, when they are sent to America and +other distant lands. + +When you next taste a lemonade at a Sunday-school picnic, little reader, +remember how far the lemon has travelled to furnish you this refreshing +drink. + +Gita went along the shore knitting, her empty basket tilted on her head. +The blue Mediterranean Sea sparkled as far as the eye could reach, and +broke on the pebbles of the beach in waves as clear as crystal. Soon she +turned back toward the hills, following a narrow path between high +garden walls, passed under a railroad bridge, and entered an olive +garden. She worked here all day, gathering up the little black olives +which fall from the trees, much as children gather nuts in the woods at +home. Other women were already at work; their dresses of gay colors, +yellow and red, showed against the gray background of the trees. A boy +beat the branches with a long pole. Gita began to work with the rest. +She did not think much about the olive-tree, although it was a good +friend. She was paid twenty sous a day to gather the berries from the +ground, which were then taken to the crushing mill up the ravine to be +made into oil. Gita ate the green lemons plucked from the trees as a +child of the North would eat apples, but she loved the good olive-oil +better. When the grandmother made a feast, it was to fry the little +silvery sardines in oil, so crisp and brown. + +The olive-tree is a native of Asia Minor, and often mentioned in the +Bible. Some of the trees in the garden where Gita now worked were so old +that the Romans saw them when they conquered the world. + +At noon the olive-pickers paused to rest. Gita went away alone, and ate +the handful of chestnuts given her by grandmother. When she returned to +the town at night she would have another bit of bread and a raw onion. +She seated herself on the edge of the ravine, and thought about Raphael +as she munched her nuts. Below, this path traversed the ravine, and +climbed the opposite slope to the wall of a pretty villa, one of the +houses occupied for the winter by rich strangers. Gita looked at the +villa, with its window shaded by lace curtains, balconies, and terraces, +where orange-trees were covered with little golden balls of fruit. + +"If I were rich like that I would have soup every day, sometimes made of +pumpkin and sometimes with macaroni in it," she thought. + +Then she turned over a stone with her heavy shoe, and it rolled down the +hill. Gita uttered a cry. The stone had covered a hole at the root of +the olive-tree where she sat, far away from the other workers. In the +hole she saw a green frog; she dropped on her knees to look at it more +closely. Yes, it was a green frog. How did it come there? She touched it +with her fingers; the frog did not move or croak. Then she took it out +carefully. The frog was one of those pasteboard boxes which appear each +year in the shop windows of Paris for Easter presents, in company with +fish, lobsters, and shells. + +Gita raised the lid. Inside were bank-bills and a lizard. She knew +lizards very well; they were always whisking over the stone walls; but +then those were of a sober brown tint, while this one was white until +she lifted it, when it sparkled like a dewdrop. The lizard was an +ornament made of diamonds. Gita held her breath and closed her eyes. She +believed herself asleep. Soon she rose, took the box in her hand, and +crossing the ravine, began to climb the path to the villa above. + +As she reached the door a pony-carriage drove up. A big servant with +many buttons on his coat told her to go away. Gita paused, holding the +box. The pale lady in the carriage, who was wrapped in furs, motioned +her to approach. Quickly the girl ran forward and held out the frog. + +"I found it in a hole at the foot of the olive-tree," she explained. "It +must belong to this house." + +The lady took the box and opened it, emptying the contents on her lap. +There lay the diamond lizard, and the roll of French bank-notes. + +"You see that Pierre was a dishonest servant, although nothing was found +on him," said the lady to those about her. "He must have hidden this box +in the olive grove to return from Nice later and find it." + +Gita listened with her mouth and eyes wide open. The lady looked at her +and smiled. + +"You are a good girl," she said. + +Then she selected one of the bills and gave it to Gita. It was a note of +one hundred francs. + +"Now I can marry Raphael!" she cried. + +Raphael was standing beside grandmother's chestnut-roaster when both saw +Gita running toward them, her cheeks red, and her eyes flashing like +stars. She had to tell all about the frog, not only to them, but to the +neighbors. As for grandmother, she could not hear the story often +enough. When she had been a lemon girl no such luck had befallen her. + +"Who would have thought of finding a wedding dowry in a frog?" laughed +Raphael. + +Gita and Raphael are soon to be married in the yellow church on the +hill. The olive-pickers in the grove seek for something beside the dark +berries; they hope to find a green frog under a stone, containing money +and a diamond lizard; but this will never again happen. + + + + +JAPANESE LIFE. + + +The Japanese is the cleanest of mankind. Cleanliness is, so to speak, +more than godliness with him. Though he has no soap, he washes all over +at least once a day--he worships but once a week. His candles are made +of vegetable wax. He uses a cotton coverlet, well stuffed and padded, +for bed-covering and mattress. A sort of stereoscope case--made of +wood--makes his pillow. He resorts to that, and so do his wife and +daughters, that their carefully arranged hair may not be disarranged +during sleep. No head-covering is worn by the Japanese. No nation +dresses the hair so tastefully. Usually it is with the men shaved in +sections. They are coming now to wear it in European fashion. They are +adopting all European customs. + +On levée day I saw the reception at the Mikado's palace in Yeddo. Every +one presented had to come in European full dress. That dress does not +become the Japanese figure. He looks awkward in it. His legs are too +short. The tails of his claw-hammer coat drag on the ground, and the +black dress trousers wrinkle up and get baggy around his feet. His +European-fashioned clothes have been sent out ready-made from America or +England, and in no case did I notice anything approaching to a good fit. +Yet he smiled and looked happy, though he could not get his heels half +way down his Wellington boots, and his hat was either too large or too +small for his head. He always smiles and looks pleasant. Nothing can +make him grumble, and he has not learned to swear. He is satisfied to be +paid his due, and never asks for more. As a New York cabman he would be +a veritable living curiosity. + + + + +WHERE DID POTATOES COME FROM? + + +Nobody knows precisely where the potato came from originally. It has +been found, apparently indigenous, in many parts of the world. Mr. +Darwin, for instance, found it wild in the Chonos Archipelago. Sir W. J. +Hooker says that it is common at Valparaiso, where it grows abundantly +on the sandy hills near the sea. In Peru and other parts of South +America it appears to be at home; and it is a noteworthy fact that Mr. +Darwin should have noted it both in the humid forests of the Chonos +Archipelago and among the central Chilian mountains, where sometimes +rain does not fall for six months at a stretch. It was to the colonists +whom Sir Walter Raleigh sent out in Elizabeth's reign that we are +indebted for our potatoes. + +Herriot, who went out with these colonists, and who wrote an account of +his travels, makes what may, perhaps, be regarded as the earliest +mention of this vegetable. Under the heading of "Roots," he mentions +what he calls the "openawk." "These roots," he says, "are round, some +large as a walnut, others much larger. They grow on damp soils, many +hanging together as if fixed on ropes. They are good food, either boiled +or roasted." + +At the beginning of the seventeenth century this root was planted, as a +curious exotic, in the gardens of the nobility, but it was long ere it +came into general use. Many held them to be poisonous, and it would seem +not altogether unreasonably so either. The potato is closely related to +the deadly-nightshade and the mandrake, and from its stems and leaves +may be extracted a very powerful narcotic. In England prejudice against +it was for a long time very strong, especially among the poor. + + + + +[Begun in HARPER'S YOUNG PEOPLE No. 47, September 21.] + +"MOONSHINERS." + +BY E. H. MILLER. + + +CHAPTER II. + +CONNY FINDS A HOME. + +Two days afterward, when the doctor went out for his horse, he found +Conny sitting astride the block, his lap filled with sweet white clover, +which he was feeding to Prince with one hand, while with the other he +stroked the beautiful head that was bent down to him. He dropped to his +feet on seeing the doctor, and made a bow, grave and stiff, but not at +all bashful. + +"I have come to live with you, sir," he said. + +"Indeed," laughed the doctor; "and what do you suppose I want of you?" + +"I don't know, sir; but my feyther always told me, if he died, I was not +to stay on the mountain, but go to some good man who would teach me to +work." + +"And how do you know I am a good man?" asked the doctor, looking keenly +at the boy. "You have never seen me but once." + +"I have seen you often. I saw you when you mended the rabbit's leg. Jock +Riley broke it with his big cart-whip." + +"And where were you, pray?" + +"Up in a tree, lying along a limb. And I was in the big tamarack when +you climbed up the hill for the little flower. I often wanted to know +why you cared to get it. My feyther thought perhaps it was good for +medicine; but when I told him you only took one, he said then he +couldn't tell; it might be you were crazed." + +The doctor laughed heartily. It was by no means the first time his +passion for botanizing had been called a _craze_. + +"Well, Conny," said he, "go into the house and get your breakfast, and +when I come back we will talk this matter over." + +He stopped for a word of explanation with his wife, and drove away, +leaving Conny on the door-step, with a substantial slice of bread and +meat in his hands, and a bowl of milk beside him, while little Betty +peeped shyly at him through the window. + +It gave the doctor a curious sensation to think, as he rode through the +solitary woods, of the little watcher stretched along a mossy limb, or +peering out from a treetop, like some strange, wild creature. + +"He must have been set to keep guard by the moon-shiners," he thought. +"I wonder if they suspected I meant them mischief?" And then like a +flash came another thought: "They have sent him to me now as a spy to +find out if I have any secret business for the government. I should +rather enjoy giving them a scare, if it were not for my wife and Betty." + +The doctor fully made up his mind before he went home to send Conny on +his ways, but in the end he did no such thing. Old Timothy made much +pretense of finding whether he belonged to Dunsmore or Killbourne, and +talked bravely of taking him to the poor-house officers; but Timothy +found him a great convenience to his rheumatic old hands and feet, and +by the end of the summer Conny was as much at home as if he had been +bought, like Betty's ugly little terrier, or born in the house, like +blessed little Betty herself. It was Conny who gave the last rub to +Prince, and brought him to the door; Conny who, in cold or heat, was +ready with such good-natured promptness for any errand far or near; +Conny who could mend and make; who oiled rusty hinges, repaired broken +locks and latches, sharpened the kitchen knives, filed the old saws, and +put new handles to all the cast-away tools on the premises. Best of +all, in the doctor's eyes, it was Conny who knew every nook of mountain +and forest, and whose swift feet and skillful fingers sought out every +plant that grew, and brought it to his master's feet. + +Only Bridget held to her deep suspicion of something wrong about Conny. + +"The cratur's that shmart wid his two hands ye wudn't belave, mum, but I +misthrust he's shly: it's in the blood of 'im. + +"You ought not to say such things, Bridget; you have no reason to think +Conny is not honest," Mrs. Hunter would say. + +"It's not to say that he'd sthale, mum, but he's _shly_. I've coom upon +'im soodent wance or twicet, an' seen 'im shlip something intil 'is +pocket, an' 'im toornin' red in the face an' confused like. An' says I, +'Conny, is it something fine ye have?' An' the b'y walked away widout a +word jist." + +Mrs. Hunter laughed. "He is just like every other boy in the +world--storing up all sorts of odds and ends, as if they were treasures. +I remember when Joe would hardly allow me to mend his pockets for fear I +should disturb some of his precious trinkets." + +Biddy tossed her head with an air that plainly said her opinion was in +no wise changed, as she answered, discreetly, "Ye may be in the rights +of it, mum, but it's not mesilf would be judgin' the cratur by Master +Joe, that was born a gintleman, let alone the bringin' up." + +Quite by accident Mrs. Hunter herself discovered the mystery in Conny's +bosom, for, sitting one day by the window at her sewing, she saw the boy +come from the wood-house, and after a quick glance in every direction, +dart like a squirrel up one of the great hemlock-trees, where he sat +completely screened by the branches, only now and then when a stronger +gust of wind swayed the top, and gave her a glimpse of him bending +intently over something upon his knees. Mrs. Hunter watched him for some +time, and then went quietly under the tree and called, "Conny!" + +There was a moment of hesitation, and she fancied she saw him put +something into the crotch of the tree before he came sliding down at her +feet, looking decidedly confused. + +"What were you doing up there, Conny?" she asked, pleasantly. + +"No harm at all, ma'am," said Conny, with his eyes on his bare brown +feet. + +"I suppose not, but I should like to know what it was that you hid up in +the tree." + +"It's no harm, ma'am," repeated Conny, very red and very earnest. + +"Then you can certainly show it to me: I wish to see it," said Mrs. +Hunter, decidedly. + +Conny disappeared in the tree, and in an instant came down, more slowly +than before, carrying something carefully in his hand. He gave it to +Mrs. Hunter, and stood before her looking as red and guilty as if he had +been found in possession of the doctor's gold watch. It was a miniature +sideboard of fragrant red cedar, nearly complete, with drawers, shelves, +and exquisite carvings--a lovely little model of the handsome sideboard +which was the pride of Mrs. Hunter's heart. + +"What a beautiful thing!" said Mrs. Hunter, with such delight in her +tone that Conny ventured to look up. + +"I was keeping it a secret, ma'am, for little Miss Betty's birthday, to +give it her unbeknown." + +"It is the very prettiest toy I ever saw," said Mrs. Hunter. "I am sorry +I spoiled your secret, Conny, but you don't mind my knowing, do you?" + +Conny brightened wonderfully. + +"I doubted you might think it was presuming in me, ma'am, to be making +little Miss Betty a present. Indeed," he added, with a droll little +twinkle of his eyes, "it's trouble enough I've had keeping it. Biddy +caught me making a little drawing of the fine chest, and would have it +out of me what I was hiding; and once, when I was just using my two eyes +at the window, she asked me was I planning to steal the silver. And what +with little Miss Betty herself, and Timothy rummaging my bits of things, +I was just driven to the tree, ma'am." + +"And I pursued you there," laughed Mrs. Hunter, to which Conny only +responded with a respectful bow. + +"Well, Conny, you shall have a shop. I'll give you the key to the little +south attic. That was my boy's playroom, and you may keep your tools +there, and lock the door, and nobody shall enter without your leave, not +even I." + +The evident delight that beamed from Conny's eyes almost brought the +tears into Mrs. Hunter's, and made her resolve that this young genius +should have a chance to grow. She even felt that it would not be +honorable in her to reveal his secret to the doctor, but decided that +she would wait a few weeks for Betty's birthday. + +But before Betty's birthday another secret came to light. Dr. Hunter had +twice noticed a strange, rough-looking man hanging about the premises. +He had made a pretense of looking for work, but the doctor distrusted +him, and ordered him away. + +[Illustration: THE DOCTOR COMING UPON CONNY AND THE MOONSHINER IN +HEMLOCK GLEN.] + +To his great surprise, a few mornings later, he came suddenly upon the +same man in the heart of Hemlock Glen, in earnest conversation with +Conny. The man instantly disappeared in the woods, and the doctor +reined up his horse, and bade Conny get into the gig. He obeyed +silently, crouching, as he often did, at the doctor's feet, and dangling +his bare legs over the side of the gig. + +"Who was that man, Conny?" asked the doctor, when they were nearly home. + +"Jock McCleggan, sir." + +"Who is he?" + +"Just Jock, sir: a man that lives off and on here-abouts." + +"Oh," said the doctor, understanding perfectly well that Jock was a +moonshiner; "and what business have you with a rascal like that?" + +"He knew my feyther, sir, and he's been saying to me these many days +that it was agreed between 'em I was to 'bide with him when my feyther +died. It's a lee, sir; my feyther never said it." + +"He'd better not show his face to me again," said the doctor. "I'll +horsewhip him." + +Conny suddenly pulled a crumpled bit of paper from his bosom and showed +it to the doctor, saying, + +"He brought me that just the morning." + +The doctor read: + + "TO MR. JOCK MCCLEGGIN,--i want yu tu tak mi sun Cony tu du as if + he was yure one. i mene wen i am ded." + + "SANDY MCCONEL." + +"Do you think your father wrote it?" asked the doctor, smiling a little. + +Conny looked at him with grave displeasure. + +"My feyther was a gentleman, sir, not a blitherin' loon like Jock +McCleggan, to stumble at spelling his own name." Then, with a great deal +of anxiety, he added, + +"Jock says you can be made to give me up; he says it'll be a case of +kidnapping." + +"Nonsense, Conny: nobody can touch you, or me either; but I advise you +to steer clear of Jock and all his companions." + +But after this conversation the doctor thought best to see the +authorities of Dunsmore, and have himself duly appointed as guardian for +Conny--a proceeding which gave the boy unbounded satisfaction. + +"I'm yer servant now, little Miss Betty," he said, with a low bow. "Yer +servant to keep and to hold; that was what the magistrate said. 'Deed +and you're the first lady that ever had a McConnell for a servant." + +Betty's birthday came and went. The wonderful little toy was presented, +and it was hard saying who was most delighted, Betty or the doctor. + +"You are a genius, Conny--an artist, a poet," he exclaimed; and he made +a journey to Kilbourne, bringing back a set of carving tools for Conny, +and a furnished doll's house, with which he bribed the little lady to +give her dainty sideboard into safe-keeping until her curious fingers +should have outgrown their passion for pulling things to pieces. + +Day by day the attachment of the family for Conny increased. + +"He is a gentleman born," said Mrs. Hunter. "I wish I could know more +about his history, but he is as discreet as if he were fifty instead of +fifteen." + +"I fancy his father was a gentleman with a Scotchman's weakness for +whiskey, and that he came up here to keep out of sight. At any rate, the +boy is a genius, and I intend he shall have a chance in the world." + +[TO BE CONTINUED.] + + + + +[Illustration: "ASLEEP AT HIS POST."--DRAWN BY C. S. REINHART.] + + + + +[Illustration: OUR POST-OFFICE BOX.] + + + I am a boy of twelve years. I like YOUNG PEOPLE very much. We live + in Croatia, on the Styrian frontier, near to Bath Rohitsch. Our + castle was built about the time America was discovered. It is said + that a headless huntsman wanders through the corridors at night, + but I have never met him. + + We see from the windows many high alps of Styria and Carinthia. We + go very often to the Szotlee to swim. + + I have two canary-birds and two good old dogs. + + My sister, who is fourteen years old, would like very much some + pressed California flowers. She would send some from here in + return. + + JAMES KAVANAGH, + Post Rohitsch, Styria, Austria. + + * * * * * + + NEW ORLEANS, LOUISIANA. + + Reading in YOUNG PEOPLE about the fight between the _Constitution_ + and the _Guerrière_, I thought I would tell you about a relic I + have. It is a cross made of the wood of the _Constitution_, which + was presented to my father by Miss Bainbridge, a daughter of + Commodore Bainbridge, the commander of the _Constitution_ after + Captain Hull retired. + + I have been a constant reader of the delightful little paper ever + since Christmas. I am ten years old, but I have never made but two + trips away from my Southern home. + + MABEL S. + + * * * * * + + OWANECO, ILLINOIS. + + I am nine years old. I live one mile from town. We milk six cows, + and I help do the milking. + + I have a nice pet lamb. Her name is Fannie. A kind old man gave + her to me when she was a little tiny thing. She was a year old + last spring. I sold her fleece in the spring for forty-five cents + a pound. It weighed five pounds. Papa let me keep all the money, + and I am going to buy another sheep with it. + + I helped papa all through haying. He has a new hay derrick, and I + rode a horse and worked the derrick. The horse is twenty-five + years old, and his name is General. + + I am visiting Aunt Em now, but I am going to start to school next + week. I like YOUNG PEOPLE so much! + + MINNIE M. L. + + * * * * * + + DOWNIEVILLE, CALIFORNIA. + + I live up in the mountains of Sierra County. My papa is editor of + a newspaper here, and my little brother, ten years old, folds the + papers for papa every Thursday night. Papa gave me a nice French + kid doll. She can turn her head, and has joints. + + I have two brothers and a sister younger than myself. We all like + to receive YOUNG PEOPLE and to look at the pictures. I liked "The + Moral Pirates" very much, and would not mind being such a pirate + myself. + + My home is on the famous Yuba River, but its current is too rapid + for boats of any kind. + + ALTIE V. + + * * * * * + + HOUSTON, TEXAS. + + I want to know why "the two Eds" did not try to eat on the cars? I + am six years old. + + * * * * * + + SAM MCI. + + I am a lover of YOUNG PEOPLE, and in common with others have + exchanged specimens with many of the subscribers. A young lady of + Wilkesbarre, Pennsylvania, sent me a piece of peacock coal, and + wished St. Croix carnelians in exchange. Unfortunately I have lost + her name and address, and I wish to ask her to kindly send it to + me again. + + CARRIE E. SILLIMAN, + Hudson, St. Croix County, Wisconsin. + + * * * * * + + WEST NEWTON, MASSACHUSETTS. + + Will some correspondent of YOUNG PEOPLE please give me directions + for pressing flowers and different kinds of sea-weed? + + DAISY F. + + * * * * * + + I have a little kitten named Tommy Milo. Sometimes he comes into + our chamber and lies at the foot of the bed till one or two + o'clock in the morning, and then crawls up to the head to be + petted. Sometimes he plagues us so that we have to put him out of + the room. + + I can knit and crochet. I crocheted a collar of feathered-edge + braid, and it is very pretty. I would like very much a pattern for + knitting edging, if Gracie Meads or any one will send it to me. + + ELIZA F., P. O. Box 162, + West Newton, Massachusetts. + + * * * * * + + BEAUFORT, SOUTH CAROLINA. + + I send you a pencil sketch of a magnolia blossom. I drew it + myself. I draw a good deal for my own amusement, although I have + had no instruction. The diameter of this blossom is about nine + inches when it is fully open. This month is the time for the + falling of the cones. They contain the seeds, which are covered + with a bright red pulpy substance, and are suspended from the cone + by a white silken thread about half an inch long. They are very + pretty. Our magnolia-tree is very large. The circumference is + about fifteen feet. + + Several days ago I saw a wild vine that resembles the sweet-potato + vine, and the blossom is just the same. We have what I think is + the wild onion growing here. It grows all around in the fields. + + I think HARPER'S YOUNG PEOPLE is a splendid paper. + + A. L. H. + +Many thanks for your pretty drawing. We regret we have no room to give +it in the Post-office Box. + + * * * * * + + WINDSOR, CONNECTICUT. + + I don't know but the little folks are tired of hearing about pets, + but I want to tell them how my kitty jumped on the piano, and ran + over the keys from one end of them to the other, and the tune she + played frightened her so that she scampered away with all her + might. She is now curled up in my hat, fast asleep. I have two + carrier-doves for pets besides. + + I sent Carrie Harding, of Freeport, Illinois, some pressed flowers + quite a long time ago, but I have not heard whether she received + them or not. + + HARRY H. M. + + * * * * * + + ST. JOHNS, MICHIGAN. + + I am nine years old. I have a great many dolls--sixteen in all. I + have a little baby brother, and I have two canaries, and a cat + named Muggins. I did have one named Snow, but one morning all of a + sudden he disappeared, and has never been found. + + I like YOUNG PEOPLE very much, especially the story of "Claudine's + Doves." I wonder if Claudine is alive yet, and lives in Paris? + + My YOUNG PEOPLE comes every Thursday, and I can hardly wait for + it. + + GRACE M. D. + + * * * * * + + PRINCE EDWARD ISLAND. + + I live in Summerside. Our house is very near the water. There is + an island in our bay, and we go there sometimes. I have a little + garden, with some lovely black pansies and other flowers growing + in it. My sister has a little white rabbit. + + ELLIE G. + + * * * * * + + GRAFTON, WEST VIRGINIA. + + I don't know what I would do now without my YOUNG PEOPLE. I have + taken it ever since it was published, and I hope I will always get + it. Of all the long stories, I like "The Moral Pirates" best, but + I like the others too. + + I love to read about the pets the little girls and boys write + about in the Post-office Box. I have some too. I believe I like my + ducks the best. I have two old ones and ten young ones. I hope + Bessie Maynard will stay at Old Orchard Beach a good while, and + write some more letters to her doll. When I go away from home I + always take my doll with me. I have a little sister Mabel, but she + is only four years old. She likes the pictures in YOUNG PEOPLE + better than the stories. I am almost nine, and I can read in the + Fourth Reader. + + CLOYD D. B. + + * * * * * + + Middletown, New York. + + I send a recipe to the chemists' club, which, if not new to the + club, may be to many readers of YOUNG PEOPLE. + + _Metal Tree._--A bar of pure zinc two and a half inches long and + three-eighths of an inch in diameter; ten cents' worth of sugar of + lead. Fill a decanter with pure water; suspend the bar in it + easily by means of a fine brass wire running through the centre of + the cork; pour in the sugar of lead, and cork tightly. Let it + stand without being moved, and watch the formations. + + Our boy took a quart glass fruit jar, and bought a cork to fit it + for a few cents. He could not get a solid bar of zinc, but had a + piece of zinc folded which answered the purpose. Then following + the rest of the directions, he placed the jar on the mantel-piece. + The next day; the formations began, and are constantly changing. + + L. E. K. + + * * * * * + + I send some simple experiments for the chemists' club. Put into a + small chemist's mortar as much finely powdered potassium chlorate + as will lie upon the point of a penknife blade, and half the + quantity of sulphur; cover the mortar with a piece of paper having + a hole cut in it large enough for the handle of the pestle to pass + through. When the two substances are well mixed, grind heavily + with the pestle, when rapid detonations will ensue; or after the + powder is mixed, you can wrap it with paper into a hard pellet, + and explode it on an anvil with a sharp blow of a hammer. + + To make iodide of nitrogen, cover a few scales of iodine with + strong aqua-ammonia. After it has stood for half an hour, pour off + the liquid, and place the brown precipitate, or sediment, in small + portions on bits of broken earthenware to dry. When perfectly dry, + the particles may be exploded with the touch of a rod, or even of + a feather. + + I would like to exchange crystallized quartz or gold ore for zinc + or silver ore. + + JOHN R. GLEN, + Nacoochee, White County, Georgia. + +We would advise our young chemists to buy some good work on the elements +of chemistry, and study it well before they undertake any experiments, +as handling reagents, when one is not aware of their true composition +and behavior under all conditions, is a very dangerous pastime, by which +absolutely nothing can be learned, and a great deal of mischief done to +face, eyes, hands, and clothing, to say nothing of mamma's table-cloths +and carpets. + + * * * * * + + NEWPORT, RHODE ISLAND. + + I thought I would write to the Post-office Box about my white + mice. At one time I had fourteen, and they did many funny tricks. + One of them would go on a tight cord, in the centre of which was + fastened a pan of bird seed, holding on by his tail all the time. + Another would go up an inclined plane, and then down a string to + get bird seed. I could tell many other funny tricks they did, but + I am afraid my letter would be too long. + + JOHN R. B. + + * * * * * + + PORT BYRON, ILLINOIS. + + I am seven years old, and I live on the east bank of the + Mississippi. My papa owns a raft steamer, which is busy towing + rafts from the foot of Lake Pepin to Hannibal and St. Louis. Every + summer my mamma and I take a trip with papa up or down the river. + We are gone a week or more. Oh, I just have jolly times! The men + on the rafts make me whistles and little boats. The cook gives me + dough every time he bakes. I make fried cakes, biscuits, and pies + all out of the same piece of dough. I am not as particular as the + little girls who send recipes to the Post-office Box. + + My grandma in Wisconsin subscribed for YOUNG PEOPLE for me, and I + enjoy it more than any present she ever gave me, because it is + something new every week. + + FREDDIE J. B. + + * * * * * + + ALBION, NEW YORK. + + I live with my mamma and grandpa and grandma. I am four years old, + but I am going to be five in October. + + I have a little brother named Judson, but he calls himself "B." He + is three years old. He had a birthday cake with three candles on + it--a red one, a green one, and a white one. At breakfast a pair + of little oxen stood at his plate with a load of candy and a + little doll driver. He was so good he gave me more candy than he + kept himself, and the dolly too. + + "B" likes "The Moral Pirates" because it is about boats. We are + too little to guess the puzzles, but we like the letters in the + Post-office Box ever so much. + + "LITTLE PEARL." + + * * * * * + + CHICAGO, ILLINOIS. + + I think the "worm" described by Maggie P. B. is the caterpillar of + the willow sphinx moth. I have found several of them on the + willow-trees, and I kept them and fed them every day. In the fall + they turned into chrysalides, which I kept all the winter. In the + spring beautiful moths, nearly six inches across the wings, came + out of them. I am collecting butterflies and moths, and my father + has given me a nice case for them. + + CLIFFORD S. + + * * * * * + + I am collecting coins, minerals, birds' eggs, and postmarks, any + of which I would gladly exchange with any reader of YOUNG PEOPLE. + + WILL E. BREHMER, + Penn Yan, Yates County, New York. + + * * * * * + + I take HARPER'S YOUNG PEOPLE, and wish every one would do the + same, as it is splendid. + + I would like to exchange postage stamps with any of the + subscribers, as I have a good many. + + JAMES D. HEARD, + Union St., Mount Washington, Pittsburgh, Pa. + + * * * * * + + I would be pleased to exchange birds' eggs with any readers of + YOUNG PEOPLE. I have also a lot of postage stamps that I would + like to exchange for eggs. + + REGINALD S. KOEHLER, + P. O. Box 370, Hagerstown, Maryland. + + * * * * * + + I am collecting birds' eggs, and would be very much pleased to + exchange with any of the correspondents of YOUNG PEOPLE. Can any + one tell me where to get a catalogue of birds' eggs? + + RICHARD KIPP, + 13 Grant Street, Newark, New Jersey. + + * * * * * + + I would like to exchange birds' eggs with some correspondent. I + have eggs of the wild canary, wren, martin, robin, cat-bird, + swallow, guinea-hen, quail, and woodpecker. + + J. LEE MAHIN, + Muscatine, Iowa. + + * * * * * + + I would like to exchange postage stamps with any one in the United + States or Canada. + + H. L. MCILVAIN, + 120 North Fifth Street, Reading, Pennsylvania. + + * * * * * + + To any one who will send me twenty-five postmarks I will send by + return mail a box of sea-shells. + + JAMES A. SNEDEKER, + 60 Asylum Street, New Haven, Connecticut. + + * * * * * + + I am making a collection of steel pens, and would like to exchange + with any correspondents of YOUNG PEOPLE. + + CARL REESE EALY, + 22 North Shippen St., Lancaster, Pa. + + * * * * * + + I am collecting skulls and skeletons of birds, beasts, and + reptiles, and if any of the readers of YOUNG PEOPLE have any which + they wish to dispose of, they would be gratefully received by me. + In exchange for the same I will give foreign postage stamps, + butterflies, or bugs. If any know of places where the + above-mentioned articles can be purchased, I would be pleased if + they would let me know. + + I. N. KRIEGSHABER, + 490 Fifth Street, between Breckinridge and Kentucky, + Louisville, Kentucky. + + * * * * * + +HARRY E. F.--The letters S. P. Q. R. stand for _Senatus populusque +Romanus_, meaning the Senate and people of Rome. + + * * * * * + +OTTIE LE ROI.--Wild rabbits and hares change their coats with the +changing season. This peculiarity is especially marked in the Alpine +hares of Switzerland. In YOUNG PEOPLE No. 13, in the paper entitled +"Hares, Wild and Tame," is a full description of the summer and winter +costume of these little animals. + + * * * * * + +WILLIE H. S.--The army-worm varies considerably in its size and markings +according to the locality in which it is found, but its general +characteristics are sufficiently marked to distinguish it. Its length +varies from one to one and three-quarter inches. Its color is gray, +sometimes so dark as to appear nearly black. It usually has narrow +yellow stripes along its back and sides, and a few short straggling +hairs on its body. The moth of this destructive caterpillar is called +_Leucania unipuncta_. It is a small rusty grayish-brown fellow, its +wings peppered with black dots. It is a member of the extensive family +of owlet moths, and may be seen fluttering about the lamps and gas jets +any summer evening. + + * * * * * + +PAULINE M.--If you send eighty-one cents, accompanied by your full +address, to the publishers, the numbers of YOUNG PEOPLE you require will +be forwarded to you. + + * * * * * + +WILLIE F.--Directions for the construction of an ice-boat will be given +in an early number of YOUNG PEOPLE. + + * * * * * + +"PIGEON."--The wisest thing you can do is to save your pennies until you +can buy a pair of the pets you wish, and give up all idea of snaring +wild ones. + + * * * * * + +Favors are acknowledged from A. S. Barrett, George H. Hitchcock, Blanche +M., Nellie B., Carrie M. Keyes, Bertha C., L. Blanche P., A. W. Graham, +George L. Osgood, Flora Liddy, C. F. M., Joseph Taylor, Daisy G., Susie +Mulholland. + + * * * * * + +Correct answers to puzzles are received from H. A. Bent, "Nellie Bly," +Daisy Violet M., Clyde A. Heller, Eddie A. Leet, K. T. W., Wroton Kenny, +"Chiquot," C. T. Young, Edith Bidwell, Isabel and H. Jacobs, George +Volckhausen. + + * * * * * + +PUZZLES FROM YOUNG CONTRIBUTORS. + +No. 1. + +WORD SQUARES. + +1. First, a city in Italy. Second, a river in Germany. Third, a river in +the northern part of New England. Fourth, a river in France. + +2. First, a small vessel. Second, to detest. Third, pursuit. Fourth, +multitudes. Fifth, a curl. + + WINIFRED. + + * * * * * + +No. 2. + +UNITED DIAMONDS. + +1. In Kentucky. A character in mythology. A time of repose. A pronoun. +In Montana. + +2. In Alaska. A pronoun. A shelter. Eccentric. In Vermont. Centrals of +diamonds read across give the name of a poisonous plant. + + CLARENCE. + + * * * * * + +No. 3. + +DOUBLE ENIGMA. + + Our firsts in cow, but not in kitten. + Our seconds in coat, but not in mitten. + Our thirds in sword, but not in knife. + Our fourths in horn, but not in fife. + Our fifths in wire, but not in thread. + Our sixths in ran, but not in sped. + Our sevenths in gallant, not in brave. + Our eighths in tunnel, not in cave. + Our ninths in oil, but not in water. + Our tenths in son, but not in daughter. + And if you join these letters well, + You'll find two warriors' names they spell. + + SADIE. + + * * * * * + +No. 4. + +GEOGRAPHICAL DROP-LETTER PUZZLES. + +1. A__a, a city in Burmah. O__f__h, a city in Turkey. J__d__a__, a city +in Arabia. R__a__, a city in Arabia. __e__i__, a city in China. +__u__a__, a city in Hindostan. O__s__, a city in the Russian Empire. + + GRACE. + +2. E__e__e__, a city in England. A__a__a__a, one of the United States. +__a__a__a, a river in South America. __a__a__a__, a city in South +America. __a__a__a, an isthmus. + + BOLUS. + + * * * * * + +ANSWERS TO PUZZLES IN NO. 45. + +No. 1. + +William the Conqueror. + +No. 2. + + O + I C E + O C E A N + E A T + N + + S + O W L + S W E E T + L E T + T + +No. 3. + + C R A V E + R E D A N + A D A P T + V A P O R + E N T R Y + + R I N K + I D E A + N E A T + K A T E + +No. 4. + +Pilgrim's Progress. + + + + +ADVERTISEMENTS. + + + + +HARPER'S YOUNG PEOPLE. + +HARPER'S YOUNG PEOPLE will be issued every Tuesday, and may be had at +the following rates--_payable in advance, postage free_: + + SINGLE COPIES $0.04 + ONE SUBSCRIPTION, _one year_ 1.50 + FIVE SUBSCRIPTIONS, _one year_ 7.00 + +Subscriptions may begin with any Number. When no time is specified, it +will be understood that the subscriber desires to commence with the +Number issued after the receipt of order. + +Remittances should be made by POST-OFFICE MONEY ORDER or DRAFT, to avoid +risk of loss. + +ADVERTISING. + +The extent and character of the circulation of HARPER'S YOUNG PEOPLE +will render it a first-class medium for advertising. A limited number of +approved advertisements will be inserted on two inside pages at 75 cents +per line. + + Address + HARPER & BROTHERS, + Franklin Square, N. Y. + + + + +Fine French Chromo Cards. + +About 200 Designs. From 15 cts. to 50 cts. per Set. + +EDWARD STERN & CO., Philadelphia. + + + + +The Child's Book of Nature. + + * * * * * + +The Child's Book of Nature, for the Use of Families and Schools: +intended to aid Mothers and Teachers in Training Children in the +Observation of Nature. In Three Parts. Part I. Plants. Part II. Animals. +Part III. Air, Water, Heat, Light, &c. By WORTHINGTON HOOKER, M.D. +Illustrated. The Three Parts complete in One Volume, Small 4to, Half +Leather, $1.12; or, separately, in Cloth, Part I., 45 cents; Part II., +48 cents; Part III., 48 cents. + + * * * * * + +A beautiful and useful work. It presents a general survey of the kingdom +of nature in a manner adapted to attract the attention of the child, and +at the same time to furnish him with accurate and important scientific +information. While the work is well suited as a class-book for schools, +its fresh and simple style cannot fail to render it a great favorite for +family reading. + +The Three Parts of this book can be had in separate volumes by those who +desire it. This will be advisable when the book is to be used in +teaching quite young children, especially in schools. + + * * * * * + +Published by HARPER & BROTHERS, New York. + +_Sent by mail, postage prepaid, to any part of the United States, on +receipt of the price._ + + + + +COLUMBIA BICYCLE. + +[Illustration] + +No boy can be thoroughly happy who is not the owner of a bicycle. The +art of riding is easily acquired, and, once learned, is never forgotten. +A horse cannot compare with the bicycle for speed and endurance. The +sport is very fascinating, and the exercise is recommended by physicians +as a great promoter of health. Send 3-cent stamp for 24-page Illustrated +Catalogue, with price-lists and full information. + +The POPE MFG. CO., + +79 Summer Street, Boston, Mass. + + + + +CHILDREN'S + +PICTURE-BOOKS. + + Square 4to, about 300 pages each, beautifully printed on Tinted + Paper, embellished with many Illustrations, bound in Cloth, $1.50 + per volume. + +The Children's Picture-Book of Sagacity of Animals. + + With Sixty Illustrations by HARRISON WEIR. + +The Children's Bible Picture-Book. + + With Eighty Illustrations, from Designs by STEINLE, OVERBECK, + VEIT, SCHNORR, &c. + +The Children's Picture Fable-Book. + + Containing One Hundred and Sixty Fables. With Sixty Illustrations + by HARRISON WEIR. + +The Children's Picture-Book of Birds. + + With Sixty-one Illustrations by W. HARVEY. + +The Children's Picture-Book of Quadrupeds and other Mammalia. + + With Sixty-one Illustrations by W. HARVEY. + + * * * * * + +Published by HARPER & BROTHERS, New York. + +_Sent by mail, postage prepaid, to any part of the United States, on +receipt of the price._ + + + + +OUR CHILDREN'S SONGS. + + * * * * * + +Our Children's Songs. Illustrated. 8vo, Ornamental Cover, $1.00. + + * * * * * + +It contains some of the most beautiful thoughts for children that ever +found vent in poesy, and beautiful "pictures to match."--_Chicago +Evening Journal._ + +This is a large collection of songs for the nursery, for childhood, for +boys and for girls, and sacred songs for all. The range of subjects is a +wide one, and the book is handsomely illustrated.--_Philadelphia +Ledger._ + +The best compilation of songs for the children that we have ever +seen.--_New Bedford Mercury._ + + * * * * * + +Published by HARPER & BROTHERS, New York. + +HARPER & BROTHERS _will send the above work by mail, postage prepaid, to +any part of the United States, on receipt of the price_. + + + + +HOW TO CUT A FIVE-POINTED STAR + + +[Illustration: Fig. 1.] + +Take a sheet of paper cut square, and fold it as shown by Fig. 1. Make +three divisions at one end with a pencil; fold the paper so that the +corner lettered _b_ will be at _a_, as shown in Fig. 2. Then turn the +corner lettered C so that it will be at D, as shown in Fig. 3. Then fold +the paper so that the corner lettered B and the corner lettered _a_ will +be together, and the edges perfectly even, as shown in Fig. 4. Now +divide the space between _e_ and _f_ into three parts, and with one +straight cut with the scissors from the division lettered _g_ to the +corner lettered B and _a_, of Fig. 4, you have Betsey Griscom's +five-pointed star. + +[Illustration: Fig. 2.] + +[Illustration: Fig. 3.] + +[Illustration: Fig. 4.] + + GEORGE M. FINCKEL. + +The following contributors have also sent in specimens of the +five-pointed star so folded as to be cut with one straight clip of the +scissors: Emma Schaffer, Samuel H. Lane, W. A. S., Sidney Abenheim, +Clyde A. Heller, Pauline Mackay. + + + + +OBLIGED TO REFUSE. + +BY MADGE ELLIOT. + + + An agile Gibbon, swinging from + The top branch of a tree, + Her brown-faced baby in her arms, + A humming-bird did see + (Upon a lower bough he sat) + Of Puff-leg family. + "Oh dear!" she cried, "I wish you'd give + One of your puffs to me; + I hear that they are always used + In white society. + And though I have no powder, yet + A pleasure it would be + To dab my face and arms with it, + Like dames of high degree. + And then I'm sure my darling pet + Would greatly like it too; + She is the _loveliest_ of babes--" + "That, ma'am, is very true," + The humming-bird made haste to say; + "She much resembles you. + But that small gift you ask is not + Like stocking nor like shoe: + It won't come off, for it, my friend, + Grew with me as I grew. + And so I fear I must refuse + The puff you sweetly beg. + Could I spare _it_? Why, really, now, + I _couldn't_ spare my leg." + + * * * * * + +=An Odd Combination.=--The year 1881 will be a mathematical curiosity. +From left to right and from right to left it reads the same; 18 divided +by 2 gives 9 as a quotient; 81 divided by 9 gives 9; if divided by 9, +the quotient contains a 9; if multiplied by 9, the product contains two +9's; 1 and 8 are 9; 8 and 1 are 9. If the 18 be placed under the 81 and +added, the sum is 99. If the figures be added thus, 1, 8, 8, 1, it will +give 18. Reading from left to right it is 18, and reading from right to +left it is 18, and 18 is two-ninths of 81. By adding, dividing, and +multiplying, nineteen 9's are produced, being one 9 for each year +required to complete the century. + + + + +[Illustration: HOME RETURNING.] + + + + + +End of the Project Gutenberg EBook of Harper's Young People, September 28, +1880, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, SEP 28, 1880 *** + +***** This file should be named 29154-8.txt or 29154-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/1/5/29154/ + +Produced by Annie McGuire + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Harper's Young People, September 28, 1880 + An Illustrated Weekly + +Author: Various + +Release Date: June 18, 2009 [EBook #29154] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, SEP 28, 1880 *** + + + + +Produced by Annie McGuire + + + + + +</pre> + + +<div class='center'> +<table border="0" cellpadding="0" cellspacing="0" summary=""> +<tr><td align='left'><a href="#A_CHILDRENS_PARADISE"><b>A CHILDREN'S PARADISE.</b></a></td></tr> +<tr><td align='left'><a href="#FRANKS_WAR_WITH_THE_COONS"><b>FRANK'S WAR WITH THE 'COONS.</b></a></td></tr> +<tr><td align='left'><a href="#WHO_WAS_PAUL_GRAYSON"><b>WHO WAS PAUL GRAYSON?</b></a></td></tr> +<tr><td align='left'><a href="#FORDING_A_RIVER_IN_CENTRAL_ASIA"><b>FORDING A RIVER IN CENTRAL ASIA.</b></a></td></tr> +<tr><td align='left'><a href="#THE_TUG_OF_WAR"><b>THE TUG OF WAR</b></a></td></tr> +<tr><td align='left'><a href="#FOUND_IN_A_FROG"><b>FOUND IN A FROG.</b></a></td></tr> +<tr><td align='left'><a href="#JAPANESE_LIFE"><b>JAPANESE LIFE.</b></a></td></tr> +<tr><td align='left'><a href="#WHERE_DID_POTATOES_COME_FROM"><b>WHERE DID POTATOES COME FROM?</b></a></td></tr> +<tr><td align='left'><a href="#MOONSHINERS"><b>"MOONSHINERS."</b></a></td></tr> +<tr><td align='left'><a href="#OUR_POST_OFFICE_BOX"><b>OUR POST-OFFICE BOX.</b></a></td></tr> +<tr><td align='left'><a href="#HOW_TO_CUT_A_FIVE-POINTED_STAR"><b>HOW TO CUT A FIVE-POINTED STAR</b></a></td></tr> +<tr><td align='left'><a href="#OBLIGED_TO_REFUSE"><b>OBLIGED TO REFUSE.</b></a></td></tr> +</table></div> + +<p><span class='pagenum'><a name="Page_697" id="Page_697">[Pg 697]</a></span></p> + +<div class="figcenter" style="width: 1000px;"> +<img src="images/ill_001.jpg" width="1000" height="384" alt="Banner: Harper's Young People" title="" /> +</div> + +<hr style='width: 100%;' /> + +<div class='center'> +<table border="0" cellpadding="4" cellspacing="0" width="100%" summary=""> +<tr><td align='left'><span class="smcap">Vol</span>. I.—<span class="smcap">No</span>. 48.</td><td align='center'><span class="smcap">Published by HARPER & BROTHERS, New York</span>.</td><td align='right'><span class="smcap">Price Four Cents</span>.</td></tr> +<tr><td align='left'>Tuesday, September 28, 1880.</td><td align='center'>Copyright, 1880, by <span class="smcap">Harper & Brothers</span>.</td><td align='right'>$1.50 per Year, in Advance.</td></tr> +</table></div> + +<hr style='width: 100%;' /> + +<div class="figcenter" style="width: 700px;"><a name="A_CHILDRENS_PARADISE" id="A_CHILDRENS_PARADISE"></a> +<img src="images/ill_002.jpg" width="700" height="693" alt="A CHILDREN'S PARADISE.-[See next Page.]" title="" /> +<span class="caption">A CHILDREN'S PARADISE.-[<span class="smcap">See next Page</span>.]</span> +</div> + +<p><span class='pagenum'><a name="Page_698" id="Page_698">[Pg 698]</a></span></p> + +<h2>A CHILDREN'S PARADISE.</h2> + +<p>In one corner of the Bois de Boulogne is a pretty zoological garden +known as the Jardin d'Acclimatation. The Bois de Boulogne is the +pleasure-ground of Paris, and is one of the most beautiful parks in the +world. It comprises about twenty-five hundred acres of majestic forests +and open grassy meadows, through which flow picturesque streams, +tumbling over rocky cliffs in glistening cascades, or spreading out into +broad tranquil lakes, upon which float numbers of gay pleasure-boats +filled on sunny summer afternoons with crowds of happy children.</p> + +<p>But the place where the children are happiest is the Jardin +d'Acclimatation. There are no savage beasts here to frighten the little +ones with their roaring and growling. The lions and tigers and hyenas +are miles away, safe in their strong cages in the Jardin des Plantes, on +the other side of the big city of Paris; and in this charming spot are +gathered only those members of the great animal kingdom which in one way +or another are useful to man.</p> + +<p>The Jardin d'Acclimatation has been in existence about twenty-five +years. In 1854 a society was formed in Paris for the purpose of bringing +to France, from all parts of the world, beasts, birds, fishes, and other +living things, which in their native countries were in any way +serviceable, and to make every effort to accustom them to the climate +and soil of France. The city of Paris ceded to the society a space of +about forty acres in a quiet corner of the great park, and the +preparation of the ground for the reception of its strange inhabitants +was begun at once. The ponds were dug out and enlarged, the meadows were +sodded with fresh, rich grass, spacious stalls were built, and a big +kennel for dogs, aviaries for birds, aquaria for fish, and a silk-worm +nursery, were all made ready. A large greenhouse was also erected for +the cultivation of foreign plants. Here the animals were not brought +simply to be kept on exhibition, but they were made as comfortable and +as much at home as possible.</p> + +<p>On pleasant afternoons troops of children with their mammas or nurses +crowd the walks and avenues of the Jardin d'Acclimatation. Here, in a +comfortable airy kennel, are dogs from all parts of the world, some of +them great noble fellows, who allow the little folks to fondle and +stroke them. On a miniature mountain of artificial rock-work troops of +goats and mouflons—a species of mountain sheep—clamber about, as much +at home as if in their far-away native mountains. Under a group of +fir-trees a lot of reindeer are taking an afternoon nap, lost in dreams +of their home in the distant North. Grazing peacefully on the broad +meadows are antelopes, gazelles, and all kinds of deer; and yaks from +Tartary, llamas from the great South American plains, Thibet oxen, and +cattle of all kinds are browsing in their particular feeding grounds.</p> + +<p>In a pretty sunny corner is a neat little chalet inclosed in a yard +filled with fresh herbage. A cozy little home indeed, and there, peering +inquisitively through the open door, is one of the owners of this +mansion—a funny kangaroo, standing as firmly on its haunches as if it +scorned the idea of being classed among the quadrupeds.</p> + +<p>What is whinnying and galloping about on that meadow? A whole crowd of +ponies! Ponies from Siam, from Java, shaggy little Shetlands, quaggas +and dauws from Africa, all feeding and frolicking together, and there, +in the door of his stall, stands a sulky little zebra. He is a very +bad-tempered little animal, and evidently something has gone wrong, and +he "won't play." In a neighboring paddock is a gnu, the curious horned +horse of South Africa. The children are uncertain whether to call it a +horse, a buffalo, or a deer, and the creature itself appears a little +doubtful as to which character it can rightfully assume.</p> + +<p>One of the few animals kept in cages is the guepard, or hunting leopard. +The guepard, a graceful, spotted creature, is very useful to hunters in +India. It is not a savage animal, and when taken young is very easily +trained to work for its master. It is led hooded to the chase, and only +when the game is near is the hood removed. The guepard then springs upon +the prey, and holds it fast until the hunter comes to dispatch it. The +guepard in the Jardin d'Acclimatation is very affectionate toward its +keeper, and purrs like a big cat when he strokes its silky head, but it +is safer for children to keep their little hands away from it.</p> + +<p>In pens provided with little ponds are intelligent seals and families of +otters, with their elegant fur coats always clean and in order; and down +by the shore of the stream and the large lake a loud chattering is made +by the numerous web-footed creatures and long-legged waders. Here are +ducks from Barbary and the American tropics, wild-geese from every +clime, and swimming gracefully and silently in the clear water are +swans—black, gray, and white—that glide up to the summer-houses on the +bank, and eat bread and cake from the children's hands.</p> + +<p>Among the tall water-grasses at one end of the lake is a group of +pelicans, motionless, their long bills resting on their breasts. They +look very gloomy, as if refusing to be comforted for the loss of their +native fishing grounds in the wild African swamps.</p> + +<p>Promenading in a spacious park are whole troops of ostriches, their +small heads lifted high in the air, and their beautiful feathers blowing +gracefully in the wind. Be careful, or they will dart their long necks +through the paling and steal all your luncheon, or perhaps even the +pretty locket from your chain, for anything from a piece of plum-cake to +a cobble-stone is food for this voracious bird. A poor soldier, whose +sole possession was the cross of honor which he wore on the breast of +his coat, was once watching the ostriches in the Jardin d'Acclimatation, +when a bird suddenly darted at him, seized his cross in its beak, and +swallowed it. The soldier went to the superintendent of the garden and +entered a bitter complaint; but the feathered thief was not arrested, +and the soldier never recovered his treasure.</p> + +<p>What a rush and crowd of children on the avenue! No wonder, for there is +a pretty barouche, to which is harnessed a large ostrich, which marches +up and down, drawing its load as easily as if it were a span of goats or +a Shetland pony, instead of a bird.</p> + +<p>There are so many beautiful birds in the aviaries, so many odd fowls in +the poultry-house, and strange fish in the aquaria, that it is +impossible to see them all in one day, and the best thing to do now is +to rest on a seat in the cool shade of the vast conservatory, among +strange and beautiful plants from all parts of the world. And on every +holiday the happy children say, "We will go to the Jardin +d'Acclimatation, where there is so much to enjoy, and so much to learn."</p> + +<hr style="width: 65%;" /> +<h2><a name="FRANKS_WAR_WITH_THE_COONS" id="FRANKS_WAR_WITH_THE_COONS"></a>FRANK'S WAR WITH THE 'COONS.</h2> + +<h3>BY GEORGE J. VARNEY.</h3> + +<p>Last month I spent several weeks at a farm within sight of the White +Mountains. One morning the boy Frank came in with a basket of sweet-corn +on his arm, and a bad scowl on his countenance.</p> + +<p>"What is the matter, Frank?" inquired his mother, coming from the +pantry.</p> + +<p>Indignation was personified in him, as he answered, "Them pigs has been +in my corn."</p> + +<p>"I hadn't heard that the pigs had been out. Did they do much harm?"</p> + +<p>"Yes, they spoiled a peck of corn, sure; broke the ears half off, and +some all off. Rubbed 'em all in the dirt, and only ate half the corn. +Left 'most all one side. They didn't know enough to pull the husks clear +off."</p> + +<p>Just then the hired man came in, and Frank repeated his complaint of the +pigs.<span class='pagenum'><a name="Page_699" id="Page_699">[Pg 699]</a></span></p> + +<p>"They hain't been out of their yard for a week, I know. I heard some +'coons yellin' over in the woods back of the orchard last night. I guess +them's the critters that's been in your corn piece."</p> + +<p>"S'pose they'll come again to-night?" inquired the boy, every trace of +displeasure vanishing.</p> + +<p>"Likely 's not. They 'most always do when they get a good bite, and +don't get scared."</p> + +<p>"I'll fix 'em to-night," said the boy, with a broad smile at the +anticipated sport.</p> + +<p>Twilight found Frank sitting patiently on a large pumpkin in the edge of +his corn piece, gun in hand, watching for the 'coons. An hour later his +patience was gone, and the 'coons hadn't come—at least he had no notice +of their coming. As he started from his rolling seat a slight sound in +the midst of the corn put him on the alert. He walked softly along +beside the outer row, stopping frequently to listen, until he could +distinctly hear the rustling of the corn leaves, and even the sound of +gnawing corn from the cob. His heart beat fast with excitement as he +became assured of the presence of a family of raccoons, and he held his +gun ready to pop over the first one that showed itself. There were +slight sounds of rustling and gnawing in several places, but they all +ceased, one after another, as Frank came near. He listened, but there +was nothing to be heard. Then he went to the other side of the piece to +cut off their retreat from the woods. He came cautiously up between the +corn rows to the midst of the piece, but no 'coon was there.</p> + +<p>"Pity they will eat their suppers in the dark," muttered Frank, to +relieve his vexation at the disappointment.</p> + +<p>He returned slowly to the house, and went up to his room, where he sat +down and read awhile. After an hour or more he became too sleepy to +read; so he laid aside his book, put out the light, and popped into bed. +Just as he was falling asleep he heard several cries over in the woods. +They were half whistle, half scream—a sort of squeal. He sprang up in +bed to listen. The cries ceased, and for several minutes all was +silence. Then there arose a succession of screams, much nearer, and in a +different voice. It was interrupted and broken. It seemed something +between the squeal of a pig and the cry of a child.</p> + +<p>Frank said to his father the next morning that "it sounded as if it was +a young one, and the mother was cuffing it and driving it back. At any +rate, the last of the cries sounded as if the little 'coon had turned, +and was going away."</p> + +<p>"Very likely," said his father; "the little 'coon was probably hungry +for the rest of his supper, and was going back to the corn sooner than +the old 'coon thought was prudent."</p> + +<p>Frank heard no more of the 'coons, and soon went to sleep, but in the +morning he found that more corn had been spoiled than in the first +night. The 'coons had only run off to come back again, and begin their +depredations in a new place. He therefore came to the conclusion that he +must watch all night, and every night, if at all.</p> + +<p>The hired man told how some boys where he worked once caught a 'coon by +setting a trap at the hole in a board fence near the corn piece. There +was a wall beside the woods not far from Frank's corn, and there were a +plenty of holes in it, but which particular hole the 'coons came through +nobody could tell.</p> + +<div class="figleft" style="width: 301px;"> +<img src="images/ill_003.jpg" width="301" height="400" alt=""FOR A FEW SECONDS THERE WAS A LIVELY BATTLE."" title="" /> +<span class="caption">"FOR A FEW SECONDS THERE WAS A LIVELY BATTLE."</span> +</div> + +<p>"I'll find out," said Frank. He went to a sand-bank with the +wheelbarrow, and shovelled in a load of sand. This he spread at the +bottom of every large hole, and on the rocks at every low place in the +wall. In the morning he walked along there, and the foot-prints in the +sand showed where the path of the 'coons crossed the wall. There he set +his steel-trap, and another which he borrowed of a neighbor. In the +morning he went over to see what had happened. One trap was sprung, and +held a few hairs; the other trap had disappeared. It didn't go off +alone, Frank thought; but it had a long stick fastened to its chain that +would be sure to catch in the bushes before it went far. He sprang over +the wall, and peeped round among the knolls and bushes. Suddenly, as he +went around a clump of little spruces, a chain rattled, and a +brownish-gray creature, "'most as big as a bear," as Frank afterward +said, sprang at him, with a sharp, snarling growl, and mouth wide open. +The sight was too much for Frank's nerves, and set them in such a tremor +that he ran away. When he came in sight of his corn he began to grow +angry, and his courage came up again. He now got him a larger stick than +he had first carried, and set out for the animal again. He had +considered that, after all, it could be only a 'coon, though bears had +been heard of in the corn fields further north. Frank and the corn-eater +now met again face to face, and for a few seconds there was a lively +battle, in which mingled the snarling of the 'coon, the rattling of the +chain, and the blows of the stick. At length the 'coon lay still, and +Frank stood guard over him with a broken stick. The next day he ate a +slice of roast 'coon for dinner with great relish.</p> + +<p>The traps were set again for the next night, but never a 'coon was in +them in the morning. The cunning fellows evidently considered the place +too dangerous, and chose another entrance. Anyway, the corn was still +going away fast. Frank feared that he wouldn't have enough to fill his +contract with the canning factory unless the family in the house, or the +other family in the woods, left off eating. Something must be done. At +length Frank bought a dog. He made a nice kennel for him in the middle +of the corn field, and tied him there at night. Just after Frank had +fallen into a sound sleep the dog woke him up with his barking. Frank +went out, but could find nothing. The dog woke him twice more that +night, but he didn't trouble himself to leave his bed again. In the +morning he found that the 'coons had destroyed as much corn as before, +but it was all about the edges. The next night they ventured a little +nearer the kennel. The following night the dog was left in the kennel +loose. Probably when the 'coons came he made a charge upon them, and +they turned upon him and drove him away, for he was only a little young +one. He took refuge in the wood-house, where he barked furiously for an +hour or more, and then in occasional brief spells all the +night—whenever he woke enough to remember the 'coons. After this Frank +gave up the defense of the corn, but began to gather it nightly as fast +as the ears were sufficiently full. At length he cut the corn and took +it into the barn, excepting a single bunch. About this bunch he sunk +traps in the ground, and threw hay-seed over them, and placed nice ears +of sweet-corn beside them. The next morning he had another 'coon. The +other trap was sprung also, but it held nothing but a little tuft of +long gray fur. That sly fellow had again sat down on the trencher. From +this time the 'coons troubled Frank's corn no more, having found other +fields where there was more corn and fewer traps. Frank's final conflict +with the 'coons was late in the autumn, when the leaves were nearly gone +from the trees, and the ripe beech-nuts were beginning to drop. He had +fired all his ammunition away at gray squirrels the day before, except a +little powder; but a meeting of crows in the adjoining woods incited his +sporting proclivities, and he loaded his gun, putting in peas for shot, +and started for the locality of the noisy birds. They cawed a little +louder when they discovered the intruder, then began in a straggling +manner to fly away. So when Frank arrived at the scene of the meeting it +had adjourned. Looking about in the trees to see if by chance a single +crow might still be lingering, a slight movement in a tall maple met his +eye.</p> + +<p>"Biggest gray squirrel ever I saw," muttered the boy, raising his gun. +The position was not a good one for a shot, as the head, which had been +thrust out over a large branch close to the trunk was now withdrawn, so +that<span class='pagenum'><a name="Page_700" id="Page_700">[Pg 700]</a></span> only the end of the nose was visible. Close beside this branch was +another, and between the two a large surface of gray fur was exposed.</p> + +<p>"I'll send him some peas for dinner," thought Frank, and fired. He heard +the peas rattle against the hard bark of the tree, but no gray squirrel +came down or went up that he could see. When the smoke cleared away, a +black nose was thrust out over the branch, and two keen eyes were +visible, peering down at the sportsman, as much as to say, "I like peas +for dinner, little boy, but don't take 'em that way."</p> + +<p>"That's no squirrel," thought Frank. "I believe it's a 'coon—sure as a +gun. And I haven't got a thing to shoot him with."</p> + +<p>He thought of putting his knife into his gun for a bullet, but it proved +too large. Then he looked for some coarse gravel, but did not find any. +Feeling in all his pockets, his fingers clutched a board nail.</p> + +<p>"Ah, that's the thing! We'll see, Mr. 'Coon, if you care any more for +board nails than you do for peas."</p> + +<p>Loading his gun again, he dropped in the nail instead of a knife for a +bullet. He took careful aim again at the spot of fur between the +branches, and fired. The 'coon was more than surprised this time, and he +certainly forgot to look before he leaped, or he never would have sprung +right out ten feet from the tree, with nothing between him and the +ground, thirty or forty feet below. He struck all rounded up in a bunch, +like a big ball, bouncing up two or three feet from the ground. Frank +started toward the animal, thinking, "Well, that fall's knocked the life +out of him."</p> + +<p>He never was more mistaken. When he stepped toward him, the 'coon got +upon his feet at once, and offered battle. Frank now used his gun in +another manner, seizing it by the barrel, and turning it into a war +club. There ensued some lively dodging on the part of the 'coon; but at +length he was hit slightly, when he turned and ran for the nearest tree. +This happened to be a beech, in whose hard, smooth bark his claws would +not hold. He slipped down, and as Frank came up, turned and made a dash +for the boy's legs. Frank met him with a blow of the gun on the head, at +which the 'coon dropped down, apparently lifeless. Another such blow +would have finished him; but Frank was unwilling to give it, for the +last one had cracked his gun-stock. So he shouldered the gun, took the +'coon up by the hinder legs, and started for home. Before he got there +the 'coon had come to his senses again, and made Frank pretty lively +work to keep his own legs safe. As soon as he could find a good stake +Frank dropped his dangerous burden, and before the 'coon could run away, +he was stunned by a blow of the stake.</p> + +<p>With this victory the war between Frank and the 'coons ended for the +season. He had been obliged to buy some corn of a neighbor in order to +fill his contract with the canning factory; but the 'coon-skins sold for +enough to make up the money.</p> + +<hr style="width: 65%;" /> +<div class="figcenter" style="width: 600px;"> +<img src="images/ill_004.jpg" width="600" height="304" alt=""COME ON!"" title="" /> +<span class="caption">"COME ON!"</span> +</div> + +<p><span class='pagenum'><a name="Page_701" id="Page_701">[Pg 701]</a></span></p> + +<hr style="width: 65%;" /> +<h4><a name="WHO_WAS_PAUL_GRAYSON" id="WHO_WAS_PAUL_GRAYSON"></a>[Begun in No. 46 of <span class="smcap">Harper's Young People</span>, September 14.]</h4> + +<h2>WHO WAS PAUL GRAYSON?</h2> + +<h3>BY JOHN HABBERTON,</h3> + +<h4><span class="smcap">Author of "Helen's Babies."</span></h4> + +<h3><span class="smcap">Chapter III</span>.</h3> + +<h3>MUSIC AND MANNERS.</h3> + +<p>The boys at Mr. Morton's select school were not the only people in +Laketon who were curious about Paul Grayson. Although the men and women +had daily duties like those of men and women elsewhere, they found a +great deal of time in which to think and talk about other people and +their affairs. So all the boys who attended the school were interrogated +so often about their new comrade, that they finally came to consider +themselves as being in some way a part of the mystery.</p> + +<p>Mr. Morton, who had opened his school only several weeks before the +appearance of Grayson, was himself unknown at Laketon until that spring, +when, after an unsuccessful attempt to be made principal of the grammar +school, he had hired the upper floor of what once had been a store +building, and opened a school on his own account. He had introduced +himself by letters that the school trustees, and Mr. Merivale, pastor of +one of the village churches, considered very good; but now that +Grayson's appearance was explained only by the teacher's statement that +the boy was son of an old school friend who now was a widower, some of +the trustees wished they were able to remember the names and addresses +appended to the letters that the new teacher had presented. Sam +Wardwell's father having learned from Mr. Morton where last he had +taught, went so far as to write to the wholesale merchants with whom he +dealt, in New York, for the name of some customer in Mr. Morton's former +town; but even by making the most of this roundabout method of inquiry +he only<span class='pagenum'><a name="Page_702" id="Page_702">[Pg 702]</a></span> learned that the teacher had been highly respected, although +nothing was known of his antecedents.</p> + +<p>With one of the town theories on the subject of Mr. Morton and Paul +Grayson the boys entirely disagreed: this was that the teacher and the +boy were father and son.</p> + +<p>"I don't think grown people are so very smart, after all," said Sam +Wardwell, one day, as the boys who were not playing lounged in the shade +of the school building and chatted. "They talk about Grayson being Mr. +Morton's son. Why, who ever saw Grayson look a bit afraid of the +teacher?"</p> + +<p>"Nobody," replied Ned Johnston, and no one contradicted him, although +Bert Sharp suggested that there were other boys in the world who were +not afraid of their fathers—himself, for instance.</p> + +<p>"Then you ought to be," said Benny Mallow. Benny looked off at nothing +in particular for a moment, and then continued, "I wish I had a father +to be afraid of."</p> + +<p>There was a short silence after this, for as no other boy in the group +had lost a father, no one knew exactly what to say; besides, a big tear +began to trickle down Benny's face, and all the boys saw it, although +Benny dropped his head as much as possible. Finally, however, Ned +Johnston stealthily patted Benny on the back, and then Sam Wardwell, +taking a fine winter apple from his pocket, broke it in two, and +extended half of it, with the remark, "Halves, Benny."</p> + +<p>Benny said, "Thank you," and seemed to take a great deal of comfort out +of that piece of apple, while the other boys, who knew how fond Sam was +of all things good to eat, were so impressed by his generosity that none +of them asked for the core of the half that Sam was stowing away for +himself. Indeed, Ned Johnston was so affected that he at once agreed to +a barter—often proposed by Sam and as often declined—of his Centennial +medal for a rather old bass-line with a choice sinker.</p> + +<p>Before the same hour of the next day, however, nearly every boy who +attended Mr. Morton's school was wicked enough to wish to be in just +exactly Benny Mallow's position, so far as fathers were concerned. This +sudden change of feeling was not caused by anything that Laketon fathers +had done, but through fear of what they might do. As no two boys agreed +upon a statement of just how this difference of sentiment occurred, the +author is obliged to tell the story in his own words.</p> + +<p>Usually the boys hurried away from the neighborhood of the school as +soon as possible after dismissal in the afternoon, but during the last +recess of the day on which the above-recorded conversation occurred Will +Palmer and Charley Gunter completed a series of a hundred games of +marbles, and had the strange fortune to end exactly even. The match had +already attracted a great deal of attention in the school—so much so +that boys who took sides without thinking had foolishly made a great +many bets on the result, and a deputation of these informed the players +that it would be only the fair thing to play the deciding game that +afternoon after school, so that boys who had bet part or all of their +property might know how they stood. Will and Charley expressed no +objection; indeed, each was so anxious to prove himself the best player +that in his anxiety he made many blunders during the afternoon +recitations.</p> + +<p>As soon as the school was dismissed, the boys hurried into the yard, +while Grayson, who had lately seen as much of marble-playing as he cared +to, strolled off for a walk. The marble ring was quickly scratched on +the ground, and the players began work. But the boys did not take as +much interest in the game as they had expected to, for a rival +attraction had unexpectedly appeared on the ground since recess: two +rival attractions, more properly speaking, or perhaps three, for in a +shady corner sat an organ-grinder, on the ground in front of him was an +organ, and on top of this sat a monkey. Now to city boys more than ten +years of age an organ-grinder is almost as uninteresting as a scolding; +but Laketon was not a city, organ-grinders reached it seldom, and +monkeys less often; so fully half the boys lounged up to within a few +feet of the strangers, and devoured them with their eyes, while the man +and the animal devoured some scraps of food that had been begged at a +kitchen door.</p> + +<p>Nobody can deny that a monkey, even when soberly eating his dinner, is a +very comical animal, and no boy ever lived, not excepting that good +little boy Abel, who did not naturally wonder what a strange animal +would do if some one disturbed him in some way. Which of Mr. Morton's +pupils first felt this wonder about the organ-grinder's monkey was never +known; the boys soon became too sick of the general subject to care to +compare notes about this special phase of it; but the first one who +ventured to experiment on the monkey was Bert Sharp, who made so +skillful a "plumper" shot with a marble, from the level of his trousers +pocket, that the marble struck the monkey fairly in the breast, and +rattled down on the organ, while the monkey, who evidently had seen boys +before, made a sudden jump to the head of his master, and then scrambled +down the Italian's back, and hid himself so that he showed only as much +of his head as was necessary to his effort to peer across the +organ-grinder's shoulder.</p> + +<p>"Maledetta!" growled the Italian, as he looked inquiringly around him. +As none of the boys had ever before heard this word, they did not know +whether it was a question, a rebuke, or a threat; but they saw plainly +enough that the man was angry, and although most of them stepped +backward a pace or two, they all joined in the general laugh that a +crowd of boys are almost sure to indulge in when they see any one in +trouble, that any one of the same boys would be sorry about were he +alone when he saw it.</p> + +<p>The organ-grinder began munching his food very rapidly, as if in haste +to finish his meal, yet he did not forget to pass morsels across his +shoulder to his funny little companion, and the manner in which the +monkey put up a paw to take the food amused the boys greatly. Benny +Mallow thought that monkey was simply delightful, but he could not help +wondering what the animal would do if a marble were to strike his paw as +he put it up. Animals' paws are soft at bottom, reasoned Benny to +himself, and marbles shot through the air can not hurt much if any; the +result of this short argument was that Benny tried a "plumper" shot +himself; but the marble, instead of striking the monkey's paw, went +straight into the mouth of the organ-grinder, who was just about to take +a mouthful of bread.</p> + +<p>Up sprang the Italian, with an expression of countenance so perfectly +dreadful that Benny Mallow dreamed of it, for a month after, whenever he +ate too much supper. All the boys ran, and the Italian pursued them with +words so strange and numerous that the boys could not have repeated one +of them had they tried. Every boy was half a block away before he +thought to look around and see whether the footsteps behind him were +those of the organ-grinder or of some frightened boy. Sam Wardwell +stumbled and fell, at which Ned Johnston, who had been but a step or two +behind, fell upon Sam, who instantly screamed, "Oh, don't, mister: I +didn't do it—really I didn't."</p> + +<p>On hearing this all the other boys thought it safe to stop and look, and +when they saw the Italian was not in the street at all, they felt so +ashamed that there is no knowing what they would have done if they had +not had Sam Wardwell to laugh at. As for Sam, he was so angry about the +mistake he had made that he vowed vengeance against the Italian, and +hurried back toward the yard. Will Palmer afterward said that he +couldn't see how the Italian was to blame, and Ned Johnston said the +very same thought had occurred to him; but somehow neither of the two +happened to mention the matter, as they, with the other boys,<span class='pagenum'><a name="Page_703" id="Page_703">[Pg 703]</a></span> followed +Sam Wardwell to see what he would do. Looking through the cracks of the +fence, the boys saw the Italian, with his organ and monkey on his back, +coming down the yard; at the same time they saw nearly half a brick go +up the yard, and barely miss the organ-grinder's head. The man said +nothing; perhaps he had been in difficulties with boys before, and had +learned that the best way to get out of them was to walk away as fast as +possible; besides, there was no one in sight for him to talk to, for Sam +had started to run the instant that the piece of brick left his hand. +The man came out of the yard, looked around, saw the boys, turned in the +opposite direction, and then turned up an alley that passed one side of +the school-house.</p> + +<p>He could not have done worse; for no one lived on the alley, so any +mischievous boy could tease him without fear of detection. He had gone +but a few steps when Sam, who had hidden in a garden on the same alley, +rose beside a fence, and threw a stick, which struck the organ. The man +stopped, turned around, saw the whole crowd of boys slowly following, +supposed some one of them was his assailant, threw the stick swiftly at +the party, and then started to run. No one was hit, but the mere sight +of a frightened man trying to escape seemed to rob the boys of every +particle of humanity. Charley Gunter, who was very fond of pets, devoted +himself to trying to hit the monkey with stones; Will Palmer, who had +once helped nurse a friendless negro who had cut himself badly with an +axe, actually shouted "Hurra!" when a stone thrown by himself struck one +of the man's legs, and made him limp; Ned Johnston hurriedly broke a +soft brick into small pieces, and threw them almost in a shower; and +even Benny Mallow, who had always been a most tender-hearted little +fellow, threw stones, sticks, and even an old bottle that he found among +the rubbish that had been thrown into the alley.</p> + +<div class="figcenter" style="width: 439px;"> +<img src="images/ill_005.jpg" width="439" height="600" alt="THE ATTACK ON THE ORGAN-GRINDER." title="" /> +<span class="caption">THE ATTACK ON THE ORGAN-GRINDER.</span> +</div> + +<p>Suddenly a stone—there were so many in the air at a time that no one +knew who threw that particular stone—struck the organ-grinder in the +back of the head, and the poor fellow fell forward flat, with his organ +on top of him, and remained perfectly motionless.</p> + +<p>"He's killed!" exclaimed some one, as the pursuers stopped. In an +instant all the boys went over the fences on either side of the alley, +but not until Paul Grayson, crossing the upper end of the alley, had +seen them, and they had seen him.</p> + +<h4>[<span class="smcap">to be continued</span>.]</h4> + +<hr style="width: 65%;" /> +<h2><a name="FORDING_A_RIVER_IN_CENTRAL_ASIA" id="FORDING_A_RIVER_IN_CENTRAL_ASIA"></a>FORDING A RIVER IN CENTRAL ASIA.</h2> + +<h3>BY DAVID KER.</h3> + +<p>I have heard many complaints made of the impossibility of sleeping in a +railway car, and have wondered much how those who made them would have +fared if compelled to spend, not one night, but twelve or fourteen in +succession, in crossing the roadless plains and hills of Central Asia in +a Russian cart, whose whole progress is a series of jolts that might +dislocate the spine of a megatherium, flinging one at every turn against +the corner of a box, or the broad shoulders of the Tartar driver. The +correct way of preparing for a journey in this primitive region is to +half fill your cart with hay, lay your baggage upon it as a kind of +pavement, and cover the whole with a straw mattress, upon which you +recline, walled in with rolled-up wrappers to keep you from being +absolutely battered to bits against the sides of the vehicle. You then +provide yourself with a hatchet and a coil of rope, as an antidote to +the inevitable coming off of a wheel two or three times a day during the +whole journey, and thus fore-armed, you are, as the Russians +significantly say, "ready to <i>chance it</i>."</p> + +<p>After a night of such travel as this, with all its attendant bumps, +bruises, and overturns, among the hills on the frontier of Bokhara, my +English comrade and I find ourselves nearing the once famous city of +Samarcand, and getting forward much more easily now that the plain is +fairly reached at last. But what we gain in comfort we lose in +picturesqueness. For several miles our course lies through the wet, miry +level of the rice fields, and we leave them only to emerge upon a wide +waste of bare gravel, amid which the once formidable current of the +"gold-giving Zer-Affshan" has shrunk to a single narrow channel, the +only fine feature of the landscape being the dark purple ridge beyond, +upon which, in June, 1868, was fought the battle that decided the fate +of Bokhara.</p> + +<p>But commonplace as it looks, every foot of this region is historic +ground. Here stood the centre of a mighty empire, drawing to itself all +the pomp and splendor of the East, in days when marsh frogs were +croaking upon the site of St. Petersburg, and Indians lighting their +camp fires upon that of New York. The very earth seems still shaking +with the march of ancient conquerors, and one would hardly wonder to see +Alexander's Macedonians coming with measured tramp over the boundless +level, or low-browed Attila, with the light of a grim gladness in his +deep-set eyes, waving on five hundred thousand horsemen with the sweep +of his enchanted sabre. But mingled with these memories comes the +thought of one who surpassed them both—a little, swarthy, keen-eyed, +limping man, known to history as Timour the Tartar, who crushed into one +great whole all the jarring kingdoms of Asia, only that they might melt +into chaos again the moment that mighty grasp was relaxed by death.</p> + +<hr style='width: 25%;' /> + +<p>"We must get out here, David Stepanovitch!"</p> + +<p>The shrill call sweeps away my visions, and I look up to find myself in +front of a tiny hut—a mere speck in that wilderness of gravel—beside +which three or four wild-looking figures are grouped around a huge +<i>arba</i> (native cart), conspicuous by its immense breadth of beam, and +its gigantic wheels, seven good feet in diameter.</p> + +<p>Mourad hastily explains that to attempt fording the river in our little +post-cart will be certain destruction to our baggage, and that we must +shift to the arba, which, light, strong, and, thanks to its great +breadth, almost impossible to overturn, seems made for this roadless +region, as the camel is for the desert.</p> + +<p>The transfer is soon effected, but it takes some time to secure our +packages against the tremendous shaking which awaits them, and our +careful henchman goes over his work three times before he can persuade +himself to let go. But the reckless Bokhariotes, who care little if we +and all our belongings go to the bottom, provided they get their money, +cut him short by leaping onto the front of the huge tray, and heading +right down upon the river.</p> + +<p>We make five or six lesser crossings before coming to the real one, the +Zer-Affshan, like Central Asian rivers generally, being given to wasting +its strength in minor channels; but even these run with a force and +swiftness that show us what we have to expect. At length, after a +comparatively long interval of bare gravel, the two Bokhariotes suddenly +plant themselves back to back, with their feet against the sides of the +cart. The huge vehicle halts for a moment, as if to gather strength for +its final leap, and then rushes into the stream.</p> + +<p>And now comes the tug of war. The wheels have barely made three turns in +the water when the great mass trembles under a shock like the collision +of a train, and to our bewildered eyes the river appears to be standing +perfectly still, and we ourselves to be flying backward at full speed.</p> + +<p>Deeper and deeper grows the water, stronger and stronger presses the +current. Already the little post-cart following in our wake is almost +submerged, and the water is battering against the bottom of the arba, +and splashing over our feet as we sit. More than once the horses stop +short, and plant their feet firmly, to save themselves from<span class='pagenum'><a name="Page_704" id="Page_704">[Pg 704]</a></span> being swept +bodily away, and the roar of the chafing pebbles comes up to us like the +tramp of a charging squadron.</p> + +<p>In the midst of the din and hurly-burly, the lashing water, and the +blinding spray, a terrible thought suddenly occurs to me. "By Jove! all +my sugar's in the bottom of my store chest. It'll be all melted, to a +certainty."</p> + +<p>"Shouldn't wonder," remarks my friend, with that quiet fortitude +wherewith men are wont to bear the misfortunes of other people. +"However, you can get some more at Samarcand; and, after all, a trunk +lined with sugar will be worth exhibiting at home—if you ever get +there."</p> + +<p>For the next few minutes it is "touch and go" with us; but even among +Asiatics nothing can be spun out forever. Little by little the water +grows shallower, the ground firmer, the strain less and less violent, +till at length we come out upon dry land once more, decant the contents +of the arba back into the cart, reward our pilots, and are off again.</p> + +<hr style="width: 65%;" /> +<div class="figleft" style="width: 500px;"><a name="THE_TUG_OF_WAR" id="THE_TUG_OF_WAR"></a> +<img src="images/ill_006.jpg" width="500" height="532" alt="" title="" /> +</div> + +<div class="figright" style="width: 500px;"> +<img src="images/ill_007.jpg" width="500" height="539" alt="" title="" /> +</div> + +<h2>THE TUG OF WAR</h2> + +<p>This is an old English game, which has become a favorite athletic +exercise in almost all countries, as a trial of strength and endurance. +In England it used to be called "French and English," from the ancient +rivalry that existed between the two nationalities. Our picture shows +how the game is played. Care should be taken to have a stout rope, and +the players should be divided so that each party may as nearly as +possible be of equal strength. The party that pulls the other over a +line marked on the ground between them is the winner in the game. +Sometimes a string is tied on the rope, and when the game begins this +string should be directly over the dividing line. It often happens that +the parties are so evenly matched that neither can pull the string more +than an inch or two over the line; and then it becomes a trial of +endurance, and the question is which side can hold out the longer.<span class='pagenum'><a name="Page_705" id="Page_705">[Pg 705]</a></span></p> + +<p>Among the Burmese the "tug of war" is a part of the religious ceremonies +held when there is a scarcity of rain. Instead of rope, long, slender +canes are twisted together, and spokes are thrust through to give a firm +hold. The sides are taken by men from different quarters of a town, or +from different villages. Each side is marshalled by two drums and a +harsh wind-instrument, which make a hideous noise. A few priests are +generally seen squatting on the ground near by, chewing the betel-nut, +and reading their laws, which are printed on slips of palm leaf. Every +now and then they give a shout of encouragement. Each side tries to pull +the other over the line, amid shouts and cries of the most vigorous +description. It makes no difference which side wins the day, as victory +to either party is supposed by the superstitious natives to bring the +wished-for rain. Continued drought does not discourage them from +repeating the ceremony time after time; and when the rain comes at last +they firmly believe it is in answer to their incantations.</p> + +<hr style="width: 65%;" /> +<h2><a name="FOUND_IN_A_FROG" id="FOUND_IN_A_FROG"></a>FOUND IN A FROG.</h2> + +<h3>BY MISS VIRGINIA W. JOHNSON,</h3> + +<h4><span class="smcap">Author of "The Catskill Fairies."</span></h4> + +<p>The sun had risen when Gita awoke. She lived at the top of a tall old +house with her grandmother, and both were poor. When she had put on her +thin cotton gown, and smoothed her hair with her small brown hands, Gita +ran down stairs lightly; and these stairs—some crooked stone steps in a +dark passage—would have broken our necks to descend. She came out in a +narrow street with the tall houses almost meeting overhead, and steep +paths or flights of steps leading down to the shore. The town was +Mentone, in the south of France, with the boundary line of Italy not +half a mile distant. At one end of the street was visible the blue sky, +and two churches, yellow and white, on an open square, with towers, +where the bells were ringing.</p> + +<p>Gita felt in her pocket for a crust of hard bread, and began to<span class='pagenum'><a name="Page_706" id="Page_706">[Pg 706]</a></span> eat. +This was her breakfast, and if she had been richer she would have drunk +a little black coffee with it. As it was, she paused at the fountain, +where the women were gossiping as they drew water in buckets, and placed +her mouth under the spout.</p> + +<p>Raphael came along, and greeted her. Raphael, a tall young fellow with +bright eyes, a face the color of bronze, and a little black mustache, +was the son of a merchant who kept goats and donkeys for the visitors +who came here every year. The goats furnished rich milk for the invalids +to drink, while the ladies and children rode the donkeys. Gita found +Raphael very handsome.</p> + +<p>He wore a curious straw hat with the brim turned up, a shirt striped +with red, blue pantaloons, and a yellow sash about his waist. One could +see he esteemed himself rather a dandy. In turn Raphael found Gita the +prettiest girl of his acquaintance, with her large black eyes, brown +face, and white teeth. Besides, Gita was amiable, and did not mock at +him when he walked on the Promenade on Sunday with his hat on one side, +and a cigarette in his mouth.</p> + +<p>"I have asked the consent of my parents to our marriage," said Raphael. +"They refuse, unless you have a dower of at least a hundred francs. We +must wait."</p> + +<p>Gita sighed and shook her head as she pursued her way down to the shore. +In these countries the young people must obtain the consent of their +parents to marry, and the bride should have a dowry. Gita had not a +penny; Raphael's father might as well have asked him to bring the moon +as one hundred francs.</p> + +<p>Grandmother was seated under an archway, with her little furnace before +her, roasting chestnuts. Grandmother, a wrinkled old woman, with a red +handkerchief wound about her head, was a chestnut merchant. The sailors, +children, and Italians coming over the border bought her wares, and when +she was not employed in serving them she twisted flax on a distaff.</p> + +<p>"Raphael's father needs a dowry of one hundred francs," said Gita, as +grandmother gave her a few chestnuts.</p> + +<p>"Ah, if you were a lemon girl!" said grandmother, beginning to twist the +flax.</p> + +<p>Gita poised a basket on her head, took a white stocking from her pocket, +and began to knit as she walked away. The women of the country carry all +burdens on their heads. You may see a mother with a mound of cut grass +on her head, dandling a little baby in her arms as she moves along. +Grandmother had been a lemon girl in her day, but Gita was not strong +enough. The lemon girls bring the fruit on their heads many miles, from +the lemon groves down to the ships, when they are sent to America and +other distant lands.</p> + +<p>When you next taste a lemonade at a Sunday-school picnic, little reader, +remember how far the lemon has travelled to furnish you this refreshing +drink.</p> + +<p>Gita went along the shore knitting, her empty basket tilted on her head. +The blue Mediterranean Sea sparkled as far as the eye could reach, and +broke on the pebbles of the beach in waves as clear as crystal. Soon she +turned back toward the hills, following a narrow path between high +garden walls, passed under a railroad bridge, and entered an olive +garden. She worked here all day, gathering up the little black olives +which fall from the trees, much as children gather nuts in the woods at +home. Other women were already at work; their dresses of gay colors, +yellow and red, showed against the gray background of the trees. A boy +beat the branches with a long pole. Gita began to work with the rest. +She did not think much about the olive-tree, although it was a good +friend. She was paid twenty sous a day to gather the berries from the +ground, which were then taken to the crushing mill up the ravine to be +made into oil. Gita ate the green lemons plucked from the trees as a +child of the North would eat apples, but she loved the good olive-oil +better. When the grandmother made a feast, it was to fry the little +silvery sardines in oil, so crisp and brown.</p> + +<p>The olive-tree is a native of Asia Minor, and often mentioned in the +Bible. Some of the trees in the garden where Gita now worked were so old +that the Romans saw them when they conquered the world.</p> + +<p>At noon the olive-pickers paused to rest. Gita went away alone, and ate +the handful of chestnuts given her by grandmother. When she returned to +the town at night she would have another bit of bread and a raw onion. +She seated herself on the edge of the ravine, and thought about Raphael +as she munched her nuts. Below, this path traversed the ravine, and +climbed the opposite slope to the wall of a pretty villa, one of the +houses occupied for the winter by rich strangers. Gita looked at the +villa, with its window shaded by lace curtains, balconies, and terraces, +where orange-trees were covered with little golden balls of fruit.</p> + +<p>"If I were rich like that I would have soup every day, sometimes made of +pumpkin and sometimes with macaroni in it," she thought.</p> + +<p>Then she turned over a stone with her heavy shoe, and it rolled down the +hill. Gita uttered a cry. The stone had covered a hole at the root of +the olive-tree where she sat, far away from the other workers. In the +hole she saw a green frog; she dropped on her knees to look at it more +closely. Yes, it was a green frog. How did it come there? She touched it +with her fingers; the frog did not move or croak. Then she took it out +carefully. The frog was one of those pasteboard boxes which appear each +year in the shop windows of Paris for Easter presents, in company with +fish, lobsters, and shells.</p> + +<p>Gita raised the lid. Inside were bank-bills and a lizard. She knew +lizards very well; they were always whisking over the stone walls; but +then those were of a sober brown tint, while this one was white until +she lifted it, when it sparkled like a dewdrop. The lizard was an +ornament made of diamonds. Gita held her breath and closed her eyes. She +believed herself asleep. Soon she rose, took the box in her hand, and +crossing the ravine, began to climb the path to the villa above.</p> + +<p>As she reached the door a pony-carriage drove up. A big servant with +many buttons on his coat told her to go away. Gita paused, holding the +box. The pale lady in the carriage, who was wrapped in furs, motioned +her to approach. Quickly the girl ran forward and held out the frog.</p> + +<p>"I found it in a hole at the foot of the olive-tree," she explained. "It +must belong to this house."</p> + +<p>The lady took the box and opened it, emptying the contents on her lap. +There lay the diamond lizard, and the roll of French bank-notes.</p> + +<p>"You see that Pierre was a dishonest servant, although nothing was found +on him," said the lady to those about her. "He must have hidden this box +in the olive grove to return from Nice later and find it."</p> + +<p>Gita listened with her mouth and eyes wide open. The lady looked at her +and smiled.</p> + +<p>"You are a good girl," she said.</p> + +<p>Then she selected one of the bills and gave it to Gita. It was a note of +one hundred francs.</p> + +<p>"Now I can marry Raphael!" she cried.</p> + +<p>Raphael was standing beside grandmother's chestnut-roaster when both saw +Gita running toward them, her cheeks red, and her eyes flashing like +stars. She had to tell all about the frog, not only to them, but to the +neighbors. As for grandmother, she could not hear the story often +enough. When she had been a lemon girl no such luck had befallen her.</p> + +<p>"Who would have thought of finding a wedding dowry in a frog?" laughed +Raphael.</p> + +<p>Gita and Raphael are soon to be married in the yellow<span class='pagenum'><a name="Page_707" id="Page_707">[Pg 707]</a></span> church on the +hill. The olive-pickers in the grove seek for something beside the dark +berries; they hope to find a green frog under a stone, containing money +and a diamond lizard; but this will never again happen.</p> + +<hr style="width: 65%;" /> +<h2><a name="JAPANESE_LIFE" id="JAPANESE_LIFE"></a>JAPANESE LIFE.</h2> + +<p>The Japanese is the cleanest of mankind. Cleanliness is, so to speak, +more than godliness with him. Though he has no soap, he washes all over +at least once a day—he worships but once a week. His candles are made +of vegetable wax. He uses a cotton coverlet, well stuffed and padded, +for bed-covering and mattress. A sort of stereoscope case—made of +wood—makes his pillow. He resorts to that, and so do his wife and +daughters, that their carefully arranged hair may not be disarranged +during sleep. No head-covering is worn by the Japanese. No nation +dresses the hair so tastefully. Usually it is with the men shaved in +sections. They are coming now to wear it in European fashion. They are +adopting all European customs.</p> + +<p>On levée day I saw the reception at the Mikado's palace in Yeddo. Every +one presented had to come in European full dress. That dress does not +become the Japanese figure. He looks awkward in it. His legs are too +short. The tails of his claw-hammer coat drag on the ground, and the +black dress trousers wrinkle up and get baggy around his feet. His +European-fashioned clothes have been sent out ready-made from America or +England, and in no case did I notice anything approaching to a good fit. +Yet he smiled and looked happy, though he could not get his heels half +way down his Wellington boots, and his hat was either too large or too +small for his head. He always smiles and looks pleasant. Nothing can +make him grumble, and he has not learned to swear. He is satisfied to be +paid his due, and never asks for more. As a New York cabman he would be +a veritable living curiosity.</p> + +<hr style="width: 65%;" /> +<h2><a name="WHERE_DID_POTATOES_COME_FROM" id="WHERE_DID_POTATOES_COME_FROM"></a>WHERE DID POTATOES COME FROM?</h2> + +<p>Nobody knows precisely where the potato came from originally. It has +been found, apparently indigenous, in many parts of the world. Mr. +Darwin, for instance, found it wild in the Chonos Archipelago. Sir W. J. +Hooker says that it is common at Valparaiso, where it grows abundantly +on the sandy hills near the sea. In Peru and other parts of South +America it appears to be at home; and it is a noteworthy fact that Mr. +Darwin should have noted it both in the humid forests of the Chonos +Archipelago and among the central Chilian mountains, where sometimes +rain does not fall for six months at a stretch. It was to the colonists +whom Sir Walter Raleigh sent out in Elizabeth's reign that we are +indebted for our potatoes.</p> + +<p>Herriot, who went out with these colonists, and who wrote an account of +his travels, makes what may, perhaps, be regarded as the earliest +mention of this vegetable. Under the heading of "Roots," he mentions +what he calls the "openawk." "These roots," he says, "are round, some +large as a walnut, others much larger. They grow on damp soils, many +hanging together as if fixed on ropes. They are good food, either boiled +or roasted."</p> + +<p>At the beginning of the seventeenth century this root was planted, as a +curious exotic, in the gardens of the nobility, but it was long ere it +came into general use. Many held them to be poisonous, and it would seem +not altogether unreasonably so either. The potato is closely related to +the deadly-nightshade and the mandrake, and from its stems and leaves +may be extracted a very powerful narcotic. In England prejudice against +it was for a long time very strong, especially among the poor.</p> + +<hr style="width: 65%;" /> +<h4><a name="MOONSHINERS" id="MOONSHINERS"></a>[Begun in <span class="smcap">Harper's Young People</span> No. 47, September 21.]</h4> + +<h2>"MOONSHINERS."</h2> + +<h3>BY E. H. MILLER.</h3> + +<h3><span class="smcap">Chapter II</span>.</h3> + +<h3>CONNY FINDS A HOME.</h3> + +<p>Two days afterward, when the doctor went out for his horse, he found +Conny sitting astride the block, his lap filled with sweet white clover, +which he was feeding to Prince with one hand, while with the other he +stroked the beautiful head that was bent down to him. He dropped to his +feet on seeing the doctor, and made a bow, grave and stiff, but not at +all bashful.</p> + +<p>"I have come to live with you, sir," he said.</p> + +<p>"Indeed," laughed the doctor; "and what do you suppose I want of you?"</p> + +<p>"I don't know, sir; but my feyther always told me, if he died, I was not +to stay on the mountain, but go to some good man who would teach me to +work."</p> + +<p>"And how do you know I am a good man?" asked the doctor, looking keenly +at the boy. "You have never seen me but once."</p> + +<p>"I have seen you often. I saw you when you mended the rabbit's leg. Jock +Riley broke it with his big cart-whip."</p> + +<p>"And where were you, pray?"</p> + +<p>"Up in a tree, lying along a limb. And I was in the big tamarack when +you climbed up the hill for the little flower. I often wanted to know +why you cared to get it. My feyther thought perhaps it was good for +medicine; but when I told him you only took one, he said then he +couldn't tell; it might be you were crazed."</p> + +<p>The doctor laughed heartily. It was by no means the first time his +passion for botanizing had been called a <i>craze</i>.</p> + +<p>"Well, Conny," said he, "go into the house and get your breakfast, and +when I come back we will talk this matter over."</p> + +<p>He stopped for a word of explanation with his wife, and drove away, +leaving Conny on the door-step, with a substantial slice of bread and +meat in his hands, and a bowl of milk beside him, while little Betty +peeped shyly at him through the window.</p> + +<p>It gave the doctor a curious sensation to think, as he rode through the +solitary woods, of the little watcher stretched along a mossy limb, or +peering out from a treetop, like some strange, wild creature.</p> + +<p>"He must have been set to keep guard by the moon-shiners," he thought. +"I wonder if they suspected I meant them mischief?" And then like a +flash came another thought: "They have sent him to me now as a spy to +find out if I have any secret business for the government. I should +rather enjoy giving them a scare, if it were not for my wife and Betty."</p> + +<p>The doctor fully made up his mind before he went home to send Conny on +his ways, but in the end he did no such thing. Old Timothy made much +pretense of finding whether he belonged to Dunsmore or Killbourne, and +talked bravely of taking him to the poor-house officers; but Timothy +found him a great convenience to his rheumatic old hands and feet, and +by the end of the summer Conny was as much at home as if he had been +bought, like Betty's ugly little terrier, or born in the house, like +blessed little Betty herself. It was Conny who gave the last rub to +Prince, and brought him to the door; Conny who, in cold or heat, was +ready with such good-natured promptness for any errand far or near; +Conny who could mend and make; who oiled rusty hinges, repaired broken +locks and latches, sharpened the kitchen knives, filed the old saws, and +put new handles to all the cast-away tools<span class='pagenum'><a name="Page_708" id="Page_708">[Pg 708]</a></span> on the premises. Best of +all, in the doctor's eyes, it was Conny who knew every nook of mountain +and forest, and whose swift feet and skillful fingers sought out every +plant that grew, and brought it to his master's feet.</p> + +<p>Only Bridget held to her deep suspicion of something wrong about Conny.</p> + +<p>"The cratur's that shmart wid his two hands ye wudn't belave, mum, but I +misthrust he's shly: it's in the blood of 'im.</p> + +<p>"You ought not to say such things, Bridget; you have no reason to think +Conny is not honest," Mrs. Hunter would say.</p> + +<p>"It's not to say that he'd sthale, mum, but he's <i>shly</i>. I've coom upon +'im soodent wance or twicet, an' seen 'im shlip something intil 'is +pocket, an' 'im toornin' red in the face an' confused like. An' says I, +'Conny, is it something fine ye have?' An' the b'y walked away widout a +word jist."</p> + +<p>Mrs. Hunter laughed. "He is just like every other boy in the +world—storing up all sorts of odds and ends, as if they were treasures. +I remember when Joe would hardly allow me to mend his pockets for fear I +should disturb some of his precious trinkets."</p> + +<p>Biddy tossed her head with an air that plainly said her opinion was in +no wise changed, as she answered, discreetly, "Ye may be in the rights +of it, mum, but it's not mesilf would be judgin' the cratur by Master +Joe, that was born a gintleman, let alone the bringin' up."</p> + +<p>Quite by accident Mrs. Hunter herself discovered the mystery in Conny's +bosom, for, sitting one day by the window at her sewing, she saw the boy +come from the wood-house, and after a quick glance in every direction, +dart like a squirrel up one of the great hemlock-trees, where he sat +completely screened by the branches, only now and then when a stronger +gust of wind swayed the top, and gave her a glimpse of him bending +intently over something upon his knees. Mrs. Hunter watched him for some +time, and then went quietly under the tree and called, "Conny!"</p> + +<p>There was a moment of hesitation, and she fancied she saw him put +something into the crotch of the tree before he came sliding down at her +feet, looking decidedly confused.</p> + +<p>"What were you doing up there, Conny?" she asked, pleasantly.</p> + +<p>"No harm at all, ma'am," said Conny, with his eyes on his bare brown +feet.</p> + +<p>"I suppose not, but I should like to know what it was that you hid up in +the tree."</p> + +<p>"It's no harm, ma'am," repeated Conny, very red and very earnest.</p> + +<p>"Then you can certainly show it to me: I wish to see it," said Mrs. +Hunter, decidedly.</p> + +<p>Conny disappeared in the tree, and in an instant came down, more slowly +than before, carrying something carefully in his hand. He gave it to +Mrs. Hunter, and stood before her looking as red and guilty as if he had +been found in possession of the doctor's gold watch. It was a miniature +sideboard of fragrant red cedar, nearly complete, with drawers, shelves, +and exquisite carvings—a lovely little model of the handsome sideboard +which was the pride of Mrs. Hunter's heart.</p> + +<p>"What a beautiful thing!" said Mrs. Hunter, with such delight in her +tone that Conny ventured to look up.</p> + +<p>"I was keeping it a secret, ma'am, for little Miss Betty's birthday, to +give it her unbeknown."</p> + +<p>"It is the very prettiest toy I ever saw," said Mrs. Hunter. "I am sorry +I spoiled your secret, Conny, but you don't mind my knowing, do you?"</p> + +<p>Conny brightened wonderfully.</p> + +<p>"I doubted you might think it was presuming in me, ma'am, to be making +little Miss Betty a present. Indeed," he added, with a droll little +twinkle of his eyes, "it's trouble enough I've had keeping it. Biddy +caught me making a little drawing of the fine chest, and would have it +out of me what I was hiding; and once, when I was just using my two eyes +at the window, she asked me was I planning to steal the silver. And what +with little Miss Betty herself, and Timothy rummaging my bits of things, +I was just driven to the tree, ma'am."</p> + +<p>"And I pursued you there," laughed Mrs. Hunter, to which Conny only +responded with a respectful bow.</p> + +<p>"Well, Conny, you shall have a shop. I'll give you the key to the little +south attic. That was my boy's playroom, and you may keep your tools +there, and lock the door, and nobody shall enter without your leave, not +even I."</p> + +<p>The evident delight that beamed from Conny's eyes almost brought the +tears into Mrs. Hunter's, and made her resolve that this young genius +should have a chance to grow. She even felt that it would not be +honorable in her to reveal his secret to the doctor, but decided that +she would wait a few weeks for Betty's birthday.</p> + +<p>But before Betty's birthday another secret came to light. Dr. Hunter had +twice noticed a strange, rough-looking man hanging about the premises. +He had made a pretense of looking for work, but the doctor distrusted +him, and ordered him away.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/ill_008.jpg" width="500" height="413" alt="THE DOCTOR COMING UPON CONNY AND THE MOONSHINER IN HEMLOCK GLEN." title="" /> +<span class="caption">THE DOCTOR COMING UPON CONNY AND THE MOONSHINER IN HEMLOCK GLEN.</span> +</div> + +<p>To his great surprise, a few mornings later, he came suddenly upon the +same man in the heart of Hemlock Glen, in earnest conversation with +Conny. The man instantly<span class='pagenum'><a name="Page_709" id="Page_709">[Pg 709]</a></span> disappeared in the woods, and the doctor +reined up his horse, and bade Conny get into the gig. He obeyed +silently, crouching, as he often did, at the doctor's feet, and dangling +his bare legs over the side of the gig.</p> + +<p>"Who was that man, Conny?" asked the doctor, when they were nearly home.</p> + +<p>"Jock McCleggan, sir."</p> + +<p>"Who is he?"</p> + +<p>"Just Jock, sir: a man that lives off and on here-abouts."</p> + +<p>"Oh," said the doctor, understanding perfectly well that Jock was a +moonshiner; "and what business have you with a rascal like that?"</p> + +<p>"He knew my feyther, sir, and he's been saying to me these many days +that it was agreed between 'em I was to 'bide with him when my feyther +died. It's a lee, sir; my feyther never said it."</p> + +<p>"He'd better not show his face to me again," said the doctor. "I'll +horsewhip him."</p> + +<p>Conny suddenly pulled a crumpled bit of paper from his bosom and showed +it to the doctor, saying,</p> + +<p>"He brought me that just the morning."</p> + +<p>The doctor read:</p> + +<div class="blockquot"><p>"<span class="smcap">To Mr. Jock McCleggin</span>,—i want yu tu tak mi sun Cony tu du as if +he was yure one. i mene wen i am ded."</p></div> + +<p> +<span style="margin-left: 42em;">"<span class="smcap">Sandy McConel</span>."</span><br /> +</p> + +<p>"Do you think your father wrote it?" asked the doctor, smiling a little.</p> + +<p>Conny looked at him with grave displeasure.</p> + +<p>"My feyther was a gentleman, sir, not a blitherin' loon like Jock +McCleggan, to stumble at spelling his own name." Then, with a great deal +of anxiety, he added,</p> + +<p>"Jock says you can be made to give me up; he says it'll be a case of +kidnapping."</p> + +<p>"Nonsense, Conny: nobody can touch you, or me either; but I advise you +to steer clear of Jock and all his companions."</p> + +<p>But after this conversation the doctor thought best to see the +authorities of Dunsmore, and have himself duly appointed as guardian for +Conny—a proceeding which gave the boy unbounded satisfaction.</p> + +<p>"I'm yer servant now, little Miss Betty," he said, with a low bow. "Yer +servant to keep and to hold; that was what the magistrate said. 'Deed +and you're the first lady that ever had a McConnell for a servant."</p> + +<p>Betty's birthday came and went. The wonderful little toy was presented, +and it was hard saying who was most delighted, Betty or the doctor.</p> + +<p>"You are a genius, Conny—an artist, a poet," he exclaimed; and he made +a journey to Kilbourne, bringing back a set of carving tools for Conny, +and a furnished doll's house, with which he bribed the little lady to +give her dainty sideboard into safe-keeping until her curious fingers +should have outgrown their passion for pulling things to pieces.</p> + +<p>Day by day the attachment of the family for Conny increased.</p> + +<p>"He is a gentleman born," said Mrs. Hunter. "I wish I could know more +about his history, but he is as discreet as if he were fifty instead of +fifteen."</p> + +<p>"I fancy his father was a gentleman with a Scotchman's weakness for +whiskey, and that he came up here to keep out of sight. At any rate, the +boy is a genius, and I intend he shall have a chance in the world."</p> + +<h4>[<span class="smcap">to be continued</span>.]</h4> + +<hr style="width: 65%;" /> +<div class="figcenter" style="width: 600px;"> +<img src="images/ill_009.jpg" width="600" height="459" alt=""ASLEEP AT HIS POST."—Drawn by C. S. Reinhart." title="" /> +<span class="caption">"ASLEEP AT HIS POST."—<span class="smcap">Drawn by C. S. Reinhart</span>.</span> +</div> + +<p><span class='pagenum'><a name="Page_710" id="Page_710">[Pg 710]</a></span></p> + +<hr style="width: 65%;" /> +<div class="figcenter" style="width: 600px;"><a name="OUR_POST_OFFICE_BOX" id="OUR_POST_OFFICE_BOX"></a> +<img src="images/ill_010.jpg" width="600" height="251" alt="OUR POST-OFFICE BOX." title="" /> +</div> + +<div class="blockquot"><p>I am a boy of twelve years. I like <span class="smcap">Young People</span> very much. We live +in Croatia, on the Styrian frontier, near to Bath Rohitsch. Our +castle was built about the time America was discovered. It is said +that a headless huntsman wanders through the corridors at night, +but I have never met him.</p> + +<p>We see from the windows many high alps of Styria and Carinthia. We +go very often to the Szotlee to swim.</p> + +<p>I have two canary-birds and two good old dogs.</p> + +<p>My sister, who is fourteen years old, would like very much some +pressed California flowers. She would send some from here in +return.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">James Kavanagh</span>,</span><br /> +<span style="margin-left: 42em;">Post Rohitsch, Styria, Austria.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">New Orleans, Louisiana</span>.</span><br /> +</p> + +<div class="blockquot"><p>Reading in <span class="smcap">Young People</span> about the fight between the <i>Constitution</i> +and the <i>Guerrière</i>, I thought I would tell you about a relic I +have. It is a cross made of the wood of the <i>Constitution</i>, which +was presented to my father by Miss Bainbridge, a daughter of +Commodore Bainbridge, the commander of the <i>Constitution</i> after +Captain Hull retired.</p> + +<p>I have been a constant reader of the delightful little paper ever +since Christmas. I am ten years old, but I have never made but two +trips away from my Southern home.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Mabel S.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Owaneco, Illinois</span>.</span><br /> +</p> + +<div class="blockquot"><p>I am nine years old. I live one mile from town. We milk six cows, +and I help do the milking.</p> + +<p>I have a nice pet lamb. Her name is Fannie. A kind old man gave +her to me when she was a little tiny thing. She was a year old +last spring. I sold her fleece in the spring for forty-five cents +a pound. It weighed five pounds. Papa let me keep all the money, +and I am going to buy another sheep with it.</p> + +<p>I helped papa all through haying. He has a new hay derrick, and I +rode a horse and worked the derrick. The horse is twenty-five +years old, and his name is General.</p> + +<p>I am visiting Aunt Em now, but I am going to start to school next +week. I like <span class="smcap">Young People</span> so much!</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Minnie M. L.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Downieville, California</span>.</span><br /> +</p> + +<div class="blockquot"><p>I live up in the mountains of Sierra County. My papa is editor of +a newspaper here, and my little brother, ten years old, folds the +papers for papa every Thursday night. Papa gave me a nice French +kid doll. She can turn her head, and has joints.</p> + +<p>I have two brothers and a sister younger than myself. We all like +to receive <span class="smcap">Young People</span> and to look at the pictures. I liked "The +Moral Pirates" very much, and would not mind being such a pirate +myself.</p> + +<p>My home is on the famous Yuba River, but its current is too rapid +for boats of any kind.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Altie V.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Houston, Texas</span>.</span><br /> +</p> + +<div class="blockquot"><p>I want to know why "the two Eds" did not try to eat on the cars? I +am six years old.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Sam McI.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I am a lover of <span class="smcap">Young People</span>, and in common with others have +exchanged specimens with many of the subscribers. A young lady of +Wilkesbarre, Pennsylvania, sent me a piece of peacock coal, and +wished St. Croix carnelians in exchange. Unfortunately I have lost +her name and address, and I wish to ask her to kindly send it to +me again.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Carrie E. Silliman</span>,</span><br /> +<span style="margin-left: 42em;">Hudson, St. Croix County, Wisconsin.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">West Newton, Massachusetts</span>.</span><br /> +</p> + +<div class="blockquot"><p>Will some correspondent of <span class="smcap">Young People</span> please give me directions +for pressing flowers and different kinds of sea-weed?</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Daisy F.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I have a little kitten named Tommy Milo. Sometimes he comes into +our chamber and lies at the foot of the bed till one or two +o'clock in the morning, and then crawls up to the head to be +petted. Sometimes he plagues us so that we have to put him out of +the room.</p> + +<p>I can knit and crochet. I crocheted a collar of feathered-edge +braid, and it is very pretty. I would like very much a pattern for +knitting edging, if Gracie Meads or any one will send it to me.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Eliza F.</span>, P. O. Box 162,</span><br /> +<span style="margin-left: 42em;">West Newton, Massachusetts.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Beaufort, South Carolina</span>.</span><br /> +</p> + +<div class="blockquot"><p>I send you a pencil sketch of a magnolia blossom. I drew it +myself. I draw a good deal for my own amusement, although I have +had no instruction. The diameter of this blossom is about nine +inches when it is fully open. This month is the time for the +falling of the cones. They contain the seeds, which are covered +with a bright red pulpy substance, and are suspended from the cone +by a white silken thread about half an inch long. They are very +pretty. Our magnolia-tree is very large. The circumference is +about fifteen feet.</p> + +<p>Several days ago I saw a wild vine that resembles the sweet-potato +vine, and the blossom is just the same. We have what I think is +the wild onion growing here. It grows all around in the fields.</p> + +<p>I think <span class="smcap">Harper's Young People</span> is a splendid paper.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">A. L. H.</span></span><br /> +</p> + +<p>Many thanks for your pretty drawing. We regret we have no room to give +it in the Post-office Box.</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Windsor, Connecticut</span>.</span><br /> +</p> + +<div class="blockquot"><p>I don't know but the little folks are tired of hearing about pets, +but I want to tell them how my kitty jumped on the piano, and ran +over the keys from one end of them to the other, and the tune she +played frightened her so that she scampered away with all her +might. She is now curled up in my hat, fast asleep. I have two +carrier-doves for pets besides.</p> + +<p>I sent Carrie Harding, of Freeport, Illinois, some pressed flowers +quite a long time ago, but I have not heard whether she received +them or not.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Harry H. M.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">St. Johns, Michigan</span>.</span><br /> +</p> + +<div class="blockquot"><p>I am nine years old. I have a great many dolls—sixteen in all. I +have a little baby brother, and I have two canaries, and a cat +named Muggins. I did have one named Snow, but one morning all of a +sudden he disappeared, and has never been found.</p> + +<p>I like <span class="smcap">Young People</span> very much, especially the story of "Claudine's +Doves." I wonder if Claudine is alive yet, and lives in Paris?</p> + +<p>My <span class="smcap">Young People</span> comes every Thursday, and I can hardly wait for +it.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Grace M. D.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Prince Edward Island</span>.</span><br /> +</p> + +<div class="blockquot"><p>I live in Summerside. Our house is very near the water. There is +an island in our bay, and we go there sometimes. I have a little +garden, with some lovely black pansies and other flowers growing +in it. My sister has a little white rabbit.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Ellie G.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Grafton, West Virginia</span>.</span><br /> +</p> + +<div class="blockquot"><p>I don't know what I would do now without my <span class="smcap">Young People</span>. I have +taken it ever since it was published, and I hope I will always get +it. Of all the long stories, I like "The Moral Pirates" best, but +I like the others too.</p> + +<p>I love to read about the pets the little girls and boys write +about in the Post-office Box. I have some too. I believe I like my +ducks the best. I have two old ones and ten young ones. I hope +Bessie Maynard will stay at Old Orchard Beach a good while, and +write some more letters to her doll. When I go away from home I +always take my doll with me. I have a little sister Mabel, but she +is only four years old. She likes the pictures in <span class="smcap">Young People</span> +better than the stories. I am almost nine, and I can read in the +Fourth Reader.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Cloyd D. B.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;">Middletown, New York.</span><br /> +</p> + +<div class="blockquot"><p>I send a recipe to the chemists' club, which, if not new to the +club, may be to many readers of <span class="smcap">Young People</span>.</p> + +<p><i>Metal Tree.</i>—A bar of pure zinc two and a half inches long and +three-eighths of an inch in diameter; ten cents' worth of sugar of +lead. Fill a decanter with pure water; suspend the bar in it +easily by means of a fine brass wire running through the centre of +the cork; pour in the sugar of lead, and cork tightly. Let it +stand without being moved, and watch the formations.</p> + +<p>Our boy took a quart glass fruit jar, and bought a cork to fit it +for a few cents. He could not get a solid bar of zinc, but had a +piece of zinc folded which answered the purpose. Then following +the rest of the directions, he placed the jar on the mantel-piece. +The next day; the formations began, and are constantly changing.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">L. E. K.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I send some simple experiments for the chemists' club. Put into a +small chemist's mortar as much finely powdered potassium chlorate +as will lie upon the point of a penknife blade, and half the +quantity of sulphur; cover the mortar with a piece of paper having +a hole cut in it large enough for the handle of the pestle to pass +through. When the two substances are well mixed, grind heavily +with the pestle, when rapid detonations will ensue; or after the +powder is mixed, you can wrap it with paper into a hard pellet, +and explode it on an anvil with a sharp blow of a hammer.</p> + +<p>To make iodide of nitrogen, cover a few scales of iodine with +strong aqua-ammonia. After it has stood for half an hour, pour off +the liquid, and place the brown precipitate, or sediment, in small +portions on bits of broken earthenware to dry. When perfectly dry, +the particles may be exploded with the touch of a rod, or even of +a feather.</p> + +<p>I would like to exchange crystallized quartz or gold ore for zinc +or silver ore.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">John R. Glen</span>,</span><br /> +<span style="margin-left: 42em;">Nacoochee, White County, Georgia.</span><br /> +</p> + +<p>We would advise our young chemists to buy some good work on the elements +of chemistry, and study it well before they undertake any experiments, +as handling reagents, when one is not aware of their true composition +and behavior under all conditions, is a very dangerous pastime, by which +absolutely nothing can be learned, and a great deal of mischief done to +face, eyes, hands, and clothing, to say nothing of mamma's table-cloths +and carpets.</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Newport, Rhode Island</span>.</span><br /> +</p> + +<div class="blockquot"><p>I thought I would write to the Post-office Box about my white +mice. At one time I had fourteen, and they did many funny tricks. +One of them would go on a tight cord, in the centre of which was +fastened a pan of bird seed, holding on by his tail all the time. +Another would go up an inclined plane, and then down a string to +get bird seed. I could tell many other funny tricks they did, but +I am afraid my letter would be too long.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">John R. B.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Port Byron, Illinois</span>.</span><br /> +</p> + +<div class="blockquot"><p>I am seven years old, and I live on the east bank of the +Mississippi. My papa owns a raft steamer, which is busy towing +rafts from the foot of Lake Pepin to Hannibal and St. Louis. Every +summer my mamma and I take a trip with papa up or down the river. +We are gone a week or more. Oh, I just have jolly times! The men +on the rafts make me whistles and little boats. The cook gives me +dough every time he bakes. I make fried cakes, biscuits, and pies +all out of the same piece of dough. I am not as particular as the +little girls who send recipes to the Post-office Box.</p> + +<p>My grandma in Wisconsin subscribed for <span class="smcap">Young People</span> for me, and I +enjoy it more than any present she ever gave me, because it is +something new every week.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Freddie J. B.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Albion, New York</span>.</span><br /> +</p> + +<div class="blockquot"><p>I live with my mamma and grandpa and grandma. I am four years old, +but I am going to be five in October.</p> + +<p>I have a little brother named Judson, but he calls himself "B." He +is three years old. He had a birthday cake with three candles on +it—a red one, a green one, and a white one. At breakfast a pair +of little oxen stood at his plate with a load of candy and a +little doll driver. He was so good he gave me more candy than he +kept himself, and the dolly too.</p> + +<p>"B" likes "The Moral Pirates" because it is about boats. We are +too little to guess the puzzles, but we like the letters in the +Post-office Box ever so much.</p></div> + +<p> +<span style="margin-left: 42em;">"<span class="smcap">Little Pearl</span>."</span><br /> +</p> + +<hr style='width: 45%;' /> + +<p> +<span style="margin-left: 34em;"><span class="smcap">Chicago, Illinois</span>.</span><br /> +</p> + +<div class="blockquot"><p>I think the "worm" described by Maggie P. B. is the caterpillar of +the willow sphinx moth. I have found several of them on the +willow-trees, and I kept them and fed them every day. In the fall +they turned into chrysalides, which I kept all the winter. In the +spring beautiful moths, nearly six inches across the wings, came +out of them. I am collecting butterflies and moths, and my father +has given me a nice case for them.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Clifford S.</span></span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I am collecting coins, minerals, birds' eggs, and postmarks, any +of which I would gladly exchange with any reader of <span class="smcap">Young People</span>.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Will E. Brehmer</span>,</span><br /> +<span style="margin-left: 42em;">Penn Yan, Yates County, New York.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I take <span class="smcap">Harper's Young People</span>, and wish every one would do the +same, as it is splendid.</p> + +<p>I would like to exchange postage stamps with any of the +subscribers, as I have a good many.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">James D. Heard</span>,</span><br /> +<span style="margin-left: 42em;">Union St., Mount Washington, Pittsburgh, Pa.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I would be pleased to exchange birds' eggs with any readers of +<span class="smcap">Young People</span>. I have also a lot of postage stamps that I would +like to exchange for eggs.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Reginald S. Koehler</span>,</span><br /> +<span style="margin-left: 42em;">P. O. Box 370, Hagerstown, Maryland.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I am collecting birds' eggs, and would be very much pleased to +exchange with any of the correspondents of <span class="smcap">Young People</span>. Can any +one tell me where to get a catalogue of birds' eggs?</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Richard Kipp</span>,</span><br /> +<span style="margin-left: 42em;">13 Grant Street, Newark, New Jersey.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I would like to exchange birds' eggs with some correspondent. I +have eggs of the wild canary, wren, martin, robin, cat-bird, +swallow, guinea-hen, quail, and woodpecker.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">J. Lee Mahin</span>,</span><br /> +<span style="margin-left: 42em;">Muscatine, Iowa.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I would like to exchange postage stamps with any one in the United +States or Canada.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">H. L. McIlvain</span>,</span><br /> +<span style="margin-left: 42em;">120 North Fifth Street, Reading, Pennsylvania.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>To any one who will send me twenty-five postmarks I will send by +return mail a box of sea-shells.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">James A. Snedeker</span>,</span><br /> +<span style="margin-left: 42em;">60 Asylum Street, New Haven, Connecticut.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I am making a collection of steel pens, and would like to exchange +with any correspondents of <span class="smcap">Young People</span>.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Carl Reese Ealy</span>,</span><br /> +<span style="margin-left: 42em;">22 North Shippen St., Lancaster, Pa.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<div class="blockquot"><p>I am collecting skulls and skeletons of birds, beasts, and +reptiles, and if any of the readers of <span class="smcap">Young People</span> have any which +they wish to dispose of, they would be gratefully received by me. +In exchange<span class='pagenum'><a name="Page_711" id="Page_711">[Pg 711]</a></span> for the same I will give foreign postage stamps, +butterflies, or bugs. If any know of places where the +above-mentioned articles can be purchased, I would be pleased if +they would let me know.</p></div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">I. N. Kriegshaber</span>,</span><br /> +<span style="margin-left: 42em;">490 Fifth Street,</span><br /> +<span style="margin-left: 42em;">between Breckinridge and Kentucky,</span><br /> +<span style="margin-left: 42em;">Louisville, Kentucky.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<p><span class="smcap">Harry E. F.</span>—The letters S. P. Q. R. stand for <i>Senatus populusque +Romanus</i>, meaning the Senate and people of Rome.</p> + +<hr style='width: 45%;' /> + +<p><span class="smcap">Ottie Le Roi</span>.—Wild rabbits and hares change their coats with the +changing season. This peculiarity is especially marked in the Alpine +hares of Switzerland. In <span class="smcap">Young People</span> No. 13, in the paper entitled +"Hares, Wild and Tame," is a full description of the summer and winter +costume of these little animals.</p> + +<hr style='width: 45%;' /> + +<p><span class="smcap">Willie H. S.</span>—The army-worm varies considerably in its size and markings +according to the locality in which it is found, but its general +characteristics are sufficiently marked to distinguish it. Its length +varies from one to one and three-quarter inches. Its color is gray, +sometimes so dark as to appear nearly black. It usually has narrow +yellow stripes along its back and sides, and a few short straggling +hairs on its body. The moth of this destructive caterpillar is called +<i>Leucania unipuncta</i>. It is a small rusty grayish-brown fellow, its +wings peppered with black dots. It is a member of the extensive family +of owlet moths, and may be seen fluttering about the lamps and gas jets +any summer evening.</p> + +<hr style='width: 45%;' /> + +<p><span class="smcap">Pauline M.</span>—If you send eighty-one cents, accompanied by your full +address, to the publishers, the numbers of <span class="smcap">Young People</span> you require will +be forwarded to you.</p> + +<hr style='width: 45%;' /> + +<p><span class="smcap">Willie F.</span>—Directions for the construction of an ice-boat will be given +in an early number of <span class="smcap">Young People</span>.</p> + +<hr style='width: 45%;' /> + +<p>"<span class="smcap">Pigeon</span>."—The wisest thing you can do is to save your pennies until you +can buy a pair of the pets you wish, and give up all idea of snaring +wild ones.</p> + +<hr style='width: 45%;' /> + +<p>Favors are acknowledged from A. S. Barrett, George H. Hitchcock, Blanche +M., Nellie B., Carrie M. Keyes, Bertha C., L. Blanche P., A. W. Graham, +George L. Osgood, Flora Liddy, C. F. M., Joseph Taylor, Daisy G., Susie +Mulholland.</p> + +<hr style='width: 45%;' /> + +<p>Correct answers to puzzles are received from H. A. Bent, "Nellie Bly," +Daisy Violet M., Clyde A. Heller, Eddie A. Leet, K. T. W., Wroton Kenny, +"Chiquot," C. T. Young, Edith Bidwell, Isabel and H. Jacobs, George +Volckhausen.</p> + +<hr style='width: 45%;' /> + +<h3>PUZZLES FROM YOUNG CONTRIBUTORS.</h3> + +<h3>No. 1.</h3> + +<h3>WORD SQUARES.</h3> + +<p>1. First, a city in Italy. Second, a river in Germany. Third, a river in +the northern part of New England. Fourth, a river in France.</p> + +<p>2. First, a small vessel. Second, to detest. Third, pursuit. Fourth, +multitudes. Fifth, a curl.</p> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Winifred</span>.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<h3>No. 2.</h3> + +<h3>UNITED DIAMONDS.</h3> + +<p>1. In Kentucky. A character in mythology. A time of repose. A pronoun. +In Montana.</p> + +<p>2. In Alaska. A pronoun. A shelter. Eccentric. In Vermont. Centrals of +diamonds read across give the name of a poisonous plant.</p> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Clarence</span>.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<h3>No. 3.</h3> + +<h3>DOUBLE ENIGMA.</h3> + +<p> +<span style="margin-left: 24em;">Our firsts in cow, but not in kitten.</span><br /> +<span style="margin-left: 24em;">Our seconds in coat, but not in mitten.</span><br /> +<span style="margin-left: 24em;">Our thirds in sword, but not in knife.</span><br /> +<span style="margin-left: 24em;">Our fourths in horn, but not in fife.</span><br /> +<span style="margin-left: 24em;">Our fifths in wire, but not in thread.</span><br /> +<span style="margin-left: 24em;">Our sixths in ran, but not in sped.</span><br /> +<span style="margin-left: 24em;">Our sevenths in gallant, not in brave.</span><br /> +<span style="margin-left: 24em;">Our eighths in tunnel, not in cave.</span><br /> +<span style="margin-left: 24em;">Our ninths in oil, but not in water.</span><br /> +<span style="margin-left: 24em;">Our tenths in son, but not in daughter.</span><br /> +<span style="margin-left: 24em;">And if you join these letters well,</span><br /> +<span style="margin-left: 24em;">You'll find two warriors' names they spell.</span><br /> +<br /> +<span style="margin-left: 42em;"><span class="smcap">Sadie</span>.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<h3>No. 4.</h3> + +<h3>GEOGRAPHICAL DROP-LETTER PUZZLES.</h3> + +<p>1. A__a, a city in Burmah. O__f__h, a city in Turkey. J__d__a__, a city +in Arabia. R__a__, a city in Arabia. __e__i__, a city in China. +__u__a__, a city in Hindostan. O__s__, a city in the Russian Empire.</p> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Grace</span>.</span><br /> +</p> + +<p>2. E__e__e__, a city in England. A__a__a__a, one of the United States. +__a__a__a, a river in South America. __a__a__a__, a city in South +America. __a__a__a, an isthmus.</p> + +<p> +<span style="margin-left: 42em;"><span class="smcap">Bolus</span>.</span><br /> +</p> + +<hr style='width: 45%;' /> + +<h3>ANSWERS TO PUZZLES IN NO. 45.</h3> + +<h3>No. 1.</h3> + +<p class="center">William the Conqueror.</p> + +<h3>No. 2.</h3> + +<div class='center'> +<table border="0" cellpadding="0" cellspacing="0" width="10%" summary=""> +<tr><td align='left'></td><td align='left'></td><td align='left'>O</td></tr> +<tr><td align='left'></td><td align='left'>I</td><td align='left'>C</td><td align='left'>E</td></tr> +<tr><td align='left'>O</td><td align='left'>C</td><td align='left'>E</td><td align='left'>A</td><td align='left'>N</td></tr> +<tr><td align='left'></td><td align='left'>E</td><td align='left'>A</td><td align='left'>T</td></tr> +<tr><td align='left'></td><td align='left'></td><td align='left'>N</td></tr> +</table></div> + +<div class='center'> +<table border="0" cellpadding="0" cellspacing="0" width="10%" summary=""> +<tr><td align='left'></td><td align='left'></td><td align='left'>S</td></tr> +<tr><td align='left'></td><td align='left'>O</td><td align='left'>W</td><td align='left'>L</td></tr> +<tr><td align='left'>S</td><td align='left'>W</td><td align='left'>E</td><td align='left'>E</td><td align='left'>T</td></tr> +<tr><td align='left'></td><td align='left'>L</td><td align='left'>E</td><td align='left'>T</td></tr> +<tr><td align='left'></td><td align='left'></td><td align='left'>T</td></tr> +</table></div> + +<h3>No. 3.</h3> + +<div class='center'> +<table border="0" cellpadding="0" cellspacing="0" width="10%" summary=""> +<tr><td align='left'>C</td><td align='left'>R</td><td align='left'>A</td><td align='left'>V</td><td align='left'>E</td></tr> +<tr><td align='left'>R</td><td align='left'>E</td><td align='left'>D</td><td align='left'>A</td><td align='left'>N</td></tr> +<tr><td align='left'>A</td><td align='left'>D</td><td align='left'>A</td><td align='left'>P</td><td align='left'>T</td></tr> +<tr><td align='left'>V</td><td align='left'>A</td><td align='left'>P</td><td align='left'>O</td><td align='left'>R</td></tr> +<tr><td align='left'>E</td><td align='left'>N</td><td align='left'>T</td><td align='left'>R</td><td align='left'>Y</td></tr> +</table></div> + +<p><br /></p> + +<div class='center'> +<table border="0" cellpadding="0" cellspacing="0" width="10%" summary=""> +<tr><td align='left'>R</td><td align='left'>I</td><td align='left'>N</td><td align='left'>K</td></tr> +<tr><td align='left'>I</td><td align='left'>D</td><td align='left'>E</td><td align='left'>A</td></tr> +<tr><td align='left'>N</td><td align='left'>E</td><td align='left'>A</td><td align='left'>T</td></tr> +<tr><td align='left'>K</td><td align='left'>A</td><td align='left'>T</td><td align='left'>E</td></tr> +</table></div> + +<h3>No. 4.</h3> + +<p class="center">Pilgrim's Progress.</p> + +<hr style="width: 65%;" /> +<h2>ADVERTISEMENTS.</h2> + +<hr style="width: 65%;" /> +<h2>HARPER'S YOUNG PEOPLE.</h2> + +<p><span class="smcap">Harper's Young People</span> will be issued every Tuesday, and may be had at +the following rates—<i>payable in advance, postage free</i>:</p> + +<div class='center'> +<table border="0" cellpadding="4" cellspacing="0" summary=""> +<tr><td align='left'><span class="smcap">Single Copies</span></td><td align='right'>$0.04</td></tr> +<tr><td align='left'><span class="smcap">One Subscription</span>, <i>one year</i></td><td align='right'>1.50</td></tr> +<tr><td align='left'><span class="smcap">Five Subscriptions</span>, <i>one year</i></td><td align='right'>7.00</td></tr> +</table></div> + +<p>Subscriptions may begin with any Number. When no time is specified, it +will be understood that the subscriber desires to commence with the +Number issued after the receipt of order.</p> + +<p>Remittances should be made by POST-OFFICE MONEY ORDER or DRAFT, to avoid +risk of loss.</p> + +<h3>ADVERTISING.</h3> + +<p>The extent and character of the circulation of <span class="smcap">Harper's Young People</span> +will render it a first-class medium for advertising. A limited number of +approved advertisements will be inserted on two inside pages at 75 cents +per line.</p> + +<p> +<span style="margin-left: 25em;">Address</span><br /> +<span style="margin-left: 30em;">HARPER & BROTHERS,</span><br /> +<span style="margin-left: 35em;">Franklin Square, N. Y.</span><br /> +</p> + +<hr style="width: 65%;" /> +<h2>Fine French Chromo Cards.</h2> + +<p class="center">About 200 Designs. From 15 cts. to 50 cts. per Set.</p> + +<h3>EDWARD STERN & CO., Philadelphia.</h3> + +<hr style="width: 65%;" /> +<h2>The Child's Book of Nature.</h2> + +<hr style='width: 25%;' /> + +<p>The Child's Book of Nature, for the Use of Families and Schools: +intended to aid Mothers and Teachers in Training Children in the +Observation of Nature. In Three Parts. Part I. Plants. Part II. Animals. +Part III. Air, Water, Heat, Light, &c. By <span class="smcap">Worthington Hooker</span>, M.D. +Illustrated. The Three Parts complete in One Volume, Small 4to, Half +Leather, $1.12; or, separately, in Cloth, Part I., 45 cents; Part II., +48 cents; Part III., 48 cents.</p> + +<hr style='width: 25%;' /> + +<p>A beautiful and useful work. It presents a general survey of the kingdom +of nature in a manner adapted to attract the attention of the child, and +at the same time to furnish him with accurate and important scientific +information. While the work is well suited as a class-book for schools, +its fresh and simple style cannot fail to render it a great favorite for +family reading.</p> + +<p>The Three Parts of this book can be had in separate volumes by those who +desire it. This will be advisable when the book is to be used in +teaching quite young children, especially in schools.</p> + +<hr style='width: 25%;' /> + +<h3>Published by HARPER & BROTHERS, New York.</h3> + +<h4>☞ <i>Sent by mail, postage prepaid, to any part of the +United States, on receipt of the price.</i></h4> + +<hr style="width: 65%;" /> +<h2>COLUMBIA BICYCLE.</h2> + +<div class="figcenter" style="width: 96px;"> +<img src="images/ill_011.jpg" width="96" height="200" alt="" title="" /> +</div> + +<p>No boy can be thoroughly happy who is not the owner of a bicycle. The +art of riding is easily acquired, and, once learned, is never forgotten. +A horse cannot compare with the bicycle for speed and endurance. The +sport is very fascinating, and the exercise is recommended by physicians +as a great promoter of health. Send 3-cent stamp for 24-page Illustrated +Catalogue, with price-lists and full information.</p> + +<h3>The POPE MFG. CO.,</h3> + +<h4>79 Summer Street, Boston, Mass.</h4> + +<hr style="width: 65%;" /> +<h2>CHILDREN'S</h2> + +<h2>PICTURE-BOOKS.</h2> + +<p class="center">Square 4to, about 300 pages each, beautifully printed on Tinted +Paper, embellished with many Illustrations, bound in Cloth, $1.50 +per volume.</p> + +<h3>The Children's Picture-Book of Sagacity of Animals.</h3> + +<p class="center">With Sixty Illustrations by <span class="smcap">Harrison Weir</span>.</p> + +<h3>The Children's Bible Picture-Book.</h3> + +<p class="center">With Eighty Illustrations, from Designs by <span class="smcap">Steinle</span>, <span class="smcap">Overbeck</span>, +<span class="smcap">Veit</span>, <span class="smcap">Schnorr</span>, &c.</p> + +<h3>The Children's Picture Fable-Book.</h3> + +<p class="center">Containing One Hundred and Sixty Fables. With Sixty Illustrations +by <span class="smcap">Harrison Weir</span>.</p> + +<h3>The Children's Picture-Book of Birds.</h3> + +<p class="center">With Sixty-one Illustrations by <span class="smcap">W. Harvey</span>.</p> + +<h3>The Children's Picture-Book of Quadrupeds and other Mammalia.</h3> + +<p class="center">With Sixty-one Illustrations by <span class="smcap">W. Harvey</span>.</p> + +<hr style='width: 25%;' /> + +<h3>Published by HARPER & BROTHERS, New York.</h3> + +<h4>☞ <i>Sent by mail, postage prepaid, to any part of the +United States, on receipt of the price.</i></h4> + +<hr style="width: 65%;" /> +<h2>OUR CHILDREN'S SONGS.</h2> + +<hr style='width: 25%;' /> + +<p class="center">Our Children's Songs. Illustrated. 8vo, Ornamental Cover, $1.00.</p> + +<hr style='width: 25%;' /> + +<p>It contains some of the most beautiful thoughts for children that ever +found vent in poesy, and beautiful "pictures to match."—<i>Chicago +Evening Journal.</i></p> + +<p>This is a large collection of songs for the nursery, for childhood, for +boys and for girls, and sacred songs for all. The range of subjects is a +wide one, and the book is handsomely illustrated.—<i>Philadelphia +Ledger.</i></p> + +<p>The best compilation of songs for the children that we have ever +seen.—<i>New Bedford Mercury.</i></p> + +<hr style='width: 25%;' /> + +<h3>Published by HARPER & BROTHERS, New York.</h3> + +<h4>☞ <span class="smcap">Harper & Brothers</span> <span class="smcap">will send the above work by mail, +postage prepaid, to any part of the United States, on receipt of the +price</span>.</h4> + +<p><span class='pagenum'><a name="Page_712" id="Page_712">[Pg 712]</a></span></p> + +<hr style="width: 65%;" /> +<h2><a name="HOW_TO_CUT_A_FIVE-POINTED_STAR" id="HOW_TO_CUT_A_FIVE-POINTED_STAR"></a>HOW TO CUT A FIVE-POINTED STAR</h2> + +<div class="figcenter" style="width: 400px;"> +<img src="images/ill_012.jpg" width="400" height="210" alt="Fig. 1." title="" /> +<span class="caption">Fig. 1.</span> +</div> + +<div class="figleft" style="width: 200px;"> +<img src="images/ill_013.jpg" width="200" height="222" alt="Fig. 2." title="" /> +<span class="caption">Fig. 2.</span> +</div> + +<div class="figright" style="width: 200px;"> +<img src="images/ill_014.jpg" width="200" height="197" alt="Fig. 3." title="" /> +<span class="caption">Fig. 3.</span> +</div> + +<p>Take a sheet of paper cut square, and fold it as shown by Fig. 1. Make +three divisions at one end with a pencil; fold the paper so that the +corner lettered <i>b</i> will be at <i>a</i>, as shown in Fig. 2. Then turn the +corner lettered C so that it will be at D, as shown in Fig. 3. Then fold +the paper so that the corner lettered B and the corner lettered <i>a</i> will +be together, and the edges perfectly even, as shown in Fig. 4. Now +divide the space between <i>e</i> and <i>f</i> into three parts, and with one +straight cut with the scissors from the division lettered <i>g</i> to the +corner lettered B and <i>a</i>, of Fig. 4, you have Betsey Griscom's +five-pointed star.</p> + +<div class="figcenter" style="width: 200px;"> +<img src="images/ill_015.jpg" width="200" height="230" alt="Fig. 4." title="" /> +<span class="caption">Fig. 4.</span> +</div> + +<p> +<span style="margin-left: 42em;"><span class="smcap">George M. Finckel</span>.</span><br /> +</p> + +<p>The following contributors have also sent in specimens of the +five-pointed star so folded as to be cut with one straight clip of the +scissors: Emma Schaffer, Samuel H. Lane, W. A. S., Sidney Abenheim, +Clyde A. Heller, Pauline Mackay.</p> + +<hr style="width: 65%;" /> +<h2><a name="OBLIGED_TO_REFUSE" id="OBLIGED_TO_REFUSE"></a>OBLIGED TO REFUSE.</h2> + +<h3>BY MADGE ELLIOT.</h3> + +<p> +<span style="margin-left: 26em;">An agile Gibbon, swinging from</span><br /> +<span style="margin-left: 27em;">The top branch of a tree,</span><br /> +<span style="margin-left: 26em;">Her brown-faced baby in her arms,</span><br /> +<span style="margin-left: 27em;">A humming-bird did see</span><br /> +<span style="margin-left: 26em;">(Upon a lower bough he sat)</span><br /> +<span style="margin-left: 27em;">Of Puff-leg family.</span><br /> +<span style="margin-left: 26em;">"Oh dear!" she cried, "I wish you'd give</span><br /> +<span style="margin-left: 27em;">One of your puffs to me;</span><br /> +<span style="margin-left: 26em;">I hear that they are always used</span><br /> +<span style="margin-left: 27em;">In white society.</span><br /> +<span style="margin-left: 26em;">And though I have no powder, yet</span><br /> +<span style="margin-left: 27em;">A pleasure it would be</span><br /> +<span style="margin-left: 26em;">To dab my face and arms with it,</span><br /> +<span style="margin-left: 27em;">Like dames of high degree.</span><br /> +<span style="margin-left: 26em;">And then I'm sure my darling pet</span><br /> +<span style="margin-left: 27em;">Would greatly like it too;</span><br /> +<span style="margin-left: 26em;">She is the <i>loveliest</i> of babes—"</span><br /> +<span style="margin-left: 27em;">"That, ma'am, is very true,"</span><br /> +<span style="margin-left: 26em;">The humming-bird made haste to say;</span><br /> +<span style="margin-left: 27em;">"She much resembles you.</span><br /> +<span style="margin-left: 26em;">But that small gift you ask is not</span><br /> +<span style="margin-left: 27em;">Like stocking nor like shoe:</span><br /> +<span style="margin-left: 26em;">It won't come off, for it, my friend,</span><br /> +<span style="margin-left: 27em;">Grew with me as I grew.</span><br /> +<span style="margin-left: 26em;">And so I fear I must refuse</span><br /> +<span style="margin-left: 27em;">The puff you sweetly beg.</span><br /> +<span style="margin-left: 26em;">Could I spare <i>it</i>? Why, really, now,</span><br /> +<span style="margin-left: 27em;">I <i>couldn't</i> spare my leg."</span><br /> +</p> + +<hr style='width: 45%;' /> + +<p><b>An Odd Combination.</b>—The year 1881 will be a mathematical curiosity. +From left to right and from right to left it reads the same; 18 divided +by 2 gives 9 as a quotient; 81 divided by 9 gives 9; if divided by 9, +the quotient contains a 9; if multiplied by 9, the product contains two +9's; 1 and 8 are 9; 8 and 1 are 9. If the 18 be placed under the 81 and +added, the sum is 99. If the figures be added thus, 1, 8, 8, 1, it will +give 18. Reading from left to right it is 18, and reading from right to +left it is 18, and 18 is two-ninths of 81. By adding, dividing, and +multiplying, nineteen 9's are produced, being one 9 for each year +required to complete the century.</p> + +<hr style='width: 65%;' /> +<div class="figcenter" style="width: 700px;"> +<img src="images/ill_016.jpg" width="700" height="411" alt="HOME RETURNING." title="" /> +<span class="caption">HOME RETURNING.</span> +</div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Harper's Young People, September 28, +1880, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, SEP 28, 1880 *** + +***** This file should be named 29154-h.htm or 29154-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/1/5/29154/ + +Produced by Annie McGuire + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Harper's Young People, September 28, 1880 + An Illustrated Weekly + +Author: Various + +Release Date: June 18, 2009 [EBook #29154] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, SEP 28, 1880 *** + + + + +Produced by Annie McGuire + + + + + + + + +[Illustration: HARPER'S + +YOUNG PEOPLE + +AN ILLUSTRATED WEEKLY.] + + * * * * * + +VOL. I.--NO. 48. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR +CENTS. + +Tuesday, September 28, 1880. Copyright, 1880, by HARPER & BROTHERS. +$1.50 per Year, in Advance. + + * * * * * + + + + +[Illustration: A CHILDREN'S PARADISE.-[SEE NEXT PAGE.]] + +A CHILDREN'S PARADISE. + + +In one corner of the Bois de Boulogne is a pretty zoological garden +known as the Jardin d'Acclimatation. The Bois de Boulogne is the +pleasure-ground of Paris, and is one of the most beautiful parks in the +world. It comprises about twenty-five hundred acres of majestic forests +and open grassy meadows, through which flow picturesque streams, +tumbling over rocky cliffs in glistening cascades, or spreading out into +broad tranquil lakes, upon which float numbers of gay pleasure-boats +filled on sunny summer afternoons with crowds of happy children. + +But the place where the children are happiest is the Jardin +d'Acclimatation. There are no savage beasts here to frighten the little +ones with their roaring and growling. The lions and tigers and hyenas +are miles away, safe in their strong cages in the Jardin des Plantes, on +the other side of the big city of Paris; and in this charming spot are +gathered only those members of the great animal kingdom which in one way +or another are useful to man. + +The Jardin d'Acclimatation has been in existence about twenty-five +years. In 1854 a society was formed in Paris for the purpose of bringing +to France, from all parts of the world, beasts, birds, fishes, and other +living things, which in their native countries were in any way +serviceable, and to make every effort to accustom them to the climate +and soil of France. The city of Paris ceded to the society a space of +about forty acres in a quiet corner of the great park, and the +preparation of the ground for the reception of its strange inhabitants +was begun at once. The ponds were dug out and enlarged, the meadows were +sodded with fresh, rich grass, spacious stalls were built, and a big +kennel for dogs, aviaries for birds, aquaria for fish, and a silk-worm +nursery, were all made ready. A large greenhouse was also erected for +the cultivation of foreign plants. Here the animals were not brought +simply to be kept on exhibition, but they were made as comfortable and +as much at home as possible. + +On pleasant afternoons troops of children with their mammas or nurses +crowd the walks and avenues of the Jardin d'Acclimatation. Here, in a +comfortable airy kennel, are dogs from all parts of the world, some of +them great noble fellows, who allow the little folks to fondle and +stroke them. On a miniature mountain of artificial rock-work troops of +goats and mouflons--a species of mountain sheep--clamber about, as much +at home as if in their far-away native mountains. Under a group of +fir-trees a lot of reindeer are taking an afternoon nap, lost in dreams +of their home in the distant North. Grazing peacefully on the broad +meadows are antelopes, gazelles, and all kinds of deer; and yaks from +Tartary, llamas from the great South American plains, Thibet oxen, and +cattle of all kinds are browsing in their particular feeding grounds. + +In a pretty sunny corner is a neat little chalet inclosed in a yard +filled with fresh herbage. A cozy little home indeed, and there, peering +inquisitively through the open door, is one of the owners of this +mansion--a funny kangaroo, standing as firmly on its haunches as if it +scorned the idea of being classed among the quadrupeds. + +What is whinnying and galloping about on that meadow? A whole crowd of +ponies! Ponies from Siam, from Java, shaggy little Shetlands, quaggas +and dauws from Africa, all feeding and frolicking together, and there, +in the door of his stall, stands a sulky little zebra. He is a very +bad-tempered little animal, and evidently something has gone wrong, and +he "won't play." In a neighboring paddock is a gnu, the curious horned +horse of South Africa. The children are uncertain whether to call it a +horse, a buffalo, or a deer, and the creature itself appears a little +doubtful as to which character it can rightfully assume. + +One of the few animals kept in cages is the guepard, or hunting leopard. +The guepard, a graceful, spotted creature, is very useful to hunters in +India. It is not a savage animal, and when taken young is very easily +trained to work for its master. It is led hooded to the chase, and only +when the game is near is the hood removed. The guepard then springs upon +the prey, and holds it fast until the hunter comes to dispatch it. The +guepard in the Jardin d'Acclimatation is very affectionate toward its +keeper, and purrs like a big cat when he strokes its silky head, but it +is safer for children to keep their little hands away from it. + +In pens provided with little ponds are intelligent seals and families of +otters, with their elegant fur coats always clean and in order; and down +by the shore of the stream and the large lake a loud chattering is made +by the numerous web-footed creatures and long-legged waders. Here are +ducks from Barbary and the American tropics, wild-geese from every +clime, and swimming gracefully and silently in the clear water are +swans--black, gray, and white--that glide up to the summer-houses on the +bank, and eat bread and cake from the children's hands. + +Among the tall water-grasses at one end of the lake is a group of +pelicans, motionless, their long bills resting on their breasts. They +look very gloomy, as if refusing to be comforted for the loss of their +native fishing grounds in the wild African swamps. + +Promenading in a spacious park are whole troops of ostriches, their +small heads lifted high in the air, and their beautiful feathers blowing +gracefully in the wind. Be careful, or they will dart their long necks +through the paling and steal all your luncheon, or perhaps even the +pretty locket from your chain, for anything from a piece of plum-cake to +a cobble-stone is food for this voracious bird. A poor soldier, whose +sole possession was the cross of honor which he wore on the breast of +his coat, was once watching the ostriches in the Jardin d'Acclimatation, +when a bird suddenly darted at him, seized his cross in its beak, and +swallowed it. The soldier went to the superintendent of the garden and +entered a bitter complaint; but the feathered thief was not arrested, +and the soldier never recovered his treasure. + +What a rush and crowd of children on the avenue! No wonder, for there is +a pretty barouche, to which is harnessed a large ostrich, which marches +up and down, drawing its load as easily as if it were a span of goats or +a Shetland pony, instead of a bird. + +There are so many beautiful birds in the aviaries, so many odd fowls in +the poultry-house, and strange fish in the aquaria, that it is +impossible to see them all in one day, and the best thing to do now is +to rest on a seat in the cool shade of the vast conservatory, among +strange and beautiful plants from all parts of the world. And on every +holiday the happy children say, "We will go to the Jardin +d'Acclimatation, where there is so much to enjoy, and so much to learn." + + + + +FRANK'S WAR WITH THE 'COONS. + +BY GEORGE J. VARNEY. + + +Last month I spent several weeks at a farm within sight of the White +Mountains. One morning the boy Frank came in with a basket of sweet-corn +on his arm, and a bad scowl on his countenance. + +"What is the matter, Frank?" inquired his mother, coming from the +pantry. + +Indignation was personified in him, as he answered, "Them pigs has been +in my corn." + +"I hadn't heard that the pigs had been out. Did they do much harm?" + +"Yes, they spoiled a peck of corn, sure; broke the ears half off, and +some all off. Rubbed 'em all in the dirt, and only ate half the corn. +Left 'most all one side. They didn't know enough to pull the husks clear +off." + +Just then the hired man came in, and Frank repeated his complaint of the +pigs. + +"They hain't been out of their yard for a week, I know. I heard some +'coons yellin' over in the woods back of the orchard last night. I guess +them's the critters that's been in your corn piece." + +"S'pose they'll come again to-night?" inquired the boy, every trace of +displeasure vanishing. + +"Likely 's not. They 'most always do when they get a good bite, and +don't get scared." + +"I'll fix 'em to-night," said the boy, with a broad smile at the +anticipated sport. + +Twilight found Frank sitting patiently on a large pumpkin in the edge of +his corn piece, gun in hand, watching for the 'coons. An hour later his +patience was gone, and the 'coons hadn't come--at least he had no notice +of their coming. As he started from his rolling seat a slight sound in +the midst of the corn put him on the alert. He walked softly along +beside the outer row, stopping frequently to listen, until he could +distinctly hear the rustling of the corn leaves, and even the sound of +gnawing corn from the cob. His heart beat fast with excitement as he +became assured of the presence of a family of raccoons, and he held his +gun ready to pop over the first one that showed itself. There were +slight sounds of rustling and gnawing in several places, but they all +ceased, one after another, as Frank came near. He listened, but there +was nothing to be heard. Then he went to the other side of the piece to +cut off their retreat from the woods. He came cautiously up between the +corn rows to the midst of the piece, but no 'coon was there. + +"Pity they will eat their suppers in the dark," muttered Frank, to +relieve his vexation at the disappointment. + +He returned slowly to the house, and went up to his room, where he sat +down and read awhile. After an hour or more he became too sleepy to +read; so he laid aside his book, put out the light, and popped into bed. +Just as he was falling asleep he heard several cries over in the woods. +They were half whistle, half scream--a sort of squeal. He sprang up in +bed to listen. The cries ceased, and for several minutes all was +silence. Then there arose a succession of screams, much nearer, and in a +different voice. It was interrupted and broken. It seemed something +between the squeal of a pig and the cry of a child. + +Frank said to his father the next morning that "it sounded as if it was +a young one, and the mother was cuffing it and driving it back. At any +rate, the last of the cries sounded as if the little 'coon had turned, +and was going away." + +"Very likely," said his father; "the little 'coon was probably hungry +for the rest of his supper, and was going back to the corn sooner than +the old 'coon thought was prudent." + +Frank heard no more of the 'coons, and soon went to sleep, but in the +morning he found that more corn had been spoiled than in the first +night. The 'coons had only run off to come back again, and begin their +depredations in a new place. He therefore came to the conclusion that he +must watch all night, and every night, if at all. + +The hired man told how some boys where he worked once caught a 'coon by +setting a trap at the hole in a board fence near the corn piece. There +was a wall beside the woods not far from Frank's corn, and there were a +plenty of holes in it, but which particular hole the 'coons came through +nobody could tell. + +[Illustration: "FOR A FEW SECONDS THERE WAS A LIVELY BATTLE."] + +"I'll find out," said Frank. He went to a sand-bank with the +wheelbarrow, and shovelled in a load of sand. This he spread at the +bottom of every large hole, and on the rocks at every low place in the +wall. In the morning he walked along there, and the foot-prints in the +sand showed where the path of the 'coons crossed the wall. There he set +his steel-trap, and another which he borrowed of a neighbor. In the +morning he went over to see what had happened. One trap was sprung, and +held a few hairs; the other trap had disappeared. It didn't go off +alone, Frank thought; but it had a long stick fastened to its chain that +would be sure to catch in the bushes before it went far. He sprang over +the wall, and peeped round among the knolls and bushes. Suddenly, as he +went around a clump of little spruces, a chain rattled, and a +brownish-gray creature, "'most as big as a bear," as Frank afterward +said, sprang at him, with a sharp, snarling growl, and mouth wide open. +The sight was too much for Frank's nerves, and set them in such a tremor +that he ran away. When he came in sight of his corn he began to grow +angry, and his courage came up again. He now got him a larger stick than +he had first carried, and set out for the animal again. He had +considered that, after all, it could be only a 'coon, though bears had +been heard of in the corn fields further north. Frank and the corn-eater +now met again face to face, and for a few seconds there was a lively +battle, in which mingled the snarling of the 'coon, the rattling of the +chain, and the blows of the stick. At length the 'coon lay still, and +Frank stood guard over him with a broken stick. The next day he ate a +slice of roast 'coon for dinner with great relish. + +The traps were set again for the next night, but never a 'coon was in +them in the morning. The cunning fellows evidently considered the place +too dangerous, and chose another entrance. Anyway, the corn was still +going away fast. Frank feared that he wouldn't have enough to fill his +contract with the canning factory unless the family in the house, or the +other family in the woods, left off eating. Something must be done. At +length Frank bought a dog. He made a nice kennel for him in the middle +of the corn field, and tied him there at night. Just after Frank had +fallen into a sound sleep the dog woke him up with his barking. Frank +went out, but could find nothing. The dog woke him twice more that +night, but he didn't trouble himself to leave his bed again. In the +morning he found that the 'coons had destroyed as much corn as before, +but it was all about the edges. The next night they ventured a little +nearer the kennel. The following night the dog was left in the kennel +loose. Probably when the 'coons came he made a charge upon them, and +they turned upon him and drove him away, for he was only a little young +one. He took refuge in the wood-house, where he barked furiously for an +hour or more, and then in occasional brief spells all the +night--whenever he woke enough to remember the 'coons. After this Frank +gave up the defense of the corn, but began to gather it nightly as fast +as the ears were sufficiently full. At length he cut the corn and took +it into the barn, excepting a single bunch. About this bunch he sunk +traps in the ground, and threw hay-seed over them, and placed nice ears +of sweet-corn beside them. The next morning he had another 'coon. The +other trap was sprung also, but it held nothing but a little tuft of +long gray fur. That sly fellow had again sat down on the trencher. From +this time the 'coons troubled Frank's corn no more, having found other +fields where there was more corn and fewer traps. Frank's final conflict +with the 'coons was late in the autumn, when the leaves were nearly gone +from the trees, and the ripe beech-nuts were beginning to drop. He had +fired all his ammunition away at gray squirrels the day before, except a +little powder; but a meeting of crows in the adjoining woods incited his +sporting proclivities, and he loaded his gun, putting in peas for shot, +and started for the locality of the noisy birds. They cawed a little +louder when they discovered the intruder, then began in a straggling +manner to fly away. So when Frank arrived at the scene of the meeting it +had adjourned. Looking about in the trees to see if by chance a single +crow might still be lingering, a slight movement in a tall maple met his +eye. + +"Biggest gray squirrel ever I saw," muttered the boy, raising his gun. +The position was not a good one for a shot, as the head, which had been +thrust out over a large branch close to the trunk was now withdrawn, so +that only the end of the nose was visible. Close beside this branch was +another, and between the two a large surface of gray fur was exposed. + +"I'll send him some peas for dinner," thought Frank, and fired. He heard +the peas rattle against the hard bark of the tree, but no gray squirrel +came down or went up that he could see. When the smoke cleared away, a +black nose was thrust out over the branch, and two keen eyes were +visible, peering down at the sportsman, as much as to say, "I like peas +for dinner, little boy, but don't take 'em that way." + +"That's no squirrel," thought Frank. "I believe it's a 'coon--sure as a +gun. And I haven't got a thing to shoot him with." + +He thought of putting his knife into his gun for a bullet, but it proved +too large. Then he looked for some coarse gravel, but did not find any. +Feeling in all his pockets, his fingers clutched a board nail. + +"Ah, that's the thing! We'll see, Mr. 'Coon, if you care any more for +board nails than you do for peas." + +Loading his gun again, he dropped in the nail instead of a knife for a +bullet. He took careful aim again at the spot of fur between the +branches, and fired. The 'coon was more than surprised this time, and he +certainly forgot to look before he leaped, or he never would have sprung +right out ten feet from the tree, with nothing between him and the +ground, thirty or forty feet below. He struck all rounded up in a bunch, +like a big ball, bouncing up two or three feet from the ground. Frank +started toward the animal, thinking, "Well, that fall's knocked the life +out of him." + +He never was more mistaken. When he stepped toward him, the 'coon got +upon his feet at once, and offered battle. Frank now used his gun in +another manner, seizing it by the barrel, and turning it into a war +club. There ensued some lively dodging on the part of the 'coon; but at +length he was hit slightly, when he turned and ran for the nearest tree. +This happened to be a beech, in whose hard, smooth bark his claws would +not hold. He slipped down, and as Frank came up, turned and made a dash +for the boy's legs. Frank met him with a blow of the gun on the head, at +which the 'coon dropped down, apparently lifeless. Another such blow +would have finished him; but Frank was unwilling to give it, for the +last one had cracked his gun-stock. So he shouldered the gun, took the +'coon up by the hinder legs, and started for home. Before he got there +the 'coon had come to his senses again, and made Frank pretty lively +work to keep his own legs safe. As soon as he could find a good stake +Frank dropped his dangerous burden, and before the 'coon could run away, +he was stunned by a blow of the stake. + +With this victory the war between Frank and the 'coons ended for the +season. He had been obliged to buy some corn of a neighbor in order to +fill his contract with the canning factory; but the 'coon-skins sold for +enough to make up the money. + + + + +[Illustration: "COME ON!"] + + + + +[Begun in No. 46 of HARPER'S YOUNG PEOPLE, September 14.] + +WHO WAS PAUL GRAYSON? + +BY JOHN HABBERTON, + +AUTHOR OF "HELEN'S BABIES." + + +CHAPTER III. + +MUSIC AND MANNERS. + +The boys at Mr. Morton's select school were not the only people in +Laketon who were curious about Paul Grayson. Although the men and women +had daily duties like those of men and women elsewhere, they found a +great deal of time in which to think and talk about other people and +their affairs. So all the boys who attended the school were interrogated +so often about their new comrade, that they finally came to consider +themselves as being in some way a part of the mystery. + +Mr. Morton, who had opened his school only several weeks before the +appearance of Grayson, was himself unknown at Laketon until that spring, +when, after an unsuccessful attempt to be made principal of the grammar +school, he had hired the upper floor of what once had been a store +building, and opened a school on his own account. He had introduced +himself by letters that the school trustees, and Mr. Merivale, pastor of +one of the village churches, considered very good; but now that +Grayson's appearance was explained only by the teacher's statement that +the boy was son of an old school friend who now was a widower, some of +the trustees wished they were able to remember the names and addresses +appended to the letters that the new teacher had presented. Sam +Wardwell's father having learned from Mr. Morton where last he had +taught, went so far as to write to the wholesale merchants with whom he +dealt, in New York, for the name of some customer in Mr. Morton's former +town; but even by making the most of this roundabout method of inquiry +he only learned that the teacher had been highly respected, although +nothing was known of his antecedents. + +With one of the town theories on the subject of Mr. Morton and Paul +Grayson the boys entirely disagreed: this was that the teacher and the +boy were father and son. + +"I don't think grown people are so very smart, after all," said Sam +Wardwell, one day, as the boys who were not playing lounged in the shade +of the school building and chatted. "They talk about Grayson being Mr. +Morton's son. Why, who ever saw Grayson look a bit afraid of the +teacher?" + +"Nobody," replied Ned Johnston, and no one contradicted him, although +Bert Sharp suggested that there were other boys in the world who were +not afraid of their fathers--himself, for instance. + +"Then you ought to be," said Benny Mallow. Benny looked off at nothing +in particular for a moment, and then continued, "I wish I had a father +to be afraid of." + +There was a short silence after this, for as no other boy in the group +had lost a father, no one knew exactly what to say; besides, a big tear +began to trickle down Benny's face, and all the boys saw it, although +Benny dropped his head as much as possible. Finally, however, Ned +Johnston stealthily patted Benny on the back, and then Sam Wardwell, +taking a fine winter apple from his pocket, broke it in two, and +extended half of it, with the remark, "Halves, Benny." + +Benny said, "Thank you," and seemed to take a great deal of comfort out +of that piece of apple, while the other boys, who knew how fond Sam was +of all things good to eat, were so impressed by his generosity that none +of them asked for the core of the half that Sam was stowing away for +himself. Indeed, Ned Johnston was so affected that he at once agreed to +a barter--often proposed by Sam and as often declined--of his Centennial +medal for a rather old bass-line with a choice sinker. + +Before the same hour of the next day, however, nearly every boy who +attended Mr. Morton's school was wicked enough to wish to be in just +exactly Benny Mallow's position, so far as fathers were concerned. This +sudden change of feeling was not caused by anything that Laketon fathers +had done, but through fear of what they might do. As no two boys agreed +upon a statement of just how this difference of sentiment occurred, the +author is obliged to tell the story in his own words. + +Usually the boys hurried away from the neighborhood of the school as +soon as possible after dismissal in the afternoon, but during the last +recess of the day on which the above-recorded conversation occurred Will +Palmer and Charley Gunter completed a series of a hundred games of +marbles, and had the strange fortune to end exactly even. The match had +already attracted a great deal of attention in the school--so much so +that boys who took sides without thinking had foolishly made a great +many bets on the result, and a deputation of these informed the players +that it would be only the fair thing to play the deciding game that +afternoon after school, so that boys who had bet part or all of their +property might know how they stood. Will and Charley expressed no +objection; indeed, each was so anxious to prove himself the best player +that in his anxiety he made many blunders during the afternoon +recitations. + +As soon as the school was dismissed, the boys hurried into the yard, +while Grayson, who had lately seen as much of marble-playing as he cared +to, strolled off for a walk. The marble ring was quickly scratched on +the ground, and the players began work. But the boys did not take as +much interest in the game as they had expected to, for a rival +attraction had unexpectedly appeared on the ground since recess: two +rival attractions, more properly speaking, or perhaps three, for in a +shady corner sat an organ-grinder, on the ground in front of him was an +organ, and on top of this sat a monkey. Now to city boys more than ten +years of age an organ-grinder is almost as uninteresting as a scolding; +but Laketon was not a city, organ-grinders reached it seldom, and +monkeys less often; so fully half the boys lounged up to within a few +feet of the strangers, and devoured them with their eyes, while the man +and the animal devoured some scraps of food that had been begged at a +kitchen door. + +Nobody can deny that a monkey, even when soberly eating his dinner, is a +very comical animal, and no boy ever lived, not excepting that good +little boy Abel, who did not naturally wonder what a strange animal +would do if some one disturbed him in some way. Which of Mr. Morton's +pupils first felt this wonder about the organ-grinder's monkey was never +known; the boys soon became too sick of the general subject to care to +compare notes about this special phase of it; but the first one who +ventured to experiment on the monkey was Bert Sharp, who made so +skillful a "plumper" shot with a marble, from the level of his trousers +pocket, that the marble struck the monkey fairly in the breast, and +rattled down on the organ, while the monkey, who evidently had seen boys +before, made a sudden jump to the head of his master, and then scrambled +down the Italian's back, and hid himself so that he showed only as much +of his head as was necessary to his effort to peer across the +organ-grinder's shoulder. + +"Maledetta!" growled the Italian, as he looked inquiringly around him. +As none of the boys had ever before heard this word, they did not know +whether it was a question, a rebuke, or a threat; but they saw plainly +enough that the man was angry, and although most of them stepped +backward a pace or two, they all joined in the general laugh that a +crowd of boys are almost sure to indulge in when they see any one in +trouble, that any one of the same boys would be sorry about were he +alone when he saw it. + +The organ-grinder began munching his food very rapidly, as if in haste +to finish his meal, yet he did not forget to pass morsels across his +shoulder to his funny little companion, and the manner in which the +monkey put up a paw to take the food amused the boys greatly. Benny +Mallow thought that monkey was simply delightful, but he could not help +wondering what the animal would do if a marble were to strike his paw as +he put it up. Animals' paws are soft at bottom, reasoned Benny to +himself, and marbles shot through the air can not hurt much if any; the +result of this short argument was that Benny tried a "plumper" shot +himself; but the marble, instead of striking the monkey's paw, went +straight into the mouth of the organ-grinder, who was just about to take +a mouthful of bread. + +Up sprang the Italian, with an expression of countenance so perfectly +dreadful that Benny Mallow dreamed of it, for a month after, whenever he +ate too much supper. All the boys ran, and the Italian pursued them with +words so strange and numerous that the boys could not have repeated one +of them had they tried. Every boy was half a block away before he +thought to look around and see whether the footsteps behind him were +those of the organ-grinder or of some frightened boy. Sam Wardwell +stumbled and fell, at which Ned Johnston, who had been but a step or two +behind, fell upon Sam, who instantly screamed, "Oh, don't, mister: I +didn't do it--really I didn't." + +On hearing this all the other boys thought it safe to stop and look, and +when they saw the Italian was not in the street at all, they felt so +ashamed that there is no knowing what they would have done if they had +not had Sam Wardwell to laugh at. As for Sam, he was so angry about the +mistake he had made that he vowed vengeance against the Italian, and +hurried back toward the yard. Will Palmer afterward said that he +couldn't see how the Italian was to blame, and Ned Johnston said the +very same thought had occurred to him; but somehow neither of the two +happened to mention the matter, as they, with the other boys, followed +Sam Wardwell to see what he would do. Looking through the cracks of the +fence, the boys saw the Italian, with his organ and monkey on his back, +coming down the yard; at the same time they saw nearly half a brick go +up the yard, and barely miss the organ-grinder's head. The man said +nothing; perhaps he had been in difficulties with boys before, and had +learned that the best way to get out of them was to walk away as fast as +possible; besides, there was no one in sight for him to talk to, for Sam +had started to run the instant that the piece of brick left his hand. +The man came out of the yard, looked around, saw the boys, turned in the +opposite direction, and then turned up an alley that passed one side of +the school-house. + +He could not have done worse; for no one lived on the alley, so any +mischievous boy could tease him without fear of detection. He had gone +but a few steps when Sam, who had hidden in a garden on the same alley, +rose beside a fence, and threw a stick, which struck the organ. The man +stopped, turned around, saw the whole crowd of boys slowly following, +supposed some one of them was his assailant, threw the stick swiftly at +the party, and then started to run. No one was hit, but the mere sight +of a frightened man trying to escape seemed to rob the boys of every +particle of humanity. Charley Gunter, who was very fond of pets, devoted +himself to trying to hit the monkey with stones; Will Palmer, who had +once helped nurse a friendless negro who had cut himself badly with an +axe, actually shouted "Hurra!" when a stone thrown by himself struck one +of the man's legs, and made him limp; Ned Johnston hurriedly broke a +soft brick into small pieces, and threw them almost in a shower; and +even Benny Mallow, who had always been a most tender-hearted little +fellow, threw stones, sticks, and even an old bottle that he found among +the rubbish that had been thrown into the alley. + +[Illustration: THE ATTACK ON THE ORGAN-GRINDER.] + +Suddenly a stone--there were so many in the air at a time that no one +knew who threw that particular stone--struck the organ-grinder in the +back of the head, and the poor fellow fell forward flat, with his organ +on top of him, and remained perfectly motionless. + +"He's killed!" exclaimed some one, as the pursuers stopped. In an +instant all the boys went over the fences on either side of the alley, +but not until Paul Grayson, crossing the upper end of the alley, had +seen them, and they had seen him. + +[TO BE CONTINUED.] + + + + +FORDING A RIVER IN CENTRAL ASIA. + +BY DAVID KER. + + +I have heard many complaints made of the impossibility of sleeping in a +railway car, and have wondered much how those who made them would have +fared if compelled to spend, not one night, but twelve or fourteen in +succession, in crossing the roadless plains and hills of Central Asia in +a Russian cart, whose whole progress is a series of jolts that might +dislocate the spine of a megatherium, flinging one at every turn against +the corner of a box, or the broad shoulders of the Tartar driver. The +correct way of preparing for a journey in this primitive region is to +half fill your cart with hay, lay your baggage upon it as a kind of +pavement, and cover the whole with a straw mattress, upon which you +recline, walled in with rolled-up wrappers to keep you from being +absolutely battered to bits against the sides of the vehicle. You then +provide yourself with a hatchet and a coil of rope, as an antidote to +the inevitable coming off of a wheel two or three times a day during the +whole journey, and thus fore-armed, you are, as the Russians +significantly say, "ready to _chance it_." + +After a night of such travel as this, with all its attendant bumps, +bruises, and overturns, among the hills on the frontier of Bokhara, my +English comrade and I find ourselves nearing the once famous city of +Samarcand, and getting forward much more easily now that the plain is +fairly reached at last. But what we gain in comfort we lose in +picturesqueness. For several miles our course lies through the wet, miry +level of the rice fields, and we leave them only to emerge upon a wide +waste of bare gravel, amid which the once formidable current of the +"gold-giving Zer-Affshan" has shrunk to a single narrow channel, the +only fine feature of the landscape being the dark purple ridge beyond, +upon which, in June, 1868, was fought the battle that decided the fate +of Bokhara. + +But commonplace as it looks, every foot of this region is historic +ground. Here stood the centre of a mighty empire, drawing to itself all +the pomp and splendor of the East, in days when marsh frogs were +croaking upon the site of St. Petersburg, and Indians lighting their +camp fires upon that of New York. The very earth seems still shaking +with the march of ancient conquerors, and one would hardly wonder to see +Alexander's Macedonians coming with measured tramp over the boundless +level, or low-browed Attila, with the light of a grim gladness in his +deep-set eyes, waving on five hundred thousand horsemen with the sweep +of his enchanted sabre. But mingled with these memories comes the +thought of one who surpassed them both--a little, swarthy, keen-eyed, +limping man, known to history as Timour the Tartar, who crushed into one +great whole all the jarring kingdoms of Asia, only that they might melt +into chaos again the moment that mighty grasp was relaxed by death. + + * * * * * + +"We must get out here, David Stepanovitch!" + +The shrill call sweeps away my visions, and I look up to find myself in +front of a tiny hut--a mere speck in that wilderness of gravel--beside +which three or four wild-looking figures are grouped around a huge +_arba_ (native cart), conspicuous by its immense breadth of beam, and +its gigantic wheels, seven good feet in diameter. + +Mourad hastily explains that to attempt fording the river in our little +post-cart will be certain destruction to our baggage, and that we must +shift to the arba, which, light, strong, and, thanks to its great +breadth, almost impossible to overturn, seems made for this roadless +region, as the camel is for the desert. + +The transfer is soon effected, but it takes some time to secure our +packages against the tremendous shaking which awaits them, and our +careful henchman goes over his work three times before he can persuade +himself to let go. But the reckless Bokhariotes, who care little if we +and all our belongings go to the bottom, provided they get their money, +cut him short by leaping onto the front of the huge tray, and heading +right down upon the river. + +We make five or six lesser crossings before coming to the real one, the +Zer-Affshan, like Central Asian rivers generally, being given to wasting +its strength in minor channels; but even these run with a force and +swiftness that show us what we have to expect. At length, after a +comparatively long interval of bare gravel, the two Bokhariotes suddenly +plant themselves back to back, with their feet against the sides of the +cart. The huge vehicle halts for a moment, as if to gather strength for +its final leap, and then rushes into the stream. + +And now comes the tug of war. The wheels have barely made three turns in +the water when the great mass trembles under a shock like the collision +of a train, and to our bewildered eyes the river appears to be standing +perfectly still, and we ourselves to be flying backward at full speed. + +Deeper and deeper grows the water, stronger and stronger presses the +current. Already the little post-cart following in our wake is almost +submerged, and the water is battering against the bottom of the arba, +and splashing over our feet as we sit. More than once the horses stop +short, and plant their feet firmly, to save themselves from being swept +bodily away, and the roar of the chafing pebbles comes up to us like the +tramp of a charging squadron. + +In the midst of the din and hurly-burly, the lashing water, and the +blinding spray, a terrible thought suddenly occurs to me. "By Jove! all +my sugar's in the bottom of my store chest. It'll be all melted, to a +certainty." + +"Shouldn't wonder," remarks my friend, with that quiet fortitude +wherewith men are wont to bear the misfortunes of other people. +"However, you can get some more at Samarcand; and, after all, a trunk +lined with sugar will be worth exhibiting at home--if you ever get +there." + +For the next few minutes it is "touch and go" with us; but even among +Asiatics nothing can be spun out forever. Little by little the water +grows shallower, the ground firmer, the strain less and less violent, +till at length we come out upon dry land once more, decant the contents +of the arba back into the cart, reward our pilots, and are off again. + + + + +[Illustration] + +[Illustration] + +THE TUG OF WAR + + +This is an old English game, which has become a favorite athletic +exercise in almost all countries, as a trial of strength and endurance. +In England it used to be called "French and English," from the ancient +rivalry that existed between the two nationalities. Our picture shows +how the game is played. Care should be taken to have a stout rope, and +the players should be divided so that each party may as nearly as +possible be of equal strength. The party that pulls the other over a +line marked on the ground between them is the winner in the game. +Sometimes a string is tied on the rope, and when the game begins this +string should be directly over the dividing line. It often happens that +the parties are so evenly matched that neither can pull the string more +than an inch or two over the line; and then it becomes a trial of +endurance, and the question is which side can hold out the longer. + +Among the Burmese the "tug of war" is a part of the religious ceremonies +held when there is a scarcity of rain. Instead of rope, long, slender +canes are twisted together, and spokes are thrust through to give a firm +hold. The sides are taken by men from different quarters of a town, or +from different villages. Each side is marshalled by two drums and a +harsh wind-instrument, which make a hideous noise. A few priests are +generally seen squatting on the ground near by, chewing the betel-nut, +and reading their laws, which are printed on slips of palm leaf. Every +now and then they give a shout of encouragement. Each side tries to pull +the other over the line, amid shouts and cries of the most vigorous +description. It makes no difference which side wins the day, as victory +to either party is supposed by the superstitious natives to bring the +wished-for rain. Continued drought does not discourage them from +repeating the ceremony time after time; and when the rain comes at last +they firmly believe it is in answer to their incantations. + + + + +FOUND IN A FROG. + +BY MISS VIRGINIA W. JOHNSON, + +AUTHOR OF "THE CATSKILL FAIRIES." + + +The sun had risen when Gita awoke. She lived at the top of a tall old +house with her grandmother, and both were poor. When she had put on her +thin cotton gown, and smoothed her hair with her small brown hands, Gita +ran down stairs lightly; and these stairs--some crooked stone steps in a +dark passage--would have broken our necks to descend. She came out in a +narrow street with the tall houses almost meeting overhead, and steep +paths or flights of steps leading down to the shore. The town was +Mentone, in the south of France, with the boundary line of Italy not +half a mile distant. At one end of the street was visible the blue sky, +and two churches, yellow and white, on an open square, with towers, +where the bells were ringing. + +Gita felt in her pocket for a crust of hard bread, and began to eat. +This was her breakfast, and if she had been richer she would have drunk +a little black coffee with it. As it was, she paused at the fountain, +where the women were gossiping as they drew water in buckets, and placed +her mouth under the spout. + +Raphael came along, and greeted her. Raphael, a tall young fellow with +bright eyes, a face the color of bronze, and a little black mustache, +was the son of a merchant who kept goats and donkeys for the visitors +who came here every year. The goats furnished rich milk for the invalids +to drink, while the ladies and children rode the donkeys. Gita found +Raphael very handsome. + +He wore a curious straw hat with the brim turned up, a shirt striped +with red, blue pantaloons, and a yellow sash about his waist. One could +see he esteemed himself rather a dandy. In turn Raphael found Gita the +prettiest girl of his acquaintance, with her large black eyes, brown +face, and white teeth. Besides, Gita was amiable, and did not mock at +him when he walked on the Promenade on Sunday with his hat on one side, +and a cigarette in his mouth. + +"I have asked the consent of my parents to our marriage," said Raphael. +"They refuse, unless you have a dower of at least a hundred francs. We +must wait." + +Gita sighed and shook her head as she pursued her way down to the shore. +In these countries the young people must obtain the consent of their +parents to marry, and the bride should have a dowry. Gita had not a +penny; Raphael's father might as well have asked him to bring the moon +as one hundred francs. + +Grandmother was seated under an archway, with her little furnace before +her, roasting chestnuts. Grandmother, a wrinkled old woman, with a red +handkerchief wound about her head, was a chestnut merchant. The sailors, +children, and Italians coming over the border bought her wares, and when +she was not employed in serving them she twisted flax on a distaff. + +"Raphael's father needs a dowry of one hundred francs," said Gita, as +grandmother gave her a few chestnuts. + +"Ah, if you were a lemon girl!" said grandmother, beginning to twist the +flax. + +Gita poised a basket on her head, took a white stocking from her pocket, +and began to knit as she walked away. The women of the country carry all +burdens on their heads. You may see a mother with a mound of cut grass +on her head, dandling a little baby in her arms as she moves along. +Grandmother had been a lemon girl in her day, but Gita was not strong +enough. The lemon girls bring the fruit on their heads many miles, from +the lemon groves down to the ships, when they are sent to America and +other distant lands. + +When you next taste a lemonade at a Sunday-school picnic, little reader, +remember how far the lemon has travelled to furnish you this refreshing +drink. + +Gita went along the shore knitting, her empty basket tilted on her head. +The blue Mediterranean Sea sparkled as far as the eye could reach, and +broke on the pebbles of the beach in waves as clear as crystal. Soon she +turned back toward the hills, following a narrow path between high +garden walls, passed under a railroad bridge, and entered an olive +garden. She worked here all day, gathering up the little black olives +which fall from the trees, much as children gather nuts in the woods at +home. Other women were already at work; their dresses of gay colors, +yellow and red, showed against the gray background of the trees. A boy +beat the branches with a long pole. Gita began to work with the rest. +She did not think much about the olive-tree, although it was a good +friend. She was paid twenty sous a day to gather the berries from the +ground, which were then taken to the crushing mill up the ravine to be +made into oil. Gita ate the green lemons plucked from the trees as a +child of the North would eat apples, but she loved the good olive-oil +better. When the grandmother made a feast, it was to fry the little +silvery sardines in oil, so crisp and brown. + +The olive-tree is a native of Asia Minor, and often mentioned in the +Bible. Some of the trees in the garden where Gita now worked were so old +that the Romans saw them when they conquered the world. + +At noon the olive-pickers paused to rest. Gita went away alone, and ate +the handful of chestnuts given her by grandmother. When she returned to +the town at night she would have another bit of bread and a raw onion. +She seated herself on the edge of the ravine, and thought about Raphael +as she munched her nuts. Below, this path traversed the ravine, and +climbed the opposite slope to the wall of a pretty villa, one of the +houses occupied for the winter by rich strangers. Gita looked at the +villa, with its window shaded by lace curtains, balconies, and terraces, +where orange-trees were covered with little golden balls of fruit. + +"If I were rich like that I would have soup every day, sometimes made of +pumpkin and sometimes with macaroni in it," she thought. + +Then she turned over a stone with her heavy shoe, and it rolled down the +hill. Gita uttered a cry. The stone had covered a hole at the root of +the olive-tree where she sat, far away from the other workers. In the +hole she saw a green frog; she dropped on her knees to look at it more +closely. Yes, it was a green frog. How did it come there? She touched it +with her fingers; the frog did not move or croak. Then she took it out +carefully. The frog was one of those pasteboard boxes which appear each +year in the shop windows of Paris for Easter presents, in company with +fish, lobsters, and shells. + +Gita raised the lid. Inside were bank-bills and a lizard. She knew +lizards very well; they were always whisking over the stone walls; but +then those were of a sober brown tint, while this one was white until +she lifted it, when it sparkled like a dewdrop. The lizard was an +ornament made of diamonds. Gita held her breath and closed her eyes. She +believed herself asleep. Soon she rose, took the box in her hand, and +crossing the ravine, began to climb the path to the villa above. + +As she reached the door a pony-carriage drove up. A big servant with +many buttons on his coat told her to go away. Gita paused, holding the +box. The pale lady in the carriage, who was wrapped in furs, motioned +her to approach. Quickly the girl ran forward and held out the frog. + +"I found it in a hole at the foot of the olive-tree," she explained. "It +must belong to this house." + +The lady took the box and opened it, emptying the contents on her lap. +There lay the diamond lizard, and the roll of French bank-notes. + +"You see that Pierre was a dishonest servant, although nothing was found +on him," said the lady to those about her. "He must have hidden this box +in the olive grove to return from Nice later and find it." + +Gita listened with her mouth and eyes wide open. The lady looked at her +and smiled. + +"You are a good girl," she said. + +Then she selected one of the bills and gave it to Gita. It was a note of +one hundred francs. + +"Now I can marry Raphael!" she cried. + +Raphael was standing beside grandmother's chestnut-roaster when both saw +Gita running toward them, her cheeks red, and her eyes flashing like +stars. She had to tell all about the frog, not only to them, but to the +neighbors. As for grandmother, she could not hear the story often +enough. When she had been a lemon girl no such luck had befallen her. + +"Who would have thought of finding a wedding dowry in a frog?" laughed +Raphael. + +Gita and Raphael are soon to be married in the yellow church on the +hill. The olive-pickers in the grove seek for something beside the dark +berries; they hope to find a green frog under a stone, containing money +and a diamond lizard; but this will never again happen. + + + + +JAPANESE LIFE. + + +The Japanese is the cleanest of mankind. Cleanliness is, so to speak, +more than godliness with him. Though he has no soap, he washes all over +at least once a day--he worships but once a week. His candles are made +of vegetable wax. He uses a cotton coverlet, well stuffed and padded, +for bed-covering and mattress. A sort of stereoscope case--made of +wood--makes his pillow. He resorts to that, and so do his wife and +daughters, that their carefully arranged hair may not be disarranged +during sleep. No head-covering is worn by the Japanese. No nation +dresses the hair so tastefully. Usually it is with the men shaved in +sections. They are coming now to wear it in European fashion. They are +adopting all European customs. + +On levee day I saw the reception at the Mikado's palace in Yeddo. Every +one presented had to come in European full dress. That dress does not +become the Japanese figure. He looks awkward in it. His legs are too +short. The tails of his claw-hammer coat drag on the ground, and the +black dress trousers wrinkle up and get baggy around his feet. His +European-fashioned clothes have been sent out ready-made from America or +England, and in no case did I notice anything approaching to a good fit. +Yet he smiled and looked happy, though he could not get his heels half +way down his Wellington boots, and his hat was either too large or too +small for his head. He always smiles and looks pleasant. Nothing can +make him grumble, and he has not learned to swear. He is satisfied to be +paid his due, and never asks for more. As a New York cabman he would be +a veritable living curiosity. + + + + +WHERE DID POTATOES COME FROM? + + +Nobody knows precisely where the potato came from originally. It has +been found, apparently indigenous, in many parts of the world. Mr. +Darwin, for instance, found it wild in the Chonos Archipelago. Sir W. J. +Hooker says that it is common at Valparaiso, where it grows abundantly +on the sandy hills near the sea. In Peru and other parts of South +America it appears to be at home; and it is a noteworthy fact that Mr. +Darwin should have noted it both in the humid forests of the Chonos +Archipelago and among the central Chilian mountains, where sometimes +rain does not fall for six months at a stretch. It was to the colonists +whom Sir Walter Raleigh sent out in Elizabeth's reign that we are +indebted for our potatoes. + +Herriot, who went out with these colonists, and who wrote an account of +his travels, makes what may, perhaps, be regarded as the earliest +mention of this vegetable. Under the heading of "Roots," he mentions +what he calls the "openawk." "These roots," he says, "are round, some +large as a walnut, others much larger. They grow on damp soils, many +hanging together as if fixed on ropes. They are good food, either boiled +or roasted." + +At the beginning of the seventeenth century this root was planted, as a +curious exotic, in the gardens of the nobility, but it was long ere it +came into general use. Many held them to be poisonous, and it would seem +not altogether unreasonably so either. The potato is closely related to +the deadly-nightshade and the mandrake, and from its stems and leaves +may be extracted a very powerful narcotic. In England prejudice against +it was for a long time very strong, especially among the poor. + + + + +[Begun in HARPER'S YOUNG PEOPLE No. 47, September 21.] + +"MOONSHINERS." + +BY E. H. MILLER. + + +CHAPTER II. + +CONNY FINDS A HOME. + +Two days afterward, when the doctor went out for his horse, he found +Conny sitting astride the block, his lap filled with sweet white clover, +which he was feeding to Prince with one hand, while with the other he +stroked the beautiful head that was bent down to him. He dropped to his +feet on seeing the doctor, and made a bow, grave and stiff, but not at +all bashful. + +"I have come to live with you, sir," he said. + +"Indeed," laughed the doctor; "and what do you suppose I want of you?" + +"I don't know, sir; but my feyther always told me, if he died, I was not +to stay on the mountain, but go to some good man who would teach me to +work." + +"And how do you know I am a good man?" asked the doctor, looking keenly +at the boy. "You have never seen me but once." + +"I have seen you often. I saw you when you mended the rabbit's leg. Jock +Riley broke it with his big cart-whip." + +"And where were you, pray?" + +"Up in a tree, lying along a limb. And I was in the big tamarack when +you climbed up the hill for the little flower. I often wanted to know +why you cared to get it. My feyther thought perhaps it was good for +medicine; but when I told him you only took one, he said then he +couldn't tell; it might be you were crazed." + +The doctor laughed heartily. It was by no means the first time his +passion for botanizing had been called a _craze_. + +"Well, Conny," said he, "go into the house and get your breakfast, and +when I come back we will talk this matter over." + +He stopped for a word of explanation with his wife, and drove away, +leaving Conny on the door-step, with a substantial slice of bread and +meat in his hands, and a bowl of milk beside him, while little Betty +peeped shyly at him through the window. + +It gave the doctor a curious sensation to think, as he rode through the +solitary woods, of the little watcher stretched along a mossy limb, or +peering out from a treetop, like some strange, wild creature. + +"He must have been set to keep guard by the moon-shiners," he thought. +"I wonder if they suspected I meant them mischief?" And then like a +flash came another thought: "They have sent him to me now as a spy to +find out if I have any secret business for the government. I should +rather enjoy giving them a scare, if it were not for my wife and Betty." + +The doctor fully made up his mind before he went home to send Conny on +his ways, but in the end he did no such thing. Old Timothy made much +pretense of finding whether he belonged to Dunsmore or Killbourne, and +talked bravely of taking him to the poor-house officers; but Timothy +found him a great convenience to his rheumatic old hands and feet, and +by the end of the summer Conny was as much at home as if he had been +bought, like Betty's ugly little terrier, or born in the house, like +blessed little Betty herself. It was Conny who gave the last rub to +Prince, and brought him to the door; Conny who, in cold or heat, was +ready with such good-natured promptness for any errand far or near; +Conny who could mend and make; who oiled rusty hinges, repaired broken +locks and latches, sharpened the kitchen knives, filed the old saws, and +put new handles to all the cast-away tools on the premises. Best of +all, in the doctor's eyes, it was Conny who knew every nook of mountain +and forest, and whose swift feet and skillful fingers sought out every +plant that grew, and brought it to his master's feet. + +Only Bridget held to her deep suspicion of something wrong about Conny. + +"The cratur's that shmart wid his two hands ye wudn't belave, mum, but I +misthrust he's shly: it's in the blood of 'im. + +"You ought not to say such things, Bridget; you have no reason to think +Conny is not honest," Mrs. Hunter would say. + +"It's not to say that he'd sthale, mum, but he's _shly_. I've coom upon +'im soodent wance or twicet, an' seen 'im shlip something intil 'is +pocket, an' 'im toornin' red in the face an' confused like. An' says I, +'Conny, is it something fine ye have?' An' the b'y walked away widout a +word jist." + +Mrs. Hunter laughed. "He is just like every other boy in the +world--storing up all sorts of odds and ends, as if they were treasures. +I remember when Joe would hardly allow me to mend his pockets for fear I +should disturb some of his precious trinkets." + +Biddy tossed her head with an air that plainly said her opinion was in +no wise changed, as she answered, discreetly, "Ye may be in the rights +of it, mum, but it's not mesilf would be judgin' the cratur by Master +Joe, that was born a gintleman, let alone the bringin' up." + +Quite by accident Mrs. Hunter herself discovered the mystery in Conny's +bosom, for, sitting one day by the window at her sewing, she saw the boy +come from the wood-house, and after a quick glance in every direction, +dart like a squirrel up one of the great hemlock-trees, where he sat +completely screened by the branches, only now and then when a stronger +gust of wind swayed the top, and gave her a glimpse of him bending +intently over something upon his knees. Mrs. Hunter watched him for some +time, and then went quietly under the tree and called, "Conny!" + +There was a moment of hesitation, and she fancied she saw him put +something into the crotch of the tree before he came sliding down at her +feet, looking decidedly confused. + +"What were you doing up there, Conny?" she asked, pleasantly. + +"No harm at all, ma'am," said Conny, with his eyes on his bare brown +feet. + +"I suppose not, but I should like to know what it was that you hid up in +the tree." + +"It's no harm, ma'am," repeated Conny, very red and very earnest. + +"Then you can certainly show it to me: I wish to see it," said Mrs. +Hunter, decidedly. + +Conny disappeared in the tree, and in an instant came down, more slowly +than before, carrying something carefully in his hand. He gave it to +Mrs. Hunter, and stood before her looking as red and guilty as if he had +been found in possession of the doctor's gold watch. It was a miniature +sideboard of fragrant red cedar, nearly complete, with drawers, shelves, +and exquisite carvings--a lovely little model of the handsome sideboard +which was the pride of Mrs. Hunter's heart. + +"What a beautiful thing!" said Mrs. Hunter, with such delight in her +tone that Conny ventured to look up. + +"I was keeping it a secret, ma'am, for little Miss Betty's birthday, to +give it her unbeknown." + +"It is the very prettiest toy I ever saw," said Mrs. Hunter. "I am sorry +I spoiled your secret, Conny, but you don't mind my knowing, do you?" + +Conny brightened wonderfully. + +"I doubted you might think it was presuming in me, ma'am, to be making +little Miss Betty a present. Indeed," he added, with a droll little +twinkle of his eyes, "it's trouble enough I've had keeping it. Biddy +caught me making a little drawing of the fine chest, and would have it +out of me what I was hiding; and once, when I was just using my two eyes +at the window, she asked me was I planning to steal the silver. And what +with little Miss Betty herself, and Timothy rummaging my bits of things, +I was just driven to the tree, ma'am." + +"And I pursued you there," laughed Mrs. Hunter, to which Conny only +responded with a respectful bow. + +"Well, Conny, you shall have a shop. I'll give you the key to the little +south attic. That was my boy's playroom, and you may keep your tools +there, and lock the door, and nobody shall enter without your leave, not +even I." + +The evident delight that beamed from Conny's eyes almost brought the +tears into Mrs. Hunter's, and made her resolve that this young genius +should have a chance to grow. She even felt that it would not be +honorable in her to reveal his secret to the doctor, but decided that +she would wait a few weeks for Betty's birthday. + +But before Betty's birthday another secret came to light. Dr. Hunter had +twice noticed a strange, rough-looking man hanging about the premises. +He had made a pretense of looking for work, but the doctor distrusted +him, and ordered him away. + +[Illustration: THE DOCTOR COMING UPON CONNY AND THE MOONSHINER IN +HEMLOCK GLEN.] + +To his great surprise, a few mornings later, he came suddenly upon the +same man in the heart of Hemlock Glen, in earnest conversation with +Conny. The man instantly disappeared in the woods, and the doctor +reined up his horse, and bade Conny get into the gig. He obeyed +silently, crouching, as he often did, at the doctor's feet, and dangling +his bare legs over the side of the gig. + +"Who was that man, Conny?" asked the doctor, when they were nearly home. + +"Jock McCleggan, sir." + +"Who is he?" + +"Just Jock, sir: a man that lives off and on here-abouts." + +"Oh," said the doctor, understanding perfectly well that Jock was a +moonshiner; "and what business have you with a rascal like that?" + +"He knew my feyther, sir, and he's been saying to me these many days +that it was agreed between 'em I was to 'bide with him when my feyther +died. It's a lee, sir; my feyther never said it." + +"He'd better not show his face to me again," said the doctor. "I'll +horsewhip him." + +Conny suddenly pulled a crumpled bit of paper from his bosom and showed +it to the doctor, saying, + +"He brought me that just the morning." + +The doctor read: + + "TO MR. JOCK MCCLEGGIN,--i want yu tu tak mi sun Cony tu du as if + he was yure one. i mene wen i am ded." + + "SANDY MCCONEL." + +"Do you think your father wrote it?" asked the doctor, smiling a little. + +Conny looked at him with grave displeasure. + +"My feyther was a gentleman, sir, not a blitherin' loon like Jock +McCleggan, to stumble at spelling his own name." Then, with a great deal +of anxiety, he added, + +"Jock says you can be made to give me up; he says it'll be a case of +kidnapping." + +"Nonsense, Conny: nobody can touch you, or me either; but I advise you +to steer clear of Jock and all his companions." + +But after this conversation the doctor thought best to see the +authorities of Dunsmore, and have himself duly appointed as guardian for +Conny--a proceeding which gave the boy unbounded satisfaction. + +"I'm yer servant now, little Miss Betty," he said, with a low bow. "Yer +servant to keep and to hold; that was what the magistrate said. 'Deed +and you're the first lady that ever had a McConnell for a servant." + +Betty's birthday came and went. The wonderful little toy was presented, +and it was hard saying who was most delighted, Betty or the doctor. + +"You are a genius, Conny--an artist, a poet," he exclaimed; and he made +a journey to Kilbourne, bringing back a set of carving tools for Conny, +and a furnished doll's house, with which he bribed the little lady to +give her dainty sideboard into safe-keeping until her curious fingers +should have outgrown their passion for pulling things to pieces. + +Day by day the attachment of the family for Conny increased. + +"He is a gentleman born," said Mrs. Hunter. "I wish I could know more +about his history, but he is as discreet as if he were fifty instead of +fifteen." + +"I fancy his father was a gentleman with a Scotchman's weakness for +whiskey, and that he came up here to keep out of sight. At any rate, the +boy is a genius, and I intend he shall have a chance in the world." + +[TO BE CONTINUED.] + + + + +[Illustration: "ASLEEP AT HIS POST."--DRAWN BY C. S. REINHART.] + + + + +[Illustration: OUR POST-OFFICE BOX.] + + + I am a boy of twelve years. I like YOUNG PEOPLE very much. We live + in Croatia, on the Styrian frontier, near to Bath Rohitsch. Our + castle was built about the time America was discovered. It is said + that a headless huntsman wanders through the corridors at night, + but I have never met him. + + We see from the windows many high alps of Styria and Carinthia. We + go very often to the Szotlee to swim. + + I have two canary-birds and two good old dogs. + + My sister, who is fourteen years old, would like very much some + pressed California flowers. She would send some from here in + return. + + JAMES KAVANAGH, + Post Rohitsch, Styria, Austria. + + * * * * * + + NEW ORLEANS, LOUISIANA. + + Reading in YOUNG PEOPLE about the fight between the _Constitution_ + and the _Guerriere_, I thought I would tell you about a relic I + have. It is a cross made of the wood of the _Constitution_, which + was presented to my father by Miss Bainbridge, a daughter of + Commodore Bainbridge, the commander of the _Constitution_ after + Captain Hull retired. + + I have been a constant reader of the delightful little paper ever + since Christmas. I am ten years old, but I have never made but two + trips away from my Southern home. + + MABEL S. + + * * * * * + + OWANECO, ILLINOIS. + + I am nine years old. I live one mile from town. We milk six cows, + and I help do the milking. + + I have a nice pet lamb. Her name is Fannie. A kind old man gave + her to me when she was a little tiny thing. She was a year old + last spring. I sold her fleece in the spring for forty-five cents + a pound. It weighed five pounds. Papa let me keep all the money, + and I am going to buy another sheep with it. + + I helped papa all through haying. He has a new hay derrick, and I + rode a horse and worked the derrick. The horse is twenty-five + years old, and his name is General. + + I am visiting Aunt Em now, but I am going to start to school next + week. I like YOUNG PEOPLE so much! + + MINNIE M. L. + + * * * * * + + DOWNIEVILLE, CALIFORNIA. + + I live up in the mountains of Sierra County. My papa is editor of + a newspaper here, and my little brother, ten years old, folds the + papers for papa every Thursday night. Papa gave me a nice French + kid doll. She can turn her head, and has joints. + + I have two brothers and a sister younger than myself. We all like + to receive YOUNG PEOPLE and to look at the pictures. I liked "The + Moral Pirates" very much, and would not mind being such a pirate + myself. + + My home is on the famous Yuba River, but its current is too rapid + for boats of any kind. + + ALTIE V. + + * * * * * + + HOUSTON, TEXAS. + + I want to know why "the two Eds" did not try to eat on the cars? I + am six years old. + + * * * * * + + SAM MCI. + + I am a lover of YOUNG PEOPLE, and in common with others have + exchanged specimens with many of the subscribers. A young lady of + Wilkesbarre, Pennsylvania, sent me a piece of peacock coal, and + wished St. Croix carnelians in exchange. Unfortunately I have lost + her name and address, and I wish to ask her to kindly send it to + me again. + + CARRIE E. SILLIMAN, + Hudson, St. Croix County, Wisconsin. + + * * * * * + + WEST NEWTON, MASSACHUSETTS. + + Will some correspondent of YOUNG PEOPLE please give me directions + for pressing flowers and different kinds of sea-weed? + + DAISY F. + + * * * * * + + I have a little kitten named Tommy Milo. Sometimes he comes into + our chamber and lies at the foot of the bed till one or two + o'clock in the morning, and then crawls up to the head to be + petted. Sometimes he plagues us so that we have to put him out of + the room. + + I can knit and crochet. I crocheted a collar of feathered-edge + braid, and it is very pretty. I would like very much a pattern for + knitting edging, if Gracie Meads or any one will send it to me. + + ELIZA F., P. O. Box 162, + West Newton, Massachusetts. + + * * * * * + + BEAUFORT, SOUTH CAROLINA. + + I send you a pencil sketch of a magnolia blossom. I drew it + myself. I draw a good deal for my own amusement, although I have + had no instruction. The diameter of this blossom is about nine + inches when it is fully open. This month is the time for the + falling of the cones. They contain the seeds, which are covered + with a bright red pulpy substance, and are suspended from the cone + by a white silken thread about half an inch long. They are very + pretty. Our magnolia-tree is very large. The circumference is + about fifteen feet. + + Several days ago I saw a wild vine that resembles the sweet-potato + vine, and the blossom is just the same. We have what I think is + the wild onion growing here. It grows all around in the fields. + + I think HARPER'S YOUNG PEOPLE is a splendid paper. + + A. L. H. + +Many thanks for your pretty drawing. We regret we have no room to give +it in the Post-office Box. + + * * * * * + + WINDSOR, CONNECTICUT. + + I don't know but the little folks are tired of hearing about pets, + but I want to tell them how my kitty jumped on the piano, and ran + over the keys from one end of them to the other, and the tune she + played frightened her so that she scampered away with all her + might. She is now curled up in my hat, fast asleep. I have two + carrier-doves for pets besides. + + I sent Carrie Harding, of Freeport, Illinois, some pressed flowers + quite a long time ago, but I have not heard whether she received + them or not. + + HARRY H. M. + + * * * * * + + ST. JOHNS, MICHIGAN. + + I am nine years old. I have a great many dolls--sixteen in all. I + have a little baby brother, and I have two canaries, and a cat + named Muggins. I did have one named Snow, but one morning all of a + sudden he disappeared, and has never been found. + + I like YOUNG PEOPLE very much, especially the story of "Claudine's + Doves." I wonder if Claudine is alive yet, and lives in Paris? + + My YOUNG PEOPLE comes every Thursday, and I can hardly wait for + it. + + GRACE M. D. + + * * * * * + + PRINCE EDWARD ISLAND. + + I live in Summerside. Our house is very near the water. There is + an island in our bay, and we go there sometimes. I have a little + garden, with some lovely black pansies and other flowers growing + in it. My sister has a little white rabbit. + + ELLIE G. + + * * * * * + + GRAFTON, WEST VIRGINIA. + + I don't know what I would do now without my YOUNG PEOPLE. I have + taken it ever since it was published, and I hope I will always get + it. Of all the long stories, I like "The Moral Pirates" best, but + I like the others too. + + I love to read about the pets the little girls and boys write + about in the Post-office Box. I have some too. I believe I like my + ducks the best. I have two old ones and ten young ones. I hope + Bessie Maynard will stay at Old Orchard Beach a good while, and + write some more letters to her doll. When I go away from home I + always take my doll with me. I have a little sister Mabel, but she + is only four years old. She likes the pictures in YOUNG PEOPLE + better than the stories. I am almost nine, and I can read in the + Fourth Reader. + + CLOYD D. B. + + * * * * * + + Middletown, New York. + + I send a recipe to the chemists' club, which, if not new to the + club, may be to many readers of YOUNG PEOPLE. + + _Metal Tree._--A bar of pure zinc two and a half inches long and + three-eighths of an inch in diameter; ten cents' worth of sugar of + lead. Fill a decanter with pure water; suspend the bar in it + easily by means of a fine brass wire running through the centre of + the cork; pour in the sugar of lead, and cork tightly. Let it + stand without being moved, and watch the formations. + + Our boy took a quart glass fruit jar, and bought a cork to fit it + for a few cents. He could not get a solid bar of zinc, but had a + piece of zinc folded which answered the purpose. Then following + the rest of the directions, he placed the jar on the mantel-piece. + The next day; the formations began, and are constantly changing. + + L. E. K. + + * * * * * + + I send some simple experiments for the chemists' club. Put into a + small chemist's mortar as much finely powdered potassium chlorate + as will lie upon the point of a penknife blade, and half the + quantity of sulphur; cover the mortar with a piece of paper having + a hole cut in it large enough for the handle of the pestle to pass + through. When the two substances are well mixed, grind heavily + with the pestle, when rapid detonations will ensue; or after the + powder is mixed, you can wrap it with paper into a hard pellet, + and explode it on an anvil with a sharp blow of a hammer. + + To make iodide of nitrogen, cover a few scales of iodine with + strong aqua-ammonia. After it has stood for half an hour, pour off + the liquid, and place the brown precipitate, or sediment, in small + portions on bits of broken earthenware to dry. When perfectly dry, + the particles may be exploded with the touch of a rod, or even of + a feather. + + I would like to exchange crystallized quartz or gold ore for zinc + or silver ore. + + JOHN R. GLEN, + Nacoochee, White County, Georgia. + +We would advise our young chemists to buy some good work on the elements +of chemistry, and study it well before they undertake any experiments, +as handling reagents, when one is not aware of their true composition +and behavior under all conditions, is a very dangerous pastime, by which +absolutely nothing can be learned, and a great deal of mischief done to +face, eyes, hands, and clothing, to say nothing of mamma's table-cloths +and carpets. + + * * * * * + + NEWPORT, RHODE ISLAND. + + I thought I would write to the Post-office Box about my white + mice. At one time I had fourteen, and they did many funny tricks. + One of them would go on a tight cord, in the centre of which was + fastened a pan of bird seed, holding on by his tail all the time. + Another would go up an inclined plane, and then down a string to + get bird seed. I could tell many other funny tricks they did, but + I am afraid my letter would be too long. + + JOHN R. B. + + * * * * * + + PORT BYRON, ILLINOIS. + + I am seven years old, and I live on the east bank of the + Mississippi. My papa owns a raft steamer, which is busy towing + rafts from the foot of Lake Pepin to Hannibal and St. Louis. Every + summer my mamma and I take a trip with papa up or down the river. + We are gone a week or more. Oh, I just have jolly times! The men + on the rafts make me whistles and little boats. The cook gives me + dough every time he bakes. I make fried cakes, biscuits, and pies + all out of the same piece of dough. I am not as particular as the + little girls who send recipes to the Post-office Box. + + My grandma in Wisconsin subscribed for YOUNG PEOPLE for me, and I + enjoy it more than any present she ever gave me, because it is + something new every week. + + FREDDIE J. B. + + * * * * * + + ALBION, NEW YORK. + + I live with my mamma and grandpa and grandma. I am four years old, + but I am going to be five in October. + + I have a little brother named Judson, but he calls himself "B." He + is three years old. He had a birthday cake with three candles on + it--a red one, a green one, and a white one. At breakfast a pair + of little oxen stood at his plate with a load of candy and a + little doll driver. He was so good he gave me more candy than he + kept himself, and the dolly too. + + "B" likes "The Moral Pirates" because it is about boats. We are + too little to guess the puzzles, but we like the letters in the + Post-office Box ever so much. + + "LITTLE PEARL." + + * * * * * + + CHICAGO, ILLINOIS. + + I think the "worm" described by Maggie P. B. is the caterpillar of + the willow sphinx moth. I have found several of them on the + willow-trees, and I kept them and fed them every day. In the fall + they turned into chrysalides, which I kept all the winter. In the + spring beautiful moths, nearly six inches across the wings, came + out of them. I am collecting butterflies and moths, and my father + has given me a nice case for them. + + CLIFFORD S. + + * * * * * + + I am collecting coins, minerals, birds' eggs, and postmarks, any + of which I would gladly exchange with any reader of YOUNG PEOPLE. + + WILL E. BREHMER, + Penn Yan, Yates County, New York. + + * * * * * + + I take HARPER'S YOUNG PEOPLE, and wish every one would do the + same, as it is splendid. + + I would like to exchange postage stamps with any of the + subscribers, as I have a good many. + + JAMES D. HEARD, + Union St., Mount Washington, Pittsburgh, Pa. + + * * * * * + + I would be pleased to exchange birds' eggs with any readers of + YOUNG PEOPLE. I have also a lot of postage stamps that I would + like to exchange for eggs. + + REGINALD S. KOEHLER, + P. O. Box 370, Hagerstown, Maryland. + + * * * * * + + I am collecting birds' eggs, and would be very much pleased to + exchange with any of the correspondents of YOUNG PEOPLE. Can any + one tell me where to get a catalogue of birds' eggs? + + RICHARD KIPP, + 13 Grant Street, Newark, New Jersey. + + * * * * * + + I would like to exchange birds' eggs with some correspondent. I + have eggs of the wild canary, wren, martin, robin, cat-bird, + swallow, guinea-hen, quail, and woodpecker. + + J. LEE MAHIN, + Muscatine, Iowa. + + * * * * * + + I would like to exchange postage stamps with any one in the United + States or Canada. + + H. L. MCILVAIN, + 120 North Fifth Street, Reading, Pennsylvania. + + * * * * * + + To any one who will send me twenty-five postmarks I will send by + return mail a box of sea-shells. + + JAMES A. SNEDEKER, + 60 Asylum Street, New Haven, Connecticut. + + * * * * * + + I am making a collection of steel pens, and would like to exchange + with any correspondents of YOUNG PEOPLE. + + CARL REESE EALY, + 22 North Shippen St., Lancaster, Pa. + + * * * * * + + I am collecting skulls and skeletons of birds, beasts, and + reptiles, and if any of the readers of YOUNG PEOPLE have any which + they wish to dispose of, they would be gratefully received by me. + In exchange for the same I will give foreign postage stamps, + butterflies, or bugs. If any know of places where the + above-mentioned articles can be purchased, I would be pleased if + they would let me know. + + I. N. KRIEGSHABER, + 490 Fifth Street, between Breckinridge and Kentucky, + Louisville, Kentucky. + + * * * * * + +HARRY E. F.--The letters S. P. Q. R. stand for _Senatus populusque +Romanus_, meaning the Senate and people of Rome. + + * * * * * + +OTTIE LE ROI.--Wild rabbits and hares change their coats with the +changing season. This peculiarity is especially marked in the Alpine +hares of Switzerland. In YOUNG PEOPLE No. 13, in the paper entitled +"Hares, Wild and Tame," is a full description of the summer and winter +costume of these little animals. + + * * * * * + +WILLIE H. S.--The army-worm varies considerably in its size and markings +according to the locality in which it is found, but its general +characteristics are sufficiently marked to distinguish it. Its length +varies from one to one and three-quarter inches. Its color is gray, +sometimes so dark as to appear nearly black. It usually has narrow +yellow stripes along its back and sides, and a few short straggling +hairs on its body. The moth of this destructive caterpillar is called +_Leucania unipuncta_. It is a small rusty grayish-brown fellow, its +wings peppered with black dots. It is a member of the extensive family +of owlet moths, and may be seen fluttering about the lamps and gas jets +any summer evening. + + * * * * * + +PAULINE M.--If you send eighty-one cents, accompanied by your full +address, to the publishers, the numbers of YOUNG PEOPLE you require will +be forwarded to you. + + * * * * * + +WILLIE F.--Directions for the construction of an ice-boat will be given +in an early number of YOUNG PEOPLE. + + * * * * * + +"PIGEON."--The wisest thing you can do is to save your pennies until you +can buy a pair of the pets you wish, and give up all idea of snaring +wild ones. + + * * * * * + +Favors are acknowledged from A. S. Barrett, George H. Hitchcock, Blanche +M., Nellie B., Carrie M. Keyes, Bertha C., L. Blanche P., A. W. Graham, +George L. Osgood, Flora Liddy, C. F. M., Joseph Taylor, Daisy G., Susie +Mulholland. + + * * * * * + +Correct answers to puzzles are received from H. A. Bent, "Nellie Bly," +Daisy Violet M., Clyde A. Heller, Eddie A. Leet, K. T. W., Wroton Kenny, +"Chiquot," C. T. Young, Edith Bidwell, Isabel and H. Jacobs, George +Volckhausen. + + * * * * * + +PUZZLES FROM YOUNG CONTRIBUTORS. + +No. 1. + +WORD SQUARES. + +1. First, a city in Italy. Second, a river in Germany. Third, a river in +the northern part of New England. Fourth, a river in France. + +2. First, a small vessel. Second, to detest. Third, pursuit. Fourth, +multitudes. Fifth, a curl. + + WINIFRED. + + * * * * * + +No. 2. + +UNITED DIAMONDS. + +1. In Kentucky. A character in mythology. A time of repose. A pronoun. +In Montana. + +2. In Alaska. A pronoun. A shelter. Eccentric. In Vermont. Centrals of +diamonds read across give the name of a poisonous plant. + + CLARENCE. + + * * * * * + +No. 3. + +DOUBLE ENIGMA. + + Our firsts in cow, but not in kitten. + Our seconds in coat, but not in mitten. + Our thirds in sword, but not in knife. + Our fourths in horn, but not in fife. + Our fifths in wire, but not in thread. + Our sixths in ran, but not in sped. + Our sevenths in gallant, not in brave. + Our eighths in tunnel, not in cave. + Our ninths in oil, but not in water. + Our tenths in son, but not in daughter. + And if you join these letters well, + You'll find two warriors' names they spell. + + SADIE. + + * * * * * + +No. 4. + +GEOGRAPHICAL DROP-LETTER PUZZLES. + +1. A__a, a city in Burmah. O__f__h, a city in Turkey. J__d__a__, a city +in Arabia. R__a__, a city in Arabia. __e__i__, a city in China. +__u__a__, a city in Hindostan. O__s__, a city in the Russian Empire. + + GRACE. + +2. E__e__e__, a city in England. A__a__a__a, one of the United States. +__a__a__a, a river in South America. __a__a__a__, a city in South +America. __a__a__a, an isthmus. + + BOLUS. + + * * * * * + +ANSWERS TO PUZZLES IN NO. 45. + +No. 1. + +William the Conqueror. + +No. 2. + + O + I C E + O C E A N + E A T + N + + S + O W L + S W E E T + L E T + T + +No. 3. + + C R A V E + R E D A N + A D A P T + V A P O R + E N T R Y + + R I N K + I D E A + N E A T + K A T E + +No. 4. + +Pilgrim's Progress. + + + + +ADVERTISEMENTS. + + + + +HARPER'S YOUNG PEOPLE. + +HARPER'S YOUNG PEOPLE will be issued every Tuesday, and may be had at +the following rates--_payable in advance, postage free_: + + SINGLE COPIES $0.04 + ONE SUBSCRIPTION, _one year_ 1.50 + FIVE SUBSCRIPTIONS, _one year_ 7.00 + +Subscriptions may begin with any Number. When no time is specified, it +will be understood that the subscriber desires to commence with the +Number issued after the receipt of order. + +Remittances should be made by POST-OFFICE MONEY ORDER or DRAFT, to avoid +risk of loss. + +ADVERTISING. + +The extent and character of the circulation of HARPER'S YOUNG PEOPLE +will render it a first-class medium for advertising. A limited number of +approved advertisements will be inserted on two inside pages at 75 cents +per line. + + Address + HARPER & BROTHERS, + Franklin Square, N. Y. + + + + +Fine French Chromo Cards. + +About 200 Designs. From 15 cts. to 50 cts. per Set. + +EDWARD STERN & CO., Philadelphia. + + + + +The Child's Book of Nature. + + * * * * * + +The Child's Book of Nature, for the Use of Families and Schools: +intended to aid Mothers and Teachers in Training Children in the +Observation of Nature. In Three Parts. Part I. Plants. Part II. Animals. +Part III. Air, Water, Heat, Light, &c. By WORTHINGTON HOOKER, M.D. +Illustrated. The Three Parts complete in One Volume, Small 4to, Half +Leather, $1.12; or, separately, in Cloth, Part I., 45 cents; Part II., +48 cents; Part III., 48 cents. + + * * * * * + +A beautiful and useful work. It presents a general survey of the kingdom +of nature in a manner adapted to attract the attention of the child, and +at the same time to furnish him with accurate and important scientific +information. While the work is well suited as a class-book for schools, +its fresh and simple style cannot fail to render it a great favorite for +family reading. + +The Three Parts of this book can be had in separate volumes by those who +desire it. This will be advisable when the book is to be used in +teaching quite young children, especially in schools. + + * * * * * + +Published by HARPER & BROTHERS, New York. + +_Sent by mail, postage prepaid, to any part of the United States, on +receipt of the price._ + + + + +COLUMBIA BICYCLE. + +[Illustration] + +No boy can be thoroughly happy who is not the owner of a bicycle. The +art of riding is easily acquired, and, once learned, is never forgotten. +A horse cannot compare with the bicycle for speed and endurance. The +sport is very fascinating, and the exercise is recommended by physicians +as a great promoter of health. Send 3-cent stamp for 24-page Illustrated +Catalogue, with price-lists and full information. + +The POPE MFG. CO., + +79 Summer Street, Boston, Mass. + + + + +CHILDREN'S + +PICTURE-BOOKS. + + Square 4to, about 300 pages each, beautifully printed on Tinted + Paper, embellished with many Illustrations, bound in Cloth, $1.50 + per volume. + +The Children's Picture-Book of Sagacity of Animals. + + With Sixty Illustrations by HARRISON WEIR. + +The Children's Bible Picture-Book. + + With Eighty Illustrations, from Designs by STEINLE, OVERBECK, + VEIT, SCHNORR, &c. + +The Children's Picture Fable-Book. + + Containing One Hundred and Sixty Fables. With Sixty Illustrations + by HARRISON WEIR. + +The Children's Picture-Book of Birds. + + With Sixty-one Illustrations by W. HARVEY. + +The Children's Picture-Book of Quadrupeds and other Mammalia. + + With Sixty-one Illustrations by W. HARVEY. + + * * * * * + +Published by HARPER & BROTHERS, New York. + +_Sent by mail, postage prepaid, to any part of the United States, on +receipt of the price._ + + + + +OUR CHILDREN'S SONGS. + + * * * * * + +Our Children's Songs. Illustrated. 8vo, Ornamental Cover, $1.00. + + * * * * * + +It contains some of the most beautiful thoughts for children that ever +found vent in poesy, and beautiful "pictures to match."--_Chicago +Evening Journal._ + +This is a large collection of songs for the nursery, for childhood, for +boys and for girls, and sacred songs for all. The range of subjects is a +wide one, and the book is handsomely illustrated.--_Philadelphia +Ledger._ + +The best compilation of songs for the children that we have ever +seen.--_New Bedford Mercury._ + + * * * * * + +Published by HARPER & BROTHERS, New York. + +HARPER & BROTHERS _will send the above work by mail, postage prepaid, to +any part of the United States, on receipt of the price_. + + + + +HOW TO CUT A FIVE-POINTED STAR + + +[Illustration: Fig. 1.] + +Take a sheet of paper cut square, and fold it as shown by Fig. 1. Make +three divisions at one end with a pencil; fold the paper so that the +corner lettered _b_ will be at _a_, as shown in Fig. 2. Then turn the +corner lettered C so that it will be at D, as shown in Fig. 3. Then fold +the paper so that the corner lettered B and the corner lettered _a_ will +be together, and the edges perfectly even, as shown in Fig. 4. Now +divide the space between _e_ and _f_ into three parts, and with one +straight cut with the scissors from the division lettered _g_ to the +corner lettered B and _a_, of Fig. 4, you have Betsey Griscom's +five-pointed star. + +[Illustration: Fig. 2.] + +[Illustration: Fig. 3.] + +[Illustration: Fig. 4.] + + GEORGE M. FINCKEL. + +The following contributors have also sent in specimens of the +five-pointed star so folded as to be cut with one straight clip of the +scissors: Emma Schaffer, Samuel H. Lane, W. A. S., Sidney Abenheim, +Clyde A. Heller, Pauline Mackay. + + + + +OBLIGED TO REFUSE. + +BY MADGE ELLIOT. + + + An agile Gibbon, swinging from + The top branch of a tree, + Her brown-faced baby in her arms, + A humming-bird did see + (Upon a lower bough he sat) + Of Puff-leg family. + "Oh dear!" she cried, "I wish you'd give + One of your puffs to me; + I hear that they are always used + In white society. + And though I have no powder, yet + A pleasure it would be + To dab my face and arms with it, + Like dames of high degree. + And then I'm sure my darling pet + Would greatly like it too; + She is the _loveliest_ of babes--" + "That, ma'am, is very true," + The humming-bird made haste to say; + "She much resembles you. + But that small gift you ask is not + Like stocking nor like shoe: + It won't come off, for it, my friend, + Grew with me as I grew. + And so I fear I must refuse + The puff you sweetly beg. + Could I spare _it_? Why, really, now, + I _couldn't_ spare my leg." + + * * * * * + +=An Odd Combination.=--The year 1881 will be a mathematical curiosity. +From left to right and from right to left it reads the same; 18 divided +by 2 gives 9 as a quotient; 81 divided by 9 gives 9; if divided by 9, +the quotient contains a 9; if multiplied by 9, the product contains two +9's; 1 and 8 are 9; 8 and 1 are 9. If the 18 be placed under the 81 and +added, the sum is 99. If the figures be added thus, 1, 8, 8, 1, it will +give 18. Reading from left to right it is 18, and reading from right to +left it is 18, and 18 is two-ninths of 81. By adding, dividing, and +multiplying, nineteen 9's are produced, being one 9 for each year +required to complete the century. + + + + +[Illustration: HOME RETURNING.] + + + + + +End of the Project Gutenberg EBook of Harper's Young People, September 28, +1880, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, SEP 28, 1880 *** + +***** This file should be named 29154.txt or 29154.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/1/5/29154/ + +Produced by Annie McGuire + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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