summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:44:45 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:44:45 -0700
commit69893775c16b2cb0af2b33e46df8eadfd7c15b24 (patch)
treee907811acd487401e0d9364e0b6936c55147aa03
initial commit of ebook 28933HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--28933-h.zipbin0 -> 11824 bytes
-rw-r--r--28933-h/28933-h.htm801
-rw-r--r--28933.txt644
-rw-r--r--28933.zipbin0 -> 10827 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
7 files changed, 1461 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/28933-h.zip b/28933-h.zip
new file mode 100644
index 0000000..7ba7bd5
--- /dev/null
+++ b/28933-h.zip
Binary files differ
diff --git a/28933-h/28933-h.htm b/28933-h/28933-h.htm
new file mode 100644
index 0000000..fa1354b
--- /dev/null
+++ b/28933-h/28933-h.htm
@@ -0,0 +1,801 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of One Out of Ten, by J. Anthony Ferlaine
+ </title>
+ <style type="text/css">
+
+ p {margin-top: .75em; text-align: justify; margin-bottom: .75em;}
+ h1,h2 {text-align: right; font-weight: normal; line-height: 2em;}
+ body {margin-left: 10%; margin-right: 10%;}
+ .trn {border: solid 1px; margin: 3em 15%; padding: 1em; text-align: justify;}
+ .dcap {text-transform: uppercase;}
+ .bk1 {margin: 1em auto 3em; border-top: solid 2px; border-bottom: solid 2px;}
+ .bk2 {float: left; width: 15em; margin: 1em 2em 1em 0;}
+ .pr1 {line-height: 1.5em; margin-top: 4em;}
+ p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em; width: auto;}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of One Out of Ten, by J. Anthony Ferlaine
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: One Out of Ten
+
+Author: J. Anthony Ferlaine
+
+Release Date: May 23, 2009 [EBook #28933]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ONE OUT OF TEN ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div class="bk1"><p><i><small>Television quiz programs with an aspect of having just staged a raid on Fort
+Knox are very much in the news these days. Certainly the prizes to be won are
+astronomical and the contestants scarcely less so. Step right up, little lady and
+tell us why your eyes look so strange! What's that? You want us to read this
+astounding science fantasy documentary by J. Anthony Ferlaine first? Well&mdash;perhaps
+we should play it safe while the flying saucer folk are watching us!</small></i></p></div>
+
+<div class="bk2"><h1><b>one<br />
+out<br />
+of<br />
+ten</b></h1>
+
+<h2><small><i>by ... J. Anthony Ferlaine</i></small></h2>
+
+<p class="pr1"><b><big>There may be a town called Mars in Montana. But
+little Mrs. Freda Dunny didn't come from there!</big></b></p></div>
+
+<p class="cap"><span class="dcap">I&nbsp;watched</span> Don Phillips, the
+commercial announcer, out of the
+corner of my eye. The camera in
+front of me swung around and
+lined up on my set.</p>
+
+<p>"... And now, on with the
+show," Phillips was saying. "And
+here, ready to test your wits, is
+your quizzing quiz master, Smiling
+Jim Parsons."</p>
+
+<p>I smiled into the camera and
+waited while the audience applauded.
+The camera tally light went on
+and the stage manager brought his
+arm down and pointed at me.</p>
+
+<p>"Good afternoon," I said into
+the camera, "here we go again
+with another half hour of fun and
+prizes on television's newest, most
+exciting, game, 'Parlor Quiz.' In a
+moment I'll introduce you to our
+first contestant. But first here is a
+special message to you mothers ..."</p>
+
+<p>The baby powder commercial
+appeared on the monitor and I
+walked over to the next set. They
+had the first contestant lined up for
+me. I smiled and took her card
+from the floor man. She was a
+middle-aged woman with a faded
+print dress and old-style shoes. I
+never saw the contestants until we
+were on the air. They were screened
+before the show by the staff. They
+usually tried to pick contestants
+who would make good show material&mdash;an
+odd name or occupation&mdash;or
+somebody with twenty kids.
+Something of that nature.</p>
+
+<p>I looked at the card for the tip
+off. "Mrs. Freda Dunny," the card
+said. "Ask her where she comes
+from."</p>
+
+<p>I smiled at the contestant again
+and took her by the hand. The
+tally light went on again and I
+grinned into the camera.</p>
+
+<p>"Well, now, we're all set to go
+... and our first contestant today
+is this charming little lady right
+here beside me. Mrs. Freda
+Dunny." I looked at the card.
+"How are you, Mrs. Dunny?"</p>
+
+<p>"Fine! Just fine."</p>
+
+<p>"All set to answer a lot of questions
+and win a lot of prizes?"</p>
+
+<p>"Oh, I'll win all right," said
+Mrs. Dunny, smiling around at the
+audience.</p>
+
+<p>The audience tittered a bit at
+the remark. I looked at the card
+again.</p>
+
+<p>"Where are you from, Mrs.
+Dunny?"</p>
+
+<p>"Mars!" said Mrs. Dunny.</p>
+
+<p>"Mars!" I laughed, anticipating
+the answer. "Mars, Montana? Mars,
+Peru?"</p>
+
+<p>"No, <i>Mars</i>! Up there," she said,
+pointing up in the air. "The planet
+Mars. The fourth planet out from
+the sun."</p>
+
+<p>My assistant looked unhappy.</p>
+
+<p>I smiled again, wondering what
+the gag was. I decided to play
+along.</p>
+
+<p>"Well, well," I said, "all the
+way from Mars, eh? And how long
+have you been on Earth, Mrs.
+Dunny?"</p>
+
+<p>"Oh, about thirty or forty years.
+I've been here nearly all my life.
+Came here when I was a wee bit
+of a girl."</p>
+
+<p>"Well," I said, "you're practically
+an Earthwoman by now,
+aren't you?" The audience laughed.
+"Do you plan on going back someday
+or have you made up your
+mind to stay here on Earth for the
+rest of your days?"</p>
+
+<p>"Oh, I'm just here for the invasion,"
+said Mrs. Dunny. "When
+that's over I'll probably go back
+home again."</p>
+
+<p>"The invasion?"</p>
+
+<p>"Yes, the invasion of Earth. As
+soon as enough of us are here we'll
+get started."</p>
+
+<p>"You mean there are others
+here, too?"</p>
+
+<p>"Oh, yes, there are several million
+of us here in the United States
+already&mdash;and more are on the
+way."</p>
+
+<p>"There are only about a hundred
+and seventy million people in the
+United States, Mrs. Dunny," I said.
+"If there are several million Martians
+among us, one out of every
+hundred would have to be a Martian."</p>
+
+<p>"One out of every ten!" said
+Mrs. Dunny. "That's what the boss
+said just the other day. 'We're
+getting pretty close to the number
+we need to take over Earth.'"</p>
+
+<p>"What do you need?" I asked.
+"One to one? One Martian for
+every Earthman?"</p>
+
+<p>"Oh, no," said Mrs. Dunny,
+"one Martian is worth ten Earthmen.
+The only reason we're waiting
+is we don't want any trouble."</p>
+
+<p>"You don't look any different
+from us Earth people, Mrs. Dunny.
+How does one tell the difference
+between a Martian and an Earthman
+when one sees one?"</p>
+
+<p>"Oh, we don't <i>look</i> any different,"
+said Mrs. Dunny. "Some of
+the kids don't even know they're
+Martians. Most mothers don't tell
+their children until they're grown-up.
+And there are other children
+who are never told because they
+just don't develop their full powers."</p>
+
+<p>"What powers?"</p>
+
+<p>"Oh, telepathy, thought control&mdash;that
+sort of thing."</p>
+
+<p>"You mean that Martians can
+read people's thoughts?"</p>
+
+<p>"Sure! It's no trouble at all. It's
+very easy really, once you get the
+hang of it."</p>
+
+<p>"Can you read my mind?" I
+asked, smiling.</p>
+
+<p>"Sure!" said Mrs. Dunny, smiling
+up at me. "That's why I said
+that I'd know the answers. I'll be
+able to read the answers from your
+mind when you look at that sheet
+of paper."</p>
+
+<p>"Now, that's hardly sporting, is
+it, Mrs. Dunny?" I said, turning
+to the camera. The audience
+laughed. "Everybody else has to do
+it the hard way and here you are
+reading it from my mind."</p>
+
+<p>"All's fair in love and war," said
+Mrs. Dunny.</p>
+
+<p>"Tell me, Mrs. Dunny. Why are
+you telling me about all this? Isn't
+it supposed to be a secret?"</p>
+
+<p>"I have my reasons," said Mrs.
+Dunny. "Nobody believes me anyhow."</p>
+
+<p>"Oh, I believe you, Mrs.
+Dunny," I said gravely. "And now,
+let's see how you do on the questions.
+Are you ready?"</p>
+
+<p>She nodded.</p>
+
+<p>"Name the one and only mammal
+that has the ability to fly," I
+asked, reading from the script.</p>
+
+<p>"A bat," she said.</p>
+
+<p>"Right! Did you read that from
+my mind?"</p>
+
+<p>"Oh, yes, you're coming over
+very clear!" said Mrs. Dunny.</p>
+
+<p>"Try this one," I said. "A princess
+is any daughter of a sovereign.
+What is a princess royal?"</p>
+
+<p>"The eldest daughter of a sovereign,"
+she said.</p>
+
+<p>"Correct! How about this one?
+Is a Kodiak a kind of simple box
+camera; a type of double-bowed
+boat; or a type of Alaskan bear?"</p>
+
+<p>"A bear," said Mrs. Dunny.</p>
+
+<p>"Very good," I said. "That was a
+hard one." I asked her seven more
+questions and she got them all
+right. None of the other contestants
+even came close to her score,
+so I wound up giving her the gas
+range and a lot of other smaller
+prizes.</p>
+
+<p>After we were off the air I followed
+the audience out into the
+hall. Mrs. Dunny was walking towards
+the lobby with an old paper
+shopping bag under her arm. An
+attendant was following her with
+an armful of prizes.</p>
+
+<p>I caught up with her before she
+reached the door.</p>
+
+<p>"Mrs. Dunny," I said, and she
+turned around. "I want to talk to
+you."</p>
+
+<p>"When do I get the gas stove?"
+she said.</p>
+
+<p>"Your local dealer will send it
+to you in a few days. Did you give
+them your address?"</p>
+
+<p>"Yes, I gave it to them. My
+Philadelphia address, that is. I
+don't even remember my address
+at home any more."</p>
+
+<p>"Come, now, Mrs. Dunny. You
+don't have to keep up that Mars
+business now that we're off the
+air."</p>
+
+<p>"It's the truth and I didn't come
+here just by accident," said Mrs.
+Dunny, looking over her shoulder
+toward the attendant who was still
+holding the prizes. "I came here to
+see you."</p>
+
+<p>"Me?"</p>
+
+<p>Mrs. Dunny set the paper bag
+down on the floor and dug down
+into her pocketbook. She took out
+a dog-eared piece of white paper
+and bent it up in her hand.</p>
+
+<p>"Yes," she said finally. "I came
+to see you. And you didn't follow
+me out here because you wanted to.
+I commanded you to come."</p>
+
+<p>"Commanded me to come!" I
+spluttered. "What for?"</p>
+
+<p>"To prove something to you. Do
+you see this piece of paper?" She
+held out the paper in her hand
+with the blank side toward me.
+"My address is on this paper. I am
+reading the address. Concentrate
+on what I'm reading."</p>
+
+<p>I looked at her.</p>
+
+<p>I concentrated.</p>
+
+<p>Suddenly, I knew.</p>
+
+<p>"Two fifty-one South Eighth
+Street, Philadelphia, Pennsylvania,"
+I said aloud.</p>
+
+<p>"You see, it's very easy once you
+get the hang of it," she said.</p>
+
+<p>I nodded and smiled down at
+her. Now I understood. I picked
+up her bag and put my hand on
+her shoulder.</p>
+
+<p>"Let's go," I said. "We have a
+lot to talk about."</p>
+
+<div class="trn"><b>Transcriber's Note:</b>
+This etext was produced from <i>Fantastic Universe</i> November 1956.
+Extensive research did not uncover any evidence that the U.S.
+copyright on this publication was renewed. Minor spelling and
+typographical errors have been corrected without note.</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of One Out of Ten, by J. Anthony Ferlaine
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ONE OUT OF TEN ***
+
+***** This file should be named 28933-h.htm or 28933-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/8/9/3/28933/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/28933.txt b/28933.txt
new file mode 100644
index 0000000..fe5cb42
--- /dev/null
+++ b/28933.txt
@@ -0,0 +1,644 @@
+The Project Gutenberg EBook of One Out of Ten, by J. Anthony Ferlaine
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: One Out of Ten
+
+Author: J. Anthony Ferlaine
+
+Release Date: May 23, 2009 [EBook #28933]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ONE OUT OF TEN ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+
+
+
+ _Television quiz programs with an aspect of having just staged a
+ raid on Fort Knox are very much in the news these days. Certainly
+ the prizes to be won are astronomical and the contestants scarcely
+ less so. Step right up, little lady and tell us why your eyes look
+ so strange! What's that? You want us to read this astounding science
+ fantasy documentary by J. Anthony Ferlaine first? Well--perhaps we
+ should play it safe while the flying saucer folk are watching us!_
+
+
+ one
+ out
+ of
+ ten
+
+ _by ... J. Anthony Ferlaine_
+
+
+ There may be a town called Mars in Montana. But
+ little Mrs. Freda Dunny didn't come from there!
+
+
+I watched Don Phillips, the commercial announcer, out of the corner of
+my eye. The camera in front of me swung around and lined up on my set.
+
+"... And now, on with the show," Phillips was saying. "And here, ready
+to test your wits, is your quizzing quiz master, Smiling Jim Parsons."
+
+I smiled into the camera and waited while the audience applauded. The
+camera tally light went on and the stage manager brought his arm down
+and pointed at me.
+
+"Good afternoon," I said into the camera, "here we go again with another
+half hour of fun and prizes on television's newest, most exciting, game,
+'Parlor Quiz.' In a moment I'll introduce you to our first contestant.
+But first here is a special message to you mothers ..."
+
+The baby powder commercial appeared on the monitor and I walked over to
+the next set. They had the first contestant lined up for me. I smiled
+and took her card from the floor man. She was a middle-aged woman with a
+faded print dress and old-style shoes. I never saw the contestants
+until we were on the air. They were screened before the show by the
+staff. They usually tried to pick contestants who would make good show
+material--an odd name or occupation--or somebody with twenty kids.
+Something of that nature.
+
+I looked at the card for the tip off. "Mrs. Freda Dunny," the card said.
+"Ask her where she comes from."
+
+I smiled at the contestant again and took her by the hand. The tally
+light went on again and I grinned into the camera.
+
+"Well, now, we're all set to go ... and our first contestant today is
+this charming little lady right here beside me. Mrs. Freda Dunny." I
+looked at the card. "How are you, Mrs. Dunny?"
+
+"Fine! Just fine."
+
+"All set to answer a lot of questions and win a lot of prizes?"
+
+"Oh, I'll win all right," said Mrs. Dunny, smiling around at the
+audience.
+
+The audience tittered a bit at the remark. I looked at the card again.
+
+"Where are you from, Mrs. Dunny?"
+
+"Mars!" said Mrs. Dunny.
+
+"Mars!" I laughed, anticipating the answer. "Mars, Montana? Mars, Peru?"
+
+"No, _Mars_! Up there," she said, pointing up in the air. "The planet
+Mars. The fourth planet out from the sun."
+
+My assistant looked unhappy.
+
+I smiled again, wondering what the gag was. I decided to play along.
+
+"Well, well," I said, "all the way from Mars, eh? And how long have you
+been on Earth, Mrs. Dunny?"
+
+"Oh, about thirty or forty years. I've been here nearly all my life.
+Came here when I was a wee bit of a girl."
+
+"Well," I said, "you're practically an Earthwoman by now, aren't you?"
+The audience laughed. "Do you plan on going back someday or have you
+made up your mind to stay here on Earth for the rest of your days?"
+
+"Oh, I'm just here for the invasion," said Mrs. Dunny. "When that's over
+I'll probably go back home again."
+
+"The invasion?"
+
+"Yes, the invasion of Earth. As soon as enough of us are here we'll get
+started."
+
+"You mean there are others here, too?"
+
+"Oh, yes, there are several million of us here in the United States
+already--and more are on the way."
+
+"There are only about a hundred and seventy million people in the United
+States, Mrs. Dunny," I said. "If there are several million Martians
+among us, one out of every hundred would have to be a Martian."
+
+"One out of every ten!" said Mrs. Dunny. "That's what the boss said just
+the other day. 'We're getting pretty close to the number we need to
+take over Earth.'"
+
+"What do you need?" I asked. "One to one? One Martian for every
+Earthman?"
+
+"Oh, no," said Mrs. Dunny, "one Martian is worth ten Earthmen. The only
+reason we're waiting is we don't want any trouble."
+
+"You don't look any different from us Earth people, Mrs. Dunny. How does
+one tell the difference between a Martian and an Earthman when one sees
+one?"
+
+"Oh, we don't _look_ any different," said Mrs. Dunny. "Some of the kids
+don't even know they're Martians. Most mothers don't tell their children
+until they're grown-up. And there are other children who are never told
+because they just don't develop their full powers."
+
+"What powers?"
+
+"Oh, telepathy, thought control--that sort of thing."
+
+"You mean that Martians can read people's thoughts?"
+
+"Sure! It's no trouble at all. It's very easy really, once you get the
+hang of it."
+
+"Can you read my mind?" I asked, smiling.
+
+"Sure!" said Mrs. Dunny, smiling up at me. "That's why I said that I'd
+know the answers. I'll be able to read the answers from your mind when
+you look at that sheet of paper."
+
+"Now, that's hardly sporting, is it, Mrs. Dunny?" I said, turning to the
+camera. The audience laughed. "Everybody else has to do it the hard way
+and here you are reading it from my mind."
+
+"All's fair in love and war," said Mrs. Dunny.
+
+"Tell me, Mrs. Dunny. Why are you telling me about all this? Isn't it
+supposed to be a secret?"
+
+"I have my reasons," said Mrs. Dunny. "Nobody believes me anyhow."
+
+"Oh, I believe you, Mrs. Dunny," I said gravely. "And now, let's see how
+you do on the questions. Are you ready?"
+
+She nodded.
+
+"Name the one and only mammal that has the ability to fly," I asked,
+reading from the script.
+
+"A bat," she said.
+
+"Right! Did you read that from my mind?"
+
+"Oh, yes, you're coming over very clear!" said Mrs. Dunny.
+
+"Try this one," I said. "A princess is any daughter of a sovereign. What
+is a princess royal?"
+
+"The eldest daughter of a sovereign," she said.
+
+"Correct! How about this one? Is a Kodiak a kind of simple box camera; a
+type of double-bowed boat; or a type of Alaskan bear?"
+
+"A bear," said Mrs. Dunny.
+
+"Very good," I said. "That was a hard one." I asked her seven more
+questions and she got them all right. None of the other contestants even
+came close to her score, so I wound up giving her the gas range and a
+lot of other smaller prizes.
+
+After we were off the air I followed the audience out into the hall.
+Mrs. Dunny was walking towards the lobby with an old paper shopping bag
+under her arm. An attendant was following her with an armful of prizes.
+
+I caught up with her before she reached the door.
+
+"Mrs. Dunny," I said, and she turned around. "I want to talk to you."
+
+"When do I get the gas stove?" she said.
+
+"Your local dealer will send it to you in a few days. Did you give them
+your address?"
+
+"Yes, I gave it to them. My Philadelphia address, that is. I don't even
+remember my address at home any more."
+
+"Come, now, Mrs. Dunny. You don't have to keep up that Mars business now
+that we're off the air."
+
+"It's the truth and I didn't come here just by accident," said Mrs.
+Dunny, looking over her shoulder toward the attendant who was still
+holding the prizes. "I came here to see you."
+
+"Me?"
+
+Mrs. Dunny set the paper bag down on the floor and dug down into her
+pocketbook. She took out a dog-eared piece of white paper and bent it up
+in her hand.
+
+"Yes," she said finally. "I came to see you. And you didn't follow me
+out here because you wanted to. I commanded you to come."
+
+"Commanded me to come!" I spluttered. "What for?"
+
+"To prove something to you. Do you see this piece of paper?" She held
+out the paper in her hand with the blank side toward me. "My address is
+on this paper. I am reading the address. Concentrate on what I'm
+reading."
+
+I looked at her.
+
+I concentrated.
+
+Suddenly, I knew.
+
+"Two fifty-one South Eighth Street, Philadelphia, Pennsylvania," I said
+aloud.
+
+"You see, it's very easy once you get the hang of it," she said.
+
+I nodded and smiled down at her. Now I understood. I picked up her bag
+and put my hand on her shoulder.
+
+"Let's go," I said. "We have a lot to talk about."
+
+
+
+
+Transcriber's Note:
+
+ This etext was produced from _Fantastic Universe_ November 1956.
+ Extensive research did not uncover any evidence that the U.S.
+ copyright on this publication was renewed. Minor spelling and
+ typographical errors have been corrected without note.
+
+
+
+
+
+End of the Project Gutenberg EBook of One Out of Ten, by J. Anthony Ferlaine
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ONE OUT OF TEN ***
+
+***** This file should be named 28933.txt or 28933.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/8/9/3/28933/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/28933.zip b/28933.zip
new file mode 100644
index 0000000..3ec7080
--- /dev/null
+++ b/28933.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..7b3677a
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #28933 (https://www.gutenberg.org/ebooks/28933)