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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/28822-0.txt b/28822-0.txt new file mode 100644 index 0000000..373e4d9 --- /dev/null +++ b/28822-0.txt @@ -0,0 +1,1127 @@ +The Project Gutenberg eBook of The Works Of Winston Churchill, by Winston Churchill + +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you +will have to check the laws of the country where you are located before +using this eBook. + +Title: The Works Of Winston Churchill + +Author: Winston Churchill + +Release Date: May 15, 2009 [eBook #28822] +[Most recently updated: November 11, 2023] + +Language: English + +Produced by: David Widger + +*** START OF THE PROJECT GUTENBERG EBOOK THE WORKS OF WINSTON CHURCHILL *** + + + + +THE WORKS OF + +WINSTON CHURCHILL + + + +AN ON-LINE INDEX + + + +Edited by David Widger + +Project Gutenberg Editions + + + +Winston Churchill (1871-1947) + +(The American Author who is not related to the British Sir Winston) + +A Sketch of his Life and Work + +This sketch was released by THE MACMILLAN COMPANY as part of a document +to promote Churchill's 1913 novel, "The Inside of the Cup." + +Mr. Winston Churchill, the author of "The Inside of the Cup," "The +Modern Chronicle," "Mr. Crewe's Career," "Coniston," "Richard Carvel," +"The Crisis," and "The Crossing," was born in St. Louis, Mo., November +10, 1871. He is the oldest son of Edwin Spaulding Churchill of Portland, +Me., and Emma Bell Blaine, of St. Louis. The first sixteen years of his +life he spent in his native city, which was in fact his home until he +built Harlakenden House, his present residence at Cornish, N. H. In St. +Louis, it will be remembered, the opening scenes of "The Crisis" are +laid; and St. Louis again formed the objective point of Mr. Churchill's +next novel, "The Crossing." From Smith Academy in St. Louis he went to +the Naval Academy at Annapolis, Md. + +Winston Churchill had not been a year at the Naval Academy before he +became interested in American history and American problems, and before +he finished his course he had made up his mind to devote his life and +energies to these--not only with the pen, but as an active participant. +Much of the atmosphere and some of the material for "Richard Carvel" he +gathered while still a midshipman at the Naval Academy; and in the brief +intervals between scientific studies and drills he began to read some of +the history which he afterwards used. + +He resigned from the Navy on his graduation, worked for a time on the +Army and Navy Journal, and then joined the staff of The Cosmopolitan. +While he lived at Irvington-on-the-Hudson, working steadily on the +magazine, he continued his experience with fiction. He never tried to +publish any of his first work, and it is not now in existence. That year +(1895) he married Miss Mabel Harlakenden Hall, of St. Louis; and not +long after established his home at Cornish. + +He found himself at this time in a fairly enviable position. He was not +obliged to spend his life doing hack-work, and could take abundant +leisure to perfect any piece of writing which he undertook. However, he +united with his rare good fortune much rare good sense. He best +illustrated the familiar paradox that genius is a capacity for taking +infinite pains. He approached his work with an inexhaustible patience, a +dogged determination to be true to his own high exactions, both in style +and substance. + +Before he began "Richard Carvel," and also while it was on the stocks, +he visited Virginia and Maryland, and studied the country and the old +records with great thoroughness. He also read a vast amount of history +and other literature which gave the spirit of the period. During the +seven or eight months in '98 and '99, when he was writing the book from +beginning to end for the fifth time, he was living on the Hudson, about +thirty miles from New York. During those months he worked from breakfast +to one o'clock, then for some hours after luncheon. Late in the +afternoon he would take a long horseback ride, and after dinner he would +go at his work again, continuing sometimes far into the night. In the +midst of his work on "Richard Carvel," while he was staying at Lake +George, he ran out of historical material, and wrote "The Celebrity." +This novel was the subject of a great deal of comment on its first +appearance in 1897, and many people still regard it as the brightest and +most amusing and original piece of work which Mr. Churchill has done. + +After finishing his work on "Richard Carvel," Mr. Churchill, in the +spring of 1899, went to live at Cornish, N. H., where he had purchased a +large farm on high ground on the banks of the Connecticut, just opposite +Windsor, Vt. On the estate which he had bought Mr. Churchill then built +Harlakenden House, which is modelled upon one of the mansions of +Colonial Maryland. In 1913 Harlakenden House was selected by President +Woodrow Wilson as his summer residence. + +It was here that news of the great success of "Richard Carvel" came to +Mr. Churchill. + +The novel immediately became the most popular book in the United States, +and was more widely read and discussed during its first year than has +been the case with any other book ever published. + +"Richard Carvel" contains the great historical figures of Charles James +Fox and John Paul Jones. Perhaps the most thrilling and vividly written +passage in the book is that which describes the memorable battle between +the Bon Homme Richard and the Serapis. It was this that was accountable +for the revival of interest in John Paul Jones and led to the finding of +his burial place in France and to several biographies written largely +under the stimulus of his character and personality as graphically +revealed in "Richard Carvel." + +Two or three years later "The Crisis" appeared. This time Mr. Churchill +chose for his background the stirring days of the Civil War, through +some of its most thrilling events his hero passes. He incidently painted +supremely good pictures of Lincoln and Grant, showing how they grew out +of the conditions that produced the crisis, and how they dominated it +and brought it to such an issue that the country became better, greater +and stronger for the cataclysm that had threatened to disrupt it. Like +"Richard Carvel," "The Crisis" was dramatized, and opened its successful +run on the stage a few months after the book's publication. + +Mr. Churchill's next book, in the series of historical romances which he +began with "Richard Carvel," is entitled "The Crossing" and was +published in the spring of 1904. Its title refers to the crossing of the +Alleghanies by the tide of the American immigration after the +Revolutionary War. No annals in the world's history are more wonderful +than the story of this conquest of Kentucky and Tennessee by the +pioneers. In "The Crossing" Mr. Churchill caught the wonder of that +adventurous phase in our early history and made of it what many consider +his most delighting romance. + +Meanwhile Mr. Churchill had become actively interested in politics. In +the year 1903 he became a member of the New Hampshire Legislature. The +direct outgrowth of Mr. Churchill's interest and experiences in politics +were two important novels, "Coniston" and "Mr. Crewe's Career." + +In "Coniston"--that great prose epic of political corruption as it +existed in New England a generation or more ago--Mr. Churchill showed +his ability to write of contemporary life with a vigor and understanding +which were not surpassed in any of his other work. "Coniston" has a big, +vital, political issue for background and a unique and dominant +character for central interest. "Jethro Bass" was a farmer by origin, +taciturn, inscrutable, with his streak of sardonic humor and his slight, +unforgetable stammer, was heralded as the most important figure Mr. +Churchill had ever drawn. + +Two years later "Mr. Crewe's Career" was published, to meet with instant +success. It was a further embodiment of Mr. Churchill's observations and +experiences among the people of the political whirlpool, and showed his +increasing power as a novelist of contemporary life. The business of +politics, the sordid struggles of an election are described with a +graphic pen. Rarely has an American author portrayed with such judicial +calm and yet with such relentless realism, the sinister aspects of +political life in a rural community or woven into this grimy fabric, in +gold thread, a charming love story that goes far to make us forget the +ugly and hateful features of the picture. + +It will be seen how, since the publication of "Richard Carvel," Mr. +Churchill's themes move in orderly sequence from Colonial days until +each represents the actual life and atmosphere of distinct periods in +American history. It was "A Modern Chronicle" that brought Mr. +Churchill's work to the heart of the present. The new novel dealt with +the social problems of the marriage condition, the imperfect +civilization of ultra-fashionable life, with its frequent climax of +divorce. Heretofore Mr. Churchill's leading characters are men, but in +"A Modern Chronicle" he gives us a woman--Honora Leffingwell-- +fascinating, full of illogical moods and caprices, who, taken from start +to finish, is a most consistent and convincing piece of +characterization. + +With the day of its publication, in 1910, "The Modern Chronicle" headed +the list of "Books Most in Demand" at the libraries and the Bookman list +of "Six Best Sellers" in almost every large city of this country. Its +success was confined not only to this side of the water but in Great +Britain, as well; the book was in great demand. These conditions were +due to the fact of the author's established reputation with the great +majority of American and English readers, and to the merits of a work +which received almost unanimous appreciation from the press of both +countries. + +Three years have passed since the tremendous success of "A Modern +Chronicle," and during this time Mr. Churchill has worked upon and +completed the novel which, perhaps more than any other, will create +discussion and admiration and go furthest to assure the author's +reputation as the biggest literary figure in America to-day. + +"The Inside of the Cup," Mr. Churchill's latest novel, may be rightly +called the sum of his genius. It contains the same art of his former +work, broadened, enriched and matured, and reflects the romance of +"Richard Carvel," the realism of "Coniston," and the deep social +significance of "A Modern Chronicle." From a masterly delineation of the +personal history of a young clergyman and the transformation of his +views and attitudes toward modern society, Mr. Churchill unfolds a +powerful study of the present tendencies in the Church and their new +relation to the life of to-day. + +"The Inside of the Cup" is unquestionably the most impressive novel that +Mr. Churchill has yet written, in character drawing and illuminative +disclosures of the cross sections of society, and in the portrayal of +their more delicate and crucial relation to conditions vital to the +national welfare. + + + +CONTENTS + +Click on the ## before each title to go directly to a +linked index of the detailed chapters and illustrations + + The Works of Winston Churchill + Title Year + The Unchartered Way 1940 + Dr. Jonathan (Play) 1919 +## A Traveller in War-time ¹ 1918 +## Essay on The American Contribution ¹ 1918 +## The Dwelling-Place of Light 1917 +## A Far Country 1915 +## The Inside of The Cup 1913 +## A Modern Chronicle 1910 +## Mr. Crewe's Career 1908 +## Coniston 1906 +## The Crossing 1904 + Mr. Keegan's Elopement ² 1903 +## The Crisis 1901 +## Richard Carvel 1899 +## The Celebrity ³ 1897 + +1. Both works were released in 1918 under the title A Traveller in +War-time with an Essay on the American Contribution and the Democratic +Idea. +2. Mr. Keegan's Elopement was first released in serial form for a +magazine in 1896. +3. Other sources (like Wikipedia) say this book was released in 1898. +The article above says it was released in 1897, as does the copyright +page for the book in Hathitrust. + + + +VOLUMES, CHAPTERS AND STORIES + + + + + +The Celebrity + + VOLUME 1. + CHAPTER I + CHAPTER II + CHAPTER III + CHAPTER IV + VOLUME 2. + CHAPTER V + CHAPTER VI + CHAPTER VII + CHAPTER VIII + + VOLUME 3. + CHAPTER IX + CHAPTER X + CHAPTER XI + CHAPTER XII + CHAPTER XIII + CHAPTER XIV + VOLUME 4. + CHAPTER XV + CHAPTER XVI + CHAPTER XVII + CHAPTER XVIII + CHAPTER XIX + CHAPTER XX + CHAPTER XXI + + + + + +Richard Carvel + +Volume 1. +Chapter I. Lionel Carver, of Carver Hall +Chapter II. Some Memories of Childhood +Chapter III. Caught by the Tide +Chapter IV. Grafton would heal an Old Breach +Chapter V. "If Ladies be but Young and Fair" +Chapter VI. I first Suffer for the Cause +Chapter VII. Grafton has his Chance + +Volume 2. +Chapter VIII. Over the Wall +Chapter IX. Under False Colours +Chapter X. The Red in the Carvel Blood +Chapter XI. A Festival and a Parting +Chapter XII. News from a Far Country + +Volume 3. +Chapter XIII. Mr. Allen Shows his Hand +Chapter XIV. The Volte Coupe +Chapter XV. Of Which the Rector has the worst +Chapter XVI. In Which some things are Made Clear +Chapter XVII. South River +Chapter XVIII. The "Black Moll" + +Volume 4. +Chapter XIX. A Man of Destiny +Chapter XX. A Sad Home-coming +Chapter XXI. The Gardener's Cottage +Chapter XXII. On the Road +Chapter XXIII. London Town +Chapter XXIV. Castle Yard +Chapter XXV. The Rescue + +Volume 5. +Chapter XXVI. The Part Horatio Played +Chapter XXVII. In Which I am Sore Tempted +Chapter XXVIII. Arlington Street +Chapter XXIX. I Meet a Very Great Young Man +Chapter XXX. A Conspiracy +Chapter XXXI. "Upstairs into the World" +Chapter XXXII. Lady Tankerville's Drum Major +Chapter XXXIII. Drury Lane + +Volume 6. +Chapter XXXIV. His Grave Makes Advances +Chapter XXXV. In Which my Lord Baltimore Appears +Chapter XXXVI. A Glimpse of Mr. Garrick +Chapter XXXVII. The Serpentine +Chapter XXXVIII. In which I am Roundly brought to task +Chapter XXXIX. Holland House +Chapter XL. Vauxhall +Chapter XLI. The Wilderness + +Volume 7. +Chapter XLII. My Friends are Proven +Chapter XLIII. Annapolis Once More +Chapter XLIV. Noblesse Oblige +Chapter XLV. The House of Memories +Chapter XLVI. Gordon's Pride +Chapter XLVII. Visitors +Chapter XLVIII. Multum in Parvo +Chapter XLIX. Liberty Loses a Friend + +Volume 8. +Chapter L. Farewell to Gordon's +Chapter XLI. How an Idle Prophecy Came to Pass +Chapter LII. How the Gardener's Son Fought the "Serapis" +Chapter LIII. In Which I make some Discoveries +Chapter LIV. More Discoveries +Chapter LV. "The Love of a Maid for a Man" +Chapter LVI. How Good Came out of Evil +Chapter LVII. I Come to My Own Again + Afterword + + + + + +The Crisis + +Book I. +Chapter I. Which deals with Origins +Chapter II. The Mole +Chapter III. The Unattainable Simplicity +Chapter IV. Black Cattle +Chapter V. The First Spark passes +Chapter VI. Silas Whipple +Chapter VII. Callers +Chapter VIII. Bellegarde +Chapter IX. A Quiet Sunday in Locust Street +Chapter X. The Little House +Chapter XI. The Invitation +Chapter XII. "Miss Jinny" +Chapter XIII. The Party + +Book II. +Chapter I. Raw Material +Chapter II. Abraham Lincoln +Chapter III. In which Stephen learns Something +Chapter IV. The Question +Chapter V. The Crisis +Chapter VI. Glencoe +Chapter VII. An Excursion +Chapter VIII. The Colonel is warned +Chapter IX. Signs of the Times +Chapter X. Richter's Scar +Chapter XI. How a Prince came +Chapter XII. Into which a Potentate comes +Chapter XIII. At Mr. Brinsmade's Gate +Chapter XIV. The Breach Becomes too Wide +Chapter XV. Mutterings +Chapter XVI. The Guns of Sumter +Chapter XVII. Camp Jackson +Chapter XVIII. The Stone that is rejected +Chapter XIX. The Tenth of May +Chapter XX. In the Arsenal +Chapter XXI. The Stampede +Chapter XXII. The Straining of Another Friendship +Chapter XXIII. Of Clarence + +Book III. +Chapter I. Introducing a Capitalist +Chapter II. News from Clarence +Chapter III. The Scourge of War +Chapter IV. The List of Sixty +Chapter V. The Auction +Chapter VI. Eliphalet plays his Trumps +Chapter VII. With the Armies of the West +Chapter VIII. A Strange Meeting +Chapter IX. Bellegarde Once More +Chapter X. In Judge Whipple's Office +Chapter XI. Lead, Kindly Night +Chapter XII. The Last Card +Chapter XIII. From the Letters of Major Stephen Brice +Chapter XIV. The Same, Continued +Chapter XV. The Man of Sorrows +Chapter XVI. Annapolis + Afterword + + + + + +The Crossing + +Book I. The Borderland +Chapter I. The Blue Wall +Chapter II. Wars and Rumors of Wars +Chapter III. Charlestown +Chapter IV. Temple Bow +Chapter V. Cram's Hell +Chapter VI. Man proposes, but God disposes +Chapter VII. In Sight of the Blue Wall once more +Chapter VIII. The Nollichucky Trace +Chapter IX. On the Wilderness Trail +Chapter X. Harrodstown +Chapter XI. Fragmentary +Chapter XII. The Campaign begins +Chapter XIII. Kaskaskia +Chapter XIV. How the Kaskaskians were made Citizens +Chapter XV. Days of Trial +Chapter XVI. Davy goes to Cahokia +Chapter XVII. The Sacrifice +Chapter XVIII. "An' ye had been where I had been" +Chapter XIX. The Hair Buyer trapped +Chapter XX. The Campaign ends + +BOOK II. Flotsam and Jetsam +Chapter I. In the Cabin +Chapter II. "The Beggars are come to Town" +Chapter III. We go to Danville +Chapter IV. I cross the Mountains once more +Chapter V. I meet an Old Bedfellow +Chapter VI. The Widow Brown's +Chapter VII. I meet a Hero +Chapter VIII. To St. Louis +Chapter IX. "Cherchez la Femme" +Chapter X. The Keel Boat +Chapter XI. The Strange City +Chapter XII. Les Îles +Chapter XIII. Monsieur Augusteen trapped +Chapter XIV. Retribution + +BOOK III. Louisiana +Chapter I. The Rights of Man +Chapter II. The House above the Falls +Chapter III. Louisville celebrates +Chapter IV. Of a Sudden Resolution +Chapter V. The House of the Honeycombed Tiles +Chapter VI. Madame la Vicomtesse +Chapter VII. The Disposal of the Sieur de St. Gré +Chapter VIII. At Lamarque's +Chapter IX. Monsieur le Baron +Chapter X. The Scourge +Chapter XI. "In the Midst of Life" +Chapter XII. Visions, and an Awakening +Chapter XIII. A Mystery +Chapter XIV. "To Unpathed Waters, Undreamed Shores" +Chapter XV. An Episode in the Life of a Man + Afterword + + + + + +Coniston + +Book I. +Chapter I. On the Dangers of Curiosity +Chapter II. On the Wisdom of Charity +Chapter III. The Clerk and the Locket +Chapter IV. Enter a Great Man, Incognito +Chapter V. The King is Dead! Long Live the King! +Chapter VI. "Deep as First Love, and Wild with All Regret" +Chapter VII. "And Still the Ages roll, Unmoved" +Chapter VIII. It is Something to have Dreamed + +Book 2. +Chapter IX. Shake Hands with Mr. Bijah Bixby +Chapter X. How the Rebellion was Quenched +Chapter XI. Mr. Worthington becomes a Reformer +Chapter XII. "A Time to Weep, and a Time to Laugh" +Chapter XIII. Mr. Wetherell descends into the Arena +Chapter XIV. In which the Back Seats are Heard From +Chapter XV. The Woodchuck Session +Chapter XVI. "Cynthia loved You" + +Book 3. +Chapter I. In the Tannery House +Chapter II. Chiefly concerning the National Game +Chapter III. Journeys to Go +Chapter IV. "Judge Bass and Party" +Chapter V. Cousin Ephraim's Comrade +Chapter VI. Mr. Sutton talks to a Constituent +Chapter VII. An Amazing Encounter +Chapter VIII. Cynthia learns how to be Fashionable +Chapter IX. In which Mr. Merrill abandons a Habit +Chapter X. Of An Unexpected Return + +Book 4. +Chapter XI. In which Miss Sadler writes a Letter +Chapter XII. "In the Tannery Shed!" +Chapter XIII. Cynthia becomes a Teacher +Chapter XIV. In which the Lord of Brampton Returns +Chapter XV. Containing a Dramatic Climax +Chapter XVI. Miss Lucretia quotes Genesis +Chapter XVII. When the Pie was Opened +Chapter XVIII. A Biographical Episode: Hitherto Unpublished +Chapter XIX. Containing Free Transportation to Brampton +Chapter XX. "To change the Name, and not the Letter" + Afterword + + + + + +Mr. Crewe's Career + +Book I. +Chapter I. The Honorouble Hilary Vane sits for His Portrait +Chapter II. On the Treatment of Prodigals +Chapter III. Concerning the Practice of Law +Chapter IV. "Timeo Danaos" +Chapter V. The Parting of the Ways +Chapter VI. Enter the Lion +Chapter VII. The Leopard and his Spots +Chapter VIII. The Trials of an Honourable +Chapter IX. Mr. Crewe assaults the Capital +Chapter X. "For Bills may come, and Bills may go" + +Book II. +Chapter XI. The Hopper +Chapter XII. Mr. Redbrook's Party +Chapter XIII. The Realm of Pegasus +Chapter XIV. The Descendants of Horatius +Chapter XV. The Disturbance of June Seventh +Chapter XVI. The "Book of Arguments" is opened +Chapter XVII. Busy Days at Wedderburn +Chapter XVIII. A Spirit in the Woods +Chapter XIX. Mr. Jabe Jenney Entertains +Chapter XX. Mr. Crewe: an Appreciation + +Book III. +Chapter XXI. St. Giles of the Blameless Life +Chapter XXII. In which Euphrasia takes a hand +Chapter XXIII. A Falling-out in High Places +Chapter XXIV. An Adventure of Victoria's +Chapter XXV. More Adventures +Chapter XXVI. The Focus of Wrath +Chapter XXVII. The Arena and the Dust +Chapter XXVIII. The Voice of an Era +Chapter XXIX. The Vale of the Blue +Chapter XXX. P. S. + + + + + +A Modern Chronicle + +Book I. +Chapter I. What's in Heredity +Chapter II. Perdita Recalled +Chapter III. Concerning Providence +Chapter IV. Of Temperment +Chapter V. In which Providence keeps Faith +Chapter VI. Honora has a Glimpse of the World +Chapter VII. The Olympian Order +Chapter VIII. A Chapter of Conquests +Chapter IX. In which the Vicomte continues his studies +Chapter X. In which Honora widens her Horizon +Chapter XI. What might have Been +Chapter XII. Which contains a Surprise for Mrs. Holt + +Book II. +Chapter I. So Long as ye Both shall Live! +Chapter II. "Stafford Park" +Chapter III. The Great Unattached +Chapter IV. The New Doctrine +Chapter V. Quicksands +Chapter VI. Gad and Meni +Chapter VII. Of Certain Delicate Matters +Chapter VIII. Of Mental Processes--Feminine and Insoluable +Chapter IX. Introducing a Revolutionizing Vehicle +Chapter X. On the Art of Lion Taming +Chapter XI. Containing Some Revelations + +Book III. +Chapter I. Ascendi +Chapter II. The Path of Philanthropy +Chapter III. Vineland +Chapter IV. The Viking +Chapter V. The Survival of the Fittest +Chapter VI. Clio, or Thalia? +Chapter VII. "Liberty, and the Pursuit of Happiness" +Chapter VIII. In which the Law betrays a Heart +Chapter IX. Wylie Street +Chapter X. The Price of Freedom +Chapter XI. In which it is All done over Again +Chapter XII. The Entrance into Eden +Chapter XIII. Of The World Beyond the Gates +Chapter XIV. Containing Philosophy from Mr. Grainger +Chapter XV. The Pillars of Society +Chapter XVI. In which a Mirror is held Up +Chapter XVII. The Renewal of an Ancient Hospitality +Chapter XVIII. In which Mr. Erwin sees Paris + + + + + +The Inside of The Cup + +Volume I. +Chapter I. The Warring Problems +Chapter II. Mr. Langmaid's Mission +Chapter III. The Primrose Path +Chapter IV. Some Riddles of the Twentieth Century + +Volume 2. +Chapter V. The Rector has More Food for Thought +Chapter VI. "Watchman, What of the Night?" +Chapter VII. The Kingdoms of the World +Chapter VIII. The Line of Least Resistance + +Volume 3. +Chapter IX. The Divine Discontent +Chapter X. The Messenger in the Church +Chapter XI. The Lost Parishoner +Chapter XII. The Woman of the Song + +Volume 4. +Chapter XIII. Winterbourne +Chapter XIV. A Saturday Afternoon +Chapter XV. The Crucible +Chapter XVI. Amid the Encircling Gloom + +Volume 5. +Chapter XVII. Reconstruction +Chapter XVIII. The Riddle of Causation +Chapter XIX. Mr. Goodrich becomes a Partisan + +Volume 6. +Chapter XX. The Arraignment +Chapter XXI. Alison Goes to Church +Chapter XXII. "Which say to the Seers, See not!" + +Volume 7. +Chapter XXIII. The Choice +Chapter XXIV. The Vestry Meets +Chapter XXV. "Rise, Crowned with Light!" +Chapter XVI. The Current of Life + +Volume 8. +Chapter XXVII. Retribution +Chapter XXVIII. Light + Afterword + + + + + + + +A Far Country + + BOOK 1. + I. + II. + III. + IV. + V. + VI. + VII. + VIII + IX. + + BOOK 2. + X. + XI. + XII. + XIII. + XIV. + XV. + XVI. + XVII. + + BOOK 3. + XVIII. + XVIX. + XX. + XXI. + XXII. + XXIII. + XXIV. + XXV. + XXVI. + + + + +The Dwelling Place of Light + + CHAPTER I + CHAPTER II + CHAPTER III + CHAPTER IV + CHAPTER V + CHAPTER VI + CHAPTER VII + CHAPTER VIII + CHAPTER IX + CHAPTER X + CHAPTER XI + CHAPTER XII + CHAPTER XIII + CHAPTER XIV + CHAPTER XV + CHAPTER XVI + CHAPTER XVII + CHAPTER XVIII + CHAPTER XIX + CHAPTER XX + CHAPTER XXI + + + +A Traveller in Wartime + + PREFACE + CHAPTER I + CHAPTER II + CHAPTER III + + +Essay on The American Contribution + + I. II. III. IV. V. + + + + +*** END OF THE PROJECT GUTENBERG EBOOK THE WORKS OF WINSTON CHURCHILL *** + +Updated editions will replace the previous one--the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the +United States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. 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You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online +at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you +are not located in the United States, you will have to check the laws of the +country where you are located before using this eBook. +</div> +<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Works Of Winston Churchill</div> +<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Winston Churchill</div> +<div style='display:block; margin:1em 0'>Release Date: May 15, 2009 [eBook #28822]<br /> +[Most recently updated: November 11, 2023]</div> +<div style='display:block; margin:1em 0'>Language: English</div> +<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: David Widger</div> +<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE WORKS OF WINSTON CHURCHILL ***</div> + + <h1> + THE WORKS OF <br /> <br /> <i><big>WINSTON CHURCHILL</big></i> + </h1> + <p> + <br /> <br /> + </p> + <h2>AN ON-LINE INDEX</h2> + <p> + <br /> <br /> + </p> + <h2>Compiled by David Widger</h2> + <p class="center bold"> + Project Gutenberg Editions + </p> + <p> + <br /> <br /> + </p> + <div class="fig" style="width:50%;"> + <img src="images/CHURCHILL2.jpg" alt="CHURCHILL2" width="100%" /><br /> + </div> + <h5> + <a href="images/CHURCHILL2.jpg"><img src="images/enlarge.jpg" alt="" /> </a> + </h5> + + + <div id="biographical-section"> + <h2>Winston Churchill (1871-1947)</h2> + <p class="small center"> + (The American Author who is not related to the British Sir Winston) + </p> + <h3>A Sketch of his Life and Work</h3> + <p class="small noindent italic">This sketch was released by + THE MACMILLAN COMPANY as part of a document to promote Churchill's 1913 + novel, "The Inside of the Cup."</p> + <p> + Mr. Winston Churchill, the author of "The Inside of the Cup," + "The Modern Chronicle," "Mr. Crewe's Career," "Coniston," + "Richard Carvel," "The Crisis," and "The Crossing," was born in + St. Louis, Mo., November 10, 1871. He is the oldest son of Edwin + Spaulding Churchill of Portland, Me., and Emma Bell Blaine, of + St. Louis. The first sixteen years of his life he spent in his + native city, which was in fact his home until he built Harlakenden + House, his present residence at Cornish, N. H. In St. Louis, it + will be remembered, the opening scenes of "The Crisis" are laid; + and St. Louis again formed the objective point of Mr. Churchill's + next novel, "The Crossing." From Smith Academy in St. Louis he + went to the Naval Academy at Annapolis, Md.</p> + <p> + Winston Churchill had not been a year at the Naval Academy before + he became interested in American history and American problems, and + before he finished his course he had made up his mind to devote his + life and energies to these—not only with the pen, but as an + active participant. Much of the atmosphere and some of the material + for "Richard Carvel" he gathered while still a midshipman at the Naval + Academy; and in the brief intervals between scientific studies and + drills he began to read some of the history which he afterwards used.</p> + <p> + He resigned from the Navy on his graduation, worked for a time on the + Army and Navy Journal, and then joined the staff of The Cosmopolitan. + While he lived at Irvington-on-the-Hudson, working steadily on the + magazine, he continued his experience with fiction. He never tried to + publish any of his first work, and it is not now in existence. That year + (1895) he married Miss Mabel Harlakenden Hall, of St. Louis; and not + long after established his home at Cornish.</p> + <p> + He found himself at this + time in a fairly enviable position. He was not obliged to spend his life + doing hack-work, and could take abundant leisure to perfect any piece of + writing which he undertook. However, he united with his rare good fortune + much rare good sense. He best illustrated the familiar paradox that + genius is a capacity for taking infinite pains. He approached his work + with an inexhaustible patience, a dogged determination to be true to his + own high exactions, both in style and substance. </p> + <p> + Before he began "Richard Carvel," and also while it was on the stocks, + he visited Virginia and Maryland, and studied the country and the old + records with great thoroughness. He also read a vast amount of history + and other literature which gave the spirit of the period. During the + seven or eight months in '98 and '99, when he was writing the book from + beginning to end for the fifth time, he was living on the Hudson, about + thirty miles from New York. During those months he worked from breakfast + to one o'clock, then for some hours after luncheon. Late in the afternoon + he would take a long horseback ride, and after dinner he would go at his + work again, continuing sometimes far into the night. In the midst of his + work on "Richard Carvel," while he was staying at Lake George, he ran out + of historical material, and wrote "The Celebrity." This novel was the + subject of a great deal of comment on its first appearance in 1897, and + many people still regard it as the brightest and most amusing and original + piece of work which Mr. Churchill has done.</p> + <p> + After finishing his work on "Richard Carvel," Mr. Churchill, in the + spring of 1899, went to live at Cornish, N. H., where he had purchased a + large farm on high ground on the banks of the Connecticut, just opposite + Windsor, Vt. On the estate which he had bought Mr. Churchill then built + Harlakenden House, which is modelled upon one of the mansions of Colonial + Maryland. In 1913 Harlakenden House was selected by President Woodrow + Wilson as his summer residence.</p> + <p> + It was here that news of the great success of "Richard Carvel" came to + Mr. Churchill. </p> + <p> + The novel immediately became the most popular book in the + United States, and was more widely read and discussed during its first + year than has been the case with any other book ever published.</p> + <p> + "Richard Carvel" contains the great historical figures of Charles James + Fox and John Paul Jones. Perhaps the most thrilling and vividly written + passage in the book is that which describes the memorable battle between + the <i>Bon Homme Richard</i> and the <i>Serapis</i>. It was this that was + accountable for the revival of interest in John Paul Jones and led to the + finding of his burial place in France and to several biographies written + largely under the stimulus of his character and personality as graphically + revealed in "Richard Carvel."</p> + <p> + Two or three years later "The Crisis" appeared. This time Mr. Churchill + chose for his background the stirring days of the Civil War, through some + of its most thrilling events his hero passes. He incidently painted + supremely good pictures of Lincoln and Grant, showing how they grew out + of the conditions that produced the crisis, and how they dominated it and + brought it to such an issue that the country became better, greater and + stronger for the cataclysm that had threatened to disrupt it. Like + "Richard Carvel," "The Crisis" was dramatized, and opened its successful + run on the stage a few months after the book's publication.</p> + <p> + Mr. Churchill's next book, in the series of historical romances which he + began with "Richard Carvel," is entitled "The Crossing" and was published + in the spring of 1904. Its title refers to the crossing of the Alleghanies + by the tide of the American immigration after the Revolutionary War. + No annals in the world's history are more wonderful than the story of this + conquest of Kentucky and Tennessee by the pioneers. In "The Crossing" Mr. + Churchill caught the wonder of that adventurous phase in our early history + and made of it what many consider his most delighting romance. </p> + <p> + Meanwhile Mr. Churchill had become actively interested in politics. + In the year 1903 he became a member of the New Hampshire Legislature. + The direct outgrowth of Mr. Churchill's interest and experiences in + politics were two important novels, "Coniston" and "Mr. Crewe's Career."</p> + <p> + In "Coniston"—that great prose epic of political corruption as it + existed in New England a generation or more ago—Mr. Churchill + showed his ability to write of contemporary life with a vigor and + understanding which were not surpassed in any of his other work. + "Coniston" has a big, vital, political issue for background and a unique + and dominant character for central interest. "Jethro Bass" was a farmer + by origin, taciturn, inscrutable, with his streak of sardonic humor and + his slight, unforgetable stammer, was heralded as the most important + figure Mr. Churchill had ever drawn. </p> + <p> + Two years later "Mr. Crewe's Career" was published, to meet with instant + success. It was a further embodiment of Mr. Churchill's observations and + experiences among the people of the political whirlpool, and showed his + increasing power as a novelist of contemporary life. The business of + politics, the sordid struggles of an election are described with a + graphic pen. Rarely has an American author portrayed with such judicial + calm and yet with such relentless realism, the sinister aspects of + political life in a rural community or woven into this grimy fabric, in + gold thread, a charming love story that goes far to make us forget the + ugly and hateful features of the picture.</p> + <p> + It will be seen how, since the publication of "Richard Carvel," Mr. + Churchill's themes move in orderly sequence from Colonial days until each + represents the actual life and atmosphere of distinct periods in American + history. It was "A Modern Chronicle" that brought Mr. Churchill's work to + the heart of the present. The new novel dealt with the social problems of + the marriage condition, the imperfect civilization of ultra-fashionable + life, with its frequent climax of divorce. Heretofore Mr. Churchill's + leading characters are men, but in "A Modern Chronicle" he gives us a + woman—Honora Leffingwell—fascinating, full of illogical + moods and caprices, who, taken from start to finish, is a most consistent + and convincing piece of characterization. </p> + <p> + With the day of its publication, in 1910, "The Modern Chronicle" headed + the list of "Books Most in Demand" at the libraries and the Bookman list + of "Six Best Sellers" in almost every large city of this country. Its + success was confined not only to this side of the water but in Great + Britain, as well; the book was in great demand. These conditions were due + to the fact of the author's established reputation with the great majority + of American and English readers, and to the merits of a work which + received almost unanimous appreciation from the press of both countries.</p> + <p> + Three years have passed since the tremendous success of "A Modern + Chronicle," and during this time Mr. Churchill has worked upon and + completed the novel which, perhaps more than any other, will create + discussion and admiration and go furthest to assure the author's + reputation as the biggest literary figure in America to-day. </p> + <p> + "The Inside of the Cup," Mr. Churchill's latest novel, may be rightly + called the sum of his genius. It contains the same art of his former work, + broadened, enriched and matured, and reflects the romance of "Richard + Carvel," the realism of "Coniston," and the deep social significance of + "A Modern Chronicle." From a masterly delineation of the personal history + of a young clergyman and the transformation of his views and attitudes + toward modern society, Mr. Churchill unfolds a powerful study of the + present tendencies in the Church and their new relation to the life of + to-day.</p> + <p> + "The Inside of the Cup" is unquestionably the most impressive novel that + Mr. Churchill has yet written, in character drawing and illuminative + disclosures of the cross sections of society, and in the portrayal of + their more delicate and crucial relation to conditions vital to the national + welfare.</p> + </div> + <hr /> + + <h2> + CONTENTS + </h2> + <p class="bold lg center"> + Click on the <big><b> ## </b></big> before each title to go directly to a<br /> + linked index of the detailed chapters and illustrations + </p> + <table summary="Table of Winston Churchill's novels"> + <caption>The Works of Winston Churchill</caption> + + <thead> + <tr> + <th></th> + <th>Title</th> + <th>Year</th> + </tr> + </thead> + <tfoot> + <tr> + <td colspan="2"><ol class="foot"><li> + Both works were released in 1918 under the title A Traveller + in War-time with an Essay on the American Contribution and the + Democratic Idea.</li> + <li>Mr. Keegan's Elopement was first released in serial form + for a magazine in 1896.</li> + <li>Other sources (like Wikipedia) say this book was released in 1898. + The article above says it was released in 1897, as does the copyright + page for the book in Hathitrust. </li> + </ol> + </td> + </tr> + </tfoot> + <tbody> + <tr> + <td></td> + <td>The Unchartered Way</td> + <td>1940</td> + </tr> + <tr> + <td></td> + <td><a href="https://www.gutenberg.org/files/5397/5397-h/5397-h.htm"> Dr. Jonathan (Play)</a></td> + <td>1919</td> + </tr> + <tr> + <td><a href="#wartime">##</a></td> + <td> <a href="https://www.gutenberg.org/files/5398/5398-h/5398-h.htm">A Traveller in War-time</a> ¹</td> + <td>1918</td> + </tr> + <tr> + <td><a href="#american">##</a></td> + <td><a href="https://www.gutenberg.org/files/5399/5399-h/5399-h.htm">Essay + on The American Contribution</a> ¹</td> + <td>1918</td> + </tr> + <tr> + <td><a href="#dwelling">##</a></td> + <td><a href="https://www.gutenberg.org/files/5399/5399-h/5399-h.htm">The Dwelling-Place + of Light</a></td> + <td>1917</td> + </tr> + <tr> + <td><a href="#country">##</a></td> + <td><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm">A Far Country</a></td> + <td>1915</td> + </tr> + <tr> + <td><a href="#cup">##</a></td> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm">The Inside of The Cup</a></td> + <td>1913</td> + </tr> + <tr> + <td><a href="#modern">##</a></td> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm"> A Modern Chronicle</a></td> + <td>1910</td> + </tr> + <tr> + <td><a href="#career">##</a></td> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm"> Mr. Crewe's Career</a></td> + <td>1908</td> + </tr> + <tr> + <td><a href="#coniston">##</a></td> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm">Coniston</a></td> + <td>1906</td> + </tr> + <tr> + <td><a href="#crossing">##</a></td> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm"> The Crossing</a></td> + <td>1904</td> + </tr> + <tr> + <td></td> + <td>Mr. Keegan's Elopement ²</td> + <td>1903</td> + </tr> + <tr> + <td><a href="#crisis">##</a></td> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm"> The Crisis</a></td> + <td>1901</td> + </tr> + <tr> + <td><a href="#carvel">##</a></td> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm">Richard Carvel</a></td> + <td>1899</td> + </tr> + <tr> + <td><a href="#celebrity">##</a></td> + <td><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm">The Celebrity</a> ³</td> + <td>1897</td> + </tr> + </tbody> + </table> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h2> + VOLUMES, CHAPTERS AND STORIES + </h2> + + + + + + + + + + + + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /><a name="celebrity" id="celebrity"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm"> The Celebrity</a> + </h3> + <ul class="menu"> + <li><dl><dt><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2H_4_0001"> <b>VOLUME 1.</b></a></dt> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0001"> CHAPTER I </a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0002"> CHAPTER II</a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0003"> CHAPTER III</a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0004"> CHAPTER IV </a></dd> + <dt><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2H_4_0006">VOLUME 2.</a></dt> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0005"> CHAPTER V </a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0006"> CHAPTER VI </a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0007"> CHAPTER VII</a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0008"> CHAPTER VIII</a></dd> + </dl> + </li> + <li><dl><dt><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2H_4_0011">VOLUME 3.</a></dt> + <dd> <a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0009"> CHAPTER IX </a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0010"> CHAPTER X </a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0011"> CHAPTER XI </a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0012"> CHAPTER XII</a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0013"> CHAPTER XIII</a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0014"> CHAPTER XIV</a></dd> + <dt><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2H_4_0018">VOLUME 4.</a></dt> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0015"> CHAPTER XV </a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0016"> CHAPTER XVI</a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0017"> CHAPTER XVII</a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0018"> CHAPTER XVIII</a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0019"> CHAPTER XIX</a></dd> + <dd> <a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0020"> CHAPTER XX </a></dd> + <dd><a href="https://www.gutenberg.org/files/5387/5387-h/5387-h.htm#link2HCH0021"> CHAPTER XXI</a></dd> + </dl> + </li> + </ul> + <p> + <br /> <br /> + </p> + + + + <hr /> + <p> + <br /><a name="carvel" id="carvel"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm"> Richard Carvel</a> + </h3> + + <table class="toc" summary="Richard Carvel table of contents"> + <tbody> + <tr> + <td colspan="2"><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2H_4_0003">Volume 1.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0001">Chapter + I.</a></td> + <td>Lionel Carver, of Carver Hall</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0002">Chapter + II.</a></td> + <td>Some Memories of Childhood</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0003">Chapter + III.</a></td> + <td>Caught by the Tide</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0004">Chapter + IV.</a></td> + <td>Grafton would heal an Old Breach</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0005">Chapter + V.</a></td> + <td>"If Ladies be but Young and Fair"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0006">Chapter + VI.</a></td> + <td>I first Suffer for the Cause</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0007">Chapter + VII.</a></td> + <td>Grafton has his Chance</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2H_4_0011">Volume 2.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0008">Chapter + VIII.</a></td> + <td>Over the Wall</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0009">Chapter + IX.</a></td> + <td>Under False Colours</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0010">Chapter + X.</a></td> + <td>The Red in the Carvel Blood</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0011">Chapter + XI.</a></td> + <td>A Festival and a Parting</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0012">Chapter + XII.</a></td> + <td>News from a Far Country</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2H_4_0017">Volume 3.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0013">Chapter + XIII.</a></td> + <td>Mr. Allen Shows his Hand</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0014">Chapter + XIV.</a></td> + <td>The Volte Coupe</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0015">Chapter + XV.</a></td> + <td>Of Which the Rector has the worst</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0016">Chapter + XVI.</a></td> + <td>In Which some things are Made Clear</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0017">Chapter + XVII.</a></td> + <td>South River</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0018">Chapter + XVIII.</a></td> + <td>The "Black Moll"</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2H_4_0024">Volume 4.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0019">Chapter + XIX.</a></td> + <td>A Man of Destiny</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0020">Chapter + XX.</a></td> + <td>A Sad Home-coming</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0021">Chapter + XXI.</a></td> + <td>The Gardener's Cottage</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0022">Chapter + XXII.</a></td> + <td>On the Road</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0023">Chapter + XXIII.</a></td> + <td>London Town</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0024">Chapter + XXIV.</a></td> + <td>Castle Yard</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0025">Chapter + XXV.</a></td> + <td>The Rescue</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2H_4_0032">Volume 5.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0026">Chapter + XXVI.</a></td> + <td>The Part Horatio Played</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0027">Chapter + XXVII.</a></td> + <td>In Which I am Sore Tempted</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0028">Chapter + XXVIII.</a></td> + <td>Arlington Street</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0029">Chapter + XXIX.</a></td> + <td>I Meet a Very Great Young Man</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0030">Chapter + XXX.</a></td> + <td>A Conspiracy</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0031">Chapter + XXXI.</a></td> + <td>"Upstairs into the World"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0032">Chapter + XXXII.</a></td> + <td>Lady Tankerville's Drum Major</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0033">Chapter + XXXIII.</a></td> + <td>Drury Lane</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2H_4_0041">Volume 6.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0034">Chapter + XXXIV.</a></td> + <td>His Grave Makes Advances</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0035">Chapter + XXXV.</a></td> + <td>In Which my Lord Baltimore Appears</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0036">Chapter + XXXVI.</a></td> + <td>A Glimpse of Mr. Garrick</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0037">Chapter + XXXVII.</a></td> + <td>The Serpentine</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0038">Chapter + XXXVIII.</a></td> + <td>In which I am Roundly brought to task</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0039">Chapter + XXXIX.</a></td> + <td>Holland House</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0040">Chapter + XL.</a></td> + <td>Vauxhall</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0041">Chapter + XLI.</a></td> + <td>The Wilderness</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2H_4_0050">Volume 7.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0042">Chapter + XLII.</a></td> + <td>My Friends are Proven</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0043">Chapter + XLIII.</a></td> + <td>Annapolis Once More</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0044">Chapter + XLIV.</a></td> + <td>Noblesse Oblige</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0045">Chapter + XLV.</a></td> + <td>The House of Memories</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0046">Chapter + XLVI.</a></td> + <td>Gordon's Pride</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0047">Chapter + XLVII.</a></td> + <td>Visitors</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0048">Chapter + XLVIII.</a></td> + <td>Multum in Parvo</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0049">Chapter + XLIX.</a></td> + <td>Liberty Loses a Friend</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2H_4_0059">Volume 8.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0050">Chapter + L.</a></td> + <td>Farewell to Gordon's</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0041">Chapter + XLI.</a></td> + <td>How an Idle Prophecy Came to Pass</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0052">Chapter + LII.</a></td> + <td>How the Gardener's Son Fought the "Serapis"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0053">Chapter + LIII.</a></td> + <td>In Which I make some Discoveries</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0054">Chapter + LIV.</a></td> + <td>More Discoveries</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0055">Chapter + LV.</a></td> + <td>"The Love of a Maid for a Man"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0056">Chapter + LVI.</a></td> + <td>How Good Came out of Evil</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2HCH0057">Chapter + LVII.</a></td> + <td>I Come to My Own Again</td> + </tr> + <tr> + <td></td> + <td><a href="https://www.gutenberg.org/files/5373/5373-h/5373-h.htm#link2H_4_0068">Afterword</a></td> + </tr> + </tbody> + </table> + <p><br /><br /></p> + + + + + + + + + <hr /> + <p> + <br /><a name="crisis" id="crisis"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm"> The Crisis</a> + </h3> + + + <table class="toc" summary="The Crisis table of contents" > +<tbody> + <tr> + <td colspan="2"><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2H_4_0002">Book + I.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0001">Chapter + I.</a></td> + <td>Which deals with Origins</td> + </tr> + <tr> + <td> <a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0002">Chapter + II.</a></td> + <td>The Mole</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0003">Chapter + III.</a></td> + <td>The Unattainable Simplicity</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0004">Chapter + IV.</a></td> + <td>Black Cattle</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0005">Chapter V.</a></td> + <td>The First Spark passes</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0006">Chapter VI.</a></td> + <td>Silas Whipple</td> + </tr> + <tr> + <td> <a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0007">Chapter + VII.</a></td> + <td>Callers</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0008">Chapter + VIII.</a></td> + <td>Bellegarde</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0009">Chapter + IX.</a></td> + <td>A Quiet Sunday in Locust Street</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0010">Chapter X.</a></td> + <td>The Little House</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0011">Chapter + XI.</a></td> + <td>The Invitation</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0012">Chapter XII.</a></td> + <td>"Miss Jinny"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0013">Chapter XIII.</a></td> + <td>The Party</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> <a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2H_4_0017">Book + II.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0014">Chapter + I.</a></td> + <td>Raw Material</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0015">Chapter + II.</a></td> + <td>Abraham Lincoln</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0016">Chapter + III.</a></td> + <td>In which Stephen learns Something</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0017">Chapter + IV.</a></td> + <td>The Question</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0018">Chapter + V.</a></td> + <td>The Crisis</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0019">Chapter + VI.</a></td> + <td>Glencoe</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0020">Chapter + VII.</a></td> + <td>An Excursion</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0021">Chapter + VIII.</a></td> + <td>The Colonel is warned</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0022">Chapter + IX.</a></td> + <td>Signs of the Times</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0023">Chapter X.</a></td> + <td>Richter's Scar</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0024">Chapter + XI.</a></td> + <td>How a Prince came</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0025">Chapter + XII.</a></td> + <td>Into which a Potentate comes</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0026">Chapter + XIII.</a></td> + <td>At Mr. Brinsmade's Gate</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0027">Chapter + XIV.</a></td> + <td>The Breach Becomes too Wide</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0028">Chapter + XV.</a></td> + <td>Mutterings</td> + </tr> + <tr> + <td> <a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0029">Chapter + XVI.</a></td> + <td>The Guns of Sumter</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0030">Chapter + XVII.</a></td> + <td>Camp Jackson</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0031">Chapter + XVIII.</a></td> + <td>The Stone that is rejected</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0032">Chapter + XIX.</a></td> + <td>The Tenth of May</td> + </tr> + <tr> + <td> <a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0033">Chapter + XX.</a></td> + <td>In the Arsenal</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0034">Chapter + XXI.</a></td> + <td>The Stampede</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0035">Chapter + XXII.</a></td> + <td>The Straining of Another Friendship</td> + </tr> + <tr> + <td> <a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0036">Chapter + XXIII.</a></td> + <td>Of Clarence</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> <a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2H_4_0044">Book + III.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0037">Chapter I.</a></td> + <td>Introducing a Capitalist</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0038">Chapter II.</a></td> + <td>News from Clarence</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0039">Chapter III.</a></td> + <td>The Scourge of War</td> + </tr> + <tr> + <td> <a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0040">Chapter IV.</a></td> + <td>The List of Sixty</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0041">Chapter V.</a></td> + <td>The Auction</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0042">Chapter VI.</a></td> + <td>Eliphalet plays his Trumps</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0043">Chapter + VII.</a></td> + <td>With the Armies of the West</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0044">Chapter + VIII.</a></td> + <td>A Strange Meeting</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0045">Chapter + IX.</a></td> + <td>Bellegarde Once More</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0046">Chapter X.</a></td> + <td>In Judge Whipple's Office</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0047">Chapter + XI.</a></td> + <td>Lead, Kindly Night</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0048">Chapter + XII.</a></td> + <td>The Last Card</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0049">Chapter + XIII.</a></td> + <td>From the Letters of Major Stephen Brice</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0050">Chapter + XIV.</a></td> + <td>The Same, Continued</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0051">Chapter + XV.</a></td> + <td>The Man of Sorrows</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2HCH0052">Chapter + XVI.</a></td> + <td>Annapolis</td> + </tr> + <tr> + <td></td> + <td><a href="https://www.gutenberg.org/files/5396/5396-h/5396-h.htm#link2H_4_0063">Afterword</a></td> + </tr> + </tbody> + </table> + + + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /><a name="crossing" id="crossing"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm">The Crossing</a> + </h3> +<table class="toc" summary="The Crossing Table of Contents" > +<tbody> + <tr> + <td colspan="2">Book I. The Borderland</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_1">Chapter I.</a></td> + <td>The Blue Wall</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_7">Chapter II.</a></td> + <td>Wars and Rumors of Wars</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_15">Chapter III.</a></td> + <td>Charlestown</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_31">Chapter IV.</a></td> + <td>Temple Bow</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_44">Chapter V.</a></td> + <td>Cram's Hell</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_55">Chapter VI.</a></td> + <td>Man proposes, but God disposes</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_67">Chapter VII.</a></td> + <td>In Sight of the Blue Wall once more</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_81">Chapter VIII.</a></td> + <td>The Nollichucky Trace</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_98">Chapter IX.</a></td> + <td>On the Wilderness Trail</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_115">Chapter X.</a></td> + <td>Harrodstown</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_133">Chapter XI.</a></td> + <td>Fragmentary</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_140">Chapter XII.</a></td> + <td>The Campaign begins</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_151">Chapter XIII.</a></td> + <td>Kaskaskia</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_165">Chapter XIV.</a></td> + <td>How the Kaskaskians were made Citizens</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_174">Chapter XV.</a></td> + <td>Days of Trial</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_188">Chapter XVI.</a></td> + <td>Davy goes to Cahokia</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_201">Chapter XVII.</a></td> + <td>The Sacrifice</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_209">Chapter XVIII.</a></td> + <td>“An' ye had been where I had been”</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_226">Chapter XIX.</a></td> + <td>The Hair Buyer trapped</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_242">Chapter XX.</a></td> + <td>The Campaign ends</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a name="TOC_002" id="TOC_002"></a> + BOOK II. Flotsam and Jetsam + </td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_252">Chapter I.</a></td> + <td>In the Cabin</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_265">Chapter II.</a></td> + <td>“The Beggars are come to Town”</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_276">Chapter III.</a></td> + <td>We go to Danville</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_288">Chapter IV.</a></td> + <td>I cross the Mountains once more</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_292">Chapter V.</a></td> + <td>I meet an Old Bedfellow</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_304">Chapter VI.</a></td> + <td>The Widow Brown's</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_318">Chapter VII.</a></td> + <td>I meet a Hero</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_329">Chapter VIII.</a></td> + <td>To St. Louis</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_340">Chapter IX.</a></td> + <td>“Cherchez la Femme”</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_356">Chapter X.</a></td> + <td>The Keel Boat</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_368">Chapter XI.</a></td> + <td>The Strange City</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_383">Chapter XII.</a></td> + <td>Les Îles</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_400">Chapter XIII.</a></td> + <td>Monsieur Augusteen trapped</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_410">Chapter XIV.</a></td> + <td>Retribution</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a name="TOC_003" id="TOC_003"></a> + BOOK III. Louisiana + </td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_434">Chapter I.</a></td> + <td>The Rights of Man</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_441">Chapter II.</a></td> + <td>The House above the Falls</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_455">Chapter III.</a></td> + <td>Louisville celebrates</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_465">Chapter IV.</a></td> + <td>Of a Sudden Resolution</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_473">Chapter V.</a></td> + <td>The House of the Honeycombed Tiles</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_483">Chapter VI.</a></td> + <td>Madame la Vicomtesse</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_493">Chapter VII.</a></td> + <td>The Disposal of the Sieur de St. Gré</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_510">Chapter VIII.</a></td> + <td>At Lamarque's</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_524">Chapter IX.</a></td> + <td>Monsieur le Baron</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_535">Chapter X.</a></td> + <td>The Scourge</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_548">Chapter XI.</a></td> + <td>“In the Midst of Life”</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_555">Chapter XII.</a></td> + <td>Visions, and an Awakening</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_565">Chapter XIII.</a></td> + <td>A Mystery</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_575">Chapter XIV.</a></td> + <td>“To Unpathed Waters, Undreamed Shores”</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_589">Chapter XV.</a></td> + <td>An Episode in the Life of a Man</td> + </tr> + <tr> + <td></td> + <td><a href="https://www.gutenberg.org/files/388/388-h/388-h.htm#Page_596">Afterword</a></td> + </tr> +</tbody> +</table> + <p><br /><br /></p> + + <hr /> + <p> + <br /><a name="coniston" id="coniston"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm"> Coniston</a> + </h3> + + <table class="toc" summary="Coniston table of Contents" > +<tbody> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2H_4_0002">Book I.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0001">Chapter I.</a></td> + <td>On the Dangers of Curiosity</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0002">Chapter II.</a></td> + <td>On the Wisdom of Charity</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0003">Chapter III.</a></td> + <td>The Clerk and the Locket</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0004">Chapter IV.</a></td> + <td>Enter a Great Man, Incognito</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0005">Chapter V.</a></td> + <td>The King is Dead! Long Live the King!</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0006">Chapter VI.</a></td> + <td>"Deep as First Love, and Wild with All Regret"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0007">Chapter VII.</a></td> + <td>"And Still the Ages roll, Unmoved"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0008">Chapter VIII.</a></td> + <td>It is Something to have Dreamed</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2H_4_0011">Book 2.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0009">Chapter IX.</a></td> + <td>Shake Hands with Mr. Bijah Bixby</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0010">Chapter X.</a></td> + <td>How the Rebellion was Quenched</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0011">Chapter XI.</a></td> + <td>Mr. Worthington becomes a Reformer</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0012">Chapter XII.</a></td> + <td>"A Time to Weep, and a Time to Laugh"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0013">Chapter XIII.</a></td> + <td>Mr. Wetherell descends into the Arena</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0014">Chapter XIV.</a></td> + <td>In which the Back Seats are Heard From</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0015">Chapter XV.</a></td> + <td>The Woodchuck Session</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0016">Chapter XVI.</a></td> + <td>"Cynthia loved You"</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2H_4_0020">Book 3.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0017">Chapter I.</a></td> + <td>In the Tannery House</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0018">Chapter II.</a></td> + <td>Chiefly concerning the National Game</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0019">Chapter III.</a></td> + <td>Journeys to Go</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0020">Chapter IV.</a></td> + <td>"Judge Bass and Party"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0021">Chapter V.</a></td> + <td>Cousin Ephraim's Comrade</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0022">Chapter VI.</a></td> + <td>Mr. Sutton talks to a Constituent</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0023">Chapter VII.</a></td> + <td>An Amazing Encounter</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0024">Chapter VIII.</a></td> + <td>Cynthia learns how to be Fashionable</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0025">Chapter IX.</a></td> + <td>In which Mr. Merrill abandons a Habit</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0026">Chapter X.</a></td> + <td>Of An Unexpected Return</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2H_4_0031">Book 4.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0027">Chapter XI.</a></td> + <td>In which Miss Sadler writes a Letter</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0028">Chapter XII.</a></td> + <td>"In the Tannery Shed!"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0029">Chapter XIII.</a></td> + <td>Cynthia becomes a Teacher</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0030">Chapter XIV.</a></td> + <td>In which the Lord of Brampton Returns</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0031">Chapter XV.</a></td> + <td>Containing a Dramatic Climax</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0032">Chapter XVI.</a></td> + <td>Miss Lucretia quotes Genesis</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0033">Chapter XVII.</a></td> + <td>When the Pie was Opened</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0034">Chapter XVIII.</a></td> + <td>A Biographical Episode: Hitherto Unpublished</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0035">Chapter XIX.</a></td> + <td>Containing Free Transportation to Brampton</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2HCH0036">Chapter XX.</a></td> + <td>"To change the Name, and not the Letter"</td> + </tr> + + <tr> + <td></td> + <td> <a href="https://www.gutenberg.org/files/3766/3766-h/3766-h.htm#link2H_4_0042">Afterword</a></td> + </tr> +</tbody> +</table> + <p><br /><br /></p> + <hr /> + + <p> + <br /><a name="career" id="career"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm"> Mr. Crewe's Career</a> + </h3> + + <table class="toc" summary="Mr. Crewe's Career Table of Contents" > +<tbody> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2H_4_0001">Book I.</a> + </td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0001">Chapter + I.</a></td> + <td>The Honorouble Hilary Vane sits for His Portrait</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0002">Chapter + II.</a></td> + <td>On the Treatment of Prodigals</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0003">Chapter + III.</a></td> + <td>Concerning the Practice of Law</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0004"> Chapter + IV.</a></td> + <td>"Timeo Danaos"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0005">Chapter + V.</a></td> + <td>The Parting of the Ways</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0006">Chapter + VI.</a></td> + <td>Enter the Lion</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0007">Chapter + VII.</a></td> + <td>The Leopard and his Spots</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0008">Chapter + VIII.</a></td> + <td>The Trials of an Honourable</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0009">Chapter + IX.</a></td> + <td>Mr. Crewe assaults the Capital</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0010">Chapter + X.</a></td> + <td>"For Bills may come, and Bills may go"</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2H_4_0012"> + Book II.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0011">Chapter + XI.</a></td> + <td>The Hopper</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0012">Chapter + XII.</a></td> + <td>Mr. Redbrook's Party</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0013">Chapter + XIII.</a></td> + <td>The Realm of Pegasus</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0014">Chapter + XIV.</a></td> + <td>The Descendants of Horatius</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0015">Chapter + XV.</a></td> + <td>The Disturbance of June Seventh</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0016">Chapter + XVI.</a></td> + <td>The "Book of Arguments" is opened</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0017">Chapter + XVII.</a></td> + <td>Busy Days at Wedderburn</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0018">Chapter + XVIII.</a></td> + <td>A Spirit in the Woods</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0019">Chapter + XIX.</a></td> + <td>Mr. Jabe Jenney Entertains</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0020">Chapter + XX.</a></td> + <td>Mr. Crewe: an Appreciation</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2H_4_0023"> + Book III.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0021">Chapter + XXI.</a></td> + <td>St. Giles of the Blameless Life</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0022">Chapter + XXII.</a></td> + <td>In which Euphrasia takes a hand</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0023">Chapter + XXIII.</a></td> + <td>A Falling-out in High Places</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0024">Chapter + XXIV.</a></td> + <td>An Adventure of Victoria's</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0025">Chapter + XXV.</a></td> + <td>More Adventures</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0026">Chapter + XXVI.</a></td> + <td>The Focus of Wrath</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0027">Chapter + XXVII.</a></td> + <td>The Arena and the Dust</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0028">Chapter + XXVIII.</a></td> + <td>The Voice of an Era</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0029">Chapter + XXIX.</a></td> + <td>The Vale of the Blue</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/3684/3684-h/3684-h.htm#link2HCH0030">Chapter + XXX.</a></td> + <td>P. S.</td> + </tr> + </tbody> +</table> + + + + + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /><a name="modern" id="modern"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm"> A Modern Chronicle</a> + </h3> + + +<table class="toc" summary="A Modern Chronicle Table of Contents" > +<tbody> + <tr> + <td colspan="2"><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0001">Book + I.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0001">Chapter I.</a></td> + <td>What's in Heredity</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0002">Chapter II.</a></td> + <td>Perdita Recalled</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0003">Chapter III.</a></td> + <td>Concerning Providence</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0004">Chapter IV.</a></td> + <td>Of Temperment</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0005">Chapter V.</a></td> + <td>In which Providence keeps Faith</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0006">Chapter VI.</a></td> + <td>Honora has a Glimpse of the World</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0007">Chapter + VII.</a></td> + <td>The Olympian Order</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0008">Chapter + VIII.</a></td> + <td>A Chapter of Conquests</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0009">Chapter + IX.</a></td> + <td>In which the Vicomte continues his studies</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0010">Chapter X.</a></td> + <td>In which Honora widens her Horizon</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0011">Chapter + XI.</a></td> + <td>What might have Been</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0012">Chapter + XII.</a></td> + <td>Which contains a Surprise for Mrs. Holt</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> <a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2H_4_0015">Book + II.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0013">Chapter I.</a></td> + <td>So Long as ye Both shall Live!</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0014">Chapter II.</a></td> + <td>"Stafford Park"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0015">Chapter III.</a></td> + <td>The Great Unattached</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0016">Chapter IV.</a></td> + <td>The New Doctrine</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0017">Chapter V.</a></td> + <td>Quicksands</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0018">Chapter VI.</a></td> + <td>Gad and Meni</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0019">Chapter + VII.</a></td> + <td>Of Certain Delicate Matters</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0020">Chapter + VIII.</a></td> + <td>Of Mental Processes—Feminine and Insoluable</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0009">Chapter + IX.</a></td> + <td>Introducing a Revolutionizing Vehicle</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0010">Chapter X.</a></td> + <td>On the Art of Lion Taming</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0011">Chapter + XI.</a></td> + <td>Containing Some Revelations</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> <a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2H_4_0028">Book + III.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0024">Chapter I.</a></td> + <td>Ascendi</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0025">Chapter II.</a></td> + <td>The Path of Philanthropy</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0026">Chapter III.</a></td> + <td>Vineland</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0027">Chapter IV.</a></td> + <td>The Viking</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0028">Chapter V.</a></td> + <td>The Survival of the Fittest</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0029">Chapter VI.</a></td> + <td>Clio, or Thalia?</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0030">Chapter + VII.</a></td> + <td>"Liberty, and the Pursuit of Happiness"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0031">Chapter + VIII.</a></td> + <td>In which the Law betrays a Heart</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0032">Chapter + IX.</a></td> + <td>Wylie Street</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0033">Chapter X.</a></td> + <td>The Price of Freedom</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0034">Chapter + XI.</a></td> + <td>In which it is All done over Again</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0035">Chapter + XII.</a></td> + <td>The Entrance into Eden</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0036">Chapter XIII.</a></td> + <td>Of The World Beyond the Gates</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0037">Chapter XIV.</a></td> + <td>Containing Philosophy from Mr. Grainger</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0038">Chapter XV.</a></td> + <td>The Pillars of Society</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0039">Chapter XVI.</a></td> + <td>In which a Mirror is held Up</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0040">Chapter XVII.</a></td> + <td>The Renewal of an Ancient Hospitality</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5382/5382-h/5382-h.htm#link2HCH0041">Chapter XVIII.</a></td> + <td>In which Mr. Erwin sees Paris</td> + </tr> +</tbody> +</table> + <p><br /><br /></p> + +<hr /> + <p> + <br /><a name="cup" id="cup"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm"> The Inside of The Cup</a> + </h3> + + <table class="toc" summary="The Inside of The Cup Table of Contents" > +<tbody> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2H_4_0002">Volume I.</a></td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0001">Chapter I.</a></td> + <td>The Warring Problems</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0002">Chapter II.</a></td> + <td>Mr. Langmaid's Mission</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0003">Chapter + III.</a></td> + <td>The Primrose Path</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0004">Chapter + IV.</a></td> + <td>Some Riddles of the Twentieth Century</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2H_4_0007">Volume 2.</a> + </td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0005">Chapter V.</a></td> + <td>The Rector has More Food for Thought</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0006">Chapter VI.</a></td> + <td>"Watchman, What of the Night?"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0007">Chapter VII.</a></td> + <td>The Kingdoms of the World</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0008">Chapter + VIII.</a></td> + <td>The Line of Least Resistance</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2H_4_0012">Volume 3.</a> + </td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0009">Chapter IX.</a></td> + <td>The Divine Discontent</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0010">Chapter X.</a></td> + <td>The Messenger in the Church</td> + </tr> + <tr> + <td> <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0011">Chapter + XI.</a></td> + <td>The Lost Parishoner</td> + </tr> + <tr> + <td> <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0012">Chapter + XII.</a></td> + <td>The Woman of the Song</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2H_4_0017">Volume 4.</a> + </td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0013">Chapter + XIII.</a></td> + <td>Winterbourne</td> + </tr> + <tr> + <td> <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0014">Chapter + XIV.</a></td> + <td>A Saturday Afternoon</td> + </tr> + <tr> + <td> <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0015">Chapter + XV.</a></td> + <td>The Crucible</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0016">Chapter + XVI.</a></td> + <td>Amid the Encircling Gloom</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2H_4_0022">Volume 5.</a> + </td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0017">Chapter + XVII.</a></td> + <td>Reconstruction</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0018">Chapter + XVIII.</a></td> + <td>The Riddle of Causation</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0019">Chapter + XIX.</a></td> + <td>Mr. Goodrich becomes a Partisan</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2H_4_0026">Volume 6.</a> + </td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0020">Chapter + XX.</a></td> + <td>The Arraignment</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0021">Chapter + XXI.</a></td> + <td>Alison Goes to Church</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0022">Chapter + XXII.</a></td> + <td>"Which say to the Seers, See not!"</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2H_4_0030">Volume 7.</a> + </td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0023">Chapter + XXIII.</a></td> + <td>The Choice</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0024">Chapter + XXIV.</a></td> + <td>The Vestry Meets</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0025">Chapter + XXV.</a></td> + <td>"Rise, Crowned with Light!"</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0026">Chapter + XVI.</a></td> + <td>The Current of Life</td> + </tr> + <tr> + <td style="height:2em"></td> + </tr> + <tr> + <td colspan="2"> + <a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2H_4_0035">Volume 8.</a> + </td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0027">Chapter + XXVII.</a></td> + <td>Retribution</td> + </tr> + <tr> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2HCH0028">Chapter + XXVIII.</a></td> + <td>Light</td> + </tr> + <tr> + <td></td> + <td><a href="https://www.gutenberg.org/files/5364/5364-h/5364-h.htm#link2H_4_0038">Afterword</a></td> + </tr> + </tbody> +</table> + + <p> + <br /> <br /> + </p> + + + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /><a name="country" id="country"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm"> A Far Country</a> + </h3> + + + <ul class="menu"> + <li><dl><dt><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0001">BOOK 1.</a></dt> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0002"> I. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0003"> II. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0004"> III. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0005"> IV. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0006"> V. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0007"> VI. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0008"> VII. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0009"> VIII </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0010"> IX. </a></dd> + </dl> + </li> + <li><dl><dt><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0011">BOOK 2.</a></dt> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0012"> X. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0013"> XI. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0014"> XII. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0015"> XIII. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0016"> XIV. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0017"> XV. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0018"> XVI. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0019"> XVII. </a></dd> + </dl> + </li> + <li><dl><dt><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0020">BOOK 3.</a></dt> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0021"> XVIII. </a></dd> + <dd> <a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0022"> XVIX. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0023"> XX. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0024"> XXI. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0025"> XXII. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0026"> XXIII. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0027"> XXIV. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0028"> XXV. </a></dd> + <dd><a href="https://www.gutenberg.org/files/3739/3739-h/3739-h.htm#link2H_4_0029"> XXVI. </a></dd> + </dl> + </li> + </ul> + + + <p> + <br /> <br /> + </p> + <hr /> + + <p> + <br /> <br /><a name="dwelling" id="dwelling"></a> + </p> + <h1> + <a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm"> The Dwelling Place of Light</a> + </h1> + + <ul class="menu"> + <li><ul> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0001">CHAPTER I </a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0002">CHAPTER II </a></li> + <li> <a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0003">CHAPTER III</a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0004"> CHAPTER IV </a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0005"> CHAPTER V</a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0006"> CHAPTER VI</a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0007"> CHAPTER VII</a></li> + </ul> + </li> + <li><ul> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0008"> CHAPTER VIII</a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0009"> CHAPTER IX </a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0010"> CHAPTER X </a></li> + <li> <a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0011"> CHAPTER XI </a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0012"> CHAPTER XII</a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0013"> CHAPTER XIII</a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0014"> CHAPTER XIV</a></li> + </ul> + </li> + <li><ul> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0015"> CHAPTER XV </a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0016"> CHAPTER XVI</a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0017"> CHAPTER XVII</a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0018"> CHAPTER XVIII</a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0019"> CHAPTER XIX </a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0020"> CHAPTER XX </a></li> + <li><a href="https://www.gutenberg.org/files/3649/3649-h/3649-h.htm#link2HCH0021"> CHAPTER XXI</a></li> + </ul> + </li> + </ul> + + <p><br /><br /></p> + + <hr /> + <p> + <br /><a name="wartime" id="wartime"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/5398/5398-h/5398-h.htm"> A Traveller in Wartime</a> + </h3> + <ul> + <li><a href="https://www.gutenberg.org/files/5398/5398-h/5398-h.htm#link2H_PREF"> PREFACE </a></li> + <li><a href="https://www.gutenberg.org/files/5398/5398-h/5398-h.htm#link2HCH0001"> CHAPTER I </a></li> + <li><a href="https://www.gutenberg.org/files/5398/5398-h/5398-h.htm#link2HCH0002"> CHAPTER II </a></li> + <li><a href="https://www.gutenberg.org/files/5398/5398-h/5398-h.htm#link2HCH0003"> CHAPTER III</a></li> + </ul> + + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /><a name="american" id="american"></a> <br /> + </p> + <h3> + <a href="https://www.gutenberg.org/files/5399/5399-h/5399-h.htm"> Essay on The American Contribution</a> + </h3> + <ul class="menu"> + <li><a href="https://www.gutenberg.org/files/5399/5399-h/5399-h.htm#link2H_4_0001">I. </a></li> + <li><a href="https://www.gutenberg.org/files/5399/5399-h/5399-h.htm#link2H_4_0002">II.</a></li> + <li><a href="https://www.gutenberg.org/files/5399/5399-h/5399-h.htm#link2H_4_0003">III.</a></li> + <li><a href="https://www.gutenberg.org/files/5399/5399-h/5399-h.htm#link2H_4_0004">IV. </a></li> + <li><a href="https://www.gutenberg.org/files/5399/5399-h/5399-h.htm#link2H_4_0005">V. </a></li> + </ul> + + <hr /> + +<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE WORKS OF WINSTON CHURCHILL ***</div> +<div style='text-align:left'> + +<div style='display:block; margin:1em 0'> +Updated editions will replace the previous one—the old editions will +be renamed. +</div> + +<div style='display:block; margin:1em 0'> +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these 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