summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:36:45 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:36:45 -0700
commitf549a1593dbf982754c8138966d8fa9cdf78c99d (patch)
tree5e35531295de053e3fd44200c1f26797ebcdef68
initial commit of ebook 27941HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--27941-8.txt574
-rw-r--r--27941-8.zipbin0 -> 11998 bytes
-rw-r--r--27941-h.zipbin0 -> 12693 bytes
-rw-r--r--27941-h/27941-h.htm616
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
7 files changed, 1206 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/27941-8.txt b/27941-8.txt
new file mode 100644
index 0000000..63b8efe
--- /dev/null
+++ b/27941-8.txt
@@ -0,0 +1,574 @@
+The Project Gutenberg EBook of Supplemento ao n.º 7 das Insomnias de
+Camillo Castello Branco, by Anselmo de Morais
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Supplemento ao n.º 7 das Insomnias de Camillo Castello Branco
+
+Author: Anselmo de Morais
+
+Release Date: January 31, 2009 [EBook #27941]
+
+Language: Portuguese
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SUPPLEMENTO AO N.O 7 DAS INSOMNIAS ***
+
+
+
+
+Produced by Pedro Saborano (produced from scanned images
+of public domain material from Google Book Search)
+
+
+
+
+
+
+SUPPLEMENTO AO N.º 7
+
+DAS
+
+INSOMNIAS
+
+DE
+
+CAMILLO CASTELLO BRANCO
+
+
+O tratamento da gangrena é o ferro em braza; os grandes perversos eram
+tambem marcados com o ferro em braza na testa ou nas costas para
+condemnação permanente. Temos hoje de applicar este tratamento na pessoa
+de _Camillo Castello Branco_, pela sua dupla qualidade de podridão
+physica e degradação moral. Ha muitos annos que este galeriano se tornou
+o symbolo da torpeza de costumes, da indignidade em todos os actos da
+sua vida, uma especie de cadaver ambulante dentro do qual vomita
+corrupção um vampiro que exhala o asco da sacristia, a atrocidade do
+covil, a vilania do alcouce, e a linguagem desenfreada do açougue. A
+cara d'este monstro, ultraje da especie humana, é a sua biographia;
+n'ella estão escriptos os vergões das chicotadas publicas que tem
+levado, e ainda se vêem as manchas dos escarros de desprezo que tem
+provocado. O amolecimento da espinha dorsal, a que a natureza o
+condemnou, é a historia da crápula em que se tem revolvido; emfim o
+idiotismo de que se está sentindo possuir arrasta-o para o abysmo da
+bestialidade d'onde nunca teria sahido, se o caso de uma infamia o não
+trouxesse de guardador de cabras em Villa Real para uma terra grande
+como o Porto, que o tem tollerado como uma especie de cloaca maxima,
+como o sumidouro de todas as paixões abjectas que se manifestam ás vezes
+em qualquer sociedade.
+
+A côr livida d'este miseravel que em França nem mesmo chegaria a ser
+Cartucho, e na Italia seria engraxa-botas de Casanova, a sua côr livida
+representa a alliança com o patibulo, se é que Camillo Castello Branco
+valesse a ponta do baraço necessario para o enforcar. Elle não vale nem
+mesmo esse pedaço de corda. Deixamos estes traços da sua physionomia;
+passemos a indicar os mais caracteristicos episodios da sua negra epopêa
+de iniquidades:
+
+Quando Camillo Castello Branco guardava cabras em Villa Real, causou a
+ruina de uma pobre rapariga filha de um taverneiro; o pae da criança
+chamou-o para elle casar com a filha.
+
+Camillo acceitou a proposta com a condição de lhe dar o taverneiro um
+fato novo e uma moeda. Recebido o ajuste, Camillo fugiu com o fato e o
+dinheiro para a cidade do Porto, e aqui continuou o seu cyclo de
+immundas aventuras. Começou desempenhando o papel de aprendiz de padre,
+recebendo apoio dos jornaes miguelistas e tendo só em vista uma cousa--o
+rapinar alguns cobres ao bispo. Padres e miguelistas achavam em Camillo
+um inspirado, capaz de ser um Ravailhac ou um Jacques Clemente; mas o
+ex-guardador de cabras sacrificou todos os planos dos seus protectores a
+uma só cousa que tem sido o movel de todas as suas acções--comer e
+babujar. Com a raiva do asno que morde a albarda, Camillo annullou a
+protecção d'estas duas influencias descompondo uns e outros. Foi então
+quando se sentiu uma potencia, que tinha a força do mal para se fazer
+temer.
+
+Explorou este novo esgoto que se lhe abriu na alma, e assentou banca de
+descompostura por dinheiro: nas descomposturas que lhe pagaram contra a
+consorte do conde de Bolhão, a par das libras tambem recebeu algumas
+moedas de escarros na cara; nas descomposturas contra a snr.ª Brown,
+recebeu tambem n'isso que de cara passou a ser lata, as publicas
+chicotadas vibradas por seu filho Ricardo Brown.
+
+Os differentes romances obscenos que foi escrevendo eram uma supporação
+d'esta necessidade de abocanhar; leram-se os romances para se
+descobrirem os escandalos portuenses. Mas quando o publico se viu
+cançado d'este desaforado histrião e os editores se não quizeram mais
+deixar roubar por elle, Camillo Castello Branco lançou-se n'uma empreza
+nova: explorou uma mulher casada que tivera a desgraça de ter perdido o
+senso moral com a leitura frequente d'esses romances a que alludimos.
+Todos sabem o caso da morte do infeliz marido, e como Camillo Castello
+Branco foi completar nas enxovias a educação que encetou com as cabras
+em Villa Real.
+
+Da cadeia começou Camillo a abrir brecha para a rapina na casa Moré,
+mandando ali mostrar um Romance de descompostura ao dignissimo
+procurador regio que não lhe tolerou certas obscenidades no carcere; o
+amigo do procurador regio, gerente da dita casa, teve de pagar o romance
+para poupar um desgosto ao magistrado respeitavel. Ainda não ha muito
+tempo, que o snr. José Gomes Monteiro se refugiu no nosso Escriptorio
+para evitar o encontro de Camillo na loja Moré, que ia ali armar uma
+_escroquerie_, com o fim, dizia elle, de pagar uma decima. Livre da
+cadeia, porque a lei quasi que não admitte prova no adulterio, Camillo
+Castello Branco devorou então os bens d'essa infeliz creatura do Senhor
+que arrastou á aversão publica. Depois de ter comido o que pertencia á
+sua victima, viu o que ainda pertencia ao filho d'ella, cujos
+rendimentos eram utitisados pela mãe, que, por não ter passado a
+segundas nupcias, ficára com a administração d'esse resto: nada mais
+natural que armar um cerco a este dinheiro.
+
+Em primeiro logar não casou com a mulher a quem devia uma reparação,
+para ella não perder a administração do filho; e em segundo logar mandou
+agora a criança para a Africa, na esperança d'elle alli morrer e então
+poder livremente dispôr d'esse resto de dinheiro. Alerta snr. Curador
+geral dos orfãos. Por onde quer que se olhe este monturo de crimes, que
+por ahi infecciona os áres por todos os lados Camillo Castello Branco só
+mostra aspectos repugnantes; ultimamente comprometteu a sorte de Vieira
+de Castro com a sua defeza; explorou a desgraça do amigo com o drama o
+_Condemnado_ que vendeu a dous individuos; e por ultimo lucra ainda com
+a morte do homem de quem se diz amigo, vendendo para o Brazil por
+800$000 reis as cartas que esse desgraçado lhe escreveu da Africa.
+
+Para Camillo Castello Branco as palavras honra, dever, amizade, são como
+as particulas sacrosantas que tivessem cahido em poder de um macaco;
+privado do minimo vislumbre de senso moral, a moralidade, a vergonha, o
+pudor são para elle como as côres para um cego de nascença. Ultimamente
+aspirou a um titulo de visconde, porque viu alguns negreiros e agiotas
+ornados com esse distinctivo; elle por tanto achava-se com maior direito
+para se distinguir pelo seu cynismo. Como alguem do paço se oppôz a que
+acabassem de degradar os titulos nobiliarchicos, Camillo começou a
+insultar a Casa de Bragança. Mas como hoje as suas diatribes sujas
+produzem o effeito contrario ao que elle mira, e como já ninguem lhe
+pagava para pôr a sua penna ao serviço da calumnia, ligou-se então com
+um francez devasso chamado Ernesto Chardron, para a publicação de um
+cano de despejo intitulado _Insomnias de Camillo Castello Branco_. Este
+snr. Chardron é aquelle que violou a casa de um seu compatriota,
+raptando-lhe a mulher, e aquelle mesmo que estaria a estas horas na
+cadeia, se o gerente da antiga casa Moré tivesse sellado as portas do
+estabelecimento quando este aventureiro sahiu d'alli para traficar á
+vontade. Os dois grilhetas acharam-se dignos um do outro; Chardron é o
+passador dos latrocinios que o Camillo pratica sobre a honra dos que o
+desauthoraram perante a honestidade. Ora n'este opusculo n.º 7 das
+_Insomnias de Camillo Castello Branco_, com a sua auctoridade de juiz de
+enxovia, onde já residiu, diz que eu lhe roubei o livro _Mosaico_,
+publicando-o contra a sua vontade. Este homem, que tem recebido dinheiro
+por livros que nunca escreveu, recebeu de nós 14 libras para escrever o
+_Mosaico_, e mais 9 libras por outra comedella; quando nos viu com o
+livro em metade da impressão, julgou ter-nos o pé no pescoço e exigiu
+mais dinheiro. Recusei-me a este logro e exploração sordida, e para não
+perder o que já lhe tinha dado publiquei o livro na altura em que já
+estava. Camillo fez-me um arresto, mas o Tribunal da Relação em vista
+dos documentos de letra do proprio Camillo, mandou-me entregar o que era
+minha propriedade, por Accordão de 31 de Agosto de 1868. O desgraçado
+paria, porque um Accordão restabeleceu o meu direito, vem hoje chamar-me
+ladrão. Não vamos aos tribunaes, porque Camillo Castello Branco
+manifesta já os primeiros symptomas de demencia, e porque um elogio da
+sua bôcca seria a maior affronta que podiamos receber. Camillo
+lembrando-se ainda do tempo em que furtava os brincos ás criadas da casa
+onde morava, está agora com a monomania de que todos o roubam; eil-o ora
+nos jornaes a accusar um garoto que o servia, eil-o a restabelecer-lhe
+os creditos, dando a entender que fôra roubado pela amazia e até pelo
+proprio filho! Eil-o contando as colheres de prata que pertenceram ao
+marido da sua victima. Decididamente os amigos de Camillo têm razão para
+caracterisar-lhe o estado de demencia. Este larapio das livrarias dos
+fidalgos de provincia, empulhando-os com livros de hippiatrica, e rindo
+da sua lorpice, este vendilhão acobertado com o pseudonymo de Jorge
+Correia, tem a audacia da rameira, para chamar aos outros aquillo que o
+distingue. Assim como Alexandre Herculano o pôz fóra de sua casa, a
+sociedade devia expungil-o, ficando á conta do municipio o recompensar
+aquelle que lhe deitasse a bóla.
+
+A nossa vingança está breve: ir-lhe-hemos regar a cova com o que elle
+sabe, e temos a certeza que assim como se guardam os exemplares dos
+notaveis aleijões, a memoria ominosa de Camillo Castello Branco hade
+conservar-se por muito tempo na execração publica como uma das grandes
+aberrações moraes da especie humana.
+
+N. B. Em vista dos factos que deixamos apontados Camillo Castello Branco
+perdeu toda a imputação e auctoridade moral.
+
+Por isso, emquanto á accusação que nos fins de não termos pago a dois
+escriptores os artigos que enviaram para a _Gazeta Litteraria_, temos
+apenas a dizer ao publico: entregamos a Camillo, como era do contracto,
+o dinheiro destinado, a esse fim, de que temos os devidos documentos.
+
+Porto, 22 de Julho de 1874.
+
+ _Anselmo de Moraes._
+
+
+Porto--Imprensa Portugueza.
+
+
+
+
+
+End of the Project Gutenberg EBook of Supplemento ao n.º 7 das Insomnias de
+Camillo Castello Branco, by Anselmo de Morais
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SUPPLEMENTO AO N.O 7 DAS INSOMNIAS ***
+
+***** This file should be named 27941-8.txt or 27941-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/7/9/4/27941/
+
+Produced by Pedro Saborano (produced from scanned images
+of public domain material from Google Book Search)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/27941-8.zip b/27941-8.zip
new file mode 100644
index 0000000..08c4b0b
--- /dev/null
+++ b/27941-8.zip
Binary files differ
diff --git a/27941-h.zip b/27941-h.zip
new file mode 100644
index 0000000..e72a747
--- /dev/null
+++ b/27941-h.zip
Binary files differ
diff --git a/27941-h/27941-h.htm b/27941-h/27941-h.htm
new file mode 100644
index 0000000..75f2476
--- /dev/null
+++ b/27941-h/27941-h.htm
@@ -0,0 +1,616 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" "http://www.w3.org/TR/html4/loose.dtd">
+<html lang="pt">
+<head>
+ <title>Supplemento ao n.º 7 das Insomnias de Camillo Castello Branco</title>
+ <meta name="author" content="Anselmo de Morais">
+ <meta name="Date" content="1874">
+ <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-15">
+ <meta name="KEYWORDS" content="">
+ <style type="text/css">
+ @media print {
+ .pagenum { display: none;}
+ }
+ @media handheld {
+ .pagenum { display: none;}
+ }
+ body {width: 520px; margin-left: 90px;}
+ .pagenum {font-size: 0.6em; font-style: normal; color: #666666; position:absolute; left: 630px;}
+ hr {
+ border: none;
+ border-bottom: solid 2px #000000;
+ text-align: center;
+ }
+ p {text-indent: 1em; text-align: justify;}
+ </style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Supplemento ao n.º 7 das Insomnias de
+Camillo Castello Branco, by Anselmo de Morais
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Supplemento ao n.º 7 das Insomnias de Camillo Castello Branco
+
+Author: Anselmo de Morais
+
+Release Date: January 31, 2009 [EBook #27941]
+
+Language: Portuguese
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SUPPLEMENTO AO N.O 7 DAS INSOMNIAS ***
+
+
+
+
+Produced by Pedro Saborano (produced from scanned images
+of public domain material from Google Book Search)
+
+
+
+
+
+
+</pre>
+
+
+<p style="text-align:center; font-size: 1.5em;">SUPPLEMENTO AO N.º 7</p>
+
+<p style="text-align:center; font-size: 0.8em;">DAS</p>
+
+<p style="text-align:center; font-size: 2.5em;">INSOMNIAS</p>
+
+<p style="text-align:center; font-size: 0.8em;">DE</p>
+
+<p style="text-align:center; font-size: 1.5em;">CAMILLO CASTELLO BRANCO</p>
+
+<p></p>
+
+<p>O tratamento da gangrena é o ferro em braza; os grandes perversos eram
+tambem marcados com o ferro em braza na testa ou nas costas para condemnação
+permanente. Temos hoje de applicar este tratamento na pessoa de <em>Camillo
+Castello Branco</em>, pela sua dupla qualidade de podridão physica e degradação
+moral. Ha muitos annos que este galeriano se tornou o symbolo da torpeza de
+costumes, da indignidade em todos os actos da sua vida, uma especie de cadaver
+ambulante dentro do qual vomita corrupção um vampiro que exhala o asco da
+sacristia, a atrocidade do covil, a vilania do alcouce, e a linguagem
+desenfreada do açougue. A cara d'este monstro, ultraje da especie humana,
+é a sua biographia; n'ella estão escriptos os vergões das chicotadas publicas
+que tem levado, e ainda se vêem as manchas dos escarros de desprezo que tem
+provocado. O amolecimento da espinha dorsal, a que a natureza o condemnou, é a
+historia da crápula em que se tem revolvido; emfim o idiotismo de que se está
+sentindo possuir arrasta-o para o abysmo da bestialidade d'onde nunca teria
+sahido, se o caso de uma infamia o não trouxesse de guardador de cabras em
+Villa Real para uma terra grande como o Porto, que o tem tollerado como uma
+especie de cloaca maxima, como o sumidouro de todas as paixões abjectas que se
+manifestam ás vezes em qualquer sociedade.</p>
+
+<p>A côr livida d'este miseravel que em França nem mesmo chegaria a ser
+Cartucho, e na Italia seria engraxa-botas de Casanova, a sua côr livida
+representa a alliança com o patibulo, se é que Camillo Castello Branco valesse
+a ponta do baraço necessario para o enforcar. Elle não vale nem mesmo esse
+pedaço de corda. Deixamos estes traços da sua physionomia; passemos a indicar
+os mais caracteristicos episodios da sua negra epopêa de iniquidades: </p>
+
+<p>Quando Camillo Castello Branco guardava cabras em Villa Real, causou a ruina
+de uma pobre rapariga filha de um taverneiro; o pae da criança chamou-o para
+elle casar com a filha.</p>
+
+<p>Camillo acceitou a proposta com a condição de lhe dar o taverneiro um fato
+novo e uma moeda. Recebido o ajuste, Camillo fugiu com o fato e o dinheiro para
+a cidade do Porto, e aqui continuou o seu cyclo de immundas aventuras. Começou
+desempenhando o papel de aprendiz de padre, recebendo apoio dos jornaes
+miguelistas e tendo só em vista uma cousa&mdash;o rapinar alguns cobres ao bispo.
+Padres e miguelistas achavam em Camillo um inspirado, capaz de ser um Ravailhac
+ou um Jacques Clemente; mas o ex-guardador de cabras sacrificou todos os planos
+dos seus protectores a uma só cousa que tem sido o movel de todas as suas
+acções&mdash;comer e babujar. Com a raiva do asno que morde a albarda, Camillo
+annullou a protecção d'estas duas influencias descompondo uns e outros. Foi
+então quando se sentiu uma potencia, que tinha a força do mal para se fazer
+temer.</p>
+
+<p>Explorou este novo esgoto que se lhe abriu na alma, e assentou banca de
+descompostura por dinheiro: nas descomposturas que lhe pagaram contra a
+consorte do conde de Bolhão, a par das libras tambem recebeu algumas moedas de
+escarros na cara; nas descomposturas contra a snr.ª Brown, recebeu tambem
+n'isso que de cara passou a ser lata, as publicas chicotadas vibradas por seu
+filho Ricardo Brown.</p>
+
+<p>Os differentes romances obscenos que foi escrevendo eram uma
+supporação d'esta necessidade de abocanhar; leram-se os romances para se
+descobrirem os escandalos portuenses. Mas quando o publico se viu cançado
+d'este desaforado histrião e os editores se não quizeram mais deixar roubar por
+elle, Camillo Castello Branco lançou-se n'uma empreza nova: explorou uma mulher
+casada que tivera a desgraça de ter perdido o senso moral com a leitura
+frequente d'esses romances a que alludimos. Todos sabem o caso da morte do
+infeliz marido, e como Camillo Castello Branco foi completar nas enxovias a
+educação que encetou com as cabras em Villa Real.</p>
+
+<p>Da cadeia começou Camillo a abrir brecha para a rapina na casa Moré,
+mandando ali mostrar um Romance de descompostura ao dignissimo procurador regio
+que não lhe tolerou certas obscenidades no carcere; o amigo do procurador
+regio, gerente da dita casa, teve de pagar o romance para poupar um desgosto ao
+magistrado respeitavel. Ainda não ha muito tempo, que o snr. José Gomes
+Monteiro se refugiu no nosso Escriptorio para evitar o encontro de Camillo na
+loja Moré, que ia ali armar uma <em>escroquerie</em>, com o fim, dizia elle, de
+pagar uma decima. Livre da cadeia, porque a lei quasi que não admitte prova no
+adulterio, Camillo Castello Branco devorou então os bens d'essa infeliz
+creatura do Senhor que arrastou á aversão publica. Depois de ter comido o
+que pertencia á sua victima, viu o que ainda pertencia ao filho d'ella, cujos
+rendimentos eram utitisados pela mãe, que, por não ter passado a segundas
+nupcias, ficára com a administração d'esse resto: nada mais natural que armar
+um cerco a este dinheiro.</p>
+
+<p>Em primeiro logar não casou com a mulher a quem devia uma reparação, para
+ella não perder a administração do filho; e em segundo logar mandou agora a
+criança para a Africa, na esperança d'elle alli morrer e então poder livremente
+dispôr d'esse resto de dinheiro. Alerta snr. Curador geral dos orfãos. Por onde
+quer que se olhe este monturo de crimes, que por ahi infecciona os áres por
+todos os lados Camillo Castello Branco só mostra aspectos repugnantes;
+ultimamente comprometteu a sorte de Vieira de Castro com a sua defeza; explorou
+a desgraça do amigo com o drama o <em>Condemnado</em> que vendeu a dous
+individuos; e por ultimo lucra ainda com a morte do homem de quem se diz amigo,
+vendendo para o Brazil por 800$000 reis as cartas que esse desgraçado lhe
+escreveu da Africa.</p>
+
+<p>Para Camillo Castello Branco as palavras honra, dever, amizade, são como as
+particulas sacrosantas que tivessem cahido em poder de um macaco; privado do
+minimo vislumbre de senso moral, a moralidade, a vergonha, o pudor são
+para elle como as côres para um cego de nascença. Ultimamente aspirou a um
+titulo de visconde, porque viu alguns negreiros e agiotas ornados com esse
+distinctivo; elle por tanto achava-se com maior direito para se distinguir pelo
+seu cynismo. Como alguem do paço se oppôz a que acabassem de degradar os
+titulos nobiliarchicos, Camillo começou a insultar a Casa de Bragança. Mas como
+hoje as suas diatribes sujas produzem o effeito contrario ao que elle mira, e
+como já ninguem lhe pagava para pôr a sua penna ao serviço da calumnia,
+ligou-se então com um francez devasso chamado Ernesto Chardron, para a
+publicação de um cano de despejo intitulado <em>Insomnias de Camillo Castello
+Branco</em>. Este snr. Chardron é aquelle que violou a casa de um seu
+compatriota, raptando-lhe a mulher, e aquelle mesmo que estaria a estas horas
+na cadeia, se o gerente da antiga casa Moré tivesse sellado as portas do
+estabelecimento quando este aventureiro sahiu d'alli para traficar á vontade.
+Os dois grilhetas acharam-se dignos um do outro; Chardron é o passador dos
+latrocinios que o Camillo pratica sobre a honra dos que o desauthoraram perante
+a honestidade. Ora n'este opusculo n.º 7 das <em>Insomnias de Camillo Castello
+Branco</em>, com a sua auctoridade de juiz de enxovia, onde já residiu, diz que
+eu lhe roubei o livro <em>Mosaico</em>, publicando-o contra a sua vontade.
+Este homem, que tem recebido dinheiro por livros que nunca escreveu,
+recebeu de nós 14 libras para escrever o <em>Mosaico</em>, e mais 9 libras por
+outra comedella; quando nos viu com o livro em metade da impressão, julgou
+ter-nos o pé no pescoço e exigiu mais dinheiro. Recusei-me a este logro e
+exploração sordida, e para não perder o que já lhe tinha dado publiquei o livro
+na altura em que já estava. Camillo fez-me um arresto, mas o Tribunal da
+Relação em vista dos documentos de letra do proprio Camillo, mandou-me entregar
+o que era minha propriedade, por Accordão de 31 de Agosto de 1868. O desgraçado
+paria, porque um Accordão restabeleceu o meu direito, vem hoje chamar-me
+ladrão. Não vamos aos tribunaes, porque Camillo Castello Branco manifesta já os
+primeiros symptomas de demencia, e porque um elogio da sua bôcca seria a maior
+affronta que podiamos receber. Camillo lembrando-se ainda do tempo em que
+furtava os brincos ás criadas da casa onde morava, está agora com a monomania
+de que todos o roubam; eil-o ora nos jornaes a accusar um garoto que o servia,
+eil-o a restabelecer-lhe os creditos, dando a entender que fôra roubado pela
+amazia e até pelo proprio filho! Eil-o contando as colheres de prata que
+pertenceram ao marido da sua victima. Decididamente os amigos de Camillo têm
+razão para caracterisar-lhe o estado de demencia. Este larapio das
+livrarias dos fidalgos de provincia, empulhando-os com livros de hippiatrica, e
+rindo da sua lorpice, este vendilhão acobertado com o pseudonymo de Jorge
+Correia, tem a audacia da rameira, para chamar aos outros aquillo que o
+distingue. Assim como Alexandre Herculano o pôz fóra de sua casa, a sociedade
+devia expungil-o, ficando á conta do municipio o recompensar aquelle que lhe
+deitasse a bóla.</p>
+
+<p>A nossa vingança está breve: ir-lhe-hemos regar a cova com o que elle sabe,
+e temos a certeza que assim como se guardam os exemplares dos notaveis
+aleijões, a memoria ominosa de Camillo Castello Branco hade conservar-se por
+muito tempo na execração publica como uma das grandes aberrações moraes da
+especie humana.</p>
+
+<p>N. B. Em vista dos factos que deixamos apontados Camillo Castello Branco
+perdeu toda a imputação e auctoridade moral.</p>
+
+<p>Por isso, emquanto á accusação que nos fins de não termos pago a dois
+escriptores os artigos que enviaram para a <em>Gazeta Litteraria</em>, temos
+apenas a dizer ao publico: entregamos a Camillo, como era do contracto, o
+dinheiro destinado, a esse fim, de que temos os devidos documentos.</p>
+
+<p>Porto, 22 de Julho de 1874.</p>
+
+<p style="text-align:right;"><em>Anselmo de Moraes.</em></p>
+<hr>
+
+<p style="text-align:center; font-size: 0.8em;">Porto&mdash;Imprensa Portugueza.</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Supplemento ao n.º 7 das Insomnias de
+Camillo Castello Branco, by Anselmo de Morais
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SUPPLEMENTO AO N.O 7 DAS INSOMNIAS ***
+
+***** This file should be named 27941-h.htm or 27941-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/7/9/4/27941/
+
+Produced by Pedro Saborano (produced from scanned images
+of public domain material from Google Book Search)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
+
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..c0f6952
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #27941 (https://www.gutenberg.org/ebooks/27941)