diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:19:50 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:19:50 -0700 |
| commit | 258731e7663bc86f8901d81b37e9fcbbf02d89c3 (patch) | |
| tree | 48d988755569ef1e5091e94b7d8f5974b625bf58 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 2793-0.txt | 2132 | ||||
| -rw-r--r-- | 2793-0.zip | bin | 0 -> 44801 bytes | |||
| -rw-r--r-- | 2793-h.zip | bin | 0 -> 47478 bytes | |||
| -rw-r--r-- | 2793-h/2793-h.htm | 2488 | ||||
| -rw-r--r-- | 2793.txt | 2131 | ||||
| -rw-r--r-- | 2793.zip | bin | 0 -> 44581 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/flpcr10.txt | 2129 | ||||
| -rw-r--r-- | old/flpcr10.zip | bin | 0 -> 43026 bytes |
11 files changed, 8896 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/2793-0.txt b/2793-0.txt new file mode 100644 index 0000000..886c1bd --- /dev/null +++ b/2793-0.txt @@ -0,0 +1,2132 @@ +The Project Gutenberg EBook of Flip: A California Romance, by Bret Harte + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Flip: A California Romance + +Author: Bret Harte + +Release Date: May 27, 2006 [EBook #2793] +Last Updated: March 5, 2018 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK FLIP: A CALIFORNIA ROMANCE *** + + + + +Produced by Donald Lainson + + + + + +FLIP: A CALIFORNIA ROMANCE + + +By Bret Harte + + + + +CHAPTER I + + +Just where the track of the Los Gatos road streams on and upward like +the sinuous trail of a fiery rocket until it is extinguished in the blue +shadows of the Coast Range, there is an embayed terrace near the summit, +hedged by dwarf firs. At every bend of the heat-laden road the eye +rested upon it wistfully; all along the flank of the mountain, which +seemed to pant and quiver in the oven-like air, through rising dust, the +slow creaking of dragging wheels, the monotonous cry of tired springs, +and the muffled beat of plunging hoofs, it held out a promise of +sheltered coolness and green silences beyond. Sunburned and anxious +faces yearned toward it from the dizzy, swaying tops of stagecoaches, +from lagging teams far below, from the blinding white canvas covers of +“mountain schooners,” and from scorching saddles that seemed to weigh +down the scrambling, sweating animals beneath. But it would seem that +the hope was vain, the promise illusive. When the terrace was reached it +appeared not only to have caught and gathered all the heat of the +valley below, but to have evolved a fire of its own from some hidden +crater-like source unknown. Nevertheless, instead of prostrating and +enervating man and beast, it was said to have induced the wildest +exaltation. The heated air was filled and stifling with resinous +exhalations. The delirious spices of balm, bay, spruce, juniper, yerba +buena, wild syringa, and strange aromatic herbs as yet unclassified, +distilled and evaporated in that mighty heat, and seemed to fire with +a midsummer madness all who breathed their fumes. They stung, smarted, +stimulated, intoxicated. It was said that the most jaded and foot-sore +horses became furious and ungovernable under their influence; wearied +teamsters and muleteers, who had exhausted their profanity in the +ascent, drank fresh draughts of inspiration in this fiery air, extended +their vocabulary, and created new and startling forms of objurgation. +It is recorded that one bibulous stage-driver exhausted description +and condensed its virtues in a single phrase: “Gin and ginger.” This +felicitous epithet, flung out in a generous comparison with his favorite +drink, “rum and gum,” clung to it ever after. + +Such was the current comment on this vale of spices. Like most human +criticism it was hasty and superficial. No one yet had been known to +have penetrated deeply its mysterious recesses. It was still far below +the summit and its wayside inn. It had escaped the intruding foot of +hunter and prospector; and the inquisitive patrol of the county surveyor +had only skirted its boundary. It remained for Mr. Lance Harriott to +complete its exploration. His reasons for so doing were simple. He had +made the journey thither underneath the stage-coach, and clinging to its +axle. He had chosen this hazardous mode of conveyance at night, as the +coach crept by his place of concealment in the wayside brush, to elude +the sheriff of Monterey County and his posse, who were after him. + +He had not made himself known to his fellow-passengers as they already +knew him as a gambler, an outlaw, and a desperado; he deemed it unwise +to present himself in a newer reputation of a man who had just slain +a brother gambler in a quarrel, and for whom a reward was offered. +He slipped from the axle as the stage-coach swirled past the brushing +branches of fir, and for an instant lay unnoticed, a scarcely +distinguishable mound of dust in the broken furrows of the road. Then, +more like a beast than a man, he crept on his hands and knees into the +steaming underbrush. Here he lay still until the clatter of harness +and the sound of voices faded in the distance. Had he been followed, +it would have been difficult to detect in that inert mass of rags any +semblance to a known form or figure. A hideous reddish mask of dust and +clay obliterated his face; his hands were shapeless stumps exaggerated +in his trailing sleeves. And when he rose, staggering like a drunken +man, and plunged wildly into the recesses of the wood, a cloud of dust +followed him, and pieces and patches of his frayed and rotten garments +clung to the impeding branches. Twice he fell, but, maddened and upheld +by the smarting spices and stimulating aroma of the air, he kept on his +course. + +Gradually the heat became less oppressive; once when he stopped and +leaned exhaustedly against a sapling, he fancied he saw the zephyr he +could not yet feel in the glittering and trembling of leaves in the +distance before him. Again the deep stillness was moved with a faint +sighing rustle, and he knew he must be nearing the edge of the thicket. +The spell of silence thus broken was followed by a fainter, more musical +interruption--the glassy tinkle of water! A step further his foot +trembled on the verge of a slight ravine, still closely canopied by the +interlacing boughs overhead. A tiny stream that he could have dammed +with his hand yet lingered in this parched red gash in the hillside and +trickled into a deep, irregular, well-like cavity, that again overflowed +and sent its slight surplus on. It had been the luxurious retreat of +many a spotted trout; it was to be the bath of Lance Harriott. Without +a moment's hesitation, without removing a single garment, he slipped +cautiously into it, as if fearful of losing a single drop. His head +disappeared from the level of the bank; the solitude was again unbroken. +Only two objects remained upon the edge of the ravine,--his revolver and +tobacco pouch. + +A few minutes elapsed. A fearless blue jay alighted on the bank and +made a prospecting peck at the tobacco pouch. It yielded in favor of a +gopher, who endeavored to draw it toward his hole, but in turn gave way +to a red squirrel, whose attention was divided, however, between the +pouch and the revolver, which he regarded with mischievous fascination. +Then there was a splash, a grunt, a sudden dispersion of animated +nature, and the head of Mr. Lance Harriott appeared above the bank. It +was a startling transformation. Not only that he had, by this wholesale +process, washed himself and his light “drill” garments entirely clean, +but that he had, apparently by the same operation, morally cleansed +HIMSELF, and left every stain and ugly blot of his late misdeeds and +reputation in his bath. His face, albeit scratched here and there, was +rosy, round, shining with irrepressible good humor and youthful levity. +His large blue eyes were infantine in their innocent surprise and +thoughtlessness. Dripping yet with water, and panting, he rested his +elbows lazily on the bank, and became instantly absorbed with a boy's +delight in the movements of the gopher, who, after the first alarm, +returned cautiously to abduct the tobacco pouch. If any familiar had +failed to detect Lance Harriott in this hideous masquerade of dust and +grime and tatters, still less would any passing stranger have recognized +in this blond faun the possible outcast and murderer. And, when with a +swirl of his spattering sleeve, he drove back the gopher in a shower of +spray and leaped to the bank, he seemed to have accepted his felonious +hiding-place as a mere picnicking bower. + +A slight breeze was unmistakably permeating the wood from the west. +Looking in that direction, Lance imagined that the shadow was less dark, +and although the undergrowth was denser, he struck off carelessly toward +it. As he went on, the wood became lighter and lighter; branches, and +presently leaves, were painted against the vivid blue of the sky. He +knew he must be near the summit, stopped, felt for his revolver, and +then lightly put the few remaining branches aside. + +The full glare of the noonday sun at first blinded him. When he could +see more clearly, he found himself on the open western slope of the +mountain, which in the Coast Range was seldom wooded. The spiced thicket +stretched between him and the summit, and again between him and the +stage road that plunges from the terrace, like forked lightning into the +valley below. He could command all the approaches without being seen. +Not that this seemed to occupy his thoughts or cause him any anxiety. +His first act was to disencumber himself of his tattered coat; he then +filled and lighted his pipe, and stretched himself full-length on the +open hillside, as if to bleach in the fierce sun. While smoking he +carelessly perused the fragment of a newspaper which had enveloped his +tobacco, and being struck with some amusing paragraph, read it half +aloud again to some imaginary auditor, emphasizing its humor with an +hilarious slap upon his leg. + +Possibly from the relaxation of fatigue and the bath, which had become +a vapor one as he alternately rolled and dried himself in the baking +grass, his eyes closed dreamily. He was awakened by the sound of voices. +They were distant; they were vague; they approached no nearer. He rolled +himself to the verge of the first precipitous grassy descent. There was +another bank or plateau below him, and then a confused depth of olive +shadows, pierced here and there by the spiked helmets of pines. + +There was no trace of habitation, yet the voices were those of some +monotonous occupation, and Lance distinctly heard through them the click +of crockery and the ring of some household utensil. It appeared to be +the interjectional, half listless, half perfunctory, domestic dialogue +of an old man and a girl, of which the words were unintelligible. Their +voices indicated the solitude of the mountain, but without sadness; they +were mysterious without being awe-inspiring. They might have uttered +the dreariest commonplaces, but, in their vast isolation, they seemed +musical and eloquent. Lance drew his first sigh,--they had suggested +dinner. + +Careless as his nature was, he was too cautious to risk detection in +broad daylight. He contented himself for the present with endeavoring to +locate that particular part of the depths from which the voices seemed +to rise. It was more difficult, however, to select some other way of +penetrating it than by the stage road. “They're bound to have a fire +or show a light when it's dark,” he reasoned, and, satisfied with that +reflection, lay down again. Presently he began to amuse himself by +tossing some silver coins in the air. Then his attention was directed to +a spur of the Coast Range which had been sharply silhouetted against +the cloudless western sky. Something intensely white, something so +small that it was scarcely larger than the silver coin in his hand, was +appearing in a slight cleft of the range. + +While he looked it gradually filled and obliterated the cleft. In +another moment the whole serrated line of mountain had disappeared. The +dense, dazzling white, encompassing host began to pour over and down +every ravine and pass of the coast. Lance recognized the sea-fog, and +knew that scarcely twenty miles away lay the ocean--and safety! The +drooping sun was now caught and hidden in its soft embraces. A sudden +chill breathed over the mountain. He shivered, rose, and plunged again +for very warmth into the spice-laden thicket. The heated balsamic air +began to affect him like a powerful sedative; his hunger was forgotten +in the languor of fatigue; he slumbered. When he awoke it was dark. He +groped his way through the thicket. A few stars were shining directly +above him, but beyond and below, everything was lost in the soft, white, +fleecy veil of fog. Whatever light or fire might have betokened human +habitation was hidden. To push on blindly would be madness; he could +only wait for morning. It suited the outcast's lazy philosophy. He crept +back again to his bed in the hollow and slept. In that profound silence +and shadow, shut out from human association and sympathy by the ghostly +fog, what torturing visions conjured up by remorse and fear should have +pursued him? What spirit passed before him, or slowly shaped itself out +of the infinite blackness of the wood? None. As he slipped gently into +that blackness he remembered with a slight regret, some biscuits that +were dropped from the coach by a careless luncheon-consuming passenger. +That pang over, he slept as sweetly, as profoundly, as divinely, as a +child. + + + + +CHAPTER II. + + +He awoke with the aroma of the woods still steeping his senses. His +first instinct was that of all young animals; he seized a few of the +young, tender green leaves of the yerba buena vine that crept over his +mossy pillow and ate them, being rewarded by a half berry-like flavor +that seemed to soothe the cravings of his appetite. The languor of sleep +being still upon him, he lazily watched the quivering of a sunbeam that +was caught in the canopying boughs above. Then he dozed again. Hovering +between sleeping and waking, he became conscious of a slight movement +among the dead leaves on the bank beside the hollow in which he lay. The +movement appeared to be intelligent, and directed toward his revolver, +which glittered on the bank. Amused at this evident return of his +larcenous friend of the previous day, he lay perfectly still. The +movement and rustle continued, but it now seemed long and undulating. +Lance's eyes suddenly became set; he was intensely, keenly awake. It +was not a snake, but the hand of a human arm, half hidden in the moss, +groping for the weapon. In that flash of perception he saw that it was +small, bare, and deeply freckled. In an instant he grasped it firmly, +and rose to his feet, dragging to his own level as he did so, the +struggling figure of a young girl. + +“Leave me go!” she said, more ashamed than frightened. + +Lance looked at her. She was scarcely more than fifteen, slight and +lithe, with a boyish flatness of breast and back. Her flushed face and +bare throat were absolutely peppered with minute brown freckles, +like grains of spent gunpowder. Her eyes, which were large and gray, +presented the singular spectacle of being also freckled,--at least they +were shot through in pupil and cornea with tiny spots like powdered +allspice. Her hair was even more remarkable in its tawny, deer-skin +color, full of lighter shades, and bleached to the faintest of blondes +on the crown of her head, as if by the action of the sun. She had +evidently outgrown her dress, which was made for a smaller child, and +the too brief skirt disclosed a bare, freckled, and sandy desert of +shapely limb, for which the darned stockings were equally too scant. +Lance let his grasp slip from her thin wrist to her hand, and then with +a good-humored gesture tossed it lightly back to her. + +She did not retreat, but continued looking at him in a half-surly +embarrassment. + +“I ain't a bit frightened,” she said; “I'm not going to run away,--don't +you fear.” + +“Glad to hear it,” said Lance, with unmistakable satisfaction, “but why +did you go for my revolver?” + +She flushed again and was silent. Presently she began to kick the earth +at the roots of the tree, and said, as if confidentially to her foot,-- + +“I wanted to get hold of it before you did.” + +“You did?--and why?” + +“Oh, you know why.” + +Every tooth in Lance's head showed that he did, perfectly. But he was +discreetly silent. + +“I didn't know what you were hiding there for,” she went on, still +addressing the tree, “and,” looking at him sideways under her white +lashes, “I didn't see your face.” + +This subtle compliment was the first suggestion of her artful sex. +It actually sent the blood into the careless rascal's face, and for a +moment confused him. He coughed. “So you thought you'd freeze on to that +six-shooter of mine until you saw my hand?” + +She nodded. Then she picked up a broken hazel branch, fitted it into the +small of her back, threw her tanned bare arms over the ends of it, and +expanded her chest and her biceps at the same moment. This simple action +was supposed to convey an impression at once of ease and muscular force. + +“Perhaps you'd like to take it now,” said Lance, handing her the pistol. + +“I've seen six-shooters before now,” said the girl, evading the +proffered weapon and its suggestion. “Dad has one, and my brother had +two derringers before he was half as big as me.” + +She stopped to observe in her companion the effect of this capacity of +her family to bear arms. Lance only regarded her amusedly. Presently she +again spoke abruptly:-- + +“What made you eat that grass, just now?” + +“Grass!” echoed Lance. + +“Yes, there,” pointing to the yerba buena. + +Lance laughed. “I was hungry. Look!” he said, gayly tossing some silver +into the air. “Do you think you could get me some breakfast for that, +and have enough left to buy something for yourself?” + +The girl eyed the money and the man with half-bashful curiosity. + +“I reckon Dad might give ye suthing if he had a mind ter, though ez a +rule he's down on tramps ever since they run off his chickens. Ye might +try.” + +“But I want YOU to try. You can bring it to me here.” + +The girl retreated a step, dropped her eyes, and, with a smile that was +a charming hesitation between bashfulness and impudence, said: “So you +ARE hidin', are ye?” + +“That's just it. Your head's level. I am,” laughed Lance unconcernedly. + +“Yur ain't one o' the McCarty gang--are ye?” + +Mr. Lance Harriott felt a momentary moral exaltation in declaring +truthfully that he was not one of a notorious band of mountain +freebooters known in the district under that name. + +“Nor ye ain't one of them chicken lifters that raided Henderson's ranch? +We don't go much on that kind o' cattle yer.” + +“No,” said Lance, cheerfully. + +“Nor ye ain't that chap ez beat his wife unto death at Santa Clara?” + +Lance honestly scorned the imputation. Such conjugal ill treatment as +he had indulged in had not been physical, and had been with other men's +wives. + +There was a moment's further hesitation on the part of the girl. Then +she said shortly: + +“Well, then, I reckon you kin come along with me.” + +“Where?” asked Lance. + +“To the ranch,” she replied simply. + +“Then you won't bring me anything to eat here?” + +“What for? You kin get it down there.” Lance hesitated. “I tell you it's +all right,” she continued. “I'll make it all right with Dad.” + +“But suppose I reckon I'd rather stay here,” persisted Lance, with a +perfect consciousness, however, of affectation in his caution. + +“Stay away then,” said the girl coolly; “only as Dad perempted this yer +woods”-- + +“PRE-empted,” suggested Lance. + +“Per-empted or pre-emp-ted, as you like,” continued the girl +scornfully,--“ez he's got a holt on this yer woods, ye might ez well see +him down thar ez here. For here he's like to come any minit. You can bet +your life on that.” + +She must have read Lance's amusement in his eyes, for she again dropped +her own with a frown of brusque embarrassment. “Come along, then; I'm +your man,” said Lance, gayly, extending his hand. + +She would not accept it, eying it, however, furtively, like a horse +about to shy. “Hand me your pistol first,” she said. + +He handed it to her with an assumption of gayety. She received it on her +part with unfeigned seriousness, and threw it over her shoulder like +a gun. This combined action of the child and heroine, it is quite +unnecessary to say, afforded Lance undiluted joy. + +“You go first,” she said. + +Lance stepped promptly out, with a broad grin. “Looks kinder as if I was +a prisoner, don't it?” he suggested. + +“Go on, and don't fool,” she replied. + +The two fared onward through the wood. For one moment he entertained the +facetious idea of appearing to rush frantically away, “just to see +what the girl would do,” but abandoned it. “It's an even thing if she +wouldn't spot me the first pop,” he reflected admiringly. + +When they had reached the open hillside, Lance stopped inquiringly. +“This way,” she said, pointing toward the summit, and in quite an +opposite direction to the valley where he had heard the voices, one +of which he now recognized as hers. They skirted the thicket for a few +moments, and then turned sharply into a trail which began to dip toward +a ravine leading to the valley. + +“Why do you have to go all the way round?” he asked. + +“WE don't,” the girl replied with emphasis; “there's a shorter cut.” + +“Where?” + +“That's telling,” she answered shortly. + +“What's your name?” asked Lance, after a steep scramble and a drop into +the ravine. + +“Flip.” + +“What?” + +“Flip.” + +“I mean your first name,--your front name.” + +“Flip.” + +“Flip! Oh, short for Felipa!” + +“It ain't Flipper,--it's Flip.” And she relapsed into silence. + +“You don't ask me mine?” suggested Lance. + +She did not vouchsafe a reply. + +“Then you don't want to know?” + +“Maybe Dad will. You can lie to HIM.” + +This direct answer apparently sustained the agreeable homicide for some +moments. He moved onward, silently exuding admiration. + +“Only,” added Flip, with a sudden caution, “you'd better agree with me.” + +The trail here turned again abruptly and re-entered the canyon. Lance +looked up, and noticed they were almost directly beneath the bay thicket +and the plateau that towered far above them. The trail here showed signs +of clearing, and the way was marked by felled trees and stumps of pines. + +“What does your father do here?” he finally asked. Flip remained silent, +swinging the revolver. Lance repeated his question. + +“Burns charcoal and makes diamonds,” said Flip, looking at him from the +corners of her eyes. + +“Makes diamonds?” echoed Lance. + +Flip nodded her head. + +“Many of 'em?” he continued carelessly. + +“Lots. But they're not big,” she returned, with a sidelong glance. + +“Oh, they're not big?” said Lance gravely. + +They had by this time reached a small staked inclosure, whence the +sudden fluttering and cackle of poultry welcomed the return of the +evident mistress of this sylvan retreat. It was scarcely imposing. +Further on, a cooking stove under a tree, a saddle and bridle, a few +household implements scattered about, indicated the “ranch.” Like most +pioneer clearings, it was simply a disorganized raid upon nature that +had left behind a desolate battlefield strewn with waste and decay. +The fallen trees, the crushed thicket, the splintered limbs, the rudely +torn-up soil, were made hideous by their grotesque juxtaposition with +the wrecked fragments of civilization, in empty cans, broken bottles, +battered hats, soleless boots, frayed stockings, cast-off rags, and +the crowning absurdity of the twisted-wire skeleton of a hooped skirt +hanging from a branch. The wildest defile, the densest thicket, the most +virgin solitude, was less dreary and forlorn than this first footprint +of man. The only redeeming feature of this prolonged bivouac was the +cabin itself. Built of the half-cylindrical strips of pine bark, and +thatched with the same material, it had a certain picturesque rusticity. +But this was an accident of economy rather than taste, for which +Flip apologized by saying that the bark of the pine was “no good” for +charcoal. + +“I reckon Dad's in the woods,” she added, pausing before the open door +of the cabin. “Oh, Dad!” Her voice, clear and high, seemed to fill +the whole long canyon, and echoed from the green plateau above. The +monotonous strokes of an axe were suddenly pretermitted, and somewhere +from the depths of the close-set pines a voice answered “Flip.” There +was a pause of a few moments, with some muttering, stumbling, and +crackling in the underbrush, and then the sudden appearance of “Dad.” + +Had Lance first met him in the thicket, he would have been puzzled to +assign his race to Mongolian, Indian, or Ethiopian origin. Perfunctory +but incomplete washings of his hands and face, after charcoal burning, +had gradually ground into his skin a grayish slate-pencil pallor, +grotesquely relieved at the edges, where the washing had left off, +with a border of a darker color. He looked like an overworked Christy +minstrel with the briefest of intervals between his performances. There +were black rims in the orbits of his eyes, as if he gazed feebly out of +unglazed spectacles, which heightened his simian resemblance, already +grotesquely exaggerated by what appeared to be repeated and spasmodic +experiments in dyeing his gray hair. Without the slightest notice of +Lance, he inflicted his protesting and querulous presence entirely on +his daughter. + +“Well, what's up now? Yer ye are calling me from work an hour before +noon. Dog my skin, ef I ever get fairly limbered up afore it's 'Dad!' +and 'Oh, Dad!'” + +To Lance's intense satisfaction the girl received this harangue with +an air of supreme indifference, and when “Dad” had relapsed into an +unintelligible, and, as it seemed to Lance, a half-frightened muttering, +she said coolly,-- + +“Ye'd better drop that axe and scoot round getten' this stranger some +breakfast and some grub to take with him. He's one of them San Francisco +sports out here trout fishing in the branch. He's got adrift from his +party, has lost his rod and fixins, and had to camp out last night in +the Gin and Ginger Woods.” + +“That's just it; it's allers suthin like that,” screamed the old man, +dashing his fist on his leg in a feeble, impotent passion, but without +looking at Lance. “Why in blazes don't he go up to that there blamed +hotel on the summit? Why in thunder--” But here he caught his daughter's +large, freckled eyes full in his own. He blinked feebly, his voice fell +into a tone of whining entreaty. “Now, look yer, Flip, it's playing +it rather low down on the old man, this yer running' in o' tramps and +desarted emigrants and cast-ashore sailors and forlorn widders and +ravin' lunatics, on this yer ranch. I put it to you, Mister,” he said +abruptly, turning to Lance for the first time, but as if he had already +taken an active part in the conversation,--“I put it as a gentleman +yourself, and a fair-minded sportin' man, if this is the square thing?” + +Before Lance could reply, Flip had already begun. “That's just it! D'ye +reckon, being a sportin' man and an A 1 feller, he's goin' to waltz down +inter that hotel, rigged out ez he is? D'ye reckon he's goin' to let +his partners get the laugh outer him? D'ye reckon he's goin' to show his +head outer this yer ranch till he can do it square? Not much! Go 'long. +Dad, you're talking silly!” + +The old man weakened. He feebly trailed his axe between his legs to a +stump and sat down, wiping his forehead with his sleeve, and imparting +to it the appearance of a slate with a difficult sum partly rubbed out. +He looked despairingly at Lance. “In course,” he said, with a deep sigh, +“you naturally ain't got any money. In course you left your pocketbook, +containing fifty dollars, under a stone, and can't find it. In course,” + he continued, as he observed Lance put his hand to his pocket, “you've +only got a blank check on Wells, Fargo & Co. for a hundred dollars, and +you'd like me to give you the difference?” + +Amused as Lance evidently was at this, his absolute admiration for Flip +absorbed everything else. With his eyes fixed upon the girl, he briefly +assured the old man that he would pay for everything he wanted. He did +this with a manner quite different from the careless, easy attitude he +had assumed toward Flip; at least the quick-witted girl noticed it, and +wondered if he was angry. It was quite true that ever since his eye had +fallen upon another of his own sex, its glance had been less frank and +careless. Certain traits of possible impatience, which might develop +into man-slaying, were coming to the fore. Yet a word or a gesture of +Flip's was sufficient to change that manner, and when, with the fretful +assistance of her father, she had prepared a somewhat sketchy and +primitive repast, he questioned the old man about diamond-making. The +eye of Dad kindled. + +“I want ter know how ye knew I was making diamonds,” he asked, with a +certain bashful pettishness not unlike his daughter's. + +“Heard it in 'Frisco,” replied Lance, with glib mendacity, glancing at +the girl. + +“I reckon they're gettin' sort of skeert down there--them jewelers,” + chuckled Dad, “yet it's in nater that their figgers will have to come +down. It's only a question of the price of charcoal. I suppose they +didn't tell you how I made the discovery?” + +Lance would have stopped the old man's narrative by saying that he +knew the story, but he wished to see how far Flip lent herself to her +father's delusion. + +“Ye see, one night about two years ago I had a pit o' charcoal burning +out there, and tho' it had been a smouldering and a smoking and a +blazing for nigh unto a month, somehow it didn't charcoal worth a cent. +And yet, dog my skin, but the heat o' that er pit was suthin hidyus +and frightful; ye couldn't stand within a hundred yards of it, and they +could feel it on the stage road three miles over yon, t'other side the +mountain. There was nights when me and Flip had to take our blankets +up the ravine and camp out all night, and the back of this yer hut +shriveled up like that bacon. It was about as nigh on to hell as any +sample ye kin get here. Now, mebbe you think I built that air fire? +Mebbe you'll allow the heat was just the nat'ral burning of that pit?” + +“Certainly,” said Lance, trying to see Flip's eyes, which were +resolutely averted. + +“Thet's whar you'd be lyin'! That yar heat kem out of the bowels of the +yearth,--kem up like out of a chimbley or a blast, and kep up that yar +fire. And when she cools down a month after, and I got to strip her, +there was a hole in the yearth, and a spring o' bilin', scaldin' water +pourin' out of it ez big as your waist. And right in the middle of it +was this yer.” He rose with the instinct of a skillful raconteur, and +whisked from under his bunk a chamois leather bag, which he emptied +on the table before them. It contained a small fragment of native rock +crystal, half-fused upon a petrified bit of pine. It was so glaringly +truthful, so really what it purported to be, that the most unscientific +woodman or pioneer would have understood it at a glance. Lance raised +his mirthful eyes to Flip. + +“It was cooled suddint,--stunted by the water,” said the girl, eagerly. +She stopped, and as abruptly turned away her eyes and her reddened face. + +“That's it, that's just it,” continued the old man. “Thar's Flip, thar, +knows it; she ain't no fool!” Lance did not speak, but turned a hard, +unsympathizing look upon the old man, and rose almost roughly. The old +man clutched his coat. “That's it, ye see. The carbon's just turning to +di'mens. And stunted. And why? 'Cos the heat wasn't kep up long enough. +Mebbe yer think I stopped thar? That ain't me. Thar's a pit out yar in +the woods ez hez been burning six months; it hain't, in course, got the +advantages o' the old one, for it's nat'ral heat. But I'm keeping that +heat up. I've got a hole where I kin watch it every four hours. When +the time comes, I'm thar! Don't you see? That's me! that's David +Fairley,--that's the old man,--you bet!” + +“That's so,” said Lance, curtly. “And now, Mr. Fairley, if you'll +hand me over a coat or a jacket till I can get past these fogs on the +Monterey road, I won't keep you from your diamond pit.” He threw down a +handful of silver on the table. + +“Ther's a deerskin jacket yer,” said the old man, “that one o' them +vaqueros left for the price of a bottle of whiskey.” + +“I reckon it wouldn't suit the stranger,” said Flip, dubiously producing +a much-worn, slashed, and braided vaquero's jacket. But it did suit +Lance, who found it warm, and also had suddenly found a certain +satisfaction in opposing Flip. When he had put it on, and nodded coldly +to the old man, and carelessly to Flip, he walked to the door. + +“If you're going to take the Monterey road, I can show you a short cut +to it,” said Flip, with a certain kind of shy civility. + +The paternal Fairley groaned. “That's it; let the chickens and the ranch +go to thunder, as long as there's a stranger to trapse round with; go +on!” + +Lance would have made some savage reply, but Flip interrupted. “You know +yourself, Dad, it's a blind trail, and as that 'ere constable that kem +out here hunting French Pete, couldn't find it, and had to go round by +the canyon, like ez not the stranger would lose his way, and have to +come back!” This dangerous prospect silenced the old man, and Flip and +Lance stepped into the road together. They walked on for some moments +without speaking. Suddenly Lance turned upon his companion. + +“You didn't swallow all that rot about the diamond, did you?” he asked, +crossly. + +Flip ran a little ahead, as if to avoid a reply. + +“You don't mean to say that's the sort of hog wash the old man serves +out to you regularly?” continued Lance, becoming more slangy in his ill +temper. + +“I don't know that it's any consarn o' yours what I think,” replied +Flip, hopping from boulder to boulder, as they crossed the bed of a dry +watercourse. + +“And I suppose you've piloted round and dry-nussed every tramp and dead +beat you've met since you came here,” continued Lance, with unmistakable +ill humor. “How many have you helped over this road?” + +“It's a year since there was a Chinaman chased by some Irishmen from the +Crossing into the brush about yer, and he was too afeered to come out, +and nigh most starved to death in thar. I had to drag him out and start +him on the mountain, for you couldn't get him back to the road. He was +the last one but YOU.” + +“Do you reckon it's the right thing for a girl like you to run about +with trash of this kind, and mix herself up with all sorts of rough and +bad company?” said Lance. + +Flip stopped short. “Look! if you're goin' to talk like Dad, I'll go +back.” + +The ridiculousness of such a resemblance struck him more keenly than a +consciousness of his own ingratitude. He hastened to assure Flip that he +was joking. When he had made his peace they fell into talk again, Lance +becoming unselfish enough to inquire into one or two facts concerning +her life which did not immediately affect him. Her mother had died on +the plains when she was a baby, and her brother had run away from home +at twelve. She fully expected to see him again, and thought he might +sometime stray into their canyon. “That is why, then, you take so much +stock in tramps,” said Lance. “You expect to recognize HIM?” + +“Well,” replied Flip, gravely, “there is suthing in THAT, and there's +suthing in THIS: some o' these chaps might run across brother and do him +a good turn for the sake of me.” + +“Like me, for instance?” suggested Lance. + +“Like you. You'd do him a good turn, wouldn't you?” + +“You bet!” said Lance, with a sudden emotion that quite startled him; +“only don't you go to throwing yourself round promiscuously.” He was +half-conscious of an irritating sense of jealousy, as he asked if any of +her proteges had ever returned. + +“No,” said Flip, “no one ever did. It shows,” she added with sublime +simplicity, “I had done 'em good, and they could get on alone. Don't +it?” + +“It does,” responded Lance grimly. “Have you any other friends that +come?” + +“Only the Postmaster at the Crossing.” + +“The Postmaster?” + +“Yes; he's reckonin' to marry me next year, if I'm big enough.” + +“And what do you reckon?” asked Lance earnestly. + +Flip began a series of distortions with her shoulders, ran on ahead, +picked up a few pebbles and threw them into the wood, glanced back at +Lance with swimming mottled eyes, that seemed a piquant incarnation of +everything suggestive and tantalizing, and said, + +“That's telling.” + +They had by this time reached the spot where they were to separate. +“Look,” said Flip, pointing to a faint deflection of their path, which +seemed, however, to lose itself in the underbrush a dozen yards away, +“ther's your trail. It gets plainer and broader the further you get on, +but you must use your eyes here, and get to know it well afore you get +into the fog. Good-by.” + +“Good-by.” Lance took her hand and drew her beside him. She was still +redolent of the spices of the thicket, and to the young man's excited +fancy seemed at that moment to personify the perfume and intoxication of +her native woods. Half laughingly, half earnestly, he tried to kiss her; +she struggled for some time strongly, but at the last moment yielded, +with a slight return and the exchange of a subtle fire that thrilled +him, and left him standing confused and astounded as she ran away. He +watched her lithe, nymph-like figure disappear in the checkered shadows +of the wood, and then he turned briskly down the half-hidden trail. His +eyesight was keen, he made good progress, and was soon well on his way +toward the distant ridge. + +But Flip's return had not been as rapid. When she reached the wood she +crept to its beetling verge, and, looking across the canyon, watched +Lance's figure as it vanished and reappeared in the shadows and +sinuosities of the ascent. When he reached the ridge the outlying fog +crept across the summit, caught him in its embrace, and wrapped him +from her gaze. Flip sighed, raised herself, put her alternate foot on +a stump, and took a long pull at her too-brief stockings. When she had +pulled down her skirt and endeavored once more to renew the intimacy +that had existed in previous years between the edge of her petticoat and +the top of her stockings, she sighed again, and went home. + + + + +CHAPTER III. + + +For six months the sea fogs monotonously came and went along the +Monterey coast; for six months they beleaguered the Coast Range with +afternoon sorties of white hosts that regularly swept over the mountain +crest, and were as regularly beaten back again by the leveled lances of +the morning sun. For six months that white veil which had once hidden +Lance Harriott in its folds returned without him. For that amiable +outlaw no longer needed disguise or hiding-place. The swift wave of +pursuit that had dashed him on the summit had fallen back, and the next +day was broken and scattered. Before the week had passed, a regular +judicial inquiry relieved his crime of premeditation, and showed it to +be a rude duel of two armed and equally desperate men. From a secure +vantage in a seacoast town Lance challenged a trial by his peers, and, +as an already prejudged man escaping from his executioners, obtained a +change of venue. Regular justice, seated by the calm Pacific, found +the action of an interior, irregular jury rash and hasty. Lance was +liberated on bail. + +The Postmaster at Fisher's Crossing had just received the weekly mail +and express from San Francisco, and was engaged in examining it. It +consisted of five letters and two parcels. Of these, three of the +letters and the two parcels were directed to Flip. It was not the +first time during the last six months that this extraordinary event had +occurred, and the curiosity of the Crossing was duly excited. As Flip +had never called personally for the letters or parcels, but had sent one +of her wild, irregular scouts or henchmen to bring them, and as she was +seldom seen at the Crossing or on the stage road, that curiosity was +never satisfied. The disappointment to the Postmaster--a man past the +middle age--partook of a sentimental nature. He looked at the letters +and parcels; he looked at his watch; it was yet early, he could +return by noon. He again examined the addresses; they were in the same +handwriting as the previous letters. His mind was made up, he would +deliver them himself. The poetic, soulful side of his mission was +delicately indicated by a pale blue necktie, a clean shirt, and a small +package of gingernuts, of which Flip was extravagantly fond. + +The common road to Fairley's Ranch was by the stage turnpike to a point +below the Gin and Ginger Woods, where the prudent horseman usually left +his beast and followed the intersecting trail afoot. It was here that +the Postmaster suddenly observed on the edge of the wood the figure of +an elegantly-dressed woman; she was walking slowly, and apparently at +her ease; one hand held her skirts lightly gathered between her gloved +fingers, the other slowly swung a riding whip. Was it a picnic of some +people from Monterey or Santa Cruz? The spectacle was novel enough to +justify his coming nearer. Suddenly she withdrew into the wood; he lost +sight of her; she was gone. He remembered, however, that Flip was +still to be seen, and as the steep trail was beginning to tax all his +energies, he was fain to hurry forward. The sun was nearly vertical when +he turned into the canyon, and saw the bark roof of the cabin beyond. At +almost the same moment Flip appeared, flushed and panting, in the road +before him. + +“You've got something for me,” she said, pointing to the parcel and +letters. Completely taken by surprise, the Postmaster mechanically +yielded them up, and as instantly regretted it. “They're paid for,” + continued Flip, observing his hesitation. + +“That's so,” stammered the official of the Crossing, seeing his last +chance of knowing the contents of the parcel vanish; “but I thought ez +it's a valooable package, maybe ye might want to examine it to see that +it was all right afore ye receipted for it.” + +“I'll risk it,” said Flip, coolly, “and if it ain't right I'll let ye +know.” + +As the girl seemed inclined to retire with her property, the Postmaster +was driven to other conversation. “We ain't had the pleasure of seeing +you down at the Crossing for a month o' Sundays,” he began, with airy +yet pronounced gallantry. “Some folks let on you was keepin' company +with some feller like Bijah Brown, and you were getting a little too +set up for the Crossing.” The individual here mentioned being the county +butcher, and supposed to exhibit his hopeless affection for Flip by +making a long and useless divergence from his weekly route to enter the +canyon for “orders,” Flip did not deem it necessary to reply. “Then I +allowed how ez you might have company,” he continued; “I reckon there's +some city folks up at the summit. I saw a mighty smart, fash'n'ble gal +cavorting round. Had no end o' style and fancy fixin's. That's my kind, +I tell you. I just weaken on that sort o' gal,” he continued, in the +firm belief that he had awakened Flip's jealousy, as he glanced at her +well-worn homespun frock, and found her eyes suddenly fixed on his own. + +“Strange I ain't got to see her yet,” she replied coolly, shouldering +her parcel, and quite ignoring any sense of obligation to him for his +extra-official act. + +“But you might get to see her at the edge of the Gin and Ginger Woods,” + he persisted feebly, in a last effort to detain her; “if you'll take a +pasear there with me.” Flip's only response was to walk on toward the +cabin, whence, with a vague complimentary suggestion of “droppin' in to +pass the time o' day” with her father, the Postmaster meekly followed. + +The paternal Fairley, once convinced that his daughter's new companion +required no pecuniary or material assistance from his hands, relaxed +to the extent of entering into a querulous confidence with him, during +which Flip took the opportunity of slipping away. As Fairley had that +infelicitous tendency of most weak natures, to unconsciously exaggerate +unimportant details in their talk, the Postmaster presently became +convinced that the butcher was a constant and assiduous suitor of +Flip's. The absurdity of his sending parcels and letters by post when he +might bring them himself did not strike the official. On the contrary, +he believed it to be a master stroke of cunning. Fired by jealousy and +Flip's indifference, he “deemed it his duty”--using that facile form of +cowardly offensiveness--to betray Flip. + +Of which she was happily oblivious. Once away from the cabin, she +plunged into the woods, with the parcel swung behind her like a +knapsack. Leaving the trail, she presently struck off in a straight line +through cover and underbrush with the unerring instinct of an animal, +climbing hand over hand the steepest ascent, or fluttering like a bird +from branch to branch down the deepest declivity. She soon reached +that part of the trail where the susceptible Postmaster had seen the +fascinating unknown. Assuring herself she was not followed, she crept +through the thicket until she reached a little waterfall and basin that +had served the fugitive Lance for a bath. The spot bore signs of later +and more frequent occupancy, and when Flip carefully removed some bark +and brushwood from a cavity in the rock and drew forth various folded +garments, it was evident she had used it as a sylvan dressing-room. Here +she opened the parcel; it contained a small and delicate shawl of yellow +China crepe. Flip instantly threw it over her shoulders and stepped +hurriedly toward the edge of the wood. Then she began to pass backward +and forward before the trunk of a tree. At first nothing was visible on +the tree, but a closer inspection showed a large pane of ordinary window +glass stuck in the fork of the branches. It was placed at such a cunning +angle against the darkness of the forest opening that it made a soft and +mysterious mirror, not unlike a Claude Lorraine glass, wherein not only +the passing figure of the young girl was seen, but the dazzling green +and gold of the hillside, and the far-off silhouetted crests of the +Coast Range. + +But this was evidently only a prelude to a severer rehearsal. When she +returned to the waterfall she unearthed from her stores a large piece +of yellow soap and some yards of rough cotton “sheeting.” These she +deposited beside the basin and again crept to the edge of the wood to +assure herself that she was alone. Satisfied that no intruding foot +had invaded that virgin bower, she returned to her bath and began +to undress. A slight wind followed her, and seemed to whisper to the +circumjacent trees. It appeared to waken her sister naiads and nymphs, +who, joining their leafy fingers, softly drew around her a gently moving +band of trembling lights and shadows, of flecked sprays and inextricably +mingled branches, and involved her in a chaste sylvan obscurity, veiled +alike from pursuing god or stumbling shepherd. Within these hallowed +precincts was the musical ripple of laughter and falling water, and at +times the glimpse of a lithe brier-caught limb, or a ray of sunlight +trembling over bright flanks, or the white austere outline of a childish +bosom. + +When she drew again the leafy curtain, and once more stepped out of +the wood, she was completely transformed. It was the figure that had +appeared to the Postmaster; the slight, erect, graceful form of a +young woman modishly attired. It was Flip, but Flip made taller by the +lengthened skirt and clinging habiliments of fashion. Flip freckled, +but, through the cunning of a relief of yellow color in her gown, her +piquant brown-shot face and eyes brightened and intensified until she +seemed like a spicy odor made visible. I cannot affirm that the judgment +of Flip's mysterious modiste was infallible, or that the taste of +Mr. Lance Harriott, her patron, was fastidious; enough that it was +picturesque, and perhaps not more glaring and extravagant than the color +in which Spring herself had once clothed the sere hillside where Flip +was now seated. The phantom mirror in the tree fork caught and held her +with the sky, the green leaves, the sunlight and all the graciousness +of her surroundings, and the wind gently tossed her hair and the gay +ribbons of her gypsy hat. Suddenly she started. Some remote sound in +the trail below, inaudible to any ear less fine than hers, arrested her +breathing. She rose swiftly and darted into cover. + +Ten minutes passed. The sun was declining; the white fog was beginning +to creep over the Coast Range. From the edge of the wood Cinderella +appeared, disenchanted, and in her homespun garments. The clock had +struck--the spell was past. As she disappeared down the trail even +the magic mirror, moved by the wind, slipped from the tree top to the +ground, and became a piece of common glass. + + + + +CHAPTER IV. + + +The events of the day had produced a remarkable impression on the facial +aspect of the charcoal-burning Fairley. Extraordinary processes of +thought, indicated by repeated rubbing of his forehead, had produced a +high light in the middle and a corresponding deepening of shadow at the +sides, until it bore the appearance of a perfect sphere. It was this +forehead that confronted Flip reproachfully as became a deceived +comrade, menacingly as became an outraged parent in the presence of a +third party and--a Postmaster! + +“Fine doin's this, yer receivin' clandecent bundles and letters, eh?” + he began. Flip sent one swift, withering look of contempt at the +Postmaster, who at once becoming invertebrate and groveling, mumbled +that he must “get on” to the Crossing, and rose to go. But the old +man, who had counted on his presence for moral support, and was clearly +beginning to hate him for precipitating this scene with his daughter, +whom he feared, violently protested. + +“Sit down, can't ye? Don't you see you're a witness?” he screamed +hysterically. + +It was a fatal suggestion. “Witness,” repeated Flip, scornfully. + +“Yes, a witness! He gave ye letters and bundles.” + +“Weren't they directed to me?” asked Flip. + +“Yes,” said the Postmaster, hesitatingly; “in course, yes.” + +“Do YOU lay claim to them?” she said, turning to her father. + +“No,” responded the old man. + +“Do you?” sharply, to the Postmaster. + +“No,” he replied. + +“Then,” said Flip, coolly, “if you're not claimin' 'em for yourself, and +you hear father say they ain't his, I reckon the less you have to say +about 'em the better.” + +“Thar's suthin' in that,” said the old man, shamelessly abandoning the +Postmaster. + +“Then why don't she say who sent 'em, and what they are like,” said the +Postmaster, “if there's nothin' in it?” + +“Yes,” echoed Dad. “Flip, why don't you?” + +Without answering the direct question, Flip turned upon her father. + +“Maybe you forget how you used to row and tear round here because tramps +and such like came to the ranch for suthin', and I gave it to 'em? Maybe +you'll quit tearin' round and letting yourself be made a fool of now +by that man, just because one of those tramps gets up and sends us some +presents back in turn?” + +“'Twasn't me, Flip,” said the old man, deprecatingly, but glaring at the +astonished Postmaster. “Twasn't my doin'. I allus said if you cast your +bread on the waters it would come back to you by return mail. The fact +is, the Gov'ment is gettin' too high-handed! Some o' these bloated +officials had better climb down before next leckshen.” + +“Maybe,” continued Flip to her father, without looking at her +discomfited visitor, “ye'd better find out whether one of those +officials comes up to this yer ranch to steal away a gal about my own +size, or to get points about diamond-making. I reckon he don't travel +round to find out who writes all the letters that go through the Post +Office.” + +The Postmaster had seemingly miscalculated the old man's infirm temper +and the daughter's skillful use of it. He was unprepared for Flip's +boldness and audacity, and when he saw that both barrels of the +accusation had taken effect on the charcoal burner, who was rising +with epileptic rage, he fairly turned and fled. The old man would have +followed him with objurgation beyond the door, but for the restraining +hand of Flip. + +Baffled and beaten, nevertheless Fate was not wholly unkind to the +retreating suitor. Near the Gin and Ginger Woods he picked up a letter +which had fallen from Flip's pocket. He recognized the writing, and did +not scruple to read it. It was not a love epistle,--at least, not such a +one as he would have written,--it did not give the address nor the name +of the correspondent; but he read the following with greedy eyes:-- + + +“Perhaps it's just as well that you don't rig yourself out for the +benefit of those dead beats at the Crossing, or any tramp that might +hang round the ranch. Keep all your style for me when I come. I can't +tell you when, it's mighty uncertain before the rainy season. But +I'm coming soon. Don't go back on your promise about lettin up on the +tramps, and being a little more high-toned. And don't you give 'em so +much. It's true I sent you hats TWICE. I clean forgot all about the +first; but I wouldn't have given a ten-dollar hat to a nigger woman +who had a sick baby because I had an extra hat. I'd have let that baby +slide. I forgot to ask whether the skirt is worn separately; I must see +the dressmaking sharp about it; but I think you'll want something on +besides a jacket and skirt; at least, it looks like it up here. I don't +think you could manage a piano down there without the old man knowing +it, and raisin' the devil generally. I promised you I'd let up on him. +Mind you keep all your promises to me. I'm glad you're gettin' on with +the six-shooter; tin cans are good at fifteen yards, but try it on +suthin' that MOVES! I forgot to say that I am on the track of your +big brother. It's a three years' old track, and he was in Arizona. The +friend who told me didn't expatiate much on what he did there, but I +reckon they had a high old time. If he's above the earth I'll find him, +you bet. The yerba buena and the southern wood came all right,--they +smelt like you. Say, Flip, do you remember the last--the VERY +last--thing that happened when you said 'Good-by' on the trail? Don't +let me ever find out that you've let anybody else kiss--” + + +But here the virtuous indignation of the Postmaster found vent in an +oath. He threw the letter away. He retained of it only two facts,--Flip +HAD a brother who was missing; she had a lover present in the flesh. + +How much of the substance of this and previous letters Flip had confided +to her father I cannot say. If she suppressed anything it was probably +that which affected Lance's secret alone, and it was doubtful how much +of that she herself knew. In her own affairs she was frank without being +communicative, and never lost her shy obstinacy even with her father. +Governing the old man as completely as she did, she appeared most +embarrassed when she was most dominant; she had her own way without +lifting her voice or her eyes; she seemed oppressed by mauvaise honte +when she was most triumphant; she would end a discussion with a shy +murmur addressed to herself, or a single gesture of self-consciousness. + +The disclosure of her strange relations with an unknown man and the +exchange of presents and confidences seemed to suddenly awake Fairley to +a vague, uneasy sense of some unfulfilled duties as a parent. The first +effect of this on his weak nature was a peevish antagonism to the cause +of it. He had long, fretful monologues on the vanity of diamond-making, +if accompanied with a “pestering” by “interlopers;” on the wickedness +of concealment and conspiracy, and their effects on charcoal-burning; +on the nurturing of spies and “adders” in the family circle, and on the +seditiousness of dark and mysterious councils in which a gray-haired +father was left out. It was true that a word or look from Flip generally +brought these monologues to an inglorious and abrupt termination, but +they were none the less lugubrious as long as they lasted. In time +they were succeeded by an affectation of contrite apology and +self-depreciation. “Don't go out o' the way to ask the old man,” he +would say, referring to the quantity of bacon to be ordered; “it's +nat'ral a young gal should have her own advisers.” The state of the +flour barrel would also produce a like self-abasement. “Unless ye're +already in correspondence about more flour, ye might take the opinion o' +the first tramp ye meet ez to whether Santa Cruz Mills is a good +brand, but don't ask the old man.” If Flip was in conversation with +the butcher, Fairley would obtrusively retire with the hope “he wasn't +intrudin' on their secrets.” + +These phases of her father's weakness were not frequent enough to excite +her alarm, but she could not help noticing they were accompanied with a +seriousness unusual to him. He began to be tremulously watchful of her, +returning often from work at an earlier hour, and lingering by the cabin +in the morning. He brought absurd and useless presents for her, and +presented them with a nervous anxiety, poorly concealed by an assumption +of careless, paternal generosity. “Suthin' I picked up at the Crossin' +for ye to-day,” he would say, airily, and retire to watch the effect of +a pair of shoes two sizes too large, or a fur cap in September. He +would have hired a cheap parlor organ for her, but for the apparently +unexpected revelation that she couldn't play. He had received the news +of a clue to his long-lost son without emotion, but lately he seemed to +look upon it as a foregone conclusion, and one that necessarily solved +the question of companionship for Flip. “In course, when you've got your +own flesh and blood with ye, ye can't go foolin' around with strangers.” + These autumnal blossoms of affection, I fear, came too late for any +effect upon Flip, precociously matured by her father's indifference +and selfishness. But she was good humored, and, seeing him seriously +concerned, gave him more of her time, even visited him in the sacred +seclusion of the “diamond pit,” and listened with far-off eyes to his +fitful indictment of all things outside his grimy laboratory. Much +of this patient indifference came with a capricious change in her own +habits; she no longer indulged in the rehearsal of dress, she packed +away her most treasured garments, and her leafy boudoir knew her no +more. She sometimes walked on the hillside, and often followed the trail +she had taken with Lance when she led him to the ranch. She once or +twice extended her walk to the spot where she had parted from him, +and as often came shyly away, her eyes downcast and her face warm with +color. Perhaps because these experiences and some mysterious instinct of +maturing womanhood had left a story in her eyes, which her two adorers, +the Postmaster and the Butcher, read with passion, she became famous +without knowing it. Extravagant stories of her fascinations brought +strangers into the valley. The effect upon her father may be imagined. +Lance could not have desired a more effective guardian than he proved to +be in this emergency. Those who had been told of this hidden pearl were +surprised to find it so jealously protected. + + + + +CHAPTER V. + + +The long, parched summer had drawn to its dusty close. Much of it was +already blown abroad and dissipated on trail and turnpike, or crackled +in harsh, unelastic fibres on hillside and meadow. Some of it had +disappeared in the palpable smoke by day and fiery crests by night of +burning forests. The besieging fogs on the Coast Range daily thinned +their hosts, and at last vanished. The wind changed from northwest to +southwest. The salt breath of the sea was on the summit. And then +one day the staring, unchanged sky was faintly touched with remote +mysterious clouds, and grew tremulous in expression. The next morning +dawned upon a newer face in the heavens, on changed woods, on altered +outlines, on vanished crests, on forgotten distances. It was raining! + +Four weeks of this change, with broken spaces of sunlight and intense +blue aerial islands, and then a storm set in. All day the summit pines +and redwoods rocked in the blast. At times the onset of the rain seemed +to be held back by the fury of the gale, or was visibly seen in sharp +waves on the hillside. Unknown and concealed watercourses suddenly +overflowed the trails, pools became lakes and brooks rivers. Hidden from +the storm, the sylvan silence of sheltered valleys was broken by the +impetuous rush of waters; even the tiny streamlet that traversed Flip's +retreat in the Gin and Ginger Woods became a cascade. + +The storm drove Fairley from his couch early. The falling of a large +tree across the trail, and the sudden overflow of a small stream beside +it, hastened his steps. But he was doomed to encounter what was to him a +more disagreeable object--a human figure. By the bedraggled drapery that +flapped and fluttered in the wind, by the long, unkempt hair that hid +the face and eyes, and by the grotesquely misplaced bonnet, the old man +recognized one of his old trespassers,--an Indian squaw. + +“Clear out 'er that! Come, make tracks, will ye?” the old man screamed; +but here the wind stopped his voice, and drove him against a hazel bush. + +“Me heap sick,” answered the squaw, shivering through her muddy shawl. + +“I'll make ye a heap sicker if ye don't vamose the ranch,” continued +Fairley, advancing. + +“Me wantee Wangee girl. Wangee girl give me heap grub,” said the squaw, +without moving. + +“You bet your life,” groaned the old man to himself. Nevertheless +an idea struck him. “Ye ain't brought no presents, hev ye?” he asked +cautiously. “Ye ain't got no pooty things for poor Wangee girl?” he +continued, insinuatingly. + +“Me got heap cache nuts and berries,” said the squaw. + +“Oh, in course! in course! That's just it,” screamed Fairley; “you've +got 'em cached only two mile from yer, and you'll go and get 'em for a +half dollar, cash down.” + +“Me bring Wangee girl to cache,” replied the Indian, pointing to the +wood. “Honest Injin.” + +Another bright idea struck Mr. Fairley. But it required some +elaboration. Hurrying the squaw with him through the pelting rain, he +reached the shelter of the corral. Vainly the shivering aborigine drew +her tightly bandaged papoose closer to her square, flat breast, and +looked longingly toward the cabin; the old man backed her against the +palisade. Here he cautiously imparted his dark intentions to employ her +to keep watch and ward over the ranch, and especially over its young +mistress--“clear out all the tramps 'ceptin' yourself, and I'll keep +ye in grub and rum.” Many and deliberate repetitions of this offer in +various forms at last seemed to affect the squaw; she nodded violently, +and echoed the last word “rum.” “Now,” she added. The old man hesitated; +she was in possession of his secret; he groaned, and, promising an +immediate installment of liquor, led her to the cabin. + +The door was so securely fastened against the impact of the storm that +some moments elapsed before the bar was drawn, and the old man had +become impatient and profane. When it was partly opened by Flip he +hastily slipped in, dragging the squaw after him, and cast one +single suspicious glance around the rude apartment which served as a +sitting-room. Flip had apparently been writing. A small inkstand was +still on the board table, but her paper had evidently been concealed +before she allowed them to enter. The squaw instantly squatted before +the adobe hearth, warmed her bundled baby, and left the ceremony +of introduction to her companion. Flip regarded the two with calm +preoccupation and indifference. The only thing that touched her interest +was the old squaw's draggled skirt and limp neckerchief. They were +Flip's own, long since abandoned and cast off in the Gin and Ginger +Woods. “Secrets again,” whined Fairley, still eying Flip furtively. +“Secrets again, in course--in course--jiss so. Secrets that must be kep +from the ole man. Dark doin's by one's own flesh and blood. Go on! go +on! Don't mind me.” Flip did not reply. She had even lost the interest +in her old dress. Perhaps it had only touched some note in unison with +her revery. + +“Can't ye get the poor critter some whiskey?” he queried, fretfully. “Ye +used to be peart enuff before.” As Flip turned to the corner to lift +the demijohn, Fairley took occasion to kick the squaw with his foot, and +indicate by extravagant pantomime that the bargain was not to be alluded +to before the girl. Flip poured out some whiskey in a tin cup, and, +approaching the squaw, handed it to her. “It's like ez not,” continued +Fairley to his daughter, but looking at the squaw, “that she'll be +huntin' the woods off and on, and kinder looking after the last pit near +the Madronos; ye'll give her grub and licker ez she likes. Well, d'ye +hear, Flip? Are ye moonin' agin with yer secrets? What's gone with ye?” + +If the child were dreaming, it was a delicious dream. Her magnetic eyes +were suffused by a strange light, as though the eye itself had blushed; +her full pulse showed itself more in the rounding outline of her cheek +than in any deepening of color; indeed, if there was any heightening of +tint, it was in her freckles, which fairly glistened like tiny spangles. +Her eyes were downcast, her shoulders slightly bent, but her voice was +low and clear and thoughtful as ever. + +“One o' the big pines above the Madrono pit has blown over into the +run,” she said. “It's choked up the water, and it's risin' fast. Like ez +not it's pourin' over into the pit by this time.” + +The old man rose with a fretful cry. “And why in blames didn't you say +so first?” he screamed, catching up his axe and rushing to the door. + +“Ye didn't give me a chance,” said Flip, raising her eyes for the first +time. With an impatient imprecation, Fairley darted by her and rushed +into the wood. In an instant she had shut the door and bolted it. In +the same instant the squaw arose, dashed the long hair not only from her +eyes, but from her head, tore away her shawl and blanket, and revealed +the square shoulders of Lance Harriott! Flip remained leaning against +the door; but the young man in rising dropped the bandaged papoose, +which rolled from his lap into the fire. Flip, with a cry, sprang toward +it; but Lance caught her by the waist with one arm, as with the other he +dragged the bundle from the flames. + +“Don't be alarmed,” he said, gayly, “it's only--” + +“What?” said Flip, trying to disengage herself. + +“My coat and trousers.” + +Flip laughed, which encouraged Lance to another attempt to kiss her. She +evaded it by diving her head into his waistcoat, and saying, “There's +father.” + +“But he's gone to clear away that tree?” suggested Lance. + +One of Flip's significant silences followed. + +“Oh, I see,” he laughed. “That was a plan to get him away! Ah!” She had +released herself. + +“Why did you come like that?” she said, pointing to his wig and blanket. + +“To see if you'd know me,” he responded. + +“No,” said Flip, dropping her eyes. “It's to keep other people from +knowing you. You're hidin' agin.” + +“I am,” returned Lance; “but,” he interrupted, “it's only the same old +thing.” + +“But you wrote from Monterey that it was all over,” she persisted. + +“So it would have been,” he said gloomily, “but for some dog down here +who is hunting up an old scent. I'll spot him yet, and--” He stopped +suddenly, with such utter abstraction of hatred in his fixed and +glittering eyes that she almost feared him. She laid her hand quite +unconsciously on his arm. He grasped it; his face changed. + +“I couldn't wait any longer to see you, Flip, so I came here anyway,” + he went on. “I thought to hang round and get a chance to speak to you +first, when I fell afoul of the old man. He didn't know me, and tumbled +right in my little game. Why, do you believe he wants to hire me for my +grub and liquor, to act as a sort of sentry over you and the ranch?” + And here he related with great gusto the substance of his interview. “I +reckon as he's that suspicious,” he concluded, “I'd better play it out +now as I've begun, only it's mighty hard I can't see you here before the +fire in your fancy toggery, Flip, but must dodge in and out of the wet +underbrush in these yer duds of yours that I picked up in the old place +in the Gin and Ginger Woods.” + +“Then you came here just to see me?” asked Flip. + +“I did.” + +“For only that?” + +“Only that.” + +Flip dropped her eyes. Lance had got his other arm around her waist, but +her resisting little hand was still potent. + +“Listen,” she said at last without looking up, but apparently talking to +the intruding arm, “when Dad comes I'll get him to send you to watch the +diamond pit. It isn't far; it's warm, and”-- + +“What?” + +“I'll come, after a bit, and see you. Quit foolin' now. If you'd only +have come here like yourself--like--like--a white man.” + +“The old man,” interrupted Lance, “would have just passed me on to the +summit. I couldn't have played the lost fisherman on him at this time of +year.” + +“Ye could have been stopped at the Crossing by high water, you silly,” + said the girl. “It was.” This grammatical obscurity referred to the +stage coach. + +“Yes, but I might have been tracked to this cabin. And look here, Flip,” + he said, suddenly straightening himself, and lifting the girl's face to +a level with his own, “I don't want you to lie any more for me. It ain't +right.” + +“All right. Ye needn't go to the pit, then, and I won't come.” + +“Flip!” + +“And here's Dad coming. Quick!” + +Lance chose to put his own interpretation on this last adjuration. The +resisting little hand was now lying quite limp on his shoulder, He drew +her brown, bright face near his own, felt her spiced breath on his lips, +his cheeks, his hot eyelids, his swimming eyes, kissed her, hurriedly +replaced his wig and blanket, and dropped beside the fire with the +tremulous laugh of youth and innocent first passion. Flip had withdrawn +to the window, and was looking out upon the rocking pines. + +“He don't seem to be coming,” said Lance, with a half-shy laugh. + +“No,” responded Flip demurely, pressing her hot oval cheek against the +wet panes; “I reckon I was mistaken. You're sure,” she added, looking +resolutely another way, but still trembling like a magnetic needle +toward Lance, as he moved slightly before the fire, “you're SURE you'd +like me to come to you?” + +“Sure, Flip?” + +“Hush!” said Flip, as this reassuring query of reproachful astonishment +appeared about to be emphasized by a forward amatory dash of Lance's; +“hush! he's coming this time, sure.” + +It was, indeed, Fairley, exceedingly wet, exceedingly bedraggled, +exceedingly sponged out as to color, and exceedingly profane. It +appeared that there was, indeed, a tree that had fallen in the +“run,” but that, far from diverting the overflow into the pit, it had +established “back water,” which had forced another outlet. All this +might have been detected at once by any human intellect not distracted +by correspondence with strangers, and enfeebled by habitually scorning +the intellect of its own progenitor. This reckless selfishness had +further only resulted in giving “rheumatics” to that progenitor, who now +required the external administration of opodeldoc to his limbs, and the +internal administration of whiskey. Having thus spoken, Mr. Fairley, +with great promptitude and infantine simplicity, at once bared two legs +of entirely different colors and mutely waited for his daughter to +rub them. If Flip did this all unconsciously, and with the mechanical +dexterity of previous habit, it was because she did not quite understand +the savage eyes and impatient gestures of Lance in his encompassing wig +and blanket, and because it helped her to voice her thought. + +“Ye'll never be able to take yer watch at the diamond pit to-night, +Dad,” she said; “and I've been reck'nin' you might set the squaw there +instead. I can show her what to do.” + +But to Flip's momentary discomfiture, her father promptly objected. +“Mebbee I've got suthin' else for her to do. Mebbee I may have my +secrets, too--eh?” he said, with dark significance, at the same time +administering a significant nudge to Lance, which kept up the young +man's exasperation. “No, she'll rest yer a bit just now. I'll set her to +watchin' suthin' else, like as not, when I want her.” Flip fell into one +of her suggestive silences. Lance watched her earnestly, mollified by a +single furtive glance from her significant eyes; the rain dashed against +the windows, and occasionally spattered and hissed in the hearth of the +broad chimney, and Mr. David Fairley, somewhat assuaged by the +internal administration of whiskey, grew more loquacious. The genius of +incongruity and inconsistency which generally ruled his conduct came +out with freshened vigor under the gentle stimulation of spirit. “On an +evening like this,” he began, comfortably settling himself on the floor +beside the chimney, “ye might rig yerself out in them new duds and fancy +fixin's that that Sacramento shrimp sent ye, and let your own flesh and +blood see ye. If that's too much to do for your old dad, ye might do it +to please that digger squaw as a Christian act.” Whether in the hidden +depths of the old man's consciousness there was a feeling of paternal +vanity in showing this wretched aborigine the value and importance +of the treasure she was about to guard, I cannot say. Flip darted an +interrogatory look at Lance, who nodded a quiet assent, and she flew +into the inner room. She did not linger on the details of her toilet, +but reappeared almost the next moment in her new finery; buttoning the +neck of her gown as she entered the room, and chastely stopping at the +window to characteristically pull up her stocking. The peculiarity of +her situation increased her usual shyness; she played with the black and +gold beads of a handsome necklace,--Lance's last gift,--as the merest +child might; her unbuckled shoe gave the squaw a natural opportunity of +showing her admiration and devotion by insisting upon buckling it, and +gave Lance, under that disguise, an opportunity of covertly kissing +the little foot and ankle in the shadow of the chimney; an event which +provoked slight hysterical symptoms in Flip, and caused her to sit +suddenly down in spite of the remonstrances of her parent. “Ef you can't +quit gigglin' and squirmin' like an Injin baby yourself, ye'd better git +rid o' them duds,” he ejaculated with peevish scorn. + +Yet, under this perfunctory rebuke, his weak vanity could not be hidden, +and he enjoyed the evident admiration of a creature whom he believed to +be half-witted and degraded all the more keenly because it did not make +him jealous. She could not take Flip from him. Rendered garrulous by +liquor, he went to voice his contempt for those who might attempt +it. Taking advantage of his daughter's absence to resume her homely +garments, he whispered confidentially to Lance,-- + +“Ye see these yer fine dresses, ye might think is presents. Pr'aps +Flip lets on they are? Pr'aps she don't know any better. But they ain't +presents. They're only samples o' dressmaking and jewelry that a vain, +conceited shrimp of a feller up in Sacramento sends down here to get +customers for. In course I'm to pay for 'em. In course he reckons I'm +to do it. In course I calkilate to do it; but he needn't try to play 'em +off as presents. He talks suthin' o' coming down here, sportin' hisself +off on Flip as a fancy buck! Not ez long ez the old man's here, you +bet.” Thoroughly carried away by his fancied wrongs, it was perhaps +fortunate that he did not observe the flashing eyes of Lance behind his +lank and lustreless wig; but seeing only the figure of Lance, as he had +conjured him, he went on: “That's why I want you to hang around her. +Hang around her ontil my boy,--him that's comin' home on a visit,--gets +here, and I reckon he'll clear out that yar Sacramento counter-jumper. +Only let me get a sight o' him afore Flip does, eh? D'ye hear? Dog my +skin if I don't believe the d----d Injin's drunk.” It was fortunate that +at that moment Flip reappeared, and, dropping on the hearth between her +father and the infuriated Lance, let her hand slip in his with a warning +pressure. The light touch momentarily recalled him to himself and her, +but not until the quick-witted girl had had revealed to her in one +startled wave of consciousness the full extent of Lance's infirmity +of temper. With the instinct of awakened tenderness came a sense of +responsibility, and a vague premonition of danger. The coy blossom +of her heart was scarce unfolded before it was chilled by approaching +shadows. Fearful of, she knew not what, she hesitated. Every moment of +Lance's stay was imperiled by a single word that might spring from +his suppressed white lips; beyond and above the suspicions his sudden +withdrawal might awaken in her father's breast, she was dimly conscious +of some mysterious terror without that awaited him. She listened to the +furious onslaught of the wind upon the sycamores beside their cabin, and +thought she heard it there; she listened to the sharp fusillade of rain +upon roof and pane, and the turbulent roar and rush of leaping mountain +torrents at their very feet, and fancied it was there. She suddenly +sprang to the window, and, pressing her eyes to the pane, saw +through the misty turmoil of tossing boughs and swaying branches the +scintillating intermittent flames of torches moving on the trail above, +and KNEW it was there! + +In an instant she was collected and calm. “Dad,” she said, in her +ordinary indifferent tone, “there's torches movin' up toward the diamond +pit. Likely it's tramps. I'll take the squaw and see.” And before the +old man could stagger to his feet she had dragged Lance with her into +the road. + + + + +CHAPTER VI. + + +The wind charged down upon them, slamming the door at their backs, +extinguishing the broad shaft of light that had momentarily shot out +into the darkness, and swept them a dozen yards away. Gaining the lee of +a madrono tree, Lance opened his blanketed arms, enfolded the girl, and +felt her for one brief moment tremble and nestle in his bosom like some +frightened animal. “Well,” he said, gayly, “what next?” Flip recovered +herself. “You're safe now anywhere outside the house. But did you expect +them tonight?” Lance shrugged his shoulders. “Why not?” “Hush!” returned +the girl; “they're coming this way.” + +The four flickering, scattered lights presently dropped into line. The +trail had been found; they were coming nearer. Flip breathed quickly; +the spiced aroma of her presence filled the blanket as he drew her +tightly beside him. He had forgotten the storm that raged around them, +the mysterious foe that was approaching, until Flip caught his sleeve +with a slight laugh. “Why, it's Kennedy and Bijah?” + +“Who's Kennedy and Bijah?” asked Lance, curtly. + +“Kennedy's the Postmaster and Bijah's the Butcher.” + +“What do they want?” continued Lance. + +“Me,” said Flip, coyly. + +“You?” + +“Yes; let's run away.” + +Half leading, half dragging her friend, Flip made her way with unerring +woodcraft down the ravine. The sound of voices and even the tumult of +the storm became fainter, an acrid smell of burning green wood smarted +Lance's lips and eyes; in the midst of the darkness beneath him +gradually a faint, gigantic nimbus like a lurid eye glowed and sank, +quivered and faded with the spent breath of the gale as it penetrated +their retreat. “The pit,” whispered Flip; “it's safe on the other side,” + she added, cautiously skirting the orbit of the great eye, and leading +him to a sheltered nest of bark and sawdust. It was warm and odorous. +Nevertheless, they both deemed it necessary to enwrap themselves in the +single blanket. The eye beamed fitfully upon them, occasionally a wave +of lambent tremulousness passed across it; its weirdness was an excuse +for their drawing nearer each other in playful terror. + +“Flip.” + +“Well?” + +“What did the other two want? To see you, TOO?” + +“Likely,” said Flip, without the least trace of coquetry. “There's been +a lot of strangers yer, off and on.” + +“Perhaps you'd like to go back and see them?” + +“Do you want me to?” + +Lance's reply was a kiss. Nevertheless he was vaguely uneasy. “Looks a +little as if I were running away, don't it?” he suggested. + +“No,” said Flip; “they think you're only a squaw; it's me they're +after.” Lance smarted a little at this infelicitous speech. A strange +and irritating sensation had been creeping over him--it was his first +experience of shame and remorse. “I reckon I'll go back and see,” he +said, rising abruptly. + +Flip was silent. She was thinking. Believing that the men were seeking +her only, she knew that their attention would be directed from her +companion when it was found out he was no longer with her, and she +dreaded to meet them in his irritable presence. + +“Go,” she said, “tell Dad something's gone wrong in the diamond pit, and +say I'm watching it for him here.” + +“And you?” + +“I'll go there and wait for him. If he can't get rid of them, and they +follow him there, I'll come back here and meet you. Anyhow, I'll manage +to have Dad wait there a spell.” + +She took his hand and led him back by a different path to the trail. He +was surprised to find that the cabin, its window glowing from the fire, +was only a hundred yards away. “Go in the back way, by the shed. Don't +go in the room, nor near the light, if you can. Don't talk inside, +but call or beckon to Dad. Remember,” she said, with a laugh, “you're +keeping watch of me for him. Pull your hair down on your eyes so.” This +operation, like most feminine embellishments of the masculine toilet was +attended by a kiss, and Flip, stepping back into the shadow, vanished in +the storm. + +Lance's first movements were inconsistent with his assumed sex. He +picked up his draggled skirt, and drew a bowie knife from his boot. From +his bosom he took a revolver, turning the chambers noiselessly as he +felt the caps. He then crept toward the cabin softly and gained the +shed. It was quite dark but for a pencil of light piercing a crack of +the rude, ill-fitting door that opened on the sitting-room. A single +voice not unfamiliar to him, raised in half-brutal triumph, greeted his +ears. + +A name was mentioned--his own! His angry hand was on the latch. One +moment more and he would have burst the door, but in that instant +another name was uttered--a name that dropped his hand from the latch +and the blood from his cheeks. He staggered backward, passed his hand +swiftly across his forehead, recovered himself with a gesture of mingled +rage and despair, and, sinking on his knees beside the door, pressed his +hot temples against the crack. + +“Do I know Lance Harriott?” said the voice. “Do I know the d----d +ruffian? Didn't I hunt him a year ago into the brush three miles from +the Crossing? Didn't we lose sight of him the very day he turned up yer +at this ranch, and got smuggled over into Monterey? Ain't it the same +man as killed Arkansaw Bob--Bob Ridley--the name he went by in Sonora? +And who was Bob Ridley, eh? Who? Why, you d----d old fool, it was Bob +Fairley--YOUR SON!” + +The old man's voice rose querulous and indistinct. + +“What are ye talkin' about?” interrupted the first speaker. “I tell you +I KNOW. Look at these pictures. I found 'em on his body. Look at 'em. +Pictures of you and your girl. Pr'aps you'll deny them. Pr'aps you'll +tell me I lie when I tell you HE told me he was your son; told me how he +ran away from you; how you were livin' somewhere in the mountains +makin' gold, or suthin' else, outer charcoal. He told me who he was as +a secret. He never let on he told it to any one else. And when I found +that the man who killed him, Lance Harriott, had been hidin' here, had +been sendin' spies all around to find out all about your son, had been +foolin' you and tryin' to ruin your gal as he had killed your boy, I +knew that HE knew it, too.” + +“LIAR!” + +The door fell in with a crash. There was the sudden apparition of a +demoniac face, still half hidden by the long trailing black locks of +hair that curled like Medusa's around it. A cry of terror filled the +room. Three of the men dashed from the door and fled precipitately. The +man who had spoken sprang toward his rifle in the chimney corner. +But the movement was his last; a blinding flash and shattering report +interposed between him and his weapon. + +The impulse carried him forward headlong into the fire, that hissed and +spluttered with his blood, and Lance Harriott with his smoking pistol, +strode past him to the door. Already far down the trail there were +hurried voices, the crack and crackling of impending branches growing +fainter and fainter in the distance. Lance turned back to the solitary +living figure--the old man. + +Yet he might have been dead, too, he sat so rigid and motionless, his +fixed eyes staring vacantly at the body on the hearth. Before him on the +table lay the cheap photographs, one evidently of himself, taken in some +remote epoch of complexion, one of a child which Lance recognized as +Flip. + +“Tell me,” said Lance hoarsely, laying his quivering hand on the table, +“was Bob Ridley your son?” + +“My son,” echoed the old man in a strange, far-off voice, without +turning his eyes from the corpse--“My son--is--is--is there!” pointing +to the dead man. “Hush! Didn't he tell you so? Didn't you hear him say +it? Dead--dead--shot--shot!” + +“Silence! are you crazy, man?” repeated Lance, tremblingly; “that is not +Bob Ridley, but a dog, a coward, a liar gone to his reckoning. Hear +me! If your son WAS Bob Ridley, I swear to God I never knew it, now +or--or--THEN. Do you hear me? Tell me! Do you believe me? Speak! You +shall speak.” + +He laid his hand almost menacingly on the old man's shoulder. Fairley +slowly raised his head. Lance fell back with a groan of horror. The weak +lips were wreathed with a feeble imploring smile, but the eyes wherein +the fretful, peevish, suspicious spirit had dwelt were blank and +tenantless; the flickering intellect that had lit them was blown out and +vanished. + +Lance walked toward the door and remained motionless for a moment, +gazing into the night. When he turned back again toward the fire his +face was as colorless as the dead man's on the hearth; the fire of +passion was gone from his beaten eyes; his step was hesitating and slow. +He went up to the table. + +“I say, old man,” he said, with a strange smile and an odd, premature +suggestion of the infinite weariness of death in his voice, “you +wouldn't mind giving me this, would you?” and he took up the picture of +Flip. The old man nodded repeatedly. “Thank you,” said Lance. He went +to the door, paused a moment, and returned. “Good-by, old man,” he +said, holding out his hand. Fairley took it with a childish smile. “He's +dead,” said the old man softly, holding Lance's hand, but pointing to +the hearth. “Yes,” said Lance, with the faintest of smiles on the palest +of faces. “You feel sorry for any one that's dead, don't you?” Fairley +nodded again. Lance looked at him with eyes as remote as his own, shook +his head, and turned away. When he reached the door he laid his revolver +carefully, and, indeed, somewhat ostentatiously, upon a chair. But when +he stepped from the threshold he stopped a moment in the light of the +open door to examine the lock of a small derringer which he drew from +his pocket. He then shut the door carefully, and with the same slow, +hesitating step, felt his way into the night. + +He had but one idea in his mind, to find some lonely spot; some spot +where the footsteps of man would never penetrate, some spot that would +yield him rest, sleep, obliteration, forgetfulness, and, above all, +where HE would be forgotten. He had seen such places; surely there were +many,--where bones were picked up of dead men who had faded from the +earth and had left no other record. If he could only keep his senses now +he might find such a spot, but he must be careful, for her little feet +went everywhere, and she must never see him again alive or dead. And in +the midst of his thoughts, and the darkness, and the storm, he heard a +voice at his side, “Lance, how long you have been!” + +***** + +Left to himself, the old man again fell into a vacant contemplation +of the dead body before him, until a stronger blast swept down like an +avalanche upon the cabin, burst through the ill-fastened door and broken +chimney, and, dashing the ashes and living embers over the floor, filled +the room with blinding smoke and flame. Fairley rose with a feeble cry, +and then, as if acted upon by some dominant memory, groped under the +bed until he found his buckskin bag and his precious crystal, and +fled precipitately from the room. Lifted by this second shock from his +apathy, he returned to the fixed idea of his life,--the discovery and +creation of the diamond,--and forgot all else. The feeble grasp that his +shaken intellect kept of the events of the night relaxed, the disguised +Lance, the story of his son, the murder, slipped into nothingness; there +remained only the one idea, his nightly watch by the diamond pit. The +instinct of long habit was stronger than the darkness or the onset of +the storm, and he kept his tottering way over stream and fallen timber +until he reached the spot. A sudden tremor seemed to shake the lambent +flame that had lured him on. He thought he heard the sound of voices; +there were signs of recent disturbance,--footprints in the sawdust! With +a cry of rage and suspicion, Fairley slipped into the pit and sprang +toward the nearest opening. To his frenzied fancy it had been tampered +with, his secret discovered, the fruit of his long labors stolen from +him that very night. With superhuman strength he began to open the pit, +scattering the half-charred logs right and left, and giving vent to the +suffocating gases that rose from the now incandescent charcoal. At times +the fury of the gale would drive it back and hold it against the sides +of the pit, leaving the opening free; at times, following the blind +instinct of habit, the demented man would fall upon his face and bury +his nose and mouth in the wet bark and sawdust. At last, the paroxysm +past, he sank back again in his old apathetic attitude of watching, +the attitude he had so often kept beside his sylvan crucible. In this +attitude and in silence he waited for the dawn. + +It came with a hush in the storm; it came with blue openings in the +broken up and tumbled heavens; it came with stars that glistened first, +and then paled, and at last sank drowning in those deep cerulean lakes; +it came with those cerulean lakes broadening into vaster seas, whose +shores expanded at last into one illimitable ocean, cerulean no more, +but flecked with crimson and opal dyes; it came with the lightly lifted +misty curtain of the day, torn and rent on crag and pine top, but always +lifting, lifting. It came with the sparkle of emerald in the grasses, +and the flash of diamonds in every spray, with a whisper in the +awakening woods, and voices in the traveled roads and trails. + +The sound of these voices stopped before the pit, and seemed to +interrogate the old man. He came, and, putting his finger on his lips, +made a sign of caution. When three or four men had descended he bade +them follow him, saying, weakly and disjointedly, but persistently: “My +boy--my son Robert--came home--came home at last--here with Flip--both +of them--come and see!” + +He had reached a little niche or nest in the hillside, and stopped and +suddenly drew aside a blanket. Beneath it, side by side, lay Flip and +Lance, dead, with their cold hands clasped in each other's. + +“Suffocated!” said two or three, turning with horror toward the broken +up and still smouldering pit. + +“Asleep!” said the old man. “Asleep! I've seen 'em lying that way when +they were babies together. Don't tell me! Don't say I don't know my +own flesh and blood! So! so! So, my pretty ones!” He stooped and kissed +them. Then, drawing the blanket over them gently, he rose and said +softly, “Good night!” + + + + + +End of Project Gutenberg's Flip: A California Romance, by Bret Harte + +*** END OF THIS PROJECT GUTENBERG EBOOK FLIP: A CALIFORNIA ROMANCE *** + +***** This file should be named 2793-0.txt or 2793-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/7/9/2793/ + +Produced by Donald Lainson + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/2793-0.zip b/2793-0.zip Binary files differnew file mode 100644 index 0000000..8e793c8 --- /dev/null +++ b/2793-0.zip diff --git a/2793-h.zip b/2793-h.zip Binary files differnew file mode 100644 index 0000000..0dbae84 --- /dev/null +++ b/2793-h.zip diff --git a/2793-h/2793-h.htm b/2793-h/2793-h.htm new file mode 100644 index 0000000..71d0e41 --- /dev/null +++ b/2793-h/2793-h.htm @@ -0,0 +1,2488 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + Flip: a California Romance, by Bret Harte + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of Flip: A California Romance, by Bret Harte + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Flip: A California Romance + +Author: Bret Harte + +Release Date: May 27, 2006 [EBook #2793] +Last Updated: March 5, 2018 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK FLIP: A CALIFORNIA ROMANCE *** + + + + +Produced by Donald Lainson and David Widger + + + + + +</pre> + <p> + <br /> <br /> + </p> + <h1> + FLIP: A CALIFORNIA ROMANCE + </h1> + <p> + <br /> + </p> + <h2> + By Bret Harte + </h2> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <blockquote> + <p class="toc"> + <big><b>CONTENTS</b></big> + </p> + <p> + <br /> + </p> + <p class="toc"> + <a href="#link2HCH0001"> CHAPTER I </a> + </p> + <p class="toc"> + <a href="#link2HCH0002"> CHAPTER II. </a> + </p> + <p class="toc"> + <a href="#link2HCH0003"> CHAPTER III. </a> + </p> + <p class="toc"> + <a href="#link2HCH0004"> CHAPTER IV. </a> + </p> + <p class="toc"> + <a href="#link2HCH0005"> CHAPTER V. </a> + </p> + <p class="toc"> + <a href="#link2HCH0006"> CHAPTER VI. </a> + </p> + </blockquote> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <a name="link2HCH0001" id="link2HCH0001"> + <!-- H2 anchor --> </a> <br /> <br /> + </p> + <h2> + CHAPTER I + </h2> + <p> + Just where the track of the Los Gatos road streams on and upward like the + sinuous trail of a fiery rocket until it is extinguished in the blue + shadows of the Coast Range, there is an embayed terrace near the summit, + hedged by dwarf firs. At every bend of the heat-laden road the eye rested + upon it wistfully; all along the flank of the mountain, which seemed to + pant and quiver in the oven-like air, through rising dust, the slow + creaking of dragging wheels, the monotonous cry of tired springs, and the + muffled beat of plunging hoofs, it held out a promise of sheltered + coolness and green silences beyond. Sunburned and anxious faces yearned + toward it from the dizzy, swaying tops of stagecoaches, from lagging teams + far below, from the blinding white canvas covers of “mountain schooners,” + and from scorching saddles that seemed to weigh down the scrambling, + sweating animals beneath. But it would seem that the hope was vain, the + promise illusive. When the terrace was reached it appeared not only to + have caught and gathered all the heat of the valley below, but to have + evolved a fire of its own from some hidden crater-like source unknown. + Nevertheless, instead of prostrating and enervating man and beast, it was + said to have induced the wildest exaltation. The heated air was filled and + stifling with resinous exhalations. The delirious spices of balm, bay, + spruce, juniper, yerba buena, wild syringa, and strange aromatic herbs as + yet unclassified, distilled and evaporated in that mighty heat, and seemed + to fire with a midsummer madness all who breathed their fumes. They stung, + smarted, stimulated, intoxicated. It was said that the most jaded and + foot-sore horses became furious and ungovernable under their influence; + wearied teamsters and muleteers, who had exhausted their profanity in the + ascent, drank fresh draughts of inspiration in this fiery air, extended + their vocabulary, and created new and startling forms of objurgation. It + is recorded that one bibulous stage-driver exhausted description and + condensed its virtues in a single phrase: “Gin and ginger.” This + felicitous epithet, flung out in a generous comparison with his favorite + drink, “rum and gum,” clung to it ever after. + </p> + <p> + Such was the current comment on this vale of spices. Like most human + criticism it was hasty and superficial. No one yet had been known to have + penetrated deeply its mysterious recesses. It was still far below the + summit and its wayside inn. It had escaped the intruding foot of hunter + and prospector; and the inquisitive patrol of the county surveyor had only + skirted its boundary. It remained for Mr. Lance Harriott to complete its + exploration. His reasons for so doing were simple. He had made the journey + thither underneath the stage-coach, and clinging to its axle. He had + chosen this hazardous mode of conveyance at night, as the coach crept by + his place of concealment in the wayside brush, to elude the sheriff of + Monterey County and his posse, who were after him. + </p> + <p> + He had not made himself known to his fellow-passengers as they already + knew him as a gambler, an outlaw, and a desperado; he deemed it unwise to + present himself in a newer reputation of a man who had just slain a + brother gambler in a quarrel, and for whom a reward was offered. He + slipped from the axle as the stage-coach swirled past the brushing + branches of fir, and for an instant lay unnoticed, a scarcely + distinguishable mound of dust in the broken furrows of the road. Then, + more like a beast than a man, he crept on his hands and knees into the + steaming underbrush. Here he lay still until the clatter of harness and + the sound of voices faded in the distance. Had he been followed, it would + have been difficult to detect in that inert mass of rags any semblance to + a known form or figure. A hideous reddish mask of dust and clay + obliterated his face; his hands were shapeless stumps exaggerated in his + trailing sleeves. And when he rose, staggering like a drunken man, and + plunged wildly into the recesses of the wood, a cloud of dust followed + him, and pieces and patches of his frayed and rotten garments clung to the + impeding branches. Twice he fell, but, maddened and upheld by the smarting + spices and stimulating aroma of the air, he kept on his course. + </p> + <p> + Gradually the heat became less oppressive; once when he stopped and leaned + exhaustedly against a sapling, he fancied he saw the zephyr he could not + yet feel in the glittering and trembling of leaves in the distance before + him. Again the deep stillness was moved with a faint sighing rustle, and + he knew he must be nearing the edge of the thicket. The spell of silence + thus broken was followed by a fainter, more musical interruption—the + glassy tinkle of water! A step further his foot trembled on the verge of a + slight ravine, still closely canopied by the interlacing boughs overhead. + A tiny stream that he could have dammed with his hand yet lingered in this + parched red gash in the hillside and trickled into a deep, irregular, + well-like cavity, that again overflowed and sent its slight surplus on. It + had been the luxurious retreat of many a spotted trout; it was to be the + bath of Lance Harriott. Without a moment's hesitation, without removing a + single garment, he slipped cautiously into it, as if fearful of losing a + single drop. His head disappeared from the level of the bank; the solitude + was again unbroken. Only two objects remained upon the edge of the ravine,—his + revolver and tobacco pouch. + </p> + <p> + A few minutes elapsed. A fearless blue jay alighted on the bank and made a + prospecting peck at the tobacco pouch. It yielded in favor of a gopher, + who endeavored to draw it toward his hole, but in turn gave way to a red + squirrel, whose attention was divided, however, between the pouch and the + revolver, which he regarded with mischievous fascination. Then there was a + splash, a grunt, a sudden dispersion of animated nature, and the head of + Mr. Lance Harriott appeared above the bank. It was a startling + transformation. Not only that he had, by this wholesale process, washed + himself and his light “drill” garments entirely clean, but that he had, + apparently by the same operation, morally cleansed HIMSELF, and left every + stain and ugly blot of his late misdeeds and reputation in his bath. His + face, albeit scratched here and there, was rosy, round, shining with + irrepressible good humor and youthful levity. His large blue eyes were + infantine in their innocent surprise and thoughtlessness. Dripping yet + with water, and panting, he rested his elbows lazily on the bank, and + became instantly absorbed with a boy's delight in the movements of the + gopher, who, after the first alarm, returned cautiously to abduct the + tobacco pouch. If any familiar had failed to detect Lance Harriott in this + hideous masquerade of dust and grime and tatters, still less would any + passing stranger have recognized in this blond faun the possible outcast + and murderer. And, when with a swirl of his spattering sleeve, he drove + back the gopher in a shower of spray and leaped to the bank, he seemed to + have accepted his felonious hiding-place as a mere picnicking bower. + </p> + <p> + A slight breeze was unmistakably permeating the wood from the west. + Looking in that direction, Lance imagined that the shadow was less dark, + and although the undergrowth was denser, he struck off carelessly toward + it. As he went on, the wood became lighter and lighter; branches, and + presently leaves, were painted against the vivid blue of the sky. He knew + he must be near the summit, stopped, felt for his revolver, and then + lightly put the few remaining branches aside. + </p> + <p> + The full glare of the noonday sun at first blinded him. When he could see + more clearly, he found himself on the open western slope of the mountain, + which in the Coast Range was seldom wooded. The spiced thicket stretched + between him and the summit, and again between him and the stage road that + plunges from the terrace, like forked lightning into the valley below. He + could command all the approaches without being seen. Not that this seemed + to occupy his thoughts or cause him any anxiety. His first act was to + disencumber himself of his tattered coat; he then filled and lighted his + pipe, and stretched himself full-length on the open hillside, as if to + bleach in the fierce sun. While smoking he carelessly perused the fragment + of a newspaper which had enveloped his tobacco, and being struck with some + amusing paragraph, read it half aloud again to some imaginary auditor, + emphasizing its humor with an hilarious slap upon his leg. + </p> + <p> + Possibly from the relaxation of fatigue and the bath, which had become a + vapor one as he alternately rolled and dried himself in the baking grass, + his eyes closed dreamily. He was awakened by the sound of voices. They + were distant; they were vague; they approached no nearer. He rolled + himself to the verge of the first precipitous grassy descent. There was + another bank or plateau below him, and then a confused depth of olive + shadows, pierced here and there by the spiked helmets of pines. + </p> + <p> + There was no trace of habitation, yet the voices were those of some + monotonous occupation, and Lance distinctly heard through them the click + of crockery and the ring of some household utensil. It appeared to be the + interjectional, half listless, half perfunctory, domestic dialogue of an + old man and a girl, of which the words were unintelligible. Their voices + indicated the solitude of the mountain, but without sadness; they were + mysterious without being awe-inspiring. They might have uttered the + dreariest commonplaces, but, in their vast isolation, they seemed musical + and eloquent. Lance drew his first sigh,—they had suggested dinner. + </p> + <p> + Careless as his nature was, he was too cautious to risk detection in broad + daylight. He contented himself for the present with endeavoring to locate + that particular part of the depths from which the voices seemed to rise. + It was more difficult, however, to select some other way of penetrating it + than by the stage road. “They're bound to have a fire or show a light when + it's dark,” he reasoned, and, satisfied with that reflection, lay down + again. Presently he began to amuse himself by tossing some silver coins in + the air. Then his attention was directed to a spur of the Coast Range + which had been sharply silhouetted against the cloudless western sky. + Something intensely white, something so small that it was scarcely larger + than the silver coin in his hand, was appearing in a slight cleft of the + range. + </p> + <p> + While he looked it gradually filled and obliterated the cleft. In another + moment the whole serrated line of mountain had disappeared. The dense, + dazzling white, encompassing host began to pour over and down every ravine + and pass of the coast. Lance recognized the sea-fog, and knew that + scarcely twenty miles away lay the ocean—and safety! The drooping + sun was now caught and hidden in its soft embraces. A sudden chill + breathed over the mountain. He shivered, rose, and plunged again for very + warmth into the spice-laden thicket. The heated balsamic air began to + affect him like a powerful sedative; his hunger was forgotten in the + languor of fatigue; he slumbered. When he awoke it was dark. He groped his + way through the thicket. A few stars were shining directly above him, but + beyond and below, everything was lost in the soft, white, fleecy veil of + fog. Whatever light or fire might have betokened human habitation was + hidden. To push on blindly would be madness; he could only wait for + morning. It suited the outcast's lazy philosophy. He crept back again to + his bed in the hollow and slept. In that profound silence and shadow, shut + out from human association and sympathy by the ghostly fog, what torturing + visions conjured up by remorse and fear should have pursued him? What + spirit passed before him, or slowly shaped itself out of the infinite + blackness of the wood? None. As he slipped gently into that blackness he + remembered with a slight regret, some biscuits that were dropped from the + coach by a careless luncheon-consuming passenger. That pang over, he slept + as sweetly, as profoundly, as divinely, as a child. + </p> + <p> + <a name="link2HCH0002" id="link2HCH0002"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER II. + </h2> + <p> + He awoke with the aroma of the woods still steeping his senses. His first + instinct was that of all young animals; he seized a few of the young, + tender green leaves of the yerba buena vine that crept over his mossy + pillow and ate them, being rewarded by a half berry-like flavor that + seemed to soothe the cravings of his appetite. The languor of sleep being + still upon him, he lazily watched the quivering of a sunbeam that was + caught in the canopying boughs above. Then he dozed again. Hovering + between sleeping and waking, he became conscious of a slight movement + among the dead leaves on the bank beside the hollow in which he lay. The + movement appeared to be intelligent, and directed toward his revolver, + which glittered on the bank. Amused at this evident return of his + larcenous friend of the previous day, he lay perfectly still. The movement + and rustle continued, but it now seemed long and undulating. Lance's eyes + suddenly became set; he was intensely, keenly awake. It was not a snake, + but the hand of a human arm, half hidden in the moss, groping for the + weapon. In that flash of perception he saw that it was small, bare, and + deeply freckled. In an instant he grasped it firmly, and rose to his feet, + dragging to his own level as he did so, the struggling figure of a young + girl. + </p> + <p> + “Leave me go!” she said, more ashamed than frightened. + </p> + <p> + Lance looked at her. She was scarcely more than fifteen, slight and lithe, + with a boyish flatness of breast and back. Her flushed face and bare + throat were absolutely peppered with minute brown freckles, like grains of + spent gunpowder. Her eyes, which were large and gray, presented the + singular spectacle of being also freckled,—at least they were shot + through in pupil and cornea with tiny spots like powdered allspice. Her + hair was even more remarkable in its tawny, deer-skin color, full of + lighter shades, and bleached to the faintest of blondes on the crown of + her head, as if by the action of the sun. She had evidently outgrown her + dress, which was made for a smaller child, and the too brief skirt + disclosed a bare, freckled, and sandy desert of shapely limb, for which + the darned stockings were equally too scant. Lance let his grasp slip from + her thin wrist to her hand, and then with a good-humored gesture tossed it + lightly back to her. + </p> + <p> + She did not retreat, but continued looking at him in a half-surly + embarrassment. + </p> + <p> + “I ain't a bit frightened,” she said; “I'm not going to run away,—don't + you fear.” + </p> + <p> + “Glad to hear it,” said Lance, with unmistakable satisfaction, “but why + did you go for my revolver?” + </p> + <p> + She flushed again and was silent. Presently she began to kick the earth at + the roots of the tree, and said, as if confidentially to her foot,— + </p> + <p> + “I wanted to get hold of it before you did.” + </p> + <p> + “You did?—and why?” + </p> + <p> + “Oh, you know why.” + </p> + <p> + Every tooth in Lance's head showed that he did, perfectly. But he was + discreetly silent. + </p> + <p> + “I didn't know what you were hiding there for,” she went on, still + addressing the tree, “and,” looking at him sideways under her white + lashes, “I didn't see your face.” + </p> + <p> + This subtle compliment was the first suggestion of her artful sex. It + actually sent the blood into the careless rascal's face, and for a moment + confused him. He coughed. “So you thought you'd freeze on to that + six-shooter of mine until you saw my hand?” + </p> + <p> + She nodded. Then she picked up a broken hazel branch, fitted it into the + small of her back, threw her tanned bare arms over the ends of it, and + expanded her chest and her biceps at the same moment. This simple action + was supposed to convey an impression at once of ease and muscular force. + </p> + <p> + “Perhaps you'd like to take it now,” said Lance, handing her the pistol. + </p> + <p> + “I've seen six-shooters before now,” said the girl, evading the proffered + weapon and its suggestion. “Dad has one, and my brother had two derringers + before he was half as big as me.” + </p> + <p> + She stopped to observe in her companion the effect of this capacity of her + family to bear arms. Lance only regarded her amusedly. Presently she again + spoke abruptly:— + </p> + <p> + “What made you eat that grass, just now?” + </p> + <p> + “Grass!” echoed Lance. + </p> + <p> + “Yes, there,” pointing to the yerba buena. + </p> + <p> + Lance laughed. “I was hungry. Look!” he said, gayly tossing some silver + into the air. “Do you think you could get me some breakfast for that, and + have enough left to buy something for yourself?” + </p> + <p> + The girl eyed the money and the man with half-bashful curiosity. + </p> + <p> + “I reckon Dad might give ye suthing if he had a mind ter, though ez a rule + he's down on tramps ever since they run off his chickens. Ye might try.” + </p> + <p> + “But I want YOU to try. You can bring it to me here.” + </p> + <p> + The girl retreated a step, dropped her eyes, and, with a smile that was a + charming hesitation between bashfulness and impudence, said: “So you ARE + hidin', are ye?” + </p> + <p> + “That's just it. Your head's level. I am,” laughed Lance unconcernedly. + </p> + <p> + “Yur ain't one o' the McCarty gang—are ye?” + </p> + <p> + Mr. Lance Harriott felt a momentary moral exaltation in declaring + truthfully that he was not one of a notorious band of mountain freebooters + known in the district under that name. + </p> + <p> + “Nor ye ain't one of them chicken lifters that raided Henderson's ranch? + We don't go much on that kind o' cattle yer.” + </p> + <p> + “No,” said Lance, cheerfully. + </p> + <p> + “Nor ye ain't that chap ez beat his wife unto death at Santa Clara?” + </p> + <p> + Lance honestly scorned the imputation. Such conjugal ill treatment as he + had indulged in had not been physical, and had been with other men's + wives. + </p> + <p> + There was a moment's further hesitation on the part of the girl. Then she + said shortly: + </p> + <p> + “Well, then, I reckon you kin come along with me.” + </p> + <p> + “Where?” asked Lance. + </p> + <p> + “To the ranch,” she replied simply. + </p> + <p> + “Then you won't bring me anything to eat here?” + </p> + <p> + “What for? You kin get it down there.” Lance hesitated. “I tell you it's + all right,” she continued. “I'll make it all right with Dad.” + </p> + <p> + “But suppose I reckon I'd rather stay here,” persisted Lance, with a + perfect consciousness, however, of affectation in his caution. + </p> + <p> + “Stay away then,” said the girl coolly; “only as Dad perempted this yer + woods”— + </p> + <p> + “PRE-empted,” suggested Lance. + </p> + <p> + “Per-empted or pre-emp-ted, as you like,” continued the girl scornfully,—“ez + he's got a holt on this yer woods, ye might ez well see him down thar ez + here. For here he's like to come any minit. You can bet your life on + that.” + </p> + <p> + She must have read Lance's amusement in his eyes, for she again dropped + her own with a frown of brusque embarrassment. “Come along, then; I'm your + man,” said Lance, gayly, extending his hand. + </p> + <p> + She would not accept it, eying it, however, furtively, like a horse about + to shy. “Hand me your pistol first,” she said. + </p> + <p> + He handed it to her with an assumption of gayety. She received it on her + part with unfeigned seriousness, and threw it over her shoulder like a + gun. This combined action of the child and heroine, it is quite + unnecessary to say, afforded Lance undiluted joy. + </p> + <p> + “You go first,” she said. + </p> + <p> + Lance stepped promptly out, with a broad grin. “Looks kinder as if I was a + prisoner, don't it?” he suggested. + </p> + <p> + “Go on, and don't fool,” she replied. + </p> + <p> + The two fared onward through the wood. For one moment he entertained the + facetious idea of appearing to rush frantically away, “just to see what + the girl would do,” but abandoned it. “It's an even thing if she wouldn't + spot me the first pop,” he reflected admiringly. + </p> + <p> + When they had reached the open hillside, Lance stopped inquiringly. “This + way,” she said, pointing toward the summit, and in quite an opposite + direction to the valley where he had heard the voices, one of which he now + recognized as hers. They skirted the thicket for a few moments, and then + turned sharply into a trail which began to dip toward a ravine leading to + the valley. + </p> + <p> + “Why do you have to go all the way round?” he asked. + </p> + <p> + “WE don't,” the girl replied with emphasis; “there's a shorter cut.” + </p> + <p> + “Where?” + </p> + <p> + “That's telling,” she answered shortly. + </p> + <p> + “What's your name?” asked Lance, after a steep scramble and a drop into + the ravine. + </p> + <p> + “Flip.” + </p> + <p> + “What?” + </p> + <p> + “Flip.” + </p> + <p> + “I mean your first name,—your front name.” + </p> + <p> + “Flip.” + </p> + <p> + “Flip! Oh, short for Felipa!” + </p> + <p> + “It ain't Flipper,—it's Flip.” And she relapsed into silence. + </p> + <p> + “You don't ask me mine?” suggested Lance. + </p> + <p> + She did not vouchsafe a reply. + </p> + <p> + “Then you don't want to know?” + </p> + <p> + “Maybe Dad will. You can lie to HIM.” + </p> + <p> + This direct answer apparently sustained the agreeable homicide for some + moments. He moved onward, silently exuding admiration. + </p> + <p> + “Only,” added Flip, with a sudden caution, “you'd better agree with me.” + </p> + <p> + The trail here turned again abruptly and re-entered the canyon. Lance + looked up, and noticed they were almost directly beneath the bay thicket + and the plateau that towered far above them. The trail here showed signs + of clearing, and the way was marked by felled trees and stumps of pines. + </p> + <p> + “What does your father do here?” he finally asked. Flip remained silent, + swinging the revolver. Lance repeated his question. + </p> + <p> + “Burns charcoal and makes diamonds,” said Flip, looking at him from the + corners of her eyes. + </p> + <p> + “Makes diamonds?” echoed Lance. + </p> + <p> + Flip nodded her head. + </p> + <p> + “Many of 'em?” he continued carelessly. + </p> + <p> + “Lots. But they're not big,” she returned, with a sidelong glance. + </p> + <p> + “Oh, they're not big?” said Lance gravely. + </p> + <p> + They had by this time reached a small staked inclosure, whence the sudden + fluttering and cackle of poultry welcomed the return of the evident + mistress of this sylvan retreat. It was scarcely imposing. Further on, a + cooking stove under a tree, a saddle and bridle, a few household + implements scattered about, indicated the “ranch.” Like most pioneer + clearings, it was simply a disorganized raid upon nature that had left + behind a desolate battlefield strewn with waste and decay. The fallen + trees, the crushed thicket, the splintered limbs, the rudely torn-up soil, + were made hideous by their grotesque juxtaposition with the wrecked + fragments of civilization, in empty cans, broken bottles, battered hats, + soleless boots, frayed stockings, cast-off rags, and the crowning + absurdity of the twisted-wire skeleton of a hooped skirt hanging from a + branch. The wildest defile, the densest thicket, the most virgin solitude, + was less dreary and forlorn than this first footprint of man. The only + redeeming feature of this prolonged bivouac was the cabin itself. Built of + the half-cylindrical strips of pine bark, and thatched with the same + material, it had a certain picturesque rusticity. But this was an accident + of economy rather than taste, for which Flip apologized by saying that the + bark of the pine was “no good” for charcoal. + </p> + <p> + “I reckon Dad's in the woods,” she added, pausing before the open door of + the cabin. “Oh, Dad!” Her voice, clear and high, seemed to fill the whole + long canyon, and echoed from the green plateau above. The monotonous + strokes of an axe were suddenly pretermitted, and somewhere from the + depths of the close-set pines a voice answered “Flip.” There was a pause + of a few moments, with some muttering, stumbling, and crackling in the + underbrush, and then the sudden appearance of “Dad.” + </p> + <p> + Had Lance first met him in the thicket, he would have been puzzled to + assign his race to Mongolian, Indian, or Ethiopian origin. Perfunctory but + incomplete washings of his hands and face, after charcoal burning, had + gradually ground into his skin a grayish slate-pencil pallor, grotesquely + relieved at the edges, where the washing had left off, with a border of a + darker color. He looked like an overworked Christy minstrel with the + briefest of intervals between his performances. There were black rims in + the orbits of his eyes, as if he gazed feebly out of unglazed spectacles, + which heightened his simian resemblance, already grotesquely exaggerated + by what appeared to be repeated and spasmodic experiments in dyeing his + gray hair. Without the slightest notice of Lance, he inflicted his + protesting and querulous presence entirely on his daughter. + </p> + <p> + “Well, what's up now? Yer ye are calling me from work an hour before noon. + Dog my skin, ef I ever get fairly limbered up afore it's 'Dad!' and 'Oh, + Dad!'” + </p> + <p> + To Lance's intense satisfaction the girl received this harangue with an + air of supreme indifference, and when “Dad” had relapsed into an + unintelligible, and, as it seemed to Lance, a half-frightened muttering, + she said coolly,— + </p> + <p> + “Ye'd better drop that axe and scoot round getten' this stranger some + breakfast and some grub to take with him. He's one of them San Francisco + sports out here trout fishing in the branch. He's got adrift from his + party, has lost his rod and fixins, and had to camp out last night in the + Gin and Ginger Woods.” + </p> + <p> + “That's just it; it's allers suthin like that,” screamed the old man, + dashing his fist on his leg in a feeble, impotent passion, but without + looking at Lance. “Why in blazes don't he go up to that there blamed hotel + on the summit? Why in thunder—” But here he caught his daughter's + large, freckled eyes full in his own. He blinked feebly, his voice fell + into a tone of whining entreaty. “Now, look yer, Flip, it's playing it + rather low down on the old man, this yer running' in o' tramps and + desarted emigrants and cast-ashore sailors and forlorn widders and ravin' + lunatics, on this yer ranch. I put it to you, Mister,” he said abruptly, + turning to Lance for the first time, but as if he had already taken an + active part in the conversation,—“I put it as a gentleman yourself, + and a fair-minded sportin' man, if this is the square thing?” + </p> + <p> + Before Lance could reply, Flip had already begun. “That's just it! D'ye + reckon, being a sportin' man and an A 1 feller, he's goin' to waltz down + inter that hotel, rigged out ez he is? D'ye reckon he's goin' to let his + partners get the laugh outer him? D'ye reckon he's goin' to show his head + outer this yer ranch till he can do it square? Not much! Go 'long. Dad, + you're talking silly!” + </p> + <p> + The old man weakened. He feebly trailed his axe between his legs to a + stump and sat down, wiping his forehead with his sleeve, and imparting to + it the appearance of a slate with a difficult sum partly rubbed out. He + looked despairingly at Lance. “In course,” he said, with a deep sigh, “you + naturally ain't got any money. In course you left your pocketbook, + containing fifty dollars, under a stone, and can't find it. In course,” he + continued, as he observed Lance put his hand to his pocket, “you've only + got a blank check on Wells, Fargo & Co. for a hundred dollars, and + you'd like me to give you the difference?” + </p> + <p> + Amused as Lance evidently was at this, his absolute admiration for Flip + absorbed everything else. With his eyes fixed upon the girl, he briefly + assured the old man that he would pay for everything he wanted. He did + this with a manner quite different from the careless, easy attitude he had + assumed toward Flip; at least the quick-witted girl noticed it, and + wondered if he was angry. It was quite true that ever since his eye had + fallen upon another of his own sex, its glance had been less frank and + careless. Certain traits of possible impatience, which might develop into + man-slaying, were coming to the fore. Yet a word or a gesture of Flip's + was sufficient to change that manner, and when, with the fretful + assistance of her father, she had prepared a somewhat sketchy and + primitive repast, he questioned the old man about diamond-making. The eye + of Dad kindled. + </p> + <p> + “I want ter know how ye knew I was making diamonds,” he asked, with a + certain bashful pettishness not unlike his daughter's. + </p> + <p> + “Heard it in 'Frisco,” replied Lance, with glib mendacity, glancing at the + girl. + </p> + <p> + “I reckon they're gettin' sort of skeert down there—them jewelers,” + chuckled Dad, “yet it's in nater that their figgers will have to come + down. It's only a question of the price of charcoal. I suppose they didn't + tell you how I made the discovery?” + </p> + <p> + Lance would have stopped the old man's narrative by saying that he knew + the story, but he wished to see how far Flip lent herself to her father's + delusion. + </p> + <p> + “Ye see, one night about two years ago I had a pit o' charcoal burning out + there, and tho' it had been a smouldering and a smoking and a blazing for + nigh unto a month, somehow it didn't charcoal worth a cent. And yet, dog + my skin, but the heat o' that er pit was suthin hidyus and frightful; ye + couldn't stand within a hundred yards of it, and they could feel it on the + stage road three miles over yon, t'other side the mountain. There was + nights when me and Flip had to take our blankets up the ravine and camp + out all night, and the back of this yer hut shriveled up like that bacon. + It was about as nigh on to hell as any sample ye kin get here. Now, mebbe + you think I built that air fire? Mebbe you'll allow the heat was just the + nat'ral burning of that pit?” + </p> + <p> + “Certainly,” said Lance, trying to see Flip's eyes, which were resolutely + averted. + </p> + <p> + “Thet's whar you'd be lyin'! That yar heat kem out of the bowels of the + yearth,—kem up like out of a chimbley or a blast, and kep up that + yar fire. And when she cools down a month after, and I got to strip her, + there was a hole in the yearth, and a spring o' bilin', scaldin' water + pourin' out of it ez big as your waist. And right in the middle of it was + this yer.” He rose with the instinct of a skillful raconteur, and whisked + from under his bunk a chamois leather bag, which he emptied on the table + before them. It contained a small fragment of native rock crystal, + half-fused upon a petrified bit of pine. It was so glaringly truthful, so + really what it purported to be, that the most unscientific woodman or + pioneer would have understood it at a glance. Lance raised his mirthful + eyes to Flip. + </p> + <p> + “It was cooled suddint,—stunted by the water,” said the girl, + eagerly. She stopped, and as abruptly turned away her eyes and her + reddened face. + </p> + <p> + “That's it, that's just it,” continued the old man. “Thar's Flip, thar, + knows it; she ain't no fool!” Lance did not speak, but turned a hard, + unsympathizing look upon the old man, and rose almost roughly. The old man + clutched his coat. “That's it, ye see. The carbon's just turning to + di'mens. And stunted. And why? 'Cos the heat wasn't kep up long enough. + Mebbe yer think I stopped thar? That ain't me. Thar's a pit out yar in the + woods ez hez been burning six months; it hain't, in course, got the + advantages o' the old one, for it's nat'ral heat. But I'm keeping that + heat up. I've got a hole where I kin watch it every four hours. When the + time comes, I'm thar! Don't you see? That's me! that's David Fairley,—that's + the old man,—you bet!” + </p> + <p> + “That's so,” said Lance, curtly. “And now, Mr. Fairley, if you'll hand me + over a coat or a jacket till I can get past these fogs on the Monterey + road, I won't keep you from your diamond pit.” He threw down a handful of + silver on the table. + </p> + <p> + “Ther's a deerskin jacket yer,” said the old man, “that one o' them + vaqueros left for the price of a bottle of whiskey.” + </p> + <p> + “I reckon it wouldn't suit the stranger,” said Flip, dubiously producing a + much-worn, slashed, and braided vaquero's jacket. But it did suit Lance, + who found it warm, and also had suddenly found a certain satisfaction in + opposing Flip. When he had put it on, and nodded coldly to the old man, + and carelessly to Flip, he walked to the door. + </p> + <p> + “If you're going to take the Monterey road, I can show you a short cut to + it,” said Flip, with a certain kind of shy civility. + </p> + <p> + The paternal Fairley groaned. “That's it; let the chickens and the ranch + go to thunder, as long as there's a stranger to trapse round with; go on!” + </p> + <p> + Lance would have made some savage reply, but Flip interrupted. “You know + yourself, Dad, it's a blind trail, and as that 'ere constable that kem out + here hunting French Pete, couldn't find it, and had to go round by the + canyon, like ez not the stranger would lose his way, and have to come + back!” This dangerous prospect silenced the old man, and Flip and Lance + stepped into the road together. They walked on for some moments without + speaking. Suddenly Lance turned upon his companion. + </p> + <p> + “You didn't swallow all that rot about the diamond, did you?” he asked, + crossly. + </p> + <p> + Flip ran a little ahead, as if to avoid a reply. + </p> + <p> + “You don't mean to say that's the sort of hog wash the old man serves out + to you regularly?” continued Lance, becoming more slangy in his ill + temper. + </p> + <p> + “I don't know that it's any consarn o' yours what I think,” replied Flip, + hopping from boulder to boulder, as they crossed the bed of a dry + watercourse. + </p> + <p> + “And I suppose you've piloted round and dry-nussed every tramp and dead + beat you've met since you came here,” continued Lance, with unmistakable + ill humor. “How many have you helped over this road?” + </p> + <p> + “It's a year since there was a Chinaman chased by some Irishmen from the + Crossing into the brush about yer, and he was too afeered to come out, and + nigh most starved to death in thar. I had to drag him out and start him on + the mountain, for you couldn't get him back to the road. He was the last + one but YOU.” + </p> + <p> + “Do you reckon it's the right thing for a girl like you to run about with + trash of this kind, and mix herself up with all sorts of rough and bad + company?” said Lance. + </p> + <p> + Flip stopped short. “Look! if you're goin' to talk like Dad, I'll go + back.” + </p> + <p> + The ridiculousness of such a resemblance struck him more keenly than a + consciousness of his own ingratitude. He hastened to assure Flip that he + was joking. When he had made his peace they fell into talk again, Lance + becoming unselfish enough to inquire into one or two facts concerning her + life which did not immediately affect him. Her mother had died on the + plains when she was a baby, and her brother had run away from home at + twelve. She fully expected to see him again, and thought he might sometime + stray into their canyon. “That is why, then, you take so much stock in + tramps,” said Lance. “You expect to recognize HIM?” + </p> + <p> + “Well,” replied Flip, gravely, “there is suthing in THAT, and there's + suthing in THIS: some o' these chaps might run across brother and do him a + good turn for the sake of me.” + </p> + <p> + “Like me, for instance?” suggested Lance. + </p> + <p> + “Like you. You'd do him a good turn, wouldn't you?” + </p> + <p> + “You bet!” said Lance, with a sudden emotion that quite startled him; + “only don't you go to throwing yourself round promiscuously.” He was + half-conscious of an irritating sense of jealousy, as he asked if any of + her proteges had ever returned. + </p> + <p> + “No,” said Flip, “no one ever did. It shows,” she added with sublime + simplicity, “I had done 'em good, and they could get on alone. Don't it?” + </p> + <p> + “It does,” responded Lance grimly. “Have you any other friends that come?” + </p> + <p> + “Only the Postmaster at the Crossing.” + </p> + <p> + “The Postmaster?” + </p> + <p> + “Yes; he's reckonin' to marry me next year, if I'm big enough.” + </p> + <p> + “And what do you reckon?” asked Lance earnestly. + </p> + <p> + Flip began a series of distortions with her shoulders, ran on ahead, + picked up a few pebbles and threw them into the wood, glanced back at + Lance with swimming mottled eyes, that seemed a piquant incarnation of + everything suggestive and tantalizing, and said, + </p> + <p> + “That's telling.” + </p> + <p> + They had by this time reached the spot where they were to separate. + “Look,” said Flip, pointing to a faint deflection of their path, which + seemed, however, to lose itself in the underbrush a dozen yards away, + “ther's your trail. It gets plainer and broader the further you get on, + but you must use your eyes here, and get to know it well afore you get + into the fog. Good-by.” + </p> + <p> + “Good-by.” Lance took her hand and drew her beside him. She was still + redolent of the spices of the thicket, and to the young man's excited + fancy seemed at that moment to personify the perfume and intoxication of + her native woods. Half laughingly, half earnestly, he tried to kiss her; + she struggled for some time strongly, but at the last moment yielded, with + a slight return and the exchange of a subtle fire that thrilled him, and + left him standing confused and astounded as she ran away. He watched her + lithe, nymph-like figure disappear in the checkered shadows of the wood, + and then he turned briskly down the half-hidden trail. His eyesight was + keen, he made good progress, and was soon well on his way toward the + distant ridge. + </p> + <p> + But Flip's return had not been as rapid. When she reached the wood she + crept to its beetling verge, and, looking across the canyon, watched + Lance's figure as it vanished and reappeared in the shadows and + sinuosities of the ascent. When he reached the ridge the outlying fog + crept across the summit, caught him in its embrace, and wrapped him from + her gaze. Flip sighed, raised herself, put her alternate foot on a stump, + and took a long pull at her too-brief stockings. When she had pulled down + her skirt and endeavored once more to renew the intimacy that had existed + in previous years between the edge of her petticoat and the top of her + stockings, she sighed again, and went home. + </p> + <p> + <a name="link2HCH0003" id="link2HCH0003"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER III. + </h2> + <p> + For six months the sea fogs monotonously came and went along the Monterey + coast; for six months they beleaguered the Coast Range with afternoon + sorties of white hosts that regularly swept over the mountain crest, and + were as regularly beaten back again by the leveled lances of the morning + sun. For six months that white veil which had once hidden Lance Harriott + in its folds returned without him. For that amiable outlaw no longer + needed disguise or hiding-place. The swift wave of pursuit that had dashed + him on the summit had fallen back, and the next day was broken and + scattered. Before the week had passed, a regular judicial inquiry relieved + his crime of premeditation, and showed it to be a rude duel of two armed + and equally desperate men. From a secure vantage in a seacoast town Lance + challenged a trial by his peers, and, as an already prejudged man escaping + from his executioners, obtained a change of venue. Regular justice, seated + by the calm Pacific, found the action of an interior, irregular jury rash + and hasty. Lance was liberated on bail. + </p> + <p> + The Postmaster at Fisher's Crossing had just received the weekly mail and + express from San Francisco, and was engaged in examining it. It consisted + of five letters and two parcels. Of these, three of the letters and the + two parcels were directed to Flip. It was not the first time during the + last six months that this extraordinary event had occurred, and the + curiosity of the Crossing was duly excited. As Flip had never called + personally for the letters or parcels, but had sent one of her wild, + irregular scouts or henchmen to bring them, and as she was seldom seen at + the Crossing or on the stage road, that curiosity was never satisfied. The + disappointment to the Postmaster—a man past the middle age—partook + of a sentimental nature. He looked at the letters and parcels; he looked + at his watch; it was yet early, he could return by noon. He again examined + the addresses; they were in the same handwriting as the previous letters. + His mind was made up, he would deliver them himself. The poetic, soulful + side of his mission was delicately indicated by a pale blue necktie, a + clean shirt, and a small package of gingernuts, of which Flip was + extravagantly fond. + </p> + <p> + The common road to Fairley's Ranch was by the stage turnpike to a point + below the Gin and Ginger Woods, where the prudent horseman usually left + his beast and followed the intersecting trail afoot. It was here that the + Postmaster suddenly observed on the edge of the wood the figure of an + elegantly-dressed woman; she was walking slowly, and apparently at her + ease; one hand held her skirts lightly gathered between her gloved + fingers, the other slowly swung a riding whip. Was it a picnic of some + people from Monterey or Santa Cruz? The spectacle was novel enough to + justify his coming nearer. Suddenly she withdrew into the wood; he lost + sight of her; she was gone. He remembered, however, that Flip was still to + be seen, and as the steep trail was beginning to tax all his energies, he + was fain to hurry forward. The sun was nearly vertical when he turned into + the canyon, and saw the bark roof of the cabin beyond. At almost the same + moment Flip appeared, flushed and panting, in the road before him. + </p> + <p> + “You've got something for me,” she said, pointing to the parcel and + letters. Completely taken by surprise, the Postmaster mechanically yielded + them up, and as instantly regretted it. “They're paid for,” continued + Flip, observing his hesitation. + </p> + <p> + “That's so,” stammered the official of the Crossing, seeing his last + chance of knowing the contents of the parcel vanish; “but I thought ez + it's a valooable package, maybe ye might want to examine it to see that it + was all right afore ye receipted for it.” + </p> + <p> + “I'll risk it,” said Flip, coolly, “and if it ain't right I'll let ye + know.” + </p> + <p> + As the girl seemed inclined to retire with her property, the Postmaster + was driven to other conversation. “We ain't had the pleasure of seeing you + down at the Crossing for a month o' Sundays,” he began, with airy yet + pronounced gallantry. “Some folks let on you was keepin' company with some + feller like Bijah Brown, and you were getting a little too set up for the + Crossing.” The individual here mentioned being the county butcher, and + supposed to exhibit his hopeless affection for Flip by making a long and + useless divergence from his weekly route to enter the canyon for “orders,” + Flip did not deem it necessary to reply. “Then I allowed how ez you might + have company,” he continued; “I reckon there's some city folks up at the + summit. I saw a mighty smart, fash'n'ble gal cavorting round. Had no end + o' style and fancy fixin's. That's my kind, I tell you. I just weaken on + that sort o' gal,” he continued, in the firm belief that he had awakened + Flip's jealousy, as he glanced at her well-worn homespun frock, and found + her eyes suddenly fixed on his own. + </p> + <p> + “Strange I ain't got to see her yet,” she replied coolly, shouldering her + parcel, and quite ignoring any sense of obligation to him for his + extra-official act. + </p> + <p> + “But you might get to see her at the edge of the Gin and Ginger Woods,” he + persisted feebly, in a last effort to detain her; “if you'll take a pasear + there with me.” Flip's only response was to walk on toward the cabin, + whence, with a vague complimentary suggestion of “droppin' in to pass the + time o' day” with her father, the Postmaster meekly followed. + </p> + <p> + The paternal Fairley, once convinced that his daughter's new companion + required no pecuniary or material assistance from his hands, relaxed to + the extent of entering into a querulous confidence with him, during which + Flip took the opportunity of slipping away. As Fairley had that + infelicitous tendency of most weak natures, to unconsciously exaggerate + unimportant details in their talk, the Postmaster presently became + convinced that the butcher was a constant and assiduous suitor of Flip's. + The absurdity of his sending parcels and letters by post when he might + bring them himself did not strike the official. On the contrary, he + believed it to be a master stroke of cunning. Fired by jealousy and Flip's + indifference, he “deemed it his duty”—using that facile form of + cowardly offensiveness—to betray Flip. + </p> + <p> + Of which she was happily oblivious. Once away from the cabin, she plunged + into the woods, with the parcel swung behind her like a knapsack. Leaving + the trail, she presently struck off in a straight line through cover and + underbrush with the unerring instinct of an animal, climbing hand over + hand the steepest ascent, or fluttering like a bird from branch to branch + down the deepest declivity. She soon reached that part of the trail where + the susceptible Postmaster had seen the fascinating unknown. Assuring + herself she was not followed, she crept through the thicket until she + reached a little waterfall and basin that had served the fugitive Lance + for a bath. The spot bore signs of later and more frequent occupancy, and + when Flip carefully removed some bark and brushwood from a cavity in the + rock and drew forth various folded garments, it was evident she had used + it as a sylvan dressing-room. Here she opened the parcel; it contained a + small and delicate shawl of yellow China crepe. Flip instantly threw it + over her shoulders and stepped hurriedly toward the edge of the wood. Then + she began to pass backward and forward before the trunk of a tree. At + first nothing was visible on the tree, but a closer inspection showed a + large pane of ordinary window glass stuck in the fork of the branches. It + was placed at such a cunning angle against the darkness of the forest + opening that it made a soft and mysterious mirror, not unlike a Claude + Lorraine glass, wherein not only the passing figure of the young girl was + seen, but the dazzling green and gold of the hillside, and the far-off + silhouetted crests of the Coast Range. + </p> + <p> + But this was evidently only a prelude to a severer rehearsal. When she + returned to the waterfall she unearthed from her stores a large piece of + yellow soap and some yards of rough cotton “sheeting.” These she deposited + beside the basin and again crept to the edge of the wood to assure herself + that she was alone. Satisfied that no intruding foot had invaded that + virgin bower, she returned to her bath and began to undress. A slight wind + followed her, and seemed to whisper to the circumjacent trees. It appeared + to waken her sister naiads and nymphs, who, joining their leafy fingers, + softly drew around her a gently moving band of trembling lights and + shadows, of flecked sprays and inextricably mingled branches, and involved + her in a chaste sylvan obscurity, veiled alike from pursuing god or + stumbling shepherd. Within these hallowed precincts was the musical ripple + of laughter and falling water, and at times the glimpse of a lithe + brier-caught limb, or a ray of sunlight trembling over bright flanks, or + the white austere outline of a childish bosom. + </p> + <p> + When she drew again the leafy curtain, and once more stepped out of the + wood, she was completely transformed. It was the figure that had appeared + to the Postmaster; the slight, erect, graceful form of a young woman + modishly attired. It was Flip, but Flip made taller by the lengthened + skirt and clinging habiliments of fashion. Flip freckled, but, through the + cunning of a relief of yellow color in her gown, her piquant brown-shot + face and eyes brightened and intensified until she seemed like a spicy + odor made visible. I cannot affirm that the judgment of Flip's mysterious + modiste was infallible, or that the taste of Mr. Lance Harriott, her + patron, was fastidious; enough that it was picturesque, and perhaps not + more glaring and extravagant than the color in which Spring herself had + once clothed the sere hillside where Flip was now seated. The phantom + mirror in the tree fork caught and held her with the sky, the green + leaves, the sunlight and all the graciousness of her surroundings, and the + wind gently tossed her hair and the gay ribbons of her gypsy hat. Suddenly + she started. Some remote sound in the trail below, inaudible to any ear + less fine than hers, arrested her breathing. She rose swiftly and darted + into cover. + </p> + <p> + Ten minutes passed. The sun was declining; the white fog was beginning to + creep over the Coast Range. From the edge of the wood Cinderella appeared, + disenchanted, and in her homespun garments. The clock had struck—the + spell was past. As she disappeared down the trail even the magic mirror, + moved by the wind, slipped from the tree top to the ground, and became a + piece of common glass. + </p> + <p> + <a name="link2HCH0004" id="link2HCH0004"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER IV. + </h2> + <p> + The events of the day had produced a remarkable impression on the facial + aspect of the charcoal-burning Fairley. Extraordinary processes of + thought, indicated by repeated rubbing of his forehead, had produced a + high light in the middle and a corresponding deepening of shadow at the + sides, until it bore the appearance of a perfect sphere. It was this + forehead that confronted Flip reproachfully as became a deceived comrade, + menacingly as became an outraged parent in the presence of a third party + and—a Postmaster! + </p> + <p> + “Fine doin's this, yer receivin' clandecent bundles and letters, eh?” he + began. Flip sent one swift, withering look of contempt at the Postmaster, + who at once becoming invertebrate and groveling, mumbled that he must “get + on” to the Crossing, and rose to go. But the old man, who had counted on + his presence for moral support, and was clearly beginning to hate him for + precipitating this scene with his daughter, whom he feared, violently + protested. + </p> + <p> + “Sit down, can't ye? Don't you see you're a witness?” he screamed + hysterically. + </p> + <p> + It was a fatal suggestion. “Witness,” repeated Flip, scornfully. + </p> + <p> + “Yes, a witness! He gave ye letters and bundles.” + </p> + <p> + “Weren't they directed to me?” asked Flip. + </p> + <p> + “Yes,” said the Postmaster, hesitatingly; “in course, yes.” + </p> + <p> + “Do YOU lay claim to them?” she said, turning to her father. + </p> + <p> + “No,” responded the old man. + </p> + <p> + “Do you?” sharply, to the Postmaster. + </p> + <p> + “No,” he replied. + </p> + <p> + “Then,” said Flip, coolly, “if you're not claimin' 'em for yourself, and + you hear father say they ain't his, I reckon the less you have to say + about 'em the better.” + </p> + <p> + “Thar's suthin' in that,” said the old man, shamelessly abandoning the + Postmaster. + </p> + <p> + “Then why don't she say who sent 'em, and what they are like,” said the + Postmaster, “if there's nothin' in it?” + </p> + <p> + “Yes,” echoed Dad. “Flip, why don't you?” + </p> + <p> + Without answering the direct question, Flip turned upon her father. + </p> + <p> + “Maybe you forget how you used to row and tear round here because tramps + and such like came to the ranch for suthin', and I gave it to 'em? Maybe + you'll quit tearin' round and letting yourself be made a fool of now by + that man, just because one of those tramps gets up and sends us some + presents back in turn?” + </p> + <p> + “'Twasn't me, Flip,” said the old man, deprecatingly, but glaring at the + astonished Postmaster. “Twasn't my doin'. I allus said if you cast your + bread on the waters it would come back to you by return mail. The fact is, + the Gov'ment is gettin' too high-handed! Some o' these bloated officials + had better climb down before next leckshen.” + </p> + <p> + “Maybe,” continued Flip to her father, without looking at her discomfited + visitor, “ye'd better find out whether one of those officials comes up to + this yer ranch to steal away a gal about my own size, or to get points + about diamond-making. I reckon he don't travel round to find out who + writes all the letters that go through the Post Office.” + </p> + <p> + The Postmaster had seemingly miscalculated the old man's infirm temper and + the daughter's skillful use of it. He was unprepared for Flip's boldness + and audacity, and when he saw that both barrels of the accusation had + taken effect on the charcoal burner, who was rising with epileptic rage, + he fairly turned and fled. The old man would have followed him with + objurgation beyond the door, but for the restraining hand of Flip. + </p> + <p> + Baffled and beaten, nevertheless Fate was not wholly unkind to the + retreating suitor. Near the Gin and Ginger Woods he picked up a letter + which had fallen from Flip's pocket. He recognized the writing, and did + not scruple to read it. It was not a love epistle,—at least, not + such a one as he would have written,—it did not give the address nor + the name of the correspondent; but he read the following with greedy eyes:— + </p> + <p> + “Perhaps it's just as well that you don't rig yourself out for the benefit + of those dead beats at the Crossing, or any tramp that might hang round + the ranch. Keep all your style for me when I come. I can't tell you when, + it's mighty uncertain before the rainy season. But I'm coming soon. Don't + go back on your promise about lettin up on the tramps, and being a little + more high-toned. And don't you give 'em so much. It's true I sent you hats + TWICE. I clean forgot all about the first; but I wouldn't have given a + ten-dollar hat to a nigger woman who had a sick baby because I had an + extra hat. I'd have let that baby slide. I forgot to ask whether the skirt + is worn separately; I must see the dressmaking sharp about it; but I think + you'll want something on besides a jacket and skirt; at least, it looks + like it up here. I don't think you could manage a piano down there without + the old man knowing it, and raisin' the devil generally. I promised you + I'd let up on him. Mind you keep all your promises to me. I'm glad you're + gettin' on with the six-shooter; tin cans are good at fifteen yards, but + try it on suthin' that MOVES! I forgot to say that I am on the track of + your big brother. It's a three years' old track, and he was in Arizona. + The friend who told me didn't expatiate much on what he did there, but I + reckon they had a high old time. If he's above the earth I'll find him, + you bet. The yerba buena and the southern wood came all right,—they + smelt like you. Say, Flip, do you remember the last—the VERY last—thing + that happened when you said 'Good-by' on the trail? Don't let me ever find + out that you've let anybody else kiss—” + </p> + <p> + But here the virtuous indignation of the Postmaster found vent in an oath. + He threw the letter away. He retained of it only two facts,—Flip HAD + a brother who was missing; she had a lover present in the flesh. + </p> + <p> + How much of the substance of this and previous letters Flip had confided + to her father I cannot say. If she suppressed anything it was probably + that which affected Lance's secret alone, and it was doubtful how much of + that she herself knew. In her own affairs she was frank without being + communicative, and never lost her shy obstinacy even with her father. + Governing the old man as completely as she did, she appeared most + embarrassed when she was most dominant; she had her own way without + lifting her voice or her eyes; she seemed oppressed by mauvaise honte when + she was most triumphant; she would end a discussion with a shy murmur + addressed to herself, or a single gesture of self-consciousness. + </p> + <p> + The disclosure of her strange relations with an unknown man and the + exchange of presents and confidences seemed to suddenly awake Fairley to a + vague, uneasy sense of some unfulfilled duties as a parent. The first + effect of this on his weak nature was a peevish antagonism to the cause of + it. He had long, fretful monologues on the vanity of diamond-making, if + accompanied with a “pestering” by “interlopers;” on the wickedness of + concealment and conspiracy, and their effects on charcoal-burning; on the + nurturing of spies and “adders” in the family circle, and on the + seditiousness of dark and mysterious councils in which a gray-haired + father was left out. It was true that a word or look from Flip generally + brought these monologues to an inglorious and abrupt termination, but they + were none the less lugubrious as long as they lasted. In time they were + succeeded by an affectation of contrite apology and self-depreciation. + “Don't go out o' the way to ask the old man,” he would say, referring to + the quantity of bacon to be ordered; “it's nat'ral a young gal should have + her own advisers.” The state of the flour barrel would also produce a like + self-abasement. “Unless ye're already in correspondence about more flour, + ye might take the opinion o' the first tramp ye meet ez to whether Santa + Cruz Mills is a good brand, but don't ask the old man.” If Flip was in + conversation with the butcher, Fairley would obtrusively retire with the + hope “he wasn't intrudin' on their secrets.” + </p> + <p> + These phases of her father's weakness were not frequent enough to excite + her alarm, but she could not help noticing they were accompanied with a + seriousness unusual to him. He began to be tremulously watchful of her, + returning often from work at an earlier hour, and lingering by the cabin + in the morning. He brought absurd and useless presents for her, and + presented them with a nervous anxiety, poorly concealed by an assumption + of careless, paternal generosity. “Suthin' I picked up at the Crossin' for + ye to-day,” he would say, airily, and retire to watch the effect of a pair + of shoes two sizes too large, or a fur cap in September. He would have + hired a cheap parlor organ for her, but for the apparently unexpected + revelation that she couldn't play. He had received the news of a clue to + his long-lost son without emotion, but lately he seemed to look upon it as + a foregone conclusion, and one that necessarily solved the question of + companionship for Flip. “In course, when you've got your own flesh and + blood with ye, ye can't go foolin' around with strangers.” These autumnal + blossoms of affection, I fear, came too late for any effect upon Flip, + precociously matured by her father's indifference and selfishness. But she + was good humored, and, seeing him seriously concerned, gave him more of + her time, even visited him in the sacred seclusion of the “diamond pit,” + and listened with far-off eyes to his fitful indictment of all things + outside his grimy laboratory. Much of this patient indifference came with + a capricious change in her own habits; she no longer indulged in the + rehearsal of dress, she packed away her most treasured garments, and her + leafy boudoir knew her no more. She sometimes walked on the hillside, and + often followed the trail she had taken with Lance when she led him to the + ranch. She once or twice extended her walk to the spot where she had + parted from him, and as often came shyly away, her eyes downcast and her + face warm with color. Perhaps because these experiences and some + mysterious instinct of maturing womanhood had left a story in her eyes, + which her two adorers, the Postmaster and the Butcher, read with passion, + she became famous without knowing it. Extravagant stories of her + fascinations brought strangers into the valley. The effect upon her father + may be imagined. Lance could not have desired a more effective guardian + than he proved to be in this emergency. Those who had been told of this + hidden pearl were surprised to find it so jealously protected. + </p> + <p> + <a name="link2HCH0005" id="link2HCH0005"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER V. + </h2> + <p> + The long, parched summer had drawn to its dusty close. Much of it was + already blown abroad and dissipated on trail and turnpike, or crackled in + harsh, unelastic fibres on hillside and meadow. Some of it had disappeared + in the palpable smoke by day and fiery crests by night of burning forests. + The besieging fogs on the Coast Range daily thinned their hosts, and at + last vanished. The wind changed from northwest to southwest. The salt + breath of the sea was on the summit. And then one day the staring, + unchanged sky was faintly touched with remote mysterious clouds, and grew + tremulous in expression. The next morning dawned upon a newer face in the + heavens, on changed woods, on altered outlines, on vanished crests, on + forgotten distances. It was raining! + </p> + <p> + Four weeks of this change, with broken spaces of sunlight and intense blue + aerial islands, and then a storm set in. All day the summit pines and + redwoods rocked in the blast. At times the onset of the rain seemed to be + held back by the fury of the gale, or was visibly seen in sharp waves on + the hillside. Unknown and concealed watercourses suddenly overflowed the + trails, pools became lakes and brooks rivers. Hidden from the storm, the + sylvan silence of sheltered valleys was broken by the impetuous rush of + waters; even the tiny streamlet that traversed Flip's retreat in the Gin + and Ginger Woods became a cascade. + </p> + <p> + The storm drove Fairley from his couch early. The falling of a large tree + across the trail, and the sudden overflow of a small stream beside it, + hastened his steps. But he was doomed to encounter what was to him a more + disagreeable object—a human figure. By the bedraggled drapery that + flapped and fluttered in the wind, by the long, unkempt hair that hid the + face and eyes, and by the grotesquely misplaced bonnet, the old man + recognized one of his old trespassers,—an Indian squaw. + </p> + <p> + “Clear out 'er that! Come, make tracks, will ye?” the old man screamed; + but here the wind stopped his voice, and drove him against a hazel bush. + </p> + <p> + “Me heap sick,” answered the squaw, shivering through her muddy shawl. + </p> + <p> + “I'll make ye a heap sicker if ye don't vamose the ranch,” continued + Fairley, advancing. + </p> + <p> + “Me wantee Wangee girl. Wangee girl give me heap grub,” said the squaw, + without moving. + </p> + <p> + “You bet your life,” groaned the old man to himself. Nevertheless an idea + struck him. “Ye ain't brought no presents, hev ye?” he asked cautiously. + “Ye ain't got no pooty things for poor Wangee girl?” he continued, + insinuatingly. + </p> + <p> + “Me got heap cache nuts and berries,” said the squaw. + </p> + <p> + “Oh, in course! in course! That's just it,” screamed Fairley; “you've got + 'em cached only two mile from yer, and you'll go and get 'em for a half + dollar, cash down.” + </p> + <p> + “Me bring Wangee girl to cache,” replied the Indian, pointing to the wood. + “Honest Injin.” + </p> + <p> + Another bright idea struck Mr. Fairley. But it required some elaboration. + Hurrying the squaw with him through the pelting rain, he reached the + shelter of the corral. Vainly the shivering aborigine drew her tightly + bandaged papoose closer to her square, flat breast, and looked longingly + toward the cabin; the old man backed her against the palisade. Here he + cautiously imparted his dark intentions to employ her to keep watch and + ward over the ranch, and especially over its young mistress—“clear + out all the tramps 'ceptin' yourself, and I'll keep ye in grub and rum.” + Many and deliberate repetitions of this offer in various forms at last + seemed to affect the squaw; she nodded violently, and echoed the last word + “rum.” “Now,” she added. The old man hesitated; she was in possession of + his secret; he groaned, and, promising an immediate installment of liquor, + led her to the cabin. + </p> + <p> + The door was so securely fastened against the impact of the storm that + some moments elapsed before the bar was drawn, and the old man had become + impatient and profane. When it was partly opened by Flip he hastily + slipped in, dragging the squaw after him, and cast one single suspicious + glance around the rude apartment which served as a sitting-room. Flip had + apparently been writing. A small inkstand was still on the board table, + but her paper had evidently been concealed before she allowed them to + enter. The squaw instantly squatted before the adobe hearth, warmed her + bundled baby, and left the ceremony of introduction to her companion. Flip + regarded the two with calm preoccupation and indifference. The only thing + that touched her interest was the old squaw's draggled skirt and limp + neckerchief. They were Flip's own, long since abandoned and cast off in + the Gin and Ginger Woods. “Secrets again,” whined Fairley, still eying + Flip furtively. “Secrets again, in course—in course—jiss so. + Secrets that must be kep from the ole man. Dark doin's by one's own flesh + and blood. Go on! go on! Don't mind me.” Flip did not reply. She had even + lost the interest in her old dress. Perhaps it had only touched some note + in unison with her revery. + </p> + <p> + “Can't ye get the poor critter some whiskey?” he queried, fretfully. “Ye + used to be peart enuff before.” As Flip turned to the corner to lift the + demijohn, Fairley took occasion to kick the squaw with his foot, and + indicate by extravagant pantomime that the bargain was not to be alluded + to before the girl. Flip poured out some whiskey in a tin cup, and, + approaching the squaw, handed it to her. “It's like ez not,” continued + Fairley to his daughter, but looking at the squaw, “that she'll be huntin' + the woods off and on, and kinder looking after the last pit near the + Madronos; ye'll give her grub and licker ez she likes. Well, d'ye hear, + Flip? Are ye moonin' agin with yer secrets? What's gone with ye?” + </p> + <p> + If the child were dreaming, it was a delicious dream. Her magnetic eyes + were suffused by a strange light, as though the eye itself had blushed; + her full pulse showed itself more in the rounding outline of her cheek + than in any deepening of color; indeed, if there was any heightening of + tint, it was in her freckles, which fairly glistened like tiny spangles. + Her eyes were downcast, her shoulders slightly bent, but her voice was low + and clear and thoughtful as ever. + </p> + <p> + “One o' the big pines above the Madrono pit has blown over into the run,” + she said. “It's choked up the water, and it's risin' fast. Like ez not + it's pourin' over into the pit by this time.” + </p> + <p> + The old man rose with a fretful cry. “And why in blames didn't you say so + first?” he screamed, catching up his axe and rushing to the door. + </p> + <p> + “Ye didn't give me a chance,” said Flip, raising her eyes for the first + time. With an impatient imprecation, Fairley darted by her and rushed into + the wood. In an instant she had shut the door and bolted it. In the same + instant the squaw arose, dashed the long hair not only from her eyes, but + from her head, tore away her shawl and blanket, and revealed the square + shoulders of Lance Harriott! Flip remained leaning against the door; but + the young man in rising dropped the bandaged papoose, which rolled from + his lap into the fire. Flip, with a cry, sprang toward it; but Lance + caught her by the waist with one arm, as with the other he dragged the + bundle from the flames. + </p> + <p> + “Don't be alarmed,” he said, gayly, “it's only—” + </p> + <p> + “What?” said Flip, trying to disengage herself. + </p> + <p> + “My coat and trousers.” + </p> + <p> + Flip laughed, which encouraged Lance to another attempt to kiss her. She + evaded it by diving her head into his waistcoat, and saying, “There's + father.” + </p> + <p> + “But he's gone to clear away that tree?” suggested Lance. + </p> + <p> + One of Flip's significant silences followed. + </p> + <p> + “Oh, I see,” he laughed. “That was a plan to get him away! Ah!” She had + released herself. + </p> + <p> + “Why did you come like that?” she said, pointing to his wig and blanket. + </p> + <p> + “To see if you'd know me,” he responded. + </p> + <p> + “No,” said Flip, dropping her eyes. “It's to keep other people from + knowing you. You're hidin' agin.” + </p> + <p> + “I am,” returned Lance; “but,” he interrupted, “it's only the same old + thing.” + </p> + <p> + “But you wrote from Monterey that it was all over,” she persisted. + </p> + <p> + “So it would have been,” he said gloomily, “but for some dog down here who + is hunting up an old scent. I'll spot him yet, and—” He stopped + suddenly, with such utter abstraction of hatred in his fixed and + glittering eyes that she almost feared him. She laid her hand quite + unconsciously on his arm. He grasped it; his face changed. + </p> + <p> + “I couldn't wait any longer to see you, Flip, so I came here anyway,” he + went on. “I thought to hang round and get a chance to speak to you first, + when I fell afoul of the old man. He didn't know me, and tumbled right in + my little game. Why, do you believe he wants to hire me for my grub and + liquor, to act as a sort of sentry over you and the ranch?” And here he + related with great gusto the substance of his interview. “I reckon as he's + that suspicious,” he concluded, “I'd better play it out now as I've begun, + only it's mighty hard I can't see you here before the fire in your fancy + toggery, Flip, but must dodge in and out of the wet underbrush in these + yer duds of yours that I picked up in the old place in the Gin and Ginger + Woods.” + </p> + <p> + “Then you came here just to see me?” asked Flip. + </p> + <p> + “I did.” + </p> + <p> + “For only that?” + </p> + <p> + “Only that.” + </p> + <p> + Flip dropped her eyes. Lance had got his other arm around her waist, but + her resisting little hand was still potent. + </p> + <p> + “Listen,” she said at last without looking up, but apparently talking to + the intruding arm, “when Dad comes I'll get him to send you to watch the + diamond pit. It isn't far; it's warm, and”— + </p> + <p> + “What?” + </p> + <p> + “I'll come, after a bit, and see you. Quit foolin' now. If you'd only have + come here like yourself—like—like—a white man.” + </p> + <p> + “The old man,” interrupted Lance, “would have just passed me on to the + summit. I couldn't have played the lost fisherman on him at this time of + year.” + </p> + <p> + “Ye could have been stopped at the Crossing by high water, you silly,” + said the girl. “It was.” This grammatical obscurity referred to the stage + coach. + </p> + <p> + “Yes, but I might have been tracked to this cabin. And look here, Flip,” + he said, suddenly straightening himself, and lifting the girl's face to a + level with his own, “I don't want you to lie any more for me. It ain't + right.” + </p> + <p> + “All right. Ye needn't go to the pit, then, and I won't come.” + </p> + <p> + “Flip!” + </p> + <p> + “And here's Dad coming. Quick!” + </p> + <p> + Lance chose to put his own interpretation on this last adjuration. The + resisting little hand was now lying quite limp on his shoulder, He drew + her brown, bright face near his own, felt her spiced breath on his lips, + his cheeks, his hot eyelids, his swimming eyes, kissed her, hurriedly + replaced his wig and blanket, and dropped beside the fire with the + tremulous laugh of youth and innocent first passion. Flip had withdrawn to + the window, and was looking out upon the rocking pines. + </p> + <p> + “He don't seem to be coming,” said Lance, with a half-shy laugh. + </p> + <p> + “No,” responded Flip demurely, pressing her hot oval cheek against the wet + panes; “I reckon I was mistaken. You're sure,” she added, looking + resolutely another way, but still trembling like a magnetic needle toward + Lance, as he moved slightly before the fire, “you're SURE you'd like me to + come to you?” + </p> + <p> + “Sure, Flip?” + </p> + <p> + “Hush!” said Flip, as this reassuring query of reproachful astonishment + appeared about to be emphasized by a forward amatory dash of Lance's; + “hush! he's coming this time, sure.” + </p> + <p> + It was, indeed, Fairley, exceedingly wet, exceedingly bedraggled, + exceedingly sponged out as to color, and exceedingly profane. It appeared + that there was, indeed, a tree that had fallen in the “run,” but that, far + from diverting the overflow into the pit, it had established “back water,” + which had forced another outlet. All this might have been detected at once + by any human intellect not distracted by correspondence with strangers, + and enfeebled by habitually scorning the intellect of its own progenitor. + This reckless selfishness had further only resulted in giving “rheumatics” + to that progenitor, who now required the external administration of + opodeldoc to his limbs, and the internal administration of whiskey. Having + thus spoken, Mr. Fairley, with great promptitude and infantine simplicity, + at once bared two legs of entirely different colors and mutely waited for + his daughter to rub them. If Flip did this all unconsciously, and with the + mechanical dexterity of previous habit, it was because she did not quite + understand the savage eyes and impatient gestures of Lance in his + encompassing wig and blanket, and because it helped her to voice her + thought. + </p> + <p> + “Ye'll never be able to take yer watch at the diamond pit to-night, Dad,” + she said; “and I've been reck'nin' you might set the squaw there instead. + I can show her what to do.” + </p> + <p> + But to Flip's momentary discomfiture, her father promptly objected. + “Mebbee I've got suthin' else for her to do. Mebbee I may have my secrets, + too—eh?” he said, with dark significance, at the same time + administering a significant nudge to Lance, which kept up the young man's + exasperation. “No, she'll rest yer a bit just now. I'll set her to + watchin' suthin' else, like as not, when I want her.” Flip fell into one + of her suggestive silences. Lance watched her earnestly, mollified by a + single furtive glance from her significant eyes; the rain dashed against + the windows, and occasionally spattered and hissed in the hearth of the + broad chimney, and Mr. David Fairley, somewhat assuaged by the internal + administration of whiskey, grew more loquacious. The genius of incongruity + and inconsistency which generally ruled his conduct came out with + freshened vigor under the gentle stimulation of spirit. “On an evening + like this,” he began, comfortably settling himself on the floor beside the + chimney, “ye might rig yerself out in them new duds and fancy fixin's that + that Sacramento shrimp sent ye, and let your own flesh and blood see ye. + If that's too much to do for your old dad, ye might do it to please that + digger squaw as a Christian act.” Whether in the hidden depths of the old + man's consciousness there was a feeling of paternal vanity in showing this + wretched aborigine the value and importance of the treasure she was about + to guard, I cannot say. Flip darted an interrogatory look at Lance, who + nodded a quiet assent, and she flew into the inner room. She did not + linger on the details of her toilet, but reappeared almost the next moment + in her new finery; buttoning the neck of her gown as she entered the room, + and chastely stopping at the window to characteristically pull up her + stocking. The peculiarity of her situation increased her usual shyness; + she played with the black and gold beads of a handsome necklace,—Lance's + last gift,—as the merest child might; her unbuckled shoe gave the + squaw a natural opportunity of showing her admiration and devotion by + insisting upon buckling it, and gave Lance, under that disguise, an + opportunity of covertly kissing the little foot and ankle in the shadow of + the chimney; an event which provoked slight hysterical symptoms in Flip, + and caused her to sit suddenly down in spite of the remonstrances of her + parent. “Ef you can't quit gigglin' and squirmin' like an Injin baby + yourself, ye'd better git rid o' them duds,” he ejaculated with peevish + scorn. + </p> + <p> + Yet, under this perfunctory rebuke, his weak vanity could not be hidden, + and he enjoyed the evident admiration of a creature whom he believed to be + half-witted and degraded all the more keenly because it did not make him + jealous. She could not take Flip from him. Rendered garrulous by liquor, + he went to voice his contempt for those who might attempt it. Taking + advantage of his daughter's absence to resume her homely garments, he + whispered confidentially to Lance,— + </p> + <p> + “Ye see these yer fine dresses, ye might think is presents. Pr'aps Flip + lets on they are? Pr'aps she don't know any better. But they ain't + presents. They're only samples o' dressmaking and jewelry that a vain, + conceited shrimp of a feller up in Sacramento sends down here to get + customers for. In course I'm to pay for 'em. In course he reckons I'm to + do it. In course I calkilate to do it; but he needn't try to play 'em off + as presents. He talks suthin' o' coming down here, sportin' hisself off on + Flip as a fancy buck! Not ez long ez the old man's here, you bet.” + Thoroughly carried away by his fancied wrongs, it was perhaps fortunate + that he did not observe the flashing eyes of Lance behind his lank and + lustreless wig; but seeing only the figure of Lance, as he had conjured + him, he went on: “That's why I want you to hang around her. Hang around + her ontil my boy,—him that's comin' home on a visit,—gets + here, and I reckon he'll clear out that yar Sacramento counter-jumper. + Only let me get a sight o' him afore Flip does, eh? D'ye hear? Dog my skin + if I don't believe the d——d Injin's drunk.” It was fortunate + that at that moment Flip reappeared, and, dropping on the hearth between + her father and the infuriated Lance, let her hand slip in his with a + warning pressure. The light touch momentarily recalled him to himself and + her, but not until the quick-witted girl had had revealed to her in one + startled wave of consciousness the full extent of Lance's infirmity of + temper. With the instinct of awakened tenderness came a sense of + responsibility, and a vague premonition of danger. The coy blossom of her + heart was scarce unfolded before it was chilled by approaching shadows. + Fearful of, she knew not what, she hesitated. Every moment of Lance's stay + was imperiled by a single word that might spring from his suppressed white + lips; beyond and above the suspicions his sudden withdrawal might awaken + in her father's breast, she was dimly conscious of some mysterious terror + without that awaited him. She listened to the furious onslaught of the + wind upon the sycamores beside their cabin, and thought she heard it + there; she listened to the sharp fusillade of rain upon roof and pane, and + the turbulent roar and rush of leaping mountain torrents at their very + feet, and fancied it was there. She suddenly sprang to the window, and, + pressing her eyes to the pane, saw through the misty turmoil of tossing + boughs and swaying branches the scintillating intermittent flames of + torches moving on the trail above, and KNEW it was there! + </p> + <p> + In an instant she was collected and calm. “Dad,” she said, in her ordinary + indifferent tone, “there's torches movin' up toward the diamond pit. + Likely it's tramps. I'll take the squaw and see.” And before the old man + could stagger to his feet she had dragged Lance with her into the road. + </p> + <p> + <a name="link2HCH0006" id="link2HCH0006"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER VI. + </h2> + <p> + The wind charged down upon them, slamming the door at their backs, + extinguishing the broad shaft of light that had momentarily shot out into + the darkness, and swept them a dozen yards away. Gaining the lee of a + madrono tree, Lance opened his blanketed arms, enfolded the girl, and felt + her for one brief moment tremble and nestle in his bosom like some + frightened animal. “Well,” he said, gayly, “what next?” Flip recovered + herself. “You're safe now anywhere outside the house. But did you expect + them tonight?” Lance shrugged his shoulders. “Why not?” “Hush!” returned + the girl; “they're coming this way.” + </p> + <p> + The four flickering, scattered lights presently dropped into line. The + trail had been found; they were coming nearer. Flip breathed quickly; the + spiced aroma of her presence filled the blanket as he drew her tightly + beside him. He had forgotten the storm that raged around them, the + mysterious foe that was approaching, until Flip caught his sleeve with a + slight laugh. “Why, it's Kennedy and Bijah?” + </p> + <p> + “Who's Kennedy and Bijah?” asked Lance, curtly. + </p> + <p> + “Kennedy's the Postmaster and Bijah's the Butcher.” + </p> + <p> + “What do they want?” continued Lance. + </p> + <p> + “Me,” said Flip, coyly. + </p> + <p> + “You?” + </p> + <p> + “Yes; let's run away.” + </p> + <p> + Half leading, half dragging her friend, Flip made her way with unerring + woodcraft down the ravine. The sound of voices and even the tumult of the + storm became fainter, an acrid smell of burning green wood smarted Lance's + lips and eyes; in the midst of the darkness beneath him gradually a faint, + gigantic nimbus like a lurid eye glowed and sank, quivered and faded with + the spent breath of the gale as it penetrated their retreat. “The pit,” + whispered Flip; “it's safe on the other side,” she added, cautiously + skirting the orbit of the great eye, and leading him to a sheltered nest + of bark and sawdust. It was warm and odorous. Nevertheless, they both + deemed it necessary to enwrap themselves in the single blanket. The eye + beamed fitfully upon them, occasionally a wave of lambent tremulousness + passed across it; its weirdness was an excuse for their drawing nearer + each other in playful terror. + </p> + <p> + “Flip.” + </p> + <p> + “Well?” + </p> + <p> + “What did the other two want? To see you, TOO?” + </p> + <p> + “Likely,” said Flip, without the least trace of coquetry. “There's been a + lot of strangers yer, off and on.” + </p> + <p> + “Perhaps you'd like to go back and see them?” + </p> + <p> + “Do you want me to?” + </p> + <p> + Lance's reply was a kiss. Nevertheless he was vaguely uneasy. “Looks a + little as if I were running away, don't it?” he suggested. + </p> + <p> + “No,” said Flip; “they think you're only a squaw; it's me they're after.” + Lance smarted a little at this infelicitous speech. A strange and + irritating sensation had been creeping over him—it was his first + experience of shame and remorse. “I reckon I'll go back and see,” he said, + rising abruptly. + </p> + <p> + Flip was silent. She was thinking. Believing that the men were seeking her + only, she knew that their attention would be directed from her companion + when it was found out he was no longer with her, and she dreaded to meet + them in his irritable presence. + </p> + <p> + “Go,” she said, “tell Dad something's gone wrong in the diamond pit, and + say I'm watching it for him here.” + </p> + <p> + “And you?” + </p> + <p> + “I'll go there and wait for him. If he can't get rid of them, and they + follow him there, I'll come back here and meet you. Anyhow, I'll manage to + have Dad wait there a spell.” + </p> + <p> + She took his hand and led him back by a different path to the trail. He + was surprised to find that the cabin, its window glowing from the fire, + was only a hundred yards away. “Go in the back way, by the shed. Don't go + in the room, nor near the light, if you can. Don't talk inside, but call + or beckon to Dad. Remember,” she said, with a laugh, “you're keeping watch + of me for him. Pull your hair down on your eyes so.” This operation, like + most feminine embellishments of the masculine toilet was attended by a + kiss, and Flip, stepping back into the shadow, vanished in the storm. + </p> + <p> + Lance's first movements were inconsistent with his assumed sex. He picked + up his draggled skirt, and drew a bowie knife from his boot. From his + bosom he took a revolver, turning the chambers noiselessly as he felt the + caps. He then crept toward the cabin softly and gained the shed. It was + quite dark but for a pencil of light piercing a crack of the rude, + ill-fitting door that opened on the sitting-room. A single voice not + unfamiliar to him, raised in half-brutal triumph, greeted his ears. + </p> + <p> + A name was mentioned—his own! His angry hand was on the latch. One + moment more and he would have burst the door, but in that instant another + name was uttered—a name that dropped his hand from the latch and the + blood from his cheeks. He staggered backward, passed his hand swiftly + across his forehead, recovered himself with a gesture of mingled rage and + despair, and, sinking on his knees beside the door, pressed his hot + temples against the crack. + </p> + <p> + “Do I know Lance Harriott?” said the voice. “Do I know the d——d + ruffian? Didn't I hunt him a year ago into the brush three miles from the + Crossing? Didn't we lose sight of him the very day he turned up yer at + this ranch, and got smuggled over into Monterey? Ain't it the same man as + killed Arkansaw Bob—Bob Ridley—the name he went by in Sonora? + And who was Bob Ridley, eh? Who? Why, you d——d old fool, it + was Bob Fairley—YOUR SON!” + </p> + <p> + The old man's voice rose querulous and indistinct. + </p> + <p> + “What are ye talkin' about?” interrupted the first speaker. “I tell you I + KNOW. Look at these pictures. I found 'em on his body. Look at 'em. + Pictures of you and your girl. Pr'aps you'll deny them. Pr'aps you'll tell + me I lie when I tell you HE told me he was your son; told me how he ran + away from you; how you were livin' somewhere in the mountains makin' gold, + or suthin' else, outer charcoal. He told me who he was as a secret. He + never let on he told it to any one else. And when I found that the man who + killed him, Lance Harriott, had been hidin' here, had been sendin' spies + all around to find out all about your son, had been foolin' you and tryin' + to ruin your gal as he had killed your boy, I knew that HE knew it, too.” + </p> + <p> + “LIAR!” + </p> + <p> + The door fell in with a crash. There was the sudden apparition of a + demoniac face, still half hidden by the long trailing black locks of hair + that curled like Medusa's around it. A cry of terror filled the room. + Three of the men dashed from the door and fled precipitately. The man who + had spoken sprang toward his rifle in the chimney corner. But the movement + was his last; a blinding flash and shattering report interposed between + him and his weapon. + </p> + <p> + The impulse carried him forward headlong into the fire, that hissed and + spluttered with his blood, and Lance Harriott with his smoking pistol, + strode past him to the door. Already far down the trail there were hurried + voices, the crack and crackling of impending branches growing fainter and + fainter in the distance. Lance turned back to the solitary living figure—the + old man. + </p> + <p> + Yet he might have been dead, too, he sat so rigid and motionless, his + fixed eyes staring vacantly at the body on the hearth. Before him on the + table lay the cheap photographs, one evidently of himself, taken in some + remote epoch of complexion, one of a child which Lance recognized as Flip. + </p> + <p> + “Tell me,” said Lance hoarsely, laying his quivering hand on the table, + “was Bob Ridley your son?” + </p> + <p> + “My son,” echoed the old man in a strange, far-off voice, without turning + his eyes from the corpse—“My son—is—is—is there!” + pointing to the dead man. “Hush! Didn't he tell you so? Didn't you hear + him say it? Dead—dead—shot—shot!” + </p> + <p> + “Silence! are you crazy, man?” repeated Lance, tremblingly; “that is not + Bob Ridley, but a dog, a coward, a liar gone to his reckoning. Hear me! If + your son WAS Bob Ridley, I swear to God I never knew it, now or—or—THEN. + Do you hear me? Tell me! Do you believe me? Speak! You shall speak.” + </p> + <p> + He laid his hand almost menacingly on the old man's shoulder. Fairley + slowly raised his head. Lance fell back with a groan of horror. The weak + lips were wreathed with a feeble imploring smile, but the eyes wherein the + fretful, peevish, suspicious spirit had dwelt were blank and tenantless; + the flickering intellect that had lit them was blown out and vanished. + </p> + <p> + Lance walked toward the door and remained motionless for a moment, gazing + into the night. When he turned back again toward the fire his face was as + colorless as the dead man's on the hearth; the fire of passion was gone + from his beaten eyes; his step was hesitating and slow. He went up to the + table. + </p> + <p> + “I say, old man,” he said, with a strange smile and an odd, premature + suggestion of the infinite weariness of death in his voice, “you wouldn't + mind giving me this, would you?” and he took up the picture of Flip. The + old man nodded repeatedly. “Thank you,” said Lance. He went to the door, + paused a moment, and returned. “Good-by, old man,” he said, holding out + his hand. Fairley took it with a childish smile. “He's dead,” said the old + man softly, holding Lance's hand, but pointing to the hearth. “Yes,” said + Lance, with the faintest of smiles on the palest of faces. “You feel sorry + for any one that's dead, don't you?” Fairley nodded again. Lance looked at + him with eyes as remote as his own, shook his head, and turned away. When + he reached the door he laid his revolver carefully, and, indeed, somewhat + ostentatiously, upon a chair. But when he stepped from the threshold he + stopped a moment in the light of the open door to examine the lock of a + small derringer which he drew from his pocket. He then shut the door + carefully, and with the same slow, hesitating step, felt his way into the + night. + </p> + <p> + He had but one idea in his mind, to find some lonely spot; some spot where + the footsteps of man would never penetrate, some spot that would yield him + rest, sleep, obliteration, forgetfulness, and, above all, where HE would + be forgotten. He had seen such places; surely there were many,—where + bones were picked up of dead men who had faded from the earth and had left + no other record. If he could only keep his senses now he might find such a + spot, but he must be careful, for her little feet went everywhere, and she + must never see him again alive or dead. And in the midst of his thoughts, + and the darkness, and the storm, he heard a voice at his side, “Lance, how + long you have been!” + </p> + <hr /> + <p> + Left to himself, the old man again fell into a vacant contemplation of the + dead body before him, until a stronger blast swept down like an avalanche + upon the cabin, burst through the ill-fastened door and broken chimney, + and, dashing the ashes and living embers over the floor, filled the room + with blinding smoke and flame. Fairley rose with a feeble cry, and then, + as if acted upon by some dominant memory, groped under the bed until he + found his buckskin bag and his precious crystal, and fled precipitately + from the room. Lifted by this second shock from his apathy, he returned to + the fixed idea of his life,—the discovery and creation of the + diamond,—and forgot all else. The feeble grasp that his shaken + intellect kept of the events of the night relaxed, the disguised Lance, + the story of his son, the murder, slipped into nothingness; there remained + only the one idea, his nightly watch by the diamond pit. The instinct of + long habit was stronger than the darkness or the onset of the storm, and + he kept his tottering way over stream and fallen timber until he reached + the spot. A sudden tremor seemed to shake the lambent flame that had lured + him on. He thought he heard the sound of voices; there were signs of + recent disturbance,—footprints in the sawdust! With a cry of rage + and suspicion, Fairley slipped into the pit and sprang toward the nearest + opening. To his frenzied fancy it had been tampered with, his secret + discovered, the fruit of his long labors stolen from him that very night. + With superhuman strength he began to open the pit, scattering the + half-charred logs right and left, and giving vent to the suffocating gases + that rose from the now incandescent charcoal. At times the fury of the + gale would drive it back and hold it against the sides of the pit, leaving + the opening free; at times, following the blind instinct of habit, the + demented man would fall upon his face and bury his nose and mouth in the + wet bark and sawdust. At last, the paroxysm past, he sank back again in + his old apathetic attitude of watching, the attitude he had so often kept + beside his sylvan crucible. In this attitude and in silence he waited for + the dawn. + </p> + <p> + It came with a hush in the storm; it came with blue openings in the broken + up and tumbled heavens; it came with stars that glistened first, and then + paled, and at last sank drowning in those deep cerulean lakes; it came + with those cerulean lakes broadening into vaster seas, whose shores + expanded at last into one illimitable ocean, cerulean no more, but flecked + with crimson and opal dyes; it came with the lightly lifted misty curtain + of the day, torn and rent on crag and pine top, but always lifting, + lifting. It came with the sparkle of emerald in the grasses, and the flash + of diamonds in every spray, with a whisper in the awakening woods, and + voices in the traveled roads and trails. + </p> + <p> + The sound of these voices stopped before the pit, and seemed to + interrogate the old man. He came, and, putting his finger on his lips, + made a sign of caution. When three or four men had descended he bade them + follow him, saying, weakly and disjointedly, but persistently: “My boy—my + son Robert—came home—came home at last—here with Flip—both + of them—come and see!” + </p> + <p> + He had reached a little niche or nest in the hillside, and stopped and + suddenly drew aside a blanket. Beneath it, side by side, lay Flip and + Lance, dead, with their cold hands clasped in each other's. + </p> + <p> + “Suffocated!” said two or three, turning with horror toward the broken up + and still smouldering pit. + </p> + <p> + “Asleep!” said the old man. “Asleep! I've seen 'em lying that way when + they were babies together. Don't tell me! Don't say I don't know my own + flesh and blood! So! so! So, my pretty ones!” He stooped and kissed them. + Then, drawing the blanket over them gently, he rose and said softly, “Good + night!” + </p> + <p> + <br /> <br /> + </p> +<pre xml:space="preserve"> + + + + + +End of Project Gutenberg's Flip: A California Romance, by Bret Harte + +*** END OF THIS PROJECT GUTENBERG EBOOK FLIP: A CALIFORNIA ROMANCE *** + +***** This file should be named 2793-h.htm or 2793-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/7/9/2793/ + +Produced by Donald Lainson and David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/2793.txt b/2793.txt new file mode 100644 index 0000000..c11a459 --- /dev/null +++ b/2793.txt @@ -0,0 +1,2131 @@ +The Project Gutenberg EBook of Flip: A California Romance, by Bret Harte + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Flip: A California Romance + +Author: Bret Harte + +Release Date: May 27, 2006 [EBook #2793] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK FLIP: A CALIFORNIA ROMANCE *** + + + + +Produced by Donald Lainson + + + + + +FLIP: A CALIFORNIA ROMANCE + + +By Bret Harte + + + + +CHAPTER I + + +Just where the track of the Los Gatos road streams on and upward like +the sinuous trail of a fiery rocket until it is extinguished in the blue +shadows of the Coast Range, there is an embayed terrace near the summit, +hedged by dwarf firs. At every bend of the heat-laden road the eye +rested upon it wistfully; all along the flank of the mountain, which +seemed to pant and quiver in the oven-like air, through rising dust, the +slow creaking of dragging wheels, the monotonous cry of tired springs, +and the muffled beat of plunging hoofs, it held out a promise of +sheltered coolness and green silences beyond. Sunburned and anxious +faces yearned toward it from the dizzy, swaying tops of stagecoaches, +from lagging teams far below, from the blinding white canvas covers of +"mountain schooners," and from scorching saddles that seemed to weigh +down the scrambling, sweating animals beneath. But it would seem that +the hope was vain, the promise illusive. When the terrace was reached it +appeared not only to have caught and gathered all the heat of the +valley below, but to have evolved a fire of its own from some hidden +crater-like source unknown. Nevertheless, instead of prostrating and +enervating man and beast, it was said to have induced the wildest +exaltation. The heated air was filled and stifling with resinous +exhalations. The delirious spices of balm, bay, spruce, juniper, yerba +buena, wild syringa, and strange aromatic herbs as yet unclassified, +distilled and evaporated in that mighty heat, and seemed to fire with +a midsummer madness all who breathed their fumes. They stung, smarted, +stimulated, intoxicated. It was said that the most jaded and foot-sore +horses became furious and ungovernable under their influence; wearied +teamsters and muleteers, who had exhausted their profanity in the +ascent, drank fresh draughts of inspiration in this fiery air, extended +their vocabulary, and created new and startling forms of objurgation. +It is recorded that one bibulous stage-driver exhausted description +and condensed its virtues in a single phrase: "Gin and ginger." This +felicitous epithet, flung out in a generous comparison with his favorite +drink, "rum and gum," clung to it ever after. + +Such was the current comment on this vale of spices. Like most human +criticism it was hasty and superficial. No one yet had been known to +have penetrated deeply its mysterious recesses. It was still far below +the summit and its wayside inn. It had escaped the intruding foot of +hunter and prospector; and the inquisitive patrol of the county surveyor +had only skirted its boundary. It remained for Mr. Lance Harriott to +complete its exploration. His reasons for so doing were simple. He had +made the journey thither underneath the stage-coach, and clinging to its +axle. He had chosen this hazardous mode of conveyance at night, as the +coach crept by his place of concealment in the wayside brush, to elude +the sheriff of Monterey County and his posse, who were after him. + +He had not made himself known to his fellow-passengers as they already +knew him as a gambler, an outlaw, and a desperado; he deemed it unwise +to present himself in a newer reputation of a man who had just slain +a brother gambler in a quarrel, and for whom a reward was offered. +He slipped from the axle as the stage-coach swirled past the brushing +branches of fir, and for an instant lay unnoticed, a scarcely +distinguishable mound of dust in the broken furrows of the road. Then, +more like a beast than a man, he crept on his hands and knees into the +steaming underbrush. Here he lay still until the clatter of harness +and the sound of voices faded in the distance. Had he been followed, +it would have been difficult to detect in that inert mass of rags any +semblance to a known form or figure. A hideous reddish mask of dust and +clay obliterated his face; his hands were shapeless stumps exaggerated +in his trailing sleeves. And when he rose, staggering like a drunken +man, and plunged wildly into the recesses of the wood, a cloud of dust +followed him, and pieces and patches of his frayed and rotten garments +clung to the impeding branches. Twice he fell, but, maddened and upheld +by the smarting spices and stimulating aroma of the air, he kept on his +course. + +Gradually the heat became less oppressive; once when he stopped and +leaned exhaustedly against a sapling, he fancied he saw the zephyr he +could not yet feel in the glittering and trembling of leaves in the +distance before him. Again the deep stillness was moved with a faint +sighing rustle, and he knew he must be nearing the edge of the thicket. +The spell of silence thus broken was followed by a fainter, more musical +interruption--the glassy tinkle of water! A step further his foot +trembled on the verge of a slight ravine, still closely canopied by the +interlacing boughs overhead. A tiny stream that he could have dammed +with his hand yet lingered in this parched red gash in the hillside and +trickled into a deep, irregular, well-like cavity, that again overflowed +and sent its slight surplus on. It had been the luxurious retreat of +many a spotted trout; it was to be the bath of Lance Harriott. Without +a moment's hesitation, without removing a single garment, he slipped +cautiously into it, as if fearful of losing a single drop. His head +disappeared from the level of the bank; the solitude was again unbroken. +Only two objects remained upon the edge of the ravine,--his revolver and +tobacco pouch. + +A few minutes elapsed. A fearless blue jay alighted on the bank and +made a prospecting peck at the tobacco pouch. It yielded in favor of a +gopher, who endeavored to draw it toward his hole, but in turn gave way +to a red squirrel, whose attention was divided, however, between the +pouch and the revolver, which he regarded with mischievous fascination. +Then there was a splash, a grunt, a sudden dispersion of animated +nature, and the head of Mr. Lance Harriott appeared above the bank. It +was a startling transformation. Not only that he had, by this wholesale +process, washed himself and his light "drill" garments entirely clean, +but that he had, apparently by the same operation, morally cleansed +HIMSELF, and left every stain and ugly blot of his late misdeeds and +reputation in his bath. His face, albeit scratched here and there, was +rosy, round, shining with irrepressible good humor and youthful levity. +His large blue eyes were infantine in their innocent surprise and +thoughtlessness. Dripping yet with water, and panting, he rested his +elbows lazily on the bank, and became instantly absorbed with a boy's +delight in the movements of the gopher, who, after the first alarm, +returned cautiously to abduct the tobacco pouch. If any familiar had +failed to detect Lance Harriott in this hideous masquerade of dust and +grime and tatters, still less would any passing stranger have recognized +in this blond faun the possible outcast and murderer. And, when with a +swirl of his spattering sleeve, he drove back the gopher in a shower of +spray and leaped to the bank, he seemed to have accepted his felonious +hiding-place as a mere picnicking bower. + +A slight breeze was unmistakably permeating the wood from the west. +Looking in that direction, Lance imagined that the shadow was less dark, +and although the undergrowth was denser, he struck off carelessly toward +it. As he went on, the wood became lighter and lighter; branches, and +presently leaves, were painted against the vivid blue of the sky. He +knew he must be near the summit, stopped, felt for his revolver, and +then lightly put the few remaining branches aside. + +The full glare of the noonday sun at first blinded him. When he could +see more clearly, he found himself on the open western slope of the +mountain, which in the Coast Range was seldom wooded. The spiced thicket +stretched between him and the summit, and again between him and the +stage road that plunges from the terrace, like forked lightning into the +valley below. He could command all the approaches without being seen. +Not that this seemed to occupy his thoughts or cause him any anxiety. +His first act was to disencumber himself of his tattered coat; he then +filled and lighted his pipe, and stretched himself full-length on the +open hillside, as if to bleach in the fierce sun. While smoking he +carelessly perused the fragment of a newspaper which had enveloped his +tobacco, and being struck with some amusing paragraph, read it half +aloud again to some imaginary auditor, emphasizing its humor with an +hilarious slap upon his leg. + +Possibly from the relaxation of fatigue and the bath, which had become +a vapor one as he alternately rolled and dried himself in the baking +grass, his eyes closed dreamily. He was awakened by the sound of voices. +They were distant; they were vague; they approached no nearer. He rolled +himself to the verge of the first precipitous grassy descent. There was +another bank or plateau below him, and then a confused depth of olive +shadows, pierced here and there by the spiked helmets of pines. + +There was no trace of habitation, yet the voices were those of some +monotonous occupation, and Lance distinctly heard through them the click +of crockery and the ring of some household utensil. It appeared to be +the interjectional, half listless, half perfunctory, domestic dialogue +of an old man and a girl, of which the words were unintelligible. Their +voices indicated the solitude of the mountain, but without sadness; they +were mysterious without being awe-inspiring. They might have uttered +the dreariest commonplaces, but, in their vast isolation, they seemed +musical and eloquent. Lance drew his first sigh,--they had suggested +dinner. + +Careless as his nature was, he was too cautious to risk detection in +broad daylight. He contented himself for the present with endeavoring to +locate that particular part of the depths from which the voices seemed +to rise. It was more difficult, however, to select some other way of +penetrating it than by the stage road. "They're bound to have a fire +or show a light when it's dark," he reasoned, and, satisfied with that +reflection, lay down again. Presently he began to amuse himself by +tossing some silver coins in the air. Then his attention was directed to +a spur of the Coast Range which had been sharply silhouetted against +the cloudless western sky. Something intensely white, something so +small that it was scarcely larger than the silver coin in his hand, was +appearing in a slight cleft of the range. + +While he looked it gradually filled and obliterated the cleft. In +another moment the whole serrated line of mountain had disappeared. The +dense, dazzling white, encompassing host began to pour over and down +every ravine and pass of the coast. Lance recognized the sea-fog, and +knew that scarcely twenty miles away lay the ocean--and safety! The +drooping sun was now caught and hidden in its soft embraces. A sudden +chill breathed over the mountain. He shivered, rose, and plunged again +for very warmth into the spice-laden thicket. The heated balsamic air +began to affect him like a powerful sedative; his hunger was forgotten +in the languor of fatigue; he slumbered. When he awoke it was dark. He +groped his way through the thicket. A few stars were shining directly +above him, but beyond and below, everything was lost in the soft, white, +fleecy veil of fog. Whatever light or fire might have betokened human +habitation was hidden. To push on blindly would be madness; he could +only wait for morning. It suited the outcast's lazy philosophy. He crept +back again to his bed in the hollow and slept. In that profound silence +and shadow, shut out from human association and sympathy by the ghostly +fog, what torturing visions conjured up by remorse and fear should have +pursued him? What spirit passed before him, or slowly shaped itself out +of the infinite blackness of the wood? None. As he slipped gently into +that blackness he remembered with a slight regret, some biscuits that +were dropped from the coach by a careless luncheon-consuming passenger. +That pang over, he slept as sweetly, as profoundly, as divinely, as a +child. + + + + +CHAPTER II. + + +He awoke with the aroma of the woods still steeping his senses. His +first instinct was that of all young animals; he seized a few of the +young, tender green leaves of the yerba buena vine that crept over his +mossy pillow and ate them, being rewarded by a half berry-like flavor +that seemed to soothe the cravings of his appetite. The languor of sleep +being still upon him, he lazily watched the quivering of a sunbeam that +was caught in the canopying boughs above. Then he dozed again. Hovering +between sleeping and waking, he became conscious of a slight movement +among the dead leaves on the bank beside the hollow in which he lay. The +movement appeared to be intelligent, and directed toward his revolver, +which glittered on the bank. Amused at this evident return of his +larcenous friend of the previous day, he lay perfectly still. The +movement and rustle continued, but it now seemed long and undulating. +Lance's eyes suddenly became set; he was intensely, keenly awake. It +was not a snake, but the hand of a human arm, half hidden in the moss, +groping for the weapon. In that flash of perception he saw that it was +small, bare, and deeply freckled. In an instant he grasped it firmly, +and rose to his feet, dragging to his own level as he did so, the +struggling figure of a young girl. + +"Leave me go!" she said, more ashamed than frightened. + +Lance looked at her. She was scarcely more than fifteen, slight and +lithe, with a boyish flatness of breast and back. Her flushed face and +bare throat were absolutely peppered with minute brown freckles, +like grains of spent gunpowder. Her eyes, which were large and gray, +presented the singular spectacle of being also freckled,--at least they +were shot through in pupil and cornea with tiny spots like powdered +allspice. Her hair was even more remarkable in its tawny, deer-skin +color, full of lighter shades, and bleached to the faintest of blondes +on the crown of her head, as if by the action of the sun. She had +evidently outgrown her dress, which was made for a smaller child, and +the too brief skirt disclosed a bare, freckled, and sandy desert of +shapely limb, for which the darned stockings were equally too scant. +Lance let his grasp slip from her thin wrist to her hand, and then with +a good-humored gesture tossed it lightly back to her. + +She did not retreat, but continued looking at him in a half-surly +embarrassment. + +"I ain't a bit frightened," she said; "I'm not going to run away,--don't +you fear." + +"Glad to hear it," said Lance, with unmistakable satisfaction, "but why +did you go for my revolver?" + +She flushed again and was silent. Presently she began to kick the earth +at the roots of the tree, and said, as if confidentially to her foot,-- + +"I wanted to get hold of it before you did." + +"You did?--and why?" + +"Oh, you know why." + +Every tooth in Lance's head showed that he did, perfectly. But he was +discreetly silent. + +"I didn't know what you were hiding there for," she went on, still +addressing the tree, "and," looking at him sideways under her white +lashes, "I didn't see your face." + +This subtle compliment was the first suggestion of her artful sex. +It actually sent the blood into the careless rascal's face, and for a +moment confused him. He coughed. "So you thought you'd freeze on to that +six-shooter of mine until you saw my hand?" + +She nodded. Then she picked up a broken hazel branch, fitted it into the +small of her back, threw her tanned bare arms over the ends of it, and +expanded her chest and her biceps at the same moment. This simple action +was supposed to convey an impression at once of ease and muscular force. + +"Perhaps you'd like to take it now," said Lance, handing her the pistol. + +"I've seen six-shooters before now," said the girl, evading the +proffered weapon and its suggestion. "Dad has one, and my brother had +two derringers before he was half as big as me." + +She stopped to observe in her companion the effect of this capacity of +her family to bear arms. Lance only regarded her amusedly. Presently she +again spoke abruptly:-- + +"What made you eat that grass, just now?" + +"Grass!" echoed Lance. + +"Yes, there," pointing to the yerba buena. + +Lance laughed. "I was hungry. Look!" he said, gayly tossing some silver +into the air. "Do you think you could get me some breakfast for that, +and have enough left to buy something for yourself?" + +The girl eyed the money and the man with half-bashful curiosity. + +"I reckon Dad might give ye suthing if he had a mind ter, though ez a +rule he's down on tramps ever since they run off his chickens. Ye might +try." + +"But I want YOU to try. You can bring it to me here." + +The girl retreated a step, dropped her eyes, and, with a smile that was +a charming hesitation between bashfulness and impudence, said: "So you +ARE hidin', are ye?" + +"That's just it. Your head's level. I am," laughed Lance unconcernedly. + +"Yur ain't one o' the McCarty gang--are ye?" + +Mr. Lance Harriott felt a momentary moral exaltation in declaring +truthfully that he was not one of a notorious band of mountain +freebooters known in the district under that name. + +"Nor ye ain't one of them chicken lifters that raided Henderson's ranch? +We don't go much on that kind o' cattle yer." + +"No," said Lance, cheerfully. + +"Nor ye ain't that chap ez beat his wife unto death at Santa Clara?" + +Lance honestly scorned the imputation. Such conjugal ill treatment as +he had indulged in had not been physical, and had been with other men's +wives. + +There was a moment's further hesitation on the part of the girl. Then +she said shortly: + +"Well, then, I reckon you kin come along with me." + +"Where?" asked Lance. + +"To the ranch," she replied simply. + +"Then you won't bring me anything to eat here?" + +"What for? You kin get it down there." Lance hesitated. "I tell you it's +all right," she continued. "I'll make it all right with Dad." + +"But suppose I reckon I'd rather stay here," persisted Lance, with a +perfect consciousness, however, of affectation in his caution. + +"Stay away then," said the girl coolly; "only as Dad perempted this yer +woods"-- + +"PRE-empted," suggested Lance. + +"Per-empted or pre-emp-ted, as you like," continued the girl +scornfully,--"ez he's got a holt on this yer woods, ye might ez well see +him down thar ez here. For here he's like to come any minit. You can bet +your life on that." + +She must have read Lance's amusement in his eyes, for she again dropped +her own with a frown of brusque embarrassment. "Come along, then; I'm +your man," said Lance, gayly, extending his hand. + +She would not accept it, eying it, however, furtively, like a horse +about to shy. "Hand me your pistol first," she said. + +He handed it to her with an assumption of gayety. She received it on her +part with unfeigned seriousness, and threw it over her shoulder like +a gun. This combined action of the child and heroine, it is quite +unnecessary to say, afforded Lance undiluted joy. + +"You go first," she said. + +Lance stepped promptly out, with a broad grin. "Looks kinder as if I was +a prisoner, don't it?" he suggested. + +"Go on, and don't fool," she replied. + +The two fared onward through the wood. For one moment he entertained the +facetious idea of appearing to rush frantically away, "just to see +what the girl would do," but abandoned it. "It's an even thing if she +wouldn't spot me the first pop," he reflected admiringly. + +When they had reached the open hillside, Lance stopped inquiringly. +"This way," she said, pointing toward the summit, and in quite an +opposite direction to the valley where he had heard the voices, one +of which he now recognized as hers. They skirted the thicket for a few +moments, and then turned sharply into a trail which began to dip toward +a ravine leading to the valley. + +"Why do you have to go all the way round?" he asked. + +"WE don't," the girl replied with emphasis; "there's a shorter cut." + +"Where?" + +"That's telling," she answered shortly. + +"What's your name?" asked Lance, after a steep scramble and a drop into +the ravine. + +"Flip." + +"What?" + +"Flip." + +"I mean your first name,--your front name." + +"Flip." + +"Flip! Oh, short for Felipa!" + +"It ain't Flipper,--it's Flip." And she relapsed into silence. + +"You don't ask me mine?" suggested Lance. + +She did not vouchsafe a reply. + +"Then you don't want to know?" + +"Maybe Dad will. You can lie to HIM." + +This direct answer apparently sustained the agreeable homicide for some +moments. He moved onward, silently exuding admiration. + +"Only," added Flip, with a sudden caution, "you'd better agree with me." + +The trail here turned again abruptly and re-entered the canyon. Lance +looked up, and noticed they were almost directly beneath the bay thicket +and the plateau that towered far above them. The trail here showed signs +of clearing, and the way was marked by felled trees and stumps of pines. + +"What does your father do here?" he finally asked. Flip remained silent, +swinging the revolver. Lance repeated his question. + +"Burns charcoal and makes diamonds," said Flip, looking at him from the +corners of her eyes. + +"Makes diamonds?" echoed Lance. + +Flip nodded her head. + +"Many of 'em?" he continued carelessly. + +"Lots. But they're not big," she returned, with a sidelong glance. + +"Oh, they're not big?" said Lance gravely. + +They had by this time reached a small staked inclosure, whence the +sudden fluttering and cackle of poultry welcomed the return of the +evident mistress of this sylvan retreat. It was scarcely imposing. +Further on, a cooking stove under a tree, a saddle and bridle, a few +household implements scattered about, indicated the "ranch." Like most +pioneer clearings, it was simply a disorganized raid upon nature that +had left behind a desolate battlefield strewn with waste and decay. +The fallen trees, the crushed thicket, the splintered limbs, the rudely +torn-up soil, were made hideous by their grotesque juxtaposition with +the wrecked fragments of civilization, in empty cans, broken bottles, +battered hats, soleless boots, frayed stockings, cast-off rags, and +the crowning absurdity of the twisted-wire skeleton of a hooped skirt +hanging from a branch. The wildest defile, the densest thicket, the most +virgin solitude, was less dreary and forlorn than this first footprint +of man. The only redeeming feature of this prolonged bivouac was the +cabin itself. Built of the half-cylindrical strips of pine bark, and +thatched with the same material, it had a certain picturesque rusticity. +But this was an accident of economy rather than taste, for which +Flip apologized by saying that the bark of the pine was "no good" for +charcoal. + +"I reckon Dad's in the woods," she added, pausing before the open door +of the cabin. "Oh, Dad!" Her voice, clear and high, seemed to fill +the whole long canyon, and echoed from the green plateau above. The +monotonous strokes of an axe were suddenly pretermitted, and somewhere +from the depths of the close-set pines a voice answered "Flip." There +was a pause of a few moments, with some muttering, stumbling, and +crackling in the underbrush, and then the sudden appearance of "Dad." + +Had Lance first met him in the thicket, he would have been puzzled to +assign his race to Mongolian, Indian, or Ethiopian origin. Perfunctory +but incomplete washings of his hands and face, after charcoal burning, +had gradually ground into his skin a grayish slate-pencil pallor, +grotesquely relieved at the edges, where the washing had left off, +with a border of a darker color. He looked like an overworked Christy +minstrel with the briefest of intervals between his performances. There +were black rims in the orbits of his eyes, as if he gazed feebly out of +unglazed spectacles, which heightened his simian resemblance, already +grotesquely exaggerated by what appeared to be repeated and spasmodic +experiments in dyeing his gray hair. Without the slightest notice of +Lance, he inflicted his protesting and querulous presence entirely on +his daughter. + +"Well, what's up now? Yer ye are calling me from work an hour before +noon. Dog my skin, ef I ever get fairly limbered up afore it's 'Dad!' +and 'Oh, Dad!'" + +To Lance's intense satisfaction the girl received this harangue with +an air of supreme indifference, and when "Dad" had relapsed into an +unintelligible, and, as it seemed to Lance, a half-frightened muttering, +she said coolly,-- + +"Ye'd better drop that axe and scoot round getten' this stranger some +breakfast and some grub to take with him. He's one of them San Francisco +sports out here trout fishing in the branch. He's got adrift from his +party, has lost his rod and fixins, and had to camp out last night in +the Gin and Ginger Woods." + +"That's just it; it's allers suthin like that," screamed the old man, +dashing his fist on his leg in a feeble, impotent passion, but without +looking at Lance. "Why in blazes don't he go up to that there blamed +hotel on the summit? Why in thunder--" But here he caught his daughter's +large, freckled eyes full in his own. He blinked feebly, his voice fell +into a tone of whining entreaty. "Now, look yer, Flip, it's playing +it rather low down on the old man, this yer running' in o' tramps and +desarted emigrants and cast-ashore sailors and forlorn widders and +ravin' lunatics, on this yer ranch. I put it to you, Mister," he said +abruptly, turning to Lance for the first time, but as if he had already +taken an active part in the conversation,--"I put it as a gentleman +yourself, and a fair-minded sportin' man, if this is the square thing?" + +Before Lance could reply, Flip had already begun. "That's just it! D'ye +reckon, being a sportin' man and an A 1 feller, he's goin' to waltz down +inter that hotel, rigged out ez he is? D'ye reckon he's goin' to let +his partners get the laugh outer him? D'ye reckon he's goin' to show his +head outer this yer ranch till he can do it square? Not much! Go 'long. +Dad, you're talking silly!" + +The old man weakened. He feebly trailed his axe between his legs to a +stump and sat down, wiping his forehead with his sleeve, and imparting +to it the appearance of a slate with a difficult sum partly rubbed out. +He looked despairingly at Lance. "In course," he said, with a deep sigh, +"you naturally ain't got any money. In course you left your pocketbook, +containing fifty dollars, under a stone, and can't find it. In course," +he continued, as he observed Lance put his hand to his pocket, "you've +only got a blank check on Wells, Fargo & Co. for a hundred dollars, and +you'd like me to give you the difference?" + +Amused as Lance evidently was at this, his absolute admiration for Flip +absorbed everything else. With his eyes fixed upon the girl, he briefly +assured the old man that he would pay for everything he wanted. He did +this with a manner quite different from the careless, easy attitude he +had assumed toward Flip; at least the quick-witted girl noticed it, and +wondered if he was angry. It was quite true that ever since his eye had +fallen upon another of his own sex, its glance had been less frank and +careless. Certain traits of possible impatience, which might develop +into man-slaying, were coming to the fore. Yet a word or a gesture of +Flip's was sufficient to change that manner, and when, with the fretful +assistance of her father, she had prepared a somewhat sketchy and +primitive repast, he questioned the old man about diamond-making. The +eye of Dad kindled. + +"I want ter know how ye knew I was making diamonds," he asked, with a +certain bashful pettishness not unlike his daughter's. + +"Heard it in 'Frisco," replied Lance, with glib mendacity, glancing at +the girl. + +"I reckon they're gettin' sort of skeert down there--them jewelers," +chuckled Dad, "yet it's in nater that their figgers will have to come +down. It's only a question of the price of charcoal. I suppose they +didn't tell you how I made the discovery?" + +Lance would have stopped the old man's narrative by saying that he +knew the story, but he wished to see how far Flip lent herself to her +father's delusion. + +"Ye see, one night about two years ago I had a pit o' charcoal burning +out there, and tho' it had been a smouldering and a smoking and a +blazing for nigh unto a month, somehow it didn't charcoal worth a cent. +And yet, dog my skin, but the heat o' that er pit was suthin hidyus +and frightful; ye couldn't stand within a hundred yards of it, and they +could feel it on the stage road three miles over yon, t'other side the +mountain. There was nights when me and Flip had to take our blankets +up the ravine and camp out all night, and the back of this yer hut +shriveled up like that bacon. It was about as nigh on to hell as any +sample ye kin get here. Now, mebbe you think I built that air fire? +Mebbe you'll allow the heat was just the nat'ral burning of that pit?" + +"Certainly," said Lance, trying to see Flip's eyes, which were +resolutely averted. + +"Thet's whar you'd be lyin'! That yar heat kem out of the bowels of the +yearth,--kem up like out of a chimbley or a blast, and kep up that yar +fire. And when she cools down a month after, and I got to strip her, +there was a hole in the yearth, and a spring o' bilin', scaldin' water +pourin' out of it ez big as your waist. And right in the middle of it +was this yer." He rose with the instinct of a skillful raconteur, and +whisked from under his bunk a chamois leather bag, which he emptied +on the table before them. It contained a small fragment of native rock +crystal, half-fused upon a petrified bit of pine. It was so glaringly +truthful, so really what it purported to be, that the most unscientific +woodman or pioneer would have understood it at a glance. Lance raised +his mirthful eyes to Flip. + +"It was cooled suddint,--stunted by the water," said the girl, eagerly. +She stopped, and as abruptly turned away her eyes and her reddened face. + +"That's it, that's just it," continued the old man. "Thar's Flip, thar, +knows it; she ain't no fool!" Lance did not speak, but turned a hard, +unsympathizing look upon the old man, and rose almost roughly. The old +man clutched his coat. "That's it, ye see. The carbon's just turning to +di'mens. And stunted. And why? 'Cos the heat wasn't kep up long enough. +Mebbe yer think I stopped thar? That ain't me. Thar's a pit out yar in +the woods ez hez been burning six months; it hain't, in course, got the +advantages o' the old one, for it's nat'ral heat. But I'm keeping that +heat up. I've got a hole where I kin watch it every four hours. When +the time comes, I'm thar! Don't you see? That's me! that's David +Fairley,--that's the old man,--you bet!" + +"That's so," said Lance, curtly. "And now, Mr. Fairley, if you'll +hand me over a coat or a jacket till I can get past these fogs on the +Monterey road, I won't keep you from your diamond pit." He threw down a +handful of silver on the table. + +"Ther's a deerskin jacket yer," said the old man, "that one o' them +vaqueros left for the price of a bottle of whiskey." + +"I reckon it wouldn't suit the stranger," said Flip, dubiously producing +a much-worn, slashed, and braided vaquero's jacket. But it did suit +Lance, who found it warm, and also had suddenly found a certain +satisfaction in opposing Flip. When he had put it on, and nodded coldly +to the old man, and carelessly to Flip, he walked to the door. + +"If you're going to take the Monterey road, I can show you a short cut +to it," said Flip, with a certain kind of shy civility. + +The paternal Fairley groaned. "That's it; let the chickens and the ranch +go to thunder, as long as there's a stranger to trapse round with; go +on!" + +Lance would have made some savage reply, but Flip interrupted. "You know +yourself, Dad, it's a blind trail, and as that 'ere constable that kem +out here hunting French Pete, couldn't find it, and had to go round by +the canyon, like ez not the stranger would lose his way, and have to +come back!" This dangerous prospect silenced the old man, and Flip and +Lance stepped into the road together. They walked on for some moments +without speaking. Suddenly Lance turned upon his companion. + +"You didn't swallow all that rot about the diamond, did you?" he asked, +crossly. + +Flip ran a little ahead, as if to avoid a reply. + +"You don't mean to say that's the sort of hog wash the old man serves +out to you regularly?" continued Lance, becoming more slangy in his ill +temper. + +"I don't know that it's any consarn o' yours what I think," replied +Flip, hopping from boulder to boulder, as they crossed the bed of a dry +watercourse. + +"And I suppose you've piloted round and dry-nussed every tramp and dead +beat you've met since you came here," continued Lance, with unmistakable +ill humor. "How many have you helped over this road?" + +"It's a year since there was a Chinaman chased by some Irishmen from the +Crossing into the brush about yer, and he was too afeered to come out, +and nigh most starved to death in thar. I had to drag him out and start +him on the mountain, for you couldn't get him back to the road. He was +the last one but YOU." + +"Do you reckon it's the right thing for a girl like you to run about +with trash of this kind, and mix herself up with all sorts of rough and +bad company?" said Lance. + +Flip stopped short. "Look! if you're goin' to talk like Dad, I'll go +back." + +The ridiculousness of such a resemblance struck him more keenly than a +consciousness of his own ingratitude. He hastened to assure Flip that he +was joking. When he had made his peace they fell into talk again, Lance +becoming unselfish enough to inquire into one or two facts concerning +her life which did not immediately affect him. Her mother had died on +the plains when she was a baby, and her brother had run away from home +at twelve. She fully expected to see him again, and thought he might +sometime stray into their canyon. "That is why, then, you take so much +stock in tramps," said Lance. "You expect to recognize HIM?" + +"Well," replied Flip, gravely, "there is suthing in THAT, and there's +suthing in THIS: some o' these chaps might run across brother and do him +a good turn for the sake of me." + +"Like me, for instance?" suggested Lance. + +"Like you. You'd do him a good turn, wouldn't you?" + +"You bet!" said Lance, with a sudden emotion that quite startled him; +"only don't you go to throwing yourself round promiscuously." He was +half-conscious of an irritating sense of jealousy, as he asked if any of +her proteges had ever returned. + +"No," said Flip, "no one ever did. It shows," she added with sublime +simplicity, "I had done 'em good, and they could get on alone. Don't +it?" + +"It does," responded Lance grimly. "Have you any other friends that +come?" + +"Only the Postmaster at the Crossing." + +"The Postmaster?" + +"Yes; he's reckonin' to marry me next year, if I'm big enough." + +"And what do you reckon?" asked Lance earnestly. + +Flip began a series of distortions with her shoulders, ran on ahead, +picked up a few pebbles and threw them into the wood, glanced back at +Lance with swimming mottled eyes, that seemed a piquant incarnation of +everything suggestive and tantalizing, and said, + +"That's telling." + +They had by this time reached the spot where they were to separate. +"Look," said Flip, pointing to a faint deflection of their path, which +seemed, however, to lose itself in the underbrush a dozen yards away, +"ther's your trail. It gets plainer and broader the further you get on, +but you must use your eyes here, and get to know it well afore you get +into the fog. Good-by." + +"Good-by." Lance took her hand and drew her beside him. She was still +redolent of the spices of the thicket, and to the young man's excited +fancy seemed at that moment to personify the perfume and intoxication of +her native woods. Half laughingly, half earnestly, he tried to kiss her; +she struggled for some time strongly, but at the last moment yielded, +with a slight return and the exchange of a subtle fire that thrilled +him, and left him standing confused and astounded as she ran away. He +watched her lithe, nymph-like figure disappear in the checkered shadows +of the wood, and then he turned briskly down the half-hidden trail. His +eyesight was keen, he made good progress, and was soon well on his way +toward the distant ridge. + +But Flip's return had not been as rapid. When she reached the wood she +crept to its beetling verge, and, looking across the canyon, watched +Lance's figure as it vanished and reappeared in the shadows and +sinuosities of the ascent. When he reached the ridge the outlying fog +crept across the summit, caught him in its embrace, and wrapped him +from her gaze. Flip sighed, raised herself, put her alternate foot on +a stump, and took a long pull at her too-brief stockings. When she had +pulled down her skirt and endeavored once more to renew the intimacy +that had existed in previous years between the edge of her petticoat and +the top of her stockings, she sighed again, and went home. + + + + +CHAPTER III. + + +For six months the sea fogs monotonously came and went along the +Monterey coast; for six months they beleaguered the Coast Range with +afternoon sorties of white hosts that regularly swept over the mountain +crest, and were as regularly beaten back again by the leveled lances of +the morning sun. For six months that white veil which had once hidden +Lance Harriott in its folds returned without him. For that amiable +outlaw no longer needed disguise or hiding-place. The swift wave of +pursuit that had dashed him on the summit had fallen back, and the next +day was broken and scattered. Before the week had passed, a regular +judicial inquiry relieved his crime of premeditation, and showed it to +be a rude duel of two armed and equally desperate men. From a secure +vantage in a seacoast town Lance challenged a trial by his peers, and, +as an already prejudged man escaping from his executioners, obtained a +change of venue. Regular justice, seated by the calm Pacific, found +the action of an interior, irregular jury rash and hasty. Lance was +liberated on bail. + +The Postmaster at Fisher's Crossing had just received the weekly mail +and express from San Francisco, and was engaged in examining it. It +consisted of five letters and two parcels. Of these, three of the +letters and the two parcels were directed to Flip. It was not the +first time during the last six months that this extraordinary event had +occurred, and the curiosity of the Crossing was duly excited. As Flip +had never called personally for the letters or parcels, but had sent one +of her wild, irregular scouts or henchmen to bring them, and as she was +seldom seen at the Crossing or on the stage road, that curiosity was +never satisfied. The disappointment to the Postmaster--a man past the +middle age--partook of a sentimental nature. He looked at the letters +and parcels; he looked at his watch; it was yet early, he could +return by noon. He again examined the addresses; they were in the same +handwriting as the previous letters. His mind was made up, he would +deliver them himself. The poetic, soulful side of his mission was +delicately indicated by a pale blue necktie, a clean shirt, and a small +package of gingernuts, of which Flip was extravagantly fond. + +The common road to Fairley's Ranch was by the stage turnpike to a point +below the Gin and Ginger Woods, where the prudent horseman usually left +his beast and followed the intersecting trail afoot. It was here that +the Postmaster suddenly observed on the edge of the wood the figure of +an elegantly-dressed woman; she was walking slowly, and apparently at +her ease; one hand held her skirts lightly gathered between her gloved +fingers, the other slowly swung a riding whip. Was it a picnic of some +people from Monterey or Santa Cruz? The spectacle was novel enough to +justify his coming nearer. Suddenly she withdrew into the wood; he lost +sight of her; she was gone. He remembered, however, that Flip was +still to be seen, and as the steep trail was beginning to tax all his +energies, he was fain to hurry forward. The sun was nearly vertical when +he turned into the canyon, and saw the bark roof of the cabin beyond. At +almost the same moment Flip appeared, flushed and panting, in the road +before him. + +"You've got something for me," she said, pointing to the parcel and +letters. Completely taken by surprise, the Postmaster mechanically +yielded them up, and as instantly regretted it. "They're paid for," +continued Flip, observing his hesitation. + +"That's so," stammered the official of the Crossing, seeing his last +chance of knowing the contents of the parcel vanish; "but I thought ez +it's a valooable package, maybe ye might want to examine it to see that +it was all right afore ye receipted for it." + +"I'll risk it," said Flip, coolly, "and if it ain't right I'll let ye +know." + +As the girl seemed inclined to retire with her property, the Postmaster +was driven to other conversation. "We ain't had the pleasure of seeing +you down at the Crossing for a month o' Sundays," he began, with airy +yet pronounced gallantry. "Some folks let on you was keepin' company +with some feller like Bijah Brown, and you were getting a little too +set up for the Crossing." The individual here mentioned being the county +butcher, and supposed to exhibit his hopeless affection for Flip by +making a long and useless divergence from his weekly route to enter the +canyon for "orders," Flip did not deem it necessary to reply. "Then I +allowed how ez you might have company," he continued; "I reckon there's +some city folks up at the summit. I saw a mighty smart, fash'n'ble gal +cavorting round. Had no end o' style and fancy fixin's. That's my kind, +I tell you. I just weaken on that sort o' gal," he continued, in the +firm belief that he had awakened Flip's jealousy, as he glanced at her +well-worn homespun frock, and found her eyes suddenly fixed on his own. + +"Strange I ain't got to see her yet," she replied coolly, shouldering +her parcel, and quite ignoring any sense of obligation to him for his +extra-official act. + +"But you might get to see her at the edge of the Gin and Ginger Woods," +he persisted feebly, in a last effort to detain her; "if you'll take a +pasear there with me." Flip's only response was to walk on toward the +cabin, whence, with a vague complimentary suggestion of "droppin' in to +pass the time o' day" with her father, the Postmaster meekly followed. + +The paternal Fairley, once convinced that his daughter's new companion +required no pecuniary or material assistance from his hands, relaxed +to the extent of entering into a querulous confidence with him, during +which Flip took the opportunity of slipping away. As Fairley had that +infelicitous tendency of most weak natures, to unconsciously exaggerate +unimportant details in their talk, the Postmaster presently became +convinced that the butcher was a constant and assiduous suitor of +Flip's. The absurdity of his sending parcels and letters by post when he +might bring them himself did not strike the official. On the contrary, +he believed it to be a master stroke of cunning. Fired by jealousy and +Flip's indifference, he "deemed it his duty"--using that facile form of +cowardly offensiveness--to betray Flip. + +Of which she was happily oblivious. Once away from the cabin, she +plunged into the woods, with the parcel swung behind her like a +knapsack. Leaving the trail, she presently struck off in a straight line +through cover and underbrush with the unerring instinct of an animal, +climbing hand over hand the steepest ascent, or fluttering like a bird +from branch to branch down the deepest declivity. She soon reached +that part of the trail where the susceptible Postmaster had seen the +fascinating unknown. Assuring herself she was not followed, she crept +through the thicket until she reached a little waterfall and basin that +had served the fugitive Lance for a bath. The spot bore signs of later +and more frequent occupancy, and when Flip carefully removed some bark +and brushwood from a cavity in the rock and drew forth various folded +garments, it was evident she had used it as a sylvan dressing-room. Here +she opened the parcel; it contained a small and delicate shawl of yellow +China crepe. Flip instantly threw it over her shoulders and stepped +hurriedly toward the edge of the wood. Then she began to pass backward +and forward before the trunk of a tree. At first nothing was visible on +the tree, but a closer inspection showed a large pane of ordinary window +glass stuck in the fork of the branches. It was placed at such a cunning +angle against the darkness of the forest opening that it made a soft and +mysterious mirror, not unlike a Claude Lorraine glass, wherein not only +the passing figure of the young girl was seen, but the dazzling green +and gold of the hillside, and the far-off silhouetted crests of the +Coast Range. + +But this was evidently only a prelude to a severer rehearsal. When she +returned to the waterfall she unearthed from her stores a large piece +of yellow soap and some yards of rough cotton "sheeting." These she +deposited beside the basin and again crept to the edge of the wood to +assure herself that she was alone. Satisfied that no intruding foot +had invaded that virgin bower, she returned to her bath and began +to undress. A slight wind followed her, and seemed to whisper to the +circumjacent trees. It appeared to waken her sister naiads and nymphs, +who, joining their leafy fingers, softly drew around her a gently moving +band of trembling lights and shadows, of flecked sprays and inextricably +mingled branches, and involved her in a chaste sylvan obscurity, veiled +alike from pursuing god or stumbling shepherd. Within these hallowed +precincts was the musical ripple of laughter and falling water, and at +times the glimpse of a lithe brier-caught limb, or a ray of sunlight +trembling over bright flanks, or the white austere outline of a childish +bosom. + +When she drew again the leafy curtain, and once more stepped out of +the wood, she was completely transformed. It was the figure that had +appeared to the Postmaster; the slight, erect, graceful form of a +young woman modishly attired. It was Flip, but Flip made taller by the +lengthened skirt and clinging habiliments of fashion. Flip freckled, +but, through the cunning of a relief of yellow color in her gown, her +piquant brown-shot face and eyes brightened and intensified until she +seemed like a spicy odor made visible. I cannot affirm that the judgment +of Flip's mysterious modiste was infallible, or that the taste of +Mr. Lance Harriott, her patron, was fastidious; enough that it was +picturesque, and perhaps not more glaring and extravagant than the color +in which Spring herself had once clothed the sere hillside where Flip +was now seated. The phantom mirror in the tree fork caught and held her +with the sky, the green leaves, the sunlight and all the graciousness +of her surroundings, and the wind gently tossed her hair and the gay +ribbons of her gypsy hat. Suddenly she started. Some remote sound in +the trail below, inaudible to any ear less fine than hers, arrested her +breathing. She rose swiftly and darted into cover. + +Ten minutes passed. The sun was declining; the white fog was beginning +to creep over the Coast Range. From the edge of the wood Cinderella +appeared, disenchanted, and in her homespun garments. The clock had +struck--the spell was past. As she disappeared down the trail even +the magic mirror, moved by the wind, slipped from the tree top to the +ground, and became a piece of common glass. + + + + +CHAPTER IV. + + +The events of the day had produced a remarkable impression on the facial +aspect of the charcoal-burning Fairley. Extraordinary processes of +thought, indicated by repeated rubbing of his forehead, had produced a +high light in the middle and a corresponding deepening of shadow at the +sides, until it bore the appearance of a perfect sphere. It was this +forehead that confronted Flip reproachfully as became a deceived +comrade, menacingly as became an outraged parent in the presence of a +third party and--a Postmaster! + +"Fine doin's this, yer receivin' clandecent bundles and letters, eh?" +he began. Flip sent one swift, withering look of contempt at the +Postmaster, who at once becoming invertebrate and groveling, mumbled +that he must "get on" to the Crossing, and rose to go. But the old +man, who had counted on his presence for moral support, and was clearly +beginning to hate him for precipitating this scene with his daughter, +whom he feared, violently protested. + +"Sit down, can't ye? Don't you see you're a witness?" he screamed +hysterically. + +It was a fatal suggestion. "Witness," repeated Flip, scornfully. + +"Yes, a witness! He gave ye letters and bundles." + +"Weren't they directed to me?" asked Flip. + +"Yes," said the Postmaster, hesitatingly; "in course, yes." + +"Do YOU lay claim to them?" she said, turning to her father. + +"No," responded the old man. + +"Do you?" sharply, to the Postmaster. + +"No," he replied. + +"Then," said Flip, coolly, "if you're not claimin' 'em for yourself, and +you hear father say they ain't his, I reckon the less you have to say +about 'em the better." + +"Thar's suthin' in that," said the old man, shamelessly abandoning the +Postmaster. + +"Then why don't she say who sent 'em, and what they are like," said the +Postmaster, "if there's nothin' in it?" + +"Yes," echoed Dad. "Flip, why don't you?" + +Without answering the direct question, Flip turned upon her father. + +"Maybe you forget how you used to row and tear round here because tramps +and such like came to the ranch for suthin', and I gave it to 'em? Maybe +you'll quit tearin' round and letting yourself be made a fool of now +by that man, just because one of those tramps gets up and sends us some +presents back in turn?" + +"'Twasn't me, Flip," said the old man, deprecatingly, but glaring at the +astonished Postmaster. "Twasn't my doin'. I allus said if you cast your +bread on the waters it would come back to you by return mail. The fact +is, the Gov'ment is gettin' too high-handed! Some o' these bloated +officials had better climb down before next leckshen." + +"Maybe," continued Flip to her father, without looking at her +discomfited visitor, "ye'd better find out whether one of those +officials comes up to this yer ranch to steal away a gal about my own +size, or to get points about diamond-making. I reckon he don't travel +round to find out who writes all the letters that go through the Post +Office." + +The Postmaster had seemingly miscalculated the old man's infirm temper +and the daughter's skillful use of it. He was unprepared for Flip's +boldness and audacity, and when he saw that both barrels of the +accusation had taken effect on the charcoal burner, who was rising +with epileptic rage, he fairly turned and fled. The old man would have +followed him with objurgation beyond the door, but for the restraining +hand of Flip. + +Baffled and beaten, nevertheless Fate was not wholly unkind to the +retreating suitor. Near the Gin and Ginger Woods he picked up a letter +which had fallen from Flip's pocket. He recognized the writing, and did +not scruple to read it. It was not a love epistle,--at least, not such a +one as he would have written,--it did not give the address nor the name +of the correspondent; but he read the following with greedy eyes:-- + + +"Perhaps it's just as well that you don't rig yourself out for the +benefit of those dead beats at the Crossing, or any tramp that might +hang round the ranch. Keep all your style for me when I come. I can't +tell you when, it's mighty uncertain before the rainy season. But +I'm coming soon. Don't go back on your promise about lettin up on the +tramps, and being a little more high-toned. And don't you give 'em so +much. It's true I sent you hats TWICE. I clean forgot all about the +first; but I wouldn't have given a ten-dollar hat to a nigger woman +who had a sick baby because I had an extra hat. I'd have let that baby +slide. I forgot to ask whether the skirt is worn separately; I must see +the dressmaking sharp about it; but I think you'll want something on +besides a jacket and skirt; at least, it looks like it up here. I don't +think you could manage a piano down there without the old man knowing +it, and raisin' the devil generally. I promised you I'd let up on him. +Mind you keep all your promises to me. I'm glad you're gettin' on with +the six-shooter; tin cans are good at fifteen yards, but try it on +suthin' that MOVES! I forgot to say that I am on the track of your +big brother. It's a three years' old track, and he was in Arizona. The +friend who told me didn't expatiate much on what he did there, but I +reckon they had a high old time. If he's above the earth I'll find him, +you bet. The yerba buena and the southern wood came all right,--they +smelt like you. Say, Flip, do you remember the last--the VERY +last--thing that happened when you said 'Good-by' on the trail? Don't +let me ever find out that you've let anybody else kiss--" + + +But here the virtuous indignation of the Postmaster found vent in an +oath. He threw the letter away. He retained of it only two facts,--Flip +HAD a brother who was missing; she had a lover present in the flesh. + +How much of the substance of this and previous letters Flip had confided +to her father I cannot say. If she suppressed anything it was probably +that which affected Lance's secret alone, and it was doubtful how much +of that she herself knew. In her own affairs she was frank without being +communicative, and never lost her shy obstinacy even with her father. +Governing the old man as completely as she did, she appeared most +embarrassed when she was most dominant; she had her own way without +lifting her voice or her eyes; she seemed oppressed by mauvaise honte +when she was most triumphant; she would end a discussion with a shy +murmur addressed to herself, or a single gesture of self-consciousness. + +The disclosure of her strange relations with an unknown man and the +exchange of presents and confidences seemed to suddenly awake Fairley to +a vague, uneasy sense of some unfulfilled duties as a parent. The first +effect of this on his weak nature was a peevish antagonism to the cause +of it. He had long, fretful monologues on the vanity of diamond-making, +if accompanied with a "pestering" by "interlopers;" on the wickedness +of concealment and conspiracy, and their effects on charcoal-burning; +on the nurturing of spies and "adders" in the family circle, and on the +seditiousness of dark and mysterious councils in which a gray-haired +father was left out. It was true that a word or look from Flip generally +brought these monologues to an inglorious and abrupt termination, but +they were none the less lugubrious as long as they lasted. In time +they were succeeded by an affectation of contrite apology and +self-depreciation. "Don't go out o' the way to ask the old man," he +would say, referring to the quantity of bacon to be ordered; "it's +nat'ral a young gal should have her own advisers." The state of the +flour barrel would also produce a like self-abasement. "Unless ye're +already in correspondence about more flour, ye might take the opinion o' +the first tramp ye meet ez to whether Santa Cruz Mills is a good +brand, but don't ask the old man." If Flip was in conversation with +the butcher, Fairley would obtrusively retire with the hope "he wasn't +intrudin' on their secrets." + +These phases of her father's weakness were not frequent enough to excite +her alarm, but she could not help noticing they were accompanied with a +seriousness unusual to him. He began to be tremulously watchful of her, +returning often from work at an earlier hour, and lingering by the cabin +in the morning. He brought absurd and useless presents for her, and +presented them with a nervous anxiety, poorly concealed by an assumption +of careless, paternal generosity. "Suthin' I picked up at the Crossin' +for ye to-day," he would say, airily, and retire to watch the effect of +a pair of shoes two sizes too large, or a fur cap in September. He +would have hired a cheap parlor organ for her, but for the apparently +unexpected revelation that she couldn't play. He had received the news +of a clue to his long-lost son without emotion, but lately he seemed to +look upon it as a foregone conclusion, and one that necessarily solved +the question of companionship for Flip. "In course, when you've got your +own flesh and blood with ye, ye can't go foolin' around with strangers." +These autumnal blossoms of affection, I fear, came too late for any +effect upon Flip, precociously matured by her father's indifference +and selfishness. But she was good humored, and, seeing him seriously +concerned, gave him more of her time, even visited him in the sacred +seclusion of the "diamond pit," and listened with far-off eyes to his +fitful indictment of all things outside his grimy laboratory. Much +of this patient indifference came with a capricious change in her own +habits; she no longer indulged in the rehearsal of dress, she packed +away her most treasured garments, and her leafy boudoir knew her no +more. She sometimes walked on the hillside, and often followed the trail +she had taken with Lance when she led him to the ranch. She once or +twice extended her walk to the spot where she had parted from him, +and as often came shyly away, her eyes downcast and her face warm with +color. Perhaps because these experiences and some mysterious instinct of +maturing womanhood had left a story in her eyes, which her two adorers, +the Postmaster and the Butcher, read with passion, she became famous +without knowing it. Extravagant stories of her fascinations brought +strangers into the valley. The effect upon her father may be imagined. +Lance could not have desired a more effective guardian than he proved to +be in this emergency. Those who had been told of this hidden pearl were +surprised to find it so jealously protected. + + + + +CHAPTER V. + + +The long, parched summer had drawn to its dusty close. Much of it was +already blown abroad and dissipated on trail and turnpike, or crackled +in harsh, unelastic fibres on hillside and meadow. Some of it had +disappeared in the palpable smoke by day and fiery crests by night of +burning forests. The besieging fogs on the Coast Range daily thinned +their hosts, and at last vanished. The wind changed from northwest to +southwest. The salt breath of the sea was on the summit. And then +one day the staring, unchanged sky was faintly touched with remote +mysterious clouds, and grew tremulous in expression. The next morning +dawned upon a newer face in the heavens, on changed woods, on altered +outlines, on vanished crests, on forgotten distances. It was raining! + +Four weeks of this change, with broken spaces of sunlight and intense +blue aerial islands, and then a storm set in. All day the summit pines +and redwoods rocked in the blast. At times the onset of the rain seemed +to be held back by the fury of the gale, or was visibly seen in sharp +waves on the hillside. Unknown and concealed watercourses suddenly +overflowed the trails, pools became lakes and brooks rivers. Hidden from +the storm, the sylvan silence of sheltered valleys was broken by the +impetuous rush of waters; even the tiny streamlet that traversed Flip's +retreat in the Gin and Ginger Woods became a cascade. + +The storm drove Fairley from his couch early. The falling of a large +tree across the trail, and the sudden overflow of a small stream beside +it, hastened his steps. But he was doomed to encounter what was to him a +more disagreeable object--a human figure. By the bedraggled drapery that +flapped and fluttered in the wind, by the long, unkempt hair that hid +the face and eyes, and by the grotesquely misplaced bonnet, the old man +recognized one of his old trespassers,--an Indian squaw. + +"Clear out 'er that! Come, make tracks, will ye?" the old man screamed; +but here the wind stopped his voice, and drove him against a hazel bush. + +"Me heap sick," answered the squaw, shivering through her muddy shawl. + +"I'll make ye a heap sicker if ye don't vamose the ranch," continued +Fairley, advancing. + +"Me wantee Wangee girl. Wangee girl give me heap grub," said the squaw, +without moving. + +"You bet your life," groaned the old man to himself. Nevertheless +an idea struck him. "Ye ain't brought no presents, hev ye?" he asked +cautiously. "Ye ain't got no pooty things for poor Wangee girl?" he +continued, insinuatingly. + +"Me got heap cache nuts and berries," said the squaw. + +"Oh, in course! in course! That's just it," screamed Fairley; "you've +got 'em cached only two mile from yer, and you'll go and get 'em for a +half dollar, cash down." + +"Me bring Wangee girl to cache," replied the Indian, pointing to the +wood. "Honest Injin." + +Another bright idea struck Mr. Fairley. But it required some +elaboration. Hurrying the squaw with him through the pelting rain, he +reached the shelter of the corral. Vainly the shivering aborigine drew +her tightly bandaged papoose closer to her square, flat breast, and +looked longingly toward the cabin; the old man backed her against the +palisade. Here he cautiously imparted his dark intentions to employ her +to keep watch and ward over the ranch, and especially over its young +mistress--"clear out all the tramps 'ceptin' yourself, and I'll keep +ye in grub and rum." Many and deliberate repetitions of this offer in +various forms at last seemed to affect the squaw; she nodded violently, +and echoed the last word "rum." "Now," she added. The old man hesitated; +she was in possession of his secret; he groaned, and, promising an +immediate installment of liquor, led her to the cabin. + +The door was so securely fastened against the impact of the storm that +some moments elapsed before the bar was drawn, and the old man had +become impatient and profane. When it was partly opened by Flip he +hastily slipped in, dragging the squaw after him, and cast one +single suspicious glance around the rude apartment which served as a +sitting-room. Flip had apparently been writing. A small inkstand was +still on the board table, but her paper had evidently been concealed +before she allowed them to enter. The squaw instantly squatted before +the adobe hearth, warmed her bundled baby, and left the ceremony +of introduction to her companion. Flip regarded the two with calm +preoccupation and indifference. The only thing that touched her interest +was the old squaw's draggled skirt and limp neckerchief. They were +Flip's own, long since abandoned and cast off in the Gin and Ginger +Woods. "Secrets again," whined Fairley, still eying Flip furtively. +"Secrets again, in course--in course--jiss so. Secrets that must be kep +from the ole man. Dark doin's by one's own flesh and blood. Go on! go +on! Don't mind me." Flip did not reply. She had even lost the interest +in her old dress. Perhaps it had only touched some note in unison with +her revery. + +"Can't ye get the poor critter some whiskey?" he queried, fretfully. "Ye +used to be peart enuff before." As Flip turned to the corner to lift +the demijohn, Fairley took occasion to kick the squaw with his foot, and +indicate by extravagant pantomime that the bargain was not to be alluded +to before the girl. Flip poured out some whiskey in a tin cup, and, +approaching the squaw, handed it to her. "It's like ez not," continued +Fairley to his daughter, but looking at the squaw, "that she'll be +huntin' the woods off and on, and kinder looking after the last pit near +the Madronos; ye'll give her grub and licker ez she likes. Well, d'ye +hear, Flip? Are ye moonin' agin with yer secrets? What's gone with ye?" + +If the child were dreaming, it was a delicious dream. Her magnetic eyes +were suffused by a strange light, as though the eye itself had blushed; +her full pulse showed itself more in the rounding outline of her cheek +than in any deepening of color; indeed, if there was any heightening of +tint, it was in her freckles, which fairly glistened like tiny spangles. +Her eyes were downcast, her shoulders slightly bent, but her voice was +low and clear and thoughtful as ever. + +"One o' the big pines above the Madrono pit has blown over into the +run," she said. "It's choked up the water, and it's risin' fast. Like ez +not it's pourin' over into the pit by this time." + +The old man rose with a fretful cry. "And why in blames didn't you say +so first?" he screamed, catching up his axe and rushing to the door. + +"Ye didn't give me a chance," said Flip, raising her eyes for the first +time. With an impatient imprecation, Fairley darted by her and rushed +into the wood. In an instant she had shut the door and bolted it. In +the same instant the squaw arose, dashed the long hair not only from her +eyes, but from her head, tore away her shawl and blanket, and revealed +the square shoulders of Lance Harriott! Flip remained leaning against +the door; but the young man in rising dropped the bandaged papoose, +which rolled from his lap into the fire. Flip, with a cry, sprang toward +it; but Lance caught her by the waist with one arm, as with the other he +dragged the bundle from the flames. + +"Don't be alarmed," he said, gayly, "it's only--" + +"What?" said Flip, trying to disengage herself. + +"My coat and trousers." + +Flip laughed, which encouraged Lance to another attempt to kiss her. She +evaded it by diving her head into his waistcoat, and saying, "There's +father." + +"But he's gone to clear away that tree?" suggested Lance. + +One of Flip's significant silences followed. + +"Oh, I see," he laughed. "That was a plan to get him away! Ah!" She had +released herself. + +"Why did you come like that?" she said, pointing to his wig and blanket. + +"To see if you'd know me," he responded. + +"No," said Flip, dropping her eyes. "It's to keep other people from +knowing you. You're hidin' agin." + +"I am," returned Lance; "but," he interrupted, "it's only the same old +thing." + +"But you wrote from Monterey that it was all over," she persisted. + +"So it would have been," he said gloomily, "but for some dog down here +who is hunting up an old scent. I'll spot him yet, and--" He stopped +suddenly, with such utter abstraction of hatred in his fixed and +glittering eyes that she almost feared him. She laid her hand quite +unconsciously on his arm. He grasped it; his face changed. + +"I couldn't wait any longer to see you, Flip, so I came here anyway," +he went on. "I thought to hang round and get a chance to speak to you +first, when I fell afoul of the old man. He didn't know me, and tumbled +right in my little game. Why, do you believe he wants to hire me for my +grub and liquor, to act as a sort of sentry over you and the ranch?" +And here he related with great gusto the substance of his interview. "I +reckon as he's that suspicious," he concluded, "I'd better play it out +now as I've begun, only it's mighty hard I can't see you here before the +fire in your fancy toggery, Flip, but must dodge in and out of the wet +underbrush in these yer duds of yours that I picked up in the old place +in the Gin and Ginger Woods." + +"Then you came here just to see me?" asked Flip. + +"I did." + +"For only that?" + +"Only that." + +Flip dropped her eyes. Lance had got his other arm around her waist, but +her resisting little hand was still potent. + +"Listen," she said at last without looking up, but apparently talking to +the intruding arm, "when Dad comes I'll get him to send you to watch the +diamond pit. It isn't far; it's warm, and"-- + +"What?" + +"I'll come, after a bit, and see you. Quit foolin' now. If you'd only +have come here like yourself--like--like--a white man." + +"The old man," interrupted Lance, "would have just passed me on to the +summit. I couldn't have played the lost fisherman on him at this time of +year." + +"Ye could have been stopped at the Crossing by high water, you silly," +said the girl. "It was." This grammatical obscurity referred to the +stage coach. + +"Yes, but I might have been tracked to this cabin. And look here, Flip," +he said, suddenly straightening himself, and lifting the girl's face to +a level with his own, "I don't want you to lie any more for me. It ain't +right." + +"All right. Ye needn't go to the pit, then, and I won't come." + +"Flip!" + +"And here's Dad coming. Quick!" + +Lance chose to put his own interpretation on this last adjuration. The +resisting little hand was now lying quite limp on his shoulder, He drew +her brown, bright face near his own, felt her spiced breath on his lips, +his cheeks, his hot eyelids, his swimming eyes, kissed her, hurriedly +replaced his wig and blanket, and dropped beside the fire with the +tremulous laugh of youth and innocent first passion. Flip had withdrawn +to the window, and was looking out upon the rocking pines. + +"He don't seem to be coming," said Lance, with a half-shy laugh. + +"No," responded Flip demurely, pressing her hot oval cheek against the +wet panes; "I reckon I was mistaken. You're sure," she added, looking +resolutely another way, but still trembling like a magnetic needle +toward Lance, as he moved slightly before the fire, "you're SURE you'd +like me to come to you?" + +"Sure, Flip?" + +"Hush!" said Flip, as this reassuring query of reproachful astonishment +appeared about to be emphasized by a forward amatory dash of Lance's; +"hush! he's coming this time, sure." + +It was, indeed, Fairley, exceedingly wet, exceedingly bedraggled, +exceedingly sponged out as to color, and exceedingly profane. It +appeared that there was, indeed, a tree that had fallen in the +"run," but that, far from diverting the overflow into the pit, it had +established "back water," which had forced another outlet. All this +might have been detected at once by any human intellect not distracted +by correspondence with strangers, and enfeebled by habitually scorning +the intellect of its own progenitor. This reckless selfishness had +further only resulted in giving "rheumatics" to that progenitor, who now +required the external administration of opodeldoc to his limbs, and the +internal administration of whiskey. Having thus spoken, Mr. Fairley, +with great promptitude and infantine simplicity, at once bared two legs +of entirely different colors and mutely waited for his daughter to +rub them. If Flip did this all unconsciously, and with the mechanical +dexterity of previous habit, it was because she did not quite understand +the savage eyes and impatient gestures of Lance in his encompassing wig +and blanket, and because it helped her to voice her thought. + +"Ye'll never be able to take yer watch at the diamond pit to-night, +Dad," she said; "and I've been reck'nin' you might set the squaw there +instead. I can show her what to do." + +But to Flip's momentary discomfiture, her father promptly objected. +"Mebbee I've got suthin' else for her to do. Mebbee I may have my +secrets, too--eh?" he said, with dark significance, at the same time +administering a significant nudge to Lance, which kept up the young +man's exasperation. "No, she'll rest yer a bit just now. I'll set her to +watchin' suthin' else, like as not, when I want her." Flip fell into one +of her suggestive silences. Lance watched her earnestly, mollified by a +single furtive glance from her significant eyes; the rain dashed against +the windows, and occasionally spattered and hissed in the hearth of the +broad chimney, and Mr. David Fairley, somewhat assuaged by the +internal administration of whiskey, grew more loquacious. The genius of +incongruity and inconsistency which generally ruled his conduct came +out with freshened vigor under the gentle stimulation of spirit. "On an +evening like this," he began, comfortably settling himself on the floor +beside the chimney, "ye might rig yerself out in them new duds and fancy +fixin's that that Sacramento shrimp sent ye, and let your own flesh and +blood see ye. If that's too much to do for your old dad, ye might do it +to please that digger squaw as a Christian act." Whether in the hidden +depths of the old man's consciousness there was a feeling of paternal +vanity in showing this wretched aborigine the value and importance +of the treasure she was about to guard, I cannot say. Flip darted an +interrogatory look at Lance, who nodded a quiet assent, and she flew +into the inner room. She did not linger on the details of her toilet, +but reappeared almost the next moment in her new finery; buttoning the +neck of her gown as she entered the room, and chastely stopping at the +window to characteristically pull up her stocking. The peculiarity of +her situation increased her usual shyness; she played with the black and +gold beads of a handsome necklace,--Lance's last gift,--as the merest +child might; her unbuckled shoe gave the squaw a natural opportunity of +showing her admiration and devotion by insisting upon buckling it, and +gave Lance, under that disguise, an opportunity of covertly kissing +the little foot and ankle in the shadow of the chimney; an event which +provoked slight hysterical symptoms in Flip, and caused her to sit +suddenly down in spite of the remonstrances of her parent. "Ef you can't +quit gigglin' and squirmin' like an Injin baby yourself, ye'd better git +rid o' them duds," he ejaculated with peevish scorn. + +Yet, under this perfunctory rebuke, his weak vanity could not be hidden, +and he enjoyed the evident admiration of a creature whom he believed to +be half-witted and degraded all the more keenly because it did not make +him jealous. She could not take Flip from him. Rendered garrulous by +liquor, he went to voice his contempt for those who might attempt +it. Taking advantage of his daughter's absence to resume her homely +garments, he whispered confidentially to Lance,-- + +"Ye see these yer fine dresses, ye might think is presents. Pr'aps +Flip lets on they are? Pr'aps she don't know any better. But they ain't +presents. They're only samples o' dressmaking and jewelry that a vain, +conceited shrimp of a feller up in Sacramento sends down here to get +customers for. In course I'm to pay for 'em. In course he reckons I'm +to do it. In course I calkilate to do it; but he needn't try to play 'em +off as presents. He talks suthin' o' coming down here, sportin' hisself +off on Flip as a fancy buck! Not ez long ez the old man's here, you +bet." Thoroughly carried away by his fancied wrongs, it was perhaps +fortunate that he did not observe the flashing eyes of Lance behind his +lank and lustreless wig; but seeing only the figure of Lance, as he had +conjured him, he went on: "That's why I want you to hang around her. +Hang around her ontil my boy,--him that's comin' home on a visit,--gets +here, and I reckon he'll clear out that yar Sacramento counter-jumper. +Only let me get a sight o' him afore Flip does, eh? D'ye hear? Dog my +skin if I don't believe the d----d Injin's drunk." It was fortunate that +at that moment Flip reappeared, and, dropping on the hearth between her +father and the infuriated Lance, let her hand slip in his with a warning +pressure. The light touch momentarily recalled him to himself and her, +but not until the quick-witted girl had had revealed to her in one +startled wave of consciousness the full extent of Lance's infirmity +of temper. With the instinct of awakened tenderness came a sense of +responsibility, and a vague premonition of danger. The coy blossom +of her heart was scarce unfolded before it was chilled by approaching +shadows. Fearful of, she knew not what, she hesitated. Every moment of +Lance's stay was imperiled by a single word that might spring from +his suppressed white lips; beyond and above the suspicions his sudden +withdrawal might awaken in her father's breast, she was dimly conscious +of some mysterious terror without that awaited him. She listened to the +furious onslaught of the wind upon the sycamores beside their cabin, and +thought she heard it there; she listened to the sharp fusillade of rain +upon roof and pane, and the turbulent roar and rush of leaping mountain +torrents at their very feet, and fancied it was there. She suddenly +sprang to the window, and, pressing her eyes to the pane, saw +through the misty turmoil of tossing boughs and swaying branches the +scintillating intermittent flames of torches moving on the trail above, +and KNEW it was there! + +In an instant she was collected and calm. "Dad," she said, in her +ordinary indifferent tone, "there's torches movin' up toward the diamond +pit. Likely it's tramps. I'll take the squaw and see." And before the +old man could stagger to his feet she had dragged Lance with her into +the road. + + + + +CHAPTER VI. + + +The wind charged down upon them, slamming the door at their backs, +extinguishing the broad shaft of light that had momentarily shot out +into the darkness, and swept them a dozen yards away. Gaining the lee of +a madrono tree, Lance opened his blanketed arms, enfolded the girl, and +felt her for one brief moment tremble and nestle in his bosom like some +frightened animal. "Well," he said, gayly, "what next?" Flip recovered +herself. "You're safe now anywhere outside the house. But did you expect +them tonight?" Lance shrugged his shoulders. "Why not?" "Hush!" returned +the girl; "they're coming this way." + +The four flickering, scattered lights presently dropped into line. The +trail had been found; they were coming nearer. Flip breathed quickly; +the spiced aroma of her presence filled the blanket as he drew her +tightly beside him. He had forgotten the storm that raged around them, +the mysterious foe that was approaching, until Flip caught his sleeve +with a slight laugh. "Why, it's Kennedy and Bijah?" + +"Who's Kennedy and Bijah?" asked Lance, curtly. + +"Kennedy's the Postmaster and Bijah's the Butcher." + +"What do they want?" continued Lance. + +"Me," said Flip, coyly. + +"You?" + +"Yes; let's run away." + +Half leading, half dragging her friend, Flip made her way with unerring +woodcraft down the ravine. The sound of voices and even the tumult of +the storm became fainter, an acrid smell of burning green wood smarted +Lance's lips and eyes; in the midst of the darkness beneath him +gradually a faint, gigantic nimbus like a lurid eye glowed and sank, +quivered and faded with the spent breath of the gale as it penetrated +their retreat. "The pit," whispered Flip; "it's safe on the other side," +she added, cautiously skirting the orbit of the great eye, and leading +him to a sheltered nest of bark and sawdust. It was warm and odorous. +Nevertheless, they both deemed it necessary to enwrap themselves in the +single blanket. The eye beamed fitfully upon them, occasionally a wave +of lambent tremulousness passed across it; its weirdness was an excuse +for their drawing nearer each other in playful terror. + +"Flip." + +"Well?" + +"What did the other two want? To see you, TOO?" + +"Likely," said Flip, without the least trace of coquetry. "There's been +a lot of strangers yer, off and on." + +"Perhaps you'd like to go back and see them?" + +"Do you want me to?" + +Lance's reply was a kiss. Nevertheless he was vaguely uneasy. "Looks a +little as if I were running away, don't it?" he suggested. + +"No," said Flip; "they think you're only a squaw; it's me they're +after." Lance smarted a little at this infelicitous speech. A strange +and irritating sensation had been creeping over him--it was his first +experience of shame and remorse. "I reckon I'll go back and see," he +said, rising abruptly. + +Flip was silent. She was thinking. Believing that the men were seeking +her only, she knew that their attention would be directed from her +companion when it was found out he was no longer with her, and she +dreaded to meet them in his irritable presence. + +"Go," she said, "tell Dad something's gone wrong in the diamond pit, and +say I'm watching it for him here." + +"And you?" + +"I'll go there and wait for him. If he can't get rid of them, and they +follow him there, I'll come back here and meet you. Anyhow, I'll manage +to have Dad wait there a spell." + +She took his hand and led him back by a different path to the trail. He +was surprised to find that the cabin, its window glowing from the fire, +was only a hundred yards away. "Go in the back way, by the shed. Don't +go in the room, nor near the light, if you can. Don't talk inside, +but call or beckon to Dad. Remember," she said, with a laugh, "you're +keeping watch of me for him. Pull your hair down on your eyes so." This +operation, like most feminine embellishments of the masculine toilet was +attended by a kiss, and Flip, stepping back into the shadow, vanished in +the storm. + +Lance's first movements were inconsistent with his assumed sex. He +picked up his draggled skirt, and drew a bowie knife from his boot. From +his bosom he took a revolver, turning the chambers noiselessly as he +felt the caps. He then crept toward the cabin softly and gained the +shed. It was quite dark but for a pencil of light piercing a crack of +the rude, ill-fitting door that opened on the sitting-room. A single +voice not unfamiliar to him, raised in half-brutal triumph, greeted his +ears. + +A name was mentioned--his own! His angry hand was on the latch. One +moment more and he would have burst the door, but in that instant +another name was uttered--a name that dropped his hand from the latch +and the blood from his cheeks. He staggered backward, passed his hand +swiftly across his forehead, recovered himself with a gesture of mingled +rage and despair, and, sinking on his knees beside the door, pressed his +hot temples against the crack. + +"Do I know Lance Harriott?" said the voice. "Do I know the d----d +ruffian? Didn't I hunt him a year ago into the brush three miles from +the Crossing? Didn't we lose sight of him the very day he turned up yer +at this ranch, and got smuggled over into Monterey? Ain't it the same +man as killed Arkansaw Bob--Bob Ridley--the name he went by in Sonora? +And who was Bob Ridley, eh? Who? Why, you d----d old fool, it was Bob +Fairley--YOUR SON!" + +The old man's voice rose querulous and indistinct. + +"What are ye talkin' about?" interrupted the first speaker. "I tell you +I KNOW. Look at these pictures. I found 'em on his body. Look at 'em. +Pictures of you and your girl. Pr'aps you'll deny them. Pr'aps you'll +tell me I lie when I tell you HE told me he was your son; told me how he +ran away from you; how you were livin' somewhere in the mountains +makin' gold, or suthin' else, outer charcoal. He told me who he was as +a secret. He never let on he told it to any one else. And when I found +that the man who killed him, Lance Harriott, had been hidin' here, had +been sendin' spies all around to find out all about your son, had been +foolin' you and tryin' to ruin your gal as he had killed your boy, I +knew that HE knew it, too." + +"LIAR!" + +The door fell in with a crash. There was the sudden apparition of a +demoniac face, still half hidden by the long trailing black locks of +hair that curled like Medusa's around it. A cry of terror filled the +room. Three of the men dashed from the door and fled precipitately. The +man who had spoken sprang toward his rifle in the chimney corner. +But the movement was his last; a blinding flash and shattering report +interposed between him and his weapon. + +The impulse carried him forward headlong into the fire, that hissed and +spluttered with his blood, and Lance Harriott with his smoking pistol, +strode past him to the door. Already far down the trail there were +hurried voices, the crack and crackling of impending branches growing +fainter and fainter in the distance. Lance turned back to the solitary +living figure--the old man. + +Yet he might have been dead, too, he sat so rigid and motionless, his +fixed eyes staring vacantly at the body on the hearth. Before him on the +table lay the cheap photographs, one evidently of himself, taken in some +remote epoch of complexion, one of a child which Lance recognized as +Flip. + +"Tell me," said Lance hoarsely, laying his quivering hand on the table, +"was Bob Ridley your son?" + +"My son," echoed the old man in a strange, far-off voice, without +turning his eyes from the corpse--"My son--is--is--is there!" pointing +to the dead man. "Hush! Didn't he tell you so? Didn't you hear him say +it? Dead--dead--shot--shot!" + +"Silence! are you crazy, man?" repeated Lance, tremblingly; "that is not +Bob Ridley, but a dog, a coward, a liar gone to his reckoning. Hear +me! If your son WAS Bob Ridley, I swear to God I never knew it, now +or--or--THEN. Do you hear me? Tell me! Do you believe me? Speak! You +shall speak." + +He laid his hand almost menacingly on the old man's shoulder. Fairley +slowly raised his head. Lance fell back with a groan of horror. The weak +lips were wreathed with a feeble imploring smile, but the eyes wherein +the fretful, peevish, suspicious spirit had dwelt were blank and +tenantless; the flickering intellect that had lit them was blown out and +vanished. + +Lance walked toward the door and remained motionless for a moment, +gazing into the night. When he turned back again toward the fire his +face was as colorless as the dead man's on the hearth; the fire of +passion was gone from his beaten eyes; his step was hesitating and slow. +He went up to the table. + +"I say, old man," he said, with a strange smile and an odd, premature +suggestion of the infinite weariness of death in his voice, "you +wouldn't mind giving me this, would you?" and he took up the picture of +Flip. The old man nodded repeatedly. "Thank you," said Lance. He went +to the door, paused a moment, and returned. "Good-by, old man," he +said, holding out his hand. Fairley took it with a childish smile. "He's +dead," said the old man softly, holding Lance's hand, but pointing to +the hearth. "Yes," said Lance, with the faintest of smiles on the palest +of faces. "You feel sorry for any one that's dead, don't you?" Fairley +nodded again. Lance looked at him with eyes as remote as his own, shook +his head, and turned away. When he reached the door he laid his revolver +carefully, and, indeed, somewhat ostentatiously, upon a chair. But when +he stepped from the threshold he stopped a moment in the light of the +open door to examine the lock of a small derringer which he drew from +his pocket. He then shut the door carefully, and with the same slow, +hesitating step, felt his way into the night. + +He had but one idea in his mind, to find some lonely spot; some spot +where the footsteps of man would never penetrate, some spot that would +yield him rest, sleep, obliteration, forgetfulness, and, above all, +where HE would be forgotten. He had seen such places; surely there were +many,--where bones were picked up of dead men who had faded from the +earth and had left no other record. If he could only keep his senses now +he might find such a spot, but he must be careful, for her little feet +went everywhere, and she must never see him again alive or dead. And in +the midst of his thoughts, and the darkness, and the storm, he heard a +voice at his side, "Lance, how long you have been!" + +***** + +Left to himself, the old man again fell into a vacant contemplation +of the dead body before him, until a stronger blast swept down like an +avalanche upon the cabin, burst through the ill-fastened door and broken +chimney, and, dashing the ashes and living embers over the floor, filled +the room with blinding smoke and flame. Fairley rose with a feeble cry, +and then, as if acted upon by some dominant memory, groped under the +bed until he found his buckskin bag and his precious crystal, and +fled precipitately from the room. Lifted by this second shock from his +apathy, he returned to the fixed idea of his life,--the discovery and +creation of the diamond,--and forgot all else. The feeble grasp that his +shaken intellect kept of the events of the night relaxed, the disguised +Lance, the story of his son, the murder, slipped into nothingness; there +remained only the one idea, his nightly watch by the diamond pit. The +instinct of long habit was stronger than the darkness or the onset of +the storm, and he kept his tottering way over stream and fallen timber +until he reached the spot. A sudden tremor seemed to shake the lambent +flame that had lured him on. He thought he heard the sound of voices; +there were signs of recent disturbance,--footprints in the sawdust! With +a cry of rage and suspicion, Fairley slipped into the pit and sprang +toward the nearest opening. To his frenzied fancy it had been tampered +with, his secret discovered, the fruit of his long labors stolen from +him that very night. With superhuman strength he began to open the pit, +scattering the half-charred logs right and left, and giving vent to the +suffocating gases that rose from the now incandescent charcoal. At times +the fury of the gale would drive it back and hold it against the sides +of the pit, leaving the opening free; at times, following the blind +instinct of habit, the demented man would fall upon his face and bury +his nose and mouth in the wet bark and sawdust. At last, the paroxysm +past, he sank back again in his old apathetic attitude of watching, +the attitude he had so often kept beside his sylvan crucible. In this +attitude and in silence he waited for the dawn. + +It came with a hush in the storm; it came with blue openings in the +broken up and tumbled heavens; it came with stars that glistened first, +and then paled, and at last sank drowning in those deep cerulean lakes; +it came with those cerulean lakes broadening into vaster seas, whose +shores expanded at last into one illimitable ocean, cerulean no more, +but flecked with crimson and opal dyes; it came with the lightly lifted +misty curtain of the day, torn and rent on crag and pine top, but always +lifting, lifting. It came with the sparkle of emerald in the grasses, +and the flash of diamonds in every spray, with a whisper in the +awakening woods, and voices in the traveled roads and trails. + +The sound of these voices stopped before the pit, and seemed to +interrogate the old man. He came, and, putting his finger on his lips, +made a sign of caution. When three or four men had descended he bade +them follow him, saying, weakly and disjointedly, but persistently: "My +boy--my son Robert--came home--came home at last--here with Flip--both +of them--come and see!" + +He had reached a little niche or nest in the hillside, and stopped and +suddenly drew aside a blanket. Beneath it, side by side, lay Flip and +Lance, dead, with their cold hands clasped in each other's. + +"Suffocated!" said two or three, turning with horror toward the broken +up and still smouldering pit. + +"Asleep!" said the old man. "Asleep! I've seen 'em lying that way when +they were babies together. Don't tell me! Don't say I don't know my +own flesh and blood! So! so! So, my pretty ones!" He stooped and kissed +them. Then, drawing the blanket over them gently, he rose and said +softly, "Good night!" + + + + + +End of Project Gutenberg's Flip: A California Romance, by Bret Harte + +*** END OF THIS PROJECT GUTENBERG EBOOK FLIP: A CALIFORNIA ROMANCE *** + +***** This file should be named 2793.txt or 2793.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/7/9/2793/ + +Produced by Donald Lainson + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/2793.zip b/2793.zip Binary files differnew file mode 100644 index 0000000..48b1032 --- /dev/null +++ b/2793.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..6575054 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #2793 (https://www.gutenberg.org/ebooks/2793) diff --git a/old/flpcr10.txt b/old/flpcr10.txt new file mode 100644 index 0000000..337c2db --- /dev/null +++ b/old/flpcr10.txt @@ -0,0 +1,2129 @@ +Project Gutenberg Etext Flip: A California Romance, by Bret Harte +#43 in our series by Bret Harte + + +Copyright laws are changing all over the world, be sure to check +the copyright laws for your country before posting these files!! + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. Do not remove this. + +*It must legally be the first thing seen when opening the book.* +In fact, our legal advisors said we can't even change margins. + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*These Etexts Prepared By Hundreds of Volunteers and Donations* + +Information on contacting Project Gutenberg to get Etexts, and +further information is included below. We need your donations. + + +Title: Flip: A California Romance + +Author: Bret Harte + +September, 2001 [Etext #2793] + + +Project Gutenberg Etext Flip: A California Romance, by Bret Harte +*******This file should be named flipc10.txt or flipc10.zip****** + +Corrected EDITIONS of our etexts get a new NUMBER, flipc11.txt +VERSIONS based on separate sources get new LETTER, flipc10a.txt + + +This etext was prepared by Donald Lainson, charlie@idirect.com. + +Project Gutenberg Etexts are usually created from multiple editions, +all of which are in the Public Domain in the United States, unless a +copyright notice is included. Therefore, we usually do NOT keep any +of these books in compliance with any particular paper edition. + + +We are now trying to release all our books one month in advance +of the official release dates, leaving time for better editing. + +Please note: neither this list nor its contents are final till +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. To be sure you have an +up to date first edition [xxxxx10x.xxx] please check file sizes +in the first week of the next month. Since our ftp program has +a bug in it that scrambles the date [tried to fix and failed] a +look at the file size will have to do, but we will try to see a +new copy has at least one byte more or less. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any etext selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. This +projected audience is one hundred million readers. If our value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour this year as we release thirty-six text +files per month, or 432 more Etexts in 1999 for a total of 2000+ +If these reach just 10% of the computerized population, then the +total should reach over 200 billion Etexts given away this year. + +The Goal of Project Gutenberg is to Give Away One Trillion Etext +Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] +This is ten thousand titles each to one hundred million readers, +which is only ~5% of the present number of computer users. + +At our revised rates of production, we will reach only one-third +of that goal by the end of 2001, or about 3,333 Etexts unless we +manage to get some real funding; currently our funding is mostly +from Michael Hart's salary at Carnegie-Mellon University, and an +assortment of sporadic gifts; this salary is only good for a few +more years, so we are looking for something to replace it, as we +don't want Project Gutenberg to be so dependent on one person. + +We need your donations more than ever! + + +All donations should be made to "Project Gutenberg/CMU": and are +tax deductible to the extent allowable by law. (CMU = Carnegie- +Mellon University). + +For these and other matters, please mail to: + +Project Gutenberg +P. O. Box 2782 +Champaign, IL 61825 + +When all other email fails. . .try our Executive Director: +Michael S. Hart <hart@pobox.com> +hart@pobox.com forwards to hart@prairienet.org and archive.org +if your mail bounces from archive.org, I will still see it, if +it bounces from prairienet.org, better resend later on. . . . + +We would prefer to send you this information by email. + +****** + +To access Project Gutenberg etexts, use any Web browser +to view http://promo.net/pg. This site lists Etexts by +author and by title, and includes information about how +to get involved with Project Gutenberg. You could also +download our past Newsletters, or subscribe here. This +is one of our major sites, please email hart@pobox.com, +for a more complete list of our various sites. + +To go directly to the etext collections, use FTP or any +Web browser to visit a Project Gutenberg mirror (mirror +sites are available on 7 continents; mirrors are listed +at http://promo.net/pg). + +Mac users, do NOT point and click, typing works better. + +Example FTP session: + +ftp metalab.unc.edu +login: anonymous +password: your@login +cd pub/docs/books/gutenberg +cd etext90 through etext99 or etext00 through etext01, etc. +dir [to see files] +get or mget [to get files. . .set bin for zip files] +GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99] +GET GUTINDEX.ALL [to get a listing of ALL books] + +*** + +**Information prepared by the Project Gutenberg legal advisor** + +(Three Pages) + + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this etext, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you can distribute copies of this etext if you want to. + +*BEFORE!* YOU USE OR READ THIS ETEXT +By using or reading any part of this PROJECT GUTENBERG-tm +etext, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this etext by +sending a request within 30 days of receiving it to the person +you got it from. If you received this etext on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM ETEXTS +This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG- +tm etexts, is a "public domain" work distributed by Professor +Michael S. Hart through the Project Gutenberg Association at +Carnegie-Mellon University (the "Project"). Among other +things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this etext +under the Project's "PROJECT GUTENBERG" trademark. + +To create these etexts, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's etexts and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other etext medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] the Project (and any other party you may receive this +etext from as a PROJECT GUTENBERG-tm etext) disclaims all +liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this etext within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold the Project, its directors, +officers, members and agents harmless from all liability, cost +and expense, including legal fees, that arise directly or +indirectly from any of the following that you do or cause: +[1] distribution of this etext, [2] alteration, modification, +or addition to the etext, or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this etext electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + etext or this "small print!" statement. You may however, + if you wish, distribute this etext in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word pro- + cessing or hypertext software, but only so long as + *EITHER*: + + [*] The etext, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The etext may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the etext (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + etext in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the etext refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Project of 20% of the + net profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Association/Carnegie-Mellon + University" within the 60 days following each + date you prepare (or were legally required to prepare) + your annual (or equivalent periodic) tax return. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +The Project gratefully accepts contributions in money, time, +scanning machines, OCR software, public domain etexts, royalty +free copyright licenses, and every other sort of contribution +you can think of. Money should be paid to "Project Gutenberg +Association / Carnegie-Mellon University". + +We are planning on making some changes in our donation structure +in 2000, so you might want to email me, hart@pobox.com beforehand. + + + + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* + + + + + +This etext was prepared by Donald Lainson, charlie@idirect.com. + + + + + +FLIP: A CALIFORNIA ROMANCE + +by Bret Harte + + + + +CHAPTER I + + +Just where the track of the Los Gatos road streams on and upward +like the sinuous trail of a fiery rocket until it is extinguished +in the blue shadows of the Coast Range, there is an embayed terrace +near the summit, hedged by dwarf firs. At every bend of the heat- +laden road the eye rested upon it wistfully; all along the flank of +the mountain, which seemed to pant and quiver in the oven-like air, +through rising dust, the slow creaking of dragging wheels, the +monotonous cry of tired springs, and the muffled beat of plunging +hoofs, it held out a promise of sheltered coolness and green +silences beyond. Sunburned and anxious faces yearned toward it +from the dizzy, swaying tops of stagecoaches, from lagging teams +far below, from the blinding white canvas covers of "mountain +schooners," and from scorching saddles that seemed to weigh down +the scrambling, sweating animals beneath. But it would seem that +the hope was vain, the promise illusive. When the terrace was +reached it appeared not only to have caught and gathered all the +heat of the valley below, but to have evolved a fire of its own +from some hidden crater-like source unknown. Nevertheless, instead +of prostrating and enervating man and beast, it was said to have +induced the wildest exaltation. The heated air was filled and +stifling with resinous exhalations. The delirious spices of balm, +bay, spruce, juniper, yerba buena, wild syringa, and strange +aromatic herbs as yet unclassified, distilled and evaporated in +that mighty heat, and seemed to fire with a midsummer madness all +who breathed their fumes. They stung, smarted, stimulated, +intoxicated. It was said that the most jaded and foot-sore horses +became furious and ungovernable under their influence; wearied +teamsters and muleteers, who had exhausted their profanity in the +ascent, drank fresh draughts of inspiration in this fiery air, +extended their vocabulary, and created new and startling forms of +objurgation. It is recorded that one bibulous stage-driver +exhausted description and condensed its virtues in a single phrase: +"Gin and ginger." This felicitous epithet, flung out in a generous +comparison with his favorite drink, "rum and gum," clung to it ever +after. + +Such was the current comment on this vale of spices. Like most +human criticism it was hasty and superficial. No one yet had been +known to have penetrated deeply its mysterious recesses. It was +still far below the summit and its wayside inn. It had escaped the +intruding foot of hunter and prospector; and the inquisitive patrol +of the county surveyor had only skirted its boundary. It remained +for Mr. Lance Harriott to complete its exploration. His reasons +for so doing were simple. He had made the journey thither +underneath the stage-coach, and clinging to its axle. He had +chosen this hazardous mode of conveyance at night, as the coach +crept by his place of concealment in the wayside brush, to elude +the sheriff of Monterey County and his posse, who were after him. + +He had not made himself known to his fellow-passengers as they +already knew him as a gambler, an outlaw, and a desperado; he +deemed it unwise to present himself in a newer reputation of a man +who had just slain a brother gambler in a quarrel, and for whom a +reward was offered. He slipped from the axle as the stage-coach +swirled past the brushing branches of fir, and for an instant lay +unnoticed, a scarcely distinguishable mound of dust in the broken +furrows of the road. Then, more like a beast than a man, he crept +on his hands and knees into the steaming underbrush. Here he lay +still until the clatter of harness and the sound of voices faded in +the distance. Had he been followed, it would have been difficult +to detect in that inert mass of rags any semblance to a known form +or figure. A hideous reddish mask of dust and clay obliterated his +face; his hands were shapeless stumps exaggerated in his trailing +sleeves. And when he rose, staggering like a drunken man, and +plunged wildly into the recesses of the wood, a cloud of dust +followed him, and pieces and patches of his frayed and rotten +garments clung to the impeding branches. Twice he fell, but, +maddened and upheld by the smarting spices and stimulating aroma +of the air, he kept on his course. + +Gradually the heat became less oppressive; once when he stopped and +leaned exhaustedly against a sapling, he fancied he saw the zephyr +he could not yet feel in the glittering and trembling of leaves in +the distance before him. Again the deep stillness was moved with a +faint sighing rustle, and he knew he must be nearing the edge of +the thicket. The spell of silence thus broken was followed by a +fainter, more musical interruption--the glassy tinkle of water! A +step further his foot trembled on the verge of a slight ravine, +still closely canopied by the interlacing boughs overhead. A tiny +stream that he could have dammed with his hand yet lingered in +this parched red gash in the hillside and trickled into a deep, +irregular, well-like cavity, that again overflowed and sent its +slight surplus on. It had been the luxurious retreat of many a +spotted trout; it was to be the bath of Lance Harriott. Without a +moment's hesitation, without removing a single garment, he slipped +cautiously into it, as if fearful of losing a single drop. His +head disappeared from the level of the bank; the solitude was again +unbroken. Only two objects remained upon the edge of the ravine,-- +his revolver and tobacco pouch. + +A few minutes elapsed. A fearless blue jay alighted on the bank +and made a prospecting peck at the tobacco pouch. It yielded in +favor of a gopher, who endeavored to draw it toward his hole, but +in turn gave way to a red squirrel, whose attention was divided, +however, between the pouch and the revolver, which he regarded with +mischievous fascination. Then there was a splash, a grunt, a +sudden dispersion of animated nature, and the head of Mr. Lance +Harriott appeared above the bank. It was a startling transformation. +Not only that he had, by this wholesale process, washed himself and +his light "drill" garments entirely clean, but that he had, +apparently by the same operation, morally cleansed HIMSELF, and left +every stain and ugly blot of his late misdeeds and reputation in his +bath. His face, albeit scratched here and there, was rosy, round, +shining with irrepressible good humor and youthful levity. His +large blue eyes were infantine in their innocent surprise and +thoughtlessness. Dripping yet with water, and panting, he rested +his elbows lazily on the bank, and became instantly absorbed with a +boy's delight in the movements of the gopher, who, after the first +alarm, returned cautiously to abduct the tobacco pouch. If any +familiar had failed to detect Lance Harriott in this hideous +masquerade of dust and grime and tatters, still less would any +passing stranger have recognized in this blond faun the possible +outcast and murderer. And, when with a swirl of his spattering +sleeve, he drove back the gopher in a shower of spray and leaped to +the bank, he seemed to have accepted his felonious hiding-place as a +mere picnicking bower. + +A slight breeze was unmistakably permeating the wood from the west. +Looking in that direction, Lance imagined that the shadow was less +dark, and although the undergrowth was denser, he struck off +carelessly toward it. As he went on, the wood became lighter and +lighter; branches, and presently leaves, were painted against the +vivid blue of the sky. He knew he must be near the summit, +stopped, felt for his revolver, and then lightly put the few +remaining branches aside. + +The full glare of the noonday sun at first blinded him. When he +could see more clearly, he found himself on the open western slope +of the mountain, which in the Coast Range was seldom wooded. The +spiced thicket stretched between him and the summit, and again +between him and the stage road that plunges from the terrace, like +forked lightning into the valley below. He could command all the +approaches without being seen. Not that this seemed to occupy his +thoughts or cause him any anxiety. His first act was to disencumber +himself of his tattered coat; he then filled and lighted his pipe, +and stretched himself full-length on the open hillside, as if to +bleach in the fierce sun. While smoking he carelessly perused the +fragment of a newspaper which had enveloped his tobacco, and being +struck with some amusing paragraph, read it half aloud again to some +imaginary auditor, emphasizing its humor with an hilarious slap upon +his leg. + +Possibly from the relaxation of fatigue and the bath, which had +become a vapor one as he alternately rolled and dried himself in +the baking grass, his eyes closed dreamily. He was awakened by +the sound of voices. They were distant; they were vague; they +approached no nearer. He rolled himself to the verge of the first +precipitous grassy descent. There was another bank or plateau +below him, and then a confused depth of olive shadows, pierced here +and there by the spiked helmets of pines. + +There was no trace of habitation, yet the voices were those of some +monotonous occupation, and Lance distinctly heard through them the +click of crockery and the ring of some household utensil. It +appeared to be the interjectional, half listless, half perfunctory, +domestic dialogue of an old man and a girl, of which the words were +unintelligible. Their voices indicated the solitude of the +mountain, but without sadness; they were mysterious without being +awe-inspiring. They might have uttered the dreariest commonplaces, +but, in their vast isolation, they seemed musical and eloquent. +Lance drew his first sigh,--they had suggested dinner. + +Careless as his nature was, he was too cautious to risk detection +in broad daylight. He contented himself for the present with +endeavoring to locate that particular part of the depths from which +the voices seemed to rise. It was more difficult, however, to +select some other way of penetrating it than by the stage road. +"They're bound to have a fire or show a light when it's dark," he +reasoned, and, satisfied with that reflection, lay down again. +Presently he began to amuse himself by tossing some silver coins in +the air. Then his attention was directed to a spur of the Coast +Range which had been sharply silhouetted against the cloudless +western sky. Something intensely white, something so small that it +was scarcely larger than the silver coin in his hand, was appearing +in a slight cleft of the range. + +While he looked it gradually filled and obliterated the cleft. In +another moment the whole serrated line of mountain had disappeared. +The dense, dazzling white, encompassing host began to pour over and +down every ravine and pass of the coast. Lance recognized the sea- +fog, and knew that scarcely twenty miles away lay the ocean--and +safety! The drooping sun was now caught and hidden in its soft +embraces. A sudden chill breathed over the mountain. He shivered, +rose, and plunged again for very warmth into the spice-laden +thicket. The heated balsamic air began to affect him like a +powerful sedative; his hunger was forgotten in the languor of +fatigue; he slumbered. When he awoke it was dark. He groped his +way through the thicket. A few stars were shining directly above +him, but beyond and below, everything was lost in the soft, white, +fleecy veil of fog. Whatever light or fire might have betokened +human habitation was hidden. To push on blindly would be madness; +he could only wait for morning. It suited the outcast's lazy +philosophy. He crept back again to his bed in the hollow and +slept. In that profound silence and shadow, shut out from human +association and sympathy by the ghostly fog, what torturing visions +conjured up by remorse and fear should have pursued him? What +spirit passed before him, or slowly shaped itself out of the +infinite blackness of the wood? None. As he slipped gently into +that blackness he remembered with a slight regret, some biscuits +that were dropped from the coach by a careless luncheon-consuming +passenger. That pang over, he slept as sweetly, as profoundly, as +divinely, as a child. + + +CHAPTER II. + + +He awoke with the aroma of the woods still steeping his senses. +His first instinct was that of all young animals; he seized a few +of the young, tender green leaves of the yerba buena vine that +crept over his mossy pillow and ate them, being rewarded by a half +berry-like flavor that seemed to soothe the cravings of his +appetite. The languor of sleep being still upon him, he lazily +watched the quivering of a sunbeam that was caught in the canopying +boughs above. Then he dozed again. Hovering between sleeping and +waking, he became conscious of a slight movement among the dead +leaves on the bank beside the hollow in which he lay. The movement +appeared to be intelligent, and directed toward his revolver, which +glittered on the bank. Amused at this evident return of his +larcenous friend of the previous day, he lay perfectly still. The +movement and rustle continued, but it now seemed long and +undulating. Lance's eyes suddenly became set; he was intensely, +keenly awake. It was not a snake, but the hand of a human arm, +half hidden in the moss, groping for the weapon. In that flash of +perception he saw that it was small, bare, and deeply freckled. In +an instant he grasped it firmly, and rose to his feet, dragging to +his own level as he did so, the struggling figure of a young girl. + +"Leave me go!" she said, more ashamed than frightened. + +Lance looked at her. She was scarcely more than fifteen, slight +and lithe, with a boyish flatness of breast and back. Her flushed +face and bare throat were absolutely peppered with minute brown +freckles, like grains of spent gunpowder. Her eyes, which were +large and gray, presented the singular spectacle of being also +freckled,--at least they were shot through in pupil and cornea +with tiny spots like powdered allspice. Her hair was even more +remarkable in its tawny, deer-skin color, full of lighter shades, +and bleached to the faintest of blondes on the crown of her head, +as if by the action of the sun. She had evidently outgrown her +dress, which was made for a smaller child, and the too brief skirt +disclosed a bare, freckled, and sandy desert of shapely limb, for +which the darned stockings were equally too scant. Lance let his +grasp slip from her thin wrist to her hand, and then with a good- +humored gesture tossed it lightly back to her. + +She did not retreat, but continued looking at him in a half-surly +embarrassment. + +"I ain't a bit frightened," she said; "I'm not going to run away,-- +don't you fear." + +"Glad to hear it," said Lance, with unmistakable satisfaction, "but +why did you go for my revolver?" + +She flushed again and was silent. Presently she began to kick the +earth at the roots of the tree, and said, as if confidentially to +her foot,-- + +"I wanted to get hold of it before you did." + +"You did?--and why?" + +"Oh, you know why." + +Every tooth in Lance's head showed that he did, perfectly. But he +was discreetly silent. + +"I didn't know what you were hiding there for," she went on, still +addressing the tree, "and," looking at him sideways under her white +lashes, "I didn't see your face." + +This subtle compliment was the first suggestion of her artful sex. +It actually sent the blood into the careless rascal's face, and for +a moment confused him. He coughed. "So you thought you'd freeze +on to that six-shooter of mine until you saw my hand?" + +She nodded. Then she picked up a broken hazel branch, fitted it +into the small of her back, threw her tanned bare arms over the +ends of it, and expanded her chest and her biceps at the same +moment. This simple action was supposed to convey an impression at +once of ease and muscular force. + +"Perhaps you'd like to take it now," said Lance, handing her the +pistol. + +"I've seen six-shooters before now," said the girl, evading the +proffered weapon and its suggestion. "Dad has one, and my brother +had two derringers before he was half as big as me." + +She stopped to observe in her companion the effect of this capacity +of her family to bear arms. Lance only regarded her amusedly. +Presently she again spoke abruptly:-- + +"What made you eat that grass, just now?" + +"Grass!" echoed Lance. + +"Yes, there," pointing to the yerba buena. + +Lance laughed. "I was hungry. Look!" he said, gayly tossing some +silver into the air. "Do you think you could get me some breakfast +for that, and have enough left to buy something for yourself?" + +The girl eyed the money and the man with half-bashful curiosity. + +"I reckon Dad might give ye suthing if he had a mind ter, though ez +a rule he's down on tramps ever since they run off his chickens. +Ye might try." + +"But I want YOU to try. You can bring it to me here." + +The girl retreated a step, dropped her eyes, and, with a smile that +was a charming hesitation between bashfulness and impudence, said: +"So you ARE hidin', are ye?" + +"That's just it. Your head's level. I am," laughed Lance +unconcernedly. + +"Yur ain't one o' the McCarty gang--are ye?" + +Mr. Lance Harriott felt a momentary moral exaltation in declaring +truthfully that he was not one of a notorious band of mountain +freebooters known in the district under that name. + +"Nor ye ain't one of them chicken lifters that raided Henderson's +ranch? We don't go much on that kind o' cattle yer." + +"No," said Lance, cheerfully. + +"Nor ye ain't that chap ez beat his wife unto death at Santa +Clara?" + +Lance honestly scorned the imputation. Such conjugal ill treatment +as he had indulged in had not been physical, and had been with +other men's wives. + +There was a moment's further hesitation on the part of the girl. +Then she said shortly: + +"Well, then, I reckon you kin come along with me." + +"Where?" asked Lance. + +"To the ranch," she replied simply. + +"Then you won't bring me anything to eat here?" + +"What for? You kin get it down there." Lance hesitated. "I tell +you it's all right," she continued. "I'll make it all right with +Dad." + +"But suppose I reckon I'd rather stay here," persisted Lance, with +a perfect consciousness, however, of affectation in his caution. + +"Stay away then," said the girl coolly; "only as Dad perempted this +yer woods"-- + +"PRE-empted," suggested Lance. + +"Per-empted or pre-emp-ted, as you like," continued the girl +scornfully,--"ez he's got a holt on this yer woods, ye might ez +well see him down thar ez here. For here he's like to come any +minit. You can bet your life on that." + +She must have read Lance's amusement in his eyes, for she again +dropped her own with a frown of brusque embarrassment. "Come +along, then; I'm your man," said Lance, gayly, extending his hand. + +She would not accept it, eying it, however, furtively, like a horse +about to shy. "Hand me your pistol first," she said. + +He handed it to her with an assumption of gayety. She received it +on her part with unfeigned seriousness, and threw it over her +shoulder like a gun. This combined action of the child and +heroine, it is quite unnecessary to say, afforded Lance undiluted +joy. + +"You go first," she said. + +Lance stepped promptly out, with a broad grin. "Looks kinder as if +I was a prisoner, don't it?" he suggested. + +"Go on, and don't fool," she replied. + +The two fared onward through the wood. For one moment he +entertained the facetious idea of appearing to rush frantically +away, "just to see what the girl would do," but abandoned it. +"It's an even thing if she wouldn't spot me the first pop," he +reflected admiringly. + +When they had reached the open hillside, Lance stopped inquiringly. +"This way," she said, pointing toward the summit, and in quite an +opposite direction to the valley where he had heard the voices, one +of which he now recognized as hers. They skirted the thicket for a +few moments, and then turned sharply into a trail which began to +dip toward a ravine leading to the valley. + +"Why do you have to go all the way round?" he asked. + +"WE don't," the girl replied with emphasis; "there's a shorter +cut." + +"Where?" + +"That's telling," she answered shortly. + +"What's your name?" asked Lance, after a steep scramble and a drop +into the ravine. + +"Flip." + +"What?" + +"Flip." + +"I mean your first name,--your front name." + +"Flip." + +"Flip! Oh, short for Felipa!" + +"It ain't Flipper,--it's Flip." And she relapsed into silence. + +"You don't ask me mine?" suggested Lance. + +She did not vouchsafe a reply. + +"Then you don't want to know?" + +"Maybe Dad will. You can lie to HIM." + +This direct answer apparently sustained the agreeable homicide for +some moments. He moved onward, silently exuding admiration. + +"Only," added Flip, with a sudden caution, "you'd better agree with +me." + +The trail here turned again abruptly and re-entered the canyon. +Lance looked up, and noticed they were almost directly beneath the +bay thicket and the plateau that towered far above them. The trail +here showed signs of clearing, and the way was marked by felled +trees and stumps of pines. + +"What does your father do here?" he finally asked. Flip remained +silent, swinging the revolver. Lance repeated his question. + +"Burns charcoal and makes diamonds," said Flip, looking at him from +the corners of her eyes. + +"Makes diamonds?" echoed Lance. + +Flip nodded her head. + +"Many of 'em?" he continued carelessly. + +"Lots. But they're not big," she returned, with a sidelong glance. + +"Oh, they're not big?" said Lance gravely. + +They had by this time reached a small staked inclosure, whence the +sudden fluttering and cackle of poultry welcomed the return of the +evident mistress of this sylvan retreat. It was scarcely imposing. +Further on, a cooking stove under a tree, a saddle and bridle, a +few household implements scattered about, indicated the "ranch." +Like most pioneer clearings, it was simply a disorganized raid upon +nature that had left behind a desolate battlefield strewn with +waste and decay. The fallen trees, the crushed thicket, the +splintered limbs, the rudely torn-up soil, were made hideous by +their grotesque juxtaposition with the wrecked fragments of +civilization, in empty cans, broken bottles, battered hats, +soleless boots, frayed stockings, cast-off rags, and the crowning +absurdity of the twisted-wire skeleton of a hooped skirt hanging +from a branch. The wildest defile, the densest thicket, the most +virgin solitude, was less dreary and forlorn than this first +footprint of man. The only redeeming feature of this prolonged +bivouac was the cabin itself. Built of the half-cylindrical strips +of pine bark, and thatched with the same material, it had a certain +picturesque rusticity. But this was an accident of economy rather +than taste, for which Flip apologized by saying that the bark of +the pine was "no good" for charcoal. + +"I reckon Dad's in the woods," she added, pausing before the open +door of the cabin. "Oh, Dad!" Her voice, clear and high, seemed +to fill the whole long canyon, and echoed from the green plateau +above. The monotonous strokes of an axe were suddenly pretermitted, +and somewhere from the depths of the close-set pines a voice +answered "Flip." There was a pause of a few moments, with some +muttering, stumbling, and crackling in the underbrush, and then the +sudden appearance of "Dad." + +Had Lance first met him in the thicket, he would have been puzzled +to assign his race to Mongolian, Indian, or Ethiopian origin. +Perfunctory but incomplete washings of his hands and face, after +charcoal burning, had gradually ground into his skin a grayish +slate-pencil pallor, grotesquely relieved at the edges, where the +washing had left off, with a border of a darker color. He looked +like an overworked Christy minstrel with the briefest of intervals +between his performances. There were black rims in the orbits of +his eyes, as if he gazed feebly out of unglazed spectacles, which +heightened his simian resemblance, already grotesquely exaggerated +by what appeared to be repeated and spasmodic experiments in dyeing +his gray hair. Without the slightest notice of Lance, he inflicted +his protesting and querulous presence entirely on his daughter. + +"Well, what's up now? Yer ye are calling me from work an hour +before noon. Dog my skin, ef I ever get fairly limbered up afore +it's 'Dad!' and 'Oh, Dad!'" + +To Lance's intense satisfaction the girl received this harangue +with an air of supreme indifference, and when "Dad" had relapsed +into an unintelligible, and, as it seemed to Lance, a half- +frightened muttering, she said coolly,-- + +"Ye'd better drop that axe and scoot round getten' this stranger +some breakfast and some grub to take with him. He's one of them +San Francisco sports out here trout fishing in the branch. He's +got adrift from his party, has lost his rod and fixins, and had to +camp out last night in the Gin and Ginger Woods." + +"That's just it; it's allers suthin like that," screamed the old +man, dashing his fist on his leg in a feeble, impotent passion, but +without looking at Lance. "Why in blazes don't he go up to that +there blamed hotel on the summit? Why in thunder--" But here he +caught his daughter's large, freckled eyes full in his own. He +blinked feebly, his voice fell into a tone of whining entreaty. +"Now, look yer, Flip, it's playing it rather low down on the old +man, this yer running' in o' tramps and desarted emigrants and +cast-ashore sailors and forlorn widders and ravin' lunatics, on +this yer ranch. I put it to you, Mister," he said abruptly, +turning to Lance for the first time, but as if he had already taken +an active part in the conversation,--"I put it as a gentleman +yourself, and a fair-minded sportin' man, if this is the square +thing?" + +Before Lance could reply, Flip had already begun. "That's just it! +D'ye reckon, being a sportin' man and an A 1 feller, he's goin' to +waltz down inter that hotel, rigged out ez he is? D'ye reckon he's +goin' to let his partners get the laugh outer him? D'ye reckon +he's goin' to show his head outer this yer ranch till he can do it +square? Not much! Go 'long. Dad, you're talking silly!" + +The old man weakened. He feebly trailed his axe between his legs +to a stump and sat down, wiping his forehead with his sleeve, and +imparting to it the appearance of a slate with a difficult sum +partly rubbed out. He looked despairingly at Lance. "In course," +he said, with a deep sigh, "you naturally ain't got any money. In +course you left your pocketbook, containing fifty dollars, under a +stone, and can't find it. In course," he continued, as he observed +Lance put his hand to his pocket, "you've only got a blank check on +Wells, Fargo & Co. for a hundred dollars, and you'd like me to give +you the difference?" + +Amused as Lance evidently was at this, his absolute admiration for +Flip absorbed everything else. With his eyes fixed upon the girl, +he briefly assured the old man that he would pay for everything he +wanted. He did this with a manner quite different from the +careless, easy attitude he had assumed toward Flip; at least the +quick-witted girl noticed it, and wondered if he was angry. It was +quite true that ever since his eye had fallen upon another of his +own sex, its glance had been less frank and careless. Certain +traits of possible impatience, which might develop into man- +slaying, were coming to the fore. Yet a word or a gesture of +Flip's was sufficient to change that manner, and when, with the +fretful assistance of her father, she had prepared a somewhat +sketchy and primitive repast, he questioned the old man about +diamond-making. The eye of Dad kindled. + +"I want ter know how ye knew I was making diamonds," he asked, with +a certain bashful pettishness not unlike his daughter's. + +"Heard it in 'Frisco," replied Lance, with glib mendacity, glancing +at the girl. + +"I reckon they're gettin' sort of skeert down there--them +jewelers," chuckled Dad, "yet it's in nater that their figgers will +have to come down. It's only a question of the price of charcoal. +I suppose they didn't tell you how I made the discovery?" + +Lance would have stopped the old man's narrative by saying that he +knew the story, but he wished to see how far Flip lent herself to +her father's delusion. + +"Ye see, one night about two years ago I had a pit o' charcoal +burning out there, and tho' it had been a smouldering and a smoking +and a blazing for nigh unto a month, somehow it didn't charcoal +worth a cent. And yet, dog my skin, but the heat o' that er pit +was suthin hidyus and frightful; ye couldn't stand within a hundred +yards of it, and they could feel it on the stage road three miles +over yon, t'other side the mountain. There was nights when me and +Flip had to take our blankets up the ravine and camp out all night, +and the back of this yer hut shriveled up like that bacon. It was +about as nigh on to hell as any sample ye kin get here. Now, mebbe +you think I built that air fire? Mebbe you'll allow the heat was +just the nat'ral burning of that pit?" + +"Certainly," said Lance, trying to see Flip's eyes, which were +resolutely averted. + +"Thet's whar you'd be lyin'! That yar heat kem out of the bowels +of the yearth,--kem up like out of a chimbley or a blast, and kep +up that yar fire. And when she cools down a month after, and I got +to strip her, there was a hole in the yearth, and a spring o' +bilin', scaldin' water pourin' out of it ez big as your waist. And +right in the middle of it was this yer." He rose with the instinct +of a skillful raconteur, and whisked from under his bunk a chamois +leather bag, which he emptied on the table before them. It +contained a small fragment of native rock crystal, half-fused upon +a petrified bit of pine. It was so glaringly truthful, so really +what it purported to be, that the most unscientific woodman or +pioneer would have understood it at a glance. Lance raised his +mirthful eyes to Flip. + +"It was cooled suddint,--stunted by the water," said the girl, +eagerly. She stopped, and as abruptly turned away her eyes and her +reddened face. + +"That's it, that's just it," continued the old man. "Thar's Flip, +thar, knows it; she ain't no fool!" Lance did not speak, but +turned a hard, unsympathizing look upon the old man, and rose +almost roughly. The old man clutched his coat. "That's it, ye +see. The carbon's just turning to di'mens. And stunted. And why? +'Cos the heat wasn't kep up long enough. Mebbe yer think I stopped +thar? That ain't me. Thar's a pit out yar in the woods ez hez +been burning six months; it hain't, in course, got the advantages +o' the old one, for it's nat'ral heat. But I'm keeping that heat +up. I've got a hole where I kin watch it every four hours. When +the time comes, I'm thar! Don't you see? That's me! that's David +Fairley,--that's the old man,--you bet!" + +"That's so," said Lance, curtly. "And now, Mr. Fairley, if you'll +hand me over a coat or a jacket till I can get past these fogs on +the Monterey road, I won't keep you from your diamond pit." He +threw down a handful of silver on the table. + +"Ther's a deerskin jacket yer," said the old man, "that one o' them +vaqueros left for the price of a bottle of whiskey." + +"I reckon it wouldn't suit the stranger," said Flip, dubiously +producing a much-worn, slashed, and braided vaquero's jacket. But +it did suit Lance, who found it warm, and also had suddenly found a +certain satisfaction in opposing Flip. When he had put it on, and +nodded coldly to the old man, and carelessly to Flip, he walked to +the door. + +"If you're going to take the Monterey road, I can show you a short +cut to it," said Flip, with a certain kind of shy civility. + +The paternal Fairley groaned. "That's it; let the chickens and the +ranch go to thunder, as long as there's a stranger to trapse round +with; go on!" + +Lance would have made some savage reply, but Flip interrupted. +"You know yourself, Dad, it's a blind trail, and as that 'ere +constable that kem out here hunting French Pete, couldn't find it, +and had to go round by the canyon, like ez not the stranger would +lose his way, and have to come back!" This dangerous prospect +silenced the old man, and Flip and Lance stepped into the road +together. They walked on for some moments without speaking. +Suddenly Lance turned upon his companion. + +"You didn't swallow all that rot about the diamond, did you?" he +asked, crossly. + +Flip ran a little ahead, as if to avoid a reply. + +"You don't mean to say that's the sort of hog wash the old man +serves out to you regularly?" continued Lance, becoming more slangy +in his ill temper. + +"I don't know that it's any consarn o' yours what I think," replied +Flip, hopping from boulder to boulder, as they crossed the bed of a +dry watercourse. + +"And I suppose you've piloted round and dry-nussed every tramp and +dead beat you've met since you came here," continued Lance, with +unmistakable ill humor. "How many have you helped over this road?" + +"It's a year since there was a Chinaman chased by some Irishmen +from the Crossing into the brush about yer, and he was too afeered +to come out, and nigh most starved to death in thar. I had to drag +him out and start him on the mountain, for you couldn't get him +back to the road. He was the last one but YOU." + +"Do you reckon it's the right thing for a girl like you to run +about with trash of this kind, and mix herself up with all sorts of +rough and bad company?" said Lance. + +Flip stopped short. "Look! if you're goin' to talk like Dad, I'll +go back." + +The ridiculousness of such a resemblance struck him more keenly +than a consciousness of his own ingratitude. He hastened to assure +Flip that he was joking. When he had made his peace they fell into +talk again, Lance becoming unselfish enough to inquire into one or +two facts concerning her life which did not immediately affect him. +Her mother had died on the plains when she was a baby, and her +brother had run away from home at twelve. She fully expected to +see him again, and thought he might sometime stray into their +canyon. "That is why, then, you take so much stock in tramps," +said Lance. "You expect to recognize HIM?" + +"Well," replied Flip, gravely, "there is suthing in THAT, and +there's suthing in THIS: some o' these chaps might run across +brother and do him a good turn for the sake of me." + +"Like me, for instance?" suggested Lance. + +"Like you. You'd do him a good turn, wouldn't you?" + +"You bet!" said Lance, with a sudden emotion that quite startled +him; "only don't you go to throwing yourself round promiscuously." +He was half-conscious of an irritating sense of jealousy, as he +asked if any of her proteges had ever returned. + +"No," said Flip, "no one ever did. It shows," she added with +sublime simplicity, "I had done 'em good, and they could get on +alone. Don't it?" + +"It does," responded Lance grimly. "Have you any other friends +that come?" + +"Only the Postmaster at the Crossing." + +"The Postmaster?" + +"Yes; he's reckonin' to marry me next year, if I'm big enough." + +"And what do you reckon?" asked Lance earnestly. + +Flip began a series of distortions with her shoulders, ran on +ahead, picked up a few pebbles and threw them into the wood, +glanced back at Lance with swimming mottled eyes, that seemed a +piquant incarnation of everything suggestive and tantalizing, and +said, + +"That's telling." + +They had by this time reached the spot where they were to separate. +"Look," said Flip, pointing to a faint deflection of their path, +which seemed, however, to lose itself in the underbrush a dozen +yards away, "ther's your trail. It gets plainer and broader the +further you get on, but you must use your eyes here, and get to +know it well afore you get into the fog. Good-by." + +"Good-by." Lance took her hand and drew her beside him. She was +still redolent of the spices of the thicket, and to the young man's +excited fancy seemed at that moment to personify the perfume and +intoxication of her native woods. Half laughingly, half earnestly, +he tried to kiss her; she struggled for some time strongly, but at +the last moment yielded, with a slight return and the exchange of a +subtle fire that thrilled him, and left him standing confused and +astounded as she ran away. He watched her lithe, nymph-like figure +disappear in the checkered shadows of the wood, and then he turned +briskly down the half-hidden trail. His eyesight was keen, he made +good progress, and was soon well on his way toward the distant +ridge. + +But Flip's return had not been as rapid. When she reached the wood +she crept to its beetling verge, and, looking across the canyon, +watched Lance's figure as it vanished and reappeared in the shadows +and sinuosities of the ascent. When he reached the ridge the +outlying fog crept across the summit, caught him in its embrace, +and wrapped him from her gaze. Flip sighed, raised herself, put +her alternate foot on a stump, and took a long pull at her too- +brief stockings. When she had pulled down her skirt and endeavored +once more to renew the intimacy that had existed in previous years +between the edge of her petticoat and the top of her stockings, she +sighed again, and went home. + + +CHAPTER III. + + +For six months the sea fogs monotonously came and went along the +Monterey coast; for six months they beleaguered the Coast Range +with afternoon sorties of white hosts that regularly swept over the +mountain crest, and were as regularly beaten back again by the +leveled lances of the morning sun. For six months that white veil +which had once hidden Lance Harriott in its folds returned without +him. For that amiable outlaw no longer needed disguise or hiding- +place. The swift wave of pursuit that had dashed him on the summit +had fallen back, and the next day was broken and scattered. Before +the week had passed, a regular judicial inquiry relieved his crime +of premeditation, and showed it to be a rude duel of two armed and +equally desperate men. From a secure vantage in a seacoast town +Lance challenged a trial by his peers, and, as an already prejudged +man escaping from his executioners, obtained a change of venue. +Regular justice, seated by the calm Pacific, found the action of an +interior, irregular jury rash and hasty. Lance was liberated on +bail. + +The Postmaster at Fisher's Crossing had just received the weekly +mail and express from San Francisco, and was engaged in examining +it. It consisted of five letters and two parcels. Of these, three +of the letters and the two parcels were directed to Flip. It was +not the first time during the last six months that this extraordinary +event had occurred, and the curiosity of the Crossing was duly +excited. As Flip had never called personally for the letters or +parcels, but had sent one of her wild, irregular scouts or henchmen +to bring them, and as she was seldom seen at the Crossing or on the +stage road, that curiosity was never satisfied. The disappointment +to the Postmaster--a man past the middle age--partook of a +sentimental nature. He looked at the letters and parcels; he looked +at his watch; it was yet early, he could return by noon. He again +examined the addresses; they were in the same handwriting as the +previous letters. His mind was made up, he would deliver them +himself. The poetic, soulful side of his mission was delicately +indicated by a pale blue necktie, a clean shirt, and a small package +of gingernuts, of which Flip was extravagantly fond. + +The common road to Fairley's Ranch was by the stage turnpike to a +point below the Gin and Ginger Woods, where the prudent horseman +usually left his beast and followed the intersecting trail afoot. +It was here that the Postmaster suddenly observed on the edge of +the wood the figure of an elegantly-dressed woman; she was walking +slowly, and apparently at her ease; one hand held her skirts +lightly gathered between her gloved fingers, the other slowly swung +a riding whip. Was it a picnic of some people from Monterey or +Santa Cruz? The spectacle was novel enough to justify his coming +nearer. Suddenly she withdrew into the wood; he lost sight of her; +she was gone. He remembered, however, that Flip was still to be +seen, and as the steep trail was beginning to tax all his energies, +he was fain to hurry forward. The sun was nearly vertical when he +turned into the canyon, and saw the bark roof of the cabin beyond. +At almost the same moment Flip appeared, flushed and panting, in +the road before him. + +"You've got something for me," she said, pointing to the parcel and +letters. Completely taken by surprise, the Postmaster mechanically +yielded them up, and as instantly regretted it. "They're paid +for," continued Flip, observing his hesitation. + +"That's so," stammered the official of the Crossing, seeing his +last chance of knowing the contents of the parcel vanish; "but I +thought ez it's a valooable package, maybe ye might want to examine +it to see that it was all right afore ye receipted for it." + +"I'll risk it," said Flip, coolly, "and if it ain't right I'll let +ye know." + +As the girl seemed inclined to retire with her property, the +Postmaster was driven to other conversation. "We ain't had the +pleasure of seeing you down at the Crossing for a month o' +Sundays," he began, with airy yet pronounced gallantry. "Some +folks let on you was keepin' company with some feller like Bijah +Brown, and you were getting a little too set up for the Crossing." +The individual here mentioned being the county butcher, and +supposed to exhibit his hopeless affection for Flip by making a +long and useless divergence from his weekly route to enter the +canyon for "orders," Flip did not deem it necessary to reply. +"Then I allowed how ez you might have company," he continued; "I +reckon there's some city folks up at the summit. I saw a mighty +smart, fash'n'ble gal cavorting round. Had no end o' style and +fancy fixin's. That's my kind, I tell you. I just weaken on that +sort o' gal," he continued, in the firm belief that he had awakened +Flip's jealousy, as he glanced at her well-worn homespun frock, and +found her eyes suddenly fixed on his own. + +"Strange I ain't got to see her yet," she replied coolly, +shouldering her parcel, and quite ignoring any sense of obligation +to him for his extra-official act. + +"But you might get to see her at the edge of the Gin and Ginger +Woods," he persisted feebly, in a last effort to detain her; "if +you'll take a pasear there with me." Flip's only response was to +walk on toward the cabin, whence, with a vague complimentary +suggestion of "droppin' in to pass the time o' day" with her +father, the Postmaster meekly followed. + +The paternal Fairley, once convinced that his daughter's new +companion required no pecuniary or material assistance from his +hands, relaxed to the extent of entering into a querulous +confidence with him, during which Flip took the opportunity of +slipping away. As Fairley had that infelicitous tendency of most +weak natures, to unconsciously exaggerate unimportant details in +their talk, the Postmaster presently became convinced that the +butcher was a constant and assiduous suitor of Flip's. The +absurdity of his sending parcels and letters by post when he might +bring them himself did not strike the official. On the contrary, +he believed it to be a master stroke of cunning. Fired by jealousy +and Flip's indifference, he "deemed it his duty"--using that facile +form of cowardly offensiveness--to betray Flip. + +Of which she was happily oblivious. Once away from the cabin, she +plunged into the woods, with the parcel swung behind her like a +knapsack. Leaving the trail, she presently struck off in a +straight line through cover and underbrush with the unerring +instinct of an animal, climbing hand over hand the steepest ascent, +or fluttering like a bird from branch to branch down the deepest +declivity. She soon reached that part of the trail where the +susceptible Postmaster had seen the fascinating unknown. Assuring +herself she was not followed, she crept through the thicket until +she reached a little waterfall and basin that had served the +fugitive Lance for a bath. The spot bore signs of later and more +frequent occupancy, and when Flip carefully removed some bark and +brushwood from a cavity in the rock and drew forth various folded +garments, it was evident she had used it as a sylvan dressing-room. +Here she opened the parcel; it contained a small and delicate shawl +of yellow China crepe. Flip instantly threw it over her shoulders +and stepped hurriedly toward the edge of the wood. Then she began +to pass backward and forward before the trunk of a tree. At first +nothing was visible on the tree, but a closer inspection showed a +large pane of ordinary window glass stuck in the fork of the +branches. It was placed at such a cunning angle against the +darkness of the forest opening that it made a soft and mysterious +mirror, not unlike a Claude Lorraine glass, wherein not only the +passing figure of the young girl was seen, but the dazzling green +and gold of the hillside, and the far-off silhouetted crests of the +Coast Range. + +But this was evidently only a prelude to a severer rehearsal. When +she returned to the waterfall she unearthed from her stores a large +piece of yellow soap and some yards of rough cotton "sheeting." +These she deposited beside the basin and again crept to the edge of +the wood to assure herself that she was alone. Satisfied that no +intruding foot had invaded that virgin bower, she returned to her +bath and began to undress. A slight wind followed her, and seemed +to whisper to the circumjacent trees. It appeared to waken her +sister naiads and nymphs, who, joining their leafy fingers, softly +drew around her a gently moving band of trembling lights and +shadows, of flecked sprays and inextricably mingled branches, and +involved her in a chaste sylvan obscurity, veiled alike from +pursuing god or stumbling shepherd. Within these hallowed +precincts was the musical ripple of laughter and falling water, and +at times the glimpse of a lithe brier-caught limb, or a ray of +sunlight trembling over bright flanks, or the white austere outline +of a childish bosom. + +When she drew again the leafy curtain, and once more stepped out of +the wood, she was completely transformed. It was the figure that +had appeared to the Postmaster; the slight, erect, graceful form of +a young woman modishly attired. It was Flip, but Flip made taller +by the lengthened skirt and clinging habiliments of fashion. Flip +freckled, but, through the cunning of a relief of yellow color in +her gown, her piquant brown-shot face and eyes brightened and +intensified until she seemed like a spicy odor made visible. I +cannot affirm that the judgment of Flip's mysterious modiste was +infallible, or that the taste of Mr. Lance Harriott, her patron, +was fastidious; enough that it was picturesque, and perhaps not +more glaring and extravagant than the color in which Spring herself +had once clothed the sere hillside where Flip was now seated. The +phantom mirror in the tree fork caught and held her with the sky, +the green leaves, the sunlight and all the graciousness of her +surroundings, and the wind gently tossed her hair and the gay +ribbons of her gypsy hat. Suddenly she started. Some remote sound +in the trail below, inaudible to any ear less fine than hers, +arrested her breathing. She rose swiftly and darted into cover. + +Ten minutes passed. The sun was declining; the white fog was +beginning to creep over the Coast Range. From the edge of the wood +Cinderella appeared, disenchanted, and in her homespun garments. +The clock had struck--the spell was past. As she disappeared down +the trail even the magic mirror, moved by the wind, slipped from +the tree top to the ground, and became a piece of common glass. + + +CHAPTER IV. + + +The events of the day had produced a remarkable impression on the +facial aspect of the charcoal-burning Fairley. Extraordinary +processes of thought, indicated by repeated rubbing of his forehead, +had produced a high light in the middle and a corresponding +deepening of shadow at the sides, until it bore the appearance of a +perfect sphere. It was this forehead that confronted Flip +reproachfully as became a deceived comrade, menacingly as became an +outraged parent in the presence of a third party and--a Postmaster! + +"Fine doin's this, yer receivin' clandecent bundles and letters, +eh?" he began. Flip sent one swift, withering look of contempt at +the Postmaster, who at once becoming invertebrate and groveling, +mumbled that he must "get on" to the Crossing, and rose to go. But +the old man, who had counted on his presence for moral support, and +was clearly beginning to hate him for precipitating this scene with +his daughter, whom he feared, violently protested. + +"Sit down, can't ye? Don't you see you're a witness?" he screamed +hysterically. + +It was a fatal suggestion. "Witness," repeated Flip, scornfully. + +"Yes, a witness! He gave ye letters and bundles." + +"Weren't they directed to me?" asked Flip. + +"Yes," said the Postmaster, hesitatingly; "in course, yes." + +"Do YOU lay claim to them?" she said, turning to her father. + +"No," responded the old man. + +"Do you?" sharply, to the Postmaster. + +"No," he replied. + +"Then," said Flip, coolly, "if you're not claimin' 'em for +yourself, and you hear father say they ain't his, I reckon the less +you have to say about 'em the better." + +"Thar's suthin' in that," said the old man, shamelessly abandoning +the Postmaster. + +"Then why don't she say who sent 'em, and what they are like," said +the Postmaster, "if there's nothin' in it?" + +"Yes," echoed Dad. "Flip, why don't you?" + +Without answering the direct question, Flip turned upon her father. + +"Maybe you forget how you used to row and tear round here because +tramps and such like came to the ranch for suthin', and I gave it +to 'em? Maybe you'll quit tearin' round and letting yourself be +made a fool of now by that man, just because one of those tramps +gets up and sends us some presents back in turn?" + +"'Twasn't me, Flip," said the old man, deprecatingly, but glaring +at the astonished Postmaster. "Twasn't my doin'. I allus said if +you cast your bread on the waters it would come back to you by +return mail. The fact is, the Gov'ment is gettin' too high-handed! +Some o' these bloated officials had better climb down before next +leckshen." + +"Maybe," continued Flip to her father, without looking at her +discomfited visitor, "ye'd better find out whether one of those +officials comes up to this yer ranch to steal away a gal about my +own size, or to get points about diamond-making. I reckon he don't +travel round to find out who writes all the letters that go through +the Post Office." + +The Postmaster had seemingly miscalculated the old man's infirm +temper and the daughter's skillful use of it. He was unprepared +for Flip's boldness and audacity, and when he saw that both barrels +of the accusation had taken effect on the charcoal burner, who was +rising with epileptic rage, he fairly turned and fled. The old man +would have followed him with objurgation beyond the door, but for +the restraining hand of Flip. + +Baffled and beaten, nevertheless Fate was not wholly unkind to the +retreating suitor. Near the Gin and Ginger Woods he picked up a +letter which had fallen from Flip's pocket. He recognized the +writing, and did not scruple to read it. It was not a love +epistle,--at least, not such a one as he would have written,--it +did not give the address nor the name of the correspondent; but he +read the following with greedy eyes:-- + + +"Perhaps it's just as well that you don't rig yourself out for the +benefit of those dead beats at the Crossing, or any tramp that +might hang round the ranch. Keep all your style for me when I +come. I can't tell you when, it's mighty uncertain before the +rainy season. But I'm coming soon. Don't go back on your promise +about lettin up on the tramps, and being a little more high-toned. +And don't you give 'em so much. It's true I sent you hats TWICE. +I clean forgot all about the first; but I wouldn't have given a +ten-dollar hat to a nigger woman who had a sick baby because I had +an extra hat. I'd have let that baby slide. I forgot to ask +whether the skirt is worn separately; I must see the dressmaking +sharp about it; but I think you'll want something on besides a +jacket and skirt; at least, it looks like it up here. I don't +think you could manage a piano down there without the old man +knowing it, and raisin' the devil generally. I promised you I'd +let up on him. Mind you keep all your promises to me. I'm glad +you're gettin' on with the six-shooter; tin cans are good at +fifteen yards, but try it on suthin' that MOVES! I forgot to say +that I am on the track of your big brother. It's a three years' +old track, and he was in Arizona. The friend who told me didn't +expatiate much on what he did there, but I reckon they had a high +old time. If he's above the earth I'll find him, you bet. The +yerba buena and the southern wood came all right,--they smelt like +you. Say, Flip, do you remember the last--the VERY last--thing +that happened when you said 'Good-by' on the trail? Don't let me +ever find out that you've let anybody else kiss--" + + +But here the virtuous indignation of the Postmaster found vent in +an oath. He threw the letter away. He retained of it only two +facts,--Flip HAD a brother who was missing; she had a lover present +in the flesh. + +How much of the substance of this and previous letters Flip had +confided to her father I cannot say. If she suppressed anything it +was probably that which affected Lance's secret alone, and it was +doubtful how much of that she herself knew. In her own affairs she +was frank without being communicative, and never lost her shy +obstinacy even with her father. Governing the old man as +completely as she did, she appeared most embarrassed when she was +most dominant; she had her own way without lifting her voice or her +eyes; she seemed oppressed by mauvaise honte when she was most +triumphant; she would end a discussion with a shy murmur addressed +to herself, or a single gesture of self-consciousness. + +The disclosure of her strange relations with an unknown man and the +exchange of presents and confidences seemed to suddenly awake +Fairley to a vague, uneasy sense of some unfulfilled duties as a +parent. The first effect of this on his weak nature was a peevish +antagonism to the cause of it. He had long, fretful monologues on +the vanity of diamond-making, if accompanied with a "pestering" by +"interlopers;" on the wickedness of concealment and conspiracy, and +their effects on charcoal-burning; on the nurturing of spies and +"adders" in the family circle, and on the seditiousness of dark and +mysterious councils in which a gray-haired father was left out. It +was true that a word or look from Flip generally brought these +monologues to an inglorious and abrupt termination, but they were +none the less lugubrious as long as they lasted. In time they were +succeeded by an affectation of contrite apology and self- +depreciation. "Don't go out o' the way to ask the old man," he +would say, referring to the quantity of bacon to be ordered; "it's +nat'ral a young gal should have her own advisers." The state of +the flour barrel would also produce a like self-abasement. "Unless +ye're already in correspondence about more flour, ye might take the +opinion o' the first tramp ye meet ez to whether Santa Cruz Mills +is a good brand, but don't ask the old man." If Flip was in +conversation with the butcher, Fairley would obtrusively retire +with the hope "he wasn't intrudin' on their secrets." + +These phases of her father's weakness were not frequent enough to +excite her alarm, but she could not help noticing they were +accompanied with a seriousness unusual to him. He began to be +tremulously watchful of her, returning often from work at an +earlier hour, and lingering by the cabin in the morning. He +brought absurd and useless presents for her, and presented them +with a nervous anxiety, poorly concealed by an assumption of +careless, paternal generosity. "Suthin' I picked up at the +Crossin' for ye to-day," he would say, airily, and retire to watch +the effect of a pair of shoes two sizes too large, or a fur cap in +September. He would have hired a cheap parlor organ for her, but +for the apparently unexpected revelation that she couldn't play. +He had received the news of a clue to his long-lost son without +emotion, but lately he seemed to look upon it as a foregone +conclusion, and one that necessarily solved the question of +companionship for Flip. "In course, when you've got your own flesh +and blood with ye, ye can't go foolin' around with strangers." +These autumnal blossoms of affection, I fear, came too late for any +effect upon Flip, precociously matured by her father's indifference +and selfishness. But she was good humored, and, seeing him +seriously concerned, gave him more of her time, even visited him in +the sacred seclusion of the "diamond pit," and listened with far- +off eyes to his fitful indictment of all things outside his grimy +laboratory. Much of this patient indifference came with a +capricious change in her own habits; she no longer indulged in the +rehearsal of dress, she packed away her most treasured garments, +and her leafy boudoir knew her no more. She sometimes walked on +the hillside, and often followed the trail she had taken with Lance +when she led him to the ranch. She once or twice extended her walk +to the spot where she had parted from him, and as often came shyly +away, her eyes downcast and her face warm with color. Perhaps +because these experiences and some mysterious instinct of maturing +womanhood had left a story in her eyes, which her two adorers, the +Postmaster and the Butcher, read with passion, she became famous +without knowing it. Extravagant stories of her fascinations +brought strangers into the valley. The effect upon her father may +be imagined. Lance could not have desired a more effective +guardian than he proved to be in this emergency. Those who had +been told of this hidden pearl were surprised to find it so +jealously protected. + + +CHAPTER V. + + +The long, parched summer had drawn to its dusty close. Much of it +was already blown abroad and dissipated on trail and turnpike, or +crackled in harsh, unelastic fibres on hillside and meadow. Some +of it had disappeared in the palpable smoke by day and fiery crests +by night of burning forests. The besieging fogs on the Coast Range +daily thinned their hosts, and at last vanished. The wind changed +from northwest to southwest. The salt breath of the sea was on the +summit. And then one day the staring, unchanged sky was faintly +touched with remote mysterious clouds, and grew tremulous in +expression. The next morning dawned upon a newer face in the +heavens, on changed woods, on altered outlines, on vanished crests, +on forgotten distances. It was raining! + +Four weeks of this change, with broken spaces of sunlight and +intense blue aerial islands, and then a storm set in. All day the +summit pines and redwoods rocked in the blast. At times the onset +of the rain seemed to be held back by the fury of the gale, or was +visibly seen in sharp waves on the hillside. Unknown and concealed +watercourses suddenly overflowed the trails, pools became lakes and +brooks rivers. Hidden from the storm, the sylvan silence of +sheltered valleys was broken by the impetuous rush of waters; even +the tiny streamlet that traversed Flip's retreat in the Gin and +Ginger Woods became a cascade. + +The storm drove Fairley from his couch early. The falling of a +large tree across the trail, and the sudden overflow of a small +stream beside it, hastened his steps. But he was doomed to +encounter what was to him a more disagreeable object--a human +figure. By the bedraggled drapery that flapped and fluttered in +the wind, by the long, unkempt hair that hid the face and eyes, and +by the grotesquely misplaced bonnet, the old man recognized one of +his old trespassers,--an Indian squaw. + +"Clear out 'er that! Come, make tracks, will ye?" the old man +screamed; but here the wind stopped his voice, and drove him +against a hazel bush. + +"Me heap sick," answered the squaw, shivering through her muddy +shawl. + +"I'll make ye a heap sicker if ye don't vamose the ranch," +continued Fairley, advancing. + +"Me wantee Wangee girl. Wangee girl give me heap grub," said the +squaw, without moving. + +"You bet your life," groaned the old man to himself. Nevertheless +an idea struck him. "Ye ain't brought no presents, hev ye?" he +asked cautiously. "Ye ain't got no pooty things for poor Wangee +girl?" he continued, insinuatingly. + +"Me got heap cache nuts and berries," said the squaw. + +"Oh, in course! in course! That's just it," screamed Fairley; +"you've got 'em cached only two mile from yer, and you'll go and +get 'em for a half dollar, cash down." + +"Me bring Wangee girl to cache," replied the Indian, pointing to +the wood. "Honest Injin." + +Another bright idea struck Mr. Fairley. But it required some +elaboration. Hurrying the squaw with him through the pelting rain, +he reached the shelter of the corral. Vainly the shivering +aborigine drew her tightly bandaged papoose closer to her square, +flat breast, and looked longingly toward the cabin; the old man +backed her against the palisade. Here he cautiously imparted his +dark intentions to employ her to keep watch and ward over the +ranch, and especially over its young mistress--"clear out all the +tramps 'ceptin' yourself, and I'll keep ye in grub and rum." Many +and deliberate repetitions of this offer in various forms at last +seemed to affect the squaw; she nodded violently, and echoed the +last word "rum." "Now," she added. The old man hesitated; she was +in possession of his secret; he groaned, and, promising an +immediate installment of liquor, led her to the cabin. + +The door was so securely fastened against the impact of the storm +that some moments elapsed before the bar was drawn, and the old man +had become impatient and profane. When it was partly opened by +Flip he hastily slipped in, dragging the squaw after him, and cast +one single suspicious glance around the rude apartment which served +as a sitting-room. Flip had apparently been writing. A small +inkstand was still on the board table, but her paper had evidently +been concealed before she allowed them to enter. The squaw +instantly squatted before the adobe hearth, warmed her bundled +baby, and left the ceremony of introduction to her companion. Flip +regarded the two with calm preoccupation and indifference. The +only thing that touched her interest was the old squaw's draggled +skirt and limp neckerchief. They were Flip's own, long since +abandoned and cast off in the Gin and Ginger Woods. "Secrets +again," whined Fairley, still eying Flip furtively. "Secrets +again, in course--in course--jiss so. Secrets that must be kep +from the ole man. Dark doin's by one's own flesh and blood. Go +on! go on! Don't mind me." Flip did not reply. She had even lost +the interest in her old dress. Perhaps it had only touched some +note in unison with her revery. + +"Can't ye get the poor critter some whiskey?" he queried, fretfully. +"Ye used to be peart enuff before." As Flip turned to the corner to +lift the demijohn, Fairley took occasion to kick the squaw with his +foot, and indicate by extravagant pantomime that the bargain was not +to be alluded to before the girl. Flip poured out some whiskey in a +tin cup, and, approaching the squaw, handed it to her. "It's like +ez not," continued Fairley to his daughter, but looking at the +squaw, "that she'll be huntin' the woods off and on, and kinder +looking after the last pit near the Madronos; ye'll give her grub +and licker ez she likes. Well, d'ye hear, Flip? Are ye moonin' +agin with yer secrets? What's gone with ye?" + +If the child were dreaming, it was a delicious dream. Her magnetic +eyes were suffused by a strange light, as though the eye itself had +blushed; her full pulse showed itself more in the rounding outline +of her cheek than in any deepening of color; indeed, if there was +any heightening of tint, it was in her freckles, which fairly +glistened like tiny spangles. Her eyes were downcast, her +shoulders slightly bent, but her voice was low and clear and +thoughtful as ever. + +"One o' the big pines above the Madrono pit has blown over into the +run," she said. "It's choked up the water, and it's risin' fast. +Like ez not it's pourin' over into the pit by this time." + +The old man rose with a fretful cry. "And why in blames didn't you +say so first?" he screamed, catching up his axe and rushing to the +door. + +"Ye didn't give me a chance," said Flip, raising her eyes for the +first time. With an impatient imprecation, Fairley darted by her +and rushed into the wood. In an instant she had shut the door and +bolted it. In the same instant the squaw arose, dashed the long +hair not only from her eyes, but from her head, tore away her shawl +and blanket, and revealed the square shoulders of Lance Harriott! +Flip remained leaning against the door; but the young man in rising +dropped the bandaged papoose, which rolled from his lap into the +fire. Flip, with a cry, sprang toward it; but Lance caught her by +the waist with one arm, as with the other he dragged the bundle +from the flames. + +"Don't be alarmed," he said, gayly, "it's only--" + +"What?" said Flip, trying to disengage herself. + +"My coat and trousers." + +Flip laughed, which encouraged Lance to another attempt to kiss +her. She evaded it by diving her head into his waistcoat, and +saying, "There's father." + +"But he's gone to clear away that tree?" suggested Lance. + +One of Flip's significant silences followed. + +"Oh, I see," he laughed. "That was a plan to get him away! Ah!" +She had released herself. + +"Why did you come like that?" she said, pointing to his wig and +blanket. + +"To see if you'd know me," he responded. + +"No," said Flip, dropping her eyes. "It's to keep other people +from knowing you. You're hidin' agin." + +"I am," returned Lance; "but," he interrupted, "it's only the same +old thing." + +"But you wrote from Monterey that it was all over," she persisted. + +"So it would have been," he said gloomily, "but for some dog down +here who is hunting up an old scent. I'll spot him yet, and--" He +stopped suddenly, with such utter abstraction of hatred in his +fixed and glittering eyes that she almost feared him. She laid her +hand quite unconsciously on his arm. He grasped it; his face +changed. + +"I couldn't wait any longer to see you, Flip, so I came here +anyway," he went on. "I thought to hang round and get a chance to +speak to you first, when I fell afoul of the old man. He didn't +know me, and tumbled right in my little game. Why, do you believe +he wants to hire me for my grub and liquor, to act as a sort of +sentry over you and the ranch?" And here he related with great +gusto the substance of his interview. "I reckon as he's that +suspicious," he concluded, "I'd better play it out now as I've +begun, only it's mighty hard I can't see you here before the fire +in your fancy toggery, Flip, but must dodge in and out of the wet +underbrush in these yer duds of yours that I picked up in the old +place in the Gin and Ginger Woods." + +"Then you came here just to see me?" asked Flip. + +"I did." + +"For only that?" + +"Only that." + +Flip dropped her eyes. Lance had got his other arm around her +waist, but her resisting little hand was still potent. + +"Listen," she said at last without looking up, but apparently +talking to the intruding arm, "when Dad comes I'll get him to send +you to watch the diamond pit. It isn't far; it's warm, and"-- + +"What?" + +"I'll come, after a bit, and see you. Quit foolin' now. If you'd +only have come here like yourself--like--like--a white man." + +"The old man," interrupted Lance, "would have just passed me on to +the summit. I couldn't have played the lost fisherman on him at +this time of year." + +"Ye could have been stopped at the Crossing by high water, you +silly," said the girl. "It was." This grammatical obscurity +referred to the stage coach. + +"Yes, but I might have been tracked to this cabin. And look here, +Flip," he said, suddenly straightening himself, and lifting the +girl's face to a level with his own, "I don't want you to lie any +more for me. It ain't right." + +"All right. Ye needn't go to the pit, then, and I won't come." + +"Flip!" + +"And here's Dad coming. Quick!" + +Lance chose to put his own interpretation on this last adjuration. +The resisting little hand was now lying quite limp on his shoulder, +He drew her brown, bright face near his own, felt her spiced breath +on his lips, his cheeks, his hot eyelids, his swimming eyes, kissed +her, hurriedly replaced his wig and blanket, and dropped beside the +fire with the tremulous laugh of youth and innocent first passion. +Flip had withdrawn to the window, and was looking out upon the +rocking pines. + +"He don't seem to be coming," said Lance, with a half-shy laugh. + +"No," responded Flip demurely, pressing her hot oval cheek against +the wet panes; "I reckon I was mistaken. You're sure," she added, +looking resolutely another way, but still trembling like a magnetic +needle toward Lance, as he moved slightly before the fire, "you're +SURE you'd like me to come to you?" + +"Sure, Flip?" + +"Hush!" said Flip, as this reassuring query of reproachful +astonishment appeared about to be emphasized by a forward amatory +dash of Lance's; "hush! he's coming this time, sure." + +It was, indeed, Fairley, exceedingly wet, exceedingly bedraggled, +exceedingly sponged out as to color, and exceedingly profane. It +appeared that there was, indeed, a tree that had fallen in the +"run," but that, far from diverting the overflow into the pit, it +had established "back water," which had forced another outlet. All +this might have been detected at once by any human intellect not +distracted by correspondence with strangers, and enfeebled by +habitually scorning the intellect of its own progenitor. This +reckless selfishness had further only resulted in giving +"rheumatics" to that progenitor, who now required the external +administration of opodeldoc to his limbs, and the internal +administration of whiskey. Having thus spoken, Mr. Fairley, with +great promptitude and infantine simplicity, at once bared two legs +of entirely different colors and mutely waited for his daughter to +rub them. If Flip did this all unconsciously, and with the +mechanical dexterity of previous habit, it was because she did not +quite understand the savage eyes and impatient gestures of Lance in +his encompassing wig and blanket, and because it helped her to +voice her thought. + +"Ye'll never be able to take yer watch at the diamond pit to-night, +Dad," she said; "and I've been reck'nin' you might set the squaw +there instead. I can show her what to do." + +But to Flip's momentary discomfiture, her father promptly objected. +"Mebbee I've got suthin' else for her to do. Mebbee I may have my +secrets, too--eh?" he said, with dark significance, at the same +time administering a significant nudge to Lance, which kept up the +young man's exasperation. "No, she'll rest yer a bit just now. +I'll set her to watchin' suthin' else, like as not, when I want +her." Flip fell into one of her suggestive silences. Lance +watched her earnestly, mollified by a single furtive glance from +her significant eyes; the rain dashed against the windows, and +occasionally spattered and hissed in the hearth of the broad +chimney, and Mr. David Fairley, somewhat assuaged by the internal +administration of whiskey, grew more loquacious. The genius of +incongruity and inconsistency which generally ruled his conduct +came out with freshened vigor under the gentle stimulation of +spirit. "On an evening like this," he began, comfortably settling +himself on the floor beside the chimney, "ye might rig yerself out +in them new duds and fancy fixin's that that Sacramento shrimp sent +ye, and let your own flesh and blood see ye. If that's too much to +do for your old dad, ye might do it to please that digger squaw as +a Christian act." Whether in the hidden depths of the old man's +consciousness there was a feeling of paternal vanity in showing +this wretched aborigine the value and importance of the treasure +she was about to guard, I cannot say. Flip darted an interrogatory +look at Lance, who nodded a quiet assent, and she flew into the +inner room. She did not linger on the details of her toilet, but +reappeared almost the next moment in her new finery; buttoning the +neck of her gown as she entered the room, and chastely stopping at +the window to characteristically pull up her stocking. The +peculiarity of her situation increased her usual shyness; she +played with the black and gold beads of a handsome necklace,-- +Lance's last gift,--as the merest child might; her unbuckled shoe +gave the squaw a natural opportunity of showing her admiration and +devotion by insisting upon buckling it, and gave Lance, under that +disguise, an opportunity of covertly kissing the little foot and +ankle in the shadow of the chimney; an event which provoked slight +hysterical symptoms in Flip, and caused her to sit suddenly down in +spite of the remonstrances of her parent. "Ef you can't quit +gigglin' and squirmin' like an Injin baby yourself, ye'd better git +rid o' them duds," he ejaculated with peevish scorn. + +Yet, under this perfunctory rebuke, his weak vanity could not be +hidden, and he enjoyed the evident admiration of a creature whom he +believed to be half-witted and degraded all the more keenly because +it did not make him jealous. She could not take Flip from him. +Rendered garrulous by liquor, he went to voice his contempt for +those who might attempt it. Taking advantage of his daughter's +absence to resume her homely garments, he whispered confidentially +to Lance,-- + +"Ye see these yer fine dresses, ye might think is presents. Pr'aps +Flip lets on they are? Pr'aps she don't know any better. But they +ain't presents. They're only samples o' dressmaking and jewelry +that a vain, conceited shrimp of a feller up in Sacramento sends +down here to get customers for. In course I'm to pay for 'em. In +course he reckons I'm to do it. In course I calkilate to do it; +but he needn't try to play 'em off as presents. He talks suthin' +o' coming down here, sportin' hisself off on Flip as a fancy buck! +Not ez long ez the old man's here, you bet." Thoroughly carried +away by his fancied wrongs, it was perhaps fortunate that he did +not observe the flashing eyes of Lance behind his lank and +lustreless wig; but seeing only the figure of Lance, as he had +conjured him, he went on: "That's why I want you to hang around +her. Hang around her ontil my boy,--him that's comin' home on a +visit,--gets here, and I reckon he'll clear out that yar Sacramento +counter-jumper. Only let me get a sight o' him afore Flip does. +eh? D'ye hear? Dog my skin if I don't believe the d----d Injin's +drunk." It was fortunate that at that moment Flip reappeared, and, +dropping on the hearth between her father and the infuriated Lance, +let her hand slip in his with a warning pressure. The light touch +momentarily recalled him to himself and her, but not until the +quick-witted girl had had revealed to her in one startled wave of +consciousness the full extent of Lance's infirmity of temper. With +the instinct of awakened tenderness came a sense of responsibility, +and a vague premonition of danger. The coy blossom of her heart +was scarce unfolded before it was chilled by approaching shadows. +Fearful of, she knew not what, she hesitated. Every moment of +Lance's stay was imperiled by a single word that might spring from +his suppressed white lips; beyond and above the suspicions his +sudden withdrawal might awaken in her father's breast, she was +dimly conscious of some mysterious terror without that awaited him. +She listened to the furious onslaught of the wind upon the +sycamores beside their cabin, and thought she heard it there; she +listened to the sharp fusillade of rain upon roof and pane, and the +turbulent roar and rush of leaping mountain torrents at their very +feet, and fancied it was there. She suddenly sprang to the window, +and, pressing her eyes to the pane, saw through the misty turmoil +of tossing boughs and swaying branches the scintillating +intermittent flames of torches moving on the trail above, and KNEW +it was there! + +In an instant she was collected and calm. "Dad," she said, in her +ordinary indifferent tone, "there's torches movin' up toward the +diamond pit. Likely it's tramps. I'll take the squaw and see." +And before the old man could stagger to his feet she had dragged +Lance with her into the road. + + +CHAPTER VI. + + +The wind charged down upon them, slamming the door at their backs, +extinguishing the broad shaft of light that had momentarily shot +out into the darkness, and swept them a dozen yards away. Gaining +the lee of a madrono tree, Lance opened his blanketed arms, +enfolded the girl, and felt her for one brief moment tremble and +nestle in his bosom like some frightened animal. "Well," he said, +gayly, "what next?" Flip recovered herself. "You're safe now +anywhere outside the house. But did you expect them tonight?" +Lance shrugged his shoulders. "Why not?" "Hush!" returned the +girl; "they're coming this way." + +The four flickering, scattered lights presently dropped into line. +The trail had been found; they were coming nearer. Flip breathed +quickly; the spiced aroma of her presence filled the blanket as he +drew her tightly beside him. He had forgotten the storm that raged +around them, the mysterious foe that was approaching, until Flip +caught his sleeve with a slight laugh. "Why, it's Kennedy and +Bijah?" + +"Who's Kennedy and Bijah?" asked Lance, curtly. + +"Kennedy's the Postmaster and Bijah's the Butcher." + +"What do they want?" continued Lance. + +"Me," said Flip, coyly. + +"You?" + +"Yes; let's run away." + +Half leading, half dragging her friend, Flip made her way with +unerring woodcraft down the ravine. The sound of voices and even +the tumult of the storm became fainter, an acrid smell of burning +green wood smarted Lance's lips and eyes; in the midst of the +darkness beneath him gradually a faint, gigantic nimbus like a +lurid eye glowed and sank, quivered and faded with the spent breath +of the gale as it penetrated their retreat. "The pit," whispered +Flip; "it's safe on the other side," she added, cautiously skirting +the orbit of the great eye, and leading him to a sheltered nest of +bark and sawdust. It was warm and odorous. Nevertheless, they +both deemed it necessary to enwrap themselves in the single +blanket. The eye beamed fitfully upon them, occasionally a wave of +lambent tremulousness passed across it; its weirdness was an excuse +for their drawing nearer each other in playful terror. + +"Flip." + +"Well?" + +"What did the other two want? To see you, TOO?" + +"Likely," said Flip, without the least trace of coquetry. "There's +been a lot of strangers yer, off and on." + +"Perhaps you'd like to go back and see them?" + +"Do you want me to?" + +Lance's reply was a kiss. Nevertheless he was vaguely uneasy. +"Looks a little as if I were running away, don't it?" he suggested. + +"No," said Flip; "they think you're only a squaw; it's me they're +after." Lance smarted a little at this infelicitous speech. A +strange and irritating sensation had been creeping over him--it was +his first experience of shame and remorse. "I reckon I'll go back +and see," he said, rising abruptly. + +Flip was silent. She was thinking. Believing that the men were +seeking her only, she knew that their attention would be directed +from her companion when it was found out he was no longer with her, +and she dreaded to meet them in his irritable presence. + +"Go," she said, "tell Dad something's gone wrong in the diamond +pit, and say I'm watching it for him here." + +"And you?" + +"I'll go there and wait for him. If he can't get rid of them, and +they follow him there, I'll come back here and meet you. Anyhow, +I'll manage to have Dad wait there a spell." + +She took his hand and led him back by a different path to the +trail. He was surprised to find that the cabin, its window glowing +from the fire, was only a hundred yards away. "Go in the back way, +by the shed. Don't go in the room, nor near the light, if you can. +Don't talk inside, but call or beckon to Dad. Remember," she said, +with a laugh, "you're keeping watch of me for him. Pull your hair +down on your eyes so." This operation, like most feminine +embellishments of the masculine toilet was attended by a kiss, and +Flip, stepping back into the shadow, vanished in the storm. + +Lance's first movements were inconsistent with his assumed sex. He +picked up his draggled skirt, and drew a bowie knife from his boot. +From his bosom he took a revolver, turning the chambers noiselessly +as he felt the caps. He then crept toward the cabin softly and +gained the shed. It was quite dark but for a pencil of light +piercing a crack of the rude, ill-fitting door that opened on the +sitting-room. A single voice not unfamiliar to him, raised in +half-brutal triumph, greeted his ears. + +A name was mentioned--his own! His angry hand was on the latch. +One moment more and he would have burst the door, but in that +instant another name was uttered--a name that dropped his hand from +the latch and the blood from his cheeks. He staggered backward, +passed his hand swiftly across his forehead, recovered himself with +a gesture of mingled rage and despair, and, sinking on his knees +beside the door, pressed his hot temples against the crack. + +"Do I know Lance Harriott?" said the voice. "Do I know the d----d +ruffian? Didn't I hunt him a year ago into the brush three miles +from the Crossing? Didn't we lose sight of him the very day he +turned up yer at this ranch, and got smuggled over into Monterey? +Ain't it the same man as killed Arkansaw Bob--Bob Ridley--the name +he went by in Sonora? And who was Bob Ridley, eh? Who? Why, you +d----d old fool, it was Bob Fairley--YOUR SON!" + +The old man's voice rose querulous and indistinct. + +"What are ye talkin' about?" interrupted the first speaker. "I +tell you I KNOW. Look at these pictures. I found 'em on his body. +Look at 'em. Pictures of you and your girl. Pr'aps you'll deny +them. Pr'aps you'll tell me I lie when I tell you HE told me he +was your son; told me how he ran away from you; how you were livin' +somewhere in the mountains makin' gold, or suthin' else, outer +charcoal. He told me who he was as a secret. He never let on he +told it to any one else. And when I found that the man who killed +him, Lance Harriott, had been hidin' here, had been sendin' spies +all around to find out all about your son, had been foolin' you and +tryin' to ruin your gal as he had killed your boy, I knew that HE +knew it, too." + +"LIAR!" + +The door fell in with a crash. There was the sudden apparition of +a demoniac face, still half hidden by the long trailing black locks +of hair that curled like Medusa's around it. A cry of terror +filled the room. Three of the men dashed from the door and fled +precipitately. The man who had spoken sprang toward his rifle in +the chimney corner. But the movement was his last; a blinding +flash and shattering report interposed between him and his weapon. + +The impulse carried him forward headlong into the fire, that hissed +and spluttered with his blood, and Lance Harriott with his smoking +pistol, strode past him to the door. Already far down the trail +there were hurried voices, the crack and crackling of impending +branches growing fainter and fainter in the distance. Lance turned +back to the solitary living figure--the old man. + +Yet he might have been dead, too, he sat so rigid and motionless, +his fixed eyes staring vacantly at the body on the hearth. Before +him on the table lay the cheap photographs, one evidently of +himself, taken in some remote epoch of complexion, one of a child +which Lance recognized as Flip. + +"Tell me," said Lance hoarsely, laying his quivering hand on the +table, "was Bob Ridley your son?" + +"My son," echoed the old man in a strange, far-off voice, without +turning his eyes from the corpse--"My son--is--is--is there!" +pointing to the dead man. "Hush! Didn't he tell you so? Didn't +you hear him say it? Dead--dead--shot--shot!" + +"Silence! are you crazy, man?" repeated Lance, tremblingly; "that +is not Bob Ridley, but a dog, a coward, a liar gone to his +reckoning. Hear me! If your son WAS Bob Ridley, I swear to God I +never knew it, now or--or--THEN. Do you hear me? Tell me! Do you +believe me? Speak! You shall speak." + +He laid his hand almost menacingly on the old man's shoulder. +Fairley slowly raised his head. Lance fell back with a groan of +horror. The weak lips were wreathed with a feeble imploring smile, +but the eyes wherein the fretful, peevish, suspicious spirit had +dwelt were blank and tenantless; the flickering intellect that had +lit them was blown out and vanished. + +Lance walked toward the door and remained motionless for a moment, +gazing into the night. When he turned back again toward the fire +his face was as colorless as the dead man's on the hearth; the fire +of passion was gone from his beaten eyes; his step was hesitating +and slow. He went up to the table. + +"I say, old man," he said, with a strange smile and an odd, +premature suggestion of the infinite weariness of death in his +voice, "you wouldn't mind giving me this, would you?" and he took +up the picture of Flip. The old man nodded repeatedly. "Thank +you," said Lance. He went to the door, paused a moment, and +returned. "Good-by, old man," he said, holding out his hand. +Fairley took it with a childish smile. "He's dead," said the old +man softly, holding Lance's hand, but pointing to the hearth. +"Yes," said Lance, with the faintest of smiles on the palest of +faces. "You feel sorry for any one that's dead, don't you?" +Fairley nodded again. Lance looked at him with eyes as remote as +his own, shook his head, and turned away. When he reached the door +he laid his revolver carefully, and, indeed, somewhat ostentatiously, +upon a chair. But when he stepped from the threshold he stopped a +moment in the light of the open door to examine the lock of a small +derringer which he drew from his pocket. He then shut the door +carefully, and with the same slow, hesitating step, felt his way +into the night. + +He had but one idea in his mind, to find some lonely spot; some +spot where the footsteps of man would never penetrate, some spot +that would yield him rest, sleep, obliteration, forgetfulness, and, +above all, where HE would be forgotten. He had seen such places; +surely there were many,--where bones were picked up of dead men who +had faded from the earth and had left no other record. If he could +only keep his senses now he might find such a spot, but he must be +careful, for her little feet went everywhere, and she must never +see him again alive or dead. And in the midst of his thoughts, and +the darkness, and the storm, he heard a voice at his side, "Lance, +how long you have been!" + + . . . . . . + +Left to himself, the old man again fell into a vacant contemplation +of the dead body before him, until a stronger blast swept down like +an avalanche upon the cabin, burst through the ill-fastened door +and broken chimney, and, dashing the ashes and living embers over +the floor, filled the room with blinding smoke and flame. Fairley +rose with a feeble cry, and then, as if acted upon by some dominant +memory, groped under the bed until he found his buckskin bag and +his precious crystal, and fled precipitately from the room. Lifted +by this second shock from his apathy, he returned to the fixed idea +of his life,--the discovery and creation of the diamond,--and +forgot all else. The feeble grasp that his shaken intellect kept +of the events of the night relaxed, the disguised Lance, the story +of his son, the murder, slipped into nothingness; there remained +only the one idea, his nightly watch by the diamond pit. The +instinct of long habit was stronger than the darkness or the onset +of the storm, and he kept his tottering way over stream and fallen +timber until he reached the spot. A sudden tremor seemed to shake +the lambent flame that had lured him on. He thought he heard the +sound of voices; there were signs of recent disturbance,-- +footprints in the sawdust! With a cry of rage and suspicion, +Fairley slipped into the pit and sprang toward the nearest opening. +To his frenzied fancy it had been tampered with, his secret +discovered, the fruit of his long labors stolen from him that very +night. With superhuman strength he began to open the pit, +scattering the half-charred logs right and left, and giving vent to +the suffocating gases that rose from the now incandescent charcoal. +At times the fury of the gale would drive it back and hold it +against the sides of the pit, leaving the opening free; at times, +following the blind instinct of habit, the demented man would fall +upon his face and bury his nose and mouth in the wet bark and +sawdust. At last, the paroxysm past, he sank back again in his old +apathetic attitude of watching, the attitude he had so often kept +beside his sylvan crucible. In this attitude and in silence he +waited for the dawn. + +It came with a hush in the storm; it came with blue openings in the +broken up and tumbled heavens; it came with stars that glistened +first, and then paled, and at last sank drowning in those deep +cerulean lakes; it came with those cerulean lakes broadening into +vaster seas, whose shores expanded at last into one illimitable +ocean, cerulean no more, but flecked with crimson and opal dyes; it +came with the lightly lifted misty curtain of the day, torn and +rent on crag and pine top, but always lifting, lifting. It came +with the sparkle of emerald in the grasses, and the flash of +diamonds in every spray, with a whisper in the awakening woods, and +voices in the traveled roads and trails. + +The sound of these voices stopped before the pit, and seemed to +interrogate the old man. He came, and, putting his finger on his +lips, made a sign of caution. When three or four men had descended +he bade them follow him, saying, weakly and disjointedly, but +persistently: "My boy--my son Robert--came home--came home at last-- +here with Flip--both of them--come and see!" + +He had reached a little niche or nest in the hillside, and stopped +and suddenly drew aside a blanket. Beneath it, side by side, lay +Flip and Lance, dead, with their cold hands clasped in each +other's. + +"Suffocated!" said two or three, turning with horror toward the +broken up and still smouldering pit. + +"Asleep!" said the old man. "Asleep! I've seen 'em lying that way +when they were babies together. Don't tell me! Don't say I don't +know my own flesh and blood! So! so! So, my pretty ones!" He +stooped and kissed them. Then, drawing the blanket over them +gently, he rose and said softly, "Good night!" + + + + + +End of Project Gutenberg Etext Flip: A California Romance, by Bret Harte + diff --git a/old/flpcr10.zip b/old/flpcr10.zip Binary files differnew file mode 100644 index 0000000..0902560 --- /dev/null +++ b/old/flpcr10.zip |
