summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:35:53 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:35:53 -0700
commit9f2065ed1849a6e28f3ed8ace8305b307a04ffa7 (patch)
treed6db49c4155147d2695dad5ee281d36e1b146996
initial commit of ebook 27700HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--27700-8.txt1515
-rw-r--r--27700-8.zipbin0 -> 18712 bytes
-rw-r--r--27700-h.zipbin0 -> 23116 bytes
-rw-r--r--27700-h/27700-h.htm1792
-rw-r--r--27700-page-images/p001.pngbin0 -> 14872 bytes
-rw-r--r--27700-page-images/p002.pngbin0 -> 5363 bytes
-rw-r--r--27700-page-images/p003.pngbin0 -> 8764 bytes
-rw-r--r--27700-page-images/p004.pngbin0 -> 864 bytes
-rw-r--r--27700-page-images/p005.pngbin0 -> 1582 bytes
-rw-r--r--27700-page-images/p006.pngbin0 -> 911 bytes
-rw-r--r--27700-page-images/p007.pngbin0 -> 17845 bytes
-rw-r--r--27700-page-images/p008.pngbin0 -> 881 bytes
-rw-r--r--27700-page-images/p009.pngbin0 -> 1332 bytes
-rw-r--r--27700-page-images/p010.pngbin0 -> 1520 bytes
-rw-r--r--27700-page-images/p011.pngbin0 -> 12757 bytes
-rw-r--r--27700-page-images/p012.pngbin0 -> 15285 bytes
-rw-r--r--27700-page-images/p013.pngbin0 -> 7362 bytes
-rw-r--r--27700-page-images/p014.pngbin0 -> 12311 bytes
-rw-r--r--27700-page-images/p015.pngbin0 -> 9513 bytes
-rw-r--r--27700-page-images/p016.pngbin0 -> 13671 bytes
-rw-r--r--27700-page-images/p017.pngbin0 -> 13096 bytes
-rw-r--r--27700-page-images/p018.pngbin0 -> 7060 bytes
-rw-r--r--27700-page-images/p019.pngbin0 -> 10781 bytes
-rw-r--r--27700-page-images/p020.pngbin0 -> 10493 bytes
-rw-r--r--27700-page-images/p021.pngbin0 -> 12582 bytes
-rw-r--r--27700-page-images/p022.pngbin0 -> 8147 bytes
-rw-r--r--27700-page-images/p023.pngbin0 -> 12253 bytes
-rw-r--r--27700-page-images/p024.pngbin0 -> 8109 bytes
-rw-r--r--27700-page-images/p025.pngbin0 -> 13028 bytes
-rw-r--r--27700-page-images/p026.pngbin0 -> 6316 bytes
-rw-r--r--27700-page-images/p027.pngbin0 -> 12639 bytes
-rw-r--r--27700-page-images/p028.pngbin0 -> 8315 bytes
-rw-r--r--27700-page-images/p029.pngbin0 -> 11649 bytes
-rw-r--r--27700-page-images/p030.pngbin0 -> 13445 bytes
-rw-r--r--27700-page-images/p031.pngbin0 -> 14418 bytes
-rw-r--r--27700-page-images/p032.pngbin0 -> 7205 bytes
-rw-r--r--27700-page-images/p033.pngbin0 -> 12839 bytes
-rw-r--r--27700-page-images/p034.pngbin0 -> 12154 bytes
-rw-r--r--27700-page-images/p035.pngbin0 -> 8754 bytes
-rw-r--r--27700-page-images/p036.pngbin0 -> 9271 bytes
-rw-r--r--27700-page-images/p037.pngbin0 -> 10143 bytes
-rw-r--r--27700-page-images/p038.pngbin0 -> 12695 bytes
-rw-r--r--27700-page-images/p039.pngbin0 -> 6748 bytes
-rw-r--r--27700-page-images/p040.pngbin0 -> 12545 bytes
-rw-r--r--27700-page-images/p041.pngbin0 -> 9944 bytes
-rw-r--r--27700-page-images/p042.pngbin0 -> 11967 bytes
-rw-r--r--27700-page-images/p043.pngbin0 -> 12277 bytes
-rw-r--r--27700-page-images/p044.pngbin0 -> 13843 bytes
-rw-r--r--27700-page-images/p045.pngbin0 -> 7165 bytes
-rw-r--r--27700-page-images/p046.pngbin0 -> 13337 bytes
-rw-r--r--27700-page-images/p047.pngbin0 -> 8396 bytes
-rw-r--r--27700-page-images/p048.pngbin0 -> 12479 bytes
-rw-r--r--27700-page-images/p049.pngbin0 -> 7159 bytes
-rw-r--r--27700-page-images/p050.pngbin0 -> 8945 bytes
-rw-r--r--27700-page-images/p051.pngbin0 -> 13138 bytes
-rw-r--r--27700-page-images/p052.pngbin0 -> 10206 bytes
-rw-r--r--27700-page-images/p053.pngbin0 -> 19756 bytes
-rw-r--r--27700-page-images/p054.pngbin0 -> 12366 bytes
-rw-r--r--27700-page-images/p055.pngbin0 -> 10460 bytes
-rw-r--r--27700-page-images/p056.pngbin0 -> 8271 bytes
-rw-r--r--27700-page-images/p057.pngbin0 -> 12661 bytes
-rw-r--r--27700.txt1515
-rw-r--r--27700.zipbin0 -> 18720 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
66 files changed, 4838 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/27700-8.txt b/27700-8.txt
new file mode 100644
index 0000000..d2d160a
--- /dev/null
+++ b/27700-8.txt
@@ -0,0 +1,1515 @@
+The Project Gutenberg eBook of The Rose-Jar, by Thomas S. (Thomas Samuel)
+Jones
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Rose-Jar
+
+
+Author: Thomas S. (Thomas Samuel) Jones
+
+
+
+Release Date: January 4, 2009 [eBook #27700]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE ROSE-JAR***
+
+
+E-text prepared by Juliet Sutherland, Barbara Tozier, and the Project
+Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)
+
+
+
+THE ROSE-JAR
+
+by
+
+THOMAS S. JONES, JR.
+
+Author of _The Path o' Dreams_, etc.
+
+
+
+
+
+
+
+[Illustration]
+
+
+Clinton, New York
+George William Browning
+
+Copyrighted 1906 by Thomas S. Jones, Jr.
+
+
+The author desires to thank the editors of Appleton's Magazine,
+Everybody's Magazine, Lippincott's Magazine, The New York Times, The
+Smart Set, and the other publications in which the verses in this
+collection originally appeared, for their kind permission to reprint.
+
+
+
+
+_This Edition of_ The Rose-Jar _Printed by George William Browning at
+Clinton New York during the Summer of 1906 consists of Three Hundred
+copies on Deckle-Edged Paper, with Twelve additional copies on
+Imperial Japan Vellum (Insetsu Kioku)._
+
+ _NUMBER 258_
+
+ [Illustration: Author's signature]
+
+
+
+
+To the Memory of My Mother
+
+
+
+
+CONTENTS
+
+
+ As in a Rose-Jar
+ The Island
+ You and I
+ A Ballade of Old Romance
+ A Voice from the Far Away
+ April
+ A Yesterday
+ Violets
+ A Song of Life
+ As a Still Brook
+ At the Window
+ A Sea Spell
+ The Silent Country
+ The Sport of a God
+ Remembrance
+ In Days of Old
+ We Once Built a House o' Dreams
+ A Song of the Way
+ In Trinity Church-Yard at Sunset
+ Where Cross-Roads Part
+ Saida
+ In Arcady
+ The Summer Rain
+ Impression
+ Derelicts
+ The End of the Day
+ Tristesse
+ Interlude
+ To You, Dear Heart
+ Twilight
+ The Poet
+ The Hunchback
+ The Little Ghosts
+ I Know a Quiet Vale
+ Song
+ Immutability
+ In the Fall o' Year
+ Love's Song
+ The Golden Hour
+ The Dream-Way
+ The Spirit of Autumn
+ On the Long Road
+ A Postlude
+ An Old Song
+ Old Roses
+
+
+
+
+_The Rose-Jar_
+
+
+
+
+As in a Rose-Jar
+
+
+ As in a rose-jar filled with petals sweet
+ Blown long ago in some old garden place,
+ Mayhap, where you and I, a little space,
+ Drank deep of love and knew that love was fleet--
+ Or leaves once gathered from a lost retreat
+ By one who never will again retrace
+ Her silent footsteps--one, whose gentle face
+ Was fairer than the roses at her feet;
+
+ So, deep within the vase of memory,
+ I keep my dust of roses fresh and dear
+ As in the days before I knew the smart
+ Of time and death. Nor aught can take from me
+ The haunting fragrance that still lingers here--
+ As in a rose-jar, so within my heart!
+
+
+
+
+The Island
+
+
+ There is an island in the silent sea,
+ Whose marge the wistful waves lap listlessly--
+ An isle of rest for those who used to be.
+
+ For ne'er an echo wakes that towering wall,
+ Whose blackened crags answer none other call
+ Save the lone ocean's rhythmic rise and fall.
+
+ Only the song the sea sings as she laves
+ That sleep-bound shore with sad caressing waves,
+ The while the dead sleep sweeter in their graves.
+
+ 'Tis oh! so still they sleep within each tomb,
+ Cool in long shadows of the cypress gloom,
+ Breathing in death the moon-flower's rank perfume.
+
+ They know not when slow barges on the mere
+ Enter the portals of that place austere--
+ Enter and so forever disappear!
+
+ And in this island of a silent sea,
+ Whose marge e'er wistful waves lap listlessly,
+ Is rest,--is peace for all eternity.
+
+
+
+
+You and I
+
+
+ Over the hills where the pine-trees grow,
+ With a laugh to answer the wind at play.
+ Why do I laugh? I do not know,
+ But you and I once passed this way.
+
+ Down in the hollow now white with snow
+ My heart is singing a song today.
+ Why do I sing? I do not know,
+ But you and I were here in May.
+
+
+
+
+A Ballade of Old Romance
+
+
+ When April spreads her mantle green
+ Across the pasture-lands of snow,
+ And Spring's first scarlet breasts are seen
+ Where treetops rustle to and fro;
+ Then come fair fragrant dreams as though
+ Our lightest fancy to entrance
+ And paint us what we fain would know
+ Adown the lanes of Old Romance.
+
+ Anon, we see the golden sheen
+ Of burnished mail the sunbeams throw,
+ Flashing the poplars tall between,
+ As knights ride by to meet the foe;
+ Or, mayhap, shepherd lads who blow
+ On slender pipes, a pastoral dance--
+ Ah, strong were they in weal and woe
+ Adown the lanes of Old Romance!
+
+ But now the vast years intervene,
+ The fountain long has ceased its flow,
+ And silence rules the lone demesne
+ That once held such a goodly show;
+ Yet time, at least, does this bestow
+ Nor leave the best to fleeting chance--
+ They live again in fancy's glow
+ Adown the lanes of Old Romance.
+
+
+ ENVOY
+
+ Sweet, still for us some blossoms grow
+ From out that dim and dear expanse--
+ Come, take my hand and we shall go
+ Adown the lanes of Old Romance!
+
+
+
+
+A Voice From the Far Away
+
+
+ I heard a voice from the far away
+ Softly say this to me--
+ "You will find the heart of the world some day
+ And the why of the things that be;
+ You will see the grief of the yea and nay
+ And the price of frailty.
+
+ "And upon your lute you will weave a theme
+ Which the world will harken and know;
+ For every note of the song will teem
+ With a great soul's overflow--
+ You will speak the meaning within a dream
+ And the pain in the afterglow.
+
+ "But for all of this there's a price--
+ 'Tis the price of minstrelsy--
+ You will never have of the things you play,
+ Sad singer of poetry,
+ And throughout your life you will go for aye,
+ Heart-hungry and silently!"
+ I heard a voice from the far away
+ Softly say this to me.
+
+
+
+
+April
+
+
+ Throughout the vale again Narcissus cries
+ And Echo answers from her dark retreat,
+ While Zephyr heavy-laden with the sweet,
+ Fresh scent of blooms across the pasture hies;
+ Above, the blueness of the April skies,
+ Matched by the lure unto the wandering feet
+ That e'er must go ere Spring could be complete
+ To the green wood where laughing Eros lies.
+
+ O April lover, hear the pipes that call,
+ The pipes of Pan a-blowing lustily,
+ They call to you and me, and he who hears
+ Must ever after be Young April's thrall--
+ So, faring thus together, we shall see
+ The Islands of the Blest between the Spheres!
+
+
+
+
+A Yesterday
+
+
+ I held you in my arms--so happy I,
+ Who quite forgot the while that moments fly;
+ Nor ever dreamed that they could pass away,
+ Till it was yesterday.
+
+ Yet, just because that hour was long ago
+ And seems to me so near--well, this I know
+ That sometime I shall clasp your hand and say:
+ Was there a yesterday?
+
+
+
+
+Violets
+
+
+ 'Twas just at sundown, when the leaves were wet
+ With evening dew,
+ Far in the fields where sky and violet
+ Blend rifts of blue--
+
+ But for a moment, deep among the flowers
+ And rain-sweet grass,
+ I saw her--loved her--and as April showers
+ Beheld her pass.
+
+ O, the lone vastness of the afterglow,
+ Unknown before;
+ Shall e'er I see that face where violets grow,
+ Perchance, once more!
+
+ Yet no one comes save night, with wild regrets
+ And silent pain--
+ Only sometimes the scent of violets
+ On wind-blown rain.
+
+
+
+
+A Song of Life
+
+
+ _What if the song is sung, I say,
+ As long as the song was sung!_
+
+ Did we not meet with the blood's best play
+ The lash of the winds and the rain that stung,
+ And the tang of the salty spray?
+
+ Did we not drink the last drop that clung
+ To the golden bowl with its glowing fire,
+ Yet so cool to our burning tongue?
+
+ Did we not love with a love entire
+ That made up for all and a world of clay
+ In a moment of wild desire?
+
+ _What if the song is sung, I say,
+ As long as the song was sung!_
+
+
+
+
+As a Still Brook
+
+
+ As a still brook within the woodland's green
+ Sings softly to itself the live-long day,
+ Unconscious of its gentle roundelay,
+ Its open purity and silver sheen--
+ Knowing not how in all that wild demesne,
+ Its music is a strain the angels play
+ And its fair face a jewel amid the gray,
+ Beshadowed places that it flows between;
+
+ So your dear love, a simple forest stream,
+ Bearing the wealth of all that life can hold,--
+ Nor ever dreaming of the worth that lies
+ Deep in your heart--why, you have made it seem
+ That every empty hour is wrought of gold
+ And this tear-sodden world, a Paradise!
+
+
+
+
+At the Window
+
+
+ I looked out of my window tall
+ And laughed to see the May,
+ For everything both great and small
+ Was on a holiday.
+
+ Then Love came by and laughed at me,
+ And I forgot the Spring--
+ Only I knew the ecstasy
+ Of madly listening.
+
+ And now the branches all again
+ Are red with vernal May,
+ But tears have dimmed the window-pane--
+ And no one comes my way.
+
+
+
+
+A Sea Spell
+
+
+ The sunset sea--a goblet thick inlaid
+ With jewels wrought in golden filigree,
+ An opal from some elfin treasury
+ Burning with fire and flashing every shade;
+ While round the dim horizon, wide displayed
+ The clouds pile up their largess tenderly
+ As if to clothe the beauty of the sea
+ In filmy gossamer and soft brocade.
+
+ And far away I think I almost hear
+ A horn's faint echo through the dusk-hour's veil
+ As in the happy, golden days of yore--
+ Mayhap, e'en now upon this magic mere
+ Frail shallops will flit by and mermaids pale
+ Will lure us back to fairy-land once more!
+
+
+
+
+The Silent Country
+
+
+ Wave, wave sweet blooms of May and on your wings
+ Bear me away with drowsy winnowings
+ To some far twilight land where steals a stream
+ From out the cool and soundless groves of Dream.
+
+ For in the Spring is such a bitter smart
+ Even the thought of it will break my heart,
+ So take me softly to a leafy bed
+ Where I shall dream and dream you are not dead!
+
+
+
+
+The Sport of a God
+
+
+ Though they say Jove laughs at the lover's vow--
+ At the lover's vow that must break some day--
+ Still we smiled as we loved in a distant May
+ When the blooms were heavy upon the bough.
+
+ O, the mocking difference of then and now!
+ It isn't a thought that will make one gay,
+ Though they say Jove laughs at the lover's vow--
+ At the lover's vow that must break some day.
+
+ Yet, perhaps, the god knows the best way how
+ To carry a mask when the feet are clay;
+ So I too shall laugh at the merry play,
+ For down in his heart there's a knife, I trow,
+ Though they say Jove laughs at the lover's vow.
+
+
+
+
+Remembrance
+
+
+ Sweet rosemary within the lane
+ The while the day is warm and clear,
+ And ne'er a thought of bitter rain
+ Or the road-side sere.
+
+ But there are flowers more dear to me
+ That time can never set apart--
+ The fragrant blooms of memory
+ That grow within the heart.
+
+
+
+
+In Days of Old
+
+
+ Of all the ages' gain, the ages' loss,
+ A wealth of wonders and so much away--
+ When now hears one the woodland elves at play,
+ Or angry dryads where tall tree-tops toss.
+ No more they lightly tread the dewy moss
+ As danced they through cool haunts in ecstasy;
+ But rank and lost the paths in lone decay
+ Where fairy footsteps once were wont to cross.
+
+ O, happy Greeks, who knew the gods so well,
+ To you I burn my sacrificial fire!
+ Again reveal the mystic hidden rune
+ Whereby to find the slopes of asphodel--
+ Ah, then to hear Apollo charm his lyre
+ And see Diana 'neath the sickle moon.
+
+
+
+
+We Once Built a House o' Dreams
+
+
+ We once built a house o' dreams
+ At the break o' day
+ Made from out the first gold beams
+ On the sward astray.
+
+ Little did we think or care
+ 'Twas not safe nor strong;
+ We were very happy there
+ And the day was long.
+
+ Now we leave our house o' dreams,
+ Why, we do not know;
+ Only this--so strange it seems
+ And so hard to go!
+
+
+
+
+A Song of the Way
+
+
+ Give me the road, the great broad road,
+ That wanders over the hill;
+ Give me a heart without a care
+ And a free, unfettered will--
+ Ah, thus to journey, thus to fare,
+ With only the skies to frown,
+ And happy I, if the ways but lie
+ Away, away from the town.
+
+ Give me the path, the wild-wood path
+ That wanders deep in a dell,
+ Where silence sleeps and sunbeams fain
+ Would waken the slumber spell--
+ For there the gods find the world again,
+ Immortals of ancient lore,
+ And time is gone, and a mad-glad faun
+ Knows the glades of Greece once more.
+
+
+
+
+In Trinity Church-Yard at Sunset
+
+
+ How still they sleep within the city moil
+ In their old church-yard with its sighing trees,
+ Where sometimes through the din a twilight breeze
+ Makes one forget the busy streets of toil;
+ But they have little thought of worldly spoil
+ Or the great gain of mortal victories,
+ Their hopes, their dreams, are cold and dead as these
+ Quaint, time-worn gravestones crumbling on the soil.
+
+ Yet they once lived and struggled years ago;
+ Their hearts beat madly as these hearts of ours--
+ And now is all undone in dreamless rest?
+ See, a great city stands against the glow--
+ Their city, they who here beneath the flowers
+ Have known so long God's gift of peace, most blest!
+
+
+
+
+Where Cross-Roads Part
+
+
+ Glad roads of Spring--O lanes of laughing May
+ As fleeting as the shadow-clouds at play
+ With sunbeams rife upon the grassy green;
+ O golden lanes--through roads that lie between
+ Amid what darkened sweep lost I the way?
+
+ Or was't the stripling Youth, whose roundelay
+ Awoke the echoes of the throbbing day
+ And changed to gladness all the world's dull mien,
+ Glad roads of Spring?
+
+ Apart I stand, distraught with lone dismay,
+ No more Youth's gladsome biddings to obey,
+ No more with him Love's strewings lost to glean;
+ The hills of years now ever intervene,
+ And bid me say good-bye to you for aye,
+ Glad roads of Spring!
+
+
+
+
+Saida
+
+
+ We passed along the high-road, you and I,
+ Though I remember not the place nor when;
+ Only the wonder of your face, and then
+ That you passed by.
+
+ But that was long ago, and I forget;
+ Perhaps 'twere better that I went alone,
+ You might not e'er have loved me had you known,
+ And yet, and yet--
+
+
+
+
+In Arcady
+
+
+ Although 'tis but a memory,
+ Still in the days of long ago
+ We tended sheep in Arcady.
+
+ Then were we both of fancy free
+ And laughing Youth had much to show,
+ Although 'tis but a memory.
+
+ Again the pasture lands we see
+ Where in the golden summer glow
+ We tended sheep in Arcady.
+
+ And hear the tender harmony
+ Of shepherd pipes that softly blow,
+ Although 'tis but a memory.
+
+ Nor thought of any end had we
+ As through the grasses to and fro
+ We tended sheep in Arcady.
+
+ So, what if life now empty be,
+ Of all the past this do we know,
+ Although 'tis but a memory,
+ We tended sheep in Arcady!
+
+
+
+
+The Summer Rain
+
+
+ As one who listens to the summer rain
+ Against the roof when all the night is still,
+ Save for the wind beneath the window-sill,
+ Crooning its homely, comforting refrain,--
+ And listening feels that neither joy nor pain
+ Can trouble now--only the faint sweet thrill
+ Of drowsiness and peace and rest until
+ The barque glides softly into sleep's domain;
+
+ So I, whose empty way leads wandering
+ Between high garden-walls that hide the sun,
+ Hear sometimes on the breeze a simple strain
+ Of an old song you once were wont to sing--
+ And then forgetting all, I seem as one
+ Who listens spell-bound to the summer rain.
+
+
+
+
+Impression
+
+
+ A little stone o'ercrept with moss,
+ And red wild roses flaunting by,
+ A wistful breeze that seems to sigh
+ Where the tall grasses toss.
+
+ To sigh for one who went away,
+ Thus it is writ upon the stone--
+ Nothing can ever make atone
+ And tears shall fall for aye.
+
+ Oh, irony of human vow,
+ Even the stone is crumbling too,
+ And tears,--none save the evening dew,
+ For who remembers now?
+
+
+
+
+Derelicts
+
+
+ A year, a year, and then to miss
+ That which was all in all for aye;
+ O Love as fleeting as your kiss,
+ O Love forever and a day,
+ To this.
+
+ How such a change in one short year,
+ I cannot, cannot understand;
+ Oh, why to cast upon Love's bier,
+ Whose name was written in the sand,
+ This tear?
+
+ Why, when the fields were red with May
+ When you and I together swore;
+ Is May so very far away,
+ Was all so different then, before
+ Today?
+
+ And did the gods above then smile
+ When we believed that love would last,
+ Counting its heart-beats on the dial
+ Of hours that have too soon slipped past,
+ The while.
+
+ Two boats upon a sea of glass--
+ A little strength, a little trust;
+ Yet let the hand of Fate but pass,
+ Could they withstand the storm-cloud's gust,
+ Alas!
+
+ So, though not knowing, yet must I
+ Forget one day and feel no more
+ Your love, which dreamed not e'er to die.
+ Thank God for that--I close my door.
+ Good-bye.
+
+
+
+
+The End of the Day
+
+
+ The day is done and every hour is spent
+ And now it lies a-dying in the west,
+ Yet with what wonder those last moments blest
+ Crown all with the chaste kiss of sweet content;
+ For nature's minstrels sing a carol pent
+ With the soft music of the spheres suppressed
+ In one great strain--the while upon night's breast
+ The dying day sinks down in languishment.
+
+ And in those last faint breaths as 'twere in sooth
+ The halo of some saint, a glowing light
+ Of purest gold streams through the darkened sky,
+ A light more wondrous than the dawn of youth--
+ For 'tis a flame cleft out the veil of night
+ From that eternal dawn that ne'er can die!
+
+
+
+
+Tristesse
+
+
+ If you were not away
+ These trees, this south-wind and this dreary day
+ Would all be mad with joyous ecstasy;
+ But you are gone, so mourning they with me
+ Find bitter-sweet in idle fantasy.
+ How glad, how mad, how gay,
+ If you were not away!
+
+
+
+
+Interlude
+
+
+ Sometimes from out the rush of pulsing days,
+ These days whose poetry was lost in prose
+ So long ago, left desolate on those
+ Far childhood paths--yet, sometimes from the haze
+ Of half-forgotten years, fall on our ways
+ Now drear, a strain of song, a June-blown rose.
+ Ah, sweet, so sweet unto a heart that knows
+ The memory of once-remembered Mays!
+
+ Only a moment's interlude, and yet
+ How the heart quaffs the draught that thrills and thrills
+ Its soul, finding again youth's mysteries.
+ What matter if tomorrow we forget--
+ Today the stillness of the sun-lit hills
+ And the low drowsy hum of summer bees!
+
+
+
+
+To You, Dear Heart
+
+
+ To you, dear heart, whom I have never known
+ I sing my little songs all wonderingly
+ That sometime you may hear,--the sweet atone
+ For all the years and years of search alone--
+ That sometime you may hear and come to me.
+
+ So on I go a-singing down my way
+ With ne'er a thought of all the journey past,
+ For this I know--that on one perfect day
+ When everything is, oh, so glad and gay,
+ You'll hear and come and claim your own, at last.
+
+
+
+
+Twilight
+
+
+ When twilight falls and all the land is still,
+ The purple shadows steal across the hill,
+ And one lone star above a pine-tree's crest
+ Shines ever brighter, while from out its nest
+ There breaks the low cry of the whip-poor-will.
+
+ And softly grows the ladened hush until
+ E'en winds list o'er the fields of daffodil
+ They all day wafted,--'tis so sweet to rest
+ When twilight falls.
+
+ Let not one drop of this rare nectar spill,
+ But with the beryl wine your goblet fill.
+ Drink with me, Love, the golden of the west,
+ For all is made for love and love is best,--
+ And, oh, the wonder of the moment's thrill
+ When twilight falls!
+
+
+
+
+The Poet
+
+
+ For one great Queen who sits in majesty,
+ Untouched, austere, upon a golden throne,
+ The like whose loveliness was never known
+ Of ebony and rose and ivory,--
+ For her you weave a broidered tapestry,
+ Rife with rich stains of every color-tone
+ Inwrought; while she immovable as stone
+ But watches pitiless and silently.
+
+ Yet, should this Queen of Beauty lift her arm
+ And take your broidered web,--ah, then the prize,
+ The vast reward of all the scars and shame,
+ For in the moment as a mystic charm
+ The cloth is changed to porphyry, and lies
+ Forever on her breast a frozen flame!
+
+
+
+
+The Hunchback
+
+
+ He never knew the golden thrall of youth,
+ The ringing step, the rumpled wind-tossed hair,
+ The reckless laugh untouched of pain or ruth,--
+ Youth without pity and without a care.
+
+ Not his the swift lithe strength that ever slays,
+ And in its joyous slaying doubly sweet,
+ Like some young god adown immortal ways,
+ Crushing the blossoms 'neath unheeding feet.
+
+ A twisted back, a face year-scarred and grim,
+ A very mockery to love's caress,
+ These were the only birthright given him,--
+ What should he know, except of ugliness?
+
+ But in his fettered heart in longing pent
+ A wealth of tenderness and, stranger too,
+ Youth full of pity,--ah, the wonderment,--
+ He never knew, and yet how well he knew!
+
+
+
+
+The Little Ghosts
+
+
+ Where are they gone, and do you know
+ If they come back at fall o' dew,
+ The little ghosts of long ago,
+ That long ago were you?
+
+ And all the songs that ne'er were sung,
+ And all the dreams that ne'er came true,
+ Like little children dying young,--
+ Do they come back to you?
+
+
+
+
+I Know a Quiet Vale
+
+
+ I know a quiet vale where faint winds blow
+ The silver poplar branches all awry,
+ And ne'er another sound comes drifting by
+ Save where the stream's cool waters softly flow;
+ Wild roses riot there and violets throw
+ Their perfume recklessly, the while on high
+ Great snowy clouds pillow the smiling sky
+ And cast frail shadows on the grass below.
+
+ All is the same, the summer stillness dreams
+ In idleness across the sunny leas,
+ Until for very drowsiness it seems
+ The wind has gone to sleep within the trees--
+ Yet we once laughed at what the years might bring,
+ And now I am alone, remembering.
+
+
+
+
+Song
+
+
+ Blurred is the moon in a yellow stain,
+ And the clouds are flying before the wind,
+ The leaves fall fast in a ghostly rain,--
+ Summer is left behind.
+
+ And left behind the long nights of June,
+ When the lights were soft in the waters' shine--
+ Softer your lips when they first met mine--
+ Blurred is the Autumn moon.
+
+ _Blurred is the moon in a yellow stain,
+ And oh, for the warmth of your arms again!_
+
+
+
+
+Immutability
+
+
+ Within your hands you hold the wealth of years,
+ Old Time,--yes, all the gold of yesterday,
+ All of love's sunshine and the bitter gray
+ Of tears--oh, the great multitude of tears;
+ For everything is yours within the spheres
+ To give or take, or break, or keep for aye,
+ Nor heed you e'en one wild cry of dismay,
+ But gather on until all disappears.
+
+ Yet love is sweet and we are not so old,
+ Nor did the gods mean us to separate.
+ O Time you cannot take my love from me,
+ Life has so much, so very much to hold
+ For each,--I must not dream it is too late
+ And that we'll dwell no more in Arcady.
+
+
+
+
+In the Fall o' Year
+
+
+ I went back an old-time lane
+ In the fall o' year,
+ There was wind and bitter rain
+ And the leaves were sere.
+
+ Once the birds were lilting high
+ In a far-off May--
+ I remember, you and I
+ Were as glad as they.
+
+ But the branches now are bare
+ And the lad you knew,
+ Long ago was buried there--
+ Long ago with you!
+
+
+
+
+Love's Song
+
+
+ If I had never known
+ How far would I have wandered wistfully alone,
+ Hearing no echo of that wondrous song
+ Whose music lingers long.
+
+ Beside whose sweetness pale
+ Even the soft notes of the nightingale,
+ Whose theme is wrought of laughter and of tears
+ From all the deathless years.
+
+ Ah, better thus by far
+ To once have felt the barriers unbar,
+ And known the moment in a rapt surprise
+ The song of Paradise!
+
+
+
+
+The Golden Hour
+
+
+ The winds may blow, the sleet may dash the pane
+ And all our lonely road be clothed in gray,
+ Yet what care we how dark may be the way,
+ Or whether e'er we see the sun again;
+ On shall we journey through the stinging rain,
+ Our glad hearts beating to a roundelay
+ Learned long ago in one great, joyous day,
+ When we first knew we had not lived in vain.
+
+ We two have lived, we drank the ruddy wine
+ And felt the wonder of its burning kiss--
+ Let come what may there is no earthly power
+ Can take away that rapture, yours and mine.
+ Others may weep, who would give all for this,
+ To find what we have found--the golden hour!
+
+
+
+
+The Dream-Way
+
+
+ It did not look so far, and yet, and yet,
+ The moments were so easy to forget,
+ For now without your hand to guide, it seems
+ I seek in vain to find a way of dreams.
+
+ A moon-lit path between aspiring trees,
+ 'Neath wind-blown leaves rustling in harmonies,
+ A little song that I may never sing--
+ But oh, the wondrous memory lingering.
+
+ And though I never may return until
+ I clasp your hand beyond these years, why still
+ There is one guide the path of life along--
+ A fleeting end of dream-remembered song.
+
+
+
+
+The Spirit of Autumn
+
+
+ Where the winds low list and the leafless trees
+ Stand gaunt and gray 'gainst the sullen sky,
+ The naked boughs whisper melodies
+ Of Summer spent and of Spring gone by--
+ Of days once glad that are gone forever,
+ Of lips once true that will answer never,
+ Of life and love that are but as these
+ Dead leaves of Autumn grown withered and dry.
+
+ But a spirit haunts in the moon's pale glow
+ And all is changed as she sings a strain,
+ While the night winds hearken and lightly blow
+ Her loose-bound hair in a raven-rain--
+ And bear her song to the distant closes,
+ Where many a longing heart reposes,
+ Waking old love-dreams that overflow
+ In a rapturous joy and wistful pain.
+
+ Ah, that song 'tis sweet as the pipes of Pan,
+ Or faint lutes sounding in Arcady
+ Through the purple dawn,--yea, far sweeter than
+ The music that wafts from a Southern sea!
+ Beneath its spell the wastes bloom in flowers,
+ And back again come the vanished hours,
+ For she who sings to the soul of man
+ Is the Autumn spirit of memory.
+
+
+
+
+On The Long Road
+
+
+ Ah, many were they then of yesterday,
+ Who bore me gifts of attar and of myrrh,
+ And leaves of roses delicate that were
+ Sprung from a garden-close in far Cathay;
+ While I, unheeding, let them pass their way
+ Nor cared for all the gifts they might confer,
+ Watching in vain for one dear loiterer,
+ Who never dreamed adown my path to stray.
+
+ And now out in the lonely road I stand,
+ Where echoes drearily the ceaseless tread
+ Of stranger footsteps, slow and burdensome--
+ I am forgot and empty is each hand,
+ Save for the dust of roses witherèd,
+ Yet still I wait for you who never come.
+
+
+
+
+A Postlude
+
+
+ If only in your life to live, might I
+ Perchance those broken chords with my own meet,
+ Though quite imperfect, yet but thus to try
+ Were oh, so wondrous sweet.
+
+ Not the broad high-roads which you would have trod,
+ A lonely wanderer these may not essay,
+ Still, spirit mine, the by-paths that I plod
+ Do lead the selfsame way.
+
+ And if a little part I should fulfil
+ Of those fair deeds which you hoped to pursue--
+ Oh, how content to walk the miles until
+ I reach my home and you.
+
+
+
+
+An Old Song
+
+
+ Low blowing winds from out a midnight sky,
+ The falling embers and a kettle's croon--
+ These three, but oh what sweeter lullaby
+ Ever awoke beneath the winter's moon.
+
+ We know of none the sweeter, you and I,
+ And oft we've heard together that old tune--
+ Low blowing winds from out a midnight sky,
+ The falling embers and a kettle's croon.
+
+
+
+
+Old Roses
+
+
+ Spirit of old-time roses, when the glow
+ Of eventide steals softly through the trees
+ Like rosy petals falling, and the breeze
+ Grows hushed until it sings a love-song, low
+ And sweet and tender, then I seem to know
+ You too are somewhere near and watching these
+ Last wondrous sights of day--God's mysteries
+ We used to watch together long ago.
+
+ And, like a benediction, happiness
+ Fills all my soul, as if a wandering breath
+ From that high heaven had wafted down to me--
+ As if I felt again your dear caress
+ And knew you to be waiting e'er in death,
+ Crowned with the roses of eternity.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE ROSE-JAR***
+
+
+******* This file should be named 27700-8.txt or 27700-8.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/2/7/7/0/27700
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/27700-8.zip b/27700-8.zip
new file mode 100644
index 0000000..0763006
--- /dev/null
+++ b/27700-8.zip
Binary files differ
diff --git a/27700-h.zip b/27700-h.zip
new file mode 100644
index 0000000..ca296a7
--- /dev/null
+++ b/27700-h.zip
Binary files differ
diff --git a/27700-h/27700-h.htm b/27700-h/27700-h.htm
new file mode 100644
index 0000000..0f3574f
--- /dev/null
+++ b/27700-h/27700-h.htm
@@ -0,0 +1,1792 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=utf-8" />
+<title>The Project Gutenberg eBook of The Rose-Jar, by Thomas S. (Thomas Samuel) Jones</title>
+ <style type="text/css">
+/*<![CDATA[*/
+ body {width:60%;margin:0 20%;font-family:serif;}
+ h1, h2, h3 {text-align:center;font-weight:normal;margin:3em 0 1em 0;}
+ h1.pg, h3.pg {text-align:center;font-weight:bold;margin:0em 0 0em 0;}
+ p {text-indent:0;}
+
+ img {border:0;margin:auto;display:block;}
+ .illo {margin:3em 0;}
+ .illo p {text-align:center;text-indent:0em;font-size:.85em;line-height:1em;}
+
+ .title {font-variant:small-caps;}
+ .poem {
+ margin:0em 10% 1em 10%;
+ text-align: left;
+ }
+
+ .poem .stanza { margin: 1em 0em; }
+
+ .poem p {
+ margin: 0;
+ padding-left: 3em;
+ text-indent: -3em;
+ text-align: left;
+ line-height:1.3;
+ }
+
+ .poem p.i2 { margin-left: 1em; }
+ .poem p.i4 { margin-left: 2em; }
+ .poem p.i6 { margin-left: 3em; }
+ .poem p.i8 { margin-left: 4em; }
+ .poem p.i10 { margin-left: 5em; }
+ .poem p.i12 { margin-left: 6em; }
+ .poem p.i14 { margin-left: 7em; }
+
+ p.cen {text-align:center;}
+
+ #the-end {text-align:center;text-indent:0em;font-size:1.2em;margin:1em 0em;border-bottom:thin gray solid;padding-bottom:1em;}
+ #the-beginning {border-top:thin gray solid;padding-top:1em;}
+
+
+ /* Page Numbering */
+ .pagenum { position: absolute; left: 2em; font-size: 10px; text-align: left; color: gray; background-color: inherit; font-weight: normal; font-style: normal; font-variant: normal; text-indent: 0em; }
+ a[title].pagenum:after { content: attr(title); } /* Uncomment this instruction to show page numbers */
+ .disguise {color:window;} /* Used to make some page numbers invisible but still anchors. Used on pages that do not have page numbers printed on them but are included in the numbering scheme. */
+ .cheater {left:-19%;} /* Used in Contents list to make page numbers go to approximately the right place */
+
+
+ .page {margin:5em 0;}
+ #title_page {margin:auto;padding:0;width:80%;}
+ #book-title {font-family:cursive;}
+ #title_page p {text-align:center;}
+ #author {font-size:1.5em;padding-top:1em;font-style:italic;font-variant:small-caps;}
+ #pub-location {font-family:"Lucida Blackletter", cursive;margin-top:3em;}
+ #publisher {}
+
+ #copyright_page {text-align:justify;}
+ #rights_statement {margin-bottom:3em;}
+
+ #edition {font-style:italic;text-align:justify;}
+ #edition cite {font-style:normal;}
+
+ #dedication {text-align:center;font-variant:small-caps;}
+ #half-title {text-align:center;font-family:cursive;font-size:2em;}
+
+ #contents ol {list-style-type: none;font-size:1.1em;}
+ #contents {position:relative;}
+ li {}
+ .toc_page { position: absolute; right: 0; top: auto;text-align:right; }
+
+
+ /* Anchors */
+ a:link {color: #000066; background-color: inherit; text-decoration: none;}
+ a:visited {color: #000066; background-color: inherit; text-decoration: none;}
+ a:hover {color: #A8480E; background-color: #CC9;}
+
+ hr.full { width: 100%;
+ margin-top: 3em;
+ margin-bottom: 0em;
+ margin-left: auto;
+ margin-right: auto;
+ height: 4px;
+ border-width: 4px 0 0 0; /* remove all borders except the top one */
+ border-style: solid;
+ border-color: #000000;
+ clear: both; }
+ pre {font-size: 85%;}
+/*]]>*/
+ </style>
+</head>
+<body>
+<h1 class="pg">The Project Gutenberg eBook of The Rose-Jar, by Thomas S. (Thomas Samuel)
+Jones</h1>
+<pre>
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre>
+<p>Title: The Rose-Jar</p>
+<p>Author: Thomas S. (Thomas Samuel) Jones</p>
+<p>Release Date: January 4, 2009 [eBook #27700]</p>
+<p>Language: English</p>
+<p>Character set encoding: ISO-8859-1</p>
+<p>***START OF THE PROJECT GUTENBERG EBOOK THE ROSE-JAR***</p>
+<p>&nbsp;</p>
+<!-- Transcriber's Note: There are 2 places for illustrations, starting with "[Illustration" I did not have decent versions to put with this file, but if someone one day finds them, the places are marked. -->
+<h3 class="pg">E-text prepared by Juliet Sutherland, Barbara Tozier,<br />
+ and the<br />
+ Project Gutenberg Online Distributed Proofreading Team<br />
+ (http://www.pgdp.net)</h3>
+<p>&nbsp;</p>
+<hr class="full" />
+<p>&nbsp;</p>
+
+<div id="title_page" class="page"><a class="pagenum disguise" id="page1" title="1">&nbsp;</a>
+ <h1 id="book-title">The Rose-Jar</h1>
+
+ <p id="author">Thomas S. Jones, Jr.</p>
+
+ <p>Author of <cite>The Path o’ Dreams</cite>, etc.</p>
+
+ <div class="illo">
+ <!-- [Illustration] -->
+ </div>
+ <p>&nbsp;</p>
+
+ <p id="pub-location">Clinton, New York</p>
+
+ <p id="publisher">GEORGE WILLIAM BROWNING</p>
+</div>
+
+<div id="copyright_page" class="page"><a class="pagenum disguise" id="page2" title="2"> </a>
+ <p class="cen" id="rights_statement">Copyrighted 1906 by Thomas S. Jones, Jr.</p>
+
+ <p>The author desires to thank the editors of Appleton’s
+ Magazine, Everybody’s Magazine, Lippincott’s Magazine,
+ The New York Times, The Smart Set, and
+ the other publications in which the verses in this collection
+ originally appeared, for their kind permission
+ to reprint.</p>
+</div>
+
+<div id="edition" class="page">
+ <p><a class="pagenum disguise" id="page3" title="3">&nbsp;</a>This Edition of <cite>The Rose-Jar</cite> Printed by
+ George William Browning at Clinton New
+ York during the Summer of 1906 consists
+ of Three Hundred copies on Deckle-Edged
+ Paper, with Twelve additional copies on
+ Imperial Japan Vellum (Insetsu Kioku).</p>
+
+
+ <p class="cen">NUMBER 258</p>
+
+ <div class="illo">
+ <!-- [Illustration: HW: Thomas S. Jones] -->
+ </div>
+
+</div>
+
+<!-- <a class="pagenum disguise" id="page4" title="4">&nbsp;</a>[Blank Page] -->
+
+<p id="dedication" class="page"><a class="pagenum disguise" id="page5" title="5">&nbsp;</a>To the Memory of My Mother</p>
+
+<!-- <a class="pagenum disguise" id="page6" title="6">&nbsp;</a>[Blank Page] -->
+
+<div id="contents">
+<h2 class="title"><a class="pagenum disguise" id="page7" title="7">&nbsp;</a>CONTENTS</h2>
+
+<ol>
+ <li><a href="#poem-01">As in a Rose-Jar</a> <a href="#page11" class="toc_page">11</a></li>
+ <li><a href="#poem-02">The Island</a> <a href="#page12" class="toc_page">12</a></li>
+ <li><a href="#poem-03">You and I</a> <a href="#page13" class="toc_page">13</a></li>
+ <li><a href="#poem-04">A Ballade of Old Romance</a> <a href="#page14" class="toc_page">14</a></li>
+ <li><a href="#poem-05">A Voice from the Far Away</a> <a href="#page16" class="toc_page">16</a></li>
+ <li><a href="#poem-06">April</a> <a href="#page17" class="toc_page">17</a></li>
+ <li><a href="#poem-07">A Yesterday</a> <a href="#page18" class="toc_page">18</a></li>
+ <li><a href="#poem-08">Violets</a> <a href="#page19" class="toc_page">19</a></li>
+ <li><a href="#poem-09">A Song of Life</a> <a href="#page20" class="toc_page">20</a></li>
+ <li><a href="#poem-10">As a Still Brook</a> <a href="#page21" class="toc_page">21</a></li>
+ <li><a href="#poem-11">At the Window</a> <a href="#page22" class="toc_page">22</a></li>
+ <li><a href="#poem-12">A Sea Spell</a> <a href="#page23" class="toc_page">23</a></li>
+ <li><a href="#poem-13">The Silent Country</a> <a href="#page24" class="toc_page">24</a></li>
+ <li><a href="#poem-14">The Sport of a God</a> <a href="#page25" class="toc_page">25</a></li>
+ <li><a href="#poem-15">Remembrance</a> <a href="#page26" class="toc_page">26</a></li>
+ <li><a href="#poem-16">In Days of Old</a> <a href="#page27" class="toc_page">27</a></li>
+ <li><a href="#poem-17">We Once Built a House o&#8217; Dreams</a> <a href="#page28" class="toc_page">28</a></li>
+ <li><a href="#poem-18">A Song of the Way</a> <a href="#page29" class="toc_page">29</a></li>
+ <li><a href="#poem-19">In Trinity Church-Yard at Sunset</a> <a href="#page30" class="toc_page">30</a></li>
+ <li><a href="#poem-20">Where Cross-Roads Part</a> <a href="#page31" class="toc_page">31</a></li>
+ <li><a href="#poem-21">Saida</a> <a href="#page32" class="toc_page">32</a></li>
+ <li><a href="#poem-22">In Arcady</a> <a href="#page33" class="toc_page">33</a></li>
+ <li><a href="#poem-23">The Summer Rain</a> <a href="#page34" class="toc_page">34</a></li>
+ <li><a href="#poem-24">Impression</a> <a href="#page35" class="toc_page">35</a></li>
+ <li><a href="#poem-25">Derelicts</a> <a href="#page36" class="toc_page">36</a></li>
+ <li><a href="#poem-26">The End of the Day</a> <a href="#page38" class="toc_page">38</a></li>
+ <li><a href="#poem-27">Tristesse</a> <a href="#page39" class="toc_page">39</a></li>
+ <li><a href="#poem-28">Interlude</a> <a href="#page40" class="toc_page">40</a></li>
+ <li><a href="#poem-29">To You, Dear Heart</a> <a href="#page41" class="toc_page">41</a></li>
+ <li><a href="#poem-30">Twilight</a> <a href="#page42" class="toc_page">42</a></li>
+ <li><a href="#poem-31">The Poet</a> <a href="#page43" class="toc_page">43</a></li>
+ <li><a href="#poem-32">The Hunchback</a> <a href="#page44" class="toc_page">44</a></li>
+ <li><a href="#poem-33">The Little Ghosts</a> <a href="#page45" class="toc_page">45</a></li>
+ <li><a href="#poem-34">I Know a Quiet Vale</a> <a href="#page46" class="toc_page">46</a></li>
+ <li><a href="#poem-35">Song</a> <a href="#page47" class="toc_page">47</a></li>
+ <li><a href="#poem-36">Immutability</a> <a href="#page48" class="toc_page">48</a></li>
+ <li><a href="#poem-37">In the Fall o&#8217; Year</a> <a href="#page49" class="toc_page">49</a></li>
+ <li><a href="#poem-38">Love&#8217;s Song</a> <a href="#page50" class="toc_page">50</a></li>
+ <li><a href="#poem-39">The Golden Hour</a> <a href="#page51" class="toc_page">51</a></li>
+ <li><a href="#poem-40">The Dream-Way</a> <a href="#page52" class="toc_page">52</a></li>
+ <li><a href="#poem-41">The Spirit of Autumn</a> <a href="#page53" class="toc_page">53</a></li>
+ <li><a href="#poem-42">On the Long Road</a> <a href="#page54" class="toc_page">54</a></li>
+ <li><a href="#poem-43">A Postlude</a> <a href="#page55" class="toc_page">55</a></li>
+ <li><a href="#poem-44">An Old Song</a> <a href="#page56" class="toc_page">56</a></li>
+ <li><a href="#poem-45">Old Roses</a> <a href="#page57" class="toc_page">57</a></li>
+</ol>
+</div>
+
+<!-- <a class="pagenum disguise" id="page8" title="8">&nbsp;</a>[Blank Page] -->
+
+<p id="half-title" class="page"><a class="pagenum disguise" id="page9" title="9">&nbsp;</a>The Rose-Jar</p>
+
+<!-- <a class="pagenum disguise" id="page10" title="10">&nbsp;</a>[Blank Page] -->
+
+<h2 class="title" id="poem-01"><a class="pagenum" id="page11" title="11">&nbsp;</a>As in a Rose-Jar</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>As in a rose-jar filled with petals sweet</p>
+ <p class="i2">Blown long ago in some old garden place,</p>
+ <p class="i2">Mayhap, where you and I, a little space,</p>
+ <p>Drank deep of love and knew that love was fleet—</p>
+ <p>Or leaves once gathered from a lost retreat</p>
+ <p class="i2">By one who never will again retrace</p>
+ <p class="i2">Her silent footsteps—one, whose gentle face</p>
+ <p>Was fairer than the roses at her feet;</p>
+ </div>
+
+ <div class="stanza">
+ <p>So, deep within the vase of memory,</p>
+ <p class="i2">I keep my dust of roses fresh and dear</p>
+ <p class="i4">As in the days before I knew the smart</p>
+ <p>Of time and death. Nor aught can take from me</p>
+ <p class="i2">The haunting fragrance that still lingers here—</p>
+ <p class="i4">As in a rose-jar, so within my heart!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-02"><a class="pagenum" id="page12" title="12">&nbsp;</a>The Island</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>There is an island in the silent sea,</p>
+ <p>Whose marge the wistful waves lap listlessly—</p>
+ <p>An isle of rest for those who used to be.</p>
+ </div>
+
+ <div class="stanza">
+ <p>For ne’er an echo wakes that towering wall,</p>
+ <p>Whose blackened crags answer none other call</p>
+ <p>Save the lone ocean’s rhythmic rise and fall.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Only the song the sea sings as she laves</p>
+ <p>That sleep-bound shore with sad caressing waves,</p>
+ <p>The while the dead sleep sweeter in their graves.</p>
+ </div>
+
+ <div class="stanza">
+ <p>’Tis oh! so still they sleep within each tomb,</p>
+ <p>Cool in long shadows of the cypress gloom,</p>
+ <p>Breathing in death the moon-flower’s rank perfume.</p>
+ </div>
+
+ <div class="stanza">
+ <p>They know not when slow barges on the mere</p>
+ <p>Enter the portals of that place austere—</p>
+ <p>Enter and so forever disappear!</p>
+ </div>
+
+ <div class="stanza">
+ <p>And in this island of a silent sea,</p>
+ <p>Whose marge e’er wistful waves lap listlessly,</p>
+ <p>Is rest,—is peace for all eternity.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-03"><a class="pagenum" id="page13" title="13">&nbsp;</a>You and I</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Over the hills where the pine-trees grow,</p>
+ <p class="i2">With a laugh to answer the wind at play.</p>
+ <p>Why do I laugh? I do not know,</p>
+ <p class="i2">But you and I once passed this way.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Down in the hollow now white with snow</p>
+ <p class="i2">My heart is singing a song today.</p>
+ <p>Why do I sing? I do not know,</p>
+ <p class="i2">But you and I were here in May.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-04"><a class="pagenum" id="page14" title="14">&nbsp;</a>A Ballade of Old Romance</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>When April spreads her mantle green</p>
+ <p class="i2">Across the pasture-lands of snow,</p>
+ <p>And Spring’s first scarlet breasts are seen</p>
+ <p class="i2">Where treetops rustle to and fro;</p>
+ <p class="i2">Then come fair fragrant dreams as though</p>
+ <p>Our lightest fancy to entrance</p>
+ <p class="i2">And paint us what we fain would know</p>
+ <p>Adown the lanes of Old Romance.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Anon, we see the golden sheen</p>
+ <p class="i2">Of burnished mail the sunbeams throw,</p>
+ <p>Flashing the poplars tall between,</p>
+ <p class="i2">As knights ride by to meet the foe;</p>
+ <p class="i2">Or, mayhap, shepherd lads who blow</p>
+ <p>On slender pipes, a pastoral dance—</p>
+ <p class="i2">Ah, strong were they in weal and woe</p>
+ <p>Adown the lanes of Old Romance!</p>
+ </div>
+
+ <div class="stanza">
+ <p><a class="pagenum" id="page15" title="15"> </a>But now the vast years intervene,</p>
+ <p class="i2">The fountain long has ceased its flow,</p>
+ <p>And silence rules the lone demesne</p>
+ <p class="i2">That once held such a goodly show;</p>
+ <p class="i2">Yet time, at least, does this bestow</p>
+ <p>Nor leave the best to fleeting chance—</p>
+ <p class="i2">They live again in fancy’s glow</p>
+ <p>Adown the lanes of Old Romance.</p>
+ </div>
+
+ <p class="cen">ENVOY</p>
+
+ <div class="stanza">
+ <p>Sweet, still for us some blossoms grow</p>
+ <p class="i2">From out that dim and dear expanse—</p>
+ <p>Come, take my hand and we shall go</p>
+ <p class="i2">Adown the lanes of Old Romance!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-05"><a class="pagenum" id="page16" title="16">&nbsp;</a>A Voice From the Far Away</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>I heard a voice from the far away</p>
+ <p class="i2">Softly say this to me—</p>
+ <p>“You will find the heart of the world some day</p>
+ <p class="i2">And the why of the things that be;</p>
+ <p>You will see the grief of the yea and nay</p>
+ <p class="i2">And the price of frailty.</p>
+ </div>
+
+ <div class="stanza">
+ <p>“And upon your lute you will weave a theme</p>
+ <p class="i2">Which the world will harken and know;</p>
+ <p>For every note of the song will teem</p>
+ <p class="i2">With a great soul’s overflow—</p>
+ <p>You will speak the meaning within a dream</p>
+ <p class="i2">And the pain in the afterglow.</p>
+ </div>
+
+ <div class="stanza">
+ <p>“But for all of this there’s a price—</p>
+ <p class="i2">’Tis the price of minstrelsy—</p>
+ <p>You will never have of the things you play,</p>
+ <p class="i2">Sad singer of poetry,</p>
+ <p>And throughout your life you will go for aye,</p>
+ <p class="i2">Heart-hungry and silently!â€</p>
+ <p>I heard a voice from the far away</p>
+ <p class="i2">Softly say this to me.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-06"><a class="pagenum" id="page17" title="17">&nbsp;</a>April</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Throughout the vale again Narcissus cries</p>
+ <p class="i2">And Echo answers from her dark retreat,</p>
+ <p class="i2">While Zephyr heavy-laden with the sweet,</p>
+ <p>Fresh scent of blooms across the pasture hies;</p>
+ <p>Above, the blueness of the April skies,</p>
+ <p class="i2">Matched by the lure unto the wandering feet</p>
+ <p class="i2">That e’er must go ere Spring could be complete</p>
+ <p>To the green wood where laughing Eros lies.</p>
+ </div>
+
+ <div class="stanza">
+ <p>O April lover, hear the pipes that call,</p>
+ <p class="i2">The pipes of Pan a-blowing lustily,</p>
+ <p class="i4">They call to you and me, and he who hears</p>
+ <p>Must ever after be Young April’s thrall—</p>
+ <p class="i2">So, faring thus together, we shall see</p>
+ <p class="i4">The Islands of the Blest between the Spheres!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-07"><a class="pagenum" id="page18" title="18">&nbsp;</a>A Yesterday</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>I held you in my arms—so happy I,</p>
+ <p>Who quite forgot the while that moments fly;</p>
+ <p>Nor ever dreamed that they could pass away,</p>
+ <p class="i4">Till it was yesterday.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Yet, just because that hour was long ago</p>
+ <p>And seems to me so near—well, this I know</p>
+ <p>That sometime I shall clasp your hand and say:</p>
+ <p class="i4">Was there a yesterday?</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-08"><a class="pagenum" id="page19" title="19">&nbsp;</a>Violets</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>’Twas just at sundown, when the leaves were wet</p>
+ <p class="i12">With evening dew,</p>
+ <p>Far in the fields where sky and violet</p>
+ <p class="i12">Blend rifts of blue—</p>
+ </div>
+
+ <div class="stanza">
+ <p>But for a moment, deep among the flowers</p>
+ <p class="i12">And rain-sweet grass,</p>
+ <p>I saw her—loved her—and as April showers</p>
+ <p class="i12">Beheld her pass.</p>
+ </div>
+
+ <div class="stanza">
+ <p>O, the lone vastness of the afterglow,</p>
+ <p class="i12">Unknown before;</p>
+ <p>Shall e’er I see that face where violets grow,</p>
+ <p class="i12">Perchance, once more!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Yet no one comes save night, with wild regrets</p>
+ <p class="i12">And silent pain—</p>
+ <p>Only sometimes the scent of violets</p>
+ <p class="i12">On wind-blown rain.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-09"><a class="pagenum" id="page20" title="20">&nbsp;</a>A Song of Life</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p class="i6"><em>What if the song is sung, I say,</em></p>
+ <p class="i6"><em>As long as the song was sung!</em></p>
+ </div>
+
+ <div class="stanza">
+ <p>Did we not meet with the blood’s best play</p>
+ <p>The lash of the winds and the rain that stung,</p>
+ <p>And the tang of the salty spray?</p>
+ </div>
+
+ <div class="stanza">
+ <p>Did we not drink the last drop that clung</p>
+ <p>To the golden bowl with its glowing fire,</p>
+ <p>Yet so cool to our burning tongue?</p>
+ </div>
+
+ <div class="stanza">
+ <p>Did we not love with a love entire</p>
+ <p>That made up for all and a world of clay</p>
+ <p>In a moment of wild desire?</p>
+ </div>
+
+ <div class="stanza">
+ <p class="i6"><em>What if the song is sung, I say,</em></p>
+ <p class="i6"><em>As long as the song was sung!</em></p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-10"><a class="pagenum" id="page21" title="21">&nbsp;</a>As a Still Brook</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>As a still brook within the woodland’s green</p>
+ <p class="i2">Sings softly to itself the live-long day,</p>
+ <p class="i2">Unconscious of its gentle roundelay,</p>
+ <p>Its open purity and silver sheen—</p>
+ <p>Knowing not how in all that wild demesne,</p>
+ <p class="i2">Its music is a strain the angels play</p>
+ <p class="i2">And its fair face a jewel amid the gray,</p>
+ <p>Beshadowed places that it flows between;</p>
+ </div>
+
+ <div class="stanza">
+ <p>So your dear love, a simple forest stream,</p>
+ <p class="i2">Bearing the wealth of all that life can hold,—</p>
+ <p class="i4">Nor ever dreaming of the worth that lies</p>
+ <p>Deep in your heart—why, you have made it seem</p>
+ <p class="i2">That every empty hour is wrought of gold</p>
+ <p class="i4">And this tear-sodden world, a Paradise!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-11"><a class="pagenum" id="page22" title="22">&nbsp;</a>At the Window</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>I looked out of my window tall</p>
+ <p class="i2">And laughed to see the May,</p>
+ <p>For everything both great and small</p>
+ <p class="i2">Was on a holiday.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Then Love came by and laughed at me,</p>
+ <p class="i2">And I forgot the Spring—</p>
+ <p>Only I knew the ecstasy</p>
+ <p class="i2">Of madly listening.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And now the branches all again</p>
+ <p class="i2">Are red with vernal May,</p>
+ <p>But tears have dimmed the window-pane—</p>
+ <p class="i2">And no one comes my way.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-12"><a class="pagenum" id="page23" title="23">&nbsp;</a>A Sea Spell</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>The sunset sea—a goblet thick inlaid</p>
+ <p class="i2">With jewels wrought in golden filigree,</p>
+ <p class="i2">An opal from some elfin treasury</p>
+ <p>Burning with fire and flashing every shade;</p>
+ <p>While round the dim horizon, wide displayed</p>
+ <p class="i2">The clouds pile up their largess tenderly</p>
+ <p class="i2">As if to clothe the beauty of the sea</p>
+ <p>In filmy gossamer and soft brocade.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And far away I think I almost hear</p>
+ <p class="i2">A horn’s faint echo through the dusk-hour’s veil</p>
+ <p class="i4">As in the happy, golden days of yore—</p>
+ <p>Mayhap, e’en now upon this magic mere</p>
+ <p class="i2">Frail shallops will flit by and mermaids pale</p>
+ <p class="i4">Will lure us back to fairy-land once more!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-13"><a class="pagenum" id="page24" title="24">&nbsp;</a>The Silent Country</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Wave, wave sweet blooms of May and on your wings</p>
+ <p>Bear me away with drowsy winnowings</p>
+ <p>To some far twilight land where steals a stream</p>
+ <p>From out the cool and soundless groves of Dream.</p>
+ </div>
+
+ <div class="stanza">
+ <p>For in the Spring is such a bitter smart</p>
+ <p>Even the thought of it will break my heart,</p>
+ <p>So take me softly to a leafy bed</p>
+ <p>Where I shall dream and dream you are not dead!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-14"><a class="pagenum" id="page25" title="25">&nbsp;</a>The Sport of a God</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Though they say Jove laughs at the lover’s vow—</p>
+ <p class="i2">At the lover’s vow that must break some day—</p>
+ <p class="i2">Still we smiled as we loved in a distant May</p>
+ <p>When the blooms were heavy upon the bough.</p>
+ </div>
+
+ <div class="stanza">
+ <p>O, the mocking difference of then and now!</p>
+ <p class="i2">It isn’t a thought that will make one gay,</p>
+ <p>Though they say Jove laughs at the lover’s vow—</p>
+ <p class="i2">At the lover’s vow that must break some day.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Yet, perhaps, the god knows the best way how</p>
+ <p class="i2">To carry a mask when the feet are clay;</p>
+ <p class="i2">So I too shall laugh at the merry play,</p>
+ <p>For down in his heart there’s a knife, I trow,</p>
+ <p>Though they say Jove laughs at the lover’s vow.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-15"><a class="pagenum" id="page26" title="26">&nbsp;</a>Remembrance</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Sweet rosemary within the lane</p>
+ <p class="i2">The while the day is warm and clear,</p>
+ <p>And ne’er a thought of bitter rain</p>
+ <p class="i2">Or the road-side sere.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But there are flowers more dear to me</p>
+ <p class="i2">That time can never set apart—</p>
+ <p>The fragrant blooms of memory</p>
+ <p class="i2">That grow within the heart.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-16"><a class="pagenum" id="page27" title="27">&nbsp;</a>In Days of Old</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Of all the ages’ gain, the ages’ loss,</p>
+ <p class="i2">A wealth of wonders and so much away—</p>
+ <p class="i2">When now hears one the woodland elves at play,</p>
+ <p>Or angry dryads where tall tree-tops toss.</p>
+ <p>No more they lightly tread the dewy moss</p>
+ <p class="i2">As danced they through cool haunts in ecstasy;</p>
+ <p class="i2">But rank and lost the paths in lone decay</p>
+ <p>Where fairy footsteps once were wont to cross.</p>
+ </div>
+
+ <div class="stanza">
+ <p>O, happy Greeks, who knew the gods so well,</p>
+ <p class="i2">To you I burn my sacrificial fire!</p>
+ <p class="i4">Again reveal the mystic hidden rune</p>
+ <p>Whereby to find the slopes of asphodel—</p>
+ <p class="i2">Ah, then to hear Apollo charm his lyre</p>
+ <p class="i4">And see Diana ’neath the sickle moon.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-17"><a class="pagenum" id="page28" title="28">&nbsp;</a>We Once Built a House o’ Dreams</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>We once built a house o’ dreams</p>
+ <p class="i2">At the break o’ day</p>
+ <p>Made from out the first gold beams</p>
+ <p class="i2">On the sward astray.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Little did we think or care</p>
+ <p class="i2">’Twas not safe nor strong;</p>
+ <p>We were very happy there</p>
+ <p class="i2">And the day was long.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Now we leave our house o’ dreams,</p>
+ <p class="i2">Why, we do not know;</p>
+ <p>Only this—so strange it seems</p>
+ <p class="i2">And so hard to go!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-18"><a class="pagenum" id="page29" title="29">&nbsp;</a>A Song of the Way</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Give me the road, the great broad road,</p>
+ <p class="i2">That wanders over the hill;</p>
+ <p>Give me a heart without a care</p>
+ <p class="i2">And a free, unfettered will—</p>
+ <p>Ah, thus to journey, thus to fare,</p>
+ <p class="i2">With only the skies to frown,</p>
+ <p>And happy I, if the ways but lie</p>
+ <p class="i2">Away, away from the town.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Give me the path, the wild-wood path</p>
+ <p class="i2">That wanders deep in a dell,</p>
+ <p>Where silence sleeps and sunbeams fain</p>
+ <p class="i2">Would waken the slumber spell—</p>
+ <p>For there the gods find the world again,</p>
+ <p class="i2">Immortals of ancient lore,</p>
+ <p>And time is gone, and a mad-glad faun</p>
+ <p class="i2">Knows the glades of Greece once more.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-19"><a class="pagenum" id="page30" title="30">&nbsp;</a>In Trinity Church-Yard at Sunset</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>How still they sleep within the city moil</p>
+ <p class="i2">In their old church-yard with its sighing trees,</p>
+ <p class="i2">Where sometimes through the din a twilight breeze</p>
+ <p>Makes one forget the busy streets of toil;</p>
+ <p>But they have little thought of worldly spoil</p>
+ <p class="i2">Or the great gain of mortal victories,</p>
+ <p class="i2">Their hopes, their dreams, are cold and dead as these</p>
+ <p>Quaint, time-worn gravestones crumbling on the soil.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Yet they once lived and struggled years ago;</p>
+ <p class="i2">Their hearts beat madly as these hearts of ours—</p>
+ <p class="i4">And now is all undone in dreamless rest?</p>
+ <p>See, a great city stands against the glow—</p>
+ <p class="i2">Their city, they who here beneath the flowers</p>
+ <p class="i4">Have known so long God’s gift of peace, most blest!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-20"><a class="pagenum" id="page31" title="31">&nbsp;</a>Where Cross-Roads Part</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Glad roads of Spring—O lanes of laughing May</p>
+ <p>As fleeting as the shadow-clouds at play</p>
+ <p class="i2">With sunbeams rife upon the grassy green;</p>
+ <p class="i2">O golden lanes—through roads that lie between</p>
+ <p>Amid what darkened sweep lost I the way?</p>
+ </div>
+
+ <div class="stanza">
+ <p>Or was’t the stripling Youth, whose roundelay</p>
+ <p>Awoke the echoes of the throbbing day</p>
+ <p class="i2">And changed to gladness all the world’s dull mien,</p>
+ <p class="i14">Glad roads of Spring?</p>
+ </div>
+
+ <div class="stanza">
+ <p>Apart I stand, distraught with lone dismay,</p>
+ <p>No more Youth’s gladsome biddings to obey,</p>
+ <p class="i2">No more with him Love’s strewings lost to glean;</p>
+ <p class="i2">The hills of years now ever intervene,</p>
+ <p>And bid me say good-bye to you for aye,</p>
+ <p class="i14">Glad roads of Spring!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-21"><a class="pagenum" id="page32" title="32">&nbsp;</a>Saida</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>We passed along the high-road, you and I,</p>
+ <p class="i2">Though I remember not the place nor when;</p>
+ <p>Only the wonder of your face, and then</p>
+ <p class="i12">That you passed by.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But that was long ago, and I forget;</p>
+ <p class="i2">Perhaps ’twere better that I went alone,</p>
+ <p>You might not e’er have loved me had you known,</p>
+ <p class="i12">And yet, and yet—</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-22"><a class="pagenum" id="page33" title="33">&nbsp;</a>In Arcady</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Although ’tis but a memory,</p>
+ <p>Still in the days of long ago</p>
+ <p>We tended sheep in Arcady.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Then were we both of fancy free</p>
+ <p>And laughing Youth had much to show,</p>
+ <p>Although ’tis but a memory.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Again the pasture lands we see</p>
+ <p>Where in the golden summer glow</p>
+ <p>We tended sheep in Arcady.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And hear the tender harmony</p>
+ <p>Of shepherd pipes that softly blow,</p>
+ <p>Although ’tis but a memory.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Nor thought of any end had we</p>
+ <p>As through the grasses to and fro</p>
+ <p>We tended sheep in Arcady.</p>
+ </div>
+
+ <div class="stanza">
+ <p>So, what if life now empty be,</p>
+ <p>Of all the past this do we know,</p>
+ <p>Although ’tis but a memory,</p>
+ <p>We tended sheep in Arcady!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-23"><a class="pagenum" id="page34" title="34">&nbsp;</a>The Summer Rain</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>As one who listens to the summer rain</p>
+ <p class="i2">Against the roof when all the night is still,</p>
+ <p class="i2">Save for the wind beneath the window-sill,</p>
+ <p>Crooning its homely, comforting refrain,—</p>
+ <p>And listening feels that neither joy nor pain</p>
+ <p class="i2">Can trouble now—only the faint sweet thrill</p>
+ <p class="i2">Of drowsiness and peace and rest until</p>
+ <p>The barque glides softly into sleep’s domain;</p>
+ </div>
+
+ <div class="stanza">
+ <p>So I, whose empty way leads wandering</p>
+ <p class="i2">Between high garden-walls that hide the sun,</p>
+ <p class="i4">Hear sometimes on the breeze a simple strain</p>
+ <p>Of an old song you once were wont to sing—</p>
+ <p class="i2">And then forgetting all, I seem as one</p>
+ <p class="i4">Who listens spell-bound to the summer rain.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-24"><a class="pagenum" id="page35" title="35">&nbsp;</a>Impression</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>A little stone o’ercrept with moss,</p>
+ <p class="i2">And red wild roses flaunting by,</p>
+ <p class="i2">A wistful breeze that seems to sigh</p>
+ <p>Where the tall grasses toss.</p>
+ </div>
+
+ <div class="stanza">
+ <p>To sigh for one who went away,</p>
+ <p class="i2">Thus it is writ upon the stone—</p>
+ <p class="i2">Nothing can ever make atone</p>
+ <p>And tears shall fall for aye.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Oh, irony of human vow,</p>
+ <p class="i2">Even the stone is crumbling too,</p>
+ <p class="i2">And tears,—none save the evening dew,</p>
+ <p>For who remembers now?</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-25"><a class="pagenum" id="page36" title="36">&nbsp;</a>Derelicts</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>A year, a year, and then to miss</p>
+ <p>That which was all in all for aye;</p>
+ <p>O Love as fleeting as your kiss,</p>
+ <p>O Love forever and a day,</p>
+ <p class="i8">To this.</p>
+ </div>
+
+ <div class="stanza">
+ <p>How such a change in one short year,</p>
+ <p>I cannot, cannot understand;</p>
+ <p>Oh, why to cast upon Love’s bier,</p>
+ <p>Whose name was written in the sand,</p>
+ <p class="i8">This tear?</p>
+ </div>
+
+ <div class="stanza">
+ <p>Why, when the fields were red with May</p>
+ <p>When you and I together swore;</p>
+ <p>Is May so very far away,</p>
+ <p>Was all so different then, before</p>
+ <p class="i8">Today?</p>
+ </div>
+
+ <div class="stanza">
+ <p><a class="pagenum" id="page37" title="37"> </a>And did the gods above then smile</p>
+ <p>When we believed that love would last,</p>
+ <p>Counting its heart-beats on the dial</p>
+ <p>Of hours that have too soon slipped past,</p>
+ <p class="i8">The while.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Two boats upon a sea of glass—</p>
+ <p>A little strength, a little trust;</p>
+ <p>Yet let the hand of Fate but pass,</p>
+ <p>Could they withstand the storm-cloud’s gust,</p>
+ <p class="i8">Alas!</p>
+ </div>
+
+ <div class="stanza">
+ <p>So, though not knowing, yet must I</p>
+ <p>Forget one day and feel no more</p>
+ <p>Your love, which dreamed not e’er to die.</p>
+ <p>Thank God for that—I close my door.</p>
+ <p class="i8">Good-bye.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-26"><a class="pagenum" id="page38" title="38">&nbsp;</a>The End of the Day</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>The day is done and every hour is spent</p>
+ <p class="i2">And now it lies a-dying in the west,</p>
+ <p class="i2">Yet with what wonder those last moments blest</p>
+ <p>Crown all with the chaste kiss of sweet content;</p>
+ <p>For nature’s minstrels sing a carol pent</p>
+ <p class="i2">With the soft music of the spheres suppressed</p>
+ <p class="i2">In one great strain—the while upon night’s breast</p>
+ <p>The dying day sinks down in languishment.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And in those last faint breaths as ’twere in sooth</p>
+ <p class="i2">The halo of some saint, a glowing light</p>
+ <p class="i4">Of purest gold streams through the darkened sky,</p>
+ <p>A light more wondrous than the dawn of youth—</p>
+ <p class="i2">For ’tis a flame cleft out the veil of night</p>
+ <p class="i4">From that eternal dawn that ne’er can die!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-27"><a class="pagenum" id="page39" title="39">&nbsp;</a>Tristesse</h2>
+
+<div class="poem">
+ <p>If you were not away</p>
+ <p>These trees, this south-wind and this dreary day</p>
+ <p>Would all be mad with joyous ecstasy;</p>
+ <p>But you are gone, so mourning they with me</p>
+ <p>Find bitter-sweet in idle fantasy.</p>
+ <p>How glad, how mad, how gay,</p>
+ <p>If you were not away!</p>
+</div>
+
+<h2 class="title" id="poem-28"><a class="pagenum" id="page40" title="40">&nbsp;</a>Interlude</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Sometimes from out the rush of pulsing days,</p>
+ <p class="i2">These days whose poetry was lost in prose</p>
+ <p class="i2">So long ago, left desolate on those</p>
+ <p>Far childhood paths—yet, sometimes from the haze</p>
+ <p>Of half-forgotten years, fall on our ways</p>
+ <p class="i2">Now drear, a strain of song, a June-blown rose.</p>
+ <p class="i2">Ah, sweet, so sweet unto a heart that knows</p>
+ <p>The memory of once-remembered Mays!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Only a moment’s interlude, and yet</p>
+ <p class="i2">How the heart quaffs the draught that thrills and thrills</p>
+ <p class="i4">Its soul, finding again youth’s mysteries.</p>
+ <p>What matter if tomorrow we forget—</p>
+ <p class="i2">Today the stillness of the sun-lit hills</p>
+ <p class="i4">And the low drowsy hum of summer bees!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-29"><a class="pagenum" id="page41" title="41">&nbsp;</a>To You, Dear Heart</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>To you, dear heart, whom I have never known</p>
+ <p class="i2">I sing my little songs all wonderingly</p>
+ <p>That sometime you may hear,—the sweet atone</p>
+ <p>For all the years and years of search alone—</p>
+ <p class="i2">That sometime you may hear and come to me.</p>
+ </div>
+
+ <div class="stanza">
+ <p>So on I go a-singing down my way</p>
+ <p class="i2">With ne’er a thought of all the journey past,</p>
+ <p>For this I know—that on one perfect day</p>
+ <p>When everything is, oh, so glad and gay,</p>
+ <p class="i2">You’ll hear and come and claim your own, at last.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-30"><a class="pagenum" id="page42" title="42">&nbsp;</a>Twilight</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>When twilight falls and all the land is still,</p>
+ <p>The purple shadows steal across the hill,</p>
+ <p class="i2">And one lone star above a pine-tree’s crest</p>
+ <p class="i2">Shines ever brighter, while from out its nest</p>
+ <p>There breaks the low cry of the whip-poor-will.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And softly grows the ladened hush until</p>
+ <p>E’en winds list o’er the fields of daffodil</p>
+ <p class="i2">They all day wafted,—’tis so sweet to rest</p>
+ <p class="i10">When twilight falls.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Let not one drop of this rare nectar spill,</p>
+ <p>But with the beryl wine your goblet fill.</p>
+ <p class="i2">Drink with me, Love, the golden of the west,</p>
+ <p class="i2">For all is made for love and love is best,—</p>
+ <p>And, oh, the wonder of the moment’s thrill</p>
+ <p class="i10">When twilight falls!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-31"><a class="pagenum" id="page43" title="43">&nbsp;</a>The Poet</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>For one great Queen who sits in majesty,</p>
+ <p class="i2">Untouched, austere, upon a golden throne,</p>
+ <p class="i2">The like whose loveliness was never known</p>
+ <p>Of ebony and rose and ivory,—</p>
+ <p>For her you weave a broidered tapestry,</p>
+ <p class="i2">Rife with rich stains of every color-tone</p>
+ <p class="i2">Inwrought; while she immovable as stone</p>
+ <p>But watches pitiless and silently.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Yet, should this Queen of Beauty lift her arm</p>
+ <p class="i2">And take your broidered web,—ah, then the prize,</p>
+ <p class="i4">The vast reward of all the scars and shame,</p>
+ <p>For in the moment as a mystic charm</p>
+ <p class="i2">The cloth is changed to porphyry, and lies</p>
+ <p class="i4">Forever on her breast a frozen flame!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-32"><a class="pagenum" id="page44" title="44">&nbsp;</a>The Hunchback</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>He never knew the golden thrall of youth,</p>
+ <p class="i2">The ringing step, the rumpled wind-tossed hair,</p>
+ <p>The reckless laugh untouched of pain or ruth,—</p>
+ <p class="i2">Youth without pity and without a care.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Not his the swift lithe strength that ever slays,</p>
+ <p class="i2">And in its joyous slaying doubly sweet,</p>
+ <p>Like some young god adown immortal ways,</p>
+ <p class="i2">Crushing the blossoms ’neath unheeding feet.</p>
+ </div>
+
+ <div class="stanza">
+ <p>A twisted back, a face year-scarred and grim,</p>
+ <p class="i2">A very mockery to love’s caress,</p>
+ <p>These were the only birthright given him,—</p>
+ <p class="i2">What should he know, except of ugliness?</p>
+ </div>
+
+ <div class="stanza">
+ <p>But in his fettered heart in longing pent</p>
+ <p class="i2">A wealth of tenderness and, stranger too,</p>
+ <p>Youth full of pity,—ah, the wonderment,—</p>
+ <p class="i2">He never knew, and yet how well he knew!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-33"><a class="pagenum" id="page45" title="45">&nbsp;</a>The Little Ghosts</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Where are they gone, and do you know</p>
+ <p class="i2">If they come back at fall o’ dew,</p>
+ <p>The little ghosts of long ago,</p>
+ <p class="i2">That long ago were you?</p>
+ </div>
+
+ <div class="stanza">
+ <p>And all the songs that ne’er were sung,</p>
+ <p class="i2">And all the dreams that ne’er came true,</p>
+ <p>Like little children dying young,—</p>
+ <p class="i2">Do they come back to you?</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-34"><a class="pagenum" id="page46" title="46">&nbsp;</a>I Know a Quiet Vale</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>I know a quiet vale where faint winds blow</p>
+ <p class="i2">The silver poplar branches all awry,</p>
+ <p class="i2">And ne’er another sound comes drifting by</p>
+ <p>Save where the stream’s cool waters softly flow;</p>
+ <p>Wild roses riot there and violets throw</p>
+ <p class="i2">Their perfume recklessly, the while on high</p>
+ <p class="i2">Great snowy clouds pillow the smiling sky</p>
+ <p>And cast frail shadows on the grass below.</p>
+ </div>
+
+ <div class="stanza">
+ <p>All is the same, the summer stillness dreams</p>
+ <p class="i2">In idleness across the sunny leas,</p>
+ <p>Until for very drowsiness it seems</p>
+ <p class="i2">The wind has gone to sleep within the trees—</p>
+ <p>Yet we once laughed at what the years might bring,</p>
+ <p>And now I am alone, remembering.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-35"><a class="pagenum" id="page47" title="47">&nbsp;</a>Song</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Blurred is the moon in a yellow stain,</p>
+ <p class="i2">And the clouds are flying before the wind,</p>
+ <p>The leaves fall fast in a ghostly rain,—</p>
+ <p class="i4">Summer is left behind.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And left behind the long nights of June,</p>
+ <p class="i2">When the lights were soft in the waters’ shine—</p>
+ <p class="i2">Softer your lips when they first met mine—</p>
+ <p class="i4">Blurred is the Autumn moon.</p>
+ </div>
+
+ <div class="stanza">
+ <p><em>Blurred is the moon in a yellow stain,</em></p>
+ <p><em>And oh, for the warmth of your arms again!</em></p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-36"><a class="pagenum" id="page48" title="48">&nbsp;</a>Immutability</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Within your hands you hold the wealth of years,</p>
+ <p class="i2">Old Time,—yes, all the gold of yesterday,</p>
+ <p class="i2">All of love’s sunshine and the bitter gray</p>
+ <p>Of tears—oh, the great multitude of tears;</p>
+ <p>For everything is yours within the spheres</p>
+ <p class="i2">To give or take, or break, or keep for aye,</p>
+ <p class="i2">Nor heed you e’en one wild cry of dismay,</p>
+ <p>But gather on until all disappears.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Yet love is sweet and we are not so old,</p>
+ <p class="i2">Nor did the gods mean us to separate.</p>
+ <p class="i4">O Time you cannot take my love from me,</p>
+ <p>Life has so much, so very much to hold</p>
+ <p class="i2">For each,—I must not dream it is too late</p>
+ <p class="i4">And that we’ll dwell no more in Arcady.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-37"><a class="pagenum" id="page49" title="49">&nbsp;</a>In the Fall o’ Year</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>I went back an old-time lane</p>
+ <p class="i2">In the fall o’ year,</p>
+ <p>There was wind and bitter rain</p>
+ <p class="i2">And the leaves were sere.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Once the birds were lilting high</p>
+ <p class="i2">In a far-off May—</p>
+ <p>I remember, you and I</p>
+ <p class="i2">Were as glad as they.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But the branches now are bare</p>
+ <p class="i2">And the lad you knew,</p>
+ <p>Long ago was buried there—</p>
+ <p class="i2">Long ago with you!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-38"><a class="pagenum" id="page50" title="50">&nbsp;</a>Love’s Song</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p class="i2">If I had never known</p>
+ <p>How far would I have wandered wistfully alone,</p>
+ <p>Hearing no echo of that wondrous song</p>
+ <p class="i2">Whose music lingers long.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="i2">Beside whose sweetness pale</p>
+ <p>Even the soft notes of the nightingale,</p>
+ <p>Whose theme is wrought of laughter and of tears</p>
+ <p class="i2">From all the deathless years.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="i2">Ah, better thus by far</p>
+ <p>To once have felt the barriers unbar,</p>
+ <p>And known the moment in a rapt surprise</p>
+ <p class="i2">The song of Paradise!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-39"><a class="pagenum" id="page51" title="51">&nbsp;</a>The Golden Hour</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>The winds may blow, the sleet may dash the pane</p>
+ <p class="i2">And all our lonely road be clothed in gray,</p>
+ <p class="i2">Yet what care we how dark may be the way,</p>
+ <p>Or whether e’er we see the sun again;</p>
+ <p>On shall we journey through the stinging rain,</p>
+ <p class="i2">Our glad hearts beating to a roundelay</p>
+ <p class="i2">Learned long ago in one great, joyous day,</p>
+ <p>When we first knew we had not lived in vain.</p>
+ </div>
+
+ <div class="stanza">
+ <p>We two have lived, we drank the ruddy wine</p>
+ <p class="i2">And felt the wonder of its burning kiss—</p>
+ <p class="i4">Let come what may there is no earthly power</p>
+ <p>Can take away that rapture, yours and mine.</p>
+ <p class="i2">Others may weep, who would give all for this,</p>
+ <p class="i4">To find what we have found—the golden hour!</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-40"><a class="pagenum" id="page52" title="52">&nbsp;</a>The Dream-Way</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>It did not look so far, and yet, and yet,</p>
+ <p>The moments were so easy to forget,</p>
+ <p>For now without your hand to guide, it seems</p>
+ <p>I seek in vain to find a way of dreams.</p>
+ </div>
+
+ <div class="stanza">
+ <p>A moon-lit path between aspiring trees,</p>
+ <p>’Neath wind-blown leaves rustling in harmonies,</p>
+ <p>A little song that I may never sing—</p>
+ <p>But oh, the wondrous memory lingering.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And though I never may return until</p>
+ <p>I clasp your hand beyond these years, why still</p>
+ <p>There is one guide the path of life along—</p>
+ <p>A fleeting end of dream-remembered song.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-41"><a class="pagenum" id="page53" title="53">&nbsp;</a>The Spirit of Autumn</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Where the winds low list and the leafless trees</p>
+ <p class="i2">Stand gaunt and gray ’gainst the sullen sky,</p>
+ <p>The naked boughs whisper melodies</p>
+ <p class="i2">Of Summer spent and of Spring gone by—</p>
+ <p>Of days once glad that are gone forever,</p>
+ <p>Of lips once true that will answer never,</p>
+ <p>Of life and love that are but as these</p>
+ <p class="i2">Dead leaves of Autumn grown withered and dry.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But a spirit haunts in the moon’s pale glow</p>
+ <p class="i2">And all is changed as she sings a strain,</p>
+ <p>While the night winds hearken and lightly blow</p>
+ <p class="i2">Her loose-bound hair in a raven-rain—</p>
+ <p>And bear her song to the distant closes,</p>
+ <p>Where many a longing heart reposes,</p>
+ <p>Waking old love-dreams that overflow</p>
+ <p class="i2">In a rapturous joy and wistful pain.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Ah, that song ’tis sweet as the pipes of Pan,</p>
+ <p class="i2">Or faint lutes sounding in Arcady</p>
+ <p>Through the purple dawn,—yea, far sweeter than</p>
+ <p class="i2">The music that wafts from a Southern sea!</p>
+ <p>Beneath its spell the wastes bloom in flowers,</p>
+ <p>And back again come the vanished hours,</p>
+ <p>For she who sings to the soul of man</p>
+ <p class="i2">Is the Autumn spirit of memory.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-42"><a class="pagenum" id="page54" title="54">&nbsp;</a>On The Long Road</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Ah, many were they then of yesterday,</p>
+ <p class="i2">Who bore me gifts of attar and of myrrh,</p>
+ <p class="i2">And leaves of roses delicate that were</p>
+ <p>Sprung from a garden-close in far Cathay;</p>
+ <p>While I, unheeding, let them pass their way</p>
+ <p class="i2">Nor cared for all the gifts they might confer,</p>
+ <p class="i2">Watching in vain for one dear loiterer,</p>
+ <p>Who never dreamed adown my path to stray.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And now out in the lonely road I stand,</p>
+ <p class="i2">Where echoes drearily the ceaseless tread</p>
+ <p class="i4">Of stranger footsteps, slow and burdensome—</p>
+ <p>I am forgot and empty is each hand,</p>
+ <p class="i2">Save for the dust of roses witherèd,</p>
+ <p class="i4">Yet still I wait for you who never come.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-43"><a class="pagenum" id="page55" title="55">&nbsp;</a>A Postlude</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>If only in your life to live, might I</p>
+ <p class="i2">Perchance those broken chords with my own meet,</p>
+ <p>Though quite imperfect, yet but thus to try</p>
+ <p class="i12">Were oh, so wondrous sweet.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Not the broad high-roads which you would have trod,</p>
+ <p class="i2">A lonely wanderer these may not essay,</p>
+ <p>Still, spirit mine, the by-paths that I plod</p>
+ <p class="i12">Do lead the selfsame way.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And if a little part I should fulfil</p>
+ <p class="i2">Of those fair deeds which you hoped to pursue—</p>
+ <p>Oh, how content to walk the miles until</p>
+ <p class="i12">I reach my home and you.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-44"><a class="pagenum" id="page56" title="56">&nbsp;</a>An Old Song</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Low blowing winds from out a midnight sky,</p>
+ <p class="i2">The falling embers and a kettle’s croon—</p>
+ <p>These three, but oh what sweeter lullaby</p>
+ <p class="i2">Ever awoke beneath the winter’s moon.</p>
+ </div>
+
+ <div class="stanza">
+ <p>We know of none the sweeter, you and I,</p>
+ <p class="i2">And oft we’ve heard together that old tune—</p>
+ <p>Low blowing winds from out a midnight sky,</p>
+ <p class="i2">The falling embers and a kettle’s croon.</p>
+ </div>
+</div>
+
+<h2 class="title" id="poem-45"><a class="pagenum" id="page57" title="57"> </a>Old Roses</h2>
+
+<div class="poem">
+ <div class="stanza">
+ <p>Spirit of old-time roses, when the glow</p>
+ <p class="i2">Of eventide steals softly through the trees</p>
+ <p class="i2">Like rosy petals falling, and the breeze</p>
+ <p>Grows hushed until it sings a love-song, low</p>
+ <p>And sweet and tender, then I seem to know</p>
+ <p class="i2">You too are somewhere near and watching these</p>
+ <p class="i2">Last wondrous sights of day—God’s mysteries</p>
+ <p>We used to watch together long ago.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And, like a benediction, happiness</p>
+ <p class="i2">Fills all my soul, as if a wandering breath</p>
+ <p class="i4">From that high heaven had wafted down to me—</p>
+ <p>As if I felt again your dear caress</p>
+ <p class="i2">And knew you to be waiting e’er in death,</p>
+ <p class="i4">Crowned with the roses of eternity.</p>
+ </div>
+</div>
+
+<p>&nbsp;</p>
+<hr class="full" />
+<p>***END OF THE PROJECT GUTENBERG EBOOK THE ROSE-JAR***</p>
+<p>******* This file should be named 27700-h.txt or 27700-h.zip *******</p>
+<p>This and all associated files of various formats will be found in:<br />
+<a href="http://www.gutenberg.org/dirs/2/7/7/0/27700">http://www.gutenberg.org/2/7/7/0/27700</a></p>
+<p>Updated editions will replace the previous one--the old editions
+will be renamed.</p>
+
+<p>Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.</p>
+
+
+
+<pre>
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/pglaf
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+<a href="http://www.gutenberg.org">http://www.gutenberg.org</a>
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a>
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+http://www.gutenberg.org/dirs/1/0/2/3/10234
+
+or filename 24689 would be found at:
+http://www.gutenberg.org/dirs/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a>
+
+*** END: FULL LICENSE ***
+</pre>
+</body>
+</html>
diff --git a/27700-page-images/p001.png b/27700-page-images/p001.png
new file mode 100644
index 0000000..33b2b94
--- /dev/null
+++ b/27700-page-images/p001.png
Binary files differ
diff --git a/27700-page-images/p002.png b/27700-page-images/p002.png
new file mode 100644
index 0000000..10d7ac9
--- /dev/null
+++ b/27700-page-images/p002.png
Binary files differ
diff --git a/27700-page-images/p003.png b/27700-page-images/p003.png
new file mode 100644
index 0000000..99bfe2a
--- /dev/null
+++ b/27700-page-images/p003.png
Binary files differ
diff --git a/27700-page-images/p004.png b/27700-page-images/p004.png
new file mode 100644
index 0000000..a015dc2
--- /dev/null
+++ b/27700-page-images/p004.png
Binary files differ
diff --git a/27700-page-images/p005.png b/27700-page-images/p005.png
new file mode 100644
index 0000000..568ad70
--- /dev/null
+++ b/27700-page-images/p005.png
Binary files differ
diff --git a/27700-page-images/p006.png b/27700-page-images/p006.png
new file mode 100644
index 0000000..17afbee
--- /dev/null
+++ b/27700-page-images/p006.png
Binary files differ
diff --git a/27700-page-images/p007.png b/27700-page-images/p007.png
new file mode 100644
index 0000000..1729628
--- /dev/null
+++ b/27700-page-images/p007.png
Binary files differ
diff --git a/27700-page-images/p008.png b/27700-page-images/p008.png
new file mode 100644
index 0000000..b75c212
--- /dev/null
+++ b/27700-page-images/p008.png
Binary files differ
diff --git a/27700-page-images/p009.png b/27700-page-images/p009.png
new file mode 100644
index 0000000..b9725ea
--- /dev/null
+++ b/27700-page-images/p009.png
Binary files differ
diff --git a/27700-page-images/p010.png b/27700-page-images/p010.png
new file mode 100644
index 0000000..056c6a7
--- /dev/null
+++ b/27700-page-images/p010.png
Binary files differ
diff --git a/27700-page-images/p011.png b/27700-page-images/p011.png
new file mode 100644
index 0000000..b46706f
--- /dev/null
+++ b/27700-page-images/p011.png
Binary files differ
diff --git a/27700-page-images/p012.png b/27700-page-images/p012.png
new file mode 100644
index 0000000..42df15c
--- /dev/null
+++ b/27700-page-images/p012.png
Binary files differ
diff --git a/27700-page-images/p013.png b/27700-page-images/p013.png
new file mode 100644
index 0000000..dc6ec51
--- /dev/null
+++ b/27700-page-images/p013.png
Binary files differ
diff --git a/27700-page-images/p014.png b/27700-page-images/p014.png
new file mode 100644
index 0000000..4fc43f7
--- /dev/null
+++ b/27700-page-images/p014.png
Binary files differ
diff --git a/27700-page-images/p015.png b/27700-page-images/p015.png
new file mode 100644
index 0000000..693bd2e
--- /dev/null
+++ b/27700-page-images/p015.png
Binary files differ
diff --git a/27700-page-images/p016.png b/27700-page-images/p016.png
new file mode 100644
index 0000000..1bdb33f
--- /dev/null
+++ b/27700-page-images/p016.png
Binary files differ
diff --git a/27700-page-images/p017.png b/27700-page-images/p017.png
new file mode 100644
index 0000000..716213b
--- /dev/null
+++ b/27700-page-images/p017.png
Binary files differ
diff --git a/27700-page-images/p018.png b/27700-page-images/p018.png
new file mode 100644
index 0000000..d4980b9
--- /dev/null
+++ b/27700-page-images/p018.png
Binary files differ
diff --git a/27700-page-images/p019.png b/27700-page-images/p019.png
new file mode 100644
index 0000000..5319390
--- /dev/null
+++ b/27700-page-images/p019.png
Binary files differ
diff --git a/27700-page-images/p020.png b/27700-page-images/p020.png
new file mode 100644
index 0000000..c251f24
--- /dev/null
+++ b/27700-page-images/p020.png
Binary files differ
diff --git a/27700-page-images/p021.png b/27700-page-images/p021.png
new file mode 100644
index 0000000..4c90dbc
--- /dev/null
+++ b/27700-page-images/p021.png
Binary files differ
diff --git a/27700-page-images/p022.png b/27700-page-images/p022.png
new file mode 100644
index 0000000..425903c
--- /dev/null
+++ b/27700-page-images/p022.png
Binary files differ
diff --git a/27700-page-images/p023.png b/27700-page-images/p023.png
new file mode 100644
index 0000000..3924c9b
--- /dev/null
+++ b/27700-page-images/p023.png
Binary files differ
diff --git a/27700-page-images/p024.png b/27700-page-images/p024.png
new file mode 100644
index 0000000..5d3aca6
--- /dev/null
+++ b/27700-page-images/p024.png
Binary files differ
diff --git a/27700-page-images/p025.png b/27700-page-images/p025.png
new file mode 100644
index 0000000..01e3e1a
--- /dev/null
+++ b/27700-page-images/p025.png
Binary files differ
diff --git a/27700-page-images/p026.png b/27700-page-images/p026.png
new file mode 100644
index 0000000..d42f92f
--- /dev/null
+++ b/27700-page-images/p026.png
Binary files differ
diff --git a/27700-page-images/p027.png b/27700-page-images/p027.png
new file mode 100644
index 0000000..a1181fe
--- /dev/null
+++ b/27700-page-images/p027.png
Binary files differ
diff --git a/27700-page-images/p028.png b/27700-page-images/p028.png
new file mode 100644
index 0000000..7ab68e6
--- /dev/null
+++ b/27700-page-images/p028.png
Binary files differ
diff --git a/27700-page-images/p029.png b/27700-page-images/p029.png
new file mode 100644
index 0000000..4542a09
--- /dev/null
+++ b/27700-page-images/p029.png
Binary files differ
diff --git a/27700-page-images/p030.png b/27700-page-images/p030.png
new file mode 100644
index 0000000..f641a7f
--- /dev/null
+++ b/27700-page-images/p030.png
Binary files differ
diff --git a/27700-page-images/p031.png b/27700-page-images/p031.png
new file mode 100644
index 0000000..70f44e8
--- /dev/null
+++ b/27700-page-images/p031.png
Binary files differ
diff --git a/27700-page-images/p032.png b/27700-page-images/p032.png
new file mode 100644
index 0000000..24b7186
--- /dev/null
+++ b/27700-page-images/p032.png
Binary files differ
diff --git a/27700-page-images/p033.png b/27700-page-images/p033.png
new file mode 100644
index 0000000..056c7ac
--- /dev/null
+++ b/27700-page-images/p033.png
Binary files differ
diff --git a/27700-page-images/p034.png b/27700-page-images/p034.png
new file mode 100644
index 0000000..29b66b6
--- /dev/null
+++ b/27700-page-images/p034.png
Binary files differ
diff --git a/27700-page-images/p035.png b/27700-page-images/p035.png
new file mode 100644
index 0000000..0c732dd
--- /dev/null
+++ b/27700-page-images/p035.png
Binary files differ
diff --git a/27700-page-images/p036.png b/27700-page-images/p036.png
new file mode 100644
index 0000000..afa4943
--- /dev/null
+++ b/27700-page-images/p036.png
Binary files differ
diff --git a/27700-page-images/p037.png b/27700-page-images/p037.png
new file mode 100644
index 0000000..97dfef5
--- /dev/null
+++ b/27700-page-images/p037.png
Binary files differ
diff --git a/27700-page-images/p038.png b/27700-page-images/p038.png
new file mode 100644
index 0000000..74eb2a0
--- /dev/null
+++ b/27700-page-images/p038.png
Binary files differ
diff --git a/27700-page-images/p039.png b/27700-page-images/p039.png
new file mode 100644
index 0000000..47723ad
--- /dev/null
+++ b/27700-page-images/p039.png
Binary files differ
diff --git a/27700-page-images/p040.png b/27700-page-images/p040.png
new file mode 100644
index 0000000..9f87c6b
--- /dev/null
+++ b/27700-page-images/p040.png
Binary files differ
diff --git a/27700-page-images/p041.png b/27700-page-images/p041.png
new file mode 100644
index 0000000..f34e29f
--- /dev/null
+++ b/27700-page-images/p041.png
Binary files differ
diff --git a/27700-page-images/p042.png b/27700-page-images/p042.png
new file mode 100644
index 0000000..4dcd10f
--- /dev/null
+++ b/27700-page-images/p042.png
Binary files differ
diff --git a/27700-page-images/p043.png b/27700-page-images/p043.png
new file mode 100644
index 0000000..eb17585
--- /dev/null
+++ b/27700-page-images/p043.png
Binary files differ
diff --git a/27700-page-images/p044.png b/27700-page-images/p044.png
new file mode 100644
index 0000000..4b62aeb
--- /dev/null
+++ b/27700-page-images/p044.png
Binary files differ
diff --git a/27700-page-images/p045.png b/27700-page-images/p045.png
new file mode 100644
index 0000000..6e54ccf
--- /dev/null
+++ b/27700-page-images/p045.png
Binary files differ
diff --git a/27700-page-images/p046.png b/27700-page-images/p046.png
new file mode 100644
index 0000000..7b18d0d
--- /dev/null
+++ b/27700-page-images/p046.png
Binary files differ
diff --git a/27700-page-images/p047.png b/27700-page-images/p047.png
new file mode 100644
index 0000000..d0ccca3
--- /dev/null
+++ b/27700-page-images/p047.png
Binary files differ
diff --git a/27700-page-images/p048.png b/27700-page-images/p048.png
new file mode 100644
index 0000000..3384ff5
--- /dev/null
+++ b/27700-page-images/p048.png
Binary files differ
diff --git a/27700-page-images/p049.png b/27700-page-images/p049.png
new file mode 100644
index 0000000..d4d2482
--- /dev/null
+++ b/27700-page-images/p049.png
Binary files differ
diff --git a/27700-page-images/p050.png b/27700-page-images/p050.png
new file mode 100644
index 0000000..36806b7
--- /dev/null
+++ b/27700-page-images/p050.png
Binary files differ
diff --git a/27700-page-images/p051.png b/27700-page-images/p051.png
new file mode 100644
index 0000000..0b75af2
--- /dev/null
+++ b/27700-page-images/p051.png
Binary files differ
diff --git a/27700-page-images/p052.png b/27700-page-images/p052.png
new file mode 100644
index 0000000..075dd5e
--- /dev/null
+++ b/27700-page-images/p052.png
Binary files differ
diff --git a/27700-page-images/p053.png b/27700-page-images/p053.png
new file mode 100644
index 0000000..b157ee8
--- /dev/null
+++ b/27700-page-images/p053.png
Binary files differ
diff --git a/27700-page-images/p054.png b/27700-page-images/p054.png
new file mode 100644
index 0000000..903ba3a
--- /dev/null
+++ b/27700-page-images/p054.png
Binary files differ
diff --git a/27700-page-images/p055.png b/27700-page-images/p055.png
new file mode 100644
index 0000000..9a5d71d
--- /dev/null
+++ b/27700-page-images/p055.png
Binary files differ
diff --git a/27700-page-images/p056.png b/27700-page-images/p056.png
new file mode 100644
index 0000000..13e2609
--- /dev/null
+++ b/27700-page-images/p056.png
Binary files differ
diff --git a/27700-page-images/p057.png b/27700-page-images/p057.png
new file mode 100644
index 0000000..4ca38f3
--- /dev/null
+++ b/27700-page-images/p057.png
Binary files differ
diff --git a/27700.txt b/27700.txt
new file mode 100644
index 0000000..7344102
--- /dev/null
+++ b/27700.txt
@@ -0,0 +1,1515 @@
+The Project Gutenberg eBook of The Rose-Jar, by Thomas S. (Thomas Samuel)
+Jones
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Rose-Jar
+
+
+Author: Thomas S. (Thomas Samuel) Jones
+
+
+
+Release Date: January 4, 2009 [eBook #27700]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE ROSE-JAR***
+
+
+E-text prepared by Juliet Sutherland, Barbara Tozier, and the Project
+Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)
+
+
+
+THE ROSE-JAR
+
+by
+
+THOMAS S. JONES, JR.
+
+Author of _The Path o' Dreams_, etc.
+
+
+
+
+
+
+
+[Illustration]
+
+
+Clinton, New York
+George William Browning
+
+Copyrighted 1906 by Thomas S. Jones, Jr.
+
+
+The author desires to thank the editors of Appleton's Magazine,
+Everybody's Magazine, Lippincott's Magazine, The New York Times, The
+Smart Set, and the other publications in which the verses in this
+collection originally appeared, for their kind permission to reprint.
+
+
+
+
+_This Edition of_ The Rose-Jar _Printed by George William Browning at
+Clinton New York during the Summer of 1906 consists of Three Hundred
+copies on Deckle-Edged Paper, with Twelve additional copies on
+Imperial Japan Vellum (Insetsu Kioku)._
+
+ _NUMBER 258_
+
+ [Illustration: Author's signature]
+
+
+
+
+To the Memory of My Mother
+
+
+
+
+CONTENTS
+
+
+ As in a Rose-Jar
+ The Island
+ You and I
+ A Ballade of Old Romance
+ A Voice from the Far Away
+ April
+ A Yesterday
+ Violets
+ A Song of Life
+ As a Still Brook
+ At the Window
+ A Sea Spell
+ The Silent Country
+ The Sport of a God
+ Remembrance
+ In Days of Old
+ We Once Built a House o' Dreams
+ A Song of the Way
+ In Trinity Church-Yard at Sunset
+ Where Cross-Roads Part
+ Saida
+ In Arcady
+ The Summer Rain
+ Impression
+ Derelicts
+ The End of the Day
+ Tristesse
+ Interlude
+ To You, Dear Heart
+ Twilight
+ The Poet
+ The Hunchback
+ The Little Ghosts
+ I Know a Quiet Vale
+ Song
+ Immutability
+ In the Fall o' Year
+ Love's Song
+ The Golden Hour
+ The Dream-Way
+ The Spirit of Autumn
+ On the Long Road
+ A Postlude
+ An Old Song
+ Old Roses
+
+
+
+
+_The Rose-Jar_
+
+
+
+
+As in a Rose-Jar
+
+
+ As in a rose-jar filled with petals sweet
+ Blown long ago in some old garden place,
+ Mayhap, where you and I, a little space,
+ Drank deep of love and knew that love was fleet--
+ Or leaves once gathered from a lost retreat
+ By one who never will again retrace
+ Her silent footsteps--one, whose gentle face
+ Was fairer than the roses at her feet;
+
+ So, deep within the vase of memory,
+ I keep my dust of roses fresh and dear
+ As in the days before I knew the smart
+ Of time and death. Nor aught can take from me
+ The haunting fragrance that still lingers here--
+ As in a rose-jar, so within my heart!
+
+
+
+
+The Island
+
+
+ There is an island in the silent sea,
+ Whose marge the wistful waves lap listlessly--
+ An isle of rest for those who used to be.
+
+ For ne'er an echo wakes that towering wall,
+ Whose blackened crags answer none other call
+ Save the lone ocean's rhythmic rise and fall.
+
+ Only the song the sea sings as she laves
+ That sleep-bound shore with sad caressing waves,
+ The while the dead sleep sweeter in their graves.
+
+ 'Tis oh! so still they sleep within each tomb,
+ Cool in long shadows of the cypress gloom,
+ Breathing in death the moon-flower's rank perfume.
+
+ They know not when slow barges on the mere
+ Enter the portals of that place austere--
+ Enter and so forever disappear!
+
+ And in this island of a silent sea,
+ Whose marge e'er wistful waves lap listlessly,
+ Is rest,--is peace for all eternity.
+
+
+
+
+You and I
+
+
+ Over the hills where the pine-trees grow,
+ With a laugh to answer the wind at play.
+ Why do I laugh? I do not know,
+ But you and I once passed this way.
+
+ Down in the hollow now white with snow
+ My heart is singing a song today.
+ Why do I sing? I do not know,
+ But you and I were here in May.
+
+
+
+
+A Ballade of Old Romance
+
+
+ When April spreads her mantle green
+ Across the pasture-lands of snow,
+ And Spring's first scarlet breasts are seen
+ Where treetops rustle to and fro;
+ Then come fair fragrant dreams as though
+ Our lightest fancy to entrance
+ And paint us what we fain would know
+ Adown the lanes of Old Romance.
+
+ Anon, we see the golden sheen
+ Of burnished mail the sunbeams throw,
+ Flashing the poplars tall between,
+ As knights ride by to meet the foe;
+ Or, mayhap, shepherd lads who blow
+ On slender pipes, a pastoral dance--
+ Ah, strong were they in weal and woe
+ Adown the lanes of Old Romance!
+
+ But now the vast years intervene,
+ The fountain long has ceased its flow,
+ And silence rules the lone demesne
+ That once held such a goodly show;
+ Yet time, at least, does this bestow
+ Nor leave the best to fleeting chance--
+ They live again in fancy's glow
+ Adown the lanes of Old Romance.
+
+
+ ENVOY
+
+ Sweet, still for us some blossoms grow
+ From out that dim and dear expanse--
+ Come, take my hand and we shall go
+ Adown the lanes of Old Romance!
+
+
+
+
+A Voice From the Far Away
+
+
+ I heard a voice from the far away
+ Softly say this to me--
+ "You will find the heart of the world some day
+ And the why of the things that be;
+ You will see the grief of the yea and nay
+ And the price of frailty.
+
+ "And upon your lute you will weave a theme
+ Which the world will harken and know;
+ For every note of the song will teem
+ With a great soul's overflow--
+ You will speak the meaning within a dream
+ And the pain in the afterglow.
+
+ "But for all of this there's a price--
+ 'Tis the price of minstrelsy--
+ You will never have of the things you play,
+ Sad singer of poetry,
+ And throughout your life you will go for aye,
+ Heart-hungry and silently!"
+ I heard a voice from the far away
+ Softly say this to me.
+
+
+
+
+April
+
+
+ Throughout the vale again Narcissus cries
+ And Echo answers from her dark retreat,
+ While Zephyr heavy-laden with the sweet,
+ Fresh scent of blooms across the pasture hies;
+ Above, the blueness of the April skies,
+ Matched by the lure unto the wandering feet
+ That e'er must go ere Spring could be complete
+ To the green wood where laughing Eros lies.
+
+ O April lover, hear the pipes that call,
+ The pipes of Pan a-blowing lustily,
+ They call to you and me, and he who hears
+ Must ever after be Young April's thrall--
+ So, faring thus together, we shall see
+ The Islands of the Blest between the Spheres!
+
+
+
+
+A Yesterday
+
+
+ I held you in my arms--so happy I,
+ Who quite forgot the while that moments fly;
+ Nor ever dreamed that they could pass away,
+ Till it was yesterday.
+
+ Yet, just because that hour was long ago
+ And seems to me so near--well, this I know
+ That sometime I shall clasp your hand and say:
+ Was there a yesterday?
+
+
+
+
+Violets
+
+
+ 'Twas just at sundown, when the leaves were wet
+ With evening dew,
+ Far in the fields where sky and violet
+ Blend rifts of blue--
+
+ But for a moment, deep among the flowers
+ And rain-sweet grass,
+ I saw her--loved her--and as April showers
+ Beheld her pass.
+
+ O, the lone vastness of the afterglow,
+ Unknown before;
+ Shall e'er I see that face where violets grow,
+ Perchance, once more!
+
+ Yet no one comes save night, with wild regrets
+ And silent pain--
+ Only sometimes the scent of violets
+ On wind-blown rain.
+
+
+
+
+A Song of Life
+
+
+ _What if the song is sung, I say,
+ As long as the song was sung!_
+
+ Did we not meet with the blood's best play
+ The lash of the winds and the rain that stung,
+ And the tang of the salty spray?
+
+ Did we not drink the last drop that clung
+ To the golden bowl with its glowing fire,
+ Yet so cool to our burning tongue?
+
+ Did we not love with a love entire
+ That made up for all and a world of clay
+ In a moment of wild desire?
+
+ _What if the song is sung, I say,
+ As long as the song was sung!_
+
+
+
+
+As a Still Brook
+
+
+ As a still brook within the woodland's green
+ Sings softly to itself the live-long day,
+ Unconscious of its gentle roundelay,
+ Its open purity and silver sheen--
+ Knowing not how in all that wild demesne,
+ Its music is a strain the angels play
+ And its fair face a jewel amid the gray,
+ Beshadowed places that it flows between;
+
+ So your dear love, a simple forest stream,
+ Bearing the wealth of all that life can hold,--
+ Nor ever dreaming of the worth that lies
+ Deep in your heart--why, you have made it seem
+ That every empty hour is wrought of gold
+ And this tear-sodden world, a Paradise!
+
+
+
+
+At the Window
+
+
+ I looked out of my window tall
+ And laughed to see the May,
+ For everything both great and small
+ Was on a holiday.
+
+ Then Love came by and laughed at me,
+ And I forgot the Spring--
+ Only I knew the ecstasy
+ Of madly listening.
+
+ And now the branches all again
+ Are red with vernal May,
+ But tears have dimmed the window-pane--
+ And no one comes my way.
+
+
+
+
+A Sea Spell
+
+
+ The sunset sea--a goblet thick inlaid
+ With jewels wrought in golden filigree,
+ An opal from some elfin treasury
+ Burning with fire and flashing every shade;
+ While round the dim horizon, wide displayed
+ The clouds pile up their largess tenderly
+ As if to clothe the beauty of the sea
+ In filmy gossamer and soft brocade.
+
+ And far away I think I almost hear
+ A horn's faint echo through the dusk-hour's veil
+ As in the happy, golden days of yore--
+ Mayhap, e'en now upon this magic mere
+ Frail shallops will flit by and mermaids pale
+ Will lure us back to fairy-land once more!
+
+
+
+
+The Silent Country
+
+
+ Wave, wave sweet blooms of May and on your wings
+ Bear me away with drowsy winnowings
+ To some far twilight land where steals a stream
+ From out the cool and soundless groves of Dream.
+
+ For in the Spring is such a bitter smart
+ Even the thought of it will break my heart,
+ So take me softly to a leafy bed
+ Where I shall dream and dream you are not dead!
+
+
+
+
+The Sport of a God
+
+
+ Though they say Jove laughs at the lover's vow--
+ At the lover's vow that must break some day--
+ Still we smiled as we loved in a distant May
+ When the blooms were heavy upon the bough.
+
+ O, the mocking difference of then and now!
+ It isn't a thought that will make one gay,
+ Though they say Jove laughs at the lover's vow--
+ At the lover's vow that must break some day.
+
+ Yet, perhaps, the god knows the best way how
+ To carry a mask when the feet are clay;
+ So I too shall laugh at the merry play,
+ For down in his heart there's a knife, I trow,
+ Though they say Jove laughs at the lover's vow.
+
+
+
+
+Remembrance
+
+
+ Sweet rosemary within the lane
+ The while the day is warm and clear,
+ And ne'er a thought of bitter rain
+ Or the road-side sere.
+
+ But there are flowers more dear to me
+ That time can never set apart--
+ The fragrant blooms of memory
+ That grow within the heart.
+
+
+
+
+In Days of Old
+
+
+ Of all the ages' gain, the ages' loss,
+ A wealth of wonders and so much away--
+ When now hears one the woodland elves at play,
+ Or angry dryads where tall tree-tops toss.
+ No more they lightly tread the dewy moss
+ As danced they through cool haunts in ecstasy;
+ But rank and lost the paths in lone decay
+ Where fairy footsteps once were wont to cross.
+
+ O, happy Greeks, who knew the gods so well,
+ To you I burn my sacrificial fire!
+ Again reveal the mystic hidden rune
+ Whereby to find the slopes of asphodel--
+ Ah, then to hear Apollo charm his lyre
+ And see Diana 'neath the sickle moon.
+
+
+
+
+We Once Built a House o' Dreams
+
+
+ We once built a house o' dreams
+ At the break o' day
+ Made from out the first gold beams
+ On the sward astray.
+
+ Little did we think or care
+ 'Twas not safe nor strong;
+ We were very happy there
+ And the day was long.
+
+ Now we leave our house o' dreams,
+ Why, we do not know;
+ Only this--so strange it seems
+ And so hard to go!
+
+
+
+
+A Song of the Way
+
+
+ Give me the road, the great broad road,
+ That wanders over the hill;
+ Give me a heart without a care
+ And a free, unfettered will--
+ Ah, thus to journey, thus to fare,
+ With only the skies to frown,
+ And happy I, if the ways but lie
+ Away, away from the town.
+
+ Give me the path, the wild-wood path
+ That wanders deep in a dell,
+ Where silence sleeps and sunbeams fain
+ Would waken the slumber spell--
+ For there the gods find the world again,
+ Immortals of ancient lore,
+ And time is gone, and a mad-glad faun
+ Knows the glades of Greece once more.
+
+
+
+
+In Trinity Church-Yard at Sunset
+
+
+ How still they sleep within the city moil
+ In their old church-yard with its sighing trees,
+ Where sometimes through the din a twilight breeze
+ Makes one forget the busy streets of toil;
+ But they have little thought of worldly spoil
+ Or the great gain of mortal victories,
+ Their hopes, their dreams, are cold and dead as these
+ Quaint, time-worn gravestones crumbling on the soil.
+
+ Yet they once lived and struggled years ago;
+ Their hearts beat madly as these hearts of ours--
+ And now is all undone in dreamless rest?
+ See, a great city stands against the glow--
+ Their city, they who here beneath the flowers
+ Have known so long God's gift of peace, most blest!
+
+
+
+
+Where Cross-Roads Part
+
+
+ Glad roads of Spring--O lanes of laughing May
+ As fleeting as the shadow-clouds at play
+ With sunbeams rife upon the grassy green;
+ O golden lanes--through roads that lie between
+ Amid what darkened sweep lost I the way?
+
+ Or was't the stripling Youth, whose roundelay
+ Awoke the echoes of the throbbing day
+ And changed to gladness all the world's dull mien,
+ Glad roads of Spring?
+
+ Apart I stand, distraught with lone dismay,
+ No more Youth's gladsome biddings to obey,
+ No more with him Love's strewings lost to glean;
+ The hills of years now ever intervene,
+ And bid me say good-bye to you for aye,
+ Glad roads of Spring!
+
+
+
+
+Saida
+
+
+ We passed along the high-road, you and I,
+ Though I remember not the place nor when;
+ Only the wonder of your face, and then
+ That you passed by.
+
+ But that was long ago, and I forget;
+ Perhaps 'twere better that I went alone,
+ You might not e'er have loved me had you known,
+ And yet, and yet--
+
+
+
+
+In Arcady
+
+
+ Although 'tis but a memory,
+ Still in the days of long ago
+ We tended sheep in Arcady.
+
+ Then were we both of fancy free
+ And laughing Youth had much to show,
+ Although 'tis but a memory.
+
+ Again the pasture lands we see
+ Where in the golden summer glow
+ We tended sheep in Arcady.
+
+ And hear the tender harmony
+ Of shepherd pipes that softly blow,
+ Although 'tis but a memory.
+
+ Nor thought of any end had we
+ As through the grasses to and fro
+ We tended sheep in Arcady.
+
+ So, what if life now empty be,
+ Of all the past this do we know,
+ Although 'tis but a memory,
+ We tended sheep in Arcady!
+
+
+
+
+The Summer Rain
+
+
+ As one who listens to the summer rain
+ Against the roof when all the night is still,
+ Save for the wind beneath the window-sill,
+ Crooning its homely, comforting refrain,--
+ And listening feels that neither joy nor pain
+ Can trouble now--only the faint sweet thrill
+ Of drowsiness and peace and rest until
+ The barque glides softly into sleep's domain;
+
+ So I, whose empty way leads wandering
+ Between high garden-walls that hide the sun,
+ Hear sometimes on the breeze a simple strain
+ Of an old song you once were wont to sing--
+ And then forgetting all, I seem as one
+ Who listens spell-bound to the summer rain.
+
+
+
+
+Impression
+
+
+ A little stone o'ercrept with moss,
+ And red wild roses flaunting by,
+ A wistful breeze that seems to sigh
+ Where the tall grasses toss.
+
+ To sigh for one who went away,
+ Thus it is writ upon the stone--
+ Nothing can ever make atone
+ And tears shall fall for aye.
+
+ Oh, irony of human vow,
+ Even the stone is crumbling too,
+ And tears,--none save the evening dew,
+ For who remembers now?
+
+
+
+
+Derelicts
+
+
+ A year, a year, and then to miss
+ That which was all in all for aye;
+ O Love as fleeting as your kiss,
+ O Love forever and a day,
+ To this.
+
+ How such a change in one short year,
+ I cannot, cannot understand;
+ Oh, why to cast upon Love's bier,
+ Whose name was written in the sand,
+ This tear?
+
+ Why, when the fields were red with May
+ When you and I together swore;
+ Is May so very far away,
+ Was all so different then, before
+ Today?
+
+ And did the gods above then smile
+ When we believed that love would last,
+ Counting its heart-beats on the dial
+ Of hours that have too soon slipped past,
+ The while.
+
+ Two boats upon a sea of glass--
+ A little strength, a little trust;
+ Yet let the hand of Fate but pass,
+ Could they withstand the storm-cloud's gust,
+ Alas!
+
+ So, though not knowing, yet must I
+ Forget one day and feel no more
+ Your love, which dreamed not e'er to die.
+ Thank God for that--I close my door.
+ Good-bye.
+
+
+
+
+The End of the Day
+
+
+ The day is done and every hour is spent
+ And now it lies a-dying in the west,
+ Yet with what wonder those last moments blest
+ Crown all with the chaste kiss of sweet content;
+ For nature's minstrels sing a carol pent
+ With the soft music of the spheres suppressed
+ In one great strain--the while upon night's breast
+ The dying day sinks down in languishment.
+
+ And in those last faint breaths as 'twere in sooth
+ The halo of some saint, a glowing light
+ Of purest gold streams through the darkened sky,
+ A light more wondrous than the dawn of youth--
+ For 'tis a flame cleft out the veil of night
+ From that eternal dawn that ne'er can die!
+
+
+
+
+Tristesse
+
+
+ If you were not away
+ These trees, this south-wind and this dreary day
+ Would all be mad with joyous ecstasy;
+ But you are gone, so mourning they with me
+ Find bitter-sweet in idle fantasy.
+ How glad, how mad, how gay,
+ If you were not away!
+
+
+
+
+Interlude
+
+
+ Sometimes from out the rush of pulsing days,
+ These days whose poetry was lost in prose
+ So long ago, left desolate on those
+ Far childhood paths--yet, sometimes from the haze
+ Of half-forgotten years, fall on our ways
+ Now drear, a strain of song, a June-blown rose.
+ Ah, sweet, so sweet unto a heart that knows
+ The memory of once-remembered Mays!
+
+ Only a moment's interlude, and yet
+ How the heart quaffs the draught that thrills and thrills
+ Its soul, finding again youth's mysteries.
+ What matter if tomorrow we forget--
+ Today the stillness of the sun-lit hills
+ And the low drowsy hum of summer bees!
+
+
+
+
+To You, Dear Heart
+
+
+ To you, dear heart, whom I have never known
+ I sing my little songs all wonderingly
+ That sometime you may hear,--the sweet atone
+ For all the years and years of search alone--
+ That sometime you may hear and come to me.
+
+ So on I go a-singing down my way
+ With ne'er a thought of all the journey past,
+ For this I know--that on one perfect day
+ When everything is, oh, so glad and gay,
+ You'll hear and come and claim your own, at last.
+
+
+
+
+Twilight
+
+
+ When twilight falls and all the land is still,
+ The purple shadows steal across the hill,
+ And one lone star above a pine-tree's crest
+ Shines ever brighter, while from out its nest
+ There breaks the low cry of the whip-poor-will.
+
+ And softly grows the ladened hush until
+ E'en winds list o'er the fields of daffodil
+ They all day wafted,--'tis so sweet to rest
+ When twilight falls.
+
+ Let not one drop of this rare nectar spill,
+ But with the beryl wine your goblet fill.
+ Drink with me, Love, the golden of the west,
+ For all is made for love and love is best,--
+ And, oh, the wonder of the moment's thrill
+ When twilight falls!
+
+
+
+
+The Poet
+
+
+ For one great Queen who sits in majesty,
+ Untouched, austere, upon a golden throne,
+ The like whose loveliness was never known
+ Of ebony and rose and ivory,--
+ For her you weave a broidered tapestry,
+ Rife with rich stains of every color-tone
+ Inwrought; while she immovable as stone
+ But watches pitiless and silently.
+
+ Yet, should this Queen of Beauty lift her arm
+ And take your broidered web,--ah, then the prize,
+ The vast reward of all the scars and shame,
+ For in the moment as a mystic charm
+ The cloth is changed to porphyry, and lies
+ Forever on her breast a frozen flame!
+
+
+
+
+The Hunchback
+
+
+ He never knew the golden thrall of youth,
+ The ringing step, the rumpled wind-tossed hair,
+ The reckless laugh untouched of pain or ruth,--
+ Youth without pity and without a care.
+
+ Not his the swift lithe strength that ever slays,
+ And in its joyous slaying doubly sweet,
+ Like some young god adown immortal ways,
+ Crushing the blossoms 'neath unheeding feet.
+
+ A twisted back, a face year-scarred and grim,
+ A very mockery to love's caress,
+ These were the only birthright given him,--
+ What should he know, except of ugliness?
+
+ But in his fettered heart in longing pent
+ A wealth of tenderness and, stranger too,
+ Youth full of pity,--ah, the wonderment,--
+ He never knew, and yet how well he knew!
+
+
+
+
+The Little Ghosts
+
+
+ Where are they gone, and do you know
+ If they come back at fall o' dew,
+ The little ghosts of long ago,
+ That long ago were you?
+
+ And all the songs that ne'er were sung,
+ And all the dreams that ne'er came true,
+ Like little children dying young,--
+ Do they come back to you?
+
+
+
+
+I Know a Quiet Vale
+
+
+ I know a quiet vale where faint winds blow
+ The silver poplar branches all awry,
+ And ne'er another sound comes drifting by
+ Save where the stream's cool waters softly flow;
+ Wild roses riot there and violets throw
+ Their perfume recklessly, the while on high
+ Great snowy clouds pillow the smiling sky
+ And cast frail shadows on the grass below.
+
+ All is the same, the summer stillness dreams
+ In idleness across the sunny leas,
+ Until for very drowsiness it seems
+ The wind has gone to sleep within the trees--
+ Yet we once laughed at what the years might bring,
+ And now I am alone, remembering.
+
+
+
+
+Song
+
+
+ Blurred is the moon in a yellow stain,
+ And the clouds are flying before the wind,
+ The leaves fall fast in a ghostly rain,--
+ Summer is left behind.
+
+ And left behind the long nights of June,
+ When the lights were soft in the waters' shine--
+ Softer your lips when they first met mine--
+ Blurred is the Autumn moon.
+
+ _Blurred is the moon in a yellow stain,
+ And oh, for the warmth of your arms again!_
+
+
+
+
+Immutability
+
+
+ Within your hands you hold the wealth of years,
+ Old Time,--yes, all the gold of yesterday,
+ All of love's sunshine and the bitter gray
+ Of tears--oh, the great multitude of tears;
+ For everything is yours within the spheres
+ To give or take, or break, or keep for aye,
+ Nor heed you e'en one wild cry of dismay,
+ But gather on until all disappears.
+
+ Yet love is sweet and we are not so old,
+ Nor did the gods mean us to separate.
+ O Time you cannot take my love from me,
+ Life has so much, so very much to hold
+ For each,--I must not dream it is too late
+ And that we'll dwell no more in Arcady.
+
+
+
+
+In the Fall o' Year
+
+
+ I went back an old-time lane
+ In the fall o' year,
+ There was wind and bitter rain
+ And the leaves were sere.
+
+ Once the birds were lilting high
+ In a far-off May--
+ I remember, you and I
+ Were as glad as they.
+
+ But the branches now are bare
+ And the lad you knew,
+ Long ago was buried there--
+ Long ago with you!
+
+
+
+
+Love's Song
+
+
+ If I had never known
+ How far would I have wandered wistfully alone,
+ Hearing no echo of that wondrous song
+ Whose music lingers long.
+
+ Beside whose sweetness pale
+ Even the soft notes of the nightingale,
+ Whose theme is wrought of laughter and of tears
+ From all the deathless years.
+
+ Ah, better thus by far
+ To once have felt the barriers unbar,
+ And known the moment in a rapt surprise
+ The song of Paradise!
+
+
+
+
+The Golden Hour
+
+
+ The winds may blow, the sleet may dash the pane
+ And all our lonely road be clothed in gray,
+ Yet what care we how dark may be the way,
+ Or whether e'er we see the sun again;
+ On shall we journey through the stinging rain,
+ Our glad hearts beating to a roundelay
+ Learned long ago in one great, joyous day,
+ When we first knew we had not lived in vain.
+
+ We two have lived, we drank the ruddy wine
+ And felt the wonder of its burning kiss--
+ Let come what may there is no earthly power
+ Can take away that rapture, yours and mine.
+ Others may weep, who would give all for this,
+ To find what we have found--the golden hour!
+
+
+
+
+The Dream-Way
+
+
+ It did not look so far, and yet, and yet,
+ The moments were so easy to forget,
+ For now without your hand to guide, it seems
+ I seek in vain to find a way of dreams.
+
+ A moon-lit path between aspiring trees,
+ 'Neath wind-blown leaves rustling in harmonies,
+ A little song that I may never sing--
+ But oh, the wondrous memory lingering.
+
+ And though I never may return until
+ I clasp your hand beyond these years, why still
+ There is one guide the path of life along--
+ A fleeting end of dream-remembered song.
+
+
+
+
+The Spirit of Autumn
+
+
+ Where the winds low list and the leafless trees
+ Stand gaunt and gray 'gainst the sullen sky,
+ The naked boughs whisper melodies
+ Of Summer spent and of Spring gone by--
+ Of days once glad that are gone forever,
+ Of lips once true that will answer never,
+ Of life and love that are but as these
+ Dead leaves of Autumn grown withered and dry.
+
+ But a spirit haunts in the moon's pale glow
+ And all is changed as she sings a strain,
+ While the night winds hearken and lightly blow
+ Her loose-bound hair in a raven-rain--
+ And bear her song to the distant closes,
+ Where many a longing heart reposes,
+ Waking old love-dreams that overflow
+ In a rapturous joy and wistful pain.
+
+ Ah, that song 'tis sweet as the pipes of Pan,
+ Or faint lutes sounding in Arcady
+ Through the purple dawn,--yea, far sweeter than
+ The music that wafts from a Southern sea!
+ Beneath its spell the wastes bloom in flowers,
+ And back again come the vanished hours,
+ For she who sings to the soul of man
+ Is the Autumn spirit of memory.
+
+
+
+
+On The Long Road
+
+
+ Ah, many were they then of yesterday,
+ Who bore me gifts of attar and of myrrh,
+ And leaves of roses delicate that were
+ Sprung from a garden-close in far Cathay;
+ While I, unheeding, let them pass their way
+ Nor cared for all the gifts they might confer,
+ Watching in vain for one dear loiterer,
+ Who never dreamed adown my path to stray.
+
+ And now out in the lonely road I stand,
+ Where echoes drearily the ceaseless tread
+ Of stranger footsteps, slow and burdensome--
+ I am forgot and empty is each hand,
+ Save for the dust of roses withered,
+ Yet still I wait for you who never come.
+
+
+
+
+A Postlude
+
+
+ If only in your life to live, might I
+ Perchance those broken chords with my own meet,
+ Though quite imperfect, yet but thus to try
+ Were oh, so wondrous sweet.
+
+ Not the broad high-roads which you would have trod,
+ A lonely wanderer these may not essay,
+ Still, spirit mine, the by-paths that I plod
+ Do lead the selfsame way.
+
+ And if a little part I should fulfil
+ Of those fair deeds which you hoped to pursue--
+ Oh, how content to walk the miles until
+ I reach my home and you.
+
+
+
+
+An Old Song
+
+
+ Low blowing winds from out a midnight sky,
+ The falling embers and a kettle's croon--
+ These three, but oh what sweeter lullaby
+ Ever awoke beneath the winter's moon.
+
+ We know of none the sweeter, you and I,
+ And oft we've heard together that old tune--
+ Low blowing winds from out a midnight sky,
+ The falling embers and a kettle's croon.
+
+
+
+
+Old Roses
+
+
+ Spirit of old-time roses, when the glow
+ Of eventide steals softly through the trees
+ Like rosy petals falling, and the breeze
+ Grows hushed until it sings a love-song, low
+ And sweet and tender, then I seem to know
+ You too are somewhere near and watching these
+ Last wondrous sights of day--God's mysteries
+ We used to watch together long ago.
+
+ And, like a benediction, happiness
+ Fills all my soul, as if a wandering breath
+ From that high heaven had wafted down to me--
+ As if I felt again your dear caress
+ And knew you to be waiting e'er in death,
+ Crowned with the roses of eternity.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE ROSE-JAR***
+
+
+******* This file should be named 27700.txt or 27700.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/2/7/7/0/27700
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/27700.zip b/27700.zip
new file mode 100644
index 0000000..c04533e
--- /dev/null
+++ b/27700.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..50c8e14
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #27700 (https://www.gutenberg.org/ebooks/27700)