summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:35:52 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:35:52 -0700
commit9a6f1170b23e40757a87bcf539dac3000a45d78a (patch)
tree6c5e3de2813de7ff0b66bcd6fd54ca198ea26ed4
initial commit of ebook 27697HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--27697-h.zipbin0 -> 108860 bytes
-rw-r--r--27697-h/27697-h.htm1017
-rw-r--r--27697-h/images/capW.pngbin0 -> 9045 bytes
-rw-r--r--27697-h/images/frontis.pngbin0 -> 64328 bytes
-rw-r--r--27697-h/images/header.pngbin0 -> 16382 bytes
-rw-r--r--27697-page-images/f001.pngbin0 -> 2495 bytes
-rw-r--r--27697-page-images/f002.jpgbin0 -> 3292980 bytes
-rw-r--r--27697-page-images/f003.pngbin0 -> 3572 bytes
-rw-r--r--27697-page-images/f004.pngbin0 -> 3844 bytes
-rw-r--r--27697-page-images/p007.pngbin0 -> 35523 bytes
-rw-r--r--27697-page-images/p008.pngbin0 -> 29847 bytes
-rw-r--r--27697-page-images/p009.pngbin0 -> 31796 bytes
-rw-r--r--27697-page-images/p010.pngbin0 -> 31925 bytes
-rw-r--r--27697-page-images/p011.pngbin0 -> 31762 bytes
-rw-r--r--27697-page-images/p012.pngbin0 -> 32600 bytes
-rw-r--r--27697-page-images/p013.pngbin0 -> 31157 bytes
-rw-r--r--27697-page-images/p014.pngbin0 -> 30778 bytes
-rw-r--r--27697-page-images/p015.pngbin0 -> 29490 bytes
-rw-r--r--27697-page-images/p016.pngbin0 -> 32345 bytes
-rw-r--r--27697-page-images/p017.pngbin0 -> 30916 bytes
-rw-r--r--27697-page-images/p018.pngbin0 -> 30348 bytes
-rw-r--r--27697-page-images/p019.pngbin0 -> 30178 bytes
-rw-r--r--27697-page-images/p020.pngbin0 -> 31147 bytes
-rw-r--r--27697-page-images/p021.pngbin0 -> 29863 bytes
-rw-r--r--27697-page-images/p022.pngbin0 -> 30035 bytes
-rw-r--r--27697-page-images/p023.pngbin0 -> 31114 bytes
-rw-r--r--27697-page-images/p024.pngbin0 -> 31551 bytes
-rw-r--r--27697-page-images/p025.pngbin0 -> 30899 bytes
-rw-r--r--27697-page-images/p026.pngbin0 -> 6766 bytes
-rw-r--r--27697.txt892
-rw-r--r--27697.zipbin0 -> 16812 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
34 files changed, 1925 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/27697-h.zip b/27697-h.zip
new file mode 100644
index 0000000..1f511aa
--- /dev/null
+++ b/27697-h.zip
Binary files differ
diff --git a/27697-h/27697-h.htm b/27697-h/27697-h.htm
new file mode 100644
index 0000000..c351ad3
--- /dev/null
+++ b/27697-h/27697-h.htm
@@ -0,0 +1,1017 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>The Mouse and the Moonbeam</title>
+<meta http-equiv = "Content-Type" content = "text/html;
+charset=US-ASCII">
+
+<style type = "text/css">
+
+body {margin-left: 10%; margin-right: 10%;}
+
+hr {width: 80%; margin-top: 1em; margin-bottom: 1em; text-align:
+center;}
+
+img {padding-top: .2em;}
+
+h1, h2, h3, h4, h5, h6 {text-align: center; font-style: normal;
+font-weight: normal; line-height: 1.5; margin-top: .5em;
+margin-bottom: .5em;}
+
+h1 {font-size: 200%;}
+h2 {font-size: 175%;}
+h3 {font-size: 150%;}
+h4 {font-size: 120%;}
+h5 {font-size: 100%;}
+h6 {font-size: 85%;}
+h6.space {margin-top: 1.5em; margin-bottom: 1.5em;}
+
+p {margin-top: .5em; margin-bottom: 0em; line-height: 1.2;}
+
+p.illustration {text-align: center; margin-top: 1em; margin-bottom:
+1em;}
+
+p.center {text-align: center;}
+p.space {margin-top: 1.5em;}
+p.page {padding-top: 2em; padding-bottom: 2em;}
+
+div.verso {padding-top: 5em; padding-bottom: 5em;
+margin-left: 25%; margin-right: 25%; font-size: 88%;}
+
+
+/* text formatting */
+
+span.firstword {text-transform: uppercase;}
+
+/* page number */
+
+span.pagenum {position: absolute; right: 2%; font-size: 85%;
+font-weight: normal; font-style: normal; text-align: right;
+text-indent: 0em; padding-top: .15em;}
+
+/* Transcriber's Note */
+
+.mynote {background-color: #DDE; color: #000;
+font-family: sans-serif; font-size: 90%;}
+
+div.mynote {margin: 1em 5%; padding: .5em 1em 1em;}
+p.mynote {margin: 1em 5%; padding: 1em;}
+div.mynote a {text-decoration: none;}
+
+</style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Mouse and The Moonbeam, by Eugene Field
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Mouse and The Moonbeam
+
+Author: Eugene Field
+
+Release Date: January 4, 2009 [EBook #27697]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE MOUSE AND THE MOONBEAM ***
+
+
+
+
+Produced by Louise Hope, David Edwards and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+
+</pre>
+
+
+<p class = "page">&nbsp;</p>
+
+<h5>THE MOUSE<br>
+AND THE MOONBEAM</h5>
+
+<p class = "page">&nbsp;</p>
+
+<p class = "illustration">
+<img src = "images/frontis.png" width = "361" height = "522"
+alt = "frontispiece">
+</p>
+
+<p class = "page">&nbsp;</p>
+
+<h4>THE MOUSE<br>
+AND THE MOONBEAM</h4>
+
+<h6>BY<br>
+EUGENE FIELD</h6>
+
+<p>&nbsp;</p>
+
+<h6>NEW YORK<br>
+1919</h6>
+
+<div class = "verso">
+
+<p class = "center">Copyright, 1912<br>
+by Charles Scribner&rsquo;s Sons</p>
+
+<p class = "space">
+Through the courtesy of Charles Scribner&rsquo;s Sons, we were permitted
+to print this small private edition.</p>
+
+<p>&nbsp;</p>
+
+<p class = "center">GIFT</p>
+
+</div>
+
+<span class = "pagenum">[7]</span>
+
+<p class = "illustration">
+<img src = "images/header.png" width = "386" height = "113"
+alt = "decoration">
+</p>
+
+
+
+<h6 class = "space">THE MOUSE AND THE MOONBEAM</h6>
+
+
+<p><img src = "images/capW.png" width = "156" height = "155"
+align = "left" alt = "W">
+<span class = "firstword">hilst</span> you were sleeping, little
+Dear-my-soul, strange things happened; but that I saw and heard them,
+I&nbsp;should never have believed them. The clock stood, of course, in
+the corner, a&nbsp;moonbeam floated idly on the floor, and a little
+mauve mouse came from the hole in the chimney corner and frisked and
+scampered in the light of the moonbeam upon the floor. The little mauve
+mouse was particu&shy;larly merry; sometimes she danced upon two legs
+and sometimes upon four legs, but always very daintily and always very
+merrily.</p>
+
+<p>&ldquo;Ah, me!&rdquo; sighed the old clock, &ldquo;how different mice
+are nowadays from the mice we used to have in the good old times! Now
+there was your grandma, Mistress Velvetpaw,
+<span class = "pagenum">[8]</span>
+and there was your grandpa, Master Sniff&shy;whisker,&mdash;how grave
+and dignified they were! Many a night have I seen them dancing upon the
+carpet below me, but always the stately minuet and never that crazy
+frisking which you are executing now, to my surprise&mdash;yes, and to
+my horror, too.&rdquo;</p>
+
+<p>&ldquo;But why shouldn&rsquo;t I be merry?&rdquo; asked the little
+mauve mouse. &ldquo;Tomorrow is Christmas, and this is Christmas
+eve.&rdquo;</p>
+
+<p>&ldquo;So it is,&rdquo; said the old clock. &ldquo;I&nbsp;had really
+forgotten all about it. But, tell me, what is Christmas to you, little
+Miss Mauve Mouse?&rdquo;</p>
+
+<p>&ldquo;A great deal to me!&rdquo; cried the little mauve mouse.
+&ldquo;I&nbsp;have been very good a very long time: I&nbsp;have not used
+any bad words, nor have I gnawed any holes, nor have I stolen any canary
+seed, nor have I worried my mother by running behind the flour-barrel
+where that horrid trap is set. In fact, I&nbsp;have been so good that I
+am very sure Santa Claus will bring me something very pretty.&rdquo;</p>
+
+<p>This seemed to amuse the old clock mightily; in fact the old clock
+fell to laughing so heartily that in an unguarded moment she struck
+twelve instead of ten, which was exceed&shy;ingly careless and therefore
+to be repre&shy;hended.</p>
+
+<span class = "pagenum">[9]</span>
+<p>&ldquo;Why, you silly little mauve mouse,&rdquo; said the old clock,
+&ldquo;you don&rsquo;t believe in Santa Claus, do you?&rdquo;</p>
+
+<p>&ldquo;Of course I do,&rdquo; answered the little mauve mouse.
+&ldquo;Believe in Santa Claus? Why shouldn&rsquo;t I? Didn&rsquo;t Santa
+Claus bring me a beautiful butter-cracker last Christmas, and a lovely
+ginger&shy;snap, and a delicious rind of cheese,
+and&mdash;and&mdash;lots of things? I&nbsp;should be very ungrateful if
+I did <i>not</i> believe in Santa Claus, and I certainly shall not
+disbelieve in him at the very moment when I am expecting him to arrive
+with a bundle of goodies for&nbsp;me.</p>
+
+<p>&ldquo;I once had a little sister,&rdquo; continued the little mauve
+mouse, &ldquo;who did not believe in Santa Claus, and the very thought
+of the fate that befell her makes my blood run cold and my whiskers
+stand on end. She died before I was born, but my mother has told me all
+about her. Perhaps you never saw her: her name was Squeak&shy;nibble,
+and she was in stature one of those long, low, rangy mice that are
+seldom found in well-stocked pantries. Mother says that
+Squeak&shy;nibble took after our ancestors who came from New England,
+where the malignant ingenuity of the people and the ferocity of the cats
+rendered life precarious indeed. Squeak&shy;nibble seemed to inherit
+many ancestral traits,
+<span class = "pagenum">[10]</span>
+the most conspi&shy;cuous of which was a dispo&shy;sition to sneer at
+some of the most respected dogmas in mousedom. From her very infancy she
+doubted, for example, the widely accepted theory that the moon was
+composed of green cheese; and this heresy was the first intima&shy;tion
+her parents had of the sceptical turn of her mind. Of course her parents
+were vastly annoyed, for their maturer natures saw that this youthful
+scepti&shy;cism portended serious, if not fatal, conse&shy;quences. Yet
+all in vain did the sagacious couple reason and plead with their
+headstrong and heretical child.</p>
+
+<p>&ldquo;For a long time Squeak&shy;nibble would not believe that there
+was any such archfiend as a cat; but she came to be convinced to the
+contrary one memorable night, on which occasion she lost two inches of
+her beautiful tail, and received so terrible a fright that for fully an
+hour afterward her little heart beat so violently as to lift her off her
+feet and bump her head against the top of our domestic hole. The cat
+that deprived my sister of so large a percentage of her vertebral
+colophon was the same brindled ogress that nowadays steals ever and anon
+into this room, crouches treacher&shy;ously behind the sofa, and feigns
+to be asleep, hoping, forsooth, that some of us, heedless of her hated
+<span class = "pagenum">[11]</span>
+presence, will venture within reach of her diabolical claws. So enraged
+was this ferocious monster at the escape of my sister that she ground
+her fangs viciously together, and vowed to take no pleasure in life
+until she held in her devouring jaws the innocent little mouse which
+belonged to the mangled bit of tail she even then clutched in her
+remorse&shy;less claws.&rdquo;</p>
+
+<p>&ldquo;Yes,&rdquo; said the old clock, &ldquo;now that you recall the
+incident, I&nbsp;recollect it well. I&nbsp;was here then, in this very
+corner, and I remember that I laughed at the cat and chided her for her
+awkward&shy;ness. My reproaches irritated her; she told me that a
+clock&rsquo;s duty was to run itself down, <i>not</i> to be
+depreci&shy;ating the merits of others! Yes, I&nbsp;recall the time;
+that cat&rsquo;s tongue is fully as sharp as her claws.&rdquo;</p>
+
+<p>&ldquo;Be that as it may,&rdquo; said the little mauve mouse,
+&ldquo;it is a matter of history, and therefore beyond dispute, that
+from that very moment the cat pined for Squeak&shy;nibble&rsquo;s life;
+it seemed as if that one little two-inch taste of
+Squeak&shy;nibble&rsquo;s tail had filled the cat with a consuming
+passion, or appetite, for the rest of Squeak&shy;nibble. So the cat
+waited and watched and hunted and schemed and devised and did
+every&shy;thing possible for a cat&mdash;a cruel cat&mdash;to do in
+order to gain her murderous ends. One
+<span class = "pagenum">[12]</span>
+night&mdash;one fatal Christmas eve&mdash;our mother had undressed the
+children for bed, and was urging upon them to go to sleep earlier than
+usual, since she fully expected that Santa Claus would bring each of
+them something very palatable and nice before morning. Thereupon the
+little dears whisked their cunning tails, pricked up their beautiful
+ears, and began telling one another what they hoped Santa Claus would
+bring. One asked for a slice of Roquefort, another for Neuf&shy;chatel,
+another for Sap Sago, and a fourth for Edam; one expressed a
+prefer&shy;ence for de Brie, while another hoped to get Parmesan; one
+clamored for imperial blue Stilton, and another craved the fragrant boon
+of Caprera. There were fourteen little ones then, and conse&shy;quently
+there were diverse opinions as to the kind of gift which Santa Claus
+should best bring; still, there was, as you can readily under&shy;stand,
+an enthusi&shy;astic unanimity upon this point, namely, that the gift
+should be cheese of some brand or other.</p>
+
+<p>&ldquo;&lsquo;My dears,&rsquo; said our mother, &lsquo;what matters
+it whether the boon which Santa Claus brings be royal English cheddar or
+fromage de Bricquebec, Vermont sage, or Herkimer County skim-milk? We
+should be content with what&shy;soever Santa Claus bestows, so long as
+it be
+<span class = "pagenum">[13]</span>
+cheese, disjoined from all traps what&shy;soever, unmixed with Paris
+green, and free from glass, strych&shy;nine, and other harmful
+ingre&shy;dients. As for myself, I&nbsp;shall be satisfied with a cut of
+nice, fresh, Western reserve; for truly I recognise in no other viand or
+edible half the fragrance or half the gustful&shy;ness to be met with in
+one of these pale but aromatic domestic products. So run away to your
+dreams now, that Santa Claus may find you sleeping.&rsquo;</p>
+
+<p>&ldquo;The children obeyed,&mdash;all but Squeak&shy;nibble.
+&lsquo;Let the others think what they please,&rsquo; said she,
+&lsquo;but I don&rsquo;t believe in Santa Claus. I&rsquo;m not going to
+bed either. I&rsquo;m going to creep out of this dark hole and have a
+quiet romp, all by myself, in the moonlight.&rsquo; Oh, what a vain,
+foolish, wicked little mouse was Squeak&shy;nibble! But I will not
+reproach the dead; her punish&shy;ment came all too swiftly. Now listen:
+who do you suppose overheard her talking so disrespect&shy;fully of
+Santa Claus?&rdquo;</p>
+
+<p>&ldquo;Why, Santa Claus himself,&rdquo; said the old clock.</p>
+
+<p>&ldquo;Oh, no,&rdquo; answered the little mauve mouse. &ldquo;It was
+that wicked, murderous cat! Just as Satan lurks and lies in wait for bad
+children, so does the cruel cat lie in wait for naughty little mice. And
+you can depend upon it that,
+<span class = "pagenum">[14]</span>
+when that awful cat heard Squeak&shy;nibble speak so
+disrespect&shy;fully of Santa Claus, her wicked eyes glowed with joy,
+her sharp teeth watered, and her bristling fur emitted electric sparks
+as big as marrowfat peas. Then what did that blood-thirsty monster do
+but scuttle as fast as she could into Dear-my-Soul&rsquo;s room, leap up
+into Dear-my-Soul&rsquo;s crib, and walk off with the pretty little
+white muff which Dear-my-Soul used to wear when she went for a visit to
+the little girl in the next block! What upon earth did the horrid old
+cat want with Dear-my-Soul&rsquo;s pretty little white muff? Ah, the
+duplicity, the diabolical ingenuity of that cat! Listen.</p>
+
+<p>&ldquo;In the first place,&rdquo; resumed the little mauve mouse,
+after a pause that testified eloquently to the depth of her
+emotion,&mdash;&ldquo;in the first place, that wretched cat dressed
+herself up in that pretty little white muff, by which you are to
+under&shy;stand that she crawled through the muff just so far as to
+leave her four cruel legs at liberty.&rdquo;</p>
+
+<p>&ldquo;Yes, I under&shy;stand,&rdquo; said the old clock.</p>
+
+<p>&ldquo;Then she put on the boy doll&rsquo;s fur cap,&rdquo; said the
+little mauve mouse, &ldquo;and when she was arrayed in the boy
+doll&rsquo;s fur cap and Dear-my-Soul&rsquo;s pretty little white muff,
+of course
+<span class = "pagenum">[15]</span>
+she didn&rsquo;t look like a cruel cat at all. But whom did she look
+like?&rdquo;</p>
+
+<p>&ldquo;Like the boy doll,&rdquo; suggested the old clock.</p>
+
+<p>&ldquo;No, no!&rdquo; cried the little mauve mouse.</p>
+
+<p>&ldquo;Like Dear-my-Soul?&rdquo; asked the old clock.</p>
+
+<p>&ldquo;How stupid you are!&rdquo; exclaimed the little mauve mouse.
+&ldquo;Why, she looked like Santa Claus, of course!&rdquo;</p>
+
+<p>&ldquo;Oh, yes; I see,&rdquo; said the old clock. &ldquo;Now I begin
+to be inter&shy;ested; go on.&rdquo;</p>
+
+<p>&ldquo;Alas!&rdquo; sighed the little mauve mouse, &ldquo;not much
+remains to be told; but there is more of my story left than there was of
+Squeak&shy;nibble when that horrid cat crawled out of that miserable
+disguise. You are to under&shy;stand that, contrary to her sagacious
+mother&rsquo;s injunc&shy;tion, and in notorious derision of the mooted
+coming of Santa Claus, Squeak&shy;nibble issued from the friendly hole
+in the chimney corner, and gambolled about over this very carpet, and,
+I&nbsp;dare say, in this very moonlight.&rdquo;</p>
+
+<p>&ldquo;I do not know,&rdquo; said the moonbeam faintly.
+&ldquo;I&nbsp;am so very old, and I have seen so many things&mdash;I do
+not know.&rdquo;</p>
+
+<p>&ldquo;Right merrily was Squeak&shy;nibble gambolling,&rdquo;
+continued the little mauve mouse, &ldquo;and she had just turned a
+double back somer&shy;sault without the use of what remained of her tail
+<span class = "pagenum">[16]</span>
+when, all of a sudden, she beheld, looming up like a monster ghost,
+a&nbsp;figure all in white fur! Oh, how frightened she was, and how her
+little heart did beat! &lsquo;Purr, purr-r-r,&rsquo; said the ghost in
+white fur. &lsquo;Oh, please don&rsquo;t hurt me!&rsquo; pleaded
+Squeak&shy;nibble. &lsquo;No; I&rsquo;ll not hurt you,&rsquo; said the
+ghost in white fur; &lsquo;I&rsquo;m Santa Claus, and I&rsquo;ve brought
+you a beautiful piece of savory old cheese, you dear little mousie,
+you.&rsquo; Poor Squeak&shy;nibble was deceived; a&nbsp;sceptic all her
+life, she was at last befooled by the most palpable and most fatal of
+frauds. &lsquo;How good of you!&rsquo; said Squeak&shy;nibble.
+&lsquo;I&nbsp;didn&rsquo;t believe there was a Santa Claus,
+and&mdash;&rsquo; but before she could say more she was seized by two
+sharp, cruel claws that conveyed her crushed body to the murderous mouth
+of mousedom&rsquo;s most malignant foe. I&nbsp;can dwell no longer upon
+this harrowing scene. Suffice it to say that ere the morrow&rsquo;s sun
+rose like a big yellow Herkimer County cheese upon the spot where that
+tragedy had been enacted, poor Squeak&shy;nibble passed to that bourn
+whence two inches of her beautiful tail had preceded her by the space of
+three weeks to a day. As for Santa Claus, when he came that Christmas
+eve, bringing morceaux de Brie and of Stilton for the other little mice,
+he heard with sorrow
+<span class = "pagenum">[17]</span>
+of Squeak&shy;nibble&rsquo;s fate; and ere he departed he said that in
+all his experi&shy;ence he had never known of a mouse or of a child that
+had prospered after once saying that he didn&rsquo;t believe in Santa
+Claus.&rdquo;</p>
+
+<p>&ldquo;Well, that is a remark&shy;able story,&rdquo; said the old
+clock. &ldquo;But if you believe in Santa Claus, why aren&rsquo;t you in
+bed?&rdquo;</p>
+
+<p>&ldquo;That&rsquo;s where I shall be presently,&rdquo; answered the
+little mauve mouse, &ldquo;but I must have my scamper you know. It is
+very pleasant, I&nbsp;assure you, to frolic in the light of the moon;
+only I cannot under&shy;stand why you are always so cold and so solemn
+and so still, you pale, pretty little moonbeam.&rdquo;</p>
+
+<p>&ldquo;Indeed, I do not know that I am so,&rdquo; said the moonbeam.
+&ldquo;But I am very old, and I have travelled many, many, leagues, and
+I have seen wondrous things. Sometimes I toss upon the ocean, sometimes
+I fall upon a slumbering flower, sometimes I rest upon a dead
+child&rsquo;s face. I&nbsp;see the fairies at their play, and I hear
+mothers singing lullabies. Last night I swept across the frozen bosom of
+a river. A&nbsp;woman&rsquo;s face looked up at me; it was the picture
+of eternal rest. &lsquo;She is sleeping,&rsquo; said the frozen river.
+&lsquo;I&rsquo;ll rock her to and fro, and sing to her. Pass gently by,
+O&nbsp;moonbeam; pass gently by, lest you awaken her.&rsquo;&rdquo;</p>
+
+<span class = "pagenum">[18]</span>
+<p>&ldquo;How strangely you talk,&rdquo; said the old clock. &ldquo;Now,
+I&rsquo;ll warrant me that, if you wanted to, you could tell many a
+pretty and wonderful story. You must know many a Christmas tale; pray,
+tell us one to wear away this night of Christmas watching.&rdquo;</p>
+
+<p>&ldquo;I know but one,&rdquo; said the moonbeam. &ldquo;I&nbsp;have
+told it over and over again, in every land and in every home; yet I do
+not weary of it. It is very simple. Should you like to hear
+it?&rdquo;</p>
+
+<p>&ldquo;Indeed we should,&rdquo; said the old clock; &ldquo;but before
+you begin, let me strike twelve; for I shouldn&rsquo;t want to interrupt
+you.&rdquo;</p>
+
+<p>When the old clock had performed this duty with somewhat more than
+usual alacrity, the moonbeam began its story:</p>
+
+<p>&ldquo;Upon a time&mdash;so long ago that I can&rsquo;t tell how long
+ago it was&mdash;I fell upon a hill-side. It was in a far distant
+country; this I know, because, although it was the Christmas time, it
+was not in that country as it is wont to be in countries to the north.
+Hither the snow-king never came; flowers bloomed all the year, and at
+all times the lambs found pleasant pasturage on the hill-sides. The
+night wind was balmy, and there was a fragrance of cedar in its breath.
+There were violets on the hill-side, and I fell amongst them and lay
+there. I&nbsp;kissed them, and
+<span class = "pagenum">[19]</span>
+they awakened. &lsquo;Ah, is it you, little moonbeam?&rsquo; they said,
+and they nestled in the grass which the lambs had left uncropped.</p>
+
+<p>&ldquo;A shepherd lay upon a broad stone on the hill-side; above him
+spread an olive-tree, old, ragged, and gloomy; but now it swayed its
+rusty branches majestic&shy;ally in the shifting air of night. The
+shepherd&rsquo;s name was Benoni. Wearied with long watching, he had
+fallen asleep; his crook had slipped from his hand. Upon the hill-side,
+too, slept the shepherd&rsquo;s flock. I&nbsp;had counted them again and
+again; I&nbsp;had stolen across their gentle faces and brought them
+pleasant dreams of green pastures and of cool water-brooks. I&nbsp;had
+kissed old Benoni, too, as he lay slumbering there; and in his dreams he
+seemed to see Israel&rsquo;s King come upon earth, and in his dreams he
+murmured the promised Messiah&rsquo;s name.</p>
+
+<p>&ldquo;&lsquo;Ah, is it you, little moonbeam?&rsquo; quoth the
+violets. &lsquo;You have come in good time. Nestle here with us, and see
+wonderful things come to pass.&rsquo;</p>
+
+<p>&ldquo;&lsquo;What are these wonderful things of which you
+speak?&rsquo; I&nbsp;asked.</p>
+
+<p>&ldquo;&lsquo;We heard the old olive-tree telling of them
+to-night,&rsquo; said the violets. &lsquo;Do not go to sleep, little
+violets,&rsquo; said the old olive-tree, &lsquo;for
+<span class = "pagenum">[20]</span>
+this is Christmas night, and the Master shall walk upon the hill-side in
+the glory of the midnight hour.&rsquo; So we waited and watched; one by
+one the lambs fell asleep; one by one the stars peeped out; the shepherd
+nodded and crooned, and crooned and nodded, and at last he, too, went
+fast asleep, and his crook slipped from his keeping. Then we called to
+the old olive-tree yonder, asking how soon the midnight hour would come;
+but all the old olive-tree answered was &lsquo;Presently,
+presently,&rsquo; and finally we, too, fell asleep, wearied by our long
+watching, and lulled by the rocking and swaying of the old olive-tree in
+the breezes of the night.</p>
+
+<p>&ldquo;&lsquo;But who is this Master?&rsquo; I&nbsp;asked.</p>
+
+<p>&ldquo;&lsquo;A child, a little child,&rsquo; they answered.
+&lsquo;He is called the little Master by the others. He comes here
+often, and plays among the flowers of the hill-side. Sometimes the
+lambs, gambolling too care&shy;lessly, have crushed and bruised us so
+that we lie bleeding and are like to die; but the little Master heals
+our wounds and refreshes us once again.&rsquo;</p>
+
+<p>&ldquo;I marvelled much to hear these things. &lsquo;The midnight
+hour is at hand,&rsquo; said I, &lsquo;and I will abide with you to see
+this little Master of whom you speak.&rsquo; So we nestled among the
+<span class = "pagenum">[21]</span>
+verdure of the hill-side, and sang songs one to another.</p>
+
+<p>&ldquo;&lsquo;Come away!&rsquo; called the night wind;
+&lsquo;I&nbsp;know a beauteous sea not far hence, upon whose bosom you
+shall float, float, float, away out into the mists and clouds, if you
+will come with me.&rsquo;</p>
+
+<p>&ldquo;But I hid under the violets and amid the tall grass, that the
+night wind might not woo me with its pleading. &lsquo;Ho, there, old
+olive-tree!&rsquo; cried the violets; &lsquo;do you see the little
+Master coming? Is not the midnight hour at hand?&rsquo;</p>
+
+<p>&ldquo;&lsquo;I can see the town yonder,&rsquo; said the old
+olive-tree. &lsquo;A&nbsp;star beams bright over Bethlehem, the iron
+gates swing open, and the little Master comes.&rsquo;</p>
+
+<p>&ldquo;Two children came to the hill-side. The one, older than his
+comrade, was Dimas, the son of Benoni. He was rugged and sinewy, and
+over his brown shoulders was flung a goat-skin; a&nbsp;leathern cap did
+not confine his long, dark curly hair. The other child was he whom they
+called the little Master; about his slender form clung raiment white as
+snow, and around his face of heavenly innocence fell curls of golden
+yellow. So beautiful a child I had not seen before, nor have I ever
+since seen such as he. And as they came together to the hill-side,
+<span class = "pagenum">[22]</span>
+there seemed to glow about the little Master&rsquo;s head a soft white
+light, as if the moon had sent its tenderest, fairest beams to kiss
+those golden curls.</p>
+
+<p>&ldquo;&lsquo;What sound was that?&rsquo; cried Dimas, for he was
+exceeding fearful.</p>
+
+<p>&ldquo;&lsquo;Have no fear, Dimas,&rsquo; said the little Master.
+&lsquo;Give me thy hand and I will lead thee.&rsquo;</p>
+
+<p>&ldquo;Presently they came to the rock whereon Benoni, the shepherd,
+lay; and they stood under the old olive-tree, and the old olive-tree
+swayed no longer in the night wind, but bent its branches
+rever&shy;ently in the presence of the little Master. It seemed as if
+the wind, too, stayed in its shifting course just then; for suddenly
+there was a solemn hush, and you could hear no noise, except that in his
+dreams Benoni spoke the Messiah&rsquo;s name.</p>
+
+<p>&ldquo;&lsquo;Thy father sleeps,&rsquo; said the little Master,
+&lsquo;and it is well that it is so; for that I love thee Dimas, and
+that thou shalt walk with me in my Father&rsquo;s Kingdom, I&nbsp;would
+show thee the glories of my birth&shy;right.&rsquo;</p>
+
+<p>&ldquo;Then all at once sweet music filled the air, and light,
+greater than the light of day, illumined the sky and fell upon all that
+hill-side. The heavens opened, and angels, singing joyous songs, walked
+to the earth. More wondrous
+<span class = "pagenum">[23]</span>
+still, the stars, falling from their places in the sky, clustered upon
+the old olive-tree, and swung hither and thither like colored lanterns.
+The flowers of the hill-side all awakened, and they, too, danced and
+sang. The angels, coming hither, hung gold and silver and jewels and
+precious stones upon the old olive, where swung the stars; so that the
+glory of that sight, though I might live forever, I&nbsp;shall never see
+again. When Dimas heard and saw these things he fell upon his knees, and
+catching the hem of the little Master&rsquo;s garment, he
+kissed&nbsp;it.</p>
+
+<p>&ldquo;&lsquo;Greater joy than this shall be thine, Dimas,&rsquo;
+said the little Master; &lsquo;but first must all things be
+fulfilled.&rsquo;</p>
+
+<p>&ldquo;All through that Christmas night did the angels come and go
+with their sweet anthems; all through that Christmas night did the stars
+dance and sing; and when it came my time to steal away, the hill-side
+was still beautiful with the glory and the music of heaven.&rdquo;</p>
+
+<p>&ldquo;Well, is that all?&rdquo; asked the old clock.</p>
+
+<p>&ldquo;No,&rdquo; said the moonbeam; &ldquo;but I am nearly done. The
+years went on. Sometimes I tossed upon the ocean&rsquo;s bosom,
+sometimes I scampered o&rsquo;er a battle-field, sometimes I lay upon a
+dead child&rsquo;s face. I&nbsp;heard the voices of Darkness and
+<span class = "pagenum">[24]</span>
+mothers&rsquo; lullabies and sick men&rsquo;s prayers&mdash;and so the
+years went&nbsp;on.</p>
+
+<p>&ldquo;I fell one night upon a hard and furrowed face. It was of
+ghostly pallor. A&nbsp;thief was dying on the cross, and this was his
+wretched face. About the cross stood men with staves and swords and
+spears, but none paid heed unto the thief. Somewhat beyond this cross
+another was lifted up, and upon it was stretched a human body my light
+fell not upon. But I heard a voice that somewhere I had heard
+before,&mdash;though where I did not know,&mdash;and this voice blessed
+those that railed and jeered and shame&shy;fully entreated. And suddenly
+the voice called &lsquo;Dimas, Dimas!&rsquo; and the thief upon whose
+hardened face I rested made answer.</p>
+
+<p>&ldquo;Then I saw that it was Dimas; yet to this wicked criminal
+there remained but little of the shepherd child whom I had seen in all
+his innocence upon the hill-side. Long years of sinful life had seared
+their marks into his face; yet now, at the sound of that familiar voice,
+somewhat of the old-time boyish look came back, and in the yearning of
+the anguished eyes I seemed to see the shepherd&rsquo;s son again.</p>
+
+<p>&ldquo;&lsquo;The Master!&rsquo; cried Dimas, and he stretched forth
+his neck that he might see him that spake.</p>
+
+<p>&ldquo;&lsquo;O Dimas, how art thou changed!&rsquo; cried
+<span class = "pagenum">[25]</span>
+the Master, yet there was in his voice no tone of rebuke save that which
+cometh of love.</p>
+
+<p>&ldquo;Then Dimas wept, and in that hour he forgot his pain. And the
+Master&rsquo;s consoling voice and the Master&rsquo;s presence there
+wrought in the dying criminal such a new spirit, that when at last his
+head fell upon his bosom, and the men about the cross said that he was
+dead, it seemed as if I shined not upon a felon&rsquo;s face, but upon
+the face of the gentle shepherd lad, the son of Benoni.</p>
+
+<p>&ldquo;And shining on that dead and peaceful face, I&nbsp;bethought
+me of the little Master&rsquo;s words that he had spoken under the old
+olive-tree upon the hill-side: &lsquo;Your eyes behold the promised
+glory now, O&nbsp;Dimas,&rsquo; I&nbsp;whispered, &lsquo;for with the
+Master you walk in Paradise.&rsquo;&rdquo;</p>
+
+<p class = "space">
+Ah, little Dear-my-Soul, you know&mdash;you know whereof the moonbeam
+spake. The shepherd&rsquo;s bones are dust, the flocks are scattered,
+the old olive-tree is gone, the flowers of the hill-side are withered,
+and none knoweth where the grave of Dimas is made. But last night,
+again, there shined a star over Bethlehem, and the angels descended from
+the sky to earth, and the stars sang together in glory. And the
+bells,&mdash;hear them, little Dear-my-Soul,
+<span class = "pagenum">[26]</span>
+how sweetly they are ringing,&mdash;the bells bear us the good tidings
+of great joy this Christmas morning, that our Christ is born, and that
+with him he bringeth peace on earth and good-will toward men.</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's The Mouse and The Moonbeam, by Eugene Field
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE MOUSE AND THE MOONBEAM ***
+
+***** This file should be named 27697-h.htm or 27697-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/7/6/9/27697/
+
+Produced by Louise Hope, David Edwards and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/27697-h/images/capW.png b/27697-h/images/capW.png
new file mode 100644
index 0000000..86198c0
--- /dev/null
+++ b/27697-h/images/capW.png
Binary files differ
diff --git a/27697-h/images/frontis.png b/27697-h/images/frontis.png
new file mode 100644
index 0000000..9e02ca9
--- /dev/null
+++ b/27697-h/images/frontis.png
Binary files differ
diff --git a/27697-h/images/header.png b/27697-h/images/header.png
new file mode 100644
index 0000000..aac194e
--- /dev/null
+++ b/27697-h/images/header.png
Binary files differ
diff --git a/27697-page-images/f001.png b/27697-page-images/f001.png
new file mode 100644
index 0000000..9395dc6
--- /dev/null
+++ b/27697-page-images/f001.png
Binary files differ
diff --git a/27697-page-images/f002.jpg b/27697-page-images/f002.jpg
new file mode 100644
index 0000000..5e06904
--- /dev/null
+++ b/27697-page-images/f002.jpg
Binary files differ
diff --git a/27697-page-images/f003.png b/27697-page-images/f003.png
new file mode 100644
index 0000000..90860c1
--- /dev/null
+++ b/27697-page-images/f003.png
Binary files differ
diff --git a/27697-page-images/f004.png b/27697-page-images/f004.png
new file mode 100644
index 0000000..7fba02e
--- /dev/null
+++ b/27697-page-images/f004.png
Binary files differ
diff --git a/27697-page-images/p007.png b/27697-page-images/p007.png
new file mode 100644
index 0000000..4035287
--- /dev/null
+++ b/27697-page-images/p007.png
Binary files differ
diff --git a/27697-page-images/p008.png b/27697-page-images/p008.png
new file mode 100644
index 0000000..eaa93f8
--- /dev/null
+++ b/27697-page-images/p008.png
Binary files differ
diff --git a/27697-page-images/p009.png b/27697-page-images/p009.png
new file mode 100644
index 0000000..f5f38cc
--- /dev/null
+++ b/27697-page-images/p009.png
Binary files differ
diff --git a/27697-page-images/p010.png b/27697-page-images/p010.png
new file mode 100644
index 0000000..6c48b4f
--- /dev/null
+++ b/27697-page-images/p010.png
Binary files differ
diff --git a/27697-page-images/p011.png b/27697-page-images/p011.png
new file mode 100644
index 0000000..a6bb24d
--- /dev/null
+++ b/27697-page-images/p011.png
Binary files differ
diff --git a/27697-page-images/p012.png b/27697-page-images/p012.png
new file mode 100644
index 0000000..99a4586
--- /dev/null
+++ b/27697-page-images/p012.png
Binary files differ
diff --git a/27697-page-images/p013.png b/27697-page-images/p013.png
new file mode 100644
index 0000000..2c2999a
--- /dev/null
+++ b/27697-page-images/p013.png
Binary files differ
diff --git a/27697-page-images/p014.png b/27697-page-images/p014.png
new file mode 100644
index 0000000..ff7f615
--- /dev/null
+++ b/27697-page-images/p014.png
Binary files differ
diff --git a/27697-page-images/p015.png b/27697-page-images/p015.png
new file mode 100644
index 0000000..0e39544
--- /dev/null
+++ b/27697-page-images/p015.png
Binary files differ
diff --git a/27697-page-images/p016.png b/27697-page-images/p016.png
new file mode 100644
index 0000000..37c8af2
--- /dev/null
+++ b/27697-page-images/p016.png
Binary files differ
diff --git a/27697-page-images/p017.png b/27697-page-images/p017.png
new file mode 100644
index 0000000..7f7f0b7
--- /dev/null
+++ b/27697-page-images/p017.png
Binary files differ
diff --git a/27697-page-images/p018.png b/27697-page-images/p018.png
new file mode 100644
index 0000000..9136992
--- /dev/null
+++ b/27697-page-images/p018.png
Binary files differ
diff --git a/27697-page-images/p019.png b/27697-page-images/p019.png
new file mode 100644
index 0000000..2c90c31
--- /dev/null
+++ b/27697-page-images/p019.png
Binary files differ
diff --git a/27697-page-images/p020.png b/27697-page-images/p020.png
new file mode 100644
index 0000000..8a209dd
--- /dev/null
+++ b/27697-page-images/p020.png
Binary files differ
diff --git a/27697-page-images/p021.png b/27697-page-images/p021.png
new file mode 100644
index 0000000..fbfdfe2
--- /dev/null
+++ b/27697-page-images/p021.png
Binary files differ
diff --git a/27697-page-images/p022.png b/27697-page-images/p022.png
new file mode 100644
index 0000000..4a7f190
--- /dev/null
+++ b/27697-page-images/p022.png
Binary files differ
diff --git a/27697-page-images/p023.png b/27697-page-images/p023.png
new file mode 100644
index 0000000..4cd73bc
--- /dev/null
+++ b/27697-page-images/p023.png
Binary files differ
diff --git a/27697-page-images/p024.png b/27697-page-images/p024.png
new file mode 100644
index 0000000..dc61658
--- /dev/null
+++ b/27697-page-images/p024.png
Binary files differ
diff --git a/27697-page-images/p025.png b/27697-page-images/p025.png
new file mode 100644
index 0000000..1286e7f
--- /dev/null
+++ b/27697-page-images/p025.png
Binary files differ
diff --git a/27697-page-images/p026.png b/27697-page-images/p026.png
new file mode 100644
index 0000000..e6af31a
--- /dev/null
+++ b/27697-page-images/p026.png
Binary files differ
diff --git a/27697.txt b/27697.txt
new file mode 100644
index 0000000..2073172
--- /dev/null
+++ b/27697.txt
@@ -0,0 +1,892 @@
+The Project Gutenberg EBook of The Mouse and The Moonbeam, by Eugene Field
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Mouse and The Moonbeam
+
+Author: Eugene Field
+
+Release Date: January 4, 2009 [EBook #27697]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE MOUSE AND THE MOONBEAM ***
+
+
+
+
+Produced by Louise Hope, David Edwards and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+
+
+
+
+ THE MOUSE
+ AND THE MOONBEAM
+
+
+ [Illustration]
+
+
+ THE MOUSE
+ AND THE MOONBEAM
+
+ By
+ Eugene Field
+
+ NEW YORK
+ 1919
+
+
+
+
+Copyright, 1912
+
+by Charles Scribner's Sons
+
+Through the courtesy of Charles Scribner's Sons,
+we were permitted to print this small private edition.
+
+--GIFT--
+
+
+
+
+[Decoration]
+
+
+THE MOUSE AND THE MOONBEAM
+
+Whilst you were sleeping, little Dear-my-soul, strange things
+happened; but that I saw and heard them, I should never have
+believed them. The clock stood, of course, in the corner, a
+moonbeam floated idly on the floor, and a little mauve mouse
+came from the hole in the chimney corner and frisked and
+scampered in the light of the moonbeam upon the floor. The
+little mauve mouse was particularly merry; sometimes she danced
+upon two legs and sometimes upon four legs, but always very
+daintily and always very merrily.
+
+"Ah, me!" sighed the old clock, "how different mice are nowadays
+from the mice we used to have in the good old times! Now there
+was your grandma, Mistress Velvetpaw, and there was your
+grandpa, Master Sniffwhisker,--how grave and dignified they
+were! Many a night have I seen them dancing upon the carpet
+below me, but always the stately minuet and never that crazy
+frisking which you are executing now, to my surprise--yes, and
+to my horror, too."
+
+"But why shouldn't I be merry?" asked the little mauve mouse.
+"Tomorrow is Christmas, and this is Christmas eve."
+
+"So it is," said the old clock. "I had really forgotten all
+about it. But, tell me, what is Christmas to you, little Miss
+Mauve Mouse?"
+
+"A great deal to me!" cried the little mauve mouse. "I have been
+very good a very long time: I have not used any bad words, nor
+have I gnawed any holes, nor have I stolen any canary seed, nor
+have I worried my mother by running behind the flour-barrel
+where that horrid trap is set. In fact, I have been so good that
+I am very sure Santa Claus will bring me something very pretty."
+
+This seemed to amuse the old clock mightily; in fact the old
+clock fell to laughing so heartily that in an unguarded moment
+she struck twelve instead of ten, which was exceedingly careless
+and therefore to be reprehended.
+
+"Why, you silly little mauve mouse," said the old clock, "you
+don't believe in Santa Claus, do you?"
+
+"Of course I do," answered the little mauve mouse. "Believe in
+Santa Claus? Why shouldn't I? Didn't Santa Claus bring me a
+beautiful butter-cracker last Christmas, and a lovely
+gingersnap, and a delicious rind of cheese, and--and--lots of
+things? I should be very ungrateful if I did _not_ believe in
+Santa Claus, and I certainly shall not disbelieve in him at the
+very moment when I am expecting him to arrive with a bundle of
+goodies for me.
+
+"I once had a little sister," continued the little mauve mouse,
+"who did not believe in Santa Claus, and the very thought of the
+fate that befell her makes my blood run cold and my whiskers
+stand on end. She died before I was born, but my mother has told
+me all about her. Perhaps you never saw her: her name was
+Squeaknibble, and she was in stature one of those long, low,
+rangy mice that are seldom found in well-stocked pantries.
+Mother says that Squeaknibble took after our ancestors who came
+from New England, where the malignant ingenuity of the people
+and the ferocity of the cats rendered life precarious indeed.
+Squeaknibble seemed to inherit many ancestral traits, the most
+conspicuous of which was a disposition to sneer at some of the
+most respected dogmas in mousedom. From her very infancy she
+doubted, for example, the widely accepted theory that the moon
+was composed of green cheese; and this heresy was the first
+intimation her parents had of the sceptical turn of her mind.
+Of course her parents were vastly annoyed, for their maturer
+natures saw that this youthful scepticism portended serious,
+if not fatal, consequences. Yet all in vain did the sagacious
+couple reason and plead with their headstrong and heretical
+child.
+
+"For a long time Squeaknibble would not believe that there was
+any such archfiend as a cat; but she came to be convinced to the
+contrary one memorable night, on which occasion she lost two
+inches of her beautiful tail, and received so terrible a fright
+that for fully an hour afterward her little heart beat so
+violently as to lift her off her feet and bump her head against
+the top of our domestic hole. The cat that deprived my sister of
+so large a percentage of her vertebral colophon was the same
+brindled ogress that nowadays steals ever and anon into this
+room, crouches treacherously behind the sofa, and feigns to be
+asleep, hoping, forsooth, that some of us, heedless of her hated
+presence, will venture within reach of her diabolical claws. So
+enraged was this ferocious monster at the escape of my sister
+that she ground her fangs viciously together, and vowed to take
+no pleasure in life until she held in her devouring jaws the
+innocent little mouse which belonged to the mangled bit of tail
+she even then clutched in her remorseless claws."
+
+"Yes," said the old clock, "now that you recall the incident,
+I recollect it well. I was here then, in this very corner, and
+I remember that I laughed at the cat and chided her for her
+awkwardness. My reproaches irritated her; she told me that a
+clock's duty was to run itself down, _not_ to be depreciating
+the merits of others! Yes, I recall the time; that cat's tongue
+is fully as sharp as her claws."
+
+"Be that as it may," said the little mauve mouse, "it is a
+matter of history, and therefore beyond dispute, that from that
+very moment the cat pined for Squeaknibble's life; it seemed as
+if that one little two-inch taste of Squeaknibble's tail had
+filled the cat with a consuming passion, or appetite, for the
+rest of Squeaknibble. So the cat waited and watched and hunted
+and schemed and devised and did everything possible for a cat--a
+cruel cat--to do in order to gain her murderous ends. One
+night--one fatal Christmas eve--our mother had undressed the
+children for bed, and was urging upon them to go to sleep
+earlier than usual, since she fully expected that Santa Claus
+would bring each of them something very palatable and nice
+before morning. Thereupon the little dears whisked their cunning
+tails, pricked up their beautiful ears, and began telling one
+another what they hoped Santa Claus would bring. One asked for a
+slice of Roquefort, another for Neufchatel, another for Sap
+Sago, and a fourth for Edam; one expressed a preference for de
+Brie, while another hoped to get Parmesan; one clamored for
+imperial blue Stilton, and another craved the fragrant boon of
+Caprera. There were fourteen little ones then, and consequently
+there were diverse opinions as to the kind of gift which Santa
+Claus should best bring; still, there was, as you can readily
+understand, an enthusiastic unanimity upon this point, namely,
+that the gift should be cheese of some brand or other.
+
+"'My dears,' said our mother, 'what matters it whether the boon
+which Santa Claus brings be royal English cheddar or fromage de
+Bricquebec, Vermont sage, or Herkimer County skim-milk? We
+should be content with whatsoever Santa Claus bestows, so long
+as it be cheese, disjoined from all traps whatsoever, unmixed
+with Paris green, and free from glass, strychnine, and other
+harmful ingredients. As for myself, I shall be satisfied with a
+cut of nice, fresh, Western reserve; for truly I recognise in no
+other viand or edible half the fragrance or half the gustfulness
+to be met with in one of these pale but aromatic domestic
+products. So run away to your dreams now, that Santa Claus may
+find you sleeping.'
+
+"The children obeyed,--all but Squeaknibble. 'Let the others
+think what they please,' said she, 'but I don't believe in Santa
+Claus. I'm not going to bed either. I'm going to creep out of
+this dark hole and have a quiet romp, all by myself, in the
+moonlight.' Oh, what a vain, foolish, wicked little mouse was
+Squeaknibble! But I will not reproach the dead; her punishment
+came all too swiftly. Now listen: who do you suppose overheard
+her talking so disrespectfully of Santa Claus?"
+
+"Why, Santa Claus himself," said the old clock.
+
+"Oh, no," answered the little mauve mouse. "It was that wicked,
+murderous cat! Just as Satan lurks and lies in wait for bad
+children, so does the cruel cat lie in wait for naughty little
+mice. And you can depend upon it that, when that awful cat heard
+Squeaknibble speak so disrespectfully of Santa Claus, her wicked
+eyes glowed with joy, her sharp teeth watered, and her bristling
+fur emitted electric sparks as big as marrowfat peas. Then what
+did that blood-thirsty monster do but scuttle as fast as she
+could into Dear-my-Soul's room, leap up into Dear-my-Soul's
+crib, and walk off with the pretty little white muff which
+Dear-my-Soul used to wear when she went for a visit to the
+little girl in the next block! What upon earth did the horrid
+old cat want with Dear-my-Soul's pretty little white muff? Ah,
+the duplicity, the diabolical ingenuity of that cat! Listen.
+
+"In the first place," resumed the little mauve mouse, after
+a pause that testified eloquently to the depth of her
+emotion,--"in the first place, that wretched cat dressed herself
+up in that pretty little white muff, by which you are to
+understand that she crawled through the muff just so far as to
+leave her four cruel legs at liberty."
+
+"Yes, I understand," said the old clock.
+
+"Then she put on the boy doll's fur cap," said the little mauve
+mouse, "and when she was arrayed in the boy doll's fur cap and
+Dear-my-Soul's pretty little white muff, of course she didn't
+look like a cruel cat at all. But whom did she look like?"
+
+"Like the boy doll," suggested the old clock.
+
+"No, no!" cried the little mauve mouse.
+
+"Like Dear-my-Soul?" asked the old clock.
+
+"How stupid you are!" exclaimed the little mauve mouse. "Why,
+she looked like Santa Claus, of course!"
+
+"Oh, yes; I see," said the old clock. "Now I begin to be
+interested; go on."
+
+"Alas!" sighed the little mauve mouse, "not much remains to be
+told; but there is more of my story left than there was of
+Squeaknibble when that horrid cat crawled out of that miserable
+disguise. You are to understand that, contrary to her sagacious
+mother's injunction, and in notorious derision of the mooted
+coming of Santa Claus, Squeaknibble issued from the friendly
+hole in the chimney corner, and gambolled about over this very
+carpet, and, I dare say, in this very moonlight."
+
+"I do not know," said the moonbeam faintly. "I am so very old,
+and I have seen so many things--I do not know."
+
+"Right merrily was Squeaknibble gambolling," continued the
+little mauve mouse, "and she had just turned a double back
+somersault without the use of what remained of her tail when,
+all of a sudden, she beheld, looming up like a monster ghost, a
+figure all in white fur! Oh, how frightened she was, and how her
+little heart did beat! 'Purr, purr-r-r,' said the ghost in white
+fur. 'Oh, please don't hurt me!' pleaded Squeaknibble. 'No; I'll
+not hurt you,' said the ghost in white fur; 'I'm Santa Claus,
+and I've brought you a beautiful piece of savory old cheese,
+you dear little mousie, you.' Poor Squeaknibble was deceived;
+a sceptic all her life, she was at last befooled by the most
+palpable and most fatal of frauds. 'How good of you!' said
+Squeaknibble. 'I didn't believe there was a Santa Claus, and--'
+but before she could say more she was seized by two sharp, cruel
+claws that conveyed her crushed body to the murderous mouth of
+mousedom's most malignant foe. I can dwell no longer upon this
+harrowing scene. Suffice it to say that ere the morrow's sun
+rose like a big yellow Herkimer County cheese upon the spot
+where that tragedy had been enacted, poor Squeaknibble passed to
+that bourn whence two inches of her beautiful tail had preceded
+her by the space of three weeks to a day. As for Santa Claus,
+when he came that Christmas eve, bringing morceaux de Brie and
+of Stilton for the other little mice, he heard with sorrow of
+Squeaknibble's fate; and ere he departed he said that in all his
+experience he had never known of a mouse or of a child that had
+prospered after once saying that he didn't believe in Santa
+Claus."
+
+"Well, that is a remarkable story," said the old clock. "But if
+you believe in Santa Claus, why aren't you in bed?"
+
+"That's where I shall be presently," answered the little mauve
+mouse, "but I must have my scamper you know. It is very
+pleasant, I assure you, to frolic in the light of the moon; only
+I cannot understand why you are always so cold and so solemn and
+so still, you pale, pretty little moonbeam."
+
+"Indeed, I do not know that I am so," said the moonbeam. "But I
+am very old, and I have travelled many, many, leagues, and I
+have seen wondrous things. Sometimes I toss upon the ocean,
+sometimes I fall upon a slumbering flower, sometimes I rest upon
+a dead child's face. I see the fairies at their play, and I hear
+mothers singing lullabies. Last night I swept across the frozen
+bosom of a river. A woman's face looked up at me; it was the
+picture of eternal rest. 'She is sleeping,' said the frozen
+river. 'I'll rock her to and fro, and sing to her. Pass gently
+by, O moonbeam; pass gently by, lest you awaken her.'"
+
+"How strangely you talk," said the old clock. "Now, I'll warrant
+me that, if you wanted to, you could tell many a pretty and
+wonderful story. You must know many a Christmas tale; pray, tell
+us one to wear away this night of Christmas watching."
+
+"I know but one," said the moonbeam. "I have told it over and
+over again, in every land and in every home; yet I do not weary
+of it. It is very simple. Should you like to hear it?"
+
+"Indeed we should," said the old clock; "but before you begin,
+let me strike twelve; for I shouldn't want to interrupt you."
+
+When the old clock had performed this duty with somewhat more
+than usual alacrity, the moonbeam began its story:
+
+"Upon a time--so long ago that I can't tell how long ago it
+was--I fell upon a hill-side. It was in a far distant country;
+this I know, because, although it was the Christmas time, it was
+not in that country as it is wont to be in countries to the
+north. Hither the snow-king never came; flowers bloomed all the
+year, and at all times the lambs found pleasant pasturage on the
+hill-sides. The night wind was balmy, and there was a fragrance
+of cedar in its breath. There were violets on the hill-side,
+and I fell amongst them and lay there. I kissed them, and they
+awakened. 'Ah, is it you, little moonbeam?' they said, and they
+nestled in the grass which the lambs had left uncropped.
+
+"A shepherd lay upon a broad stone on the hill-side; above him
+spread an olive-tree, old, ragged, and gloomy; but now it swayed
+its rusty branches majestically in the shifting air of night.
+The shepherd's name was Benoni. Wearied with long watching, he
+had fallen asleep; his crook had slipped from his hand. Upon the
+hill-side, too, slept the shepherd's flock. I had counted them
+again and again; I had stolen across their gentle faces and
+brought them pleasant dreams of green pastures and of cool
+water-brooks. I had kissed old Benoni, too, as he lay slumbering
+there; and in his dreams he seemed to see Israel's King come
+upon earth, and in his dreams he murmured the promised Messiah's
+name.
+
+"'Ah, is it you, little moonbeam?' quoth the violets. 'You have
+come in good time. Nestle here with us, and see wonderful things
+come to pass.'
+
+"'What are these wonderful things of which you speak?' I asked.
+
+"'We heard the old olive-tree telling of them to-night,' said
+the violets. 'Do not go to sleep, little violets,' said the old
+olive-tree, 'for this is Christmas night, and the Master shall
+walk upon the hill-side in the glory of the midnight hour.' So
+we waited and watched; one by one the lambs fell asleep; one by
+one the stars peeped out; the shepherd nodded and crooned, and
+crooned and nodded, and at last he, too, went fast asleep, and
+his crook slipped from his keeping. Then we called to the old
+olive-tree yonder, asking how soon the midnight hour would come;
+but all the old olive-tree answered was 'Presently, presently,'
+and finally we, too, fell asleep, wearied by our long watching,
+and lulled by the rocking and swaying of the old olive-tree in
+the breezes of the night.
+
+"'But who is this Master?' I asked.
+
+"'A child, a little child,' they answered. 'He is called the
+little Master by the others. He comes here often, and plays
+among the flowers of the hill-side. Sometimes the lambs,
+gambolling too carelessly, have crushed and bruised us so that
+we lie bleeding and are like to die; but the little Master heals
+our wounds and refreshes us once again.'
+
+"I marvelled much to hear these things. 'The midnight hour is at
+hand,' said I, 'and I will abide with you to see this little
+Master of whom you speak.' So we nestled among the verdure of
+the hill-side, and sang songs one to another.
+
+"'Come away!' called the night wind; 'I know a beauteous sea not
+far hence, upon whose bosom you shall float, float, float, away
+out into the mists and clouds, if you will come with me.'
+
+"But I hid under the violets and amid the tall grass, that the
+night wind might not woo me with its pleading. 'Ho, there, old
+olive-tree!' cried the violets; 'do you see the little Master
+coming? Is not the midnight hour at hand?'
+
+"'I can see the town yonder,' said the old olive-tree. 'A star
+beams bright over Bethlehem, the iron gates swing open, and the
+little Master comes.'
+
+"Two children came to the hill-side. The one, older than his
+comrade, was Dimas, the son of Benoni. He was rugged and sinewy,
+and over his brown shoulders was flung a goat-skin; a leathern
+cap did not confine his long, dark curly hair. The other child
+was he whom they called the little Master; about his slender
+form clung raiment white as snow, and around his face of
+heavenly innocence fell curls of golden yellow. So beautiful a
+child I had not seen before, nor have I ever since seen such as
+he. And as they came together to the hill-side, there seemed to
+glow about the little Master's head a soft white light, as if
+the moon had sent its tenderest, fairest beams to kiss those
+golden curls.
+
+"'What sound was that?' cried Dimas, for he was exceeding
+fearful.
+
+"'Have no fear, Dimas,' said the little Master. 'Give me thy
+hand and I will lead thee.'
+
+"Presently they came to the rock whereon Benoni, the shepherd,
+lay; and they stood under the old olive-tree, and the old
+olive-tree swayed no longer in the night wind, but bent its
+branches reverently in the presence of the little Master. It
+seemed as if the wind, too, stayed in its shifting course just
+then; for suddenly there was a solemn hush, and you could hear
+no noise, except that in his dreams Benoni spoke the Messiah's
+name.
+
+"'Thy father sleeps,' said the little Master, 'and it is well
+that it is so; for that I love thee Dimas, and that thou shalt
+walk with me in my Father's Kingdom, I would show thee the
+glories of my birthright.'
+
+"Then all at once sweet music filled the air, and light, greater
+than the light of day, illumined the sky and fell upon all that
+hill-side. The heavens opened, and angels, singing joyous songs,
+walked to the earth. More wondrous still, the stars, falling
+from their places in the sky, clustered upon the old olive-tree,
+and swung hither and thither like colored lanterns. The flowers
+of the hill-side all awakened, and they, too, danced and sang.
+The angels, coming hither, hung gold and silver and jewels and
+precious stones upon the old olive, where swung the stars; so
+that the glory of that sight, though I might live forever, I
+shall never see again. When Dimas heard and saw these things he
+fell upon his knees, and catching the hem of the little Master's
+garment, he kissed it.
+
+"'Greater joy than this shall be thine, Dimas,' said the little
+Master; 'but first must all things be fulfilled.'
+
+"All through that Christmas night did the angels come and go
+with their sweet anthems; all through that Christmas night did
+the stars dance and sing; and when it came my time to steal
+away, the hill-side was still beautiful with the glory and the
+music of heaven."
+
+"Well, is that all?" asked the old clock.
+
+"No," said the moonbeam; "but I am nearly done. The years went
+on. Sometimes I tossed upon the ocean's bosom, sometimes I
+scampered o'er a battle-field, sometimes I lay upon a dead
+child's face. I heard the voices of Darkness and mothers'
+lullabies and sick men's prayers--and so the years went on.
+
+"I fell one night upon a hard and furrowed face. It was of
+ghostly pallor. A thief was dying on the cross, and this was his
+wretched face. About the cross stood men with staves and swords
+and spears, but none paid heed unto the thief. Somewhat beyond
+this cross another was lifted up, and upon it was stretched a
+human body my light fell not upon. But I heard a voice that
+somewhere I had heard before,--though where I did not know,--and
+this voice blessed those that railed and jeered and shamefully
+entreated. And suddenly the voice called 'Dimas, Dimas!' and the
+thief upon whose hardened face I rested made answer.
+
+"Then I saw that it was Dimas; yet to this wicked criminal there
+remained but little of the shepherd child whom I had seen in all
+his innocence upon the hill-side. Long years of sinful life had
+seared their marks into his face; yet now, at the sound of that
+familiar voice, somewhat of the old-time boyish look came back,
+and in the yearning of the anguished eyes I seemed to see the
+shepherd's son again.
+
+"'The Master!' cried Dimas, and he stretched forth his neck that
+he might see him that spake.
+
+"'O Dimas, how art thou changed!' cried the Master, yet there
+was in his voice no tone of rebuke save that which cometh of
+love.
+
+"Then Dimas wept, and in that hour he forgot his pain. And the
+Master's consoling voice and the Master's presence there wrought
+in the dying criminal such a new spirit, that when at last his
+head fell upon his bosom, and the men about the cross said that
+he was dead, it seemed as if I shined not upon a felon's face,
+but upon the face of the gentle shepherd lad, the son of Benoni.
+
+"And shining on that dead and peaceful face, I bethought me of
+the little Master's words that he had spoken under the old
+olive-tree upon the hill-side: 'Your eyes behold the promised
+glory now, O Dimas,' I whispered, 'for with the Master you walk
+in Paradise.'"
+
+
+Ah, little Dear-my-Soul, you know--you know whereof the moonbeam
+spake. The shepherd's bones are dust, the flocks are scattered,
+the old olive-tree is gone, the flowers of the hill-side are
+withered, and none knoweth where the grave of Dimas is made. But
+last night, again, there shined a star over Bethlehem, and the
+angels descended from the sky to earth, and the stars sang
+together in glory. And the bells,--hear them, little
+Dear-my-Soul, how sweetly they are ringing,--the bells bear us
+the good tidings of great joy this Christmas morning, that our
+Christ is born, and that with him he bringeth peace on earth and
+good-will toward men.
+
+
+
+
+
+End of Project Gutenberg's The Mouse and The Moonbeam, by Eugene Field
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE MOUSE AND THE MOONBEAM ***
+
+***** This file should be named 27697.txt or 27697.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/7/6/9/27697/
+
+Produced by Louise Hope, David Edwards and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/27697.zip b/27697.zip
new file mode 100644
index 0000000..60676c7
--- /dev/null
+++ b/27697.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..1603284
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #27697 (https://www.gutenberg.org/ebooks/27697)