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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/27621.txt b/27621.txt new file mode 100644 index 0000000..e85c69a --- /dev/null +++ b/27621.txt @@ -0,0 +1,542 @@ +The Project Gutenberg EBook of How I write my novels, by Mrs. Hungerford + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: How I write my novels + +Author: Mrs. Hungerford + +Release Date: December 25, 2008 [EBook #27621] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK HOW I WRITE MY NOVELS *** + + + + +Produced by Daniel Fromont + + + + + + + + + +[Transcriber's note: Mrs. Hungerford (Margaret Wolfe Hamilton) +(1855?-1897) "How I write my novels" (from Mrs Hungerford's +_An anxious moment_ pp. 275-282)] + + + + + + +To sit down in cold blood and deliberately set to cudgel one's brains +with a view to dragging from them a plot wherewith to make a book is (I +have been told) the habit of some writers, and those of no small +reputation. Happy people! What powers of concentration must be theirs! +What a belief in themselves--that most desirable of all beliefs, that +sweet propeller toward the temple of fame. Have faith in yourself, and +all me, will have faith in you. + +But as for me, I have to lie awake o'nights longing and hoping for +inspirations that oft-times are slow to come. But when they do come, +what a delight! All at once, in a flash, as it were, the whole story +lies open before me--a delicate diorama, vague here and there, but +with a beginning and an end--clear as crystal. I can never tell when +these inspirations may be coming; sometimes in the dark watches of the +night; sometimes when driving through the crisp, sweet air; sometimes a +word in a crowded drawing-room, a thought rising from the book in hand, +sends them with a rush to the surface, where they are seized and +brought to land, and carried home in triumph. After that the 'dressing' +of them is simple enough. + +But just in the beginning it was not so simple. Alas! for that first +story of mine--the raven I sent you of my ark and never saw again. +Unlike the proverbial curse, it did not come home to roost; it stayed +where I had sent it. The only thing I ever heard of it again was a +polite letter from the editor in whose office it lay, telling me I +could have it back if I enclosed stamps to the amount of twopence +halfpenny, otherwise he should feel it his unpleasant duty to 'consign +it to the waste-paper basket'. I was only sixteen then, and it is a +very long time ago; but I have always hated the words 'waste paper' +ever since. I don't remember that I was either angry or indignant, but +I _do_ remember that I was both sad and sorry. At all events, I never +sent that miserable twopence halfpenny, so I conclude my first +manuscript went to light the fire of that heartless editor. + +So much comfort I may have bestowed on him, but he left me comfortless; +and yet who can say what good he may not have done me? Paths made too +smooth leave the feet unprepared for rougher roads. To step always in +the primrose way is death to the higher desires. Yet oh, for the hours +I spent over that poor rejected story, beautifying it (as I fondly, if +erroneously, believed), adding a word here, a sentiment there! So +conscientiously minded was I, that even the headings of the chapters +were scraps of poetry (so called) done all by myself. Well, never mind. +I was very young then, and, as they say upon the stage, I 'meant well'. + +For a long twelvemonth after that I never dreamed of putting pen to +paper. I had given myself up, as it were. I was the most modest of +children, and fully decided within myself that a man so clever as a +real live editor must needs be could not have been mistaken. He had +seen and judged, and practically told me that writing was not my forte. + +Yet the inevitable hour came round once more. Once again an idea caught +me, held me, _persuaded_ me that I could put it into words. I struggled +with it this time, but it was too strong for me; and that early +exhilarating certainty that there was 'something in me', as people say, +was once more mine, and seizing my pen, I sat down and wrote, wrote, +wrote, until the idea was an object formed. + +With closed doors I wrote at stolen moments. I had not forgotten the +quips and cranks uttered at my expense by my brother and sister on the +refusal of that last-first manuscript. To them it had been a fund of +joy. In fear and trembling I wrote this second effusion, finished it, +wept over it (it was the most lachrymose of tales), and finally, under +cover of night, induced the housemaid to carry it to the post. To that +first unsympathetic editor I sent it (which argues a distant lack of +malice in my disposition), and oh, joy! it was actually accepted. I +have written many a thing since, but I doubt if I have ever known again +the unadulterated delight that was mine when my first insignificant +cheque was held within my hands. + +As for my characters: you ask how I conceive them. Once the plot is +rescued from the misty depths of the mind, the characters come and +range themselves readily enough. A scene, we will say, suggests +itself--a garden, a flower-show, a ball-room, what you will--and two +people in it. A young man and woman for choice. They are always young +with me, for that matter, for what under the heaven we are promised is +so altogether perfect as youth! Oh, that we could all be young for ever +and for ever; that Time, + +'That treads more soft than e'er did midnight thief', + +could be abruptly slain by some great conqueror, and we poor human +beings let loose, defiant of its thralls! But no such conqueror comes, +and Time flies swiftly as of yore, and drags us headlong, whether we +will or not, to the unattractive grave. + +If any one of you, dear readers, is as bad a sleeper as I am, you will +understand how thoughts swarm at midnight. Busy, bustling, stinging +bees, they forbid the needed rest, and, thronging the idle brain, +compel attention. Here in the silent hours the ghosts called characters +walk slowly, smiling, bowing, nodding, pirouetting, going like +marionettes through all their paces. At night, I have had my gayest +thoughts; at night, my saddest. All things seem open then to that +giant, Imagination. + +Here, lying in the dark, with as yet no glimmer of the coming dawn, no +faintest light to show where the closed curtains join, too indolent to +rise and light the lamp, too sleepy to put one's foot out of the +well-warmed bed, praying fruitlessly for that sleep that will not +come--it is at such moments as these that my mind lays hold of the +novel now in hand, and works away at it with a vigour, against which +the natural desire for sleep hopelessly makes battle. + +Just born this novel may be, or half completed; however it is, off goes +one's brain at a tangent. Scene follows scene, one touching the other; +the characters unconsciously fall into shape; the villain takes a ruddy +hue; the hero dons a white robe; as for the heroine, who shall say what +dyes from Olympia are not hers? A conversation suggests itself, an act +thrusts itself into notice. Lightest of skeletons all these must +necessarily be, yet they make up eventually the big whole, and from the +brain wanderings of one wakeful night three of four chapters are +created for the next morning's work. + +As for the work itself, mine is, perhaps, strangely done, for often I +have written the last chapter first, and founded my whole story on the +one episode that it contained. + +As a rule, too, I never give more time to my writing than two hours out +of every day. But I write quickly, and have my notes before me, and I +can do a great deal in a short time. Not that I give these two hours +systematically; when the idle vein is in full flow I fling aside the +pen and rush gladly into the open air, seeking high and low for the +children, who (delightful thought) will be sure to help me toward that +state of frivolity to which the sunshine outside has tempted me to +aspire. + +To _force_ the mind is, in my opinion, bad business. What comes +spontaneously is of untold value. It is always fresh, always the best +of which the writer may be capable. These unsolicited outbursts of the +mind are as the wild sprays sent heavenward at times by a calm and +slumbering ocean--a promise of the power that reigns in the now quiet +breast. Thus dreams are of value; and to dreams (those most spontaneous +and unsought of all things) I owe much." + + + + + + + +End of Project Gutenberg's How I write my novels, by Mrs. Hungerford + +*** END OF THIS PROJECT GUTENBERG EBOOK HOW I WRITE MY NOVELS *** + +***** This file should be named 27621.txt or 27621.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/7/6/2/27621/ + +Produced by Daniel Fromont + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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