initial commit of ebook 27614HEADmain

34 files changed, 12062 insertions, 0 deletions

diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/27614-8.txt b/27614-8.txt
new file mode 100644
index 0000000..16d3049
--- /dev/null
+++ b/27614-8.txt
@@ -0,0 +1,3717 @@
+The Project Gutenberg EBook of Notes and Queries, Number 219, January 7,
+1854, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Number 219, January 7, 1854
+       A Medium of Inter-communication for Literary Men, Artists,
+       Antiquaries, Genealogists, etc
+
+Author: Various
+
+Other: George Bell
+
+Release Date: December 25, 2008 [EBook #27614]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES, QUERIES, JANUARY 7, 1854 ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+
+
+
+{1}
+
+NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+       *       *       *       *       *
+
+
+VOL. IX.--No. 219.]
+SATURDAY, JANUARY 7. 1854.
+[Price Fourpence. Stamped Edition 5d.
+
+       *       *       *       *       *
+
+
+CONTENTS.
+
+                                                        Page
+  Our Ninth Volume                                        3
+
+  NOTES:--
+  A Strawberry-Hill Gem, by Bolton Corney                 3
+  The "Ancren Riwle," by Sir F. Madden                    5
+  Order for the Suppression of Vagrancy, A.D. 1650-51,
+  by John Bruce                                           6
+  Letters of Eminent Literary Men, by Sir Henry Ellis     7
+  Burial-place of Archbishop Leighton, by Albert Way      8
+
+  MINOR NOTES:--Grammars, &c. for Public
+  Schools--"To captivate"--Bohn's Edition of Matthew of
+  Westminster--French Season Rhymes and Weather
+  Rhymes--Curious Epitaph in Tillingham Church, Essex     8
+
+  QUERIES:--
+  Domestic Letters of Edmund Burke                        9
+
+  MINOR QUERIES:--Farrant's Anthem--Ascension
+  Day Custom--Sawbridge and Knight's Numismatic
+  Collections--"The spire whose silent finger points
+  to heaven."--Lord Fairfax--Tailless Cats--
+  Saltcellar--Arms and Motto granted to Col. William
+  Carlos--Naval Atrocities--Turlehydes--Foreign Orders:
+  Queen of Bohemia--Pickard Family--Irish Chieftains--
+  General Braddock                                        9
+
+  MINOR QUERIES WITH ANSWERS:--Lawless Court,
+  Rochford, Essex--Motto on old Damask--Explanation
+  of the Word "Miser"--"Acis and Galatea"--Birm-bank--
+  General Thomas Gage                                    11
+
+  REPLIES:--
+  Rapping no Novelty, by Rev. Dr. Maitland               12
+  Occasional Forms of Prayer, by John Macray             13
+  Celtic and Latin Languages                             14
+  Geometrical Curiosity, by Professor De Morgan          14
+  The Black-guard, by P. Cunningham                      15
+  The Calves' Head Club, by Edward Peacock               15
+
+  PHOTOGRAPHIC CORRESPONDENCE:--
+  The Calotype Process--Hockin's Short Sketch--
+  Photographic Society's Exhibition                      16
+
+  REPLIES TO MINOR QUERIES:--"Firm was their
+  faith," &c.--Vellum-cleaning--Wooden Tombs--Solar
+  Eclipse in the Year 1263--Lines on Woman--Satin--
+  "Quid facies," &c.--Sotades--The Third Part of
+  "Christabel"--Attainment of Majority--Lord Halifax
+  and Mrs. C. Barton--The fifth Lord Byron--Burton
+  Family--Provost Hodgson's Translation of the Atys
+  of Catullus, &c.                                       17
+
+  MISCELLANEOUS:--
+  Notes on books, &c.                                    21
+  Books and Odd Volumes wanted                           21
+  Notices to Correspondents                              22
+
+       *       *       *       *       *
+
+
+THE SACRED GARLAND, or THE CHRISTIAN'S DAILY DELIGHT.
+
+ "Pluck a Flower."
+
+A New Edition of the above excellent and popular work will shortly be
+published in large type, crown 8vo., and may be obtained of any respectable
+bookseller in town or country.
+
+MILNER & SOWERBY, Halifax.
+
+       *       *       *       *       *
+
+
+QUEENWOOD COLLEGE, NEAR STOCKBRIDGE, HANTS.
+
+_Principal_--GEORGE EDMONDSON.
+
+_Mathematics and Natural Philosophy_.--Dr. Thos. A. Hirst, of the
+Universities of Marburg and Berlin.
+
+_Chemistry_--Dr. H. Debus, late Assistant in the Laboratory of Professor
+Bunsen, and Chemical Lecturer in the University of Marburg.
+
+_Classics and History._--Mr. John S. Mummery, L.C.P.
+
+_Modern Languages and Foreign Literature._--Mr. John Haas, from M. de
+Fellenberg's Institution, Hofwyl, Switzerland.
+
+_Geodesy._--Mr. Richard P. Wright.
+
+_Painting and Drawing._--Mr. Richard P. Wright.
+
+_English, and Junior Mathematics._--Frederick Iliff, M.A., late Scholar of
+Trinity College, Cambridge, and M.C.P.
+
+_Ditto._--Mr. William Singleton.
+
+_Music._--Mr. William Cornwall.
+
+  TERMS.
+
+  For Boys under 12 years of age 40l. per ann.
+       "   from 12 to 16         50    "
+       "   above 16              60    "
+
+For further information see Prospectus, to be had of the Principal.
+
+The First Session of 1854 commences on the 26th of January.
+
+       *       *       *       *       *
+
+
+PRINCE OF WALES'S SKETCH-BOX.--Containing Colours, Pencils, &c., with
+printed directions, as now used by the Royal Family. Price 5s.
+
+MILLER'S, Artist's Colour Manufacturer, 56 Long Acre, London: and at her
+Majesty's Steam Colour and Pencil Works, Pimlico.
+
+       *       *       *       *       *
+
+
+CHRISTMAS PRESENTS--EXPERIMENTAL CHEMISTRY.
+
+AMUSEMENT FOR LONG EVENINGS, by means of STATHAM'S Chemical Cabinets and
+Portable Laboratories, 5s. 6d., 7s. 6d., 10s. 6d., 21s., 31s. 6d., 42s.,
+63s., and upwards. Book of Experiments, 6d. "Illustrated Descriptive
+Catalogue" forwarded Free for Stamp.
+
+WILLIAM E. STATHAM, Operative Chemist, 29c. Rotherfield Street, Islington,
+London, and of Chemists and Opticians everywhere.
+
+       *       *       *       *       *
+
+
+DO YOU BRUISE YOUR OATS YET? New Oat Crushers, 2l. 15s. 6d., ditto 4l. 5s.
+6d.; Chaff Cutters, 1l. 7s. 6d., ditto 2l. 19s. 6d. Mangles, 2l. 10s. 6d.;
+Flour Mills, 4l. 10s. 6d.
+
+MARY WEDLAKE & CO., 118. Fenchurch Street.
+
+       *       *       *       *       *
+
+
+SURREY ARCHÆOLOGICAL SOCIETY.
+
+PRESIDENT.--His Grace the Duke of Norfolk.
+
+Gentlemen desiring to join the Society, are informed that Copies of the
+Rules, List of Members (upwards of 250), and Forms of Application for
+Admission, may be obtained from the Honorary Secretary.
+
+                              £. s.
+  Annual Subscription         0  10
+  Composition for Life        5   0
+
+On and after January 1, 1854, an entrance fee of 10s. will be required,
+from which those Members who join the Society during the present month will
+be exempt.
+
+  GEORGE BISH WEBB,
+          Honorary Secretary.
+
+46. Addison Road North, Notting Hill.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHIC INSTITUTION.--An EXHIBITION of PICTURES, by the most
+celebrated French, Italian, and English Photographers, embracing Views of
+the principal Countries and Cities of Europe, is now OPEN. Admission 6d. A
+Portrait taken by MR. TALBOT'S Patent Process, One Guinea; Three extra
+Copies for 10s.
+
+PHOTOGRAPHIC INSTITUTION, 168. NEW BOND STREET.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHIC SOCIETY.--The Exhibition of Photographs, Daguerreotypes, &c.,
+by the best British and Foreign Photographers, is now open daily at the
+Rooms of the Society of British Artists, Suffolk Street, Pall Mall. Members
+are admitted without payment. Admission, One Shilling. Catalogues Sixpence.
+
+  ROGER FENTON, _Hon. Sec._
+
+4th Jan. 1854.
+
+       *       *       *       *       *
+
+
+PHYSIOGNOMY OF INSANITY.--A Series of Photographic Portraits from the Life,
+
+By DR. HUGH W. DIAMOND, F.S.A.,
+
+with brief Medical Notes. To be published in occasional Parts, small
+quarto.
+
+S. HIGHLEY, 32. Fleet Street.
+
+       *       *       *       *       *
+
+
+Will be published on the 10th instant, price 4d. No. I. of the
+
+LIVERPOOL PHOTOGRAPHIC JOURNAL. Conducted by the Members of the Liverpool
+Photographic Society.
+
+Published by HENRY GREENWOOD, 16. Canning Place, Liverpool (by whom
+Advertisements will be received) and may be had through all Booksellers.
+
+       *       *       *       *       *
+
+
+HEAL & SON'S EIDER DOWN QUILT is the warmest, the lightest and the most
+elegant Covering for the Bed, the Couch, or the Carriage; and for Invalids,
+its comfort cannot be too highly appreciated. It is made in Three
+Varieties, of which a large Assortment can be seen at their Establishment.
+List of Prices of the above, together with the Catalogue of Bedsteads, sent
+Free by Post.
+
+HEAL & SON, Bedstead and Bedding Manufacturers, 196. Tottenham Court Road.
+
+       *       *       *       *       * {2}
+
+
+NEW WORKS.
+
+THE EDINBURGH REVIEW, No. CCI., JANUARY, 1854. 8vo., price 6s.
+
+              CONTENTS:
+  1. Lord John Russell's Memorials of Mr. Fox, and the Rockingham Papers.
+  2. The Blind: their Works and Ways.
+  3. Public Works in the Presidency of Madras.
+  4. Ecclesiastical Economy.
+  5. Education for the Rich and Poor.
+  6. Thackeray's Works.
+  7. The Machinery of Parliamentary Legislation.
+  8. The Ottoman Empire.
+
+LORD HOLLAND'S MEMOIRS OF THE WHIG PARTY. Edited by his Son, HENRY EDWARD
+LORD HOLLAND. Vol. II. Post 8vo. Price 9s. 6d.
+
+MEMOIRS, JOURNAL, and CORRESPONDENCE of THOMAS MOORE. Edited by the RIGHT
+HON. LORD JOHN RUSSELL, M.P. With Portraits and Vignettes. Vols. V. and
+VI., post 8vo., price 21s.
+
+LETTERS OF RACHEL LADY RUSSELL. A New Edition, including several
+unpublished Letters; together with those edited by Miss Berry. With
+Portraits, Vignettes, and Fac-simile. 2 vols. post 8vo., price 15s.
+
+A DEFENCE of the "Eclipse of Faith." by its Author; being a Rejoinder to
+Professor Newman's "Reply." Post 8vo., price 5s. 6d.
+
+ZOHRAB: or, a Midsummer Day's Dream: and other Poems. By WILLIAM THOMAS
+THORNTON, Author of "An Essay on Over-Population," "A Plea for Peasant
+Proprietors," &c. Fcp. 8vo., price 4s. 6d.
+
+REMAINS, LEGENDARY and POETICAL, of JOHN ROBY, Author of "Traditions of
+Lancashire." With a Sketch of his Literary Life and Character, by his
+Widow. Post 8vo. (_In January._)
+
+BOWDLER'S FAMILY SHAKSPEARE. A New Edition, in Volumes for the Pocket. 6
+Vols. fcap. 8vo., price 5s. each.
+
+AUTOBIOGRAPHY of B. R. HAYDON, Historical Painter. Edited, and continued to
+his Death, from his own Journals, by TOM TAYLOR, M.A., of the Inner Temple,
+Esq. Second Edition, with Additions. 3 vols. post 8vo., price 31s. 6d.
+
+MAUNDER'S BIOGRAPHICAL TREASURY. A New Edition, thoroughly revised, and
+brought down to the year 1854, by the insertion of numerous additional
+Memoirs. Fcap. 8vo. (_In January_.)
+
+Sir JAMES MACKINTOSH'S HISTORY of ENGLAND, from the Earliest Times to the
+final Establishment of the Reformation. A New Library Edition, revised by
+the Author's Son. 2 vols. 8vo., price 21s.
+
+MR. MACAULAY'S CRITICAL AND HISTORICAL ESSAYS, contributed to the
+"Edinburgh Review." New Editions, as follows:
+
+  1. Library Edition, 3 vols. 8vo., price 36s.
+  2. Complete in One Volume, with Portrait and Vignette, square crown 8vo.,
+      price 21s.; calf, 30s.
+  3. Another Edition, in 3 vols., fcap. 8vo., price 21s.
+
+A GUIDE TO GEOLOGY. By JOHN PHILLIPS, F.R.S., F.G.S. Deputy Reader in
+Geology in the University of Oxford, &c. New Edition (1854), corrected to
+the Present Time; with 4 Plates. Fcp. 8vo., price 5s.
+
+PROFESSOR BRANDE'S DICTIONARY of SCIENCE, LITERATURE, and ART. A New
+Edition, corrected; with a Supplement and Woodcuts, 8vo. price 3l.
+
+London: LONGMAN, BROWN, GREEN, & LONGMANS.
+
+       *       *       *       *       *
+
+
+ARCHÆOLOGICAL WORKS BY JOHN YONGE AKERMAN,
+
+FELLOW AND SECRETARY OF THE SOCIETY OF ANTIQUARIES OF LONDON.
+
+AN ARCHÆOLOGICAL INDEX to Remains of Antiquity of the Celtic,
+Romano-British, and Anglo-Saxon Periods. 1 vol. 8vo., price 15s. cloth,
+illustrated by numerous Engravings, comprising upwards of five hundred
+objects.
+
+A NUMISMATIC MANUAL, 1 vol. 8vo., price One Guinea.
+
+*** The Plates which illustrate this Volume are upon a novel plan, and
+will, at a glance, convey more information regarding the types of Greek,
+Roman, and English Coins, than can be obtained by many hours' careful
+reading. Instead of a fac-simile Engraving being given of that which is
+already an enigma to the tyro, the most striking and characteristic
+features of the Coin are dissected and placed by themselves, so that the
+eye soon becomes familiar with them.
+
+A DESCRIPTIVE CATALOGUE of Rare and Unedited Roman Coins, from the Earliest
+Period to the taking of Rome under Constantine Paleologos. 2 vols. 8vo.,
+numerous Plates, 30s.
+
+COINS OF THE ROMANS relating to Britain. 1 vol. 8vo. Second Edition, with
+an entirely new set of Plates, price 10s. 6d.
+
+ANCIENT COINS of CITIES and Princes, Geographically arranged and described,
+containing the Coins of Hispania, Gallia, and Britannia, with Plates of
+several hundred examples. 1 vol. 8vo., price 18s.
+
+NEW TESTAMENT, Numismatic Illustrations of the Narrative Portions of
+the.--Fine paper, numerous Woodcuts from the original Coins in various
+Public and Private Collections. 1 vol. 8vo., price 5s. 6d.
+
+AN INTRODUCTION TO THE STUDY of ANCIENT and MODERN COINS. In 1 vol. fcp.
+8vo., with numerous Wood Engravings from the original Coins, price 6s. 6d.
+cloth.
+
+    CONTENTS:--Section 1. Origin of Coinage--Greek Regal Coins. 2. Greek
+    Civic Coins. 3. Greek Imperial Coins. 4. Origin of Roman
+    Coinage--Consular Coins. 5. Roman Imperial Coins. 6. Roman British
+    Coins. 7. Ancient British Coinage. 8. Anglo-Saxon Coinage. 9. English
+    Coinage from the Conquest. 10. Scotch Coinage. 11. Coinage of Ireland.
+    12. Anglo-Gallic Coins. 13. Continental Money in the Middle Ages. 14.
+    Various Representatives of Coinage. 15. Forgeries in Ancient and Modern
+    Times. 16. Table of Prices of English Coins realised at Public Sales.
+
+TRADESMEN'S TOKENS, struck in London and its Vicinity, from the year 1648
+to 1672 inclusive. Described from the Originals in the Collection of the
+British Museum, &c. 15s.
+
+REMAINS OF PAGAN SAXONDOM, principally from Tumuli in England. Publishing
+in 4to., in Numbers, at 2s. 6d. With coloured Plates.
+
+A GLOSSARY OF PROVINCIAL WORDS and PHRASES in Use in Wiltshire. 12mo., 3s.
+
+THE NUMISMATIC CHRONICLE is published Quarterly. Price 3s. 6d. each Number.
+
+JOHN RUSSELL SMITH, 36. Soho Square, London.
+
+       *       *       *       *       *
+
+
+ALBEMARLE STREET. _January_, 1854.
+
+MR. MURRAY'S FORTHCOMING WORKS.
+
+       *       *       *       *       *
+
+I.
+
+MURRAY'S BRITISH CLASSICS. Being a Series of newly edited and beautifully
+printed Demy Octavo Library Editions of Standard English Authors, from the
+most correct Text. Vol. I. 8vo. 7s. 6d. (To be continued in Monthly
+Volumes.) (_This Day._)
+
+II.
+
+WORKS OF GOLDSMITH, printed from the last Editions revised by the Author.
+New Edition. Edited by PETER CUNNINGHAM, F.S.A. Vignettes. (To be completed
+in 4 vols.) Vol. I. 8vo. 7s. 6d. (Forming the 1_st Volume_ of MURRAY'S
+BRITISH CLASSICS.) (_Ready._)
+
+III.
+
+GIBBON'S ROMAN EMPIRE: With Notes by DEAN MILMAN and M. GUIZOT. New
+Edition. Most carefully compared, verified, and Edited, BY DR. WILLIAM
+SMITH. Maps. (To be completed in 8 vols.) Vol. I. 8vo. 7s. 6d. (Forming the
+_2nd Volume_ of MURRAY'S BRITISH CLASSICS.) (_On Feb. 2nd._)
+
+IV.
+
+THE TREASURES OF ART IN GREAT BRITAIN. Being an Account of the chief
+Collections of Paintings, Sculptures, Miniatures, &c., in England. By DR.
+WAAGEN, Director of the Royal Gallery of Pictures at Berlin. 3 vols. 8vo.
+
+V.
+
+HIMALAYAN JOURNALS; or, THE NOTES OF AN ORIENTAL NATURALIST IN BENGAL, THE
+SIKHIM AND NEPAL HIMALAYAS, THE KHASIA MOUNTAINS, ETC. By DR. JOSEPH DALTON
+HOOKER. With Map, Coloured Plates, and Woodcuts. 2 vols. 8vo.
+
+VI.
+
+SILURIA; or, a VIEW of the SILURIAN and other PRIMEVAL ROCKS, and their
+IMBEDDED REMAINS. By SIR RODERICK MURCHISON. With Coloured Map, numerous
+Plates and Woodcuts. 8vo.
+
+VII.
+
+HISTORY OF LATIN CHRISTIANITY, and that of the POPES. By REV. H. H. MILMAN,
+D.D., Dean of St. Paul's. 3 vols. 8vo.
+
+VIII.
+
+SUNLIGHT THROUGH THE MIST: or, PRACTICAL LESSONS drawn from the LIVES of
+GOOD MEN. A Sunday Book for Children. Woodcuts, 16mo. 3s. 6d. (_Ready._)
+
+IX.
+
+KUGLER'S HANDBOOK OF PAINTING. (The GERMAN, DUTCH, FRENCH, and SPANISH
+SCHOOLS.) Edited by SIR EDMUND HEAD. With Illustrations. 2 vols. Post 8vo.
+24s.
+
+X.
+
+FARINI'S HISTORY OF THE ROMAN STATE. Translated from the Italian, by a
+LADY, under the Direction of the RIGHT HON. W. E. GLADSTONE, M.P. Vol. IV.
+(completing the Work). 8vo.
+
+XI.
+
+HISTORY OF YUCATAN, from its Discovery to the Close of the 17th Century. By
+C. ST. JOHN FANCOURT, recently H.M. Superintendent of the British
+Settlements in the Bay of Honduras. With Map. 8vo. (_Uniform with
+Prescott's Mexico._)
+
+XII.
+
+THE CONSTITUTION OF THE UNITED STATES COMPARED WITH OUR OWN. By H. S.
+TREMENHEERE. Post 8vo.
+
+       *       *       *       *       *
+
+
+{3}
+
+_LONDON, SATURDAY, JANUARY_ 7, 1854.
+
+       *       *       *       *       *
+
+OUR NINTH VOLUME.
+
+The commencement of a New Year, and of our Ninth Volume, imposes upon Us
+the pleasant duty of wishing many happy returns of the season to all our
+Friends, Correspondents, and Readers.
+
+Those of the latter class, who have so earnestly impressed upon Us the
+propriety and advisableness of placing our Advertisements on the outside
+leaves of each Number, will see that their wishes have at length been
+complied with. We trust they will be pleased with this change, and receive
+it as a proof of our readiness to attend to every reasonable suggestion for
+the improve of "NOTES AND QUERIES." We can assure them that it is no less
+our desire to do so than our interest.
+
+       *       *       *       *       *
+
+
+Notes.
+
+A STRAWBERRY-HILL GEM.
+
+    "_Pour qui se donne la peine de chercher, il y a toujours quelque
+    trouvaille à faire, même dans ce qui a été le plus visité_.--Henry
+    PATIN.
+
+I take up a work of European celebrity, and reflect awhile on its
+bibliographic peculiarities--which may almost pass for romance.
+
+It is a _Scottish_ work with regard to the family connexion of its author:
+it is an _Irish_ work with regard to the place of his nativity. It is an
+_English_ work as to the scenes which it represents; a _French_ work as to
+the language in which it was written; a _Dutch_ work as to the country in
+which it came to light. It was formerly printed anonymously: it has since
+borne the name of its author. It was formerly printed for public sale: it
+has been twice printed for private circulation. It was formerly classed as
+fiction: it is now believed to be history.
+
+But we have too many enigmas in the annals of literature, and I must not
+add to the number. The work to which I allude is the _Mémoires du comte de
+Grammont par le comte Antoine Hamilton_.
+
+The various indications of a projected re-impression of the work remind me
+of my _portefeuille Hamiltonien_, and impose on me the task of a partial
+transcription of its contents.
+
+Of the numerous editions of the _Mémoires de Grammont_ as recorded by
+Brunet, Renouard, or Quérard, or left unrecorded by those celebrated
+bibliographers, I shall describe only four; which I commend to the critical
+examination of future editors:
+
+    1. "_Mémoires de la vie du comte de Grammont; contenant
+    particuliérement l'histoire amoureuse de la cour d'Angleterre, sous le
+    regne de Charles II._ A Cologne, chez Pierre Marteau, 1713. 12^o, pp. 4
+    + 428.
+
+    "AVIS DU LIBRAIRE.--Il seroit inutile de recommander ici la lecture des
+    mémoires qui composent ce volume: le titre seul de _Mémoires du comte
+    de Grammont_ réveillera sans doute la curiosité du public pour un homme
+    qui lui est déjà si connu d'ailleurs, tant par la réputation qu'il a
+    sçu se faire, que par les différens portraits qu'en ont donnez Mrs. de
+    Bussi et de St. Evremont, dans leurs ouvrages; et l'on ne doute
+    nullement qu'il ne reçoive, avec beaucoup de plaisir, un livre, dans
+    lequel on lui raconte ses avantures, sur ce qu'il en a bien voulu
+    raconter lui-même à celui qui a pris la peine de dresser ces mémoires.
+
+    "Outre les avantures du comte de Grammont, ils contiennent
+    particuliè[re]ment l'histoire amoureuse de la cour d'Angleterre, sous
+    le regne de Charles II; et, comme on y découvre quantité de choses, qui
+    ont été tenues cachées jusqu'à présent, et qui font voir jusqu'à quel
+    excès on a porté le déréglement dans cette cour, ce n'est pas le
+    morceau le moins intéressant de ces mémoires.
+
+    "On les donne ici sur une copie manuscrite, qu'on en a reçue de Paris:
+    et on les a fait imprimer avec le plus d'exactitude qu'il a été
+    possible."
+
+The above is the _first_ edition. The imprint is fictitious. It was much
+used by the Elzévirs, and by other Dutch printers. The second edition, with
+the same imprint, is dated in 1714 (Cat. de Guyon de Sardière, No. 939.).
+The third edition was printed at Rotterdam in 1716. The _avis_ is omitted
+in that edition, and in all the later impressions which I have seen. Its
+importance as a history of the publication induces one to revive it. There
+is also an edition printed at Amsterdam in 1717 (Cat. de Lamy, No. 3918.);
+and another at La Haye in 1731 (Cat. de Rothelin, No. 2534*). Brunet omits
+the edition of 1713. Renouard and Quérard notice it too briefly.
+
+    2. "_Memoires du comte de Grammont, par monsieur le comte Antoine
+    Hamilton. Nouvelle edition, augmentée d'un discours préliminaire mêlé
+    de prose et de vers, par le même auteur, et d'un avertissement
+    contenant quelques anecdotes de la vie du comte Hamilton._ A Paris,
+    chez la veuve Pissot, Quay de Conti, à la croix d'or. 1746." 12^o. pp.
+    24 + 408.
+
+    "AVERTISSEMENT. Le public a fait un accueil si favorable à ces
+    _Mémoires_, que nous avons crû devoir en procurer une nouvelle edition.
+    Outre les avantures du comte de Grammont, très-piquantes par
+    elles-mêmes, ils contiennent l'histoire amoureuse d'Angleterre sous le
+    regne de Charles II. Ils sont d'ailleurs écrits d'une maniére si vive
+    et si ingénieuse, qu'ils ne laisseroient pas de plaire infiniment,
+    quand la matiére en seroit moins interessante.
+
+    "Le héros de ces _Mémoires_ a trouvé dans le comte Hamilton un
+    historien digne de lui. Car on n'ignore plus qu'ils sont partis de la
+    même main à qui l'on doit encore d'autres ouvrages frappés au même
+    coin.
+
+    "Nous avons enrichi cette edition d'un discours mêlé de prose et de
+    vers, où l'on exagére la difficulté qu'il y a de bien répresenter le
+    comte de Grammont. On reconnoîtra facilement que ce discours est du
+    même auteur que les _Mémoires_, et qu'il devoit naturellement en {4}
+    orner le frontispice. Au reste il ne nous appartient point d'en
+    apprécier le mérite. Nous dirons seulement que des personnes d'un goût
+    sûr et délicat le comparent au _Voyage de Chapelle_, et qu'ils y
+    trouvent les mêmes graces, le même naturel et la même légereté.
+
+    "Il ne nous reste plus qu'à dire un mot de M. Hamilton lui-même, auteur
+    de ces mémoires, et du discours qui les précede.
+
+    "Antoine Hamilton dont nous parlons, étoit de l'ancienne et illustre
+    maison de ce nom en Ecosse. Il nâquit en Irlande. Il eut pour pére le
+    chevalier Georges Hamilton, petit-fils du duc d'Hamilton, qui fut aussi
+    duc de Châtelleraud en France.
+
+    "Sa mére étoit madame Marie Butler, soeur du duc d'Ormond, viceroi
+    d'Irlande, et grand maître de la maison du roi Charles.
+
+    "Dans les révolutions qui arrivérent du tems de Cromwel, ils suivirent
+    le roi et le duc d'Yorck son frére qui passérent en France. Ils y
+    amenérent leur famille. Antoine ne faisoit à peine que de naître.
+
+    "Lorsque le roi fut rétabli sur son trône, il ramena en Angleterre les
+    jeux et la magnificence. On voit dans les mémoires de Grammont combien
+    cette cour étoit brillante; la curiosité y attira le comte de Grammont.
+    Il y vit mademoiselle d'Hamilton, il ne tarda pas à sentir le pouvoir
+    de ses charmes, il l'épousa enfin; et c'est la tendresse qu'_Antoine_
+    avoit pour sa soeur, qui l'engagea à faire plusieurs voyages en France,
+    où il étoit élevé, et où il a passé une partie de sa vie.
+
+    "M. Antoine Hamilton étant catholique, il ne put obtenir d'emploi en
+    Angleterre; et rien ne fut capable d'ébranler ni sa religion, ni la
+    fidélité qu'il devoit à son roi.
+
+    "Le roi Jaques étant monté sur le trône, il lui donna un regiment
+    d'infanterie en Irlande et le gouvernement de Limeric. Mais ce prince,
+    ayant été obligé de quitter ses etats le comte Hamilton repassa avec la
+    famille royale en France. C'est-là et pendant le long séjour qu'il y a
+    fait, qu'il a composé les divers ouvrages qui lui ont acquis tant de
+    réputation. Il mourut à S. Germain le 21 Avril 1720. dans de grands
+    sentimens de piété, et après avoir reçu les derniers sacremens. Il
+    étoit âgé alors d'environ 74 ans. Il a mérité les regrets de tous ceux
+    qui avoient le bonheur de le connoître. Né sérieux, il avoit dans
+    l'esprit tous les agrémens imaginables; mais ce qui est plus digne de
+    louanges, à ces agrémens, qui vent frivoles sans la vertu, il joignoit
+    toutes les qualitéz du coeur."
+
+If the above _avertissement_ first appeared in 1746, which I have much
+reason to conclude, this is certainly a very important edition. The
+biographical portion of the advertisement is the foundation of the later
+memoirs of Hamilton. In the Moréri of 1759, we have it almost _verbatim_,
+but taken from the _Oeuvres du comte Antoine Hamilton_, 1749. Neither
+Brunet, nor Renouard, nor Quérard notice the edition of 1746. The copy
+which I have examined has the book-plate G. III. R.
+
+    3. "_Memoires du comte de Grammont, par le C. Antoine Hamilton_. 1760."
+    [De l'imprimerie de Didot, rue Pavée, 1760.] 12^o. I. partie, pp. 36 +
+    316. II. partie, pp. 4 + 340.
+
+This edition has the same _avertissement_ as that of 1746. The imprint is
+M.DCC.LX. The type resembles our small pica, and the paper has the
+water-mark _Auvergne_ 1749. At the end of the second part appears, _De
+l'imprimerie de Didot, rue Pavée_, 1760. This must be M. François Didot of
+Paris. I find the same colophon in the _Bibliographie instructive_, 1763-8.
+v. 631. This very neat edition has also escaped the aforesaid bibliographic
+trio!
+
+    4. "_Memoires du comte de Grammont, par monsieur le comte Antoine
+    Hamilton_. _Nouvelle edition_, _augmentée de notes et d'eclaircissemens
+    necessaires, par M. Horace Walpole_. Imprimée à Strawberry-Hill. 1772."
+    4^o, pp. 24 + 294. 3 portraits.
+
+    [Dedication.] "À madame....
+
+    "L'éditeur vous consacre cette édition, comme un monument de son
+    amitié, de son admiration, et de son respect; à vous, dont les grâces,
+    l'esprit, et le goût retracent au siècle présent le siècle de Louis
+    quatorze et les agrémens de l'auteur de ces mémoires."
+
+Such are the inscriptions on the _Strawberry-Hill gem_. Much has been said
+of its brilliancy--and so, for the sake of novelty, I shall rather dwell on
+its flaws.
+
+The volume was printed at the private press of M. Horace Walpole at
+Strawberry-Hill, and the impression was limited to one hundred copies, of
+which thirty were sent to Paris. So much for its attractions--now for its
+flaws. In reprinting the dedication to madame du Deffand, I had to insert
+_eight_ accents to make decent French of it! The _avis_ is a mere medley of
+fragments: I could not ask a compositor to set it up! The _avertissement_
+is copied, without a word of intimation to that effect, from the edition of
+1746. The notes to the _épître_ are also copied from that edition, except
+_L'abbé de Chaulieu_; and two of the notes to the memoirs are from the same
+source. The other notes, in the opinion of sir William Musgrave, are in
+part taken from an erroneous printed _Key_. Where are the
+_éclaircissements_? I find none except a list of proper names--of which
+about one-third part is omitted!
+
+In quoting Brunet, I have used the fourth edition of the _Manuel du
+libraire_, 1842-4; in quoting Renouard, I refer to the _avis_ prefixed to
+the _Oeuvres du comte Antoine Hamilton_, 1812; in quoting Quérard, to _La
+France littéraire_, 1827-39. The other references are to sale catalogues.
+The titles of the books described, and the extracts, are given _literatim_,
+and, except as above noted, with the same accentuation and punctuation.
+
+To revert to the question of a new edition: I should prefer the French
+text, for various reasons, to any English translation that could be made.
+That of Abel Boyer is wretched burlesque!
+
+The chief requirements of a French edition would be, a collation of the
+editions of 1713 and 1746--the rectification of the names of persons {5}
+and places--a revision of the punctuation--and a strict conformity, as to
+general orthography and accentuation, with the _Dictionnaire de l'Académie
+française_, as edited in 1835. The substance of the _avis_ of 1713 might be
+stated in a preface; and the _avertissement_ of 1746, a clever composition,
+would serve as an introduction and memoir of the author. Those who doubt
+its value may consult the _Grand dictionnaire historique_, and the
+_Biographie universelle_. As one hundred and sixty persons are noticed in
+the work, brevity of annotation is very desirable. It would require much
+research. The manuscript notes of sir William Musgrave would, however, be
+very serviceable--more so, I conceive, than the printed notes of M. Horace
+Walpole.
+
+As the indications of a projected re-impression may be fallacious, I shall
+conclude with a word of advice to inexperienced collectors. Avoid the
+_jolie édition_ printed at Paris by F. A. Didot, _par ordre de monseigneur
+le comte d'Artois_, in 1781. It is the very worst specimen of editorship.
+Avoid also the London edition of 1792. The preface is a piratical
+pasticcio; the verbose notes are from the most accessible books; the
+portraits, very unequal in point of execution, I believe to be chiefly
+copies of prints--not _d'après des tableaux originaux_. The most desirable
+editions are, 1. The edition of 1760; 2. That of 1772, as a _curiosity_; 3.
+That edited by M. Renouard, Paris, 1812, 18^o. 2 vols.; 4. That edited by
+M. Renouard in 1812, 8^o. with eight portraits. The latter edition forms
+part of the _Oeuvres du comte Antoine Hamilton_ in 3 vols. It seldom occurs
+for sale.
+
+BOLTON CORNEY.
+
+       *       *       *       *       *
+
+THE "ANCREN RIWLE."
+
+The publication of this valuable semi-Saxon or Early English treatise on
+the duties of monastic life, recently put forth by the Camden Society,
+under the editorship of the Rev. James Morton, is extremely acceptable, and
+both the Society and the editor deserve the cordial thanks of all who are
+interested in the history of our language. As one much interested in the
+subject, and who many years since entertained the design now so ably
+executed by Mr. Morton, I may perhaps be allowed to offer a few remarks on
+the work itself, and on the manuscripts which contain it. Mr. Morton is
+unquestionably right in his statement that the Latin MS. in Magdalen
+College, Oxford, No. 67., is only an abridged translation of the original
+vernacular text. Twenty-three years ago I had access to the same MS. by
+permission of the Rev. Dr. Routh, the President of Magdalen College, and
+after reading and making extracts from it[1], I came to the same conclusion
+as Mr. Morton. It hardly admits, I think, of a doubt; for even without the
+internal evidence furnished by the Latin copy, the age of the manuscripts
+containing the Early English text at once set aside the supposition that
+Simon of Ghent (Bishop of Salisbury from 1297 to 1315) was the original
+author of the work. The copy in Corpus Christi College, Cambridge, I have
+not seen, but of the three copies in the British Museum I feel confident
+that the one marked Cleopatra C. vi. was actually written before Bishop
+Simon of Ghent had emerged from the nursery. This copy is not only the
+oldest, but the most curious, from the corrections and alterations made in
+it by a somewhat later hand, the chief of which are noticed in the printed
+edition. The collation, however, of this MS. might have been, with
+advantage, made more minutely, for at present many readings are passed
+over. Thus, at p. 8., for _unweote_ the second hand has _congoun_; at p.
+62., for _herigen_ it has _preisen_; at p. 90., for _on cheafle_, it reads
+_o muþe_, &c. The original hand has also some remarkable variations, which
+would cause a suspicion that this was the first draft of the author's work.
+Thus, at p. 12., for _scandle_, the first hand has _schonde_; at p. 62.,
+for _baldeliche_ it reads _bradliche_; at p. 88., for _nout for_, it has
+_anonden_, and the second hand _aneust_; at p. 90., for _sunderliche_ it
+reads _sunderlepes_, &c. All these, and many other curious variations, are
+not noticed in the printed edition. On the fly-leaf of this MS. is written,
+in a hand of the time of Edward I., as follows: "_Datum abbatie et
+conventui de Leghe per Dame M. de Clare._" The lady here referred to was
+doubtless Maud de Clare, second wife of Richard de Clare, Earl of Hereford
+and Gloucester, who, at the beginning of the reign of Edward I., is known
+to have changed the Augustinian Canons of Leghe, in Devonshire, into an
+abbess and nuns of the same order; and it was probably at the same period
+she bestowed this volume on them. The conjecture of Mr. Morton, that Bishop
+Poore, who died in 1237, might have been the original author of the _Ancren
+Riwle_, is by no means improbable, and deserves farther inquiry. The error
+as to Simon of Ghent is due, in the first place, not to Dr. Smith, but to
+Richard James (Sir Robert Cotton's librarian), who wrote on the fly-leaves
+of all the MSS. in the Cottonian Library a note of their respective
+contents, and who is implicitly followed by Smith. Wanley is more blamable,
+and does not here evince his usual critical accuracy, but (as remarked by
+Mr. Morton) he could only have looked at a few pages of the work. The real
+fact seems to be that Simon of Ghent made the abridged Latin version of the
+seven books of the _Riwle_ now preserved in Magdalen College, and this
+supposition may well enough be reconciled with the words of Leland, who
+says of him,--
+
+    "Edidit inter cætera, libros _septem_ de Vita Solitaria, {6} ad
+    Virgines Tarentinas, Duriæ cultrices."--_Comment_., p. 316.
+
+A second copy of the Latin version was formerly in the Cottonian collection
+(Vitellius E. vii.), but no fragment of it has hitherto been recovered from
+the mass of burnt crusts and leaves left after the fire of 1731. I am
+happy, however, to add, that within the last few months, the manuscript
+marked Vitellius F. vii., containing a French translation of the _Riwle_,
+made in the fourteenth century (very closely agreeing with the vernacular
+text), has been entirely restored, except that the top margins of the
+leaves have been burnt at each end of the volume. This damage has,
+unfortunately, carried away the original heading of the treatise, and the
+title given us by Smith is copied partly from James's note. This copy of
+the French version appears to be unique, and is the more interesting from
+its having a note at the end (now half obliterated by the fire), stating
+that it belonged to Eleanor de Bohun, Duchess of Gloucester, whose motto is
+also added, "_Plesance. M [mil]. en vn_." The personage in question was
+Eleanor, daughter of Humphrey de Bohun, Earl of Hereford, and wife of
+Thomas of Woodstock, who ended her days as a nun in the convent at Barking
+in 1399. Is any other instance known of the use of this motto? Before I
+conclude these brief remarks, I may mention a _fifth_ copy of the _Ancren
+Riwle_, which has escaped the notice of Mr. Morton. It is buried in the
+enormous folio manuscript of old English poetry and prose called the Vernon
+MS., in the Bodleian Library, written in the reign of Richard II., and
+occurs at pp. 371^b.--392. In the table of contents prefixed to this volume
+it is entitled "The Roule of Reclous;" and although the phraseology is
+somewhat modernised, it agrees better with the MS. Cleopatra C. vi, than
+with Nero A. xiv., from which Mr. Morton's edition is printed. This copy is
+not complete, some leaves having been cut out in the sixth book, and the
+scribe leaves off at p. 420. of the printed edition.
+
+It is very much to be wished that Mr. Morton would undertake the task of
+editing another volume of legends, homilies, and poems, of the same age as
+the _Ancren Riwle_, still existing in various manuscripts. One of the
+homilies, entitled "Sawles Warde," in the Bodley MS. 34., Cott. MS. Titus
+D. xviii., and Old Royal MS. 17A. xxvii., is very curious, and well
+deserves to be printed.
+
+F. MADDEN.
+
+British Museum.
+
+[Footnote 1: At p. viii. of Mr. Morton's preface, for "yerze" (eye), my
+extracts read "yze."]
+
+       *       *       *       *       *
+
+ORDER FOR THE SUPPRESSION OF VAGRANCY, A.D. 1650-51.
+
+At a time when the question of "What is to be done with our vagrant
+children?" is occupying the attention of all men of philanthropic minds, it
+may be worth while to give place in your pages to the following order
+addressed by the Lord Mayor of London to his aldermen in 1650-51, which
+applies, amongst other things, to that very subject. It will be seen that
+some of the artifices of beggary in that day were very similar to those
+with which we are now but too familiar. The difference of treatment between
+vagrant children over and under nine years of age, is worthy of
+observation.
+
+    "BY THE MAYOR.
+
+    "Forasmuch as of late the constables of this city have neglected to put
+    in execution the severall wholsome laws for punishing of vagrants, and
+    passing them to the places of their last abode, whereby great scandall
+    and dishonour is brought upon the government of this city; These are
+    therefore to will and require you, or your deputy, forthwith to call
+    before you the several constables within your ward, and strictly to
+    charge them to put in execution the said laws, or to expect the penalty
+    of forty shillings to be levyed upon their estates, for every vagrant
+    that shal be found begging in their several precincts. And to the end
+    the said constables may not pretend ignorance, what to do with the
+    several persons which they shal find offending the said laws, these are
+    further to require them, that al aged or impotent persons who are not
+    fit to work, be passed from constable to constable to the parish where
+    they dwel; and that the constable in whose ward they are found begging,
+    shal give a passe under his hand, expressing the place where he or she
+    were taken, and the place whither they are to be passed. _And for
+    children under five years of age, who have no dwelling, or cannot give
+    an account of their parents, the parish where they are found are to
+    provide for them; and for those which shall bee found lying under
+    stalls, having no habitation or parents (from five to nine years old),
+    are to be sent to the Wardrobe House_[2], _to be provided for by the
+    corporation for the poore; and all above nine years of age are to be
+    sent to Bridewel._ And for men or women who are able to work and goe
+    begging with young children, such persons for the first time to be
+    passed to the place of their abode as aforesaid; and being taken
+    againe, they are to be carryed to Bridewel, to be corrected according
+    to the discretion of the governours. _And for those persons that shal
+    be found to hire children, or go begging with children not sucking,
+    those children are to be sent to the several parishes wher they dwel,
+    and the persons so hiring them to Bridewel, to be corrected and passed
+    away, or kept at work there, according to the governour's discretion._
+    And for al other vagrants and beggars under any pretence whatsoever, to
+    be forthwith sent down to Bridewel to be imployed and corrected,
+    according to the statute laws of this commonwealth, except before
+    excepted; and the president and governours of Bridewel are hereby
+    desired to meet twice every week to see to the execution of this
+    Precept. _And the steward of the workehouse called the Wardrobe, is {7}
+    authorised to receive into that house such children as are of the age
+    between five and nine, as is before specified and limited_; and the
+    said steward is from time to time to acquaint the corporation for the
+    poor, what persons are brought in, to the end they may bee provided
+    for. Dated this four and twentyeth day of January, 1650.
+
+    SADLER."
+
+JOHN BRUCE.
+
+[Footnote 2: I suppose this to have been the ancient building known by the
+name of The Royal, or The Tower Royal, used for a time as the Queen's
+Wardrobe. It will be seen that it was occupied in 1650 as a workhouse.]
+
+       *       *       *       *       *
+
+LETTERS OF EMINENT LITERARY MEN.
+
+    Sir,
+
+    I send you, as a New Year's Gift for your "N. & Q.," transcripts of
+    half-a-dozen Letters of Eminent Literary Men, specimens of whose
+    correspondence it will do your work no discredit to preserve,
+
+  Yours faithfully,
+          HENRY ELLIS.
+
+British Museum, Dec. 26, 1853.
+
+I.
+
+_Dean Swift to_ * * * * * * *.
+
+[MS. Addit., Brit. Mus., 12,113. _Orig_.]
+
+    Belcamp, Mar. 14th.
+
+    Sir,
+
+    Riding out this morning to dine here with Mr. Grattan, I saw at his
+    house the poor lame boy that gives you this: he was a servant to a
+    plow-man near Lusk, and while he was following the plow, a dog bit him
+    in the leg, about eleven weeks ago. One Mrs. Price endeavored six weeks
+    to cure him, but could not, and his Master would maintain him no
+    longer. Mr. Grattan and I are of opinion that he may be a proper object
+    to be received into Dr. Stephen's Hospital. The boy tells his story
+    naturally, and Mr. Grattan and I took pity of him. If you find him
+    curable, and it be not against the rules of the Hospitall, I hope you
+    will receive him.
+
+  I am, Sir,
+    Your most humble Servt.
+          JONATH. SWIFT.
+
+II.
+
+_The Rev. Thomas Baker to Mr. Humphry Wanley_.
+
+[Harl. MS. 3778, Art. 43. _Orig_.]
+
+    Cambridge, Oct. 16th [1718].
+
+    Worthy Sir
+
+    I am glad to hear Mrs. Elstob is in a condition to pay her debts, for
+    me she may be very easy: tho' I could wish for the sake of the
+    University (tho' I am no way engaged, having taken up my obligation)
+    that you could recover the Book, or at least could find where it is
+    lodged, that Mr. Brook may know where to demand it. This, I presume,
+    may be done.
+
+    If you have met with Books printed by Guttenberg, you have made a great
+    discovery. I thought there had been none such in the world, and began
+    to look upon Fust as the first Printer. I have seen the Bishop of Ely's
+    Catholicon (now with us), which, for aught I know, may have been
+    printed by Guttenberg; for tho' it be printed at Ments, yet there is no
+    name of the Printer, and the character is more rude than Fust's
+    Tullie's Offices, whereof there are two Copies in 1465 and 1466, the
+    first on vellum, the other on paper.
+
+    May I make a small enquiry, after the mention of so great a name as
+    Guttenberg? I remember, you told me, my Lord Harley had two Copies of
+    Edw. the Sixth's first Common Prayer Book. Do you remember whether
+    either of them be printed by Grafton, the King's Printer? I have seen
+    four or five Editions by Whitchurch, but never could meet with any by
+    Grafton, except one in my custody, which I shall look upon to be a
+    great Rarity, if it be likewise wanting to my Lord's Collection. It
+    varies from all the other Copies, and is printed in 1548. All the rest,
+    I think, in 1549. One reason of my enquiry is, because I want the
+    Title, for the date is at the end of the Book, and indeed twice; both
+    on the end of the Communion Office, and of the Litany. But I beg your
+    pardon for so small an enquiry, whilst you are in quest of Guttenberg
+    and Nic. Jenson. My business consists much in trifles.
+
+  I am, Sir,
+    Your most ob. humble
+      Servant,
+          THO. BAKER.
+
+    To the worthy Mr. Wanley, at the
+    Riding Hood Shop, the corner
+    of Chandois and Bedford Streets,
+    Covent Garden,
+    London.
+
+A note in Wanley's hand says, "Mrs. Elstob has only paid a few small
+scores."
+
+III.
+
+_Extract of a Letter from Wm. Bickford, Esq., to the Rev. Mr. Amory of
+Taunton, dated Dunsland, March_ 7, 1731.
+
+[MS. Addit., Brit. Mus., 4309, fol. 358.]
+
+    I cannot forbear acquainting you of a very curious passage in relation
+    to Charles the Second's Restoration. Sir Wm. Morrice, who was one of
+    the Secretaries of State soon after, was the person who chiefly
+    transacted that affair with Monk, so that all the papers in order to it
+    were sent him, both from King Charles and Lord Clarendon. Just after
+    the thing was finished, Lord Clarendon got more than 200 of these
+    Letters and other papers from Morrice under pretence of finishing his
+    History, and which were never returned. Lord Somers, when he was
+    chancellor, told Morrice's Grandson that if he would file a Bill in
+    Chancery, he would endeavour to get them; but young Morrice having
+    deserted the Whig Interest, was {8} prevailed upon to let it drop. This
+    I know to be fact, for I had it not only from the last-mentioned
+    Gentleman, but others of that family, especially a son of the
+    Secretaries. As soon as I knew this, I took the first opportunity of
+    searching the study, and found some very curious Letters, which one
+    time or other I design to publish together with the account of that
+    affair. My mother being Niece to the Secretary, hath often heard him
+    say that Charles the Second was not only very base in not keeping the
+    least of the many things that he had promised; but by debauching the
+    Nation, had rendered it fitt for that terrible fellow (meaning the Duke
+    of York) to ruin us all, and then Monk and him would be remembred to
+    their Infamy.
+
+(_To be continued._)
+
+       *       *       *       *       *
+
+BURIAL-PLACE OF ARCHBISHOP LEIGHTON.
+
+On a visit this autumn with some friends to the picturesque village and
+church of Horsted-Keynes, Sussex, our attention was forcibly arrested by
+the appearance of two large pavement slabs, inserted in an erect position
+on the external face of the south wall of the chancel. They proved to be
+those which once had covered and protected the grave of the good Archbishop
+Leighton, who passed the latter years of his life in that parish, and that
+of Sir Ellis Leighton, his brother. On inquiry, it appeared that their
+remains had been deposited within a small chapel on the south side of the
+chancel, the burial-place of the Lightmaker family, of Broadhurst, in the
+parish of Horsted. The archbishop retired thither in 1674, and resided with
+his only sister, Saphira, widow of Mr. Edward Lightmaker. Broadhurst, it
+may be observed, is sometimes incorrectly mentioned by the biographers of
+Archbishop Leighton as a parish; it is an ancient mansion, the residence
+formerly of the Lightmakers, and situated about a mile north of the village
+of Horsted. There it was that Leighton made his will, in February, 1683;
+but his death occurred, it will be remembered, in singular accordance with
+his desire often expressed, at an inn, the Bell, in Warwick Lane, London.
+
+The small chapel adjacent to the chancel, and opening into it by an arch
+now walled up, had for some time, as I believe, been used as a school-room;
+more recently, however, either through its becoming out of repair, or from
+some other cause, the little structure was demolished. The large slabs
+which covered the tombs of the good prelate and his brother were taken up
+and fixed against the adjoining wall. The turf now covers the space thus
+thrown into the open churchyard; nothing remains to mark the position of
+the graves, which in all probability, ere many years elapse, will be
+disturbed through ignorance or heedlessness, and the ashes of Leighton
+scattered to the winds.
+
+In times when special respect has been shown to the tombs of worthies of
+bygone times, with the recent recollection also of what has been so well
+carried out by MR. MARKLAND in regard to the grave of Bishop Ken, shall we
+not make an effort to preserve from desecration and oblivion the
+resting-place of one so eminent as Leighton for his learning and piety, so
+worthy to be held in honoured remembrance for his high principles and his
+consistent conduct in an evil age?
+
+ALBERT WAY.
+
+       *       *       *       *       *
+
+
+Minor Notes.
+
+_Grammars, &c. for Public Schools._--Would it not be desirable for some
+correspondents of "N. & Q." to furnish information respecting grammars,
+classics, and other works which have been written for the various public
+schools? Such information might be useful to book collectors; and would
+also serve to reflect credit on the schools whose learned masters have
+prepared such books. My contribution to the list is small: but I remember a
+valuable Greek grammar prepared by the Rev. ---- Hook, formerly head master
+of the College School at Gloucester, for the use of that establishment; as
+also a peculiar English grammar prepared by the Rev. R. S. Skillern, master
+of St. Mary de Crypt School, in the same place, for the use of that school.
+I also possess a copy (1640) of the _Romanæ Historiæ Anthologia_, for the
+use of Abingdon School, and _Moses and Aaron, or the Rites and Customs of
+the Hebrews_ (1641), both by Thos. Godwin, though the latter was written
+after he ceased to be master of the schools.
+
+P. H. FISHER.
+
+Stroud.
+
+"_To captivate._"--Moore, in his Journal, speaking of the Americans
+(January 9th, 1819), says:
+
+    "They sometimes, I see, use the word _captivate_ thus: 'Five or six
+    ships captivated,' 'Five or six ships captivated.'"
+
+Originally, the words _to captivate_ were synonymous with _to capture_, and
+the expression was used with reference to warlike operations. To captivate
+the affections was a secondary use of the phrase. The word is used in the
+original sense in many old English books. It is not used so now in the
+United States.
+
+UNEDA.
+
+Philadelphia.
+
+_Bohn's Edition of Matthew of Westminster._--Under the year A.D. 782, the
+translator informs us that "Hirenes and _his_ son Constantine became
+emperors." Such an emperor is not to be found {9} in the annals of
+Constantinople. If Mr. Yonge, who shows elsewhere that he has read Gibbon,
+had referred to him on this occasion, he would probably have found that the
+Empress Irene, a name dear to the reverencers of images, was the person
+meant. The original Latin probably gives no clue to the sex; but still this
+empress, who is considered as a saint by her church, notwithstanding the
+deposition and blinding of her own son, was not a personage to be so easily
+forgotten.
+
+J. S. WARDEN.
+
+_French Season Rhymes and Weather Rhymes.--_
+
+ "A la Saint-Antoine (17th January)
+  Les jours croissent le repas d'un moine."
+
+ "A la Saint-Barnabé (11th June)
+  La faux au pré."
+
+ "A la Sainte-Cathérine (25th November)
+  Tout bois prend racine."
+
+ "Passé la Saint-Clément (23rd November)
+  Ne sème plus froment."
+
+ "Si l'hiver va droit son chemin,
+  Vous l'aurez à la Saint-Martin." (12th Nov.)
+
+ "S'il n'arreste tant ne quant,
+  Vous l'aurez à la Saint-Clément." (23rd Nov.)
+
+ "Et s'il trouve quelqu' encombrée,
+  Vous l'aurez à la Saint-André." (30th Nov.)
+
+CEYREP.
+
+_Curious Epitaph in Tillingham Church, Essex.--_
+
+ "Hic jacet Humfridus Carbo, carbone notandus
+  Non nigro, Creta sed meliora tua.
+  Claruit in clero, nulli pietate secundus.
+  Cælum vi rapuit, vi cape si poteris.
+      Ob^t. 27 Mar. 1624. Æt. 77."
+
+Which has been thus ingeniously paraphrased by a friend of mine:
+
+ "Here lies the body of good Humphry Cole,
+  Tho' Black his name, yet spotless is his soul;
+  But yet not black tho' Carbo is the name,
+  Thy chalk is scarcely whiter than his fame.
+  A priest of priests, inferior was to none,
+  Took Heaven by storm when here his race was run.
+  Thus ends the record of this pious man;
+  Go and do likewise, reader, if you can."
+
+C. K. P.
+
+Newport, Essex.
+
+       *       *       *       *       *
+
+
+Queries.
+
+DOMESTIC LETTERS OF EDMUND BURKE.
+
+In the curious and able article entitled "The Domestic Life of Edmund
+Burke," which appeared in the _Athenæum_ of Dec. 10th and Dec. 17th (and to
+which I would direct the attention of such readers of "N. & Q." as have not
+yet seen it), the writer observes:
+
+    "There is not in existence, as far as we know, or have a right to infer
+    from the silence of the biographers, one single letter, paper, or
+    document of any kind--except a mysterious fragment of one
+    letter--relating to the domestic life of the Burkes, until long after
+    Edmund Burke became an illustrious and public man; no letters from
+    parents to children, from children to parents, from brother to brother,
+    or brother to sister."
+
+And as Edmund Burke was the last survivor of the family, the inference
+drawn by the writer, that they were destroyed by him, seems, on the grounds
+which he advances, a most reasonable one. But my object in writings is to
+call attention to a source from which, if any such letters exist, they may
+yet possibly be recovered; I mean the collections of professed collectors
+of autographs. On the one hand, it is scarcely to be conceived that the
+destroyer of these materials for the history of the Burkes, be he who he
+may, can have got _all_ the family correspondence into his possession. On
+the other, it is far from improbable that in some of the collections to
+which I have alluded, some letters, notes, or documents may exist,
+treasured by the possessors as mere autographs; but which might, if given
+to the world, serve to solve many of those mysteries which envelope the
+early history of Edmund Burke. The discovery of documents of such a
+character seems to be the special province of "N. & Q.," and I hope,
+therefore, although this letter has extended far beyond the limits I
+originally contemplated, you will insert it, and so permit me to put this
+Query to autograph collectors, "Have you any documents illustrative of the
+Burkes?" and to add as a Note, "If so, print them!"
+
+N. O.
+
+       *       *       *       *       *
+
+
+Minor Queries.
+
+_Farrant's Anthem._--From what source did Farrant take the words of his
+well-known anthem, "Lord, for thy tender mercies' sake?"
+
+C. F. S.
+
+_Ascension Day Custom._--What is the origin of the custom which still
+obtains in St. Magnus and other city churches, of presenting the clergy
+with ribbons, cakes, and silk staylaces on Ascension Day?
+
+C. F. S.
+
+_Sawbridge and Knight's Numismatic Collections._--In Snelling's tract on
+_Pattern Pieces for English Gold and Silver Coins_ (1769), p. 45., it is
+stated, in the description of a gold Coin of Elizabeth, that it is "unique,
+formerly in the collection of Thomas Sawbridge, Esq., but at present in the
+collection of Thomas Knight, Esq., who purchased the whole cabinet."--Can
+any of your readers inform me who this Mr. Knight was, and whether his
+collection is still in existence; or if it was dispersed, when, and in what
+manner? I am not aware of any sale catalogue under his name.
+
+J. B. B.
+
+_"The spire whose silent finger points to heaven."_--I have met with, and
+sometimes quoted, this line. {10} Who is its author, and in what poem does
+it occur?
+
+J. W. T.
+
+Dewsbury.
+
+_Lord Fairfax._--In the _Peerage of Scotland_ I find this entry:
+
+    "Fairfax, Baron, Charles Snowdon Fairfax, 1627, Baron Fairfax, of
+    Cameron; suc. his grandfather, Thomas, ninth baron, 1846. His lordship
+    resides at Woodburne, in Maryland, United States."
+
+Fairfax is not a Scotch name. And I can find no trace of any person of that
+family taking a part in Scotch affairs. _Cameron_ is, I suppose, the parish
+of that name in the east of Fife.
+
+I wish to ask, 1st. For what services, or under what circumstances, the
+barony was created?
+
+2ndly. When did the family cease to possess land or other property in
+Scotland, if they ever held any?
+
+3rdly. Is the present peer a citizen or subject of the United States? If
+so, is he known and addressed as _Lord_ Fairfax, or how?
+
+4thly. Has he, or has any of his ancestors, since the recognition of the
+United States as a nation, ever used or applied for permission to exercise
+the functions of a peer of Scotland, _e.g._ in the election of
+representative peers?
+
+5thly. If he be a subject of the United States, and have taken, expressly
+or by implication, the oath of citizenship (which pointedly renounces
+allegiance to our sovereign), how is it that his name is retained on the
+roll of a body whose first duty it is to guard the throne, and whose
+existence is a denial of the first proposition in the constitution of his
+country?
+
+Perhaps UNEDA, W. W., or some other of your Philadelphia correspondents,
+will be good enough to notice the third of these Queries.
+
+W. H. M.
+
+_Tailless Cats._--A writer in the _New York Literary World_ of Feb. 7,
+1852, makes mention of a breed of cats destitute of tails, which are found
+in the Isle of Man. Perhaps some generous Manx correspondent will say
+whether this is a fact or a Jonathan.
+
+SHIRLEY HIBBERD.
+
+_Saltcellar._--Can any of your readers gainsay that in saltcellar the
+cellar is a mere corruption of _salière_? A list of compound words of Saxon
+and French origin might be curious.
+
+H. F. B.
+
+_Arms and Motto granted to Col. William Carlos._--Can any reader of "N. &
+Q." give the _date_ of the grant of arms to Col. William Carlos (who
+assisted Charles II. to conceal himself in the "Royal Oak," after the
+battle of Worcester), and specify the exact terms of the grant?
+
+[mu].
+
+_Naval Atrocities._--In the article on "Wounds," in the _Encyc. Brit._, 4th
+edition, published 1810, the author, after mentioning the necessity of a
+surgeon's being cautious in pronouncing on the character of any wound, adds
+that "this is particularly necessary on board ship, where, as soon as any
+man is pronounced by the surgeon to be mortally wounded, he is forthwith,
+while still living and conscious, thrown overboard," or words to this
+effect, as I quote from memory. That such horrid barbarity was not
+practised in 1810, it is needless to say; and if it had been usual at any
+previous period, Smollett and other writers who have exposed with unsparing
+hand all the defects in the naval system of their day, would have scarcely
+left this unnoticed when they attack much slighter abuses. If such a thing
+ever occurred, even in the worst of times, it must have been an isolated
+case. I have not met elsewhere with any allusion to this passage, or the
+atrocity recorded in it, and would be glad of more information on the
+subject.
+
+J. S. WARDEN.
+
+_Turlehydes._--During the great famine in Ireland land in 1331, it is said
+that--
+
+    "The people in their distress met with an unexpected and providential
+    relief. For about the 24th June, a prodigious number of large sea fish,
+    called turlehydes, were brought into the bay of Dublin, and cast on
+    shore at the mouth of the river Dodder. They were from thirty to forty
+    feet long, and so bulky that two tall men placed one on each side of
+    the fish could not see one another."--_The History and Antiquities of
+    the City of Dublin from the Earliest Accounts_, by Walter Harris, 1766,
+    p. 265.
+
+This account is compiled from several records of the time, some of which
+still exist. As the term _turlehydes_ is not known to Irish scholars, can
+any of the readers of "N. & Q." say what precise animal is meant by it, or
+give any derivation or reference for the term?
+
+U. U.
+
+Dublin.
+
+_Foreign Orders--Queen of Bohemia._--It is well known that in some foreign
+Orders the decorations thereof are conferred upon ladies. Can any of your
+correspondents inform me whether the Order of the Annunciation of Sardinia,
+formerly the Order of the Ducal House of Savoy, at any time conferred its
+decorations upon ladies; and whether the Princess Elizabeth, afterwards
+Queen of Bohemia, ever had the decoration of any foreign order conferred
+upon her? In a portrait of her she is represented with a star or badge upon
+the upper part of the left arm.
+
+S. E. G.
+
+_Pickard Family._--Is the _Pickard_, or _Picard_, family, a branch of which
+is located in Yorkshire, of Norman origin? If so, who were the _first
+settlers_ in England; and also in what county are they most numerous?
+
+ONE OF THE FAMILY.
+
+Bradford.
+
+{11}
+
+_Irish Chieftains._--Some account of the following, _Historical
+Reminiscences of O'Byrnes, O'Tooles, O'Kavanaghs, and other Irish
+Chieftains_, privately printed, 1843, is requested by
+
+JOHN MARTIN.
+
+Woburn Abbey.
+
+_General Braddock._--Can any of your readers furnish me with information
+relative to this officer? His disastrous expedition against Fort Du Quesne,
+and its details, are well known; but I should like to know something more
+of his previous history. Walpole gives an anecdote or two of him, and
+mentions that he had been Governor of Gibraltar. I think too he was of
+Irish extraction. Is there no portrait or engraving of Braddock in
+existence?
+
+SERVIENS.
+
+       *       *       *       *       *
+
+
+Minor Queries with Answers.
+
+_Lawless Court, Rochford, Essex._--A most extraordinary custom exists, in a
+manor at Rochford, in the tenants holding under what is called the "Lawless
+Court." This court is held at midnight, by torch-light, in the centre of a
+field, on the first Friday after the 29th Sept., and is presided over by
+the steward of the manor, who, however, appoints a deputy to fulfil this
+part of his duty. The tenants of the manor are obliged to attend to answer
+to their names, when called upon, under pain of a heavy fine, or at all
+events have some one there to respond for them. All the proceedings are
+carried on in a whisper, no one speaking above that tone of voice; and the
+informations as to deaths, names, &c. are entered in a book by the
+president with a piece of charcoal. I may add, the business is not
+commenced until a cock has crowed three times, and as it is sometimes a
+difficult matter to get Chanticleer to do his duty, a man is employed to
+crow, whose fee therefor is 5s.
+
+Now Morant, in his _History of Essex_, merely cursorily mentions this most
+singular custom, and has nothing as to its antiquity or origin; I should
+therefore feel much obliged for any information concerning it.
+
+RUSSELL GOLE.
+
+    [The singular custom at Rochford is of uncertain origin: in old authors
+    it is spoken of as belonging to the manor of Rayleigh. The following
+    account of "The Lawless Court," at that place, is printed by Hearne
+    from the Dodsworth MSS. in the Bodleian, vol. cxxv.:--"The manor of
+    Raylie, in Essex, hath a custome court kept yearly, the Wednesday nexte
+    after Michael's day. The court is kept in the night, and without light,
+    but as the skye gives, att a little hill without the towne, called the
+    King's Hill, where the steward writes only with coals, and not with
+    inke. And many men and mannors of greate worth hold of the same, and do
+    suite unto this strange court, where the steward calls them with as low
+    a voice as possibly he may; giving no notice when he goes to the hill
+    to keepe the same court, and he that attends not is deepely amerced, if
+    the steward will. The title and entry of the same court is as
+    followeth, viz.:
+
+     'Curia de domino rege,
+      Dicta _sine lege_,
+      Tenta est ibidem,
+      Per ejusdem consuetudinem,
+        Ante ortum solis,
+      Luceat nisi polus,
+      Seneschallus solus,
+        Scribit nisi colis.
+      Clamat clam pro rege
+      In curia _sine lege_:
+      Et qui non cito venerit
+      Citius poenitebit:
+      Si venerit cum lumine
+      Errat in regimine.
+      Et dum sine lumine
+      Capti sunt in crimine,
+      Curia sine cura
+      Jurata de injuria
+        Tenta est die Mercuriæ
+          prox. post festum S. Michaelis.'"
+
+    Weever, who mentions this custom, says, that he was informed that "this
+    servile attendance was imposed, at the first, upon certaine tenants of
+    divers mannors hereabouts, for conspiring in this place, at such an
+    unseasonable time, to raise a commotion."]
+
+_Motto on old Damask._--Can your correspondents furnish an explanation of
+the motto herewith sent? It is taken from some damask table napkins which
+were bought many years back at Brussels; not at a shop in the ordinary way,
+but privately, from the family to whom they belonged. I presume the larger
+characters, if put together, will indicate the date of the event, whatever
+that may be, which is referred to in the motto itself.
+
+The motto is woven in the pattern of the damask, and consists of the
+following words in uncials, the letters of unequal size, as subjoined:
+
+    "SIGNUM PACIS DATUR LORICÆ."
+
+the larger letters being IUMCIDULIC. If the U's are taken as two V's, and
+written thus X, it gives the date MDCCLXIII. Perhaps this can be explained.
+
+H.
+
+    [The chronogram above, which means "The signal of peace is given to the
+    warrior," relates to the peace proclaimed between England and France in
+    the year 1763. This event is noticed in the _Annual Register_, and in
+    most of our popular histories. Keightley says, "The overtures of France
+    for peace were readily listened to; and both parties being in earnest,
+    the preliminaries were readily settled at Fontainebleau (Nov. 3rd). In
+    spite of the declamation of Mr. Pitt and his party, they were approved
+    of by large majorities in both Houses of Parliament, and a treaty was
+    finally signed in Paris, Feb. 18, 1763." The napkins were probably a
+    gift, on the occasion, to some public functionary. For the custom of
+    noting the date of a great event by chronograms, see "N. & Q.," Vol.
+    v., p. 585.]
+
+{12}
+
+_Explanation of the Word "Miser."_--Can any of your readers explain how and
+when _miser_ came to get the meaning of an avaricious hoarding man? In
+Spenser's _Faerie Queene_, II. l. 8., it is used in its nearly primary
+sense of "wretch:"
+
+ "Vouchsafe to stay your steed for humble _miser's_ sake."
+
+Again, _Faerie Queene_, II. 3. 8.:
+
+ "The _miser_ threw himself, as an offall,
+  Straight at his foot in base humility."
+
+In Milton's _Comus_, which was written about fifty years after the first
+three books of the _Faerie Queene,_ the present signification of the word
+is complete:
+
+ "You may as well spread out the unsunn'd heaps
+  Of _miser's_ treasure by an outlaw's den,
+  And tell me it is safe, as bid one hope
+  Danger will sink on opportunity," &c.
+
+J. D. GARDNER.
+
+Bottisham.
+
+    [The modern restricted use of the word _miser_ is subsequent to
+    Shakspeare's time for in Part I. _King Henry VI._, Act V. Sc. 4.,
+
+     "Decrepit _miser_! base ignoble wretch!"
+
+    Steevens says has no relation to avarice, but simply means a
+    _miserable_ creature. So in the interlude of _Jacob and Esau_, 1568:
+
+     "But as for these _misers_ within my father's tent."
+
+    Again, in Lord Stirling's tragedy of _Croesus_, 1604:
+
+     "Or think'st thou me of judgement too remiss,
+      A _miser_ that in miserie remains."
+
+    Otway, however, in his _Orphan_, published in 1680, uses it for a
+    covetous person:
+
+     "Though she be dearer to my soul than rest
+      To weary pilgrims, or to _misers_ gold,
+      Rather than wrong Castalio, I'd forget thee."
+
+    So also does Pope:
+
+     "No silver saints by dying _misers_ given,
+      Here brib'd the rage of ill-requited heaven."
+
+_"Acis and Galatea."_--Is there any good evidence in support of the
+commonly received opinion that the words to Handel's _Acis and Galatea_
+were written by Gay? Hawkins merely states that they "are said to have been
+written by Mr. Gay." I have no copy of Burney at hand to refer to; but I
+find the same statement repeated by various other musical historians,
+without, however, any authority being given for it. The words in question
+are not to be found among the _Poems on several Occasions_, by Mr. John
+Gay, published in 1767 by Tonson and others. Have they ever been included
+in any collective edition of his works?
+
+G. T.
+
+Reading.
+
+    [In the musical catalogue of the British Museum, compiled by Thomas
+    Oliphant, Esq., it is stated that the words to _Acis and Galatea_ "are
+    said to be written, but apparently partly compiled, by John Gay." This
+    serenata is included among Gay's _Poems_ in Dr. Johnson's edition of
+    the _English Poets_, 1790, as well as in Chalmers's edition of 1810,
+    and in the complete edition of _British Poets_, Edinburgh, 1794.]
+
+_Birm-bank._--The bank of a canal opposite to the towing-path is called the
+_birm-bank_. What is the derivation of this?
+
+UNEDA.
+
+Philadelphia.
+
+    [The word _birm_ seems to have the same meaning as berme (Fr. _berme_),
+    which, in Fortification, denotes a piece of ground of three, four, or
+    five feet in width, left between the rampart and the moat or foss,
+    designed to receive the ruins of the rampart, and prevent the earth
+    from filling the foss. Sometimes it is palisaded, and in Holland is
+    generally planted with quickset hedge.]
+
+_General Thomas Gage._--This officer commanded at Boston at the breaking
+out of the Revolution, and served under General Braddock. Where can I find
+any details of the remainder of his history?
+
+SERVIENS.
+
+    [An interesting biographical account of General Gage is given in the
+    _Georgian Æra_, vol. ii. p. 67.]
+
+       *       *       *       *       *
+
+
+Replies.
+
+RAPPING NO NOVELTY.
+
+(Vol. viii., pp. 512. 632.)
+
+The story referred to is certainly a very curious one, and I should like to
+know whether it is exactly as it was told by Baxter, especially as there
+seems to be reason for believing that De Foe (whom on other grounds one
+would not trust in such a matter) did not take it from the work which he
+quotes. Perhaps if you can find room for the statement, some correspondent
+would be so good as to state whether it has the sanction of Baxter:
+
+    "Mr. Baxter, in his _Historical Discourse of Apparitions_, writes thus:
+    'There is now in London an understanding, sober, pious man, oft one of
+    my hearers, who has an elder brother, a gentleman of considerable rank,
+    who having formerly seemed pious, of late years does often fall into
+    the sin of drunkenness; he often lodges long together here in his
+    brother's house, and whensoever he is drunk and has slept himself
+    sober, something knocks at his bed's head, as if one knocked on a
+    wainscot. When they remove his bed it follows him. Besides other loud
+    noises on other parts where he is, that all the house hears, they have
+    often watched him, and kept his hands lest he should do it himself. His
+    brother has often told it me, and brought his wife, a discreet woman,
+    to attest it, who avers moreover, that as she watched him, she has seen
+    his shoes under the bed taken up, and nothing visible to touch them.
+    They brought the man himself to me, and when we asked {13} him how he
+    dare sin again after such a warning, he had no excuse. But being
+    persons of quality, for some special reason of worldly interest I must
+    not name him.'"--De Foe's _Life of Duncan Campbell_, 2nd ed. p. 107.
+
+After this story, De Foe says:
+
+    "Another relation of this kind was sent to Dr. Beaumont (whom I myself
+    personally knew, and which he has inserted in his account of genii, or
+    familiar spirits) in a letter by an ingenious and learned clergyman of
+    Wiltshire," &c.
+
+But he does not say that the story which he has already quoted as from
+Baxter stands just as he has given it, and with a reference to Baxter, in
+Beaumont's _Historical, Physiological, and Theological Treatise of
+Spirits_, p. 182. Of course one does not attach any weight to De Foe's
+saying that he knew Dr. Beaumont "personally," but does anybody know
+anything of him? Nearly four years ago you inserted somewhat similar
+inquiry about this Duncan Campbell, but I believe it has not yet been
+answered.
+
+S. R. MAITLAND.
+
+       *       *       *       *       *
+
+OCCASIONAL FORMS OF PRAYER.
+
+(Vol. viii., p. 535.)
+
+From a volume of Forms of Prayer in the library of Sir Robert Taylor's
+Institution, I send you the following list, as supplementary to MR.
+LATHBURY'S. This volume forms part of a collection of books bequeathed to
+the University by the late Robert Finch, M.A., formerly of Baliol College:
+
+    A Form of Prayer for a General Fast, &c. 4to. London. 1762.
+
+In both the Morning and Evening Services of this Form "A Prayer for the
+Reformed Churches" is included, which is omitted in all the subsequent
+Forms. This is a copy of it:
+
+    "_A Prayer for the Reformed Churches._
+
+    "O God, the Father of Mercies, we present our Supplications unto Thee,
+    more especially on behalf of our Reformed Brethren, whom, blessed be
+    Thy Name, Thou hast hitherto wonderfully supported. Make them perfect,
+    strengthen, 'stablish them: that they may stand fast in the Liberty
+    wherewith Christ hath made them free, and adorn the Doctrine of God our
+    Saviour in all things. Preserve the Tranquillity of those who at
+    present enjoy it: look down with compassion upon such as are persecuted
+    for Righteousness' sake, and plead Thy cause with the oppressors of Thy
+    people. Enlighten those who are in Darkness and Error; and give them
+    Repentance to the Acknowledgment of the Truth: that all the Ends of the
+    World may remember themselves, and be turned unto the Lord; and we all
+    may become one Flock, under the great Shepherd and Bishop of our Souls,
+    Jesus Christ, our only Mediator and Advocate. Amen."
+
+    Form, &c. Fast. 1776.
+
+    Form, &c. Fast. 1778.
+
+    Form, &c. Fast. 1780.
+
+    Form, &c. Fast. 1781.
+
+    Form, &c. Fast. 1782.
+
+    A Prayer to be used on Litany Days before the Litany, and on other days
+    immediately before the Prayer for all Conditions of Men, in all
+    Cathedral, Collegiate, and Parochial Churches and Chapels, &c., during
+    his Majesty's present Indisposition. 1788.
+
+The following MS. note is inserted in the handwriting of Mr. Finch, father
+of the gentleman who bequeathed the collection:
+
+    "Mrs. Finch accompanied my Father (Rev. Dr. Finch, Rector of St.
+    Michael's, Cornhill) to the Cathedral, where he had a seat for himself
+    and his lady assigned him under the Dome, as Treasurer to the Society
+    for Promoting Christian Knowledge, the original patrons of the Charity
+    Schools. Mrs. F. was so fortunate as to obtain a seat in the choir, and
+    saw the procession from the choir gate. Myself and Robert saw the
+    cavalcade (which was extremely grand, and continued for the space of
+    more than three hours, both Houses of Parliament with their attendants
+    preceding their Majesties) from Mrs Townsend's house in Fleet
+    Street."--April 23, 1789.
+
+    Form of Prayer and Thanksgiving for the King's Recovery. 1789.
+
+    Form, &c. Fast. 1793.
+
+    Form, &c. Fast. 1795.
+
+    Form, &c. Fast. 1796.
+
+    Form of Prayer and Thanksgiving for many signal and important
+    Victories. 1797.
+
+    Form, &c. Fast. 1798.
+
+    Form of Prayer and Thanksgiving for the Victory of the Nile, &c. 1798.
+
+    Form of Prayer and Thanksgiving for the Victory over the French Fleet,
+    Aug. 1. 1798.
+
+    Form of Prayer and Thanksgiving for the safe Delivery of H. R. H. the
+    Princess of Wales, and the birth of a Princess. 1796.
+
+    Form, &c. Fast. 1799.
+
+    Form, &c. Fast. 1800.
+
+    Form, &c. Fast. 1801.
+
+    Form and Thanksgiving for the Harvest. 1801.
+
+    Form and Thanksgiving for putting an End to the War. 1802.
+
+    Form, &c. Fast. 1803.
+
+    Form, &c. Fast. 1804.
+
+    Form, &c. Fast. 1805.
+
+    Form of Prayer and Thanksgiving for Lord Nelson's Victory. 1805.
+
+    Form, &c. Fast. 1806.
+
+    Form, &c. Fast. 1807.
+
+    Form, &c. Fast. 1808.
+
+    Form, &c. Fast. 1809.
+
+    Form, &c. Fast. 1810.
+
+    Form, &c. Fast. 1812.
+
+    Form, &c. Thanksgiving for the Peace. 1814.
+
+    Form, &c. Thanksgiving for the Peace. 1816.
+
+JOHN MACRAY.
+
+Oxford.
+
+       *       *       *       *       *
+
+{14}
+
+CELTIC AND LATIN LANGUAGES.
+
+(Vol. viii., p. 174.)
+
+There was a Query some time ago upon this subject, but though it is one
+full of interest to all scholars, I have not observed any Notes worth
+mentioning in reply. The connexion between these two languages has only of
+late occupied the attention of philologers; but the more closely they are
+compared together, the more important and the more striking do the
+resemblances appear; and the remark of Arnold with regard to Greek
+literature applies equally to Latin, "that we seem now to have reached that
+point in our knowledge of the language, at which other languages of the
+same family must be more largely studied, before we can make a fresh step
+in advance." But this study, as regards the comparison of Celtic and Latin,
+is, in England at least, in a very infant state. Professor Newman, in his
+_Regal Rome_, has attention to the subject; but his induction does not
+appear sufficiently extensive to warrant any decisive conclusion respecting
+the position the Celtic holds as an element of the Latin. Pritchard's work
+upon the subject is satisfactory as far as it goes, but both these authors
+have chiefly confined themselves to a tabular view of Celtic and Latin
+words; but it is not _merely_ this we want. What is required is a critical
+examination into the comparative structure and formal development of the
+two languages, and this is a work still to be accomplished. The later
+numbers of Bopp's _Comparative Grammar_ are, I believe, devoted to this
+subject, but as they have not been translated, they must be confined to a
+limited circle of English readers, and I have not yet seen any reproduction
+of the views therein contained in the philological literature of England.
+
+As the first step to considerations of this kind must be made from a large
+induction of words, I think, with your correspondent, that the pages of "N.
+& Q." might be made useful in supplying "links of connexion" to supply a
+groundwork for future comparison. I shall conclude by suggesting one or two
+"links" that I do not remember to have seen elsewhere.
+
+1. Is the root of _felix_ to be found in the Irish _fail_, _fate_; the
+contraction of the dipththong _ai_ or _ê_ being analogous to that of
+_amaïmus_ into _amêmus_?
+
+2. Is it not probable that _Avernus_, if not corrupted from [Greek:
+aornos], is related to _iffrin_, the Irish _inferi_? This derivation is at
+any rate more probable than that of Grotefend, who connects the word with
+[Greek: Acherôn].
+
+3. Were the _Galli_, priests of Cybele, so called as being connected with
+fire-worship? and is the name at all connected with the Celtic _gal_, a
+flame? The word _Gallus_, a Gaul, is of course the same as the Irish _gal_,
+a stranger.
+
+T. H. T.
+
+       *       *       *       *       *
+
+GEOMETRICAL CURIOSITY.
+
+(Vol. viii., p. 468.)
+
+MR. INGLEBY'S question might easily be the foundation of a geometrical
+paper; but as this would not be a desirable contribution, I will endeavour
+to keep clear of technicalities, in pointing out how the process described
+may give something near to a circle, or may not.
+
+When a paper figure, bent over a straight line in it, has the two parts
+perfectly fitting on each other, the figure is _symmetrical_ about that
+straight line, which may be called an _axis of symmetry_. Thus every
+diameter of a circle is an axis of symmetry: every regular oval has two
+axes of symmetry at right angles to each other: every regular polygon of an
+_odd_ number of sides has an axis joining each corner to the middle of the
+opposite sides: every regular polygon of an _even_ number of sides has axes
+joining opposite corners, and axes joining the middles of opposite sides.
+
+When a piece of paper, of any form whatsoever, rectilinear or curvilinear,
+is doubled over any line in it, and when all the parts of either side which
+are not covered by the other are cut away, the unfolded figure will of
+course have the creased line for an axis of symmetry. If another line be
+now creased, and a fold made over it, and the process repeated, the second
+line becomes an axis of symmetry, and the first perhaps ceases to be one.
+If the process be then repeated on the first line, this last becomes an
+axis, and the other (probably) ceases to be an axis. If this process can be
+indefinitely continued, the cuttings must become smaller and smaller, for
+the following reason. Suppose, at the outset, the boundary point nearest to
+the intersection of the axes is distant from that intersection by, say four
+inches; it is clear that we cannot, after any number of cuttings, have a
+part of the boundary at less than four inches from the intersection. For
+there never is, after any cutting, any approach to the intersection except
+what there already was on the other side of the axis employed, before that
+cutting was made. If then the cuttings should go on for ever, or
+practically until the pieces to be cut off are too small, and _if this take
+place all round_, the figure last obtained will be a good representation of
+a circle of four inches radius. On the suppositions, we must be always
+cutting down, at all parts of the boundary; but it has been shown that we
+can never come nearer than by four inches to the intersection of the axes.
+
+But it does not follow that the process _will_ go on for ever. We may come
+at last to a state in which both the creases are axes of symmetry at once;
+and then the process stops. If the paper had at first a curvilinear
+boundary, properly chosen, and if the axes were placed at the proper angle,
+it would happen that we should arrive at a {15} _regular_ curved polygon,
+having the two axes for axes of symmetry. The process would then stop.
+
+I will, however, suppose that the original boundary is everywhere
+rectilinear. It is clear then that, after every cutting, the boundary is
+still rectilinear. If the creases be at right angles to one another, the
+ultimate figure may be an irregular polygon, having its four quarters
+alike, such as may be inscribed in an oval; or it may have its sides so
+many and so small, that the ultimate appearance shall be that of an oval.
+But if the creases be not at right angles, the ultimate figure is a
+perfectly regular polygon, such as can be inscribed in a circle; or its
+sides may be so many and so small that the ultimate appearance shall be
+that of a circle.
+
+Suppose, as in MR. INGLEBY'S question, that the creases are not at right
+angles to each other; supposing the eye and the scissors _perfect_, the
+results will be as follows:
+
+First, suppose the angle made by the creases to be what the mathematicians
+call _incommensurable_ with the whole revolution; that is, suppose that no
+repetition of the angle will produce an _exact_ number of revolutions. Then
+the cutting will go on for ever, and the result will perpetually approach a
+circle. It is easily shown that no figure whatsoever, except a circle, has
+two axes of symmetry which make an angle incommensurable with the whole
+revolution.
+
+Secondly, suppose the angle of the creases commensurable with the
+revolution. Find out the smallest number of times which the angle must be
+repeated to give an exact number of revolutions. If that number be even, it
+is the number of sides of the ultimate polygon: if that number be odd, it
+is the half of the number of sides of the ultimate polygon.
+
+Thus, the paper on which I write, the whole sheet being taken, and the
+creases made by joining opposite corners, happens to give the angle of the
+creases very close to three-fourteenths of a revolution; so that fourteen
+repetitions of the angle is the lowest number which give an exact number of
+revolutions; and a very few cuttings lead to a regular polygon of fourteen
+sides. But if four-seventeenths of a revolution had been taken for the
+angle of the creases, the ultimate polygon would have had thirty-four
+sides. In an angle taken at hazard the chances are that the number of
+ultimate sides will be large enough to present a circular appearance.
+
+Any reader who chooses may amuse himself by trying results from three or
+more axes, whether all passing through one point or not.
+
+A. DE MORGAN.
+
+       *       *       *       *       *
+
+THE BLACK-GUARD.
+
+(Vol. viii., p. 414.)
+
+Some of your correspondents, SIR JAMES E. TENNENT especially, have been
+very learned on this subject, and all have thrown new light on what I
+consider a very curious inquiry. The following document I discovered some
+years ago in the Lord Steward's Offices. Your readers will see its value at
+once; but it may not be amiss to observe, that the name in its present
+application had its origin in the number of masterless boys hanging about
+the verge of the Court and other public places, palaces, coal-cellars, and
+palace stables; ready with links to light coaches and chairs, and conduct,
+and rob people on foot, through the dark streets of London; nay, to follow
+the Court in its progresses to Windsor and Newmarket. Pope's "link-boys
+vile" are the black-guard boys of the following Proclamation.
+
+PETER CUNNINGHAM.
+
+At the Board of Green Cloth,
+in Windsor Castle,
+this 7th day of May, 1683.
+
+Whereas of late a sort of vicious, idle, and masterless boyes and rogues,
+commonly called the Black-guard, with divers other lewd and loose fellowes,
+vagabonds, vagrants, and wandering men and women, do usually haunt and
+follow the Court, to the great dishonour of the same, and as Wee are
+informed have been the occasion of the late dismall fires that happened in
+the towns of Windsor and Newmarket, and have, and frequently do commit
+divers other misdemeanours and disorders in such places where they resort,
+to the prejudice of His Majesty's subjects, for the prevention of which
+evills and misdemeanours hereafter, Wee do hereby strictly charge and
+command all those so called the Black-guard as aforesaid, with all other
+loose, idle, masterless men, boyes, rogues, and wanderers, who have
+intruded themselves into His Majesty's Court or stables, that within the
+space of twenty-four houres next after the publishing of this order, they
+depart, upon pain of imprisonment, and such other punishments as by law are
+to be inflicted on them.
+
+  (Signed)
+          ORMOND.
+          H. BULKELEY.
+          H. BROUNCKER.
+          RICH. MASON.
+          STE. FOX.
+
+       *       *       *       *       *
+
+THE CALVES' HEAD CLUB.
+
+(Vol. viii., pp. 315. 480.)
+
+The Calves' Head Club existed much earlier than the time when their doings
+were commemorated in the _Weekly Oracle_ (Vol. viii., p. 315.) of February
+1, 1735, or depicted in the print of 1734 (Vol. viii., p. 480.). There is a
+pamphlet, {16} the second edition of which was published in small 4to., in
+1703, entitled:
+
+    "The Secret History of the Calves' Head Club, or, the Republican
+    Unmasqu'd, wherein is fully shewn the Religion of the Calves-Head
+    Heroes in their Anniversary Thanksgiving Songs on the Thirtieth of
+    January, by their Anthems," &c. &c.
+
+We are told in the latter part of the long title-page that the work was
+published "to demonstrate the restless, inplacable spirit of a certain
+party still among us," and certainly the statements therein, and more than
+all the anthems at the end, do show the bitterest hatred--so bitter, so
+intense and malignant, that we feel on reading it that there must be some
+exaggeration.
+
+The author professes to have at first been of opinion "that the story was
+purely contrived on purpose to render the republicans more odious than they
+deserv'd." Whether he was convinced to the contrary by ocular demonstration
+he does not tell us, but gives us information he received from a
+gentleman--
+
+    "Who, about eight years ago, went out of meer curiosity to see their
+    Club, and has since furnish'd me with the following papers. I was
+    inform'd that it was kept in no fix'd house, but that they remov'd as
+    they saw convenient; that the place they met in when he was with 'em
+    was in a blind ally, about Morefields; that the company wholly
+    consisted of Independents and Anabaptists (I am glad for the honour of
+    the Presbyterians to set down this remark); that the famous Jerry
+    White, formerly Chaplain to Oliver Cromwell, who no doubt on't came to
+    sanctify with his pious exhortations the Ribbaldry of the Day, said
+    Grace; that after the table-cloth was removed, the anniversary anthem,
+    as they impiously called it, was sung, and a calve's skull fill'd with
+    wine, or other liquor, and then a brimmer went about to the pious
+    memory of those worthy patriots that kill'd the tyrant, and deliver'd
+    their country from arbitrary sway; and lastly, a collection made for
+    the mercenary scribler, to which every man contributed according to his
+    zeal for the cause, or the ability of his purse.
+
+    "I have taken care to set down what the gentleman told me as faithfully
+    as my memory wou'd give me leave; and I am persuaded that some persons
+    that frequent the Black Boy in Newgate Street, as they knew the author
+    of the following lines so they knew this account of the Calves' Head
+    Club to be true."
+
+The anthems for the years 1693, 1694, 1695, 1696, and 1697, are given; but
+they are too long and too stupidly blasphemous and indecent to quote here.
+They seem rather the satires of malignant cavaliers than the serious
+productions of any Puritan, however politically or theologically heretical.
+
+EDWARD PEACOCK.
+
+Bottesford Moors.
+
+       *       *       *       *       *
+
+PHOTOGRAPHIC CORRESPONDENCE.
+
+_The Calotype Process._--I have made any first essay in the calotype
+process, following DR. DIAMOND'S directions given in "N. & Q.," and using
+Turner's paper, as recommended by him. My success has been quite as great
+as I could expect as a novice, and satisfies me that any defects are due to
+my own want of skill, and not to any fault in the directions given. I wish,
+however, to ask a question as to iodizing the paper. DR. DIAMOND says, lay
+the paper on the solution; then _immediately_ remove it, and lay on the dry
+side on blotting-paper, &c. Now I find, if I remove immediately, the whole
+sheet of paper curls up into a roll, and is quite unmanageable. I want to
+know, therefore, whether there is any objection to allowing the paper to
+remain on the iodizing solution until it lies flat on it, so that on
+removal it will not curl, and may be easily and conveniently laid on the
+dry side to pass the glass rod over it. As soon as the paper is floated on
+the solution (I speak of Turner's) it has a great tendency to curl, and
+takes some time before the expansion of both surfaces becoming equal allows
+it to lie quite flat on the liquid. May this operation be performed by the
+glass rod, without floating at all?
+
+Photographers, like myself, at a distance from practical instruction, are
+so much obliged for plain and simple directions such as those given by DR.
+DIAMOND, which are the result of experience, that I am sure he will not
+mind being troubled with a few inquiries relative to them.
+
+C. E. F.
+
+_Hockin's Short Sketch._--Mr. Hockin is so well known as a thoroughly
+practical chemist, that it may suffice to call attention to the fact of his
+having published a little brochure entitled _How to obtain Positive and
+Negative Pictures on Collodionized Glass, and copy the latter upon Paper. A
+Short Sketch adapted for the Tyro in Photography._ As the question of the
+_alkalinity_ of the nitrate bath is one which has lately been discussed, we
+will give, as a specimen of Mr. Hockin's book, a quotation, showing his
+opinion upon that question:
+
+    "_The sensitizing agent_, nitrate of silver in crystals, not the
+    ordinary fused in sticks, is nearly always confessedly adulterated; it
+    is thus employed:
+
+    "_The silver or nitrate bath._--Nitrate of silver five drachms,
+    distilled water ten ounces; dissolve and add iodized collodion two
+    drachms.
+
+    "Shake these well together, allow them to macerate twelve hours, and
+    filter through paper. Before adding the nitric acid, test the liquid
+    with a piece of blue litmus paper; if it remain blue after being
+    immersed one minute, add one drop of dilute nitric acid[3], and test
+    again for a minute; and so on, until a claret red is indicated on the
+    paper. It is necessary to test the bath in a similar manner, frequently
+    adding half a drop to a drop of dilute acid when required. This
+    precaution will prevent the fogging due to alkalinity of the bath, so
+    formidable an obstacle to young hands."
+
+[Footnote 3: "Dilute nitric acid.--Water fifty parts, nitric acid one
+part."]
+
+_Photographic Society's Exhibition._--The Photographic Society opened their
+first Exhibition of {17} Photographs and Daguerreotypes at the Gallery of
+the Society of British Artists, in Suffolk Street, with a _soirée_ on
+Tuesday evening last. Notwithstanding the inclemency of the weather, the
+rooms were crowded not only by members of the Society, but by many of the
+most distinguished literary and scientific men of the metropolis. The Queen
+and Prince Albert had, in the course of the morning, spent three hours in
+an examination of the collection; and the opinion they expressed, that the
+exhibition was one of great interest and promise, from the evidence it
+afforded of the extraordinary advance made by the art during the past year,
+and the encouragement it held out to the belief that far greater excellence
+might therefore still be looked for in it, was a very just one, and
+embodied that given afterwards by the most competent authorities. We have
+not room this week to enter into any details, but can confidently recommend
+our readers to pay an early visit to Suffolk Street.
+
+       *       *       *       *       *
+
+
+Replies to Minor Queries.
+
+_"Firm was their faith," &c._ (Vol. viii., p. 564.).--These lines are to be
+found in a poem called "Morwennæ Statio, hodie Morwenstow," published by
+Masters in 1846, with the title of _Echoes from Old Cornwall_, and written
+by the Vicar of Morwenstow. I agree with D. M. in the judgment he has
+announced as to their merits; but hitherto they have been but little
+appreciated by the public. A time will come however, when these and other
+compositions of the author will be better known and more duly valued by the
+English mind.
+
+SAXA.
+
+These lines were written on "the Minster of Morwenna," May, 1840, and
+appeared in the _British Magazine_ under the anonymous name _Procul_. Of
+the eight stanzas of which the poem consists, P. M. has quoted the second.
+The second line should be read "wise _of_ heart," and the third "_firm_ and
+trusting hands." With your correspondent, I hope the author's name may be
+discovered.
+
+F. R. R.
+
+_Vellum-cleaning_ (Vol. viii., p.340.).--In the Polytechnic Institution
+there are specimens of old deeds, &c., on vellum and paper, beautifully
+cleaned and restored by Mr. George Clifford, 5. Inner Temple Lane, Temple,
+London.
+
+J. McK.
+
+Shoreham.
+
+_Wooden Tombs_ (Vol. viii., p. 255.).--In the church at Brading, Isle of
+Wight--
+
+    "There are some old tombs in the communion place, and in Sir William
+    Oglander's chapel, or family burial-place, which is separated from the
+    rest of the church by an oak screen. The most ancient legible date of
+    these monuments is 1567. Two of them have full-length figures in armour
+    of solid elm wood, originally painted in their proper colours, and
+    gilt, but now disfigured by coats of dirty white."--Barber's
+    Picturesque Guide to the Isle of Wight, 1850, pp. 28, 29.
+
+J. McK.
+
+Shoreham.
+
+_Solar Eclipse in the Year 1263_ (Vol. viii., p. 441.).--In the
+_Transactions of the Antiquarian Society of Scotland_, vol. ii. p. 350.,
+there are "Observations on the Norwegian Expedition against Scotland in the
+year 1263," by John Dillon, Esq.; and at pp. 363-4, when speaking of the
+annular eclipse, he says:
+
+    "The eclipse above mentioned is described to have occurred between
+    these two dates [29th July and 9th August]. This being pointed out to
+    Dr. Brewster, he had the curiosity to calculate the eclipse, when he
+    found that there was an eclipse of the sun on 5th August, 1263, and
+    which was annular at Ronaldsvo, in Orkney, and the middle of it was
+    twenty-four minutes past one."
+
+These "Observations" contain much curious information; but are deformed by
+the author attempting to wrest the text of the Norwegian writer (at p. 358.
+and in note I.) to suit an absurd crotchet of his own. Having seen that
+essay in MS., I pointed out those errors; but instead of attending to my
+observations, he would not read them, and got into a passion against the
+friend who showed the MS. to me.
+
+J. McK.
+
+Shoreham.
+
+_Lines on Woman_ (Vol. viii., pp. 292. 350. &c.).--The lines on Woman are,
+I presume, an altered version of those of Barret (Mrs. Barrett Browning?);
+they are the finale of a short poem on Woman; the correct version is the
+following:
+
+ "Peruse the sacred volume, Him who died
+  Her kiss betray'd not, nor her tongue denied;
+  While even the Apostle left Him to His doom,
+  She linger'd round His cross and watch'd His tomb."
+
+I would copy the whole poem, but fear you would think it too long for
+insertion.
+
+MA. L.
+
+    [Our correspondent furnishes an addition to our list of parallel
+    passages. The lines quoted by W. V. and those now given by our present
+    correspondent can never be different readings of the same poem.
+    Besides, it has been already shown that the lines asked for are from
+    the poem entitled _Woman_, by Eaton Stannard Barrett (see antè, pp.
+    350. 423.).]
+
+_Satin_ (Vol. vii., p. 551.).--In a note just received by me from Canton,
+an American friend of mine remarks as follows:
+
+    "When you write again to 'N. & Q.' you can say that the word _satin_
+    (Vol. vii., p. 551.), like the article itself, is of Chinese origin,
+    and that other foreign languages, in endeavouring like the English to
+    imitate the Chinese _sz-tün_, have {18} approximated closely to it, and
+    to each other. Of this the answers to the Query given in the place
+    referred to are a sufficient proof; Fr. _satin_, W. _sidan_, &c. &c."
+
+I suspect that he is right, and that Ogilvie and Webster, whom you quote,
+have not got to the bottom of the word. I may add that the notion of my
+Canton friend receives approval from a Chinese scholar to whom I have shown
+the above extract.
+
+W. T. M.
+
+Hong Kong.
+
+_"Quid facies," &c._ (Vol. viii., p. 539.).--
+
+    "BIERVE, _N. Maréchal_, _Marquis de_, a Frenchman well known for his
+    ready wit and great facetiousness. He wrote two plays of considerable
+    merit, _Les Réputations_ and _Le Séducteur_. He died at Spa, 1789, aged
+    42. He is author of the distich on courtezans:
+
+     'Quid facies, facies Veneris cum veneris ante?
+      Ne sedeas! sed eas, ne pereas per eas.'"
+
+--Lemprière's _Universal Biography_, abridged from the larger work, London,
+1808.
+
+C. FORBES.
+
+Temple.
+
+_Sotades_ (Vol. viii., p. 520.).--Your correspondent CHARLES REED says that
+Sotades was a Roman poet 250 B.C.; and that to him we owe the line, "Roma
+tibi subito," &c. Sotades was a native of Maroneia in Thrace, or, according
+to others, of Crete; and flourished at Alexandria B.C. 280 (Smith's
+_Dictionary of Biography_, Clinton, F. H., vol. iii. p. 888.). We have a
+few fragments of his poems, but none of them are palindromical. The
+authority for his having written so, is, I suppose, Martial, Epig. II. 86.
+2.:
+
+ "Nec retro lego Sotaden cinædum."
+
+ZEUS.
+
+_The Third Part of "Christabel"_ (Vol. viii., pp. 11. 111.).--Has the
+_Irish Quarterly Review_ any other reason for ascribing this poem to Maginn
+than the common belief which makes him the sole and original Morgan
+Odoherty? If not, its evidence is of little value, as, exclusive of some
+pieces under that name which have been avowed by other writers, many of the
+Odoherty papers contain palpable internal evidence of having been written
+by a Scotchman, or at least one very familiar with Scotland, which at that
+time he was not; even the letter accompanying the third part of
+_Christabel_ is dated from Glasgow, and though this would in itself prove
+nothing, the circumstances above mentioned, as well as Dr. Moir's evidence
+as to the time when Maginn's contributions to _Blackwood_ commenced, seems
+strongly presumptive against his claim. Some of the earliest and most
+distinguished writers in _Blackwood_ are still alive, and could, no doubt,
+clear up this point at once, if so inclined.
+
+J. S. WARDEN.
+
+_Attainment of Majority_ (Vol. viii., pp. 198. 250.).--In my last
+communication upon this subject I produced undeniable authority to prove
+that the law did not regard the fraction of a day; this, I think, A. E. B.
+will admit. The question is, now, does the day on which a man attains his
+majority commence at six o'clock A.M., or at midnight? We must remember
+that we are dealing with a question of _English_ law; and therefore the
+evidence of an English decision will, I submit, be stronger proof of the
+latter mode of reckoning than the only positive proof with which A. E. B.
+has defended Ben Jonson's use of the former, viz. _Roman_.
+
+In a case tried in Michaelmas Term, 1704, Chief Justice Holt said:
+
+    "It has been adjudged that if one be born the 1st of February at eleven
+    at night, and the last of January in the twenty-first year of his age
+    at one o'clock in the morning, he makes his will of lands and dies, it
+    is a good will, for he was then of age."--_Salkeld_, 44.; _Raymond_,
+    480, 1096; 1 _Siderfin_, 162.
+
+In this case, therefore, the testator was accounted of age forty-six hours
+before the completion of his twenty-first year. Now, the law not regarding
+the fraction of a day, the above case, I submit, clearly proves that the
+day, as regards the attainment of majority, began at midnight.
+
+RUSSELL GOLE.
+
+_Lord Halifax and Mrs. C. Barton_ (Vol. viii., pp. 429. 543.).--In answer
+to J. W. J.'s Query, I beg to state that I have in my possession a codicil
+of Mrs. Conduit's will in her own hand, dated 26th of January, 1737. This
+document refers to some theological tracts by Sir Isaac Newton, in his
+handwriting, which I have. On referring to the pedigree of the Barton
+family, I find that Colonel Robert Barton married Catherine Greenwood,
+whose father lived at Rotterdam, and was ancestor of Messrs. Greenwood,
+army agents. His issue were Major Newton Barton, who married Elizabeth
+Ekins, Mrs. Burr, and Catherine Robert Barton. I find no mention of Colonel
+Noel Barton. The family of Ekins had been previously connected with that of
+Barton, Alexander Ekins, Rector of Barton Segrave, having married Jane
+Barton of Brigstock. The writer of this note will be obliged if J. W. J.,
+or any correspondent of "N. & Q.," will inform him if anything is known
+respecting an ivory bust of Sir Isaac Newton, executed by Marchand or
+Marchant, which is said to have been an excellent likeness.
+
+S. X.
+
+    [The ivory bust referred to by our correspondent is, we believe, in the
+    British Museum.]
+
+_The fifth Lord Byron_ (Vol. viii., p. 2.).--I cannot but think that MR.
+HASLEDEN'S memory has deceived him as to the "wicked lord" having {19}
+settled his estates upon the marriage of his son; how is this to be
+reconciled with the often published statement, that the marriage of his son
+with his cousin Juliana, daughter of the admiral, and aunt of the late and
+present lords, was made not only without the consent, but in spite of the
+opposition, of the old lord, and that he never forgave his son in
+consequence?
+
+J. S. WARDEN.
+
+_Burton Family_ (Vol. iv., pp. 22. 124.).--In connexion with a Query which
+was kindly noticed by MR. ALGOR of Sheffield, who did not however
+communicate anything new to me, I would ask who was Samuel Burton, Esq.,
+formerly Sheriff of Derbyshire; whose death at Sevenoaks, in October, 1750,
+I find recorded in the Obituary of the _Gentleman's Magazine_ for that
+year? I am also desirous to ascertain who was Sir Francis Cavendish Burton
+of St. Helens, whose daughter and heiress, Martha, married Richard Sikes,
+Esq., ancestor of the Sikes's of the Chauntry House near Newark. She died
+since 1696. Both Samuel Burton and Mrs. Sikes were related to the Burtons
+of Kilburn, in the parish of Horsley, near Derby, to whom my former Query
+referred.
+
+E. H. A.
+
+_Provost Hodgson's Translation of the Atys of Catullus_ (Vol. viii., p.
+563.).--In answer to MR. GANTILLON'S inquiry for the above translation, I
+beg to state that it will be found appended to an octavo edition of
+Hodgson's poem of _Lady Jane Grey_.
+
+In the same volume will be found, I believe (for I have not the work before
+me), some of the modern Latin poetry respecting which BALLIOLENSIS
+inquiries. The justly admired translation of _Edwin and Angelina_, to which
+the latter refers, was by Hodgson's too early lost friend Lloyd. The
+splendid pentameter is slightly misquoted by BALLIOLENSIS. It is not--
+
+ "Poscimus in _terris_ pauca, nec illa diù."
+
+but--
+
+ "Poscimus in _vitâ_," &c.
+
+THOMAS RUSSELL POTTER.
+
+Wymeswold, Loughborough.
+
+_Wylcotes' Brass_ (Vol. viii., p. 494.).--I should hardly have supposed
+that any difficulty could exist in explaining the inscription:
+
+ "In · on · is · all."
+
+To me it appears self-evident that it must be--
+
+ "In one (God) is my all."
+
+H. C. C.
+
+_Hoby, Family of; their Portraits, &c_. (Vol. viii., p. 244.).--I would
+refer J. B. WHITBORNE to _The Antiquities of Berkshire_ (so miscalled), by
+Elias Ashmole; where, in treating of Bisham, that learned antiquary has
+given the inscriptions to the Hoby family as existing _and legible in his
+time_. It does not appear that Sir Philip Hoby, or Hobbie, Knight, was ever
+of the Privy Council; but, in 1539, one of the Gentlemen of the Privy
+Chamber to King Henry VIII. (which monarch granted to him in 1546-7 the
+manor of Willoughby in Edmonton, co. Middlesex), Sir Thomas Hoby, the
+brother, and successor in the estates of Sir Philip, was, in 1566,
+ambassador to France; and died at Paris July 13 in the same year (not
+1596), aged thirty-six. The coat of the Hobys of Bisham, as correctly
+given, is "Argent, within a border engrailed sable, three spindles,
+threaded in fesse, gules." A grant or confirmation of this coat was made by
+Sir Edward Bysshe, Clarenceux, to Peregrine Hoby of Bisham, Berks, natural
+son of Sir Edward Hoby, Nov. 17, 1664. The Bisham family bore no crest nor
+motto.
+
+H. C. C.
+
+_The Keate Family_ (Vol. viii., pp. 293. 525.)--Should the Query of
+G. B. B. not be sufficiently answered by the extract from Mr. Burke's
+_Extinct and Dormant Baronetcies of England_ relating to the Keate family,
+as I have a full pedigree of that surname, I may perhaps be able, on
+application, to satisfy him with some genealogical particulars which are
+not noticed in Mr. Burke's works.
+
+H. C. C.
+
+_Sir Charles Cotterell_ (Vol viii., p. 564.).--Sir Charles Cotterell, the
+translator of _Cassandra_, died in 1687. (See Fuller's _Worthies_, by
+Nuttall, vol. ii. p. 309.)
+
+[Greek: Halieus].
+
+Dublin.
+
+_Huc's Travels_ (Vol. viii., p. 516.).--Not having seen the _Gardener's
+Chronicle_, in which C. W. B. says the travels of Messrs. Huc and Gabet in
+Thibet, Tartary, &c. are said to be a pure fabrication, concocted by some
+Parisian _littérateur_, I cannot know what degree of credit, if any, is to
+be given to such a statement. All I wish to communicate at present for the
+information of your Querist C. W. B. is this, that I have read an account
+and abstract of Messrs. Huc and Gabet's _Travels_ in one of the ablest and
+best conducted French reviews, _La Revue des Deux Mondes_; in which not the
+least suspicion of fabrication is hinted, or the slightest doubt expressed
+as to the genuineness of these _Travels_. Mr. Princep, also, in his work on
+Thibet, Tartary, &c. quotes largely from Huc's Travel's, and avails himself
+extensively of the information contained in them with reference to
+Buddhism, &c.
+
+Should the writer in the _Gardener's Chronicle_ have it in his power to
+_prove_ the _Travels_ to be a fabrication, he will confer a benefit on the
+world of letters by unmasking the fabricator.
+
+J. M.
+
+Oxford.
+
+_Pictures at Hampton Court Palace_ (Vol. viii., p. 538.).--In reply to
+[Phi].'s question when the review of the 10th Light Dragoons by King {20}
+George III., after the Prince of Wales assumed the command of that
+regiment, I beg to state that the Prince entered the army as
+brevet-colonel, Nov. 19, 1782; that the regiment received the title of "The
+Prince of Wales's own Regiment of Light Dragoons" on Michaelmas Day, 1783:
+that the regiment was stationed in the south of England and in the vicinity
+of London for many years, from 1790 to 1803 inclusive; and that King George
+III. repeatedly reviewed it, accompanied by the queen and the royal family.
+That the Prince of Wales was appointed Colonel-commandant of the corps in
+1793, and succeeded Sir W. A. Pitt as colonel of it in July 18, 1796. That
+the regiment was reviewed on Hounslow Heath by the King in August, 1799;
+and the Prince of Wales (who commanded it in person) received his Majesty's
+orders to convey his Majesty's approbation of its excellent appearance and
+performance. Perhaps the picture by Sir William Beechey was painted in
+1799, and not 1798. I did not find the catalogue at Hampton Court free from
+errors, when I last visited the palace in October, 1852.
+
+M. A.
+
+Pembroke College, Oxon.
+
+_John Waugh_ (Vol. viii., pp. 271. 400. 525.).--Does KARLEOLENSIS know
+whether John Waugh, son of Waugh, Bishop of Carlisle, was married, and to
+whom?
+
+Farther information of the above family would be most acceptable, and
+thankfully acknowledged, by George Waugh, of the family of the Waughs of
+Oulton and Lofthouse, Yorkshire.
+
+Exeter.
+
+_Daughters taking their Mothers' Names_ (Vol. viii., p. 586.).--When
+BURIENSIS asks for instances of this, and mentions "Alicia, daughter of
+Ada," as an example, is he not mistaking, or following some one else who
+has mistaken, the _gender_ of the parent's name? _Alicia fil. Adæ_ would be
+rendered "Alice Fitz-Adam," unless there be anything in the context to
+determine the gender otherwise.
+
+J. SANSOM.
+
+"_Service is no Inheritance_" (Vol. viii., p. 586.).--This proverbial
+saying has evidently arisen from the old manorial right, under which the
+lord of the manor claimed suit and service and fealty before admitting the
+heir to his inheritance, or the purchaser to his purchase. On which
+occasion, the party admitted to the estate, whether purchaser or heir,
+"fecit fidelitatem suam et solvit relevium;" the relief being generally a
+year's rent or service.
+
+ANON.
+
+_Sir Christopher Wren and the young Carver_ (Vol. viii., p. 340.).--If your
+correspondent A. H. has not already appropriated the anecdote here alluded
+to, I think I can confidently refer him to any biographical notice of
+Grindling Gibbons--to whom the story of the "Sow and Pigs" relates. Gibbons
+was recommended to Sir Christopher by Evelyn, I think; but not having "made
+a note of it," I am not sure that it is to be found in his _Diary_.[4] If
+there be any monograph Life of Gibbons, it can scarcely fail to be found
+there.
+
+M. (2)
+
+[Footnote 4: See Evelyn's _Diary_, vol. ii. pp. 53, 54., edition
+1850.--ED.]
+
+_Souvaroff's Despatch_ (Vol. viii., p. 490).--Souvaroff's doggerel despatch
+from Ismail, immortalised by Byron, is, as usual, misspelt and
+mistranslated. Allow me to furnish you with what I have never yet seen in
+English, a correct version of it:
+
+ "Slava Bogou, slava Vam;
+  Krépost vziala, ee ya tam."
+
+ "Glory to God, glory to You,
+  The fortress is taken, and I am there."
+
+DMITRI ANDRÉEF.
+
+_Detached Church Towers_ (Vol. viii., p. 63.).--In the lists I have seen no
+mention is made of the fine tower of West Walton Church, which stands at a
+distance of nearly twenty yards from the body of the church.
+
+W. B. D.
+
+Lynn.
+
+_Queen Anne's Motto_ (Vol. viii., p. 174.).--The Historical Society of
+Pennsylvania is in possession of an English coat of arms, painted on wood
+in the time of Queen Anne, having "Anna R." at the top, and the motto
+_Semper eadem_ on the scroll below. It probably was in one of the
+Philadelphia court-rooms, and was taken down at the Revolution.
+
+UNEDA.
+
+Philadelphia.
+
+_Lawyers' Bags_ (Vol. vii. _passim_).--The communication of MR. KERSLEY, in
+p. 557., although it does not support the inference which COL. LANDMAN
+draws, that the colour of lawyers' bags was changed in consequence of the
+unpopularity which it acquired at the trial of Queen Caroline, seems to
+show that _green_ was at one time the colour of those professional pouches.
+The question still remains, when and on what occasion it was discontinued;
+and when the purple, and when the crimson, were introduced?
+
+When I entered the profession (about fifty years ago), no junior barrister
+presumed to carry a bag in the Court of Chancery, unless one had been
+presented to him by a king's counsel; who, when a junior was advancing in
+practice, took an opportunity of complimenting him on his increase of
+business, and giving him his own bag to carry home his papers. It was then
+a distinction to carry a bag, and a proof that a junior was rising {21} in
+his profession. I do not know whether the same custom prevailed in the
+other courts.
+
+CAUSIDICUS.
+
+In this city (Philadelphia) lawyers formerly carried green bags. The custom
+has declined of late years among the members of the legal profession, and
+it has been taken up by journeymen boot and shoe makers, who thus carry
+their work to and from the workshop. A green bag is now the badge of a
+cordwainer in this city.
+
+[Old English W].
+
+Philadelphia.
+
+_Bust of Luther_ (Vol. viii., p. 335.).--MR. J. G. FITCH asks for
+information respecting a bust of Luther, with an inscription, on the wall
+of a house, in the Dom Platz at Frankfort on the Maine. I have learned,
+through a German acquaintance, who has resided the greater part of his life
+in that city, that the effigy was erected to commemorate the event of
+Luther's having, during a short stay in Frankfort, preached near that spot;
+and that the words surrounding the bust were his text on the occasion. He
+adds that Luther at no period of his life "lived for some years" at
+Frankfort, as stated by MR. FITCH.
+
+ALFRED SMITH.
+
+_Grammar in relation to Logic_ (Vol. viii., pp. 514. 629.).--H. C. K.'s
+remarks are of course indisputable. But it is a mistake to suppose that
+they answer my Query. In fact, had your correspondent taken the trouble to
+consider the meaning of my Query, he could not have failed to perceive that
+the explanation I there gave of the function of the conjunction _in logic_,
+is the same as his. My Query had sole reference _to grammar_. I would also
+respectfully suggest that anonymous correspondents should not impute
+"superficial views," or any other disagreeable thing, to those who stand
+_confessed_, without abandoning the pseudonym.
+
+C. MANSFIELD INGLEBY.
+
+Birmingham.
+
+       *       *       *       *       *
+
+
+Miscellaneous.
+
+NOTES ON BOOKS, ETC.
+
+Mr. Timbs announces for publication by subscription, _Curiosities of
+London: exhibiting the most rare and remarkable Objects of Interest in the
+Metropolis_. Mr. Timbs states, the authorities for his work have been
+four-and-twenty years in collection; and that the utmost pains has been
+taken to verify names, dates, and circumstances, so as to insure accuracy.
+In this labour the author has been aided by the communications of many
+obliging friends, as well as by his own recollection of nearly fifty years'
+changes in the aspects of "opulent, enlarged, and still increasing London."
+
+It is proposed to publish by subscription _The Visitation of the County of
+Northumberland_, taken by Richard St. George, Esq., Norroy King of Arms,
+and Henry St. George, Esq., Blue Mantle Pursuivant of Arms, A.D. 1615. To
+be printed in tables on folio, with the arms engraved on wood, price One
+Guinea; or large paper, royal folio, Two Guineas; or large paper with the
+arms emblazoned (of which only the number subscribed for will be done),
+Five Guineas. Subscribers' names will be received by Mr. John Gray Bell,
+No. 17. Bedford Street, Covent Garden.
+
+The first number of the _Antiquities of Shropshire_, by the Rev. R. W.
+Eyton, has just been issued for the sake of determining the author's doubts
+as to whether there is any general wish for such a publication. Should the
+answer be in the negative, the author will neither forget his obligation to
+present subscribers, nor the explanation which he will farther owe them if
+the work be discontinued. The work will extend at least to five volumes, or
+twenty parts, and, according to the present plan, will be completed in not
+less than five years. Any subscriber will be at liberty to withdraw his
+name, by giving notice to that effect within one month after the
+publication of any fourth part, or completed volume. Three hundred copies
+of Part I. have been printed, but the number of the future parts will be
+limited to those subscribed for within the next three months.
+
+_The Surrey Archæological Society_ propose holding the Inaugural General
+Meeting of the Society in Southwark early in the month of February, and to
+exhibit upon the occasion a collection of such objects of antiquarian
+interest relating to Surrey as may be contributed for that purpose. Parties
+are invited to favour the Society with the loan of such objects.
+
+BOOKS RECEIVED.--_A Peep at the Pixies, or Legends of the West_, by Mrs.
+Bray: written for the entertainment of a family circle, these amusing
+records of the doings of the little people will find favour with all lovers
+of folk lore.--_Ada's Thoughts, or the Poetry of Youth_, may be commended
+for its natural, simple, yet elevated tone.--_Essay on Human Happiness_, by
+C. B. Adderley, M.P.; the first of a series of _Great Truths for Thoughtful
+Hours_. A set of little books similar in object and design to Pickering's
+well-known series of _Small Books on Great Subjects_.--_Beauties of Byron,
+Verse and Prose._ This selection, made for Murray's _Railway Reading_, will
+be acceptable to many who would object to place the collected edition of
+the noble bard's writings in the hands of the younger members of their
+family.--_Speeches on Parliamentary Reform_, by the Right Hon. T. B.
+Macaulay. This new number of Longman's _Traveller's Library_ is well-timed,
+and very acceptable.
+
+       *       *       *       *       *
+
+
+BOOKS AND ODD VOLUMES WANTED TO PURCHASE.
+
+ISAAC TAYLOR'S PHYSICAL THEORY OF ANOTHER LIFE.
+
+*** Letters, stating particulars and lowest price, _carriage free_, to be
+sent to MR. BELL, Publisher of "NOTES AND QUERIES." 186. Fleet Street.
+
+Particulars of Price, &c. of the following Books to be sent direct to the
+gentlemen by whom they are required, and whose names and addresses are
+given for that purpose:
+
+SANDY'S CHRISTMAS CAROLS, Ancient and Modern. 8vo. 1833.
+
+JUNIUS DISCOVERED, by P. T. Published about 1789.
+
+  Wanted by _William J. Thoms_, 25. Holywell Street, Millbank, Westminster.
+
+{22}
+
+GALLERY OF PORTRAITS. Published by Charles Knight, under the
+Superintendence of the Society for the Diffusion of Useful Knowledge. No.
+XLIII. (December, 1835), containing Adam Smith, Calvin, Mansfield.
+
+  Wanted by _Charles Forbes_, 3. Elm Court, Temple.
+
+BRISTOL DROLLERY. 1674.
+
+HOLBORN DROLLERY. 1673.
+
+HICKS'S GRAMMATICAL DROLLERY. 1682.
+
+OXFORD JESTS.
+
+CAMBRIDGE JESTS.
+
+  Wanted by _C. S._, 12. Gloucester Green, Oxford.
+
+MUDIE'S BRITISH BIRDS. Bohn. 1841. 2nd Volume.
+
+WAVERLEY. 1st Edition.
+
+  Wanted by _F. R. Sowerby_, Halifax.
+
+       *       *       *       *       *
+
+
+Notices to Correspondents.
+
+_Among other interesting communications intended for our present Number,
+but which we have been compelled by want of space to postpone until next
+week, are_ MR. GUTCH_'s Paper on_ Griffin and his Fidessa, MR. D'ALTON_'s
+on_ James II.'s Irish Army List, _and_ DR. DIAMOND_'s on_ The Advantages of
+Small Photographs.
+
+CESTRIENSIS. _We have a letter for this Correspondent; where shall it be
+sent?_
+
+EIRIONNACH. _The letter for this Correspondent has been forwarded._
+
+W. J. L. _The_ Merry Llyd _or_ Hewid _has already formed the subject of
+some notices in our columns: see_ Vol. i., pp. 173. 315.; Vol. vi., p. 410.
+_We should be glad to have any satisfactory explanation of the origin and
+antiquity of the custom._
+
+J. E. (Sampford) _is informed that there is no charge for the insertion of
+Queries, &c. Will he oblige us by describing the communications to which he
+refers?_
+
+F. S. A., _who asks the origin of_ tick, _is referred to_ Vol. iii., pp.
+357. 409. 502.
+
+IGNORANT. _The_ Staffordshire Knot _is the badge or cognizance of the Earls
+of Stafford: see_ Vol. viii., p. 454.
+
+J. S. A. _will find the information he desires respecting the_
+Extraordinary North Briton _in a valuable communication from_ MR. CROSSLEY,
+"N. & Q.," Vol. iii., p. 432.
+
+INDEX TO VOLUME THE EIGHTH.--_This is in a very forward state, and will, we
+trust, be ready for delivery with_ No. 221. _on the_ 21_st of January._
+
+"NOTES AND QUERIES," Vols. i. to vii., _price Three Guineas and a
+Half.--Copies are being made up and may be had by order._
+
+"NOTES AND QUERIES" _is published at noon on Friday, so that the Country
+Booksellers may receive Copies in that night's parcels and deliver them to
+their Subscribers on the Saturday._
+
+       *       *       *       *       *
+
+
+THE GENTLEMAN'S MAGAZINE FOR JANUARY (being the First Part of a new Volume)
+contains the following articles:--1. The Princess (afterwards Queen)
+Elizabeth a Prisoner at Woodstock. 2. On supposed Apparitions of the Virgin
+Mary; and particularly at La Salette. 3. Sir Walter Raleigh at Sherborne.
+4. Manners and Morals of the University of Cambridge during the last
+Century. 5. English Sketches by Foreign Artists--Max Schlesinger's
+Saunterings in and about London. 6. Richard Baxter's Pulpit at
+Kidderminster (with a Plate). 7. Cambridge Improvements, 1853. 8. The
+Toxaris of Lucian. Correspondence of Sylvanus Urban: English Physicians in
+Russia--Knights Banneret--Sir Constantine Phipps and Sir William
+Phips--Diaries of Dr. Stukeley, &c. With Notes of the Month; Historical and
+Miscellaneous Reviews; Reports of Antiquarian and Literary Societies;
+Historical Chronicle; and OBITUARY, including Memoirs of the Queen of
+Portugal, the Duke of Beaufort, the Countess of Newburgh, Lord Cloncurry,
+Rear-Adm. Pasco, Bickham Escott, Esq., Wm. Gardiner, Esq., Mrs. Opie, Mr.
+Jas. Trubshaw, C.E., Mr. Samuel Williams, &c. &c. Price 2s. 6d.
+
+NICHOLS & SONS, 25. Parliament Street.
+
+       *       *       *       *       *
+
+
+Just published, price 2s. 6d., sewed,
+
+A LECTURE ON THE GENIUS, LIFE AND CHARACTER OF WILLIAM SHAKSPEARE,
+delivered to the Mutual Improvement Society of Welford, by FREDERICK COX,
+ESQ., one of the Vice-Presidents of the Society.
+
+  GEORGE BELL, London.
+  T. C. BROWNE, Leicester.
+
+       *       *       *       *       *
+
+
+Just published, 12mo., 4s.
+
+JANUS, LAKE POEMS, &c., and other Poems, by DAVID HOLT.
+
+London: W. PICKERING, Piccadilly; and GEORGE BELL, 186. Fleet Street.
+
+       *       *       *       *       *
+
+
+Demy 8vo., 2s.; cloth gilt, 3s.
+
+THE HISTORY OF MILLWALL, commonly called the Isle of Dogs; including
+Notices of the West India Docks and City Canal, and Notes on Poplar,
+Blackwall, Limehouse, and Stepney. By B. H. COWPER.
+
+R. GLADDING, 97. & 98. Whitechapel Road.
+
+       *       *       *       *       *
+
+
+TO ARTISTS, ENGRAVERS, PRINTSELLERS, ETC.
+
+This Day, 8vo., 3s. 6d.
+
+THE LAWS OF ARTISTIC COPYRIGHT, AND THEIR DEFECTS. For the Use of Artists,
+Sculptors, Engravers, Printsellers, &c. BY D. ROBERTON BLAINE, ESQ., of the
+Middle Temple, Barrister-at-Law.
+
+JOHN MURRAY, Albemarle Street.
+
+       *       *       *       *       *
+
+
+WORKS BY EDWARD JESSE, ESQ.
+
+Now Ready.
+
+JESSE'S COUNTRY LIFE. Third Edition. Fcap. 8vo. 6s.
+
+   II.
+
+JESSE'S NATURAL HISTORY. Seventh Edition. Fcap. 8vo. 6s.
+
+   III.
+
+JESSE'S FAVOURITE HAUNTS. With Twenty Woodcuts. Post 8vo. 12s.
+
+JOHN MURRAY, Albermarle Street.
+
+       *       *       *       *       *
+
+
+JUST PUBLISHED.--A CATALOGUE of VALUABLE BOOKS, including a portion of the
+Library of the RIGHT HON. WARREN HASTINGS, now on Sale by THOMAS KERSLAKE,
+Bookseller, Bristol. (Franked for One Postage Stamp.)
+
+       *       *       *       *       *
+
+
+VIEWS IN LONDON. STEREOSCOPES AND STEREOSCOPIC PICTURES.
+
+BLAND & LONG, 153. FLEET STREET, OPTICIANS and PHILOSOPHICAL INSTRUMENT
+MAKERS, invite attention to their Stock of STEREOSCOPES of all Kinds, and
+in various Materials; also, to their New and Extensive Assortment of
+STEREOSCOPIC PICTURES for the same, in DAGUERREOTYPE, on PAPER, and
+TRANSPARENT ALBUMEN PICTURES on GLASS, including Views of London, Paris,
+the Rhine, Windsor, &c. These Pictures, for minuteness of Detail and Truth
+in the Representation of Natural Objects, are unrivalled.
+
+BLAND & LONG, Opticians, 153. Fleet Street, London.
+
+*** "Familiar Explanation of the Phenomena" sent on Application.
+
+       *       *       *       *       *
+
+
+PULLEYN'S COMPENDIUM.
+
+One Volume, crown 8vo., bound in cloth, price 6s.
+
+THE ETYMOLOGICAL COMPENDIUM; or, PORTFOLIO OF ORIGINS AND INVENTIONS:
+relating to
+
+  Language, Literature, and Government.
+  Architecture and Sculpture.
+  Drama, Music, Painting, and Scientific Discoveries.
+  Articles of Dress, &c.
+  Titles, Dignities, &c.
+  Names, Trades, Professions.
+  Parliament, Laws, &c.
+  Universities and Religious Sects.
+  Epithets and Phrases.
+  Remarkable Customs.
+  Games, Field Sports.
+  Seasons, Months, and Days of the Week.
+  Remarkable Localities, &c. &c.
+
+By WILLIAM PULLEYN.
+
+The Third Edition, revised and improved,
+
+By MERTON A. THOMS, ESQ.
+
+    "The additions to this book indicate the editor to be his father's own
+    son. He deals in folk lore, chronicles old customs and popular sayings,
+    and has an eye to all things curious and note-worthy. The book tells
+    everything."--_Gentleman's Magazine._
+
+    "The book contains a vast amount of curious information and useful
+    memoranda."--_Literary Gazette._
+
+    "An invaluable manual of amusement and information."--_Morning
+    Chronicle._
+
+    "This is a work of great practical usefulness. It is a _Notes and
+    Queries_ in miniature.... The revision which the present edition of it
+    has undergone has greatly enhanced its original value."--_Era._
+
+London: WILLIAM TEGG & CO., 85. Queen Street, Cheapside.
+
+       *       *       *       *       *
+
+
+NOW READY, MR. DOD'S PEERAGE, &c.
+
+New Edition for 1854; thoroughly revised, with many Improvements.
+
+PEERAGE, BARONETAGE, KNIGHTAGE, &c., for 1854 (Fourteenth Year): by CHARLES
+R. DOD, Esq., Author of "The Parliamentary Companion," "Electoral Facts,"
+&c. Fcp. 8vo., handsomely bound in cloth, gilt.
+
+WHITTAKER & CO., Ave-Maria Lane.
+
+       *       *       *       *       *
+
+
+{23}
+
+WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY.
+
+3. PARLIAMENT STREET, LONDON.
+
+Founded A.D. 1842.
+
+       *       *       *       *       *
+
+  _Directors._
+
+  H. E. Bicknell, Esq.
+  T. S. Cocks, Jun. Esq., M.P.
+  G. H. Drew, Esq.
+  W. Evans, Esq.
+  W. Freeman, Esq.
+  F. Fuller, Esq.
+  J. H. Goodhart, Esq.
+  T. Grissell, Esq.
+  J. Hunt, Esq.
+  J. A. Lethbridge, Esq.
+  E. Lucas, Esq.
+  J. Lys Seager, Esq.
+  J. B. White, Esq.
+  J. Carter Wood, Esq.
+
+  _Trustees._--W. Whateley, Esq., Q.C.; George Drew, Esq., T. Grissell,
+      Esq.
+  _Physician._--William Rich. Basham, M.D.
+  _Bankers._--Messrs. Cocks, Biddulph, and Co., Charing Cross.
+
+VALUABLE PRIVILEGE.
+
+POLICIES effected in this Office do not become void through temporary
+difficulty in paying a Premium, as permission is given upon application to
+suspend the payment at interest, according to the conditions detailed in
+the Prospectus.
+
+Specimens of Rates of Premium for Assuring 100l., with a Share in
+three-fourths of the Profits:--
+
+  Age       £   s.  d.
+   17       1  14   4
+   22       1  18   8
+   27       2   4   5
+   32       2  10   8
+   37       2  18   6
+   42       3   8   2
+
+ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.
+
+Now ready, price 10s. 6d., Second Edition, with material additions,
+INDUSTRIAL INVESTMENT and EMIGRATION: being a TREATISE ON BENEFIT BUILDING
+SOCIETIES, and on the General Principles of Land Investment, exemplified in
+the Cases of Freehold Land Societies, Building Companies, &c. With a
+Mathematical Appendix on Compound Interest and Life Assurance. By ARTHUR
+SCRATCHLEY, M.A., Actuary to the Western Life Assurance Society, 3.
+Parliament Street, London.
+
+       *       *       *       *       *
+
+
+ALLEN'S ILLUSTRATED CATALOGUE, containing Size, Prices, and Description of
+upwards of 100 articles, consisting of
+
+PORTMANTEAUS, TRAVELLING-BAGS, Ladies' Portmanteaus, DESPATCH-BOXES,
+WRITING-DESKS, DRESSING-CASES, and other traveller requisites, Gratis on
+application, or sent free by Post on receipt of Two Stamps.
+
+MESSRS. ALLEN'S registered Despatch-box and Writing-desk, their
+Travelling-bag with the opening as large as the bag, and the new
+Portmanteau containing four compartments, are undoubtedly the best articles
+of the kind ever produced.
+
+J. W. & T. ALLEN, 18. & 22. West Strand.
+
+       *       *       *       *       *
+
+
+BENNETT'S MODEL WATCH, as shown at the GREAT EXHIBITION. No. 1. Class X.,
+in Gold and Silver Cases, in five qualities, and adapted to all Climates,
+may now be had at the MANUFACTORY, 65. CHEAPSIDE. Superior Gold London-made
+Patent Levers, 17, 15, and 12 guineas. Ditto, in Silver Cases, 8, 6, and 4
+guineas. First-rate Geneva Levers, in Gold Cases, 12, 10, and 8 guineas.
+Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior Lever, with
+Chronometer Balance, Gold, 27, 23, and 19 guineas. Bennett's Pocket
+Chronometer, Gold, 50 guineas; Silver, 40 guineas. Every Watch skillfully
+examined, timed, and its performance guaranteed. Barometers, 2l., 3l., and
+4l. Thermometers from 1s. each.
+
+BENNETT, Watch, Clock, and Instrument Maker to the Royal Observatory, the
+Board of Ordnance, the Admiralty, and the Queen,
+
+65. CHEAPSIDE.
+
+       *       *       *       *       *
+
+
+XYLO-IODIDE OF SILVER, exclusively used at all the Photographic
+Establishments.--The superiority of this preparation is now universally
+acknowledged. Testimonials from the best Photographers and principal
+scientific men of the day, warrant the assertion, that hitherto no
+preparation has been discovered which produces uniformly such perfect
+pictures, combined with the greatest rapidity of action. In all cases where
+a quantity is required, the two solutions may be had at Wholesale price in
+separate Bottles, in which state it may be kept for years, and Exported to
+any Climate. Full instructions for use.
+
+CAUTION.--Each Bottle is Stamped with a Red Label bearing my name, RICHARD
+W. THOMAS, Chemist, 10. Pall Mall, to counterfeit which is felony.
+
+CYANOGEN SOAP: for removing all kinds of Photographic Stains. The Genuine
+is made only by the Inventor, and is secured with a Red Label bearing this
+Signature and Address, RICHARD W. THOMAS, CHEMIST, 10. PALL MALL,
+Manufacturer of Pure Photographic Chemicals: and may be procured of all
+respectable Chemists, in Pots at 1s., 2s., and 3s. 6d. each, through
+MESSRS. EDWARDS, 67. St. Paul's Churchyard; and MESSRS. BARCLAY & CO., 95.
+Farringdon Street, Wholesale Agents.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHY.--HORNE & CO.'S Iodized Collodion, for obtaining Instantaneous
+Views, and Portraits in from three to thirty seconds, according to light.
+
+Portraits obtained by the above, for delicacy of detail rival the choicest
+Daguerreotypes, specimens of which may be seen at their Establishment.
+
+Also every description of Apparatus, Chemicals, &c. &c. used in this
+beautiful Art.--123. and 121. Newgate Street.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHIC CAMERAS.--OTTEWILL'S REGISTERED DOUBLE-BODIED FOLDING CAMERA,
+is superior to every other form of Camera, for the Photographic Tourist,
+from its capability of Elongation or Contraction to any Focal Adjustment,
+its Portability, and its adaptation for taking either Views or
+Portraits.--The Trade supplied.
+
+Every Description of Camera, or Slides, Tripod Stands, Printing Frames,
+&c., may be obtained at his MANUFACTORY, Charlotte Terrace, Barnsbury Road,
+Islington.
+
+New Inventions, Models, &c., made to order or from Drawings.
+
+       *       *       *       *       *
+
+
+IMPROVEMENT IN COLLODION.--J. B. HOCKIN & CO., Chemists, 289. Strand. have,
+by an improved mode of Iodizing, succeeded in producing a Collodion equal,
+they may say superior, in sensitiveness and density of Negative, to any
+other hitherto published; without diminishing the keeping properties and
+appreciation of half tint for which their manufacture has been esteemed.
+
+Apparatus, pure Chemicals, and all the requirements for the practice of
+Photography. Instruction in the Art.
+
+THE COLLODION AND POSITIVE PAPER PROCESS. By J. B. HOCKIN. Price 1s., per
+Post, 1s. 2d.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHY.
+
+A COMPLETE SET OF APPARATUS for 4l. 4s., containing an Expanding Camera,
+with warranted Double Achromatic Adjusting Lenses, a Portable Stand,
+Pressure Frame, Levelling Stand, and Baths, complete.
+
+PORTRAIT LENSES of double Achromatic combination, from 1l. 12s. 6d.
+
+LANDSCAPE LENSES, with Rack Adjustment, from 25s.
+
+A GUIDE to the Practice of this interesting Art, 1s., by post free, 1s. 6d.
+
+French Polished MAHOGANY STEREO-SCOPES, from 10s. 6d. A large assortment of
+STEREOSCOPIC PICTURES for the same in Daguerreotype, Calotype, or Albumen,
+at equally low prices.
+
+ACHROMATIC MICROSCOPES.
+
+Beautifully finished ACHROMATIC MICROSCOPE, with all the latest improvement
+and apparatus, complete from 3l. 15s., at
+
+C. BAKER'S. Optical and Mathematical Instrument Warehouse, 244. High
+Holborn (opposite Day & Martin's).
+
+       *       *       *       *       *
+
+
+Important Sale of Rare Books, Books of Prints, and Illuminated Manuscripts.
+
+MESSRS. S. LEIGH SOTHEBY & JOHN WILKINSON, Auctioneers of Literary Property
+and Works illustrative of the Fine Arts, will SELL by AUCTION, at their
+House, 3. Wellington Street, Strand, on MONDAY, January 9, 1854, and Three
+following Days, at 1 o'clock precisely, an Important COLLECTION of RARE
+BOOKS, Books of Prints, Illuminated and Historical Manuscripts, from the
+Library of a distinguished Amateur, deceased:--comprising, The Grand Work
+on Egypt, executed under the munificent direction of Napoleon I., the
+original edition on vellum paper, 23 vols. The Beautiful and Interesting
+Series of Picturesque Voyages by Nodier, Taylor, and De Cailleux; Barker,
+Webb et Berthélot, Histoire Naturelle des Iles Canaries, a magnificent
+work, in 10 vols. with exquisitely coloured plates; Algérie. Historique,
+Pittoresque et Monumentale, 5 vols. in 3; Le Vaillant, Histoire Naturelle
+des Oiseaux, on vellum paper, the plates beautifully coloured, 3 vols.;
+Melling, Voyage Pittoresque de Constantinople, 2 vols. in 1; Montfaucon,
+Antiquité Expliquée, avec Supplément et les Monumens de la Monarchie
+Françoise, 20 vols., a most beautiful copy, in morocco, of the best
+edition, on large paper; Sebæ Rerum Naturalium Thesaurus, 4 vols., an
+exceedingly choice copy in rich French morocco; Museum Worsleyanum, 2
+vols., on large paper; Shaw, Illuminated Ornaments, on large paper, the
+plates exquisitely illuminated in gold and colours; Beroalde de Verville,
+Le Moyen de Parvenir, a very fine copy of the rarest Elzevir edition;
+Cieza, Historie del Peru, 1560-64, rare; Boccaccio, Il Decamerone, Ven.
+1492, extremely rare; Consolat dels Fets Maritims, very rare; Denyaldi,
+Rollo Northmanno-Britannicus, fine copy, and very scarce; Henninges,
+Theatrum Genealogicum, 4 vols. in 5; Le Merre, Recueil des Notes concernant
+les Affaires du Clergé de France, 13 vols., a beautiful copy; Mandeville,
+Le Grande Lapidaire, 1561, an extremely rare edition; Renversement de la
+Morale Chrétienne, rare; Verheiden in Classem Xerxis Hispani Oratio, very
+rare; Rare Works relating to England; Books of Emblems; A curious and
+interesting Volume in German, giving an Account of the Crusades against the
+Turks by the Christians, printed by Bämler. in 1482; Some highly
+interesting Historical and other Manuscripts; Finely illuminated Horæ and
+Missals; and an interesting Fragment in the Autograph of Rousseau.
+
+To be viewed Two Days prior, and Catalogues had; forwarded Free on receipt
+of Six Postage Stamps.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHIC APPARATUS, MATERIALS, and PURE CHEMICAL PREPARATIONS.
+
+KNIGHT & SONS' Illustrated Catalogue, containing Description and Price of
+the best forms of Cameras and other Apparatus. Voightlander and Son's
+Lenses for Portraits and Views, together with the various Materials, and
+pure Chemical Preparations required in practising the Photographic Art.
+Forwarded free on receipt of Six Postage Stamps.
+
+Instructions given in every branch of the Art.
+
+An extensive Collection of Stereoscopic and other Photographic Specimens.
+
+GEORGE KNIGHT & SONS, Foster Lane, London.
+
+       *       *       *       *       *
+
+
+{24}
+
+BOOKS SUITABLE FOR CHRISTMAS PRESENTS,
+
+PUBLISHED BY MR. JOHN HENRY PARKER, OXFORD; AND 377. STRAND, LONDON.
+
+THE BOOK OF COMMON PRAYER. With Fifty Illustrations, from Designs by
+Ancient and Modern Artists. Selected by the REV. H. J. ROSE and REV. J. W.
+BURGON. In One handsome Volume, 8vo. The Prayer-Book is printed in very
+large type, with the Rubrics in red. Elegantly bound in antique calf, with
+vermillion edges, 2l. 2s.
+
+DAILY CHURCH SERVICES.
+
+In One Portable Volume, containing the Prayers and Lessons for Daily Use;
+or, the Course of Scripture Readings for the Year, authorised by the
+Church. Also, a Table of the Proper Lessons for Sundays and Holydays, with
+References to the Pages. Price 10s. 6d., bound; or 16s. in Hayday's
+morocco.
+
+    This volume will be found equally useful to those who read the Church
+    Service at home, as for those who use it at church, as the lessons and
+    services for every day are distinctly marked, forming a very suitable
+    book for a present. It is also kept by any respectable bookseller in a
+    variety of elegant bindings.
+
+OF THE IMITATION OF CHRIST. Four Books. By THOMAS à KEMPIS. A New Edition,
+revised, handsomely printed in fcap. 8vo., with Vignettes and red floriated
+borders taken from the ancient MSS. Cloth, 5s. Also in antique calf
+binding, vermillion edges, 10s. 6d.
+
+THE CALENDAR OF THE ANGLICAN CHURCH ILLUSTRATED. With brief Accounts of the
+Saints who have Churches dedicated in their Names, or whose Images are most
+frequently met with in England; the Early Christian and Mediæval Symbols:
+and an Index of Emblems. With numerous Woodcuts, Fcap. 8vo., 10s. 6d.; or
+bound in antique calf. 16s.
+
+A HISTORY of the CHURCH OF ENGLAND, to the REVOLUTION of 1688. By the late
+REV. J. B. S. CARWITHEN, B.D. A new Edition, edited by the REV. W. R.
+BROWELL, M.A., 2 vols. small 8vo., 12s.
+
+THE PILGRIM'S PROGRESS. By JOHN BUNYAN. A New Edition, adapted by the REV.
+J. M. NEALE, M.A., for the Use of Children of the Church of England. Fcap.
+8vo., handsomely bound in gilt cloth, with Woodcuts, 3s. 6d.
+
+TRACTS FOR THE CHRISTIAN SEASONS. First Series. Four Vols., cloth, 18s.
+
+TRACTS FOR THE CHRISTIAN SEASONS. Second Series. Four Vols., cloth, 15s.
+
+SERMONS FOR THE CHRISTIAN SEASONS. A Series of Plain Sermons for Sunday
+Reading. Four Vols., fcap. 8vo., 16s.
+
+A PLAIN COMMENTARY on the GOSPEL of ST. MATTHEW, with numerous
+Illustrations. Fcap. 8vo., 6s. 6d.
+
+WILSON'S SACRA PRIVATA. From the original MSS. Second Edition. Fcap. 8vo.,
+antique cloth, red edges, 6s.; antique calf, red edges, 12s.
+
+THE PSALTER AND THE GOSPEL. The Life, Suffering, and Triumph of our Blessed
+Lord, revealed in the Book of Psalms. Fcap. 8vo., uniform with the Plain
+Commentary on the Four Holy Gospels. 2s.
+
+    A selection of the most striking of the parallel passages contained in
+    the Psalter and the Gospel.
+
+SCOTLAND and the SCOTTISH CHURCH. By the REV. HENRY CASWALL, M.A., Vicar of
+Figheldean, Wilts; Author of "America and the American Church." &c. &c.,
+and a Proctor in Convocation for the Diocese of Salisbury. Fcap. 8vo., 5s.
+
+A SHORT EXPLANATION of the NICENE CREED, for the Use of Persons beginning
+the Study of Theology. By A. P. FORBES, D.C.L., Bishop of Brechin. Fcap
+8vo., cloth, 6s.
+
+TEN SERMONS IN ILLUSTRATION OF THE CREED. By the REV. W. G. TUPPER, Warden
+of the House of Charity, Soho; and late Scholar of Trinity College, Oxford.
+Fcap. 8vo., cloth, 4s.
+
+    "In his 'Sermons on the Creed,' Mr. Tupper has condensed, with much
+    painstaking, and an evident sense of deep responsibility, the dogmatic
+    teaching of the Church."--_Christian Remembrancer._
+
+A NEW EDITION of DAILY STEPS TOWARDS HEAVEN. A Small Pocket Volume,
+containing a few Practical Thoughts on the Gospel History; with Texts for
+every Day in the Year, commencing with Advent. Fifth Edition. In roan
+binding, gilt edges, 2s. 6d.
+
+DESCRIPTIONS OF CANAAN; being an Account of the Mountains, Rivers, and
+Towns of the Holy Land. By the REV. C. P. WILBRAHAM. Fcap. 8vo., with Map,
+cloth, 1s.
+
+*** This Manual is particularly adapted to the use of Parochial Schools.
+
+       *       *       *       *       *
+
+TALES AND STORIES FOR CHRISTMAS.
+
+OLD CHRISTMAS. A Tale. 16mo. 6d.
+
+THE SINGERS OF THE SANCTUARY, and the MISSIONARY. Two Tales. By the Author
+of "Angels' Work." 16mo. 2s. 6d.
+
+ANGELS' WORK; or, the Choristers of St. Mark's. Second Edition. 2s.
+
+ANN ASH; or, the History of a Foundling. A Narrative founded on Fact. By
+the Author of "Charlie Burton," "The Broken Arm," &c. 18mo. 2s.
+
+KENNETH; or, the Rear Guard of the Grand Army. By the Author of "Scenes and
+Characters," "Kings of England," "Heir of Redclyffe," &c. Second Edition.
+Fcap. 8vo. 5s.
+
+SPECULATION A Tale. By the REV. W. E. HEYGATE. Fcap. 8vo. 5s.
+
+PASTOR OF WELBOURNE AND HIS FLOCK. 18mo. 2s.
+
+LITTLE MARY. Third Edition. 18mo. 1s.
+
+HENRY VERNON; or, the Little Anglo-Indian. A New Edition. 18mo. 1s.
+
+ADA'S THOUGHTS; or, the Poetry of Youth. Fcap. 8vo., cloth, gilt edges, 2s.
+6d. (Just Ready.)
+
+       *       *       *       *       *
+
+SMALL BOOKS FOR PRESENTS.
+
+THE PRACTICAL CHRISTIAN'S LIBRARY: a Series of Cheap Publications for
+General Circulation.
+
+                                                  s. d.
+  Learn to Die (Sutton)                           1  0
+  Private Devotions (Spinckes)                    1  6
+  The Imitation of Christ (à Kempis)              1  0
+  Manual of Prayer for the Young (Ken)            0  6
+  The Golden Grove (Taylor)                       0  9
+  Life of Ambrose Bonwicke                        1  0
+  Life of Bishop Bull (Nelson)                    1  6
+  Companion to the Prayer Book                    1  0
+  Selections from Hooker (Keble)                  1  6
+  Practical Christian (Sherlock). Part I.
+  2s.; Part II. 2s.; 1 vol.                       4  0
+  Learn to Live (Sutton)                          2  0
+  Doctrine of the English Church (Heylin)         0  8
+  Holy Living (Bp. Taylor)                        1  6
+  Holy Dying (Bp. Taylor)                         1  6
+  Tracts on the Church (Jones of Nayland)         1  6
+  The Figurative Language of Holy Scripture
+  (Jones of Nayland)                              1  6
+  Confessions of St. Augustine                    1  6
+  Exposition of the Catechism (Nicholson)         1  6
+  Thoughts on Religion (Pascal)                   1  6
+  Wilson on the Lord's Supper                     1  0
+  Wilson's Sacra Privata                          1  0
+
+LITTLE BOOKS FOR PRESENTS,
+
+SELECTED FROM THE PAROCHIAL TRACTS.
+
+                                                  s. d.
+  Words of Advice and Warning, limp               1  6
+  Baptism, limp                                   1  0
+  The Chief Truths, limp                          1  0
+  The Church Service, limp                        1  6
+  The Holy Catholic Church, limp                  1  0
+  Tracts on the Ten Commandments, limp            1  0
+  Confirmation, limp                              1  0
+  The Lord's Supper, limp                         1  0
+  Meditation and Payer, limp                      1  0
+  Tracts for Female Penitents, limp               1  6
+  Tracts on the Prayer Book, cloth                3  0
+  Daily Office for the Use of Families, roan      1  0
+  Tales and Allegories, illustrated, cloth, gilt  3  6
+  Parochial Tales, cloth, gilt                    2  6
+  Tracts for Cottagers, cloth, gilt               2  0
+  Devotions for the Sick, cloth                   2  6
+
+
+       *       *       *       *       *
+
+THE PENNY POST for 1853 is now ready, bound in cloth, lettered, with
+Frontispiece, price 1s. 6d.
+
+       *       *       *       *       *
+
+JOHN HENRY PARKER, Oxford; and 377. Strand, London.
+
+       *       *       *       *       *
+
+
+Printed by THOMAS CLARK SHAW, of No. 10. Stonefield Street, in the Parish
+of St. Mary, Islington, at No. 5. New Street Square, in the Parish of St.
+Bride, in the City of London; and published by GEORGE BELL, of No. 186.
+Fleet Street, in the Parish of St. Dunstan in the West, in the City of
+London, Publisher, at No. 186. Fleet Street aforesaid.--Saturday, January
+7. 1854.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Number 219, January
+7, 1854, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES, QUERIES, JANUARY 7, 1854 ***
+
+***** This file should be named 27614-8.txt or 27614-8.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/2/7/6/1/27614/
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/27614-8.zip b/27614-8.zip
new file mode 100644
index 0000000..da90379
--- /dev/null
+++ b/27614-8.zip
diff --git a/27614-h.zip b/27614-h.zip
new file mode 100644
index 0000000..5dadb9e
--- /dev/null
+++ b/27614-h.zip
diff --git a/27614-h/27614-h.htm b/27614-h/27614-h.htm
new file mode 100644
index 0000000..a928502
--- /dev/null
+++ b/27614-h/27614-h.htm
@@ -0,0 +1,4612 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+  <head>
+    <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+    <title>
+      Notes And Queries, Issue 219.
+    </title>
+
+    <style type="text/css">
+
+<!--
+  body                    {margin-left: 10%; margin-right: 10%; text-align: justify;}
+  p.center                {text-align: center;}
+  blockquote              {text-align: justify;}
+  blockquote.b2n          {margin-left: 4em; margin-right: 4em; }
+  h1,h2,h3,h4,h5,h6       {text-align: center;}
+  pre                     {font-size: 0.7em;}
+
+  hr                      {text-align: center; width: 50%;}
+  html>body hr            {margin-right: 25%; margin-left: 25%; width: 50%;}
+  hr.full                 {width: 100%;}
+  html>body hr.full       {margin-right: 0%; margin-left: 0%; width: 100%;}
+  hr.adverts              {width: 100%; height: 5px; color: black;}
+  html>body hr.adverts    {margin-right: 0%; margin-left: 0%; width: 100%;}
+
+  .note, .footnote        {margin-left: 10%; margin-right: 10%;
+                          font-size: 0.9em;}
+
+   table.nob              {border-collapse: collapse; margin-left: 4em}
+   table.nobctr           {margin-left: auto; margin-right: auto;}
+   table.allb             {border : thin solid black; border-collapse: collapse; margin-left: 4em}
+   table.allbnomar        {border : thin solid black; border-collapse: collapse;}
+   table.nomar            {margin-left: 0em}
+   td.nob                 {padding-left: 0.5em; padding-right: 0.5em;}
+   td.allb                {border : thin solid black; padding-left: 0.5em; padding-right: 0.5em;}
+   td.rightb              {border-right : thin solid black;
+				padding-left: 0.5em; padding-right: 0.5em; padding-bottom: 1ex; }
+   td.leftb               {border-left : thin solid black;
+				padding-left: 0.5em; padding-right: 0.5em; padding-bottom: 1ex; }
+   td.vertb               {border-left : thin solid black; border-right : thin solid black;
+				padding-left: 0.5em; padding-right: 0.5em; padding-bottom: 1ex; }
+   td.vertbotb            {border-left : thin solid black; border-right : thin solid black; border-bottom : thin solid black;
+				padding-left: 0.5em; padding-right: 0.5em; }
+   td.vertbsing		  {border-left : thin solid black; border-right : thin solid black; padding-left: 0.5em; padding-right: 0.5em; }
+   td.vertbotbsing	  {border-left : thin solid black; border-right : thin solid black; border-bottom : thin solid black;
+				padding-left: 0.5em; padding-right: 0.5em; }
+  .single p               {margin: 0;}
+  .contents               {margin-left:30%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+  .contents .stanza       {margin: 1em 0em 1em 0em;}
+  .contents p             {margin: 0; padding-left: 3em; text-indent: -3em;}
+  .poem                   {margin-left:10%; margin-right:10%; text-align: left;}
+  .poem .stanza           {margin: 1em 0em 1em 0em;}
+  .poem p                 {margin: 0; padding-left: 3em; text-indent: -3em;}
+        p.hg3             {margin-left: -0.3em;}
+        p.hg1             {margin-left: -0.1em;}
+        p.i1              {margin-left: 1em;}
+        p.i1hg1           {margin-left: 0.9em;}
+        p.i1hg3           {margin-left: 0.7em;}
+        p.i2              {margin-left: 2em;}
+        p.i2hg1           {margin-left: 1.9em;}
+        p.i2hg3           {margin-left: 1.7em;}
+        p.i3              {margin-left: 3em;}
+        p.i4              {margin-left: 4em;}
+        p.i4hg1           {margin-left: 3.9em;}
+        p.i4hg3           {margin-left: 3.7em;}
+        p.i6              {margin-left: 6em;}
+        p.i6hg3           {margin-left: 5.7em;}
+        p.i6hg1           {margin-left: 5.9em;}
+        p.i8              {margin-left: 8em;}
+        p.i8hg3           {margin-left: 7.7em;}
+        p.i12             {margin-left: 12em;}
+        p.i12hg3          {margin-left: 11.7em;}
+        p.i12hg1          {margin-left: 11.9em;}
+        p.i10             {margin-left: 10em;}
+        p.i10hg3          {margin-left: 9.7em;}
+        p.i16             {margin-left: 16em;}
+  .poem .caesura          {vertical-align: -200%;}
+  .figure, .figcenter, .figright, .figleft
+              {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+  .figure img, .figcenter img, .figright img, .figleft img
+              {border: none;}
+  .figcenter {margin: auto;}
+  .figright  {float: right;}
+  .figleft   {float: left;}
+
+  .linenum  {position: absolute; top: auto; left: 60%;} /* poetry number */
+
+  span.pagenum            {position: absolute; left: 1%; right: 91%; font-size: 8pt; font-style: normal;}
+  span.correction         {border-bottom: thin dotted red;}
+  span.special            {border-bottom: thin dotted green;}
+  span.over               {text-decoration: overline;}
+
+  .sc                     {font-variant: small-caps; }
+  .scac                   {font-size: small;}
+  .grk                    {font-style: normal; font-family:"Palatino Linotype","New Athena Unicode",Gentium,"Lucida Grande", Galilee, "Arial Unicode MS", sans-serif;}
+  .saxon                  {font-style: normal;
+				font-family:sans-serif;}
+
+  p.author                {text-align: right;  margin-top: -1em;}
+  p.address               {margin-top: -0.5em;}
+    .cenhead              {text-align: center;  margin-top: 1em;}
+  img.middle              { border: none; vertical-align: middle }
+
+    // -->
+    </style>
+   </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Notes and Queries, Number 219, January 7,
+1854, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Number 219, January 7, 1854
+       A Medium of Inter-communication for Literary Men, Artists,
+              Antiquaries, Genealogists, etc
+
+Author: Various
+
+Other: George Bell
+
+Release Date: December 25, 2008 [EBook #27614]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES, QUERIES, JANUARY 7, 1854 ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+
+
+
+
+</pre>
+
+<p><!-- Page 1 --><span class="pagenum"><a name="page1"></a>{1}</span></p>
+
+<h1>NOTES AND QUERIES:</h1>
+
+<h2>A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.</h2>
+
+<h3><b>"When found, make a note of."</b>&mdash;<span class="sc">Captain Cuttle</span>.</h3>
+
+<hr class="full" />
+
+
+<table width="100%" class="nomar" summary="masthead" title="masthead">
+  <tr>
+    <td style="text-align:left; width:25%">
+      <p><b><span class="sc">Vol.</span> IX.&mdash;No. 219.</b></p>
+    </td>
+    <td style="text-align:center; width:50%">
+      <p><b><span class="sc">Saturday, January 7. 1854</span></b></p>
+    </td>
+    <td style="text-align:right; width:25%">
+      <p><b>Price Fourpence.<br />Stamped Edition 5<i>d.</i></b></p>
+    </td>
+  </tr>
+</table>
+
+<hr class="full" />
+
+<h2>CONTENTS.</h2>
+
+
+<table width="100%" class="nomar" summary="Contents" title="Contents">
+  <tr>
+    <td style="text-align:left; width:94%">
+    </td>
+    <td style="text-align:right; width:5%">
+      <p>Page</p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Our Ninth Volume</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page3">3</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p><span class="sc">Notes</span>:&mdash;</p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>A Strawberry-Hill Gem, by Bolton Corney</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page3">3</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>The "Ancren Riwle," by Sir F. Madden</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page5">5</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Order for the Suppression of Vagrancy, <span
+      class="scac">A.D.</span> 1650-51, by John Bruce</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page6">6</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Letters of Eminent Literary Men, by Sir Henry Ellis</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page7">7</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Burial-place of Archbishop Leighton, by Albert Way</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page8">8</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p><span class="sc">Minor Notes</span>:&mdash;Grammars, &amp;c. for
+      Public Schools&mdash;"To captivate"&mdash;Bohn's Edition of Matthew
+      of Westminster&mdash;French Season Rhymes and Weather
+      Rhymes&mdash;Curious Epitaph in Tillingham Church, Essex</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page8">8</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p><span class="sc">Queries</span>:&mdash;</p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Domestic Letters of Edmund Burke</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page9">9</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p><span class="sc">Minor Queries</span>:&mdash;Farrant's
+      Anthem&mdash;Ascension Day Custom&mdash;Sawbridge and Knight's
+      Numismatic Collections&mdash;"The spire whose silent finger points to
+      heaven."&mdash;Lord Fairfax&mdash;Tailless
+      Cats&mdash;Saltcellar&mdash;Arms and Motto granted to Col. William
+      Carlos&mdash;Naval Atrocities&mdash;Turlehydes&mdash;Foreign Orders:
+      Queen of Bohemia&mdash;Pickard Family&mdash;Irish
+      Chieftains&mdash;General Braddock</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page9">9</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p><span class="sc">Minor Queries with Answers</span>:&mdash;Lawless
+      Court, Rochford, Essex&mdash;Motto on old Damask&mdash;Explanation of
+      the Word "Miser"&mdash;"Acis and
+      Galatea"&mdash;Birm-bank&mdash;General Thomas Gage</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page11">11</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p><span class="sc">Replies</span>:&mdash;</p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Rapping no Novelty, by Rev. Dr. Maitland</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page12">12</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Occasional Forms of Prayer, by John Macray</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page13">13</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Celtic and Latin Languages</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page14">14</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Geometrical Curiosity, by Professor De Morgan</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page14">14</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>The Black-guard, by P. Cunningham</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page15">15</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>The Calves' Head Club, by Edward Peacock</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page15">15</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p><span class="sc">Photographic Correspondence</span>:&mdash; The
+      Calotype Process&mdash;Hockin's Short Sketch&mdash;Photographic
+      Society's Exhibition</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page16">16</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p><span class="sc">Replies to Minor Queries</span>:&mdash;"Firm was
+      their faith," &amp;c.&mdash;Vellum-cleaning&mdash;Wooden
+      Tombs&mdash;Solar Eclipse in the Year 1263&mdash;Lines on
+      Woman&mdash;Satin&mdash;"Quid facies,"
+      &amp;c.&mdash;Sotades&mdash;The Third Part of
+      "Christabel"&mdash;Attainment of Majority&mdash;Lord Halifax and Mrs.
+      C. Barton&mdash;The fifth Lord Byron&mdash;Burton
+      Family&mdash;Provost Hodgson's Translation of the Atys of Catullus,
+      &amp;c.</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page17">17</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p><span class="sc">Miscellaneous</span>:&mdash;</p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Notes on books, &amp;c.</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page21">21</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Books and Odd Volumes wanted</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page21">21</a></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td style="text-align:left">
+      <p>Notices to Correspondents</p>
+    </td>
+    <td style="text-align:right">
+      <p><a href="#page22">22</a></p>
+    </td>
+  </tr>
+</table>
+
+<hr class="full" />
+
+  <p>THE SACRED GARLAND, or THE CHRISTIAN'S DAILY DELIGHT.</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Pluck a Flower."</p>
+    </div>
+  </div>
+
+  <p>A New Edition of the above excellent and popular work will shortly be
+  published in large type, crown 8vo., and may be obtained of any
+  respectable bookseller in town or country.</p>
+
+  <p>MILNER &amp; SOWERBY, Halifax.</p>
+
+<hr class="full" />
+
+  <p>QUEENWOOD COLLEGE, NEAR STOCKBRIDGE, HANTS.</p>
+
+  <p><i>Principal</i>&mdash;GEORGE EDMONDSON.</p>
+
+  <p><i>Mathematics and Natural Philosophy</i>.&mdash;Dr. Thos. A. Hirst,
+  of the Universities of Marburg and Berlin.</p>
+
+  <p><i>Chemistry</i>&mdash;Dr. H. Debus, late Assistant in the Laboratory
+  of Professor Bunsen, and Chemical Lecturer in the University of
+  Marburg.</p>
+
+  <p><i>Classics and History.</i>&mdash;Mr. John S. Mummery, L.C.P.</p>
+
+  <p><i>Modern Languages and Foreign Literature.</i>&mdash;Mr. John Haas,
+  from M. de Fellenberg's Institution, Hofwyl, Switzerland.</p>
+
+  <p><i>Geodesy.</i>&mdash;Mr. Richard P. Wright.</p>
+
+  <p><i>Painting and Drawing.</i>&mdash;Mr. Richard P. Wright.</p>
+
+  <p><i>English, and Junior Mathematics.</i>&mdash;Frederick Iliff, M.A.,
+  late Scholar of Trinity College, Cambridge, and M.C.P.</p>
+
+  <p><i>Ditto.</i>&mdash;Mr. William Singleton.</p>
+
+  <p><i>Music.</i>&mdash;Mr. William Cornwall.</p>
+
+<table class="nob">
+<tr><td style="text-align:center" colspan="4">TERMS.</td></tr>
+<tr><td>For Boys</td><td>under 12 years of age &nbsp; &nbsp;</td><td>40<i>l.</i></td><td>per ann.</td></tr>
+<tr><td style="text-align:center">"</td><td>from 12 to 16</td><td>50</td><td style="text-align:center">"</td></tr>
+<tr><td style="text-align:center">"</td><td>above 16</td><td>60</td><td style="text-align:center">"</td></tr>
+</table>
+
+  <p>For further information see Prospectus, to be had of the
+  Principal.</p>
+
+  <p>The First Session of 1854 commences on the 26th of January.</p>
+
+<hr class="full" />
+
+  <p>PRINCE OF WALES'S SKETCH-BOX.&mdash;Containing Colours, Pencils,
+  &amp;c., with printed directions, as now used by the Royal Family. Price
+  5<i>s.</i></p>
+
+  <p>MILLER'S, Artist's Colour Manufacturer, 56 Long Acre, London: and at
+  her Majesty's Steam Colour and Pencil Works, Pimlico.</p>
+
+<hr class="full" />
+
+  <p>CHRISTMAS PRESENTS&mdash;EXPERIMENTAL CHEMISTRY.</p>
+
+  <p>AMUSEMENT FOR LONG EVENINGS, by means of STATHAM'S Chemical Cabinets
+  and Portable Laboratories, 5<i>s.</i> 6<i>d.</i>, 7<i>s.</i> 6<i>d.</i>,
+  10<i>s.</i> 6<i>d.</i>, 21<i>s.</i>, 31<i>s.</i> 6<i>d.</i>, 42<i>s.</i>,
+  63<i>s.</i>, and upwards. Book of Experiments, 6<i>d.</i> "Illustrated
+  Descriptive Catalogue" forwarded Free for Stamp.</p>
+
+  <p>WILLIAM E. STATHAM, Operative Chemist, 29c. Rotherfield Street,
+  Islington, London, and of Chemists and Opticians everywhere.</p>
+
+<hr class="full" />
+
+  <p>DO YOU BRUISE YOUR OATS YET? New Oat Crushers, 2<i>l.</i> 15<i>s.</i>
+  6<i>d.</i>, ditto 4<i>l.</i> 5<i>s.</i> 6<i>d.</i>; Chaff Cutters,
+  1<i>l.</i> 7<i>s.</i> 6<i>d.</i>, ditto 2<i>l.</i> 19<i>s.</i> 6<i>d.</i>
+  Mangles, 2<i>l.</i> 10<i>s.</i> 6<i>d.</i>; Flour Mills, 4<i>l.</i>
+  10<i>s.</i> 6<i>d.</i></p>
+
+  <p>MARY WEDLAKE &amp; CO., 118. Fenchurch Street.</p>
+
+<hr class="full" />
+
+  <p>SURREY ARCHÆOLOGICAL SOCIETY.</p>
+
+  <p><span class="sc">President.</span>&mdash;His Grace the Duke of
+  Norfolk.</p>
+
+  <p>Gentlemen desiring to join the Society, are informed that Copies of
+  the Rules, List of Members (upwards of 250), and Forms of Application for
+  Admission, may be obtained from the Honorary Secretary.</p>
+
+<table class="nobctr">
+<tr><td>&nbsp;</td><td>£.</td><td style="text-align:right"><i>s.</i></td></tr>
+<tr><td>Annual Subscription</td><td style="text-align:right">0</td><td style="text-align:right">10</td></tr>
+<tr><td>Composition for Life&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td><td style="text-align:right">5</td><td style="text-align:right">0</td></tr>
+</table>
+
+  <p>On and after January 1, 1854, an entrance fee of 10<i>s.</i> will be
+  required, from which those Members who join the Society during the
+  present month will be exempt.</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p>GEORGE BISH WEBB,</p>
+      <p class="i4">Honorary Secretary.</p>
+    </div>
+  </div>
+
+  <p>46. Addison Road North, Notting Hill.</p>
+
+<hr class="full" />
+
+  <p>PHOTOGRAPHIC INSTITUTION.&mdash;An EXHIBITION of PICTURES, by the most
+  celebrated French, Italian, and English Photographers, embracing Views of
+  the principal Countries and Cities of Europe, is now OPEN. Admission
+  6<i>d.</i> A Portrait taken by MR. TALBOT'S Patent Process, One Guinea;
+  Three extra Copies for 10<i>s.</i></p>
+
+  <p>PHOTOGRAPHIC INSTITUTION, 168. NEW BOND STREET.</p>
+
+<hr class="full" />
+
+  <p>PHOTOGRAPHIC SOCIETY.&mdash;The Exhibition of Photographs,
+  Daguerreotypes, &amp;c., by the best British and Foreign Photographers,
+  is now open daily at the Rooms of the Society of British Artists, Suffolk
+  Street, Pall Mall. Members are admitted without payment. Admission, One
+  Shilling. Catalogues Sixpence.</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p>ROGER FENTON, <i>Hon. Sec.</i></p>
+    </div>
+  </div>
+
+  <p>4th Jan. 1854.</p>
+
+<hr class="full" />
+
+  <p>PHYSIOGNOMY OF INSANITY.&mdash;A Series of Photographic Portraits from
+  the Life,</p>
+
+  <p>By DR. HUGH W. DIAMOND, F.S.A.,</p>
+
+  <p>with brief Medical Notes. To be published in occasional Parts, small
+  quarto.</p>
+
+  <p>S. HIGHLEY, 32. Fleet Street.</p>
+
+<hr class="full" />
+
+  <p>Will be published on the 10th instant, price 4<i>d.</i> No. I. of
+  the</p>
+
+  <p>LIVERPOOL PHOTOGRAPHIC JOURNAL. Conducted by the Members of the
+  Liverpool Photographic Society.</p>
+
+  <p>Published by HENRY GREENWOOD, 16. Canning Place, Liverpool (by whom
+  Advertisements will be received) and may be had through all
+  Booksellers.</p>
+
+<hr class="full" />
+
+  <p>HEAL &amp; SON'S EIDER DOWN QUILT is the warmest, the lightest and the
+  most elegant Covering for the Bed, the Couch, or the Carriage; and for
+  Invalids, its comfort cannot be too highly appreciated. It is made in
+  Three Varieties, of which a large Assortment can be seen at their
+  Establishment. List of Prices of the above, together with the Catalogue
+  of Bedsteads, sent Free by Post.</p>
+
+  <p>HEAL &amp; SON, Bedstead and Bedding Manufacturers, 196. Tottenham
+  Court Road.</p>
+
+<hr class="full" />
+
+<p><!-- Page 2 --><span class="pagenum"><a name="page2"></a>{2}</span></p>
+
+  <p>NEW WORKS.</p>
+
+  <p>THE EDINBURGH REVIEW, No. CCI., JANUARY, 1854. 8vo., price
+  6<i>s.</i></p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="i6"><span class="sc">Contents</span>:</p>
+      <p>1. Lord John Russell's Memorials of Mr. Fox, and the Rockingham Papers.</p>
+      <p>2. The Blind: their Works and Ways.</p>
+      <p>3. Public Works in the Presidency of Madras.</p>
+      <p>4. Ecclesiastical Economy.</p>
+      <p>5. Education for the Rich and Poor.</p>
+      <p>6. Thackeray's Works.</p>
+      <p>7. The Machinery of Parliamentary Legislation.</p>
+      <p>8. The Ottoman Empire.</p>
+    </div>
+  </div>
+
+  <p>LORD HOLLAND'S MEMOIRS OF THE WHIG PARTY. Edited by his Son, HENRY
+  EDWARD LORD HOLLAND. Vol. II. Post 8vo. Price 9<i>s.</i> 6<i>d.</i></p>
+
+  <p>MEMOIRS, JOURNAL, and CORRESPONDENCE of THOMAS MOORE. Edited by the
+  RIGHT HON. LORD JOHN RUSSELL, M.P. With Portraits and Vignettes. Vols. V.
+  and VI., post 8vo., price 21<i>s.</i></p>
+
+  <p>LETTERS OF RACHEL LADY RUSSELL. A New Edition, including several
+  unpublished Letters; together with those edited by Miss Berry. With
+  Portraits, Vignettes, and Fac-simile. 2 vols. post 8vo., price
+  15<i>s.</i></p>
+
+  <p>A DEFENCE of the "Eclipse of Faith." by its Author; being a Rejoinder
+  to Professor Newman's "Reply." Post 8vo., price 5<i>s.</i> 6<i>d.</i></p>
+
+  <p>ZOHRAB: or, a Midsummer Day's Dream: and other Poems. By WILLIAM
+  THOMAS THORNTON, Author of "An Essay on Over-Population," "A Plea for
+  Peasant Proprietors," &amp;c. Fcp. 8vo., price 4<i>s.</i> 6<i>d.</i></p>
+
+  <p>REMAINS, LEGENDARY and POETICAL, of JOHN ROBY, Author of "Traditions
+  of Lancashire." With a Sketch of his Literary Life and Character, by his
+  Widow. Post 8vo. (<i>In January.</i>)</p>
+
+  <p>BOWDLER'S FAMILY SHAKSPEARE. A New Edition, in Volumes for the Pocket.
+  6 Vols. fcap. 8vo., price 5<i>s.</i> each.</p>
+
+  <p>AUTOBIOGRAPHY of B. R. HAYDON, Historical Painter. Edited, and
+  continued to his Death, from his own Journals, by TOM TAYLOR, M.A., of
+  the Inner Temple, Esq. Second Edition, with Additions. 3 vols. post 8vo.,
+  price 31<i>s.</i> 6<i>d.</i></p>
+
+  <p>MAUNDER'S BIOGRAPHICAL TREASURY. A New Edition, thoroughly revised,
+  and brought down to the year 1854, by the insertion of numerous
+  additional Memoirs. Fcap. 8vo. (<i>In January</i>.)</p>
+
+  <p>Sir JAMES MACKINTOSH'S HISTORY of ENGLAND, from the Earliest Times to
+  the final Establishment of the Reformation. A New Library Edition,
+  revised by the Author's Son. 2 vols. 8vo., price 21<i>s.</i></p>
+
+  <p>MR. MACAULAY'S CRITICAL AND HISTORICAL ESSAYS, contributed to the
+  "Edinburgh Review." New Editions, as follows:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p>1. Library Edition, 3 vols. 8vo., price 36<i>s.</i></p>
+      <p>2. Complete in One Volume, with Portrait and Vignette, square crown 8vo., price 21<i>s.</i>; calf, 30<i>s.</i></p>
+      <p>3. Another Edition, in 3 vols., fcap. 8vo., price 21<i>s.</i></p>
+    </div>
+  </div>
+
+  <p>A GUIDE TO GEOLOGY. By JOHN PHILLIPS, F.R.S., F.G.S. Deputy Reader in
+  Geology in the University of Oxford, &amp;c. New Edition (1854),
+  corrected to the Present Time; with 4 Plates. Fcp. 8vo., price
+  5<i>s.</i></p>
+
+  <p>PROFESSOR BRANDE'S DICTIONARY of SCIENCE, LITERATURE, and ART. A New
+  Edition, corrected; with a Supplement and Woodcuts, 8vo. price
+  3<i>l.</i></p>
+
+  <p>London: LONGMAN, BROWN, GREEN, &amp; LONGMANS.</p>
+
+<hr class="full" />
+
+  <p>ARCHÆOLOGICAL WORKS <span class="scac">BY</span> JOHN YONGE
+  AKERMAN,</p>
+
+  <p>FELLOW AND SECRETARY OF THE SOCIETY OF ANTIQUARIES OF LONDON.</p>
+
+  <p>AN ARCHÆOLOGICAL INDEX to Remains of Antiquity of the Celtic,
+  Romano-British, and Anglo-Saxon Periods. 1 vol. 8vo., price 15<i>s.</i>
+  cloth, illustrated by numerous Engravings, comprising upwards of five
+  hundred objects.</p>
+
+  <p>A NUMISMATIC MANUAL, 1 vol. 8vo., price One Guinea.</p>
+
+  <p>*** The Plates which illustrate this Volume are upon a novel plan, and
+  will, at a glance, convey more information regarding the types of Greek,
+  Roman, and English Coins, than can be obtained by many hours' careful
+  reading. Instead of a fac-simile Engraving being given of that which is
+  already an enigma to the tyro, the most striking and characteristic
+  features of the Coin are dissected and placed by themselves, so that the
+  eye soon becomes familiar with them.</p>
+
+  <p>A DESCRIPTIVE CATALOGUE of Rare and Unedited Roman Coins, from the
+  Earliest Period to the taking of Rome under Constantine Paleologos. 2
+  vols. 8vo., numerous Plates, 30<i>s.</i></p>
+
+  <p>COINS OF THE ROMANS relating to Britain. 1 vol. 8vo. Second Edition,
+  with an entirely new set of Plates, price 10<i>s.</i> 6<i>d.</i></p>
+
+  <p>ANCIENT COINS of CITIES and Princes, Geographically arranged and
+  described, containing the Coins of Hispania, Gallia, and Britannia, with
+  Plates of several hundred examples. 1 vol. 8vo., price 18<i>s.</i></p>
+
+  <p>NEW TESTAMENT, Numismatic Illustrations of the Narrative Portions of
+  the.&mdash;Fine paper, numerous Woodcuts from the original Coins in
+  various Public and Private Collections. 1 vol. 8vo., price 5<i>s.</i>
+  6<i>d.</i></p>
+
+  <p>AN INTRODUCTION TO THE STUDY of ANCIENT and MODERN COINS. In 1 vol.
+  fcp. 8vo., with numerous Wood Engravings from the original Coins, price
+  6<i>s.</i> 6<i>d.</i> cloth.</p>
+
+<blockquote class="b1n">
+
+  <p><span class="sc">Contents</span>:&mdash;Section 1. Origin of
+  Coinage&mdash;Greek Regal Coins. 2. Greek Civic Coins. 3. Greek Imperial
+  Coins. 4. Origin of Roman Coinage&mdash;Consular Coins. 5. Roman Imperial
+  Coins. 6. Roman British Coins. 7. Ancient British Coinage. 8. Anglo-Saxon
+  Coinage. 9. English Coinage from the Conquest. 10. Scotch Coinage. 11.
+  Coinage of Ireland. 12. Anglo-Gallic Coins. 13. Continental Money in the
+  Middle Ages. 14. Various Representatives of Coinage. 15. Forgeries in
+  Ancient and Modern Times. 16. Table of Prices of English Coins realised
+  at Public Sales.</p>
+
+</blockquote>
+
+  <p>TRADESMEN'S TOKENS, struck in London and its Vicinity, from the year
+  1648 to 1672 inclusive. Described from the Originals in the Collection of
+  the British Museum, &amp;c. 15<i>s.</i></p>
+
+  <p>REMAINS OF PAGAN SAXONDOM, principally from Tumuli in England.
+  Publishing in 4to., in Numbers, at 2<i>s.</i> 6<i>d.</i> With coloured
+  Plates.</p>
+
+  <p>A GLOSSARY OF PROVINCIAL WORDS and PHRASES in Use in Wiltshire. 12mo.,
+  3<i>s.</i></p>
+
+  <p>THE NUMISMATIC CHRONICLE is published Quarterly. Price 3<i>s.</i>
+  6<i>d.</i> each Number.</p>
+
+  <p>JOHN RUSSELL SMITH, 36. Soho Square, London.</p>
+
+<hr class="full" />
+
+<p class="cenhead"><span class="sc">Albemarle Street</span>. <i>January</i>, 1854.</p>
+
+<h3>MR. MURRAY'S FORTHCOMING WORKS.</h3>
+
+<hr class="short" />
+
+<p class="cenhead">I.</p>
+
+  <p>MURRAY'S BRITISH CLASSICS. Being a Series of newly edited and
+  beautifully printed Demy Octavo Library Editions of Standard English
+  Authors, from the most correct Text. Vol. I. 8vo. 7<i>s.</i> 6<i>d.</i>
+  (To be continued in Monthly Volumes.) (<i>This Day.</i>)</p>
+
+<p class="cenhead">II.</p>
+
+  <p>WORKS OF GOLDSMITH, printed from the last Editions revised by the
+  Author. New Edition. Edited by PETER CUNNINGHAM, F.S.A. Vignettes. (To be
+  completed in 4 vols.) Vol. I. 8vo. 7<i>s.</i> 6<i>d.</i> (Forming the
+  1<i>st Volume</i> of MURRAY'S BRITISH CLASSICS.) (<i>Ready.</i>)</p>
+
+<p class="cenhead">III.</p>
+
+  <p>GIBBON'S ROMAN EMPIRE: With Notes by DEAN MILMAN and M. GUIZOT. New
+  Edition. Most carefully compared, verified, and Edited, BY DR. WILLIAM
+  SMITH. Maps. (To be completed in 8 vols.) Vol. I. 8vo. 7<i>s.</i>
+  6<i>d.</i> (Forming the <i>2nd Volume</i> of MURRAY'S BRITISH CLASSICS.)
+  (<i>On Feb. 2nd.</i>)</p>
+
+<p class="cenhead">IV.</p>
+
+  <p>THE TREASURES OF ART IN GREAT BRITAIN. Being an Account of the chief
+  Collections of Paintings, Sculptures, Miniatures, &amp;c., in England. By
+  DR. WAAGEN, Director of the Royal Gallery of Pictures at Berlin. 3 vols.
+  8vo.</p>
+
+<p class="cenhead">V.</p>
+
+  <p>HIMALAYAN JOURNALS; or, THE NOTES OF AN ORIENTAL NATURALIST IN BENGAL,
+  THE SIKHIM AND NEPAL HIMALAYAS, THE KHASIA MOUNTAINS, ETC. By DR. JOSEPH
+  DALTON HOOKER. With Map, Coloured Plates, and Woodcuts. 2 vols. 8vo.</p>
+
+<p class="cenhead">VI.</p>
+
+  <p>SILURIA; or, a VIEW of the SILURIAN and other PRIMEVAL ROCKS, and
+  their IMBEDDED REMAINS. By SIR RODERICK MURCHISON. With Coloured Map,
+  numerous Plates and Woodcuts. 8vo.</p>
+
+<p class="cenhead">VII.</p>
+
+  <p>HISTORY OF LATIN CHRISTIANITY, and that of the POPES. By REV. H.&nbsp;H.
+  MILMAN, D.D., Dean of St. Paul's. 3 vols. 8vo.</p>
+
+<p class="cenhead">VIII.</p>
+
+  <p>SUNLIGHT THROUGH THE MIST: or, PRACTICAL LESSONS drawn from the LIVES
+  of GOOD MEN. A Sunday Book for Children. Woodcuts, 16mo. 3<i>s.</i>
+  6<i>d.</i> (<i>Ready.</i>)</p>
+
+<p class="cenhead">IX.</p>
+
+  <p>KUGLER'S HANDBOOK OF PAINTING. (The GERMAN, DUTCH, FRENCH, and SPANISH
+  SCHOOLS.) Edited by SIR EDMUND HEAD. With Illustrations. 2 vols. Post
+  8vo. 24<i>s.</i></p>
+
+<p class="cenhead">X.</p>
+
+  <p>FARINI'S HISTORY OF THE ROMAN STATE. Translated from the Italian, by a
+  LADY, under the Direction of the RIGHT HON. W.&nbsp;E. GLADSTONE, M.P. Vol.
+  IV. (completing the Work). 8vo.</p>
+
+<p class="cenhead">XI.</p>
+
+  <p>HISTORY OF YUCATAN, from its Discovery to the Close of the 17th
+  Century. By C. ST. JOHN FANCOURT, recently H.M. Superintendent of the
+  British Settlements in the Bay of Honduras. With Map. 8vo. (<i>Uniform
+  with Prescott's Mexico.</i>)</p>
+
+<p class="cenhead">XII.</p>
+
+  <p>THE CONSTITUTION OF THE UNITED STATES COMPARED WITH OUR OWN. By H.&nbsp;S.
+  TREMENHEERE. Post 8vo.</p>
+
+<hr class="full" />
+
+<p><!-- Page 3 --><span class="pagenum"><a name="page3"></a>{3}</span></p>
+
+<p class="cenhead"><i>LONDON, SATURDAY, JANUARY</i> 7, 1854.</p>
+
+<hr />
+
+<h3>OUR NINTH VOLUME.</h3>
+
+  <p>The commencement of a New Year, and of our Ninth Volume, imposes upon
+  Us the pleasant duty of wishing many happy returns of the season to all
+  our Friends, Correspondents, and Readers.</p>
+
+  <p>Those of the latter class, who have so earnestly impressed upon Us the
+  propriety and advisableness of placing our Advertisements on the outside
+  leaves of each Number, will see that their wishes have at length been
+  complied with. We trust they will be pleased with this change, and
+  receive it as a proof of our readiness to attend to every reasonable
+  suggestion for the improve of "<span class="sc">Notes and
+  Queries</span>." We can assure them that it is no less our desire to do
+  so than our interest.</p>
+
+<hr class="full" />
+
+<h2>Notes.</h2>
+
+<h3>A STRAWBERRY-HILL GEM.</h3>
+
+<blockquote class="b1n">
+
+  <p>"<i>Pour qui se donne la peine de chercher, il y a toujours quelque
+  trouvaille à faire, même dans ce qui a été le plus
+  visité</i>.&mdash;Henry <span class="sc">Patin.</span></p>
+
+</blockquote>
+
+  <p>I take up a work of European celebrity, and reflect awhile on its
+  bibliographic peculiarities&mdash;which may almost pass for romance.</p>
+
+  <p>It is a <i>Scottish</i> work with regard to the family connexion of
+  its author: it is an <i>Irish</i> work with regard to the place of his
+  nativity. It is an <i>English</i> work as to the scenes which it
+  represents; a <i>French</i> work as to the language in which it was
+  written; a <i>Dutch</i> work as to the country in which it came to light.
+  It was formerly printed anonymously: it has since borne the name of its
+  author. It was formerly printed for public sale: it has been twice
+  printed for private circulation. It was formerly classed as fiction: it
+  is now believed to be history.</p>
+
+  <p>But we have too many enigmas in the annals of literature, and I must
+  not add to the number. The work to which I allude is the <i>Mémoires du
+  comte de Grammont par le comte Antoine Hamilton</i>.</p>
+
+  <p>The various indications of a projected re-impression of the work
+  remind me of my <i>portefeuille Hamiltonien</i>, and impose on me the
+  task of a partial transcription of its contents.</p>
+
+  <p>Of the numerous editions of the <i>Mémoires de Grammont</i> as
+  recorded by Brunet, Renouard, or Quérard, or left unrecorded by those
+  celebrated bibliographers, I shall describe only four; which I commend to
+  the critical examination of future editors:</p>
+
+<blockquote class="b1n">
+
+  <p>1. "<i>Mémoires de la vie du comte de Grammont; contenant
+  particuliérement l'histoire amoureuse de la cour d'Angleterre, sous le
+  regne de Charles II.</i> A Cologne, chez Pierre Marteau, 1713.
+  12<sup>o</sup>, pp. 4 + 428.</p>
+
+  <p>"<span class="sc">Avis du libraire.</span>&mdash;Il seroit inutile de
+  recommander ici la lecture des mémoires qui composent ce volume: le titre
+  seul de <i>Mémoires du comte de Grammont</i> réveillera sans doute la
+  curiosité du public pour un homme qui lui est déjà si connu d'ailleurs,
+  tant par la réputation qu'il a sçu se faire, que par les différens
+  portraits qu'en ont donnez Mrs. de Bussi et de St. Evremont, dans leurs
+  ouvrages; et l'on ne doute nullement qu'il ne reçoive, avec beaucoup de
+  plaisir, un livre, dans lequel on lui raconte ses avantures, sur ce qu'il
+  en a bien voulu raconter lui-même à celui qui a pris la peine de dresser
+  ces mémoires.</p>
+
+  <p>"Outre les avantures du comte de Grammont, ils contiennent
+  particuliè[re]ment l'histoire amoureuse de la cour d'Angleterre, sous le
+  regne de Charles II; et, comme on y découvre quantité de choses, qui ont
+  été tenues cachées jusqu'à présent, et qui font voir jusqu'à quel excès
+  on a porté le déréglement dans cette cour, ce n'est pas le morceau le
+  moins intéressant de ces mémoires.</p>
+
+  <p>"On les donne ici sur une copie manuscrite, qu'on en a reçue de Paris:
+  et on les a fait imprimer avec le plus d'exactitude qu'il a été
+  possible."</p>
+
+</blockquote>
+
+  <p>The above is the <i>first</i> edition. The imprint is fictitious. It
+  was much used by the Elzévirs, and by other Dutch printers. The second
+  edition, with the same imprint, is dated in 1714 (Cat. de Guyon de
+  Sardière, No. 939.). The third edition was printed at Rotterdam in 1716.
+  The <i>avis</i> is omitted in that edition, and in all the later
+  impressions which I have seen. Its importance as a history of the
+  publication induces one to revive it. There is also an edition printed at
+  Amsterdam in 1717 (Cat. de Lamy, No. 3918.); and another at La Haye in
+  1731 (Cat. de Rothelin, No. 2534*). Brunet omits the edition of 1713.
+  Renouard and Quérard notice it too briefly.</p>
+
+<blockquote class="b1n">
+
+  <p>2. "<i>Memoires du comte de Grammont, par monsieur le comte Antoine
+  Hamilton. Nouvelle edition, augmentée d'un discours préliminaire mêlé de
+  prose et de vers, par le même auteur, et d'un avertissement contenant
+  quelques anecdotes de la vie du comte Hamilton.</i> A Paris, chez la
+  veuve Pissot, Quay de Conti, à la croix d'or. 1746." 12<sup>o</sup>. pp.
+  24 + 408.</p>
+
+  <p>"<span class="sc">Avertissement.</span> Le public a fait un accueil si
+  favorable à ces <i>Mémoires</i>, que nous avons crû devoir en procurer
+  une nouvelle edition. Outre les avantures du comte de Grammont,
+  très-piquantes par elles-mêmes, ils contiennent l'histoire amoureuse
+  d'Angleterre sous le regne de Charles II. Ils sont d'ailleurs écrits
+  d'une maniére si vive et si ingénieuse, qu'ils ne laisseroient pas de
+  plaire infiniment, quand la matiére en seroit moins interessante.</p>
+
+  <p>"Le héros de ces <i>Mémoires</i> a trouvé dans le comte Hamilton un
+  historien digne de lui. Car on n'ignore plus qu'ils sont partis de la
+  même main à qui l'on doit encore d'autres ouvrages frappés au même
+  coin.</p>
+
+  <p>"Nous avons enrichi cette edition d'un discours mêlé de prose et de
+  vers, où l'on exagére la difficulté qu'il y a de bien répresenter le
+  comte de Grammont. On reconnoîtra facilement que ce discours est du même
+  auteur que les <i>Mémoires</i>, et qu'il devoit naturellement en <!--
+  Page 4 --><span class="pagenum"><a name="page4"></a>{4}</span>orner le
+  frontispice. Au reste il ne nous appartient point d'en apprécier le
+  mérite. Nous dirons seulement que des personnes d'un goût sûr et délicat
+  le comparent au <i>Voyage de Chapelle</i>, et qu'ils y trouvent les mêmes
+  graces, le même naturel et la même légereté.</p>
+
+  <p>"Il ne nous reste plus qu'à dire un mot de M. Hamilton lui-même,
+  auteur de ces mémoires, et du discours qui les précede.</p>
+
+  <p>"Antoine Hamilton dont nous parlons, étoit de l'ancienne et illustre
+  maison de ce nom en Ecosse. Il nâquit en Irlande. Il eut pour pére le
+  chevalier Georges Hamilton, petit-fils du duc d'Hamilton, qui fut aussi
+  duc de Châtelleraud en France.</p>
+
+  <p>"Sa mére étoit madame Marie Butler, s&oelig;ur du duc d'Ormond,
+  viceroi d'Irlande, et grand maître de la maison du roi Charles.</p>
+
+  <p>"Dans les révolutions qui arrivérent du tems de Cromwel, ils suivirent
+  le roi et le duc d'Yorck son frére qui passérent en France. Ils y
+  amenérent leur famille. Antoine ne faisoit à peine que de naître.</p>
+
+  <p>"Lorsque le roi fut rétabli sur son trône, il ramena en Angleterre les
+  jeux et la magnificence. On voit dans les mémoires de Grammont combien
+  cette cour étoit brillante; la curiosité y attira le comte de Grammont.
+  Il y vit mademoiselle d'Hamilton, il ne tarda pas à sentir le pouvoir de
+  ses charmes, il l'épousa enfin; et c'est la tendresse qu'<i>Antoine</i>
+  avoit pour sa s&oelig;ur, qui l'engagea à faire plusieurs voyages en
+  France, où il étoit élevé, et où il a passé une partie de sa vie.</p>
+
+  <p>"M. Antoine Hamilton étant catholique, il ne put obtenir d'emploi en
+  Angleterre; et rien ne fut capable d'ébranler ni sa religion, ni la
+  fidélité qu'il devoit à son roi.</p>
+
+  <p>"Le roi Jaques étant monté sur le trône, il lui donna un regiment
+  d'infanterie en Irlande et le gouvernement de Limeric. Mais ce prince,
+  ayant été obligé de quitter ses etats le comte Hamilton repassa avec la
+  famille royale en France. C'est-là et pendant le long séjour qu'il y a
+  fait, qu'il a composé les divers ouvrages qui lui ont acquis tant de
+  réputation. Il mourut à S. Germain le 21 Avril 1720. dans de grands
+  sentimens de piété, et après avoir reçu les derniers sacremens. Il étoit
+  âgé alors d'environ 74 ans. Il a mérité les regrets de tous ceux qui
+  avoient le bonheur de le connoître. Né sérieux, il avoit dans l'esprit
+  tous les agrémens imaginables; mais ce qui est plus digne de louanges, à
+  ces agrémens, qui vent frivoles sans la vertu, il joignoit toutes les
+  qualitéz du c&oelig;ur."</p>
+
+</blockquote>
+
+  <p>If the above <i>avertissement</i> first appeared in 1746, which I have
+  much reason to conclude, this is certainly a very important edition. The
+  biographical portion of the advertisement is the foundation of the later
+  memoirs of Hamilton. In the Moréri of 1759, we have it almost
+  <i>verbatim</i>, but taken from the <i>&OElig;uvres du comte Antoine
+  Hamilton</i>, 1749. Neither Brunet, nor Renouard, nor Quérard notice the
+  edition of 1746. The copy which I have examined has the book-plate
+  G.&nbsp;III.&nbsp;R.</p>
+
+<blockquote class="b1n">
+
+  <p>3. "<i>Memoires du comte de Grammont, par le C. Antoine Hamilton</i>.
+  1760." [De l'imprimerie de Didot, rue Pavée, 1760.] 12<sup>o</sup>. I.
+  partie, pp. 36 + 316. II. partie, pp. 4 + 340.</p>
+
+</blockquote>
+
+  <p>This edition has the same <i>avertissement</i> as that of 1746. The
+  imprint is <span class="scac">M.DCC.LX</span>. The type resembles our
+  small pica, and the paper has the water-mark <i>Auvergne</i> 1749. At the
+  end of the second part appears, <i>De l'imprimerie de Didot, rue
+  Pavée</i>, 1760. This must be M. François Didot of Paris. I find the same
+  colophon in the <i>Bibliographie instructive</i>, 1763-8. v. 631. This
+  very neat edition has also escaped the aforesaid bibliographic trio!</p>
+
+<blockquote class="b1n">
+
+  <p>4. "<i>Memoires du comte de Grammont, par monsieur le comte Antoine
+  Hamilton</i>. <i>Nouvelle edition</i>, <i>augmentée de notes et
+  d'eclaircissemens necessaires, par M. Horace Walpole</i>. Imprimée à
+  Strawberry-Hill. 1772." 4<sup>o</sup>, pp. 24 + 294. 3 portraits.</p>
+
+  <p>[Dedication.] "À madame....</p>
+
+  <p>"L'éditeur vous consacre cette édition, comme un monument de son
+  amitié, de son admiration, et de son respect; à vous, dont les grâces,
+  l'esprit, et le goût retracent au siècle présent le siècle de Louis
+  quatorze et les agrémens de l'auteur de ces mémoires."</p>
+
+</blockquote>
+
+  <p>Such are the inscriptions on the <i>Strawberry-Hill gem</i>. Much has
+  been said of its brilliancy&mdash;and so, for the sake of novelty, I
+  shall rather dwell on its flaws.</p>
+
+  <p>The volume was printed at the private press of M. Horace Walpole at
+  Strawberry-Hill, and the impression was limited to one hundred copies, of
+  which thirty were sent to Paris. So much for its attractions&mdash;now
+  for its flaws. In reprinting the dedication to madame du Deffand, I had
+  to insert <i>eight</i> accents to make decent French of it! The
+  <i>avis</i> is a mere medley of fragments: I could not ask a compositor
+  to set it up! The <i>avertissement</i> is copied, without a word of
+  intimation to that effect, from the edition of 1746. The notes to the
+  <i>épître</i> are also copied from that edition, except <i>L'abbé de
+  Chaulieu</i>; and two of the notes to the memoirs are from the same
+  source. The other notes, in the opinion of sir William Musgrave, are in
+  part taken from an erroneous printed <i>Key</i>. Where are the
+  <i>éclaircissements</i>? I find none except a list of proper
+  names&mdash;of which about one-third part is omitted!</p>
+
+  <p>In quoting Brunet, I have used the fourth edition of the <i>Manuel du
+  libraire</i>, 1842-4; in quoting Renouard, I refer to the <i>avis</i>
+  prefixed to the <i>&OElig;uvres du comte Antoine Hamilton</i>, 1812; in
+  quoting Quérard, to <i>La France littéraire</i>, 1827-39. The other
+  references are to sale catalogues. The titles of the books described, and
+  the extracts, are given <i>literatim</i>, and, except as above noted,
+  with the same accentuation and punctuation.</p>
+
+  <p>To revert to the question of a new edition: I should prefer the French
+  text, for various reasons, to any English translation that could be made.
+  That of Abel Boyer is wretched burlesque!</p>
+
+  <p>The chief requirements of a French edition would be, a collation of
+  the editions of 1713 and 1746&mdash;the rectification of the names of
+  persons <!-- Page 5 --><span class="pagenum"><a
+  name="page5"></a>{5}</span>and places&mdash;a revision of the
+  punctuation&mdash;and a strict conformity, as to general orthography and
+  accentuation, with the <i>Dictionnaire de l'Académie française</i>, as
+  edited in 1835. The substance of the <i>avis</i> of 1713 might be stated
+  in a preface; and the <i>avertissement</i> of 1746, a clever composition,
+  would serve as an introduction and memoir of the author. Those who doubt
+  its value may consult the <i>Grand dictionnaire historique</i>, and the
+  <i>Biographie universelle</i>. As one hundred and sixty persons are
+  noticed in the work, brevity of annotation is very desirable. It would
+  require much research. The manuscript notes of sir William Musgrave
+  would, however, be very serviceable&mdash;more so, I conceive, than the
+  printed notes of M. Horace Walpole.</p>
+
+  <p>As the indications of a projected re-impression may be fallacious, I
+  shall conclude with a word of advice to inexperienced collectors. Avoid
+  the <i>jolie édition</i> printed at Paris by F.&nbsp;A. Didot, <i>par ordre de
+  monseigneur le comte d'Artois</i>, in 1781. It is the very worst specimen
+  of editorship. Avoid also the London edition of 1792. The preface is a
+  piratical pasticcio; the verbose notes are from the most accessible
+  books; the portraits, very unequal in point of execution, I believe to be
+  chiefly copies of prints&mdash;not <i>d'après des tableaux originaux</i>.
+  The most desirable editions are, 1. The edition of 1760; 2. That of 1772,
+  as a <i>curiosity</i>; 3. That edited by M. Renouard, Paris, 1812,
+  18<sup>o</sup>. 2 vols.; 4. That edited by M. Renouard in 1812,
+  8<sup>o</sup>. with eight portraits. The latter edition forms part of the
+  <i>&OElig;uvres du comte Antoine Hamilton</i> in 3 vols. It seldom occurs
+  for sale.</p>
+
+  <p class="author"><span class="sc">Bolton Corney</span>.</p>
+
+<hr class="short" />
+
+<h3>THE "ANCREN RIWLE."</h3>
+
+  <p>The publication of this valuable semi-Saxon or Early English treatise
+  on the duties of monastic life, recently put forth by the Camden Society,
+  under the editorship of the Rev. James Morton, is extremely acceptable,
+  and both the Society and the editor deserve the cordial thanks of all who
+  are interested in the history of our language. As one much interested in
+  the subject, and who many years since entertained the design now so ably
+  executed by Mr. Morton, I may perhaps be allowed to offer a few remarks
+  on the work itself, and on the manuscripts which contain it. Mr. Morton
+  is unquestionably right in his statement that the Latin MS. in Magdalen
+  College, Oxford, No. 67., is only an abridged translation of the original
+  vernacular text. Twenty-three years ago I had access to the same MS. by
+  permission of the Rev. Dr. Routh, the President of Magdalen College, and
+  after reading and making extracts from it<a name="footnotetag1"
+  href="#footnote1"><sup>[1]</sup></a>, I came to the same conclusion as
+  Mr. Morton. It hardly admits, I think, of a doubt; for even without the
+  internal evidence furnished by the Latin copy, the age of the manuscripts
+  containing the Early English text at once set aside the supposition that
+  Simon of Ghent (Bishop of Salisbury from 1297 to 1315) was the original
+  author of the work. The copy in Corpus Christi College, Cambridge, I have
+  not seen, but of the three copies in the British Museum I feel confident
+  that the one marked Cleopatra C. vi. was actually written before Bishop
+  Simon of Ghent had emerged from the nursery. This copy is not only the
+  oldest, but the most curious, from the corrections and alterations made
+  in it by a somewhat later hand, the chief of which are noticed in the
+  printed edition. The collation, however, of this MS. might have been,
+  with advantage, made more minutely, for at present many readings are
+  passed over. Thus, at p. 8., for <i>unweote</i> the second hand has
+  <i>congoun</i>; at p. 62., for <i>herigen</i> it has <i>preisen</i>; at
+  p. 90., for <i>on cheafle</i>, it reads <i>o muþe</i>, &amp;c. The
+  original hand has also some remarkable variations, which would cause a
+  suspicion that this was the first draft of the author's work. Thus, at p.
+  12., for <i>scandle</i>, the first hand has <i>schonde</i>; at p. 62.,
+  for <i>baldeliche</i> it reads <i>bradliche</i>; at p. 88., for <i>nout
+  for</i>, it has <i>anonden</i>, and the second hand <i>aneust</i>; at p.
+  90., for <i>sunderliche</i> it reads <i>sunderlepes</i>, &amp;c. All
+  these, and many other curious variations, are not noticed in the printed
+  edition. On the fly-leaf of this MS. is written, in a hand of the time of
+  Edward I., as follows: "<i>Datum abbatie et conventui de Leghe per Dame
+  M. de Clare.</i>" The lady here referred to was doubtless Maud de Clare,
+  second wife of Richard de Clare, Earl of Hereford and Gloucester, who, at
+  the beginning of the reign of Edward I., is known to have changed the
+  Augustinian Canons of Leghe, in Devonshire, into an abbess and nuns of
+  the same order; and it was probably at the same period she bestowed this
+  volume on them. The conjecture of Mr. Morton, that Bishop Poore, who died
+  in 1237, might have been the original author of the <i>Ancren Riwle</i>,
+  is by no means improbable, and deserves farther inquiry. The error as to
+  Simon of Ghent is due, in the first place, not to Dr. Smith, but to
+  Richard James (Sir Robert Cotton's librarian), who wrote on the
+  fly-leaves of all the MSS. in the Cottonian Library a note of their
+  respective contents, and who is implicitly followed by Smith. Wanley is
+  more blamable, and does not here evince his usual critical accuracy, but
+  (as remarked by Mr. Morton) he could only have looked at a few pages of
+  the work. The real fact seems to be that Simon of Ghent made the abridged
+  Latin version of the seven books of the <i>Riwle</i> now preserved in
+  Magdalen College, and this supposition may well enough be reconciled with
+  the words of Leland, who says of him,&mdash;</p>
+
+<blockquote class="b1n">
+
+  <p>"Edidit inter cætera, libros <i>septem</i> de Vita Solitaria, <!--
+  Page 6 --><span class="pagenum"><a name="page6"></a>{6}</span>ad Virgines
+  Tarentinas, Duriæ cultrices."&mdash;<i>Comment</i>., p. 316.</p>
+
+</blockquote>
+
+  <p>A second copy of the Latin version was formerly in the Cottonian
+  collection (Vitellius E. vii.), but no fragment of it has hitherto been
+  recovered from the mass of burnt crusts and leaves left after the fire of
+  1731. I am happy, however, to add, that within the last few months, the
+  manuscript marked Vitellius F. vii., containing a French translation of
+  the <i>Riwle</i>, made in the fourteenth century (very closely agreeing
+  with the vernacular text), has been entirely restored, except that the
+  top margins of the leaves have been burnt at each end of the volume. This
+  damage has, unfortunately, carried away the original heading of the
+  treatise, and the title given us by Smith is copied partly from James's
+  note. This copy of the French version appears to be unique, and is the
+  more interesting from its having a note at the end (now half obliterated
+  by the fire), stating that it belonged to Eleanor de Bohun, Duchess of
+  Gloucester, whose motto is also added, "<i>Plesance. M [mil]. en vn</i>."
+  The personage in question was Eleanor, daughter of Humphrey de Bohun,
+  Earl of Hereford, and wife of Thomas of Woodstock, who ended her days as
+  a nun in the convent at Barking in 1399. Is any other instance known of
+  the use of this motto? Before I conclude these brief remarks, I may
+  mention a <i>fifth</i> copy of the <i>Ancren Riwle</i>, which has escaped
+  the notice of Mr. Morton. It is buried in the enormous folio manuscript
+  of old English poetry and prose called the Vernon MS., in the Bodleian
+  Library, written in the reign of Richard II., and occurs at pp.
+  371<sup>b</sup>.&mdash;392. In the table of contents prefixed to this
+  volume it is entitled "The Roule of Reclous;" and although the
+  phraseology is somewhat modernised, it agrees better with the MS.
+  Cleopatra C. vi, than with Nero A. xiv., from which Mr. Morton's edition
+  is printed. This copy is not complete, some leaves having been cut out in
+  the sixth book, and the scribe leaves off at p. 420. of the printed
+  edition.</p>
+
+  <p>It is very much to be wished that Mr. Morton would undertake the task
+  of editing another volume of legends, homilies, and poems, of the same
+  age as the <i>Ancren Riwle</i>, still existing in various manuscripts.
+  One of the homilies, entitled "Sawles Warde," in the Bodley MS. 34.,
+  Cott. MS. Titus D. xviii., and Old Royal MS. 17<span
+  class="scac">A</span>. xxvii., is very curious, and well deserves to be
+  printed.</p>
+
+  <p class="author"><span class="sc">F. Madden</span>.</p>
+
+  <p class="address">British Museum.</p>
+
+<div class="note">
+  <a name="footnote1"></a><b>Footnote 1:</b><a
+  href="#footnotetag1">(return)</a>
+  <p>At p. viii. of Mr. Morton's preface, for "yerze" (eye), my extracts
+  read "yze."</p>
+
+</div>
+<hr class="short" />
+
+<h3>ORDER FOR THE SUPPRESSION OF VAGRANCY,
+A.D. 1650-51.</h3>
+
+  <p>At a time when the question of "What is to be done with our vagrant
+  children?" is occupying the attention of all men of philanthropic minds,
+  it may be worth while to give place in your pages to the following order
+  addressed by the Lord Mayor of London to his aldermen in 1650-51, which
+  applies, amongst other things, to that very subject. It will be seen that
+  some of the artifices of beggary in that day were very similar to those
+  with which we are now but too familiar. The difference of treatment
+  between vagrant children over and under nine years of age, is worthy of
+  observation.</p>
+
+<blockquote class="b1n">
+
+<p class="cenhead">"<span class="sc">By the Mayor</span>.</p>
+
+  <p>"Forasmuch as of late the constables of this city have neglected to
+  put in execution the severall wholsome laws for punishing of vagrants,
+  and passing them to the places of their last abode, whereby great
+  scandall and dishonour is brought upon the government of this city; These
+  are therefore to will and require you, or your deputy, forthwith to call
+  before you the several constables within your ward, and strictly to
+  charge them to put in execution the said laws, or to expect the penalty
+  of forty shillings to be levyed upon their estates, for every vagrant
+  that shal be found begging in their several precincts. And to the end the
+  said constables may not pretend ignorance, what to do with the several
+  persons which they shal find offending the said laws, these are further
+  to require them, that al aged or impotent persons who are not fit to
+  work, be passed from constable to constable to the parish where they
+  dwel; and that the constable in whose ward they are found begging, shal
+  give a passe under his hand, expressing the place where he or she were
+  taken, and the place whither they are to be passed. <i>And for children
+  under five years of age, who have no dwelling, or cannot give an account
+  of their parents, the parish where they are found are to provide for
+  them; and for those which shall bee found lying under stalls, having no
+  habitation or parents (from five to nine years old), are to be sent to
+  the Wardrobe House</i><a name="footnotetag2"
+  href="#footnote2"><sup>[2]</sup></a>, <i>to be provided for by the
+  corporation for the poore; and all above nine years of age are to be sent
+  to Bridewel.</i> And for men or women who are able to work and goe
+  begging with young children, such persons for the first time to be passed
+  to the place of their abode as aforesaid; and being taken againe, they
+  are to be carryed to Bridewel, to be corrected according to the
+  discretion of the governours. <i>And for those persons that shal be found
+  to hire children, or go begging with children not sucking, those children
+  are to be sent to the several parishes wher they dwel, and the persons so
+  hiring them to Bridewel, to be corrected and passed away, or kept at work
+  there, according to the governour's discretion.</i> And for al other
+  vagrants and beggars under any pretence whatsoever, to be forthwith sent
+  down to Bridewel to be imployed and corrected, according to the statute
+  laws of this commonwealth, except before excepted; and the president and
+  governours of Bridewel are hereby desired to meet twice every week to see
+  to the execution of this Precept. <i>And the steward of the workehouse
+  called the Wardrobe, is <!-- Page 7 --><span class="pagenum"><a
+  name="page7"></a>{7}</span>authorised to receive into that house such
+  children as are of the age between five and nine, as is before specified
+  and limited</i>; and the said steward is from time to time to acquaint
+  the corporation for the poor, what persons are brought in, to the end
+  they may bee provided for. Dated this four and twentyeth day of January,
+  1650.</p>
+
+  <p class="author"><span class="sc">Sadler</span>."&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </p>
+
+</blockquote>
+
+  <p class="author"><span class="sc">John Bruce</span>.</p>
+
+<div class="note">
+  <a name="footnote2"></a><b>Footnote 2:</b><a
+  href="#footnotetag2">(return)</a>
+  <p>I suppose this to have been the ancient building known by the name of
+  The Royal, or The Tower Royal, used for a time as the Queen's Wardrobe.
+  It will be seen that it was occupied in 1650 as a workhouse.</p>
+
+</div>
+<hr class="short" />
+
+<h3>LETTERS OF EMINENT LITERARY MEN.</h3>
+
+<blockquote class="b1n">
+
+  <p>Sir,</p>
+
+  <p>I send you, as a New Year's Gift for your "N. &amp; Q.," transcripts
+  of half-a-dozen Letters of Eminent Literary Men, specimens of whose
+  correspondence it will do your work no discredit to preserve,</p>
+
+</blockquote>
+
+  <div class="contents">
+    <div class="stanza">
+      <p>Yours faithfully,</p>
+      <p class="i4"><span class="sc">Henry Ellis</span>.</p>
+    </div>
+  </div>
+
+  <p class="address">British Museum, Dec. 26, 1853.</p>
+
+<h3>I.</h3>
+
+<p class="cenhead"><i>Dean Swift to</i> * * * * * * *.</p>
+
+<p class="cenhead">[MS. Addit., Brit. Mus., 12,113. <i>Orig</i>.]</p>
+
+<blockquote class="b1n">
+
+  <p class="author">Belcamp, Mar. 14th.</p>
+
+  <p>Sir,</p>
+
+  <p>Riding out this morning to dine here with Mr. Grattan, I saw at his
+  house the poor lame boy that gives you this: he was a servant to a
+  plow-man near Lusk, and while he was following the plow, a dog bit him in
+  the leg, about eleven weeks ago. One Mrs. Price endeavored six weeks to
+  cure him, but could not, and his Master would maintain him no longer. Mr.
+  Grattan and I are of opinion that he may be a proper object to be
+  received into Dr. Stephen's Hospital. The boy tells his story naturally,
+  and Mr. Grattan and I took pity of him. If you find him curable, and it
+  be not against the rules of the Hospitall, I hope you will receive
+  him.</p>
+
+</blockquote>
+
+  <div class="contents">
+    <div class="stanza">
+      <p>I am, Sir,</p>
+      <p class="i1">Your most humble Servt.</p>
+      <p class="i4"><span class="sc">Jonath. Swift</span>.</p>
+    </div>
+  </div>
+
+<h3>II.</h3>
+
+<p class="cenhead"><i>The Rev. Thomas Baker to Mr. Humphry Wanley</i>.</p>
+
+<p class="cenhead">[Harl. MS. 3778, Art. 43. <i>Orig</i>.]</p>
+
+<blockquote class="b1n">
+
+  <p class="author">Cambridge, Oct. 16th [1718].</p>
+
+  <p>Worthy Sir</p>
+
+  <p>I am glad to hear Mrs. Elstob is in a condition to pay her debts, for
+  me she may be very easy: tho' I could wish for the sake of the University
+  (tho' I am no way engaged, having taken up my obligation) that you could
+  recover the Book, or at least could find where it is lodged, that Mr.
+  Brook may know where to demand it. This, I presume, may be done.</p>
+
+  <p>If you have met with Books printed by Guttenberg, you have made a
+  great discovery. I thought there had been none such in the world, and
+  began to look upon Fust as the first Printer. I have seen the Bishop of
+  Ely's Catholicon (now with us), which, for aught I know, may have been
+  printed by Guttenberg; for tho' it be printed at Ments, yet there is no
+  name of the Printer, and the character is more rude than Fust's Tullie's
+  Offices, whereof there are two Copies in 1465 and 1466, the first on
+  vellum, the other on paper.</p>
+
+  <p>May I make a small enquiry, after the mention of so great a name as
+  Guttenberg? I remember, you told me, my Lord Harley had two Copies of
+  Edw. the Sixth's first Common Prayer Book. Do you remember whether either
+  of them be printed by Grafton, the King's Printer? I have seen four or
+  five Editions by Whitchurch, but never could meet with any by Grafton,
+  except one in my custody, which I shall look upon to be a great Rarity,
+  if it be likewise wanting to my Lord's Collection. It varies from all the
+  other Copies, and is printed in 1548. All the rest, I think, in 1549. One
+  reason of my enquiry is, because I want the Title, for the date is at the
+  end of the Book, and indeed twice; both on the end of the Communion
+  Office, and of the Litany. But I beg your pardon for so small an enquiry,
+  whilst you are in quest of Guttenberg and Nic. Jenson. My business
+  consists much in trifles.</p>
+
+</blockquote>
+
+  <div class="contents">
+    <div class="stanza">
+      <p>I am, Sir,</p>
+      <p class="i1">Your most ob. humble</p>
+      <p class="i2">Servant,</p>
+      <p class="i4"><span class="sc">Tho. Baker</span>.</p>
+    </div>
+  </div>
+
+<blockquote class="b1n">
+
+  <p>To the worthy Mr. Wanley, at the<br />
+  Riding Hood Shop, the corner<br />
+  of Chandois and Bedford Streets,<br />
+  &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Covent Garden,<br />
+  &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;
+  London.</p>
+
+</blockquote>
+
+  <p>A note in Wanley's hand says, "Mrs. Elstob has only paid a few small
+  scores."</p>
+
+<h3>III.</h3>
+
+<p class="cenhead"><i>Extract of a Letter from Wm. Bickford, Esq., to
+the Rev. Mr. Amory of Taunton, dated Dunsland,
+March</i> 7, 1731.</p>
+
+<p class="cenhead">[MS. Addit., Brit. Mus., 4309, fol. 358.]</p>
+
+<blockquote class="b1n">
+
+  <p>I cannot forbear acquainting you of a very curious passage in relation
+  to Charles the Second's Restoration. Sir Wm. Morrice, who was one of the
+  Secretaries of State soon after, was the person who chiefly transacted
+  that affair with Monk, so that all the papers in order to it were sent
+  him, both from King Charles and Lord Clarendon. Just after the thing was
+  finished, Lord Clarendon got more than 200 of these Letters and other
+  papers from Morrice under pretence of finishing his History, and which
+  were never returned. Lord Somers, when he was chancellor, told Morrice's
+  Grandson that if he would file a Bill in Chancery, he would endeavour to
+  get them; but young Morrice having deserted the Whig Interest, was <!--
+  Page 8 --><span class="pagenum"><a name="page8"></a>{8}</span>prevailed
+  upon to let it drop. This I know to be fact, for I had it not only from
+  the last-mentioned Gentleman, but others of that family, especially a son
+  of the Secretaries. As soon as I knew this, I took the first opportunity
+  of searching the study, and found some very curious Letters, which one
+  time or other I design to publish together with the account of that
+  affair. My mother being Niece to the Secretary, hath often heard him say
+  that Charles the Second was not only very base in not keeping the least
+  of the many things that he had promised; but by debauching the Nation,
+  had rendered it fitt for that terrible fellow (meaning the Duke of York)
+  to ruin us all, and then Monk and him would be remembred to their
+  Infamy.</p>
+
+</blockquote>
+
+<p class="cenhead">(<i>To be continued.</i>)</p>
+
+<hr class="short" />
+
+<h3>BURIAL-PLACE OF ARCHBISHOP LEIGHTON.</h3>
+
+  <p>On a visit this autumn with some friends to the picturesque village
+  and church of Horsted-Keynes, Sussex, our attention was forcibly arrested
+  by the appearance of two large pavement slabs, inserted in an erect
+  position on the external face of the south wall of the chancel. They
+  proved to be those which once had covered and protected the grave of the
+  good Archbishop Leighton, who passed the latter years of his life in that
+  parish, and that of Sir Ellis Leighton, his brother. On inquiry, it
+  appeared that their remains had been deposited within a small chapel on
+  the south side of the chancel, the burial-place of the Lightmaker family,
+  of Broadhurst, in the parish of Horsted. The archbishop retired thither
+  in 1674, and resided with his only sister, Saphira, widow of Mr. Edward
+  Lightmaker. Broadhurst, it may be observed, is sometimes incorrectly
+  mentioned by the biographers of Archbishop Leighton as a parish; it is an
+  ancient mansion, the residence formerly of the Lightmakers, and situated
+  about a mile north of the village of Horsted. There it was that Leighton
+  made his will, in February, 1683; but his death occurred, it will be
+  remembered, in singular accordance with his desire often expressed, at an
+  inn, the Bell, in Warwick Lane, London.</p>
+
+  <p>The small chapel adjacent to the chancel, and opening into it by an
+  arch now walled up, had for some time, as I believe, been used as a
+  school-room; more recently, however, either through its becoming out of
+  repair, or from some other cause, the little structure was demolished.
+  The large slabs which covered the tombs of the good prelate and his
+  brother were taken up and fixed against the adjoining wall. The turf now
+  covers the space thus thrown into the open churchyard; nothing remains to
+  mark the position of the graves, which in all probability, ere many years
+  elapse, will be disturbed through ignorance or heedlessness, and the
+  ashes of Leighton scattered to the winds.</p>
+
+  <p>In times when special respect has been shown to the tombs of worthies
+  of bygone times, with the recent recollection also of what has been so
+  well carried out by <span class="sc">Mr. Markland</span> in regard to the
+  grave of Bishop Ken, shall we not make an effort to preserve from
+  desecration and oblivion the resting-place of one so eminent as Leighton
+  for his learning and piety, so worthy to be held in honoured remembrance
+  for his high principles and his consistent conduct in an evil age?</p>
+
+  <p class="author"><span class="sc">Albert Way</span>.</p>
+
+<hr class="full" />
+
+<h2>Minor Notes.</h2>
+
+  <p><i>Grammars, &amp;c. for Public Schools.</i>&mdash;Would it not be
+  desirable for some correspondents of "N. &amp; Q." to furnish information
+  respecting grammars, classics, and other works which have been written
+  for the various public schools? Such information might be useful to book
+  collectors; and would also serve to reflect credit on the schools whose
+  learned masters have prepared such books. My contribution to the list is
+  small: but I remember a valuable Greek grammar prepared by the Rev.
+  &mdash;&mdash; Hook, formerly head master of the College School at
+  Gloucester, for the use of that establishment; as also a peculiar English
+  grammar prepared by the Rev. R.&nbsp;S. Skillern, master of St. Mary de Crypt
+  School, in the same place, for the use of that school. I also possess a
+  copy (1640) of the <i>Romanæ Historiæ Anthologia</i>, for the use of
+  Abingdon School, and <i>Moses and Aaron, or the Rites and Customs of the
+  Hebrews</i> (1641), both by Thos. Godwin, though the latter was written
+  after he ceased to be master of the schools.</p>
+
+  <p class="author"><span class="sc">P. H. Fisher</span>.</p>
+
+  <p class="address">Stroud.</p>
+
+  <p>"<i>To captivate.</i>"&mdash;Moore, in his Journal, speaking of the
+  Americans (January 9th, 1819), says:</p>
+
+<blockquote class="b1n">
+
+  <p>"They sometimes, I see, use the word <i>captivate</i> thus: 'Five or
+  six ships captivated,' 'Five or six ships captivated.'"</p>
+
+</blockquote>
+
+  <p>Originally, the words <i>to captivate</i> were synonymous with <i>to
+  capture</i>, and the expression was used with reference to warlike
+  operations. To captivate the affections was a secondary use of the
+  phrase. The word is used in the original sense in many old English books.
+  It is not used so now in the United States.</p>
+
+  <p class="author"><span class="sc">Uneda</span>.</p>
+
+  <p class="address">Philadelphia.</p>
+
+  <p><i>Bohn's Edition of Matthew of Westminster.</i>&mdash;Under the year
+  <span class="scac">A.D.</span> 782, the translator informs us that
+  "Hirenes and <i>his</i> son Constantine became emperors." Such an emperor
+  is not to be found <!-- Page 9 --><span class="pagenum"><a
+  name="page9"></a>{9}</span>in the annals of Constantinople. If Mr. Yonge,
+  who shows elsewhere that he has read Gibbon, had referred to him on this
+  occasion, he would probably have found that the Empress Irene, a name
+  dear to the reverencers of images, was the person meant. The original
+  Latin probably gives no clue to the sex; but still this empress, who is
+  considered as a saint by her church, notwithstanding the deposition and
+  blinding of her own son, was not a personage to be so easily
+  forgotten.</p>
+
+  <p class="author"><span class="sc">J. S. Warden</span>.</p>
+
+  <p><i>French Season Rhymes and Weather Rhymes.&mdash;</i></p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"A la Saint-Antoine (17th January)</p>
+      <p>Les jours croissent le repas d'un moine."</p>
+    </div>
+
+    <div class="stanza">
+      <p class="hg3">"A la Saint-Barnabé (11th June)</p>
+      <p>La faux au pré."</p>
+    </div>
+
+    <div class="stanza">
+      <p class="hg3">"A la Sainte-Cathérine (25th November)</p>
+      <p>Tout bois prend racine."</p>
+    </div>
+
+    <div class="stanza">
+      <p class="hg3">"Passé la Saint-Clément (23rd November)</p>
+      <p>Ne sème plus froment."</p>
+    </div>
+
+    <div class="stanza">
+      <p class="hg3">"Si l'hiver va droit son chemin,</p>
+      <p>Vous l'aurez à la Saint-Martin." (12th Nov.)</p>
+    </div>
+
+    <div class="stanza">
+      <p class="hg3">"S'il n'arreste tant ne quant,</p>
+      <p>Vous l'aurez à la Saint-Clément." (23rd Nov.)</p>
+    </div>
+
+    <div class="stanza">
+      <p class="hg3">"Et s'il trouve quelqu' encombrée,</p>
+      <p>Vous l'aurez à la Saint-André." (30th Nov.)</p>
+    </div>
+  </div>
+
+  <p class="author"><span class="sc">Ceyrep</span>.</p>
+
+  <p><i>Curious Epitaph in Tillingham Church, Essex.&mdash;</i></p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Hic jacet Humfridus Carbo, carbone notandus</p>
+      <p>Non nigro, Creta sed meliora tua.</p>
+      <p>Claruit in clero, nulli pietate secundus.</p>
+      <p>Cælum vi rapuit, vi cape si poteris.</p>
+      <p class="i2">Ob<sup>t</sup>. 27 Mar. 1624. Æt. 77."</p>
+    </div>
+  </div>
+
+  <p>Which has been thus ingeniously paraphrased by a friend of mine:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Here lies the body of good Humphry Cole,</p>
+      <p>Tho' Black his name, yet spotless is his soul;</p>
+      <p>But yet not black tho' Carbo is the name,</p>
+      <p>Thy chalk is scarcely whiter than his fame.</p>
+      <p>A priest of priests, inferior was to none,</p>
+      <p>Took Heaven by storm when here his race was run.</p>
+      <p>Thus ends the record of this pious man;</p>
+      <p>Go and do likewise, reader, if you can."</p>
+    </div>
+  </div>
+
+  <p class="author">C. K. P.</p>
+
+  <p class="address">Newport, Essex.</p>
+
+<hr class="full" />
+
+<h2>Queries.</h2>
+
+<h3>DOMESTIC LETTERS OF EDMUND BURKE.</h3>
+
+  <p>In the curious and able article entitled "The Domestic Life of Edmund
+  Burke," which appeared in the <i>Athenæum</i> of Dec. 10th and Dec. 17th
+  (and to which I would direct the attention of such readers of "N. &amp;
+  Q." as have not yet seen it), the writer observes:</p>
+
+<blockquote class="b1n">
+
+  <p>"There is not in existence, as far as we know, or have a right to
+  infer from the silence of the biographers, one single letter, paper, or
+  document of any kind&mdash;except a mysterious fragment of one
+  letter&mdash;relating to the domestic life of the Burkes, until long
+  after Edmund Burke became an illustrious and public man; no letters from
+  parents to children, from children to parents, from brother to brother,
+  or brother to sister."</p>
+
+</blockquote>
+
+  <p>And as Edmund Burke was the last survivor of the family, the inference
+  drawn by the writer, that they were destroyed by him, seems, on the
+  grounds which he advances, a most reasonable one. But my object in
+  writings is to call attention to a source from which, if any such letters
+  exist, they may yet possibly be recovered; I mean the collections of
+  professed collectors of autographs. On the one hand, it is scarcely to be
+  conceived that the destroyer of these materials for the history of the
+  Burkes, be he who he may, can have got <i>all</i> the family
+  correspondence into his possession. On the other, it is far from
+  improbable that in some of the collections to which I have alluded, some
+  letters, notes, or documents may exist, treasured by the possessors as
+  mere autographs; but which might, if given to the world, serve to solve
+  many of those mysteries which envelope the early history of Edmund Burke.
+  The discovery of documents of such a character seems to be the special
+  province of "N. &amp; Q.," and I hope, therefore, although this letter
+  has extended far beyond the limits I originally contemplated, you will
+  insert it, and so permit me to put this Query to autograph collectors,
+  "Have you any documents illustrative of the Burkes?" and to add as a
+  Note, "If so, print them!"</p>
+
+  <p class="author">N. O.</p>
+
+<hr class="full" />
+
+<h2>Minor Queries.</h2>
+
+  <p><i>Farrant's Anthem.</i>&mdash;From what source did Farrant take the
+  words of his well-known anthem, "Lord, for thy tender mercies' sake?"</p>
+
+  <p class="author">C. F. S.</p>
+
+  <p><i>Ascension Day Custom.</i>&mdash;What is the origin of the custom
+  which still obtains in St. Magnus and other city churches, of presenting
+  the clergy with ribbons, cakes, and silk staylaces on Ascension Day?</p>
+
+  <p class="author">C. F. S.</p>
+
+  <p><i>Sawbridge and Knight's Numismatic Collections.</i>&mdash;In
+  Snelling's tract on <i>Pattern Pieces for English Gold and Silver
+  Coins</i> (1769), p. 45., it is stated, in the description of a gold Coin
+  of Elizabeth, that it is "unique, formerly in the collection of Thomas
+  Sawbridge, Esq., but at present in the collection of Thomas Knight, Esq.,
+  who purchased the whole cabinet."&mdash;Can any of your readers inform me
+  who this Mr. Knight was, and whether his collection is still in
+  existence; or if it was dispersed, when, and in what manner? I am not
+  aware of any sale catalogue under his name.</p>
+
+  <p class="author">J. B. B.</p>
+
+  <p><i>"The spire whose silent finger points to heaven."</i>&mdash;I have
+  met with, and sometimes quoted, this line. <!-- Page 10 --><span
+  class="pagenum"><a name="page10"></a>{10}</span>Who is its author, and in
+  what poem does it occur?</p>
+
+  <p class="author">J. W. T.</p>
+
+  <p class="address">Dewsbury.</p>
+
+  <p><i>Lord Fairfax.</i>&mdash;In the <i>Peerage of Scotland</i> I find
+  this entry:</p>
+
+<blockquote class="b1n">
+
+  <p>"Fairfax, Baron, Charles Snowdon Fairfax, 1627, Baron Fairfax, of
+  Cameron; suc. his grandfather, Thomas, ninth baron, 1846. His lordship
+  resides at Woodburne, in Maryland, United States."</p>
+
+</blockquote>
+
+  <p>Fairfax is not a Scotch name. And I can find no trace of any person of
+  that family taking a part in Scotch affairs. <i>Cameron</i> is, I
+  suppose, the parish of that name in the east of Fife.</p>
+
+  <p>I wish to ask, 1st. For what services, or under what circumstances,
+  the barony was created?</p>
+
+  <p>2ndly. When did the family cease to possess land or other property in
+  Scotland, if they ever held any?</p>
+
+  <p>3rdly. Is the present peer a citizen or subject of the United States?
+  If so, is he known and addressed as <i>Lord</i> Fairfax, or how?</p>
+
+  <p>4thly. Has he, or has any of his ancestors, since the recognition of
+  the United States as a nation, ever used or applied for permission to
+  exercise the functions of a peer of Scotland, <i>e.g.</i> in the election
+  of representative peers?</p>
+
+  <p>5thly. If he be a subject of the United States, and have taken,
+  expressly or by implication, the oath of citizenship (which pointedly
+  renounces allegiance to our sovereign), how is it that his name is
+  retained on the roll of a body whose first duty it is to guard the
+  throne, and whose existence is a denial of the first proposition in the
+  constitution of his country?</p>
+
+  <p>Perhaps <span class="sc">Uneda</span>, W. W., or some other of your
+  Philadelphia correspondents, will be good enough to notice the third of
+  these Queries.</p>
+
+  <p class="author">W. H. M.</p>
+
+  <p><i>Tailless Cats.</i>&mdash;A writer in the <i>New York Literary
+  World</i> of Feb. 7, 1852, makes mention of a breed of cats destitute of
+  tails, which are found in the Isle of Man. Perhaps some generous Manx
+  correspondent will say whether this is a fact or a Jonathan.</p>
+
+  <p class="author"><span class="sc">Shirley Hibberd.</span></p>
+
+  <p><i>Saltcellar.</i>&mdash;Can any of your readers gainsay that in
+  saltcellar the cellar is a mere corruption of <i>salière</i>? A list of
+  compound words of Saxon and French origin might be curious.</p>
+
+  <p class="author">H. F. B.</p>
+
+  <p><i>Arms and Motto granted to Col. William Carlos.</i>&mdash;Can any
+  reader of "N. &amp; Q." give the <i>date</i> of the grant of arms to Col.
+  William Carlos (who assisted Charles II. to conceal himself in the "Royal
+  Oak," after the battle of Worcester), and specify the exact terms of the
+  grant?</p>
+
+  <p class="author"><span class="grk">&mu;</span>.</p>
+
+  <p><i>Naval Atrocities.</i>&mdash;In the article on "Wounds," in the
+  <i>Encyc. Brit.</i>, 4th edition, published 1810, the author, after
+  mentioning the necessity of a surgeon's being cautious in pronouncing on
+  the character of any wound, adds that "this is particularly necessary on
+  board ship, where, as soon as any man is pronounced by the surgeon to be
+  mortally wounded, he is forthwith, while still living and conscious,
+  thrown overboard," or words to this effect, as I quote from memory. That
+  such horrid barbarity was not practised in 1810, it is needless to say;
+  and if it had been usual at any previous period, Smollett and other
+  writers who have exposed with unsparing hand all the defects in the naval
+  system of their day, would have scarcely left this unnoticed when they
+  attack much slighter abuses. If such a thing ever occurred, even in the
+  worst of times, it must have been an isolated case. I have not met
+  elsewhere with any allusion to this passage, or the atrocity recorded in
+  it, and would be glad of more information on the subject.</p>
+
+  <p class="author"><span class="sc">J. S. Warden.</span></p>
+
+  <p><i>Turlehydes.</i>&mdash;During the great famine in Ireland land in
+  1331, it is said that&mdash;</p>
+
+<blockquote class="b1n">
+
+  <p>"The people in their distress met with an unexpected and providential
+  relief. For about the 24th June, a prodigious number of large sea fish,
+  called turlehydes, were brought into the bay of Dublin, and cast on shore
+  at the mouth of the river Dodder. They were from thirty to forty feet
+  long, and so bulky that two tall men placed one on each side of the fish
+  could not see one another."&mdash;<i>The History and Antiquities of the
+  City of Dublin from the Earliest Accounts</i>, by Walter Harris, 1766, p.
+  265.</p>
+
+</blockquote>
+
+  <p>This account is compiled from several records of the time, some of
+  which still exist. As the term <i>turlehydes</i> is not known to Irish
+  scholars, can any of the readers of "N. &amp; Q." say what precise animal
+  is meant by it, or give any derivation or reference for the term?</p>
+
+  <p class="author">U. U.</p>
+
+  <p class="address">Dublin.</p>
+
+  <p><i>Foreign Orders&mdash;Queen of Bohemia.</i>&mdash;It is well known
+  that in some foreign Orders the decorations thereof are conferred upon
+  ladies. Can any of your correspondents inform me whether the Order of the
+  Annunciation of Sardinia, formerly the Order of the Ducal House of Savoy,
+  at any time conferred its decorations upon ladies; and whether the
+  Princess Elizabeth, afterwards Queen of Bohemia, ever had the decoration
+  of any foreign order conferred upon her? In a portrait of her she is
+  represented with a star or badge upon the upper part of the left arm.</p>
+
+  <p class="author">S. E. G.</p>
+
+  <p><i>Pickard Family.</i>&mdash;Is the <i>Pickard</i>, or <i>Picard</i>,
+  family, a branch of which is located in Yorkshire, of Norman origin? If
+  so, who were the <i>first settlers</i> in England; and also in what
+  county are they most numerous?</p>
+
+  <p class="author"><span class="sc">One of the Family.</span></p>
+
+  <p class="address">Bradford.</p>
+
+<p><!-- Page 11 --><span class="pagenum"><a name="page11"></a>{11}</span></p>
+
+  <p><i>Irish Chieftains.</i>&mdash;Some account of the following,
+  <i>Historical Reminiscences of O'Byrnes, O'Tooles, O'Kavanaghs, and other
+  Irish Chieftains</i>, privately printed, 1843, is requested by</p>
+
+  <p class="author"><span class="sc">John Martin.</span></p>
+
+  <p class="address">Woburn Abbey.</p>
+
+  <p><i>General Braddock.</i>&mdash;Can any of your readers furnish me with
+  information relative to this officer? His disastrous expedition against
+  Fort Du Quesne, and its details, are well known; but I should like to
+  know something more of his previous history. Walpole gives an anecdote or
+  two of him, and mentions that he had been Governor of Gibraltar. I think
+  too he was of Irish extraction. Is there no portrait or engraving of
+  Braddock in existence?</p>
+
+  <p class="author"><span class="sc">Serviens.</span></p>
+
+<hr class="full" />
+
+<h2>Minor Queries with Answers.</h2>
+
+  <p><i>Lawless Court, Rochford, Essex.</i>&mdash;A most extraordinary
+  custom exists, in a manor at Rochford, in the tenants holding under what
+  is called the "Lawless Court." This court is held at midnight, by
+  torch-light, in the centre of a field, on the first Friday after the 29th
+  Sept., and is presided over by the steward of the manor, who, however,
+  appoints a deputy to fulfil this part of his duty. The tenants of the
+  manor are obliged to attend to answer to their names, when called upon,
+  under pain of a heavy fine, or at all events have some one there to
+  respond for them. All the proceedings are carried on in a whisper, no one
+  speaking above that tone of voice; and the informations as to deaths,
+  names, &amp;c. are entered in a book by the president with a piece of
+  charcoal. I may add, the business is not commenced until a cock has
+  crowed three times, and as it is sometimes a difficult matter to get
+  Chanticleer to do his duty, a man is employed to crow, whose fee therefor
+  is 5<i>s.</i></p>
+
+  <p>Now Morant, in his <i>History of Essex</i>, merely cursorily mentions
+  this most singular custom, and has nothing as to its antiquity or origin;
+  I should therefore feel much obliged for any information concerning
+  it.</p>
+
+  <p class="author"><span class="sc">Russell Gole.</span></p>
+
+<div class="note">
+  <p>[The singular custom at Rochford is of uncertain origin: in old
+  authors it is spoken of as belonging to the manor of Rayleigh. The
+  following account of "The Lawless Court," at that place, is printed by
+  Hearne from the Dodsworth MSS. in the Bodleian, vol. cxxv.:&mdash;"The
+  manor of Raylie, in Essex, hath a custome court kept yearly, the
+  Wednesday nexte after Michael's day. The court is kept in the night, and
+  without light, but as the skye gives, att a little hill without the
+  towne, called the King's Hill, where the steward writes only with coals,
+  and not with inke. And many men and mannors of greate worth hold of the
+  same, and do suite unto this strange court, where the steward calls them
+  with as low a voice as possibly he may; giving no notice when he goes to
+  the hill to keepe the same court, and he that attends not is deepely
+  amerced, if the steward will. The title and entry of the same court is as
+  followeth, viz.:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg1">'Curia de domino rege,</p>
+      <p>Dicta <i>sine lege</i>,</p>
+      <p>Tenta est ibidem,</p>
+      <p>Per ejusdem consuetudinem,</p>
+      <p class="i1">Ante ortum solis,</p>
+      <p>Luceat nisi polus,</p>
+      <p>Seneschallus solus,</p>
+      <p class="i1">Scribit nisi colis.</p>
+      <p>Clamat clam pro rege</p>
+      <p>In curia <i>sine lege</i>:</p>
+      <p>Et qui non cito venerit</p>
+      <p>Citius p&oelig;nitebit:</p>
+      <p>Si venerit cum lumine</p>
+      <p>Errat in regimine.</p>
+      <p>Et dum sine lumine</p>
+      <p>Capti sunt in crimine,</p>
+      <p>Curia sine cura</p>
+      <p>Jurata de injuria</p>
+      <p class="i1">Tenta est die Mercuriæ</p>
+      <p class="i2">prox. post festum S. Michaelis.'"</p>
+    </div>
+  </div>
+
+  <p>Weever, who mentions this custom, says, that he was informed that
+  "this servile attendance was imposed, at the first, upon certaine tenants
+  of divers mannors hereabouts, for conspiring in this place, at such an
+  unseasonable time, to raise a commotion."]</p>
+
+</div>
+
+  <p><i>Motto on old Damask.</i>&mdash;Can your correspondents furnish an
+  explanation of the motto herewith sent? It is taken from some damask
+  table napkins which were bought many years back at Brussels; not at a
+  shop in the ordinary way, but privately, from the family to whom they
+  belonged. I presume the larger characters, if put together, will indicate
+  the date of the event, whatever that may be, which is referred to in the
+  motto itself.</p>
+
+  <p>The motto is woven in the pattern of the damask, and consists of the
+  following words in uncials, the letters of unequal size, as
+  subjoined:</p>
+
+<blockquote class="b1n">
+
+  <p>"<span class="sc">sIgnUM paCIs DatUr LorICæ.</span>"</p>
+
+</blockquote>
+
+  <p>the larger letters being IUMCIDULIC. If the U's are taken as two V's,
+  and written thus X, it gives the date MDCCLXIII. Perhaps this can be
+  explained.</p>
+
+  <p class="author">H.</p>
+
+<div class="note">
+  <p>[The chronogram above, which means "The signal of peace is given to
+  the warrior," relates to the peace proclaimed between England and France
+  in the year 1763. This event is noticed in the <i>Annual Register</i>,
+  and in most of our popular histories. Keightley says, "The overtures of
+  France for peace were readily listened to; and both parties being in
+  earnest, the preliminaries were readily settled at Fontainebleau (Nov.
+  3rd). In spite of the declamation of Mr. Pitt and his party, they were
+  approved of by large majorities in both Houses of Parliament, and a
+  treaty was finally signed in Paris, Feb. 18, 1763." The napkins were
+  probably a gift, on the occasion, to some public functionary. For the
+  custom of noting the date of a great event by chronograms, see "N. &amp;
+  Q.," Vol. v., p. 585.]</p>
+
+</div>
+
+<p><!-- Page 12 --><span class="pagenum"><a name="page12"></a>{12}</span></p>
+
+  <p><i>Explanation of the Word "Miser."</i>&mdash;Can any of your readers
+  explain how and when <i>miser</i> came to get the meaning of an
+  avaricious hoarding man? In Spenser's <i>Faerie Queene</i>, II. l. 8., it
+  is used in its nearly primary sense of "wretch:"</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Vouchsafe to stay your steed for humble <i>miser's</i> sake."</p>
+    </div>
+  </div>
+
+  <p>Again, <i>Faerie Queene</i>, II. 3. 8.:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"The <i>miser</i> threw himself, as an offall,</p>
+      <p>Straight at his foot in base humility."</p>
+    </div>
+  </div>
+
+  <p>In Milton's <i>Comus</i>, which was written about fifty years after
+  the first three books of the <i>Faerie Queene,</i> the present
+  signification of the word is complete:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"You may as well spread out the unsunn'd heaps</p>
+      <p>Of <i>miser's</i> treasure by an outlaw's den,</p>
+      <p>And tell me it is safe, as bid one hope</p>
+      <p>Danger will sink on opportunity," &amp;c.</p>
+    </div>
+  </div>
+
+  <p class="author"><span class="sc">J. D. Gardner.</span></p>
+
+  <p class="address">Bottisham.</p>
+
+<div class="note">
+  <p>[The modern restricted use of the word <i>miser</i> is subsequent to
+  Shakspeare's time for in Part I. <i>King Henry VI.</i>, Act V. Sc.
+  4.,</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Decrepit <i>miser</i>! base ignoble wretch!"</p>
+    </div>
+  </div>
+
+  <p>Steevens says has no relation to avarice, but simply means a
+  <i>miserable</i> creature. So in the interlude of <i>Jacob and Esau</i>,
+  1568:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"But as for these <i>misers</i> within my father's tent."</p>
+    </div>
+  </div>
+
+  <p>Again, in Lord Stirling's tragedy of <i>Cr&oelig;sus</i>, 1604:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Or think'st thou me of judgement too remiss,</p>
+      <p>A <i>miser</i> that in miserie remains."</p>
+    </div>
+  </div>
+
+  <p>Otway, however, in his <i>Orphan</i>, published in 1680, uses it for a
+  covetous person:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Though she be dearer to my soul than rest</p>
+      <p>To weary pilgrims, or to <i>misers</i> gold,</p>
+      <p>Rather than wrong Castalio, I'd forget thee."</p>
+    </div>
+  </div>
+
+  <p>So also does Pope:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"No silver saints by dying <i>misers</i> given,</p>
+      <p>Here brib'd the rage of ill-requited heaven."</p>
+    </div>
+  </div>
+
+</div>
+
+  <p><i>"Acis and Galatea."</i>&mdash;Is there any good evidence in support
+  of the commonly received opinion that the words to Handel's <i>Acis and
+  Galatea</i> were written by Gay? Hawkins merely states that they "are
+  said to have been written by Mr. Gay." I have no copy of Burney at hand
+  to refer to; but I find the same statement repeated by various other
+  musical historians, without, however, any authority being given for it.
+  The words in question are not to be found among the <i>Poems on several
+  Occasions</i>, by Mr. John Gay, published in 1767 by Tonson and others.
+  Have they ever been included in any collective edition of his works?</p>
+
+  <p class="author">G. T.</p>
+
+  <p class="address">Reading.</p>
+
+<div class="note">
+  <p>[In the musical catalogue of the British Museum, compiled by Thomas
+  Oliphant, Esq., it is stated that the words to <i>Acis and Galatea</i>
+  "are said to be written, but apparently partly compiled, by John Gay."
+  This serenata is included among Gay's <i>Poems</i> in Dr. Johnson's
+  edition of the <i>English Poets</i>, 1790, as well as in Chalmers's
+  edition of 1810, and in the complete edition of <i>British Poets</i>,
+  Edinburgh, 1794.]</p>
+
+</div>
+
+  <p><i>Birm-bank.</i>&mdash;The bank of a canal opposite to the
+  towing-path is called the <i>birm-bank</i>. What is the derivation of
+  this?</p>
+
+  <p class="author"><span class="sc">Uneda.</span></p>
+
+  <p class="address">Philadelphia.</p>
+
+<div class="note">
+  <p>[The word <i>birm</i> seems to have the same meaning as berme (Fr.
+  <i>berme</i>), which, in Fortification, denotes a piece of ground of
+  three, four, or five feet in width, left between the rampart and the moat
+  or foss, designed to receive the ruins of the rampart, and prevent the
+  earth from filling the foss. Sometimes it is palisaded, and in Holland is
+  generally planted with quickset hedge.]</p>
+
+</div>
+
+  <p><i>General Thomas Gage.</i>&mdash;This officer commanded at Boston at
+  the breaking out of the Revolution, and served under General Braddock.
+  Where can I find any details of the remainder of his history?</p>
+
+  <p class="author"><span class="sc">Serviens.</span></p>
+
+<div class="note">
+  <p>[An interesting biographical account of General Gage is given in the
+  <i>Georgian Æra</i>, vol. ii. p. 67.]</p>
+
+</div>
+
+<hr class="full" />
+
+<h2>Replies.</h2>
+
+<h3>RAPPING NO NOVELTY.</h3>
+
+<p class="cenhead">(Vol. viii., pp. 512. 632.)</p>
+
+  <p>The story referred to is certainly a very curious one, and I should
+  like to know whether it is exactly as it was told by Baxter, especially
+  as there seems to be reason for believing that De Foe (whom on other
+  grounds one would not trust in such a matter) did not take it from the
+  work which he quotes. Perhaps if you can find room for the statement,
+  some correspondent would be so good as to state whether it has the
+  sanction of Baxter:</p>
+
+<blockquote class="b1n">
+
+  <p>"Mr. Baxter, in his <i>Historical Discourse of Apparitions</i>, writes
+  thus: 'There is now in London an understanding, sober, pious man, oft one
+  of my hearers, who has an elder brother, a gentleman of considerable
+  rank, who having formerly seemed pious, of late years does often fall
+  into the sin of drunkenness; he often lodges long together here in his
+  brother's house, and whensoever he is drunk and has slept himself sober,
+  something knocks at his bed's head, as if one knocked on a wainscot. When
+  they remove his bed it follows him. Besides other loud noises on other
+  parts where he is, that all the house hears, they have often watched him,
+  and kept his hands lest he should do it himself. His brother has often
+  told it me, and brought his wife, a discreet woman, to attest it, who
+  avers moreover, that as she watched him, she has seen his shoes under the
+  bed taken up, and nothing visible to touch them. They brought the man
+  himself to me, and when we asked <!-- Page 13 --><span class="pagenum"><a
+  name="page13"></a>{13}</span>him how he dare sin again after such a
+  warning, he had no excuse. But being persons of quality, for some special
+  reason of worldly interest I must not name him.'"&mdash;De Foe's <i>Life
+  of Duncan Campbell</i>, 2nd ed. p. 107.</p>
+
+</blockquote>
+
+  <p>After this story, De Foe says:</p>
+
+<blockquote class="b1n">
+
+  <p>"Another relation of this kind was sent to Dr. Beaumont (whom I myself
+  personally knew, and which he has inserted in his account of genii, or
+  familiar spirits) in a letter by an ingenious and learned clergyman of
+  Wiltshire," &amp;c.</p>
+
+</blockquote>
+
+  <p>But he does not say that the story which he has already quoted as from
+  Baxter stands just as he has given it, and with a reference to Baxter, in
+  Beaumont's <i>Historical, Physiological, and Theological Treatise of
+  Spirits</i>, p. 182. Of course one does not attach any weight to De Foe's
+  saying that he knew Dr. Beaumont "personally," but does anybody know
+  anything of him? Nearly four years ago you inserted somewhat similar
+  inquiry about this Duncan Campbell, but I believe it has not yet been
+  answered.</p>
+
+  <p class="author"><span class="sc">S. R. Maitland.</span></p>
+
+<hr class="short" />
+
+<h3>OCCASIONAL FORMS OF PRAYER.</h3>
+
+<p class="cenhead">(Vol. viii., p. 535.)</p>
+
+  <p>From a volume of Forms of Prayer in the library of Sir Robert Taylor's
+  Institution, I send you the following list, as supplementary to <span
+  class="sc">Mr. Lathbury's</span>. This volume forms part of a collection
+  of books bequeathed to the University by the late Robert Finch, M.A.,
+  formerly of Baliol College:</p>
+
+<blockquote class="b1n">
+
+  <p>A Form of Prayer for a General Fast, &amp;c. 4to. London. 1762.</p>
+
+</blockquote>
+
+  <p>In both the Morning and Evening Services of this Form "A Prayer for
+  the Reformed Churches" is included, which is omitted in all the
+  subsequent Forms. This is a copy of it:</p>
+
+<blockquote class="b1n">
+
+<p class="cenhead">"<i>A Prayer for the Reformed Churches.</i></p>
+
+  <p>"O God, the Father of Mercies, we present our Supplications unto Thee,
+  more especially on behalf of our Reformed Brethren, whom, blessed be Thy
+  Name, Thou hast hitherto wonderfully supported. Make them perfect,
+  strengthen, 'stablish them: that they may stand fast in the Liberty
+  wherewith Christ hath made them free, and adorn the Doctrine of God our
+  Saviour in all things. Preserve the Tranquillity of those who at present
+  enjoy it: look down with compassion upon such as are persecuted for
+  Righteousness' sake, and plead Thy cause with the oppressors of Thy
+  people. Enlighten those who are in Darkness and Error; and give them
+  Repentance to the Acknowledgment of the Truth: that all the Ends of the
+  World may remember themselves, and be turned unto the Lord; and we all
+  may become one Flock, under the great Shepherd and Bishop of our Souls,
+  Jesus Christ, our only Mediator and Advocate. Amen."</p>
+
+  <p>Form, &amp;c. Fast. 1776.</p>
+
+  <p>Form, &amp;c. Fast. 1778.</p>
+
+  <p>Form, &amp;c. Fast. 1780.</p>
+
+  <p>Form, &amp;c. Fast. 1781.</p>
+
+  <p>Form, &amp;c. Fast. 1782.</p>
+
+  <p>A Prayer to be used on Litany Days before the Litany, and on other
+  days immediately before the Prayer for all Conditions of Men, in all
+  Cathedral, Collegiate, and Parochial Churches and Chapels, &amp;c.,
+  during his Majesty's present Indisposition. 1788.</p>
+
+</blockquote>
+
+  <p>The following MS. note is inserted in the handwriting of Mr. Finch,
+  father of the gentleman who bequeathed the collection:</p>
+
+<blockquote class="b1n">
+
+  <p>"Mrs. Finch accompanied my Father (Rev. Dr. Finch, Rector of St.
+  Michael's, Cornhill) to the Cathedral, where he had a seat for himself
+  and his lady assigned him under the Dome, as Treasurer to the Society for
+  Promoting Christian Knowledge, the original patrons of the Charity
+  Schools. Mrs. F. was so fortunate as to obtain a seat in the choir, and
+  saw the procession from the choir gate. Myself and Robert saw the
+  cavalcade (which was extremely grand, and continued for the space of more
+  than three hours, both Houses of Parliament with their attendants
+  preceding their Majesties) from Mrs Townsend's house in Fleet
+  Street."&mdash;April 23, 1789.</p>
+
+  <p>Form of Prayer and Thanksgiving for the King's Recovery. 1789.</p>
+
+  <p>Form, &amp;c. Fast. 1793.</p>
+
+  <p>Form, &amp;c. Fast. 1795.</p>
+
+  <p>Form, &amp;c. Fast. 1796.</p>
+
+  <p>Form of Prayer and Thanksgiving for many signal and important
+  Victories. 1797.</p>
+
+  <p>Form, &amp;c. Fast. 1798.</p>
+
+  <p>Form of Prayer and Thanksgiving for the Victory of the Nile, &amp;c.
+  1798.</p>
+
+  <p>Form of Prayer and Thanksgiving for the Victory over the French Fleet,
+  Aug. 1. 1798.</p>
+
+  <p>Form of Prayer and Thanksgiving for the safe Delivery of H.&nbsp;R.&nbsp;H. the
+  Princess of Wales, and the birth of a Princess. 1796.</p>
+
+  <p>Form, &amp;c. Fast. 1799.</p>
+
+  <p>Form, &amp;c. Fast. 1800.</p>
+
+  <p>Form, &amp;c. Fast. 1801.</p>
+
+  <p>Form and Thanksgiving for the Harvest. 1801.</p>
+
+  <p>Form and Thanksgiving for putting an End to the War. 1802.</p>
+
+  <p>Form, &amp;c. Fast. 1803.</p>
+
+  <p>Form, &amp;c. Fast. 1804.</p>
+
+  <p>Form, &amp;c. Fast. 1805.</p>
+
+  <p>Form of Prayer and Thanksgiving for Lord Nelson's Victory. 1805.</p>
+
+  <p>Form, &amp;c. Fast. 1806.</p>
+
+  <p>Form, &amp;c. Fast. 1807.</p>
+
+  <p>Form, &amp;c. Fast. 1808.</p>
+
+  <p>Form, &amp;c. Fast. 1809.</p>
+
+  <p>Form, &amp;c. Fast. 1810.</p>
+
+  <p>Form, &amp;c. Fast. 1812.</p>
+
+  <p>Form, &amp;c. Thanksgiving for the Peace. 1814.</p>
+
+  <p>Form, &amp;c. Thanksgiving for the Peace. 1816.</p>
+
+</blockquote>
+
+  <p class="author"><span class="sc">John Macray.</span></p>
+
+  <p class="address">Oxford.</p>
+
+<hr class="short" />
+
+<p><!-- Page 14 --><span class="pagenum"><a name="page14"></a>{14}</span></p>
+
+<h3>CELTIC AND LATIN LANGUAGES.</h3>
+
+<p class="cenhead">(Vol. viii., p. 174.)</p>
+
+  <p>There was a Query some time ago upon this subject, but though it is
+  one full of interest to all scholars, I have not observed any Notes worth
+  mentioning in reply. The connexion between these two languages has only
+  of late occupied the attention of philologers; but the more closely they
+  are compared together, the more important and the more striking do the
+  resemblances appear; and the remark of Arnold with regard to Greek
+  literature applies equally to Latin, "that we seem now to have reached
+  that point in our knowledge of the language, at which other languages of
+  the same family must be more largely studied, before we can make a fresh
+  step in advance." But this study, as regards the comparison of Celtic and
+  Latin, is, in England at least, in a very infant state. Professor Newman,
+  in his <i>Regal Rome</i>, has attention to the subject; but his induction
+  does not appear sufficiently extensive to warrant any decisive conclusion
+  respecting the position the Celtic holds as an element of the Latin.
+  Pritchard's work upon the subject is satisfactory as far as it goes, but
+  both these authors have chiefly confined themselves to a tabular view of
+  Celtic and Latin words; but it is not <i>merely</i> this we want. What is
+  required is a critical examination into the comparative structure and
+  formal development of the two languages, and this is a work still to be
+  accomplished. The later numbers of Bopp's <i>Comparative Grammar</i> are,
+  I believe, devoted to this subject, but as they have not been translated,
+  they must be confined to a limited circle of English readers, and I have
+  not yet seen any reproduction of the views therein contained in the
+  philological literature of England.</p>
+
+  <p>As the first step to considerations of this kind must be made from a
+  large induction of words, I think, with your correspondent, that the
+  pages of "N. &amp; Q." might be made useful in supplying "links of
+  connexion" to supply a groundwork for future comparison. I shall conclude
+  by suggesting one or two "links" that I do not remember to have seen
+  elsewhere.</p>
+
+  <p>1. Is the root of <i>felix</i> to be found in the Irish <i>fail</i>,
+  <i>fate</i>; the contraction of the dipththong <i>ai</i> or <i>ê</i>
+  being analogous to that of <i>amaïmus</i> into <i>amêmus</i>?</p>
+
+  <p>2. Is it not probable that <i>Avernus</i>, if not corrupted from <span
+  title="aornos" class="grk"
+  >&#x1F04;&omicron;&rho;&nu;&omicron;&sigmaf;</span>, is related to
+  <i>iffrin</i>, the Irish <i>inferi</i>? This derivation is at any rate
+  more probable than that of Grotefend, who connects the word with <span
+  title="Acherôn" class="grk"
+  >&#x1F08;&chi;&#x1F73;&rho;&omega;&nu;</span>.</p>
+
+  <p>3. Were the <i>Galli</i>, priests of Cybele, so called as being
+  connected with fire-worship? and is the name at all connected with the
+  Celtic <i>gal</i>, a flame? The word <i>Gallus</i>, a Gaul, is of course
+  the same as the Irish <i>gal</i>, a stranger.</p>
+
+  <p class="author">T. H. T.</p>
+
+<hr class="short" />
+
+<h3>GEOMETRICAL CURIOSITY.</h3>
+
+<p class="cenhead">(Vol. viii., p. 468.)</p>
+
+  <p><span class="sc">Mr. Ingleby's</span> question might easily be the
+  foundation of a geometrical paper; but as this would not be a desirable
+  contribution, I will endeavour to keep clear of technicalities, in
+  pointing out how the process described may give something near to a
+  circle, or may not.</p>
+
+  <p>When a paper figure, bent over a straight line in it, has the two
+  parts perfectly fitting on each other, the figure is <i>symmetrical</i>
+  about that straight line, which may be called an <i>axis of symmetry</i>.
+  Thus every diameter of a circle is an axis of symmetry: every regular
+  oval has two axes of symmetry at right angles to each other: every
+  regular polygon of an <i>odd</i> number of sides has an axis joining each
+  corner to the middle of the opposite sides: every regular polygon of an
+  <i>even</i> number of sides has axes joining opposite corners, and axes
+  joining the middles of opposite sides.</p>
+
+  <p>When a piece of paper, of any form whatsoever, rectilinear or
+  curvilinear, is doubled over any line in it, and when all the parts of
+  either side which are not covered by the other are cut away, the unfolded
+  figure will of course have the creased line for an axis of symmetry. If
+  another line be now creased, and a fold made over it, and the process
+  repeated, the second line becomes an axis of symmetry, and the first
+  perhaps ceases to be one. If the process be then repeated on the first
+  line, this last becomes an axis, and the other (probably) ceases to be an
+  axis. If this process can be indefinitely continued, the cuttings must
+  become smaller and smaller, for the following reason. Suppose, at the
+  outset, the boundary point nearest to the intersection of the axes is
+  distant from that intersection by, say four inches; it is clear that we
+  cannot, after any number of cuttings, have a part of the boundary at less
+  than four inches from the intersection. For there never is, after any
+  cutting, any approach to the intersection except what there already was
+  on the other side of the axis employed, before that cutting was made. If
+  then the cuttings should go on for ever, or practically until the pieces
+  to be cut off are too small, and <i>if this take place all round</i>, the
+  figure last obtained will be a good representation of a circle of four
+  inches radius. On the suppositions, we must be always cutting down, at
+  all parts of the boundary; but it has been shown that we can never come
+  nearer than by four inches to the intersection of the axes.</p>
+
+  <p>But it does not follow that the process <i>will</i> go on for ever. We
+  may come at last to a state in which both the creases are axes of
+  symmetry at once; and then the process stops. If the paper had at first a
+  curvilinear boundary, properly chosen, and if the axes were placed at the
+  proper angle, it would happen that we should arrive at a <!-- Page 15
+  --><span class="pagenum"><a name="page15"></a>{15}</span><i>regular</i>
+  curved polygon, having the two axes for axes of symmetry. The process
+  would then stop.</p>
+
+  <p>I will, however, suppose that the original boundary is everywhere
+  rectilinear. It is clear then that, after every cutting, the boundary is
+  still rectilinear. If the creases be at right angles to one another, the
+  ultimate figure may be an irregular polygon, having its four quarters
+  alike, such as may be inscribed in an oval; or it may have its sides so
+  many and so small, that the ultimate appearance shall be that of an oval.
+  But if the creases be not at right angles, the ultimate figure is a
+  perfectly regular polygon, such as can be inscribed in a circle; or its
+  sides may be so many and so small that the ultimate appearance shall be
+  that of a circle.</p>
+
+  <p>Suppose, as in <span class="sc">Mr. Ingleby's</span> question, that
+  the creases are not at right angles to each other; supposing the eye and
+  the scissors <i>perfect</i>, the results will be as follows:</p>
+
+  <p>First, suppose the angle made by the creases to be what the
+  mathematicians call <i>incommensurable</i> with the whole revolution;
+  that is, suppose that no repetition of the angle will produce an
+  <i>exact</i> number of revolutions. Then the cutting will go on for ever,
+  and the result will perpetually approach a circle. It is easily shown
+  that no figure whatsoever, except a circle, has two axes of symmetry
+  which make an angle incommensurable with the whole revolution.</p>
+
+  <p>Secondly, suppose the angle of the creases commensurable with the
+  revolution. Find out the smallest number of times which the angle must be
+  repeated to give an exact number of revolutions. If that number be even,
+  it is the number of sides of the ultimate polygon: if that number be odd,
+  it is the half of the number of sides of the ultimate polygon.</p>
+
+  <p>Thus, the paper on which I write, the whole sheet being taken, and the
+  creases made by joining opposite corners, happens to give the angle of
+  the creases very close to three-fourteenths of a revolution; so that
+  fourteen repetitions of the angle is the lowest number which give an
+  exact number of revolutions; and a very few cuttings lead to a regular
+  polygon of fourteen sides. But if four-seventeenths of a revolution had
+  been taken for the angle of the creases, the ultimate polygon would have
+  had thirty-four sides. In an angle taken at hazard the chances are that
+  the number of ultimate sides will be large enough to present a circular
+  appearance.</p>
+
+  <p>Any reader who chooses may amuse himself by trying results from three
+  or more axes, whether all passing through one point or not.</p>
+
+  <p class="author"><span class="sc">A. De Morgan.</span></p>
+
+<hr class="short" />
+
+<h3>THE BLACK-GUARD.</h3>
+
+<p class="cenhead">(Vol. viii., p. 414.)</p>
+
+  <p>Some of your correspondents, <span class="sc">Sir James E.
+  Tennent</span> especially, have been very learned on this subject, and
+  all have thrown new light on what I consider a very curious inquiry. The
+  following document I discovered some years ago in the Lord Steward's
+  Offices. Your readers will see its value at once; but it may not be amiss
+  to observe, that the name in its present application had its origin in
+  the number of masterless boys hanging about the verge of the Court and
+  other public places, palaces, coal-cellars, and palace stables; ready
+  with links to light coaches and chairs, and conduct, and rob people on
+  foot, through the dark streets of London; nay, to follow the Court in its
+  progresses to Windsor and Newmarket. Pope's "link-boys vile" are the
+  black-guard boys of the following Proclamation.</p>
+
+  <p class="author"><span class="sc">Peter Cunningham.</span></p>
+
+  <p class="author">At the Board of Green Cloth,<br />in Windsor Castle,&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br />this 7th day of May, 1683.</p>
+
+  <p>Whereas of late a sort of vicious, idle, and masterless boyes and
+  rogues, commonly called the Black-guard, with divers other lewd and loose
+  fellowes, vagabonds, vagrants, and wandering men and women, do usually
+  haunt and follow the Court, to the great dishonour of the same, and as
+  Wee are informed have been the occasion of the late dismall fires that
+  happened in the towns of Windsor and Newmarket, and have, and frequently
+  do commit divers other misdemeanours and disorders in such places where
+  they resort, to the prejudice of His Majesty's subjects, for the
+  prevention of which evills and misdemeanours hereafter, Wee do hereby
+  strictly charge and command all those so called the Black-guard as
+  aforesaid, with all other loose, idle, masterless men, boyes, rogues, and
+  wanderers, who have intruded themselves into His Majesty's Court or
+  stables, that within the space of twenty-four houres next after the
+  publishing of this order, they depart, upon pain of imprisonment, and
+  such other punishments as by law are to be inflicted on them.</p>
+
+  <div class="contents">
+    <div class="stanza">
+      <p>(Signed)</p>
+      <p class="i4"><span class="sc">Ormond.</span></p>
+      <p class="i4"><span class="sc">H. Bulkeley.</span></p>
+      <p class="i4"><span class="sc">H. Brouncker.</span></p>
+      <p class="i4"><span class="sc">Rich. Mason.</span></p>
+      <p class="i4"><span class="sc">Ste. Fox.</span></p>
+    </div>
+  </div>
+
+<hr class="short" />
+
+<h3>THE CALVES' HEAD CLUB.</h3>
+
+<p class="cenhead">(Vol. viii., pp. 315. 480.)</p>
+
+  <p>The Calves' Head Club existed much earlier than the time when their
+  doings were commemorated in the <i>Weekly Oracle</i> (Vol. viii., p.
+  315.) of February 1, 1735, or depicted in the print of 1734 (Vol. viii.,
+  p. 480.). There is a pamphlet, <!-- Page 16 --><span class="pagenum"><a
+  name="page16"></a>{16}</span>the second edition of which was published in
+  small 4to., in 1703, entitled:</p>
+
+<blockquote class="b1n">
+
+  <p>"The Secret History of the Calves' Head Club, or, the Republican
+  Unmasqu'd, wherein is fully shewn the Religion of the Calves-Head Heroes
+  in their Anniversary Thanksgiving Songs on the Thirtieth of January, by
+  their Anthems," &amp;c. &amp;c.</p>
+
+</blockquote>
+
+  <p>We are told in the latter part of the long title-page that the work
+  was published "to demonstrate the restless, inplacable spirit of a
+  certain party still among us," and certainly the statements therein, and
+  more than all the anthems at the end, do show the bitterest
+  hatred&mdash;so bitter, so intense and malignant, that we feel on reading
+  it that there must be some exaggeration.</p>
+
+  <p>The author professes to have at first been of opinion "that the story
+  was purely contrived on purpose to render the republicans more odious
+  than they deserv'd." Whether he was convinced to the contrary by ocular
+  demonstration he does not tell us, but gives us information he received
+  from a gentleman&mdash;</p>
+
+<blockquote class="b1n">
+
+  <p>"Who, about eight years ago, went out of meer curiosity to see their
+  Club, and has since furnish'd me with the following papers. I was
+  inform'd that it was kept in no fix'd house, but that they remov'd as
+  they saw convenient; that the place they met in when he was with 'em was
+  in a blind ally, about Morefields; that the company wholly consisted of
+  Independents and Anabaptists (I am glad for the honour of the
+  Presbyterians to set down this remark); that the famous Jerry White,
+  formerly Chaplain to Oliver Cromwell, who no doubt on't came to sanctify
+  with his pious exhortations the Ribbaldry of the Day, said Grace; that
+  after the table-cloth was removed, the anniversary anthem, as they
+  impiously called it, was sung, and a calve's skull fill'd with wine, or
+  other liquor, and then a brimmer went about to the pious memory of those
+  worthy patriots that kill'd the tyrant, and deliver'd their country from
+  arbitrary sway; and lastly, a collection made for the mercenary scribler,
+  to which every man contributed according to his zeal for the cause, or
+  the ability of his purse.</p>
+
+  <p>"I have taken care to set down what the gentleman told me as
+  faithfully as my memory wou'd give me leave; and I am persuaded that some
+  persons that frequent the Black Boy in Newgate Street, as they knew the
+  author of the following lines so they knew this account of the Calves'
+  Head Club to be true."</p>
+
+</blockquote>
+
+  <p>The anthems for the years 1693, 1694, 1695, 1696, and 1697, are given;
+  but they are too long and too stupidly blasphemous and indecent to quote
+  here. They seem rather the satires of malignant cavaliers than the
+  serious productions of any Puritan, however politically or theologically
+  heretical.</p>
+
+  <p class="author"><span class="sc">Edward Peacock.</span></p>
+
+  <p class="address">Bottesford Moors.</p>
+
+<hr class="short" />
+
+<h3>PHOTOGRAPHIC CORRESPONDENCE.</h3>
+
+  <p><i>The Calotype Process.</i>&mdash;I have made any first essay in the
+  calotype process, following <span class="sc">Dr. Diamond's</span>
+  directions given in "N. &amp; Q.," and using Turner's paper, as
+  recommended by him. My success has been quite as great as I could expect
+  as a novice, and satisfies me that any defects are due to my own want of
+  skill, and not to any fault in the directions given. I wish, however, to
+  ask a question as to iodizing the paper. <span class="sc">Dr.
+  Diamond</span> says, lay the paper on the solution; then
+  <i>immediately</i> remove it, and lay on the dry side on blotting-paper,
+  &amp;c. Now I find, if I remove immediately, the whole sheet of paper
+  curls up into a roll, and is quite unmanageable. I want to know,
+  therefore, whether there is any objection to allowing the paper to remain
+  on the iodizing solution until it lies flat on it, so that on removal it
+  will not curl, and may be easily and conveniently laid on the dry side to
+  pass the glass rod over it. As soon as the paper is floated on the
+  solution (I speak of Turner's) it has a great tendency to curl, and takes
+  some time before the expansion of both surfaces becoming equal allows it
+  to lie quite flat on the liquid. May this operation be performed by the
+  glass rod, without floating at all?</p>
+
+  <p>Photographers, like myself, at a distance from practical instruction,
+  are so much obliged for plain and simple directions such as those given
+  by <span class="sc">Dr. Diamond</span>, which are the result of
+  experience, that I am sure he will not mind being troubled with a few
+  inquiries relative to them.</p>
+
+  <p class="author">C. E. F.</p>
+
+  <p><i>Hockin's Short Sketch.</i>&mdash;Mr. Hockin is so well known as a
+  thoroughly practical chemist, that it may suffice to call attention to
+  the fact of his having published a little brochure entitled <i>How to
+  obtain Positive and Negative Pictures on Collodionized Glass, and copy
+  the latter upon Paper. A Short Sketch adapted for the Tyro in
+  Photography.</i> As the question of the <i>alkalinity</i> of the nitrate
+  bath is one which has lately been discussed, we will give, as a specimen
+  of Mr. Hockin's book, a quotation, showing his opinion upon that
+  question:</p>
+
+<blockquote class="b1n">
+
+  <p>"<i>The sensitizing agent</i>, nitrate of silver in crystals, not the
+  ordinary fused in sticks, is nearly always confessedly adulterated; it is
+  thus employed:</p>
+
+  <p>"<i>The silver or nitrate bath.</i>&mdash;Nitrate of silver five
+  drachms, distilled water ten ounces; dissolve and add iodized collodion
+  two drachms.</p>
+
+  <p>"Shake these well together, allow them to macerate twelve hours, and
+  filter through paper. Before adding the nitric acid, test the liquid with
+  a piece of blue litmus paper; if it remain blue after being immersed one
+  minute, add one drop of dilute nitric acid<a name="footnotetag3"
+  href="#footnote3"><sup>[3]</sup></a>, and test again for a minute; and so
+  on, until a claret red is indicated on the paper. It is necessary to test
+  the bath in a similar manner, frequently adding half a drop to a drop of
+  dilute acid when required. This precaution will prevent the fogging due
+  to alkalinity of the bath, so formidable an obstacle to young hands."</p>
+
+</blockquote>
+
+<div class="note">
+  <a name="footnote3"></a><b>Footnote 3:</b><a
+  href="#footnotetag3">(return)</a>
+  <p>"Dilute nitric acid.&mdash;Water fifty parts, nitric acid one
+  part."</p>
+
+</div>
+  <p><i>Photographic Society's Exhibition.</i>&mdash;The Photographic
+  Society opened their first Exhibition of <!-- Page 17 --><span
+  class="pagenum"><a name="page17"></a>{17}</span>Photographs and
+  Daguerreotypes at the Gallery of the Society of British Artists, in
+  Suffolk Street, with a <i>soirée</i> on Tuesday evening last.
+  Notwithstanding the inclemency of the weather, the rooms were crowded not
+  only by members of the Society, but by many of the most distinguished
+  literary and scientific men of the metropolis. The Queen and Prince
+  Albert had, in the course of the morning, spent three hours in an
+  examination of the collection; and the opinion they expressed, that the
+  exhibition was one of great interest and promise, from the evidence it
+  afforded of the extraordinary advance made by the art during the past
+  year, and the encouragement it held out to the belief that far greater
+  excellence might therefore still be looked for in it, was a very just
+  one, and embodied that given afterwards by the most competent
+  authorities. We have not room this week to enter into any details, but
+  can confidently recommend our readers to pay an early visit to Suffolk
+  Street.</p>
+
+<hr class="full" />
+
+<h2>Replies to Minor Queries.</h2>
+
+  <p><i>"Firm was their faith," &amp;c.</i> (Vol. viii., p.
+  564.).&mdash;These lines are to be found in a poem called "Morwennæ
+  Statio, hodie Morwenstow," published by Masters in 1846, with the title
+  of <i>Echoes from Old Cornwall</i>, and written by the Vicar of
+  Morwenstow. I agree with D.&nbsp;M. in the judgment he has announced as to
+  their merits; but hitherto they have been but little appreciated by the
+  public. A time will come however, when these and other compositions of
+  the author will be better known and more duly valued by the English
+  mind.</p>
+
+  <p class="author"><span class="sc">Saxa.</span></p>
+
+  <p>These lines were written on "the Minster of Morwenna," May, 1840, and
+  appeared in the <i>British Magazine</i> under the anonymous name
+  <i>Procul</i>. Of the eight stanzas of which the poem consists, P.&nbsp;M. has
+  quoted the second. The second line should be read "wise <i>of</i> heart,"
+  and the third "<i>firm</i> and trusting hands." With your correspondent,
+  I hope the author's name may be discovered.</p>
+
+  <p class="author">F. R. R.</p>
+
+  <p><i>Vellum-cleaning</i> (Vol. viii., p.340.).&mdash;In the Polytechnic
+  Institution there are specimens of old deeds, &amp;c., on vellum and
+  paper, beautifully cleaned and restored by Mr. George Clifford, 5. Inner
+  Temple Lane, Temple, London.</p>
+
+  <p class="author">J. M<sup>c</sup>K.</p>
+
+  <p class="address">Shoreham.</p>
+
+  <p><i>Wooden Tombs</i> (Vol. viii., p. 255.).&mdash;In the church at
+  Brading, Isle of Wight&mdash;</p>
+
+<blockquote class="b1n">
+
+  <p>"There are some old tombs in the communion place, and in Sir William
+  Oglander's chapel, or family burial-place, which is separated from the
+  rest of the church by an oak screen. The most ancient legible date of
+  these monuments is 1567. Two of them have full-length figures in armour
+  of solid elm wood, originally painted in their proper colours, and gilt,
+  but now disfigured by coats of dirty white."&mdash;Barber's Picturesque
+  Guide to the Isle of Wight, 1850, pp. 28, 29.</p>
+
+</blockquote>
+
+  <p class="author">J. M<sup>c</sup>K.</p>
+
+  <p class="address">Shoreham.</p>
+
+  <p><i>Solar Eclipse in the Year 1263</i> (Vol. viii., p. 441.).&mdash;In
+  the <i>Transactions of the Antiquarian Society of Scotland</i>, vol. ii.
+  p. 350., there are "Observations on the Norwegian Expedition against
+  Scotland in the year 1263," by John Dillon, Esq.; and at pp. 363-4, when
+  speaking of the annular eclipse, he says:</p>
+
+<blockquote class="b1n">
+
+  <p>"The eclipse above mentioned is described to have occurred between
+  these two dates [29th July and 9th August]. This being pointed out to Dr.
+  Brewster, he had the curiosity to calculate the eclipse, when he found
+  that there was an eclipse of the sun on 5th August, 1263, and which was
+  annular at Ronaldsvo, in Orkney, and the middle of it was twenty-four
+  minutes past one."</p>
+
+</blockquote>
+
+  <p>These "Observations" contain much curious information; but are
+  deformed by the author attempting to wrest the text of the Norwegian
+  writer (at p. 358. and in note I.) to suit an absurd crotchet of his own.
+  Having seen that essay in MS., I pointed out those errors; but instead of
+  attending to my observations, he would not read them, and got into a
+  passion against the friend who showed the MS. to me.</p>
+
+  <p class="author">J. M<sup>c</sup>K.</p>
+
+  <p class="address">Shoreham.</p>
+
+  <p><i>Lines on Woman</i> (Vol. viii., pp. 292. 350. &amp;c.).&mdash;The
+  lines on Woman are, I presume, an altered version of those of Barret
+  (Mrs. Barrett Browning?); they are the finale of a short poem on Woman;
+  the correct version is the following:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Peruse the sacred volume, Him who died</p>
+      <p>Her kiss betray'd not, nor her tongue denied;</p>
+      <p>While even the Apostle left Him to His doom,</p>
+      <p>She linger'd round His cross and watch'd His tomb."</p>
+    </div>
+  </div>
+
+  <p>I would copy the whole poem, but fear you would think it too long for
+  insertion.</p>
+
+  <p class="author"><span class="sc">Ma. L.</span></p>
+
+<div class="note">
+  <p>[Our correspondent furnishes an addition to our list of parallel
+  passages. The lines quoted by W.&nbsp;V. and those now given by our present
+  correspondent can never be different readings of the same poem. Besides,
+  it has been already shown that the lines asked for are from the poem
+  entitled <i>Woman</i>, by Eaton Stannard Barrett (see antè, pp. 350.
+  423.).]</p>
+
+</div>
+
+  <p><i>Satin</i> (Vol. vii., p. 551.).&mdash;In a note just received by me
+  from Canton, an American friend of mine remarks as follows:</p>
+
+<blockquote class="b1n">
+
+  <p>"When you write again to 'N. &amp; Q.' you can say that the word
+  <i>satin</i> (Vol. vii., p. 551.), like the article itself, is of Chinese
+  origin, and that other foreign languages, in endeavouring like the
+  English to imitate the Chinese <i>sz-tün</i>, have <!-- Page 18 --><span
+  class="pagenum"><a name="page18"></a>{18}</span>approximated closely to
+  it, and to each other. Of this the answers to the Query given in the
+  place referred to are a sufficient proof; Fr. <i>satin</i>, W.
+  <i>sidan</i>, &amp;c. &amp;c."</p>
+
+</blockquote>
+
+  <p>I suspect that he is right, and that Ogilvie and Webster, whom you
+  quote, have not got to the bottom of the word. I may add that the notion
+  of my Canton friend receives approval from a Chinese scholar to whom I
+  have shown the above extract.</p>
+
+  <p class="author">W. T. M.</p>
+
+  <p class="address">Hong Kong.</p>
+
+  <p><i>"Quid facies," &amp;c.</i> (Vol. viii., p. 539.).&mdash;</p>
+
+<blockquote class="b1n">
+
+  <p>"<span class="sc">Bierve</span>, <i>N. Maréchal</i>, <i>Marquis
+  de</i>, a Frenchman well known for his ready wit and great facetiousness.
+  He wrote two plays of considerable merit, <i>Les Réputations</i> and
+  <i>Le Séducteur</i>. He died at Spa, 1789, aged 42. He is author of the
+  distich on courtezans:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg1">'Quid facies, facies Veneris cum veneris ante?</p>
+      <p>Ne sedeas! sed eas, ne pereas per eas.'"</p>
+    </div>
+  </div>
+
+</blockquote>
+
+  <p>&mdash;Lemprière's <i>Universal Biography</i>, abridged from the
+  larger work, London, 1808.</p>
+
+  <p class="author"><span class="sc">C. Forbes.</span></p>
+
+  <p class="address">Temple.</p>
+
+  <p><i>Sotades</i> (Vol. viii., p. 520.).&mdash;Your correspondent <span
+  class="sc">Charles Reed</span> says that Sotades was a Roman poet 250
+  <span class="scac">B.C.</span>; and that to him we owe the line, "Roma
+  tibi subito," &amp;c. Sotades was a native of Maroneia in Thrace, or,
+  according to others, of Crete; and flourished at Alexandria <span
+  class="scac">B.C.</span> 280 (Smith's <i>Dictionary of Biography</i>,
+  Clinton, F.&nbsp;H., vol. iii. p. 888.). We have a few fragments of his poems,
+  but none of them are palindromical. The authority for his having written
+  so, is, I suppose, Martial, Epig. <span class="scac">II.</span> 86.
+  2.:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Nec retro lego Sotaden cinædum."</p>
+    </div>
+  </div>
+
+  <p class="author"><span class="sc">Zeus.</span></p>
+
+  <p><i>The Third Part of "Christabel"</i> (Vol. viii., pp. 11.
+  111.).&mdash;Has the <i>Irish Quarterly Review</i> any other reason for
+  ascribing this poem to Maginn than the common belief which makes him the
+  sole and original Morgan Odoherty? If not, its evidence is of little
+  value, as, exclusive of some pieces under that name which have been
+  avowed by other writers, many of the Odoherty papers contain palpable
+  internal evidence of having been written by a Scotchman, or at least one
+  very familiar with Scotland, which at that time he was not; even the
+  letter accompanying the third part of <i>Christabel</i> is dated from
+  Glasgow, and though this would in itself prove nothing, the circumstances
+  above mentioned, as well as Dr. Moir's evidence as to the time when
+  Maginn's contributions to <i>Blackwood</i> commenced, seems strongly
+  presumptive against his claim. Some of the earliest and most
+  distinguished writers in <i>Blackwood</i> are still alive, and could, no
+  doubt, clear up this point at once, if so inclined.</p>
+
+  <p class="author"><span class="sc">J. S. Warden.</span></p>
+
+  <p><i>Attainment of Majority</i> (Vol. viii., pp. 198. 250.).&mdash;In my
+  last communication upon this subject I produced undeniable authority to
+  prove that the law did not regard the fraction of a day; this, I think,
+  A.&nbsp;E.&nbsp;B. will admit. The question is, now, does the day on which a man
+  attains his majority commence at six o'clock <span
+  class="scac">A.M.</span>, or at midnight? We must remember that we are
+  dealing with a question of <i>English</i> law; and therefore the evidence
+  of an English decision will, I submit, be stronger proof of the latter
+  mode of reckoning than the only positive proof with which A.&nbsp;E.&nbsp;B. has
+  defended Ben Jonson's use of the former, viz. <i>Roman</i>.</p>
+
+  <p>In a case tried in Michaelmas Term, 1704, Chief Justice Holt said:</p>
+
+<blockquote class="b1n">
+
+  <p>"It has been adjudged that if one be born the 1st of February at
+  eleven at night, and the last of January in the twenty-first year of his
+  age at one o'clock in the morning, he makes his will of lands and dies,
+  it is a good will, for he was then of age."&mdash;<i>Salkeld</i>, 44.;
+  <i>Raymond</i>, 480, 1096; 1 <i>Siderfin</i>, 162.</p>
+
+</blockquote>
+
+  <p>In this case, therefore, the testator was accounted of age forty-six
+  hours before the completion of his twenty-first year. Now, the law not
+  regarding the fraction of a day, the above case, I submit, clearly proves
+  that the day, as regards the attainment of majority, began at
+  midnight.</p>
+
+  <p class="author"><span class="sc">Russell Gole.</span></p>
+
+  <p><i>Lord Halifax and Mrs. C. Barton</i> (Vol. viii., pp. 429.
+  543.).&mdash;In answer to J.&nbsp;W.&nbsp;J.'s Query, I beg to state that I have in
+  my possession a codicil of Mrs. Conduit's will in her own hand, dated
+  26th of January, 1737. This document refers to some theological tracts by
+  Sir Isaac Newton, in his handwriting, which I have. On referring to the
+  pedigree of the Barton family, I find that Colonel Robert Barton married
+  Catherine Greenwood, whose father lived at Rotterdam, and was ancestor of
+  Messrs. Greenwood, army agents. His issue were Major Newton Barton, who
+  married Elizabeth Ekins, Mrs. Burr, and Catherine Robert Barton. I find
+  no mention of Colonel Noel Barton. The family of Ekins had been
+  previously connected with that of Barton, Alexander Ekins, Rector of
+  Barton Segrave, having married Jane Barton of Brigstock. The writer of
+  this note will be obliged if J.&nbsp;W.&nbsp;J., or any correspondent of "N. &amp;
+  Q.," will inform him if anything is known respecting an ivory bust of Sir
+  Isaac Newton, executed by Marchand or Marchant, which is said to have
+  been an excellent likeness.</p>
+
+  <p class="author">S. X.</p>
+
+<div class="note">
+  <p>[The ivory bust referred to by our correspondent is, we believe, in
+  the British Museum.]</p>
+
+</div>
+
+  <p><i>The fifth Lord Byron</i> (Vol. viii., p. 2.).&mdash;I cannot but
+  think that <span class="sc">Mr. Hasleden's</span> memory has deceived him
+  as to the "wicked lord" having <!-- Page 19 --><span class="pagenum"><a
+  name="page19"></a>{19}</span>settled his estates upon the marriage of his
+  son; how is this to be reconciled with the often published statement,
+  that the marriage of his son with his cousin Juliana, daughter of the
+  admiral, and aunt of the late and present lords, was made not only
+  without the consent, but in spite of the opposition, of the old lord, and
+  that he never forgave his son in consequence?</p>
+
+  <p class="author"><span class="sc">J. S. Warden</span>.</p>
+
+  <p><i>Burton Family</i> (Vol. iv., pp. 22. 124.).&mdash;In connexion with
+  a Query which was kindly noticed by <span class="sc">Mr. Algor</span> of
+  Sheffield, who did not however communicate anything new to me, I would
+  ask who was Samuel Burton, Esq., formerly Sheriff of Derbyshire; whose
+  death at Sevenoaks, in October, 1750, I find recorded in the Obituary of
+  the <i>Gentleman's Magazine</i> for that year? I am also desirous to
+  ascertain who was Sir Francis Cavendish Burton of St. Helens, whose
+  daughter and heiress, Martha, married Richard Sikes, Esq., ancestor of
+  the Sikes's of the Chauntry House near Newark. She died since 1696. Both
+  Samuel Burton and Mrs. Sikes were related to the Burtons of Kilburn, in
+  the parish of Horsley, near Derby, to whom my former Query referred.</p>
+
+  <p class="author">E. H. A.</p>
+
+  <p><i>Provost Hodgson's Translation of the Atys of Catullus</i> (Vol.
+  viii., p. 563.).&mdash;In answer to <span class="sc">Mr.
+  Gantillon's</span> inquiry for the above translation, I beg to state that
+  it will be found appended to an octavo edition of Hodgson's poem of
+  <i>Lady Jane Grey</i>.</p>
+
+  <p>In the same volume will be found, I believe (for I have not the work
+  before me), some of the modern Latin poetry respecting which <span
+  class="sc">Balliolensis</span> inquiries. The justly admired translation
+  of <i>Edwin and Angelina</i>, to which the latter refers, was by
+  Hodgson's too early lost friend Lloyd. The splendid pentameter is
+  slightly misquoted by <span class="sc">Balliolensis</span>. It is
+  not&mdash;</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Poscimus in <i>terris</i> pauca, nec illa diù."</p>
+    </div>
+  </div>
+
+  <p>but&mdash;</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Poscimus in <i>vitâ</i>," &amp;c.</p>
+    </div>
+  </div>
+
+  <p class="author"><span class="sc">Thomas Russell Potter</span>.</p>
+
+  <p class="address">Wymeswold, Loughborough.</p>
+
+  <p><i>Wylcotes' Brass</i> (Vol. viii., p. 494.).&mdash;I should hardly
+  have supposed that any difficulty could exist in explaining the
+  inscription:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"In · on · is · all."</p>
+    </div>
+  </div>
+
+  <p>To me it appears self-evident that it must be&mdash;</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"In one (God) is my all."</p>
+    </div>
+  </div>
+
+  <p class="author">H. C. C.</p>
+
+  <p><i>Hoby, Family of; their Portraits, &amp;c</i>. (Vol. viii., p.
+  244.).&mdash;I would refer <span class="sc">J. B. Whitborne</span> to
+  <i>The Antiquities of Berkshire</i> (so miscalled), by Elias Ashmole;
+  where, in treating of Bisham, that learned antiquary has given the
+  inscriptions to the Hoby family as existing <i>and legible in his
+  time</i>. It does not appear that Sir Philip Hoby, or Hobbie, Knight, was
+  ever of the Privy Council; but, in 1539, one of the Gentlemen of the
+  Privy Chamber to King Henry VIII. (which monarch granted to him in 1546-7
+  the manor of Willoughby in Edmonton, co. Middlesex), Sir Thomas Hoby, the
+  brother, and successor in the estates of Sir Philip, was, in 1566,
+  ambassador to France; and died at Paris July 13 in the same year (not
+  1596), aged thirty-six. The coat of the Hobys of Bisham, as correctly
+  given, is "Argent, within a border engrailed sable, three spindles,
+  threaded in fesse, gules." A grant or confirmation of this coat was made
+  by Sir Edward Bysshe, Clarenceux, to Peregrine Hoby of Bisham, Berks,
+  natural son of Sir Edward Hoby, Nov. 17, 1664. The Bisham family bore no
+  crest nor motto.</p>
+
+  <p class="author">H. C. C.</p>
+
+  <p><i>The Keate Family</i> (Vol. viii., pp. 293. 525.)&mdash;Should the
+  Query of G.&nbsp;B.&nbsp;B. not be sufficiently answered by the extract from Mr.
+  Burke's <i>Extinct and Dormant Baronetcies of England</i> relating to the
+  Keate family, as I have a full pedigree of that surname, I may perhaps be
+  able, on application, to satisfy him with some genealogical particulars
+  which are not noticed in Mr. Burke's works.</p>
+
+  <p class="author">H. C. C.</p>
+
+  <p><i>Sir Charles Cotterell</i> (Vol viii., p. 564.).&mdash;Sir Charles
+  Cotterell, the translator of <i>Cassandra</i>, died in 1687. (See
+  Fuller's <i>Worthies</i>, by Nuttall, vol. ii. p. 309.)</p>
+
+  <p class="author"><span title="Halieus" class="grk">&#x1F09;&lambda;&iota;&epsilon;&#x1F7B;&sigmaf;</span>.</p>
+
+  <p class="address">Dublin.</p>
+
+  <p><i>Huc's Travels</i> (Vol. viii., p. 516.).&mdash;Not having seen the
+  <i>Gardener's Chronicle</i>, in which C.&nbsp;W.&nbsp;B. says the travels of
+  Messrs. Huc and Gabet in Thibet, Tartary, &amp;c. are said to be a pure
+  fabrication, concocted by some Parisian <i>littérateur</i>, I cannot know
+  what degree of credit, if any, is to be given to such a statement. All I
+  wish to communicate at present for the information of your Querist
+  C.&nbsp;W.&nbsp;B. is this, that I have read an account and abstract of Messrs. Huc
+  and Gabet's <i>Travels</i> in one of the ablest and best conducted French
+  reviews, <i>La Revue des Deux Mondes</i>; in which not the least
+  suspicion of fabrication is hinted, or the slightest doubt expressed as
+  to the genuineness of these <i>Travels</i>. Mr. Princep, also, in his
+  work on Thibet, Tartary, &amp;c. quotes largely from Huc's Travel's, and
+  avails himself extensively of the information contained in them with
+  reference to Buddhism, &amp;c.</p>
+
+  <p>Should the writer in the <i>Gardener's Chronicle</i> have it in his
+  power to <i>prove</i> the <i>Travels</i> to be a fabrication, he will
+  confer a benefit on the world of letters by unmasking the fabricator.</p>
+
+  <p class="author">J. M.</p>
+
+  <p class="address">Oxford.</p>
+
+  <p><i>Pictures at Hampton Court Palace</i> (Vol. viii., p.
+  538.).&mdash;In reply to <span class="grk">&Phi;</span>.'s question when
+  the review of the 10th Light Dragoons by King <!-- Page 20 --><span
+  class="pagenum"><a name="page20"></a>{20}</span>George III., after the
+  Prince of Wales assumed the command of that regiment, I beg to state that
+  the Prince entered the army as brevet-colonel, Nov. 19, 1782; that the
+  regiment received the title of "The Prince of Wales's own Regiment of
+  Light Dragoons" on Michaelmas Day, 1783: that the regiment was stationed
+  in the south of England and in the vicinity of London for many years,
+  from 1790 to 1803 inclusive; and that King George III. repeatedly
+  reviewed it, accompanied by the queen and the royal family. That the
+  Prince of Wales was appointed Colonel-commandant of the corps in 1793,
+  and succeeded Sir W. A. Pitt as colonel of it in July 18, 1796. That the
+  regiment was reviewed on Hounslow Heath by the King in August, 1799; and
+  the Prince of Wales (who commanded it in person) received his Majesty's
+  orders to convey his Majesty's approbation of its excellent appearance
+  and performance. Perhaps the picture by Sir William Beechey was painted
+  in 1799, and not 1798. I did not find the catalogue at Hampton Court free
+  from errors, when I last visited the palace in October, 1852.</p>
+
+  <p class="author">M. A.</p>
+
+  <p class="address">Pembroke College, Oxon.</p>
+
+  <p><i>John Waugh</i> (Vol. viii., pp. 271. 400. 525.).&mdash;Does <span
+  class="sc">Karleolensis</span> know whether John Waugh, son of Waugh,
+  Bishop of Carlisle, was married, and to whom?</p>
+
+  <p>Farther information of the above family would be most acceptable, and
+  thankfully acknowledged, by George Waugh, of the family of the Waughs of
+  Oulton and Lofthouse, Yorkshire.</p>
+
+  <p class="address">Exeter.</p>
+
+  <p><i>Daughters taking their Mothers' Names</i> (Vol. viii., p.
+  586.).&mdash;When <span class="sc">Buriensis</span> asks for instances of
+  this, and mentions "Alicia, daughter of Ada," as an example, is he not
+  mistaking, or following some one else who has mistaken, the <i>gender</i>
+  of the parent's name? <i>Alicia fil. Adæ</i> would be rendered "Alice
+  Fitz-Adam," unless there be anything in the context to determine the
+  gender otherwise.</p>
+
+  <p class="author"><span class="sc">J. Sansom.</span></p>
+
+  <p>"<i>Service is no Inheritance</i>" (Vol. viii., p. 586.).&mdash;This
+  proverbial saying has evidently arisen from the old manorial right, under
+  which the lord of the manor claimed suit and service and fealty before
+  admitting the heir to his inheritance, or the purchaser to his purchase.
+  On which occasion, the party admitted to the estate, whether purchaser or
+  heir, "fecit fidelitatem suam et solvit relevium;" the relief being
+  generally a year's rent or service.</p>
+
+  <p class="author"><span class="sc">Anon.</span></p>
+
+  <p><i>Sir Christopher Wren and the young Carver</i> (Vol. viii., p.
+  340.).&mdash;If your correspondent A.&nbsp;H. has not already appropriated the
+  anecdote here alluded to, I think I can confidently refer him to any
+  biographical notice of Grindling Gibbons&mdash;to whom the story of the
+  "Sow and Pigs" relates. Gibbons was recommended to Sir Christopher by
+  Evelyn, I think; but not having "made a note of it," I am not sure that
+  it is to be found in his <i>Diary</i>.<a name="footnotetag4"
+  href="#footnote4"><sup>[4]</sup></a> If there be any monograph Life of
+  Gibbons, it can scarcely fail to be found there.</p>
+
+  <p class="author">M. (2)</p>
+
+<div class="note">
+  <a name="footnote4"></a><b>Footnote 4:</b><a
+  href="#footnotetag4">(return)</a>
+  <p>See Evelyn's <i>Diary</i>, vol. ii. pp. 53, 54., edition
+  1850.&mdash;<span class="sc">Ed.</span></p>
+
+</div>
+  <p><i>Souvaroff's Despatch</i> (Vol. viii., p. 490).&mdash;Souvaroff's
+  doggerel despatch from Ismail, immortalised by Byron, is, as usual,
+  misspelt and mistranslated. Allow me to furnish you with what I have
+  never yet seen in English, a correct version of it:</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p class="hg3">"Slava Bogou, slava Vam;</p>
+      <p>Krépost vziala, ee ya tam."</p>
+    </div>
+
+    <div class="stanza">
+      <p class="hg3">"Glory to God, glory to You,</p>
+      <p>The fortress is taken, and I am there."</p>
+    </div>
+  </div>
+
+  <p class="author"><span class="sc">Dmitri Andréef.</span></p>
+
+  <p><i>Detached Church Towers</i> (Vol. viii., p. 63.).&mdash;In the lists
+  I have seen no mention is made of the fine tower of West Walton Church,
+  which stands at a distance of nearly twenty yards from the body of the
+  church.</p>
+
+  <p class="author">W. B. D.</p>
+
+  <p class="address">Lynn.</p>
+
+  <p><i>Queen Anne's Motto</i> (Vol. viii., p. 174.).&mdash;The Historical
+  Society of Pennsylvania is in possession of an English coat of arms,
+  painted on wood in the time of Queen Anne, having "Anna R." at the top,
+  and the motto <i>Semper eadem</i> on the scroll below. It probably was in
+  one of the Philadelphia court-rooms, and was taken down at the
+  Revolution.</p>
+
+  <p class="author"><span class="sc">Uneda.</span></p>
+
+  <p class="address">Philadelphia.</p>
+
+  <p><i>Lawyers' Bags</i> (Vol. vii. <i>passim</i>).&mdash;The
+  communication of <span class="sc">Mr. Kersley</span>, in p. 557.,
+  although it does not support the inference which <span class="sc">Col.
+  Landman</span> draws, that the colour of lawyers' bags was changed in
+  consequence of the unpopularity which it acquired at the trial of Queen
+  Caroline, seems to show that <i>green</i> was at one time the colour of
+  those professional pouches. The question still remains, when and on what
+  occasion it was discontinued; and when the purple, and when the crimson,
+  were introduced?</p>
+
+  <p>When I entered the profession (about fifty years ago), no junior
+  barrister presumed to carry a bag in the Court of Chancery, unless one
+  had been presented to him by a king's counsel; who, when a junior was
+  advancing in practice, took an opportunity of complimenting him on his
+  increase of business, and giving him his own bag to carry home his
+  papers. It was then a distinction to carry a bag, and a proof that a
+  junior was rising <!-- Page 21 --><span class="pagenum"><a
+  name="page21"></a>{21}</span>in his profession. I do not know whether the
+  same custom prevailed in the other courts.</p>
+
+  <p class="author"><span class="sc">Causidicus.</span></p>
+
+  <p>In this city (Philadelphia) lawyers formerly carried green bags. The
+  custom has declined of late years among the members of the legal
+  profession, and it has been taken up by journeymen boot and shoe makers,
+  who thus carry their work to and from the workshop. A green bag is now
+  the badge of a cordwainer in this city.</p>
+
+  <p class="author"><a href="images/oldew.png"><img src="images/oldew.png" class="middle" style="height:1.5ex" alt="Old English W" /></a>.</p>
+
+  <p class="address">Philadelphia.</p>
+
+  <p><i>Bust of Luther</i> (Vol. viii., p. 335.).&mdash;<span
+  class="sc">Mr. J.&nbsp;G. Fitch</span> asks for information respecting a bust
+  of Luther, with an inscription, on the wall of a house, in the Dom Platz
+  at Frankfort on the Maine. I have learned, through a German acquaintance,
+  who has resided the greater part of his life in that city, that the
+  effigy was erected to commemorate the event of Luther's having, during a
+  short stay in Frankfort, preached near that spot; and that the words
+  surrounding the bust were his text on the occasion. He adds that Luther
+  at no period of his life "lived for some years" at Frankfort, as stated
+  by <span class="sc">Mr. Fitch</span>.</p>
+
+  <p class="author"><span class="sc">Alfred Smith.</span></p>
+
+  <p><i>Grammar in relation to Logic</i> (Vol. viii., pp. 514.
+  629.).&mdash;H.&nbsp;C.&nbsp;K.'s remarks are of course indisputable. But it is a
+  mistake to suppose that they answer my Query. In fact, had your
+  correspondent taken the trouble to consider the meaning of my Query, he
+  could not have failed to perceive that the explanation I there gave of
+  the function of the conjunction <i>in logic</i>, is the same as his. My
+  Query had sole reference <i>to grammar</i>. I would also respectfully
+  suggest that anonymous correspondents should not impute "superficial
+  views," or any other disagreeable thing, to those who stand
+  <i>confessed</i>, without abandoning the pseudonym.</p>
+
+  <p class="author"><span class="sc">C. Mansfield Ingleby.</span></p>
+
+  <p class="address">Birmingham.</p>
+
+<hr class="full" />
+
+<h2>Miscellaneous.</h2>
+
+<h3>NOTES ON BOOKS, ETC.</h3>
+
+  <p>Mr. Timbs announces for publication by subscription, <i>Curiosities of
+  London: exhibiting the most rare and remarkable Objects of Interest in
+  the Metropolis</i>. Mr. Timbs states, the authorities for his work have
+  been four-and-twenty years in collection; and that the utmost pains has
+  been taken to verify names, dates, and circumstances, so as to insure
+  accuracy. In this labour the author has been aided by the communications
+  of many obliging friends, as well as by his own recollection of nearly
+  fifty years' changes in the aspects of "opulent, enlarged, and still
+  increasing London."</p>
+
+  <p>It is proposed to publish by subscription <i>The Visitation of the
+  County of Northumberland</i>, taken by Richard St. George, Esq., Norroy
+  King of Arms, and Henry St. George, Esq., Blue Mantle Pursuivant of Arms,
+  <span class="scac">A.D.</span> 1615. To be printed in tables on folio,
+  with the arms engraved on wood, price One Guinea; or large paper, royal
+  folio, Two Guineas; or large paper with the arms emblazoned (of which
+  only the number subscribed for will be done), Five Guineas. Subscribers'
+  names will be received by Mr. John Gray Bell, No. 17. Bedford Street,
+  Covent Garden.</p>
+
+  <p>The first number of the <i>Antiquities of Shropshire</i>, by the Rev.
+  R.&nbsp;W. Eyton, has just been issued for the sake of determining the
+  author's doubts as to whether there is any general wish for such a
+  publication. Should the answer be in the negative, the author will
+  neither forget his obligation to present subscribers, nor the explanation
+  which he will farther owe them if the work be discontinued. The work will
+  extend at least to five volumes, or twenty parts, and, according to the
+  present plan, will be completed in not less than five years. Any
+  subscriber will be at liberty to withdraw his name, by giving notice to
+  that effect within one month after the publication of any fourth part, or
+  completed volume. Three hundred copies of Part I. have been printed, but
+  the number of the future parts will be limited to those subscribed for
+  within the next three months.</p>
+
+  <p><i>The Surrey Archæological Society</i> propose holding the Inaugural
+  General Meeting of the Society in Southwark early in the month of
+  February, and to exhibit upon the occasion a collection of such objects
+  of antiquarian interest relating to Surrey as may be contributed for that
+  purpose. Parties are invited to favour the Society with the loan of such
+  objects.</p>
+
+  <p><span class="sc">Books Received.</span>&mdash;<i>A Peep at the Pixies,
+  or Legends of the West</i>, by Mrs. Bray: written for the entertainment
+  of a family circle, these amusing records of the doings of the little
+  people will find favour with all lovers of folk lore.&mdash;<i>Ada's
+  Thoughts, or the Poetry of Youth</i>, may be commended for its natural,
+  simple, yet elevated tone.&mdash;<i>Essay on Human Happiness</i>, by
+  C.&nbsp;B. Adderley, M.P.; the first of a series of <i>Great Truths for
+  Thoughtful Hours</i>. A set of little books similar in object and design
+  to Pickering's well-known series of <i>Small Books on Great
+  Subjects</i>.&mdash;<i>Beauties of Byron, Verse and Prose.</i> This
+  selection, made for Murray's <i>Railway Reading</i>, will be acceptable
+  to many who would object to place the collected edition of the noble
+  bard's writings in the hands of the younger members of their
+  family.&mdash;<i>Speeches on Parliamentary Reform</i>, by the Right Hon.
+  T.&nbsp;B. Macaulay. This new number of Longman's <i>Traveller's Library</i>
+  is well-timed, and very acceptable.</p>
+
+<hr class="full" />
+
+<h3>BOOKS AND ODD VOLUMES WANTED TO PURCHASE.</h3>
+
+  <p><span class="sc">Isaac Taylor's Physical Theory of another
+  Life.</span></p>
+
+  <p>*** Letters, stating particulars and lowest price, <i>carriage
+  free</i>, to be sent to <span class="sc">Mr. Bell</span>, Publisher of
+  "NOTES AND QUERIES." 186. Fleet Street.</p>
+
+  <p>Particulars of Price, &amp;c. of the following Books to be sent direct
+  to the gentlemen by whom they are required, and whose names and addresses
+  are given for that purpose:</p>
+
+  <p><span class="sc">Sandy's Christmas Carols</span>, Ancient and Modern.
+  8vo. 1833.</p>
+
+  <p><span class="sc">Junius Discovered</span>, by P. T. Published about
+  1789.</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p>Wanted by <i>William J. Thoms</i>, 25. Holywell Street, Millbank, Westminster.</p>
+    </div>
+  </div>
+
+<p><!-- Page 22 --><span class="pagenum"><a name="page22"></a>{22}</span></p>
+
+  <p><span class="sc">Gallery of Portraits.</span> Published by Charles
+  Knight, under the Superintendence of the Society for the Diffusion of
+  Useful Knowledge. No. XLIII. (December, 1835), containing Adam Smith,
+  Calvin, Mansfield.</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p>Wanted by <i>Charles Forbes</i>, 3. Elm Court, Temple.</p>
+    </div>
+  </div>
+
+  <p><span class="sc">Bristol Drollery.</span> 1674.</p>
+
+  <p><span class="sc">Holborn Drollery.</span> 1673.</p>
+
+  <p><span class="sc">Hicks's Grammatical Drollery.</span> 1682.</p>
+
+  <p><span class="sc">Oxford Jests.</span></p>
+
+  <p><span class="sc">Cambridge Jests.</span></p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p>Wanted by <i>C. S.</i>, 12. Gloucester Green, Oxford.</p>
+    </div>
+  </div>
+
+  <p><span class="sc">Mudie's British Birds.</span> Bohn. 1841. 2nd
+  Volume.</p>
+
+  <p><span class="sc">Waverley.</span> 1st Edition.</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p>Wanted by <i>F. R. Sowerby</i>, Halifax.</p>
+    </div>
+  </div>
+
+<hr class="full" />
+
+<h2>Notices to Correspondents.</h2>
+
+  <p><i>Among other interesting communications intended for our present
+  Number, but which we have been compelled by want of space to postpone
+  until next week, are</i> <span class="sc">Mr. Gutch</span><i>'s Paper
+  on</i> Griffin and his Fidessa, <span class="sc">Mr. D'Alton</span><i>'s
+  on</i> James II.'s Irish Army List, <i>and</i> <span class="sc">Dr.
+  Diamond</span><i>'s on</i> The Advantages of Small Photographs.</p>
+
+  <p><span class="sc">Cestriensis.</span> <i>We have a letter for this
+  Correspondent; where shall it be sent?</i></p>
+
+  <p><span class="sc">Eirionnach.</span> <i>The letter for this
+  Correspondent has been forwarded.</i></p>
+
+  <p>W. J. L. <i>The</i> Merry Llyd <i>or</i> Hewid <i>has already formed
+  the subject of some notices in our columns: see</i> Vol. i., pp. 173.
+  315.; Vol. vi., p. 410. <i>We should be glad to have any satisfactory
+  explanation of the origin and antiquity of the custom.</i></p>
+
+  <p>J. E. (Sampford) <i>is informed that there is no charge for the
+  insertion of Queries, &amp;c. Will he oblige us by describing the
+  communications to which he refers?</i></p>
+
+  <p>F. S. A., <i>who asks the origin of</i> tick, <i>is referred to</i>
+  Vol. iii., pp. 357. 409. 502.</p>
+
+  <p><span class="sc">Ignorant.</span> <i>The</i> Staffordshire Knot <i>is
+  the badge or cognizance of the Earls of Stafford: see</i> Vol. viii., p.
+  454.</p>
+
+  <p>J. S. A. <i>will find the information he desires respecting the</i>
+  Extraordinary North Briton <i>in a valuable communication from</i> <span
+  class="sc">Mr. Crossley</span>, "N. &amp; Q.," Vol. iii., p. 432.</p>
+
+  <p><span class="sc">Index to Volume the Eighth.</span>&mdash;<i>This is
+  in a very forward state, and will, we trust, be ready for delivery
+  with</i> No. 221. <i>on the</i> 21<i>st of January.</i></p>
+
+  <p><span class="sc">"Notes and Queries,"</span> Vols. i. to vii.,
+  <i>price Three Guineas and a Half.&mdash;Copies are being made up and may
+  be had by order.</i></p>
+
+  <p><span class="sc">"Notes and Queries"</span> <i>is published at noon on
+  Friday, so that the Country Booksellers may receive Copies in that
+  night's parcels and deliver them to their Subscribers on the
+  Saturday.</i></p>
+
+<hr class="full" />
+
+  <p>THE GENTLEMAN'S MAGAZINE FOR JANUARY (being the First Part of a new
+  Volume) contains the following articles:&mdash;1. The Princess
+  (afterwards Queen) Elizabeth a Prisoner at Woodstock. 2. On supposed
+  Apparitions of the Virgin Mary; and particularly at La Salette. 3. Sir
+  Walter Raleigh at Sherborne. 4. Manners and Morals of the University of
+  Cambridge during the last Century. 5. English Sketches by Foreign
+  Artists&mdash;Max Schlesinger's Saunterings in and about London. 6.
+  Richard Baxter's Pulpit at Kidderminster (with a Plate). 7. Cambridge
+  Improvements, 1853. 8. The Toxaris of Lucian. Correspondence of Sylvanus
+  Urban: English Physicians in Russia&mdash;Knights Banneret&mdash;Sir
+  Constantine Phipps and Sir William Phips&mdash;Diaries of Dr. Stukeley,
+  &amp;c. With Notes of the Month; Historical and Miscellaneous Reviews;
+  Reports of Antiquarian and Literary Societies; Historical Chronicle; and
+  <span class="sc">Obituary</span>, including Memoirs of the Queen of
+  Portugal, the Duke of Beaufort, the Countess of Newburgh, Lord Cloncurry,
+  Rear-Adm. Pasco, Bickham Escott, Esq., Wm. Gardiner, Esq., Mrs. Opie, Mr.
+  Jas. Trubshaw, C.E., Mr. Samuel Williams, &amp;c. &amp;c. Price
+  2<i>s.</i> 6<i>d.</i></p>
+
+  <p>NICHOLS &amp; SONS, 25. Parliament Street.</p>
+
+<hr class="full" />
+
+  <p>Just published, price 2<i>s.</i> 6<i>d.</i>, sewed,</p>
+
+  <p>A LECTURE ON THE GENIUS, LIFE AND CHARACTER OF WILLIAM SHAKSPEARE,
+  delivered to the Mutual Improvement Society of Welford, by FREDERICK COX,
+  ESQ., one of the Vice-Presidents of the Society.</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p>GEORGE BELL, London.</p>
+      <p>T. C. BROWNE, Leicester.</p>
+    </div>
+  </div>
+
+<hr class="full" />
+
+  <p>Just published, 12mo., 4<i>s.</i></p>
+
+  <p>JANUS, LAKE POEMS, &amp;c., and other Poems, by DAVID HOLT.</p>
+
+  <p>London: W. PICKERING, Piccadilly; and GEORGE BELL, 186. Fleet
+  Street.</p>
+
+<hr class="full" />
+
+  <p>Demy 8vo., 2<i>s.</i>; cloth gilt, 3<i>s.</i></p>
+
+  <p>THE HISTORY OF MILLWALL, commonly called the Isle of Dogs; including
+  Notices of the West India Docks and City Canal, and Notes on Poplar,
+  Blackwall, Limehouse, and Stepney. By B.&nbsp;H. COWPER.</p>
+
+  <p>R. GLADDING, 97. &amp; 98. Whitechapel Road.</p>
+
+<hr class="full" />
+
+  <p>TO ARTISTS, ENGRAVERS, PRINTSELLERS, ETC.</p>
+
+  <p>This Day, 8vo., 3<i>s.</i> 6<i>d.</i></p>
+
+  <p>THE LAWS OF ARTISTIC COPYRIGHT, AND THEIR DEFECTS. For the Use of
+  Artists, Sculptors, Engravers, Printsellers, &amp;c. BY D. ROBERTON
+  BLAINE, ESQ., of the Middle Temple, Barrister-at-Law.</p>
+
+  <p>JOHN MURRAY, Albemarle Street.</p>
+
+<hr class="full" />
+
+  <p>WORKS BY EDWARD JESSE, ESQ.</p>
+
+  <p>Now Ready.</p>
+
+  <p>JESSE'S COUNTRY LIFE. Third Edition. Fcap. 8vo. 6<i>s.</i></p>
+
+  <p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; II.</p>
+
+  <p>JESSE'S NATURAL HISTORY. Seventh Edition. Fcap. 8vo. 6<i>s.</i></p>
+
+  <p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; III.</p>
+
+  <p>JESSE'S FAVOURITE HAUNTS. With Twenty Woodcuts. Post 8vo. 12s.</p>
+
+  <p>JOHN MURRAY, Albermarle Street.</p>
+
+<hr class="full" />
+
+  <p>JUST PUBLISHED.&mdash;A CATALOGUE of VALUABLE BOOKS, including a
+  portion of the Library of the RIGHT HON. WARREN HASTINGS, now on Sale by
+  THOMAS KERSLAKE, Bookseller, Bristol. (Franked for One Postage
+  Stamp.)</p>
+
+<hr class="full" />
+
+  <p>VIEWS IN LONDON. STEREOSCOPES AND STEREOSCOPIC PICTURES.</p>
+
+  <p>BLAND &amp; LONG, 153. FLEET STREET, OPTICIANS and PHILOSOPHICAL
+  INSTRUMENT MAKERS, invite attention to their Stock of STEREOSCOPES of all
+  Kinds, and in various Materials; also, to their New and Extensive
+  Assortment of STEREOSCOPIC PICTURES for the same, in DAGUERREOTYPE, on
+  PAPER, and TRANSPARENT ALBUMEN PICTURES on GLASS, including Views of
+  London, Paris, the Rhine, Windsor, &amp;c. These Pictures, for minuteness
+  of Detail and Truth in the Representation of Natural Objects, are
+  unrivalled.</p>
+
+  <p>BLAND &amp; LONG, Opticians, 153. Fleet Street, London.</p>
+
+  <p>*** "Familiar Explanation of the Phenomena" sent on Application.</p>
+
+<hr class="full" />
+
+  <p>PULLEYN'S COMPENDIUM.</p>
+
+  <p>One Volume, crown 8vo., bound in cloth, price 6<i>s.</i></p>
+
+  <p>THE ETYMOLOGICAL COMPENDIUM; or, PORTFOLIO OF ORIGINS AND INVENTIONS:
+  relating to</p>
+
+  <div class="poem">
+    <div class="stanza">
+      <p>Language, Literature, and Government.</p>
+      <p>Architecture and Sculpture.</p>
+      <p>Drama, Music, Painting, and Scientific Discoveries.</p>
+      <p>Articles of Dress, &amp;c.</p>
+      <p>Titles, Dignities, &amp;c.</p>
+      <p>Names, Trades, Professions.</p>
+      <p>Parliament, Laws, &amp;c.</p>
+      <p>Universities and Religious Sects.</p>
+      <p>Epithets and Phrases.</p>
+      <p>Remarkable Customs.</p>
+      <p>Games, Field Sports.</p>
+      <p>Seasons, Months, and Days of the Week.</p>
+      <p>Remarkable Localities, &amp;c. &amp;c.</p>
+    </div>
+  </div>
+
+  <p>By WILLIAM PULLEYN.</p>
+
+  <p>The Third Edition, revised and improved,</p>
+
+  <p>By MERTON A. THOMS, ESQ.</p>
+
+<blockquote class="b1n">
+
+  <p>"The additions to this book indicate the editor to be his father's own
+  son. He deals in folk lore, chronicles old customs and popular sayings,
+  and has an eye to all things curious and note-worthy. The book tells
+  everything."&mdash;<i>Gentleman's Magazine.</i></p>
+
+  <p>"The book contains a vast amount of curious information and useful
+  memoranda."&mdash;<i>Literary Gazette.</i></p>
+
+  <p>"An invaluable manual of amusement and information."&mdash;<i>Morning
+  Chronicle.</i></p>
+
+  <p>"This is a work of great practical usefulness. It is a <i>Notes and
+  Queries</i> in miniature.... The revision which the present edition of it
+  has undergone has greatly enhanced its original
+  value."&mdash;<i>Era.</i></p>
+
+</blockquote>
+
+  <p>London: WILLIAM TEGG &amp; CO., 85. Queen Street, Cheapside.</p>
+
+<hr class="full" />
+
+  <p>NOW READY, MR. DOD'S PEERAGE, &amp;c.</p>
+
+  <p>New Edition for 1854; thoroughly revised, with many Improvements.</p>
+
+  <p>PEERAGE, BARONETAGE, KNIGHTAGE, &amp;c., for 1854 (Fourteenth Year):
+  by CHARLES R. DOD, Esq., Author of "The Parliamentary Companion,"
+  "Electoral Facts," &amp;c. Fcp. 8vo., handsomely bound in cloth,
+  gilt.</p>
+
+  <p>WHITTAKER &amp; CO., Ave-Maria Lane.</p>
+
+<hr class="full" />
+
+<p><!-- Page 23 --><span class="pagenum"><a name="page23"></a>{23}</span></p>
+
+<h3>WESTERN LIFE ASSURANCE
+AND ANNUITY SOCIETY.</h3>
+
+<p class="cenhead">3. PARLIAMENT STREET, LONDON.</p>
+
+<p class="cenhead">Founded A.D. 1842.</p>
+
+<hr class="short" />
+
+  <div class="poem">
+    <div class="stanza">
+      <p><i>Directors.</i></p>
+    </div>
+
+    <div class="stanza">
+      <p>H. E. Bicknell, Esq.</p>
+      <p>T. S. Cocks, Jun. Esq., M.P.</p>
+      <p>G. H. Drew, Esq.</p>
+      <p>W. Evans, Esq.</p>
+      <p>W. Freeman, Esq.</p>
+      <p>F. Fuller, Esq.</p>
+      <p>J. H. Goodhart, Esq.</p>
+      <p>T. Grissell, Esq.</p>
+      <p>J. Hunt, Esq.</p>
+      <p>J. A. Lethbridge, Esq.</p>
+      <p>E. Lucas, Esq.</p>
+      <p>J. Lys Seager, Esq.</p>
+      <p>J. B. White, Esq.</p>
+      <p>J. Carter Wood, Esq.</p>
+    </div>
+
+    <div class="stanza">
+      <p><i>Trustees.</i>&mdash;W. Whateley, Esq., Q.C.; George Drew, Esq., T. Grissell, Esq.</p>
+      <p><i>Physician.</i>&mdash;William Rich. Basham, M.D.</p>
+      <p><i>Bankers.</i>&mdash;Messrs. Cocks, Biddulph, and Co., Charing Cross.</p>
+    </div>
+  </div>
+
+<p class="cenhead">VALUABLE PRIVILEGE.</p>
+
+  <p>POLICIES effected in this Office do not become void through temporary
+  difficulty in paying a Premium, as permission is given upon application
+  to suspend the payment at interest, according to the conditions detailed
+  in the Prospectus.</p>
+
+  <p>Specimens of Rates of Premium for Assuring 100<i>l.</i>, with a Share
+  in three-fourths of the Profits:&mdash;</p>
+
+
+<table width="17%" class="nob" summary="Specimens of Rates" title="Specimens of Rates">
+  <tr>
+    <td class="nob" style="text-align:left; width:57%">
+      <p>Age</p>
+    </td>
+    <td class="nob" style="text-align:right; width:14%">
+      <p><i>£</i></p>
+    </td>
+    <td class="nob" style="text-align:right; width:14%">
+      <p><i>s.</i></p>
+    </td>
+    <td class="nob" style="text-align:right; width:14%">
+      <p><i>d.</i></p>
+    </td>
+  </tr>
+
+  <tr>
+    <td class="nob" style="text-align:left">
+      <p>17</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>1</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>14</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>4</p>
+    </td>
+  </tr>
+
+  <tr>
+    <td class="nob" style="text-align:left">
+      <p>22</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>1</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>18</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>8</p>
+    </td>
+  </tr>
+
+  <tr>
+    <td class="nob" style="text-align:left">
+      <p>27</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>2</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>4</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>5</p>
+    </td>
+  </tr>
+
+  <tr>
+    <td class="nob" style="text-align:left">
+      <p>32</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>2</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>10</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>8</p>
+    </td>
+  </tr>
+
+  <tr>
+    <td class="nob" style="text-align:left">
+      <p>37</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>2</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>18</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>6</p>
+    </td>
+  </tr>
+
+  <tr>
+    <td class="nob" style="text-align:left">
+      <p>42</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>3</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>8</p>
+    </td>
+    <td class="nob" style="text-align:right">
+      <p>2</p>
+    </td>
+  </tr>
+</table>
+
+  <p>ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.</p>
+
+  <p>Now ready, price 10<i>s.</i> 6<i>d.</i>, Second Edition, with material
+  additions, INDUSTRIAL INVESTMENT and EMIGRATION: being a TREATISE ON
+  BENEFIT BUILDING SOCIETIES, and on the General Principles of Land
+  Investment, exemplified in the Cases of Freehold Land Societies, Building
+  Companies, &amp;c. With a Mathematical Appendix on Compound Interest and
+  Life Assurance. By ARTHUR SCRATCHLEY, M.A., Actuary to the Western Life
+  Assurance Society, 3. Parliament Street, London.</p>
+
+<hr class="full" />
+
+  <p>ALLEN'S ILLUSTRATED CATALOGUE, containing Size, Prices, and
+  Description of upwards of 100 articles, consisting of</p>
+
+  <p>PORTMANTEAUS, TRAVELLING-BAGS, Ladies' Portmanteaus, DESPATCH-BOXES,
+  WRITING-DESKS, DRESSING-CASES, and other traveller requisites, Gratis on
+  application, or sent free by Post on receipt of Two Stamps.</p>
+
+  <p>MESSRS. ALLEN'S registered Despatch-box and Writing-desk, their
+  Travelling-bag with the opening as large as the bag, and the new
+  Portmanteau containing four compartments, are undoubtedly the best
+  articles of the kind ever produced.</p>
+
+  <p>J. W. &amp; T. ALLEN, 18. &amp; 22. West Strand.</p>
+
+<hr class="full" />
+
+  <p>BENNETT'S MODEL WATCH, as shown at the GREAT EXHIBITION. No. 1. Class
+  X., in Gold and Silver Cases, in five qualities, and adapted to all
+  Climates, may now be had at the MANUFACTORY, 65. CHEAPSIDE. Superior Gold
+  London-made Patent Levers, 17, 15, and 12 guineas. Ditto, in Silver
+  Cases, 8, 6, and 4 guineas. First-rate Geneva Levers, in Gold Cases, 12,
+  10, and 8 guineas. Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior
+  Lever, with Chronometer Balance, Gold, 27, 23, and 19 guineas. Bennett's
+  Pocket Chronometer, Gold, 50 guineas; Silver, 40 guineas. Every Watch
+  skillfully examined, timed, and its performance guaranteed. Barometers,
+  2<i>l.</i>, 3<i>l.</i>, and 4<i>l.</i> Thermometers from 1<i>s.</i>
+  each.</p>
+
+  <p>BENNETT, Watch, Clock, and Instrument Maker to the Royal Observatory,
+  the Board of Ordnance, the Admiralty, and the Queen,</p>
+
+  <p>65. CHEAPSIDE.</p>
+
+<hr class="full" />
+
+  <p>XYLO-IODIDE OF SILVER, exclusively used at all the Photographic
+  Establishments.&mdash;The superiority of this preparation is now
+  universally acknowledged. Testimonials from the best Photographers and
+  principal scientific men of the day, warrant the assertion, that hitherto
+  no preparation has been discovered which produces uniformly such perfect
+  pictures, combined with the greatest rapidity of action. In all cases
+  where a quantity is required, the two solutions may be had at Wholesale
+  price in separate Bottles, in which state it may be kept for years, and
+  Exported to any Climate. Full instructions for use.</p>
+
+  <p><span class="sc">Caution.</span>&mdash;Each Bottle is Stamped with a
+  Red Label bearing my name, RICHARD W. THOMAS, Chemist, 10. Pall Mall, to
+  counterfeit which is felony.</p>
+
+  <p>CYANOGEN SOAP: for removing all kinds of Photographic Stains. The
+  Genuine is made only by the Inventor, and is secured with a Red Label
+  bearing this Signature and Address, RICHARD W. THOMAS, CHEMIST, 10. PALL
+  MALL, Manufacturer of Pure Photographic Chemicals: and may be procured of
+  all respectable Chemists, in Pots at 1<i>s.</i>, 2<i>s.</i>, and
+  3<i>s.</i> 6<i>d.</i> each, through MESSRS. EDWARDS, 67. St. Paul's
+  Churchyard; and MESSRS. BARCLAY &amp; CO., 95. Farringdon Street,
+  Wholesale Agents.</p>
+
+<hr class="full" />
+
+  <p>PHOTOGRAPHY.&mdash;HORNE &amp; CO.'S Iodized Collodion, for obtaining
+  Instantaneous Views, and Portraits in from three to thirty seconds,
+  according to light.</p>
+
+  <p>Portraits obtained by the above, for delicacy of detail rival the
+  choicest Daguerreotypes, specimens of which may be seen at their
+  Establishment.</p>
+
+  <p>Also every description of Apparatus, Chemicals, &amp;c. &amp;c. used
+  in this beautiful Art.&mdash;123. and 121. Newgate Street.</p>
+
+<hr class="full" />
+
+  <p>PHOTOGRAPHIC CAMERAS.&mdash;OTTEWILL'S REGISTERED DOUBLE-BODIED
+  FOLDING CAMERA, is superior to every other form of Camera, for the
+  Photographic Tourist, from its capability of Elongation or Contraction to
+  any Focal Adjustment, its Portability, and its adaptation for taking
+  either Views or Portraits.&mdash;The Trade supplied.</p>
+
+  <p>Every Description of Camera, or Slides, Tripod Stands, Printing
+  Frames, &amp;c., may be obtained at his MANUFACTORY, Charlotte Terrace,
+  Barnsbury Road, Islington.</p>
+
+  <p>New Inventions, Models, &amp;c., made to order or from Drawings.</p>
+
+<hr class="full" />
+
+  <p>IMPROVEMENT IN COLLODION.&mdash;J. B. HOCKIN &amp; CO., Chemists, 289.
+  Strand. have, by an improved mode of Iodizing, succeeded in producing a
+  Collodion equal, they may say superior, in sensitiveness and density of
+  Negative, to any other hitherto published; without diminishing the
+  keeping properties and appreciation of half tint for which their
+  manufacture has been esteemed.</p>
+
+  <p>Apparatus, pure Chemicals, and all the requirements for the practice
+  of Photography. Instruction in the Art.</p>
+
+  <p>THE COLLODION AND POSITIVE PAPER PROCESS. By J. B. HOCKIN. Price
+  1<i>s.</i>, per Post, 1<i>s.</i> 2<i>d.</i></p>
+
+<hr class="full" />
+
+  <p>PHOTOGRAPHY.</p>
+
+  <p>A COMPLETE SET OF APPARATUS for 4<i>l.</i> 4<i>s.</i>, containing an
+  Expanding Camera, with warranted Double Achromatic Adjusting Lenses, a
+  Portable Stand, Pressure Frame, Levelling Stand, and Baths, complete.</p>
+
+  <p>PORTRAIT LENSES of double Achromatic combination, from 1<i>l.</i>
+  12<i>s.</i> 6<i>d.</i></p>
+
+  <p>LANDSCAPE LENSES, with Rack Adjustment, from 25<i>s.</i></p>
+
+  <p>A GUIDE to the Practice of this interesting Art, 1<i>s.</i>, by post
+  free, 1<i>s.</i> 6<i>d.</i></p>
+
+  <p>French Polished MAHOGANY STEREO-SCOPES, from 10<i>s.</i> 6<i>d.</i> A
+  large assortment of STEREOSCOPIC PICTURES for the same in Daguerreotype,
+  Calotype, or Albumen, at equally low prices.</p>
+
+  <p>ACHROMATIC MICROSCOPES.</p>
+
+  <p>Beautifully finished ACHROMATIC MICROSCOPE, with all the latest
+  improvement and apparatus, complete from 3<i>l.</i> 15<i>s.</i>, at</p>
+
+  <p>C. BAKER'S. Optical and Mathematical Instrument Warehouse, 244. High
+  Holborn (opposite Day &amp; Martin's).</p>
+
+<hr class="full" />
+
+  <p>Important Sale of Rare Books, Books of Prints, and Illuminated
+  Manuscripts.</p>
+
+  <p>MESSRS. S. LEIGH SOTHEBY &amp; JOHN WILKINSON, Auctioneers of Literary
+  Property and Works illustrative of the Fine Arts, will SELL by AUCTION,
+  at their House, 3. Wellington Street, Strand, on MONDAY, January 9, 1854,
+  and Three following Days, at 1 o'clock precisely, an Important COLLECTION
+  of RARE BOOKS, Books of Prints, Illuminated and Historical Manuscripts,
+  from the Library of a distinguished Amateur, deceased:&mdash;comprising,
+  The Grand Work on Egypt, executed under the munificent direction of
+  Napoleon I., the original edition on vellum paper, 23 vols. The Beautiful
+  and Interesting Series of Picturesque Voyages by Nodier, Taylor, and De
+  Cailleux; Barker, Webb et Berthélot, Histoire Naturelle des Iles
+  Canaries, a magnificent work, in 10 vols. with exquisitely coloured
+  plates; Algérie. Historique, Pittoresque et Monumentale, 5 vols. in 3; Le
+  Vaillant, Histoire Naturelle des Oiseaux, on vellum paper, the plates
+  beautifully coloured, 3 vols.; Melling, Voyage Pittoresque de
+  Constantinople, 2 vols. in 1; Montfaucon, Antiquité Expliquée, avec
+  Supplément et les Monumens de la Monarchie Françoise, 20 vols., a most
+  beautiful copy, in morocco, of the best edition, on large paper; Sebæ
+  Rerum Naturalium Thesaurus, 4 vols., an exceedingly choice copy in rich
+  French morocco; Museum Worsleyanum, 2 vols., on large paper; Shaw,
+  Illuminated Ornaments, on large paper, the plates exquisitely illuminated
+  in gold and colours; Beroalde de Verville, Le Moyen de Parvenir, a very
+  fine copy of the rarest Elzevir edition; Cieza, Historie del Peru,
+  1560-64, rare; Boccaccio, Il Decamerone, Ven. 1492, extremely rare;
+  Consolat dels Fets Maritims, very rare; Denyaldi, Rollo
+  Northmanno-Britannicus, fine copy, and very scarce; Henninges, Theatrum
+  Genealogicum, 4 vols. in 5; Le Merre, Recueil des Notes concernant les
+  Affaires du Clergé de France, 13 vols., a beautiful copy; Mandeville, Le
+  Grande Lapidaire, 1561, an extremely rare edition; Renversement de la
+  Morale Chrétienne, rare; Verheiden in Classem Xerxis Hispani Oratio, very
+  rare; Rare Works relating to England; Books of Emblems; A curious and
+  interesting Volume in German, giving an Account of the Crusades against
+  the Turks by the Christians, printed by Bämler. in 1482; Some highly
+  interesting Historical and other Manuscripts; Finely illuminated Horæ and
+  Missals; and an interesting Fragment in the Autograph of Rousseau.</p>
+
+  <p>To be viewed Two Days prior, and Catalogues had; forwarded Free on
+  receipt of Six Postage Stamps.</p>
+
+<hr class="full" />
+
+  <p>PHOTOGRAPHIC APPARATUS, MATERIALS, and PURE CHEMICAL PREPARATIONS.</p>
+
+  <p>KNIGHT &amp; SONS' Illustrated Catalogue, containing Description and
+  Price of the best forms of Cameras and other Apparatus. Voightlander and
+  Son's Lenses for Portraits and Views, together with the various
+  Materials, and pure Chemical Preparations required in practising the
+  Photographic Art. Forwarded free on receipt of Six Postage Stamps.</p>
+
+  <p>Instructions given in every branch of the Art.</p>
+
+  <p>An extensive Collection of Stereoscopic and other Photographic
+  Specimens.</p>
+
+  <p>GEORGE KNIGHT &amp; SONS, Foster Lane, London.</p>
+
+<hr class="full" />
+
+<p><!-- Page 24 --><span class="pagenum"><a name="page24"></a>{24}</span></p>
+
+  <p>BOOKS SUITABLE FOR CHRISTMAS PRESENTS,</p>
+
+  <p>PUBLISHED BY MR. JOHN HENRY PARKER, OXFORD; AND 377. STRAND,
+  LONDON.</p>
+
+  <p>THE BOOK OF COMMON PRAYER. With Fifty Illustrations, from Designs by
+  Ancient and Modern Artists. Selected by the REV. H. J. ROSE and REV. J.
+  W. BURGON. In One handsome Volume, 8vo. The Prayer-Book is printed in
+  very large type, with the Rubrics in red. Elegantly bound in antique
+  calf, with vermillion edges, 2<i>l.</i> 2<i>s.</i></p>
+
+  <p>DAILY CHURCH SERVICES.</p>
+
+  <p>In One Portable Volume, containing the Prayers and Lessons for Daily
+  Use; or, the Course of Scripture Readings for the Year, authorised by the
+  Church. Also, a Table of the Proper Lessons for Sundays and Holydays,
+  with References to the Pages. Price 10<i>s.</i> 6<i>d.</i>, bound; or
+  16<i>s.</i> in Hayday's morocco.</p>
+
+<blockquote class="b1n">
+
+  <p>This volume will be found equally useful to those who read the Church
+  Service at home, as for those who use it at church, as the lessons and
+  services for every day are distinctly marked, forming a very suitable
+  book for a present. It is also kept by any respectable bookseller in a
+  variety of elegant bindings.</p>
+
+</blockquote>
+
+  <p>OF THE IMITATION OF CHRIST. Four Books. By THOMAS à KEMPIS. A New
+  Edition, revised, handsomely printed in fcap. 8vo., with Vignettes and
+  red floriated borders taken from the ancient MSS. Cloth, 5s. Also in
+  antique calf binding, vermillion edges, 10<i>s.</i> 6<i>d.</i></p>
+
+  <p>THE CALENDAR OF THE ANGLICAN CHURCH ILLUSTRATED. With brief Accounts
+  of the Saints who have Churches dedicated in their Names, or whose Images
+  are most frequently met with in England; the Early Christian and Mediæval
+  Symbols: and an Index of Emblems. With numerous Woodcuts, Fcap. 8vo.,
+  10<i>s.</i> 6<i>d.</i>; or bound in antique calf. 16<i>s.</i></p>
+
+  <p>A HISTORY of the CHURCH OF ENGLAND, to the REVOLUTION of 1688. By the
+  late REV. J. B. S. CARWITHEN, B.D. A new Edition, edited by the REV. W.
+  R. BROWELL, M.A., 2 vols. small 8vo., 12<i>s.</i></p>
+
+  <p>THE PILGRIM'S PROGRESS. By JOHN BUNYAN. A New Edition, adapted by the
+  REV. J. M. NEALE, M.A., for the Use of Children of the Church of England.
+  Fcap. 8vo., handsomely bound in gilt cloth, with Woodcuts, 3<i>s.</i>
+  6<i>d.</i></p>
+
+  <p>TRACTS FOR THE CHRISTIAN SEASONS. First Series. Four Vols., cloth,
+  18<i>s.</i></p>
+
+  <p>TRACTS FOR THE CHRISTIAN SEASONS. Second Series. Four Vols., cloth,
+  15<i>s.</i></p>
+
+  <p>SERMONS FOR THE CHRISTIAN SEASONS. A Series of Plain Sermons for
+  Sunday Reading. Four Vols., fcap. 8vo., 16<i>s.</i></p>
+
+  <p>A PLAIN COMMENTARY on the GOSPEL of ST. MATTHEW, with numerous
+  Illustrations. Fcap. 8vo., 6<i>s.</i> 6<i>d.</i></p>
+
+  <p>WILSON'S SACRA PRIVATA. From the original MSS. Second Edition. Fcap.
+  8vo., antique cloth, red edges, 6<i>s.</i>; antique calf, red edges,
+  12<i>s.</i></p>
+
+  <p>THE PSALTER AND THE GOSPEL. The Life, Suffering, and Triumph of our
+  Blessed Lord, revealed in the Book of Psalms. Fcap. 8vo., uniform with
+  the Plain Commentary on the Four Holy Gospels. 2<i>s.</i></p>
+
+<blockquote class="b1n">
+
+  <p>A selection of the most striking of the parallel passages contained in
+  the Psalter and the Gospel.</p>
+
+</blockquote>
+
+  <p>SCOTLAND and the SCOTTISH CHURCH. By the REV. HENRY CASWALL, M.A.,
+  Vicar of Figheldean, Wilts; Author of "America and the American Church."
+  &amp;c. &amp;c., and a Proctor in Convocation for the Diocese of
+  Salisbury. Fcap. 8vo., 5<i>s.</i></p>
+
+  <p>A SHORT EXPLANATION of the NICENE CREED, for the Use of Persons
+  beginning the Study of Theology. By A. P. FORBES, D.C.L., Bishop of
+  Brechin. Fcap 8vo., cloth, 6<i>s.</i></p>
+
+  <p>TEN SERMONS IN ILLUSTRATION OF THE CREED. By the REV. W. G. TUPPER,
+  Warden of the House of Charity, Soho; and late Scholar of Trinity
+  College, Oxford. Fcap. 8vo., cloth, 4<i>s.</i></p>
+
+<blockquote class="b1n">
+
+  <p>"In his 'Sermons on the Creed,' Mr. Tupper has condensed, with much
+  painstaking, and an evident sense of deep responsibility, the dogmatic
+  teaching of the Church."&mdash;<i>Christian Remembrancer.</i></p>
+
+</blockquote>
+
+  <p>A NEW EDITION of DAILY STEPS TOWARDS HEAVEN. A Small Pocket Volume,
+  containing a few Practical Thoughts on the Gospel History; with Texts for
+  every Day in the Year, commencing with Advent. Fifth Edition. In roan
+  binding, gilt edges, 2<i>s.</i> 6<i>d.</i></p>
+
+  <p>DESCRIPTIONS OF CANAAN; being an Account of the Mountains, Rivers, and
+  Towns of the Holy Land. By the REV. C. P. WILBRAHAM. Fcap. 8vo., with
+  Map, cloth, 1<i>s.</i></p>
+
+  <p>*** This Manual is particularly adapted to the use of Parochial
+  Schools.</p>
+
+<hr class="short" />
+
+  <p><b>TALES AND STORIES FOR CHRISTMAS.</b></p>
+
+  <p>OLD CHRISTMAS. A Tale. 16mo. 6<i>d.</i></p>
+
+  <p>THE SINGERS OF THE SANCTUARY, and the MISSIONARY. Two Tales. By the
+  Author of "Angels' Work." 16mo. 2<i>s.</i> 6<i>d.</i></p>
+
+  <p>ANGELS' WORK; or, the Choristers of St. Mark's. Second Edition.
+  2<i>s.</i></p>
+
+  <p>ANN ASH; or, the History of a Foundling. A Narrative founded on Fact.
+  By the Author of "Charlie Burton," "The Broken Arm," &amp;c. 18mo.
+  2<i>s.</i></p>
+
+  <p>KENNETH; or, the Rear Guard of the Grand Army. By the Author of
+  "Scenes and Characters," "Kings of England," "Heir of Redclyffe," &amp;c.
+  Second Edition. Fcap. 8vo. 5<i>s.</i></p>
+
+  <p>SPECULATION A Tale. By the REV. W. E. HEYGATE. Fcap. 8vo.
+  5<i>s.</i></p>
+
+  <p>PASTOR OF WELBOURNE AND HIS FLOCK. 18mo. 2<i>s.</i></p>
+
+  <p>LITTLE MARY. Third Edition. 18mo. 1<i>s.</i></p>
+
+  <p>HENRY VERNON; or, the Little Anglo-Indian. A New Edition. 18mo.
+  1<i>s.</i></p>
+
+  <p>ADA'S THOUGHTS; or, the Poetry of Youth. Fcap. 8vo., cloth, gilt
+  edges, 2<i>s.</i> 6<i>d.</i> (Just Ready.)</p>
+
+<hr class="short" />
+
+  <p><b>SMALL BOOKS FOR PRESENTS.</b></p>
+
+  <p>THE PRACTICAL CHRISTIAN'S LIBRARY: a Series of Cheap Publications for
+  General Circulation.</p>
+
+<table class="nob">
+<tr><td style="text-align:right" colspan="2"><i>s.</i></td><td style="text-align:right">&nbsp; &nbsp; <i>d.</i></td></tr>
+<tr><td>Learn to Die (Sutton)</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>Private Devotions (Spinckes)</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>The Imitation of Christ (à Kempis)</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>Manual of Prayer for the Young (Ken)</td><td style="text-align:right">0</td><td style="text-align:right">6</td></tr>
+<tr><td>The Golden Grove (Taylor)</td><td style="text-align:right">0</td><td style="text-align:right">9</td></tr>
+<tr><td>Life of Ambrose Bonwicke</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>Life of Bishop Bull (Nelson)</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>Companion to the Prayer Book</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>Selections from Hooker (Keble)</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>Practical Christian (Sherlock). Part I.<br />
+2<i>s.</i>; Part II. 2<i>s.</i>; 1 vol.</td><td style="text-align:right">4</td><td style="text-align:right">0</td></tr>
+<tr><td>Learn to Live (Sutton)</td><td style="text-align:right">2</td><td style="text-align:right">0</td></tr>
+<tr><td>Doctrine of the English Church (Heylin)</td><td style="text-align:right">0</td><td style="text-align:right">8</td></tr>
+<tr><td>Holy Living (Bp. Taylor)</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>Holy Dying (Bp. Taylor)</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>Tracts on the Church (Jones of Nayland)</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>The Figurative Language of Holy Scripture &nbsp; &nbsp;<br />
+(Jones of Nayland)</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>Confessions of St. Augustine</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>Exposition of the Catechism (Nicholson)</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>Thoughts on Religion (Pascal)</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>Wilson on the Lord's Supper</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>Wilson's Sacra Privata</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+</table>
+
+  <p><b>LITTLE BOOKS FOR PRESENTS,</b></p>
+
+  <p>SELECTED FROM THE PAROCHIAL TRACTS.</p>
+
+<table class="nob">
+<tr><td style="text-align:right" colspan="2"><i>s.</i></td><td style="text-align:right">&nbsp; &nbsp; <i>d.</i></td></tr>
+<tr><td>Words of Advice and Warning, limp</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>Baptism, limp</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>The Chief Truths, limp</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>The Church Service, limp</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>The Holy Catholic Church, limp</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>Tracts on the Ten Commandments, limp</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>Confirmation, limp</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>The Lord's Supper, limp</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>Meditation and Payer, limp</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>Tracts for Female Penitents, limp</td><td style="text-align:right">1</td><td style="text-align:right">6</td></tr>
+<tr><td>Tracts on the Prayer Book, cloth</td><td style="text-align:right">3</td><td style="text-align:right">0</td></tr>
+<tr><td>Daily Office for the Use of Families, roan</td><td style="text-align:right">1</td><td style="text-align:right">0</td></tr>
+<tr><td>Tales and Allegories, illustrated, cloth, gilt &nbsp; &nbsp;</td><td style="text-align:right">3</td><td style="text-align:right">6</td></tr>
+<tr><td>Parochial Tales, cloth, gilt</td><td style="text-align:right">2</td><td style="text-align:right">6</td></tr>
+<tr><td>Tracts for Cottagers, cloth, gilt</td><td style="text-align:right">2</td><td style="text-align:right">0</td></tr>
+<tr><td>Devotions for the Sick, cloth</td><td style="text-align:right">2</td><td style="text-align:right">6</td></tr>
+</table>
+
+<hr class="short" />
+
+  <p>THE PENNY POST for 1853 is now ready, bound in cloth, lettered, with
+  Frontispiece, price 1<i>s.</i> 6<i>d.</i></p>
+
+<hr class="short" />
+
+  <p>JOHN HENRY PARKER, Oxford; and 377. Strand, London.</p>
+
+<hr class="full" />
+
+  <p>Printed by <span class="sc">Thomas Clark Shaw</span>, of No. 10.
+  Stonefield Street, in the Parish of St. Mary, Islington, at No. 5. New
+  Street Square, in the Parish of St. Bride, in the City of London; and
+  published by <span class="sc">George Bell</span>, of No. 186. Fleet
+  Street, in the Parish of St. Dunstan in the West, in the City of London,
+  Publisher, at No. 186. Fleet Street aforesaid.&mdash;Saturday, January 7.
+  1854.</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Number 219, January
+7, 1854, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES, QUERIES, JANUARY 7, 1854 ***
+
+***** This file should be named 27614-h.htm or 27614-h.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/2/7/6/1/27614/
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/27614-h/images/oldew.png b/27614-h/images/oldew.png
new file mode 100644
index 0000000..6ed1a6b
--- /dev/null
+++ b/27614-h/images/oldew.png
diff --git a/27614-page-images/p0001.png b/27614-page-images/p0001.png
new file mode 100644
index 0000000..9ca66e9
--- /dev/null
+++ b/27614-page-images/p0001.png
diff --git a/27614-page-images/p0002.png b/27614-page-images/p0002.png
new file mode 100644
index 0000000..d7b8496
--- /dev/null
+++ b/27614-page-images/p0002.png
diff --git a/27614-page-images/p0003.png b/27614-page-images/p0003.png
new file mode 100644
index 0000000..59c3eb1
--- /dev/null
+++ b/27614-page-images/p0003.png
diff --git a/27614-page-images/p0004.png b/27614-page-images/p0004.png
new file mode 100644
index 0000000..a25f01d
--- /dev/null
+++ b/27614-page-images/p0004.png
diff --git a/27614-page-images/p0005.png b/27614-page-images/p0005.png
new file mode 100644
index 0000000..6fef9fc
--- /dev/null
+++ b/27614-page-images/p0005.png
diff --git a/27614-page-images/p0006.png b/27614-page-images/p0006.png
new file mode 100644
index 0000000..bd1e3c3
--- /dev/null
+++ b/27614-page-images/p0006.png
diff --git a/27614-page-images/p0007.png b/27614-page-images/p0007.png
new file mode 100644
index 0000000..d9f889a
--- /dev/null
+++ b/27614-page-images/p0007.png
diff --git a/27614-page-images/p0008.png b/27614-page-images/p0008.png
new file mode 100644
index 0000000..157f862
--- /dev/null
+++ b/27614-page-images/p0008.png
diff --git a/27614-page-images/p0009.png b/27614-page-images/p0009.png
new file mode 100644
index 0000000..6da80a7
--- /dev/null
+++ b/27614-page-images/p0009.png
diff --git a/27614-page-images/p0010.png b/27614-page-images/p0010.png
new file mode 100644
index 0000000..89fc9ac
--- /dev/null
+++ b/27614-page-images/p0010.png
diff --git a/27614-page-images/p0011.png b/27614-page-images/p0011.png
new file mode 100644
index 0000000..58013ca
--- /dev/null
+++ b/27614-page-images/p0011.png
diff --git a/27614-page-images/p0012.png b/27614-page-images/p0012.png
new file mode 100644
index 0000000..b63aaca
--- /dev/null
+++ b/27614-page-images/p0012.png
diff --git a/27614-page-images/p0013.png b/27614-page-images/p0013.png
new file mode 100644
index 0000000..4ddd303
--- /dev/null
+++ b/27614-page-images/p0013.png
diff --git a/27614-page-images/p0014.png b/27614-page-images/p0014.png
new file mode 100644
index 0000000..3fd4689
--- /dev/null
+++ b/27614-page-images/p0014.png
diff --git a/27614-page-images/p0015.png b/27614-page-images/p0015.png
new file mode 100644
index 0000000..1b074ec
--- /dev/null
+++ b/27614-page-images/p0015.png
diff --git a/27614-page-images/p0016.png b/27614-page-images/p0016.png
new file mode 100644
index 0000000..c4e8fc7
--- /dev/null
+++ b/27614-page-images/p0016.png
diff --git a/27614-page-images/p0017.png b/27614-page-images/p0017.png
new file mode 100644
index 0000000..9aa4e1c
--- /dev/null
+++ b/27614-page-images/p0017.png
diff --git a/27614-page-images/p0018.png b/27614-page-images/p0018.png
new file mode 100644
index 0000000..f308ec0
--- /dev/null
+++ b/27614-page-images/p0018.png
diff --git a/27614-page-images/p0019.png b/27614-page-images/p0019.png
new file mode 100644
index 0000000..021925a
--- /dev/null
+++ b/27614-page-images/p0019.png
diff --git a/27614-page-images/p0020.png b/27614-page-images/p0020.png
new file mode 100644
index 0000000..64448c9
--- /dev/null
+++ b/27614-page-images/p0020.png
diff --git a/27614-page-images/p0021.png b/27614-page-images/p0021.png
new file mode 100644
index 0000000..b100033
--- /dev/null
+++ b/27614-page-images/p0021.png
diff --git a/27614-page-images/p0022.png b/27614-page-images/p0022.png
new file mode 100644
index 0000000..083ed46
--- /dev/null
+++ b/27614-page-images/p0022.png
diff --git a/27614-page-images/p0023.png b/27614-page-images/p0023.png
new file mode 100644
index 0000000..ba8309d
--- /dev/null
+++ b/27614-page-images/p0023.png
diff --git a/27614-page-images/p0024.png b/27614-page-images/p0024.png
new file mode 100644
index 0000000..08cf1fb
--- /dev/null
+++ b/27614-page-images/p0024.png
diff --git a/27614.txt b/27614.txt
new file mode 100644
index 0000000..66e8633
--- /dev/null
+++ b/27614.txt
@@ -0,0 +1,3717 @@
+The Project Gutenberg EBook of Notes and Queries, Number 219, January 7,
+1854, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, Number 219, January 7, 1854
+       A Medium of Inter-communication for Literary Men, Artists,
+       Antiquaries, Genealogists, etc
+
+Author: Various
+
+Other: George Bell
+
+Release Date: December 25, 2008 [EBook #27614]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES, QUERIES, JANUARY 7, 1854 ***
+
+
+
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+
+
+
+{1}
+
+NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+       *       *       *       *       *
+
+
+VOL. IX.--No. 219.]
+SATURDAY, JANUARY 7. 1854.
+[Price Fourpence. Stamped Edition 5d.
+
+       *       *       *       *       *
+
+
+CONTENTS.
+
+                                                        Page
+  Our Ninth Volume                                        3
+
+  NOTES:--
+  A Strawberry-Hill Gem, by Bolton Corney                 3
+  The "Ancren Riwle," by Sir F. Madden                    5
+  Order for the Suppression of Vagrancy, A.D. 1650-51,
+  by John Bruce                                           6
+  Letters of Eminent Literary Men, by Sir Henry Ellis     7
+  Burial-place of Archbishop Leighton, by Albert Way      8
+
+  MINOR NOTES:--Grammars, &c. for Public
+  Schools--"To captivate"--Bohn's Edition of Matthew of
+  Westminster--French Season Rhymes and Weather
+  Rhymes--Curious Epitaph in Tillingham Church, Essex     8
+
+  QUERIES:--
+  Domestic Letters of Edmund Burke                        9
+
+  MINOR QUERIES:--Farrant's Anthem--Ascension
+  Day Custom--Sawbridge and Knight's Numismatic
+  Collections--"The spire whose silent finger points
+  to heaven."--Lord Fairfax--Tailless Cats--
+  Saltcellar--Arms and Motto granted to Col. William
+  Carlos--Naval Atrocities--Turlehydes--Foreign Orders:
+  Queen of Bohemia--Pickard Family--Irish Chieftains--
+  General Braddock                                        9
+
+  MINOR QUERIES WITH ANSWERS:--Lawless Court,
+  Rochford, Essex--Motto on old Damask--Explanation
+  of the Word "Miser"--"Acis and Galatea"--Birm-bank--
+  General Thomas Gage                                    11
+
+  REPLIES:--
+  Rapping no Novelty, by Rev. Dr. Maitland               12
+  Occasional Forms of Prayer, by John Macray             13
+  Celtic and Latin Languages                             14
+  Geometrical Curiosity, by Professor De Morgan          14
+  The Black-guard, by P. Cunningham                      15
+  The Calves' Head Club, by Edward Peacock               15
+
+  PHOTOGRAPHIC CORRESPONDENCE:--
+  The Calotype Process--Hockin's Short Sketch--
+  Photographic Society's Exhibition                      16
+
+  REPLIES TO MINOR QUERIES:--"Firm was their
+  faith," &c.--Vellum-cleaning--Wooden Tombs--Solar
+  Eclipse in the Year 1263--Lines on Woman--Satin--
+  "Quid facies," &c.--Sotades--The Third Part of
+  "Christabel"--Attainment of Majority--Lord Halifax
+  and Mrs. C. Barton--The fifth Lord Byron--Burton
+  Family--Provost Hodgson's Translation of the Atys
+  of Catullus, &c.                                       17
+
+  MISCELLANEOUS:--
+  Notes on books, &c.                                    21
+  Books and Odd Volumes wanted                           21
+  Notices to Correspondents                              22
+
+       *       *       *       *       *
+
+
+THE SACRED GARLAND, or THE CHRISTIAN'S DAILY DELIGHT.
+
+ "Pluck a Flower."
+
+A New Edition of the above excellent and popular work will shortly be
+published in large type, crown 8vo., and may be obtained of any respectable
+bookseller in town or country.
+
+MILNER & SOWERBY, Halifax.
+
+       *       *       *       *       *
+
+
+QUEENWOOD COLLEGE, NEAR STOCKBRIDGE, HANTS.
+
+_Principal_--GEORGE EDMONDSON.
+
+_Mathematics and Natural Philosophy_.--Dr. Thos. A. Hirst, of the
+Universities of Marburg and Berlin.
+
+_Chemistry_--Dr. H. Debus, late Assistant in the Laboratory of Professor
+Bunsen, and Chemical Lecturer in the University of Marburg.
+
+_Classics and History._--Mr. John S. Mummery, L.C.P.
+
+_Modern Languages and Foreign Literature._--Mr. John Haas, from M. de
+Fellenberg's Institution, Hofwyl, Switzerland.
+
+_Geodesy._--Mr. Richard P. Wright.
+
+_Painting and Drawing._--Mr. Richard P. Wright.
+
+_English, and Junior Mathematics._--Frederick Iliff, M.A., late Scholar of
+Trinity College, Cambridge, and M.C.P.
+
+_Ditto._--Mr. William Singleton.
+
+_Music._--Mr. William Cornwall.
+
+  TERMS.
+
+  For Boys under 12 years of age 40l. per ann.
+       "   from 12 to 16         50    "
+       "   above 16              60    "
+
+For further information see Prospectus, to be had of the Principal.
+
+The First Session of 1854 commences on the 26th of January.
+
+       *       *       *       *       *
+
+
+PRINCE OF WALES'S SKETCH-BOX.--Containing Colours, Pencils, &c., with
+printed directions, as now used by the Royal Family. Price 5s.
+
+MILLER'S, Artist's Colour Manufacturer, 56 Long Acre, London: and at her
+Majesty's Steam Colour and Pencil Works, Pimlico.
+
+       *       *       *       *       *
+
+
+CHRISTMAS PRESENTS--EXPERIMENTAL CHEMISTRY.
+
+AMUSEMENT FOR LONG EVENINGS, by means of STATHAM'S Chemical Cabinets and
+Portable Laboratories, 5s. 6d., 7s. 6d., 10s. 6d., 21s., 31s. 6d., 42s.,
+63s., and upwards. Book of Experiments, 6d. "Illustrated Descriptive
+Catalogue" forwarded Free for Stamp.
+
+WILLIAM E. STATHAM, Operative Chemist, 29c. Rotherfield Street, Islington,
+London, and of Chemists and Opticians everywhere.
+
+       *       *       *       *       *
+
+
+DO YOU BRUISE YOUR OATS YET? New Oat Crushers, 2l. 15s. 6d., ditto 4l. 5s.
+6d.; Chaff Cutters, 1l. 7s. 6d., ditto 2l. 19s. 6d. Mangles, 2l. 10s. 6d.;
+Flour Mills, 4l. 10s. 6d.
+
+MARY WEDLAKE & CO., 118. Fenchurch Street.
+
+       *       *       *       *       *
+
+
+SURREY ARCHAEOLOGICAL SOCIETY.
+
+PRESIDENT.--His Grace the Duke of Norfolk.
+
+Gentlemen desiring to join the Society, are informed that Copies of the
+Rules, List of Members (upwards of 250), and Forms of Application for
+Admission, may be obtained from the Honorary Secretary.
+
+                              L. s.
+  Annual Subscription         0  10
+  Composition for Life        5   0
+
+On and after January 1, 1854, an entrance fee of 10s. will be required,
+from which those Members who join the Society during the present month will
+be exempt.
+
+  GEORGE BISH WEBB,
+          Honorary Secretary.
+
+46. Addison Road North, Notting Hill.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHIC INSTITUTION.--An EXHIBITION of PICTURES, by the most
+celebrated French, Italian, and English Photographers, embracing Views of
+the principal Countries and Cities of Europe, is now OPEN. Admission 6d. A
+Portrait taken by MR. TALBOT'S Patent Process, One Guinea; Three extra
+Copies for 10s.
+
+PHOTOGRAPHIC INSTITUTION, 168. NEW BOND STREET.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHIC SOCIETY.--The Exhibition of Photographs, Daguerreotypes, &c.,
+by the best British and Foreign Photographers, is now open daily at the
+Rooms of the Society of British Artists, Suffolk Street, Pall Mall. Members
+are admitted without payment. Admission, One Shilling. Catalogues Sixpence.
+
+  ROGER FENTON, _Hon. Sec._
+
+4th Jan. 1854.
+
+       *       *       *       *       *
+
+
+PHYSIOGNOMY OF INSANITY.--A Series of Photographic Portraits from the Life,
+
+By DR. HUGH W. DIAMOND, F.S.A.,
+
+with brief Medical Notes. To be published in occasional Parts, small
+quarto.
+
+S. HIGHLEY, 32. Fleet Street.
+
+       *       *       *       *       *
+
+
+Will be published on the 10th instant, price 4d. No. I. of the
+
+LIVERPOOL PHOTOGRAPHIC JOURNAL. Conducted by the Members of the Liverpool
+Photographic Society.
+
+Published by HENRY GREENWOOD, 16. Canning Place, Liverpool (by whom
+Advertisements will be received) and may be had through all Booksellers.
+
+       *       *       *       *       *
+
+
+HEAL & SON'S EIDER DOWN QUILT is the warmest, the lightest and the most
+elegant Covering for the Bed, the Couch, or the Carriage; and for Invalids,
+its comfort cannot be too highly appreciated. It is made in Three
+Varieties, of which a large Assortment can be seen at their Establishment.
+List of Prices of the above, together with the Catalogue of Bedsteads, sent
+Free by Post.
+
+HEAL & SON, Bedstead and Bedding Manufacturers, 196. Tottenham Court Road.
+
+       *       *       *       *       * {2}
+
+
+NEW WORKS.
+
+THE EDINBURGH REVIEW, No. CCI., JANUARY, 1854. 8vo., price 6s.
+
+              CONTENTS:
+  1. Lord John Russell's Memorials of Mr. Fox, and the Rockingham Papers.
+  2. The Blind: their Works and Ways.
+  3. Public Works in the Presidency of Madras.
+  4. Ecclesiastical Economy.
+  5. Education for the Rich and Poor.
+  6. Thackeray's Works.
+  7. The Machinery of Parliamentary Legislation.
+  8. The Ottoman Empire.
+
+LORD HOLLAND'S MEMOIRS OF THE WHIG PARTY. Edited by his Son, HENRY EDWARD
+LORD HOLLAND. Vol. II. Post 8vo. Price 9s. 6d.
+
+MEMOIRS, JOURNAL, and CORRESPONDENCE of THOMAS MOORE. Edited by the RIGHT
+HON. LORD JOHN RUSSELL, M.P. With Portraits and Vignettes. Vols. V. and
+VI., post 8vo., price 21s.
+
+LETTERS OF RACHEL LADY RUSSELL. A New Edition, including several
+unpublished Letters; together with those edited by Miss Berry. With
+Portraits, Vignettes, and Fac-simile. 2 vols. post 8vo., price 15s.
+
+A DEFENCE of the "Eclipse of Faith." by its Author; being a Rejoinder to
+Professor Newman's "Reply." Post 8vo., price 5s. 6d.
+
+ZOHRAB: or, a Midsummer Day's Dream: and other Poems. By WILLIAM THOMAS
+THORNTON, Author of "An Essay on Over-Population," "A Plea for Peasant
+Proprietors," &c. Fcp. 8vo., price 4s. 6d.
+
+REMAINS, LEGENDARY and POETICAL, of JOHN ROBY, Author of "Traditions of
+Lancashire." With a Sketch of his Literary Life and Character, by his
+Widow. Post 8vo. (_In January._)
+
+BOWDLER'S FAMILY SHAKSPEARE. A New Edition, in Volumes for the Pocket. 6
+Vols. fcap. 8vo., price 5s. each.
+
+AUTOBIOGRAPHY of B. R. HAYDON, Historical Painter. Edited, and continued to
+his Death, from his own Journals, by TOM TAYLOR, M.A., of the Inner Temple,
+Esq. Second Edition, with Additions. 3 vols. post 8vo., price 31s. 6d.
+
+MAUNDER'S BIOGRAPHICAL TREASURY. A New Edition, thoroughly revised, and
+brought down to the year 1854, by the insertion of numerous additional
+Memoirs. Fcap. 8vo. (_In January_.)
+
+Sir JAMES MACKINTOSH'S HISTORY of ENGLAND, from the Earliest Times to the
+final Establishment of the Reformation. A New Library Edition, revised by
+the Author's Son. 2 vols. 8vo., price 21s.
+
+MR. MACAULAY'S CRITICAL AND HISTORICAL ESSAYS, contributed to the
+"Edinburgh Review." New Editions, as follows:
+
+  1. Library Edition, 3 vols. 8vo., price 36s.
+  2. Complete in One Volume, with Portrait and Vignette, square crown 8vo.,
+      price 21s.; calf, 30s.
+  3. Another Edition, in 3 vols., fcap. 8vo., price 21s.
+
+A GUIDE TO GEOLOGY. By JOHN PHILLIPS, F.R.S., F.G.S. Deputy Reader in
+Geology in the University of Oxford, &c. New Edition (1854), corrected to
+the Present Time; with 4 Plates. Fcp. 8vo., price 5s.
+
+PROFESSOR BRANDE'S DICTIONARY of SCIENCE, LITERATURE, and ART. A New
+Edition, corrected; with a Supplement and Woodcuts, 8vo. price 3l.
+
+London: LONGMAN, BROWN, GREEN, & LONGMANS.
+
+       *       *       *       *       *
+
+
+ARCHAEOLOGICAL WORKS BY JOHN YONGE AKERMAN,
+
+FELLOW AND SECRETARY OF THE SOCIETY OF ANTIQUARIES OF LONDON.
+
+AN ARCHAEOLOGICAL INDEX to Remains of Antiquity of the Celtic,
+Romano-British, and Anglo-Saxon Periods. 1 vol. 8vo., price 15s. cloth,
+illustrated by numerous Engravings, comprising upwards of five hundred
+objects.
+
+A NUMISMATIC MANUAL, 1 vol. 8vo., price One Guinea.
+
+*** The Plates which illustrate this Volume are upon a novel plan, and
+will, at a glance, convey more information regarding the types of Greek,
+Roman, and English Coins, than can be obtained by many hours' careful
+reading. Instead of a fac-simile Engraving being given of that which is
+already an enigma to the tyro, the most striking and characteristic
+features of the Coin are dissected and placed by themselves, so that the
+eye soon becomes familiar with them.
+
+A DESCRIPTIVE CATALOGUE of Rare and Unedited Roman Coins, from the Earliest
+Period to the taking of Rome under Constantine Paleologos. 2 vols. 8vo.,
+numerous Plates, 30s.
+
+COINS OF THE ROMANS relating to Britain. 1 vol. 8vo. Second Edition, with
+an entirely new set of Plates, price 10s. 6d.
+
+ANCIENT COINS of CITIES and Princes, Geographically arranged and described,
+containing the Coins of Hispania, Gallia, and Britannia, with Plates of
+several hundred examples. 1 vol. 8vo., price 18s.
+
+NEW TESTAMENT, Numismatic Illustrations of the Narrative Portions of
+the.--Fine paper, numerous Woodcuts from the original Coins in various
+Public and Private Collections. 1 vol. 8vo., price 5s. 6d.
+
+AN INTRODUCTION TO THE STUDY of ANCIENT and MODERN COINS. In 1 vol. fcp.
+8vo., with numerous Wood Engravings from the original Coins, price 6s. 6d.
+cloth.
+
+    CONTENTS:--Section 1. Origin of Coinage--Greek Regal Coins. 2. Greek
+    Civic Coins. 3. Greek Imperial Coins. 4. Origin of Roman
+    Coinage--Consular Coins. 5. Roman Imperial Coins. 6. Roman British
+    Coins. 7. Ancient British Coinage. 8. Anglo-Saxon Coinage. 9. English
+    Coinage from the Conquest. 10. Scotch Coinage. 11. Coinage of Ireland.
+    12. Anglo-Gallic Coins. 13. Continental Money in the Middle Ages. 14.
+    Various Representatives of Coinage. 15. Forgeries in Ancient and Modern
+    Times. 16. Table of Prices of English Coins realised at Public Sales.
+
+TRADESMEN'S TOKENS, struck in London and its Vicinity, from the year 1648
+to 1672 inclusive. Described from the Originals in the Collection of the
+British Museum, &c. 15s.
+
+REMAINS OF PAGAN SAXONDOM, principally from Tumuli in England. Publishing
+in 4to., in Numbers, at 2s. 6d. With coloured Plates.
+
+A GLOSSARY OF PROVINCIAL WORDS and PHRASES in Use in Wiltshire. 12mo., 3s.
+
+THE NUMISMATIC CHRONICLE is published Quarterly. Price 3s. 6d. each Number.
+
+JOHN RUSSELL SMITH, 36. Soho Square, London.
+
+       *       *       *       *       *
+
+
+ALBEMARLE STREET. _January_, 1854.
+
+MR. MURRAY'S FORTHCOMING WORKS.
+
+       *       *       *       *       *
+
+I.
+
+MURRAY'S BRITISH CLASSICS. Being a Series of newly edited and beautifully
+printed Demy Octavo Library Editions of Standard English Authors, from the
+most correct Text. Vol. I. 8vo. 7s. 6d. (To be continued in Monthly
+Volumes.) (_This Day._)
+
+II.
+
+WORKS OF GOLDSMITH, printed from the last Editions revised by the Author.
+New Edition. Edited by PETER CUNNINGHAM, F.S.A. Vignettes. (To be completed
+in 4 vols.) Vol. I. 8vo. 7s. 6d. (Forming the 1_st Volume_ of MURRAY'S
+BRITISH CLASSICS.) (_Ready._)
+
+III.
+
+GIBBON'S ROMAN EMPIRE: With Notes by DEAN MILMAN and M. GUIZOT. New
+Edition. Most carefully compared, verified, and Edited, BY DR. WILLIAM
+SMITH. Maps. (To be completed in 8 vols.) Vol. I. 8vo. 7s. 6d. (Forming the
+_2nd Volume_ of MURRAY'S BRITISH CLASSICS.) (_On Feb. 2nd._)
+
+IV.
+
+THE TREASURES OF ART IN GREAT BRITAIN. Being an Account of the chief
+Collections of Paintings, Sculptures, Miniatures, &c., in England. By DR.
+WAAGEN, Director of the Royal Gallery of Pictures at Berlin. 3 vols. 8vo.
+
+V.
+
+HIMALAYAN JOURNALS; or, THE NOTES OF AN ORIENTAL NATURALIST IN BENGAL, THE
+SIKHIM AND NEPAL HIMALAYAS, THE KHASIA MOUNTAINS, ETC. By DR. JOSEPH DALTON
+HOOKER. With Map, Coloured Plates, and Woodcuts. 2 vols. 8vo.
+
+VI.
+
+SILURIA; or, a VIEW of the SILURIAN and other PRIMEVAL ROCKS, and their
+IMBEDDED REMAINS. By SIR RODERICK MURCHISON. With Coloured Map, numerous
+Plates and Woodcuts. 8vo.
+
+VII.
+
+HISTORY OF LATIN CHRISTIANITY, and that of the POPES. By REV. H. H. MILMAN,
+D.D., Dean of St. Paul's. 3 vols. 8vo.
+
+VIII.
+
+SUNLIGHT THROUGH THE MIST: or, PRACTICAL LESSONS drawn from the LIVES of
+GOOD MEN. A Sunday Book for Children. Woodcuts, 16mo. 3s. 6d. (_Ready._)
+
+IX.
+
+KUGLER'S HANDBOOK OF PAINTING. (The GERMAN, DUTCH, FRENCH, and SPANISH
+SCHOOLS.) Edited by SIR EDMUND HEAD. With Illustrations. 2 vols. Post 8vo.
+24s.
+
+X.
+
+FARINI'S HISTORY OF THE ROMAN STATE. Translated from the Italian, by a
+LADY, under the Direction of the RIGHT HON. W. E. GLADSTONE, M.P. Vol. IV.
+(completing the Work). 8vo.
+
+XI.
+
+HISTORY OF YUCATAN, from its Discovery to the Close of the 17th Century. By
+C. ST. JOHN FANCOURT, recently H.M. Superintendent of the British
+Settlements in the Bay of Honduras. With Map. 8vo. (_Uniform with
+Prescott's Mexico._)
+
+XII.
+
+THE CONSTITUTION OF THE UNITED STATES COMPARED WITH OUR OWN. By H. S.
+TREMENHEERE. Post 8vo.
+
+       *       *       *       *       *
+
+
+{3}
+
+_LONDON, SATURDAY, JANUARY_ 7, 1854.
+
+       *       *       *       *       *
+
+OUR NINTH VOLUME.
+
+The commencement of a New Year, and of our Ninth Volume, imposes upon Us
+the pleasant duty of wishing many happy returns of the season to all our
+Friends, Correspondents, and Readers.
+
+Those of the latter class, who have so earnestly impressed upon Us the
+propriety and advisableness of placing our Advertisements on the outside
+leaves of each Number, will see that their wishes have at length been
+complied with. We trust they will be pleased with this change, and receive
+it as a proof of our readiness to attend to every reasonable suggestion for
+the improve of "NOTES AND QUERIES." We can assure them that it is no less
+our desire to do so than our interest.
+
+       *       *       *       *       *
+
+
+Notes.
+
+A STRAWBERRY-HILL GEM.
+
+    "_Pour qui se donne la peine de chercher, il y a toujours quelque
+    trouvaille a faire, meme dans ce qui a ete le plus visite_.--Henry
+    PATIN.
+
+I take up a work of European celebrity, and reflect awhile on its
+bibliographic peculiarities--which may almost pass for romance.
+
+It is a _Scottish_ work with regard to the family connexion of its author:
+it is an _Irish_ work with regard to the place of his nativity. It is an
+_English_ work as to the scenes which it represents; a _French_ work as to
+the language in which it was written; a _Dutch_ work as to the country in
+which it came to light. It was formerly printed anonymously: it has since
+borne the name of its author. It was formerly printed for public sale: it
+has been twice printed for private circulation. It was formerly classed as
+fiction: it is now believed to be history.
+
+But we have too many enigmas in the annals of literature, and I must not
+add to the number. The work to which I allude is the _Memoires du comte de
+Grammont par le comte Antoine Hamilton_.
+
+The various indications of a projected re-impression of the work remind me
+of my _portefeuille Hamiltonien_, and impose on me the task of a partial
+transcription of its contents.
+
+Of the numerous editions of the _Memoires de Grammont_ as recorded by
+Brunet, Renouard, or Querard, or left unrecorded by those celebrated
+bibliographers, I shall describe only four; which I commend to the critical
+examination of future editors:
+
+    1. "_Memoires de la vie du comte de Grammont; contenant
+    particulierement l'histoire amoureuse de la cour d'Angleterre, sous le
+    regne de Charles II._ A Cologne, chez Pierre Marteau, 1713. 12^o, pp. 4
+    + 428.
+
+    "AVIS DU LIBRAIRE.--Il seroit inutile de recommander ici la lecture des
+    memoires qui composent ce volume: le titre seul de _Memoires du comte
+    de Grammont_ reveillera sans doute la curiosite du public pour un homme
+    qui lui est deja si connu d'ailleurs, tant par la reputation qu'il a
+    scu se faire, que par les differens portraits qu'en ont donnez Mrs. de
+    Bussi et de St. Evremont, dans leurs ouvrages; et l'on ne doute
+    nullement qu'il ne recoive, avec beaucoup de plaisir, un livre, dans
+    lequel on lui raconte ses avantures, sur ce qu'il en a bien voulu
+    raconter lui-meme a celui qui a pris la peine de dresser ces memoires.
+
+    "Outre les avantures du comte de Grammont, ils contiennent
+    particulie[re]ment l'histoire amoureuse de la cour d'Angleterre, sous
+    le regne de Charles II; et, comme on y decouvre quantite de choses, qui
+    ont ete tenues cachees jusqu'a present, et qui font voir jusqu'a quel
+    exces on a porte le dereglement dans cette cour, ce n'est pas le
+    morceau le moins interessant de ces memoires.
+
+    "On les donne ici sur une copie manuscrite, qu'on en a recue de Paris:
+    et on les a fait imprimer avec le plus d'exactitude qu'il a ete
+    possible."
+
+The above is the _first_ edition. The imprint is fictitious. It was much
+used by the Elzevirs, and by other Dutch printers. The second edition, with
+the same imprint, is dated in 1714 (Cat. de Guyon de Sardiere, No. 939.).
+The third edition was printed at Rotterdam in 1716. The _avis_ is omitted
+in that edition, and in all the later impressions which I have seen. Its
+importance as a history of the publication induces one to revive it. There
+is also an edition printed at Amsterdam in 1717 (Cat. de Lamy, No. 3918.);
+and another at La Haye in 1731 (Cat. de Rothelin, No. 2534*). Brunet omits
+the edition of 1713. Renouard and Querard notice it too briefly.
+
+    2. "_Memoires du comte de Grammont, par monsieur le comte Antoine
+    Hamilton. Nouvelle edition, augmentee d'un discours preliminaire mele
+    de prose et de vers, par le meme auteur, et d'un avertissement
+    contenant quelques anecdotes de la vie du comte Hamilton._ A Paris,
+    chez la veuve Pissot, Quay de Conti, a la croix d'or. 1746." 12^o. pp.
+    24 + 408.
+
+    "AVERTISSEMENT. Le public a fait un accueil si favorable a ces
+    _Memoires_, que nous avons cru devoir en procurer une nouvelle edition.
+    Outre les avantures du comte de Grammont, tres-piquantes par
+    elles-memes, ils contiennent l'histoire amoureuse d'Angleterre sous le
+    regne de Charles II. Ils sont d'ailleurs ecrits d'une maniere si vive
+    et si ingenieuse, qu'ils ne laisseroient pas de plaire infiniment,
+    quand la matiere en seroit moins interessante.
+
+    "Le heros de ces _Memoires_ a trouve dans le comte Hamilton un
+    historien digne de lui. Car on n'ignore plus qu'ils sont partis de la
+    meme main a qui l'on doit encore d'autres ouvrages frappes au meme
+    coin.
+
+    "Nous avons enrichi cette edition d'un discours mele de prose et de
+    vers, ou l'on exagere la difficulte qu'il y a de bien representer le
+    comte de Grammont. On reconnoitra facilement que ce discours est du
+    meme auteur que les _Memoires_, et qu'il devoit naturellement en {4}
+    orner le frontispice. Au reste il ne nous appartient point d'en
+    apprecier le merite. Nous dirons seulement que des personnes d'un gout
+    sur et delicat le comparent au _Voyage de Chapelle_, et qu'ils y
+    trouvent les memes graces, le meme naturel et la meme legerete.
+
+    "Il ne nous reste plus qu'a dire un mot de M. Hamilton lui-meme, auteur
+    de ces memoires, et du discours qui les precede.
+
+    "Antoine Hamilton dont nous parlons, etoit de l'ancienne et illustre
+    maison de ce nom en Ecosse. Il naquit en Irlande. Il eut pour pere le
+    chevalier Georges Hamilton, petit-fils du duc d'Hamilton, qui fut aussi
+    duc de Chatelleraud en France.
+
+    "Sa mere etoit madame Marie Butler, soeur du duc d'Ormond, viceroi
+    d'Irlande, et grand maitre de la maison du roi Charles.
+
+    "Dans les revolutions qui arriverent du tems de Cromwel, ils suivirent
+    le roi et le duc d'Yorck son frere qui passerent en France. Ils y
+    amenerent leur famille. Antoine ne faisoit a peine que de naitre.
+
+    "Lorsque le roi fut retabli sur son trone, il ramena en Angleterre les
+    jeux et la magnificence. On voit dans les memoires de Grammont combien
+    cette cour etoit brillante; la curiosite y attira le comte de Grammont.
+    Il y vit mademoiselle d'Hamilton, il ne tarda pas a sentir le pouvoir
+    de ses charmes, il l'epousa enfin; et c'est la tendresse qu'_Antoine_
+    avoit pour sa soeur, qui l'engagea a faire plusieurs voyages en France,
+    ou il etoit eleve, et ou il a passe une partie de sa vie.
+
+    "M. Antoine Hamilton etant catholique, il ne put obtenir d'emploi en
+    Angleterre; et rien ne fut capable d'ebranler ni sa religion, ni la
+    fidelite qu'il devoit a son roi.
+
+    "Le roi Jaques etant monte sur le trone, il lui donna un regiment
+    d'infanterie en Irlande et le gouvernement de Limeric. Mais ce prince,
+    ayant ete oblige de quitter ses etats le comte Hamilton repassa avec la
+    famille royale en France. C'est-la et pendant le long sejour qu'il y a
+    fait, qu'il a compose les divers ouvrages qui lui ont acquis tant de
+    reputation. Il mourut a S. Germain le 21 Avril 1720. dans de grands
+    sentimens de piete, et apres avoir recu les derniers sacremens. Il
+    etoit age alors d'environ 74 ans. Il a merite les regrets de tous ceux
+    qui avoient le bonheur de le connoitre. Ne serieux, il avoit dans
+    l'esprit tous les agremens imaginables; mais ce qui est plus digne de
+    louanges, a ces agremens, qui vent frivoles sans la vertu, il joignoit
+    toutes les qualitez du coeur."
+
+If the above _avertissement_ first appeared in 1746, which I have much
+reason to conclude, this is certainly a very important edition. The
+biographical portion of the advertisement is the foundation of the later
+memoirs of Hamilton. In the Moreri of 1759, we have it almost _verbatim_,
+but taken from the _Oeuvres du comte Antoine Hamilton_, 1749. Neither
+Brunet, nor Renouard, nor Querard notice the edition of 1746. The copy
+which I have examined has the book-plate G. III. R.
+
+    3. "_Memoires du comte de Grammont, par le C. Antoine Hamilton_. 1760."
+    [De l'imprimerie de Didot, rue Pavee, 1760.] 12^o. I. partie, pp. 36 +
+    316. II. partie, pp. 4 + 340.
+
+This edition has the same _avertissement_ as that of 1746. The imprint is
+M.DCC.LX. The type resembles our small pica, and the paper has the
+water-mark _Auvergne_ 1749. At the end of the second part appears, _De
+l'imprimerie de Didot, rue Pavee_, 1760. This must be M. Francois Didot of
+Paris. I find the same colophon in the _Bibliographie instructive_, 1763-8.
+v. 631. This very neat edition has also escaped the aforesaid bibliographic
+trio!
+
+    4. "_Memoires du comte de Grammont, par monsieur le comte Antoine
+    Hamilton_. _Nouvelle edition_, _augmentee de notes et d'eclaircissemens
+    necessaires, par M. Horace Walpole_. Imprimee a Strawberry-Hill. 1772."
+    4^o, pp. 24 + 294. 3 portraits.
+
+    [Dedication.] "A madame....
+
+    "L'editeur vous consacre cette edition, comme un monument de son
+    amitie, de son admiration, et de son respect; a vous, dont les graces,
+    l'esprit, et le gout retracent au siecle present le siecle de Louis
+    quatorze et les agremens de l'auteur de ces memoires."
+
+Such are the inscriptions on the _Strawberry-Hill gem_. Much has been said
+of its brilliancy--and so, for the sake of novelty, I shall rather dwell on
+its flaws.
+
+The volume was printed at the private press of M. Horace Walpole at
+Strawberry-Hill, and the impression was limited to one hundred copies, of
+which thirty were sent to Paris. So much for its attractions--now for its
+flaws. In reprinting the dedication to madame du Deffand, I had to insert
+_eight_ accents to make decent French of it! The _avis_ is a mere medley of
+fragments: I could not ask a compositor to set it up! The _avertissement_
+is copied, without a word of intimation to that effect, from the edition of
+1746. The notes to the _epitre_ are also copied from that edition, except
+_L'abbe de Chaulieu_; and two of the notes to the memoirs are from the same
+source. The other notes, in the opinion of sir William Musgrave, are in
+part taken from an erroneous printed _Key_. Where are the
+_eclaircissements_? I find none except a list of proper names--of which
+about one-third part is omitted!
+
+In quoting Brunet, I have used the fourth edition of the _Manuel du
+libraire_, 1842-4; in quoting Renouard, I refer to the _avis_ prefixed to
+the _Oeuvres du comte Antoine Hamilton_, 1812; in quoting Querard, to _La
+France litteraire_, 1827-39. The other references are to sale catalogues.
+The titles of the books described, and the extracts, are given _literatim_,
+and, except as above noted, with the same accentuation and punctuation.
+
+To revert to the question of a new edition: I should prefer the French
+text, for various reasons, to any English translation that could be made.
+That of Abel Boyer is wretched burlesque!
+
+The chief requirements of a French edition would be, a collation of the
+editions of 1713 and 1746--the rectification of the names of persons {5}
+and places--a revision of the punctuation--and a strict conformity, as to
+general orthography and accentuation, with the _Dictionnaire de l'Academie
+francaise_, as edited in 1835. The substance of the _avis_ of 1713 might be
+stated in a preface; and the _avertissement_ of 1746, a clever composition,
+would serve as an introduction and memoir of the author. Those who doubt
+its value may consult the _Grand dictionnaire historique_, and the
+_Biographie universelle_. As one hundred and sixty persons are noticed in
+the work, brevity of annotation is very desirable. It would require much
+research. The manuscript notes of sir William Musgrave would, however, be
+very serviceable--more so, I conceive, than the printed notes of M. Horace
+Walpole.
+
+As the indications of a projected re-impression may be fallacious, I shall
+conclude with a word of advice to inexperienced collectors. Avoid the
+_jolie edition_ printed at Paris by F. A. Didot, _par ordre de monseigneur
+le comte d'Artois_, in 1781. It is the very worst specimen of editorship.
+Avoid also the London edition of 1792. The preface is a piratical
+pasticcio; the verbose notes are from the most accessible books; the
+portraits, very unequal in point of execution, I believe to be chiefly
+copies of prints--not _d'apres des tableaux originaux_. The most desirable
+editions are, 1. The edition of 1760; 2. That of 1772, as a _curiosity_; 3.
+That edited by M. Renouard, Paris, 1812, 18^o. 2 vols.; 4. That edited by
+M. Renouard in 1812, 8^o. with eight portraits. The latter edition forms
+part of the _Oeuvres du comte Antoine Hamilton_ in 3 vols. It seldom occurs
+for sale.
+
+BOLTON CORNEY.
+
+       *       *       *       *       *
+
+THE "ANCREN RIWLE."
+
+The publication of this valuable semi-Saxon or Early English treatise on
+the duties of monastic life, recently put forth by the Camden Society,
+under the editorship of the Rev. James Morton, is extremely acceptable, and
+both the Society and the editor deserve the cordial thanks of all who are
+interested in the history of our language. As one much interested in the
+subject, and who many years since entertained the design now so ably
+executed by Mr. Morton, I may perhaps be allowed to offer a few remarks on
+the work itself, and on the manuscripts which contain it. Mr. Morton is
+unquestionably right in his statement that the Latin MS. in Magdalen
+College, Oxford, No. 67., is only an abridged translation of the original
+vernacular text. Twenty-three years ago I had access to the same MS. by
+permission of the Rev. Dr. Routh, the President of Magdalen College, and
+after reading and making extracts from it[1], I came to the same conclusion
+as Mr. Morton. It hardly admits, I think, of a doubt; for even without the
+internal evidence furnished by the Latin copy, the age of the manuscripts
+containing the Early English text at once set aside the supposition that
+Simon of Ghent (Bishop of Salisbury from 1297 to 1315) was the original
+author of the work. The copy in Corpus Christi College, Cambridge, I have
+not seen, but of the three copies in the British Museum I feel confident
+that the one marked Cleopatra C. vi. was actually written before Bishop
+Simon of Ghent had emerged from the nursery. This copy is not only the
+oldest, but the most curious, from the corrections and alterations made in
+it by a somewhat later hand, the chief of which are noticed in the printed
+edition. The collation, however, of this MS. might have been, with
+advantage, made more minutely, for at present many readings are passed
+over. Thus, at p. 8., for _unweote_ the second hand has _congoun_; at p.
+62., for _herigen_ it has _preisen_; at p. 90., for _on cheafle_, it reads
+_o muthe_, &c. The original hand has also some remarkable variations, which
+would cause a suspicion that this was the first draft of the author's work.
+Thus, at p. 12., for _scandle_, the first hand has _schonde_; at p. 62.,
+for _baldeliche_ it reads _bradliche_; at p. 88., for _nout for_, it has
+_anonden_, and the second hand _aneust_; at p. 90., for _sunderliche_ it
+reads _sunderlepes_, &c. All these, and many other curious variations, are
+not noticed in the printed edition. On the fly-leaf of this MS. is written,
+in a hand of the time of Edward I., as follows: "_Datum abbatie et
+conventui de Leghe per Dame M. de Clare._" The lady here referred to was
+doubtless Maud de Clare, second wife of Richard de Clare, Earl of Hereford
+and Gloucester, who, at the beginning of the reign of Edward I., is known
+to have changed the Augustinian Canons of Leghe, in Devonshire, into an
+abbess and nuns of the same order; and it was probably at the same period
+she bestowed this volume on them. The conjecture of Mr. Morton, that Bishop
+Poore, who died in 1237, might have been the original author of the _Ancren
+Riwle_, is by no means improbable, and deserves farther inquiry. The error
+as to Simon of Ghent is due, in the first place, not to Dr. Smith, but to
+Richard James (Sir Robert Cotton's librarian), who wrote on the fly-leaves
+of all the MSS. in the Cottonian Library a note of their respective
+contents, and who is implicitly followed by Smith. Wanley is more blamable,
+and does not here evince his usual critical accuracy, but (as remarked by
+Mr. Morton) he could only have looked at a few pages of the work. The real
+fact seems to be that Simon of Ghent made the abridged Latin version of the
+seven books of the _Riwle_ now preserved in Magdalen College, and this
+supposition may well enough be reconciled with the words of Leland, who
+says of him,--
+
+    "Edidit inter caetera, libros _septem_ de Vita Solitaria, {6} ad
+    Virgines Tarentinas, Duriae cultrices."--_Comment_., p. 316.
+
+A second copy of the Latin version was formerly in the Cottonian collection
+(Vitellius E. vii.), but no fragment of it has hitherto been recovered from
+the mass of burnt crusts and leaves left after the fire of 1731. I am
+happy, however, to add, that within the last few months, the manuscript
+marked Vitellius F. vii., containing a French translation of the _Riwle_,
+made in the fourteenth century (very closely agreeing with the vernacular
+text), has been entirely restored, except that the top margins of the
+leaves have been burnt at each end of the volume. This damage has,
+unfortunately, carried away the original heading of the treatise, and the
+title given us by Smith is copied partly from James's note. This copy of
+the French version appears to be unique, and is the more interesting from
+its having a note at the end (now half obliterated by the fire), stating
+that it belonged to Eleanor de Bohun, Duchess of Gloucester, whose motto is
+also added, "_Plesance. M [mil]. en vn_." The personage in question was
+Eleanor, daughter of Humphrey de Bohun, Earl of Hereford, and wife of
+Thomas of Woodstock, who ended her days as a nun in the convent at Barking
+in 1399. Is any other instance known of the use of this motto? Before I
+conclude these brief remarks, I may mention a _fifth_ copy of the _Ancren
+Riwle_, which has escaped the notice of Mr. Morton. It is buried in the
+enormous folio manuscript of old English poetry and prose called the Vernon
+MS., in the Bodleian Library, written in the reign of Richard II., and
+occurs at pp. 371^b.--392. In the table of contents prefixed to this volume
+it is entitled "The Roule of Reclous;" and although the phraseology is
+somewhat modernised, it agrees better with the MS. Cleopatra C. vi, than
+with Nero A. xiv., from which Mr. Morton's edition is printed. This copy is
+not complete, some leaves having been cut out in the sixth book, and the
+scribe leaves off at p. 420. of the printed edition.
+
+It is very much to be wished that Mr. Morton would undertake the task of
+editing another volume of legends, homilies, and poems, of the same age as
+the _Ancren Riwle_, still existing in various manuscripts. One of the
+homilies, entitled "Sawles Warde," in the Bodley MS. 34., Cott. MS. Titus
+D. xviii., and Old Royal MS. 17A. xxvii., is very curious, and well
+deserves to be printed.
+
+F. MADDEN.
+
+British Museum.
+
+[Footnote 1: At p. viii. of Mr. Morton's preface, for "yerze" (eye), my
+extracts read "yze."]
+
+       *       *       *       *       *
+
+ORDER FOR THE SUPPRESSION OF VAGRANCY, A.D. 1650-51.
+
+At a time when the question of "What is to be done with our vagrant
+children?" is occupying the attention of all men of philanthropic minds, it
+may be worth while to give place in your pages to the following order
+addressed by the Lord Mayor of London to his aldermen in 1650-51, which
+applies, amongst other things, to that very subject. It will be seen that
+some of the artifices of beggary in that day were very similar to those
+with which we are now but too familiar. The difference of treatment between
+vagrant children over and under nine years of age, is worthy of
+observation.
+
+    "BY THE MAYOR.
+
+    "Forasmuch as of late the constables of this city have neglected to put
+    in execution the severall wholsome laws for punishing of vagrants, and
+    passing them to the places of their last abode, whereby great scandall
+    and dishonour is brought upon the government of this city; These are
+    therefore to will and require you, or your deputy, forthwith to call
+    before you the several constables within your ward, and strictly to
+    charge them to put in execution the said laws, or to expect the penalty
+    of forty shillings to be levyed upon their estates, for every vagrant
+    that shal be found begging in their several precincts. And to the end
+    the said constables may not pretend ignorance, what to do with the
+    several persons which they shal find offending the said laws, these are
+    further to require them, that al aged or impotent persons who are not
+    fit to work, be passed from constable to constable to the parish where
+    they dwel; and that the constable in whose ward they are found begging,
+    shal give a passe under his hand, expressing the place where he or she
+    were taken, and the place whither they are to be passed. _And for
+    children under five years of age, who have no dwelling, or cannot give
+    an account of their parents, the parish where they are found are to
+    provide for them; and for those which shall bee found lying under
+    stalls, having no habitation or parents (from five to nine years old),
+    are to be sent to the Wardrobe House_[2], _to be provided for by the
+    corporation for the poore; and all above nine years of age are to be
+    sent to Bridewel._ And for men or women who are able to work and goe
+    begging with young children, such persons for the first time to be
+    passed to the place of their abode as aforesaid; and being taken
+    againe, they are to be carryed to Bridewel, to be corrected according
+    to the discretion of the governours. _And for those persons that shal
+    be found to hire children, or go begging with children not sucking,
+    those children are to be sent to the several parishes wher they dwel,
+    and the persons so hiring them to Bridewel, to be corrected and passed
+    away, or kept at work there, according to the governour's discretion._
+    And for al other vagrants and beggars under any pretence whatsoever, to
+    be forthwith sent down to Bridewel to be imployed and corrected,
+    according to the statute laws of this commonwealth, except before
+    excepted; and the president and governours of Bridewel are hereby
+    desired to meet twice every week to see to the execution of this
+    Precept. _And the steward of the workehouse called the Wardrobe, is {7}
+    authorised to receive into that house such children as are of the age
+    between five and nine, as is before specified and limited_; and the
+    said steward is from time to time to acquaint the corporation for the
+    poor, what persons are brought in, to the end they may bee provided
+    for. Dated this four and twentyeth day of January, 1650.
+
+    SADLER."
+
+JOHN BRUCE.
+
+[Footnote 2: I suppose this to have been the ancient building known by the
+name of The Royal, or The Tower Royal, used for a time as the Queen's
+Wardrobe. It will be seen that it was occupied in 1650 as a workhouse.]
+
+       *       *       *       *       *
+
+LETTERS OF EMINENT LITERARY MEN.
+
+    Sir,
+
+    I send you, as a New Year's Gift for your "N. & Q.," transcripts of
+    half-a-dozen Letters of Eminent Literary Men, specimens of whose
+    correspondence it will do your work no discredit to preserve,
+
+  Yours faithfully,
+          HENRY ELLIS.
+
+British Museum, Dec. 26, 1853.
+
+I.
+
+_Dean Swift to_ * * * * * * *.
+
+[MS. Addit., Brit. Mus., 12,113. _Orig_.]
+
+    Belcamp, Mar. 14th.
+
+    Sir,
+
+    Riding out this morning to dine here with Mr. Grattan, I saw at his
+    house the poor lame boy that gives you this: he was a servant to a
+    plow-man near Lusk, and while he was following the plow, a dog bit him
+    in the leg, about eleven weeks ago. One Mrs. Price endeavored six weeks
+    to cure him, but could not, and his Master would maintain him no
+    longer. Mr. Grattan and I are of opinion that he may be a proper object
+    to be received into Dr. Stephen's Hospital. The boy tells his story
+    naturally, and Mr. Grattan and I took pity of him. If you find him
+    curable, and it be not against the rules of the Hospitall, I hope you
+    will receive him.
+
+  I am, Sir,
+    Your most humble Servt.
+          JONATH. SWIFT.
+
+II.
+
+_The Rev. Thomas Baker to Mr. Humphry Wanley_.
+
+[Harl. MS. 3778, Art. 43. _Orig_.]
+
+    Cambridge, Oct. 16th [1718].
+
+    Worthy Sir
+
+    I am glad to hear Mrs. Elstob is in a condition to pay her debts, for
+    me she may be very easy: tho' I could wish for the sake of the
+    University (tho' I am no way engaged, having taken up my obligation)
+    that you could recover the Book, or at least could find where it is
+    lodged, that Mr. Brook may know where to demand it. This, I presume,
+    may be done.
+
+    If you have met with Books printed by Guttenberg, you have made a great
+    discovery. I thought there had been none such in the world, and began
+    to look upon Fust as the first Printer. I have seen the Bishop of Ely's
+    Catholicon (now with us), which, for aught I know, may have been
+    printed by Guttenberg; for tho' it be printed at Ments, yet there is no
+    name of the Printer, and the character is more rude than Fust's
+    Tullie's Offices, whereof there are two Copies in 1465 and 1466, the
+    first on vellum, the other on paper.
+
+    May I make a small enquiry, after the mention of so great a name as
+    Guttenberg? I remember, you told me, my Lord Harley had two Copies of
+    Edw. the Sixth's first Common Prayer Book. Do you remember whether
+    either of them be printed by Grafton, the King's Printer? I have seen
+    four or five Editions by Whitchurch, but never could meet with any by
+    Grafton, except one in my custody, which I shall look upon to be a
+    great Rarity, if it be likewise wanting to my Lord's Collection. It
+    varies from all the other Copies, and is printed in 1548. All the rest,
+    I think, in 1549. One reason of my enquiry is, because I want the
+    Title, for the date is at the end of the Book, and indeed twice; both
+    on the end of the Communion Office, and of the Litany. But I beg your
+    pardon for so small an enquiry, whilst you are in quest of Guttenberg
+    and Nic. Jenson. My business consists much in trifles.
+
+  I am, Sir,
+    Your most ob. humble
+      Servant,
+          THO. BAKER.
+
+    To the worthy Mr. Wanley, at the
+    Riding Hood Shop, the corner
+    of Chandois and Bedford Streets,
+    Covent Garden,
+    London.
+
+A note in Wanley's hand says, "Mrs. Elstob has only paid a few small
+scores."
+
+III.
+
+_Extract of a Letter from Wm. Bickford, Esq., to the Rev. Mr. Amory of
+Taunton, dated Dunsland, March_ 7, 1731.
+
+[MS. Addit., Brit. Mus., 4309, fol. 358.]
+
+    I cannot forbear acquainting you of a very curious passage in relation
+    to Charles the Second's Restoration. Sir Wm. Morrice, who was one of
+    the Secretaries of State soon after, was the person who chiefly
+    transacted that affair with Monk, so that all the papers in order to it
+    were sent him, both from King Charles and Lord Clarendon. Just after
+    the thing was finished, Lord Clarendon got more than 200 of these
+    Letters and other papers from Morrice under pretence of finishing his
+    History, and which were never returned. Lord Somers, when he was
+    chancellor, told Morrice's Grandson that if he would file a Bill in
+    Chancery, he would endeavour to get them; but young Morrice having
+    deserted the Whig Interest, was {8} prevailed upon to let it drop. This
+    I know to be fact, for I had it not only from the last-mentioned
+    Gentleman, but others of that family, especially a son of the
+    Secretaries. As soon as I knew this, I took the first opportunity of
+    searching the study, and found some very curious Letters, which one
+    time or other I design to publish together with the account of that
+    affair. My mother being Niece to the Secretary, hath often heard him
+    say that Charles the Second was not only very base in not keeping the
+    least of the many things that he had promised; but by debauching the
+    Nation, had rendered it fitt for that terrible fellow (meaning the Duke
+    of York) to ruin us all, and then Monk and him would be remembred to
+    their Infamy.
+
+(_To be continued._)
+
+       *       *       *       *       *
+
+BURIAL-PLACE OF ARCHBISHOP LEIGHTON.
+
+On a visit this autumn with some friends to the picturesque village and
+church of Horsted-Keynes, Sussex, our attention was forcibly arrested by
+the appearance of two large pavement slabs, inserted in an erect position
+on the external face of the south wall of the chancel. They proved to be
+those which once had covered and protected the grave of the good Archbishop
+Leighton, who passed the latter years of his life in that parish, and that
+of Sir Ellis Leighton, his brother. On inquiry, it appeared that their
+remains had been deposited within a small chapel on the south side of the
+chancel, the burial-place of the Lightmaker family, of Broadhurst, in the
+parish of Horsted. The archbishop retired thither in 1674, and resided with
+his only sister, Saphira, widow of Mr. Edward Lightmaker. Broadhurst, it
+may be observed, is sometimes incorrectly mentioned by the biographers of
+Archbishop Leighton as a parish; it is an ancient mansion, the residence
+formerly of the Lightmakers, and situated about a mile north of the village
+of Horsted. There it was that Leighton made his will, in February, 1683;
+but his death occurred, it will be remembered, in singular accordance with
+his desire often expressed, at an inn, the Bell, in Warwick Lane, London.
+
+The small chapel adjacent to the chancel, and opening into it by an arch
+now walled up, had for some time, as I believe, been used as a school-room;
+more recently, however, either through its becoming out of repair, or from
+some other cause, the little structure was demolished. The large slabs
+which covered the tombs of the good prelate and his brother were taken up
+and fixed against the adjoining wall. The turf now covers the space thus
+thrown into the open churchyard; nothing remains to mark the position of
+the graves, which in all probability, ere many years elapse, will be
+disturbed through ignorance or heedlessness, and the ashes of Leighton
+scattered to the winds.
+
+In times when special respect has been shown to the tombs of worthies of
+bygone times, with the recent recollection also of what has been so well
+carried out by MR. MARKLAND in regard to the grave of Bishop Ken, shall we
+not make an effort to preserve from desecration and oblivion the
+resting-place of one so eminent as Leighton for his learning and piety, so
+worthy to be held in honoured remembrance for his high principles and his
+consistent conduct in an evil age?
+
+ALBERT WAY.
+
+       *       *       *       *       *
+
+
+Minor Notes.
+
+_Grammars, &c. for Public Schools._--Would it not be desirable for some
+correspondents of "N. & Q." to furnish information respecting grammars,
+classics, and other works which have been written for the various public
+schools? Such information might be useful to book collectors; and would
+also serve to reflect credit on the schools whose learned masters have
+prepared such books. My contribution to the list is small: but I remember a
+valuable Greek grammar prepared by the Rev. ---- Hook, formerly head master
+of the College School at Gloucester, for the use of that establishment; as
+also a peculiar English grammar prepared by the Rev. R. S. Skillern, master
+of St. Mary de Crypt School, in the same place, for the use of that school.
+I also possess a copy (1640) of the _Romanae Historiae Anthologia_, for the
+use of Abingdon School, and _Moses and Aaron, or the Rites and Customs of
+the Hebrews_ (1641), both by Thos. Godwin, though the latter was written
+after he ceased to be master of the schools.
+
+P. H. FISHER.
+
+Stroud.
+
+"_To captivate._"--Moore, in his Journal, speaking of the Americans
+(January 9th, 1819), says:
+
+    "They sometimes, I see, use the word _captivate_ thus: 'Five or six
+    ships captivated,' 'Five or six ships captivated.'"
+
+Originally, the words _to captivate_ were synonymous with _to capture_, and
+the expression was used with reference to warlike operations. To captivate
+the affections was a secondary use of the phrase. The word is used in the
+original sense in many old English books. It is not used so now in the
+United States.
+
+UNEDA.
+
+Philadelphia.
+
+_Bohn's Edition of Matthew of Westminster._--Under the year A.D. 782, the
+translator informs us that "Hirenes and _his_ son Constantine became
+emperors." Such an emperor is not to be found {9} in the annals of
+Constantinople. If Mr. Yonge, who shows elsewhere that he has read Gibbon,
+had referred to him on this occasion, he would probably have found that the
+Empress Irene, a name dear to the reverencers of images, was the person
+meant. The original Latin probably gives no clue to the sex; but still this
+empress, who is considered as a saint by her church, notwithstanding the
+deposition and blinding of her own son, was not a personage to be so easily
+forgotten.
+
+J. S. WARDEN.
+
+_French Season Rhymes and Weather Rhymes.--_
+
+ "A la Saint-Antoine (17th January)
+  Les jours croissent le repas d'un moine."
+
+ "A la Saint-Barnabe (11th June)
+  La faux au pre."
+
+ "A la Sainte-Catherine (25th November)
+  Tout bois prend racine."
+
+ "Passe la Saint-Clement (23rd November)
+  Ne seme plus froment."
+
+ "Si l'hiver va droit son chemin,
+  Vous l'aurez a la Saint-Martin." (12th Nov.)
+
+ "S'il n'arreste tant ne quant,
+  Vous l'aurez a la Saint-Clement." (23rd Nov.)
+
+ "Et s'il trouve quelqu' encombree,
+  Vous l'aurez a la Saint-Andre." (30th Nov.)
+
+CEYREP.
+
+_Curious Epitaph in Tillingham Church, Essex.--_
+
+ "Hic jacet Humfridus Carbo, carbone notandus
+  Non nigro, Creta sed meliora tua.
+  Claruit in clero, nulli pietate secundus.
+  Caelum vi rapuit, vi cape si poteris.
+      Ob^t. 27 Mar. 1624. Aet. 77."
+
+Which has been thus ingeniously paraphrased by a friend of mine:
+
+ "Here lies the body of good Humphry Cole,
+  Tho' Black his name, yet spotless is his soul;
+  But yet not black tho' Carbo is the name,
+  Thy chalk is scarcely whiter than his fame.
+  A priest of priests, inferior was to none,
+  Took Heaven by storm when here his race was run.
+  Thus ends the record of this pious man;
+  Go and do likewise, reader, if you can."
+
+C. K. P.
+
+Newport, Essex.
+
+       *       *       *       *       *
+
+
+Queries.
+
+DOMESTIC LETTERS OF EDMUND BURKE.
+
+In the curious and able article entitled "The Domestic Life of Edmund
+Burke," which appeared in the _Athenaeum_ of Dec. 10th and Dec. 17th (and
+to which I would direct the attention of such readers of "N. & Q." as have
+not yet seen it), the writer observes:
+
+    "There is not in existence, as far as we know, or have a right to infer
+    from the silence of the biographers, one single letter, paper, or
+    document of any kind--except a mysterious fragment of one
+    letter--relating to the domestic life of the Burkes, until long after
+    Edmund Burke became an illustrious and public man; no letters from
+    parents to children, from children to parents, from brother to brother,
+    or brother to sister."
+
+And as Edmund Burke was the last survivor of the family, the inference
+drawn by the writer, that they were destroyed by him, seems, on the grounds
+which he advances, a most reasonable one. But my object in writings is to
+call attention to a source from which, if any such letters exist, they may
+yet possibly be recovered; I mean the collections of professed collectors
+of autographs. On the one hand, it is scarcely to be conceived that the
+destroyer of these materials for the history of the Burkes, be he who he
+may, can have got _all_ the family correspondence into his possession. On
+the other, it is far from improbable that in some of the collections to
+which I have alluded, some letters, notes, or documents may exist,
+treasured by the possessors as mere autographs; but which might, if given
+to the world, serve to solve many of those mysteries which envelope the
+early history of Edmund Burke. The discovery of documents of such a
+character seems to be the special province of "N. & Q.," and I hope,
+therefore, although this letter has extended far beyond the limits I
+originally contemplated, you will insert it, and so permit me to put this
+Query to autograph collectors, "Have you any documents illustrative of the
+Burkes?" and to add as a Note, "If so, print them!"
+
+N. O.
+
+       *       *       *       *       *
+
+
+Minor Queries.
+
+_Farrant's Anthem._--From what source did Farrant take the words of his
+well-known anthem, "Lord, for thy tender mercies' sake?"
+
+C. F. S.
+
+_Ascension Day Custom._--What is the origin of the custom which still
+obtains in St. Magnus and other city churches, of presenting the clergy
+with ribbons, cakes, and silk staylaces on Ascension Day?
+
+C. F. S.
+
+_Sawbridge and Knight's Numismatic Collections._--In Snelling's tract on
+_Pattern Pieces for English Gold and Silver Coins_ (1769), p. 45., it is
+stated, in the description of a gold Coin of Elizabeth, that it is "unique,
+formerly in the collection of Thomas Sawbridge, Esq., but at present in the
+collection of Thomas Knight, Esq., who purchased the whole cabinet."--Can
+any of your readers inform me who this Mr. Knight was, and whether his
+collection is still in existence; or if it was dispersed, when, and in what
+manner? I am not aware of any sale catalogue under his name.
+
+J. B. B.
+
+_"The spire whose silent finger points to heaven."_--I have met with, and
+sometimes quoted, this line. {10} Who is its author, and in what poem does
+it occur?
+
+J. W. T.
+
+Dewsbury.
+
+_Lord Fairfax._--In the _Peerage of Scotland_ I find this entry:
+
+    "Fairfax, Baron, Charles Snowdon Fairfax, 1627, Baron Fairfax, of
+    Cameron; suc. his grandfather, Thomas, ninth baron, 1846. His lordship
+    resides at Woodburne, in Maryland, United States."
+
+Fairfax is not a Scotch name. And I can find no trace of any person of that
+family taking a part in Scotch affairs. _Cameron_ is, I suppose, the parish
+of that name in the east of Fife.
+
+I wish to ask, 1st. For what services, or under what circumstances, the
+barony was created?
+
+2ndly. When did the family cease to possess land or other property in
+Scotland, if they ever held any?
+
+3rdly. Is the present peer a citizen or subject of the United States? If
+so, is he known and addressed as _Lord_ Fairfax, or how?
+
+4thly. Has he, or has any of his ancestors, since the recognition of the
+United States as a nation, ever used or applied for permission to exercise
+the functions of a peer of Scotland, _e.g._ in the election of
+representative peers?
+
+5thly. If he be a subject of the United States, and have taken, expressly
+or by implication, the oath of citizenship (which pointedly renounces
+allegiance to our sovereign), how is it that his name is retained on the
+roll of a body whose first duty it is to guard the throne, and whose
+existence is a denial of the first proposition in the constitution of his
+country?
+
+Perhaps UNEDA, W. W., or some other of your Philadelphia correspondents,
+will be good enough to notice the third of these Queries.
+
+W. H. M.
+
+_Tailless Cats._--A writer in the _New York Literary World_ of Feb. 7,
+1852, makes mention of a breed of cats destitute of tails, which are found
+in the Isle of Man. Perhaps some generous Manx correspondent will say
+whether this is a fact or a Jonathan.
+
+SHIRLEY HIBBERD.
+
+_Saltcellar._--Can any of your readers gainsay that in saltcellar the
+cellar is a mere corruption of _saliere_? A list of compound words of Saxon
+and French origin might be curious.
+
+H. F. B.
+
+_Arms and Motto granted to Col. William Carlos._--Can any reader of "N. &
+Q." give the _date_ of the grant of arms to Col. William Carlos (who
+assisted Charles II. to conceal himself in the "Royal Oak," after the
+battle of Worcester), and specify the exact terms of the grant?
+
+[mu].
+
+_Naval Atrocities._--In the article on "Wounds," in the _Encyc. Brit._, 4th
+edition, published 1810, the author, after mentioning the necessity of a
+surgeon's being cautious in pronouncing on the character of any wound, adds
+that "this is particularly necessary on board ship, where, as soon as any
+man is pronounced by the surgeon to be mortally wounded, he is forthwith,
+while still living and conscious, thrown overboard," or words to this
+effect, as I quote from memory. That such horrid barbarity was not
+practised in 1810, it is needless to say; and if it had been usual at any
+previous period, Smollett and other writers who have exposed with unsparing
+hand all the defects in the naval system of their day, would have scarcely
+left this unnoticed when they attack much slighter abuses. If such a thing
+ever occurred, even in the worst of times, it must have been an isolated
+case. I have not met elsewhere with any allusion to this passage, or the
+atrocity recorded in it, and would be glad of more information on the
+subject.
+
+J. S. WARDEN.
+
+_Turlehydes._--During the great famine in Ireland land in 1331, it is said
+that--
+
+    "The people in their distress met with an unexpected and providential
+    relief. For about the 24th June, a prodigious number of large sea fish,
+    called turlehydes, were brought into the bay of Dublin, and cast on
+    shore at the mouth of the river Dodder. They were from thirty to forty
+    feet long, and so bulky that two tall men placed one on each side of
+    the fish could not see one another."--_The History and Antiquities of
+    the City of Dublin from the Earliest Accounts_, by Walter Harris, 1766,
+    p. 265.
+
+This account is compiled from several records of the time, some of which
+still exist. As the term _turlehydes_ is not known to Irish scholars, can
+any of the readers of "N. & Q." say what precise animal is meant by it, or
+give any derivation or reference for the term?
+
+U. U.
+
+Dublin.
+
+_Foreign Orders--Queen of Bohemia._--It is well known that in some foreign
+Orders the decorations thereof are conferred upon ladies. Can any of your
+correspondents inform me whether the Order of the Annunciation of Sardinia,
+formerly the Order of the Ducal House of Savoy, at any time conferred its
+decorations upon ladies; and whether the Princess Elizabeth, afterwards
+Queen of Bohemia, ever had the decoration of any foreign order conferred
+upon her? In a portrait of her she is represented with a star or badge upon
+the upper part of the left arm.
+
+S. E. G.
+
+_Pickard Family._--Is the _Pickard_, or _Picard_, family, a branch of which
+is located in Yorkshire, of Norman origin? If so, who were the _first
+settlers_ in England; and also in what county are they most numerous?
+
+ONE OF THE FAMILY.
+
+Bradford.
+
+{11}
+
+_Irish Chieftains._--Some account of the following, _Historical
+Reminiscences of O'Byrnes, O'Tooles, O'Kavanaghs, and other Irish
+Chieftains_, privately printed, 1843, is requested by
+
+JOHN MARTIN.
+
+Woburn Abbey.
+
+_General Braddock._--Can any of your readers furnish me with information
+relative to this officer? His disastrous expedition against Fort Du Quesne,
+and its details, are well known; but I should like to know something more
+of his previous history. Walpole gives an anecdote or two of him, and
+mentions that he had been Governor of Gibraltar. I think too he was of
+Irish extraction. Is there no portrait or engraving of Braddock in
+existence?
+
+SERVIENS.
+
+       *       *       *       *       *
+
+
+Minor Queries with Answers.
+
+_Lawless Court, Rochford, Essex._--A most extraordinary custom exists, in a
+manor at Rochford, in the tenants holding under what is called the "Lawless
+Court." This court is held at midnight, by torch-light, in the centre of a
+field, on the first Friday after the 29th Sept., and is presided over by
+the steward of the manor, who, however, appoints a deputy to fulfil this
+part of his duty. The tenants of the manor are obliged to attend to answer
+to their names, when called upon, under pain of a heavy fine, or at all
+events have some one there to respond for them. All the proceedings are
+carried on in a whisper, no one speaking above that tone of voice; and the
+informations as to deaths, names, &c. are entered in a book by the
+president with a piece of charcoal. I may add, the business is not
+commenced until a cock has crowed three times, and as it is sometimes a
+difficult matter to get Chanticleer to do his duty, a man is employed to
+crow, whose fee therefor is 5s.
+
+Now Morant, in his _History of Essex_, merely cursorily mentions this most
+singular custom, and has nothing as to its antiquity or origin; I should
+therefore feel much obliged for any information concerning it.
+
+RUSSELL GOLE.
+
+    [The singular custom at Rochford is of uncertain origin: in old authors
+    it is spoken of as belonging to the manor of Rayleigh. The following
+    account of "The Lawless Court," at that place, is printed by Hearne
+    from the Dodsworth MSS. in the Bodleian, vol. cxxv.:--"The manor of
+    Raylie, in Essex, hath a custome court kept yearly, the Wednesday nexte
+    after Michael's day. The court is kept in the night, and without light,
+    but as the skye gives, att a little hill without the towne, called the
+    King's Hill, where the steward writes only with coals, and not with
+    inke. And many men and mannors of greate worth hold of the same, and do
+    suite unto this strange court, where the steward calls them with as low
+    a voice as possibly he may; giving no notice when he goes to the hill
+    to keepe the same court, and he that attends not is deepely amerced, if
+    the steward will. The title and entry of the same court is as
+    followeth, viz.:
+
+     'Curia de domino rege,
+      Dicta _sine lege_,
+      Tenta est ibidem,
+      Per ejusdem consuetudinem,
+        Ante ortum solis,
+      Luceat nisi polus,
+      Seneschallus solus,
+        Scribit nisi colis.
+      Clamat clam pro rege
+      In curia _sine lege_:
+      Et qui non cito venerit
+      Citius poenitebit:
+      Si venerit cum lumine
+      Errat in regimine.
+      Et dum sine lumine
+      Capti sunt in crimine,
+      Curia sine cura
+      Jurata de injuria
+        Tenta est die Mercuriae
+          prox. post festum S. Michaelis.'"
+
+    Weever, who mentions this custom, says, that he was informed that "this
+    servile attendance was imposed, at the first, upon certaine tenants of
+    divers mannors hereabouts, for conspiring in this place, at such an
+    unseasonable time, to raise a commotion."]
+
+_Motto on old Damask._--Can your correspondents furnish an explanation of
+the motto herewith sent? It is taken from some damask table napkins which
+were bought many years back at Brussels; not at a shop in the ordinary way,
+but privately, from the family to whom they belonged. I presume the larger
+characters, if put together, will indicate the date of the event, whatever
+that may be, which is referred to in the motto itself.
+
+The motto is woven in the pattern of the damask, and consists of the
+following words in uncials, the letters of unequal size, as subjoined:
+
+    "SIGNUM PACIS DATUR LORICAE."
+
+the larger letters being IUMCIDULIC. If the U's are taken as two V's, and
+written thus X, it gives the date MDCCLXIII. Perhaps this can be explained.
+
+H.
+
+    [The chronogram above, which means "The signal of peace is given to the
+    warrior," relates to the peace proclaimed between England and France in
+    the year 1763. This event is noticed in the _Annual Register_, and in
+    most of our popular histories. Keightley says, "The overtures of France
+    for peace were readily listened to; and both parties being in earnest,
+    the preliminaries were readily settled at Fontainebleau (Nov. 3rd). In
+    spite of the declamation of Mr. Pitt and his party, they were approved
+    of by large majorities in both Houses of Parliament, and a treaty was
+    finally signed in Paris, Feb. 18, 1763." The napkins were probably a
+    gift, on the occasion, to some public functionary. For the custom of
+    noting the date of a great event by chronograms, see "N. & Q.," Vol.
+    v., p. 585.]
+
+{12}
+
+_Explanation of the Word "Miser."_--Can any of your readers explain how and
+when _miser_ came to get the meaning of an avaricious hoarding man? In
+Spenser's _Faerie Queene_, II. l. 8., it is used in its nearly primary
+sense of "wretch:"
+
+ "Vouchsafe to stay your steed for humble _miser's_ sake."
+
+Again, _Faerie Queene_, II. 3. 8.:
+
+ "The _miser_ threw himself, as an offall,
+  Straight at his foot in base humility."
+
+In Milton's _Comus_, which was written about fifty years after the first
+three books of the _Faerie Queene,_ the present signification of the word
+is complete:
+
+ "You may as well spread out the unsunn'd heaps
+  Of _miser's_ treasure by an outlaw's den,
+  And tell me it is safe, as bid one hope
+  Danger will sink on opportunity," &c.
+
+J. D. GARDNER.
+
+Bottisham.
+
+    [The modern restricted use of the word _miser_ is subsequent to
+    Shakspeare's time for in Part I. _King Henry VI._, Act V. Sc. 4.,
+
+     "Decrepit _miser_! base ignoble wretch!"
+
+    Steevens says has no relation to avarice, but simply means a
+    _miserable_ creature. So in the interlude of _Jacob and Esau_, 1568:
+
+     "But as for these _misers_ within my father's tent."
+
+    Again, in Lord Stirling's tragedy of _Croesus_, 1604:
+
+     "Or think'st thou me of judgement too remiss,
+      A _miser_ that in miserie remains."
+
+    Otway, however, in his _Orphan_, published in 1680, uses it for a
+    covetous person:
+
+     "Though she be dearer to my soul than rest
+      To weary pilgrims, or to _misers_ gold,
+      Rather than wrong Castalio, I'd forget thee."
+
+    So also does Pope:
+
+     "No silver saints by dying _misers_ given,
+      Here brib'd the rage of ill-requited heaven."
+
+_"Acis and Galatea."_--Is there any good evidence in support of the
+commonly received opinion that the words to Handel's _Acis and Galatea_
+were written by Gay? Hawkins merely states that they "are said to have been
+written by Mr. Gay." I have no copy of Burney at hand to refer to; but I
+find the same statement repeated by various other musical historians,
+without, however, any authority being given for it. The words in question
+are not to be found among the _Poems on several Occasions_, by Mr. John
+Gay, published in 1767 by Tonson and others. Have they ever been included
+in any collective edition of his works?
+
+G. T.
+
+Reading.
+
+    [In the musical catalogue of the British Museum, compiled by Thomas
+    Oliphant, Esq., it is stated that the words to _Acis and Galatea_ "are
+    said to be written, but apparently partly compiled, by John Gay." This
+    serenata is included among Gay's _Poems_ in Dr. Johnson's edition of
+    the _English Poets_, 1790, as well as in Chalmers's edition of 1810,
+    and in the complete edition of _British Poets_, Edinburgh, 1794.]
+
+_Birm-bank._--The bank of a canal opposite to the towing-path is called the
+_birm-bank_. What is the derivation of this?
+
+UNEDA.
+
+Philadelphia.
+
+    [The word _birm_ seems to have the same meaning as berme (Fr. _berme_),
+    which, in Fortification, denotes a piece of ground of three, four, or
+    five feet in width, left between the rampart and the moat or foss,
+    designed to receive the ruins of the rampart, and prevent the earth
+    from filling the foss. Sometimes it is palisaded, and in Holland is
+    generally planted with quickset hedge.]
+
+_General Thomas Gage._--This officer commanded at Boston at the breaking
+out of the Revolution, and served under General Braddock. Where can I find
+any details of the remainder of his history?
+
+SERVIENS.
+
+    [An interesting biographical account of General Gage is given in the
+    _Georgian Aera_, vol. ii. p. 67.]
+
+       *       *       *       *       *
+
+
+Replies.
+
+RAPPING NO NOVELTY.
+
+(Vol. viii., pp. 512. 632.)
+
+The story referred to is certainly a very curious one, and I should like to
+know whether it is exactly as it was told by Baxter, especially as there
+seems to be reason for believing that De Foe (whom on other grounds one
+would not trust in such a matter) did not take it from the work which he
+quotes. Perhaps if you can find room for the statement, some correspondent
+would be so good as to state whether it has the sanction of Baxter:
+
+    "Mr. Baxter, in his _Historical Discourse of Apparitions_, writes thus:
+    'There is now in London an understanding, sober, pious man, oft one of
+    my hearers, who has an elder brother, a gentleman of considerable rank,
+    who having formerly seemed pious, of late years does often fall into
+    the sin of drunkenness; he often lodges long together here in his
+    brother's house, and whensoever he is drunk and has slept himself
+    sober, something knocks at his bed's head, as if one knocked on a
+    wainscot. When they remove his bed it follows him. Besides other loud
+    noises on other parts where he is, that all the house hears, they have
+    often watched him, and kept his hands lest he should do it himself. His
+    brother has often told it me, and brought his wife, a discreet woman,
+    to attest it, who avers moreover, that as she watched him, she has seen
+    his shoes under the bed taken up, and nothing visible to touch them.
+    They brought the man himself to me, and when we asked {13} him how he
+    dare sin again after such a warning, he had no excuse. But being
+    persons of quality, for some special reason of worldly interest I must
+    not name him.'"--De Foe's _Life of Duncan Campbell_, 2nd ed. p. 107.
+
+After this story, De Foe says:
+
+    "Another relation of this kind was sent to Dr. Beaumont (whom I myself
+    personally knew, and which he has inserted in his account of genii, or
+    familiar spirits) in a letter by an ingenious and learned clergyman of
+    Wiltshire," &c.
+
+But he does not say that the story which he has already quoted as from
+Baxter stands just as he has given it, and with a reference to Baxter, in
+Beaumont's _Historical, Physiological, and Theological Treatise of
+Spirits_, p. 182. Of course one does not attach any weight to De Foe's
+saying that he knew Dr. Beaumont "personally," but does anybody know
+anything of him? Nearly four years ago you inserted somewhat similar
+inquiry about this Duncan Campbell, but I believe it has not yet been
+answered.
+
+S. R. MAITLAND.
+
+       *       *       *       *       *
+
+OCCASIONAL FORMS OF PRAYER.
+
+(Vol. viii., p. 535.)
+
+From a volume of Forms of Prayer in the library of Sir Robert Taylor's
+Institution, I send you the following list, as supplementary to MR.
+LATHBURY'S. This volume forms part of a collection of books bequeathed to
+the University by the late Robert Finch, M.A., formerly of Baliol College:
+
+    A Form of Prayer for a General Fast, &c. 4to. London. 1762.
+
+In both the Morning and Evening Services of this Form "A Prayer for the
+Reformed Churches" is included, which is omitted in all the subsequent
+Forms. This is a copy of it:
+
+    "_A Prayer for the Reformed Churches._
+
+    "O God, the Father of Mercies, we present our Supplications unto Thee,
+    more especially on behalf of our Reformed Brethren, whom, blessed be
+    Thy Name, Thou hast hitherto wonderfully supported. Make them perfect,
+    strengthen, 'stablish them: that they may stand fast in the Liberty
+    wherewith Christ hath made them free, and adorn the Doctrine of God our
+    Saviour in all things. Preserve the Tranquillity of those who at
+    present enjoy it: look down with compassion upon such as are persecuted
+    for Righteousness' sake, and plead Thy cause with the oppressors of Thy
+    people. Enlighten those who are in Darkness and Error; and give them
+    Repentance to the Acknowledgment of the Truth: that all the Ends of the
+    World may remember themselves, and be turned unto the Lord; and we all
+    may become one Flock, under the great Shepherd and Bishop of our Souls,
+    Jesus Christ, our only Mediator and Advocate. Amen."
+
+    Form, &c. Fast. 1776.
+
+    Form, &c. Fast. 1778.
+
+    Form, &c. Fast. 1780.
+
+    Form, &c. Fast. 1781.
+
+    Form, &c. Fast. 1782.
+
+    A Prayer to be used on Litany Days before the Litany, and on other days
+    immediately before the Prayer for all Conditions of Men, in all
+    Cathedral, Collegiate, and Parochial Churches and Chapels, &c., during
+    his Majesty's present Indisposition. 1788.
+
+The following MS. note is inserted in the handwriting of Mr. Finch, father
+of the gentleman who bequeathed the collection:
+
+    "Mrs. Finch accompanied my Father (Rev. Dr. Finch, Rector of St.
+    Michael's, Cornhill) to the Cathedral, where he had a seat for himself
+    and his lady assigned him under the Dome, as Treasurer to the Society
+    for Promoting Christian Knowledge, the original patrons of the Charity
+    Schools. Mrs. F. was so fortunate as to obtain a seat in the choir, and
+    saw the procession from the choir gate. Myself and Robert saw the
+    cavalcade (which was extremely grand, and continued for the space of
+    more than three hours, both Houses of Parliament with their attendants
+    preceding their Majesties) from Mrs Townsend's house in Fleet
+    Street."--April 23, 1789.
+
+    Form of Prayer and Thanksgiving for the King's Recovery. 1789.
+
+    Form, &c. Fast. 1793.
+
+    Form, &c. Fast. 1795.
+
+    Form, &c. Fast. 1796.
+
+    Form of Prayer and Thanksgiving for many signal and important
+    Victories. 1797.
+
+    Form, &c. Fast. 1798.
+
+    Form of Prayer and Thanksgiving for the Victory of the Nile, &c. 1798.
+
+    Form of Prayer and Thanksgiving for the Victory over the French Fleet,
+    Aug. 1. 1798.
+
+    Form of Prayer and Thanksgiving for the safe Delivery of H. R. H. the
+    Princess of Wales, and the birth of a Princess. 1796.
+
+    Form, &c. Fast. 1799.
+
+    Form, &c. Fast. 1800.
+
+    Form, &c. Fast. 1801.
+
+    Form and Thanksgiving for the Harvest. 1801.
+
+    Form and Thanksgiving for putting an End to the War. 1802.
+
+    Form, &c. Fast. 1803.
+
+    Form, &c. Fast. 1804.
+
+    Form, &c. Fast. 1805.
+
+    Form of Prayer and Thanksgiving for Lord Nelson's Victory. 1805.
+
+    Form, &c. Fast. 1806.
+
+    Form, &c. Fast. 1807.
+
+    Form, &c. Fast. 1808.
+
+    Form, &c. Fast. 1809.
+
+    Form, &c. Fast. 1810.
+
+    Form, &c. Fast. 1812.
+
+    Form, &c. Thanksgiving for the Peace. 1814.
+
+    Form, &c. Thanksgiving for the Peace. 1816.
+
+JOHN MACRAY.
+
+Oxford.
+
+       *       *       *       *       *
+
+{14}
+
+CELTIC AND LATIN LANGUAGES.
+
+(Vol. viii., p. 174.)
+
+There was a Query some time ago upon this subject, but though it is one
+full of interest to all scholars, I have not observed any Notes worth
+mentioning in reply. The connexion between these two languages has only of
+late occupied the attention of philologers; but the more closely they are
+compared together, the more important and the more striking do the
+resemblances appear; and the remark of Arnold with regard to Greek
+literature applies equally to Latin, "that we seem now to have reached that
+point in our knowledge of the language, at which other languages of the
+same family must be more largely studied, before we can make a fresh step
+in advance." But this study, as regards the comparison of Celtic and Latin,
+is, in England at least, in a very infant state. Professor Newman, in his
+_Regal Rome_, has attention to the subject; but his induction does not
+appear sufficiently extensive to warrant any decisive conclusion respecting
+the position the Celtic holds as an element of the Latin. Pritchard's work
+upon the subject is satisfactory as far as it goes, but both these authors
+have chiefly confined themselves to a tabular view of Celtic and Latin
+words; but it is not _merely_ this we want. What is required is a critical
+examination into the comparative structure and formal development of the
+two languages, and this is a work still to be accomplished. The later
+numbers of Bopp's _Comparative Grammar_ are, I believe, devoted to this
+subject, but as they have not been translated, they must be confined to a
+limited circle of English readers, and I have not yet seen any reproduction
+of the views therein contained in the philological literature of England.
+
+As the first step to considerations of this kind must be made from a large
+induction of words, I think, with your correspondent, that the pages of "N.
+& Q." might be made useful in supplying "links of connexion" to supply a
+groundwork for future comparison. I shall conclude by suggesting one or two
+"links" that I do not remember to have seen elsewhere.
+
+1. Is the root of _felix_ to be found in the Irish _fail_, _fate_; the
+contraction of the dipththong _ai_ or _e_ being analogous to that of
+_amaimus_ into _amemus_?
+
+2. Is it not probable that _Avernus_, if not corrupted from [Greek:
+aornos], is related to _iffrin_, the Irish _inferi_? This derivation is at
+any rate more probable than that of Grotefend, who connects the word with
+[Greek: Acheron].
+
+3. Were the _Galli_, priests of Cybele, so called as being connected with
+fire-worship? and is the name at all connected with the Celtic _gal_, a
+flame? The word _Gallus_, a Gaul, is of course the same as the Irish _gal_,
+a stranger.
+
+T. H. T.
+
+       *       *       *       *       *
+
+GEOMETRICAL CURIOSITY.
+
+(Vol. viii., p. 468.)
+
+MR. INGLEBY'S question might easily be the foundation of a geometrical
+paper; but as this would not be a desirable contribution, I will endeavour
+to keep clear of technicalities, in pointing out how the process described
+may give something near to a circle, or may not.
+
+When a paper figure, bent over a straight line in it, has the two parts
+perfectly fitting on each other, the figure is _symmetrical_ about that
+straight line, which may be called an _axis of symmetry_. Thus every
+diameter of a circle is an axis of symmetry: every regular oval has two
+axes of symmetry at right angles to each other: every regular polygon of an
+_odd_ number of sides has an axis joining each corner to the middle of the
+opposite sides: every regular polygon of an _even_ number of sides has axes
+joining opposite corners, and axes joining the middles of opposite sides.
+
+When a piece of paper, of any form whatsoever, rectilinear or curvilinear,
+is doubled over any line in it, and when all the parts of either side which
+are not covered by the other are cut away, the unfolded figure will of
+course have the creased line for an axis of symmetry. If another line be
+now creased, and a fold made over it, and the process repeated, the second
+line becomes an axis of symmetry, and the first perhaps ceases to be one.
+If the process be then repeated on the first line, this last becomes an
+axis, and the other (probably) ceases to be an axis. If this process can be
+indefinitely continued, the cuttings must become smaller and smaller, for
+the following reason. Suppose, at the outset, the boundary point nearest to
+the intersection of the axes is distant from that intersection by, say four
+inches; it is clear that we cannot, after any number of cuttings, have a
+part of the boundary at less than four inches from the intersection. For
+there never is, after any cutting, any approach to the intersection except
+what there already was on the other side of the axis employed, before that
+cutting was made. If then the cuttings should go on for ever, or
+practically until the pieces to be cut off are too small, and _if this take
+place all round_, the figure last obtained will be a good representation of
+a circle of four inches radius. On the suppositions, we must be always
+cutting down, at all parts of the boundary; but it has been shown that we
+can never come nearer than by four inches to the intersection of the axes.
+
+But it does not follow that the process _will_ go on for ever. We may come
+at last to a state in which both the creases are axes of symmetry at once;
+and then the process stops. If the paper had at first a curvilinear
+boundary, properly chosen, and if the axes were placed at the proper angle,
+it would happen that we should arrive at a {15} _regular_ curved polygon,
+having the two axes for axes of symmetry. The process would then stop.
+
+I will, however, suppose that the original boundary is everywhere
+rectilinear. It is clear then that, after every cutting, the boundary is
+still rectilinear. If the creases be at right angles to one another, the
+ultimate figure may be an irregular polygon, having its four quarters
+alike, such as may be inscribed in an oval; or it may have its sides so
+many and so small, that the ultimate appearance shall be that of an oval.
+But if the creases be not at right angles, the ultimate figure is a
+perfectly regular polygon, such as can be inscribed in a circle; or its
+sides may be so many and so small that the ultimate appearance shall be
+that of a circle.
+
+Suppose, as in MR. INGLEBY'S question, that the creases are not at right
+angles to each other; supposing the eye and the scissors _perfect_, the
+results will be as follows:
+
+First, suppose the angle made by the creases to be what the mathematicians
+call _incommensurable_ with the whole revolution; that is, suppose that no
+repetition of the angle will produce an _exact_ number of revolutions. Then
+the cutting will go on for ever, and the result will perpetually approach a
+circle. It is easily shown that no figure whatsoever, except a circle, has
+two axes of symmetry which make an angle incommensurable with the whole
+revolution.
+
+Secondly, suppose the angle of the creases commensurable with the
+revolution. Find out the smallest number of times which the angle must be
+repeated to give an exact number of revolutions. If that number be even, it
+is the number of sides of the ultimate polygon: if that number be odd, it
+is the half of the number of sides of the ultimate polygon.
+
+Thus, the paper on which I write, the whole sheet being taken, and the
+creases made by joining opposite corners, happens to give the angle of the
+creases very close to three-fourteenths of a revolution; so that fourteen
+repetitions of the angle is the lowest number which give an exact number of
+revolutions; and a very few cuttings lead to a regular polygon of fourteen
+sides. But if four-seventeenths of a revolution had been taken for the
+angle of the creases, the ultimate polygon would have had thirty-four
+sides. In an angle taken at hazard the chances are that the number of
+ultimate sides will be large enough to present a circular appearance.
+
+Any reader who chooses may amuse himself by trying results from three or
+more axes, whether all passing through one point or not.
+
+A. DE MORGAN.
+
+       *       *       *       *       *
+
+THE BLACK-GUARD.
+
+(Vol. viii., p. 414.)
+
+Some of your correspondents, SIR JAMES E. TENNENT especially, have been
+very learned on this subject, and all have thrown new light on what I
+consider a very curious inquiry. The following document I discovered some
+years ago in the Lord Steward's Offices. Your readers will see its value at
+once; but it may not be amiss to observe, that the name in its present
+application had its origin in the number of masterless boys hanging about
+the verge of the Court and other public places, palaces, coal-cellars, and
+palace stables; ready with links to light coaches and chairs, and conduct,
+and rob people on foot, through the dark streets of London; nay, to follow
+the Court in its progresses to Windsor and Newmarket. Pope's "link-boys
+vile" are the black-guard boys of the following Proclamation.
+
+PETER CUNNINGHAM.
+
+At the Board of Green Cloth,
+in Windsor Castle,
+this 7th day of May, 1683.
+
+Whereas of late a sort of vicious, idle, and masterless boyes and rogues,
+commonly called the Black-guard, with divers other lewd and loose fellowes,
+vagabonds, vagrants, and wandering men and women, do usually haunt and
+follow the Court, to the great dishonour of the same, and as Wee are
+informed have been the occasion of the late dismall fires that happened in
+the towns of Windsor and Newmarket, and have, and frequently do commit
+divers other misdemeanours and disorders in such places where they resort,
+to the prejudice of His Majesty's subjects, for the prevention of which
+evills and misdemeanours hereafter, Wee do hereby strictly charge and
+command all those so called the Black-guard as aforesaid, with all other
+loose, idle, masterless men, boyes, rogues, and wanderers, who have
+intruded themselves into His Majesty's Court or stables, that within the
+space of twenty-four houres next after the publishing of this order, they
+depart, upon pain of imprisonment, and such other punishments as by law are
+to be inflicted on them.
+
+  (Signed)
+          ORMOND.
+          H. BULKELEY.
+          H. BROUNCKER.
+          RICH. MASON.
+          STE. FOX.
+
+       *       *       *       *       *
+
+THE CALVES' HEAD CLUB.
+
+(Vol. viii., pp. 315. 480.)
+
+The Calves' Head Club existed much earlier than the time when their doings
+were commemorated in the _Weekly Oracle_ (Vol. viii., p. 315.) of February
+1, 1735, or depicted in the print of 1734 (Vol. viii., p. 480.). There is a
+pamphlet, {16} the second edition of which was published in small 4to., in
+1703, entitled:
+
+    "The Secret History of the Calves' Head Club, or, the Republican
+    Unmasqu'd, wherein is fully shewn the Religion of the Calves-Head
+    Heroes in their Anniversary Thanksgiving Songs on the Thirtieth of
+    January, by their Anthems," &c. &c.
+
+We are told in the latter part of the long title-page that the work was
+published "to demonstrate the restless, inplacable spirit of a certain
+party still among us," and certainly the statements therein, and more than
+all the anthems at the end, do show the bitterest hatred--so bitter, so
+intense and malignant, that we feel on reading it that there must be some
+exaggeration.
+
+The author professes to have at first been of opinion "that the story was
+purely contrived on purpose to render the republicans more odious than they
+deserv'd." Whether he was convinced to the contrary by ocular demonstration
+he does not tell us, but gives us information he received from a
+gentleman--
+
+    "Who, about eight years ago, went out of meer curiosity to see their
+    Club, and has since furnish'd me with the following papers. I was
+    inform'd that it was kept in no fix'd house, but that they remov'd as
+    they saw convenient; that the place they met in when he was with 'em
+    was in a blind ally, about Morefields; that the company wholly
+    consisted of Independents and Anabaptists (I am glad for the honour of
+    the Presbyterians to set down this remark); that the famous Jerry
+    White, formerly Chaplain to Oliver Cromwell, who no doubt on't came to
+    sanctify with his pious exhortations the Ribbaldry of the Day, said
+    Grace; that after the table-cloth was removed, the anniversary anthem,
+    as they impiously called it, was sung, and a calve's skull fill'd with
+    wine, or other liquor, and then a brimmer went about to the pious
+    memory of those worthy patriots that kill'd the tyrant, and deliver'd
+    their country from arbitrary sway; and lastly, a collection made for
+    the mercenary scribler, to which every man contributed according to his
+    zeal for the cause, or the ability of his purse.
+
+    "I have taken care to set down what the gentleman told me as faithfully
+    as my memory wou'd give me leave; and I am persuaded that some persons
+    that frequent the Black Boy in Newgate Street, as they knew the author
+    of the following lines so they knew this account of the Calves' Head
+    Club to be true."
+
+The anthems for the years 1693, 1694, 1695, 1696, and 1697, are given; but
+they are too long and too stupidly blasphemous and indecent to quote here.
+They seem rather the satires of malignant cavaliers than the serious
+productions of any Puritan, however politically or theologically heretical.
+
+EDWARD PEACOCK.
+
+Bottesford Moors.
+
+       *       *       *       *       *
+
+PHOTOGRAPHIC CORRESPONDENCE.
+
+_The Calotype Process._--I have made any first essay in the calotype
+process, following DR. DIAMOND'S directions given in "N. & Q.," and using
+Turner's paper, as recommended by him. My success has been quite as great
+as I could expect as a novice, and satisfies me that any defects are due to
+my own want of skill, and not to any fault in the directions given. I wish,
+however, to ask a question as to iodizing the paper. DR. DIAMOND says, lay
+the paper on the solution; then _immediately_ remove it, and lay on the dry
+side on blotting-paper, &c. Now I find, if I remove immediately, the whole
+sheet of paper curls up into a roll, and is quite unmanageable. I want to
+know, therefore, whether there is any objection to allowing the paper to
+remain on the iodizing solution until it lies flat on it, so that on
+removal it will not curl, and may be easily and conveniently laid on the
+dry side to pass the glass rod over it. As soon as the paper is floated on
+the solution (I speak of Turner's) it has a great tendency to curl, and
+takes some time before the expansion of both surfaces becoming equal allows
+it to lie quite flat on the liquid. May this operation be performed by the
+glass rod, without floating at all?
+
+Photographers, like myself, at a distance from practical instruction, are
+so much obliged for plain and simple directions such as those given by DR.
+DIAMOND, which are the result of experience, that I am sure he will not
+mind being troubled with a few inquiries relative to them.
+
+C. E. F.
+
+_Hockin's Short Sketch._--Mr. Hockin is so well known as a thoroughly
+practical chemist, that it may suffice to call attention to the fact of his
+having published a little brochure entitled _How to obtain Positive and
+Negative Pictures on Collodionized Glass, and copy the latter upon Paper. A
+Short Sketch adapted for the Tyro in Photography._ As the question of the
+_alkalinity_ of the nitrate bath is one which has lately been discussed, we
+will give, as a specimen of Mr. Hockin's book, a quotation, showing his
+opinion upon that question:
+
+    "_The sensitizing agent_, nitrate of silver in crystals, not the
+    ordinary fused in sticks, is nearly always confessedly adulterated; it
+    is thus employed:
+
+    "_The silver or nitrate bath._--Nitrate of silver five drachms,
+    distilled water ten ounces; dissolve and add iodized collodion two
+    drachms.
+
+    "Shake these well together, allow them to macerate twelve hours, and
+    filter through paper. Before adding the nitric acid, test the liquid
+    with a piece of blue litmus paper; if it remain blue after being
+    immersed one minute, add one drop of dilute nitric acid[3], and test
+    again for a minute; and so on, until a claret red is indicated on the
+    paper. It is necessary to test the bath in a similar manner, frequently
+    adding half a drop to a drop of dilute acid when required. This
+    precaution will prevent the fogging due to alkalinity of the bath, so
+    formidable an obstacle to young hands."
+
+[Footnote 3: "Dilute nitric acid.--Water fifty parts, nitric acid one
+part."]
+
+_Photographic Society's Exhibition._--The Photographic Society opened their
+first Exhibition of {17} Photographs and Daguerreotypes at the Gallery of
+the Society of British Artists, in Suffolk Street, with a _soiree_ on
+Tuesday evening last. Notwithstanding the inclemency of the weather, the
+rooms were crowded not only by members of the Society, but by many of the
+most distinguished literary and scientific men of the metropolis. The Queen
+and Prince Albert had, in the course of the morning, spent three hours in
+an examination of the collection; and the opinion they expressed, that the
+exhibition was one of great interest and promise, from the evidence it
+afforded of the extraordinary advance made by the art during the past year,
+and the encouragement it held out to the belief that far greater excellence
+might therefore still be looked for in it, was a very just one, and
+embodied that given afterwards by the most competent authorities. We have
+not room this week to enter into any details, but can confidently recommend
+our readers to pay an early visit to Suffolk Street.
+
+       *       *       *       *       *
+
+
+Replies to Minor Queries.
+
+_"Firm was their faith," &c._ (Vol. viii., p. 564.).--These lines are to be
+found in a poem called "Morwennae Statio, hodie Morwenstow," published by
+Masters in 1846, with the title of _Echoes from Old Cornwall_, and written
+by the Vicar of Morwenstow. I agree with D. M. in the judgment he has
+announced as to their merits; but hitherto they have been but little
+appreciated by the public. A time will come however, when these and other
+compositions of the author will be better known and more duly valued by the
+English mind.
+
+SAXA.
+
+These lines were written on "the Minster of Morwenna," May, 1840, and
+appeared in the _British Magazine_ under the anonymous name _Procul_. Of
+the eight stanzas of which the poem consists, P. M. has quoted the second.
+The second line should be read "wise _of_ heart," and the third "_firm_ and
+trusting hands." With your correspondent, I hope the author's name may be
+discovered.
+
+F. R. R.
+
+_Vellum-cleaning_ (Vol. viii., p.340.).--In the Polytechnic Institution
+there are specimens of old deeds, &c., on vellum and paper, beautifully
+cleaned and restored by Mr. George Clifford, 5. Inner Temple Lane, Temple,
+London.
+
+J. McK.
+
+Shoreham.
+
+_Wooden Tombs_ (Vol. viii., p. 255.).--In the church at Brading, Isle of
+Wight--
+
+    "There are some old tombs in the communion place, and in Sir William
+    Oglander's chapel, or family burial-place, which is separated from the
+    rest of the church by an oak screen. The most ancient legible date of
+    these monuments is 1567. Two of them have full-length figures in armour
+    of solid elm wood, originally painted in their proper colours, and
+    gilt, but now disfigured by coats of dirty white."--Barber's
+    Picturesque Guide to the Isle of Wight, 1850, pp. 28, 29.
+
+J. McK.
+
+Shoreham.
+
+_Solar Eclipse in the Year 1263_ (Vol. viii., p. 441.).--In the
+_Transactions of the Antiquarian Society of Scotland_, vol. ii. p. 350.,
+there are "Observations on the Norwegian Expedition against Scotland in the
+year 1263," by John Dillon, Esq.; and at pp. 363-4, when speaking of the
+annular eclipse, he says:
+
+    "The eclipse above mentioned is described to have occurred between
+    these two dates [29th July and 9th August]. This being pointed out to
+    Dr. Brewster, he had the curiosity to calculate the eclipse, when he
+    found that there was an eclipse of the sun on 5th August, 1263, and
+    which was annular at Ronaldsvo, in Orkney, and the middle of it was
+    twenty-four minutes past one."
+
+These "Observations" contain much curious information; but are deformed by
+the author attempting to wrest the text of the Norwegian writer (at p. 358.
+and in note I.) to suit an absurd crotchet of his own. Having seen that
+essay in MS., I pointed out those errors; but instead of attending to my
+observations, he would not read them, and got into a passion against the
+friend who showed the MS. to me.
+
+J. McK.
+
+Shoreham.
+
+_Lines on Woman_ (Vol. viii., pp. 292. 350. &c.).--The lines on Woman are,
+I presume, an altered version of those of Barret (Mrs. Barrett Browning?);
+they are the finale of a short poem on Woman; the correct version is the
+following:
+
+ "Peruse the sacred volume, Him who died
+  Her kiss betray'd not, nor her tongue denied;
+  While even the Apostle left Him to His doom,
+  She linger'd round His cross and watch'd His tomb."
+
+I would copy the whole poem, but fear you would think it too long for
+insertion.
+
+MA. L.
+
+    [Our correspondent furnishes an addition to our list of parallel
+    passages. The lines quoted by W. V. and those now given by our present
+    correspondent can never be different readings of the same poem.
+    Besides, it has been already shown that the lines asked for are from
+    the poem entitled _Woman_, by Eaton Stannard Barrett (see ante, pp.
+    350. 423.).]
+
+_Satin_ (Vol. vii., p. 551.).--In a note just received by me from Canton,
+an American friend of mine remarks as follows:
+
+    "When you write again to 'N. & Q.' you can say that the word _satin_
+    (Vol. vii., p. 551.), like the article itself, is of Chinese origin,
+    and that other foreign languages, in endeavouring like the English to
+    imitate the Chinese _sz-tuen_, have {18} approximated closely to it,
+    and to each other. Of this the answers to the Query given in the place
+    referred to are a sufficient proof; Fr. _satin_, W. _sidan_, &c. &c."
+
+I suspect that he is right, and that Ogilvie and Webster, whom you quote,
+have not got to the bottom of the word. I may add that the notion of my
+Canton friend receives approval from a Chinese scholar to whom I have shown
+the above extract.
+
+W. T. M.
+
+Hong Kong.
+
+_"Quid facies," &c._ (Vol. viii., p. 539.).--
+
+    "BIERVE, _N. Marechal_, _Marquis de_, a Frenchman well known for his
+    ready wit and great facetiousness. He wrote two plays of considerable
+    merit, _Les Reputations_ and _Le Seducteur_. He died at Spa, 1789, aged
+    42. He is author of the distich on courtezans:
+
+     'Quid facies, facies Veneris cum veneris ante?
+      Ne sedeas! sed eas, ne pereas per eas.'"
+
+--Lempriere's _Universal Biography_, abridged from the larger work, London,
+1808.
+
+C. FORBES.
+
+Temple.
+
+_Sotades_ (Vol. viii., p. 520.).--Your correspondent CHARLES REED says that
+Sotades was a Roman poet 250 B.C.; and that to him we owe the line, "Roma
+tibi subito," &c. Sotades was a native of Maroneia in Thrace, or, according
+to others, of Crete; and flourished at Alexandria B.C. 280 (Smith's
+_Dictionary of Biography_, Clinton, F. H., vol. iii. p. 888.). We have a
+few fragments of his poems, but none of them are palindromical. The
+authority for his having written so, is, I suppose, Martial, Epig. II. 86.
+2.:
+
+ "Nec retro lego Sotaden cinaedum."
+
+ZEUS.
+
+_The Third Part of "Christabel"_ (Vol. viii., pp. 11. 111.).--Has the
+_Irish Quarterly Review_ any other reason for ascribing this poem to Maginn
+than the common belief which makes him the sole and original Morgan
+Odoherty? If not, its evidence is of little value, as, exclusive of some
+pieces under that name which have been avowed by other writers, many of the
+Odoherty papers contain palpable internal evidence of having been written
+by a Scotchman, or at least one very familiar with Scotland, which at that
+time he was not; even the letter accompanying the third part of
+_Christabel_ is dated from Glasgow, and though this would in itself prove
+nothing, the circumstances above mentioned, as well as Dr. Moir's evidence
+as to the time when Maginn's contributions to _Blackwood_ commenced, seems
+strongly presumptive against his claim. Some of the earliest and most
+distinguished writers in _Blackwood_ are still alive, and could, no doubt,
+clear up this point at once, if so inclined.
+
+J. S. WARDEN.
+
+_Attainment of Majority_ (Vol. viii., pp. 198. 250.).--In my last
+communication upon this subject I produced undeniable authority to prove
+that the law did not regard the fraction of a day; this, I think, A. E. B.
+will admit. The question is, now, does the day on which a man attains his
+majority commence at six o'clock A.M., or at midnight? We must remember
+that we are dealing with a question of _English_ law; and therefore the
+evidence of an English decision will, I submit, be stronger proof of the
+latter mode of reckoning than the only positive proof with which A. E. B.
+has defended Ben Jonson's use of the former, viz. _Roman_.
+
+In a case tried in Michaelmas Term, 1704, Chief Justice Holt said:
+
+    "It has been adjudged that if one be born the 1st of February at eleven
+    at night, and the last of January in the twenty-first year of his age
+    at one o'clock in the morning, he makes his will of lands and dies, it
+    is a good will, for he was then of age."--_Salkeld_, 44.; _Raymond_,
+    480, 1096; 1 _Siderfin_, 162.
+
+In this case, therefore, the testator was accounted of age forty-six hours
+before the completion of his twenty-first year. Now, the law not regarding
+the fraction of a day, the above case, I submit, clearly proves that the
+day, as regards the attainment of majority, began at midnight.
+
+RUSSELL GOLE.
+
+_Lord Halifax and Mrs. C. Barton_ (Vol. viii., pp. 429. 543.).--In answer
+to J. W. J.'s Query, I beg to state that I have in my possession a codicil
+of Mrs. Conduit's will in her own hand, dated 26th of January, 1737. This
+document refers to some theological tracts by Sir Isaac Newton, in his
+handwriting, which I have. On referring to the pedigree of the Barton
+family, I find that Colonel Robert Barton married Catherine Greenwood,
+whose father lived at Rotterdam, and was ancestor of Messrs. Greenwood,
+army agents. His issue were Major Newton Barton, who married Elizabeth
+Ekins, Mrs. Burr, and Catherine Robert Barton. I find no mention of Colonel
+Noel Barton. The family of Ekins had been previously connected with that of
+Barton, Alexander Ekins, Rector of Barton Segrave, having married Jane
+Barton of Brigstock. The writer of this note will be obliged if J. W. J.,
+or any correspondent of "N. & Q.," will inform him if anything is known
+respecting an ivory bust of Sir Isaac Newton, executed by Marchand or
+Marchant, which is said to have been an excellent likeness.
+
+S. X.
+
+    [The ivory bust referred to by our correspondent is, we believe, in the
+    British Museum.]
+
+_The fifth Lord Byron_ (Vol. viii., p. 2.).--I cannot but think that MR.
+HASLEDEN'S memory has deceived him as to the "wicked lord" having {19}
+settled his estates upon the marriage of his son; how is this to be
+reconciled with the often published statement, that the marriage of his son
+with his cousin Juliana, daughter of the admiral, and aunt of the late and
+present lords, was made not only without the consent, but in spite of the
+opposition, of the old lord, and that he never forgave his son in
+consequence?
+
+J. S. WARDEN.
+
+_Burton Family_ (Vol. iv., pp. 22. 124.).--In connexion with a Query which
+was kindly noticed by MR. ALGOR of Sheffield, who did not however
+communicate anything new to me, I would ask who was Samuel Burton, Esq.,
+formerly Sheriff of Derbyshire; whose death at Sevenoaks, in October, 1750,
+I find recorded in the Obituary of the _Gentleman's Magazine_ for that
+year? I am also desirous to ascertain who was Sir Francis Cavendish Burton
+of St. Helens, whose daughter and heiress, Martha, married Richard Sikes,
+Esq., ancestor of the Sikes's of the Chauntry House near Newark. She died
+since 1696. Both Samuel Burton and Mrs. Sikes were related to the Burtons
+of Kilburn, in the parish of Horsley, near Derby, to whom my former Query
+referred.
+
+E. H. A.
+
+_Provost Hodgson's Translation of the Atys of Catullus_ (Vol. viii., p.
+563.).--In answer to MR. GANTILLON'S inquiry for the above translation, I
+beg to state that it will be found appended to an octavo edition of
+Hodgson's poem of _Lady Jane Grey_.
+
+In the same volume will be found, I believe (for I have not the work before
+me), some of the modern Latin poetry respecting which BALLIOLENSIS
+inquiries. The justly admired translation of _Edwin and Angelina_, to which
+the latter refers, was by Hodgson's too early lost friend Lloyd. The
+splendid pentameter is slightly misquoted by BALLIOLENSIS. It is not--
+
+ "Poscimus in _terris_ pauca, nec illa diu."
+
+but--
+
+ "Poscimus in _vita_," &c.
+
+THOMAS RUSSELL POTTER.
+
+Wymeswold, Loughborough.
+
+_Wylcotes' Brass_ (Vol. viii., p. 494.).--I should hardly have supposed
+that any difficulty could exist in explaining the inscription:
+
+ "In . on . is . all."
+
+To me it appears self-evident that it must be--
+
+ "In one (God) is my all."
+
+H. C. C.
+
+_Hoby, Family of; their Portraits, &c_. (Vol. viii., p. 244.).--I would
+refer J. B. WHITBORNE to _The Antiquities of Berkshire_ (so miscalled), by
+Elias Ashmole; where, in treating of Bisham, that learned antiquary has
+given the inscriptions to the Hoby family as existing _and legible in his
+time_. It does not appear that Sir Philip Hoby, or Hobbie, Knight, was ever
+of the Privy Council; but, in 1539, one of the Gentlemen of the Privy
+Chamber to King Henry VIII. (which monarch granted to him in 1546-7 the
+manor of Willoughby in Edmonton, co. Middlesex), Sir Thomas Hoby, the
+brother, and successor in the estates of Sir Philip, was, in 1566,
+ambassador to France; and died at Paris July 13 in the same year (not
+1596), aged thirty-six. The coat of the Hobys of Bisham, as correctly
+given, is "Argent, within a border engrailed sable, three spindles,
+threaded in fesse, gules." A grant or confirmation of this coat was made by
+Sir Edward Bysshe, Clarenceux, to Peregrine Hoby of Bisham, Berks, natural
+son of Sir Edward Hoby, Nov. 17, 1664. The Bisham family bore no crest nor
+motto.
+
+H. C. C.
+
+_The Keate Family_ (Vol. viii., pp. 293. 525.)--Should the Query of
+G. B. B. not be sufficiently answered by the extract from Mr. Burke's
+_Extinct and Dormant Baronetcies of England_ relating to the Keate family,
+as I have a full pedigree of that surname, I may perhaps be able, on
+application, to satisfy him with some genealogical particulars which are
+not noticed in Mr. Burke's works.
+
+H. C. C.
+
+_Sir Charles Cotterell_ (Vol viii., p. 564.).--Sir Charles Cotterell, the
+translator of _Cassandra_, died in 1687. (See Fuller's _Worthies_, by
+Nuttall, vol. ii. p. 309.)
+
+[Greek: Halieus].
+
+Dublin.
+
+_Huc's Travels_ (Vol. viii., p. 516.).--Not having seen the _Gardener's
+Chronicle_, in which C. W. B. says the travels of Messrs. Huc and Gabet in
+Thibet, Tartary, &c. are said to be a pure fabrication, concocted by some
+Parisian _litterateur_, I cannot know what degree of credit, if any, is to
+be given to such a statement. All I wish to communicate at present for the
+information of your Querist C. W. B. is this, that I have read an account
+and abstract of Messrs. Huc and Gabet's _Travels_ in one of the ablest and
+best conducted French reviews, _La Revue des Deux Mondes_; in which not the
+least suspicion of fabrication is hinted, or the slightest doubt expressed
+as to the genuineness of these _Travels_. Mr. Princep, also, in his work on
+Thibet, Tartary, &c. quotes largely from Huc's Travel's, and avails himself
+extensively of the information contained in them with reference to
+Buddhism, &c.
+
+Should the writer in the _Gardener's Chronicle_ have it in his power to
+_prove_ the _Travels_ to be a fabrication, he will confer a benefit on the
+world of letters by unmasking the fabricator.
+
+J. M.
+
+Oxford.
+
+_Pictures at Hampton Court Palace_ (Vol. viii., p. 538.).--In reply to
+[Phi].'s question when the review of the 10th Light Dragoons by King {20}
+George III., after the Prince of Wales assumed the command of that
+regiment, I beg to state that the Prince entered the army as
+brevet-colonel, Nov. 19, 1782; that the regiment received the title of "The
+Prince of Wales's own Regiment of Light Dragoons" on Michaelmas Day, 1783:
+that the regiment was stationed in the south of England and in the vicinity
+of London for many years, from 1790 to 1803 inclusive; and that King George
+III. repeatedly reviewed it, accompanied by the queen and the royal family.
+That the Prince of Wales was appointed Colonel-commandant of the corps in
+1793, and succeeded Sir W. A. Pitt as colonel of it in July 18, 1796. That
+the regiment was reviewed on Hounslow Heath by the King in August, 1799;
+and the Prince of Wales (who commanded it in person) received his Majesty's
+orders to convey his Majesty's approbation of its excellent appearance and
+performance. Perhaps the picture by Sir William Beechey was painted in
+1799, and not 1798. I did not find the catalogue at Hampton Court free from
+errors, when I last visited the palace in October, 1852.
+
+M. A.
+
+Pembroke College, Oxon.
+
+_John Waugh_ (Vol. viii., pp. 271. 400. 525.).--Does KARLEOLENSIS know
+whether John Waugh, son of Waugh, Bishop of Carlisle, was married, and to
+whom?
+
+Farther information of the above family would be most acceptable, and
+thankfully acknowledged, by George Waugh, of the family of the Waughs of
+Oulton and Lofthouse, Yorkshire.
+
+Exeter.
+
+_Daughters taking their Mothers' Names_ (Vol. viii., p. 586.).--When
+BURIENSIS asks for instances of this, and mentions "Alicia, daughter of
+Ada," as an example, is he not mistaking, or following some one else who
+has mistaken, the _gender_ of the parent's name? _Alicia fil. Adae_ would
+be rendered "Alice Fitz-Adam," unless there be anything in the context to
+determine the gender otherwise.
+
+J. SANSOM.
+
+"_Service is no Inheritance_" (Vol. viii., p. 586.).--This proverbial
+saying has evidently arisen from the old manorial right, under which the
+lord of the manor claimed suit and service and fealty before admitting the
+heir to his inheritance, or the purchaser to his purchase. On which
+occasion, the party admitted to the estate, whether purchaser or heir,
+"fecit fidelitatem suam et solvit relevium;" the relief being generally a
+year's rent or service.
+
+ANON.
+
+_Sir Christopher Wren and the young Carver_ (Vol. viii., p. 340.).--If your
+correspondent A. H. has not already appropriated the anecdote here alluded
+to, I think I can confidently refer him to any biographical notice of
+Grindling Gibbons--to whom the story of the "Sow and Pigs" relates. Gibbons
+was recommended to Sir Christopher by Evelyn, I think; but not having "made
+a note of it," I am not sure that it is to be found in his _Diary_.[4] If
+there be any monograph Life of Gibbons, it can scarcely fail to be found
+there.
+
+M. (2)
+
+[Footnote 4: See Evelyn's _Diary_, vol. ii. pp. 53, 54., edition
+1850.--ED.]
+
+_Souvaroff's Despatch_ (Vol. viii., p. 490).--Souvaroff's doggerel despatch
+from Ismail, immortalised by Byron, is, as usual, misspelt and
+mistranslated. Allow me to furnish you with what I have never yet seen in
+English, a correct version of it:
+
+ "Slava Bogou, slava Vam;
+  Krepost vziala, ee ya tam."
+
+ "Glory to God, glory to You,
+  The fortress is taken, and I am there."
+
+DMITRI ANDREEF.
+
+_Detached Church Towers_ (Vol. viii., p. 63.).--In the lists I have seen no
+mention is made of the fine tower of West Walton Church, which stands at a
+distance of nearly twenty yards from the body of the church.
+
+W. B. D.
+
+Lynn.
+
+_Queen Anne's Motto_ (Vol. viii., p. 174.).--The Historical Society of
+Pennsylvania is in possession of an English coat of arms, painted on wood
+in the time of Queen Anne, having "Anna R." at the top, and the motto
+_Semper eadem_ on the scroll below. It probably was in one of the
+Philadelphia court-rooms, and was taken down at the Revolution.
+
+UNEDA.
+
+Philadelphia.
+
+_Lawyers' Bags_ (Vol. vii. _passim_).--The communication of MR. KERSLEY, in
+p. 557., although it does not support the inference which COL. LANDMAN
+draws, that the colour of lawyers' bags was changed in consequence of the
+unpopularity which it acquired at the trial of Queen Caroline, seems to
+show that _green_ was at one time the colour of those professional pouches.
+The question still remains, when and on what occasion it was discontinued;
+and when the purple, and when the crimson, were introduced?
+
+When I entered the profession (about fifty years ago), no junior barrister
+presumed to carry a bag in the Court of Chancery, unless one had been
+presented to him by a king's counsel; who, when a junior was advancing in
+practice, took an opportunity of complimenting him on his increase of
+business, and giving him his own bag to carry home his papers. It was then
+a distinction to carry a bag, and a proof that a junior was rising {21} in
+his profession. I do not know whether the same custom prevailed in the
+other courts.
+
+CAUSIDICUS.
+
+In this city (Philadelphia) lawyers formerly carried green bags. The custom
+has declined of late years among the members of the legal profession, and
+it has been taken up by journeymen boot and shoe makers, who thus carry
+their work to and from the workshop. A green bag is now the badge of a
+cordwainer in this city.
+
+[Old English W].
+
+Philadelphia.
+
+_Bust of Luther_ (Vol. viii., p. 335.).--MR. J. G. FITCH asks for
+information respecting a bust of Luther, with an inscription, on the wall
+of a house, in the Dom Platz at Frankfort on the Maine. I have learned,
+through a German acquaintance, who has resided the greater part of his life
+in that city, that the effigy was erected to commemorate the event of
+Luther's having, during a short stay in Frankfort, preached near that spot;
+and that the words surrounding the bust were his text on the occasion. He
+adds that Luther at no period of his life "lived for some years" at
+Frankfort, as stated by MR. FITCH.
+
+ALFRED SMITH.
+
+_Grammar in relation to Logic_ (Vol. viii., pp. 514. 629.).--H. C. K.'s
+remarks are of course indisputable. But it is a mistake to suppose that
+they answer my Query. In fact, had your correspondent taken the trouble to
+consider the meaning of my Query, he could not have failed to perceive that
+the explanation I there gave of the function of the conjunction _in logic_,
+is the same as his. My Query had sole reference _to grammar_. I would also
+respectfully suggest that anonymous correspondents should not impute
+"superficial views," or any other disagreeable thing, to those who stand
+_confessed_, without abandoning the pseudonym.
+
+C. MANSFIELD INGLEBY.
+
+Birmingham.
+
+       *       *       *       *       *
+
+
+Miscellaneous.
+
+NOTES ON BOOKS, ETC.
+
+Mr. Timbs announces for publication by subscription, _Curiosities of
+London: exhibiting the most rare and remarkable Objects of Interest in the
+Metropolis_. Mr. Timbs states, the authorities for his work have been
+four-and-twenty years in collection; and that the utmost pains has been
+taken to verify names, dates, and circumstances, so as to insure accuracy.
+In this labour the author has been aided by the communications of many
+obliging friends, as well as by his own recollection of nearly fifty years'
+changes in the aspects of "opulent, enlarged, and still increasing London."
+
+It is proposed to publish by subscription _The Visitation of the County of
+Northumberland_, taken by Richard St. George, Esq., Norroy King of Arms,
+and Henry St. George, Esq., Blue Mantle Pursuivant of Arms, A.D. 1615. To
+be printed in tables on folio, with the arms engraved on wood, price One
+Guinea; or large paper, royal folio, Two Guineas; or large paper with the
+arms emblazoned (of which only the number subscribed for will be done),
+Five Guineas. Subscribers' names will be received by Mr. John Gray Bell,
+No. 17. Bedford Street, Covent Garden.
+
+The first number of the _Antiquities of Shropshire_, by the Rev. R. W.
+Eyton, has just been issued for the sake of determining the author's doubts
+as to whether there is any general wish for such a publication. Should the
+answer be in the negative, the author will neither forget his obligation to
+present subscribers, nor the explanation which he will farther owe them if
+the work be discontinued. The work will extend at least to five volumes, or
+twenty parts, and, according to the present plan, will be completed in not
+less than five years. Any subscriber will be at liberty to withdraw his
+name, by giving notice to that effect within one month after the
+publication of any fourth part, or completed volume. Three hundred copies
+of Part I. have been printed, but the number of the future parts will be
+limited to those subscribed for within the next three months.
+
+_The Surrey Archaeological Society_ propose holding the Inaugural General
+Meeting of the Society in Southwark early in the month of February, and to
+exhibit upon the occasion a collection of such objects of antiquarian
+interest relating to Surrey as may be contributed for that purpose. Parties
+are invited to favour the Society with the loan of such objects.
+
+BOOKS RECEIVED.--_A Peep at the Pixies, or Legends of the West_, by Mrs.
+Bray: written for the entertainment of a family circle, these amusing
+records of the doings of the little people will find favour with all lovers
+of folk lore.--_Ada's Thoughts, or the Poetry of Youth_, may be commended
+for its natural, simple, yet elevated tone.--_Essay on Human Happiness_, by
+C. B. Adderley, M.P.; the first of a series of _Great Truths for Thoughtful
+Hours_. A set of little books similar in object and design to Pickering's
+well-known series of _Small Books on Great Subjects_.--_Beauties of Byron,
+Verse and Prose._ This selection, made for Murray's _Railway Reading_, will
+be acceptable to many who would object to place the collected edition of
+the noble bard's writings in the hands of the younger members of their
+family.--_Speeches on Parliamentary Reform_, by the Right Hon. T. B.
+Macaulay. This new number of Longman's _Traveller's Library_ is well-timed,
+and very acceptable.
+
+       *       *       *       *       *
+
+
+BOOKS AND ODD VOLUMES WANTED TO PURCHASE.
+
+ISAAC TAYLOR'S PHYSICAL THEORY OF ANOTHER LIFE.
+
+*** Letters, stating particulars and lowest price, _carriage free_, to be
+sent to MR. BELL, Publisher of "NOTES AND QUERIES." 186. Fleet Street.
+
+Particulars of Price, &c. of the following Books to be sent direct to the
+gentlemen by whom they are required, and whose names and addresses are
+given for that purpose:
+
+SANDY'S CHRISTMAS CAROLS, Ancient and Modern. 8vo. 1833.
+
+JUNIUS DISCOVERED, by P. T. Published about 1789.
+
+  Wanted by _William J. Thoms_, 25. Holywell Street, Millbank, Westminster.
+
+{22}
+
+GALLERY OF PORTRAITS. Published by Charles Knight, under the
+Superintendence of the Society for the Diffusion of Useful Knowledge. No.
+XLIII. (December, 1835), containing Adam Smith, Calvin, Mansfield.
+
+  Wanted by _Charles Forbes_, 3. Elm Court, Temple.
+
+BRISTOL DROLLERY. 1674.
+
+HOLBORN DROLLERY. 1673.
+
+HICKS'S GRAMMATICAL DROLLERY. 1682.
+
+OXFORD JESTS.
+
+CAMBRIDGE JESTS.
+
+  Wanted by _C. S._, 12. Gloucester Green, Oxford.
+
+MUDIE'S BRITISH BIRDS. Bohn. 1841. 2nd Volume.
+
+WAVERLEY. 1st Edition.
+
+  Wanted by _F. R. Sowerby_, Halifax.
+
+       *       *       *       *       *
+
+
+Notices to Correspondents.
+
+_Among other interesting communications intended for our present Number,
+but which we have been compelled by want of space to postpone until next
+week, are_ MR. GUTCH_'s Paper on_ Griffin and his Fidessa, MR. D'ALTON_'s
+on_ James II.'s Irish Army List, _and_ DR. DIAMOND_'s on_ The Advantages of
+Small Photographs.
+
+CESTRIENSIS. _We have a letter for this Correspondent; where shall it be
+sent?_
+
+EIRIONNACH. _The letter for this Correspondent has been forwarded._
+
+W. J. L. _The_ Merry Llyd _or_ Hewid _has already formed the subject of
+some notices in our columns: see_ Vol. i., pp. 173. 315.; Vol. vi., p. 410.
+_We should be glad to have any satisfactory explanation of the origin and
+antiquity of the custom._
+
+J. E. (Sampford) _is informed that there is no charge for the insertion of
+Queries, &c. Will he oblige us by describing the communications to which he
+refers?_
+
+F. S. A., _who asks the origin of_ tick, _is referred to_ Vol. iii., pp.
+357. 409. 502.
+
+IGNORANT. _The_ Staffordshire Knot _is the badge or cognizance of the Earls
+of Stafford: see_ Vol. viii., p. 454.
+
+J. S. A. _will find the information he desires respecting the_
+Extraordinary North Briton _in a valuable communication from_ MR. CROSSLEY,
+"N. & Q.," Vol. iii., p. 432.
+
+INDEX TO VOLUME THE EIGHTH.--_This is in a very forward state, and will, we
+trust, be ready for delivery with_ No. 221. _on the_ 21_st of January._
+
+"NOTES AND QUERIES," Vols. i. to vii., _price Three Guineas and a
+Half.--Copies are being made up and may be had by order._
+
+"NOTES AND QUERIES" _is published at noon on Friday, so that the Country
+Booksellers may receive Copies in that night's parcels and deliver them to
+their Subscribers on the Saturday._
+
+       *       *       *       *       *
+
+
+THE GENTLEMAN'S MAGAZINE FOR JANUARY (being the First Part of a new Volume)
+contains the following articles:--1. The Princess (afterwards Queen)
+Elizabeth a Prisoner at Woodstock. 2. On supposed Apparitions of the Virgin
+Mary; and particularly at La Salette. 3. Sir Walter Raleigh at Sherborne.
+4. Manners and Morals of the University of Cambridge during the last
+Century. 5. English Sketches by Foreign Artists--Max Schlesinger's
+Saunterings in and about London. 6. Richard Baxter's Pulpit at
+Kidderminster (with a Plate). 7. Cambridge Improvements, 1853. 8. The
+Toxaris of Lucian. Correspondence of Sylvanus Urban: English Physicians in
+Russia--Knights Banneret--Sir Constantine Phipps and Sir William
+Phips--Diaries of Dr. Stukeley, &c. With Notes of the Month; Historical and
+Miscellaneous Reviews; Reports of Antiquarian and Literary Societies;
+Historical Chronicle; and OBITUARY, including Memoirs of the Queen of
+Portugal, the Duke of Beaufort, the Countess of Newburgh, Lord Cloncurry,
+Rear-Adm. Pasco, Bickham Escott, Esq., Wm. Gardiner, Esq., Mrs. Opie, Mr.
+Jas. Trubshaw, C.E., Mr. Samuel Williams, &c. &c. Price 2s. 6d.
+
+NICHOLS & SONS, 25. Parliament Street.
+
+       *       *       *       *       *
+
+
+Just published, price 2s. 6d., sewed,
+
+A LECTURE ON THE GENIUS, LIFE AND CHARACTER OF WILLIAM SHAKSPEARE,
+delivered to the Mutual Improvement Society of Welford, by FREDERICK COX,
+ESQ., one of the Vice-Presidents of the Society.
+
+  GEORGE BELL, London.
+  T. C. BROWNE, Leicester.
+
+       *       *       *       *       *
+
+
+Just published, 12mo., 4s.
+
+JANUS, LAKE POEMS, &c., and other Poems, by DAVID HOLT.
+
+London: W. PICKERING, Piccadilly; and GEORGE BELL, 186. Fleet Street.
+
+       *       *       *       *       *
+
+
+Demy 8vo., 2s.; cloth gilt, 3s.
+
+THE HISTORY OF MILLWALL, commonly called the Isle of Dogs; including
+Notices of the West India Docks and City Canal, and Notes on Poplar,
+Blackwall, Limehouse, and Stepney. By B. H. COWPER.
+
+R. GLADDING, 97. & 98. Whitechapel Road.
+
+       *       *       *       *       *
+
+
+TO ARTISTS, ENGRAVERS, PRINTSELLERS, ETC.
+
+This Day, 8vo., 3s. 6d.
+
+THE LAWS OF ARTISTIC COPYRIGHT, AND THEIR DEFECTS. For the Use of Artists,
+Sculptors, Engravers, Printsellers, &c. BY D. ROBERTON BLAINE, ESQ., of the
+Middle Temple, Barrister-at-Law.
+
+JOHN MURRAY, Albemarle Street.
+
+       *       *       *       *       *
+
+
+WORKS BY EDWARD JESSE, ESQ.
+
+Now Ready.
+
+JESSE'S COUNTRY LIFE. Third Edition. Fcap. 8vo. 6s.
+
+   II.
+
+JESSE'S NATURAL HISTORY. Seventh Edition. Fcap. 8vo. 6s.
+
+   III.
+
+JESSE'S FAVOURITE HAUNTS. With Twenty Woodcuts. Post 8vo. 12s.
+
+JOHN MURRAY, Albermarle Street.
+
+       *       *       *       *       *
+
+
+JUST PUBLISHED.--A CATALOGUE of VALUABLE BOOKS, including a portion of the
+Library of the RIGHT HON. WARREN HASTINGS, now on Sale by THOMAS KERSLAKE,
+Bookseller, Bristol. (Franked for One Postage Stamp.)
+
+       *       *       *       *       *
+
+
+VIEWS IN LONDON. STEREOSCOPES AND STEREOSCOPIC PICTURES.
+
+BLAND & LONG, 153. FLEET STREET, OPTICIANS and PHILOSOPHICAL INSTRUMENT
+MAKERS, invite attention to their Stock of STEREOSCOPES of all Kinds, and
+in various Materials; also, to their New and Extensive Assortment of
+STEREOSCOPIC PICTURES for the same, in DAGUERREOTYPE, on PAPER, and
+TRANSPARENT ALBUMEN PICTURES on GLASS, including Views of London, Paris,
+the Rhine, Windsor, &c. These Pictures, for minuteness of Detail and Truth
+in the Representation of Natural Objects, are unrivalled.
+
+BLAND & LONG, Opticians, 153. Fleet Street, London.
+
+*** "Familiar Explanation of the Phenomena" sent on Application.
+
+       *       *       *       *       *
+
+
+PULLEYN'S COMPENDIUM.
+
+One Volume, crown 8vo., bound in cloth, price 6s.
+
+THE ETYMOLOGICAL COMPENDIUM; or, PORTFOLIO OF ORIGINS AND INVENTIONS:
+relating to
+
+  Language, Literature, and Government.
+  Architecture and Sculpture.
+  Drama, Music, Painting, and Scientific Discoveries.
+  Articles of Dress, &c.
+  Titles, Dignities, &c.
+  Names, Trades, Professions.
+  Parliament, Laws, &c.
+  Universities and Religious Sects.
+  Epithets and Phrases.
+  Remarkable Customs.
+  Games, Field Sports.
+  Seasons, Months, and Days of the Week.
+  Remarkable Localities, &c. &c.
+
+By WILLIAM PULLEYN.
+
+The Third Edition, revised and improved,
+
+By MERTON A. THOMS, ESQ.
+
+    "The additions to this book indicate the editor to be his father's own
+    son. He deals in folk lore, chronicles old customs and popular sayings,
+    and has an eye to all things curious and note-worthy. The book tells
+    everything."--_Gentleman's Magazine._
+
+    "The book contains a vast amount of curious information and useful
+    memoranda."--_Literary Gazette._
+
+    "An invaluable manual of amusement and information."--_Morning
+    Chronicle._
+
+    "This is a work of great practical usefulness. It is a _Notes and
+    Queries_ in miniature.... The revision which the present edition of it
+    has undergone has greatly enhanced its original value."--_Era._
+
+London: WILLIAM TEGG & CO., 85. Queen Street, Cheapside.
+
+       *       *       *       *       *
+
+
+NOW READY, MR. DOD'S PEERAGE, &c.
+
+New Edition for 1854; thoroughly revised, with many Improvements.
+
+PEERAGE, BARONETAGE, KNIGHTAGE, &c., for 1854 (Fourteenth Year): by CHARLES
+R. DOD, Esq., Author of "The Parliamentary Companion," "Electoral Facts,"
+&c. Fcp. 8vo., handsomely bound in cloth, gilt.
+
+WHITTAKER & CO., Ave-Maria Lane.
+
+       *       *       *       *       *
+
+
+{23}
+
+WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY.
+
+3. PARLIAMENT STREET, LONDON.
+
+Founded A.D. 1842.
+
+       *       *       *       *       *
+
+  _Directors._
+
+  H. E. Bicknell, Esq.
+  T. S. Cocks, Jun. Esq., M.P.
+  G. H. Drew, Esq.
+  W. Evans, Esq.
+  W. Freeman, Esq.
+  F. Fuller, Esq.
+  J. H. Goodhart, Esq.
+  T. Grissell, Esq.
+  J. Hunt, Esq.
+  J. A. Lethbridge, Esq.
+  E. Lucas, Esq.
+  J. Lys Seager, Esq.
+  J. B. White, Esq.
+  J. Carter Wood, Esq.
+
+  _Trustees._--W. Whateley, Esq., Q.C.; George Drew, Esq., T. Grissell,
+      Esq.
+  _Physician._--William Rich. Basham, M.D.
+  _Bankers._--Messrs. Cocks, Biddulph, and Co., Charing Cross.
+
+VALUABLE PRIVILEGE.
+
+POLICIES effected in this Office do not become void through temporary
+difficulty in paying a Premium, as permission is given upon application to
+suspend the payment at interest, according to the conditions detailed in
+the Prospectus.
+
+Specimens of Rates of Premium for Assuring 100l., with a Share in
+three-fourths of the Profits:--
+
+  Age       L   s.  d.
+   17       1  14   4
+   22       1  18   8
+   27       2   4   5
+   32       2  10   8
+   37       2  18   6
+   42       3   8   2
+
+ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.
+
+Now ready, price 10s. 6d., Second Edition, with material additions,
+INDUSTRIAL INVESTMENT and EMIGRATION: being a TREATISE ON BENEFIT BUILDING
+SOCIETIES, and on the General Principles of Land Investment, exemplified in
+the Cases of Freehold Land Societies, Building Companies, &c. With a
+Mathematical Appendix on Compound Interest and Life Assurance. By ARTHUR
+SCRATCHLEY, M.A., Actuary to the Western Life Assurance Society, 3.
+Parliament Street, London.
+
+       *       *       *       *       *
+
+
+ALLEN'S ILLUSTRATED CATALOGUE, containing Size, Prices, and Description of
+upwards of 100 articles, consisting of
+
+PORTMANTEAUS, TRAVELLING-BAGS, Ladies' Portmanteaus, DESPATCH-BOXES,
+WRITING-DESKS, DRESSING-CASES, and other traveller requisites, Gratis on
+application, or sent free by Post on receipt of Two Stamps.
+
+MESSRS. ALLEN'S registered Despatch-box and Writing-desk, their
+Travelling-bag with the opening as large as the bag, and the new
+Portmanteau containing four compartments, are undoubtedly the best articles
+of the kind ever produced.
+
+J. W. & T. ALLEN, 18. & 22. West Strand.
+
+       *       *       *       *       *
+
+
+BENNETT'S MODEL WATCH, as shown at the GREAT EXHIBITION. No. 1. Class X.,
+in Gold and Silver Cases, in five qualities, and adapted to all Climates,
+may now be had at the MANUFACTORY, 65. CHEAPSIDE. Superior Gold London-made
+Patent Levers, 17, 15, and 12 guineas. Ditto, in Silver Cases, 8, 6, and 4
+guineas. First-rate Geneva Levers, in Gold Cases, 12, 10, and 8 guineas.
+Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior Lever, with
+Chronometer Balance, Gold, 27, 23, and 19 guineas. Bennett's Pocket
+Chronometer, Gold, 50 guineas; Silver, 40 guineas. Every Watch skillfully
+examined, timed, and its performance guaranteed. Barometers, 2l., 3l., and
+4l. Thermometers from 1s. each.
+
+BENNETT, Watch, Clock, and Instrument Maker to the Royal Observatory, the
+Board of Ordnance, the Admiralty, and the Queen,
+
+65. CHEAPSIDE.
+
+       *       *       *       *       *
+
+
+XYLO-IODIDE OF SILVER, exclusively used at all the Photographic
+Establishments.--The superiority of this preparation is now universally
+acknowledged. Testimonials from the best Photographers and principal
+scientific men of the day, warrant the assertion, that hitherto no
+preparation has been discovered which produces uniformly such perfect
+pictures, combined with the greatest rapidity of action. In all cases where
+a quantity is required, the two solutions may be had at Wholesale price in
+separate Bottles, in which state it may be kept for years, and Exported to
+any Climate. Full instructions for use.
+
+CAUTION.--Each Bottle is Stamped with a Red Label bearing my name, RICHARD
+W. THOMAS, Chemist, 10. Pall Mall, to counterfeit which is felony.
+
+CYANOGEN SOAP: for removing all kinds of Photographic Stains. The Genuine
+is made only by the Inventor, and is secured with a Red Label bearing this
+Signature and Address, RICHARD W. THOMAS, CHEMIST, 10. PALL MALL,
+Manufacturer of Pure Photographic Chemicals: and may be procured of all
+respectable Chemists, in Pots at 1s., 2s., and 3s. 6d. each, through
+MESSRS. EDWARDS, 67. St. Paul's Churchyard; and MESSRS. BARCLAY & CO., 95.
+Farringdon Street, Wholesale Agents.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHY.--HORNE & CO.'S Iodized Collodion, for obtaining Instantaneous
+Views, and Portraits in from three to thirty seconds, according to light.
+
+Portraits obtained by the above, for delicacy of detail rival the choicest
+Daguerreotypes, specimens of which may be seen at their Establishment.
+
+Also every description of Apparatus, Chemicals, &c. &c. used in this
+beautiful Art.--123. and 121. Newgate Street.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHIC CAMERAS.--OTTEWILL'S REGISTERED DOUBLE-BODIED FOLDING CAMERA,
+is superior to every other form of Camera, for the Photographic Tourist,
+from its capability of Elongation or Contraction to any Focal Adjustment,
+its Portability, and its adaptation for taking either Views or
+Portraits.--The Trade supplied.
+
+Every Description of Camera, or Slides, Tripod Stands, Printing Frames,
+&c., may be obtained at his MANUFACTORY, Charlotte Terrace, Barnsbury Road,
+Islington.
+
+New Inventions, Models, &c., made to order or from Drawings.
+
+       *       *       *       *       *
+
+
+IMPROVEMENT IN COLLODION.--J. B. HOCKIN & CO., Chemists, 289. Strand. have,
+by an improved mode of Iodizing, succeeded in producing a Collodion equal,
+they may say superior, in sensitiveness and density of Negative, to any
+other hitherto published; without diminishing the keeping properties and
+appreciation of half tint for which their manufacture has been esteemed.
+
+Apparatus, pure Chemicals, and all the requirements for the practice of
+Photography. Instruction in the Art.
+
+THE COLLODION AND POSITIVE PAPER PROCESS. By J. B. HOCKIN. Price 1s., per
+Post, 1s. 2d.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHY.
+
+A COMPLETE SET OF APPARATUS for 4l. 4s., containing an Expanding Camera,
+with warranted Double Achromatic Adjusting Lenses, a Portable Stand,
+Pressure Frame, Levelling Stand, and Baths, complete.
+
+PORTRAIT LENSES of double Achromatic combination, from 1l. 12s. 6d.
+
+LANDSCAPE LENSES, with Rack Adjustment, from 25s.
+
+A GUIDE to the Practice of this interesting Art, 1s., by post free, 1s. 6d.
+
+French Polished MAHOGANY STEREO-SCOPES, from 10s. 6d. A large assortment of
+STEREOSCOPIC PICTURES for the same in Daguerreotype, Calotype, or Albumen,
+at equally low prices.
+
+ACHROMATIC MICROSCOPES.
+
+Beautifully finished ACHROMATIC MICROSCOPE, with all the latest improvement
+and apparatus, complete from 3l. 15s., at
+
+C. BAKER'S. Optical and Mathematical Instrument Warehouse, 244. High
+Holborn (opposite Day & Martin's).
+
+       *       *       *       *       *
+
+
+Important Sale of Rare Books, Books of Prints, and Illuminated Manuscripts.
+
+MESSRS. S. LEIGH SOTHEBY & JOHN WILKINSON, Auctioneers of Literary Property
+and Works illustrative of the Fine Arts, will SELL by AUCTION, at their
+House, 3. Wellington Street, Strand, on MONDAY, January 9, 1854, and Three
+following Days, at 1 o'clock precisely, an Important COLLECTION of RARE
+BOOKS, Books of Prints, Illuminated and Historical Manuscripts, from the
+Library of a distinguished Amateur, deceased:--comprising, The Grand Work
+on Egypt, executed under the munificent direction of Napoleon I., the
+original edition on vellum paper, 23 vols. The Beautiful and Interesting
+Series of Picturesque Voyages by Nodier, Taylor, and De Cailleux; Barker,
+Webb et Berthelot, Histoire Naturelle des Iles Canaries, a magnificent
+work, in 10 vols. with exquisitely coloured plates; Algerie. Historique,
+Pittoresque et Monumentale, 5 vols. in 3; Le Vaillant, Histoire Naturelle
+des Oiseaux, on vellum paper, the plates beautifully coloured, 3 vols.;
+Melling, Voyage Pittoresque de Constantinople, 2 vols. in 1; Montfaucon,
+Antiquite Expliquee, avec Supplement et les Monumens de la Monarchie
+Francoise, 20 vols., a most beautiful copy, in morocco, of the best
+edition, on large paper; Sebae Rerum Naturalium Thesaurus, 4 vols., an
+exceedingly choice copy in rich French morocco; Museum Worsleyanum, 2
+vols., on large paper; Shaw, Illuminated Ornaments, on large paper, the
+plates exquisitely illuminated in gold and colours; Beroalde de Verville,
+Le Moyen de Parvenir, a very fine copy of the rarest Elzevir edition;
+Cieza, Historie del Peru, 1560-64, rare; Boccaccio, Il Decamerone, Ven.
+1492, extremely rare; Consolat dels Fets Maritims, very rare; Denyaldi,
+Rollo Northmanno-Britannicus, fine copy, and very scarce; Henninges,
+Theatrum Genealogicum, 4 vols. in 5; Le Merre, Recueil des Notes concernant
+les Affaires du Clerge de France, 13 vols., a beautiful copy; Mandeville,
+Le Grande Lapidaire, 1561, an extremely rare edition; Renversement de la
+Morale Chretienne, rare; Verheiden in Classem Xerxis Hispani Oratio, very
+rare; Rare Works relating to England; Books of Emblems; A curious and
+interesting Volume in German, giving an Account of the Crusades against the
+Turks by the Christians, printed by Baemler. in 1482; Some highly
+interesting Historical and other Manuscripts; Finely illuminated Horae and
+Missals; and an interesting Fragment in the Autograph of Rousseau.
+
+To be viewed Two Days prior, and Catalogues had; forwarded Free on receipt
+of Six Postage Stamps.
+
+       *       *       *       *       *
+
+
+PHOTOGRAPHIC APPARATUS, MATERIALS, and PURE CHEMICAL PREPARATIONS.
+
+KNIGHT & SONS' Illustrated Catalogue, containing Description and Price of
+the best forms of Cameras and other Apparatus. Voightlander and Son's
+Lenses for Portraits and Views, together with the various Materials, and
+pure Chemical Preparations required in practising the Photographic Art.
+Forwarded free on receipt of Six Postage Stamps.
+
+Instructions given in every branch of the Art.
+
+An extensive Collection of Stereoscopic and other Photographic Specimens.
+
+GEORGE KNIGHT & SONS, Foster Lane, London.
+
+       *       *       *       *       *
+
+
+{24}
+
+BOOKS SUITABLE FOR CHRISTMAS PRESENTS,
+
+PUBLISHED BY MR. JOHN HENRY PARKER, OXFORD; AND 377. STRAND, LONDON.
+
+THE BOOK OF COMMON PRAYER. With Fifty Illustrations, from Designs by
+Ancient and Modern Artists. Selected by the REV. H. J. ROSE and REV. J. W.
+BURGON. In One handsome Volume, 8vo. The Prayer-Book is printed in very
+large type, with the Rubrics in red. Elegantly bound in antique calf, with
+vermillion edges, 2l. 2s.
+
+DAILY CHURCH SERVICES.
+
+In One Portable Volume, containing the Prayers and Lessons for Daily Use;
+or, the Course of Scripture Readings for the Year, authorised by the
+Church. Also, a Table of the Proper Lessons for Sundays and Holydays, with
+References to the Pages. Price 10s. 6d., bound; or 16s. in Hayday's
+morocco.
+
+    This volume will be found equally useful to those who read the Church
+    Service at home, as for those who use it at church, as the lessons and
+    services for every day are distinctly marked, forming a very suitable
+    book for a present. It is also kept by any respectable bookseller in a
+    variety of elegant bindings.
+
+OF THE IMITATION OF CHRIST. Four Books. By THOMAS a KEMPIS. A New Edition,
+revised, handsomely printed in fcap. 8vo., with Vignettes and red floriated
+borders taken from the ancient MSS. Cloth, 5s. Also in antique calf
+binding, vermillion edges, 10s. 6d.
+
+THE CALENDAR OF THE ANGLICAN CHURCH ILLUSTRATED. With brief Accounts of the
+Saints who have Churches dedicated in their Names, or whose Images are most
+frequently met with in England; the Early Christian and Mediaeval Symbols:
+and an Index of Emblems. With numerous Woodcuts, Fcap. 8vo., 10s. 6d.; or
+bound in antique calf. 16s.
+
+A HISTORY of the CHURCH OF ENGLAND, to the REVOLUTION of 1688. By the late
+REV. J. B. S. CARWITHEN, B.D. A new Edition, edited by the REV. W. R.
+BROWELL, M.A., 2 vols. small 8vo., 12s.
+
+THE PILGRIM'S PROGRESS. By JOHN BUNYAN. A New Edition, adapted by the REV.
+J. M. NEALE, M.A., for the Use of Children of the Church of England. Fcap.
+8vo., handsomely bound in gilt cloth, with Woodcuts, 3s. 6d.
+
+TRACTS FOR THE CHRISTIAN SEASONS. First Series. Four Vols., cloth, 18s.
+
+TRACTS FOR THE CHRISTIAN SEASONS. Second Series. Four Vols., cloth, 15s.
+
+SERMONS FOR THE CHRISTIAN SEASONS. A Series of Plain Sermons for Sunday
+Reading. Four Vols., fcap. 8vo., 16s.
+
+A PLAIN COMMENTARY on the GOSPEL of ST. MATTHEW, with numerous
+Illustrations. Fcap. 8vo., 6s. 6d.
+
+WILSON'S SACRA PRIVATA. From the original MSS. Second Edition. Fcap. 8vo.,
+antique cloth, red edges, 6s.; antique calf, red edges, 12s.
+
+THE PSALTER AND THE GOSPEL. The Life, Suffering, and Triumph of our Blessed
+Lord, revealed in the Book of Psalms. Fcap. 8vo., uniform with the Plain
+Commentary on the Four Holy Gospels. 2s.
+
+    A selection of the most striking of the parallel passages contained in
+    the Psalter and the Gospel.
+
+SCOTLAND and the SCOTTISH CHURCH. By the REV. HENRY CASWALL, M.A., Vicar of
+Figheldean, Wilts; Author of "America and the American Church." &c. &c.,
+and a Proctor in Convocation for the Diocese of Salisbury. Fcap. 8vo., 5s.
+
+A SHORT EXPLANATION of the NICENE CREED, for the Use of Persons beginning
+the Study of Theology. By A. P. FORBES, D.C.L., Bishop of Brechin. Fcap
+8vo., cloth, 6s.
+
+TEN SERMONS IN ILLUSTRATION OF THE CREED. By the REV. W. G. TUPPER, Warden
+of the House of Charity, Soho; and late Scholar of Trinity College, Oxford.
+Fcap. 8vo., cloth, 4s.
+
+    "In his 'Sermons on the Creed,' Mr. Tupper has condensed, with much
+    painstaking, and an evident sense of deep responsibility, the dogmatic
+    teaching of the Church."--_Christian Remembrancer._
+
+A NEW EDITION of DAILY STEPS TOWARDS HEAVEN. A Small Pocket Volume,
+containing a few Practical Thoughts on the Gospel History; with Texts for
+every Day in the Year, commencing with Advent. Fifth Edition. In roan
+binding, gilt edges, 2s. 6d.
+
+DESCRIPTIONS OF CANAAN; being an Account of the Mountains, Rivers, and
+Towns of the Holy Land. By the REV. C. P. WILBRAHAM. Fcap. 8vo., with Map,
+cloth, 1s.
+
+*** This Manual is particularly adapted to the use of Parochial Schools.
+
+       *       *       *       *       *
+
+TALES AND STORIES FOR CHRISTMAS.
+
+OLD CHRISTMAS. A Tale. 16mo. 6d.
+
+THE SINGERS OF THE SANCTUARY, and the MISSIONARY. Two Tales. By the Author
+of "Angels' Work." 16mo. 2s. 6d.
+
+ANGELS' WORK; or, the Choristers of St. Mark's. Second Edition. 2s.
+
+ANN ASH; or, the History of a Foundling. A Narrative founded on Fact. By
+the Author of "Charlie Burton," "The Broken Arm," &c. 18mo. 2s.
+
+KENNETH; or, the Rear Guard of the Grand Army. By the Author of "Scenes and
+Characters," "Kings of England," "Heir of Redclyffe," &c. Second Edition.
+Fcap. 8vo. 5s.
+
+SPECULATION A Tale. By the REV. W. E. HEYGATE. Fcap. 8vo. 5s.
+
+PASTOR OF WELBOURNE AND HIS FLOCK. 18mo. 2s.
+
+LITTLE MARY. Third Edition. 18mo. 1s.
+
+HENRY VERNON; or, the Little Anglo-Indian. A New Edition. 18mo. 1s.
+
+ADA'S THOUGHTS; or, the Poetry of Youth. Fcap. 8vo., cloth, gilt edges, 2s.
+6d. (Just Ready.)
+
+       *       *       *       *       *
+
+SMALL BOOKS FOR PRESENTS.
+
+THE PRACTICAL CHRISTIAN'S LIBRARY: a Series of Cheap Publications for
+General Circulation.
+
+                                                  s. d.
+  Learn to Die (Sutton)                           1  0
+  Private Devotions (Spinckes)                    1  6
+  The Imitation of Christ (a Kempis)              1  0
+  Manual of Prayer for the Young (Ken)            0  6
+  The Golden Grove (Taylor)                       0  9
+  Life of Ambrose Bonwicke                        1  0
+  Life of Bishop Bull (Nelson)                    1  6
+  Companion to the Prayer Book                    1  0
+  Selections from Hooker (Keble)                  1  6
+  Practical Christian (Sherlock). Part I.
+  2s.; Part II. 2s.; 1 vol.                       4  0
+  Learn to Live (Sutton)                          2  0
+  Doctrine of the English Church (Heylin)         0  8
+  Holy Living (Bp. Taylor)                        1  6
+  Holy Dying (Bp. Taylor)                         1  6
+  Tracts on the Church (Jones of Nayland)         1  6
+  The Figurative Language of Holy Scripture
+  (Jones of Nayland)                              1  6
+  Confessions of St. Augustine                    1  6
+  Exposition of the Catechism (Nicholson)         1  6
+  Thoughts on Religion (Pascal)                   1  6
+  Wilson on the Lord's Supper                     1  0
+  Wilson's Sacra Privata                          1  0
+
+LITTLE BOOKS FOR PRESENTS,
+
+SELECTED FROM THE PAROCHIAL TRACTS.
+
+                                                  s. d.
+  Words of Advice and Warning, limp               1  6
+  Baptism, limp                                   1  0
+  The Chief Truths, limp                          1  0
+  The Church Service, limp                        1  6
+  The Holy Catholic Church, limp                  1  0
+  Tracts on the Ten Commandments, limp            1  0
+  Confirmation, limp                              1  0
+  The Lord's Supper, limp                         1  0
+  Meditation and Payer, limp                      1  0
+  Tracts for Female Penitents, limp               1  6
+  Tracts on the Prayer Book, cloth                3  0
+  Daily Office for the Use of Families, roan      1  0
+  Tales and Allegories, illustrated, cloth, gilt  3  6
+  Parochial Tales, cloth, gilt                    2  6
+  Tracts for Cottagers, cloth, gilt               2  0
+  Devotions for the Sick, cloth                   2  6
+
+
+       *       *       *       *       *
+
+THE PENNY POST for 1853 is now ready, bound in cloth, lettered, with
+Frontispiece, price 1s. 6d.
+
+       *       *       *       *       *
+
+JOHN HENRY PARKER, Oxford; and 377. Strand, London.
+
+       *       *       *       *       *
+
+
+Printed by THOMAS CLARK SHAW, of No. 10. Stonefield Street, in the Parish
+of St. Mary, Islington, at No. 5. New Street Square, in the Parish of St.
+Bride, in the City of London; and published by GEORGE BELL, of No. 186.
+Fleet Street, in the Parish of St. Dunstan in the West, in the City of
+London, Publisher, at No. 186. Fleet Street aforesaid.--Saturday, January
+7. 1854.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, Number 219, January
+7, 1854, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES, QUERIES, JANUARY 7, 1854 ***
+
+***** This file should be named 27614.txt or 27614.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/2/7/6/1/27614/
+
+Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
+and the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Library of Early
+Journals.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/27614.zip b/27614.zip
new file mode 100644
index 0000000..04e8427
--- /dev/null
+++ b/27614.zip
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..de6e920
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #27614 (https://www.gutenberg.org/ebooks/27614)