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diff --git a/2742-h/2742-h.htm b/2742-h/2742-h.htm index 67f00ac..9e782d1 100644 --- a/2742-h/2742-h.htm +++ b/2742-h/2742-h.htm @@ -1,10 +1,10 @@ -<?xml version='1.0' encoding='utf-8'?> -<!DOCTYPE html PUBLIC '-//W3C//DTD XHTML 1.1//EN' 'http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd'> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<!DOCTYPE html> +<html lang="en"> <head> -<meta http-equiv="Content-Type" content="text/html; charset=utf-8" /> -<meta name="generator" content="Docutils 0.12: http://docutils.sourceforge.net/" /> -<style type="text/css"> +<title>The Cenci—1598 | Project Gutenberg</title> +<meta charset="utf-8"> +<meta name="generator" content="Docutils 0.12: http://docutils.sourceforge.net/" > +<style> /* Project Gutenberg common docutils stylesheet. @@ -328,7 +328,7 @@ h4 tt.docutils, h5 tt.docutils, h6 tt.docutils { ul.auto-toc { list-style-type: none } </style> -<style type="text/css"> +<style> /* Project Gutenberg HTML docutils stylesheet. @@ -404,72 +404,12 @@ span.dropspan { font-variant: small-caps } /* DIV */ pre { font-family: monospace; font-size: 0.9em; white-space: pre-wrap } </style> -<title></title> -<meta name="DC.Creator" content="Alexandre Dumas, Pere" /> -<meta name="DC.Title" content="The Cenci" /> -<meta name="PG.Rights" content="Public Domain" /> -<meta name="DC.Language" content="en" /> -<meta name="DC.Created" content="1910" /> -<meta name="PG.Released" content="2004-09-22" /> -<meta name="PG.Producer" content="David Widger" /> -<link rel="coverpage" href="images/cover.jpg" /> -<meta name="PG.Title" content="The Cenci" /> -<meta name="PG.Reposted" content="2016-11-27 corrections made" /> -<meta name="PG.Id" content="2742" /> - -<link href="http://purl.org/dc/terms/" rel="schema.DCTERMS" /> -<link href="http://id.loc.gov/vocabulary/relators/" rel="schema.MARCREL" /> -<meta name="DCTERMS.title" content="The Cenci" /> -<meta name="DCTERMS.source" content="/home/widger/test/test.rst" /> -<meta scheme="DCTERMS.RFC4646" name="DCTERMS.language" content="en" /> -<meta scheme="DCTERMS.W3CDTF" name="DCTERMS.modified" content="2016-11-27T19:24:54.272514+00:00" /> -<meta name="DCTERMS.publisher" content="Project Gutenberg" /> -<meta name="DCTERMS.rights" content="Public Domain in the USA." /> -<link href="http://www.gutenberg.org/ebooks/2742" rel="DCTERMS.isFormatOf" /> -<meta name="DCTERMS.creator" content="Alexandre Dumas, Pere" /> -<meta scheme="DCTERMS.W3CDTF" name="DCTERMS.created" content="2004-09-22" /> -<meta content="width=device-width" name="viewport" /> -<meta content="Ebookmaker 0.4.0a5 by Marcello Perathoner <webmaster@gutenberg.org>" name="generator" /> +<link rel="coverpage" href="images/cover.jpg" > </head> <body> -<div class="document"> - <div>*** START OF THE PROJECT GUTENBERG EBOOK 2742 ***</div> -<div class="vspace" style="height: 4em"> -</div> -<p class="noindent pfirst"><span></span></p> -</div> -<div class="align-center auto-scaled figure margin" style="width: 80%" id="figure-11"> -<img class="align-center block" style="display: block; width: 100%" alt=" " src="images/cover.jpg" /> -</div> -<div class="line-block outermost"> -<div class="center line"><span class="bold x-large">THE CENCI</span></div> -<div class="center line"> </div> -<div class="center line"><cite class="italics">By</cite></div> -<div class="center line"> </div> -<div class="center line"><span class="bold x-large">Alexandre Dumas, Pere</span></div> -<div class="center line"> </div> -<div class="center line"><span class="small-caps">From Eight Volumes of "Celebrated Crimes"</span></div> -<div class="center line"> </div> -<div class="center line"> </div> -<div class="center line"><span class="large">1910</span></div> -</div> -<div class="clearpage"> -</div> -<div class="level-3 section" id="id1"> -<h3 class="level-3 pfirst section-title title"><span>CONTENTS</span></h3> -<div class="container contents"> -<ul class="compact simple toc-list"> -<li class="level-2 toc-entry"><p class="first pfirst"><a class="reference internal" href="#the-cenci1598" id="id3">THE CENCI—1598</a></p> -</li> -<li class="level-2 toc-entry"><p class="first pfirst"><a class="reference internal" href="#id2" id="id4"><strong class="bold">THE CENCI—1598</strong></a></p> -</li> -</ul> -</div> -</div> -<div class="clearpage"> -</div> -</div> +<div class="document"> +<h1 class="level-2 pfirst section-title title"><a class="toc-backref" href="#id3"><span>THE CENCI—1598</span></a></h1> <div class="level-2 section" id="id2"> <h2 class="level-2 pfirst section-title title"><a class="toc-backref" href="#id4"><strong class="bold">THE CENCI—1598</strong></a></h2> <p class="pfirst"><span class="dropcap" style="font-size: 3.00em">S</span><span class="dropspan">hould</span><span> you ever go to Rome and visit the villa Pamphili, no doubt, after having sought under its tall pines and along its canals the shade and freshness so rare in the capital of the Christian world, you will descend towards the Janiculum Hill by a charming road, in the middle of which you will find the Pauline fountain. Having passed this monument, and having lingered a moment on the terrace of the church of St. Peter Montorio, which commands the whole of Rome, you will visit the cloister of Bramante, in the middle of which, sunk a few feet below the level, is built, on the identical place where St. Peter was crucified, a little temple, half Greek, half Christian; you will thence ascend by a side door into the church itself. There, the attentive cicerone will show you, in the first chapel to the right, the Christ Scourged, by Sebastian del Piombo, and in the third chapel to the left, an Entombment by Fiammingo; having examined these two masterpieces at leisure, he will take you to each end of the transverse cross, and will show you—on one side a picture by Salviati, on slate, and on the other a work by Vasari; then, pointing out in melancholy tones a copy of Guido’s Martyrdom of St. Peter on the high altar, he will relate to you how for three centuries the divine Raffaelle’s Transfiguration was worshipped in that spot; how it was carried away by the French in 1809, and restored to the pope by the Allies in 1814. As you have already in all probability admired this masterpiece in the Vatican, allow him to expatiate, and search at the foot of the altar for a mortuary slab, which you will identify by a cross and the single word; Orate; under this gravestone is buried Beatrice Cenci, whose tragical story cannot but impress you profoundly.</span></p> @@ -642,358 +582,8 @@ pre { font-family: monospace; font-size: 0.9em; white-space: pre-w <p class="pnext"><span>As for Giacomo and Bernardo, as no portraits of them are in existence, we are obliged to gather an idea of their appearance from the manuscript which has enabled us to compile this sanguinary history; they are thus described by the eye-witness of the closing scene—Giacomo was short, well-made and strong, with black hair and beard; he appeared to be about twenty-six years of age.</span></p> <p class="pnext"><span>Poor Bernardo was the image of his sister, so nearly resembling her, that when he mounted the scaffold his long hair and girlish face led people to suppose him to be Beatrice herself: he might be fourteen or fifteen years of age.</span></p> <p class="pnext"><span>The peace of God be with them!</span></p> -<div class="clearpage"> -</div> -<div class="container margin transition"> -<p class="center pfirst"><span>――――</span></p> -</div> -<!-- -*- encoding: utf-8 -*- --> -<div class="backmatter"> -</div> -<p class="pfirst" id="pg-end-line"><span>*** END OF THIS PROJECT GUTENBERG EBOOK </span><span>THE CENCI</span><span> ***</span></p> -<div class="cleardoublepage"> -</div> -<div class="language-en level-3 pgfooter section" id="a-word-from-project-gutenberg" xml:lang="en" lang="en"> -<span id="pg-footer"></span><h3 class="level-3 pfirst section-title title"><span>A Word from Project Gutenberg</span></h3> -<p class="pfirst"><span>We will update this book if we find any errors.</span></p> -<p class="pnext"><span>This book can be found under: </span><a class="reference external" href="http://www.gutenberg.org/ebooks/2742"><span>http://www.gutenberg.org/ebooks/2742</span></a></p> -<p class="pnext"><span>Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright royalties. -Special rules, set forth in the General Terms of Use part of this -license, apply to copying and distributing Project Gutenberg™ -electronic works to protect the Project Gutenberg™ concept and -trademark. 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